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ISSUE 16
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SPECIALEDITION
GLOBALISSN 2817-1276
June 12, 2024

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THE ARCHITECTURAL ALCHEMIST
Philip Fung is a visionary architect, known for his
innovative and contextually sensitive work. He
inspires both peers and the public, reminding usof the profound impact of thoughtful and creativearchitectural practice.

REDEFINES SPATIAL EXPLORATION

Mirro Maze

In spring 2024, Philip Fung curated the “Mirror Maze”
at Hong Kong Harborfront, a collaboration between
Elsedesign and Tunghai University’s Department ofArchitecture. This innovative installation, inspired bychildren’s kaleidoscopes, transforms a 10m x 15m
site overlooking Victoria Harbor into a mesmerizing
landscape of reflections.

CONCEPT BLENDS NATURE AND
DESIGN

Chaozhou Dongshanhu Hotspring Hotel

Philip Fung’s Qingli Hotel Phase Two blends
nature and design to create a harmonious retreat
in a serene setting. This expansion integrates lush
greenery, natural light, and organic materials into its
architecture to enhance the guest experience andreflect the beauty of the surrounding landscape.

EMPTINESS IN ARCHITECTURE

VANKE MUSEUMGLOBALIn the bustling heart of Hong Kong, where modernity intertwines with tradition,
Philip Fung emerges as a luminary of contemporary architecture. As the founderand principal of Elsedesign since 2007, Fung has seamlessly blended innovation,expertise, and a profound sense of place into his architectural practice. His journey,rich with diverse experiences and accolades, paints a portrait of an architect who
not only designs buildings but also shapes experiences.

Fung’s book delves into six dimensions withthorough research and deep insights, providing atransformative viewpoint for architects and designenthusiasts.

Philip Fung’s early fascination with the built environment led him to The Chinese

INTERVIEW

University of Hong Kong, where he earned his Master of Architecture andBachelor of Social Science in Architectural Studies. His academic prowess laid asolid foundation for a career thatwould soon reach internationalheights. Fung’s professional pathbegan with significant stints at

Renowned architect Philip Fung’s interview on
inspiration reveals the transformative power thatshapes modern architecture, exploring the dynamic
interplay between creativity and context, andadding his vision for Asia Pacific, including China,Taiwan, and Japan.

ARCHITECTURE WITH MODERN FLAIR

HKhun Hotel

Philip Fung’s “HKhun Hotel” in Donggang,
Pingtung, blends 1980s Taiwanese architecturewith modernity. Preserving iconic elements likeiron railings and pebble walls, the hotel seamlessly
integrates into Donggang’s historic alleyways,
offering guests a unique experience.
The Mastermind Behind ElseDesign | Philip Fung

Herzog & de Meuron in Basel,“In every line and curve, a story
is woven from the fabric ofculture, society, and nature.
My work in architecture values
theseintricacies,creating
spaces that offer shelter andbreathe life into the people
who inhabit them.

“Switzerland,andinTheseBeijing.

Atelier

FCJZ

experiences

honed his skills and broadened
his architectural vision, preparing
himforthechallenges

andtriumphs that lay ahead. Fung’s
architecturalphilosophy

isdeeply rooted in the belief thatarchitecture transcends the mere
construction of buildings.

BY MERCI MAGAZINEP02ISSUE 16

Mirror Maze | Hong Kong

THE MASTERMIND BEHIND ELSEDESIGNBAUHAUS INFLUENCE: A RETURN TO RATIONALISM

Mirror Maze | Hong KongThe Bauhaus movement has profoundly influenced Philip Fung’s design ethos, shaping his architecture andexhibition design approach. Fung’s deep admiration for Bauhaus principles is not just a historical reference but aliving influence in his projects, such as the exhibition he designed for the Vanke Museum in China. He eloquently
articulates this influence: “Bauhaus is not just about the relationship between craftsmanship, aesthetics, andfunction in product or architecture design. It’s about rethinking our work rationally and simultaneously revealing
the true potential of technology and material. It contrasts classicism, which often resorts to excessive decorations
or monumental motifs to create architecture, a style our age no longer needs.”
This philosophy underpins Fung’s work, emphasizing simplicity, functionality, and the honest use of materials.
His projects avoid the ornamental excesses of classicism, instead opting for a clarity of design that speaks tocontemporary sensibilities. This rational approach is an aesthetic choice and a commitment to creating beautiful
and purposeful spaces.
In the heart of Hong Kong’s bustling harborfront, a new architectural marvel has emerged, capturing the city’svibrant essence in an innovative and mesmerizing way. The Mirror Maze, a collaborative effort between Elsedesign
and the Department of Architecture at Tunghai University, showcases the unique potential of reflective design,
inviting visitors to a captivating and thought-provoking experience.

Drawing inspiration from the Bauhaus movement, Philip’s muse infused a
dynamic energy into the design of the Vanke Museum project. Reflecting theethos of Bauhaus’s modernist principles, the museum’s architecture captures
the essence of momentum, blending form and function seamlessly. Philip’svisionary approach, influenced by Bauhaus’s innovative spirit, transformed theVanke Museum into a vibrant space that embodies both artistic expression andarchitectural ingenuity.

Commissioned in spring 2024 as part of a larger initiative inviting artists to reimagine the Wan Chai harborfront, theMirror Maze offers a fresh take on the traditional maze. Inspired by children’s kaleidoscopes, the installation uses
a series of connected rooms instead of pathways, encouraging non-directional exploration. This design allows
visitors to navigate dynamic spaces where each step reveals a new perspective.
“Strategically placed mirrors in Hong Kong capture and multiply the city’s skyline, turning the urban landscape intoa dynamic work of art. This reflective feature offers a stunning visual experience and encourages visitors to rethinktheir connection to the city, highlighting the ever-changing nature of urban life.”
ARCHITECTURE AS A MANIFESTATION OF CULTURAL AND SOCIAL VALUES
Philip is now based in Taiwan and continues to expand his architectural vision while maintaining a solid connection
to his roots in Hong Kong. His influence goes beyond his built works. He is dedicated to education, as demonstrated
by his role as an assistant professor at Tunghai University in Taiwan and his previous positions at the National
University of Singapore and The Chinese University of Hong Kong. Fung sees teaching not only as impartingknowledge but as a dialogue about the essence of architecture and its role in enhancing human lives. His belief
that architecture is a manifestation of cultural and social values permeates his teaching, serving as inspiration fora new generation of architects.
Reflecting on his design philosophy, Fung once said, “When a line appears on a plan, it does more than define
spatial relationships; it is the architect’s role to infuse these relationships with meaning.” This quote encapsulates
his approach to architecture: every design decision is imbued with purpose and thoughtfulness.
Recognition of Fung’s work is extensive. He has been honored with numerous awards, including the Merit Prizeat the HKDA Global Design Award, the Silver Prize at the Shenzhen Global Design Award, and the Best Public &Culture Architecture Award at the Ideatops International Design Award. These accolades not only mark his successbut also affirm his commitment to pushing the boundaries of architecture.

BY MERCI MAGAZINEThe Mastermind Behind ElseDesign | Philip Fung

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ISSUE 16

O N E STORY, ONE I NT E RVI E W

Exploring Creativity, Global Influence and Craftingcompelling and concise content
Your work at Elsedesign has attracted significant
attention, especially with projects like the Mirror
Maze at Hong Kong Harborfront. Can you tell us
about your journey into architecture?
I didn’t initially intend to become an architect. During mytime in school, I focused more on other subjects than
traditional architecture. However, as I began to work
and involve myself in the field, I developed a stronger
passion. The more I delved into architectural projects,
the more I came to appreciate how architecture
combines creativity, functionality, and technology inways other disciplines cannot.
The Mirror Maze is an enchanting project. Whatinspired this installation?
The inspiration for this creation came from the colourfulworld of children’s kaleidoscopes. I aimed to design
an installation that would provide a range of uniquespatial experiences through multiple reflections. My
goal was to depart from traditional maze designs
with set pathways and instead develop a series ofinterconnected rooms that would foster unguidedexploration. This approach enables visitors to perceive
Hong Kong’s lively cityscape in an innovative and everchanging manner.
How did your partnership with the Departmentof Architecture at Tunghai University impact theproject?
I worked with the talented team at Tunghai University.
Their fresh perspectives and expertise in exploringnew materials and sustainable practices enriched ourcollaboration. Their academic insights complemented
our design vision, leading to an innovative projectgrounded in practical architectural principles.
Your designs often strike a balance between
sustainability and modern aesthetics. How do you
manage this blend in your work?
Balancing sustainability and aesthetics is crucial incontemporary architecture. I believe in using cuttingedge technologies and eco-friendly materials to create
designs that are not only visually appealing but also
environmentally responsible. The goal is to craft spaces
harmonizing with their surroundings and promoting
ecological balance. It’s about finding that sweet spot

where form, function, and sustainability meet.
You mentioned that the Bauhaus movement
influences your work. Can you elaborate on how thisis reflected in your projects?
The Bauhaus movement emphasizes the relationshipbetween craftsmanship, aesthetics, and function,
which are core principles in my designs. For instance,
the Mirror Maze incorporates these ideas by using
mirrors to reflect and engage with the environment,
showcasing the true potential of technology andmaterials. This approach contrasts sharply with classicalarchitecture, which relies heavily on decorativeelements. Bauhaus encourages us to rethink our work
rationally while exploring new possibilities in design.
The Mirror Maze challenges traditional architecturalconcepts. Can you talk about how it redefines publicspace?
The Mirror Maze redefines public space by transforming
it into an interactive, reflective environment. Insteadof a fixed structure, it offers a fluid experience wherevisitors can explore and reinterpret the space fromdifferent angles. This project encourages people toengage with the urban environment in new ways,
promoting a deeper connection and understandingof the cityscape. It exemplifies how architecture cango beyond physical boundaries to create meaningfulinteractions.
In your book “Emptiness in Architecture,” you articulatea theory through six fundamental principles. Could you
explain how the principle of Duality influences your design
approach?
Duality in architecture involves balancing opposing forces,
such as light and shadow, public and private spaces, ormodernity and tradition. This principle is essential for creating
dynamic and versatile spaces. For example, in the Mirror Maze
project, we balanced reflective surfaces with open spaces tocreate an engaging environment. Embracing Duality allows
us to design buildings that cater to diverse needs and create
beautiful, practical spaces.”Your first project, the HKhun Hotel, was completed in
Taiwan, and you are about to start another project inJapan. How do you see yourself as a global citizen inarchitecture and design?

Being a global citizen in architecture and design isincredibly enriching. Working on projects in different
countries exposes me to diverse cultural influences
and unique challenges, which broadens my perspective
and enhances my creativity. The HKhun Hotel in Taiwan
was a pivotal project that allowed me to integrate local
traditions with modern design. As I embark on a new
project in Japan, I’m excited to explore how Japanese
aesthetics and principles of harmony and minimalism
can inform and inspire my work. Each project abroad
is an opportunity to learn, adapt, and contribute to theglobal architectural dialogue.
What advice would you give to aspiring architects
who are just starting their journey?
Stay curious and open to learning from various
disciplines. Architecture is not just about building
structures;it’saboutunderstandinghumanneeds, environmental context, and technologicaladvancements. Engage deeply with your projects; don’t
be afraid to experiment and push boundaries. Your
unique perspective is your greatest asset, so embraceit and let it guide your work.

THE BOOK OF
EMPTINESS IN ARCHITECTURE

deeplyComplexity: This concept acknowledges therooted in the belief that architecture surpasses

intricate cultural, social, and environmental

mere construction. It focuses on creating

layers that influence architectural design.

Philip’sarchitecturalphilosophy

isenvironments that enrich human experiences
and mirror the essence of their locations. InLivelihood: This concept focuses on thehis book, “Emptiness in Architecture,” he delves

human

into this philosophy, exploring the concept ofspaces that enhance the quality of life for“selfless architecture.” Fung introduces the idea

their occupants.

aspectofarchitecture,designingthat architecture should embody selflessness,
serving its users and their environments without

Ideology:

imposing its identity.

broader societal and cultural narratives thatThis

concept

considersthearchitecture can express and influence.
In ‘Emptiness in Architecture,’ Fung presents
his theory through six fundamental principles:

Reflection:

Duality, Formlessness, Complexity, Livelihood,architects to continuously self-evaluate andIdeology,adapt, learning from each project to improve

andReflection.

Theseprinciples

are theoretical concepts and practical toolsThis

concept

encourages

the next.

that guide Fung in creating functional andmeaningful spaces.
Formlessness: This concept emphasizes theimportance of adaptable and fluid spaces that
respond to users’ changing needs.

BY MERCI MAGAZINEISSUE 16

PRESERVING TAIWAN’S HERITAGE, CRAFTING MODERNITY

HKhun is Philip’s first architectural and design project in Taiwan. It is a captivatingarchitectural innovation and heritage preservation story at the HKhun Hotel inDonggang, Pingtung. This remarkable establishment skillfully blends old-world
charm with modern flair, reshaping the landscape of southern Taiwan’s hospitality
scene.
Situated in the historic streets of Donggang, the HKhun Hotel symbolizes

HKhun Hotelcreativity and rejuvenation. What distinguishes this boutique hotel is its precise
focus on details and its dedication to upholding the rich heritage of Taiwan’straditional two-story houses. Architects Philip Fung and Wang Yuhuan haveexpertly combined traditional and modern elements to create a seamless blend
of nostalgia and contemporary design.
The HKhun Hotel is unique in its ability to evoke a sense of history while
offering guests a fresh and immersive experience. The restored 1980s Taiwanesearchitecture, complete with iron railings, pebble walls, and mosaic facades,
transports visitors back in time while enveloping them in modern comfort.
The hotel’s carefully designed layout showcases the architects’ creativity. Eachfloor has its unique story, from the inviting reception area on the ground floor tothe cozy guest rooms on the upper floors. The use of glass bricks in the rooms
adds an elegant touch, allowing for ample natural light and a sense of openness
while maintaining the authentic Taiwanese aesthetic.
“The creativity of both architects is truly showcased in their innovative approachto privacy and ambiance. They strategically placed the bathrooms on the streetfacing side and incorporated glass brick walls for discretion without sacrificing
luminosity. The result is a secluded and inviting space, a true testament to theirarchitectural prowess.”“Travellers today are looking for unique and immersive experiences. The HKhun
Hotel is a perfect example of how heritage can be reimagined for the modernera. It’s more than just a place to stay; it’s a journey through time, a celebrationof tradition, and a testament to the enduring power of architectural creativity.”

Photos courtesy of Elsedesign Inc.
#ISSUE 16#ISSN 2817-1276
Managing Director: Peggy Lui
Editor and copywriter: Merci TeamArt Direction: Peggy Lui
Design by: Dasom Park
Printed in Japan/ Canada
Phone: +886 4 23590263
Email: philipfungko76@icloud.com
Website: https://www.designelse.com/

The Mastermind Behind ElseDesign | Philip Fung

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