Notes on Japanese Cartoonists Active in Korea under Japanese Rule, with a Focus
on IWAMOTO Shoji
KO Seong-Jun
The aim of this article is to introduce the activities of Japanese cartoonists active in Korea in the Japanese colonialperiod, especially those of Iwamoto Shoji (1912-?), who was active as a cartoonist and reporter for the magazine “ChosenKoron (KR: Joseon Gongron)” and the newspaper “Keijo Nippo (KR: Geongseong Ilbo)”. Regrettably, the studies onJapanese cartoonists from the colonial period have not appeared hitherto in either Korea or Japan, except for the excellentstudy by the “Seminar in Comparative Studies of Korea Japan Culture” in HOSOKIBARA Seiki (1885-1958)’s cartoon book,“Chosen Manga (KR: Joseon Manhwa)”. Consequently, the present article is the first attempt to study Japanese cartoonists
active in Korea.
After detailed study on several of Iwamoto’s cartoons that appeared in “Chosen Koron”, the author can point out thepossibility that Iwamoto learned how to draw cartoons directly from cartoonist / reporter SHIMIZU Taigakubo (1883-1970)
who had frequented Seoul as a member of “Tokyo Manga Kai” (Association of Cartoonists in Tokyo), although Iwamoto
did not have an opportunity to receive an academic education in the fine arts. As for Iwamoto’s style, it could be pointed outthat he often used thin, simple, ordinary lines in the first half of 1930s, but from the latter half of 1930s he created his own
original way of drawing, through which he vividly depicted many satirical cartoons.
The author also referred to Iwamoto’s identity as a second generation Japanese colonist in Korea. While cartoonists ofthe generation prior to Iwamoto, for example, TSURUTA Goro (1890-1969) or MAEKAWA Senpan (1889-1960) did not see
Korea as their home and returned to Japan as soon as they found work there, Iwamoto was proud of being born in Korea andraised on Korean rice. He even claimed that the jury of “Senten (KR: Joseon Mijeon)” (Korea Art Exhibition) who came fromJapan didn’t understand the situation of the Korean art world.

(Assistant Curator, The Niigata Bandaijima Art Museum)■ 58

A Study on the Relations between Art Museums and Schools
AOKI Yoshiharu1) Developing Activities based on the Logic of Children’s BehaviorThrough the creation of a new activity based on children’s learning behaviors and logic, I will examine how children improvetheir logical thinking skill and learn in their behavior and activities by interacting with objects, things, and people.
Through clinical education practices, I will investigate the relationships children have with objects, things, and people thatmake up the learning process, and the “academic ability,” “fundamentals/basics,” and “evaluation” that form the basis ofsupport.
2) Developing Activities that Children Learn From
Based on of the significance of “appreciating” arts and crafts activities, I will explain what is occurring when a type of art andcrafts activity is taking place from the viewpoint of the generation of relations and meaning through behavior and activities.
3) Analysis of Logic Generation through Children’s Behavior and Activities in Learning Situations
How do children learn by interacting with their environment, circumstances, and people?
I used a video recorder to record the learning process wherein children make connections by interacting with objects andpeople, and through their behavior and activities in an easily observable classroom environment.
I will describe the children’s conversations, interactions, and crafting activities, and try to make sense of how relations
are made between the children’s actions and the arts and crafts projects using the methods in interaction analysis andethnomethodology. That is to say, I will explain children’s behavior when learning and the logic of their actions.

(Educator, The Niigata Prefectural Museum of Modern Art)

59 ■

Study Report on Yusaku Kamekura’s Nikon Collection
IMAI Yu
The Niigata Prefectural Museum of Modern Art has numerous works and materials from Yusaku Kamekura (1915-1997,born in Tsubame, Niigata), a graphic designer who left a huge mark on Japan’s post-war design world. This collection ismade up of pieces donated to the Niigata Prefectural Museum of Modern Art during Kamekura’s lifetime and then after hisdeath. The collection is incredibly diverse, and includes completed works such as posters, book covers, and packages as well
his rough drafts for printing, pictures of his works, portraits of the artist, magazine and newspaper articles, and even somesketches. The museum has, over many years, been able to arrange and examine this huge collection.
This manuscript will serve as an interim report on the arrangement and examination of the “Yusaku KamekuraCollection,” and in it we will be presenting our findings from studies in progress on selections of Kamekura’s most famous
success, his work with the Nikon Corporation, which is highly lauded in the design world.

(Assistant Curator, The Niigata Bandaijima Art Museum)■ 60