Animator’s Guide to Creating an Online Presence
By Ron Doucet, Jan. 2011

Over these last few years, it has become essential for animation artists to look at how thethey present themselves to existing and potential clients, producers, directors and studioheads. As I’ve been teaching animation courses these past few years, I’m always stressing
the importance of creating a web presence and the need to have that presence fully laidout and bursting with a variety of content by the time a student graduates. When I
graduated animation college in 1999, a printed portfolio and a VHS cassette of your show
reel was all you needed. You’d make 10 copies of each, and spend hours researching themailing addresses for various studios in the country. Not all studios had a website backthen, but you would go to the post office, bundle up your demo tape and your printed
portfolio (the one you spent hours at Kinko’s building so the print margins, colors, andcoil-binding were just right), and send it out to the studios… and hope for the best.
A lot has changed in the last 10 years. It’s no longer an option for an animator, storyboard
artist, game designer, CG artist, special effects artist, or motion graphics designer to NOT
have a website promoting themselves. All film / television and video game production
companies have a web presence, and so should you!
Regardless of your creative or technical discipline, your website is the foundation of how
you are perceived. Even if you are very good at what you do and your work is
predominantly in print or as digital video files (pencil tests or movie renders), your online
portfolio is usually the first stop of call for people looking to commission or hire you. Since
directors and clients can sometimes be a bit nervous about hiring someone purely based
upon your apparent skills displayed on some site, a studio head may contact you for aquick design test, an animation test, or a phone interview. Can you blame them?
Thousands or millions of dollars are on the line. Sure, they may send you a layout test ora modeling test, but it’s worth it, and time may be of the essence, so they usually wantyour test quickly so they can determine your level of quality, skill, and experience.
For positions as video game concept artists, the company may have you fly in for a oneon-one interview and a hands-on Photoshop painting test. Studios have you do tests tomake certain you can do what you claim, as well as determining your speed andtechnique.
You need to put all your good stuff on an easy-to-see site for your employers to view andcomb through. Something, clear, simple, direct, and easy to edit. Something you cancustomize. Something you can easily make different versions of (one focusing on design
the other on animation). Tailor your e-mail based cover letter to have that web address
handy and to make sure what you are about to give them is appropriate to the job you’regunning for.
Now this goes for standard 2D and 3D design or animation jobs. Everything here is
relevant to any type of animation artist you happen to be. 3D modeling, rigging, special
effects, and animation, as well as 2D traditional or Flash/Toonboom/Photoshop design,
layout, character animation, BG line art/paint, compositing, etc.

If only there was a way for an animation artist to be able to freely and easily create a
website with a resume, portfolio, and a high resolution video with your show reel on it, allcontained in one fast and easy-to-build web address. AH HA! There is! But first you mustregister to some websites, it will only take 30 minutes, and it’s worth it.

- The three websites you MUST first register to Vimeo | YouTube – vimeo.com | youtube.com - Upload your animation demo reel here.
Blogger - blogger.com - Upload designs and sketches here and embed your demo reelfrom YouTube.
Linked In - linkedin.com - Build your full resume here, start making connections withfriends and past employers to stay in contact with potential work, place a link of yourprofile to your blog.
Optional: Elance | Guru | Paypal – elance.com | guru.com | paypal.com – Create an
account and register to elance and guru to get access to thousands of potential freelancejobs. display samples of your work by showing clients your blog which showcases yourartwork, a link to your demo reel, and a link to your full resume. PayPal is the fastest andeasiest way for a client to safely pay you directly to your banking account with just an email address.
Go to each one and create a new account (if you haven’t already). Try to keep the samee-mail, username, password for all of them, so do you don’t forget how to log in later. I
would suggest to create a new Gmail account (gmail.com) to make things easier. Theseare essential because you can link all of these to or from your blog website (made at
blogger.com). This new online e-mail can be your “professional e-mail” from now on, only
production and work-related stuff goes to and from this e-mail. Why choose blogger as
your homebase? Because it’s simple! Keep in mind you are not being hired for your web
design skills, you are being hired for your visual storytelling skills, your layout/backgrounddesign skills, your character acting/animation skills, your 3D modeling and rigging skills,
or whatever it is you are specializing in. So a very simple website displaying your work is
all you need. Your work must speak for itself, whether it’s video or just design orstoryboard work, keep it simple!
It literally will take you about a half hour to signup to all five of these websites. Oncecomplete, you have to fill them with content, some will be repetitive, and potentiallyredundant, but trust me, it’s worth it.

- The Full Breakdown Vimeo - YouTube
Put together a 1-3 minute showreel.
Here’s the secret of how to put one together; Show you’re best stuff FIRST, your second
best stuff last, and everything else in-between. Place your name and e-mail at the startand end. Emphasize your strengths, make sure your demo reel is relevant to the job youwant. If you’re applying as a character animator don’t send your YouTube reel that has all
your compositing work. Focus on your strengths, if you are not good at modeling, getstock models and concentrate on animation. If you’re strength is in 3D character design,
don’t show off your mediocre animation skills, show the stages and process of yoursculpting/modeling skills. For character animation, show how you can do lip-sync andexaggerated character acting or subtle/sentimental acting.
Over the years I’ve had the pleasure of screening
hundreds of demo reels. I’ve seen plenty of good
ones and bad ones, but even though the format haschanged from VHS (the standard demo reel format in
the year 2000) to CD, then DVD, and now being
entirely online, I had always noticed a similar patternof errors in the editing and assembling of the reels
themselves. So here’s some suggestions (especiallyfor those making their first) on how to construct a
more successful demo reel.
Remember: The main purpose of your demo reel isto SHOW OFF YOUR SKILLS.
The key to getting a career in the animation industry(whether its video games, feature animation special
effects, motion graphics or whatever) is to MAKE
YOUR SELF VALUABLE.
That’s the ultimate secret. If you appear valuable as
an artist to an employer or studio head, you’ll most
likely get the job.
It doesn’t matter what your specialties are; Flashanimation, classical animation, Toonboom, 3D
modeling/rigging. If you only have tests andexercises, and only traditional animation or only
Maya, that’s fine, as long as you show ONLY the best
stuff. A one minute reel with good character acting isbetter than 4 minutes of all the stuff you’ve everdone. Show you can display emotions with subtle facial animation and strong acting
principles … it’s all in the eyes. If you can, show diversity with different design styles.
Remember, your employer sees a lot of demo reels, keep it moving, learn to trim and cut
your shots tightly. Only do a slide show of artwork if you are tailoring a demo reel toshowcase design and paint work for an employer. Fine art, BG color keys, character color
models are fine, but a simple blog could showcase these images in a much better way.
YouTube isn’t your only option, Vimeo.com and DailyMotion.com are all healthy
alternatives.
What is the purpose of an animation demo reel? Whether it’s focus is on special
effects, character animation, background art, environment design, or motion graphics, 2D
or 3D… it’s goal is always the same; To showcase your skills and get you the job you’relooking for.

To start off, let’s look at the formula you should follow.
A) Content Placement: Put all your best stuff at the start, your second best stuff at thevery and, and everything else scattered inbetween. Why? You want to give the viewer astrong impact at the very start to hold their interest and impress them from the very
beginning. Then you end it all on a sweet note by finishing it with your 2nd best work.
B) Time: Keep the length of your reel between 1:30 and 2:30 in length. That’s 90-150
seconds. Why? Anything over two minutes begins to feel like overkill. Whether you have 1
year of experience or 10, most employers don’t want to sit through 3+ minutes of video
clips that have no connecting story. 95% of the time the employer has decided within thefirst 30 seconds if you are a potential candidate or not. So keep your short films separate
from the reel, provide a link to other longer works whether they are entirely your own
creations or collaborations with others, and keep your demo reel short and sweet.
C) Titles: Name, Specialty and Contact Information at the head and tail of your reel,
you’d be surprised how many reels I’ve seen that did not have this. Also, if possible, havethis info as a semi-transparent image/text at the bottom of your screen during the wholereel. Clear and easily readable but not too big as to crop of any of your visuals. Title cards
should be up for 3 to 4 seconds, except your final one at the tail end, that one can stay on
for a while longer.

When crafting your demo reel there’s always four main things to consider.
1- Pacing: How you edit and cut your reel together could mean the difference between aboring, slow-paced reel, or a nice, smooth and exciting reel. Never be afraid of your reelbeing too short, anything over 1 min. is fine, as long as it only shows your very best stuff.
Filling up time with mediocre content only damages your chances of getting the job. Also,
make sure you’re not cutting and moving too fast, give a chance for the viewer to take inall the info. Always remember: Quality over Quantity.

2- Style: Find one typeface to use and use only that one through out your reel for titles
and contact info. When it comes to displaying 3D models don’t go crazy with all kinds ofdifferent background textures that distract from the main centre of attention. Fonts,
colors, backdrops, and soundtracks should be kept simple and consistent.
3- Content: This is what it’s all about! Takea lot of time to narrow down only the very
best clips you’ve completed to stack into yourreel. Ask friends/co-workers/classmates towatch your shots and tests to determine
which ones showcase your skills best in
Story, Character, Physicality, Acting, andEntertainment Value. Content is what you’ll
spend the most time on, it is the mostimportant part, THIS is what will show aclient or employer that you have what it takes
to be on the production.
4- Music: Keep it simple and non-abrasive,
the soundtrack should never draw attention
to itself. If your reel has lots of lip sync tests
or cuts from shows/films you’ve worked onwith dialogue, then leave out the music
entirely. Unless of course you dedicate a
portion of your reel to possibly just design ormodeling, then a bit of jazz wouldn’t hurt.
Some directors and producers actually preferno music at all, I tend to disagree assometimes it can add a lot to the mood of theentire piece. Many directors turn off thesound entirely (unless there’s lip
sync/dialogue involved), so your choice ofmusic doesn’t matter much, as long as it is
not at all distracting or abrasive to yourvisuals.
When it comes to your first reel (perhaps
near the end of your college animation
program) there are a couple things to
consider:1) If you have little to no production
experience, you are a recent graduate
seeking your first project in theindustry, you must impress yourpotential employer, this is the whole
purpose of your demo reel. Don’t beat
yourself over the fact your stuff isn’t asgood as the pros you admire online.
Focus on your strengths and display only your strengths.

2) If you are a student about to graduate; professionalism, versatility, andresourcefulness are the qualities you want to show with the clips and images you’re
displaying. Most likely you only have classroom exercises and personal projects toshowcase, stay confident, cut out any elements that may expose your weaknesses,
and study the massive amounts of kick-ass reels online to get a sense of what works
and what doesn’t.
The “look” of your reel.
Why should you be concerned over the overall layout and compositional design of yourreel? It shows the employers your willingness to go the extra mile and treat this reel as anice little movie with a start, middle and end with a clean and professional look to it. You
can spend countless hours re-arranging your clips in an attempt to create a nice flow fromone shot to the next, and that’s a good thing, all the extra effort will show off in the end
result. If your subject placement and your camera moves are even a bit distracting orover-done, then you instantly leave a bad impression. Work on making smooth and subtle
camera moves that showcase your environments and set designs or background art. With
human-like character you’ve got a tall vertical shape that’s centered with lots of deadspace on the sides, so avoid the middle! When you have a walk cycle looping on one sideof the frame make sure to display the character rig on the other side.
For 2D stuff, generally you see blogs having samples of model sheets and poses forcharacter design work. For 3DCG artists you display your character models on turntables,
cross-fading the wireframe with the shaded versions, etc. With the advent of HD demoreels, having a wide screen format for your 3D reels often creates more wide open spacearound the characters you are displaying, whether its a run cycle or just a 360-turnaround, all this negative space can look unappealing. This creates an inefficient use of
space by centering the often very vertical figure. To remedy this, always try to fill up somedead space with other views or elements of the subject. For 3D models, you can have thefigure on the turntable while you display close-ups or the texture map on the other side of
the frame.
When choosing your typeface don’t ever go with a scripty, flamboyant, distressed or
grungy font. Go with something simple, clear and legible. Arial Bold or Arial Rounded isn’t
a bad choice, or anything clean and easy to read like this.
Let’s take a look at some examples.
Observe the Demo Reel of CG artist André Boudreau: http://vimeo.com/9899376
3D Maya Generalist is what he is selling himself as, tracking, compositing, modeling,
animation, texturing/shading, lighting, environments/sets and character designs are
displayed. The speed, pacing, audio, camera work, editing, and framing is simple andsmooth. Therefore his reel appears professional, versatile, and shows its maker isresourceful and knowledgeable for an entry-level position as a 3D-CG artist.
Take a look at Wes Kandel’s Visual Effects Demo Reel: http://vimeo.com/7159058
The music does not draw attention to itself, it does not distract, but rather it compliments
the well paced out visuals. A high level of design is present in his style, he definitely
focuses on nothing but his strengths.

Marvel at the work behind this film by Gobelins students:
http://www.lebuilding.com/makingof.htm
This isn’t a demo
reel, but it has all the same properties. The Quicktimes presented here show a variety ofdesign and animation processes both for the 2D and 3D elements of the short film.
Displaying how the character and prop rigs operate and the layers of production placed in
the film are a great inspiration of how you could lay out your own reel.
Rigger/Animator, Peter Driscoll, displays clear, simple and effective use of maximizing thespace within the frame to show samples of his modeling skills and how the character rigs
operate: http://vimeo.com/11309843
The character technical direction reel of Scott Peters includes examples of motion capture,procedural skeletal animation, procedural geometry construction and an advanced skeletal
system intended to make posing and animating more intuitive and powerful:
http://vimeo.com/19683816
Examine Mirco Chen’s Demo Reel: http://www.youtube.com/watch?v=PD8IWu1kac8
This is a nice example of versatility in a show reel. A unique assortment of graphic styles,
timing, velocity, pencil tests, symbols-based animation, traditional frame-by-frame Flashanimation, some designs and FX displayed with a nice blend of humor, acting, andperformances showcased.
Study the Character Animation Reel of Trevor Hsieh:
http://erikleeanimation.sslpowered.com/trevorhsieh/index.html
Here’s a clinic in simplicity. Only 6 clips totaling only an minute of footage, showcasing
one thing; His skills in 3D character acting. Short, simple, and to the point.
Check out this nice 3D Modeling Reel by Ruben Matrinez: http://vimeo.com/11797682
Artful, stylish, nice typography, good color sense, and lighting that compliments the smain
ubject instead of distracting from it. Lots of attention to detail that makes it a very
professional looking piece.
Jonathan Paine’s 3D Character Modeling reel will blow you away:
http://vimeo.com/10763826
Again, simple and effective display of his strongest skills. You know exactly what he’s
capable of, what his specialty is, and what level his design skills are at. He shows relevant
clips of the production he worked on with the model he made for that production. As isthe case with many animation artists, you work behind the scenes and so you must show
the context in which your work was applied. The same goes for storyboarding and layout,
show samples of the progression of your shots and what your part was in its construction.
Observe Matt Sheppard’s Character Animation Reel: http://vimeo.com/10986002
The brilliant part of this is that only 10 seconds of the 140 second reel is production work,with a dab of 3D to show how he’s been teaching himself that aspect also, the rest is all
personal work! Directors LOVE to see this. It shows self-motivation, creativity, initiative,
and storytelling skills that many directors and studio heads are looking for.
http://www.reelbarrow.com is a website dedicated to finding the most inspiring animation
showreels on the internet and featuring them in one easy to navigate website.
There’s plenty more samples all over the internets, like here.

Whether you are training to be a 3D or 2D animator, or even if you have a couple years ofexperience, you can absorb tons of inspiration through 11 second club. You can download
past audio clips and animate your character to your favorite dialogue track. When you
have the time, watch the eCritiques from big-name industry professionals, most of them
have a lot of profound advice on timing, motion and acting for each month’s winningentry. Many professional animators and animation students use this as a way to staycreative or as a great opportunity to practice and learn more about character acting. Even
if you cannot meet the monthly deadlines, keep working at it and it can end up being agreat demo reel piece.
When applying for a job as a character animator, your reel is your most important
weapon. The resume and portfolio fall by the wayside as this mini-movie is truly your one
biggest chance at getting that job.
If you are an animation generalist and haven’t specialized in much of anything yet, thenshow some variety; Flash animation, classical animation, Toonboom, Photoshop-madeconcept art and/or 3D modeling clips. It’s OK if you only have tests and exercises in
traditional animation or Maya, but show ONLY the best stuff.
A one minute reel with good character acting is better than 4 minutes of all the stuff
you’ve ever done. For character animation reels – show you can achieve emotions withsubtle facial animation and strong acting principles … it’s all in the eyes. For 3D
environment modeling reels – show the stages of the set being built, keep the camera
moves soft and slow. The same goes for 3D and 2D character designs. Show multiple
views/rotations and the stages in which you created the character and props. If possible –show diversity with different design styles, ie: very stylized/cartoony vs. more realistic.
DOs and DON’Ts-Do make sure all the information on your title cards are correct, check for spelling
mistakes and typos, and have friends double check them too.
-Do show your reel to many of your peers, classmates, co-workers before posting it
online, get feedback from them, and do appropriate changes. Choose carefully the content
of your reel, take your friends’ advice into consideration if they find some parts too
repetitive or certain clips unnecessary. Trimming down your reel to a shorter and higher
quality piece could increase your chances.
-Don’t do a chronological work history.
-Don’t ask the employer for feedback.
-Don’t include early tests, tutorials, or incomplete work.
-Don’t have a slide-show of your life drawings (that’s what your online portfolio blog is for).
-Don’t include work in progress, you CAN show the multiple stages from concept tocompletion of a model, animated scene, ie: rough concept sketch > clean sketch > final
color design > rough sculpt > final 3D model > textures/UV map > Llghting > final comp.
More info on Demo Reels can be found all over cyberspace:http://www.grafixjobs.com/index.php?option=com
content&view=category&layout=blog&id=36&Itemid=70
http://splinedoctors.blogspot.com/2006/01/demo-reel-tips.html
http://www.animationmentor.com/webinar/replay/20080709carlos/carlos1.html
http://www.pixarcanada.com/demo reel.html

Update your reel every 6-12 months, or after each major contract.
If you have a new project coming up right after, well, you don’t need to update your reel,
you’re too busy getting ready for the next production. When you have some downtime ora lengthy break between gigs, take the time to update that reel. Always save all theoriginal source files and project files that you used to construct your reel, so you won’t
have to go digging for some old clips all over again. Whether it’s FinalCut Pro, Premiere,
iMovie, or whatever the software you use, keep it clean and organized so it makes theprocess of removing old stuff and adding new stuff in relatively painless.
Remember, your employer sees a lot of demo reels, keep it moving, learn to trim and cut
your shots tightly. Only do a slide show of artwork if you are tailoring a demo reel toshowcase design and paint work for an employer. Fine art, BG color keys, character color
models are fine, but a simple blog might showcase these images in a much better andmore high-resolution format.
Vimeo and YouTube seem to be most popular high-resolution options for free online
demo reel hosting, it’s easy, fast, and high-definition compatible. Thanks to programs like
Flash and Maya, you can always render at very high resolutions without any problems, andonline video sharing sites can accept many types of sizes and formats.
Best formats that YouTube accepts: * Video Format: H.264, MPEG-2 or MPEG-4
preferred * Resolution: 640x360 or 853x480 or 1280x720 (16:9 aspect ratio) * Quality:
At least 4000 kb/s * Audio Format: MP3 or AAC preferred * Frames per second: 24 (or23.97) * Maximum file size: 1 GB
Free and easy-to-use software for assembling your show reel together:
VirtualDub - http://virtualdub.sourceforge.net/ VirtualDub isn’t available for Mac but the freeprogram Avidemux has similar functionality - http://fixounet.free.fr/avidemux/
MPEG Streamclip - http://www.squared5.com/
Quicktime (Only needed if you don’t already have the h.264 codec):
http://www.apple.com/quicktime/download/
iMovie comes free with any Mac computer, it takes a bit longer to learn it, but it’s a powerful tool http://en.kioskea.net/telecharger/telecharger-1238-imovie-hd
Depending on what Operating System you have, there are many different versions of iMovie http://www.versiontracker.com/dyn/moreinfo/macosx/10228

Blogger:THIS IS YOUR HOMEBASE! Start uploading your figure drawings, rough character designs,
finished & colored character and background designs, rendered 3D designs / environments
and any other images of your best sketches, paintings, prop designs, concept art, andillustrations. Categorize them, organize them, play with the settings and the style of yourblog. This is the simplest and easiest way to show an employer your art style and design
skills online. Add a link in the sidebar to your LinkedIn profile (showing your work history
and specialties). Or, if you don’t really have any connections or industry contacts yet,simply place a short and concise summary of your skills/experience in the sidebar withyour name and e-mail! Now add in your YouTube demo reel as a post at the very top.
Copy/paste the <embed> code into a new post and BAM! You Publish it and you’re done.
As an alternative you can sign up for these free accounts as well:
http://hasaportfolio.com
http://tumblr.com
Try them out, it may be more in line of what you’re looking for, they have their own styleand process, with the exact same principle, upload some content, organize it, and publish
it online. ALL FOR FREE.

Now you are ready to e-mail a single link (http://yourname.blogspot.com) to anyemployer via e-mail, and that site will have samples of your work, a point-and-click demo
reel and a link to your resume.
Tips on customizing your blogspot blog - http://bloggerfordummies.blogspot.com
How to embed your YouTube Demo Reel into your blog:
http://embedyoutube.blogspot.com/2007/11/how-to-embed-youtube.html

LinkedIn:
Fill out all the info on your profile, this is your new online, detailed resume, you can be as
in-depth as you want, get past employers, co-workers or instructors to recommend you.
Once you’ve signed up for this website, start joining all the relevant “Groups” – Flash
Animators, 3D Animators, Graphic Artists, Designers, Illustrators, Video Game Developers,
etc. It’s like a small and simple version of Facebook but just for professionals and theirwork.
Registering to this site is a bit more beneficial for when you’ve completed your first couple
jobs, having experience build up relevant to the career you’re in helps to fill up yourresume with more recommendations and references to increase your value to future
employers. You can wait until you have some production work before logging on to thisplace, it will help you out more once your in the industry with at least a year of solid
experience behind you. Most importantly, it helps you to stay connected, make newconnections, and stay current with news and info by linking to various groups, so becauseof this I even recommend it for animation students.
The importance of a short, simple, online resume. In this day and age, it’s not justgraphic designers and programmers who really benefit from having a simple online
portfolio/resume, it is anyone on a serious job-hunt, including 2D and 3D animators.
What’s great with today’s online technology you don’t have to know any HTML code or
programming skills or anything (it helps to know a tiny bit) to develop your own simpleeasy-to-navigate online portfolio/resume. I can’t stress enough the importance of creating
a simple, fast and efficient self-promoting and efficient website (such as a blog). Here’s
why:
1. It shows you go the extra mile.
2. It helps you keep yourself organized.
3. It makes you more findable on the web.
4. You can put it on your business card and in your e-mail message to the employer.
KEEP IT SIMPLE. Even if your website is a flashy light-on-dark web 2.0 grunge
masterpiece, when it comes down to your actual resume page, you should keep it simple.
The information on this page should be as absolutely readable and as accessible aspossible and that means dark-on-white and normal sized web text. Remember that yourLinkedIn account can have your detailed resume posted, with a list of software specialties,
training, full work history, references and recommendations.

PayPal:Sign up for an account through PayPal, it sometimes takes a few days (or weeks) toregister since the company must go through the process to authenticate and verify yourinformation. Once it’s complete and all setup, you can request getting paid directly
through PayPal for any freelance job from any source, the client or employer need only tohave your e-mail to deposit cash securely and directly into your bank account.
Elance and Guru:
The top freelance animation/illustration sites, make a living searching for and bidding on
projects or independent work during your spare time or as a full time job between
contracts. There's many freelance-oriented websites for graphic designers, illustrators, CG
artists and animation artists of all types out there, and Guru is just one of many. If you
are a photographer or purely just a character designer; a Flickr.com account may be all
you need to showcase samples of your work online. Guru is not for everyone, and to get
the full advantage of this site, you should pay the annual fee, but to check it out first you
can always browse through all the thousands of job posts to give you an idea whether thisis for you or not. For Elance, search through jobs in the Design and Multimedia category,
the registration process is free, however it is long and tedious, this is so that the Elancecompany can isure legitimate work through tested client and freelancer authenticity.
Search on Elance and Guru for work in your chosen field, comb through all the subcategories and find clients that have jobs for the skills you have. Comic book coloring, ecards, designs for an animated commercial, storyboards for a music video, logos for anadvertising firm, Photoshop effects for some web graphics, 3D models for an online game,the list is endless. Once you have a few successful projects completed your 'Guru
reputation' builds up as a reliable source of art or animation, similar to Ebay's positive
feedback system.
Here’s the tricky part, if you are very serious about cashing in on freelance work, Elanceand Guru can be very beneficial during those times between contracts, thousands ofillustrators out there can make $30,000 per year just doing part-time Elance/Guru
freelance work. But sort of like Ebay, there can be people out there who will take yourstuff and not pay you for it. There’s plenty of links on Guru on how to setup your accountand how to not get screwed over.
Some clients will take your finished work and run (if you let them). So make sure to only
hand in ‘works in progress’ (at low resolution) until you get your full amount and makesure you get at least half the money up front before you burn lots of precious time on adesign or animation that will be handed over and not paid for. I’ve known many artists
who e-mailed the final artwork or animation but never received the second half of thepayment.
To get the full range of all the hundreds of job posts out there you need to pay the annual
fees, about $130 U.S. A small price to pay for the money you can make if you dedicate alot of time to it. The full membership grants you full access to all the job posts in the fields
you specialize in. Once registered you will get daily e-mails displaying recent job requests
from new posts made in your chosen categories.

One last piece of advice…
SPECIALIZE!
By that I mean find one or two aspects of the industry you are trained (or training in) andfocus on them. These one or two things should obviously be the parts of your field thatyou enjoy doing the most.
I’m not saying being a ‘Jack of all trades, master of none’ is all bad, but most artists
don’t have the time to master ALL the software and different animation techniques out
there, at least not until you’ve had a few years of experience. I’d like to stress theimportance of focusing on one or two different aspects of the industry, because doing thiswill make the quality in your work get better, and therefore you will seem more valuable
to any employer. Give yourself time to master all aspects, 5, 10, 15 years of steady workand constant dedication to the craft will naturally give you experience in all facets ofanimation production.
As a 3D-CG artist you can focus on modeling, animation, special effects, rigging, layout,
texturing/shading, lighting, compositing/rendering, cloth/hair simulations, crowd
simulations, and a multitude of other technical and creative aspects. As a 2D-traditional
artist you can focus on character animation, FX animation, storyboards/layout, concept
art/visual development, character design, color design, BG design. There’s a long list for
both fields. Choosing one or two to concentrate all your efforts on will allow you to getbetter at those specific elements of production, and therefore increase your chances ofgetting a job in the field.
Think about it. Why would a director or producer hire someone that is kinda-good atanimating and designing and storyboarding? When they can hire someone who is
specialized in just ONE of these disciplines. It’s not likely that you’ll be able to become amaster at ALL the different aspect of animation within the 1, 2, 3 or even 4 years ofcollege you may be attending, so why not focus on the one thing you love doing most?
Animation is an industry where you must be constantly upgrading and improving yourself.
There’s absolutely nothing wrong with labeling yourself as a “3D Generalist”. College gives
you a wide spectrum of different elements to explore, after a while you should choose
which is your favorite, which one are you most comfortable and passionate about
exploring further.
Conclusion
Update all three of your main accounts (Blogger, Vimeo, LinkedIn) as you finish contracts
and projects. This keeps your demo reel up to date, keeps your resume current and cankeep you busy while you find a more full-time & long-term job in a studio or throughonline clients/employers. Working on your own projects and updating your reel by
removing old stuff and replacing it with newer/better stuff is a good way to pass the time
between gigs.
Don’t forget, the key to steady employment is to stay current and up to date on the latest
trends and technologies, do not place hope in finding a “secret method”, polish your skills
through ceaseless self-training; that is the key to developing effective techniques.

Now that your web presence is established, simply send your URL to the potential
employer, and that’s all he or she will need to review and assess your skill set.
Sample e-mail:Subject: Employment
Dear Mr. Director
I am a CG artist with 3 years experience in the animation industry. I am proficient inMaya, Flash, and After Effects. Please review my portfolio:
http://my-name.blogspot.com
I look forward to hearing from you.
- My name

Nice and simple. The web address is your blog, containing images of your best work andat the very top you have your latest demo reel, with a link on the side to your full resume.
It is now up to you to place relevant and quality content on the site and the demo reel.

May the Force be with you, always.

-Ron