●「民族」＆「テーマ」ごとに過去 30 ～ 40 年に雑誌・評論集などに発表され、今後の研究に参照すべき
英語論文を約 60 ～ 80 点を選択、各コレクショ
ン 4 ～ 5 巻に収録。

●編者による書き下ろし解説は、20 世紀後半から今日に至る各テーマの研究の展開を通観。

●すべてあらたに版を組み、索引や年表、参考文献などの付加使用も充実。

●先行研究の調査だけでなく、大学院での教育・指導にも不可欠なレファレンス資料。

▼ネイティブ・アメリカン文学 全４巻
Native American Writing
Edited and Introduced by Robert Lee（日本大学元教授）▼アジア系アメリカ文学 全４巻
Asian American Literature
Edited and Introduced byDavid Leiwei Li, Professor of English, University of Oregon▼アジア系アメリカ人女性のフェミニズム
全４巻
Asian American Feminisms
Edited and Introduced by
Leslie Bow, Professor, University of Wisconsin▼アフリカ系アメリカ文学 全５巻
African American Writings
Edited and Introduced by Robert Lee（日本大学元教授）▼ラティーノ / ナ文学 全５巻
Latino Writing
Edited and Introduced by Robert Lee（日本大学元教授）

Edition Synapse

アメリカ多民族文化・文学研究

テーマ別英語論文集成●多民族アメリカ文学・文化研究の分野別論文集成。

ネイティヴ・アメリカン文学：英語論文集成

全４巻

Native American Writing
Edited & Introduced by A. Robert Lee, Professor, Nihon University（日本大学元教授）

2011 年 5 月刊行

総ページ数：約 1,500 頁

本体セット価￥118,000-（＋税） ISBN: 978-4-86166-137-2●ネイティヴ・アメリカン文学に関するこの 30 年間の研究論文・評論など８4 文献を収録する、初の包括的学術文献集成。
●アメリカ・カナダ文学、多民族主義研究に必携のレファレンス。
●編者による詳細な解説・書誌・年表付き。
◆収録文献◆VOLUME I
Introduction by A. Robert Lee,PART 1: NATIVE LITERARY STATEMENTS
1. N. Scott Momaday, ‘Man Made of Words’, in Abraham Chapman (ed.),American Indian Literature (New American Library, 1975), pp. 96–110.
2. Simon Ortiz, ‘Towards a National Indian Literature: Cultural Authenticity in
Nationalism’, Melus, 1981, 8, 2, 7–12.
3. Leslie Marmon Silko, ‘Language and Literature From A Pueblo Indian
Perspective’, in Philomena Mariani (ed.), Critical Fictions: The Politics ofImaginative Writing (Bay Press, 1991), pp. 83–93.
4. Joy Harjo, ‘Ordinary Spirit’, in Brian Swann and Arnold Krupat (eds.), I Tell
You Now: Autobiographical Essays by Native American Writers (Universityof Nebraska Press, 1987), pp. 265–70.
5. Gerald Vizenor, ‘Native American Indian Literature: Critical Metaphors of
the Ghost Dance’, World Literature Today, 1992, 66, 2, 223–7.
6 . E l i z a b e t h C o o k Ly n n , ‘ T h e A m e r i c a n I n d i a n F i c t i o n Wr i t e r :Cosmopolitanism, Nationalism, The Third World, and First Nation
Sovereignty’, Wicazo Sa Review, 1993, 9, 2, 26–36.
7. Jack D. Forbes, ‘Intellectual Self-Determination and Sovereignty:
Implications for Native Studies and Native Intellectuals’, Wicazo Sa
Review, 1998, 13, 1, 11–23.
PART 2: OVERVIEWS
8. William Bevis, ‘Native American Novels: Homing In’, in Brian Swann and
Arnold Krupat (eds.), Recovering the Word: Essays in Native American
Literature (University of California Press, 1987), pp. 580–620.
9. Daniel F. Littlefield Jr., ‘American Indians, American Scholars and theAmerican Literary Canon’, American Studies, 1992, 33, 65.
10. Arnold Krupat, ‘Postcolonialism, Ideology, and Native American
Literature’, The Turn to the Native: Studies in Criticism and Culture(University of Nebraska Press, 1996), pp. 30–55.
11. Joe Lockard, ‘The Universal Hiawatha’, American Indian Quarterly, 2000,
24, 1, 110–25.
12. Sam Corrigan, ‘One People, Two Paths: Native Literature in the USA and
Canada’, 2002 Sequoyah Research Center Symposium.
PART 3: THEORY PERSPECTIVES
13. Arnold Krupat, ‘Local, National, Cosmopolitan Literature’, The Voice in
the Margin: Native American Literature and the Canon (University ofCalifornia Press, 1989), pp. 202–32.
14. Craig S. Womack, ‘Reading the Oral Tradition for Nationalist Themes:
Beyond Ethnography’, Red on Red: Native American Literary Separatism(University of Minnesota Press, 1999), pp. 51–67.
15. Elvira Pulitano, ‘Towards a Native American Critical Theory’, revised from
‘Introduction’, Toward a Native American Critical Theory (University of
Nebraska Press, 2003).
PART 4: ORAL TRADITIONS AND LEGACIES
16. Dell Hymes, ‘Discovering Oral Performance and Measured Verse in
American Indian Narrative’, New Literary History, 1977, 8, 3, 431–57.
17. Kimberly M. Blaeser, ‘Trickster: A Compendium’, in Mark A. Lindquist
and Martin Zanger (eds.), Buried Roots and Indestructible Seeds (Universityof Wisconsin Press, 1993), pp. 47–65.

VOLUME IIPART 5: SELECTED AUTOBIOGRAPHICAL STUDIES
18. William F. Smith Jr., ‘American Indian Autobiographies’, American Indian
Quarterly, 1975, 2, 3, 237–45.
19. David Murray, ‘From Speech to Text: The Making of American Indian
Autobiographies’, in Ian F. A. Bell and D. K. Adams (eds.), American
Literary Landscapes: The Fiction and the Fact (Vision Press, 1988), pp.
29–43.
20. A. LaVonne Brown Ruoff, ‘Three Nineteenth-Century American Indian
Autobiographers: William Apes, George Copway, and Sarah Winnemucca’,in A. LaVonne Brown Ruoff and Jerry W. Ward, Jr. (eds.), Redefining
American Literary History (Modern Language Association, 1990), pp.
251–69.
21. Helen Jaskoski, ‘Andrew Blackbird’s Smallpox Story’, in Alan R. Velie(ed.), Native American Perspectives on Literature and History (Universityof Oklahoma Press, 1994), pp. 26–35.
22. Donald B. Smith, ‘The Life of George Copway or Kah-ge-ga-gah-bowh(1818–69)—And a Review of his Writings’, Journal of Canadian Studies,
1988, 23, 3, 5–38.
23. Malea Powell, ‘Imagining a New Indian: Listening to the Rhetoric ofSurvivance in Charles Eastman’s From Deep Woods to Civilization’,Paradoxa, 2001, 15, 211–26.
24. Bernd Peyer, ‘Samson Occom; Mohegan Missionary and Writer of the 18th
Century’, American Indian Quarterly, 1982, 6, 208–17.
25. Ruth J. Heflin, ‘“As Long as You Think I Can’t, I Will Show You that I
Can”: Luther Standing Bear’s Quest for Honor’, ‘I Remain Alive’: The
Sioux Literary Renaissance (Syracuse University Press, 2000), pp. 79–103.
PART 6: MODERN NATIVE AUTOBIOGRAPHIES
26. Matthias Schubnell, ‘Myths to Live By: The Names: A Memoir’, N. Scott
Momaday: The Cultural and Literary Background (University of Oklahoma
Press, 1985), pp. 167–88.
27. Kenneth Lincoln, ‘Grandmother Storyteller: Leslie Silko’, Native American
Renaissance (University of California Press, 1983), pp. 222–84.
28. Richard Hutson, ‘“A Crossblood at the Scratch Line”: Interior Landscapes’,
in A. Robert Lee (ed.), Loosening the Seams: Interpretations of Gerald
Vizenor (Bowling Green State University Popular Press, 2000), pp. 109–25.
PART 7: EARLY MODERN NATIVE AMERICAN WRITING
29. A. LaVonne Brown Ruoff, ‘Justice for Indians and Women: The Protest
Fiction of Alice Callahan and Pauline Johnson’, World Literature Today,
1992, 66, 2, 249–55.
30. Susan Kalter, ‘John Joseph Mathews’ Reverse Ethnography: The Literary
Dimensions of Wah’Kon-Tah’, SAIL, 2002, 14, 1, 26–50.
31. James Ruppert, ‘Textual Perspectives and the Reader in The Surrounded’,in Gerald Vizenor (ed.), Narrative Chance: Postmodern Discourse on
Native American Indian Literatures (University of New Mexico Press,
1989), pp. 91–100.
32. Margaret A. Lukens, ‘Mourning Dove and Mixed Blood: Cultural andHistorical Pressures on Aesthetic Choice and Authorial Identity’, American
Indian Quarterly, 1997, 21, 3, 409–22.
33. Daniel F. Littlefield Jr., ‘Evolution of Alex Posey’s Fus Fixico Persona’,
SAIL, 1992, 4, 136–44.
34. John Lowe, ‘“I AM JOAQUIN!”: Space and Freedom in Yellow Bird’s
The Life and Adventures of Joaquin Murieta, The Celebrated California
Bandit’, in Helen Jaskoski (ed.), Native American Writing: New Critical
Essays (Cambridge University Press, 1996), pp. 104–21.

35. Jack L. Davis and June H. Davis, ‘Frank Waters and the Native American
Consciousness’, Western American Literature, 1974, 9, 1, 33–44.
36. Andrew S. McClure, ‘Sarah Winnemucca: [Post]Indian Princess and Voiceof the Paiutes’, MELUS, 1999, 24, 2, 29–51.
37. Dorothea M. Susag, ‘Zitkala-Sa (Gertrude Simmons Bonnin): A Power(full)
Literary Voice’, SAIL, 1993, 5, 4, 3–24.

VOLUME III
PART 8: MODERN NATIVE AMERICAN FICTION
38. James H. Cox, ‘Muting White Noise: The Subversion of Popular Culture
Narratives of Conquest in Sherman Alexie’s Fiction’, SAIL, 1997, 9, 4,
52–70.
39. Analouise Keating, ‘Back to the Mother? Paula Gunn Allen’s Origin
Myths’, Women Reading Women Writing: Self-Invention in Paula Gunn
Allen, Gloria Anzaldúa, and Audre Lorde (Temple University Press, 1996),
pp. 93–117.
40. Ron Welburn, ‘The Indigenous Fiction of Joseph Bruchac and Robert J.
Conley’, Roanoke and Wampum: Topics in Native American Heritage andLiterature (Peter Lang, 2001), pp. 187–222.
41. Jesse Peters, ‘A Multitude of Routes, Roads and Paths: Transcultural
Healing in A. A. Carr’s Eye Killers’, Paradoxa, 2001, 15, 184–97.
42. Page Rozelle, ‘The Teller and the Tale: History and Oral Tradition in
Elizabeth Cook-Lynn’s Aurelia: A Crow Creek Trilogy’, American Indian
Quarterly, 2001, 25, 2, 203–15.
43. Gordon Slethaug, ‘Multivocal Narration and Cultural Negotiation: Dorris’s
A Yellow Raft in Blue Water and Cloud Chamber’, SAIL, 1999, 2, 1, 18–29.
44. Peter G. Beidler and Gay Barton, ‘Geography, Genealogy, andChronology’, A Reader’s Guide to the Novels of Louise Erdrich (Universityof Missouri Press, 1999), pp. 9–46.
45. Amy Elias, ‘Fragments that Rune Up the Shores: Pushing The Bear, Coyote
Aesthetics, and Recovered History’, Modern Fiction Studies, 1999, 45, 1,
185–211.
46. Catherine Rainwater, ‘Intertextual Twins and their Relations: Linda
Hogan’s Mean Spirit and Solar Storms’, Modern Fiction Studies, 1999, 45,
1, 93–113.
47. James Ruppert, ‘Intricate Patterns of the Universe: House Made of Dawn’,Mediation in Contemporary Native Fiction (University of Oklahoma Press,
1995), pp. 36–55.
48. Jane Haladay, ‘Solemn Laughter: Humor as Subversion and Resistancein the Literature of Simon Ortiz and Carter Revard’, Paradoxa, 2001, 15,
114–31.
49. David Brande, ‘Not the Call of the Wild: Louis Owens’s Wolfsong and
Mixedblood Messages’, American Indian Quarterly, 2000, 24, 2, 247–63.
50. Michelle Burnham, ‘Pomo Basketweaving, Poison, and the Politics ofRestoration in Greg Sarris’s Grand Avenue’, SAIL, 2002, 14, 4, 18–36.
51. Denise K. Cimmings, ‘“Settling History”: Understanding Leslie Marmon
Silko’s Ceremony, Storyteller, Almanac of the Dead, and Garden in theDunes’, SAIL, 2000, 12, 4, 65.
52. Robert Dale Parker, ‘The Reinvention of Restless Young Men: Storytellingand Poetry in Leslie Marmon Silko’s Ceremony and Thomas King’s
Medicine River’, The Invention of Native American Literature (Cornell
University Press, 2003), pp. 128–67.
53. Sherry Cook Stanforth, ‘Orature and Whole Vision in Seven Arrows’,
MELUS, 1996, 21, 2, 107–22.
54. A. Robert Lee, ‘Gerald Vizenor: Postindian Gamester’, in David Seed (ed.),A Companion to Twentieth-Century Fiction (Wiley-Blackwell, 2010), pp.
505–13.
55. Rebecca Tillett, ‘“Resting in Peace, Not Pieces”: The Concerns of the
Living Dead in Anna Lee Walters’s Ghost Singer’ (new for this collection).
56. Robert Franklin Gish, ‘The Word Medicine of James Welch’, Beyond
Bounds: Cross-Cultural Essays on Anglo, American Indian, and Chicano
Literature (University of New Mexico Press, 1996), pp. 56–85.

VOLUME IV
PART 9: NATIVE AMERICAN POETRY
57. Brian Swann, ‘Introduction: Only the Beginning’, in Duane Niatum (ed.),Harper’s Anthology of 20th-Century Native American Poetry (Harper &Row, 1988), pp. xiii–xxxii.
58. Elizabeth Hanson, ‘Shadows in Paula Gunn Allen’s “Shadow Country”’,
ARIEL: A Review of International English Literature, 1994, 25, 2, 49–55.
59. A. Robert Lee, ‘Oklahoma International: Jim Barnes, Poetry, and the Sites
of Imagination’, in A. Robert Lee (ed.), The Salt Companion to Jim Barnes(Salt Publishing, 2010), pp. 268–88.

60. Hans Bak, ‘Circles Blaze in Ordinary Days: Louise Erdrich’s Jacklight’, inSusan Castillo and Victor M. P. Da Rosa (eds.), Native American Womenin Literature and Culture (Fernando Pessoa University Press, 1997), pp.
11–27.
61. Jennifer Andrews, ‘In the Belly of a Laughing God: Reading Humor and
Irony in the Poetry of Joy Harjo’, American Indian Quarterly, 2000, 24, 2,
200–18.
62. Norma C. Wilson, ‘Translating the World: The Poetry of Linda Hogan’,
The Nature of Native American Poetry (University of New Mexico Press,
2001), pp. 87–97.
63. Patrick Barron, ‘Maurice Kenny’s Tekonwatonti, Molly Brant: Poetic
Memory and History’, MELUS, 2000, 25, 3/4, 31–64.
64. Carter Revard, ‘Does the Crow Fly? The Poems of Duane Niatum’, SAIL,
1983, 7, 1, 20–6.
65. Patricia Clark Smith, ‘Coyote Ortiz: Canis latrans latrans in the Poetryof Simon Ortiz’, in Paula Gunn Allen (ed.), Studies in American Indian
Literature: Critical Essays and Course Designs (Modern Language
Association, 1983), pp. 192–209.
66. A. Robert Lee, ‘Survivance Memories: The Poetry of Carter Revard’, in
Gerald Vizenor (ed.), Survivance: Narratives of Native Presence (Universityof Nebraska Press, 2007), pp. 333–54.
67. Norma C. Wilson, ‘Nesting in the Ruins: The Poetry of Wendy Rose’, The
Nature of Native American Poetry (University of New Mexico Press, 2001),
pp. 99–107.
68. Gabrielle Welford, ‘Mary Tall Mountain’s Writing: Healing the Heart:
Going Home’, ARIEL: A Review of International English Literature, 1994,
25, 1, 136–53.
69. Gretchen M. Bataille, ‘Luci Tapahonso A Navajo Voice in the Midwest’, inSusan Castillo and Victor M. P. Da Rosa (eds.), Native American Womenin Literature and Culture (Fernando Pessoa University Press, 1997), pp.
77–86.
70. Robert Franklin Gish, ‘Listening to Ray A. Young Bear’, Beyond Bounds:
Cross-Cultural Essays on Anglo, American Indian, and Chicano Literature(University of New Mexico Press, 1996), pp. 86–106.
71. Tom Lynch, ‘To Honor Impermanence: The Haiku and Other Poemsof Gerald Vizenor’, in A. Robert Lee (ed.), Loosening The Seams:
Interpretations of Gerald Vizenor (Bowling Green State University Popular
Press, 2000), pp. 203–24.
72. Kenneth Lincoln, ‘Blackfeet Winter Blues’, in Ron McFarland (ed.), James
Welch (Confluence Press, 1986), pp. 95–106.
PART 10: NATIVE AMERICAN DRAMA
73. Hanay L. Geiogamah, ‘The New Native American Theater’, in Andrew
Wiget (ed.), Handbook of Native American Literature (Garland Publishing,
1994–6), pp. 377–81.
74. Jeffrey Huntsman, ‘Introduction’, in Hanay Geiogamah, New Native
American Drama: Three Plays (University of Oklahoma Press, 1980), pp.
ix–xxiv.
75. Phyllis Cole Braunlich, ‘The Oklahoma Plays of Lynn Riggs’, World
Literature Today, 1990, 64, 3, 390–4.
PART 11: SELECTED FIRST NATIONS/CANADIAN WRITING
76. Robin McGrath and Penny Petrone, ‘Native Canadian Literature’, in
Arnold E. Davidson (ed.), Studies on Canadian Literature: Introductoryand Critical Essays (Modern Language Association, 1990), pp. 309–22.
77. Thomas King, ‘Godzilla vs. Post-Colonial’, World Literature Written in
English, 1990, 30, 2, 10–16.
78. Noel Elizabeth Currie, ‘Jeannette Armstrong and the Colonial Legacy’, in W.
H. New (ed.), Canadian Literature: Native Writers and Canadian Writing(University of British Columbia Press, 1990), pp. 138–52.
79. Margery Fee, ‘Upsetting Fake Ideas: Jeanette Armstrong’s “Slash” andBeatrice Culleton’s “April Raintree”’, in W. H. New (ed.), Canadian
Literature: Native Writers and Canadian Writing (University of British
Columbia Press, 1990), pp. 168–80.
80. Beth Brant, ‘Writing Life’, Writing as Witness: Essay and Talk (Women’s
Press, 1994), pp. 105–38.
81. Helen Hoy, ‘“Nothing but the Truth”: Discursive Transparency in Beatrice
Culleton’, ARIEL: A Review of International English Literature, 1994, 25, 1,
155–84.
82. Denis W. Johnston, ‘Lines and Circles: The “Rez” Plays of Tomson
Highway’, in W. H. New (ed.), Canadian Literature: Native Writers andCanadian Writing (University of British Columbia Press, 1990), pp. 254–
64.
83. Stuart Christie, ‘“Time-Out”: (Slam)Dunking Photographic Realism inThomas King’s Medicine River’, SAIL, 1999, 11, 2, 51–65.
84. Dee Horne, ‘Listening to Silences’, Contemporary American Indian
Writing: Unsettling Literature (Peter Lang, 1999), pp. 51–70.

アジア系アメリカ文学：英文研究論文集成

全４巻

Asian American Literature
編集・解説：David Leiwei Li, Professor of English, University of Oregon, USA
2012 年 5 月刊行

総頁数：c. 1,600pp.

本体セット価￥95,000-（＋税） ISBN: 978-4-86166-129-7● 1970 年代から今日に至るまで、アジア系アメリカ文学の研究、教育に必読の先行論文 80 点弱を集成。
●アジア系アメリカ文学研究の系譜を、初期のものから最新の潮流までをカバーし、アメリカだけでなく、世界各地で英文で発表された雑誌、評論集等々から論文を幅広く選択、各論文の対象としているテーマ別（アジア系アメリカ文学史、批評と理論／散文（小説およびノンフィクション）作品／韻文（詩）作品／
ドラマ・舞台芸術）に４巻に収録。
●編者による詳細な解説と索引付き。
◆収録文献 ◆
Volume I: Literary History: Criticism and Theory
1. Frank Chin et al., Aiiieeeee! An Anthology of Asian-American Writers(Howard University Press, 1974), pp. vii-xvi.
2. Elaine H. Kim, Asian American Literature: An Introduction to the Writings
and Their Social Context (Temple University Press, 1982), pp. xi-xix.
3. Cheryl Higashida, ‘Not Just a "Special Issue": Gender, Sexuality, and Post-1965
Afro Asian Coalition Building in the Yardbird Reader and This Bridge Called
My Back’, in Fred Ho and Bill V. Mullen (eds.), Afro Asia: Revolutionary
Political and Cultural Connections Between African Americans and Asian
Americans (Duke University Press, 2008), pp. 220-55.
4. King-kok Cheung, ‘The Woman Warrior Versus the Chinaman Pacific: Musta Chinese American Critic Choose Between Feminism and Heroism?’,in Marianne Hirsch and Evelyn Fox Keller (eds.), Conflicts in Feminism(Routledge, 1990), pp. 234-51.
5. Lisa Lowe, ‘Heterogeneity, Hybridity, Multiplicity: Marking Asian American
Differences’, Diaspora, 1991, 1, 1, 24-44.
6. Sau-ling C. Wong. ‘Denationalization Reconsidered: Asian American
Cultural Criticism at Theoretical Crossroads’, Amerasia Journal, 1995, 21,
1 & 2, 1-27.
7. Arif Dirlik, ‘Asians on the Rim: Transnational Capital and Local Community
in the Making of Contemporary Asian America’, Amerasia Journal, 1996,
22, 3, 1-24.
8. David Leiwei Li, ‘Alienation, Abjection, and Asian American Citizenship’,Imagining the Nation: Asian American Literature and Cultural Consent(Stanford University Press, 1998), pp. 1-17.
9. David Palumbo-Liu, ‘Modeling the Nation: The Asian/American Split’, in
Kandice Chuh and Karen Shimakawa (eds.), Orientations: Mapping Studies
in the Asian Diaspora (Duke University Press, 2001), pp. 213-27.
10. Lavina Dhingra Shankar, ‘The Limits of (South Asian) Names and Labels:
Postcolonial or Asian American?’, in Lavina Dhingra Shankar and Rajini
Srikanth (eds.), A Part, Yet Apart: South Asians in Asian America (Temple
University Press, 1998), pp. 49-66. 11. Gary Y. Okihiro, ‘Is Yellow Blackor White?’, Margins and Mainstreams: Asians in American History andCulture (University of Washington Press, 1994), pp. 31-63.
12. Vijay Prashad, ‘On Antiblack Racism’, The Karma of Brown Folk
(University of Minnesota Press, 2000), pp. 157-83.
13. Claire Jean Kim, ‘The Racial Triangulation of Asian Americans’, Politics
and Society, 1999, 27, 1, 105-38.
14. Haunani-Kay Trask, ‘Settlers of Color and "Immigrant" Hegemony:"Locals" in Hawaii’, Amerasia Journal, 2000, 26, 2, 1-24.
15. Kuan-Hsing Chen, ‘Missile Internationalism’, in Kandice Chuh and Karen
Shimakawa (eds.), Orientations: Mapping Studies in the Asian Diaspora(Duke University Press, 2001), pp. 172-86.
16. Kandice Chuh, ‘(Dis)owning America’, Imagine Otherwise: On Asian
Americanist Critique (Duke University Press, 2003).
17. Rob Wilson, ‘Doing Cultural Studies Inside APEC: Literature, Cultural
Identity, and Global/Local Dynamics in the American Pacific’, in David
Leiwei Li (ed.), Globalization and the Humanities (Hong Kong University
Press, 2004), pp. 119-4.
18. Allan Punzalan Isaac, ‘Disappearing Clauses: Reconstructing America in
the Unincorporated Territories’, American Tropics: Articulating Filipino
America (University of Minnesota Press, 2006), pp. 23-47.

19. Colleen Lye, ‘In Dialogue With Asian American Studies: Racial Form’,Representations, 2007, 99, 1-6.
20. Caroline Rody, ‘The Interethnic Paradigm and the Case of Asian American
Fiction’, The Interethnic Imagination: Roots and Passages in Contemporary
Asian American Fiction (Oxford University Press, 2009), pp. 17-46.

Volume II: Prose: Fiction and Non-fiction
21. Patricia P. Chu, ‘America in the Heart: Political Desire in Younghill
Kang, and Carlos Bulosan’, Assimilating Asians: Gendered Strategies of
Authorship in Asian America (Duke University Press, 2007), pp. 27-54.
22. Naoki Sakai, ‘Distinguishing Literature and the Work of Translation: Teresa
Hak Kyung Cha’s Dictee and Repetition without Return’, Translationand Subjectivity: On ‘Japan’ and Cultural Nationalism (University of
Minneapolis Press, 1997), pp. 18-39.
23. Sandra Baringer, ‘"The Hybrids and the Cosmopolitans": Race, Gender, andMasochism in Diana Chang’s The Frontiers of Love’, in Jonathan Brennan(ed.), Mixed Race Literature (Stanford University Press, 2002), pp. 107-21.
24. Daniel Kim, ‘"Bled In, Letter by Letter": Translation, Postmemory, andthe Subject of Korean War: History in Susan Choi’s The Foreign Student’,
American Literary History, 2009, 21, 3, 550-83.
25. Viet Thanh Nguyen, ‘On the Origins of Asian American Literature: The
Eaton Sisters and the Hybrid Body’, Race and Resistance: Literature andPolitics in Asian America (Oxford University Press, 2002), pp. 34-59.
26. Rachel Lee, ‘Transversing Nationalism, Gender, and Sexuality in Jessica
Hagedorn’s Dogeaters’, The Americas of Asian American Literature:
Gendered Fictions of Nation and Transnation (Princeton University Press,
1999), pp. 73-105.
27. Shameem Black, ‘Performance Past Correction: Gish Jen’s Mona in thePromised Land’, Fiction Across Borders: Imagining the Lives of Others in
Late Twentieth-Century Novels (Columbia University Press, 2010), pp. 1182.
28. Bettina Hofmann, ‘Ha Jin’s Free Life: Revising the Kunstlerroman’,in Johanna C. Kardux and Doris Einsiedel (eds.), Moving Migration:
Narrative Transformations in Asian American Literature (Verlag, 2010),
pp. 199-212.
29. Samina Najmi, ‘Decolonizing the Bildungsroman: Narratives of War
and Womanhood in Nora Keller’s Comfort Women’, in Zhou Xiaojing
and Samina Najmi (eds.), Form and Transformation in Asian American
Literature (University of Washington Press, 2005), pp. 209-30.
30. David Leiwei Li, ‘Can Maxine Hong Kingston Speak? The Contingency ofthe Woman Warrior’, Imagining the Nation: Asian American Literature andCultural Consent (Stanford University Press, 1998), pp. 44-62.
31. Gita Rajan, ‘Ethical Responsibility in Intersubjective Spaces: Reading
Jhumpa Lahiri’s Interpreter of Maladies and "A Temporary Matter"’, inShirley Geok-lin Lim et al. (eds.), Transnational Asian American Literature:
Sites and Transits (Temple University Press, 2006), pp. 123-41.
32. Besty Huang, ‘Citizen Kwang: Chang-rae Lee’s Native Speaker and thePolitics of Consent’, Journal of Asian American Studies, 2006, 9, 3, 243-69.
33. David Leiwei Li, ‘On Ascriptive and Acquisitional Americanness: The
Accidental Asian and the Illogic of Assimilation’, Contemporary Literature,
2004, 45, 1, 106-34.
34. Janice Tanemura, ‘Race, Regionalism, and Biopower in Yokohama,
California’, Discourse, 2007, 29, 2 & 3, 303-29.

35. Susan Koshy, ‘Sex Acts as Assimilation Acts: Female 17. Power andPassing in Bharati Mukherjee’s Wife and Jasmine’, Sexual Naturalization:
Asian Americans and Miscegenation (Stanford University Press, 2004), pp.
132-59.
36. Stephen H. Sumida, ‘Hawaii’s Complex Idyll: All I Asking for is My
Body’, And the View from the Shore: Literary Traditions of Hawaii(University of Washington Press, 1991), pp. 112-37.
37. Allen Gee, ‘Deconstructing a Narrative Hierarchy: Leila Leong’s "I" in Fae
Myenne Ng’s Bone’, MELUS, 2004, 29, 2, 129-40.
38. Philip D. Beidler, ‘Enlarging the Vietnam Canon: Sigrid Nunez’s For
Rouenna’, Michigan Quarterly Review, 2004, 43, 4, 705-19.
39. Youngsuk Chae, ‘Counteracting the Hegemonic Discourse of "America":
Ruth Ozeki’s My Year of Meats’, Politicizing Asian American Literature:
Towards a Critical Multiculturalism (Routledge, 2008), pp. 107-27.
40. Eleanor Ty, ‘Abjection, Masculinity, and Violence in Brian Roley’s
American Son and Han Ong’s Fixer Chao’, MELUS, 2004, 29, 1, 119-36.
41. Sau-ling Cynthia Wong, ‘"Sugar Sisterhood": Situating the Amy Tan
Phenomenon’, in David Palumbo-Liu (ed.), The Ethnic Canon: Histories,
Institutions, and Interventions (University of Minneapolis Press, 1995), pp.
174-210.
42. David Eng, ‘The Ends of Race’, PMLA, 2008, 123, 5, 1479-93.
43. Christopher Douglas, ‘Gaps and Margins: Sociology and Assimilationin Jade Snow Wong and John Okada’, A Genealogy of Literary
Multiculturalism (Cornell University Press, 2009).
44. James Kyung-jin Lee, ‘Appropriations of Blackness’, Urban Triage: Raceand the Fictions of Multiculturalism (University of Minneapolis Press,
2004), pp. 64-99.
45. Monica Chiu, ‘Animals and Systems of Dirt in Lois-Ann Yamanaka’, Filthy
Fictions: Asian American Literature by Women (Altamira Press, 2004), pp.
85-131.
46. Ruth Y. Hsu, ‘The Cartography of Justice and Truthful Refractions in
Karen Tei Yamashita’s Tropic of Orange’, in Shirley Geok-lin Lim et al.
(eds.), Transnational Asian American Literature: Sites and Transits (Temple
University Press, 2006), pp. 75-99.
47. Rocio Davis, ‘Asian American Autobiography for Children: Critical
Paradigms and Creative Practice’, The Lion and the Unicorn, 2006, 30,
185-201.
48. Celestine Woo, ‘Bicultural World Creation: Laurence Yep, Cynthia
Kadahata, and Asian American Fantasy’, in Rociao Davis and Sue-im Lee(eds.), Literary Gestures: The Aesthetic in Asian American Writing (Temple
University Press, 2006), pp. 173-86.
49. Christopher A. Shinn, ‘Homicidal Tendencies: Violence and the Global
Economy in Asian American Pulp Fiction’, in Mimi Thi Nguyen andThuy Linh Nguyen Tu (eds.), Alien Encounters: Popular Culture in Asian
America (Duke University Press, 2007), pp. 111-9.

Volume III: Poetry
50. Steven G. Yao, ‘Transplantation and Modernity: The Chinese/American
Poems of Angel Island’, in Eric Hayot, Haun Saussy, and Steven G. Yao(eds.), Sinographies: Writing China (University of Minneapolis Press,
2008), pp. 300-29.
51. Edward Marx. ‘The Slightly-Open Door: Yone Noguchi and the Inventionof the English Haiku’, Genre, 2006, 39, 107-26.
52. Claudia Ingram. ‘Writing the Crises: The Deployment of Abjection in Ai’s
Dramatic Monologues’, Literature, Interpretation, Theory, 1997, 8, 2, 17291.
53. Wendy Anne Kopisch, ‘Still Waiting for the Linden Tree: The Role of
Nature as Preserver of the Lyric in the Poetry of Meena Alexander’, inLopamudra Basu and Cynthia Leenerts (eds.), Passage to Manhattan:
Critical Essays on Meena Alexander (Cambridge Scholars, 2009), pp. 17186.
54. Charles Altieri, ‘Intimacy and Experiment in Mei-Mei Berssenbrugge’s
Empathy’, in Laura Hinton and Cynthia Hogue (eds.), We Who Love to
be Astonished: Experimental Women’s Writing and Performance Poetics(University of Alabama Press, 2002), pp. 54-68.
55. Josephine Nock-hee Park, ‘Modern Warfare: Theresa Hak Kyung Cha andMyung Mi Kim’, Apparitions of Asia: Modernist Form and Asian American
Poetics (Oxford University Press, 2008), pp. 122-5.
56. Juliana Chang, ‘"I Cannot Find Her": The Oriental Feminine, Racial
Melancholia, and Kimiko Hahn’s The Unbearable Heart’, Meridians:
Feminism, Race, Transnationalism, 2004, 4, 2, 239-60.
57. Mary Slowik. ‘Beyond Lot’s Wife: The Immigration Poems of Marilyn
Chin, Garrett Hongo, Li-Young Lee, and David Mura’, MELUS, 2000, 25,
3/4, 221-42.

58. Stan Yogi, ‘Yearning for the Past: The Dynamics of Memory in Sansei
Internment Poetry’, in Amritjit Singh, Joseph T. Skerretr, Jr., and Robert E.
Hogan (eds.), Memory and Cultural Politics: New Approaches to American
Ethnic Literatures (Northeastern University Press, 1996), pp. 245-65.
59. Wenyong Xu, ‘Transcendentalism, Ethnicity, and Food in the Work of LiYoung Lee’, Boundary, 2006, 2, 33, 2, 129-7.
60. Richard Serrano, ‘Beyond the Length of an Average Penis: Reading AcrossTraditions in the Poetry of Timothy Liu’, in Zhou Xiaojing and Samina
Najmi (eds.), Form and Transformation in Asian American Literature(University of Washington Press, 2005), pp. 190-208.
61. Xiaojing Zhou. ‘David Mura: Where am I, the Missing Third?’, The Ethics
and Poetics of Asian American Poetry (University of Iowa Press, 2006), pp.
102-2.
62. ‘Body and Female Subjectivity in Cathy Song’s Picture Bride’, Women’sStudies, 2004, 33, 5, 577-612.
63. Timothy Yu, ‘Mr. Moto’s Monologue: John Yau and Experimental Asian
American Writing’, Race and the Avant-Garde: Experimental and Asian
American Poetry Since 1965 (Stanford University Press, 2009), pp. 138-59.

Volume IV: Drama and Performance
64. Robert Cooperman, ‘The Americanization of Americans: The Phenomenonof Nisei Internment Camp Theater’, in Josephine Lee, Imogene L. Lim, andYuko Matsukawa (eds.), Re/collecting Early Asian American: Essays in
Cultural History (Temple University Press, 2002), pp. 326-39.
65. Josephine Lee, ‘Asian American in Progress: College Plays 1937-1955’, in
Josephine Lee, Imogene L. Lim, and Yuko Matsukawa (eds.), Re/collecting
Early Asian American: Essays in Cultural History (Temple University
Press, 2002), pp. 307-25.
66. Jinqi Ling, ‘Performing the Margins: Ethics and the Poetics of Frank Chin’s
Theatrical Discourse’, Narrating Nationalisms: Ideology and Form in
Asian American Literature (Oxford University Press, 1998), pp. 79-109.
67. James Frieze, ‘The Mess Behind the Veil: Assimilating Ping Chong’,
Theatre Research International, 2006, 31, 1, 84-100.
68. Rey Chow, ‘The Dream of a Butterfly’, Ethics After Idealism: TheoryCulture-Ethnicity-Reading (Indiana University Press, 1998), pp. 74-97.
69. Tina Chen, ‘De/Posing Stereotype on the Asian American Stage’, Double
Agency: Acts of Impersonation in Asian American Literature and Culture(Stanford University Press, 2005), pp. 60-85.
70. Michele Janette, ‘Out of the Melting Pot and into the Frontera: Race,Sex, Nation, and Home in Velina Hasu Houston’s American Dreams’, inJonathan Brennan (ed.), Mixed Race Literature (Stanford University Press,
2002), pp. 88-106.
71. Christinane Schlote, ‘Staging Heterogeneity: Contemporary Asian
American Drama’, in Guiyou Huang (ed.), Asian American Literary Studies(Edinburgh University Press, 2005), pp. 225-45.
72. Nancy Cho, ‘Beyond Identity Politics: National and Transnational
Dialogues in Anna Deavere Smith’s Twilight: Los Angeles, 1992 and Chay
Yew’s A Beautiful Country’, Journal of Dramatic Theory and Criticism,
2005, 20, 1, 65-81.
73. Karen Shimakawa. ‘Asians in America: Millennial Approaches to Asian
Pacific American Performance’, Journal of Asian American Studies, 2000, 3,
3, 283-99.
74. Esther Kim Lee, ‘Asian American Theatre in the 1990s’, A History of Asian
American Theatre (Cambridge University Press, 2006), pp. 200-24.
75. Fred Ho, ‘Kickin’ the White Man’s Ass: Black Power, Aesthetics, and the
Asian Martial Arts’, in Heike Raphael-Hernandez and Shannon Steen (eds.),
AfroAsian Encounters: Culture, History, Politics (New York University
Press, 2006), pp. 295-312.
76. Oliver Wang, ‘Rapping and Repping Asian: Race, Authenticity, and
the Asian American MC’, in Mimi Thi Nguyen and Thuy Linh Nguyen
Tu (eds.), Alien Encounters: Popular Culture in Asian America (Duke
University Press, 2007), pp. 35-68.
77. Angela C. Pao, ‘Changing Faces: Recasting National Identity in AllAsian(-)American Dramas’, Theatre Journal, 2001, 53, 3, 389-409.
78. Louisa Schen and Va-megn Thoj, ‘Violence, Hmong American Visibility,
and the Precariousness of Asian Race’, PMLA, 2008, 123, 5, 1752-6.
79. Lisa Nakamura, ‘Cyberrace’, PMLA, 2008, 123, 5, 1673?82.

アジア系アメリカ人女性のフェミニズム
英文研究論文集成 全４巻
Asian American Feminisms
編集・解説：Leslie Bow, Professor, University of Wisconsin
2012 年 9 月刊行 総頁数：c.1,600pp.

本体セット価￥95,000-（＋税） ISBN: 978-4-86166-133-4

公民権運動や、様々な領域で女性の権利を求める運動が高まった 20 世紀のアメリカでは、人種やジェンダーに関する研究が飛躍的に拡大します。そのなかでアジア系アメリカ人女性に関する先鋭的な研究も数多く発表され始め、今日では、ほとんどの北米の主要大学が、アジア系アメリカ人と女性研究のコースを有するようになっています。しかしながら、いくつかのアジア系アメリカ人を広く扱った出版シリーズなどはあるものの、このテーマを深くかつ包括的に網羅した基本文献集は未だ出版されておりません。
Betrayal and Other Acts of Subversion: Feminism, Sexual Politics, Asian American Women's Literature (Princeton 2001) や ‘Partly
Colored’: Asian Americans and Racial Anomaly in the Segregated South (forthcoming, New York University Press 2010) などの著作で知られ、このテーマの第一人者である Leslie Bow の編集による本論文は、アジア系アメリカ人女性研究を 4 つの項目に分類、
1970 年代から今日にいたる主要な先行論文 64 点を収録、編者の解説が書き下ろされます。
アジア系アメリカ人文化の研究と教育を始め、人種、ジェンダー研究やより広く現代アメリカ研究の必携文献集としてお奨めいたします。

■収録内容■
Volume I.: Documenting Asian American Feminisms
Part 1: Testimony
1. Irene Fujitomi and Diane Wong, “The New Asian-American Woman,” In
Female Psychology: The Emerging Self, ed. Sue Cox (Chicago Science
Research Associates, 1976) 236-248.
2. Katheryn M. Fong, "Feminism Is Fine, But What's It Done for Asia
America?" Bridge: An Asian American Perspective (Winter 1978): 21-22.
3. Mitsuye Yamada, “"Invisibility is an Unnatural Disaster: Reflections of an
Asian American Woman," in This Bridge Called My Back: Writings by
Radical Women of Color, ed. Cherrie Moraga and Gloria Anzaldua (SanFrancisco: Kitchen Table, 1981 [1979]) 35-40.
4. Jeanne Wakatsuki Houston, "Beyond Manzanar: A Personal View of Asian
American Womanhood," in Asian Americans: Social and Psychological
Perspectives, ed. Russell Endo, Stanley Sue, and Nathanial Wagner (Ben
Lomond: Science and Behavior Books, vol. 2, 1980) 17-25.
5. Susie Ling and Sucheta Mazumdar, "Editorial: Asian American Feminism,"
Cross-Currents 6 (Winter 1983): 3-5.
6. Lucie Cheng, "Asian American Women and Feminism," SojournerCollective, New York, 1984. 11-12.
7. Renee E. Tajima, "Lotus Blossoms Don't Bleed: Images of Asian Women,"
In Making Waves: An Anthology of Writing by and about Asian American
Women, ed. Asian Women United (Boston: Beacon, 1989) 308-317.
8. Sayantani Dasgupta and Shamita Das Dasgupta, “Journeys: Reclaiming
South Asian Feminism,” in Our Feet Walk the Sky: Women of the South
Asian Diaspora, ed. Women of South Asian Descent Collective (SanFrancisco: Aunt Lute, 1993) 123-130.
9. Sonia Shah, “Presenting the Blue Goddess: Toward a National Pan-Asian
Feminist Agenda,” in State of Asian America: Activism and Resistance inthe 1990s, ed. Karin Aguilar-San Juan (Boston: South End Press, 1994)
147-158.
10. Juliana Pegues, “Strategies from the Field: Organizing the Asian American
Feminist Movement,” in Dragon Ladies: Asian American Feminists
Breathe Fire, ed. Sonia Shah (Boston: South End Press, 1997) 3-16.

Part 2: On Coming to Consciousness
11. Esther Ngan-ling Chow, “The Development of Feminist Consciousness
Among Asian American Woman,” Gender and Society 1.3 (Sept. 1987):
284-299.

12. Shirley Hune, "Doing Gender with a Feminist Gaze: Toward a Historical
Reconstruction of Asian America," in Contemporary Asian America, ed. M.
Zhou and J. Gatewood (New York: New York University Press, 2000) 413430.
13. Karen D. Pyke and Denise L. Johnson, “Asian American Women andRacialized Femininities: ‘Doing’ Gender across Cultural Worlds,” Genderand Society 17. 1 (Feb. 2003): 33-53.

Part 3: Inclusion, Exclusion, Difference
14. Haunani-Kay Trask, “Pacific Island Women and White Feminism,” in FromA Native Daughter: Colonialism and Sovereignty in Hawai'i (Monroe,
Maine: Common Courage Press, 1993) 263-277.
15. Maivân Clech Lâm, “Feeling Foreign in Feminism,” Signs 19.41 (Summer
1994): 865-893.
16. Eliza Noh, “Problematics of Transnational Feminism for Asian American
Women,” Journal of Asian American Studies 8.3 (2005): 293-307.
17. Anita Jain, "Is Arranged Marriage Really Any Worse Than Craigslist?" NewYork Magazine, 26 March 2005.
Part 4: U. S. Women of Color Feminism
18. Mari Matsuda, "Beside My Sister, Facing the Enemy: Legal Theory Out of
Coalition," Stanford Law Review 43 (1991): 1183-1192.
19. Mallika Dutt, “Some Reflections on U.S. Women of Color and the United
Nations Fourth World Conference on Women and NGO Forum in Beijing,
China,” Feminist Studies 22. 3 (Autumn 1996): 519-528.
20. Rachel Lee, “Notes from the (non)Field: Teaching and Theorizing Womenof Color,” Meridians: Feminism, Race, Transnationalism 1.1 (2000): 85109.
21. Traise Yamamoto, “An Apology to Althea Connor: Private Memory, Public
Racialization, and Making a Language,” Journal of Asian American
Studies 5.1 (2002): 13-29.

Volume II: Shifting Foundations: Asian American Women’sIssues Across Disciplines
Part 5: Women’s Lives
22. Lucie Cheng Hirata, “Free, Indentured, Enslaved: Chinese Prostitutes in
Nineteenth-Century America,” Signs: Journal of Women in Culture andSociety 5:1 (Autumn 1979): 3-29.
23. Valerie Matsumoto: “Japanese American Women During World War II”,
Frontiers 8.1 (1984): 6-14. pdf

24. Nazli Kibria, “Power, patriarchy, and gender conflict in the Vietnamese
immigrant community,” Gender & Society 4 (1990): 9-24.
25. Judy Yung, “The Social Awakening of Chinese American Women as
Reported in Chung Sai Yat Po, 1900-1911,” in Unequal Sisters: A Multicultural Reader in U.S. Women's History, ed. Ellen Carol DuBois andVicki L. Ruiz (London: Routledge, 1990) 195-205.
26. Annette White-Parks, “Beyond the Stereotype: Chinese Pioneer Womenin the American West,” in Writing the Range: Race, Class, and Culture in
the Women’s West, ed. Elizabeth Jameson and Susan Armitage (Norman:
University of Oklahoma Press, 1997) 258-273.
27. Stacey Lee, “The Road to College: Hmong Women's Pursuit of Higher
Education,” Harvard Educational Review 67. 4 (1997): 803-827.
28. In-Sook Lim, “Korean Immigrant Women's Challenge to Gender Inequality
at Home: The Interplay of Economic Resources, Gender, and Family,”
Gender & Society 11.1 (Feb. 1997): 31-51.
29. Caroline Chung Simpson, "‘Out of an obscure place’: Japanese War Brides
and Cultural Pluralism in the 1950s,” Differences: A Journal of Feminist
Cultural Studies 10.3 (1998): 47-81.
30. Naheed Islam, “Naming Desire, Shaping Identity: Tracing the Experiencesof Indian Lesbians in the United States,” in Patchwork Shawl: Chroniclesof South Asian Women, ed. Shamita Das Dasgupta (New Brunswick, N.J.:
Rutgers University Press, 1998) 72-93.
31. Yen Le Espiritu, “‘We don't sleep around like white girls do’: Family,
culture, and gender in Filipina American life,” Signs: Journal of Women in
Culture and Society 26 (2001): 415-40.

Part 6: Women’s Labor
32. Evelyn Nakano Glenn, “The Dialectics of Wage Work: Japanese-American
Women and Domestic Service, 1905-1940,” Feminist Studies 6.3 (Autumn,1980): 428-471.
33. Min Zhou and Regina Nordquist, “Work and Its Place in the Lives of
Immigrant Women: Garment Workers in New York City’s Chinatown,”
in Contemporary Asian America: A Multidisciplinary Reader (New York:New York University Press, 2000) 254-277.
34. Miliann Kang, “The Managed Hand: The Commercialization of Bodies andEmotions in Korean Immigrant-Owned Nail Salons,” Gender and Society
17.6 (Dec. 2003): 820-839.

Part 7: Transnational Work
35. Laura Kang, “Si(gh)ting Asian/American Women as Transnational Labor,”
Positions: East Asia Cultures Critique 5.2 (Fall 1997): 403-437.
36. Rhacel Salazar Parreñas, “The Philippines and the Outflow of Labor,”in Servants of Globalization: Women, Migration, and Domestic Work
(Durham: Duke University Press, 2001) 37-60.
37. Catherine Cenzia Choy, “Your Cap Is a Passport: Filipino Nurses andthe U.S. Exchange Visitor Program,” in Empire of Care: Nursing and
Migration in Filipino American History (Durham: Duke University Press,
2003). 61-93 and 207-213.

Volume III. Disciplined Subjects, Producing culture
Part 8: Shared Vulnerabilities, Gendered Violence
38. Eugenia Kaw, “Medicalization of Racial Features: Asian American Womenand Cosmetic Surgery,” Medical Anthropology Quarterly 7.1 (March
1993): 74-89.
39. Sumi K. Cho, “Converging Stereotypes in Racialized Sexual Harassment:
Where the Model Minority Meets Suzie Wong,” Journal of Gender, Race,& Justice 1 (1997-1998): 177-211.
40. Sumie Okazaki, “Influences of Culture on Asian Americans’ Sexuality,”
Journal of Sex Research 39.1 (Feb. 2002): 34-41.
41. Leti Volpp, "Divesting Citizenship: On Asian American History and theLoss of Citizenship Through Marriage," UCLA Law Review 53 (20052006): 405-483.
42. Eliza Noh, “Asian American Women and Suicide: Problems of
Responsibility and Healing,” Women and Therapy 30. 3-4 (2007): 87-107.

Part 9: Reading culture, performing race

43. Elaine Kim, “‘Such Opposite Creatures’: Men and Women in Asian
American Literature,” Michigan Quarterly Review 29.1 (Winter 1990): 6893.

44. Lisa Lowe, “Heterogeneity, Hybridity, Multiplicity: Marking Asian
American Differences,” Diaspora 1 (1991): 24-44.
45. Karen Shimikawa, “Swallowing the Tempest: Asian American Women on
Stage”, Theatre Journal, 1995, 47, 3, 367-80.
46. Celine Parreñas Shimizu, “Theory in/of Practice: Filipina American
Feminist Filmmaking” in Pinay Power/Peminist Critical Theory:
Theorizing the Filipina/American Experience, ed. Melinda L. de Jesús(London: Routledge, 2005) 309-325.
47. Shirley Jennifer Lim, “Contested Beauty: Asian American Beauty Culture
during the Cold War,” in A Feeling of Belonging: Asian American Women’s
Public Culture, 1930-1960 (New York University Press, 2006) 121-153.
48. Pamela Butler and Jigna Desai, “Manolos, Marriage, and Mantras: ChickLit Criticism and Transnational Feminism,” Meridians: Feminism, Race,
Transnationalism 8. 2 (2008): 1–31.

Part 10: Consuming Women
49. Madhavi Mallapragada, “Home, Homeland, Homepage: Belonging and theIndian-American Web,” New Media & Society 8. 2 (April 2006): 207-227.
50. Sunania Maira, “Indo-chic: Late Capitalist Orientalism and Imperial
Culture,” in Alien Encounters: Popular Culture in Asian America, ed.
Mimi Thi Nguyen and Thuy Linh Nguyen Tu (Durham: Duke UP, 2007)
221-243.

V olume IV: I ntersectional analysis : C ommonality and
Rupture.
Part 11: Between Systems
51. Lisa Lowe, “Immigration, Citizenship, Racialization: Asian American
Critique,” in Immigrant Acts: On Asian American Cultural Politics(Durham: Duke University Press, 1996) 1-36.
52. Piya Chatterjee, “De/Colonizing the Exotic: Teaching ‘Asian Women’ in a
U.S. Classroom,” Frontiers: A Journal of Women Studies 21.1/2 (2000):
87-110.
53. Anlin Cheng, “Wounded Beauty: An Exploratory Essay on Race,
Feminism, and the Aesthetic Question,” Tulsa Studies in Women's
Literature 19. 2 (Autumn 2000): 191-217.
54. Leti Volpp, “Feminism versus Multiculturalism,” Columbia Law Review
395 (2001): 1181-1218.
55. Leslie Bow, “Transracial/Transgender: Analogies of Difference in Mai’s
America.” Signs 35.1 (Autumn 2009): 75-103.

Part 12: Global Feminisms: Asian Women and the State
56. Lata Mani, “Multiple Mediations: Feminist Scholarship in the Age ofMultinational Reception,” Feminist Review 35 (Summer 1990): 24-41.
57. Anannya Bhattacharjee, “The Habit of Ex-Nomination: Nation, Woman,and the Indian Immigrant Bourgeoisie,” Public Culture 19. 5. 1 (Fall1992): 19-44.
58. Sharon Kinsella, “Cuties in Japan,” In Women, Media and Consumption in
Japan, ed. Lise Skov and Brian Moeran (Honolulu: University of Hawaii
Press, 1995) 220-254.
59. Geraldine Heng, “‘A Great Way to Fly’: Nationalism, the State, and the
Varieties of Third-World Feminism,” in Feminist Genealogies, Colonial
Legacies, Democratic Futures, ed. M. Jacqui Alexander and Chandra
Talpade Mohanty (London: Routledge, 1997) 30-45.
60. Shu-Mei Shih, “Towards an Ethics of Transnational Encounter, or ‘When’
Does a ‘Chinese’ Woman Become a ‘Feminist’”?, Differences: A Journalof Feminist Cultural Studies 13. 2 (Summer 2002): 90-126.
61. Jigna Desai, “Homo on the Range: Mobile and Global Sexualities,” Social
Text 73, 20.4 (Winter 2002): 65-89.
62. Evelyn Hu-DeHart, “Globalization and Its Discontents: Exposing theUnderside,” Frontiers: A Journal of Women’s Studies 24.2/3 (2003): 244260.
63. Katharine H. S. Moon, “Resurrecting Prostitutes and Overturning Treaties:
Gender Politics in the ‘Anti-American’ Movement in South Korea,”
Journal of Asian Studies 66. 1 (February 2007): 129–157.
64. Eunjung Kim, “Minority Politics in Korea: Disability, Interraciality, andGender,” In Intersectionality and Beyond: Law, Power, and the Politics ofLocation, ed. Emily Grabham, Davina Cooper, Jane Krishnadas, and Didi
Herman (London: Routledge-Cavendish, 2008) 230-250.

アフリカ系アメリカ文学：英語論文集成

全５巻

African American Writing
編集・解説：A. Robert Lee（元日本大学文理学部教授）
2012 年 12 月刊行

総約 2,000 頁

本体セット価 ￥128,000-（＋税）ISBN: 978-4-86166-157-0●収録文献●VOLUME I
CHRONOLOGICAL TABLE OF REPRINTED ARTICLE AND
CHAPTERSSELECTIVE HISTORICAL CHRONOLOGY
BIBLIOGRAPHY OF AFRICAN AMERICAN WRITINGINTRODUCTION by A. ROBERT LEEPART I: African American Literary-Cultural Statements
1 What to the Slave is the Fourth of July? An Address Deliveredin Rochester, New York, on 5 July 1852 / FREDERICKDOUGLASS
2 The New Negro / ALAIN LOCKE
3 The Negro Artist and the Racial Mountain / LANGSTONHUGHES
4 Criteria For Negro Art / W.E.B. DUBOIS
5 Post-bellum ? Pre-Harlem / CHARLES W. CHESNUTT
6 How It Feels To Be Colored Me / ZORA NEALE HURSTON
7 The World and the Jug / RALPH ELLISON
8 Many Thousands Gone / JAMES BALDWIN
9 Integration and Race Literature / ARTHUR P. DAVIS
10 The Myth of a “Negro Literature”/ LEROI JONES
11 Dilemma of the Negro Novelist in the United States /CHESTER HIMES
12 Introduction: The Reed Reader / ISHMAEL REED
13 If the Present Looks Like the Past, What Does the Future Look
Like? / ALICE WALKER
14 “What’s in a Name?” Some Meanings of Blackness / HENRYVOLUME IIPART 4: Oral Tradition and Legacy
22 Through the Prism of Folklore: The Black Ethos in Slavery /STERLING STUCKEY
23 Black Folklore and the Black American Literary Tradition /Houston A. BAKER, Jr.

PART 5: Literary critique and slavery studies
24 Africa, Slavery, & The Roots of Contemporary Black Culture /MARY F. BERRY and JOHN W. BLASSINGAME
25 I Rose and Found My Voice: Narration, Authentication, andAuthorial Control in Four Slave Narratives / ROBERT B.
STEPTO
26 Form and Ideology in Three Slave Narratives / VALERIE
SMITH
27 Out of Slavery / SANDI RUSSELL

PART 6: Early and Reconstruction African American Texts
28 Phillis Wheatley’s Construction of Otherness and the Rhetoricof Performed Ideology / MARY McALEER BALKUN
29 Dwelling in the House of Oppression: The Spatial, Racial,
and Textual Dynamics of Harriet Wilson’s Our Nig / LOISLEVEEN30 The Specter of Conspiracy in Martin Delaney’s Blake /REBECCA SKIDMORE BIGGIO
31 Trunk and Branch: Charles Waddell Chesnutt, 1858-1932 /LADELL PAYNE
32 A Necessary Ambivalence: Sutton Griggs’s Imperium in

LOUIS GATES, Jr

Imperio and Charles Chesnutt’s The Marrow of Tradition /PART 2: Overviews

33 Paul Laurence Dunbar: A Credit to His Race? / LILLIAN S.

15 Harlem on My Mind: Fictions of a Black Metropolis / A.
ROBERT LEE
16 In Our Own Time: The Florescence of Nationalism in the
Sixties and Seventies / HOUSTON A. BAKER, Jr.
17 Trajectories of Self-definition: Placing Contemporary AfroAmerican Women’s Fiction / BARBARA CHRISTIANPART 3: Theory Perspectives
18 The Black Aesthetic: Introduction / ADDISON GAYLE JR
19 The Black Arts Movement / LARRY NEAL
20 The Blackness of Blackness: a Critique of the Sign and the
Signifying Monkey / HENRY LOUIS GATES JR.
21 The Idea of Ancestry: African-American Writers / KARLA F.C.
HOLLOWAY

JANE CAMPBELL
ROBINSON AND GREG ROBINSON
34 Pauline Hopkins: Our Literary Foremother / CLAUDIA TATE
35 The Souls of Black Folk: Reading Across the Color Line /SANDRA ADELL

VOLUME III
PART 7: New Negro and Harlem Renaissance
36 Revising Critical Judgments of The Autobiography of an ExColored Man / HEATHER RUSSELL ANDRADE
37 Langston Hughes’s Poems and the Metaphysics of Simplicity /KARL HENZY
38 The Negro Renaissance: Jean Toomer and the Harlem Writersof the 1920s / ARNA BONTEMPS39 The Aggregate Man in Jean Toomer’s Cane / WILLIAM C.
FISCHER
40 Countee Cullen: the Lost Ariel / DARWIN T. TURNER
41 Writing from the Margins of the Margins: Michael Gold’s
Jews Without Money and Claude McKay’s Home to Harlem /CATHERINE ROTTENBERG
42 How It Feels to Be Colored Me”: Social Protest in the Fictionof Zora Neale Hurston / SHARON L. JONES
43 Passing in the Fiction of Jessie Redmon Fauset abd Nella
Larsen / MARY CONDE
44 Sweetback Style: Wallace Thurman and a Queer Harlem
Renaissance / STEPHEN P. KNADLERPART 8: Richard Wright, Chester Himes, Ann Petry,Frank Yerby, Margaret Walker and John A. Williams
45 Richard Wright’s Inside Narratives / A. ROBERT LEE

61 The Quarters: Ernest Gaines and the Sense of Place /CHARLES H. ROWELL
62 Gloria Naylor’s Extending the Line: From Sula to Mama Day /CHERYL A. WALL
63“As Within, So it is Without”: The Composite Self in Charles
Johnson’s Oxherding Tale and Middle Passage / PHILIP PAGE
64 The Iron Fettered Weight of all Civilization: The Project ofBarbara Chase-Riboud’s Narratives of Slavery / ASHRAF H. A.
RUSHDY
65 Inverting History in Octavia Butler’s Postmodern Slave
Narrative / MARC STEINBERG
66 Trey Ellis / DANIEL GRASSIAN
67“When the Women Tell Stories”: Healing in Edwidge Dantikat’s
Breath, Eyes, Memory / DANA A. WILLIAMS
68 The Politics of Style in Three Stories by James Alan McPherson/ JON WALLACE

46 Assuming the Position: Fugivity and Futurity in the Work of
Chester Himes / KEVIN BELL
47 Buried Alive: Gothic Homelessness, Black Women’s
Sexuality, and (Living) Death in Ann Petry’s The Street / EVIESHOCKLEY
48 Frank Yerby and the “Costume Drama” of Southern
Historiography / STEPHANIE BROWN
49 Margaret Walker’s Jubilee: The Black Woman’s Celebration of
Human Community / MINROSE C. GWIN
50 Black Power beyond Black Nationalism: John A. Williams,
Cultural Pluralism, and the Popular Front / MATTHEWCALIHMANPART 9: Ellison and Baldwin
51 Frequencies of Eloquence: the Performance and Composition ofInvisible Man / JOHN F. CALLAHAN
52 Ralph Ellison, Juneteenth, and African American prophecy /CHRISTOPHER Z. HOBSON
53 Finding The Words: Baldwin, Race Consciousness, and
Democratic Theory / LAWRIE BALFOUR
54 Refiguring the Flesh: The Word, the Body, and the Rituals of
Being in Beloved and Go Tell It On The Mountain / CAROL E.
HENDERSONVOLUME V
PART 11: Modern African American Poetry
69 Gwendolyn Brooks’ Poetic Realism: A Developmental Survey/ GEORGE KENT
70 Melvin B. Tolson and the Deterritorialization of Modernism /ALDON L. NIELSEN
71 (a) Robert Hayden: The Man in the Middle / W.D.
SNODGRASS(b) Every Shut-Eye Aint Asleep/Every Good-bye Aint Gone,
Robert Hayden (1913-1990) / MICHAEL HARPER
72 After Modernism, After Hibernation: Michael Harper, Robert
Hayden, and JayWright / ROBERT B. STEPTO
73“These Are The Songs If You Have the Music”: An Essay on
Imamu Baraka / HOUSTON A. BAKER, Jr.
74 Sonia Sanchez: The Will and the Spirit / D.H. MELHEM
75 Blue Syntaxopones: The Poetry of Bob Kaufman / ROBERTELLIOT FOX
76 Living on the Line: Audre Lorde and Our Dead Behind Us /GLORIA T. HULL
77 Rita Dove and The Art of History / PAT RIGHELATO
78 Trickster Poetics: Multiculturalism and Collectivity in Nathaniel
Mackey’s Song of Andoumboulou / MEGAN SIMPSONVOLUME IV
PART 10: Modern African American Fiction

PART 12: African American Drama

55 The Morrison Trilogy / JUSTINE TALLY

80 The Role of Memory in August Wilson’s Four-Hundred-Year

56 The Color Purple / MARIA LAURET
57 Women’s Blues: The Fiction of Toni Cade Bambara and Alice
Walker / KEITH E. BYERMAN
58 Beyond Morrison and Walker: Looking Good and Looking

79 Lorraine Hansberry / MARGARET B. WILKERSON
Autobiography / SANDRA G. SHANNON
81 African American Representations in Thugh Plays of SuzanLori Parks / KEVIN WETMORE

Forward in Contemporary Black Women’s Stories / E.

PART 13: African American Autobiography

SHELLEY REID

82 The Stance of Self-Representation: Founders, Moderns and

59 American Neo-Hoodooism: the Novels of Ishmael Reed /PIERRE-DAMIAN MVUEKURE
60 Paule Marshall’s Witness to History / MISSY DEHN
KUBITSSCHEKContemporaries in African American Autobiography / A.
ROBERT LEE
83 Maya Angelou: The Creation of a Positive Black Self / EVALENNOX BIRCH

ラティーノ / ナ文学：英語論文集成 全４巻
U. S. Latino/a Writing
編集・解説：A. Robert Lee（元日本大学文理学部教授）
2013 年 10 月刊行

総約 1,600 頁

本体セット価￥128,000-（＋税） ISBN: 978-4-86166-156-3●メキシコを中心としたヒスパニック系やラテンアメリカ諸国出身のアメリカ人を総称する、ラティーノ / ナによる文学・文化に関する過去約 30 年の研究論文、評論コレクション。
●民族及び小説、詩、劇など文学カテゴリー別に 11 の項目に分類し、学術誌、論文集などから精選した研究文献、
計 77 点をすべて版を組み直し収録。
●アメリカ最大のエスニック・マイノリティーであるヒスパニック、ラテン系アメリカ文化は、今日のアメリカ研
究に不可避なテーマで、そのテーマの最大級の論文集成。
● Multicultural American Literature: Comparative Black, Native, Latino/a, and Asian American Fictions（邦訳『多文化アメリカ文学―黒人・先住・ラティーノ / ナ・アジア系アメリカのフィクションを比較する』（原公章、野呂有子訳、冨山房刊）他、多数のアメリカ多民族文学研究書で知られる編者の詳細な解説、年表、書誌と索引入り。

■収録文献明細■Volume I
Acknowledgements / Selective Historical Chronology
Bibliography of Latino/a Writing / Introduction
Part 1: US Latino/a Literary Overviews
1. Victor Hernández Cruz, ‘Mountains in the North: Hispanic
Writing in the U.S.A.’, in Red Beans (Minneapolis: Coffee
House Press, 1991), pp. 87-91.
2. Rolando Pérez , ‘What is “Minor” in Latino Literature?’,MELUS 30, 4, 2005, 89-108.
3. Gustavo Pérez-Firmat, ‘Words That Smell Like Home’, inTongue Ties: Logo-Eroticism in Anglo-Hispanic Literature (NewYork: Palgrave Macmillan, 2003), pp. 139-157.
4. A. Robert Lee, ‘Outside In: Latino/a Un-bordering in US
Fiction’, in Jay Prosser (ed.), American Fiction of the 1990s:
Reflections of History and Culture (London and New York:
Routledge, 2008), pp. 17-30.
5. Ellen McCracken, ‘Postmodern Ethnicity as Commodity:
Containment and Resistance in, New Latina Narrative: The
Feminine Space of Postmodern Ethnicity (Tucson: University of
Arizona Press, 1999), pp. 11-39.
Part 2: Chicano/a Literary Statements, Overviews, Oral
Tradition, Theory
6. Rudolfo A. Anaya, ‘Aztlán: A Homeland without Boundaries’, inRudolfo A. Anaya and Francisco Lomelí (eds), Aztlán: Essays
on the Chicano Homeland (Albuquerque: University of New
Mexico Press, 1989), pp. 230-241.
7. Alurista, ‘Cultural Nationalism and Chicano Literature: 196575’, in Renate von Bardeleben, Dietrich Briesemeister andJuan Bruce-Novoa (eds), Missions in Conflict: Essays on U.S.Mexican Relations and Chicano Culture (Tübingen: Gunter Narr
Verlag, 1986), pp. 41- 52.
8. Gloria Anzaldúa, ‘The Homeland, Aztlán: El Otro México’,in Borderlands, La Frontera: The New Mestiza, 2nd ed, (SanFrancisco: Aunt Lute Books, 1999), pp. 23-35.

9. Luis Leal, ‘Pre-Chicano Literature: Process and Meaning(1539-1959)’, in Francisco Lomelí (ed), Handbook of Hispanic
Cultures in the United States: Literature and Art (Houston: Arte
Público Press, 1993), pp. 62-85.
10. José E. Limón, ‘With His Pistol in His Hand: The Essay as
Strong Sociological Poem’, in Mexican Ballads, Chicano Poems:
History and Influence in Mexican-American Social Poetry(Berkeley: University of California Press, 1992), pp. 61-77.
11. Angie Chabram, ‘Conceptualizing Chicano Critical Discourse’,in Héctor Calderón and José David Saldívar (eds), Criticism in
the Borderlands: Studies in Chicano Literature, Culture, andIdeology (Durham: Duke University Press, 1991), pp. 127-148.
12. Tey Diana Rebolledo, ‘Tradition and Mythology: Signatures ofLandscape in Chicana Literature’, in Vera Norwood and Janice
Monk (eds), The Desert is No Lady: Southwestern Landscapesin Women’s Writing and Art (Tucson: University of Arizona
Press, 1997), pp. 96-124.
VOLUME II
Part 3: Chicano/a Fiction
13. Luther S. Luedtke, ‘Pocho and the American Dream’, in Vernon
E. Lattin (ed.), Contemporary Chicano Fiction: A Critical
Survey (Binghamton++: Bilingual Press/Editorial Bilingingüe,
1986), pp.62-81.
14. Julián Olivares, ‘Tomás Rivera: Introduction’, in Julián
Olivares (ed.), Tomás Rivera: The Complete Works (Houston:
Arte Público Press, 1992), pp.13-46.
15. Ramón Saldívar, ‘Beyond Good and Evil: Utopian Dialectics
in Tomás Rivera and Osca Zeta Acosta’, in Chicano Narrative:
The Dialectics of Difference (Madison: University of Wisconsin
Press, 1990), pp. 74-102.
16. Paul Beekman Taylor, ‘Chicano Secrecy in the Fiction of
Rudolfo A. Anaya’, Journal of the Southwest 39, 2, 1997, 239265.
17. A. Robert Lee, ‘Chicanismo as Memory: The Fictions of
Rudolfo Anaya, Nash Candelaria, Sandra Cisneros and Ron
Arias’, in Amritjit Singh, Joseph T. Skerrett, Jr., and Robert E.

Hogan (eds), Memory and Cultural Politics: New Approaches
to American Ethnic Literatures (Boston: Northeastern Press,
1996), pp. 320-339.
18. Teresa McKenna, ‘Power Reversals and the Comic: Rolando
Hinojosa as a Political Writer’, in Migrant Song: Politics
and Process in Contemporary Chicano Literature (Austin:
University of Texas Press, 1997), pp.73-102.
19. Elizabeth Mermann-Jozwiak, ‘Gritos desde la Frontera: Ana
Castillo, Sandra Cisneros, and Postmodernism’, MELUS 25, 2,
2000, 101-118.
20. Stella Bolaki ‘“This Bridge We Call Home”: Crossing andBridging Spaces in Sandra Cisneros’s The House on Mango
Street’, Borders and Boundaries: eSharp, Issue 5, (Summer2005), 1-14.
21. Roland Walter, ‘The Cultural Politics of Dislocation and
Relocation in the Novels of Ana Castillo’, MELUS 23, 1, 1998,
81-97.
22. The Cultural Politics of Dislocation and Rebellion in the Novelsof Ana Castillo, MELUS, 23:1 (Spring) 1998, 81-97.
23. B. Marie Christian, ‘Many Ways to Remember: Layered Timein Mora’s House of Houses’, MELUS 30, 1, 2005, 135-148.
24. Maya Socolovsky, ‘Narrative and Traumatic Memory in Denise
Chávez’s Face of an Angel’, MELUS 28, 4, 2003, 187-205.
25. Norma Alarcón, ‘Making Familia from Scratch: Split
Subjectivities in the Work of Helena María Viramontes andCherrié Moraga’, in María Herrera-Sobek and Helena María
Viramontes (eds), Chicana Creativity & Criticism, 2n ed.
(Albuquerque: University of New Mexico Press, 1996), pp.
220-232.
26. Susan Baker Sotelo, ‘Marginalization in Aztlán: Michael
Nava’s Gay Detective’, in Chicano Detective Fiction: A Critical
Study of Five Novelists (Jefferson: McFarland & Company, Inc.,
2005), pp. 123-148.
27. Ralph E. Rodriguez, ‘Lucha Corpi’s Gloria Damasco Series’, inBrown Gumshoes: Detective Fiction and the Search for Chicana/o Identity (Austin: University of Texas Press, 2005), pp. 55-77.
VOLUME III
Part 4: Chicano/a Poetry
28. Rafael Pérez-Torres, ‘From the Homeland to the Borderlands,
the Reformation of Aztlán: Rodolfo Gonzalez, Jimmy Santiago
Baca, Lorna Dee Cervantes, Ana Castillo, Gloria Anzaldúa’,in Movements in Chicano Poetry (Cambridge: Cambridge
University Press, 1995), pp. 56-96.
29. Marissa López, ‘The Language of Resistance: Alurista’s Global
Poetics’, MELUS 33, 1, 2008, 93-115.
30. Yves-Charles Grandjeat, ‘Ricardo Sánchez: The Poetics ofLiberation’, in Geneviève Fabre (ed.), European Perspectives on
Hispanic Literature in the United States (Houston: Arte Público
Press, 1988), pp. 33-43.
31. Juan Bruce-Novoa, ‘Rescuing the World Cente: Montoya,
Navarro, Delgado, Salinas’, in Chicano Poetry: A Response to
Chaos (Austin: University of Texas Press, 1982), pp. 14-47.
32. José David Saldívar, ‘Changing Borderland Subjectivities:
Montoya, Zamora, Ríos’, Border Matters: Remapping American
Cultural Studies (Berkeley: University of California Press,

1997), pp. 57-71.
33. Ernesto Padilla, ‘With Our Very Own Names, or There is Room
Here for Two Tongues Inside This Kiss: The Voice of Carmen
Tafolla’, in Ernesto Padilla (ed.), Sonnets to Human Beings andOther Selected Works by Carmen Tafolla (Santa Monica: Lalo
Press, 1992), pp. 180-193.
34. Alberto Julián Pérez, ‘Tino Villanueva’, in Alan West-Durán(ed.), Latino and Latina Writers (New York: Charles Scribner’sSons, 2004), pp. 527-536.
35. Charles Tatum, ‘Gary Soto’, in Alan West-Durán (ed.), Latino
and Latina Writers (New York: Charles Scribner’s Sons, 2004),
pp. 475-490.
36. Lisa Tatonetti, ‘A Kind of Queer Balance’: Cherrié Moraga’s
Aztlán, MELUS, 29, 2, 2004, 227-247.
37. Deborah L. Madsen, ‘Lorna Dee Cervantes’, in Contemporary
Chicana Literature (Columbia: University of South Carolina
Press, 2000), pp. 196-228.
38. Marta Ester Sánchez, ‘The Dramatization of a Shifting
Poetic Consciousness: Bernice Zamora’s Restless Serpents’,in Contemporary Chicana Poetry: A Critical Approach to an
Emerging Literature (Berkeley: University of California Press,
1985), pp. 214-268.
39. Julián Olivares, ‘Seeing and Becoming: Evangelina Vigil,
Thirty a’n Seen a Lot’, in John A. García, Theresa Córdova andJuan R. García (eds), The Chicano Struggle: Analyses of Past
and Present Efforts (Binghamton: Bilingual Press/Editorial
Bilingüe, 1984), pp.152-165.
Part 5: Chicano Drama
40. Arturo Ramírez, ‘Contemporary Chicano Theater’, in David
R. Maciel, Isidro D. Ortiz and María Herrera-Sobek (eds),
Chicano Renaissance: Contemporary Cultural Trends (Tucson:
University of Arizona Press, 2000), pp. 233-260.
41. Jorge A. Huerta, ‘Chicano Theater, Themes and Forms, Justice:
On the Streets and in the Courts’, in Chicano Theater: Themes
and Forms (Ypsilanti: Bilingual Press/Editorial Bilingüe, 1982),
pp. 155-185.
42. Luis Valdez, ‘El Teatro Campesino – Its Beginnings’, in Ed
Ludwig and James Santibañez (eds), The Chicanos: Mexican
American Voices (Baltimore: Penguin Books, 1971), pp.115119.
43. Guillermo E. Hernández, ‘Luis Valdez and Actos of TeatroCampesino’, in Chicano Satire: A Study in Literary Culture(Austin: University of Texas Press, 1991), pp. 31-51.
44. Stacy Alaimo, ‘Multiculturalism and Epistemic Rupture: The
Vanishing Acts of Guillermo Gómez-Peña and Alfredo Véa Jr.’,MELUS, 25, 2, 2000, pp. 163-185.
Part 6: Chicano/a Autobiographical Studies
45. Michael Hames-García, ‘Dr. Gonzo´s Carnival: The Testimonial
Satires of Oscar Zeta Acosta’, American Literature, 72, 3, 2000,
pp. 463-493.
46. Henry Staten, ‘Ethnic Authenticity, Class, and Autobiography:
The Case of Hunger of Memory’, PMLA 113, 1, 1998, 103-116.
47. Elizabeth Fertz, ‘Richard Rodriguez: Reluctant Romantic’,
Early American Literature, 43, 2, 2008, 443-452.

VOLUME IV
Part 7: Puerto Rican/Puerto Riqueño/a Overviews
48. Juan Flores, ‘Puerto Rican Literature in the United States:
Stages and Perspectives’, Divided Borders: Essays on Puerto
Rican Identity, ADE Bulletin (Association of Departments ofEnglish), 91, 1988, 39-44
49. Lisa Sánchez González, ‘The Boricua Novel: Civil Rights andthe “New School” Nuyorican Narratives’, in Boricua Literature:
A Literary History of the Puerto Rican Diaspora (New York:New York University Press, 2001), pp. 102-133.
50. Edna Acosta-Belén, ‘Beyond Island Borders: Ethnicity, Gender,and Cultural Revitalization in Nuyorican Literature’, Callaloo
15, 4, 1992, 979-998.
Part 8: Puerto Rican/Riqueño Literature
51. Marta Caminero-Santangelo, ‘“Puerto Rican Negro”: Defining
Race in Piri Thomas’s Down These Mean Streets’, MELUS 29, 2,
2004, 205-226.
52. Barbara Roche Rico, ‘“Rituals of Survival”: A Critical
Assessment of the Fiction of Nicholasa Mohr’, Frontiers, 28, 3,
2007, 160-179.
53. Maya Scolovsky, ‘Telling Stories of Transgression: Judith Ortiz
Cofer’s The Line of the Sun’, MELUS, 34, 1, 2009, 95-116.
54. Thomas McConnell, ‘Fragmentation and Assimilation in Judith
Ortiz Cofer’s Latin Deli and Year of Our Revolution’, Atenea
22, 1-2, 2002, 57-63.
55. Carmen S. Rivera, ‘The Fluid Identity of Rosario Morales and
Aurora Levins Morales in Getting Home Alive’, in Kissing
the Mango Tree: Puerto Rican Women Rewriting American
Literature (Houston: Arte Público Press, 2002), pp. 56-76.
56. Wolfgang Binder, ‘“A Midnight Reality”: Puerto Rican Poetry
in New York, a Poetry of Dreams’, in Geneviève Fabre (ed.),European Perspectives on Hispanic Literature of the UnitedStates (Houston: Arte PúblicoPress, 1988), pp. 22-32.
57. Michael Dowdy, ‘“A Mountain/in My Pocket”: The Affective
Spatial Imagination in Post-1952 Puerto Rican Poetry’, MELUS,
35, 2, 2010, 41-67.
58. Francis R. Aparicio, ‘Salsa, Maracas, and Baile: Latin PopularMusic in the Poetry of Victor Hernández Cruz’, MELUS, 16, 1,
1989-1990, 43-58.
59. Thomas Fink, ‘Visibility and History in the Poetry of Martín
Espada’, The Americas Review 25, 1999, 202-221.
60. Stephanie Álvarez Martínez, ‘¡¿Qué.qué?! – Transculturación
and Tato Laviera’s Spanglish Poetics’, Centro Journal, XVIII, 1,
2006, 25-47.
61. Miriam DeCosta-Willis, ‘Sandra María Esteves’ Nuyorican
Poetics: The Signifying Difference’, Afro-Hispanic Review, 23,
2, 2004, 3-12.
62. J. Chris Westgate, ‘Towards a Rhetoric of Sociospatial Theatre:
José Rivera’s Marisol’, Theatre Journal, 59, 2007, 21-37.
Part 9: Cuban American Literature
63. Rodolfo J. Cortina, ‘Cuban Literature in the United States:
1824-1959’, in Ramón Gutiérrez and Genaro Padilla (eds),
Recovering the U.S. Hispanic Literary Heritage (Houston: Arte
Público Press, 1993), pp. 69-88.
64. Isabel Alvarez-Borland, ‘Displacements and Autobiography in

Cuban-American Fiction’, World Literature Today, 68, 1, 1994,
43-48.
65. Eliano Rivero, ‘From Immigrants to Ethnics: Cuban Women
Writers in the U.S.’, in Asunción Horno-Delgado, Elena Ortega,
Nina M. Scott and Nancy Saporta Sternback (eds), Breaking
Boundaries: Latina Writing and Critical Readings (Amherst:
University of Massachusetts Press, 1989), pp. 189-200.
66. Juan Bruce-Novoa, ‘Hijuelos’ Mambo Kings: Reading fromDivergent Traditions’, Confluencia, 10, 2, 1995, 11-22.
67. Maya Socolovsky, ‘The Homelessness of Immigrant American
Ghosts: Hauntings and Photographic Narrative in Oscar
Hijuelos’s The Fourteen Sisters of Emilio Montez O’Brien’,
PMLA, 117, 2, 2002, 252-264.
68. Rocío G. Davis, ‘Back to the Future: Mothers, Languages,
and Himes in Cristina García´s Dreaming in Cuban’, World
Literature Today, 74, 1, 2000, 60-68.
69. Beatriz Rivera Barnes, ‘Stealing the Nation. Three Women
Writers in the U.S.: Lourdes Casal, Dolores Prida, and Achy
Obejas’, Internet, downloaded January 2013.
VOLUME IV
Part 10: Dominican American Literature
70. Kiley J. Guyton Acosta, ‘Writing Back to the Island:
Revisionist Historiographies in Dominican-American Fiction’,Brújula, 8, 2010, 58-82.
71. Fernando Valerio-Holguín, ‘Dominican-American Writers:
Hybridity and Ambivalence’, trans. Scott Cooper, Forum on
Public Policy On Line: A Journal of the Oxford Round Table,
2006, 1-16.
72. David Cowart, ‘Immigration and Primal Scene: Alvarez’s
How the García Girls Lost their Accents’, in Trailing Clouds:
Immigrant Fiction in Contemporary America, (Ithaca: Cornell
University Press, 2006), pp. 41-54.
73. Steve Criniti, ‘Collecting Butterflies: Julia Alvarez’s Revisionof North American Collective Memory’, Modern Language
Studies, 36, 2, 2007, 42-63.
74. Anne Garland Mahler, ‘The Writer as Superhero: Fighting theColonial Curse in Junot Diaz’s The Brief Wondrous Life ofOscar Wao’, Journal of Latin American Cultural Studies, 19, 2,
2010, 119-140.
75. Emilia María Durán-Almarza, ‘Ciguapas in New York:Transcultural Ethnicity and Transracialization in Dominican
American Performance’, Journal of American Studies, 46, 1,
2012, 139-153.
Part 11: North American Latino/a Writings
76. George Monteiro, ‘Persons, Poems, and Other Things
Portuguese in American Literature’, Gávea-Brown, XVII-XVIII,
1996-1997, 3-24.
77. Michael Templeman,‘Becoming Transnational and Becoming
Machinery in Francisco Goldman’s The Ordinary Seamen’,Symplokē, 14, 1-2, 2006, 271-288.
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