Special Exhibition

What is an "Etoki " -a traditional pictorial explanation in Japanese BuddhismOct. 13 to Nov. 25, 2012 at RYUKOKU MUSEUM
List of Works

Prologue: "Etoki" Performers
No. Title

ArtistFormat andMaterials

Copied by
TanakaShimbiDimensions
in cm

Date

Location and Owner

Color on paper 1

21.5×39.2(original)

Showa period

Tokugawa Art Museum,
Aichi

Qt.

1

Illustrated Tale of Genji (J., Genji Monogatari-e ),chapter 50: The Eastern Cottage-1

2◎Illustrated Biography of Priest Ippen(J., Yugyō shōnin engi ), vol.3

Color on paper 1

33.6×2044.3

Momoyama; dated 1594
(Bunroku 3)

Kōmyō-ji Temple,
Yamagata

3

Illustrated Biography of Priest Shōkū(J., Zenne Shōnin eden ), vol.2

Color on paper 1

35.8×1590.7

Muromachi; dated 1531
(Kyōroku 4)

Jōkyō-ji Temple, Hyogo

4

Thirty-two Artisans Poetry Competitions(J., Sanjūniban shokunin utaawase )Color on paper 1

31.6×849.9

Muromachi period

Suntry Museum of Art,
Tokyo

5

Entertainers (J., Yugei-nin zu ) (right hand-screen)

Color on paper 1

59.9×205.8

Edo period

The Daikan Ōba
Preservation Foundation,
Tokyo

6

Scene of Kyoto (Left hand-screen) from Screens of
Kyoto and Osaka (J., Kyō Ōsaka-zu )Color on paper 1

153.3×365.5

Edo period

Osaka Museum ofHistory

7

In and Around Osaka (right hand-screen)from Screens of In and Around Osaka and
Yodogawa Riverbank(J., Ōsaka shigai Yodogawatsutsumi-zu )Color on paper 1

85.0×342.6

Edo period

Osaka Castle Museum

8

Diary of Enkoan (J., Enkoan Nikki )1. Talk on Unveiling a Sacred Image(J., Kaicho danwa )by Koriki
Tanenobu

Color and ink
on paper1

26.3×18.8

Edo; dated 1815
(Bensei 12)

Hosa Library, Nagoya,
Aichi

2. Record on Unveiling Saga Reibutsu(J., Saga reibutsu kaishō shi )Copied by
OdagiriShunkō

Color and ink
on paper1

25.2×17.9

Edo; dated 1812
(Bunsei 9)

Nagoya City Museum,
Aichi

Format andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

Schist1

21.0×32.6

Gandhara,
2nd-3rd century

Ryukoku University

Schist1

49.2×42.5

Gandhara,
2nd-3rd century

Chapter 1: "Etoki" of Śākyamuni Buddha
No. Title
9

Birth of Siddhārtha

10 Renunciation and the Great Departure

Artist11

Transformation Scenes of Rudraksha 's Combat
with Sariputra (Copy)

Original:
1
Color on paper

27.0×583.5

Original: Tang Period

Original：Bibliothèquenationale de France

12Illustrated Sūtra of Cause and Effect(J., Einga kyō ), vol.4

Color and ink
on paper26.5×1095.4

Nara period

The University Art
Museum,Tokyo University of Arts1

13

Illustrated Sūtra of Cause and Effect(J., Einga kyō Shin-Inga kyō dankan )1. Matsunaga version

Color and ink
on paper1

27.2×48.3

Kamakura period

2. Shōri ji Temple version

Color and ink
on paper1

26.7×50.1

Kamakura period

14◎Eight Scenes from the Life of Śākyamuni(J., Shaka hassō zu )Color on silk1

119.4×84.8

Kamakura period

Daifukuden-ji Temple,
Mie

15

Scenes from the Life of Śākyamuni(J., Butsuden zu ) , scrolls 1, 2, 5 and 6

Color on silk

4

115.0×120.3 each

NanbokuchōMuromachi period

Jikō-ji Temple,
Hiroshima

16◎Parinirvāna of Śākyamuni with Other Scenes
Related to Parinirvāna (J., Hassō nehan zu )Color on silk1

174.5×133.5

Kamakura; dated 1274
(Bun'ei 11)

Jōdo-ji Temple,
Hiroshima

17

Parinirvāna of Śākyamuni with Other Scenesof his Life (J., Butsuden Nehan zu )Color on silk

1

211.7×203.8

Nanbokuchō; dated 1392
Tōryū-ji Temple, Aichi(Meitoku 3)

18

Transformation Scenes of the Parinirvāna ofŚākyamuni (J., Nehan hensō zu )Color on silk1

155.0×147.2

Muromachi period

Sūfuku-ji Temple, Aichi

19

Transformation Scenes of the Parinirvāna ofŚākyamuni (J., Nehan hensō zu )Color on silk1

110.2×59.4

China,Southern Song period

Eifuku-ji Temple, Osaka

Format andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

by
Hōgen Ninsō

Chapter 2: "Etoki" of Various Sūtras
No. Title

ArtistMandala of Jeweled Stupa Formed with the
20 Text of the Saddharmapuṇḍarīka Sūtra(Lotus Sūtra) (J., Hokekyō Hōtō Mandara ), chap.7

Gold and Silver
Pigment on
1
indigo paper

103.7×54.5

Kamakura period

Myōhō-ji Temple, Osaka

Transformation Scene of the First Chapter from21 the Saddharmapuṇḍarīka Sūtra (Lotus Sūtra)(J., Hokekyō hensō zu jobon )Color on silk1

150.6×51.7

China,
Yuan period

Kakujō-in Temple(The Kagawa Museum)4

180.0×86.0 each

Nanbokuchō; dated 1335 Honkō-ji Temple,(Kenmu 2)
Shizuoka

22◎Transformation Scene of Saddharmapuṇḍarīka
Sūtra (Lotus Sūtra) (J., Hokekyō hensō zu )Color on silk

23

◎Illustrated Scroll of Saddharmapuṇḍarīka Sūtra(Lotus Sūtra) (J., Hokekyō emaki )Color on paper 1

31.5×291.8

Kamakura period

Kosetsu Museum of Art,
Hyogo

Gold pigment
1
on indigo paper

20.6×652.1

KamakuraNanbokuchō period

Tokugawa Art Museum,
Aichi

Color on silk1

113.1×81.4

Kamakura period

Onjō-ji Temple, Shiga

Color on silk

1

117.6×76.7

Kamakura period

Kōzan-ji Temple, Kyoto

Gold pigment
1
on indigo paper

30,8×11.0

Korea,
Koryo period

Taizan-ji Temple, Hyogo

Printed ink
on paper27.8×11.4

China,Southern Song period

Osaka Municipal
Museumof ArtColor on paper 1

25.8×1688.4

Muromachi period

Chūson-ji Temple, Iwate

Color on silk

74.0×61.4 each

NanbokuchōMuromachi period

Onjō-ji Temple, Shiga

24 Ananta Nirdeśa (J., Muryōgikyō )25Transformation Scene of Buddhāvataṃsaka-nāmamahāvaipulya Sūtra (Flower Ornament Sūtra),Spiritual Teachers(J., Kegon kaie zenchishiki mandara )◎Transformation Scene of Buddhāvataṃsakanāma-mahāvaipulya Sūtra (Flower Ornament
26
Sūtra), Deities(J., Kegon kaie shoshōju mandara )27

Buddhāvataṃsaka-nāma-mahāvaipulya Sūtra(Flower Ornament Sūtra)(J., Kegon kyō ), Scroll 42

Laudatory verses by Bukkoku zenji
28 on the Pictures of Manjusri's Guidance(J., Bukkoku zenji Monju shinanzu san )29

General Minamoto Yoshitsune's Journey to theEast (J., Minamoto Yoshitsune kō Azuma kudari e )30 Mandala of the Two Realms (J., Ryōgai mandara )12

Chapter 3: "Etoki" of the Worlds after Death
No. Title

ArtistFormat andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

31

Pure Land of Amitābha Buddha Based on
the Guan wu liang shou jing (J., Taima Mandara )Color on silk1

162.3×153.0

Kamakura period

Daikaku-ji Temple,
Hyogo

32

Pure Land of Amitābha Buddha Based on
the Guan wu liang shou jing (J., Taima Mandara )Color on silk1

130.0×152.0

Nanbokuchō period

Ryukoku University

Wood

7

196.4×206.8

Edo; dated 1697
(Genroku 10)

Saiō-in, Kyoto

33 Printing Block for Taima Mandara

34◎Mandala of Amitābha Coming to Receive
the Devotee (J., Gōshō mandara )Color on silk

1

116.7×54.6

Kamakura period

Seiryō-ji Temple, Kyoto

35◎Mandala of Amitābha Coming to Receive
the Devotee (J., Gōshō mandara ) (Copy)

Color on silk

1

116.3×56.3

Nanbokuchō period

Seiryō-ji Temple, Kyoto

36◎Scenes from Hell and Amitābha Buddha'sWestern Paradise (Jigoku Gokuraku-zu )Color on silk2

101.0×84.0 eachKamakura periodKonkai Kōmyō-ji Temple,
Kyoto

37

◎Two Rivers and the White Path(J., Niga Byakudo-zu )Color on silk

1

116.8×62.9

Kamakura period

Kosetsu Museum of Art,
Hyogo

38

Two Rivers and the White Path(J., Niga Byakudō-zu )Color on silk

1

79.2×38.3

Nanbokuchō period

Yakushi-ji Temple, Nara

39 ◎Ten Realms (J., Jikkai-zu )Color on silk2

133.4×125.2 eachKamakura period

Eikan-dō, Zenrin-ji
Temple, Kyoto

40 ◎Six Realms of Transmigration (J., Rokudō-e )Color on silk

3

140.0-141.1×
120.8-124.5

Kamakura period

Gokuraku-ji Temple,
Hyogo

Inscriptions for the Wall Paintings on the Four Sides
41 of Enma-do in Daigo-ji Betsuin Temple(J., Daigo-ji betsuin Enma-ō shiheki emei )Ink on paper1

25.7×340.3

Edo period, dated 1670
(Kambun 10)

National Museum ofJapanese History, Chiba

Scrolls from the Six Realms of Transmigration:"Hell of Repeated Resuscitation" and42 "The Court of Enma, the King of Hell"(J., Rokudō-e mohon: Toukatsu jigoku-fuku,
Enma ōchō-fuku ) (Copy)

Color on silk2

155.5×68.6 each

Edo; dated 1823
(Bunsei 6)

Shōjōraigō-ji Temple,
Shiga

43

◎Illustrated scroll of the Ten Kings Sūtra(J., Jūō-kyo zu kan )Color on paper 1

34.2×680.0

China,Five dynastiesSong period;
dated 911 or 971

Kuboso Memorial
Museum of Arts, Izumi,
Osaka

44

◎Scrolls from the Ten Kings of Hell: Judge of the
by Tosa
Deceased on 7th, 14th, 21th, 35th, 49th day and
Mitsunobu
three years after death (J., Jūō-zu )Color on silk

97.1×42.2 each

Muromachi; dated 1489
(Chōkyō 3)

Jōfuku-ji Temple, Kyoto

Edo period

Nakayama-dera Temple,
Hyogo

45 Sculptures from Enma-dō, Nakayama-dera Temple

6

Wood

1. Four Kings from the Ten Kings of Hell:
Sōtei-ō, Gokan-ō, Henjō-ō and Taizan-ō(J., Jūō zazō )4

H. 46.3(Sōtei-ō)
H. 46.7(Gokan-ō)
H. 47.8(Henjō-ō)H. 46.7(Taizan-ō)

2. Seated Old Hag of Hell (J., Datsueba zazō )1

H. 41.4

3. Standing Gushō-shin (J., Gushō-shin ryūzō )1

H. 69.0

4. Demon Warden and Karma Scale(J., Kisotsu zō, Gō bakari)

1 H. 87.2, H. 31.0
set (Demon Warden)

5. Demon Warden and Staff with two human heads(J., Kisotsuzō, Dandadō )1 H. 75.2, H. 28.2
set (Demon Warden)Chapter 4: "Etoki" of Respectable People
No. Title

ArtistFormat andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner46◎Illustrated Biography of Priest Gyōki(J., Gyōki Bosatsu gyōjō eden ), scroll 2 and 3

Color on silk2

195.7×81.2 eachKamakura period

Ebara-ji Temple, Osaka

47

Illustrated Biography of Kōbō Daishi(J., Kōbō Daishi eden ), scroll 1 and 2

Color on silk2

140.9×69.7 eachKamakura period

Jōdo-ji Temple,
Hiroshima

48

Illustrated Biography of Kōbō Daishi(J., Kōbō Daishi eden )Color on paper 1

184.3×141.3

Edo periodIshiyama-dera Temple,
Shiga

49

◎Origins of the Yūzū Nembutsu Sect
(J., Yūzū nenbutsu engi ), last volume

Color on paper 1

36.7×2086.0

Muromachi; dated
1463-1465 (Kanshō 4-6)

Eikandō, Zenrin-ji
Temple, Kyoto

50

Origins of the Yūzū Nembutsu Sect (printed album)(J., Yūzū nenbutsu engi, Hampon )Printed ink
on paper2

35.0×15.0 each

Edo; dated 1832
(Tenpou 3)

Ryukoku University

51

Mandalas of Two Pure Land Patriarchs
Shandao and Hōnen (J., Niso mandara zu )Color on silk

4

118.0×112.0 each

Nanbokuchō period

Chion-in Temple, Kyoto

52

Illustrated Biography of Priest Hōnen(J., Hōnen Shōnin gyōjō-ezu), vol.48

Color on paper 1

32.9×1066.6

Kamakura period

Chion-in Temple, Kyoto

53

Fragment of Illustrated Legend of Priest Hōnen(J., Hōnen Shōnin denpō-e, dankan )Color on paper 1

32.6×51.4

Kamakura period

54

Illustrated Transmission of the Amitābha Triad(J., Ikkō Sanzon butsu eden )Color on silk4

149.9×81.5 each

Edo; dated 1811-13(Bunka 8-10)

Senju-ji Branch, Kyoto

55◎Illustrated Biography of Prince Shōtoku
(J., Shōtoku Taishi eden ), scroll 1 and 3

Color on silk2

160.9×93.9 eachKamakura period

Honshō-ji Temple, Aichi

56

Chronological Biography of Prince Shōtoku
(J., Shōtoku Taishi denryaku ), vol.2

Ink on paper1

25.2×16.6

Kamakura; dated 1326
(Kareki 1)

Shōｊōkō-ji Temple,
Kanagawa

57

Biography of Prince Shōtoku
(J., Shōtoku Taishi naiin mandara )Ink on paper1

25.1×17.0

Kamakura; dated 1325
(Shōchū 2)Manshō-ji Temple, Aichi

58

Illustrated Biography of Prince Shōtoku
(J., Shōtoku Taishi eden)

Color on silk4

153.7×73.7 each

Muromachi period

Zentoku-ji Temple,
Toyama59

Standing Image of Prince Shōtoku at the Age ofTwo (J., Namu butsu taishi zō )

Wood

1

H. 69.8

Edo period

Zentoku-ji Temple,
Toyama60

Standing image of Prince Shōtoku at the Age ofSixteen (Shōtoku Taishi kyōyō ryūzō)

Wood

1

H. 106.8

Kamakura period

Myōan-ji Temple, Ibaraki

61◎Illustrated Biography of priest Shinran(J., Honganji Shinran shōnin denne ), vol.4

Color on paper 1

41.2×1372.5

Nambokuchō; dated 1344
Shōgan-ji Temple, Chiba(Kōei 3)

Color on paper 2

Scroll 1:
42.5×approx.1970.0
Scroll 2:
42.5×approx. 2590.0

Nambokuchō period

Bukkō-ji Temple, Kyoto

Color on silk

4

140.0×78.5 each

Muromachi; dated 1475
(Bunmei 7)

Jōraku-dai, Kyoto

by Sasuke
Fujimoto

written by
Jakujō

Illustrated Biography of Priest Shinran
62(J., Zenshin shōnin Shinran denne )Inscription
by Rennyo(1415-99)

63

Illustrated Biography of Priest Shinran(J., Shinran shōnin eden )64

Illustrated Biography of Priest Rennyo(J., Rennyo shōnin engi )Ink on paper2

Scroll 1: 27.4×633.2
Scroll 2: 27.4×556.2

Edo; dated 1781
(An'ei 10)

Anyō-ji Temple, Shiga

65

Mask, traditionaly identified as Nikuzuki(Mask sticked to face)

Wood

1

L. 21.4

Momoyama period

Kōkei-ji Temple, Shiga

Illustrated Biography of Priest Rennyo as
66 the restorer of Hongan-ji Temple(J., Hongan-ji chūkō Rennyo shōnin engi )Ink on paper2

29.3×20.8 each

Edo-Meiji period

Tōshō-ji Temple, Shiga

Illustrated Biography of Katada Genbē(J., Katada Genbē eden)

Color on silk2

121.2×56.4 each

ModernTōshō-ji Temple, Shiga

68 Standing Gen'emon

Wood

1

H. 47.4

Edo-Meiji period

Tōshō-ji Temple, Shiga

69 Wooden Hanger for Illustrated Scrolls

Wood

1

223.2×55.5

Edo period

Myōgen-ji Temple, Aichi

67

Chapter 5: "Etoki" of Temples and Shrines
No. Title

ArtistFormat andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

70

Illustrated Transmission of the Amitābha Triadin Zenkō-ji Temple (J., Zenkō-ji nyorai eden )Color on silk4

157.6×83.9 each

Nanbokuchō periodNakano-ku, shiga

71

Amitābha Triad in Zenkō-ji Style(J., Amida sanzon zō, Zenkō-ji Nyorai)

Color on silk

1

79.7×34.9

Nanbokuchō period

Tokugawa Art Museum,
Aichi

72

◎Amitābha Triad in Zenkō-ji Style(J., Amida sanzon ryūzō, Zenkō-ji Nyorai)

Gilt Bronze

3

H.46.9 (Amitābha)H. 33.2 (attendants)
each

Kamakura period

Iwaki City, Fukushima

73

Standing Amitābha in Zenkō-ji Style(J., Amida Nyorai ryūzō, Zenkō-ji shiki)

Gilt Bronze

1

H. 46.7

Kamakura period

74Standing Avalokiteśvara in Zenkō-ji Style(J., Kannon Bosatsu ryūzō, Zenkō-ji shiki)

Gilt Bronze

1

H. 44.1

Kamakura period

75Standing Sthāmaprāpta in Zenkō-ji Style(J., Seishi Bosatsu ryūzō, Zenkō-ji shiki)

Gilt Bronze

1

H. 33.1

Kamakura period

76 Origins of Onsen-ji Temple (J., Onsen-ji engi e )Color on silk

1

189.6×153.5

Muromachi period

Kyoto National Museum

77◎Building a Bridge to Yamazaki(J., Yamazaki kakyō zu)

Color on silk

1

108.6×55.0

Kamakura period

Kuboso Memorial
Museum of Arts, Izumi,
Osaka

78

Origins of Hase-dera Temple(J., Hase-dera engi ), vol.1

Color on silk1

31.2×1732.9

Muromachi period

Hase-dera Temple, Nara79

Hase-dera Staning Eleven Headed Avalokiteśvara
(J., Hase-dera jūichimen Kannon zō)Color on silk

1

69.0×31.9

Muromachi period

Hase-dera Temple, Nara

80

Staning Eleven Headed Avalokiteśvara
(J., Jūichimen Kannon ryūzō)

Wood

1

H. 44.6

Muromachi; dated 1516
(Eishō 13)

Todai-ji Temple,
Kaminobō, Nara81

○Origins of Kiyomizu-dera Written in kana Script(J., Kiyomizu-dera kana enngi)

Ink imageon paper1

28.6×455.7

Kamakura period

Kongō-ji Temple, Osaka

Color on silk

1

72.0×36.4

Nanbokuchō period

Kakuman-ji Temple,
Osaka

by JisseiStanding Thousand Armed Avalokiteśvara
82 in Kiyomizu-dera Style(J., Senju Kannon Kiyomizu-dera gata )83

Kiyomizu-dera Pilgrimage Mandala(J., Kiyomizu-dera sankei mandara )Color on paper 1

168.5×176.8

Muromachi period

84

Thousand Armed Avalokiteśvara of Kokawa-dera
Temple (J., Kokawa-dera Senju Kannon zō )Color on silk

108.3×48.5

Muromachi period185 ◎Origins of Dōjō-ji Temple (J., Dōjō-ji engi)

Color on paper 2

Scroll 1: 31.4×1052.3
Scroll 2: 31.4×994.5

Muromachi period

Dōjō-ji Temple,
Wakayama

86 Origins of Dōjō-ji Temple (J., Dōjō-ji engi)

Color on paper 2

Scroll 1: 27.7×984.3
Scroll 2: 27.7×949.2

Edo period

Dōjō-ji Temple,
Wakayama

87 Wooden Stand for StorytellingWood

97.8×85.4

Edo period

Dōjō-ji Temple,
Wakayama

1

88

Illustrated Legends of Coiling aroundthe Temple Bell (J., Kanemaki yurai zu )Color on paper 4

182.3×87.3 each

Edo period

Dōjō-ji Temple,
Wakayama

89

Booklet of Anchin and Kiyohime(J., Anchin Kiyohime-no hon)

Color on paper 1

24.6×17.1

Edo-Meiji period

Dōjō-ji Temple,
Wakayama

90

Illustrated Origins of the Kitano Tenjin Shrine(J., Dajō itokuten engi ), Scroll 2, 3, 5 and 6

Color on paper 4

Scroll 2：30.4×1173.1
Scroll 3：30.5×1123.8
Scroll 5：30.4×1136.4
Scroll 6：30.4×1249.0

Muromachi; dated 1458
(Chōroku 2)Jōgū Tenmangū Shrine,
Osaka

91

Illustrated Origins of the Kitano Tenjin Shrine(J., Kitano tenjin engi-e )Color on silk4

149.6×86.3 each

Muromachi period

Watsuka Tenmangū
Shrine, Kyoto

92◎Illustrated Origins of Seigan-ji Temple(J., Seigan-ji engi e )Color on silk

3

Scroll 1：233.5×148.5
Scroll 2：237.4×148.0
Scroll 3：222.6×146.8

1st and 2nd scroll:
Kamakura period,
3rd scroll: Edo period

Seigan-ji Temple, Kyoto

Writtenby Jōgyō

93

Origins of Seigan-ji Temple(J., Seigan-ji engi ), last volume

Color on paper 1

39.5×3204.0

Edo period

Seigan-ji Temple, Kyoto

94

Illustrated Origins of Main Image of Jikō-ji Temple(J., Jikō-ji honzon engi-e )Color on silk2

141.7×129.6 each

Edo period

Jikō-ji temple, Hyogo

Format andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

Chapter 6: "Etoki" for Pilgrimage
No. Title

Artist95◎Yasaka pagoda and Hōkan-ji Temple
Pilgrimage Mandala(J., Yasaka-no-tō Hōkan-ji sankei mandara )Color onpaper

1

147.0×169.0

Muromachi period

Hōkan-ji temple, Kyoto

96

Rokudōchinnō-ji Temple Pilgrimage Mandala(J., Rokudōchinnō-ji sankei mandara )Color onpaper

1

206.8×176.3

Muromachi period

Rokudochinno-ji temple,
Kyoto

97

Nariai-ji Temple Pilgrimage Mandala(J., Nariai-ji sankei mandara )Color on paper 1

150.4×127.0

Muromachi period

Nariai-ji temple, Kyoto

98

Yoshimine-dera Temple Pilgrimage Mandala(J., Yoshimine-dera sankei mandara )Color on paper 1

159.8×166.4

Momoyama period

Yoshimine-dera temple,
Kyoto

99

Map of Kurama-dera Temple(J., Kurama-dera keidai zu )Color on paper 1

131.3×55.2

Edo period

100

Chōmei-ji Temple Pilgrimage Mandala(J., Chōmei-ji sankei mandara )Color on paper 1

149.8×162.4

Momoyama period

Chōmei-ji temple, Shiga

Wood

H.89.5

Muromachi; dated 1574
(Tenshō 2)

Chōmei-ji temple, Shiga

101 Seated Śākyamuni Buddha

By Keison

1

1 Prayer petition：
set 18.1×152.8

Objects found inside the image
102 Seated Shuntei Jihō (J., Shuntei Jihō zazō )

Wood

1

H. 73.5

Edo period

Kokuya-ji temple, Shiga

103 Seated Jihaku (J., Jihaku zazō )

Wood

1

H. 60.5

Edo period

Kokuya-ji temple, Shiga

104

Documents Related to Solicitation of Contributions
toward Chōmei-ji Temple

Chōmei-ji temple, Shiga

1. Register of Contributions for the Reconstructionof Chōmei-ji Temple (J., Chōmei-ji kanjin-chō )Ink on paper126.4×183.9

Muromachi; dated 1517
(Eishō 14)

2. Program of the Reconstruction of Main Temple
in 1522 (J., Daiei ninen hondō saikō shidai )Ink on paper133.1×41.8

Muromachi; dated 1522
(Daiei 2)

3. Register of Contributions for the Reconstructionof Main Temple in 1524
(J., Daiei yonen hondō kanjinsen nōchō )Ink on paper1

21.6×32.9

Muromachi; dated 1524
(Daiei 4)

4. Register of the Expenditure for the
Reconstruction of Main Temple in 1524
(J., Daiei yonen hondō zōsakusen geyōchō )Ink on paper1

21.7×167.0

Muromachi; dated 1524
(Daiei 4)

5. Fragment of List of the Contributors(J., Kuyō kyōmyō dankan )Ink on paper121.0×443.8

Muromachi period

6. Chōmei-ji Temple Articles (J., Chōmei-ji jōmoku )Ink on paper139.2×247.0

Edo; dated 1707
(Hōei 4)

7. Record of the Lineage of the Feudal Lord Honda

Ink on paper1

28.5×20.1

Edo; dated 1830
(Bunsei 13)

105

Kumano Nachi Pilgrimage Mandala(J., Kumano Nachi sankei mandara )Color on paper 1

147.5×175.2

Momoyama period

Fudarakusan-ji temple,
Wakayama

106

Kumano Nachi Pilgrimage Mandala(J., Kumano Nachi sankei mandara )Color on paper 1

145.5×159.6

Edo period

Kambe 1st and 2nd
communities(Shinkō-ji temple), Mie

107

Origins of the Kumano Deities(J., Kumano no honchi )Color on paper 3

28.2×3875.3(Total length)

Edo period

Monmyō-ji temple,
ToyamaVisualization Mandala of the Heart and
108 Ten-realms of Kumano(J., Kumano kanshin jikkai mandara, kōhon )Color on paper 1

152.9×163.5

Momoyama period

Rokudochinno-ji temple,
Kyoto

Visualization Mandala of the Heart and
109 Ten-realms of Kumano(J., Kumano kanshin jikkai mandara )Color on paper 1

139.0×124.5

Edo period

Kambe 1st and 2nd
communities(Shinkō-ji temple), Mie

110 Ten Realms (J., Jikkai-zu )Color on paper 1

137.0×111.5

Edo period

Eikandō, Zenrin-ji
Temple, Kyoto

111 The Hill of Aging (J., Oi no saka )Color on paper 1

94.1×51.6

Muromachi periodTokyo National Museum

The Hill of Aging (J., Oi no saka ) from a set of
112 21 Hanging Scrolls Depicting Kśtigarbha, the Ten
Kings of Hell and Others (J., Jizō jūō zu )Color on paper 1

93.3×38.9

Muromachi period

Houdou-in, Shiga

Color on paper 1

106.0×49.5

Muromachi period

Manshō-ji temple, Aichi

Tales of Hottō Enmyo Kokushi, Founder of
114 the Juhōsan in Yura, Kishū(J., Kishū Yura Juhō-kaizan Hottō kokushi no engi )Ink on paper131.0×24.2

Muromachi; dated 1517
(Eisei 14)

Kōkoku-ji temple,
Wakayama

115 Letter from Mōri Motonari (J., Mōri Motonari shojō )Ink on paper1

13.8×39.4

Muromachi; dated
1550-1559(Tenbun 19- Eiroku 2)

1. Izuna gongen (Izuna gongen zō)Color on silk1

93.1×38.3

Muromachi period

2. Doctrine booklet (J., Kyōsetsu-sho )Color on paper 1

27.0×20.7

Momoyama-Edo period

3. Sheet of Laws and Regulations (J., Hatto-sho )Ink on paper129.0×138.5

Edo; dated 1664
(Kanbun 4)

Edo period

113

116

117

Avalokiteśvara Cintāmanicakra and the Blood Pond(J., Chi no ike Kannon zō )Related Materials of Nuns of Kumano in Kasaga(Materials in the Possession of Daiｒaku-in)(J., Kasaga Kumano bikuni kankei shiryō,
Dairaku-in shiryō )Related Materials of Nuns of Kumano in Kasaga(Materials in the Possession of the Takehisas)(J., Kasaga Kumano bikuni kankei shiryō,
Takehisa-ke shiryō )1. Printing Blocks for Daikoku-ten, Kumano-Goō
and the Flaming Jewel(J., Daikoku-ten, Kumano-Goō, Kaen hōju Hangi )

Wood

3

Daikoku-ten: 27.2×
37.8,
Kumano-Goō：
20.6×30.0, Flaming
Jewel：5.0×4.5

2. Priest's staff (J., Shakujō )Bronze1

L. 36.6

Edo period

3. Hanging Charm covered with Cloth(J., Nuno zutsumi Kakemamori (Agata-bako) )Wood andCloth

1

L. 4.5 W. 11.2

Edo period

Solicitation Documents for Voluntary Donations with
the Description of Visualization Mandala of the118
Heart and theTen-realms of Zenkō-ji Amitābha Triad(J., Zenkō-ji Nyorai kanshin jippōkai zu kange mon )Ink on paper1

13.7×18.5

Edo period

119

Visualization Mandala of the Heart andthe Ten-realms (J., kanshin jippōkai zu )Printed ink
on paper1

42.8×31.2

Edo period

120

Teaching on Spreading Seeds of Good and Evilin Hymns (J., Shinyō zen'aku tanemaki wasan )Printed ink
on paper1

27.7×15.4

Edo period

121 Tateyama Mandala (J., Tateyama Mandara )Color on paper 4

163.0×240.0(4 hanging scrollsin Total )Edo period

Raigō-ji temple, Toyama

122 Tateyama Mandala (J., Tateyama Mandara )Color on silk

128.5×147.0(4 hanging scrollsin Total )Edo; dated 1866
(Keiō 2)

Tateyama Museum,
ToyamaEdo period

Tateyama Museum,
Toyama123

4□Related Materials of Tateyama Faith(J., Tateyama shinkō kankei shiryō )1. Printing Block: One Thousand Scrolls of the
Xuepen jing (J., Ketsubon kyō issen-kan kuyō
kudoku-sho hangi )

Wood

1

40.9×24.4

2. Printing Block: Guide map of Tateyama(J., Tateyama annai zu hangi )

Wood

5

32.5×24.8 32.5×25.0(Pair of blocks)
32.5×24.8(Pair of blocks)

3. Printing Block: Amitābha Coming to Receive
the Devotee (J., Kyōe raigō injō zu hangi )

Wood

1

30.9×22.7

Board Game of Illustrated Pilgrimage to Ise(J., Ise Mairi Sugoroku )Printed ink
on paper1

53.5×36.3

Edo period

Printed ink
on paper1

58.8×67.1

Edo; dated 1858
(Ansei 5)

Ryukoku University

ArtistFormat andMaterials

Qt.

Dimensions
in cm

Date

Location and Ownercopied by
Maruyama
Keian

Ink on paper2

26.3×20.4 eachMomoyama; dated
1598-1600 (Keichō 3-5)

Ryukoku University

127 Noh Mask Hannya Type (J., Nō men, Hannya )byIseki Ieshige

Color on Wood 1

L. 21.1

Edo period

Hikone Castle Museum,Shiga

128 Noh Mask Hannya Type (J., Nō men, Hannya )by Nakamura
NaohikoColor on Wood 1(1877-1945)

L. 20.8

Shōwa period

Hikone Castle Museum,
Shiga

124

Board Game of Illustrated Travel through
125 the Amitābha Paradise and Hells(J., Zenaku sugoroku Gokuraku dōchū zue )by Kurokawa
GyokusuiEpilogue: "Etoki" Remaining in Present Day
No. Title

126

Annotation Booklets of Noh(J., Utai shō ), vol.6 and 9

129

Noh Mask Asakurajo Type(J., Nō men, Asakurajō )Color on Wood 1

L. 19.8

Edo period

Hikone Castle Museum,
Shiga

130

Noh Mask Yase-otoko Type(J., Nō men, Yase-otoko )Color on Wood 1

L. 19.5

Edo period

Hikone Castle Museum,Shiga

by Nakamura
NaohikoColor on Wood 1(1877-1945)

L. 20.5

Shōwa period

Hikone Castle Museum,Shiga

131 Noh Mask Fukai Type (J., Nō men, Fukai)

132

The Maiden at Dōjō-ji Temple(J., Kyōganoko musume dōjō-ji )by Utagawa
Kuniyoshi

Woodblockprints3

38.6×76.0

Edo; dated 1852
(Kaei 5)

Osaka Castle Museum

133

The Maiden at Dōjō-ji Temple(J., Shunshoku ninin dōjō-ji )by Utagawa
Kuniyoshi IV

Woodblockprints3

37.3×73.6

Meiji; dated 1884
(Meiji 17)

Osaka Castle Museum- Each mark at the head of titles indicates: National Treasure◎ Important Cultural Property○ Important Art Object□ Important tangible folk-cultural property- Several objects will be rotated during the course of the exhibition period.