Shakyamuni and ShinranPart II (2nd Period: June 7 to July 24, 2011) List of WorksIntroduction: Various Aspect of Shinran
No. Title

Artist1 Seated image of priest Shinran
2 Seated image of priest Shinran
3 Portrait of priest Shinran

Inscription byRennyo(1415-99)

4 Portrait of priest Shinran
5 Portrait of priest Shinran
6 Fragments of the Thirty-three Vows

By Shinran(1173-1263)

7 Book on the Pure Land(Ojo-yoshu)

Format andMaterials

Qt.

Dimensions
in cm

DateLocation and Owner

Wood

1H. 69.7

Kamakura Period

Jokyo-ji, Chiba

Wood1H. 59.5

Edo Period

Hongyo-ji, Shiga

Color on Silk

1

100.8×49.5

Muromachi Period;
dated 1475

Fukuden-ji, Shiga

Color on Silk

1

112.5×75.0

Muromachi Period

Gannyu-ji, Ibaraki

Color on Silk

1

129.2×73.1

Momoyama Period

Hongyo-ji, Shiga
Honsei-ji, Ishikawa
Shomyo-ji, Ibaraki

Ink on Paper

126.7×14.0

Kamakura Period;
dated 1256

Ink on Paper1

26.2×18.0

Kamakura Period

Chapter 1 Introduction of Buddhism into Japan and the Spread of Pure Land Buddhism
No. Title

ArtistFormat andMaterials

Qt.

Dimensionsin cm

Date

Location and Owner

Arrival of Buddhism
8 Eaves Tiles Excavated from Shitenno-ji Temple

Ceramic

Shitenno-ji, Osaka

Round eaves tile with eight-petaled lotus design

Ceramic

1

Diam.16.8

Asuka Period

Round eaves tile with eight-petaled lotus design
Flat eaves tile with double-lined design

Ceramic2

Diam.11.0 W.16.0

Hakuho Period

Round eaves tile with eleven-petaled lotus design
Flat eaves tile with arabesque design

Ceramic2

Diam.19.3 W.28.0

Nara Period
Asuka Period

Kyoto City
Archaeological Museum

H.16.2

Hakuho Period

Horyu-ji, Nara

2

H.6.6、3.4

Hakuho Period

Kyoto City
Archaeological Museum

Bronze3Amida: H. 34.1
Kannon:H.23.8
Seishi:H.23.8

Kamakura Period

Onjo-ji, Shiga

Wood

3Amida:H.158.8
Kannon:H135.5
Seishi:H.140.0

Kamakura;
dated1307(Tokuchi 2）

Empuku-ji, Ibaraki

H.10.0Nara Period

Kyoto City
Archaeological Museum

9 Eaves Tiles Excavated from Kitano-haiji Temple

Ceramic

Round eaves tile with ten-petaled lotus design

Ceramic

1

Diam.24.5

Round eaves tile with Eeght-petaled lotus design

Ceramic1Diam.17.5

10 Seated Buddha (attached to Kannon's halo)

Wood

1

Fragments of Terra-cotta Buddha
11
Excavated from Hokan-ji Temple

Ceramic

12Standing images of Amida Trinity (ZenkojiNyorai )13 Standing images of Amida Trinity
Rise of Buddhism
14

Terra-cotta head of Bodhisattva
Excavated from Kitano-haiji Temple

Terra-cotta

1

15

Fragments of figured tires depicting Buddha
Excavated from Kaidan-in hall of Toshodai-ji

Ceramic

13 H.4.1 and otherNara Period

Toshodai-ji, Nara

16

Illustrated Biography of Prince Shotoku(Shotoku Taishi Eden)

Color on Silk

4

Each.119.4×96.3

Muromachi PeriodNakano-ku, Shiga

17Daihannya-gyo sutra, Vol.91(Yakushiji-version)

Ink on Paper

1

27.0×1160.6

Nara Period

Yakushi-ji, Nara

Art of Esoteric Buddhism and the Related Works
18 Mandala of Both Realms

Color on Silk

2

Kongo-kai:208.1×132.8
Muromachi Period
Taizo-kai:207.0×132.1

Nison-in, Kyoto

19 Dainichi-gyo sutra,Vol.6

Printed Ink
on Paper1

27.1×803.9

Kamakura Period

Ryukoku University

20 Kongocho-kyo sutra,Vol.2

Ink on Paper

1

26.7×660.6

Kamakura Period

Ryukoku University

21 Standing image of Aarya-Avalokitesvara

Wood

1H. 53.2

Late Heian Period

Yakushi-ji, Nara

22 Standing image of Ksitigharbha

Wood

1H. 80.2

Late Heian Period

Tosyodai-ji, Nara

Gold Paint on
5
Dark-blue
paper

H.27.5Late Heian Period

Kimpusen-ji, Nara

Ink on Paper

2

Each:26.7×16.5

Muromachi Period

Ryukoku University

25 Treatise on the Pure Land (Jodo-ron)

Ink on Paper

1

25.7×14.7

Late Heian period;
dated 1119

Joraku-dai, Kyoto

26 Book on the Pure Land (Ojo-yoshu) , Vol.2Printed Ink on
1Paper

24.0×15.0

Kamakura Period;
dated 1253

Ryukoku University

27 Seated image of Amida Tathagata

Wood

H. 40.7

Late Heian Period

Horyu-ji, Nara

Spread of Pure Land Buddhism
23 Fragments of Lotus Sutra

24

The Three Pure Land Sutras; Muryoju-kyo
sutra Vol.2 and Kanmuryoju-kyo sutra

1

H. 43.8

28 Standing image of Amida Tathagata

Wood

1

Late Heian Period

29 Standing image of Amida Tathagata

Wood

1

H. 78.0

Kamakura Period

Onjo-ji, Shiga

30 Images of Amida Trinity

Color on Silk

1

78.4×40.3

Kamakura PeriodGangyu-ji, Ibaraki

31 Descent of Amida Trinity

Color on Silk

1

107.5×40.1

Nambokucho Period

Shozo-ji, Fukui

32 Descent of Amida Trinity

Color on Silk

1

78.8×36.3

Muromachi Period

Kosho-ji,Toyama

33 Descent of Amida Trinity and Maitreya Tathagata

Color on Silk

1

95.3×39.7

Nambokucho Period

Seigan-ji, Kyoto

34 Printed Images of Amida Tathagata

Printed Ink on
1
Paper

42.7×29.6

Late Heian Period

Ryukoku University

35 Legends of the Yuzu Nembutsu Sect, Vol.1

Ink on Paper

127.6×1309.0

Muromachi Period

Mommyo-ji, Toyama

36 Portrait of priest Honen

Color on Silk

1

71.2×37.9

Muromachi Period

Enryaku-ji, Shiga

37 Illustrated Biography of priest Honen

Color onPaper

1

214.4×310.0

Edo Period

Nison-in, Kyoto

38

Passages on the Selection of Nembutsu
in the Original Vow, Vol.2

Ink on Paper

1

24.5×16.0

Nambokucho Period

Ryukoku University

39

Biography of priest Honen(Shui-Kotoku-Denne) , Vol.3

Ink on Paper

1

24.5×17.0

Muromachi Period

Ryukoku University

ArtistFormat andMaterials

Qt.

Dimensions
in cm

DateLocation and Owner

Inscription By
Jitsunyo(1458-1525)

Color on Silk

4

139.0×76.8

Muromachi Period;
dated 1519

Kosho-ji, Toyama

41 Collections of Nun Eshinni's letter (Replica)

Ink on Paper

1

28.7×167.3

Original
Kamakura Period

Ryukoku University(Orijinal:
Nishihongwan-ji, Kyoto)

42 Portrait of of Nun Eshinni

Color on Silk

1

109.3×57.2

Muromachi Period

Sainen-ji, Ibaraki

Ink on Paper

1

23.7×15.1

Nambokucho Period;
dated 1360

Nishihongwan-ji, Kyoto

Chapter 2 Life of Shinran and his Teaching
No. Title

40

Illustrated Biography of priest Shinran(Shinran Shonin Eden)

43

Textbook for the Jodo Shin Sect
(Kyo-gyo-shin-sho) Vol.17

By Zennyo(1333-1398)

44

Textbook of annotation “The Three Pure Land
Sutras” (Jodo sanbugyo ojo monrui)

Ink on Paper

1

26.5×19.0

Muromachi Period

Ryukoku University

45

Fragments of Essentials of“Faith alone ”(Yuishin-sho)

Ink on Paper

1

39.7×48.2

Kamakura Period

Sainen-ji, Ibaraki

46

Biography of priest Shinran(Zenshin-Shonin Denne-sho ） ,Vol.1

Printed Ink on1Paper

27.0×19.6

Edo Period;
dated1651

Ryukoku University

47

Biography of priest Shinran(Shinran Shonin Goichidaiki-Zue ）Printed Ink on
1PaperEach.25.9×18.4

Edo Period;
dated1860

Ryukoku University

48

Historic sites of related to twenty four
Shinran's disciples,Vol.5

Printed Ink on
1
Paper

26.3×19.0

Edo Period

Ryukoku University

Chapter 3 Development of Shinshu Sect and its Own Art
Format andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

49 Genealogy of Hongwan-ji, Vol.1

Ink on Paper

1

33.5×13.3

Edo Period

Ryukoku University

50 Seated image of Nyoshin

Wood

1H. 68.0

Edo Period;
dated 1700

Gannyu-ji, Ibaraki

51 Trast on Steadily Holding to the Faith (Shuji-sho)

Ink on Paper

1

23.0×17.0

Muromachi Period

Ryukoku University

Inscription by
Color on Silk
Shonyo(1516-54)

1

102.2×44.3

Muromachi Period;
dated 1547

Shorim-bo, Hiroshima

By Jitsunyo

Ink on Paper

1

26.7×21.3

Muromachi Period

Kyosen-ji, Shiga

By Yukei

Wood

1

W.284.0 H.137.5

Muromachi Period;
dated 1551

Kosho-ji, Hiroshima

Inscription byRennyo

Color on Silk

1

129.9×40.9

Muromachi Period;
dated1460

Kyosen-ji, Shiga

No. Title

52 Portrait of Jitsunyo
53

Letter on a Buddhist Sermon on Shinshu sect
written by priest Rennyo

54 Platform in the form of Mt. Sumeru

ArtistArts of Shinshu Sect
55

Ten-character Name [for Amida Buddha](Kimyojin Jippo Mugeko Nyorai)

56

Nine-character Name [for Amida Buddha](Namu Fukashigiko Nyorai)

Color on Silk

1

113.7×33.9

Muromachi Period

Temma Josem-bo, Osaka

57

Nine-character Name with Images ofSakyamuni and Amida

Color on Silk

1

161.0×69.0

Muromachi Period

Nishihongwan-ji, Kyoto

58

Six-character Name with Images ofSakyamuni and Amida

Color on Silk

1

128.3×78.3

Muromachi Period

Mampuku-ji, Osaka

59

Six-character Name with Images ofpure Land Masters of Japan

Color on Silk

1

123.9×45.0

Nambokucho Period

Shorim-bo, Hiroshima60

Six-character Name [ｆor Amida Buddha](Namo Amida Butsu)

Ink on Paper1

86.1×32.5

Muromachi Period

Nishihongwan-ji, Kyoto

61

Six-character Name [ｆor Amida Buddha](Namo Amida Butsu)

Ink on Silk

1

90.7×38.5

Muromachi Period

Kyosen-ji, Shiga

Color on Silk

1

76.5×38.1

Muromachi Period

Senju-ji, Mie

By Rennyo

62 Descent of Amida Tathagata with Monk and Nun
63

Image of Amida Tathagata(Hoben Hosshin Sonzo)

Color on Silk

1

86.5×36.4

Muromachi Period

Joko-ji, Ibaraki

64

Image of Amida Tathagata(Hoben Hosshin Sonzo)

Color on Silk

1

79.0×35.8

Muromachi Period

Myoan-ji, Shiga

65

Passage on the essence of compassion ofAmida and Sakyamuni (Nison daihi hongai)

Ink on Paper1

129.2×31.6

Kamakura Period

Nishihongwan-ji, Kyoto

Kyosen-ji, Shiga

By Kakunyo(1271-1351)
Inscription byHonnyo(170789), Issued byJunnyo(15771630)

Ink on Paper

132.2×45.1

Certificate: EdoPeriod; dated 1608
Commentary: EdoPeriod; dated 1759

Issued byJakunyo(1651-1725)

Ink on Paper

121.0×13.0

Edo Period;
dated1694

Myoan-ji, Shiga

68 Boxes for vasted statue of Amida Tathagata

Wood

Outer Box;
1 W.126.5,H.69.3
set Inner box;
W. 98.0 H.36.0

Edo Period;
dated 1689

Myoan-ji, Shiga

69 Seated image of Sakyamuni

Wood

1

H. 86.4

Late Heian Period

Koen-ji, Nara

Image of Amida Tathagat and Images of70 Prince Shotoku and Pure Land Masters
from India to Japan

Color on Silk

3

Amida:86.2×28.8
Other:112.1×38.2

Muromachi Period

Shitenno-ji, Osaka

Manifestation of Amida Tathagata's light with Line
71 of Succesion in Pure Land Buddism fromIndia to Japan (Komyo Honzon)

Color on Silk

1

166.7×102.7

Muromachi Period

Honsei-ji, Ishikawa

66 Certificate of Vasted Name of the Temple

67

Certificate of Vasted statue of Amida Tathagata
and Name of the Temple

Manifestation of Amida Tathagata's light with Line72 of Succesion in Pure Land Buddism fromIndia to Japan (Komyo Honzon)

Color on Silk

1

165.7×107.2

Muromachi Period

Shogon-ji, Shiga

Images of Prince Shotoku Lecturing
73 the Shoman-gyo sutra and Pure Land Mastersof China and Japan

Color on Silk

1

108.1×41.6

Muromachi Period

Fukuden-ji, Shiga

74

Images of Pure Land Masters of Japan(Images of twenty four Shinran's disciples)

Color on Silk

1

77.8×37.9

Muromachi Period

Joko-ji, Ibaraki

75

Illustrated line of succession in
Ryogen'scommunity of Shinran's School

Ink on Paper

1

H.42.2 and otherMuromachi Period

Komyo-ji, Shiga

76 Seated images of Shandao,Honen, and Shinran

Color on Silk

1

86.8×36.8

Muromachi Period

Kyosen-ji, Shiga

77 Seated images of Shinran and Nyodo

Color on Silk

1

114.3×64.9

Edo Period

Sensho-ji, Fukui

78

Seated images of Attributed to Kakue, Kakunyo
and Sainen

Color on Silk

1

74.2×33.8

Muromachi Period

Sogan-ji, Ibaraki

79Standing images of Prince Shotoku
at the age of two

Wood

1

H. 69.1

Kamakura Period

Hongaku-ji, Fukui

80

Standing images of Prince Shotoku
at the age of sixteen

Wood

1H. 132.9

Kamakura Period

Hongaku-ji, Fukui

81

Standing images of Prince Shotoku
at the age of sixteen

Wood

1

H. 144.5

Muromachi Period

Joko-ji, Ibaraki

82Standing images of Prince Shotoku
at the age of sixteen

Wood

1

H. 132.5

Kamakura Period;
dated1329

Shotoku-ji, Fukui

83

Illustrated Biography of Prince Shotoku(Shotoku Taishi Eden)

Color on Silk

4

Each;170.6×122.8

Muromachi Period

Kosho-ji,Hiroshima

Ink on Paper

47 Each;25.7×18.4

Muromachi Period;
dated1559

Mansho-ji, Aichi

Ink on Paper

1

25.3×16.8

Kamakura Period;
dated1325

Mansho-ji, Aichi

Wood3Fu Xi: H.102.9
Pu Jian: H.84.2
Pu Cheng: H. 85.6

Edo Period

Nishihongwan-ji, Kyoto

84 Biography of Prince Shotoku (Shobo-rinzo)
85

By Jo-eBy Jakugen

Biography of Prince Shotoku(Shotoku Taishi Naiin Mandala )86 Images of Fu Xi Trinity

By Ko-un

Chapter 4 Shinran's Concept Handed Down through the Genenrations
No. Title
87 Chiku's Last Compliment of Chinese Poem

ArtistFormat andMaterials

Qt.

Dimensions
in cm

Date

Location and Owner

Ink on Paper

1

28.4×49.5

Edo Period;
dated1718

Ryukoku University88Ceremony of Removing of the Principal Image
to the hall of Daikyo-ko in Hongwan-ji

Printed Coloron Paper136.8×48.7

Meiji Period;
dated1879

Ryukoku University

89

Record of Noh Play at the Ceremony ofShinran Shonin's 300th Memorial

Ink on Paper

1

27.5×21.0

Edo Period

Ryukoku University

90

Monk's Parade for the Ceremony of Shinran
Shonin's 600th Memorial

Printed Ink on1Paper

34.9×47.2

Edo Period;
dated1861

Ryukoku University

91

Tablecloth (Uchishiki) with design of Basket
and Flowers of four seasons

Silk1

W.311.0 L.307.4

Edo Period;
dated1848

Nishihongwan-ji, Kyoto

92 Garment, Seven panel Kasaya, O-hi and Sutra

Silk

Garment:W.167.2
1 Other Kasaya: H.123.2 Showa Period;
dated 1961
set O-hi : H.162.7
Sutra: H.214.5

Nishihongwan-ji, Kyoto

BronzeIncense Burner; H.37.7
1Vase; H.51.8
Edo Period
setCandle Stick; H.1107.7

Nishihongwan-ji, Kyoto

93

Set of Mitsugusoku ;Incense Burner, Vase and Candle StickSeveral objects will be rotated during the course of the exhibition period.
(First half: June 7 to July 3, Second half: July 5 to 24)