List of Works

Ryukoku Museum Concept Exhibition

Thought and Culture of Buddhism ―From India to JapanFirst half ：Sep. 12th to Oct. 4th, 2020
Second half：Oct. 6th to Nov. 3rd, 2020

▶Collection of Otani Expedition =3rd Floor: Part I Various Aspects of the Buddhism in Asia
▶No.

▶Title▶Format and▶Provenance▶Date

Materials▶Exhibition▶Location and Owner

Term

1. What is Buddhism?
1Standing Buddha

Gandhara

2nd-3rd centurySchist

2

Seated Buddha

Hadda(Gandhara)

4th-5th century

StuccoRyukoku University

3Standing Bodhisattva

Gandhara

2nd-3rd century

SchistRyukoku University

4

Exhibiting Bhusparsamudra,
Seated Buddha

East India

10th-11th century

Stone

Ryukoku University

5Standing Buddha

Myanmar11th-12th century

Gilt bronze

6

Buddha protected by Nāga

Cambodia

12th-13th century

Gilt bronze

7Standing AvalokiteśvaraCambodia

12th-13th century

Gilt bronze

2. Teaching of Shakyamuni and its Succession
8

Rubbing of the Ashoka Inscription

Lauriya-Nandangarh

3rd century B.C.

Rubbing on paper Ryukoku University

First Half.

9

Rubbing of the Ashoka Inscription

Lauriya-Nandangarh

3rd century B.C.

Rubbing on paper Ryukoku University

Second Half.

Tibet

Published in 1733

Color on paper

Ryukoku University

First Half.

Edo, published in1681(Tenna 1)

Print on paper

Ryukoku University

Second Half.

18th-19th century

Ink on paim-leaf

Ryukoku University

Second Half.

Late Heian period(12th century)

Gold onindigo paper

KhotanMiddle of 5th century

Ink on paper

Ryukoku University

Second Half.

Dunhuang

5th century

Ink on paper

Ryukoku University

Second Half.

Dunhuang

9th century

Ink on paper

Ryukoku University

First Half.

Ryukoku University

Sanghavedavastu of

10 Mūlasarvāstivādavinaya in Tibetan11 Mahīśāsaka Vinaya in Chinese (五分律)
12 Satipatthana-suttanta
13141516Saṃyukta Āgama in Chinese(雜阿含経),vol.27
Sanskrit Manuscripts of theSaddharmapuṇḍarīka Sūtra
Saddharmapuṇḍarīka Sūtrain Chinese（妙法蓮華経）
Suvarṇaprabhāsottama Sūtra in Chinese(金光明最勝王経), vol. 5

CambodiaFirst Half.

3. Mahayana Buddhism in Gandhara and Central Asia
17 First BathGandhara

2nd-3rd century

Schist18 Siddhārtha's Competition

Gandhara

2nd-3rd century

Schist19 enlightenment

Gandhara

2nd-3rd century

Schist

20 Worship of the Dharmachakra

Gandhara

3rd-4th century

SchistRyukoku University

21 Offering of Dust

Gandhara2nd-3rd century

SchistRyukoku University

Swat

1st-2nd century

Schist23 Seated Buddha on a lotus flower

Khadalik (Khotan)

5th-7th century

Plaster

Ryukoku University

24 Head of Bodhisattva

Karashahr

5th-6th century

Clay

Ryukoku University

25 Money Tree

China

2nd-3rd century

BronzeRyukoku University

26 Buddha Trinity

China

Northern Wei-Westen Wei(6th century)

Sand stone

Iga City, Mie

Great Departure and Assault of Māra and22

Transportation of the Shakyamuni’s
coffin4. Buddhism in China

Characters of the Buddhist World▶No.

▶Title27 Seated of Buddha▶Format and▶Exhibition▶Provenance▶DateMaterials▶Location and Owner

Gandhara

3rd-4th century

SchistRyukoku University

Original:Hakuhō period

Gilt bronze

Standing Yakushi Nyorai (Kōyakushi /28 Fragrant Bhaiṣajyaguru), reproduction
29 Head of Boddhisattva

Gandhara

3rd-4th century

SchistShitennō-ji, Osaka

30 Seated Bodhisattva

China

Liao period(10th-11th century)

Wood

Tsukiji Hongwan-ji, Tokyo

Early Heian period

Wood

Onjyō-ji, Shiga

2nd-3rd century

Sand stone

Ryukoku University

Muromachi period

Wood

Byōdō-ji, Kyoto

4th-5th century

StuccoRyukoku University

Edo period-Meiji eraWood

31 Seated Fudō Myōō (Acalanātha)32 Female Divinity

Mathura33 Standing Daikoku-ten (Mahākāla)
34 Standing BhikṣuGandhara

35 Statue models of Buddhist disciples

Term

3rd Floor: Part II Buddhism in Japan▶No.

▶Title▶Provenance▶Exhibition▶Format and▶Date

Materials▶Location and Owner

Term

1. Introduction of Buddhism to Japan
1

Standing Shakyamuni at Birth

Hakuhō period

Gilt bronze

2Standing Shakyamuni at Birth

Nara period

Gilt bronze

3

Tiles Excavated from Shitennō-ji

Asuka-Nara period

Ceramic

Shitennō-ji, Osaka4Illustrated Biography of Prince Shōtoku

Muromachi period

Color on silk

Nakano-ku, Shiga

Nara period

Wood

Yakushi-ji, Nara

Kamakura period

Ink on paper

Ryukoku University
Jūshin-in, Kyoto

No.1,2 : First Half.
No.3,4 : Second Half.

2. The State and Buddhism
56

Important Cultural Property
Wooden core of earthen images composing
scenes of Shakyamuni’s life (Box No.16)
Jōyuisiki-ron-jikki(Cheng wei shi lun-shi ji / 成唯識論述記),
vol 9

7

Seated Dainichi Nyorai (Mahāvairocana)

Late Heian period

Wood

8Dainichi Nyorai (Mahāvairocana)

Kamakura period

Color on silk

9Kujaku Myōō (Mahāmāyūrīvidyārājñī)Muromachi period

Color on silk

10 Five great Myōō (Vidyā-rāja)

Muromachi period

Color on silkFirst Half.

11 Aizen Myōō (Rāgarāja)

Kamakura period

Color on silk

Second Half.

First Half.

Shōgo-in, Kyoto

Second Half.

3. Development and Maturity of Japanese Buddhist Culture
12 Sambōkōjin , a kind of Japanese Deity

Nambokucho-Muromachi
periodColor on silkFirst Half.

13 Blue-Faced Vajra

Muromachi period

Color on silk

Second Half.

14 Mandala of the Gods of Tōnomine Shrine

Momoyama period

Color on silk

Ryukoku University

First Half.

Benzaiten (Sarasvatī) with 15 attendant

Muromachi period

Color on silk

Shōgo-in, Kyoto

Second Half.

16 (Kumano-no-honji )Edo period

Color on paper

Mommyō-ji, Toyama

17

Kamakura period

Ink and Coloron paperRyukoku University

15 children

Legendary Origins of the Gods of Kumano
Fragments of E-Inga-kyō (Illustrated Sūtra ofCause and Effect of Shakyamuni),
Shōri-ji version

First Half.

18

Fragments of E-Inga-kyō (Illustrated Sūtra ofCause and Effect of Shakyamuni),
Matsunaga-ke version

Kamakura period

Ink and Coloron paper

19Shakyamuni triad and the Eighteen
ArhatsMuromachi period

Color on silk

Tōkō-ji, HyōgoFirst Half.

20 Nirvāṇa of Shakyamuni with other scenes

Kamakura period

Color on silk

Nison-in, Kyoto

Second Half.

Kamakura period

Wood

Saihō-ji, Hyogo

Muromachi period;
dated1551

Wood

Kōshō-ji, Hiroshima

23 (Ten-character Name for Amida Nyorai )Muromachi period

Ink on paper

Monmyō-ji, Toyama

First Half.

24 (Nine-character Name for Amida Nyorai ）Muromachi period

Ink on paper

Monmyō-ji, Toyama

First Half.

25 (Ten-character Name for Amida Nyorai )Muromachi period

Color on silk

Hiken-ji, Fukui

Second Half.

26 (Nine-character Name for Amida Nyorai ）Muromachi period

Color on silk

Hiken-ji, Fukui

Second Half.

27 Seated Amida Nyorai (Amitābha tathāgata)

Kamakura period

Gilt bronze

Ryukoku University

28 Descent of Amida (Amitābha) Trinity

Southern Song dynasty

Color on silk

Eikandō Zenrin-ji, Kyoto First Half.

Muromachi period

Color on silk

Nison-in, KyotoNambokuchō period

Color on silk

Second Half.

Muromachi period

Color on silkFirst Half.

32 the Deities

Nambokuchō period

Color on silk

33 Amida rising over the mountains

Muromachi period

Color on silk

34 Ojōkō-shiki (Book on Ojōkō )Kamakura period

Ink on paper

Eikandō Zenrin-ji, Kyoto

35 Ojō Shuin

Kamakura period;
dated 1248

Printed ink onpaper

Ryukoku University

Edo period

Printed ink onpaper

Ryukoku University

37 reproduction

Original:
Color on silk

Ryukoku University

Original:Kamakura period

38 Five Chinese Pure Land patriarchs

Edo period

Color on silk

Nison-in, Kyoto

Muromachi period;
dated1493

Color on silk

Hongaku-ji, Fukui

First Half.

40 Portrait of Priest Shōkū

Muromachi period

Color on silk

Seigan-ji, Kyoto

First Half.

41 Portraits of Zendō(Shan-Dao) and Hōnen

Muromachi period

Color on silk

42 Standing Image of Prince Shōtoku

Nambokuchō period

Wood

Kōshō-ji, Hiroshima

Muromachi period

Color on silk

Enjyu-ji, Fukushima

First Half.

Muromachi period

Color on silk

Ampuku-ji, Gifu

Second Half.

Muromachi period

Color on paper

Kōkyō-ji, Ishikawa

First Half.

Nambokuchō-Muromachi
periodColor on silk

Sennō-ji, Osaka

Second Half.

Kudenshō ( Oral Transmission of the Life andMuromachi period

Ink on paper

Senshō-ji, Gifu

Benjutsumyōtaishō

Muromachi period

Ink on paper

Senshō-ji, Gifu

Nambokuchō period

Color on silk

Kōshō-ji, Hiroshima

Standing Amida Nyorai

21 (Amitābha tathāgata)

Platform used in Buddhist sanctum

22 on which images are placed

By Yūkei

Juji-Myōgō

Kuji-Myōgō
Juji-Myōgō

Kuji-Myōgō

Second Half.

2nd Floor: Part II Buddhism in Japan (Latter half)

By Zhang Sigong

29 Descent of Amida (Amitābha) Trinity
30

Taima Mandala(Pure Land of Amitābha Buddha Based onthe Guan wu liang shou jing)
Descent of Amida (Amitābha) and

31 the Deities

Descent of Amida (Amitābha) and36

Kanmuryōju-kyō-sho (Commentary of Sutraof the Contemplation on the Buddha ofImmeasurable life)
Amida (Amitābha) rising over the mountains,

39 Portrait of Priest Hōnen

Selected Scenes from Illustrated Biography of

43 Prince Shōtoku

Selected Scenes from Illustrated Biography of

44 Prince Shōtoku

Images of Prince Shōtoku and45 Pure Land Masters of Japan

Rokuji-Myōgō (Six-character Name for

46 Amida Nyorai ) and Four Pure Land Masters
47 Words of Shinran )48 (Commentary on Kōmyō Honzon )Illustrated Lineage of Ryogen's Jōdo Shinshū

49 Community

Inscription by Rennyo(1415-99)

Sōzō-ji, Fukui

First Half.

Second Half.
Second Half.

Original: Eikandō Zenrin-ji,
Kyoto

Second Half.