First half ：Sep. 12th to Oct. 4th, 2020
Second half：Oct. 6th to Nov. 3rd, 2020

▶No.

▶Title1.

▶Provenance▶Format and▶Exhibition▶DateMaterials▶Location and Owner

Term

Nishi-Shichijō Emmadō

1

Seated Emma (Yama-Rāja)

Kamakura Period

Wood

Nishi-Shichijō Emmadō

2

Seated Ten Kings of HellNambokuchoMuromachiPeriod

Wood

Nishi-Shichijō Emmadō

3Standing Fudō Myōō (Acalanātha)Kamakura Period

Wood

Nishi-Shichijō Emmadō

4Danda-dō

Shōwa Period;dated1935

Wood

Nishi-Shichijō Emmadō

5

Jōhari-no-Kagami

Shōwa Period;dated1935

Wood,Mirror

Nishi-Shichijō Emmadō

6

Legend of Emmadō

Original;Shōwa period;dated1936

Original;Ink on
paper

Nishi-Shichijō Emmadō

２．What's “Afterlife” in Buddhism？

7Ōjōyōshū , Essentials for Rebirth in the Pure Land

Kamakura Period;
dated 1253

Printed ink on
paper

Ryukoku University

8Ōjōyōshū , Essentials for Rebirth in the Pure Land, in Japanesecharacters with Illustrations

Edo period /published 1671,reprinted 1843

Printed ink on
paper

Ryukoku University

9Illustrated Hell and Pure Land

Edo period-Meiji era

Printed ink on
paperRyukoku University

10 Seated Figure from the Ten Kings of Hell

Kamakura-Nambokucho Period

Wood

11 Seated Emma (Yama-Rāja)

Edo Period

Wood

12 Seated Datsueba (Hag of Hell) and Head of Datsueba

Edo PeriodWood

13 Jūō-saidan

Muromachi Period

Ink on paper

Ryukoku University

Edo Period

Ink on paper

Ryukoku University

Edo Period;dated 1853

Ink on paper

Ryukoku University

Kamakura-Nambokucho Period

Color on silk

Kiyama-ji,Okayama

First Half.

Muromachi Period

Color on silk

Kiyama-ji,Okayama

Second Half.

18 Ten Kings of Hell

Muromachi Period

Color on silkRyukoku University

19 Thirteen Buddhas

Muromachi Period

Color on silk

Kiyama-ji,Okayama

20 Thirteen Buddhas

Muromachi Period

Color on silk

21 Standing Jizō Bosastu (Kṣitigarbha)

Late Heian period

Wood

Kaji-chō neiborhood
association,Kyoto

22Jizō (Kṣitigarbha) and Two Children Attendants

Muromachi Period

Color on silk

Eikandō Zenrinji, Kyoto

23Jizō (Kṣitigarbha) and the Ten Kings of Hell

Muromachi Period

Color on silk

24

Jizō (Kṣitigarbha) and the Ten Kings of Hell

Muromachi Period

Color on silk

Ryukoku University

First Half.

25Important Cultural Property
Jizō (Kṣitigarbha) and the Ten Kings of Hell

Korea;Koryo period

Color on silk

Nikkō-ji,Okayama

Second Half.

26 Descent of Jizō Bosastu (Kṣitigarbha)

Muromachi Period

Color on silk

27 Descent of Jizō Bosastu (Kṣitigarbha)

Muromachi Period

Color on silkAnyō-ji,Okayama

Edo Period

Color on Paper

Anyō-ji,Okayama

29 Ten Kings of HellEdo Period

Color on Paper

Eikandō Zenrinji, Kyoto

30 Seated Jizō Bosastu (Kṣitigarbha)

Kamakura Period

Wood

Onjō-ji,Shiga

Edo period-Meiji era

Stone

Mibu-dera, Kyoto

32 Materials for Hyakumamben-Nembutsu ceremony

Edo period-Meiji era

Wood,Copper,etc

Mibu-dera, Kyoto

33 Represent; Altar for Jizō-bon Festival

Modern3. Jizō and Jūō

14Jizō-Jūōkyō (Kṣitigarbha and the TenKings of Hell Sutra)

15

Jūō-sandan-shūzenshō-zue (Illustrated Excerpts of the Ten Kings
Extolment of Good Deeds)

16
17

Two Deities, the Ten Kings of Helland the Ten Buddhas
Descent of Amida triad andthe Ten Buddhas

By Tetsugai

First Half.
Second Half.

4. Jizō and Emma

28

Kumano kanshin jikkai Mandara(Visualization Mandala of the Heart and Ten-realms of Kumano )Second Half.

First Half.

5. Jizō-bon Festival

31

Seated Jizō Bosastu (Kṣitigarbha)
Principal images of Jizō-bon Festival

First Half.

Mibu-dera, Kyoto

Second Half.