INSTRUMENTAL& SUPPLEMENTINSTRUMENTAL & SUPPLEMENT
Tracklists
Orchestral
Orchestral Traditions
Chamber
Canons and Counterpoint
Instrumental Traditions
Music Books
Bach Interactive
Bach after Bach

2
25
39
57
65
81
101
127

Sung texts
CD 203–204 Notenbüchlein für Anna Magdalena Bach (1725)
CD 205–206 Schemelli Gesangbuch
CD 211 The Bach Family
CD 212–214 Bach & Other Composers
CD 215 Bach Renewed – From Bach’s Sons to Mahler

154
159
192
194
202

BACH 333

ORCHESTRALCD 164 86:22

4

1
2
3
4

Brandenburg Concerto No. 1 in F major BWV 1046
1. [Allegro]
2. Adagio
3. Allegro
4. Menuet – 5. Trio – 6. Polonaise – 7. Trio

3:38
3:10
4:02
7:39

5
6
7

Brandenburg Concerto No. 2 in F major BWV 1047
1. [Allegro]
2. Andante
3. Allegro assai

4:34
3:22
2:44

8
9

Brandenburg Concerto No. 3 in G major BWV 1048
1. [Allegro] – 2. Adagio
3. Allegro

5:07
3:55

10
11
12

Brandenburg Concerto No. 4 in G major BWV 1049
1. Allegro
2. Andante
3. Presto

6:11
3:19
4:23

13
14
15

Brandenburg Concerto No. 5 in D major BWV 1050
1. Allegro
2. Affettuoso
3. Allegro

9:43
5:47
5:12

Brandenburg Concerto No. 6 in B flat major BWV 1051
1. [without tempo indication]
2. Adagio ma non tanto
3. Allegro

4:25
4:11
4:58

ORCHESTRALMusica Antiqua Köln
Reinhard Goebel

Recordings: Köln, Deutschlandfunk Kammermusiksaal,
6/1986 [1–9], 2/1987 [10–18]
Producer & Balance Engineer: Wolfgang Mitlehner! 1987 Deutsche Grammophon GmbH, Berlin

BACH 333

16
17
18

5

BACH 333

ORCHESTRALCD 165 75:45

6

1
2
3
4

Brandenburg Concerto No. 1 in F major BWV 1046
1. [Allegro]
2. Adagio
3. Allegro
4. Menuet – 5. Trio – 6. Polonaise – 7. Trio

4:13
4:13
4:10
7:31

5
6
7

Brandenburg Concerto No. 2 in F major BWV 1047
1. [Allegro]
2. Andante
3. Allegro assai

5:18
3:53
3:08

8
9
10

Brandenburg Concerto No. 3 in G major BWV 1048
1. [Allegro]
2. Adagio from Violin Sonata in G major BWV 1019a
3. Allegro

5:45
0:34
4:49

11
12
13

Brandenburg Concerto No. 4 in G major BWV 1049
1. Allegro
2. Andante
3. Presto

6:57
3:46
4:50

6:59
4:20
5:17

Philip Pickett | Rachel Beckett recorders

ORCHESTRAL

Trevor Pinnock harpsichord & conductor
The English Concert

Recordings: London, Henry Wood Hall, 3–5, 1982 [1–13], 11/1980 [14–16]
Producer: Gerd Ploebsch · Balance Engineer: Hans-Peter Schweigmann! 1982 [1–13] / 1981 [14–16] Deutsche Grammophon GmbH, Berlin

BACH 333

1415
16

Concerto for Keyboard, 2 Recorders, Strings andBasso continuo in F major BWV 1057 (after BWV 1049)
1. [without tempo indication]
2. Andante
3. Allegro assai

7

BACH 333

ORCHESTRALCD 166 75:36

8

1
2
3

Brandenburg Concerto No. 5 in D major BWV 1050
1. Allegro
2. Affettuoso
3. Allegro

9:50
5:11
5:12

4
5
6

Brandenburg Concerto No. 6 in B flat major BWV 1051
1. [Allegro]
2. Adagio ma non tanto
3. Allegro

6:05
5:20
5:31

The English Concert
Trevor Pinnock
Concerto in F major BWV 1046a(early version of Brandenburg Concerto No. 1)
789

1. [Allegro]
2. Adagio
3. Allegro
Academy of Ancient Music
Christopher Hogwood

3:55
3:38
6:09

Concerto in D major BWV 1050a(early version of Brandenburg Concerto No. 5)

10
11
12

1. Allegro
2. Affettuoso
3. Allegro

7:47
5:29
5:17

Ich liebe den Höchsten von ganzem Gemüte BWV 174
1. Sinfonia
Accademia Bizantina
Ottavio Dantone

Recordings: London, Henry Wood Hall, 3–5, 1982 [1–6];
London, Walthamstow Assembly Hall, 5/1984 [7–12];
Ravenna, Bagnacavallo, Chiesa di San Girolamo, 1/2011 [13]Producers: Gerd Ploebsch [1–6]; Peter Wadland [7–12]; Fabio Framba [13]Balance Engineers: Hans-Peter Schweigmann [1–6]; John Dunkerley [7–12];
Roberto Chinellato [13]! 1982 Deutsche Grammophon GmbH, Berlin [1–6]! 1985 [7–12] / 2011 [13] Decca Music Group Limited

6:09

BACH 333

13

ORCHESTRAL

Academy of Ancient Music
Christopher Hogwood

9

BACH 333

ORCHESTRALCD 167 69:50

10

Orchestral Suite No. 1 in C major BWV 1066
1 1. Ouverture
2 2. Courante
3 3. Gavotte I alternativement – 4. Gavotte II
4 5. Forlane
5 6. Menuett I alternativement – 7. Menuett II
6 8. Bourrée I alternativement – 9. Bourrée II
7 10. Passepied I alternativement – 11. Passepied II

9:38
2:35
3:06
1:13
3:08
2:26
2:27

8
9
10
11
12
13
14

Orchestral Suite No. 2 in B minor BWV 1067
1. Ouverture
2. Rondeau
3. Sarabande
4. Bourrée I alternativement – 5. [Bourrée] II
6. Polonaise – 6a. Double
7. Menuet
8. Badinerie

10:09
1:53
3:14
1:34
2:50
1:05
1:26

15
16
17
18
19

Orchestral Suite No. 3 in D major BWV 1068
1. Ouverture – Vite
2. Air
3. Gavotte I alternativement – 4. [Gavotte] II
5. Bourrée
6. Gigue

10:22
4:36
3:43
1:34
2:47

Recordings: Köln, Deutschlandfunk Kammermusiksaal , 5/1985 [1–7/15–19];
Hamburg, Friedrich-Ebert-Halle, 4/1982 [8–14]
Producer & Balance Engineer: Wolfgang Mitlehner! 1986 [1–7/15–19] / 1982 [8–14] Deutsche Grammophon GmbH, Berlin

BACH 333

ORCHESTRALMusica Antiqua Köln
Reinhard Goebel

11

BACH 333

ORCHESTRALCD 168 86:06

12

1
2
3
4
5

Orchestral Suite No. 4 in D major BWV 1069
1. Ouverture
2. Bourrée I alternativement – 3. Bourrée II
4. Gavotte
5. Menuet I alternativement – 6. Menuet II
7. Réjouissance

12:32
2:37
1:55
3:40
2:30

6
7
8
9
10

Orchestral Suite in G minor BWV 1070 (App. B)
1. Ouverture. Larghetto – Un poco allegro
2. Torneo [Allegretto]
3. Aria. Adagio
4. Menuetto alternativo – Trio
5. Capriccio [Vivace]

5:39
1:10
4:03
3:07
3:38

Musica Antiqua Köln
Reinhard Goebel

11
12
13
14
15
16
17

Orchestral Suite No. 2 in B minor BWV 1067
1. Ouverture
2. Rondeau
3. Sarabande
4. Bourrée I alternativement – 5. [Bourrée] II
6. Polonaise – 6a. Double
7. Menuet
8. Badinerie

9:41
1:52
3:14
2:08
3:43
1:17
1:31

Orchestral Suite No. 3 in D major BWV 1068
1. Ouverture – Vite
2. Air
3. Gavotte I alternativement – 4. [Gavotte] II
5. Bourrée
6. Gigue

9:20
4:21
4:06
1:14
2:47

ORCHESTRAL

Academy of Ancient Music
Christopher Hogwood

Recordings: Köln, Deutschlandfunk Kammermusiksaal , 5/1985 [1–5];
Hamburg, Friedrich-Ebert-Halle, 4/1982 [6–10];
London, North Finchley, St Barnabas, 2/1988 [11–17], 3/1985 [18–22]
Producers: Wolfgang Mitlehner [1–10]; Peter Wadland [11–22]
Balance Engineers: Wolfgang Mitlehner [1–10]; John Dunkerley [11–22]! 1986 [1–5] / 1982 [6–10] Deutsche Grammophon GmbH, Berlin! 1988 Decca Music Group Limited [11–22]

BACH 333

18
19
20
21
22

13

BACH 333

ORCHESTRALCD 169 76:26

14

Orchestral Suite No. 1 in C major BWV 1066
1 1. Ouverture
2 2. Courante
3 3. Gavotte I alternativement – 4. Gavotte II
4 5. Forlane
5 6. Menuet I alternativement – 7. Menuet II
6 8. Bourrée I alternativement – 9. Bourrée II
7 10. Passepied I alternativement – 11. Passepied II

5:38
1:59
2:44
1:13
3:08
2:21
2:24

8
9
10
11
12
13
14

Orchestral Suite No. 2 in B minor BWV 1067
1. Ouverture
2. Rondeau
3. Sarabande
4. Bourrée I alternativement – 5. [Bourrée] II
6. Polonaise – 6a. Double
7. Menuet
8. Badinerie

6:09
1:59
2:53
1:57
3:41
1:30
1:33

15
16
17
18
19

Orchestral Suite No. 3 in D major BWV 1068
1. Ouverture – Vite
2. Air
3. Gavotte I alternativement – 4. [Gavotte] II
5. Bourrée
6. Gigue

6:05
4:50
3:19
1:12
2:51

Orchestral Suite No. 4 in D major BWV 1069
1. Ouverture
2. Bourrée I alternativement – 3. Bourrée II
4. Gavotte
5. Menuet I alternativement – 6. Menuet II
7. Réjouissance

7:22
2:40
2:03
3:55
2:41

ORCHESTRALThe English Concert
Trevor Pinnock

Recordings: London, Henry Wood Hall, 6/1978 [1–19];
München, Residenz, Herkulessaal, 8/1979 [20–24]
Producer: Gerd Ploebsch
Balance Engineer: Karl-August Naegler! 1979 [1–19] / 1980 [20–24] Deutsche Grammophon GmbH, Berlin

BACH 333

20
21
22
23
24

15

CD 170 79:17

1
2
3

Concerto for Violin, Strings and Basso continuo
No. 1 in A minor BWV 1041
1. [Allegro moderato]
2. Andante
3. Allegro assai

3:29
6:00
3:32

BACH 333

ORCHESTRAL

Giuliano Carmignola violin | Concerto Köln

16

4
5
6

Concerto for Keyboard, Strings and Basso continuo
in G minor BWV 1058 (after BWV 1041)
1. [without tempo indication]
2. Andante
3. Allegro assai

3:27
5:51
3:33

Christophe Rousset harpsichord
Academy of Ancient Music
Christopher Hogwood

7
8
9

Concerto for Violin, Strings and Basso continuo
No. 2 in E major BWV 1042
1. Allegro
2. Adagio
3. Allegro assai
Giuliano Carmignola violin | Concerto Köln

7:13
6:10
2:38

10
11
12

Concerto for Keyboard, Strings and Basso continuo
in D major BWV 1054 (after BWV 1042)
1. [without tempo indication]
2. Adagio e piano sempre
3. Allegro

7:42
6:48
2:43

Wilbert Hazelzet flute | Reinhard Goebel violin & director
Andreas Staier harpsichord | Musica Antiqua Köln
Recordings: Köln, Deutschlandfunk, Kammermusiksaal, 7/2013 [1–3/7–9];
London, Abbey Road Studios, 8/1993 [4–6]; Henry Wood Hall,
2/1980 [10–12]; Köln, Deutschlandfunk Kammermusiksaal, 6/1987 [13–15]
Producers: Christoph Claßen [1–3/7–9]; Chris Sayers [4–6];
Gerd Ploebsch [10–12]; Wolfgang Mitlehner [13–15]
Balance Engineers: Hendrik Manook [1–3/7–9]; Jonathan Stokes [4–6];
Karl-August Naegler [10–12]; Wolfgang Mitlehner [13–15]! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [1–3/7–9]! 1995 Decca Music Group Limited [4–6]! 1981 [10–12] / 1987 [13–15] Deutsche Grammophon GmbH, Berlin

8:13
5:06
6:50

BACH 333

13
14
15

Concerto for Flute, Violin, Keyboard, Strings
and Basso continuo in A minor BWV 1044
1. Allegro
2. Adagio ma non tanto e dolce
3. Tempo di Allabreve

ORCHESTRAL

Trevor Pinnock harpsichord & director | The English Concert

17

CD 171 79:24

1
2
3

Concerto for 2 Violins, Strings and Basso continuo
in D minor BWV 1043
1. Vivace
2. Largo ma non tanto
3. Allegro

3:43
6:34
4:38

BACH 333

ORCHESTRAL

Simon Standage | Elizabeth Wilcock violins
The English Concert | Trevor Pinnock

18

4
5
6

Concerto for 2 Keyboards, Strings and Basso continuo
in C minor BWV 1062 (after BWV 1043)
1. [Allegro]
2. Andante e piano
3. Allegro assai

3:43
5:35
4:57

Tini Mathot harpsichord | Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

7
8
9Concerto for Keyboard, Strings and Basso continuo
in D minor BWV 1052
1. Allegro
2. Adagio
3. Allegro
Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood

7:27
6:02
7:28

Concerto for Violin, Strings and Basso continuo
in D minor BWV 1052R
Reconstruction by Marco Serino after BWV 1052

10
11
12

1. Allegro
2. Adagio
3. Allegro

6:58
6:51
7:28

Wir müssen durch viel Trübsal BWV 146
1. [Sinfonia]

7:58

Accademia Bizantina | Ottavio Dantone

Recordings: London, Henry Wood Hall, 3/1983 [1–3], 2/1995 [7–9];
Amsterdam, 1981 [4–6]; Köln, Deutschlandfunk, Kammermusiksaal, 7/2013 [10–12];
Ravenna, Bagnacavallo, Chiesa di San Girolamo, 1/2011 [13]Producers: Gerd Ploebsch [1–3]; Tini Mathot [4–6]; Chris Sayers [7–9];
Christoph Claßen [10–12]; Fabio Framba [13]Balance Engineers: Hans-Peter Schweigmann [1–3]; Adriaan Verstijnen [4–6];
Neil Hutchinson [7–9]; Hendrik Manook [10–12]; Roberto Chinellato [13]! 1983 Deutsche Grammophon GmbH, Berlin [1–3]! 1981 Universal International Music B.V. [4–6]! 1997 [7–9] / 2011 [13] Decca Music Group Limited! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [10–12]

BACH 333

13

ORCHESTRAL

Giuliano Carmignola violin | Concerto Köln

19

CD 172 80:38

1
2
3

Concerto for Keyboard, Strings and Basso continuo
in E major BWV 1053
1. [Allegro]
2. Siciliano
3. Allegro

7:49
5:24
6:09

ORCHESTRAL

Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood
Concerto for Oboe d’amore, Strings and Basso continuo
in D major BWV 1053R
Reconstruction by Arnold Mehl after BWV 1053

456

1. [Allegro]
2. Siciliano
3. Allegro

7:43
4:03
6:22

Heinz Holliger oboe d’amore & director | Camerata Bern
7

Gott soll allein mein Herze haben BWV 169: 1. Sinfonia

8:57

BACH 333

Accademia Bizantina | Ottavio Dantone

20

8

Ich geh und suche mit Verlangen BWV 49: 1. Sinfonia
Berliner Barock Solisten | Rainer Kussmaul

6:10

9
10
11

Concerto for Keyboard, Strings and Basso continuo
in A major BWV 1055
1. Allegro
2. Larghetto
3. Allegro ma non tanto

4:16
4:39
4:02

Reconstruction after BWV 1055

12
13
14

1. Allegro
2. Larghetto
3. Allegro ma non tanto

4:43
5:50
4:29

David Reichenberg oboe d’amore | The English Concert | Trevor Pinnock
Recordings: London, Henry Wood Hall, 8/1994 [1–3]; 3/1984 [12–14]; Switzerland,
La Chaux-de-Fonds, Salle de musique, 6/1996 [4–6]; Ravenna, Bagnacavallo,
Chiesa di San Girolamo, 1/2011 [7]; Berlin, Jesus-Christus-Kirche, 6/2007 [8];London, Abbey Road Studio No. 1, 8/1993 [9–11] · Producers: Chris Sayers [1–3/9–11];
Hein Dekker [4–6]; Fabio Framba [7]; Christopher Alder [8]; Gerd Ploebsch [12–14]
Balance Engineers: Jonathan Stokes [1–3/9–11]; Ko Witteveen [4–6];
Roberto Chinellato [7]; Hans-Ulrich Bastin [8]; Hans-Peter Schweigmann [12–14]! 1995 [1–3/9–11] / 2011 [7] Decca Music Group Limited! 1998 Universal International Music B.V. [4–6]! 2007 [8] / 1984 [12–14] Deutsche Grammophon GmbH, Berlin

BACH 333

Concerto for Oboe d’amore, Strings and Basso continuo
in A major BWV 1055R

ORCHESTRAL

Christophe Rousset harpsichord
Academy of Ancient Music | Christopher Hogwood

21

CD 173 76:09

1
2
3

Concerto for Keyboard, Strings and Basso continuo
in F minor BWV 1056
1. [Allegro]
2. Largo
3. Presto

3:09
2:40
3:35

BACH 333

ORCHESTRAL

Ottavio Dantone harpsichord & director
Accademia Bizantina

22

Concerto for Violin, Strings and Basso continuo
in G minor BWV 1056R
Reconstruction by Marco Serino after BWV 1056

45
6

1. Allegro
2. Largo
3. Presto

3:24
2:39
3:19

Giuliano Carmignola violin | Concerto Köln
7

Geist und Seele wird verwirret BWV 35: 1. Concerto8

Ich steh mit einem Fuß im Grabe BWV 156: 1. Sinfonia

2:35

9

Geist und Seele wird verwirret BWV 35: 5. Sinfonia

3:25

Accademia Bizantina | Ottavio Dantone

5:16

Concerto for Oboe, Strings and Basso continuo
in D minor BWV 1059R
Reconstruction, not in BWV catalogue, after BWV 1059, BWV 35 & BWV 156

10
11
12

1. Allegro
2. Adagio
3. Presto

5:25
2:34
3:34

Marcel Ponseele oboe | Il Gardellino
6:36

Kojima Wakamatsu violin
Bach Collegium Japan | Masaaki Suzuki

14
15
16

Concerto for 2 Keyboards, Strings and Basso continuo
in C minor BWV 1060
1. Allegro
2. Adagio
3. Allegro
Tini Mathot harpsichord
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

4:57
5:19
3:54

ORCHESTRAL

Sinfonia in D major BWV 1045

BACH 333

13

23

Concerto for Violin, Oboe, Strings and Basso continuo
in C minor BWV 1060R
Reconstruction after BWV 1060

BACH 333

ORCHESTRAL

17
18
19

24

1. Allegro
2. Adagio
3. Allegro

5:07
5:04
3:33

Simon Standage violin
David Reichenberg oboe
The English Concert
Trevor Pinnock
Recordings: Ravenna, Muzeo National, Sala di Refettorio di San Vitale, 4/2007 [1–3];
Köln, Deutschlandfunk Kammermusiksaal, 7/2013 [4–6]; Ravenna, Bagnacavallo,
Chiesa di San Girolamo, 1/2011 [7–9]; Belgium, Bolland, Saint Apollinaire, 9/2004[10–12]; Kobe, Shoin Women’s University, 2/2009 [13]; Amsterdam, 1981 [14–16];
London, Henry Wood Hall, 3/1984 [17–19]
Producers: Andrea Dandolo [1–3]; Christoph Claßen [4–6]; Fabio Framba [7–9];
Adelheid Glatt [10–12]; Ingo Petry [13]; Tini Mathot [14–16]; Gerd Ploebsch [17–19]
Balance Engineers: Roberto Chinellato [1–3/7–9]; Hendrik Manook [4–6];
Andreas Glatt [10–12]; Marco Frezzato [1–3]; Andreas Ruge [13];Adriaan Verstijnen [14–16]; Hans-Peter Schweigmann [17–19]! 2008 [1–3] / 2011 [7–9] Decca Music Group Limited! 2014 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [4–6]! 2005 Accent [10–12]! 2009 BIS Records AB [13]! 1981 Universal International Music B.V. [14–16]! 1984 Deutsche Grammophon GmbH, Berlin [17–19]

CD 174 81:45

1
2
3

Concerto for 2 Keyboards in C major BWV 1061a
1. [Allegro]
2. Adagio
3. Vivace

7:12
4:47
5:46

Christophe Rousset | Christopher Hogwood harpsichords

45
6

1. [Allegro]
2. Adagio
3. Vivace

7:16
4:23
6:14

Tini Mathot harpsichord
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

ORCHESTRAL

Concerto for 2 Keyboards, Strings and Basso continuo
in C major BWV 1061789

1. [Allegro]
2. Alla Siciliana
3. Allegro
Tini Mathot | Friederike Ernst harpsichords
Ton Koopman harpsichord & director
Amsterdam Baroque Orchestra

5:01
3:54
5:10

BACH 333

Concerto for 3 Keyboards, Strings and Basso continuo
in D minor BWV 1063

25

10
11
12

Concerto for 3 Keyboards, Strings and Basso continuo
in C major BWV 1064
1. [Allegro]
2. Adagio
3. Allegro

6:20
5:28
4:46

BACH 333

ORCHESTRAL

Kenneth Gilbert | Lars Ulrik Mortensen harpsichords
Trevor Pinnock harpsichord & director | The English Concert

26

Concerto for 3 Violins, Strings and Basso continuo
in D major BWV 1064R(Arrangement after BWV 1064 by Christopher Hogwood)

13
14
15

1. [Allegro]
2. Adagio
3. Allegro

5:44
5:30
4:11

Christopher Hirons | Monica Huggett | Catherine Mackintosh violins
Academy of Ancient Music | Christopher Hogwood
Recordings: Paris, Conservatoire de Musique, 1995 [1–3]; Amsterdam, 1981 [4–9];
London, Henry Wood Hall, 2/1981 [10–12]; Walthamstow Assembly Hall, 9/1990[13–15] · Producers: Chris Sayers [1–3]; Tini Mathot [4–9]; Gerd Ploebsch [10–12];
Peter Wadland [13–15] · Balance Engineers: Simon Eadon [1–3]; Adriaan
Verstijnen [4–9]; Hans-Peter Schweigmann [10–12]; Jonathan Stokes [13-15]! 1996 [1–3] / 1991 [13–15] Decca Music Group Limited! 1981 Universal International Music B.V. [4–9]! 1981 Deutsche Grammophon GmbH, Berlin [10–12]

Brandenburg Concerto No. 1 in F major BWV 1046
1. [Allegro]
2. Adagio
3. Allegro
4. Menuet – 5. Trio – 6. Polonaise – 7. Trio

4:37
4:43
4:34
8:02

Adolf Busch Chamber Players
Adolf Busch
5

Brandenburg Concerto No. 1 in F major BWV 1046
2. Adagio

4:26

Szymon Goldberg violin & director
Netherlands Chamber Orchestra
Haakon Stotijn oboe
678

Brandenburg Concerto No. 5 in D major BWV 1050
1. Allegro
2. Affettuoso
3. Allegro
Boyd Neel String Orchestra | Boyd Neel
Kathleen Long piano
Frederick Grinke violin
Gareth Morris flute

10:16
5:44
5:13

BACH 333

12
3
4

ORCHESTRAL TRADITIONS

CD 175 82:16

27

ORCHESTRAL TRADITIONSBACH 333
28

9
10
11

Brandenburg Concerto No. 4 in G major BWV 1049
1. Allegro
2. Andante
3. Presto

7:48
4:01
5:14

Schola Cantorum Basiliensis | August Wenzinger
12
13
14

Brandenburg Concerto No. 6 in B flat major BWV 1051
1. [Allegro]
2. Adagio ma non tanto
3. Allegro
Concentus Musicus Wien | Nikolaus Harnoncourt

Recordings: London, Abbey Road Studio No. 1, 10/1935 [1–4]; Amsterdam,
Concertgebouw, 4/1958 [5]; London, West Hampstead, Decca Studios,
12/1947 [6–8]; Basel, Blauer Saal of the Justiz-Departement, 7/1952 [9–11];
Wien, Palais Schönburg, 1964 [12–14]
Producers: Lawrance Collingwood [1–4]; Jaap van Ginneken [5];Victor Olof [6–8]; Fred Hamel [9–11]; Wolf Erichson [12–14]
Balance Engineers: Arthur Clarke [1–4]; Kenneth Wilkinson [6–8];
Heinrich Keilholz [9–11]! 1938 Parlophone Records Limited, a Warner Music Group company [1–4]! 1963 Universal International Music B.V. [5]! 1948 Decca Music Group Limited [6–8]! 1953 Deutsche Grammophon GmbH, Berlin [9–11]! 1964 Teldec Classics, a Warner Music UK Division [12–14]

5:53
4:47
6:12

CD 176 85:28

4:47
3:44
2:42

Münchener Bach-Orchester | Karl Richter
Karl-Heinz Schneeberger violin | Hans-Martin Linde recorder
Manfred Clement oboe | Pierre Thibaud trumpet | Hedwig Bilgram harpsichord
Brandenburg Concerto No. 5 in D major BWV 1050(a)Edition by Thurston Dart

456

1. Allegro
2. Affettuoso
3. Allegro

7:49
5:37
5:11

Academy of St Martin in the Fields | Neville Marriner
Iona Brown violin | Claude Monteux flute | George Malcolm harpsichord
78
9

Brandenburg Concerto No. 3 in G major BWV 1048
1. [Allegro]
2. Adagio
3. Allegro

5:44
0:15
4:42

Academy of Ancient Music | Christopher Hogwood
10
11
12

Brandenburg Concerto No. 4 in G major BWV 1049
1. Allegro
2. Andante
3. Presto

6:59
3:22
4:47

ORCHESTRAL TRADITIONS

Brandenburg Concerto No. 2 in F major BWV 1047
1. [Allegro]
2. Andante
3. Allegro assai

BACH 333

1
2
3

29

BACH 333

ORCHESTRAL TRADITIONSIl Giardino Armonico | Giovanni Antonini

30

13
14
15

Brandenburg Concerto No. 5 in D major BWV 1050
1. Allegro
2. Affettuoso
3. Allegro

8:51
5:00
4:56

Orchestra Mozart | Claudio Abbado
Jacques Zoon flute | Giuliano Carmignola violin | Ottavio Dantone harpsichord
16
17
18

Brandenburg Concerto No. 2 in F major BWV 1047
1. [Allegro]
2. Andante
3. Allegro assai

4:51
3:18
2:49

Dunedin Consort | John Butt
Recordings: München, Hochschule für Musik, 1/1967 [1–3]; London, Wembley,
Brent Town Hall, 2/1971 [4–6]; Walthamstow Assembly Hall, 5/1986 [7–9];
Lugano, Radiotelevisione Svizzera, 12/1996 [10–12]; Italy, Reggio Emilia, Teatro
Romolo Valli, 4/2007 (live) [13–15]; Scotland, Perth, Concert Hall, 5/2012 [16–18]
Producers: Rainer Brock [1–3]; Erik Smith [4–6]; Peter Wadland [7–9];
Lucienne Rosset [10–12]; Sid McLauchlan [13–15]; Philip Hobbs [16–18]
Balance Engineers: Klaus Scheibe [1–3]; Hans Lauterslager [4–6]; John Dunkerley[7–9]; Ulrich Roescher [10–12]; Stephan Flock [13–15]; Philip Hobbs [16–18]! 1968 Deutsche Grammophon GmbH, Berlin [1–3] · ! 1972 Universal International
Music B.V. [4–6] · ! 1985 Decca Music Group Limited [7–9] · ! 1997 Teldec
Classics, a Warner Music UK Division [10–12] · ! 2008 EuroArts Music InternationalGmbH, under exclusive license to Deutsche Grammophon Gesellschaft mbH [13–15]! 2013 Linn Records [16–18]

CD 177 81:17

1. Vivace
2. Largo ma non tanto
3. Allegro

3:57
6:41
5:04

Arthur Grumiaux | Herman Krebbers violins
Les Solistes Romands | Arpad Gérecz
4
5
6

1. Vivace
2. Largo ma non tanto
3. Allegro

4:15
7:32
5:28

David Oistrakh | Igor Oistrakh violins
Royal Philharmonic Orchestra | Eugene Goossens
George Malcolm harpsichord
78
9

1. Vivace
2. Largo ma non tanto
3. Allegro

3:13
6:50
4:20

Hilary Hahn | Margaret Batjer violins
Los Angeles Chamber Orchestra | Jeffrey Kahane
10
11
12

1. Vivace
2. Largo, ma non tanto
3. Allegro

2:56
5:42
3:56

BACH 333

12
3

ORCHESTRAL TRADITIONS

Concerto for 2 Violins, Strings and Basso continuo
in D minor BWV 1043

31

Tijana Milošević violin
Nemanja Radulović violin & director | Double Sens

BACH 333

ORCHESTRAL TRADITIONS

1332

2. Largo ma non tanto (Transcription for Oboe and Violin)

6:04

Albrecht Mayer oboe | Daniel Hope violin
Deutsches Kammerorchester Berlin | Reinhard Kammler
14
15
16

1. Vivace
2. Largo ma non tanto
3. Allegro

3:21
7:20
4:34

Anne-Sophie Mutter violin & director
Nancy Zhou [1] | Ye-Eun Choi [2] | Noa Wildschut [3] violins
Mutter’s Virtuosi | Mahan Esfahani harpsichord

Recordings: Switzerland, La Chaux-de-Fonds, Salle de musique, 11/1978 [1–3];
London, Wembley, Brent Town Hall, 2/1961 [4–6]; Los Angeles, The Herbert Zipper
Concert Hall, 10/2002 [7–9]; Paris, Notre-Dame du Liban, 3–6/2016 [10–12]; Berlin,
Jesus-Christus-Kirche, 7–8/2012 [13]; Berlin, Neue Heimat, 5/2015 (live) [14–16]
Producers: Wilhelm Hellweg [1–3]; Hans Weber [4–6]; Thomas Frost [7–9];
Sid McLauchlan [10–12]; Philipp Nedel [13]; Bernhard Güttler [14–16]
Balance Engineers: Wilhelm Hellweg [1–3]; Harald Baudis [4–6]; Tom Lazarus [7–9];
Rainer Maillard [10–12/14–16]; Martin Kistner [13]! 1980 Universal International Music B.V. [1–3]! 1962 [4–6] / 2003 [7–9] / 2016 [10–12] / 2012 [13] / 2015 [14–16]
Deutsche Grammophon GmbH, Berlin

3:37
6:41
3:17

Anne-Sophie Mutter violin & director
Trondheim Soloists

4
5
6

Concerto for Violin, Strings and Basso continuo
No. 2 in E major BWV 1042
1. Allegro
2. Adagio
3. Allegro assai

6:55
7:07
2:31

Hilary Hahn violin
Los Angeles Chamber Orchestra | Jeffrey Kahane

789Concerto for 2 Violins, Strings and Basso continuo
in D minor BWV 1043
1. Vivace
2. Largo ma non tanto
3. Allegro
Julia Fischer violin & director | Alexander Sitkovetsky violin
Academy of St Martin in the Fields

3:26
6:41
4:40

BACH 333

1
2
3

Concerto for Violin, Strings and Basso continuo
No. 1 in A minor BWV 1041
1. [Allegro moderato]
2. Andante
3. Allegro assai

ORCHESTRAL TRADITIONS

CD 178 82:34

33

Concerto for Violin, Oboe, Strings and Basso continuo
in C minor BWV 1060R

ORCHESTRAL TRADITIONS

Reconstruction after BWV 1060

10
11
12

BACH 333

4:59
5:10
3:34

Janine Jansen violin & director | Ramón Ortega Quero oboe
Boris Brovtsyn | Cindy Albracht | Frederik Paulsson
Julia-Maria Kretz | Tijmen Huisingh | Monika Urbonaite violins
Pauline Sachse | Nimrod Guez violas | Maarten Jansen celloRick Stotijn double bass | Jan Jansen harpsichord [10/12], organ [11]Concerto for Violin, Strings and Basso continuo
in G minor BWV 1056R
Reconstruction after BWV 1056)

13
14
15

34

1. Allegro
2. Largo ovvero Adagio
3. Allegro

1. [without tempo indication]
2. Largo
3. Presto
Viktoria Mullova violin & director
Mullova Ensemble

3:27
2:39
3:18

1. [Allegro moderato]
2. Andante
3. Allegro assai

3:56
6:50
3:45

Daniel Lozakovich violin
Kammerorchester des Symphonieorchesters
des Bayerischen Rundfunks
Radoslaw Szulc

Recordings: Hamburg, Friedrich-Ebert-Halle, 2/2007 [1–3]; Los Angeles,
The Herbert Zipper Concert Hall, 10/2002 [4–6]; London, Deptford,
St Paul’s, 6/2008 [7–9]; Berlin, Andreaskirche, 6/2013 [10–12]; Amsterdam,
De Rode Hoed, 7/1995 [13–15]; Germany, Grünwald, Musikschule,August Everding Saal, 10/2017 [16–18]
Producers: Reinhild Schmidt [1–3]; Thomas Frost [4–6]; Sebastian Stein [7–9];
Andrew Walton [10–12]; Hein Dekker [13–15]; Sebastian Nattkemper [16–18]
Balance Engineers: Dagmar Birwe [1–3]; Tom Lazarus [4–6]; Jean-Marie Geijsen [7–9]; Philip Siney [10–12]; Tjeerd Veeger [13–15]; Tobias Lehmann [16–18]! 2008 [1–3] / 2003 [4–6] / 2018 [16–18] Deutsche Grammophon GmbH, Berlin! 2009 [7–9] / 2013 [10–12] Decca Music Group Limited! 1996 Universal International Music B.V. [13–15]

BACH 333

1617
18

ORCHESTRAL TRADITIONS

Concerto for Violin, Strings and Basso continuo No. 1
in A minor BWV 1041

35

BACH 333

ORCHESTRAL TRADITIONS

CD 179 79:29

36

1
2
3

Concerto for Keyboard, Strings and Basso continuo
in D minor BWV 1052
1. Allegro
2. Adagio
3. Allegro

8:08
7:01
7:47

4
5
6

Concerto for Keyboard, Strings and Basso continuo
in E major BWV 1053
1. [Allegro]
2. Siciliano
3. Allegro

8:12
4:09
6:29

7
8
9

Concerto for Keyboard, Strings and Basso continuo
in D major BWV 1054
1. [without tempo indication]
2. Adagio e piano sempre
3. Allegro

7:30
5:46
2:43

András Schiff piano & director
Chamber Orchestra of Europe

13
14
15

Concerto for Keyboard, Strings and Basso continuo
in F minor BWV 1056
1. Allegro
2. Largo
3. Presto

2:55
2:29
3:07

Ramin Bahrami piano
Gewandhausorchester
Riccardo Chailly

Recordings: Wien, Konzerthaus, 1/1989 [1–9];
Leipzig, Gewandhaus, 5/2010 [10–12], 5/2009 [13–15]
Producers: Michael Haas [1–9]; Andrew Cornall [10–15]
Balance Engineers: Stanley Goodall [1–9]; Philip Siney [10–15]! 1990 Decca Music Group Limited [1–9]! 2011 Universal Music Italia Srl [10–15]

ORCHESTRAL TRADITIONS

3:52
5:23
3:55

BACH 333

1011
12Concerto for Keyboard, Strings and Basso continuo
in A major BWV 1055
1. Allegro
2. Larghetto
3. Allegro ma non tanto37

CD 180 76:04
Concerto for Oboe, Strings and Basso continuo
in F major BWV 1053R

BACH 333

ORCHESTRAL TRADITIONS

Reconstruction after BWV 1053

38

1
2
3

1. [Allegro]
2. Siciliano
3. Allegro

8:16
4:18
6:41

Heinz Holliger oboe
Academy of St Martin in the Fields
Iona Brown
Concerto for Violin, Oboe, Flute, Strings and Basso continuo
in D minor BWV 1063R
Reconstruction by Christopher Hogwood after BWV 1063

456[Allegro]Alla Siciliana
AllegroCarmel Kaine violin | Neil Black oboe | William Bennett flute
Academy of St Martin in the Fields
Neville Marriner

5:20
5:02
5:18

Concerto for Keyboard, Strings and Basso continuo
in E major BWV 1053
1. Allegro [from Cantata BWV 169]
2. Siciliano [from Cantata BWV 49]
3. Allegro [from Violin Concerto BWV 1053]

7:22
4:26
5:42

Wolfram Christ viola
Berliner Barock Solisten
Rainer Kussmaul
Concerto for Oboe d’amore, Strings and Basso continuo
Arrangement by Andreas N. Tarkmann after“Non sa che sia dolore” Cantata BWV 209

1. Allegro
2. Andante
3. Allegro

6:08
7:33
5:20

Albrecht Mayer oboe d’amore & director
The English Concert

BACH 333

1011
12

ORCHESTRAL TRADITIONS

Reconstruction for Viola, Strings and Basso continuo

7
8
9

39

ORCHESTRAL TRADITIONSBACH 333
40

13

Orchestral Suite No. 3 in D major BWV 1068
2. Air3:14

14

Orchestral Suite No. 2 in B minor BWV 1067
7. Badinerie (arr. violin)

1:21

Janine Jansen violin & director
Boris Brovtsyn | Cindy Albracht | Frederik Paulsson
Julia-Maria Kretz | Tijmen Huisingh | Monika Urbonaite violins
Nimrod Guez | Pauline Sachse violas | Maarten Jansen celloRick Stotijn double bass | Jan Jansen harpsichord

Recordings: London, St John’s, Smith Square, 5 & 7/1982 [1–3], 8/1974 [4],4/1974 [5/6]; Berlin, Kammermusiksaal, 12/2000 [7–9]; London, Deptford,
St Paul’s, 3/2009 [10–12]; Berlin, Andreaskirche, 6/2013 [13/14]
Producers: Wilhelm Hellweg [1-3]; Michael Bremner [4–6]; Walter Schales [7–9];
Dominic Fyfe [10–12]; Andrew Walton [13/14]
Balance Engineers: Wilhelm Hellweg [1–3]; Stanley Goodall [4–6];
Geert Puhlmann [7–9]; Philip Siney [10–14]! 1983 Universal International Music B.V. [1–3]! 1976 [4–6] / 2009 [10–12] / 2013 [13/14] Decca Music Group Limited! 2002 Universal Music Classics & Jazz, a division of Universal Music GmbH [7–9]Sonata for Solo Violin No. 1 in G minor BWV 1001
1. Adagio
2. Fuga. Allegro
3. Siciliana
4. Presto

3:53
5:56
3:32
3:50

5
6
7
8
9
10
11
12

Partita for Solo Violin No. 1 in B minor BWV 1002
1. Allemanda
2. Double
3. Corrente
4. Double. Presto
5. Sarabande
6. Double
7. Tempo di Borea
8. Double

6:22
3:37
3:38
3:59
4:21
2:35
3:36
3:40

13
14
15
16

Sonata for Solo Violin No. 2 in A minor BWV 1003
1. Grave
2. Fuga
3. Andante
4. Allegro

4:16
8:41
5:39
6:12

Giuliano Carmignola violin(Pietro Guarneri, Venice, 1733; Bow: Emilio Salviero, 2007,
after Nicolas Léonard Tourte, 18th century)

BACH 333

1
2
3
4

CHAMBERCD 181 73:49

41

BACH 333

CHAMBERCD 182 74:20

42

1
2
3
4
5

Partita for Solo Violin No. 2 in D minor BWV 1004
1. Allemande
2. Corrente
3. Sarabande
4. Giga
5. Ciaconna

4:35
2:57
4:16
4:29
14:06

6
7
8
9

Sonata for Solo Violin No. 3 in C major BWV 1005
1. Adagio
2. Fuga
3. Largo
4. Allegro assai

4:18
11:45
3:27
5:04

10
11
12
13
14
15

Partita for Solo Violin No. 3 in E major BWV 1006
1. Preludio
2. Loure
3. Gavotte en Rondeau
4. Menuet I – 5. Menuet II
6. Bourrée
7. Gigue

3:58
4:35
3:19
3:48
1:35
2:06

Giuliano Carmignola violin (Pietro Guarneri, Venice, 1733;
Bow: Emilio Salviero, 2007, after Nicolas Léonard Tourte, 18th century)
Eine Co-Produktion mit Deutschlandfunk
A co-production with Deutschlandfunk
Recordings: Italy, Toblach, Euregio Kulturzentrum, Gustav Mahler Saal, 2/2018
Producer & Balance Engineer: Michael Seberich! 2018 Deutschlandradio / Deutsche Grammophon GmbH, BerlinCD 183 85:26
Suites for “Lute”
Suite in G minor BWV 995 (“pour la luth”)
Arrangement of Suite for Solo Cello No. 5 in C minor BWV 1011
1
2
3
4
5
6

1. Prelude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte I – 6. Gavotte II en Rondeau
7. Gigue

6:38
5:46
2:31
3:04
5:34
2:36

Fugue in G minor BWV 1000

5:52

Arrangement of Sonata for Solo Violin No. 1 in G minor BWV 1001: 2. Fuga

8
9
10
11

Suite in C minor BWV 997
1. Prelude
2. Fuga
3. Sarabande
4. Gigue – 5. Double

3:20
7:07
5:31
3:41

12
13
14

Prelude, Fugue and Allegro in E flat major BWV 998
1. Prelude
2. Fuga
3. Allegro

3:26
5:57
2:00

BACH 333

7

CHAMBER

Toyohiko Satoh lute

43

15

Prelude in C minor BWV 999

2:10

Narciso Yepes lute

BACH 333

CHAMBER

Suite in E major BWV 1006a (for unspecified instrument)
Arrangement of Partita for Solo Violin No. 3 in E minor BWV 1006

44

16
17
18
19
20
21

1. Preludio
2. Loure
3. Gavotte en Rondeau
4. Menuet I – 5. Menuet II
6. Bourrée
7. Gigue
Göran Söllscher guitar

Recordings: Netherlands, Haarlem, Doopsgezinde Kerk, 1981 [1–6];
Madrid, Estudios Phonogram, 5/1973 [7–11], 9/1972 [12–15];
Sweden, Skurup, Mastersound Recording Studios, 6/1981 [16–21]
Producers: Adriaan Verstijnen [1–6]; Heinz Wildhagen [7–15];
Lars Finnstroem [16–21]
Balance Engineers: Adriaan Verstijnen [1–6];
Heinz Wildhagen [7–15]; Lars Finnstroem [16–21]! 1981 Universal International Music B.V. [1–6]! 1973 [7–15] / 1981 [16–21] Deutsche Grammophon GmbH, Berlin

5:07
3:08
3:04
4:02
1:52
2:17

1
2
3
4
5
6

Suite for Solo Cello No. 1 in G major BWV 1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet I – 6. Menuet II
7. Gigue

2:16
4:39
2:42
2:50
3:48
1:44

7
8
9
10
11
12

Suite for Solo Cello No. 3 in C major BWV 1009
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée I – 6. Bourrée II
7. Gigue

3:00
4:13
3:08
4:37
4:00
3:16

CHAMBER

13
14
15
16
17
18

Suite for Solo Cello No. 5 in C minor BWV 1011
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte I – 6. Gavotte II
7. Gigue

6:36
7:09
2:35
3:39
5:35
2:30

BACH 333

CD 184 68:22

David Watkin cello (Francesco Rugeri, Cremona, c.1670;
Bow: John Waterhouse, after ? Carlo Annibale Tononi, Italy, c. 1725))

45

1
2
3
4
5
6

Suite for Solo Cello No. 2 in D minor BWV 1008
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet I – 6. Menuet II
7. Gigue

3:20
3:39
2:04
5:13
4:01
2:55

CHAMBER

7
8
9
10
11
12

Suite for Solo Cello No. 4 in E flat major BWV 1010
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée I – 6. Bourrée II
7. Gigue

3:27
4:05
3:25
3:41
6:24
2:50

BACH 333

CD 185 76:46

13
14
15
16
17
18

Suite for Solo Cello No. 6 in D major BWV 1012
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte I – 6. Gavotte II
7. Gigue

4:56
8:49
3:43
4:59
4:56
4:17

46

David Watkin cello (Francesco Rugeri, Cremona, c.1670;

Recordings: Edinburgh, The Robin Chapel, 3–12/2013
Producer & Balance Engineer: Adam Binks! 2015 Resonus Limited

BACH 333

CHAMBER

Suite No. 6: Antonio & Hieronymous Amati, 5-String violoncello piccolo,
Cremona, c.1600;
Bow: John Waterhouse, after ? Carlo Annibale Tononi, Italy, c. 1725)

47

CD 186 77:55
1

Fugue in G minor BWV 1026

4:17

BACH 333

CHAMBER

Reinhard Goebel violin
Robert Hill harpsichord

48

2
3
4
5

Sonata for Violin and Keyboard No. 1 in B minor BWV 1014
1. Adagio
2. Allegro
3. Andante
4. Allegro

3:34
2:52
3:02
3:24

6
7
8
9

Sonata for Violin and Keyboard No. 2 in A major BWV 1015
1. [Andante]
2. Allegro
3. Andante un poco
4. Presto

2:50
3:14
3:08
4:15

10
11
12
13

Sonata for Violin and Keyboard No. 3 in E major BWV 1016
1. Adagio
2. Allegro
3. Adagio ma non tanto
4. Allegro

3:55
2:47
5:02
3:58

Monica Huggett violin
Ton Koopman harpsichord

4:02
4:25
3:00
4:35

18
19
20
21

Sonata for Violin and Keyboard No. 5 in F minor BWV 1018
1. [without tempo indication]
2. Allegro
3. Adagio
4. Vivace

6:23
4:27
2:17
2:25

Reinhard Goebel violin
Robert Hill harpsichord

Recordings: Bamberg, Zentralsaal, 3/1983 [1], 11/1982 [14–21];
Utrecht, Maria Minor Kerk, 6/1983 [2–13]
Producers: Heinz Wildhagen [1/14–21]; Tini Mathot [2–13]
Balance Engineers: Heinz Wildhagen [1/14–21]; Adriaan Verstijnen [2–13]! 1983 Deutsche Grammophon GmbH, Berlin [1/14–21]! 1983 Universal International Music B.V. [2–13]

CHAMBER

Sonata for Violin and Keyboard No. 4 in C minor BWV 1017
1. Largo
2. Allegro
3. Adagio
4. Allegro

BACH 333

14
15
16
17

49

CD 187 85:39

1
2
3
4
5

Sonata for Violin and Keyboard No. 6 in G major BWV 1019
1. Allegro (BWV 1019a = Vivace)
2. Largo
3. Allegro (harpsichord solo)
4. Adagio
5. Allegro

3:23
1:35
2:51
2:54
3:09

CHAMBER

Reinhard Goebel violin
Robert Hill harpsichord
Sonata for Violin and Keyboard in G major BWV 1019a
Extra movements from earlier versions (BWV3 1019.1 / 1019.2)
6
7

BACH 333

1:51
6:20

Monica Huggett violin
Ton Koopman harpsichord
850

Adagio in B minor / G minor (BWV 1019.1/2)
Cantabile, ma un poco adagio (BWV 1019.2)

Violino solo e Basso l’accompagnato (BWV 1019.1)
Andrew Manze violin
Richard Egarr harpsichord
For the Harpsichord solo in E minor also used in BWV 1019.1,
see BWV 830/3 (CD 138, tr. 15)

2:17

9
10
11
12

Sonata for Violin and Basso continuo in G major BWV 1021
1. Adagio
2. Vivace
3. Largo
4. Presto

3:34
1:03
2:10
1:26

13
14
15

Sonata for Violin and Basso continuo in E minor BWV 1023
1. [without tempo indication] – 2. Adagio ma non tanto
3. Allemanda
4. Gigue

4:29
3:56
3:07

3:42
3:37
2:13
3:18

BACH 333

16
17
18
19

Sonata for Viola da gamba and Keyboard No. 1
in G major BWV 1027
1. Adagio
2. Allegro ma non tanto
3. Andante
4. Allegro moderato

CHAMBER

Trio Sonnerie
Monica Huggett violin
Sarah Cunningham viola da gamba
Mitzi Meyerson harpsichord

51

CHAMBER
BACH 333
52

20
21
22
23

Sonata for Viola da gamba and Keyboard No. 2
in D major BWV 1028
1. Adagio
2. Allegro
3. Andante
4. Allegro

1:55
3:53
4:26
4:18

24
25
26

Sonata for Viola da gamba and Keyboard No. 3
in G minor BWV 1029
1. Vivace
2. Adagio
3. Allegro

5:14
5:09
3:47

Jaap ter Linden viola da gamba
Henk Bouman harpsichord
Recordings: Bamberg, Zentralsaal, 11/1982 [1–5]; Utrecht, Maria Minor Kerk,
6/1983 [6/7]; Bristol, St George’s, Brandon Hill, 3–4/1999 [8]; Cardiff, University
Concert Hall, 1986 [9–15]; München, Plenarsaal der Akademie der Wissenschaften,
1/1982 [16–26]
Producers: Heinz Wildhagen [1–5]; Tini Mathot [6/7]; Robina G. Young [8];Nicholas Parker [9–15]; Gerd Ploebsch [16–26]
Balance Engineers: Heinz Wildhagen [1–5]; Adriaan Verstijnen [6/7];
Brad Michel [8]; Nicholas Parker [9–15]; Wolfgang Mitlehner [16–26]! 1983 Deutsche Grammophon GmbH, Berlin [1–5/16–26]! 1983 Universal International Music B.V. [6/7]! 2000 Harmonia Mundi USA [8] · ! 1986 ASV Ltd. [9–15]

CD 188 79:33

1
2
3
4

Partita for Solo Flute in A minor BWV 1013
1. Allemande
2. Corrente
3. Sarabande
4. Bourrée Anglaise

4:15
2:52
4:30
1:59

Sonata for Flute and Basso continuo in E minor BWV 1034
1. Adagio ma non tanto
2. Allegro
3. Andante
4. Allegro

3:09
2:50
3:38
4:37

9
10
11
12

Sonata for Flute and Basso continuo in C major BWV 1033
1. Andante – Presto
2. Allegro
3. Adagio
4. Menuetto I – Menuetto II

1:43
2:22
1:49
2:21

Konrad Hünteler flute
Jaap ter Linden celloTon Koopman harpsichord

BACH 333

56
7
8

CHAMBER

Wilbert Hazelzet flute

53

13

Sonata for Flute and Basso continuo in C major BWV 1033
1. Andante – Presto (Presto without continuo)

1:54

CHAMBER

Wilbert Hazelzet flute
Jaap ter Linden celloHenk Bouman harpsichord

14
15
16

Sonata for Flute and Basso continuo in B minor BWV 1030
1. Andante
2. Largo e dolce
3. Presto

7:41
3:40
5:29

17
18
19

Sonata for Flute and Basso continuo in A major BWV 1032
1. Vivace
2. Largo e dolce
3. Allegro

5:10
3:24
4:09

BACH 333

Wilbert Hazelzet flute
Henk Bouman harpsichord

54

Sonata for Flute and Basso continuo in E major BWV 1035
1. Adagio ma non tanto
2. Allegro
3. Siciliano
4. Allegro assai

2:14
3:00
3:35
3:10

CHAMBER

Konrad Hünteler flute
Jaap ter Linden celloTon Koopman harpsichord

Recordings: München, Plenarsaal der Akademie der Wissenschaften, 1/1982 [1–4/13];
Netherlands, 4/1983 [5–12/20–23]; Bamberg, Zentralsaal 3/1983 [14–19]
Producers: Gerd Ploebsch [1–4/13–19]; Tini Mathot [5–12/20–23]
Balance Engineers: Wolfgang Mitlehner [1–4/13–19]; Adriaan Verstijnen [5–12/20–23]! 1983 Deutsche Grammophon GmbH, Berlin [1–5/13–23]! 1983 Universal International Music B.V. [6–12]

BACH 333

20
21
22
23

55

CD 189 79:47

1
2
3

Sonata for Flute and Basso continuo in E flat major BWV 1031
1. Allegro moderato
2. Siciliano
3. Allegro

3:31
1:57
4:25

BACH 333

CHAMBER

Wilbert Hazelzet flute
Henk Bouman harpsichord

56

4
5
6
7

Trio Sonata in G major BWV 1039
1. Adagio
2. Allegro ma non presto
3. Adagio e piano
4. Presto

3:42
3:33
2:15
2:57

Philippe Suzanne | Wilbert Hazelzet flutes
Jaap ter Linden viola da gamba | Henk Bouman harpsichord

8
9
10
11

Trio Sonata in G major BWV 1038
1. Largo
2. Vivace
3. Adagio
4. Presto
Wilbert Hazelzet flute | Reinhard Goebel violin
Jaap ter Linden cello | Henk Bouman harpsichord

3:49
1:00
2:14
1:28

Doubtful and Spurious Sonatas
12
13
14
15

Sonata for Violin and Basso continuo in F major BWV 1022 (App. B)
1. [without tempo indication]
3:09
2. Allegro e presto
2:37
3. Adagio
2:22
4. Presto
1:24

16
17
18
19

Sonata for Violin and Basso continuo in C minor BWV 1024 (App. B)
1. Adagio
2:49
2. Presto
3:30
3. Affettuoso
3:33
4. Vivace
4:03

CHAMBER

Reinhard Goebel violin | Robert Hill harpsichord

20
21
22
23

1. Adagio
2. Allegro
3. Largo
4. Vivace
Reinhard Goebel violin
Jaap ter Linden cello | Henk Bouman harpsichord

3:34
2:06
3:03
2:23

BACH 333

Trio Sonata in D minor BWV 1036 (App. D)
probably by Carl Philipp Emanuel Bach, H 569

57

Trio Sonata in C major BWV 1037 (App. D)
by Johann Gottlieb Goldberg, DürG 13

24
25
26
27

1. Adagio
2. Alla breve
3. Largo
4. Gigue. Presto

3:28
2:31
1:53
4:57

Hajo Bäß | Reinhard Goebel violins
Jaap ter Linden cello | Henk Bouman harpsichord

BACH 333

CHAMBER

28

58

Trio for Oboe, Violin and Basso continuo in F major BWV 1040

1:33

Heinz Holliger oboe | Thomas Zehetmair violin
Massimo Polidori cello | Andreas Erismann harpsichord

Recordings: München, Plenarsaal der Akademie der Wissenschaften,
3/1983 [1–3], 1/1980 [4–11], 5/1981 [16–19], 11/1980 [20–27];
Hamburg, Friedrich-Ebert-Halle, 7/1982 [12–15]; Switzerland,
La Chaux-de-Fonds, Salle de musique, 6/1996 [28]Producers: Heinz Wildhagen [1–3/12–19];Gerd Ploebsch [4–11/20–27]; Hein Dekker [28]Balance Engineers: Heinz Wildhagen [1–3/12–19];
Wolfgang Mitlehner [4–11/20–27]; Ko Witteveen, Hein Dekker [28]! 1983 [1–3/12–19] / 1981 [4–11/20–27] Deutsche Grammophon GmbH, Berlin! 1998 Universal International Music B.V. [28]Canon a 4 perpetuus BWV 1073

1:42

2

Canon a 4 BWV 1074

1:53

3

Canon a 2 BWV 1075

0:37

4

Canon super fa mi a 7 BWV 1078

1:39

5

Canon a 2 “Concordia discors” BWV 1086

1:23

6

Canon a 8 “Trias Harmonica” BWV 1072

0:46

7

Canon triplex a 6 BWV 1076

0:33

8

Canon for 4 Voices and Bass “Canone doppio
sopr’il Soggetto” BWV 1077

0:56

9
10
11
12
13
14
15
16
17
18

14 Canons on the First 8 Bass Notes of the Aria
from the Goldberg Variations BWV 1087
1. Canon simplex
2. All’ roverscio
3. Beede vorigen Canones zugleich, motu recto e contrario
4. In motu contrario e recto
5. Canon duplex a 4
6. Canon simplex über besagtes Fundament a 3
7. Idem a 3
8. Canon simplex a 3, il soggetto in Alto
9. Canon in unisono post semifusam a 3
10. Alio modo, per syncptiones et per ligaturas, a 2 – Evolutio

0:22
0:21
0:16
0:19
0:24
0:39
0:20
0:23
0:20
0:23

BACH 333

1

CANONS & COUNTERPOINT

CD 190 82:04

59

CANONS & COUNTERPOINT

19
20
21
22

11. Canon duplex übers Fundament a 5 (version of BWV 1077)
12. Canon duplex über besagte Fundamental-Noten a 5
13. Canon triplex a 6 (version of BWV 1076)
14. Canon a 4 per Augmentationem et Diminutionem

0:53
0:33
0:36
0:40

Musica Antiqua Köln
Reinhard Goebel

23
24
25
26
27

Canonic Variations on the Christmas Song:Vom Himmel hoch, da komm ich her BWV 769
Variatio 1 nel canone all’ ottava
Variatio 2 alio modo / nel canone alla quinta
Variatio 3. Canone alla settima. Cantabile
Variatio 4 per augmentationem / nel canone all’ ottava
Variatio 5. L’altra sorte del canone al rovescio
1. alla sesta – 2. alla terza – 3. alla seconda e – 4. alla nona

1:29
1:26
2:20
2:51
3:06

BACH 333

Helmut Walcha organ

60

28Musical Offering · Musikalisches Opfer BWV 1079
1. Ricercar a 3
Christopher Hogwood fortepiano

6:39

Musica Antiqua Köln
Reinhard Goebel

6:00
6:03
2:48
3:16
7:36

CANONS & COUNTERPOINT

5:45
0:52
0:48
0:34
2:45
2:39
2:09
1:02
2:19
1:41
1:57

BACH 333

Musical Offering · Musikalisches Opfer BWV 1079
29 1. Ricercar a 3
30 4a. Canon 1 a 2 cancrizans
31 4b. Canon 2 a 2 Violini in unisono
32 4c. Canon 3 a 2 per Motum contrarium
33 4d. Canon 4 a 2 per Augmentationem, contrario Motu
34 4e. Canon 5 a 2 per Tonos
35 4f. Fuga canonica in Epidiapente
36 4g. Canon perpetuus super Thema Regium
37 4h. Canon perpetuus
38 4i. Canon a 2
39 4k. Canon a 4
3. Sonata Sopr’. Il Soggetto Reale a Traversa, Violino
e Basso continuo
40
1. Largo41
2. Allegro
42
3. Andante
43
4. Allegro
44 2. Ricercar a 6

61

CANONS & COUNTERPOINT
BACH 333
62

Recordings: Hamburg, Friedrich-Ebert-Halle, 6/1984 [1–22];
Strasbourg, Saint-Pierre-le-Jeune, 5/1971 [23–27];
London, St John’s, Downshire Hill, 7/1977 [28];München, Residenz, Herkulessaal, 2/1979 [29–44]
Producers: Andreas Holschneider [1–22];
Gerd Ploebsch [23–27/29–44]; Adam Skeaping [28]Balance Engineers: Wolfgang Mitlehner [1–22]; Hansjoachim Reiser [23–27];
Adam Skeaping [28]; Hans-Peter Schweigmann [29–44]! 1984 [1–22] / 1971 [23–27] / 1979 [29–44] Deutsche Grammophon GmbH, Berlin! 1982 Decca Music Group Limited [28]Note on CDs 191–193: The Art of Fugue
In order to aid the listener compare and contrast the same music of the various
versions and titles on CDs 191–193, numbers in square brackets all refer to themusic found in the 1751/1752 printed versions and available at www.bachdigital.net

CD 191 76:57

2:57
2:52
3:08
4:17
2:54
4:04
4:07
7:31
2:31
4:44
7:41
1:39
1:31
2:10
2:14
5:25
2:19
4:40
2:24
7:48

Accademia Bizantina | Ottavio Dantone
Recording: Italy, Bagnacavallo, Teatro Goldoni, 2/2017 · Producer: Fabio Framba
Balance Engineer: Roberto Chinellato · ! 2017 Accademia Bizantina

BACH 333

1 [1.] Contrapunctus 1
2 [2.] Contrapunctus 2
3 [3.] Contrapunctus 3
4 [4.] Contrapunctus 4
5 [5.] Contrapunctus 5
6 [6.] Contrapunctus 6 a 4 in Stylo Francese
7 [7.] Contrapunctus 7 a 4 per Augmentationem et Diminutionem
8 [8.] Contrapunctus 8 a 3
9 [9.] Contrapunctus 9 a 4 alla Duodecima
10 [10.] Contrapunctus 10 a 4 alla Decima
11 [11.] Contrapunctus 11 a 4
12 [12b.] Contrapunctus rectus a 4
13 [12a.] Contrapunctus inversus a 4
14 [13b.] Contrapunctus inversus a 3
15 [13a.] Contrapunctus rectus a 3
16 [15.] Canon per Augmentationem in Contrario Motu
17 [16.] Canon alla Ottava
18 [17.] Canon alla Decima in Contrappunto alla Terza
19 [18.] Canon alla Duodecima in Contrappunto alla Quinta
20 [20.] Fuga a 3 Soggetti (unfinished)

CANONS & COUNTERPOINT

The Art of Fugue · Die Kunst der Fuge BWV 1080
1751 Original Print arr. Chamber Ensemble by Hermann Diener

63

CD 192 78:36

BACH 333

CANONS & COUNTERPOINT

The Art of Fugue · Die Kunst der Fuge BWV 1080
Later version of the original print (1752) edited by Christoph Wolff

64

1 [1.] Contrapunctus 1
2 [2.] Contrapunctus 2
3 [3.] Contrapunctus 3
4 [4.] Contrapunctus 4
5 [5.] Contrapunctus 5
6 [6.] Contrapunctus 6 a 4 in Stylo Francese
7 [7.] Contrapunctus 7 a 4 per Augmentationem et Diminutionem
8 [8.] Contrapunctus 8 a 3
9 [9.] Contrapunctus 9 a 4 alla Duodecima
10 [10.] Contrapunctus 10 a 4 alla Decima
11 [11.] Contrapunctus 11 a 4
12 [12a.] Contrapunctus inversus a 4
13 [12b.] Contrapunctus rectus a 4
14 [13a.] Contrapunctus rectus a 3
15 [13b.] Contrapunctus inversus a 3
16 [16.] Canon alla Ottava
17 [17.] Canon alla Decima in Contrappunto alla Terza
18 [18.] Canon alla Duodecima in Contrappunto alla Quinta
19 [15.] Canon per Augmentationem in Contrario Motu
20 [20.] Fuga a 3 Soggetti (unfinished)
Pierre-Laurent Aimard piano
Recording: Wien, Konzerthaus, Mozart-Saal, 9/2007
Producer: Christoph Claßen · Balance Engineer: Tobias Lehmann! 2008 Deutsche Grammophon GmbH, Berlin

3:01
2:38
3:11
3:05
3:07
4:40
4:09
7:01
2:18
3:44
7:04
3:01
3:14
2:08
2:16
2:20
4:16
1:59
8:03
7:18

CD 193 79:10
The Art of Fugue · Die Kunst der Fuge BWV 1080

13
14
15
16

Fuga 1 [1]Fuga 2 [3]Fuga 3 [2]Fuga 4 [5]Fuga 5 [9]Fuga 6 [ ]Fuga 7 [6]Fuga 8 [7]Canon In Hypodiapason, perpetuus [16]Fuga 10 [8]Fuga 11 [11]Canon In Hypodiatesseron, al roverscio
e per augemntationem, perpetuus [15]Fuga 13.1 (inversus) [12a]Fuga 13.2 (rectus) [12b]Fuga 14.1 (inversus) [13a]Fuga 14.2 (rectus) [13b]Kenneth Gilbert harpsichord

3:21
2:59
2:26
3:38
3:04
3:44
4:07
4:49
2:45
5:35
7:03
3:56
3:07
3:08
2:29
2:30

BACH 333

1
2
3
4
5
6
7
8
9
10
11
12

CANONS & COUNTERPOINT

Earlier (1742) version of the autograph score

65

17
18

Alio modo Fuga a 2 Clav.
Fuga (inversa) a 2 Clav.

2:10
2:11

BACH 333

CANONS & COUNTERPOINT

Christopher Hogwood | Christophe Rousset harpsichords

66

19

Contrapunctus 14 a 4 (Fuga a 3 Soggetti)

10:46

completed by Davitt Moroney

Davitt Moroney harpsichord
20

Wenn wir in höchsten Nöten sein BWV 668a

4:53

Christian Schmitt organ

Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk [20]Recordings: Chartres, Musée des Beaux-Arts, salle « à l’italienne », 1/1989 [1–16];
Paris, Conservatoire de Musique, 1995 [17/18]; Paris, Salle Adyar, 1/1985 [19];Germany, Freiberg, Petrikirche, 11/2017 [20]Producers: Gerd Ploebsch [1–16]; Chris Sayers [17/18];
Michel Bernard [19]; Matthias Erb [20]Balance Engineers: Gernot von Schultzendorff [1–16]; Simon Eadon [17/18];
Jean-François Pontefract [19]; Matthias Erb [20]! 1989 [1–16] Deutsche Grammophon GmbH, Berlin! 1996 Decca Music Group Limited [17/18]! 1986 Harmonia Mundi s.a. [19]! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [20]

1
2
3
4
5
6

Suite for Solo Cello No. 1 in G major BWV 1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet I – 6. Menuet II
7. Gigue

2:29
3:42
2:32
2:23
3:15
1:53

7

Suite for Solo Cello No. 5 in C minor BWV 1011
4. Sarabande

2:51

Pablo Casals cello89Suite for Solo Cello No. 3 in C major BWV 1009
1. Prélude
2. Allemande

4:14
3:01

INSTRUMENTAL TRADITIONS

CD 194 86:05

10

Suite for Solo Cello No. 2 in D minor BWV 1008
1. Prélude
Maurice Gendron cello

3:40

BACH 333

János Starker cello67

INSTRUMENTAL TRADITIONS

11
12

Suite in G minor BWV 995
3. Courante
4. Sarabande

2:38
3:24

Walter Gerwig lute

13

Sonata for Viola da Gamba and Keyboard
No. 3 in G minor BWV 1029
2. Adagio

5:18

August Wenzinger viola da gamba
Fritz Neumeyer harpsichord
Partita for Solo Violin No. 2 in D minor BWV 1004
Arrangement by Andrés Segovia

14

5. Ciaccona

13:56

BACH 333

Andrés Segovia guitar

68

15
16

Suite in E minor BWV 996
4. Sarabande
5. Bourrée
Julian Bream guitar

4:16
1:34

Suite for Solo Cello No. 3 in C major BWV 1009
5. Bourrée I – 6. Bourrée II
7. Gigue

4:15
3:44

John Williams guitar
19

Partita for Solo Violin No. 2 in D minor BWV 1004
3. Sarabande

4:18

Henryk Szeryng violin
20

Sonata for Violin and Keyboard No. 1 in B minor BWV 1014
1. Adagio

3:56

Henryk Szeryng violin | Helmut Walcha harpsichord

21

Sonata for Viola da gamba and Keyboard
No. 3 in G minor BWV 1029
2. Adagio

6:22

Mischa Maisky cello | Martha Argerich piano
22

Sonata for Flute and Keyboard in E flat major BWV 1031
2. Siciliano
Aurèle Nicolet flute | Karl Richter harpsichord

2:23

BACH 333

17
18

INSTRUMENTAL TRADITIONSTranscription in A major by John Duarte

69

INSTRUMENTAL TRADITIONSBACH 333
70

Recordings: Paris, 6/1938 [1–6], 6/1939 [7]; New York City, Fine Recording Studios,
12/1965 [8/9]; Paris, Schola Cantorum, 2/1964 [10]; Hamburg, Studio Thienhaus,
11/1949 [11/12]; Germany, Freiburg im Breisgau, Paulus-Saal, 10/1952 [13];New York City, 6/1954 [14]; Wien, Konzerthaus, Mozart-Saal, 5/1956 [15/16];
London, 12/1958 [17/18]; Switzerland, Vevey, Théâtre Municipal, 7/1967 [19];Paris, Église du Liban, 6/1969 [20]; München, Plenarsaal der Akademie
der Wissenschaften, 3/1985 [21], 4/1973 [22]Producers: M. Georges Cailly [1–7]; Harold Lawrence [8/9];
Vittorio Negri [10/19/20]; Karl Friedrich Doering [11/12]; Fred Hamel [13];Wolfgang Stengel [21]; Gerd Ploebsch [22]Balance Engineers: Werner Grimme [13]; James Grayson, Kurt List [15/16];
A. Buczynski [19]; Karl-August Naegler [21]; Klaus Scheibe [22]! 2011 Warner Classics, Warner Music UK Ltd [1–7]! 1966 [8/9] / 1964 [10] / 1970 [20] Universal International Music B.V.
! 1950 [11/12] / 1953 [13] / 1954 [14] / 1956 [15/16] / 1985 [21] / 1973 [22] /1968 [19] Deutsche Grammophon GmbH, Berlin! 1972 Decca Music Group Limited [17/18]

Sonata for Solo Violin No. 1 in G minor BWV 1001
1. Adagio
2. Fuga. Allegro
3. Siciliana
4. Presto

3:57
5:01
3:10
2:40

5
6
7
8
9
10
11
12

Partita for Solo Violin No. 1 in B minor BWV 1002
1. Allemanda
2. Double
3. Corrente
4. Double. Presto
5. Sarabande
6. Double
7. Tempo di Borea
8. Double

4:07
2:13
2:35
2:47
2:09
1:26
2:01
2:02

13
14
15
16

Sonata for Solo Violin No. 2 in A minor BWV 1003
1. Grave
2. Fuga
3. Andante
4. Allegro

4:01
7:22
4:35
6:12

BACH 333

1
2
3
4

INSTRUMENTAL TRADITIONS

CD 195 86:13

71

INSTRUMENTAL TRADITIONSBACH 333
72

17
18
19
20
21

Partita for Solo Violin No. 2 in D minor BWV 1004
1. Allemande
2. Corrente
3. Sarabande
4. Giga
5. Ciaccona
Nathan Milstein violin

Recording: London, Conway Hall, 2/1973
Producer: Werner Mayer
Balance Engineer: Klaus Hiemann! 1975 Deutsche Grammophon GmbH, Berlin

4:03
3:33
4:01
4:13
14:03

Partita for Solo Violin No. 2 in D minor BWV 1004
1. Allemande
2. Corrente
3. Sarabande
4. Giga
5. Ciaccona

3:08
1:59
3:08
3:06
13:27

6
7
8
9

Sonata for Solo Violin No. 3 in C major BWV 1005
1. Adagio
2. Fuga
3. Largo
4. Allegro assai

4:05
10:48
2:58
2:46

10
11
12
13
14
15

Partita for Solo Violin No. 3 in E major BWV 1006
1. Preludio
2. Loure
3. Gavotte en Rondeau
4. Menuet I – 5. Menuet II
6. Bourrée
7. Gigue

3:47
2:48
2:57
2:33
1:14
1:36

Arthur Grumiaux violin

BACH 333

1
2
3
4
5

INSTRUMENTAL TRADITIONS

CD 196 83:53

73

INSTRUMENTAL TRADITIONSBACH 333
74

16
17
18
19

Sonata for Violin and Keyboard No. 1 in B minor BWV 1014
1. Adagio
2. Allegro
3. Andante
4. Allegro

3:16
3:08
2:46
2:35

20
21
22
23

Sonata for Violin and Keyboard No. 2 in A major BWV 1015
1. [Andante]
2. Allegro
3. Andante un poco
4. Presto

2:14
3:07
2:54
3:28

Arthur Grumiaux violin
Christiane Jaccottet harpsichord

Recordings: Amsterdam, Bachzaal, 3/1961 [1–5], 7/1961 [6–9], 11/1960 [10–15];
Switzerland, La Chaux-de-Fonds, Salle de Musique, 2 & 8/1978 [16–23]
Producers: Volker Straus [1–15]; Wilhelm Hellweg [16–23]! 1964 [1–15] / 1979 [16–23] Universal International Music B.V.

Sonata for Solo Violin No. 1 in G minor BWV 1001
1. Adagio
2. Fuga. Allegro
3. Siciliana
4. Presto

4:23
4:26
3:04
3:13

Gidon Kremer violin
5
6
7
8
9
10

Partita for Solo Violin No. 3 in E major BWV 1006
1. Preludio
2. Loure
3. Gavotte en Rondeau
4. Menuet I – 5. Menuet II
6. Bourrée
7. Gigue

3:48
3:36
2:55
4:11
1:39
2:00

Viktoria Mullova violin
11
12
13
14

Sonata for Solo Violin No. 2 in A minor BWV 1003
1. Grave
2. Fuga
3. Andante
4. Allegro
Lisa Batiashvili violin

4:29
7:47
5:51
4:29

BACH 333

1
2
3
4

INSTRUMENTAL TRADITIONS

CD 197 84:30

75

INSTRUMENTAL TRADITIONSBACH 333
76

15
16
17
18
19

Partita for Solo Violin No. 2 in D minor BWV 1004
1. Allemande
2. Corrente
3. Sarabande
4. Giga
5. Ciaccona
Janine Jansen violin

Recordings: Netherlands, Haarlem, Lutherse Kerk, 3/1980 [1–4];
Bristol, St George’s, Brandon Hill, 8/1992 [5–10];
München, Himmelfahrtskirche, 1/2014 [11–14];
Hampshire, East Woodhay, St Martin’s Church, 8/2007 [15–19]
Producers: Wilhelm Hellweg [1–4]; Hein Dekker [5–10];
Torsten Schreier [11–14]; Andrew Cornall [15–19]
Balance Engineers: Wilhelm Hellweg [1–4]; Erdo Groot [5–10];
Stefan Briegel [11–14]; Neil Hutchinson [16–19]! 1981 [1–4] / 1994 [5–10] Universal International Music B.V.
! 2014 Deutsche Grammophon GmbH, Berlin [11–14]! 2007 Decca Music Group Limited [15–19]

4:16
2:41
4:01
4:15
13:25

1
2
3
4
5
6

Suite for Solo Cello No. 1 in G major BWV 1007
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet I – 6. Menuet II
7. Gigue

2:50
4:18
2:45
3:21
3:28
2:05

7
8
9
10
11
12

Suite for Solo Cello No. 2 in D minor BWV 1008
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Menuet I – 6. Menuet II
7. Gigue

3:25
3:26
2:06
4:19
3:17
2:34

INSTRUMENTAL TRADITIONS

13
14
15
16
17
18

Suite for Solo Cello No. 3 in C major BWV 1009
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée I – 6. Bourrée II
7. Gigue

3:43
4:00
3:11
5:01
3:55
3:18

BACH 333

CD 198 61:22

Pierre Fournier cello77

INSTRUMENTAL TRADITIONS

1
2
3
4
5
6

Suite for Solo Cello No. 4 in E flat major BWV 1010
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Bourrée I – 6. Bourrée II
7. Gigue

4:15
4:32
3:46
5:08
5:07
2:44

7
8
9
10
11
12

Suite for Solo Cello No. 5 in C minor BWV 1011
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte I – 6. Gavotte II
7. Gigue

7:00
4:35
2:06
3:29
5:05
2:37

BACH 333

CD 199 77:52

13
14
15
16
17
18

Suite for Solo Cello No. 6 in D major BWV 1012
1. Prélude
2. Allemande
3. Courante
4. Sarabande
5. Gavotte I – 6. Gavotte II
7. Gigue

5:01
5:44
3:48
3:47
4:39
4:08

Pierre Fournier cello78

INSTRUMENTAL TRADITIONSBACH 333

Recordings: Hannover, Beethovensaal, 12/1960[CD 198 & 199: 1–12]; 2/1961 [CD 199: 13–18]
Producer: Karl-Heinz Schneider
Balance Engineer: Heinz Wildhagen! 1961 Deutsche Grammophon GmbH, Berlin79CD 200 84:37
Alternative instrumentations
1

Toccata and Fugue in D minor BWV 565 (reconstructed A. Manze)

7:36

BACH 333

INSTRUMENTAL TRADITIONSAndrew Manze violin

80

Aria with 30 Variations “Goldberg Variations” BWV 988(arr. strings and continuo by R. Alessandrini)

2
3
4
5

Aria
Variatio 14 a 2 Clav.
Variatio 15. Canone alla Quinta a 1 Clav.
Variatio 16. Ouverture a 1 Clav.

4:56
1:06
1:36
3:17

Concerto Italiano | Rinaldo Alessandrini
6
7
8
9
10
11

Suite in E minor BWV 996
1. Prélude. Passagio – Presto
2. Allemande
3. Courante
4. Sarabande
5. Bourrée (transposed to G minor)
6. Gigue

2:49
2:17
2:48
3:51
1:16
3:21

12

Prelude in C minor BWV 999

1:53

Göran Söllscher guitar
13
14

Trio Sonata in E minor BWV 528
1. Adagio – Vivace
2. Andante

2:21
4:09

2:27

Sonata for Flute and Basso continuo in G minor BWV 1030a(version for oboe BWV 1030b)

16
17
18

1. Andante
2. Largo e dolce [Siciliano]
3. Presto

7:10
4:20
5:46

Heinz Holliger oboe | Christiane Jaccottet harpsichord
2-Part Inventions · 3-Part Sinfonias
19

Inventio 1 in C major BWV 772

1:11

20

Inventio 10 in G major BWV 781

0:58

21

Sinfonia 14 in B flat major BWV 800

1:12

22

Sinfonia 15 in B minor BWV 801

2:33

Janine Jansen violin | Maxim Rysanov viola
Torleif Thedéen cello [21/22]
Aria with 30 Variations “Goldberg Variations” BWV 988
Arrangement for String Trio by Dmitry Sitkovetsky

23
24
25

Variatio 16. Ouverture a 1 Clav.
Variatio 17 a 2 Clav.
Variatio 18. Canone alla Sesta a 1 Clav.

2:56
1:54
1:36

INSTRUMENTAL TRADITIONS

3. Un poc’ allegro
Heinz Holliger oboe d’amore | Tabea Zimmermann viola
Christiane Jaccottet harpsichord | Thomas Demenga cello

BACH 333

1581

BACH 333

INSTRUMENTAL TRADITIONS

26
27

82

Variatio 19 a 1 Clav.
Variatio 20 a 2 Clav.

1:47
2:01

Julian Rachlin violin | Nobuko Imai viola | Mischa Maisky cello28
29

The Art of Fugue · Die Kunst der Fuge BWV 1080
Contrapunctus 1
Contrapunctus 9 a 4 alla Duodecima

3:05
2:23

Emerson String Quartet

Recordings: Bristol, St. George’s, Brandon Hill, 3–4/1999 [1]; Trevi, Chiesa di San
Francesco, 5/2017 [2–5]; Hannover, Beethovensaal, 4/1983 [6–11], 4/1984 [12];Switzerland, La Chaux-de-Fonds, Salle de Musique, 10/1987 [13–15]; Amsterdam,
Concertgebouw, 5–6/1973 [16–18]; Berlin, Teldex Studio [19–22]; Dresden,
Lukaskirche, 2/2006 [23–27]; New York City, American Academy and Instituteof Arts and Letters, 1–2/2003 [28/29]
Producers: Robina G. Young [1]; Fabio Framba [2–5]; Wolfgang Mitlehner [6–12];
Ezio Servolo [13–15]; Volker Straus [16–18]; Friedemann Engelbrecht [19–22];
Arend Prohmann [23–27]; Da-Hong Seetoo [28/29]
Balance Engineers: Brad Michel [1]; Fabio Framba [2–5]; Wolfgang Mitlehner [6–12];
Willem van Leeuwen [13–15]; Philip Siney [19–22]; Daniel Schleef [23–27];
Da-Hong Seetoo [28/29]! 2000 Harmonia Mundi USA [1] · ! 2017 naïve, a label of believe group [2–5]! 1983 [6–11] / 1984 [12] / 2006 [23–27] / 2003 [28/29] Deutsche Grammophon
GmbH, Berlin · ! 1989 [13–15] / 1974 [16–18] Universal International Music B.V.
! 2007 Decca Music Group Limited [19–22]

CD 201 84:11
Applicatio in C major BWV 994
Prelude in D minor BWV 924
Wer nur den lieben Gott lässt walten BWV 691
Prelude in D minor BWV 926
Jesu, meine Freude BWV 753 (fragment)
Allemande in G minor BWV 836
Allemande in G minor BWV 837 (fragment)
Prelude in F major BWV 927
Prelude in G minor BWV 930
Prelude in F major BWV 928
Menuet in G major BWV 841
Menuet in G minor BWV 842
Menuet in G major BWV 843
Prelude in C major BWV 846a
Prelude in C minor BWV 847
Prelude in D minor BWV 851
Prelude in D major BWV 850
Prelude in E minor BWV 855a
Prelude in E major BWV 854
Prelude in F major BWV 856
Prelude in C sharp major BWV 848
Prelude in C sharp minor BWV 849
Prelude in E flat minor BWV 853
Prelude in F minor BWV 857

1:07
1:23
1:22
1:13
2:05
2:53
1:22
0:45
2:37
1:33
1:13
0:50
1:45
1:38
0:57
0:49
0:59
1:03
1:30
1:04
1:16
3:01
3:14
2:08

BACH 333

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24

MUSIC BOOKS

Clavier-Büchlein für Wilhelm Friedemann Bach (start)

83

MUSIC BOOKSBACH 333
84

25
26

Pièce pour le Clavecin by Johann Christoph Richter (1700–1785)
1. Allemande
2. Courante

1:54
1:54

27
28
29
30
31
32

Prelude in C major BWV 924a
Prelude in D major BWV 925
Prelude in E minor BWV 932 (fragment)
Prelude in A minor BWV 931
Bass Sketch in G minor BWV deest
Fugue in C major BWV 953

0:52
1:23
0:54
0:57
0:30
1:30

2-Part Inventions · Zweistimmige Inventionen
33
34
35
36
37
38
39
40
41
42
43
44
45

Inventio 1 in C major BWV 772
Inventio 4 in D minor BWV 775
Inventio 7 in E minor BWV 778
Inventio 8 in F major BWV 779
Inventio 10 in G major BWV 781
Inventio 13 in A minor BWV 784
Inventio 15 in B minor BWV 786
Inventio 14 in B flat major BWV 785
Inventio 12 in A major BWV 783
Inventio 11 in G minor BWV 782
Inventio 9 in F minor BWV 780
Inventio 6 in E major BWV 777
Inventio 5 in E flat major BWV 776

1:11
0:53
1:52
0:56
1:10
1:05
1:12
2:01
1:19
1:01
1:51
2:32
1:38

Inventio 3 in D major BWV 774
Inventio 2 in C minor BWV 773

1:15
1:55

48
49
50

Suite in A major TWV 32:14 by Georg Philipp Telemann (1681–1767)
1. Allemande
2. Courante
3. Gigue

2:23
1:32
2:35

51
52
53
54

Partia di Signore Steltzen by Gottfried Heinrich Stölzel (1690–1749)
1. Ouverture
2. Air Italien
3. Bourreé
4. Menuet – Trio (Trio in G minor by J. S. Bach BWV 929)

3:35
1:11
0:53
2:27

Ralph Kirkpatrick clavichord [1/2/4/8–13/33–47]
Wolfgang Rübsam organ [3]MUSIC BOOKS

46
47

Simon Preston organ [5]Kenneth Gilbert harpsichord [28]BACH 333

Justin Taylor harpsichord [6/7/14–27/29–32/48–54]

85

CD 202 76:46
Clavier-Büchlein für Wilhelm Friedemann Bach (conclusion)

MUSIC BOOKS

3-Part Sinfonias · Dreistimmige Sinfonien
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15

Sinfonia 1 in C major BWV 787
Sinfonia 4 in D minor BWV 790
Sinfonia 7 in E minor BWV 793
Sinfonia 8 in F major BWV 794
Sinfonia 10 in G major BWV 796
Sinfonia 13 in A minor BWV 799
Sinfonia 15 in B minor BWV 801
Sinfonia 14 in B flat major BWV 800
Sinfonia 12 in A major BWV 798
Sinfonia 11 in G minor BWV 797
Sinfonia 9 in F minor BWV 795
Sinfonia 6 in E major BWV 792
Sinfonia 5 in E flat major BWV 791
Sinfonia 3 in D major BWV 789
Sinfonia 2 in C minor BWV 788

1:08
2:07
2:23
1:13
0:54
1:12
1:28
1:40
1:35
1:58
3:16
1:37
2:30
1:16
1:44

BACH 333

Clavier-Büchlein für Anna Magdalena Bach (1722)

86

16
17
18
19
20

French Suite No. 1 in D minor BWV 812
1. Allemande
2. Courante
3. Sarabande
4. Menuet I alternativement – 5. Menuet II
6. Gigue

1:32
1:21
1:46
1:34
2:07

1:22
1:05
1:39
0:47
0:50
1:34

27
28
29
30
31
32

French Suite No. 3 in B minor BWV 814
1. Allemande
2. Courante
3. Sarabande
4. Anglaise
5. Menuet I – 6. Menuet II
7. Gigue

1:47
1:28
1:43
0:51
1:40
1:21

33
34
35
36
37
38
39

French Suite No. 4 in E flat major BWV 815
1. Allemande
2. Courante
3. Sarabande
4. Gavotte
6. Menuet
5. Air
7. Gigue

1:23
1:07
1:41
0:44
0:32
0:47
1:41

MUSIC BOOKS

French Suite No. 2 in C minor BWV 813
1. Allemande
2. Courante
3. Sarabande
4. Air
5. Menuet I – 6. Menuet II
7. Gigue

BACH 333

21
22
23
24
25
26

87

MUSIC BOOKS

40
41
42
43
44
45
46

French Suite No. 5 in G major BWV 816
1. Allemande
2. Courante
3. Sarabande
4. Gavotte
5. Bourrée
6. Loure
7. Gigue47

Fantasia in C major BWV 573 (fragment)

0:59

48

Air with Variations in C minor BWV 991

3:24

1:38
0:55
2:45
0:43
0:50
1:26
1:52

(realisation by Stéphane Gassot)

49

Jesus, meine Zuversicht BWV 728

2:28

50

Menuet in G major BWV 841

1:22

Ralph Kirkpatrick clavichord [1–15/50]

BACH 333

Thurston Dart clavichord [16–46]

88

Christian Schmitt organ [47]Peter Hurford organ [49]Justin Taylor harpsichord [48]Note: Due to the rare historical interest of the Thurston Dart clavichord recordings,
the five French Suites performed here include movements not in the 1722 ClavierBüchlein. For Suite No. 6 see CD 161.

Recordings CD 202: Paris, Polydor Studios, 8/1960 [1–15/50]; London, West
Hampstead, Decca Studios, 1/1961 [16–46]; Germany, Freiberg, Petrikirche,
11/2017 [47]; Berlin, b-sharp (Tanzsaal), 1/2018 [48]; Sydney, Knox Grammar
School, 1977 [49]
Producers: Wolfgang Lohse [1–15]; Erik Smith [16–46]; Matthias Erb [47];Ken Yoshida [48]; Ralph Kirkpatrick, Wolfgang Lohse [50]Balance Engineers: Harald Baudis [1– 15/50]; Arthur Lilley [16–46];
Matthias Erb [47]; Ken Yoshida [48]; Chris Hazell [49]
! 1961 Deutsche Grammophon GmbH, Berlin [1–15/50]! 1961 [16–46] / 1979 [49] Decca Music Group Limited! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [47/48]

BACH 333

Recordings CD 201: Paris, Polydor Studios, 8/1960 [1/2/4/8–13/33–47]; Germany,
Freiburg, 1976 · Organ: Marcussen [3]; Denmark, Sorø, Klosterkirke, 11/1997 [5];Berlin, b-sharp (Tanzsaal), 1/2018 [6/7/14–27/29–32/48–54]; Chartres, Muséedes Beaux-Arts, salle « à l’italienne », 4/1984 [28]Producers: Ralph Kirkpatrick, Wolfgang Lohse [1/2/4/8–13]; Teije van Geest [3];Sid McLauchlan [5]; Ken Yoshida [6/7/14–27/29–32/48–54]; Heinz Wildhagen [28];Wolfgang Lohse [33–47]
Balance Engineers: Harald Baudis [1/2/4/8–13/33–47]; Teije van Geest [3];Andrew Wedman [5]; Ken Yoshida [6/7/14–27/29–32/48–54]; Heinz Wildhagen [28]! 1961 [1/2/4/8–13/33–47] / 2000 [5] /1986 [28]Deutsche Grammophon GmbH, Berlin! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin[6/7/14–27/29–32/48–54]! 1977 Universal International Music B.V. [3]MUSIC BOOKS

Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
CD 201: [6/7/14–27/29–32/48–54] · CD 202: [47/48]

89

CD 203 79:53

BACH 333

MUSIC BOOKS

Notenbüchlein für Anna Magdalena Bach (1725) (start)

1
2
3
4
5
6
7

Partita No. 3 in A minor BWV 827
1. Fantasia
2. Allemande
3. Corrente
4. Sarabande
5. Burlesca
6. Scherzo
7. Gigue

2:05
2:58
3:18
2:41
1:38
1:20
3:41

8
9
10
11
12
13
14

Partita No. 6 in E minor BWV 830
1. Toccata
2. Allemande
3. Corrente
4. Air
5. Sarabande
6. Tempo di Gavotta
7. Gigue

6:11
2:54
2:52
1:27
3:20
2:22
3:32

15

Minuet in F major BWV Anh. 113 (App. C)

1:32

16

Minuet in G major BWV Anh. 114 (App. D)
by Christian Petzold (1677–1733)

1:27

Minuet in G minor BWV Anh. 115 (App. D)

1:32

17

by Christian Petzold

18

90

Rondeau in B flat major BWV Anh. 183 (App. D)“Les Bergeries” by François Couperin (1668–1733)

4:55

1:14

Polonaise in F major BWV Anh. 117a (App. C)

1:00

21

Polonaise in F major BWV Anh. 117b (App. C)

1:07

22

Minuet in B flat major BWV Anh. 118 (App. C)

1:14

23

Polonaise in G minor BWV Anh. 119 (App. C)

0:48

24

Wer nun den lieben Gott lässt walten BWV 691

1:50

Gib dich zufrieden und sei stille BWV 510

2:20

25

(realisation by Stéphane Gassot)

26

Gib dich zufrieden und sei stille BWV 511

2:28

27

Gib dich zufrieden und sei stille BWV 512

2:31

Sung text p. 154

28

Minuet in A minor BWV Anh. 120 (App. C)

29

Minuet in C minor BWV Anh. 121 (App. C)

0:59

30

March in D major BWV Anh. 122 (App. C)

0:57

31

Polonaise in G minor BWV Anh. 123 (App. C)

1:02

32

March in G major BWV Anh. 124 (App. C)

1:11

33

Polonaise in G minor BWV Anh. 125 (App. C)

1:30

34

So oft ich meine Tobackspfeife BWV 515

1:00

So oft ich meine Tobackspfeife BWV 515a

2:34

35

Sung text p. 155

1:05

MUSIC BOOKS

Minuet in G major BWV Anh. 116 (App. C)

20

BACH 333

19

91

36

Minuet in G major “per Monsieur Böhm” BWV deest

0:58

37

Musette in D major BWV Anh. 126 (App. C)

0:51

38

March in E flat major BWV Anh. 127 (App. C)

1:38

39

Polonaise in D minor BWV Anh. 128 (App. C)

1:50

Blandine Verlet harpsichord [1–14]

BACH 333

MUSIC BOOKS

Justin Taylor harpsichord [15–23/25/28–34/36–39]

92

Peter Hurford organ [24]Hugues Cuénod tenor | Franz Holetschek harpsichord
Richard Harand cello [26]Elisabeth Speiser soprano | Hedwig Bilgram organ [27]Hermann Prey baritone | Leonard Hokanson harpsichord
Marcal Cervera viola da gamba [35]

CD 204 73:01
Notenbüchlein für Anna Magdalena Bach (1725) (conclusion)
1

Bist du bei mir BWV 508 by G. H. Stölzel (1690–1749) · Sung text p. 155

2:29

2

Aria with 30 Variations “Goldberg Variations” BWV 988: Aria

2:34

3

Solo per il cembalo in E flat major BWV Anh. 129 (App. D)

3:09

by Carl Philipp Emanuel Bach

4

Polonaise in G major BWV Anh. 130 (App. D)

1:31

Prelude in C major BWV 846a

2:04

6
7
8
9
10
11

French Suite No. 1 in D minor BWV 812
1. Allemande
2. Courante
3. Sarabande
4. Menuet I alternativement
5. Menuet II
6. Gigue

3:28
2:06
2:26
1:14
1:28
3:13

12
13
14
15
16
17

French Suite No. 2 in C minor BWV 813
1. Allemande
2. Courante
3. Sarabande
4. Air
5. Menuet I – 6. Menuet II
7. Gigue

3:11
1:54
2:18
0:52
1:14
1:47

BACH 333

5MUSIC BOOKS

by Johann Adolf Hasse

93

18
19

Rigaudon (March) in F major BWV Anh. 131 (App. D)
by Johann Christian Bach (1735–1782)

0:38

Warum betrübst du dich BWV 516

1:39

Sung text p. 156

Ich habe genug BWV 82
Sung texts → Sacred Cantatas III, pp. 111–112

MUSIC BOOKS

20
21
22

2. Recitative: Ich habe genug! Mein Trost ist nur allein
3. Aria: Schlummert ein, ihr matten Augen

0:57
7:37

Schaffs mit mir, Gott, nach deinem Willen BWV 514

1:50

Sung text p. 156

23
24

Minuet in D minor BWV Anh. 132 (App. C)

1:05

Aria di Giovannini: Willst du dein Herz mir schenken BWV 518

5:12

Sung text pp. 156–157

Ich habe genug BWV 82

BACH 333

Sung text → Sacred Cantatas III, p. 112

25

3. Aria: Schlummert ein, ihr matten Augen

7:01

26

Dir, dir, Jehova, will ich singen BWV 299

1:01

27

Dir, dir, Jehova, will ich singen BWV 452

1:28

Sung text → Sacred & Secular Vocal, p. 170

28

Wie wohl ist mir, o Freund der Seelen BWV 517
Sung text pp. 157–158

94

3:05

29

Gedenke doch, mein Geist, zurücke BWV 509

1:11

Sung text p. 158

O Ewigkeit, du Donnerwort BWV 513

3:15

Sung text pp. 158–159

Emma Kirkby soprano | Academy of Ancient Music
Christopher Hogwood [1/20/21/29]
Justin Taylor harpsichord [3–5/18/23]
Huguette Dreyfus harpsichord [6–11]
Margot Guilleaume soprano | Fritz Neumeyer harpsichord [19/22/25/30]
Lorraine Hunt Lieberson mezzo-soprano | Nicholas McGegan harpsichord
David Bowles baroque cello [24]Augsburger Domsingknaben | Reinhard Kammler
Claudia Waßner organ [26]MUSIC BOOKS

Gustav Leonhardt harpsichord [2] & clavichord [12–17]

Peter Schreier tenor | Ton Koopman organ | Jaap ter Linden cello [27]Elisabeth Speiser soprano | Hedwig Bilgram organ [28]Note: French Suite BWV 813 and “Schlummert ein” (tr. 25) are performed here
complete even though not complete in the 1725 Notenbüchlein.

BACH 333

3095Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk
CD 203: [15–23/25/28–34/36–39] · CD 204: [3–5/18/23/26]

BACH 333

MUSIC BOOKS

Recordings CD 203: Amsterdam, Doopsgezinde Kerk, 3/1977, 3/1977 [1–14];
Berlin, b-sharp (Tanzsaal), 1/2018 [15–23/25/28–34/36–39]; Toronto, Church of
Our Lady of Sorrows, 4/1977 [24]; 1954 [26]; München, Plenarsaal der Akademie
der Wissenschaften, 8/1974 [27]; Germany, 1/1973 [35]
Producers: Wilhelm Hellweg [1–14]; Ken Yoshida [15–23/25/28–34/36–39];
Chris Hazell [24]; Gerd Ploebsch [27]; Hans Gerhard Lichthorn [35]Balance Engineers: Ken Yoshida [15–23/25/28–34/36–39];
Hans-Peter Schweigmann [27]; Karl-August Naegler [35]
! 1994 Universal International Music B.V. [1–14] · ! 2018 Deutschlandradio /Deutsche Grammophon GmbH, Berlin [15–23/25/28–34/36–39]! 1958 [26] / 1975 [27] / 1974 [35] Deutsche Grammophon GmbH, Berlin! 1978 Decca Music Group Limited [24]96Recordings CD 204: London, Henry Wood Hall, 2/1997 [1/20/21/29]; Netherlands,
Haarlem, 9/1988 [2]; Berlin, b-sharp (Tanzsaal), 1/2018 [3–5/18/23]; Paris,
Christuskirche (Église évangélique allemande), 5/1972 [6–11]; Amsterdam, 5/1988[12–17]; California, Nicasio, Skywalker Ranch [24]; Welden, Karmelitinnenkloster,St. Thekla-Kirche, 7/2017 [26]; Amsterdam, Raphaelkerk, 9/1991 [27];München, Plenarsaal der Akademie der Wissenschaften, 8/1974 [28];Freiburg im Breisgau, Paulus-Saal, 10/1960 [19/22/25/30]
Producers: Chris Sayers [1/20/21/29]; Michael Bremner [2]; Ken Yoshida [3–5/18/23];
Michael Bremner [12–17]; Hans Ritter [19/22/25/30]; Robina G. Young [24];Johannes Kammann [26]; Tini Mathot [27]; Gerd Ploebsch [28]Balance Engineers: Philip Siney [1/20/21/29]; Ken Yoshida [3–5/18/23];
Hein Dekker [12–17]; Heinz Wildhagen [19/22/25/30]; Hugh Davies [24];Johannes Kammann [26]; Hans-Peter Schweigmann [28]! 1999 [1/20/21/29] Decca Music Group Limited! 1989 [2] / 1990 [12–17] / 1992 [27] Universal International Music B.V.
! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [3–5/18/23/26]! 1973 [6–11] / 1961 [19/22/25/30] / 1975 [28] Deutsche Grammophon GmbH, Berlin! 1991 Harmonia Mundi USA [24]

CD 205 81:12
Geistliche Lieder und Arien aus Schemellis Gesangbuch (start)
1

Ach, dass nicht die letzte Stunde BWV 439

1:50

2

Auf, auf! Die rechte Zeit ist hier BWV 440

1:29
1:55

3

Auf, auf! mein Herz, mit Freuden BWV 441

4

Beglückter Stand getreuer Seelen! BWV 442

3:00

5

Beschränkt, ihr Weisen dieser Welt BWV 443

2:03

6

Brich entzwei, mein armes Herze BWV 444

2:05

7

Brunnquell aller Güter BWV 445

2:17

8

Der lieben Sonne Licht und Pracht BWV 446

2:50
2:24

9

Der Tag ist hin, die Sonne gehet nieder BWV 447

10

Der Tag mit seinem Lichte BWV 448

2:44

11

Dich bet ich an, mein höchster Gott BWV 449

1:37
3:40

12

Die bittre Leidenszeit beginnet abermal BWV 450

13

Die güldne Sonne, voll Freud und Wonne BWV 451

1:15

14

Dir, dir, Jehova will ich singen BWV 452

1:26

MUSIC BOOKS

Sung texts pp. 159–176

Eins ist Not! ach Herr, dies Eine BWV 453

1:49

16

Ermuntre dich, mein schwacher Geist BWV 454

2:03

17

Erwürgtes Lamm, das die verwahrten Siegel BWV 455

2:35

18

Es glänzet der Christen inwendiges Leben BWV 456

2:45

19

Es ist nun aus mit meinem Leben BWV 457

3:05

BACH 333

Sung text → Sacred & Secular Vocal, p. 170

1597

MUSIC BOOKSBACH 33398

20

Es ist volbracht! Vergiss ja nicht dies Wort BWV 458

3:04

21

Es kostet viel, ein Christ zu sein BWV 459

2:17

22

Gib dich zufrieden und sei stille BWV 460

2:27

23

Gott lebet noch BWV 461

1:56

24

Gott, wie groß ist deine Güte BWV 462

2:01

25

Herr, nicht schicke deine Rache BWV 463

2:11

26

Ich bin ja, Herr, in deiner Macht BWV 464

2:38

27

Ich freue mich in dir BWV 465

1:38

28

Ich halte treulich still BWV 466

2:02

29

Ich lass dich nicht, du musst mein Jesus bleiben BWV 467

2:11

30

Ich liebe Jesum alle Stund BWV 468

2:01

31

Ich steh an deiner Krippen hier BWV 469

1:24

32

Jesu, Jesu, du bist mein BWV 470

2:25

33

Jesu, deine Liebeswunden BWV 471

2:14

34

Jesu, meines Glaubens Zier BWV 472

1:57

35

Jesu, meines Herzens Freud BWV 473

3:48

36

Jesus ist das schönste Licht BWV 474

2:03

CD 206 80:08
Geistliche Lieder und Arien aus Schemellis Gesangbuch (conclusion)
Jesus, unser Trost und Leben BWV 475

1:31

2

Ihr Gestirn, ihr hohen Lüfte BWV 476

1:36

3

Kein Stündlein geht dahin BWV 477

2:18

4

Komm, süßer Tod, komm, sel’ge Ruh! BWV 478

3:17

5

Kommt, Seelen, dieser Tag BWV 479

1:07

6

Kommt wieder aus der finstren Gruft BWV 480

1:45

7

Lasset uns mit Jesu ziehen BWV 481

3:15

8

Liebes Herz, bedenke doch BWV 482

1:31

9

Liebster Gott, wann werd ich sterben? BWV 483

2:58

10

Liebster Herr Jesu, wo bleibst du so lange? BWV 484

2:28

11

Liebster Immanuel, Herzog der Frommen BWV 485

1:41

12

Mein Jesu, dem die Seraphinen BWV 486

2:33

13

Mein Jesu, was für Seelenweh BWV 487

2:34

14

Meines Lebens letzte Zeit BWV 488

1:58

15

Nicht so traurig, nicht so sehr BWV 489

2:07

16

Nur mein Jesus ist mein Leben BWV 490

3:03

17

O du Liebe meiner Liebe BWV 491

2:51

18

O finstre Nacht, wenn wirst du doch vergehen? BWV 492

3:10

19

O Jesulein süß, o Jesulein mild BWV 493

2:25

20

O liebe Seele, zieh die Sinnen BWV 494

1:59

BACH 333

1

MUSIC BOOKS

Sung texts pp. 176–192

99

MUSIC BOOKSBACH 333
100

21

O wie selig seid ihr doch, ihr Frommen BWV 495

1:53

22

Seelenbräutigam, Jesu, Gottes Lamm BWV 496

1:38
1:57

23

Seelenweide, meine Freude BWV 497

24

Selig, wer an Jesum denkt BWV 498

2:03

25

Sei gegrüßet, Jesu gütig BWV 499

2:26

26

So gehst du nun, mein Jesu, hin BWV 500

3:24

27

So gibst du nun, mein Jesu, gute Nacht! BWV 501

2:12

28

So wünsch ich mir zu guter Letzt BWV 502

2:32

29

Steh ich bei meinem Gott BWV 503

1:56

30

Vergiss mein nicht, dass ich dein nicht vergesse BWV 504

3:04

31

Vergiss mein nicht, mein allerliebster Gott BWV 505

2:51

32

Was bist du doch, o Seele BWV 506

2:33

33

Wo ist mein Schäflein, das ich liebe BWV 507

2:28

34

Ich bin nun wie ich bin BWV Anh. 40

1:30

35

Dir zu Liebe, wertes Herze BWV Anh. 41

1:33

Peter Schreier tenor | Hedwig Bilgram organ[CD 205: 1/6/12/15/21/24/29 · CD 206: 2/29/33]
Margot Guilleaume soprano | Helmut Tramnitz organ [CD 205: 2 · CD 206: 10]
Peter Schreier tenor | Ton Koopman organ | Jaap ter Linden cello[CD 205: 3/5/7/8/11/14/22/23/28/31 · CD 206: 1/8/21/32]
Hilde Rössel-Majdan contralto
Franz Holetschek harpsichord | Richard Harand celloPeter Schreier tenor | Karl Richter organ [CD 205: 9 · CD 206: 6]
Magdalena Kožená mezzo-soprano | Christian Schmitt organ[CD 205: 13 · CD 206: 4/5/13/27]
Hugues Cuénod tenor
Franz Holetschek harpsichord | Richard Harand cello[CD 205: 17/19/32/36 · CD 206: 3/11/15/17/18/22/24/30]

MUSIC BOOKS[CD 205: 4/10/16/18/25–27/30/33–35 · CD 206: 9/12/14/16/20/23/25/28]

Aafje Heynis contralto | Simon C. Jansen organ [CD 205: 20 · CD 206: 26]
Hermann Prey baritone | Leonard Hokanson harpsichord
Marcal Cervera viola da gamba [CD 206: 7]
Nathalie Stutzmann contralto | Michele Pasotti lute [CD 206: 31]
Kölner Akademie | Michael Alexander Willens [CD 206: 34/35]

BACH 333

Elisabeth Speiser soprano | Hedwig Bilgram organ [CD 205: 24 · CD 206: 19]

101

BACH 333

MUSIC BOOKS

Recordings CD 205: München, Plenarsaal der Akademie der Wissenschaften,
8/1974 [1/6/12/15/21/24/29]; Germany, Wolfenbüttel, St. Marien-Kirche,
9/1960 [2]; Amsterdam, Raphaelkerk, 9/1991 [3/5/7/8/11/14/22/23/28/31];
1954 [4/10/16–19/25–27/30/32–36]; Germany, Freiberg, Dom, 9/1978 [9];Regensburg, Konzertsaal der Hochschule für katholische Kirchenmusik und
Musikpädagogik, 9/2013 [13]; Amsterdam, Adventskerk, 1957 [20]Producers: Gerd Ploebsch [1/6/12/15/21/24/29]; Ursula von Rauchhaupt [2];Tini Mathot [3/5/7/8/11/14/22/23/28/31]; Gerd Ploebsch, Reimar Bluth [9];Christoph Franke [13] · Balance Engineers: Hans-Peter Schweigmann[1/6/12/15/21/24/29]; Gerd Henjes [2]; Eberhard Richter [9]! 1975 [1/6/12/15/21/24/29] / 1961 [2] / 1958 [4/10/16–19/25–27/30/32–36] /1981 [9] / 2014 [13] Deutsche Grammophon GmbH, Berlin! 1992 Universal International Music B.V. [3/5/7/8/11/14/22/23/28/31]! 1957 Universal Music B.V. [20]102

Recordings CD 206: Amsterdam, Raphaelkerk, 9/1991 [1/8/21/32]; München,
Plenarsaal der Akademie der Wissenschaften, 8/1974 [2/19/29/33]; 1954
[3/9/11/12/14–18/20/22–25/28/30]; Regensburg, Konzertsaal der Hochschule für
katholische Kirchenmusik und Musikpädagogik, 9/2013 [4/5/13/27]; Germany,
Freiberg, Dom, 9/1978 [6]; 1/1973 [7]; Germany, Wolfenbüttel, St. Marien-Kirche,
9/1960 [10]; Amsterdam, Adventskerk 1957 [26]; France, Arsenal de Metz, 4/2012[31]; Köln, Deutschlandfunk Kammermusiksaal, 1/2018 [34/35]
Producers: Tini Mathot [1/8/21/32]; Gerd Ploebsch [2/19/29/33]; ChristophFranke [4/5/13/27]; Gerd Ploebsch, Reimar Bluth [6]; Christian Lange,
Hans Gerhard Lichthorn [7]; Ursula von Rauchhaupt [10]; Étienne Collard [31];Johannes Kammann [34/35] · Balance Engineers: Hans-Peter Schweigmann[2/19/29/33]; René Möller [4/5/13/27]; Eberhard Richter [6]; Karl-August Naegler,Hans-Peter Schweigmann [7]; Gerd Henjes [10]; Günther Rose [34/35]! 1992 Universal International Music B.V. [1/8/21/32]! 1975 [2/19/29/33] / 1958 [3/9/11/12/14–18/20/22–25/28/30] / 2014 [4/5/13/27] /1981 [6] / 1974 [7] / 1961 [10] Deutsche Grammophon GmbH, Berlin! 1957 Universal Music B.V. [26] · ! 2012 Decca Records France [31]Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [34/35]

CD 207 86:40
Bach: Early Influences

1

Dieterich Buxtehude (1637–1707)
Prelude and Fugue in F sharp minor BuxWV 146

7:45

Johann Adam Reincken (1643–1722)
2

An Wasserflüssen Babylon

16:51

Sonata in A minor BWV 965
after Sonata and Suite I for 2 Violins, Viola and Basso continuo
from “Hortus musicus” by Johann Adam Reincken

3
4
5
6
7

Adagio – Fuga – Adagio – [Presto]
Allemande
Courante
Sarabande
Gigue

6:52
1:41
1:05
2:30
2:37

BACH INTERACTIVE

Johann Sebastian Bach

8
9
10
11
12

Praeludium
Fuga
Adagio[Allegro]
Allemande

2:03
3:36
0:56
0:34
3:12

BACH 333

Sonata in C major BWV 966
after Sonata and Suite III for 2 Violins, Viola and Basso continuo
from “Hortus musicus” by Johann Adam Reincken103

Georg Böhm (1661–1733)
13

Prelude and Fugue in C major

4:21

Nicolaus Bruhns (1665–1697)
14

Prelude in E minor “Large”

15

Ciacona in D minor P. 41

8:44

BACH INTERACTIVE

Johann Pachelbel (1653–1706)
6:04

Girolamo Frescobaldi (1583–1643)
16

Toccata Terza F 2.03
(Toccate e partite d’intavolatura di cimbalo, Libro Primo, Rome, 1615)

4:05

Jean-Henry d’Anglebert (1629–1691)
17

Prélude in D minor from Suite No. 3

4:14

Nicolas de Grigny (1672–1703)

BACH 333

18

104

Récit de tierce en taille

6:03

Johann Sebastian Bach
19

Aria in F major BWV 587
after the Suite from “L’Impériale” for 2 Violins and Basso continuo
by François Couperin (1668–1733)

3:25

Helmut Walcha organ [1] | Bernard Foccroulle organ [2]Henrik Bouman harpsichord [3–7]
Ramin Bahrami piano [8–12] | Peter Hurford organ [13/15]
Gillian Weir organ [14/18] | Catherine Pierron organ [16]Recordings: Germany, Cappel, St. Peter-und-Paul Kirche, 9/1977 [1]; Hamburg,
St Jakobi · Organ: Arp Schnitger, 1693 [2]; München, Plenarsaal der Akademie
der Wissenschaften, 8–11/1980 [3–7]; Italy, Roletto, Chiesa della B.V. Mariadel Monte Carmelo al Colletto, 9/2007 [8–12]; Netherlands, Papendrecht,
Bethlehemkerk, 12/1985 · Organ: K. B. Blank [13/15]; Cambridge, Clare College,
1979 · Organ: Beckerath [14]; Cambridge, Chesterton, St George’s Church,
11/2016 [16]; Colmar, Musée d’Unterlinden, 10/1996 [17]; Hexham, Hexham Abbey,
9/1975 · Organ: Phelps [18]; Switzerland, Frauenfeld, St. Nikolauskirche, 1976 [19]Producers: Gerd Ploebsch [1/3–7]; Jérome Lejeune [2]; Alberto Spano [8–12];
Chris Hazell [13/15/18]; Michael Bremner [14]; Adrian Peacock [16];Chris Sayers [17]; Teije van Geest [19]Balance Engineers: Karl-August Naegler [1]; Jérome Lejeune [2]; Wolfgang
Mitlehner [3–7]; Davide Ficco [8–12]; Simon Eadon [13/15]; Stanley Goodall [14/18];
Andrew Mellor [16]; Jonathan Stokes [17]; Teije van Geest [19]! 1978 [1] / 1981 [3–7] Deutsche Grammophon GmbH, Berlin! 2002 Ricercar [2]! 2009 Universal Music Italia Srl [8–12]! 1987 [13/15] / 1980 [14] / 2000 [17] / 1977 [18] Decca Music Group Limited! 2017 I Fagiolini Projects Limited [16]! 1977 Universal International Music B.V. [19]

BACH 333

Wolfgang Rübsam organ [19]

BACH INTERACTIVE

Christophe Rousset harpsichord [17]105

CD 208 67:13

BACH 333

BACH INTERACTIVE

Concertos at Weimar: Telemann · Prince Johann Ernst

106

1
2
3
4

Georg Philipp Telemann (1681–1767)
Concerto for 2 Violins, Strings and Basso continuo
in G major “a sei” TWV 52:G2
1. Grave
2. Allegro
3. Largo
4. Presto

5
67

Concerto for Violin, Strings and Basso continuo in G minor TWV 51:g1
1. Allegro
2:07
2. Adagio
2:06
3. Allegro
2:05

1:50
1:59
1:49
3:40

Johann Sebastian Bach, after Telemann
Keyboard Concerto in G minor BWV 985
after Violin Concerto in G minor TWV 51:g1 by Telemann8910

1. [without tempo indication]
2. Adagio
3. Allegro

2:28
1:32
2:30

11

Trio in G major BWV 586 after a fugue by ? Telemann

4:09

Prince Johann Ernst of Saxe-Weimar (1696–1715)

Johann Sebastian Bach, after Prince Johann Ernst
Keyboard Concerto in B flat major BWV 982
after Violin Concerto in B flat major op. 1/1
15
16
17

1. [without tempo indication]
2. Adagio
3. Allegro

2:26
3:17
1:53

Organ Concerto in G major BWV 592
Arrangement after a lost violin concerto in G major
18
19
20

1. [without tempo indication]
2. Grave
3. Presto

3:19
2:40
1:54

21

Organ Concerto in C major BWV 595
Arrangement after an unknown concerto

4:02

Keyboard Concerto in C major BWV 984
after a lost concerto

22
23
24

1. [without tempo indication]
2. Adagio e affettuoso
3. Allegro assai

2:45
2:10
2:30

BACH INTERACTIVE

Concerto for Violin, Strings and Basso continuo in B flat major op. 1/1
1. Allegro
1:57
2. Adagio – Allegro
3:18
3. Un poco presto
1:45

BACH 333

12
13
14

107

Keyboard Concerto in D minor BWV 987
after Violin Concerto in D minor op. 1/4

BACH 333

BACH INTERACTIVE

25
26
27
28

108

1. [without tempo indication]
2. Allegro
3. Adagio
4. Vivace

1:20
0:52
2:42
1:14

Florian Deuter violin
Reinhard Goebel violin & director | Musica Antiqua Köln [1–4]
Stanley Ritchie violin | The Bach Ensemble | Joshua Rifkin [5–7/12–14]
Huguette Dreyfus harpsichord [8–10/15–17/25–28]
Simon Preston organ [11/18–20] | Peter Hurford organ [21]Ivor Bolton harpsichord [22–24]
Recordings: Köln, Deutschlandfunk Kammermusiksaal , 10/1999 [1–4]; New York
City, American Academy and Institute of Arts and Letters, 5/1987 [5–7/12–14];
Paris, Église Saint-Pierre, 9–10/1989 [8–10/15–17/25–28]; London, St John’s,
Smith Square, 5/1996 [11]; Lübeck, Dom, 3/1987 [18–20]; Windsor, Eton College,
School Hall, 1981 [21]; Surrey, Petersham, All Saint’s Church, 7/1989 [22–24]
Producers: Helmut Burk [1–4]; Peter Wadland [5–7/12–14]; Yoshiharu Kawaguchi[8–10/15–17/25–28]; Arend Prohmann [11]; Gerd Ploebsch [18–20];
Chris Hazell [21]; Ben Turner [22–24] · Balance Engineers: Hans-Ulrich Bastin [1–4];
John Dunkerley [5–7/12–14]; Gen’ichi Kitami [8–10/15–17/25–28];
Hans-Peter Schweigmann [11/18–20]; Trygg Tryggvason [22–24]! 2000 [1–4/11] / 1988 [18–20] Deutsche Grammophon GmbH, Berlin! 1988 [5–7/12–14] / 1981 [21] Decca Music Group Limited! 1990 Nippon Columbia Co. Ltd. [8–10/15–17/25–28] · ! 1990 ASV Ltd. [22–24]

CD 209 77:03
Concertos at Weimar: Vivaldi

Johann Sebastian Bach, after Antonio Vivaldi
Organ Concerto in C major BWV 594
after Violin Concerto in D major RV 208
45
6

1. [without tempo indication]
2. Recitativo Adagio
3. Allegro

5:32
3:14
6:46

Organ Concerto in A minor BWV 593
after Concerto for 2 Violins in A minor RV 522
789

1. [without tempo indication]
2. Adagio
3. Allegro

3:45
4:37
3:49

Organ Concerto in D minor BWV 596
after Concerto for 2 Violins in D minor RV 565
10
11
12

1. [without tempo indication]
2. Grave
3. Fuga

BACH INTERACTIVE

5:29
2:39
6:35

1:06
0:29
3:32

BACH 333

1
2
3

Antonio Vivaldi (1678–1741)
Concerto for Violin, Strings and Basso continuo
in D major “Grosso Mogul” RV 208
1. Allegro
2. Grave. Recitativo
3. Allegro

109

13
14

4. Largo e spiccato
5. [without tempo indication]

2:43
3:07

BACH 333

BACH INTERACTIVE

Keyboard Concerto in D major BWV 972
after Violin Concerto in D major RV 230

110

15
16
17

1. [without tempo indication]
2. Larghetto
3. Allegro

2:10
3:14
2:13

Keyboard Concerto in G major BWV 973
after Violin Concerto in G major RV 299
18
19
20

1. [without tempo indication]
2. Largo
3. Allegro

2:39
1:56
2:09

Keyboard Concerto in G minor BWV 975
after Violin Concerto in G minor RV 316
21
22
23

1. [without tempo indication]
2. Largo
3. Giga. Presto

2:59
3:39
1:52

Nicola Benedetti violin
Scottish Chamber Orchestra | Christian Curnyn [1–3]Wolfgang Rübsam organ [4–6]Peter Hurford organ [7–9]Recordings: Edinburgh, Usher Hall, 5–6/2010 [1–3]; Switzerland, Frauenfeld,
St. Nikolauskirche, 1976 [4–6]; Sydney, Knox Grammar School, 4/1977 · Organ:
Sharp [7–9]; Lübeck, Dom, 3/1987 · Organ: Metzler [10–14]; Surrey, Petersham,
All Saint’s Church [15–23]
Producers: Andrew Walton [1–3]; Teije van Geest [4–6]; Chris Hazell [7–9];
Gerd Ploebsch [10–14]; Ben Turner [15–23]
Balance Engineers: Mike Clements [1–3]; Teije van Geest [4–6]; David Marrett [7–9];
Hans-Peter Schweigmann [10–14]; Trygg Tryggvason [15–23]! 2011 Decca, a division of Universal Music Operations Limited [1–3]! 1977 Universal International Music B.V. [4–6]! 1978 Decca Music Group Limited [7–9]! 1988 Deutsche Grammophon GmbH, Berlin [10–14]! 1990 ASV Ltd. [15–23]

BACH 333

Ivor Bolton harpsichord [15–23]

BACH INTERACTIVE

Simon Preston organ [10–14]

111

CD 210 86:19
Concertos at Weimar: Vivaldi · A. & B. MarcelloJohann Sebastian Bach, after various composers
Keyboard Concerto in C major BWV 976
after Violin Concerto in E major RV 265 by Antonio Vivaldi

BACH INTERACTIVE

123

1. [without tempo indication]
2. Largo
3. Allegro

3:48
3:27
2:52

Keyboard Concerto in F major BWV 978after Violin Concerto in E major RV 310 by Antonio Vivaldi
45
6

1. Allegro
2. Largo
3. Allegro

2:35
2:27
2:37

7

Keyboard Concerto in B minor BWV 979

11:11

after Violin Concerto in D minor RV 813 by Antonio Vivaldi[without tempo indication] – Allegro – Adagio – Allegro –Andante – Adagio – Allegro
Keyboard Concerto in G major BWV 980

BACH 333

after Violin Concerto in B flat major RV 381 by Antonio Vivaldi

112

8
9
10

1. [without tempo indication]
2. Largo
3. Allegro

4:02
2:56
3:00

Keyboard Concerto in D minor BWV 974
after Oboe Concerto in D minor by Alessandro Marcello (1673–1747)

1. [without tempo indication]
2. Adagio
3. Presto

3:04
3:26
3:46

Keyboard Concerto in C minor BWV 981
after Violin Concerto in E minor op. 1/2 by Benedetto Marcello (1686–1739)
14
15
16
17

1. Adagio
2. Vivace
3. [Largo]
4. Prestissimo

1:50
1:57
2:28
4:34

Keyboard Concerto in C major BWV 977
after an unknown source

18
19
20

1. [without tempo indication]
2. Adagio
3. Giga

2:33
1:18
2:41

BACH INTERACTIVE

11
12
13

Keyboard Concerto in G minor BWV 983
21
22
23

1. [without tempo indication]
2. Adagio
3. Allegro

3:14
2:18
2:38

BACH 333

after an unknown source

113

Keyboard Concerto in G major BWV 986

BACH 333

BACH INTERACTIVE

after an unknown source

114

24
25
26

1. [without tempo indication]
2. Adagio
3. Allegro

2:10
0:55
1:45

27

Allabreve in D major BWV 589
possibly after Johann David Heinichen

5:48

Ivor Bolton harpsichord [1–3/7/11–17]
Huguette Dreyfus harpsichord [4–6/8–10/18–26]
Wolfgang Rübsam organ [27]Recordings: Surrey, Petersham, All Saint’s Church 7/1989 [1–3/7/11–17];Paris, Église Saint-Pierre, 9–10/1989 [4–6/8–10/18–26]; Switzerland,
Frauenfeld, St. Nikolauskirche, 1976 [27]Producers: Ben Turner [1–3/7/11–17]; Yoshiharu Kawaguchi [4–6/8–10/18–26];
Teije van Geest [27]Balance Engineers: Trygg Tryggvason [1–3/7/11–17];
Genichi Kitami [4–6/8–10/18–26]; Teije van Geest [27]
! 1990 ASV Ltd. [1–3/7/11–17]! 1990 Nippon Columbia Co. Ltd. [4–6/8–10/18–26]! 1977 Universal International Music B.V. [27]

CD 211 83:00
The Bach Family
Heinrich Bach (1615–1692)
1

Ich danke dir, Gott

5:58

Sung text p. 192

Johann Christoph Bach (1642–1703)
Es erhub sich ein Streit

7:23

Sung text pp. 192–193? Johann Ludwig Bach (1677–1731)
Mass in C major BWV App. C (ex Anh. 25)
Sung texts → Sacred & Secular Vocal, p. 212

34
5

1. Kyrie eleison I
2. Christe eleison
3. Kyrie eleison II

1:12
2:09
2:50

BACH INTERACTIVE

2

6
7
8

Sonata for Flute and Keyboard in G minor H 542 (App. D, ex BWV 1020)
1. [Allegro]
3:52
2. Adagio
2:57
3. Allegro
3:55

BACH 333? Carl Philipp Emanuel Bach (1714–1788)

115

BACH 333

BACH INTERACTIVE

Carl Philipp Emanuel Bach

116

9
10
11

Concerto for Harpsichord, Strings and Basso continuo
in A minor H 403
1. Allegro ma non molto
2. Andante
3. Presto

12
13
14

Sonata for 2 Harpsichords in F major F 10
1. [Allegro moderato]
2. Andante
3. Presto

15
16
17
18
19
20
21

Overture in G major (Orchestral Suite No. 2)
1. Ouverture
2. Gavotte en Rondeau
3. Sarabande
4. Bourree. Gayement
5. Air. Grave
6. Menuet
7. Gigue – La Tempeste – Très vite

6:19
7:01
4:39

Wilhelm Friedemann Bach (1710–1784)
6:04
5:35
4:01

Johann Bernhard Bach (1676–1749)
5:12
1:31
1:55
1:18
3:02
0:56
1:48

Johann Christoph Bach (1642–1703)
Lieber Herr Gott, wecke uns auf

3:18

Sung text p. 193

Alsfelder Vokalensemble | I Febiarmonici | Wolfgang Helbich [3–5]Konrad Hünteler flute | Ton Koopman harpsichord [6–8]
Miklós Spányi harpsichord | Concerto Armonico | Péter Szüts [9–11]
Andreas Staier | Robert Hill harpsichords [12–14]
Bach Concentus | Ewald Demeyere [15–21]
Cantus Cölln | Concerto Palatino | Konrad Junghänel [22]Recordings: Wuppertal, Immanuelskirche, 1/1986 [1/2]; Bremen, Radio Bremen
Sendesaal, 2–6/2001 [3–5]; Netherlands, 4/1983 [6–8]; Budapest, Angyalföld
Reformed Church, 12/1994 [9–11]; Köln, Deutschlandfunk Kammermusiksaal ,12/1985 [12–14]; Antwerp, de Singel, 2007 [15–21]; Neustadt, Mandelsloh,
St. Osdag-Kirche, 1–2/2002 [22]Producers: Heinz Wildhagen [1/2]; Renate Wolter-Seevers [3–5]; Tini Mathot [6–8];
Ingo Petry [9–11]; Wolfgang Mitlehner [12–14]; Adelheid Glatt [15–21];
Andreas Neubronner [22] · Balance Engineers: Heinz Wildhagen [1/2];
Klaus Schumann [3–5]; Adriaan Verstijnen [6–8]; Ingo Petry [9–11];
Wolfgang Mitlehner [12–14]; Andreas Glatt [15–21]! 1986 Deutsche Grammophon GmbH, Berlin [1/2/12–14] · ! 2003 CPO [3–5]! 1983 Universal International Music B.V. [6–8] · ! 1995 BIS Records AB [9–11]! 2008 Accent [15–21] · ! 2003 Harmonia Mundi [22]

BACH INTERACTIVE

Rheinische Kantorei | Hermann Max chorus master
Musica Antiqua Köln | Reinhard Goebel [1/2]

BACH 333

22

117

CD 212 73:26
Bach & Other Composers (c.1715–1730)
after Johann Christoph Pez (1664–1716)
1
2

Mass in A minor BWV App. D (ex Anh. 24) from Missa Sancti Lamberti
1. Kyrie
2. Gloria

0:46
3:39

BACH 333

BACH INTERACTIVE

Marco Giuseppe Peranda (1625–1675)

118

Mass in A minor
Sung texts tr. 1–3 → Sacred & Secular Vocal, p. 212

3

1. Kyrie

5:39

after Francesco Bartolomeo Conti (1681–1732)
Languet anima mea BWV App. C
Sung texts p. 194

4
5
6
7
8

1. Recitative: Languet, languet anima mea
2. Aria: O vulnera, vita coelestis
3. Recitative: Amoris tui jaculo
4. Aria: Tu lumen mentis es
5. Alleluja

0:52
3:20
0:39
7:03
1:33

with Georg Philipp Telemann (1681–1767)
Jauchzet dem Herrn, alle Welt BWV App. A 4 (ex Anh. 160)
Sung texts p. 195

4:30
4:35
3:16

St Mark Passion · Markus-Passion BWV 247
Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bachand ? Gottfried Keiser (c.1650 – before 1732)
Sung texts pp. 195–197

12
13
14
15
16
17
18

53. Chorus: Geh, Jesu, geh zu deiner Pein! (BWV 198/1)
54. Chorale: Keinen hat Gott verlassen (BWV 369)
55. Recitative: Und etliche, die dabeistunden
56. Chorus: Siehe, er rufet den Elias!
57. Recitative: Da lief einer und füllet einen Schwamm
58. Aria: Welt und Himmel, nehmt zu Ohren (BWV 7/2)
59. Recitative: Und der Vorhang im Tempel zerriss

5:25
1:08
0:11
0:24
0:48
4:36
2:49

J. S. Bach’s additions to ? G. Keiser’s St Mark Passion BWV 1165
Sung texts pp. 197–198

19
20
21
22

Chorale: O Traurigkeit, o Herzeleid!
Chorale: O hilf, Christe, Gottes Sohn BWV 1084 (Leipzig version)
Chorale: So gehst du nun, mein Jesu, hin BWV 500a (Leipzig version)
Sinfonia (Weimar version)

2:11
1:01
1:02
0:51

BACH INTERACTIVE

1. Jauchzet dem Herrn, alle Welt TWV 8:10
2. Sei Lob und Preis mit Ehren BWV 28/2a
3. Amen, Lob und Ehre und Weisheit und Dank TWV 1:1066

BACH 333

9
10
11

119

Anonymous
St Luke Passion · Lukas-Passion BWV 246 / Anh. II 30->BACH INTERACTIVE

Sung texts p. 198

23 1. Chorus: Furcht und Zittern, Scham und Schmerzen
24 39. Aria: Den Fels hat Moses’ Stab geschlagen
25 40. Chorale: Aus der Tiefe rufe ich
26 40a. Chorale: Aus der Tiefe rufe ich (J. S. Bach’s version)
Francesco Durante (1684–1755)
Mass in C minor BWV App. D (ex Anh. 26)
Sung texts → Sacred & Secular Vocal, p. 212

27
28
29

1. Kyrie eleison I
2. Christe eleison by J. S. Bach BWV 242
3. Kyrie eleison II

BACH 333

Alsfelder Vokalensemble | Hannoversche Hofkapelle
Wolfgang Helbich [1/2]

120

3:47
5:21
1:02
1:24

Bach Collegium Japan | Masaaki Suzuki [3/27–29]
Magdalena Kožená mezzo-sopranoMusica Antiqua Köln | Reinhard Goebel [4–8]Thomanerchor Leipzig | Baroque Brass of London
Capella Thomana | Georg Christoph Biller [9–11]

2:44
1:10
1:38

Ruth Gomme soprano | William Towers alto | Jeremy Ovenden tenor
Gonville & Caius College Choir, Cambridge
Cambridge Baroque Camerata | Geoffrey Webber [12–19]
Kölner Akademie | Michael Alexander Willens [20–22]

BACH 333

Recordings: Germany, Blankensee, Festhalle der Johannischen Kirche,
3–5/2009 [1/2]; Kobe, Shoin Women’s University, 2/2015 [3]; Köln,
Melanchthonkirche, 2/2003 [4–8]; Leipzig, Paul-Gerhardt-Kirche, 2/1997 [9–11];
Cambridge, Chapel of Downing College, 6/1998 [12–19]; Köln,
Deutschlandfunk Kammermusiksaal, 1/2018 [20–22]; Germany, Alsfeld,
Walpurgiskirche, 3–4/1996 [23–26]; Japan, Saitama, Saitama Arts Theater
Concert Hall, 9/2014–10/2015 [27–29]
Producers: Stephan Schmidt [1/2]; Thore Brinkmann [3]; Christopher Alder [4–8];
Matthias Stiehler [9–11]; Michael Ponder [12–19]; Johannes Kammann [20–22];
Hans Bernhard Bätzing [23–26]; Hans Kipfer [27–29]
Balance Engineers: Olaf Mielke [1/2]; Hans Kipfer [3]; Hans-Ulrich Bastin [4–8];
Matthias Stiehler [9–11]; Andrew Lang [12–19]; Gunther Rose [20–22]; Wolfgang
Decker [23–26]; Jens Braun [27–29]
Co-produced by Thomanerchor Leipzig / Mitteldeutscher Rundfunk (MDR) [9–11]! 2012 [1/2] /1997 [23–26] CPO! 2015 [3] / 2015 [27–29] BIS Records AB! 2005 Deutsche Grammophon GmbH, Berlin [4–8]Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [20–22]! 1998 Universal Music Classics & Jazz, a division of Universal Music GmbH [9–11]! 1999 ASV Ltd. [12–19]

BACH INTERACTIVE

Harry van Berne tenor | Alsfelder Vokalensemble
Barockorchester Bremen | Wolfgang Helbich [23–26]

121

CD 213 79:31
Bach & Other Composers (c.1730–1742)

BACH INTERACTIVE

12
3

after Antonio Vivaldi (1678–1741)
Concerto for 4 Harpsichords, Strings and Basso continuo
in A minor BWV 1065 after Concerto for 4 Violins RV 580
1. [without tempo indication]
2. Largo
3. Allegro

3:52
1:58
3:23

George Frideric Handel (1685–1759)
Alcina HWV 34 · Sung texts p. 199
4 10. Aria: Di’, cor mio, quanto t’amai (Act I)
5 23. Aria: Mi lusinga il dolce affetto (Act II)

7:21
6:51

J. S. Bach’s additions to Carl Heinrich Graun’s (1704–1759)
Wer ist der, so von Edom kömmt BWV 1166
6 19. Chorus: Herr Jesu Christ, wahr’ Mensch und Gott BWV 127/1

5:05

Sung text → Sacred Cantatas II, p. 114

7 20. Arioso: So heb ich denn mein Auge sehnlich auf BWV 1088

1:44

BACH 333

Sung text p. 199

122

after Johann Friedrich Fasch (1688–1758)
89Trio in C minor BWV 585
1. Adagio
2. Allegro

2:47
2:29

10
11
12
13
14
15
16

Suite for Violin and Keyboard in A major BWV 1025
1. Fantasia
2. Courante
3. Entrée
4. Rondeau
5. Sarabande
6. Menuett
7. Allegro

2:04
3:47
3:29
3:39
4:46
2:52
3:43

after Antonio Caldara (1670–1736)
17

Suscepit Israel puerum suum BWV 1082
Arrangement of Mvt. 3 from Caldara’s Magnificat in C major

1:37

18
19

Sanctus in D minor BWV 239
Sanctus in G major BWV 240

2:01
2:24

BACH INTERACTIVE

after Sylvius Leopold Weiss (1687–1750)

Bach’s arrangements

Mass in G major BWV App. C (ex Anh. 167)
20
21
22

1. Kyrie
2. Gloria
3. Gloria II – Domine Deus
Colin Tilney | Christophe Rousset | Davitt Moroney harpsichords
Christopher Hogwood harpsichord & director
Academy of Ancient Music [1–3]

4:27
3:09
5:59

BACH 333

Sung texts trs. 17–22 → Sacred & Secular Vocal, pp. 205, 212, 213

123

BACH INTERACTIVE
BACH 333
124

Joyce DiDonato soprano | Maite Beaumont mezzo-soprano [4/5]
Il Complesso Barocco | Alan Curtis [4/5]Hans-Georg Wimmer bass | Rheinische Kantorei [6/7]
Das Kleine Konzert | Hermann Max [6/7] | Simon Preston organ [8/9]
Reinhard Goebel violin | Robert Hill harpsichord [10–16]
St. Salvator’s Chapel Choir | Ars Eloquentiae [17]Fitzwilliam Quartet | Tom Wilkinson [17]Alsfelder Vokalensemble | Hannoversche Hofkapelle [18]Wolfgang Helbich [18] | Bach Collegium Japan | Masaaki Suzuki [19]Alsfelder Vokalensemble | Gesualdo Consort Amsterdam [20–22]
Solistenquartett der Hochschule Bremen [20–22]
Hannoversche Hofkapelle | Wolfgang Helbich [20–22]
Recordings: Paris, Conservatoire de Musique, 8/1989 [1–3]; Italy, Chiesa Sant’
Agostino, 9/2007 [4/5]; Germany, Lohmar-Honrath, ev. Kirche, 1/1990 [6/7]; London,
St John’s, Smith Square, 5–6/1996 · Organ: Klais [8/9]; Hamburg, Friedrich-EbertHalle, 7/1982 [10–16]; Dundee, Saint Salvador’s Church, 6/2015 [17]; Germany,
Blankensee, Festhalle der Johannischen Kirche, 3–5/2009 [18/20–22]; Japan,
Saitama Arts Theater Concert Hall, 9/2014–10/2015 [19]Producers: Peter Wadland [1–3]; Arend Prohmann [4/5/8/9]; Gerd Berg [6/7]; Heinz
Wildhagen [10–16]; Adrian Hunter [17]; Stephan Schmidt [18/20–22]; Hans Kipfer [19]Balance Engineers: Hans-Ulrich Bastin [4/5]; Hartwig Paulsen [6/7]; Hans-Peter
Schweigmann [8/9]; Adrian Hunter [17]; Olaf Mielke [18/20–22]; Jens Braun [19]! 1991 Decca Music Group Limited [1–3] · ! 2009 [4/5] / 1997 [8/9] / 1983 [10–16]
Deutsche Grammophon GmbH, Berlin · ! 1990 EMI Music Germany GmbH & Co.
KG [6/7] · ! 2016 University of St Andrews [17] · ! 2012 CPO [18/20–22]! 2015 BIS Records AB [19]

CD 214 85:25
Bach & Other Composers (1742–1750)
after Gottfried Heinrich Stölzel (1690–1749)
1

Aria: Bekennen will ich seinen Namen BWV 200

3:20

from Passion Oratorio “Die leidende und am Kreuz sterbende Liebe”
Sung text p. 200

Magnificat in C major App. D (ex Anh. 30)
Sung texts → Sacred & Secular Vocal, p. 205
2
3
4
5
6
7
8
9

1. Chorus: Magnificat anima
2. Duet: Quia respexit
3. Duet: Quia fecit mihi magna
4. Chorus: Et misericordia ejus
5. Duet: Fecit, fecit, fecit potentiam
6. Chorus: Deposuit, deposuit potentes de sede
7. Duet: Suscepit Israel puerum suum
8. Chorus: Sicut locutus est ad patres nostros

3:52
1:46
2:09
2:43
1:27
1:05
1:45
4:14

BACH INTERACTIVE

after Pietro Torri (1650–1737)

J. S. Bach’s colla parte arrangement App. C
Sung texts → Sacred & Secular Vocal, p. 212

10
11
12

1. Kyrie
2. Gloria
Qui Tollis

3:16
2:26
2:54

BACH 333

after Giovanni Pierluigi da Palestrina (1525–1594)
Missa Sine Nomine

125after Giovanni Battista Pergolesi (1710–1736)

BACH INTERACTIVE

13
14
15
16
17
18
19
20
21
22
23
24
25
26

BACH 333

Tilge, Höchster, meine Sünden BWV 1083
Psalm Cantata arrangement of Pergolesi’s Stabat Mater
Sung texts pp. 200–202

27

126

1. Versus 1: Tilge, Höchster, meine Sünden
2. Versus 2: Ist mein Herz in Missetaten
3. Versus 3: Missetaten, die mich drücken
4. Versus 4: Dich erzürnt mein Tun und Lassen
5. Versus 5–6: Wer wird seine Schuld verneinen
6. Versus 7: Sieh! ich bin in Sünd empfangen
7. Versus 8: Sieh, du willst die Wahrheit haben
8. Versus 9: Wasche mich doch rein, rein von Sünden
9. Versus 10: Lass mich Freud und Wonne spüren
10. Versus 11–15: Schaue nicht auf meine Sünden
11. Versus 16: Öffne Lippen, Mund und Seele
12. Versus 17–18: Denn du willst kein Opfer haben
13. Versus 19–20: Lass dein Zion blühend dauern
14. Amen

4:25
2:07
2:29
2:00
2:10
0:44
2:49
2:00
2:18
5:53
3:29
3:10
1:51
1:58

after Johann Kaspar Kerll (1627–1693)
Sanctus in D major BWV 241 (Version in E major)
from “Missa superba”

2:04

28

Credo Intonation BWV 1081 by J. S. Bach for

0:45

Giovanni Battista Bassani (1647–1716)
29

Credo in unum Deum

5:37

from Missa No. 5 in F major “Acroama Missale”
Sung texts trs. 27–29 → Sacred & Secular Vocal, pp. 212–213

Der Gerechte kömmt um BWV 1149
after motet “Tristis est anima mea”, probably by Kuhnau
Sung text p. 202
Magdalena Kožená mezzo-sopranoMusica Antiqua Köln | Reinhard Goebel [1]Gesualdo Consort Amsterdam
Solistenquartett der Hochschule Bremen
Alsfelder Vokalensemble | Hannoversche Hofkapelle
Wolfgang Helbich [2–9]

7:41

BACH INTERACTIVE

after Johann Kuhnau (1660–1722)

Concerto Palatino | Bruce Dickey [10–12]
Carolyn Sampson soprano | Robin Blaze countertenor [13–26]
Bach Collegium Japan | Masaaki Suzuki [13–27]
St Salvator’s Chapel Choir | Ars Eloquentiae
Fitzwilliam String Quartet | Tom Wilkinson [28/29]
The Monteverdi Choir | English Baroque Soloists
John Eliot Gardiner [30]

BACH 333

30

127

BACH INTERACTIVE
BACH 333
128

Recordings: Köln, Melanchthonkirche, 2/2003 [1]; Germany, Blankensee,
Festhalle der Johannischen Kirche, 3–5/2009 [2–9]; Germany [10–12]; Kobe,
Shoin Women’s University, 9/2005 [13–26]; Japan, Saitama Arts Theater Concert
Hall, 9/2014–10/2015 [27]; Dundee, Saint Salvador’s Church, 6/2015 [28/29];
Germany, Ansbach, St. Gumbertus, 7/2000 (live) [30]Producers: Christopher Alder [1]; Stephan Schmidt [2–9]; Jens Braun [13–26];
Hans Kipfer [27]; Adrian Hunter [28/29]; Isabella de Sabata [30]Balance Engineers: Hans-Ulrich Bastin [1]; Olaf Mielke [2–9]; Uli Schneider [13–26];
Jens Braun [27]; Adrian Hunter [28/29]; Jean-Marie Geijsen [30]
! 2005 Deutsche Grammophon GmbH, Berlin [1]! 2012 CPO [2–9]! 1991 Warner Music Group Germany Holding GmbH / A Warner Music Group
Company [10–12]! 2015 BIS Records AB [13–27]! 2016 University of St Andrews [28/29]! 2009 Monteverdi Productions Ltd. [30]

CD 215 80:40
Bach Renewed – From Bach’s Sons to Mahler
Wilhelm Friedemann Bach (1710–1784)
Gaudete omnes populi – Manebit verbum Domini F 103
after Cantata “Ein feste Burg ist unser Gott” BWV 80 · Sung texts pp. 202–203

1
2

1. Gaudete omnes populi after BWV 80/1
2. Manebit verbum Domini after BWV 80/5

5:10
3:36

Additional instrumentation by Wilhelm Friedemann Bach
Sung texts → Sacred Cantatas III, pp. 134–135

3
4
5
6
7

1. [Aria:] Jauchzet Gott in allen Landen!
2. Recitative: Wir beten zu dem Tempel an
3. Aria: Höchster, Höchster, mache deine Güte
4. Chorale: Sei Lob und Preis mit Ehren[Aria:] Halleluja

89Introduction to the Credo H 848 (of the Mass in B minor BWV 232)
Credo in unum Deum (from Mass in B minor BWV 232)

3:52
2:07
3:12
3:11
2:13

Carl Philipp Emanuel Bach (1714–1788)

BACH AFTER BACH

Jauchzet Gott in allen Landen BWV 51

1:31
2:01

Christoph Willibald Gluck (1714–1787)
Iphigénie en Tauride Wq 46
Sung texts p. 203

10

Accompagnato & Aria (Act 4): Non, cet affreux devoir –Je t’implore et je tremble after Gigue from Partita BWV 825

3:41

BACH 333

Sung texts → Sacred & Secular Vocal, pp. 212–213

129

Wolfgang Amadeus Mozart (1756–1791)
5 Four-Part Fugues K 405

BACH 333

BACH AFTER BACH

Arrangements for String Quartet after The Well-Tempered Clavier, Book II

130

11
12
13
14
15

Fugue in C minor after BWV 871
Fugue in E flat major after BWV 876
Fugue in E major after BWV 878
Fugue in D sharp minor after BWV 877
Fugue in D major after BWV 874

1:33
2:03
3:07
2:18
1:29

Ludwig van Beethoven (1770–1827)
16

Fugue in B flat minor Hess 38
Arrangement for String Quintet after Fugue BWV 867
from The Well-Tempered Clavier, Book I

1:58

Felix Mendelssohn (1809–1847)
St Matthew Passion · Matthäus-Passion 1841 version
Sung texts → Sacred & Secular Vocal, pp. 249, 259, 260
17 39. Aria: Erbarme dich, mein Gott
18 48. Recitative: Und siehe da, der Vorhang im Tempel zerriss
Chorus: Wahrlich, dieser ist Gottes Sohn gewesen
Recitative: Und es waren viel Weiber da
19 49. Recitative: Am Abend, da es kühle war
20 50. Aria: Mache dich, mein Herze, rein

6:28
1:55

1:40
2:45

Johannes Brahms (1833–1897)
21
22

5 Studies for Piano Anh. 1a/1
No. 3. Presto (1st version)
No. 4. Presto (2nd version)

2:51
2:55

after Sonata for Solo Violin No. 1 in G minor BWV 1001

Suite for Orchestra
after Orchestral Suites BWV 1067 and BWV 1068

1. Ouverture (BWV 1067)
2. Rondeau – Badinerie (BWV 1067)
3. Air (BWV 1068)
4. Gavotte I – Gavotte ll (BWV 1068)

6:33
3:46
5:06
3:37

Chorus Musicus Köln | Das Neue Orchester | Christoph Spering [1/2]
Christine Schäfer sopranoMusica Antiqua Köln | Reinhard Goebel [3–7]
RIAS Kammerchor | Akademie für Alte Musik Berlin
Hans-Christoph Rademann [8/9]
Mireille Delunsch soprano
Les Musiciens du Louvre | Marc Minkowski [10]BACH 333

23
24
25
26

BACH AFTER BACH

Gustav Mahler (1860–1911)

Hagen Quartett [11–15]

131

Kölner Akademie | Michael Alexander Willens [16]Christine Schäfer soprano | Hilary Hahn violin
Münchener Kammerorchester | Alexander Liebreich [17]

BACH 333

BACH AFTER BACH

Jörg Dürmüller tenor | Maarten Koningsberger baritone
Consensus Vocalis | Netherlands Symphony Orchestra
Jan Willem de Vriend [18–20]

132

Georg Friedrich Schenk piano [21/22]
Royal Concertgebouw Orchestra | Riccardo Chailly [23–26]
Recordings: Köln, Melanchthonkirche, 10–11/2014 [1/2]; Köln, Deutschlandfunk
Kammermusiksaal, 1/1999 [3–7], 1/2018 [16]; Berlin, Konzerthaus, 6/2014 (live)[8/9]; Paris, Radio France, 3/1999 (live) [10]; Austria, Mondsee, Schloss Mondsee,
Festsaal, 11/2000 [11–15]; München, Himmelfahrtskirche, 12/2008 [17];Netherlands, Enschede, Muziekcentrum, 4/2014 (live) [18–20]; Berlin, RIAS,
9/1990 [21/22]; Amsterdam, Concertgebouw, Grote Zaal, 9/2000 [23–26]
Producers: Jens Schünemann [1/2]; Karl-August Naegler [3–7];
Sebastian Braun [8–9]; Arend Prohmann [10]; Wolfgang Mitlehner [11–15];
Johannes Kammann [16]; Sid McLauchlan [17]; Bert van der Wolf [18–20];
Wolfgang Gottschalk [21/22]; Andrew Cornall [23–26]· Balance Engineers: Christoph
Rieseberg [1/2]; Hans-Ulrich Bastin [3–7]; Toine Mertens [8–9]; Joel Soupiron [10];Wolfgang Mitlehner [11–15]; Gunther Rose [16]; Stephan Flock [17];Bert van der Wolf [18–20]; Geert Puhlmann [21/22]; Jonathan Stokes [23–26]! 2015 Sony Music Entertainment Germany [1/2]! 1999 [3–7] / 2001 [10] / 2002 [11–15] / 2009 [17] / 1993 [21/22] Deutsche
Grammophon GmbH, Berlin · ! 2014 Accentus Music Gmbh [8/9]Eine Co-Produktion mit Deutschlandfunk | A co-production with Deutschlandfunk! 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin [16]! 2015 Challenge Classics [18–20] · ! 2004 Decca Music Group Limited [23–26]

CD 216 80:31
Bach Reimagined – Chaconne & Passacaglia
Robert Schumann (1810–1856)
1

Chaconne for Violin and Piano

14:37

after Partita for Solo Violin No. 2 in D minor BWV 1004

Felix Mendelssohn (1809–1847)2

Prelude for Violin and Piano

4:05

Robert Schumann
3

Andante for Violin and Piano

5:06

after Sonata for Solo Violin No. 2 in A minor BWV 1003

Johannes Brahms (1833–1897)
4

5 Piano Studies Anh. 1a/1
5. Chaconne for the left hand

17:32

after Partita for Solo Violin No. 2 in D minor BWV 1004

BACH AFTER BACH

after Partita for Solo Violin No. 3 in E major BWV 1006

Ferruccio Busoni (1866–1924)
Chaconne for Piano

14:07

after Partita for Solo Violin No. 2 in D minor BWV 1004

Ottorino Respighi (1879–1936)
6

Passacaglia for Orchestra P 159
after Passacaglia and Fugue in C minor BWV 582

12:19

BACH 333

5133

orchestrated by Leopold Stokowski (1882–1977)
7

Passacaglia and Fugue in C minor BWV 582

12:43

Daniel Sepec violin | Andreas Staier piano [1]Mayumi Hirasaki violin | Christine Schornsheim piano [2/3]

BACH 333

BACH AFTER BACH

Anatol Ugorski piano [4]134Benjamin Grosvenor piano [5]Dallas Symphony Orchestra | Eduardo Mata [6]The Philadelphia Orchestra | Yannick Nézet-Séguin [7]Recordings: Berlin, Teldex Studio, 5/2009 [1]; Germany [2/3]; Berlin,
Jesus-Christus-Kirche, 4/1996 [4]; United Kingdom, Monmouth, Wyastone Hall,
12/2015 [5]; Dallas, Morton H. Meyerson Symphony Center, Eugene
McDermott Hall, 5/1993 [6]; Philadelphia, Kimmel Center for the Performing Arts,
Verizon Hall, 3/2013 [7]Producers: Martin Sauer [1]; Werner Mayer [4]; Mike George [5]; Sid McLauchlan [7]Balance Engineers: Tobias Lehmann [1]; Rainer Maillard [4]; Arne Axelberg [5]Publishers: Broude Brothers, New York [7]! 2010 Harmonia Mundi s.a. [1]! 2010 Genuin [2/3]! 1996 [4] / 2013 [7] Deutsche Grammophon GmbH, Berlin! 2016 Decca Music Group Limited [5]! 2011 Sono Luminus [6]CD 217 77:35
Bach Orchestrated – Reger to Stokowski
Leopold Stokowski (1882–1977)
1

Toccata and Fugue in D minor BWV 565

9:11

Prelude and Fugue in E flat major BWV 552

14:47

Schmücke dich, o liebe Seele BWV 654

5:02

4

Komm, Gott Schöpfer, heiliger Geist BWV 631

2:19

Anton Webern (1883–1945)
5

Fuga (Ricercata)

7:09

after Musical Offering BWV 1079: 2. Ricercar a 6

Max Reger (1873–1916)
6

O Mensch, bewein dein Sünde groß BWV 622

5:23

Edward Elgar (1857–1934)
7
8

Fantasia and Fugue in C minor op. 86 after BWV 537
1. Fantasia. Poco Allegretto
2. Fugue. Allegro

5:14
3:54

Gustav Holst (1874–1934)
9

Fugue à la Gigue
after Fugue in G major BWV 577

3:22

BACH 333

2
3

BACH AFTER BACH

Arnold Schoenberg (1874–1951)

135

William Walton (1902–1983)
10

The Wise Virgins (ballet suite)
5. Sheep may safely graze

4:41

after “Was mir behagt, ist nur die muntre Jagd” BWV 208

BACH AFTER BACH

Heitor Villa-Lobos (1887–1959)
11

Bachianas Brasileiras No. 5 for Soprano and Cello Ensemble W 389
1. Ária (Cantilena)

12

Fugue in G minor BWV 578

3:50

13

Prelude in E flat minor BWV 853
from The Well-Tempered Clavier, Book I

5:18

Leopold Stokowski

Boston Symphony Orchestra | Seiji Ozawa [1/2]Symphonieorchester des Bayerischen Rundfunks
Michael Tilson Thomas [3/4]

BACH 333

Berliner Philharmoniker | Pierre Boulez [5]Hamburg Soloists | Emil Klein [6]Los Angeles Philharmonic | Esa-Pekka Salonen [7/8]
The Boston Pops | Arthur Fiedler [9/10]

¯

136

6:19

Elina Garanča mezzo-soprano
Staatskapelle Dresden | Fabio Luisi [11]The Philadelphia Orchestra | Yannick Nézet-Séguin [12]BACH 333

Recordings: USA, 4/1990 [1]; 10/1989 [2]; München, Residenz, Herkulessaal [3/4];
Berlin, Jesus-Christus-Kirche, 3/1993 [5]; Germany [6]; Los Angeles, Dorothy
Chandler Pavilion, 10/1999 [7/8]; Boston, Symphony Hall, 6/1971 [9/10]; Dresden,
Lukaskirche, 7/2006 [11]; Philadelphia, Kimmel Center for the Performing Arts,
Verizon Hall, 3/2013 [12]; Prague, Rudolfinum, 9/1972 (live) [13]Producers: Wilhelm Hellweg [1/2]; David Mottley [3/4/7/8]; Karl-August Naegler [5];Thomas Mowrey [9/10]; Sid McLauchlan [11/12]; Raymond Few [13]Balance Engineers: Onno Scholtze [1/2]; Michael Kempff, Martin Wöhr [3/4];
Helmut Burk [5]; Günter Hermanns, Gernot Westhaeuser [9/10];
Hans-Ulrich Bastin [11]; Arthur Lilley [13]Publishers: Universal Edition [5]; Boosey & Hawkes [9]; Oxford University Press [10];Sikorski [11]; Broude Brothers [12]! 1992 Universal International Music B.V. [1/2]! 1984 [3/4] / 2000 [7/8] Sony Music Entertainment Inc.
! 1995 [5] / 2006 [11] / 2013 [12] Deutsche Grammophon GmbH, Berlin! 1995 Arte Nova Musikprodutions GmbH [6]! 1976 Universal Classics Group, a Division of UMG Recordings Inc. [9/10]! 1973 Decca Music Group Limited [13]

BACH AFTER BACH

Czech Philharmonic Orchestra | Leopold Stokowski [13]137CD 218 85:39
Inspired by Bach – Gounod to Pärt
Charles Gounod (1818–1893)
1

Méditation sur le Premier Prélude de S. Bach

4:24

after Prelude BWV 846 from The Well-Tempered Clavier, Book I

Ignaz Moscheles (1794–1870)

BACH AFTER BACH

Studies in Melodic Counterpoint op. 137
after The Well-Tempered Clavier, with cello obligato
23

1. Prelude in C major (BWV 846)
8. Prelude in D minor (BWV 875)

4

Chromatic Fantasia and Fugue in D minor BV B 38

3:01
1:43

Ferruccio Busoni (1866–1924)
14:40

Arrangement for Cello and Piano after BWV 903

Max Reger (1873–1916) | Karl Straube (1873–1950)
2-Part Inventions · Zweistimmige Inventionen

BACH 333

Arrangements for Organ as “Schule des Triospiels”

138

5
6
7
8

Inventio 5 in E flat major BWV 776
Inventio 6 in E major BWV 777
Inventio 7 in E minor BWV 778
Inventio 8 in F major BWV 779

2:10
2:38
1:38
1:21

Max Reger
Prelude and Fugue for Solo Violin in G major op. 117/5
after Prelude BWV 572

910

Molto vivace
Moderato

1:26
5:13

3:53

Igor Stravinsky (1882–1971)
Canonic Variations on the Christmas Song:Vom Himmel hoch, da komm ich her BWV 769
Arrangement for Chorus and Orchestra

12
13
14
15
16
17

ChoralVar. I: In canone all’ ottava
Var. II: Alio modo in canone alle quinta
Var. III: In canone alla settima
Var. IV: In canone all’ ottava per augmentationem
Var. V: L’altra sorte del canone al rovescio

0:46
1:17
1:13
2:09
2:34
2:40

Luciano Berio (1925–2003)
18

Contrapunctus XIX

8:40

BACH 333

Ragtime (wohltemperiert)
after Fugue BWV 847 from The Well-Tempered Clavier, Book I

BACH AFTER BACH

Paul Hindemith (1895–1963)
11

Arrangement for 23 Players after The Art of Fugue BWV 1080

139

Peter Maxwell Davies (1934–2016)19

Prelude and Fugue in C sharp major BWV 848
Arrangement for Chamber Ensemble from The Well-Tempered Clavier, Book I

4:20

Harrison Birtwistle (*1934)20

Seufzer, Tränen, Kummer, Not

4:35

BACH AFTER BACH

Arrangement for Soprano, Oboe and Ensemble after Cantata BWV 21

Arvo Pärt (*1935)
21

Credo for Piano Solo, Mixed Choir and Orchestra

15:16

after Prelude BWV 846 from The Well-Tempered Clavier, Book I

Arthur Grumiaux violin | István Hajdu piano [1]Jelena Očić cello | Federico Lovato piano [2/3]
Lucia Swarts cello | Leo van Doeselaar piano [4]Christian Barthen organ [5–8] | Mateja Marinković violin [9/10]

BACH 333

Michael Guttman violin | Philharmonia Orchestra | José Serebrier [11]140

Tanglewood Festival Chorus
Boston Symphony Orchestra | Seiji Ozawa [12–17]
Orchestra Sinfonica di Milano Giuseppe Verdi | Riccardo Chailly [18]The Fires of London | Peter Maxwell Davies [19]Claire Seaton soprano
Melinda Maxwell oboe | Richard William Stafford Hudson clarinet
Helen Tunstall harp | Ben Fullbrook marimba [20]

BACH 333

Recordings: Amsterdam, 2/1973 [1]; Leipzig, FWL Studios, 1/2011 [2/3];
Netherlands, Renswoude, Hervormde Kerk, 5/1997 [4]; Germany, Fulda, Dom,
6/2013 [5–8]; United Kingdom, Petersham, All Saints Church [9/10]; London,
Walthamstow Assembly Hall, 1/1995 [11], 1/1980 [19]; Boston, Symphony Hall,
4/1990 [12–17]; Auditorium di Milano, 8/2004 [18]; London, East Finchley, All Saints
Church, 9/2008 [20]; Stockholm, Sveriges Radio, Berwaldhallen, 9/2003 (live) [21]Producers: Piotr Furmanczyk [2/3]; Ted Diehl [4]; Wolfgang Rübsam [5–8];
Stephen Johns [9/10]; Wilhelm Hellweg [12–17]; Andrew Cornall [18];Antony Hodgson [19]; Mike Purton [20]; Sid McLauchlan [21]Balance Engineers: Piotr Furmanczyk [2/3]; Mike Hatch [9/10];
Brian B. Culverhouse [11]; Onno Scholtze [12–17]; Jonathan Stokes [18];Geoffrey Barton [19]; Tony Faulkner [20]; Rainer Maillard [21]! 1973 [1] / 1992 [12–17] Universal International Music B.V.
! 2011 [2/3] / 2007 [4] Challenge Classics! 2014 Naxos Rights US Inc. [5–8]! 1994 [9/10] / 1995 [11] ASV Ltd.
! 2004 Universal Music Italia Srl [18]! 1981 Unicorn-Kanchana Records [19]! 2009 Melinda Maxwell [20]
! 2003 Deutsche Grammophon GmbH, Berlin [21]

BACH AFTER BACH

Hélène Grimaud piano
Swedish Radio Choir | Stefan Parkman chorus master
Swedish Radio Symphony Orchestra | Esa-Pekka Salonen [21]141CD 219 82:16
Bach & The Virtuoso Piano – Liszt and Busoni
Arrangements and Transcriptions for Piano
Franz Liszt (1811–1886)
1Prelude and Fugue in A minor S 462/1

9:33

after Prelude and Fugue BWV 543

2

Variations on the motive by Bach “Weinen, Klagen” S 180

14:05

BACH 333

BACH AFTER BACH

after Cantata BWV 12, Mass in B minor BWV 232 and Cantata BWV 99

142

Fantasia and Fugue in G minor S 463
after Prelude and Fugue BWV 542

3
4

Grave
Allegro

5:09
5:20

5
6
7

Toccata, Adagio and Fugue in C major BWV 564
1. Preludio, quasi improvvisando. Tempo moderato
2. Intermezzo. Adagio
3. Fuga. Moderatamente scherzando, un poco umoristico

6:59
6:04
4:28

8

Chorale Preludes
Jesus Christus, unser Heiland BWV 665

6:11

Ferruccio Busoni (1866–1924)

9

In dir ist Freude BWV 615

2:05

10

Herr Gott, nun schleuß den Himmel auf BWV 617

3:11

11

Durch Adams Fall ist ganz verderbt BWV 637

2:37

3:47
2:12

14

Ich ruf zu dir, Herr Jesu Christ BWV 639

3:03

15

Komm, Gott Schöpfer, Heiliger Geist BWV 667

2:14

16

Nun komm, der Heiden Heiland BWV 659

5:16

Hélène Grimaud [1] | Alfred Brendel [2/16]
Francesco Piemontesi [3/4] | Kun-Woo Paik [5–11/13]
Gianluca Cascioli [12] | Nelson Freire [14/15]

Recordings: Berlin, Funkhaus Nalepastrasse, Saal 1, 8/2008 [1]; 7/1989 [2];
Switzerland, RSI Lugano, 9/2010 [3/4]; Suffolk, Dunwich, Potton Hall,
6/2000 [5–11/13]; Hamburg, Friedrich-Ebert-Halle, 8/1996 [12], 8/2015 [14/15];
London, Walthamstow Assembly Hall, May 1976 [16]Producers: Stephan Flock [1]; Volker Straus [2/16]; Michael Rast [3/4]; Andrew
Cornall [5–11/13]; Sid McLauchlan [12]; Dominic Fyfe [14/15]
Balance Engineers: Stephan Flock [1/12]; Volker Straus [2/16];
Michael Rast [3/4]; Philips Siney [5–11/13]; Jonathan Stokes [14/15]! 2008 [1] / 1997 [12] Deutsche Grammophon GmbH, Berlin! 1990 [2] / 1977 [16] Universal International Music B.V.
! 2011 Avanti Classic [3/4]! 2000 [5–11/13] / 2016 [14/15] Decca Music Group Limited

BACH AFTER BACH

Wachet auf, ruft uns die Stimme BWV 645
Nun freut euch, lieben Christen gmein BWV 734

BACH 333

12
13

143

CD 220 81:42
Bach & The Virtuoso Piano – The 20th Century

1
2
3

Sergei Rachmaninov (1873–1943)
Suite from Partita for Solo Violin No. 3 in E major BWV 1006
1. Preludio
3. Gavotte en Rondeau
7. Gigue

4
5

Prelude in E minor BWV 855 (transposed into B minor)
Prelude in G minor BWV 535

6Jesu, Joy of Man’s Desiring from Cantata BWV 147

3:31
2:41
1:38

BACH AFTER BACH

Alexander Siloti (1863–1945)
3:00
4:33

Myra Hess (1890–1965)
3:38

Arnold Bax (1883–1953)
7

Fantasia in G major BWV 572

8

Der Tag, der ist so freudenreich BWV 605 from Orgelbüchlein

5:43

BACH 333

Constant Lambert (1905–1951)

144

1:54

Lord Berners (1883–1950)
9

In dulci jubilo BWV 729

1:50

Ralph Vaughan Williams (1872–1958)
10
11

Ach bleib bei uns, Herr Jesu Christ BWV 649
1. Chorale
2. Chorale Prelude

1:08
3:36

Cyril Scott (1879–1970)
12

Mein gläubiges Herze from Cantata BWV 68

2:36

Harriet Cohen (1895–1967)
13

Sanctify us by thy goodness from Cantata BWV 22

14Blithe Bells

3:15

4:01

A Free Ramble on Bach’s “Sheep May Safely Graze” from Cantata BWV 208

Anonymous (19th century)
15

Sonata from Cantata BWV 182

16

Bachianas Brasileiras No. 4 W 264
1. Prelúdio (Introdução)2:19

Heitor Villa-Lobos (1887–1959)
5:18

BACH AFTER BACH

Percy Grainger (1882–1961)

Ignaz Friedman (1882–1948)
Mein gläubiges Herze from Cantata BWV 68

3:37

Wilhelm Kempff (1895–1991)
18
19

Siciliano from Sonata BWV 1031
Befiehl du deine Wege BWV 727

4:13
2:11

BACH 333

17

Michael Finnissy (*1946)
20

Joh. Seb. Bach

3:38

145

Judith Weir (*1954)
21

Roll off the Ragged Rocks of Sin from Cantata BWV 132

3:54

Andrew Toovey (*1962)
22

Cantus Firmus

1:54

BACH AFTER BACH

Henri Dutilleux (1916–2013)23

Toccata-Troncata

1:48

Béla Bartók (1881–1945)
25

Hommage à J.S.B. No. 79 from Mikrokosmos Sz 107 (Book 3)

0:55

György Kurtág (*1926)
Sonata in E flat major BWV 525: Mvt. 1
Sonatina from Gottes Zeit ist die allerbeste Zeit BWV 106
Vladimir Ashkenazy [1–3] | Víkingur Ólafsson [4] | Nelson Freire [5/6]
Antony Gray [7/8/10–12/15/20–22] | Gordon Fergus-Thompson [9]Alicia de Larrocha [13] | Bengt Forsberg [14] | Jorge Luis Prats [16]Petronel Malan [17] | Evgeny Kissin [18] | Wilhelm Kempff [19]Robert Levin [23] | Béatrice Rauchs [24] | Zoltán Kocsis [25]

146

3:27

Sofia Gubaidulina (*1931)
24

26
27

BACH 333

Hommage à Bach No. 5 from Au gré des ondes

Márta Kurtág | György Kurtág [26/27]

2:58
2:23

BACH AFTER BACH
BACH 333

Recordings: Berlin, Teldec Studios, 12/2000 [1–3]; Reykjavik, Harpa Concert Hall,
4/2018 [4]; Hamburg, Friedrich-Ebert-Halle, 8/2015 [5/6], 7/1997 [25]; Sydney,
Eugene Goossens Hall of the Australian Broadcasting Corporation’s Ultimo Centre,
2003/4 [7/8/10/11/20–22]; United Kingdom, Cheam, St Dunstan’s [9]; London,
Kilburn, St Augustine’s Church, 9/2012 [12/15]; London, Kingsway Hall, 6/1977 [13];München, Residenz, Herkulessaal, 8/2005 [14]; Spain, Zaragoza, Auditorio, Sala
Mozart, 3/2011 (live) [16]; USA, Nicasio, Skywalker Sound, 1/2001 [17]; München,
Bavaria Musikstudios, 12/1990 [18]; Hannover, Beethovensaal, 4/1975 [19];Lugano, Auditorio Radio Svizzera, 12/2008 [23];France, Metz, Arsenal, 7/1995 [24]; Wien, Konzerthaus, Mozart-Saal, 7/1996 [26/27]
Producers: Andrew Cornall [1–3]; Christopher Tarnow [4]; Dominic Fyfe [5/6/16];
Alexander Waugh [9]; James Walker [13]; Sid McLauchlan [14]; Victor Ledin [17];Werner Mayer [18]; Rudolf Werner [19]; Manfred Eicher [23/26/27]; Katja Bajenova[24]; Wilhelm Hellweg [25]Balance Engineers: Philip Siney [1–3/16]; Christopher Tarnow [4]; Jonathan Stokes[5/6]; Martin Haskell [9]; Colin Moorfoot [13]; Andrew Wedman [14]; Leslie Ann Jones[17]; Günter Hermanns [18]; Klaus Scheibe [19]; Markus Heiland [23]; Laurent
Watgen [24]; Jean-Marie Geijsen [25]; Stephan Schellmann [26/27]! 2002 [1–3] / 2016 [5/6] / 1978 [13] / 2011 [16] Decca Music Group Limited! 2018 [4] / 2006 [14] / 1993 [18] / 1976 [19] Deutsche Grammophon GmbH, Berlin! 2012 Australian Broadcasting Corporation [7/8/10–12/15/20–22]! 1991 ASV Ltd. [9]! 2003 hänssler Classic [17]! 2010 ECM Records GmbH [23]! 1997 BIS Records AB [24]! 1999 Universal International Music B.V. [25]
! 1997 ECM Records GmbH [26/27]

147

CD 221 82:34

BACH 333

BACH AFTER BACH

Bach à la Jazz

148

1

Improvisation on 1st movement of Concerto for 2 Violins BWV 1043 3:27
Eddie South | Stéphane Grappelli violins
Django Reinhardt guitar

2

Invention in A minor BWV 784
Hazel Scott piano

2:12

3

Get Off My Bach
George Shearing Quintet | George Shearing piano
Al McKibbon bass | Bill Clark drums| Cal Tjader vibraphone

2:41

4

Prelude in C minor BWV 847
Jacques Loussier Trio
Jacques Loussier piano
Pierre Michelot double bass | Christian Garros drums

4:20

5

Bach to Swing
Claude Bolling Trio | Claude Bolling piano

3:29

6
7

Alec Templeton (1909–1963)
Bach Goes to Town
George Malcolm harpsichord
Bach to the Blues (after Wachet auf BWV 645)
Ramsey Lewis Trio | Ramsey Lewis piano
Isaac “Red” Holt drums | Eldee Young bass

2:32
2:34

2:26

9

Ricercar a 6 from Musical Offering BWV 1079 (arr. John Lewis)
The Modern Jazz Quartet | The Swingle Singers

6:31

10

Aria (Air) from Orchestral Suite No. 3 BWV 1068
Jacques Loussier Trio (as track 4)

3:28

11

Valse (based on a theme by Bach)
Bill Evans Trio with Symphony Orchestra
Claus Ogerman arranger, conductor

5:51

12

The Blues for Johann Sebastian
Lalo Schifrin piano & conductor

3:37

13

Allemande in A major
Siegfried Schwab guitar
Jürgen Ehlers double bass | Tom Holm drums

4:16

14

Fugue Tune
Oliver Nelson arranger, conductor
Hank Jones electric harpsichord

4:27

15

Back to BachStan Getz saxophone | Christiane Legrand vocals
Michel Legrand composer, arranger

3:34

BACH AFTER BACH

Praeambulum (from Partita No. 5 BWV 829, arr. Ward Swingle)
The Swingle Singers
Guy Pedersen double bass | Gus Wallez drums

BACH 333

8149

BACH AFTER BACH
BACH 333
150

16

Come Bach to Me
Rhoda Scott jazz organ | Félix Simitaine drums

4:30

17

Fugue No. 4 “A Little Slam in Diamonds”
John Lewis piano | Joel Lester violin | Lois Martin viola
Howard Collins guitar | Marc Johnson double bass

5:05

18

The Bach Suite: Andante
Oscar Peterson piano

3:32

19

Sicilienne from Sonata BWV 1031
Toots Thielemans harmonica | Kenny Werner string arranger, piano

4:30

20

Air from Orchestral Suite No. 3 BWV 1068
Till Brönner trumpet | Frank Kuruc guitar | Roberto Di Gioia piano
Timothy Lefebvre bass | Martijn Vink drums
Bruce Dukov | Tami Hatwan | Radu Pieptea | Yelena Yegoryan
Marina Manukian | Neel Hammond violins
Shawn Mann | Kate Reddish | Brett Banducci violas
Vanessa Freebairn-Smith cello

4:58

Rhythm Arrangement by Till Brönner and Jens Winther
Strings arranged and conducted by Chris Walden

21

Chaconne from Partita BWV 1004
Naoko Terai violin | Naoki Kitajima piano
Kunio Tanaami double bass | Go Nakazawa drums

4:32

BACH AFTER BACH
BACH 333

Recordings: Paris, Swing, 11/1937 [1]; New York, 12/1940 [2]; Los Angeles,
3/1954 [3], 11/1971; Paris, 1959 [4], 1961 [5], 1968 [8], 1966 [9], 1960 [10];London, West Hampstead, Decca Studios, 3/1960 [6]; Chicago, Ter-Mar Studios,
1/1964 [7]; New Jersey, Englewood Cliffs, Van Gelder Studio, 10 & 12/1965 [11];4/1966 [12]; München, 3/1967 [13]; USA [14]; New York City, Rutgers Presbyterian
Church, 1/1984 & 10/1985 [17]; Los Angeles, Westwood Playhouse, 11/1986 (live)[18]; Belgium, Biblo, Kalmthout, 6/2001 [19]; Berlin, Planet Roc Studios and Till’sStudio / Hollywood, Capitol Studio A (strings), 2010 [20]; Japan, 12/2010 [21]Producers: James Walker [6]; Esmond Edwards [7]; Pierre Fatosme [9]; Creed Taylor[11/12]; Horst Hartmann [13]; George Douglas [14]; Stan Getz [15]; Raoul Saint-Yves[16]; John Lewis, Kiyoshi Koyama [17]; Oscar Peterson [18]; Dirk Godts, Veerle Van
De Poel [19]; Andreas Herbig, Henrik Menzel [20]; Naoko Terai [21]Balance Engineers: Alan Reeve [6]; Rudy van Gelder [11/12];
Daniel Léon [19]; Arne Schumann [20]; Tomoo Suzuki [21]! 1938 Swing / Saga SARL [1] · ! 1940 [2] / 1954 [3] / 1964 [7] UMG Recordings, Inc.
! 1959 [4] / 1961 [5] / 1964 [8] / 1966 [9] / 1960 [10] / 1971 [16] Decca Records
France · ! 1961 Decca Music Group Limited [6] · ! 1966 Polydor Inc. [11]! 1966 Verve Label Group, a Division of UMG Recordings, Inc. [11/12]! 1967 Universal Music Classics & Jazz, a division of Universal Music GmbH [13]! 1966 [14] / 1972 [15] The Verve Music Group, a Division of UMG Recordings, Inc.
! 1986 Universal Music LLC [17] · ! 1990 Pablo Records [18]! 2001 Universal Music B. V. [19] · ! 2010 Till Brönner [20]! 2011 EMI Music Japan Inc. [21]151CD 222 76:55

BACH 333

BACH AFTER BACH

New Colours of Bach

152

1

Prelude and Fugue in C major
4:31
András Schiff piano | Ulrich Schnauss keyboards, synthesizer, programming

2

1.3 Courante from Cello Suite No. 1 BWV 1007
2:27
Peter Gregson solo cello & synthesizers | Richard Harwood
Reinoud Ford | Tim Lowe | Ben Chappell | Katherine Jenkinson cellos

3

Fugue in G major from BWV 550
Amsterdam Loeki Stardust Quartet

3:17

4

Air from Orchestral Suite No. 3 BWV 1068
Anne-Sophie Mutter violin & director | Trondheim Soloists

3:48

5

Menuet II from French Suite No. 1 BWV 812
Francesco Tristano piano

1:41

6

Elena Kats-Chernin (*1957)
Re-invention No. 1 after Inventio 8 BWV 779
Genevieve Lacey descant recorder | Flinders Quartet

4:23

7

Herzlich tut mich verlangen BWV 727
Håkan Hardenberger trumpet | Simon Preston organ

2:37

8

Badinerie from Orchestral Suite No. 2 BWV 1067
Benny Anderssons Orkester (live recording)

2:46

9

Erbarme dich, mein Gott from St Matthew Passion BWV 244
Nigel Kennedy violin | Albrecht Mayer oboe | Sinfonia Varsovia

6:07

2:58

11

Prelude and Fugue in E minor BWV 855 (arr. Olivier Fourès)
2:59
Daniel Hope violin | Juan Lucas Aisemberg viola | Christiane Starke cello12

Duett No. 1 in E minor BWV 802
Francesco Tristano piano

2:03

13

Courante from Cello Suite No. 3 BWV 1009 (arr. Celedonio Romero)
Pepe Romero guitar

2:41

14

5.5 Gavotte from Cello Suite No. 5 BWV 1011
Peter Gregson solo cello & synthsesizers | cellos as track 2

3:08

15

Esurientes implevit bonis from Magnificat BWV 243 (arr. A. Tarkmann)
Albrecht Mayer cor anglais | Sinfonia Varsovia

2:49

16

Widerstehe doch der Sünde BWV 54 (arr. Ólafsson)
Víkingur Ólafsson piano

4:26

17

Sonatina from Cantata BWV 106 (arr. György Kurtág)
Víkingur Ólafsson | Halla Oddný Magnúsdóttir piano

18

Courante from Cello Suite No. 4 BWV 1010
Nobuko Imai viola

3:04

BACH AFTER BACH

Above and Below, B minor (after Bach / Siloti BWV 855)
Peter Gregson cello & synthesizers | Víkingur Ólafsson piano

BACH 333

10

153

19

4.3 Courante from Cello Suite No. 4 BWV 1010
Peter Gregson solo cello & synthesizers | cellos as track 2

2:02

20

Fugue in A flat major BWV 886 from The Well-Tempered Clavier, Book II
Arrangement in B flat by Emanuel Aloys Förster (1748–1823)

2:15

BACH 333

BACH AFTER BACH

Emerson String Quartet

154

21

Fugue in G minor “The Little” BWV 578 (arr. Ronald Romm)
Canadian Brass

3:25

22

Aria from Goldberg Variations BWV 988
Catrin Finch harp

3:33

23

Andante from Flute Sonata No. 5 BWV 1034
Avi Avital mandolin | Ophira Zakai theorbo
Ira Givol cello | Shalev Ad-El harpsichord

3:19

24

1.6 Gigue from Cello Suite No. 1 BWV 1007
Peter Gregson solo cello & synthesizers | cellos as track 2

2:00

25

Contrapunctus 1 from The Art of Fugue BWV 1080
Richard Galliano accordion

4:36

BACH AFTER BACH
BACH 333

Recordings: London, 1984/2016 [1]; Air Studios, Lyndhurst Hall, 2–3/2018[2/14/19/24]; 5/2018 [10]; Abbey Road Studios, 3/1987 [3]; Hamburg, FriedrichEbert-Halle, 2/2007 [4]; Berlin, Teldex Studio [5/12]; Melbourne, Iwaki Auditorium of
the Australian Broadcasting Corporation’s Southbank Centre, 8/2008 [6]; Denmark,Sorø, Klosterkirke, 6/1991 [7]; Sweden, Örebro/Leksand, 8/2005 (live) [8]; Witold
Lutosławski Concert Studio of Polish Radio, 3/2003 [9/15]; Berlin, Funkhaus
Nalepastrasse, Saal 1, 6–7/2012 [11], 10/2011 [23]; Reykjavik, Harpa Concert Hall,
4/2018 [10/16/17]; California, Mission San Luis Rey, 1/1998 [13]; Switzerland, La
Chaux-de-Fonds, Salle de Musique, 1/1999 [18]; New York City, American Academy
and Institute of Arts and Letters, 12/2007 [20]; Toronto, Church of St. Mary
Magdalene, 8/1990 [21]; Wales, Cardiff, Acapela Arts Complex, 3/2008 [22]; Paris,
Notre Dame du Liban, 9/2009 [25]Producers: Michael Haas [1/3]; Peter Gregson, Laurie Anderson [2/14/19/24];
Reinhild Schmidt [4]; Moritz von Oswald [5/12]; Stephen Snelleman [6]; Martha deFrancisco [7]; Benny Andersson [8]; Peter Gregson [10]; Andreas Neubronner [11];Wilhelm Hellweg [13]; Christopher Tarnow [16/17]; Ursula Singer [18]; Da-Hong
Seetoo [20]; Hein Dekker [21]; Hywel Wigley [22]; Andreas Neubronner [23];Emmanuel Jolivet, Richard Galliano [25]Engineers: Adam Miller [2/14/19/24]; John Dunkerley [3]; Dagmar Birwe [4]; Russell
Thomson [6]; Ko Witteveen [7]; Björn Lehnberg [8]; Andrzej Sasin [9/15]; Markus
Heiland [11]; Christopher Tarnow [16/17]; Ursula Singer [18]; Da-Hong Seetoo [20];Hywel Wigley [22]; Andreas Neubronner [23]; Guillaume Mis [25]
! 2016 Decca, a division of Universal Music Operations Limited [1]! 2018 [2/10/14/16/17/19/24] / 2008 [4/20] / 2003 [9/15] / 2013 [11] / 2009 [22] /2012 [23] Deutsche Grammophon GmbH, Berlin · ! 1987 Decca Music Group
Limited [3] · ! 2011 Universal Music Classics & Jazz, a division of Universal Music
GmbH [5/12] · ! 2009 Flinders Quartet [6] · ! 1992 [7] / 1998 [13] / 1999 [18] /1991 [21] Universal International Music B.V. · ! 2006 Mono Music AB [8] · ! 2010
Decca Records France [25]155