003

Ambienti

Ambienti——
Progettare significa Designing means
scegliere, e scegliere choosing, anduna lampada significa choosing a lamp
means staging
mettere in scena
the right light.
la giusta luce.
Le lampade Foscarini Foscarini lamps
are ready to help
sono al servizio
designers translate
di chi progetta,
ideas of light into
per aiutarlo a
tradurre idee di luce “enlightened” spaces.
in spazi “illuminati”.

004

005

Indice dei luoghi — Places index

Hotels — Hotels
021

Fairmont Pacific Rim
Hotel, Vancouver,
Canada026 - 027
Hotel Intercontinental
Davos, Davos Dorf,
Switzerland
029
Hotel Hilton South
Wharf, Melbourne,
Australia
030 W Retreat & Spa,
Vieques Island, USA
040 - 041
Hotel Holiday Inn Paris
Gare de l’Est, Paris,
France049 Hotel Adagio, Moscow,
Russia052, 067
Hotel Mandarin
Oriental, Barcelona,Spain054 - 055
Al Khan Resort, Sharjah,
UAE
056 Gran Hotel Havana,Barcelona, Spain
063 Hotel La Monnaie Art &Spa, La Rochelle, France
066 Motel One, Lounge
area, Dresden, Germany
069 The Park Hotel,
Bangalore, India
070
Hipotels Barrosa Palace& Spa, Cádiz, Spain
082- 083
Hotel Hipotels Said,
Mallorca, Spain
091
Big Box hotel, Kempten,
Germany122
Stairwell, Hotel Ohla,
Barcelona, Spain
123
Hotel Le Val Thorens,
Val Thorens, France
143
Hotel Christopher’s,
Londra, UK
146 - 147
Delta Hotel & Resort,
Toronto, Canada
148
Hotel Okko, Nantes,
France178 - 179
Hotel Innside New York
NoMad, NY, USA
183, 204
Hotel Nira Montana,
La Thuile, Aosta, Italy
202
Hotel Hermitage, Luzern,
Switzerland

Bar e ristoranti — Bar
and restaurants
008 - 009
Taizu Restaurant,
Tel Aviv, Israele
018
Maze Restaurant,
Melbourne, Australia
024
Le Bombarde Restaurant,
Venice, Arsenale, Italy
031
Plantage cafe & restaurant,
Amsterdam, NL
035
Q Music Restaurant,
Amsterdam, NL
038
Kokoro Restaurant, Rovigo, Italy
039 Art Restaurant, Arte Fiera Art
First, Bologna, Italy
062
Restaurant Jumeirah at Etihad
Towers Rosewater,
Abu Dhabi, UAE
064 - 065
Tea Room, Paris, France
068 Garibaldi Italian Restaurant
and Bar, Singapore
086, 094
Restaurant Eisfeld, Luzern,
Switzerland
090, 092
Restaurant Le Notre Paris,
Amman, Jordan
098 - 099
Gaijin Restaurant, Helsinki,
Finland100, 104
Bar Decumanus Cafè,
Firenze, Italy
101
Probka Restaurant,
Moscow, Russia
102 - 103
Pier Zero bar,Helsinki airport, Finland
119
Restaurant Le Bombarde
Arsenale, Venice, Italy
130 - 139
Topolopompo Restaurant,
Tel Aviv, Israel
152
Sutton Club, Barcelona, Spain
153
Restaurant Le Bombarde
Arsenale, Venice, Italy
154 - 155
Restaurant F12 Stockholm,
Sweden164 - 165
Bar, La Biennale, Arsenale,
Venice, Italy
166
Restaurant Le Bombarde
Arsenale, Venice, Italy
174 - 175
A Riccione Bistrot, Milan, Italy
190
Restaurant, Berlin, Germany
193
Restaurant Cascina Langa,
Alba, Italy
194 - 195
Restaurant Don Café, Flughafen
Wien Schwechat, Austria
197
Four Seasons Restaurant,
Duesseldorf, Germany
203
Italian Bar La Farfalla, Belgium
207
Da Guido Restaurant, Agenzia
di Pollenzo, Cuneo, Italy

Spazi commerciali — Retail019

Pringle of Scotland Store,
Shanghai, China
025 Talchà Shop, São Paulo, Brazil
034 Food Shop Dinzler,
Ischenberg, Germany
078 - 079
Megion group, BusinessCenter Galleon, Voronezh,
Russia081
Serli store, Trieste, Italy
121
Showroom, A Coruña, Spain
126 - 127
Minotti Showroom,
Shanghai, China
149, 172
Showroom Seoul, Korea
156
Showroom MVM,
Luzern, Switzerland
157
Ottica Ximenes,
Barcelona, Spain
176
Cesar - Flagship store,
Milan, Italy
182
Showroom, Seoul, Korea
205
Carroll Store, Paris, France
Musei e centri culturali —Museums and cultural spaces
022 - 023
International Red Cross and
Red Crescent Museum,
Geneve, Switzerland
048 Lounge, Bookshop at
Arsenale, Venice, Italy
053
The Pavilion, Downtown
Dubai, Dubai, UAE
108 - 115
Museo Poldi Pezzoli, Terrazza
Pollaiolo, Caffetteria, Milan,
Italy
196
Installation at Museum fur
Angewandte Kunst, Frankfurt,
Germany
Uffici — Offices
020 Pinnacle Tower, Amsterdam, NL
050 - 051
A W Experience showroom,São Paulo, Brazil
057, 074
CBC HQ, Guatemala
058 - 059
BDO e CTAC HQ,'s Hertogenbosch, NL
093, 196 - 197
Office Lobby Park 80 West,
Saddle Brook, NJ, USA
095 Shaw Centre Singapore
076
HP Norge office, Oslo, Norway
088 - 089
Rabobank Office, NL
116
Mr.Wash, Düsseldorf, Germany
118 - 120
Entrance hall Holman Fenwick
Willan, London City, UK
124Groupe Ortec HQ,
Marseille, France

Indice dei prodotti — Product index

125
167
200
206

Office Matmut Assurances,
Rouen, France
Business building outdoor,
Antwerp, Belgium
Uni Flair Spa office, reception,
Padua, Italy
Conference room,
Sidney, Australia
Abitazioni — Private houses

028

Private house, Seaside Villa,
Izmir, Turkey
046 - 047Ipês House, São Paulo, Brazil
071
Curved House, Springfield,
Missouri, USA
075
House, Laguna Beach,
California, USA
080 Butterfly House,
San Francisco, USA087
A House, Sofia, Bulgaria
105
P House, São Paulo, Brazil
117
Loft, Chelsea NY, USA
144
Private house, Duesseldorf,
Germany
158
Private house, Udine, Italy
168
Private house stairwell,
New York, USA
169
Transformation of anapartment in Frankfurt, Germany
187
Private house, Milan, Italy

Gregg
128 Plass
150 Uto160 Havana
170 Spokes
180 Rituals
188 Miscellaneous

Allegro+ Allegretto
032 Le Soleil
044 Twiggy
060 Caboche
072 Big Bang
084 Tress
096 Aplomb

006

106

Installazioni — Installations
036 - 037
Cesar installation at Salonedel Mobile, Milan, Italy
042
Installation, Florence, Italy
043 Installation, CDW, London, UK
077
Installation, Biennale Bookshop
at Arsenale, Venice, Italy
140 - 141
Installation, Milan, Italy
142
Installation, London, UK
145
Installation, Biennale
Bookshop at Arsenale,
Venice, Italy
162 - 163
Outdoor installation,
La Biennale, Arsenale,
Venice, Italy
173, 177
Installation, Koln, Germany
184 - 185
Installation, Stockholm,
Sweden186
Installation, The Armory
Show, NY, USA
191
Outdoor installation,
La Biennale, Giardini,
Venice, Italy
192
Installation, Milan, Italy
201
Installation, Biennale
Bookshop at Arsenale,
Venice, Italy

Info tecniche — Technical info
p. 209

007

Lampada a sospensione — Suspension lamp

Allegro + Allegretto
Atelier Oi, 2007

La luce è danza e musica con Allegroe Allegretto, lampade nate dallamagia del suono che diffondono lieve
dalle loro aste metalliche se sfiorate.
Possono esibirsi in un assolo, e ognuna
sostenere la scena, o moltiplicarsiin serie, ed è un’orchestra di linee
leggere, o comporsi liberamente
nel loro repertorio di forme, colori edimensioni. Comunque sia, animanol’ambiente di luce scintillante,proiezioni filiformi, vere e proprie
coreografie nello spazio.

Light becomes dance and musicwith Allegro and Allegretto, lamps
generated by the magic of soundthat softly spreads from their rods
when touched. They take the stage assoloists or ensembles, in a symphonyof slender lines, or freely arranged intheir range of forms, colours and sizes.
In any solution, they bring spaces alivewith their sparkling glow and threadlike shadows, in captivating spatialchoreographies.

Allegro + Allegretto

Ambienti

Restaurant,
Tel Aviv, Israel009

Allegro + Allegretto

Restaurant
Tel Aviv, Israel011

Allegro + Allegretto

013

Studio analitico — Case study

Taizu Restaurant
Tel Aviv → Israel
Design: Pitsou Kedem & Baranowitz – Amit Design Studio
Design team architects: Pitsou Kedem, Hila Sela, Irene Goldberg,
Sigal Baranowitz, Gali Amit
Lighting design: Orly Avron Alkabes
Photography: Amit Geron

Banana leaf
texture1

2

Ambienti

9Banana leaf
inspiration

3

10

4

11

12

Un magistrale accostamento quelloimmaginato per il concept restaurant
Taizu, a Tel Aviv, firmato dall’architetto
Pitsou Kedem e condotto dallo chef Yuval
Ben Neria in una personale e raffinata
interpretazione dello street food delSudest asiatico. Qui Allegro accorda i
suoi registri con un Leitmotiv grafico –
venature stilizzate di foglie di banano– che “avvolge” i commensali e li nutre
anche scenograficamente delle tradizioni
culinarie cui il luogo è dedicato.

5

6

7

8

13

14

15

16

A masterful combination, envisioned
for the Taizu concept restaurant in
Tel Aviv, designed by the architect
Pitsou Kedem and run by the chef
Yuval Ben Neria with a refined personal
interpretation of Southeast Asian street
food. Here Allegro gets in tune with agraphic Leitmotiv – stylized banana
leaf veins – that “wraps” diners to alsooffer visual nourishment, referencing theculinary traditions behind the venue.

Allegro + Allegretto

015

Taizu Restaurant

Studio analitico — Case study

Tel Aviv → Israel

Section A A

Ambienti

Section BB

Plan ↗
01 — Entrance
02 — Outdoor seating area
03 — Lounge

04 — Dining hall
05 — Bar
06 — Chef room

07 — Open kitchen
08 — Restrooms
09 — Kitchen

Taizu si compone di diversi ambienti
e tutti parlano di Asia: dalla lounge area
ispirata alla convivialità istantanea delcibo di strada, alla chef room dalle pareti
in blocchi di bamboo, alla sala principale,baricentro più formale ma bilanciato dallapresenza dinamica del bar e dell’open
kitchen che vi si affaccia, delimitata daalti pannelli pivotanti attraverso i quali
Allegro riverbera col resto degli spazi.

Taizu is composed of different
spaces, all of which speak of Asia: fromthe lounge area focused on the instantconviviality of street food, to the chefroom with walls in white bamboo blocks,
and the main dining room, a more formal
centre of gravity, balanced by the
dynamic bar and adjacent open kitchenbordered by tall pivoting panels, throughwhich Allegro reverberates with the restof the spaces.

Allegro + Allegretto

017

Studio analitico — Case study

Taizu Restaurant
Tel Aviv → Israel

Ambienti

Banana patternwood pivots

Banana patternwood pivots

Allegro è capace d’inusitati
accoppiamenti – resi ancor più versatili
dalla collezione “in scala minore”
Allegretto – e può librarsi sullo sfondo
neutro di un ambiente minimale, in uncontrappunto “assai ritmico e vivace”,
o entrare in risonanza (non c’è parolapiù opportuna) con spazi, come questi,
più inclini alle finezze della decorazione:
comunque arricchendoli di una“musicalità” che renderebbe un po’
magico qualsiasi ambiente contracte non solo.

Allegro is ready for unusual
combinations – made even more versatileby the Allegretto collection “in a minorkey” – and takes flight against the neutral
backdrop of a minimal setting, in arhythmical and “vivace” counterpoint,
or enters into resonance (no term could
be more apt) with spaces like these, witha greater focus on decorative refinement:in any case, it enhances rooms withits musical character, making contract
settings and all other contexts a bit
more magical.

Allegro + Allegretto019← Restaurant
Melbourne, Australia

RetailShanghai, China

Allegro + Allegretto

Ambienti

OfficeAmsterdam, The Netherlands

021

Hotel →
Vancouver, Canada

Allegro + Allegretto

MuseumGenève, Switzerland023

Allegro + Allegretto

025← Restaurant
Venice, Italy

RetailSão Paulo, Brazil

Allegro + Allegretto

Restaurant
Davos, Switzerland

027

Ambienti

Allegro + Allegretto

Private house
Izmir, Turkey

029

Hotel →
Melbourne, Australia

Allegro + Allegretto031← HotelVieques Island, USA

Restaurant
Amsterdam, The Netherlands

033

Lampada a sospensione — Suspension lamp

Le Soleil
Vicente Garcia Jimenez, 2009

Un astro luminoso avvolto dabande schermanti che tracciano orbite
irregolarmente sovrapposte e dosano
la luce: diretta verso il basso ailluminare decisa le superfici, riflessa
lungo i bordi a diffondersi morbidanell’ambiente. È un corpo celeste –o meglio bianco, rosso e acquamarina– che solitario attrae come l’epicentro
di un sistema solare, e moltiplicato incostellazioni o in ordinati allineamenti
crea secondo il colore spazi eterei eraffinati, intensi, giocosi, comunquesorprendenti.

A luminous star wrapped bysheltering strips that form irregular
overlapping orbits to control the flowof light: directly downward, for vivid
lighting of surfaces, and reflected along
the edges to spread softly in space.
A heavenly body – in white, red andaquamarine – with the magnetismof the solitary centre of a solar system,or can be multiplied in constellations
or orderly alignments, creating ethereal
and refined, intense and playful, always
surprising spaces, depending on thecolour.

Le Soleil

Ambienti

RetailIschenberg, Germany

035

Restaurant →Amsterdam, The Netherlands

Le Soleil

Installation
Milan, Italy037

Le Soleil

039← Restaurant
Rovigo, Italy

Restaurant
Bologna, Italy

Le Soleil

Hotel
Paris, France041

Ambienti

Le Soleil

Installation
Florence, Italy

043

Installation →London, UK

045

Lampada da terra, sospensione e soffitto —Floor, suspension and ceiling lamp

TwiggyMarc Sadler, 2006

Una compagnia garbata e colta,
intrisa di sapere e di ricerca che con
naturalezza non ostenta, diretta e
puntuale come la luce che emana
mentre curiosamente ci osserva,
elegantemente ricurva, da dietro
le spalle. Anche da sola, Twiggy
può risolvere uno spazio, che vuole
generoso, regalando humour eanimandolo con la sua presenza
esile e flessibile, ma importante,
di un’elegante sottigliezza di stile.
Insieme ad altre può essere una festa,
anche di colori.

A tactful, erudite companion, versed
in knowledge and research without
displaying it, direct and punctual likethe light she emits while curiously
observing us, elegantly poised behind
our backs. Even on her own, Twiggy canresolve a space, hopefully a generous
one, bringing good cheer and vivacitywith her slender, flexible yet forcefulpresence, with an elegant subtletyof style. Together with others, it’sa party – also of colours.

Twiggy

Private houseSão Paulo, Brazil

047

Twiggy049← Lounge
Venice, Italy

Hotel
Moscow, Russia

Twiggy

OfficeSão Paulo, Brazil

051

Ambienti

TwiggyHotelBarcelona, Spain

053

Museum →Dubai, UAETwiggy

Hotel
Sharjah, UAE

055

Twiggy057← HotelBarcelona, Spain

OfficeGuatemalaTwiggy

Offices’Hertogenbosch, The Netherlands

059

061

Lampada da sospensione, parete e soffitto —Suspension, wall and ceiling lamp

CabochePatricia Urquiola con Eliana Gerotto, 2005

Caboche infonde una sofisticata
ed elegante effervescenza allo spazio,
moltiplicandolo in un caleidoscopio
di luci e immagini riflesse nelle suesfere trasparenti o giallo oro. Sotto laluce diffusa da uno schermo di vetro
soffiato satinato bianco, queste ne
fanno un oggetto prezioso che rimanda
a fasti classici, ma attualizzato nella
forma e nelle proporzioni da renderlo
estremamente versatile, un accessorio
d’epoca fuori scala, un “gioiello”
utilizzabile anche con dovuta ironia.

Caboche brings sophisticatedand elegant effervescence to space,multiplying it in a kaleidoscope of lights
and images reflected in its transparent
or golden yellow spheres. Under thelight diffused by a white satin-finish
blown glass screen, the spheres make ita precious object that suggests classic
splendour, but updated in terms of form
and proportions to achieve extreme
versatility. An off-scale period piece,
a “jewel” that can also be used withappropriate irony.

Ambienti

CabocheRestaurant
Abu Dhabi, UAE

063

Hotel →
La Rochelle, FranceCabocheBar
Paris, France065

Caboche067← HotelDresden, Germany

HotelBarcelona, SpainCaboche069← Restaurant
Singapore

Hotel
Bangalore, India

CabocheAmbienti

Hotel
Cádiz, Spain

071

Private house →Springfield, Missouri, USA073

Lampada a sospensione — Suspension lamp

Big Bang
Enrico Franzolini con Vicente Garcia Jimenez, 2005

I mille piani di una controllata
deflagrazione della forma, la loro
apparente casualità, la luminosità
diffusa in chiaroscuro e senza abbagli
e una luce ben diretta verso il basso
su “bersagli” ad hoc, danno a Big Bang
un carattere esuberante e insiemecapace di eleganti equilibri. In verticale
su grandi altezze è uno spettacolodi geometrie, in libere composizioni
nello spazio è una nuvola astratta che
regala agli ambienti in cui è immersa
inaspettati gradi di libertà.

The thousand plateaus of acontrolled explosion of form, theirapparent random arrangement,
the diffuse chiaroscuro glow, without
glare, a light directed downward
to particular “targets”, give Big Bangan exuberant character that is also
capable of achieving an elegantbalance. Placed vertically at greatheights, it is a geometric spectacle,
while in free compositions in space
it becomes an abstract cloud that
grants unexpected degrees of freedom
to spaces.

Big Bang

075← Office
GuatemalaHouse
Laguna Beach, CA, USA

Big Bang

Ambienti

OfficeOslo, Norway

077

Installation →Venice, Italy

Big Bang

OfficeVoronezh, Russia

079

Ambienti

Big Bang

Private house
San Francisco, USA

081

Retail →Trieste, Italy

Big Bang

Hotel
Mallorca, Spain

083

085

Lampada a sospensione — Suspension lamp

Tress
Marc Sadler, 2008

Nata da un’appassionata ricerca
sui materiali compositi, è un nido diluce fatto di trame e intrecci che sono
struttura e decoro insieme, e che
producono seducenti giochi luminosi:
ombre e bagliori diffusi da maglie difibra di vetro laccato e luce diretta
dalle estremità. Un’intera famiglia dilampade che vivono con versatilità inspazi ampi o raccolti e, anche quando
spente, li tessono e li ridisegnano
scandendo le diverse aree con piccoli e
grandi totem contemporanei.

The result of intense research oncomposite materials, a nest of lightmade of weaves and braids thatare both structure and decoration,
producing seductive luminous effects:
shadows and glows spread by lacquered
fiberglass mesh, with direct light at theextremities. An entire family of versatilelamps for large or small spaces.
Even when they are off, they bringtexture and character to rooms,
defining different areas with small
and large contemporary totems.

Tress087← Restaurant
Luzern, Switzerland

House
Sofia, Bulgaria

Tress

OfficeThe Netherlands

089

Tress091← Restaurant
Ammam, Jordan

Hotel
Kempten, Germany

TressAmbienti

Restaurant
Ammam, Jordan

093

Office →Saddle Brook, New Jersey, USATressAmbienti

Restaurant
Luzern, Switzerland

095

Office →Singapore

097

Lampada a sospensione — Suspension lamp

AplombLucidi e Pevere, 2010

Talvolta l’eureka di un progettopassa per una semplice punteggiaturadello spazio, purché condotta con
equilibrio e una certa disinvoltura.
Come dire: con aplomb. E così questa
lampada: un filo (a piombo) e un peso,
un cono di luce diretta, protetta da
una piccola architettura brut, fatta di
un levigato cemento speciale. Un salto
di scala che dà ritmo allo spazio con
inserti liberi e puntuali, traducendo
linguaggi e materiali inattesi in nuove e
leggere arie metropolitane.

Sometimes the “eureka moment”
of a project is triggered by a simple
punctuation of space, if it happens withbalance, and a certain nonchalance.
With aplomb, so to speak. As in thislamp, for example: a cable (a plumbline) and a weight, a cone of direct
light, protected by a small work ofbrut architecture made of special
polished cement. A leap of scale that
adds rhythm to the space with free,punctual inserts, translating unexpectedmaterials and languages into new,light metropolitan arias.

Aplomb

Restaurant
Helsinki, Finland099

Aplomb

0101
101

← Bar
Firenze, Italy

Restaurant
Moscow, Russia

AplombBar
Helsinki airport, Finland103

Ambienti

AplombBar
Florence, Italy

105

Private house →São Paulo, Brazil

107

Lampada a sospensione, outdoor, terra e parete — Suspension,
outdoor, floor and wall lamp

Gregg
Ludovica e Roberto Palomba, 2007

Asimmetrica, dai raccordi eleganti,
mutevole col punto di vista, Gregg
è un oggetto universale. Gioca con
le geometrie ineffabili della natura,
col sapere del vetro soffiato, conrimandi alla cultura più alta, ma fugge
le catalogazioni, i codici stilistici, il
previsto e il predisposto. Sa stare dasola, ma dà il meglio in compagnia,diffondendo la sua luce calda coninsiemi enigmatici ma familiari, capaci
di dialogo con qualsiasi ambiente:qualsiasi davvero, perché può inserirsi
ovunque.

Asymmetrical, with elegant joints,changing depending on the vantage
point, Gregg is a universal object.
It plays with the ineffable geometriesof nature, the know-how of blown glass,with references to the highest culture,
while eluding categories, stylistic codes,
predictability. It enjoys independence,but prefers company, spreading its
warm light in enigmatic but familiar
ensembles, ready for dialogue with any
environment: truly any space, because
it is at home everywhere.

GreggMuseumMilan, Italy

109

GreggAmbienti

MuseumMilan, Italy

111

Gregg

113

Studio analitico — Case study

Poldi Pezzoli Museum
Terrazza Pollaiolo, Caffetteria
Milan → Italy

Ritratto
di giovane dama,
Antonio del Pollaiolo(1472)

Project by: Luca Rolla e Alberto Bertini architects
Project team: Anna Fuselli
Photography: Luca Rolla e Alberto Bertini (interiors),
Gianmarco Corradi (outdoor)

Ambienti

Terrace
external view

Terrace
external view

La Terrazza Pollaiolo risponde a una
precisa esigenza del Museo Poldi Pezzoli,
che si aggiorna a luogo d’incontro e diconfortevole permanenza oltre che disofisticato sapere. Ma è anche un colto
inserimento in una raffinata casa-museo
ottocentesca: ovvero, un “salotto”, néinterno né esterno (o meglio entrambele cose) che, come un passage, omaggia
la modernità storica e la attualizza nel
linguaggio e nella tecnologia.

The Pollaiolo Terrace meets a
precise need of the Poldi Pezzoli Museum,as a gathering place of leisurely comfort
as well as sophisticated knowledge.
It is also an erudite insertion in a refined
19th-century house-museum: a “parlour”,
neither inside or outside (or perhaps both),that like a passage pays tribute to themodernity of history, updating it in termsof language and technology.

Gregg115

Poldi Pezzoli Museum

Studio analitico — Case study

Milan → Italy

Luogo di sosta per il corpo
e il pensiero lungo un denso percorso
museale, la terrazza conserva col suo
involucro vetrato il carattere di spazio
aperto. Uno spazio trasparente chesi offre a molteplici usi, con colori emateriali discreti, inondato di luce diurna
ed esposto al cielo notturno: valore che
un altro “cielo stellato” ben sottolinea,
una costellazione di lampade Gregg
che riflesse nelle vetrate raddoppiano
abilmente lo spazio, e sospese lo
illuminano con scenari mutevoli,
giocosi e colti.

A relaxing place for the bodyand mind along an intense museum
itinerary, with its glass enclosure theterrace conserves the character of open
space. A transparent space that lends
itself to multiple uses, with discreet
colours and materials, flooded withdaylight or open to the night sky: a virtue
underscored by another “starry sky”,
a constellation of Gregg lamps, reflectedin the windows, nimbly doubling the spaceand lighting it, suspended, with mutable,
playful, rrefined
scenarios.
e in
efi ed scenar

Ambienti

Section 1

Internal view ↗

Section 2

Section 3

Gregg117← Retail
Düsseldorf Germany

Private HouseNew York, USA

GreggAmbienti

Entrance hallLondon City, UK

119

Restaurant →Venice, Italy

Gregg121← Entrance hallLondon City, UK

OfficeA Coruña, Spain

GreggAmbienti

Hotel
Barcelona, Spain

123

Hotel →
Val Thorens, FranceGregg125← Office
Marseille, France

OfficeFranceGreggAmbienti

RetailShanghai, China

127

129

Lampada a sospensione — Suspension lamp

Plass
Luca Nichetto, 2011

Omaggio alla tradizione delle perle
di vetro muranesi, questo grande
sferoide è un salto concettuale,materiale, percettivo che legamemoria e creatività sperimentale.
Dallo stampaggio rotazionale delpolicarbonato nasce la sua superficie
singolare, volutamente “imperfetta”,
che vibra di luce dall’interno. Da
spenta esalta i suoi colori, da accesa
li stempera in una luminosità liquida,quasi lagunare. Predilige spazi ampi,
cui sa infondere presenza e leggerezza
insieme.

A tribute to the tradition of glass
pearls made in Murano, this large
spheroid is a conceptual, material
and perceptive leap that links
memory and experimental creativity.
The rotomoulding of polycarbonate
generates its singular, intentionally“imperfect” surface that vibrates withlight from the inside. When it is off, itscolours gain definition; when it is on,they wane in liquid, almost lagoon-likeluminosity. Plass likes ample spaces inwhich to spread presence and lightness
at the same time.

PlassRestaurant
Tel Aviv, Israel

131

PlassAmbienti

Restaurant
Tel Aviv, Israel

133

Plass135

Studio analitico — Case study

Topolopompo Restaurant
Tel Aviv → Israel
Topolopompo Fire Kitchen

Ambienti

Project by: Baranowitz Kronenberg Architecture, Tel Aviv, Israel
Client/Manufacturer: Avi Conforti, Yael Arenstein-Uri, Anat Laufer, Tel Aviv, Israel
Photography: Amit Geron↑ Sketch idea

È un ristorante-paesaggio, radicato
in simbologie primordiali ma tradotte
con una ricca sensibilità contemporanea.
Fatto di pietra lavica e legno di bamboo,
d’allegorie di mitologici draghi sotto
forma di volute tessili avvolgenti,
d’invenzioni come una parete ditradizionali recipienti per la cottura alvapore: tutto parla di fuoco, calore edenergia naturale in questo ristorante dallo
spazio stratificato.

A restaurant-landscape, rooted inprimordial symbolism but translated withlush, contemporary sensibilities. Madeof lava and bamboo, allegories of mythicaldragons in the form of enveloping textile
coils, inventions like a wall of traditional
vessels for steam cooking: everything
speaks of fire, heat, natural energy,
in this restaurant in a stratified space.

Plass137

Topolopompo Restaurant

Studio analitico — Case study

Tel Aviv → Israel

Un classico paesaggio orientale èlo scenario cui si ispira il progetto: valli
fertili, terrazze a risaia, rilievi e picchi
montuosi sono la matrice dello spazio
interno, dove le geometrie dei volumi
s’intersecano accordandosi con le diverse
funzioni. Le sale aperte, una cucina avista, l’area bar, una lounge si susseguono
fluide su pendii e dislivelli, e generano
percorsi fisici e visivi e diverse forme
di socializzazione tra gli ospiti.

The scenario behind the design is aclassic oriental landscape: fertile valleys,
terraced rice paddies, hills and mountainpeaks form the matrix of the interior,
where the geometric volumes intersect, intune with the various functions. The open
dining rooms, the visible kitchen, the bar
area and a lounge form a fluid sequence
on slopes and staggered levels, generating
physical and visual paths, and different
forms of socializing among the guests.

Ambienti← Gallery and main
floor plan

↑ Gallery and main
floor plan

Plass139

Studio analitico — Case study

Topolopompo Restaurant
Tel Aviv → Israel↑ Entrance

Ambienti

Bar area →La luce è cruciale in quest’interno
vibrante, richiama magie notturne
puntiformi e la delicatezza soffusa delle
tradizionali lanterne asiatiche. Così fonti
luminose disseminate come “lucciole”
illuminano un lungo tavolo lineare ben
disposto a vivaci convivi, mentre Plass
entra elegantemente in scena sui più
raccolti tavoli centrali, dando loro un
senso di speciale intimità con la luce
diretta sui piani, e arricchendo lo spaziodi riflessi diffusi e altre trasparenze.

Light is crucial in this vibrant interior,
evoking punctiform nocturnal magic,
the hazy delicacy of traditional Asianlanterns. Light sources scattered likefireflies brighten a long linear table readyto welcome lively conversations, while
Plass makes an elegant entrance overthe cosier central tables, granting thema sense of special intimacy with direct
light on their surfaces, while enhancing
the space with cast reflections and othertransparencies.

PlassInstallation
Milan, Italy

141

Plass143← Installation
London, UK

Hotel
London, UK

Ambienti

Plass

Private house
Duesseldorf, Germany

145

Installation →Venice, Italy

PlassHotel
Toronto, Canada

147

PlassAmbienti

HotelFrance149

Retail →Seoul, Korea

151

Lampada a sospensione — Suspension lamp

Uto
Lagranja Design, 2005

Con Uto la luce si fa gioco: un gioco
ubiquo, mobile, trasferibile, colorato,
morbido e sempre disponibile allevariazioni del momento. È flessibilità
fatta lampada: la gomma siliconica
del suo corpo con il lungo filo chel’accompagna le permette di avvicinarci
ovunque, insinuandosi morbida nello
spazio tra le cose, producendosi inludiche circonvoluzioni, ma anche inverticali compostezze. Comunque sia,
Uto disegna forme nello spazio con
duttilità, declinando gioco e misura
insieme.

With Uto, light becomes play:a game of ubiquity, mobile, movable,colourful, soft and always adaptable
to the variations of the moment.
It is flexibility in the form of a lamp:
the silicone rubber of its body with thelong wire that accompanies it lets
the lamp go anywhere, softly winding
its way between things, playfully
twisting, yet always with the proper
vertical composure. In any case, Utodraws ductile forms in space, combining
playfulness and a sense of measure.

Uto

Ambienti

Club
Barcelona, Spain

153

Restaurant →Venice, Italy

Uto

Restaurant
Stockholm, Sweden

Uto

157

← Retail
Luzern, Switzerland

RetailBarcelona, Spain

Ambienti

Uto

Private house
Udine, Italy

159

Private house →Udine, Italy

161

Lampada da terra e sospensione — Floor and suspension lamp

HavanaJozeph Forakis, 1993/2005

Un corpo affusolato che emana
una luce calda e diffusa, un involucro
elegante di polietilene satinato che
non s’inserisce solo nello spazio, ma lo
crea: ne definisce i contorni, identifica
le aree, segna i percorsi con freschezzadisciplinata, a terra presidia l’ambiente
con sicurezza e sospeso nell’aria
viaggia leggero come un aerostato.
Una forma evocativa che sa dare deltu all’architettura, anche quella delMoMA di New York, dove fa parte dellacollezione permanente di design.

A tapered body that emits warm,
diffuse lighting. An elegant satin-finish
polyethylene wrapper that does notjust insert itself in space, but creates
it: defining its contours, identifying
areas, marking paths with rigorous
freshness. On the floor, it presides
over the environment with confidence.
Suspended in the air, it floats lightly,
like an airship. An evocative form on
a first-name basis with architecture,even that of the MoMA in New York,
where it is part of the permanent
design collection.

Ambienti

HavanaInstallation
Venice, Italy

163

Installation →Venice, ItalyHavanaBar
Venice, Italy

165

Havana167← Restaurant
Venice, Italy

OfficeAntwerp, Belgium

Ambienti

HavanaPrivate house
NY, USA169

Private house →Frankfurt, Germany

171

SpokesUna ruota di bicicletta è il suo readymade “rettificato”, i suoi raggi ricurvi in
tondino metallico formano un volume
leggero che vela appena lo spazio, ene preserva la continuità con diafane
sovrapposizioni. Spokes è una presenzaeterea che regala efflorescenze di luce.
Ma anche di ombre, grazie ai due LED
che custodisce come una voliera: uno,
infatti, è rivolto verso il basso per una
funzionale luce diretta; l’altro proietta
decori volatili, e anima l’ambiente comeuna lanterna magica.

A bicycle wheel and its “rectified”
ready-made. The curved spokes in metalrod form a light volume that barely
veils space, preserving its continuity
with diaphanous overlays. Spokes
is an ethereal presence that brings
efflorescence of light. But also shadow,
thanks to the two LEDs it protects, as
in a birdcage: one points downward
for functional direct lighting; the othercasts airborne decorative patterns,
bringing space alive like a magic
lantern.

Spokes

Ambienti

RetailSeoul, Korea

173

Installation →Koln, Germany

Spokes

Restaurant
Milan, Italy

175

Spokes177← Retail
Milan, Italy

Installation
Koln, Germany

Spokes

Ambienti

Hotel
New York, USA

179

Hotel →New York, USA

181

Rituals

Applicare fattori culturali compositi
a un progetto industriale porta sempre
qualcosa di nuovo, e Rituals fa partedel nuovo così inteso: ispirata alle
tradizionali lanterne orientali, ne
interpreta le qualità sensoriali in
un raffinato processo produttivo,
ottenendo diffusori di vetro dalla
texture speciale che emanano una luce
di tattile ritualità. Una famiglia di figure
diverse per forma, misure e disposizioni
d’uso, ma aggregabili in singolarità
multiformi, che diffondono calme e
intime atmosfere.

The application of composite
cultural factors to an industrial
project always leads to something
new. And Rituals is part of that novelty:
based on traditional oriental lanterns,
it interprets their sensory qualities ina refined production process, obtaining
glass diffusers with a special texture
to emit a light of tactile ritual character.
A family of figures differing in form,size and arrangement for use, ready forgrouping in polymorphic individualities,
to spread a calm, intimate atmosphere.

Rituals

183← RetailSeoul, Korea

Hotel
La Thuile, Italy

Rituals

Installation
Stockholm, Sweden

185

Rituals

Ambienti

Installation
NY, USA

187

Private house →Milan, Italy

189

Miscellaneous

Ogni lampada Foscarini nasce daun gesto d’autore, ed è portatrice diun preciso temperamento. Ne risulta
un catalogo di oggetti dalla forte
personalità, emancipati da un’unica
matrice stilistica, ma capaci anche
di dialogare tra loro apertamentesenza perdere smalto. Per questo
le lampade Foscarini si propongono
come strumenti versatili e in grado dirispondere, sotto la libera regia delprogettista, a idee e valori diversi dellospazio, ma sempre facendo di ogni
ambiente un’emozione di luce.

Every Foscarini lamp comes fromthe gesture of an author, conveying
a precise temperament. The result
is a catalogue of objects with strong
personalities, freed from a single
stylistic matrix, but capable ofestablishing an open dialogue witheach other, losing none of their original
verve. This makes Foscarini lamps
versatile tools to achieve – under thefree aegis of the designer – different
ideas and values of space, always
filling it with the emotion of light.

Ambienti

Miscellaneous

191

O-Space

Solar outdoor

Restaurant
Berlin, Germany

Installation →Venice, ItalyMiscellaneous193← Fields, Tress

Supernova

Installation
Milan, Italy

RestaurantAlba, ItalyMiscellaneous

Tite, Behive
Restaurant
Flughafen Wien Schwechat, Austria

195

Ambienti

Miscellaneous

197

TropicoChouchin →MuseumFrankfurt, Germany

Restaurant
Duesseldorf, Germany

Miscellaneous

Fields
OfficeSaddle Brook, New Jersey, USA

199

Ambienti

Miscellaneous

201

LumiereTuareg →OfficePadua, Italy

Installation
Venice, ItalyMiscellaneous203← TiteChouchin

Hotel
Luzern, Switzerland

Bar
Belgium

Ambienti

Miscellaneous

205

BirdieChouchin →Hotel
La Thuile, Italy

RetailParis, FranceMiscellaneous207← Lumiere

Tite

OfficeSidney, Australia

Restaurant
Cuneo, Italy

208

209

Indice alfabetico — Alphabetical index

006 Allegro
008
009
010
018
021
022
024
028
030
031
019 Allegretto
025
027
028
029
098 Aplomb susp
100
101
102
104
105
195 Behive table
074 Big Bang susp.
075
076
07 7
078
080
081
082
204 Birdie wall - table

069
070
062
063
064
066
068
071
067
197
203
205
207

Caboche wall
Chouchin200 Lumiere
206
034 Le Soleil susp.
035
036
038
039
040
042
043

Chouchin reverse

190 O-Space

Caboche susp.

192
198

Fields

090
104
108
110
111
116
117
118
120
123
124
125
122
121
119

Gregg floor

167
168
169
162
163
164
166

Ambienti

Caboche ceiling

Gregg susp.

Gregg wall
Gregg outdoor floor
Gregg outdoor susp.
Havana susp.

Havana outdoor floor

Havana outdoor susp.

130 Plass grande
132
133
140
142
144
145
146
148
143 Plass media
149
206
182
183
184
185
187
186
183
185
191
170
171
172
173
174
175
176
177
178
179
193

Rituals susp.

Rituals XL susp.
Rituals table

Solar outdoor
Spokes

194
202
207
094
190
086
087
088
090
091
092
093
095
196
201
046
048
052
053
054
056
057
058
050
049
152
153
154
156
157
158
159

AllegroAtelier Oï, 2007
→ p. 006 - 031

Allegretto
Atelier Oï, 2009
→ p. 008, 010 - 011, 020,
025, 026 - 027, 028

Le Soleil
Vicente Garcia
Jimenez, 2009
→ p. 032 - 043

TwiggyMarc Sadler, 2006
→ p. 044 - 059

Allegro AssaiØ 136 × h 136 cm
Ø 53 1/2” × h 53 1/2”
Allegro Vivace
Ø 64 × h 98 cm
Ø 25 3/16” × h 38 9/16”
Allegro Ritmico
Ø 75 × h 81 cm
Ø 29 1/2” × h 12 3/8" 7/8”

Allegretto AssaiØ 76 × h 87 cm
Ø 29 7/8" × h 34 3/32"
Allegretto Vivace
Ø 50 × h 70 cm
Ø 19 7/8” × h 27 13/32”
Allegretto Ritmico
Ø 51 × h 58 cm
Ø 20 1/8" × h 22 11/16"

Ø 62 × h 43 cm
Ø 24 7/32” × h 17”l 170 / 200 × h 195/280 cm
l 67” / 79” × h 85” / 110”

Policarbonato stampato
ad iniezione e metallo
verniciato.
Injection moulded
polycarbonate and coatedmetal.

Alluminio verniciato
e metallo cromato.
Varnished aluminium
and metal.

Alluminio verniciato
e metallo cromato.
Varnished aluminium
and metal.

220/240V: halo 3×60W G9+ halo 1×75W GU10,
fluo 1×42W GX24q-4
120V: halo 3×75W G9+ halo 1×75W GU10,

Materiale composito
su base di fibradi vetro laccato, PMMA,
policarbonato, metallo
verniciato e alluminio (LED).
Coated fibreglassbased
composite material, PMMA,
polycarbonate, varnishedmetal and aluminium (LED).

LED 220/240V: 63W 3000°K
5000 ImLED 120V: 51W 3000°K
4266 lm
LED included and dimmable
Energy class A+

220/240V: LED retrofit/fluo
2×12W E27, halo 2×100W E27
120V: LED retrofit/fluo
2×12W E26, halo 2×75W E26
Energy class A, C

Tite

Tress floor
Tress susp.

TropicoTuaregTwiggy floor

Twiggy ceiling
Twiggy susp.
Uto

220/240V: halo 1×100W E27+ halo 1×230W R7s
120V: halo 1×75W E26+ halo 1×200W RSC
Energy class C

fluo 1×42W GX24q-4
Energy class A+, A, C

(halo)

LED 220/240V/120V: 33W
3000° K 2920 lm included
Energy class A+
220/240V: halo 3×77W E27
120V: halo 3×100W E26
Energy class C
Dimmer incluso
Dimmer includedLED
retrofit(halo)LED(halo)
LED

Supernova

210

211

Twiggy soffitto
Marc Sadler, 2007
→ p. 050

Caboche sospensione
Patricia Urquiola con
Eliana Gerotto, 2005
→ p. 060 - 071

Caboche parete
Patricia Urquiola con
Eliana Gerotto, 2006
→ p. 063

Caboche soffitto
Patricia Urquiola con
Eliana Gerotto, 2006
→ p. 069, 070

Big Bang
Enrico Franzolini con Vicente
Garcia Jimenez, 2005
→ p. 072 - 083

Tress terra
Marc Sadler, 2008
→ p. 094, 192

Tress grande
Marc Sadler,2009→ p. 086, 088, 091, 092

Tress media + piccola
Marc Sadler, 2009
→ p. 087, 090, 091,
093, 095

Ø 46 × p 170/180 × h 29
Ø 18 1/8” × d 67/71” h 11 7/16”

Caboche grande:Ø 70 × h 28 cm
Ø 29 1/2" × h 11"
Caboche media:
Ø 50 × h 20 cm
Ø 19 3/4" × h 7 7/8"

Caboche media
50 × h 24,5
19 3/4” × h 7 3/5”
Caboche piccola
31 × h 18 cm
12 1/5” × h 7 3/5”

50 × h 19 cm
19 3/4" × h 7 1/2"

Big Bangl 96 × h 66 cm
l 37 3/4” × h 23 2/3”
Big Bang XLl 192 × h 132 cm
l 75 1/6” × h 51 3/32”

Tress grandel 25 × h 195 cm
l 9 27/32’’ × h 76 25/32’’

Tress grandeØ 48 × h 41 cm
Ø 19 1/16’’ × h 15 15/16’’

Polimetilmetacrilato, vetro
soffiato, metallo cromato
e alluminio (LED).
PMMA, blown glass, chromed
metal and aluminium (LED).

Polimetilmetacrilato, vetro
soffiato e metallo cromato.
PMMA, blown glass andchromed metal.

Materiale composito
su base di fibra di vetro
laccato, metallo verniciatoe alluminio.
Compound material
on lacquered fibre base,varnished metal andaluminium.

Materiale composito su basedi fibra di vetro verniciato
e metallo cromato.
Coated fibreglass-based
composite material, chromed
metasl and aluminium.

Tress media
Ø 24 × h 110 cm
Ø 9 7/16’’ × h 45 5/16’’
Tress piccola
Ø 23 × h 61 cm
Ø 9 7/32’’ × h 24 1/32’’

Materiale composito su basedi fibra di vetro verniciato,policarbonato, PMMA e
metallo verniciato.
Compound material onlaquered glass fibre base,
PMMA and laquered metal.
220/240V: LED retrofit/fluo
3×20W E27, halo 3×77W E27
120V: LED retrofit/fluo
3×20W E26
halo 3×100W E26
Energy class A+, A, B, C
Dimmer incluso
Dimmer included

Caboche grande
220/240V:
LED included and dimmable
46W 3000°K 4330 lm
120V:
LED included and dimmable
54W 3000°K, 5051 lm
Energy class A+
220/240V: halo 1×230W R7s
120V: halo 1×200W RSC
Energy class C
Caboche media
LED included and dimmable
35W 3000°K 3062 lm
Energy class A+

220/240V: halo 1×120 R7s
120V: halo 1×100W RSC
Energy class C

Polimetilmetacrilato, vetro
soffiato e metallo cromato.
PMMA, blown glass andchromed metal.
220/240V: halo 1×120 R7s
120V: halo 1×100W RSC
Energy class C

Metacrilato e alluminio
verniciato.
Methacrylate and coatedaluminium.
Big Bang
LED included and dimmable
37,7 W 3000° K 3260 lm
Energy class A+
220/240V: halo 1×160W R7c,
fluo 1×26W GX24q-3
120V: halo 1×200W RSC,
fluo 1×26W GX24q-3
Energy class A+, A, C
Big Bang XL
220/240V: halo 1×160W R7s
120V: halo 1×200W RSC
Energy class C

220 / 240V: halo 1×160W R7s
120V: halo 1×150W RSC
Energy class C

Tress grande
220/240V:
LED included
56W 3000° K, 3721 lm
120V: LED included
46,4W 3000° K , 3193 lm
Energy class A+
220/240V: halo 1×100W E27+ halo 1×230W R7s
120V: halo 1×50W E26+ halo 1×200W RSC
Energy class C(halo)(halo)

Ambienti

LEDLED

220 / 240V: halo 1×160W R7s
120V: halo 1×200W RSC
Energy class C

Tress media / piccola
220/240V: LED retrofit/fluo
1×12W E27
halo 1×100W E27
120V: LED retrofit/fluo 1×26W
E26 + halo 1×75W E26
Energy class A+, A, B, C

(halo)
LED
LED
retrofit

Dimmer incluso, doppia
accensione — Dimmer
included, double switch

LED(halo)

Tress grande
LED included and dimmable
35W 3000° K 3062 lm
Energy class A+

Materiale composito su basedi fibra di vetro verniciato e
metallo cromato.
Coated fibreglass based
composite material andchromed metal.

212

213

Gregg terra
L+R Palomba, 2007
→ p. 123

Aplomb
Paolo Lucidi
e Luca Pevere, 2010
→ p. 096 -105

Gregg tavolo
L+R Palomba, 2007
→ p. 121

Gregg parete
L+R Palomba, 2007
→ p. 122, 123Gregg outdoor terra
L+R Palomba, 2011
→ p. 121

Gregg outdoor
sospensione
L+R Palomba, 2011
→ p. 119

Gregg sospensione
L+R Palomba, 2007
→ p. 106 - 125

Plass grande
Luca Nichetto, 2011
→ p. 128 - 149

Gregg grandel 47 × p 40 × h 185 cm
l 18 1/2’’ × d 15 3/4’’
× h 72 53/64’’
Gregg medial 31 × p 25 × h 168 cm
l 12 3/16’’ × d 10 1/4 ’’× h 66 1/2’’

Ø 17 × h 40 cm
Ø 6 1/2’’ × h 16’’

Gregg grandel 47 × p 40 × h 40 cm
l 18 1/2’’ × d 15 3/4’’ × h 15 3/4’’
Gregg medial 31 × p 26 × h 26 cm
l 12 3/16’’ × d 10 1/4’’ × h 10 1/4’’’
Gregg piccola
l 13 × p 11 × h 11 cm
l 5 1/8’’ × d 4 5/16’’ × h 4 5/16’’

Gregg media
27 × p 31 × h 26 cm
10 5/8" × 10 1/4" × h 12 3 /16"
Gregg piccola
12 × p 13 × h 11 cm
4 3/4" × h 5 1/8" × h 4 5/16"

Gregg XL
59 × p 51 × h 51 cm
23 1/2" × d 20" × h 20"
Gregg grande
47 × p 40 × h 40 cm
18 1/2" × 15 3/4" × h 15 3/4"
Gregg media
31 × p 27 × h 27 cm
12 3/16" × d 10 1/2" × h 10 1/2"

Gregg XL
53 × d 60 × h 50 cm
23 7/16” × d 23 7/16” ×h 19 3/4”
Gregg grande
41 × p 46 × h 39 cm
18 5/16” × d 16 5/16” ×h 15 7/16”
Gregg media
26 × p 31 × h 26 cm
12 1/8 × d 10 5/16”x h 10 1/4”

Gregg grandel 47 × p 40 × h 40 cm
l 18 1/2’’ × d 15 7/8’’ × h 15 3/4’’
Gregg medial 31 × p 26 × h 26 cm
l 12 3/8’’ × d 10 1/4’’ × h 10 1/4’’’
Gregg piccola
l 13 × p 11 × h 11 cm
l 5 1/8’’ × d 4 5/16’’ × h 4 5/16’’

Ø 75 × h 115 cm
Ø 29 1/2” × h 45”

Vetro soffiato acidato
e metallo verniciato.
Blown acid-etched glassand coated metal.
220 / 240V: halo 1×205W E27
120V: halo 1×150W E26
Energy class C
Dimmer incluso
Dimmer included

Cemento e alluminio.
Concrete and aluminium.
220/240V: LED retrofit 1×8W
halo 1×60W G9
120V: LED retrofit 1×9W
halo 1×60W G9Energy class A+, A, C

(GU10)

LED
retrofit

Vetro soffiato acidato
e metallo verniciato.
Blown acid-etched glassand coated metal.
Gregg grande
220 / 240V: LED retrofit/fluo
1×25W E27, halo 1×205W E27
120V: LED retrofit/fluo
1×25W E26, halo 1×150W E26
Gregg media
220 / 240V: LED retrofit/fluo
1×20W E27, halo 1×150W E27
120V: LED retrofit/fluo
1×20W E26, halo 1×100W E26
Gregg piccola
220 / 240V: halo 1×20W G9
120V: halo 1×25W G9Energy class A+, A, B, C
Dimmer incluso
Dimmer included

Vetro soffiato satinato
e metallo verniciato.
Blown acid-etched glassand coated metal.
Gregg media
220/240V: LED retrofit/fluo
1×25W E27, halo 1×150W E27
120V: LED retrofit/fluo
1×26W E26
Gregg piccola
220/240V: halo 1×20W E27
120V: halo 1×25 G9Polietilene stampato inrotazionale e metallo
verniciato.
Rotational moulded
polyethylene and coatedmetal.
Gregg XL - grande
220/240V: LED retrofit/fluo
1×25W E27
120V: LED retrofit/fluo
1×26W E26
Gregg media
220/240V: LED retrofit/fluo
1×15W E27
120V: LED retrofit/fluo
1×15W E26

Polietilene stampato inrotazionale e metallo
verniciato.
Rotational moulded
polyethylene and coatedmetal.
Gregg XL - grande
220/240V: LED retrofit/fluo
1×25W E27
120: LED Retrofit/fluo
1×26W E26
Gregg media
220/240V: LED retrofit/fluo
1×15W E27
120V: LED retrofit/fluo 1×15W
E26

Vetro soffiato acidato.
Blown acid-etched glass.
Gregg grande
220 / 240V: halo 1×205W E27
LED retrofit/fluo 1×30W E27
120V: halo 1×150W E26
LED retrofit/fluo 1×36W E26
Energy class A+, A, B, C
Gregg media
220 / 240V: halo 1×150W E27
LED retrofit/fluo 1×25W E27
120V: halo 1×100W E26
LED retrofit/fluo 1×26W E26
Energy class A+, A, B, C
Gregg piccola
220 / 240V: halo 1×33W G9
120V: halo 1×40W G9Energy class C

Suitable for wet locations(grande / media)

Suitable for wet locations

AmbientiLED(grande / media)
LED
retrofit

retrofit

Policarbonato stampato
in rotazionale e acciaio.
Rotational moulded
polycarbonate and steel.
LED included 30W 3000°K
2500 lm + 1×12W E27/E26
PAR 30
Energy class A+, A
220/240V:
halo 6×60W G9 + 1×100W E27
120V: halo 6×60W G9+ 1×100W E26
Energy class C
220/240V: halo 6×60W G9+ 1×100W E27
120V: halo 6×60W G9+ 1×100W E26
Energy class C

LED

214

215

Plass media
Luca Nichetto, 2015
→ p. 144, 148

Uto
Lagranja Design, 2005
→ p. 150 - 159

LumiereRodolfo Dordoni, 1990
→ p. 200, 206

Havana terra
Jozeph Forakis, 1993
→ p. 160 - 169

Havana sospensione
Jozeph Forakis, 1993
→ p. 167, 168, 169

Havana outdoor terra
Jozeph Forakis, 2005
→ p. 162, 163, 164 - 165

Havana outdoor sospensione
Jozeph Forakis, 2005
→ p. 166

Chouchin
Ionna Vautrin, 2011
→ p. 197, 203, 205

Ø 34 × h 50 cm
Ø 13 1/4” × h 19 1/2”

Ø 20 × h 64 cm
Ø 7 7/8’’ × h 23 5/8’’

Ø 23 × h 172 cm
Ø 9 1/16’’ × h 66 7/8’’

Ø 23 × h 130 cm
Ø 9 1/16’’ × h 51 1/8’’

Ø 23 × h 170/143 cm
Ø 9 1/16’’ × h 67” / 56 1/2”

Ø 23 × h 130 cm
Ø 9 1/16’’ × h 51 1/8”

Policarbonato stampato
in rotazionale e acciaio.
Rotational moulded
polycarbonate and steel.

Elastomero termoplasticoe policarbonato.
Thermoplastic elastomer
and polycarbonate.

Lumiere grandeØ 26 × h 45 cm
Ø 10 1/4” × h 17 3/4”
Lumiere piccola
Ø 20 × h 35 cm
Ø 7 7/8” × 13 3/4”

220/240V: LED retrofit/fluo
1×20W E27 + 1×8W GU10
halo 1×116W E27
120V: LED retrofit/fluo
1×26W E26 + 1×8W GU10
halo 1×100W E26+ 1×50W GU10
Energy class A+, A, B, C

220/240V: LED retrofit/fluo
1×15W E27
120V: LED retrofit/fluo
1×13W E26
Energy class A+, A

Polietilene stampato
ad iniezione e metallo
verniciato o cromato.
Injection moulded
polyethylene and coatedor chromed metal.

Polietilene stampato
ad iniezione e metallo
verniciato.
Injection moulded
polyethylene and coatedmetal.

Polietilene stampato
in rotazionale e metallo
verniciato.
Rotational moulded
polyethylene and coatedmetal.

Polietilene stampato
in rotazionale e metallo
verniciato.
Rotational moulded
polyethylene andcoated metal.

Chouchin 1
Ø 40 × h 31 cm
Ø 15 7/8’’ × h 12 3/8’’
Chouchin 2
Ø 22 × h 43 cm
Ø 8 7/8’’ × h 17’’
Chouchin 3
Ø 30 × h 25 cm
Ø 12’’ × h 9 7/8’’

220/240V: LED retrofit/fluo
1×25W E27
halo 1×116W E27
120V: LED retrofit/fluo
1×26W E26
halo 1×150W E26
Energy class A+, A, B, C

220/240V: LED retrofit/fluo
1×25W E27
halo 1×105W E27
120V: LED retrofit/fluo
1×26W E26
inc 1×100W E26
Energy class A+, A, B, C

220/240V: halo 1×46W E27,
LED retrofit/fluo 1×15W E27
120V: LED retrofit/fluo
1×13W E26
inc 1×60W E26
Energy class A+, A, B, C

220/240V: halo 1×46W E27,
fluo 1×15W E27
120V: LED retrofit/fluo
1×13W E26
inc 1×60W E26
Energy class A+, A, B, C

Suitable for wet locations

Suitable for wet locations

LED

LED

retrofit

retrofitLEDLED

retrofit

retrofit

Suitable for damp locations

Vetro soffiato e alluminio
lucido verniciato.
Blown glass and polishedor varnished aluminium.
Lumiere grande
220/240V: halo 2x48W G9120V: halo 2×40W G9
Lumiere piccola
220/240V:halo 1×40W G9
120V: halo 1×40W G9

LEDretrofit(piccola)

Vetro soffiato verniciato.
Lacquered blown glass.
Chouchin 1 - 2 - 3
220/240V: LED retrofit/fluo
1×25W E27
halo 1×100W E27 PAR 30
halo 1×150W E27
120V: LED retrofit/fluo
1×26W E26
halo 1×75W E26 PAR 30
halo 1×150W E26
Energy class A+, A, B, C

LED

Ambienti

retrofit

216

217

BehiveWerner Aisslinger, 2011
→ p. 195

TuaregFerruccio Laviani, 2013
→ p. 201

Birdie tavolo
L+R Palomba, 2012
→ p. 204

Birdie terra
L+R Palomba, 2011
→ p. 204

Birdie parete
L+R Palomba, 2012
→ p. 204

Spokes
Garcia Cumini, 2015
→ p. 170 - 179

Rituals sospensione
L+R Palomba, 2013
→ p. 180 - 187

Rituals tavolo
L+R Palomba, 2013
→ p. 183, 184 - 185

Ø 39,5 × h 40 cm
Ø 15 1/2’’ × h 15 3/4’’

112 × p 78 × h 209 cm
44 1/8" × 30 45/64" × h 82
9/32"

Ø 25 × h 70 cm
Ø 9 7/8” × h 11 1/2”
Birdie piccola
Ø 17 × 49 cm
Ø6 3/4” × h 19 1/4”

Ø 30 × h 150 cm
Ø 11 3/4” × h 59”

Ø 17 × p 24 × h 20 cm
Ø 6 3/4” × 9 1/2” × h 16 3/4”

Policarbonato, acciaio e
metallo verniciati.
Polycarbonate, coated steel
and metal.

Policarbonato, acciaio
e metallo verniciato.
Polycarbonate, coated steel
and metal.

Spokes 1
Ø 32,5 × h 71 cm
Ø 12 3/4’’ × h 28’’
Spokes 2
Ø 52 × h 52,5 cm
Ø 20 1/2’’ × h 20 5/8’’

Birdie lettura on-off
220/240V: LED retrofit/fluo
1×25W E27
halo 1×150W E27
Birdie lettura touch dimmer
220/240V: halo 1×150W E27
120V: halo 1×150W E26
Energy class A+, A, B, C

220/240V: LED retrofit/fluo
1×25W E27
120V: LED retrofit/fluo
1×20W E26
halo 1×60W E26
Birdie touch dimmer
220/240V: halo 1×70W E27
Energy class A+, A, B, C

Rituals 1
l 24 × h 34 cm
l 9 5/8’’ × h 13 1/2”
Rituals 2
l 34 × h 19 cm
l 13 3/8’’ × h 7 3/8”
Rituals 3
l 19 × h 21 cm
l 7 1/2’’ × h 8 1/8”

Rituals 1
Ø 24 × H 40 cm
Ø 9 1/2” × h 15 3/4"
Rituals 2
Ø 34 × h 25 cm
Ø 13 1/4” × h 10"
Rituals 3
Ø 20 × h 27 cm
Ø 8” × 10 1/2”

Vetro soffiato satinato inciso
e metallo verniciato.
Blown engraved satin glassand laquered metal.

Vetro soffiato satinato inciso
e metallo verniciato.
Blown engraved satin glassand coated metal.

Rituals 1 - 2 - 3
220/240V: LED retrofit/fluo
1×15W E27, halo 1×70W E27,
halo 1×60W G9
120V: LED retrofit/fluo
1×15 E26, halo 1×60W E26,
halo 1×60W G9Energy class A+, A, B, C

220/240V: LED retrofit/fluo
1×15W E27,
halo 1×105W E27,
halo 1×60W G9 (con dimmer)
120V: LED retrofit/fluo
1×15W E26,
halo 1×100W E26,
halo 1×40W G9 (with dimmer)

ABS masterizzato,
policarbonato e
metallo verniciato.
Batch-dyed ABS,
polycarbonate
and coated metal.
220/240V: halo 1×150W E27
120V: halo 1×150W E26
Energy class C

Ambienti

Dimmer incluso
Dimmer included

Alluminio verniciatoe policarbonato.
Varnished aluminium
and polycarbonate.
220/240/120V:
LED included and dimmable
54W 3000°K, 4050 lm

Policarbonato, acciaio e
metallo verniciati.
Polycarbonate, varnishedsteel and metal.
Birdie grande on-off
220/240V: LED retrofit/fluo
1×25W E27
halo 1×150W E27
120V: LED retrofit/fluo
1×26W E26
halo 1×150W E26
Birdie grande touch dimmer
220/240V: halo 1×150W E27
120V: halo 1×150W E26
Energy class A+, A, B, C
Birdie piccola on/off
220/240V: LED retrofit/fluo
1×20W E27
halo 1×70W E27
120V: LED retrofit/fluo
1×20W E26
halo 1×70W E26
Birdie piccola touch dimmer
220/240V: halo 1×70W E27
120V: halo 1×70W E26
Energy class A+, A, B, C

Alluminio e acciaio verniciati.
Varnished steel andaluminium.
LED included and dimmable
38,5W 2700°K 2780 lm
Energy class A

LED

—
(G9)
LED
retrofit

(G9)

218

Rituals XL sospensione
L+R Palomba, 2015
→ p. 186

219

FieldsVicente Garcia
Jimenez, 2007
→ p. 192, 198

Supernova
Ferruccio Laviani, 2000
→ p. 193

O-Space
Luca Nichetto e
Gianpietro Gai, 2003
→ p. 190

TropicoGiulio Iacchetti, 2008
→ p. 196

Tite
Marc Sadler, 2000
→ p. 194, 202, 207

Solar outdoor
Jean Marie Massaud, 2011
→ p. 19115°

l 40 × h 41 cm
l 15 15/16’’ × h 15 3/4”
Vetro soffiato satinato inciso
e metallo verniciato.
Blown engraved satin glassand laquered metal.
220/240V: LED retrofit/fluo
1×25W E27, halo 1×150W E27
120V: LED retrofit/fluo
1×26 E26, halo 1×100W E26
Energy class A+, A, B, C

LED
retrofit

Fields 1
l 170 × p 9 × h 15 cm
l 66 15/16’’ × d 3 1/2’’ × h 5 7/8’’
Fieldsl 178 × p 24 × h 95 cm
l 70’’ × d 9 1/2’’ × h 37 3/8’’
Metacrilato, alluminio
verniciato e policarbonato.
Methacrylate, coatedaluminium and polycarbonate.
Fields 1
220/240/120V: fluo 1×80W G5
Energy class A+, A
Fields220/240/120V: fluo 1×80W G5+ 1×54W G5 + 1×39W G5Energy class A+, A

Supernova
Ø 50 × p 57 × h 60 cm
Ø 19 3/4” × d 22 1/2”
× h 23 3/4”
Supernova XL
Ø 75 × p 86 × h 90 cm
Ø 33 3/32” × d 33 3/32”
× h 35 3/64”
Alluminio verniciato.
Lacquered aluminium.
220/240V: LED retrofit/fluo
1×23W E27,
120V: LED retrofit/fluo
1×20W E26,
inc 1×100W E26
Energy class A+, A, B, C

l 56 × p 43 × h 29 cm
l 22’’ × d 17’’ × h 11 3/8’’
Poliuretano espanso emetallo cromato.
Expanded polyurethaneand chrome metal.
220/240V: halo 1×120W R7s
120V: halo 1×150W RSC
Energy class C

Tropico VerticalØ 30 × h 144 cm
Ø 11 5/6’’ × h 56 11/16’’
Tropico SpheraØ 60 × h 56 cm
Ø 23 3/4’’ × h 22’’

Tite 1
Ø 21 × h 115 cm
Ø 8 1/4’’ × h 45 1/4’’
Tite 2
Ø 21 × h 55 cm
Ø 8 1/4’’ × h 21 3/4’’

Policarbonato stampato ainiezione e metallo cromato.
Injection moulded
polycarbonate and chromed
metal.

Tessuto di vetro, fibra dicarbonio e acciaio nichelato.
Fiber glass fabric withcarbonium thread andnickel-plated steel.

Tropico Vertical
220/240V: fluo 1×40W 2G11
120V: fluo 1×36W 2G11
Energy class A+, A
Tropico Sphera
220/240V/120V:
fluo 1×42W GX24q-4
Energy class A+, A

220/240V: halo 1×116W E27,
LED retrofit/fluo 1×25W E27
120V: LED retrofit/fluo
1×26W E26,
inc 1×100W E26
Energy class A+, A, B, C

Ø 80 × h 26/38 cm
Ø 31 3/8’’ × h 10 1/4’’ - 14 3/4’’
Polietilene stampato
a rotazione, grese metallo verniciato.
Rotational moulded
polyethylene, porcelaine
stoneware top shelf.
220/240V: LED retrofit/fluo
1×25W E27
120V: LED retrofit/fluo
1×26W E26
Energy class A+, A

Suitable for wet locations
Inclinabile fino a 15°.
Reclinable up to 15°.

(Fields 1)
LED

LED

retrofit

retrofit

LED

Ambienti

retrofit

220

221

Appendice — Appendix
A proposito dei luoghi — About the places

Allegro + Allegretto
Taizu Restaurant,
Tel Aviv, Israel
Design: Pitsou Kedem& Baranowitz - Amit
Design Studio
Design team architects:
Pitsou Kedem, Hila Sela,
Irene Goldberg, Sigal
Baranowitz, Gali Amit
Lighting design: Orly
Avron Alkabes
Photography: Amit Geron→ p. 008, 009, 013
Maze Restaurant,
Melbourne, Australia
Photography: Marcel Aucar
Courtesy Space Furniture→ p. 018
Pringle of Scotland Store,
Shanghai, China
Interior design project
by: Atelier Oï© Courtesy Pringleof Scotland→ p. 019

Ambienti

Pinnacle Tower,
Amsterdam, NL
Interior design: Tank
Interior Design Amsterdam
Lighting design: Studio Brink
Photography: Teo Krijgsman
Courtesy Brink Light→ p. 020

Fairmont Pacific Rim Hotel,
Vancouver, Canada
Photography: Heather Merenda
Courtesy Lightform→ p. 021
International Red Cross
and Red Crescent Museum,
Genève, Switzerland
Project: Atelier Oï
Photography: © MICR
photo Alain Germond→ p. 022, 023

W Retreat & Spa,
Vieques Island, USA
Project: Patricia Urquiola
Photography: Ruy Teixeira→ p. 030
Plantage cafe & restaurant,
Amsterdam, The Netherlands
Project: Studio Linse
Photography: Ewout Huibers
Courtesy Mobilia→ p. 031

Le Bombarde Restaurant,
Venice, Arsenale, Italy
Photography:
Alessandro Paderni→ p. 024

Le Soleil

Talchà Shop, São Paulo, Brazil
Architecture: studio mk27
- Marcio Kogan + Luciana
Antunes + Diana Radomysler
Photography: Rômulo Fialdini→ p. 025

Q Music Restaurant,
Amsterdam, The Netherlands
Photography: Product Margje→ p. 035

Hotel Intercontinental Davos,
Davos Dorf, Switzerland
Project: Architect Oikios /Baulink
Interior design: Living Design
Detailed design: CM Design
Lighting design: Licht01→ p. 026, 027
Private house, Seaside Villa,
Izmir, Turkey
Project and interior
design: IM Lab
Photography: IM Lab
and See4real→ p. 028
Hotel Hilton South Wharf,
Melbourne, Australia
Project: Joint Venture
Architects Woods Bagot
and NH Architecture
Photography: Trevor Mein
Courtesy Space Furniture→ p. 029

Food Shop Dinzler,
Ischenberg, Germany→ p. 034

Cesar installation at Salonedel Mobile, Milan, Italy
Project: Garcia Cumini
Courtesy Stand Cesar Eurocucina 2014
→ p. 036, 037
Kokoro Restaurant,
Rovigo, Italy
Project: Nicola Azzi Architect
Photography: Fancy Grafica→ p. 038
Art Restaurant, Arte Fiera
Art First, Bologna, Italy
Photography: Immaginopoli→ p. 039
Hotel Holiday Inn Paris
Gare de l’Est, Paris, France
Project: entirely redesigned
by Axel Schoenert
Architectes andZsofia Varnagy
Photography: © Luc Boegly
Courtesy AS architects→ p. 040, 041

Installation, Florence, Italy
Courtesy Marini Pandolfi→ p. 042
Installation, CDW,
London, UK
Photography: Philip Vile
→ p. 043

TwiggyIpês House,São Paulo, Brazil
Architect: studio mk27 Marcio Kogan + Lair Reis
Interiors: Diana Radomysler
Photography: FG+SG,
Fernando Guerra,
Sergio Guerra→ p. 046, 047
Lounge, Bookshop
at Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 048
Hotel Adagio, Moscow, Russia
Project: On/Off Systems→ p. 049
A W Experience showroom,São Paulo, Brazil
Courtesy Lumini→ p. 050, 051
Hotel Mandarin Oriental,
Barcelona, Spain
Interior design project:
Patricia Urquiola→ p. 052
The Pavilion, Downtown
Dubai, Dubai, UAE
Project: Studio M, Interior
Architecture by
Abboud Malak
Photography: Maha Nasra
Edde, 8th Street Studios→ p. 053

Al Khan Resort, Sharjah, UAE
Project: Studio M, Interior
Architecture by
Abboud Malak
Photography: Maha Nasra
Edde, 8th Street Studios→ p. 054, 055
Gran Hotel Havana,Barcelona, Spain
Project: Beatriz Cosials Taller de Interiorismo
Lighting design dealer:
Lumen’s Boulevard
Photography: Meritxell
Arjalaguer→ p. 056
CBC HQ, Guatemala
Architectural project: Carol
De Saravia - Alfredo Saravia
Interior design project: Carol
De Saravia - Alfredo Saravia,
Alex Titus, Cristina Erazo
and Crista Saravia
Photography: Andres Asturias→ p. 057
BDO e CTAC HQ,’s Hertogenbosch, NL
Project: M+R interiorarchitecture
Photography:
Studio de Winter→ p. 058, 059

CabocheRestaurant Jumeirah at
Etihad Towers Rosewater,
Abu Dhabi, UAE
Photography: JumeirahInternational LLC→ p. 062
Hôtel La Monnaie Art & Spa,
La Rochelle, France
Project: Atelier Solo Philippe Lucazeau,
Nantes, France→ p. 063

Tea Room, Paris, France→ p. 064, 065
Motel One, Lounge area,
Dresden, Germany→ p. 066
Hotel Mandarin Oriental,
Barcelona, Spain
Interior design project:
Patricia Urquiola→ p. 067
Garibaldi Italian Restaurant
and Bar, Singapore→ p. 068
The Park Hotel,
Bangalore, India
Architectural project:
Conran & Partners
Photography: Amit Pasricha
and Bharat Sikka→ p. 069
Hipotels Barrosa Palace& Spa, Cádiz, Spain
Architectural project:
Antonio FernandezInterior design project:
Guillermo Comte
Courtesy Hipotels→ p. 070
Curved House, Springfield,
Missouri, USA
Project by Huff t Projects
Photography: Mike Sinclair→ p. 071

Big Bang
CBC HQ, Guatemala
Architectural project: Carol
De Saravia - Alfredo Saravia
Interior design project: Carol
De Saravia - Alfredo Saravia,
Alex Titus, Cristina Erazo
and Crista Saravia
Photography: Andres Asturias→ p. 074

House, Laguna Beach,
California, USA
Architect: Horst Architects
Interior design: Aria
Design Inc→ p. 075
HP Norge office,Oslo, Norway
Photography:
Gatis Rozenfelds
Courtesy Scenario
Interiorarkitekter→ p. 076
Big Bang Evolution
Installation, Biennale
Bookshop at Arsenale,
Venice, Italy
Photography:
Alessandro Paderni→ p. 077
Megion group,
Business Center Galleon,
Voronezh, Russia
Project: Aleksandra Soboleva
Photography: Aleksandra
Soboleva→ p. 078, 079
Butterfly House,
San Francisco, USA
Interior design:
Feldman ArchitectureLighting design: Kim Cladas
Lighting Design
Photography: Joe Fletcher→ p. 080
Serli store, Trieste, Italy
Photography: Marco Covi
→ p. 081
Hotel Hipotels Said,
Mallorca, Spain
Project and interior design:
Juan Morro
Courtesy Hipotels→ p. 082, 083

Tress
Restaurant Eisfeld,
Luzern, Switzerland→ p. 086
A House, Sofia, Bulgaria
Project: LP Group→ p. 087
Rabobank Office,
The Netherlands→ p. 088, 089
Restaurant Le Notre Paris,
Amman, Jordan
Photography: ExclusiveHomes→ p. 090
Restaurant Hotel Igeretxe,
Getxo, Spain
Project: Susaeta
Courtesy Susaeta→ p. 091
Restaurant Le Notre Paris,
Amman, Jordan
Photography: ExclusiveHomes→ p. 092
Office Lobby Park 80 West,
Saddle Brook,
New Jersey, USA
Project: Gensler
Photography: Park 80 West
- L&L Holdings photography,© Gensler→ p. 093
Restaurant Eisfeld,
Luzern, Switzerland→ p. 094
Shaw Centre Singapore
Project: DPA Architects→ p. 095

222

223

Appendice — Appendix
A proposito dei luoghi — About the places

AplombGaijin Restaurant,
Helsinki, Finland
Architect: Futudesign Oy→ p. 098, 099
Bar Decumanus Cafè,
Florence, Italy
Project and interior design:Mimesi62 Architetti Associati
Courtesy Comet/Marini
Pandolfi Firenze
Photography: Arch.
L. Liverani - Arch. S. Testi→ p. 100
Probka Restaurant,
Moscow, Russia
Interior design: Albina
Nazimova→ p. 101
Pier Zero bar,Helsinki airport, Finland
Project: Detail Design GmbHInterior design: Roger James
Copeland, owner of Detail
Design GmbH
→ p. 102, 103

Ambienti

Bar Decumanus Cafè,
Florence, Italy
Project and interior design:Mimesi62 Architetti Associati
Courtesy Comet/Marini
Pandolfi Firenze
Photography: Arch. L.
Liverani - Arch. S. Testi→ p. 104

P House, São Paulo, Brazil
Architect: studio mk27 Marcio Kogan + Lair Reis
Interiors: Diana Radomysler
Photography: FG+SG,
Fernando Guerra,
Sergio Guerra→ p. 105

Gregg
Poldi Pezzoli Museum,
Terrazza Pollaiolo,
Caffetteria, Milan, Italy
Project: Luca Rolla e Alberto
Bertini architects
Project team: Anna Fuselli
Photography: Luca Rollae Alberto Bertini (interiors),
Gianmarco Corradi (outdoor)→ p. 108, 109, 110, 111, 112,
113, 114, 115
Mr.Wash, Düsseldorf Germany
Project: d.sign Werbeagentur,
Mülheim/Ruhr→ p. 116
Loft, Chelsea NY, USA
Project: Thomas R DevanneyArchitect LLC
Interior design: Lisa Kohler
Photography: Chris Cooper→ p. 117
Le Bombarde Restaurant,
Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 119
Entrance hall Holman Fenwick
Willan, London City, UK
Project: TP Bennett
Courtesy: Chelsea Lighting→ p. 118, 120

Showroom, A Coruña, Spain
Courtesy Halo Iluminaciòn
→ p. 121
Stairwell, Hotel Ohla,
Barcelona, Spain
Courtesy: Halo Iluminaciòn
→ p. 122
Hotel Le Val Thorens,
Val Thorens, France
Project: agence d’architectured’intérieur ID. Associés→ p. 123
Groupe Ortec HQ,
Marseille, France
Project: Virginie Romeo& Stéphane Long
Courtesy PBA→ p. 124
Office Matmut Assurances,
Rouen, France
Project: Artefact Architecte
Courtesy Eclipse Diffusion→ p. 125
Minotti Showroom,
Shanghai, China
Photography: Suisicong→ p. 126, 127

PlassTopolopompo Restaurant,
Tel Aviv, Israel
Architects: Baranowitz
Kronenberg Architecture Ltd
Photography: Amit Geron→ p. 130, 131, 132, 133, 134,
135, 136, 137, 138, 139
Installation, Milan, Italy
Photography: Enrico Rizzato→ p. 140, 141
Installation, London, UK
Photography: Philip Vile
→ p. 142

Hotel Christopher’s, London, UK
Project by: De Matos Ryan
Photography: Hufton + Crow
→ p. 143

Showroom MVM,
Luzern, Switzerland
Courtesy: Sphinx Lichttechnik→ p. 156

Private house,
Duesseldorf, Germany
Project by:Anderswohneninderstadt.dezentralbau GmbHLighting design: Horst /Düsseldorf→ p. 144

Ottica Ximenes,
Barcelona, Spain
Project by: Xavier Martin
Photography: Jordi Miralles→ p. 157

Installation, Biennale Bookshop,
Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 145
Delta Hotel & Resort, Toronto,
CanadaProject by: Champalimaud
Photography: Evan Dion
→ p. 145, 147
Hotel Okko, Nantes, France
Project by: Patrick Norguet
Photography: Jerrome Galland
Courtesy: The Great
Hospitality→ p. 148
Showroom, Seoul, Korea
Courtesy: Barunson→ p. 149

Uto
Sutton Club, Barcelona, Spain→ p. 152

Private house, Udine, Italy
Photography:
Alessandro Paderni→ p. 158
Private house garden,
Udine, Italy
Photography:
Alessandro Paderni→ p. 159

Transformation ofan apartment in Frankfurt,
Germany
Architect: Georg Riesenhuber
Photography: Martin Starl→ p. 169

SpokesShowroom, Seoul, Korea
Courtesy: Barunson→ p. 172
Installation, Koln, Germany
Courtesy: FREIFRAU→ p. 173

Bar, La Biennale,
Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 164, 165
Restaurant Le Bombarde,
Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 166

Cesar - Flagship Store,
Milan, Italy
Project by:
Garcia Cumini Associati
Photography: Andrea Ferrari→ p. 176
Installation, Koln, Germany
Courtesy: FREIFRAU→ p. 177
Hotel Innside New York
NoMad, NY, USA
Project and interior design
by: Peter Poon Architects→ p. 181

Rituals
Restaurant Le Bombarde,
Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 153
Restaurant F12, Stockholm,
Sweden→ p. 154, 155

Business building outdoor,
Antwerp, Belgium→ p. 167
Private house stairwell,
New York, USA→ p. 168

Installation, The Armory
Show, New York, USA
Photography: Teddy Wolff→ p. 186
Private house, Milan, Italy
Photography:
Alessandro Paderni→ p. 187

Four Seasons Restaurant,
Duesseldorf, Germany
Interior project by: Ralf Breuer
Courtesy: Citizenoffice→ p. 197
Office Lobby Park 80 West,
Saddle Brook, New Jersey, USA
Project by: Gensler
Photoraphy: Park 80 West –L&L Holdings photography,©Gensler→ p. 198, 199
Uni Flair Spa office, reception,
Padua, Italy→ p. 200

Miscellaneous
A Riccione Bistrot, Milan, Italy
Project by: Studio FRI,Francesca Poletti, Francesca
Volterra Interior designer→ p. 174, 175

HavanaOutdoor installation, La
Biennale, Arsenale, Venice, Italy
Photography:
Alessandro Paderni→ p. 162, 163

Offecct Showroom,
Stockholm, Sweden
Photography: Patrik Engquist→ p. 184, 185

Showroom, Seoul, Korea
Courtesy: Barunson→ p. 182
Hotel Nira Montana,
La Thuile, Italy
Project by: Studio del Portico→ p. 183

Restaurant, Berlin, Germany→ p. 190
Outdoor installation,
La Biennale, Giardini,
Venice, Italy
Photography:
Alessandro Paderni→ p. 191
Installation, Milan, Italy→ p. 192
Restaurant Cascina Langa,
Alba, Italy
Project by: Davide SalvaticoArchitect
Photography: Carlo Carossio→ p. 193
Restaurant Don Café,
Flughafen Wien Schwechat,
Austria
Project by: BEHF
Corporate Architects→ p. 194, 195
Installation at Museum fur
Angewandte Kunst, Frankfurt,
Germany→ p. 196

Installation, Biennale
Bookshop, Arsenale, Venice,
Italy
Photography:
Alessandro Paderni→ p. 201
Hotel Hermitage, Luzern,
Switzerland
Photography: Erika Peyer→ p. 202
Italian Bar La Farfalla, Belgium
Concept by: 1000Lux.be→ p. 203
Hotel Nira Montana,
La Thuile, Italy
Project by: Studio del Portico→ p. 204
Carroll Store, Paris, France
Copyright: Didier Delmas→ p. 205
Conference room,
Sidney, Australia→ p. 206
Da Guido Restaurant, Agenzia
di Pollenzo, Cuneo, Italy→ p. 207

224

225

Ambienti

Legenda — Key

LED

LED

LED

LED Retrofit

CSQ - IQNETCSQ ECOENEC 15Classe I

cULus

Identifica i modelli con
LED integrati e già inclusi,
risultato della progettazione
ed ingegnerizzazione
Foscarini.

Identifica la possibilità diutilizzare una lampadina
LED retrofit standard
comunemente disponibile
sul mercato.
It marks the possibility ofusing a standard retrofit
LED bulb available on themarket.

Marchio valido in tutto
il mondo, certifica chel’azienda Foscarini attua
un sistema di gestione
ambientale conforme alla
normativa UNI-EN ISO
14001:2004 per garantire
l’impegno dell’azienda
ad operare nel rispettodell’ambiente e con
l’obiettivo continuo diridurre l’impatto delle
proprie attività.

Il marchio ENEC
(Certificazione Elettrica
relativa alle Norme
Europee) è un marchio
volontario rilasciato daenti terzi. Certifica che
il prodotto è conforme erispetta i requisiti proposti
dalla norma EN 60598 ed
è progettato e realizzato
in aziende il cui sistema
di gestione della qualitàsoddisfa i requisiti dellanorma UNI EN ISO 9001.

Apparecchio in classe I°:è obbligatoria laconnessione ail conduttore
di protezione giallo/verde(messa a terra).

It marks the models withintegrated LED included in
the lamp, which is the resultof Foscarini designing andengineering.

Marchio valido in tutto
il mondo, certifica chel’azienda Foscarini attua
un sistema di gestionedella qualità conforme
alla normativa UNI EN ISO
9001:2008, per garantire
un elevato standard
qualitativo nellaprogettazione, sviluppo,
fabbricazione ecommercializzazione dei
propri prodotti.

Certifica che il prodottoè conforme e rispetta
i requisiti proposti dalle
normative nordamericane,viene rilasciato dall’UL,
organizzazione
indipendente leader nel
settore della certificazione
di sicurezza dei prodotti
destinati al mercato
Nordamericano.

The CSQ-IQNET label
is valid all over the world.
It certificates that Foscarini
runs a quality management
system which complies with
the UNI EN ISO 9001:2008
standard, to guarantee
a high quality level forwhat concerns project,
development, production
and distribution of its
products.

This label is valid all over
the world. It certificatesthat Foscarini runs anenvironmental management
system which complies
with the UNI EN ISO
14001:2004 standard
in order to guarantee
company’s commitment tocontinual improvement of its
enviromental performances.

retrofit

The label ENEC (Electrical
Certification concerning
European Standard) is avoluntary label grantedby third organizations. It
certifies that a productcomplieswith the EN 60598 standards
and has been designed andmanufactured by companies
with an approved UNI EN
ISO 9000 quality control
system.

Class I° luminaire: it’snecessary to connect
the device to the yellow/
green protective conductor(earthing).

Certifies that the productis conform to the North
American standards, and isissued by UL, independent
organisation leader in thefield of products safety
certification for the North
American market.

226

227

Legenda — Key

Energy Efficiency
ClassesClasse II

CCC

Americans Disability ACT

IP Protection Degree

Apparecchio in cui laprotezione contro la
scossa elettrica si basa
unicamente sul doppio
isolamento e/o isolamento
rinforzato in ogni parte esenza dispositivo di messa
a terra.

The China Compulsory
Certificate mark certifies
that the product is conformto the Chinese standards.

Serie di normative cheregolano l’arredo di edifici
pubblici a favore dei
portatori di handicap.

The China Compulsory
Certificate mark certifies
that the product is conformto the Chinese standards.

Certification that confirms
accessibility to places ofpublic accommodation andcommercial facilities by
individuals with disabilities.

IP20: apparecchio protetto
contro la penetrazione dicorpi solidi di dimensioni
maggiori a 12 mm e nonprotetto nei confronti dei
liquidi.
IP44: apparecchio protetto
contro la penetrazione dicorpi solidi di dimensioni
maggiori a 1 mm e protetto
contro gli spruzzi d’acqua.
IP65: apparecchio
totalmente protetto contro
la polvere e protetto
contro i getti d’acqua.

Light fittings whose safety
is guaranteed only by the
double and/or reinforced
insulation of all parts, withno earth.
Appareil où la sécuritéélectrique est garantie parun double niveau d’isolation
de toutes les parties sansdispositif de mise à la terre.
Bei Leuchten der Klasse II
ist der Berührungsschutz
durch eine doppelte
und /oder verstärkte
Schutzisolierung aller
spannungführenden Teile
gegeben, ohne Erdung.

Ambienti

Aparatos con protección
contra descargas
eléctricas basados en un
doble aislamiento o un
aislamiento reforzado, sindispositivo
de toma de tierra.

The China Compulsory
Certificate mark certifies
that the product is conformto the Chinese standards.
The China Compulsory
Certificate mark certifies
that the product is conformto the Chinese standards.
The China Compulsory
Certificate mark certifies
that the product is conformto the Chinese standards.

Une série de normes
concernant la décoration
des collectivités en faveurdes handicapés.
Eine Reihe von Vorschriftenfür öffentliche Gebäude
zugunsten der Behinderten.
La Ley de Estadounidenses
con Discapacidades incluye
una serie de normas que
regulan la decoración delos edificios públicos afavor de los minusválidos.

IP20: protected against thepenetration of solid objects
greater than 12 mm and nonprotected against liquids.
IP44: protected against thepenetration of solid objects
greater than 1 mm andprotected against splashingwater.
IP65: dust-tight andprotected against waterjets.

Le classi di efficienza
energetica degli apparecchi
luminosi, definite dalreg. UE n.874/2012, sono
determinate in baseall’Indice di Efficienza
Energetica (IEE) e spaziano
in un intervallo compreso
tra A++ (efficienza massima)
ed E (efficienza minima).
The energy efficiency
classes for light appliances
set out by EU regulation no.
874/2012 are calculatedon the basis of the Energy
Efficiency Index (EEI)
and range between A++(maximum efficiency) andE (minimum efficiency).

Colophon

Foscarini SpA
via delle Industrie 27
30020 Marcon / Venezia /Italy
T +39 041 595 3811
F +39 041 595 3820
foscarini@foscarini.com

edizione 04.2016

Foscarini Inc
17 Greene Street, New YorkNY /10013 / USA
T +1 212 247 2218
F +1 646 545 2564
foscarini.inc@foscarini.com

Photo post-production:
Massimo Gardone / Azimut

Foscarini Spazio Brera
via Fiori Chiari 28 /via Pontaccio 19
20121 / Milano / Italy
T +39 02 870 71320
spaziobrera@foscarini.com
Foscarini Spazio Soho
17 Greene Street, New YorkNY /10013 / USA
T +1 212 257 4412
spaziosoho@foscarini.com

Ambienti

Azienda certificata
UNI EN ISO 9001
UNI EN ISO 14001

Concept and graphic design:
Designwork
art direction: Artemio Croatto
art work: Erika Pittis / Designwork

Texts:
Michele Calzavara
colour separation:
Luce, Udine
made and printed in Italy
by OGM, Padova
foscarini.com