Ample China Dadi Main Panel Manual

Ample China Dadi

Ample Sound

Ample China Dadi Main Panel Manual

CONTENTS

12INSTRUMENT ................................................................................................................................................. 1
1.1

OVERVIEW OF INSTRUMENT ............................................................................................................................... 1

1.2

SAVE/LOAD PRESET ............................................................................................................................................ 1

1.3

L ANGUAGE ......................................................................................................................................................... 1

MAIN PANEL .................................................................................................................................................. 2
2.1

OVERVIEW OF MAIN PANEL ............................................................................................................................... 2

2.2

ARTICULATIONS .................................................................................................................................................. 3

2.2.1

Articulation Classification ................................................................................................................... 3

2.2.2

How to play the keyswitches ............................................................................................................. 4

2.2.3

Articulations of Head Group .............................................................................................................. 4

2.2.4

Articulations of Body Group .............................................................................................................. 4

2.2.5

Special Effects ........................................................................................................................................ 5

2.2.6

Sustain ..................................................................................................................................................... 5

2.2.7

Tonguing（Repeated Tonguing） .................................................................................................... 5

2.2.8

Grace Up ................................................................................................................................................. 5

2.2.9

Grace Down ............................................................................................................................................ 6

2.2.10Pentatonic Up ........................................................................................................................................ 6

2.2.11

Pentatonic Down ................................................................................................................................... 6

2.2.12

Ripple ....................................................................................................................................................... 6

Ample China Dadi Main Panel Manual

2.2.13

Trembling ................................................................................................................................................ 6

2.2.14

Impulse .................................................................................................................................................... 6

2.2.15

Scattering Up ......................................................................................................................................... 7

2.2.16

Scattering Down.................................................................................................................................... 7

2.2.17

Howling Legato ..................................................................................................................................... 7

2.2.18

Expression ............................................................................................................................................... 7

2.2.19Vibrato ..................................................................................................................................................... 7

2.2.20

Trill ............................................................................................................................................................ 8

2.2.21

Flutter ....................................................................................................................................................... 8

2.2.22Marking ................................................................................................................................................... 8

2.2.23Layering ................................................................................................................................................... 8

2.2.24

Slide Up ................................................................................................................................................... 82.2.25

Slide Down.............................................................................................................................................. 92.2.26

Sforzando................................................................................................................................................ 92.2.27

Wolf Tone ................................................................................................................................................ 92.2.28

Slide Out Downwards .......................................................................................................................... 92.2.29

Impulse Release..................................................................................................................................... 92.2.30

Lick .......................................................................................................................................................... 10

2.2.31

Howling ................................................................................................................................................. 10

2.2.32Mirroring ............................................................................................................................................... 102.3

MIC MODES ..................................................................................................................................................... 10

2.4

EXPRESSION...................................................................................................................................................... 10

Ample China Dadi Main Panel Manual

2.5

KEY ................................................................................................................................................................... 10

2.6

WIND ............................................................................................................................................................... 11

2.7

PLAY MODES .................................................................................................................................................... 11

2.8

RANDOM GRACE NOTE.................................................................................................................................... 112.9

LEGATO MODE ................................................................................................................................................. 11

2.9.1

Legato Mode ........................................................................................................................................ 11

2.9.2

Slide Mode ........................................................................................................................................... 12

2.9.3

Legato Smooth .................................................................................................................................... 122.10

SAMPLE LOOP .................................................................................................................................................. 12

2.11

BEND ................................................................................................................................................................ 12

2.12

MOD WHEEL .................................................................................................................................................... 13

2.13

FX GROUP ........................................................................................................................................................ 13

2.14

HOLD PEDAL .................................................................................................................................................... 13

Ample China Dadi Main Panel Manual

1 Instrument
Ample China Dadi is sampled on 5 flutes (in the key of C, D, E, F, and G) of The
Singing of Dragon series Dadi (Xuehua Dong Masterbuilt)

1.1 Overview of Instrument

1. Save/Load Preset
2. Language

1.2 Save/Load Preset
To load a preset, click preset name to open the file chooser window. Left and rightarrow can also be used to quickly change preset. To save current preset, click thedown arrow to open the preset save window.

1.3 Language
Switch Language, will take effect after reopening the window.
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2 Main Panel
2.1 Overview of Main Panel

1. Articulations
2. Mic Mode
3. Middle Mic Volume
4. Mic Solo Mute & Channel EQ
5. Front Mic Volume
6. Back Mic Volume
7. Ambient Mic Volume
8. Master Volume
9. Pan10. Key
11. Expression Gain
12. FX Sound Gain
13. Release Sound Gain
14. Breath Sound Gain
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15. Wind Sound Gain
16. Playing Mode
17. Random Articulations
18. Legato Mode
19. Sample Loop Switch
20. Bend
21. Mod Wheel
22. FX Sound Group
23. Legato Mode Switch
24. Hold Pedal

2.2 Articulations
2.2.1 Articulation Classification
There are 3 kinds of articulations in The Singing of Dragon – Head Group(bluekeyswitches), Body Group(yellow keyswithces) and Special Effect Group(redkeyswitches). Each group occupies one octave.
The head group is used to perform grace notes at head. Articulations with moregrace notes are assigned to higher keyswitches; Ascending and descending
articulations are close together.
The body group can not only perform grace notes at head, but also can be used forarticulation legatos to express changes of the sound body.
The The Singing of Dragon‘s body group can be used for endless articulation
legatos. For example, you can start with a Sustain, hold the note, then play theExpression Keyswitch (C1) to play legato to an Expression note; then play Marking
keyswitch (E1) to play legato to a Marking note, and then press Laying keyswitch(F1) to play legato to a Laying note, and so on.
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2.2.2 How to play the keyswitchesMost articulations will automatically return to Sustain after playing one phrase;
You can also stay on one articulation by holding the keyswitch.
Playing the keyswitch when a note is sounding will play legato to the articulation.

2.2.3 Articulations of Head Group
Full Name

Keyswitch

Range

Sustain

C0

G2-E5

Grace Up

D0

A2-E5

Grace Down

D#0

G2-D5

Pentatonic Up

E0

B2-E5

Pentatonic Down

F0

G2-D5

RippleF#0

G2-D5

Trembling

G0

G2-D5

Impulse

G#0

G2-E5

Scattering Up

A0

B2-E5

Scattering Down

A#0

G2-C5Howling

C#2

G2-E5

Full Name

Keyswitch

Range

Tonguing

C#0

G2-E5

Howling Legato

B0

G2-E5

Expression

C1

G2-E5

Vibrato

C#1

G2-E5

Trill

D1

G2-D5

Flutter

D#1

G2-E5

2.2.4 Articulations of Body Group

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Marking

E1

A2-E5

Layering

F1

G2-E5

Slide Up

F#1

G2-D5

Slide Down

G1

A2-E5

Sforzando

G#1

G2-E5

Wolf Tone

A1

G2-E5

Slide Out Downwards

A#1

G2-E5

Impulse Release

B1

G2-E5

2.2.5 Special Effects
Abbr.

Full Name

Keyswitch

Range

LickLickC2F2-E5

ReverseMirroringD2-2.2.6 Sustain
Keyswitch is C0. Four velocity layers. Howling is triggered when velocity higher than
125.

2.2.7 Tonguing（Repeated Tonguing）
Keyswitch is C#0. High velocity triggers Hard Tonguing. Low velocity triggers
Repeated Tonguing.

2.2.8 Grace Up
Keyswitch is D0. Major 2nd or minor 3rd Grace Up will be used automatically basedon current Key setting.

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2.2.9 Grace Down
Keyswitch is D#0. Major 2nd or minor 3rd Grace Down will be used automatically
based on current Key setting.

2.2.10Pentatonic Up

Keyswitch is E0. High velocity triggers Impulse Pentatonic Up, low velocity triggers
Pentatonic Up.

2.2.11

Pentatonic Down

Keyswitch is F0. High velocity triggers Impulse Pentatonic Down, low velocity
triggers Pentatonic Down.

2.2.12

RippleKeyswitch is F#0. Minor or major 2nd Ripple will be used automatically based on
current Key setting.

2.2.13

Trembling

Keyswitch is G0. High velocity triggers Short Trembling. Low velocity triggers LongTrembling.

2.2.14Impulse

Keyswitch is G#0. Velocity higher than 95 triggers Grace Impulse. Velocity between
95 and 64 triggers Impulse. Lower velocity triggers light Impulse.

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2.2.15

Scattering Up

Keyswitch is A0.

2.2.16

Scattering Down

Keyswitch is A#0.

2.2.17

Howling Legato

Keyswitch is B0. Playing the keyswitch when a note is sounding will play legato to
Howling Legato.

2.2.18

Expression

Keyswitch is C1. Playing the keyswitch when a note is sounding will play legato toExpression.
High velocity triggers Wolf Tone Expression, low velocity triggers Expression.
The music note velocity controls the sample’s starting point. Higher the velocity,
the more part of the sample’s beginning will be bypassed.

2.2.19VibratoKeyswitch is C#1. Playing the keyswitch when a note is sounding will play legato toVibrato.
High velocity triggers Uniform Vibrato. Low velocity triggers Variable Vibrato.
The music note velocity controls the sample’s starting point. Higher the velocity,
the more part of the sample’s beginning will be bypassed.

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Ample China Dadi Main Panel Manual2.2.20

Trill

Keyswitch is D1. Playing the keyswitch when a note is sounding will play legato toTrill.
High velocity triggers Uniform Trill. Low velocity triggers Variable Trill.
Major 2nd or minor 3rd Trill will be used automatically based on current Keysetting.

2.2.21

Flutter

Keyswitch is D#1. Playing the keyswitch when a note is sounding will play legato toFlutter.
High velocity triggers Scattering Flutter. Low velocity triggers Flutter.
The keyswitch velocity also controls fade time.

2.2.22MarkingKeyswitch is E1. Playing the keyswitch when a note is sounding will play legato toMarking.

2.2.23Layering

Keyswitch is F1. Playing the keyswitch when a note is sounding will play legato toLayering.

2.2.24

Slide Up

Keyswitch is F#1. Playing the keyswitch when a note is sounding will play legato to
Slide Up.
Major 2nd or minor 3rd Slide will be used automatically based on current Key
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setting.

2.2.25Slide Down

Keyswitch is G1. Playing the keyswitch when a note is sounding will play legato to
Slide Down.
Major 2nd or minor 3rd Slide will be used automatically based on current Key
setting.

2.2.26

Sforzando

Keyswitch is G#1. Playing the keyswitch when a note is sounding will play legato to
Sforzando. 2 velocity layers.

2.2.27

Wolf Tone

Keyswitch is A1. Playing the keyswitch when a note is sounding will play legato to
Repeated Wolf Tone.

2.2.28Slide Out Downwards

Keyswitch is A#1. Playing the keyswitch when a note is sounding will play legato to
Slide Out Downwards.
Flutter Slide out is triggered for velocity larger than 125, Fast Slide out is triggeredfor velocity larger than 63, Slow Slide out is triggered for velocity smaller than 64.

2.2.29Impulse Release

Keyswitch is B1. Playing the keyswitch when a note is sounding will play legato to
Impulse Release.
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2.2.30Lick

Keyswitch is C2. There are 36 improvisation licks.

2.2.31

Howling

Keyswitch is C#2. High velocity triggers Grace Howling. Low velocity triggers
Howling.

2.2.32Mirroring

Keyswitch is D2. Playing the keyswitch when a note is sounding will reverse thesample at current position. It changes for example a Slide Up to Slide Down, or aSlow-Fast Vibrato to Fast-Slow Vibrato.

2.3 Mic Modes
The The Singing of Dragon has 3 mic modes: Middle Mode and Front Mode、MonoMode, recorded with 5 microphones. You can adjust the volume and channel EQ ofdifferent microphones to get more sound.
1.

L&R Mode2.

Middle Mode

3.

Mono Mode

2.4 Expression
The default MIDI CC is CC11. The Expression controls the dynamic of the sound.

2.5 Keyhe Key setting determines the intervals of some articulations, for example major
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2nd or minor 3rd, minor 2nd or major 2nd.

2.6 Wind
The Wind is the sound of air blowing in the Dadi tube. We extracted this soundfrom each real sample to enable the independent control of this element.
The sound of the Dadi without the Wind is very pure. Moderately control thevolume of the Wind, and make some changes during the performance, can increase
the feeling of "dirty" and breath, and improve the realism.

2.7 Play Modes
Keyboard Mode:
Instrument：

You can play polyphonic notes in this mode.
You can play mono note and legato in this mode.

2.8 Random Grace Note
After playing a phrase, it will randomly switch to a random head articulation for thenext phrase. This mode is used for live playing.

2.9 Legato Mode
2.9.1 Legato Mode
The mode triggers straight legato when the note duration is shorter than Legato
Time, which can be adjusted in the Settings.
When note duration is longer than Legato Time:
Velocity Groups of Howling, Impulse and Wolf Tone trigger Howling(126-127) Legato;
Other groups trigger Layering Legato(Ascending) and Ripple
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Ample China Dadi Main Panel ManualLegato(Descending)
Velocity (96-125) triggers Grace Legato
Velocity (32-96) triggers Straight Legato
Velocity (16-31) triggers Soft Legato 1
Velocity (1-15) triggers Soft Legato 2

2.9.2 Slide Mode
Slide Legato: When playing major 2nd and minor 3rd legatos.
Velocity (16-31) triggers Slide Legato 1
Velocity (1-15) Triggers Slide Legato 2

2.9.3 Legato Smooth
In the real performance of the Dadi, the legatos are ever-changing, sometimes hardand sometimes soft. Legatos with no changes cannot completely simulate realperformance.
You can adjust the Legato Smooth in the Settings to suit different legato needs.

2.10 Sample Loop
The sample length of the The Singing of Dragon is about 8 seconds on average. Inmost cases, it can meet the requirements of a Dadi note. If you need longer notes,
you can turn on the Sample Loop.
On: Samples such as Sustain and Legato will keep looping.
Off: Samples reach its natural release.

2.11 Bend
Please refer to the Settings manual.
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2.12 Mod Wheel
Please refer to the Settings manual.

2.13 FX GroupNoteNameF5FXS_Breath

F#5FXS_Hit

G5Impulse Effect 1

G#5Impulse Effect 2

A5Impulse Effect 3

A#5Vibrato Effect 1

B5Vibrato Effect 2

C6Vibrato Effect 3

C#6

Howling Effect 1

D6

Howling Effect 2

2.14 Hold Pedal
Hold Pedal On: Double Legato Mode. For example when playing a legato from D toE, and release E while holding the D, the D will be automatically triggered.

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Ample China Dadi Main Panel Manual

Produced and Copyright provided by Beijing Ample Sound Technology Co. Ltd

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