VER.
PATCH No.

PATCH NAME

001

Lead BGN

002

Phazed003

UFO004

DreamWorld

005

The Brown

006

Funk Sauce

007

Hard Rock008

GrungeFuzz

009

MS.Mudd010

OctaveSolo

011

HeavenSent

012

SL-Drive013

TexasToasT

014

DjentDrive

015

FacialCln

016

AxeAttack

017

Live Again

018

LushAcoust019

MuteBackin020

MtlMonster

021

TS022

Barra

023

BGN Djent024

OrganBlues

025

Jimmy

026

Carlos027

Edgy

028

Rhapsody

029

LatinSolo030

ZepDrive

031

Eruption

032

Sweet Lead033

RC Clean

034

Blues035

EarlyBrits

036

Surf037

TAcoustic

038

UKxUS

039

Brit Grit

040

Hot Twin

041

Fuunnkk042

Vibra Wah

043

EchoContrl

044

Rock Organ

045

ChuckWah046

FD Wah047

Pedal Mod

048

Crush PDL

049

Johnny050

SuperSonic

051

Loopertron052

Gayageum

053

Sighs

054

Jimi

055

CleanSlide056

DirtySlide057

Confusion

058

Smooth059

Metal

060

Dobro

061

AutoFunk

062

ClnSlide2

2.0

COMMENTThis modern lead sound uses XtasyBlue and ModDelay.
This is an MS 800 drive sound with a phaser effect.
Using ParaEQ, the midrange is emphasized in this sound in the style of Michael Schenker.
This crunch sound has TapeEcho and Hall reverb added to SweetDrv.
MS 800 is used to emulate Eddie Van Halen's brown sound.
This funk rhythm tone adds Air to AutoWah and Phaser effects.
This drive sound that uses XtasyBlue and Hall is good for hard rock.
The distortion of TB MK1.5 is added to XtasyBlue for this grunge fuzz sound.
FD Spring reverb is added to a powerful drive sound made using MS 800.
This lead tone combines Octave with MS 800 and TS Drive effects.
ReverseDL and Plate are used create this mystical sound.
XtasyBlue and two Delays are combined to create a long sound with a Steve Lukather feel.
This crunch sound uses TS Drive to drive FD TWNR and suits Texas blues well.
This heavy jet sound uses XtasyBlue and Plate effects.
This clean sound uses Comp and StereoCho. It is perfect for arpeggio playing.
Gt GEQ 7 is used in addition to XtasyBlue for this modern heavy sound that emphasizes the low mid range.
Plate reverb is added to a clean step filter sound.
This acoustic guitar sound combines StereoCho and Plate for a wide reverb tone.
FD TWNR and Phaser are used in this clean sound that is good for muted backing parts.
This monster drive sound emphasizes the AutoWah effect using Octave.
This blues setting combines TS Drive and FD TWNR.
This flanger sound uses MS 800 and VinFLNGR.
This sharp jet sound that is suitable for drop tunings uses XtasyBlue and GoldDrive.
PDL Roto and FD TWNR are combined in this setting. Use it when playing backing chords for an organ-like sound.
MS 800 and TapeEcho are used to create this sound in the style of Jimmy Page.
BG MK3 and Hall create a sound with a distinctive mid range in the style of Santana.
This sound in the style of The Edge, the U2 guitarist, uses UK 30A. Control the AnalogDly with the TAP switch.
TS Drive boosts UK 30A. The midrange provides a distinctive sound in the style of Brian May.
BG MK3 and AnalogDly are used to create a lead tone that has the characteristics of a combo amp.
This was created with the sound of Led Zeppelin's Heartbreaker in mind.
Phaser and TapeEcho are used to create the early sound of Van Halen.
Using XtasyBlue and Delay, this lead tone is good for sweet fusion styles.
RC Boost enhances the clean sound of FD TWNR.
This lead tone, which is good for blues, uses GoldDrive to boost FD TWNR.
UK 30A and FD Spring combine to make an early British rock sound.
This setting is inspired by the surf rock sound of The Beach Boys.
This realistic acoustic guitar sound uses the Aco.Sim and RackComp effects.
This crunch sound fuses a UK preamp with a US cabinet.
This crunch sound uses UK 30A and HD Hall.
This fat drive sound has the gain of FD TWNR turned up.
This funky pedal wah uses ChromeWah and FD TWNR effects.
Vibrato and BlackWah are used to create this shimmering pedal wah sound.
Use the pedal to control the delay of this drive sound.
This rock organ sound is inspired by Deep Purple.
This wah sound was created by Chuck Loeb of Fourplay using UK2x12 and BlackWah.
This clean wah setting uses ChromeWah and FD TWNR.
Use the pedal to control the modulation of this clean sound.
This extreme pitch shifter pedal sound uses MonoPitch and PDL Pitch.
Tremolo and ModDelay are used to create this alternative rock sound. It is perfect for arpeggio playing.
TB MK1.5 and PitchSHFT are combined in this octave-up sound.
This synth-style octave sound is created using OctFuzz and TapeEcho.
Aco.Sim and PitchSHFT are used to simulate the sound of a Gayageum.
This JCM800 drive sound uses Phaser and TapeEcho.
This uses BlackWah and MS 800 for a Jimi Hendrix style tone.
This simple clean tone is good for slide playing.
This crunchy sound is perfect for slide playing.
This reverse playback sound uses MS 800 and ReverseDL.
FD TWNR and Chorus are used to create a clean sound that is good for smooth jazz.
MetalWRLD and MS 800 combine to create a metal sound.
This uses Aco.Sim and Gt GEQ 7 to create the body resonance of a resonator guitar. This is perfect for slide playing.
This funky auto-wah sound uses AutoWah and FD TWNR effects.
This clean sound is perfect for slide playing. FD TWNR is used to create this fat tone.

When using headphones, turn ON the MIC parameter of the cabinet effect.
Patches 125—200 are empty by default.

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do
not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that wereused as reference in the development of this product.

PATCH No.

PATCH NAME

063

Talker064

Sing065

Low Blow

066

Elise

067

Don

068

Birds

069

Chuck1070

DirtyHairy

071

Duck Tales

072

SpacFlange

073

Robot Talk

074

Mr,Mud075

UltraDrive

076

MoonBeams

077

Schizo078

C Harmony

079

The Pulse

080

ThePitcher

081

Euphoria

082

The Force

083

TheVintage

084

A Wah

085

Wactave

086

Steppin'087

BallzNFace

088

OffThChain

089

GhostWaltz

090

Sideways

091

Twin Basic

092

S2T Basic

093

Bomb Basic

094

GlassLoops

095

ShredFest

096

StringGt

097

Rezo Cln

098

PsY;BoM;

099

NicoVoice100

TripEcho101

MuddyRock102

GrungeMuff

103

Comp Phase

104

SummerHW

105

DreamBox106

NV Clone

107

Random LP

108

MonkeyRCT

109

POP CHORUS

110

Industrial

111

P-FunkLead
DeluxeGang (Amp)

112
113

GRID SRV

114

BonyStone

115

CornFLT116

ORG Glory

117

Corona Eye

118

ExciteShop

119

MK1 LEAD

120

BitCrusher

121

ZEP 1959122TS+BOOST123

DZ DRIVE

124

ParticleR

COMMENTA deep reverb is applied to UK 30A and PDL Pitch for this sound. This is perfect for long tones.
This crunchy lead sound uses UK 30A and GoldDrive.
This drive sound uses FD TWNR and DYN Drive.
This deep reverb sound uses FD Spring and Spring.
UK 30A and Spring are used in this sound that adds tremolo to crunch.
AnalogDly and TapeEcho are used for this wide and super-long reverb sound.
This effect set was created by Chuck Loeb of Fourplay.
This overdrive sound combines EP Stomp and GoldDrive.
Using SlowATTCK and Resonance, this sound was inspired by ducks quacking.
This clean flanger sound uses FD TWNR and Kick FLNG.
RedCrunch and SeqFLTR are used for this steep filter sound.
This basic lead sound uses MS 800 and AnalogDly.
Three drive pedals are combined to make this ultra-powerful drive sound.
The gentle fluctuations of PDL Roto are added to Aco.Sim in this modulation sound.
RC Boost and OSC Echo are used in this echo sound that is activated by stepping on the pedal.
This harmony sound uses HPS set to Cm. VinFLNGR is its secret ingredient.
RedCrunch and SeqFLTR are used in this intense sequencer sound.
PDL Pitch is added to a drive sound for a standard pedal pitch setting.
This flanger sound with a sense of floating uses Aco.Sim and ModDelay.
This modern lead sound uses XtasyBlue and AnalogDly.
This is a nostalgic sound that uses FD TWNR and Spring.
This auto-wah sound uses UK 30A and AutoWah effects.
Octave and AutoWah are used for this octave wah sound.
The frequency of the SeqFLTR can be controlled with the TAP switch for this crunch sound.
This massive drive sound combines TS Drive and MS 800.
Phaser and XtasyBlue are used to make this phase drive sound.
The distortion of UK 30A is added to SeqFLTR for this sequence filter sound.
This drive sound uses Delay and PDL Pitch, which allows the pitch to be changed with the pedal.
This is a basic setting for FD TWNR.
This fat crunch sound uses MS 800. Turn MetalWRLD on when it suits what you are playing.
The sound explodes in response to the input.
Combining UK 30A and Aco.Sim, this acoustic guitar sound is good for strumming.
XtasyBlue and Gt GEQ 7 are used to create this shredding tone.
SlowATTCK is used effectively in this sound inspired by strings.
This filter delay sound uses Resonance and Delay effects.
This psychedelic fuzz sound uses TB MK1.5 and ReverseDL.
This simulates the sound of an erhu using SlowATTCK.
TB MK1.5 and OSC Echo are used in this fuzzy oscillating sound.
This all-purpose crunch sound combines SweetDrive and FD B-MAN.
This 90's alternative rock sound features NYC Muff.
GrayComp and Phaser are used for this sound for playing disco funk rhythm guitar.
This crunch sound uses HW100 to evoke Summertime Blues as played by The Who.
This patch uses HG THRTTL for a smooth high-gain sound in the style of Dream Theater's John Petrucci.
This uses CloneCho to create a sound based on the solo in Nirvana's Smells Like Teen Spirit.
A combination of RndmFLTR and NYC MUFF creates this complex sound. Use it with a looper to layer solo playing.
This powerful backing sound uses the VNTG mode of the Recti ORG effect. Use KickFLNG to add accents to phrases.
This combination of SuperCho and compressor effects is perfect for rhythmic chucking in pop music.
The MDRN mode of Recti ORG is combined with NoiseGate for this high-gain sound that is perfect for industrial rock.
This patch uses FilterDly to create a wild lead sound in the style of P-FUNK.
This crunch sound uses FD DLXR and features dazzling high frequencies and impactful middle frequencies.
This blues sound in the style of SRV uses BG GRID.
This blues rock sound uses a combination of StonePha and SweetDrv.
LowPassFL and a heavy distortion are combined in this filter sound with a nu metal style.
This backing crunch sound uses ORG120 and is perfect for British-style rock.
This 80's sound uses CoronaTri.
A hard crunch sound for studio work is created using the Exciter.
This lead tone uses MK1 to evoke the sound of early Santana.
This patch uses P-BitCRSH. Move the pedal to add glitching noise.
This straight rock sound is inspired by the sound of Jimmy Page with Led Zeppelin.
This practical setting uses TS+Boost.
This high gain sound with DZ DRIVE is designed for amp use.
This lead tone with gentle reverberations uses ParticleR.
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