HIGH SPEED ASPHERICAL LENSES
The classic definition to cinematography:
Canon K-35s from the 1970ies*The K-35 series of high-performance lenses represents
an achievement in the tradition of Canon reliability andtechnical excellence. This wide range of focal length
lenses was engineered and manufactured taking fulladvantage of Canon´s experience in every aspect ofcinematography. And these lenses exceed the exact
demands from professional performance.
Canon´s years of experience and research shine
through the carefully crafted design of the lenses,
unrivaled in reliability, optical and mechanicalperformance. Canon paved the way with theintroduction of its aspherical lenses.

• Canon K-35 18 mm/T1.5, cfd 0.3 m• Canon K-35 24 mm/T1.5, cfd 0.3 m• Canon K-35 35 mm/T1.3, cfd 0.3 m• Canon K-35 50 mm/T1.3, cfd 0.45 m•C anon K-35 85 mm/T1.3, cfd 0.9 m• Canon K-35 25-120 mm Macro Zoom/T2.8, cfd 1.2 m

L A RG EFeatures•W ide range of focal length for wider application.
•H igh speed for shooting under low light.
• L ight weight and compact due to aspherical lens.
•U nrivaled high M.T.F and high resolution.
•M inimized flare due to aspherical lens.
• ARRI-PL-Mount•C ompletely redesigned, the new K-35 A Series
offer ruggedness and flexibility for
professional users.
• Improved coating gives
professional color
balance.

The set of K-35 consist of following lenses:*Canon´s advertising text
from 1977.

FOR MATIf you’d like to run some tests with ourK-35 lenses before your next importantshoot, give us a call.

www.vantagefilm.com

BAUSCH & LOMBSUPER BALTAR LENSES

Very old glass mounted in modern mechanics
These vintage lenses were manufactured years ago for
Mitchell Camera Corp. by Bausch & Lomb in Rochester,New York. The Super Baltars inherently create a soft
and warm look. Gentle and pleasing, often with anartistic flare, our Super Baltars have all been completelyrebuilt by MOY in the United Kingdom. All primes offer
extended close focus distances for macro work.­

Bausch & Lomb began producing camera lenses for the motion picture industry in1915. Its Super Cinephor projection lens became the industry standard when it wasintroduced in 1922. Bausch & Lomb helped revolutionize the movie-going experiencein 1952 with the introduction of the CinemaScope lens by 20th Century Fox. The newtechnology was so popular that MGM and Warner Brothers quickly took it up as well. In
1955, the Motion Picture Academy of America honored Bausch & Lomb with an Academy
Award – the Oscar – for its contributions to the industry.

The set of Super Baltars consists of f­­­ollowing primes:
Bausch & Lomb MOY Super Baltar 20 mm / T2.3
Bausch & Lomb MOY Super Baltar 25 mm / T2.3Bausch & Lomb MOY Super Baltar 35 mm / T2.3
Bausch & Lomb MOY Super Baltar 50 mm / T2.3
Bausch & Lomb MOY Super Baltar 75 mm / T2.3
Bausch & Lomb MOY Super Baltar 100 mm / T2.3

If you’d like to run some tests with our Super Baltars
before your next important shoot, give us a call.

www.vantagefilm.com

KINOPTIK PARIS LENSES		Re-Housed Vintage Glass, Beautiful Images
Founded in 1932 by Messieurs Grosset and Perthuis inParis, Kinoptik has produced some of the most advanced
optical systems used in the civilian, military, andresearch communities. Kinopitk concentrated its effortson the cinema business in 1944 by building lenses andviewfinders for 35 mm cine cameras, and these cine lenses
are still known in the film industry for their robust natureand the high quality of their optics. Kinoptik’s high pointin the cinema industry lasted from the 1950s to the 1980s
with the success of their Apochromat and Tegea 9.8 lens.
Kinoptik S.A. closed its doors in 2003.
Features•S uper-Close Focus•R ich Colors and Nice Fall Off•W arm Skin Tones and Beautiful Bokehs•W ide Range of Focal Lengths•R ugged, Modern Mechanics•P L Mount• F ront Diameter of 95 mm
KINOPTIK-PARIS LENSES
Focal Length

Stop

CFD

18 mm

T 2.20.17 m7”

25 mm

T 2.5

0.20 m8”

35 mm

T 2.40.20 m8”

40 mm

T 2.4

0.20 m8”

50 mm

T 2.5

0.23 m10”

75 mm

T 2.5

0.45 m

1’6”

100 mm

T 2.5

0.50 m

1’8”

150 mm

T 2.5

0.90 m

2’8”

Kinoptik lenses are sharp, have subtle fall off, beautiful bokehs andprovide vivid images. The color temperature is warm, creating niceskin tones. These lenses were originally manufactured in the mid-20th
century and are rarely found today.

Vantage has re-housed and adapted these lenses to give cinematographers the opportunity to use this classic glass with modern cameras and mechanics. These newly modified lenses are extremely rugged and have been modified for super-close focus macro capabilities. Vantage’s technical expertise
was integral in realizing this project, and great care was taken to once again make these amazing vintage lenses available.

A Vantage Product – Made in Germany
www.vantagefilm.com

KOWA ANAMORPHICS

Extremely compact Anamorphics made in Japan

Kowa Anamorphics were produced in the 1970s. Dueto their compactness, they are often used for action oraerial sequences. The range consists of four primes (40,50, 75 and 100 mm). The optical design and coatingtype of the Kowa Anamorphics can not be comparedwith today´s standards. Heavy flaring, distortion,breathing and softness are inherent to this construction.
Unique vintage looks can be achieved by using theselenses on modern digital film cameras.
Features• Vintage look, flares and distortion• Perfect for modern digital cameras• Compact and lightweight• Internal focusing• Arri-PL-Mount

The set of Kowa Anamorphics consists offollowing lenses:• KOWA Cine Prominar Anamorphic 40 mm/T2.3, 0.91 m• KOWA Cine Prominar Anamorphic 50 mm/T2.3, 0.91 m• KOWA Cine Prominar Anamorphic 75 mm/T2.8, 0.91 m• KOWA Cine Prominar Anamorphic 100 mm/T3.4, 1.52 m

If you’d like to run some tests
with our Kowa Anamorphicslenses before your next
important shoot, give us a call.

www.vantagefilm.com

SHARP LENSES FOR SOFT SCENES
Our uncoated Superspeeds help you create
the scene’s mood and feeling

These are modern Zeiss lenses, so you know they’re sharp.
But they can also help you to capture the atmosphere youwant by fine-tuning the contrast and saturation. Doing thatin digital post almost never looks natural, and it’s done bysomeone else. With these lenses, you control the lookand the feeling of each shot in the camera.

Naturally, you can expect a similar effect from everylens in the set. There are some coatings still in place on
all of them – and we have re­moved fewer coatings fromsome focal lengths, more from others, so they all match.
They‘re all Zeiss T1.3 designs, but our coating removalcauses them to lose about one-third of a stop.

And they’re not just for noticeable
flare – people have shot withthem outside on cloudy days.
“You can place the sun ina corner of the frame for aspectacular effect,” says DP
Ericson Core, “But I have also
used uncoated lenses on a sound­stage. When I use them, it’s to set themood for that particular scene andto make the images speak.”With stray light reflecting off multiple
glass elements and from the black interior of the lens barrel, moving the lightor the lens a few millimeters gives you
a range of unpredictable veiling choicesthat you could never get with a filter – every effect slightly different. (And this may be agood way to get the film look on video.)

The set of uncoated lenses consists offollowing primes and zooms:• Zeiss 14mm		

• Angénieux 20-120mm• Zeiss 18mm		

• Angénieux 25-250mm• Zeiss 25mm
• Zeiss 35mm
• Zeiss 50mm
• Zeiss 85mm

If you’d like to run some tests with our Ambience Lenses
before your next important shoot, give us a call.

www.vantagefilm.com

VANTAGE NIKKOR LENSES		1980s Look for Today‘s Large Format Sensors
Nikon, a respected name in optics for more than acentury, earned a special place in the photography world
by consistently pioneering new concepts and expanding
possibilities.
Vantage Nikkor lenses combine elements from manualfocus Nikkor still photography lenses of the 1970s and‘80s with Vantage’s strict mechanical standards. Theserehoused high-speed lenses bring older coatings anddistinctive flaws to today’s motion picture shoots.

Nikon – opticalglass since 1917
1930s: Brand symbol
based on a lens image.
1968: Designed by Mr.
Yusaku Kamekura. This
brand symbol is known
as “Track Nikon” or“Track mark.”

Offering unique flavor in a dependable, durable
package, Vantage Nikkors come in a big set of nineprimes, an echo of Nikon’s reputation for covering theentire gamut of focal lengths, from 15 mm to 180 mm.
VANTAGE NIKKOR
Focal LengthStop

CFD15 mm

T3.80.14 m6”

18 mm

T3.80.15 m6”

20 mm

T2.80.18 m7”

24 mm

T2.20.17 m7”

28 mm

T2.80.19 m8”

35 mm

T1.50.18 m7”

50 mm

T1.40.22 m9”

85 mm

T1.4

0.41 m

1’4”

105 mm

T20.50 m

1’8”

135 mm

T20.80 m2’8”

180 mm

T2.8

1.30 m4’3”

L A RG E

The robust Vantage
NIKKOR lenses
allow super close focusing
on all focal lengths.

FOR MATA Vantage Product – Made in Germany
www.vantagefilm.com