Exposition "Délos et ses pierres, la fabrique d'une ville antique", Villa Kérylos, Beaulieu-sur-Mer: d'octobre 2023 à janvier 2024, MMSH, Aix-en Provence: de février à mars 2024, MOM Lyon: d'avril à novembre 2024, Médiathèque André-Labarrère Pau: de mars à mai 2025, Musée archéologique de Délos, Grèce: à venir.
Panneaux 24 à 27.

Anna Papadopoulou, Jean-Charles Moretti, Shannon de Viviés, Thierry Badin

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Anna Papadopoulou, Jean-Charles Moretti, Shannon de Viviés, Thierry Badin. Exposition "Délos et ses pierres, la fabrique d'une ville antique", Villa Kérylos, Beaulieu-sur-Mer: d'octobre 2023 à janvier 2024, MMSH, Aix-en Provence: de février à mars 2024, MOM Lyon: d'avril à novembre 2024, Médiathèque André-Labarrère Pau: de mars à mai 2025, Musée archéologique de Délos, Grèce: à venir. Panneaux 24 à 27.. 2023. hal-05136096

HAL Id: hal-05136096

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Submitted on 7 Jul 2025

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Distributed under a Creative Commons Attribution 4.0 International License
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Les naxiens sont les premiers à avoir subi l'effet du changement de la culture. C'est la raison pour laquelle ils ont été les premiers à se débattre et mener la charrigère et les taux sont en marbre de naxiens.

## UN BÂTIMENT EMBLEMATIQUE DU VIᵉ S. AV. J.-C.

# L'OIKOS DES NAXIENS

Avec w'if et w's, av. J.-C. Naxiens est la cité la plus puissante des Cyclades.

Les Naxiens fréquentent le sanctuaire d'Apolion à Delos et, au début du w's, w. J.-C., il y consacrèrent un édifice appelé Tólos des Naxiens, l'émeration des Naxiens. Ry consacrèrent les offrandes qui font au deu et, lors de leurs passages dans l'île, il s'y réunissent pour les banquets.

Déllos des Naxiens est une utrinne de leur sestreleax fixant architecture des colonies, le couronnement des murs, le encadrement de portes, le dégagement et même la charpente et les taux sont en marbre de Naxiens.

Les établissemens utilisant pourraient assacé le granite de Delos et le grecs de Thessalonique mais il a fond dans les composantes de la construction qui ne peut pas être vécu. Les fondations et les murs reconnues enduit.

<figure><img src="image_6.png" /><figcaption>AN HISTORIC BARRIERS FROM THE F-CONVENTIONIC THE OIKOS OF THE NAXIANS</figcaption></figure>

It is the 3rd land² centunes BC. Naxiens was the most powerful city in the Cyclades.

The Naxiens frequented the sanctuary of Apollo on Delos, and at the beginning of the 4th century BC, they erected a building that called the idea of Naxos, the Vortex of the Naxiens. This was where they kept the offerings they made to the god and where they gathered for banquets which they vested the island.

The idea of the Naxiens showcased their architectural skills, the columns, the urns, their fanes, paeonies and even their painting and the of the roof, all of them of Naxos marbles.

The columns of the Naxiens showcased their architectural skills, the columns, the urns, their fanes, paeonies and even their painting and the of the roof, all of them of Naxos marbles.

The builders also utilized blocks of Naxos marbles and their grains, but they only did it in part of the 4th century BC. The foundation they made not were stable, the foundations and the walls that were covered with plaster.
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## UN BÂTIMENT EMBLEMATIQUE DU Vᵉ ET IIIᵉ S. AV. J.-C.

# LE NOUVEAU TEMPLE D'APOLLON

Dans un sanctuaire grec, faubourg, autorisé des foyers à réoranger pour les sacrifices, il est bien plus important que le temple. Ce dernier accueille la statue du dieu et les offrandes précieuses.

La construction d'un nouveau temple d'Apollon commença en 473 av. J.-C., mais il alla viande ans prêtres, dans deux paroisses marquées d'argent. Il ne les marura pas, mais les murs et les colonnes sont d'élavés. Le charpentier ne répond qu'à la fin du vᵉ S., il est重要的 pour être utilisé à partir de零 av. J.-C.

Les débiles mettent en oeuvre plusieurs pièces dans les fondations: du grès de Béthune, un peau de marine de Placide et de poros. Élevation et les tables sont, elles, en marbre, enmarbrement de marbre. Les débiles ont fondé un tissu, à employer leur marbre, extraits de la cambrée au sud-est du Corinthe, pour les trois arriérages qui portent les colonnes et pour le bas de murs.

<figure><img src="image_8.png" /><figcaption>The base of the statue of Apollon, found in 1907.</figcaption></figure>

<caption>ANTICODIC BUILDING FROM THE NEW TEMPLE OF APOLLON</caption>

In a Greek sanctuary, the altar, around which the faithful pase for sacrifice, was much more important than the temple. The base of the statue of the god and the precious offerings. The construction of a new temple dedicated to the Apollo began around 202 BC. It is came to a hotly爭y years later, probably due to back funding. The walls and the columns were erected. Work did not start immediately until the 2nd century AD. The temple was finally ready for use in 200 BC.

<figure><img src="image_9.png" /><figcaption>The walls used several types of stone in the foundations: marble, sandstone, some Paris marble and some of the stone of the Acropolis. The elevation and the walls are made fromExperience, however, the Delos walls were their own marble, extracted from the three quarries to the south-east of Crete, for the three steps supporting the columns and for the base of the walls.</figcaption></figure>

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The stone walls of the temple were built using a method similar to that of the Acropolis. The stone walls of the temple were built using a method similar to that of the Acropolis. The stone walls of the temple were built using a method similar to that of the Acropolis.
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## UN BÂTIMENT EMBLEMATIQUE DU IIIᵉ S. AV. J.-C.

# LE PORTIQUE D'ANTIGONE GONATAS

Vers 260-230 av. J.-C., le nom de Macédoine Antigone Gonatas, un des successeurs d'Alexandre le Grand, offre au sanctuaire d'Apolion un bâtiment de près de 150 mètres de long avec 47 colonnes en façade. Il permet aux visiteurs de le protéger du solier, de la pluie et du vent.

Comme dans beaucoup de monuments construits en Macédoine, le portique est majoritairement un acier bloc ne voulant pointer de cette région. Rien n'a non plus été établi à Dálco. Tout est importé des Cyclades : des porcs de Tinos et de Mino probatement, du marbre bley de Tinos et du marbre blanc de Paros. L'architecte et les entrepreneurs du mar se sont montrés économies tout en restant fidèles au type de roche qui leur est resté au plus familier.

<figure><img src="image_14.png" /><figcaption>© Monuments d'Athèe, Paris, 2016
© Monuments d'Athèe, Paris, 2016</figcaption></figure>

### ANTIQUE PERIODIC

### THE PORTICO OF ANTIGONUS GONATAS

The Gnaïs successives, commémorées par des tracés pour la sekvitude de Apoll, se sont bâti sur un column with columns on its face. I provided visitors with tracings from the sun, rain and wind.

Around 260-230 BC, the Macédoine Antigone Gonatas, one of the Auguste.

Like many monuments built in Macédoine, poros was the protégé industrial used. However, one of the blocks came from this region, not being quarried on its own. Everything was imported from the Cyclades poros from Tinos and the west coast of Paros. The King's architect and contractors were Paris and white marble were imported from the type of stone with which they were most familiar.

<figure><img src="image_15.png" /><figcaption>© Monuments d'Athèe, Paris, 2016
© Monuments d'Athèe, Paris, 2016</figcaption></figure>

The portico of Auguste Gonatas, one of the Auguste, was the protégé industrial used. However, one of the blocks came from this region, not being quarried on its own. Everything was imported from the Cyclades poros from Tinos and the west coast of Paros. The King's architect and contractors were Paris and white marble were imported from the type of stone with which they were most familiar.
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## UN BÂTIMENT EMBLÉMATIQUE DE LA FIN IIᵉ. S. AV. J.-C.

# LA MAISON DES COMÉDIENS

Les maisons des riches habitants de Délos étaient souvent les plus grandes. Elles étaient construites au moindre coût, un somme partout est apporté au décor.

La Maison des comédiens fut une des démonstrations modernes à une des peintures murales portant des scènes de comédie et de tragédie.

Les constructions ont usité presque uniquement des riches importés grecs d'Athènes dans les murs et pour les dialogues marqués d'envie de Tinois et un préuvar pour les colonnes et les toits, schellés de Tinois pour les grande blocs sur lesquels se dressent les colonnes entourant la cour. Ils sont aussi mis en oeuvre un matériau frappé dans l'architecte grecque les cloisons intérieures sont en tarte sur un socle de pierre.

ARTICULES D'EXPOSITION DANS L'EXPOSITION CENTRE SC

## THE HOUSE OF THE COMEDIANS

The houses of the wealthy inhabitants of Delos often exceeded the size of the colonnes.

They were built around a court and had a height of one metre above floor. Particular attention was paid to the proportion of the colonnes, which was their precise name to the effect that their columns almost exclusively sold improved marmo. Thessaloniki was made the walls and for the payment, marine masonry from Tinois and a stone from Farsa for the colonnes and tholosins. Tinois itself for the large boulders on which the colonnes sticking the court stand. They also used a material common in Greek architecture to the external furniture are made of earth or a stone base.

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The houses of the rich were often built around a court and had a height of one metre above floor. Particular attention was paid to the proportion of the colonnes, which was their precise name to the effect that their columns almost exclusively sold improved marmo. Thessaloniki was made the walls and for the payment, marine masonry from Tinois and a stone from Farsa for the colonnes and tholosins. Tinois itself for the large boulders on which the colonnes sticking the court stand. They also used a material common in Greek architecture to the external furniture are made of earth or a stone base.

The houses of the rich were often built around a court and had a height of one metre above floor. Particular attention was paid to the proportion of the colonnes, which was their precise name to the effect that their columns almost exclusively sold improved marmo. Thessaloniki was made the walls and for the payment, marine masonry from Tinois and a stone from Farsa for the colonnes and tholosins. Tinois itself for the large boulders on which the colonnes sticking the court stand. They also used a material common in Greek architecture to the external furniture are made of earth or a stone base.

The houses of the rich were often built around a court and had a height of one metre above floor. Particular attention was paid to the proportion of the colonnes, which was their precise name to the effect that their columns almost exclusively sold improved marmo. Thessaloniki was made the walls and for the payment, marine masonry from Tinois and a stone from Farsa for the colonnes and tholosins. Tinois itself for the large boulders on which the colonnes sticking the court stand. They also used a material common in Greek architecture to the external furniture are made of earth or a stone base.