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## Liste des illustrations

Fig. 1. Carte du bassin de la mer Noire et de la Méditerranée indiquant les principaux sites mentionnés dans le texte.

Fig. 2. Région du nord de la mer Noire. Carte des sites où des céramiques italiennes glaçurées ont été découvertes. I – fin du XIIIe – début du XVe siècle ; 2 – l'épave des années 1260-1270 ; III – fin du XVe – XVIe siècle.

Fig. 3. Céramiques vénitiennes à glaçure plombifère, série décorative *Spirale Cerchio*, années 1260-1270. Crimée. Épave de Nowy Svet. D'après Morozova 2012, Fig. 2.

Fig. 4. Céramiques vénitiennes à glaçure plombifère, série décorative *Roulette Ware*, années 1260-1270. Crimée. Épave de Nowy Svet. D'après Morozova 2012, Fig. 3 et Waksman, Teslenko 2010, Fig. 13.

Fig. 5. Famille de graffites archaïques, *Graffita arcaica tirrenica* ou groupe de sgraffites archaïques de Savone, années 1260-1270. Crimée. Épave de Nowy Svet. D'après Morozova 2012, Fig. 1.

Fig. 6. 1-5 – *Graffita arcaica tirrenica* ou groupe de sgraffites archaïques de Savone, fin du XIIIe-début du XIVe siècle ; 6-8 – Céramiques vénitiennes à glaçure plombifère : série décorative à *double trempage*, années 1260-1270 (6, 7) et coupe non engobée recouverte d'une glaçure plombifère transparente (8), milieu du XIVe siècle. Crimée : naufrage du Nowy Svet (1-4, 6, 7), Sougdaia/Sudak (5), Provato (8). 1-4 – d'après Morozova 2012, Fig. 1; 6, 7 – photo Ya. Morozova ; 5 – dessin et photo de l'auteur ; 8 – d'après Gukin 2021, Fig. 4.

Fig. 7. Céramiques vénitiennes à glaçure plombifère : séries simples (2, 6-11) et dipinto (1, 3-5), fin du XIIIe – première moitié du XIVe siècle. Azaq–Tana. D'après Maslovskiy 2006b, fig. 54.

Fig. 8. Céramiques vénitiennes à glaçure plombifère (1) et famille de graffites archaïques (2, 3), première moitié du XIVe siècle. Azaq–Tana. D'après Maslovskiy 2006b, Fig. 52; 2010, Fig. 19; et Kravchenko 2017, Fig. 12.

Fig. 9. *Majolique archaïque* (1-4) et céramique polychrome à glaçure plombifère ou RMR (5-9), première moitié du XIVe siècle ; *Majolique archaïque bleue* (?) (10), le contexte est incertain. Azaq–Tana. D'après Maslovskiy 2006b, Fig. 52; 2010, Fig. 19; et Kravchenko 2017, Fig. 12.

Fig. 10. *Majolique archaïque* (1-3), céramique polychrome à glaçure plombifère ou RMP (14-18) et maïolique archaïque bleue (3, 19-23), contextes des XIVe et XIVe-XVe siècles. 1-23 – Crimée : Solkhat (1), Chersonèse (2-4), Cembalo/Balaklava (5-18, 20, 21), Sougdaia/Soudak (19) et Lusta/Alushta (22, 23). 1-18, 20, 21 – d'après Seidalieva 2020, Fig. 8; Ginkut 2019, Fig. 4-6; et 2023, Fig. 1; 19, 22, 23 – dessin et photo de l'auteur. 24 – Cruche en majolique archaïque de Faenza. D'après https://www.maiolicaitaliana.com/storia/faenza-maiolica-tardo-medievale-verde-e-bruna-arcaica-secoli-xiv-prima-met%C3%A0-xv/, date d'accès 03.03.2025

Fig. 11. Céramiques fabriquées en Crimée (1-3) et à Azaq (4-6) imitant les formes italiennes, XIVe siècle. D'après Bocharov, Maslovskiy 2024, 315-316, 472, 488, 493.

Fig. 12. *Majolique de la Renaissance*, style Sévère. Crimée : Soudak (2, 5, 6, 9, 11-14, 16-18, 22), Alushta (3, 4, 20, 21), Balaklava (7, 8), Partenit (10) ; Azaq (1, 15, 19, 23). 1, 15, 19, 23 – d'après (Gusach 2023,
Fig. 2) ; 2, 5, 6, 9, 11-14, 16-18, 22 – d’après Teslenko, Maiko 2020a, Fig. 3, 4; 7, 8 – d’après Ginkut 2019, Fig. 5; 10 – d’après Aliadinova, Teslenko 2019, Fig. 5; 3, 4, 20, 21 – dessin et photo de l’auteur.

Fig. 13. *Majolique de la Renaissance* : style *Sévère* (3, 6, 7, 14) et style *Polychrome* (1, 2, 4, 5, 6-13). Crimée : Büyük-Lambat (1), Sudak (2-7), Partenit (11), Balaklava (12-14) ; Azaq (8-10). 1 – dessin et photo de l’auteur ; 2-7 – d’après (Teslenko, Maiko 2020a, fig. 4) ; 8-10 – d’après Gusach 2023, fig. 2; 11 – d’après Aliadinova, Teslenko 2019, fig. 5; 12-14 – d’après Ginkut 2019, fig. 6.

Fig. 14. Bilhorod/Akkerman. Céramique Sgraffite de la Renaissance : *graffita rinascimentale canonica* (2, 4, 5) and *graffita cinquecentesca a fondo ribassato* (1, 3); *Majolique de la Renaissance* (6). 1 – dessin et photo de l’auteur ; 2 – dessin et photo d’O. Saveliev ; 3 – provenant des Archives scientifiques de l’Institut d’Archéologie de l’Académie Nationale des Sciences d’Ukraine, dossier n° 1946/8 ; 4, 5 – d’après Kravchenko 2005, Fig. 2 ; 3 ; 6 – d’après Boguslavskiy 2010, Fig. 1.

IRYNA TESLENKO

Philipps University of Marburg, Germany;
National Academy of Science of Ukraine,
Institute of Archaeology, Kyiv, Ukraine
teslenko.i2016@gmail.com