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# The Southwest North American Collection at the musée du quai Branly

Mylene Hengen

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Mylene Hengen. The Southwest North American Collection at the musée du quai Branly: Collaboration and Exchange between the musée du Trocadéro and the Smithsonian Institution. [Research Report] musée du quai Branly - Jacques Chirac. 2015. hal-02187734

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# The Southwest North American Collection at the musée du quai Branly:

## Collaboration and Exchange between the musée du Trocadéro and the Smithsonian Institution

<figure><img src="image_3.png" /><figcaption>**Figure 1:** Photograph by J.K. Hillers, photographer for the 1879 Smithsonian collection and research expedition to Hopi. View of Dance Rock; Groups of people on Adobe House Clusters. On the right, Bowl and Metate. Nearby 1879. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution [NAA INV 0614300]</figcaption></figure>

## Research Paper

Mylene HENGEN

Scholarship holder for the documentation of the musée du quai Branly' collections 2013-2014

June 2015
TABLE OF CONTENTS

1 INTRODUCTION..................................................................................................................3

1.1 GROUPS AND REGIONS CONCERNED........................................................................4

1.2 HISTORICAL BACKGROUND ....................................................................................5

1.3 MAIN CULTURAL GROUPS OF INTEREST ........................................................................6

1.4 SCOPE OF THE COLLECTION ....................................................................................7

2 METHODS....................................................................................................................................8

2.1 RESEARCH AT THE SMITHSONIAN'S NATIONAL MUSEUM OF NATURAL HISTORY ................9

2.2 TRACING THE OBJECTS IN THE ARCHIVES........................................................................10

2.3 RESEARCH FROM DUPLICATES....................................................................................19

2.4 FURTHER IDENTIFYING THE OBJECTS IN THE COLLECTION................................................21

3 ARCHEOLOGICAL AND ETHNOGRAPHIC EXPEDITIONS CONDUCTED BY THE SMITHSONIAN ..................................................................................................................26

3.1 EXPEDITIONS LED BY JAMES STEVENSON FOR THE BUREAU OF AMERICAN ETHNOLOGY ....27

3.2 EXPEDITIONS LED BY FRANK HAMILTON CUSHING....................................................................39

3.3 EXPEDITIONS OF VICTOR MINDELEFF FOR THE BUREAU OF AMERICAN ETHNOLOGY............46

4 THE MUSÉE DU QUAI BRANLY'S SOUTHWEST POTTERY COLLECTION................................48

4.1 CLASSIFICATION OF PUEBLO POTTERY........................................................................48

4.2 A FEW EXAMPLES OF ANCESTRAL PUEBLO (ANASAZI) POTTERY IN THE COLLECTION ............51

CONCLUSION ....................................................................................................................................60

ANNEX 1 : MATCHING INSTITUTIONS' OBJECT NUMBERS....................................................61

ANNEX 2 : ANCESTRAL PUEBLO IN THE QUAI BRANLY COLLECTION........................................68

ANNEX 3 – COLLECTION OF SOUTHWEST POTTERY IN THE MUSÉE DU QUAI BRANLY MUSEUM ..................................................................................................................73

BIBLIOGRAPHY ................................................................................................................................88

TABLE OF FIGURES ..................................................................................................................91
# 1 Introduction

This paper presents the research executed between the musée du quai Branly’s North American Indian object collection from the Southwestern United States (Arizona, New Mexico), and the Smithsonian’s National Museum of Natural History’s collection of the same region, aided by Gwyneira Isaac, curator of North American Ethnology at the National Museum of Natural History. Through research in the collections themselves, as well as archival research based in the National Anthropological Archives in Washington, D.C., I set out to examine and complement information available on the pieces in the musée du quai Branly, from the rich resources available at the Smithsonian Southwestern collections, through a double research and information exchange between the two institutions.

Along the course of my previous research in this Smithsonian's Southwest collection for their *Recovering Voices project*, which aims to widen knowledge on indigenous material culture by collecting 'histories' of present-day tribal members as they concern the collections, it appeared that the musée du quai Branly held many similar objects that would be of interest to integrate into a collaborative research program. A number of important pieces in the musée's Southwest collection were acquired by the Trocadéro through object exchanges with the Smithsonian Institution in the late 19th century. The musée du quai Branly's collection of Southwest region includes a significant number (around 450 objects) of important ritual, ceremonial and utilitarian objects from tribes across Arizona and New Mexico (Moki, Hopi, Zuni, Havasupai, Cochiti, among others). A great number of Pueblo pots and vases, pottery wares, brushes, child's cribs, Kachina dolls from Zuni, Hopi ceremonial staffs, dance regalia and head-dresses, and a number of other pieces with significant ritual, iconographic and social relevance can be found in the collections as well.

It was of great interest to gather information on the pieces available in this collection in the context of my previous work with the *Recovering Voices project*, as well as doubly enable the musée du quai Branly access to information on objects from this region in the Smithsonian's collections, in order to complete their catalogue. It was my aim to firstly draft a collections biography for the musée du quai Branly's collection that would include data and objects that were previously held at the Smithsonian. Finally, the work I conducted in the musée du quai Branly's Southwest used the research conducted on the Smithsonian's collection to gather new information for the quai Branly's catalogue, and complete missing or incorrect data for each object in the collection.

Whereas I cannot unfortunately go into detail regarding the rich social and ritual life of the Pueblos of the South-West, especially in which was this pertains to the material culture, this report will primarily serve as an understanding of the manner in which the collection was
documented by myself, and allow for a history of collection in the Southwestern United States as it pertains to the collection of the musée du quai Branly. It will however detail information from ancient pottery to modern pottery as it is found in the collection, as well as describe in relative exactitude the intended use and tribal origin of a number of important objects. It is important to note the full extent of the collection's documentation effected through this research will be directly integrated into the museum's database.

## 1.1 Groups and regions concerned

The scope of the research concerns the tribal groups and Pueblos located in the Arizona-New Mexico region, in the Southwestern United States, though it also extends to the lower Colorado region, and covers objects in the collection dating back to the Pueblo II era of Ancestral Pueblo material culture (900-1100 AD) all the way to modern wares of the mid 20th century brought back by Smithsonian expeditions and exchanged with the musée du Trocadéro. The modern Pueblos of New Mexico and Arizona (Fig. 2) are all generally concerned when discussing puebloan material culture, but, in light of the fact that the museum contains mostly Zuni and Hopi objects, discussion will be more heavily oriented towards these two.

<figure><img src="image_4.png" /><figcaption>**Figure 2:** Map of present-day Pueblos and villages of the Southwest. Source: Mesa Verde archaeological region
Map courtesy of Neal Morris; Crow Canyon Archaeological Center</figcaption></figure>
## 1.2 Historical background

The modern day Puebloans are generally believed to have descended from the ancient Pueblo peoples, who had their greatest development in the valley of the Rio Colorado, where they built their stone and earth houses along the cliffs, hence the common usage of the term ‘cliff-dwellers’ when referencing them. “We discover remnants of their arts in the neighboring valleys of Great Salt Lake, the Rio Grande, and southward we can trace them beyond the Rio Gila into the table lands of Chihuahua and Sonora” mentioned William Henry Holmes (1866: 445), ethnographer in the region for the Smithsonian’s Bureau of American Ethnology<fnref n="1" />.

It is widely accepted that the Anasazi (also called Ancestral Pueblo) were one of the indigenous groups constituting what is known as the “Puebloan” people. This group also includes the Mogollon, Hohokam, Sinagua, Salado and Patayan cultural groups. (Fig. 3) Archeological evidence indicates that the Anasazi (or Ancestral Puebloan, the updated preferred term) settled into the area north and west of the Colorado river in the high desert area of New Mexico sometime around 450 AD. In respect to material culture, they reached their developmental peak between 1050-1150 AD. Similarly, the Mogollon settled south of the Anasazi in what is today New Mexico, western Texas, and the Mexican states of Sonora and Chihuahua, reaching their peak around 1000, AD while the comparatively smaller Hohokam settled in southern Arizona in 700, as did the Patayan, who settled in parts of Arizona, west to Lake Cahuilla in California, and in Baja California by 700 AD. They reorganized along the Gila river, Colorado River, Lower Colorado River Valley, and north to the vicinity of the Grand Canyon by 1550 (Fig. 3). Though there is no scientific trace of the exact whereabouts of these cultural groups past the 15-16th century, it is generally believed that the modern-day Puebloan groups are the descendants of the Ancestral Pueblos (Anasazi.) Both Hopi and Zuni groups claim ancestral ties to ancient puebloan sites dating back to the four original cultural groups, particularly those related to settlements at Chaco Canyon (New Mexico), and Homol-ovi (Arizona), which are both regarded as significant Anasazi sites.

<footnote n="1">¹ Holmes, William Henry. 1883.</footnote>

<footnote>The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution</footnote>
<figure><img src="image_5.png" /><figcaption>**Figure 3:** Map of major Ancient Puebloan cultural groups of the Southwest. Source: Archaeological cultures of the Southwest: Map by Catherine Gilman, updated by Kathleen Bader. Courtesy of Desert Archaeology, Inc.</figcaption></figure>

## 1.3 Main cultural groups of interest

**Hohokam** - centered in southern Arizona in the Salt and Gila River drainages (later home to the Pima Alto and Tohono O'Odham people).

**Mogollon** - centered in southwestern New Mexico and northern Sornora and Chihuahua.

**Anasazi or ancestral pueblo** - centered on the Four Corners area of Arizona, New Mexico, Utah, Colorado.

In the 16th century came the Spanish- A 1539 expedition led by Fray Marcos de Niza and Esteban, who found their way to the Zuni Pueblo of Hawikuh, followed to next year by an expedition led by Vasquez de Coronado which marks a period of two years of intense conflict between the Pueblo and the Spanish, and fourty years later, a period of marked colonization, taxation and Christianization, the building of missions and the persecution of indigenous spiritual life. The Pueblo revolt of August 1680, in which armed Puebloans from virtually every village,
led by a San Juan Puebloan named Popé, attacked the Spanish living in the countryside and outer
villages, and later Santa Fe. This began a ten-year period of struggle and war, with the Spanish
burning and sacking the Pueblo of Zia in 1688. In 1692, the Indigenous peoples of the region
accepted Catholicism and the Spanish rule under Don Diego de Vargas, but underwent two more
government changes: In 1821, Spain ceded the Southwest to Mexico, and by 1846 America had
taken over, which ended the period of enforced Catholicism, but brought mormons,
ethnographers and archeologists instead <fnref n="2" />.

**1.4 Scope of the collection**

A number of important pieces in the musée du quai Branly’s Southwest collection were
acquired by the Trocadéro through object exchanges with the Smithsonian Institution,
particularly one major exchange in 1885. The musée’s collection of the Southwest region
includes a significant number (around 450 objects) of important ritual, ceremonial and utilitarian
objects from tribes across Arizona and New Mexico (Hopi, Zuni, Havasupai, Cochiti, among
others). Though Hopi represents by far the largest number of objects in the collection, this
research project has also allowed us to identify pottery belonging to Acoma Pueblo, Cochiti
Pueblo, San Ildefonso Pueblo, and others. It is worth noting that the collection was almost
completely undocumented, save for a group of pottery from the Archeological Institute of
America that arrived with specific datations, and a group of others from the Smithsonian’s 1885
exchange that, for the most part, accurately named the specified the origin (Zuni, principally). I
was able, through this research, to attribute cultural origin, date, use, to almost every object, as
well as inform the catalogue with information as to: corresponding ledgers in the Smithsonian
archives, corresponding collections in the Smithsonian, duplicates in other institutions, mentions
of individual objects in ethnographer notes or catalogs, ethnographic descriptions by collectors
as to use of the object in ritual, social or domestic life, illustrations or photographs of the object
currently available in the Smithsonian archives or other resource, and other information’s
relating the musée du quai Branly’s collection to its original collection<fnref n="3" />.

<footnote n="2">² Hayes, A. & J. Blom (1996: 31).</footnote>

<footnote n="3">³ Most of this information is relayed throughout this report. For further details on individual objects, see an additional report (Hengen_Céramique pueblo_Rapport phase 2 a&b – Service des archives et de la documentation des collections).</footnote>
## 2 Methods

Various methods were employed during the course of this project. Firstly, examination of the objects, both within the musée du quai Branly's collection as well as that of the Smithsonian's National Museum of Natural History, allowed me a closer look into materials, techniques, form and iconography to further enable research and analysis.

This then allowed for an extensive comparative study was accomplished between the objects of the same collection in the Smithsonian and the objects in the musée du quai Branly. The entirety of both collections were examined by myself, accompanied in some cases by Gwyneira Isaac and Fabienne de Pierrebourg (Fig. 4). Objects were compared and duplicates were sought out. In certain cases where the musée's object was incomplete or disconnected, seeking a duplicate in the Smithsonian's collection allowed us to understand its intended use or form. Further, iconography and form on pottery was compared and, since the Smithsonian's collections are highly documented as well as classified by tribal or geographical belonging, this allowed us to similarly place objects in their respective cultural group classifications.

Secondly, extensive archival research was conducted regarding objects collected by the Smithsonian. I examined personal letters and other correspondence between ethnographers and the Smithsonian, detailing fieldwork done in various regions of the Southwest, as well as field reports, collection reports, photographs, annual reports from the Bureau of American Ethnology, and other documents, which will be detailed in this report.

<figure><img src="image_6.png" /><figcaption>**Figure 4:** Gwyneira Isaac, Curator of North American Ethnology at the Smithsonian's National Museum of Natural History, and Fabienne de Pierrebourg, curator of Americas at the musée du quai Branly, examine a Hopi ritual dance headdress inside the Smithsonian collections. Photo by the author.</figcaption></figure>
## 2.1 Research at the Smithsonian's National Museum of Natural History

I found that a significant amount of detail concerning the objects could be found in the reports drafted by the main ethnographers sent by the Bureau of American Ethnology on expeditions to the South-West. In many cases, objects were described in great detail regarding use and origin, and thanks to illustrations and photographs found in both reports as well as archival research in the National Anthropological Archives, I was able in most cases to identify the exact objects, which will be described in the following pages.

Duplicates or almost identical objects identified from the musée du quai Branly collection to the Smithsonian collections enabled me to similarly pinpoint object origin. For example, to the left (Fig. 5) is a previously unidentified ‘decorative’ object in the musée du quai Branly’s collection. To the right (Fig. 6) is its duplicate, found in the Smithsonian collection.

<figure><img src="image_7.png" /><figcaption>**Figure 5:** Ah-Kow-Shi, Hopi dance ornament. Musée du quai Branly 71.1885.78.166 [Smithsonian original catalog number 41672].</figcaption></figure>

<figure><img src="image_8.png" /><figcaption>**Figure 6:** The same object from the Smithsonian collections, Museum Support Center. [Object number E1287890]. Photo by the author.</figcaption></figure>

By tracing the original Smithsonian catalog card, which includes information from its date of collection, including the inventory card of the name, origin and use of the object, I was able to provide information to the musée du quai Branly database for this object and many others, which were in the great majority unidentified when it came to non-ceramic material culture from the Southwest. For example, with/ on the catalog card of the duplicate sunflower ornament (Fig.7) in the Smithsonian collection, I was able to identify the name of the object originally recorded by the collector “Ah-Kow-Shi”, it’s origin, the Nushongunubi village of Hopi, Arizona, and its use (worn in dance).
<figure><img src="image_9.png" /><figcaption>**Figure 7:** Smithsonian National Museum of Natural History. National Anthropological Archives, Catalog Card number E128789 – E128791.</figcaption></figure>

## 2.2 Tracing the objects in the archives

In many cases, the Smithsonian catalog cards allowed me to trace back which objects, and of which collections, had been sent to the Trocadéro, specifically in respect to the 1885 accession group in the musée du quai Branly’s collection. By tracking the musée’s Smithsonian-exchanged objects by their original catalog number, I was able to find their corresponding original collections, and, with some digging, their original catalog cards, as well. This group of baskets from Zuni, for example, sent to the Trocadéro, was found by tracing the musée du quai Branly’s basket by original catalog number (No. 68476 donated to the Trocadéro as described on the card) (Fig. 9). I am then able to confirm that the basket is definitively from Zuni, and, as stated on the card below, is ‘believed to have been obtained by barter from the Navajos. Many of them are cemented inside and outside by a resin and are generally used for carrying water’ (Fig. 8). The process of tracing the original catalog cards for each object allowed me to find the precise origin of every single object in the musée du quai Branly’s Southwest collection, and any accompanying remarks.
<figure><img src="image_10.png" /></figure>

**Figure 8:** Catalog card of a group of baskets, one of which was donated to the Trocadéro in 1885. Smithsonian National Museum of Natural History, National Anthropological Archives: Catalog Card number E68476.

<figure><img src="image_11.png" /></figure>

**Figure 9:** Zuni carrying basket donated to the Trocadéro. Musée du quai Branly [71.1885.78.217] [Smithsonian original catalog number: 68476].
Further examples of this research include a pair of leather anklets from Hopi (Fig. 10), collected in 1879. Again, the catalog card allows us to trace the collection in which the objects belong, the original collector (in this case Col. James Stevenson and Frank Hamilton Cushing, both ethnographers for the Bureau), the number of pieces collected, which of those were sent to the Trocadéro (Fig. 11), and in turn locate the item in the musée du quai Branly’s collection using the original catalog number, which are in most cases thankfully still affiliated with the object.

<figure><img src="image_12.png" /><figcaption>**Figure 10:** Hopi leather anklets referred to in the catalog card below originating from the Smithsonian collection. Musée du quai Branly 71.1885.78.248 [Smithsonian original catalog number: 42353]</figcaption></figure>

<figure><img src="image_13.png" /><figcaption>**Figure 11:** Original catalog card for the collection of Hopi leather anklets (below), of which one pair was sent to Trocadéro. National Anthropological Archives, Catalog card number E42354-O.</figcaption></figure>
In many cases, the catalog card was also accompanied by the original collection ledger from the Bureau of American Ethnology, in which items are listed individually and often accompanied by illustrations from the collecting ethnographer. These ledgers aided me greatly in identifying objects that were part of one collection and expedition, but were difficult to trace by number. The curved stirring stick below (Fig. 12), for example, illustrated in the ledger on the next page, in between the flat stirring stick and the ladle, is the exact object from the musée du quai Branly’s collection. The process for identifying the origin and accession of these objects, from a curatorial perspective, is tedious but interesting. The wooden ladle below, for example, was identified by tracing its original number to the numbers of the same collection (which are the same, save for the last number – ex 75764, 75764, 75765, etc.), tracing the ledger of that collection, deciphering the original description and number, matching the illustration, and, as you can see in this case, to the right of the illustration, a hand-written inscription confirming it was sent to the Trocadéro. (Trocadero, July 1895) (Fig. 13). Through this research I am able to confirm that it is the Zuni and in fact a wooden ladle, rather than its description in the current musée catalog as a saddle hook.

<figure><img src="image_14.png" /><figcaption>**Figure 12:** Zuni wooden ladle. Musée du quai Branly **71.1885.78.111** [Smithsonian original catalog number 75763]</figcaption></figure>
<figure><img src="image_15.png" /><figcaption>**Figure 13:** Ledger book, Volume 016, page 136. Catalog numbers 75751-75775. National Anthropological Archives.</figcaption></figure>

In certain cases when the catalog card is not readily available, tracing the ledger is the only way to guarantee exact origin of the object in the musée du quai Branly’s collection and, save one or two, every single object was in fact identified. The cases in which the original catalog card is still available, a great deal of important information can be gathered, for example from this weaving knife from the musée’s collection (Fig.14). We are able from the card to identify the source community, collector, when and to whom it was sent, and other collections that may hold duplicates (Fig. 15). This type of information is useful for both research and curatorial work.
<figure><img src="image_16.png" /><figcaption>**Figure 14:** Zuni Weaving Knife. Musée du quai Branly **71.1885.78.114**
[Smithsonian original catalog number 75785]</figcaption></figure>

<figure><img src="image_17.png" /><figcaption>**Figure 15:** Original catalog card for weaving knife (Fig. 14). National Anthropological Archives, Catalog card number E75784.</figcaption></figure>
Another example of catalog (Fig. 17) and object (Fig. 16) match-up: these previously
unidentified or misidentified objects are now complemented with the information available from
the Smithsonian.

<figure><img src="image_18.png" /><figcaption>**Figure 16:** Zuni bull-roarer, musical instrument. Musée du quai Branly **71.1885.78.115**
[Smithsonian original catalog number 69423]</figcaption></figure>

<figure><img src="image_19.png" /><figcaption>**Figure 17:** Original Catalog card for Fig. 16, bull-roarer, musical instrument. National Anthropological Archives.
Catalog number E69423-O.</figcaption></figure>
Finding the original object illustrations in the ledgers from the lat 19th century is of interest as well. The resin-coated gourd (Fig. 18) is the very same gourd illustrated in the collection ledger (Fig. 19: top left), traced by number in the Smithsonian archival catalog.

<figure><img src="image_20.png" /><figcaption>**Figure 18:** Hopi Gourd. Musée du quai Branly [71.1885.78.129] [Smithsonian original catalog number 83976]</figcaption></figure>

<figure><img src="image_21.png" /><figcaption>**Figure 19:** Ledger book, cemented basket-work, volume 018, page 067. National Anthropological Archives.</figcaption></figure>
The same process occurred for this notched stick rattle (Fig. 20), below, traced by number to its original illustration in the collection ledger (Fig. 21: top right).

<figure><img src="image_22.png" /><figcaption>**Figure 20:** Elements of a notched stick rattle ("Truh-kun-pi") from Hopi brought back by Stevenson during this expedition. Musée du quai Branly [71.1885.78.146.1-2] (Smithsonian original catalog number: 68854) (Sizes not to scale).</figcaption></figure>

<figure><img src="image_23.png" /><figcaption>**Figure 21:** Original ledger illustration of the above notched stick rattle. Volume 015, page 052. National Anthropological Archives.</figcaption></figure>
## 2.3 Research from duplicates

It is important to know and understand that the Smithsonian objects that were donated to the Trocadéro (and other national or European museums) often were, in fact duplicates. This served the purpose of not only feeding the collections of other museums and serving the interest of the Smithsonian for furthering their collections with objects that may interest them in the future, but also to provide space for the collections, which was limited at the time. However, curators now are struggling to ‘put back’ the collections together in a coherent narrative. I found however that frequently in the case of the Smithsonian and the musée du quai Branly, duplicates were often in better condition in the musée’s collection than they were in the Smithsonian’s collection.

I was surprised to find, upon arrival, a similar Pueblo village replica (Fig. 22) as the one present in the musée du quai Branly’s collection and pointing it out to curator Gwyneira Isaac, she mentioned she was struggling to find others in collections in the USA. I noted to her that the museum had two in the collection, which are most likely models built under the supervision of Victor Mindeleff, who, in the late 19th century, surveyed a great deal of Zuni and Hopi villages for the purpose of creating models for the Bureau of American Ethnology.

<figure><img src="image_24.png" /><figcaption>**Figure 22:** Pueblo village replica. Late 19th century. Musée du quai Branly **71.1885.78.3**. Smithsonian number unknown.</figcaption></figure>
Similarly, this Hopi clown ritual dance head-dress from the Smithsonian collection (Fig. 23), a double of which I had previously identified during my examination of the musée du quai Branly’s objects (Fig. 24), enabled me to further gather information and confirm my findings.

<figure><img src="image_25.png" /><figcaption>**Figure 23:** Hopi clown ritual dance head-dress in the Smithsonian collections [E68983-0]. Photo by the author.</figcaption></figure>

<figure><img src="image_26.png" /><figcaption>**Figure 24:** The same headdress in the musée du quai Branly collection **71.1885.78.246** [Smithsonian original catalog number 68982]</figcaption></figure>

<figure><img src="image_27.png" /><figcaption>**Figure 25:** Original ledger of Hopi headdresses accessioned into the Smithsonian. Above piece figures top right in the ledger. Smithsonian National Anthropological Archives, ledger book volume 015, page 057.</figcaption></figure>
In this way, each object in the musée's Southwest collection, save one or two, have been identifiée

We are similarly able to trace original information gathered in the research surrounding these collection expeditions, specifically pertaining to the material culture aspect of Pueblo ritual and ceremonial life. In fact, a number of important ritual pieces can be found in the musée's Southwest collection. Though I unfortunately cannot sufficiently detail in this report the cosmology and social, ritual and ceremonial life of the Pueblos of the Southwest, I will attempt to contextualize a few important pieces in the collection through brief description of their intended use and in certain cases ritual relevance.

## 2.4 Further identifying the objects in the collection

A number of historically and culturally relevant pieces can be found in the musée's collections. John Wesley Powell himself, the Bureau's founding director, participated in a number of expeditions and brought back numerous items, a few of which we can find in the musée du quai Branly's collection. Of note, this Hopi wrist guard, on which his name and the origin has been noted, as well as the item collection number. (Fig. 26)

<figure><img src="image_28.png" /><figcaption>**Figure 26:** Hopi Wrist Guard, Powell collection. 19th century. Musée du quai Branly **71.1885.78.107** [Smithsonian original catalog number 23139]</figcaption></figure>
<figure><img src="image_29.png" /><figcaption>**Figure 27:** Hopi ritual headdress, female. Musée du quai Branly [71.1946.41.4.1-2]. Gift of Georges Widenstein.</figcaption></figure>

The object above (Fig. 27) from the collection is a Hopi ceremonial dance headdress covering the superior part of the head, worn by women during dances in which complex ritual impersonations are performed.

<figure><img src="image_30.png" /><figcaption>**Figure 28:** Pueblo Katsina Dance Sash. 19th century. Musée du quai Branly. [71.1962.79.1] Donation of Paul Rodier.</figcaption></figure>

The collection at the musée du quai Branly also contains a number of beautiful examples of Hopi and Zuni ritual pieces, from ceremonial regalia to dance batons. At Hopi, religious as well as secular power resides almost completely in the possession and use of important ritual objects – and the objects are overwhelmingly numerous, ranging from costumes to masks to shrines,
paraphernalia, pottery and altars. The dance sash above (Fig. 28), for example, though stated to have been collected at Taos pueblo, is in the typical style of a Hopi "Katsina Dance Sash" in Hopi brocade technique, worn by men during Katsina ritual dances, such as annual rain dances. The motifs are made of an inverted step pyramid, the bottom part which contains elements representing cultivated earth. The black motifs containing vertical white marks are made reference to the falling rain, a frequent symbol that can be found in both Hopi and Zuni material culture, as well as in other puebloan groups. The zig-zag bands are symbolic of lightning and rain clouds.

Hopi ceremonies are organized around the year as a temporal unity and the village or mesa as a special unit. In principle, each village organizes its own ceremonies following a general model that permits variation, with certain villages standing as leaders.

Their ceremonial cycle is an annual one consisting of two major periods – masked and unmasked ceremonies. The masked dancers, embodying kachinas, arrive in either January of February depending on the village and depart in July. Their first great ceremony is *Powamu*, when children are initiated into the Kachina and Powamu societies, and their last is *Niman*, the ‘returning home’ ceremony. Their presence marks a season extending from sometime in the month or so following the winter solstice to after the summer solstice, and their departure coincides with the end of planting the fields. Following this comes the Snake-Antelope ceremony or the Flute ceremony in alternating years in each village. In autumn come the ceremonies of the three women’s societies, followed by ceremonies of the four men’s societies, ending with Soyal, a ceremony marking the end of the winter solstice.

<figure><img src="image_31.png" /><figcaption>**Figure 29:** Hopi dance sticks for women. Musée du quai Branly [71.1885.78.153] [Smithsonian original catalog number 69168]</figcaption></figure>

<figure><img src="image_32.png" /><figcaption>**Figure 30:** Hopi dance sticks for women. Musée du quai Branly [71.1885.78.253] [Smithsonian original catalog number 69169]</figcaption></figure>
These two decorated wooden dance sticks from Hopi (Figs. 29 & 30) are carried vertically by hand in front of the body by women during the women's societies ritual dances. The center is decorated with a motif of rain god on the left, whereas the inferior part of the stick is decorated with a corn representation, a direct reference to agricultural dances as well as the corn maiden, a prominent Kachina spirit figure in Hopi cosmology.

Kachina dolls (Fig. 31), they, are usually given indirectly by fathers to daughters, the latter arranging for a kachina dancer to present his daughter with a doll<fnref n="4" />. The dolls are kachina representations, and are usually given during the two major kachina ceremonies: *Powamu*, or Bean Dance, and *Niman*, or Home Dance, the last dance of the Kachinas before they go “home” to their dance cycle in the underworld. Both of these ceremonies have agricultural references: the bean dance anticipates the planting season, while the home dance anticipates the harvest as the kachina dancers bring melons and other foods into the plaza to distribute to onlookers. The kachina doll is referred to by the Hopi as *Tihu*, which is also a formal or ritual term for child, as in the phrase *tihutnaa nawakna*, literally translated as “children are desired”, or in another translation “let us all multiply”<fnref n="5" />. The doll is often presented tied to a cradleboard, though is now sold individually as curio.

<figure><img src="image_33.png" /><figcaption>**Figure 31** : Kachina doll, early 20th century. Musée du quai Branly [71.1885.78.149](https://www.muséum-quai-branly.fr/en/exhibitions/dessins-de-l'art-contemporain/musée-du-quai-branly)</figcaption></figure>

<footnote n="4">⁴ Schlegel, A. (2009: 1).</footnote>

<footnote n="5">⁵ Schlegel, A. (2009: 2).</footnote>
A few important pieces of ceremonial and dance regalia collected by the Smithsonian include these two pieces below, arm and wrist bands worn in dance (Figs. 32 & 33), duplicates of which was traced to the Smithsonian collections and documented accordingly (Fig. 34).

<figure><img src="image_34.png" /><figcaption>**Figure 32:** Pair of Hopi arm-bands “armlets of Snake “Chu-Marsh-Mi” brought back by Stevenson from the Hopi village Shungopavi. Musée du quai Branly **71.1885.78.220.1-2** [Smithsonian original catalog number: 68975]</figcaption></figure>

<figure><img src="image_35.png" /><figcaption>**Figure 33:** Pair of leather wristlets of hyde and string Musée du quai Branly **71.1885.78.105.1-2** [Smithsonian original catalog number: 84273]</figcaption></figure>

Both are examples of late 19th century Hopi regalia.

<figure><img src="image_36.png" /><figcaption>**Figure 34:** Duplicata of the regalia objects in the MQB collections, found in the Smithsonian collections. Identifying objects were further aided by detailed descriptions of use and origin in the Smithsonian database. Smithsonian collections E128936-0. Photo by the author</figcaption></figure>
### 3 Archeological and ethnographic expeditions conducted by the Smithsonian

Alongside the extensive examination and comparative work executed in the Smithsonian's collections, many of the objects in the collection can be identified by analyzing the texts and reports from the Smithsonian's main investigators in the Southwest region, namely Colonel James Stevenson and his wife Matilda Cox Stevenson, Frank Hamilton Cushing, John Wesley Powell and Victor Mindeleff, whose respective expeditions will be outlined in detail in the following section. Certain objects in the collection are also directly referred to and illustrated by these explorers through letters and reports found through research in the National Anthropological Archives.

<figure><img src="image_37.png" /><figcaption>**Figure 35:** Map of the Arizona and New Mexican region of major exploration. Here pictured are sites of the major Puebloan ruins that were excavated and from which the majority of the SI/MQB collection derive. Source: Encyclopedia Britannica.</figcaption></figure>
## 3.1 Expeditions led by James Stevenson for the Bureau of American Ethnology

The first systematic anthropological collecting at Zuni began under the sponsorship of the Smithsonian Institution's newly formed Bureau of American Ethnology<fnref n="6" />. In 1879, a party was organized to continued explorations in the region, placed under the direction of Col. James Stevenson. Frank H Cushing of the Smithsonian Institution and John Hillers, photographer of the Bureau also accompanied the group (Fig. 36). The party set out to study the ruins, and made large collections of pottery, stone implements, tools and other objects. J.K. Hillers greatly documented their explorations, and his photographs allow a glimpse into the general context of the work and collection of this expedition. They entered the village as the first stop on an extensive survey of Pueblo peoples in New Mexico and Arizona. Parezo (1985: 764) noted that <fnref n="7" /> Stevenson explained to the Zuni that the great “Washington father” wanted to understand the ways of “his children” by gathering their objects. The party was eager to collect both ancient and contemporary objects on a very large scale, and collect they did. The collection he acquired was significant, and William Holmes (1886: 304), successor to Powell at the head of the Bureau of American Ethnology, noted:

> *Ruins and ceramic art may be found at every turn, and it is a common thing to find ancient vessels in possession of the Pueblo Indians. This is especially true of the Zunis and Mokis, from whom considerable collections have been obtained. These vessels have apparently been culled from the sites of ancient ruins, from cave and cliff-houses, and possibly in some cases from burial places. Recently, since they have become valuable in trade, the country about Moki has been ransacked by both Indians and whites, and many valuable specimens have been acquired.*

<footnote n="6">⁶ Bernstein, B. & K. Lucic (2008: 1).</footnote>

<footnote n="7">⁷ Parezo (1985: 764) in Bernstein, Bruce (2008: 6).</footnote>
<figure><img src="image_38.png" /><figcaption>**Figure 36:** Photograph by J.K. Hillers, photographer for the 1879 expedition. View of Southern Passageway and Adobe House Clusters, Man in Blanket Near Ladder. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution. NAA INV 06313300.</figcaption></figure>
When Stevenson returned with his party to Washington, F.H. Cushing remained at Zuni to conduct a study of language and customs. The actual expedition spanned 3 years, and objects were acquired from Wolpi (Hopi), Laguna, Acoma, Cochiti, San Domingo and other Pueblos. The objects procured by these expeditions amount to over 10,000, with Stevenson publishing an illustrated catalog of 368 of these that has also aided in finding information on the musée du quai Branly's collection. The objects brought back by Stevenson include implements of war and hunting, articles used in domestic manufacture, clothing and personal ornaments, basketry, toys, stone tools, musical instruments, objects used in religious ceremonies and games, and other articles. The musée du quai Branly's Zuni collection contains numerous items collected by Stevenson during this specific expedition. Two of which can be seen below (Fig. 37 & Fig. 38).

<figure><img src="image_39.png" /><figcaption>Items from Zuni collected by Stevenson</figcaption></figure>

**Figure 37:** Grooved stone axe with handle. Musée du quai Branly **71.1885.78.14** [Smithsonian original catalog number: 65917]

<figure><img src="image_40.png" /></figure>

**Figure 38:** Gourd rattle. Musée du quai Branly **71.1885.78.184** [Smithsonian original catalog number: 69265]
During the field season of 1882, Stevenson proceeded to the more archeologically oriented part of his research, and set out with his team to explore the ruins of Arizona and New Mexico commonly known as ‘cave and cliff dwellings”<fnref n="8" /> in the Canyon de Chelly, a branch of the San Juan Valley in Northeast Arizona. Many objects of interest were found in the debris around and in these houses. Matting, sandals, spindle whorls, and stone implements of various kinds (Fig. 39 & Fig. 40) were reported as having been collected <fnref n="9" />.

<figure><img src="image_41.png" /><figcaption>Stone tools found by Powell and Stevenson expedition to ruins in Arizona</figcaption></figure>

**Figure 39:** Musée du quai Branly **71.1885.78.365**
[Smithsonian original catalog number: 76304]

**Figure 40:** Musée du quai Branly **71.1885.78.363**
[Smithsonian original catalog number: 75870].

Stevenson also explored several large and important ruins in where he collected skeletons, skulls, ancient pottery, and bone and stone implements. At the ruins of Tally-Hogan the party discovered an ancient burial ground, and graves were discovered with skeletons covered with articles that had belonged to the deceased, alongside vases and bowls <fnref n="10" />.

Most of the ancient pottery collected by Stevenson derives from these funerary sites. This ancient Anasazi cup (Fig. 41), for example, collected by Stevenson during this expedition, depicts on the inside a Kachina figure that was not seen past the 15th century, save for revival styles of pottery which occurred much later on.

<footnote n="8">⁸ B.A.E. Annual report no. 4 (1884: XXXIV).</footnote>

<footnote n="9">⁹ B.A.E. Annual report no. 5 (1885: XXIV-XXIII).</footnote>

<footnote n="10">¹⁰B.A.E. Annual report no. 5 (1885: XXIII).</footnote>
<figure><img src="image_42.png" /><figcaption>**Figure 41** : Anasazi cup or recipient. Pueblo IV. Musée du quai Branly **71.1885.78.370**
[Smithsonian original catalog number: 83609].</figcaption></figure>

The pottery brought back by Stevenson was divided by him into a few classes: the red or uncolored, brown ware, black ware, cream or white decorated in colors, red ware decorated and ancient pottery<fnref n="11" />. Stevenson subsequently visited the seven Hopi villages in Arizona, from which he obtained important information as well as a collection of their household and other utensils.

Another section, in charge and under the supervision of Mrs. Stevenson, made collections and studies at Zuni. The collections from there contain many objects relating to the outdoor ceremonies of the Zuni. Specimens of these were secured from their sacred springs, caves and shrines (**Fig. 42 & Fig. 43**). Additionally, Cushing reported that Matilda Cox Stevenson set up a makeshift trading post in missionary quarters and paid members of the community for their artifacts<fnref n="12" />.

<footnote n="11">¹¹ B.A.E. Annual report no. 2 (1882: XXXVI).</footnote>

<footnote n="12">¹² Cushing (1882, 1979: 59)</footnote>
<figure><img src="image_43.png" /><figcaption>Zuni Prayer sticks made of eagle and turkey feathers placed on wooden pole, collected by Stevenson at Zuni.</figcaption></figure>

<caption>**Figure 42** : Musée du quai Branly **71.1885.78.332**
[Smithsonian original catalog number: 9567].</caption>

<caption>**Figure 43:** Musée du quai Branly **71.1885.78.163**
[Smithsonian original catalog number: 22841].</caption>

Stevenson notes the “collections of their fetishes, plume sticks, and other objects connected with their mythology and religious practices. The collection made during the year was unusually large and important. It comprises about 8500 specimens from the Indian tribes of the South-west, woven fabrics and pottery, bone, and stone implements, ancient and modern, and represent nearly all phases of the life art and industries of those tribes”<fnref n="13" />.

The detailed report of objects collected and inventoried by Stevenson allows us to pinpoint which objects ended up in the Musée's collection, as Stevenson's report details the articles of clay he collected in great detail<fnref n="14" />. The collection made at the Pueblo of Zuni by the expedition was more extensive than that from any other place, of which by far the larger part is composed of earthenware articles. These include large and small water vases, canteens of various sizes and

<footnote n="13">13 B.A.E. Annual report no. 6 (1886: XXIX).</footnote>

<footnote n="14">¹⁴ Stevenson, J. (1883 :312).</footnote>
shapes, cooking cups and pottery baskets used in their dances, paint pots, ladles, water jugs,
eating bowls, spoons, pepper and salt boxes, pitchers, bread bowls, Navajo water jugs, water
vases, cups, cooking pots, skillets, ancient pottery, animals. It belongs mostly to the variety of
cream-white pottery, decorated in black and brown colors. A portion is red ware, with color
decorations in black<sup>15</sup>.

<figure><img src="image_44.png" /><figcaption>**Figure 44:** Zuni water vase, 19th century, collected by Powell. Musée du quai Branly [71.1885.78.416] [Smithsonian original catalog number: 40314].</figcaption></figure>

This Zuni water vase (Fig. 44) for example, which I located and traced by original catalog number, is described by Stevenson in his inventory of objects:

The decorations of this piece are distinguished chiefly by the presence of the elk or deer.
Attention is called to the three figured zones or belts on the body, the upper with the arch
enclosing an elk, the middle and narrow belt adorned with figured of birds with a long crest
feather. The helix or scroll is freely introduced in this variety. The one here figured is typical of a
quite a large group. The animals are usually black, as are the lines separating the spaces<sup>16</sup>.

<footnote n="15">15 Stevenson, John. (1883: 311).</footnote>

<footnote n="16">¹⁶ Stevenson, John (1883: 343 - *Articles of Clay-Water Vases*).</footnote>
We know from more recent research on Zuni pottery that the bird is actually a roadrunner and the line you see to the deer's heart is commonly called a 'heart line'. There is not only a line drawn from the mouth to the heart, but a little space is left down the center of either side of this line, which is called *o ne yathl kwa'to na*. or the "entrance trail" (of the source of breath of life)<fnref n="17" />. A Zuni polychrome type, this form of pottery was produced from the late nineteenth to early twentieth century, and was produced at Zuni Pueblo for both local use and for the tourist market during the late nineteenth and early twentieth century. Around the mid 19th century, with the advent of the railroad and the increase in tourism in the southwest, there was shift from the relatively conservative styles to exuberant combinations of designs characteristic of Zuni Polychrome<fnref n="18" />. This type is commonly characterized by the high quality of execution. Zuni Polychrome is distinguished by a white slipped surface over which the decorations are painted, though the top of the rim and bottom of the vessel can be covered by a brown mineral pigment. This use of brown rather than red slip pigment found in earlier period is what distinguishes, in part, Zuni Polychrome produced at Zuni Pueblo. As we can see (**Fig. 44**), very wide decorated areas on the exterior of the vessel are framed by relatively thick lines, the same pigment of which can be found at the lip and bottom of the ware. Design elements of Zuni Polychrome include geometric motifs, heart-line deer, rosettes, and various forms of birds<fnref n="19" />.

Zuni potters made a range of ollas, baskets, jars and small ceremonial pieces, and Stevenson describes a number of Zuni earthen baskets, such as the one below (Fig 45). Common depictions on Zuni pottery include references to their ceremonial system, including the importance of rain, water, hunting and agriculture. Hence it is common to find water symbols, hunting symbols, frogs, tadpoles, heartline deer, and dragonflies (another form of reference to water, or the rains of summer).

<footnote n="17">¹⁷ Cushing, Frank Hamilton, (1893: 312)</footnote>

<footnote n="18">¹⁸ (Frank and Harlow 1990; Harlow 1973; Lammon and Harlow 1990)</footnote>

<footnote n="19">¹⁹ (Frank and Harlow 1990; Harlow 1973; Lammon and Harlow 1990)</footnote>
<figure><img src="image_45.png" /><figcaption>**Figure 45:** Zuni earthen meal basket, with a cloud-formed lip and a dragonfly representation between two tadpoles on the exterior. Musée du quai Branly <ins>71.1885.78.410</ins> [Smithsonian original catalog number: 40338].</figcaption></figure>

Stevenson's descriptions of objects collected shed light on individual objects in the musée du quai Branly's collection not only from Zuni but also from Hopi, such as this Hopi water jug (Fig. 46), traced by original number (41362) from his inventory. This particular vessel is also illustrated in the ledgers of the Bureau's annual report of 1882. (Fig. 518, p. 381).

<figure><img src="image_46.png" /><figcaption>**Figure 46:** Hopi Water Jug, Musée du quai Branly, 19<sup>th</sup> century. Musée du quai Branly <ins>71.1885.78.400</ins> [Smithsonian original catalog number 41362].</figcaption></figure>
Stevenson's remarks on this collection of pots collected at Wolpi, Hopi, include the pot
above:

1539, 1540 (41320, 41362): These are similar to those obtained at Zuni. Sub-globular in form, one side more distinctly flattened on which to lie, the other very convex. Usually with two handles, sometimes loops, and sometimes studs or knobs. Occasionally ornamented white ware, but most generally un-adorned, brown or red ware. The latter showing, on some pieces, at least a slight, perhaps accidental, glazine. They vary in size from six or seven gallons down to less than a pint. As the various figured used in decorations here have been described only those which are unusual will be noticed here . Underside as usual, blown. Scalloped band in direction of mouth and handle, transverse double scalloped band across the upper half<sup>20</sup>.

We can similarly trace another object in the musée’s collection to Stevenson’s inventory,
in which he described a turtle shell rattle (Fig. 47) in detail:

Ornaments and musical instruments employed in dances and religious ceremonies do not differ much among the Pueblo Indians – the principal ones being the drum, rattle, notched sticks, a kind of fife, and a turtle shell rattle. The latter instrument is the shell of a turtle, around the edges of which the toes of goats and calves are attached. This produces a very peculiar rattling sound. The shell is usually attached to the leg near the knee<sup>21</sup>.

<figure><img src="image_47.png" /><figcaption>**Figure 47:** Zuni turtle shell rattle, collected by Stevenson.
Musée du quai Branly **71.1885.78.501**</figcaption></figure>

<footnote n="20">²⁰ Stevenson, J. (1883: 347 - Hopi water jugs).</footnote>

<footnote n="21">²¹ Stevenson, J. (1883: 336 - Water-jug Basketry).</footnote>
The photographs taken by Hillers during the period of this expedition are also revelatory in the use of certain objects in the collection. It is interesting to note that these photographs were taken at the same time that the very same objects were collected from these sites, and interesting to contextualize them in the scope of their investigations. (Fig 48 & 49, 50 & 51)

<figure><img src="image_48.png" /><figcaption>**Figure 48:** Photograph by JK Hillers, photographer for the 1879 expedition. Man in Native Dress on Blanket using Spindle 1879. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution. NAA INV 06314600.</figcaption></figure>

<figure><img src="image_49.png" /><figcaption>**Figure 49:** Spindle collected by Stevenson at Hopi. Musée du quai Branly [71.1885.78.113]. [Smithsonian original catalog number 68893].</figcaption></figure>
<figure><img src="image_50.png" /><figcaption>**Figure 50:** Photograph by J.K. Hillers, photographer for the 1879 expedition. Group of Three Women in Native Dress, One Brushing Each Other's Hair Spindle 1879. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution, NAA INV 06662500.</figcaption></figure>

<figure><img src="image_51.png" /><figcaption>**Figure 51:** Brush collected by Stevenson at Hopi. Musée du quai Branly **71.1885.78.152** [Smithsonian original catalog number 68893].</figcaption></figure>

Note: they are brushing a man's hair and not a woman's as listed in the photograph. Hiller's photographs allow us a glimpse into the 'social life' of these objects, and it is also interesting the place this type of North American ethnographic photograph in the context of a research and collection expedition, in contrast to the infamous Edward S Curtis art photography of the time.
## 3.2 Expeditions led by Frank Hamilton Cushing

Cushing, an ethnographer sent by the Smithsonian Institution for the same purpose as the Stevensons, took however a different approach to his fieldwork. Instead of leaving with the Smithsonian expedition, he remained at Zuni from 1879 to 1884, immersing himself in the society to such an extent that he dressed in Zuni costume, served on the tribal council, and was initiated into the Bow Priesthood. The Bow Priests carried out the decisions of the higher officials and acted as religious police in protecting both sacred and secular leaders. However despite his unconventional status, Cushing made clandestine trips to Zuni shrines, taking away groups of ceremonial objects and, after gaining trust of the Zuni, Cushing succeeded in obtaining "the paraphernalia of their sacred dances"<fnref n="22" />.

<figure><img src="image_52.png" /><figcaption>**Figure 52:** Zuni ritual headdress, worn in danse. Collected by Cushing. Musée du quai Branly [71.1885.78.307] (Smithsonian original catalog number 41947).</figcaption></figure>

Cushing resided at the Pueblo of Zuni and made is a goal to collect the most esoteric knowledge and objects. During the winter of 1879-80, he had made numerous sketches and notes on their sacred dances and on the meetings of some of their secret societies, which he succeeded in observing. During the succeeding summer and autumn, he "explored" many of the

<footnote n="22">²² Merrill W., Ladd, E.J. & Thomas. Ferguson (1993: 540) ; Parezo (1985: 768); Bernstein, Bruce & and Karen Lucic (2008: 10).</footnote>
traditional ruins within a radius of 50 miles of Zuni, as well as also other important grottoes on
the Rio Concho, and the caves that were at the time still used as sacrificial depositories by the
Zunis, near La Laguna del Colorado Chiquito, north of San Juan. These collections resulted in
over 2000 specimens, many of which came from well preserved sacrificial depositories. In these
he had the good fortune to discovery numerous well-preserved prayer sticks, bows, arrows,
basket-work, and fabrics of the ancient inhabitants of the valley <fnref n="23" /> (Fig 53, 54).

<figure><img src="image_53.png" /><figcaption>**Figure 53:** Ceremonial Gourd-rattle (Zuni) collected by Cushing. Musée du quai Branly **71.1885.78.207** [Smithsonian original catalog number 84116].</figcaption></figure>

<figure><img src="image_54.png" /><figcaption>**Figure 54:** Bow (Zuni) collected by Cushing. Musée du quai Branly **71.1885.78.285** [Smithsonian original catalog number 41651].</figcaption></figure>

Cushing's notes, manuscripts and reports describe in great details the material culture collected during his time at Hopi, Zuni and Havasupai. For example, Hopi rabbit sticks from Oraibi, also called boomerangs, collected by Cushing in 1883, (Fig. 55, 56 & 57) are described in an unedited handwritten manuscript report handed to the director of the Bureau of American Ethnology (Powell) for proofing for publication in 1883. The first part of this report was later

<footnote n="23">²³ Bureau of American Ethnology Annual report, no. 2 (1882: XXVII).</footnote>
published in a very abbreviated form in the Bureau's 4th annual report. An excerpt of the original manuscript notes:

Rabbit sticks or boomerangs used during their tribal hunts during which are of frequent occurrence and of great benefit to the tribe. In these remarkable weapons of the chase the wonderful properties of the Australian instrument are often reproduced, nor is this an accidental feature, as the Oraibe maker carefully fashions the stick with a view to having it describe a curved course when thrown as the occasion requires <fnref n="24" />.

<figure><img src="image_55.png" /><figcaption>Figure 55: musée du quai Branly
71.1885.78.203 [Smithsonian
original catalog number 69204].</figcaption></figure>

<figure><img src="image_56.png" /><figcaption>Figure 56: musée du quai Branly
71.1885.78.204 [Smithsonian
original catalog number 69197].</figcaption></figure>

<figure><img src="image_57.png" /><figcaption>Figure 57: musée du quai Branly
71.1885.78.205 [Smithsonian
original catalog number 69201].</figcaption></figure>

Hopi rabbit sticks from Oraibi

Frank Hamilton Cushing's reports from his time at the Hopi village of Oraibi illuminates many ethnographic details pertaining to this collection. We can find certain objects collected and described by Cushing at Oraibi in the musée du quai Branly's collection, such as this 19th century bowl below (Fig. 58) which was traced back to Cushing's expedition and illustrated in his

<footnote n="24">²⁴ Cushing, Frank Hamilton. 1883: 476</footnote>
corresponding ledgers (BAE 2nd AR, Fig. 518, p. 381). Cushing writes of the Hopi Oraibi
pottery:

Their modern ware is coarse, thick, poorly burned and easily affected by moisture. This I
am inclined to attribute to natural causes rather than to defective ability on the part of the
Orates. The ceramics of the collection are therefore, although representative, unattractive.
Doubtless the Oraibes still possess a few pieces of their ancient wares, yet is it probable
that long ago most vessels of this class were destroyed by the constant use to which they
would naturally be turned by a people not more favored in the potters art than are these.<fnref n="25" />

<figure><img src="image_58.png" /><figcaption>**Figure 58:** Hopi ware from Oraibi described by Cushing. 19th century. Musée du quai Branly [71.1885.78.402] [Smithsonian original catalog number 41362].</figcaption></figure>

It is important to note that during the period of collection (late 19th, early 20th century), Cushing and other explorers returned with modern and ancient pottery, and the musée du quai Branly has a few examples that exemplify certain changes in Hopi decorative practices. At Hopi, most women created the pottery and, except for the ritual ware, ceramics were made for

<footnote n="25">²⁵ Cushing, Frank Hamilton. 1883: 475</footnote>
household use, and their design concepts were usually reflective of clan or village identity, as it
was in basketry or textiles, with overt references to mythology, ceremony, etc. Paint was usually
applied to the interior or exterior of a bowl or jar with line as the essential design element.
Picture spaces were divided into series of geometrically balanced units that were subdivided and
filled with geometric repeat patterns of line or solid color. Religious persecutions in the Rio
Grande valley during the 17th century forced the Eastern Pueblos to switch from overt to covert
symbolic decorative practices on the vessels, and it became common for potters painters isolate
emblems suggestive of ritual symbolism on their utilitarian vessels 26. Typical Hopi designs
include eagles, roadrunners, migration patterns, kiva designs, rain, lightning, clouds and corn, as
well as abstracted feather and vegetal motifs, but Spanish influence introduced rounded vegetal
forms, rather than strictly geometric and angular shapes: floral, foliage, and lacy motifs crept into
the designs of Pueblo pottery and vessel shapes slowly changed (Fig 59). Though there are a
number of Hopi vessels within the collection that evidence Spanish influence on Pueblo ceramic
painted designs, none are a better example of this than the Zuni pot below.

<figure><img src="image_59.png" /><figcaption>**Figure 59:** Zuni pot with evidence of Spanish influence. Date unknown. Musée du quai Branly **71.1885.78.407** [Smithsonian original catalog number 66111].</figcaption></figure>

In respect to the practice of isolating ritual symbolic images on vessels mentioned above,
however, the collection holds an interesting number of examples. Hopi life is richly based on

<footnote n="26"><sup>26</sup> Strutervant, William Charles. (1979: 604).</footnote>
their ceremonies which frequently are centered around the obtention of rain and good harvest. The center of these ceremonies are the mythological Kachinas, some 300 of them, as well as numerous gods. The figure of the sun-god (ta-wa), for example, as well as other deities, and can be found on the interior or exterior of older Hopi ceramics, as well as a number of other ritual objects (Fig. 60 & 61).

<figure><img src="image_60.png" /><figcaption>**Figure 60:** Hopi drum figuring the *ta-wa* sun god Kachina. Musée du quai Branly **71.1885.78.183** [Smithsonian original catalog number 76319].</figcaption></figure>
<figure><img src="image_61.png" /><figcaption>**Figure 61:** Example of a Hopi pot ornated with figures of Kachinas. Musée du quai Branly 71.1885.78.373
[Smithsonian original catalog number 86354].</figcaption></figure>

Other items described by Cushing include large crude soup ladles made from the horn of the mountain sheep (Ovis Montana), which we can attribute to these examples in the musée du quai Branly’s collection (Fig. 62 & 63).

<figure><img src="image_62.png" /><figcaption>**Figure 62:** Mountain Sheep Horn soup ladle. Late 19th ce. Hopi. Musée du quai Branly 71.1885.78.100
[Smithsonian original catalog number unknown].</figcaption></figure>

<figure><img src="image_63.png" /><figcaption>**Figure 63:** Mountain Sheep Horn soup ladle. Late 19th ce. Hopi. Musée du quai Branly 71.1885.78.101
[Smithsonian original catalog number 22759].</figcaption></figure>
Cushing also brought back spindle whorls of wood used in spinning cotton (Fig. 64).

<figure><img src="image_64.png" /><figcaption>**Figure 64:** Late 19th century Hopi spindle, wood and string. Musée du quai Branly 71.1885.78.208 [Smithsonian original catalog number 68901].</figcaption></figure>

### 3.3 Expeditions of Victor Mindeleff for the Bureau of American Ethnology

In August 1882 Victor Mindeleff, with an organized party, went to the Hopi villages in Northeast Arizona, with the aim of obtaining architectural plans of the seven inhabited villages, accomplishing sketches and diagrams to prepare large scale models of these pueblos for the Smithsonian. About the end of September, Mindeleff joined Stevenson's expedition to the cliff ruins of Canyon de Chelly and branches, securing a number of plans and sketches of these remains. In December he was placed in general charge of an expedition to Oraibi and the other Moki villages for the collection of ethnographic specimens, assisted in the scientific branch of the world by Cushing and in the business of transportation between Moki and the railroad by Mr J.D. Atkins<fnref n="27" />. During his time at Hopi, Mindeleff, “Owing to the unfriendly attitude of the Oraibe”<fnref n="28" /> managed to gather only a “small” collection, “numbering about 200 pieces”<fnref n="29" />, but soon

<footnote n="27">²⁷ Bureau of American Ethnology Annual report, no. 4 (1884: XL).</footnote>

<footnote n="28">²⁸ Bureau of American Ethnology Annual report, no. 4 (1884: XL).</footnote>

<footnote n="29">²⁹ Bureau of American Ethnology Annual report, no. 4 (1884: XL).</footnote>
caught up to 1200 specimens collected in other villages of Hopi. Pottery comprised the largest portion of the collection, although stone implements, dance paraphernalia, and an interesting variety of basketwork were also gathered (Fig. 65 & 66).

<figure><img src="image_65.png" /><figcaption>**Figure 65:** Hopi basketry plate collected by Mindeleff. Object traced back to Mindeleff using the original catalog numbers. Musée du quai Branly 71.1885.78.252 [Smithsonian original catalog number 83943].</figcaption></figure>

<figure><img src="image_66.png" /><figcaption>**Figure 66:** Hopi ceremonial dance stick collected by Mindeleff at Hopi. Musée du quai Branly 71.1885.78.202. [Smithsonian original catalog number 84198].</figcaption></figure>
# 4 The musée du quai Branly’s southwest pottery collection

## 4.1 Classification of Pueblo pottery

The Ancestral Puebloan (Anasazi) material culture is generally dated using the Pecos Classification scale, which is meant to take into account architecture as well, starting with the ‘Basketmaker II’ era and ending during the “Pueblo V” history period, resulting not only in regional variation among pottery styles but also distinct contrasts at different settlements and sites. The periods are as follows:

<table><caption>**Figure 67:** Table of Ancestral Pueblo periods</caption><tr><td>Early Basketmaker II</td><td>1200 BC-50AD</td></tr><tr><td>Basketmaker II</td><td>50BC-450 AD</td></tr><tr><td>Basketmaker III</td><td>450 - 700 AD</td></tr><tr><td>Pueblo I</td><td>700-900 AD</td></tr><tr><td>Pueblo II</td><td>900-1100 AD</td></tr><tr><td>Pueblo III</td><td>1100-1300 AD</td></tr><tr><td>Pueblo IV</td><td>1300-1600</td></tr><tr><td>Historic</td><td>1600-1880</td></tr><tr><td>Modern</td><td>1880-1950</td></tr></table>

The musée du quai Branly’s Ancestral Pueblo (Anasazi) pottery collection contains mostly pieces between 900-1300 AD, corresponding to the Pueblo II-III periods. These pieces, a great deal of which do not originate in the Smithsonian collections but rather the Archeological Institute of America, were most likely collected during excavations of ruins, cliff-houses, funerary sites and other ancient dwellings<fnref n="30" />. Of course the Ancestral Puebloans were not the only pottery-creating group in the South-west, and, as mentioned in section 1, other cultural groups such as the Mogollon evidenced a great deal of clayware, the most famous of which is Mimbres pottery, “Mimbres” being a subset of the larger Mogollon culture area, centered in the Mimbres valley, encompassing the upper Gila river, parts of Southwestern New Mexico and Southwest Arizona, as well as the Rio Grande valley. The Mimbres branch and other areas of the Mogollon culture area can be distinguished through Tree Circle (AD 825-1000) and Classic Mimbres (AD 1000-1500) phases, when pottery designs of the black and white painted pottery take on locally distinctive forms and styles. Classic Mimbres phase pottery is particularly famous, and mostly

<footnote n="30">³⁰ Charles River ed. (2013: 173).</footnote>
excavated from the Swarts Ruin excavations<fnref n="31" /> of 1924-1927. Mogollon-Mimbres pottery, example of which we can find in the musée du quai Branly’s collection, pictured below (Fig. 68), includes for example a Mimbres transitional black-on-white type, of which decorations are generally soft brows and greys in color, with white or pink slips and a continuation of common Mimbres designs of triangle and scroll elements, but with thin hachure framed by thick lines replacing wavy lines found in early versions.

<figure><img src="image_67.png" /><figcaption>**Figure 68:** Mimbres Black-on-white transitional pottery Musée du quai Branly 71.1952.41.4 D</figcaption></figure>

Classification of ancient pottery wares is generally attributed to region, cultural group and/or name of ruin or site, of which we have subsets and regional or local variations. For example, of the Ancestral (Anasazi) Pueblo material, the musée du quai Branly has a few specimens: Anasazi pottery from the Rio Puerco Valley area of New Mexico, for one, of which there are a few bowls of the Kiatuthlanna Black-on-white class (Fig. 69). <fnref n="32" /> This type is distinguished by a white, dull and thin slip and a well-polished surface, in addition to a crushed-

<footnote n="31">³¹ Swarts Ruin is an archeological site in the Mimbres valley of New Mexico.</footnote>

<footnote n="32">³² Wilson, Dean. *Kiatuthlanna Black-on-white*. Office of Archeological Studies, Pottery Typology Project. New Mexico Office of Archaeological Studies.</footnote>
sherd temper. Decoration is black or brown mineral paint, and the lines tend to be widely spaced and often parallel.³³

<figure><img src="image_68.png" /><figcaption>**Figure 69:** Kiatuthlanna Black-on-white, Rio Puerco. Musée du quai Branly
**71.1920.14.61.** . (Period: 900 AD-1350 AD, (Pueblo II-III), Culture: Ancestral Pueblo, Tradition: Puerco Valley White Ware-Cibola, Type name: Kiatuthlanna Black-on-white.)</figcaption></figure>

There are hundred of classes and subsets, regional and local variations of Ancient Pueblo
pottery across the South-Western United States. The musée du quai Branly's collection of
Ancient Puebloan ceramics contains mostly Anasazi/Ancestral Pueblo and Mogollon pieces. For
the sake of this discussion, I will focus this next section on a few examples of Ancestral
Puebloan pottery in the collection, of which we have numerous examples.
## 4.2 A few examples of Ancestral Pueblo (Anasazi) pottery in the collection

A great deal of the pottery collections in the musée du quai Branly, the Smithsonian and generally most museum collections of the sort derive from ancient pottery found in ruins of villages and beneath walls of cliffhouses, as well as collected from inside of alters and shrines. The presence of kivas for sacred societies, shrines and altars used for the enactment of prayers and sacred activities were prolific, and held a number of important ceremonial ceramics and other ritual objects<fnref n="34" />. Pots collected were utilitarian or ceremonial in nature, both used as funerary vessels for burial alongside the dead, for carrying sacred meal and other ritual powders, used for the storage of grains or water, pigments, and of course domestic practices, such as cooking and serving food.

<figure><img src="image_69.png" /><figcaption>**Figure 70:** Anasazi Globular vase, Pueblo II period (900-1100 AD). Musée du quai Branly **71.1920.14.17**</figcaption></figure>

<figure><img src="image_70.png" /><figcaption>**Figure 71:** Chaco Black-on-white bowl. Pueblo III period. (1100-1300 AD). Musée du quai Branly **71.1920.14.35**</figcaption></figure>

The Anasazi began making plain gray pottery around 500 AD and soon after produced from clay and pigments a thin, highly fired ware decorated in black. By 850, designs on pottery became increasingly sophisticated and they were making corrugated pottery for their cookware.

They found clays to make pure white slips and made a specific dark black type of mineral paint for decoration, and black-on-white remained the predominant Anasazi ware until the 1200s (Fig. 70, 71, 72). As they spread from the Four Corners (name for the area that the states of Utah, Arizona Colorado and New Mexico join) to the South, East and West, they encountered other

<footnote n="34">³⁴ McFeely, Eliza. (2001: 92).</footnote>

<footnote>The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution</footnote>
cultures, Mogollon and Sinagua, and nomadic Navajo from the north and Apache from the plains. By the 1300s, they were had left the region of Mesa Verde <fnref n="35" />.

<figure><img src="image_71.png" /><figcaption>**Figure 72:** Puerco valley white ware, Pueblo II (900-1100 AD). Musée du quai Branly
71.1920.14.4</figcaption></figure>

Distinct branches of pottery production can be distinguished by examining the decorated wares of the Anasazi. The western branch of the Anasazi reveal varied examples of organic forms<fnref n="36" />, whereas the north-central branch are known for a long period of production of mineral painted forms before shifting the organic painted types during the Pueblo II/III, for example Cibola wares (Fig. 73). Cibola white ware pottery dating prior to A.D. 1000 is almost always tempered with sand, while those dating after A.D. 1050 contains crushed sherd temper. Later Cibola White Ware pottery is often covered with a thin white slip. The eastern Anasazi are associated with more conservative wares, simple decorated painted forms, whereas in the South of the Colorado plateau we find the eventual development of elaborately decorated forms painted in mineral paint from Pueblo II onward.

<footnote n="35">³⁵ Hayes, Alan. & John Blom (1996: 56).</footnote>

<footnote n="36">³⁶ Please refer to Figure 3 for the map of Anasazi regions.</footnote>
<figure><img src="image_72.png" /><figcaption>**Figure 73:** Cibola White ware from Rio Puerco. Circa 1100 AD, Pueblo II-III. Musée du quai Branly **71.1920. 14.70**</figcaption></figure>

As the collection holds a number of impressive Anasazi vessels from South of the Colorado plateau, specifically in the Rio Puerco valley, let us turn towards this region. In this valley of north-west New Mexico and the southern Colorado basin, over 10,000 sites are recorded, the concentrations of which are present within the upper and middle Rio San Jose sub-basin, and the upper and middle Rio Puerco valley (Fig. 74). Geological and archeological exploration brought researchers to the ruins in this area from the late 19th century onward. The first decorated pottery tradition of the region, found in sites in the southern portion of the lower Rio Puerco district, is predominantly an unslipped, mineral painted type with rock temper. Pottery regional origin can be determined by examining paste and temper characteristics which have local variations. Pottery produced in the lower Rio Puerco area, for example, was characterized by two tempering tradition. Pastes range from gray to black in utility wares, light to dark gray in white wares, and deep red to light buff gray in glaze wares <fnref n="37" />.

<footnote n="37">³⁷ Eckert, Suzanne (2008: 107).</footnote>
<figure><img src="image_73.png" /><figcaption>**Figure 74:** Region South of the Colorado plateau, picturing the Rio Grande, Rio Puerco river valley and the San Juan river and basin. Map purchased from mapsoftheworld.com</figcaption></figure>

Pottery types indicative of painted vessels produced in the San Juan Basin and surrounding areas of the middle and southern Colorado Plateau covering much of Northwest New Mexico, reflect the long use of similar pigments, pastes, and styles over a long period of time.
<figure><img src="image_74.png" /><figcaption>**Figure 75:** Central Anasazi pot from Rio Puerco, Escavada Black-on-white. Circa 1000-1200 AD, Pueblo II-III. Musée du quai Branly 71.1920.14.20</figcaption></figure>

The pitcher above (Fig. 75) is an example of Escavada Black-on-white, which refers to late Pueblo II white wares of the Central Anasazi branch. This style is marked by the use of broad lines and large solid elements<fnref n="38" />. Other motifs that can be found in the style are triangles and interlocking barbs, as well as rectilinear patterns of large solid lines. The pastes of these vessels are usually dark to light gray in color and are found usually on relatively thin vessels.

<footnote n="38">³⁸ Goetze, Christine and Barbara Mills 1993; Reed 1998.</footnote>
<figure><img src="image_75.png" /><figcaption>**Figure 76:** Anasazi pot from Rio Puerco, Red Mesa Black-on-white. Circa 1000-1200 AD, Pueblo II-III. Musée du quai Branly **71.1920.14.52**</figcaption></figure>

This pitcher (Fig. 76) from the musée's collection from Rio Puerco is an example of Red Mesa Black-on-white, assigned to the Puerco valley. This type of ceramic evidences a poroud or dark gray paste, as well as a gray-brown paste which is reflective of a high iron clay and the strong use of sherd in the temper, though tempers can also be sand-based or sherd-sand mix<fnref n="39" />. The vessels are usually relatively light with some carbon streaks, and can be covered with a chalky white slip, though this is not always the case. The painted decorations are in black or dark brown mineral paints, with multiple parallel lines arrange with triangles or ticked lines or checkerboard patterns, squiggle hachure, or scrolls. Designs that are repeated over the surface of the vessel are frequently divided by series of parallel lines.

Decoratively, Pueblo pottery is characterized by two marked features: angular and geometric designs, and an overall effect that is conduced both by negative and decorated space in the vessel. The development of decorative practices in Pueblo pottery seems to have first been by incision or indentation, or even relief, then afterward by the use of mineral paints over untempered vessels, and finally by painting in color on a slipped and tempered surface.

<footnote n="39">³⁹ Wilson, Dean. *Red Mesa Black-on-white*. Office of Archeological Studies, Pottery Typology Project. New Mexico Office of Archaeological Studies</footnote>
The art of building vessels by means of coils of clay is not specific to the ancient Pueblos, but their use and variety of coil treatment is of interest. The employment of the coil as a means of embellishment is of note. A very early form of ornamentation, various forms of indentations, with nail or marking implement, were frequently used to decorate the exterior.

<figure><img src="image_76.png" /><figcaption>**Figure 77:** Example of rough, coiled ware. Circa 950 AD. Musée du quai Branly **71.1935.93.6**</figcaption></figure>

Generally coiled pottery form is that of round-bodied, wide-mouthed olla or pot with a
flaring rim. These vessels were usually used for cooking and sometimes serving food. Of this
variety, we find a number in the musée du quai Branly’s collections (Fig. 77, 78 & 79).

<figure><img src="image_77.png" /><figcaption>**Figure 78:** Musée du quai Branly **71.1920.14.26**</figcaption></figure>

<figure><img src="image_78.png" /><figcaption>**Figure 79:** Musée du quai Branly **71.1920.14.25**</figcaption></figure>

Examples of ancient coiled Pueblo pottery from the Pueblo III period, decorated with various forms of indentation.
Small Ancestral Pueblo cups, such as those found in the musée du quai Branly’s collection, often have a long handle and most likely served as ladles or spoons. The handles of these vessels vary a great deal. Some are flat, while others are round, consisting either of a single or looped roll of clay. Some are hollow, resembling the handles of gourds<fnref n="40" />. The two Anasazi ceramic spoons below (Figs. 80 & 81) are characteristic of these types of spoons, as well as emblematic of white wares indicative of late Pueblo II forms. Pastes tend to be hard and light gray to white in color sometimes with a gray core. Vessels are often thin and reflected by a range of forms including bowls, ladles, pitchers, and effigies.

<figure><img src="image_79.png" /><figcaption>**Figure 80:** Musée du quai Branly 71.1920.14.13</figcaption></figure>

<figure><img src="image_80.png" /><figcaption>**Figure 81:** Musée du quai Branly 71.1920.14.14</figcaption></figure>

Two Ancestral Puebloan ceramic spoons, 900-1300 AD, Pueblo II.

Finally, a number of plain-ware vessels can also be found in the musée du quai Branly’s collections. Plainware vessels of the Ancestral Pueblos are generally rudely finished and heavy, as they were meant for every-day domestic use, such as cooking food and storing provisions (Fig. 82). The material is coarser than in the nicely finished pieces and the surface is without a

<footnote n="40">⁴⁰ Holmes, William Henry. (1886: 287).</footnote>
slip and without polish or color. These vessels are usually relatively heavy, with wide mouths and full bodies, and were still in use during the 19th and 20th centuries by the Hopi, Zuni, Acoma and other pueblos for cooking.

<figure><img src="image_81.png" /><figcaption>**Figure 82:** Ancestral Pueblo plainware vessel used for cooking.
Musée du quai Branly [71.1920.14.33](https://www.musée-quai-branly.fr/en/exhibitions/VII-1920-14-33)</figcaption></figure>
## Conclusion

This report has served as an overview and contextualization of the ceramic, ritual and utilitarian material culture from the Southwestern United States present in the musée du quai Branly’s collection. It has also presented the cataloguing and research process that was accomplished using the Smithsonian resources available to me. At present, the catalog from this region is relatively complete. Some of the research effected, however, including contextualizing this work within the Smithsonian’s Recovering Voices project, in which the Natural Museum of Natural History works in collaboration with the Hopi Cultural Preservation Office to establish engaged research methods that connect Hopi potters with ethnographic collection, will be published at a later date, as it is an ongoing project. The Smithsonian, as projected in the original proposal, has been handed the research accomplished jointly in the musée du quai Branly and the Smithsonian’s collections, and vice versa – this will aid in the current organization of an international Hopi pottery exhibition that is underway. Conclusively, the musée du quai Branly’s collection, though of course small comparatively to those in the United States, is relatively significant in terms of its array of pieces from Ancestral Pueblos onward to the 20th century. It holds a number of significant ceremonial items, a relatively large grouping of Ancestral Pueblo ceramics from various regions and cultural groups, a good number of hunting instruments and utilitarian objects that are in excellent condition, and has a historically relevant collection narrative surrounding it.
Annex 1 : Matching institutions' object numbers

<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.2</td><td>76326</td><td>Pilon</td></tr><tr><td>71.1885.78.3</td><td>???</td><td>Plan en relief</td></tr><tr><td>71.1885.78.6</td><td>70929</td><td>Hotte</td></tr><tr><td>71.1885.78.13</td><td>68842</td><td>Casse-tête</td></tr><tr><td>71.1885.78.14</td><td>65917</td><td>Hache</td></tr><tr><td>71.1885.78.81</td><td>84191</td><td>Bâton ondulé</td></tr><tr><td>71.1885.78.82</td><td>41932</td><td>Bâton ondulé</td></tr><tr><td>71.1885.78.83</td><td>75811</td><td>Outil</td></tr><tr><td>71.1885.78.84</td><td>22496</td><td>Outil (?)</td></tr><tr><td>71.1885.78.85</td><td>41834 bis</td><td>Ceinture</td></tr><tr><td>71.1885.78.86</td><td>69512</td><td>Bâton</td></tr><tr><td>71.1885.78.87</td><td>69748</td><td>Sabre de métier à tisser</td></tr><tr><td>71.1885.78.88</td><td>69360</td><td>Pince</td></tr><tr><td>71.1885.78.89</td><td>69387</td><td>Pince</td></tr><tr><td>71.1885.78.90</td><td>84204</td><td>Plaquette anthropomorphe (?)</td></tr><tr><td>71.1885.78.91</td><td>69074</td><td>Fragment de masque (?)</td></tr><tr><td>71.1885.78.93</td><td>68770</td><td>Flèche</td></tr><tr><td>71.1885.78.94</td><td>68770</td><td>Flèche</td></tr><tr><td>71.1885.78.95</td><td>68770</td><td>Flèche</td></tr><tr><td>71.1885.78.96</td><td>68770</td><td>Flèche</td></tr><tr><td>71.1885.78.97</td><td>68770</td><td>Flèche</td></tr><tr><td>71.1885.78.98</td><td>68770</td><td>Arc</td></tr><tr><td>71.1885.78.99</td><td>69024</td><td>Jouet</td></tr><tr><td>71.1885.78.100</td><td>???</td><td>Cuiller</td></tr><tr><td>71.1885.78.101</td><td>22759</td><td>Cuiller</td></tr><tr><td>71.1885.78.102</td><td>41990</td><td>Filière à flèches</td></tr><tr><td>71.1885.78.103</td><td>69391</td><td>Berceau de poupée</td></tr><tr><td>71.1885.78.104.1-2</td><td>41721</td><td>Paire de mocassins d'enfant</td></tr><tr><td>71.1885.78.105.1-2</td><td>84273</td><td>Paire de bracelets</td></tr><tr><td>71.1885.78.106</td><td>41282</td><td>Brosse</td></tr><tr><td>71.1885.78.107</td><td>23139</td><td>Poignet</td></tr><tr><td>71.1885.78.108</td><td>23139</td><td>Poignet</td></tr><tr><td>71.1885.78.109.1-3</td><td>69282</td><td>Jeu de trois bâtonnets</td></tr><tr><td>71.1885.78.110</td><td>41896</td><td>Alène</td></tr><tr><td>71.1885.78.111</td><td>75763</td><td>Crochet de sangle de selle</td></tr><tr><td>71.1885.78.112</td><td>22542</td><td>Fouet</td></tr><tr><td>71.1885.78.113</td><td>68893</td><td>Fuseau et peson</td></tr><tr><td>71.1885.78.114</td><td>75785</td><td>Bâton</td></tr><tr><td>71.1885.78.115</td><td>69423</td><td>Rhombe</td></tr></tbody></table>
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.116.1-8</td><td>66899</td><td>Paquet de bâtons</td></tr><tr><td>71.1885.78.118</td><td>63398</td><td>Peigne</td></tr><tr><td>71.1885.78.119.1-2</td><td>68830</td><td>Toupie et fouet</td></tr><tr><td>71.1885.78.120.1-4</td><td>68848</td><td>Epingles à cheveux</td></tr><tr><td>71.1885.78.122</td><td>68722</td><td>Gourde</td></tr><tr><td>71.1885.78.123</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.124</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.125</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.126</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.127</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.128</td><td>69634</td><td>Massue</td></tr><tr><td>71.1885.78.129</td><td>83976</td><td>Bouteille en vannerie enduite</td></tr><tr><td>71.1885.78.130</td><td>69203</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.132</td><td>68776</td><td>Arc</td></tr><tr><td>71.1885.78.133</td><td>68776</td><td>Flèche</td></tr><tr><td>71.1885.78.134</td><td>68776</td><td>Flèche</td></tr><tr><td>71.1885.78.135</td><td>68776</td><td>Flèche</td></tr><tr><td>71.1885.78.136</td><td>68776</td><td>Flèche</td></tr><tr><td>71.1885.78.137</td><td>68773</td><td>Arc</td></tr><tr><td>71.1885.78.138</td><td>68773</td><td>Flèche</td></tr><tr><td>71.1885.78.139</td><td>68773</td><td>Flèche</td></tr><tr><td>71.1885.78.140</td><td>68773</td><td>Flèche</td></tr><tr><td>71.1885.78.141</td><td>68773</td><td>Flèche</td></tr><tr><td>71.1885.78.142</td><td>68767</td><td>Arc</td></tr><tr><td>71.1885.78.143</td><td>68767</td><td>Flèche</td></tr><tr><td>71.1885.78.144</td><td>68767</td><td>Flèche</td></tr><tr><td>71.1885.78.145</td><td>68767</td><td>Flèche</td></tr><tr><td>71.1885.78.146.1</td><td>68854</td><td>Racleur</td></tr><tr><td>71.1885.78.146.2</td><td>68854</td><td>Elément de racleur en omoplate</td></tr><tr><td>71.1885.78.147</td><td>84193</td><td>Bâton ondulé</td></tr><tr><td>71.1885.78.148</td><td>84194</td><td>Bâton ondulé</td></tr><tr><td>71.1885.78.149</td><td>69109</td><td>Poupée rituelle</td></tr><tr><td>71.1885.78.150</td><td>69045</td><td>Ornement de tête</td></tr><tr><td>71.1885.78.151</td><td>41700</td><td>Brosse</td></tr><tr><td>71.1885.78.152</td><td>41909</td><td>Rateau</td></tr><tr><td>71.1885.78.153</td><td>69168</td><td>Planche avec manche</td></tr><tr><td>71.1885.78.154</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.155</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.156</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.157</td><td>69602</td><td>Flèche</td></tr><tr><td>71.1885.78.161</td><td>41852</td><td>Grelot</td></tr><tr><td>71.1885.78.162</td><td>69692</td><td>Couteau de tissage</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.163</td><td>22841</td><td>Bâton de danse</td></tr><tr><td>71.1885.78.164.1-2</td><td>22555</td><td>Jeu de "shinney"</td></tr><tr><td>71.1885.78.165</td><td>76311</td><td>Poupée rituelle</td></tr><tr><td>71.1885.78.166</td><td>41672</td><td>Ornement de danse</td></tr><tr><td>71.1885.78.169</td><td>23049</td><td>Gourde à eau</td></tr><tr><td>71.1885.78.170</td><td>84118</td><td>Gourde à eau</td></tr><tr><td>71.1885.78.171</td><td>68872</td><td>Cornet</td></tr><tr><td>71.1885.78.172</td><td>68872</td><td>Cornet</td></tr><tr><td>71.1885.78.173</td><td>68872</td><td>Cornet</td></tr><tr><td>71.1885.78.174</td><td>68872</td><td>Cornet</td></tr><tr><td>71.1885.78.175</td><td>41989</td><td>Jouet (?)</td></tr><tr><td>71.1885.78.176</td><td>69290</td><td>Drill</td></tr><tr><td>71.1885.78.177</td><td>41716</td><td>Fouet à manche</td></tr><tr><td>71.1885.78.178</td><td>68801</td><td>Bandeau de portage</td></tr><tr><td>71.1885.78.180</td><td>69198</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.181</td><td>16502</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.182</td><td>69477</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.183</td><td>76319</td><td>Tambour</td></tr><tr><td>71.1885.78.184</td><td>69265</td><td>Hochet</td></tr><tr><td>71.1885.78.185</td><td>84165</td><td>Hochet</td></tr><tr><td>71.1885.78.187</td><td>22560</td><td>Gourde à eau</td></tr><tr><td>71.1885.78.188</td><td>22562</td><td>Puisette à eau</td></tr><tr><td>71.1885.78.189</td><td>75663</td><td>Poire à poudre</td></tr><tr><td>71.1885.78.190</td><td>69066</td><td>Ornement de danse</td></tr><tr><td>71.1885.78.191</td><td>41893</td><td>Alène</td></tr><tr><td>71.1885.78.193</td><td>70956</td><td>Berceau</td></tr><tr><td>71.1885.78.194.1-2</td><td>75706</td><td>Boîte</td></tr><tr><td>71.1885.78.195</td><td>69390</td><td>Banc</td></tr><tr><td>71.1885.78.196</td><td>69776</td><td>Baguette</td></tr><tr><td>71.1885.78.197</td><td>69779</td><td>Baguette</td></tr><tr><td>71.1885.78.198</td><td>84147</td><td>Hochet</td></tr><tr><td>71.1885.78.199</td><td>69528</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.200</td><td>83881</td><td>Plateau circulaire</td></tr><tr><td>71.1885.78.201</td><td>83880</td><td>Plateau circulaire</td></tr><tr><td>71.1885.78.202</td><td>84198</td><td>Bâton de cérémonie</td></tr><tr><td>71.1885.78.203</td><td>69204</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.204</td><td>69197</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.205</td><td>69201</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.206</td><td>68733</td><td>Hochet</td></tr><tr><td>71.1885.78.207</td><td>84116</td><td>Gourde à eau</td></tr><tr><td>71.1885.78.208</td><td>68901</td><td>Métier à tisser</td></tr><tr><td>71.1885.78.209</td><td>69510</td><td>Bâton à ricochet</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.210</td><td>23015</td><td>Ornement de danse</td></tr><tr><td>71.1885.78.211</td><td>69224</td><td>Couteau du tisserand</td></tr><tr><td>71.1885.78.213</td><td>68952</td><td>Ornement de chevilles</td></tr><tr><td>71.1885.78.214</td><td>65924</td><td>Hache</td></tr><tr><td>71.1885.78.215</td><td>71006</td><td>Assiette</td></tr><tr><td>71.1885.78.216</td><td>69082</td><td>Poupée rituelle</td></tr><tr><td>71.1885.78.217</td><td>68476</td><td>Panier globulaire</td></tr><tr><td>71.1885.78.218</td><td>68842</td><td>Bouteille en vannerie enduite</td></tr><tr><td>71.1885.78.219.1-2</td><td>68975</td><td>Paire de mocassins</td></tr><tr><td>71.1885.78.220.1-2</td><td>69129</td><td>Paire de bracelets</td></tr><tr><td>71.1885.78.221.1-2</td><td>68868</td><td>Rhombe</td></tr><tr><td>71.1885.78.222</td><td>68858</td><td>Baguette</td></tr><tr><td>71.1885.78.227</td><td>68980</td><td>Ceinture</td></tr><tr><td>71.1885.78.228</td><td>41834</td><td>Ceinture d'homme</td></tr><tr><td>71.1885.78.229</td><td>84265</td><td>Ceinture d'homme</td></tr><tr><td>71.1885.78.230</td><td>76312</td><td>Poupée rituelle</td></tr><tr><td>71.1885.78.231</td><td>11202</td><td>Ceinture d'homme</td></tr><tr><td>71.1885.78.232</td><td>11202</td><td>Ceinture d'homme</td></tr><tr><td>71.1885.78.233</td><td>68935</td><td>Bourse à franges</td></tr><tr><td>71.1885.78.234</td><td>68875</td><td>Bâton de prière</td></tr><tr><td>71.1885.78.237</td><td>69054</td><td>Accessoire de danse</td></tr><tr><td>71.1885.78.238</td><td>68787</td><td>Hochet ?</td></tr><tr><td>71.1885.78.239</td><td>41190</td><td>Gourde</td></tr><tr><td>71.1885.78.240</td><td>41942</td><td>Etendard de danse</td></tr><tr><td>71.1885.78.241</td><td>41745</td><td>Bourse à fard</td></tr><tr><td>71.1885.78.242.1-2</td><td>42363</td><td>Paire de chevillères</td></tr><tr><td>71.1885.78.243</td><td>22957</td><td>Pièce de tissu</td></tr><tr><td>71.1885.78.244</td><td>69211</td><td>Boomerang</td></tr><tr><td>71.1885.78.245</td><td>71030</td><td>Panier</td></tr><tr><td>71.1885.78.246</td><td>68982</td><td>Bonnet de danse</td></tr><tr><td>71.1885.78.247</td><td>68778</td><td>Collier</td></tr><tr><td>71.1885.78.248</td><td>42353</td><td>Bracelets (2)</td></tr><tr><td>71.1885.78.249</td><td>68994</td><td>Bandeau de tête</td></tr><tr><td>71.1885.78.251</td><td>83944</td><td>Plateau</td></tr><tr><td>71.1885.78.252</td><td>83943</td><td>Plateau</td></tr><tr><td>71.1885.78.253</td><td>69169</td><td>Planche</td></tr><tr><td>71.1885.78.254</td><td>69170</td><td>Planche</td></tr><tr><td>71.1885.78.255</td><td>11708</td><td>Bracelets (2)</td></tr><tr><td>71.1885.78.262</td><td>69746</td><td>Couteau de tisserand</td></tr><tr><td>71.1885.78.263.1-2</td><td>75723</td><td>Racleur</td></tr><tr><td>71.1885.78.264</td><td>69425</td><td>Planche</td></tr><tr><td>71.1885.78.266</td><td>41887</td><td>Figurine phytomorphe</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.267.1-2</td><td>68997 - 68996</td><td>Ornements de tête</td></tr><tr><td>71.1885.78.268</td><td>69220</td><td>Métier à tisser</td></tr><tr><td>71.1885.78.282</td><td>69605</td><td>Bâton</td></tr><tr><td>71.1885.78.283.1-2</td><td>68850</td><td>Baguette à feu</td></tr><tr><td>71.1885.78.284</td><td>69539</td><td>Arc</td></tr><tr><td>71.1885.78.284</td><td>41651</td><td>Arc</td></tr><tr><td>71.1885.78.285</td><td>41651</td><td>Arc</td></tr><tr><td>71.1885.78.307</td><td>41947</td><td>Ornement de tête</td></tr><tr><td>71.1885.78.308</td><td>41652</td><td>Arc</td></tr><tr><td>71.1885.78.320</td><td>68816</td><td>Plat</td></tr><tr><td>71.1885.78.331</td><td>40924</td><td>Support</td></tr><tr><td>71.1885.78.332</td><td>9567</td><td>Bâton</td></tr><tr><td>71.1885.78.333</td><td>69428</td><td>Bâton</td></tr><tr><td>71.1885.78.335</td><td>84108</td><td>Ornement de poitrine</td></tr><tr><td>71.1885.78.340</td><td>2900</td><td>Cheville à tête</td></tr><tr><td>71.1885.78.341</td><td>41691</td><td>Palette en bois pour métier à tisser</td></tr><tr><td>71.1885.78.342</td><td>69737</td><td>Baguette</td></tr><tr><td>71.1885.78.349</td><td>40652</td><td>Bol hemisphérique</td></tr><tr><td>71.1885.78.350</td><td>83693</td><td>Ecuelle</td></tr><tr><td>71.1885.78.352</td><td>23032</td><td>Bracelet</td></tr><tr><td>71.1885.78.363</td><td>75870</td><td>Pierre à frotter</td></tr><tr><td>71.1885.78.364</td><td>75874</td><td>Pierre à frotter</td></tr><tr><td>71.1885.78.365</td><td>76304</td><td>Marteau</td></tr><tr><td>71.1885.78.367</td><td>87223</td><td>Ecuelle</td></tr><tr><td>71.1885.78.368</td><td>85473</td><td>Ecuelle</td></tr><tr><td>71.1885.78.369</td><td>85608</td><td>Ecuelle carrée</td></tr><tr><td>71.1885.78.370</td><td>83609</td><td>Ecuelle à anse</td></tr><tr><td>71.1885.78.371</td><td>86965</td><td>Pot à anse</td></tr><tr><td>71.1885.78.372</td><td>83489</td><td>Vase</td></tr><tr><td>71.1885.78.373</td><td>86354</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.374</td><td>83647</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.375</td><td>86998</td><td>Vase zoomorphe</td></tr><tr><td>71.1885.78.376</td><td>85202</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.377</td><td>84381</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.378</td><td>84395</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.379</td><td>84390</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.380</td><td>83489</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.381</td><td>84765</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.382</td><td>86362</td><td>Vase à anse</td></tr><tr><td>71.1885.78.383</td><td>83707</td><td>Bol</td></tr><tr><td>71.1885.78.384</td><td>83743</td><td>Bol</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.385</td><td>83709</td><td>Ecuelle</td></tr><tr><td>71.1885.78.386</td><td>70908</td><td>Bol zoomorphe</td></tr><tr><td>71.1885.78.387</td><td>82721</td><td>Sifflet phytomorphe</td></tr><tr><td>71.1885.78.388</td><td>83837</td><td>Vase - sabot</td></tr><tr><td>71.1885.78.390</td><td>83796</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.391</td><td>83836</td><td>Gourde</td></tr><tr><td>71.1885.78.392</td><td>84751</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.393</td><td>sans numéro</td><td>Ecuelle</td></tr><tr><td>71.1885.78.394</td><td>sans numéro</td><td>Ecuelle</td></tr><tr><td>71.1885.78.395</td><td>sans numéro</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.396</td><td>sans numéro</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.397</td><td>sans numéro</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.398</td><td>sans numéro</td><td>Ecuelle à anse</td></tr><tr><td>71.1885.78.399</td><td>sans numéro</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.400</td><td>41362</td><td>Gourde</td></tr><tr><td>71.1885.78.401</td><td>41362</td><td>Cuiller</td></tr><tr><td>71.1885.78.402</td><td>41362</td><td>Gourde</td></tr><tr><td>71.1885.78.403</td><td>70710</td><td>Gourde</td></tr><tr><td>71.1885.78.404</td><td>70788</td><td>Marmite</td></tr><tr><td>71.1885.78.405</td><td>70757</td><td>Vase composée</td></tr><tr><td>71.1885.78.406</td><td>40683</td><td>Gourde</td></tr><tr><td>71.1885.78.407</td><td>66111</td><td>Ecuelle</td></tr><tr><td>71.1885.78.408</td><td>66642</td><td>Ecuelle</td></tr><tr><td>71.1885.78.409</td><td>66749</td><td>Ecuelle</td></tr><tr><td>71.1885.78.410</td><td>40338</td><td>Vase à pain</td></tr><tr><td>71.1885.78.414</td><td>41106</td><td>Marmite</td></tr><tr><td>71.1885.78.415</td><td>41054</td><td>Marmite</td></tr><tr><td>71.1885.78.416</td><td>40314</td><td>Pot à décor zoomorphe</td></tr><tr><td>71.1885.78.417</td><td>sans numéro</td><td>Ecuelle</td></tr><tr><td>71.1885.78.445.1-3</td><td>22960</td><td>Selle de cheval</td></tr><tr><td>71.1885.78.455</td><td>84391</td><td>Vase globulaire</td></tr><tr><td>71.1885.78.456</td><td>11573</td><td>Ecuelle</td></tr><tr><td>71.1885.78.461</td><td>68589</td><td>Corbeille</td></tr><tr><td>71.1885.78.463</td><td>83942</td><td>Plateau rond</td></tr><tr><td>71.1885.78.464</td><td>68640</td><td>Plateau rond</td></tr><tr><td>71.1885.78.465</td><td>68641</td><td>Plateau rond</td></tr><tr><td>71.1885.78.467</td><td>76305</td><td>Polissoir</td></tr><tr><td>71.1885.78.469</td><td>71031</td><td>Echantillon de sel</td></tr><tr><td>71.1885.78.470</td><td>76335</td><td>Echantillon de couleur rouge</td></tr><tr><td>71.1885.78.471</td><td>76334</td><td>Echantillon de couleur verte</td></tr><tr><td>71.1885.78.472</td><td>76328</td><td>Hache à gorge</td></tr><tr><td>71.1885.78.473</td><td>76347</td><td>Hache à gorge</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Musée du quai Branly<br>Object number</td><td>Smithsonian Institution<br>Catalog number</td><td>Musée du quai Branly<br>'Appellation'</td></tr></thead><tbody><tr><td>71.1885.78.474</td><td>75874</td><td>Broyeur</td></tr><tr><td>71.1885.78.475</td><td>76870</td><td>Molette</td></tr><tr><td>71.1885.78.476</td><td>76304</td><td>Pierre à briquet</td></tr><tr><td>71.1885.78.477</td><td>75881</td><td>Pilon</td></tr><tr><td>71.1885.78.478</td><td>76329</td><td>Hache à gorge</td></tr><tr><td>71.1885.78.479</td><td>76330</td><td>Hache à gorge</td></tr><tr><td>71.1885.78.480</td><td>75870</td><td>Molette</td></tr><tr><td>71.1885.78.481</td><td>76320</td><td>Mortier</td></tr><tr><td>71.1885.78.482</td><td>76325</td><td>Mortier</td></tr><tr><td>71.1885.78.492</td><td>11188</td><td>Ceinture</td></tr><tr><td>71.1885.78.493</td><td>11190</td><td>Ceinture</td></tr><tr><td>71.1885.78.502.1-2</td><td>22784</td><td>Paire de mocassins</td></tr><tr><td>71.1885.78.503</td><td>illisible</td><td>Bâton à ricochet</td></tr><tr><td>71.1885.78.504</td><td>73705</td><td>Figurine zoomorphe</td></tr><tr><td>71.1885.78.506</td><td>76321</td><td>Mortier carré</td></tr></tbody></table>
Annex 2 : Ancestral Pueblo in the quai Branly collection

<table><thead><tr><th>Tradition / Type / Ware</th><th>Numéro d'objet</th><th>Appellation</th><th>Fig.</th></tr></thead><tbody><tr><td colspan="4"><strong>Ancestral Pueblo</strong></td></tr><tr><td>Mimbres or San Juan</td><td>71.1935.93.5 D</td><td>Bol</td><td></td></tr><tr><td colspan="4"><strong>Ancestral Pueblo/Greater Mogollon</strong></td></tr><tr><td>Mimbres decorated white ware</td><td>71.1920.14.6</td><td>Bol à fond plat</td><td></td></tr><tr><td>Mimbres Decorated white ware</td><td>71.1920.14.5</td><td>Bol hemisphérique</td><td></td></tr><tr><td>Mimbres Transitional, Stylle II, Black on white</td><td>71.1920.14.5</td><td>Bol hemisphérique</td><td></td></tr><tr><td>Mogollon-Mimbres</td><td>71.1920.14.85</td><td>Ecuelle</td><td></td></tr><tr><td>Tularosa Smudged</td><td>71.1920.14.86</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1920.14.87</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1935.93.27 D</td><td>Bol</td><td></td></tr><tr><td></td><td>71.1935.93.28 D</td><td>Vase globulaire</td><td></td></tr><tr><td>Southern Cibola</td><td>71.1935.93.12 D</td><td>Bol</td><td></td></tr><tr><td>Puerco Black-on-red</td><td>71.1935.93.12 D</td><td>Bol</td><td></td></tr><tr><td>Zuni Polychrome</td><td>71.1885.78.367</td><td>Pot à anse</td><td></td></tr><tr><td></td><td>71.1885.78.372</td><td>Vase</td><td></td></tr><tr><td></td><td>71.1885.78.407</td><td>Ecuelle</td><td>Fig.59</td></tr><tr><td></td><td>71.1885.78.408</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1885.78.409</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1885.78.416</td><td>Pot à décor zoomorphe</td><td>Fig.45</td></tr><tr><td></td><td>71.1885.78.417</td><td>Ecuelle</td><td></td></tr></tbody></table>
<table><thead><tr><th>Tradition / Type / Ware</th><th>Numéro d'objet</th><th>Appellation</th><th>Fig.</th></tr></thead><tbody><tr><td colspan="4"><strong>Ancestral Pueblo/Southern Colorado Plateau</strong></td></tr><tr><td>Anasazi polychrome</td><td></td><td></td><td></td></tr><tr><td>Anasazi polychrome</td><td></td><td></td><td></td></tr><tr><td>71.1885.78.370</td><td>71.1885.78.370</td><td>Ecuelle à anse</td><td>Fig. 41</td></tr><tr><td>Chaco and Chibola</td><td></td><td></td><td></td></tr><tr><td>Chaco Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.35</td><td>Vase globulaire</td><td>Fig. 71</td></tr><tr><td>Chaco-Chibola white ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.11</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.13</td><td>Cuiller à manche</td><td>Fig. 80</td></tr><tr><td></td><td>71.1920.14.14</td><td>Cuiller à manche</td><td>Fig. 81</td></tr><tr><td></td><td>71.1920.14.21</td><td>Cruche</td><td></td></tr><tr><td></td><td>71.1920.14.39</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.64</td><td>Cruche à anse</td><td></td></tr><tr><td></td><td>71.1920.14.78</td><td>Cuiller</td><td></td></tr><tr><td></td><td>71.1920.14.79</td><td>Cuiller</td><td></td></tr><tr><td></td><td>71.1920.14.80</td><td>Louche</td><td></td></tr><tr><td></td><td>71.1920.14.9</td><td>Bol à fond plat</td><td></td></tr><tr><td></td><td>71.1935.93.9 D</td><td>Cruche à anse</td><td></td></tr><tr><td>Chaco-Cibola White Ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.15</td><td>Cuiller à manche</td><td></td></tr><tr><td>Cibola White Ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.70</td><td>Récipient globulaire</td><td>Fig. 73</td></tr><tr><td>Escavada Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.58</td><td>Cruche à anse</td><td></td></tr><tr><td></td><td>71.1935.93.15 D</td><td>Bol</td><td></td></tr><tr><td>Gallup Black on White</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.59</td><td>Cruche</td><td></td></tr><tr><td>Kiatuthlanna Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.61</td><td>Cruche à anse</td><td>Fig. 69</td></tr><tr><td>Puerco Black-on-red</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1935.93.31 D</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1935.93.8 D</td><td>Bol</td><td></td></tr><tr><td>Red Mesa Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.52</td><td>Cruche à anse</td><td>Fig. 76</td></tr><tr><td>Tularosa black on white</td><td></td><td></td><td></td></tr><tr><td>71.1920.14.74</td><td>71.1920.14.74</td><td>Vase globulaire</td><td></td></tr><tr><td>Chaco and Chibola white ware</td><td></td><td></td><td></td></tr><tr><td>Red Mesa Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.16</td><td>Vase globulaire</td><td></td></tr></tbody></table>
<table><thead><tr><th>Tradition / Type / Ware</th><th>Numéro d'objet</th><th>Appellation</th><th>Fig.</th></tr></thead><tbody><tr><td>Chaco-Chibola</td><td></td><td></td><td></td></tr><tr><td>Chaco-Chibola white ware</td><td>71.1920.14.63</td><td>Cruche à anse</td><td></td></tr><tr><td>Chaco-Chibola white ware</td><td></td><td></td><td></td></tr><tr><td>Escavada Black-on-white</td><td>71.1920.14.1</td><td>Pichet ornithomorphe</td><td></td></tr><tr><td>Reserve Black-on-White</td><td>71.1920.14.8</td><td>Bol hémisphérique</td><td></td></tr><tr><td>Eastern Anasazi</td><td></td><td></td><td></td></tr><tr><td>Upper San Juan Grey Ware</td><td>71.1920.14.2</td><td>Pichet ornithomorphe</td><td></td></tr><tr><td>71.1920.14.3</td><td>71.1920.14.3</td><td>Pichet ornithomorphe</td><td></td></tr><tr><td>Gallina</td><td></td><td></td><td></td></tr><tr><td>Gallina black on white</td><td>71.1885.78.368</td><td>Ecuelle</td><td></td></tr><tr><td>Gallup Black on White</td><td></td><td></td><td></td></tr><tr><td>71.1920.14.68</td><td></td><td>Récipient globulaire</td><td></td></tr><tr><td>71.1920.14.72</td><td></td><td>Récipient globulaire</td><td></td></tr><tr><td>71.1935.93.11 D</td><td></td><td>Vase globulaire</td><td></td></tr><tr><td>Northern San Juan</td><td></td><td></td><td></td></tr><tr><td>Buff Black on red</td><td>71.1920.14.88</td><td>Récipient globulaire</td><td></td></tr><tr><td>71.1935.93.20 D</td><td></td><td>Bol</td><td></td></tr><tr><td>Mancos black on white</td><td>71.1920.14.61</td><td>Cruche à anse</td><td></td></tr><tr><td>Mesa Verde Black on White</td><td>71.1920.14.55</td><td>Cruche</td><td></td></tr><tr><td>Northern San Juan Gray Ware</td><td></td><td></td><td></td></tr><tr><td>71.1920.14.32</td><td></td><td>Cruche à anse</td><td></td></tr><tr><td>71.1920.14.33</td><td></td><td>Bol globulaire</td><td></td></tr><tr><td>71.1920.14.34</td><td></td><td>Vase globulaire</td><td></td></tr><tr><td>71.1920.14.41</td><td></td><td>Vase globulaire</td><td></td></tr><tr><td>71.1920.14.44</td><td></td><td>Ecuelle</td><td></td></tr><tr><td>Northern San Juan White Ware</td><td></td><td></td><td></td></tr><tr><td>71.1920.14.47</td><td></td><td>Ecuelle</td><td></td></tr><tr><td>71.1920.14.49</td><td></td><td>Ecuelle</td><td></td></tr><tr><td>71.1920.14.53</td><td></td><td>Cruche à anse</td><td></td></tr><tr><td>71.1920.14.54</td><td></td><td>Cruche à anse</td><td></td></tr><tr><td>71.1920.14.56</td><td></td><td>Cruche à anse</td><td></td></tr><tr><td>Northern San Juan White Ware/ Possible Chapin black on white</td><td>71.1920.14.45</td><td>Ecuelle</td><td></td></tr></tbody></table>
<table><thead><tr><th>Tradition / Type / Ware</th><th>Numéro d'objet</th><th>Appellation</th><th>Fig.</th></tr></thead><tbody><tr><td>Southern Cibola</td><td></td><td></td><td></td></tr><tr><td>Puerco Black-on-red</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.91</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1920.14.92</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1920.14.93</td><td>Ecuelle</td><td>Fig. 68</td></tr><tr><td></td><td>71.1920.14.94</td><td>Ecuelle</td><td></td></tr><tr><td>St Johs Black-on-red</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.89</td><td>Ecuelle</td><td></td></tr><tr><td></td><td>71.1920.14.90</td><td>Ecuelle</td><td></td></tr><tr><td>Zuni Polychrome</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1946.41.1</td><td>Pot à décor peint</td><td></td></tr><tr><td></td><td>71.1946.41.2</td><td>Pot à décor géométrique</td><td></td></tr><tr><td>Tusayan</td><td></td><td></td><td></td></tr><tr><td>Anasazi/ Puerco valley white ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.4</td><td>Vase globulaire</td><td>Fig. 70</td></tr><tr><td>Black mesa Black on White</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.66</td><td>Cruche à anse</td><td></td></tr><tr><td></td><td>71.1920.14.67</td><td>Cruche à anse</td><td></td></tr><tr><td>Escavada Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.20</td><td>Cruche</td><td>Fig. 75</td></tr><tr><td>Jeddito Black-on-Yellow</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1935.93.29 D</td><td>Bol hémisphérique</td><td></td></tr><tr><td>Sosi Black on White</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1935.93.14 D</td><td>Cruche à anse</td><td></td></tr><tr><td></td><td>71.1935.93.17 D</td><td>Bol à anse (louche ?)</td><td></td></tr><tr><td></td><td>71.1935.93.18 D</td><td>Bol à anse (louche ?)</td><td></td></tr><tr><td>Tusayan Black-on-white</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.69</td><td>Récipient globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.71</td><td>Récipient globulaire</td><td></td></tr><tr><td>Tusayan white ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.12</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.18</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.19</td><td>Cruche</td><td></td></tr><tr><td></td><td>71.1920.14.37</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.38</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.43</td><td>Vase globulaire</td><td></td></tr><tr><td></td><td>71.1920.14.51</td><td>Cruche à anse</td><td></td></tr><tr><td></td><td>71.1920.14.57</td><td>Cruche à anse</td><td></td></tr><tr><td>Upper San Juan</td><td></td><td></td><td></td></tr><tr><td>Upper San Juan White ware</td><td></td><td></td><td></td></tr><tr><td></td><td>71.1920.14.40</td><td>Vase globulaire</td><td></td></tr></tbody></table>
<table><thead><tr><th>Tradition / Type / Ware</th><th>Numéro d'objet</th><th>Appellation</th><th>Fig.</th></tr></thead><tbody><tr><td colspan="4">Ancestral Pueblo/Southern Colorado Plateau / Central Anasazi</td></tr><tr><td>Chaco and Chibola</td><td></td><td></td><td></td></tr><tr><td>Chaco-Chibola white ware</td><td>71.1920.14.7</td><td>Bol à fond plat</td><td></td></tr><tr><td>Gallina</td><td></td><td></td><td></td></tr><tr><td>Gallina black on white</td><td>71.1920.14.46</td><td>Ecuelle</td><td></td></tr><tr><td colspan="4">Ancestral Pueblo/Southern Colorado Plateau / Western Anasazi</td></tr><tr><td>Tusayan white ware</td><td></td><td></td><td></td></tr><tr><td>Tusayan Black-on-white</td><td>71.1920.14.4</td><td>Bol hémisphérique</td><td>Fig. 72</td></tr><tr><td colspan="4">Ancestral Pueblo: Greater Upper Rio Grande</td></tr><tr><td>Middle Rio Grande</td><td></td><td></td><td></td></tr><tr><td>Santa Ana Polychrome</td><td>71.1935.93.30 D</td><td>Bol</td><td></td></tr><tr><td>Tusayan</td><td></td><td></td><td></td></tr><tr><td>Santa Ana Polychrome</td><td>71.1935.93.32 D</td><td>Bol</td><td></td></tr></tbody></table>
Annex 3 – Collection of Southwest Pottery in the musée du quai Branly museum

<table><caption>Références typologiques de la céramique ancestrale</caption><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Smithsonian Institution</td><td>71.1885.78.367</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.368</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Gallina</td><td>Gallina black on white</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.369</td><td>Ecuelle carrée</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.370</td><td>Ecuelle à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Anasazi polychrome</td><td>Anasazi polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.367</td><td>Pot à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.372</td><td>Vase</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.373</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.374</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.375</td><td>Vase zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.376</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.377</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.378</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.379</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.380</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.381</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.382</td><td>Vase à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Smithsonian Institution</td><td>71.1885.78.383</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.384</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.385</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.386</td><td>Bol zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.387</td><td>Sifflet phytomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.388</td><td>Vase - sabot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.390</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.391</td><td>Gourde</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.392</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.393</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.394</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.395</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.396</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.397</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.398</td><td>Ecuelle à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.399</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.400</td><td>Gourde</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.401</td><td>Cuiller</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly: Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Smithsonian Institution</td><td>71.1885.78.402</td><td>Gourde</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.403</td><td>Gourde</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.404</td><td>Marmite</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.405</td><td>Vase composée</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.406</td><td>Gourde</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.407</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.408</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.409</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.410</td><td>Vase à pain</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.413</td><td>Vase zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.414</td><td>Marmite</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.415</td><td>Marmite</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.416</td><td>Pot à décor zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.417</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:

Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><th>Donateur / vendeur / déposant</th><th>Numéro d'objet</th><th>Appellation</th><th>Toponyme</th><th>Ethnonyme</th><th>Tradition</th><th>Ware</th><th>Type</th></tr></thead><tbody><tr><td>Smithsonian Institution</td><td>71.1885.78.455</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.456</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.483</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.484</td><td>Bol hemisphérique</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.485</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.486</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.487</td><td>Marmite</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.488</td><td>Vase zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.490</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Smithsonian Institution</td><td>71.1885.78.505</td><td>Vase zoomorphe</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.1</td><td>Pichet ornithomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco-Chibola white ware</td><td>Escavada Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.2</td><td>Pichet ornithomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Eastern Anasazi</td><td>Upper San Juan Grey Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.3</td><td>Pichet ornithomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Eastern Anasazi</td><td>Upper San Juan Grey Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.4</td><td>Bol hemisphérique</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau / Western Anasazi</td><td>Tusayan white ware</td><td>Tusayan Black-on-white</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:

Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.5</td><td>Bol hemisphérique</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mimbres decorated white ware</td><td>Mimbres Transitional, Stylle II, Black on white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.6</td><td>Bol à fond plat</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mimbres decorated white ware</td><td>Mimbres Decorated white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.7</td><td>Bol à fond plat</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau / Central Anasazi</td><td>Chaco and Chibola</td><td>Puerco black on white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.8</td><td>Bol hemisphérique</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco-Chibola white ware</td><td>Reserve Black-on-White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.9</td><td>Bol à fond plat</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.10</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Central Anasazi</td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.11</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.12</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.13</td><td>Cuiller à manche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.14</td><td>Cuiller à manche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.15</td><td>Cuiller à manche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Cibola White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.16</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola white ware</td><td>Red Mesa Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.17</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Anasazi Globular/ Tusayan black on white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.18</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.19</td><td>Cruche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.20</td><td>Cruche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Escavada Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.21</td><td>Cruche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><th>Donateur / vendeur / déposant</th><th>Numéro d'objet</th><th>Appellation</th><th>Toponyme</th><th>Ethnonyme</th><th>Tradition</th><th>Ware</th><th>Type</th></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.22</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.23</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.24</td><td>Vase</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.25</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.26</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.27</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.28</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.29</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.30</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.31</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.32</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan Gray Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.33</td><td>Bol globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan Gray Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.34</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan Gray Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.35</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.36</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.37</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.38</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.39</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.40</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Upper San Juan</td><td>Upper San Juan White ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.41</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan Gray Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.42</td><td>Vase</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.43</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.44</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan Gray Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.45</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan White Ware/ Possible Chapin black on white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.46</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau / Central Anasazi</td><td>Gallina</td><td>Gallina black on white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.47</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.48</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.49</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.50</td><td>Bol globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.51</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.52</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Red Mesa Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.53</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Northern San Juan White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.54</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>northern San Juan</td><td>Northern San Juan White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.55</td><td>Cruche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>northern San Juan</td><td>Mesa Verde Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.56</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>northern San Juan</td><td>Northern San Juan White Ware</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><th>Donateur / vendeur / déposant</th><th>Numéro d'objet</th><th>Appellation</th><th>Toponyme</th><th>Ethnonyme</th><th>Tradition</th><th>Ware</th><th>Type</th></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.57</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.58</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Escavada Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.59</td><td>Cruche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Gallup Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.60</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.61</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco-Cibola</td><td>Kiatuthlanna Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.62</td><td>Pot à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.63</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco-Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.64</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.65</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.66</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Black mesa Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.67</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Black mesa Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.68</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Gallina</td><td>Gallup Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.69</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.70</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Cibola White Ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.71</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Tusayan Black-on-white</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.72</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Gallina</td><td>Gallup Black on White</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.73</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique<br>Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.74</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Tularosa black on white</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution

Mylene HENGEN
<table><thead><tr><th>Donateur / vendeur / déposant</th><th>Numéro d'objet</th><th>Appellation</th><th>Toponyme</th><th>Ethnonyme</th><th>Tradition</th><th>Ware</th><th>Type</th></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.75</td><td>Récipient ornithomorphe</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.76</td><td>Cuiller à manche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.77</td><td>Cuiller à manche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.78</td><td>Cuiller</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.79</td><td>Cuiller</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.80</td><td>Louche</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.81</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.82</td><td>Pot à décor de colombins apparents ondulés</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.83</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.84</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.85</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mogollon-Mimbres</td><td>Tularosa Smudged</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.86</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mogollon-Mimbres</td><td>Tularosa Smudged</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.87</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mogollon-Mimbres</td><td>Tularosa Smudged</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.88</td><td>Récipient globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Buff Black on red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.89</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>St Johs Black-on-red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.90</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>St Johs Black-on-red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.91</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Puerco Black-on-red</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Archaeological Institute of America</td><td>71.1920.14.92</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Puerco Black-on-red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.93</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Puerco Black-on-red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.94</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Puerco Black-on-red</td></tr><tr><td>Archaeological Institute of America</td><td>71.1920.14.95</td><td>Pot</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Amérique Aride > Pueblo</td><td></td><td></td><td></td></tr><tr><td>Georges Montandon</td><td>71.1933.46.24 D</td><td>Assiette</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Havasupai</td><td></td><td></td><td></td></tr><tr><td>Georges Montandon</td><td>71.1933.46.25 D</td><td>Assiette</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Havasupai</td><td></td><td></td><td></td></tr><tr><td>Georges Montandon</td><td>71.1933.46.26 D</td><td>Assiette</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Havasupai</td><td></td><td></td><td></td></tr><tr><td>Georges Montandon</td><td>71.1933.46.27 D</td><td>Assiette</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Havasupai</td><td></td><td></td><td></td></tr><tr><td>Georges Montandon</td><td>71.1933.46.28 D</td><td>Plat</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Havasupai</td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.5 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td>Ancestral Pueblo</td><td></td><td>Mimbres or San Juan</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.6 D</td><td>Pot à col évasé</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.7 D</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.8 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Puerco Black-on-red</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.9 D</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Chaco-Chibola white ware</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.11 D</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Gallina</td><td>Gallup Black on White</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.12 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td>Ancestral Pueblo/Greater Mogollon</td><td>Southern Cibola</td><td>Puerco Black-on-red</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.14 D</td><td>Cruche à anse</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Sosi Black on White</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.15 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Escavada Black-on-white</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.16 D</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.17 D</td><td>Bol à anse (louche ?)</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Sosi Black on White</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.18 D</td><td>Bol à anse (louche ?)</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Sosi Black on White</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.19 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.20 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Northern San Juan</td><td>Buff Black on red</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.24 D</td><td>Cuiller</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.25 D</td><td>Vase à col évasé</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.26 D</td><td>Vase lenticulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td></td><td></td><td></td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.27 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mogollon-Mimbres</td><td>Tularosa Smudged</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.28 D</td><td>Vase globulaire</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td></td><td>Ancestral Pueblo/Greater Mogollon</td><td>Mogollon-Mimbres</td><td>Tularosa Smudged</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.29 D</td><td>Bol hemisphérique</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Tusayan</td><td>Jeddito Black-on-Yellow</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.30 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Zuni</td><td>Ancestral Pueblo: Greater Upper Rio Grande</td><td>Middle Rio Grande</td><td>Santa Ana Polychrome</td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.31 D</td><td>Ecuelle</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Hopi</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Chaco and Chibola</td><td>Puerco Black-on-red</td></tr><tr><td>Gila Pueblo Foundation</td><td>71.1935.93.32 D</td><td>Bol</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td></td><td>Ancestral Pueblo: Greater Upper Rio Grande</td><td>Tusayan</td><td>Santa Ana Polychrome</td></tr><tr><td>Georges Wildenstein</td><td>71.1946.41.1</td><td>Pot à décor peint</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Georges Wildenstein</td><td>71.1946.41.2</td><td>Pot à décor géométrique</td><td>Amérique > Amérique du Nord > États-Unis > Arizona (état)</td><td>Pueblo</td><td>Ancestral Pueblo/Southern Colorado Plateau</td><td>Southern Cibola</td><td>Zuni Polychrome</td></tr><tr><td>Véra Laski</td><td>71.1958.25.2</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.3</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.4</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.5</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.6</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.7</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.8</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.9</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.10</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Véra Laski</td><td>71.1958.25.11</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.12</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.13</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.14</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.15</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.16</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.17</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.18</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.19</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.20</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.21</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.22</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Véra Laski</td><td>71.1958.25.23</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.24</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.25</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.26</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.27</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.28</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.29</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.30</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.31</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.32</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.33</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.34</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution
<table><thead><tr><td>Donateur / vendeur / déposant</td><td>Numéro d'objet</td><td>Appellation</td><td>Toponyme</td><td>Ethnonyme</td><td>Tradition</td><td>Ware</td><td>Type</td></tr></thead><tbody><tr><td>Véra Laski</td><td>71.1958.25.35</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr><tr><td>Véra Laski</td><td>71.1958.25.36</td><td>Tesson</td><td>Amérique > Amérique du Nord > États-Unis > New Mexico (état)</td><td>Pueblo</td><td></td><td></td><td></td></tr></tbody></table>

The Southwest North American Collection at the musée du quai Branly:
Collaboration and Exchange with the Smithsonian Institution

Mylene HENGEN
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Chapman, Kenneth. *The Pueblo Indian Pottery of the Post Spanish Period*. Santa Fe: Laboratory of Anthropology; General Series Bulletin No. 4, 1938.

Charles River.eds *The Pueblo Today and Yesterday: The History and Culture of the Anasazi and Hopi*. Charles River Editions: Cambridge, MA. 2013.

Colton, Harold. *Pottery Types of the Southwest*. Flagstaff, Arizona: Museum of Northern Arizona Ceramic Series No. 3, 1956.

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Cushing, Frank Hamilton. "Annual report on fieldwork for the year ending June 30, 1883, describing work with the Zuni and Hopi and Zuni and Oraibi Pueblos. Nov. 4, 1883". Box number 2427-a Hopi. National Anthropological Archives.

Cushing, Frank Hamilton. A study of Pueblo Pottery as Illustrative of Zuni Culture Growth. In *Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution* 1882-83. Washington, D.C.: Bureau of American Ethnology, 1983.

Eckert, Suzanne L. *Pottery and Practice: The Expression of Identity at Pottery Mound and Hummingbird Pueblo*. Albuquerque: University of New Mexico Press, 2008.

Fowler, Don. "Harvard vs. Hewett; The contest for Control of Southwestern Archaeology, 1904-1930". Paper presented at the Eight-eighth Annual meeting of the American Anthropological Association. 1989.

Frank, Larry and Francis H. Harlow. *Historic Pottery of the Pueblo Indians 1600-1880*. West Chester: Schiffer Publishing Ltd, 1990.

Gladwin, Harold S. *The Chaco Branch: Excavation at White Mound and in the Red Mesa Valley*. Gila Pueblo: Globe, Medallion Papers 33, 1945.

Goetze, Christine.E.. and Barbara J. Mills. Classification Criteria for Wares and Types. In *Across the Colorado Plateau: Anthropological Studies for the Transwestern Pipeline Expansion Project, Interpretation of Ceramic Artifacts*, Volume XVI, edited by B.J. Mills, C.E. Goetze, M.N. Zedeno, pp. 21-86. Albuquerque: University of New Mexico, Office of Contract Archaeology and Maxwell Museum of Anthropology, 1993.
Green, Jesse. *Zuni, Selected Writings of Frank Hamilton Cushing*. Lincoln: University of Nebraska Press. 1979.

Goetze, Christine and Barbara J. Mills. *Classification Criteria for Wares and Types. In Across the Colorado Plateau: Anthropological Studies for the Transwestern Pipeline Expansion Project, Interpretation of Ceramic Artifacts*, Volume XVI, edited by B.J. Mills, C.E. Goetze, M.N. Zedeno, pp. 21-86. Office of Contract Archaeology and Maxwell Museum of Anthropology, University of New Mexico, Albuquerque. 1993.

Harlow, Francis H. *Matte Paint Pottery of the Tewa, Keres, and Zuni Pueblos*. Santa Fe: Museum of New Mexico, 1973.

Hays-Gilpin, Kelley and Eric van Hartesveldt. *Prehistoric Ceramics of the Puerco Valley: The 1995 Chambers-Sanders Trust Lands Ceramic Conference*. Flagstaff: The Museum of Northern Arizona, Museum of Northern Arizona Ceramic Series No.7, 1998.

Hayes, Allan and John Blom. *Southwestern Pottery: Anasazi to Zuni*. Hong Kong: South-Sea International Press, 1996.

Hinsley, Curtis M. *Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology, 1846-1910*. Washington, D.C., Smithsonian Institution Press. 1981.

Holmes, William Henry. "Pottery of the ancient Pueblos". *Bureau of American Ethnology Annual report, no. 4* (1882-1883), pp. 257-360. Washington, D. C.: Bureau of American Ethnology, 1886

Lammon, Dwight P. and Francis H. Harlow. *The Pottery of Zuni Pueblo*. Museum of New Mexico Press, Santa Fe, 2008.

McFeely, Eliza. *Zuni and the American Imagination*. New York: Hill and Wang, 2001.

Merrill, William, Edmund J. Ladd, and Thomas John Ferguson. "The Return of the Ahayuda. Lessons for Repatriation from Zuni Pueblo and the Smithsonian Institution". *Current Anthropology* 34 (5): pp. 523-567, 1993.

Parezo, Nancy J. "Cushing as Part of the Team: The Collecting Activities of the Smithsonian Institution". *American Ethnologist* 12 (4): pp. 763-774, 1985.

Reed, Lori S., Joell Goff, Kathy Niles Hensler. *Exploring Ceramic Production, Distribution, and Exchange in the Southern Chuska Valley: Analytical Results from the El Paso Natural Gas North Expansion Project, Pipeline Archaeology 1990-1993: The El Paso Natural Gas System Expansion Project, New Mexico and Arizona*, Vol XI, Book 1, Report WCRM (F) 74, Farmington, 1998.

Schlegel, Alice. "Hopi Social Structure as Related to Tihu Symbolism". In *HOPI NATION: Essays on Indigenous Art, Culture, History and Law*, pp. 1-10. University of Nebraska-Lincoln Libraries, 2008

Stevenson, James. "Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico and Arizona in 1879". In *Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-1881*, pp. 307-422. Washington, D.C., Bureau of American Ethnology, 1883.

Stevenson, Matilda Coxe. "The Zuni Indians: Their Mythology, Esoteric Fraternities, and Ceremonies". In *Twenty-third Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1901-1902*, pp. 3-608. Washington, D.C.: Bureau of American Ethnology, 1903.

Strutervant, William C. *Handbook of the North American Indian*. Washington, D.C.: Smithsonian Institution Press, 1979.
Wilson, Dean. *Zuni Polychrome*. Office of Archeological Studies, Pottery Typology Project. New Mexico Office of Archaeological Studies, The Center for New Mexico Archaeology, Santa Fe, NM. http://ceramics.nmarchaeology.org/index

Windes, Thomas C. "Typology and Gechnology of Anasazi ceramics" In *Settlement and Subsistence Along the Lower Chaco River*, edited by C. Reher, pp 270-369. Albuquerque: University of New Mexico, 1977.
Table of Figures

**Figure 1:** Photograph by J.K. Hillers, photographer for the 1879 Smithsonian collection and research expedition to Hopi. *View of Dance Rock; Groups of people on Adobe House Clusters. On the right, Bowl and Metate. Nearby 1879. Taken at Walpi, first Mesa, Hopi. 1879.* National Anthropological Archives, Smithsonian Institution [NAA INV 0614300]. 1

**Figure 2:** Map of present-day Pueblos and villages of the Southwest. Source: Mesa Verde archaeological region Map courtesy of Neal Morris; Crow Canyon Archaeological Center 4

**Figure 3:** Map of major Ancient Puebloan cultural groups of the Southwest. Source: Archaeological cultures of the Southwest: Map by Catherine Gilman, updated by Kathleen Bader. Courtesy of Desert Archaeology, Inc. 6

**Figure 4:** Gwyneira Isaac, Curator of North American Ethnology at the Smithsonian's National Museum of Natural History, and Fabienne de Pierrebourg, curator of Americas at the musée du quai Branly, examine a Hopi ritual dance headdress inside the Smithsonian collections. Photo by the author. 8

**Figure 5:** Ah-Kow-Shi, Hopi dance ornament. Musée du quai Branly 71.1885.78.166 [Smithsonian original catalog number 41672]. 9

**Figure 6:** The same object from the Smithsonian collections, Museum Support Center. [Object number E1287890]. Photo by the author. 9

**Figure 7:** Smithsonian National Museum of Natural History. National Anthropological Archives, Catalog Card number E128789 – E128791. 10

**Figure 8:** Catalog card of a group of baskets, one of which was donated to the Trocadéro in 1885. Smithsonian National Museum of Natural History, National Anthropological Archives: Catalog Card number E68476. 11

**Figure 9:** Zuni carrying basket donated to the Trocadéro. Musée du quai Branly 71.1885.78.217 [Smithsonian original catalog number: 68476]. 11

**Figure 10:** Hopi leather anklets referred to in the catalog card below originating from the Smithsonian collection. Musée du quai Branly 71.1885.78.248 [Smithsonian original catalog number: 42353] 12

**Figure 11:** Original catalog card for the collection of Hopi leather anklets (below), of which one pair was sent to Trocadéro. National Anthropological Archives, Catalog card number E42354-O. 12

**Figure 12:** Zuni wooden ladle. Musée du quai Branly 71.1885.78.111 [Smithsonian original catalog number 75763] 13

**Figure 13:** Ledger book, Volume 016, page 136. Catalog numbers 75751-75775. National Anthropological Archives. 14

**Figure 14:** Zuni Weaving Knife. Musée du quai Branly 71.1885.78.114 [Smithsonian original catalog number 75785]. 15

**Figure 15:** Original catalog card for weaving knife (Fig. 14). National Anthropological Archives, Catalog card number E75784. 15

**Figure 16:** Zuni bull-roarer, musical instrument. Musée du quai Branly 71.1885.78.115 [Smithsonian original catalog number 69423]. 16

**Figure 17:** Original Catalog card for Fig. 16, bull-roarer, musical instrument. National Anthropological Archives. Catalog number E69423-O. 16

**Figure 18:** Hopi Gourd. Musée du quai Branly 71.1885.78.129 [Smithsonian original catalog number 83976] 17

**Figure 19:** Ledger book, cemented basket-work, volume 018, page 067. National Anthropological Archives. 17

**Figure 20:** Elements of a notched stick rattle (“Truh-kun-pi”) from Hopi brought back by Stevenson during this expedition. Musée du quai Branly 71.1885.78.146.1-2 [Smithsonian original catalog number: 68854] (Sizes not to scale). 18

**Figure 21:** Original ledger illustration of the above notched stick rattle. Volume 015, page 052. National Anthropological Archives. 18

**Figure 22:** Pueblo village replica. Late 19th century. Musée du quai Branly 71.1885.78.3. Smithsonian number unknown. 19
**Figure 23:** Hopi clown ritual dance head-dress in the Smithsonian collections [E68983-0]. Photo by the author. 20

**Figure 24:** The same headdress in the musée du quai Branly collection 71.1885.78.246 [Smithsonian original catalog number 68982]. 20

**Figure 25:** Original ledger of Hopi headdresses accessioned into the Smithsonian. Above piece figures top right in the ledger. Smithsonian National Anthropological Archives, ledger book volume 015, page 057. 20

**Figure 26:** Hopi Wrist Guard, Powell collection. 19th century. Musée du quai Branly 71.1885.78.107 [Smithsonian original catalog number 23139]. 21

**Figure 27:** Hopi ritual headdress, female. Musée du quai Branly 71.1946.41.4.1-2. Gift of Georges Widenstein. 22

**Figure 28:** Pueblo Katsina Dance Sash. 19th century. Musée du quai Branly. 71.1962.79.1 Donation of Paul Rodier. 22

**Figure 29:** Hopi dance sticks for women. Musée du quai Branly 71.1885.78.153 [Smithsonian original catalog number 69168]. 23

**Figure 30:** Hopi dance sticks for women. Musée du quai Branly 71.1885.78.253 [Smithsonian original catalog number 69169]. 23

**Figure 31:** Kachina doll, early 20th century. Musée du quai Branly 71.1885.78.149 24

**Figure 32:** Pair of Hopi arm-bands “armlets of Snake “Chu-Marsh-Mi” brought back by Stevenson from the Hopi village Shungopavi. Musée du quai Branly 71.1885.78.220.1-2 [Smithsonian original catalog number: 68975] 25

**Figure 33:** Pair of leather wristlets of hyde and string Musée du quai Branly 71.1885.78.105.1-2 [Smithsonian original catalog number: 84273]. 25

**Figure 34:** Duplicata of the regalia objects in the MQB collections, found in the Smithsonian collections. Identifying objects were further aided by detailed descriptions of use and origin in the Smithsonian database. Smithsonian collections E128936-0. Photo by the author. 25

**Figure 35:** Map of the Arizona and New Mexican region of major exploration. Here pictured are sites of the major Puebloan ruins that were excavated and from which the majority of the SI/MQB collection derive. Source: Encyclopedia Britannica. 26

**Figure 36:** Photograph by J.K. Hillers, photographer for the 1879 expedition. View of Southern Passageway and Adobe House Clusters, Man in Blanket Near Ladder. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution. NAA INV 06313300. 28

**Figure 37:** Grooved stone axe with handle. Musée du quai Branly 71.1885.78.14 [Smithsonian original catalog number: 65917] 29

**Figure 38:** Gourd rattle. Musée du quai Branly 71.1885.78.184 [Smithsonian original catalog number: 69265] 29

**Figure 39:** Musée du quai Branly 71.1885.78.365 [Smithsonian original catalog number: 76304] 30

**Figure 40:** Musée du quai Branly 71.1885.78.363 [Smithsonian original catalog number: 75870]. 30

**Figure 41:** Anasazi cup or recipient. Pueblo IV. Musée du quai Branly 71.1885.78.370 [Smithsonian original catalog number: 83609]. 31

**Figure 42:** Musée du quai Branly 71.1885.78.332 [Smithsonian original catalog number: 9567]. 32

**Figure 43:** Musée du quai Branly 71.1885.78.163 [Smithsonian original catalog number: 22841]. 32

**Figure 44:** Zuni water vase, 19th century, collected by Powell. Musée du quai Branly 71.1885.78.416 [Smithsonian original catalog number: 40314]. 33

**Figure 45:** Zuni earthen meal basket, with a cloud-formed lip and a dragonfly representation between two tadpoles on the exterior. Musée du quai Branly 71.1885.78.410 [Smithsonian original catalog number: 40338]. 35

**Figure 46:** Hopi Water Jug, Musée du quai Branly, 19th century. Musée du quai Branly 71.1885.78.400 [Smithsonian original catalog number 41362]. 35

**Figure 47:** Zuni turtle shell rattle, collected by Stevenson. Musée du quai Branly 71.1885.78.501 36

**Figure 48:** Photograph by JK Hillers, photographer for the 1879 expedition. Man in Native Dress on Blanket using Spindle 1879. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution. NAA INV 06314600. 37

**Figure 49:** Spindle collected by Stevenson at Hopi. Musée du quai Branly 71.1885.78.113. [Smithsonian original catalog number 68893]. 37
**Figure 50:** Photograph by J.K. Hillers, photographer for the 1879 expedition. Group of Three Women in Native Dress, One Brushing Each Other's Hair Spindle 1879. Taken at Walpi, first Mesa, Hopi. 1879. National Anthropological Archives, Smithsonian Institution, NAA INV 06662500. 38

**Figure 51:** Brush collected by Stevenson at Hopi. Musée du quai Branly 71.1885.78.152 [Smithsonian original catalog number 68893]. 38

**Figure 52:** Zuni ritual headdress, worn in danse. Collected by Cushing. Musée du quai Branly 71.1885.78.307 [Smithsonian original catalog number 41947]. 39

**Figure 53:** Ceremonial Gourd-rattle (Zuni) collected by Cushing. Musée du quai Branly 71.1885.78.207 [Smithsonian original catalog number 84116]. 40

**Figure 54:** Bow (Zuni) collected by Cushing. Musée du quai Branly 71.1885.78.285 [Smithsonian original catalog number 41651]. 40

**Figure 55:** musée du quai Branly 71.1885.78.203 [Smithsonian original catalog number 69204]. 41

**Figure 56:** musée du quai Branly 71.1885.78.204 [Smithsonian original catalog number 69197]. 41

**Figure 57:** musée du quai Branly 71.1885.78.205 [Smithsonian original catalog number 69201]. 41

**Figure 58:** Hopi ware from Oraibi decribed by Cushing. 19th century. Musée du quai Branly 71.1885.78.402 [Smithsonian original catalog number 41362]. 42

**Figure 59:** Zuni pot with evidence of Spanish influence. Date unknown. Musée du quai Branly 71.1885.78.407 [Smithsonian original catalog number 66111]. 43

**Figure 60:** Hopi drum figuring the *ta-wa* sun god Kachina. Musée du quai Branly 71.1885.78.183 [Smithsonian original catalog number 76319]. 44

**Figure 61:** Example of a Hopi pot ornated with figures of Kachinas. Musée du quai Branly 71.1885.78.373 [Smithsonian original catalog number 86354]. 45

**Figure 62:** Mountain Sheep Horn soup ladle. Late 19th ce. Hopi. Musée du quai Branly 71.1885.78.100 [Smithsonian original catalog number unknown]. 45

**Figure 63:** Mountain Sheep Horn soup ladle. Late 19th ce. Hopi. Musée du quai Branly 71.1885.78.101 [Smithsonian original catalog number 22759]. 45

**Figure 64:** Late 19th century Hopi spindle, wood and string. Musée du quai Branly 71.1885.78.208 [Smithsonian original catalog number 68901]. 46

**Figure 65:** Hopi basketry plate collected by Mindeleff. Object traced back to Mindeleff using the original catalog numbers. Musée du quai Branly 71.1885.78.252 [Smithsonian original catalog number 83943]. 47

**Figure 66:** Hopi ceremonial dance stick collected by Mindeleff at Hopi. Musée du quai Branly 71.1885.78.202. [Smithsonian original catalog number 84198]. 47

**Figure 67:** Table of Ancestral Pueblo periods 48

**Figure 68:** Mimbres Black-on-white transitional pottery Musée du quai Branly 71.1952.41.4 D 49

**Figure 69:** Kiatuthlanna Black-on-white, Rio Puerco. Musée du quai Branly 71.1920.14.61. (Period: 900 AD-1350 AD, (Pueblo II-III), Culture: Ancestral Pueblo, Tradition: Puerco Valley White Ware-Cibola, Type name: Kiatuthlanna Black-on-white.) 50

**Figure 70:** Anasazi Globular vase, Pueblo II period (900-1100 AD). Musée du quai Branly 71.1920.14.17 51

**Figure 71:** Chaco Black-on-white bowl. Pueblo III period. (1100-1300 AD). Musée du quai Branly 71.1920.14.3551

**Figure 72:** Puerco valley white ware, Pueblo II (900-1100 AD). Musée du quai Branly 71.1920.14.4 52

**Figure 73:** Cibola White ware from Rio Puerco. Circa 1100 AD, Pueblo II-III. Musée du quai Branly 71.1920.14.70 53

**Figure 74:** Region South of the Colorado plateau, picturing the Rio Grande, Rio Puerco river valley and the San Juan river and basin. Map purchased from mapsoftheworld.com 54

**Figure 75:** Central Anasazi pot from Rio Puerco, Escavada Black-on-white. Circa 1000-1200 AD, Pueblo II-III. Musée du quai Branly 71.1920.14.20 55

**Figure 76:** Anasazi pot from Rio Puerco, Red Mesa Black-on-white. Circa 1000-1200 AD, Pueblo II-III. Musée du quai Branly 71.1920.14.52 56

**Figure 77:** Example of rough, coiled ware. Circa 950 AD. Musée du quai Branly 71.1935.93.6 57
<table><tr><td>Figure 78: Musée du quai Branly 71.1920.14.26</td><td>57</td></tr><tr><td>Figure 79: Musée du quai Branly 71.1920.14.25</td><td>57</td></tr><tr><td>Figure 80: Musée du quai Branly 71.1920.14.13</td><td>58</td></tr><tr><td>Figure 81: Musée du quai Branly 71.1920.14.14</td><td>58</td></tr><tr><td>Figure 82: Ancestral Pueblo plainware vessel used for cooking. Musée du quai Branly 71.1920.14.33</td><td>59</td></tr></table>