# TEI Publisher: A Platform for Digital Editions

Sarah Bénière

► To cite this version:

Sarah Bénière. TEI Publisher: A Platform for Digital Editions. Eida DH Seminar 2024, Jan 2024, Paris (en ligne), France. 2024. hal-04430825

HAL Id: hal-04430825

https://inria.hal.science/hal-04430825

Submitted on 1 Feb 2024

HAL is a multi-disciplinary open access
archive for the deposit and dissemination of sci-
entific research documents, whether they are pub-
lished or not. The documents may come from
teaching and research institutions in France or
abroad, or from public or private research centers.

L'archive ouverte pluridisciplinaire HAL, est
destinée au dépôt et à la diffusion de documents
scientifiques de niveau recherche, publiés ou non,
émanant des établissements d'enseignement et de
recherche français ou étrangers, des laboratoires
publics ou privés.

<figure><img src="image_1.png" /></figure>
# TEI Publisher: A Platform for Digital Editions

Sarah Bénière

► To cite this version:

Sarah Bénière. TEI Publisher: A Platform for Digital Editions. Eida DH Seminar 2024, Jan 2024, Paris / Virtual, France. 2024. hal-04430825

HAL Id: hal-04430825

https://inria.hal.science/hal-04430825v1

Submitted on 1 Feb 2024

HAL is a multi-disciplinary open access
archive for the deposit and dissemination of sci-
entific research documents, whether they are pub-
lished or not. The documents may come from
teaching and research institutions in France or
abroad, or from public or private research centers.

L'archive ouverte pluridisciplinaire HAL, est
destinée au dépôt et à la diffusion de documents
scientifiques de niveau recherche, publiés ou non,
émanant des établissements d'enseignement et de
recherche français ou étrangers, des laboratoires
publics ou privés.

<figure><img src="image_1.png" /></figure>
# TEI Publisher: A Platform for Digital Editions

Sarah Bénière

Research & Development Engineer (ALMAnaCH)

EiDA DH Seminar 2024

January 30, 2024

<figure><img src="image_2.png" /></figure>

Inria
# TEI Publisher: A Platform for Digital Editions

Sarah Bénière

Research & Development Engineer (ALMAnaCH)

EiDA DH Seminar 2024

January 30, 2024

<figure><img src="image_2.png" /></figure>

Inria
# Presentation Outline

1. TEI Publisher [3-7]

2. Examples of TEI Publisher instances [8-19]

3. Working with TEI Publisher [20-36]

4. Workshop [37-58]

5. Online Resources [59-62]
# Presentation Outline

1. TEI Publisher [3-7]

2. Examples of TEI Publisher instances [8-19]

3. Working with TEI Publisher [20-36]

4. Workshop [37-58]

5. Online Resources [59-62]
TEI Publisher
TEI Publisher
# A Publication Platform

* Based on **eXist-db** (XML database management system)

* Ideal for the publication of **TEI-XML documents**

* A **toolbox** for the publication of **digital scholarly editions**

<figure><img src="image_3.png" /></figure>

TEI

<figure><img src="image_4.png" /></figure>
A Publication Platform

* Based on eXist-db (XML database management system)

* Ideal for the publication of **TEI-XML documents**

* A **toolbox** for the publication of **digital scholarly editions**

<figure><img src="image_3.png" /></figure>

TEI

<figure><img src="image_4.png" /></figure>
* Easy-to-use tools → **App Generator** and **built-in Annotation Tool**

* Accepts **various input formats**, not only XML-based

<figure><img src="image_5.png" /></figure>

Microsoft Word's .docx

<figure><img src="image_6.png" /></figure>

* Delivers **various output formats**, not only a web application

<figure><img src="image_7.png" /></figure>

LATEX

<figure><img src="image_8.png" /></figure>

* Only programming requirement is **basic HTML**

HTML

<figure><img src="image_9.png" /></figure>
Beginner Friendly

* Easy-to-use tools → **App Generator** and **built-in Annotation Tool**

* Accepts **various input formats**, not only XML-based

<figure><img src="image_5.png" /></figure>

Microsoft Word's .docx

<figure><img src="image_6.png" /></figure>

* Delivers **various output formats**, not only a web application

<figure><img src="image_7.png" /></figure>

LATEX

<figure><img src="image_8.png" /></figure>

* Only programming requirement is **basic HTML**

<figure><img src="image_9.png" /></figure>
# Advantages of using TEI Publisher

* Limits the handwritten code with **templates**
  ➡ Templates can be modified and enhanced, thus your application is **customizable**

* Open-source

* Well-documented
  Documentation

* Sustained by a **very active community**
  ➡ Regular updates, **community meetings**, Slack support
# Advantages of using TEI Publisher

* Limits the handwritten code with **templates**

<figure><img src="image_10.png" /></figure>

→ Templates can be modified and enhanced, thus your application is **customizable**

* **Open-source**

<figure><img src="image_11.png" /></figure>

* **Well-documented**

**Documentation**

* Sustained by a **very active community**

<figure><img src="image_12.png" /></figure>

→ Regular updates, **community meetings**, Slack support
<figure><img src="image_10.png" /></figure>

<figure><img src="image_11.png" /></figure>

## Digital Scholarly Editions (DiScholEd)

<figure><img src="image_12.png" /></figure>

A platform dedicated to digital scholarly editions of egodocuments

Link

Contact

## Dossier Digital: Alexander von Humboldt y Cuba (1800–1830) 🔍

<figure><img src="image_13.png" /></figure>

Proyecto Humboldt Digital (ProHD) aims to publish online a multilingual collection of texts related to Alexander von Humboldt's trip to Cuba and its reception in the island in the 19th Century.

Link

Contact

<figure><img src="image_14.png" /></figure>
## Digital Scholarly Editions (DiScholEd)

<figure><img src="image_13.png" /></figure>

A platform dedicated to digital scholarly editions of egodocuments

Link

Contact

## Dossier Digital: Alexander von Humboldt y Cuba (1800–1830) ⌫

<figure><img src="image_14.png" /></figure>

Proyecto Humboldt Digital (ProHD) aims to publish online a multilingual collection of texts related to Alexander von Humboldt's trip to Cuba and its reception in the island in the 19th Century.

Link

Contact

<figure><img src="image_15.png" /></figure>
What does a TEI Publisher instance look like?
What does a TEI Publisher instance look like?
<figure><img src="image_15.png" /></figure>

Start

<figure><img src="image_16.png" /></figure>

Enter Query

<figure><img src="image_17.png" /></figure>

Images and text taken from *The Bodleian First Folio*: digital facsimile of the First Folio of Shakespeare's plays, Bodleian Arch. G c.7.

Documents

Sort by
Title

Filter by
Title

<figure><img src="image_18.png" /></figure>

Filter

<figure><img src="image_19.png" /></figure>

<figure><img src="image_20.png" /></figure>

<figure><img src="image_21.png" /></figure>

Found 36 items

<figure><img src="image_22.png" /></figure>

A Midsummer Nights Dreame [A Midsummer Night's Dream] from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7

Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_23.png" /></figure>

DOWNLOAD

<figure><img src="image_24.png" /></figure>

All's Well, that Ends Well from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7
Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_25.png" /></figure>

DOWNLOAD

<figure><img src="image_26.png" /></figure>

As You Like It from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7
Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_27.png" /></figure>

DOWNLOAD
<figure><img src="image_16.png" /></figure>

Start

<figure><img src="image_17.png" /></figure>

Enter Query

<figure><img src="image_18.png" /></figure>

Images and text taken from *The Bodleian First Folio*: digital facsimile of the First Folio of Shakespeare's plays, Bodleian Arch. G c.7.

Documents

Sort by
Title

Filter by
Title

<figure><img src="image_19.png" /></figure>

Filter

<figure><img src="image_20.png" /></figure>

<figure><img src="image_21.png" /></figure>

<figure><img src="image_22.png" /></figure>

Found 36 items

<figure><img src="image_23.png" /></figure>

A Midsummer Nights Dreame [A Midsummer Night's Dream] from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7

Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_24.png" /></figure>

DOWNLOAD

<figure><img src="image_25.png" /></figure>

All's Well, that Ends Well from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7
Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_26.png" /></figure>

DOWNLOAD

<figure><img src="image_27.png" /></figure>

As You Like It from Mr. William Shakespeares comedies, histories, & tragedies. Published according to the true original copies.

Mr. William Shakespeares comedies, histories, & tragedies
Bodleian First Folio, Arch. G c.7
Shakespeare, William, 1564-1616.

First publication edition. 23 April 20142014-04-23

<figure><img src="image_28.png" /></figure>

DOWNLOAD
<figure><img src="image_28.png" /></figure>

<figure><img src="image_29.png" /></figure>

Early English Books Online

Documents

Genre

<figure><img src="image_30.png" /></figure>

Show top 50

☐ Ballads, English 592

☐ Broadsides 791

☐ Elegiac poetry, English 89

☐ Great Britain 164

☐ Scotland 109

Language

<figure><img src="image_31.png" /></figure>

Show top 50

☐ English 1559

☐ Latin 3

Year

<figure><img src="image_32.png" /></figure>

Show top 50

☐ 1680 54

☐ 1685 52

☐ 1690 56

☐ 1695 54

☐ 1700 52

Sort by

Title

Filter by

<figure><img src="image_33.png" /></figure>

Title

<figure><img src="image_34.png" /></figure>

<figure><img src="image_35.png" /></figure>

Filter

<figure><img src="image_36.png" /></figure>

2

3

4

5

6

I

J

Found 1562 items

'Tis money makes a man: or, The good-fellows folly. Here in this song good fellow that mayst find, how money makes a man, if thou'rt not blind? Therefore return e're that it be too late, and don't on strumpets spend thy whole estate, for when all is gone, no better thou wilt be: but laught to scorn in all thy poverty. To a pleasant new tune: Bonny black Bess: or, Digby. / By J. Wade.
Wade, John, fl. 1660-1680.
1674-1679?

<figure><img src="image_37.png" /></figure>

DOWNLOAD

[...] or, A brief relation of an theisticall creature, living at Lambert, which is of a strange opinion that his sins are too big for him to goe to heaven, and too little for him to goe to hell, he thinks he shall dye a Pharisie: further he desired to have a commission to burne every new married couple in the buttock. [sic] but paying him forty shillings they should escape unburned. To the tune of, Jesper Cunningham, or Brave Lord Willoby.
1649

<figure><img src="image_38.png" /></figure>

DOWNLOAD

[A congratulatory] poem on occasion of His Highness the Prince of Orange his marriage.
1678

<figure><img src="image_39.png" /></figure>

DOWNLOAD
<figure><img src="image_29.png" /></figure>

<figure><img src="image_30.png" /></figure>

Early English Books Online

Documents

Genre

<figure><img src="image_31.png" /></figure>

Show top 50

☐ Ballads, English 592

☐ Broadsides 791

☐ Elegiac poetry, English 89

☐ Great Britain 164

☐ Scotland 109

Language

<figure><img src="image_32.png" /></figure>

Show top 50

☐ English 1559

☐ Latin 3

Year

<figure><img src="image_33.png" /></figure>

Show top 50

☐ 1680 54

☐ 1685 52

☐ 1690 56

☐ 1695 54

☐ 1700 52

Sort by

Title

Filter by

<figure><img src="image_34.png" /></figure>

Title

<figure><img src="image_35.png" /></figure>

<figure><img src="image_36.png" /></figure>

Filter

<figure><img src="image_37.png" /></figure>

Found 1562 items

'Tis money makes a man: or, The good-fellows folly. Here in this song good fellow that mayst find, how money makes a man, if thou'rt not blind? Therefore return e're that it be too late, and don't on strumpets spend thy whole estate, for when all is gone, no better thou wilt be: but laught to scorn in all thy poverty. To a pleasant new tune: Bonny black Bess: or, Digby. / By J. Wade.
Wade, John, fl. 1660-1680.
1674-1679?

<figure><img src="image_38.png" /></figure>

DOWNLOAD

[...] or, A brief relation of an theisticall creature, living at Lambert, which is of a strange opinion that his sins are too big for him to goe to heaven, and too little for him to goe to hell, he thinks he shall dye a Pharisie: further he desired to have a commission to burne every new married couple in the buttock. [sic] but paying him forty shillings they should escape unburned. To the tune of, Jesper Cunningham, or Brave Lord Willoby.
1649

<figure><img src="image_39.png" /></figure>

DOWNLOAD

[A congratulatory] poem on occasion of His Highness the Prince of Orange his marriage.
1678

<figure><img src="image_40.png" /></figure>

DOWNLOAD
<figure><img src="image_40.png" /></figure>

<figure><img src="image_41.png" /></figure>

<figure><img src="image_42.png" /></figure>

<figure><img src="image_43.png" /></figure>

DiScholEd - Éditions scientifiques numériques

<figure><img src="image_44.png" /></figure>

<figure><img src="image_45.png" /></figure>

<figure><img src="image_46.png" /></figure>

<figure><img src="image_47.png" /></figure>

<figure><img src="image_48.png" /></figure>

<figure><img src="image_49.png" /></figure>

EUROPEAN HOLOCAUST
RESEARCH INFRASTRUCTURE

<figure><img src="image_50.png" /></figure>

Trier par
Titre

Filtrer selon
- Titre

Q Filter

<figure><img src="image_51.png" /></figure>

Correspondance de Constance de Salm (1767-1845)

Ce dossier contient l'édition numérique de lettres de Constance de Salm, ainsi que l'inventaire et les index de sa correspondance.

<figure><img src="image_52.png" /></figure>

Journal des guerres napoléoniennes

Ce dossier contient le corpus d'un journal de guerre tenu pendant les guerres napoléoniennes.

<figure><img src="image_53.png" /></figure>

Lettres et textes: Le Berlin intellectuel des années 1800

Ce dossier contient le corpus et les index des lettres et textes des intellectuels berlinois de 1800 à 1830.

<figure><img src="image_54.png" /></figure>

August Boeckh - Catalogue de ses manuscrits

Ce dossier contient le catalogue des manuscrits et papiers de Boeckh.
<figure><img src="image_41.png" /></figure>

<figure><img src="image_42.png" /></figure>

<figure><img src="image_43.png" /></figure>

<figure><img src="image_44.png" /></figure>

DiScholEd - Éditions scientifiques numériques

<figure><img src="image_45.png" /></figure>

<figure><img src="image_46.png" /></figure>

<figure><img src="image_47.png" /></figure>

<figure><img src="image_48.png" /></figure>

<figure><img src="image_49.png" /></figure>

<figure><img src="image_50.png" /></figure>

EUROPEAN HOLOCAUST
RESEARCH INFRASTRUCTURE

<figure><img src="image_51.png" /></figure>

Trier par
Titre

Filtrer selon
- Titre

Q Filter

<figure><img src="image_52.png" /></figure>

Correspondance de Constance de Salm (1767-1845)

Ce dossier contient l'édition numérique de lettres de Constance de Salm, ainsi que l'inventaire et les index de sa correspondance.

<figure><img src="image_53.png" /></figure>

Journal des guerres napoléoniennes

Ce dossier contient le corpus d'un journal de guerre tenu pendant les guerres napoléoniennes.

<figure><img src="image_54.png" /></figure>

Lettres et textes: Le Berlin intellectuel des années 1800

Ce dossier contient le corpus et les index des lettres et textes des intellectuels berlinois de 1800 à 1830.

<figure><img src="image_55.png" /></figure>

August Boeckh - Catalogue de ses manuscrits

Ce dossier contient le catalogue des manuscrits et papiers de Boeckh.
This demo edition was made with >

# Vincent van Gogh - The Letters

data kindly provided by

Van Gogh Museum & Huygens-ING, Amsterdam

Version: July 2018

## Letters

928 Letters

Explore Letters

## Persons

1782 Persons

Explore by Persons
This demo edition was made with >

# Vincent van Gogh - The Letters

data kindly provided by

Van Gogh Museum & Huygens-ING, Amsterdam

Version: July 2018

## Letters

928 Letters

Explore Letters

## Persons

1782 Persons

Explore by Persons
<figure><img src="image_55.png" /></figure>

<figure><img src="image_56.png" /></figure>

Reisetagebücher

1794

1814

1825

1825-1827

1845

1846

1851

<figure><img src="image_57.png" /></figure>

<figure><img src="image_58.png" /></figure>
<figure><img src="image_56.png" /></figure>

<figure><img src="image_57.png" /></figure>

Reisetagebücher

1794

1814

1825

1825-1827

1845

1846

1851

<figure><img src="image_58.png" /></figure>

<figure><img src="image_59.png" /></figure>
<figure><img src="image_59.png" /></figure>

↑ ALLER AU PARENT

Letter number 1 from Paul d'Estournelles de Constant to Nicholas Murray Butler (August 15, 1914)

Lettre n°1 de Paul d'Estournelles de Constant à Nicholas Murray Butler (15 août 1914)

Écrite à Clermont-Créans.

Status: Annotation in progress

Letter number 102 from Paul d'Estournelles de Constant to Nicholas Murray Butler (November 16, 1915)

Lettre n°102 de Paul d'Estournelles de Constant à Nicholas Murray Butler (16 novembre 1915)

Écrite à Paris.

Status: Annotation in progress

Letter number 103 from Paul d'Estournelles de Constant to Nicholas Murray Butler (November 14, 1915)

Lettre n°103 de Paul d'Estournelles de Constant à Nicholas Murray Butler (14 novembre 1915)

Écrite à Paris.

Status: Annotation in progress

List of the files in the collection and a timeline, added with the pb-timeline web component (Source: DiScholEd, credit: Samuel Scalbert)
<figure><img src="image_60.png" /></figure>

↑ ALLER AU PARENT

Letter number 1 from Paul d'Estournelles de Constant to Nicholas Murray Butler (August 15, 1914)

Lettre n°1 de Paul d'Estournelles de Constant à Nicholas Murray Butler (15 août 1914)

Écrite à Clermont-Créans.

Status: Annotation in progress

Letter number 102 from Paul d'Estournelles de Constant to Nicholas Murray Butler (November 16, 1915)

Lettre n°102 de Paul d'Estournelles de Constant à Nicholas Murray Butler (16 novembre 1915)

Écrite à Paris.

Status: Annotation in progress

Letter number 103 from Paul d'Estournelles de Constant to Nicholas Murray Butler (November 14, 1915)

Lettre n°103 de Paul d'Estournelles de Constant à Nicholas Murray Butler (14 novembre 1915)

Écrite à Paris.

Status: Annotation in progress

List of the files in the collection and a timeline, added with the pb-timeline web component (Source: DiScholEd, credit: Samuel Scalbert)
ADMIRABLE HISTORIA

de don Cárlos y Lucinda, naturales de Valencia, y como á un hijo
que tuvieron llamado Julian, le habló un Ciervo saliendo á caza.
Declarase lo que le dijo, y lo que despues sucedió á Julian.

PRIMERA PARTE.

Suene el clarín de la fama
con sus sonoros acentos,
y por la region del aire
esparza sus dulces écos:
oiga todo enamorado,
atienda todo discreto,
todo galán presto oidos,
todo jóvenes esté atento,
los que de finos se precian,
de amantes y caballeros,
pues todos en esta historia
bien pueden tomar ejemplo.
En la ciudad de Valencia,
córte y emporio del reino
Valenciano, donde habitan
tantas envidías de Venus,
pues las damas que produce
son de aquel cupidó ciégo
flechas doradas y aljaba,
con que logra sus trofeos:
En esta bella ciudad,
de Chipre, jardín ameno,
un caballero vivía
do los nobles de aquel reino:

<figure><img src="image_60.png" /></figure>

<figure><img src="image_61.png" /></figure>

<figure><img src="image_62.png" /></figure>
ADMIRABLE HISTORIA

de don Cárlos y Lucinda, naturales de Valencia, y como á un hijo
que tuvieron llamado Julian, le habló un Ciervo saliendo á caza.

Declarase lo que le dijo, y lo que despues sucedió á Julian.

PRIMERA PARTE.

Suene el clarín de la fama
con sus sonoros acentos,
y por la region del aire
esparza sus dulces écos:
oiga todo enamorado,
atienda todo discreto,
todo galán presto oidos,
todo jóvenes esté atento,
los que de finos se precian,
de amantes y caballeros,
pues todos en esta historia
bien pueden tomar ejemplo.
En la ciudad de Valencia,
córte y emporio del reino
Valenciano, donde habitan
tantas envidías de Venus,
pues las damas que produce
son de aquel cupidó ciégo
flechas doradas y aljaba,
con que logra sus trofeos:
En esta bella ciudad,
de Chipre, jardín ameno,
un caballero vivía
do los nobles de aquel reino:

Classic display of the document (Source: Desenrollando el cordel)

<figure><img src="image_61.png" /></figure>

<figure><img src="image_62.png" /></figure>

<figure><img src="image_63.png" /></figure>
<figure><img src="image_63.png" /></figure>

[A warning for all wicked livers] By the example of Richard Whitfield, and M. Gibs who were two notorious offenders, and both of one company, which two men made a daily practise, and got their livings by robbing and stealing both on the high-ways, and in any other places where they came, but were at last taken, apprehended and condemned to dye for robbing of a coach, & murdering of a captains man at Shooters-Hil, in Kent, some five or six miles from London, and for that offence and others, Gibs was preft to death at Maidstone in Kent, and Whitfield was hanged in chains on Shooters-Hil, where he did the bloody deed, the 27th. of March, 1655. The manner how shall be exactly related in this Ditty. The tune is, Ned Smith.

## A Warning for all [?] <...>

By the example of *Richard Whitfield*, and M. *Gibs* who were two notorious offenders, and both of one company, which two men made a daily practise, and got their livings by robbing and ftealing both on the High-ways, and in any other places where they came, but were at laft taken, apprehended and condemned to dye for robing of a Coach, & murdering of a Captains man at Shooters-Hil, in Kent, fome five or ſin miles from London, and for that offence and others, *Gibs* was preft to death at Maidſtone in Kent, and *Whitfield* was hanged in chains on Shooters-Hil, where he did the bloody deed, the 27th. of March, 1655. The manner how ſhall be exactly related in this Ditty.

The Tune is, Ned Smith.

OF two notorious Théeves,
my purpofe is to tell,
Which near fair London Town
long time did live and dwell.
One of their names was Gibs,
a Villain vile and bafe
The other *Dick Whitfield* call'd,
who ran a wicked race,
To rob to theeve and ſteal,
theſe couple gave their mind,
And unto murder men,
they daily were inclin'd,
So ſtour and bold they were
that they durſt fight with ten,
And rob them on the way
though they were luſty men,

Example of the display of a text only (Source: Early English Books Online)
<figure><img src="image_64.png" /></figure>

[A warning for all wicked livers] By the example of Richard Whitfield, and M. Gibs who were two notorious offenders, and both of one company, which two men made a daily practise, and got their livings by robbing and stealing both on the high-ways, and in any other places where they came, but were at last taken, apprehended and condemned to dye for robbing of a coach, & murdering of a captains man at Shooters-Hil, in Kent, some five or six miles from London, and for that offence and others, Gibs was preft to death at Maidstone in Kent, and Whitfield was hanged in chains on Shooters-Hil, where he did the bloody deed, the 27th. of March, 1655. The manner how shall be exactly related in this Ditty. The tune is, Ned Smith.

## A Warning for all [?] <...>

By the example of *Richard Whitfield*, and M. *Gibs* who were two notorious offenders, and both of one company, which two men made a daily practise, and got their livings by robbing and ftealing both on the High-ways, and in any other places where they came, but were at laft taken, apprehended and condemned to dye for robing of a Coach, & murdering of a Captains man at Shooters-Hil, in Kent, fome five or fin miles from London, and for that offence and others, *Gibs* was preft to death at Maidftone in Kent, and *Whitfield* was hanged in chains on Shooters-Hil, where he did the bloody deed, the 27th. of March, 1655. The manner how fhall be exactly related in this Ditty.

The Tune is, Ned Smith.

OF two notorious Théeves,
my purpofe is to tell,
Which near fair London Town
long time did live and dwell.
One of their names was Gibs,
a Villain vile and bafe
The other *Dick Whitfield* call'd,
who ran a wicked race,
To rob to theeve and fteal,
theſe couple gave their mind,
And unto murder men,
they daily were inclin'd,
So ftour and bold they were
that they durſt fight with ten,
And rob them on the way
though they were luſty men,

Example of the display of a text only (Source: Early English Books Online)
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NACHWEISE

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EXORZISMUS — DÄMONENAUSTREIBUNG IM PRIESTERBUCH

## SÉLESTAT, BIBLIOTHÈQUE HUMANISTE, 132, FF. 53v-54r

Ein Exorzismus ist ein riorualierter Handlungsablauf, der darauf ausgelegt ist, alles Schleche aus Gegensätzen oder Personen auszutreiben. Sie können als akute Behandlung oder als präventive Vorsorge eingesetzt werden.

Exorzismen sind für das frühe Mittelalter breit belegt. Man findet sie zum Beispiel in Handbüchern für Priester und häufig überliefern Mitakelsammlungen von Heiligen sogar ausführliche Berichte über den Ablauf von Dämonenaustreibungen. Da Pilger erhebliche finanzielle Mittel mit sich brachten, standen im Mittelalter verschiedenen Wallfahrtsorten geradezu im Wertsreit miteinander. Mithilfe von Erzählungen über spektakuläre Exorzismen konnten die Geistlichen „ihre“ Heiligen besonders gut in Szene setzen und so die Aufmerksamkeit der Gläubigen gewinnen.

Für einen erfolgreichen Exorzismus war es wichtig, die passende Formel zu kennen. Auch Durchführungszeit und -ort sowie die Kleidung des Priesters mussen entsprechend gewählt werden. Häufig wurden Exorzismen während der Messe direkt am Altar durchgeführt, da in der Nähe der Reliquie die beste „Verbindung“ zu Gott besandt. Die Exorzisten trugen häufig eine Albe (Taufgewand), die für die Wiedergeburt des Besessenen im Rahmen des Exorzismus' stand, sowie eine Stola. Zudem sollten sie fasten, um in der besten körperlichen und geistigen Verfassung zu sein. Man ging nämlich davon aus, dass ein Dämon den Priester angreifen konnte. Exorzismen konnten auch fehlschlagen und mussen dann wiederholt werden.

Ein Beispiel für so einen Exorzismus ist in dem nebenstehenden Priesterbuch (Sélestat, Bibliothèque Humaniste, Cod. 132, ff. 53v-54r) zu finden. Priesterbücher enthielten die wichtigsten Kenntnisse für einen praktizierenden Priester. Ihr Inhalt wurde durch bischöfliche Listen vorgegeben und dann durch den jeweiligen Priester weiter für seine konkreten Alltagsanforderungen ergänzt.

Der hier transkribierte Exorzismus wurde nachträglich auf eine freie Stelle geschrieben, die beim Zusammenfügen des Buches aus verschiedenen kürzeren Handschriften entstanden ist. Diese wurden zuvor einzeln bzw. lose benuzi, was man an den Verfärbungen der Seiten durch vielfache Nutzung, auch ohne Buchdeckel sehen kann. Vor dem Exorzismus hat ein Schreiber fünf Namen in das Buch gekritzelt: Gunteri, Adalart, Folcolt, Vvillibolt

<figure><img src="image_73.png" /></figure>

<figure><img src="image_74.png" /></figure>

Bilder erhalten über Bibliothèque Humaniste Sélestat, Universitätsbibliothek Basel und Stadtbibliothek Trier
<figure><img src="image_65.png" /></figure>

<figure><img src="image_66.png" /></figure>

<figure><img src="image_67.png" /></figure>

<figure><img src="image_68.png" /></figure>

NACHWEISE

<figure><img src="image_69.png" /></figure>

<figure><img src="image_70.png" /></figure>

<figure><img src="image_71.png" /></figure>

<figure><img src="image_72.png" /></figure>

<figure><img src="image_73.png" /></figure>

EXORZISMUS — DÄMONENAUSTREIBUNG IM PRIESTERBUCH

## SÉLESTAT, BIBLIOTHÈQUE HUMANISTE, 132, FF. 53v-54r

Ein Exorzismus ist ein riorualierter Handlungsablauf, der darauf ausgelegt ist, alles Schleche aus Gegensätzen oder Personen auszutreiben. Sie können als akute Behandlung oder als präventive Vorsorge eingesetzt werden.

Exorzismen sind für das frühe Mittelalter breit belegt. Man findet sie zum Beispiel in Handbüchern für Priester und häufig überliefern Mitakelsammlungen von Heiligen sogar ausführliche Berichte über den Ablauf von Dämonenaustreibungen. Da Pilger erhebliche finanzielle Mittel mit sich brachten, standen im Mittelalter verschiedenen Wallfahrtsorten geradezu im Wertsreit miteinander. Mithilfe von Erzählungen über spektakuläre Exorzismen konnten die Geistlichen „ihre“ Heiligen besonders gut in Szene setzen und so die Aufmerksamkeit der Gläubigen gewinnen.

Für einen erfolgreichen Exorzismus war es wichtig, die passende Formel zu kennen. Auch Durchführungszeit und -ort sowie die Kleidung des Priesters mussen entsprechend gewählt werden. Häufig wurden Exorzismen während der Messe direkt am Altar durchgeführt, da in der Nähe der Reliquie die beste „Verbindung“ zu Gott besandt. Die Exorzisten trugen häufig eine Albe (Taufgewand), die für die Wiedergebure des Besessenen im Rahmen des Exorzismus' stand, sowie eine Stola. Zudem sollten sie fasten, um in der besten körperlichen und geistigen Verfassung zu sein. Man ging nämlich davon aus, dass ein Dämon den Priester angreifen konnte. Exorzismen konnten auch fehlschlagen und mussen dann wiederholt werden.

Ein Beispiel für so einen Exorzismus ist in dem nebenstehenden Priesterbuch (Sélestat, Bibliothèque Humaniste, Cod. 132, ff. 53v-54r) zu finden. Priesterbücher enthielten die wichtigsten Kenntnisse für einen praktizierenden Priester. Ihr Inhalt wurde durch bischöfliche Listen vorgegeben und dann durch den jeweiligen Priester weiter für seine konkreten Alltagsanforderungen ergänzt.

Der hier transkribierte Exorzismus wurde nachträglich auf eine freie Stelle geschrieben, die beim Zusammenfügen des Buches aus verschiedenen kürzeren Handschriften entstanden ist. Diese wurden zuvor einzeln bzw. lose benuzi, was man an den Verfärbungen der Seiten durch vielfache Nutzung, auch ohne Buchdeckel sehen kann. Vor dem Exorzismus hat ein Schreiber fünf Namen in das Buch gekritzelt: Gunteri, Adalart, Folcolt, Vvillibolt

<figure><img src="image_74.png" /></figure>

<figure><img src="image_75.png" /></figure>

Bilder erhalten über Bibliothèque Humaniste Sélestat, Universitätsbibliothek Basel und Stadtbibliothek Trier
<figure><img src="image_75.png" /></figure>

VATICAN, BAV, VAT. LAT. 642, F. 98v

The transcription is displayed with the abbreviations inact, just as in the facsimile. Hovering over abbreviated words will result in a pop-up with the proper expansion. Also, when selecting the 'translation view', hovering over a word will highlight its corresponding translation in either English or Latin.

<table><tr><td>[[ ]]<sup>1</sup></td><td>[[ ]]</td><td>FEBROARIVS.</td></tr><tr><td>I. II. III.</td><td>AQVARIVS.</td><td>PISCES.</td></tr><tr><td>III. V.</td><td>PISCES.</td><td>ARIES.</td></tr><tr><td>VI. VII. VIII.</td><td>ARIES.</td><td>TAVRVS.</td></tr><tr><td>VIII. X.</td><td>TAVRVS.</td><td>GEMINI.</td></tr><tr><td>XI. XII. XIII.</td><td>GEMINI.</td><td>CANCER.</td></tr><tr><td>XIII. XV.</td><td>CANCER.</td><td>LEO.</td></tr><tr><td>XVI. XVII. XVIII.</td><td>LEO.</td><td>VIRGO.</td></tr><tr><td>XIX. XX.</td><td>VIRGO.</td><td>LIBRA.</td></tr><tr><td>XXI. XXII. XXIII.</td><td>LIBRA.</td><td>SCORPIVS.</td></tr><tr><td>XXIII. XXV.</td><td>SCORPIVS.</td><td>SAGITTARIVS.</td></tr><tr><td>XXVI. XXVII. XXVIII.</td><td>SAGITTARIVS.</td><td>CAPRICORNVS.</td></tr><tr><td>XXVIII. XXX.</td><td>CAPRICORNVS.</td><td>ARIES.</td></tr><tr><td>De sono parieta dom.</td><td>Gaudiu et leticia.</td><td>Malu de potestate.</td></tr><tr><td>Quando tinnitur aures.</td><td>Venit bona res aliqua.</td><td>Angustia.</td></tr><tr><td>De uoce corui.</td><td>Nouellas audierit.</td><td>It designat.</td></tr><tr><td>De uoce galli.</td><td>Portatione uasis domo ad dom</td><td>Augmentu honoris.</td></tr><tr><td>De motu oculi.</td><td>Lis uenerit ad pugna.</td><td>Bonu inuenerit.</td></tr><tr><td>De sonitu ignis.</td><td>Necatione amici et casum.</td><td>Hospes uenerit.</td></tr><tr><td>De ululatione canis.</td><td>Litem.</td><td>Paure de fure.</td></tr><tr><td>De uoce soricus.</td><td>Non bene exerit.</td><td>Inuenerit quod amat.</td></tr><tr><td>De incensione uestimt.</td><td>Neq bonu neq malum.</td><td>Leticia.</td></tr><tr><td>De tre motu.</td><td>Consumation et sang effusion ip.</td><td>Neq bonu neq malu.</td></tr></table>

<table><caption>Interactive layout (Source: The Solomon Project)</caption><thead><tr><th>Translation</th><th>Facsimile</th><th>Notes</th></tr></thead><tbody><tr><td>I. II. III.</td><td>AQARIUS</td><td>PISCES.</td></tr><tr><td>III. V.</td><td>PISCES</td><td>ARIES.</td></tr><tr><td>VI. VII. VIII.</td><td>ARIES</td><td>TAURUS.</td></tr><tr><td>VIII. X.</td><td>TAURUS</td><td>GEMINI.</td></tr><tr><td>XI. XII. XIII.</td><td>GEMINI</td><td>CANCER.</td></tr><tr><td>XIII. XV.</td><td>CANCER</td><td>LEO.</td></tr><tr><td>XVI. XVII. XVIII.</td><td>LEO</td><td>VIRGO.</td></tr><tr><td>XIX. XX.</td><td>VIRGO</td><td>LIBRA.</td></tr><tr><td>XXI. XXII. XXIII.</td><td>LIBRA</td><td>SCORPIO.</td></tr><tr><td>XXIII. XXV.</td><td>SCORPIO</td><td>SAGITTARIUS</td></tr><tr><td>XXVI. XXVII. XXVIII.</td><td>SAGITTARIUS</td><td>CAPRICORN.</td></tr><tr><td>XXVIII. XXX.</td><td>CAPRICORN</td><td>AQARIUS.</td></tr><tr><td>When the walls of a house creak.</td><td>ARIES</td><td>TAURUS.</td></tr><tr><td>When one's ears ring.</td><td>Joy and delight.</td><td>Something bad concerning power.</td></tr><tr><td>When a raven croaks.</td><td>Something good arrives.</td><td>Anguish.</td></tr><tr><td>When a cock crows.</td><td>News will be heard.</td><td>This means the same.</td></tr><tr><td>When one's eye twitches.</td><td>Carrying vessels from house to house.</td><td>Increase of honour.</td></tr><tr><td>When the fire makes a sound.</td><td>Dispute will become a fight.</td><td>Something good will be found.</td></tr><tr><td>When a dog howls.</td><td>The killing and fall of a friend.</td><td>A guest will arrive.</td></tr><tr><td>When a mouse squeaks.</td><td>Dispute.</td><td>Fear of theft.</td></tr><tr><td>When one's clothes burn.</td><td>It will not end well.</td><td>S/he will find what s/he loves.</td></tr><tr><td>When the earth moves.</td><td>Neither good nor bad.</td><td>Happiness.</td></tr><tr><td>When a cat screeches.</td><td>Destruction and bloodshed in the province.</td><td>Neither good nor bad.</td></tr><tr><td>When a men sem in emitted.</td><td>They will fear fire.</td><td>Relief will be found.</td></tr><tr><td>When a bird falls on the road next to you.</td><td>Illness.</td><td>A good increase.</td></tr><tr><td>When one encounters a wild animal.</td><td>Fear of theft.</td><td>An attack on the kingdom.</td></tr><tr><td>When a candle extinguishes suddenly.</td><td>A patriarch will die.</td><td>A good imitation.</td></tr><tr><td></td><td>A house will be acquired.</td><td>A patriarch will die.</td></tr></tbody></table>
<figure><img src="image_76.png" /></figure>

VATICAN, BAV, VAT. LAT. 642, F. 98v

The transcription is displayed with the abbreviations inact, just as in the facsimile. Hovering over abbreviated words will result in a pop-up with the proper expansion. Also, when selecting the 'translation view', hovering over a word will highlight its corresponding translation in either English or Latin.

<table><tr><td>[[ ]]<sup>1</sup></td><td>[[ ]]</td><td>FEBROARIVS.</td></tr><tr><td>I. II. III.</td><td>AQVARIVS.</td><td>PISCES.</td></tr><tr><td>III. V.</td><td>PISCES.</td><td>ARIES.</td></tr><tr><td>VI. VII. VIII.</td><td>ARIES.</td><td>TAVRVS.</td></tr><tr><td>VIII. X.</td><td>TAVRVS.</td><td>GEMINI.</td></tr><tr><td>XI. XII. XIII.</td><td>GEMINI.</td><td>CANCER.</td></tr><tr><td>XIII. XV.</td><td>CANCER.</td><td>LEO.</td></tr><tr><td>XVI. XVII. XVIII.</td><td>LEO.</td><td>VIRGO.</td></tr><tr><td>XIX. XX.</td><td>VIRGO.</td><td>LIBRA.</td></tr><tr><td>XXI. XXII. XXIII.</td><td>LIBRA.</td><td>SCORPIVS.</td></tr><tr><td>XXIII. XXV.</td><td>SCORPIVS.</td><td>SAGITTARIVS.</td></tr><tr><td>XXVI. XXVII. XXVIII.</td><td>SAGITTARIVS.</td><td>CAPRICORNVS.</td></tr><tr><td>XXVIII. XXX.</td><td>CAPRICORNVS.</td><td>ARIES.</td></tr><tr><td>De sono pariety dom.</td><td>Gaudiu et leticia.</td><td>Malu de potestate.</td></tr><tr><td>Quando tinnitur aures.</td><td>Venit bona res aliqua.</td><td>Angustia.</td></tr><tr><td>De uoce corui.</td><td>Nouellas audierit.</td><td>It designat.</td></tr><tr><td>De uoce galli.</td><td>Portatione uasis domo ad dom</td><td>Augmentu honoris.</td></tr><tr><td>De motu oculi.</td><td>Lis uenerit ad pugna.</td><td>Bonu inuenerit.</td></tr><tr><td>De sonitu ignis.</td><td>Necatione amici et casum.</td><td>Hospes uenerit.</td></tr><tr><td>De ululatione canis.</td><td>Litem.</td><td>Paure de fure.</td></tr><tr><td>De uoce soricus.</td><td>Non bene exerit.</td><td>Inuenerit quod amat.</td></tr><tr><td>De incensione uestimt.</td><td>Neq bonu neq malum.</td><td>Leticia.</td></tr><tr><td>De tre motu.</td><td>Consumation et sang effusion ip.</td><td>Neq bonu neq malu.</td></tr></table>

<table><caption>Interactive layout (Source: The Solomon Project)</caption><thead><tr><th>Translation</th><th>Facsimile</th><th>Notes</th></tr></thead><tbody><tr><td>I. II. III.</td><td>AQARIUS</td><td>PISCES.</td></tr><tr><td>III. V.</td><td>PISCES</td><td>ARIES.</td></tr><tr><td>VI. VII. VIII.</td><td>ARIES</td><td>TAURUS.</td></tr><tr><td>VIII. X.</td><td>TAURUS</td><td>GEMINI.</td></tr><tr><td>XI. XII. XIII.</td><td>GEMINI</td><td>CANCER.</td></tr><tr><td>XIII. XV.</td><td>CANCER</td><td>LEO.</td></tr><tr><td>XVI. XVII. XVIII.</td><td>LEO</td><td>VIRGO.</td></tr><tr><td>XIX. XX.</td><td>VIRGO</td><td>LIBRA.</td></tr><tr><td>XXI. XXII. XXIII.</td><td>LIBRA</td><td>SCORPIO</td></tr><tr><td>XXIII. XXV.</td><td>SCORPIO</td><td>SAGITTARIUS</td></tr><tr><td>XXVI. XXVII. XXVIII.</td><td>SAGITTARIUS</td><td>CAPRICORN.</td></tr><tr><td>XXVIII. XXX.</td><td>CAPRICORN</td><td>AQARIUS.</td></tr><tr><td>When the walls of a house creak.</td><td>ARIES</td><td>TAURUS.</td></tr><tr><td>When one's ears ring.</td><td>Joy and delight.</td><td>Something bad concerning power.</td></tr><tr><td>When a raven croaks.</td><td>Something good arrives.</td><td>Anguish.</td></tr><tr><td>When a cock crows.</td><td>News will be heard.</td><td>This means the same.</td></tr><tr><td>When one's eye twitches.</td><td>Carrying vessels from house to house.</td><td>Increase of honour.</td></tr><tr><td>When the fire makes a sound.</td><td>Dispute will become a fight.</td><td>Something good will be found.</td></tr><tr><td>When a dog howls.</td><td>The killing and fall of a friend.</td><td>A guest will arrive.</td></tr><tr><td>When a mouse squeaks.</td><td>Dispute.</td><td>Fear of theft.</td></tr><tr><td>When one's clothes burn.</td><td>It will not end well.</td><td>S/he will find what s/he loves.</td></tr><tr><td>When the earth moves.</td><td>Neither good nor bad.</td><td>Happiness.</td></tr><tr><td>When a cat screeches.</td><td>Destruction and bloodshed in the province.</td><td>Neither good nor bad.</td></tr><tr><td>When a men sem in emitted.</td><td>They will fear fire.</td><td>Relief will be found.</td></tr><tr><td>When a bird falls on the road next to you.</td><td>Illness.</td><td>A good increase.</td></tr><tr><td>When one encounters a wild animal.</td><td>Fear of theft.</td><td>An attack on the kingdom.</td></tr><tr><td>When a candle extinguishes suddenly.</td><td>A patriarch will die.</td><td>A good imitation.</td></tr><tr><td></td><td>A house will be acquired.</td><td>A patriarch will die.</td></tr></tbody></table>
Working with TEI Publisher
Working with TEI Publisher
# TEI Publisher: Website vs. Application

## TEI Publisher website

* Browse through the **demo applications** (Van Gogh, Shakespeare, etc.)

* **Playground area** to experiment with the suggested files or your own, test the ODDs and templates

* **Annotation area** to discover the tool

## Your own TEI Publisher application

* **Customize the ODD and templates** as you wish

* Add **documentation** or new pages to your project

* **Export your edition** in PDF of ePub
# TEI Publisher: Website vs. Application

## TEI Publisher website

* Browse through the **demo applications** (Van Gogh, Shakespeare, etc.)

* **Playground area** to experiment with the suggested files or your own, test the ODDs and templates

* **Annotation area** to discover the tool

## Your own TEI Publisher application

* **Customize the ODD and templates** as you wish

* Add **documentation** or new pages to your project

* **Export your edition** in PDF of ePub
# The TEI Processing Model

---

* The **TEI Processing Model** acts as a **stylesheet** for transforming the XML information into an **HTML/CSS display**

<figure><img src="image_76.png" /></figure>

→ Corresponds to the **TEI Publisher ODD**

* Key elements of the TEI Processing Model:

* **Predicate** → Gives the **context** of the element (within the XML tree, its attribute(s), mode, etc.)

* **Behaviour** → Defines the **interpretation** of the element (as a block, inline, etc.)

* **Rendition** → Defines the **CSS style** for the output (alignment, color, size, case, etc.)
# The TEI Processing Model

* The **TEI Processing Model** acts as a **stylesheet** for transforming the XML information into an **HTML/CSS display**

<figure><img src="image_77.png" /></figure>

→ Corresponds to the **TEI Publisher ODD**

* Key elements of the TEI Processing Model:

* **Predicate** → Gives the **context** of the element (within the XML tree, its attribute(s), mode, etc.)

* **Behaviour** → Defines the **interpretation** of the element (as a block, inline, etc.)

* **Rendition** → Defines the **CSS style** for the output (alignment, color, size, case, etc.)
<figure><img src="image_77.png" /></figure>
<figure><img src="image_78.png" /><figcaption>Visual representation of the TEI Processing Model (credit: Floriane Chiffoleau)</figcaption></figure>
<figure><img src="image_78.png" /></figure>

<figure><img src="image_79.png" /></figure>

<figure><img src="image_80.png" /></figure>

<figure><img src="image_81.png" /></figure>

Example of an ODD specification in TEI Publisher (**predicate** – **behaviour** – **rendition**)
<figure><img src="image_79.png" /></figure>

<figure><img src="image_80.png" /></figure>

<figure><img src="image_81.png" /></figure>

<figure><img src="image_82.png" /><figcaption>Example of an ODD specification in TEI Publisher (**predicate** – **behaviour** – **rendition**)</figcaption></figure>
# Managing the Layout with HTML Templates

The **HTML templates** can be:

* **Very simple** → display of the transformed XML only

* More complex → **multiple layout options** of the content (facsimile, transcription, translation, map, etc.)
# Managing the Layout with HTML Templates

The **HTML templates** can be:

* **Very simple** → display of the transformed XML only

* More complex → **multiple layout options** of the content (facsimile, transcription, translation, map, etc.)
# Managing the Layout with HTML Templates

View

Original text

<figure><img src="image_82.png" /></figure>

1r:1

Mon cher Gauguin,
ce matin j'ai reçu votre excellente lettre que j'ai derechef envoyé à mon
frère; ₩ votre conception de l'impressioniste en général, dont votre
portrait ₩ est un symbole, est saisissante. Je suis on ne peut plus
intrigué de voir cela – mais il me semblera j'en suis sûr d'avance que
cette oeuvre soit trop importante pour que j'en veuille en echange.

Mais si vous voulez la garder pour nous, mon frère la vous prendra,
ce que je lui ai immédiatement demandé, si vous voulez à la première
occasion et esperons que cela sera sous bien peu.

Car nous chercherons encore une fois à presser la possibilité de votre
venue.

Je dois vous dire que meme pendant le travail je ne cesse à songer à
cette entreprise de fonder un atelier ayant vous-meme et moi pour
habitants fixes mais dont nous desirerons tous les deux faire un abri et
un asile pour les copains au moments où ils se trouveront acculés dans
leur lutte. Lorsque vous etes parti de Paris ₩ mon frère et moi y avons
encore passé ensemble un temps qui me demeurera toujours

View

Original text + line endings

<figure><img src="image_83.png" /></figure>

1r:1

Mon cher Gauguin,
ce matin j'ai reçu votre excellente lettre
que j'ai derechef envoyé à mon frère; ₩ votre conception
de l'impressioniste en général, dont votre portrait ₩
est un symbole, est saisissante. Je suis on ne peut
plus intrigué de voir cela – mais il me semblera
j'en suis sûr d'avance que cette oeuvre soit trop
importante pour que j'en veuille en echange.

Mais si vous voulez la garder pour nous, mon
frère la vous prendra, ce que je lui ai immédiatement
demandé, si vous voulez à la première occasion
et esperons que cela sera sous bien peu.

Car nous chercherons encore une fois à presser
la possibilité de votre venue.

Je dois vous dire que meme pendant le travail
je ne cesse à songer à cette entreprise de
fonder un atelier ayant vous-meme et moi

Source: Van Gogh Letters application

## MODES

* Different displays
for a single
element

* Created with the **"Predicate"** in the ODD and declared in the HTML
# Managing the Layout with HTML Templates

View
Original text -

1r:1

Mon cher Gauguin,
ce matin j'ai reçu votre excellente lettre que j'ai derechef envoyé à mon
frère; ₩ votre conception de l'impressioniste en général, dont votre
portrait ₩ est un symbole, est saisissante. Je suis on ne peut plus
intrigué de voir cela – mais il me semblera j'en suis sûr d'avance que
cette oeuvre soit trop importante pour que j'en veuille en echange.

Mais si vous voulez la garder pour nous, mon frère la vous prendra,
ce que je lui ai immédiatement demandé, si vous voulez à la première
occasion et esperons que cela sera sous bien peu.

Car nous chercherons encore une fois à presser la possibilité de votre
venue.

Je dois vous dire que meme pendant le travail je ne cesse à songer à
cette entreprise de fonder un atelier ayant vous-meme et moi pour
habitants fixes mais dont nous desirerons tous les deux faire un abri et
un asile pour les copains au moments où ils se trouveront acculés dans
leur lutte. Lorsque vous etes parti de Paris ₩ mon frère et moi y avons
encore passé ensemble un temps qui me demeurera toujours

View
Original text + line endings -

1r:1

Mon cher Gauguin,
ce matin j'ai reçu votre excellente lettre
que j'ai derechef envoyé à mon frère; ₩ votre conception
de l'impressioniste en général, dont votre portrait ₩
est un symbole, est saisissante. Je suis on ne peut
plus intrigué de voir cela – mais il me semblera
j'en suis sûr d'avance que cette oeuvre soit trop
importante pour que j'en veuille en echange.

Mais si vous voulez la garder pour nous, mon
frère la vous prendra, ce que je lui ai immédiatement
demandé, si vous voulez à la première occasion
et esperons que cela sera sous bien peu.

Car nous chercherons encore une fois à presser
la possibilité de votre venue.

Je dois vous dire que meme pendant le travail
je ne cesse à songer à cette entreprise de
fonder un atelier ayant vous-meme et moi

Source: Van Gogh Letters application

## MODES

* Different displays
for a single
element

* Created with the **"Predicate"** in the ODD and declared in the HTML
# Managing the Layout with HTML Templates

Letter number 1 from Paul d'Estournelles de Constant to Nicholas Murray Butler (August 15, 1914)

View

Reading version with critical

Lettre N° 1 (15 Août 1914)

La Démagogie militariste allemande. La mobilisation - La France récolte ce qu'elle a semé. Aux funérailles de Jaurès.

Annexe:

Texte de mon discours aux funérailles de Jaurès.

-----------

Lettre suivante >

<figure><img src="image_84.png" /></figure>

<figure><img src="image_85.png" /></figure>

View

Index

<figure><img src="image_86.png" /></figure>

## Persons

Jaurès, Jean

Born 03 September 1859 in Castres

Died 31 July 1914 in Paris

Nationality: French

Gender: Male

Occupation: politician/writer/journalist

## Education:

* École normale supérieure

* Lycée Louis-le-Grand

## Affiliation:

* Member of the French National Assembly

* President of the Socialist Party

## Main event(s):

* Assassinated by Raoul Villain (1914-07-31)

X

From left to right: transcription, facsimile, index (credit: Floriane Chiffoleau, DiScholEd)

## PANELS

* Display of **multiple content at the same time**

* Shows **several layers of the encoding at once**
# Managing the Layout with HTML Templates

Letter number 1 from Paul d'Estournelles de Constant to Nicholas Murray Butler (August 15, 1914)

View

Reading version with critical

Lettre N° 1 (15 Août 1914)

La Démagogie militariste allemande. La mobilisation - La France récolte ce qu'elle a semé. Aux funérailles de Jaurès.

Annexe:

Texte de mon discours aux funérailles de Jaurès.

-----------

Lettre suivante >

<figure><img src="image_83.png" /></figure>

<figure><img src="image_84.png" /></figure>

View

Index

<figure><img src="image_85.png" /></figure>

Persons

Jaurès, Jean

Born 03 September 1859 in Castres

Died 31 July 1914 in Paris

Nationality: French

Gender: Male

Occupation: politician/writer/journalist

Education:

* École normale supérieure

* Lycée Louis-le-Grand

Affiliation:

* Member of the French National Assembly

* President of the Socialist Party

Main event(s):

* Assassinated by Raoul Villain (1914-07-31)

X

From left to right: transcription, facsimile, index (credit: Floriane Chiffoleau, DiScholEd)

## PANELS

* Display of **multiple content at the same time**

* Shows **several layers of the encoding at once**
# Managing the Layout with HTML Templates

## TOOLBAR

* Gives access to **extra content** (table of contents, metadata, licence, etc.)

* Transformation of the content of the `<teiHeader>`

<figure><img src="image_87.png" /></figure>

<figure><img src="image_88.png" /></figure>

TABLE OF CONTENTS

<figure><img src="image_89.png" /></figure>

METADATA

<figure><img src="image_90.png" /></figure>

DISPLAY

<figure><img src="image_91.png" /></figure>

CITATION

<figure><img src="image_92.png" /></figure>

LICENCE

<figure><img src="image_93.png" /></figure>

<figure><img src="image_94.png" /></figure>

NEXT PAGE
# Managing the Layout with HTML Templates

## TOOLBAR

* Gives access to **extra content** (table of contents, metadata, licence, etc.)

* Transformation of the content of the `<teiHeader>`

<figure><img src="image_86.png" /></figure>

<figure><img src="image_87.png" /></figure>

TABLE OF CONTENTS

<figure><img src="image_88.png" /></figure>

METADATA

<figure><img src="image_89.png" /></figure>

DISPLAY

<figure><img src="image_90.png" /></figure>

CITATION

<figure><img src="image_91.png" /></figure>

LICENCE

<figure><img src="image_92.png" /></figure>

<figure><img src="image_93.png" /></figure>

NEXT PAGE
# Structure of a TEI Publisher Application

<figure><img src="image_95.png" /></figure>

<figure><img src="image_96.png" /></figure>

* All uploaded **XML files**, organized in **collections**
# Structure of a TEI Publisher Application

<figure><img src="image_94.png" /></figure>

<figure><img src="image_95.png" /></figure>

* All uploaded **XML files**, organized in **collections**
# Structure of a TEI Publisher Application

<figure><img src="image_97.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files
# Structure of a TEI Publisher Application

<figure><img src="image_96.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files
# Structure of a TEI Publisher Application

<figure><img src="image_98.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)
# Structure of a TEI Publisher Application

<figure><img src="image_97.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)
# Structure of a TEI Publisher Application

<figure><img src="image_99.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates
# Structure of a TEI Publisher Application

<figure><img src="image_98.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates
<figure><img src="image_100.png" /></figure>

## templates

<figure><img src="image_101.png" /></figure>

<figure><img src="image_102.png" /></figure>

### pages

<figure><img src="image_103.png" /></figure>

api.html

documents.html

drawer.html

error-page.html

index.html

menu-drawer.html

menu.html

odd-editor.html

print-preview.html

search.html

AACR

HTML templates included in a
basic TEI Publisher application

<figure><img src="image_104.png" /></figure>

## templates

<figure><img src="image_105.png" /></figure>

### about

<figure><img src="image_106.png" /></figure>

### history

<figure><img src="image_107.png" /></figure>

### pages

<figure><img src="image_108.png" /></figure>

about.html

api.html

documents.html

drawer.html

error-page.html

index_bi.html

index_cds.html

index_ehri.html

index_nachlassprojekt.html

index pec.html

index.html

menu_nodownload.html

menu.html

odd-editor.html

search.html

AACR

AACR

HTML templates in the DiScholEd app

(credit: Floriane Chiffoleau)
<figure><img src="image_99.png" /></figure>

## templates

<figure><img src="image_100.png" /></figure>

<figure><img src="image_101.png" /></figure>

### pages

<figure><img src="image_102.png" /></figure>

api.html

documents.html

drawer.html

error-page.html

index.html

menu-drawer.html

menu.html

odd-editor.html

print-preview.html

search.html

AACR

HTML templates included in a
basic TEI Publisher application

<figure><img src="image_103.png" /></figure>

## templates

<figure><img src="image_104.png" /></figure>

about

<figure><img src="image_105.png" /></figure>

history

<figure><img src="image_106.png" /></figure>

### pages

<figure><img src="image_107.png" /></figure>

about.html

api.html

documents.html

drawer.html

error-page.html

index_bi.html

index_cds.html

index_ehri.html

index_nachlassprojekt.html

index pec.html

index.html

menu_nodownload.html

menu.html

odd-editor.html

search.html

AACR

AACR

## HTML templates in the DiScholEd app

(credit: Floriane Chiffoleau)
# Structure of a TEI Publisher Application

<figure><img src="image_109.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* **Transformation files** → modified automatically with the ODD
# Structure of a TEI Publisher Application

<figure><img src="image_108.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* **Transformation files** → modified automatically with the ODD
# Structure of a TEI Publisher Application

<figure><img src="image_110.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* Transformation files → modified automatically with the ODD

* Facets management
# Structure of a TEI Publisher Application

<figure><img src="image_109.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* Transformation files → modified automatically with the ODD

* Facets management
# Structure of a TEI Publisher Application

<figure><img src="image_111.png" /></figure>

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* Transformation files → modified automatically with the ODD

* Facets management

* All the other files should not be modified
# Structure of a TEI Publisher Application

gitignore

data

modules

resources

templates

transform

build.xml

collection.xconf

controller.xql

expath-pkg.xml

icon.png

index.xql

package.json

post-install.xql

pre-install.xql

<figure><img src="image_110.png" /></figure>

repo.xml

* All uploaded XML files, organized in collections

* App configuration files

* CSS files, TEI Publisher ODD, fonts, app images (facsimiles are hosted on a IIIF server)

* HTML templates

* Transformation files → modified automatically with the ODD

* Facets management

* All the other files should not be modified
Workshop
Workshop
Log in

* Go to the "Try it" section on the TEI Publisher website, you should arrive here

<figure><img src="image_112.png" /></figure>
Log in

* Go to the "Try it" section on the TEI Publisher website, you should arrive here

<figure><img src="image_111.png" /></figure>
Log in

* Go to the "Try it" section on the TEI Publisher website, you should arrive here

* Log in as **tei-demo** (password: **demo**) to have access to the **"Admin"** menu

<figure><img src="image_113.png" /></figure>
Log in

* Go to the "Try it" section on the TEI Publisher website, you should arrive here

* Log in as **tei-demo** (password: **demo**) to have access to the **"Admin"** menu

<figure><img src="image_112.png" /></figure>
Navigating the Demos

* Click on “**TEI Publisher Demo Collection**”

<figure><img src="image_114.png" /></figure>
# Navigating the Demos

* Click on "TEI Publisher Demo Collection"

<figure><img src="image_113.png" /></figure>
# Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

<figure><img src="image_115.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

<figure><img src="image_114.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

<figure><img src="image_116.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

<figure><img src="image_115.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

* Select the demo you want to see

<figure><img src="image_117.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

* Select the demo you want to see

<figure><img src="image_116.png" /></figure>
# Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

* Select the demo you want to see

<figure><img src="image_118.png" /></figure>

## Letter #6 from Robert Graves to William Graves (at Oundle School) November 15, 1957

Dearest Wm: November 15, 1957

Good luck in your interview. If you are wholly at your ease - and why not? - all will go well. But try to raise some sort of enthusiasm for your proposed career: dont-care-ism doesn't go down well.

There's never been so wet a November since - since last time - but we have had about three sunny days, and I even bathed three days ago at Can Floque. The best news is getting 3 bottles of butagaz smuggled from France, which means no more dirty carbon in the kitchen until the supply gives out.

We hope to spend a few days in Austria with Jenny on the way to Jugland, but she is all snarled up with the Bevan libel case (on November 21st) & doesn't answer letters. She was very nice to Lucia and Juan on the way through.

I expect my Goodbye To All That will create a stir again as it did in 1929 when it first came out - Canellun was built on the spoils. The Sunday Express reviewor mumbled could he fly out & interview me! I

## Places

### Austria

Location: 47.516231 14.55007247 516231 14.550072
Austria

### Balearic Islands

Location: 39.534179 2.8577139 534179 2.85771
Balearic Islands, Spain

### Barcelona

Location: 41.385064 2.17340341 385064 2.173403
Barcelona, Catalonia, Spain

### Bell Rock House

Location: 56.450487 -2.88164456 450487 -2.881644
Angus, Scotland, United Kingdom

### Can Floque

<figure><img src="image_119.png" /></figure>
Navigating the Demos

* Click on "TEI Publisher Demo Collection"

* Browse through the demos

* Or do a faceted search

* Select the demo you want to see

<figure><img src="image_117.png" /></figure>

Letter #6 from Robert Graves to William Graves (at Oundle School) November 15, 1957

Dearest Wm: November 15, 1957

Good luck in your interview. If you are wholly at your ease - and why not? - all will go well. But try to raise some sort of enthusiasm for your proposed career: dont-care-ism doesn't go down well.

There's never been so wet a November since - since last time - but we have had about three sunny days, and I even bathed three days ago at Can Floque. The best news is getting 3 bottles of butagaz smuggled from France, which means no more dirty carbon in the kitchen until the supply gives out.

We hope to spend a few days in Austria with Jenny on the way to Jugland, but she is all snarled up with the Bevan libel case (on November 21st) & doesn't answer letters. She was very nice to Lucia and Juan on the way through.

I expect my Goodbye To All That will create a stir again as it did in 1929 when it first came out - Canellun was built on the spoils. The Sunday Express reviewor mumbled could he fly out & interview me!

Places

Austria

Location: 47.516231 14.55007247 516231 14.550072
Austria

Balearic Islands

Location: 39.534179 2.8577139 534179 2.85771
Balearic Islands, Spain

Barcelona

Location: 41.385064 2.17340341 385064 2.173403
Barcelona, Catalonia, Spain

Bell Rock House

Location: 56.450487 -2.88164456 450487 -2.881644
Angus, Scotland, United Kingdom

Can Floque

<figure><img src="image_118.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

<figure><img src="image_120.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

<figure><img src="image_119.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

<figure><img src="image_121.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

<figure><img src="image_120.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an **ODD → TEI Publisher Base**

<figure><img src="image_122.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an **ODD → TEI Publisher Base**

## App Generator

Select ODD

☐ Serafin Letters

☐ DOCX Output Preview

☐ Graves' Letters

☐ ODD_TIMEUS

☐ Dantiscus' Letters

☐ Erasmus Adagia

☐ Potocki Moralia

☐ Deutsches Textarchiv

☐ EBBE

☐ DOCX Import

☐ TEI Publisher Customization for ODD Authoring

☐ Annotations

☐ TEI Publisher Base

☐ Dantiscus' Letters Demo

☐ Bogactwa mowy polskiej

☐ TEI Lex-0

☐ Shakespeare Plays

☐ Lelewel Letters

☐ Van Gogh Letters

☐ JATS

☐ Docbook v5

☐ Sunte Marien Wordegarde

☐ ZGT
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a **URL** for your application →
  https://teipublisher.com/exist/apps/eidaworkshop/index.html

<figure><img src="image_123.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a **URL** for your application →
  https://teipublisher.com/exist/apps/eidaworkshop/index.html

URL to uniquely identify the app

https://teipublisher.com/exist/apps/eidaworkshop/index.html

Short name to be used in URLs and file names

eidaworkshop

Name of subcollection to hold TEI documents

data

Title of the app which will be shown e.g. in the dashboard

EiDA Workshop
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the **name** of your application → eidaworkshop

<figure><img src="image_124.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the **name** of your application → eidaworkshop

<figure><img src="image_121.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the **collection holding the XML files** → **data**

URL to uniquely identify the app

https://teipublisher.com/exist/apps/eidaworkshop/index.html

Short name to be used in URLs and file names

eidaworkshop

Name of subcollection to hold TEI documents

data

Title of the app which will be shown e.g. in the dashboard

EiDA Workshop
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the **collection holding the XML files** → **data**

URL to uniquely identify the app

https://teipublisher.com/exist/apps/eidaworkshop/index.html

Short name to be used in URLs and file names

eidaworkshop

Name of subcollection to hold TEI documents

data

Title of the app which will be shown e.g. in the dashboard

EiDA Workshop
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the **title** of your application → EiDA Workshop

URL to uniquely identify the app

https://teipublisher.com/exist/apps/eidaworkshop/index.html

Short name to be used in URLs and file names

eidaworkshop

Name of subcollection to hold TEI documents

data

Title of the app which will be shown e.g. in the dashboard

EiDA Workshop
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the **title** of your application → EiDA Workshop

URL to uniquely identify the app

https://teipublisher.com/exist/apps/eidaworkshop/index.html

Short name to be used in URLs and file names

eidaworkshop

Name of subcollection to hold TEI documents

data

Title of the app which will be shown e.g. in the dashboard

EiDA Workshop
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* **Keep the prefilled parameters**

Choose the HTML template to be used as default

HTML Template

Default single text layout

<figure><img src="image_125.png" /></figure>

Choose what is shown by default when browsing text: a single page or an entire division. Display by page requires that the TEI is properly marked up with `&lt;tei:pb&gt;` tags.

Default View

By division (chapter/section...)

<figure><img src="image_126.png" /></figure>

Define the smallest block on which a full text index is created. For documents organized into divisions, choosing "Create on division" is usually best. If there are no divisions, choose "Create on text".

Default Full Text Index

Create on division

<figure><img src="image_127.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

Choose the HTML template to be used as default

HTML Template

Default single text layout

<figure><img src="image_122.png" /></figure>

Choose what is shown by default when browsing text: a single page or an entire division. Display by page requires that the TEI is properly marked up with `&lt;tei:pb&gt;` tags.

Default View

By division (chapter/section...)

<figure><img src="image_123.png" /></figure>

Define the smallest block on which a full text index is created. For documents organized into divisions, choosing "Create on division" is usually best. If there are no divisions, choose "Create on text".

Default Full Text Index

Create on division

<figure><img src="image_124.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a **user account** (eida) and **password** (workshop) for your application

<figure><img src="image_128.png" /></figure>

<figure><img src="image_129.png" /></figure>

SAVE/GENERATE
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a **user account** (eida) and **password** (workshop) for your application

<figure><img src="image_125.png" /></figure>

<figure><img src="image_126.png" /></figure>

SAVE/GENERATE
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a user account (eida) and password (workshop) for your application

User account for administrative tasks. The user will be created if it does not yet exist.

The user account who will own the app.

eida

Password for the user owning this app.

●●●●●●●

* Click on "SAVE/GENERATE"

<figure><img src="image_130.png" /></figure>

SAVE/GENERATE
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a user account (eida) and password (workshop) for your application

* Click on "SAVE/GENERATE"

User account for administrative tasks. The user will be created if it does not yet exist.

The user account who will own the app.

eida

Password for the user owning this app.

●●●●●●●

<figure><img src="image_127.png" /></figure>

SAVE/GENERATE
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a user account (eida) and password (workshop) for your application

* Click on "SAVE/GENERATE"

<figure><img src="image_131.png" /></figure>
# Generating a TEI Publisher Application

* Go to the "Admin" menu

* Select "App Generator"

* Select an ODD → TEI Publisher Base

* Create a URL for your application →
https://teipublisher.com/exist/apps/eidaworkshop/index.html

* Enter the name of your application → eidaworkshop

* Enter the name of the collection holding the XML files → data

* Enter the title of your application → EIDA Workshop

* Keep the prefilled parameters

* Determine a user account (eida) and password (workshop) for your application

* Click on "SAVE/GENERATE"

<figure><img src="image_128.png" /></figure>
Managing Files in the Web Interface

<figure><img src="image_132.png" /></figure>
# Managing Files in the Web Interface

<figure><img src="image_129.png" /></figure>
# Filling in the Static Templates: HTML Basics

<figure><img src="image_133.png" /></figure>

Main composition of an HTML file:

* `<head>`

* `<body>`

* `<foot>`

To add your text, position yourself in the `<body>`

WARNING: This is not a static page and serves only as an example
# Filling in the Static Templates: HTML Basics

<figure><img src="image_130.png" /></figure>

Main composition of an HTML file:

* `<head>`

* `<body>`

* `<foot>`

To add your text, position yourself in the `<body>`

WARNING: This is not a static page and serves only as an example
# Filling in the Static Templates: HTML Basics

Adding a **text division** → <div>

Adding a **heading** → <h1> <h2> <h3> <h4> <h5> <h6>

Adding a **paragraph** → <p>

Creating a **list** (with bullet points) → <ul>

Creating an **ordered list** (with numbers or letters) → <ol>

Adding an **item** within a list → <li>

Adding a **link** → <a href="URL" target="_blank">

Opens the link in a new window or tab
# Filling in the Static Templates: HTML Basics

Adding a **text division** → <div>

Adding a **heading** → <h1> <h2> <h3> <h4> <h5> <h6>

Adding a **paragraph** → <p>

Creating a **list** (with bullet points) → <ul>

Creating an **ordered list** (with numbers or letters) → <ol>

Adding an **item** within a list → <li>

Adding a **link** → <a href="URL" target="_blank">

Opens the link in a new window or tab
Online Resources
Online Resources
# On Digital Publishing

Burnard, L. (2014). *What is the Text Encoding Initiative? How to Add Intelligent Markup to Digital Resources*. OpenEdition Press. DOI: 10.4000/books.oep.426.

Chagué, A., & Chiffoleau, F. (March 2021). *An Accessible and Transparent Pipeline for Publishing Historical Egodocuments* [Communication]. What's Past is Prologue, The NewsEye International Conference, online. https://hal.science/hal-03180669.

Driscoll, M., & Pierazzo, E. (Eds.). (2016). *Digital Scholarly Editing: Theories and Practices*. OpenBook Publishers. DOI: 10.11647/OBP.0095.

Pierazzo, E. (2019). What Future for Digital Scholarly Editions? From Haute Couture to Prêt-à-Porter. *International Journal of Digital Humanities, 1*(2), 209-220. DOI: 10.1007/s42803-019-00019-3.

Scheithauer, H., Chagué, A., & Romary, L. (November 2021). *From eScriptorium to TEI Publisher* [Communication]. Brace Your Digital Scholarly Edition!, Berlin. https://inria.hal.science/hal-03538115.
On Digital Publishing

Burnard, L. (2014). *What is the Text Encoding Initiative? How to Add Intelligent Markup to Digital Resources*. OpenEdition Press. DOI: 10.4000/books.oep.426.

Chagué, A., & Chiffoleau, F. (March 2021). *An Accessible and Transparent Pipeline for Publishing Historical Egodocuments* [Communication]. What's Past is Prologue, The NewsEye International Conference, online. https://hal.science/hal-03180669.

Driscoll, M., & Pierazzo, E. (Eds.). (2016). *Digital Scholarly Editing: Theories and Practices*. OpenBook Publishers. DOI: 10.11647/OBP.0095.

Pierazzo, E. (2019). What Future for Digital Scholarly Editions? From Haute Couture to Prêt-à-Porter. *International Journal of Digital Humanities, 1*(2), 209-220. DOI: 10.1007/s42803-019-00019-3.

Scheithauer, H., Chagué, A., & Romary, L. (November 2021). *From eScriptorium to TEI Publisher* [Communication]. Brace Your Digital Scholarly Edition!, Berlin. https://inria.hal.science/hal-03538115.
# On TEI Publisher

TEI Publisher Documentation: https://teipublisher.com/exist/apps/tei-publisher/documentation.

Chiffoleau, F. (2020, December 4). Publication of my Digital Edition – Working with TEI Publisher. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/3912.

Chiffoleau, F. (2021, June 16). Publication of my Digital Edition – Developing my TEI Publisher Application. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4173.

Chiffoleau, F. (2021, December 10). Publication of my Digital Edition – Online Launch of the TEI Publisher Application. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4399.

Scalbert, S. (2023, June 29). Overcoming Challenges in DiScholEd's Development: A Journey of Problem-Solving and Design Enhancements. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4948.
# On TEI Publisher

TEI Publisher Documentation: https://teipublisher.com/exist/apps/tei-publisher/documentation.

Chiffoleau, F. (2020, December 4). Publication of my Digital Edition – Working with TEI Publisher. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/3912.

Chiffoleau, F. (2021, June 16). Publication of my Digital Edition – Developing my TEI Publisher Application. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4173.

Chiffoleau, F. (2021, December 10). Publication of my Digital Edition – Online Launch of the TEI Publisher Application. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4399.

Scalbert, S. (2023, June 29). Overcoming Challenges in DiScholEd's Development: A Journey of Problem-Solving and Design Enhancements. *Digital Intellectuals*. https://digitalintellectuals.hypotheses.org/4948.
# Examples of TEI Publisher Instances

TEI Publisher Project Registry: https://www.e-editiones.org/map/

DiScholEd: https://discholed.huma-num.fr/exist/apps/discholed/index.html

Van Gogh Letters: https://teipublisher.com/exist/apps/vangogh/index.html

Umgang mit dem Übernatürlichen im Mittelalter (德) : https://daemon.libripendis.eu/

Shakespeare's Plays: https://teipublisher.com/exist/apps/shakespeare-pm/index.html

When the Wall Came Down: https://teipublisher.com/exist/apps/dodis-facets/index.html

TraveLab: https://teipublisher.info/exist/apps/TraveLab/Benjamin%20of%20Tudela.xml

Solomon Project: https://tei.mittelalter.uni-tuebingen.de/exist/apps/salomon/Salomon3.xml

Johann Conrad Fischer (德) : https://johannconradfischer.com/de/travels
# Examples of TEI Publisher Instances

TEI Publisher Project Registry: https://www.e-editiones.org/map/

DiScholEd: https://discholed.huma-num.fr/exist/apps/discholed/index.html

Van Gogh Letters: https://teipublisher.com/exist/apps/vangogh/index.html

Umgang mit dem Übernatürlichen im Mittelalter (德) : https://daemon.libripendis.eu/

Shakespeare's Plays: https://teipublisher.com/exist/apps/shakespeare-pm/index.html

When the Wall Came Down: https://teipublisher.com/exist/apps/dodis-facets/index.html

TraveLab: https://teipublisher.info/exist/apps/TraveLab/Benjamin%20of%20Tudela.xml

Solomon Project: https://tei.mittelalter.uni-tuebingen.de/exist/apps/salomon/Salomon3.xml

Johann Conrad Fischer (德) : https://johannconradfischer.com/de/travels
Thank you for your attention!

Any questions?

Contact: sarah.beniere[at]inria.fr
Thank you for your attention!

Any questions?

Contact: sarah.beniere[at]inria.fr