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<figure><img src="image_1.png" /></figure>

URBANE TROPEN: HIPHOP À
LA RÉUNION

From the book HipHop meets Academia

• Carsten Wergin

https://doi.org/10.1515/9783839407615-005

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Wergin, Carsten. "URBANE TROPEN: HIPHOP À LA RÉUNION".

*HipHop meets Academia: Globale Spuren eines lokalen Kulturphänomens*, edited by Karin Bock, Stefan Meier and Gunter Süß, Bielefeld: transcript Verlag, 2007, pp. 75-88. https://doi.org/10.1515/9783839407615-005

Wergin, C. (2007). URBANE TROPEN: HIPHOP À LA RÉUNION. In K. Bock, S. Meier & G. Süß (Ed.), *HipHop meets Academia: Globale Spuren eines lokalen Kulturphänomens* (pp. 75-88). Bielefeld: transcript Verlag. https://doi.org/10.1515/9783839407615-005

Wergin, C. 2007. URBANE TROPEN: HIPHOP À LA RÉUNION. In: Bock, K., Meier, S. and Süß, G. ed. *HipHop meets Academia: Globale Spuren eines lokalen Kulturphänomens*. Bielefeld: transcript Verlag, pp. 75-88. https://doi.org/10.1515/9783839407615-005

Wergin, Carsten. "URBANE TROPEN: HIPHOP À LA RÉUNION" In *HipHop meets Academia: Globale Spuren eines lokalen Kulturphänomens* edited by Karin Bock, Stefan Meier and Gunter Süß, 75-88. Bielefeld: transcript Verlag, 2007. https://doi.org/10.1515/9783839407615-005

Wergin C. URBANE TROPEN: HIPHOP À LA RÉUNION. In: Bock K, Meier S, Süß G (ed.) *HipHop meets Academia: Globale Spuren eines lokalen Kulturphänomens*. Bielefeld: transcript Verlag; 2007. p.75-88. https://doi.org/10.1515/9783839407615-005

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## Supplementary Materials
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From the book

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HipHop meets Academia

# Chapters in this book (22)

Frontmatter

INHALT

GRUNDLAGEN

HIPHOP MEETS ACADEMIA: POSITIONEN UND PERSPEKTIVEN

AUF DIE HIPHOP-FORSCHUNG

HIPHOP MEETS ACADEMIA: FALLSTRICKE UND MÖGLICHKEITEN

DER HIPHOP STUDIES

GLOKALER UND LOKALER HIPHOP

HIPHOP UND DIE ABORIGINES: DIE MODERNE CORROBOREE

RASSISMUS UND RAPUBLIKANISMUS ⬒ ISLAMISMUS ODER

WELT, BÜRGERTUM ? GESCHICHTE, WAHRNEHMUNG UND

FUNKTIONSMECHANISMUS DES FRANZÖSISCHEN RAP

URBANE TROPEN: HIPHOP À LA RÉUNION

HIPHOP IN SLOVENIEN: GIBT ES MUSTER LOKALER ANEIGNUNG

EINES GLOBALEN GENRES?

SZENETYPISCHE SPRACHE IN DER SCHWEIZER HIPHOP-CHAT-

KOMMUNIKATION

RAPPER IM SENEGAL: DIE BOTSCHAFT DER STRASSE

IDENTITÄT UND INSZENIERUNG IM HIPHOP

FLIPPIN DA SCRIPT: SUPA SISTAS UND RAP MUSIK

DIE BITCH ALS AMBIVALENTES WEIBLICHKEITSKONZEPT IM

HIPHOP

INSZENIERUNG UND AUTHENTIZITÄT: ZUR STARINSZENIERUNG

VON EMINEM

WAS IST SO DEUTSCH DARAN? KULTURELLE IDENTITÄT IN DER

BERLINER HIPHOP-SZENE

HIPHOP ALS MEDIENKULTUR UND SOZIALE PRAXIS

SAMPLING ALS KULTURELLE PRAXIS DES HIPHOP

HIPHOP UND GEWALT: MYTHEN, VERMARKTUNGSSTRATEGIEN

UND HALTUNGEN DES DEUTSCHEN GANGSTER-RAPS AM
BEISPIEL VON SHOK-MUZIK

HIPHOP ALS LOKALES PHÄNOMEN: DAS SPLASH!-FESTIVAL IN
CHEMNITZ

RAUM UND INSZENIERUNG: EMPIRISCHE ERKUNDUNGEN AUF
DEM SPLASH!-FESTIVAL

INHALT UND STADTPLANERISCHE ZIELE EINES HIPHOP-
EXISTENZGRÜNDERZENTRUMS: POTENZIALE VON MUSIK ALS

TEIL STÄDTISCHER ERNEUERUNGSPROZESSE IN SHEFFIELD UND
CHEMNITZ

VON DER SZENE - FÜR DIE SZENE? STIL UND STILISIERUNG IN
DER VERMARKTUNG DES HIPHOP-FESTIVALS SPLASH!

SYNTHESE UND NEUORIENTIERUNG

HIPHOP ALS PHÄNOMEN KULTURELLEN WANDELS

AUTORINNEN UND AUTOREN

Backmatter

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