# Chapter 1: Monsieur de Saint-Hubert’s expanded choreographic poietics

- Anna Leon

- MLA

- APA

- Harvard

- Chicago

- Vancouver

- MLA

- APA

- Harvard

- Chicago

- Vancouver

## Chapter PDF View

## Chapters in this book

## Chapters in this book

- Frontmatter 1

- Contents 7

- List of Figures 11

- Acknowledgments 15

- Notes on translation 17

- Summary 19

- Introduction 21

- Part 1: Before choreography, expansion

- Introduction to Part 1 39

- Chapter 1: Monsieur de Saint-Hubert’s expanded choreographic poietics 43

- Chapter 2: Choreo-graphy or the incorporeal inscription of choreography 65

- Chapter 3: Stillness in nature’s dance: expanded choreographies of the Italian Renaissance 99

- Conclusion to Part 1 123

- Part 2: Expanded choreographies of the now

- Introduction to Part 2 129

- Chapter 4: Programming (as) choreography: a series of kinect videos by Mathilde Chénin 135

- Chapter 5: A choreography of the in-between: Olga Mesa’s Solo a ciegas (con lágrimas azules) 159

- Chapter 6: Being (in) a choreographic object: William Forsythe’s artificial nature installation in Groningen 187

- Conclusion to Part 2 213

- Part 3: Expanded modernities

- Introduction to Part 3 219

- Chapter 7: The multiple choreographies of the Ballets Suédois’ Relâche 227

- Chapter 8: Looking at a world in movement: Rudolf Laban’s work in industry 247

- Chapter 9: Creation, imagination, paradise: lettrism’s excursions into choreography 277

- Conclusion to Part 3 307

- Conclusion 311

- Bibliography 323

- Index 347

## Chapters in this book

- Frontmatter 1

- Contents 7

- List of Figures 11

- Acknowledgments 15

- Notes on translation 17

- Summary 19

- Introduction 21

- Part 1: Before choreography, expansion

- Introduction to Part 1 39

- Chapter 1: Monsieur de Saint-Hubert’s expanded choreographic poietics 43

- Chapter 2: Choreo-graphy or the incorporeal inscription of choreography 65

- Chapter 3: Stillness in nature’s dance: expanded choreographies of the Italian Renaissance 99

- Conclusion to Part 1 123

- Part 2: Expanded choreographies of the now

- Introduction to Part 2 129

- Chapter 4: Programming (as) choreography: a series of kinect videos by Mathilde Chénin 135

- Chapter 5: A choreography of the in-between: Olga Mesa’s Solo a ciegas (con lágrimas azules) 159

- Chapter 6: Being (in) a choreographic object: William Forsythe’s artificial nature installation in Groningen 187

- Conclusion to Part 2 213

- Part 3: Expanded modernities

- Introduction to Part 3 219

- Chapter 7: The multiple choreographies of the Ballets Suédois’ Relâche 227

- Chapter 8: Looking at a world in movement: Rudolf Laban’s work in industry 247

- Chapter 9: Creation, imagination, paradise: lettrism’s excursions into choreography 277

- Conclusion to Part 3 307

- Conclusion 311

- Bibliography 323

- Index 347