Foldable artist easel

An easel has generous shelf area disposed into a U-shaped workshop environment. The easel has a lower structure made of a central frame and lateral left and right frames hingedly connected to the central frame. Each of the central and lateral frames has one or more shelves set therein. The shelves are at arm's length to an artist standing or sitting within the workshop environment. The easel also comprises a work support structure connected to the top member of the central frame. Handrails are provided along the top edge of each frame and a footrest is mounted across a lower portion of each frame. These handrails and footrests are accessible to a user of the easel for bracing himself/herself when leaning forward toward a canvas or when moving into similar out of balance stances.

FIELD OF THE INVENTION 
The present invention relates to easels used by artists for painting, and 
more particularly, the invention pertains to an easel having a foldable 
U-shaped structure that incorporates handrails, footrests and shelves that 
are arranged to form a practical, safe and efficient workshop environment. 
BACKGROUND OF THE INVENTION 
Artistic work and painting in particular, is often carried out in the 
outdoors while in sight of an inspiring scenery. In other instances, the 
artist must paint in an area that is not always suited for this purpose, 
such as a corner of the kitchen or living room for example. Therefore, a 
primary requirement for an artist easel is believed to be that the 
apparatus must be foldable and easily transportable inside a house and 
outdoors. 
In another aspect, painting artists generally require a large number of 
brushes, spatulas, pencils, paint supplies, solvents, towels and other 
material. It is preferable that these tools, supplies and accessories be 
deployed over a relatively large surface such that they are not piled over 
one another, are easy to find and stay relatively clean. It is believed 
that an ideal easel must also be adapted to support a large number of 
deployed tools and accessories. 
As can be appreciated, painting art may be at times tedious where one has 
to hold a palette in one hand and a brush in the other hand and perform in 
a highly concentrated state for extended periods of time, for doing 
delicate details on a painting for example. Such postures, when kept for 
long periods are known to cause arm, shoulder and back strains. Therefore, 
a third requirement for an artist easel is believed to be that the 
structure thereof should provide arm support to periodically allow a user 
to rest his/her arms, or to otherwise lay down his/her palette once in a 
while. It is further believed that an easel should incorporate a handrail 
on which an artist can place his/her hand when leaning forward close to a 
painting, such that the strain of the posture is not entirely applied on 
his/her back. 
Furthermore, an artist often sits on a stool, or alternately sits and 
stands while using an easel. Although this is generally more appropriate 
than always standing up, it can cause an out of balance condition when one 
tries to lean forward toward the canvas for example while sitting. 
Therefore, it is believed that a fourth requirement for an artist easel is 
that there should be provided one or more footrests to brace a user's foot 
and stabilize a posture of an artist in a sit position, and to allow an 
artist to take a standing posture in which he/she can best assure an ideal 
brush stroke. 
It is believed that while some of the easels of the prior art are foldable 
and provide substantial work area, these easels generally, are lacking a 
structure capable of relieving arm, shoulder and back strains associated 
with the use of an easel. 
In that respect, a representative group of easels of the prior art is 
presented hereinbelow. 
In a first example, the U.S. Pat. No. 3,165,367 issued on Jan. 12, 1965 to 
Herman Rose, illustrates an artist easel that can be folded into a tow 
cart for transportation between outdoor sites. The cart has various 
compartments for transporting paint supplies and several canvases. 
In a second example, the U.S. Pat. No. 3,202,471 issued on Aug. 24, 1965 to 
Quitman L. Wilson discloses a combined box, easel and table. The device 
has telescoping legs and retractable trays and drawers, and is foldable 
into a compact carrying-case arrangement. 
U.S. Pat. No. 3,304,045 issued on Feb. 14, 1967 to J. J. Bethoney discloses 
an easel of the traditional A-frame type. The easel of this invention is 
particularly easy to fold down into a package of small size for convenient 
transportation. 
Another artist stand is described in U.S. Pat. No. 3,360,319 issued on Dec. 
26, 1967 to W. R. Hocking. This invention has the form of a stand with a 
rectangular upper work surface disposed at about waist height. The stand 
is supported on four legs and a storage compartment is formed below the 
work surface. The two rear legs carry wheels for transporting the stand 
from place to place. 
Other artist easels of the prior alt are described in the following U.S. 
Patents. All these devices are characterized by the fact that the work 
surface available to the artist to deploy his/her tools is relatively 
small and concentrated in one location, that is in the front or alongside 
a user. 
U.S. Pat. No. 3,368,786 issued on Feb. 13, 1968 to O. Bulman; 
U.S. Pat. No. 3,476,456 issued on Nov. 4, 1969 to D. M. Canavan; 
U.S. Pat. No. 3,514,173 issued on May 26, 1970 to T. E. Ford; 
As can be appreciated, the structures of artist easels of the prior all 
lack the essential elements pertaining to the ergonomics associated with a 
use thereof. Therefore, it is believed that a need exists for an easel 
that has structural features which make it safe for use by individuals 
having different postural preferences, and which simultaneously provide to 
users a practical workshop environment and space efficiency. 
SUMMARY OF THE INVENTION 
In the present invention, however, there is provided an easel that has 
generous shelf area disposed to form a U-shaped workshop environment. The 
shelves of the easel of the present invention are at arm's length to an 
artist standing or sitting within the workshop environment, and are 
movable to accommodate the handedness and preferences of most painting 
artists. 
In a first aspect of the present invention, there is provided a foldable 
easel comprising a lower structure made of a central frame and lateral 
left and right frames. One of the side edges on each lateral frame is 
hingedly connected to a respective side members on the central frame such 
that the lateral frames are foldable from a stowable position with the 
planes thereof being laid against the central frame, to a deployed 
position forming with the central frame a substantially U-shape 
configuration. Each of the central and lateral frames has one or more 
shelves set therein. The easel of the present invention also comprises a 
work support structure connected to the top member of the central frame. 
This work support structure has channel members for supporting a canvas in 
a secured relationship therewith. 
A first advantage of the easel of the present invention is that when the 
central frame and the lateral frames are adapted to be set in an upright 
orientation and the lateral frames are set in a deployed mode relative to 
the central frame, the lower structure is free standing and adaptable to 
the obstructions on a terrain. Other notable advantages of the easel of 
the present invention comprises the fact that the U-shaped arrangement of 
the frames provides a workshop environment which partly encloses a user of 
the easel and constitutes an efficient utilization of space. An artist 
using the easel of the present invention can find any of his/her tools and 
accessories in a glance and take it in a stretch of the arm. When the 
easel is used indoors, it can be left in place as a small workshop until a 
painting is completed. 
According to a second aspect of the present invention, there are provided a 
handrail extending along a top edge of each frame and a footrest mounted 
across a lower portion of each frame. These handrails and footrests are 
accessible to a user of the easel for bracing himself/herself when leaning 
forward toward a canvas and when moving into similar out of balance 
stances. The handrails are also usable for relaxing one's arms between 
painting sessions. Therefore these handrails and footrests provide a safe 
working environment for preventing shoulder and back pains associated with 
intensive painting on a canvas.

DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENT 
While this invention is susceptible of embodiment in many different forms, 
there is shown in the drawings and will be described in details herein a 
specific embodiment, with the understanding that the present disclosure is 
to be considered as an example of the principles of the invention and is 
not intended to limit the invention to the embodiment illustrated. 
Furthermore, the easel of the preferred embodiment is convenient for use by 
painting artists, by caricaturists, by other persons applying their 
drafting skills, by teachers using visual displays, and by lecturers 
making presentations using visual displays and a number of accessories. 
Although the easel is convenient for use by a large number of 
professionals, the easel of the preferred embodiment is referred to herein 
as an easel for the painting artist, for the convenience of this 
disclosure. Those skilled in the art will appreciate that the needs and 
work postures of the painting artist are not so different from those of 
the lecturer or teacher and that the easel according to the preferred 
embodiment is usable by other professionals without major modification 
from the arrangement of the preferred embodiment described herein. 
Reference will firstly be made to FIGS. 1 and 2, illustrating the easel 20 
according to the preferred embodiment of the invention in its entirety. 
The preferred easel 20 comprises broadly a U-shaped lower structure 
comprising a central frame 22 and a pair of lateral left and right frames 
24,26 hingedly connected to the central frame 22. In the preferred easel, 
the central and lateral frames 22,24 and 26, comprise skeletal orthogonal 
frame members made of structural steel, aluminium, wood or similar 
structural material. A work support structure 28, also made of structural 
material is pivotally connected to the upper edge or the central frame 22. 
The work support structure 28 and both lateral frames 24 and 26 are 
foldable over the central frame 22 to form a compact arrangement as 
illustrated in FIGS. 3 and 4, which is conveniently transportable from 
place to place and easily stowable. In that respect, the easel of the 
preferred embodiment is stowable is a space of about 6 inches (15 cm) by 
20 inches (51 cm) by 31 inches (76 cm). 
In the deployed mode, each of frames 22,24 and 26 has a pair of vertical 
members 30,30', 32,32' and 34,34' respectively, and a horizontal top 
member 36,38 and 40 respectively. Each of frames 22,24 and 26 further has 
an intermediate horizontal member 42,44 and 46, which are disposed between 
a respective pair of vertical members at between 8-10 inches (20-25 cm) 
from the lower end of the vertical members. The lower end of each vertical 
member preferably has a plastic or rubber cap 48 for protecting a floor 
surface when the easel is used indoors for example. 
The three frames 22,24 and 26 are movable between a stowable arrangement as 
shown in FIGS. 3 and 4, into a self-standing U-shaped configuration as 
illustrated in FIGS. 1 and 2. When the frames are in this later 
configuration, the lateral frames 24 and 26 may be moved toward or away 
from each other to avoid obstructions on a terrain, or to satisfy a 
preference of a right or left-handed user for examples. In that respect, 
it will be appreciated that a U-shaped configuration that is somewhat open 
or closed is nevertheless stable and self supportive. It will be 
appreciated that the lower ends of the vertical members may also have 
telescoping arrangements to better adapt to irregularities on a terrain. 
One of the most important aspects of the structure of each frame in the 
easel of the preferred embodiment is that the upper horizontal members 
36,38 and 40 of the respective frames constitute a series of handrails 
partly enclosing an aitist's work area. These handrails 36,38,40, are 
conveniently usable by an artist to brace himself/herself when leaning 
toward a canvas, when moving from a sitting position on a stool to a 
standing position, or for periodically resting his/her arms and palette 
when painting intensively. 
Another most important aspect of the easel of the preferred embodiment is 
the presence of a series of footrests 42,44, and 46 also partly enclosing 
an artist's work area. These footrests are conveniently usable by an 
artist to brace himself/herself in a sitting position, or in a standing 
position to relieve leg fatigue due to standing still during long periods. 
The U-shaped configuration of these handrails 36,38,40 and footrests 
42,44,46 is particularly convenient to satisfy many positional 
preferences, handedness and movement habits of most artists and to provide 
a safe working environment in which one can work with less fatigue as 
compared with the easels of the prior art. 
The work support structure 28 is pivotally mounted to the handrail 36 of 
the central frame 22. The work support structure 28 comprises a 
rectangular frame 50 and a pair of canvas support members 52,54 that are 
movably affixed to the rectangular frame. The lower canvas support frame 
54 is positioned at a distance from the lower edge 56 of the rectangular 
frame 50 such that a user can place his/her hand on the lower edge member 
56 and such that this member 56 constitutes with the horizontal member 36 
a usable handrail affording the mentioned advantages. 
Each of the canvas support member 52,54 comprises a channel member 60 for 
enclosing the top or bottom edge of a canvas, and a flat bar member 62. A 
flat bar member 62 and a channel member 60 are clamped to each other, on a 
respective side of the frame 50 and are retained in place relative to the 
frame 50 by means of a bolt through the flat bar 62 and wing nut assembly 
64 which is partly illustrated in FIG. 4. This arrangement is particularly 
advantageous for adjustment to canvases or sketch pads of various sizes. 
The plane of the work support structure 28 is also adjustable to various 
angles relative to the central frame 22, by means of a telescoping rod 66 
which is mountable into a connection 68 affixed to an intermediate bar 70 
extending across the rectangular frame 50. 
A hand support rod 72 is also provided and is mountable to the upper edge 
74 of the work support frame 50 by means of a clip 76 or otherwise. The 
engagement of the clip 76 to the edge 74 is preferably a releasable 
U-shaped connection or a similar arrangement such that an artist may place 
the hand support rod 72 where he/she pleases to work with either hands, or 
anywhere over a painting for example. 
A pair of paper clips 78 is also provided on the upper edge 74 of the work 
support structure 28 for retaining a photograph, a draft sketch or other 
visual references used by an artist during a painting session. 
The central frame 22 preferably has incorporated therein, a shelf 80 that 
is foldable from a folded position parallel to the plane of the central 
frame 22 to a usable horizontal position. In the usable mode, the shelf 80 
is set below the handrail 36 and extends across the plane defined by the 
frame 22. The shelf 80, when deployed, is preferably set at between about 
4 inches (10 cm) to about 8 inches (20 cm) below the handrail 36. The 
shelf 80 preferably extends toward an artist's side of the frame 22 a 
distance of between about 3 inches (8 cm) and about 6 inches (15 cm) such 
that painting articles may be placed thereon and are easily accessible 
without having to reach under the handrail 36. A total area of this shelf 
80 is preferably at least as large as a common artist's palette such that 
an artist using the easel of the preferred embodiment 20 may set down 
his/her palette thereon once in a while to relax from a painting session 
or to tend to cleaning a brush, mixing paint or other tasks. 
The setting of the shelf 80 is further advantageous for continually 
supporting a palette during a painting session, whenever an artist prefers 
to keep one hand free all the time. It will be appreciated from the 
illustrations of FIGS. 1 and 2 that when a palette is placed on the shelf 
80, it is still easily accessible to the artist standing or sitting in the 
work area defined by the three frames 22,24 and 26. 
Other shelves for supporting artist tools and accessories are provided in 
the lateral panels 24,26. The space defined by each frame 24 or 26 is 
conveniently used for stowing and supporting foldable shelves that are as 
large as the space defined by these frames 24,26 can afford. In the 
preferred embodiment, the lateral right frame 26 comprises a single shelf 
82, and the lateral left frame 24 has a pair on superimposed shelves 
84,86. 
A number of additional features are provided with the easel of the 
preferred embodiment 20. A J-hook 90 is provided on one of the vertical 
members of a lateral frame for supporting a roll of paper towel for 
example. A hook (not shown) is also preferably provided for supporting a 
trash bag near the J-hook 90 or at other convenient location for receiving 
and containing used paper towels, especially when the easel 20 is used 
outdoors for example. A handle 92 and a shoulder strap 94 are mounted on 
one of the vertical member 30' of the central frame 22 for carrying the 
easel of the preferred embodiment 20 in a folded mode. 
In the easel of the preferred embodiment 20, the lateral right frame 26 is 
hingedly connected to the vertical member 30', on a pair of spacer blocks 
98 affixed to the vertical post 30'. The spacer blocks 98 have a thickness 
that is similar to the thickness of the structural members of the lateral 
left frame 24 such that both lateral frames 24,26 are foldable flatly over 
the central frame 22. 
Another notable feature of the easel according to the preferred embodiment 
is that the rectangular frame 50 of the work support structure 28 is made 
of hollow structural members and is open along the lower edge thereof. An 
orthogonal U-shaped insert 100 is telescopically mounted inside the 
rectangular frame 50, and is extendible when the rectangular frame 50 is 
laid horizontally, as illustrated in FIG. 3. A pair of thumb notches 102 
are provided in the lower edge member 56 of the rectangular frame for 
pulling the insert 100 out of the rectangular frame 50. This insert 100 is 
particularly advantageous for selectively defining with the rectangular 
frame 50 a table-like structure usable by an artist doing water-colour 
paintings. 
While the above description provides a full and complete disclosure of one 
preferred embodiment of the present invention, various modifications, 
alternate material, arrangements and equivalents may be employed without 
departing from the true spirit and scope of the invention. Therefore, the 
above description and the illustrations should not be construed as 
limiting the scope of the invention which is defined by the appended 
claims.