Acoustic stomp box percussion device

An acoustic stomp box percussion device includes a first chamber having a first area enclosed by a first frame constructed from four frame pieces, a first top plate coupled to the top of the first frame, and a first bottom plate coupled to the bottom of the first frame. Additionally, the acoustic stomp box percussion device includes a second chamber having a second area enclosed by a second frame constructed from four frame pieces, a second top plate coupled to the top of the second frame, and a second bottom plate coupled to the bottom of the second frame. Further, the first chamber and the second chamber are coupled together to form a chamber assembly, and the chamber assembly includes at least one sound modification hardware component and at least one electronic amplification component.

TECHNICAL FIELD

The present invention generally relates to the field of acoustic percussion instruments, and is further directed to a versatile and portable acoustic percussion stomp box capable of emitting multiple sounds.

BACKGROUND

It is becoming increasingly more common for today's music performance to feature a solo artist or a small group as opposed to an ensemble of multiple musicians. In some cases, the solo artist or small group may have a general lack of desire to perform as part of a (larger) group such as an ensemble. In other cases, the solo artist or small group may be constrained from performing in a full ensemble for various reasons, including performance space, size of equipment, cost of equipment, or cost of hiring additional ensemble performers.

In an ensemble, each musician is tasked with a particular set of instruments including percussion, guitar, bass, keyboard, brass, woodwinds, strings or the like. In contrast, a solo artist or small group may need to perform multiple instruments. These solo artists (e.g., guitarists or pianists) or small groups often wish to complement their main instrument of choice by filling out their performance with additional equipment. Equipment traits such as versatility, quality, and portability are of particular importance to the solo artist or small group, who may be largely self-sufficient concerning the purchasing, hauling, and performing of the instrument.

Often, these individuals' needs are filled by a percussion instrument, which can provide melody, rhythm, and complementing depth to the music during their performances. Such instruments, however, are not without limitations. For instance, a percussion instrument capable of producing multiple sounds—like a drum set—or a set of multiple percussion instruments may be too cumbersome for a single performer to manage or too large for the venue being played. This is particularly problematic to the performer desiring a “kick” or bass drum sound coupled with a snare sound for his performance. In contrast, a more portable instrument—like a set of bongo drums, a djembe drum, a woodblock, a snare, a shaker, or a set of shakers—creates only a single sound or a set of sounds, and are further constrained in the overall sound and tone frequency range of the sounds they can emit.

Smaller percussion instruments are also not generally amplified, meaning its complementing sound could be lost in a larger venue. There are a few percussion devices known to the current art that are amplified, though, including cigar box stomp boxes. Current cigar box stomp boxes, however, are not constructed with proper materials to create sufficiently deep sounds as desired by the performer, nor designed to emit sound acoustically for a performance in a smaller venue. Further, other types of stomp boxes currently known in the art are limited in the variety of generated sounds, and are not able to be played acoustically due to limitations in size, shape, and general design.

Current percussion instruments known to the art are also generally limited to being played in a particular manner. For example, bongo drums, djembe drums, and shakers are designed played solely with one's hands. By way of another example, kick bass drums and stomp boxes currently known in the art are designed to be played solely with one's feet. By way of another example, woodblocks and snare drums are designed to be played solely by striking the instruments with percussion striking devices such as mallets, sticks, brushes, or rods. While there are percussion instruments that may be played with both hands and feet, including a drum set, such percussion instruments may be too large for the solo artist or small group to manage effectively both during transportation and at the venue during the performance.

Therefore, it would be desirable to provide a percussion device that cures the defects of the prior art and provides a solution to the foreseen needs of the performer desiring to complement their main performance with additional sounds. For instance, the percussion device should easily implemented by the performer. Additionally, the percussion device should provide a means of filling out performances without hindering the playing of the main-featured instrument of the performance (e.g. a solo guitarist or a solo pianist would need his hands unencumbered by the percussion device).

Further, it would be desirable that the percussion device be versatile. For instance, the percussion device should be designed to resonate like an acoustic instrument for small venues, but should also provide a means for amplification as needed for larger venues. Additionally, the percussion device should be able to emit multiple sounds, increasing what possibilities are available to fill out the performance while limiting the actual amount of equipment needing transport and monitoring.

Further, it would be desirable that the percussion device be portable and able to be integrated with other performance equipment. For instance, a performer may not have the means to—or perhaps not want to—transport large percussion equipment, meaning the percussion device should have a more mobile profile. Additionally, the percussion device should be able to easily interface with—or at least not inhibit the placement of—the performer's other equipment, including amplifiers and microphone stands.

Further, it would be desirable to have the versatile and portable nature of the percussion device be possible without loss of the emitted sounds' quality. For example, the percussion device should be designed in such a way so as to maximize resonance, tone frequency range, and volume of all emitted sounds.

SUMMARY

An acoustic stomp box percussion device is disclosed. In one illustrative embodiment, the device may include a first area enclosed by a first frame, wherein the first frame is constructed from four frame pieces; a first chamber comprising a first top plate coupled to the top of the first frame; and a first bottom plate coupled to the bottom of the first frame. In another illustrative embodiment, the device may include a second chamber comprising a second area enclosed by a second frame, wherein the second frame is constructed from four frame pieces; a second top plate coupled to the top of the second frame; and a second bottom plate coupled to the bottom of the second frame. In another illustrative embodiment, the first chamber and the second chamber are coupled together to form a chamber assembly. In another illustrative embodiment, the chamber assembly includes at least one sound modification hardware component. In another illustrative embodiment, the chamber assembly further includes at least one electronic amplification component.

A method for constructing an acoustic stomp box percussion device is disclosed. In one illustrative embodiment, the method may include constructing two frames, wherein each frame is comprised of four frame pieces; cutting two top plates, wherein each top plate corresponds to one of the frames; cutting two bottom plates, wherein each bottom plate corresponds to one of the frames; constructing a first chamber and a second chamber, wherein the first chamber and the second chamber are each comprised of one of the frames, the top plate corresponding to the particular frame, and the bottom plate corresponding to the particular frame; removing the top plates from the first chamber and the second chamber; drilling at least one hole into the frames of the first chamber and second chamber; coupling the first chamber and the second chamber together into a chamber assembly; coupling at least one sound modification hardware component to the chamber assembly; coupling at least one electronic amplification component to the chamber assembly; and re-attaching the top plates to the coupled chamber assembly.

DETAILED DESCRIPTION OF THE INVENTION

FIGS. 1A-3generally illustrate embodiments of an acoustic stomp box percussion device, in accordance with one or more embodiments of the present disclosure. It is noted herein that “acoustic stomp box percussion device” and “Vbox” are used interchangeably throughout the application. It is further noted herein that “user”, “musician”, “artist”, and “performer” are used interchangeably throughout the application.

Referring now toFIGS. 1A and 1B, a system100for an acoustic stomp box percussion device (“Vbox system”) is illustrated, in accordance with one or more embodiments of the present disclosure. In one embodiment, a portion of the Vbox system100comprising a first top plate102, a first frame104, and a first bottom plate106is to be considered a small chamber120of the Vbox system100. In another embodiment, a portion of the Vbox system100comprising a second top plate142, a second frame144, and a second bottom plate146is to be considered a large chamber140of the Vbox system100.

In one embodiment, the Vbox system100includes the first top plate102and the second top plate142. In another embodiment, the top plates102and142are ⅛ inch, or approximately 3 mm, thick. In another embodiment, the top plates102and142are cut to size based on the dimensions of the corresponding frame104or144, discussed in further detail herein.

In another embodiment, the top plates102and142may be constructed from a first material. For instance, the first material may be a mahogany plywood. For example, mahogany plywood is preferable for the top plates102and142, as it resonates at a lower frequency than most other readily available ⅛ inch plywood types. By way of another example, the use of mahogany plywood allows the Vbox system100to achieve a deep bass drum sound in a very low, portable profile.

Additionally, mahogany plywood is a durable and sustainable tonewood. For example, ⅛ inch airplane mahogany is preferred for its particular qualities of durability and resonating ability. Further, with ⅛ inch mahogany plywood for the top plates102and142, the Vbox system100vibrates well enough to be played without amplification while remaining durable enough for continued use.

In one embodiment, the Vbox system100includes the first bottom plate106and the second bottom plate146. In another embodiment, the bottom plates106and146may be ⅛ inch, or approximately 3 mm, thick. In an alternative embodiment, the bottom plates106and146may be approximately 4 mm thick. It is noted that thicker plates up to ¼ inch, or approximately 6 mm, may be used, but that thicker plates also would not resonate as well. In another embodiment, the bottom plates106and146are cut to size based on the dimensions of the corresponding frame104or144, discussed in further detail herein.

In another embodiment, the bottom plates106and146may be constructed from a second material. For instance, the second material may be a birch plywood. For instance, birch plywood is preferable for the bottom plates106and146as it resonates at a higher frequency than mahogany plywood, giving the player more sound options. For example, the use of birch plywood allows the Vbox system100to achieve a bongo-like sound, which may create the option for the user to increase the range of his performance set to include several styles of music such as Latin, Caribbean, and Jamaican. Additionally, birch plywood is also a sustainable and durable hardwood.

In one embodiment, the Vbox system100includes a first frame104comprised of four frame pieces104a-104d, and a second frame144comprised of four frame pieces144a-144d. In another embodiment, frame pieces104a-104dand144a-144deach measure 1.35 inches wide and between 0.5-0.75 inches thick. For instance, the frame pieces104a-104dand144a-144dmay be 0.625 inches thick. Alternatively, the frame pieces104a-104dand144a-144dmay be 0.75 inches thick. It is noted that the thickness of the frame pieces is important, as thinner boards resonate longer and at lower frequencies while thicker boards result in a higher volume. It is further noted that 0.75 inches is a common board thickness, being more economical than thinner boards and having an excellent balance between resonance, tone frequency, and volume.

In another embodiment, the frame pieces104a-104dand the frame pieces144a-144dmay be composed of a third material. For example, the third material may be a solid maple. It is noted herein that solid maple is used for its superior resonating capabilities. In particular, solid maple resonates longer and over a wider frequency range than a less expensive birch plywood.

It is noted herein that the above examples regarding material types being connected to specific Vbox system100components are not limiting and should be interpreted as merely illustrative of the types of materials that may be implemented within the context of the present invention. For instance, the top plates102and142and bottom plates106and146may be made from any combination of commercially available solid hardwoods, solid softwoods, and engineered such as plywoods or MDF. Additionally, the frames104and144may be made from any combination of commercially available solid hardwoods, solid softwoods, or any organic-based or composite-based engineered materials. Additionally, at least one of the sets of top plates102and142, the bottom plates106and146, and the frames104and144may be made from the same material.

In one embodiment, the four frame pieces104a-104dand the four frame pieces144a-144dare each arranged into a trapezoidal shape. In another embodiment, cutting the frame pieces to have certain end angles is required to correctly build the respective frames104and144.

In another embodiment, the trapezoidal shape of the chambers120and140produces the lowest frequency sound possible while making the most efficient use of material. For instance, the long side of a trapezoid-shaped chamber140allows for the production of a very low frequency sound in a small profile format from the Vbox system100.

In another embodiment, the trapezoid-shaped chambers120and140will emit different frequency sounds depending on where the top plates102and142or the bottom plates106and146are struck. For example, striking any of the plates at the center of the long side of the chambers120and140will produce a lower frequency sound. By way of another example, striking any of the plates towards the sides of the chambers120and140will produce a higher frequency sound.

In one embodiment, striking the top plates102and142and the bottom plates106and146near the edge of the Vbox system100produces more sound than striking in the center of the plates.

In another embodiment, the optimal method of producing sound by striking the top plates102and142includes “stomping” with one's foot along the outer edge. For example, stomping at the center of the long edge of the top plates102and142will result in the deepest sounds and the loudest volume for that chamber. In another embodiment, producing sound is possible by stomping in the middle of the top plates102and142. It is noted that stomping on the center of the top plates102and142comes with a risk of breaking the top plates102and142.

In another embodiment, producing sound is possible by striking the middle and/or the edges of the top plates102and142and the bottom plates106and146with one's hands. For example, striking the plates along the outer frame will provide more support and more volume. By way of another example, striking the middle of the long edge of the plates will result in the lowest frequencies for the respective chambers102and142and for the respective sounds produced by striking the top plates102or142or the bottom plates106and146.

In another embodiment, producing sound is possible by striking the middle and/or the edges of the top plates102and142and the bottom plates106and146with percussion striking devices, including mallets, sticks, brushes, rods, or any other percussion striking devices known in the art.

In another embodiment, the Vbox system100is capable of producing a shaker-like sound when friction is applied to the exterior of the frames104and144comprising the chambers120and140.

In one illustrative embodiment, a large version of the Vbox system100is shown, in accordance with the present disclosure. In one embodiment, the eight frame pieces are each cut to specific lengths, with the ends of each frame piece cut to a specific angle. For example, frame piece104ameasures 14.75 inches and has a 60 degree angle on both ends; frame piece104cmeasures 8 inches and has a 30 degree angle on both ends; and frame pieces104band104deach measure 6.875 inches and have a 30 degree angle on one end and a 60 degree angle on the other end. By way of another example, frame piece144ameasures 28 inches and has a 60 degree angle on both ends; frame piece144cmeasures 14.75 inches and has a 30 degree angle on both ends; and frame pieces144band144deach measure 13.125 inches and have a 30 degree angle on one end and a 60 degree angle on the other end. It is noted that all measurements are to the outside edge of angle.

In another embodiment, these particular Vbox system100dimensions may produce a sound as low or lower than many full sized (22 inch) bass drums. For instance, a large chamber140having a long-side length of 27 inches achieves a nearly flat frequency response of 20 Hz to 200 Hz.

In another illustrative embodiment, a small version of the Vbox system100is shown, in accordance with the present disclosure. In one embodiment, the eight frame pieces each cut to specific lengths, with the ends of each frame piece cut to a specific angle. For example, frame piece104ameasures 12.375 inches and has a 60 degree angle on both ends; frame piece104cmeasures 5.5 inches and has a 30 degree angle on both ends; and frame pieces104band104deach measure 6.875 inches and have a 30 degree angle on one end and a 60 degree angle on the other end. By way of another example, frame piece144ameasures 23.875 inches and has a 60 degree angle on both ends; frame piece144cmeasures 12.375 inches and has a 30 degree angle on both ends; and frame pieces144band144deach measure 11.5 inches and have a 30 degree angle on one end and a 60 degree angle on the other end. It is noted that all measurements are to the outside edge of angle.

In another embodiment, these particular Vbox system100dimensions—the large chamber140having a long-side length of 23 inches—may produce a sound as low or lower to a small jazz bass drum.

In one embodiment, frame pieces104a-104dare coupled together with an adhesive to create the first frame104and frame pieces144a-144dare coupled together with an adhesive to create the second frame144. In another embodiment, an adhesive is applied a second time to fill any cracks in joints after the first application of adhesive dries. It is noted that applying adhesive multiple times creates optimal vibration qualities of the first frame104and the second frame144while adding strength. In another embodiment, excess dried adhesive is removed so the first top plate102, the first bottom plate106, the second top plate142, and the second bottom plate146may optimally interface with respective frames104and144.

In one embodiment, the top plates102and142are initially coupled by at least one of an adhesive or fasteners to frames104and144, respectively. For instance, the top plates102and142may be coupled using #6 screws, ¾ inch in length. Additionally, the screws are placed at ⅜ of an inch from the outer edges and are evenly spaced. For example, spacing for the screws may be at the half-length and quarter-length positions of sides104aand144a; at the half-length position of sides104b,104d,144b, and144d; and in the corners of sides104cand144cof chambers120and140, respectively. By way of another example, screws are placed at 1⅛ inches from the corner of the 60 degree angled corners and at ⅝ inch from the corner of the 30 degree angled corners.

In another embodiment, the bottom plates106and146are initially coupled by at least one of an adhesive or fasteners to frames104and144, respectively. For instance, the bottom plates106and146may be coupled using #6 screws, ¾ inch in length. Additionally, the screws are placed at ⅜ of an inch from the outer edges and are evenly spaced. For example, spacing for the screws may be at the half-length and quarter-length positions of sides104aand144a; at the half-length position of sides104b,104d,144b, and144d; and in the corners of sides104cand144cof chambers120and140, respectively. By way of another example, screws are placed at 1⅛ inches from the corner of the 60 degree angled corners and at ⅝ inch from the corner of the 30 degree angled corners.

It is noted there exist a number of combinations how top plates102and142and bottom plates106and146are coupled to frames104and144, respectively. In one illustrative embodiment, both the top plates102and142and the bottom plates106and146may be coupled by means of fasteners to frames104and144, respectively. For instance, this would allow either set of plates to be removed when access to the contained areas within chambers120and140is desired. In another illustrative embodiment, top plates102and142may be coupled with fasteners, and the bottom plates106and146are coupled using an adhesive, to frames104and144, respectively. For instance, this would allow only top plates102and142to be removed when access to the contained areas within chambers120and140is desired. In another illustrative embodiment, the top plates102and142may be coupled using an adhesive, and the bottom plates106and146are coupled with fasteners, to frames104and144, respectively. For instance, this would allow only bottom plates106and146to be removed when access to the contained areas within chambers120and140is desired.

In another embodiment, the constructed chambers120and140are sanded and shaped. For instance, all edges are chamfered, beveled, rounded, or treated with a similar finishing procedure known to the art. Additionally, all outside corners are rounded. It is noted that sanding and shaping the Vbox system100does not affect the sound but does improve the safety of the Vbox system100by eliminating sharp protrusions resulting from the manufacturing process.

In another embodiment, a set of plates are removed from the Vbox system100to provide access to the contained areas within chambers120and140. For instance, if the top plates102and142are coupled with fasteners to frames104and144, then top plates102and142may be removed to provide access to the contained areas within chambers102and140, respectively. Alternatively, if the bottom plates106and146are coupled with fasteners to frames104and144, then bottom plates106and146may be removed to provide access to the contained areas within chambers102and140, respectively. It is noted that the phrase “the removed set of plates” may refer either to the set of top plates102and142or to the set of bottom plates106and146.

In another embodiment, the removed set of plates and the partially-assembled chambers120and140are coated with a coating and allowed to dry. For example, the coating may be a lacquer. By way of another example, the coating may be a paint. It is noted that the removed set of plates and the partial chambers120and140may be coated with the same or with different substances. It is further noted that coating the Vbox system100, while not necessary, is desired to increase the lifespan of the Vbox system100.

In another embodiment, the partially-assembled chambers120and140are coupled together into a chamber assembly. In another embodiment, prior to the coupling of the chamber120and140into the chamber assembly, a cushion180is placed between the two chambers120and140. For instance, the cushion180is desired so as to eliminate rubbing of the chambers120and140, and is further desired to give improved sound isolation—particularly when electronic amplification components are installed—between the chamber120and140. For example, the cushion180is a piece of black foam. By way of another example, the piece of black foam is ½ inch thick and generally the dimensions of the long-side face of frame piece104d. Further, the cushion180may compress when the chambers120and140are coupled.

In another embodiment, at least one internal component of the Vbox system100is installed in the partially-assembled chambers120and140. For instance, the at least one internal component may include at least one coupling hardware, at least one sound modification hardware component, or at least one electronic amplification component, discussed in further detail herein.

In another embodiment, the removed plates are reattached to the partially-assembled chambers120and140. For instance, the removed plates are reattached solely with an adhesive. Alternatively, the removed plates are reattached solely with fasteners. Alternatively still, the removed plates are reattached with both an adhesive and with fasteners. In another embodiment, excess adhesive is removed from the surfaces of Vbox system100when wet by wiping it off. Alternatively, the excess adhesive may be removed when dried by sanding it off, but it is possible to damage the previously-applied finish with this sanding.

In one embodiment, as shown inFIG. 1C, at least one hole is drilled into the Vbox system100prior to coupling the partially-assembled chambers120and140together. In another embodiment, at least one hole148is drilled for at least one fastener182through the aligned, long-face-touching frame pieces104dand144c, wherein the at least one least fastener182may be necessary to fasten the small chamber120and the large chamber140together. For instance, the Vbox system100has two holes148, each ¼ inch in diameter. It is noted herein that alignment of104dand144cshould create a substantially even Vbox system100edge comprised of frame pieces104aand144b.

In is noted herein that the above example of coupling the chamber120and140together by means of at least one fastener is not limiting and should be interpreted as merely illustrative of a means of coupling within the context of the present invention. For instance, the chambers120and140may be coupled together by means of an adhesive, countersunk magnets in the coupled frame pieces, interlocking grooves on the coupled frame pieces, Velcro, or a hook and latch system on the exterior of the chambers120and140without significantly inhibiting the desired operation of the Vbox system100.

In another embodiment, a hole154is cut through the aligned, long-face-touching frame pieces104dand144c. For instance, the hole154is necessary to allow a piezo pickup wire164to pass through from a female phono jack160to a piezo pickup166, discussed in further detail herein. For example, the hole154is situated between the two holes148, and measures approximately ⅜ inches high×1¼ inches in length.

It is noted herein that the above example of hole154is not limiting and should be interpreted as merely illustrative of a shape of hole that may be implemented within the context of the present invention. For instance, the shape of hole154may be oblong, round, or any n-sided polygon. Additionally, it is contemplated that a grommet or grommet-like plug may be pushed into the at least one hole154prior to connecting the pickup wire164, discussed in further detail herein, so that the pickup wire164passes through the grommet. Further, the grommet or grommet-like plug may provide improved sound isolation between the two chambers120and140. It is further noted herein that the Vbox system100may include at least a second hole154.

In another embodiment, a hole150is created in frame piece144c. For instance, the hole150is necessary to pass and install the female phono jack160for purposes of amplifying the Vbox system100, discussed in further detail herein. For example, the hole150is drilled into the inside long-face of frame piece144c, approximately 2 inches from the top inside corner of large chamber140as orientated inFIG. 1B. By way of another example, the hole150measures approximately ⅞ inch in diameter, and is only drilled ⅝ inch deep into the long-side face of frame piece144c. In another embodiment, a hole152is created in frame piece144c. For instance, the hole152is necessary to pass and install the female phono jack160for purposes of amplifying the Vbox system100, discussed in further detail herein. For example, the hole152is centered on the center point of hole150. By way of another example, the hole154measures approximately 7/16 inch in diameter, and passes through the entirety of the long-side face of frame piece144c.

It is noted herein that the above example of phono jack holes150and152are not limiting and should be interpreted as merely illustrative of the types of materials that may be implemented within the context of the present invention. For instance, it is contemplated that the placement of the phono jack holes150and152may be situated on any face of the Vbox system100, including anywhere on the faces of the frames, the top plates, and the bottom plates. Additionally, the Vbox system100may include at least a second hole150and at least a second hole152, to implement at least one additional female phono jack160or other electronic amplification components, discussed in further detail herein.

Referring now toFIG. 1C, the Vbox system100for an acoustic stomp box percussion device is further illustrated, in accordance with one or more embodiments of the present disclosure. In one embodiment, the Vbox system100includes at least one sound modification hardware component. In another embodiment, the Vbox system100includes at least one electronic amplification component.

In one embodiment, the small chamber120includes a small block108. For instance, the small block may be made of wood. In another embodiment, the small block108is cut so as to have a 60 degree angle along its top surface (i.e. the surface facing towards top plate102).

In another embodiment, the at least one sound modification hardware component includes a snare110. For instance, the snare110has a mounting surface and fastener holes (not shown). In another embodiment, the snare110is coupled to the small chamber120at a desired angle to ensure contact with the top plate102. In another embodiment, the angle of the small block108provides a base for mounting the snare110at the desired angle. For instance, the snare110is coupled to the small block108by means of a wedging mechanism, its mounting surface and fasteners holes, or an adhesive. For example, a snare110coupled to the small block108may be up to 5 inches long, and may further include 20 snare wires. In another embodiment, the ends of the snare110are directly coupled to the underside of the top plate102by means of an adhesive. It is noted, however, that this particular configuration may inhibit the vibration of the top plate102.

In another embodiment, at least one additional mounting piece similar to small block108may be inserted into the smaller chamber120. It is noted, however, that the current embodiments constrain the at least one additional mounting piece to maximum dimensions of 2 inches wide, 1 inch thick, and 1 inch tall.

In another embodiment, the smaller chamber120may be designed to have a snare110control. For instance, the snare110control would allow the user to engage and/or disengage the snare against the underside of the top plate102as the need for that particular sound arises. For example, the frame piece104bmay be modified during manufacturing so as to allow the snare110to pass through the side of the frame104. By way of another example, the snare110is then connected to a snare110control, which is mounted to the exterior of the frame104. Alternatively, the snare110is fully contained within the small chamber120, and the snare110control coupled to the exterior of the frame104includes a mechanism which passes through the frame piece104band couples to the snare110inside the small chamber120.

It is contemplated that this particular embodiment would require a longer snare110than previously embodied. Additionally, the longer snare110may require at least a second mounting block inside small chamber120to which the second end of the longer snare110may couple.

In one embodiment, the at least one electronic amplification component includes a female phono jack160. For instance, the female phono jack160is a ¼ inch female phono jack. In another embodiment, the female phono jack160is set inside phono jack hole150and passes through the Vbox system100frame by means of phono jack hole152. In another embodiment, the female phono jack160is coupled to the Vbox system100by means of a phono jack washer and nut162, situated on the exterior of the Vbox system100.

In another embodiment, the female phono jack160has at least one piezo pickup lead. In another embodiment, the at least one electronic amplification component includes a first pickup wire164coupled to a corresponding pickup lead of the female phono jack160, routed through hole154into the smaller chamber120, and fastened to a first piezo pickup166. For instance, piezo pickup166is coupled to the center of frame piece104aby means of an adhesive. For example, piezo pickup166is a ¾ inch pickup.

In another embodiment, the at least one electronic amplification component includes a second pickup wire168coupled to a corresponding pickup lead of the female phono jack160and routed inside the large chamber140to a second piezo pickup170. For instance, piezo pickup170is coupled to the center of frame piece144aby means of an adhesive. For example, piezo pickup170is a ¾ inch pickup.

It is noted herein that the pickups166and170are each coupled to the center of the longest frame piece of chamber120and140, respectively. However, it is contemplated that the placement of the pickups166and170may be coupled to any surface on the interior of the Vbox system100, including anywhere on the frames, the top plates, and the bottom plates. Therefore, the above description should not be interpreted as a limitation on the present invention but merely an illustration.

It is further noted herein that, although the ¾ piezo pickups provide excellent frequency response, they do not produce a high-output voltage and more gain is needed to be supplied to compensate for this. Additionally, other sizes of piezo pick-ups are available and may be implemented in Vbox system100. Further, other types of pickups are usable in the Vbox system100, including magnetic pickups or a system which combines piezo and magnetic pickups. As such, the above description should not be interpreted as a limitation on the present invention but merely an illustration.

Referring now toFIG. 1D, the Vbox system100for an acoustic stomp box percussion device is further illustrated, in accordance with one or more embodiments of the present disclosure. In one embodiment, at least one non-slip foot184is coupled to the Vbox system100. For instance, a non-slip foot184is coupled to each of three outside corners on bottom plates106and146. Additionally, the at least one non-slip foot184has the dimensions of 0.625 inch diameter by ¼ inch tall (approximately 16 mm diameter by 6.35 mm tall).

In another embodiment, the non-slip feet184minimally inhibit the playability of the bottom plates106and146with one's hands. It is contemplated herein that, while the intended method of striking the bottom plates106and146is with the hands, alternative methods include striking the bottom plates106and146with feet and with percussion striking devices including mallets, sticks, brushes, rods, or any other percussion striking device known in the art. As such, a second set of at least one non-slip foot may be situated on the top plates102and142.

Referring now toFIG. 1E, an exploded view of the Vbox system100for an acoustic stomp box percussion device is illustrated, in accordance with one or more embodiments of the present disclosure. In one embodiment, the set of top plates102and142, the set of frames104and144, and the set of bottom plates106and146are each constructed from different materials. In another embodiment, at least one of the set of top plates102and142, the set of frames104and144, and the set of bottom plates106and146are constructed from the same material.

Referring now toFIG. 2, a method for manufacturing an acoustic stomp box percussion device is illustrated, in accordance with one or more embodiments of the present disclosure. It is noted herein that the various system embodiments, components and architecture described previously herein should be interpreted to extend to the method200ofFIG. 2.

In a first step202, two trapezoid-shaped frames are constructed. In one embodiment, each frame is comprised of four pieces, wherein each piece is cut to a specific length and has specific end angles. In another embodiment, the frames are different sizes. In another embodiment, the frames may be constructed from solid maple.

In a second step204, two top plates are cut. In one embodiment, each top plate is cut to match a particular frame from step202. In another embodiment, the top plates are different sizes. In another embodiment, the top plates may be cut from mahogany plywood.

In a third step206, two bottom plates are cut. In one embodiment, each bottom plate is cut to match a particular frame from step202. In another embodiment, the bottom plates are different sizes. In another embodiment, the bottom plates may be cut from birch plywood.

In a fourth step208, a first chamber and a second chamber are constructed by coupling the top and bottom plates to their respective size-matched frames. In one embodiment, the bottom plates may be coupled to the respective frames by at least one of an adhesive or fasteners. In another embodiment, the top plates may be initially coupled to the respective frames by at least one of an adhesive or fasteners.

In an optional step209, the first chamber and the second chamber are sanded and shaped prior to removing the top plates. In one embodiment, the excess dried adhesive is removed. In another embodiment, the sharp edges and corners are softened.

In a fifth step210, the top plates are removed from the chambers following the sanding and shaping of the chamber edges.

In a sixth step212, at least one hole is drilled into the chamber frames. In one embodiment, at least one hole for internal coupling fasteners may be drilled. In another embodiment, at least one hole for electronic amplification components may be drilled. For instance, a female phono jack hole may be drilled. Additionally, a hole to allow a piezo pickup wire to pass from the large chamber to the small chamber may be drilled.

In an optional step213, the chambers and the top plates are coated with a substance. In one embodiment, the chambers and the top plates may be coated with the same coating substance. In another embodiment, the chambers and the top plates may be coated with different coating substances. For example, the coating substance may include at least one of a lacquer or a paint.

In a seventh step214, the two chambers are coupled together by means of fasteners through the drilled fasteners holes into a chamber assembly. In another embodiment, a piece of cushioning material is placed between the chambers prior to coupling them together. For instance, the cushioning material may be a piece of foam.

In an eighth step216, at least one sound modification hardware component is coupled to the chamber assembly. In one embodiment, the sound modification hardware component is a snare coupled to a small block by means of a wedging mechanism, an adhesive, or fasteners to the interior of the small chamber.

In a ninth step218, at least one electronic amplification component is coupled to the interior of the chamber assembly. In one embodiment, a female phono jack is coupled to the large chamber frame by means of the female phono jack hole. In another embodiment, at least one piezo pickup is coupled to the center of the longest frame pieces of each chamber by means of an adhesive. In another embodiment, at least one piezo pickup wire is coupled to the at least one lead of the female phono jack and the at least one piezo pickup. In another embodiment, the at least one piezo pickup wire is passed through the pickup wire-passing hole drilled between the coupled chambers into order to couple to the at least one lead of the female phono jack and the at least one piezo pickup.

In a tenth step220, the top plates are reattached to the chamber assembly. In one embodiment, the top plates are reattached solely with an adhesive. In an alternative embodiment, the top plates are reattached solely with fasteners. In an alternative embodiment, the top plates are coupled both with an adhesive and with fasteners. It is noted that excess adhesive may be removed from the finished surface if the top plates were reattached by means of adhesive. In another embodiment, non-slip feet are mounted on each of the three outside corners of the bottom plates.

Referring now toFIG. 3, a method for manufacturing an acoustic stomp box percussion device is illustrated, in accordance with one or more embodiments of the present disclosure. It is noted herein that the various system embodiments, components and architecture described previously herein should be interpreted to extend to the method300ofFIG. 3.

In a first step302, two trapezoid-shaped frames are constructed. In one embodiment, each frame is comprised of four pieces, wherein each piece is cut to a specific length and has specific end angles. In another embodiment, the frames are different sizes. In another embodiment, the frames may be constructed from solid maple.

In a second step304, two top plates are cut. In one embodiment, each top plate is cut to match a particular frame from step202. In another embodiment, the top plates are different sizes. In another embodiment, the top plates may be cut from mahogany plywood.

In a third step306, two bottom plates are cut. In one embodiment, each bottom plate is cut to match a particular frame from step202. In another embodiment, the bottom plates are different sizes. In another embodiment, the bottom plates may be cut from birch plywood.

In a fourth step308, a first chamber and a second chamber are constructed by coupling the top and bottom plates to their respective size-matched frames. In one embodiment, the bottom plates may be coupled to the respective frames by at least one of an adhesive or fasteners. In another embodiment, the top plates may be initially coupled to the respective frames by at least one of an adhesive or fasteners.

In an optional step309, the first chamber and the second chamber are sanded and shaped prior to removing the top plates. In one embodiment, the excess dried adhesive is removed. In another embodiment, the sharp edges and corners are softened.

In a fifth step310, the bottom plates are removed from the chambers following the sanding and shaping of the chamber edges.

In a sixth step312, at least one hole is drilled into the chamber frames. In one embodiment, at least one hole for internal coupling fasteners may be drilled. In another embodiment, at least one hole for electronic amplification components may be drilled. For instance, a female phono jack hole may be drilled. Additionally, a hole to allow a piezo pickup wire to pass from the large chamber to the small chamber may be drilled.

In an optional step313, the chambers and the bottom plates are coated with a substance. In one embodiment, the chambers and the bottom plates may be coated with the same coating substance. In another embodiment, the chambers and the bottom plates may be coated with different coating substances. For example, the coating substance may include at least one of a lacquer or a paint.

In a seventh step314, the two chambers are coupled together by means of fasteners through the drilled fasteners holes into a chamber assembly. In another embodiment, a piece of cushioning material is placed between the chambers prior to coupling them together. For instance, the cushioning material may be a piece of foam.

In an eighth step316, at least one sound modification hardware component is coupled to the chamber assembly. In one embodiment, the sound modification hardware component is a snare coupled to a small block by means of a wedging mechanism, an adhesive, or fasteners to the interior of the small chamber.

In a ninth step318, at least one electronic amplification component is coupled to the interior of the chamber assembly. In one embodiment, a female phono jack is coupled to the large chamber frame by means of the female phono jack hole. In another embodiment, at least one piezo pickup is coupled to the center of the longest frame pieces of each chamber by means of an adhesive. In another embodiment, at least one piezo pickup wire is coupled to the at least one lead of the female phono jack and the at least one piezo pickup. In another embodiment, the at least one piezo pickup wire is passed through the pickup wire-passing hole drilled between the coupled chambers into order to couple to the at least one lead of the female phono jack and the at least one piezo pickup.

In a tenth step320, the bottom plates are reattached to the chamber assembly. In one embodiment, the bottom plates are reattached solely with an adhesive. In an alternative embodiment, the bottom plates are reattached solely with fasteners. In an alternative embodiment, the bottom plates are coupled both with an adhesive and with fasteners. It is noted that excess adhesive may be removed from the finished surface if the bottom plates were reattached by means of adhesive. In another embodiment, non-slip feet are mounted on each of the three outside corners of the bottom plates.

In one embodiment, the Vbox system100is a low profile resonating box drum which can be played with a person's feet, hands, or other percussion striking devices. For instance, one playing method is for a user to tap his feet on the top plates102and142while standing up or sitting down, thus freeing the user's hands for the main instrument (e.g., guitar or piano). Alternatively, the Vbox system100may be played with the hands in a variety of ways, including by striking either the top plates102and142or striking the bottom plates106and146. Alternatively, the Vbox system100could be played with percussion striking devices including mallets, sticks, brushes, rods, or any other percussion striking devices known in the art.

In another embodiment, depending on which top plate102or142of the respective chambers120or140is struck, a different sound will be emitted. For example, striking the top plate142of the large chamber140on the long side will result in a low frequency sound with excellent bass properties. By way of another example, striking the top plate102of the small chamber120on the long side will result in a snare-like sound. It is noted that the bass-snare sound orientation is generally played with the feet, but may also be played with the hands or with percussion striking devices.

In another embodiment, the Vbox system100may be played with the hands. For instance, striking the bottom plates106and146will result in a bongo drum-like sound. It is noted that using hands or other percussion striking devices allow the user to create more complex rhythm patterns, and further allow the user to include a wide variety of filler sounds in their performance. It is noted that the bongo drum-like sound orientation is generally played with the hands, but may also be played with feet or with percussion striking devices.

In another embodiment, friction may be applied to the frames of the chambers120and140to create a shaker-like sound.

In another embodiment, the unique trapezoid-shaped design of the Vbox system100allows to user to generate a variety of additional sounds around the perimeter of the top plates102and142of the Vbox system100. In another embodiment, the available variety of sounds is further expanded by the second set of sounds possible from the bottom plates106and146of the Vbox system100. For instance, striking any of the plates at the center of the long side of the chambers120and140will produce a lower frequency sound. Alternatively, striking any of the plates towards the sides of the chambers120and140will produce a higher frequency sound.

In another embodiment, the compact profile of the Vbox system100allows the Vbox system100to be positioned in a variety of ways, including on the floor, on a user's lap, on a table in front of a user, and on a snare stand.

In another embodiment, the construction materials of the Vbox system100are capable of producing and projecting sounds acoustically. In another embodiment, the Vbox system100may also be amplified by means of the piezo pickups166and170, the female phono jack160, and separate standard electronic amplification equipment known to the art. In another embodiment, the sound of the Vbox system100may be manipulated by equalizers, compression devices, and secondary effects in a separate PA system when passed through the female phono jack160. It is noted that the versatile nature of the Vbox system100means the Vbox system100is not constrained for use in certain venues.

In another embodiment, the location of the female phono jack160on, and the V-shape of, the Vbox system100is conducive to interfacing with a user's other performance equipment. For instance, the female phono jack160is positioned to keep any coupled instrument jack cable out of the way of the Vbox system100user and have minimal impact on the sounds emitted by the Vbox system100. Additionally, the V-shape of the Vbox system100results in a natural notch which allows a user to place a microphone stands with legs closer to himself than what may be possible with a rectangular-profile stomp box.

Thus, the Vbox system100is a device designed to provide a user with a variety of sounds options, including sounds similar to a bass drum, a snare drum, a djembe drum, bongo drums, a woodblock, and a shaker or set of shakers to complement the main performing instrument. Additionally, the Vbox system100provides this variety of sound options in a single portable unit, instead of requiring multiple instruments. Further, given the compact nature and the construction of the Vbox system100, the user is not constrained to only being able to use the Vbox system100in certain venues, whereas other percussion instruments may be limited by size and/or the need for acoustic or amplified sounds.

In other embodiments, the materials used for construction and the specific measurements of the chambers120and140may be altered in such a way that at least one of the first chamber top plate surface102, the second chamber top plate surface142, the first chamber bottom plate surface126, or the second chamber bottom plate surface146emit the same sound when struck.

In other embodiments, the chambers120and140may not be permanently coupled into a chamber assembly. For instance, the chambers120and140may employ countersunk magnets in the coupled frame pieces, interlocking grooves on the coupled frame pieces, Velcro, or a hook and latch system on the exterior of the chambers120and140. For example, these systems will couple the chambers120and140together, but still provide the option of separating the boxes for use in another orientation than the Vbox system100's V shape. Additionally, the non-permanent coupling mechanism may be designed in such a way so as to minimally inhibit emitted sounds. Further, it is contemplated that removing the need for the holes required to implement internal fasteners, and instead relying solely on exterior coupling mechanisms, will provide greater sound isolation between the two chambers120and140.

In other embodiments, where the Vbox system100is not permanently coupled but still constructed with amplification electronics, that the amplification electronics are installed in such a way so as not to inhibit the separation of the chambers120and140. For instance, the piezo pickup wire164leading to piezo pickup166may be longer than the length required if the chambers120and140were permanently coupled. Additionally, the extended length of piezo pickup wire164may be coiled in the larger chamber140when the two chambers are coupled together. Further, the extended length of piezo pickup wire164may be easily pulled through or pushed back through hole154as need be.

In other embodiments, the design and the construction of the Vbox system100may be modified to better accommodate round-base microphone stands in a fashion similar to how the current Vbox system100will accommodate a microphone stand with legs.

In other embodiments, the internal components may be rearranged within the Vbox system100. For instance, the snare110may be coupled to the interior of the large chamber140. Additionally, the female phono jack holes150and152and the female phono jack160may be situated in the smaller chamber120.

Although particular embodiments of this invention have been illustrated, it is apparent that various modifications and embodiments of the invention may be made by those skilled in the art without departing from the scope and spirit of the foregoing disclosure. Accordingly, the scope of the invention should be limited only by the claims appended hereto.