", 2014}} Morgan offers a take on duality and inherent hypocrisies in being a feminist woman, who supports black male-centric movements like Farrakhan's Million Man March, and also hip-hop which she argues has many male-centric elements. She explores the dynamic of maintaining her feminism, while also enjoying male, particularly black male culture, and discusses balancing feminism while also benefitting from some parts of the gendered nature of society. She asks herself questions like ""Can you be a good feminist and admit out loud that there are things that you kinda dig about patriarchy?"" and ""Suppose you don't want to pay for your own dinner, hold the door open, fix things, move furniture, or get intimate with whatever's under the hood of a car""? She cites hip-hop artists like R. Kelly, Jodeci, Lil' Kim, Queen Latifah and as the vehicles through which she makes her point about some of the honest dualities that come with feminism.{{cite book|last1=Morgan|first1=Joan|title=When Chickenheads come home to roost: my life as a hip-hop feminist|date=March 10, 1999|publisher=Simon & Schuter|isbn=0684822628|pages=49-62|accessdate=Nov 18"