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 Whole Ariticle Needs to br Rewritten 

i believe this whole article needs to be rewritten fromntop to bottom.  In jumps around in a chronological sense, thereby notbshowingbin a cohesive way how improvisational theatre has developed.  There is a lot of text devoted to thevwork of Keith Jonstone, but his work is no more important than dozens of other writers; moreover, his importance is no where near as significant in the US as is the work of Spolin, Shepherd, Sills, and Close (and the rolenof IO and The Second City.

The article, in it's present form, looks like a hodge-podge of sentences and paragraphs from many authors with no attention paid to consistency.

A rewrite would also avoid some duplication.

How does one initiate such a process?  Who selects the person to take the first stab at it?  I would propose that Michael Golding of Los Angeles do the rewrite.  He has a masters degree in improvisation from NYU, personally knows many of the people who have created modern improvisational theatre (Shepherd, Sills, Close, Halpern to name a few), and is a professional writer (his latest credit is for writing the film ""David Shepherd: A Lifetime of Improvisational Theatre"").  Any thoughts?"