Otrobonita/noicy-space-talks huggingface dataset:
CC: Roger. Stand by a minute, Goldstone.
CC: 1l, this is Houston. What numbers are you refer- ring to? Over.
CDR: Well, I guess if they can't see any nunhers, why, it's kind of a lost cause.
CC: Negative. Standby. We wanted to know - -
CC: We wanted to know what numbers before _re asked them.
CDR: Okay. I'm showing them the DS_f, and I'd like to know whether they can read what's showing on the DSKY, and also whether they can see P-R-O-G, V-E-R-B, and N-O-U-N. Over.
CT: CAP COMM, Goldstone. Go ahead.
CC: Roger. Did you copy the spacecraft request?
CT: That's affirmative. I am reading the numbers on our monitor here.
CC: Okay, that's - Roger. That's both the numbers on the DSKY itself, and the little worfs like PROGRAM and VERB, NOUN, COMPUTER ACTIV__TY, things of this sort?
CT: Roger. I can read the numbers clearly. We can't distinguish what the words are, because it is a snoway. little
CT: Okay. I read VERB, N©UN, and PROCJ_,_.
CC: Roger. Do you see - Over in the lefthand corner, there's a big square one that says COM?UTER ACTIV- ITY, COM2_ ACTIVITY?
CT: Roger. I see a flash occasionally in ,;hat area.
CC: Roger. _nat's the one.
CT: Okay. It looks like he's moved the camera at this time.
CC: 11, this is Houston. Goldstone M&0 re_orts that they can read the nu_m-oerson the DSKY. They can also read VERB, NOUN, PROGRAM, and see the CO_P ACTIVITY light flashi;,_g. 0vet.
CDR: V_ry good. Thank you_
CC: And they also report you appear to have panned the camera over to another location now.
CDR: Yes, we're going to work on something else.
CMP: Oh, Charlie. That you?
CC: That's me. How are you there?
CMP: Oh, Just fine. How's the old White Team today?
CC: Oh, the old White Team's bright-eyed and bushy- tailed. We're ever alert down here.
CMP: Ever alert and ... Hey, you got any m_dics down there watching high grade? I'm trying to do some running in place down here, and I'm wondering just out of curiosity whether it brings my heart rate up.
CC: Well, they will spring into action here momentarily. Stand by.
CC: Hello, 11. We see yo_ir heart beating.
CMP: Okay, Well - look at the CDR's and th, C_-m°'sand see if they go up anN. We're all running in place up here. You wouldn't believe it.
CC: I'd like to see that sight. Why don't you give us a TV picture of that one.
UNKNOWN: I think Buzz is trying. You got it.
CC: Okay. It's coming ir at Goldstone_ Bu_z. As Bruce ,said, we don't have it here in tae center.
CMP: I'm afraid this isn't going to help out the PTC much, very CMS Yes.
UNKNOWN: don't know if it's a vibration or what it is, but it m__kes the pitch and yaw rate needles on FDAI number i _ump up and down a little bit up, where we Jump and down.
CC: oger. Goldstoners say they see you r_mning there, Mike.
UNKNOWN: 0k_4_ '1
CDR: Ask him what he's rUnning from.
CC: 11, Houston. Mike, we see about a 96 heartbeat now.
CMP: Well, that's about all that is reasonable, without getting hot and sweaty.
CMP: Goldstone should be getting about the best picture of the Earth we can give them right now_ Charlie.
CC: Roger, Mike. Thank you much.
LMP: We've got a tittle distortion in the horizontal direction from banding on our monitor. I wonder if they're getting the same thing?
CC: Stand by, Buzz. I'11 let you know.
LMP: I guess it would be more described as a waviness.
CC: Goldstone M&O, Houston CAP COI_.
CT: Goldstone M&O.
CC: Okay. The crew is complaining of some horizontal banding on their monitor. Do you see ghat on the picture?
CT: Stand by.
UNKNOWN: They wouldn't see anything now. We don't have anythin_ i_ focus, Charlie.
CC: Roger. He's checking on it. I'11 see if they had it earlier. Stand by.
CMP: I guess when we're showing the DSKY or when we're showing the Earth might be the better time.
CT: Houston CAP COMM, Goldstone.
CC: Go _head.
CT: Okay. Our TV people confirm they see this hori- zontal band.
CC: 11, Houston. The Goldstone TV people also see the banding when - at the same time you do. Over.
LMP: Okay. Would they call it a horizontal waviness, instead of banding, maybe? _UZZ. [,_L me _(_(t hcJW I,h,:y _b:;;cr'Jb_* it,.
CC: Goldstone M&0, Houston CAP COMM. Could you put the TV guy on the loop, please?
CT: CAP C0_, Goldstone. Roger.
CT: Houston CkP COMM, Goldstone M&0 NET 1.
CT: The TV people do not have access to NET 1 in that area. Suggest we use NET 2 For taat pur- pose.
CC: Okay. Going to NET 2.
CC: Hello, Apollo 11. Houston. _e _oldstone TV guys say they have some norizonta! ban_ting across the upper part of the picture and across the lower part. They would consider the lines just straight, no waviness to them at all. Over.
LMP: Roger. Understand. They do seem to dLstort vertical lines though.
CC: S_y _gain about the vertical lines, B_zz.
UNKNOWN: Roger. When there's a vertical line, these horizontal bands tend vo put small waw_s in it.
CC: Roger. I copy. He didn't mention that. Stand by, I'11 check again.
CC: Hello, 11. Houston. The Goldstone TV said that when yOU get a sharp vertical line on Jhe picture, when the horizontal banding goes across, it does appear to bend it slightly. The same _s Apollo 10, they said. Looks okay to them. Over.
LMP: Okay. Understand. It's not our monitor. It must be the transmitter or the system.
CC: Roger. I guess so, Buzz. We'11 have them look into it, and see if they can suggest anything.
CC: Hello, Apollo 11. Houston. We've lost our command interface with Goldstone. We'd like you to switch to OMNI Delta. Over.
LMP: Roger. Going to Delta.
CC: Hello, Apollo 11. Houston. We'd like you to terminate the 02 purge if you have not done so already, and the TV camera people say that the lines are inherent in the camera, Buzz; and it's something that we expected. Over.
LMP: Roger. Understand about the camera. Say again about the 02 purge.
CC: Roger. We can terminate the 02 purge at this time. Over.
LMP: Oh, okay. Fine. Will do.
CC: Hello, Apollo 1i. Houston. Please seJect OMNI Bravo on board. Over.
CMP: Okay. Going to Bravo, Charlie.
CMP: How's everything going down there? You guys happy with the spacecraft systems?
CC: Roger. Affirmative. Everything's looking really good to us. Over.
CMP: Okay. Same here.
CMP: Charlie, how far out can you pick up TV off the 0m_i?
CC: Stand by. ·
CC: Hello, Apollo 1t. Houston. We're jus0 about to the limits where we can get any kind o f picture at all on the OMNI's on the TV. It - The picture, I guess, would be just almost zero at this point.
UNKNOWN: Okay[ Well, for this TV program coming up in a couple of hours, you might give some thought to how you want us to stop PTC, if you do, for the best high gain angle; and also it would be nice if you could stop us at such an attitude that we'd have the Earth out of one of our windo_,s.
CC: Roger, 11. We're thinking about that.
CC: Hello, Apollo 11. Houston. We got some PIPA biases and general drift updates for you if you give us POO and ACCEPT. Over.
CDR: Okay, Charlie. Stan_ by one.
CC: Roger, 11. The - -
CC: Okay. Thank you much. Our biggest drift on the GYRO's is 0.03 degrees per hour with - on the X-GYRO. On the PIPA's, the Y-PIPA's the biggest and it's 0.006 feet per second so ... trying to tweak it up. The biggest we have is about one sigma on both GYRO's and accelerometera.
CDR: Sounds good.
CC: The system really loo_s good to us.
CDR: Glad to hear it, Charlie.
CC: il, Houston. You can go back to BLOCK. We've got the load in.
LMP: Boy, you sure get a different perspective in this thing in zero g. Right now, Neil's got his feet on the forward hatch, and he (:an with his arms reach - all five windows, lie can reach down into - the LEB where the over- board drain is. He can practically reach over in the cockpit.
CC: Sounds like Plastic Man to me.
CMP: I'm hiding under the left-hand couch trying to stay out of his way.
CC: Be a good idea, Mike.
LMP: Houston, Apollo 11. You got a cloud over the Houston area right now?
CC: Roger. We just had a really big thu_derstozrm here about a hour age. Couple of storms around the area ... Over.
LMP: Yes. I see one fairly large and isolated one. There are couple of more off to the left, but this one looks fairly good size. It could very well be the one that just passed over you.
LMP: Yes, and it looks like the Cape has been having a little bit of rain, too.
CC: Roger. The one we had here came in from the west and is moving east - or nearly so, as far as I could tell. ,
LMP: Thmt view through this sextant is fantastic. I can see Alaska right mp- right up aloLg the LM, and I'm running the crosshairs right now down the coast of California, the west coast of Mexico, Yucatan Peninsula, up amgund the Gulf, Florida, Cuba, down Central America, and I'm running into the stop right now, on the sextant.
CC: Roger. It sounds like a pretty fantastic view.
LMP: The guys in the weather office at Patrick wanted a report on the tops but I guess all we can say is we're above them.
CC: Roger. We'11 pass it on to METRO.
CC: 11, Houston. Do you see any predominant weather systems as far as frontal type or any buildup of tropical-storm type? Over.
LMP: Not any large ones. There are a couple of sm_ller disturbances. Well, there's one maybe 300 miles north of Cuba, but it doesn't look cyclonic.
CC: Hello, Apollo 11. Houston. We got a TV attitude for you and also an update to your CMC erasable load and your alternate contingency checklist, if you could break that out too. Over.
LMP: Roger. I'm not sure I caught all of that. Go ahead with what you have.
CC: Roger, 1t. if you'11 break out your alternate and contingency checklist for the CSM, we got an update to some of the erasable loads on page F2-20, Over.
LMP: Okay. Be getting that out, and you can give us the attitude for TV.
CC: Roger, 11. Your TV attitude will be roll 261, pitch 090, yaw 000. High gain angle: pitch plus 28, yaw 271. That puts the left-hand window _pointed at the Earth. We recommend exit- lng PTC with your updated procedure i_ the checklist. Over,
LMP: Roger. We copy roll 21 - 61, pitch 090, yaw 000, high gain pitch plus 28, yaw 271. And we'11 like this with the DELTA-V that we have in the book. Over.
CC: That!s affir_etive.
CMP: Ch_rlie, Apollo 11. I have a couple oi' questions on stopping the PTC. It seems to me the easiest way to stop it would be - we're essentially, of course, at 0 degrees yaw and closing Up to 90 degrees pitch, so it's Just a question of stopping at 260 roll, roughly, and - How about for a procedure going MANUAL ATTITUDE, three to RATE COMMAND and then, seeing as how our deadband has already collapsed, I'11 turn on the panel 8 RCS thrusters, at which time it should stop at whatever attitude it finds itself in. And if I do all of that as it comes up on 261 degrees roll, we should stop right there. Is tlaat suffi- cient?
CC: Sounds pretty good. Stand by one.
CMP: Sounds like it might save a little gas.
UNKNOWN: Houston, Apollo 11. What page do you want in that revision? Over.
CC: Roger, 11. If you'11 turn to page F2-20. Over.
UNKNOWN: Okay, Tim -
CC: Roger, 1i. Under column A on page F2-20, line 5, line 05, the new data is 01042; line 07, the new data is 00256. Skipping down to line 11, 00070; line 12 is 00042; line 13 is 77730. In cold,mn Bravo, lines 3, 4, and 5, which are blank, should be all zeros for line 3; line h is 20017; line 5 20616. Over.
LMP: Roger. Page F2-20, column Alfa: 05, 01042; 07, 00256; 11, I'11 say again. Ii, 00070; 12, 00042; 13, 77730. Column Bravo: 03, 00000_ 04_ 20017; 05, 20616. Over.
CC: Roger. Good readback, Buzz. And stand by, Mike, on the coming-out-of-the-PTC recommendation. Over.
CC: Hello, Apollo 11. Houston with a recommendation on exiting PTCM. Over.
CC: Roger, Mike. We'd like to see you go _o ACCEL CORE,AND on the MANUAL ATTITUDE switches. Then to turn on the AUTO RCS SELECT switches, and then go RATE COMMAND. That Mill prevel_t us from firing Jets uncoupled. Over.
CMP: Okay. Fine. And I would guess go RATE COMMAND and roll first and then followed by pizch and yaw.
CC: Okay. That sounds good if - And when you get to the roll attitude desired, Just go RATE COMMAND at that time and it'11 stop us right on.
CMP: Yes. I agree, Charlie. That sounds right.
CC: Hello, Apollo 11. Houston with some more words on exiting PTC. Over.
CC: Roger. Mike, when you were playing with the P37 a while ago and we collapsed the deadband back down, the DAP assumed that the deadband was centered around the new attitude that we happened to be at, at that time. Since then, we've drifted out a couple of degrees in both pitch and yaw from that attitude such that if we did the procedure as we called it up to yo_ of going ACCEL COMMAND, turning on all of the AJTO RCS SELECT switches and then RATE COMMAND_ it would attempt to fly back to the pitch and _aw atti- tude that it had when the deadband co]lapsed. We can prevent that by - just immediately prior to going to RATE COMMAND on the 5ta_NUA1ATTITUDE switches, if you cycle the SPACECRAFT CONTROL switch to SCS, then back to CMC. Over.
CMP: Sounds like a winner.
UNKNOWN: i'm not going to let these LM guys plsy with my DSKY an_nore.
CC: You sound like you'd better protect it. It looks like Just about anything that you do with that DSKY is going to collapse that deadband back down.
CMP: Cha.rlie, we Just STABED to 261 degrees roll, and it looks like whoever figured it clt did a good Job. It's right there, dab-smack in the middle of window number 1.
CC: Sounds great.
UNKNOWN: Looks like Houston's still got a little smog over it, Charlie.
CC: We_ve got a constant overcast here in the room. We'11 be right there. Stand by.
LMP: Of course, a little cloud from up here probably covers 8 or 10 states.
CC: 11, Houston. Some of our guys just cs_me in from outside and said it's pretty clear over the center here. It's cleared up compZ,etely. All the storms have moved on.
UNKNOWN: Oh, yes, Charlie. I can see it through the sextant now, and I can see the coastline is clear. Those clouds are just inland a few miles.
UNKNOWN: Looks like the southeast part of the country is all socked in.
LMP: California looks nice. The San Joaquin Valley shows up as a real dark spot with a lighter brown on either side of it. You can't tell that it's green. It looks Just sort of dark gray or maybe even real dark blue.
CC: How does the MoJave _ook? Is it clear?
CC: Yes. As usual.
CC: Roger. The - around -
UNKNOWN: it looks like there's some clouds just to the west of the Sierras, northeast of' Bake_sfield a little bit; and crossing over into tile Mojave from Bakersfield looks clear; and then as you get on further to the southeast of there, there's a few clouds.
CC: Roger, 11. Can you pick out Edwards in the sextant? Over.
LMP: I can see a 104 taxiing out for takeoff on the runway.
CC: Hey, man. That's super.
LMP: These dang bastards almost always have a 104 taxiir_ out for takeoff.
CC: 11, Houston. Could you pick out anything around Edwards, a dry lake or anything? Over.
LMP: Negative, Charlie. I Just - I don't have that resolution. But to give you some idea, I can - on the lower Texas coast, I can see - knowing what I'm looking for, I can see Padre Island. I can Just barely make out the fact that there's a thin spit of land and then there's a little dark zone which is the Laguna Madre between it and the mainland.
CC: Roger, 11. That's pretty significant. Thank you much, Buzz.
LMP: How far out are we, Charlie?
CC: Stand by. I'11 give it to you exactly. Looks like around 130 000, but stand by.
CC: 11, Houston. The exact range is 125 _O0 miles, and you're traveling 4486 feet per second.
UNKNOWN: Pretty far and pretty slow. Just past halfway.
UNKNOWN: Hey, Charlie, what the latest on Luna 157
CC: Say aga3n, Buzz? Over.
LMP: Roger. W]aat's the latest on Luna 157
CC: Stand by. I'11 get the straight stor_ for you. Pal'_e 107
CC: Hello, Apollo 11. Houston. Over.
CC: Roger. Latest on Luna 15 - TASS reported this morning that the spacecraft was placed in orbit close to the lunar surface, and everything seems to be functioning normally on the vehicle. Sir Bernard Lovell said the craft appears to be in an orbit of about 62 nautical miles. Over. Thank
CMP: Okay. you, Charlie.
CC: And also, President Nixon has reported - or declared a day of participation on Monday for all federal employees to enable everybody to follow your activities on the surface. Many state and city governments and businesses through- out the country are also giving their employees the day off, so it looks like ycu're going to have a pretty large audience for the EVA.
CMP: Oh, that's very nice, Charlie. I'11 tell Neil about it.
CDR: Houston, Apollo 11. We've stopped PTC. We're in the right position; we're setting up for TV.
CC: Apollo 11, Houston. We have you stopped in the PTC; attitude looks good to us. Mike, I would like to get a COMM check. The last co%_ple of the transmissions from the spacecraft has been garbled from especially Buzz. Could you both give me a COMM check? Over.
LMP: Roger, Charlie. Buzz here. How do you read? 1, 2, 3, 4, 5; 5, 4, 3, 2, 1.
CC: Roger. You $re about four-by with a slight decrease/increase in volume, sort of a wavy volume to it. Over.
LMP: Okay. I moved my mike around. How about now? Is this any better?
CC: Hey, that's beautiful right there. Thank you.
CMP: Okay, Charlie. 1, 2, 3, 4, 5; 5, 4, 3, 2, 1. How do you read me?
CC: Roger. You're five-by. Is Nell on?
CDR: 1, 2, 3, 4, 5; 5, 4, 3, 2, 1.
CC: Roger, Nell. You're five-by.
CC: Hello, Apollo 11. Houston. We got the network can all configured for the TV. You start any want. time you Over.
CC: Okay, 11. We have a picture. We see the Earth right in the center of the screen. Over.
CDR: Roger, Houston. Apollo 11 calling in from about 130 000 miles out. And we'11 zoom our camera in slowly and get the most magnification we can. Over.
CC: !1, Houston. The definition is pretty good on our monitor here. The color is not too ..., at least on this set. Could you describe what you're look- ing at? Over.
CDR: Roger. You're seeing Earth, as we see it, out our left-hand window, just a little mo_e than a half Earth. We're looking at the eastern Pacific Ocean, and the north half of the top half of the screen, we can see North America, Alasxa, United States, Canada, Mexico, and Central America. South America becomes invisible just off beyond the terminator or inside the shadow. We can see the oceans with a definite blue cast, see white bands of major cloud formations across the Earth, and can see coastlines, pick out the w_stern U.S., San Joaquin Valley, the Sierra mountaia range, the peninsula of BaJa California, and we can see some cloud formations over southeastera U.S. There's one definite mild storm southwest of and Alaska, looks like about 500 to 1000 miles, another very minor storm showing the south end of the screen near the - or a long ways off of the equator, probably 45 degrees or mcre south latitude. Can pick out the browns in the land- forms pretty well. Greens do not shot up very well. Some greens showing along the north- eastern - northwestern coast of the United States and northwestern coast of Canada.
CC: Roger, 11. It's a pretty good picture on clarity here. We're having - can you tell us - It appears to us that there are two distinct clou¢- formations east/west, trending one approximately about along the equator, and one around 30 or so south latitude. Could you tell Us exactly where those cross the lan dm_S Ses ? Over.
CDR: Yes. They cross just south of the lower part of Mexico, probably through Central Amerfca. That is the equatorial band which we assume to be the intertropical convergence zone. The ether band, which stands about 30 south, correet!_ appears to Join the equator at the far left, cr just beyond the horizon on the left edge of Earth, or at least it looks like it's going to join it. We don't have an explanation for that banding.
CC: Roger, Nell. Thank you. It also appears that just to the left of the terminator, uy in the northern hemisphere, there's a cloudbamd trend- no:-thwes%/ ing - a gap in the cloud, trending southeast. It appears to us that that comes in about over the north,._rnUnited States, or perhaps the central United States. Is that aleut correct? Over.
CDR: I can see on the monitor the thing you were talking about, but right now I can't get my eye to the window to pick out just where it crosses the shore- line.
CC: You guys are doing a good Job. It's a real steady picture, here. We'r,? - Clarity is ex:ellent. The color, it's - the clouds are - The whites are distinct. The rest if it looks like, to me anyway on the monitor I'm observing, is a fairly greenish blue is the way I'd describe it. Over.
CC: It appears that the - -
CDR: Well, we can't observe much green fror the space- craft.
CC: Roger. On this monitor, the landmasses appear to be Just a darker grayish color rather than a brow_l.
CDR: Well, it's true that we do not have the depths of color at this range that we enjoyed at 50 000 miles out. However, the oceans still are a definite blue and the continents are generally brownish in cast, although it is true that they're tending more toward gray now than they were at the closer r_ge.
CC: Roger, 11. We've been - I've just been vectored to another monitor and sure enough, the browns are coming in a lot more distinctly on the Eidephor that we have up on our screen in the control center. Over.
CDR: Okay, world, hold on to your hat. I'm going to turn you upside-down.
CC: 11, that's a pretty good roll, there.
CDR: Oh, I'd say sloppy, Charlie. Let me try that one again.
CC: You'11 never beat out the thunderbird.
CC: Apollo 11, Houston. That practice did you some good. It's looking - real smooth roll, there.
CC: Oops! Spoke too soon.
CDR: I'm making myself seasick doing it, Charlie. I'11 Just put you back rightside-up wh(_re you belong.
CDR: You don't get to do that every day.
CC: 11, Houston. Could you describe, from your view, the polar eloudcap? [t appears to us _;o extend down the western coast of North America. Would you estimate how far it extends down? Over.
LMP: Trying to fit everybody into the window'.
CDR: It appears that the cloudcap comes down a little bit below the southern extremity of Alaska.
CC: We've - 11, we've lost our picture here, now.
CC: Okay. Apollo 11, Houston. We've got the picture back now.
CDR: Unfortunately, we only have one window that has a view of the Earth and it's filled up with the TV camera, so your view now is probably better than ours is.
CC: 11, Houston. If you could comply, we'd like to see a little smiling faces up there, if you could give us some interior views. I'm sure everybody would like to see you. Over.
CDR: Okay. We'11 reconfigure the TV for that.
CC: Apollo 11, Houston. It appears to us that wetre seeing a view from outside plus a little of the inside. It appears you've taken the camera away from the left window now. Over.
CDR: That's correct. We're moving it back and recon- figuring for interior lighting.
CC: We can still see the Earth through the left window, and it appears that we can see a flooolight off to the left, either that or some Stm shafting through the hatch window.
CDR: It's a floodlight. Roger.
CC: Now we're coming in. Can't quite make out who that ...
CC: That's big Mike Collins, there - -
CMP: You got a little bit of -Yes, hello there sports fans. You got a little bit of me, plu3 Neil is in the center couch, and Buzz is doing the ca-_ra work at this time.
CC: Roger. It's a little dark now, 11. Maybe a bigger help. f-stop might
CMP: Yes, that's in work.
CC: It's getting a lot better now, 11. Mi_e, you're coming in five-by. I got a good -
CMP: I would have put on a coat and tie if I'd known about this ahead of time.
CC: Is Buzz holding your cue cards for you. Over.
CMP: Cue cards have _ no. We have no intertions of competing with the professionals, believe me. We are very comfortable up here, though. We do have a happy home. There's plenty of room for the three of us and I think we're all learn- ing to find our favorite little corner to sit in. Zero g is very comfortable, but after a while you get to the point Where you sort of get tired of rattling around and banging off the ceiling and the floor and the side, so you tend to find a little corner somewhere and put your knees up or something like that to wedge yourself in, and that seems more at home.
CC: Roger. Looks like Nell is coming in five-by there, 11. Mike, see you in the background. The definition is really outstanding. The colors are good. It's a real good picture we're getting here of Commander Armstrong. We - Buzz, when you take the camera '_the over towards window where the Sun's shafting ' through, it tends to blank it out, though.
CMP: Yes, Neil's standing on his head again. He's trying to make me nervous. _:
CC: Roger. ,.
CMP: He's disappearing up into the tunnel, of course, _ as hewould going into the lunar module, only / backwards. _ ,ji
CC: R0ger. _We 'can see Dortions of the LEB _0w.;_ The _ systems test_'_.met_rpanel", in the lower p,?__t._f. _"_ _pic_tp_e,_or ',' the _e .dzd h_ve it, an_-,ay._,, _
CMP: _ 0kav_ _:A_d't_n [_lrec_$!y beh_d hi's'h,'a_"are our ..,,_ optic_l[_.i_str_e_ts., the aextan t and the telescope
CC: 'R0ge_.' CO[l_y:_ _ _d_e see the DSKY flashi.ng with _. 's7651. Jlfi f_ct,'_we can _re s_l registers 1'an_ 2 ' _ q_ite clearly...' i_: /
CMP: We have/the .old high gain angles telling u_ which wa_ 2he'Earth' is_.
CC: Copy. That's a beautiful picture. Clarity is outstanding.
CMP: We can also give you the time of day in our system of mission elapsed time. Elapsed time: 34 hours 16 minutes and umpteen seconds. Can you see that clearly enough, Charlie?
CC: Roger, Apollo 11. We can see it counting up every - every second. We got 34 17 02 now.
CMP: Okay. Back to the high-gain angles.
CMP: Now we have amputated those.
CC: 11, Houston. We have a beautiful rainbow there now as you move the camera around .... That looks like the star charts coming into view, now. Over.
CMP: Yes. Those are Buzz's two star charts that he is using right now as sun shades over the right- hand window, window number 5.
CC: Roger. We see the sun shining in through it behind him and plotting out the equatorial - correction, ecliptic plane, and the stars that you're using for the navigation.
CMP: Roger. He doesn't really need the charts. He's got them memorized. They're Just for show.
LMP: While we're pointing up in this direction, we see out our side windows the Sun going by and, of course, o_t one of our windows right _ow we've got the Earth. Now right behind my window, of course, we have the Sun, because the Sun is illuminating the star charts that we see. This line represents the ecliptic plane and these lines, vertical lines, represent our reference system that the spacecraft is using at this time. As we approach the Moon, the Moon will gradually grow larger a_d larger in size and eventually it will be in - it will be eclipsing the Sun as we go behind it, as we approach the lunar orbit inser- tion m._euver.
CC: Roger, 11. We've - Could you attempt a little bit better focus there, 11? Over.
CC: 11, Houston. That's a lot better on the star chart now. We can make out the ecliptic plane and the planets and the Sun and the Moon as they have gone at various places throughout the ecliptic plane. Over.
LMP: If we can get some cf the wires untangled here, we'11 give you a demonstration of how easy push- ups are up here.
CC: 11, Roger. Good view of Buzz_ there.
LMP: When it gets pretty hard doing it that way, we Just roll over and do it the other way.
CC: Roger. We copy. We couldn't figure out whether that was a chinup or a pushup. Just :ake your choice, I guess.
CMP: Well, it looks like _t's probably alm¢,st your dinner time down there, Earth. We'11 show you our food cabinet here in a second.
CC: 11, Roger.
CC: 11, Houston. We see a box full of goodies there. Over.
CMP: We really have them, Charlie. We've got all kinds of good stuff. We've got coffee up here in the upper left and various breakfast items, bacon in little small bites, beverages like fruit drink, and over in the center part we have, on, all kinds of things. Let me pull one out here and see what it is.
CMP: Would you believe you're looking at chi.cken stew, here? Ail you have to do is - 3 ounces of hot water for 5 or 10 minutes. Now we get our hot water out of a little spigot up here with a filter on it that filters any gases that may be in the drinking water out, and we Just stick the end of this little tube in the end of the spigot and pull the trigger three times for 3 ounces of hot water and then mush it up and slice the end off it and there you go, beautiful chicken stew.
CC: Sounds delicious.
CMP: Yes. The food so far has been very good. We couldn't be happier with it.
CMP: Could I borrow that flashlight a second?
CC: The surgeons are saying thank you, there, for that.
CMP: And it is sort of down in a dark corner, so we have a flashlight here to help us see things; and if I can let go of it carefully, :t'11 Just hold itself right where it is.
CMP: As long as it's ..., it will.
CC: Apollo 11, Houston. That's a pretty good demon- stration. You started off really stable there, Mike. It's -
CMP: Well, the problem is, no matter how carefully you let go, you bump it Just a tiny little bit and set it in motion, and once in motion there she goes. Try that again.
CC: It looks fairly stable now with slow rotation.
CMP: Well, so much for the food department. I'm going to close up the store down here.
LMP: Charlie, we checked out the cable lengths, and we're thinking we might want to see if we can take the TV into the LM with us tomorrow for part of the time. Over.
CC: Roger. Good show. We'd like to see it if it'11 reach that far. Over.
LMP: We'11 give it a try.
CMP: And where we sleep is down underneath this couch.
CC: Slowly sinking into the sack there.
CMP: It's really comfortable.
CMP: Forgot to give Buzz his flashlight back.
CC: Apollo 11, Houston. Could you give the folks a view of your patch on your CWG's? Over.
CMP: Stand by one, Charlie; we'11 try and give you a closeup.
CC: 11, Houston. We have the patch. Could you attempt to improve the focus slightly? Over.
CC: 11, Houston. The scan on the camera makes the - that's a little bit better now. The flashlight seems to flicker, due to the scan on _he TV. We can't see the eagle. Now it's a little bit better. Over. Could you open the f-stop a little bit more? Over.
CMP: It's open all the way. We're going to have to mOVem Buzz _o_d _ little bit.
CC: Apollo 11, Houston. The color is better now. It's coming in. We could attempt a little bit better focus on it. There we go; it focuses a lot better now. We see the eagle coming right in on the lunar surface. Over. That's very good now.
CC: Apollo 11, Houston. That's very good now. We can see the Earth in the background, Apollo 11, and the eagle coming in.
CMP: It's probably pretty hard to see the olive branch, isn't it?
CC: Roger. It is.
CMP: Well, that's what he has in his talons, is an olive branch.
CC: Apollo 11, Houston. We're really impressed with the clarity and the detail that we have in the picture. The colors are - now, it's really an excellent picture now that I'm looking at it on our monitor, which is about 12 seconds before the networks can get it out due to the conversion that we have here on our TV converter. We're looking at the controls in the m_in displsky console. We can see the DSKY up on the panel. Over.
CMP: That would be nice if you could take a look at all sure the circuit breakers; make the right ones are in and the right ones are out.
CC: Roger. Big Bubba's watching.
CMP: And we're glad of it.
CMP: Boy, you guys have sure been doing a good Job of watching us, Charlie. We appreciate it. 23/1
CC: The spacecraft's been beautiful, 11. We've really no complaints at all. Looks - Things are really great.
CMP: Can you see this DSKY on the MDC?
CC: That's affirmative. It appears that - can't quite tell what pro,ram ... went POO. We see you punching in a VERB 35, I think it is. Over.
CMP: Yes. Might as well tell the EECO_I's or tell the GNC and everybody to hold on t_. their hat and I'11 push the EKTER button.
CC: Roger. We see a real display now.
CC: That's a good demonstration of how the crew has the interface with 'she computer, talking to the programs and all that we have in the computer.
CMP: Well, that's right, Charlie. Sometimes it tells us things and sometimes we tell it things and mostly it talks to us.
CC: 11, Houston, We ju_;t lost our pic - I see we're going back outside now. Over.
CC: 11, Houston. We copy. Over.
CDR: Roger. We copy, _ld as we pan back out to the distance at which we see the Earth, well, it's Apollo 11 signing off.
CC: Roger, Apollo 11. Thank you much for the show. It's a real good half hour. Appreciate it. Thank you very much. Out.
CMP: Okay. That's it, Cnarlie.
CC: 11, Houston. We appreciate the sLIow. Th_mk you very much. Over.
CC: Apollo 11, Houston. Would you key ERROR Rl,'.Sl_'l' on the DSKY, please? Over.
CDR: Okay. We should be straightened out now, Charlie, and back in POO.
CMP: Houston, Apollo 11. How do we stmld on this 02 fuel cell purge? You want to go ahead and do that as scheduled in the flight plan?
CC: Stand by, 11. Over.
CC: 11, Houston. You can commence the 02 fuel cell purge now if you'd like. Over.
CMP: While Buz=: is doing that, I'11 chsu,ge the lithium hydroxide.
CC: Hello, Apollo 11, Houston. Over.
LMP: Go ahead, Houston. Apollo 11.
CC: Roger, Buzz. The attitude that we're in right now is a convenient one to start P_'C in. We'd be satisfied with this attitude. [.owe'd Jike you to disable quads Charlie and D_lta; and we'11 wait about 5 to 10 minutes, and than we'11 es- tablish the PTC. Over.
LMP: Roger. Disable Charlie and Delta, and we'11 wait before starting PTC.
CC: Hello, Apollo 11, Houston. The rates are damped out well enough for you to initiate the PTC now. Over.
LMP: Okay. We'11 get it going.
CMP: Roger. This time tile DAP didn't like 0.3. It's - We followed the procedures; we got 2own to 70 000 ENTER. It took off at about 0.7.
CC: Roger. We're copying that. Stand by.
LMP: Houston, Apollo 11. Would you like high gain back?
CC: Roger. And you - Would you select ATTITUDE HOLD? Over.
CDR: Houston. Would you say again what your request is?
CC: Roger, 11. We'd like you to go back to ATTITUDE HOLD. Over.
CC: 11, Houston. Looks like we're going to have to reinitialate - rein_tialize this Pf!C.
CMP: Okay. Do you have any roll angle -;hat you'd like to stop it in, Charli_? I haven't stopped it yet.
CC: 11, Houston. It's your preference Right now if you want to. Over.
CC: Roger, 11. The problem on that initially - starting up the PTC was we failed 1:o do the VERB 49 which - and load the desir_ d initial attitude; so the DAP tried to take it back to the old attitude that we had started ul, in number of hours to go. That's why we picked up the rates in the other axes. We're going to wait in this attitude for about 20 minutes to d_p out the rates again, and than we'11 proceed with the VERB 49 and load our attitude that we have at the time - at this time. Over.
CMP: Okay. That sounds good, Charlie. _en you get to the VERB 49, I'd like for you tc give me the three gimbal angles that you want loaded.
CC: Roger. We'11 do. Over.
CMP: Thank you. And Houst3n. ycur
CC: Apollo 11, We have flyby PAD if you're ready to copy. Over.
LMP: Houston, Apollo 11. Is that P30 PAD?
CC: That's affirmative. Over.
LMP: Okay. Ready to copy.
CC: All right, Buzz. It's - flyby is ±he purpose. SPS/G&N: 62815, plu_ 097, minus 020 070 54 5944, minus 00028, plus 00023, plus 0006_ 029 149 312, apogee is NA, plus 0_221 00078 001 00034, sextant star 01 2]85 227, boresight star is NA NA NA. Latitude is minus 0265, minus 16500, 11899 36228, 144 56 47. In the c_mments: your set stars are Deneb and Vega, 007 144 068. No ullage. It's a docked burn using th_ PTC REFSMMAT. Stand by for your readback. Over.
LMP: Okay. Would you give me GET of O.05g again, please?
CC: Roger. 1_4 56 47. Over.
LMP: Roger. Flyby SPS/G&N: 62815, plus 097, minus 020 070 54 5944, minus 0)028, plus 00023, plus 00069, 269 149 312 NA, plus 00221 00078 001 00034, 01 2185 227 NA, minus 0265, minus 1650_ 11899 36228 144 56 47, Deneb and Vega, 007 144 )68. No ullage; docked, PTC REFSMMAT_ Over.
CC: Roger. Say again yo_zr roll angle, Buzz. I copy - I read 029. Over.
LMP: Roger. 029.
CC: Roger. Good readbac_.
CMP: Houston, Apollo 11. On the 0.7 r_,t_, th_ rate loaded into the DAP is 0.1 or 0.2.
CMP: Houston, Apollo 11. Go.
CC: Roger, Mike. Would you please copy down your VERB 16 NOUN 20 ICDU angles now, then execute a VERB 49 and load that - those angles, the NOUN 20 that you see on the DSKY into the VERB - into the NOUN 22 slot; and PRO on that, and that will start our 20-minute rate period. Over.
CMP: Okay, Charlie. I'11 do that right now in just a matter of inches. Those numbers are plus 04511, plus 09021, and plus 35984. Over.
CMP: Houston, Apollo 11. I've done that and, of course, I got an inmediate 50 18. So I guess we're set up to proceed from here, and I'11 start the 20-minute timer.
CMP: Houston. I still question that 0. '7rate with 0.2 loaded into the DAP, though. Could you explain that one?
CC: Roger. We're working on it.
CC: Roger. We got a liitte laser visual experiment we'd like to - for _ou to do for u;. If - if you got the Earth through any of y)ur windows or through the telescope, would you sD advise? Over.
CMP: Stand by one, Charlie.
CMP: At this roll attitude, what should our high- gain angles be? MaNbe that would help us locate you. We don't see you in the lens
CC: Hello, Apollo 11. Houston. Those high gain angles are pitch minus 70, yaw 90. We think the Earth is apparently pretty close to plus z-axis. Over.
CMP: Okay, Charlie. I got you _n the telescope.
CC: Roger, Apollo 11. We've got a last_r that we're going to - It's a blue-green laser that we're going to flash on and off at a frequency of on for a second, off for a second. It's coming out should be right on the terminator --or right inside the terminator. We are goil_ to activate that momentarily. Would you please take a look through the telescote and see if you can see it. Over.
CMP: Telescope? Or sextant?
CC: Either one. Over.
CMP: Okay, I'11 try it _ith the telescope; and'_i'_i,I don't see it there, then I'11 try the sextant.,
CC: Roger. We'11 give )ou the word wht_n they'v_ got it turned on. Over.
UNKNOWN: 11, Houston. They don't have it turned on yet. giw-_ We'11 you the word when they got it turned
UNKNOWN: on. Over.
CC: Hello, Apollo 11. Houston. We no_iced the CR¥O dropped pressure a moment ago. Di_[ you stir lip the CRYO' s? Over.
CDR: Roger. We've finished our cycling operatio_s.·_
UNKNOWN: Copy. Out. '
CC: Hello, Apollo 11. Houston. McDonald's go{_ the laser turned on, Womld you take a look?, Over.
CC: It's bluish-green. and._trunnion
CC: 11, Houston. We got some shaft fo_ you that might tweak it up a little bit. Shaft '[ .... of 141.5, trunnion of 39.5. Over.
UNKNOWN: Okay. Stand by. ..
CC: Apollo 11, Houston. If you see it'[ft should be coming up - appear to be coming up, throuFJa the clouds. McDonald repor_ that_e_e'-_:_ _ l_ak in the clouds that they're beaming this thing through. Over.
CC: Hello, Apollo 11. Houston. You c_n terminate the exercise on the Laser. Our rates are steady enough now for - to _ommence the PTC. Over.
LMP: Okays Houston. Neither Neil nor Mike can see it. Incidentally_ those shafts and trunnions just missed pointing at t_e world.
LMP: As we are looking at it through the scanning telescope, it would _e about a - oh, maybe a third of s_ Earth ratii high and tc the left.
LMP: But, we did - but we did identify the E1 Paso area and it appeared to us to be a break in the clouds there, and we looked in that break and saw nothing.
CC: Roger. Thank you much. Out.
CC: Roger. Go ahead. Ofer.
CMP: Were you following that on the DSKY?
CC: 11, Houston. What's your exact que;tion? Over.
CMP: I've followed the procedure through step 7 down to the point where IJve got 27303 _NTER, and this resulted in an OPERATOR ERROR LIGHt.
UNKNOWN: CC Ro_er. Stand by.
CC: Apollo 11, Houston. Stand by a moment. We'11 have an answer for you momentarily. Over.
CMP: Okay. Appreciate it, Charlie. Now the light's gone out without any further DSKY a_tion.
CMP: Correction. Stand by, that's not s_.
CC: Roger. We've finally gotten concurrence on our problem here with 50 guys looking at it. When we were sitting in the 5018, we att.empted to load the erasable before you termirated the VERB 49. So Mike, waat we're going to have to do is call up the present CDU's, copy those down, and do a VERB _9, load the present, then do a PROCEED, then an ENTER, and then we can then set up ATTZTL_DE HOLD in step _i. Over.
CMP: Okay. I think that's what we did last time.
CC: It appeared to us that we attempte{ to load the erasable prior to entering on the _ERB 49 which VERB 49 was still running, and it clobbered the C DU' s. Over.
CMP: Houston, Apollo 11. We're moving :_tthe proper rate.
CC: Hallelujah!
CC: 11, Houston. It looks great to us now. Over.
CMP: It looks fine here, Charlie. The 0.7 part is the only part I don't find explaim d yet.
CC: Roger, Mike. We're working on tha_J one right now. We're coming up with the sto:_ soon. Over.
CC: 3_1, Houston. We're handin?, over C0_4 to ,_oldstone. Over. Correction, from Goldstone %o Honeysuckle. Over.
CMP: Hello, Houston through Honeysuckle Ov - -
CC: Apollo 11, Houston. Go ahead. Ow_r. sound? do we
CC: Roger. You're five-by, Mike. We_d like the OMNI configuration as follows. O_I Alfa place in Bravo, OMNI to OMNI, high-gain track to MANUAL, high-gain yaw 270, pitch - -
CC: Hello, Apollo 11. Houston. How c,oyou read now? Over.
LMP: Roger. I'm reading you loud and _lear. I'm not sure I got all those. I've got S-.band OMNI B, OMNI, track to MAN_AL, and beam w de, pitch - you'd better say that again, and yaw 270. Over.
CC: Roger, Buzz. I broke up at pitch minus 50 at beam wide. Over.
UNKNOWN: LMP Houston, Apollo 11. Are you read_ to copy some numbers on status report, et ceteIa.
LMP: Roger. Are you ready to copy som_ numbers on the status report, et cetera?
CC: Roger. Go ahead. _ver.
LMP: Okay. Radiation CD_ 11005, CMP lC006, LMP 09007_ medication negative. And I got sone battery and RCS numbers for you_
LMP: Battery C 37.1, PYRO battery A and B both 37.1. RCS Alfa 82, Bravo _4, Cocoa 85, £alta 87. Over.
CC: Roger, we copy. Radiation 11005, _0066, 09007_ no medication; 37.1, 37.1, 37.1_ 8_, 8h, !_5_ 87. Ore r.
LMP: That's affirmative. And you want a LM/CM DELTA-V? It's 1.1.
CC: Roger. Copy 1.1.
CC: Hello, Apollo 11. Houston. Please verify that four CRYO heaters AUTO, the four fans off. Over.
CC: Okay. We have been holding the 02 heal er number 1 in the OFF position. I believe that was your last instruction. Ail the other heaters are AUTO and all fans are off. Over.
CC: 11, Houston. We would like all heaters AUTO. Over.
CC: Roger. Ail four AUTO, all four fa_ns off.
CC: Hello, Apollo 11. Houston. As the Su_ sinks slowly in the west, the White Team bids you good night. If we get a story on the seven-tenths, we can give it to you in about 15 minutes or so; if not, we'11 give it to you in the morning. Over.
CMP: Okay. That sounds fine, Charlie. Thanks.
CMP: Hey, you earned your pay today, Charlie. Thank yOU.
CC: Roger. Good night ali.
CC: Hello'_ Apollo 11. Houston. One request: the optics switch to zero. And we've got a lot of theories on why it maneuvered at seven-tenths a moment ago, Mike, but no real definite answer. We'11 be back with you later. Over.
CMP: Okay. No rush, Charlie. Thank you.
CC: Hello, 'Apollo 11. Houston. Over.
CC: Roger. Mike, I think we can explain that seven- tenths rate. When we - the first time through, you know, we failed to go through the VERB 49, so we had a large error between our actual CDU and desired CDU in roll. And with that situation, the DAP - the vehicle will roll - will maneuver, rather, at a rate that is loaded in, which was three-tenths plus four-tenths rate, and it will limit at four-tenths above the desired rate, so - that is if we have a large enough angle between the desired and the actual, which we did. So, therefore, the rate was four-tenths plus three- tenths to give you the seven-tenths. Over.
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LMP: Good morning, Houston. Apollo 11.
CC: Good morning, Apollo 11.
LMP: ... nice sleep. Be getting around to the ...
LMP: How's everything look up here from the ground?
CC: Apollo 11, this is Houston. Roger. Say again, please.
LMP: Roger. How do all our systems look?
CC: Roger. They're looking great, and as far as we can tell everything is good from down here. Over.
UNKNOWN: Roger. Looks like the attitude held up real well during PTC last night.
CC: Yes, it did. We were showing you remaining well within a circle of 10 degrees radius throughout the night. Seems to be working beautifully.
CMP: How's the old Green Team this morning? Did you have a quiet night?
CC: Yes. It was a very quiet night. Down here the old Black Team is complaining they didn't get a chance to make any transmissions. Ron Evans is getting --
CMP: Well, we'11 be seeing them tomorrow_ _ I_uosn.
CC: Yes. Ron's getting to be known as the _;[]f_nt CAP COMM.
CMP: That's the best kind, Bruce.
CC: When you feel up to copying, 11, I've got a couple of small items in the way of a flight plan update and your morning consumables update. OV©r.
LMP: Apollo 11. dump at your convenience some time in the near future here. No particular time scheduled. Down air at the time for midcourse correction 3, which is about 53 55, we're deleting midcourse correction number 3 and all the items associated with it. For your information, the calculated value of the burn for midcourse number 3 was eight-tenths of a foot per second, that is 0.8 feet per second. Canceling this, if we decide to burn midcourse correction 4, this would then give you a burn for midcourse cor- rection 4 of 2.0 feet per second. At 53 hours we have an IMU realign P52. We're requesting that you do this while in PTC, and we plan to continue PTC throughout the day. Over.
CMP: - then we'11 get to the waste-water dump - -
CC: Say again, please. You're cutting out.
CC: Roger. - -
CC: 11, this is Houston. Stand by a minute, please. We're having difficulty receiving you.
CC: Roger, Houston. Read you loud and clear. How me? Over.
CC: Roger. Reading you the same. We did a minor reconfiguration down here. Stand by. Out.
CC: Okay, 11. This is Houston. We switched your OMNI antennas as you rolled through the appro- priate position. Did you copy the flight plan update item?
CC: Apollo 11, this is Houston. Over
LMP: Apollo 11, go ahead.
CC: Roger, 11. Did you copy the flight plan update items? Over.
LMP: Roger. How do you read me now, Bruce?
LMP: Okay. The battery charge is in tho F_ro(!_;__low and the waste-water dw, p is in work. M_(_-i_ has been canceled. It would have b_en 0.8 Foot per second. MCC-4 now looks like about 2.4 feet per second. At around 53 hours we'11 do a P52 in PTC. Over. corrections were just for your information, but midcourse 4 was down around 2.0 feet per second. Again, for your information, on SP$ chamber pressure, it looks like your onboard readout of 87 psi corresponds to 92 psi by our telemetry, and your value of 89 on board corresponds to 94. Over.
CC: Apollo 11, Houston. Radio check on a new pow_m amplifier in our transmitter. Over.
LMP: Roger. Read you loud and clear. How me? Over.
CC: Roger. Loud and clear. Did you copy my notes on SPS chamber pressure?
LMP: Negative.
CC: Okay. Just for your information again, it ap- pears that your readout of 87 psi corresponds to our corrected TM readout of 92 - that's 92 psi, and 89 on board is really 94 psi. Over.
LMP: Roger, I got that you were reading about 5 psi low.
CC: Roger. And are you ready for the consumables update?
CC: Okay. Consumables update for GET of 46 plus 00: minus 5.5 percent, minus 6.5 percent, minus 2.5 percent, minus 7.5 percent, minus 5.0 percent, minus 2 pounds hydrogen, plus t pound oxygen, and that minus 5.5 percent on the RCS total corresponds to minus 66 pounds. Over.
LMP: Okay. I copy those, and I'11 give you our percentages now: Alpha 82, Bravo 84, Cocoa 85, Delta 87. Over.
CC: This is Houston. We copy your percentages, and do you have a crew status report on sleep For us?
UNKNOWN: Roger. And in descending o_der ti, 9, _g,d _. Over.
CC: Houston. Roger. Out. now in the middle of stirring up tae ...