Otrobonita/noicy-space-talks huggingface dataset:
LMP: It sure has. Something has cooked that paint brown. Can't imagine what. You know, it's funny; on the slopes here, it's just a little bit softer. But there's no tendency to slip down or anything like that.
CDR: I kno_.
LMP: I don't think it's any deeper. A little softer maybe, maybe a little deeper. Why don't I move this down here just a little bit closer, Pete?
CDR: Then we'11 take the rest down here where we can see it better.
CDR: Okay. Let's just make sume we don't get any dirt down there on it.
LMP: Okay. We'11 walk real slow. -FtDENt
CDR: Hey, you can see - Look at there where tt dug those scoops. You can still see the - --
LMP: Boy, that's going to make some beautiful pictures on the way that's weathered since - -
CDR: Doesn't look like the pictures we saw of this a long time ago.
LMP: That's going to be good.
CDR: Oh, that is interesting! What in the hell?
LMP: Look at how it's kind of made them into - Once again, it looks like something has rained on it. They've taken on a little - -
CDR: Wonder if that was from us?
LMP: Oh, no. I don't think so. As you notice, there's a general trend of lines along here from the north - that would be the northeast or the southwest - See those little lines running along through the crater here?
LMP: I'11 take a picture of that. Boy, this thing is dusty .... 8, Just do this.
CDR: Yes, this has those lineal patterns here, Houston. Right down inside the crater; and they're not - same they're not laying at all in the direction mean, I it's not from us - not from the LM.
CDR: Hey, Al, did you get a picture right across there?
LMP: Yes, I did, Pete.
CDR: Why don't - why don't you go ahead and put this together?
LMP: Okay. - your tongs while you're there. Just a second. I'11 give them hack to you. J_
LMP: Good place to rest.
LMP: I may not - -
CDR: Is that the way that thing goes?
LMP: Yes. I'11 check.
CDR: Let me hold one end of it.
LMP: There you go. Push it; there you go. I think that's it.
LMP: Pete, could you hold - hold that a minute?
CDR: Wait Just a second.
CDR: Okay. What are you trying to get?
CDR: - I dropped something down in there. Okay, there. Now, I can hold it. What do you want me to hold?
LMP: Hold that camera a second. Got it?
CDR: Why don't we just throw that camera away?
LMP: Well, Z was thinking of that earlier and decided that, since this one broke, we might have to put that one on.
LMP: The reliability ... not to make it.
LMP: Makes me kind of mad.
LMP: Look down there just once more.
CDR: Yes. I'm holding it with this post. FtDENTj
CDR: Wait a minute. What's in your bag, here?
LMP: There's a film magazine.
LMP: Let me borrow your little thing, here, while we rest.
CDR: Move that handle and throw it away.
CDR: ... out of there we don't need.
LMP: Turn this in.
CDR: Bad. Had it.
LMP: Huh? I'11 get it.
CDR: I'11 tell you what, why don't you mosey down there and start taking some photographs?
LMP: That's a good idea. Got you cuff checklist there?
CDR: The first thing is photo bay A, 11, 15 feet, one picture.
LMP: 11, 15; let me get a check. 11, 15. Boy, that's turned just kind of a light tan, hasn't it, Pete?
CDR: It sure has.
LMP: And some of the things are even a dark brown.
CDR: Now, you're closer than 15; don't go any closer.
LMP: Yes. Maybe I'd better back up a little.
CDR: That a boy - -
LMP: Photo bay A - 11, 15, one picture.
CC: Hey, Pete, do you thip_ there's a chance you're at the wrong Surveyor?
CDR: No, sir.
CDR: Boy, it sure dug in the ground, didn't it? Oh, look at those pad marks. They're still there. Still the waffle imprints on it. Okay. _nat's next?
CDR: Photo TV sector, f:8, 15, three pictures.
LMP: Okay. Let me move down.
CDR: Hey, this cuff checklist sure helps do the job.
LMP: It sure does.
CDR: Cadet Gibson checklist. Okay, Al. Look at, that dirt's still on the footpad. It's going to make a great - -
LMP: - - and compliments to the CAP COMiM.
CDR: Hey, we got a nice brown Surveyor here, Houston. Even the tanks which were - -
LMP: Yes. Raise the visor and it's not so brown, hut it's tan.
CDR: The glass is still on the top.
UNKNOWN: Not a bit of it is fractured.
UNKNOWN: Amazing.
CDR: Okay. Shovel is gray. Take the Surveyor scene here.
CDR: I don't want to kick any of this dirt up because I'd like to get a picture of the compacting of the dirt there. .rC0 NFIDEN
LMP: It's going to be a tough shot.
CDR: That's photo TV sector, f:8, 15, and three. Now, I have photoscoop imprints, f:8, 5, two in stereo.
LMP: Okay. Wait. I'm not, I'm not finished yet.
LMP: Boy, that color chart has sure changed colors these days.
CDR: Okay]
LMP: Let me get a quick shot here. About 15 feet and I'11 shoot.
CDR: Okay. Now, I want the footpad photoscoop imprints f:8, 5 feet, two in stereo.
LMP: Okay. Those scoop imprints look different than I imagined.
LMP: Let me try them. And a little closer.
CDR: You have to really bend over.
LMP: You do.
CDR: Back up. Say, where you're shooting, Al?
LMP: Shooting right there where the scoops made the scoops.
CDR: Oh, I'm sorry. Yes. The next one is photo the footpads: two prints, f:S, 5, two in stereo.
LMP: Wait just a second; I'11 get it. I'm going to - I know what I'm going to do.
LMP: Okay. I'11 get the footpads now. And I'11 also get the dirt that's on them. That looks good. Okay. What 's next, Pete?
CDR: Disturbed surface by the footpad-2 area. Okay. Then take photo. FP-2 area, f:8, 5, in stereo.
LMP: Okay. Will do. Did it - yes, that disturbed it all right. Well, we'11 be able to get the rocks that the Surveyor's on - No strain. Get a bunch. There's one. Okay. Next one, Pete.
CDR: Photo vernier engine bay A, f:11, 5 feet, one picture.
LMP: Okay. A little bit to the east of - - *** pretty good. The engine is still green.
UNKNOWN: In fact, that green seems to have had less change than most of the rest. Okay, Pete. That's com- plete.
CDR: Photo large box A, f:8, 5 feet, one picture.
LMP: Okay. Say that again now. I was checking some- thing else real quick.
CDR: Okay. The big box.
CDR: At 5 feet.
LMP: Five feet.
CDR: f:8.
LMP: Okay. Will do.
CDR: Okay. Now be careful about the glass. OONFID ENT,IA.t.
CDR: And they want you to smoke that over carefully and photo wipe and then photo the - -
LMP: Now be careful. Let me look and see what it looks llke. Houston, not a bit of this glass is cracked. One little piece down here looks like it no longer reflects, but other than that, it's in perfect condition. A little warped - segments warped, but other than that, it looks pretty much the same. The thing that's the most amazing to me is how it's turned so brown. I want to wipe it a little bit, Pete.
CDR: Wipe it with my - -
LMP: I'm going to wipe it, but not with my glove. I'm going to wipe it with this little cloth that pro- tects my wrist ring. It doesn't have any struc- tural thing - anything structurally associated with it.
CDR: It wipes off Just like you'd expect us to wipe off glass.
LMP: *** wipe a couple of spots, so it might be - It's going to be tough to show this, Pete. It's in the shadow. Give it a go, though. I don't think the pictures are going to show you much, Houston. Because it's - Well, we'11 give it a go, but - -
CDR: They're better than no pictures at all.
LMP: That's right. That's exactly right. Okay. Got it there, Pete. Ready for the next one.
CDR: Okay. Photo small box f:8, 5, one.
LMP: Okay. Now, that's pretty much in the shadow. I'm going to open it up a little bit.
CDR: That's my shadow.
LMP: No, no, no. It's in the shadow of the landing radar or the - instrument box.
CDR: I think you ought to photo that scoop there, the way it dug in.
CDR: There's no way that thing can slide down the hill on us the way it's dug in.
LMP: Okay, now let me get that footpad. That's a beautiful shot there. We're going to do footpad 3, I guess it is, or is that 17
CDR: That's 3.
LMP: Okay. And that's going to be in f:8, probably. It's pretty low; let me try 5.6.
CDR: That aft honeycomb shock absorber struck the dirt and looks like it took some of the shock. Other than that, the front one didn't appear to _o that. · e.
UNKNOWN: Sure isn't going to slide down the hill though, that's for sure. Okay, Pete. What's next? Back up 15 feet and take it.
CDR: Photo bay B - -
LMP: Okay. Let me get over here.
CDR: f:11, 15, 1 - -
LMP: It's going to be a tough shot, because it's in the Sun, but I'11 get - let it go. Get over here; that might help it.
LMP: Back up a little bit more. How's that for 15 feet, Pete?
CDR: You're more than 15.
CDR: Now, you're good. .CONFIDENTrAi
CDR: *** too high.
LMP: I know it. I'm trying to shoot the top ... again. Give them a few extras. Okay. Go ahead.
CDR: Okay. Photo solar array; got photo, footpad 3. Those solar arrays are not blue anymore; they're black.
LMP: Hey, how do you do that? Let me try it from here. Oops - what's the solar array setting?
CDR: 5.6, 15 feet, one photo.
LMP: Right on track. Okay, shot.
CDR: Okay, move around to the front.
LMP: Next one?
CDR: Photo, footpad 3, f:11, 5 feet, one photo.
LMP: Ail right, got it in sight. It dug in real well, too. It's probably - it's right, in fact, it's right - dug in right to the top of the - -
CDR: And another thing we're going to photo is the scoop trenches, f:8, 5 feet, at 2.
CDR: There's the Canopus seeker.
LMP: God! There's some - Hey, let me get the top of this little instrument box, because the glass is fractured there.
LMP: They're interested in that, if I can get it. See up the hill here. Oh, look! There's where it hit. See?
CDR: Is that your warning tone or something else?
LMP: No. Nothing I know of.
CDR: That's that noise again that we had yesterday, remember?
LMP: Okay. Now I photograph the trenches, right?
CDR: Hey, this is - this is so much easier working around than in one g in our practice; it's unbelievable.
LMP: Pete, can you move? Yo_'re shadowing the situation.
LMP: Trenches at 5 feet?
CC: Roger, Pete. Good way to have it.
LMP: Five feet or 15 feet?
CDR: What are you photoing, Al?
LMP: The trenches.
CDR: Photo the scoop _renches at 5 feet, f:8, in stereo. Watch it - watch it now; you're going to get dust on us.
LMP: I'm watching real close.
CDR: Now, you're farther than 5 feet.
LMP: ... You're right.
CDR: That a boy. That's it.
LMP: Camera's moving all the time, so I guess we're getting it.
CDR: Okay. Photo the TV mirror.
CDR: Now, the TV mirror is - - C'ONFtD.ENTL L. ,
LMP: f:8, 5 ...
CDR: The TV mirror is brown.
CDR: It's no longer a mirror.
LMP: No, it's brown because it's looking at brown, isn't it?
CDR: No, it looks like - -
LMP: Maybe it's got some coating on it. Yes. It does.
CDR: Why don't you stay right there, and I'11 come in and wipe it?
LMP: Okay. Come on in and wipe it. Look it over close.
CDR: See the mechanical components down inside it.
CDR: It's just got a fine dust on it.
LMP: Fine dust on it. I'11 be darnedl Yes. Get a shot of that; that will be a good - Let me see if I'm set right. No, I'm not set rightl Did you tell me 5.6?
CDR: No. Photo TV mirror: f:8, 5 feet - -
LMP: Oh, nol Okay, I goofed it. I'11 take it again. Hey, get over here, Pete. Get one more shot.
LMP: You don't get a chance like this every day, now. Shoot up the extras; we've got lots of film.
CDR: There you go. Okay? Why didn't you get yourself in the photo, too?
LMP: Okay. Just a second. Back up just a little, Pete. Try for 15 feet. Okay. That ought to be good. How's that look to you?
CDR: Good. Come in just a foot.
LMP: You got a calibrated eye? Oh, that camera is not right on the money; it's out of focus.
CDR: Okay. Okay, Houston. I - I'm jiggling it. The Surveyor is firmly planted here. That's no prob- lem. Okay, Al. We're ready to start getting the TV camera.
CDR: Now, do you want to do something for me first?
LMP: Yes, sir. Okay. I sure will.
CDR: I'11 be darned. Ail soft dirt.
LMP: Give me a big smile.
CDR: Okay. Get him back on the front. I'11 tell you what I'm going to do. Okay. Let's go - Wait a minute .... can you get the tool off my back?
LMP: Yes, just a second.
CDR: Ail right, we're going to have to start moving out.
LMP: I know it. Okay. Retrieve cutter and can. Okay. Here we go. There's the cutter. Hey, this is easier in one-sixth g. Here comes your cutter, babes. Okay. You still don't have a cutter. Now, let me get the can.
LMP: Okay. One cutter. Okay. Looking good. Houston, can you hear us okay?
LMP: Suppose they can't hear us anymore?
CC: Al, say again.
LMP: Okay .... under a white. We just wondered - - / CON FIDENT At
CC: Negative, Al. We read you loud and clear.
LMP: Okay. I thought so, but that cable's arranged a little bit differently from the one we trained on.
CDR: Yes. It looks it.
LMP: ... ready to capture that cable.
CDR: Yes, ready.
LMP: Okay. Now, this cable here - It's not a Y-cable at all, is it?
CDR: No. Well, it is a Y-cable but it's of a different manner. Hey, here's something else they didn't tell us either. Look at that.
LMP: A few extra ones.
LMP: I'11 tell you what. You're Just going to have to get that - reach in under enough to cut it on the other side.
CDR: Just wait a second. Let me get in there.
CDR: Drop that in the can. That's the only piece they're going to get that way. Okay .... Watch it.
CDR: Yes. I've got to cut the cable back here, though. Okay.
LMP: Why don't you - Why don't you give that a cut right there, Pete? Give them a couple of pieces. There you go.
CDR: Ail right, back off.
LMP: Okay, you've got to - Hey, you've got to cut this cable, too, Pete.
CDR: No, it goes around the camera.
LMP: Ail right. Oh, no, it doesn't either. Under those tubes, isn't it?
LMP: And here's a few extras. And it's wired entirely different - -
CDR: Wait a minute. You've got to cut the other side of that little hole.
LMP: Now, you've got it.
LMP: Gosh, did you see that material disintegrate? Hey, that cuts easy. Now, which tube did you want to give me, Pete? Do you want me to hold one of those tubes?
LMP: Let me get in there close.
LMP: Yes. Okay. Go. Got to be careful.
LMP: No, it's too big.
CDR: Too big? Wait, wait, wait, wait, wait!
CDR: Okay. Let me put the top on. 3-1/2
CDR: It has sort of weathered a little bit in - 31 months, hasn't it? ... here, though.
LMP: Hey, what? CONFIDENTIA:L
CDR: That antenna is still pointed right to Earth. ·.. normal, though. It never had to move.
CDR: Okay, that's done. Captured that.
LMP: Okay, we've got the - got the sample, Houston. The sterile sample, the cable, and tube. Okay, that's in there good; let me make sure that's in there tight, Pete.
CDR: Okay, one shiny tube coming up. Okay, wait a minute. Be around there in a minute. Look at how all that stuff fractured and fell on the ground.
CDR: The paint's flaked off.
LMP: Yes. That looks like a shiny mirror, some kind of thermal coating.
CDR: I hate to tell you this, but the Surveyor tool is giving me - -
LMP: Hey, that's a tougher tube than we're supposed to have, gang. I'd say forget that tube and find another one.
CDR: Yes, or I'm going to break the tool.
LMP: I know it. That's - -
CDR: That tube on the back we are supposed to collect, Houston, is just a little bit stronger than it's supposed to be, for a glass mirror.
LMP: Okay. We're going to have to pick another tube. How about right here, Pete?
LMP: That's a shiny tube; that would be a good one if we could cut it.
CDR: Oh, that's even thicker.
LMP: Yes, I guess it looks it, doesn't it?
CDR: Get the camera. Forget the tube.
LMP: Why don't you bang your way out of that glass?
CDR: ... or break the tool, no kidding.
LMP: Why don't you bang that glass one?
CDR: Won't even break (laughter). That's pretty good glass, Houston. Can't even break it with our - -
LMP: There you go. Take a piece off, and I'11 collect it and put it in.
CDR: Kind of crunches, doesn't it? Man, that's not glass. Terrible! Man, forget it.
LMP: I don't know what it is.
CDR: That's sure not what we tried out in Houston - I mean at the Cape. That's metal with glass on top of it.
LMP: You'd better take a picture of it.
LMP: Amazing. That's a tough shot, too. Let's get over on this side of it.
LMP: Okay, that'11 be a good shot, I think. Just a minute. Okay, Pete.
CDR: Come on, boy; we got to move.
LMP: Wait a second. CONFIDENTIAL
CDR: Got it? Okay, whip around the other side of that scoop and let's get that camera.
LMP: Ail right. Ail right. Wait, I got to open your bag.
CDR: I'm not going anywhere.
LMP: Okay. I just got to open your bag.
LMP: That one's good. Ail the parts are working.
CDR: Okay. Thanks to Joe Roberts, this bag's going to do the job, I think. There. He worked hard on this thing. Let me reach down in there and open it up now.
CDR: Yes, it works great. Thing popped out wide open.
LMP: What's the matter?
CDR: Well, it's not - Get a little open here. Every second I spend opening it up is worth about 2 minutes when you try to put it in the bag. Okay. I think it's open now.
LMP: Hey, I got a shiny tube for you.
CDR: Okay. Let me get it. Let me get it. You sure do. That's a good one, too. Here. Wait a min- ute. Watch your hand.
CDR: Cut. That a boy. Good cut. Good cut.
LMP: Little more, Pete.
CDR: Okay, two more tubes on that TV camera and that baby's ours.
LMP: _a_llright. Let's get them.
LMP: Let me get a grip on him now.
CDR: Okay. It's ours!
CDR: (Laughter) ... we got her.
LMP: Turn around.
CDR: Let me lay it on you, man (laughter). It'11 fit right in that sack. Hey, is this ever lighter than that one in Houston?
CDR: Let's get the scoop while we're at it.
LMP: Okay. I think I can hold that thing with one hand and open the bag. Get in there. Get in that L bag.
LMP: In the hag. In the bag.
CDR: In the bag?
LMP: Here, wait a second. Now, I've got to zip it up.
CC: Copy. It's in the bag.
LMP: Okay, let me get around to the other side of you. It's a little hard to zip. This is one of the hard parts.
CDR: Okay. Want me to bend over a little bit?
LMP: Yes. I sure would. Okay. And lean back. That'11 do it. Just like that.
CDR: Don't turn it over.
LMP: I won't. I won't. That'11 do right there. One more pull and I've got it.
LMP: I've got lots of oxygen.
CDR: Yes, same here. Okay. Now, let me put the covers down on it.
LMP: Before you get that thing buried too deep, how about letting me cut this scoop off?
CDR: Well, okay, scoop goes right in here.
LMP: Oh, you've got a place for it.
CDR: Well, sure. You didntt think you were going to leave without a scoop, did you?
CDR: Okay, grab the scoop.
LMP: Man, there - that's the problem.
CDR: That's what they said, but - Let me hold it. Maybe - -
LMP: Wait a minute. Wait a minute. Let me - let me help.
LMP: Broke.
LMP: Oh, smooth as silk.
CDR: Cut it apart right here. Now, that's right. They wanted it - No, they wanted it just after that joint. So cut it right there.
LMP: Okay. Good cut, but they wanted that joint if they could get it. Are you at the root? No, you're okay.
CDR: That's it. That's it.
LMP: One scoop.
CDR: That's dandy! It's even got dirt in it. Bring back some of the original dirt. Okay. Got an extra sample for you, Houston. The scoop's got dirt in it. Okay.
CC: Well done, troops. Says when you move out from here, right? - Well, first of all, we show you're 3 hours into the EVA; and you're about 10 minutes behind nominal traverse we had figured out for a 4-hour EVA. However, your PLSS consumables are holding out real well, so we suggest you go on with the nominal traverse. We may want you to cut down to perhaps just one sample at blocky crater.
CDR: Okay, that's what I wanted to do is go to blocky crater if you agree - -
LMP: Hey! Hey, look - look at this, Pete.
CDR: What? gONFIDENTI
LMP: We thought this thing had changed color, but I think it's just dust. Look, we rubbed into that battery, and it's getting shiny again. Let me get a shot on it.
LMP: I think that's what - maybe this thing's just col- lecting all this red dust.
CDR: Well, they'11 know when they get that TV camera back ...
CC: Okay, Pete and Al, before you leave there, also, would you get some of those geosamples which we've discussed, as well as some of the loose soil from that area?
CDR: Will do. We'11 do it right now.
LMP: Here's this rock right here. Let me give the Surveyor tool a heave.
LMP: We don't need it for anything, do we?
CDR: Houston, we don't need this Surveyor tool anymore, do we?
CC: If you've got the TV back at the LM already cut off, then there is no more need for it.
CDR: That TV's ... Okay. Al, have I got my scoop on?
LMP: Do you?
CDR: You've got your full measure of rock right here. Okay. Let me go get the sample bags.
LMP: Hey, that's a good one.
CDR: I don't think the TV could see that one, though, I figure it was too close. How about this one?
LMP: ... down with you.
CDR: Okay. Ail right, now. Trying to remember where that - they got a ... one.
LMP: Here's a square one. I see one up there, right nOW.
CDR: _ere's the one that had the lines in it?
UNKNOWN: I think it's right over - right up here on the - There's a crater, right up - I'11 show you. Looks like a brick over there.
CDR: Come on, I've got these two rocks over here. Let me dump them - -
CC: Pete and Al, Houston. Before you leave the area of the Surveyor, would you take a look back at and the Surveyor see whether the direction of the sunlight has any effect on the colors which you see?
LMP: Direction of the - -
CDR: Wait, wait! Let me get this in the bag, too.
UNKNOWN: Sorry. Didn't know you had it, Pete.
CDR: Okay. No, it's light brown wherever you look at it, up-Sun, down-Sun, or cross-Sun.
UNKNOWN: But, strangely enough, that light brown rubs off. That's the funny part.
CDR: Look, is that the rock right there? You know, these rocks, as they showed in the Surveyor pictures, all have this soil builduo around them.
LMP: Yes, they're still there - all the fillets around them. N FIDENTt.,,
CDR: I'm trying to remember where - I can't orient myself to the pictures, can you?
LMP: No, there's - I think it's about - -
CDR: Should we grab this one right here?
LMP: That's a good rock right there.
CDR: I don't know whether I can get that or not. Let me see.
LMP: We'11 get it. That a boy. There you go.
CDR: Okay, let's head for blocky crater; _ick up a couple of more of these enroute.
LMP: Sounds good to me.
CDR: Let's get that brick-looking one over there. I think that's one of them they saw there. Up the hill a little bit - ways. That was one they saw.
CC: Pete and Al, we have comment on what you just said about brushing up against the battery case.
CC: Would you make sure that anything which you picked up against that battery case you clean off your EMU?
LMP: Yes. We're thinking about that - -
CDR: There wasn't any signs of K0H anywhere. - -
LMP: Yes. We've looked, and - -
CDR: The battery case was tight. Nice and tight and brown.
LMP: Right here's the one, the square one, Pete.
LMP: There.
CDR: Okay. That's about enough rocks, pal.
LMP: I think it is, that is, for here. Let me get it. Okay, you got it. Good show.
CDR: Okay, let's head for blocky crater.
LMP: Okay. And go to the - -
CC: Als do you have a sample ba_ number on that last one?
CDR: All those rocks are too big for sample bags - -
LMP: ° They are big rocks, Houston. They're all at least 6 inches in diameter, and I think these are some of the ones you wanted. It's kind of hard to tell without having a photograph on hand or something that's standing there and studying it for a lot longer than I think we care to do it, just which rocks are which.
CDR: It's pretty easy to move along on this slope. It's just a little bit deeper and it a little bit softer.
UNKNOWN: I'm going to take a break here, Pete, for just a few seconds.
CDR: Ail right. I'm right with you. Can't get up your pace when you're running on the side of a slope.
CDR: You don't have a chance to go from side to side, l_ke on level ground. Look at that huge boulder out there at - boy, I wish we could go over there.
CDR: Look at that boulder. NFIDENTI-AJ ...
CDR: Straight ahead. See it there? Alan?
LMP: No, where?
CDR: Over the top of the hill.
LMP: Don't see where you are looking.
CDR: Right on the other side of the - about 200 yards that way. See that big boulder sitting up there; the biggest one we've seen since we've been here.
LMP: I don't see which one you're referring to - that one right there?
LMP: Yes. Oh, these down in here are bigger than that. Look at that right here. Look at that right there on your left. Look.
CDR: Let me turn around and look.
LMP: Gigantic right there. There's a big one.
LMP: Come further left. That's a pretty good sized one.
CDR: I've got it. Let's get up out of the crater where we can get up on the level ground. Okay.
LMP: This - There it was kind of hung up on the gnomon. Let me get the gnomon and pick it up. It's not usually on there - no gnomon.
CDR: There you go. Okay, let's document up a sample here, and I think you ought to photo that whole blocky crater right there. That thing's spectacular.
LMP: It is. _at is it?
CDR: Bed - That's got to be bedrock there, babe. Yes. Let's get some samples of that.
LMP: Got to be.
CDR: Hey, Houston - is the dimple crater right behind the LM? Is that - it's a big blocky impact crater.
UNKNOWN: That ma.v be cool enough back in MIN cooling.
CDR: It's f_nnM. I don't have any - I kind of thought it would be tough down in the crater, losing your balance, but it doesn't seem to be; it's just harder walking, that's all.
CC: Pete and Al, could we have EMU check?
CDR: Sure could. We're right at the top of the rim, we can get a good place to rest. Z am reading 36 Der- cent oxygen.
CDR: We're going to sample - I'11 tell you what we're going to do, Houston. We're going to get an EMU check here; we're going to Dick up one sample out of this blocky crater; give you a partial PAN of it because it's a pretty fantastically interesting crater with a lot of bedrock. Big chunky rocks blo_n up out of it - -
UNKNOWN: Very an_ular. Very shar_.
CDR: - - and get a sample of the double craters on the side of the Surveyor crater, and then my recom- mendation is, we've got so much gear and so many rocks, that we head for the LM and start packing it all u_.
CC: Roger. We concur; that's a good idea. Al, could you give us your percent?
UNKNOWN: _ I sure could. Looks like about 36 percent.
CC: Copy. 36 on both, and how are you doing on that film? CON FIDENTIAJ.-
LMP: My camera is completely dust-covered, Houston. I just hope that the lens is open - ... 121. How's the lens? - -
CDR: Your lens is in good shape. Now, why don't you stand right here and get a partial PAN while you're resting on this crater? Either side.
LMP: Hey, wait a minute. Look at this.
LMP: I can't - Forget it. I thought I saw something.
CDR: I'm beginning to think that these rocks that look red to us, if we'd just crack them open, we'd find they're plain old basalt rock on the inside. We just don't ever have any cracked. We ought to pound one of those things with a hammer in a minute.
LMP: Okay, you want me to do a PAN of this little part or the whole crater, Pete?
CDR: No, get the whole crater. Get about four shots across it and then move over and get another four.
LMP: Okey-doke. 74.
CDR: Funny, I can notice that TV camera on my back. It moves my c.g. further in.
LMP: Does it feel okay back there?
CDR: Oh, it feels okay; sure the way to carry gear; it sure beats that thing. That's a pain. Now, wait a minute; where are you shooting, Al? I want you to shoot down in that crater right there.
LMP: Sorry, that's what I - Okay, read you.
CDR: Shoot way down into it; get a stereo of that thing with those big blocks down there.
LMP: 0key-doke. It's kind of dark, but I think we can get something good. Okay, move over here. This is probably the most spectacular crater we've come to, I think. It must have just - The original craters took it down to bedrock and then, I guess, more recently then, this one came in here and really banged it out. These blocks are a lot more sharp cornered than any we've seen anywhere else. I guess this must be the most recent one we've been around.
CDR: No. I got the idea that the bedrock's not too deep, and that this was a big crater, but it's very, very, very, very old. And then this thing came along and hit it - -
CDR: - - and broke into the side of the bedrock that's been sticking out into this ... - -
LMP: Yes, and then threw it all out again.
CDR: I think - Let's get a sample of that rock.
LMP: Yes. Let's do. I think it's going to be the S a_e - -
CDR: And then let's get out of here.
LMP: Okay. Want to get a docu - We document and a couple of the big pieces. How's that?
CDR: Yes. That's a good idea. Let's see. _at looks like all the same. Right here?
LMP: Yes. Let me get a shot at it, Pete, cross-Sun.
CDR: Okay. Get a stereopair right here. We don't need the gnomon; I'11 put the - -
UNKNOWN: By the way, when I shot that crater down there, I had my distance set on 30 feet. I thought that would be right, but that's the only one we haven't shot on the numbers.
CDR: Get further back, Bean.
UNKNOWN: Okay. Let me get some rocks. Okay. This is going to be sample bag number - number 15-D, Houston. CJDNFIDENTIAL-
CC: 15-D, Al.
LMP: Okay. Pete, you ought to put two or three rocks in here, just generally; and I'11 photograph them, and we can see what you took. Couple of more. Those are good. Okay. You know, most of the rocks we've seen today is exactly like this. Going to pound one of these with a hammer in a minute.
CDR: Hey, there's some of that light-colored undersoil.
LMP: You're right. Okay. You want me to get another sample bag?
CDR: No. I want to start moving out.
LMP: I'11 just pick up this one big rock here, Pete, and stick it in the bag.
LMP: Good. That's a good rock.
CDR: Okay, Houston. Now, I'm going to go pack up the doc'ed samples box, and I'11 understand you're going to allow me 20 pounds of other rocks. Is that right?
LMP: Pete, I've got a pretty good load here, so I'm just going to trail along behind - -
CC: Pete, what we!d like to do is to get an estimate from you of how much you think you've got in the first SRC in terms of volume or weight.
CDR: Well, in comparison to the zero-g airplane, let's see, the maximum load is 80 total pounds, right? I'm going to guess that the mass that I sent up was about a 60-pounder. Just the box.
CC: Roger, Pete. From what you said in the first EVA and basic calculations on Apollo 11 data, we come up with about 5h pounds.
CDR: Very good. I think that we're fairly close.
UNKNOWN: I just bet you everything we got here is really black basalt. Ail been colored just like that Surveyor. Hey, that bag is bouncing a little bit too much back there, Pete.
LMP: Surveyor bag is bouncing.
CDR: Well, that's okay. It's not hurting anything.
CDR: Al, you've got to get that closeup stereocamera going.
CDR: Okay, Houston .... is back in the I2_.
CC: Roger, Pete. You're B plus 16 into the EVA, and for a 4-hour EVA, you're right on.
LMP: Hey, did you know that our EVA antenna didn't go straight up? It's on a- -
CDR: I noticed that when I was running back. I'11 tell you. - -
CC: Roger, Al. Copy. How far off the nominal position was it?
CDR: Looks like - -
LMP: It's sticking up about 65 degrees.
CDR: __laisthing is driving me buggy.
CC: Roger, Al. fine-grain
LMP: Hey, Z think all this stuff is just basalt, Pete. We haven't seen anything else but that. We haven't seen anything at any of the places that we've gone except the same type of fine-grained basalt. It's been different colors C NFIDENTIAL- because of how long it's been out on the surface or where it's been. It'11 be interesting when we get them to Houston and they crack them open.
CDR: Hopefully.
LMP: Take a rest here a moment. I used to have to push the legs down in that lunar handtool carrier, but I don't have to anymore. He just pushes his own legs; got enough rocks in there.
LMP: Hey, Houston. Here's where that engine moved some dirt. You can see it here.
CC: Where are you on that, Al?
LMP: I'm right to the left rear of the - It looks like I'm between the plus Y and minus Z strut, and it looks l_ke it really washed a lot of dirt off in this direction. If I look back behind me, - -
CDR: Hey, Al? Al? Let's get the - -
LMP: Need some rocks?
CDR: Get the rocks over here. Come on. We can't baloney all day. We've got to get out of here. Okay. I want you to put the - put the tool car- rier right here.
CDR: Stick your camera in the ETB and get the film can out of there, and I'm going to start packing up the gear.
LMP: Okay, here is the camera.
CDR: I'm not sure - I wonder - Yes, I guess all this will fit in here; our cameras and everything, complete with this TV camera.
CDR: Don't lift it up, Al, or my rock box to go.
CDR: That a boy. Okay. Do you want to take my saddle- bag off?
UNKNOWN: Okay. Here.
CDR: No, hammer.
UNKNOWN: LMP Okay.
UNKNOWN: No. Okay. Now I'11 go do stereo closeup photos.
CDR: I'11 tell you what, you go get me the solar wind, first.
LMP: Solar wind first? I'11 go get it for you.
LMP: You want me - Let me take that little bag out there with me.
CDR: There it is, right there. Wait. Al, wait a minute - wait, wait, wait! You're all tangled up in the TV cable. I'11 tell you, that TV cable is going to be - is really making me mad. There you go. That - wait, wait, wait. Wait, wait. Let's take the Surveyor - TV camera.
CDR: Put it at the footpad.
UNKNOWN: Is that what you want to do with it?
CDR: I want you to put it at the footpad.
LMP: ° Oh, okay.
LMP: Let me set this down, then I'11 go get it. Just a second.
CDR: Thank you. You're all tangled up again. I'11 tell you, that's a trap. OkaM. CONFI NTIAk
LMP: Put this on the bottom one, Pete. It fits better.
CDR: Go ahead and turn this way, would you? Okay. We're much lighter. We're not going to have any trouble running this one up the LEC.
LMP: Okay. That's off there.
CDR: Where'd you put it?
LMP: Got it right here. Where would you like it?
CDR: Don't - don't drop this LEC. Oh boy, I made a mistake. I should have brought the - -
LMP: Want me to take it and move it out of the area?
CDR: I just tried to throw it under the LM now -
LMP: I can grab one end and just pull it out if you want. Why don't I do that?
CDR: It's all tangled up in the LEC, now. This happens every damn time.
LMP: Okay, I'11 put this - Where do you want me to put this? Right here - right in the footpad.
CDR: I'm going to straighten this LEC out right now.
CDR: Now, look, when I disappear with the LEC, you get that TV cable and get it out of here.
CDR: There you go. Now, just throw the TV cable under the spacecraft.
CDR: There we go. That's better. Thing cost me 10 minutes!
CDR: Okay, I want you to get the solar wind.
LMP: Okay. Let me get this TV cable out of the way.
CDR: I could be packing some rocks.
LMP: Pete, would you hold this just one second, and then we'11 get rid of this cable forever? Pull that.
CDR: Where do you want me to go with it?
LMP: Just stand right there. Then I can get this out over here, see. Before that, I couldn't.
CDR: There, now you've only got one place - -
CDR: Is that right? ...
CDR: Leave the door ...
UNKNOWN: me when. This bag - This the bag you want me to use, Pete?
LMP: Solar wind doesn't like to roll up much. Little rascal - doesn't want to roll up. Just wrap it around here best I can without getting any dirt on it.
CDR: This is really ridiculous. I got dust all over the rock box, and I'm trying to blow it off. You going to manage that.
LMP: Okay. We got that solar wind.
CDR: Good boy!
LMP: Houston, we got that solar wind, but it didn't roll up in a very neat package.
CC: Roger, Al. We copy. That's all right.
CDR: Hey, it sure didn't, did it?
LMP: No. It just didn't. It split right near the top.
CDR: Can I help you?
LMP: Yes. You can hold that, and I'11 just try to roll it up as best I can without getting any - I already got a little dirt on it ... You know what I mean?
LMP: Not a lot I can do about it. I'm sure it's a good experiment. That thing is fragile.
CDR: Here, let me hold this end, and you just wrap it tight. That a boy.
LMP: I'11 squeeze it down.
CDR: That a - -
LMP: And chase down any of those noble gases or what- ever ... Okay. Got that in there? Looks bad, but I think it will do the job, Houston. We squashed it in so it's right - Let me get this right now, babe. There you go.
LMP: Okay. It just doesn't look so good, Houston.
CDR: Give me a hand getting this rock box closed.
LMP: Okay. Will do. Hey, that's a nice full box.
CDR: That's what I'm afraid of right there in the top of it.
LMP: Now, just what we need. Wait.
CDR: Now, I've got to get this dirt off it somehow. Hey, I know. Reach right in there. There's a brush and a scribe.
CDR: Oh, why didn't I think of that earlier.
LMP: Got it? Then you can just take out the seal - There you go. Good show, Pete.
CC: Pete, that glass brush should be over there on the handtool carrier if that will be of use to you.
CDR: We're using it right now. Works good, too. That's it. Okay, Al. Put that back in.
CDR: Back in.
LMP: Okay. Okay. Go. Cot it made.
LMP: Looks like you did it.
CDR: Yes. I hope so.
CDR: Okay. Got it, Pete. It looks good. Rock box 2 is closed, Houston.
CDR: Al, I want all the big ones. That looks like about 1 inch to me.
CDR: That's it. The extra bag.
UNKNOWN: you got some of those bedrock ones in there, didn't you? CtDNFIDENTI
LMP: Okay. What do you want me to do with that?
CDR: Yes. Put that up in the - -
CC: Okay. We'd like to give you a little weight summary for the rock boxes. If - We estimate you probably got about the same in rock box 2 as you did in rock box 1. No problem there. The Surveyor parts and TV camera will show a nominal 25 pounds in 15. What you could put in your bag that goes on the floor is about 15 pounds worth of rocks.
CDR: That's it, Houston.
CC: And in the left-hand side stowage bag, you can put about 25 poUnds of rock. So I guess those are the two you are working for now. Fifteen pounds' worth of rocks in the bag on the floor, and 25 pounds on the left-hand side stowage bag.
CDR: We - we don't have that many rocks, Houston. I'11 tell you what we've got. We've got - SRC 2 is full and closed. It's - gosh, I hope I got it all in there, let me see: Solar wind, core tubes, environ- mental gas sample, documented samples all made it in. And the box is full, and I closed it, and I've got about - What's 1 inch on my scale? - I've got about 1 inch worth of rocks in another hag. And that's it; that's all the rocks we've got. A bunch.
CC: Roger, stand by for that number, Pete. Pete, that 1-inch displacement is about 10 to 15 pounds. No problem, pack it up.
CDR: Okay. That's good. Okay, now, let me ask you another question. I can get some more rocks. Why don't I do that? While A1 is taking stereophotos. We'11 see if I can get myself - -
LMP: Okay, I'm going to - I don't have a camera to go along with this, so I'11 just tell Houston when I'm taking a picture and then they'11 know. So fONFIDENT.IAJ Day6 they can keep up with it. Okay, Houston. On this stereocamera, I'm taking a picture now, about 10 feet from the LM between the plus Y and minus Z strut, and I am hoping to show the effects of the engine exhaust on the lunar surface. I'm going to - That was number 800. There's one at 801. It's moving around here ... i'm going to take another one. The little counter doesn't seem to be working. Everything is working okay but the little counter. And I am taking the fourth picture right up next to the engine, here. Okay, another one close to the engine. About 2 feet from the engine. Okay, Houston. The little counter on top of the experiment's not working, so I'11 just tell you what I take next. And the light and every- thing seems to be working so Z assume it's probably taking pictures. I'm going to go look for a crater that is undisturbed and take a _icture down inside it. Here's one of the - -
LMP: Okay. Here's one of a rock. Take two of the rocks. Now, I am taking a picture of Pete's footprint in the soil. You can take a look at the interaction of that. Take another One.
LMP: I'm in an area now, Houston. It looks like -
CC: Okay, we recommend that you pack up where you are and start trying to pack up the excess rocks you just got and think about ingress.
CDR: Okay, very good. Houston, I'd like to comment to all the people who are involved in this FCA, my congratulations.
CC: Well, I think you two folks did an excellent job.
LMP: I'11 take some of these pictures until you give me a call, Pete.
CDR: _y don't you just start working your way over here, Al? And we've got an awful lot of gear, and we will start getting her up. ( ONFIDEN[tA
LMP: Ail right. Will do.
CDR: We've got about 22 minutes by my clock - 23 minutes.
CDR: And we got a long day in front of us. - -
LMP: Okay. Okay. Oh, this is so much fun. I can jump up about 3 feet and do a - 180. You might do a - 360 l
CDR: You got to watch it though. You get all that mass going around and you get in trouble.
CDR: What's up with Yankee Clipper this morning, Houston?
CC: Pete, Yankee Clipper looks real good. He's been doing P22's and rolling right off.
LMP: Okay, Pete, I'11 take this as my last one.
CDR: Okay. If he can see the Surveyor, has he been able to see us out there?
LMP: Okay, that did it, Pete.
CDR: Ail right. I don't know how many we've got there, and - -
CC: No report on that, Pete.
LMP: Here's a red one.
CDR: Okay, lift her up. Now we - I'm going to put it in the ETB.
LMP: Okay. There goes.
CDR: Hey, wait. I want to watch.
UNKNOWN: Okay. I think we got all the film in, didn't we, Pete?
LMP: I tell you what. Let's send the ... and, okay, clean me, and I'11 get in there, and we'11 start pulling this thing because we've got quite a load.
CDR: Yes. Now, one thing I need to do is - hand me the Surveyor - Surveyor bag. Surveyor bag coming up.
LMP: ... out of the way, babe. Here you are right here. Here's the two hooks.
CDR: That solves that one. Ail right. That's one.
CDR: Don't lock them. They never need locking anyway. I don't think we need to lock anyway. Just leave well enough alone.
LMP: That's right. Damn things are getting jammed. Okay? Is that it?
LMP: Let's see, put it hack on the footpad. Okay? Not supposed to get too dirty.
CDR: Okay. Now, let's brush Mou off.
CDR: Why don't you hop up on the ladder, and let me brush you off from the ladder? C..ONFIDENI
LMP: Okay, why don't you brush me off up high here and then I'11 hop up and you can get me.
CDR: Okay. I'm not getting much off.
CDR: It's a start.
LMP: Let me try you, babe.
LMP: Oh, that isn't as hard to get off. Let me get up here. Now, I'm going to kick my feet, so it's going to get this Surveyor bag dirty.
LMP: Owl They shock.
CDR: Okay. Let me hit you.
LMP: Ail right. Okay. Let me kick my shoes.
CDR: Climbing up ... I think I'm making myself dirtier. Boy, I tell you something. These lanyards get grimy black.
LMP: Okay, I'11 go in.
CDR: Man the camera.
CDR: Okay, I'11 watch you in the hatch.
LMP: Okay. Okay, just a second. Just let me get the door open. There's door wide open. You want my golden buzzer?
CDR: Get in.
LMP: Am I lined up okay?
CDR: You might want to turn off your PLSS feedwater when you get all the way in.
LMP: Pretty good thinking. Okay.
LMP: ... does it.
CDR: Roll a little left. Yes, that's it. That's it. Okay, just a second. No rush. Take your time.
UNKNOWN: I've got to get this sequence camera out of the way; I don't want to leave it in here when I'm in here.
CDR: Did you ever get the picture of the _ and Earth?
CDR: Oh, that's a shame.
CDR: Hi, Earth; I can see us. It's up over the LM now. It's the first time I've had a chance to look. You're about a quarter Earth.
LMP: Let me mount the bag. Hey, you got to give me a little slack, Pete.
CDR: Oh, okay. More?
UNKNOWN: Just a second; I'11 be okay. Dmn't put any weight on it yet. Can you hold the weight - -
CDR: Wait, wait, wait - Just a second. There you go.
CDR: Now hold on. Wait, wait_ wait_ wait.
CDR: Now, heave away.
CDR: It's all yours. CONFIDENTtAI
LMP: Okay, babe, you Just pull in like this. Ail right. Got it.
CDR: Hey, Houston, the Surveyor gear is up, coming back for SRC 2.
CC: Roger, Pete. Copy Surveyor parts bag in.
LMP: Okay, Pete. Take them. Wait a minute - Oh, no; not yet - not yet. Not yet - hand out. Uh-oh. That's okay. That's beautiful. Oh, boy. Okay. Take her.
LMP: Take it away.
CDR: Okay. And the game is don't rush and do it right.
CDR: Here I go get you the rock box. Okay. Like a rock box?
CDR: I need some more line, Al.
LMP: Okay. I've got that much more. That's the end. You may have it tangled on something, Pete.
CDR: I see what the problem is.
LMP: There, it's on the hatch; there you go.
CDR: Okay. Lift away, you've got a rock box.
LMP: Okay. Feel how heavy this thing is.
CDR: Wait a minute, wait.
CDR: Wait a minute. There you go.
LMP: Ail right. Now do it.
CDR: I'm going to have to use the pull-in feature; just a second. Ail right, ready?
CDR: Give her one big heave.
LMP: Made it.
CDR: Okay. I can't see. That darn Sun is in - -
LMP: Can you take up some tension and I'11 _ull it in?
CDR: Rock box 2 is in, Houston.
CC: Roger. Rock box 2 in.
CDR: And am Z filthy dirty from that LEC. Wow, wow, wow!
UNKNOWN: Okay, Pete. Go ahead.
CDR: (Humming) ... getting in and out of these shadows really gets eerie looking. Okay, Al, if you'11 wait just a minute. There you go.
CDR: Coming in. Okay, just a second. Passin_ over the thing.
CDR: I can't see.
LMP: Okay, pull up a little bit and I'11 bring it in.
CDR: The Sun's shining right in my eyes.
UNKNOWN: It's in.
CDR: Beautiful job; just throw the LEO out. Okay, Houston. ETB is in with the camera and all the film, and so forth and so on. ICONFIDENI
CC: Roger, Pete. Copy you got the ETB in with the TV camera, closeup stereo, and the film packs.
LMP: Okay, now, Pete, here comes the LEC, so watch out.
CDR: Ail right (laughter).
LMP: Man, that really comes out, doesn't it? Gee, that went 50 feet.
CDR: Okay, let's see. Have I forgotten anything? For- gotten anything?
CC: Pete, you didn't roger the film pack. Do you have all the film packs and the closeup stereofilm, as well as the TV in that ETB?
CDR: Okay. Closeup stereofilm was in the ETB, two black- and-white magazines and one camera. I threw the other camera away because it was broken - went up. And the TV camera went up, so I believe we've got everything, Ed.
CC: Okay. You got the - Also the one camera which had the third film pack on?
CDR: The third film pack never got used.
LMP: Yes, it did too, Pete.
CDR: Oh, did you?
CDR: Oh, I'm sorry. Okay, we got three film packs and one camera up there right now. How's that?
LMP: Did you send the film back up?
LMP: Okay, we sent all three film packs back up. Oh, oh, oh, oh. There is somethin_ I wanted to - That's my low water pressure, Houston. I just turned off my water. That's good.
CC: Stand by on that, Al. Pete, also how about the tools?
LMP: You might want to turn off your water too, Pete.
CDR: Yes, I was sitting here thinking there was some- thing Z ought to do. Mine's off.
LMP: Okay. Out of your way.
CDR: Okay. Houston_ I _uess you can mark me off the lunar surface; I'm on the footpad.
CC: Roger. We got that, Pete, at 3 hours and 50 minutes into the EVA.
CDR: Okay, up on the ladder I come, Hi-ho, hi-ho, hi-ho. Boy, I'11 tell you, Al, that LEC really _ot me dirty.
LMP: Yes, it flips that dirt all around.
CDR: Hi-ho. Oh, wait a minute; Z know what I want to do. There we go.
LMP: You want to giYe me that piece of paper?
CDR: I couldn't get it up. I dropped it.
LMP: That's too bad.
CDR: Okay, Houston, that's my PLSS feedwater, no sweat.
LMP: Head down, come down. That's better. Move to your left slightly.
UNKNOWN: That's it; come on in. Come to your left a little bit. Okay, come on up. Little more to the left. Just right.
UNKNOWN: You're just right. Scoot in there. Got to kind of scoot a little bit further in. You got it made. Bump into me, now. Okay. Okay.
CDR: ... let me close the hatch. f:O.NFIDENd!till.
LMP: ... out of the way, and I wonder what that's from.
LMP: That little - ... maybe ...
CDR: I think that came from off of the landing.
LMP: Lock her up, babe; you are nice and clean. Gordon will be glad to see you.
CDR: One hatch closed.
LMP: Okay, check that for AUTO; I think it is, but you can see it down there.
CDR: Yes. I'm flipping. You just - Go to hatch AUTO.
LMP: Okay, let me move out of the way.
CDR: Both to AUTO? Tell me when - lighting: ANUNCIATOR and NUMERICS, BRIGHT.
CDR: Okay. CABIN REPRESS valve, AUTO. AUTO.
LMP: PRESS REG's A and _, CABIN; MASTER ALARM will come on, and cabin warning light. Okay, here comes the 02 . And the pressure is rising. Looks good right this minute. Okay, that's normal. PLSS 02, OFF.
LMP: PLSS 02, OFF, when you get to 3.1.
CDR: I can't get mine. Can you get it?
LMP: Let me see if I can.
CDR: I can't get it, Al.
LMP: Just a second. Let me get mine, too.
CDR: Okay? Could you get mine off? ! _
LMP: Ro_er .... Just a second.
CDR: I can't hear Mou.
CDR: Your 02 is OFF.
UNKNOWN: Everything's off, Pete. And the cabin pressure is - -
CDR: Cabin, 4 pounds.
LMP: Okay, you want me to turn the ... off?
CDR: That's it, that's it, babe .... the checklist.