# Karl Amadeus Hartmann

Karl Amadeus Hartmann (2 de agosto de 1905 — 5 de dezembro de 1963) foi um compositor alemão.

## Obras
### Óperas

* Wachsfigurenkabinett, five short operas (1929-30; three not completed), libretti by Erich Bormann
** Das Leben und Sterben des heiligen Teufels
** Der Mann, der vom Tode auferstand (unfinished; completed by Günter Bialas and Hans Werner Henze)
** Chaplin-Ford-Trott, 'scenic jazz cantata' (unfinished; completed by Wilfried Hiller)
** Fürwahr? (unfinished; completed by Henze)
** Die Witwe von Ephesus
* Des Simplicius Simplicissimus Jugend (1934-35; revised 1956-57 as Simplicius Simplicissimus), libretto by Hermann Scherchen, Wolfgang Petzer and Hartmann after Jakob von Grimmelhausen

### Sinfónico

* Miserae, Symphonic Poem (1933-4)
* Symphony L’Oeuvre (1937-8; material re-used in Symphony No.6)
* Symphonic Concerto for string orchestra and soprano (1938; later partly used in Symphony No.4)
* Sinfonia Tragica (1940, rev. 1943; first movement re-used in Symphony No.3)
* Symphoniae Drammaticae (1941-43), consisting of:
** Overture China kampft (1942, rev. 1962 as Symphonische Ouvertüre)
** Symphonische Hymnen (1941-3)
** Symphonic Suite Vita Nova for reciter and orchestra (1941-2, unfinished)
* Adagio for large orchestra (1940-44, revised as Symphony No.2)
* Symphony Klagegesang (1944; portions re-used in Symphony No.3)
* Symphony No.1, Versuch eines Requiem for alto and orchestra (1950) – revised version of Symphonisches Fragment
* Symphony No.2 (1946) – revised version of Adagio
* Symphony No.3 (1948-9) – adapted from portions of Symphony Klagegesang and Sinfonia Tragica
* Symphony No.4 for string orchestra (1947-8) – adapted from Symphonic Concerto for strings
* Symphony No.5, Symphonie concertante (1950) – adapted from Concerto for wind and double basses
* Symphony No.6 (1951-3) – adapted from Symphony L’Oeuvre
* Symphony No.7 (1957-8)
* Symphony No.8 (1960-62)

### Concertos

* Lied for trumpet and wind instruments (1932)
* Concerto for wind instruments and solo trumpet (1933); recomposed as Concerto for wind instruments and double basses (1948-9), whence Symphony No.5
* Cello Concerto (1933, lost, probably unfinished)
* Symphonie-Divertissement for bassoon, tenor trombone, double bass and chamber orchestra (c. 1934, unfinished)
* Kammerkonzert for clarinet, string quartet and string orchestra (1930-35)
* Concerto funebre for violin and string orchestra (1939, rev. 1959) (originally entitled Musik der Trauer)
* Concerto for piano, wind instruments and percussion (1953)
* Concerto for viola, piano, wind instruments and percussion (1954-6)

### Vocal

* Cantata (1929) for 6-part a cappella choir on texts by Johannes R. Becher and Karl Marx
* Profane Messe (1929) for a cappella chorus on a text by Max See
* Kantate for soprano and orchestra on texts by Walt Whitman (1936); later retitled Lamento and in 1938 revised as Symphonisches Fragment, whence Symphony No.1
* Friede Anno '48 (1936-37) for soprano solo, mixed chorus and piano; revised 1955 as Lamento for soprano and piano
* Gesangsszene (1962-63) for baritone and orchestra on a text from Sodom and Gomorrah by Jean Giraudoux

### Câmara e Instrumental

* 2 Kleine Suites for piano (c. 1924-6)
* 2 Sonatas for unaccompanied violin (1927)
* 2 Suites for Unaccompanied violin (1927)
* Jazz Toccata and Fugue for piano (1927-8)
* Tanzsuite for clarinet, bassoon, horn, trumpet and trombone (1931)
* Kleines Konzert for string quartet and percussion (1932)
* Burleske Musik for wind instruments, percussion and piano (1931)
* Sonatina for piano (1931)
* Toccata variata for wind instruments, piano and percussion (1931-2)
* Piano Sonata No.1 (1932)
* String Quartet No.1, Carillon (1933)
* Piano Sonata No.2, 24.IV.45 (1945)
* String Quartet No.2 (1945-6)

## Fontes

* The Lebrecht Weekly