# I Mondi di Oscar Wilde/Bibliografia

I Mondi di Oscar Wilde

## PARTE I – COLLOCARE WILDE

* Capitolo 1: Figlio e genitoriI Mondi di Oscar Wilde/Capitolo 1
* Capitolo 2: La Dublino di WildeI Mondi di Oscar Wilde/Capitolo 2
* Capitolo 3: Oxford, ellenismo, amicizieI Mondi di Oscar Wilde/Capitolo 3
* Capitolo 4: Un esteta in AmericaI Mondi di Oscar Wilde/Capitolo 4
* Capitolo 5: La Londra di WildeI Mondi di Oscar Wilde/Capitolo 5
* Capitolo 6: Wilde e ParigiI Mondi di Oscar Wilde/Capitolo 6

## PARTE II – CONTESTO ESTETICO E CRITICO

* Capitolo 7: Le tradizioni poeticheI Mondi di Oscar Wilde/Capitolo 7
* Capitolo 8: William MorrisI Mondi di Oscar Wilde/Capitolo 8
* Capitolo 9: L'arte britannicaI Mondi di Oscar Wilde/Capitolo 9
* Capitolo 10: Aubrey Beardsley e SalomeI Mondi di Oscar Wilde/Capitolo 10
* Capitolo 11: Tra due mondi e oltreI Mondi di Oscar Wilde/Capitolo 11
* Capitolo 12: Wilde, Henry James, estetismoI Mondi di Oscar Wilde/Capitolo 12
* Capitolo 13: Stile al fin de siècleI Mondi di Oscar Wilde/Capitolo 13
* Capitolo 14: Avvelenato da un libroI Mondi di Oscar Wilde/Capitolo 14
* Capitolo 15: Riscrivere la farsaI Mondi di Oscar Wilde/Capitolo 15
* Capitolo 16: Bernard Shaw e Hibernian dramaI Mondi di Oscar Wilde/Capitolo 16
* Capitolo 17: Wilde, le fiabe e la tradizione oraleI Mondi di Oscar Wilde/Capitolo 17

## PARTE III – CONTESTI CULTURALI E STORICI — IDEE, ITERAZIONI, INNOVAZIONI

* Capitolo 18: Delitto e castigoI Mondi di Oscar Wilde/Capitolo 18
* Capitolo 19: Wilde e l'evoluzioneI Mondi di Oscar Wilde/Capitolo 19
* Capitolo 20: Dandismo e mascolinitàI Mondi di Oscar Wilde/Capitolo 20
* Capitolo 21: Wilde e la Donna NuovaI Mondi di Oscar Wilde/Capitolo 21
* Capitolo 22: Wilde e socialismoI Mondi di Oscar Wilde/Capitolo 22
* Capitolo 23: Wilde e CristoI Mondi di Oscar Wilde/Capitolo 23
* Capitolo 24: EstetismoI Mondi di Oscar Wilde/Capitolo 24
* Capitolo 25: GiornalismoI Mondi di Oscar Wilde/Capitolo 25
* Capitolo 26: La censura della scenaI Mondi di Oscar Wilde/Capitolo 26
* Capitolo 27: FemminismoI Mondi di Oscar Wilde/Capitolo 27
* Capitolo 28: Wilde e la LeggeI Mondi di Oscar Wilde/Capitolo 28

## PARTE IV – RICEZIONI E OLTRE

* Capitolo 29: Rappresentazioni di The Importance of Being EarnestI Mondi di Oscar Wilde/Capitolo 29
* Capitolo 30: Le opere teatrali sociali di WildeI Mondi di Oscar Wilde/Capitolo 30
* Capitolo 31: Breve storia di SalomeI Mondi di Oscar Wilde/Capitolo 31
* Capitolo 32: Wilde e la scenografiaI Mondi di Oscar Wilde/Capitolo 32
* Capitolo 33: Vita di Wilde: Oscar al cinemaI Mondi di Oscar Wilde/Capitolo 33
* Capitolo 34: Wilde e la performativitàI Mondi di Oscar Wilde/Capitolo 34
* Capitolo 35: Wilde e i suoi redattori
* Capitolo 36: Testi e contesti di Wilde
* — Appendice 1: The Happy Prince (EN, IT)I Mondi di Oscar Wilde/Appendice1
* — Appendice 2: Il ritratto di Dorian Gray, con PrefazioneI Mondi di Oscar Wilde/Appendice2
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## BIBLIOGRAFIA
### Opere di Wilde

Altri progetti
* Testo completo (Wikisource)
* Wikiquote
* Wikisource contiene il testo completo di o su L'anima dell'uomo sotto il socialismo
* Wikiquote contiene citazioni da L'anima dell'uomo sotto il socialismo
Collected Edition of the Works of Oscar Wilde, ed. Robert Ross, 15 vols. (London: Methuen, 1908; rpt. 1969).
Complete Works of Oscar Wilde, ed. G. F. Maine (Glasgow: Collins, 1948); ed. J. B. Foreman (Glasgow: Collins, 1966); introduction by Merlin Holland (Glasgow: Collins, 1994; ‘Centenary Edition’, 1999).
The Annotated Oscar Wilde, ed. H. Montgomery Hyde (London: Orbis, 1982).
The Complete Works of Oscar Wilde, gen. ed. Ian Small (Oxford University Press):
—— Poems and Poems in Prose, ed. Karl Beckson and Bobby Fong (vol. I) (2000).
—— De Profundis and Epistola in Carcere et Vinculis, ed. Ian Small (vol. II) (2005).
—— The Picture of Dorian Gray, The 1890 and 1891 Texts, ed. Joseph Bristow (vol. III) (2005).
—— Criticism: Historical Criticism, Intentions and the Soul of Man, ed. Josephine M. Guy (vol. IV) (2007).
—— Plays I: The Duchess of Padua, Salomé: Drame en un Acte, Salome: Tragedy in One Act, ed. Joseph Donohue (vol. V) (2013).
—— Journalism I, ed. John Stokes and Mark Turner (vol. VI) (2013).
—— Journalism II, ed. John Stokes and Mark Turner (vol. VII) (2013).
The Artist as Critic: Critical Writings of Oscar Wilde, ed. Richard Ellmann (New York: Random House, 1969; London: W. H. Allen, 1970).
Complete Short Fiction, ed. Ian Small (London: Penguin, 1994; rev. edn, 2003).
The Complete Shorter Fiction of Oscar Wilde, ed. Isobel Murray (Oxford University Press, 1979; World’s Classics edition, 1980).
The Complete Short Stories, ed. John Sloan (World’s Classics) (Oxford University Press, 2010).
The Importance of Being Earnest as Originally Written by Oscar Wilde, ed. Sarah Augusta Dickson, 2 vols. (New York Public Library, 1956).
The Original Four-Act Version of The Importance of Being Earnest, ed. Vyvyan Holland (London: Methuen, 1957).
The Importance of Being Earnest, ed. Russell Jackson (London: Benn, 1980).
The Definitive Four-Act Version of The Importance of Being Earnest. Ed. Ruth Berggren (New York: Vanguard, 1987).
The Importance of Being Earnest and Other Plays, ed. Peter Raby (World’s Classics) (Oxford University Press, 1995).
Oscar Wilde’s The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, ed. Joseph Donohue with Ruth Berggren (Gerrards Cross.: Colin Smythe, 1995).
The Importance of Being Earnest and Other Plays, ed. Richard Cave (London: Penguin Books, 2000).
Lady Windermere’s Fan, ed. Ian Small (London: Benn, 1980).
Major Works, ed. Isobel Murray (World’s Classics) (Oxford University Press, 2008; originally Plays, Prose Writings and Poems, 1975).
The Picture of Dorian Gray, ed. Isobel Murray (Oxford University Press, 1974; World’s Classics edition, 1997).
The Picture of Dorian Gray, ed. Donald Lawler (New York and London: W. W. Norton, 1988).
The Picture of Dorian Gray, ed. Joseph Bristow (World’s Classics) (Oxford University Press, 2006).
Oscar Wilde: The Picture of Dorian Gray: An Annotated Uncensored Edition, ed. Nicholas Frankel (Cambridge, MA: Belknap Press of Harvard University Press, 2011).
Poems and Poems in Prose, ed. Isobel Murray (World’s Classics) (Oxford University Press, 1997).
Salomé (Paris and London: Librairie de l’Art Indépendant; Elkin Mathews and John Lane, 1893).
Salome: A Tragedy in One Act, translated from the French of Oscar Wilde; pictured by Aubrey Beardsley (London: Elkin Mathews and John Lane, 1894).
Salomé: A Tragedy in One Act, trans. from the French by Joseph Donohue (Charlottesville and London: University of Virginia Press, 2011).
Oscar Wilde: The Soul of Man and Prison Writings, ed. Isobel Murray (World’s Classics) (Oxford University Press, 1990).
A Woman of No Importance, ed. Ian Small (London: Ernest Benn, 1980).
Two Society Comedies, An Ideal Husband and Lady Windermere’s Fan, ed. Russell Jackson and Ian Small (London: Benn, 1983; revised and reissued in separate editions, 1993).

#### Riepilogo — Opere tradotte (IT)

| Tipologia | Titolo italiano | Titolo originale | Anno |
| Poesia | Ravenna | Ravenna | 1878 |
| Poesia | Poemi | Poems | 1881 |
| Poesia | La sfinge | The Sphinx | 1894 |
| Poesia | La ballata del carcere di Reading | The Ballad of Reading Gaol | 1898 |
| Romanzi | Il ritratto di Dorian Gray | The Picture of Dorian Gray | 1890 |
| Saggi | Intenzioni | Intentions | 1891 |
| Saggi | L'anima dell'uomo sotto il socialismo | The Soul of Man under Socialism | 1891 |
| Saggi | Impressioni dell'America | Personal Impressions of America | 1896 |
| Opere teatrali | Vera o i nichilisti | Vera, Or the Nihilists | 1880 |
| Opere teatrali | La duchessa di Padova | The Duchess of Padua | 1883 |
| Opere teatrali | Salomè | Salomé | 1891 |
| Opere teatrali | Il ventaglio di Lady Windermere | Lady Windermere's Fan | 1892 |
| Opere teatrali | Una donna senza importanza | A Woman of No Importance | 1893 |
| Opere teatrali | Un marito ideale | An Ideal Husband | 1895 |
| Opere teatrali | L'importanza di chiamarsi Ernesto | The Importance of Being Earnest | 1895 |
| Opere teatrali | La santa cortigiana o La donna coperta di gioielli | La sainte courtisane or the woman covered with jewels | 1908 |
| Opere teatrali | Una tragedia fiorentina | A Florentine Tragedy | 1908 |
| Prosa | Il fantasma di Canterville | The Canterville Ghost | 1887 |
| Prosa | Il principe felice e altri racconti | The Happy Prince and Other Tales | 1888 |
| Prosa | Il delitto di Lord Arthur Savile | Lord Arthur Savile's Crime | 1891 |
| Prosa | La casa dei melograni | A House of Pomegranates | 1891 |
| Prosa | Il ritratto di Mr W.H. | The Portrait of Mr. W. H. | 1889 |
| Lettere | De profundis | De profundis | 1905 |
| Lettere | Le lettere di Oscar Wilde | The Letters of Oscar Wilde | 2000 |
| Poesia in prosa | Poesie in prosa | Poems in Prose | 1894 |

### Opere bibliografiche

Fletcher, Ian e Stokes, John, ‘Oscar Wilde’, in Anglo-Irish Literature: A Review of Research, ed. Richard Finnernan (New York: Modern Language Association of America, 1976).
—— ‘Oscar Wilde’ in Recent Research on Anglo-Irish Writers, ed. Richard Finnernan (New York: Modern Language Association of America, 1983).
Mason, Stuart [C. S. Millard], A Bibliography of Oscar Wilde (London: T. Werner Laurie, 1914; reissued, 1967).
Mikhail, E. H., Oscar Wilde: An Annotated Bibliography of Criticism (London: Macmillan, 1978).
Small, Ian, Oscar Wilde Revalued: An Essay on New Materials and Methods of Research (Greenboro, NC: ELT Press, 1993).
—— Oscar Wilde: Recent Research, A Supplement to ‘Oscar Wilde Revalued’ (Greensboro, NC: ELT Press, 2000).

### Opere biografiche

Belford, Barbara, Oscar Wilde: A Certain Genius (New York: Random House, 2000).
Davis, Coakley, Oscar Wilde: The Importance of Being Irish (Dublin: Town House, 1994).
Ellmann, Richard, Oscar Wilde (London: Hamish Hamilton, 1987).
Gide, André, Oscar Wilde (London: William Kimber, 1951).
Harris, Frank, Oscar Wilde: His Life and Confessions (New York: Frank Harris, 1916; rev. edn, London: Constable, 1938).
Hart-Davis, Rupert (ed.), The Letters of Oscar Wilde (London: Rupert Hart-Davis, 1962).
—— More Letters of Oscar Wilde (London: John Murray, 1985).
Holland, Merlin, The Wilde Album (London: Fourth Estate, 1997).
—— Irish Peacock and Scarlet Marquess: The Real Trial of Oscar Wilde (London: Fourth Estate, 2003).
Holland, Merlin e Hart-Davis, Rupert (eds.), The Complete Letters of Oscar Wilde (London: Fourth Estate, 2000).
Holland, Vyvyan, Son of Oscar Wilde (London: Rupert Hart-Davis, 1954).
—— Oscar Wilde: A Pictorial Biography (London: Thames & Hudson, 1960).
Hyde, H. Montgomery, Oscar Wilde(New York: Farrar, Straus & Giroux, 1975).
—— (ed.), The Trials of Oscar Wilde (London: Hodge, 1948).
Lottman, Herbert, Oscar Wilde à Paris (Paris: Fayard, 2007).
McKenna, Neil, The Secret Life of Oscar Wilde (London: Arrow, 2003).
Melville, Joy, Mother of Oscar: The Life of Jane Francesca Wilde (London: John Murray, 1994).
Mikhail, E. H. (ed.), Oscar Wilde: Interviews and Recollections (London: Macmillan, 1979).
Millard, Christopher, Oscar Wilde: Three Times Tried (London: Ferrestone Press, 1912).
Moyle, Franny, Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde (London: John Murray, 2011).
O’Brien, Kevin, Oscar Wilde in Canada: An Apostle for the Arts (Toronto: Personal Library Publishers, 1982).
O’Sullivan, Vincent, Aspects of Wilde (London: Constable, 1936).
Page, Norman, An Oscar Wilde Chronology (London: Macmillan, 1991).
Pearson, Hesketh, The Life of Oscar Wilde (London: Methuen, 1946; rev. edn, 1954).
Ricketts, Charles, Oscar Wilde: Recollections (London: Nonesuch, 1932).
Schroeder, Horst, Additions and Corrections to Richard Ellmann’s ‘Oscar Wilde’ (Braunschweig: privately printed, 1989; 2nd edn, revised and enlarged, 2002).
Sherard, Robert Harborough, The Life of Oscar Wilde (London: T. Werner Laurie, 1906).
Whittington-Egan, Molly, Frank Miles and Oscar Wilde: ‘Such White Lilies’ (High Wycombe: Rivendale Press, 2008).

### Critica e contesto

Adams, James Eli, Dandies and Desert Saints: Styles of Victorian Masculinity (Ithaca, NY: Cornell University Press, 1995).
Beckson, Karl, The Oscar Wilde Encyclopedia (New York: AMS Press, 1995).
—— (ed.), Oscar Wilde: The Critical Heritage (London: Routledge & Kegan Paul, 1970).
Behrendt, Patricia Flanagan, Oscar Wilde: Eros and Aesthetics (London: Macmillan, 1991).
Bennett, Michael Y. (ed.), Refiguring Oscar Wilde’s Salome (Amsterdam: Rodopi, 2011).
Bird, Alan, The Plays of Oscar Wilde (London: Vision Press, 1977).
Böker, Uwe, Corballis, Richard e Hibbard, Julie (eds.), The Importance of Reinventing Oscar: Versions of Wilde during the Last Hundred Years (Amsterdam: Rodopi, 2002).
Brake, Laurel, Subjugated Knowledges: Journalism, Gender and Literature in the Nineteenth Century (London: Macmillan, 1994).
Bristow, Joseph, Effeminate England: Homoerotic Writing after 1885 (New York: Columbia University Press, 1995).
—— (ed.), Wilde Writings: Contextual Conditions' (University of Toronto Press, 2003).
—— (ed.), Oscar Wilde and Modern Culture: The Making of a Legend (Athens: Ohio University Press, 2008).
Brown, Julia Prewitt, Cosmopolitan Criticism: Oscar Wilde’s Philosophy of Art (Charlottesville: University Press of Virginia, 1997).
Caine, Barbara, English Feminism, c.1780–1980 (Oxford University Press, 1998).
Calloway, Stephen (ed.), The Cult of Beauty: The Victorian Avant-Garde 1860–1900 (London: Victoria & Albert Museum, 2011).
Chamberlin, J. E., Ripe was the Drowsy Hour: The Age of Oscar Wilde (New York: Seabury, 1977).
Cocks, Harry, Nameless Offences: Homosexual Desire in the Nineteenth Century (London: Tauris, 2003).
Cohen, Ed, Talk on the Wilde Side: Toward a Genealogy of a Discourse on Male Sexualities (New York: Routledge, 1993).
Cohen, Philip K., The Moral Vision of Oscar Wilde (London: Associated University Press, 1978; Rutherford, NJ: Fairleigh Dickinson University Press, 1979).
Cook, Matt, London and the Culture of Homosexuality, 1885–1914 (Cambridge University Press, 2003).
Danson, Lawrence, Wilde’s Intentions: The Artist in His Criticism (Oxford University Press, 1997).
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).
Dijkstra, Bram, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture (Oxford University Press, 1986).
Dollimore, Jonathan, Sexual Dissidence: Augustine to Wilde, Freud to Foucault (Oxford: Clarendon Press, 1991).
Dowling, Linda, Language and Decadence in the Victorian Fin de Siècle (Princeton University Press, 1986).
—— Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).
Ellmann, Richard (ed.), Oscar Wilde: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice Hall, 1969).
Eltis, Sos, Revising Wilde: Society and Subversion in the Plays of Oscar Wilde (Oxford: Clarendon Press, 1996).
—— Acts of Desire: Women and Sex on Stage, 1800–1930 (Oxford University Press, 2013).
Ericksen, Donald H., Oscar Wilde (New York: Twayne, 1977).
Evangelista, Stefano, British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile (New York: Palgrave, 2009).
Finney, Gail, Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century (Ithaca, NY: Cornell University Press, 1989).
Foldy, Michael, The Trials of Oscar Wilde: Deviance, Morality, and Late-Victorian Society (New Haven, CT: Yale University Press, 1997).
Gagnier, Regenia A., Idylls of the Marketplace: Oscar Wilde and the Victorian Public (Stanford University Press, 1986).
—— (ed.), Critical Essays on Oscar Wilde (New York: Twayne, 1991).
Gere, Charlotte e Hoskins, Lesley, ‘The House Beautiful’: Oscar Wilde and the Aesthetic Interior (Aldershot: Lund Humphries and the Geffrye Museum, 2000).
Guy, Josephine M. e Small, Ian, Oscar Wilde’s Profession: Writing and the Culture Industry in the Late Nineteenth Century (Oxford University Press, 2000).
—— Studying Oscar Wilde: History, Criticism, and Myth (Greensboro, NC: ELT Press, 2006).
Jackson, Holbrook, The Eighteen Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century (London: Grant Richards, 1913).
Jenkyns, Richard, The Victorians and Ancient Greece (Cambridge, MA: Harvard University Press, 1980).
Kaplan, Joel (ed.), Modern Drama (Special Wilde number), 12.1 (1994).
Kaplan, Joel e Stowell, Sheila, Theatre and Fashion: Oscar Wilde to the Suffragettes (Cambridge University Press, 1994).
Killeen, Jarlath, The Faiths of Oscar Wilde: Catholicism, Folklore and Ireland (London: Palgrave Macmillan, 2005).
—— The Fairy Tales of Oscar Wilde (London: Ashgate, 2007).
—— (ed.), Oscar Wilde: Irish Writers in Their Time (Dublin: Irish Academic Press, 2010).
Kingston, Angela, Oscar Wilde as a Character in Victorian Fiction (Houndmills: Palgrave Macmillan, 2007).
Knox, Melissa, Oscar Wilde: A Long and Lovely Suicide (New Haven, CT: Yale University Press, 1994).
Kohl, Norbert, Oscar Wilde: The Works of a Conformist Rebel (Cambridge University Press, 1988).
Livesey, Ruth, Socialism, Sex, and the Culture of Aestheticism in Britain, 1880–1914 (Oxford University Press, 2007).
Markey, Anne, Oscar Wilde’s Fairy Tales: Origins and Context (Dublin: Irish Academic Press, 2011).
Marshall, Gail (ed.), The Cambridge Companion to the Fin de Siècle (Cambridge University Press, 2007).
McCormack, Jerusha (ed.), Wilde the Irishman (New Haven, CT: Yale University Press, 1998).
Meltzer, Françoise, Salome and the Dance of Writing: Portraits of Mimesis in Literature (University of Chicago Press, 1987).
Mendelssohn, Michèle, Henry James, Oscar Wilde, and Aesthetic Culture (Edinburgh University Press, 2008).
Morgan, Margery, File on Wilde (London: Methuen, 1990).
Nassaar, Christopher, Into the Demon Universe: A Literary Exploration of Oscar Wilde (New Haven, CT: Yale University Press, 1974).
Nunakowa, Jeff, Tame Passions of Wilde: The Styles of Manageable Desire (Princeton University Press, 2003).
Pine, Richard, Oscar Wilde (Dublin: Gill & Macmillan, 1983).
—— The Thief of Reason: Oscar Wilde and Modern Ireland (Dublin: Gill & Macmillan, 1995).
Powell, Kerry, Oscar Wilde and the Theatre of the 1890s (Cambridge University Press, 1990).
—— Women and Victorian Theatre (Cambridge University Press, 1997).
—— Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (Cambridge University Press, 2009).
Raby, Peter, Oscar Wilde (Cambridge University Press, 1988).
—— The Importance of Being Earnest: A Reader’s Companion (New York: Twayne, 1995).
—— (ed.), The Cambridge Companion to Oscar Wilde (Cambridge University Press, 1997).
Ransome, Arthur, Oscar Wilde: A Critical Study (London: Methuen, 1913).
Roden, Frederick S. (ed.), 'Palgrave Advances in Oscar Wilde Studies (New York: Palgrave Macmillan, 2004).
Roditi, Edouard, Oscar Wilde (Norfolk, CT: New Directions, 1947).
Ross, Iain, Oscar Wilde and Ancient Greece (Cambridge University Press, 2012).
San Juan, Epifanio, The Art of Oscar Wilde (Princeton University Press, 1967).
Sandulescu, C. George (ed.), Rediscovering Oscar Wilde, Princess Grace Irish Library Series 8 (Gerrards Cross: Colin Smythe, 1994).
Schmidgall, Gary, The Stranger Wilde: Interpreting Oscar (London: Abacus, 1994).
Shaw, George Bernard, Our Theatres in the Nineties, in Collected Works of Bernard Shaw, vol. xxiii (London: Constable, 1931).
Shellard, Dominic e Nicholson, Steve with Handley, Miriam, The Lord Chamberlain Regrets: A History of British Theatre Censorship (London: British Library, 2004).
Shewan, Rodney, Oscar Wilde: Art and Egotism (London: Macmillan, 1977).
Showalter, Elaine, Sexual Anarchy: Gender and Culture at the Fin de Siècle (London: Bloomsbury, 1991).
Sinfield, Alan, The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment (New York: Columbia University Press).
Sloan, John, Oscar Wilde: Authors in Context (Oxford University Press, 2003).
Smith, Philip E. II e Helfand, Michael S. (eds.), Oscar Wilde’s Oxford Notebooks: A Portrait of Mind in the Making (New York: Oxford University Press, 1989).
Stephens, John Russell, The Censorship of English Drama, 1824–1901 (Cambridge University Press, 1980).
Stokes, John, Oscar Wilde, British Council Writers and Their Work Series (London: Longman, 1978).
—— In the Nineties (Hemel Hempstead: Harvester Wheatsheaf, 1989).
—— Oscar Wilde: Myths, Miracles and Imitations (Cambridge University Press, 1996).
Sullivan, Kevin, Oscar Wilde (New York: Columbia University Press, 1972).
Symons, Arthur, A Study of Oscar Wilde (London: Charles J. Sawyer, 1930).
Tanitch, Robert, Oscar Wilde on Stage and Screen (London: Methuen, 1999).
Thornton, R. K. R., The Decadent Dilemma (London: Edward Arnold, 1983).
Turner, Frank M., The Greek Heritage in Victorian Britain (New Haven, CT: Yale University Press, 1981).
Tydeman, William (ed.), Wilde, Comedies: A Selection of Critical Essays (London: Macmillan, 1982).
Tydeman, William e Price, Steven, Salome (Cambridge University Press, 1996).
Varty, Ann, A Preface to Oscar Wilde (Harlow: Longman, 1988).
Voskuil, Lynn, Acting Naturally: Victorian Theatricality and Authenticity (Charlottesville: University of Virginia Press, 2004).
Waldrep, Shelton, The Aesthetics of Self-Invention: Oscar Wilde to David Bowie (Minneapolis: University of Minnesota Press, 2004).
Walsh, Éibhear, Oscar’s Shadow: Wilde, Homosexuality and Modern Ireland (Cork University Press, 2012).
Woodcock, George, The Paradox of Oscar Wilde (London: T. V. Boardman, 1949).
Worth, Katharine, The Irish Drama of Europe from Yeats to Beckett (London: Athlone Press, 1978).
—— Oscar Wilde (London: Macmillan, 1980).
Wright, Thomas, Oscar’s Books (London: Chatto & Windus, 2008). Published in the United States as Built of Books: How Reading Defined the Life of Oscar Wilde (New York: Henry Holt & Co., 2009).
Yeats, W. B., Autobiographies (London: Macmillan, 1955).
Zagona, Helen Grace, The Legend of Salome and the Principle of Art for Art’s Sake (Geneva: Ambilly-Annemasse, 1960).
Molti articoli specializzati sono elencati nelle Note di ogni mio Capitolo. Per nuovi elenchi e per altri aspetti del contesto dell'opera di Wilde, cfr. ad esempio le bibliografie (EN) in English Literature in Transition, Modern Drama, Nineteenth Century Theatre, Victorian Newsletter e The Year's Work in English Studies.
I volumi sopraelencati, curati da Karl Beckson, Richard Ellmann, Regenia Gagnier e William Tydeman, forniscono un'eccellente introduzione alla gamma di saggi critici e recensioni su Wilde. La raccolta curata da George Sandulescu ristampa i documenti presentati alla Wilde Conference di Monaco del 1993.
Per un commentario meticoloso e illuminante sugli studi wildeani, cfr. Ian Small, Oscar Wilde Revalued e Oscar Wilde: Recent Research.

### Galleria artistica wildeana

* Ritratto, 1890
* Portrait d'Oscar Wilde par Albert Edouard Sterner
* Oscar Wilde on stage next to a figure labeled Berry Mitchell
* Edition de "De Profundis "
* Portrait gravé
* Ritratto, 1916
* Oscar Wilde and a child etching by James Edward Kelly, 1882
* Scultura "Oscar Wilde and Bosie" di Malcolm Lidbury, 2016
* "Oscar Wilde Aesthetic Cigars"
* Oscar Wilde di Toulouse-Lautrec (1895)
* Oscar Wilde in America
* Oscar Wilde, the apostle of aestheticism: An aesthetic reception
* Ritratto di Oscar Wilde, di R. & E. Taylor
* Programma "Raphaël y Salomé", al Théâtre de l'Œeuvre (1896)
* Francobollo rumeno
* Caricatura, 1895
* Ritratto eseguito da Toulouse-Lautrec
* Caricatura, Oscar Wilde & Lord Douglas, 1893
* Aspects of Wilde by Max Beerbohm
* Caricatura di Max Beerbohm
* "Oscar Wilde on our cast-iron stoves. Another American institution sat down on"
* The Modern Messiah
* Oscar Wilde su Vanity Fair - Aprile 1884
* "Wilde on Us. Something To Live Up To in America"
* "Quem, sendo amado, poderia ser pobre"