# Interpretazione e scrittura dell'Olocausto/Bibliografia

Interpretazione e scrittura dell'Olocausto

## CAPITOLO 1

* Reazioni tedesche ed ebraiche alla persecuzione nazista 1941-45Interpretazione e scrittura dell'Olocausto/Reazioni
* Reazione artistica degli ebrei sotto HitlerInterpretazione e scrittura dell'Olocausto/Reazione artistica
* Lo YishuvInterpretazione e scrittura dell'Olocausto/Yishuv
* Scrittori antinazisti in esilioInterpretazione e scrittura dell'Olocausto/Scrittori antinazisti
* ConclusioneInterpretazione e scrittura dell'Olocausto/Conclusione 1

## CAPITOLO 2

* Introduzione al periodo 1945-1960Interpretazione e scrittura dell'Olocausto/1945-1960
* 1945-47/8 TransizioneInterpretazione e scrittura dell'Olocausto/Transizione
* 1948-1954: Il passato è archiviatoInterpretazione e scrittura dell'Olocausto/Il passato
* 1955-60 Il Diario di Anna Frank e il Processo di UlmInterpretazione e scrittura dell'Olocausto/Anna Frank
* ConclusioneInterpretazione e scrittura dell'Olocausto/Conclusione 2

## CAPITOLO 3

* La generazione postbellica, 1960-7Interpretazione e scrittura dell'Olocausto/Generazione postbellica
* La Repubblica FederaleInterpretazione e scrittura dell'Olocausto/Repubblica Federale
* La Repubblica DemocraticaInterpretazione e scrittura dell'Olocausto/Repubblica Democratica
* IsraeleInterpretazione e scrittura dell'Olocausto/Israele
* ConclusioneInterpretazione e scrittura dell'Olocausto/Conclusione 3

## CAPITOLO 4

* Icone e Iconoclasti, 1968-1981Interpretazione e scrittura dell'Olocausto/Icone e Iconoclasti
* La Repubblica FederaleInterpretazione e scrittura dell'Olocausto/Germania Federale
* IsraeleInterpretazione e scrittura dell'Olocausto/Israele 1
* ConclusioneInterpretazione e scrittura dell'Olocausto/Conclusione 4

## CAPITOLO 5

* Introduzione al periodo 1981-1989Interpretazione e scrittura dell'Olocausto/1981-1989
* La Repubblica FederaleInterpretazione e scrittura dell'Olocausto/Federale
* La Repubblica DemocraticaInterpretazione e scrittura dell'Olocausto/Germania Democratica
* AustriaInterpretazione e scrittura dell'Olocausto/Austria
* IsraeleInterpretazione e scrittura dell'Olocausto/Israele 2
* ConclusioneInterpretazione e scrittura dell'Olocausto/Conclusione 5
Memoria e compimentoInterpretazione e scrittura dell'Olocausto/Memoria e compimento
Appendice storicaInterpretazione e scrittura dell'Olocausto/Appendice storica
BibliografiaInterpretazione e scrittura dell'Olocausto/Bibliografia
Modifica il sommario
chiudi indice

## Bibliografia
### Teatro, Letteratura, Film e Critica d'arte

* Theodor W. Adorno, Noten Zur Literatur, III, Frankfurt-am-Main: Surhkamp, 1965.
* —— Aesthetic Theory, London: Athione Press, 1977.
* —— (con Max Horkheimer) Dialectic of Enlightenment, New York: Continuum, 1997.
* Glenda Abramson, Modern Hebrew Drama, London: Weidenfeld & Nicolson, 1979.
* Edward Alexander, The Resonance of Dust. Essays on Holocaust Literature and Jewish Fate, Columbus: Ohio State University Press, 1979.
* Arts Council of Great Britain, Erwin Piscator: Political Theatre 1920-1966, London: Arts Council of Great Britain Exhibition catalogue, 1969-70.
* Fouzi-el-Asmar, The Image of Arabs in Israel. Palestinian-Arabs in Israeli Hebrew Commercial Childrens’ Story Books, Exeter University: Ph.D Thesis, 1984.
* Ilan Avisar, Screening the Holocaust. Cinema’s Images of the Unimaginable, Bloomington:Indiana University Press, 1988.
* Mikhail Bakhtin, Rabelais and his World, Bloomington: Indiana University Press, 1984.
* A. F. Bance, Weimar Germany. Writers and Politics, Edinburgh: Scottish Academic Press, 1972.
* —— Hitler's War in German Fiction, Keele: University of Keele, 1983.
* Roland Barthes, Mythologies, trad. Arnette Layers, London: Palladin (Grafton Books), 1987.
* Peter Bauland, ed.,The Hooded Eagle: Modern German Drama on the New York Stage, New York: Syracuse University Press, 1968.
* Hans Peter Bayerdorfer, ed., German Israeli Theatre Relations, Tubingen: Niemayer Verlag, 1996.
* Linda Ben Zvi, ed., Theatre in Israel, Ann Arbor: University of Michigan Press, 1997.
* Walter Benjamin, Understanding Brecht, trad. Anna Bostock, London: Unwin Bros, 1973.
* P. Bennett, Ideology Against Art: An Analysis of the Works of Bertolt Brecht, University of Warwick: Ph.D. Thesis, 1987.
* Eric Bentley, The Storm Over The Deputy - Essays and Articles about Hochhuth’s Explosive Drama, New York: Grove Press, 1965.
* —— The Theatre of Commitment and Other Essays on Drama in our Society, New York, 1968.
* —— The Brecht Commentaries, 1943-1960, London: EyrefMethuen, 1981.
* Henri Bergson, Laughter. An Essay on the Meaning of the Comic, trad. Cloudesley Bereton & Fred Rothwell, London: Macmillan & Co., 1913.
* Susan Blacher-Cohen, ed., From Hester Street to Hollywood, Bloomington: Indiana University Press, 1983.
* Monica Bohm-Duchen, ed., After Auschwitz: Responses to the Holocaust in Contemporary Art, London: Lund Humphries Publishers, 1995.
* M. A. Bond, A Comparative Study of Postwar Radio Drama in Great Britain and West Germany, University of Sussex: Ph.D. Thesis 1970/1.
* Hamida Bosmajian, Metaphors of Evil: Contemporary German Literature in the Shadow of Nazism, Iowa City: University of Iowa Press, 1979.
* P. R. Botheroyd, Aspects of Third and First Person Narration and the Problems of Identity in Three Contemporary German Novels, University of Birmingham: Ph.D Thesis, 1970/1.
* Hanns Braun, The Theatre in Germany, Munich: F. Bruckmann K. G., 1952.
* British Library, Voices of the Holocaust, London: British Library, 1993. Registrazione.
* Susan E. Cernyak-Spatz, German Holocaust Literature, New York: Peter Lang, 1985.
* Cecil W. Davies, Theatre For the People: The Story of the Volksbühne, Manchester:Manchester University Press, 1977.
* Sidra Dekoven-Ezrahi, By Words Alone: The Holocaust in Literature, London: University of Chicago Press, 1980.
* Peter Demetz, After the Fire. Writing in the Gennanies, Austria and Switzerland, New York:Harcourt, Brace, Jovanovich, 1992.
* Osman Durrani, Cohn Good, Kevin Hilliard eds, The New Germany - Literature and Society after Unification, Sheffield: Sheffield Academic Press, 1995.
* Martin Esslin, Brecht: A Choice of Evils, London: Methuen, 1959.
* —— The Theatre of the Absurd, London: Penguin, 1961.
* Joachim Pest, Hitler, trad. Richard & Clara Winston, London: Weidenfeld & Nicolson, 1974.
* P. Franks, Günter Grass and German Politics, University of Warwick: Ph.D Thesis, 1978.
* Saul Friedlander ed., Probing the Limits of Representation, Cambridge: Cambridge University Press, 1992.
* John Fuegi, The Essential Brecht, Los Angeles: Hennessy & Ingalls inc., 1972.
* Glen W. Gadberry, Theatre in the Third Reich - in the Prewar Years (Essays on Theatre in Nazi Germany) Connecticut: Greenwood Press, 1995.
* H. F. Garten, Modern German Drama, London: Methuen & Co., 1959.
* Alvin Goldfarb, Theatrical Activities in Nazi Concentration Camps, City University New York: Ph.D Thesis, 1976.
* Simon Halkin, Modern Hebrew Literature, New York: Schocken Books, 1950.
* J. D. Hind, Ambivalent Polemicist - A Study of the Political and Philosophical Outlook of Rolf Hochhuth, Nottingham University: Ph.D Thesis, 1980.
* Christopher Innes, Modern German Drama - a Study in Form, Cambridge: Cambridge University Press, 1979.
* G. N. Jackson, Oppositional Literature in the DDR 1961-1977, Cambridge University: Ph.D Thesis, 1985.
* Karl Jaspers, Philosophy, Volumes 1-3, trad. A. B. Ashton, Chicago: University of Chicago Press, 1970.
* —— Basic Philosophical Writings, trad. Edith Ehrlich, Leonard H. Ehrlich, George B. Pepper, Athens, Ohio: Ohio University Press, 1986.
* —— The Origin and Goal of History, trad. Michael Bullock, London: Routledge and Kegan Paul, 1953.
* Anton Kaes, From Heimat to Hitler. The Return of History in Film, Cambridge Massachusetts: Harvard University Press, 1989.
* Joza Karas, Music in Terezin, New York: Beaufort Books, 1985.
* Steven T. Katz, The Holocaust in Historical Context, Volume 1: The Holocaust and Mass Death Before the Modern Age, Oxford: Oxford University Press, 1994.
* Walter Kaufman, Tragedy and Philosophy, New Jersey: Princeton University Press University Press, 1968.
* Samuel Kinser, Rabelais's Carnival, Text, Context, Metatext, Berkeley, Los Angeles:University of California Press, 1990.
* Mendel Kohansky, The Hebrew Theatre - Its First Fifty Years, New York: Ktav Publishing House, 1969.
* Ernst Kris/ Hans Speier, eds, German Radio Propaganda, Oxford: Oxford University Press, 1944.
* Egbert Krispyn, Style and Society in German Literary Expressionism, Gainesville: University of Florida Press, 1964.
* —— Günter Eich, Gainesville: University of Florida Press, 1971.
* —— Anti-Nazi Writers in Exile, Athens: University of Georgia Press, 1978.
* T. M. Kuhn, Politics and Literary Form in German Exile Drama 1933-39, Oxford University:Ph.D. Thesis, 1986.
* N. Lande, World War Two as Theatre, Trinity University Dublin: Ph.D. Thesis, 1992.
* Beryl Lang, ed., Writing and the Holocaust, New York: Holmes & Meier, 1988.
* Lawrence L. Langer, The Holocaust and the Literary Imagination, New Haven: Yale University Press, 1975.
* —— Versions of Survival, Albany: State University of New York Press, 1982.
* —— Art From the Ashes - a Holocaust Anthology, Oxford: Oxford University Press, 1995.
* —— Admitting the Holocaust. Collected Essays, Oxford: Oxford University Press, 1995.
* Erwin Leiser, Nazi Cinema, trad. Gertrud Mander & David Wilson, London: Secker and Warburg, 1974.
* Emanuel Levy, The Habima. Israel's National Theatre 1917-1977. A Study of Cultural Nationalism, New York: Columbia University Press, 1979.
* L. Licht-Knight, Reconstruction in the West German Theatre from the Nulistunde to the Currency Reform, Warwick University: Ph.D. Thesis, 1986.
* Jean-François Lyotard, The Differend: Phases in Dispute, trad. George Van Den Abeele, Minneapolis: University of Minnesota Press, 1988.
* Charles A. Madison, Yiddish Literature - its Scope and Major Writers, New York: Frederick Ungar, 1968.
* Siegfried Mandel, Group 47. The Reflected Intellect, Carbondale: Southern Illinois University Press, 1973.
* Franciszek Palowski, The Making of Schindler's List. Behind the Scenes of an Epic Film, Secaucus New Jersey: Carol Publishing Group, 1988.
* K. Stuart Parkes, Society and the Individual in the Works of Martin Walser, University of Bradford: Ph.D. Thesis, 197 1/2.
* —— Writers and Politics in West Germany, London/Sydney: Croom Helm, 1986.
* Julian Petley, Capital and Culture. German Cinema 1933-45, London: British Film Institute, 1975.
* Robert L. Perkins, ed., History and System. Hegel’s Philosophy of History, Albany: State University of New York Press, 1984.
* David Pike, German Writers in Soviet Exile 1933-45, Chapel Hill: University of North Carolina Press, 1982.
* Anson Rabinbach & Jack Zipes, eds, Germans and Jews Since the Holocaust, New York:Holmes & Meier, 1986.
* Robert C. Reimer & Carol J. Reimer, Nazi Retro Film. How German Narrative Cinema Remembers the Past, Oxford: Macmillan International, 1992.
* M. Ramon, Character and Theme in the Fiction of Three Israeli Authors, Manchester University: Ph.D. Thesis, 1978.
* L. J. Rennison, Roif Hochhuth's Interpretation of History and its Affect on the Content, Form and Reception of his Dramatic Work, University of Durham: Ph.D. Thesis, 1991.
* Eric Rentschler, German Film and Literature - Adaptation and Transformations, London:Methuen 1986.
* J. M. Ritchie, German Literature Under National Socialism, Canberra: Croom Helm, 1983.
* Alvin H. Rosenfeld, A Double Dying: Reflections on Holocaust Literature, Bloomington:Indiana University Press, 1980.
* —— Imagining Hitler, Bloomington: Indiana University Press, 1995.
* David G. Roskies, Against the Apocalype. Responses to Catastrophe in Modern Jewish Culture, Cambridge Massachusetts: Harvard University Press, 1984.
* Judith Ryan, The Uncomplete Past. Postwar German Novels and the Third Reich, Detroit:Wayne State University Press, 1983.
* John Sandford, New German Cinema, London: Oswald Wolff, 1980.
* Claude Schumacher/Derek Fogg, eds, Hochhuth's The Representative at the Glasgow Citizens, Glasgow: Theatre Studies Publications in association with the Geothe Institute, 1988.
* —— Small is Beautiful. Small Countries Theatre Conference, Glasgow International Federation for Theatre Research, 1990.
* W. G. Sebald, A Radical Stage. Theatre in Germany in the 1970s and 1980s, Oxford/New Yorkl Hamburg: Berg Publishers, 1988.
* Martin Seymour-Smith, Guide to Modern World Literature, Vol. 2, London: Hodder & Stoughton, 1975.
* P.R. Simpson, Patriots and Pacifists. The Experience of War as Reflected in Recent Contemporary Israeli Hebrew Literature, Manchester University: Ph.D. Thesis, 1979.
* Gershon Shaked, ed., Hebrew Writers: A General Directory, Tel Aviv: Instititute for the Translation of Hebrew Literature, 1993.
* Robert Skloot, The Darkness We Carry. The Drama of the Holocaust, Madison: University of Wisconsin Press, 1988.
* C. E. Smith, Past Patterns and Present Problems: Art, Tradition and Society in Christa Wolfs Prose, Manchester University: Ph.D. Thesis, 1986.
* George Steiner, The Death of Tragedy, London: Faber and Faber, 1961
* —— Language and Silence, London: Penguin, 1979.
* Peter Thomson & Glendyr Sachs, The Cambridge Companion to Brecht, Cambridge:Cambridge University Press, 1994.
* P. M. Tillotson, Essays on Günter Grass's Danzig Trilogy, Exeter University: Ph.D. Thesis, 1990.
* A. E. Waine, The Development of Martin Walser as Dramatist, Lancaster University: Ph.D. Thesis, 1986.
* John Willett, The Theatre of the Weimar Republic, New York: Holmes and Meier, 1988.
* —— The Theatre of Bertolt Brecht. A Study from Eight Aspects, London: Methuen, 1989.
* Arthur Williams, Stuart Parkes, Roland Smith, eds., German Literature at a Time of Change 1989-1990. German Unity and German Identity in Literary Perspective, Bern: Peter Lang/University of Bradford, 1991.
* C. E. Williams, Writers and Politics in Modern Germany 1918-1945, London: Hodder & Stoughton, 1977.
* Manfred Winke, ed., Zentrum Bundesrepublik Deutschland Theater 1967-1982, Berlin:International Theatre Institute, 1983.
* James E. Young, Writing and Re-writing the Holocaust. Narratives and Consequences of Interpretation, Bloomington: Indiana University Press, 1988.

### Testimonianze e Biografie

* Lucy Adelsberger, Auschwitz. A Doctor's Story, trad. Susan Ray London: Robson Books, 1996.
* Alan Adelson & Robert Lapides, eds., Lodz Ghetto: Inside a Community Under Siege, New York: Viking Press, 1989.
* Jean Amry, At the Mind’s Limit: Contemplations by a Survivor of Auschwitz and its Realities, trad. Sidney e Stella P. Rosenfeld, Bloomington: Indiana University Press, 1988.
* Edith Hahn Beer con Susan Dwarkin, The Nazi Officer's Wife. How One Jewish Woman Survived the Holocaust, Little, Brown & Co., 1999.
* Bruno Betteiheim, The Informed Heart. The Human Condition in Modern Mass Society, London: Thames & Hudson, 1960.
* —— Recollections and Reflections, London: Penguin, 1990.
* Christabel Bielenberg, The Past is Myself, London: Corgi Books, 1995.
* Ruth Bondy, "Elder of the Jews": Jacob Edeistein of Theresienstadt, trad. Evelyn Adel, New York, 1981.
* Alexander Donat, The Holocaust Kingdom : A Memoire, New York: Holt, Rinehardt and Winston, 1965.
* —— The Death Camp Treblinka. A Documentary, New York: Holocaust Library/Schocken Books, 1979.
* Emil L. Fackenheim, The Quest for Past and Future. Essays in Jewish Theology, Bloomington: Indiana University Press, 1968.
* —— God’s Presence in History. Jewish Affirmation and Philosophical Reflections from Bergen Belsen, Jerusalem: World Jewish Congress of Jerusalem, 1975.
* —— To Mend the World. Foundation of Future Jewish Thoughts, New York: Schocken Books, 1982.
* —— The Jewish Bible After the Holocaust, Bloomington: Indiana University Press, 1992.
* Jack Fairweather, The Volunteer. One Man, an Underground Army, and the Secret Mission to Destroy Auschwitz, London: WH Allen, 2019.
* Eva Fleischner, cur., Auschwitz: Beginning of a New Era? Reflections on the Holocaust, KTAV Publ. House, 1977.
* Anne Frank, Diary of a Young Girl, the Definitive Version, curr. Otto H. Frank & Mirjam Pressler, trad. Susan Massotty, New York: Viking Press, 1997.
* Jacob Glatstein, The Selected Poems of Jacob Glatstein, New York: October House, 1972.
* Gerald Green, The Artists of Terezin, New York: Hawthorn Books inc.
* Etty Hillesum, An Interrupted Life. The Diaries of Etly Hillesum 1941-1943, cur. Arno Pomerans, New York: Pantheon Books, 1983.
* Gerald Jacobs, Sacred Games, London: Penguin, 1995.
* Alfred Kantor, The Book of Alfred Kantor, an Artist's Journal of the Holocaust, prefaz. John Wykert, London: Judy Piatkus, 1987.
* Chaim A. Kaplan., The Warsaw Diary of Chaim A. Kaplan, ed., Abraham I. Katsh, New York:Collier Books, 1965.
* Anita Lasker Wailfisch, Inherit The Truth 1939-45, London: dim Books, 1996.
* Olga Lengyel, Five Chimneys. The Story of Auschwitz, New York: Ziff Davies, 1974.
* Primo Levi, Survival in Auschwitz, trad. Stuart Woolf, New York: Collier Books 1961.
* —— I sommersi e i salvati (anche in (EN) The Drowned and the Saved, trad. Raymond Rosenthal, London: Abacus Books, 1989).
* —— Se questo è un uomo (anche in (EN) If This is a Man, trad. Stuart Woolf, London: Vintage, 1996).
* Abraham Lewin, A Cup of Tears - A Diary of the Warsaw Ghetto, Anthony Polonsky, ed., trad. Christopher Hutton, Oxford: Basil Blackwell, 1988.
* Helen Lewis, A Time to Speak, Belfast: Blackstaff Press, 1992.
* Terence Des Pres, The Survivor:An Anatomy of Life in the Death Camps, New York:Washington Square Press, 1976.
* Emanuel Ringleblum, Notes from the Warsaw Ghetto, trad. Jacob Sloan, New York:Schocken Books, 1974.
* David Rousset, The Other Kingdom, trad. Raymond Guthrie, New York: Reynal & Hitchcock, 1947.
* Roman Vishniac, A Vanished World, New York: Alien Lane, 1983.
* Helen Volavkova, ed., I Never Saw Another Butterfly: Children's Drawings and Poems from Terezin Concentration Camp 1942-1944, New York, 1962.
* Simon Weisenthal, The Murderers are Among Us, London: Heineman, 1967.
* Binjamin Wilkomirski, Fragments. Memories of a Childhood 1939-1948, trad. Carol Brown Janeway, London: Picador, 1996.
* Aaron Zeitlin, ed., Janusz Korczak Ghetto Diary, New York: Holocaust Library, 1978.

### Storia e Politica

* Said K. Aburish, Cry Palestine. Inside The West Bank, London: Bloomsbury, 1991.
* Jonah Alexander, International Terrorism. National, Regional and Global Perspectives, New York/London: Praeger Publishers, 1976.
* Hannah Arendt, Eichmann in Jerusalem. A Report on the Banality of Evil, New York: Faber & Faber, 1963.
* —— The Origins of Totalitarianism (III ediz.) London: George Allen & Unwin, 1967.
* H.M. Attorney General, The Trial of Major War Criminals by the International Military Tribunal Sitting at Nuremberg in Germany, London: Her Majesty's Stationary Office, 1946.
* —— Judgement of the International Military Tribunal for the Trial of German Major War Criminals (with the dissenting opinion of the Soviet Member 30 September and 1 October 1946), London: Her Majesty's Stationary Office, 1946.
* Stefan Aust, The Baader-Meinhof Group – The Inside Story of a Phenomenon, trad. Anthea Bell, London: The Bodley Head, 1987.
* Anon., The German New Order in Poland, London: Hutchison/the Polish Ministry of Information, 1942.
* Richard Baigent & Richard Leigh, Secret Germany. Staffenberg and the Mystical Crusade Against Hitler, London: Penguin, 1992.
* H. E. Barker, The Legal System of Israel, Israel/London: Israel Universities Press, 1968.
* Yehuda Bauer, Flight and Rescue: Brichah, Ne.w York: Random House, 1970.
* Jillian Becker, Hitler’s Children. The Story of the Baader-Meinhof Gang, London: Michael Joseph, 1977.
* Walter Benjamin, Illuminations, ed. Hannah Arendt, trad. Harry Zohn, London:Fontana, 1973.
* Doris Bergen, The Holocaust. A New History, Tempus, 2008.
* Volker Rolf Berghahn, Modern Germany: Society, Economy and Politics of the Twentieth Century, Cambridge: Cambridge University Press, 1982.
* Randolph L. Braham, The Politics of Genocide, The Holocaust in Hungary, New York:Columbia University Press, 1981.
* Richard Breitman, The Architect of Genocide. Himmler and the Final Solution, London: The Bodley Head, 1991.
* Christopher R. Browning, The Final Solution and the German Foreign Office, New York/London: Holmes & Meier, 1978.
* —— Ordinary Men. The Men of Police Battalion 101, London: Aaron Asher (Harper Collins), 1992.
* Alan Bullock, Hitler and Stalin. Parallel Lives, London: Fontana, 1993.
* J. S. Conway, The Nazi Persection of the Churches, London: Weidenfeld & Nicolson, 1968.
* Lucy Dawidowicz, The War Against the Jews, 1939-45, London: Harmondsworth, 1976.
* Helmut Diwald, Geschichte der Deutschen, Frankfurt-am-Main: Surhkamp, 1978.
* Yair Evron, The Middle East, London: Elek, 1973.
* Constantine Fitzgibbon, Denazification, London: Michael Joseph, 1969.
* Mary Fuibrook, The Two Germanies. 1945-90 Problems of Interpretation, London:Macmillan, 1992.
* G. M. Gilbert, Nuremberg Diary, London: Eyre & Spottiswoode, 1978.
* —— The Psychology of Dictatorship, New York: The Ronald Press Co., 1950.
* Martin Gilbert, The Holocaust. The Jewish Tragedy, London: Fontana Collins, 1986.
* —— The Righteous. The Unsung Heroes of the Holocaust, Doubleday, 2002.
* George Ginsburgs & V. N. Kudriavtsev, eds., The Nuremberg Trial and International Law, Dordrecht/Boston/London: Martinus Nijhoff Publishers, 1990.
* Sheldon Glueck, War Criminals - Their Prosecution & Punishment, New York: Alfred A. Knopf, 1944.
* Daniel Goidhagen, Hitler's Willing Executioners – Ordinary Germans and the Holocaust, London: Viking, 1996.
* Victor Gollancz, The Case of Adolf Eichmann, London: Victor Gollancz, 1961.
* J. T. Gross, Polish Society Under German Occupation, New Jersey: Princeton University Press, 1979.
* Louis Hagen, The Mark of the Swastika, London: Corgi, 1965.
* E. C. Helmreich, The German Churches Under Hitler, Detroit: Wayne State University Press, 1979.
* Raul Hilberg, The Destruction of European Jews, Chicago: Quadrangle Books, 1961.
* —— Perpetrators, Victims and Bystanders: The Jewish Catastrophe 1933-1945, London:Lime Tree, 1993.
* Adolf Hitler, Mein Kampf, trad. Ralph Manheim, London: Hutchison, 1969.
* H. Höhne, The Order of the Death's Head: The Story of Hitler's SS, London: Secker & Warburg, 1969.
* E. L. Horrize, Forced Labour in Nazi Germany, New Jersey: Princeton University Press, 1968.
* Pierre Joffroy, A Spy for God, New York: Harcourt/Brace, 1961.
* Christa Kamenetsky, Children's Literature in Hitler's Germany, Athens, Ohio: Ohio University Press, 1984.
* Jan Karski, The Story of a Secret State, Boston: Houghton Mifflin Co. 1944.
* Alan Kramer, The West German Economy 1945-1955, New York: Berg Publishers, 1991.
* Hermann Kurthen, Werner Bergmann, Rainer Erb, curr., Antisemitism and Xenophobia in Germany after Reunification, New York/Oxford: Oxford University Press, 1997.
* Eugene Kogon, The Theory and Practice of Hell, trad. Heinz Norden, New York: Octagon Books (Farrar, Strauss & Giroux), 1973.
* Abba Kovner/Amos Oz, eds, The Seventh Day. Soldiers Talk about the Six Day War, London:Penguin, 1971.
* Walter Laqueur, Confrontation, London: Wildwood/Abacus House, 1974.
* —— The Terrible Secret, London: Weidenfeld & Nicolson, 1988.
* —— The Age of Terrorism, London: Weidenfeld & Nicolson, 1987.
* G. J. W. Lavy, Development of Relations Between the Federal Republic of Germany and the State of Israel 1952-1975, London School of Economics: Ph.D. Thesis, 1988.
* Erwin Leiser, A Pictorial History of Nazi Germany, London: Pelican, 1962.
* Nora Levin, The Holocaust: The Destruction of European Jewry 1933-45, New York:Schocken Books, 1968.
* Günter Lewy, The Catholic Church and Nazi Germany, London: Weidenfeld and Nicolson, 1964.
* P. J. Lyons, Literary and Theological Responses to the Holocaust, University of Bristol: Ph.D. Thesis, 1989.
* Jean François Lyotard, Jean François Lyotard. Political Writings, trad. Bill Readings & Kevin Paul Geiman, London:University of California Press, 1993.
* Charles Maier & Günter Bischoff, The Marshall Plan and Germany, New York/Oxford: Berg Publishers (St Martin's Lane Press), 1991.
* Judith Matras, Social Change in Israel, Chicago: Aldine Publishing Co., 1965.
* Herbert C. Mayer, The German Recovery and the Marshall Plan, Bonn: Atlantic Forum, 1969.
* Bernd Nauman, Auschwitz, trad. Jean Steinberg, London: Pall Mall Press, 1966.
* A. J. Nicholls, Weimar and the Rise of Hitler, London: Macmillan, 1986.
* Bernard Newman, The Story of Poland, London/Melbourne: Hutchinson & Co. Ltd, 1940.
* Amos Oz, The Slopes of Lebanon, trad. Maurie Goldberg-Bartura, London: Vintage, 1991.
* Karl Popper, The Poverty of Historicism, London: Routledge, 1972.
* Gerald Reitlinger, The Final Solution. The Attempt to Exterminate the Jews of Europe 1939-1945, New York: Barnes, 1961.
* A. Rhodes, The Vatican in the Age of Dictators, London: Hodder & Stoughton, 1973.
* Hugh Trevor Roper, The Last Days of Hitler, London: Macmillan & Co. Ltd, 1947.
* M.D. Ross, German, Russian and Communist Elements in Education in East Germany, University of Bristol: Ph.D. Thesis, 1973.
* Jean Paul Sartre, Anti-Semite and the Jew, trad. George J. Becker, New York: Schocken Books, 1948.
* K. Schleunes, The Twisted Road to Auschwitz. Nazi Policies Towards German Jews, Chicago/London: University of Illinois Press, 1970.
* A. Schweitzer, Big Business in the Third Reich, Bloomington: Indiana University Press, 1964.
* Tom Segev, Soldiers of Evil, London: Grafton Books, 1990.
* Gita Sereny, Into That Darkness, London: André Deutsche, 1974.
* Yoram Sheftal, The Demjanjuk Affair. The Rise and Fall of a Show Trial, trad. Chaim Watzman, London: Victor Gollancz, 1994.
* Peter Sichrovsky, Born Guilty. The Children of the Nazis, trad. Jean Steinberg, London: I. B. Taurus and Co., 1988.
* Stuart Sim, Jean François Lyotard, London: Prentice Hall/Harvester Wheatsheaf (Simon & Schuster) 1996.
* Robert Slater, Rabin of Israel, London: Robson Books, 1977.
* Bradley F. Smith, The American Road to Nuremberg. The Documentary Record 1944-45, Stanford University California: Hoover Institute Press, 1982.
* Albert Speer, Inside the Third Reich, trad. Richard & Clara Winston, London: Weidenfeld & Nicolson, 1970.
* James Stern, The Hidden Damage, New York: Harcourt Brace, 1947.
* Un Suhi, They Fought Back. The Story of Jewish Resistance in Nazi Europe, New York:Crown, 1967.
* Charles W. Sydnor Jnr, Soldiers of Destruction. The SS Death’s Head Division 1933-45, Princeton Princeton University Press, 1977.
* Uriel Tal, Christians and Jews in Germany, trad. Noah Jonathan Jacobs, Ithaca: Cornell University Press, 1975.
* Isaiah Trunk, Judenrat: The Jewish Councils in Eastern Europe Under Nazi Occupation, Lincoln: University of Nebraska Press, 1972.
* T. E. Vadney, The World Since 1945, London: Penguin, 1992.
* Pierre Vidal-Naquet, Assassins of Memory: Essays on the Denial of the Holocaust, trad. Jeffrey Mehlmann, New York: Columbia University Press, 1992.
* Ed Vulliamy, Seasons in Hell. Understanding Bosnia's War, London: Simon & Schuster, 1993.
* Robert S. Wistrich, Antisemitism. The Longest Hatred, Thames Methuen, 1991.
* Robert K. Woetzel, The Nuremberg Trials in international Law, London: Stevens & Sons Ltd, 1962.
* Michael Wolffsohn, Eternal Guilt? Forty Years of German-Jewish Relations, trad. Douglas Bukovy, New York: Columbia University Press, 1993.
* I. L. Wollaston, A Comparative Study of Jewish and Christian Responses to the Holocaust, Durham University: Ph.D. Thesis, 1989.

### Romanzi e Drammi

* Yehuda Amichai, Bells and Trains, trad. Aubrey Hodes in Midstream Vol. 12 (Ottobre 1966), pp. 55-66.
* Yehuda Amichai, Not of This Time, Not of This Place, London: Valentine Mitchell, 1973.
* Dan Ben Arnotz, To Remember, To Forget, trad. Zeva Shapiro, Philadelphia: The Jewish Publication Society of America, 1979.
* Bruno Apitz, Naked Among the Wolves, Frankfurt-am-Main: Roderberg, 1984.
* Aharon Appelfeld, The Immortal Bartfuss, trad. Jeffrey Green, New York: Weidenfeld and Nicolson, 1988.
* Hannoch Bartov, Each Had Six Wings, Tel Aviv: World Zionist Organization Department of Education and Culture and Institute for the Translation of Hebrew Literature, 1974.
* —— The Brigade, trad. David S. Segal, London: MacDonald, 1969.
* Jurek Becker, Jacob The Liar, trad. Melvin Kornfield, New York: Harcourt, Brace, Jovanovich, 1975.
* Dahn Ben Amotz, To Remember, To Forget, trad. Ziva Shapiro, Philadelphia: Jewish Publication Society of America, 1979.
* Thomas Bernhard, Histrionics – Three Plays, trad. Peter Jansen & Kenneth Northcott, London: Quartel Books, 1991.
* —— The Hunting Party, trad., Gitta Honegger, New York: Performing Arts Journal, Vol. V., No. 1(1980), pp.101-31.
* —— Eve of Retirement. A Comedy of the German Soul, trad. Janos Bruck, n.d., inedito.
* Heinrich Boll, The Train was on Time, London: Penguin, 1979.
* —— And Where Were You Adam, London: Penguin, 1979.
* —— Absent Without Leave and Other Stories by Heinrich Boll, trad. Leila Vennewitz, London: Calder & Boyars, 1972.
* —— Billiards at Half Past Nine, trad. Patrick Bowles, London: Jupiter Books (John Calder), 1961.
* —— The Lost Honour of Katherina Blum, trad. Ulrike Hanna Meinhof & Ruth Rath, London: Nelson & Sons, 1984.
* —— Group Portrait With a Lady, trad. Leila Vennewitz, New York: McGraw Hill Books, 1973.
* Josef Bor, The Terezin Requiem, trad. Edith Pargeter, London: Heinemann, 1963.
* Wolfgang Borchert, The Man Outside, trad. David Porter, London: Calder & Boyars, 1952.
* —— The Sad Geraniums, trad. Keith Hamnett, London: Calder & Boyars, 1974.
* Tadeusz Borowski, This Way for the Gas, Ladies and Gentlemen, trad. Barbara Vedder, London: Penguin, 1976.
* Bertolt Brecht, Roundheads and Peakheads, trad. N. Goold-Verschoyle, in Jungle of the Cities and Other Plays, New York: Grove Press, 1966.
* —— The Jewish Wife and Other Short Stories, trad. Eric Bentley et al., New York: Grove Press, 1965.
* —— Fear and Misery of the Third Reich, in Brecht’s: Plays 2, trad. Ralph Manheim, London: Methuen, 1987.
* —— The Resistible Rise of Arturo Ui, trad. Ralph Manheim, London: Methuen, 1992.
* T. Carmi & Dan Pagis, Selected Poems of T. Carmi & Dan Pagis, trad. Stephen Mitchell, London: Penguin, 1976.
* Charlotte Delbo, Who Will Carry the Word? in Robert Skloot Theatre of the Holocaust, Madison: University of Wisconsin Press, 1982.
* Günter Eich, The Girls From Viterbo, trad. Michael Hamburger in Prism International, Vol. 13. (Summer 1973), pp. 23-64.
* —— Dreams, in Everett, Frost & Herzfeld-Sanders, curr., German Radio Plays, New York:Continuum, 1991.
* Franz Fühmann, The Fallen Angel, adatt. di Manfred Weber, trad. Anthony Vivis, London:Rosica Cohn Ltd, 1990.
* Max Frisch, Andorra, trad. Michael Bullock, London: Eyre Methuen, 1976.
* Leah Goldberg, The Lady of the Castle, trad. T. Carmi, Tel Aviv: Institute for the Translation of Hebrew Literature, 1974.
* Frances Goodrich & Albert Hackett, The Diary of Anne Frank, London: Samuel French, 1958.
* Haim Gouri, The Chocolate Deal, trad. Seymour Simckes, New York: Holt, Rinehart & Winston, 1968.
* Günter Grass, The Tin Drum, trad. Ralph Manheim, Harmondsworth: Penguin, 1965.
* —— Cat and Mouse, trad. Ralph Manheim, London: Penguin, 1966.
* —— Dog Years, trad. Ralph Manheim, London: PenguinlSecker & Warburg, 1965.
* —— Four Plays, London:Secker & Warburg, 1967.
* —— Call of the Toad, trad. Ralph Manheim, London: Secker & Warburg, 1992.
* Gerald Green, Holocaust, New York: Bantam Books, 1978.
* Hank Greenspan, Remnants, Michigan, 1991, unpublished.
* David Grossmann, See: Under Love, trad. Betsy Rosenberg, London: Pan Books/Jonathan Cape, 1990.
* —— Sleeping on a Wire - Conversations with Palestinians in Israel, trad. Chaim Watzman, London: Farrar, Strauss & Giroux! Jonathan Cape, 1992.
* Dr Yossi Hadar, Biboff, trad. Isaiah Bar-Yaakov, London: British Library Modem Playscript 5420.
* Haim Hazaz, The Sermon in Joel Blocker A Selection of the Best Contemporary Hebrew Writing, New York: Schocken Books, 1962.
* Roif Hochhuth, The Representative, trad. Robert David Macdonald, London: Methuen, 1963.
* Fritz Hochwälder, The Public Prosecutor in The Public Prosecutor and Other Plays, trad. Kitty Black, New York: Ungar, 1980.
* Danny Horowitz, Uncle Arthur, Tel Aviv 1967, inedito.
* —— Cherli Ka Cherli, in Herbert S. Joseph, cur., Modern Israeli Drama - an Anthology, London/Toronto: Farleigh Dickinson, 1984.
* Yoram Kaniuk, Adam Resurrected, trad. Semour Simckes, London: Chatto & Windus, 1971.
* Manfred Karge, The Conquest of the South Pole & Man is Man, trad. Anthony Vivis, London: Methuen/Royal Court, 1988.
* Heinar Kipphardt, Joel Brandt, die Geschichte eines Geschäfts, Frankfurt-am-Main:Surhkamp, 1964.
* —— In the Case of J. Robert Oppenheimer, trad. Ruth Speirs, London: Methuen, 1967.
* —— Bruder Eichmann, Schauspiel und Materialen, Hamburg: Rowohlt, 1986.
* —— Brother Eichmann, trad. Roy Kift, unpublished, 1983.
* Abba Kovner, A Canopy in the Desert, trad. Shirley Kaufman, University of Pittsburgh Press, 1973.
* Abba Kovner e Nelly Sachs, Selected Poems, London: Penguin, 1971.
* Aaron Kramer, ed., A Century of Yiddish Poetry, Ontario: Cornwall Books, 1989.
* Eric Kuby, Hitlers Letzte Festung, Hamburg Radio Archive, 1952.
* Elizabeth Langgasser, The Quest, trad. Jane Bannard Greene, New York: Alfred Knopf, 1953.
* Siegfried Lenz, The German Lesson, trad. Ernst KaiserfEithene Wilkins, New York: Hill & Wang, 1972.
* Motti Lerner, Kastner, trad. Imre Goldstein, in Michael Taub, cur., Israeli Holocaust Drama, New York: Syracuse University Press, 1996.
* Hanoch Levin, The Sufferings of Job, trad. Barbara Harshav, in Modern Israeli Drama, ed., Michael Taub, Portsmouth, New Hampshire: Heineman Educational Books Inc., 1993.
* Thomas Mann, Order of the Day, trad. Loewe Porter, New York: Alfred Knopf, 1942.
* Thomas Mann, Doctor Faustus: The Life of the Composer Adrian Leverskuhn as Told by a Friend, trad. H. T. Lowe-Parker, London: Penguin, 1968.
* Aharon Megged, Fortunes of a Fool, trad. Aubrey Hodes, London: Random House & Gollancz, 1962.
* —— Hannah Senesh, in Modern International Drama (1993) Vol. 27, No. 1, pp.101-34.
* —— Living on the Dead, trad. Misha Louvish, London: Jonathan Cape & McCall, 1970.
* Gerlind Reinshagen, Sunday’s Children (Sonntagskinder), trad. (EN) Tinch Minter/Anthony Vivis, London: Rosica ColinLtd, 1988.
* Uri Orlev, The Lead Soldiers, trad. Hillel Halkin, London: Peter Owen, 1979.
* Nelly Sachs, O, The Chimneys, New York: Farrar, Straus, Giroux, 1967.
* —— Eli: A Mystery Play on the Sufferings of Israel, trad. Christopher Holme in ed. Elinor Fuchs, Plays of the Holocaust: an International Anthology, New York: The Communications Group, 1987.
* Anna Seghers, The Seventh Cross, trad. James A. Gaiston, London: Hamish Hamilton 1943.
* Ernst Schabel, Anne Frank: A Portrait in Courage, trad. Richard e Clara Winston, London/New York: Harcourt, Brace, World inc., 1958.
* —— Anne Frank: Spur Eines Kindes, Hamburg Radio Archive, 1958.
* Rolf Schneider, The Wild Justice, trad. David Porter, Edinburgh: National Library of Scotland, Traverse Theatre Archives, DEP 256 Box 59.
* Moshe Shamir, He Walked in the Fields, in Herbert S. Joseph, cur., Modern Israeli Drama - an Anthology, London/Toronto: Farleigh Dickinson University Press, 1984.
* Josef Skvorecky, The Base Saxophone, London: Pan Books, 1980.
* Joshua Sobol, The Night of the Twentieth, trad. Chanah Hoffman, Tel Aviv: Institute for the Translation of Hebrew Literature, 1978.
* —— The Palestinian Girl (Shooting Magda), trad. Miriam Schlesinger, inedito, 1985.
* —— Ghetto, trad. David Lan, London: Nick Hem Books, 1989.
* —— Adam, trad. Miriam Schlesinger, inedito, 1990.
* —— Underground, trad. Miriam Schlesinger, inedito, 1990.
* Martin Sperr, Tales From the Landshut, trad. Anthony Vivis, London: Methuen, 1969.
* Abraham Sutzkever, Abraham Sutzkever. Selected Poetry and Prose, trad. Barbara & Benjamin Harshav, Berkely: University of California Press, 1991.
* Hans Jurgen Syberberg, Hitler: A Film From Germany, trad. Joachim Nuegroschel, Manchester: Carcanet New Press, 1982.
* Erwin Sylvanus, Korczak und die Kinder, Hamburg: Rowohit, 1978.
* —— Dr Korczak and the Children, in curr., Michael BenediktlGeorge E. Wellwarth, Postwar German Theatre, London: Macmillan, 1968, pp. 116-157.
* Wladyslaw Szpilman, The Pianist. The Extraordinary Story of One Man's Survival in Warsaw, 1939-45, Victor Gollancz, 1999.
* George Tabori, The Cannibals, in Robert Skloot, The Theatre of the Holocaust, Madison:University of Wisconsin Press, 1982.
* —— Mein Kampf Farce, London: British Library Modern Playscripts, n.d. Jubiläum, Berlin: Gustav Kiepenheuer Verlag, 1982.
* Martin Walser, Rabbit Race, in Martin Walser Plays, Vol. 1, London: John Calder, 1963.
* —— Heimatkinde, Frankfurt-am-Main: Surhkamp, 1968.
* Peter Weiss, Mein Ortschaft, Frankfurt-am-Main: Surhkamp, 1965.
* —— The Investigation, trad. Alexander Cross, London: John Calder, 1963.
* Franz Werfel, The Forty Days of Musa Dagh, trad. Geoffrey Dunlop, New York: Viking Press: 1934.
* —— Jacobowsky and the Colonel, trad. Gustave 0. Ant, New York: Viking Press, 1944.
* Ernst Wiechert, The Forest of the Dead, trad. Ursule Stechow, London: Victor Gollancz, 1947.
* Elie Wiesel, Night, trad. Stella Rodway, New York: Avon Books, 1971.
* —— The Fifth Son, trad. Marion Wiesel, New York: Viking Press, 1985.
* —— The Trial of God as it was held on February 25 1648 in Sham gorod, trad. Marion Wiesel, New York: Schocken Books, 1986.
* —— Legends of Our Time, New York: Schocken Books, 1986.
* Christa Wolf, A Model Childhood, trad. Ursule Molinaro & Hedwig Rappolt, London: Virago Press, 1982.
* Friedrich Wolf, Professor Mamlock, trans. Anne Bromberger, New York: Universum Publishers and Distributers, 1935.
* A. B. Yehoshua, A Night in May, trad. Miriam Arad, Tel Aviv: Institute for the Translation of Hebrew Literature, 1974.
* Richard Zimler, The Warsaw Anagrams, Corsair, 2009.
* Ben Zion Tomer, Children of the Shadows, trad. Hillel Halkin, Tel Aviv: Institute for the Translation of Hebrew Literature, 1982.
* Carl Zuckmayer, The Devil’s General, trad. Ingrid G. Gilbert & William F. Gilbert, in cur. Haskill M. Block, Masters of Modern Drama, New York: Random House, 1962.
* —— A Part of Myself, trad. Richard & Clara Winston, New York: Harcourt, Brace, Jovanovich, 1970.
* —— Three Stories, cur., D. Barlow, Oxford: Oxford University Press, 1963.

### Articoli

* M. A. Bond, "Some Reflections on the German Horspiele", New German Studies, Vol.4. No.1, (Primavera 1976) pp. 9 1-100.
* Denis Calandra, "Politicized Theatre: The Case of Rainer Werner Fassbinder's Garbage, the City and Death", in Modern Drama (31 settembre 1988), pp. 420-8.
* Oliver Claussen, "Weiss Propagandist and Weiss Playwright", New York Times Magazine, (2 ottobre 1966).
* Quentin Curtis, "Lest We Forget", Independent on Sunday (13 febbraio 1994), pp. 18-23.
* Nicolas Eisner, "Theatertheater/Theaterspiele; The Plays of Thomas Bernhard", Modern Drama, Vol. 30 (March 1987), pp. 104-114.
* Martin Esslin, "Dürrenmatt - Merciless Observer", Plays and Players (Marzo 1963), pp.15-16.
* Martin Esslin, "A Drama of Disease and Derision. The Plays of Thomas Bernhard", Modern Drama, Vol. 33 (1980-8 1), pp. 367-384
* Gottfried Fischborn, "The Drama of the German Democratic Republic since Brecht. An Outline", trad. Peter Harris/Pia Kieber, Modern Drama, Vol. 23 (1980-8 1) pp. 422-34.
* Glen W. Gadberry, "Nazi Germany's Jewish Theatre", in Theatre Survey, Vol. 21.1 (1980), pp. 15-32.
* W. Stephen Gilbert, "Man to Man at the Royal Court", Plays and Players, (Febbraio 1988), pp. 26-7.
* Alvin Goldfarb, "Theatrical Activities in Nazi Concentration Camps", Performing Arts Journal, Vol. 1, No. 2, (Fall, 1976), pp. 3-11.
* Cohn H. Good, "The Linguistic Divisions of Germany - Myth or Reality?", New German Studies, Vol. 2, No. 1, (Primavera 1974), pp.96-115.
* Ursula Grutzmacher, "Jubiläum", Theater Heute, Vol. 2 (Febbraio 1983), p.36.
* Gitta Honegger, "Tales From the Imperial City", Performing Arts Journal, Vol. 11, No. 2 (1988), pp. 45-61.
* Hannah Hurtzig, "The Passive Spectator Does Not Exist. Interview with David Ma'ayan" Theaterschrift, Vol. 5 (August 1993), pp. 248-63.
* Edward Isser, "The Antecedents of American Holocaust Drama and the Transformation of Werfel's Jacobowsky and the Colonel", Modern Drama, Vol. 34. (Dicembre 1991), pp. 513-21.
* Gad Kaynor, "Resurrection of the Holocaust Experience Through its Theatrical Profanation on the Israeli Stage; The Paradigm of Adam Resurrected", doc. presentato a The Shoah and Performance Conference, Glasgow, 1995.
* Christine Kiebuzinska, "The Scandal-Maker; Thomas Bernhard and the Reception of Heldenplatz", Modern Drama, Vol. 38. (Autunno 1995), pp. 378-88.
* Roy Kift, Comedy in the Holocaust: Reality and Illusion in the Theresienstadt Cabaret, doc. presentato a The Shoah and Performance Conference.
* Bettina Knapp, "Interview with Martin Walser", Modern Drama, Vol. 13 (1970-1), pp. 3 16-23.
* Dan Laor, 'Theatrical Interpretations of the Shoah: Image and Counter-Image', doc. presentato a The Shoah and Performance Conference.
* Simon Levy, "The Voice of the Brother's Blood Crieth Unto Me" - A Comparative Study of Hebew and German Holocaust Radio Plays', JTD - Haifa University Studies in Theatre and Drama, Vol. 1 (Autunno 1995), pp. 85-94.
* Jeanette R. Malkin, "In Praise of Resentment: Thomas Bernhard, Jews, Heldenplatz", doc. presentato a The Shoah and the Theatre Conference.
* Andrei S. Markovits & Christopher S. Allen, 'Holocaust on German TV: A Special Report', The Jewish Frontier (April 1979), pp. 13-17.
* David MacDowall, 'Maps and Histories', Sight and Sound (Supplement), Issue 12 (1992), pp. 6-13.
* Horst Mewes, 'The New German Left', New German Critique, Vol. 3 (Fall 1974), pp. 22-4 1.
* Marion Milne, 'Testimony Spoken in Silence', Independent on Sunday (14 novembre 1993), pp. 76-7.
* Tinch Minter/Anthony Vivis, 'What Karge is After', Plays and Players (Dicembre 1987), pp. 77.
* Erica Munk, 'A Sarajevan Interview', Theatre, Vol. 24, No. 3, pp. 9-13 (1993).
* Irmeli Niemi, 'Peter Weiss and Documentary Theatre. Song of a Scarecrow', Modern Drama, Vol. 16 (1973), pp. 29-34.
* Oxford University Press/U.S. Holocaust Memorial Museum, Holocaust and Genocide Studies, Vol. 9, No. 1 (Primavera 1995).
* Michael Patterson, "Bewaltigung der Vergangenheit" or "Uberwaltigung der Befangenheit" Nazism and the War in Postwar German Theatre', Modern Drama, Vol. 33, (Marzo 1990), pp. 120-28.
* Vivian M. Patraka, "Lillian Heilman's Watch on the Rhine: Realism, Gender and Historical Crisis", in Modern Drama, Vol. 32 (1989) pp. 128-45.
* Penguin Publications, "Krauts!", Granta, Vol. 42 (Inverno 1992), London: Penguin.
* Joan Phillips, 'Bosnia: A Mess Made in the West', Living Marxism', No. 56. (Giugno 1993), pp. 20-8.
* Henning Rischbieter, "Neue Chancen für das Zeitstück?", Theater Heute (Aprile 1963), pp. 8-14.
* Rebecca Rovit, "Emerging from the Ashes - The Theatre Akko Centre Opens its Gates to Auschwitz", The Drama Review, Vol. 37., No. 2 (Estate 1993), pp. 161-173.
* Corina Schoef, 'Hebrew Holocaust Theatre', doc. presentato a The Shoah and Performance Conference.
* Peter Steinberg, "Moving into the 80s. German Theatre a Decade after Brecht's Death", Modern Drama, Vol. 23 (1980-8 1), pp. 393-403.
* Alexander Stilimark, "Brother Eichmann - The Story of an Awkward Relationship", doc. presentato a The Shoah and Performance Conference.
* Jennifer Taylor, "The Dilemma of Patriotism in German Plays of the Second World War", New German Studies, Vol. 9., No. 1 (Primavera 1981).
* N. L. Thomas, Oskar - 'The Unreliable Narrator in Günter Grass's Die Blechtrommel", New German Studies, Vol. 3, No. 1 (Primavera 1975).
* Mirko Tuma, "Memories of Theresienstadt", Performing Arts Journal, Vol. 1, No. 2 (Autunno, 1976), pp. 12-18.
* Dan Urian, "Arbeit Macht Frei in Toitland Europe (Work Through Freedom in the Deatbland of Europe) Theatre Centre, Akko, Israel", in Theatre Forum, Vol. 3 (1993), pp. 60-6.
* Renate Usmiani, "The Invisible Theater: The Rise of Radio Drama in Germany after 1945", Modern Drama, Vol. 13 (1970-71), pp. 259-69.
* Ian Wallace, "Teacher or Preacher? The Role of the Writer in the GDR", New German Studies, Vol. 10, No. 1 (Primavera 1982), pp. 1-20.
* Kenneth S. Whitton, "Afternoon Conversation with an Uncomfortable Person - Friedrich Dürrenmatt Interviewed", New German Studies, Vol. 2, No. 1 (Primavera 1974), pp. 14-30.

## Altri progetti

Altri progetti
* Wikiquote
* Wikipedia
* Wikizionario
* Wikiquote contiene citazioni di o su Olocausto
* Wikipedia contiene una voce su Olocausto
* Wikizionario contiene il lemma di dizionario «Olocausto»

## Collegamenti esterni

* Olocausto, su Treccani.it – Enciclopedie on line, Istituto dell'Enciclopedia Italiana
* Olocausto, in Enciclopedia Italiana, Istituto dell'Enciclopedia Italiana
* Olocausto, in Dizionario di storia, Istituto dell'Enciclopedia Italiana, 2010
* La persecuzione degli ebrei in Italia dal 1848 al 1938, su museoshoah.it.
* Shoah
* Shoah net Archiviato il 3 aprile 2008 in Internet Archive. Per un primo approccio alla Shoah: tutte le informazioni essenziali
* Olokaustos.org Sito dedicato all'Olocausto
* Triangolo viola Sulla deportazione dei Testimoni di Geova
* Auschwitz Auschwitz: galleria fotografica degli orrori
* Fondazione Centro di Documentazione Ebraica Contemporanea, su cdec.it.
* Lingua e memoria scrittori ebrei di lingua italiana (convegno)
* Yad Vashem World Center for Holocaust Research, Documentation, Education and Commemoration, su yadvashem.org.
* United States Holocaust Memorial Museum, su ushmm.org.
* (DE, EN, HE) Memoriale dell'Olocausto europeo, su landsberger-zeitgeschichte.de.
* (EN) A Teacher's Guide to the Holocaust, su fcit.coedu.usf.edu.
* (DE, EN, ES, FR, HE, HU) Claims Resolution Tribunal of the Holocaust Victim Assets Litigation against Swiss Banks and other Swiss Entities, su crt-ii.org.
* Giovanni Palatucci, un poliziotto che salvò migliaia di Ebrei, su associazionegiovannipalatucci.it.
* Testimonianze su Rai Educational
* Data-base con i nomi delle vittime
* La persecuzione degli Ebrei, PDF a cura di Amnesty International (Sezione italiana) (PDF), su amnesty.ch.