# Protestando in musica/Fonti

Protestando in musica
— Capitolo 1Protestando in musica/Capitolo 1 —
— Capitolo 2Protestando in musica/Capitolo 2 —
— Capitolo 3Protestando in musica/Capitolo 3 —
— Capitolo 4Protestando in musica/Capitolo 4 —
— Capitolo 5Protestando in musica/Capitolo 5 —
Fonti citateProtestando in musica/Fonti
Modifica il sommario

## Fonti citate

* Bates, Thomas R. “Gramsci and the Theory of Hegemony” in Journal of the History of Ideas, Vol. 36, No.2, April- June, 1975, pp. 351- 366.
* Behague, Gerard. “Latin American Music Review.” Latin American Music Review, vol.9, no.2, 1988, pp. 260- 272.
* Bennet, Tony. Popular Culture: A Teaching Object. Open Univ. Press, 1980.
* Bhabha, Homi. The Location of Culture. Routledge, 1994.
* Constable, Nicole. Maid to Order in Hong Kong. Cornell University Press, 2017.
* Bob Dylan : Lyrics 1962-1985. Paladin, 1988.
* Dogget, Peter. There’s A Riot Going On: Revolutionaries, Rock Stars and the Rise and Fall of ‘60s Counter-Culture. Canongate, 2008.
* Dylan, Bob. Chronicles: Volume One. Simon & Schuster Paperbacks, 2004.
* Eagleton, Terry. Marxism and Literary Criticism. Routledge, 1989.
* Engdahl, Horace. “The Nobel Prize in Literature 2016-Presentation Speech”. Nobel Media Ab 2014.
* Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge Univ. Press, 1996.
* Foucault, Michel. The History of Sexuality: An Introduction. Random House, 1990.
* ——. Discipline and Punish: The Birth of the Prison. Vintage Books, 1995.
* ——. Power/Knowledge. Select Interviews and Other Writings, 1972-1977. Ed. Colin Gordon. Trad. Colin Gordon, Leo Marshal, John Mepham & Kate Soper.
* Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Engaging Categories from Ossian to Wagner. Cambridge University Press, 2007.
* Ginsberg, Allen. No Direction Home. Paramount Pictures, 2005.
* Gray, Michael. The Bob Dylan Encyclopedia. Bloomsbury Academic, 2006.
* Hebdige, Dick. Subculture: The Meaning of Style. Routledge, 1979.
* Heylin, Clinton. Bob Dylan: Behind the Shades Revisited. Harpers Entertainment, 2003.
* "Home Front Turmoil: The 1960s." Cold War Reference Library. Encyclopedia.com.
* Lawrence, Samuel. The American Dream: A Cultural History. Syracuse University Press, 2012.
* Lynskey, Dorian. 33 Revolutions Per Minute: A History of Protest Songs from Billie Holiday to Green Day. HarperCollins P., 2011.
* Machin, David. Analysing Popular Music: Image, Sound and Text. Sage Publications Inc., 2010.
* Maltby, Richard. Introduction in Dreams for Sale: Popular Culture in the 20th Century. Harrap, 1989.
* Marx, Karl e Friedrich Engels. The German Ideology. Ed. Christopher John Arthur. International Publishers Co., 1972.
* Mckeen, William. Bob Dylan: A Bio-bibliography. The Greenwood Press, 1993.
* Merriam, Alan P. The Anthropology of Music. Northwestern University Press, 1964.
* Negus, Keith. Bob Dylan: Icons of Pop Music. Equinox Publishing Limited. 2014.
* Rivkin, Julie e Michael Ryan. ed. Literary Theory: An Anthology. 2nd Edition. Blackwell, 2004.
* Ross, Andrew. No Respect: Intellectuals and Popular Culture. Routledge, 1989.
* Rottman, Gordon L. The US Army in the Vietnam War 1965-73: Battle Orders. Bloomsbury Publishing, 2013.
* Roszak, Theodore. The Making of a Counter Culture. Doubleday Publishing, 1983.
* Storey, John. Cultural Theory and Popular Culture: An Introduction. Longman, 2008.
* Turino, Thomas. Music as Social Life : The Politics of Social Participation. University of Chicago Press, 2008.
* Wilentz, Sean. Bob Dylan in America. Random House, 2011.
* Williams, Raymond. Keywords : A Vocabulary of Culture and Society. Fontana, 1983.
* Yinger, Milton P. “Counterculture and Subculture.” American Sociological Review, Vol. 25, No. 5, Oct. 1960, pp. 625- 635.