# Johann Nepomuk Hummel

Johann Nepomuk Hummel (Pressburg, 1778ko azaroaren 14a - Weimar, 1837ko urriaren 17a) austriar musikagile eta piano-jotzailea izan zen.
Haur prodijioa izan zen, eta zortzi urte zituela, Mozart musikaren irakaspenak jaso zituen. Ez zion kobratu, eta ostatua eskaini zion. Bederatzi urte zituela, Mozarteko kontzertu batean izan zen. Aitak bira batera eraman zuen Europan barrena, eta lau urtez egon ziren Londresen. 1791n, Joseph Haydn-ek sonata bat egin zuen Hummelentzat Londresen. Vienara itzultzean, Haydn eta Antonio Salieriren lezioak ere jaso zituen. 1804an Nikolas II.a Esterhazi printzea Konzertmeister izendatu zuten Eisenstadten. 1811ra arte printzearen zerbitzura egon zen.
1816tik 181818ra Kapelmeister izan zen Weimarren eta 1819tik 1837ra Frankfurten. Han egin zen Goetheren lagun.
Musikak aro klasikotik erromantikorako trantsizioa islatu zuen.

## Lanak

* Op. 1, 3 sets of Variations for piano (London, 1791)
** 1. The Plough Boy in C major
** 2. Bluhe Liebes Veilhen in G major
** 3. La Belle Catherine in C major
* Op. 2, 2 sets of Variations for piano (London, 1791)
** 1. The Lass of Richmond Hill in G major
** 2. Jem of Aberdeen in G major
* Op. 2a, 3 Sonatas (London, 1792)
** 1. For Violin (or Flute), Violoncello, and Piano in B♭ major
** 2. For Violin (or Flute) and Piano in G major
** 3. For Piano, No. 1, in C major
* Op. 3, 3 sets of Variations for piano (London, 1794)
** 1. A Rondo of Pleyel in C major
** 2. The Lass of Richmond Hill in G major (Opus 2–1)
** 3. Wenn's Immer So War in G major
* Op. 3a, Trio for Violin, Violoncello, and Piano, No. 1, in B♭ major (1792).
* Op. 4, 3 Cadenzas for Piano Concertos by Mozart (1790s)
** 1. for Piano Concerto No. 11 (Mozart)|K 413
** 2. Piano Concerto No. 12 (Mozart)|K 414
** 3. Piano Concerto No. 13 (Mozart)|K 415
* Op. 5, 3 Sonatas (Vienna, circa 1798)
** 1. For Violin in B flat major
** 2. For Violin in F major
** 3. For Viola in E flat major
* Op. 6, Variations for Piano and Orchestra (Vienna, circa 1798). Theme by Foglar (F major)
* Op. 7, 3 Fugues on the Style of Handel (Vienna, circa 1799)
** 1. Fugue in D minor
** 2. Fugue in E flat major
** 3. Fugue in F sharp minor
* Op. 8, Variations for Piano on a Traditional Austrian Song in F major (Vienna, circa 1801)
* Op. 9, Variations for Piano on a March by Cherubini in E major (Vienna, circa 1802)
* Op. 10, Variations for Piano on "God Save The King" in D major (Vienna, circa 1804)
* Op. 11, Rondo Favori for Piano in E flat major (Vienna, circa 1804)
* Op. 12, Trio for Violin, Violoncello, and Piano, No. 2, in E♭ major (Vienna, circa 1803)
* Op. 13, Sonata for Piano, No. 2 in E flat major (Vienna, circa 1803–1805)
* Op. 14, Variations for Flute and Piano in G major (Vienna, circa 1803). Theme by Meyule
* Op. 15, Variations for Piano on an Aria from Dalayrac's "Les Deux Petits Savoyards" in A minor (Vienna, circa 1804)
* Op. 16, 6 German Dances (1804). For orchestra. Also for piano (Vienna, circa 1804)
* Op. 17, Concerto for Violin and Piano in G major (Vienna, circa 1805)
* Op. 17a, Cadenza to Mozart's Piano Concerto No. 27 (Mozart)|Piano Concerto, K 595
* Op. 18, Fantasy for Piano in E flat major (Vienna, circa 1805)
* Op. 19, Rondo-Fantasy for Piano in E major (Vienna, circa 1806)
* Op. 20, Sonata for Piano, No. 3 in F minor (Vienna, circa 1807)
* Op. 21, Variations for Piano on a Dutch Song in B flat major (Vienna, circa 1806)
* Op. 22, Trio for Violin, Violoncello, and Piano, No. 3 in F major (Vienna, circa 1799–1807)
* Op. 23, 7 Hungarian Dances (1806). For orchestra. Also for piano (Vienna, circa 1806)
* Op. 24, 12 Minuets (1806). For orchestra. Also for piano (Vienna, circa 1807)
* Op. 25, 12 German Dances and Coda (1807) For orchestra. Also for piano (Vienna, circa 1807)
* Op. 26, Ballet, Helene And Paris (1807)
* Op. 27, Dance for Apollosaal, No. 1 (1808). 12 minuets for orchestra. Also for chamber ensemble (Vienna, circa 1808)
* Op. 28, Dance for Apollosaal, No. 2 (1808). 12 German dances for orchestra. Also for piano (Vienna, circa 1808)
* Op. 29, 12 German Dances for Redout-Deutsche (1808). For orchestra. Also for chamber ensemble (Vienna, circa 1808)
* Op. 30, 3 String Quartets (Vienna, circa 1804–1808)
** 1. No. 1 in C major
** 2. No. 2 in G major
** 3. No. 3 in E flat major
* Op. 31, Dance for Apollosaal, No. 3 (1809). 6 waltzes for orchestra. Also for piano (Vienna, circa 1810)
* Op. 32, Variations for Piano On "La Sentinelle" (1812)
* Op. 33, Ballet, Das belebte Gemählde (1809). Also for piano (Vienna, circa 1810)
* Op. 34, 3 Sets of Variations for Piano (Vienna, circa 1810–1812)
** 1. La Sentinelle in C major
** 2. Partant Bacchus La Syrie in D major
** 3. Mozart's Opera in C major
* Op. 35, Trio for Violin, Violoncello, and Piano, No. 4 in G major (Vienna, circa 1808–1811)
* Op. 36, Concerto for Piano, No. 1 in C major (Vienna, circa 1811). Also known as Op. 34a
* Op. 37, 8 Pieces for Piano: "Choix Des Plus Beaux Morceaux De Musique" (Vienna, circa 1811)
* Op. 37a, Sonata for Mandolin and Piano in C major (Vienna, circa 1810). Also for violin and piano.
* Op. 38, Sonata for Piano, No. 4 in C major (Vienna, circa 1808)
* Op. 39, Dance for Apollosaal, No. 4 (1811). 4 German dances and coda for orchestra. Also for piano (Vienna, circa 1811)
* Op. 40, 12 German Dances for a Roman Emperor (1811). For orchestra. Also for chamber ensemble (Vienna, circa 1811)
* Op. 40a, Variations for Piano on a March from Nicolas Isouard's "Cendrillon" in C major (Vienna, circa 1811–1812)
* Op. 41, Ballet, Quintuor Des Negares Du Ballet Paul Et Virginie (1809). Also for piano (Vienna, circa 1810)
* Op. 43, Overture to the opera Jovan of Finland in D minor (circa 1811). For orchestra. Also for two pianos (Vienna, circa 1812)
* Op. 46, Pantomime, Der Zauberring (1811)
* Op. 50, Sonata for Flute and Piano in D major
* Op. 51, Sonata for Piano 4-Hands in E flat
* Op. 53, Potpourris for Piano and Guitar
* Op. 54, Variations a la Monferina for the Piano Forte and Violoncello (c.1815)
* Op. 55, La Bella Capricciosa, Polacca for Clavicembalo
* Op. 56, Rondo Brilliant for Piano and Orchestra, in A
* Op. 57, Variations for Piano in F major on a theme from Christoph Willibald Gluck's Armide (1815)
* Op. 63, Grande Sérénade ... pour le Piano, Violon, Guitare, Clarinette et Basson ou Flûte et Violoncelle
* Op. 64, Sonata for Flute and Piano
* Op. 65, Trio for Violin, Violoncello, and Piano No. 5 in G major (ca. 1815)
* Op. 66, Grande Serenade ... pour le Piano, Violon, Guitare, Clarinette et Basson ou Flûte et Violoncelle.
* Op. 67, 24 Preludes in all major and minor keys for Piano (1815)
* Op. 68, Ballet, Sappho von Mitilene (1812)
* Op. 69, Singspiel, Die Rückfahrt des Kaisers (1814)
* Op. 71, La sentinelle (1815), for tenor solo, men's chorus (TTB), guitar and double bass
* Op. 73, Piano Concerto G major
* Op. 74, Septet for Piano, Winds and Strings in D minor
* Op. 75, Adagio, Variations and Rondo, to the favorite song "Pretty Polly", for the piano forte.
* Op. 77, Mass in B flat major.
* Op. 78, Trio for Piano, Flute, and Violoncello (also published as Adagio, Variations and Rondo) in A major.
* Op. 80, Mass No. 2 for Four Soloists, Mixed Chorus, Orchestra and Organ in E flat Major.
* Op. 81, Piano Sonata No. 5 (Hummel)|Piano Sonata No. 5 in F sharp minor
* Op. 83, Trio for Violin, Violoncello, and Piano No. 6 in E major
* Op. 84, Lieder "An die Entfernte"
* Op. 85, Piano Concerto No. 2 in A minor
* Op. 87, Quintet for Piano, Violin, Viola, Cello and Bass in E♭minor
* Op. 89, Concerto for Piano No. 3 in B minor
* Op. 89a, Alma Virgo, Offertorium for Soprano, Chorus and Orchestra
* Op. 91 Waltzes for Piano
* Op. 92, Sonata for Piano 4-Hands in A flat
* Op. 93, Trio for Violin, Violoncello, and Piano No. 7 in E flat major.
* Op. 94, Potpourri for Viola and Orchestra on "Il mio tesoro"
* Op. 96, Trio for Violin, Violoncello, and Piano No. 8 in E flat major
* Op. 97, Variations in F major for piano and orchestra
* Op. 98, Introduction et rondo brillant for piano and orchestra
* Op. 99, Nocturne for small ensemble in F major
* Op. 100, Opera, Mathilde von Guise (1810 rev. 1827)
* Op. 101, Overture for Orchestra No. 1 in B flat major
* Op. 102, Introduction and Variations for Oboe or Flute, with the Accompaniment of Piano or Orchestra in F major
* Op. 104, Sonata for Piano and Violoncello in A major
* Op. 105, Trois amusements en forme de caprices for Piano
* Op. 106, Piano Sonata No. 6 in D major
* Op. 110, Concerto for Piano and Orchestra No. 4 in E major
* Op. 111, Mass No. 3 for Soloists, Chorus, and Orchestra in D major
* Op. 113, Concerto for Piano and Orchestra No. 5 in A flat major.
* Op. 114, Septet Militaire in C major
* Op. 115, Variations for Piano and Orchestra in B flat major on a theme from Das Fest der Handwerker
* Op. 116, Oberons Zauberhorn for piano and orchestra
* Op. 117, Gesellschafts-Rondo (Society Rondo)
* Op. 118, Air à la tirolienne avec variations
* Op. 119, Les Charmes de Londres Three Themes Varied for the Piano
* Op. 120, Rondo for Piano "La galante" in G major
* Op. 122, Rondo Villageois
* Op. 123, Fantasie for Piano on themes by Hummel and Sigismund von Neukomm
* Op. 124, Fantasia on themes from "The Marriag of Figaro"
* Op. 125, Études for Piano (24)
* Op. 126, Rondo Brilliant for Violin and Piano in G major
* Op. 127, "Le Retour à Londres", Rondo Brilliant for Piano and Orchestra in F major
* Op. 127, Grand Posthumous Concerto for Piano And Orchestra in F major
* Op. post. 1 – Piano Concerto in F major
* Op. post. 2 – Variations for Violin and Piano in F major
* Op. post. 3 – Scotch Country Dance and Rondo for Piano in G major
* Op. post. 4, WoO 6 – Piano Quartet in G major
* Op. post. 5 – Rondo for Two Pianos in E flat major
* Op. post. 6 – Capriccio for Piano in E flat minor
* Op. post. 7 – Two Preludes and Fugues for Organ in E flat major
* Op. post. 8 – Ricercar for Piano in D major
* Op. post. 9 – Six Pieces for Piano (1839)
* WoO 15 – Tantum ergo after Gluck

## Kanpo estekak

* Datuak: Q151953
* Multimedia: Johann Nepomuk Hummel / Q151953