# いずこ
## Japanese

* Alternative spelling
* 何処

### Etymology

⟨iduku⟩ → /id͡zuku/ → /id͡zuko/ → /izuko/
Shift from Old Japanese-derived いずく (izuku) of the same meaning.
By analogy with locative pronouns ここ (koko) and そこ (soko), both of which end in -ko, the final -u of izuku became -o. Furthermore, the final the -ku and -ko of both aforementioned pronouns ultimately share cognancy with Old Japanese 処 (-ko$_2$), which would have been pronounced as /kə/ at that time. (Can this etymology be sourced?)

### Pronunciation

* (Tokyo) いずこ [íꜜzùkò] (Atamadaka –)
* (Tokyo) いずこ [ìzúkó] (Heiban – [0])
* IPA: [izɨko̞]

### Pronoun

いずこ • (izuko)
* (archaic) indefinite interrogative pronoun: where, whence, whither, which
** c. 935, Ki no Tsurayuki, Tosa Nikki (Jōhei 5, twenty-ninth day of the first month)
    おもしろき所(ところ)に船(ふね)を寄(よ)せて「こゝや何(いづ)処(こ)」と問(と)ひければ「土(と)佐(さ)の泊(とまり)」と言(い)ひけり。
       Omoshiroki tokoro ni fune o yosete, “koko ya izuko,” to toikereba, “Tosa-no-tomari” to iikeri.
       As the boat arrived at some fascinating place I asked, “Whither here?” He said, “Tosa Harbor”.
       [Note: some manuscripts use いどこ (idoko) of the same meaning instead of izuko.]
** 1998, “Yuki Shinshin [Snow Falling Heavily]”, Miyuki Ishimoto (lyrics), Satoshi Hinokibara (music), performed by Ayako Fuji:
    肌(はだ)を寄(よ)せた愛(あい)を失(な)くし　胸(むね)に淋(さび)しさ突(つ)き刺(さ)さる しんしんしん雪(ゆき)が舞(ま)う舞(ま)う　しんしんしんしん夜(よ)明(あ)けはいづこ
       hada o yoseta ai o nakushi mune ni sabishisa tsukisasaru shin-shin-shin yuki ga maumau shinshin-shinshin yoake wa izuko
       Coming to my skin, love has been lost―my heart is piercing with loneliness! Falling heavily, the snow is dancing, dancing―it's falling very heavily, where is the dawn?
* (archaic, after a particle) indefinite demonstrative pronoun: anywhere, everywhere, somewhere
** 905–914, Kokin Wakashū (book 3, poem 166; also Hyakunin Isshu, poem 36)
    夏(なつ)の夜(よ)はまだ宵(よひ)ながらあけぬるを雲(くも)のいづこに月(つき)やどるらむ
       natsu no yo wa mada yoi nagara akenuru o kumo no izuko ni tsuki yadoruran
       The summer night dims as evening hours have not yet passed―somewhere in the clouds the moon takes her refuge.

#### Derived terms

* いどこ (idoko)
    → どこ (doko, modern form)
* いずこともなし (izuko tomo nashi)
* いずこはあれど (izuko wa aredo)
* いずこはかと (izuko haka to)
* いずこはかりに (izuko hakari ni)
* いずこも (izuko mo)
* いずこを面(おもて)に (izuko o omote ni)
* いずこをはかと (izuko o haka to)
* いずこをはかりと (izuko o hakari to)

#### See also

| | a-/wa- “I, we” (first person) | na-/-ma- “you, ye, thou” (second person) | k- “this” (close to speaker) | s- “that” (close to listener) | a-/ka- “that over there” (far from both) | i-/ta-/nani- “who, what, where, how, when” (interrogative) | ono- “oneself” (reflexive) |
| Person | あ (a) あれ (are) わ (wa) われ (ware) まろ (maro) | な (na) なれ (nare) なんぢ (nanji) まし (mashi) いまし (imashi) みまし (mimashi) きみ (kimi) | こ (ko) これ (kore) | そ (so) それ (sore) | あ (a) あれ (are) か (ka) かれ (kare) | た (ta) たれ (tare) なにがし (nanigashi) | おの (ono) おのれ (onore) |
| Thing | | | こ (ko) これ (kore) | そ (so) それ (sore) | あ (a) あれ (are) か (ka) かれ (kare) | いづれ (izure) なに (nani) | |
| Location | | | ここ (koko) | そこ (soko) | あしこ (ashiko) かしこ (kashiko) | いづく (izuku) いづこ (izuko) いどこ (idoko) どこ (doko) | |
| Direction | | | こち (kochi) こなた (konata) | そち (sochi) そなた (sonata) | あち (achi) あなた (anata) かなた (kanata) | いづち (izuchi) いづら (izura) いづかた (izukata) | |
| Manner | | | か (ka) かく (kaku) かくて (kakute) かう (kō) | さ (sa) さて (sate) しか (shika) | | いか (ika) | |
| Time | | | | | | いつ (itsu) | |

### References

* 1 2 Matsumura, Akira, editor (2006), 大辞林 [Daijirin] (in Japanese), Third edition, Tokyo: Sanseidō, →ISBN
* ↑ Hasegawa, Masaharu with Yūichirō Imanishi, Hiroshi Itō, Hiroshi Yoshioka (1989) Shin Nihon Koten Bungaku Taikei 24: Tosa Nikki, Kagerō Nikki, Murasaki Shikibu Nikki, Sarashina Nikki, Tōkyō: Iwanami Shoten, →ISBN