OpenLLM-France/wikimedia huggingface dataset:
# Illustrated Companion to the Latin Dictionary/Amussium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AMUS'SIUM. A marble slab, the surface of which was exactly levelled, and proved by the instrument amussis, and upon which the direction of the winds was marked. It was then fixed against the external wall of a house, as a dial, to show the point from which the wind blew. Vitruv. i. 6. 6. Marini, ad l.
# Illustrated Companion to the Latin Dictionary/Anabathrum

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANABATH'RUM (ἀνἀβαθρον). Generally any row of seats rising one above another like a flight of stairs, as was the usual arrangement in all buildings constructed for the accommodation of a numerous company, such as the theatres, Circus, &c. (See the illustrations under AMPHITHEATRUM.) But the more accurate and strict meaning of the word implies something more definite; viz. a temporary set of wooden seats, constructed upon the same principle, but which were hired for any special occasion, as a concert, recitation, &c., and placed round the sides of the room for the accommodation of a numerous audience, in the same manner as is still common at the present day for a similar purpose. Juv. Sat. vii. 46.
# Illustrated Companion to the Latin Dictionary/Anabolium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANABOL'IUM (ἀναβόλαιον). Properly a Greek word, which has, therefore, a more especial reference to the customs of that people; though, being a general term, it might be equally well applied to the Romans, when descriptive of similar habits. (Inscript. ap. Don. cl. 1. n. 91.) It is derived from the Greek ἀναβάλλω, "to cast up," and used to designate a particular mode of wearing the pallium, or any similar object of the outward attire, both of males and females, when the end was thrown up so as to cover the shoulder (Isidor. Orig. xix. 25. 7.), in the manner represented by the female figure of the preceding engraving (Anabolium/1.1), which is taken from a statue of the Villa Pamfili at Rome. The male figure, from a fictile vase, shows the simplest mode of arrangement; and is introduced here only for the purpose of explaining more clearly how the other was produced; viz. by taking up the side which hangs down behind the right arm, passing it across the breast, and then throwing it over the top of the left shoulder, so that the end will hang down behind, instead of in front, both the arms be covered, and the whole person more completely protected from the weather. In such an arrangement, the brooch at the throat would be first unclasped, to make the drapery set closer, and the whole blanket drawn more on to the right side than in our figure, in order to afford a greater length for casting over the shoulder. It may be remarked that the people of Italy adjust their cloaks at the present day in both of these ways, accordingly as the external temperature is more or less inclement.
# Illustrated Companion to the Latin Dictionary/Anaclinterium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANACLINTE'RIUM (ἀνακλιντήριον). The head-board of a sofa or sleeping couch, upon which the squab and pillow for the support of the head rested. (Spart. Ael. Ver. 5.) The example (Anaclinterium/1.1) is from a bas-relief at Rome, which represents the death of Meleager.
# Illustrated Companion to the Latin Dictionary/Anadema

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANADE'MA (ἀνάδημα). A band for the head; but more particularly one which was used as a mere ornament, such as those worn by women and young persons of the male sex amongst the Greeks, in contradistinction to the diadema, vitta, or other head-bands, which were the insignia of regal, religious, or honorary distinctions. (Eur. Hippol. 83. Lucret. iv. 1126 Paul. Dig. 34. 2. 27.) The example (Anadema/1.1) is from a Pompeian painting.
# Illustrated Companion to the Latin Dictionary/Anaglypta

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANAGLYP'TA or ANAG'LYPHA (ἀνάγλυπτα, ἀνάγλυφα). Objects cast in low relief; a bas-relief in marble, metal, ivory, &c. Mart. iv. 39. Plin. H. N. xxxiii. 49.
# Illustrated Companion to the Latin Dictionary/Anagnostes

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANAGNOS'TES (ἀναγνώστης). A slave, whose duty it was to read aloud to his master in his study, or to the guests at table. (Cic. Att. i. 12. Nepos, Att. 14. Aul. Gell. iii. 19.) Also a person who read out passages from the favourite poets in the theatre or public places (Aul. Gell. xviii. 5. 1.), like the recitatori, or spiegatori of modern Naples.
# Illustrated Companion to the Latin Dictionary/Analemma

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANALEM'MA (ἀνάλημμα). Properly a Greek word, used to designate any thing which serves as an underprop; and especially a wall, pier, or buttress constituting the substructure of a building (Dion. Hal. iii. 69.), for which the proper Latin term is Substructio. The Romans adopted it to signify the pedestal upon which a sundial was erected, often seen in pictures and bas-reliefs as a square pillar, or short column (Winkelm. Mon. Ant. Ined. No. 157. 185.); but Vitruvius, who uses the word, applies it incorrectly to the dial itself (Vitruv. ix. 1. 1. Schneider ad l.) In the illustration (Analemma/1.1), copied from a silver cup found at Porto d'Anzio, only a portion of the analemma is drawn; but that is sufficient to show what is meant: the whole consists of a square pilaster about five feet high, with a base at the bottom corresponding with the cornice at the top.
# Illustrated Companion to the Latin Dictionary/Anancaeum

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANANCAE'UM. A vessel for holding liquids (Varro. apd. Non. s. v. Creterra, p. 547. Mercer), but of what precise character is very uncertain. It is usually interpreted a wine cup of great capacity, employed in drinking bouts, which it was compulsory to empty at a draught, upon the authority of Plautus (Rud. ii. 3. 33.); but the reading of the passage is doubtful. Weise has ἀναγκαίως.
# Illustrated Companion to the Latin Dictionary/Anathema

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANATHE'MA (ἀνάθημα). Properly a Greek word, which includes any thing that is set up as a votive offering in a temple, such as a tripod, statue, &c., used in a Latin form by Prudent. Psychom. 540.
# Illustrated Companion to the Latin Dictionary/Ancile

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANCI'LE (τὸ ἀγκύλιον). The sacred shield found, according to tradition in the palace of Numa, and supposed to have fallen from heaven. According to the grammarians, it was made of bronze, and of an oblong oval shape, but with a semicircular incavation on each side, similar to that on the top of the pelta (Varro, L. L. vii. 43. Festus. s. v. Mamur.), as seen in the illustration (Ancile/1.1) from a medal of Augustus, which also has a representation of the Salian apex by its side. The name ancile is evidently formed from the Greek ἀγκύλη, the bend of the arm, which the grammarians above cited refer to the incision on the sides of the shield; but it is clearly referable to the semicircular handle (compare ANSA and ANSATUS), affixed to the top for the purpose of suspending it on the rod by which it was carried through the city by the Salii, as seen in the annexed woodcut (Ancile/1.2) from an engraved gem, in which the curvature of the sides is much less pronounced, and the general form more consonant with the language of Ovid (Fast. iii. 377.): Idque ancile vocat, quod ab omni parte recisum est; Quaque notes oculis, angulus omnis abest, which can scarcely be taken as a description of the figure on the medal of Augustus; a figure which it is probable was invented by the designer of the medal, in conformity with the received derivation of the Roman antiquaries; or perhaps the effects of age have modified the form, and made the indentures appear more prominent and decisive than they were in its early state.
* Ancile/1.1
* Ancile/1.2
# Illustrated Companion to the Latin Dictionary/Anclabris

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANCLA'BRIS. A small table made use of as an altar at the sacrifice, upon which the sacrificial implements were placed, as well as the entrails of the victim, for the inspection of the diviners. (Festus. s. v. Id. s. Escariae.) The example (Anclabris/1.1) represents a small bronze table found at Pompeii, which from its diminutive size, and the hollow form of its top, is believed to have been employed in the manner stated. It is rather more than eight inches high, rather less than eight long, and about seven wide. In one of the Pompeian paintings a priest is represented carrying one of these tables to the sacrifice. Pitture di Ercolan. iv. tav. 1.
# Illustrated Companion to the Latin Dictionary/Ancorale

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANCORA'LE. The cable of an anchor, Liv. xxii. 19. Id. xxxvii. 30. See the preceding woodcut.
2. The buoy-rope (Plin. H.N. xvi. 16.) The buoy itself (σημεῖον ἀγκύρας. Paus. viii. 12. 1.) was made of cork, and was attached by means of the ancorale to a ring, which is seen at the bottom of the shank in the preceding illustration. While the buoy indicated the spot where the anchor lay, the rope which held it also served to draw the fluke out of the ground, when the anchor had to be raised.
# Illustrated Companion to the Latin Dictionary/Ancora

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AN'CORA (ἀγκύρα). An anchor. The ancient anchors were sometimes made with only one arm or fluke, but the most perfect kinds had two, made of iron, and in form closely resembled those still in use. They were usually carried over the bows of the vessels (Virg. Aen. iii. 277., as in the example (Ancora/1.1) from Trajan's Column; but large ships had two, and sometimes more, according to their size. Athen. v. 43.
# Illustrated Companion to the Latin Dictionary/Andabatae

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANDAB'ATAE. A class of gladiators who fought hoodwinked, or with a close helmet which had no opening in the vizor to see through. (Hieron. adv. Jov. i. 36. Cic. Fam. vii. 10, but here the reading is doubtful.) According to Turnebus (Advers. ii. 10.) they exhibited in the Circus after the races in a sort of ludicrous contest, both the driver and Andabata being blindfolded.
# Illustrated Companion to the Latin Dictionary/Andronitis

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANDRONI'TIS (ἀνδρωνῖτις). Synonymous with ANDRON, No. 1.
# Illustrated Companion to the Latin Dictionary/Andron

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANDRON (ἀνδρών). Properly speaking a Greek word, and therefore in its strict sense having reference to the customs of that nation. It designates the first of the two principal divisions into which the ground-plan (Andron/1.1) of a Greek house was distributed, appropriated to the sole and exclusive use of the male portion of the establishment. (Vitruv. vi. 7. 4. Festus, s. v.) It consisted of an open court (αὐλή), surrounded by colonnades (marked c on the plan), round which were arranged the various sets of chambers required for the service of the proprietor and his dependants (Nos. 1 to 9), and was separated from the other division contaning the women's apartments by a passage and door (marked d) between the two.
2. The Latin writers applied the word in a very different sense, to designate a mere passage which divides one house, or one part of the same house, from another; as for instance, the passage between the external wall of a house and garden adjoining (Plin. Ep. ii. 17. 22.); and the Roman architects made use of the same term most inaccurately to designate the corridor in a Greek house, which separated the men's and women's apartments from one another (marked d in the preceding plan), but for which the proper name was Mesaulae.
# Illustrated Companion to the Latin Dictionary/Angiportus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANGIPORTUS or ANGIPORTUM (στενωπός). A narrow or back street, whether in the nature of a court which had no thoroughfare (Terent. Adelph. iv. 2. 40.), and which was then properly termed fundula; or merely a small back street leading from any of the principal parts of the city. (Hor. Carm. i. 25. 10. Plaut. Pseud. iv. 2. 6.) These back streets in Pompeii are so narrow that a person can step across them from kirb stone to kirb stone at one stride.
# Illustrated Companion to the Latin Dictionary/Anguilla

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANGUIL'LA. A whip made of eel-skin, which was used by the Roman schoolmasters to punish their scholars. (Plin. H. N. ix. 39. Isidor. Orig. v. 27. 15.) The illustration (Anguilla/1.1) is copied from a painting at Herculaneum, which represents the interior of a school-room.
# Illustrated Companion to the Latin Dictionary/Anguis

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANGUIS. 1. A serpent, or snake, which amongst the Romans was employed as a symbolical representation of the genius loci, or presiding spirit of a place. (Serv. ad Virg. Aen. v. 85.) Figures of serpents were therefore painted against a wall, in the same way as the cross is in modern Italy, to deter the public from contaminating the spot, and answered the same purpose as our injunction "Commit no nuisance." Pers. Sat. i. 113.
These signs are frequently met with in the houses of Pompeii, in kitchens, bake-houses, and such places, where cleanliness is particularly desirable; and generally with an altar between them, as seen in the annexed illustration (Anguis/1.1), which was copied by the writer from one of the corridors leading into the Thermae of Trajan at Rome. It is painted in fresco, and has the following inscription underneath.
IOVEM ET JUNONEM ET DUODECIM DEOS IRATOS HABEAT QUISQUIS HIC MINXERIT AUT CACARIT.
2. A military ensign made in imitation of the figure of a serpent, and which was adopted in the Roman armies for the ensign of a cohort. (Claud. in Rufin. ii. 5. 177. Sidon. Apoll. 5. 40.) It was more commonly termed DRACO, under which name the materials, character, and uses are more fully described. The illustration (Anguis/2.1) is copied from the column of Trajan.
* Anguis/1.1
* Anguis/2.1
# Illustrated Companion to the Latin Dictionary/Angusticlavius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANGUSTICLA'VIUS. One who is entitled to wear upon his tunic the ornament called clavus angustus, a distinctive badge of the equestrian order. Suet. Otho, 10. [CLAVUS.]
# Illustrated Companion to the Latin Dictionary/Anquina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANQUI'NA (ἀγκοίνα). The collar by which the yard-arm of a vessel is fastened to the mast, technically called the "truss" by our sailors. Isidor. Orig. xix. 4. 7. Helvius Cinna ap. Isidor. l. c.
In the illustration (Anquina/1.1), which is copied from a fictile lamp, the anquina appears as a semicircular ring, or band of wood, or of metal, but it was usually made of rope. It received its appellation from the primary sense of the Greek word, which means a bent arm. The ἀγκοίνα διπλὴ, which is spoken of amongst the Greeks as employed for vessels of a large class, such as Quadriremes, &c., does not mean that the yard was fitted with two trusses, but that the truss was made of a double thickness of rope to bear the wear and tear proportional to the size of the yard.
# Illustrated Companion to the Latin Dictionary/Ansatus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANSA'TUS. Furnished with a handle or handles, as explained in the preceding word.
2. Ansata hasta, Ansatum telum (ἀγκυλωτός, ἀγκυλητόν, μεσάγκυλον). A spear or javelin, which was furnished with a semicircular rest for the hand, attached like a handle to the shaft. These handles were not permanent fixtures, but were put on to their weapons by the soldiers before going into battle, or upon an emergency, as occasion required (Plutarch. 2. p. 180. C. ed. Xylandr. Compare Xen. Anab. iv. 2. 28.), and they served a double purpose, to assist in hurling them, when employed as missiles — ansatas mittunt de turribus hastas (Ennius ap. Non. s. v. Ansatae, p. 556.); or as a stay for the hand which gave force to the thrust when used at close quarters, ansatis concurrunt telis (Ennius, ap. Macrob. Sat. vi. 1.). Both of these uses are indicated by the illustration (Ansatus/1.1), copied from a painting on the walls of a warrior's tomb at Paestum (Nicolai, Antichità di Pesto, tav. vi.); and which is valuable for the authority it affords respecting the true meaning of the word, hitherto only guessed at, or misunderstood. But this picture proves the characteristic difference between the ansa and amentum of a javelin; the latter, as is well known, being a mere thong; the former, as here shown, and in accordance with the primary and other notions of the word, both in Latin and Greek, a handle either of an angular or curved form attached to some other object.
# Illustrated Companion to the Latin Dictionary/Ansula

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AN'SULA. Diminutive of ANSA; applied in all the sense illustrated under that word. Valerius Maximus (viii. 12. 3.), in relating the story about Apelles and the cobbler, uses the diminutive ansulae instead of ansae, employed by Pliny (H. N. xxxv. 36. § 12.); and in the illustration to ANSA (3), it will be observed that there are in reality a number of smaller loop-holes under the larger ones. That wood-cut will, therefore, afford an example both of the ansa and ansula strictly taken.
# Illustrated Companion to the Latin Dictionary/Antae

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANTAE (παράσταδες). Square pilasters (Non. s. v. p. 30.), which are used as a termination to the side walls of a temple (Antae/1.1), when those side walls are projected beyond the face of the cella, or main body of the building. (Vitruv. iv. 4. 1.) As one of these pilasters is required on each side to form a corresponding support, the word is always used in the plural; and thus a temple is said to be in antis or ἐν παραστάσι (Vitruv. iii. 2. 2.), when the porch is formed by the projection of the side walls, terminated, as described, by two square pilasters, which have two columns between them.
# Illustrated Companion to the Latin Dictionary/Antarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANTA'RIUS. Funes antarii; ropes employed in the erection of a mast, column, or any other object of great weight and height. (Vitruv. x. 2. 3.) They were fastened to the head of the column, and to the ground on each side of it at proper distances, in order to keep it steady, and prevent its inclining either way, whilst being erected.
# Illustrated Companion to the Latin Dictionary/Anteambulo

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ANTEAM'BULO. A slave whose duty it was to precede the lectica of his master or mistress, and clear the way through a crowd. (Suet. Vesp. 2.); hence the same name is also applied to the freedman or client who performed the obsequious office of walking before his patron when he went abroad. Mart. Ep. ii. 18.