OpenLLM-France/wikimedia huggingface dataset:
# Illustrated Companion to the Latin Dictionary/Aerarium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AERA'RIUM. The public treasury of the Roman state, as distinguished from the exchequer, or private treasury of the emperors (fiscus); in which the produce of the yearly revenue, the public accounts, the decrees of the senate, and the standards of the legions, were deposited. (Cic. Leg. iii. 4. Tac. Ann. iii. 51. Liv. iii. 69.) During the republic the temple of Saturn was used as the treasury.
2. Aerarium sanctius. A private department of the same, in which were kept the monies and treasures acquired by foreign conquest, and the fees paid by slaves for their manumission (aurum vicesimarium), and which was never opened but upon great emergencies. Liv. xxvii. 10. Compare Quint. x. 3. 3.
3. Aerarium militare. The army pay-office, a separate treasury established by Augustus to provide for the expenses of the army, for which purpose some new taxes were imposed. Suet. Octav. 49.
# Illustrated Companion to the Latin Dictionary/Aero

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AERO. A sand-basket made of oziers, rushes, or sedge (Plin. H. N. xxvi. 21. Vitruv. v. 12. 15.), which is frequently represented as used by the soldiers employed in excavations, fortifications, and ordinary field works, on the Column of Trajan, from which the annexed illustration (Aero/1.1) is taken. The word, however, is only a colloquial term employed by the common people, or in familiar language. Donat. ap. Terent. Phorm. i. 2. 72.
# Illustrated Companion to the Latin Dictionary/Aeruca

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AERU'CA. A bright green colour artificially made to imitate the natural verdigris (aerugo) which bronze acquires by age. Vitruv. vii. 12. Compare Plin. H. N. xxxiv. 26., who describes the different processes for making this colour, but which he terms aerugo.
# Illustrated Companion to the Latin Dictionary/Aerugo

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AERU'GO (ἰὸς χαλκοῦ). The bright green rust which bronze acquires from age, as distinguished from the brown rust of iron (ferrugo, rubigo, Cic. Tusc. iv. 14.). The older the bronze, the more bright and beautiful the colour becomes, which is considered to enhance its value; and on that account a statue of high antiquity was prized by the ancients far beyond one of more recent casting. Wink. Storia delle Arti, vii. 2. 10.
# Illustrated Companion to the Latin Dictionary/Aeruscator

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AERUSCA'TOR. A charlatan, begging impostor, or one who raises the wind by imposing upon the credulity of others. Aul. Gell. xiv. 1, 2. Comp. ix. 2. 2.
# Illustrated Companion to the Latin Dictionary/Aes thermarum

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AES THERMA'RUM. A metal bell or gong, which was suspended in the public baths, in order to notify to the public by its sounds when the hot water for the baths was ready. Mart. Ep. xiv. 163.
The illustration (Aes_Thermarum/1.1) shows two of these implements, from an ancient painting representing a set of baths, and which are there suspended at the windows. Blanchini,{TR: probably "Bianchini"} Instrument. Mus. Vet. tav. vii. No. 8.
# Illustrated Companion to the Latin Dictionary/Agaso

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AGA'SO (ἱπποκόμος). A slave attached to the stables, who dressed the horses, led them out, and held them till his master mounted; a groom, ostler, or stable boy (Liv. xliii. 5. Plin. H. N. xxxv. 40. § 29.), as seen in the example (Agaso/1.1) from the Vatican Virgil.
2. Sometimes also applied to those who have the charge of other animals, such as donkeys (Apul. Met. vi. p. 121., Varior.), and in a more general sense transferred to any of the lower class of slaves. Hor. Sat. ii. 8. 72.
# Illustrated Companion to the Latin Dictionary/Agathodaemon

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGATHODAEMON (ἀγαθοδαίμων). The Greek name for a good spirit or guardian angel, for which the Latin term is GENIUS, q. v. Lamprid. Elagab. 28. Inscript. ap. Visconti, Mus. Pio Clem. tom. i. p. 153.
# Illustrated Companion to the Latin Dictionary/Agea

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGE'A. The passage or gangway by which the boatswain (hortator) approached the rowers (Isidor. Orig. xix. 2. 4. Ennius, ap. Isidor. l. c.); also termed aditus in less technical language. Ovid. Met. iii. 623.
# Illustrated Companion to the Latin Dictionary/Agitator

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGITA'TOR. Generally one who puts any thing in motion; but more especially applied to those who drive cattle; and in the following special cases.
1. Agitator aselli (ὀνηλάτης). A donkey boy, or donkey driver (Virg. Georg. i. 273.). From a fictile lamp (Agitator/1.1) formerly in the possession of Fabretti (Col. Tr. Addend. p. ult.).
2. Agitator equorum (ἡνίοχος). A coachman, or charioteer, who drove another person in a carriage, whether a chariot of war or not. (Virg. Aen. ii. 476. The illustration (Agitator/2.1) is from a terra cotta, representing Paris carrying away Helen. Wink. Mon. Ined. 117.
3. When used by itself and without any other word to modify or distinguish it, a driver at the chariot-races of the Circus (Plaut. Men. i. 2. 50. Suet. Nero, 22.) Compare AURIGA. The illustration (Agitator/3.1) is from a terra cotta lamp, formerly in the possession of Bartoli.
* Agitator/1.1
* Agitator/2.1
* Agitator/3.1
# Illustrated Companion to the Latin Dictionary/Agina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AG'INA. The socket or eye, to which the beam of a balance is pinned, and in which the upright index (examen, lingula) oscillates to show that the object weighed corresponds exactly with the weight in the opposite scale. (Festus. s. v. Tertull. ad Hermog. 41.) Both the agina and the index affixed perpendicularly on the centre of the beam are shown in the illustration (Agina/1.1), which is taken from an original of bronze. Caylus. iv. 96. 4.
# Illustrated Companion to the Latin Dictionary/Agitatrix

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGITA'TRIX. A female who sets any thing in motion; hence, sylvarum agitatrix, a huntress, who beats up the woods and covers (Arnob. iv. p. 141.), particularly applied to Diana, the goddess of the chase; in which character she appears in the illustration (Agitatrix/1.1) from a terra cotta lamp, formerly in the collection of Bartoli.
# Illustrated Companion to the Latin Dictionary/Agminalis

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGMINA'LIS, sc. equus. A sumpter horse, which follows an army for the purpose of carrying the arms, accoutrements, and baggage, as in the example (Agminalis/1.1) from the Column of Trajan, which shows one of these animals laden with the shields and helmets of the Roman soldiers. Dig. 50. 4. 18. § 21. Cod. Theodos. 8. 5. 6.
# Illustrated Companion to the Latin Dictionary/Agolum

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AG'OLUM. A long tapering stick used by the Roman drovers and herdsmen, for driving their cattle. (Festus. s. v.) The drovers of the Roman Campagna make use of a similar instrument at the present day, formed by a long straight shoot of the prickly pear, precisely like the example (Agolum/1.1) here given, which is from a painting at Pompeii.
# Illustrated Companion to the Latin Dictionary/Agonotheta

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGONOTH'ETA (ἀγωνοθέτης). The president at the public games in Greece, always a person of distinction, whose office it was to decide disputes, declare the victors, and award the prizes. Spart. Hadr. 13.
# Illustrated Companion to the Latin Dictionary/Agrimensores

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AGRIMENSO'RES. Land surveyors. (Amm. Marc. xix. 11. 8.) A body formed into a college by the Roman emperors, and paid by the state.
# Illustrated Companion to the Latin Dictionary/Ahenum

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
AHE'NUM. Properly a copper or boiler for heating water, which was suspended over the fire, in contra-distinction to the saucepan (cacabus) for boiling meat or vegetables, and which was placed upon it (Paul. Dig. 33. 7. 18. Serv. ad Virg. Aen. i. 213.); the distinction however is not always observed. The example (Ahenum/1.1) is copied from an original of bronze found at Pompeii; the eye at the top of the handle is to receive the hook by which it was suspended.
2. The coppers which contained the water for supplying a bath (Vitruv. v. 10. 1.). These were always three in number, arranged with a nice regard to economy of fuel. The largest, which contained the hot water (caldarium), was placed immediately over the furnace, the mouth of which is shown by the square aperture at the bottom of the annexed woodcut (Ahenum/2.1); over that was placed a second (tepidarium), which only received a mitigated heat from the greater distance of the fire, and which, therefore, contained water of a lower temperature; the uppermost of all (frigidarium) received the cold water direct from the cistern; thus, when the hot water was drawn off from the lowest copper, the empty space was immediately filled up with fluid which had already acquired a certain degree of heat, and the second was again replenished with cold water from above. All this is made very clear by the illustration, which shows the three boilers used in the baths at Pompeii, as restored by Sir W. Gell from the impressions which their figures have left in the mortar of the wall behind them in which they were set.
* Ahenum/1.1
* Ahenum/2.1
# Illustrated Companion to the Latin Dictionary/Alabaster

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALABASTER or ALABASTRUM (ἀλάβαστρος and -ον). A small vase for holding ointments of a choice description (Cic. Fragm. ap. Non. s. v. p. 545. Mercer. Pet. Sat. lx. 3.); mostly made out of any onyx stone (Plin. H. N. xxxvi. 12.), or sometimes of gold (Theocr. Idyl. xv. 114.), but of a peculiar form, like the shape of a pear, a pearl drop, or a rose bud, to all of which it is likened. (Plin. H. N. ix. 56. Id. xxi. 10.) The example (Alabaster/1.1) is from an original formerly in the possession of the Roman antiquary Pietro Ciacconi. Fortunatus Schackius, Myriothec. i. 47.
# Illustrated Companion to the Latin Dictionary/Alarii

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALA'RII. The troops stationed on the wings of a Roman army, including both infantry and cavalry, which were always formed out of the contingents furnished by the allies, and consequently varied in their arms and accoutrements, according to the customs of the different nations by whom they were supplied. (Cic. Fam. ii. 17. Caes. B. G. i. 51.) Bodies of such troops are represented in several battles on the Column of Trajan, as of the German auxiliaries, and Sarmatian cavalry, &c., each in the costume of their respective countries.
# Illustrated Companion to the Latin Dictionary/Albarium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALBA'RIUM or OPUS ALB. (κονίαμα). Stucco or cement, with which brick walls were covered, made out of sandstone, brick, and marble, powdered and ground together for an outside coating; or of gypsum and plaster of Paris, for the finer kinds used in the interior. Vitruv. vii. 2. Plin. H. N. xxxvi. 55. ib. 59.
# Illustrated Companion to the Latin Dictionary/Albarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALBA'RIUS (κονιατής). A plasterer, whose trade it was to cover the walls with cement, and make ornamental cornices, friezes, and reliefs in stucco. Inscript. ap. Gruter. 642. 11. Compare Plin. H. N. xxxvi. 59.
# Illustrated Companion to the Latin Dictionary/Albatus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALBA'TUS. Clothed in white. Thus in the Circensian games, auriga albatus (Plin. H. N. viii. 65.), a driver who wore the white colour, or belonged to the white company (factio albata).
# Illustrated Companion to the Latin Dictionary/Albo-galerus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALBO-GALE'RUS. The fur cap worn by the Flamen Dialis, which was made of the skin of a white victim which had been sacrificed to Jupiter, with a spike of olive wood projecting from the top, precisely as seen in the illustration (Albo-galerius/1.1) taken from a medal struck in honour of Marcus Antoninus. Festus. s. v. Varro. ap. Gell. x. 15. 4.
# Illustrated Companion to the Latin Dictionary/Album

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ALBUM (λεύκωμα). A space or patch covered with white plaster against the walls of a building, upon which public announcements or advertisements to the public were written; and thence the name is given to any sort of white tablet bearing an inscription, such as a list of the senators, the praetor's edicts, or things of a like nature. (Paul. Sentent. l. i. t. 14. Seneca. Ep. 48. Cic. Orat. ii. 12.) The illustration (Album/1.1) is a facsimile, upon a reduced scale, of an album written against one of the houses in Pompeii, which appears to have been equivalent to a modern announcement, such as: "Patronized by the Royal Family," or "By appointment." The words of it are MARCUM . CERRINIUM . VATIAM . AEDILEM . ORAT . UT . FAVEAT . SCRIBA . ISSUS . DIGNUS . EST. i. e. Issus, the scribe, solicits the patronage of M. Cerrinius Vatia, the aedile; he is a fit person.
# Illustrated Companion to the Latin Dictionary/Alexandrinum opus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALEXANDRI'NUM OPUS. A particular kind of mosaic work, especially used for the flooring of rooms, and belonging to the class of pavements termed sectilia, the distinctive character of which consisted in this, that the frets or patterns forming the designs, were composed by the conjunction of only two colours, red and black for instance, on a white ground, as in the example (Alexandrinum_opus/1.1), which represents a portion of a pavement in a house at Pompeii. (Lamprid. Alex. Sev. 25.) The words of Lampridius seem to imply that this description of mosaic was first introduced by Severus; but such a notion is rendered untenable by the numerous specimens of it in the Pompeian houses. We must, therefore, understand that Severus merely introduced the custom of forming such pavements by the contrast of two sorts of marble different in colour and quality from those which had been previously employed for the purpose, viz. porphyry and Lacedaemonian marble.
# Illustrated Companion to the Latin Dictionary/Alicula

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ALIC'ULA. A short cloak or mantle resembling the chlamys in form, but of smaller dimensions, fastened by a brooch in front, and worn by persons of humble means (Mart. Ep. xii. 82.), by sportsmen (Pet. Sat. xl. 5.), and by young persons. (Ulp. Dig. 34. 2. 24.) It is often seen in works of ancient art, like the example (Alicula/1.1), which is from a painting at Pompeii, in all of which the designation is clearly explained by the resemblance it bears to a pair of little wings, as the wind or motions of the wearer raise it floating from his shoulders.
# Illustrated Companion to the Latin Dictionary/Alipes

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
A'LIPES (πτερόπους). Having wings on the feet, an epithet especially given to the god Mercury, as in the example (Alipes/1.1) from a terra cotta lamp. Ovid. Fast. v. 100. Id. Met. iv. 753.
# Illustrated Companion to the Latin Dictionary/Alipilus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALIP'ILUS (παρατίλτριος). A slave attached to the baths, or kept by private persons for the purpose of plucking out the straggling hairs from any parts of the body, or under the arm-pits. Both males and females were employed for this purpose. Seneca, Ep. 56. Compare Juv. Sat. xi. 157. Cratin. Ωρ. 2.
# Illustrated Companion to the Latin Dictionary/Aliptes

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALIPTES or ALIPTA (ἀλείπτης). Properly a Greek word, but used by the Romans in the same sense as by the Greeks, to designate a person who combined in himself the several duties and authority of a lanista and unctor. It was his business to anoint and rub the bodies of the Athletae with oil and fine sand mixed together before and after a contest in the Palaestra, or of young persons in the gymnastic schools; as well as to direct and preside over their training and exercises (Aristot. Eth. N. 2. 6. 7. Pindar, Olymp. viii. 54-71.); and also to give them advice respecting their diet and mode of living, which he was enabled to do from the knowledge he possessed of their muscular conformation, and general state of bodily health. Cic. Fam. i. 9. Celsus, i. 1.
2. A slave attached to the baths, for whom the genuine Latin term is unctor, whose business it was to rub the bather dry, scrape off the perspiration with the strigil, and then anoint the body with unguents. (Seneca, Ep. 56. Juv. Sat. vi. 422.) The illustration (Aliptes/2.1) is taken from a fresco which represents a bathing room painted on the walls of a sepulchral chamber on the Appian Way, discovered in the last century (Ficoroni, La Bolla d'Oro, p. 45.). It was undoubtedly copied from some celebrated original, for Juvenal must have had a similar one in his mind's eye when he wrote the passage above referred to.
# Illustrated Companion to the Latin Dictionary/Alligati

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
ALLIGA'TI. In a special sense, a captive or prisoner of war with the soldier who had charge of him; i. e. the two together were called alligati, because it was the Roman practice to chain the prisoner to his captor, the manacle being fastened to the right wrist of the former, and to the left of the soldier to whose custody he was committed; whence the allusion of Seneca (Tranquill. i. 10.), alligati sunt qui alligaverunt. (Compare Stat. Theb. xii. 460.) The illustration (Alligati/1.1) from the arch dedicated by silversmiths of Rome to Septimius Severus, represents a Roman soldier with his prisoner, the latter with both his hands chained together behind his back, while the soldier is preparing to fasten the chain to his own arm: the ring which forms the manacle is seen at the end of the chain.