OpenLLM-France/wikimedia huggingface dataset:
# Illustrated Companion to the Latin Dictionary/Milliarium

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MILLIA'RIUM. A mile-stone; which the Romans placed along the sides of their principal roads, in the same manner as we do, with the respective distances from the city inscribed upon them, reckoned at intervals of 1000 Roman paces (our mile) apart. This custom was first introduced by C. Gracchus; and the illustration (Milliarium/1.1) represents an original Roman mile-stone, now standing on the Capitol, but which originally marked the first mile from Rome, as indicated by the numeral I. on the top of it. The rest of the inscription refers to the Emperors Vespasian and Nerva, by whom it was successively restored.
2. Milliarium aureum. The golden milestone; a gilt column, erected by Augustus, at the top of the Roman forum (in capite Rom. fori. Plin. H. N. iii. 5. Suet. Otho, 6. Tac. Hist. i. 27.), to mark the point at which all the great military roads ultimately converged and ended. (Plut. Galb. p. 1064.) The precise spot where it stood was not ascertained till about ten years ago, when an excavation, undertaken by the late pope, revealed a circular basement coated with marble at the north-east angle of the forum, close beside the arch of Septimius Severus, which, by the common consent of all archaeologists, has been received as the remaining base of the golden miliary column. But it does not appear that the mileage of the roads was constantly reckoned from this standard; on the contrary, actual measurements of the distances marked upon Roman milestones, which have been found standing in their original places, prove that those distances were computed from the gates of the city (Marin. Frat. Arv. p. 8. Fabrett. Aq. p. 136.); and the law books also cite a third principle of measuring, from the last row of houses (mille passus non à milliario Urbis, sed a continentibus aedificiis numerandi sunt. Macer. Dig. 50. 16. 154.). All which testifies that the practice varied at different periods, and led to litigation amongst the Romans themselves. It will be remembered that our mileage on some roads, which used to be marked from the standard at Cornhill, is now reckoned more commonly from one of the bridges.
# Linear isometrie/Space/Fixed point on football/Fact/Proof

The total movement is a linear isometry; therefore, the statement follows from fact.
# Illustrated Companion to the Latin Dictionary/Millus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MILLUS. A collar for a sporting dog, made of leather, and armed with projecting iron spikes (clavis ferreis eminentibus), particularly used for those which were trained for hunting wild beasts, to protect the vulnerable parts of the neck and throat from their formidable adversaries. (Scipio Aemilian. ap. Fest. s. v.) The example (Millus/1.1) here introduced represents one of Meleager's hounds, in a painting of Herculaneum.
# Illustrated Companion to the Latin Dictionary/Milvinus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MILVI'NUS. Applied to pipes; see TIBIA.
# Illustrated Companion to the Latin Dictionary/Mimallones

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MIMALL'ONES (μιμαλλόνες). A Greek name for Bacchanals (Stat. Theb. iv. 660.); distinguished, however, from Bacchae by Strabo, x. 3. 10.
# Illustrated Companion to the Latin Dictionary/Mimallonis

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MIMALL'ONIS (Ov. A. Am. i. 541.) A word coined from the Greek; the same, or similar to BACCHA; which see.
# Illustrated Companion to the Latin Dictionary/Mima

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MIMA. (Cic. Phil. ii. 24. Hor. Sat. i. 2. 56.) A female mime. See MIMUS.
# Illustrated Companion to the Latin Dictionary/Mimula

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MI'MULA. Diminutive of MIMA, in a derogatory and contemptuous sense. Cic. Phil. ii. 25.
# Illustrated Companion to the Latin Dictionary/Mimulus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MI'MULUS. Diminutive of MIMUS; also with an implied sense of inferiority. Arnob. ii. 69.
# Illustrated Companion to the Latin Dictionary/Mimus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MI'MUS. In a general sense, means any person who takes off or imitates the manners, deportment, or expression of another, by gesticulation, grimace, or feigned tones of the voice, corresponding with our mimic. But, in a more restricted meaning, the name was given to an actor on the stage, who played a part in a particular kind of drama, designated by the same name; a very broad, and for the most part indecent farce, in which private characters were shown up and exposed to ridicule. The mimic who performed these parts expressed his meaning by gesticulation and pantomimic action chiefly, though dialogue was not entirely excluded. Originally he danced upon the floor between the stage, not upon it, and without a mask; accordingly, in the annexed example (Mimus/1.1), from an engraved ring, it will be perceived that nearly the whole of the face is exposed to view; the mask, unlike those usually worn by comic actors, only covering a small portion of the cheeks; the scalp is covered by a fur cap. Cic. Or. ii. 59. Ov. A. Am. i. 501. Id. Trist. ii. 497. Diomed. iii. 487. Compare PLANIPES.
2. Buffoons, or mimics of this description, were also employed off the stage, especially at great funerals (indictiva funera), at which they followed the Praeficae, dancing grotesque dances, and acting the part of merry-andrews, as exhibited by the annexed figure (Mimus/2.1) from a sepulchral lamp found in a tomb excavated in the Villa Corsini; whilst the leader of their band (archimimus) affected to personate the deceased. (Dionys. viii. 72. Suet. Vesp. 19.) The instruments, which the figure holds, are crotala (see p. 217.); and his head is decorated with the appropriate appendage of a fool's cap.
* Mimus/1.1
* Mimus/2.1
# Illustrated Companion to the Latin Dictionary/Mirmillones

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MIRMILLO'NES. A class of gladiators usually matched in combat with the Thraces, or the retiarii. They wore the Gallic helmet, with the image of a fish for the crest, as exhibited by the annexed figure (Mirmillones/1.1) from a tomb near the gate of Herculaneum, at Pompei. They are believed to have been originally Gauls; but the derivation, as well as the allusive meaning of the name, is very doubtful. Cic. Phil. vi. 5. Suet. Dom. 10. Juv. viii. 20. Festus s. Retiarius.
# Illustrated Companion to the Latin Dictionary/Missilia

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MISSIL'IA. Presents of various articles, thrown from an elevated platform amongst the people by the Roman emperors, or other wealthy individuals who sought to gain the favour of the populace by a largess (congiarium); to which the modern practice of scattering money amongst the crowd at a coronation or other solemnities owes its origin. The missilia were in general the objects themselves actually thrown, and belonged to those who had the good luck to catch them in the scramble; but as some things, such as corn or wine, could not be disposed of in this manner, and others would be damaged by the fall and contest for their possession, billets or tokens (tesserae) were in such cases thrown in their stead, upon which the name and quantity of the article to be received was inscribed, accompanied by a written order for the same, payable to the bearer upon presentation at the magazine of the donor. Suet. Nero, 11. Turneb. Advers. xxix. 9.
# Illustrated Companion to the Latin Dictionary/Mistarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MISTA'RIUS. A vessel employed for the same purpose as the crater, in which wine was mixed with water; it is described as of tall proportions, and with a handle on each side. Lucil. Sat. v. 61. Gerlach.
# Illustrated Companion to the Latin Dictionary/Mitella

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MITEL'LA (μιτρίον). Diminutive of MITRA. A coif or bandage, in the shape of a half-handkerchief (Celsus, viii. 10. 3.); worn by the Greek women (Virg. Cop. 1.) round the head, as shown by the annexed example (Mitella/1.1), from a bust in the British Museum, and frequently represented on fictile vases and the Pompeian paintings. Men used a similar bandage tied round their heads when at home, or at drinking bouts, to counteract the effects of the wine (Aristot. ap. Athen. xv. 16.); and Cicero speaks of it as a scandal that he had seen both young and old persons in the public streets of Naples wearing mitellae (Rab. Post. 10.).
2. A sling for a broken arm, made of a bandage in the shape described. Celsus, l. c.
# Illustrated Companion to the Latin Dictionary/Mitratus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MITRA'TUS (μιτρηφόρος). Wearing the mitra, as explained and illustrated in the last article. Plin. vi. 32. of Arabs; Prop. iv. 7. 62. of Asiatics.
# Illustrated Companion to the Latin Dictionary/Mittendarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MITTENDA'RIUS. An officer of the Imperial age who was sent into the provinces to collect the tribute. Cod. Theodos. 6. 30. 2.
# Illustrated Companion to the Latin Dictionary/Modulus

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOD'ULUS. In a general sense, a measure by which any thing is measured; but more specially, a module, or measure of division, adopted by architects as a standard by which the proportions of an order, or the entire building, may be regulated. It may be taken at pleasure; but the diameter or semidiameter of a column at the bottom of the shaft is the module mostly resorted to. Vitruv. v. 9. 3.
2. In aqueducts, a water-meter; same as CALIX, 3. Front. Aq. 34. 36.
# Illustrated Companion to the Latin Dictionary/Modius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOD'IUS and MOD'IUM. The principal dry measure of the Romans containing sixteen sextarii, or the sixth part of the Greek medimnus, something like the English peck. Its principal use was for measuring corn after it had been threshed; differing in this from the corbis, which was employed for measuring corn in the ear, that had not been cut with its straw by the sickle, but nicked off under the ear with a serrated or forked instrument (falx denticulata, merga. Cato, R. R. 136. Hor. Ep. i. 16. 55. Cic. Div. Verr. 10.) The illustration (Modius/1.1) is copied from a terra-cotta lamp, evidently intended to represent a modius, from the introduction of several shocks of corn, which in the original design are placed by its side.
2. The sheath or socket in which the mast of a ship is fixed. Isidor. Orig. xix. 2. 9.
# Illustrated Companion to the Latin Dictionary/Moene

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOE'NE, or MOE'NIA, plural, which is more usual. The walls of a town (Caes. B. C. iii. 80.), almost synonymous with murus; but with a more comprehensive sense, as it frequently includes all the buildings in a town which were surrounded by a murus. Cic. Cat. ii. 1. Vitruv. viii. 3. 24. Virg. Aen. vi. 549.
# Illustrated Companion to the Latin Dictionary/Molarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLA'RIUS, MOLENDA'RIUS, MOLENDINA'RIUS, sc. Asinus. An ass which works in a mill. Cato, R. R. xi. 1. Paul. Dig. 33. 7. 18. § 2.
# Illustrated Companion to the Latin Dictionary/Molendinarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLENDINA'RIUS. A miller. Inscript ap. Grut. 1114. 6.
# Illustrated Companion to the Latin Dictionary/Moletrina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLETRI'NA (μυλών). The building or place in which a mill is worked. Cato ap. Non. s. v. p. 63.
# Illustrated Companion to the Latin Dictionary/Molile

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLI'LE. The name given to a part of the apparatus used for turning a mill, both in those which were driven by men and by cattle. Varro, R. R. x. and xi. In the former passage, it probably means the handles inserted into the sides of the upper stone (wood-cut s. MOLA, 1.); in the latter, the frame over the animal's back, to which he was attached when harnessed to his work (wood-cut s. MOLA, 2.).
# Illustrated Companion to the Latin Dictionary/Molina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLI'NA. The term employed by late writers for a mill. Ammian. xviii. 8. 11. P. Victor. Urb. Rom. Reg. iv.
# Illustrated Companion to the Latin Dictionary/Mollicina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLLIC'INA. See next word.
# Illustrated Companion to the Latin Dictionary/Molochinarius

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLOCHINA'RIUS. One who deals in cloth made from the mallow plant. Plaut. Aul. iii. 40. MOLOCHINA.
# Illustrated Companion to the Latin Dictionary/Molochina

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MOLOCH'INA, sc. vestis (μολόχινη). A garment made of cloth woven from the fibrous parts of the bark of the hibiscus (μολόχη), a species of mallow, which is still employed in India for making cordage. The word is also written mollicina, molicina, and molicinia, all evident varieties from the Greek original. Isidor. Orig. xix. 22. 12. Novius ap. Non. p. 54. Caecil. Ib. p. 548. Yates, Textrin. Antiq. pp. 304 — 309.
# Illustrated Companion to the Latin Dictionary/Monaulos

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONAU'LOS and -US (μόναυλος). A single pipe, of the simplest character, and played in the same way as our flageolet and clarionet. (Plin. H. N. vii. 57. Mart. xiv. 64.) The Greek name also designates the person who played it (Hedyl. Ep. ap. Athen. iv. 78.), for which we find monaules (Not. Tires. p. 173.) The illustration (Monaulos/1.1) represents a single pipe of this description, from a statue in the Vatican, with a performer, showing the manner in which it was handled, from the Vatican Virigil.
# Illustrated Companion to the Latin Dictionary/Moneris

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONE'RIS (μονήρης, μονόκροτος). A vessel which has only a single line of oars in file; a galley; as opposed to those which have two or more (Liv. xxiv. 33. Tac. Hist. v. 23. quae simplici ordine agebantur), as shown by the annexed example (Moneris/1.1), from the Vatican Virgil. Vessels of this class were sometimes of considerable size, and rated amongst the naves longae; in which several rowers worked upon the same oar, by means of a false handle attached to it, in the same way as was practised in the Mediterranean galleys of the 15th, 16th, and 17th centuries, and explained at length s. REMEX.
# Illustrated Companion to the Latin Dictionary/Moneta

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MONE'TA. The mint, where money was coined; a building on the Capitol adjoining the temple of Juno Moneta. Cic. Phil. vii. 1. Suet. Jul. 76. Liv. vi. 20.
2. Hence the money itself (Ov. Fast. i. 221.); and the die or mould with which it is coined. (Mart. xii. 55.) See FORMA, 2.
# Illustrated Companion to the Latin Dictionary/Monile

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONI'LE (μάννος). A necklace; a very usual ornament worn by the females of Greece and Italy, in the same manner as still practised; and made in every conceivable variety of form, pattern, and material, of which the excavations of Herculaneum, Pompeii, and the tombs of Etruria have afforded numerous and highly valuable originals. The examples (Monile/1.1) here introduced are all from Pompeian paintings, which are selected for illustration because they afford specimens of designs which appear to have been general favourites, as they are frequently met with on the fictile vases and other works of art. The top figure is a head of Juno, who wears a necklace formed of stars of gold, alternating with a large bead between each star; the two below are dancing girls; the left-hand one with a single row of pearls or beads, the other with a number of gold drops or pendants, precisely similar in pattern to an original necklace now seen in the royal museum at Naples.
2. Monile baccatum. A necklace made with a string of beads, berries, or stained glass, of which the left-hand figure in the preceding wood-cut affords an example. Virg. Aen. i. 654. Lamprid. Alex Sev. 41.
3. A collar or necklace placed as an ornament round the throat or neck of favourite animals, such as horses (Virg. Aen. vii. 278.) or deer. (Ov. Met. x. 112.) The fawn of Silvia is represented with this appendage in the Vatican Virgil; and the annexed example (Monile/3.1), from a fictile vase, shows it upon a horse, having pendants in the shape of a crescent depending from it, which explains the monile lunatum of Statius, Theb. ix. 689.
* Monile/1.1
* Monile/3.1
# Illustrated Companion to the Latin Dictionary/Monobolon

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONOB'OLON. A game in which various feats of leaping were displayed without the assistance of a leaping pole, or any other aid to muscular exertion, like the "sauts perilleux" of the French, or the "mortal leaps" of our itinerant showmen. (Imp. Justin. Cod. 3. 43. 3.) The example (Monobolon/1.1) is after an engraved gem; and though the word it illustrates belongs to a late period, the work of art is of a much earlier date.
# Illustrated Companion to the Latin Dictionary/Monochromata

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONOCHRO'MATA (μονοχρώματα). Paintings tinted with a single colour, either red or white for instance, upon a dark ground, as frequently seen on fictile vases. Plin. H. N. xxxiii. 39. Id. xxxv. 36. § 2.
# Illustrated Companion to the Latin Dictionary/Monogrammos

This article incorporates text from a publication now in the public domain: Rich, Anthony (1849). The illustrated companion to the Latin dictionary, and Greek lexicon. p. vi. OCLC 894670115. https://archive.org/details/illustratedcompa00rich.
MONOGRAM'MOS (μονόγραμμος). Literally, drawn in outline, like the earliest attempts at painting, which consisted only of outlines (Plin. H. N. xxxv. 5.); thence transferred to any thing which has no substance, as the gods (Cic. N. D. ii. 23.); or a wretchedly attenuated person (Lucil. Sat. ii. 17. Gerlach.