# The Crafting Freedom Project/Elizabeth Keckly

The Life of Elizabeth Keckly
Elizabeth Keckly was a remarkable individual who was born into slavery in 1818 just south of the major market center of Petersburg, Virginia. She learned her craft – sewing – from her mother, who was an expert seamstress enslaved in the Burwell family. When Reverend Burwell, Keckly’s master and half-brother (they shard a father) relocated to Hillsborogh, North Carolina, in 1832, she soon followed. Six years later, Anna Burwell, Keckly’s mistress, started a school for young girls in the family home, with an already over-worked Keckly charged as the sole servant. In the Burwell household, Keckly was subject to physical and sexual abuse. She gave birth to her only child, a son, as a result of being molested by a white acquaintance of the Burwells.
After thirty years of enslavement in the Burwell family, Keckly procured enough saved income from portions of hired out wages and loans from her white female customers to buy herself and her son out of slavery. Later, Keckly moved to Washington, DC, and became the sole proprietor of one of the most exclusive dressmaking shops in the city, where she employed as many as twenty other seamstresses. She drew her female clients from the capitol’s elite, and ultimately the executive office, becoming the personal seamstress and confidante of the first lady, Mary Todd Lincoln. Much of Keckly’s enduring fame results from her relationship with the first lady, which is documented in her memoir, Behind the Scenes: or, Thirty Years a Slave and Four Years in the White House. Keckly’s memoir recounts her experiences as a talented and enterprising artisan and her ultimate achievement of political and economic independence in a world that was hostile to both her race and gender.
In addition to providing a rich portrait of both enslaved women and hired-out slaves, Keckly’s life also provides a rare opportunity to examine the significance of the needle arts. As historians have shown, from the colonial era through the mid-nineteenth century, when the needle arts became more mechanized and standardized, skilled dressmaking continued to be a very specialized, prestigious, and competitive activity for both white and black women. Indeed because women’s clothing required a large amount of fabric and was so complex to construct, the mechanization of women’s garment construction came much later than for men’s clothing.
The fact that Keckly achieved the success she did was part business savvy, part technical skills, and part fashion design talent. As Thomas Day did in his cabinet shop, Keckly combined the latest European patterns with her own styles in catering to the fashionable tastes of her clients. This blending of Old World traditions with indigenous styles helps define American culture as a whole.
SELECTED BIBLIOGRAPHY ON ELIZABETH KECKLY
PRIMARY SOURCES
Keckly, Elizabeth. Behind the Scenes: or, Thirty Years a Slave, and Four Years in the White House.
SECONDARY SOURCES
Andrews, William L. “Reunion in the Postbellum Slave Narrative: Frederick Douglass and Elizabeth Keckley.” Black American Literature Forum, Vol. 23, No. 1, Spring 1989, pp. 5-16.
Fleischner, Jennifer. Mrs. Lincoln and Mrs. Keckly: The Remarkable Story of the Friendship between a First Lady and a Former Slave. 2004.
Hudak, Mellissa. “Mary Lincoln’s Dressmaker: Elizabeth Keckly’s Remarkable Rise from Slave to White House Confidante.” School Library Journal Vol. 41, No. 12, December 1995, 140 (1).
Sorisio, Carolyn. “Unmasking the Genteel Performer: Elizabeth Keckley's Behind the Scenes and the Politics of Public Wrath.” African American Review, Vol. 34, No. 1, Spring 2000, pp. 19-38.