OpenLLM-France/wikimedia huggingface dataset:
# Metadata
## Learning goals

* Understand that metadata is necessary to communicate the semantics of content
* See that using metadata for ranking in search results is a bad idea
* get introduced to modern ways of publishing media data as RDFa

## Script

Metadata placed in the head of your HTML page meta tags often have both the name and content attributes
Metadata was foreseen very early as part of HTML, but:
* it does not really work
* usual problem: ignored
* worse problem: intentionally forged, e.g. wrong keywords given in order to mislead search engine
* result: search engines have ignored metadata for two decades
Situation changed with:
* SearchMonkey
* RichSnippets
* Schema.org
Difference:
* People behave
** to maximize their benefit
** targeted benefits:
** Being found and highly ranked by search engines
** Displaying what you want to be displayed
*** Resulting rationale:
**** Incentive mechanisms must make sure that the targeted benefits are achieved
**** Idea for search monkey:
***** don't use metadata to improve finding and ranking by search engines (since it is not readable it incentivizes people to mislead search engines)
***** use metadata to improve the display - namely the display of search engine result summarization
***** Implications:
****** authors care about appropriate presentation
****** incentives for authors/publishers, search engine providers and users who search coincide
Semantic annotations:
* microdata
* microformats
* RDFa
15% of web sites/pages use some form of semantic annotation
Show examples how to do semantic annotation using RDFa (note to Rene. I'd target the philosophy to show students newest developments, such as HTML5; in the same vein: don't show micro format, micro data, but RDFa)

## Quiz

Web Science/Part1: Foundations of the web/Web content/Metadata/quiz
# Layout elements in HTML
## Learning goals

* Know about the style attribute and how to use it within HTML elements
* Know already realize that there are some limits using the style attribute
* be able to create websites that follow a certain style guide

## Script

Having explained layout elements in HTML, the advice is: Keep Layout flexible and separate it from document structure. We will tell why in our next lesson.
# Web Science/Part1: Foundations of the web/Web content/Media content/quiz
## XML Challenge 1: Getting to know SVG

Copy the following file into your editor of choice and save it as "myfirstsvg.svg", then open up the file in a browser (Internet Explorer with the Adobe SVG plugin, Firefox 1.5+, Opera 9+, Safari 3+, or Chrome):
Assuming this is the first time you've seen an SVG file, you might notice that it looks very similar to an HTML file, but with some obvious differences!
* Change the rectangle so that it's filled with yellow
* Make the rectangle's border a bit bigger and modify the color of the border (let's say, green!)
* Any ideas what the fill-opacity might do? Test it out.
* See if you can turn your rectangle into a square
* Finally, can you modify the position of your rectangle?
Easy?!

## XML Challenge 2: More SVG elements

Still using the same SVG file (myfirstsvg.svg), add the following element to your SVG:
Test it out and see if it does what you expect! Looks a bit boring though! Add some plain old CSS style, so that
* your circle is filled with the color Blue,
* your circle has a stroke similar to your rectangle
* your circle has an opacity of 0.7
Note, you can also use CSS pseudo selectors, like :hover to change your shapes when the mouse hovers over them! (for eg: circle:hover {fill-opacity:0.3} )
Finally, see how you go arranging the Olympics logo:
* Add another 4 circles to your file (you might want to 'translate' them so that they aren't all on top of each other)
* Give each circle an id, just like you would an HTML element, then use this ID to make each circle a different colour.
* Arrange the colours and the positions of your circles to form the Olympic logo

## XML Challenge 3: Animating the Olympics with SVG!

Animating shapes in SVG is really easy! There's actually a tag called animateTransform to help us out, but unfortunately it's not yet supported by Firefox's native SVG, so we'll need to install the Adobe SVG plugin or Opera 9+.
Note that the animateTransform element goes inside the circle element! (Watch out for this, make sure that you don't close your circle element before your animateTransform element).
Modify one of your circles as follows:
Now,
* Try playing with the 'from', 'to', 'begin' and 'dur' attributes, testing to see what they do.
* When you feel ready, have a go at creating an animation where 5 circles animate to form the Olympic logo! Your circles should all begin at the side of the page, and then animate to form the Olympic logo!
https://upload.wikimedia.org/wikipedia/commons/4/4c/Olympic-animated.svg
# Web Science/Part1: Foundations of the web/Web content/Layout elements in HTML/script

Having explained layout elements in HTML, the advice is: Keep Layout flexible and separate it from document structure. We will tell why in our next lesson.
# Web Science/Part1: Foundations of the web/Web content/Media content/script

Including Media content
Make sure that you do not only provide a media file like this:
But also include an alternative text ("Gollum from LOTR") if the media file cannot be loaded or the user cannot access the media content (e.g. because of bad eye sight he uses a screen reader) and a title for mouse over like this:
You can also use an anchor to make it a link:
# University of Florida/Eml4507/s13.team4ever.Wulterkens.R4.4

Problem 4.4 Eigenvalues and Eigenvectors for Mode Shape

## Problem Statement

Assume the mass density to be 5,000 $kg/m^{3}$. Contruct the diagonal mass matrix and find the eigenpairs. With this, design a matlab and calfem program to determine the deformation shape.

## Matlab Solution
### Set up K matrix

k = 100000000000*0.0001/0.3;
K = zeros(28,28);
K(1,1)=k*1;K(3,3)=k*1;
K(3,3)=K(3,3)+k*1;K(5,5)=K(5,5)+k*1;
K(5,5)=K(5,5)+k*1;K(7,7)=K(7,7)+k*1;
K(7,7)=K(7,7)+k*1;K(9,9)=K(9,9)+k*1;
K(11,11)=K(11,11)+k*1;K(9,9)=K(9,9)+k*1;
K(11,11)=K(11,11)+k*1;K(13,13)=K(13,13)+k*1;
K(15,15)=K(15,15)+k*1;K(17,17)=K(17,17)+k*1;
K(19,19)=K(19,19)+k*1;K(17,17)=K(17,17)+k*1;
K(19,19)=K(19,19)+k*1;K(21,21)=K(21,21)+k*1;
K(23,23)=K(23,23)+k*1;K(21,21)=K(21,21)+k*1;
K(23,23)=K(23,23)+k*1;K(25,25)=K(25,25)+k*1;
K(27,27)=K(27,27)+k*1;K(25,25)=K(25,25)+k*1;
K(2,2)=K(2,2)+k*1;K(16,16)=K(16,16)+k*1;
K(4,4)=K(4,4)+k*1;K(18,18)=K(18,18)+k*1;
K(6,6)=K(6,6)+k*1;K(20,20)=K(20,20)+k*1;
K(8,8)=K(8,8)+k*1;K(22,22)=K(22,22)+k*1;
K(10,10)=K(10,10)+k*1;K(24,24)=K(24,24)+k*1;
K(12,12)=K(12,12)+k*1;K(26,26)=K(26,26)+k*1;
K(14,14)=K(14,14)+k*1;K(28,28)=K(28,28)+k*1;
l = cos(45)^2;
kl = 100000000000*0.0001/(0.3*sqrt(2));
for i = 0:5
end

### Set up the M matrix

M = zeros(28,28);
M(i,i)=0.3*0.0001*5000;
for i = 1:28
end
for i = 1:12
end
for i = 3:12
end
b = zeros(28,1);

### Determine the Eigenvalues and Eigenvectors

[L,X] = eigen(K,M)
L =
X =

### Set up the Origional Shape

L=0.3;
for i=1:7
end
for i = 1:14,
end
for i = 1:6
end
for i = 7:12
end
for i = 13:19
end
for i = 20:25;
end
figure(1)
for i = 1:25
end

### Add in the Eigenvectors

for i=1:14
end
for i=1:14
end
for i = 1:25
end
# University of Florida/Eml4507/s13.team4ever.Wulterkens.R5.4

Problem 5.4 Eigenvalues and Eigenvectors for Mode Shape
On my honor, I have neither given nor recieved unauthorized aid in doing this assignment.

## Problem Statement

Assume the mass density to be 5,000 $kg/m^{3}$. Contruct the diagonal mass matrix and find the eigenpairs. With this, design a matlab and calfem program to determine the deformation shape.

## Matlab Solution

References for Matlab code: Team 3 Report 4 Team 7 Report 4

### Mode Shapes
## CALFEM Solution

Three lowest eigenvalues and eigenvectors
Plotting the three lowest mode shapes
# 1000 Songs/Veni Creator Spiritus--Come Holy Ghost our souls inspire

Veni Creator Spiritus--Come Holy Ghost our souls inspire
1000 Songs
# 1000 Songs/Wake awake for night is flying (Philipp Nicolai)

Wake awake for night is flying (Philipp Nicolai)
1000 Songs

## Text

The Hymn "Wake awake for night is flying" is a text that relates to the second coming of Christ, Jerusalem taken to heaven by the Bridegroom (Christ), and rejoicing and singing around the throne of God with the angels. In the first verse of the hymn, there is distinct imagery used from the gospel of Matthew 25:1-13, which is the parable of the ten virgins. In verse two, there are a few descriptions of Jesus such as: Star, Light, Blessed One, God's Beloved Son. And in Verse three, there is even more great use of Biblical word use: "nor eye has seen, nor ear has heard"-1 Corinthians 2:9, "angels round"-Revelation 5:11, "Watchmen on a city hill" -Isaiah 52:8

### Translations/Challenges

Catherine Winkworth translated the text from German into English in 1858.

### Editor's Choice

English text

## Music

Johann S. Bach

### Editor's Choice
## Background

The story behind this hymn is surrounded with sorrow and death. Unna, Germany, 1598, marked the horrible time of the plague that wiped out around 1300 in Phillip Nicolai's community. The point of this hymn was to give hope to those afflicted by suffering that the bridegroom Jesus Christ will return. This should be viewed by Christ followers as joyous anticipation rather than a dreaded and feared day of doom. This joy is the light that Nicolai was trying to shed in a winter where he held up to thirty funerals a day.

### Author biography

Son of a Lutheran pastor, Phillip Nicolai was born in Germany in 1556. He studied at Erfert and Wittenburg where he became a pastor himself. Nicolai is known to be history's greatest chorale writers.

### Cultural setting

The plague in Germany
# 1000 Songs/Victimae paschali laudes--Christians to the Paschal victim (Wipo of Burgundy)

Christians to the Paschal victim (Wipo of Burgundy)
1000 Songs

## Text

Poetically, the Wipo of Burgundy is presented as a sequence. The text was typically set to different renaissance and baroque tunes.
Latin
Victimae paschali laudes immolent Christiani.
Agnus redemit oves: Christus innocens Patri reconciliavit peccatores.
Mors et vita duello conflixere mirando: dux vitae mortuus, regnat vivus.
Dic nobis Maria, quid vidisti in via?
Sepulcrum Christi viventis, et gloriam vidi resurgentis:
Angelicos testes, sudarium, et vestes.
Surrexit Christus spes mea: praecedet suos in Galilaeam.
[Credendum est magis soli Mariae veraci Quam Judaeorum Turbae fallaci.]
Scimus Christum surrexisse a mortuis vere: tu nobis, victor Rex, miserere. Amen.

### Translations/Challenges

English :
Christians, to the Paschal victim offer your thankful praises!
A lamb the sheep redeemeth: Christ, who only is sinless, reconcileth sinners to the Father.
Death and life have contended in that combat stupendous: the Prince of life, who died, reigns immortal.
Speak, Mary, declaring what thou sawest, wayfaring:
"The tomb of Christ, who is living, the glory of Jesus' resurrection;
"Bright angels attesting, the shroud and napkin resting.
"Yea, Christ my hope is arisen; to Galilee he will go before you."
[Happy they who bear the witness Mary's word believing above the tales of Jewry deceiving.]
Christ indeed from death is risen, our new life obtaining; have mercy, victor King, ever reigning! Amen.

### Editor's Choice
## Background
### Author biography

-Wipo of Burgundy was known for being a priest and a writer. He also served as the chaplain to the Holy Roman Emperor Conrad II.
# 1000 Songs/WACHET AUF (Philipp Nicolai)

WACHET AUF (Philipp Nicolai)
1000 Songs

## Text

"Wachet auf," ruft uns die Stimme Der Wächter sehr hoch auf der Zinne, "Wach auf du Stadt Jerusalem! Mitternacht heißt diese Stunde!" Sie rufen uns mit hellem Munde: "Wo seid ihr klugen Jungfrauen? Wohlauf, der Bräutigam kommt, Steht auf, die Lampen nehmt! Halleluja! Macht euch bereit zur Hochzeitsfreud; Ihr müsset ihm entgegengehen!"
Zion hört die Wächter singen, Das Herz tut ihr vor Freuden springen, Sie wachet und steht eilend auf. Ihr Freund kommt vom Himmel prächtig, Von Gnaden stark, von Wahrheit mächtig; Ihr Licht wird hell, ihr Stern geht auf. Nun komm, du werte Kron, Herr Jesu, Gottes Sohn! Hosianna! Wir folgen all zum Freudensaal Und halten mit das Abendmahl.
Gloria sei dir gesungen Mit Menschen- und mit Engelzungen, Mit Harfen und mit Zimbeln schön. Von zwölf Perlen sind die Tore An deiner Stadt, wir stehn im Chore Der Engel hoch um deinen Thron. Kein Aug hat je gespürt, Kein Ohr hat mehr gehört Solche Freude. Des jauchzen wir und singen dir Das Halleluja für und für.

### Author

This poem, or chorale, was written by Philipp Nicolai(1556-1608). He was a German Lutheran pastor during the early Protestant Reformation.

### Translations/Challenges

This work has been translated in to English several times by various different authors. One of the most common translations is by Frances Elizabeth Cox, translated in 1864. The text is based on the parable from Matthew 25:1-13 about the ten virgins.

### Editor's Choice
## Music

Wachet auf, ruft uns die Stimme is most commonly set to the music of J.S. Bach BWV 140, or better known as Sleepers, Wake.

### Editor's Choice
## Background
### Author biography

A brief biography of Phillip Nicolai can be found here, along with several other links to more information about his background and life. Since this piece was written during the early Protestant Reformation, this is one of the very first, of sacred music, that was written in the vernacular of the people. Therefore, It was also very controversial because it was in defiance of the Holy Roman Empire.
# 1000 Songs/WONDROUS LOVE

WONDROUS LOVE/What Wondrous Love Is This
1000 Songs

## Text
### Author

The text is considered to be an American Folk hymn, with no concretely sure writer. The text is sometimes associated with a poem by [Means]

### Translations/Challenges

The text originated in the United States, so there are no translation challenges.

### Editor's Choice

In the Hymnal for Worship and Celebration, What Wondrous Love Is This is number 177. The text reads:
1. What wondrous love is this, O my soul, O my soul! What wondrous love is this, O my soul! What wondrous love is this That caused the Lord of bliss To bear the dreadful curse for my soul, for my soul To bear the dreadful curse for my soul. 2. When I was sinking down, sinking down, sinking down, When I was sinking down, sinking down, When I was sinking down Beneath God's righteous frown, Christ laid aside His crown for my soul, for my soul Christ laid aside His crown for my soul. 3. To God and to the Lamb I will sing, I will sing, To God and to the Lamb I will sing, To God and to the Lamb Who is the great "I Am," While millions join the theme, I will sing, I will sing, While millions join the theme, I will sing. 4. And when from death I'm free, I'll sing on, I'll sing on, And when from death I'm free, I'll sing on, And when from death I'm free, I'll sing and joyful be,
And thro' eternity I'll sing on, I'll sing on And thro' eternity I'll sing on.

## Music
### Tune

The music was written by William Walker. The hymn tune is called WONDROUS LOVE, and the hymnic meter is 12.9.6.6.9.12, which is quite unusual. The tune itself is in D Dorian, characterized by the raised sixth scale degree. The melodic range of the song is a major 9th, reaching D to D with a C on the bottom of the range. The original time signature is 2/2.

### Arrangements

There are not very many arrangements of this song. One of the few is an arrangement for solo voice and piano, but the piano accompaniment is the original hymn's music.

### Editor's Choice

The version in the Hymnal for Worship and Celebration is very concise and is a good example of the hymn.

## Background
### Cultural setting

This gospel song is seen as one of the slower "black gospel" songs. It is also very early in the gospel period (written in the 1830's), so some characteristics that are staples for most gospel songs are not present. There's no use of schmaltzy harmonies or common-tone diminished chords. The rhythm is also very straight. It is very slow and meditative.
# 1000 Songs/WORK SONG (Lowell Mason)

WORK SONG (Lowell Mason)
1000 Songs
# 1000 Songs/Trisagion Hymn (John Chrysostem)

Trisagion Hymn (John Chrysostem)
1000 Songs

## Text
### Author

St. John Chrysostem – 347-407

### Translations/Challenges

The Trisosgion Hymn : was originally written in Greek but it has been translated into Elizabethan and Modern English.

### Editor's Choice
## Background
### Author biography
### Author's circumstances

Author biography/Author's circumstances: John Chrysostem was a man that was devoted to living a life after Christ. He grew up in a good moral home with his mother and sister even after his father’s death. Those morals stuck with Chrysostem throughout his life and helped to make an impact in the world.
# 1000 Songs/Veni veni Emmanuel--O come O come Emmanuel

Veni veni Emmanuel--O come O come Emmanuel
1000 Songs

## Text

O Come O Come Emmanuel is an English translation to the original Latin version called Veni Veni Emmanuel. It is now used as a Christmas Hymn. This link shows you more. http://en.wikipedia.org/wiki/O_come,_O_come,_Emmanuel
The Latin and English version are both listed on this link. http://www.preces-latinae.org/thesaurus/Hymni/VeniEmm.html

### Author

UNKNOWN

## Background

This Christmas hymn was formed by using various antiphons by an unknown author around the 12th Century.
# 1000 Songs/WIE SCHON LEUCHTET (Philipp Nicolai)

WIE SCHON LEUCHTET (Philipp Nicolai)
1000 Songs
# 1000 Songs/WINDHAM (Daniel Read)

WINDHAM (Daniel Read)
1000 Songs

## Text
### Author

Daniel read, an American Composer in the 1700's and early 1800's. He was Born November 16, 1757 and died on December 4, 1836. He was a part of the First New England School, and one an early figure head of American Composition. This is a tune that was revised from the original written by Isaac Watts.

### Editor's Choice
## Music
### Tune

Listen to the tune hear by Paul Hiller (conductor) and His Majestie's Clerkes (Ensemble). Windham.

### Editor's Choice
## Background
### Author biography

Born in 1757, Daniel Read was born in the early stages of American Composition. But Read didn't start as a composer. After serving time as a private in the Massachusetts Militia, and later become a comb-maker and an owner of a general store in Connecticut. Read made his living as a comb-maker and helped supplement funds by compiling and publishing tunebooks such as, The Columbian Harmonist, The American Singing Book, The New Haven Collection of Harmonist, and An INtroduction to Psalmody (which wasn't a tune book but rather and inspirational writing to other composers). In these tune books Read often included some originals written by himself. some of his most noted tunes are: Greenwich, Windham, and Sherbune. These three tunes are often still used in American Churches.

### Historical setting

Daniel Read was around during the time that America was just now starting to become "serious" about writing music. American Composers where starting to set hymn tunes to three and four part a cappalle styles with simple folklike melodies. These were the early stages of what would soon be called Fuguing.

### Cultural setting

Early American Culture.
# BCP/Prenanthes

Prenanthes
| Search for Prenanthes on commons) Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Prenanthes (Rattlesnake Roots) Identifying Characteristics Recent Logs Jomegat 19:44, 24 July 2010 (UTC) (view all logs) |
Global data: Temperate zone season(s): Mid Summer, Late Summer, Early Fall
Regional data: New Hampshire: July, August , September
Additional images:
# BCP/Prenanthes/Logs

This page contains recent bloom logs for Prenanthes (Rattlesnake Roots). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2008 Logs

* Jomegat 02:59, 13 August 2008 (UTC)
* Jomegat 01:16, 17 August 2008 (UTC)
* Jomegat 23:54, 23 August 2008 (UTC)
* Jomegat 00:08, 30 August 2008 (UTC)
* Jomegat 21:45, 1 September 2008 (UTC)
* Jomegat 22:46, 10 September 2008 (UTC)
* Jomegat 20:07, 20 September 2008 (UTC)

#### 2009 Logs

* Jomegat 22:53, 16 July 2009 (UTC)
* Jomegat 03:52, 2 August 2009 (UTC)

##### Recent Logs

* Jomegat 19:44, 24 July 2010 (UTC)
# BCP/Potentilla canadensis/Logs

This page contains recent bloom logs for Potentilla canadensis (Dwarf cinquefoil). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2008 Logs

* --Jomegat 00:26, 28 May 2008 (UTC)
* --Jomegat 23:05, 31 May 2008 (UTC)
* --Jomegat 00:19, 3 June 2008 (UTC)
* --Jomegat 23:46, 9 June 2008 (UTC)
* --Jomegat 23:29, 15 June 2008 (UTC)
* --Jomegat 21:28, 21 June 2008 (UTC)
* --Jomegat 23:13, 1 July 2008 (UTC)
* --Jomegat 18:42, 12 July 2008 (UTC)

##### Recent Logs

* Jomegat 12:00, 10 May 2009 (UTC)
* Jomegat 23:01, 19 May 2009 (UTC)
* Jomegat 00:25, 25 May 2009 (UTC)
* Jomegat 00:19, 29 May 2009 (UTC)
* Jomegat 00:26, 2 June 2009 (UTC)
* Jomegat 00:18, 9 June 2009 (UTC)
# BCP/Potentilla norvegica/Logs

This page contains recent bloom logs for Potentilla norvegica (Norwegian Cinquefoil). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2008 Logs

* Jomegat 02:36, 13 August 2008 (UTC)
* Jomegat 20 August, 2008
* Jomegat 01:00, 31 August 2008 (UTC)
* Jomegat 17:57, 7 October 2008 (UTC)
* Jomegat 16:31, 10 October 2008 (UTC)

#### 2009 Logs

* (no archived logs yet)

##### Recent Logs

* Jomegat 00:22, 15 July 2009 (UTC)
* Jomegat 00:54, 22 July 2009 (UTC)
* Jomegat 04:02, 2 August 2009 (UTC)
# BCP/Potentilla recta

Potentilla recta
| Illustration Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Potentilla recta (Rough-leaved Cinquefoil) Identifying Characteristics Recent Logs Luai lashire 21:47, 1 September 2007 (UTC) --SB_Johnny | 08:55, 3 July 2008 (UTC) --SB_Johnny 10:49, 6 August 2008 (UTC) (view all logs) |
Global data:
Regional data: Southeastern Pennsylvania: (native) July, August Central Pennsylvania: (native) October
Additional images: