OpenLLM-France/wikimedia huggingface dataset:
# Emily Dickinson's poems in translation/Polish/Success is counted sweetest/Form vs meaning

Virtually all of Dickinson’s poems are written in an iambic meter. The first stanza alternates an iambic tetrameter and an iambic trimeter. These changes in rhythm both reflect and reinforce a slight change in tone, as decisiveness crumbles in the face of a strained metaphor. The tetrameters are more positive in tone, whereas the trimeters are more negative, or realistic. The second stanza starts with iambic tetrameter and continues with iambic trimeter in the following three lines. It’s much harder to scan the third stanza, because it becomes irregular. It mixes iambic tetrameter with trochaic trimeter. One can assume that the natural forcefulness of trochees, gives us a sense of drive and purpose. The ultimate goal is not a victory but a defeat, as only those defeated can understand the essence of success.
Rhyme is most often used to punctuate the ends of lines. It’s the workhorse of poetry: it can hold lines together, it can signal their length, and it can bestow an overall sense of order. At the same time, rhyme also often suggests surprising connections between things. As in most of Dickinson’s poems, the stanzas here rhyme according to an ABCB scheme, so that the second and fourth lines in each stanza constitute the stanza’s only rhyme. A slant rhyme, however, appears in the second stanza (today, victory). Here Dickinson might have wanted to indicate that by the use of this particular rhyme, victory is not as important as it may seem to be.
As far as figures of speech are concerned, paradox is the controlling figure of speech in the poem. It expresses the main theme: The person best qualified to evaluate the impact of success is the vanquished rather than the triumphant. Implicit in this paradoxical observation is that it can apply to anyone: the failed author, the defeated boxer, the election loser, the rejected job applicant, the bankrupt businessman.
The following are the examples of figures of speech in the poem.
Sound Devices
Alliteration, Consonance, Assonance
Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.
Not one of all the purple host
Who took the flag today
Can tell the definition,
So clear, of victory!
As he, defeated, dying,
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!
Literary devices
Metaphor
To comprehend a nectar - nectar is refering to sweetness of victory
Paradox
Success is counted sweetest
By those who ne'er succeed. (lines 1-2)
Syncope
Ne'er (line 2) is an example of syncope (SINK uh pe), the omission of letters from the middle of a word.
Personification
Requires sorest need - "need" cannot be sore
To read more on literary terms, please visit: Literary terms
# Emily Dickinson's poems in translation/Spanish

I died for Beauty but was scarce
# Emily Dickinson's poems in translation/Polish/Rearrange a "Wife's" affection
## The poem - text

Rearrange a "Wife's" affection! When they dislocate my Brain! Amputate my freckled Bosom! Make me bearded like a man!
Blush, my spirit, in thy Fastness -- Blush, my unacknowledged clay -- Seven years of troth have taught thee More than Wifehood every may!
Love that never leaped its socket -- Trust entrenched in narrow pain -- Constancy thro' fire -- awarded -- Anguish -- bare of anodyne!
Burden -- borne so far triumphant -- None suspect me of the crown, For I wear the "Thorns" till Sunset -- Then -- my Diadem put on.
Big my Secret but it's bandaged -- It will never get away Till the Day its Weary Keeper Leads it through the Grave to thee.

## Translations

* ↑ http://www.inspirationalstories.com/poems/rearrange-a-wifes-affection-emily-dickinson-poems/
# Emily Dickinson's poems in translation/Polish/Success is Counted Sweetest/Analysis of the translations

The following analysis is based on Franklin Variorum Edition of 1998. The link to the text below:
Success is counted sweetest (112)
At first glance, we can see significant variations between the three versions. One aspect of these variations includes punctuation. In this respect Marjańska's rendition is the most faithful to the original. She uses full stops, dashes and exclamation marks only in the places where they appear in the original. She adds, however, many comas to comply with the rules of Polish grammar. Barańczak, in turn, floods his rendition with dashes whreas he spares full stops. In fact, there are only two full stops in the original text, and one full stop in Barańczak's version. The extensive use of dashes may be explained by the translator's attempt to be as concise as possible. Finally, Iłłakowiczówna seems not to follow the original punctuation at all, missing even the final exclamation mark. Barańczak was the only translator who focused on the capitalization of the original phrases such as "Host", "Flag" and "Victory".
As far as the images are concerned, it is Barańczak who uses the most powerful images. In his rendition of the second line of the first stanza, "By those who ne'er succeed" becomes "Tym - co ugięli kark" [ENG: By those - who broke their neck]. The imagery he uses is significantly more vivid, but also more violent. The same applies to "spieczone wargi" [ENG: parched lips] which is simply "sorest need" in the original.
Proceeding to the second stanza, we can see that an interesting variations occurs in the third and fourth line. "The definition of Victory" is rendered as "złoty lauru liść" [ENG: the gold laurel wreath] in Iłłakowiczówna's version, whreas Barańczak's "Definicja Zwycięstwa" is a faithful reproduction of the original idea.
The last stanza is even more intriguing from a translational point of view. Here the translators used a different procedures to create the same effect. The very first line of the third stanza reads "As he defeated - dying -". Marjańska and Iłłakowiczówna employed here a modulation procedure, as "defeated" in their renditions becomes "zwyciężony" [ENG: victorious]. They clearly rendered this line from a different point of view to that of the original.
# Emily Dickinson's poems in translation/Polish/I died for Beauty—but was scarce/Scansion of the original poem
## Scansion

x above the lines stands for stressed syllables.
X stands for no rhyme.
# Emily Dickinson's poems in translation/Spanish/I died for Beauty but was scarce

Translation by José M. Ramírez
Morí por la belleza, pero estaba
ajustada precariamente en la tumba,
vecina a la que ocupaba
otro que murió por la verdad.
Me preguntó suavemente por qué caí
“por la belleza”, contesté
“y yo por la verdad”, me dijo,
“las dos son una sola y nos hermanan”.
Así, como parientes nos encontramos una noche
hablamos de cuarto a cuarto,
hasta que el musgo alcanzó nuestros labios,
y cubrió nuestros nombres.
# Eml4500.f08/Contributing Members

Eml4500.f08.group.cady 01:33, 19 September 2008 (UTC)
Melisa Gaar Eml4500.f08.group.gaar 06:01, 19 September 2008 (UTC)
Eml4500.f08.group.setlak 18:03, 19 September 2008 (UTC)
Jeffrey Wright Eml4500.f08.group.w 20:07, 19 September 2008 (UTC)
# Emily Dickinson's poems in translation/Polish/Success is Counted Sweetest/Scansion

Listen carefully and check against the recording: A woman and a man reading
| Verse with rhythmic pattern | Type of metre | Rhyme pattern |
| Suc CESS | is COUNT | ed SWEET | est By THOSE | who NE'ER | suc CEED To COM | pre HEND | a NEC | tar Re QUI | res SO | rest NEED Not ONE | of ALL | the PUR | ple Host Who TOOK/ the FLAG/ toDAY Can TELL/ the DEFINI/ tion So CLEAR/ of VIC/ tory AS he/ DEFEAted/ Dying ON whose/ FOR bidden/ EAR The DIST/ ant STRAINS/ of TRI/ umph - Burst A/ goNIZED/ and CLE/ar | iambic tetrameter iambic trimeter iambic tetrameter iambic trimeter iambic tetrameter iambic trimeter iambic trimeter iambic trimeter trochaic trimeter trochaic trimeter iambic tetrameter iambic tetrameter | X A X A X B X B X C X C |

## Useful links

Types of feet:
* Iamb
* Trochee
Types of lines:
* Trimeter
* Tetrameter
Types of rhymes:
* Perfect rhyme
* Slant rhyme
For further reading:
* Metre in poetry
Source
* ↑ http://wayanswardhani.lecture.ub.ac.id/files/2013/06/Success-is-Counted-Sweetest-1.pdf
# Emily Dickinson's poems in translation/Polish/Success is Counted Sweetest/Analysis
## Analysis of the translations

The following analysis is based on Franklin Variorum Edition of 1998. The text below:
F112C - Success is counted sweetest
Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.
Not one of all the purple Host Who took the Flag today Can tell the definition
So clear of Victory
As he defeated - dying -
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!
At first glance, we can see significant variations between the three versions. One aspect of these variations includes punctuation. In this respect Marjańska's rendition is the most faithful to the original. She uses full stops, dashes and exclamation marks only in the places where they appear in the original. She adds, however, many comas to comply with the rules of Polish grammar. Barańczak, in turn, floods his rendition with dashes whreas he spares full stops. In fact, there are only two full stops in the original text, and one full stop in Barańczak's version. The extensive use of dashes may be explained by the translator's attempt to be as concise as possible. Finally, Iłłakowiczówna seems not to follow the original punctuation at all, missing even the final exclamation mark. Barańczak was the only translator who focused on the capitalization of the original phrases such as "Host", "Flag" and "Victory".
As far as the images are concerned, it is Barańczak who uses the most powerful images. In his rendition of the second line of the first stanza, "By those who ne'er succeed" becomes "Tym - co ugięli kark" [ENG: By those - who broke their neck]. The imagery he uses is significantly more vivid, but also more violent. The same applies to "spieczone wargi" [ENG: parched lips] which is simply "sorest need" in the original.
Proceeding to the second stanza, we can see that an interesting variations occurs in the third and fourth line. "The definition of Victory" is rendered as "złoty lauru liść" [ENG: the gold laurel wreath] in Iłłakowiczówna's version, whreas Barańczak's "Definicja Zwycięstwa" is a faithful reproduction of the original idea.
The last stanza is even more intriguing from a translational point of view. Here our translators used a different procedures to create the same effect. The very first line of the third stanza reads "As he defeated - dying -". Marjańska and Iłłakowiczówna employed here a modulation procedure, as "defeated" in their renditions becomes "zwyciężony" [ENG: victorious]. They clearly rendered this line from a different point of view to that of the original.
# DAZ Studio/Review

Filmmaking Software Review
Narrative Film Production:
Free Software for Filmmaking
DAZ Studio version 1 :
| DAZ Studio This is an interesting program. Even though parts of the program are extremely annoying, I recommend that you download and learn to use this program. This first version of the program is fully working but not necessarily perfectly. The version I downloaded still had some of the debugging features turned on. (version 1.4.16.0). Also, in this version, the human interface is occasionally extremely stupid. The program cannot remember the file name when you want to save a new version. This is a feature that even the simplist Macintosh programs offer. The good news is when you try to produce artwork using this program, most the features for doing this work very well. That much they did right. Latest download edition is now 1.7 (sept 07) and is an excellent program and easy to use. The history of DAZ Studio and Poser As best that I can figure, there is a breif history of Poser and DAZ. Poser was born. Poser and DAZ (formerly Zygote) meet and fell in love. Poser provided the software and Zygote provide the models. Poser and DAZ had a divorce, arguing over the direction they should go and the file format. DAZ created DAZ Studio to draw people away from Poser. DAZ became busy with other things and let DAZ Studio slide. Now Poser 7 seems to have jumped far ahead of DAZ Studio. DAZ needs to get serious about DAZ Studio. End of story. | Uses at WikiU Film School For 3D storyboards Movie poster creation Animation See also DAZ Studio Human figures Use with Bryce Animation 3D Models D-Former plugin DAZ Studio lighting Review Storyboard Digital puppets Other Wikiversity pages with information about DAZ Studio are listed in the navigation box, to the right. |

## Contact Your Instructor

* Your instructor for these courses is Robert Elliott. To email me, you simply Click Here.
# DITeLearning/Evaluation

Home | Learning Theories | Instructional Design | ePortfolio | Storyboard | Wiki Analysis | Communication Tools | Resources Analysis | Group Work | Teaching Philosophy | Accessibility | Evaluation | Glossary
* Introduction
* Attempts have been made to create a resource that is as user-friendly as possible through the use of clear navigational direction, links, colour combinations, graphics, etc.
* Evaluation of the resource will be carried out by our current peers on the MSc course.
* Access to an evaluation questionnaire will be placed on the home page of the wiki for their use.
* Additionally, a request for feedback from the general public through an email address is added to the homepage
* Questionnaire
* Was it easy to access this learning resource?
* Was it easy to navigate?
* If not, why?
* Did the presentation design facilitate learning?
* If not, why?
* Was the information useful?
* Does the resource meet your expectations?
* If not, why?
* Were there any accessibility issues for you?
* Any suggestions for improvement?
* Evaluation Tool
* We will use the TACCT tool to evaluate this elearning object. In a diagnostic evaluation of a elearning object, the analysis should determine what features are present and what features are missing from the design. The TACCT tool is a quick way of assessing a learning object, it is meant to provide some preliminary data to improve the design and determine the best direction to proceed; it is not intended to provide an in-depth evaluation
* The TACCT tool looks at the following areas of design:
* Technical
* Aesthetic
* Content
* Culture-based
* Target audience
* References
* Bowe, F.G. (2000). Universal Design in Education. CT: Bergin & Garvey.
* Botturi, L. and Stubbs, S. (2008). Languages for instructional design: theories and practices. New York: Hershey.
* Burgstahler, S. (2005). Universal Design of Instruction: Deﬁnition, Principles, and Examples: http://www.washington.edu/doit/Brochures/Academics/instruction.html.
* Chickering, A.W., & Gamson, Z.F. (1991). Seven Principles for Good Practice in Undergraduate Education: http://honolulu.hawaii.edu/intranet/committees/FacDevCom/guidebk/teachtip/7princip.htm.
* Horton. W (2006). E-Learning by Design. San Francisco, CA: Pfeiffer.
* Kearsley, G. (2000). Online Education. Learning and Teaching in Cyberspace. Belmont, CA: Wadsworth. Thomson Learning.
* Kolb, D. A. (2005). The Kolb learning style inventory—version 3.1: self scoring and interpretation booklet. Boston, MA: Hay Group Transforming Learning
* Scott, S., Shaw, S., & McGuire, J. (2001). Applying Universal Design to College Instruction. University of Connecticut: http://www.facultyware.uconn.edu/ﬁles/UDI_principles.pdf.
* �Vygotsky, L.S. (1962). Thought and Language. Cambridge, MA: MIT Press.
* Young, P. (2009). Instructional design frameworks and intercultural models. New York: Models Hershey.
# BCP/Lysimachia ciliata

Lysimachia ciliata
| Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Lysimachia ciliata (Fringed Loosestrife) Identifying Characteristics Recent Logs Jomegat 20:37, 10 July 2010 (UTC) Jomegat 19:45, 24 July 2010 (UTC) (view all logs) |
Global data: Temperate zone season(s): Early Summer, Mid Summer, Late Summer
Regional data: Southeastern Pennsylvania: (native) June, July New Hampshire: (native) July, August
Additional images:
# BCP/Lysimachia nummularia/Logs

This page contains recent bloom logs for Lysimachia nummularia (Creeping Jenny). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2008 Logs

* (no archived logs yet)

##### Recent Logs

* --SB_Johnny | 15:33, 9 June 2007 (UTC)
* --SB_Johnny | 09:52, 18 June 2007 (UTC)
* --SB_Johnny | 09:17, 30 June 2007 (UTC)
* --SB_Johnny | 10:49, 8 June 2008 (UTC)
* --SB_Johnny | 09:51, 2 July 2008 (UTC)
# BCP/Lycoris squamigera/Logs

This page contains recent bloom logs for the plant Lycoris squamigera (Resurrection Lily). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

##### Recent Logs

* SBJ 08:05, 25 August 2007 (UTC)

##### Archived Logs

(If there are more than 5 signatures under the recent logs heading, move the oldest logs to under this heading (generally leave the 3 most recent).
* (no archived logs yet)
# BCP/Lysimachia ciliata/Logs

This page contains recent bloom logs for Lysimachia ciliata (Fringed Loosestrife). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2008 Logs

* --SB_Johnny | 08:14, 29 June 2008 (UTC)
* --SB_Johnny | 09:01, 2 July 2008 (UTC)
* --SB_Johnny | 10:32, 14 July 2008 (UTC)
* Jomegat 13:56, 18 July 2008 (UTC)
* Jomegat 19:46, 26 July 2008 (UTC)
* Jomegat 21:59, 2 August 2008 (UTC)
* Jomegat 00:10, 10 August 2008 (UTC)
* Jomegat 01:16, 17 August 2008 (UTC)
* Jomegat 23:40, 23 August 2008 (UTC)

#### 2009 Logs

* Jomegat 23:48, 18 July 2009 (UTC)
* Jomegat 15:47, 26 July 2009 (UTC)
* Jomegat 03:50, 2 August 2009 (UTC)

##### Recent Logs

* Jomegat 20:37, 10 July 2010 (UTC)
* Jomegat 19:45, 24 July 2010 (UTC)
# BCP/Lysimachia nummularia

Lysimachia nummularia
| Flowering plant Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Lysimachia nummularia (Creeping Jenny) Identifying Characteristics Recent Logs --SB_Johnny | 15:33, 9 June 2007 (UTC) --SB_Johnny | 09:52, 18 June 2007 (UTC) --SB_Johnny | 09:17, 30 June 2007 (UTC) --SB_Johnny | 10:49, 8 June 2008 (UTC) --SB_Johnny | 09:51, 2 July 2008 (UTC) (view all logs) |
Global data: Temperate zone season(s): Early Summer, Mid Summer
Regional data: Southeastern Pennsylvania: (invasive or naturalized) June, July
Additional images:
# BCP/Lysimachia quadrifolia/Logs

This page contains recent bloom logs for Lysimachia quadrifolia (Whorled Loosestrife). If you saw this plant blooming today (or sometime within the last 3 days), you can help improve the bloom clock by logging it. Just click on "edit" next to the Recent Logs heading, add *~~~~ (an asterisk followed by four tildes) on a new line just below the last signature, and then click "save page". This will add your signature and the date to log the plant.
Please make sure you've signed up on the contributors' page so that we can know the location of the plant you saw blooming and use your contribution to create a flora for your region! When you're done, you can go back to one of the main pages and find logs of other flowers you might have seen today.

### Logs
#### 2007 Logs

* --Jomegat 01:10, 30 July 2007 (UTC)

#### 2008 Logs

* Jomegat 23:38, 15 June 2008 (UTC)
* Jomegat 21:27, 21 June 2008 (UTC)
* Jomegat 23:14, 1 July 2008 (UTC)
* Jomegat 18:23, 5 July 2008 (UTC)
* Jomegat 18:42, 12 July 2008 (UTC)
* Jomegat 13:03, 21 July 2008 (UTC)
* Jomegat 19:46, 26 July 2008 (UTC)

#### 2009 Logs

* Jomegat 14 June 2009 (from photos)
* Jomegat 21:48, 27 June 2009 (UTC)
* Jomegat 00:47, 15 July 2009 (UTC)
* Jomegat 23:39, 18 July 2009 (UTC)
* Jomegat 15:48, 26 July 2009 (UTC)
* Jomegat 03:50, 2 August 2009 (UTC)

##### Recent Logs

* Jomegat 23:48, 4 June 2010 (UTC)
# BCP/Lythrum salicaria

Lythrum salicaria
| Flowering plant Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Lythrum salicaria (Purple Loosestrife) Identifying Characteristics Habit:bushy herbaceous plantGrowing Conditions:Most frequent in wet soils, though also widely cultivated in gardensLife Cycle: perennial Recent Logs SBJ 11:10, 18 June 2008 (UTC) --SB_Johnny | 10:32, 14 July 2008 (UTC) Jomegat 13:17, 18 July 2008 (UTC) Jomegat 01:40, 31 July 2008 (UTC) (view all logs) |
Global data: Temperate zone season(s): Early Summer, Mid Summer, Late Summer, Early Fall
Regional data: Southeastern Pennsylvania: (invasive or naturalized) June, July, August, September New Hampshire: (invasive or naturalized) July, August
Additional images:
# BCP/Lysimachia terrestris

Lysimachia terrestris
| Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Lysimachia terrestris (Swamp Candles) Identifying Characteristics Habit:Herbaceous forbFlowers:Five yellow petals each with two red spots at their base. Flowers form in racemes.Foliage:Narrow and long leavesStem:ErectGrowing Conditions:Swamps, edges of ponds and lakesLife Cycle: PerennialSimilar Plants:Lysimachia quadrifolia with which it freely hybridizes Recent Logs Jomegat 19:49, 26 June 2010 (UTC) Jomegat 19:45, 24 July 2010 (UTC) (view all logs) |
Global data: Temperate zone season(s): Mid Summer, Late Summer
Regional data: New Hampshire: (native) June, July, August
Additional images:
# BCP/Lysimachia quadrifolia

Lysimachia quadrifolia
| Flowers and foliage Wikipedia • Commons • Wikibooks (horticulture) • Wikibooks (subject) • Wikispecies • Fruit and seed clock | Profile for Lysimachia quadrifolia (Whorled Loosestrife) Identifying Characteristics Habit:ErectFlowers:5 petals, yellow, about 12 mm across.Foliage:Lanceolate leaves are whorled about the stem in tiers. Margins are entire.Stem:Single stem grows up to a meter high.Growing Conditions:Open woods, thickets,Life Cycle: Perennial Recent Logs Jomegat 23:48, 4 June 2010 (UTC) (view all logs) |
Global data: Temperate zone season(s): Early Summer, Mid Summer, Late Summer
Regional data: New Hampshire: June, July, August
Additional images: