OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Anthropoid Apes

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​ANTHROPOID APES, or Manlike Apes, the name given to the family of the Simiidae, because, of all the ape-world, they most closely resemble man. This family includes four kinds, the gibbons of S.E. Asia, the orangs of Borneo and Sumatra, the gorillas of W. Equatorial Africa, and the chimpanzees of W. and Central Equatorial Africa. Each of these apes resembles man most in some one physical characteristic: the gibbons in the formation of the teeth, the orangs in the brain-structure, the gorillas in size, and the chimpanzees in the sigmoid flexure of the spine. In general structure they all closely resemble human beings, as in the absence of tails; in their semi-erect position (resting on finger-tips or knuckles); in the shape of vertebral column, sternum and pelvis; in the adaptation of the arms for turning the palm uppermost at will; in the possession of a long vermiform appendix to the short caecum of the intestine; in the size of the cerebral hemispheres and the complexity of their convolutions. They differ in certain respects, as in the proportion of the limbs, in the bony development of the eyebrow ridges, and in the opposable great toe, which fits the foot to be a climbing and grasping organ.
Man differs from them in the absence of a hairy coat; in the development of a large lobule to the external ear; in his fully erect attitude; in his flattened foot with the non-opposable great toe; in the straight limb-bones; in the wider pelvis; in the marked sigmoid flexure of his spine; in the perfection of the muscular movements of the arm; in the delicacy of hand; in the smallness of the canine teeth and other dental peculiarities; in the development of a chin; and in the small size of his jaws compared to the relatively great size of the cranium. Together with man and the baboons, the anthropoid apes form the group known to science as Catarhini, those, that is, possessing a narrow nasal septum, and are thus easily distinguishable from the flat-nosed monkeys or Platyrhini. The anthropoid apes are arboreal and confined to the Old World. They are of special interest from the important place assigned to them in the arguments of Darwin and the Evolutionists. It is generally admitted now that no fundamental anatomical difference can be proved to exist between these higher apes and man, but it is equally agreed that none probably of the Simiidae is in the direct line of human ancestry. There is a great gap to be bridged between the highest anthropoid and the lowest man, and much importance has been attached to the discovery of an extinct primate, Pithecanthropus (q.v.), which has been regarded as the “missing link.”
See Huxley’s Man’s Place in Nature (1863); Robt. Hartmann’s Anthropoid Apes (1883; London, 1885); A. H. Keane’s Ethnology (1896); Darwin’s Descent of Man (1871; pop. ed., 1901); Haeckel’s Anthropogeny (Leipzig, 1874, 1903; Paris, 1877; Eng. ed., 1883); W. H. Flower and Rich. Lydekker, Mammals Living and Extinct (London, 1891).
# 1911 Encyclopædia Britannica/Bourne (town)

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​BOURNE, or Bourn, a market town in the S. Kesteven or Stamford parliamentary division of Lincolnshire, England; lying in a fenny district 95 m. N. by W. from London. Pop. of urban district (1901) 4361. The Stamford-Sleaford branch of the Great Northern railway here crosses the Saxby-Lynn joint line of the Great Northern and Midland companies. The church of St Peter and St Paul is Norman and Early English with later insertions; it is part of a monastic church belonging to a foundation of Augustinian canons of 1138, of which the other buildings have almost wholly disappeared. Trade is principally agricultural. Bourne is famous through its connexion with the ardent opponent of William the Conqueror, Hereward the Wake. Of his castle very slight traces remain. Bourne was also the birthplace of the Elizabethan statesman Cecil, Lord Burghley. The Red Hall, which now forms part of the railway station buildings, belonged to the family of Digby, of whom Sir Everard Digby was executed in 1606 for his connexion with the Gunpowder Plot.
# 1911 Encyclopædia Britannica/Bournonite

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​BOURNONITE, a mineral species, a sulphantimonite of lead and copper with the formula PbCuSbS$_3$. It is of some interest on account of the twinning and the beautiful development of its crystals. It was first mentioned by Philip Rashleigh in 1797 as “an ore of antimony,” and was more completely described by the comte de Bournon in 1804, after whom it was named: the name given by Bournon himself (in 1813) was endellione, since used in the form endellionite, after the locality in Cornwall where the mineral was first found. The crystals are orthorhombic, and are generally tabular in habit owing to the predominance of the basal pinacoid (c); numerous smooth bright faces are often developed on the edges and corners of the crystals. An un-twinned crystal is represented in fig. 1. Usually, however, the crystals are twinned, the twin-plane being a face of the prism (m); the angle between the faces of this prism being nearly a right angle (86° 20′), the twinning gives rise to cruciform groups (fig. 2), and when it is often repeated the group has the appearance of a cog-wheel, hence the name Rädelerz (wheel-ore) of the Kapnik miners. The repeated twinning gives rise to twin-lamellae, which may be detected on the fractured surfaces, even of the massive material. The mineral is opaque, and has a brilliant metallic lustre with a lead-grey colour. The hardness is 21/2, and the specific gravity 5.8.
At the original locality, Wheal Boys in the parish of Endellion in Cornwall, it was found associated with jamesonite, blende and chalybite. Later, still better crystals were found in another Cornish mine, namely, Herodsfoot mine near Liskeard, which was worked for argentiferous galena. Fine crystals of large size have been found with quartz and chalybite in the mines at Neudorf in the Harz, and with blende and tetrahedrite at Kapnik-Bánya near Nagy-Bánya in Hungary. A few other localities are known for this mineral. (L. J. S.)
# 1911 Encyclopædia Britannica/Bourne (stream)

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​BOURNE (southern form of burn, Teutonic born, brun, burna), an intermittent stream frequent in chalk and limestone country where the rock becomes saturated with winter rain, that slowly drains away until the rock becomes dry, when the stream ceases. A heavy rainfall will cause streams to run in winter from the saturated soil. These are the winter bournes that have given name to several settlements upon Salisbury Plain, such as ​Winterbourne Gunning. The “bourne” may also be a permanent “burn,” but the word is usually applied to an intermittent stream. (2) (From the Fr. borne), a boundary; the first use of the word in English is in Lord Ferrers’ translation of Forrest, 1523; the figurative meaning of limit, end or final destination comes from Shakespeare’s Hamlet, “the undiscovered country, from whose bourne no traveller returns.”
# 1911 Encyclopædia Britannica/Boursault, Edme

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​BOURSAULT, EDME (1638–1701), French dramatist and miscellaneous writer, was born at Mussy l’Évêque, now Mussy-sur-Seine (Aube), in October 1638. On his first arrival in Paris in 1651 his language was limited to a Burgundian patois, but within a year he produced his first comedy, Le Mort vivant. This and some other pieces of small merit secured for him distinguished patronage in the society ridiculed by Molière in the École des femmes. Boursault was persuaded that the “Lysidas” of that play was a caricature of himself, and attacked Molière in Le Portrait du peintre ou la contre-critique de l’École des femmes (1663). Molière retaliated in L’Impromptu de Versailles, and Boileau attacked Boursault in Satires 7 and 9. Boursault replied to Boileau in his Satire des satires (1669), but was afterwards reconciled with him, when Boileau on his side erased his name from his satires. Boursault obtained a considerable pension as editor of a rhyming gazette, which was, however, suppressed for ridiculing a Capuchin friar, and the editor was only saved from the Bastille by the interposition of Condé. In 1671 he produced a work of edification in Ad usum Delphini: la véritable étude des souverains, which so pleased the court that its author was about to be made assistant tutor to the dauphin when it was found that he was ignorant of Greek and Latin, and the post was given to Pierre Huet. Perhaps in compensation Boursault was made collector of taxes at Mont-luçon about 1672, an appointment that he retained until 1688. Among his best-known plays are Le Mercure galant, the title of which was changed to La Comédie sans titre (1683); La Princesse de Clèves (1676), an unsuccessful play which, when refurbished with fresh names by its author, succeeded as Germanicus; Ésope à la ville (1690); and Ésope à la cour (1701). His lack of dramatic instinct could hardly be better indicated than by the scheme of his Ésope, which allows the fabulist to come on the stage in each scene and recite a fable. Boursault died in Paris on the 15th of September 1701.
The Œuvres choisies of Boursault were published in 1811, and a sketch of him is to be found in M. Saint-René Taillandier’s Études littéraires (1881).
# 1911 Encyclopædia Britannica/Boursse, Esaias

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​BOURSSE, ESAIAS (1630–1673), Dutch painter, was born in Amsterdam. He was a follower of Pieter de Hooch, in whose manner he worked for many years in his native town; then he took service with the Dutch East India Company, and died on a sea voyage. His paintings are exceedingly rare, perhaps because, in spite of their greater freedom and breadth, many of them pass under the names of Vermeer of Delft and Pieter de Hooch. Two of the paintings ascribed to the latter (one bears the false signature) at the Ryks museum in Amsterdam, are now recognized as being the work of Boursse. His subjects are interiors with figures, painted with great precision and with exquisite quality of colour. The Wallace collection has his masterpiece, an interior with a woman and a child in a cradle, almost as brilliant as on the day it was painted, and reflecting something of the feeling of Rembrandt, by whom he was influenced. Other important examples are at the Ryks museum and at Aix-la-Chapelle. Boursse’s “Boy blowing Soap Bubbles,” in the Berlin museum, was until lately attributed to Vermeer of Delft. More than one picture bearing the false signature of Boursse have been publicly shown of late years.
# 1911 Encyclopædia Britannica/Bournemouth

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​BOURNEMOUTH, a municipal and county borough and watering-place of Hampshire, England, in the parliamentary borough of Christchurch, 1071/2 m. S.W. by W. from London by the London & South-Western railway. Pop. (1901) 59,762. It is beautifully situated on Poole Bay. Considerable sandstone cliffs rise from the sandy beach, and are scored with deep picturesque dells or chines. The town itself lies in and about the valley of the Bourne stream. Its sheltered situation and desirable winter climate began to attract notice about 1840; in 1855 a national sanatorium for consumptive patients was erected by subscription; a pier was opened in 1861, and in 1870 railway communication was afforded. The climate is remarkably equable, being relatively warm in winter and cool in summer; the average temperature in July is 61.7° F., and in January 40.3°. The town contains numerous handsome buildings, including municipal buildings, churches, various places of entertainment, sanatoria and hospitals, a public library and a science and art school. Its suburbs have greatly extended along the sea front, and the beautiful chines of Boscombe, Alum and Branksome have attracted a large number of wealthy residents. There are piers at the town itself and at Boscombe, and the bathing is excellent. The parks, gardens and drives are extensive and pleasant. A service of electric tramways is maintained, notable as being the first system installed in England with a combination of the trolley and conduit principles of supplying current. There are golf links in Meyrick and Queen’s parks, both laid out by the corporation, which has in other ways studied the entertainment of visitors. The two railway stations are the Central and West, and through communications with the north are maintained by the Somerset & Dorset and Midland, and the Great Western and Great Central railways. The town, which is of wholly modern and remarkably rapid growth (for in the middle of the 19th century the population was less than 1000), was incorporated in 1890, and became a county borough in 1900. The corporation consists of a mayor, 11 aldermen and 33 councillors. Area, 5769 acres.
# 1911 Encyclopædia Britannica/Bourrit, Marc Théodore

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​BOURRIT, MARC THÉODORE (1739–1819), Swiss traveller and writer, came of a family which was of French origin but had taken refuge at Geneva for reasons connected with religion. His father was a watchmaker there, and he himself was educated in his native city. He was a good artist and etcher, and also a pastor, so that by reason of his fine voice and love of music he was made (1768) precentor of the church of St Peter (the former cathedral) at Geneva. This post enabled him to devote himself to the exploration of the Alps, for which he had conceived a great passion ever since an ascent (1761) of the Voirons, near Geneva. In 1775 he made the first ascent of the Buet (10,201 ft.) by the now usual route from the Pierre à Bérard, on which the great flat rock known as the Table au Chantre still preserves his memory. In 1784–1785 he was the first traveller to attempt the ascent of Mont Blanc (not conquered till 1786), but neither then nor later (1788) did he succeed in reaching its summit. On the other hand he reopened (1787) the route over the Col du Géant (11,060 ft.), which had fallen into oblivion, and travelled also among the mountains of the Valais, of the Bernese Oberland, &c. He received a pension from Louis XVI., and was named the historiographe des Alpes by the emperor Joseph II., who visited him at Geneva. His last visit to Chamonix was in 1812. His writings are composed in a naïve, sentimental and rather pompous style, but breathe throughout a most passionate love for the Alps, as wonders of nature, and not as objects of scientific study. His chief works are the Description des glacières de Savoye, 1773 (English translation, Norwich, 1775–1776), the Description des Alpes pennines et rhétiennes (2 vols., 1781) (reprinted in 1783 under the title of Nouvelle Description des vallées de glace, and in 1785, with additions, in 3 vols., under the name of Nouvelle Description des glacières), and the Descriptions des cols ou passages des Alpes, (2 vols., 1803), while his Itinéraire de Genève, Lausanne et Chamouni, first published in 1791, went through several editions in his lifetime. (W. A. B. C.)
# 1911 Encyclopædia Britannica/Bourrée

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​BOURRÉE, a French name for a dance common in Auvergne and in Biscay in Spain; also a term for a musical composition or a dance-movement in a suite, somewhat akin to the gavotte, in quick time with two beats to the bar.
# 1911 Encyclopædia Britannica/Bourse

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​BOURSE (from the Med. Lat. bursa, a purse), the French equivalent of the Stock Exchange, and so used of the Paris Exchange, or of any foreign money-market. The English form “burse,” as in Sir Thomas Gresham’s building, which was known as “Britain’s Burse,” went out of use in the 18th century. The origin of the name is doubtful; it is not derived from any connexion between purse and money, but rather from the use of a purse as a sign. At Bruges a house belonging to the family de Bursa is said to have been first used as an Exchange, and to have had three purses as a sign on the front.
# 1911 Encyclopædia Britannica/Bakalai

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​BAKALAI (Bakalé, Bangouens), a Bantu negroid tribe inhabiting a wide tract of French Congo between the river Ogowé and 2° S. They appear to be immigrants from the south-east, and have been supposed to be connected racially with the Galoa, one of the Mpongwe tribes and the chief river-people of the Ogowé. The Bakalai have suffered much from the incursions of their neighbours the Fang, also arrivals from the south-east, and it may be that they migrated to their present abode under pressure from this people at an earlier date. They are keen hunters and were traders in slaves and rubber; the slave traffic has been prohibited by the French authorities. Their women display considerable ingenuity in dressing their hair, often taking a whole day to arrange a coiffure; the hair is built up on a substructure of clay and a good deal of false hair incorporated; a coat of red, green or yellow pigment often completes the effect. The same colours are used to decorate the hut doors. The villages, some of which are fortified with palisades, are usually very dirty; chiefs and rich men own plantations which are situated at some distance from the village and to which their womenfolk are sent in times of war. The Bakalai of Lake Isanga cremate their dead; those of the Upper Ogowé throw the bodies into the river, with the exception of those killed in war. The body of a chief is placed secretly in a hut erected in the depths of the forest, and the village is deserted for that night, in some cases altogether; the slaves of the deceased are (or were) sacrificed, and his wives scourged and secluded in huts for a week. “Natural” deaths are attributed to the machinations of a sorcerer, and the poison-ordeal is often practised. Of their social organization little is known, but it appears that nearly all individuals refrain from eating the flesh of some particular animal.
# 1911 Encyclopædia Britannica/Baker, Thomas

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​BAKER, THOMAS (1656–1740), English antiquary, was born on the 14th of September 1656 at Lanchester, Durham. He was the grandson of Colonel Baker of Crook, Durham, who won fame in the civil war by his defence of Newcastle against the Scots. He was educated at the free school at Durham, and proceeded thence in 1672 to St John’s College, Cambridge, where he afterwards obtained a fellowship. Lord Crew, bishop of Durham, collated him to the rectory of Long-Newton in his diocese in 1687, and intended to give him that of Sedgefield with a prebend had not Baker incurred his displeasure by refusing to read James II.’s Declaration of Indulgence. The bishop who disgraced him for this refusal, and who was afterwards specially excepted from William’s Act of Indemnity, took the oaths to that king and kept his bishopric till his death. Baker, on the other hand, though he had opposed James, refused to take the oaths to William; he resigned Long-Newton on the 1st of August 1690, and retired to St John’s, in which he was protected till the 20th of January 1716–1717, when he and one-and-twenty others were deprived of their fellowships. After the passing of the Registering Act in 1723, he could not be prevailed on to comply with its requirements by registering his annuity of £40, although that annuity, left him by his father, with £20 per annum from his elder brother’s collieries, was now his whole subsistence. He retained a lively sense of the injuries he had suffered; and inscribed himself in all his own books, as well as in those which he gave to the college library, socius ejectus, and in some rector ejectus. He continued to reside in the college as commoner-master till his sudden death from apoplexy on the 2nd of July 1740. The whole of his valuable books and manuscripts he bequeathed to the university. The only works he published were, Reflections on Learning, showing the Insufficiency thereof in its several particulars, in order to evince the usefulness and necessity of Revelation (Lond., 1709–1710) and the preface to Bishop Fisher’s Funeral Sermon for Margaret, Countess of Richmond and Derby (1708)—both without his name. His valuable manuscript collections relative to the history and antiquities of the university of Cambridge, amounting to thirty-nine volumes in folio and three in quarto, are divided between the British Museum and the public library at Cambridge,—the former possessing twenty-three volumes, the latter sixteen in folio and three in quarto.
The life of Baker was written by Robert Masters (Camb., 1784), and by Horace Walpole in the quarto edition of his works.
# 1911 Encyclopædia Britannica/Bajza, Joseph

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​BAJZA, JOSEPH (1804–1858), Hungarian poet and critic, was born at Szücsi in 1804. His earliest contributions were made to Kisfaludy’s Aurora, a literary paper of which he was editor from 1830 to 1837. He also wrote largely in the Kritische Blätter, the Athenaeum, and the Figyelmezö or Observer. His criticisms on dramatic art were considered the best of these miscellaneous writings. In 1830 he published translations of some foreign dramas, Ausländische Bühna, and in 1835 a collection of his own poems. In 1837 he was made director of the newly established national theatre at Pest. He then, for some years, devoted himself to historical writing, and published in succession the Historical Library (Törtereti Könyvtár), 6 vols., 1843–1845; the Modern Plutarch (Uj Plutarch), 1845–1847; and the Universal History (Világtörétet), 1847. These works are to some extent translations from German authors. In 1847 Bajza edited the journal of the opposition, Ellenör, at Leipzig, and in March 1848 Kossuth made him editor of his paper, Kossuth Hirlapja. In 1850 he was attacked with brain disease and died in 1858.
# 1911 Encyclopædia Britannica/Bake, Jan

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​BAKE, JAN (1787–1864), Dutch philologist and critic, was born at Leiden on the 1st of September 1787, and from 1817 to 1854 he was professor of Greek and Roman literature at the university. He died on the 26th of March 1864. His principal works are:—Posidonii Rhodii Reliquiae Doctrinae (1810); Cleomedis Circularis Doctrina de Sublimitate (1820); Bibliotheca ​Critica Nova (1825–1831) and Scholica Hypomnemata (1837–1862), a collection of essays dealing mainly with Cicero and the Attic orators; Cicero, De Legibus (1842) and De Oratore (1863); the Rhetorica of Apsines and Longinus (1849).
His biography was written (in Dutch) by his pupil Bakhuizen van der Brink (1865); for an appreciation of his services to classical literature see L. Müller, Geschichte der klassischen Philologie in den Niederlanden (1869).