OpenLLM-France/wikimedia huggingface dataset:
# Flint and Feather (1914)/Part 1/Under Canvas

UNDER CANVAS
IN MUSKOKA
Lichens of green and grey on every side; And green and grey the rocks beneath our feet; Above our heads the canvas stretching wide; And over all, enchantment rare and sweet.
Fair Rosseau slumbers in an atmosphere That kisses her to passionless soft dreams. O! joy of living we have found thee here, And life lacks nothing, so complete it seems.
The velvet air, stirred by some elfin wings, Comes swinging up the waters and then stills Its voice so low that floating by it sings Like distant harps among the distant hills.
Across the lake the rugged islands lie, Fir-crowned and grim; and further in the view Some shadows seeming swung 'twixt cloud and sky, Are countless shores, a symphony of blue.
Some northern sorceress, when day is done, Hovers where cliffs uplift their gaunt grey steeps, Bewitching to vermilion Rosseau's sun, That in a liquid mass of rubies sleeps.
The scent of burning leaves, the camp-fire's blaze, The great logs cracking in the brilliant flame, The groups grotesque, on which the firelight plays, Are pictures which Muskoka twilights frame.
And Night, star-crested, wanders up the mere With opiates for idleness to quaff, And while she ministers, far off I hear The owl's uncanny cry, the wild loon's laugh.
# Flint and Feather (1914)/Part 1/The Flight of the Crows

THE FLIGHT OF THE CROWS
The autumn afternoon is dying o'er The quiet western valley where I lie Beneath the maples on the river shore, Where tinted leaves, blue waters and fair sky Environ all; and far above some birds are flying by
To seek their evening haven in the breast And calm embrace of silence, while they sing Te Deums to the night, invoking rest For busy chirping voice and tired wing— And in the hush of sleeping trees their sleeping cradles swing.
In forest arms the night will soonest creep, Where sombre pines a lullaby intone, Where Nature's children curl themselves to sleep, And all is still at last, save where alone A band of black, belated crows arrive from lands unknown.
Strange sojourn has been theirs since waking day, Strange sights and cities in their wanderings blend With fields of yellow maize, and leagues away With rivers where their sweeping waters wend Past velvet banks to rocky shores, in cañons bold to end.
O'er what vast lakes that stretch superbly dead, Till lashed to life by storm-clouds, have they flown? In what wild lands, in laggard flight have led Their aërial career unseen, unknown, 'Till now with twilight come their cries in lonely monotone?
The flapping of their pinions in the air Dies in the hush of distance, while they light Within the fir tops, weirdly black and bare, That stand with giant strength and peerless height, To shelter fairy, bird and beast throughout the closing night.
Strange black and princely pirates of the skies, Would that your wind-tossed travels I could know! Would that my soul could see, and, seeing, rise To unrestricted life where ebb and flow Of Nature's pulse would constitute a wider life below!
Could I but live just here in Freedom's arms, A kingly life without a sovereign's care! Vain dreams! Day hides with closing wings her charms, And all is cradled in repose, save where Yon band of black, belated crows still frets the evening air.
# Flint and Feather (1914)/Part 1/Wave-Won

WAVE-WON
To-night I hunger so, Belovéd one, to know If you recall and crave again the dream That haunted our canoe, And wove its witchcraft through Our hearts as 'neath the northern night we sailed the northern stream.
Ah! dear, if only we As yesternight could be Afloat within that light and lonely shell, To drift in silence till Heart-hushed, and lulled and still The moonlight through the melting air flung forth its fatal spell.
The dusky summer night, The path of gold and white The moon had cast across the river's breast, The shores in shadows clad, The far-away, half-sad Sweet singing of the whip-poor-will, all soothed our souls to rest.
You trusted I could feel My arm as strong as steel, So still your upturned face, so calm your breath, While circling eddies curled, While laughing rapids whirled From boulder unto boulder, till they dashed themselves to death.
Your splendid eyes aflame Put heaven's stars to shame, Your god-like head so near my lap was laid— My hand is burning where It touched your wind-blown hair, As sweeping to the rapids verge, I changed my paddle blade.
The boat obeyed my hand, Till wearied with its grand Wild anger, all the river lay aswoon, And as my paddle dipped, Thro' pools of pearl it slipped And swept beneath a shore of shade, beneath a velvet moon.
To-night, again dream you Our spirit-winged canoe Is listening to the rapids purling past? Where, in delirium reeled Our maddened hearts that kneeled To idolize the perfect world, to taste of love at last.
# Flint and Feather (1914)/Part 1/The Pilot of the Plains

THE PILOT OF THE PLAINS
"False," they said, "thy Pale-face lover, from the land of waking morn; Rise and wed thy Redskin wooer, nobler warrior ne'er was born; Cease thy watching, cease thy dreaming, Show the white thine Indian scorn."
Thus they taunted her, declaring, "He remembers naught of thee: Likely some white maid he wooeth, far beyond the inland sea." But she answered ever kindly, "He will come again to me,"
Till the dusk of Indian summer crept athwart the western skies; But a deeper dusk was burning in her dark and dreaming eyes, As she scanned the rolling prairie, Where the foothills fall, and rise.
Till the autumn came and vanished, till the season of the rains, Till the western world lay fettered in midwinter's crystal chains, Still she listened for his coming, Still she watched the distant plains.
Then a night with nor'land tempest, nor'land snows a-swirling fast, Out upon the pathless prairie came the Pale-face through the blast, Calling, calling, "Yakonwita, I am coming, love, at last."
Hovered night above, about him, dark its wings and cold and dread; Never unto trail or tepee were his straying footsteps led; Till benumbed, he sank, and pillowed On the drifting snows his head,
Saying, "O! my Yakonwita call me, call me, be my guide To the lodge beyond the prairie—for I vowed ere winter died I would come again, beloved; I would claim my Indian bride."
"Yakonwita, Yakonwita!" Oh, the dreariness that strains Through the voice that calling, quivers, till a whisper but remains, "Yakonwita, Yakonwita, I am lost upon the plains."
But the Silent Spirit hushed him, lulled him as he cried anew, "Save me, save me! O! beloved, I am Pale but I am true. Yakonwita, Yakonwita, I am dying, love, for you."
Leagues afar, across the prairie, she had risen from her bed, Roused her kinsmen from their slumber: "He has come to-night," she said. "I can hear him calling, calling; But his voice is as the dead.
"Listen!" and they sate all silent, while the tempest louder grew, And a spirit-voice called faintly, "I am dying, love, for you." Then they wailed, "O! Yakonwita. He was Pale, but he was true."
Wrapped she then her ermine round her, stepped without the tepee door, Saying, "I must follow, follow, though he call for evermore, Yakonwita, Yakonwita;" And they never saw her more.
Late at night, say Indian hunters, when the starlight clouds or wanes, Far away they see a maiden, misty as the autumn rains, Guiding with her lamp of moonlight Hunters lost upon the plains.
# Felicia Hemans in The New Monthly Magazine Volume 42 1834/Reading "Paul and Virginia" in Childhood

The New Monthly Magazine, Volume 42, Page 17
XIII. Reading "Paul and Virginia" in Childhood.
O gentle story of the Indian Isle!
 I loved thee in my lonely childhood well,
On the sea-shore, when day's last purple smile
 Slept on the waters, and their hollow swell
 And dying cadence lent a deeper spell
Unto thine ocean-pictures. 'Midst thy palms,
 And strange bright birds, my fancy joyed to dwell,
And watch the Southern Cross through midnight calms,
And track the spicy woods. Yet more I blessed
 Thy vision of sweet love, kind, trustful, true,
Lighting the citron groves—a heavenly guest—
 With such pure smiles as Paradise once knew.
Even then my young heart wept o'er this world's power
To reach and blight that holiest Eden flower.
# Felicia Hemans in The New Monthly Magazine Volume 42 1834/Thoughts Connected with Trees

The New Monthly Magazine, Volume 42, Page 16
XI. Thoughts connected with Trees.
Trees, gracious trees! how rich a gift ye are,
 Crown of the earth! to human hearts and eyes!
How doth the thought of home, in lands afar,
 Linked with your forms and kindly whisperings rise?
 How the whole picture of a childhood lies
Oft 'midst your boughs forgotten, buried deep,
 Till gazing through them up the summer skies,
As hushed we stand, a breeze perchance may creep,
 And old sweet leaf-sounds reach the inner world
 Where memory coils; and lo! at once unfurled
The past, a glowing scroll, before our sight
 Spreads clear! while gushing from their long-sealed urn
 Young thoughts, pure dreams, undoubting prayers return,
And a lost mother's eye gives back its hope light.
# Felicia Hemans in The New Monthly Magazine Volume 42 1834/To an Aged Friend

The New Monthly Magazine, Volume 42, Page 18
XVII. To an Aged Friend.
Not long thy voice amongst us may be heard,
 Servant of God! thy day is almost done;
The charm now lingering in thy look and word
 Is that which hangs about the setting sun,
 That which the meekness of decay hath won
Still from revering love.—Yet doth the sense
Of Life immortal—progress but begun—
Pervade thy mien with such clear eloquence,
That hope, not sadness breathes from thy decline;
 And the loved flowers which round thee smile farewell
 Of more than vernal glory seem to tell,
By thy pure spirit touched with light divine;
 While we, to whom its parting gleams are given,
 Forget the grave in trustful thoughts of Heaven.
# Felicia Hemans in The New Monthly Magazine Volume 43 1835/Thoughts During Sickness IV. Remembrances of Nature

The New Monthly Magazine, Volume 43, Page 329
IV. Remembrances of Nature.
O Nature! thou didst rear me for thine own,
With thy free singing birds and mountain brooks,
Feeding my thoughts in primrose-haunted nooks
With fairy phantasies and wood-dreams lone.
And thou didst teach me every wandering tone
Drawn, from the many whispering trees and waves,
And guide my step to founts and starry caves,
And where bright mosses wove thee a rich throne
'Midst the green hills: and now that, far estranged
From all sweet sounds and odours of thy breath,
Fading I lie, within my heart unchanged
So glows the love of thee, that not for death
Seems that pure passion's fervor—but ordain'd
# Felicia Hemans in The New Monthly Magazine Volume 42 1834/The Same

The Same = Thoughts Connected with Trees
The New Monthly Magazine, Volume 42, Page 17
XII. The Same
And ye are strong to shelter! all meek things,
 All that need home and covert, love your shade:
Birds of shy song, and low-voiced quiet springs,
 And stealthy violets, by the winds betrayed.
 Childhood beneath your fresh green tents hath played
With his first primrose-wealth; there Love hath sought
A veiling gloom for his unuttered thought,
 And silent grief, of day's keen glance afraid,
A refuge for his tears; and oft-times there
Hath lone devotion found a place of prayer,
 A native temple, solemn, hushed, and dim;
For wheresoe'er your murmuring tremors thrill
The woody twilight, there man's heart hath still
 Confessed a spirit's breath, and heard a ceaseless hymn.
# Felicia Hemans in The New Monthly Magazine Volume 43 1835/Thoughts During Sickness II. Sickness Like Night

The New Monthly Magazine, Volume 43, Page 329
II. Sickness like Night.
Thou art like night, O sickness! deeply stilling
Within my heart the world's disturbing sound,
And the dim quiet of my chamber filling
With low, sweet voices, by life's tumult drown'd.
Thou art like awful night!—thou gatherest round
The things that are unseen,—though close they lie,—
And with a truth, clear, startling, and profound,
Giv'st their dread presence to our mortal eye.
Thou art like starry, spiritual night!
High and immortal thoughts attend thy way,
And revelations, which the common light
Brings not, though wakening with its rosy ray
All outward life:—be welcome, then, thy rod,
# Felicia Hemans in The New Monthly Magazine Volume 43 1835/Thoughts During Sickness III. On Retzch's Design of the Angel of Death

The New Monthly Magazine, Volume 43, Page 329
III. On Retzch's Design of the Angel of Death.*
Well might thine awful image thus arise,
With that high calm upon thy regal brow,
And the deep solemn sweetness in those eyes,
Unto the glorious Artist!—Who but thou
The fleeting forms of beauty can endow
For Him with permanence?—Who make those gleams
Of brighter life that colour his lone dreams
Immortal things? Let others trembling bow,
Angel of Death, before thee!—not to those
Whose spirits with eternal Truth repose
Art thou a fearful shape! And oh for me
How full of welcome would thine aspect shine,
Did not the cords of strong affection twine
# Felicia Hemans in The New Monthly Magazine Volume 43 1835/Thoughts During Sickness I. Intellectual Powers

The New Monthly Magazine, Volume 43, Page 328
THOUGHTS DURING SICKNESS.
BY MRS. HEMANS.
I. Intellectual Powers.
O Thought! O Memory! gems for ever heaping
High in the illumined chambers of the mind;
And thou, divine Imagination! keeping
Thy lamp's lone star mid shadowy hosts enshrined;
How, in one moment, rent and disentwined
At fever's fiery touch apart they fall.
Your glorious combinations!—broken all.
As the sand-pillars by the desert's wind
Scattered to whirling dust!—O soon uncrown'd!
Well may your parting swift, your strange return,
Subdue the soul to lowliness profound,
Guiding its chastened vision to discern
How by meek faith heaven's portals must be past
# Felicia Hemans in The New Monthly Magazine Volume 43 1835

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
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Felicia Hemans in The New Monthly Magazine Volume 43 1835
Compiled By Peter J. Bolton
Contents
| | | | Page |
| Thoughts During Sickness | I | Intellectual Powers | 328 |
| | II | Sickness Like Night | 329 |
| | III | On Retzch's Design of the Angel of Death | 329 |
| | IV | Remembrances of Nature | 329 |
| | V | Flight of the Spirit | 330 |
| | VI | Flowers | 330 |
| | VII | The Recovery | 330 |
# Felicia Hemans in The New Monthly Magazine Volume 43 1835/Thoughts During Sickness V. Flight of the Spirit

The New Monthly Magazine, Volume 43, Page 330
V. Flight of the Spirit.
Whither, oh! whither wilt thou wing thy way?
What solemn region first upon thy sight
Shall break, unveil'd for terror or delight?
What hosts, magnificent in dread array?
My spirit! where thy prison-house of clay
After long strife is rent?—Fond, fruitless quest!
The unfledged bird, within his narrow nest,
Sees but a few green branches o'er him play,
And thro' their parting leaves, by fits reveal'd,
A glimpse of summer sky: nor knows the field
Wherein his dormant powers must yet be tried:—
Thou art that bird! of what beyond thee lies
Far in th' untrack'd, immeasurable skies
# First Lessons in the Tie-chiw Dialect/Diseases
## DISEASES &c.
### Blind

    瞽目
       Chey mey

### Deaf

    耳聾
       Hi lang

### Maimed

    破相
       Poa sie

### Dumb

    瘂
       Ey̆

### Squinting

    邪鳥目
       Sia chiou măk

### Stammering

    大舌
       Toa chĭ

### Foolish

    顚
       Siow

### Cough

    咳𠻳
       Ka saou

### Sneeze

    嚏
       Pă ka ti

### Faint

    虛眩
       Hur hin

### Palsy

    遍遂
       Kuan pien

### Leprosy

    痳瘋
       Tai kaw

### Fever

    發熱
       Huăt juă

### Intermittent

    發寒
       Huăt kua

### Cold

    鼻嚏
       Chek chui

### Head ache

    頭殻痛
       Taou kăk tia

### Asthma

    嘎
       Hey

### Sigh

    偷氣
       Taou kui

### Yawn

    叱噓
       Huă hi

### He is blind & cannot see

    伊瞽目看不見
       I chey mey toi mʼki

### I am a little hard of hearing

    我耳聾些須
       Ua hi lang sey su

### The stammerer does not finish his sentence

    大舌講不到句
       Toa chĕ kong mʼkaou ku

### The mind of the foolish is unstable

    顚人心神無定
       Siow nang sim sin baw tia

### How long have you had a cough

    爾咳𠻳有若久
       Lur ka saou u jiĕ ku

### He has a number of boils

    伊生幾粒瘣
       I sey kui liep tue

### Has your child had the small pox

    爾箇子出痘未
       Lur kai kia chut chu boe

### Do you understand inoculation

    爾能種痘麽
       Lur oi cheng chu mĕ

### This child has worms

    此亞孥子疳癪
       Chi a nou kia u kam chek

### My eyes are sore & I can not read

    目珠痛不能讀
       Măk chiw tia mʼoi tak
# First Lessons in the Tie-chiw Dialect/Farming Utensils
## FARMING UTENSILS, &c.
### Plough

    犁
       Loi

### Harrow

    耙
       Pey

### Hoe

    鋤頭
       Tŭr taou

### Spade

    鐵橫
       Ti huey

### Fiail

    梗
       Kèy

### Sickle

    鈎䥥
       Kaou liem

### Rake

    鐵耙
       Tĭ pey

### Cart

    車
       Chia

### Carriage

    馬車
       Béy chia

### Grind stone

    磨石
       Boa chiĕ

### Hammer

    鐵鎚
       Tĭ tui

### Saw

    鋸
       Kŭr

### File

    鎈
       Chaw

### Gimlet

    鑽子
       Chŭng kia

### Chisel

    鑿子
       Chăk kia

### Hatchet

    斧頭
       Po taou

### Plane

    抽
       Tiu

### Musket

    銃
       Cʼheng

### Sword

    長刀
       Tŭng taw
# First Lessons in the Tie-chiw Dialect/Months of the year
## MONTHS OF THE YEAR.
### 12th1st month Feb.

    正月
       Chia guĕ

### 12th2nd month Mch.

    二月
       Ji guĕ

### 12th3nd month Apl.

    三月
       Sa guĕ

### 12th4th month May

    四月
       Si guĕ

### 12th5th month June

    五月
       Gñou guĕ

### 12th6th month July

    六月
       Lak guĕ

### 12th7th month Aug.

    七月
       Chĭt guĕ

### 12th8th month Sept.

    八月
       Poĭ guĕ

### 12th9th month Oct.

    九月
       Kaou guĕ

### 10th month Nov.

    十月
       Chap guĕ

### 11th month Dec.

    十一月
       Chap it guĕ

### 12th month Jan.

    十二月
       Chap ji guĕ
# First Lessons in the Tie-chiw Dialect/Dress
## DRESS &c.
### Clothes

    衣服
       I hok

### Crown

    皇帝帽
       Hwang ti baw

### Hat

    㡌
       Baw

### Cap

    丨子
       Baw kia

### Turban

    頭布
       Taou pou

### Jacket

    衫
       Sa

### Pantaloons

    褲
       Khou

### Vest

    甲子
       Kă kia

### Stockings

    襪
       Boĕ

### Shirt

    身底衫
       Sin toi sa

### Gown

    大領丨
       Toa nia sa

### Apron

    圍腰布
       Ui ie pou

### Cloak

    風𧜞
       Huang moa

### Girdle

    褲頭帶
       Khou taou toa

### Button

    鈕
       Niw

### Button hole

    丨𦕎
       Niw pan

### Comb

    梳
       Siw

### Hair pin

    如意
       Ju i

### Anklets

    脚𤨔
       Ka hwan

### Bracelets

    手𤨔
       Chiw hwan

### Finger ring

    手節
       Chiw chăt

### Ear ring

    耳鈎
       Hi kaou

### Buckle

    鈕扣
       Niw khaou

### Needle

    針
       Cham

### Cord

    䌇子
       Sŏ kia

### Thread

    線
       Soa

### Silk

    絲
       Si

### Cotton

    紗
       Sey

### Silk

    綾
       Lin

### Velvet

    絨
       Jong

### Broadcloth

    哖
       Ni

### Crape

    縐紗
       Jiow sey

### Satin

    縀
       Tŭng

### Lace

    絲帶
       Si toa

### Canvass

    㠶布
       Pang pou

### Staff

    杖
       Chiang

### Umbrella

    雨傘
       Hou sua

### Fan

    扇
       Si

### Purse

    銀桶
       Gnŭrn tong
# First Lessons in the Tie-chiw Dialect/Forms of Characters
## FORMS OF CHARACTERS, &c.
### Seal character

    篆字
       Toan ji

### German text

    𨽾書
       Tí chŭr

### Italic

    楷書
       Kʼhai chŭr

### Running hand

    行書
       Hang su

### Short hand

    草字
       Chaw ji

### Roman letters

    宋體
       Song tʼoi

### Nouns

    實字
       Sït ji

### Verbs

    活字
       Uă ji

### Particles &c.

    虛字
       Hŭr ji
# First Lessons in the Tie-chiw Dialect/Family Relations
## FAMILY RELATIONS &c.
### Father

    父
       Pey

### Mother

    母
       Baw

### Step-father

    繼父
       Ki pey

### Step-mother

    後母
       Ou baw

### Father-in-law

    岳父
       Gnăk pey

### Mother-in-law

    岳母
       Gnăk baw

### Grandfather

    公
       A koug

### Grandmother

    媽
       A ma

### Husband

    翁
       Ang

### Wife

    𡚸
       Bou

### Brother (e)

    兄
       A hia

### Brother (y)

    弟
       A ti

### Sister (e)

    姐
       A chey

### Sister (y)

    妹
       A mue

### Brother-in-law

    舅
       A ku

### Sister-in-law

    姨
       A í

### Child

    子
       Kia

### Daughter

    女子
       Cha bou kia

### Son

    男子
       Ta pou kia

### Grand child

    孫
       A sun

### First born

    長子
       Toau tur

### Last born

    未子
       Boe kia

### Twins

    䨇生
       Sang sey

### Orphan

    孤子
       Ko chur

### Uncle (p)

    伯
       A pĕ

### Aunt (p)

    姆
       A um

### Father's (y) brother

    叔
       A chĕk

### Uncle's wife

    嬸
       A sim

### Friends

    朋友
       Peng yiw

### Prince

    君
       Kun

### Minister

    臣
       Chin

### Slave (m)

    僕
       Pok

### Slave (f)

    婢
       Pi

### Master

    家主
       Key chu

### Mistress

    家主娘
       Key chu nie

### Bridegroom

    新郎
       Sin nung

### Bride

    新娘
       Sin nie

### Nephew

    姪
       Tiĕt

### Niece

    姪女
       Tiĕt nung
# First Lessons in the Tie-chiw Dialect/House Furniture
## HOUSE FURNITURE &c.
### Table

    桌
       Tŏ

### Chair

    筊𬃪
       Kaou i

### Rocking-chair

    倚腰𬃪
       Ua ie i

### Stool

    𬃪頭
       I taou

### Foot stool

    脚踏𬃪
       Ka tă i

### Couch

    眠𬃪
       Min i

### Book case

    書架
       Chŭr key

### Cupboard

    食厨
       Chiă tu

### Clothes basket

    籐囊
       Tin lang

### Bedstead

    眠牀
       Min chŭng

### Matrass

    褥
       Jok

### Curtains

    蚊帳
       Mang ta

### Pillow

    枕頭
       Chim taou

### Cradle

    搖籃
       Ie na

### Chest

    箱
       Sie

### Drawers

    櫃
       Kñui

### Looking-glass

    鏡臺
       Kia tai

### Wash stand

    面盆架
       Min pun key

### Lamp

    燈火
       Teng huey

### Lantern

    燈籠
       Teng nang

### Candlestick

    燭臺
       Chek tai

### Bowl

    碗
       Ua

### Plate

    盤
       Pua

### Tea cup

    茶鐘
       Tey cheng

### Saucer

    茶船
       Tey chun

### Wash bowl

    面盆
       Min pun

### Water pot

    水𢸎
       Chui kua

### Goglet

    水礶
       Chui kuan

### Tea pot

    茶礶
       Tey kuan

### Cover

    盖
       Kñoi

### Tea board

    茶盤
       Tey poa

### Knife

    刀
       Taw

### Fork

    义
       Chey

### Spoon

    湯匙
       Tŭng si

### Chopstick

    箸
       Tŭr

### Table cloth

    遮床布
       Chia chŭng pou

### Mortar

    臼子
       Ku kai

### Sieve

    篩斗
       Tai taou

### Flint

    火石
       Huey chiĕ

### Broom

    箒把
       Saou siw

### Shears

    剪刀
       Ka taw

### Candle

    燭
       Chĕk

### Wick

    燈心
       Teng sim

### Watch

    時辰票
       Si sin pie

### Clock

    時鐘
       Si cheng

### Bell

    鐘
       Cheng

### Gong

    欽
       Kim
# First Lessons in the Tie-chiw Dialect/Metals
## METALS.
### Gold

    金
       Kim

### Silver

    銀
       Gnŭrn

### Pewter

    錫
       Siă

### Lead

    鉛
       In

### Cast-iron

    鉎
       Sey

### Iron

    鐵
       Tĭ

### Copper

    銅
       Tang

### White copper

    白銅
       Pĕ tang

### Brass

    黃丨
       Ng tang

### Copper

    紅丨
       Ang tang

### Steel

    鋼
       Kŭng

### Tin

    白鐵
       Pĕ tĭ