OpenLLM-France/wikimedia huggingface dataset:
# Punch/Volume 147/Issue 3812/Mutability

MUTABILITY.
"And now," I said, while the waiter was bringing the bill, "where would you like to go?"
"I don't mind," he said. "What about a music-hall? I haven't seen one for twenty years. There's a cinema about five miles from my place, but it's too dear. Only the millionaires can use it."
"Very well, then," I said, "we'll go to a music-hall; but you'll find that they've changed a bit."
"I don't mind," he said, "so long as there's something good. There's so much variety in a music-hall, one turn after another, don't you know, that you can't go far wrong."
My spirits sank. East Africa had kept his youth in camphor, and he had no knowledge of the wonderful advances that we have been making. Turns indeed!
"I'll do the best I can for you," I said, "but I'm afraid you'll be disappointed."
"Oh, no," he assured me stoutly, "not in a music-hall. I've been wanting to see one again for years. I suppose Jimmy Fawn isn't still going?'
My spirits fell lower.
We went to one of the regular places, and, as I had feared, found a revue in full blast. Topic talk, scenery and American songs interminably. Every time a new person came on the stage my friend eagerly perked up and lost his depression, hoping that at last it might be one of his old delights—a juggler or knockabout or something like that—but always he was disappointed.
"I say, where are we?" he asked. "This isn't a music-hall, is it?"
"One of the best," I replied.
He looked round in dismay.
"But where are the waiters?" he asked.
"Not allowed among the audience any more," I told him: "in fact, some music-halls don't even have licences."
He stared at me in astonishment and sank into apathy. Coming up again he said, "Do you remember those two fellows with enormous stomachs and hooked sticks? They were funny, if you like. Don't you have that sort of thing any more?"
"No," I said.
"Do you remember that act," he said—"I believe it was called the Risley act—where a man lay on his back, with his legs up in the air, and flung his family about with his feet? That was jolly clever. Don't you have that any more?"
"No," I said.
"And the Sisters something or other," he said, "dashed pretty girls, who did everything at the same time—are they gone for ever?"
"For ever," I said.
"And no comic songs either?" he asked.
"You've heard a lot of comic songs this evening," I replied.
"Oh, those," he said. "I don't call those comic. They're not comic songs, they're comic-opera songs. Don't you have the others any more?"
"Not at this kind of hall," I said. "I daresay there may be a singer or so left somewhere, with too big a coat and too small a hat, but not here."
"Then what are all the old performers doing?" he asked.
"I believe they're starving," I said.
# Proclamation 6413

Delivered on 17 March 1992.106 Stat. 5236
By the President of the United States of America A Proclamation
Section 104(b)(5) of title 17 of the United States Code provides that when the President finds that a particular foreign nation extends, to works by authors who are nationals or domiciliaries of the United States of America or to works first published in the United States, copyright protection on substantially the same basis as that on which the foreign nation extends protection to works of its own nationals and domiciliaries and works first published in that nation, the President may extend protection under that title to works of which one or more of the authors is, on the date of first publication, a national, domiciliary, or sovereign authority of that nation, or which are first published in that nation.
Satisfactory assurances have been received that as of March 17, 1992, as provided in Article 3(9) of the Memorandum of Understanding Between the Government of the United States of America and the Government of the People's Republic of China on the Protection of Intellectual Property (hereinafter the "Memorandum of Understanding"), China will grant to works of United States nationals and domiciliaries and works first published in the United States protection in the People's Republic of China on the same basis as works of Chinese nationals and domiciliaries and works first published in China which are not in the public domain.
Now, Therefore, I, George Bush, President of the United States of America, by the authority vested in me by section 104 of title 17 of the United States Code, do find and proclaim that effective March 17, 1992, the conditions specified in section 104(b)(5) of title 17 of the United States Code have been satisfied in the People's Republic of China with respect to works of which one or more of the authors is, on the date of first publication, a national or domiciliary of the United States of America, or which are first published in the People's Republic of China are entitled to protection under title 17b of the United States Code.
I hereby request the Secretary of State to notify the Government of the People's Republic of China that the date on which works of Chinese nationals and domiciliaries and works first published in the People's Republic of China are entitled to protection under title 17 of the United States Code, is March 17, 1992, 60 days after the date of signature of the Memorandum of Understanding.
In Witness Whereof, I have hereunto set my hand this seventeenth day of March, in the year of our Lord nineteen hundred and ninety-two, and of the Independence of the United States of America the two hundred and sixteenth.
George Bush
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Proclamation 6519

Delivered on 30 December 1992.
By the President of the United States of America A Proclamation
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Public Law 104-129

Note: This is the original legislation as it was initially enacted. Any subsequent amendments hosted on Wikisource may be listed using What Links Here.
Joint Resolution Waiving certain enrollment requirements with respect to two specified bills of the One Hundred Fourth Congress.
    Resolved by the Senate and House of Representatives of the United States of America in Congress assembled,
    That the provisions of sections 106 and 107 of title 1, United States Code, are waived with respect to the printing (on parchment or otherwise) of the enrollment of H.R. 3019 and of H.R. 3136 of the One Hundred Fourth Congress. The enrollment of each of those bills shall be in such form as the Committee on House Oversight of the House of Representatives certifies to be a true enrollment.
Approved April 9, 1996.

## Legislative History

* H.J.Res. 168
   * CONGRESSIONAL RECORD, Vol. 142 (1996):
   ** Mar. 26, considered and passed House.
   ** Mar. 28, considered and passed Senate.
   * WEEKLY COMPILATION OF PRESIDENTIAL DOCUMENTS, Vol. 32 (1996):
   ** Apr. 9, Presidential statement.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# Public Law 104-140

Note: This is the original legislation as it was initially enacted. Any subsequent amendments hosted on Wikisource may be listed using What Links Here.
Joint Resolution Making corrections to Public Law 104-134.
    Resolved by the Senate and House of Representatives of the United States of America in Congress assembled, That:
Approved May 2, 1996.

## Legislative History

* S.J.Res. 53, (H.R. 3019)
   * CONGRESSIONAL RECORD, Vol. 142 (1996):
   ** Apr. 30, considered and passed Senate and House.
   * WEEKLY COMPILATION OF PRESIDENTIAL DOCUMENTS, Vol. 32 (1996):
   ** May. 2, Presidential statement.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# Public Law 102-492

Note: This is the original legislation as it was initially enacted. Any subsequent amendments hosted on Wikisource may be listed using What Links Here.
An Act To amend title 17, United States Code, relating to fair use of copyrighted works.
Public Law 102–492 102d Congress
AN ACT
Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That section 107 of title 17, United States Code, is amended by adding at the end the following: “The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.”.
Approved October 24, 1992.
LEGISLATIVE HISTORY—H.R. 4412:
HOUSE REPORTS: No. 102-836 (Comm. on the Judiciary). CONGRESSIONAL RECORD, Vol. 138 (1992): Aug. 11, considered and passed House. Oct. 7, considered and passed Senate.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# Popular Science Monthly/Volume 88

Scans
Layout 4
# Popular Science Monthly/Volume 88/January 1916/Indicator Tells Pursuing Police Speed of Automobile

* related portals: Inventions, Law.
* sister projects: Wikidata item.
From Popular Science Monthly/Volume 88
Indicator Tells Pursuing Police Speed of Automobile
LAW-ABIDING motorists who have had the disagreeable experience of being arrested when they were well within the limit of the law will doubtless greet, with delight, the new invention of a Pennsylvania inventor. By means of a speed indicator, similar to the indicators which are found on the instrument boards of nearly every car, the inventor has made a combination license tag holder and speed indicator which shows clearly to the public the number of the car, as well as the exact speed at which the car is traveling.
Here is a chance for the honest motorist to tell everybody how fast he is running
A semicircular plate, with the numbers in multiples of five up to thirty miles an hour, is equipped with a pointer, which indicates accurately the speed of the car. Both the license tag and the indicator plate are perforated, and are illuminated at night by means of a light placed behind them.
# Popular Science Monthly/Volume 88/January 1916/Shooting at Jupiter

* related portals: Astronomy, France, World War I.
* sister projects: Wikidata item.
From Popular Science Monthly/Volume 88
Shooting at Jupiter
IT is reported from France that Jupiter, which has been especially brilliant lately, has often been mistaken for an enemy airship flying over Paris, and that guns have been trained on it.
# Popular Science Monthly/Volume 88/January 1916/Was This the Tower of Babel?

Popular Science Monthly, Volume 88 article that suggests Borsippa as the site of the biblical Tower of Babel, a common theory.
* A lonely pile, worn by ages of weather is the world's only claimant to the honor of being the Tower of Babel
Was This the Tower of Babel?
IT is doubtful if there is any place in the world so rich in ancient remains as the valley of the Euphrates, in Mesopotamia. The result is that to archaeologists and scholars the place is a veritable "Tom Tiddler's ground," and new "finds" are constantly being reported. When it is remembered that tradition places the site of the Garden of Eden here, while amongst its many ruins are those of ancient Babylon, the promising nature of the valley to the scientific excavator becomes apparent.
It is near the ruins of Babylon that we find what many scholars believe to be the remains of the Tower of Babel—an immense cube of brickwork, called by the natives Birs Mimrud. Recent exhaustive examination of the strange pile and its site has revealed the fact that the tower which once stood here consisted of seven stages of brick work on an earthen platform, each stage being of a different color. The tower boasted of a base measurement of nearly six hundred square feet, and rose to an unknown height. Even to-day the ruins rise some hundred and sixty feet above the level of the surrounding plain.
{{Mark Twain in his 'The Innocents Abroad' of 1869 states his party were shown the huge ruins and described the brickwork as being split, seared and vitrified by lightning from GOD'. The Bible account merely states the builders ceased their task after GOD had confused their language so that unable to cooperate they all drifted away across the single landmass only to discover that as soon as they reached all four corners of the Earth GOD causd the crust to sink and make the contients and islands as we now have.}}
# Queen of the May/Queen of the May

Dated from external evidence.
QUEEN OF THE MAY.
STERN winter has left us, The trees are in bloom, And cowslip and vi'lets the meadows perfume, While kids are disporting, and birds still the spray, I wait, for my Jockey, to hail the new May.
Among the young lillies, my Jonny I've stray'd. Pinks, daisies and woodbines, I bring to my maid; Here's thyme sweetly smelling, and lavender gay, A posy to form the queen of the may.
​ Ah Jockey, I fear you intend to beguile, When seated with Molly, last night on a stile, You swore that you'd love her, for ever and ay, Forgetting your Jenny, the queen of the May.
Young Willy is handsome in shepherd's green drest, He gave you these ribbons, that hing at your breast, Besides three kisses upon the new hay, Was that done like Jenny, the queen of the May.
This garland of roses no longer I prize, Since Jockey, false-hearted, his passion denies, Ye flowers so blooming, this instant decay, For Jenny's no longer the queen of the may,
​ Believe me, dear maiden, your lover you wrong, Your name is for ever the theme of my song, From the dews of pale eve, to the dawning of day, I sing but of Jenny, my Queen of the May?
Again, balmy comfort, with transport I view. My fears are all vanish'd, since Jockey is true, Then to our blyth shepherds the news I'll convey, That Jenny alone you've crown'd Queen of the May,
Come all you young lovers, I pray you draw near, Avoid all suspicion, whate'er may appear, Believe not your eyes, lest you they betray, Then come, my dear Jenny, and hail the new may.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Queen of the May

Dated from external evidence.
QUEEN OF THE MAY.
To which are added,
The drunken wife of Galloway.
AND
Time has not thinn'd, &c.
Stirling, Printed by C. Randall.
* Queen of the May
* The drunken wife of Galloway
* Time has not thinned, &c.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Queen of the May/Time has not thinned

Dated from external evidence.
TIME HAS NOT THINN'D &c.
TIME has not thinn'd my flowing hair, nor bent me with his iron hand: Ah! why so soon the blossom tear, Ere autumn yet the fruit demand.
Let me enjoy the cheering day, Till many a year has o'er me roll'd, Pleas'd, let me trifle life away, And sing of love e'er I grow old.
FINIS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Queenie

* Search for titles containing or beginning with: "Queenie."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Queenie, lyrics by Irving Berlin
* Queenie, a work by May de la Cherois Crommelin
# Queenie (Berlin)

Layout 2

## Verse 1

The moon above Am shining, love I'm out here waiting. Don't be so shy, I can't see why, You're hesitating. Come out and meet me, lady, You are my dark-eyed baby. Come, love, don't be afraidy, My little nohey, do: Here while the stars are peeping And all the world am sleeping, My promise I'll be keeping, love, to you.

## Chorus

Queenie, my own, I'll build a nice little home Where we can live all alone and from you I'll never roam. Say you'll be mine, Oh! honey, please don't decline, And all the stars will then shine For you and me.

## Verse 2

Impatiently I wait for thee Here in the moonlight. Don't be afraid, My dusky maid, This is a spoonlight. Now, don't be hesitating, The birds above are mating, My love, I'll be relating To you, my dusky queen, Think, dear, of what you're missing, Loving and lots of kissing, Come out, my love, and listen to my plea:

## Chorus

Queenie, my own, I'll build a nice little home Where we can live all alone and from you I'll never roam. Say you'll be mine, Oh! honey, please don't decline, And all the stars will then shine For you and me.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Queen of the May/The drunken wife of Galloway

Dated from external evidence.
the
DRUNKEN WIFE OF GALLOWAY.
DOWN in yon meadow a couple did tarry, The wife she drank naething but sack and canary, To her friends He complain’d of her right early, Oh! gin my wife wad drink hooly and fairly.
She’s drunken her stockings sae has she her shoon, And she has drunken her bonny new gown; She’s drunkan her sark that cover’d her early, Oh! gin my wife wad drink hooly and fairly.
First she drank crummie, and then she drank garie, ​Syne she has drunken my bonny grey marie, That earned me thro' the dub and the larlie, Oh gin my wife wad drink hooly and fairly,
Wad she drink but her ain things, I wadna much care, But she drinks my claithe that I canna well spare, When i'm wi' my gosips, it angers me fairly, Oh gin my wife wad drink hooly and fairly.
My Sunday's coat she has laid a wad, The belt blue bonnet e’er was on my head; At kirk or at market, I’m cover’d but barely, Oh gin my wife wad drink hooly and fairly.
When there’s ony filler, she maun keep the purse, ​Gif I seek but ae bawbee, she'll scald and she'll curse, She lives like a Queen, I serimpet and barely, Oh gin my wife wad drink hooly and fairly!
A pint with her kimmers I wad her allow But when she sits down she drink’s till she’s fou, And when she is fou she’s unco canstarie, Oh gin my wife wad drink hooly and fairly.
When she gaes to the causey. she roars and she pants, Has no dread of her neighbours, nor minds the house wants; Roar up some foolish lilt. like up thy heart charlie, Oh gin may wife wad drink hooly and fairly.
And when she comes hame, she lays on the lads, ​And ca's the lasses haith limmers and jades; And my sell nought but an auld cuckold earlie, Oh gin my wife wad drink, hooly and fairly,
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Queenan v. Oklahoma

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
190 U.S. 548
Queenan v. Oklahoma
Argued: April 16, 17, 1903. --- Decided: June 1, 1903
Messrs. Stillwell H. Russell, J. W. Johnson, C. B. Ames, and H. H. Howard for plaintiff in error.
Messrs. J. C. Robberts and C. H. Woods for defendant in error.
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse