OpenLLM-France/wikimedia huggingface dataset:
# Great Lakes Dredge Dock Company v. Huffman

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
319 U.S. 293
Great Lakes Dredge Dock Company v. Huffman
Argued: May 5, 6, 1943. --- Decided: May 24, 1943
Mr. R. Emmett Kerrigan, of New Orleans, La., for petitioners.
Mr. W. C. Perrault, of Baton Rouge, La., for respondents.
Mr. Chief Justice STONE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Great Falls Tribune

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
American newspaper published in Great Falls, Montana, originally called Weekly Tribune and later also Tribune.
Volume 43 (1930)
* 6 January 1930
** Moroni Olsen Coming, a theater play review
* 26 August 1930
** Young Flier Hands Letters to Mayors
# Great Falls Tribune/1930/Moroni Olsen Coming

* related portals: The Makropoulos Secret, Czech literature, Moroni Olsen.
* related authors: Karel Čapek.
Book review published on 6 January 1930
Moroni Olsen Coming
Moroni Olsen as Joseph Prus and Janet Young as Emilia Marty in Karel Capek’s “The Makropoulos Secret.”
The idea of indefinitely prolonging life and youth is the basis for “The Makropoulos Secret,” which will be presented at the Grand theater here Saturday evening by the Moroni Olsen players.
Karel Capek has proved himself a master of realistic-phantasy already in “R. U. R.,” and in “The Makropoulos Secret” he displays the same great sense of theater and of human logic, that is felt in that earlier day of the “robots.”
Elene Makropoulos, who has mastered the secret of unending youth and life, is the person around whom the characters of the drama and the interplay of their emotions crystallizes.
Her inhuman secret is felt in the very beginning of the play, but its complete unmasking comes by degrees, steadily increasing the emotional tension until, in the final act, when the secret is understood and the decision is made by Elene—a decision she has feared to make for hundreds of years—the climax comes with tremendous percussion upon the nerves of the audience, and swings it automatically into acceptance of and agreement with the decision to which every character in the play comes, regarding the danger of immortality in human condition.
This will be the first production of “The Makropoulos Secret” on the Pacific coast, with the exception of the production at the Pasadena community playhouse, and the only presentation in tour upon the Pacific coast thus far.
The First Circuit Repertory company brings an augmented cast and several of the players of the basic organization who were not in the tour of the first play of the season, “Twelve Thousand.”
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Great Falls Tribune/1930/Young Flier Hands Letters to Mayors

* related portals: Associated Press.
* related authors: Eddie August Schneider.
Eddie August Schneider (1910-1940) in the Great Falls Tribune of Great Falls, Montana on August 26, 1930.
Young Flier Hands Letters to Mayors. Jersey City, New Jersey; August 25, 1930 (Associated Press) Eighteen-year-old Eddie Schneider, holder of three junior transcontinental flight records, was received by Mayor Frank Hague on the steps of the city hall today. Schneider, who bettered the east-west, west-east and roundtrip records of the late Frank Goldsborough, presented Mayor Hague a letter from Mayor John C. Porter of Los Angeles. After the ceremonies here the youth went to New York to deliver a letter from Mayor Porter to Mayor James J. Walker. He planned to leave Roosevelt field, New York, tonight for Chicago to participate in the national air races. His schedule called for a single stop at Buffalo.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Great Lakes Dredge Dock Company v. Kierejewski/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
261 U.S. 479
Great Lakes Dredge Dock Company v. Kierejewski
Argued: Feb. 27, 1923. --- Decided: April 9, 1923
The sole question propounded upon this direct writ of error is whether the District Court rightly held that it had jurisdiction to entertain the libel by which defendant in error sought to recover damages for the death of her husband. 280 Fed. 125.
Plaintiff in error, a corporation engaged in dredging, pile driving, etc., maintains a yard at Buffalo, N. Y., and also keeps there scows and tugs. Leo Kierejewski, a master boiler maker, was employed by it to perform services as called upon. Acting under this employment, he began to make repairs upon a scow moored in the navigable waters of Buffalo river. He stood upon a scaffold resting upon a float alongside. One of the company's tugs came near, negligently agitated the water, swamped the float, and precipitated him into the stream where he drowned.
While performing maritime service to a completed vessel afloat, he came to his death upon navigable waters as the result of a tort there committed. The rules of the maritime law, supplemented by the local death statute, applied and fixed the rights and liabilities of the parties. Western Fuel Co. v. Garcia, 257 U.S. 233, 42 Sup. Ct. 89, 66 L. Ed. 210.
'The general doctrine that in contract matters admiralty jurisdiction depends upon the nature of the transaction, and in tort matters upon the locality, has been so frequently asserted by this court that it must now be treated as settled.' Grant Smith-Porter Ship Co. v. Rohde, 257 U.S. 469, 476, 42 Sup. Ct. 157, 158 (66 L. Ed. 321).
In the cause last cited neither Rohde's general employment nor his activities had any direct relation to navigation or commerce-the matter was purely local-and we were of opinion that application of the state statute, as between the parties, would not work material prejudice to any characteristic feature of the general maritime law or interfere with its proper harmony or uniformity.
Here the circumstances are very different. Not only was the tort committed and effective on navigable waters, but the rights and liabilities of the parties are matters which have direct relation to navigation and commerce. Southern Pacific Co. v. Jensen, 244 U.S. 205, 37 Sup. Ct. 524, 61 L. Ed. 1086, L. R. A. 1918C, 451, Ann. Cas. 1917E, 900; Carlisle Packing Co. v. Sandanger, 259 U.S. 255, 42 Sup. Ct. 475, 66 L. Ed. 927; State Industrial Commission of New York v. Nordenholt Corporation, 259 U.S. 263, 42 Sup. Ct. 473, 66 L. Ed. 933.
Affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Great Guns!

* related portals: Oswald the Lucky Rabbit, Silent cartoons.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Cast and Crew :
| Crew ||
| Director | Walt Disney (d. 1966) |
| Producer | Walt Disney |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1966, meaning that this film may be in the public domain in countries and jurisdictions with 57 years p.m.a. or less, as well as in the United States. ||
UNIVERSAL presents OSWALD THE LUCKY RABBIT in
"Great Guns!"
A Winkler Production by Walt Disney
COPYRIGHT MCMXXVII by UNIVERSAL PICTURES CORPORATION
Extra War!
DingDingDong
Recruiting Office
Machine Gun Nest
Hospital
Oswald
AN OSWALD COMEDY
THE END
DISTRIBUTED BY UNIVERSAL
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1966, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 57 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Great Is Thy Faithfulness

Great is Thy faithfulness, O God my Father, There is no shadow of turning with Thee; Thou changest not, Thy compassions they fail not; As Thou hast been Thou forever wilt be.
 Refrain:  Great is Thy faithfulness! Great is Thy faithfulness!  Morning by morning new mercies I see;  All I have needed Thy hand hath provided—  Great is Thy faithfulness, Lord, unto me!
Summer and winter, and springtime and harvest, Sun, moon and stars in their courses above Join with all nature in manifold witness To Thy great faithfulness, mercy and love.
 Refrain
Pardon for sin and a peace that endureth, Thy own dear presence to cheer and to guide; Strength for today and bright hope for tomorrow, Blessings all mine, with ten thousand beside!
 Refrain
This work is in the public domain in the United States because it was published in 1923, before the cutoff of January 1, 1929.
The longest-living author of this work died in 1960, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 63 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Gitanjali/65

65
What divine drink wouldst thou have, my God, from this overflowing cup of my life?
My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?
Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
# Gitanjali/67

67
Thou art the sky and thou art the nest as well.
O thou beautiful, there in the nest it ​ is thy love that encloses the soul with colours and sounds and odours.
There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.
And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.
But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
# Gitanjali/62

62
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child.
When I sing to make you dance I truly know why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth—when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flower and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands.
​ When I kiss your face to make you smile, my darling, I surely understand what the pleasure is that streams from the sky in morning light, and what delight that is which the summer breeze brings to my body—when I kiss you to make you smile.
# Gitanjali/70

70
Is it beyond thee to be glad with the gladness of this rhythm? to be tossed and lost and broken in the whirl of this fearful joy?
All things rush on, they stop not, they look not behind, no power can hold them back, they rush on.
Keeping steps with that restless, rapid music, seasons come dancing and pass away—colours, tunes, and perfumes pour in endless cascades in the ​abounding joy that scatters and gives up and dies every moment.
# Gitanjali/68

68
Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry ​ back to thy feet clouds made of my tears and sighs and songs.
With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues ever changing.
It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.
# Gitanjali/63

63
Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.
I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.
Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ​ ever linkest my heart with bonds of joy to the unfamiliar.
When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of the many.
# Gitanjali/64

64
On the slope of the desolate river among tall grasses I asked her, "Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome lend me your light!" She raised her dark eyes for a moment and looked at my face through the dusk.
"I have come to the river," she said, "to float my lamp on the stream when the daylight wanes in the west." I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.
​In the silence of gathering night I asked her, "Maiden, your lights are all lit—then where do you go with your lamp? My house is all dark and lonesome,—lend me your light." She raised her dark eyes on my face and stood for a moment doubtful. "I have come," she said at last, "to dedicate my lamp to the sky." I stood and watched her light uselessly burning in the void.
In the moonless gloom of midnight I asked her, " Maiden, what is your quest holding the lamp near your heart? My house is all dark and lonesome,—lend me your light." She stopped for a minute and thought and gazed at my face in the dark. "I have brought my light," she said, "to join the carnival of lamps." I stood and watched her little lamp uselessly lost among lights.
# Gitanjali/66

66
She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.
​ Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.
I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.
Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.
Many a man knocked at my door and asked for her and turned away in despair.
There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
# Gitanjali/69

69
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.
It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks ​into tumultuous waves of leaves and flowers.
It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.
I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
# Gitanjali/7

7
My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.
My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
# Hans Andersen's fairy tales (Robinson)/The End

THE END
Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press
# Hans Andersen's fairy tales (Robinson)/The Real Princess

I HAVE SCARCELY CLOSED MY EYES THE WHOLE NIGHT THROUGH
THE REAL PRINCESS
THERE was once a Prince who wished to marry a Princess; but then she must be a real Princess. He travelled all over the world in hopes of finding such a lady; but there was always something wrong. Princesses he found in plenty; but whether they were real Princesses it was impossible for him to decide, for now one thing, now another, seemed to him not quite right about the ladies. At last he returned to his palace quite cast down, because he wished so much to have a real Princess for his wife.
One evening a fearful tempest arose; it thundered and lightened, and the rain poured down from the sky in torrents; besides, it was as dark as pitch. All at once there was heard a violent knocking at the door, and the old King, the Prince's father, went out himself to open it.
It was a Princess who was standing outside the door. What with the rain and the wind, she was in a sad condition: the water trickled down from her hair, and her clothes clung to her body. She said she was a real Princess.
'Ah, we shall soon see that!' thought the old Queen-mother; however, she said not a word of what she was going to do, but went quietly into the bedroom, took all the bed-clothes off the bed, and put three little peas on the bedstead. She then laid twenty mattresses one upon another over the three peas, and put twenty feather-beds over the mattresses.
Upon this bed the Princess was to pass the night.
Princesses he found in plenty, but whether they were real Princesses it was impossible for him to decide
​The next morning she was asked how she had slept. 'Oh, very badly indeed!' she replied. 'I have scarcely closed my
THE OLD KING HIMSELF WENT OUT TO OPEN IT
eyes the whole night through. I do not know what was in my bed, but I had something hard under me, and am all over black and blue. It has hurt me so much!'
​Now it was plain that the lady must be a real Princess, since she had been able to feel the three little peas through the twenty mattresses and twenty feather-beds. None but a real Princess could have had such a delicate sense of feeling.
THE PEAS WERE PRESERVED IN THE CABINET OF CURIOSITIES
The Prince accordingly made her his wife, being now convinced that he had found a real Princess. The three peas were, however, put into the cabinet of curiosities, where they are still to be seen, provided they are not lost.
Was not this a lady of real delicacy?
# Geology and Mineralogy considered with reference to Natural Theology/Plate 26‴

Plate 26‴. V. I. p. 203.
Footsteps of a small web-footed animal, probably crocodile an, drawn from a Cast of impressions on Sandstone, found near Hildburghausen. (Original.)
The Sandstones in which all these fossil footsteps have been discovered in Germany and Scotland, appear to be referable to the same division of the secondary strata, ​which lies in the middle region of that large, and widely extended series of Sandstones, and Conglomerates, Limestones, and Marl, which English Geologists have usually designated by the common appellation of the New red Sandstone Group, including all the strata that are interposed between the Coal formation, and the Lias.
M. Brongniart, in his Terrain de l'Écorce du Globe, 1829, has applied to this middle division the very appropriate name of Terrain Poscilien, (from the Greek voixiXog), a term equivalent to the names Bunter Sandstein, and Grès bigarré, which it bears in Germany and France; and indicating the same strata which, in England, we call the new Red Sandstone. (See Plate 1. Section No. 17.)
Mr. Conybeare, in his Report on Geology to the British Association at Oxford, 1832 (Page 379, and P. 405, Note,) has proposed to extend the term Pœcilitic to the entire Group of strata between the Coal formation and the Lias; including the five formations designated in our section (Pl. 1, No. 15, 16, 17, 18, 19,) by the names of New Red Conglomerate, Magnesian Limestone, Variegated Sandstone, Shell Limestone, and Variegated Marl. Some common appellative for all these formations has been long a desideratum in Geology; but the word Pœcilitic is in sound so like to Pisolite, that it may be better to adhere more literally to the Greek root tfoixfXos, and apply the common name of Poikilitic group to the strata in question.
# Geology and Mineralogy considered with reference to Natural Theology/Plate 27a

Plate 27a . V. I. p. 212.
Plate 27b . V. I. p. 212.
Amblypterus: one of the fossil fishes peculiar to the Carboniferous strata. Agassiz, Vol. I. Tab. A. fig. 3.)
# Geology and Mineralogy considered with reference to Natural Theology/Plate 25'

Plate 25'. V. I. p. 192.
Plate 26. V. I. p. 198.
Fossil Footsteps indicating the Tracks of ancient animals, probably Tortoises, on the New Red Sandstone near Dumfries. (From a cast presented by Rev. Dr. Duncan.)
Plate 26'. V. I. p. 201.
# Geology and Mineralogy considered with reference to Natural Theology/Plate 26a

Plate 26 a.
Ornithichnites, or foot-marks of several extinct species of birds, found in the New Red sandstone of the Valley of the Connecticut. (Hitchcock.) ​
The fossil tracks on this Plate are all nearly on the same scale: viz. one-twenty-fourth. The recent footsteps are on
# Geology and Mineralogy considered with reference to Natural Theology/Plate 27b

Plate 27b . V. I. p. 212.
Amblypterus: one of the fossil fishes peculiar to the Carboniferous strata. Agassiz, Vol. I. Tab. A. fig. 3.)
# Geology and Mineralogy considered with reference to Natural Theology/Plate 26b

Plate 26b.
Plate 27. V. I. p. 205.
# Geology and Mineralogy considered with reference to Natural Theology/Plate 27

Plate 27. V. I. p. 205.
# Geology and Mineralogy considered with reference to Natural Theology/Plate 26

Plate 26. V. I. p. 198.
Fossil Footsteps indicating the Tracks of ancient animals, probably Tortoises, on the New Red Sandstone near Dumfries. (From a cast presented by Rev. Dr. Duncan.)
Plate 26'. V. I. p. 201.