OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Barrel

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​BARREL (a word of uncertain origin common to Romance languages; the Celtic forms, as in the Gaelic baraill, are derived from the English), a vessel of cylindrical shape, made of staves bound together by hoops, a cask; also a dry and liquid measure of capacity, varying with the commodity which it contains (see Weights and Measures). The term is applied to many cylindrical objects, as to the drum round which the chain is wound in a crane, a capstan or a watch; to the cylinder studded with pins in a barrel-organ or musical-box; to the hollow shaft in which the piston of a pump works; or to the tube of a gun. The “barrel” of a horse is that part of the body lying between the shoulders and the quarters. For the system of vaulting in architecture known as “barrel-vaulting” see Vault.
# 1911 Encyclopædia Britannica/Barrett, Lawrence

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​BARRETT, LAWRENCE (1838–1891), American actor, was born of Irish parents in Paterson, New Jersey, on the 4th of April 1838. His family name was Brannigan. He made his first stage appearance at Detroit as Murad in The French Spy in 1853. In December 1856 he made his first New York appearance at the Chambers Street theatre as Sir Thomas Clifford in The Hunchback. In 1858 he was in the stock company at the Boston Museum. He served with distinction in the Civil War as captain in the 28th Massachusetts infantry regiment. From 1867 to 1870, with John M$^c$Cullough, he managed the California theatre, San Francisco. Among his many and varied parts may be mentioned Hamlet, Lear, Macbeth, Shylock, Richard III., Wolsey, Benedick, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker’s (1823–1890) Francesca da Rimini, and James Harebell in The Man o’ Airlie. He played Othello to Booth’s Iago and Cassius to his Brutus. He acted in London in 1867, 1881, 1883 and 1884, his Richelieu in Bulwer Lytton’s drama being considered his best part. He wrote a life of Edwin Forrest in the American Actors Series (Boston, 1881), and an admirable sketch of Edwin Booth in Edwin Booth and his Contemporaries (Boston, 1886). He died on the 20th of March 1891.
# 1911 Encyclopædia Britannica/Barratry

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​BARRATRY (O. Fr. bareter, barater, to barter or cheat), in English criminal law, the offence (more usually called common barratry) of constantly inciting and stirring up quarrels in disturbance of the peace, either in courts or elsewhere. It is an offence both at common law and by statute, and is punishable by fine and imprisonment. By a statute of 1726, if the person guilty of common barratry belonged to the profession of the law, he was disabled from practising in the future. It is a cumulative offence, and it is necessary to prove at least three commissions of the act. For nearly two centuries there had been no record of an indictment having been preferred for this offence, but in 1889 a case occurred at the Guildford summer assizes, R. v. Bellgrove (The Times, 8th July 1889). As, however, the defendant was convicted of another offence, the charge was not proceeded upon. (See Pollock and Maitland, History of English Law; Russell, Crimes and Misdemeanours; Stephen, Criminal Law.)
In marine insurance barratry is any kind of fraud committed upon the owner or insurers of a ship by a master with the intention of benefiting himself at their expense. Continental jurists give a wider meaning to barratry, as meaning any wilful act by the master or crew, by whatever motive induced, whereby the owners or charterers are damnified. In bills of lading it is usual to except it from the shipowners' liability (see Affreightment).
In Scotland, barratry is the crime committed by a judge who is induced by bribery to pronounce judgment.
# 1911 Encyclopædia Britannica/Barren Island

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​BARREN ISLAND, a volcanic island in the Bay of Bengal. It has an irregularly circular form of about 2 m. in diameter, composed of an outer rim rising to a height of from 700 to 1000 ft., with a central cone the altitude of which is 1015 ft. This cone rises from a depth of 800 fathoms below the sea. It was active between 1789 and 1832, but has since been dormant.
# 1911 Encyclopædia Britannica/Barranquilla

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​BARRANQUILLA, a city and port of Colombia, South America, capital of a province of the same name in the department of Atlantico, on the left bank of the Magdalena river about 7 m. above its mouth and 181/2 m. by rail from its seaport, Puerto Colombia. Pop. (est. 1902) 31,000. Owing to a dangerous bar at the mouth of the Magdalena the trade of the extensive territory tributary to that river, which is about 60% of that of the entire country, must pass in great part through Barranquilla and its seaport, making it the principal commercial centre of the republic. Savanilla was used as a seaport until about 1890, when shoals caused by drifting sands compelled a removal to Puerto Colombia, a short distance westward, where a steel pier, 4000 ft. in length, has been constructed to facilitate the handling of freight. The navigation of the Magdalena is carried on by means of light-draught steamboats which ascend to Yeguas, 14 m. below Honda, where goods are transhipped by rail to the latter place, and thence by pack animals to Bogotá, or by smaller boats to points farther up the river. Barranquilla was originally founded in 1629, but attracted no attention as a commercial centre until about the middle of the 19th century, when efforts were initiated to secure the trade passing through Cartagena. The city is built on a low plain, is regularly laid out, and has many fine warehouses, public buildings and residences, but its greater part, however, consists of mud-walled cabins supported by bamboo (guadua) framework and thatched with rushes. The water-supply is drawn from the Magdalena, and the city is provided with telephone, electric light and tram services. Owing to periodical inundations, the surrounding country is but little cultivated, and the greater part of the population, which is of the mixed type common to the lowlands of Columbia, is engaged in no settled productive occupation.
# 1911 Encyclopædia Britannica/Burslem

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​BURSLEM, a market town of Staffordshire, England, in the Potteries district, 150 m. N.W. from London, on the North Staffordshire railway and the Grand Trunk Canal. Pop. (1891) 31,999; (1901) 38,766. In the 17th century the town was already famous for its manufacture of pottery. Here Josiah Wedgwood was born in 1730, his family having practised the manufacture in this locality for several generations, while he himself began work independently at the Ivy House pottery in 1759. He is commemorated by the Wedgwood Institute, founded in 1863. It comprises a school of art, free library, museum, picture-gallery and the free school founded in 1794. The exterior is richly and peculiarly ornamented, to show the progress of fictile art. The neighbouring towns of Stoke, Hanley and Longton are connected with Burslem by tramways. Burslem is mentioned in Domesday. Previously to 1885 it formed part of the parliamentary borough of Stoke, but it is now included in that of Hanley. It was included in the municipal borough of Stoke-on-Trent under an act of 1908.
# 1911 Encyclopædia Britannica/Burton, William Evans

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​BURTON, WILLIAM EVANS (1804–1860), English actor and playwright, born in London in September 1804, was the son of William George Burton (1774–1825), a printer and author of Research into the religions of the Eastern nations as illustrative of the scriptures (1805). He was educated for the Church, but, having entered his father’s business, his success as an amateur actor led him to go upon the stage. After several years in the provinces, he made his first London appearance in 1831. In 1834 he went to America, where he appeared in Philadelphia as Dr Ollapod in The Poor Gentleman. He took a prominent place, both as actor and manager, in New York, Philadelphia and Baltimore, the theatre which he leased in New York being renamed Burton’s theatre. He had much popular success as Captain Cuttle in John Brougham’s dramatization of Dombey and Son, and in other low comedy parts in plays from Dickens’s novels. Burton was the author of a large number of plays, one of which, Ellen Wareham (1833), was produced simultaneously at five London theatres. In Philadelphia he established the Gentleman’s Magazine, of which Edgar Allan Poe was for some time the editor. He was himself the editor of the Cambridge Quarterly and the Souvenir, and the author of several books, including a Cyclopaedia of Wit and Humour (1857). He collected a library of over 100,000 volumes, especially rich in Shakespeariana, which was dispersed after his death at New York City on the 9th of February 1860.
# 1911 Encyclopædia Britannica/Bursian, Conrad

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​BURSIAN, CONRAD (1830–1883), German philologist and archaeologist, was born at Mutzschen in Saxony, on the 14th of November 1830. On the removal of his parents to Leipzig, he received his early education at the Thomas school, and entered the university in 1847. Here he studied under Moritz Haupt and Otto Jahn until 1851, spent six months in Berlin (chiefly to attend Böckh’s lectures), and completed his university studies at Leipzig (1852). The next three years were devoted to travelling in Belgium, France, Italy and Greece. In 1856 he became a Privat-docent, and in 1858 extraordinary professor at Leipzig; in 1861 professor of philology and archaeology at Tübingen; in 1864 professor of classical antiquities at Zurich; in 1869 at Jena, where he was also director of the archaeological museum; in 1874 at Munich, where he remained until his death on the 21st of September 1883. His most important works are: Geographie von Griechenland (1862–1872); Beiträge zur Geschichte der klassischen Studien im Mittelalter (1873); Geschichte der klassischen Philologie in Deutschland (1883); editions of Julius Firmicus Maternus’ De Errore Profanarum Religionum (1856) and of Seneca’s Suasoriae (1857). The article on Greek Art in Ersch and Gruber’s Encyclopaedia is by him. Probably the work in connexion with which he is best known is the Jahresbericht über die Fortschritte der klassischen Altertumswissenschaft (1873, &c.), of which he was the founder and editor; from 1879 a Biographisches Jahrbuch für Altertumskunde was published by way of supplement, an obituary notice of Bursian, with a complete list of his writings, being in the volume for 1884.
# 1911 Encyclopædia Britannica/Burton, Sir Frederick William

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​BURTON, SIR FREDERICK WILLIAM (1816–1900), British painter and art connoisseur, the third son of Samuel Burton of Mungret, Co. Limerick, was born in Ireland in 1816. He was educated in Dublin, where his artistic studies were carried on with marked success under the direction of Mr Brocas, an able teacher, who foretold for the lad a distinguished career. That this estimate was not exaggerated was proved by Burton’s immediate success in his profession. He was elected an associate of the Royal Hibernian Academy at the age of twenty-one and an academician two years later; and in 1842 he began to exhibit at the Royal Academy. A visit to Germany and Bavaria in 1851 was the first of a long series of wanderings in various parts of Europe, which gave him a profound and intimate knowledge of the works of the Old Masters, and prepared him admirably for the duties that he undertook in 1874 when he was appointed director of the British National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci’s “Virgin of the Rocks,” Raphael’s “Ansidei Madonna,” Holbein’s “Ambassadors,” Van Dyck’s equestrian portrait of Charles I., and the “Admiral Pulido Pareja,” by Velasquez; and he added largely to the noted series of Early Italian pictures in the gallery. The number of acquisitions made to the collection during his period of office amounts to not fewer than 500. His own painting, most of which was in water-colour, had more attraction for experts than for the general public. He was elected an associate of the Royal Society of Painters in Water-Colours in 1855, and a full member in the following year. He resigned in 1870, and was re-elected as an honorary member in 1886. A knighthood was conferred on him in 1884, and the degree of LL.D. of Dublin in 1889. In his youth he had strong sympathy with the “Young Ireland Party,” and was a close associate with some of its members. He died in Kensington on the 16th of March 1900.
# 1911 Encyclopædia Britannica/Burujird

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​BURUJIRD, a province of Persia, bounded W. by Luristan, N. by Nehavend and Malayir, E. by Irak and S. by Isfahan. It is divided into the following administrative divisions:—(1) town of Burujird with villages in immediate neighbourhood; (2) Silakhor (upper and lower); (3) Japalak (with Sarlek and Burbarud); (4) nomad Bakhtiari. It has a population of about 250,000 or 300,000, and pays a yearly revenue of about £16,000. It is very fertile and produces much wheat, barley, rice and opium. With improved means of transport, which would allow the growers to export, the produce of cereals could easily be trebled. The province is sometimes joined with that of Luristan.
The town Burujird, the capital of the province, is situated in the fertile Silakhor plain on the river Tahīj, a tributary of the Dizful river (Ab i Diz), 70 m. by road from Hamadan and 212 m. from Isfahan, in 33° 55′ N. and 48° 55′ E., and at an elevation of 5315 ft. Pop. about 25,000. It manufactures various cotton stuffs (coarse prints, carpet covers) and felts (principally hats and caps for Lurs and Bakhtiaris). It has post and telegraph offices.
# 1911 Encyclopædia Britannica/Boni

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​BONI (Boné), a vassal state of the government of Celebes, Dutch East Indies, in the south-west peninsula of Celebes, on the Gulf of Boni. Area, 2600 sq. m. It produces rice, tobacco, coffee, cotton and sugar-cane, none of them important as exports. The breeds of buffaloes and horses in this state are highly esteemed. The chief town, Boni, lies 80 m. N.E. of Macassar, and 21/2 m. from the east coast of the peninsula. The native race of Bugis (q.v.), whose number within this area is about 70,000, is one of the most interesting in the whole archipelago.
Boni was once the most powerful state of Celebes, all the other princes being regarded as vassals of its ruler, but its history is not known in detail. In 1666 the rajah Palakkah, whose father and grandfather had been murdered by the family of Hassan, the tyrant of Sumatra, made common cause with the Dutch against that despot. From that date till the beginning of the 19th century Dutch influence in the state remained undisputed. In 1814, however, Boni fell into the hands of the British, who retained it for two years; but by the European treaties concluded on the downfall of Napoleon it reverted to its original colonizers. Their influence, however, was resisted more than once by the natives. An expedition in 1825, under General van Geen, was not fully successful in enforcing it; and in 1858 and the following year two expeditions were necessary to oppose an attempt by the princess regent towards independence. In 1860 a new prince, owning allegiance to the Dutch, was set up. As in other native states in Celebes, ​succession to the throne in the female line has precedence over the male line.
For the wars in Boni, see Perelaer, De Bonische expeditiën, 1859–1860 (Leiden, 1872); and Meyers, in the Militaire Spectator (1880).
# 1911 Encyclopædia Britannica/Bonghi, Ruggero

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​BONGHI, RUGGERO (1828–1895), Italian scholar, writer and politician, was born at Naples on the 20th of March 1828. Exiled from Naples in consequence of the movement of 1848, he took refuge in Tuscany, whence he was compelled to flee to Turin on account of a pungent article against the Bourbons. At Turin he resumed his philosophic studies and his translation of Plato, but in 1858 refused a professorship of Greek at Pavia, under the Austrian government, only to accept it in 1859 from the Italian government after the liberation of Lombardy. In 1860, with the Cavour party, he opposed the work of Garibaldi, Crispi and Bertani at Naples, and became secretary of Luigi Carlo Farini during the latter’s lieutenancy, but in 1865 assumed contemporaneously the editorship of the Perseveranza of Milan and the chair of Latin literature at Florence. Elected deputy in 1860 he became celebrated by the biting wit of his speeches, while, as journalist, the acrimony of his polemical writings made him a redoubtable adversary. Though an ardent supporter of the historic Right, and, as such, entrusted by the Lanza cabinet with the defence of the law of guarantees in 1870, he was no respecter of persons, his caustic tongue sparing neither friend nor foe. Appointed minister for public instruction in 1873, he, with feverish activity, reformed the Italian educational system, suppressed the privileges of the university of Naples, founded the Vittorio Emanuele library in Rome, and prevented the establishment of a Catholic university in the capital. Upon the fall of the Right from power in 1876 he joined the opposition, and, with characteristic vivacity, protracted during two months the debate on Baccelli’s University Reform Bill, securing, single-handed, its rejection. A bitter critic of King Humbert, both in the Perseveranza and in the Nuova Antologia, he was, in 1893, excluded from court, only securing readmission shortly before his death on the 22nd of October 1895. In foreign policy a Francophil, he combated the Triple Alliance, and took considerable part in the organization of the inter-parliamentary peace conference. (H. W. S.)
# 1911 Encyclopædia Britannica/Bonham

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​BONHAM, a town and the county-seat of Fannin county, Texas, U.S.A., about 14 m. S. of the Red river, in the north-east part of the state, and 70 m. N. of Dallas. Pop. (1890) 3361; (1900) 5042 (1223 being negroes); (1910), 4844. It is served by the Missouri, Kansas & Texas, and the Texas & Pacific railways. Bonham is the seat of Carlton College (Christian), a woman’s college founded in 1867; and its high school is one of the best in the state. It is a trading and shipping centre of an extensive farming territory devoted to the raising of live-stock and to the growing of cotton, Indian corn, fruit, &c. It has large cotton gins and compresses, a large cotton mill, flour mills, canning and ice factories, railway repair shops, planing mills and carriage works. The town was named in honour of J. B. Bonham, a native of South Carolina, who was killed in the Alamo. The first settlement here was made in 1836. The town was incorporated in 1850, and was re-incorporated in 1886.
# 1911 Encyclopædia Britannica/Bonheur, Rosa

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​BONHEUR [Marie Rosalie], ROSA (1822–1899), French painter, was born at Bordeaux on the 22nd of March 1822. She was of Jewish origin. Jacques Wiener, the Belgian medallist, a native of Venloo, says that he and Raymond Bonheur, Rosa’s father, used to attend synagogue in that town; while another authority asserts that Rosa used to be known in common parlance by the name of Rosa Mazeltov (a Hebrew term for “good luck,” Gallicé Bonheur). She was the eldest of four children, all of whom were artists—Auguste (1824–1884) painted animals and landscape; Juliette (1830–1891) was “honourably mentioned” at the exhibition of 1855; Isidore, born in 1827, was a sculptor of animals. Rosa at an early age was taught to draw by her father (who died in 1849), and he, perceiving her very remarkable talent, permitted her to abandon the business of dressmaking, to which, much against her will, she had been put, in order to devote herself wholly to art. From 1840 to 1845 she exhibited at the salon, and five times received a prize; in 1848 a medal was awarded to her. Her fame dates more especially from the exhibition of 1855; from that time Rosa Bonheur’s works were much sought after in England, where collectors and public galleries competed eagerly for them. What is chiefly remarkable and admirable in her work is that, like her contemporary, Jacques Raymond Brascassat (1804–1867), she represents animals as they really are, as she saw them in the country. Her gift of accurate observation was, however, allied to a certain dryness of style in painting; she often failed to give a perfect sense of atmosphere. On the other hand, the anatomy of her animals is always faultlessly true. There is nothing feminine in her handling; her treatment is always manly and firm. Of her many works we may note the following:—“Ploughing in the Nivernais” (1848), in the Luxembourg gallery; “The Horse Fair” (1853), one of the two replicas of which is in the National Gallery, London, the original being in the United States; and “Hay Harvest in Auvergne” (1835). She was decorated with the Legion of Honour by the empress Eugénie, and was subsequently promoted to the rank of “officer” of the order. After 1867 Rosa Bonheur exhibited but once in the salon, in 1899, a few weeks before her death. She lived quietly at her country house at By, near Fontainebleau, where for some years she had held gratuitous classes for drawing. She left at her death a considerable number of pictures, studies, drawings and etchings, which were sold by auction in Paris in the spring of 1900. (H. Fr.)