# The Strand Magazine/Volume 5/Issue 25/From Behind the Speaker's Chair

From Behind the Speaker's Chair
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From Behind the Speaker's Chair. (VIEWED BY HENRY W. LUCY.)
[The first of what, it is hoped, will be a long series of articles, descriptive of the House of Commons, is here appended. The author is Mr. Henry Lucy, who has spent nearly a quarter of a century in the Press Gallery of the House, and who, in addition to much other successful journalistic work, has, in the character of "Toby, M.P.," supplied to our distinguished contemporary, "Punch," some of its most amusing sketches. "From Behind the Speaker's Chair" will be continued, and will, we believe, be looked forward to by our readers, month by month, with constant interest.—Editor.]
HEU FUGACES! It is just twenty years, marked by the opening Session, since I first had the opportunity of viewing the House of Commons from a coign of 'vantage behind the Speaker's Chair. It is more than twenty years since I looked on the place with opportunity for closely studying it. But, as I am reminded by an inscription in an old rare copy of "Dod," it was in February, 1873, that I was installed in the Press Gallery in charge of the Parliamentary business of a great daily paper.
I first saw the House in circumstances that might well have led me to the Clock Tower. It was in the spring of 1869. I was passing through London, on my way to Paris, where I had proposed to myself to live for a year, master the language, and proceed thence to other capitals of Europe, learn their tongues, and return to storm the journalistic citadel in London, armed with polyglot accomplishments. Even then I had a strong drawing towards the House of Commons, but desired to see it, not as the ordinary stranger beheld it from the gallery facing the Chair, but from the Press Gallery itself.
Old Stagers.
In those days the adventure was far more difficult than in existing circumstances. The country Press was not represented save vicariously in the form of a rare London correspondent, who wrote a weekly letter for some phenomenally enterprising county paper. The aggregate of the London staffs was far smaller than at present, and was, it struck me at the time, composed almost exclusively of elderly gentlemen. The chances of detection of an unauthorized stranger (being, moreover, a beardless youth) were accordingly increased. But I was determined to see the House from behind the Speaker's Chair, and was happy in the possession of a friend as reckless as myself. He was on the staff of a morning journal, and, though not a gallery man, knew most of the confraternity.
One night he took me down to the gallery and endeavoured to induce more than one of the old stagers to pilot me in. They stared aghast at the proposal, and walked hurriedly away. We were permitted to stand at the glass door giving entrance to the gallery and peer upon the House, which struck me as being very empty. The door swung easily to and fro as the men passed in out, taking their turn. The temptation proved irresistible.
"I think I'll go in," I said.
"Very well," dear old Walter hoarsely whispered "Turn sharp to the right, sit down on a back bench, and I daresay no one will notice you."
​ Fast asleep.
At the corner of the bench, presumably guarding the doorway, sat a portly gentleman in evening dress, with a gold badge slung across his abundant shirt front. He was fast asleep, and I passed along the bench, sitting down midway. At that time there were no desks in front of these back benches, which were tenantless. I suppose my heart beat tumultuously, but I sat there with apparent composure. At length I had reached the House of Commons, and eagerly gazed upon it, feeling like some watcher of the skies when a new planet swims into his ken;
I don't know how long I sat there; probably not five minutes, certainly long enough to be struck with the smallness of the chamber, the commonplace appearance of the personages forming the historic assembly, and the perfect manner in which they dissembled their interest in current proceedings. Then I became conscious of a movement in the sunken boxes before me, where the reporters, taking their turn, sat. Heads were turned and whispered consultations took place. Someone woke up woke up the portly gentleman, whom through many later years I knew as Steele, the chief janitor of the Press Gallery.
Roses.
In time, then far off, he became the possessor of a cottage and garden in Kent, whither, wearied with his legislative labours, he used to retire from Saturday to Monday. In summer-time he always brought me two or three roses, which he put in my hand with an awkward sort of flap, as if they were a slice of bacon he was depositing on a counter. That was his way of intimating that it was of no consequence. He noticed that I always comforted myself through long debates and all-night sittings with a handful of flowers set in a little glass on my desk, which was generally upset in the course of the evening by some unsympathetic reporter borrowing my box during a temporary absence, and clumsily turning round in the circumscribed space.
"Get out!"
But that is another story. It was no flowers that Steele now brought me, but stern peremptory command to "get out!" He was unusually irate, first at having been wakened out of his sleep, and secondly at having in probably unique circumstances been caught napping at the post of duty. I went forth disconsolate, and there was a great hubbub in the dark little room outside. My friend and co-conspirator fled in affright when he saw me actually enter the gallery. Now he dropped in in a casual way, and stood at the edge of the crowd whilst Steele took down my name and address, and told me I should "hear from the Serjeant-at-Arms." I don't know whether that potentate ever communicated with me. I fancy Steele, recognising his own somewhat imperilled position, was not anxious to pursue the matter. Anyhow, I never heard from the Serjeant-at-Arms. Walter and I agreed, as a matter of precaution, that I had better ​hasten my departure for Paris, and two days later the English Channel rolled between me and the Clock Tower.
Next time I entered the Press Gallery it was as the accredited representative of the Pall Mall Gazette. I came over from Paris to spend Christmas at home, and never went back to complete that continental tour in search of knowledge, which I fancy had been suggested by Goldsmith's trip with his flute. It happened that in the early days of 1870, the proprietor of the Pall Mall Gazette began the first of the series of chequered changes in the history of the journal, by starting it as a morning paper. I had been an occasional contributor in a humble way to the evening edition, and thought I might have a chance of an appointment on the staff of the new morning paper.
Outside the "Pall Mall" office.
Mentioning this to my friend Walter, he undertook to see it through, just as he had fallen in with the even more audacious proposal to enter the Press Gallery. I remember we were not far off Northumberland Street when the subject was broached, and might easily have walked there. But Walter could never embark upon enterprises of this kind unless he went in a cab, the driver being incited to go at topmost speed.
He left me in the cab whilst he ran up stairs to the office in Northumberland Street—I saw him going two steps at a time—and flung himself into the office of Mr. Fyffe, an old and highly-esteemed member of the Times staff, who had joined Mr. Frederick Greenwood in the editorial direction of the new development of the Pall Mall. What Walter said to Fyffe I never learned in detail, but subsequently had reason to guess he told him he had in the cab downstairs a young fellow who was (or would be) one of the wonders of the journalistic world, and that the morning edition of the Pall Mall would have no chance unless it secured his services.
However it came about; whether Fyffe had some work in hand and was anxious to be relieved from the embarrassing presence of his visitor bounding all over the room in the enthusiasm of his advocacy; or whether, as usually happens with a new paper, choice was limited, I was engaged then and there as assistant sub-editor at the salary of four guineas a week. I believe the regular average rate of remuneration was five guineas. But I was young and inexperienced; and after living in the Quartier Latin for nearly a year on fifteenpence a day, cultivating French literature on petits noirs, four guineas a week was a competency. "Trois de café" is what Daudet in his "Trente ans de Paris" calls this sip of nectar. "C'est a dire," he explains, "pour trois sous d'un café savoureux balsamique raisonnablement édulcoré." But Daudet must have frequented aristocratic quarters. At our crèmerie we never paid more than two sous, and, bent on attaining luxury, we demanded "un petit noir."
When the paper started, Mr. Fyffe did the Parliamentary summary, of which the Pall Mall made a feature, placing it on the leader page. One afternoon, after I had been on the staff for some six weeks, I looked in at the office, and found it in a state of consternation. Fyffe had been suddenly taken ill, and it was impossible for him to go down to the House to do the summary. Mr. Greenwood sent for me and asked me to take his place, for that night at least. To go down to the House of Commons and take an ordinary "turn" of reporting for the first time is, I suppose, a trying thing. To be bundled off at an hour's notice to fill the place of one of the most eminent Parliamentary writers of the day, and to supply a leading article on a subject of the surroundings of which one was absolutely ignorant, might seem appalling. It all came very naturally to me. I did my best in the strange, somewhat bewildering, circumstances, and as long as the morning edition of the Pall Mall lasted, I continued to write its summary. Fyffe came round again in a week; but he never more took up the summary, leaving it in my hands, with many words of kind encouragement.
It was in October, 1872, I joined the staff of the Daily News, having, under Mr. Robinson's watchful eye, gone through a ​period of probation as contributor of occasional articles descriptive of current events. I might, in the ordinary course of events, have continued in that line, as my friend and colleague Senior has done these twenty years, with honour to himself and credit to the paper. But here, again, chance befell and irresistibly led me back to the Press Gallery. In this very year a change took place in a longstanding management of the Daily News Parliamentary corps and the writing of its summary, and Mr. Robinson designated me as successor of the gentleman who retired. It was a curious and, in some respects, a delicate position, seeing that I was, compared with some members of the staff, a mere chicken in point of age. There were three who had been on the paper since it started, any one of whom might, had Fortune favoured me in that direction, have been my grandfather. But we got along admirably, they easing my path with kindly counsel and the friendliest consideration.
Mr. Robinson.
It was different with some of the old hands on the other corps, who bitterly resented the intrusion. I am not quite sure whether the two or three who still survive have got over it yet. Certainly old "Charlie" Ross, then and for some years after manager of the Times staff, carried the feeling to his honoured grave. After I had sat next but one to him in the gallery for many Sessions he used, on encountering me in the passage, to greet me with a startled expression, as if I were once more an intruder, and would walk back to the outer doorkeeper (whom he autocratically called Smeeth, because his name was Wright) to ask, "Who's that?"
Three old men.
Old Ross's personal affront in this matter probably dated back to the Session of 1872, when I took an occasional turn for a friend who was a member of his staff. This was young Latimer, son of the proprietor of the Western Daily Mercury, who had been called to the Bar and occasionally got a brief on the Western Circuit. When he went out of town I became his substitute in respect of his Parliamentary duties. It was Mr. Ross's custom of an afternoon to seat himself on the bench in the ante-chamber of the Press Gallery, armed with a copy of the Times report of the day, with the "turns" all marked with the name of the man who had written them. He genially spent the morning in reading the prodigious collocation in search of errors. When found, these were made a note of, the guilty person was sent for and had a more or less pleasant quarter of an hour. This was called being "on the gridiron."
I had only one experience of the process. Seated one day by command beside this terrible old gentleman, he produced the marked passage containing one of my turns, pointing to the name, Mr. Ward Hunt, fixed a glowering eye on me and said, with his slow intonation:—
"Who is 'Mr. Ward Hunt'?"
"He is the member for North Northamptonshire," I timidly replied.
"Oh!" he said, witheringly, "that's whom you mean. 'Ward Hunt'! Let me tell you, sir, Ward Hunt may do very well for the penny papers, but in the Times report we write 'Mr. W. Hunt.'"
I don't know why this should have been, since the burly gentleman, who in the next Parliament was Chancellor of the Exchequer, was invariably called by his full style. But then, as I have said, nobody knew why old "Charlie" Ross dubbed Wright Smith, and pronounced it Smeeth.
Gentlemen of the Press Gallery who now live at Westminster at ease, with their library, their smoking-room, their choice of writing-out rooms, their admirably-appointed and self-administered commissariat department, little know the state of things that existed twenty years ago. Committee Room No. 18 had then recently been appointed to their use ​as a writing-room, providing it were not, when the House met, still in the occupation of a Committee. But the writing-out rooms originally apportioned, and then still in constant use, were two dark, ill-ventilated dens which served as ante-chambers from the Press Gallery. The Times staff appropriated the room to the right, still occupied by their telephonic service; the corresponding room to the left being for general use. The room at the top of the stairs—where Wright still presides and entrances the telegraph messengers with sententious remarks on political, social, and philosophic affairs—was also used for writing-out purposes, if a man could find a corner at the table at which to sit.
Smeeth.
Cutting the Beef.
This was difficult, since this closet, not bigger than a boot-room in an ordinary household, was also sole dining-room attached to the Press Gallery. In addition to his official duties at the door, Wright, in his private capacity, added those of purveyor. Every Monday he brought down (in two red cotton pocket-handkerchiefs, it was profanely said) a round of cold boiled beef and a chunk of boiled ham; the latter tending, if memory serves, rather towards the shank end. This, with bread, cheese, and bottled beer, was the sole provision for the sustenance of the sixty or seventy gentlemen who then composed the corps of the Press Gallery. At that time it was more widely the practice to go out to dinner or supper. But for those whose duties kept them in close attendance on the gallery there was nothing for it but cold beef, cold ham, or an amalgamation carefully doled forth. Many a night, seated at the little table that still remains in this outer room, I have watched Wright prepare my sumptuous repast. He was even then short-sighted, and to this day I have vivid recollection of the concern with which I saw his nose approach to dangerous contiguity of the round of beef as he leaned over it to cut a slice with judicious thinness.
Lord Charles Russell.
Even this accommodation was regarded askance by the constitutional authorities of the House, still accustomed to regard the Press as an intruder happily subject, under the beneficent regulations of the Stuart days, to instant expulsion if any member pleased ​to take note of the presence of its representatives. In 1867, a Committee sat to consider the general arrangements of the House. The reporters, greatly daring, took the opportunity of laying before it a statement of their grievances, and asked for fuller convenience for carrying on their work. Lord Charles Russell, then Serjeant-at-Arms, was, very properly, astonished at their unreasonableness, and plaintively deplored the times when, as he put it, reporters seemed to require only the necessaries of life, not presuming to lift their eyes to its luxuries.
"They used, I am told," Lord Charles added, "to have just a glass of water and biscuits, or anything of that sort. Now they have their tea at the back of the gallery."
Mr. David Plunket.
Oliver Twist asking for more scarcely reached the height of the audacity of these reporters in 1867. Like Mr. Bumble, the Serjeant-at-Arms of the day literally gasped in dismayed astonishment.
All this is changed. Thanks to the courtesy and reasonableness of successive First Commissioners of Works, of whom Mr. David Plunket was not the least forward in doing good, the arrangements in connection with the Press Gallery of to-day leave nothing to be desired.
Of the changes that have taken place in the House itself, and of the ghosts that flit about the benches where twenty years ago they sat in flesh and bone, I shall have something to say next month.
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