OpenLLM-France/wikimedia huggingface dataset:
# The Panchatantra (Purnabhadra's Recension of 1199 CE)/front matter

"One Vishnusharman, shrewdly gleaning All Worldly wisdom's inner meaning these five Books the charm compresses Of all such books the world possesses And this is how it happened.
In the southern country is a city called Maiden's Delight. There lived a King named Immortal Power. This king had three sons …and they were supreme block-heads."
The Panchatantra, one of the world's great collections of tales was gathered together in India in the Vale of Kashmir, over 2,000 years ago. Told, so the story goes, to a king's three ​blockhead sons, the fables have ever since traveled the world, illustrating wise conduct of life through the storyteller's art.
Witty, wise, shrewd, full of life and humor, the animal-actors in these tales present life filled with sources of lasting joy. The stories are splendid as pure narrative; the verses are captivating and sophisticated. Here, translated from the Sanskrit, they charm the reader with their oriental flavor and spirit.
About the Author
The late ARTHUR W. RYDER, distinguished translator of The Bhagavad-Gita, The Ten Princes, and The Panchatantra, was Professor of Sanskrit at the University of California for many years before his death in 1938.
# The Pannikin Poet

There's nothing here sublime, But just a roving rhyme, Run off to pass the time, With nought titanic in. The theme that it supports, And, though it treats of quarts, It's bare of golden thoughts -- It's just a pannikin.
I think it's rather hard That each Australian bard -- Each wan, poetic card -- With thoughts galvanic in His fiery thought alight, In wild aerial flight, Will sit him down and write About a pannikin.
He makes some new-chum fare From out his English lair To hunt the native bear, That curious mannikin; And then the times get bad That wandering English lad Writes out a message sad Upon his pannikin:
"O mother, think of me Beneath the wattle tree" (For you may bet that he Will drag the wattle in) "O mother, here I think That I shall have to sink, There ain't a single drink The water-bottle in."
The dingo homeward hies, The sooty crows uprise And caw their fierce surprise A tone Satanic in; And bearded bushmen tread Around the sleeper's head -- "See here -- the bloke is dead! Now where's his pannikin?"
They read his words and weep, And lay him down to sleep Where wattle branches sweep, A style mechanic in; And, reader, that's the way The poets of today Spin out their little lay About a pannikin.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Panther

* Search for titles containing or beginning with: "The Panther."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Panther, anonymous Old English poem in the Exeter Book
* The Panther (Der Panther), poem by Rainer Maria Rilke
# The Panther and the Shepherds

Perry index 494
* "Of the Panthire and of the Vylayns", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "The Panther and the Shepherds", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Peace of Europe

"GREAT peace in Europe! Order reigns From Tiber's hills to Danube's plains!" So say her kings and priests; so say The lying prophets of our day.
Go lay to earth a listening ear; The tramp of measured marches hear; The rolling of the cannon's wheel, The shotted musket's murderous peal, The night alarm, the sentry's call, The quick-eared spy in hut and hall! From Polar sea and tropic fen The dying-groans of exiled men! The bolted cell, the galley's chains, The scaffold smoking with its stains! Order, the hush of brooding slaves Peace, in the dungeon-vaults and graves!
O Fisher! of the world-wide net, With meshes in all waters set, Whose fabled keys of heaven and hell Bolt hard the patriot's prison-cell, And open wide the banquet-hall, Where kings and priests hold carnival! Weak vassal tricked in royal guise, Boy Kaiser with thy lip of lies; Base gambler for Napoleon's crown, Barnacle on his dead renown! Thou, Bourbon Neapolitan, Crowned scandal, loathed of God and man And thou, fell Spider of the North! Stretching thy giant feelers forth, Within whose web the freedom dies Of nations eaten up like flies! Speak, Prince and Kaiser, Priest and Czar I If this be Peace, pray what is War?
White Angel of the Lord! unmeet That soil accursed for thy pure feet. Never in Slavery's desert flows The fountain of thy charmed repose; No tyrant's hand thy chaplet weaves Of lilies and of olive-leaves; Not with the wicked shalt thou dwell, Thus saith the Eternal Oracle; Thy home is with the pure and free! Stern herald of thy better day, Before thee, to prepare thy way, The Baptist Shade of Liberty, Gray, scarred and hairy-robed, must press With bleeding feet the wilderness! Oh that its voice might pierces the ear Of princes, trembling while they hear A cry as of the Hebrew seer Repent! God's kingdom draweth near!
# The Peacock and Juno

Perry index 509
* "Iuno the goddesse, the Pecok and the Nyghtyngale", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Fox and a Hare to Jupiter", part of "Fable LXXVIII to LXXX", in Fables of Æsop and Other Eminent Mythologists (1692)
* "A Peacock to Juno", part of "Fable LXXVIII to LXXX", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Peacock and Juno", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Peacock and Juno", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Peacock and Juno", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pearl

* related portals: Erotica.
* sister projects: Wikipedia article, Wikidata item.
The Pearl is a collection of erotic tales, rhymes, songs and parodies in magazine form that were published in London between 1879 to 1881, when they were forced to shut down by the authorities for publishing rude and obscene literature.
* Volume 1 (July 1879)
* Volume 2 (Aug 1879)
* Volume 3 (Sep 1879)
* Volume 4 (Oct 1879)
* Volume 5 (Nov 1879)
* Volume 6 (Dec 1879)
* Volume 7 (Jan 1880)
* Volume 8 (Feb 1880)
* Volume 9 (Mar 1880)
* Volume 10 (Apr 1880)
* Volume 11 (May 1880)
* Volume 12 (Jun 1880)
* Volume 13 (July 1880)
* Volume 14 (Aug 1880)
* Volume 15 (Sep 1880)
* Volume 16 (Oct 1880)
* Volume 17 (Nov 1880)
* Volume 18 (Dec 1880)
    Christmas Annual (1879)
    Christmas Annual (1880)
    Christmas Annual (1881)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Peacock and the Crane

* related authors: Aesop.
* sister projects: Wikidata item.
Perry index 294
* "Of the Crane and of the Pecock", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Peacock and a Crane", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Peacock and the Crane", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Peacock and the Crane", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pearl/Volume 1

A Journal of Facetiæ and Voluptuous Reading.

### An Apology for our Title

Having decided to bring out a Journal, the Editor racks his brains for a suitable name with which to christen his periodical. Friends are generally useless in an emergency of this kind; they suggest all kinds of impossible names; the following were some of the titles proposed in this instance: "Facts and Fancies," "The Cremorne," "The All Round," "The Monthly Courses," "The Devil's Own," and "Dugdale's Ghost"; the two first had certainly great attractions to our mind, but at last our own ideas have hit upon the modest little "Pearl," as more suitable, especially in the hope that when it comes under the snouts of the moral and hypocritical swine of the world, they may not trample it underfoot, and feel disposed to rend the publisher, but that a few will become subscribers on the quiet. To such better disposed piggywiggys, I would say, for encouragement, that they have only to keep up appearances by regularly attending church, giving to charities, and always appearing deeply interested in moral philanthropy, to ensure a respectable and highly moral character, and that if they only are clever enough never to be found out, they may, sub rosa, study and enjoy the philosophy of life till the end of their days, and earn a glorious and saintly epitaph on their tombstone, when at last the Devil pegs them out.
    Editor of the "Pearl."
* Sub-Umbra, or Sport among the She-Noodles
* Miss Coote's Confession, or the Voluptuous Experiences of an Old Maid.
* Lady Pokingham; or They All Do It
* A Prologue
* The Origin Species
* The Wanton Lass
* The Meeting of the Waters
* Love
* The Pleasures Of Love
* The Rival Toasts
* Nursery Rhymes
* Amen
# The Philippine Islands, 1493–1898/Volume 10/Documents of 1599

DOCUMENTS OF 1599
* Letter to the archbishop of Manila. Felipe III; March 1.
* Letter from the bishop of Nueva Segovia to the king. Miguel de Benavides; May 17.
* Letter to Joan de Ibarra. Miguel de Benavides; May 22.
* Missions of the religious orders. Geronimo de Alcaraz; June 28.
* Miltary affairs in the islands. Francisco Tello, and others; July 12.
* Letter to the king. Francisco Tello; July 12.
* Ordinances enacted by the Audiencia of Manila. Francisco Tello, and others; June 1598-July, 1599. (To be concluded.)
Source: All of these documents are obtained from original MSS. in the Archivo general de Indias, Sevilla.
Translations: The first, third, fourth, and sixth are translated by Robert W. Haight; the second, by José M. and Clara M. Asensio; the fifth and seventh, by Arthur B. Myrick, of Harvard University.
Layout 2
# The Philippine Islands, 1493–1898/Volume 10/Letter to the archbishop of Manila

LETTER FROM FELIPE III TO THE ARCHBISHOP OF MANILA
The King: To the very reverend father in Christ, the archbishop of the city of Manila, of the Philipinas Islands, a member of my Council. As the information of which a copy is sent you with this has been examined in my Council of the Indias, which inquiry was made by the order of the governor of that archbishopric, concerning certain excesses of the teaching religious of the Order of St. Augustine in those islands, I have decided to send it to you; so that, in so far as concerns your jurisdiction over the occupations of the priests in the missions, you may correct the excesses mentioned in the said information, and whatever others there may be. You will remedy them in the form which most furthers the service of God our Lord, and myself. As to the other matters contained in the said information concerning the said religious—that it is understood that they are in league with the governor of those islands and the provincial of the said Order of St. Augustine, or he who may be in his place—you will discuss the remedy which is made necessary by events, as well in this particular as in general. Accordingly I charge and command you to do this, and to advise me of what you shall have done therein. Valencia, on the first of March, of 1599.
I the King
Countersigned by Joan de Ybarra
Signed by the Council.
Layout 2
# The Ocean

* Search for titles containing or beginning with: "The Ocean."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Ocean, a poem by Mihai Eminescu, translated by Petre Grimm
* The Ocean, a poem by Nathaniel Hawthorne
* The Ocean, a poem by Felicia Hemans
* The Ocean, a poem by Victor Hugo
# The Ocean (Hawthorne)

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse

### The Ocean

The Ocean has its silent caves, Deep, quiet and alone; Though there be fury on the waves, Beneath them there is none. The awful spirits of the deep Hold their communion there; And there are those for whom we weep, The young, the bright, the fair.
Calmly the wearied seamen rest Beneath their own blue sea. The ocean solitudes are blest, For there is purity. The earth has guilt, the earth has care, Unquiet are its graves; But peaceful sleep is ever there, Beneath the dark blue waves.
# The Ocean Hop

* related portals: Cartoons, Oswald the Lucky Rabbit, Silent cartoons.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Cast and Crew :
| Crew ||
| Production company | Winkler Production |
| Distributor | Universal Subscription |
| Director | Walt Disney (d. 1966) |
| Producer | Charles Mintz (d. 1939) |
| Screenwriter | Walt Disney |
| Animator | Hugh Harman (d. 1982), Rollin Hamilton (d. 1951) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1982, meaning that this film may be in the public domain in countries and jurisdictions with 41 years p.m.a. or less, as well as in the United States. ||
UNIVERSAL presents OSWALD THE LUCKY RABBIT in
"THE OCEAN HOP"
A Winkler Production by Walt Disney
COPYRIGHT MCMXXVII by UNIVERSAL PICTURES CORPORATION
$25,000 PRIZE
FOR FIRST
OCEAN HOP
NEW YORK To PARIS
AVIATION F
SOAP
"THE DARK HORSE"
BANG CLANG
CLANG BANG CLANG
ELASTIC CHEWING
GUM
WEAR-EVER COMPANY SILOAM SPGS U. S. A.
STARTER
TICK
BANG
SOAP
OCEAN HOP
...THEN NIGHT FELL
WHEN DAY BROKE—
ZZZ
POP
POP
WELCOME TO PARIS
SMACK
AN OSWALD COMEDY
THE END
DISTRIBUTED BY UNIVERSAL
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1966, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 57 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Ocean and Its Wonders

Layout 2
THE OCEAN.
THE OCEAN
AND ITS WONDERS.
BY
R. M. BALLANTYNE, AUTHOR, OF "THE YOUNG FUR-TRADERS," "MAN ON THE OCEAN", "THE GORILLA HUNTERS," ETC.
LONDON: T. NELSON AND SONS, PATERNOSTER ROW; EDINBURGH; AND NEW YORK.
1876.
Preface.
HE Voice of Ocean is constantly discoursing of many interesting and stirring truths and events to those who are disposed to listen.
The particular discourse recorded in this volume is that which treats chiefly of the causes and effects of those grand oceanic and atmospheric currents which modify the climates of the Earth, and diversify the face of Nature from the Equator to the Poles.
Our information has been gathered from many sources—chief among which we may mention that delightful book, "Maury's Physical Geography of the Sea."
R. M. Ballantyne.
Contents.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pearl/Volume 9/An Answer to a Queer Question.

A few young sages one bright day (Such conduct is not becoming) Disputed, doth an old tale say, Which is the prettiest part of women: And this, the cause of the affray is.
Some said the cheeks, and some the eyes, And so they sought the beauteous Lais, And asked her to award the prize. The lady said, perhaps displeased, These thoughts I cannot understand.
If you could have them where you pleased, I wonder where you'd put your hand? 'Twould be, you would see, On their K.U.N.T.
# The Pearl/Volume 9/Caution to Ladies.

A contributor wishes to remonstrate against the practice of a very nice young lady friend of his, who treats her quim as if it was a baby's arse. He says, "A nice cunt is a delicious thing to suck, but damn the violet powder, which dries up all the natural juiciness!"
# The Pearl/Volume 8/Then-and-Now.

Nine years ago I Betsy knew, When she was but thrice five; With eyes that flash'd in amorous glow, The prettiest girl alive!
Behold her now! a married dame, Huge, burly, fat and coarse; With a plump, lusty, dumpy frame. Hind quarters of a horse!
She then was light, and slim, and fresh, Rosy, and light'ning ey'd; She then was Spirit - now - O Flesh! How are thou finished!
SECOND PART.
Her sister Athenais sits Beside her in the pew; I wonder if that lass forgets, What I once used to do?
She then was nine; I put my hand, Into her frock behind; And strok'd her, you will understand, Just as I felt inclin'd.
She giggled and she winc'd about, But liked the picked rudeness; She eyes me kindly - she no doubt Remembers all my lewdness.
Yes - eyes me most luxuriously, With glances bright beseeching! How pleasantly the moments fly, While Mr. Cotterill's preaching!
I see she feels the amorous smart, She muses on the men, Comprising in her virtuous heart, The thoughts of now and then.
# The Pearl/Volume 9/A Fact.

When tipsy Harry fumbled Kate, And felt her hairless belly; "What's this," he cried, "thou's but a babe, This is no cunt, I tell ye!"
To whom the indignant lass replied, "Pray, why should you upbraid me? It is not my fault, I am just As God Almighty made me."
"What's that to me?" replied the brute, "To stroke a child's unlucky; If God Almighty made you so, Let Mr. Spurgeon fuck ye!"
# The Pearl/Volume 9

A Journal of Facetiæ and Voluptuous Reading.

### Table of Contents

* La Rose D'Amour.
* A Fact.
* An Adventure With a Tribade; Related in a Letter From a Young Lady to Her Sister.
* Ten Little Niggers.
* Miss Coote's Confession, or the Voluptuous Experiences of an Old Maid.
* The Fruits of Philosophy.
* The Colombine.
* Lady Pokingham, or They All Do It.
* An Answer to a Queer Question.
* Song.
* Caution to Ladies.
* Rouge et Noir.
# The Pearl/Volume 9/Rouge et Noir.

A nigger in fair St. Domingo, Being blase, and worn, said "By Jingo, Blast all women and boys, I'll try some new joys," So he went out and fucked a flamingo.
# The Poetical Works of William Motherwell/They Come! The Merry Summer Months

They Come! The Merry Summer Months.
They come! the merry summer months of Beauty, Song, and Flowers; They come! the gladsome months that bring thick leafiness to bowers. Up, up, my heart, and walk abroad, fling cark and care aside, Seek silent hills, or rest thyself where peaceful waters glide; Or, underneath the shadow vast of patriarchal tree, Scan through its leaves the cloudless sky in rapt tranquillity.
The grass is soft, its velvet touch is grateful to the hand, And, like the kiss of maiden love, the breeze is sweet and bland; The daisy and the buttercup are nodding courteously, It stirs their blood with kindest love, to bless and welcome thee: And mark how with thine own thin locks,—they now are silvery grey,— That blissful breeze is wantoning, and whispering "Be gay!"
There is no cloud that sails along the ocean of yon sky, But hath its own winged mariners to give it melody: Thou see'st their glittering fans outspread all gleaming like red gold, And hark! with shrill pipe musical, their merry course they hold. God bless them all, these little ones, who far above this earth, Can make a scoff of its mean joys, and vent a nobler mirth.
But soft! mine ear upcaught a sound, from yonder wood it came; The spirit of the dim green glade did breathe his own glad name;— Yes, it is he! the hermit bird, that apart from all his kind, Slow spells his beads monotonous to the soft western wind; Cuckoo! Cuckoo! he sings again,—his notes are void of art, But simplest strains do soonest sound the deep founts of the heart!
Good Lord! it is a gracious boon for thought-crazed wight like me, To smell again these summer flowers beneath this summer tree! To suck once more in every breath their little souls away, And feed my fancy with fond dreams of youth's bright summer day, When rushing forth like untamed colt, the reckless truant boy Wandered through green woods all day long, a mighty heart of joy!
I'm sadder now, I have had cause; but O! I'm proud to think That each pure joy-fount loved of yore, I yet delight to drink;— Leaf, blossom, blade, hill, valley, stream, the calm unclouded sky, Still mingle music with my dreams as in the days gone by. When summer's loveliness and light fall round me dark and cold, I'll bear indeed life's heaviest curse,—a heart that hath waxed old!
# The Poetical Works of William Motherwell/Three Fanciful Supposes

Three Fanciful Supposes.
Were I a breath of viewless wind, As very spirits be, Where would I joy at length to find I was no longer free? Oh, Margaret's cheek, Whose blushes speak Love's purest sympathies, Would be the site, Where gleaming bright, My prison-dome should rise: I'd live upon that rosy shore, And fan it with soft sighs, Nor other paradise explore Beneath the skies.
Were I a pranksome Elfin knight, Or eke the Faerye king, Who, when the moonshine glimmers bright, Loves to be wandering;
Where would I ride, In all the pride Of Elfin chivalry, With each sweet sound Far floating round, Of Faerye minstrelsy?— 'Tis o'er her neck of drifted snow, Her passion-breathing lip, Her dainty chin and noble brow, That I would trip.
Were I a glossy plumaged bird, A small glad voice of song, Where would my love-lays aye be heard— Where would I nestle long?— In Margaret's ear When none were near, I'd strain my little throat, To sing fond lays In Margaret's praise, That could not be forgot; Then on her bosom would I fall, And from it never part—- Dizzy with joy, and proud to call My home her heart!