OpenLLM-France/wikimedia huggingface dataset:
# The Works of the Rev. Jonathan Swift/Volume 11/From Erasmus Lewis to Jonathan Swift - 4

FROM MR. LEWIS
WHITEHALL, AUG. 6, 1713.
I HAVE so often, and in so pressing a manner, desired you to come over, that, if what I have already ​said has no effect. I shall despair of better success by any farther arguments. If I were to recapitulate the several reasons you offer to the contrary, and answer them separately, I should grow peevish; which I have no way to avoid, but by telling you in general, it is all wrong. You and I have already laid it down for a maxim, that we must serve lord treasurer, without receiving orders or particular instructions; and I do not yet see a reason for changing that rule. His mind has been communicated more freely to you than any other; but you will not understand it. The desires of great men are commands; at least the only ones, I hope, they ever will be able to use. You have a mind to stay in Ireland till October, and desire me to give my opinion whether you should come sooner? I answer, yes. Then you bid me consider again; that is, you would have me say I am of opinion you should stay till October. When judges would have a jury change their verdict, they bid them consider again: when a man is determined to marry a woman, and his friend advises him against it, he asks his opinion again; and if his friend is so silly as not to alter his advice, he marries without it. I am as much in the spleen now I am answering your letter, as you were when you writ it. Come over; you will cure yourself and me too. Adieu.
# Tongues of Fire and Other Sketches

scan
* Tongues of Fire
* The Little Beggar
* Malahide and Forden
* Playing Catch
* The Pikestaffe Case
* Alexander Alexander
* Lost in the Alps
* The Olive
* A Continuous Performance
* The World-Dream of McAllister
* The Other Woman
* Picking Fir-Cones
* The Open Window
* Petershin and Mr. Snide
* The Man Who Was Milligan
* The Falling Glass
* The Spell of Egypt
* A Man of Earth
* The Laughter of Courage
* S. O. S.
* Nephele
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tongue-Cut Sparrow

Japanese fairy tale
* "The Tongue-Cut Sparrow" by Sazanami Iwaya, translated by Yei Theodora Ozaki, illustrated by Kakuzō Fujiyama, in The Japanese Fairy Book (1908)
* "The Tongue-cut Sparrow", edited by Arthur Rackham and Algernon Freeman-Mitford, 1st Baron Redesdale, illustrated by Arthur Rackham, in The Allies′ Fairy Book (1916)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tik-Tok of Oz/Chapter 2

THREE days later the Grand Army of Oogaboo assembled in the square in front of the royal palace. The sixteen officers were attired in gorgeous uniforms and carried sharp, glittering swords. The Private had picked his gun and, although it was not a very big weapon, Files tried to look fierce and succeeded so well that all his commanding officers were secretly afraid of him.
The women were there, protesting that Queen Ann Soforth had no right to take their husbands and fathers from them; but Ann commanded them to keep silent, and that was the hardest order to obey they had ever received.
The Queen appeared before her Army dressed in an imposing uniform of green, covered with gold braid. She wore a green soldier-cap with a purple plume in it and looked so royal and dignified that everyone in Oogaboo except the Army was glad she was going. The Army was sorry she was not going alone.
"Form ranks!" she cried in her shrill voice.
Salye leaned out of the palace window and laughed.
"I believe your Army can run better than it can fight," she observed.
"Of course," replied General Bunn, proudly. "We're not looking for trouble, you know, but for plunder. The more plunder and the less fighting we get, the better we shall like our work."
"For my part," said Files, "I prefer war and carnage to anything. The only way to become a hero is to conquer, and the story-books all say that the easiest way to conquer is to fight."
"That's the idea, my brave man!" agreed Ann. "To fight is to conquer and to conquer is to secure plunder and to secure plunder is to become a hero. With such noble determination to back me, the world is mine! Good-bye, Salye. When we return we shall be rich and famous. Come, Generals; let us march."
At this the Generals straightened up and threw out their chests. Then they swung their glittering swords in rapid circles and cried to the Colonels:
"For—ward March!"
Then the Colonels shouted to the Majors: "For—ward March!" and the Majors yelled to the Captains: "For—ward March!" and the Captains screamed to the Private:
"For—ward March!"
So Files shouldered his gun and began to march, and all the officers followed after him. Queen Ann came last of all, rejoicing in her noble army and wondering why she had not decided long ago to conquer the world.
In this order the procession marched out of Oogaboo and took the narrow mountain pass which led into the lovely Fairyland of Oz.
# Treatise of Human Nature/Book 2: Of the passions
### Contents

* Part I: Of pride and humility
* Part II: Of love and hatred.
* Part III: Of the will and direct passions.
# Treatise of Human Nature/Book 2

a
TREATISE
of
Human Nature:
being
An Attempt to introduce the experimental Method of Reasoning
into
MORAL SUBJECTS
Rara temporum felicitas, ubi sentire, quæ velis; & quæ sentias, dicere licet. Tacit.
Book II.
OF THE PASSIONS
LONDON:
Printed for John Noon, at the White-Hart, near Mercer's-Chapel, in Cheapside.
MDCCXXXIX.
# Treatise of Human Nature/Book 2: Of the passions/Part 1
### BOOK 2: Of the passions

PART I: Of pride and humility
   * Section I. Division of the subject
   * Section II. Of pride and humility; their objects and causes
   * Section III. Whence these objects end causes are deriv'd
   * Section IV. Of the relations of impressions and ideas
   * Section V. Of the influence of these relations on pride and humility
   * Section VI. Limitations of this system
   * Section VII. Of vice and virtue
   * Section VIII. Of beauty and deformity
   * Section IX. Of external advantages and disadvantages
   * Section X. Of property and riches
   * Section XI. Of the love of fame
   * Section XII. Of the pride and humility of animals.
# To accompany a manual of bird study/Sturnus vulgaris

Sturnus vulgaris
Starling—8½ inches
# To accompany a manual of bird study/Troglodytes aedon

Troglodytes aedon
House Wren—4¾ inches
# To accompany a manual of bird study/Sialia sialis

Sialia sialis
Bluebird—7 inches
# To accompany a manual of bird study/Sturnella magna

Spizella passerina
Meadow Lark—10¾ inches
# To accompany a manual of bird study/Sitta carolinensis

Sitta carolinensis
White-breasted Nuthatch—6 inches
# To accompany a manual of bird study/Spinus tristis

Spinus tristis
Goldfinch—5¼ inches
# To accompany a manual of bird study/Turdus migratorius

Turdus migratorius
Robin—10 inches
# To accompany a manual of bird study/Sayornis phoebe

Sayornis phoebe
Phoebe—7 inches
# To accompany a manual of bird study/Spizelloides arborea

Spizelloides arborea
Tree Sparrow—6¼ inches
# To accompany a manual of bird study/Spizella passerina

Spizella passerina
Chipping Sparrow—5¼ inches
# The pillion

Serial article published in Once a Week.
* Part 1
* Part 2
# The plea of Clarence Darrow, August 22nd, 23rd & 25th, MCMXXIII, in defense of Richard Loeb and Nathan Leopold, Jr., on trial for murder

The Plea of
CLARENCE DARROW
August 22nd 23rd & 25th MCMXXIIII
In Defense of
Richard Loeb and Nathan Leopold Jr
on Trial for Murder
Authorised and Revised Edition Together with a brief Summary of the Facts
Ralph Fletcher Seymour Chicago
​Society in its relation to those charged with crime, through its organized agencies first demanded revenge as a punishment, then protection, then restraint. Today it aims to reform or reconstruct the offender, and already anticipates the day when prevention of crime may become a practical achievement.
Clarence Darrow gave voice to this forward looking principle of social government in his eloquent plea before the bar of Justice, and has expressed it with such clearness and conviction that it must long remain as a masterpiece of pleading for the social outcast and the offender. As such the publishers have undertaken its publication.
* The Facts
* Plea of Clarence Darrow
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# To the stanch Dust

To the stanch Dust We safe commit thee — Tongue if it hath, Inviolate to thee — Silence — denote — And Sanctity — enforce thee — Passenger — of Infinity —
# To the swallow

* Search for titles containing or beginning with: "To the swallow."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "To the swallow" by John Andrews in Once a Week, Series 1, 9 (1863)
* "To the Swallow," by Sully Prudhomme in A Sheaf Gleaned in French Fields, London: C. Kegan Paul & Co. (1876)
# To their apartment deep

To their apartment deep No ribaldry may creep Untumbled this abode By any man but God —
# To — (Tennyson, 2)

* "To —, with the following Poem", in Poems (1833)
* "To ———", in Poems, Volume I (1843)
# To try to speak, and miss the way

To try to speak, and miss the way And ask it of the Tears, Is Gratitude's sweet poverty, The Tatters that he wears —
A better Coat if he possessed Would help him to conceal, Not subjugate, the Mutineer Whose title is "the Soul."
# To venerate the simple days

To venerate the simple days Which lead the seasons by, Needs but to remember That from you or I, They may take the trifle Termed mortality!
# To — (Tennyson, 1)

* "To ———", in Poems, Chiefly Lyrical (1830)
* "To ———", in Poems, Volume I (1843)
# To ——, with a Rose

Sidney Lanier composed this poem in Philadelphia, Pennsylvania in 1876.
I asked my heart to say Some word whose worth my love’s devoir might pay  Upon my Lady’s natal day.
 Then said my heart to me: ‘Learn from the rhyme that now shall come to thee  What fits thy Love most lovingly.’
 This gift that learning shows; For, as a rhyme unto its rhyme-twin goes,  I send a rose unto a Rose.
# Tribute to the National Foundation for Women Legislators

Source: 2007 Congressional Record, Vol. 153, Page E1989
Tribute to the National Foundation for Women Legislators
HON. DIANE E. WATSON
OF CALIFORNIA IN THE HOUSE OF REPRESENTATIVES
Wednesday, September 26, 2007
Ms. WATSON. I would like to congratulate the National Foundation for Women Legislators for working to distribute thousands of backpacks filled with school supplies in every U.S. State and Puerto Rico.
These backpacks have been donated by Office Depot and are being distributed to at-risk and disadvantaged youth. As lawmakers we introduce and pass legislation every year that affects our Nation's youth. We talk about statistics and reading performance and free lunch programs, but we do not talk enough about ensuring that all students have the school supplies they need to perform both inside and out of the classroom.
Office Depot's National Backpack Program, now in its seventh year, is designed to make a difference in communities across the country and put backpacks in the hands of underprivileged and "at-risk" children so they have the tools they need to start the school year. Beginning in 2001 with 80,000 backpacks donated nationwide, the program has expanded to deliver 100,000 backpacks in 2002 and in 2003 and 2004, the program was increased to 200,000 backpacks containing school supplies. In 2005, the program grew to 300,000 backpacks with school supplies and finally, in 2006, 300,000 backpacks were again donated by Office Depot across North America and in Puerto Rico, totaling more than 1 million backpacks in the hands of children since the inception of the program.
Sadly, there are hundreds of thousands of children who can not afford the basic supplies they need for school. This backpack initiative not only alleviates some of the financial burden from the many single- family households that are stretching their budget and have enough to worry about paying for food and bills, but it also allows their children to have the pride of being able to start the school year the right way.
I am proud to say that 1,000 backpacks will be delivered to the Bradley Elementary School in my home district. I ask all of my colleagues in this United States Congress to join me in recognizing the National Foundation for Women Legislators and their partnership with Office Depot, whose efforts to empower our children and provide them the tools they need to be successful in school and in life are to be commended.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Tribute to Poet Laureate Stanley Kunitz

Source: 2001 Congressional Record, Vol. 147, Page E347 (March 13, 2001)
Tribute to Poet Laureate Stanley Kunitz
HON. JAMES P. McGOVERN
OF MASSACHUSETTS IN THE HOUSE OF REPRESENTATIVES
Tuesday, March 13, 2001
Mr. McGOVERN. Mr. Speaker, it is with great pride that I rise today to pay special tribute to Stanley Kunitz, who was born in my hometown in Worcester, Massachusetts. Stanley Kunitz is an outstanding poet who began his career in 1930 when he wrote his first book of poems titled "Intellectual Things". Prior to this book, Stanley Kunitz studied at Harvard College where he received his BA in 1926 and his MA in 1927. It was after his years of study that he began writing his first book of poems. Unfortunately his first book was barely recognized and he did not publish his second book, "Passport to War", for another fourteen years. The Second World War interrupted his career, and after returning from the war he joined the faculty of Bennington College. Although Stanley Kunitz was years removed from poetry he persevered to eventually win the Pulitzer Prize for Poetry in 1958 for his first "Selected Poems".
For a writer whose working life spans thirteen Presidents, Kunitz's commitment is all the more amazing. Stanley Kunitz is realistic and simple, the furthest from extravagant, which at the time when he wrote was rare. This is evident in his opposition to the long epic poem, which was popular in American Poetry during the first half of the twentieth century. What Kunitz's work lacks in glamour it compensates for in serious and influential purpose.
The popularity of Stanley Kunitz's work is evident in his many awards and accomplishments. In addition to his Pulitzer Prize he received the Bollingen Prize, a Ford Foundation grant, the Levinson Prize, and the Shelley Memorial Award to name a few. In 2000 he was named United States Poet Laureate. Stanley Kunitz is the founder of the Fine Arts Center in Provincetown, Massachusetts and Poets House in New York City. Stanley Kunitz has also worked as a translator, creating English versions of Russian Poems.
Mr. Speaker, please join me in honoring Mr. Kunitz for his enthusiasm and commitment to his poetry and society. He truly exemplifies that ability is never ending.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Transactions of the Provincial Medical and Surgical Association

Published from 1833 to 1856
Volumes 13 to 19 are also called New Series, volume 1 to 7.
* Volume 1 (Index)
* Volume 2 (Index)
* Volume 3 (Index)
* Volume 4 (Index)
* Volume 5 (Index)
* Volume 6, part 1 (Index)
* Volume 6, part 2 (Index)
* Volume 7 (Index)
* Volume 8 (Index)
* Volume 9 (Index)
* Volume 10 (Index)
* Volume 11 (Index)
* Volume 12 (Index)
* Volume 13 (Index)
* Volume 14 (Index)
* Volume 15 (Index)
* Volume 16 (Index)
* Volume 17 (Index)
* Volume 18 (Index)
* Volume 19 (Index)
# Travels in Mexico and life among the Mexicans/Index

Layout 4
Table of contents
INDEX.
University Press: John Wilson & Son, Cambridge.
# Translations into English Verse from the Poems of Davyth ap Gwilym/May and November

MAY AND NOVEMBER.
Sweet May, ever welcome! the palace of leaves Thy hand for thy wild band of choristers weaves; Proud knight, that subduest with glory and power, Each glen into verdure, to joy every bower; That makest the wilderness laugh and rejoice, Tn the chains of thy love, in thy cuckoo’s shrill voice; That fillest the heart of the lover with glee, And bringest my Morvyth’s dear image to me. Alas! that dark Winter thy mansions should blight, With his chill mottled show’rs, and his flickering light; His moon that gleams wanly through snows falling fast, His pale mist that floats on the wings of the blast: With the voice of each river more fearfully loud— Every torrent all foam, and the heaven all cloud! Alas! that stern Winter has power to divide Each lover from hope—from the poet his bride.
# Translations into English Verse from the Poems of Davyth ap Gwilym/Dialogue

DIALOGUE BETWEEN THE BARD AND HIS SHADOW AT SUN-SET.
This poem, like the preceding, contains many sarcastic allusions to the religious orders.
As I lingered yesterday Underneath the forest spray, Waiting for the second Ellen, Maid in loveliness excelling, By the birch’s verdant cowl Shelter’d from the passing rain, Lo! a phantom grim and foul (Bowing o’er and o’er again Like a vastly courteous man) Right across my pathway ran— I with ague tremour faint, With the name of ev’ry saint, Crossed myself, and thus began To accost the polished man:
BARD.
If thou art of mortal mould, Tell me who thou art?
SHADOW.
Tell me who thou art? Behold In this spectre form thy shade— Why then, gentle bard, afraid?
BARD.
By the Virgin, tell me true, On what errand?
SHADOW.
On what errand? To pursue! Thus all nakedly to glide, Lovely poet! by thy side, Is my task—my heart’s desire— I have feet that never tire; And am bound by secret spell, All thy wanderings to tell; To espy each wile and art, Fairest jewel of my heart!
BARD.
Vagrant, without home and shelter, Man of limbs all helter skelter! Crooked, lank-shanked, luckless shade— Shape of rainbow, hue of mire, Art thou then a bailiff paid, By the wolf-tongued Eithig’s hire, Into all my paths to pry? Skulking mercenary spy!
SHADOW.
That, Sir Minstrel, I deny!
BARD.
Whence then art thou, giant’s child? Shape of darkness, huge and wild;
Bald of brow as aged bear, Bloated uncouth form of air; More like images that scud Through our dreams, than flesh and blood; Shaped like stork on frozen pool, Thin as palmer, (wand’ring fool!) Long-shanked as a crane that feeds Greedily among the reeds; Like a black and shaven monk Is thy dark and spectral trunk, Or a corpse in winding-sheet.—
SHADOW.
I have followed sure and fleet On thy steps—were I to tell But one half—thou knowest well——
BARD.
Thou may’st tell, and thou may’st scan, Pitcher-necked censorious man! Nought of me thou can’st disclose More than ev’ry neighbour knows; I have never falsely sworn In the Cwmwd court, or torn Lambs to death—have never thrown At the hens with pebble-stone; Never have the spectre play’d, To make little babes afraid; Never yet have terrified Stranger maid, or stranger’s bride!
Gentle bard, were I to tell Half thy tricks—thou knowest well, Soon the dainty bard might be Swinging from the gallows tree!
# Translations into English Verse from the Poems of Davyth ap Gwilym

The translator is identified only as “Maelog.” In the original work, the “Sketch” preceded the table of contents; the sections have been rendered out of place as to make the sections sensible and of reasonable length.
Translations
INTO ENGLISH VERSE
FROM THE
POEMS OF DAVYTH AP GWILYM,
A WELSH BARD OF THE FOURTEENTH CENTURY.
Tri phriv anhepgor Awen: llygad yn gweled anian—calon yn teimlaw anian—a glewder a vaidd gydvyned ag anian.
The three indispensable attributes of genius: an eye to see nature—a heart to feel nature—and boldness and energy to follow nature.
Triads of Bardism.
LONDON:
HENRY HOOPER, 13, PALL-MALL EAST.
MDCCCXXXIV.
LONDON: PRINTED BY WILLIAM CLOWES, 14, Charing Cross.
Dedication.
To WILLIAM OWEN PUGHE, Esq., LL.D
My dear Dr. Pughe,
Availing myself of your kind permission, I have inscribed this little volume to you. A tribute so humble—though it can add nothing to the honours of the most distinguished Celtic scholar of his day—is due from the translator to the illustrious preserver of the songs of ‘the Demetian Nightingale.’
I remain, Ever your sincere and attached friend, Maelog.
Sketch
CONTENTS.
ORIGINAL POEMS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Translations into English Verse from the Poems of Davyth ap Gwilym/Imitation

This poem is written by “Maelog” (Arthur James Johnes).
IMITATION OF LLYWARCH HÊN’S LAMENT OVER CYNDDYLAN.
Llywarch Hên was a prince and bard of the seventh century. His works have been published by Dr. W. Owen Pughe, with a prose translation. The following is an imitation of his Elegy on Cynddylan, lord of the district about Shrewsbury, who was cut off by an incursion of the Saxons.
Cynddylan’s hearth is dark to-night, Cynddylan’s halls are lone, War’s flame has revell’d o’er their might, And quell’d their minstrel’s tone, And I am left to chaunt apart One murmur of a broken heart!
Pengwern’s blue spears are gleamless now, Her revelry is still, The sword has blanched her chieftain’s brow, Her fearless sons are still, And pagan feet to dust have trod The dark robed messengers of God!
Cynddylan’s shield, Cynddylan’s pride, The wand’ring snows are shading, One palace pillar stands to guide The woodbine’s verdant braiding! And I am left from all apart— The minstrel of the broken heart!
# Translations into English Verse from the Poems of Davyth ap Gwilym/May

MAY.
Many a poet in his lay Told me May would come again; Truly sang the bards—for May Yesterday began to reign! She is like a bounteous lord, Gold enough she gives to me; Gold—such as we poets hoard— “Florins” of the mead and tree, Hazel flowers and “fleurs-de-lis.” Underneath her leafy wings, I am safe from treason’s stings: I am full of wrath with May, That she will not always stay! Maidens never hear of love, But when she has plumed the grove,— Giver of the gift of song To the poet’s heart and tongue. May! majestic child of heaven, To the earth in glory given! Verdant hills, days long and clear, Come when she is hov’ring near. Stars, ye cannot journey on Joyously when she is gone! Ye are not so glossy bright, Blackbirds, when she takes her flight. Sweetest art thou, nightingale; Poet, thou canst tell thy tale With a lighter heart, when May Rules with all her bright array.