OpenLLM-France/wikimedia huggingface dataset:
# Pastorals (Philips)/The Third Pastoral

The Third Pastoral.
# Pastorals (Pope)

This pamphlet is an edition from 1793 of the earliest work by Pope to appear in print. It originally featured in Poetical Miscellanies: The Sixth Part. Containing a Collection of Original Poems, With Several New Translations. By the most Eminent Hands. (1709), pp.721-751. [Based on Alexander Pope: A Bibliography, Volume 1, Part 1 (1922), by Reginald Harvey Griffith.]
PASTORALS.
BY ALEXANDER POPE.
PRINTED BY G. NICHOLSON AND CO. Palace-street, Manchester.
Sold by T. KNOTT, No. 47, Lombard-street; and CHAMPANTE & WHITROW, Jewry-street, London. 1793.
* Spring: or, Damon
* Summer: or, Alexis
* Autumn: or, Hylas and Ægon
* Winter: or, Daphne
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Pastorals (Pope)/Autumn

III.
AUTUMN: OR, HYLAS AND ÆGON.
TO MR. WYCHERLEY.
# Pastorals (Philips)/The Fourth Pastoral

The Fourth Pastoral.
MICO.ARGOL.
# Our Neighbor-Mexico/APPENDIX D

​the chief feature of the Indian worship consists in dances inside the church, which is of great size. Eye-witnesses assure me that at one time can be seen as many as sixteen distinct groups of dancers, each group with its separate band of music, all playing different tunes at the same time, and the worshipers tripping it merrily in different dances, producing a Babel confusion and a grotesque pantomime, which baffles description.
"These are of daily occurrence, and are a true and faithful specimen of the spiritual condition of the Mexican Indians of to-day."
APPENDIX D.
The following placard and commentary show something of the perils our cause has to undergo. Their dates are late, and they, or others like them, we fear, are not yet concluded.
[Translated from El Monitor Republicano, September 27, 1873.]
DEATH TO THE PROTESTANTS!!
"To the People of Toluca,—Either you are Catholic by name, or Catholics in fact. If you are Catholics in faith, give a terrible blow to these savages, intruders, and adventurers, who, to make themselves appear wise and important, and to assure to themselves a future without labor, attempt that which they do not understand—that band of filthy scoundrels, deluded sons of all the devils. Let us rise en masse to finish at once this accursed race, whose proper place is in hell, which is not complete without them. With one sure blow insure their death and the death of their families. Let a fiery death exterminate this sect of accursed wretches, who attempt to overthrow the Apostolic Roman Catholic religion, in which we will live and die.
"Unfurl proudly the standard of the Faith, and shout, 'Long live the religion! Viva la religion!! Death to the sons of Satan!!!'"
[Translated from the Revista Universal, Mexico, October 29, 1873.]
"ACTIONS OF GOOD CATHOLICS. "ASSAULT ON THE HOUSE OF A PROTESTANT. "HE AND HIS AGED PARENTS ARE WOUNDED BY THE PSEUDO-CATHOLICS. "LAUDABLE CONDUCT OF THE GOVERNOR OF THE STATE OF MEXICO.
"A few days ago we published a placard, which was circulated in Toluca, directed against the Protestants of that city, and exciting the 'good Catholics' to try to kill all the said Protestants in those parts.
"So it seems that the excitement is extending. We have tidings from Toluca in which we are informed that a Mr. Valero, an invalid, was attacked in his own house in Metepec by a party of 'good Catholics,' who, armed with swords and muskets, entered the dwelling of said Protestant, wounding him, and then left him nearly dead.
"Of course those barbarians did not make their incursion without insulting and using filthy words toward the Christians, and the unfortunate Valero's mother, whom they also wounded.
"The aged father was also seriously wounded by the 'bandidos religiosos,' and it is greatly feared that his son will die shortly.
"The Governor of the State has put forth energetic measures for the apprehension of these invaders, and those upon whom the responsibility rests of executing justice with them will fulfill their duty; these infractors will see that such perpetrations will not escape the power of justice."
THE END.
# Paul Votes to Preserve the Elected House of Representatives

Washington, DC: Congressman Ron Paul yesterday cast a strong vote against a bizarre constitutional amendment that would have permitted unelected appointees to serve in the U.S. House of Representatives. The proposal ostensibly was introduced to address concerns about whether Congress could function after a terrorist attack
I strongly oppose this constitutional amendment, because I believe an appointed Congress would become an unaccountable, tyrannical Congress,” Paul stated. “No individual has ever served in the U.S. House without having been elected. Even if a terrorist attack or other catastrophe killed many members of Congress, states are perfectly capable of holding elections quickly. The Founders clearly intended the U.S. House to serve as a truly representative body that is directly accountable to the people through frequent elections. The very term ‘appointed representative’ is an oxymoron.”
Congressman Paul cosponsored legislation that implements a plan for expedited federal elections throughout the fifty states if needed. More than 300 of his House colleagues passed the bill overwhelmingly in April.
Paul has led the effort in Washington to preserve an elected House. He met with top scholars, attorneys, and colleagues over the past twelve months who reject the idea of appointed representatives. He helped turn many members of Congress against the proposal through a series of public lectures, meetings, and published articles.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Paul v. United States

United States Supreme Court
371 U.S. 245
Paul v. United States
Argued: Oct. 17 and 18, 1962. --- Decided: Jan 14, 1963
[Syllabus from pages 245-246 intentionally omitted]
John Fourt, Sacramento, Cal., for appellants.
Archibald Cox, Sol. Gen., for appellee.
[Amicus Curiae from pages 246-247 intentionally omitted]
Mr. Justice DOUGLAS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Paul Revere's Ride

* related portals: American literature.
* sister projects: Wikipedia article, Commons category, Wikidata item.
"Paul Revere's Ride", written in 1860, commemorates the actions of Paul Revere on April 18, 1775, although with significant historical inaccuracies. The poem was first published in the January 1861 issue of The Atlantic MonthlyWarning: template has been deprecated.
* "Paul Revere's Ride", first publication, in The Atlantic Monthly 7 (39): 27–29 (Jan. 1861)
* "Paul Revere's Ride", included as "The Landlord's Tale" in Tales of a Wayside Inn (1863)
* "Paul Revere's Ride", published in Suggestive Programs for Special Day Exercises (1898)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Paul v. Cullum

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
132 U.S. 539
Paul v. Cullum
[Statement of Case from pages 539-542 intentionally omitted]
W. Hallett Phillips and Ben Morgan, for appellant.
[Argument of Counsel from pages 542-544 intentionally omitted]
Lucien Birdseye, for appellee.
Mr. Justice HARLAN, after stating the facts in the foregoing language, delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Once a Week (magazine)/Series 1/Volume 9/A literary piracy

Editor's note about the plagiarized story "My affair with the Russian countess."
A LITERARY PIRACY.
Our attention has been called from various quarters to the fact that the story entitled “My Affair with the Russian Countess,” in No. 221 of Once a Week, September 19, 1863, is obviously a plagiarism from Chambers’ Journal, No. 418, January 4, 1862. It is, perhaps, scarcely necessary to inform our readers that we are unconscious and most unwilling parties to any such appropriations from other periodicals. Indeed, every precaution has been taken by the Editor from the commencement to guard against such malpractices, and in the present instance the article was not accepted until a letter was received from its transmitter, explicitly stating that “‘My Affair with the Russian Countess’ had not previously appeared in print, and had not been offered to any editor or publisher, other than the gentlemen connected with Once a Week.’” This letter was signed
“D. CONNELL, Abbey Wood, Lessness Heath, Kent;”
and the Editor trusts that the publication of this extract from it, with the name and address of the writer, will at least render a repetition of the offence on his part in other quarters impossible.
Ed. Once a Week.
# Parnassus on Wheels/A Letter

A LETTER TO
David Grayson, Esq.
OF HEMPFIELD, U. S. A.
My Dear Sir,
Although my name appears on the title page, the real author of this book is Miss Helen McGill (now Mrs. Roger Mifflin), who told me the story with her own inimitable vivacity. And on her behalf I want to send to you these few words of acknowledgment.
Mrs. Mifflin, I need hardly say, is unskilled in the arts of authorship: this is her first book, and I doubt whether she will ever write another. She hardly realized, I think, how much her story owes to your own delightful writings. There used to be a well-thumbed copy of "Adventures in Contentment" on her table at the Sabine Farm, and I have seen her pick it up, after a long day in the kitchen, read it with chuckles, and say that the story of you and Harriet reminded her of herself and Andrew. She used to mutter something about " ​Adventures in Discontentment" and ask why Harriet's side of the matter was never told? And so when her own adventure came to pass, and she was urged to put it on paper, I think she unconsciously adopted something of the manner and matter that you have made properly yours.
Surely, sir, you will not disown so innocent a tribute! At any rate, Miss Harriet Grayson, whose excellent qualities we have all so long admired, will find in Mrs. Mifflin a kindred spirit.
Mrs. Mifflin would have said this for herself, with her characteristic definiteness of speech, had she not been out of touch with her publishers and foolscap paper. She and the Professor are on their Parnassus, somewhere on the high roads, happily engrossed in the most godly diversion known to man—selling books. And I venture to think that there are no volumes they take more pleasure in recommending than the wholesome and invigorating books which bear your name.
Believe me, dear Mr. Grayson, with warm regards,
Faithfully yours,
Christopher Morley
# Parnassus on Wheels

* related portals: General literature, Romance, Adventure.
* sister projects: Wikipedia article, Wikidata item.
The title refers to the Mount Parnassus of Greek mythology; it was the home of the Muses.Warning: template has been deprecated.
PARNASSUS ON WHEELS
PARNASSUS ON WHEELS
By Christopher Morley
GROSSET & DUNLAP Publishers NEW YORK
COPYRIGHT, 1917, BY DOUBLEDAY, PAGE & COMPANY. ALL RIGHTS RESERVED. PRINTED IN THE UNITED STATES AT THE
COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
To
H. B. F. and H. F. M.
"Trusty, dusky, vivid, true"
* A Letter
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Persian Literature/Volume 1/The Sháh Námeh/Zál, the Son of Sám

ZÁL, THE SON OF SÁM
ACCORDING to the traditionary histories from which Firdusí has derived his legends, the warrior Sám had a son born to him whose hair was perfectly white. On his birth the nurse went to Sám and told him that God had blessed him with a wonderful child, without a single blemish, excepting that his hair was white; but when Sám saw him he was grieved:
His mother gave him the name of Zál and the people said to Sám, “This is an ominous event, and will be to thee productive of nothing but calamity; it would be better if thou couldst remove him out of sight.
When Sám was made acquainted with these reproaches and sneers of the people, he determined, though with a sorrowful heart, to take him up to the mountain Alberz, and abandon him there to be destroyed by beasts of prey. Alberz was the abode of the Simurgh or Griffin, and, whilst flying about in quest of food for his hungry young ones, that surprising animal discovered the child lying alone upon the hard rock, crying and sucking its fingers. The Símurgh, however, felt no incli​nation to devour him, but compassionately took him up in the air, and conveyed him to his own habitation.
The young ones were also kind and affectionate to the infant, which was thus nourished and protected by the Símurgh for several years.
# Persians (Aeschylus)

* related portals: Ancient Greek drama.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Πέρσαι (Persians) is a Greek tragedy written by Aeschylus and performed in 472 BC. It includes the oldest surviving account of Greek history, treating the Greek defeat of Xerxes' armies from the perspective of the Persians. It is also the oldest surviving play in world literature. one or more editions are available in a spoken word format.
English-language translations of Πέρσαι include:
* The Persians, translated by Robert Potter (1777) 1st ed.
* The Persians, translated by T. A. Buckley (1849)
* The Persians, translated by F. A. Paley (1870)
* The Persians, translated by E. H. Plumptre (1873)
* The Persians, translated by Anna Swanwick (1886) 4th ed.
* The Persians, translated by Lewis Campbell (1890)
* The Persians, translated by Arthur S. Way (1906)
* The Persians, translated by E. D. A. Morshead (1908)
* The Persians of Æschylus, translated by C. E. S. Headlam (1909)
* The Persians, translated by G. M. Cookson (1922)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted.
Public domainPublic domainfalsefalse
# Persian Manual (Clarke)

Layout 2
the
persian manual,
A POCKET COMPANION
intended to facilitate the essential attainments of conversing with fluency and composing with accuracy, in the most graceful of all the languages spoken in the east.
PART I.-- A CONCISE GRAMMAR OF THE
LANGUAGE,
With Exercises on its more prominent peculiarities, together with
a Selection of Useful Phrases, Dialogues, and Subjects for
Translation into Persian.
PART II.-- A VOCABULARY OF USEFUL
WORDS,
ENGLISH AND PERSIAN,
SHOWING AT THE SAME TIME THE DIFFERENCE OF IDIOM BETWEEN THE TWO LANGUAGES.
by
captain h. wilberforce clarke,
Royal Engineers.
LONDON:
Wm. H. ALLEN & CO., 13, WATERLOO PLACE, S.W.
1878.
London: Gilbert and Rivington, Printers, 52, St. John's Square, E.C.
to
My Uncle, H.M.C.,
who encouraged me in
boyhood, youth, and manhood,
this work is, with affection,
inscribed.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Persian Literature/Volume 1/The Sháh Námeh/Zau

ZAU
AT the time when Sílim and Túr were killed, Tahmasp, the son of Sílim, fled from the country and took refuge in an island, where he died, and left a son named Zau. Zál sent Kárun, the son of Kávah, attended by a proper escort, with overtures to Zau, who readily complied, and was under favorable circumstances seated upon the throne:
When he had subdued the country, he turned his arms against Afrásiyáb, who in consequence of losing the co-operation of the Persians, and not being in a state to encounter a superior force, thought it prudent to retreat, and return to his father. The reign of Zau lasted five years, after which he died, and was succeeded by his son Garshásp.
# Phormio (Morgan 1894)/Argument

Layout 2
THE ARGUMENT
Translated by J. B. Greenough
One Chremes had a brother Demipho, Who wishing for some cause abroad to go, Had left his son young Antipho at home At Athens, while it pleased him thus to roam. This Chremes had a wife and daughter too In Lemnos domiciled, that no one knew; Another one at Athens, and an heir That desperately loved a harper fair. From Lemnos came the mother with the maid To Athens, and there died. The daughter paid The last sad rites (now Chremes was away). And so it came about that on that day Young Antipho the orphan child espied, Fell deep in love and took her for his bride ('T was through a parasite 't was brought about). The brothers coming home with rage broke out, Gave thirty minae to the parasite To take her off and marry her outright. With this they buy the girl that Phaedria prized, The other keeps his bride now recognized.
# Phosphor/Appendix

Appendix.
Recent researches by Dr. Dubois on the Cucuyo (Pyrophorus Noctilucus) go to show that the light is evolved to a chemical process, and that the light-bearing organs retain their powers for some time—even when separated from the body—and that the application of water to these parts when dried sets up chemical reaction, a portion of the energy liberated appearing as light.
The above may elucidate in some degree the gradual paling of the phosphorescence after the death of the white female.
# Phormio (Morgan 1894)/Prologue

Layout 2
THE PROLOGUE
By J. B. Greenough
That this to all be prospered is our prayer; Patrons of noble arts and judges fair, We are to act a play, a Latin one, By Tully witnessed and by Roscius done, The work of Terence ; with such names as these To recommend us, we must surely please. I called it Latin, I was partly wrong; No doubt the verses to that tongue belong; But incidents and thought are purely Greek, The Latin part is but the words we speak. For just as that we call an English play Is what some Frenchman clever in that way Has made before ; so Romans thought no shame To take from Greece and publish in their name. What use, then, now to offer you a play Not even native and long past its day, A scenic outh'ne when in Greek 't was made, And now a faded shadow of that shade? Because while ages keep their steady pace, The aims and nature of the human race Continue still the same ; their fear and woe, Their joys and their desires, no changes show. The Latin that we speak in Grecian dress Mirrors the nature of our age no less. Only the outward acts and garb are old, The rest is fresh as when 't was first unrolled.— ​In that you savv another play of late Unwitting Oedipus's crimes and fate, Those vvere the deeds of heroes, tragic themes For which subHmity well fitted seems, The practised art of actors, fine array And setting, with the fame of rare display. Our aim is lower. Mortal men are we, And so content the mimickers to be Of human joys and griefs; the gods may care For their own matters, men are our affair. Yet pray these lowly things do not disown, They touch us nearer being better known, The woes of Hecuba we've long outgrown.— Epidicazomenos was the Grecian name, In Latin, though, it Phormio became; Because the ' star,' a parasite, is one Named Phormio, by whom the most is done. Do you, adopting Terence' famous line, ' I am a man; all that is man's is mine,' Regard our novel efifort with good will, That generous arts may thrive among us still.
# Phosphor

PHOSPHOR:
An Ischian Mystery.
By
J. FILMORE SHERRY
Melbourne:
CENTENNIAL PUBLISHING COMPANY
MELBOURNE, SYDNEY, ADELAIDE, LONDON
1888
Preface Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Appendix
# Phormio (Morgan 1894)

* related portals: Drama, Latin language and literature.
* sister projects: Wikipedia article, Commons gallery, Commons category, quotes, Wikidata item.
Layout 2
THE
PHORMIO OF TERENCE
TRANSLATED INTO ENGLISH PROSE
By M. H. MORGAN
WITH A NEW PROLOGUE
By J. B. GREENOUGH
AND WITH THE VATICAN MINIATURES ACCURATELY REPRODUCED FOR THE FIRST TIME
CAMBRIDGE
PRINTED BY JOHN WILSON AND SON
SOLD BY CHARLES W. SEVER
1894
Copyright, 1894, By John Wilson and Son.
HERE • BEGINS • THE • PHORMIO • OF • TERENCE
ACTED • AT • THE • ROMAN • FESTIVAL
LUCIUS • POSTUMIUS • ALBINUS • LUCIUS • CORNELIUS • MERULA
CURULE • AEDILES
BROUGHT • OUT • BY • LUCIUS • AMBIVIUS • TURPIO
THE . MUSIC • BY • FLACCUS • SLAVE • OF • CLAUDIUS
FOR • UNEQUAL • PIPES • ENTIRELY
FROM • THE • GREEK • EPIDICAZOMENOS • OF • APOLLODORUS
THE . FOURTH • PLAY • OF • TERENCE
IN • THE • CONSULSHIP • OF
GAIUS • FANNIUS • AND • MARCUS • VALERIUS
REPEATED • TWENTY • CENTURIES • LATER
ON • THE • NTNETEENTH • OF • APRIL
PROFESSORS • OF • LATIN • IN • HARVARD • COLLEGE
MANAGERS • OF • THE • FESTIVAL
BROUGHT • OUT • IN • THE • UNIVERSITY • THEATRE
BY • A • COMPANY • OF • STUDENTS
THE • MUSIC • MODERN • AND • COMPOSED
BY • ONE • OF • THE • MANAGERS
FOR • FOUR • DIFFERENT • PIPES
IN • THE • TWENTY • FIFTH • YEAR • OF • THE • PRESIDENCY
OF • CHARLES • WILLIAM • ELIOT
Front matter The Argument Characters The Prologue The Play The Phormio of Terence End matter Miniatures Photographs
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Phormio (Morgan 1894)/Characters

Layout 2
CHARACTERS
A Prologue.
Davos, a slave.
Geta, slave of Demipho.
Antipho, a young man, son of Demipho.
Phaedria, a young man, son of Chremes.
Demipho, an old man.
Phormio, a parasite.
| Hegio, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | advisers of Demipho. |
| Cratinus, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | advisers of Demipho. |
| Crito, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | advisers of Demipho. |
Dorio, a slave-trader.
Chremes, an old man, Demipho's brother.
Sophrona, an old nurse.
Nausistrata, a matron, wife of Chremes.
A Cantor.
# Pearl Of Great Price (1851)/Truth

TRUTH.
Oh! say, what is truth? ’Tis the fairest gem,
That the riches of worlds can produce; And priceless the value of truth will be, when
The proud monarch’s costliest diadem, Is counted but dross and refuse.
Yes, say, what is truth? ’Tis the brightest prize
To which mortals or Gods can aspire;
Go search in the depths where it glittering lies,
Or ascend in pursuit to the loftiest skies,
’Tis an aim for the noblest desire.
The sceptre may fall from the despot’s grasp,
When with winds of stern justice he copes;
But the pillar of truth will endure to the last,
And its firm-rootted bulwarks outstand the rude blast, And the wreck of the fell tyrant’s hopes.
Then say, what is truth? ’Tis the last and the first, For the limits of time it steps o’er;
Though the heaven’s depart, and the earth’s fountains burst,
Truth, the sum of existence, will weather the worst,
Eternal, unchanged, evermore.
John Jaques.