OpenLLM-France/wikimedia huggingface dataset:
# The Lost Apocrypha of the Old Testament/Eve

Eve
The only book current under this name was a "Gospel," and Epiphanius is the only authority for its existence. In the same 26th Heresy (2, 3) he says: "Others do not scruple to speak of a Gospel of Eve, for they father their offspring upon her name, as supposedly the discoverer of the food of knowledge by revelation of the serpent that spake to her." "Their words," he goes on, "like those of a drunkard, are fit to move sometimes laughter, sometimes tears. They deal in foolish visions and testimonies in this Gospel of theirs." Thus: "I stood upon a high mountain, and I saw a tall man and another, a short man, and I heard as it were the voice of thunder, and drew near to hearken, and he spake to me and said: 'I am thou and thou art I. And wheresoever thou art, there am I, and I am dispersed among all things, and whence thou wilt thou canst gather me, and in gathering me thou gatherest thyself.'" This is pantheistic stuff, of a kind, one would suppose, very easy to write, if a model were furnished. I give it a place here only for the sake of completeness: it is no more an Old Testament apocryph than it is a gospel.
# The Lost Apocrypha of the Old Testament/Jacob

Jacob
A Testament of Jacob, as has been said, exists in Coptic and other Eastern languages. Besides this (which seems to be an abridged form of a longer original), something called a Testament of Jacob is found in a Greek MS. at Paris (Coislin, 296); but it is merely an extract from the 49th chapter of Genesis. Further, a sixteenth-century writer, Sixtus Senensis, in his Bibliotheca Sancta, has an entry (p. 70) worth transcribing:
"There is current in print a Testament of the patriarch Jacob which Gelasius in the 29th Distinction (of the Decretum of Gratian) reckons among the books of apocryphal character." He here refers to the Gelasian ​Decree, where many copies read wrongly Testamentum Jacobi for Test. Jobi. What this printed Testament of Jacob, current in Italy in the sixteenth century, may have been, I have not been able to determine with certainty. There is just the chance that, as the Vision of Isaiah was printed in Latin more than once and wholly forgotten, so some really apocryphal work may have had a brief life; but it is far more likely that some réchauffé of the Blessings of Jacob, circulated with the Testaments of the Twelve Patriarchs, is meant. Such a thing is, in fact, prefixed to some of the old translations of these Testaments, e. g. the English one printed by Richard Day.
There is, besides, a proper apocryph of Jacob in the shape of the Ladder of Jacob, extant only in Slavonic, and translated by Bonwetsch in the Göttingen Nachrichten for 1900, in two recensions. I shall reproduce this in English in the Appendix to this volume.
# The Missing All—prevented Me

The Missing All — prevented Me From missing minor Things. If nothing larger than a World's Departure from a Hinge — Or Sun's extinction, be observed — 'Twas not so large that I Could lift my Forehead from my work For Curiosity.
# The Mahabharata/Book 1: Adi Parva/Section IV

Section IV. ( Pauloma Parva ).
Ugrasrava Sauti, the son of Lomaharshana, versed in the Puranas, being in the forest of Naimisha, at the twelve years' sacrifice of Saunaka surnamed Kulapati, stood before the Rishis in attendance. Having studied the Puranas with great pains and therefore acquainted with them thoroughly, with joined hands he addressed them thus, "I have graphically described to ye the history of Utanka which is one of the causes of King Janamejaya's Snake-sacrifice. What, reverend Sirs, do ye wish to hear? What shall I relate to ye?" The holy men replied, "O son of Lomaharshana, we shall ask thee and thou wilt reply unto us anxious to hear, recounting some excellent stories. Saunaka our reverend master is at present attending in the apartment of the holy fire. He is acquainted with those divine stories which relate to the gods and Asuras. He adequately knoweth the histories of men, serpents, and Gandharvas. Further, O Sauti, in this sacrifice that learned Brahmana is the chief. He is able, faithful to his vows, wise, a master of the shastras and the Aranyaka, a speaker of ​truth, a lover of peace, a mortifier of the flesh, and an observer of the penances according to the ordinance. He is respected by us all. It behoves us therefore to wait for him. And when he is seated on his highly respected seat, thou wilt answer what that best of Dwijas shall ask of thee."
Sauti said, "Be it so. And when the high-souled master hath been seated, by him questioned I will narrate sacred stories on a variety of subjects." After a while that excellent Brahmana (Saunaka) having duly performed all his duties, and having propitiated the gods with prayers and the manes of his fathers with oblations of water, came back to the place of sacrifice, where with Sauti seated before were the assembly of saints of rigid vows sitting at their ease. And when Saunaka was seated in the midst of the Ritwikas and Sadasyas, who were also returned to their places, he spake as followeth.
# The Mahabharata/Book 1: Adi Parva/Section LI

Section LI. ( Astika Parva continued. )
Sauti said, "King Janamejaya having said so, his ministers expressed their approbation. And the monarch then expressed his determination of performing a Snake-sacrifice. And the lord of the Earth—that tiger of the Bharata race— ​the son of Parikshita, then called his priest and Ritwijas; and accomplished in speech, he spake unto them these words relative to the accomplishment of his great task:—'I must avenge on the wretch Takshaka who hath slain my father. Tell me what must I do. Do ye know any act by which I may cast into the blazing fire the snake Takshaka with his relatives? I desire to burn that wretch even as he of yore had burnt by the fire of his poison my father.'
"And the chief priests answered, 'There is, O king, a great sacrifice for thee devised by the gods themselves. It is known as the snake-sacrifice, and is read of in the Purana. O king, thou art alone the accomplisher of it, and no one else. Men versed in the Puranas have told us, there is such a sacrifice.'"
Sauti continued, "Thus addressed, the king, O excellent one, thought Takshaka to be already burnt and thrown into the blazing mouth of the eater of the sacrificial butter. The king then spake unto those Brahmanas versed in mantras, 'I shall make preparations for that sacrifice. Tell me the things that are necessary.' And the king's Ritwijas then, O excellent Brahmana, versed in the Vedas and wise in knowledge, measured, according to the shastras, the land for the sacrificial platform. And the platform was decked with much valuable wealth and with Brahmanas. And it was full of wealth and paddy. And the Ritwijas sat upon it at their ease. And after the sacrificial platform had been thus constructed according to the rule and as desired, they then installed the king in the snake-sacrifice for the attainment of its object. And before the commencement of the snake-sacrifice that was to come, there occurred this very important incident foreboding obstruction to the sacrifice. For when the sacrificial platform was being constructed, a professional builder of great intelligence and well-versed in the knowledge of laying foundations, a Suta by caste and acquainted with the Puranas, said, 'The soil upon which and the time at which the measurement for the sacrificial platform hath been made, indicate that this sacrifice will not be completed, a Brahmana becoming the reason thereof.' Hearing this, the king, before his installation, gave ​orders to his gate-keepers not to admit anybody without his knowledge.'
And so ends the fifty-first Section in the Astika of the Adi Parva.
# The Mahabharata/Book 1: Adi Parva/Section LII

Section LII. ( Astika Parva continued. )
Sauti said, "The Snake-sacrifice then commenced according to due form. And the sacrificial priests, competent in their respective duties according to the ordinance, clad in black garments and their eyes red from contact with smoke, poured clarified butter into the blazing fire, uttering proper mantras. And causing the hearts of all the snakes to tremble with fear, they poured clarified butter into the mouth of Agni uttering the names of the snakes. And the snakes thereupon began to fall into the blazing fire, benumbed and piteously calling upon each other. And swollen and breathing hard, and twining each other with their heads and tails, they came in large numbers and fell into the fire. The white, the black, the blue, the old, and the young, all fell alike into the fire, uttering various cries. Those measuring a cross, and those measuring a yojana, and those of the measure of a gokarna, fell continuously with great violence into that first of all fires. And thus hundreds and thousands, and ten thousands and hundred thonsands of snakes, deprived of all control over their limbs, perished on that occasion. And amongst those that perished, there were some that were like horses, others like the trunks of elephants, and others of huge bodies and strength like maddened elephants. Of various colors and of virulent poison, terrible and looking like maces furnished with iron spikes, of great strength, ever inclined to bite, the snakes afflicted with their mother's curse, fell into the fire.
And so ends the fifty-second Section in the Astika of the Adi Parva.
# The Mad Planet

". . . the whole human race began to revert to conditions closely approximating savagery. The lowlands were unbearable. Thick jungles of rank growth covered the ground. The air was depressing and enervating. Men could live there, but it was a sickly, fever-ridden existence. The whole population of the earth desired the high lands, and as the low country became more unbearable, men forgot their two centuries of peace. . . ."
The Mad Planet
by Murray Leinster
Author of “The Runaway Skyscraper,“ etc.
* I. A World Insane
* II. The Black-Bellied Spider
* III. The Army Ants
* IV. The Red Death
* V. The Conqueror
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1975, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 48 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Madness of Cormac

First published in The Last of the Trunk och Brev i Urval (2007), where it appears in a letter to Tevis Clyde Smith, c. after 1930.
Layout 2
This work is from the United States and in the public domain because it was not legally published with the permission of the copyright holder before January 1, 2003 and the author died more than 70 years ago. This is a posthumous work and its copyright in certain countries and areas may depend on years since posthumous publication, rather than years since the author's death. Translations or editions published later may be copyrighted.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Mad Wind

1912.
What hast thou seen, O wind, Of beauty or of terror, Surpassing, denied to us, That with precipitate wings, Mad and ecstatical, Thou spurnest the hollows and trees That offer thee refuge of peace, And findest within the sky No safety nor respite From the memory of thy vision?
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Masque of Love

* information about this edition.
* sister projects: Wikidata item.
Extracted from McBride's magazine, March 1916, pp. 1–40.
THE MASQUE OF LOVE
A Novelette
by
I. A. R. WYLIE Author of “The Native Born,” “The Red Mirage,” Etc.
* Chapter I 1
* Chapter II 7
* Chapter III 12
* Chapter IV 14
* Chapter V 19
* Chapter VI 23
* Chapter VII 26
* Chapter VIII 29
* Chapter IX 34
* Chapter X 37
Copyright, 1916, by Robert M. McBride & Co. All rights reserved.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1959, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 64 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Maryland Martyrs

The Maryland Martyrs.
They bore them to a gloomy cell, And barred them from the light, Because they boldly dared to tell The people what was right. They dared their feeble voice to raise, Against oppression’s power, To show, by truth’s unerring rays, The dangers of the hour.
They called them by a traitorous name, And with a fiendish hate Heaped on their heads a load of shame, Such as on felon’s wait. They dragged them from their peaceful hearths Upon a despot’s word, Although the vilest man on earth Should by the law be heard.
Thus they the men of lofty soul, Wielding a magic pen, Whose word the people would control, And sway the minds of men, Is by the tyrant Lincoln’s nod, Of liberty bereft, Struck by a base usurper’s rod— In dark confinement left.
They shut them up, but could not chain Their free and fearless soul; The sacred chamber of their brain Was free from their control. They could not bind the eagle thought That from their mind took flight, Efface the lessons they had taught, Nor bar the truth from light.
For tho’ within a dungeon damp, They shut them from the day, They could not quench truth’s airy lamp That burns with fadeless ray. But hark! upon the sea of life, What sound comes from afar? It is the harbinger of strife, Of red ensanguined war.
It is the People’s voice that breaks Like wild waves on the ear; It is the People’s tramp that shakes The earth both far and near. Lift up thy head, O martyrs brave, Thy chains will broken be; The People come their friends to save— Look up, thou wilt be free!
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# The Mary and Susan

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
14 U.S. 25
The Mary and Susan

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The New International Encyclopædia/Engel, Johann Christian von

Edition of 1905. See also Johann Christian von Engel on Wikipedia; and the disclaimer.
ENGEL, Johann Christian von (1770-1814). An Hungarian historian. He was born at Leutschau, Hungary, and received his education at Göttingen, where he studied under Heyne, Schlözer, and other distinguished scholars. His works are full of varied and extensive information, and are characterized by great thoroughness. Engel was in some respects a pioneer as regards the history of Hungary. His principal work is entitled Geschichte des ungarischen Reiches und seiner Nebenländer (1797-1804).
# The New International Encyclopædia/Engel, Karl Dietrich Leonhard

Edition of 1905. See also Karl Dietrich Leonhard Engel on Wikipedia; and the disclaimer.
ENGEL, Karl Dietrich Leonhard (1821—). A German musician and author. He was born in the Grand Duchy of Oldenburg, and went to Russia in 1842 as a violin virtuoso. Here he was very successful, and at the age of twenty-two was appointed a member of the imperial orchestra at Saint Petersburg, of which body he subsequently became concert-master. In 1869 he settled at Dresden. His writings, principally on the legend of Faust, include: Deutsche Puppenkomödien (vols. i.-xii., 1874-93); Das Volksschauspiel Doktor Johann Faust (2d ed. 1882); Zusammenstellung der Faustschriften vom 16. Jahrhundert bis Mitte 1884 (2d ed. 1884); Die Don Juan Sage auf der Bühne (2d ed., 1888). His musical compositions include the concerto in B minor and the unique and humorous fantasy entitled Jüdischer Carneval.
# The New International Encyclopædia/Engelberg

Edition of 1905. See also Engelberg on Wikipedia; and the disclaimer.
ENGELBERG, ĕng'el-bĕrK. A health resort in Switzerland, situated in the northeast part of the Engelberg Valley, 3300 feet above sea-level, and 14 miles south of Lucerne (Map: Switzerland, C 2). The town has an historical interest as the site of a Benedictine monastery founded in 1121, with a library of 20,000 volumes, including many incunabula, besides manuscripts. There is an eleventh-century Catholic gymnasium connected with the abbey. Population, in 1900, including a number of adjacent hamlets. 1966.
# The New International Encyclopædia/Engelhard, Wilhelm

Edition of 1905. See also Wilhelm Engelhard on Wikipedia; and the disclaimer.
ENGELHARD, ĕng'el-härt Wilhelm (1813-1902). A German sculptor and painter. He was born at Grünhagen, near Lüneburg, Prussia, and studied sculpture at Hanover, with Thorwaldsen at Copenhagen, and with Schwanthaler at Munich. In 1857, at the request of George V., King of Hanover, he executed the famous frieze in the Marienburg Palace representing the story of the Edda—a colossal work dealing with the main features of the Saga and rich in grand sculptural effects. There arc also statues by him at Munich, Rome, Hanover, Berlin, and elsewhere.
# The New International Encyclopædia/Engelbert

Edition of 1905. See also Engelbert of Admont on Wikipedia; and the disclaimer.
ENGELBERT, ĕng'el-bĕrt (c.1250-1331). A Benedictine author. He was educated at Prague and Padua, and became Abbot of Admont in Styria in 1297. He is noted chiefly for his Latin history of the Roman Empire, entitled De Ortu, Progressu et Fine Imperii Romani, which has been frequently republished. Several of his other productions were published in the Thesaurus Anecdotorum Novissimus (1721), and in the Bibliotheca Ascetica Antiquo-nova (1723-25).
# The New International Encyclopædia/Engelbert I.

Edition of 1905. See also Engelbert II of Berg on Wikipedia; and the disclaimer.
ENGELBERT I., ĕng'el-bĕrt (c.1185-1225). Saint and Archbishop of Cologne. He was of noble origin, and became Archbishop of Cologne at the age of thirty-one. He was one of the foremost ecclesiastical rulers of his day, a patron of agriculture, industry, and art, an excellent administrator, and a sworn enemy to the excesses perpetrated by the feudal barons. He brought about a complete reorganization of the electorate. During the absence of the Emperor Frederick II. in Italy he was administrator of the Empire. In consequence of an accusation of maladministration which he had brought against his nephew, he was waylaid and slain by hirelings of the latter while on his way to consecrate a church. He was one of the chief designers of the Cathedral of Cologne, and is ranked among the noblest representatives of the Church.
# The New International Encyclopædia/Engel, Johann Jakob

Edition of 1905. See also Johann Jakob Engel on Wikipedia; and the disclaimer.
ENGEL, Johann Jakob (1741-1802). A German writer, born at Parchim. He was educated in Rostock, Bützow, and Leipzig, and held various posts, including the directorship of the Berlin Theatre (1787-94). He wrote much on the theory of art and æsthetics, including the Philosoph für die Welt (2 vols., 1775-77) and Anfangsgründe einer Theorie der Dichtungsarten (2d ed. 1804). His Herr Lorenz Stark, a work of fiction first published in Schiller's Horen (1801), was distinguished by humor and effective dialogues. His Sämtliche Schriften were published at Frankfort in 1857.
# The New International Encyclopædia/Engel, Joseph

Edition of 1905. See also Josef Engel (anatomist) on Wikipedia; and the disclaimer.
ENGEL, Joseph (1816-99). An Austrian anatomist, born in Vienna. In 1844 he was appointed to the chair of anatomy at Zurich, and subsequently to that of physiology also. He became professor of pathological anatomy at the University of Prague in 1849, and from 1854 to 1874 was a professor of anatomy in the Josephsakademie for physicians and surgeons at
Vienna. His contributions to the development systematization of anatomical science were considerable. In addition to a large number of uncollected articles, he wrote a Lehrbuch der pathologischen Anatomie and a Kompendium der topographischen Anatomie (1859).
# The New International Encyclopædia/Engelbrecht, Theodor

Edition of 1905. See also Theodor Engelbrecht on Wikipedia; and the disclaimer.
ENGELBRECHT, ĕng'el-brĕKt, Theodor (1813-92). A German physician and pomologist. He was born near Brunswick. In 1862 he induced the Government to establish the Pomological Institute, and he was the first president of the German Pomological Society (1880-89). His principal work is Deutschland's Aepfelsorten (1889).
# The New International Encyclopædia/Engelbrechtsen, Cornelis

Edition of 1905. See also Cornelis Engebrechtsz. on Wikipedia; and the disclaimer.
ENGELBRECHTSEN, ĕng'el-brĕKt'sen Cornelis (1468-1533). A Dutch painter, born at Leyden. Owing to the destruction of most of his pictures during the Reformation, only two well-authenticated works of larger dimensions from his brush remain. They are the altar-pieces respectively representing the “Crucifixion” and the “Pieta,” in the town hall at Leyden. Engelbrechtsen became known chiefly through his pupil Lucas, of Leyden.
# The Modern Review/Volume 3/Number 1

January, 1908
# The Modern Review/Volume 29/Number 5/Calcutta University Affairs and Editor's Note

​Page:Modern review 1921 v29.pdf/670 ​Page:Modern review 1921 v29.pdf/671 ​Page:Modern review 1921 v29.pdf/672 ​Page:Modern review 1921 v29.pdf/673
# The Modern Review/Volume 29/Number 6

June, 1921
* East and West in Greater India
* Practical Swaraj
* Methods of Research Work in the Calcutta University
# The Modern Review/Volume 3

January to June, 1908
* Number 1 (January)
* Number 2 (February)
* Number 3 (March)
* Number 4 (April)
* Number 5 (May)
* Number 6 (June)
# The Mystery of the Yellow Room

* related portals: Mystery.
* sister projects: Wikipedia article, Commons category, Wikidata item.
The story concerns a complex and seemingly impossible crime in which the criminal appears to disappear from a locked room. Such is the mechanical and logistic complexity of the puzzle that Leroux provides the reader with detailed and precise diagrams and floorplans illustrating the scene of the crime. Further impossible problems emerge as the story progresses towards a dramatic denouement. The emphasis of the story is firmly on the intellectual challenge to the reader, who will almost certainly be hard pressed to unravel every detail of the situation.
THE MYSTERY
OF
THE YELLOW ROOM
The Mystery
of
The Yellow Room
Extraordinary Adventures of Joseph Rouletabille, Reporter
By Gaston LeRoux
NEW YORK GROSSET & DUNLAP PUBLISHERS
Copyright, 1908
By Brentano's
MADE IN THE UNITED STATES OF AMERICA
CONTENTS
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The New International Encyclopædia/Fossano, Ambrogio

Edition of 1906. See also the disclaimer.
​ FOSSANO, Ambrogio. See Borgognone.
# The New International Encyclopædia/Fossil Botany

Edition of 1906. See also the disclaimer.
​ FOSSIL BOTANY. See Paleobotany.
# The New International Encyclopædia/Fossil Footprints

Edition of 1905. See also the disclaimer.
​ FOSSIL FOOTPRINTS. See Ichnology.