# Best Russian Short Stories/One Autumn Night

This translation was first published in the collection "Tales from Gorky", New York, Funk and Wagnall's Company, 1902.
ONE AUTUMN NIGHT
By Maxim Gorky
ONCE in the autumn I happened to be in a very unpleasant and inconvenient position. In the town where I had just arrived and where I knew not a soul, I found myself without a farthing in my pocket and without a night's lodging.
Having sold during the first few days every part of my costume without which it was still possible to go about, I passed from the town into the quarter called "Yste," where were the steamship wharves—a quarter which during the navigation season fermented with boisterous, laborious life, but now was silent and deserted, for we were in the last days of October.
Dragging my feet along the moist sand, and obstinately scrutinising it with the desire to discover in it any sort of fragment of food, I wandered alone among the deserted buildings and warehouses, and thought how good it would be to get a full meal.
In our present state of culture hunger of the mind is more quickly satisfied than hunger of the body. You wander about the streets, you are surrounded by buildings not bad-looking from the outside and—you may safely say it—not so badly furnished inside, and the sight of them may excite within you stimulating ideas about architecture, hygiene, and many other wise and high-flying subjects. You may meet warmly and neatly dressed folks—all very polite, and turning away from you tactfully, not wishing offensively to notice the lamentable fact of your existence. Well, well, the mind of a hungry man is always better nourished and healthier than the mind of the well-fed man; and there you have a situation from which you may draw a very ingenious conclusion in favour of the ill fed.
The evening was approaching, the rain was falling, and ​the wind blew violently from the north. It whistled in the empty booths and shops, blew into the plastered window-panes of the taverns, and whipped into foam the wavelets of the river which splashed noisily on the sandy shore, casting high their white crests, racing one after another into the dim distance, and leaping impetuously over one another's shoulders. It seemed as if the river felt the proximity of winter, and was running at random away from the fetters of ice which the north wind might well have flung upon her that very night. The sky was heavy and dark; down from it swept incessantly scarcely visible drops of rain, and the melancholy elegy in nature all around me was emphasised by a couple of battered and misshapen willow-trees and a boat, bottom upwards, that was fastened to their roots.
The overturned canoe with its battered keel and the miserable old trees rifled by the cold wind—everything around me was bankrupt, barren, and dead, and the sky flowed with undryable tears. . . . Everything around was waste and gloomy . . . it seemed as if everything were dead, leaving me alone among the living, and for me also a cold death waited.
I was then eighteen years old—a good time!
I walked and walked along the cold wet sand, making my chattering teeth warble in honour of cold and hunger, when suddenly, as I was carefully searching for something to eat behind one of the empty crates, I perceived behind it, crouching on the ground, a figure in woman's clothes dank with the rain and clinging fast to her stooping shoulders. Standing over her, I watched to see what she was doing. It appeared that she was digging a trench in the sand with her hands—digging away under one of the crates.
"Why are you doing that?" I asked, crouching down on my heels quite close to her.
She gave a little scream and was quickly on her legs again. Now that she stood there staring at me, with her wide-open grey eyes full of terror, I perceived that it was a girl of my own age, with a very pleasant face embellished unfortunately by three large blue marks. This spoilt her, although these blue marks had been distributed with a ​remarkable sense of proportion, one at a time, and all were of equal size—two under the eyes, and one a little bigger on the forehead just over the bridge of the nose. This symmetry was evidently the work of an artist well inured to the business of spoiling the human physiognomy.
The girl looked at me, and the terror in her eyes gradually died out. . . . She shook the sand from her hands, adjusted her cotton head-gear, cowered down, and said:
"I suppose you too want something to eat? Dig away then! My hands are tired. Over there"—she nodded her head in the direction of a booth—"there is bread for certain . . . and sausages too. . . . That booth is still carrying on business."
I began to dig. She, after waiting a little and looking at me, sat down beside me and began to help me.
We worked in silence. I cannot say now whether I thought at that moment of the criminal code, of morality, of proprietorship, and all the other things about which, in the opinion of many experienced persons, one ought to think every moment of one's life. Wishing to keep as close to the truth as possible, I must confess that apparently I was so deeply engaged in digging under the crate that I completely forgot about everything else except this one thing: What could be inside that crate?
The evening drew on. The grey, mouldy, cold fog grew thicker and thicker around us. The waves roared with a hollower sound than before, and the rain pattered down on the boards of that crate more loudly and more frequently. Somewhere or other the night-watchman began springing his rattle.
"Has it got a bottom or not?" softly inquired my assistant. I did not understand what she was talking about, and I kept silence.
"I say, has the crate got a bottom? If it has we shall try in vain to break into it. Here we are digging a trench, and we may, after all, come upon nothing but solid boards. How shall we take them off? Better smash the lock; it is a wretched lock."
Good ideas rarely visit the heads of women, but, as you see, they do visit them sometimes. I have always valued ​good ideas, and have always tried to utilise them as far as possible.
Having found the lock, I tugged at it and wrenched off the whole thing. My accomplice immediately stooped down and wriggled like a serpent into the gaping-open, four cornered cover of the crate whence she called to me approvingly, in a low tone:
"You're a brick!"
Nowadays a little crumb of praise from a woman is dearer to me than a whole dithyramb from a man, even though he be more eloquent than all the ancient and modern orators put together. Then, however, I was less amiably disposed than I am now, and, paying no attention to the compliment of my comrade, I asked her curtly and anxiously:
"Is there anything?"
In a monotonous tone she set about calculating our discoveries.
"A basketful of bottles—thick furs—a sunshade—an iron pail."
All this was uneatable. I felt that my hopes had vanished. . . . But suddenly she exclaimed vivaciously:
"Aha! here it is!"
"What?"
"Bread . . . a loaf . . . it's only wet . . . take it!"
A loaf flew to my feet and after it herself, my valiant comrade. I had already bitten off a morsel, stuffed it in my mouth, and was chewing it. . . .
"Come, give me some too! . . . And we mustn't stay here. . . . Where shall we go?" she looked inquiringly about on all sides. . . . It was dark, wet, and boisterous.
"Look! there's an upset canoe yonder . . . let us go there."
"Let us go then!" And off we set, demolishing out booty as we went, and filling our mouths with large portions of it. . . . The rain grew more violent, the river roared; from somewhere or other resounded a prolonged mocking whistle—just as if Someone great who feared nobody was whistling down all earthly institutions and along with them this horrid autumnal wind and us its heroes. This whistling made my heart throb painfully, in spite of which I greedily went on ​eating, and in this respect the girl, walking on my left hand, kept even pace with me.
"What do they call you?" I asked her—why I know not.
"Natasha," she answered shortly, munching loudly.
I stared at her. My heart ached within me; and then I stared into the mist before me, and it seemed to me as if the inimical countenance of my Destiny was smiling at me enigmatically and coldly.
The rain scourged the timbers of the skiff incessantly, and its soft patter induced melancholy thoughts, and the wind whistled as it flew down into the boat's battered bottom through a rift, where some loose splinters of wood were rattling together—a disquieting and depressing sound. The waves of the river were splashing on the shore, and sounded so monotonous and hopeless, just as if they were telling something unbearably dull and heavy, which was boring them into utter disgust, something from which they wanted to run away and yet were obliged to talk about all the same. The sound of the rain blended with their splashing, and a long-drawn sigh seemed to be floating above the overturned skiff—the endless, labouring sigh of the earth, injured and exhausted by the eternal changes from the bright and warm summer to the cold misty and damp autumn. The wind blew continually over the desolate shore and the foaming river—blew and sang its melancholy songs. . . .
Our position beneath the shelter of the skiff was utterly devoid of comfort; it was narrow and damp, tiny cold drops of rain dribbled through the damaged bottom; gusts of wind penetrated it. We sat in silence and shivered with cold. I remembered that I wanted to go to sleep. Natasha leaned her back against the hull of the boat and curled herself up into a tiny ball. Embracing her knees with her hands, and resting her chin upon them, she stared doggedly at the river with wide-open eyes; on the pale patch of her face they seemed immense, because of the blue marks below them. She never moved, and this immobility and silence—I felt it—gradually produced within me a terror of my neighbour. I wanted to talk to her, but I knew not how to begin.
​It was she herself, who spoke.
"What a cursed thing life is!" she exclaimed plainly abstractedly, and in a tone of deep conviction.
But this was no complaint. In these words there was too much of indifference for a complaint. This simple soul thought according to her understanding—thought and proceeded to form a certain conclusion which she expressed aloud, and which I could not confute for fear of contradicting myself. Therefore I was silent, and she, as if she had not noticed me, continued to sit there immovable.
"Even if we croaked . . . what then . . .?" Natasha began again, this time quietly and reflectively, and still, there was not one note of complaint in her words. It was plain that this person, in the course of her reflections on life, was regarding her own case, and had arrived at the conviction that in order to preserve herself from the mockeries of life, she was not in a position to do anything else but simply "croak"—to use her own expression.
The clearness of this line of thought was inexpressibly sad and painful to me, and I felt that if I kept silence any longer I was really bound to weep. . . . And it would have been shameful to have done this before a woman, especially as she was not weeping herself. I resolved to speak to her.
"Who was it that knocked you about?" I asked. For the moment I could not think of anything more sensible or more delicate.
"Pashka did it all," she answered in a dull and level tone.
"And who is he?"
"My lover. . . . He was a baker."
"Did he beat you often?"
"Whenever he was drunk he beat me. . . . Often!"
And suddenly, turning towards me, she began to talk about herself, Pashka, and their mutual relations. He was a baker with red moustaches and played very well on the banjo. He came to see her and greatly pleased her, for he was a merry chap and wore nice clean clothes. He had a vest which cost fifteen rubles and boots with dress tops. For these reasons she had fallen in love with him, and he became her "creditor." And when he became her creditor ​he made it his business to take away from her the money which her other friends gave to her for bonbons, and, getting drunk on this money, he would fall to beating her; but that would have been nothing if he hadn't also begun to "run after" other girls before her very eyes.
"Now, wasn't that an insult? I am not worse than the others. Of course that meant that he was laughing at me, the blackguard. The day before yesterday I asked leave of my mistress to go out for a bit, went to him, and there I found Dimka sitting beside him drunk. And he, too, was half seas over. I said, 'You scoundrel, you!' And he gave me a thorough hiding. He kicked me and dragged me by the hair. But that was nothing to what came after. He spoiled everything I had on—left me just as I am now! How could I appear before my mistress? He spoiled everything . . . my dress and my jacket too—it was quite a new one; I gave a fiver for it . . . and tore my kerchief from my head. . . . Oh, Lord! What will become of me now?" she suddenly whined in a lamentable overstrained voice.
The wind howled, and became ever colder and more boisterous. . . . Again my teeth began to dance up and down, and she, huddled up to avoid the cold, pressed as closely to me as she could, so that I could see the gleam of her eyes through the darkness.
"What wretches all you men are! I'd burn you all in an oven; I'd cut you in pieces. If any one of you was dying I'd spit in his mouth, and not pity him a bit. Mean skunks! You wheedle and wheedle, you wag your tails like cringing dogs, and we fools give ourselves up to you, and it's all up with us! Immediately you trample us underfoot. . . . Miserable loafers!"
She cursed us up and down, but there was no vigour, no malice, no hatred of these "miserable loafers" in her cursing that I could hear. The tone of her language by no means corresponded with its subject-matter, for it was calm enough, and the gamut of her voice was terribly poor.
Yet all this made a stronger impression on me than the most eloquent and convincing pessimistic books and speeches, of which I had read a good many and which I ​still read to this day. And this, you see, was because the agony of a dying person is much more natural and violent than the most minute and picturesque descriptions of death.
I felt really wretched—more from cold than from the words of my neighbour. I groaned softly and ground my teeth.
Almost at the same moment I felt two little arms about me—one of them touched my neck and the other lay upon my face—and at the same time an anxious, gentle, friendly voice uttered the question:
"What ails you?"
I was ready to believe that some one else was asking me this and not Natasha, who had just declared that all men were scoundrels, and expressed a wish for their destruction. But she it was, and now she began speaking quickly, hurriedly.
"What ails you, eh? Are you cold? Are you frozen? Ah, what a one you are, sitting there so silent like a little owl! Why, you should have told me long ago that you were cold. Come . . . lie on the ground . . . stretch yourself out and I will lie . . . there! How's that? Now put your arms round me? . . . tighter! How's that? You shall be warm very soon now. . . . And then we'll lie back to back. . . . The night will pass so quickly, see if it won't. I say . . . have you too been drinking? . . . Turned out of your place, eh? . . . It doesn't matter."
And she comforted me. . . . She encouraged me.
May I be thrice accursed! What a world of irony was in this single fact for me! Just imagine! Here was I, seriously occupied at this very time with the destiny of humanity, thinking of the re-organisation of the social system, of political revolutions, reading all sorts of devilishly-wise books whose abysmal profundity was certainly unfathomable by their very authors—at this very time. I say, I was trying with all my might to make of myself "a potent active social force." It even seemed to me that I had partially accomplished my object; anyhow, at this time, in my ideas about myself, I had got so far as to recognise that I had an exclusive right to exist, that I had the necessary ​greatness to deserve to live my life, and that I was fully competent to play a great historical part therein. And a woman was now warming me with her body, a wretched, battered, hunted creature, who had no place and no value in life, and whom I had never thought of helping till she helped me herself, and whom I really would not have known how to help in any way even if the thought of it had occurred to me.
Ah! I was ready to think that all this was happening to me in a dream—in a disagreeable, an oppressive dream.
But, ugh! it was impossible for me to think that, for cold drops of rain were dripping down upon me, the woman was pressing close to me, her warm breath was fanning my face, and—despite a slight odor of vodka—it did me good. The wind howled and raged, the rain smote upon the skiff, the waves splashed, and both of us, embracing each other convulsively, nevertheless shivered with cold. All this was only too real, and I am certain that nobody ever dreamed such an oppressive and horrid dream as that reality.
But Natasha was talking all the time of something or other, talking kindly and sympathetically, as only women can talk. Beneath the influence of her voice and kindly words a little fire began to burn up within me, and something inside my heart thawed in consequence.
Then tears poured from my eyes like a hailstorm, washing away from my heart much that was evil, much that was stupid, much sorrow and dirt which had fastened upon it before that night. Natasha comforted me.
"Come, come, that will do, little one! Don't take on! That'll do! God will give you another chance . . . you will right yourself and stand in your proper place again . . . and it will be all right. . . ."
And she kept kissing me . . . many kisses did she give me . . . burning kisses . . . and all for nothing. . . .
Those were the first kisses from a woman that had ever been bestowed upon me, and they were the best kisses too, for all the subsequent kisses cost me frightfully dear, and really gave me nothing at all in exchange.
"Come, don't take on so, funny one! I'll manage for you to-morrow if you cannot find a place." Her quiet ​persuasive whispering sounded in my ears as if it came through a dream. . . .
There we lay till dawn. . . .
And when the dawn came, we crept from behind the skiff and went into the town. . . . Then we took friendly leave of each other and never met again, although for half a year I searched in every hole and corner for that kind Natasha, with whom I spent the autumn night just described.
If she be already dead—and well for her if it were so—may she rest in peace! And if she be alive . . . still I say "Peace to her soul!" And may the consciousness of her fall never enter her soul . . . for that would be a superfluous and fruitless suffering if life is to be lived. . . .
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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