OpenLLM-France/wikimedia huggingface dataset:
# The Polly privateer/Cauld Kail in Aberdeen

CAULD KAIL IN ABERDEEN.
There's cauld kail in Aberdeen, And castocks in Stra’bogie, Whar ilka lad maun hae his lass, But I maun hae my cogie. For I maun hae my cogie, troth, I canna want my cogie: I wadna gie my three-gird cog For a' the wives in Bogie.
Johnny Smith has got a wife Wha scrimps him o' his cogie; But were she mine, upon my life, I'd duck her in a bogie. For I maun hae my cogie, troth, I canna want my cogie; I wadna gie my three-gird cog For a' the wives in Bogie.
Twa-three todlin weans they hae, The pride o' a' Stra’bogie;
​Whene'er the totums cry for meat, She curses ay his cogie: Crying “Wae betide the three-gird cog! “Oh, wae bețide the cogie! “It does mair skaith than a' the ills “That happen in Stra'bogie."
She fand him ance at Willie Sharp's, And what they maist did laugh at, She brake the bicker, spilt the drink, And tightly gowff'd his haffet: Crying “Wae betide the three-gird cog! “Oh, wae betide the cogie; “It does mair skaith than a' the ills “That happen in Stra'bogie."
Yet here's to ilka honest soul, Wha'll drink wi' me a cogie; And for ilk silly whingin fool, We'll duck him in the bogie. For I maun hae my cogie, Sirs, I canna want my cogie; I wadna gie my three-gird cog For a' the queens in Bogie.
# The Polly privateer/The Polly Privateer; or Unfortunate Jack's Last Shift

The Polly Privateer; or Unfortunate Jack’s last Shift.
———o———
Come all ye gallant Seamen, and listen unto me, While I relate a bloody fight, was lately fought at sea, When we set sail from Liverpool, to the salt sea did steer, To try our hard fortune, in the Polly privateer.
On the 25th of December, it being on Christmas day, When we espied a large French ship, To windward of us lay; Our noble Captain view'd her, and told her guns quite clear, And said, cheer up, my British boys, in the Polly privateer.
We fought them full four glasses, our cannons they did roar, And many a British seaman lay bleeding in his gore; Our noble Captain wounded, by the loss of his leg, is clear,
​But still he cried, fight on my boys, in the Polly privateer.
Our Captain he lay bleeding, and unto us did say, Give her another broadside, we'll show them British play; Then we gave her a broadside, also three British cheers, And down her colours quickly came, to the Polly privateer.
Now this prize we have taken, from Dunkirk she set sail, To take our British merchant ships, upon the raging main, Her name is the La Cæsar, of thirty guns, is clear, And to Liverpool she was brought, my boys, by the Polly privateer.
The Polly she had twenty killed, the La Cæsar forty-one, Which causes many a mother cry, alas! my darling son; Be kind unto those widows that are left in distress, And also their dear children, who are left fatherless.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Polly privateer (1816)/The Polly Privateer

THE
POLLY PRIVATEER.
COME all you gallant Seamen, and liſten unto me, Whilſt I relate a bloody fight was lately fought at ſea. As we ſet ſail from Liverpool, to the ſalt ſeas we did ſteer, To try our hard fortunes in the Polly Privateer.
The twenty-fifth December, juſt upon Chriſtmas-day, We ſpied a large French Ship to windward of us lay, Our Captain he reviewed us, and ſaid our guns was clear; O then he cry'd, Fight on my boys in the Polly Privateer.
We engag'd her full five glaſſes, whilſt our cannons loud did roar, And many a poor ſeaman lay bleeding in his gore! Our noble Captain wounded, he loſt a leg moſt dear, But ſtill ⟨he cry'd,⟩ Fight on my boys, in the Polly Privateer.
​Our Captain lying bleeding, unto his men did ſay, Give her another broadſide, we'll show them British play. We gave to them a broadſide, likewiſe three British cheers, And down her colours quickly came to the Polly Privateer.
So now this prize we've taken boys: from Dunkirk she ſet ſail, To rob our British merchant Ships, upon the raging main; Her name was the La Cæfar, of forty guns 'tis clear, To Liverpool she was brought my boys, by the Pully Privateer.
The Polly she's got twenty kill'd, the La Cæfar forty-one, Makes many a mother cry aloud, Alas! my darling ſon! And alſo their poor widows they are left in diſtreſs; Likewiſe their dear children, they are left fatherleſs.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pomegranate, the Apple-Tree, and the Bramble

Perry index 213
* "A Peach, an Apple, and a Blackberry", part of "Fable CXXXIV and CXXXV", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Pomegranate, Apple-tree, and Bramble", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Pomegranate, The Apple-tree, and the Bramble", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sacred Tree/Advertisements

The Tale of Genji
By
Lady Murasaki
Translated by Arthur Waley
Arthur Waley, brilliant scholar and translator, perhaps the best authority on the literature of the Orient, classes this book as ‘by far the greatest novel of the East,’ and states that ‘even if compared with the fiction of Europe, “The Tale of Genji” takes its place as one of the dozen greatest masterpieces of the world.’ Not only is it among the first novels in excellence, but in antiquity as well, for it was written about the year 1000.
Readers of the ‘Diaries of Court Ladies of Old Japan’ have already met the Lady Murasaki and have read in Amy Lowell’s introduction to that book what is known of this remarkable woman.
Genji, the young prince whose exploits are chronicled in the present volume, is not a mere courtly warrior but a living young man. The story of his amorous adventures is told in a surprisingly modern manner. Both as a splendidly alive and absorbing story and as an unequaled picture of court life in mediæval Japan, this great novel will be keenly enjoyed by many generations of American readers.
NEW FICTION
A new edition of one of the best of Sabatini’s novels.
Thrilling intrigue and adventure in Egypt.
Hobo life in the freedom of the western spaces.
A powerful and thrilling romance of the coal country.
A stirring and romantic story of the West.
A continuation of the incomparable ‘Tale of Genji.’
A story of the Pyrenees, by the author of ‘Andorra.’
A distinguished and absorbing novel of the 1850’s.
A new novel by the author of ‘The Hidden Road,’ ‘Bennett Malin,’ etc.
The adventures of the exuberant girl in a staid village.
A story of Scotch village life by the author of ‘The Ship of Destiny.’
Short stories by the author of ‘The Little French Girl.’ New Edition.
An absorbing novel of English life before the war.
Love and passion under the burning skies of Somaliland.
A story of adventure in the Near East during the war.
# The Russian Review/Volume 1/February 1916/To Russia

An abridged translation from the poem "New America".
Endless stretches the railroad before me,
On through windy steppe, rolling around.
Lo! A factory rearing her stories,
Towns of huts, where poor workers abound.
On her wild, broad expanses, my Russia,
Now the same, and now different, seems.
For she turns a new face now upon me,
And my mind throbs with quick-changing dreams.
From the grim underground—a Messiah—
The black coal comes, thy bride-groom and king.
But no terror in me, O my Russia,
Strike the voices that songs of stone sing!
'Tis the groan of the coal and the marshes,
And the groan of the ore, near and far:
For I see o'er the boundless steppe rising
Lo! Another America's star!
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Russian Review/Volume 1/February 1916/War Cartoons

War Cartoons.
(From "Satirikon," Petrograd.)
# The Russian Review/Volume 1/June 1916/My Dream

My Dream.
By Ada Chumachenko.
Translated by P. Leonov.
Every night I seem to see before me
My native fields, where sporting winds are free,
Where they sing their songs while gently swaying
The feath'ry grass, so like a silver sea.
And the tall proud poplar stands before me,
All shining with the sun's caressing rays;
And the calm, dark, quiet little garden
So long neglected—with its brush-wood maze.
Every night my country's shining heavens,
All azure-blue, above my head are sweet;
There I see the sun in golden glory,
Sending a glow through waves of rip'ning wheat.
And above, a sparrow-hawk is soaring,
A tiny speck, by sun caressed, he seems. . .
Every night I weep, as if my heart were breaking,
Weep like a child, deceived by its own dreams.
# The Russian Review/Volume 1/June 1916

* VOL. I
* THE RUSSIAN REVIEW ||
* A MONTHLY MAGAZINE ||
* Devoted to Russian Life, Literature and Art. ||
LEO PASVOLSKY, Editor :
| LOUIS S. FRIEDLAND, Associate Editor | MARK VILLCHUR, Assistant Editor |
* Published by
* The Russian Review Publishing Co., 31 East 7th St., New York City.
* VICTOR SHIMKIN, Business Manager
CONTENTS.
Translated by P. Leonov.
Translated from the Russian.
Translated by P. Leonov.
REPRODUCTION OF A RUSSIAN PAINTING:
Manuscripts should be addressed to the Editor of The Russian Review, 31 East 7th Street, New York City, and should be accompanied by stamped addressed envelope for return. Annual subscription rates: In the United States, Mexico, Cuba, and American Possessions, $3.00 net: in Canada, $3.50: in all other countries in the postal union, $4.00. Entered as Second Class Matter February 19, 1916, at the Post Office at New York, N. Y., under the Act of March 3, 1870. Copyright, 1916, by the Russian Review Publishing Company.
page
# The Russian Review/Volume 1/June 1916/A Russian Cartoon

A RUSSIAN CARTOON.
Leaving for the Estate Called "Victory."
# The Pacific Monthly/Volume 4/Flight of the Birds

Flight of the Birds.
Gaily whirling, Swiftly swirling, Dipping low o’er rippling streams; Mounting higher, Flitting nigher, To the home of bright sunbeams.
Tilting slightly, Poising lightly, On the slender waving reeds; Blithely soaring, Music pouring, Over flower-dotted meads.
Sportive racing, Gleeful facing, Wild pranks of the merry breeze; Fleetly darting, Quickly parting, Slowly floating ’mong the trees.
Closer winging, Louder singing, Speed the wand’rers on their way, While o’er mountain And o’er fountain Faintly rings their parting lay!
—Adelaide Pugh
# The Pacific Monthly/Volume 4
## Number 3 (July)

* Number 3/Books

## Number 6 (October)

* Writers of Oregon
* Number 6/Books
# The Pacific Monthly/Volume 3

* Recently Discovered Unpublished Poems of Sam L. Simpson
* A Glance at California's Educational Policy
# The Satires, Epistles & Art of Poetry of Horace/Sat1-7

SATIRE VII.
Proscripti Regis Rupili.
OW mongrel Persius managed to outsting That pungent proscript, foul Rupilius King, Is known, I take it, to each wight that drops Oil on bleared eyes, or lolls in barbers' shops. Persius was rich, a man of great affairs, Steeped to the lips in monetary cares Down at Clazomenæ: and some dispute 'Twixt him and King had festered to a suit. Tough, pushing, loud was he, with power of hate To beat e'en King's; so pestilent his prate, That Barrus and Sisenna you would find Left in the running leagues and leagues behind. Well, to return to King: they quickly see They can't agree except to disagree: For 'tis a rule, that wrath is short or long Just as the combatants are weak or strong: 'Twixt Hector and Æacides the strife Was truceless, mortal, could but end with life, For this plain reason, that in either wight The tide of valour glowed at its full height; Whereas, if two poor cravens chance to jar, Or if an ill-matched couple meet in war,
Like Diomede and Glaucus, straight the worse Gives in, and presents are exchanged of course. Well, in the days when Brutus held command, With prætor's rank, o'er Asia's wealthy land, Persius and King engage, a goodly pair, Like Bithus matched with Bacchius to a hair. Keen as sharp steel, before the court they go, Bach in himself as good as a whole show. Persius begins: amid the general laugh He praises Brutus, praises Brutus' staff, Brutus, the healthful sun of Asia's sphere, His staff, the minor stars that bless the year, All, save poor King; a dog-star he, the sign To farmers inauspicious and malign: So roaring on he went, like wintry flood, Where axes seldom come to thin the wood. Then, as he thundered, King, Præneste-bred, Hurled vineyard slang in handfuls at his head, A tough grape-gatherer, whom the passer-by Could ne'er put down, with all his cuckoo cry. Sluiced with Italian vinegar, the Greek At length vociferates, "Brutus, let me speak! You are our great king-killer: why delay To kill this King? I vow 'tis in your way."
# The Schoolmistress and Other Stories

Published in 1918.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Providence Gazette/Volume 14/Number 710

[Vol. XIV.]
[Numb. 710.]
The Providence Gazette; and Country Journal: Containing the freshest Advices, Foreign and Domestic.
Saturday, August 9, 1777.
* To the Public
* Dr. Dodd's trial
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Providence Gazette

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category.
An American Revolutionary War era newspaper, and the only newspaper printed in Providence before 1775. It was first published October 20, 1762, by William Goddard and his partner John Carter in the basement of his Providence home, on a sheet of crown size, folio; an image of the king's arms decorated the title. It was printed every Saturday, from types of English and long primer. In 1768 Carter became the sole proprietor of the newspaper.
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Providence Gazette/
# The Protocols of the Elders of Zion

The Protocols is an anonymous text, plagiarized from multiple sources, and first published in the Russian magazine Znamya in 1903. The text claims to be a Jewish plan to achieve world domination, but was exposed as an antisemitic hoax by The Times in their 1921 exposé "The Truth About The Protocols". Nevertheless, it was widely distributed as evidence of an international Jewish conspiracy throughout the early 20th century.
English-language translations of Протоколы сионских мудрецов include:
* The Jewish Peril: Protocols of the Learned Elders of Zion, translated by George Shanks (UK, first published 1920) (external scan)
* The Protocols and World Revolution, anonymous translation (US, first published 1920) (transcription project)
* The Protocols of the Meetings of the Learned Elders of Zion, translated by Victor E. Marsden (UK, first published 1923)
# The Prussian Officer and Other Stories

THE PRUSSIAN OFFICER AND OTHER STORIES
BY D. H. LAWRENCE
LONDON DUCKWORTH & CO. 3 HENRIETTA STREET, COVENT GARDEN
Published December 1914
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Shadow of the Gloomy East/Chapter 9

THERE is another "free profession" of the same kind pursued to this very day in the Far East of Russia. In former times—some twenty or twenty-five years ago—many men were actively engaged in it, who now, or whose sons, belong to the richest classes of the cities of the Far East.
In the early spring numerous bands of Koreans and Chinese travel from Korea and China to the countries of Ussuri and Amur. These are the poorest of the poor inhabitants of the "country of the sad dusks" (Korea) and the Sun State (China). Some of these newcomers obtain work in the local coal or gold mines, others as dockers in the ports of Vladivostok and Nikolayevsk on the Amur, some are engaged as labourers by the peasants and Cossacks of Ussuri and Amur. But a certain number of the most enterprising and the most energetic men who thus find themselves thrown upon their own resources in the virgin forests where the Amur tiger reigns supreme, search for gold and precious stones in the unknown beds of the mountain rivers and streams, or wander over the hills of the Sihota-Alm mountains searching for the priceless, ​miraculous medical root, Jensheng, which is paid its weight in gold. Sometimes the enterprising roamers succeed in trapping a few beautiful, almost black sables, martens, or even beavers, which have still their settlements in the rocky folds of the mountains. In such hard work, in perpetual danger from the savage criminals who escape from hard labour in Saghalien, or the tiger, lord of the wilderness, passes the life of the Chinese or the Korean.
The summer and half of the autumn gone, the yellow guests begin the return home. Their paths are as well known as the course of the migratory swans and storks who flit before the winter comes. And all the roads trodden by the yellow travellers, who are burdened with their booty, are infested by Russians. The migrants are usually clothed in white, the Korean colour, which helps to conceal them in their surroundings of snow. The Russians go in for "the daring industry" or the "white swan hunt" armed with rifles. A bullet finds the traveller in his disguise. The robber escapes unpunished, leaving the dead body of his victim a prey to wild beasts. Nor does the thought disturb him that on the far-off Eastern coast there is a family awaiting the return of a husband or father, on whose courageous searches for gold or Jensheng in the mysterious and dangerous wilderness of the mainland depend their life and existence.
A great number of men in the Far East enriched themselves in this way. At present the "white swan ​hunt" is being pursued by the peasants near the lake Chanka, which is the junction of many converging paths of the yellow prospectors, who usually go down the river from Sungach to the frontier of Mongolia. Besides the peasants, the Cossacks indulge In this unpunished crime as a matter of profession.
# The Shot

English-language translations of Выстрел include:
* The Shot (1898), translated by T. Keane
* The Pistol Shot, translated from Russian to French by Prosper Mérimée, and from French into English by either E. M. Waller or L. Paul (1906)
# The Show is not the Show

* "The Show" in Poems: Second Series (1891)
* "The show is not the show" in The Complete Poems of Emily Dickinson (1924)
# The Shrine

* Search for titles containing or beginning with: "The Shrine."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Shrine", a poem by John Eugene Crombie
* "The Shrine", a poem by Sara Teasdale
# The Shroud

English-language translations of Das Totenhemdchen include:
* "The Little Shroud", translated by William John Thoms, in The Original (1832) (external scan)
** "The Little Shroud", translated by William John Thoms, in Lays and Legends of Germany (1834) (transcription project)
* "The Shroud", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 2 (1884)

## See also

* "The Little Shroud", a poem by Letitia Elizabeth Landon inspired by this story
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sleeping Beauty in the Wood (1817)

THE
SLEEPING BEAUTY
IN THE
WOOD:
AN ENTERTAINING TALE.
To which is added, the
STORY
OF
The Envious Man, and him that he Envied.
GLASGOW:
Published and Sold Wholesale and Retail, by
R. Hutchinson & Co. 10, Saltmarket.
1817.
* The Sleeping Beauty in the Wood
* The story of the envious man, and him that he envied
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sleeping beauty of the wood

THE
SLEEPING
BEAUTY
OF THE
WOOD.
AN ENTERTAINING TALE
TO WHICH IS ADDED
Paddy and the Bear.
A True Story.
GLASGOW
PRINTED FOR THE BOOKSELLERS
52
* The Sleeping Beauty of the Wood
* Paddy and the Bear
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Slipper Point Mystery (novella)

* information about this edition.
* sister projects: Wikidata item.
They met on the shore of a lovely little river of south New Jersey, two girls of fourteen—one a well-dressed, well-bred city girl, the other a shy, native girl of the region, with her baby sister, Genevieve. Acting as guide to Doris, the city girl, on an exploring expedition about the river, Sally becomes so attracted by her new friend that she confides to her a secret that she has herself discovered on the bank of the river—a small cave … and a mysterious scrap of paper …
"‘HAVE SOME?' SHE QUERIED, PROFFERING THE OPEN BOX OF CANDY."
THE SLIPPER POINT MYSTERY
By AUGUSTA HUIELL SEAMAN
Author of "Three Sides of Paradise Green," "The Girl Next Door," "The Sapphire Signet," etc.
* 1. The Encounter
* 2. Mystery
* 3. Roundtree's
* 4. Behind the Oak Plank
* 5. Some Bits of Roundtree's History
* 6. Light Dawns on Miss Camilla
* 7. Word from the Past
* 8. The Real Buried Treasure
* 9. The Summer's End
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse