# Zoonomia/I.III

SECT. III.
THE MOTIONS OF THE RETINA DEMONSTRATED BY EXPERIMENTS.
    I. Of animal motions and of ideas. II. The fibrous structure of the retina. III. The activity of the retina in vision. 1. Rays of light have no momentum. 2. Objects long viewed become fainter. 3. Spectra of black objects become luminous. 4. Varying spectra from gyration. 5. From long inspection of various colours. IV. Motions of the organs of sense constitute ideas. 1. Light from pressing the eye-ball, and sound from the pulsation of the carotid artery. 2. Ideas in sleep mistaken for perceptions. 3. Ideas of imagination produce pain and sickness like sensations. 4. When the organ of sense is destroyed, the ideas belonging to that sense perish. V. Analogy between muscular motions and sensual motions, or ideas. 1. They are both originally excited by irritations. 2. And associated together in the same manner. 3. Both act in nearly the same times. 4. Are alike strengthened or fatigued by exercise. 5. Are alike painful from inflammation. 6. Are alike benumbed by compression. 7. Are alike liable to paralysis. 8. To convulsion. 9. To the influence of old age.—VI. Objections answered. 1. Why we cannot invent new ideas. 2. If ideas resemble external objects. 3. Of the imagined sensation in an amputated limb. 4. Abstract ideas.—VII. What are ideas, if they are not animal motions?
Before the great variety of animal motions can be duly arranged into natural classes and orders, it is necessary to smooth the way to this yet unconquered field of science, by removing some obstacles which thwart our passage. I. To demonstrate that the retina and other immediate organs of sense possess a power of motion, and that these motions constitute our ideas, according to the fifth and seventh of the preceding assertions, claims our first attention.
Animal motions are distinguished from the communicated motions, mentioned in the first section, as they have no mechanical proportion to their cause; for the goad of a spur on the skin of a horse shall induce him to move a load of hay. They differ from the gravitating motions there mentioned as they are exerted with equal facility in all directions, and they differ from the chemical class of motions, because no apparent decompositions or new combinations are produced in the moving materials.
Hence, when we say animal motion is excited by irritation, we do not mean that the motion bears any proportion to the mechanical impulse of the stimulus; nor that it is affected by the general gravitation of the two bodies; nor by their chemical properties, but solely that certain animal fibres are excited into action by something external to the moving organ.
In this sense the stimulus of the blood produces the contractions of the heart; and the substances we take into our stomach and bowels stimulate them to perform their necessary functions. The rays of light excite the retina into animal motion by their stimulus; at the same time that those rays of light themselves are physically converged to a focus by the inactive humours of the eye. The vibrations of the air stimulate the auditory nerve into animal action; while it is probable that the tympanum of the ear at the same time undergoes a mechanical vibration.
To render this circumstance more easy to be comprehended, motion may be defined to be a variation of figure; for the whole universe may be considered as one thing possessing a certain figure; the motions of any of its parts are a variation of this figure of the whole: this definition of motion will be further explained in Section XIV. 2. 2. on the production of ideas.
Now the motions of an organ of sense are a succession of configurations of that organ; these configurations succeed each other quicker or slower; and whatever configuration of this organ of sense, that is, whatever portion of the motion of it is, or has usually been, attended to, constitutes an idea. Hence the configuration is not to be considered as an effect of the motion of the organ, but rather as a part or temporary termination of it; and that, whether a pause succeeds it, or a new configuration immediately takes place. Thus when a succession of moving objects are presented to our view, the ideas of trumpets, horns, lords and ladies, trains and canopies, are configurations, that is, parts or links of the successive motions of the organ of vision.
These motions or configurations of the organs of sense differ from the sensorial motions to be described hereafter, as they appear to be simply contractions of the fibrous extremities of those organs, and in that respect exactly resemble the motions or contractions of the larger muscles, as appears from the following experiment. Place a circular piece of red silk about an inch in diameter on a sheet of white paper in a strong light, as in Plate I.—look for a minute on this area, or till the eye becomes somewhat fatigued, and then, gently closing your eyes, and shading them with your hand, a circular green area of the same apparent diameter becomes visible in the closed eye. This green area is the colour reverse to the red area, which had been previously inspected, as explained in the experiments on ocular spectra at the end of the work, and in Botanical Garden, P. 1. additional note, No. 1. Hence it appears, that a part of the retina, which had been fatigued by contraction in one direction, relieves itself by exerting the antagonist fibres, and producing a contraction in an opposite direction, as is common in the exertions of our muscles. Thus when we are tired with long action of our arms in one direction, as in holding a bridle on a journey, we occasionally throw them into an opposite position to relieve the fatigued muscles.
Mr. Locke has defined an idea to be "whatever is present to the mind;" but this would include the exertions of volition, and the sensations of pleasure and pain, as well as those operations of our system, which acquaint us with external objects; and is therefore too unlimited for our purpose. Mr. Lock seems to have fallen into a further error, by conceiving, that the mind could form a general or abstract idea by its own operation, which was the copy of no particular perception; as of a triangle in general, that was neither acute, obtuse, nor right angled. The ingenious Dr. Berkley and Mr. Hume have demonstrated, that such general ideas have no existence in nature, not even in the mind of their celebrated inventor. We shall therefore take for granted at present, that our recollection or imagination of external objects consists of a partial repetition of the perceptions, which were excited by those external objects, at the time we became acquainted with them; and that our reflex ideas of the operations of our minds are partial repetitions of those operations.
II. The following article evinces that the organ of vision consists of a fibrous part as well as of the nervous medulla, like other white muscles; and hence, as it resembles the muscular parts of the body in its structure, we may conclude, that it must resemble them in possessing a power of being excited into animal motion.—The subsequent experiments on the optic nerve, and on the colours remaining in the eye, are copied from a paper on ocular spectra published in the seventy-sixth volume of the Philos. Trans. by Dr. R. Darwin of Shrewsbury; which, as I shall have frequent occasion to refer to, is reprinted in this work, Sect. XL. The retina of an ox's eye was suspended in a glass of warm water, and forcibly torn in a few places; the edges of these parts appeared jagged and hairy, and did not contract and become smooth like simple mucus, when it is distended till it breaks; which evinced that it consisted of fibres. This fibrous construction became still more distinct to the light by adding some caustic alcali to the water; as the adhering mucus was first eroded, and the hair-like fibres remained floating in the vessel. Nor does the degree of transparency of the retina invalidate this evidence of its fibrous structure, since Leeuwenhoek has shewn, that the crystalline humour itself consists of fibres. Arc. Nat. V. I. 70.
Hence it appears, that as the muscles consist of larger fibres intermixed with a smaller quantity of nervous medulla, the organ of vision consists of a greater quantity of nervous medulla intermixed with smaller fibres. It is probable that the locomotive muscles of microscopic animals may have greater tenuity than these of the retina; and there is reason to conclude from analogy, that the other immediate organs of sense, as the portio mollis of the auditory nerve, and the rete mucosum of the skin, possess a similarity of structure with the retina, and a similar power of being excited into animal motion.
III. The subsequent articles shew, that neither mechanical impressions, nor chemical combinations of light, but that the animal activity of the retina constitutes vision.
1. Much has been conjectured by philosophers about the momentum of the rays of light; to subject this to experiment a very light horizontal balance was constructed by Mr. Michel, with about an inch square of thin leaf-copper suspended at each end of it, as described in Dr. Priestley's History of Light and Colours. The focus of a very large convex mirror was thrown by Dr. Powel, in his lectures on experimental philosophy, in my presence, on one wing of this delicate balance, and it receded from the light; thrown on the other wing, it approached towards the light, and this repeatedly; so that no sensible impulse could be observed, but what might well be ascribed to the ascent of heated air.
Whence it is reasonable to conclude, that the light of the day must be much too weak in its dilute state to make any mechanical impression on so tenacious a substance as the retina of the eye.—Add to this, that as the retina is nearly transparent, it could therefore make less resistance to the mechanical impulse of light; which, according, to the observations related by Mr. Melvil in the Edinburgh Literary Essays, only communicates heat, and should therefore only communicate momentum, where it is obstructed, reflected, or refracted.—From whence also may be collected the final cause of this degree of transparency of the retina, viz. left by the focus of stronger lights, heat and pain should have been produced in the retina, instead of that stimulus which excites it into animal motion.
2. On looking long on an area of scarlet silk of about an inch in diameter laid on white paper, as in Plate I. the scarlet colour becomes fainter, till at length it entirely vanishes, though the eye is kept uniformly and steadily upon it. Now if the change or motion of the retina was a mechanical impression, or a chemical tinge of coloured light, the perception would every minute become stronger and stronger,—whereas in this experiment it becomes every instant weaker and weaker. The same circumstance obtains in the continued application of sound, or of sapid bodies, or of odorous ones, or of tangible ones, to their adapted organs of sense.
Thus when a circular coin, as a shilling, is pressed on the palm of the hand, the sense of touch is mechanically compressed; but it is the stimulus of this pressure that excites the organ of touch into animal action, which constitutes the perception of hardness and of figure; for in some minutes the perception ceases, though the mechanical pressure of the object remains.
3. Make with ink on white paper a very black spot about half an inch in diameter, with a tail about an inch in length, so as to resemble a tadpole, as in Plate II.; look steadfastly for a minute on the center of this spot, and, on moving the eye a little, the figure of the tadpole will be seen on the white part of the paper; which figure of the tadpole will appear more luminous than the other part of the white paper; which can only be explained by supposing that a part of the retina, on which the tadpole was delineated, to have become more sensible to light than the other parts of it, which were exposed to the white paper; and not from any idea of mechanical impression or chemical combination of light with the retina.
4. When any one turns round rapidly, till he becomes dizzy, and falls upon the ground, the spectra of the ambient objects continue to present themselves in rotation, and he seems to behold the objects still in motion. Now if these spectra were impressions on a passive organ, they either must continue as they were received last, or not continue at all.
5. Place a piece of red silk about an inch in diameter on a sheet of white paper in a strong light, as in Plate I; look steadily upon it from the distance of about half a yard for a minute; then closing your eye-lids, cover them with your hands and handkerchief, and a green spectrum will be seen in your eyes resembling in form the piece of red silk. After some seconds of time the spectrum will disappear, and in a few more seconds will reappear; and thus alternately three or four times, if the experiment be well made, till at length it vanishes entirely.
From all these experiments it appears, that these spectra in the eye are not owing to the mechanical impulse of light impressed on the retina; nor to its chemical combination with that organ; nor to the absorption and emission of light, as is supposed, perhaps erroneously, to take place in calcined shells and other phosphorescent bodies, after having been exposed to the light: for in all these cases the spectra in the eye should either remain of the same colour, or gradually decay, when the object is withdrawn; and neither their evanescence during the presence of their object, as in the second experiment, nor their change from dark to luminous, as in the third experiment, nor their rotation, as in the fourth experiment, nor the alternate presence and evanescence of them, as in the fifth experiment, nor the perpetual change of colours of them, as in the last experiment, could exist.
IV. The subsequent articles shew, that these animal motions or configurations of our organs of sense constitute our ideas.
1. If any one in the dark presses the ball of his eye, by applying his finger to the external corner of it, a luminous appearance is observed; and by a smart stroke on the eye great slashes of fire are perceived. (Newton's Optics.) So that when the arteries, that are near the auditory nerve, make stronger pulsations than usual, as in some fevers, an undulating sound is excited in the ears. Hence it is not the presence of the light and sound, but the motions of the organ, that are immediately necessary to constitute the perception or idea of light and sound.
2. During the time of sleep, or in delirium, the ideas of imagination are mistaken for the perceptions of external objects; whence it appears, that these ideas of imagination, are no other than a reiteration of those motions of the organs of sense, which were originally excited by the stimulus of external objects: and in our waking hours the simple ideas, that we call up by recollection or by imagination, as the colour of red, or the smell of a rose, are exact resemblances of the same simple ideas from perception; and in consequence must be a repetition of those very motions.
3. The disagreeable sensation called the tooth-edge is originally excited by the painful jarring of the teeth in biting the edge of the glass, or porcelain cup, in which our food was given us in our infancy, as is further explained in the Section XVI. 10, on Instinct.—This disagreeable sensation is afterwards excitable not only by a repetition of the sound, that was then produced, but by imagination alone, as I have myself frequently experienced; in this case the idea of biting a china cup, when I imagine it very distinctly, or when I see another person bite a cup or glass, excites an actual pain in the nerves of my teeth. So that this idea and pain seem to be nothing more than the reiterated motions of those nerves, that were formerly so disagreeably affected.
Other ideas that are excited by imagination or recollection in many instances produce similar effects on the constitution, as our perceptions had formerly produced, and are therefore undoubtedly a repetition of the same motions. A story which the celebrated Baron Van Swieton relates of himself is to this purpose. He was present when the putrid carcase of a dead dog exploded with prodigious stench; and some years afterwards, accidentally riding along the same road, he was thrown into the same sickness and vomiting by the idea of the stench, as he had before experienced from the perception of it.
4. Where the organ of sense is totally destroyed, the ideas which were received by that organ seem to perish along with it, as well as the power of perception. Of this a satisfactory instance has fallen under my observation. A gentleman about sixty years of age had been totally deaf for near thirty years: he appeared to be a man of good understanding, and amused himself with reading, and by conversing either by the use of the pen, or by signs made with his fingers, to represent letters. I observed that he had so far forgot the pronunciation of the language, that when he attempted to speak, none of his words had distinct articulation, though his relations could sometimes understand his meaning. But, which is much to the point, he assured me, that in his dreams he always imagined that people conversed with him by signs or writing, and never that he heard any one speak to him. From hence it appears, that with the perceptions of sounds he has also lost the ideas of them; though the organs of speech still retain somewhat of their usual habits of articulation.
This observation may throw some light on the medical treatment of deaf people; as it may be learnt from their dreams whether the auditory nerve be paralytic, or their deafness be owing to some defect of the external organ.
It rarely happens that the immediate organ of vision is perfectly destroyed. The most frequent causes of blindness are occasioned by defects of the external organ, as in cataracts and obfuscations of the cornea. But I have had the opportunity of conversing with two men, who had been some years blind; one of them had a complete gutta serena, and the other had lost the whole substance of his eyes. They both told me that they did not remember to have ever dreamt of visible objects, since the total loss of their sight.
V. Another method of discovering that our ideas are animal motions of the organs of sense, is from considering the great analogy they bear to the motions of the larger muscles of the body. In the following articles it will appear that they are originally excited into action by the irritation of external objects like our muscles; are associated together like our muscular motions; act in similar time with them; are fatigued by continued exertion like them; and that the organs of sense are subject to inflammation, numbness, palsy, convulsion, and the defects of old age, in the same manner as the muscular fibres.
1. All our perceptions or ideas of external objects are universally allowed to have been originally excited by the stimulus of those external objects; and it will be shewn in a succeeding section, that it is probable that all our muscular motions, as well those that are become voluntary as those of the heart and glandular system, were originally in like manner excited by the stimulus of something external to the organ of motion.
2. Our ideas are also associated together after their production precisely in the same manner as our muscular motions; which will likewise be fully explained in the succeeding section.
3. The time taken up in performing an idea is likewise much the same as that taken up in performing a muscular motion. A musician can press the keys of an harpsichord with his fingers in the order of a tune he has been accustomed to play, in as little time as he can run over those notes in his mind. So we many times in an hour cover our eye-balls with our eye-lids without perceiving that we are in the dark; hence the perception or idea of light is not changed for that of darkness in so small a time as the twinkling of an eye; so that in this case the muscular motion of the eye-lid is performed quicker than the perception of light can be changed for that of darkness.—So if a fire-stick be whirled round in the dark, a luminous circle appears to the observer; if it be whirled somewhat slower, this circle becomes interrupted in one part; and then the time taken up in such a revolution of the stick is the same that the observer uses in changing his ideas: thus the δολικοσκοτον εγκος of Homer, the long shadow of the flying javelin, is elegantly designed to give us an idea of its velocity, and not of its length.
4. The fatigue that follows a continued attention of the mind to one object is relieved by changing the subject of our thoughts; as the continued movement of one limb is relieved by moving another in its stead. Whereas a due exercise of the faculties of the mind strengthens and improves those faculties, whether of imagination or recollection; as the exercise of our limbs in dancing or fencing increases the strength and agility of the muscles thus employed.
5. If the muscles of any limb are inflamed, they do not move without pain; so when the retina is inflamed, its motions also are painful. Hence light is as intolerable in this kind of ophthalmia, as pressure is to the finger in the paronychia. In this disease the patients frequently dream of having their eyes painfully dazzled; hence the idea of strong light is painful as well as the reality. The first of these facts evinces that our perceptions are motions of the organs of sense; and the latter, that our imaginations are also motions of the same organs.
6. The organs of sense, like the moving muscles, are liable to become benumbed, or less sensible, from compression. Thus, if any person on a light day looks on a white wall, he may perceive the ramifications of the optic artery, at every pulsation of it, represented by darker branches on the white wall; which is evidently owing to its compressing the retina during the diastole of the artery. Savage Nosolog.
7. The organs of sense and the moving muscles are alike liable to be affected with palsy, as in the gutta serena, and in some cases of deafness; and one side of the face has sometimes lost its power of sensation, but retained its power of motion; other parts of the body have lost their motions but retained their sensation, as in the common hemiplagia; and in other instances both these powers have perished together.
8. In some convulsive diseases a delirium or insanity supervenes, and the convulsions cease; and conversely the convulsions shall supervene, and the delirium cease. Of this I have been a witness many times in a day in the paroxysms of violent epilepsies; which evinces that one kind of delirium is a convulsion of the organs of sense, and that our ideas are the motions of these organs: the subsequent cases will illustrate this observation.
Miss G——, a fair young lady, with light eyes and hair, was seized with most violent convulsions of her limbs, with outrageous hiccough, and most vehement efforts to vomit: after near an hour was elapsed this tragedy ceased, and a calm talkative delirium supervened for about another hour; and these relieved each other at intervals during the greatest part of three or four days. After having carefully considered this disease, I thought the convulsions of her ideas less dangerous than those of her muscles; and having in vain attempted to make any opiate continue in her stomach, an ounce of laudanum was rubbed along the spine of her back, and a dram of it was used as an enema; by this medicine a kind of drunken delirium was continued many hours; and when it ceased the convulsions did not return; and the lady continued well many years, except some lighter relapses, which were relieved in the same manner.
Miss H——, an accomplished young lady, with light eyes and hair, was seized with convulsions of her limbs, with hiccough, and efforts to vomit, more violent than words can express; these continued near an hour, and were succeeded with a cataleptic spasm of one arm, with the hand applied to her head; and after about twenty minutes these spasms ceased, and a talkative reverie supervened for near an other hour, from which no violence, which it was proper to use, could awaken her. These periods of convulsions, first of the muscles, and then of the ideas, returned twice a day for several weeks; and were at length removed by great doses of opium, after a great variety of other medicines and applications had been in vain experienced. This lady was subject to frequent relapses, once or twice a year for many years, and was as frequently relieved by the same method.
Miss W——, an elegant young lady, with black eyes and hair, had sometimes a violent pain of her side, at other times a most painful strangury, which were every day succeeded by delirium; which gave a temporary relief to the painful spasms. After the vain exhibition of variety of medicines and applications by different physicians, for more than a twelvemonth, she was directed to take some doses of opium, which were gradually increased, by which a drunken delirium was kept up for a day or two, and the pains prevented from returning. A flesh diet, with a little wine or beer, instead of the low regimen she had previously used, in a few weeks completely established her health; which, except a few relapses, has continued for many years.
9. Lastly, as we advance in life all the parts of the body become more rigid, and are rendered less susceptible of new habits of motion, though they retain those that were before established. This is sensibly observed by those who apply themselves late in life to music, fencing, or any of the mechanic arts. In the same manner many elderly people retain the ideas they had learned early in life, but find great difficulty in acquiring new trains of memory; insomuch that in extreme old age we frequently see a forgetfulness of the business of yesterday, and at the same time a circumstantial remembrance of the amusements of their youth; till at length the ideas of recollection and activity of the body gradually cease together,—such is the condition of humanity!—and nothing remains but the vital motions and sensations.
VI. 1. In opposition to this doctrine of the production of our ideas, it may be asked, if some of our ideas, like other animal motions, are voluntary, why can we not invent new ones, that have not been received by perception? The answer will be better understood after having perused the succeeding section, where it will be explained, that the muscular motions likewise are originally excited by the stimulus of bodies external to the moving organ; and that the will has only the power of repeating the motions thus excited.
2. Another objector may ask, Can the motion of an organ of sense resemble an odour or a colour? To which I can only answer, that it has not been demonstrated that any of our ideas resemble the objects that excite them; it has generally been believed that they do not; but this shall be discussed at large in Sect. XIV.
3. There is another objection that at first view would seem less easy to surmount. After the amputation, of a foot or a finger, it has frequently happened, that an injury being offered to the stump of the amputated limb, whether from cold air, too great pressure, or other accidents, the patient has complained, of a sensation of pain in the foot or finger, that was cut off. Does not this evince that all our ideas are excited in the brain, and not in the organs of sense? This objection is answered, by observing that our ideas of the shape, place, and solidity of our limbs, are acquired by our organs of touch and of sight, which are situated in our fingers and eyes, and not by any sensations in the limb itself.
In this case the pain or sensation, which formerly has arisen in the foot or toes, and been propagated along the nerves to the central part of the sensorium, was at the same time accompanied with a visible idea of the shape and place, and with a tangible idea of the solidity of the affected limb: now when these nerves are afterwards affected by any injury done to the remaining stump with a similar degree or kind of pain, the ideas of the shape, place, or solidity of the lost limb, return by association; as these ideas belong to the organs of sight and touch, on which they were first excited.
4. If you wonder what organs of sense can be excited into motion, when you call up the ideas of wisdom or benevolence, which Mr. Locke has termed abstracted ideas; I ask you by what organs of sense you first became acquainted with these ideas? And the answer will be reciprocal; for it is certain that all our ideas were originally acquired by our organs of sense; for whatever excites our perception must be external to the organ that perceives it, and we have no other inlets to knowledge but by our perceptions: as will be further explained in Section XIV. and XV. on the Productions and Classes of Ideas.
VII. If our recollection or imagination be not a repetition of animal movements, I ask, in my turn, What is it? You tell me it consists of images or pictures of things. Where is this extensive canvas hung up? or where are the numerous receptacles in which those are deposited? or to what else in the animal system have they any similitude?
That pleasing picture of objects, represented in miniature on the retina of the eye, seems to have given rise to this illusive oratory! It was forgot that this representation belongs rather to the laws of light, than to those of life; and may with equal elegance be seen in the camera obscura as in the eye; and that the picture vanishes for ever, when the object is withdrawn.