OpenLLM-France/wikimedia huggingface dataset:
# Patten Company v. United States/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
289 U.S. 705
Patten Company v. United States
The petition for writ of certiorari in this case is granted. The decree of the Circuit Court of Appeals is reversed and the cause is remanded to the District Court with directions to vacate its decree and to dismiss the proceeding upon the ground that the cause is moot. Brownlow v. Schwartz, 261 U.S. 216, 43 S.C.t. 263, 67 L. Ed. 620; Alejandrino v. Quezon, 271 U.S. 528, 535, 536, 46 S.C.t. 600, 70 L. Ed. 1071; U.S. ex rel. Norwegian Nitrogen Products Co. v. United States Tariff Commission, 274 U.S. 106, 112, 47 S.C.t. 499, 71 L. Ed. 949; Railroad Commission of Texas v. MacMillan, 287 U.S. 576, 53 S.C.t. 223, 77 L. Ed. --.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Patten Company v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
289 U.S. 705
Patten Company v. United States
Mr. Frank P. Doherty, of Los Angeles, Cal. (Mr. William R. Gallagher, of Los Angeles, Cal., of counsel), for petitioners.
Mr. Thomas D. Thacher, Sol. Gen., of Washington, D. C., and John R. Laying, U.S. Atty., and Sharpless Walker, Asst. U.S. Atty., both of Los Angeles, Cal., for respondent.
On petition for writ of certiorari to the United States Circuit Court of Appeals for the Ninth Circuit.
For opinion below, see 61 F.(2d) 970.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Patterns of Global Terrorism Report/1996

Publication 10321 (Washington, DC: US Department of State, April 1996)
* Introduction
* The Year in Review
* Africa Overview
* Asia Overview
* Europe and Eurasia Overview
* Latin America Overview
* Middle East Overview
* Overview of State-Sponsored Terrorism
* Appendix A: Chronology of Significant Terrorist Incidents, 1996
* Appendix B: Background Information on Terrorist Groups
* Appendix C: Statistical Review
This work is in the public domain in the United States because it is a work of the United States Department of State, a department of the United States federal government.
Public domainPublic domainfalsefalse
# Patterns of Global Terrorism Report/1996/Africa Overview

Eleven international terrorist attacks occurred in Africa during 1996, one more than during the previous year. Most took place in Ethiopia, where there were several deadly bombings and armed attacks.

## Ethiopia

Addis Ababa was the site of two deadly hotel bombings in 1996. On 18 January an explosion in a hotel frequented by diplomats and foreign visitors killed four persons and injured at least 20 others, among them several foreigners. A bomb exploded in a second hotel on 5 August, killing two persons and injuring 17, including a Belgian citizen. Antigovernment groups are believed responsible for both attacks.
On 8 July gunmen shot and wounded the Ethiopian Transport and Communications Minister in Addis Ababa. An ethnic Somali Islamic extremist group, al-Ittihaad al-Islami, claimed responsibility for the shooting.
In October unidentified assailants shot three foreigners in a shopping area in the eastern city of Dire Dawa. A German was killed on 5 October, and on 16 October a French national and a Yemeni were killed. Although no claims of responsibility were made, local officials blamed Islamic extremists for the attacks.

## Uganda

On 24 October gunmen attacked a Sudanese refugee camp in Uganda near the border with Sudan, killing 16 refugees and wounding five others. No one claimed responsibility for the attack.
# Poems, Sacred and Moral/The Birthday-Eve

THE
BIRTHDAY-EVE.
# Poems, by Robert Louis Stevenson, hitherto unpublished/All influences were in vain

ALL INFLUENCES WERE IN VAIN
1871
In this poem written in that mixed mood of dejection and of high resolve so characteristic of Stevenson at this period, the metaphors are decidedly interesting. The picture of Stevenson walking with his shadow and his regret, a trio on the sand; the "thought-wheels galloping through the night into the morning tide;" the thoughts that he seeks to convoke for a plebiscite; the band of wandering thoughts falling into rank for the serious march onward—are all notable and in keeping with the spirit of the poem. But at the very end his sense of humor leads him to a witty touch not quite worthy of the lines that precede it; and while one rejoices that the regret which accompanied him so closely in the second stanza has been dissipated by the time the final stanza has been reached, its plight might have been phrased in a manner more in keeping with the tenor of the earlier lines.
ALL INFLUENCES WERE IN VAIN
All influences were in vain, The sun dripped gold among the trees, The fresh breeze blew, the woody plain Ruffled and whispered in the breeze.
All day the sea was on one hand, The long beach shone with sun and wet— We walked in trio on the sand, My shadow, I and my regret!
Eve came. I clambered to my bed, Regret lay restless by my side, The thought-wheels galloped in my head All night into the morning tide.
The thought-wheels span so madly quick, So many thousand times an hour, Thought after thought took life, as thick As bats in some old belfry tower.
My mind was in émeute! each thought Usurped its individual right. In vain, I temporised—I sought In vain to hold a plebiscite!
​Thoughts jostled thoughts—By hill and glade They scattered far and wide like sheep, I stretched my arms—I cried—I prayed— They heard not—I began to weep.
My head grew giddy-weak—I tried To drown my reason. All in vain. I lay upon my face and cried Most bitterly to God again.
God put a thought into my hand, God gave me a resolve, an aim. I blew it trumpet-wise—the band Of scattered fancies heard and came.
They heard the bugle tones I blew— The wandering thoughts came dropping in; They took their ranks in silence due— One hour, and would the march begin?
The march began; and once begun The serious purpose, true design Has held my being knit in one— My being kept the thoughts in line.
​Since then, the waves are still. The tide Sets steadily and strongly out. The sea shines tranquil, far and wide, My mind is past the surf of doubt.
The pole-star of my purpose keeps The constant line that I should steer. At night my weary body sleeps, My brain works orderly and clear.
All things are altered since I set The steady goal before my face; All things are changed; and my regret Is advertising for a place!
"Companion for an invalide— The René-sort preferred—genteel And orthodox." I wish it speed— The creature kept so well to heel!
# Poems, by Robert Louis Stevenson, hitherto unpublished/All night through, raves or broods

ALL NIGHT THROUGH, RAVES OR BROODS—1876
We have already called attention to the fact that the winter of 1876 was a period of such melancholy brooding for Stevenson, that he lacked the energy even for correspondence, two or three cheerless letters being the sum total of his efforts of that kind; while two poems of that winter, to be found in the Bibliophile edition of 1916, are among the most despondent that came from his pen.
The present poem belongs to the same month, March, as the pair just mentioned, and it was presumably written on the same day as the short poem entitled "Soon Our Friends Perish." The evidence for this is furnished by Stevenson's marginal comment on the previously published manuscript where, after asking why God has deserted him, he adds: "And why does the damned wind rave in my ears?" In the present poem the lines occur—
All night through, raves or broods The fitful wind among the woods—
the same wind, presumably, as raved on that same night. But, as we so often find in ​Stevenson, even in his darkest moments, he here goes beyond the pessimism of the other poem, and lets his fancy stray into more hopeful fields of memory.
The verses are a first and never-to-be perfected draft, and their incompletion affords an added testimony of the unstrung condition of the poet's mind.
ALL NIGHT THROUGH, RAVES OR BROODS
All night through, raves or broods The fitful wind among the woods; All night through, hark! the rain Beats upon the window pane.
And still my heart is far away, Still dwells in many a bygone day, And still follows hope with [rainbow wing] Adown the golden ways of spring.
In many a wood my fancy strays, In many unforgotten Mays, And still I feel the wandering— [Manuscript breaks off here.]
# Poems, Sacred and Moral/The Sun

THE SUN.
# Poems, by Robert Louis Stevenson, hitherto unpublished/A Summer Night

A SUMMER NIGHT—1869
While these verses, dated October 25, 1869, have a formal similarity to the March poem of the preceding pages, beginning as they do with a description of Nature and ending on the religious note, they differ essentially, inasmuch as here Stevenson finds in the glow of the sky the symbol of the promise of Heavenly light.
A SUMMER NIGHT
About us lies the summer night; The darkling earth is dusk below; But high above, the sky is bright Between the eve and morning glow.
Clear white of dawn, and apple green, Sole lingering of the evening's hue, Behind the clustered trees are seen, Across dark meadows drencht in dew.
So glow above the dusk of sin, Remembrance of Redemption vast, And future hope of joy therein That shall be shed on us at last.
​Each haloed in its husk of light, Atoms and worlds about us lie; Though here we grope awhile in night, 'Tis always daylight up on high.
# Poems, by Robert Louis Stevenson, hitherto unpublished/At morning on the garden seat

AT MORNING ON THE GARDEN SEAT—1880
In his volume entitled "Literary Friends and Acquaintances," William Dean Howells quotes the saying of Lowell's "which he was fond of repeating at the menace of any form of the transcendental, 'Remember the dinner bell.'" There is always something comforting in the recognition on the part of philosopher or poet of man's interest in so universal and appealing a theme as that of food and drink. In the present delightful little poem, probably written at Silverado, Stevenson not only declares that he dearly loves to drink and eat, and relates how the morning star, the dew and perfumes, the sweet air of dawn all put him in the humor for food, but quaintly emphasizes his avowal by signing his name in full, as if to a credo.
AT MORNING ON THE GARDEN SEAT
At morning on the garden seat I dearly love to drink and eat; To drink and eat, to drink and sing, At morning, in the time of spring. In winter honest men retire And sup their possets by the fire; But when the spring comes round again, you see, The garden breakfast pleases me. The morning star that melts on high, The fires that cleanse the changing sky, The dew and perfumes all declare It is the hour to banish care. The air that smells so new and sweet, All put me in the cue to eat. A pot at five, a crust at four, At half past six a pottle more.
Robert Louis Stevenson
# Plowman's ditty/Ah Chloris

AH CHLORIS.
Tnue—Gilderoy.
Ah Chloris, could I now but sit as unconcern'd, as when Your infant beauty could beget no happiness or pain. When I this dawning did admire, and prais'd the coming day, I little thought that rising fire would take my rest away.
Your charms in harmless childhood lay as metals in a mine; Age from no face takes more away than youth conceal'd in thine; But as your charms insensibly to their perfection prest, So love as unperceiv'd did fly and center'd in my breast.
My passion with your beauty grew, while Cupid at mv heart, Still as his mother favour'd you, threw a new flaming dart, ​Each gloried in their wanton part; to make a lover, he Employed the utmost of his art; to make a beauty, she.
# Plowman v. Abrams

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
PLOWMAN verfus ABRAMS.
T
1788.
Dallas moved to quafh the execution–Bankʃon and Healty oppofed it.
And, by the court:–After appeal and fecurity given, the Juftice cannot iffue an execution againft the original Defendant, but muft proceed againft the bail upon the recognizance. Therefore let the proceedings of the Juftice be fet afide, as far as refpects the execution, with cofts.
# Pluck

* Search for titles containing or beginning with: "Pluck."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Pluck," in Encyclopædia Britannica (11th ed., 1911)
* "Pluck" (1919), a short story by Olive Higgins Prouty
# Plumb v. Crane

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
123 U.S. 560
Plumb v. Crane
C. H. Gatch and Wm. Connor, for plaintiff in error.
George Crane, for defendant in error.
WAITE, C. J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Plowman's ditty/Kenmure's on and awa

KENMURE'S ON AND AWA
O Kenmure’s on and awa Willie, O Kenmure’s on and awa, An’ Kenmure’s lord’s the bravest lord That ever Galloway saw.
Success to Kenmure s band, Willie, Success to Kenmure’s band; There’s not a heart that fears a Whig, That rides by Kenmure’s band.
Here’s Kenmure’s health in wine, Willie Here’s Kenmure’s health in wine; There ne’er was a coward o’ Keumure’s blude Nor yet of Gordon’s line.
O Kenmure’s lads are men, Willie, O Kenmure's lads are men, Their hearts and swords are metal true, And that their foes shall ken.
They’ll live or die wi’ fame, Willie, They’ll live or die wi' fame , But soon wi' sounding victory, Kenmure’s lord come hame!
​Here’s him that’s far awa, Willie, Here’s him that’s far awa And here's the flower that I loe best, The rose that’s like the snaw.
# Plowman's ditty

The Plowman’s Ditty.
To which are added,
KENMURE’S ON AND AWA.
AH CHLORIS.
UngratefulNanny.
SMIRKYNAN.
EDINBURGH:
printed for the booksellers.
1820.
* The Plowman's Ditty
* Kenmure's on and awa
* Ah Chloris
* Ungrateful Nanny
* Smirky Nan
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Plowman's ditty/Ungrateful Nanny

UNGRATEFUL NANNY.
Did ever swain a nymph adore, as I ungrateful Nanny do? Was ever seepherd's heart so sore, or ever broken heart so true? My cheeks are swell'd with tears, but she Has never wet a check for me.
If Nanny call'd did e'er I stay, or linger when she bid me run; She only had the word to say, and all she wish'd was quickly done, I always think of her, but she Does ne'er bestow a thought or me.
To let her cows my clover taste, have I not rose by break of day? Did ever Nanny's heifers fast, if Robin in his barn had hay? Tho' to my fields they welcome were, I ne'er was welcome yet to her.
If ever Nanny lost a sheep, I cheerfully did give her two; And I her lambs did safely keep within my fold in frost and snow ​Have they not there from cold been free? But Nanny still is cold to me.
When Nanny to the well did come, 'twa I that did her pitchers fill; Pull as they were I brought them home, her corn I carried to the mill; My back did bear the sack but she Will never bear a sight of me.
To Nanny's poultry oats I gave, I'm sure they always had the best; Within this week her pigeons have eat up a peek of pease at least. Her little pigeons kiss but she Will never take a kiss from me.
Must Robin always Nanny woo, and Nanny still on Robin frown, Alas! poor wretch! what shall I do, if Nanny does not love me soon If no relief to me she'll bring I'll hang me in her apron-string.
# Pittsburgh Post-Gazette

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Founded in 1786 as The Pittsburgh Gazette, from 1820 known as Pittsburgh Gazette and Manufacturing and Mercantile Advertiser, from 1877 as Commercial Gazette, from 1900 as The Gazette Times and from 1927 as Post-Gazette.
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/Pittsburgh Post-Gazette/

## Manual aggregation

* Editorial on the Dred Scott case (7 March 1857)
* Resigning Czech Consul Assails Red Regime (12 June 1949)
# Pittsburgh St. Railway Company v. Fink

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
250 U.S. 577
Pittsburgh St. Railway Company v. Fink
Argued: Oct. 7, 1919. --- Decided: Nov 10, 1919
Messrs. William M. Matthews, Edwin P. Matthews, both of Dayton, Ohio, and F. D. McKenney, of Washington, D. C., for plaintiff in error.
Mr. Roy G. Fitzgerald, of Dayton, Ohio, for defendant in error.
[Argument of Counsel from page 578-579 intentionally omitted]
Mr. Justice DAY delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pittsburgh Towing Company v. Mississippi Valley Barge Line Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Black
United States Supreme Court
385 U.S. 32
Pittsburgh Towing Company v. Mississippi Valley Barge Line Company
See 385 U.S. 995, 87 S.Ct. 594.
Ernie Adamson, for appellant.
Arthur L. Winn, Jr., Samuel H. Moerman, J. Raymond Clark and James M. Henderson, for appellees.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pittsburgh Railway Company v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
281 U.S. 479
Pittsburgh Railway Company v. United States
Argued: April 15, 1930. --- Decided: May 19, 1930
[Syllabus from pages 479-481 intentionally omitted]
Messrs. H. H. Hoppe and C. F. Taplin, both of Cleveland, Ohio, for appellant.
The Attorney General, and Messrs. Nelson Thomas, of Washington, D. C., and Andrew P. Martin, of Cleveland, Ohio, for respondents.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Peggy's Charms (Burns, "My Peggy's face, my Peggy's form")

"My Peggy's face, my Peggy's form"
* "My Peggy's Face" in The Book of Scottish Song (1843), edited by Alexander Whitelaw
* "Peggy's Charms", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
# Peggy's Charms

* Search for titles containing or beginning with: "Peggy's Charms."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Peggy's Charms", a poem by Robert Burns ("Where, braving angry winter's storms")
* "Peggy's Charms", a poem by Robert Burns ("My Peggy's face, my Peggy's form")
# Peggy-in-the-Rain

* information about this edition.
* sister projects: Commons category, Wikidata item.
Layout 2
Peggy-in-the-Rain
"'Happy!' she murmured dreamily." [Page 227]
Peggy-in-the-Rain
By
RALPH HENRY BARBOUR
ILLUSTRATED
NEW YORK AND LONDON
D. APPLETON AND COMPANY: MCMXIII
Copyright, 1913, by D. APPLETON AND COMPANY
Printed in the United States of America
LIST OF ILLUSTRATIONS
* facing page
* "'Happy!' she murmured dreamily" ................................................................................................................................................................................................................................................................................................................................................................................................Frontispiece
* "'Would you mind—staying here? I'm so awfully afraid!'" ................................................................................................................................................................................................................................................................................................................................................................................................6
* "As he turned into the Avenue his gaze caught sight of a figure there" ................................................................................................................................................................................................................................................................................................................................................................................................84
* "'I've tried not to care, I don't want to care'" ................................................................................................................................................................................................................................................................................................................................................................................................154
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI
* Chapter XVII
* Chapter XVIII
* Chapter XIX
* Chapter XX
* Chapter XXI
* Chapter XXII
* Chapter XXIII
    Advertisements
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1944, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Poems (Denver)/To J. C. D.

POEMS.
# Pericles, Prince of Tyre (1609)/Act 1

The Play of Pericles
Prince of Tyre. &c.
# Perhaps you'd like to buy a flower

* "Perhaps you'd like to buy a flower?" in Poems (1890)
* "Perhaps you'd like to buy a flower?" in The Complete Poems of Emily Dickinson (1924)
# Pericles's Funeral Oration

Pericles's Funeral Oration is a famous speech attributed to Pericles in Thucydides' History of the Peloponnesian War. Pericles, an eminent Athenian politician, delivered it at the end of the first year of the Peloponnesian War as a part of the annual public funeral for the war dead.
English-language translations of Pericles's Funeral Oration include:
* Pericles's Funeral Oration (Hobbes), 1628
* Pericles's Funeral Oration in Thucydides; Crawley, Richard (translator) (1874), History of the Peloponnesian War 2.
* Pericles's Funeral Oration (Jowett), 1881
* Pericles's Funeral Oration, in The World's Famous Orations; Henry Dale (translator); William Jennings Bryan, editor, 1906.
# Pericles's Third Oration

Pericles's Third Oration is a famous speech attributed to Pericles in Thucydides's History of the Peloponnesian War. Pericles, an eminent Athenian politician, delivered it in 430 B.C. in the midst of the Peloponnesian War, after a large plague caused public opposition to his leadership. In it he defended his leadership and actions.
English-language translations of Pericles's Third Oration include:
* In Defense of Himself in The World's Famous Orations, translated by Author:Henry Dale.
* Pericles's Third Oration in Book II, 61–64 of History of the Peloponnesian War, translated by Richard Crawley.