# For remembrance: soldier poets who have fallen in the war/Chapter 1

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Compare this England of to-day With England as she once has been.
Capt. C. H. Sorley, A Call to Action.
Here and there, in or near towns and villages all about these Islands, in the summer of 1918, when I am writing this, you will come upon public gardens and recreation grounds that, nowadays, are looking strangely desolate. One such garden, an old pleasaunce from which the noise of the City is walled out, lies near the centre of London, and I cannot pass it now without an impulse to bare my head. There is no grass on the wide lawn that in other years was trim and green. It has been worn away by the feet of the young recruits I have seen training there in successive companies, some in khaki, some still in civilian dress, since the first days of the war; and the quiet, flower-bordered space is as black and bare to-day as if no grass had ever grown over it. The feet that have trodden it so have toiled since through the mud of France and ​Flanders, through the sands of Palestine or Mesopotamia, or up the rugged steeps of Gallipoli, and too many of them shall never take the way homeward any more. Our hearts know what these barren patches mean, for the shadow of their barrenness falls far across the lives we live. Some day the grass will grow again and happiness return to some of us, but too much is gone that can never return.
Yet in our hearts, too, we know on an afterthought, that
Nothing is here for tears, nothing to wail Or knock the breast—nothing but well and fair, And what may quiet us in a death so noble.
These men, these boys, who died that Freedom might live and that the higher hopes of mankind should not be trampled under by the lower, knew why they made the great sacrifice, and made it willingly in such a cause. And it is part of our pride in them that in this they have done nothing new, have taken no new way, but have trodden instinctively and worthily in a beaten track; their courage, chivalry, love of justice, are theirs by inheritance, ​the ideals that led them are the common ideals that have led the best of our race through the past. So much you may learn by reading in the books that have been written by many soldier authors who have fought in this war and revealed in their verse or prose the faith and spirit that prompted them and their comrades-in-arms; and, since it is still true that the soul of a nation lives in its literature, we shall understand them better, perhaps, and see how indissolubly they are linked up with the old traditions of our people, if we look back a little before we go farther.
It is curious to note that some contemporary enthusiasts speak and write of the democratic feeling which has broadened and deepened among us in these days as if it were a quite modern, rather sudden growth—a brand new spirit of common brotherhood that had been called into existence by the exigencies of the war. For most of us know it is merely the coming to full tide of the mighty undercurrent that has been slowly gathering force in our life, as in our literature, all ​down the centuries. You may catch sounds of it in Chaucer, a fuller music of it in Langland; and thenceforward, to Morris, Browning, Tennyson, Swinburne, and our soldier authors of to-day, there is scarcely a poet of any significance who does not more or less preach that simple gospel of humanity. Nor are these apostles of democracy to be set aside as discontented plebeians. The courtly Gascoigne, passionately denouncing social wrongs and inequalities and urging the duty of man to his fellows—
O Knights, O Squires, O Gentle bloods yborn, You were not born all only for yourselves—
was as fine a democrat in the sixteenth century as Shelley was in the nineteenth. There are as true and trenchant things said for democracy in Sir Thomas More's Utopia as in the books of such moderns as Ruskin, Dickens, Carlyle, Wells, Shaw; and it is no stranger that our people should have risen spontaneously now for the democratic ideal of freedom that is so literally in their blood, than that they ​should have put off the mild habits of civilian life and become instantly as hardy, fearless, and chivalrous soldiers as any in the world's history, for these qualities also are in their birthright.
We are accustomed to being patronised as an unimaginative race, in spite of the fact that no country has produced a greater imaginative literature. We are accustomed to being classed as a nation of shopkeepers, and have accepted the description indifferently, for it is not as if we had been accused of limiting our business activities to a single trade and (emulating the peculiar Prussian aspiration) of transforming ourselves into a nation of butchers. When you think of it, we actually are shopkeepers, in the large, sane meaning of the term, nor is it any way to our discredit, so long as we make it clear, as we are doing again, that our honour is not of the things we sell.
Even Shakespeare was a shopkeeper, an unusually capable one; and his partnership in a successful theatrical business did not prevent him from being a greater poet ​than any who never soiled his hands in a shop. A peaceful, useful occupation, shopkeeping in general is easily compatible with the pursuit of culture, with the living of that finer life of the spirit which differentiates the civilised man from the crude savage whose staple industry is war. It is a barbaric folk who, though there is no battle toward, delight in being soldiers all the time and accentuating the symbols of their profession. Those who have emerged from barbarism do not cease to be fighting men because they have ceased to be fighting men only. America and France are demonstrating that, and for ourselves—there is not more than an infinitesimal part of our army that knew how to handle a gun before this war was declared, and it was significant of our small professional army that, so far from loving to clothe itself in extravagant terrors, its officers made it almost a point of etiquette to get out of uniform into mufti whenever they were off duty.
I think the native common sense of the shopkeeping Britisher brought him long ​since to see the absurdity of the cult of militarism, the childishness of cultivating ferocious moustaches and wearing spiked helmets in order to look dangerous. That sort of thing, which passes in Germany as impressive and up-to-date, is ridiculously behind the times. They know better even in China than to cling any longer to a hope of being able to terrify their opponents by wearing ugly masks. Another point in our favour, as a civilised race, is that we do not and never did devote our energies to acquiring the goose-step. Like sensible people we are contented to leave that style of locomotion to the bird that is naturally afflicted with it.
Anyhow, those manifestations of raw barbarism are obsolete; they are signs, in a modern community, of moral and mental degeneracy. German professors have confidently written us down as degenerates because the passion for militarism, the lust for conquest, has departed from us, and we are no longer moved to spend our lives in swaggering about in battle array, rattling sharp swords ​and truculently menacing the goods and lives of our neighbours. But I prefer to believe that since we became a lettered, cultured community we have lost the taste for blood, and that the arrogant exhibition of courage has never entered into our conception of the competent, heroic warrior.
In the last seven centuries, which of our poets who have themselves been soldiers have blustered of their brute strength or eulogised the glory of war? Though Chaucer fought against France under Edward III. and tells in gallant fashion of tilt and tourney and the high doings of chivalry, there is little that is martial in his poetry. You remember the Knight in his Canterbury Tales—how he had proved himself 'full worthy' in war; had for his puissance been placed at table above the knights of every other country; yet as his crowning praise Chaucer chronicles it that, though brave, he was wise,
And of his port as meek as is a maid. He never yet no villainy ne said In all his life unto no manner wight: He was a very perfect gentle knight.
BRIAN BROOKE. CAPTAIN, 2ND GORDON HIGHLANDERS.
With sory comfort and evil countenance.
True, there is a figure of Conquest painted up in a tower, but as he sits with a sword suspended above him by a single thread, it is not to be presumed that his position is worth occupying.
There is nothing whatever in the verse of the Earl of Surrey to remind you that he went fighting in France. Sir Walter Raleigh, that daring, dashing hero, never fought with his pen: all his poems are of an amatory, philosophical, or pleasantly pastoral order. And Sir Philip Sidney, our ideal soldier, made no song that boasts of his prowess or triumphs over his enemies, but wrote the loveliest sonnets ​to the moon, to sleep, to love, and verses that sigh over the vanity of human things. These, and other of our soldier poets like them, dead and living, seem to be a vastly different type of fighting man from the 'blonde beast,' the professional slaughterer adored of the German intellectuals, and this war is showing and will show which of the two types is fittest to survive in a reasonable world, and which belongs to the jungle and is doomed to extinction.
Two hundred years after Chaucer was dead, you find his ideal of the British soldier persisting (for it was the national ideal) in Ben Jonson's epistle 'to a friend, Master Colby, to persuade him to the wars'—an appeal that might well have been written yesterday, so applicable is it to what has happened in our generation:—
Wake, friend, from forth thy lethargy: the drum Beats brave and loud in Europe, and bids come All that dare rouse, or are not loath to quit Their vicious ease and be o'erwhelmed with it. It is a call to keep the spirits alive That gasp for action and would yet revive Man's buried honour in his sleepy life, Quickening dead nature to her noblest strife.... ​Go, quit them all, and take along with thee Thy true friend's wishes, Colby, which shall be That thine be just and honest, that thy deeds Not wound thy conscience when thy body bleeds; That thou dost all things more for truth than glory, And never but for doing wrong be sorry; That by commanding first thyself thou mak'st Thy person fit for any charge thou tak'st; That fortune never make thee to complain, But what she gives thou dare give her again; That whatsoever face thy fate puts on Thou shrink nor start not, but be always one; That thou think nothing great but what is good, And from that thought strive to be understood. So, 'live or dead, thou wilt preserve a fame Still precious with the odour of thy name; And last, blaspheme not; we did never hear Man thought the valianter 'cause he durst swear. These take, and now go seek thy peace in war: Who falls for love of God shall rise a star.
Ben was no milk-and-water poet either. In his youth he fought with our armies in Flanders; he was not without experience of war, and you may take it he was addressing, in Master Colby, the type of Englishman who shattered the pride of the Spanish Armada, who wrought on the same field as Sidney—men who went into battle not as ravening brutes lusting to befoul any victory they won by a savage slaughter ​of children and women and defenceless civilians, but as free, clean human creatures, prepared to take arms and slay or be slain, in fair fight with armed men, for a cause they felt to be just, and yet in the hour of triumph
By objects which might force the soul to abate Her feeling, rendered more compassionate.
Pass over another two centuries, and the same national ideal of the British soldier survives still inviolate in Tennyson's 'Ode on the Death of the Duke of Wellington':—
Yet remember all He spoke among you, and the Man who spoke; Who never sold the truth to serve the hour, Nor paltered with eternal God for power; Who never spoke against a foe; Whose eighty winters freeze with one rebuke All great self-seekers trampling on the right; Truth-teller was our English Alfred named; Truth-lover was our English Duke; Whatever record leap to light, He never shall be shamed.
The same ideal of the great soldier recurs again and again to-day in the songs of our soldier poets, for it is the racial tradition in which they and their comrades ​grew up while they were men of peace, and inevitably it fashioned them in its likeness when they became soldiers themselves.
Certainly, some little has been written in praise of war by some of our last century authors who had only seen it from a distance—they were reconciled to it because they imagined it had regenerating influences on mankind, that it gave fresh impetus to commercial enterprise and fostered the arts. There may be a sediment of truth in this; but with equal truth you might say as much of religion. Ruskin considered it a subtle testimony to this influence that spears, shields, helmets, implements of warfare, were lovingly and richly enchased with artistic decorations, whilst no man was moved to carve images of beauty on his spade or on the handles of his plough. But whatever significance lay in these facts belongs to the past; it is in the same sense significant that nothing could be more severely unadorned than the modern cannon, rifle, or machine-gun. In sober earnest, we have arrived at a recognition of war as ​nothing but a necessary and degrading evil in the human community, and as not the less evil for being still necessary. Men of reason face it now precisely as they face the need of forming a rescue party to descend into a burning mine or to launch a lifeboat into the blind fury of a storm—unafraid, but not glorying. There are, of course, exceptions among us, but as a nation we have arrived at years of discretion; we have outgrown that pride in the exhibition of muscular superiority over our neighbours which is pardonable, though silly enough, in youth, but a sign of madness in maturity; and it would not have been possible to rouse any enthusiasm in this country to-day for an aggressive or unjustified war. Our friends and fellow-workers have armed in their millions, not because they love 'the sport of kings,' or because they thirst for glory, or domination, or booty; but because they realise that there is no other way of saving their own souls and the soul of the world from being cast into a primitive hell upon earth with an All-Highest War Lord on ​the throne of it and his two-headed Kultur at the gate; and because, at the outset, their manhood and their honour would not let them turn a deaf ear to the agony of outraged Belgium. The cry of that agony came to all of us with the compelling force that is in Cromwell's poignant appeal to the French king, when the Piedmontese, whom France was pledged to protect, were ruthlessly massacred by their oppressors:—
   'There are reasons of State which might give thee inducement not to reject these People of the Valleys flying for shelter to thee: but I would not have thee, so great a king as thou art, be moved to the defence of the unfortunate by other reasons than the promise of thy Ancestors and thy own piety and royal benignity and greatness of mind. So shall the praise and fame of this most worthy action be unmixed and clear, and thyself shalt find the Father of Mercy and his Son Christ, whose name and doctrine thou shalt have vindicated, the more favourable to thee and propitious through the course of thy life.'
It is some such high cause as this, such ​principles and emotions as these that give war nearly all the poetry and the glory that can ever be found in it. There is nothing of either in the mere exhibition of military might, the boast of conquest, the raw carnage, the hecatombs of slain. Something magnificent there is, apart from every ethical consideration, in all heroic fighting against odds, in any act of supreme courage on the field, in so desperate a charge as that of the Light Brigade at Balaclava, in the deathless story of the great retreat from Mons, even if you forget the cause for which those heroes fell. But probably the incidents that uplift us most in the telling are incidents in which the kindly, self-sacrificing instincts of men are seen to survive amidst the barbarity and indescribable inferno of a battlefield. The dying Sidney's ready compassion for the soldier who lay wounded beside him at Zutphen, his simple self-renunciatory 'His need is greater than mine,' are worth nearly all his poetry. The right touch, too, is in each of those innumerable tales of how on a stricken ​field a soldier will turn aside under a hail of bullets to carry a wounded comrade into safety. It is in countless records of the present war: in the narrative of how the men of a British battery were shattered and decimated till only three remained, and these three, wounded as they were, worked the last gun unflinchingly until relief could be sent to them; in that of how a retiring troop of war-worn Britishers handed their rations over to starving refugees; in that of how, whenever our seamen sink the enemy's ships they promptly lower their boats to save the drowning Huns. And see how finely a stray act of German chivalry can shine out against the black record her hordes have elsewhere made for themselves. Somewhere along the Marne, a French sergeant and two hundred men were cut off from their regiment and surrounded. They held their ground till every man of them was killed or wounded; then when the victors swept in upon them the German commander saluted the French sergeant and was so keen to honour his bravery that he had him carried from the ​place with his rifle lying beside him on the stretcher. A trifle, no doubt; but there is a very different light about it from that which haloes the ruins of Louvain and the murder of Captain Fryatt.
I have known many who voluntarily abandoned a pleasant life and golden prospects for the future, as soon as the war came upon us, to fight for freedom and human rights, from nothing but an irresistible sense of duty and honour. I have stood at railway stations and seen our soldiers—who had been clerks and artisans a few months before—set out for the front stoically or cheerily, and have noted how their womenfolk, gathered to see them off, have heartened them with smiling goodbyes, and only broken into tears when the train had carried their men beyond sight of their weakness. I have stood at railway stations and seen tired and muddied soldiers from the trenches coming home on leave, and here and there from the vast crowd outside a mother, a father, a wife, a child, a sister, a brother, a sweetheart, run forward with sudden outcries to get ​a hold on this or that one of them, and the two go off crying and laughing together. I have seen the wounded coming out from those stations and men among the patient crowd without standing bareheaded or stirred to sudden cheering as they passed, and women who stepped into the road to fling flowers upon the bandaged, recumbent figures inside the ambulances. And I have a vivid memory of seeing a regiment of Scots Guards tramping along Cannon Street from the Tower to Waterloo Station, in the days when the war was still new and strange to us. A sturdy, martial body of men, they marched with their band playing, rank after rank, four deep, and in such numbers that the band had gone on beyond hearing in the traffic before the last of them went by me; and most vividly of all it comes back to me of how at intervals a wife, a sweetheart, a mother, or a friend marched with certain of the soldiers. Particularly I remember one bronzed guardsman, a handsome, well-set-up fellow, who went a little out of the line to make room betwixt himself and ​his khakied neighbour for a fatherly, grey-bearded civilian who had shouldered the guardsman's rifle so as to leave him free to carry his little girl, a child of two, whilst his wife, with a tremulous smile about her lips, kept pace with him, linked to his arm. The homeliness of that group in so warlike a setting helped to illustrate in its way, as those other memories do in theirs, all that I have been labouring here to express: that all the good and gracious human qualities in men are formed and nurtured in peace, amidst the decencies of common, everyday life; that war may on occasion evoke them, but it no more creates them than the night creates the stars.