OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Galland, Antoine

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​GALLAND, ANTOINE (1646–1715), French Orientalist and archaeologist, the first European translator of the Arabian Nights, was born on the 4th of April 1646 at Rollot, in the department of Somme. The completion of his school education at Noyon was followed by a brief apprenticeship to a trade, from which, however, he soon escaped, to pursue his linguistic studies at Paris. After having been employed for some time in making a catalogue of the Oriental manuscripts at the Sorbonne, he was, in 1670, attached to the French embassy at Constantinople; and in 1673 he travelled in Syria and the Levant, where he copied a great number of inscriptions, and sketched, and in some cases removed historical monuments. After a brief visit to France, where his collection of ancient coins attracted some attention, Galland returned to the Levant in 1676; and in 1679 he undertook a third voyage, being commissioned by the French East India Company to collect for the cabinet of Colbert; on the expiration of this commission he was instructed by the government to continue his researches, and had the title of ​“antiquary to the king” conferred upon him. During his prolonged residences abroad he acquired a thorough knowledge of the Arabic, Turkish and Persian languages and literatures, which, on his final return to France, enabled him to render valuable assistance to Thevenot, the keeper of the royal library, and to Barthélemy d’Herbelot. After their deaths he lived for some time at Caen under the roof of Nicolas Foucault (1643–1721), the intendant of Caen, himself no mean archaeologist; and there he began the publication (12 vols., 1704–1717) of Les mille et une nuits, which excited immense interest during the time of its appearance, and is still the standard French translation. It had no pretensions to verbal accuracy, and the coarseness of the language was modified to suit European taste, but the narrative was adequately rendered. In 1701 Galland had been admitted into the Academy of Inscriptions, and in 1709 he was appointed to the chair of Arabic in the Collège de France. He continued to discharge the duties of this post until his death, which took place on the 17th of February 1715.
Besides a number of archaeological works, especially in the department of numismatics, he published a compilation from the Arabic, Persian and Turkish, entitled Paroles remarquables, bons mots et maximes des orientaux (1694), and a translation from an Arabic manuscript, De l’origine et du progrès du café (1699). The former of these works appeared in an English translation in 1795. His Contes et fables indiennes de Bidpaï et de Lokman was published (1724) after his death. Among his numerous unpublished manuscripts are a translation of the Koran and a Histoire générale des empereurs turcs. His Journal was published by M. Charles Schefer in 1881.
# 1911 Encyclopædia Britannica/Gallarate

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​GALLARATE, a town of Lombardy, Italy, in the province of Milan, from which it is 25 m. N.W. by rail. Pop. (1901) 12,002. The town is of medieval origin. It is remarkable mainly for its textile factories. It is the junction of railways to Varese, Laveno and Arona (for the Simplon). Six miles to the W. are the electric works of Vizzola, the largest in Europe, where 23,000 h.p. are derived from the river Ticino.
# 1911 Encyclopædia Britannica/Gallas, Matthias

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​GALLAS, MATTHIAS, Count of Campo, Duke of Lucera (1584–1647), Austrian soldier, first saw service in Flanders, and in Savoy with the Spaniards, and subsequently joined the forces of the Catholic League as captain. On the general outbreak of hostilities in Germany, Gallas, as colonel of an infantry regiment, distinguished himself, especially at the battle of Stadtlohn (1623). In 1630 he was serving as General-Feldwachtmeister under Collalto in Italy, and was mainly instrumental in the capture of Mantua. Made count of the Empire for this service, he returned to Germany for the campaign against Gustavus Adolphus. In command of a corps of Wallenstein’s army, he covered Bohemia against the Swedes in 1631–1632, and served at the Alte Veste near Nuremberg, and at Lützen. Further good service against Bernhard of Saxe-Weimar commended General Gallas to the notice of the emperor, who made him lieutenant-general in his own army. He was one of the chief conspirators against Wallenstein, and after the tragedy of Eger was appointed to the command of the army which Wallenstein had formed and led. At the great battle of Nördlingen (23rd of August 1634) in which the army of Sweden was almost annihilated, Gallas commanded the victorious Imperialists. His next command was in Lorraine, but even the Moselle valley had suffered so much from the ravages of war that his army perished of want. Still more was this the case in northern Germany, where Gallas commanded against the Swedish general Banér in 1637 and 1638. At first driving the Swedes before him, in the end he made a complete failure of the campaign, lost his command, and was subject to much ridicule. It was, however, rather the indiscipline of his men (the baneful legacy of Wallenstein’s methods) than his own faults which brought about his disastrous retreat across North Germany, and at a moment of crisis he was recalled to endeavour to stop Torstenson’s victorious advance, only to be shut up in Magdeburg, whence he escaped with the barest remnant of his forces. Once more relieved of his command, he was again recalled to make head against the Swedes in 1645 (after their victory at Jankow). Before long, old and warworn, he resigned his command, and died in 1647 at Vienna. His army had earned for itself the reputation of being the most cruel and rapacious force even in the Thirty Years’ War, and his Merode Brüder have survived in the word marauder. Like many other generals of that period, he had acquired much wealth and great territorial possessions (the latter mostly his share of Wallenstein’s estates). He was the founder of the Austrian family of Clam-Gallas, which furnished many distinguished soldiers to the Imperial army.
# 1911 Encyclopædia Britannica/Gall

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​GALL (a word common to many Teutonic languages, cf. Dutch gal, and Ger. Galle; the Indo-European root appears in Gr. χολή and Lat. fel; possibly connected with “yellow,” with reference to the colour of bile), the secretion of the liver known as “bile,” the term being also used of the pear-shaped diverticulum of the bile-duct, which forms a reservoir for the bile, more generally known as the “gall-bladder” (see Liver). From the extreme bitterness of the secretion, “gall,” like the Lat. fel, is used for anything extremely bitter, whether actually or metaphorically. From the idea that the gall-bladder was the dominating organ of a bitter, sharp temperament, “gall” was formerly used in English for such a spirit, and also for one very ready to resent injuries. It thus survives in American slang, with the meaning “impudence” or “assurance.”
“Gall,” meaning a sore or painful swelling, especially on a horse, may be the same word, derived from an early use of the word as meaning “poison.” On the other hand, in Romanic languages, the Fr. galle, Sp. agalla, a wind-gall or puffy distension of the synovial bursa on the fetlock joint of a horse, is derived from the Lat. galla, oak-apple, from which comes the English “gall,” meaning an excrescence on trees caused by certain insects. (See Galls.)
# 1911 Encyclopædia Britannica/Gallait, Louis

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​GALLAIT, LOUIS (1810–1887), Belgian painter, was born at Tournay, in Hainaut, Belgium, on the 9th of May 1810. He first studied in his native town under Hennequin. In 1832 his first picture, “Tribute to Caesar,” won a prize at the exhibition at Ghent. He then went to Antwerp to prosecute his studies under Mathieu Ignace Van Brée, and in the following year exhibited at the Brussels Salon “Christ Healing the Blind.” This picture was purchased by subscription and placed in the cathedral at Tournay. Gallait next went to Paris, whence he sent to the Belgian Salons “Job on the Dunghill,” “Montaigne Visiting Tasso in Prison”; and, in 1841, “The Abdication of Charles V.,” in the Brussels Gallery. This was hailed as a triumph, and gained for the painter a European reputation. Official invitations then caused him to settle at Brussels, where he died on the 20th of November 1887. Among his greater works may be named: “The Last Honours paid to Counts Egmont and Horn by the Corporations of the Town of Brussels,” now at Tournay; “The Death of Egmont,” in the Berlin gallery; the “Coronation of Baudouin, Emperor of Constantinople,” painted for Versailles; “The Temptation of St Anthony,” in the palace at Brussels; “The Siege of Antioch,” “Art and Liberty,” a “Portrait of M. B. Dumortier” and “The Plague at Tournay,” all in the Brussels gallery. “A Gipsy Woman and her Children” was painted in 1852. “M. Gallait has all the gifts that may be acquired by work, taste, judgment and determination,” wrote Théophile Gautier; his art is that of a man of tact, a skilled painter, happy in his dramatic treatment but superficial. No doubt, this Walloon artist, following the example of the Flemings of the Renaissance and the treatment of Belgian classical painters and the French Romantic school, sincerely aimed at truth; unfortunately, misled by contemporary taste, he could not conceive of it excepting as dressed in sentimentality. As an artist employed by the State he exercised considerable influence, and for a long period he was the leader of public taste in Brussels.
See Teichlin, Louis Gallait und die Malerei in Deutschland (1853); J. Dujardin, L’Art flamand (1899); C. Lemonnier, Histoire des beaux-arts en Belgique (1881).
# 1911 Encyclopædia Britannica/Isaac II. (Angelus)

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​ISAAC II. (Angelus), emperor of the East 1185–1195, and again 1203–1204, was the successor of Andronicus I. He inaugurated his reign by a decisive victory over the Normans in Sicily, but elsewhere his policy was less successful. He failed in an attempt to recover Cyprus from a rebellious noble, and by the oppressiveness of his taxes drove the Bulgarians and Vlachs to revolt (1186). In 1187 Alexis Branas, the general sent against the rebels, treacherously turned his arms against his master, and attempted to seize Constantinople, but was defeated and slain. The emperor’s attention was next demanded in the east, where several claimants to the throne successively rose and fell. In 1189 Frederick Barbarossa of Germany sought and obtained leave to lead his troops on the third crusade through the Byzantine territory; but he had no sooner crossed the border than Isaac, who had meanwhile sought an alliance with Saladin, threw every impediment in his way, and was only compelled by force of arms to fulfil his engagements. The next five years were disturbed by fresh rebellions of the Vlachs, against whom Isaac led several expeditions in person. During one of these, in 1195, Alexius, the emperor’s brother, taking advantage of the latter’s absence from camp on a hunting expedition, proclaimed himself emperor, and was readily recognised by the soldiers. Isaac was blinded and imprisoned in Constantinople. After eight years he was raised for six months from his dungeon to his throne once more (see Crusades). But both mind and body had been enfeebled by captivity, and his son Alexius IV. was the actual monarch. Isaac died in 1204, shortly after the usurpation of his general, Mourzouphles. He was one of the weakest and most vicious princes that occupied the Byzantine throne. Surrounded by a crowd of slaves, mistresses and flatterers, he permitted his empire to be administered by unworthy favourites, while he squandered the money wrung from his provinces on costly buildings and expensive gifts to the churches of his metropolis.
See Gibbon, Decline and Fall (ed. J. Bury, London, 1896, vol. vi.); G. Finlay, History of Greece (ed. 1877, Oxford, vols. iii. and iv.).
# 1911 Encyclopædia Britannica/Isabella of Hainaut

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​ISABELLA OF HAINAUT (1170–1190), queen of France, was the daughter of Baldwin V., count of Hainaut, and Margaret, sister of Philip of Alsace, and was born in 1170 at Lille. She was married to Philip Augustus, and brought to him as her dowry the province of Artois. She was crowned at St Denis on the 29th of May 1180. As Baldwin V. claimed to be a descendant of Charlemagne, the chroniclers of the time saw in this marriage a union of the Carolingian and Capetian dynasties. Though she received extravagant praise from certain annalists, she failed to win the affections of Philip, who, in 1184, waging war against Flanders, was angered at seeing Baldwin support his enemies, and called a council at Sens for the purpose of repudiating her. Robert, the king’s uncle, successfully interposed. She died in childbirth in 1190, and was buried in the church of Notre Dame in Paris. Her son became Louis VIII. of France.
See Cartellieri, “L’Avènement de Phil. Aug.” in Rev. hist. liii. 262 et seq.
# 1911 Encyclopædia Britannica/Isabey, Jean Baptiste

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​ISABEY, JEAN BAPTISTE (1767–1855), French painter, was born at Nancy on the 11th of April 1767. At nineteen, after some lessons from Dumont, miniature painter to Marie Antoinette, he became a pupil of David. Employed at Versailles on portraits of the dukes of Angoulême and Berry, he was given a commission by the queen, which opens the long list of those which he received, up to the date of his death in 1855, from the successive rulers of France. Patronized by Josephine and Napoleon, he arranged the ceremonies of their coronation and prepared drawings for the publication intended as its official commemoration, a work for which he was paid by Louis XVIII., whose portrait (engraved, Debucourt) he executed in 1814. Although Isabey did homage to Napoleon on his return from Elba, he continued to enjoy the favour of the Restoration, and took part in arrangements for the coronation of Charles X. The monarchy of July conferred on him an important post in connexion with the royal collections, and Napoleon III. granted him a pension, and the cross of commander of the Legion of Honour. “Review of Troops by the First Consul” was one of his most important compositions, and “Isabey’s Boat,”—a charming drawing of himself and family—produced at a time when he was much occupied with lithography—had an immense success at the Salon of 1820 (engraved, Landon, Annales, i. 125). His portrait of “Napoleon at Malmaison” is held to be the best ever executed, and even his tiny head of the king of Rome, painted for a breast-pin, is distinguished by a decision and breadth which evidence the hand of a master.
A biography of Isabey was published by M. E. Taigny in 1859, and M. C. Lenormant’s article, written for Michaud’s Biog. univ., is founded on facts furnished by Isabey’s family.
# 1911 Encyclopædia Britannica/Isabnormal Lines

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​ISABNORMAL (or Isanomalous) LINES, in physical geography, lines upon a map or chart connecting places having an abnormal temperature. Each place has, theoretically, a proper temperature due to its latitude, and modified by its configuration. Its mean temperature for a particular period is decided by observation and called its normal temperature. Isabnormal lines may be used to denote the variations due to warm winds or currents, great altitudes or depressions, or great land masses as compared with sea. Or they may be used to indicate the abnormal result of weather observations made in an area such as the British Isles for a particular period.
# 1911 Encyclopædia Britannica/Isaac

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​ISAAC (Hebrew for “he laughs,” on explanatory references to the name, see Abraham), the only child of Abraham and Sarah, was born when his parents were respectively a hundred and ninety years of age (Gen. xvii. 17). Like his father, Isaac lived a nomadic pastoral life, but within much narrower local limits, south of Beersheba (Gen. xxvi., on the incidents here recorded, see Abimelech). After the death of his mother, when he was forty years old, he married Rebekah the Aramaean, by whom after twenty years of married life he became the father of Esau and Jacob. He died at the age of one hundred and eighty. “Isaac” is used as a synonym for “Israel” by Amos (vii. 9, 16), who also bears witness to the importance of Beersheba as a sanctuary. It was in this district, at the well Beer-Lahai-roi, that Isaac dwelt (Gen. xxiv. 62, xxv. 11), and the place was famous for an incident in the life of Hagar (xvi. 14). This was perhaps the original scene of the striking episode “in the land of Moriah,” when at the last moment he was by angelic interposition released from the altar on which he was about to be sacrificed by his father in obedience to a divine command (Gen. xxii). The narrative (which must be judged with due regard to the conditions of the age) shows that the sacrifice of the first-born, though not inconsistent with Yahweh’s claims (Ex. xxii. 29), was neither required nor tolerated (cp. Micah vi. 6-8). See Moloch.
Isaac is by general consent of the Christian church taken as a representative of the unobtrusive, restful, piously contemplative type of human character. By later Judaism, which fixed its attention chiefly on the altar scene, he was regarded as the pattern and prototype of all martyrs. The Mahommedan legends regarding him are curious, but trifling.
The resemblance between incidents in the lives of Isaac and Abraham is noteworthy; in each case Isaac appears to be the more original. See further Ishmael, and note that the pair Isaac and Ishmael correspond to Abraham and Lot, Jacob and Esau. On general questions, see E. Meyer, Israeliten (Index, s.v.). For attempts to find a mythological interpretation of Isaac’s life, see Goldziher, Mythology of the Hebrews; Winckler, Gesch. Israels (vol. ii.).
* ↑ The stories, including the delightful history of the courting of Rebekah by proxy, are due to the oldest narrators. The jarring chronological notices belong to the post-exilic framework of the book (see Genesis).
* ↑ The name is hopelessly obscure, and the identification with the mountain of the temple in Jerusalem rests upon a late view (2 Chron. iii. 1). It is otherwise called “Yahweh-yir’eh” (“Y. sees”) which is analogous to “El-ro’i” (“a God of Seeing”) in xvi. 13. See further the commentaries.
# 1911 Encyclopædia Britannica/Isaac I. (Comnenus)

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​ISAAC I. (Comnenus), emperor of the East (1057–1059), was the son of an officer of Basil II. named Manuel Comnenus, who on his deathbed commended his two sons Isaac and John to the emperor’s care. Basil had them carefully educated at the monastery of Studion, and afterwards advanced them to high official positions. During the disturbed reigns of Basil’s seven immediate successors, Isaac by his prudent conduct won the confidence of the army; in 1057 he joined with the nobles of the capital in a conspiracy against Michael VI., and after the latter’s deposition was invested with the crown, thus founding the new dynasty of the Comneni. The first care of the new emperor was to reward his noble partisans with appointments that removed them from Constantinople, and his next was to repair the beggared finances of the empire. He revoked numerous pensions and grants conferred by his predecessors upon idle courtiers, and, meeting the reproach of sacrilege made by the patriarch of Constantinople by a decree of exile, resumed a proportion of the revenues of the wealthy monasteries. Isaac’s only military expedition was against the Hungarians and Petchenegs, who began to ravage the northern frontiers in 1059. Shortly after this successful campaign he was seized with an illness, and believing it mortal appointed as his successor Constantine Ducas, to the exclusion of his own brother John. Although he recovered Isaac did not resume the purple, but retired to the monastery of Studion and spent the remaining two years of his life as a monk, alternating menial offices with literary studies. His Scholia to ​the Iliad and other works on the Homeric poems are still extant in MS. He died in the year 1061. Isaac’s great aim was to restore the former strict organization of the government, and his reforms, though unpopular with the aristocracy and the clergy, and not understood by the people, certainly contributed to stave off for a while the final ruin of the Byzantine empire.
See E. Gibbon, The Decline and Fall of the Roman Empire (ed. J. Bury, London, 1896, vol. v.); G. Finlay, History of Greece (ed. 1877, Oxford, vols. ii. and iii.).
# 1911 Encyclopædia Britannica/Isabella of Bavaria

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​ISABELLA, Isabeau, or Elizabeth of Bavaria (1370–1435), wife of Charles VI. of France, was the daughter of Stephen II., duke of Bavaria. She was born in 1370, was married to Charles VI. on the 17th of July 1385, and crowned at Paris on the 22nd of August 1389. After some years of happy married life she fell under the influence of the dissolute court in which she lived, and the king having become insane (August 1392) she consorted chiefly with Louis of Orleans. Frivolous, selfish, avaricious and fond of luxury, she used her influence, during the different periods when she was invested with the regency, not for the public welfare, but mainly in her own personal interest. After the assassination of the duke of Orleans (November 23, 1407) she attached herself sometimes to the Armagnacs, sometimes to the Burgundians, and led a scandalous life. Louis de Bosredon, the captain of her guards, was executed for complicity in her excesses; and Isabella herself was imprisoned at Blois and afterwards at Tours (1417). Having been set free towards the end of that year by John the Fearless, duke of Burgundy, whom she had called to her assistance, she went to Troyes and established her government there, returning afterwards to Paris when that city had capitulated to the Burgundians in July 1418. Once more in power, she now took up arms against her son, the dauphin Charles; and after the murder of John the Fearless she went over to the side of the English, into whose hands she surrendered France by the treaty of Troyes (May 21, 1420), at the same time giving her daughter Catherine in marriage to the king of England, Henry V. After her triumphal entry into Paris with the latter she soon became an object of loathing to the whole French nation. She survived her husband, her son-in-law, and eight out of her twelve children, and she passed the last miserable years of her life in poverty, solitude and ill-health. She died at the end of September 1435, and was interred without funeral honours in the abbey of St Denis, by the side of her husband, Charles VI.
See Vallet de Viriville, Isabeau de Bavière (1859); Marcel Thibault, Isabeau de Bavière, Reine de France, La Jeunesse, 1370–1405 (1903).  (J. V.*)