# Littell's Living Age/Volume 129/Issue 1662/"Mysterious Sounds"

From Chambers' Journal.
"MYSTERIOUS SOUNDS."
The effect of certain sounds upon the mind is often very curious. We do not allude to the ordinary phenomena of speech, singing, and music, where the sound-producing apparatus is tolerably familiar, and its distance from the hearer estimated with a near approach to accuracy. The effect is only "mysterious" when there is any doubt as to where the sound comes from, and how it has originated; the imagination then begins, and sometimes works itself up to very singular hallucinations. Night, or darkness without night, has much to do with this matter. When we cannot see the sound-producing agent, conjecture is apt to run wild; and ghost-stories often depend on no better foundation than this. For instance, certain sounds may frequently be heard at night, coming from the air above, but from an invisible source—a kind of whistling or prolonged cry, the producers of which are known in certain parts of England as "whistlers." Some legends make it out that these whistlers are ghosts, some evil spirits, some Wandering Jews. But the truth is that the sounds proceed from birds, such as wild geese or plovers, which are in the habit of flying in flocks by night, either for the purpose of reaching distant feeding-grounds, or during their annual migrations. The cry which is usually uttered by the "leader" during these nocturnal bird-flights has, from ignorance of its cause, been regarded as weird and mysterious by superstitious folks, who associate it with impending evil.
Sir David Brewster gives an excellent account of a mysterious night-sound which would have frightened many persons, but which proved innocently harmless when tested by a steady observer. A gentleman heard a strange sound every night, soon after getting into bed; his wife heard it also, but not at the time when she retired, a little earlier than he. No probable cause could be assigned; and the effect upon the imagination became rather unpleasant. He found, some time afterwards, that the sound came from a wardrobe which stood near the head of his bed. He almost always opened and closed this wardrobe when undressing; but as the door was a little tight, he could not quite close it. The door, possibly affected by gradual changes of temperature, forced itself open with a sort of dull sound which was over in an instant. From the lady not being in the habit of using that wardrobe, the ​Page:Littell's Living Age - Volume 129.djvu/194 ​Page:Littell's Living Age - Volume 129.djvu/195 ​Page:Littell's Living Age - Volume 129.djvu/196 ​and emits a loud roar. The dropping of a sixpence into a hand already containing coin, at a distance of twenty yards, knocks the flame down. It is not possible to walk across the floor without agitating the flame. The creaking of boots sets it in violent commotion. The crumpling or tearing of paper, or the rustle of a silk dress, does the same. It is startled by the patter of a raindrop. I hold a watch near the flame; nobody hears its ticks; but you all see their effect upon the flame; at every tick it falls and roars. The winding-up of the watch also produces tumult. The twittering of a distant sparrow shrieks in the flame; the note of a cricket would do the same. A chirrup from a distance of thirty yards causes it to fall and roar." In reference to the power of the flame to respond to poetry, the lecturer said: "The flame selects from the sounds those to which it can respond; it notices some by the slightest nod, to others it bows more distinctly, to some its obeisance is very profound, while to many sounds it turns an entirely deaf ear."
So long as the cause of any unusual sound is unexplained to the non-scientific listener, he is apt, naturally enough, to term that sound mysterious; but the element of mystery will disappear when he is assured that sounds of every description are due to natural and unalterable acoustic principles.