OpenLLM-France/wikimedia huggingface dataset:
# To the Author's Wife, Absent on a Visit

from The Bowdoin Poets (1840)
Come home my dear Elizabeth;  I'm sure could you but know  The sadness of my lonely hours,  You would not leave so.
 If love could not restrain you,  Sure the kindness of your heart  Would not allow that mine so long  Should feel this aching smart.
 Like the dove that found no resting  On the weary waters wide,  I wander, but I find no rest  Apart from thee, my bride.
 Yes bride I still must call thee,  Though sixteen years have fled,  Fraught with the ills and joys of life,  Since the day that saw us wed.
 Yes bride I still must call thee,  For still I feel thou art  The morning light unto mine eyes,  And the life-blood to my heart.
 Kind friends may be around me,  With gentle words and tone,  And all the light, gay world may smile,  But still I am alone.
 The bright bird that you left me,  Chirps often through the day,  And his music but reminds me  That you are far away.
 For your sake I will feed him  With fresh seeds and with flowers,  And his morning and his evening song  Shall count my weary hours.
 And oft our little Edward  Comes clinging to my knee,  And says with loud and hearty laugh,  'Dear Father, play with me.'
 And when I kiss his little cheek,  His bright blue eyes look glad;  And I talk with him and play with him,  But still my heart is sad.
 My sun of life, Elizabeth,  Hath passed its fervent noon;  I feel the 'sear and yellow leaf'  Will be upon me soon:---
 But though misfortunes press me,  And the world be false and cold,  Let thy love and presence bless me  And I'll mind not growing old.
 And I'll mind not fortune's frowning,  Nor the heartlessness of men,  When I see thee home returning,  Our abode to cheer again.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# To plead my faith

A sonnet published as the work of Essex in Robert Dowland's Musical Banquet (1610), set to music by Daniel Bacheler.
Notes
To plead my faith where faith has no reward To move remorse where favour is not borne To heap complaints, which she doth not regard Were fruitless, bootless, vain and yields but scorn. I loved her whom all the world admir'd, I was refused of her that can love none, And my vain hopes, which far too high aspired Are dead and buried and forever gone. Forget my name, since you have scorned my love, And woman-like, do not too late lament; Since for your sake I must all mischief prove I none accuse nor nothing do repent. I was as fond as ever she was fair, Yet loved I not, more than I now despair.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tripp v. Santa Rosa St. Railroad Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
144 U.S. 126
Tripp v. Santa Rosa St. Railroad Company
P. G. Galpin, for plaintiff in error.
Mr. Chief Justice FULLER delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Triplett v. Lowell Mantle Lamp Company of America

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
297 U.S. 638
Triplett v. Lowell Mantle Lamp Company of America
Argued: March 4, 5, 1936. --- Decided: March 30, 1936
Mr. Samuel E. Darby, Jr., of New York City, for petitioners Triplett and others.
Mr. Clifton V. Edwards, of New York City, for respondents Lowell and others.
Mr. George I. Haight, of Chicago, Ill., for Mantle Lamp Co.
Mr. Wm. Nevarre Cromwell, of Chicago, Ill., for Aluminum Products Co.
Mr. Justice STONE, deli ered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Triplett v. Iowa/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
357 U.S. 217
Triplett v. Iowa
The writ of certiorari is dismissed as improvidently granted.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Triplett v. Lowell/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
296 U.S. 570
Triplett v. Lowell
For opinion below, see 77 F.(2d) 556.
On petition for writ of certiorari to the United States Circuit Court of Appeals for the Fourth Circuit. It is ordered that the petition for rehearing in this case be, and it hereby is, granted. The order heretofore entered on October 14, 1935, denying the petition for writ of certiorari in this case is vacated, and it is ordered that the petition for writ of certiorari be, and the same hereby is granted. The case is assigned for argument immediately following No. 590.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Triplett v. Lowell

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
296 U.S. 570
Triplett v. Lowell
Messrs. Samuel E. Darby, Jr., of New York City, and Cook & Markell, of Baltimore, Md., for petitioners.
Messrs. Clifton V. Edwards, of New York City, Gaylord Lee Clark, of Baltimore, Md., and John B. Brady, of Washington, D. C., for respondents.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Tom Swift and His Giant Cannon

Book 16 in the Tom Swift Series
TOM SWIFT AND HIS
GIANT CANNON
OR
The Longest Shots on Record
BY
VICTOR APPLETON
AUTHOR OF "TOM SWIFT AND HIS MOTOR-CYCLE," "TOM SWIFT AND HIS AIR GLIDER," "TOM SWIFT AND HIS GREAT SEARCHLIGHT," "THE MOVING PICTURE BOYS," "THE MOVING PICTURE BOYS IN THE JUNGLE," ETC.
ILLUSTRATED
NEW YORK
GROSSET & DUNLAP
PUBLISHERS
Made in the United States of America
IT WAS LIKE THE BLAST OF A HUNDRED THUNDERBOLTS
Books by Victor Appleton
THE TOM SWIFT SERIES
12mo. Illustrated. Price, per volume, 50 cents, postpaid
TOM SWIFT AND HIS MOTOR-BOAT
TOM SWIFT AND HIS AIRSHIP
TOM SWIFT AND HIS SUBMARINE BOAT
TOM SWIFT AND HIS ELECTRIC RUNABOUT
TOM SWIFT AND HIS WIRELESS MESSAGE
TOM SWIFT AMONG THE DIAMOND MAKERS
TOM SWIFT IN THE CAVES OF ICE
TOM SWIFT AND HIS SKY RACER
TOM SWIFT AND HIS ELECTRIC RIFLE
TOM SWIFT IN THE CITY OF GOLD
TOM SWIFT AND HIS AIR GLIDER
TOM SWIFT IN CAPTIVITY
TOM SWIFT AND HIS WIZARD CAMERA
TOM SWIFT AND HIS GREAT SEARCHLIGHT
TOM SWIFT AND HIS GIANT CANNON
THE MOVING PICTURE BOYS SERIES
12mo. Illustrated. Price, per volume, 50 cents, postpaid
THE MOVING PICTURE BOYS IN THE WEST
THE MOVING PICTURE BOYS ON THE COAST
THE MOVING PICTURE BOYS IN THE JUNGLE
GROSSET & DUNLAP
Copyright, 1913, by GROSSET & DUNLAP
Tom Swift and His Giant Cannon
CONTENTS
| CHAPTER | CHAPTER | PAGE |
| I | On a live Wire | 1 |
| II | "We'll Take a Chance!" | 14 |
| III | Planning a Big Gun | 22 |
| IV | Koku's Brave Act | 29 |
| V | Off to Sandy Hook | 40 |
| VI | Testing the Waller Gun | 48 |
| VII | The Impossible Occurs | 58 |
| VIII | A Big Problem | 65 |
| IX | The New Powder | 72 |
| X | Something Wrong | 80 |
| XI | Failure and Success | 87 |
| XII | A Powerful Blast | 97 |
| XIII | Casting the Cannon | 105 |
| XIV | A Night Intruder | 115 |
| XV | Ready for the Test | 121 |
| XVI | A Warning | 131 |
| XVII | The Bursting Dam | 139 |
| XVIII | The Doped Powder | 151 |
| XIX | Blowing Down the Barrier | 158 |
| XX | The Government Accepts | 165 ​ |
| XXI | Off for Panama | 173 |
| XXII | At Gatun Locks | 183 |
| XXIII | News of the Mine | 191 |
| XXIV | The Longest Shot | 197 |
| XXV | The Long-Lost Mine | 209 |
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# To a Picture

* Search for titles containing or beginning with: "To a Picture."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "To a Picture", a poem by Frances Anne Kemble
* "To a Picture", a poem by Mary Noel McDonald
# To a Mouse, on turning her up in her nest, with the plough

* "To a Mouse, on turning her up in her nest, with the plough", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
* "To a Mouse", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# To a Foreigner

Extracted from Harper's magazine, vol147 1923-24, p. 142.
To a Foreigner
BY CHRISTOPHER MORLEY
[Children, leprechauns, women beutifulle and yonge, These be forrainers alle.
—Sir Eustace Peachtree]
AYE, for I knew you foreign! Plain to me
The anxiety that trembled in your gaze— Your brave but heavy-burning secrecy
Compelled by our more coarse and clumsy ways,
O lovely, lovely! Terror in the eyes,
Poor eagerness to do what men expect:
Willing to stifle your own gay surprise
And pass unquestionable, trim, correct—
Shall you, who have untellable things to say,
Who hear inaudibles, guess the unknown,
"Assimilate," bewildered émigré,
In our suspicious and mechanic zone?
Be ever foreign, beautiful and strange!
Nor naturalize (wild word!) that rebel blood:
Docility and use must never change
Your sweet enchanting reckless alienhood.
How did I know you foreign? Your most droll
Blithe candor, so unlike our timid style;
Courteous to our queer modes, yet you console
Your humor with a small comparative smile.
How did I know you stranger, troubled, lonely,
Thrilled and yet puzzled in a foreign land,
Dear excommunicate?—Ah perhaps only
Since I am outlandish too. You understand.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# To a Humming-Bird

* Search for titles containing or beginning with: "To a Humming-Bird."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "To a Humming-Bird", a poem by Eliza Lee Cabot Follen
* "To a Humming-Bird", a poem by Amelia Welby
# To a Mountain Daisy

* "To a Mountain Daisy", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
* "To a Mountain Daisy", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
# To a Friend, on Her Return from Europe

How smiled the land of France Under thy blue eye's glance, Light-hearted rover Old walls of chateaux gray, Towers of an early day, Which the Three Colors play Flauntingly over.
Now midst the brilliant train Thronging the banks of Seine Now midst the splendor Of the wild Alpine range, Waking with change on change Thoughts in thy young heart strange, Lovely, and tender.
Vales, soft Elysian, Like those in the vision Of Mirza, when, dreaming, He saw the long hollow dell, Touched by the prophet's spell, Into an ocean swell With its isles teeming.
Cliffs wrapped in snows of years, Splintering with icy spears Autumn's blue heaven Loose rock and frozen slide, Hung on the mountain-side, Waiting their hour to glide Downward, storm-driven!
Rhine-stream, by castle old, Baron's and robber's hold, Peacefully flowing; Sweeping through vineyards green, Or where the cliffs are seen O'er the broad wave between Grim shadows throwing.
Or, where St. Peter's dome Swells o'er eternal Rome, Vast, dim, and solemn; Hymns ever chanting low, Censers swung to and fro, Sable stoles sweeping slow Cornice and column!
Oh, as from each and all Will there not voices call Evermore back again? In the mind's gallery Wilt thou not always see Dim phantoms beckon thee O'er that old track again?
New forms thy presence haunt, New voices softly chant, New faces greet thee! Pilgrims from many a shrine Hallowed by poet's line, At memory's magic sign, Rising to meet thee.
And when such visions come Unto thy olden home, Will they not waken Deep thoughts of Him whose hand Led thee o'er sea and land Back to the household band Whence thou wast taken?
While, at the sunset time, Swells the cathedral's chime, Yet, in thy dreaming, While to thy spirit's eye Yet the vast mountains lie Piled in the Switzer's sky, Icy and gleaming:
Prompter of silent prayer, Be the wild picture there In the mind's chamber, And, through each coming day Him who, as staff and stay, Watched o'er thy wandering way, Freshly remember.
So, when the call shall be Soon or late unto thee, As to all given, Still may that picture live, All its fair forms survive, And to thy spirit give Gladness in Heaven!
# To a Louse, on seeing one on a Lady's Bonnet at Church

* "To a Louse", in The Beauties of Burn's Poems (1819), a chapbook printed in Falkirk
* "To a Louse, on seeing one on a Lady's Bonnet at Church", in The Poetical Works of Robert Burns (1887)
# Twist v. Prairie Oil & Gas Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
274 U.S. 684
Twist v. Prairie Oil & Gas Company
Argued: April 28, 1927. --- Decided: June 6, 1927
Messrs. Paul Pinson and D. Hayden Linebaugh, both of Muskogee, Okl., for petitioners.
Mr. Preston C. West, of Tulsa, Okl., for respondent.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Twitchell v. The Commonwealth/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
74 U.S. 321
Twitchell v. The Commonwealth
'The question presented is, we think, of great importance, but not of much difficulty. . . . The Constitution was ordained and established by the people of the United States for themselves, for their own government, and not for the government of the individual States. Each State established a constitution for itself, and in that constitution provided such limitations and restrictions on the powers of its particular government as its judgment dictated. The people of the United States framed such a government for the United States as they supposed best adapted to their situation and best calculated to promote their interests. The powers they conferred on this government were to be exercised by itself; and the limitations on power, if expressed in general terms, are naturally, and, we think, necessarily applicable to the government created by the instrument. They are limitations of power granted in the instrument itself, not of distinct governments framed by different persons and for different purposes.'
And, in conclusion, after a thorough examination of the several amendments which had then (1833) been adopted, he observes:
'These amendments contain no expression indicating an intention to apply them to State governments. This court cannot so apply them.'
And this judgment has since been frequently reiterated, and always without dissent.
That they 'were not designed as limits upon the State governments in reference to their own citizens,' but 'exclusively as restrictions upon Federal power,' was declared in Fox v. Ohio, to be 'the only rational and intelligible interpretation which these amendments can have.' And language equally decisive, if less emphatic, may be found in Smith v. The State of Maryland, and Withers v. Buckley and others.
In the views thus stated and supported we entirely concur. They apply to the sixth as fully as to any other of the amendments. It is certain that we can acquire no jurisdiction of the case of the petitioner by writ of error, and we are obliged, therefore to
REFUSE THE WRIT.

## Notes

* ↑ 5 Howard, 434.
* ↑ 18 Id. 76.
* ↑ 20 Id. 90.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Two Introductory Lectures on the Science of International Law

* information about this edition.
* sister projects: Wikidata item.

## Contents

* Advertisement
* Lecture I
* Lecture II
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Translations from Camoens; and Other Poets, with Original Poetry/Se lamentar augelli, o verdi fronde

PETRARCH.
Se lamentar augelli, o verdi fronde.
IF to the sighing breeze of summer-hours Bend the green leaves; if mourns a plaintive bird; Or from some fount's cool margin, fringed with flowers, The soothing murmur of the wave is heard;
Her, whom the heavens reveal, the earth denies, I see and hear: though dwelling far above, Her spirit, still responsive to my sighs, Visits the lone retreat of pensive love.
"Why thus in grief consume each fruitless day," (Her gentle accents thus benignly say,) "While from thine eyes the tear unceasing flows? "Weep not for me, who, hastening on my flight, "Died, to be deathless; and on heavenly light "Whose eyes but opened, when they seemed to close!"
# Translations from Camoens; and Other Poets, with Original Poetry/Sonnet 108

CAMOENS.
SONNET 108.
Brandas aguas do Tejo que passando.
FAIR Tajo! thou, whose calmly-flowing tide Bathes the fresh verdure of these lovely plains, Enlivening all where'er thy waves may glide, Flowers, herbage, flocks, and sylvan nymphs, and swains:
Sweet stream! I know not when my steps again Shall tread thy shores; and while to part I mourn, I have no hope to meliorate my pain, No dream that whispers—I may yet return!
My frowning destiny, whose watchful care Forbids me blessings, and ordains despair, Commands me thus to leave thee, and repine: And I must vainly mourn the scenes I fly, And breathe on other gales my plaintive sigh, And blend my tears with other waves than thine!
# Translations from Camoens; and Other Poets, with Original Poetry/Sonnet 178

CAMOENS.
SONNET 178.
Já cantei, já chorei a dura guerra.
OFT have I sung and mourned the bitter woes, Which Love for years hath mingled with my fate, While he the tale forbade me to disclose, That taught his votaries their deluded state.
Nymphs! who dispense Castalia's living stream, Ye, who from Death oblivion's mantle steal, Grant me a strain in powerful tone supreme, Each grief by love inflicted to reveal:
That those, whose ardent hearts adore his sway, May hear experience breathe a warning lay. How false his smiles, his promises how vain! Then, if ye deign this effort to inspire, When the sad task is o'er, my plaintive lyre, For ever hushed, shall slumber in your fane.
# Translations from Camoens; and Other Poets, with Original Poetry/Rome buried in her own ruins

QUEVEDO.
ROME BURIED IN HER OWN RUINS.
Buscas en Roma á Roma, ó peregrino!
AMIDST these scenes, O pilgrim! seek'st thou Rome? Vain is thy search—the pomp of Rome is fled; Her silent Aventine is glory's tomb; Her walls, her shrines, but relics of the dead.
That hill, where Cæsars dwelt in other days, Forsaken mourns, where once it towered sublime; Each mouldering medal now far less displays The triumphs won by Latium, than by Time.
Tyber alone survives—the passing wave, That bathed her towers, now murmurs by her grave, Wailing, with plaintive sound, her fallen fanes. Rome! of thine ancient grandeur all is past, That seemed for years eternal framed to last, Nought but the wave, a fugitive—remains.
# Translations from Camoens; and Other Poets, with Original Poetry/Sol può dir che sia contento

METASTASIO.
Sol può dir che sia contento.
OH! those alone, whose severed hearts Have mourned through lingering years in vain, Can tell what bliss fond Love imparts, When Fate unites them once again:
Sweet is the sigh, and blest the tear, Whose language hails that moment bright, When past afflictions but endear The presence of delight!
# Translations from Camoens; and Other Poets, with Original Poetry/Sonnet 128

CAMOENS.
SONNET 128.
Huma admiravel herva se conbece.
THERE blooms a plant, whose gaze, from hour to hour, Still to the sun with fond devotion turns, Wakes, when Creation hails his dawning power, And most expands, when most her idol burns:
But when he seeks the bosom of the deep, His faithful plant's reflected charms decay; Then fade her flowers, her leaves discoloured weep, Still fondly pining for the vanished ray.
Thou whom I love, the daystar of my sight! When thy dear presence wakes me to delight, Joy in my soul unfolds her fairest flower: But in thy heaven of smiles alone it blooms, And, of their light deprived, in grief consumes, Born but to live within thine eye-beam's power.
# Translations from Camoens; and Other Poets, with Original Poetry/Quest' ombra che giammai non vide il sole

BERNARDO TASSO.
Quest' ombra che giammai non vide il sole.
THIS green recess, where through the bowery gloom Ne'er e'en at noontide hours the sunbeam played, Where violet-beds in soft luxuriance bloom, Midst the cool freshness of the myrtle-shade;
Where through the grass a sparkling fountain steals, Whose murmuring wave, transparent as it flows, No more its bed of yellow sand conceals, Than the pure crystal hides the glowing rose;
This bower of peace, thou soother of our care, God of soft slumbers, and of visions fair! A lowly shepherd consecrates to thee! Then breathe around some spell of deep repose, And charm his eyes in balmy dew to close, Those eyes, fatigued with grief, from tear-drops never free.
# Translations from Camoens; and Other Poets, with Original Poetry/Sonnet 133

CAMOENS.
SONNET 133.
Doces, e claras aguas do Mondego.
WAVES of Mondego! brilliant and serene, Haunts of my thought, where memory fondly strays; Where hope allured me with perfidious mien, Witching my soul, in long-departed days;
Yes! I forsake your banks; but still my heart Shall bid remembrance all your charms restore, And, suffering not one image to depart, Find lengthening distance but endear you more.
Let fortune's will, through many a future day, To distant realms this mortal frame convey, Sport of each wind, and tost on every wave! Yet my fond soul, to pensive memory true, On thought's light pinion still shall fly to you, And still, bright waters! in your current lave.
# Translations from Camoens; and Other Poets, with Original Poetry/Sonnet 181

CAMOENS.
SONNET 181.
Onde acharei lugar taõ apartado.
WHERE shall I find some desert-scene so rude, Where loneliness so undisturbed may reign, That not a step shall ever there intrude Of roving man, or nature’s savage train?
Some tangled thicket, desolate and drear, Or deep wild forest, silent as the tomb, Boasting no verdure bright, no fountain clear, But darkly suited to my spirit's gloom?
That there, midst frowning rocks, alone with grief Entombed in life, and hopeless of relief, In lonely freedom I may breathe my woes— For oh! since nought my sorrows can allay, There shall my sadness cloud no festal day, And days of gloom shall soothe me to repose.
# Translations from Camoens; and Other Poets, with Original Poetry/Quella onda che ruina

METASTASIO.
Quella onda che ruina.
THE torrent-wave, that breaks with force Impetuous down the Alpine height, Complains and struggles in its course, But sparkles, as the diamond bright.
The stream in shadowy valley deep May slumber in its narrow bed; But silent in unbroken sleep, Its lustre and its life are fled.