# The Story of Mary MacLane/March 5

SOMETIMES I am seized with nearer, vivider sensations of love for my one friend, the anemone lady.
She is so dear—so beautiful!
My love for her is a peculiar thing. It is not the ordinary woman-love. It is something that burns with a vivid fire of its own. The anemone lady is enshrined in a temple on the inside of my heart that shall always only be hers.
She is my first love—my only dear one.
The thought of her fills me with a multitude of feelings, passionate yet wonderfully tender,—with delight, with rare, undefined emotions, with a suggestion of tears.
Oh, dearest anemone lady, shall I ever be able to forget your beautiful face! There may be some long, crowded years before me; it may be ​there will be people and people entering and departing—but, oh, no—no, I shall never forget! There will be in my life always—always the faint sweet perfume of the blue anemone: the memory of my one friend.
Before she went away, to see her, to be near her, was an event in my life—a coloring of the dullness. Always when I used to look at her there would rush a train of things over my mind, a vaguely glittering pageant that came only with her, and that held an always-vivid interest for me.
There were manifold and varied treasures in this train. There were skies of spangled sapphire, and there were lilies, and violets wet with dew. There was the music of violins, and wonderful weeds from the deep sea, and songs of troubadours, and gleaming white statues. There were ancient forests of oak and clematis vines; there were lemon-trees, and fretted palaces, and moss-covered old castles with ​moats and draw-bridges and tiny mullioned windows with diamond panes. There was a cold, glittering cataract of white foam, and a little green boat far off down the river, drifting along under drooping willows. There was a tree of golden apples, and a banquet in a beautiful house with the melting music of lutes and harps, and mulled orange-wine in tall, thin glasses. There was a field of long, fine grass, soft as bat's-wool, and there were birds of brilliant plumage—scarlet and indigo with gold-tipped wings.
All these and a thousand fancies alike vaguely glittering would rush over me when I was with the anemone lady. Always my brain was in a gentle delirium. My nerves were unquiet.
It was because I love her.
Oh, there is not—there can never be—another anemone lady!
My life is a desert—a desert, but the thin, clinging perfume of the blue anemone reaches to its utter confines. And ​nothing in the desert is the same because of that perfume. Years will not fade the blue of the anemone, nor a thousand bitter winds blow away the rare fragrance.
I feel in the anemone lady a strange attraction of sex. There is in me a masculine element that, when I am thinking of her, arises and overshadows all the others.
"Why am I not a man," I say to the sand and barrenness with a certain strained, tense passion, "that I might give this wonderful, dear, delicious woman an absolutely perfect love!"
And this is my predominating feeling for her.
So, then, it is not the woman-love, but the man-love, set in the mysterious sensibilities of my woman-nature. It brings me pain and pleasure mingled in that odd, odd fashion.
Do you think a man is the only creature with whom one may fall in love?
Often I see coming across the desert ​a long line of light. My soul turns toward it and shrinks away from it as it does from all the lights. Some day, perhaps, all the lights will roll into one terrible white effervescence and rush over my soul and kill it. But this light does not bring so much of pain, for it is soft and silvery, and always with it is the Soul of Anemone.