OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Lung (mythology)

See also Loong on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUNG, one of the four symbolical creatures of Chinese legend. It is a dragon with a scaly snake-like body, long claws, horns, a bristly face, and its back-bone armed with spikes. Originally three-clawed, it has become, as the official dragon of the present dynasty, a five-clawed beast. The form is embroidered on the state robes of the emperor of China, and it is traditionally connected with the dynasty’s history and fortunes.
# 1911 Encyclopædia Britannica/Lunge, Georg

See also Georg Lunge on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUNGE, GEORG (1839– ), German chemist, was born at Breslau on the 15th of September 1839. He studied at Heidelberg (under R. W. Bunsen) and Breslau, graduating at the latter university in 1859. Turning his attention to technical chemistry, he became chemist at several works both in Germany and England, and in 1876 he was appointed professor of technical chemistry at Zürich polytechnic. Lunge’s original contributions cover a very wide field, dealing both with technical processes and analysis. In addition, he was a voluminous writer, enriching scientific literature with many standard works. His treatises Coal Tar and Ammonia (5th ed. 1909; 1st ed. 1867), Destillation des Steinkohlentheers and Sulphuric Acid and Alkali (1st ed. 1878, 4th ed. 1909), established his position as the highest authority on these subjects, while the Chemische-technische Untersuchungs-Methoden (1899–1900; Eng. trans.), to which he contributed, testified to his researches in technical analysis. His jubilee was celebrated at Zürich on the 15th of September 1909.
# 1911 Encyclopædia Britannica/Lunette

See also Lunette and Lunette (fortification) on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUNETTE (French diminutive of lune, moon), a crescent-shaped, semi-circular object. The term is particularly applied in architecture to a circular opening at the intersection of vaulting by a smaller vault, as in a ceiling for the entrance of light or in the lower stories of towers for the passage of bells. It is also used of a panel space of semi-circular shape, filled by a fresco or other decorative treatment. In fortification a “lunette” was originally an earthwork of half-moon shape; later it became a redan with short flanks, in trace somewhat resembling a bastion standing by itself without curtains on either side. The gorge was generally open.
# 1911 Encyclopædia Britannica/Lupine

See also Lupinus on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUPINE (Lupinus), in botany, a genus of about 100 species of annual and perennial herbaceous plants of the tribe Genisteae, of the order Leguminosae. Species with digitate leaves range along the west side of America from British Columbia to northern Chile, while a few occur in the Mediterranean regions. A few others with entire leaves are found in Brazil and eastern North America. The leaves are remarkable for “sleeping” in three different ways. From being in the form of a horizontal star by day, the leaflets either fall and form a hollow cone with their ​bases upwards (L. pilosus), or rise and the cone is inverted (L. luteus), or else the shorter leaflets fall and the longer rise, and so together form a vertical star as in many species; the object in every case being to protect the surfaces of the leaflets from radiation and consequent wetting with dew (Darwin, Movements of Plants, p. 340). The flowers are of the usual “papilionaceous” or pea-like form, blue, white, purple or yellow, in long terminal spikes. The stamens are monadelphous and bear dimorphic anthers. The species of which earliest mention is made is probably L. Termis, which was cultivated by the ancient Egyptians. It is wild in some parts of the Mediterranean area and is extensively cultivated in Egypt. Its seeds are eaten by the poor after being steeped in water to remove their bitterness; the stems furnish fuel and charcoal for gunpowder. The lupine of the ancient Greeks and Romans was probably L. albus, which is still extensively cultivated in Italy, Sicily and other Mediterranean countries for forage, for ploughing in to enrich the land, and for its round flat seeds, which form an article of food. Yellow lupine (L. luteus) and blue lupine (L. angustifolius) are also cultivated on the European continent as farm crops for green manuring.
Lupines are easily cultivated in moderately good garden soil; they include annuals which are among the most ornamental and most easily grown of summer flowering plants (sow in open borders in April and May), and perennials, which are grown from seed or propagated by dividing strong plants in March and April. Many of the forms in cultivation are hybrid. One of the best known of the perennial species is L. polyphyllus, a western North American species. It grows from 3 to 6 ft. high, and has numerous varieties, including a charming white-flowered one. The tree lupine (L. arboreus) is a Californian bush, 2 to 4 ft. high, with fragrant yellow flowers. It is only hardy in the most favoured parts of the kingdom.
# 1911 Encyclopædia Britannica/Lupus

See also Lupus erythematosus on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUPUS (Lat. lupus, wolf), a disease characterized by the formation in the skin or mucous membrane of small tubercles or nodules consisting of cell growth which has an inclination to retrograde change, leading to ulceration and destruction of the tissues, and, if it heals, to the subsequent formation of permanent white scars. Lupus vulgaris is most commonly seen in early life, and occurs chiefly on the face, about the nose, cheeks or ears. But it may also affect the body or limbs. It first shows itself as small, slightly prominent, nodules covered with thin crusts or scabs. These may be absorbed and removed at one point whilst spreading at another. Their disappearance is followed by a permanent white cicatrix. The disease may be superficial, in which case both the ulceration and the resulting scar are slight (lupus non-exedens); or the ulcerative process may be deep and extensive, destroying a large portion of the nose or cheek, and leaving much disfigurement (lupus exedens). A milder form, lupus erythematosus, occurs on the nose and adjacent portions of the cheeks in the form of red patches covered with thin scales, underneath which are seen the widened openings of the sebaceous ducts. With a longitudinal patch on the nose and spreading symmetrical patches on each cheek the appearance is usually that of a large butterfly. It is slow in disappearing, but does not leave a scar. Lupus is more frequently seen in women than in men; it is connected with a tuberculous constitution. In the superficial variety the application of soothing ointments when there is much redness, and linear incisions, or scrapings with a sharp spoon, to destroy the increased blood supply, are often serviceable. In the ordinary form the local treatment is to remove the new tissue growth by solid points of caustic thrust into the tubercles to break them up, or by scraping with a sharp spoon. The light-treatment has been successfully applied in recent years. As medicines, cod-liver oil, iron and arsenic are useful. (E. O.*)
# 1911 Encyclopædia Britannica/Lupus, Publius Rutilius

See also Publius Rutilius Lupus (rhetorician) on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​LUPUS, PUBLIUS RUTILIUS, Roman rhetorician, flourished during the reign of Tiberius. He was the author of a treatise on the figures of speech (Σχήματα λέξεως), abridged from a similar work by the rhetorician Gorgias (of Athens, not the well-known sophist of Leontini), the tutor of Cicero’s son. In its present form it is incomplete, as is clearly shown by the express testimony of Quintilian (Instit. ix. 2, 103, 106) that Lupus also dealt with figures of sense, rhetorical figures (Σχήματα διανοίας). The work is valuable chiefly as containing a number of examples, well translated into Latin, from the lost works of Greek rhetoricians. The author has been identified with the Lupus mentioned in the Ovidian catalogue of poets (Ex Ponto, iv. 16), and was perhaps the son of the Publius Rutilius Lupus, who was a strong supporter of Pompey.
Editions by D. Ruhnken (1768), F. Jacob (1837), C. Halm in Rhetores latini minores (1863); see also monographs by G. Dzialas (1860 and 1869), C. Schmidt (1865), J. Draheim (1874), Thilo Krieg (1896).
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol/Chapter 7/Section 7.14

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​7.14 PRESIDENT TRUMP'S "RHETORIC KILLED SOMEONE"
The President may not have expressed regret over his behavior, but some of his most loyal supporters made the connection between his words and the violence.
A member of the speechwriting team, Patrick MacDonnell, conceded the next day in a text that "maybe the rhetoric could have been better." As the riot was in full throttle, even steadfast supporter Ali Alexander of "Stop the Steal" texted, "POTUS is not ignorant of what his words will do."
"We all look like domestic terrorists now," Hope Hicks texted Julie Radford.
Separately, Hicks texted Herschmann, "So predictable and so sad."
"I know," he replied. "Tragic."
"I'm so upset. Everything we worked for wiped away," she continued.
"I agree. Totally self-inflicted," he wrote.
​Brad Parscale, Trump's Former Campaign Manager, texted Katrina Pierson at 7:21 p.m. on January 6th, saying the day's events were the result of a "sitting president asking for civil war."
"This week I feel guilty for helping him win . . . a woman is dead," Parscale added.
"You do realize this was going to happen," Pierson answered.
"Yeah. If I was trump [sic] and knew my rhetoric killed someone," he said.
"It wasn't the rhetoric," she said.
Parscale's reply: "Yes it was."
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol/Chapter 7/Section 7.6

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​7.6 “HE THINKS MIKE DESERVES IT”
At exactly 2:24 p.m., President Trump made his first public statement during the attack on the Capitol by tweet. It read nothing like the statement his advisors had envisioned. It read:
   Mike Pence didn't have the courage to do what should have been done to protect our Country and our Constitution, giving States a chance to certify a corrected set of facts, not the fraudulent or inaccurate ones which they were asked to previously certify. USA demands the truth!
Minutes later, Meadows and Cipollone returned from their talk with the President. No statement was forthcoming.
"Mark, we need to do something more. They're literally calling for the Vice President to be [fucking] hung," Hutchinson heard Cipollone say.
"You heard him, Pat," Meadows replied. "He thinks Mike deserves it. He doesn't think they're doing anything wrong."
"This is [fucking] crazy. We need to be doing something more," Cipollone said.
Cipollone told the Select Committee that "there needed to be an immediate and forceful response, statement, public statement, that people need to leave the Capitol now." He said he was "pretty clear" about his view in the White House that day, and he made that view known as soon as he became aware of the unrest. He would not comment on how the President responded, or on this conversation with Meadows, citing executive privilege. He did indicate that everyone in the White House—except President Trump—agreed that people needed to leave the Capitol:
   Vice Chair Cheney: And who on the staff did not want people to leave the Capitol?
   Mr. Cipollone: On the staff?
   Vice Chair Cheney: In the White House.
   Mr. Cipollone: I can't think of anybody on that day who didn't want people to get out of the Capitol once the—particularly once the violence started. No. I mean—
   Mr. Schiff: What about the President?
   Vice Chair Cheney: Yeah.
   Mr. Cipollone: Well, she said the staff. So I answered.
   Vice Chair Cheney: No. I said in the White House.
(Photo by Drew Angerer/Getty Images)
   Mr. Cipollone: Oh, I’m sorry. I apologize. I thought you said who else on the staff. [Pauses to confer with counsel] Yeah. I can’t reveal communications. But obviously I think, you know—yeah.
What the President did tweet—a broadside at his Vice President—enlarged the target on Vice President Pence’s back. A Secret Service agent in the Protective Intelligence Division, tasked with monitoring threats against protectees in part by scouring social media, told his colleagues the tweet was "probably not going to be good for Pence."
A second agent in reply noted that it had garnered "[o]ver 24K likes in under 2 mins."
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol/Chapter 7/Section 7.5

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​7.5 “HE DOESN’T WANT TO DO ANYTHING”
Throughout the afternoon, the President's advisors tried to get him to tell the mob to leave the Capitol, but to no avail.
Ben Williamson, the White House Acting Director of Communications, watched on the news as officers and rioters pepper sprayed each other and crowds used bicycle barricades to push against officers holding the line. He and Sarah Matthews, the Deputy Press Secretary, devised a plan: He would go to Meadows and she would go to McEnany to urge that the President issue a statement. Williamson first texted Meadows:
"Would recommend POTUS put out a tweet about respecting the police over at the Capitol."
Minutes later, around 2:05 p.m., Hutchinson found Meadows seated in his office on the couch, absorbed by his cell phone screen.
"Are you watching the TV, chief?" she asked. He indicated he was.
"Have you talked to the President?" she asked.
"No," he replied. "He wants to be alone right now."
Rioters broke into the west side of the Capitol building around 2:13 p.m. Just a few minutes later, Hutchinson saw Cipollone "barreling down the hallway" and—after looking at Hutchinson and shaking his head—opened the door to Meadows's office unannounced. Meadows was right where she left him, "still sitting on his phone."
"The rioters have gotten to the Capitol, Mark. We need to go down and see the President now," she heard Cipollone say. Cipollone would not confirm or deny any of this exchange, citing executive privilege.
"He doesn't want to do anything, Pat," Meadows said, peering up from his phone.
"Mark something needs to be done, or people are going to die and the blood's gonna be on your [fucking] hands," Cipollone said. "This is getting out of control. I'm going down there."
Meadows finally stood up from the couch and walked with Cipollone toward the dining room to meet with the President.
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol/Chapter 7/Section 7.7

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​7.7 "I GUESS THEY’RE JUST MORE UPSET ABOUT THE ELECTION THEFT THAN YOU ARE"
Minutes after drawing increased attention to his besieged Vice President, the President called newly elected Senator Tommy Tuberville of Alabama at 2:26 p.m. He misdialed, calling Senator Mike Lee of Utah instead, but one passed the phone to the other in short order.
​President Trump wanted to talk objections to the electoral count. But Senator Tuberville—along with every other elected official trapped and surrounded in the building—had other things on his mind.
"I said, 'Mr. President, they've taken the Vice President out. They want me to get off the phone, I gotta go,'" Senator Tuberville told reporters. "'[W]e're not doing much work here right now.' "
In the next half hour, between 2:26 p.m. and 3:06 p.m., President Trump spoke with House Leader Kevin McCarthy.
Leader McCarthy told the public in a live interview with CBS News, while he and his colleagues were sheltering at a secure location, that he was "very clear" in telling President Trump "to talk to the nation to tell them to stop this."
Leader McCarthy later recounted his conversation to a number of people, including Representative Jaime Herrera Beutler, a Republican congresswoman from Washington State. "You have got to get on TV, you've got to get on Twitter, you've got to call these people off," he said he told the President.
"[These] aren't my people, you know, these are—these are Antifa," President Trump insisted, against all evidence. "They're your people. They literally just came through my office windows, and my staff are running for cover. I mean, they're running for their lives. You need to call them off," Leader McCarthy told him.
What President Trump said next was "chilling," in Representative Herrera Beutler's words.
"Well, Kevin, I guess they're just more upset about the election theft than you are," the President said.
The call then devolved into a swearing match.
Mick Mulvaney, former Chief of Staff to President Trump, had a similar call with Leader McCarthy in the days after the attack. McCarthy told Mulvaney that he urged the President to get the rioters to stop, and the President replied, "Kevin, maybe these people are just more angry about this than you are."
Marc Short, the Vice President's Chief of Staff, spoke with Leader McCarthy later that afternoon. Leader McCarthy told Short that he had spoken with President Trump and that he was "frustrat[ed]" that the White House was "not taking the circumstance as seriously as they should at that moment." The administration was demonstrating a "lack of response or lack of responsibility," Leader McCarthy told Short.
At 2:49 p.m.—as the violence escalated—President Trump's speechwriter Gabriel Robert texted someone: "Potus im sure is loving this."
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol/Chapter 7/Section 7.13

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​7.13 HE "JUST DIDN'T WANT TO TALK ABOUT IT ANYMORE"
The President did not, by any account, express grief or regret for what happened at the Capitol. Neither did he appear to grasp the gravity of what he had set in motion.
In his last phone call of the night, the President spoke with Johnny McEntee, his Director of Personnel.
"[T]his is a crazy day," the President told him. McEntee said his tone was one of "[l]ike, wow, can you believe this shit . . .?"
Did he express sadness over the violence visited upon the Capitol?
"No," McEntee said. "I mean, I think he was shocked by, you know, it getting a little out of control, but I don't remember sadness, specifically."
President Trump didn't make any other phone calls for the rest of the night. The President didn't call Vice President Pence. In fact, President Trump never called to check on his Vice President's safety that day. He didn't call the heads of any of the Federal law enforcement agencies. He didn't call the leadership—neither Republican nor Democrat—of the legislative branch of government that had just been overrun by a mob.
Only two days after the riot, by January 8th, the President was over the whole thing.
​He "just didn't want to talk about it anymore," he told his press aides. "[H]e was tired of talking about it."
Ivanka Trump claimed to the Select Committee that her father was "disappointed and surprised" by the attack, but she could not name a specific instance of him expressly saying it.
"He—I just felt that," she said. "I know him really well."
Here's what she could definitively say:
   Committee Staff: Has he ever expressed to you any sentiment that he did or did not do the right thing in how he responded on the day of the 6th?
   Ms. Trump: No.
   Committee Staff: Has he ever expressed any sentiment about something that he wished he had done on the day of the 6th?
   Ms. Trump: No.
   Committee Staff: Has he ever said anything to you about the people who were injured or who died that day?
   Ms. Trump: No.
   Committee Staff: Has he ever said anything to you about whether he should or should not continue to talk about the 2020 Presidential election after the events on the 6th?
   Ms. Trump: No.
# Fiddler's Farewell/Ballad of a Lost House

PART I
# Fiddler's Farewell

* related portals: Poetry, Pulitzers.
* sister projects: Wikidata item.
Won the 1927 Pulitzer Prize for Poetry
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FIDDLER'S FAREWELL
LEONORA SPEYER
FIDDLER'S FAREWELL
NEW YORK
ALFRED · A · KNOPF
MCMXXVI
COPYRIGHT, 1926, BY ALFRED A. KNOPF, INC.
Manufactured in the United States of America
TO MY HUSBAND
* Part I
** Ballad of a Lost House 11
* Part II
** Duet 21
** I'll Be Your Epitaph 23
** Third Floor Landing 24
** Therapy 25
** Witch 29
** Deep Sea Fishing 30
** Onlooker 31
** Affinity 32
** Cantares 33
** She Says; being Forbidden! 34
** Little Lover 35
** Kleptomaniac 36
** To a Song of Sappho Discovered in Egypt 38
** Hyacinths 40
** The Story as I Understand It 42
** Two Passionate Ones Part 44
** This City Wind 46
* Part III
** I Heard . . . 49
** October Trees 51
** New England Cottage 52
** Migration 54
** Sand-Pipings 55
** King's Garden 57
** Abrigada 59
* Part IV
** I Saw the Piper 67
** Italian Quatrains
*** Naples 71
*** Pompeii 73
*** Rome 75
*** Paganini's Violins 76
** Bavarian Roadside 77
** "Hark! Hark!" 78
** Bagpipe Player 79
** Oberammergau 80
** One Version 82
** Protest in Passing 83
** Saul! Saul! 84
* Part V
** You Gave Me Wings . . . 87
** Fiddler's Farewell 89
* Part VI
** Measure Me, Sky! . . . 99
** Of Mountains 101
** Let not My Death . . . 115
* Acknowledgements
* Contents (alphabetical)
​The author wishes to thank the following magazines for permission to reprint the contents of this book:
The Century Magazine, the North American Review, the Nation, the American Mercury, Chicago Poetry, Voices, the Measure, the Forum, Contemporary Verse, Rhythmus, the Freeman, the Literary Supplement of the New York Evening Post, the Saturday Review, the Bookman, Commonweal and the Lyric.
Also the Poetry Society of South Carolina, which awarded the poem "Oberammergau" the Blindman Prize for 1923.
"Fiddler's Farewell" was read at the College of William and Mary, Williamsburg, Va., before the Alpha Chapter of the Phi Beta Kappa at the author's initiation as a member of that Society.
"The Ballad of a Lost House" was awarded the Guarantor's Prize for 1925 by Poetry: A Magazine of Verse.
CONTENTS
SET UP, ELECTROTYPED AND PRINTED BY THE VAIL-BALLOU PRESS, INC., BING- HAMTON, N. Y. · PAPER FURNISHED BY S. D. WARREN & CO., BOS- TON · BOUND BY H. WOLFF ESTATE, NEW YORK.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Fiddler's Farewell/Duet

PART II
# 1911 Encyclopædia Britannica/Metcalf, Willard Leroy

See also Willard Metcalf on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​METCALF, WILLARD LEROY (1858–), American artist, was born at Lowell, Massachusetts, on the 1st of July 1858. He was a pupil of the Boston Normal Art School, of the Boston Art Museum School, and of the Académie Julien, Paris. After early figure-painting and illustration, he became prominent as a landscape painter. He was one of the “Ten American Painters” who in 1897 seceded from the Society of American Artists. For some years he was an instructor in the Woman’s Art School, Cooper Union, New York, and in the Art Students’ League, New York. In 1893 he became a member of the American Water Colour Society, New York.