# The Better Sort (New York: Charles Scribner's Sons, 1903)/Flickerbridge/Chapter 3

III
He was indeed to learn on arrival to what he had been committed; but that was for a while so much a part of his first general impression that the fact took time to detach itself, the first general impression demanding verily all his faculties of response. He almost felt, for a day or two, the victim of a practical joke, a gross abuse of confidence. He had presented himself with the moderate amount of flutter involved in a sense of due preparation; but he had then found that, however primed with prefaces and prompted with hints, he had not been prepared at all. How could he be, he asked himself, for anything so foreign to his experience, so alien to his proper world, so little to be preconceived in the sharp north light of the newest impressionism, and yet so recognised, after all, really, in the event, so noted and tasted and assimilated? It was a case he would scarce have known how to describe—could doubtless have described best with a full, clean brush, supplemented by a play of gesture; for it was always his habit to see an occasion, of whatever kind, primarily as a picture, so that he might get it, as he was wont to say, so that he might keep it, well together. He had been treated of a sudden, in this adventure, to one of the sweetest, fairest, coolest impressions of his life—one, moreover, visibly, from the start, complete and homogeneous. Oh, it was there, if that was all one ​wanted of a thing! It was so "there" that, as had befallen him in Italy, in Spain, confronted at last, in dusky side-chapel or rich museum, with great things dreamed of or with greater ones unexpectedly presented, he had held his breath for fear of breaking the spell; had almost, from the quick impulse to respect, to prolong, lowered his voice and moved on tiptoe. Supreme beauty suddenly revealed is apt to strike us as a possible illusion, playing with our desire—instant freedom with it to strike us as a possible rashness.
This fortunately, however—and the more so as his freedom for the time quite left him—didn't prevent his hostess, the evening of his advent and while the vision was new, from being exactly as queer and rare and impayable, as improbable, as impossible, as delightful at dinner at eight (she appeared to keep these immense hours) as she had overwhelmingly been at tea at five. She was in the most natural way in the world one of the oddest apparitions, but that the particular means to such an end could be natural was an inference difficult to make. He failed in fact to make it for a couple of days; but then—though then only—he made it with confidence. By this time indeed he was sure of every thing, including, luckily, himself. If we compare his impression, with slight extravagance, to some of the greatest he had ever received, this is simply because the image before him was so rounded and stamped. It expressed with pure perfection, it exhausted its character. It was so absolutely and so unconsciously what it was. He had been floated by the strangest of chances out of the rushing stream into a clear, still backwater—a deep and quiet pool in which objects were sharply mirrored. He had hitherto in life known nothing that was old except a few statues and pictures; but here everything was old, was immemorial, and nothing so much so as the very freshness itself. Vaguely to have supposed there were such nooks in the world ​had done little enough, he now saw, to temper the glare of their opposites. It was the fine touches that counted, and these had to be seen to be believed.
Miss Wenham, fifty-five years of age, and unappeasably timid, unaccountably strange, had, on her reduced scale, an almost Gothic grotesqueness; but the final effect of one's sense of it was an amenity that accompanied one's steps like wafted gratitude. More flurried, more spasmodic, more apologetic, more completely at a loss at one moment and more precipitately abounding at another, he had never before in all his days seen any maiden lady; yet for no maiden lady he had ever seen had he so promptly conceived a private enthusiasm. Her eyes protruded, her chin receded and her nose carried on in conversation a queer little independent motion. She wore on the top of her head an upright circular cap that made her resemble a caryatid disburdened, and on other parts of her person strange combinations of colours, stuffs, shapes, of metal, mineral and plant. The tones of her voice rose and fell, her facial convulsions, whether tending—one could scarce make out—to expression or repression, succeeded each other by a law of their own; she was embarrassed at nothing and at everything, frightened at everything and at nothing, and she approached objects, subjects, the simplest questions and answers and the whole material of intercourse, either with the indirectness of terror or with the violence of despair. These things, none the less, her refinements of oddity and intensities of custom, her suggestion at once of conventions and simplicities, of ease and of agony, her roundabout, retarded suggestions and perceptions, still permitted her to strike her guest as irresistibly charming. He didn't know what to call it; she was a fruit of time. She had a queer distinction. She had been expensively produced, and there would be a good deal more of her to come.
​The result of the whole quality of her welcome, at any rate, was that the first evening, in his room, before going to bed, he relieved his mind in a letter to Addie, which, if space allowed us to embody it in our text, would usefully perform the office of a "plate." It would enable us to present ourselves as profusely illustrated. But the process of reproduction, as we say, costs. He wished his friend to know how grandly their affair turned out. She had put him in the way of something absolutely special—an old house untouched, untouchable, indescribable, an old corner such as one didn't believe existed, and the holy calm of which made the chatter of studios, the smell of paint, the slang of critics, the whole sense and sound of Paris, come back as so many signs of a huge monkey-cage. He moved about, restless, while he wrote; he lighted cigarettes and, nervous and suddenly scrupulous, put them out again; the night was mild and one of the windows of his large high room, which stood over the garden, was up. He lost himself in the things about him, in the type of the room, the last century with not a chair moved, not a point stretched. He hung over the objects and ornaments, blissfully few and adorably good, perfect pieces all, and never one, for a change, French. The scene was as rare as some fine old print with the best bits down in the corners. Old books and old pictures, allusions remembered and aspects conjectured, reappeared to him; he knew now what anxious islanders had been trying for in their backward hunt for the homely. But the homely at Flickerbridge was all style, even as style at the same time was mere honesty. The larger, the smaller past—he scarce knew which to call it—was at all events so hushed to sleep round him as he wrote that he had almost a bad conscience about having come. How one might love it, but how one might spoil it! To look at it too hard was positively to make it conscious, and to make it ​conscious was positively to wake it up. Its only safety, of a truth, was to be left still to sleep—to sleep in its large, fair chambers, and under its high, clean canopies.
He added thus restlessly a line to his letter, maundered round the room again, noted and fingered something else, and then, dropping on the old flowered sofa, sustained by the tight cubes of its cushions, yielded afresh to the cigarette, hesitated, stared, wrote a few words more. He wanted Addie to know, that was what he most felt, unless he perhaps felt more how much she herself would want to. Yes, what he supremely saw was all that Addie would make of it. Up to his neck in it there he fairly turned cold at the sense of suppressed opportunity, of the outrage of privation, that his correspondent would retrospectively and, as he even divined with a vague shudder, almost vindictively nurse. Well, what had happened was that the acquaintance had been kept for her, like a packet enveloped and sealed for delivery, till her attention was free. He saw her there, heard her and felt her—felt how she would feel and how she would, as she usually said, "rave." Some of her young compatriots called it "yell," and in the reference itself, alas! illustrated their meaning. She would understand the place, at any rate, down to the ground; there wasn't the slightest doubt of that. Her sense of it would be exactly like his own, and he could see, in anticipation, just the terms of recognition and rapture in which she would abound. He knew just what she would call quaint, just what she would call bland, just what she would call weird, just what she would call wild. She would take it all in with an intelligence much more fitted than his own, in fact, to deal with what he supposed he must regard as its literary relations. She would have read the obsolete, long-winded memoirs and novels that both the figures and the setting ought ​clearly to remind one of; she would know about the past generations—the lumbering county magnates and their turbaned wives and round-eyed daughters, who, in other days, had treated the ruddy, sturdy, tradeless town, the solid square houses and wide, walled gardens, the streets to-day all grass and gossip, as the scene of a local "season." She would have warrant for the assemblies, dinners, deep potations; for the smoked sconces in the dusky parlours; for the long, muddy century of family coaches, "holsters," highwaymen. She would put a finger, in short, just as he had done, on the vital spot—the rich humility of the whole thing, the fact that neither Flickerbridge in general nor Miss Wenham in particular, nor anything nor anyone concerned, had a suspicion of their character and their merit. Addie and he would have to come to let in light.
He let it in then, little by little, before going to bed, through the eight or ten pages he addressed to her; assured her that it was the happiest case in the world, a little picture—yet full of "style" too—absolutely composed and transmitted, with tradition, and tradition only, in every stroke, tradition still noiselessly breathing and visibly flushing, marking strange hours in the tall mahogany clocks that were never wound up and that yet audibly ticked on. All the elements, he was sure he should see, would hang together with a charm, presenting his hostess—a strange iridescent fish for the glazed exposure of an aquarium—as floating in her native medium. He left his letter open on the table, but, looking it over next morning, felt of a sudden indisposed to send it. He would keep it to add more, for there would be more to know; yet when three days had elapsed he had still not sent it. He sent instead, after delay, a much briefer report, which he was moved to make different and, for some reason, less vivid. Meanwhile he learned from Miss Wenham how Addie ​had introduced him. It took time to arrive with her at that point, but after the Rubicon was crossed they went far afield.