OpenLLM-France/wikimedia huggingface dataset:
# Yankee Doodle

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* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Yankee Doodle, traditional European folk melody
* Yankee Doodle (Yankee Doodle came to town / Upon a little pony), popular Anglo-American traditional song, with major contributions attributed to Richard Shuckburgh and Edward Bangs
* Yankee Doodle (Ye gallant sons of liberty / Who bravely have defended), anonymous American ballad
* Yankee Doodle (Yankee Doodle! Long ago / They played it to deride us), anonymous American ballad

## See also

* The Yankee Doodle Boy (1904)
* "Yankee Doodle," in The American Cyclopædia (1879)
* "Yankee Doodle," in The New International Encyclopædia, New York: Dodd, Mead and Co. (1905)
# Yankee Doodle (melody)

This traditional folk melody dates to mediaeval Europe. It was the tune of a Middle Dutch harvest song and was also used in England as a tune for the nursery rhyme "Lucy Locket". Today it is primarily associated with the American traditional song "Yankee Doodle".
* "A Ballad of the Boston Tea Party", in "The Riverside song book" (1893).
* "Yankee Doodle" with traditional lyrics in The Child's Own Music Book (1918),
* "Yankee Doodle" with lyrics attributed to Edward Bangs in The Child's Own Music Book (1918)
# Yankee Doodle No. 3

YANKEE DOODLE. N$^o$ 3.
Yankee Doodle! long ago, They played it to deride us; But now we march to victory, And that's the tune to guide us. Chorus: Yankee Doodle! ha, ha, ha! Yankee Doodle Dandy! How we made the Rebels run, At Yankee Doodle Dandy!
To fight is not a pleasant game; But, if we must, we'd do it; When Yankee Doodle once begins, Our Yankee Boys go through it. Yankee Doodle, &c.
And let her come upon the sea, The insolent Invader For there the Yankee Boys will be Prepared to serenade her. Yankee Doodle, &c.
Yankee Doodle! how it brings The good old days before us! Two or three began the song, And millions joined the chorus:
Yankee Doodle, &c,
Yankee Doodle! not alone The Continent will hear it; But all the world shall catch the tune, And every Tyrant fear it. Yankee Doodle, &c.
F. DE MARSAN, Publisher. 54 Chatham Street, N. Y.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Yancy v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
362 U.S. 389
Yancy v. United States
Mr. Seymour B. Goldman, for petitioner.
Mr. John L. Murphy (Solicitor General Rankin, Assistant Attorney General Wilkey, Messrs. Robert S. Erdahl and J. F. Bishop, on the brief), for the United States.
On writ of certiorari to the United States Court of Appeals for the Sixth Circuit.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Yankaus v. Feltenstein

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
244 U.S. 127
Yankaus v. Feltenstein
Argued: and submitted April 10, 1917. --- Decided: May 21, 1917
Messrs. Jesse C. Adkins, Roger Foster, and Frank J. Felbel for plaintiff in error.
Mr. Jacob W. Hartman for defendants in error.
Mr. Justice Day delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Yankee Doodle (traditional)

"Yankee Doodle" is an American patriotic song. The tune is much older than the lyrics, and dates back to the folk songs of mediaeval Europe. Its Roud Folk Song Index number is 4501. The first verse also predates the other verses, and may have been sung in England during the English Civil War as "Nankee Doodle".
Some historians have claimed that the song was written around 1755 by Richard Shuckburgh, a British army medic serving in the French and Indian War. The song was sung by British troops to mock the Americans they were fighting alongside, and was also sung by the American troops as an act of defiance. Further verses were added as time went on. In 1776, a 15-verse ballad version of "Yankee Doodle", attributed to Edward Bangs, and loosely based on the version attributed to Shuckburgh, was published with most of the versesthat are known today. The much older first verse was joined to Bangs' verses in the mid-1800s.

### Traditional lyrics

* "Yankee Doodle" (version 1), in The Child's Own Music Book by Albert Ernest Wier (1918)

### Edward Bangs' lyrics

* "The Farmer and his Son's return from a visit to the CAMP", broadside edition (1776).
* "Yankee Doodle", broadside edition (c. 1810).
* "Yankee Doodle" (version 2) in The Child's Own Music Book by Albert Ernest Wier (1918)

### Richard Shuckburgh's lyrics

* "Yankee Doodle or The Lexington March" (c. 1782–1794), broadside edition (external scan)
* "The Yankee Song" (c. 1810), broadside edition (external scan)

### Other variants

* "Yanky Doodle came to town", anonymous variant lyrics, in A Book of Nursery Songs and Rhymes by Sabine Baring-Gould (1896)

## See also

* Yankee Doodle (melody)
* The Yankee Doodle Boy
# Yankee Stampede

[Copyright secured.]
Yankee Stampede.
Air—“Root Hog or Die.”
By J. S. Prevatt, Company E, 6th Ga. Regiment.
Now listen to a story that I’m going to relate, It happened near by Richmond in the Old Dominion State; ’Twas a stampede of the Yankees down the Chickahomi-ny, Big Yank, little Yank, root Yank or die.
Chorus. McClellan, Seward and Greeley with all their Yankee cunning, Will never live to wipe us out, we’re not the stock for running, And I’ll tell you the reason why, Dixie will be Dixie, root hog or die.
To Richmond, on to Richmond ’s been the Yankees’ constant cry, They said that they would have it by the middle of July— But you see that their predictions all turned out to be a lie, For Lee and Stonewall Jackson made them root hog or die. Chorus.
Lee and Stonewall Jackson together put their wits, And very shortly after threw the Yankees into fits; Lee pitched in the centre and Stonewall on the sly, And down the river went the Yanks, root hog or die. Chorus.
Quite early in the morning, the thirty-first of May, I guess you all remember that memorable day, When Hill of Carolina thought the Yankees rather nigh, He soon made them mark time, root hog or die. Chorus.
McClellan wrote to Lincoln not far from our lines, That he fought the rebel devils at a place called Seven Pines. He fixed it all up nicely, but wound up with a lie, For every body knows we made him root hog or die. Chorus.
McClellan he was bothered in regard to our course, He was also quite uneasy for fear we’d reinforce; Oh, how little was he thinking that Lee’s chicane-ry, Would soon make him double quick root hog or die. Chorus.
From before the city the Yankees broke pell mell, And flew down the river at two forty on a shell; When they got the sight of rebels ’twould done you good to see them fly, It was quick, quick, double quick, root hog or die. Chorus.
Lower down the river Mack thought he’d make a stand, But after some hard fighting found he could’nt stand his hand, So onward went McClellan down the Chickahomi-ny, Crying to his hirelings, root hog or die. Chorus.
General Stonewall Jackson is a terror to the Yanks, He regularly used up Fremont, Shields and also Banks. Go it Stonewall Jackson and make the feathers fly, Make Yankee doodle, doodle-dom, root hog or die. Chorus.
Now I’ll tell you Uncle Samuel we’ll have you understand, To get back Cousin Sallie, you never, never can, For she’s opposed to Union, so Uncle Sam good bye, Dixie will be Dixie, root hog or die. Chorus.
Macfarlane & Fergusson, Printers, corner of Bank and 12th streets.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The History of Will and Jean/The History of Will and Jean

THE HISTORY
OF
Will and Jean.
* ↑ One of the Ochil Hills, near Stirling.
* ↑ Happily
* ↑ The Edinburgh Gazetteer, a violent opposition paper; 1793-4.
* ↑ Loses heart and takes to dram-drinking.
* ↑ Sold by auction.
* ↑ Roslin Castle.
* ↑ The ancient seat of the celebrated poet, William Drummond, who flourished 1585-1649.
* ↑ Melville Castle, the seat of the Right Honourable Dundas, afterwards Viscount Melville.
* ↑ Elizabeth, Duchess of Buccleuch.
# The History of Will and Jean/One Glass More

ONE GLASS MORE.
# The History of Will and Jean

THE HISTORY OF Will and Jean.
Hector Macneil, the author of this popular poetical narrative, was born at Rosebank, near Roslin, in 1746, and he died in Edinburgh in 1818. The poem was first published in 1795.
* The History of Will and Jean
* One Glass More
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems: New and Old (Newbolt)/Laudabunt Alii

Laudabunt Alii
(After Horace)
# "I Am Not Yours"

* Teasdale, Sara (1915), ""I Am Not Yours"" in Rivers to the Sea.
* Teasdale, Sara (1917), ""I Am Not Yours"" in Love Songs.
# "Heavens!"/Front matter

The Modern Library
"Heavens!"
Alois Vojtěch Šmilovský
One Shilling & Sixpence.
​THE MODERN LIBRARY.
| Bliss, Sands and Foster | VOLUME FOUR |
Previous Volumes. :
| Volume One. | A LATTER-DAY ROMANCE. |
| Volume One. | By |
| Volume One. | Mrs. MURRAY HICKSON. |
| Volume Two. | THE WORLD’S PLEASURES. |
| Volume Two. | By |
| Volume Two. | CLARA SAVILE-CLARKE. |
| Volume Three. | A NAUGHTY GIRL. |
| Volume Three. | By |
| Volume Three. | J. ASHBY-STERRY. |
* The Next Volume in this Library WILL BE
* A CONSUL’S PASSENGER. By
* HARRY LANDER.
# "Hope" is the thing with feathers—

* "Hope" in Poems: Second Series (1891)
* "Hope is the thing with feathers" in The Complete Poems of Emily Dickinson (1924)
# "I'll Fight"

* information about this edition.
* related portals: Salvation Army.
* sister projects: Wikidata item.
This is an extract from General William Booth's last public address, given on May 9th 1912
While women weep as they do now, I’ll fight; while little children go hungry as they do now, I’ll fight; while men go to prison, in and out, in and out, as they do now, I’ll fight; while there is a drunkard left, while there is a poor lost girl on the streets, while there remains one dark soul without the light of God, I’ll fight –
I’ll fight to the very end.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# "Honor, not Honors"

"Hast thou for honor laid ambition down?"
* Coates, Florence Earle (1909), ""Honor, not Honors"" in Lyrics of Life (1909).
* Coates, Florence Earle (1916), ""Honor, not Honors"" in Poems II.

## Notes

* ↑ Motto of Sir Richard Burton.
* ↑ Motto of Sir Richard Burton.
* ↑ Motto of Sir Richard Burton.
# "Heavens!"/Notes

NOTES.
Every word and name in Bohemian has the accent on the first syllable.
Chvojan. Pron. Ghvo -yan . The Ch in this word has the same guttural sound as in Suchdol, Neducha, Smíchov (the Irish gh in “Lough”) .
Jiskra. Pron. Yis-kra .
Kac̓er. Pron. Catch - er.
Knír̓ová. Pron. Kneersh-o-vá.
Kuc̓erova. Pron. Kootch-er-o-vá.
Labutín. Pron. La-boo-teen.
Ledecký. Pron. Led-ets-kee.
Macek. Pron. Mats-ek.
Mánes. The name of a celebrated Bohemian painter. Pron. Má-nes, in two syllables.
Neducha. Pron. Ned-oogh-a (compare Suchdol).
“Nudles.” A kind of vermicelli put into soup.
Omoc̓il. Pron. Om-o-chil.
Ovenec. Pron. Ov-en-ets.
Pepíc̓ek. Pron. Pep-ee-check. (Term of endearment for Joseph.)
Poc̓ernický, Poc̓ernic. Pron. Potch-er-nits-kee, Potch-er-nits.
Rades̓ín. Pron. Rad-esh-een.
Smíchov. Pron. Smeegh-of.
Štambera. Pron. Shtam-ber-a.
​St. George’s. Formerly the prison for delinquent priests in Prague, but no longer in existence.
Suchdol. Pron. Soogh-dol (the gh like the Irish in “Lough”).
“The Lord Jesus Christ be praised!” This is a usual salutation amongst the people in Bohemia.
Václav Cvok. Pron. Váts-laf Tsvok.
Vavrus̓ková. Pron. Vav-roosh-ko-vá.
Vojte̓ch Šmilovský. Pron. Voy-tyegh Shmee-lof-skee.
Záluz̓í. Pron. Zá-loo-jee (the á like the English a in “balm;” the j with the French sound in “jour,” or the English s in “pleasure”).
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.
# 1836 (33) Registration of Births &c. A bill for registering Births Deaths and Marriages in England/Schedules

SCHEDULES to which this ACT refers.
SCHEDULE (A.)
The Words and Figures in Italics in this Schedule to be filled in as the case may be.
SCHEDULE (B.)
The Words and Figures in Italics in this Schedule to be filled in according as the case may be.
SCHEDULE (C.)
1836.—Marriages solemnized at the Parish Church, in the Parish of Marylebone, in the County of Middlesex.
N$^o$
When Married.
Name and Surname.
Age.
Where Born.
Rank or Description.
Father's Name and Surname.
1
17 March 1836.
William Hastings Sophia Anne Mitchell.
29 22
Seven Oaks, Kent Linton, Dorsetshire
Upholsterer Spinster
Peter Hastings. Geoffry Mitchell :
| Married in the Parish Church, according to the usage of the Established Church, by license, by me, with consent of Parents and Guardians. James Hollingshead, Vicar. ||||
| This Marriage was solemnized between us, | William Hastings Sophia Anne Mitchell | in the presence of us | John Hastings. Geoffry Mitchell. |
The Words and Figures in Italics in this Schedule to be filled in as the case may be.
SCHEDULE (D.)
I, John Cox, Registrar of Births and Deaths in the Parish of Marylebone, in the County of Middlesex, Do hereby certify, That this is a true Copy of the Registrar's Book of Births [or Deaths], within the said Parish, from the entry of the Birth [or Death] of James Green, No. 1, to the entry of the Birth [or Death] of William Strange, No. 34.
John Cox, Registrar.
SCHEDULE (E.)
I, John Cox, Registrar of Births and Deaths in the Parish of Marylebone, in the County of Middlesex. Do hereby certify, That the Death of Henry Hastings was duly registered by me on the Seventh day of March 1836.
John Cox, Registrar.
SCHEDULE (F.)
I, James Smith, Coroner for the County of Dorset, Do Hereby Order the Burial of the Body now shown to the Inquest Jury as the Body of John Jones.
James Smith, Coroner.
SCHEDULE (G.)
I, Gilbert Elliot, Vicar of Barming, in the County of Kent, Do hereby certify, That I have this day baptized by the name of Thomas, a Male Child, produced to me by William Green, as the Son of William Green and Rebecca Green, and declared by the said William Green to have been born at Marylebone, in the County of Middlesex, on the Seventh day of January 1836.
Gilbert Elliot, Vicar.
# 1836 (34) Marriages. A bill for Marriages in England/Schedules

Schedule (A.)
NOTICE OF MARRIAGE.
To the Registrar of the District of Stepney,
I hereby give you Notice, that a Marriage is intended to be had, within Three calendar Months from the date hereof, between the Parties herein named and described; (that is to say),
With consent of the of the said of the Parents of the said Martha Green.
(signed)James Smith.
I, Thomas Brown, of Park-street, do hereby certify, that the abovenamed Parties are known by me, and that to the best of my knowledge and belief, they are herein truly described.
(signed)Thomas Brown.
Schedule (B.)
CERTIFICATE OF NOTICE.
No. 14.
I, John Cox, Registrar of the District of Stepney, do hereby certify that I have duly entered in the Marriage Notice Book of the said District, the Notice delivered to me of the Marriage intended between the Parties herein named and described; (that is to say),
With consent of the of the said of the Parents of the said Martha Green.
Certified as a true description by Thomas Brown, of Park-street, who is known by me.
(signed) John Cox,
The italics in the Schedules (A.) and (B.) to be filled up as the ease may be.]
Schedule (C.)
LICENSE OF MARRIAGE.
A. B., Superintendent Registrar of to C. D. of and E. R of
Sendeth Greeting:
"WHEREAS ye are minded, as it is said, to enter into a contract of Marriage, under the provisions of an Act made in the Sixth year of the reign of His Majesty King William the Fourth, intituled, [here insert the title of this Act] and are desirous that the same may be speedily and publicly celebrated.
I do hereby grant unto you full License, according to the authority in that behalf given to me by the said Act, to proceed to celebrate such Marriage, and to the Registrar of the District of to register such Marriage according to law: Provided that no impediment of kindred or alliance shall appear, nor any other lawful hindrance to the said Marriage: Provided also, that the said Marriage be publicly solemnized in the presence of the said Registrar, within Three calendar Months from the date hereof in the [here describe the building in which the Marriage is to be celebrated, according to the registry thereof], between the hours of Nine in the Forenoon and Three in the Afternoon.
Given under my hand this day of
One thousand eight hundred and
(signed) A. B. Superintendent Registrar.
# 1836 (33) Registration of Births &c. A bill for registering Births Deaths and Marriages in England/End matter

Registration of Births, &c.
A
BILL
For Registering Births, Deaths and Marriages in England.
(Prepared and, brought in by Lord John Russell, Mr. Chancellor of the Exchequer, and Mr. Attorney General)
Ordered, by The House of Commons, to be Printed, 17 February 1836.
# 1836 (34) Marriages. A bill for Marriages in England/End matter

A
B I L L
For Marriages in England.
(Prepared and, brought in by Lord John Russell, Mr. Chancellor of the Exchequer, and Mr. Attorney General.
Ordered, by The House of Commons, to be Printed, 17 February 1836.
# 1911 Encyclopædia Britannica/Albert of Aix

See also Albert of Aix on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​ALBERT OF AIX (fl. c. A.D. 1100), historian of the first crusade, was born during the later part of the 11th century, and afterwards became canon and custos of the church of Aix-la-Chapelle. Nothing else is known of his life except that he was the author of a Historia Hierosolymitanae expeditionis, or Chronicon Hierosolymitanum de bello sacro, a work in twelve books, written between 1125 and 1150. This history begins at the time of the council of Clermont, deals with the fortunes of the first crusade and the earlier history of the Latin kingdom of Jerusalem, and ends somewhat abruptly in 1121. It was well known during the middle ages, and was largely used by William, archbishop of Tyre, for the first six books of his Belli sacri historia. In modern times its historical value has been seriously impugned, but the verdict of the best scholarship seems to be that in general it forms a true record of the events of the first crusade, although containing some legendary matter. Albert never visited the Holy Land, but he appears to have had a considerable amount of intercourse with returned crusaders, and to have had access to valuable correspondence. The first edition of the history was published at Helmstadt in 1584, and a good edition is in the Recueil des historiens des croisades, tome iv. (Paris, 1841–1887).
See F. Krebs, Zur Kritik Alberts von Aachen (Münster, 1881); B. Kugler, Albert von Aachen (Stuttgart, 1885); M. Pigeonneau, Le Cycle de la croisade et de la famille de Bouillon (Paris, 1877); H. von Sybel, Geschichte des ersten Kreuzzuges (Leipzig, 1881): F. Vercruysse, Essai critique sur la chronique d’Albert d’Aix (Liege, 1889).
# 1911 Encyclopædia Britannica/Alberti, Domenico

See also Domenico Alberti on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​ALBERTI, DOMENICO (c. 1710–1740), Italian musician, is known in musical history as the writer of dozens of sonatas in which the melody is supported from beginning to end by an extremely familiar formula of arpeggio accompaniment, consequently known as the Alberti bass. He thus shows how advanced was the decay of polyphonic sensibility (as a negative preparation for the advent of the sonata-style) already during the lifetime of Bach. His works have no other special qualities, though it is probable that Mozart’s first violin sonatas, written at the age of seven, were modelled on Alberti in spite of their superior cleverness.
# 1911 Encyclopædia Britannica/Albertinelli, Mariotto

See also Mariotto Albertinelli on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​ALBERTINELLI, MARIOTTO (1474–1515), Italian painter, was born in Florence, and was a fellow-pupil and partner of Fra Bartolommeo, with whom he painted many works. His ​chief paintings are in Florence, notably his masterpiece, the “Visitation of the Virgin” (1503) at the Uffizi.
# 1911 Encyclopædia Britannica/Albert II. (German king)

See also Albert II of Germany on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​ALBERT II. (1397–1439), German king, king of Bohemia and Hungary, and (as Albert V.) duke of Austria, was born on the 10th of August 1397, the son of Albert IV. of Habsburg, duke of Austria. He succeeded to the duchy of Austria on his father’s death in 1404. After receiving a good education, he undertook the government of Austria in 1411, and succeeded, with the aid of his advisers, in ridding the duchy of the evils which had arisen during his minority. He assisted the German king, Sigismund, in his campaigns against the Hussites, and in 1422 married Elizabeth, daughter and heiress of Sigismund, who designated him as his successor. When the German king died in 1437, Albert was crowned king of Hungary on the 1st of January 1438, and although crowned king of Bohemia six months later, he was unable to obtain possession of the country. He was engaged in warfare with the Bohemians and their Polish allies, when on the 18th of March 1438 he was chosen German king at Frankfort, an honour which he does not appear to have sought. Afterwards engaged in defending Hungary against the attacks of the Turks, he died on the 27th of October 1439 at Langendorf, and was buried at Stuhlweissenburg. Albert was an energetic and warlike prince, whose short reign gave great promise of usefulness for Germany.
See W. Altmann, Die Wahl Albrecht II. zum römische Könige (Berlin, 1886).