OpenLLM-France/wikimedia huggingface dataset:
# One Hundred Poems of Kabir/LXXXIX

Indian Edition
LXXXIX
I. 100. koi sunta hai jnani rag gagan men
koi sunta hai jnani rag gagan men, aavaaj hotee paanee sab ghat pooran poor rahaa hai, sab suran ke khaanee jo tan paayaa khand dekhaayaa, trisnaa nahin bhujhaanee amrit chhod khandras chaakhaa, trisnaa taap tapaanee om ang so ang baajaa baaje, surat-nirat samaanee kahyen Kabir suno bhaai saadho, yahi aapkee baanee
Is there any wise man who will listen to that solemn music which arises in the sky? For He, the Source of all music, makes all vessels full fraught, and rests in fullness Himself. He who is in the body is ever athirst, for he pursues that which is in part: But ever there wells forth deeper and deeper the sound "He is this - this is He"; fusing love and renunciation into one. Kabir says: "O brother! that is the Primal Word."
# One Hundred Poems of Kabir/LXXXV

Indian Edition
LXXXV
III. 90. naihar se jiyara phat re
naihar se jiyara phat re naihar nagaree jinake bijadee, uskaa kyaa ghar-baat re tanik jiyarvaa mor n laagye, tan-man bahut uchaat re yaa nagaree mein lakh darvaajaa, beech samundar ghaat re kaise kye paaraa utarin hain sajanee, agam panth kaa ghaat re ajab tarah kaa banaa tambooraa, taar lagye man maat re khoontee tootee taar bilgaanaa, kou n poochhat baat re hans hans poochhou maatu-pitaa son, bhoren saasur jaab re jo chaahyen so vo hee karihyen, pat vaahi ke haath re nhaay-dhoy dulhin hoy baithee, johe piyaa kee baat re tanik ghughutavaa dikhaav sakhee ree, aaj sohaag kee raat re kahyen Kabir suno bhaai saadho, piyaa-milan kee aas re bhor hot bande yaad karoge, neend n aave khaat re
My heart cries aloud for the house of my lover; the open road and the shelter of a roof are all one to her who has lost the city of her husband. My heart finds no joy in anything: my mind and my body are distraught. His palace has a million gates, but there is a vast ocean between it and me: How shall I cross it, O friend? for endless is the outstretching of the path.
How wondrously this lyre is wrought! When its strings are rightly strung, it maddens the heart: but when the keys are broken and the strings are loosened, none regard it more. I tell my parents with laughter that I must go to my Lord in the morning; They are angry, for they do not want me to go, and they say: "She thinks she has gained such dominion over her husband that she can have whatsoever she wishes; and therefore she is impatient to go to him." ​Dear friend, lift my veil lightly now; for this is the night of love. Kabir says: "Listen to me! My heart is eager to meet my lover: I lie sleepless upon my bed. Remember me early in the morning!"
# One Hundred Poems of Kabir/LXXXVI

Indian Edition
LXXXVI
III. 96. jiv mahal men Siv pahunwa
jiv mahal mein siv pahunwa kahaan karat unmaand re pachhuhaa devaa karilye sevaa, raiin chalee aavat re jugan jugan karye pateechhan, sahab kaa dil laag re soojhat naahin param sukh-saagar, binaa prem bairaag re sarvan sur bujhi saaaheb se, pooran pragat bhaag re kahyen Kabir suno bhaag hamaaraa, paayaa achal sohaag re
Serve your God, who has come into this temple of life! Do not act the part of a madman, for the night is thickening fast. He has awaited me for countless ages, for love of me He has lost His heart: Yet I did not know the bliss that was so near to me, for my love was not yet awake. But now, my Lover has made known to me the meaning of the note that struck my ear: Now, my good fortune is come. Kabir says: "Behold! how great is my good fortune! I have received the unending caress of my Beloved!"
# One Hundred Poems of Kabir/LXXXIV

Indian Edition
LXXXIV
III. 89. mor phakirwa mangi jay
mor phakirwa mangi jay, main to dhekhahoon n poulyon mangan se kyaa maangiye, bin maange jo deya kahyen Kabir main houn vaahi koo, honi ho so hoy
The Beggar goes a-begging, but I could not even catch sight of Him: And what shall I beg of the Beggar? He gives without my asking. Kabir says: "I am His own: now let that befall which may befall!"
# One Hundred Poems of Kabir/LXXVIII

Indian Edition
LXXVIII
III. 63. kahain Kabir, suno ho sadho
kahain Kabir, suno ho sadho, amrit bachan hamaar jo bhal chaaho aapno, parakho karo bichaar je kartaaten oopjyen, taaso pari gayo beech apnee buddhi vivek-bin sahaj bisaahi meech yahi mein te sab mat chalye, yahi chalyo upades nishchay gahi nirbhay raho, sun param tatt sandes kehi gaavo kehi dhyaavahoo, chhodo sakal dhamaar yah hirade sabko base, kyon sevo sunn-ujaad doorahi kartaa thaapikye, karee door kee aas jo kartaa doorye hute, to ko jag sirajye paas jo jaano yahn hai nahin, to tum dhaavo door door se door bhramee bhramee, nishphal maro bisoor durlabh darsan door ke, near sadaa sukh-baas kahyen Kabir mohe vyaapiyaa, mat dukh paave daas aap apanoupou cheenhoo, nakh-sikh sahit Kabir aanand-mangal gaavahoo, hohin apanoupou theer
Kabir says: "O Sadhu! hear my deathless words. If you want your own good, examine and consider them well. You have estranged yourself from the Creator, of whom you have sprung: you have lost your reason, you have bought death. All doctrines and all teachings are sprung from Him, from Him they grow: know this for certain, and have no fear. ​Hear from me the tidings of this great truth! Whose name do you sing, and on whom do you meditate? O, come forth from this entanglement! He dwells at the heart of all things, so why take refuge in empty desolation? If you place the Guru at a distance from you, then it is but the distance that you honour: If indeed the Master be far away, then who is it else that is creating this world? When you think that He is not here, then you wander further and further away, and seek Him in vain with tears. Where He is far off, there He is unattainable: where He is near, He is very bliss. Kabir says: "Lest His servant should suffer pain He pervades him through and through." Know yourself then, O Kabir; for He is in you from head to foot. Sing with gladness, and keep your seat unmoved within your heart.
# One Hundred Poems of Kabir/LXXXI

Indian Edition
LXXXI
III. 74. pratham ek jo apai ap
pratham ek jo apai ap, nirkar nirgun nirjaap nahin tav aadi-ant-madh-taaraa, nahin tav andh-dhundh ujiyaaraa nahin tav bhoomi-pavan-akaasaa, nahin tav paavak-neer-niwaasaa nahin tav sursuti-jamunaa-gangaa, nahin tav saagar-samudra-tarangaa nahin tav paap-punya nahin ved-puraanaa, nahi tav bhayo kateb-kuraanaa kahyen Kabir vichaarikye, tab kuchh kirpaa nahin param-purush tahn aapheen, agam-agochar maaheen kartaa kachhu khaavye nahin peevye, kartaa kabhun marye nahin jeevye kartaa ke kachhu roop n rekhaa, kartaa ke kachhu baran n bhekhaa jaake jaat-got kachhu naahin, mahimaa barani n jaay mo paahin roop-aroop nahin teraa naavn, barn-abarn nahin tehi thaavn
IN the beginning was He alone, sufficient unto Himself: the formless, colourless, and unconditioned Being. Then was there neither beginning, middle, nor end; Then were no eyes, no darkness, no light; Then were no ground, air, nor sky; no fire, water, nor earth; no rivers like the Ganges and the Jumna, no seas, oceans, and waves. Then was neither vice nor virtue; scriptures there were not, as the Vedas and Puranas, nor as the Koran. Kabir ponders in his mind and says: "Then was there no activity: the Supreme Being remained merged in the unknown depths of His own self." The Guru neither eats nor drinks, neither lives nor dies: Neither has He form, line, colour, nor vesture. He who has neither caste nor clan nor anything else - how may I describe His glory? ​He has neither form nor formlessness, He has no name, He has neither colour nor colourlessness, He has no dwelling-place.
# One Hundred Poems of Kabir/LXXXII

Indian Edition
LXXXII
III. 76. kahain Kabir vicar ke
kahain Kabir vicar ke, jaake barn n gaavn niraakaar aur nirgunaa, hai pooran sab thaavn kartaa aanand khel laayee, omkaar te srishti upaayee aanand dhartee aanand aakaas, aanand chand soor parkaas aanand aadi-ant-madh-taaraa, aanand andh-koop ujiyaaraa aanand saagar-samudra-tarangaa, aanand sursati-jamunaa-gangaa kartaa ek aur sab khel, marat-janam birah-mel khel jal-thal sakal jahaanaa, khel janoun jamee-asmaanaa khel kaa yah sakal pasaaraa, khel maahin rahye samsaaraa kahyen Kabir sab khelan maahin, khelanhaarko cheenhe naahin
Kabir ponders and says: "He who has neither caste nor country, who is formless and without quality, fills all space" The Creator brought into being the Game of Joy: and from the word Om the Creation sprang. The earth is His joy; His joy is the sky; His joy is the flashing of the sun and the moon; His joy is the beginning, the middle, and the end; His joy is eyes, darkness, and light. Oceans and waves are His joy: His joy the Sarasvati, the Jumna, and the Ganges. The Guru is One: and life and death, union and separation, are all His plays of joy! His play the land and water, the whole universe! His play the earth and the sky! In play is the Creation spread out, in play it is established. The whole world, says Kabir, rests in His play, yet still the Player remains unknown.
# Organization for a Better Austin v. Keefe
## Dissenting Opinion

    Harlan
United States Supreme Court
402 U.S. 415
Organization for a Better Austin et al. v. Keefe
Certiorari to the Appellate Court of Illinois, First District
No. 135. Argued: January 20, 1971 --- Decided: May 17, 1971
Respondent real estate broker applied for and obtained from the Illinois courts an injunction enjoining petitioners from distributing any literature in the City of Westchester, on the ground that their leaflets, critical of respondent's alleged "blockbusting" and "panic peddling" activities in the Austin area of Chicago, invaded respondent's right of privacy, and were coercive and intimidating rather than informative, thus not being entitled to First Amendment protection.
Held: Respondent has not met the heavy burden of justifying the imposition of the prior restraint of petitioners' peaceful distribution of informational literature of the nature disclosed by this record. Pp. 418-420.
115 Ill. App. 2d 236, 253 N.E. 2d 76, reversed.
BURGER, C.J., delivered the opinion of the Court in which BLACK, DOUGLAS, BRENNAN, STEWART, WHITE, MARSHALL, and BLACKMUN, JJ., joined. HARLAN, J., filed a dissenting opinion, post, p. 420.
David C. Long argued the cause for petitioners. With him on the briefs was Willard J. Lassers.
Thomas W. McNamara argued the cause for respondent. With him on the brief was John C. Tucker.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Organizational Act of National Property Administration, Ministry of Finance

* related portals: Law of the Republic of China.
* sister projects: Wikidata item.

## Article 1

    To carry out transactions of national property effectively, the Ministry of Finance established National Property Administration (herein referred to as "the Administration").

## Article 2

    The National Property Administration shall be in charge of the following functions:
    1. Inspections of national property.
    2. Management of national property.
    3. Disposal of national property.
    4. Improved utilization of national property.
    5. Transactions of national property information.
    6. Investigations, coordination and allocation of national property.
    7. Assessment of national property.
    8. Consultation and management of regulations and legal cases of national property.
    9. Other national property related issues.

## Article 3

    The Administration shall have one Director-general of a rank equivalent to senior appointment at the grade of 13th; and two Deputy Director-general of a rank equivalent to senior appointment at the grade of twelve.

## Article 4

    The Administration shall have one chief secretary of a rank equivalent to senior appointment at the grade of eleven.

## Article 5

    For the needs of business operation, the Administration may set up branch administrations.

## Article 6

    The scale of the position and the number of the personnel of official ranks of the Administration shall be stipulated in a staffing chart.

## Article 7

    The enforcement date of the Act shall be specified in an order from the Executive Yuan.
This work is in the public domain because it is exempted by Article 9 of the Republic of China's Copyright Act (in effect in the "Free Area"). This excludes from copyright all government and official documents and official translations, including news releases, speeches, laws, and documents. It also excludes from copyright oral and literary news reports strictly intended to communicate facts, test questions from all kinds examinations held pursuant to laws or regulations, slogans and common symbols, terms, formulas, numerical charts, forms, notebooks, or almanacs.
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# Once a Week (magazine)/Series 1/Volume 7/Ana (September 6, 1862)

ANA.
Our Ducal Houses.—With the exception of those two ducal titles which have been won by a Churchill and a Wellesley respectively, and, to some extent, at least, a few others which owe their existence to King Charles II., the rest of the titles which stand in the highest rank of our nobility are mostly the result of the fusion of two, three, or more fortunes together by the marriage of heiresses. Thus the proud Dukedom of Norfolk has absorbed into itself the castle and broad acres of the Fitzalans, Earls of Arundel, and the Duke of Richmond has added a large Scottish rent-roll to his English estates, through his grandmother, the heiress of the Dukes of Gordon: thus, the noble house of Buckingham (we speak of half a century ago), had grown great in the same way, by the addition of the Temple to the Grenville property, and, subsequently, by absorbing the inheritance of the “princely” Chandos, and that of the old Earls Nugent; the Duke of Buccleuch has united in himself, by a similar process, the wealth of the Queensberries, the Douglases, and the Montagues; and thus, too, the Duke of Sutherland, of more recent times, has incorporated together with the ancient inheritances of the Levesons of Staffordshire and the Gowers of Yorkshire, the entire estates belonging to two Scottish heiresses, who brought as their marriage portions the lordship of nearly the whole of two northern counties, those of Sutherland and Cromarty. Indeed, so vast has been the absorbing process in the latter case, that, as if sated with its wealth, and unable to digest a further supply, the last-named ducal house has thrown off two younger cadet branches, each most amply endowed, in the persons of the Earl of Ellesmere and Earl Granville.
# Once a Week (magazine)/Series 1/Volume 7/A word upon crutches

A Word upon Crutches.—Besides our people upon crutches, we have our “Crutched Friars,” reminding us of the head-quarters of those good brethren who carried the symbolic cross [crux] to the bed of suffering, instead of being themselves supported by anything of the same shape in solid wood-work. The cross of the friars was not of the Greek, Latin, or St. Andrew’s type, but one that was, like a crutch, without any vertical prolongation above the transom. It is said to have been handed down amongst Christians from the time when it was adopted by St. Anthony, the solitary of the Thebaid. Whether he took it from the Egyptian symbol of life or from the Asiatic instrument of death will perhaps never be known. The position of the “title” on the Cross of Calvary seems to stand in the way of its having been a model for that of the hermit, if he used it. So there is something in the look and name of a crutch for antiquarians as well as for cripples.
# One Who Comes at Eventide

First published in Modern American Poetry, October 1933
I think when I am old a furtive shape Will sit beside me at my fireless hearth, Dabbled with blood from stumps of severed wrists, And flacked with blackened bits of mouldy earth.
My blood ran fire when the deed was done; Now it runs colder than the moon that shone On shattered fields where dead men lay in heaps Who could not hear a ravished daughter's moan.
(Dim through the bloody dawn on bitter winds The throbbing of the distant guns was brought When I reeled like a drunkard from the hut That hid the horror my red hands had wrought.)
So now I fire my veins with stinging wine, And hoard my youth as misers hug their gold, Because I know what shape will come and sit Beside my crumbling hearth - when I am old.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1933 could have had their copyright renewed in 1960 or 1961, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1962.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
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# One Who Is Dead

“Never again, my darling, never again…”
* Shorter, Dora Sigerson (1893), "One Who Is Dead" in Verses
* Shorter, Dora Sigerson (1907), "One Who Is Dead" in The Collected Poems of Dora Sigerson Shorter
# One Thousand Seven Hundred and Thirty Eight. Dialogue II.

First published in July 1738, this is a transcription of the first edition. [Based on Alexander Pope: A Bibliography Volume 1, Part 2 (1927), by Reginald Harvey Griffith, pp. 388-389.]
ONE THOUSAND
SEVEN HUNDRED
AND
THIRTY EIGHT.
DIALOGUE II.
By Mr. POPE.
LONDON:
Printed for R. Dodsley at Tully's Head in Pall-mall, Mdccxxxviii (Price One Shilling.)
ONE THOUSAND
SEVEN HUNDRED
AND
THIRTY EIGHT.
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FINIS.
* ↑ The Ordinary of Newgate, who publishes the Memoirs of the Malefactors.
* ↑ Jonathan Wild.
* ↑ The House and Gardens of Esher in Surrey, design'd by Mr. Kent.
* ↑ Sir John Barnard.
* ↑ In his Ode on Namur; where (to use his own words) il a fait un Astre de la Plume blanche qui le Roy porte ordinairement a son Chapeau, & qui est en effet une espece de Comete, fatale a nos ennemis.
* ↑ Dr. Hough Bishop of Worcester.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# One dignity delays for all—

* "One dignity delays for all" in Poems (1890)
* "One dignity delays for all" in The Complete Poems of Emily Dickinson (1924)
# Nicene and Post-Nicene Fathers: Series II/Volume XII/Gregory the Great/Register of Epistles/Book I/Chapter 1

Register of the Epistles of Saint Gregory the Great.
Book I.
The Month of September, Indiction IX., Being the First Year of His Ordination.
Epistle I.
To all the Bishops of Sicily.
Gregory, servant of the servants of God, to all the bishops constituted throughout Sicily.
We have plainly perceived it to be very necessary that, even as our predecessors thought fit to do, we should commit all things to one and the same person; and that, where we cannot be present ourselves, our authority should be represented through him to whom we send our instructions. Wherefore, with the help of God, we have appointed Peter, subdeacon of our See, our delegate in the province of Sicily. Nor can we doubt as to the conduct of him to whom, with the help of God, we are known to have committed the charge of the whole patrimony of our church.
This also we have plainly perceived to be a thing that ought to be done; that once in the year your whole fraternity should assemble, at Syracuse or Catana, receiving, as we have charged him, the honour due to you; to the end that, together with the aforesaid Peter, subdeacon of our See, you may settle with due discretion whatever things pertain to the advantage of the churches of the province, or to the relief of the necessities of the poor and oppressed, or to the admonition of all, and the correction of those whose transgressions may peradventure be proved. From which council far be animosities, which are the nutriment of crimes, and may inward grudges die away, and that discord of souls which is beyond measure execrable. Let concord well-pleasing to God, and charity, approve you as His priests.  Conduct all things, therefore, with such deliberation and calmness that yours may most worthily be called an Episcopal Council.

## Footnotes

* ↑ “Sanctus Gregorius primus omnium se principio epistolarum suarum servum servorum. Dei satis humiliter definivit.”  (Joan Diac. in Vit. S. Greg. l. ii. c. 1). The designation, however, had been used by others before him, as by Pope Damasus (Ep. IV. ad Stephanum et Africæ Episcopos), and Augustine (Ep. ad Vitalem). Gregory may have been the first to use it habitually. It is true that in the Registrum Epistolarum we find it four times only, viz., in the headings of Epistles I. 1, I. 36, VI. 51, XIII. 1. But it may have been omitted in the copies of his letters preserved at Rome.  This is probable from the fact that it occurs in the letters relating to the English Mission as given by Bede, though absent from the same letters in the Registrum.