OpenLLM-France/wikimedia huggingface dataset:
# Memoir and Poems of Phillis Wheatley/The Slave's Complaint

THE SLAVE'S COMPLAINT.
Am I sadly cast aside,
On misfortunes's rugged tide?
Will the world my pains deride Forever?
Must I dwell in Slavery's night,
And all pleasure take its flight,
Far beyond my feeble sight, Forever? ​Worst of all, must hope grow dim,
And withhold her cheering beam? Rather let me sleep and dream Forever!
Something still my heart surveys,
Groping through this dreary maze;
Is it Hope?—then burn and blaze Forever!
Leave me not a wretch confined,
Altogether lame and blind—
Unto gross despair consigned, Forever!
Heaven! in whom can I confide?
Canst thou not for all provide?
Condescend to be my guide Forever!
And when this transient life shall end,
Oh, may some kind, eternal friend
Bid me from servitude ascend, Forever!
# Memoir and Poems of Phillis Wheatley/To S. M.

TO S.M., A YOUNG AFRICAN PAINTER,
On seeing his Works.
To show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight!
Still, wondrous youth! each noble path pursue;
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire,
To aid thy pencil and thy verse conspire! ​And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crowned with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation blessed,
May peace with balmy wings your soul invest!
But when these shades of time are chased away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above!
There shall thy tongue in heavenly murmurs flow,
And there my muse with heavenly transport glow;
No more to tell of Damon's tender sighs.
Or rising radiance of Aurora's eyes;
For nobler themes demand a nobler strain,
And purer language on the etherial plain.
Cease, gentle Muse! the solemn gloom of night Now seals the fair creation from my sight.
# Memoir and Poems of Phillis Wheatley/To a Clergyman on the Death of his Lady

TO A CLERGYMAN, ON THE DEATH OF HIS LADY.
Where contemplation finds her sacred spring,
Where heavenly music makes the arches ring,
Where virtue reigns unsullied and divine,
Where wisdom throned and all the graces shine,
There sits thy spouse amidst the radiant throng,
While praise eternal warbles on her tongue;
There choirs angelic shout her welcome round,
With perfect bliss and peerless glory crowned.
While thy dear mate, no more to flesh confined,
Exults, a blest, an heaven-ascended mind,
Say, in thy breast shall floods of sorrow rise?
Say, shall its torrents overwhelm thine eyes?
Amid the seats of heaven a place is free, And angels open their bright ranks for thee;
For thee they wait, and with expectant eye
Thy spouse leans downward from the empyreal sky.
"Oh come away, her longing spirit cries,
"And share with me the raptures of the skies.
"Our bliss divine to mortals is unknown;
"Immortal life and glory are our own.
"There, too, may the dear pledges of our love
"Arrive, and taste with us the joys above;
"Attune the harp to more than mortal lays,
"And join with us the tribute of our praise
"To him who died stern justice to atone,
"And make eternal glory all our own.
"He in his death slew ours, and, as he rose,
"He crushed the dire dominion of our foes; ​ "Vain were their hopes to put the God to flight,
"Chain us to hell, and bar the gates of light."
She spoke, and turned from mortal scenes her eyes,
Which beamed celestial radiance o'er the skies.
Then thou, dear man, no more with grief retire,
Let grief no longer damp devotion's fire,
But rise sublime, to equal bliss aspire.
Thy sighs no more be wafted by the wind,
No more complain, but be to heaven resigned.
"I was thine to unfold the oracles divine,
To soothe our woes, the task was also thine;
Now sorrow is incumbent on thy heart,
Permit the Muse a cordial to impart;
Who can to thee their tenderest tears refuse?
To dry thy tears, how longs the heavenly muse!
# Memoir and Poems of Phillis Wheatley/The Loss of Female Character

THE LOSS OF FEMALE CHARACTER.
See that fallen Princess! her splendor is gone—
The pomp of her morning is over;
Her day-star of pleasure refuses to dawn,
She wanders a nocturnal rover.
Alas! she resembles Jerusalem's fall,
The fate of that wonderful city:
When grief with astonishment rung from the wall,
Instead of the heart cheering ditty.
When music was silent, no more to be rung,
When Sion wept over her daughter; ​On grief 's drooping willow their harps they were hung.
When pendent o'er Babylon's water.
She looks like some Star that has fall'n from her sphere,
No more by her cluster surrounded;
Her comrades of pleasure refuse her to cheer,
And leave her dethron'd and confounded.
She looks like some Queen who has boasted in vain,
Whose diamond refuses to glitter;
Deserted by those who once bow'd in her train,
Whose flight to her soul must be bitter.
She looks like the twilight, her sun sunk away,
He sets; but to rise again never!
Like the Eve, with a blush bids farewell to the day,
And darkness conceals her forever.
# Memoir and Poems of Phillis Wheatley/To Eliza

TO ELIZA.
Eliza, tell thy lover why
Or what induced thee to deceive me? Fare thee well—away I fly—
I shun the lass who thus will grieve me.
Eliza, still thou art my song,
Although by force I may forsake thee; Fare thee well, for I was wrong
To woo thee while another take thee.
Eliza, pause and think awhile— Sweet lass! I shall forget thee never: Fare thee well! although I smile,
I grieve to give thee up forever.
Eliza, I shall think of thee— My heart shall ever twine about thee; Fare thee well—but think of me,
Compell'd to live and die without thee. "Fare thee well!—and if forever,
Still forever fare thee well!"
# A Dictionary of Music and Musicians/Geigen-Principal

From volume 1 of the work.
[ E. J. H. ]
# A Dictionary of Music and Musicians/Generali, Pietro

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Gazzaniga, Giuseppe

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Gedackt-Work

From volume 1 of the work.
[ E. J. H. ]
# A Dictionary of Music and Musicians/Gazza Ladra, La

From volume 1 of the work.
[ G. ]
# A Dictionary of Music and Musicians/Gelinek, Joseph

From volume 1 of the work.
​GELINEK, Joseph, secular priest, composer of variations for pianoforte, born Dec. 3, 1758, at Selcz in Bohemia, where his father was schoolmaster. He was well-grounded in music at home, and on going to Prague to complete his philosophical studies took lessons from Segert in composition and organ-playing. In 1783 he became a divinity student at the General-Seminar, the orchestra of which at that time executed standard works so well as to elicit praise from Mozart himself when in Prague. Mozart also applauded Gelinek's pianoforte playing, and encouraged him to persevere. In 1786 he was ordained priest, and became domestic chaplain and pianoforte teacher to Prince Joseph Kinsky, who settled an income upon him for life, and took him to Vienna, where he studied with Albrechtsberger. He then accompanied Prince Poniatowsky to Rome, with the view to obtain further instruction, but illness obliged him to return to Vienna. There he became the favourite pianoforte teacher of the nobility, and was liberally paid. In 1795 he entered Prince Esterhazy's household as chaplain and music master, and remained there till his death, which took place in Vienna April 13, 1825. For Gelinek's relations with Beethoven see p. 168a; and Czerny in Pohl's ' Jahresbericht des Conservatoriums in Wien,' 1869–70.
Gelinek composed with ease and rapidity; both he and his publishers made large profits from his works, the variations in the fashionable style of the day especially having a ready sale. Of these alone there is a thematic catalogue (Offenbach, Andre) containing 98, with spaces for more. The monotony which was one of their weak points is well hit in Weber's epigram:—
'An den berühmten Variationen-Schmidt Gelinek.
 Kein Thema in der Welt Terschonte dein Genie,  Das simpelste allein—Dich selbst—variirst Du nie.'
[ C. F. P. ]
# A Dictionary of Music and Musicians/Gemshorn

From volume 1 of the work.
[ E. J. H. ]
# A Dictionary of Music and Musicians/Gayarré, Julian

[ A. C. ]
# A Dictionary of Music and Musicians/Gebauer, Franz

From volume 1 of the work.
[ C. F. P. ]
# Mitchell v. Overman

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
103 U.S. 62
Mitchell v. Overman
ERROR to the Circuit Court of the United States for the Southern District of Ohio.
The facts are stated in the opinion of the court.
Mr. Rufus King and Mr. Lawrence Maxwell, Jr., for the plaintiff in error.
Mr. Stanley Matthews and Mr. William M. Ramsey for the defendant in error.
MR. JUSTICE HARLAN delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Penny Stores

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
284 U.S. 576
Mitchell v. Penny Stores
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Oregon Frozen Foods Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
361 U.S. 231
Mitchell v. Oregon Frozen Foods Company
Miss Bessie Margolin, Washington, D. C., for petitioner.
Mr. Martin P. Gallagher, Ontario, Or., for respondents.
On writ of certiorari to the United States Court of Appeals for the ninth circuit.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Penny Stores/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
284 U.S. 576
Mitchell v. Penny Stores
In this suit, brought to enjoin the enforcement of the provisions of sections (2-c), 11, and 13 of article 1 of chapter 90 of the Laws of Mississippi of 1930, an application was made to the District Court of the United States for an interlocutory injunction. The District Court, composed of three judges (U.S.C., title 28, § 380 (28 USCA § 380)), granted an interlocutory injunction upon the giving by the plaintiffs of a bond payable to the State of Mississippi in the sum of $5,000, conditioned as required by law, restraining the enforcement of the statutory provisions until the cause could be fully heard and determined. No opinion was rendered by the District Court, and the only question presented by the record upon this appeal is whether the District Court abused its discretion in granting an injunction until the case could be heard upon the merits. Alabama et al. v. United States, 279 U.S. 229, 231, 49 S.C.t. 266, 73 L. Ed. 675; United Fuel Gas Co. v. Public Service Commission, 278 U.S. 322, 326, 49 S.C.t. 157, 73 L. Ed. 402; National Fire Insurance Co. v. 288, 74 L. Ed. 881. U.S. 331, 338, 50 S.C.t. 288, 74 L. Ed. 881. The order was made prior to the decision of this Court in State Board of Commissioners v. Jackson, 283 U.S. 527, 51 S.C.t. 540, 75 L. Ed. 1248, 73 A. L. R. 1464, and, as no abuse of discretion is shown, the order must be affirmed.
Messrs. J. A. Lauderdale, of Jackson, Miss., and W. Lee Guice, of Biloxi, Miss., for appellants.
Mr. William H. Walters, of Phillipsburg, N. J., for appellee.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Potomac Insurance Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
183 U.S. 42
Mitchell v. Potomac Insurance Company
Argued: October 23, 24, 1901. --- Decided: November 11, 1901
Mr. Samuel Maddox for plaintiff in error.
Mr. J. Holdsworth Gordon for defendant in error.
Mr. Justice Peckham delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Oregon Frozen Foods Company/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
361 U.S. 231
Mitchell v. Oregon Frozen Foods Company
In view of ambiguities in the record as to the issues sought to be tendered, made apparent in oral argument and the memoranda of counsel subsequently filed at the Court's request, the writ of certiorari is dismissed as improvidently granted.
Mr. Justice BLACK took no part in the consideration or decision of this case.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mitchell v. Robert De Mario Jewelry, Inc.

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Whittaker
United States Supreme Court
361 U.S. 288
Mitchell v. Robert De Mario Jewelry, Inc.
Argued: Nov. 16, 1959. --- Decided: Jan 18, 1960
Miss Bessie Margolin, Washington, D.C., for the petitioner.
Mr. R. Lamar Moore, for the respondents.
Mr. Justice HARLAN delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Miscellaneous Poems (Lowell)

Published 1843

## Contents

* "A Legend of Brittany"
* "Prometheus"
* "The Shepherd of King Admetus"
* "The Token"
* "An Incident in a Railroad Car"
* "Rhɶcus"
* "The Falcon"
* "Trial"
* "A Glance Behind the Curtain"
* "A Chippewa Legend"
* "Stanzas on Freedom"
* "Columbus"
* "An Incident of the Fire at Hamburg"
* "The Sower"
* "Hunger and Cold"
* "The Landlord"
* "To a Pine-Tree"
* "Si Descendero in Infernum, Ades"
* "To the Past"
* "To the Future"
* "Hebe"
* "The Search"
* "An Indian-Summer Reverie"
* "The Growth of the Legend"
* "A Contrast"
* "Extreme Unction"
* "The Oak"
* "Ambrose"
* "Above and Below"
* "The Captive"
* "The Birch-Tree"
* "An Interview with Miles Standish"
* "On the Capture of Fugitive Slaves Near Washington"
* "To the Dandelion"
* "The Ghost-Seer"
* "Studies for Two Heads"
* "On a Portrait of Dante by Giotto"
* "On the Death of a Friend's Child"
* "Eurydice"
* "She Came and Went"
* "The Changeling"
* "The Pioneer"
* "Longing"
* "Ode to France"
* "Anti-Apis"
* "A Parable"
* "Ode written for the Celebration of the Introduction of the Cochituate Water into the City of Boston"
* "Lines suggested by the graves of two English Soldiers on the Concord Battle-Ground"
* "To ——"
* "Freedom"
* "Bibliolatres"
* "Beaver Brook"
# Miscellaneous Poems to 1920

* information about this edition.
* sister projects: Wikidata item.
Miscellaneous Poems to 1920
Robert Frost
Contents
NEW YORK: BARTLEBY.COM, 1999
* The Ax-Helve
* Fire and Ice
* The Flower Boat
* For Once, Then, Something
* Fragmentary Blue
* Good-by and Keep Cold
* The Lockless Door
* The Need of Being Versed in Country Things
* Not to Keep
* Place for a Third
* Plowmen
* The Runaway
* To E.T.
* The Valley's Singing Day
* Wild Grapes
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Miscellaneous Plays/The Country Inn Act 4

ACT IV.
SCENE I. Moonlight: a field or small court behind the inn, and every thing covered with snow.
Enter Fiddler, Piper, and Hurdy-Gurdy-Man, each with his instrument.
FIDDLER.
PIPER.
HURDY-GURDY-MAN.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
HURDY GURDY-MAN.
PIPER.
HURDY-GURDY-MAN.
PIPER.
HURDY-GURDY-MAN.
PIPER.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
HURDY-GURDY MAN.
Enter Worshipton and Jenkins.
WORSHIPTON.
FIDDLER.
WORSHIPTON.
FIDDLER (giving up).
PIPER (to Fiddler).
WORSHIPTON (going to the window).
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
FIDDLER.
PIPER.
FIDDLER.
PIPER.
HURDY-GURDY-MAN.
PIPER.
WORSHIPTON. (stopping his ears).
HANNAH (above).
WORSHIPTON (aside).
HANNAH (above).
PIPER.
WORSHIPTON.
(Piper makes a profound bow, and standing by the side scene, half concealed, plays a Highland pee-bro.)
WORSHIPTON (to Piper).
Enter Sally.
SALLY.
WORSHIPTON.
SONG.
Ah, Celia, beauteous, heavenly maid!
 In pity to thy shepherd's heart,
Thus by thy fatal charms betray'd,  The gentle balm of hope impart.
Ah! give me hope in accents sweet,
 Sweet as thy lute's melodious strain;
I'll lay my laurels at thy feet,
 And bless the hour that gave me pain.
WORSHIPTON.
HANNAH.
WORSHIPTON.
JENKINS.
WORSHIPTON (to Hannah).
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON.
HANNAH.
WORSHIPTON (losing all patience).
HANNAH.
(Whimpering, and turning from the window.)
WORSHIPTON.
WILL (coming forward).
WORSHIPTON.
WILL.
WORSHIPTON (to Hannah).
SCENE II. A small Hall, with the doors of several rooms opening into it.
Enter Worshipton and Will, with a candle and burnt paper in his hand.
WILL (thrusting the burnt paper under one of the doors).
WORSHIPTON.
WILL.
WORSHIPTON.
WILL.
(Exit Worshipton.
WILL (alone, listening at the door).
Enter Lady Goodbody in her night-clothes, followed by Hannah.
LADY GOODBODY.
WILL.
LADY GOODBODY.
WILL.
LADY GOODBODY.
WILL.
LADY GOODBODY.
Enter Landlady and Dolly.
LANDLADY.
DOLLY.
LANDLADY (running distractedly about).
Enter Sir John Hazelwood in his night-gown.
SIR JOHN HAZELWOOD.
LADY GOODBODY.
SIR JOHN HAZELWOOD.
AMARYLLIS.
LANDLADY.
AMARYLLIS.
LANDLADY.
LADY GOODBODY.
DOLLY.
SIR JOHN HAZELWOOD.
(Sir John and Amaryllis lift Will neck and heels from the door.)
Enter David from the staircase.
DAVID.
LANDLADY.
DAVID.
LANDLADY.
SIR JOHN HAZELWOOD (to Amaryllis).
(Exeunt Sir John and Amaryllis. ​
DAVID.
LADY GOODBODY.
DAVID.
LADY GOODBODY.
WILL (getting up, and falling on his knees to Lady Goodbody).
LADY GOODBODY.
WILL.
LADY GOODBODY.
WILL.
LADY GOODBODY.
WILL.
LADY GOODBODY.
WILL (bursting into tears).
LADY GOODBODY.
WILL.
LADY GOODBODY.
Re-enter Miss Martin with the drops.
MISS MARTIN.
LADY GOODBODY.
SCENE III. The Inn Yard, with the stable-door in front, at which Will appears, as if ready to saddle a horse.
Enter Amaryllis.
AMARYLLIS.
WILL.
AMARYLLIS.
WILL.
AMARYLLIS.
WILL.
AMARYLLIS.
WILL.
AMARYLLIS.
WILL.
AMARYLLIS.
WILL.
AMARYLLIS (alone).
END OF THE FOURTH ACT.
# Miscellaneous Poems (Lowell)/She Came and Went

From Miscellaneous Poems
As a twig trembles, which a bird  Lights on to sing, then leaves unbent, So is my memory thrilled and stirred;—  I only know she came and went.
As clasps some lake, by gusts unriven,  The blue dome's measureless content, So my soul held that moment's heaven;—  I only know she came and went.
As, at one bound, our swift spring heaps  The orchards full of bloom and scent, So clove her May my wintry sleeps;—  I only know she came and went.
An angel stood and met my gaze,  Through the low doorway of my tent; The tent is struck, the vision stays;—  I only know she came and went.
O, when the room grows slowly dim,  And life's last oil is nearly spent, One gush of light these eyes will brim,  Only to think she came and went.
# Miscellaneous Poems (Lowell)/Stanzas on Freedom

From Miscellaneous Poems
Men! whose boast it is that ye Come of fathers brave and free, If there breathe on earth a slave, Are ye truly free and brave? If ye do not feel the chain, When it works a brother's pain, Are you not base slaves indeed, Slaves unworthy to be freed?
Women! who shall one day bear Sons to breathe New England air, If ye hear, without a blush, Deeds to make the roused blood rush Like red lava through your veins, For your sisters now in chains,— Answer! are ye fit to be Mothers of the brave and free!
Is true Freedom but to break Fetters for our own dear sake, And, with leathern hearts, forget That we owe mankind a debt? No! true freedom is to share All the chains our brothers wear, And, with heart and hand, to be Earnest to make others free!
They are slaves who fear to speak For the fallen and the weak; They are slaves who will not choose Hatred, scoffing, and abuse, Rather than in silence shrink From the truth they needs must think; They are slaves who dare not to be In the right with two or three.
# Men-at-the-Bar/Lefroy, Augustus Henry Frazer

​Lefroy, Augustus Henry Frazer, M.A. New Coll., Oxon, 1880 (from Rugby), 2nd class Lit. Hum. 1875, official reporter of Chancery Division High Court of Justice Ontario 1882, one of the editors of the Canada Law Journal, joint author of Lefroy and Cassel's Notes of Practice Cases (Toronto 1883), called to the bar of Ontario 21 May, 1878, a student of the Inner Temple 23 Jan., 1874 (then aged 21), called to the bar 17 Nov., 1877 (2nd son of Lt.-Genl. Sir John Henry Lefroy, K.C.M.G., C.B.); born 27 June, 1852; married 22 Sept., 1884, Mary Theodora, 2nd dau. of H. S. Strathy, Esq., of Toronto (see Foster's Baronetage).
    68, Church St., Toronto, Canada; New University Club
# Men-at-the-Bar/Lefroy, Henry George

​Lefroy, Henry George, major late 44th regt. 1881, retired half-pay 1883, educated at Rugby, a member of the Western circuit 1883, a student of the Inner Temple 9 May, 1878 (then aged 31), called to the bar 21 June, 1882 (eldest son of Lt.-Genl. Sir John Henry Lefroy, K.C.M.G., C.B.); born 21 Feb., 1847; married 26 July, 1881, Blanche, dau. of late R. W. Wynne, Esq., of Bronywendon, co. Denbigh (see Foster's Baronetage).
    10, King's Bench Walk, Temple, E.C.; Naval and Military Club, Piccadilly.
# Men-at-the-Bar/Legge, Edward

​Legge, Edward, journalist, war correspondent for the Irish Times 1870 (with the German army), afterwards on the staff of the Morning Post, founded (late editor) the Whitehall Review 1876, has been editor of Life, a student of the Middle Temple 15 Jan., 1872, called to the bar 30 April, 1875 (2nd son of George Legge, late of Romsey, Hants, dec.).
    8, Oval Road, Regent's Park, N.W.
# Men-at-the-Bar/Lefroy, Clement George

​Lefroy, Clement George, undergrad. Christ Church, Oxon, a student of the Inner Temple 1 May, 1871 (then aged 21), called to the bar 10 May, 1876 (2nd son of late Charles Edward Lefroy, Esq., of Itchel Manor, Hants, dec.); born , 1850.
# Men-at-the-Bar/Lefroy, Thomas Edward Preston

​Lefroy, Thomas Edward Preston, county court judge (circuit No. 55) 1868-80, retired on pension, a student of the Middle Temple 12 Nov., 1833, called to the bar 7 June, 1844 (3rd son of Antony Lefroy, Esq., of Fulford, Yorks); born 30 Aug., 1815; married 9 Sept., 1846, Anna Jemima, eldest dau. of late Rev. Benjamin Lefroy, of Ashe, Hants; she died 17 Oct., 1855, leaving issue.
    Cambray, Bournemouth.
# Men-at-the-Bar/Lehmann, Rudolph Chambers

​Lehmann, Rudolph Chambers, M.A. Trin. Coll., Camb., a member of the South-eastern circuit, joint author of Cases Overrided 1756- 1884, a student of the Inner Temple 6 Nov., 1875 (then aged 19), called to the bar 21 April, 1880 (eldest son of Frederick Lehmann, of London, merchant); born , 1856.
    41, Pall Mall, S.W.; 6, Crown Office Row.Temple, E.C.