# Miscellaneous Plays/The Country Inn Act 3

ACT III.
A dark narrow passage-room, with the door of an adjoining chamber left open, in which are discovered Lady Goodbody, Miss Martin, and Hannah.
Enter Sir John Hazelwood and Worshipton.
SIR JOHN HAZELWOOD.
(Perceiving the ladies.)
LADY GOODBODY (within to Miss Martin).
MISS MARTIN (within).
WORSHIPTON (in a low voice, stealing eagerly nearer the door).
SIR JOHN HAZELWOOD.
LADY GOODBODY (within).
SIR JOHN HAZELWOOD (drawing also near the door).
MISS MARTIN (within).
LADY GOODBODY.
WORSHIPTON (aside to himself).
LADY GOODBODY (within).
MISS MARTIN (within).
LADY GOODBODY (within).
MISS MARTIN (within).
LADY GOODBODY (within).
MISS MARTIN (within, earnestly).
SIR JOHN HAZELWOOD (in a low voice, turning from the door quickly).
LADY GOODBODY (within).
(Exit into an inner chamber.
SIR JOHN HAZELWOOD.
(Aside on the front of the stage.)
WORSHIPTON (going to him conceitedly).
SIR JOHN HAZELWOOD.
Enter David with a candle, holding his spread hand before it as if to prevent it from blowing out.
DAVID.
SIR JOHN HAZELWOOD.
WORSHIPTON.
HANNAH (within).
MISS MARTIN (within).
WORSHIPTON (in a low voice).
HANNAH (within).
MISS MARTIN (within).
HANNAH (within).
MISS MARTIN (within).
HANNAH (within).
MISS MARTIN
WORSHIPTON (in triumph).
HANNAH (within).
MISS MARTIN (within).
(Worshipton retires behind Sir John very foolishly, who remains fixed to the spot with surprise.)
HANNAH (within).
MISS MARTIN (within).
SIR JOHN HAZELWOOD (vehemently).
MISS MARTIN (within).
SIR JOHN HAZELWOOD.
HANNAH (within).
MISS MARTIN (within).
HANNAH (within).
MISS MARTIN (within).
(Hannah shuts the door).
SIR JOHN HAZELWOOD.
Re-enter David with a light, looking very sour.
DAVID.
SIR JOHN HAZELWOOD.
DAVID (with his face brightening).
SIR JOHN HAZELWOOD.
DAVID.
SIR JOHN HAZELWOOD.
SIR JOHN HAZELWOOD (archly turning as he goes out).
SCENE II. Worshipton's chamber.
Enter Worshipton, calling as he enters.
WORSHIPTON.
JENKINS (without).
Enter Jenkins in his great coat and boots.
WORSHIPTON.
JENKINS.
WORSHIPTON.
JENKINS.
WORSHIPTON.
JENKINS.
WORSHIPTON.
JENKINS.
WORSHIPTON.
JENKINS.
WORSHIPTON.
JENKINS.
WORSHIPTON.
(Jenkins receives money and exit.
WORSHIPTON (alone).
SCENE III. A passage or outer room.
Enter Sir John Hazelwood, looking eagerly to the opposite side of the stage.
SIR JOHN HAZELWOOD.
Enter Hannah.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
HANNAH.
SIR JOHN HAZELWOOD.
Enter Miss Martin, by the opposite side, Sir John looking at her with great satisfaction as she approaches. She curtsies slightly, continuing to pass on.
SIR JOHN HAZELWOOD.
MISS MARTIN.
SIR JOHN HAZELWOOD.
MISS MARTIN.
SIR JOHN HAZELWOOD.
MISS MARTIN.
SIR JOHN HAZELWOOD.
(Placing himself between her and the door gayly.) ​
MISS MARTIN.
(Turning to go by another door.)
SIR JOHN HAZELWOOD (quitting the door).
MISS MARTIN.
(Exit with affected carelessness.
SIR JOHN HAZELWOOD.
Enter Amaryllis, with a coat in his hand, and dressed in his night-gown.
AMARYLLIS (alone).
(Calling to her.)
DOLLY (without.)
AMARYLLIS.
DOLLY (without, in a sharp angry key).
Enter Dolly.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY.
AMARYLLIS.
DOLLY (alone).
END OF THE THIRD ACT.