OpenLLM-France/wikimedia huggingface dataset:
# A treasury of war poetry, British and American poems of the world war, 1914-1919/The Volunteer (Service)

INCIDENTS AND ASPECTS
THE VOLUNTEER
SEZ I: My Country calls? Well, let it call. I grins perlitely and declines with thanks. Go, let 'em plaster every blighted wall, 'Ere's one they don't stampede into the ranks. Them politicians with their greasy ways; Them empire-grabbers fight for 'em? No fear! I've seen this mess a-comin' from the days Of Algyserious and Aggydear: I've felt me passion rise and swell, But . . . wot the 'ell, Bill? Wot the 'ell?
Sez I: My Country? Mine? I likes their cheek. Me mud-bespattered by the cars they drive, Wot makes me measly thirty bob a week, And sweats red blood to keep meself alive! Fight for the right to slave that they may spend, Them in their mansions, me 'ere in my slum? No, let 'em fight wot's something to defend: But me, I've nothin', let the Kaiser come. And so I cusses 'ard and well, But . . . wot the 'ell, Bill? Wot the 'ell?
​Sez I: If they would do the decent thing, And shield the missis and the little 'uns, Why, even I might shout God save the King, And face the chances of them 'ungry guns. But we've got three, another on the way; It's that wot makes me snarl and set me jor: The wife and nippers wot of 'em, I say, If I gets knocked out in this blasted war? Gets proper busted by a shell, But . . . wot the 'ell, Bill? Wot the 'ell?
Ay, wot the 'ell's the use of all this talk? To-day some boys in blue was passin' me, And some of 'em they 'ad no legs to walk, And some of 'em they 'ad no eyes to see. And—well, I couldn't look 'em in the face, And so I'm goin', goin' to declare I'm under forty-one and take my place To face the music with the bunch out there. A fool, you say! Maybe you're right. I'll 'ave no peace unless I fight. I've ceased to think; I only know I've gotta go, Bill, gotta go.
Robert W. Service
# A treasury of war poetry, British and American poems of the world war, 1914-1919/The War Films

THE WAR FILMS
O LIVING pictures of the dead, O songs without a sound, O fellowship whose phantom tread Hallows a phantom ground— How in a gleam have these revealed The faith we had not found.
​We have sought God in a cloudy Heaven, We have passed by God on earth: His seven sins and his sorrows seven, His wayworn mood and mirth, Like a ragged cloak have hid from us The secret of his birth.
Brother of men, when now I see The lads go forth in line, Thou knowest my heart is hungry in me As for thy bread and wine; Thou knowest my heart is bowed in me To take their death for mine.
Henry Newbolt
# A treasury of war poetry, British and American poems of the world war, 1914-1919/Then and Now

THEN AND NOW
WHEN battles were fought With a chivalrous sense of should and ought In spirit men said, "End we quick or dead, Honour is some reward! Let us fight fair—for our own best or worst; So, gentlemen of the Guard, Fire first!"
In the open they stood, Man to man in his knightlihood: They would not deign To profit by a stain On the honourable rules, Knowing that practise perfidy no man durst Who in the heroic schools Was nurst.
But now, behold, what Is war with those where honour is not! Rama laments Its dead innocents; Herod howls: "Sly slaughter Rules now! Let us, by modes once called accurst, Overhead, under water, Stab first."
Thomas Hardy
# A treasury of war poetry, British and American poems of the world war, 1914-1919/To America (Morgan)

TO AMERICA
WHEN the fire sinks in the grate, and night has bent Close wings about the room, and winter stands Hard-eyed before the window, when the hands Have turned the book's last page and friends are sleeping, Thought, as it were an old stringed instrument Drawn to remembered music, oft does set The lips moving in prayer, for us fresh keeping Knowledge of springtime and the violet.
And, as the eyes grow dim with many years, The spirit runs more swiftly than the feet, Perceives its comfort, knows that it will meet God at the end of troubles, that the dreary Last reaches of old age lead beyond tears To happy youth unending. There is peace In homeward waters, where at last the weary Shall find rebirth, and their long struggle cease.
So, at this hour, when the Old World lies sick, Beyond the pain, the agony of breath Hard drawn, beyond the menaces of death, O'er graves and years leans out the eager spirit. ​First must the ancient die; then shall be quick New fires within us. Brother, we shall make Incredible discoveries and inherit The fruits of hope, and love shall be awake.
Charles Langbridge Morgan
# A treasury of war poetry, British and American poems of the world war, 1914-1919/To America (Roberts)

TO AMERICA
WHATEVER penman wrote or orator Declaimed, I could not, for the soul of me, Deem that the West had lost of liberty All but the name, and feared the sounds of War: Of them and theirs I was not ignorant, nor Had failed to learn what impulse set them free When alien kings held England's realm in fee, And what, in conquering, they had battled for.
​Kinsmen! I see, in these dark pregnant hours Of shadow, when the heavens are overcast With smoke of ruined fanes and ancient towers, While throttled peoples yield and nations die, The morning star of vengeance shine at last, And hear your armies thundering prophecy.
Morley Roberts
# A Revised and Enlarged Account of the Bobbili Zemindari/Chapter 11/1883

1883.
His Excellency Sir M. E. Grant Duff, while on a tour in the Northern Circars, visited Bobbili in February, and was accommodated in the old palace. He seemed to be pleased with what he saw there. In replying to an address presented to him by the inhabitants of Bezwada, the Governor observed:—
"We have in these North-Eastern Districts men who, like the Maha Rajah of Vizianagaram, the Zemindars of Mandasa, and of Bobbili, and the Rajah of Pittapur, are doing much in various ways for the enlightenment of those around them."
In this year the Rajah of Venkatagiri's second wedding and the wedding of his brother, Rajah Muddu Kristna, took place while the Rajah was at Venkatagiri. The Rajah also visited Benares, Gya, and Allahabad with the object of performing the religious rites or Sraddhas of his adoptive father and other ​ancestors as, owing to his adoption into the Bobbili family, he thought that it was his first duty to perform these incumbent rites at his earliest convenience. In the same year his second wife gave birth to a son, and died a few days afterwards, just like her elder sister, the Rajah's first wife.
# A Revised and Enlarged Account of the Bobbili Zemindari/Chapter 11/1887

1887.
The year 1887 was a very sad year for the Rajah. He lost his adoptive mother, and his dear younger son, and he himself was ill for several months. ​The most noteworthy event of the year was the Jubilee of Her Majesty the Queen-Empress, in memory of which the Rajah erected the much needed market at Bobbili. Its first stone was laid on the 20th June, and the name 'the Victoria Market' was given to it with the permission of the Government. He also sent an address of welcome enclosed in a silver casket to Her Majesty.
# A Revised and Enlarged Account of the Bobbili Zemindari/Chapter 11/1886

1886.
In this year he made an extensive tour in Southern India, visiting nearly all the important towns and shrines, and attended the wedding of his brother, the Rajah of Jetprole, at Yenkatagiri. He paid his respects to H. E. Lord Dufferin, the Viceroy, at Madras. He built the 'Praung-Mahal' in the Palace.
# Adams Express Company v. Kentucky

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* Adams Express Company v. Kentucky (206 U.S. 129)
* Adams Express Company v. Kentucky (238 U.S. 190)
# Adams Express Company v. Kentucky (238 U.S. 190)

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United States Supreme Court
238 U.S. 190
Adams Express Company v. Kentucky (238 U.S. 190)
Argued: May 10 and 11, 1915. --- Decided: June 14, 1915
Messrs. Joseph S. Graydon and Lawrence Maxwell for plaintiff in error.
[Argument of Counsel from pages 191-192 intentionally omitted]
Mr. James Garnett, Attorney General of Kentucky, and Mr. Robert T. Caldwell for defendant in error.
Messrs. J. B. Snyder and W. B. Wheeler as amici curioe.
Mr. Justice Day delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Adams Express Company v. Iowa

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United States Supreme Court
196 U.S. 147
Adams Express Company v. Iowa
Argued: December 2, 1904. --- Decided: January 3, 1905
Mr. Lawrence Maxwell, Jr., for plaintiff in error.
Mr. Charles W. Mullan for defendant in error.
Mr. Justice White delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Aaron Burr's Wooing

"From the commandant's quarters on Westchester height"
* Edmund Clarence Stedman (1897), "Aaron Burr's Wooing" in Poems, now first collected.
* Edmund Clarence Stedman (1908), "Aaron Burr's Wooing" in The poems of Edmund Clarence Stedman.
# Aaron v. Cooper

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* Aaron v. Cooper (357 U.S. 566)
* Aaron v. Cooper (358 U.S. 27)
See also Cooper v. Aaron.
# Second Pastoral (Philips)

* "The Second Pastoral", in Pastorals (1710)
* "The Second Pastoral", in Pastorals Epistles Odes (1748)
# Second United States Revision of the Emergency War Surgery NATO Handbook

Second United States Revision of the Emergency War Surgery NATO Handbook, or simply Emergency War Surgery, was published in 1988. Until being superseded by the Third United States Revision in 2004, it was the primary war surgery handbook for the United States. It was edited by Thomas E. Bowen, M.D., BG, MC, U.S. Army, and co-edited by Ronald F. Bellamy, M.D., COL, MC, U.S. Army.
* Foreword
* Preface
* Prologue
* Acknowledgments
* Chapter I: General Considerations of Forward Surgery
* Chapter II: Missile-Caused Wounds
* Chapter III: Burn Injury
* Chapter IV: Cold Injury
* Chapter V: Blast Injuries
* Chapter VI: Chemical Injury
* Chapter VII: Mass Casualties in Thermonuclear Warfare
* Chapter VIII: Multiple Injuries
* Chapter IX: Shock and Resuscitation
* Chapter X: Compensatory and Pathophysiological Responses to Trauma
* Chapter XI: Infection
* Chapter XII: Sorting of Casualties
* Chapter XIII: Aeromedical Evacuation
* Chapter XIV: War Surgery Within the Division
* Chapter XV: Anesthesia and Analgesia
* Chapter XVI: Wounds and Injuries of the Soft Tissues
* Chapter XVII: Crush Injury
* Chapter XVIII: Vascular Injuries
* Chapter XIX: Wounds and Injuries of Bones and Joints
* Chapter XX: Wounds and Injuries of Peripheral Nerves
* Chapter XXI: Amputations
* Chapter XXII: Craniocerebral Injury
* Chapter XXIII: Maxillofacial Wounds and Injuries
* Chapter XXIV: Wounds and Injuries of the Eye
* Chapter XXV: Laser Injury of the Eye
* Chapter XXVI: Wounds and Injuries of the Ear
* Chapter XXVII: Wounds and Injuries of the Neck
* Chapter XXVIII: Wounds and Injuries of the Chest
* Chapter XXIX: Wounds of the Abdomen
* Chapter XXX: Reoperative Abdominal Surgery
* Chapter XXXI: Wounds and Injuries of the Genitourinary Tract
* Chapter XXXII: Wounds and Injuries of the Hand
* Chapter XXXIII: Wounds and Injuries of the Spinal Column and Cord
* Appendix A: Glossary of Drugs with National Nomenclatures
* Appendix B: Useful Tables
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Second Russian Insurance Company v. Miller

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United States Supreme Court
268 U.S. 552
Second Russian Insurance Company v. Miller
Argued: April 30, May 1, 1925. --- Decided: June 1, 1925
Mr. Albert Massey, of New York City, for appellant.
Mr. Hartwell Cabell, of New York City, for appellees.
Mr. Justice STONE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Second Sight

* Search for titles containing or beginning with: "Second Sight."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Second Sight, a story from 'Child-life in Japan and Japanese Child Stories' (1909) by Matilda Chaplin Ayrton
* Second Sight, versions of a poem by Felicia Hemans
* Second Sight, a dramatic scene by Letitia Elizabeth Landon
# Second Sight (Felicia Hemans)

* Second Sight, in The Literary Souvenir, 1829.
* Second Sight, in Songs of the Affections, with Other Poems (Miscellaneous Poems), 1830.
# A Treatise on Painting/Chapter 186

Chap. CLXXXVI.—How high the Light should be in drawing from Nature.
To paint well from Nature, your window should be to the North, that the lights may not vary. If it be to the South, you must have paper blinds, that the sun, in going round, may not alter the shadows. The situation of the light should be such as to produce upon the ground a shadow from your model as long as that is high.
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# A Treatise on Painting/Chapter 188

Chap. CLXXXVIII.—Advice to Painters.
Be very careful, in painting, to observe, that between the shadows there are other shadows, almost imperceptible, both for darkness and shape; and this is proved by the third proposition, which says, that the surfaces of globular or convex bodies have as great a variety of lights and shadows as the bodies that surround them have.
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# A Treatise on Painting/Chapter 185

Chap. CLXXXV.—Of those Painters who draw at Home from one Light, and afterwards adapt their Studies to another Situation in the Country, and a different Light.
It is a great error in some painters who draw a figure from Nature at home, by any particular light, and afterwards make use of that drawing in a picture representing an open country, which receives the general light of the sky, where the surrounding air gives light on all sides. This painter would put dark shadows, where Nature would either produce none, or, if any, so very faint as to be almost imperceptible; and he would throw reflected lights where it is impossible there should be any.
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# A Treatise on Painting/Chapter 189

Chap. CLXXXIX.—Of Shadows.
Those shadows which in Nature are undetermined, and the extremities of which can hardly be perceived, are to be copied in your painting in the same manner, never to be precisely finished, but left confused and blended. This apparent neglect will shew great judgment, and be the ingenious result of your observation of Nature.
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# A Treatise on Painting/Chapter 192

Chap. CXCII.—Of the Difference of Lights according to the Situation.
A small light will cast large and determined shadows upon the surrounding bodies. A large light, on the contrary, will cast small shadows on them, and they will be much confused in their termination. When a small but strong light is surrounded by a broad but weaker light, the latter will appear like a demi-tint to the other, as the sky round the sun. And the bodies which receive the light from the one, will serve as demi-tints to those which receive the light from the other.
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# A Treatise on Painting/Chapter 193

Chap. CXCIII.—How to distribute the Light on Figures.
The lights are to be distributed according to the natural situation you mean your figures should occupy. If you suppose them in sunshine, the shades must be dark, the lights broad and extended, and ​the shadows of all the surrounding objects distinctly marked upon the ground. If seen in a gloomy day, there will be very little difference between the lights and shades, and no shadows at the feet. If the figures be represented within doors, the lights and shadows will again be distinctly divided, and produce shadows on the ground. But if you suppose a paper blind at the window, and the walls painted white, the effect will be the same as in a gloomy day, when the lights and shadows have little difference. If the figures are enlightened by the fire, the lights must be red and powerful, the shadows dark, and the shadows upon the ground and upon the walls must be precise; observing that they spread wider as they go off from the body. If the figures be enlightened, partly by the sky and partly by the fire, that side which receives the light from the sky will be the brightest, and on the other side it will be reddish, somewhat of the colour of the fire. Above all, contrive, that your figures receive a broad light, and that from above; particularly in portraits, because the people we see in the street receive all the light from above; and it is curious to observe, that there is not a face ever so well known amongst your acquaintance, but would be recognised with difficulty, if it were enlightened from beneath.
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# A Treatise on Painting/Chapter 187

Chap. CLXXXVII.—What Light the Painter must make use of to give most Relief to his Figures.
The figures which receive a particular light shew more relief than those which receive an universal one; because the particular light occasions some reflexes, which proceed from the light of one object upon the shadows of another, and helps to detach it from the dark ground. But a figure placed in front of a dark and large space, and receiving a particular light, can receive no reflexion from any other objects, and nothing is seen of the figure but what the light strikes on, the rest being blended and lost in the darkness of the back ground. This is to be applied only to the imitation of night subjects with very little light.
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# A Treatise on Painting/Chapter 19

Chap. XIX.—Of drawing from Nature.
When you draw from Nature, you must be at the distance of three times the height of the object; and when you begin to draw, form in your own mind a certain principal line (suppose a perpendicular); observe well the bearing of the parts towards that line; whether they intersect it, are parallel to it, or oblique.
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# A Treatise on Painting/Chapter 191

Chap. CXCI.—Whether the Light should be admitted in Front or sideways; and which is most pleasing and graceful.
The light admitted in front of heads situated opposite to side walls that are dark, will cause them to have great relievo, particularly if the light be placed high; and the reason is, that the most prominent parts of those faces are illumined by the general light striking them in front, which light produces very ​faint shadows on the part where it strikes; but as it turns towards the sides, it begins to participate of the dark shadows of the room, which grow darker in proportion as it sinks into them. Besides, when the light comes from on high, it does not strike on every part of the face alike, but one part produces great shadows upon another; as the eyebrows, which deprive the whole sockets of the eyes of light. The nose keeps it off from great part of the mouth, and the chin from the neck, and such other parts. This, by concentrating the light upon the most projecting parts, produces a very great relief.
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# A Treatise on Painting/Chapter 190

Chap. CXC.—Of the Kind of Light proper for drawing from Relievos, or from Nature.
Lights separated from the shadows with too much precision, have a very bad effect. In order, therefore, to avoid this inconvenience, if the object be in the open country, you need not let your figures be illumined by the sun; but may suppose some transparent clouds interposed, so that the sun not being visible, the termination of the shadows will be also imperceptible and soft.
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# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (8)

From volume 2 of the work.
​Goodwin, John, fellow Trinity Coll., Cambridge, B.A. 1664-5, M.A. 1668; incorporated 13 July, 1669.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (6)

From volume 2 of the work.
​Goodwin, John, pleb. Lincoln Coll., matric. 15 Nov., 1650; B.A. from Merton Coll. 31 March, 1653.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwyn, Benn

From volume 2 of the work.
​Goodwyn, Benn, s. Edward, of Dorking, Surrey, pleb. Magdalen Hall, matric. 27 June, 1623, aged 15.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (4)

From volume 2 of the work.
​Goodwin, John, s. Henry, of Torrington, Devon, pleb. Wadham Coll., matric. 30 Oct., 1629, aged 17, B.A. 21 July, 1631; perhaps M.A. from Magdalen Coll. 21 June, 1634; rector of Uplyme, Devon, 1650, until ejected 1662 for nonconformity. See Calamy, ii. 96.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (9)

From volume 2 of the work.
​Goodwin, John, s. Matth., of Bloxham, Oxon, pp. Brasenose Coll., matric. 15 March, 1683-4, B.A. 1687.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwyn, James

From volume 2 of the work.
​Goodwyn, James, fellow Clare Hall., Cambridge, B.A. 1663, M.A. 1667; incorporated 11 June, 1671, rector of Newton by Sudbury, Suffolk, 1676, and of Sundridge, Kent, 1680. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (5)

From volume 2 of the work.
​Goodwin, John, pleb. St. Alban Hall, matric. 16 July and 12 Dec., 1648; perhaps B.A. 4 July, 1655.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (7)

From volume 2 of the work.
​Goodwin, John, eq. aur. fil. nat. max. Magdalen Coll., matric. 2 July, 1658; perhaps son of Sir John Godwin, M.P. Queenborough 1685-7; died 1689.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwyn, Arthur

From volume 2 of the work.
​Goodwyn, Arthur, B.A. from Magdalen Coll. 10 Feb., 1613-14, eq. aur. fil. (or gen. fil.); student of Inner Temple, 1614 (as son and heir of Francis, of Winchendon, Bucks, kt.), the friend of Hampden, commander-in-chief of the forces of Buckinghamshire 1643, M.P. Chipping Wycombe 1621-2, 1624-5, Aylesbury 1626, Bucks April and May, 1640, and 1640 (l.p.), until his death at Wooburn, Bucks, 19 Aug., 1643. See Foster's Inns of Court Reg.; Parliamentary Dictionary; & D.N.B.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Goodwin, John (3)

From volume 2 of the work.
​Goodwin, John, born at York, 1s. William, dean of Christ Church, Oxon, D.D.; Christ Church, matric. 2 June, 1617, aged 19; B.A. 26 June, 1617, M.A. 1 June, 1620, vicar of Chalgrave, Oxon, 1625. See Foster's Index Eccl.
# Saltonstall v. Saltonstall

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United States Supreme Court
276 U.S. 260
Saltonstall v. Saltonstall
Argued: Jan. 5, 6, 1928. --- Decided: Feb 20, 1928
Messrs. Thomas Hunt and Robert H. Holt, both of Boston, Mass., for plaintiffs in error.
[Argument of Counsel from pages 261-264 intentionally omitted]
Messrs. Edwin H. Abbot, Jr., and Arthur D. Hill, both of Boston, for defendants in error.
[Argument of Counsel from pages 265-267 intentionally omitted]
Mr. Justice STONE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse