# A Distinguished Provincial at Paris/Part 2/Section 7

In an avenue of the Bois de Boulogne they met a caleche; Mme. d'Espard and Mme. de Bargeton looked in surprise at Lucien, and met a scornful glance from the poet. He saw glimpses of a great future before him, and was about to make his power felt. He could fling them back in a glance some of the revengeful thoughts which had gnawed his heart ever since they planted them there. That moment was one of the sweetest in his life, and perhaps decided his fate. Once again the Furies seized on Lucien at the bidding of Pride. He would reappear in the world of Paris; he would take a signal revenge; all the social pettiness hitherto trodden under foot by the worker, the member of the brotherhood, sprang up again afresh in his soul.
Now he understood all that Lousteau's attack had meant. Lousteau had served his passions; while the brotherhood, that collective mentor, had seemed to mortify them in the interests of tiresome virtues and work which began to look useless and hopeless in Lucien's eyes. Work! What is it but death to an eager pleasure-loving nature? And how easy it is for the man of letters to slide into a far niente existence of self-indulgence, into the luxurious ways of actresses and women of easy virtues! Lucien felt an overmastering desire to continue the reckless life of the last two days.
The dinner at the Rocher de Cancale was exquisite. All Florine's supper guests were there except the Minister, the Duke, and the dancer; Camusot, too, was absent; but these gaps were filled by two famous actors and Hector Merlin and his mistress. This charming woman, who chose to be known as Mme. du Val-Noble, was the handsomest and most fashionable of the class of women now euphemistically styled lorettes.
Lucien had spent the forty-eight hours since the success of his article in paradise. He was feted and envied; he gained self-possession; his talk sparkled; he was the brilliant Lucien de Rubempre who shone for a few months in the world of letters and art. Finot, with his infallible instinct for discovering ability, scenting it afar as an ogre might scent human flesh, cajoled Lucien, and did his best to secure a recruit for the squadron under his command. And Coralie watched the manoeuvres of this purveyor of brains, saw that Lucien was nibbling at the bait, and tried to put him on his guard.
"Don't make any engagement, dear boy; wait. They want to exploit you; we will talk of it to-night."
"Pshaw!" said Lucien. "I am sure I am quite as sharp and shrewd as they can be."
Finot and Hector Merlin evidently had not fallen out over that affair of the white lines and spaces in the columns, for it was Finot who introduced Lucien to the journalist. Coralie and Mme. du Val-Noble were overwhelmingly amiable and polite to each other, and Mme. du Val-Noble asked Lucien and Coralie to dine with her.
Hector Merlin, short and thin, with lips always tightly compressed, was the most dangerous journalist present. Unbounded ambition and jealousy smouldered within him; he took pleasure in the pain of others, and fomented strife to turn it to his own account. His abilities were but slender, and he had little force of character, but the natural instinct which draws the upstart towards money and power served him as well as fixity of purpose. Lucien and Merlin at once took a dislike to one another, for reasons not far to seek. Merlin, unfortunately, proclaimed aloud the thoughts that Lucien kept to himself. By the time the dessert was put on the table, the most touching friendship appeared to prevail among the men, each one of whom in his heart thought himself a cleverer fellow than the rest; and Lucien as the newcomer was made much of by them all. They chatted frankly and unrestrainedly. Hector Merlin, alone, did not join in the laughter. Lucien asked the reason of his reserve.
"You are just entering the world of letters, I can see," he said. "You are a journalist with all your illusions left. You believe in friendship. Here we are friends or foes, as it happens; we strike down a friend with the weapon which by rights should only be turned against an enemy. You will find out, before very long, that fine sentiments will do nothing for you. If you are naturally kindly, learn to be ill-natured, to be consistently spiteful. If you have never heard this golden rule before, I give it you now in confidence, and it is no small secret. If you have a mind to be loved, never leave your mistress until you have made her shed a tear or two; and if you mean to make your way in literature, let other people continually feel your teeth; make no exception even of your friends; wound their susceptibilities, and everybody will fawn upon you."
Hector Merlin watched Lucien as he spoke, saw that his words went to the neophyte's heart like a stab, and Hector Merlin was glad. Play followed, Lucien lost all his money, and Coralie brought him away; and he forgot for a while, in the delights of love, the fierce excitement of the gambler, which was to gain so strong a hold upon him.
When he left Coralie in the morning and returned to the Latin Quarter, he took out his purse and found the money he had lost. At first he felt miserable over the discovery, and thought of going back at once to return a gift which humiliated him; but—he had already come as far as the Rue de la Harpe; he would not return now that he had almost reached the Hotel de Cluny. He pondered over Coralie's forethought as he went, till he saw in it a proof of the maternal love which is blended with passion in women of her stamp. For Coralie and her like, passion includes every human affection. Lucien went from thought to thought, and argued himself into accepting the gift. "I love her," he said; "we shall live together as husband and wife; I will never forsake her!"
What mortal, short of a Diogenes, could fail to understand Lucien's feelings as he climbed the dirty, fetid staircase to his lodging, turned the key that grated in the lock, and entered and looked round at the unswept brick floor, at the cheerless grate, at the ugly poverty and bareness of the room.
A package of manuscript was lying on the table. It was his novel; a note from Daniel d'Arthez lay beside it:—
"Our friends are almost satisfied with your work, dear poet,"  d'Arthez wrote. "You will be able to present it with more  confidence now, they say, to friends and enemies. We saw your  charming article on the Panorama-Dramatique; you are sure to  excite as much jealousy in the profession as regret among your  friends here. DANIEL."
"Regrets! What does he mean?" exclaimed Lucien. The polite tone of the note astonished him. Was he to be henceforth a stranger to the brotherhood? He had learned to set a higher value on the good opinion and the friendship of the circle in the Rue des Quatre-Vents since he had tasted of the delicious fruits offered to him by the Eve of the theatrical underworld. For some moments he stood in deep thought; he saw his present in the garret, and foresaw his future in Coralie's rooms. Honorable resolution struggled with temptation and swayed him now this way, now that. He sat down and began to look through his manuscript, to see in what condition his friends had returned it to him. What was his amazement, as he read chapter after chapter, to find his poverty transmuted into riches by the cunning of the pen, and the devotion of the unknown great men, his friends of the brotherhood. Dialogue, closely packed, nervous, pregnant, terse, and full of the spirit of the age, replaced his conversations, which seemed poor and pointless prattle in comparison. His characters, a little uncertain in the drawing, now stood out in vigorous contrast of color and relief; physiological observations, due no doubt to Horace Bianchon, supplied links of interpretations between human character and the curious phenomena of human life—subtle touches which made his men and women live. His wordy passages of description were condensed and vivid. The misshapen, ill-clad child of his brain had returned to him as a lovely maiden, with white robes and rosy-hued girdle and scarf—an entrancing creation. Night fell and took him by surprise, reading through rising tears, stricken to earth by such greatness of soul, feeling the worth of such a lesson, admiring the alterations, which taught him more of literature and art than all his four years' apprenticeship of study and reading and comparison. A master's correction of a line made upon the study always teaches more than all the theories and criticisms in the world.
"What friends are these! What hearts! How fortunate I am!" he cried, grasping his manuscript tightly.
With the quick impulsiveness of a poetic and mobile temperament, he rushed off to Daniel's lodging. As he climbed the stairs, and thought of these friends, who refused to leave the path of honor, he felt conscious that he was less worthy of them than before. A voice spoke within him, telling him that if d'Arthez had loved Coralie, he would have had her break with Camusot. And, besides this, he knew that the brotherhood held journalism in utter abhorrence, and that he himself was already, to some small extent, a journalist. All of them, except Meyraux, who had just gone out, were in d'Arthez's room when he entered it, and saw that all their faces were full of sorrow and despair.
"What is it?" he cried.
"We have just heard news of a dreadful catastrophe; the greatest thinker of the age, our most loved friend, who was like a light among us for two years——"
"Louis Lambert!"
"Has fallen a victim to catalepsy. There is no hope for him," said Bianchon.
"He will die, his soul wandering in the skies, his body unconscious on earth," said Michel Chrestien solemnly.
"He will die as he lived," said d'Arthez.
"Love fell like a firebrand in the vast empire of his brain and burned him away," said Leon Giraud.
"Yes," said Joseph Bridau, "he has reached a height that we cannot so much as see."
"We are to be pitied, not Louis," said Fulgence Ridal.
"Perhaps he will recover," exclaimed Lucien.
"From what Meyraux has been telling us, recovery seems impossible," answered Bianchon. "Medicine has no power over the change that is working in his brain."
"Yet there are physical means," said d'Arthez.
"Yes," said Bianchon; "we might produce imbecility instead of catalepsy."
"Is there no way of offering another head to the spirit of evil? I would give mine to save him!" cried Michel Chrestien.
"And what would become of European federation?" asked d'Arthez.
"Ah! true," replied Michel Chrestien. "Our duty to Humanity comes first; to one man afterwards."
"I came here with a heart full of gratitude to you all," said Lucien. "You have changed my alloy into golden coin."
"Gratitude! For what do you take us?" asked Bianchon.
"We had the pleasure," added Fulgence.
"Well, so you are a journalist, are you?" asked Leon Giraud. "The fame of your first appearance has reached even the Latin Quarter."
"I am not a journalist yet," returned Lucien.
"Aha! So much the better," said Michel Chrestien.
"I told you so!" said d'Arthez. "Lucien knows the value of a clean conscience. When you can say to yourself as you lay your head on the pillow at night, 'I have not sat in judgment on another man's work; I have given pain to no one; I have not used the edge of my wit to deal a stab to some harmless soul; I have sacrificed no one's success to a jest; I have not even troubled the happiness of imbecility; I have not added to the burdens of genius; I have scorned the easy triumphs of epigram; in short, I have not acted against my convictions,' is not this a viaticum that gives one daily strength?"
"But one can say all this, surely, and yet work on a newspaper," said Lucien. "If I had absolutely no other way of earning a living, I should certainly come to this."
"Oh! oh! oh!" cried Fulgence, his voice rising a note each time; "we are capitulating, are we?"
"He will turn journalist," Leon Giraud said gravely. "Oh, Lucien, if you would only stay and work with us! We are about to bring out a periodical in which justice and truth shall never be violated; we will spread doctrines that, perhaps, will be of real service to mankind——"
"You will not have a single subscriber," Lucien broke in with Machiavellian wisdom.
"There will be five hundred of them," asserted Michel Chrestien, "but they will be worth five hundred thousand."
"You will need a lot of capital," continued Lucien.
"No, only devotion," said d'Arthez.
"Anybody might take him for a perfumer's assistant," burst out Michel Chrestien, looking at Lucien's head, and sniffing comically. "You were seen driving about in a very smart turnout with a pair of thoroughbreds, and a mistress for a prince, Coralie herself."
"Well, and is there any harm in it?"
"You would not say that if you thought that there was no harm in it," said Bianchon.
"I could have wished Lucien a Beatrice," said d'Arthez, "a noble woman, who would have been a help to him in life——"
"But, Daniel," asked Lucien, "love is love wherever you find it, is it not?"
"Ah!" said the republican member, "on that one point I am an aristocrat. I could not bring myself to love a woman who must rub shoulders with all sorts of people in the green-room; whom an actor kisses on stage; she must lower herself before the public, smile on every one, lift her skirts as she dances, and dress like a man, that all the world may see what none should see save I alone. Or if I loved such a woman, she should leave the stage, and my love should cleanse her from the stain of it."
"And if she would not leave the stage?"
"I should die of mortification, jealousy, and all sorts of pain. You cannot pluck love out of your heart as you draw a tooth."
Lucien's face grew dark and thoughtful.
"When they find out that I am tolerating Camusot, how they will despise me," he thought.
"Look here," said the fierce republican, with humorous fierceness, "you can be a great writer, but a little play-actor you shall never be," and he took up his hat and went out.
"He is hard, is Michel Chrestien," commented Lucien.
"Hard and salutary, like the dentist's pincers," said Bianchon. "Michel foresees your future; perhaps in the street, at this moment, he is thinking of you with tears in his eyes."
D'Arthez was kind, and talked comfortingly, and tried to cheer Lucien. The poet spent an hour with his friends, then he went, but his conscience treated him hardly, crying to him, "You will be a journalist—a journalist!" as the witch cried to Macbeth that he should be king hereafter!
Out in the street, he looked up at d'Arthez's windows, and saw a faint light shining in them, and his heart sank. A dim foreboding told him that he had bidden his friends good-bye for the last time.
As he turned out of the Place de la Sorbonne into the Rue de Cluny, he saw a carriage at the door of his lodging. Coralie had driven all the way from the Boulevard du Temple for the sake of a moment with her lover and a "good-night." Lucien found her sobbing in his garret. She would be as wretchedly poor as her poet, she wept, as she arranged his shirts and gloves and handkerchiefs in the crazy chest of drawers. Her distress was so real and so great, that Lucien, but even now chidden for his connection with an actress, saw Coralie as a saint ready to assume the hair-shirt of poverty. The adorable girl's excuse for her visit was an announcement that the firm of Camusot, Coralie, and Lucien meant to invite Matifat, Florine, and Lousteau (the second trio) to supper; had Lucien any invitations to issue to people who might be useful to him? Lucien said that he would take counsel of Lousteau.
A few moments were spent together, and Coralie hurried away. She spared Lucien the knowledge that Camusot was waiting for her below.
Next morning, at eight o'clock, Lucien went to Etienne Lousteau's room, found it empty, and hurried away to Florine. Lousteau and Florine, settled into possession of their new quarters like a married couple, received their friend in the pretty bedroom, and all three breakfasted sumptuously together.
"Why, I should advise you, my boy, to come with me to see Felicien Vernou," said Lousteau, when they sat at table, and Lucien had mentioned Coralie's projected supper; "ask him to be of the party, and keep well with him, if you can keep well with such a rascal. Felicien Vernou does a feuilleton for a political paper; he might perhaps introduce you, and you could blossom out into leaders in it at your ease. It is a Liberal paper, like ours; you will be a Liberal, that is the popular party; and besides, if you mean to go over to the Ministerialists, you would do better for yourself if they had reason to be afraid of you. Then there is Hector Merlin and his Mme. du Val-Noble; you meet great people at their house—dukes and dandies and millionaires; didn't they ask you and Coralie to dine with them?"
"Yes," replied Lucien; "you are going too, and so is Florine." Lucien and Etienne were now on familiar terms after Friday's debauch and the dinner at the Rocher de Cancale.
"Very well, Merlin is on the paper; we shall come across him pretty often; he is the chap to follow close on Finot's heels. You would do well to pay him attention; ask him and Mme. du Val-Noble to supper. He may be useful to you before long; for rancorous people are always in need of others, and he may do you a good turn if he can reckon on your pen."
"Your beginning has made enough sensation to smooth your way," said Florine; "take advantage of it at once, or you will soon be forgotten."
"The bargain, the great business, is concluded," Lousteau continued. "That Finot, without a spark of talent in him, is to be editor of Dauriat's weekly paper, with a salary of six hundred francs per month, and owner of a sixth share, for which he has not paid one penny. And I, my dear fellow, am now editor of our little paper. Everything went off as I expected; Florine managed superbly, she could give points to Tallyrand himself."
"We have a hold on men through their pleasures," said Florine, "while a diplomatist only works on their self-love. A diplomatist sees a man made up for the occasion; we know him in his moments of folly, so our power is greater."
"And when the thing was settled, Matifat made the first and last joke of his whole druggist's career," put in Lousteau. "He said, 'This affair is quite in my line; I am supplying drugs to the public.'"
"I suspect that Florine put him up to it," cried Lucien.
"And by these means, my little dear, your foot is in the stirrup," continued Lousteau.
"You were born with a silver spoon in your mouth," remarked Florine. "What lots of young fellows wait for years, wait till they are sick of waiting, for a chance to get an article into a paper! You will do like Emile Blondet. In six months' time you will be giving yourself high and mighty airs," she added, with a mocking smile, in the language of her class.
"Haven't I been in Paris for three years?" said Lousteau, "and only yesterday Finot began to pay me a fixed monthly salary of three hundred francs, and a hundred francs per sheet for his paper."
"Well; you are saying nothing!" exclaimed Florine, with her eyes turned on Lucien.
"We shall see," said Lucien.
"My dear boy, if you had been my brother, I could not have done more for you," retorted Lousteau, somewhat nettled, "but I won't answer for Finot. Scores of sharp fellows will besiege Finot for the next two days with offers to work for low pay. I have promised for you, but you can draw back if you like.—You little know how lucky you are," he added after a pause. "All those in our set combine to attack an enemy in various papers, and lend each other a helping hand all round."
"Let us go in the first place to Felicien Vernou," said Lucien. He was eager to conclude an alliance with such formidable birds of prey.
Lousteau sent for a cab, and the pair of friends drove to Vernou's house on the second floor up an alley in the Rue Mandar. To Lucien's great astonishment, the harsh, fastidious, and severe critic's surroundings were vulgar to the last degree. A marbled paper, cheap and shabby, with a meaningless pattern repeated at regular intervals, covered the walls, and a series of aqua tints in gilt frames decorated the apartment, where Vernou sat at table with a woman so plain that she could only be the legitimate mistress of the house, and two very small children perched on high chairs with a bar in front to prevent the infants from tumbling out. Felicien Vernou, in a cotton dressing-gown contrived out of the remains of one of his wife's dresses, was not over well pleased by this invasion.
"Have you breakfasted, Lousteau?" he asked, placing a chair for Lucien.
"We have just left Florine; we have been breakfasting with her."
Lucien could not take his eyes off Mme. Vernou. She looked like a stout, homely cook, with a tolerably fair complexion, but commonplace to the last degree. The lady wore a bandana tied over her night-cap, the strings of the latter article of dress being tied so tightly under the chin that her puffy cheeks stood out on either side. A shapeless, beltless garment, fastened by a single button at the throat, enveloped her from head to foot in such a fashion that a comparison to a milestone at once suggested itself. Her health left no room for hope; her cheeks were almost purple; her fingers looked like sausages. In a moment it dawned upon Lucien how it was that Vernou was always so ill at ease in society; here was the living explanation of his misanthropy. Sick of his marriage, unable to bring himself to abandon his wife and family, he had yet sufficient of the artistic temper to suffer continually from their presence; Vernou was an actor by nature bound never to pardon the success of another, condemned to chronic discontent because he was never content with himself. Lucien began to understand the sour look which seemed to add to the bleak expression of envy on Vernou's face; the acerbity of the epigrams with which his conversation was sown, the journalist's pungent phrases, keen and elaborately wrought as a stiletto, were at once explained.
"Let us go into my study," Vernou said, rising from the table; "you have come on business, no doubt."
"Yes and no," replied Etienne Lousteau. "It is a supper, old chap."
"I have brought a message from Coralie," said Lucien (Mme. Vernou looked up at once at the name), "to ask you to supper to-night at her house to meet the same company as before at Florine's, and a few more besides—Hector Merlin and Mme. du Val-Noble and some others. There will be play afterwards."
"But we are engaged to Mme. Mahoudeau this evening, dear," put in the wife.
"What does that matter?" returned Vernou.
"She will take offence if we don't go; and you are very glad of her when you have a bill to discount."
"This wife of mine, my dear boy, can never be made to understand that a supper engagement for twelve o'clock does not prevent you from going to an evening party that comes to an end at eleven. She is always with me while I work," he added.
"You have so much imagination!" said Lucien, and thereby made a mortal enemy of Vernou.
"Well," continued Lousteau, "you are coming; but that is not all. M. de Rubempre is about to be one of us, so you must push him in your paper. Give him out for a chap that will make a name for himself in literature, so that he can put in at least a couple of articles every month."
"Yes, if he means to be one of us, and will attack our enemies, as we will attack his, I will say a word for him at the Opera to-night," replied Vernou.
"Very well—good-bye till to-morrow, my boy," said Lousteau, shaking hands with every sign of cordiality. "When is your book coming out?"
"That depends on Dauriat; it is ready," said Vernou pater-familias.
"Are you satisfied?"
"Yes and no——"
"We will get up a success," said Lousteau, and he rose with a bow to his colleague's wife.
The abrupt departure was necessary indeed; for the two infants, engaged in a noisy quarrel, were fighting with their spoons, and flinging the pap in each other's faces.
"That, my boy, is a woman who all unconsciously will work great havoc in contemporary literature," said Etienne, when they came away. "Poor Vernou cannot forgive us for his wife. He ought to be relieved of her in the interests of the public; and a deluge of blood-thirsty reviews and stinging sarcasms against successful men of every sort would be averted. What is to become of a man with such a wife and that pair of abominable brats? Have you seen Rigaudin in Picard's La Maison en Loterie? You have? Well, like Rigaudin, Vernou will not fight himself, but he will set others fighting; he would give an eye to put out both eyes in the head of the best friend he has. You will see him using the bodies of the slain for a stepping-stone, rejoicing over every one's misfortunes, attacking princes, dukes, marquises, and nobles, because he himself is a commoner; reviling the work of unmarried men because he forsooth has a wife; and everlastingly preaching morality, the joys of domestic life, and the duties of the citizen. In short, this very moral critic will spare no one, not even infants of tender age. He lives in the Rue Mandar with a wife who might be the Mamamouchi of the Bourgeois gentilhomme and a couple of little Vernous as ugly as sin. He tries to sneer at the Faubourg Saint-Germain, where he will never set foot, and makes his duchesses talk like his wife. That is the sort of man to raise a howl at the Jesuits, insult the Court, and credit the Court party with the design of restoring feudal rights and the right of primogeniture—just the one to preach a crusade for Equality, he that thinks himself the equal of no one. If he were a bachelor, he would go into society; if he were in a fair way to be a Royalist poet with a pension and the Cross of the Legion of Honor, he would be an optimist, and journalism offers starting-points by the hundred. Journalism is the giant catapult set in motion by pigmy hatreds. Have you any wish to marry after this? Vernou has none of the milk of human kindness in him, it is all turned to gall; and he is emphatically the Journalist, a tiger with two hands that tears everything to pieces, as if his pen had the hydrophobia."
"It is a case of gunophobia," said Lucien. "Has he ability?"
"He is witty, he is a writer of articles. He incubates articles; he does that all his life and nothing else. The most dogged industry would fail to graft a book on his prose. Felicien is incapable of conceiving a work on a large scale, of broad effects, of fitting characters harmoniously in a plot which develops till it reaches a climax. He has ideas, but he has no knowledge of facts; his heroes are utopian creatures, philosophical or Liberal notions masquerading. He is at pains to write an original style, but his inflated periods would collapse at a pin-prick from a critic; and therefore he goes in terror of reviews, like every one else who can only keep his head above water with the bladders of newspaper puffs."
"What an article you are making out of him!"
"That particular kind, my boy, must be spoken, and never written."
"You are turning editor," said Lucien.
"Where shall I put you down?"
"At Coralie's."
"Ah! we are infatuated," said Lousteau. "What a mistake! Do as I do with Florine, let Coralie be your housekeeper, and take your fling."
"You would send a saint to perdition," laughed Lucien.
"Well, there is no damning a devil," retorted Lousteau.
The flippant tone, the brilliant talk of this new friend, his views of life, his paradoxes, the axioms of Parisian Machiavelism,—all these things impressed Lucien unawares. Theoretically the poet knew that such thoughts were perilous; but he believed them practically useful.