# The Troubadour; Catalogue of Pictures, and Historical Sketches/Captured

And Amirald from that hour sought A refuge from each mournful thought In Raymond's sad but soothing smile; And listening what might well beguile The spirit from its last recess Of dark and silent wretchedness. He spoke of Eva, and he tried To rouse her father into pride Of her fair beauty; rather strove To waken hope yet more than love.
He saw how deeply Amirald fear'd To touch a wound not heal'd but sear'd: His gentle care was not in vain, And Amirald learn'd to think again Of hope, if not of happiness; And soon his bosom pined to press The child whom he so long had left An orphan doubly thus bereft. He mark'd with what enamour'd tongue Raymond on Eva's mention hung,— The softened tone, the downward gaze, All that so well the heart betrays; And a reviving future stole Like dew and sunlight on his soul.
 Soon the Crusaders would be met Where winter's rest from war was set;
And then farewell to arms and Spain;— Then for their own fair France again.
 One morn there swell'd the trumpet's blast, Calling to battle, but the last; And Amirald watch'd the youthful knight Spur his proud courser to the fight: Tall as the young pine yet unbent By strife with its mountain element,— His vizor was up, and his full dark eye Flash'd as its flashing were victory; And hope and pride sate on his brow As his earlier war-dreams were on him now. Well might he be proud, for where was there one Who had won the honour that he had won? And first of the line it was his to lead His band to many a daring deed.
But rose on the breath of the evening gale, Not the trumpet's salute, but a mournful tale Of treachery, that had betray'd the flower Of the Christian force to the Infidel's power. One came who told he saw Raymond fall, Left in the battle the last of all; His helm was gone, and his wearied hand Held a red but a broken brand.— What could a warrior do alone? And Amirald felt all hope was gone. Alas for the young! alas for the brave! For the morning's hope, and the evening's grave! And gush'd for him hot briny tears, Such as Amirald had not shed for years;— With heavy step and alter'd heart, Again he turn'd him to depart.
He sought his child, but half her bloom Was withering in Raymond's tomb.
 Albeit not with those who fled, Yet was not Raymond with the dead. There is a lofty castle stands On the verge of Grenada's lands; It has a dungeon, and a chain, And there the young knight must remain. Day after day,—or rather night,— Can morning come without its light? Pass'd on without a sound or sight. The only thing that he could feel, Was the same weight of fettering steel,— The only sound that he could hear Was when his own voice mock'd his ear,—
His only sight was the drear lamp That faintly show'd the dungeon's damp, When by his side the jailor stood, And brought his loathed and scanty food.
 What is the toil, or care, or pain, The human heart cannot sustain? Enough if struggling can create A change or colour in our fate; But where's the spirit that can cope With listless suffering, when hope, The last of misery's allies, Sickens of its sweet self, and dies.
 He thought on Eva:—tell not me Of happiness in memory!
Oh! what is memory but a gift Within a ruin'd temple left, Recalling what its beauties were, And then presenting what they are. And many hours pass'd by,—each one Sad counterpart of others gone; Till even to his dreams was brought The sameness of his waking thought; And in his sleep he felt again The dungeon, darkness, damp, and chain.
 One weary time, when he had thrown Himself on his cold bed of stone, Sudden he heard a stranger hand Undo the grating's iron band: He knew 'twas stranger, for no jar Came from the hastily drawn bar.
Too faintly gleam'd the lamp to show The face of either friend or foe; But there was softness in the tread, And Raymond raised his weary head, And saw a muffled figure kneel, And loose the heavy links of steel. He heard a whisper, to which heaven Had surely all its music given:— "Vow to thy saints for liberty, Sir knight, and softly follow me!" He heard her light step on the stair, And felt 'twas woman led him there. And dim and dark the way they past Till on the dazed sight flash'd at last A burst of light, and Raymond stood Where censers burn'd with sandal wood,
And silver lamps like moonshine fell O'er mirrors and the tapestried swell Of gold and purple: on they went Through rooms each more magnificent.
 And Raymond look'd upon the brow Of the fair guide who led him now: It was a pale but lovely face, Yet in its first fresh spring of grace, That spring before or leaf or flower Has known a single withering hour: With lips red as the earliest rose That opens for the bee's repose. But it was not on lip, or cheek Too marble fair, too soft, too meek, That aught was traced that might express More than unconscious loveliness;
But her dark eyes! as the wild light Streams from the stars at deep midnight, Speaks of the future,—so those eyes Seem'd with their fate to sympathise, As mocking with their conscious shade The smile that on the red lip play'd, As that they knew their destiny Was love, and that such love would be The uttermost of misery.
 There came a new burst of perfume, But different, from one stately room, Not of sweet woods, waters distill'd, But with fresh flowers' breathings fill'd; And there the maiden paused, as thought Some painful memory to her brought.
Around all spoke of woman's hand: There a guitar lay on a stand Of polish'd ebony, and raised In rainbow ranks the hyacinth blazed Like banner'd lancers of the spring, Save that they were too languishing. And gush'd the tears from her dark eyes, And swell'd her lip and breast with sighs; But Raymond spoke, and at the sound The maiden's eye glanced hurried round.
 Motioning with her hand she led, With watching gaze and noiseless tread, Along a flower-fill'd terrace, where Flow'd the first tide of open air. They reach'd the garden; there was all That gold could win, or luxury call
From northern or from southern skies To make an earthly paradise. Their path was through a little grove, Where cypress branches met above, Green, shadowy, as nature meant To make the rose a summer tent, In fear and care, lest the hot noon Should kiss her fragrant brow too soon. Oh! passion's history, ever thus Love's light and breath were perilous! On the one side a fountain play'd As if it were a Fairy's shade, Who shower'd diamonds to streak The red pomegranate's ruby cheek. The grove led to a lake, one side Sweet scented shrubs and willows hide:
There winds a path, the clear moonshine Pierces not its dim serpentine. The garden lay behind in light, With flower and with fountain bright; The lake like sheeted silver gave The stars a mirror in each wave; And distant far the torchlight fell, Where paced the walls the centinel: And as each scene met Raymond's view, He deem'd the tales of magic true,— With such a path, and such a night, And such a guide, and such a flight.
 The way led to a grotto's shade, Just for a noon in summer made; For scarcely might its arch be seen Through the thick ivy's curtain green,
And not a sunbeam might intrude Upon its twilight solitude. It was the very place to strew The latest violets that grew Upon the feathery moss, then dream,— Lull'd by the music of the stream,— Fann'd by those scented gales which bring The garden's wealth upon their wing, Till languid with its own delight, Sleep steals like love upon the sight, Bearing those visionings of bliss That only visit sleep like this.
 And paused the maid,—the moonlight shed Its light where leaves and flowers were spread, As there she had their sweetness borne, A pillow for a summer morn;
But when those leaves and flowers were raised, A lamp beneath their covering blazed. She led through a small path whose birth Seem'd in the hidden depths of earth,— 'Twas dark and damp, and on the ear There came a rush of waters near. At length the drear path finds an end,— Beneath a dark low arch they bend; "Safe, safe!" the maiden cried, and prest The red cross to her panting breast! "Yes, we are safe!—on, stranger, on, The worst is past, and freedom won! Somewhat of peril yet remains, But peril not from Moorish chains;— With hope and heaven be our lot!" She spoke, but Raymond answer'd not:
It was as he at once had come Into some star's eternal home,— He look'd upon a spacious cave, Rich with the gifts wherewith the wave Had heap'd the temple of that source Which gave it to its daylight course. Here pillars crowded round the hall, Each with a glistening capital:— The roof was set with thousand spars, A very midnight heaven of stars; The walls were bright with every gem That ever graced a diadem; Snow turn'd to treasure,—crystal flowers With every hue of summer hours. While light and colour round him blazed, It seem'd to Raymond that he gazed Upon a fairy's palace, raised
By spells from ore and jewels, that shine In Afric's stream and Indian mine; And she, his dark-eyed guide, were queen Alone in the enchanted scene.
 They past the columns, and they stood By the depths of a pitchy flood, Where silent, leaning on his oar, An Ethiop slave stood by the shore. "My faithful Ali!" cried the maid, And then to gain the boat essay'd, Then paused, as in her heart afraid To trust that slight and fragile bark Upon a stream so fierce, so dark; Such sullen waves, the torch's glare Fell wholly unreflected there.
'Twas but a moment; on they went Over the grave-like element; At first in silence, for so drear Was all that met the eye and ear,— Before, behind, all was like night, And the red torch's cheerless light, Fitful and dim, but served to show How the black waters roll'd below; And how the cavern roof o'erhead Seem'd like the tomb above them spread. And ever as each heavy stroke Of the oar upon these waters broke, Ten thousand echoes sent the sound Like omens through the hollows round, Till Raymond, who awhile subdued His spirit's earnest gratitude,
Now pour'd his hurried thanks to her, Heaven's own loveliest minister. E'en by that torch he could espy The burning cheek, the downcast eye,— The faltering lip, which owns too well All that its words might never tell;— Once her dark eye met his, and then Sank 'neath its silken shade again; She spoke a few short hurried words, But indistinct, like those low chords Waked from the lute or ere the hand Knows yet what song it shall command. Was it in maiden fearfulness He might her bosom's secret guess, Or but in maiden modesty At what a stranger's thought might be
Of this a Moorish maiden's flight In secret with a Christian knight. And the bright colour on her cheek Was various as the morning break,— Now spring-rose red, now lily pale, As thus the maiden told her tale.