# She's All the World to Me/Chapter 12

CHAPTER XII.
STRONG KNOTS OF LOVE.
At six o'clock the night had closed in. It was as black as ink. Not a star had appeared, but a sharp south–west wind was blowing, and the night might lighten later on. In the cottage on the "brew" a bright turf-fire was burning, and it filled the kitchen with a ruddy glow. Little Ruby was playing on a sheep-skin before the hearth. Old Mrs. Cregeen sat knitting in an arm-chair at one side of the ingle. Her grave face, always touching to look at, seemed more than ever drawn down with lines of pain. Every few minutes she stopped to listen for footsteps that did not come, or to gaze vacantly into the fire. Mona was standing at a table cutting slices of bread-and-butter. At some moments her lips quivered with agitation, but she held the knife with the steady grasp of a man's hand. Pale and quiet, with courage and resolution on every feature, this was the woman for a great emergency. And her hour was at hand. Heaven grant that her fortitude may not desert her to-night. She needs it all.
A white face, with eyes full of fear, looked in at the dark window. It was Danny Fayle. "Come in," said Mona; but he would not come. He must speak with her outside. She went out to him. He was trembling with excitement. He told her that Kerruish Kinvig had returned, and brought with him the men from Castle ​Rushen. There were eight of them. They had been across to the old castle and had opened a vault in St. Patrick's chapel. There they had found rolls of thread lace, casks of wines and spirits, and boxes of tea. This was not important, but Danny had one fact to communicate which made Mona's excitement almost equal to his own. In a single particular the arrangement suggested by herself and agreed upon with Mylrea, the magistrate, had been altered. Instead of the whole eight men going over to the castle, four only, with Kinvig as guide, were to be stationed there. The other four were to be placed on the hill-side above Bill Kisseck's house to watch it.
This change was an unexpected and almost fatal blow to the scheme which Mona had all day been concocting for the relief of the men on the Ben-my-Chree from the meshes in which she herself had imprisoned them.
Mona's anxiety was greatest now that her hope seemed least. Rescue the men—Christian being one of them—she must, God helping her. Like a sorceress, whose charm has worked only too fatally, Mona's whole soul was engaged to break her own deadly spell. She conceived a means of escape, but she could not without help bring her design to bear. Would this lad help her? Danny? She had seen the agony of his despair wither up the last gleam of sunshine on his poor, helpless face.
"Did you say that Mr. Kinvig is to be with the men in the castle?"
"Yes," said Danny.
"Is Mr. Mylrea to be with others above your uncle's house?" ​"No. They wanted him, but he was too old, he was sayin', and went off to find Christian and send him to be a guide to the strangers."
"That is very good," said Mona, "and we can manage it yet. Danny, do you go off to the castle—the tide is down; you can ford it, can't you?"
"If I'm quick. It's on the turn."
"Go at once. The men are not there now, are they?"
"No, they came across half an hour ago."
"Good. They'll return to the castle just before nine. Go you at this moment. Ford it, and they'll see no boat. Hide yourself among the ruins—in the guard-room—in the long passage—in the cell under the cathedral—in the sally-port—among the rocks outside—anywhere—and wait until the Castle Rushen men arrive. As soon as they are landed and out of sight, get you down to where they have moored their boat, jump into it and pull away. That will cut off five of the nine, and keep them prisoners on the Castle Rock until to-morrow morning's ebb tide."
"But where am I to go in the boat?" asked Danny.
Mona came closer. "Isn't it true," she whispered, "that Kisseck and the rest of them go frequently to the creek that they call the Lockjaw?"
"How did you know it, Mona?"
"Never mind, now, Danny. Do you pull down to the Lockjaw; run ashore there; climb the brow above, and wait."
"Wait?—why? until when?"
"Danny, from the head of the Lockjaw you can see ​the light on the end of the pier. I've been there myself and know you can. Keep your eye fixed on that light."
"Yes, yes; well, well?"
"The moment you see the light go down on the pier—no matter when—no matter what else has happened—do you that instant set fire to the gorse about you. Fire it here, there, everywhere, as if it were the night of May-day."
"Yes; what then?"
"Then creep down to the shore and wait again."
"What will happen, Mona?"
"This—Kisseck and the men with him will see your light over the Lockjaw, and guess that it is a signal of danger. If they have half wit they'll know that it must be meant for them. Then they'll jump into their boat and pull down to you."
"When they come, what am I to say?"
"Say that the police from Castle Rushen are after them; that four are cut off in the castle, and four more are on the Horse Hill above Contrary. Tell them to get back, every man of them, to Kisseck's house as fast as their legs will carry them."
Danny's intelligence might be sluggish at ordinary moments, but to-night it was suddenly charged with a ready man's swiftness and insight. "But the Castle Rushen men on the Horse Hill will see the burning gorse," he said.
"True—ah, yes, Danny, that's tr—. I have it! I have it!" exclaimed the girl. "There are two paths from the Lockjaw to Kisseck's house. I walked both of them with Ruby, yesterday. One goes above the open shaft of the old lead mine, the other below it. Tell the ​men to take the low road—the low road; be sure you say the low road—and if the police see your fire I'll send them along the high road, and so they will pass with a cliff between them. That's it, thank God. You understand me, Danny? Are you quite sure you understand everything—every little thing?"
"Yes, I do," said the lad, with the energy of a man.
"When they get to Kisseck's cottage let them smoke, drink, gamble, swear—anything—to make believe they have never been out to-night. You know what I mean?"
"I do," repeated the lad.
He was a new being. His former self seemed in that hour to drop from him like a garment.
Mona looked at him in the dim light shot through the window from the fire, and for an instant her heart smote her. What was she doing with this lad? What was he doing for her? Love was her pole-star. What was his? Only the blank self-abandonment of despair. For love of Christian she was risking all this. But the wild force that inspired the heart of this simple lad was love for her who loved another. Whose was the nobler part, hers who hoped all, or his who hoped nothing? In the darkness she felt her face flush deep. Oh, what a great little heart was here—here, in this outcast boy; this neglected, down-trodden, despised, and rejected, poor, pitiful waif of humanity.
"Danny," she murmured, with plaintive tenderness, "it is wrong of me to ask you to do this for me—very, very wrong."
His eyes were dilated. The face, hitherto unutterably mournful to see, was alive with a strange fire. But he ​said nothing. He turned his head toward the lonely sea, whose low moan came up through the dark night.
She caught both his hands with a passionate grasp. "Danny," she murmured again, "if there was another name for love that is not—"
She stopped, but her eyes were close to his.
He turned. "Don't look like that," he cried, in a voice that went to the girl's heart like an arrow.
She dropped his hands. She trembled and glowed. "Oh, my own heart will break," she said; "to love and not be loved, to be loved and not to love—"
["I think at whiles I'd like to die in a big sea like that."]
Mona started. What had recalled Danny's strange words? Had he spoken them afresh? No.
"Danny," she murmured once more, in tones of endearment, and again she grasped his hands. Their eyes met. The longing, yearning look in hers answered to the wild glare in his.
"Don't look at me like that," he repeated, with the same low moan.
Mona felt as if that were the last she was ever to see of the lad in this weary world. He loved her with all his great, broken, bleeding heart. Her lips quivered. Then the brave, fearless, stainless girl put her quivering lips to his.
To Danny that touch was as fire. With a passionate cry he flung his arms about her. For an instant her head lay on his breast. "Now go," she whispered, and broke from his embrace.