# Collected poems, 1901-1918 (Vol. 2)/The Isle of Lone

THE ISLE OF LONE
THREE dwarfs there were which lived in an isle,
And the name of that Isle was Lone,
And the names of the dwarfs were Alliolyle,
Lallerie, Muziomone.
Alliolye was green of een,
Lallerie light of locks,
Muziomone was mild of mien,
As ewes in April flocks.
Their house was small and sweet of the sea,
And pale as the Malmsey wine;
Their bowls were three, and their beds were three,
And their nightcaps white were nine.
Their beds they were made of the holly-wood.
Their combs of the tortoise's shell,
Three basins of silver in corners there stood,
And three little ewers as well.
Green rushes, green rushes lay thick on the floor,
For light beamed a gobbet of wax;
There were three wooden stools for whatever they wore
On their humpity-dumpity backs.
So each would lie on a drowsy pillow
And watch the moon in the sky— And hear the parrot scream to the billow, The billow roar reply:
Parrots of sapphire and sulphur and amber,
Scarlet, and flame, and green,
While five-foot apes did scramble and clamber,
In the feathery-tufted treen.
All night long with bubbles a-glisten
The ocean cried under the moon.
Till ape and parrot, too sleepy to listen,
To sleep and slumber were gone.
Then from three small beds the dark hours' while
In a house in the Island of Lone
Rose the snoring of Lallerie, Alliolyle,
The snoring of Muziomone.
But soon as ever came peep of sun
On coral and feathery tree, Three night-capped dwarfs to the surf would run
And soon were a-bob in the sea.
At six they went fishing, at nine they snared
Young foxes in the dells, At noon on sweet berries and honey they fared,
And blew in their twisted shells.
Dark was the sea they gambolled in,
And thick with silver fish,
Dark as green glass blown clear and thin
To be a monarch's dish.
They sate to sup in a jasmine bower, Lit pale with flies of fire,
Their bowls the hue of the iris-flower,
And lemon their attire.
Sweet wine in little cups they sipped,
And golden honeycomb
Into their bowls of cream they dipped,
Whipt light and white as foam.
Now Alliolyle, where the sand-flower blows,
Taught three old apes to sing— Taught three old apes to dance on their toes
And caper around in a ring.
They yelled them hoarse and they croaked them sweet,
They twirled them about and around,
To the noise of their voices they danced with their feet, They stamped with their feet on the ground.
But down to the shore skipped Lallerie,
His parrot on his thumb,
And the twain they scritched in mockery,
While the dancers go and come.
And, alas! in the evening, rosy and still,
Light-haired Lallerie
Bitterly quarrelled with Alliolyle
By the yellow-sanded sea.
The rising moon swam sweet and large
Before their furious eyes, And they rolled and rolled to the coral marge
Where the surf for ever cries.
Too late, too lale, comes Muziomone:
Clear in the clear green sea
Alliolyle lies not alone, But clasped with Lallerie.
He blows on his shell plaintiff notes;
Ape, parraquito, bee
Flock where a shoe on the salt wave floats,— The shoe of Lallerie.
He fetches nightcaps, one and nine,
Grey apes he dowers three,
His house as fair as the Malmsey wine
Seems sad as cypress-tree.
Three bowls he brims with sweet honeycomb
To feast the bumble bees,
Saying, "O bees, be this your home,
For grief is on the seas!"   He sate him lone in a coral grot,
At the flowing in of the tide;
When ebbed the billow, there was not,
Save coral, aught beside.
So hairy apes in three white beds,
And nightcaps, one and nine, On moonlit pillows lay three heads
Bemused with dwarfish wine.
A tomb of coral, the dirge of bee,
The grey apes' guttural groan
For Alliolyle, for Lallerie,
For thee, O Muziomone!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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