OpenLLM-France/wikimedia huggingface dataset:
# Royal Naval Biography/Foster, John

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JOHN FOSTER, Esq. [Commander.]
Obtained his first commission on the 2d Feb. 1808; and was severely wounded while serving as lieutenant of the Apollo frigate. Captain B. W. Taylor, at the capture and destruction of a French convoy in the Bay of Rosas, Nov. 1st, 1809. His next appointment was, Sept. 7th, 1810, to the Galatea 36, Captain Woodley Losack, which ship formed part of the squadron under Captain (now Sir Charles M.) ​Schomberg, and suffered severely in an action with three French frigates, off Madagascar, May 20th, 1811.
Towards the end of 1814, we find Lieutenant Foster proceeding from England to the West Indies, as first of the Palma frigate, Captain James Andrew Worth. He subsequently served under Captain Henry Hart, in the Sapphire 26, on the Jamaica station, from whence he returned home invalided, in 1820. He was advanced to the rank of commander, Jan. 2d, 1829.
This officer married, Oct. 1st, 1818, the second daughter of John Davidson, Esq., of Cork-street, Piccadilly, London.
* ↑ See Suppl. Part III. p. 160.
* ↑ See Suppl. Part I. p. 33.
# Royal Naval Biography/Forbes, John

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JOHN FORBES, Esq. [Commander.]
Was made a lieutenant in Dec. 1800; presented with the Turkish gold medal, at the close of the Egyptian campaign, in 1801; wounded while serving under Sir John T. Duckworth, in the Royal George, first-rate, during the expedition against Constantinople, in 1807; appointed to the Antelope 50, flag-ship of Admiral John Holloway, in the summer of 1810; and advanced to his present rank on the 1 7th Mar. 1812. He subsequently commanded the Erebus sloop, on the North Sea station.
# Shadwick v. City of Tampa

Supreme Court of the United States
407 U.S. 345
Shadwick v. City of Tampa
Appeal from the Supreme Court of Florida
No. 71-5445. Argued: April 10, 1972 --- Decided: June 19, 1972
City charter provision authorizing municipal court clerks to issue arrest warrants for breach of municipal ordinances held to comport with requirements of the Fourth Amendment that warrants be issued by a neutral and detached magistrate who must be capable of determining whether probable cause exists for issuance of the warrant. The clerks, though laymen, worked within the judicial branch under supervision of municipal court judges and were qualified to make the determination whether there is probable cause to believe that a municipal code violation has occurred. Pp. 347-354.
250 So. 2d 4, affirmed.
POWELL, J., delivered the opinion for a unanimous Court.
Daniel A. Rezneck argued the cause for appellant. With him on the briefs was Malory B. Frier.
Gerald H. Bee, Jr., argued the cause for appellee. With him on the brief was William Reece Smith, Jr.
# Shady grove/Happy Lizzy, blooming maid

HAPPY LIZZY, BLOOMING MAID.
THrice happy Lizzy, blooming maid, By no false arts of life betray'd, Bless'd tyrant of the rural scene Whose joys enmix'd with pining care, Which prey upon the modest fair, When evening comes, with artless smile, Does all her pleasing toils beguile With tripping o'er the enamell'd green.
Clarinda fair, in jewels dress'd, The pride of theatres is confess'd, Still shines with irresistless mein: Tho' music, actions, words conspire, To wake her soul to soft desire; Delight like this will quickly cloy, And Lizzy take more perfect joy, in tripping o'er the enamell'd green.
When Lindamira, in the dance, In sprightly air does swiftly prance, and graceful moves like beauty's queen Thro' crowds of Beaux admiring gaze, Nor sickning Prudes refuse, her praise, The flatter'd Bells not half so bless’d, And Lizzy of more Joy posess'd, In tipping o'er the enamell'd green.
When Coquerilla Cards invite, To wile away the social night, ​And banish'd far corroding spleen Though chance, indulgent to her will, Conveys, each circling Deal, Spadille; The sweets of gain are less refin'd, And softer transports: sooth the mind, Of Lizzy, when she trips th' enamell'd green.
Hail blissful life, which Lizzy leads! 'Midst bubbling springs and painted meads, Just emblem of the golden mein: A life with fairest virtue grac'd, Whose ebbing moments sweetly waste; Made doubly joyous, chearful, gay, When Lizzy crowns the indulgent day, With tripping o'er the enamell'd green.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Shadows in the Moonlight

First published in Weird Tales, April 1934. Alternative title: "Iron Shadows in the Moon"

## Contents

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1934 could have had their copyright renewed in 1961 or 1962, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1963.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Shady grove/Shady grove

THE SHADY GROVE:
OR THE
DISTRESSED LOVER.
DOWN by yon shady grove, One day I chanc'd to rove, Where the fields and the meadows look gay I spy'd a lovely maid She has my heart betray'd, And she's caus'd me a while for to stay.
Her cheeks they're like the rose, Her eyes are black as sloes, Her skin is far whiter than snow, She is a lovely maid, She has my heart betray'd, And more of her heart I will know.
I said my own sweetheart, My jewel that thou art, I have set my affection on thee, Thou set my heart on fire, It's all that I desire, My true love in constancy to be.
It is for you alone, That here I sigh and moan, For true love will never decay, Sweetheart you know my mind, I hope you will prove kind, Though my dwelling lies far away.
​There is some of your friends, They think I have no means, They hate me because I am poor, If I had great store of coin, All your friends would me join, They would make up all matters therefore.
Like David and his Clan, Banish'd from his native land, Like Lazarus I am hated too, Which causes me to weep, Every night when I should sleep; my darling still thinking on you
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Shady grove

Shady Grove.
TO WHICH ARE ADDED,
The MAID’S Complaint for JOCKEY.
Happy LIZZY, blooming MAID.
The LASS of PRIMROSE HILL.
The UNFORTUNATE SWAIN.
SHE WAKES, SABINA WAKES.
GLASGOW,
Printed by J. & M. Robertson, Saltmarket, 1802.
* Shady Grove
* The maid's complaint for Jockey
* Happy Lizzy, blooming maid
* The lass of Primrose-hill
* The unfortunate swain
* She wakes, Sabina wakes
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Royal Naval Biography/Woollcombe, Edward

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EDWARD WOOLLCOMBE, Esq. [Post-Captain of 1808.]
Nephew to the late Vice-Admiral Sir Samuel Hood, K.B. Was made a Lieutenant in 1802, promoted to the rank of Commander, June 6, 1804; and posted into the Belleisle 80, flag-ship of Sir Alexander Cochrane, at the Leeward Islands, Sept. 29, 1808.
Captain Woollcombe commanded the Ulysses 44, at the reduction of Martinique, in 1809; and was subsequently appointed to the Circe 28, in which frigate he captured the Lovely Lass, American privateer schooner, of 5 guns and 60 men, near Jamaica, May 15, 1813.
This officer married, April 16, 1818, the only daughter of Alderman Walker, of Exeter; and died in that city, about Dec. 1824.
# Royal Naval Biography/Wormley, Ralph Randolph

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RALPH RANDOLPH WORMLEY, Esq. [Post-Captain of 1814.]
A native of North America, and nephew to the late Dr. Randolph, Bishop of London.
This officer was made lieutenant Jan. 22, 1806; and promoted to the command of the Minorca brig, Feb. 16, 1810. On the 4th June, in the same year, he captured the Sans Peur, French felucca privateer, of one gun and 35 men. His post commission bears date June 7, 1814.
Agent.– John Chippendale, Esq.
# Royal Naval Biography/Worsley, Richard

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RICHARD WORSLEY, Esq Rear-Admiral of the Blue.
This officer was made a Lieutenant about the year 1790; obtained the rank of Post-Captain, Nov. 29, 1797; and became a Rear-Admiral, April 9, 1823.
Residence.– Isle of Wight.
# Royal Naval Biography/Woodley, William

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WILLIAM WOODLEY, Esq. [Commander.]
Passed his examination in Mar. 1812; obtained his first commission on the 25th June following; and was promoted to his present rank, after serving on board the Royal Charlotte yacht, in attendance on the Princess Charlotte of Wales, at Weymouth, Mar. 11th, 1816.
# Royal Naval Biography/Woollcombe, George

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GEORGE WOOLLCOMBE, Esq. [Captain of 1830.]
Was a midshipman of the Tonnant 80, flag-ship of the Hon. Sir Alexander I. Cochrane, on the North American station; and “particularly distinguished himself” in leading a party of seamen to the assault of a battery, whilst serving under the immediate command of Captain Rowland Money, during the operations against New Orleans, Jan. 8th, 1815. His first commission bears date Feb. 23d, 1815. From June 1816 until Dec. 1817, he served in the Lee sloop, Captain John Pasco, on the Plymouth station; and from Jan. 1819 until Dec. 1821, in the Active frigate. Captain Sir James A. Gordon, attached to the Halifax squadron. In 1823, he was successively appointed to the Windsor Castle 74, Captain (now Sir Charles) Dashwood, one of the guard-ships in Hamoaze; the Bann sloop. Captain John Filmore, fitting out for the African station; and the Owen Glendower frigate, already on that coast. In April 1824, he was made a commander; and on the 21st Aug, following, appointed to the Victor 18, which vessel appears to have been employed, first in the suppression of the slave trade, and afterwards in cruising against smugglers: she was paid off in Aug. 1827.
Captain Woollcombe obtained his present rank July 22d, 1830, previous to which he had commissioned and fitted out the Curlew sloop, destined to the East Indies.
Agents.– Messrs. Maude and Co.
# Royal Naval Biography/Worsley, Miller

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MILLER WORSLEY, Esq. [Commander.]
Passed his examination about Oct. 1810; obtained a commission on the 12th of July, 1813; and highly distinguished himself, on several occasions, while serving as lieutenant on the Canadian Lakes, in 1814. He was promoted to his present rank on the 13th of July, 1815; and appointed inspecting commander of the preventive-boats stationed at the Isle of Wight, in Aug. 1817-
This officer married, Oct. 3d, 1820, a daughter of the late Mr. C. Harris, merchant, of Bristol.
# Shakespeare's Sonnets (1923) Yale/Appendix C

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APPENDIX C
The Sonnet and Elizabethan Sonneteers
It was Petrarch (1304–1374) who made the sonnet the most popular form of the lyric during the fifteenth ​and sixteenth centuries. Though sonnets had been written before him, notably by Dante, the vogue of Petrarch, overshadowing that of all other lyric poets ancient and modern, was carried far beyond 'this side idolatry.' His themes were love and beauty, a hopeless love thwarted by destiny and death. His followers and imitators were legion. Vagany, in his compendious bibliography of sixteenth-century French and Italian sonneteers, does not include them all, for no man has ever read them all or could survive if he made the attempt.
Before the sonnet reached England, it came to France, where Ronsard and his contemporaries were deeply influenced by Italian poetry; and in Shakespeare's day it was largely through the French sonneteers that Petrarch affected English writers, though they made direct translations of Italian sonnets as well. The first English sonnets were written by Sir Thomas Wyatt (1503–1542) and Henry Howard, Earl of Surrey (1518–1547), and were first published after their death in Tottel's Miscellany, 1557. As might be presumed, both these poets were confirmed admirers of Petrarch, and their sonnets showed it.
The sonnet of Petrarch, commonly called the Italian sonnet, is a poem of fourteen lines divided into two parts of eight and six lines, the octave and the sestet. The octave was written abbaabba, while the sestet could have two or three rhymes, arranged in no fixed order save that the last two lines should not rhyme together. In the octave a thought, an emotion, a picture is completely presented and the verse sentence, so to speak, comes to an end. In the sestet, the explanation, the comment, the summing up of the whole matter is given. Wyatt attempted the Italian form, but found it too difficult to write correctly, and his sonnets end in rhymed couplets. Surrey, more of a stylist, devised a new and simpler form for the sonnet—three ​quatrains with a concluding couplet, and with no attempt to preserve the division of the octave and sestet. As a simple trial will prove, it is much harder to write a sonnet in the Italian form than to compose three quatrains and a couplet; and as the Elizabethans prized fluency, they preferred Surrey's form. In Shakespeare it reached its greatest beauty so that Surrey's form is now often called the 'Shakespearean' sonnet. It is interesting to notice that at times Shakespeare makes the break in the thought between the eighth and ninth lines that the Italian sonnet writers observed. This will be seen in 'When, in disgrace with fortune and men's eyes,' No. 29, or better still, in several sonnets printed together with the sestet beginning invariably with 'O,' Nos. 21–23, 71, 72, 76.
Apart from Shakespeare, the Elizabethan sonnet sequences most worthy of study are Sidney's Astrophel and Stella, 1591, Daniel's Delia, 1592, Drayton's Idea, 1594, and Spenser's Amoretti, 1595. To read them, or even their finest passages, but makes more apparent the supremacy of Shakespeare.
# Shakespeare's Sonnets (1923) Yale

* related portals: The Yale Shakespeare.
* sister projects: Wikipedia article, quotes, Wikidata item.
Part of The Yale Shakespeare series.
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∵ The Yale Shakespeare ∵
SHAKESPEARE'S SONNETS
EDITED BY EDWARD BLISS REED
NEW HAVEN · YALE UNIVERSITY PRESS LONDON · HUMPHREY MILFORD OXFORD UNIVERSITY PRESS · MCMXXIII
Copyright, 1923 By Yale University Press
CONTENTS :
| | PAGE |
| The Text | 1 |
| Notes | 78 |
| Appendix A. History of the Sonnets | 91 |
| Appendix B. Problems of the Sonnets | 93 |
| Appendix C. The Sonnet and Elizabethan Sonneteers | 95 |
| Appendix D. The Text of the Present Edition | 97 |
| Appendix E. Suggestions for Collateral Reading | 98 |
| Index of Words Glossed | 100 |
The facsimile opposite represents the title-page of the Elizabethan Club copy of the first quarto (1609).
THE YALE SHAKESPEARE
Edited by
Wilbur L. CrossTucker Brooke
Published under the Direction
of the
Department of English, Yale University,
on the Fund
Given to the Yale University Press in 1917
by the Members of the
Kingsley Trust Association
To Commemorate the Seventy-Fifth Anniversary
of the Founding of the Society
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1940, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 83 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Shakespeare's Sonnets (1923) Yale/Appendix D

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APPENDIX D
The Text of the Present Edition
Although two of the sonnets in this collection, Nos. 138 and 144, were included in The Passionate Pilgrim, 1599, the first edition of the sonnets is the quarto which appeared in 1609 and which sold for five pence. This quarto was not sanctioned by Shakespeare; it is full of obvious errors and yet it is the accepted text. By permission, the text of this edition is that of Craig's Oxford Shakespeare, published by the Oxford Press, which follows the first quarto, correcting its mistakes. ​In a few cases the editor has departed from Craig's text, preferring the reading of the first quarto or some generally accepted emendation. Minor changes of spelling and punctuation are not recorded, but all other variations from Craig's text are given below, where Craig's readings are printed after the colon.
10. 1. For shame deny Q: For shame! deny
16. 10. Which this Time's pencil,: Which this, Time's pencil,
16. 13. yourself, Q: yourself
26. 14. Till then, Q: Till then
31. 1. hearts: hearts, Q
59. 11. Whether Q: Whe'r
66. 14. Save that to die Q: Save that, to die
75. 9. Sometime all Q: Sometime, all
84. 1. most, Q: most?
84. 2. you, Q: you?
84. 4. grew?: grew.
84. 8. story.: story,
85. 3. Reserve Q: Deserve
88. 5. weakness being Q: weakness, being
110. 9. have Q: save
114. 3. say Q: say,
141. 6. feeling Q: feeling,
# Shakespeare's Sonnets (1883)/Sonnet 99

XCIX.
The forward violet thus did I chide: Sweet thief, whence didst thou steal thy sweet that smells, If not from my love's breath? The purple pride Which on thy soft cheek for complexion dwells In my love's veins thou hast too grossly dy'd. The lily I condemned for thy hand, And buds of marjoram had stol'n thy hair; The roses fearfully on thorns did stand, One blushing shame, another white despair; A third, nor red nor white, had stol'n of both, And to his robbery had annex'd thy breath; But, for his theft, in pride of all his growth A vengeful canker eat him up to death. More flowers I noted, yet I none could see, But sweet, or colour it had stol'n from thee.
# Shakespeare's Sonnets (1923) Yale/Appendix E

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APPENDIX E
Suggestions for Collateral Reading
Raymond M. Alden: The Sonnets of Shakespeare. From the Quarto of 1609 with variorum readings and commentary. Philadelphia, 1914. (Indispensable for a study of the sonnets.)
The following editions have valuable introductions and notes:
Edward Dowden: Sonnets of William Shakespeare. London, 1881.
​Thomas Tyler: Shakespeare's Sonnets. London, 1890. (A presentation of the Herbert theory.)
George Wyndham: Poems of Shakespeare. London, 1898.
C. C. Stopes: Shakespeare's Sonnets. London, 1904. (The editor is an able defender of the Southampton theory. Cf. The Life of Henry, Third Earl of Southampton, Shakespeare's Patron, Cambridge, England, 1922, by the same writer.)
H. C. Beeching: Sonnets of Shakespeare. Boston, 1904.
Sidney Lee: Shakespeare's Sonnets. A reproduction in facsimile of the first edition (1609). Oxford, 1905.
Sidney Lee: Elizabethan Sonnets, newly arranged and indexed. London, 1904.
J. Vianey: Le Pétrarquisme en France au XVI$^{me}$ siècle. Montpellier, 1909.
William Sharp: Sonnets of this Century. London, N. D. (The introduction contains a valuable discussion of the sonnet form and its history.)
H. D. Gray: 'The Arrangement and Date of Shakespeare's Sonnets.' Publications of the Modern Language Association of America. Boston, 1915.
A. C. Bradley: 'Shakespeare the Man,' in Oxford Lectures on Poetry. London, 1909.
The characters of the sonnets in fiction:
Oscar Wilde: The Portrait of Mr. W. H. London, 1889; Bernard Shaw: The Dark Lady of the Sonnets. London, 1914; Clemence Dane: Will Shakespeare. London, 1921.
# Shakespeare's Sonnets (1883)/Sonnet 98

XCVIII.
From you have I been absent in the spring, When proud-pied April, dress'd in all his trim, Hath put a spirit of youth in every thing, That heavy Saturn laugh'd and leap'd with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew: Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and you away, As with your shadow I with these did play.
# Rübezahl verwandelt Blätter in Dukaten

From Praetorius' Daemonologia Rubinzalii Silesii (volume 3, 1673), as edited by Büsching as part of "Erzählungen vom Rübezahl", in Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Rübezahl verwandelt Blätter in Dukaten include:
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Rübezahl verwandelt sich in einen Botenspieß

From Praetorius' Daemonologia Rubinzalii Silesii (volume 2, 1671), as edited by Büsching as part of "Erzählungen vom Rübezahl", in Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Rübezahl verwandelt sich in einen Botenspieß include:
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Rübezahl verwandelt sich in einen Esel

From Praetorius' Daemonologia Rubinzalii Silesii (volume 1, 1668), as edited by Büsching as part of "Erzählungen vom Rübezahl", in Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Rübezahl verwandelt sich in einen Esel include:
* "How Rubezahl Changed Himself into an Ass" translated by George Godfrey Cunningham (1829)
* "Rubezahl Transforms Himself into an Ass" translated by William John Thoms (1834)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Rübezahl zaubert einigen Küh- und Ochsenköpfe an

From Praetorius' Daemonologia Rubinzalii Silesii (volume 1, 1668), as edited by Büsching as part of "Erzählungen vom Rübezahl", in Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Rübezahl zaubert einigen Küh- und Ochsenköpfe an include:
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Rübezahl wird ein Holzhacker

From Praetorius' Daemonologia Rubinzalii Silesii (volume 2, 1671), as edited by Büsching as part of "Erzählungen vom Rübezahl", in Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Rübezahl wird ein Holzhacker include:
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse