OpenLLM-France/wikimedia huggingface dataset:
# Bird-Lore/Volume 01/No. 1/Editorial

The Audubon Societies
“You cannot with a scalpel find the poets soul. Nor yet the wild birds song.”
Edited by Mrs. Mabel Osgood Wright (President of the Audubon Society of the State of Connecticut), Fairfield, Conn., to whom all communications relating to the work of the Audubon and other Bird Protective Societies should be addressed.
DIRECTORY OF STATE AUDUBON SOCIETIES
With names and addresses of their Secretaries.
| New Hampshire | Mrs. F. W. Batchelder, Manchester. |
| Massachusetts | Miss Harriet E. Richards, care Boston Society of Natural History, Boston. |
| Rhode Island | Mrs. H. T. Grant, Jr., 187 Bowen street, Providence. |
| Connecticut | Mrs. Henry S. Glover, Fairfield. |
| New York | Miss Emma H. Lockwood, 243 West Seventy-fifth street, New York City. |
| New Jersey | Miss Mary K. Mellick, Plainfield. |
| Pennsylvania | Mrs. Edward Robins, 114 South Twenty-first street, Philadelphia. |
| District of Columbia | Mrs. John Dewhurst Patten, 3033 P. street, Washington. |
| Wheeling, W. Va. (branch of Penn Society) | Elizabeth J. Cummins, 1314 Chapline street, Wheeling. |
| Ohio | Miss Clara Russell, 903 Paradrome street, Cincinnati. |
| Indiana | Amos W. Butler, State House, Indianapolis. |
| Illinois | Miss Mary Drummond, Wheaton. |
| Iowa | Miss Nellie S. Board, Keokuk. |
| Wisconsin | Mrs. George W. Peckham, 646 Marshall street, Milwaukee. |
| Minnesota | Mrs. J. P. Elmer, 314 West Third street, St. Paul. |
This department will be devoted especially to the interests of active Audubon workers, and we earnestly solicit their of assistance, as our success in making it a worthy representative of the cause for which it stands largely depends upon the heartiness of their cooperation. Others also, who are lovers and students of nature in many forms, but who have never, for divers reasons, engaged in any bird protective work, may, through reading of the systematic and effective methods of the societies, become convinced of the necessity of personal action.
We intend at once to establish the more practical side of the department by printing in an early issue a bibliography of Audubon Society publications, in order that anyone interested may know exactly what literature has appeared and is available. For this reason we ask the secretaries of all the societies to send us a complete set of their publications, stating if possible, the number of each which has been circulated, and when for sale, giving the price at which they may be obtained.
We also request the secretaries to send us all possible news of their plans and work, not merely statistics, but notes of anything of interest, for even the record work, discouragements, as well as of successes, may often prove full of suggestion to workers in the same field, and aid toward developments that will broaden and strengthen the entire movement. A movement in complete harmony with the great desire of thinking people for a broader life in nature, which is one of the most healthful and hopeful features of the close of this century.
# Bird-Lore/Volume 01/No. 1/An Accomplished House Sparrow

Notes from Field and Study
An Accomplished House Sparrow
In June, six or seven years ago, my daughters found in the courtyard of our home, a young House or English Sparrow who had evidently fallen from the nest, and had broken its leg in the fall. They took it in and cared for it, binding up the injured limb and feeding it as experience with other birds of the same family had taught them to do. Happily, the bird recovered, and in a short time became quite a pet of the household.
At that time we had two Canary Birds, both beautiful singers, and in almost constant song. The Sparrow was in the same room with them, and very soon (making use of its imitative power, which we have observed is a strong characteristic of the Sparrow) acquired the full and complete song of the Canaries. We followed with much pleasure the unfolding of his musical ability, which was gradual, and found that he had surpassed his teachers, producing melodies much richer and stronger, as all who had the pleasure of listening to him freely admitted.
The bird retained his song to the last, although as age came upon him, as with all other pet birds, his singing was less and less frequent till he passed away, some few months ago. Besides imitating the song of the Canary, he acquired the song of a bird in our collection known as the ‘Strawberry Finch,’ which he gave perfectly. His plumage was greatly improved by his confinement and the very great care given him, so much so, that one almost doubted his being an English Sparrow till convinced upon closer examination.
We have had a large experience with these birds; they become very affectionate with petting, and show a wonderful degree of intelligence.
I would further say that our Sparrow had all the notes common to the English Sparrow, beside his acquired accomplishments, and there was sadness in our home when his little life went out.—John L. Royael, Brooklyn, N. Y.
# Bird-Lore/Volume 01/No. 1/Chippy's Family

Chippy’s Family.
Did you ever look into a Chippy’s nest? The eggs are a pretty blue and have black dots on the larger end. When the little birds first come out of the shell their eyes are shut tight, like those of little kittens when they are first born. If you are very gentle you can stroke the backs of the little ones as they sit waiting for the old birds to feed them. I remember one plum tree nest on a branch so low that a little girl could look into it. One day when the mother bird was brooding the eggs the little girl crept close up to the tree, so close she could look into Mother Chippy's eyes, and the trustful bird never stirred, but just sat and looked back at her. “Isn't she tame?” the child cried, she was so happy over it.
There was another Chippy’s nest in an evergreen by the house, and when the old birds were hunting for worms we used to feed the nestlings bread crumbs. They didn't mind the bread not being worms so long as it was something to eat. It would have made you laugh to see how wide, they opened their bills! It seemed as if the crumbs could drop clear down to their boots! Wouldn’t you like to feed a little family like that sometime?
# Bird-Lore/Volume 01/No. 1/Birds of Washington

In a prefatory note the author states that this book “has been prepared at the suggestion of the Audubon Society ​of the District of Columbia, in the belief that a local work giving untechnical descriptions of all birds likely to be seen in this vicinity, with something of the haunts and habits of those that nest here, will be useful to many who desire, an acquaintance with our own birds, but do not know just how to go about making it.”
The book seems admirably adapted to achieve this end. The opening pages by Miss Merriam are a capital introduction to the study of birds in the District of Columbia. They are followed by ‘A Field Key to Our Common Land Birds,’ and attractively written biographical sketches of the breeding species. The migrants and winter residents are treated more briefly, and an annotated ‘List of All Birds Found in the District of Columbia,’ by Dr. C. W. Richmond, is given. There are also nominal lists of winter birds, birds that nest within the city limits, etc., and an ‘Observation Outline,’ abridged from Miss Merriam′s ‘Birds of Village and Field.’
The book is, in fact, a complete manual of ornithology for the District of Columbia, and will undoubtedly prove an efficient guide to the study of the birds of that region.
# Bird-Lore/Volume 01/No. 1/Collecting a Brown-Thrasher's Song

Collecting a Brown Thrasher’s Song
Rustler, my pet Brown Thrasher, was pouring out his loud, long, spring song. A phonograph, or rather a graphophone, had been left on a table by the cage. Everything seemed to favor the collection of a bird song. I placed the instrument so that the open funnel of the horn came within less than a foot of the Thrasher's swelling throat, and touching a lever, set the wax cylinder revolving below a sapphire-tipped style, which cut the bird notes into the wax. Just as the medley changed from that of a Catbird to that of a Wood Thrush, a Robin flew past the window. Rustler stopped short, but the style continued to cut and ruin the wax cylinder. When Rustler started in again he hopped to the opposite side of the cage, rudely turning his back upon the graphophone.
More than a little vexed at the perversity of dumb animals, I quickly covered over the end of the cage farthest from the graphophone; then Rustler sulked beneath the cloth in silence. Next I removed the perch from that side and then Rustler absolutely refused to sing any more. Some hours later, however, I made another attempt, but each time the graphophone was started the whir of the revolving cylinder cut short my Thrasher′s rich, rippling notes, so that the only thing to do was to remove the recording style and accustom him to the noise of the cylinder, and when this had been accomplished, I replaced the recording style. I found that by shutting off the graphophone the instant Rustler's notes became weak or stopped, I could catch a continuous series of notes. I succeeded the following morning in getting a pretty fair song. It was not so loud as it might have been, but in pitch and timbre it was perfect.
In September dear old Rustler died. For nine long years he had enlivened my northern New Jersey home with his cheery music. In November, at a meeting of the American Ornithologists' Union, the notes of Rustler′s love song fell sweetly upon sympathetic ears.—Sylvester D. Judd, Ph. D., Washington, D. C.
# Bird-Lore/Volume 01/No. 1/Bird-Life

This is the original edition of ‘Bird-Life,’ with an Appendix designed to adapt the work for use in schools. The new matter consists of questions on the introductory chapters of ‘Bird-Life,’ as, for instance, ‘The Bird, its Place in Nature and Relation to Man,’ ‘Form and Habit,’ ‘Color,’ ‘Migration,’ etc.; and, under the head of ‘Seasonal Lessons,’ a review of the bird-life of a year based on observations made in the vicinity of New York City. This includes a statement of the chief characteristics of each month, followed by a list of the birds to be found during the month, and, for the spring and early summer months, a list of birds to be found nesting.
For the use of teachers and students residing in other parts of the eastern United States there are annotated lists of birds from Washington, D. C., by Dr. C. W. Richmond; Philadelphia, Pa., by Witmer Stone; Portland, Conn., by J. H. Sage; Cambridge, Mass., by William Brewster; St. Louis, Mo., by Otto Widmann; Oberlin, Ohio, by Lynds Jones, and Milwaukee, Wis., by H. Nehrling.
The Appletons have also issued this book in the form of a ‘Teachers′ Manual,’ which contains the same text as the ‘Teachers′ Edition,’ but lacks the seventy-five uncolored plates.
This ‘Teachers′ Manual’ is intended to accompany three ‘Teachers′ Portfolios of Plates,’ containing in all one hundred plates, of which ninety-one, including the seventy-five plates published in ‘Bird-Life,’ are colored, while nine are half-tone reproductions of birds' nests photographed in nature. The one hundred plates are about equally divided in portfolios under the titles of ‘Permanent Residents and Winter Visitants,’ ‘March and April Migrants,’ and ‘May Migrants and Types of Nests and Eggs.’
# Bird-Lore/Volume 01/No. 1/Bird Gods

So singular a combination of ornithologist and mythologist is the author of ‘Bird Gods’ that students of birds, as well as of myths, will find his pages of interest. “Why,” he asks himself, should certain birds have been allotted to certain gods and goddesses in the Greek and Roman mythology? Why should the Eagle go with Zeus, the Peacock with Hera, the Dove with Venus, the Swan with Apollo, he Wood-pecker with Ares, the Owl with Pallas Athene? "And his search for a reply to these questions has led him into many little-frequented by-paths of early European literature, in which he has found much curious information concerning the influence of birds on primitive religions. Impressed by the “share birds have had in the making of myth, religion, poetry and legend” he wonders at their whole-sale destruction to-day, and ventures the hope that recollection of what our ancestors thought of birds and beasts, of how at one time they prized and idealized them, may induce in us, their decendants, some shame at the extermination to which we are consigning these lovable but helpless creatures, for temporary gains or sheer brutal love of slaughter."
# Bible (Wycliffe)/2 Joon
## Chapter 1

$^1$ The eldere man, to the chosun ladi, and to her children, whiche Y loue in treuthe; and not Y aloone, but also alle men that knowen treuthe;
$^2$ for the treuthe that dwellith in you, and with you schal be with outen ende.
$^3$ Grace be with you, merci, and pees of God the fadir, and of Jhesu Crist, the sone of the fadir, in treuthe and charite.
$^4$ I ioiede ful myche, for Y foond of thi sones goynge in treuthe, as we resseyueden maundement of the fadir.
$^5$ And now Y preye thee, ladi, not as writinge a newe maundement to thee, but that that we hadden fro the bigynnyng, that we loue ech other.
$^6$ And this is charite, that we walke after his maundementis. For this is the comaundement, that as ye herden at the bigynnyng, walke ye in hym.
$^7$ For many disseyueris wenten out in to the world, which knoulechen not that Jhesu Crist hath come in fleisch; this is a disseyuere and antecrist.
$^8$ Se ye you silf, lest ye lesen the thingis that ye han wrouyt, that ye resseyue ful mede;
$^9$ witynge that ech man that goith bifore, and dwellith not in the teching of Crist, hath not God. He that dwellith in the teching, hath bothe the sone and the fadir.
$^{10}$ If ony man cometh to you, and bryngith not this teching, nyle ye resseyue hym in to hous, nether seie ye to hym, Heil.
$^{11}$ For he that seith to hym, Heil, comyneth with hise yuel werkis. Lo! Y biforseide to you, that ye be not confoundid in the dai of oure Lord Jhesu Crist.
$^{12}$ Y haue mo thingis to write to you, and Y wolde not bi parchemyn and enke; for Y hope that Y schal come to you, and speke mouth to mouth, that your ioye be ful.
$^{13}$ The sones of thi chosun sistir greten thee wel. The grace of God be with thee. Amen.
Old Testament
* Genesis
* Exodus
* Leviticus
* Numbers
* Deuteronomy
* Joshua
* Judges
* Ruth
* 1 Kings
* 2 Kings
* 3 Kings
* 4 Kings
* 1 Paralipomenon
* 2 Paralipomenon
* 1 Esdras
* 2 Esdras
* 3 Esdras
* Tobit
* Judith
* Esther
* Job
* Psalms
* Proverbs
* Ecclesiastes
* Songes of Songes
* Wisdom
* Syrach
* Isaiah
* Jeremiah
* Lamentations
* Preier of Jeremye
* Baruk
* Ezechiel
* Daniel
* Osee
* Joel
* Amos
* Abdias
* Jonas
* Mychee
* Naum
* Abacuk
* Sofonye
* Aggey
* Sacarie
* Malachie
* 1 Machabeis
* 2 Machabeis
New Testament
* Matheu
* Mark
* Luke
* John
* Dedis of Apostlis
* Romaynes
* 1 Corinthis
* 2 Corinthis
* Galathies
* Effesies
* Filipensis
* Colosencis
* 1 Thessalonycensis
* 2 Thessalonycensis
* 1 Tymothe
* 2 Tymothe
* Tite
* Filemon
* Ebrews
* James
* 1 Petre
* 2 Petre
* 1 Joon
* 2 Joon
* 3 Joon
* Judas
* Apocalips
* Laodicensis
# Big Sur/Chapter 32

Layout 2
32
We pack up little elliott’s pathetic warmclothes and put food together and get the hamper all set and wait for Dave to come sadly in the night—And we have a big talk—“Billie but why did the fish die?” but she knows already they probably died because I gave them Kelloggs cornflakes or something went wrong, one thing sure is that she didnt forget to feed them or anything, it’s all me, all my fault, I’d as soon be rusted by autumn too-much-think than be dead-fisher cause of those poor little hunks of golden death floating on that scummy water—It reminds me of the otter—But I cant explain it to Billie who’s all abstract and talking about our abstract soul-meetings in hell, and little Elliott is pulling at her asking “Where we going? where we going? what for? what for?”—She’s saying “And all because you think you caused the death of the goldfish tho they probably just died on their own accord”—“Why would they do that? why? what kind of logic is that for fish to have?”—“Or because you think you drink too much and therefore every time you’re feeling good on a little booze you give up and say your hands hang helpless, like you said last night when you were holding me with those hands blessing my heart and my body with your love, O Jack it’s time for you to wake up and come with me or at least come with somebody and Open your eyes to why God’s put you here, stop all that staring at the floor, you and Perry both you’re crazy—I’ll draw you magic moon circles’ll change all your luck”—I look her dead in the eye and it is blue and I say “O Billie, forgive me”—“But you see you go there talkin guilty again”—“Well I dont know all those big theories ​about how everything should be goddamit all I know is that I’m a helpless hunk of helpful horse manure looking in your eye saying Help me”—“But when you make those big final statements it doesnt help you”—“Of course I know that but what do you want?”—“I want us to get married and settle down to a sensible understanding about eternal things”—“And you may be right”—I see it all raving before me the endless yakking kitchen mouthings of life, the long dark grave of tomby talks under midnight kitchen bulbs, in fact it fills me with love to realize that life so avid and misunderstood nevertheless reaches out skinny skeleton hand to me and to Billie too—But you know what I mean.
And this is the way it begins.
# Biblical commentary the Old Testament/Volume III. Early Prophets

* 1 Chronicles
* 2 Chronicles
* Ezra
* Nehemiah
* Esther
* Job
# Canticle of Canticles

* Search for titles containing or beginning with: "Canticle of Canticles."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A book of the Hebrew Bible, now better known as Song of Songs or Song of Solomon; for versions, see Song of Songs (Bible).
* "Canticle of Canticles," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
# Canticle

* Search for titles containing or beginning with: "Canticle."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A book of the Hebrew Bible, now better known as Song of Songs or Song of Solomon; for versions, see Song of Songs (Bible).
* Canticle, a poem by Dorothea Mackellar
* "A Canticle" by Herman Melville
* "Canticle," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Canticles" in the Encyclopaedia Britannica, 1st ed., Vol. II
# Bradford Electric Light Company v. Clapper (286 U.S. 145)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
286 U.S. 145
Bradford Electric Light Company v. Clapper
Argued: Feb. 15, 16, 1932. --- Decided: May 16, 1932
Messrs. Stanley M. Burns and George T. Hughes, both of Dover, N. H., and William E. Leahy, of Washington, D. C., for petitioner.
[Argument of Counsel from page 146 intentionally omitted]
Messrs. Robert W. Upton, of Concord, N. H., and John E. Benton, of Washington, D. C., for respondent.
[Argument of Counsel from pages 147-149 intentionally omitted]
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Bradford v. Commissioner of Internal Revenue

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
382 U.S. 868
Bradford v. Commissioner of Internal Revenue
Alice E. Bradford, pro se.
Solicitor General Cox, for respondent.
Petition for writ of certiorari to the United States Court of Appeals for the Second Circuit.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Bradford Electric Light Company v. Clapper (284 U.S. 221)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
284 U.S. 221
Bradford Electric Light Company v. Clapper
Submitted on Statement as to Jurisdiction Nov. 23, 1931.
Decided Dec. 7, 1931.
Mr. Wm. E. Leahy, of Washington, D. C., for appellant.
Mr. John E. Benton, of Washington, D. C., for appellee.
Mr. Chief Justice HUGHES delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Bradford Electric Light Company v. Clapper

* Search for titles containing or beginning with: "Bradford Electric Light Company v. Clapper."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Bradford Electric Light Company v. Clapper (284 U.S. 221)
* Bradford Electric Light Company v. Clapper (286 U.S. 145)
# Biographical Sketches of Dekkan Poets/Timmana

TIMMANA.
This poet was by cast a Niyogi bramin of the Mukka tribe and a native of a village called Gannavarum, he flourished during the reign of Krishna Roya, King of Vijayanagar. He composed a work called "Parijata paharana," in which it is given out that Krishna Roya had procured the parijata flower from the garden of Indra for his consort Satya Bhama, the poem consists of three books written in a florid style, and the images and similes are very bold and striking.
# Biographical Sketches of Dekkan Poets/Tor Subhanrow

TOR SUBHANROW.
Was a Maharata bramin and an inhabitant of Arani, which is situated eighty seven miles west of Madras, he flourished during the time of Suttulla Khawn, Nawaub of Arcot, and was employed at the court of Arani Raja. Subhanrow received a good education in his infancy, and led a religious life. When twenty fire years of age he made use of the Jotishpati oil, to acquire a quick genius, and it gave him a voracious appetite. He obtained two villages from his employers, by the produce of which he satisfied the cravings of his hunger. He was sent as a vakeel Tanisha to Hyderabad, and by his good management effected the object of his mission; he, moreover, by exhibiting proofs of valor to the sovereign, obtained valuable presents, with which he returned home. It is said, he was a votary of Hanuman, and composed one hundred verses on the marriage of Rama and Sita; he lived to a good old age, and died at Arani. The above ​biography is compeled from documents in the possession of the Masumdars of the Arani Rajah.
# Biographical Sketches of Dekkan Poets/Uragappa Dandanath

URAGAPPA DANDANATH.
This Sanscrit poet was a Military Officer of high rank, it is said a Commander of the Forces of Harihara Roya, founder of Vedyanagar and its first Sovereign, he was born at Anagondi, and flourished in the twelfth century of Salivahana. Uragappa Dandanath was well versed ​in the Sanscrit Grammar, and composed a Dictionary which he named Nanardha Ratnamala.—This book was used in different Colleges in the peninsula.
# Biographical Sketches of Dekkan Poets/Tukkoba

TUKKOBA.
A Maharata, poet of Pandrapore, he was well versed in the Maharats language, and it said, that at his twentieth year the God Vital appeared to him in a dream, and bestowed on him the gift of poetry. He composed one thousand Maharata verses, in praise of the Deity which he called Abhanga; and twenty years of his life were spent in altering praises to the Pandrapore God. It is said, that in the fortieth year of his age, he was translated to heaven.
# Biographical Sketches of Dekkan Poets/Uppaga

UPPAGA.
This poetess and the two following were sisters to Avayar. She was born at Utakadu in the Arcot district, and was brought up by a washerwoman. She wrote a work on morality entitled Nili Patal.