OpenLLM-France/wikimedia huggingface dataset:
# The Mythology of Ancient Britain and Ireland/Annex 1

Chronological syllabus
Historical.—Arrival in Britain of the earliest Celts (Goidels) about 1000–500 B.C.—Brythons and Belga, coming over during the 2nd and 3rd centuries B.C., largely supplant the Goidels—Belgic settlers still crossing over from Gaul in the time of Julius Caesar, who made his first invasion 55 B.C.—Britain declared a Roman province under Claudius A.D. 43—Abandoned under Honorius A.D. 410-Druidism forbidden to Roman citizens under Tiberius (reigned A.D. 14–37) and its complete suppression ordered by Claudius (reigned A.D. 41–54)—The chief stronghold of the Druids in Britain destroyed under Suetonius Paulinus, A.D. 61—Christianity, introduced under the Roman rule, makes gradual headway—Gildas, writing in the sixth century, describes paganisin as extinct in civilised Britain—Era of St. Patrick in Ireland, fifth century—St. Columba carries the gospel to the Northern Picts, sixth century.
Traditional.—Fictitious dates assigned by the Irish compilers of pseudo-annals for all the mythical eras and events—Possibly authentic may be the placing of the heroic age of Ulster in the first century A.D. and the epoch of the Fenians in the second and third—British gods enrolled as early kings Geoffrey of Monmouth or made the founders of powerful or saintly families by Welsh genealogists—The historic Arthur may have lived in the fifth-sixth centuries.
Literary.—The sixth century A.D. is the traditional period of the bards Myrddin, Aneurin, Taliesin, and Llywarch Hên, poems ascribed to whom are found in the Welsh mediaeval ​MSS., while Irish legend asserts that the Táin Bó Chuailgne was first reduced to writing in the seventh—Gradual accumulation of Irish and Welsh mythical sagas, including the Four Branches of the Mabinogi, eighth—eleventh—The Irish Book of the Dun Cow and Book of Leinster and the Welsh Black Book of Carmarthen, compiled during the twelfth; the Welsh Books of Aneurin and of Taliesin during the thirteenth; and the Irish Book of Ballymote and the Yellow Book of Lecan and the Welsh Red Book of Hergest during the fourteenth—About 1136 Geoffrey of Monmouth finished his Historia Britonum, and during this century and the one following British mythical and heroic legend was moulded into the Continental Arthurian romances—About 1470 Sir Thomas Malory composed his Morte Darthur from French sources—The working—up of Gaelic traditional material ended probably in the middle of the eighteenth century—James MacPherson produced his pseudo-Ossianic 'epics,' 1760–63—In 1838—49 Lady Charlotte Guest published her Mabinogion, and from this date the renaissance of Celtic study and inspiration may be said to have commenced.
# The Mythology of Ancient Britain and Ireland/Annex 2

Selected books bearing on Celtic mythology
To give in the space that can be spared any adequate list of books dealing with the wide subject of Celtic Mythology would be impossible. The reader interested in the matter can hardly do better than consult Nos. 1, 3, 4, 6, 8, 11, and 14 of the Popular Studies in Mythology Romance and Folklore, published by Mr. Nutt. In these sixpenny booklets he will find, not only scholarly introductions to the Gaelic Tuatha Dé Danann, Cnchulainn and Ossianic cycles, the Welsh Mabino- gion, and the Arthurian legend, but also bibliographical appendices pointing out with sufficient fulness the chief works to consult. Should he be content with a more superficial survey, he might obtain it from the present writer's The Mythology of the British Islands, London, 1905, which aimed at giving, in a popular manner, sketches of the different cycles, and retellings of their principal stories, with a certain amount of explanatory comment.
For the stories themselves, he may turn to Lady Gregory's Cuchulain of Muirthemne, London, 1902, andGods and Fighting Men, London, 1904, which give in attractive paraphrase all of the most important legends dealing with the Red Branch of Ulster and with the Tuatha Dé Danann and the Fenians. More czact translations of the Ulster romances will be found in Miss E. Hull's The Cuchnllin Saga in Irish Literature, London, 1898; in Monsieur H. d'Arbois de Jubainville's L'Épopée Celtique en Irlande, Paris, 1892 (vol. v. of the Cours de Littérature Celtique"); and in Miss ​W. L. Faraday's The Cattle Raid of Cualnge, London, 1904. The Fenian sagas are best studied in the six volumes of the Transactions of the Ossianic Society, Dublin, 1854-61; in Mr. S. H. O'Grady's Silva Gadelica, London, 1892; and in the Rev. J. G. Campbell's The Fians, London, 1891 (vol. iv. of 'Waifs and Strays of Celtic Tradition'). Lady Charlotte Guest's Mabinogion can now be obtained in several cheap editions, while Monsieur J. Loth's translation, Les Mabinogion, Paris, 1889, forms vols, iii. and iv. of the 'Cours de Littérature Celtique.'
Critical studies on the subject in handy form are as yet few. We may mention De Jubainville's Le Cyce Mythologique Irlandais et la Mythologie Celtique, Paris, 1884 (vol. ií, of the 'Cours'), translated by Mr. R. L. Best as The Irish Mythological Cycle and Celtic Mythology, Dublin, 1903; Professor J. Rhŷs's Lectures on the Origin and Growth of Religion as Illustrated by Celtic Heathendom (The Hibbert Lectures for 1886), London, 3rd edit., 1898, with their sequel, Studies in the Arthurian Legend, Oxford, 1891; and Mr. Alfred Nutt's The Voyage of Bran, son of Febal, 2 vols., London, 1895–97. The results of more recent, and current, research will be found in special publications, such as the volumes of the Irish Texts Society, and the numbers of the Revue Celtique, the Zeitschrift für Celtische Philologie, and the Transactions of the Cymmrodorion Society.
Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press
# The Monastery (1912)/List of Illustrations

List of Illustrations
Page
# The Monastery (Scott, 1820)/Volume 2

THE MONASTERY.
Printed by James Ballantyne and Co. Edinburgh.
THE
MONASTERY.
A ROMANCE.
BY THE AUTHOR OF “WAVERLEY.”
IN THREE VOLUMES.
VOL. II.
EDINBURGH:
PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, LONDON; AND FOR ARCHIBALD CONSTABLE AND CO., AND JOHN BALLANTYNE, BOOKSELLER TO THE KING, EDINBURGH.
1820.
THE MONASTERY.
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
* Chapter VI.
* Chapter VII.
* Chapter VIII.
* Chapter IX.
* Chapter X.
* Chapter XI.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Monastery (Scott, 1820)/Volume 1

THE MONASTERY.
Printed by James Ballantyne and Co. Edinburgh.
THE
MONASTERY.
A ROMANCE.
BY THE AUTHOR OF “WAVERLEY.”
IN THREE VOLUMES.
VOL. I.
EDINBURGH:
PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, LONDON; AND FOR ARCHIBALD CONSTABLE AND CO., AND JOHN BALLANTYNE, BOOKSELLER TO THE KING, EDINBURGH.
1820.
* Introductory Epistle
* Answer to the Introductory Epistle
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
* Chapter VI.
* Chapter VII.
* Chapter VIII.
* Chapter IX.
* Chapter X.
* Chapter XI.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Monastery (Scott, 1820)

* Volume I.
* Volume II.
* Volume III.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Monastery (Scott, 1820)/Volume 3

THE MONASTERY.
Printed by James Ballantyne and Co. Edinburgh.
THE
MONASTERY.
A ROMANCE.
BY THE AUTHOR OF “WAVERLEY.”
IN THREE VOLUMES.
VOL. III.
EDINBURGH:
PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, LONDON; AND FOR ARCHIBALD CONSTABLE AND CO., AND JOHN BALLANTYNE, BOOKSELLER TO THE KING, EDINBURGH.
1820.
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
* Chapter VI.
* Chapter VII.
* Chapter VIII.
* Chapter IX.
* Chapter X.
* Chapter XI.
* Chapter XII.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Money Moon/Chapter 1

pp. 1–2.

### CHAPTER I
#### Which, being the first, is, very properly, the shortest chapter in the book

When Sylvia Marchmont went to Europe, George Bellew being, at the same time, desirous of testing his newest acquired yacht, followed her, and mutual friends in New York, Newport, and elsewhere, confidently awaited news of their engagement. Great, therefore, was their surprise when they learnt of her approaching marriage to the Duke of Ryde.
Bellew, being young and rich, had many friends, very naturally, who, while they sympathized with his loss, yet agreed among themselves, that, despite Bellew’s millions, Sylvia had done vastly well for herself, seeing that a duke is always a duke,—especially in America.
There were, also, divers ladies in New York, Newport, and elsewhere, and celebrated for their palatial homes, their jewels, and their daughters, who were anxious to know how Bellew would comport himself under his disappointment. Some leaned to the idea that he would immediately blow his brains out; others opined that he would promptly set off on an other of his exploring expeditions, and get himself torn to pieces by lions and tigers, or devoured by alligators; while others again feared greatly that, in a fit of pique, he would marry some “young person” unknown, and therefore, of course, utterly unworthy.
How far these worthy ladies were right, or wrong in their surmises, they who take the trouble to turn the following pages, shall find out.
# The Monastery (1912)/List of Characters

List of Characters
Avenel, Julian, a Scotch baron. Bennet, a lay-brother. Bolton, Staworth, an English captain. Boniface, Abbot of St. Mary's Monastery Brittson, Sergeant, an English officer. Christie of the Clinthill, a retainer of Julian Avenel's. Dan of the Howlet-hirst, a neighbour of the Glendinnings. Davidson, a gentleman in attendance on Murray. Douglas, James, Earl of Morton, of the Protestant party. Eustace, sub-prior of the monastery. Foster, Sir John, the English Warden. Glendinning, Edward, Elspeth's younger son. Glendinning, Halbert, Elspeth's elder son. Happer, Hob, a miller. Heron, Sir George, an English knight. Hilarius, refectioner at the monastery. Jasper, a ploughman. Jenkin, an attendant at Avenel Castle. Louis, a follower of Julian Avenel's. Martin, an old shepherd. Nicolas, Father, an old monk Peter, a bridgeward. Philip, Father, sacristan. Shafton, Sir Piercie, an English fugitive. Simmie, a boy. Stuart, James, Earl of Murray, leader of the Protestant party. Warden, Henry, a Protestant preacher.
Avenel, Alice of, a Scottish lady of rank. Avenel, Mary, her daughter. Avenel, the White Lady of, a spirit. Catherine of Newport, Julian Avenel's mistress. Glendinning, Elspeth, a Scottish widow. Happer, Mysie, the miller's daughter. Tacket, Tibb, Martin's wife.
# The Manciple's Prologue and Tale (Chaucer)

part of The Canterbury Tales
* The Maunciples Tale (1900) from The Complete Works of Geoffrey Chaucer
* The Manciple’s Tale from The Canterbury Tales and Faerie Queene (1870) (transcription project)
* The Manciple’s Tale from (unsourced)
# The Manitoba

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
122 U.S. 97
The Manitoba
W. A. Moore and F. H. Canfield, for appellants.
H. L. Terrell and Henry H. Swan, for appellees.
BLATCHFORD, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Man without a Country

"The Man without a Country" is a short story by Edward Everett Hale, first published in The Atlantic Monthly in December 1863.
* The Man without a Country (1863), published in The Atlantic Monthly, 12 (74): 665–679.
* The Man without a Country (1869), published in If, Yes, and Perhaps, pages 199–241 [with introduction added]
* The Man Without a Country (1917), published in the Harvard Classics Shelf of Fiction, Vol. 10, pages 443–469. [with notes and criticism, pp. 439–442]
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Moon and Sixpence

* information about this edition.
* sister projects: Wikipedia article.
The Moon and Sixpence is a book by William Somerset Maugham based on the life of the painter Paul Gauguin. The story is told in episodic form by the first-person narrator as a series of glimpses into the life of the central character, Charles Strickland, a middle aged English stock broker who abandons his wife and children abruptly in order to pursue painting. Warning: template has been deprecated.

### Contents

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI
* Chapter XVII
* Chapter XVIII
* Chapter XIX
* Chapter XX
* Chapter XXI
* Chapter XXII
* Chapter XXIII
* Chapter XXIV
* Chapter XXV
* Chapter XXVI
* Chapter XXVII
* Chapter XXVIII
* Chapter XXIX
* Chapter XXX
* Chapter XXXI
* Chapter XXXII
* Chapter XXXIII
* Chapter XXXIV
* Chapter XXXV
* Chapter XXXVI
* Chapter XXXVII
* Chapter XXXVIII
* Chapter XXXIX
* Chapter XL
* Chapter XLI
* Chapter XLII
* Chapter XLIII
* Chapter XLIV
* Chapter XLV
* Chapter XLVI
* Chapter XLVII
* Chapter XLVIII
* Chapter XLIX
* Chapter L
* Chapter LI
* Chapter LII
* Chapter LIII
* Chapter LIV
* Chapter LV
* Chapter LVI
* Chapter LVII
* Chapter LVIII
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1965, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 58 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Moon and Sixpence/Chapter LII

I SUPPOSE the next three years were the happiest of Strickland's life. Ata's house stood about eight kilometres from the road that runs round the island, and you went to it along a winding pathway shaded by the luxuriant trees of the tropics. It was a bungalow of unpainted wood, consisting of two small rooms, and outside was a small shed that served as a kitchen. There was no furniture except the mats they used as beds, and a rocking-chair, which stood on the verandah. Bananas with their great ragged leaves, like the tattered habiliments of an empress in adversity, grew close up to the house. There was a tree just behind which bore alligator pears, and all about were the cocoa-nuts which gave the land its revenue. Ata's father had planted crotons round his property, and they grew in coloured profusion, gay and brilliant; they fenced the land with flame. A mango grew in front of the house, and at the edge of the clearing were two flamboyants, twin trees, that challenged the gold of the cocoa-nuts with their scarlet flowers.
Here Strickland lived, coming seldom to Papeete, on the produce of the land. There was a little stream that ran not far away, in which he bathed, and down this on occasion would come a shoal of fish. Then the natives would assemble with spears, and with much shouting would transfix the great startled things as they hurried down to the sea. Sometimes Strickland would go down to the reef, and come back with a basket of small, coloured fish that Ata would fry in cocoa-nut oil, or with a lobster; and sometimes she would make a savoury dish of the great land-crabs that scuttled away under your feet. Up the mountain were wild-orange trees, and now and then Ata would go with two or three women from the village and return laden with the green, sweet, luscious fruit. Then the cocoa-nuts would be ripe for picking, and her cousins (like all the natives, Ata had a host of relatives) would swarm up the trees and throw down the big ripe nuts. They split them open and put them in the sun to dry. Then they cut out the copra and put it into sacks, and the women would carry it down to the trader at the village by the lagoon, and he would give in exchange for it rice and soap and tinned meat and a little money. Sometimes there would be a feast in the neighbourhood, and a pig would be killed. Then they would go and eat themselves sick, and dance, and sing hymns.
But the house was a long way from the village, and the Tahitians are lazy. They love to travel and they love to gossip, but they do not care to walk, and for weeks at a time Strickland and Ata lived alone. He painted and he read, and in the evening, when it was dark, they sat together on the verandah, smoking and looking at the night. Then Ata had a baby, and the old woman who came up to help her through her trouble stayed on. Presently the granddaughter of the old woman came to stay with her, and then a youth appeared—no one quite knew where from or to whom he belonged—but he settled down with them in a happy-go-lucky way, and they all lived together.
# The Mediaeval Mind/end matter

Layout 2
BY THE SAME AUTHOR
Two vols. 8vo. 21s. net.
ANCIENT IDEALS
A STUDY OF INTELLECTUAL AND SPIRITUAL GROWTH FROM EARLY TIMES TO THE ESTABLISHMENT OF CHRISTIANITY
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Globe 8vo. 7s. 6d. net.
THE CLASSICAL HERITAGE
OF THE
MIDDLE AGES
SPECTATOR.—"A volume which contains within narrow limits of space a quite remarkable variety of suggestive remarks. . . . Mr. Taylor is always readable and instructive. . . . We take leave of Mr. Taylor with many thanks for a most interesting book."
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# The Kural or the Maxims of Tiruvalluvar/Chapter 125

CHAPTER 125
ADDRESSING ONE'S OWN HEART
SHE
1241. Wouldst thou not think, O my Heart, and find out and tell me some remedy to cure me of this incurable disease ?
1242. Bless thee, my Heart ! Thou art a fool to grieve at his absence when he hath no love for thee.
1243. What availeth our sitting here and pining away for thinking of him, O my Heart ? He that caused us this grief remembereth us not.
1244. If thou go to him, my Heart, take these eyes also along with thee ! For they devour me in their longing to look on him.
1245. Though he spurneth us in spite of our cleaving unto him, can we give him up as an enemy, my Heart ?
​1246. When thou lookest on the beloved who is clever in the art of conciliating, my Heart, thou wouldst not even take huff but wouldst rush to his embrace, forgetting all: I fear that now too thy anger is only feigned.
1247. O my Heart ! Either give up love or give up bashfulness: for, I am unable to support both of them at the same time.
1248. Thou sighest that he would not return for pity sake, and wouldst go to seek him though he separated deliberately from thee: verily, thou art a simpleton, my Heart !
1249. Whom dost thou seek to join, O my Heart, when thou knowest that the beloved is seated within thy own self ?
1250. If we entertain any longer within our hearts the beloved that hath abandoned us, we shall only waste ourselves away yet further.
# The Kural or the Maxims of Tiruvalluvar/Chapter 127

CHAPTER 127
THE LONGING OF THE LOVERS TO MEET
SHE
1261. My eyes have lost their lustre and grown dull, and my fingers have worn away for counting of the days that I have noted on the wall.
1262. What if I forget to-day, my maid ? My beauty hath already left me and my bracelet hath slipped off my arm.
1263. He parted from me longing for conquests : and if I live yet, it is for the longing of his return.
1264. He gave my company up and parted without any regard to my feelings but yet for the mere thinking of his speedy return my heart swelleth with joy !
1265. Only let my eyes take their fill of the sight of my beloved: pallor will then no more be seen on my wasted arm.
​1266. Let my spouse but return home: and then in one day I shall drink the nectar of his presence and bid farewell to this wasting disease.
1267. When the beloved who is dear even as my eyes cometh home, shall I sulk for his long absence ? or shall I embrace him ? or shall I do both ?
HE
1268. May the prince begin the battle at once and triumph! And may I return in the evening and feast at home with my loved one !
1269. To those who count the days and yearn for the return of the beloved who is away, one single day will creep along with the slowness of seven.
1270. Of what avail will be my getting back or the meeting or even the hearty embrace, if the heart of my loved one be broken before then ?