OpenLLM-France/wikimedia huggingface dataset:
# The Swallow and the Other Birds

Perry index 39
* "Of the Swalowe and other Byrdes", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Swallow and other Birds", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Swallow and the other Birds", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Swan Maidens

* "The Swan Maidens". Joseph Jacobs, Europa's Fairy Book, 1894
* "Swan-Maidens". Sabine Baring-Gould, Curious Myths of the Middle Ages, 1868.
Illustration:
# The Sutter Case

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
69 U.S. 562
The Sutter Case

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Swallow and the Crow

Perry index 229
* "A Swallow and a Crow", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Swallow and the Crow", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Swallow and the Crow", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sussex Men are Noted Fools

* information about this edition.
* sister projects: Wikidata item.
From Notebook c.1808-1811 p.24. See also: Satiric verses and epigrams.

#### Edited text:

The Sussex Men are Noted Fools,
And weak is their brain pan:
I wonder if H[aines] the painter
Is not a Sussex Man?
________________________________________

#### The original text:

The Sussex Men are Noted Fools
And weak is their brain pan
I wonder if H——the painter
Is not a Sussex Man
________________________________________

## Notes

* ↑ "Blake Complete Writings", ed. Geoffrey Keynes, pub. OUP 1966/85, p. 538.
* ↑ Identified by Sampson as William Haines (1778-1848), engraver and painter.
* ↑ "The Complete Poetry & Prose of William Blake", ed. by David V. Erdman, Anchor Books, 1988, p. 506.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Siege of Valencia; The Last Constantine: with Other Poems/The Bowl of Liberty

II.
THE BOWL OF LIBERTY*
Before the fiery sun, The sun that looks on Greece with cloudless eye, In the free air, and on the war-field won, Our fathers crown'd the Bowl of Liberty.
 Amidst the tombs they stood, The tombs of heroes! with the solemn skies, And the wide plain around, where patriot-blood Had steep'd the soil in hues of sacrifice.
 They call'd the glorious dead, In the strong faith which brings the viewless nigh, And pour'd rich odours o'er their battle-bed, And bade them to the rite of Liberty.
They call'd them from the shades, The golden fruited shades, where minstrels tell How softer light th' immortal clime pervades, And music floats o'er meads of Asphodel.
 Then fast the bright-red wine* Flow'd to their names who taught the world to die, And made the land's green turf a living shrine, Meet for the wreath and Bowl of Liberty.
 So the rejoicing earth Took from her vines again the blood she gave, And richer flowers to deck the tomb drew birth From the free soil, thus hallow'd to the brave.
 We have the battle-fields, The tombs, the names, the blue majestic sky, We have the founts the purple vintage yields; -—When shall we crown the Bowl of Liberty!
* ↑ * This and the following piece appeared originally in the New Monthly Magazine.
* ↑ * For an account of this ceremony, anciently performed in commemoration of the battle of Platæa, see Potter's Antiquities of Greece, vol. i. p. 389.
# The Siege of Valencia; The Last Constantine: with Other Poems/Miscellaneous Poems

MISCELLANEOUS POEMS.
# The Siege of Valencia; The Last Constantine: with Other Poems/The Chieftain's Son

THE CHIEFTAIN'S SON.
Yes, it is ours!—the field is won,  A dark and evil field!  Lift from the ground my noble son, And bear him homewards on his bloody shield!
 Let me not hear your trumpets ring,  Swell not the battle-horn!  Thoughts far too sad those notes will bring, When to the grave my glorious flower is borne!
 Speak not of victory!—in the name  There is too much of woe!  Hush'd be the empty voice of Fame— Call me back his whose graceful head is low.
 Speak not of victory!—-from my halls  The sunny hour is gone!  The ancient banner on my walls Must sink ere long—I had but him—but one!
Within the dwelling of my sires  The hearths will soon be cold,  With me must die the beacon-fires That stream'd at midnight from the mountain-hold.
 And let them fade, since this must be,  My lovely and my brave!  Was thy bright blood pour'd forth for me, And is there but for stately youth a grave?
 Speak to me once again, my boy!  Wilt thou not hear my call?  Thou wert so full of life and joy, I had not dreamt of this—that thou couldst fall!
 Thy mother watches from the steep  For thy returning plume;  How shall I tell her that thy sleep Is of the silent house, th' untimely tomb?
 Thou didst not seem as one to die,  With all thy young renown!  —Ye saw his falchion's flash on high, In the mid-fight, when spears and crests went down!
Slow be your march!—the field is won!  A dark and evil field!  Lift from the ground my noble son, And bear him homewards on his bloody shield.
# The Siege of Valencia; The Last Constantine: with Other Poems/England's Dead

ENGLAND'S DEAD.
Son of the ocean isle!  Where sleep your mighty dead? Show me what high and stately pile  Is rear'd o'er Glory's bed.
 Go, stranger! track the deep,  Free, free, the white sail spread! Wave may not foam, nor wild wind sweep,  Where rest not England's dead.
 On Egypt's burning plains,  By the pyramid o'ersway'd, With fearful power the noon-day reigns,  And the palm-trees yield no shade.
 But let the angry sun  From heaven look fiercely red, Unfelt by those whose task is done!  There slumber England's dead.
The hurricane hath might  Along the Indian shore, And far, by Ganges' banks at night,  Is heard the tiger's roar.
 But let the sound roll on!  It hath no tone of dread, For those that from their toils are gone;  —There slumber England's dead
 Loud rush the torrent-floods  The western wilds among, And free, in green Columbia's woods,  The hunter's bow is strung.
 But let the floods rush on!  Let the arrow's flight be sped! Why should they reck whose task is done?  There slumber England's dead!
 The mountain-storms rise high  In the snowy Pyrenees, And toss the pine-boughs through the sky,  Like rose-leaves on the breeze.
But let the storm rage on!  Let the forest-wreaths be shed! For the Roncesvalles' field is won,  There slumber England's dead.
 On the frozen deep's repose  'Tis a dark and dreadful hour, When round the ship the ice-fields close,  To chain her with their power.
 But let the ice drift on!  Let the cold-blue desert spread! Their course with mast and flag is done,  There slumber England's dead.
 The warlike of the isles,  The men of field and wave! Are not the rocks their funeral piles,  The seas and shores their grave?
 Go, stranger! track the deep,  Free, free the white sail spread! Wave may not foam, nor wild wind sweep,  Where rest not England's dead.
# The Siege of Valencia; The Last Constantine: with Other Poems/Back Pages

LONDON: PRINTED BY THOMAS DAVISON, WHITEFRIARS.
By the same Author.
TALES AND HISTORIC SCENES, Second Edition, 8vo.
RESTORATION OF WORKS OF ART TO ITALY, Second Edition, 8vo. 3s. 6d.
MODERN GREECE, Second Edition, 8vo. 5s. 6d.
SCEPTIC, AND STANZAS TO THE MEMORY OF THE LATE KING, Second Edition, 8vo. 4s.
TRANSLATIONS FROM CAMOENS, 8vo. 4s.
# The Tale of Melibee (Chaucer)

part of The Canterbury Tales
* Chaucers Tale of Melibeus (1900) from The Complete Works of Geoffrey Chaucer
* Chaucer’s Tale of Melibœus from The Canterbury Tales and Faerie Queene (1870) (transcription project)
* The Tale of Melibee from (unsourced)
# The Tale of Peter Rabbit

The tale was written for five-year-old Noel Moore, son of Potter's former governess Annie Carter Moore, in 1893. It was revised and privately printed by Potter in 1901 after several publishers' rejections, but was printed in a trade edition by Frederick Warne & Co. in 1902.
* The Tale of Peter Rabbit, private printing with line drawings by the author (1901).
* The Tale of Peter Rabbit, with full-colour illustrations by the author (1910).
* The Tale of Peter Rabbit, unauthorized edition with illustrations by Virginia Albert (1916).
* Petrus Holharan Spell, an Old English translation by Wikisource
# The Victory

Hark--how the church-bells thundering harmony Stuns the glad ear! tidings of joy have come, Good tidings of great joy! two gallant ships Met on the element,--they met, they fought A desperate fight!--good tidings of great joy! Old England triumphed! yet another day Of glory for the ruler of the waves! For those who fell, 'twas in their country's cause, They have their passing paragraphs of praise And are forgotten.  There was one who died In that day's glory, whose obscurer name No proud historian's page will chronicle. Peace to his honest soul! I read his name, 'Twas in the list of slaughter, and blest God The sound was not familiar to mine ear. But it was told me after that this man Was one whom lawful violence had forced From his own home and wife and little ones, Who by his labour lived; that he was one Whose uncorrupted heart could keenly feel A husband's love, a father's anxiousness, That from the wages of his toil he fed The distant dear ones, and would talk of them At midnight when he trod the silent deck With him he valued, talk of them, of joys That he had known--oh God! and of the hour When they should meet again, till his full heart His manly heart at last would overflow Even like a child's with very tenderness. Peace to his honest spirit! suddenly It came, and merciful the ball of death, For it came suddenly and shattered him, And left no moment's agonizing thought On those he loved so well.  He ocean deep Now lies at rest. Be Thou her comforter Who art the widow's friend! Man does not know What a cold sickness made her blood run back When first she heard the tidings of the fight; Man does not know with what a dreadful hope She listened to the names of those who died, Man does not know, or knowing will not heed, With what an agony of tenderness She gazed upon her children, and beheld His image who was gone. Oh God! be thou Her comforter who art the widow's friend!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Victors

* information about this edition.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Written in 1898
The fight song of the University of Michigan (UM) written and composed by UM student Louis Elbel in 1898. The song was first played publicly by John Philip Sousa and his band.
An abbreviated version of the fight song, based on the final refrain, is played after the football team either scores or makes a decisive defense play, such as an interception. Its full lyrics span several verses that run of more than two-minute duration. The melody of the fight song is very similar to the trio section from "The Spirit of Liberty March", published seven months earlier by Tin Pan Alley composer George Rosenberg.
The phrase "champions of the West" is often misunderstood; it is a reference to Michigan's membership in the Western Conference, later renamed the Big Ten Conference. After Michigan temporarily withdrew from the Western Conference in 1907, a new Michigan fight song "Varsity" was written in 1911 because the line "champions of the West" was no longer relevant.
"The Victors" is considered one of the top fight songs ever written and considered the first significant fight song to be written. The fight song is written as a military march format.
Now for a cheer they are here, triumphant! Here they come with banners flying, In stalwart step they're nighing, With shouts of vict'ry crying, We hurrah, hurrah, we greet you now, Hail!
Far we their praises sing For the glory and fame they've bro't us Loud let the bells them ring For here they come with banners flying Far we their praises tell For the glory and fame they've bro't us Loud let the bells them ring For here they come with banners flying Here they come, Hurrah!
Hail! to the victors valiant Hail! to the conqu'ring heroes Hail! Hail! to Michigan the leaders and best Hail! to the victors valiant Hail! to the conqu'ring heroes Hail! Hail! to Michigan, the champions of the West!
We cheer them again We cheer and cheer again For Michigan, we cheer for Michigan We cheer with might and main We cheer, cheer, cheer With might and main we cheer!
Hail! to the victors valiant Hail! to the conqu'ring heroes Hail! Hail! to Michigan, the champions of the West!
Source: University of Michigan Men's Glee Club
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1959, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 64 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Story of a Year

* "The Story of a Year" in The Atlantic Monthly 15 (89) (March 1865): 257–281.
    — First publication in any form.
* "The Story of a Year" in The American Novels and Stories of Henry James (New York: Alfred A. Knopf, 1947).
    — First book edition; published posthumously; copyright status to be determined.
* "The Story of a Year" in Eight Uncollected Tales of Henry James (New Brunswick: Rutgers University Press, 1950): ?–?.
    — Second book edition; published posthumously; copyright status to be determined.
# The Story of the 62nd

The book is divided into daily or semi-daily logs or journal entries of varying length. The longer ones stand on their own, while others are grouped by their time of writing. The groupings and subdivisions are not originally in the book, but rather introduced to make it more readable online.

## Preface

Preface

## Activation and Training (February 10, 1941 - October 11, 1942)
### Activation

Activation (February 10, 1941)

### Training

"From the President of the United States; 'Greetings'" (March 12-22, 1941)
Louisiana Maneuvers - "California Here I Come" (August-December 14, 1941)
Transcontinental Train Ride (August 28, 1942)
Camp A.P. Hill, Virginia - Camp Kilmer, Virginia (September 4-October 11, 1942)

### Deployment

Farewell to a Lovely Lady (November 1 1942)
Aboard Ship (November 2-19, 1942)
Disembarkation (November 19, 1942)

## In Casablanca
### Arrival

Casablanca (November 1942)
Flatfoot Details - Thanksgiving Day, For What? (November 22-26, 1942)
Guards of Honor (December 3-22, 1942)
Christmas Day (December 25, 1942)

### First Casualties

A Good Soldier - Spectacular Air Raid (December 29-31, 1942)

### Casablanca Conference and Later Events

Guards of Honor (January 6-10, 1943)
Team Completed - Last 7 Days at Casablanca| (January 26 - February 14, 1943)
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Valley of the Shadow of Death

* "The Valley of the Shadow of Death" in Phantasmagoria and Other Poems (1869)
* "The Valley of the Shadow of Death" in Three Sunsets and Other Poems (1898)
* "The Valley of the Shadow of Death" in The Complete Works of Lewis Carroll
# The Vampire (Kipling)

A fool there was and he made his prayer (Even as you and I!) To a rag and a bone and a hank of hair (We called her the woman who did not care) But the fool he called her his lady fair— (Even as you and I!)
Oh, the years we waste and the tears we waste And the work of our head and hand Belong to the woman who did not know (And now we know that she never could know) And did not understand!
A fool there was and his goods he spent (Even as you and I!) Honour and faith and a sure intent (And it wasn't the least what the lady meant) But a fool must follow his natural bent (Even as you and I!)
Oh, the toil we lost and the spoil we lost And the excellent things we planned Belong to the woman who didn't know why (And now we know that she never knew why) And did not understand!
The fool was stripped to his foolish hide (Even as you and I!) Which she might have seen when she threw him aside— (But it isn't on record that the lady tried) So some of him lived but the most of him died (Even as you and I!)
And it isn't the shame and it isn't the blame That stings like a white-hot brand— It's coming to know that she never knew why (Seeing, at last, she could never know why) And never could understand!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Works of Abraham Cowley/Volume 2/The Tree

THE TREE.
# The Works of Abraham Cowley/Volume 2/The Soul ('If mine eyes do e'er declare')

THE SOUL.
# The Works of Abraham Cowley/Volume 2/The Thief

THE THIEF.
# The Works of Abraham Cowley/Volume 2/The Thirty-fourth Chapter of the Prophet Isaiah

THE
THIRTY-FOURTH CHAPTER
OF THE
PROPHET ISAIAH.
# The Works of Abraham Cowley/Volume 2/The Rich Rival

THE RICH RIVAL.
# The Works of Abraham Cowley/Volume 2/The Spring

THE SPRING.
# The Works of Abraham Cowley/Volume 2/The Thraldom

THE THRALDOM.
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# The Works of Abraham Cowley/Volume 2/The Soul ('Some dull philosopher—when he hears me say')

THE SOUL.
# The Works of Dionysius the Areopagite/Ecclesiastical Hierarchy/Caput V
## Footnotes

* ↑ Ap. C. iv. s. 20; iv. s. 17; viii. s. 4.
* ↑ Christ
* ↑ Acts i. 24. Ap. C. p. 168.
# The Works of Dionysius the Areopagite/Letters/Letter III

To the same Gaius.
“Sudden” is that which, contrary to expectation, and out of the, as yet, unmanifest, is brought into the manifest. But with regard to Christ’s love of man, I think that the Word of God suggests even this, that the Superessential proceeded forth out of the hidden, into the manifestation amongst us, by having taken substance as man. But, He is hidden, even after the manifestation, or to speak more divinely, even in the manifestation, for in truth this of Jesus has been kept hidden, and the mystery with respect to Him has been reached by no word nor mind, but even when spoken, remains unsaid, and when conceived unknown.
# The Works of Dionysius the Areopagite/Letters/Letter V

To Dorotheus, Leitourgos.
The Divine gloom is the unapproachable light in which God is said to dwell. And in this gloom, invisible indeed, on account of the surpassing brightness, and unapproachable on account of the excess of the superessential stream of light, enters every one deemed worthy to know and to see God, by the very fact of neither seeing nor knowing, really entering in Him, Who is above vision and knowledge, knowing this very thing, that He is after all the object of sensible and intelligent perception, and saying in the words of the Prophet, “Thy knowledge was regarded as wonderful by me; It was confirmed; I can by no means attain unto it;" even as the Divine Paul is said to have known Almighty God, by having known Him as being above all conception and knowledge. Wherefore also, he says, “His ways are past finding out and His Judgemnets inscrutable," and His gifts "indescribable," and that His peace surpasses every mind, as having found Him Who is above all, and having known this which is above conception, that, by being Cause of all, He is beyond all.

## Footnotes

* ↑ 1 Tim. vi. 6.
* ↑ Ib. i. 17.
* ↑ Ps. cxxxix. 6.
* ↑ Rom. xi. 33.
* ↑ 2 Cor. ix. 15.
* ↑ Phil. iv. 7.
# The Works of Dionysius the Areopagite/Letters/Letter I

To Gaius Therapeutes. DARKNESS becomes invisible by light, and specially by much light. Varied knowledge (αἰ γνώσεις), and especially much varied knowledge, makes the Agnosiato vanish. Take this in a superlative, but not in a defective sense, and reply with superlative truth, that the Agnosia, respecting God, escapes those who possess existing light, and knowledge of things being; and His pre-eminent darkness is both concealed by every light, and is hidden from every knowledge. And, if any one, having seen God, understood what he saw, he did not see Him, but some of His creatures that are existing and known. But He Himself, highly established above mind, and above essence, by the very fact of His being wholly unknown, and not being, both is super-essentially, and is known above mind. And the all-perfect Agnosia, in its superior sense, is a knowledge of Him, Who is above all known things.

## Footnotes

* ↑ C. I. §1.
# The Works of Dionysius the Areopagite/Letters/Letter II

To the same Gaius Thereapeutes
How is He, Who is beyond all, both above source of Divinity and above source of Good? Provided you understand Deity and Goodness, as the very Actuality of the Good-making and God-making gift, and the inimitable imitation of the super-divine and super-good (gift), by aid of which we are deified and made good. For, moreover, if this becomes source of the deification and making good of those who are being deified and made good, He,—Who is super-source of every source, even of the so-called Deity and Goodness, seeing He is beyond source of Divinity and source of Goodness, in so far as He is inimitable, and not to be retained—excels the imitations and retentions, and the things which are imitated and those participating.

## Footnotes

* ↑ C. II. §6.
# The Works of Dionysius the Areopagite/Ecclesiastical Hierarchy/Caput VII
## Footnotes

* ↑ Soul first--body afterwards.
* ↑ Plato, Phaed. i. 54.
* ↑ Ivid. i. 62-3.
* ↑ Col. iii. 3, 4.
* ↑ Phaed. i. 64.
* ↑ Ap. C. v. s. 5-7.
* ↑ Matt. xxii. 28.
* ↑ Republic, lib. i. p. 9. Cousin, Paris, 1833.
* ↑ Ps. cxii. 10.
* ↑ See Burial Office.
* ↑ Wisdom iii. 9.
* ↑ Apeklerosan. See Papias, fragment 5.
* ↑ Luke x. 16.
* ↑ archaias. See Acts xv. 7, 21, 16; and Archbishop Trench. Yet even Dupin ignorantly alleged that word as proof Post-Apostolic. Nov. Bib. p. 100; C. ii. 41.
* ↑ Bacon, Advancement in Learning, p. 2.
# The Works of Dionysius the Areopagite/Letters

All Bible references are linked to the King James Bible
* Preface
* Letter I
* Letter II
* Letter III
* Letter IV
* Letter V
* Letter VI
* Letter VII
* Letter VIII
* Letter IX
* Letter X
* Letter XI
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.