OpenLLM-France/wikimedia huggingface dataset:
# Notes on Muhammadanism/Chapter 12

XII.—PROPHETS.
The number of prophets (rasúl), which have been sent by God, are said to be 224,000, or, according to another tradition, 124,000. Of these 313 were Apostles sent with special commissions, to reclaim the world from infidelity and superstition.
Six brought new laws which successively abrogated the preceding and have special titles, or kalima:—
1. Adam (Adam), Sufi-Ullah, the Chosen of God.
2. Nuh (Noah), Nabi-Ullah, the Preacher of God.
​3. Ibrahím (Abraham), Khalíl-Ullah, the Friend of God.
4, Musá (Moses), Kalím-Ullah, one who conversed with God.
5. ʾIsa (Jesus), Ruh-Ullah, the Spirit of God.
6. Muhammad, Rusúl-Ullah, the Messenger of God.
The number of sacred books delivered to man are said to have been one hundred and four, viz.:—
Ten, to Adam; Fifty, to Seth (Sish); Thirty, to Enoch (Edrís); Ten, to Abraham; The Taurát, to Moses; The Zabur, to David; The Injíl, to Jesus; The Qurán, to Muhammad.
The one hundred scriptures given to Adam, Seth, Enoch, and Abraham, are termed Sahífah (a pamphlet), and the other four, Kitáb (a book); but all that is necessary for the Muslim to know of these books is supposed to have been retained in the Qurán.
Luqmán-i-Hakím (supposed to have been ​Æsop) and Alexander the Great are also considered by Muhammadan commentators to have been prophets. Luqmán is mentioned in the thirty-first Sura of the Qurán, and Zulqurnain, "the two-horned" (supposed to have been Alexander), in the eighteenth Sura; but it is not clear as to what position the author of the Qurán intended to assign to these worthies.
Muhammad's enumeration of the Old Testament Prophets, both as to name and chronological order, is exceedingly confused.
# Notes on Indian Affairs/Volume II

​Page:Notes on Indian Affairs (Vol. II).djvu/6
CONTENTS
OF
THE SECOND VOLUME.
Number Page
XXXV. On the Injustice of compelling the People of India to adopt a Foreign Language and Character • 1
XXXVI. On the Proceedings of the Civil Courts .... 7
XXXVII. On the Prospects of English Settlers .... 26
XXXVIII. On the Necessity for a Commercial Code ... 57 / XXXIX. On the Policy of Interference in the Internal Admi- nistration of the Native Powers . . . .71
/^ XL. On the Intercourse between the English and the Natives 106
XLL On the Character of the People, — General Observations . 121
XLIL Same subject, continued, — Falsehood, — Forgery, — Perjury 160
XLIII. Same subject, continued. — Litigiousness, — Litigation, &c. . 187 XLFV. A slight Sketch of the Administration of Lord William
Bentinck 216
XLV. Suggestions for the New Government. — Qualifications of
a Grovemor-General 228
XL VI. Suggestions for the New Government .... 245
XLVII. Present State and Future Prospects of Oude . . .260
XLVIII. On the Mode of Administering the Government of Oude,
when it shall fall into the Possession of the English . 280
XLIX. On the Usury Laws 290
^ ^L. On the Ruin to Trade caused by the existing System of
British-Indian Customs 296
U. Character of the People. — Ingratitude,— Domestic Servants 310
LII. Same subject, continued. — Honesty, — Morality . . . 324
LIII. Same subject, continued. — Miscellaneous Observations . 335 l^^-LIV. On the Landed Tenures, and Expediency of introducing
a modified Law of Primogeniture among the People . 353 ​IV CONTENTS.
Number Pfege
LV. On the Gaols in India 371
LVI. On the Police 378
LVII. Propriety of Interfering with some of the Native Customs 385
LVIII. On the Native Army 414
LIX. Vakeels, or Native Lawyers 444
LX. On the Conversion of the People • 463
LXI. On Caste • 470
LXII. Intercourse between the English and the Natives • 470
LXIII. Miscellaneous Observations 507
Conclusion 516
APPENDIX.
A. Narrative of Peer Buksh 532
B. Character of a Commissioner 536
C. Occurrences regarding the Temple of Snigrampoor . . 538
D. The Noozeed Afiair 541
1
# Nothing

* Search for titles containing or beginning with: "Nothing."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Nothing by John Cowper Powys
* Nothing by Jean Passerat, translated by Redmond Barry
# Nothing Like Grog

Nothing like Grog.
RULE, BRITANNIA.
What ails this heart o’ mine.
Saw ye Johnny comin’.
EDINBURGH:
PRINTED FOR THE BOOKSELLERS,
* Nothing Like Grog
* Rule, Britannia
* What Ails This Heart O' Mine
* Saw Ye Johnny Comin'
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Nothin' to Say

NOTHIN' to say, my daughter! Nothin' at all to say! Gyrls that's in love, I've noticed, giner'ly has their way! Yer mother did, afore you, when her folks objected to me - Yit here I am and here you air! and yer mother - where is she?
  You look lots like yer mother; purty much same in size; And about the same complected; and favor about the eyes: Like her, too, about livin' here, because she couldn't stay; It'll `most seem like you was dead like her! - but I hain't got nothin' to say!
She left you her little Bible -writ yer name acrost the page - And left her ear-bobs fer you, ef ever you come of age; I've alluz kep' `em and gyuarded 'em, but ef yer goin' away -
Nothin' to say, my daughter! Nothin' at all to say!
You don't rickollect her, I reckon? No: you wasn't a year old then!
And now yer - how old air you? W'y child, not "twenty"! When?
And yer nex' birthday's in Aprile? and you want to git married that day?
I wisht yer mother was livin'! - but I hain't got nothin' to say!
Twenty year! and as good a gyrl as parent ever found!
There's a straw ketched on to yer dress there - I'll bresh it off - turn round.
(Her mother was jes' twenty when us two run away.)
Nothin' to say, my daughter! Nothin' at all to say!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Notes upon Russia/Volume 1/Certaine Letters in Verse

CERTAINE LETTERS IN VERSE,
WRITTEN BY MASTER GEORGE TURBERUILE,
OUT OF MOSCOUIA,
Which went as Secretaire thither with Master Tho. Randolph, her Maisties Embassadour to the Emperour, 1568, to certaine friends of his in London, describing the manners of the countrey and people.
(Referred to at p. cxxvii of the Introduction.)
TO HIS ESPECIALL FRIEND, MASTER EDWARD DANCIE.
TO SPENCER.
TO PARKER.
# Notes upon Russia/Volume 1/Preface

PREFACE.
The Editor has found it necessary, on account of the length of his work, to divide it into two volumes. The second volume, however, is already at press, and will, unless unforeseen obstacles occur, be very shortly completed.
Should the large space allotted to dry bibliography in the Introduction be objected to by some, the Editor hopes that his anxiety to afford what he considered to be useful information, will protect him from too severe a reproof; while to the more curious student he trusts it will prove far from unacceptable.
It is possible, that occasionally sentences may be found in the translation somewhat too harshly turned, or too unwieldy from their length or involved construction, to please a well-attuned English ear; the translator can only plead in excuse, that the original, ​though in Latin, is written by a German, and naturally exhibits much of that involution of style peculiar to the German language; while it is certainly not the more lucid from having been written three centuries ago.
R. H. M.
# Pleasure

* Search for titles containing or beginning with: "Pleasure."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Essays

* "Pleasure" (1892), an essay by Agnes Repplier

## Poems

* "Pleasure" ("True pleasure breathes not city air"), a poem by Charlotte Brontë
* "Pleasure", a poem by Lucretia Maria Davidson
* Pleasure, a poetic essay by Khalil Gibran (still under copyright)
* "Pleasure", a poem by Clara A. Merrill

## Other

* "Pleasure", a work by Andrew Marvell
# Pleasures of matrimony (3)

THE PLEASURES OF M A T R I M O N Y,
INTERWOVEN WITH SUNDRY
Comical and Delightful Stories,
WITH THE CHARMING DELIGHTS AND RAVISHING SWEETS OF
WOOING AND WEDLOCK,
IN ALL ITS DIVERTING ENJOYMENTS.
BY Author Reid. Glasgow.
GLASGOW: PRINTED FOR THE BOOKSLELERS. 109.
* The Pleasures of Matrimony
* The Bachelor's Miseries
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Pleasure (Brontë)

True pleasure breathes not city air,  Nor in Art's temples dwells,
In palaces and towers where  The voice of Grandeur dwells.
No! Seek it where high Nature holds  Her court 'mid stately groves,
Where she her majesty unfolds,  And in fresh beauty moves;
Where thousand birds of sweetest song,  The wildly rushing storm
And hundred streams which glide along,  Her mighty concert form!
Go where the woods in beauty sleep  Bathed in pale Luna's light,
Or where among their branches sweep  The hollow sounds of night.
Go where the warbling nightingale  In gushes rich doth sing,
Till all the lonely, quiet vale  With melody doth ring.
Go, sit upon a mountain steep,  And view the prospect round;
The hills and vales, the valley's sweep,  The far horizon bound.
Then view the wide sky overhead,  The still, deep vault of blue,
The sun which golden light doth shed,  The clouds of pearly hue.
And as you gaze on this vast scene  Your thoughts will journey far,
Though hundred years should roll between  On Time's swift-passing car.
To ages when the earth was young,  When patriarchs, grey and old,
The praises of their god oft sung,  And oft his mercies told.
You see them with their beards of snow,  Their robes of ample form,
Their lives whose peaceful, gentle flow,  Felt seldom passion's storm.
Then a calm, solemn pleasure steals  Into your inmost mind;
A quiet aura your spirit feels,  A softened stillness kind.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Pledge of Allegiance

The Pledge of Allegiance, a patriotic oath of the United States of America. Bellamy's was the original. See w:Pledge of Allegiance.
* Pledge of Allegiance (Bellamy) (1892)
* Pledge of Allegiance (Harrison) (1892)
* Pledge of Allegiance (National Flag Conference) (1923)
* Pledge of Allegiance (1954)
# Pledge of Allegiance (1954)

Version of the United States pledge formally adopted in 1954 and in use up to the present. Inserted the words “under God”. Attorney Louis Albert Bowman was first made this addition during an Illinois meeting of the Sons of the Revolution in 1948. The Knights of Columbus adopted the change in 1951. An act of Congress in 1954 formalized the addition.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pioneers of the Pacific

* Full poem: The_West_Shore/Volume_1/The_Literature_of_Oregon#pioneers
* Excerpts: Oregon Historical Quarterly/Volume 1/Pioneers of the Pacific
# Pip

* information about this edition.
* related portals: Humour, Romance.
* sister projects: Wikipedia article, Wikidata item.
"PIP"
A ROMANCE OF YOUTH
BY
IAN HAY
CONTENTS
BOOK ONE
"FIRST, THE INFANT ..."
* I. The Philanthropists
* II. Mr. Pocklington's
* III. "Ham"
* IV. Pip finds his Vocation
* V. Linklater
* VI. Petticoat Influence
BOOK TWO
THE MAKING OF A MAN
* VII. A Cricket Week
* VIII. Life at First-hand
* IX. The Principal Boy: an Interlude
BOOK THREE
THE JOURNEY'S END
* X. An Ancient Game
* XI. "Naturam Furca expellas..."
* XII. "... Tamen usque recurret"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1952, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 71 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Pioneers

They came of bold and roving stock that would not fixed abide; They were the sons of field and flock since e'er they learnt to ride, We may not hope to see such men in these degenerate years As those explorers of the bush -- the brave old pioneers.
'Twas they who rode the trackless bush in heat and storm and drought; 'Twas they who heard the master-word that called them farther out; 'Twas they who followed up the trail the mountain cattle made, And pressed across the mighty range where now their bones are laid.
But now the times are dull and slow, the brave old days are dead When hardy bushmen started out, and forced their way ahead By tangled scrub and forests grim towards the unknown west, And spied at last the promised land from off the range's crest.
O ye that sleep in lonely graves by distant ridge and plain, We drink to you in silence now as Christmas comes again, To you who fought the wilderness through rough unsettled years -- The founders of our nation's life, the brave old pioneers.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Pioneer Blood

* Search for titles containing or beginning with: "Pioneer Blood."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Pioneer Blood" (1926), a poem by Eli Richard Shipp
* Pioneer Blood (1948), a book by Virgil St. Cloud
# Pocahontas and Other Poems (New York)/Widow at her Daughter's Bridal

WIDOW AT HER DAUGHTER'S BRIDAL.
# Pocahontas and Other Poems (New York)/Wife of a Missionary at her Husband's Grave

WIFE OF A MISSIONARY AT HER HUSBAND'S GRAVE.
There was a new-made grave,  On a far heathen shore, Where lonely slept a man of God,  His mission-service o'er; There, when the setting sun  Had tinged the west with flame, A tender infant in her arms,  A mournful woman came.
Her youthful cheek was pale,  Her fair form bending low, As thus upon the fitful gale  She pour'd her plaint of wo: "Friend of my inmost soul,  The turf is on thy breast, And here amid the stranger's land  Thy precious dust must rest.
"Our helpless babe I bring,  Who knew no father's love, Nor look'd upon this world of pain  Till thou hadst risen above; I lay him on thy bed,  Unconscious tears to weep, Before our last farewell we take,  And dare the faithless deep.
"Oh, when the mountain wave  Shall be our venturous path, And the loud midnight tempest howls  In terror and in wrath, Thy manly arm no more  My dearest prop must be, Nor thy strong counsel nerve my soul  To brave the raging sea.
"But if our native coast  Once more these feet should tread, And thou, the life of all my joys,  Be absent with the dead, While each remember'd scene  Shall with thine image glow, And friend and parent name thy name,  How shall I bear the wo?
"Is it thy voice, my love,  That bids me bear the rod, And stay my desolated heart  Upon the widow's God? Say'st thou, when every ray  Of hope is quench'd and dim, The widow and the fatherless  May put their trust in Him?
"How bless'd that Word Divine,  On which my soul relies, The resurrection of the just,  The union in the skies!"
Faith came with heavenly light,  Her struggling grief to quell, And in the holy words of prayer  She spake her last farewell.
# Pocahontas and Other Poems (New York)/Winter's Fête

WINTER'S FÊTE.
I woke, and every lordling of the grove Was clad in diamonds, and the lowliest shrub Did wear its crest of brilliants gallantly. The swelling hillocks, with their woven vines, T far-seen forests, and the broken hedge, Yea, every thicket gleam'd in bright array, As for some gorgeous fête of fairy-land.
—Ho! jewel-keeper of the hoary North, Whence hast thou all these treasures? Why, the mines Of rich Golconda, since the world was young, Would fail to furnish such a glorious show. The queen, who to her coronation comes, With half a realm's exchequer on her head, Dazzleth the shouting crowd. But all the queens Who since old Egypt's buried dynasty Have here and there, amid the mists of time, Lifted their tiny sceptres—all the throng Of peeresses, who at some birth-night shine, Might boast no moiety of the gems thy hand So lavishly hath strewn o'er this old tree, Fast by my window.  Every noteless thorn, Even the coarse sumach and the bramble bush, Do sport their diadems, as if, forsooth, Our plain republic in a single night Put forth such growth of aristocracy That no plebeian in the land was left
Uncoroneted. Broider'd frost-work wraps Yon stunted pear-tree, whose ne'er ripen'd fruit, Acid and bitter, every truant-boy Blamed with set teeth. Lo! while I speak, its crown Kindleth in bossy crimson, and a stream Of Tyrian purple, blent with emerald spark, Floats round its rugged arms; while here and there Gleams out a living sapphire, mid a knot Of trembling rubies, whose exquisite ray O'erpowers the astonish'd sight.  One arctic queen, For one ice-palace, rear'd with fearful toil, And soon dissolving, scrupled not to pay Her vassal's life; and emperors of old Have drain'd their coffers for the people's gaze, Though but a single amphitheatre Compress'd the crowd. But thou, whose potent wand Call'd forth such grand enchantment, swift as thought, And silent as a vision, and canst spread Its wondrous beauty to each gazing eye, Nor be the poorer, thou art scorn'd and bann'd Mid all thy beauty. Summer scantly sheds A few brief dew-drops for the sun to dry, And wins loud praise from every piping swain For the proud fête.  Yet, certes, in these days, When wealth is so esteem'd that he who boasts The longest purse is sure the wisest man, Winter, who thus affords to sprinkle gems, Mile after mile, on all the landscape round, And decks his new-made peers in richer robes Than monarch ever gave, deserves more thanks
Than to be call'd rude churl and miser old. —I tell thee he's a friend, and Love, who sits So quiet in the corner, whispering long In beauty's ear, by the bright evening fire, Shall join my verdict. Yes, the King of Storms, So long decried, hath revenue more rich Than sparkling diamonds.  Look within thy heart, When the poor shiver in their snow-wreath’d cell, Or the sad orphan mourns, and if thou find An answering pity, and a fervent deed Done in Christ's name, doubt not to be an heir Of that true wealth, which Winter hoardeth up To buy the soul a mansion with the blest.
# Pocket Manual of Rules of Order for Deliberative Assemblies/Article 11

Layout 2
Chicago: S. C. Griggs and Company, pages 150–152
Art. XI. Introduction of Business.
54. Any member wishing to bring business before the assembly should, unless it is very simple, write down, in the form of a motion, what he would like to have the assembly adopt, thus:
Resolved, That the thanks of this convention be tendered to the citizens of this community for their hearty welcome and generous hospitality.
When there is no other business before the assembly, he rises and addresses the chairman by his title, thus: “Mr. Chairman,” who immediately recognizes him by announcing his name. He then, having the floor, says, “I move the adoption of the following resolution,” ​which he reads and hands to the chairman. Some one else seconds the motion, and the chairman says, “It has been moved and seconded that the following resolution be adopted,” when he reads the resolution; or he may read the resolution and then state the question thus: “The question is on the adoption of the resolution just read.” The merits of the resolution are then open to discussion, but before any member can discuss the question or make any motion, he must first obtain the floor as just described. After the chairman states the question, if no one rises to speak, or when he thinks the debate closed, he asks, “Are you ready for the question?” If no one then rises, he puts the question in a form similar to the following: “The question is on the adoption of the resolution which you have heard read; as many as are in favor of its adoption will say aye.” When the ayes have voted, he says, “As many as are of a contrary opinion will say no.” He then announces the result, stating that the motion ​is carried, or lost, as the case may be, in the following form: “The motion is carried—the resolution is adopted;” or, “The ayes have it,—the resolution is adopted.” A majority of the votes cast is sufficient for the adoption of any motion, excepting those mentioned in § 39. [For other forms of stating and putting questions see § 65. For other illustrations of the common practice in introducing business, and in making various motions, see §§ 46–48. ]
* ↑ If the chairman has any special title (as President, for instance), he should be addressed by it, thus: ‘‘Mr. President.” Sometimes the chairman recognizes the speaker by merely bowing to him, but the proper course is to announce his name.
* ↑ Or, when he is recognized by the chair, he may say that he wishes to offer the following resolutions, which he reads and then moves their adoption. In very large bodies the name of the mover should be indorsed on the written resolutions, especially if much business is to be transacted.
* ↑ See second note to § 65.
Footnotes
# Philosopher

* Search for titles containing or beginning with: "Philosopher."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
"A Philosopher", "The Philosopher" and "The Philosophers" redirect here
* "The Philosopher", a poem by Emily Brontë
* The Philosopher, a short story by Mitchell Starrett Buck
* "Philosopher", a poem by Ralph Waldo Emerson
* "The Philosophers", short story by Alois Jirásek
* "The Philosophers", poem by Lao-tzŭ