# Scenes from a Courtesan's Life/The End of Evil Ways/Section 8

The usher now showed in Madame Poiret. At this unexpected appearance the prisoner had a slight shiver, but his trepidation was not remarked by Camusot, who seemed to have made up his mind.
"What is your name?" asked he, proceeding to carry out the formalities introductory to all depositions and examinations.
Madame Poiret, a little old woman as white and wrinkled as a sweetbread, dressed in a dark-blue silk gown, gave her name as Christine Michelle Michonneau, wife of one Poiret, and her age as fifty-one years, said that she was born in Paris, lived in the Rue des Poules at the corner of the Rue des Postes, and that her business was that of lodging-house keeper.
"In 1818 and 1819," said the judge, "you lived, madame, in a boarding-house kept by a Madame Vauquer?"
"Yes, monsieur; it was there that I met Monsieur Poiret, a retired official, who became my husband, and whom I have nursed in his bed this twelvemonth past. Poor man! he is very bad; and I cannot be long away from him."
"There was a certain Vautrin in the house at the time?" asked Camusot.
"Oh, monsieur, that is quite a long story; he was a horrible man, from the galleys——"
"You helped to get him arrested?"
"That is not true sir."
"You are in the presence of the Law; be careful," said Monsieur Camusot severely.
Madame Poiret was silent.
"Try to remember," Camusot went on. "Do you recollect the man? Would you know him again?"
"I think so."
"Is this the man?"
Madame Poiret put on her "eye-preservers," and looked at the Abbe Carlos Herrera.
"It is his build, his height; and yet—no—if—Monsieur le Juge," she said, "if I could see his chest I should recognize him at once."
The magistrate and his clerk could not help laughing, notwithstanding the gravity of their office; Jacques Collin joined in their hilarity, but discreetly. The prisoner had not put on his coat after Bibi-Lupin had removed it, and at a sign from the judge he obligingly opened his shirt.
"Yes, that is his fur trimming, sure enough!—But it has worn gray, Monsieur Vautrin," cried Madame Poiret.
"What have you to say to that?" asked the judge of the prisoner.
"That she is mad," replied Jacques Collin.
"Bless me! If I had a doubt—for his face is altered—that voice would be enough. He is the man who threatened me. Ah! and those are his eyes!"
"The police agent and this woman," said Camusot, speaking to Jacques Collin, "cannot possibly have conspired to say the same thing, for neither of them had seen you till now. How do you account for that?"
"Justice has blundered more conspicuously even than it does now in accepting the evidence of a woman who recognizes a man by the hair on his chest and the suspicions of a police agent," replied Jacques Collin. "I am said to resemble a great criminal in voice, eyes, and build; that seems a little vague. As to the memory which would prove certain relations between Madame and my Sosie—which she does not blush to own—you yourself laughed at. Allow me, monsieur, in the interests of truth, which I am far more anxious to establish for my own sake than you can be for the sake of justice, to ask this lady—Madame Foiret——"
"Poiret."
"Poret—excuse me, I am a Spaniard—whether she remembers the other persons who lived in this—what did you call the house?"
"A boarding-house," said Madame Poiret.
"I do not know what that is."
"A house where you can dine and breakfast by subscription."
"You are right," said Camusot, with a favorable nod to Jacques Collin, whose apparent good faith in suggesting means to arrive at some conclusion struck him greatly. "Try to remember the boarders who were in the house when Jacques Collin was apprehended."
"There were Monsieur de Rastignac, Doctor Bianchon, Pere Goriot, Mademoiselle Taillefer——"
"That will do," said Camusot, steadily watching Jacques Collin, whose expression did not change. "Well, about this Pere Goriot?"
"He is dead," said Madame Poiret.
"Monsieur," said Jacques Collin, "I have several times met Monsieur de Rastignac, a friend, I believe, of Madame de Nucingen's; and if it is the same, he certainly never supposed me to be the convict with whom these persons try to identify me."
"Monsieur de Rastignac and Doctor Bianchon," said the magistrate, "both hold such a social position that their evidence, if it is in your favor, will be enough to procure your release.—Coquart, fill up a summons for each of them."
The formalities attending Madame Poiret's examination were over in a few minutes; Coquart read aloud to her the notes he had made of the little scene, and she signed the paper; but the prisoner refused to sign, alleging his ignorance of the forms of French law.
"That is enough for to-day," said Monsieur Camusot. "You must be wanting food. I will have you taken back to the Conciergerie."
"Alas! I am suffering too much to be able to eat," said Jacques Collin.
Camusot was anxious to time Jacques Collin's return to coincide with the prisoners' hour of exercise in the prison yard; but he needed a reply from the Governor of the Conciergerie to the order he had given him in the morning, and he rang for the usher. The usher appeared, and told him that the porter's wife, from the house on the Quai Malaquais, had an important document to communicate with reference to Monsieur Lucien de Rubempre. This was so serious a matter that it put Camusot's intentions out of his head.
"Show her in," said he.
"Beg your pardon; pray excuse me, gentlemen all," said the woman, courtesying to the judge and the Abbe Carlos by turns. "We were so worried by the Law—my husband and me—the twice when it has marched into our house, that we had forgotten a letter that was lying, for Monsieur Lucien, in our chest of drawers, which we paid ten sous for it, though it was posted in Paris, for it is very heavy, sir. Would you please to pay me back the postage? For God knows when we shall see our lodgers again!"
"Was this letter handed to you by the postman?" asked Camusot, after carefully examining the envelope.
"Yes, monsieur."
"Coquart, write full notes of this deposition.—Go on, my good woman; tell us your name and your business." Camusot made the woman take the oath, and then he dictated the document.
While these formalities were being carried out, he was scrutinizing the postmark, which showed the hours of posting and delivery, as well at the date of the day. And this letter, left for Lucien the day after Esther's death, had beyond a doubt been written and posted on the day of the catastrophe. Monsieur Camusot's amazement may therefore be imagined when he read this letter written and signed by her whom the law believed to have been the victim of a crime:—
"Esther to Lucien.
 "MONDAY, May 13th, 1830.
 "My last day; ten in the morning.
 "MY LUCIEN,—I have not an hour to live. At eleven o'clock I shall  be dead, and I shall die without a pang. I have paid fifty  thousand francs for a neat little black currant, containing a  poison that will kill me with the swiftness of lightning. And so,  my darling, you may tell yourself, 'My little Esther had no  suffering.'—and yet I shall suffer in writing these pages.
 "The monster who has paid so dear for me, knowing that the day  when I should know myself to be his would have no morrow—Nucingen  has just left me, as drunk as a bear with his skin full of wind.  For the first and last time in my life I have had the opportunity  of comparing my old trade as a street hussy with the life of true  love, of placing the tenderness which unfolds in the infinite  above the horrors of a duty which longs to destroy itself and  leave no room even for a kiss. Only such loathing could make death  delightful.
 "I have taken a bath; I should have liked to send for the father  confessor of the convent where I was baptized, to have confessed  and washed my soul. But I have had enough of prostitution; it  would be profaning a sacrament; and besides, I feel myself  cleansed in the waters of sincere repentance. God must do what He  will with me.
 "But enough of all this maudlin; for you I want to be your Esther  to the last moment, not to bore you with my death, or the future,  or God, who is good, and who would not be good if He were to  torture me in the next world when I have endured so much misery in  this.
 "I have before me your beautiful portrait, painted by Madame de  Mirbel. That sheet of ivory used to comfort me in your absence, I  look at it with rapture as I write you my last thoughts, and tell  you of the last throbbing of my heart. I shall enclose the  miniature in this letter, for I cannot bear that it should be  stolen or sold. The mere thought that what has been my great joy  may lie behind a shop window, mixed up with the ladies and  officers of the Empire, or a parcel of Chinese absurdities, is a  small death to me. Destroy that picture, my sweetheart, wipe it  out, never give it to any one—unless, indeed, the gift might win  back the heart of that walking, well-dressed maypole, that  Clotilde de Grandlieu, who will make you black and blue in her  sleep, her bones are so sharp.—Yes, to that I consent, and then I  shall still be of some use to you, as when I was alive. Oh! to  give you pleasure, or only to make you laugh, I would have stood  over a brazier with an apple in my mouth to cook it for you.—So  my death even will be of service to you.—I should have marred  your home.
 "Oh! that Clotilde! I cannot understand her.—She might have been  your wife, have borne your name, have never left you day or night,  have belonged to you—and she could make difficulties! Only the  Faubourg Saint-Germain can do that! and yet she has not ten pounds  of flesh on her bones!
 "Poor Lucien! Dear ambitious failure! I am thinking of your future  life. Well, well! you will more than once regret your poor  faithful dog, the good girl who would fly to serve you, who would  have been dragged into a police court to secure your happiness,  whose only occupation was to think of your pleasures and invent  new ones, who was so full of love for you—in her hair, her feet,  her ears—your ballerina, in short, whose every look was a  benediction; who for six years has thought of nothing but you, who  was so entirely your chattel that I have never been anything but  an effluence of your soul, as light is that of the sun. However,  for lack of money and of honor, I can never be your wife. I have  at any rate provided for your future by giving you all I have.
 "Come as soon as you get this letter and take what you find under  my pillow, for I do not trust the people about me. Understand that  I mean to look beautiful when I am dead. I shall go to bed, and  lay myself flat in an attitude—why not? Then I shall break the  little pill against the roof of my mouth, and shall not be  disfigured by any convulsion or by a ridiculous position.
 "Madame de Serizy has quarreled with you, I know, because of me;  but when she hears that I am dead, you see, dear pet, she will  forgive. Make it up with her, and she will find you a suitable  wife if the Grandlieus persist in their refusal.
 "My dear, I do not want you to grieve too much when you hear of my  death. To begin with, I must tell you that the hour of eleven on  Monday morning, the thirteenth of May, is only the end of a long  illness, which began on the day when, on the Terrace of  Saint-Germain, you threw me back on my former line of life. The soul  may be sick, as the body is. But the soul cannot submit stupidly to  suffering like the body; the body does not uphold the soul as the  soul upholds the body, and the soul sees a means of cure in the  reflection which leads to the needlewoman's resource—the bushel  of charcoal. You gave me a whole life the day before yesterday,  when you said that if Clotilde still refused you, you would marry  me. It would have been a great misfortune for us both; I should  have been still more dead, so to speak—for there are more and  less bitter deaths. The world would never have recognized us.
 "For two months past I have been thinking of many things, I can  tell you. A poor girl is in the mire, as I was before I went into  the convent; men think her handsome, they make her serve their  pleasure without thinking any consideration necessary; they pack  her off on foot after fetching her in a carriage; if they do not  spit in her face, it is only because her beauty preserves her from  such indignity; but, morally speaking they do worse. Well, and if  this despised creature were to inherit five or six millions of  francs, she would be courted by princes, bowed to with respect as  she went past in her carriage, and might choose among the oldest  names in France and Navarre. That world which would have cried  Raca to us, on seeing two handsome creatures united and happy,  always did honor to Madame de Stael, in spite of her 'romances in  real life,' because she had two hundred thousand francs a year.  The world, which grovels before money or glory, will not bow down  before happiness or virtue—for I could have done good. Oh! how  many tears I would have dried—as many as I have shed—I believe!  Yes, I would have lived only for you and for charity.
 "These are the thoughts that make death beautiful. So do not  lament, my dear. Say often to yourself, 'There were two good  creatures, two beautiful creatures, who both died for me  ungrudgingly, and who adored me.' Keep a memory in your heart of  Coralie and Esther, and go your way and prosper. Do you recollect  the day when you pointed out to me a shriveled old woman, in a  melon-green bonnet and a puce wrapper, all over black  grease-spots, the mistress of a poet before the Revolution, hardly  thawed by the sun though she was sitting against the wall of the  Tuileries and fussing over a pug—the vilest of pugs? She had had  footmen and carriages, you know, and a fine house! And I said to  you then, 'How much better to be dead at thirty!'—Well, you  thought I was melancholy, and you played all sorts of pranks to  amuse me, and between two kisses I said, 'Every day some pretty  woman leaves the play before it is over!'—And I do not want to  see the last piece; that is all.
 "You must think me a great chatterbox; but this is my last  effusion. I write as if I were talking to you, and I like to talk  cheerfully. I have always had a horror of a dressmaker pitying  herself. You know I knew how to die decently once before, on my  return from that fatal opera-ball where the men said I had been a  prostitute.
 "No, no, my dear love, never give this portrait to any one! If you  could know with what a gush of love I have sat losing myself in  your eyes, looking at them with rapture during a pause I allowed  myself, you would feel as you gathered up the affection with which  I have tried to overlay the ivory, that the soul of your little  pet is indeed there.
 "A dead woman craving alms! That is a funny idea.—Come, I must  learn to lie quiet in my grave.
 "You have no idea how heroic my death would seem to some fools if  they could know Nucingen last night offered me two millions of  francs if I would love him as I love you. He will be handsomely  robbed when he hears that I have kept my word and died of him. I  tried all I could still to breathe the air you breathe. I said to  the fat scoundrel, 'Do you want me to love you as you wish? To  promise even that I will never see Lucien again?'—'What must I  do?' he asked.—'Give me the two millions for him.'—You should  have seen his face! I could have laughed, if it had not been so  tragical for me.
 "'Spare yourself the trouble of refusing,' said I; 'I see you  care more for your two millions than for me. A woman is always  glad to know at what she is valued!' and I turned my back on him.
 "In a few hours the old rascal will know that I was not in jest.
 "Who will part your hair as nicely as I do? Pooh!—I will think no  more of anything in life; I have but five minutes, I give them to  God. Do not be jealous of Him, dear heart; I shall speak to Him of  you, beseeching Him for your happiness as the price of my death,  and my punishment in the next world. I am vexed enough at having  to go to hell. I should have liked to see the angels, to know if  they are like you.
 "Good-bye, my darling, good-bye! I give you all the blessing of my  woes. Even in the grave I am your Esther.
 "It is striking eleven. I have said my last prayers. I am going to  bed to die. Once more, farewell! I wish that the warmth of my hand  could leave my soul there where I press a last kiss—and once more  I must call you my dearest love, though you are the cause of the  death of your Esther."
A vague feeling of jealousy tightened on the magistrate's heart as he read this letter, the only letter from a suicide he had ever found written with such lightness, though it was a feverish lightness, and the last effort of a blind affection.
"What is there in the man that he should be loved so well?" thought he, saying what every man says who has not the gift of attracting women.
"If you can prove not merely that you are not Jacques Collin and an escaped convict, but that you are in fact Don Carlos Herrera, canon of Toledo, and secret envoy of this Majesty Ferdinand VII.," said he, addressing the prisoner "you will be released; for the impartiality demanded by my office requires me to tell you that I have this moment received a letter, written by Mademoiselle Esther Gobseck, in which she declares her intention of killing herself, and expresses suspicions as to her servants, which would seem to point to them as the thieves who have made off with the seven hundred and fifty thousand francs."
As he spoke Monsieur Camusot was comparing the writing of the letter with that of the will; and it seemed to him self-evident that the same person had written both.
"Monsieur, you were in too great a hurry to believe in a murder; do not be too hasty in believing in a theft."
"Heh!" said Camusot, scrutinizing the prisoner with a piercing eye.
"Do not suppose that I am compromising myself by telling you that the sum may possibly be recovered," said Jacques Collin, making the judge understand that he saw his suspicions. "That poor girl was much loved by those about her; and if I were free, I would undertake to search for this money, which no doubt belongs to the being I love best in the world—to Lucien!—Will you allow me to read that letter; it will not take long? It is evidence of my dear boy's innocence—you cannot fear that I shall destroy it—nor that I shall talk about it; I am in solitary confinement."
"In confinement! You will be so no longer," cried the magistrate. "It is I who must beg you to get well as soon as possible. Refer to your ambassador if you choose——"
And he handed the letter to Jacques Collin. Camusot was glad to be out of a difficulty, to be able to satisfy the public prosecutor, Mesdames de Maufrigneuse and de Serizy. Nevertheless, he studied his prisoner's face with cold curiosity while Collin read Esther's letter; in spite of the apparent genuineness of the feelings it expressed, he said to himself:
"But it is a face worthy of the hulks, all the same!"
"That is the way to love!" said Jacques Collin, returning the letter. And he showed Camusot a face bathed in tears.
"If only you knew him," he went on, "so youthful, so innocent a soul, so splendidly handsome, a child, a poet!—The impulse to sacrifice oneself to him is irresistible, to satisfy his lightest wish. That dear boy is so fascinating when he chooses——"
"And so," said the magistrate, making a final effort to discover the truth, "you cannot possibly be Jacques Collin——"
"No, monsieur," replied the convict.
And Jacques Collin was more entirely Don Carlos Herrera than ever. In his anxiety to complete his work he went up to the judge, led him to the window, and gave himself the airs of a prince of the Church, assuming a confidential tone:
"I am so fond of that boy, monsieur, that if it were needful, to spare that idol of my heart a mere discomfort even, that I should be the criminal you take me for, I would surrender," said he in an undertone. "I would follow the example of the poor girl who has killed herself for his benefit. And I beg you, monsieur, to grant me a favor—namely, to set Lucien at liberty forthwith."
"My duty forbids it," said Camusot very good-naturedly; "but if a sinner may make a compromise with heaven, justice too has its softer side, and if you can give me sufficient reasons—speak; your words will not be taken down."
"Well, then," Jacques Collin went on, taken in by Camusot's apparent goodwill, "I know what that poor boy is suffering at this moment; he is capable of trying to kill himself when he finds himself a prisoner——"
"Oh! as to that!" said Camusot with a shrug.
"You do not know whom you will oblige by obliging me," added Jacques Collin, trying to harp on another string. "You will be doing a service to others more powerful than any Comtesse de Serizy or Duchesse de Maufrigneuse, who will never forgive you for having had their letters in your chambers——" and he pointed to two packets of perfumed papers. "My Order has a good memory."
"Monsieur," said Camusot, "that is enough. You must find better reasons to give me. I am as much interested in the prisoner as in public vengeance."
"Believe me, then, I know Lucien; he has a soul of a woman, of a poet, and a southerner, without persistency or will," said Jacques Collin, who fancied that he saw that he had won the judge over. "You are convinced of the young man's innocence, do not torture him, do not question him. Give him that letter, tell him that he is Esther's heir, and restore him to freedom. If you act otherwise, you will bring despair on yourself; whereas, if you simply release him, I will explain to you—keep me still in solitary confinement—to-morrow or this evening, everything that may strike you as mysterious in the case, and the reasons for the persecution of which I am the object. But it will be at the risk of my life, a price has been set on my head these six years past. . . . Lucien free, rich, and married to Clotilde de Grandlieu, and my task on earth will be done; I shall no longer try to save my skin.—My persecutor was a spy under your late King."
"What, Corentin?"
"Ah! Is his name Corentin? Thank you, monsieur. Well, will you promise to do as I ask you?"
"A magistrate can make no promises.—Coquart, tell the usher and the gendarmes to take the prisoner back to the Conciergerie.—I will give orders that you are to have a private room," he added pleasantly, with a slight nod to the convict.
Struck by Jacques Collin's request, and remembering how he had insisted that he wished to be examined first as a privilege to his state of health, Camusot's suspicions were aroused once more. Allowing his vague doubts to make themselves heard, he noticed that the self-styled dying man was walking off with the strength of a Hercules, having abandoned all the tricks he had aped so well on appearing before the magistrate.
"Monsieur!"
Jacques Collin turned round.
"Notwithstanding your refusal to sign the document, my clerk will read you the minutes of your examination."
The prisoner was evidently in excellent health; the readiness with which he came back, and sat down by the clerk, was a fresh light to the magistrate's mind.
"You have got well very suddenly!" said Camusot.
"Caught!" thought Jacques Collin; and he replied:
"Joy, monsieur, is the only panacea.—That letter, the proof of innocence of which I had no doubt—these are the grand remedy."
The judge kept a meditative eye on the prisoner when the usher and the gendarmes again took him in charge. Then, with a start like a waking man, he tossed Esther's letter across to the table where his clerk sat, saying:
"Coquart, copy that letter."
If it is natural to man to be suspicious as to some favor required of him when it is antagonistic to his interests or his duty, and sometimes even when it is a matter of indifference, this feeling is law to an examining magistrate. The more this prisoner—whose identity was not yet ascertained—pointed to clouds on the horizon in the event of Lucien's being examined, the more necessary did the interrogatory seem to Camusot. Even if this formality had not been required by the Code and by common practice, it was indispensable as bearing on the identification of the Abbe Carlos. There is in every walk of life the business conscience. In default of curiosity Camusot would have examined Lucien as he had examined Jacques Collin, with all the cunning which the most honest magistrate allows himself to use in such cases. The services he might render and his own promotion were secondary in Camusot's mind to his anxiety to know or guess the truth, even if he should never tell it.
He stood drumming on the window-pane while following the river-like current of his conjectures, for in these moods thought is like a stream flowing through many countries. Magistrates, in love with truth, are like jealous women; they give way to a thousand hypotheses, and probe them with the dagger-point of suspicion, as the sacrificing priest of old eviscerated his victims; thus they arrive, not perhaps at truth, but at probability, and at last see the truth beyond. A woman cross-questions the man she loves as the judge cross-questions a criminal. In such a frame of mind, a glance, a word, a tone of voice, the slightest hesitation is enough to certify the hidden fact—treason or crime.
"The style in which he depicted his devotion to his son—if he is his son—is enough to make me think that he was in the girl's house to keep an eye on the plunder; and never suspecting that the dead woman's pillow covered a will, he no doubt annexed, for his son, the seven hundred and fifty thousand francs as a precaution. That is why he can promise to recover the money.
"M. de Rubempre owes it to himself and to justice to account for his father's position in the world——
"And he offers me the protection of his Order—His Order!—if I do not examine Lucien——"
As has been seen, a magistrate conducts an examination exactly as he thinks proper. He is at liberty to display his acumen or be absolutely blunt. An examination may be everything or nothing. Therein lies the favor.
Camusot rang. The usher had returned. He was sent to fetch Monsieur Lucien de Rubempre with an injunction to prohibit his speaking to anybody on his way up. It was by this time two in the afternoon.
"There is some secret," said the judge to himself, "and that secret must be very important. My amphibious friend—since he is neither priest, nor secular, nor convict, nor Spaniard, though he wants to hinder his protege from letting out something dreadful—argues thus: 'The poet is weak and effeminate; he is not like me, a Hercules in diplomacy, and you will easily wring our secret from him.'—Well, we will get everything out of this innocent."
And he sat tapping the edge of his table with the ivory paper-knife, while Coquart copied Esther's letter.
How whimsical is the action of our faculties! Camusot conceived of every crime as possible, and overlooked the only one that the prisoner had now committed—the forgery of the will for Lucien's advantage. Let those whose envy vents itself on magistrates think for a moment of their life spent in perpetual suspicion, of the torments these men must inflict on their minds, for civil cases are not less tortuous than criminal examinations, and it will occur to them perhaps that the priest and the lawyer wear an equally heavy coat of mail, equally furnished with spikes in the lining. However, every profession has its hair shirt and its Chinese puzzles.