OpenLLM-France/wikimedia huggingface dataset:
# Songs of the Springtides/List of Works

WORKS BY MR. SWINBURNE.
The Queen Mother and Rosamond. Fcp. 8vo. 5s.
Atalanta in Calydon. Crown 8vo. 6s.
Chastelard: A Tragedy. Fcp. 8vo. 7s
Poems and Ballads Fcp. 8vo. or cr. 8vo. 9s
Notes on 'Poems and Ballads'. 8vo. 1s
William Blake. A Critical Essay. With Facsimile Paintings. Demy 8vo. 16s.
Songs before Sunrise. Crown 8vo. 10s. 6d.
Bothwell: A Tragedy. Crown 8vo. 12s. 6d.
George Chapman. An Essay. Crown 8vo. 7s.
Songs of Two Nations. Crown 8vo. 6s.
Essays and Studies. Crown 8vo. 12s.
Erechtheus: A Tragedy. Crown 8vo. 6s.
Note of an English Republican on the Muscovite Crusade. 8vo. 1s.
A Study of Shakespeare. Crown 8vo. 8s.
CHATTO & WINDUS, Piccadilly, W.
# Taoist teachings from the book of Lieh Tzŭ

* related portals: Ancient and Classical texts.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
From Taoist teachings from the Book of Lieh-Tzŭ by Lionel Giles (1912)

## Contents

* Introduction
* The Book of Lieh-Tzŭ:
** Book I. Cosmogony
** Book II. The Yellow Emperor
** Book III. Dreams
** Book IV. Confucius
** Book V. The Questions of T'ang
** Book VI. Effort and Destiny
** Book VII. Causality
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tanglewood Tales (1853)

Retellings of ancient Greek myths for children.

### Contents

* The Wayside
* The Minotaur
* The Pygmies
* The Dragon's Teeth
* Circe's Palace
* The Pomegranate Seeds
* The Golden Fleece
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tanglewood Tales

Retellings of ancient myths for children
* Tanglewood Tales (1853), W. B. Conkey Company.
* Tanglewood Tales (1918) Edmund Dulac, illustr. Hodder and Stoughton.
* Tanglewood Tales (1921), Virginia Frances Sterrett, illustr. Penn Publishing Company.
# State of Minnesota v. Barber

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
136 U.S. 313
State of Minnesota v. Barber
Gordon E. Cole, for appellant.
[Argument of Counsel from page 314 intentionally omitted]
L. T. Michener, J. E. McDonald, and John M. Butler, for State of Indiana, (by leave of court.)
Jas. O. Broadhead, for State of Missouri, (by leave of court.)
W. C. Goudy, Albert H. Veeder, Walter H. Sanborn, Wallace Pratt, and Geo. W. McCrary, for appellee.
[Argument of Counsel from pages 315-317 intentionally omitted]
HARLAN, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 5 Scene 1

Actus Quintus. Scena Prima.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 5 Scene 2

Scena Secunda.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 5 Scene 3

Scena Tertia.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 5 Scene 4

Scena Quarta.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 4 Scene 2

Scena Secunda.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Epilogue

The Epilogve.
FINIS.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Act 4 Scene 1

Actus Quartus. Scena Prima.
The Order of the Coronation.
Layout 2
# Shakespeare - First Folio facsimile (1910)/The First Part of King Henry the Fourth

* Act I: Scene I.
* Act I: Scene II.
* Act I: Scene III.
* Act II: Scene I.
* Act II: Scene II.
* Act II: Scene III.
* Act II: Scene IV.
* Act III: Scene I.
* Act III: Scene II.
* Act III: Scene III.
* Act IV: Scene I.
* Act IV: Scene II.
* Act IV: Scene III.
* Act IV: Scene IV.
* Act V: Scene I.
* Act V: Scene II.
* Act V: Scene III.
* Act V: Scene IV.
# Shakespeare - First Folio facsimile (1910)/The Famous History of the Life of King Henry the Eight/Prologue

The Famous History of the Life of King HENRY the Eight.
THE PROLOGVE.
Layout 2
# The Age of Reason/Part I/Chapter V

Putting aside everything that might excite laughter by its absurdity, or detestation by its profaneness, and confining ourselves merely to an examination of the parts, it is impossible to conceive a story more derogatory to the Almighty, more inconsistent with his wisdom, more contradictory to his power, than this story is.
In order to make for it a foundation to rise upon, the inventors were under the necessity of giving to the being whom they call Satan a power equally as great, if not greater, than they attribute to the Almighty. They have not only given him the power of liberating himself from the pit, after what they call his fall, but they have made that power increase afterwards to infinity. Before this fall they represent him only as an angel of limited existence, as they represent the rest. After his fall, he becomes, by their account, omnipresent. He exists everywhere, and at the same time. He occupies the whole immensity of space.
Not content with this deification of Satan, they represent him as defeating by stratagem, in the shape of an animal of the creation, all the power and wisdom of the Almighty. They represent him as having compelled the Almighty to the direct necessity either of surrendering the whole of the creation to the government and sovereignty of this Satan, or of capitulating for its redemption by coming down upon earth, and exhibiting himself upon a cross in the shape of a man.
Had the inventors of this story told it the contrary way, that is, had they represented the Almighty as compelling Satan to exhibit himself on a cross in the shape of a snake, as a punishment for his new transgression, the story would have been less absurd, less contradictory. But, instead of this they make the transgressor triumph, and the Almighty fall.
That many good men have believed this strange fable, and lived very good lives under that belief (for credulity is not a crime) is what I have no doubt of. In the first place, they were educated to believe it, and they would have believed anything else in the same manner. There are also many who have been so enthusiastically enraptured by what they conceived to be the infinite love of God to man, in making a sacrifice of himself, that the vehemence of the idea has forbidden and deterred them from examining into the absurdity and profaneness of the story. The more unnatural anything is, the more is it capable of becoming the object of dismal admiration.

## Footnotes

* ↑ The French work has "blind and" preceding "dismal".—Editor.
# The Age of Reason/Part I/Chapter VI

But if objects for gratitude and admiration are our desire, do they not present themselves every hour to our eyes? Do we not see a fair creation prepared to receive us the instant we are born —a world furnished to our hands, that cost us nothing? Is it we that light up the sun; that pour down the rain; and fill the earth with abundance? Whether we sleep or wake, the vast machinery of the universe still goes on. Are these things, and the blessings they indicate in future, nothing to, us? Can our gross feelings be excited by no other subjects than tragedy and suicide? Or is the gloomy pride of man become so intolerable, that nothing can flatter it but a sacrifice of the Creator?
I know that this bold investigation will alarm many, but it would be paying too great a compliment to their credulity to forbear it on that account. The times and the subject demand it to be done. The suspicion that the theory of what is called the Christian church is fabulous, is becoming very extensive in all countries; and it will be a consolation to men staggering under that suspicion, and doubting what to believe and what to disbelieve, to see the subject freely investigated. I therefore pass on to an examination of the books called the Old and the New Testament.
# Stephenson v. Kirtley

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
269 U.S. 163
Stephenson v. Kirtley
Argued: Oct. 16, 1925. --- Decided: Nov 16, 1925
Messrs. Edward W. Knight and Harold A. Ritz, both of Charleston, W. Va., for appellants.
Mr. J. H. McClintic, of Charleston, W. Va., for appellees.
Mr. Justice SANFORD delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Stephenson v. Binford

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
287 U.S. 251
Stephenson v. Binford
Argued: Nov. 14-15, 1932. --- Decided: Dec 5, 1932
Appeal from the District Court of the United States for the Southern District of Texas.
[Syllabus from pages 251-253 intentionally omitted]
Mr. John H. Crooker, of Houston, Tex., for appellants.
[Argument of Counsel from pages 253-255 intentionally omitted]
Mr. La Rue Brown, of Boston, Mass., for intervener appellant D. A. beard.
[Argument of Counsel from pages 255-257 intentionally omitted]
Mr. Elbert Hooper, of Austin, Tex., for appellees.
[Argument of Counsel from pages 257-259 intentionally omitted]
Mr. Justice SUTHERLAND delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Stephenson v. Brooklyn Cross-Town Railroad Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
114 U.S. 149
Stephenson v. Brooklyn Cross-Town Railroad Company
[Syllabus from pages 149-150 intentionally omitted]
[Statement of Case from page 150 intentionally omitted]
Wm. Allen Butler, B. F. Thurston, and Philip J. O'Reilley, for appellant.
Francis Rawle, for appellee.
[Argument of Counsel from page 150 intentionally omitted]
WOODS, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sterling v. Constantin

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
287 U.S. 378
Sterling v. Constantin
Argued: Nov. 15-16, 1932. --- Decided: Dec 12, 1932
Appeals from the District Court of the United States for the Eastern District of Texas.
[Syllabus from pages 378-380 intentionally omitted]
Appeal from the interlocutory injunction order dismissed, and judgment affirmed on appeal from the final judgment.
Messrs. E. F. Smith, of Austin, Tex., and Dan Moody, of Austin, Tex., for appellants.
[Argument of Counsel from pages 380-385 intentionally omitted]
Messrs. Joseph W. Bailey, Jr., and Luther Nickels, both of Dallas, Tex., for appellees.
Mr. Chief Justice HUGHES delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The American Review: A Whig Journal of Politics, Literature, Art, and Science

alternatively known as The American Review: A Whig Journal and The American Whig Review, was a New York City-based monthly periodical. Published by Wiley and Putnam, it was owned and operated by George H. Colton. The first issue of The American Review was dated January 1845, though it was likely published as early as October 1844. The timing was purposeful so that it could promote Whig candidate Henry Clay in the presidential election against James K. Polk, who was supported by the Democratic Review. The American Review ceased publication in 1849, unable to continue paying its contributors.
* Volume 1 (transcription project)
* Volume 2 (transcription project)
* Volume 3 (start transcription)
* Volume 4 (start transcription)
* Volume 5 (start transcription)
* Volume 6 (transcription project)
* Volume 7 (start transcription)
* Volume 8 (start transcription)
* Volume 9 (start transcription)
* Volume 10 (start transcription)
* Volume 11 (start transcription)
* Volume 12 (start transcription)
* Volume 13 (start transcription)
* Volume 14 (start transcription)
* Volume 15 (start transcription)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The American Review: A Whig Journal of Politics, Literature, Art, and Science/Volume 01/January 1845

THE
AMERICAN REVIEW.
CONTENTS
WILEY AND PUTNAM,
161, BROADWAY, NEW-YORK; AND 6 WATERLOO PLACE, REGENT-STREET, LONDON.
OFFICE, 118 NASSAU-STREET, NEW-YORK.
# The American Review: A Whig Journal of Politics, Literature, Art, and Science/Volume 01/February 1845

THE
AMERICAN REVIEW.
CONTENTS.
| THE RESULT OF THE ELECTION | 131 |
| JACK LONG; OR, LYNCH LAW AND VENGEANCE. By a Kentuckian | 121 |
| PATENT PROPERTY | 137 |
| THE RAVEN.—By ——— Quarles | 143 |
| LITERARY PROSPECTS OF 1845.—By E.A.D. | 146 |
| ALISON'S HISTORY OF EUROPE | 151 |
| SONNET | 177 |
| WORDS—By E. P. Whipple | 178 |
| GOETHE'S CHARACTER OF EGMONT | 183 |
| LOVE AND FRIENDSHIP; EPIGRAM.—By Horus | 194 |
| DOING NOTHING WITH MUCH ADO | 195 |
| POST OFFICE REFORM | 199 |
| CRITICAL NOTICES | 215 |
| FOREIGN MISCELLANY | 219 |
NEW YORK;
WILEY AND PUTNAM,
161, BROADWAY; AND 6 WATERLOO PLACE, REGENT STREET, LONDON
Principal Agents.---Vermont, V. Harrington, Burlington; Boston, Jordan, Swift
& Co.; Rhode Island, H. Whiteker, Providence; Zieber & Co., Philadelphia; Shurtz & Taylor, Baltimore.
Edward O. Jenkins, Printer, 114 Nassau-street.
# The American Review: A Whig Journal of Politics, Literature, Art, and Science/Volume 02/December 1845

* The Whig Party: its Position and Duties
* The Facts of M. Valdemar's Case by Edgar Allan Poe
* The Flight of Helle
* A Chapter on Chatham
* The Anti-Rent Movement
* Adventures on the Frontier of Texas and Mexico (No. IV.) by Charles Winterfield
* The Spirit of Liberty by James Davenport Whelpley
* Monna
* Heraldry
* Prussia
* Colton’s Life and Times of Clay
* The Figures and Figuratives of Tobacco
* Angles and Ministers of Grace by Il Secretario
* No Rest
* Art and Artists in America
* Critical Notices
# The American Review: A Whig Journal of Politics, Literature, Art, and Science/Volume 01/March 1845

THE
AMERICAN REVIEW.
CONTENTS
NEW-YORK:
WILEY & PUTNAM,
161, BROADWAY; AND 6, WATERLOO PLACE, REGENT-STREET, LONDON.
Principal Agents.—Vermont, V. Harrington, Burlington; Boston, Jordan, Swift & Co.; Rhode Island, H. Whiteker, Providence; Zieber & Co., Philadelphia; Shurtz &, Taylor, Baltimore.
Edward O. Jenkins, Printer, 114 Nassau-street.
# The American Review: A Whig Journal of Politics, Literature, Art, and Science/Volume 01

January-June 1845
(Improve this image)
page
* January 1845
* February 1845
* March 1845
* April 1845
* May 1845
* June 1845
# Supervisors v. Kennicott

* Search for titles containing or beginning with: "Supervisors v. Kennicott."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Supervisors v. Kennicott (94 U.S. 498)
* Supervisors v. Kennicott (103 U.S. 554)
# Superstitions

An essay published in The Spectator.
Going yesterday to dine with an old acquaintance, I had the misfortune to find his whole family very much dejected. Upon asking him the occasion of it, he told me that his wife had dreamt a strange dream the night before, which they were afraid portended some misfortune to themselves or to their children. At her coming into the room, I observed a settled melancholy in her countenance, which I should have been troubled for had I not heard from whence it proceeded. We were no sooner sat down, but after having looked upon me a little while, "My dear," says she, turning to her husband, "you may now see the stranger that was in the candle last night."
Soon after this, as they began to talk of family affairs, a little boy at the lower end of the table told her that he was going into join-hand on Thursday. "Thursday!" says she. "No, child, if it please God, you shall not begin upon Childermas-day; tell your writing-master that Friday will be soon enough."
I was reflecting with myself on the oddness of her fancy, and wondering that anybody would establish it as a rule to lose a day in every week. In the midst of these my musings, she desired me to reach her a little salt upon the point of my knife, which I did in such a trepidation and hurry of obedience, that I let it drop by the way, at which she immediately startled, and said it fell towards her. Upon this I looked very blank; and, observing the concern of the whole table, began to consider myself with some confusion as a person that had brought disaster upon the family. The lady, however, recovering herself after a little space, said to her husband, with a sigh, "My dear, misfortunes never come single." My friend, I found, acted but an under part at his table, and, being a man of more good-nature than understanding, thinks himself obliged to fall in with all the passions and humours of his yoke-fellow. "Do not you remember, child," says she, "that the pigeon-house fell the very afternoon that our careless wench spilt salt upon the table?" "Yes," says he, "my dear, and the next post brought us an account of the battle of Almanza."
The reader may guess at the figure I made after having done all this mischief. I despatched my dinner as soon as I could with my usual taciturnity; when, to my utter confusion, the lady seeing me quitting my knife and fork, and laying them across one another upon my plate, desired me that I would humour her so far as to take them out of that figure and place them side by side. What the absurdity was that I had committed I did not know, but I suppose that there was some traditionary superstition in it; and therefore, in obedience to the lady of the house, I disposed of my knife and fork in two parallel lines, which is the figure I shall always lay them in for future, though I do not know any reason for it.
It is not difficult for a man to see that a person has conceived an aversion to him. For my own part, I quickly found by the lady's looks that she regarded me as a very odd kind of fellow, with an unfortunate aspect. For which reason I took my leave immediately after dinner, and withdrew to my lodgings.
# Strange Meeting (Blunden ed. 1931)

* information about this edition.
* sister projects: Wikidata item.
For other versions see Strange Meeting.
It seemed that out of battle I escaped Down some profound dull tunnel, long since scooped Through granites which titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands, as if to bless. And by his smile, I knew that sullen hall, By his dead smile I knew we stood in Hell. With a thousand pains that vision's face was grained; Yet no blood reached there from the upper ground, And no guns thumped, or down the flues made moan. "Strange friend," I said, "here is no cause to mourn." "None," said that other, "save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world, Which lies not calm in eyes, or braided hair, But mocks the steady running of the hour, And if it grieves, grieves richlier than here. For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled, Or, discontent, boil bloody, and be spilled. They will be swift with swiftness of the tigress. None will break ranks, though nations trek from progress. Courage was mine, and I had mystery, Wisdom was mine, and I had mastery: To miss the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels, I would go up and wash them from sweet wells, Even with truths that lie too deep for taint. I would have poured my spirit without stint But not through wounds; not on the cess of war. Foreheads of men have bled where no wounds were. I am the enemy you killed, my friend. I knew you in this dark: for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now..."
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Strange Roads & With the Gods in Spring

​Strange Roads
With the Gods in Spring
Arthur Machen
STRANGE ROADS
Limited Edition.
Strange Roads
By Arthur Machen
Sketches by Joseph Simpson, R.B.A.
LONDON: THE CLASSIC PRESS, 18, Tooks Court, E.C. 4 1923.
Printed by the Classic Colour Press, Reading.
Contents
PAGE
Layout 2
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Strange Jokes

Sidney Lanier composed this poem in Macon, Georgia in 1867, but the poem was not published in his lifetime. In the volume of complete works The Poems of Sidney Lanier, published posthumously, this poem was characterized as one his “unrevised early works.”
Well: Death is a huge omnivorous Toad Grim squatting on a twilight road. He catcheth all that Circumstance  Hath tossed to him. He curseth all who upward glance  As lost to him.
Once in a whimsey mood he sat And talked of life, in proverbs pat, To Eve in Eden, — “Death, on Life” —  As if he knew! And so he toadied Adam’s wife  There, in the dew.
O dainty dew, O morning dew That gleamed in the world’s first dawn, did you And the sweet grass and manful oaks  Give lair and rest To him who toadwise sits and croaks  His death-behest?
Who fears the hungry Toad? Not I! He but unfetters me to fly. The German still, when one is dead,  Cries out “Der Tod!” But, pilgrims, Christ will walk ahead  And clear the road.
# Strange Meeting

* Strange Meeting in Poems by Wilfred Owen. London: Chatto and Windus. 1920.
* Strange Meeting (Blunden ed. 1931) edited by Edmund Blunden, 1931.
# Shirley: a Tale (1849)/Volume 2

SHIRLEY.
A Tale.
BY
CURRER BELL,
AUTHOR OF "JANE EYRE."
IN THREE VOLUMES.
VOL. II.
LONDON: SMITH, ELDER AND CO., 65, CORNHILL.
1849.
LONDON: PRINTED BY STEWART AND MURRAY, OLD BAILEY.
CONTENTS.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Awkward Age (New York: Harper and Brothers, 1899)/Book 3

Book Third
MR. LONGDON
* Chapter 10
* Chapter 11
* Chapter 12