OpenLLM-France/wikimedia huggingface dataset:
# Sour Sonnets of a Sorehead & Other Songs of the Street/Sour Sonnets of a Sorehead

Sour Sonnets of a Sorehead
The Sorehead
Sorehead Sonnet One Don't talk to me of bein' down an' out, …
Sorehead Sonnet Two Two months ago the union called a strike, …
Sorehead Sonnet Three If I could pound a pickaxe into Fate, …
Sorehead Sonnet Four At night when I am goin' home to eat, …
Sorehead Sonnet Five Aw, what's the use of anything at all? …
Sorehead Sonnet Six Life is a lemon that is handed out …
Sorehead Sonnet Seven If I could lay me lunch hooks on a dime …
Sorehead Sonnet Eight If I could hit a healthy handed hunch …
Sorehead Sonnet Nine To-day I saw the girl go glidin' by …
Sorehead Sonnet Ten It is a pipe to grin when you're on top, …
Sorehead Sonnet Eleven If any cop should find me on his beat— …
Sorehead Sonnet Twelve I've heard that ancient wheeze that says a knock …
Sorehead Sonnet Thirteen Aw cut it, cul, quit shootin' off hot air. …
Sorehead Sonnet Fourteen The other day I nearly got a job; …
Sorehead Sonnet Fifteen It's me to join the Pikers' Promenade, …
Sorehead Sonnet Sixteen I've switched that dippy dope I smoked before, …
# Sour Sonnets of a Sorehead & Other Songs of the Street/The Hunch

The Hunch
Excuse me if I seem to butt in, but did you ever stop to figure how many grins get by because the average man refuses to look down? Looking up is a prize stunt, but everyone should occasionally plant his gaze on the pavement. You may see lots of mud, but if you look hard there's color in it.
This world would not be such a one-eyed dump if the bunch would only rub the sleep out of the other eye, and put that wise lamp to work on the bunch as it blows by.
If you would turn that optic on the street, you would be next that there are doings there all the while. It doesn't follow that because a guy is a rummy, that he never happens on a wise hunch, and it's bad poker to bet that because you see a fellow humping to hang onto his body that he's shy a soul.
If you would take off time to pipe the kid that sells you papers in the morning, and the one that greets you with "Going up!" every time you hit the office, if you sort of looked in on the fellow that takes your fare and the guy that grinds your shirt, not forgetting the cop that ought to have run you in last night, you would tumble to the fact that there are others. All the while you are framing up the stunt that is to put the next best in your own game in the dippy ward of the Academy for the Dead Ones, there are others.
Get next to the fact that there are others, and you are on the wise way to wisdom.
Some say that you can't grab a grimy mitt without getting dirt on your gloves, but remember that gasolene is cheap and you are missing a whole lot if you don't sit in with the bunch every time you get a chance. They don't all play the same sort of poker, and the wisest Mike is the guy that knows them all.
Above all, don't go gunning for gloom. It was a pious thought that got loose when that guy wrote "Laugh and Grow Fat," to which might be added—Grin and grow gracious.
             James P. Haverson
I'd sooner smile Than weep, A heap.
I'd rather laugh Than fret, You bet.
# Sour Sonnets of a Sorehead & Other Songs of the Street/Tribute

Tribute
I seen you at de show de other day, An' say you was de thirty-third degree, De bes' t'ing in that show shop I could see— Dat's how I had it figgered anyway. I seen you cryin' when that dago jay Was goin' to turn de hero in de sea. I bet if you would cry dat way fer me, I'd lick de lobster if it spoiled de play. I wouldn't care fer anything but you, If you would be a steady pal of mine, There ain't a single thing I wouldn't do To make you happy all along de line— If you would be me girl an' love me true, Den every other skirt would be a shine.
# Song of the Hunter's Bride

* From The Literary Gazette, February 1823
* From The Improvisatrice; and Other Poems (1824)
# Song of the Negro Boatmen

a well known portion of a greater poem "At Port Royal"
* "At Port Royal" in In War Time (1863)
* "Song of the Negro Boatman" in The Riverside song book, 1893.
# Song of the New Soldier and Worker

First published in Workers' Dreadnought , 3 April 1920 24 under pseudonym Hugh Hope
* Song of the New Soldier and Worker
* We are tired, tired, tired—we are work-weary and war-weary;
* What though the skies are soft-blue and the birds still sing
* And the balmy air of day is like wine? Life is dreary
* And the whole wide world is sick and suffering.
* We are weary, weary, weary, sad and tired no longer
* Will we go on as before, glad to be the willing tools
* Of the hard and heartless few, the favoured and the stronger,
* Who have strength to crush and kill, for we are fools.
* We will calmly fold our arms sore from labouring and aching,
* ​We will not still feed and guard the hungry, hideous, huge machine
* That yawns with ugly mouth, performs its grim task of life-breaking
* Like a fat whore, coarse and brazen and obscene.
* O, to pull the thing to pieces! O, to wreck it all and smash
* With the power and the will that only holy hate can give;
* Even though our broken bodies may be caught in the crash—
* Even so—that children yet unborn may live!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Song of the Sailor Boy

Cheer up, cheer up, my mother dear! Ah! Why do you sit and weep? Do you think that he who guards me here, Forsakes me on the deep? Let hope and faith light up your glance, When you see our ship set sail; Look, look at her now, and see her dance; Oh! Why do you turn so pale? There's an English flag, and an English crew; So, mother, be proud of your boy in blue.
Ah! Wonder not that, next to thee, I love the galloping wave; 'Tis the first of coursers, bold and free - And fit to carry the brave. It may bear me on to a dark lee-shore, To sink with a gallant band; But early or late - here's a heart for my fate, Let it come on the sea or the land. The storm and the battle shall find me true, So, mother, be proud of your boy in blue.
And if the breakers kill our ship, And your boy goes down in the foam, Be sure the last breath on his lip Was a prayer for those at home. But come, cheer up! methinks I heard A voice in the anchor chain, That whispered, like a fairy bird, "The Ship will come again." God bless thee, mother, adieu, adieu! But never weep for your boy in blue.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Song of the Wind

* Search for titles containing or beginning with: "Song of the Wind."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Song of the Wind", a poem by Eliza Cook
* "Song of the Wind", a poem by Martha Lavinia Hoffman
# Song of the Future

* Search for titles containing or beginning with: "Song of the Future."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "A Song of the Future", a poem by Sidney Lanier
* "Song of the Future", a poem by Banjo Paterson
# Song of the Night at Daybreak

* Meynell, Alice (1875), "Song of the Night at Daybreak" in Preludes.
* Meynell, Alice (1921), "Song of the Night at Daybreak" in Poems.
# Song of the Pen

Not for the love of women toil we, we of the craft, Not for the people's praise; Only because our goddess made us her own and laughed, Claiming us all our days,
Claiming our best endeavour -- body and heart and brain Given with no reserve -- Niggard is she towards us, granting us little gain: Still, we are proud to serve.
Not unto us is given choice of the tasks we try, Gathering grain or chaff; One of her favoured servants toils at an epic high, One, that a child may laugh.
Yet if we serve her truly in our appointed place, Freely she doth accord Unto her faithful servants always this saving grace, Work is its own reward!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Royal Naval Biography/Sturt, Henry Evelyn Pitfield

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HENRY EVELYN PITFIELD STURT, Esq. [Post-Captain of 1810.]
Was made a Lieutenant in Feb. 1800; promoted to the rank of Commander, April 29, 1802; and afterwards successively appointed to the Rambler, Skylark, and Termagant, sloops. On the 7th Nov. 1807, he captured le Renarde French privateer, of 14 guns and 39 men. This vessel not surrendering when repeatedly called to, and likewise making an ​Attempt to lay the Skylark on board, obliged Captain Sturt to fire at her, by which the French commander was wounded, and his lugger’s main-mast shot away.
The Termagant formed part of the squadron under Rear Admiral (now Sir George) Martin, when that officer was employed in protecting Sicily from an invasion, threatened by Murat, in 1810; and Captain Sturt was rewarded with a post commission for his active services, as senior officer of the mortar-boats then stationed in the Faro of Messina. He takes rank from Oct. 21, 1810. Since the peace he has commanded the Phaeton of 46 guns, in which frigate he conveyed the Right Hon. C. R. Vaughan, British Ambassador, to North America, in 1825; and afterwards brought home three miirums of dollars, from the West Indies.
Captain Sturt married a Portuguese lady, whom he had assisted in her flight from a convent in one of the Western Islands.
Agent.– ___ M‘Inerheny, Esq.
# Royal Naval Biography/Sullivan, Charles

Layout 2
SIR CHARLES SULLIVAN, Bart. [Post-Captain of 1814.]
Third son of Sir Richard Joseph Sullivan, Bart. M.P. for Seaford, who died in 1806, by Mary, daughter of Thomas Lodge, of Leeds, Esq. He was born June 8, 1791; made lieutenant, April 25, 1808; commander. Mar. 24, 1812; appointed to the Penelope troop-ship, Oct. 26, 1813; and posted June 7, 1814. Since the peace he has commanded the Galatea frigate, employed in various services, for the usual period of three years.
This officer married, Nov. 21, 1818, the only daughter of Robert Taylor, of Ember Court, co. Surrey, Esq. His eldest surviving brother. Sir Henry Sullivan, Bart. Lieutenant-Colonel of the first regiment of Foot Guards, was killed before Bayonne, in April, 1814.
Agent.– J. Copland, Esq.
# Royal Naval Biography/Sturt, Henry Richard

Layout 2
HENRY RICHARD STURT, Esq. [Commander.]
Was made a lieutenant in July, 1823; and commander on the 27th May, 1830.
# Royal Naval Biography/Style, William

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WILLIAM STYLE, Esq. [Commander.]
Obtained the rank of lieutenant in Aug. 1306; and commanded the boats of the Defiance 74, Captain (now Sir Henry) Hotham, at the capture of three French coasting vessels, laden with wine and resin, under the batteries of Belleisle, June 1st, 1810. He was subsequently employed in the flotilla service at Cadiz, where a gun-vessel, the Camperdown, under his command, was wrecked, Oct. 28th, 1810. His commission as commander bears date Feb. 1st, 1812. We lastly find him commanding the Gannet sloop, employed in escorting the remains of Queen Caroline, from Harwich to Cuxhaven.
# Royal Naval Biography/Suckling, William Benjamin

Layout 2
WILLIAM BENJAMIN SUCKLING, Esq. [Commander.]
Son of Colonel Suckling, cousin to the immortal Nelson.
This officer passed his examination, and was appointed lieutenant of the Talbot sloop, Captain the Hon. Alex. Jones, in Oct. 1809. He subsequently served in the Milford 74, bearing the flag of Rear-Admiral (now Sir Richard G.) Keats, employed in the defence of Cadiz; and Unité frigate, Captain Edwin H. Chamberlayne, on the Mediterranean station. In the beginning of July, 1814, he was promoted to the command of the Merope sloop; and on the 19th Feb. 1822, appointed to the Racehorse, of 18 guns, which vessel he lost in Douglas Bay, Isle of Man, in the month of Nov. following. His last appointment was, March 15th, 1828, to the Medina 20, fitting out for the African station, from whence he returned home, invalided, in the spring of 1829.
# Royal Naval Biography/Sweney, Mark Halpen

Layout 2
MARK HALPEN SWENEY, Esq. [Commander.]
Entered the royal navy in 1798. He was made a lieutenant on the 22d Jan. 1806; appointed first of the Benbow 74, Captain R. H. Pearson, in Dec. 1813; granted a pension of 91l. 5s. per annum, for wounds, Oct. 10th, 1816; subsequently employed in the coast blockade service, under Captain William M‘Culloch; promoted to the rank of commander in July 1821; appointed to the Gannet sloop, Nov. 22d, 1830; and to the Vernon 50, fitting out for the flag of Sir George Cockburn, commander-in-chief on the West India and North American stations, April 27th, 1833. He succeeded to the temporary command of that ship, vice Captain Sir George Augustus Westphal, invalided, in June 1834.
# St. Nicholas/Volume 32/Number 3/Advertisements/Back/Cover

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The De Vinne Press
# St. Nicholas/Volume 32/Number 3/Advertisements

    Swifts cover
    Century Books 2
    Century Books 3
    Miscellaneous 4
    Merrill van Laer School 5
    Pear’s Soap 9
    St. Nicholas Stamp Page 10
    Stamps, etc. 11
    Postum 12
    Northern Pacific 13
    Miscellaneous 14
    Prudential 15
    St. Nicholas Advertising Competition 16
    A. E. Little & Co. 17
    Santa Fe: California 18
    Ivory Soap 19
    Libby’s 20
    Back Cover Bcv
# St. Nicholas/Volume 32/Number 3/Advertisements/Back/Ivory Soap

| What makes this beast so reconciled To be the friend of every child? Why, ’tis because his trunk is packed With IVORY SOAP, and he’ll not act As once he did in Timbuctoo | When ivory tusks (not soap) he grew; For now he’s clean, he’s tame and kind. The moral is not hard to find— He holds it in his trunk up-curled: ‘Tis IVORY SOAP, for all the world. |
| IT FLOATS. ||
| A WORD OF WARNING.—There are many white soaps, each represented to be “just as good as the Ivory"'; they are not, but like all imitations, they lack the peculiar and remarkabie qualities of the genuine. Ask for Ivory Soap and insist upon getting it. ||
# St. Nicholas/Volume 32/Number 3

New Year’s Number
FOR - YOUNG - FOLKS
CONDUCTED BY
MARY - MAPES - DODGE
MACMILLAN AND Co - L’T’D, ST. MARTIN’S ST - LONDON
THE - CENTURY - CO - UNION - SQUARE - NEW - YORK
COPYRIGHT, 1904, BY THE CENTURY CO. ENTERED AT THE POST-OFFICE AT NEW YORK AS SECOND-CLASS MAIL MATTER.
“‘Then let the Lord High Executioner step forward!’”
ST. NICHOLAS
(The entire contents of this Magazine are covered by the general copyright, and articles must not be reprinted without special permission.)
CONTENTS OF ST. NICHOLAS FOR JANUARY, 1905.
Subscription price, $3.00 a year; single number, 25 cents. The half-yearly parts of ST. NICHOLAS end with the October and April numbers respectively, and the red cloth covers are ready with the issue of these numbers; price 50 cents, by mail, post-paid; the two covers for the complete volume. $1.00. We bind and furnish covers for 75 cents per part, or $1.50 for the complete volume. In sending the numbers to us, they should be distinctly marked with owner’s name, and 54 cents (27 cents per part) should be included in remittance, to cover postage on the volume if it is to be returned by mail. Bound volumes are not exchanged for numbers.
| FRANK H. SCOTT, Presi. CHAS F. CHICHESTER, Treas. WILLIAM W. ELLSWORTH, Secy. | THE CENTURY CO. Union Square, New York, N. Y. |
    Front 2-4
    Back 5-22
# St. Nicholas/Volume 32/Number 3/Advertisements/Back

    Merrill van Laer School 5
    Pear’s Soap 9
    St. Nicholas Stamp Page 10
    Stamps, etc. 11
    Postum 12
    Northern Pacific 13
    Miscellaneous 14
    Prudential 15
    St. Nicholas Advertising Competition 16
    Horlick’s Malted Milk 17
    A. E. Little & Co. 18
    Santa Fe: California 19
    Ivory Soap 20
    Libby’s 21
    Back Cover Bcv
# Sonnet 136 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 136," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 136," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 136," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 138 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609). First published in The Passionate Pilgrim (1599).

### In the collected Sonnets

* "Sonnet 138," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 138," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 138," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)

### Other editions

* "When my love swears that she is made of truth," in The Passionate Pilgrime (in A Collection of Poems, 1709).
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 13 (Barnfield)

Published in Cynthia, with certaine Sonnets and the Legend of Cassandra (1595).
* "Sonnet XIII" in The Complete Poems of Richard Barnfield (ed.) by Alexander B. Grosart (1876).
* "Sonnet XIII" in Barnfield's Poems (ed.) by Edward Arber (1878).
# Sonnet 133 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 133," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 133," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 133," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 139 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 139," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 139," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 139," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 134 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 134," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 134," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 134," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 137 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 137," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 137," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 137," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 134

* Search for titles containing or beginning with: "Sonnet 134."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 134, by William Shakespeare.
* Sonnet 134, by Petrarch, part of Rima, later translated (that part now known as adapted) in English by Thomas Wyatt
# Sonnet 134 (Petrarch/Wyatt)

Translation of Petrarch's Rima, Sonnet 134. See also Canzoniere
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Sonnet 135 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 135," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 135," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 135," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Shakespeare's Sonnets (1883)/Sonnet 148

CXLVIII.
O me, what eyes hath Love put in my head,
Which have no correspondence with true sight!
Or, if they have, where is my judgment fled,
That censures falsely what they see aright?
If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote
Love's eye is not so true as all men's no.
How can it? O, how can Love's eye be true,
That is so vex'd with watching and with tears?
No marvel then, though I mistake my view;
The sun itself sees not till heaven clears. O cunning Love! with tears thou keep'st me blind, Lest eyes well-seeing thy foul faults should find.