# Snake (Lawrence)

A snake came to my water-trough On a hot, hot day, and I in pajamas for the heat, To drink there.
In the deep, strange-scented shade of the great dark carob-tree I came down the steps with my pitcher And must wait, must stand and wait, for there he was at the  through before me.
He reached down from a fissure in the earth-wall in the gloom And trailed his yellow-brown slackness soft-bellied down, over  the edge of the stone trough And rested his throat upon the stone bottom, And where the water had dripped from the tap, in a small  clearness, He sipped with his straight mouth, Softly drank though his straight gums, into his slack long body, Silently.
Someone was before me at my water-trough, And I, like a second comer, waiting.
He lifted his head from his drinking, as cattle do, And looked at me vaguely, as drinking cattle do, And flickered his two-forked tongue from his lips, and mused  a moment,
And stooped and drank a little more, Being earth-brown, earth-golden from hte burning bowels of  the earth On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed, For in Sicily the black, black snakes are innocent, the gold are
 venomous.
And voices in me said, If you were a man You would take a stick and break him now, and finish him off.
But must I confess how I liked him, How glad I was he had come like a guest in quiet, to drink at  my water-trough And depart peaceful, pacified and thankless, Into the burning bowels of this earth?
Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honored? I felt so honored.
And yet those voices: If you were not afraid, you would kill him!
And truly I was afraid, I was most afraid, But even so, honored still more That he should seek my hospitality From out the dark door of the secret earth.
He drank enough And lifted his head, dreamily, as one who has drunken, And flickered his tongue like a forked night on the air, so black; Seeming to lick his lips, And looked around like a god, unseeing, into the air, And slowly turned his head, And slowly, very slowly, as if thrice adream, Proceeded to draw his slow length curving round And climeb again the broken bank of my wall-face.
And as he put his head into that dreadful hole, And as he slowly drew up, snake-easing his shoulders, and  entered farther, A sort of horror, a sort of protest against his withdrawing into  that horrid black hole, Deliberately going into the blackness, and slowly drawing him-  self after, Overcame me now his back was turned.
I looked round, I put down my pitcher, I picked up a clumsy log And threw it at the water-trough with a clatter.
I think it did not hit him, But suddenly that part of him that was left behind convulsed  in undignified haste, Writhed like lightning, and was gone Into the black hole, the earth-lipped fissure in the wall front, At which, in the intense still noon, I stared with fascination.
And immediately I regretted it. I thought how paltry, how vulgar, what a mean act! I despised myself and the voices of my accursed human edu-  cation.
And I thought of the albatross And I wished he would come back, my snake.
For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again.
And so, I missed my chance with one of the lords Of life. And I have something to expiate; A pettiness.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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