# Possession (Bromfield)/Chapter 62

SABINE, in her defeat, did not complain. In all the business of the divorce, she conducted herself as she had always done, with an amazing control; so that no one, not even Thérèse, was able to discover whether she was willing or not to release the pretense of a possession she had held over Callendar for so many years. They talked it over quite calmly, arranging all the details in the most business-like and efficient fashion, under the guidance of that short, frumpy, powerful old woman, Thérèse, who appeared to know the law as thoroughly as she knew the world of banking. There was no word spoken in anger or in ​haste. The withdrawal of Sabine from the position of wife was executed with as superb an air of indifference as her entrance into the rôle.
"I want no settlement and no allowance," she had said as the three of them sat about the tea table in the small sitting room of the house in the Avenue du Bois. "Whatever you care to do for little Thérèse is, of course, your own affair. She is yours as much as mine. (A lie, she thought, because they did not care for her at all.) I have all I want."
And the leave-taking had been like the departure of a woman from the office of her lawyer. There was no anger and there were no tears. Sabine rose and said, "I will go now. . . . I have taken a house in the Rue Tilsit. I shall be there in case you want me. I do not know the telephone but I will send it to you."
Thérèse bent over the table and, gathering up the papers with her fat glittering fingers, thrust them into the reticule in which she kept her important documents . . . a moldy old bag continually in a state of confusion, from which she was able by a sort of magic to produce on a moment's notice any paper she required. As she sat watching her, it occurred to Sabine that the old woman's Levantine blood had begun to claim her entirely. It was not only the diamonds and emeralds which now stood in need of cleaning; the heavy black clothes which Thérèse wore even in the hottest weather were now sometimes stained and discolored, and she had taken to carrying fragments of biscuits among the papers of her reticule, which she took out from time to time and nibbled with the furtive air of a fat squirrel. She was more near-sighted than ever and squinted up her eyes until they became mere slits through which appeared the glitter of two tiny brilliant lights. All the charm was slipping slowly away from her eccentricity; the queer abrupt manner, which in the height of her power had seemed amusing and original, was slowly turning into the queerness of an untidy old Greek woman.
Watching her, she thought, "God willing, I shall never turn ​into such a grubby old woman. I shall care for myself to the very end. I shall die, handsomely dressed, with my hair in perfect order and with my corsets on. She is a Levantine after all. She might be an old woman with a fruit stand in the shadow of Brooklyn Bridge."
(Thérèse with the glitter in her dark almond eyes, poking about in a reticule that contained a vast fortune in securities.)
Callendar walked with her through the comic opera hallway and out to her motor where, with a great courtliness, he saw her step in and closed the door after her.
"Good-by," he murmured quietly. "If there is anything you want, let me know."
So although for a time it had seemed that all the cards were turning up for her, she had in the end lost her game of patience. She had lost it, she reflected, to Ellen Tolliver whom she had neglected to respect sufficiently—a crude, uncivilized mountebank brought in to amuse the guests in the house on Murray Hill. What was the secret that lay behind all the mystery?
As the motor drove away, it occurred to her that the parting had been like one between strangers. She had been to them, then, nothing at all; she might have been a clerk employed in some branch of the Leopopulos bank, a creature who had been of use to them and whom they sent away when her usefulness was ended, willing to pension her if she desired it, like an old family employee. More than twelve years she had given to them . . . years in which she tried, desperately, heart-breakingly to establish some bond that was too strong to be broken in this cold, matter-of-fact fashion. More than twelve years she had struggled against something which was stronger, far stronger, than her own will and self-possession. And now they sent her away without more than a formal good-by. . . . Thérèse had her fortune still, vaster than it had ever been. Nothing else mattered.
She took out the mirror from the side of her motor and fell to examining her face. Here at least the twelve years had not ​taken the toll that might have been expected. There was no gray in the brick-red hair that lay under the small, chic gray hat. The narrow intelligent eyes, set close together, were as bright as they had ever been, and the white skin, like the thick petals of a camelia, was as perfect as ever beneath the superbly disguised powder and rouge. She touched the tip of her long nose with an immaculately gloved finger, and it occurred to her that the face which looked out of the tiny rectangle of glass was a mask, really,—an admirably fashioned mask which concealed effectively a turbulence none would ever have imagined lay beneath it. They managed things better in these days: once she would have been expected to retire from the field with a broken heart, to exploit, as it were, her own suffering; to swoon and weep . . . like Lady Byron.
She looked, she felt, remarkably young; but not young enough. She could not, she thought, begin all over again; there was not time. She was past forty now. She might marry again . . . a man her own age or older, but that would not be the same. She had given what youth she possessed (beneath that hard, controlled exterior) to Callendar and Thérèse. There was not a chance of her ever being young in the way she had once been, of loving with a fierce abandon that her pride had forced her to conceal. (She fancied that they had never discovered how much and how shamefully she had loved him, yet she could not be certain. Probably he knew this too.)
She put away the mirror and, leaning back, fell to thinking, with all her cold honesty, that she would even return to him now if he so much as lifted a finger in her direction. There had been in all their life together no memory of a violent scene, no memory of blows or accusations . . . nothing about which she could build up a hatred or sense of repulsion. There had been nothing since little Thérèse was born save that aloof, courteous indifference which it had been impossible to shatter. And for a time she tried to imagine what would have happened if once—only once—​he had for a moment melted and behaved toward her as if she had been more than a mere institution, more than a wife whom one protected and to whom one was always courteous.
And old Thérèse. . . . Once Sabine had fancied that they were friends. They had been, she remembered, congenial, almost alike in their point of view, in the angle from which they looked out upon the world. And then Thérèse had slipped away, slowly, imperceptibly in a fashion that it was impossible to define. There had been no quarrel, no bandying of words, yet they had come somehow to hate each other, coldly and with an ironic polish. She knew what it was that had come between them. It was that fortune and the need of an heir. And now in the end Thérèse was becoming slowly an untidy, disgusting old Levantine woman helpless in the power of her obsession.
If she had not married Callendar she might have been a friend even now, not alone of Thérèse but of Callendar himself. But that would have been unbearable . . . much worse than this. At least in this there was a sense of finality.
So she tried as she had tried many times before, to pull those twelve years apart and pick from among the ruins the elements which had been the heart of her passion for him; but she found it impossible. She could not say why she would have returned to him now if he had asked her. Over all the years there hung a faint aura of evil (an evil which she told herself was not evil at all, but simply seemed so because she had been brought up to believe that sort of love was evil). It was desire which she felt, perhaps nothing more than that; yet it was, she was certain, not such a simple and uncomplicated thing. It was sinister, perhaps entangled in all her passion for knowing what people were, for taking them apart (she smiled to herself) to look at the works. No, this mystery was quite beyond her. . . .
So (she thought) in the end she had not been able to compete with Ellen Tolliver. He would have her now, as he had always wanted to have her. She (Sabine) had then not been so wrong ​in the instinct that led her, years before, to call at the house in Rue Raynouard. There had been nothing to discover, and yet everything. What was true now of Callendar and Ellen Tolliver was true then, as they sat in the long beautiful drawing-room, just as true as it had been in the days when the girl had come to the house on Murray Hill. It was only that they themselves had changed and here (she thought almost with satisfaction) might lie the seeds of one more disaster. For Lilli Barr could not possibly be the same as the awkward, obscure Ellen Tolliver, and Callendar had hardened slowly in all the qualities which made him impossible. Ellen Tolliver would not submit to the unhappiness she herself had known; Ellen Tolliver would not wait patiently to achieve her own desire. She was capable of stormy scenes; she had clearly a genius for success, for having her own way. He had, perhaps, in all his watching never discovered this. And yet, as she thought it over and over on the drive to the Rue Tilsit, it occurred to her that it might be just this and nothing more that was the very core of that inexplicable, persistent attraction between them.
Lilli Barr . . . Lilli Barr . . . Lilli Barr . . . She kept repeating the name to herself. She still felt no resentment. If she herself could not have Callendar, there was no reason why Lilli Barr should not have him. There was, she knew, nothing more to be done.
The voice of Amedé, the driver, roused her as he opened the door. She stepped out, bade him wait for orders, and turning, she saw little Thérèse standing in the window with the governess. It reminded her that she must see Thérèse's friend Ella Nattatorini about the lease for the house at Houlgate. . . . The sea would do little Thérèse good. And there were servants to be engaged and the packing to be done . . .
The ocean of small things which made it possible to endure unhappiness rose and swept over her.