OpenLLM-France/wikimedia huggingface dataset:
# Searchlights on Health/Practical Rules on Table Manners

PRACTICAL RULES ON TABLE MANNERS.
1. Help ladies with a due appreciation; do not overload the plate of any person you serve. Never pour gravy on a plate without permission. It spoils the meat for some persons.
2. Never put anything by force upon any one's plate. It is extremely ill-bred, though extremely common, to press one to eat of anything.
3. If at dinner you are requested to help any one to sauce or gravy, do not pour it over the meat or vegetables, but on one side of them. Never load down a person's plate with anything.
4. As soon as you are helped, begin to eat, or at least begin to occupy yourself with what you have before you. Do not wait till your neighbors are served—a custom that was long ago abandoned.
5. Should you, however, find yourself at a table where they have the old-fashioned steel forks, eat with your knife, as the others do, and do not let it be seen that you have any objection to doing so.
6. Bread should be broken. To butter a large piece of bread and then bite it, as children do, is something the knowing never do.
7. In eating game or poultry do not touch the bones with your fingers. To take a bone in the fingers for the purpose of picking it, is looked upon as being very inelegant.
8. Never use your own knife or fork to help another. Use rather the knife or fork of the person you help.
9. Never send your knife or fork, or either of them, on your plate when you send for second supply.
10. Never turn your elbows out when you use your knife and fork. Keep them close to your sides.
11. Whenever you use your fingers to convey anything to your mouth or to remove anything from the mouth, let it be the fingers of the left hand.
12. Tea, coffee, chocolate and the like are drank from the cup and never from the saucer.
13. In masticating your food, keep your mouth shut; otherwise you will make a noise that will be very offensive to those around you.
14. Don't attempt to talk with a full mouth. One thing at a time is as much as any man can do well.
15. Should you find a worm or insect in your food, say nothing about it.
16. If a dish is distasteful to you, decline it, and without comment.
17. Never put bones or bits of fruit on the table cloth. Put them on the side of your plate.
18. Do not hesitate to take the last piece on the dish, simply because it is the last. To do so is to directly express the fear that you would exhaust the supply.
19. If you would be what you would like to be—abroad, take care that you are what you would like to be—at home.
20. Avoid picking your teeth at the table if possible; but if you must, do it, it you can, where you are not observed.
21. If an accident of any kind soever should occur during dinner, the cause being who or what it may, you should not seem to note it.
22. Should you be so unfortunate as to overturn or to break anything, you should make no apology. You might let your regret appear in your face, but it would not be proper to put it in words.
# Some Little Something About You

* information about this edition.
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Publication copyright 14 October 1909. Music by Ted Snyder.

## Verse 1

I've met lots of girlies who were just my style, Girls whose charms most any boy would share,
girls who captivate you with their roguish smile, Girls you think beyond compare. When I saw the love-light in your eyes, sweetheart, When you smiled on me so tenderly, Mischief-making Cupid perced me with his dart, Something told me you were meant for me.

## Chorus

Some little something about you, Some little somethng, dear, Means I can't live without you, I always want you near. Some hidden charm makes me love yuo, Something I cannot see, And I know one thing, Some little something Means you're the girl for me.

## Verse 2

Oft I've wondered if another boy like me Thinks there's something sweet about you too. I'll admit it's made me jealous as could be, That's because I love you true. Then again, I thought of what the poets say, "Faint heart never won lady fair." So I don't intend to wait another day, There's a cozy home that we can share.

## Chorus

Some little something about you, Some little somethng, dear, Means I can't live without you, I always want you near. Some hidden charm makes me love yuo, Something I cannot see, And I know one thing, Some little something Means you're the girl for me.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Some Love Songs of Petrarch/Petrarch (Carducci)

PETRARCH
From the Italian of Carducci
Master Francesco, I have come to thee And to thy friend, that gentle, fair-haired dame, To calm my angry spirit and set free My grim soul by sweet Sorga's crystal stream. Look! shade and rest I find beneath this tree! I sit, and to the lonely shore I call; Thou comest, and a choir encircles thee Who greet me with a friendly welcome all. And that sweet choir—they are those songs of thine, Down whose fair sides their golden tresses fall— Escaping from the rose-wreaths that entwine Their gathered folds, in ringlets prodigal; And one doth shake her locks, and the rebel cry Breaks from her tuneful lips, 'Rome! Italy!'
# Some Love Songs of Petrarch/Petrarch (Foulke)

PETRARCH
Across the centuries and in every land His name is honoured still. In that long night When learning's flame was quenched, it was his hand That lit the torch and brought the welcome light. So says the world, and yet we treasure more These songs that tell of frailties like our own— The fruitless love which many a year he bore That grew the brighter when its hope was gone. The lays wherein his passion was enshrined Outlast the ages. While from day to day I read his lines, old age is left behind And youth returns; these scattered locks of gray Turn brown once more, and solemn wisdom dies Under the witchery of my lady's eyes.
# Some Men created for destruction come

* information about this edition.
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From Notebook c.1808-1811 p.36. See also: Satiric verses and epigrams.

#### Edited text:

SOME men, created for destruction, come Into the world, and make the world their home. Be they as vile and base as e’er they can, They’ll still be callèd ‘The World’s Honest Man.’
________________________________________

#### The original text:

Some Men created for destruction come Into the World & make the World their home Be they as Vile & Base as Eer they can Theyll still be called 'The Worlds' honest man
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## Notes

* ↑ The Poetical Works of William Blake, including the unpublished French Revolution together with the Minor Prophetic Books and Selections from The Four Zoas, Milton & Jerusalem; edited with an introduction and textual notes by John Sampson, Hon. D.Litt. Oxon., 1862–1931. London, New York: Oxford University Press, 1908.
* ↑ Friend Caiaphas is one, do what he can, He’ll still be callèd ‘The World’s Honest Man.’ MS. 2nd rdg. del.
* ↑ "The Complete Poetry & Prose of William Blake", ed. by David V. Erdman, Anchor Books, 1988, p. 502.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Some Mistakes of Moses/Chapter 10

X
"HE MADE THE STARS ALSO."
MOSES came very near forgetting about the stars and only gave five words to all the hosts of heaven. Can it be possible that he knew anything about the stars beyond the mere fact that he saw them shining above him?
Did he know that the nearest star, the one we ought to be the best acquainted with, is twenty-one billion of miles away, and that it is a sun shining by its own light? Did he know of the next, that is thirty-seven billion miles distant? Is it possible that he was acquainted with Sirius, a sun two thousand six hundred and eighty-eight times larger than our own, surrounded by a system of heavenly bodies, several of which are already known, and distant from us eighty-two billion miles? Did he know that the Polar star that tells the mariner his course and guided slaves to liberty and joy, is distant from this little world two hundred and ninety-two billion miles, ​and that Capella wheels and shines one hundred and thirty-three billion miles beyond? Did he know that it would require about seventy-two years for light to reach us from this star? Did he know that light travels one hundred and eighty-five thousand miles a second? Did he know that some stars are so far away in the infinite abysses that five millions of years are required for their light to reach this globe?
If this is true, and if as the Bible tells us, the stars were made after the earth, then this world has been wheeling in its orbit for at least five million years.
It may be replied that it was not the intention of God to teach geology and astronomy. Then why did he say anything upon these subjects? and if he did say anything, why did he not give the facts?
According to the sacred records God created, on the first day, the heaven and the earth, "moved upon the face of the waters," and made the light. On the second day he made the firmament or the "expanse" and divided the waters. On the third day he gathered the waters into seas, let the dry land appear and caused the earth to bring forth grass, herbs and ​fruit trees, and on the fourth day he made the sun, moon and stars and set them in the firmament of heaven to give light upon the earth. This division of labor is very striking. The work of the other days is as nothing when compared with that of the fourth. Is it possible that it required the same time and labor to make the grass, herbs and fruit trees, that it did to fill with countless constellations the infinite expanse of space?
# Some Little Mice

Nursery rhyme (Roud 14008). The number of mice varies by edition; sometimes three, sometimes six, sometimes ten, and sometimes just "some".
* "Some little mice say in a barn to spin" in A Book of Nursery Songs and Rhymes by Sabine Baring-Gould (1895)
* "Some little mice sat in a barn to spin" in A Book of Nursery Rhymes by Charles Welsh (1901)
* Quoted in The Tailor of Gloucester by Beatrix Potter (1903)
# Some Mistakes of Moses

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SOME MISTAKES OF MOSES.
SOME
MISTAKES OF MOSES
by
ROBERT G. INGERSOLL
FREETHOUGHT PRESS ASSOCIATION
NEW YORK
New authorized edition
1967
Printed in the United States of America
CONTENTS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sears v. City of Akron

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
246 U.S. 242
Sears v. City of Akron
Argued: Jan. 21 and 22, 1918. --- Decided: March 4, 1918
Mr. George W. Wickersham, of New York City, for appellant.
Mr. John E. Morley, of Cleveland, Ohio, for appellee.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sears Roebuck and Company v. Carpet, Linoleum, Soft Tile & Resilient Floor Covering Layers, Local Union No. 419

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
397 U.S. 655
Sears Roebuck and Company v. Carpet, Linoleum, Soft Tile & Resilient Floor Covering Layers, Local Union No. 419
Argued: March 3, 1970. --- Decided: April 27, 1970
Gerard C. Smetana, Chicago, Ill., for petitioner.
Dominick L. Manoli, Washington, D.C., for respondent National Labor Relations Board.
David S. Barr, Washington, D.C., for respondent Union.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sears Roebuck and Company v. Mackey

* related portals: Supreme Court of the United States.
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United States Supreme Court
351 U.S. 427
Sears Roebuck and Company v. Mackey
Argued: Feb. 28, 1956. --- Decided: June 11, 1956
Mr.Walter J. Rockler, Washington, D.C., for petitioner.
Mr. Edward I. Rothschild, Chicago, Ill., for respondent.
Mr. Justice BURTON delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sears v. Eastburn/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
51 U.S. 187
Sears v. Eastburn
The point in this case is a narrow one, and concerns only the practice in the Circuit Court of the United States for the Southern District of Alabama.
It appears that in 1821 an act was passed by the legislature of that state to abolish fictitious proceedings in ejectment; and to substitute in their place the action of trespass, for the purpose of trying the title to lands and recovering the possession.
In the case before us, an action of trespass was brought by the plaintiff in error against the defendant, for the purpose of recovering a certain parcel of land to which he claimed title. The writ was indorsed in the manner required by the statute of Alabama; and the declaration was in the usual form of an action of trespass. There does not appear to have been either plea or demurrer put in by the defendant, nor any issue of fact or law joined between the parties. But the defendant by his counsel moved the court to dismiss the suit, upon the ground that the law of the state was not in force in the Circuit Court of the United States; and the district judge then holding the Circuit Court, being of that opinion, dismissed the suit, and gave judgment in favor of the defendant for his costs.
This decision is evidently erroneous. The act of May, 1828, (4 Stat. at L., 278), in express terms, directs that the forms and modes of proceeding in the courts of the United States, in suits at common law in the states admitted into the Union since 1789, shall be the same with those of the highest court of original jurisdiction in the state. Alabama is one of the states admitted since 1789; and the act of Congress, therefore, makes it obligatory upon the courts of the United States to conform in their mode of proceeding to the law of the state. The law of the state of itself, undoubtedly, was not obligatory upon the courts of the United States. But it is made so by the act of Congress.
The judgment of the Circuit Court must therefore be reversed, with costs.
This cause came on to be heard on the transcript of the record from the Circuit Court of the United States for the Southern District of Alabama, and was argued by counsel. On consideration whereof, it is now here ordered and adjudged by this court, that the judgment of the said Circuit Court in this cause be, and the same is hereby, reversed, with costs, and that this cause be, and the same is hereby, remanded to the said Circuit Court, with directions for further proceedings to be had therein, in conformity to the opinion of this court, and as to law and justice shall appertain.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sears v. Inhabitants of the Town of Nahant/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
248 U.S. 543
Sears v. Inhabitants of the Town of Nahant
Dismissed for want of jurisdiction upon the authority of (1) McCain v. Des Moines, 174 U.S. 168, 181, 19 Sup. Ct. 644, 43 L. Ed. 936; Western Union Tel. Co. v. Ann Arbor R. R. Co., 178 U.S. 239, 243, 20 Sup. Ct. 867, 44 L. Ed. 1052; Hull v. Burr, 234 U.S. 712, 720, 34 Sup. Ct. 892, 58 L. Ed. 1557; Norton v. Whiteside, 239 U.S. 144, 147, 36 Sup. Ct. 97, 60 L. Ed. 186; (2) Farrell v. O'Brien, 199 U.S. 89, 100, 25 Sup. Ct. 727, 50 L. Ed. 101; Empire State-Idaho Mining Co. v. Hanley, 205 U.S. 225, 232, 27 Sup. Ct. 476, 51 L. Ed. 779; Goodrich v. Ferris, 214 U.S. 71, 79, 29 Sup. Ct. 580, 53 L. Ed. 914; Brolan v. United States, 236 U.S. 216, 35 Sup. Ct. 285, 59 L. Ed. 544; (3) Consolidated Turnpike Co. v. Norfolk, etc., R. Co., 228 U.S. 596, 599, 33 Sup. Ct. 605, 57 L. Ed. 982; Cuyahoga River Power Co. v. Northern Realty Co., 244 U.S. 300, 304, 37 Sup. Ct. 643, 61 L. Ed. 1153; Bilby et al. v. Stewart, 246 U.S. 255, 257, 38 Sup. Ct. 264, 62 L. Ed. 701.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sears v. Inhabitants of the Town of Nahant

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
248 U.S. 543
Sears v. Inhabitants of the Town of Nahant
Mr. Burton E. Eames, of Boston, Mass., for plaintiffs in error.
Messrs. Robert G. Dodge and Arthur D. Hill, both of Boston, Mass., for defendants in error.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Soldier poets, songs of the fighting men/E. Hardress Lloyd

E. HARDRESS LLOYD
Lieut., London Irish Rifles
FULL of the tumult of its triumph, Its vaulted silences a frenzied shriek Of mirthless laughter, Is my Soul.
Like some strong swimmer from the deep, Dripping water, Is my Spirit, From its bath of Earthly Love emerging.
Like a lone musician with his harp strings broken, Viewing the void to which his melody has fled, Like some weary Poet struggling with expression, So is my withered heart, my burning head.
# Soldier poets, songs of the fighting men/A. Victor Ratcliffe

A. VICTOR RATCLIFFE
Lieut., 10/13th West Yorkshire Regiment
At Sundown
THE day put by his valiant shield, And cast him down. His broken sword lay o'er a field Of barley brown And his bright sceptre and his crown Were sunken in the river's heart.
His native tent of blue and gold Was gathered in. I saw his torn flags o'er the wold; And on the whin High silence lit, and her near kin Fair twilight spread her firefly wings.
The birds like secret thoughts lay still Beneath the hush That held the sky and the long hill And every bush. And floated o'er the river's rush And held the windlets in her hand.
Into the Night
INTO the night we slip once more, Into the night to sleep. And call upon our soothed brain To give us to ourselves again Beatified and lithe of limb, To break from the sad world, and leap Into the day beyond the rim Of the world's darkness, and to be From dross and sorrow free.
To rove a mountain diamonded, And see a mother-o'-pearl Clouding trail along the sky, To see a silver stork go by On stately wing, and carrying A beautiful white lissom girl, Soul's Innocence, whose sapphire ring Shines with her tender sapphire eyes Among the bluey skies.
To sail upon a silvery sea Upon a silver ship, And hear the siren's softest song Come wafted the moon's path along— Like to your breath upon my cheek ​Or a smile from lip to lip— To love one friend with whom to speak Of lovely, joyful things, and be At peace with the wide sea.
Optimism
AT last there'll dawn the last of the long year, Of the long year that seemed to dream no end, Whose every dawn but turned the world more drear, And slew some hope, or led away some friend. Or be you dark, or buffeting, or blind, We care not, day, but leave not death behind.
The hours that feed on war go heavy-hearted, Death is no fare wherewith to make hearts fain. Oh, we are sick to find that they who started With glamour in their eyes come not again. O day, be long and heavy if you will, But on our hopes set not a bitter heel.
For tiny hopes like tiny flowers of Spring Will come, though death and ruin hold the land, Though storms may roar they may not break the wing Of the earthed lark whose song is ever bland. Fell year unpitiful, slow days of scorn, Your kind shall die, and sweeter days be born.
# Soldier poets, songs of the fighting men/C. H. Sorley

C. H. SORLEY
Captain, 7th S. Battalion, Suffolk Regiment
Fragments
We have the privilege of printing two fragments of verse by Captain C. H. Sorley, whose volume, Marlborough, and Other Poems, was published—a fine memorial to a brave spirit—shortly after he was killed in action in October, 1915. Other literary remains not included in this volume (excepting the following) are not yet available. The Sonnet—now first printed—was written in 1911, when the writer was about 16, and is much earlier than anything printed hitherto. The Faust lines are taken from a letter written in December, 1914, while in training. They are preceded by the words, "I think that Germany, in spite of her vast bigotry and blindness, is in a kind of way living up to the motto that Goethe left her in the closing words of Faust before he died."
The original lines from Faust are appended, as they show how ingeniously he combines the separate passages into a single piece (making the transition by following the change in the sequence of rhyme which is in the original). The translation is almost literal, but has a swing of its own which makes it worthy of comparison with the original.
Faust—Part II
(Lines 6944-7)
AY, in this thought is my whole life's persistence, This is the whole conclusion of the true: He only owns his Freedom, owns Existence, Who every day must conquer her anew.
(Lines 6820-3)
So let him journey through his earthly day, 'Mid hustling spirits, go his self-found way, Find torture, bliss, in every forward stride, He, every moment still unsatisfied.
Faust Part II
Ja! diesem Sinne bin ich ganz ergeben, Das ist der Weisheit letzter Schluss: Nur der verdient sich Freiheit wie das Leben, Der taglich sie erobern muss.
Er wandle so den Erdentag entlang; Wenn Geister spuken, geh' er seiner gang; Im Weiterschreiten find 'er Qual und Gluck, Er, unbefriedigt jeden Augenlick!
Prometheus Vinctus Loquitur
FAR from the farthest bounds of earth—a land Where never yet hath foot of mortal trod, Illimitable, pathless—here, a god God-bound, god-tortured, god-consumed I stand. All day the sun beats down upon the sand Scorching the listless air; and all the night The moon gleams cold with pale impassive light Holding an icy sway—and still I stand!
​And let me stand so and defy them all! The martyr's exultation leaps in me, And I am joyous, joyous. He shall fall, And I, whom he hath trampled on, shall see His utter desolation: great that fall From heaven's height to hell's iniquity!
# Soldier Poets

* Search for titles containing or beginning with: "Soldier Poets."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Soldier poets, songs of the fighting men (1916)
* More songs by the fighting men. Soldiers poets: second series (1917)
* For remembrance: soldier poets who have fallen in the war (1918; repr 1920)
* Some soldier poets (1920)
# Soldier, Soldier

* "Soldier, Soldier" in Ballads and Barrack-Room Ballads (1892)
* "Soldier, Soldier" in Departmental Ditties and Ballads and Barrack-Room Ballads (1919)