OpenLLM-France/wikimedia huggingface dataset:
# The South Staffordshire Coalfield/Chapter 2

CHAPTER II.
DESCRIPTION OF THE ROCKS.
The rocks, or geological formations, entering into the structure of this district are—
| Secondary, or Mesozoic Formations. | $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$ | 1. | The Lias. |
| Secondary, or Mesozoic Formations. | $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$ | 2. | The New Red Sandstone. ​ |
| Primary, or Palæozoic Formations | $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right.}$ | 3. | The Lower Red Sandstone, or Permian. |
| Primary, or Palæozoic Formations | $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right.}$ | 4. | The Coal-Measures. |
| Primary, or Palæozoic Formations | $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right.}$ | 5. | The Silurian Rocks. |
| Igneous, or Unstratified Rocks. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ | Basalt and Greenstone. | Basalt and Greenstone. |
1. The Lias.
Although not strictly lying within the district. I mention this formation because its existence in Staffordshire was first discovered during the survey of the coal-field, and because it may have a rather important bearing on some of the theoretical results arrived at. It occurs on the high ground of Needwood forest. It consists of alternations of blue shale and limestone, the bands of limestone being not more than 6 or 8 inches in thickness, over which are some arenaceous beds becoming in the upper part a white shaly sandstone. The limestone bands have not yet been worked, but they would probably have the same hydraulic character as those of Barrow-upon-Soar. My colleague Mr. Howell, however, who mapped this neighbourhood, informs me that the limestone here is more argillaceous, and not so pure as the Lias limestone of other places, that near Stratford-on-Avon for instance. In the sandy beds are some imperfect casts of bivalve shells.
# The Reeds of Runnymede

First published in A School History of England (1911) as "The Reeds of Runnymede".
Layout 2
The Reeds of Runnymede.
Runnymede, June 15, 1210.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Reef
### Book I

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII

### Book II

* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI

### Book III

* Chapter XVII
* Chapter XVIII
* Chapter XIX
* Chapter XX
* Chapter XXI
* Chapter XXII

### Book IV

* Chapter XXIII
* Chapter XXIV
* Chapter XXV
* Chapter XXVI
* Chapter XXVII
* Chapter XXVIII
* Chapter XXIX

### Book V

* Chapter XXX
* Chapter XXXI
* Chapter XXXII
* Chapter XXXIII
* Chapter XXXIV
* Chapter XXXV
* Chapter XXXVI
* Chapter XXXVII
* Chapter XXXVIII
* Chapter XXXIX
# The Redwood

* related portals: Yearbooks.
* sister projects: Commons category, Wikidata item.
Yearbook of Santa Clara University
* Volume I (1901)
* Volume II (1902)
* Volume III (1903)
* Volume IV (1904)
* Volume V (1905)
* Volume II (1906)
* Volume VII (1907) (start transcription)
* Volume VIII (1908)
* Volume IX (1909)
* Volume X (1910)
* Volume XI (1911)
* Volume XII (1912)
* Volume XIII (1913)
* Volume XIV (1914) (start transcription)
* Volume XV (1915)
* Volume XVI (1916) (transcription project)
* Volume XXIV (1925) (start transcription)
* Volume XXIX (1930) (start transcription)
* 1957 IA
* 1959 IA
# The Redwood/Volume XVI/Number 2/Alma Mater

Alma Mater
(University Anthem)
R. J.
SANTA CLARA! Alma Mater!
Lo! our Hearts are pledged to thee,
El Dorado's first-born daughter,
Who beside the Western sea,
Where the Palm and Olive mingle,
Bade the torch of Science burn—
When our footsteps bear us from thee,
Back to thee our hearts we'll turn.
CHORUS
This the Mission Bells are tellling
As exultingly they ring,
"Santa Clara," "Santa Clara,"
"Alma Mater," sweet they sing,
Where the Palm and Olive mingling
Proudly raise their heads on high,
In the earliest fane of Science
Built beneath our Western sky.
Red and White our peerless colors—
Red, of manly blood the sign;
White, Integrity's fair banner
Streaming foremost in our line.
As we leave the Palm and Olive
To excel in Honor's strife,
Back we'll bear it e'er unsullied
From the bivouac of life.
# The Spider Strain
## Contents

* Chapter 1: Love and Mystery
* Chapter 2: Under Orders
* Chapter 3: Togo Shows Emotion
* Chapter 4: One Known Foe
* Chapter 5: Into a Trap
* Chapter 6: Togo Takes a Hand
* Chapter 7: In the Conservatory
* Chapter 8: Another Attempt
* Chapter 9: A Lost Locket
* Chapter 10: A Surprise
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1958, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 65 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Steel Horse

* information about this edition.
* related portals: Children's literature, Adventure.
* sister projects: Commons category.
Book #3 in the Forest and Stream series.
Layout 2
THE STEEL HORSE
OR
THE RAMBLES OF A BICYCLE
BY
HARRY CASTLEMON
AUTHOR OF "GUNBOAT SERIES, "ROUGHING IT SERIES,"
"ROD AND GUN SERIES," ETC.
PHILADELPHIA
HENRY T. COATES & CO.
[Front matter]
FAMOUS CASTLEMON BOOKS.
GUNBOAT SERIES. By Harry Castlemon. 6 vols. 12mo.
    Frank the Young Naturalist. Frank on a Gunboat.
    Frank in the Woods. Frank Before Vicksburg.
    Frank on the Lower Mississippi. Frank on the Prairie.
ROCKY MOUNTAIN SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    Frank among the Rancheros. Frank at Don Carlos' Ranch.
    Frank in the Mountains.
SPORTSMAN'S CLUB SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    The Sportsman's Club in the Saddle.
    The Sportsman's Club Afloat.
    The Sportsman's Club among the Trappers.
FRANK NELSON SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    Snowed Up. Frank in the Forecastle. The Boy Trappers.
BOY TRAPPER SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    The Buried Treasure. The Boy Trapper. The Mail Carrier.
ROUGHING IT SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    George in Camp. George at the Wheel. George at the Fort.
ROD AND GUN SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    Don Gordon's Shooting Box. Rod and Gun Club.
    The Young Wild Fowlers.
GO-AHEAD SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    Tom Newcombe. Go-Ahead. No Moss.
FOREST AND STREAM SERIES. By Harry Castlemon. 3 vols. 12mo. Cloth.
    Joe Wayring. Snagged and Sunk. Steel Horse.
WAR SERIES. By HARRY CASTLEMON. 5 vols. 12mo. Cloth.
    True to his Colors. Rodney the Partisan.
    Rodney the Overseer. Marcy the Blockade-Runner.
    Marcy the Refugee.
Other Volumes in Preparation.
Copyright, 1888, By Porter & Coates.
CONTENTS.
CHAPTER PAGE
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# The Southern Literary Messenger, 1834-1864/Fourth Volume

THE FOURTH VOLUME
An editorial, "The New Year," opens Volume IV. Besides a holiday salutation to subscribers, readers and contributors, it lays great stress upon the benefits of practice in writing. The Messenger continues its useful feature of presenting in full, or in reviews, excellent addresses by distinguished authors. Thus we have Samuel L. Southard, Jos. R. Ingersoll, Edward Everett, D. L. Carroll, Beverly and Geo. Tucker, Henry Ruffner, James E. Heath, Geo. D. Armstrong, Henry L. Pinckney, etc.
Among the new contributors are C. W. Everest, Dr. Jno. L. Martin, Chas. Campbell, Charlotte Barnes, W. W. Andrews, C. M. F. Deems, F. W. Thomas, and Horatio King. There are essays, sketches and stories. With the aid of the Edinburgh Review, Lord Bacon is extensively considered. Judges Carr, Taney and other distingués are sketched; Miss Martineau and Bulwer are reviewed; justice is done to Simms, who, with all the fair drawbacks and discounts against him, is the hero and leviathan of Southern Literature. Judge Harper furnishes his ​able "Memoir on Slavery," corrected; the Messenger makes friends with the New York Mirror and boosts both Willis and Morris; and these and other matters compose an interesting volume of 800 pages. The editor's Book Table is rather neglected, though in the May number a review department is announced and authors and publishers invited to send their works.
The beginning of this year was a trying time for Mr. White. He had had to endure the slow and painful death of his invalid wife, which occurred on the 11th of December, 1837, in her 43rd year. In the October number is an obituary notice of her and a hearty tribute to her by the faithful Eliza, of Maine. In the April number is a spirited defence of Mr. Jefferson, against a scandalous attack upon him, by The New York Church Quarterly. In six numbers is a "Journal of a Trip to the Mountains, Caves and Springs of Virginia," by a New Englander. But a stop must be made, else the next volume will never be reached and this intended sketch become as voluminous as Rollin's "Ancient History;" or an improved Encyclopædia.
# The Southern Literary Messenger, 1834-1864/Preface

PREFACE
The long life of The Southern Literary Messenger, the honorable position which it attained and the salutary influence it exerted, not only upon Southern but American Literature, entitled it, in the estimation of many of its friends, to a fair yet a loving commemoration. It was repeatedly suggested to the author that he ought to prepare such a tribute, because he had owned and edited the dear old Magazine for more than four years and was also familiar with the rest of its long and honorable career.
At length, at the instance of Dr. James A. Harrison, of the University of Virginia, the work now offered to the public was prepared and submitted to him. He has approved it and is one of the kind friends who have aided in getting it published. To him and the others who have done likewise and to all who would have done so, hearty thanks are tendered.
This sketch goes somewhat into detail, in order that it may be a sort of substitute for a set of the Messenger, which it is now very difficult and expensive to obtain. A full set of the Messenger ​would now cost about $150.00. Whereas this, the only substitute, costs but $2.00. It will necessarily be personal and reminiscent; but the author trusts it will be adjudged that he has preserved a proper mean between an allowable egoism and an obtrusive and offensive egotism.
Richmond, Va., Jan. 2nd, 1905.
# The Report on Unidentified Flying Objects

New York: Doubleday.
Contents :
| FOREWORD | 7 |
| CHAPTER ONE Project Blue Book and the UFO Story | 13 |
| CHAPTER TWO The Era of Confusion Begins | 31 |
| CHAPTER THREE The Classics | 49 |
| CHAPTER FOUR Green Fireballs, Project Twinkle, Little Lights, and Grudge | 71 |
| CHAPTER FIVE The Dark Ages | 87 |
| CHAPTER SIX The Presses Roll-The Air Force Shrugs | 39 |
| CHAPTER SEVEN The Pentagon Rumbles | 117 |
| CHAPTER EIGHT The Lubbock Lights, Unabridged | 133 |
| CHAPTER NINE The New Project Grudge | 151 |
| CHAPTER TEN Project Blue Book and the Big Build-Up | 167 |
| CHAPTER ELEVEN The Big Flap | 187 |
| CHAPTER TWELVE The Washington Merry-Go-Round | 209 |
| CHAPTER THIRTEEN Hoax or Horror? | 229 |
| CHAPTER FOURTEEN Digesting the Data | 247 |
| CHAPTER FIFTEEN The Radiation Story | 263 |
| CHAPTER SIXTEEN The Hierarchy Ponders | 275 |
| CHAPTER SEVENTEEN What Are UFO'S? | 295 |
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
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# The Spirit of Japanese Poetry/Advertisements

THE WISDOM OF THE EAST SERIES
Edited by L. Cranmer-Byng and Dr. S. A. Kapadia
THE SERIES AND ITS PURPOSE
This Series has a definite object. It is, by means of the best Oriental literature its wisdom, philosophy, poetry, and ideals to bring together West and East in a spirit of mutual sympathy, goodwill, and understanding. From India, China, Japan, Persia, Arabia, Palestine, and Egypt these words of wisdom have been gathered.
NEW VOLUMES.
INDIAN
IRANIAN (Persian, Pehlvi, Zend, etc.)
The Persian Mystics.
* Jalálu'd-din Rumí. By F. Hadland Davis. 3/6 net.
* Jámí. By F. Hadland Davis. 3/6 net.
ARABIC
HEBREW
CHINESE
The Classics of Confucius.
    The Book of History (Shu-King).
       By W. Gorn Old. 2/6 net.
    The Book of Odes (Shi-King).
       By L. Cranmer-Byng. 2/6 net.
JAPANESE
EGYPTIAN
Editorial Communications should be addressed to
The Editors of the Wisdom of the East Series
50A Albemarle Street, London, W.1.
Salma
A PLAY IN THREE ACTS
By L. Cranmer-Byng
3s. 6d. net
This is the drama of April played in Cintra one thousand years ago. With sunshine and laughter and the whispering of a name among the lemon groves the brief day passes, and with tears it fades into the Lusitanian twilight.
LONDON: JOHN MURRAY, ALBEMARLE STREET, W.1.
# The Spirit of Japanese Art/The Nervous Debility of Present Japanese Art

When I say that I received almost no impression from the annual Government Exhibition of Japanese Art in the last five or six years, I have a sort of same feeling with the tired month of May when the season, in fact, having no strength left from the last glory of bloom (what a glorious old Japanese art!), still vainly attempts to look ambitious. Although it may sound unsympathetic, I must declare that the present Japanese art, speaking of it as a whole, with no reference to separate works or individual artists, suffers from nervous debility. Now, is it not the exact condition of the Japanese life at present? Here it is the art following after the life of modern Japan, vain, shallow, imitative, and thoughtless, which makes us pessimistic; the best possible course such an art can follow in the time of its nervous debility might be that of imitation.
When the present Japanese art tells something, I thank God, it is from its sad failure; indeed, the present Japanese art is a lost art, since it explains nothing, alas, unlike the old art of idealistic exaltation, but the general condition of life. It is cast down from its high pedestal.
I do not know exactly what simplicity means, when ​the word is used in connection with our old art; however, it is true we see a peculiar unity in it, which was cherished under the influence of India and China, and always helped to a classification and analysis of the means through which the artists worked. And the poverty of subjects was a strength for them; they valued workmanship, or the right use of material rather than the material itself; instead of style and design, the intellect and atmosphere. They thought the means to be the only path to Heaven. But it was before the Western art had invaded Japan; that art told them of the end of art, and laughed at the indecision of esthetic judgment and uncertainty of realism of Japanese art. It said: "It is true that you have some scent, but it is already faded; you have refinement, but it is not quite true to nature and too far away." Indeed, it is almost sad one sees the artists troubled by the Western influence which they accepted, in spite of themselves; I can see in the exhibitions that many of them have long ago lost their faith by spiritual calamity, and it is seldom to see them able to readjust their own minds under such a mingled tempest of Oriental and Occidental. Is it not, after all, merely a waste of energy? And how true it is with all the other phenomena of the present life, their Oriental retreat and Occidental rush.
# The Satires, Epistles & Art of Poetry of Horace/Ep1-9

IX. To Tiberius Claudius Nero.
Septimius, Claudi.
EPTIMIUS, Nero, seems to comprehend, As none else does, how you esteem your friend: For when he begs, nay, forces me, good man, To move you in his favour, if I can, As not unfit the heart and home to share Of Claudius, who selects his staff with care,
Bidding me act as though I filled the place Of one you honour with your special grace, He sees and knows what I may safely try By way of influence better e'en than I. Believe me, many were the pleas I used In the vain hope to get myself excused: But then there came a natural fear, you know, Lest I should seem to rate my powers too low, To make a snug peculium of my own, And keep my influence for myself alone: So, fearing to incur more serious blame, I bronze my front, step down, and play my game. If then you praise the sacrifice I make In waiving modesty for friendship's sake, Admit him to your circle, when you've read These lines, and trust me for his heart and head.
# The Satires, Epistles & Art of Poetry of Horace/Ep1-8

VIII. To Celsus Albinovanus.
Celso gaudere.
EALTH to friend Celsus—so, good Muse, report— Who holds the pen in Nero's little court! If asked about me, say, I plan and plan, 'Yet live useless and unhappy man:
Sunstrokes have spared my olives, hail my vines; No herd of mine in far-off pasture pines: Yet ne'ertheless I suffer; hourly teased Less by a body than a mind diseased, No ear have I to hear, no heart to heed The words of wisdom that might serve my need, Frown on my doctors, with the friends am wroth Who fain would rouse me from my fatal sloth, Seek what has harmed me, shun what looks of use, Town-bird at Tibur, and at Rome recluse. Then ask him how his health is, how he fares, How prospers with the prince and his confrères. If he says Well, first tell him you rejoice, Then add one little hint (but drop your voice), "As Celsus bears his fortune well or ill, So bear with Celsus his acquaintance will."
# The Strange Case of Miss Annie Spragg

By the same author
The Green Bay Tree Possession Early Autumn A Good Woman
The STRANGE CASE of MISS ANNIE SPRAGG
By Louis Bromfield
Frederick A. Stokes Company New YorkMCMXXVIII
For R. Thornton Wilson Who made with me the Italian journey
Note
The author does not hold himself responsible for opinions expressed by his characters. Therefore if any reader feels moved to write an abusive letter, he is asked to address it to Father d'Astier, the Principessa d'Orobelli, Mrs. Weatherby, Mr. Winnery, Bessie Cudlip or even poor Miss Annie Spragg herself. By this time she knows more about God than any of us who are left on the earth.
Contents
"He did not tell Mrs. Winnery that in attempting to solve one mystery, he had simply found himself face to face with another and more terrifying one which neither saints nor prophets nor scientists had ever solved in all the centuries of the world's recorded existence. It made Mr. Winnery seem to himself small and impertinent, and being a vain man, he did not care to have his wife share this discovery."
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Story of Joseph and His Brethren/Part 1/Chapter 8

CHAPTER VIII.
THE history of Joseph under this view we need not pursue much further. Our object has been to trace it chiefly with a view to exhibit before the young reader the purity and beauty of his character. The fame of the circumstance of Joseph's brethren having come, was heard in Pharaoh's house, and the king joined with his favourite deputy or viceroy, to urge Jacob and all his house to come down and make his abode in Egypt. The brethren were accordingly sent away with waggons to carry down the whole household. Joseph, in dismissing them, gave them this brotherly and useful advice—"See that ye fall not out by the way." This was a lesson which they may have needed, as they were likely to accuse one another for the more active share some of them had taken in the conspiracy against their younger brother. And it is a lesson which we all may learn, and ​have need to practice while journeying in the path of life with our brethren in this world.
The scene described between the brethren and their aged father is most touching. When his sons told him, saying, Joseph is yet alive, and he is governor over all the land of Egypt, "Jacob's heart fainted, for he believed them not." And well might he regard it as an idle tale. But when he became convinced, and "saw the waggons that Joseph had sent to carry him, the spirit of Jacob their father revived; and Israel said, It is enough; I will go and see him before I die." And when they arrived in Goshen, "Joseph made ready his chariot and went up to meet his father, and presented himself unto him and fell on his neck, and wept on his neck a good while. And Israel said unto Joseph, Now let me die, since I have seen thy face, because thou art yet alive."
How happy must the aged Jacob have been to see his son alive whom he had for so many years mourned as dead! His willingness and even his desire to die was one of the results and signs of that happiness. It is sometimes supposed that it is only a sense of misery that ​makes people desire death, and that the happier they are, the more unwilling or the more afraid they are to die. Perhaps merely worldly happiness always makes death terrible; but the more truly, that is, the more spiritually happy people are in this world, the more willing are they to depart into that world where happiness has its true abode. It is recorded by Benjamin Franklin, that when, during a thunderstorm, he conducted some of the lightning into a phial, and made the grand discovery that lightning was the same as electricity, and thus that a flash of lightning consists of the same subtle fluid as the electric spark, such a thrill of happiness passed through his mind that he felt as if he could have died. If such happiness as he felt on discovering a natural truth, in which he was deeply interested, could make Franklin feel as if life had accomplished its task, how much more that happiness which Jacob felt from the recovery of a long-lost son, and still more the happiness which springs from having found the pearl of great price, the one thing needful—the knowledge and love of Jesus, whom to know is life everlasting!