OpenLLM-France/wikimedia huggingface dataset:
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 18

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Numbered 150 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xviij fable is of the lyon and of the rat /
He myghte and puyssant must pardonne and forgyue to the lytyll and feble / and ought to kepe hym fro al euylle / For oftyme the lytyll may wel gyue ayde and help to the grete / wherof Esope reherceth to vs suche a fable Of a lyon whiche slepte in a forest and the rats desported and playd aboute hym / It happed that the rat wente vpon the lyon / wherfore the lyon awoke / and within his clawes or ongles he tooke the rat / ¶ And whanne the rat sawe hym thus taken & hold sayd thus to the lyon / My lord pardonne me / For of my deth noughte ye shalle Wynne / For I suppofed not to haue done to yow ony harme ne displaysyre / ¶ Thenne thought the lyon in hym self that no worship ne glorye it were to put it to dethe / wherfor he graunted his pardonne and lete hym go within a lytyll whyle / After this it happed so that the same lyon was take at a grete trappe / and as he sawe hym thus caught and taken / he beganne to crye and make sorowe / and then whan the ​rat herd hym crye / he approched hym & demaunded of hym wherfor he cryed / And the lyon ansuerd to hym / Seest thou not how I am take & bound with this gynne / Thenne sayd the ratte to hym / My lord I wylle not be vnkynde / but euer I shal remembre the grace whiche thou hast done to me / And if I can I shall now helpe the / The ratte beganne thenne to byte the lace or cord / and so long he knawed it that the lace brake / And thus the lyon escaped / ¶ Therfore this fable techeth vs how that a man myghty and puyssant ought not to dysprayse the lytyll / For somtyme he that can no body hurte ne lette may at a nede gyue help and ayde to the grete
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 2

* related portals: Aesop's Fables.
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Numbered 155 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ This second fable is of the wulf and the lambe /
f the Innocent and of the shrewe Esope reherceth to vs suche a fable / howe it was so / that the lambe and the wulf had bothe thurst / and went both to a Ryuer for to drynke /¶ It happed that the wulf dranke aboue & the lambe dranke bynethe / And as the wulf sawe & percyued the lambe / he sayd with a hyghe voys / Ha knaue why hast thou troubled ​and fowled my water / whiche I sold now drynke / Allas my lord sauf your grece / For the water cometh fro yow toward me / Thenne sayd the wulf to the lambe / Hast thou no shame ne drede to curse me / And the lambe sayd My lord with your leue / And the wulf sayd ageyne / Hit is not syxe monethes passyd that thy fader dyd to me as moche / And the lambe ansuerd yet was I not at that tyme born / And the wulf said ageyne to hym / Thou hast ete my fader / And the lambe ansuerd / I have no teeth / Thenne said the wulf / thou arte wel lyke thy fader / and for his syne and mysdede thow shalt deye / The wulf thenne toke the lambe and ete hym / This fable sheweth that the euylle man retcheth not by what maner he may robbe and destroye the good and Innocent man.
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# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 17

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Numbered 91 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xvij fable is of the asse and of the yong dogge
one ought to entermete hym of that what he can not do wherof Esope recyted suche a fable / Of an asse whiche was in the hows of a lord / whiche lord had a lytyle dogge / whiche he loued wel / and gaf hym mete and ete vpon his table / And the lytyle dogge loked and chered / and lepte vpon his gowne / And to alle them that were in the hows he made chere / ​wherfor the asse was enuyous and sayd in hym self / yf my lord and his meyny loue this myschaunt beste by cause that he chereth and maketh feste to euery body / by gretter reason they ought to loue me vf I make chere to them / Thenne sayd he in hym self/ Fro henforth I shall take my disporte and shall make Joye and playe with my lord / and wyth his meyny / And ones as the asse was in this thoughte and ymagynacion / hit happed that he sawe his lord whyche entryd in to his hows / the asse beganne thenne to daunse and to make feest and songe with his swete voys / and approched hym self toward his lord & went & lepte vpon his sholders / and beganne to kysse and to lykke hym / The lord thenne beganne to crye oute with a hyghe voys and sayd / lete this fowl and payllard / whiche hurteth and byteth me sore / be bete and putt awey / The lordes seruauntes thenne toke anone grete staues / and beganne to smyte vpon the poure asse / and so sore corryged and bete hym / that after he had no luste ne courage to daunse / ne make to nonne chere ne feste / and therfore none ought to entermete hym self for to doo a thynge / whiche as for hym impossyble is to be done / For the vnwyse displeseth there / where as he supposeth to please
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 19

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Numbered 324 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xix fable is of the mylan whiche was seke and of his moder
E that euer doth euylle ought not to suppose ne haue no trust that his prayer at his nede shalle be herd / Of the whiche thynge Esope sheweth to us suche a fable / Of a mylan whiche was seke / so moche that he had no truste to recouer his helthe / And as he sawe hym so vexed with feblenes / he prayd his moder that she shold praye vnto the goddes for hym / And his moder ansuerd to hym / My sone thow hast so gretely offendyd and blasphemyd the goddes that now they wol auenge them on the / For thow preyest not them by pyte ne by loue / but for dolour and drede / For he whiche ledeth euylle lyf / and that in his euylle delynge is obstynate / ought not to haue hope to be delyuered of his euyll / For whan one is fall into extremyte of his sekenes / thenne is the tyme come that he must be payed of his Werkes and dedes / For he that offendeth other in his prosperyte / whan he falleth in to aduersyte / he fyndeth no frendes /
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 3

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Numbered 384 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The thyrd fable is of the rat / and of the frogge /
ow it be so / that as the rat went in pylgremage / he came by a Ryuer / and demaunded helpe of a frogge tor to passe / and go over the water / And thenne the frogge bound the rats foote to her foote / and thus swymed vnto the myddes ouer the Ryuer / And as they were there the frogge stood stylle / to thende that the rat shold be drowned / And in the meane whyle came a kyte vpon them / and bothe bare them with hym / This fable made Esope for a symylytude whiche is prouffitable to many folkes / For he that thynketh evylle ageynst good / the evil whiche he thynketh shall ones falle upon hym self.
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 14

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Numbered 490 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xiiij fable is of the Egle whiche bare a nutte in his becke and of the rauen
e that is sure and wel garnysshed yet by fals counceyll may be betrayed / wherof Esope telleth suche a fable /  ¶ An Egle was somtyme vpon a tree / whiche held with his bylle a nutte / whiche he coulde not breke / the rauen came to hym / and sayd / Thow shalt neuer breke it / tylle thow fleest as hyghe as thow mayst / and thenne late it falle vpon the stones / And the Egle beganne to flyhe and lete fall his proye / and thus he lost his notte / ¶ And thus many one ben deceyued thorughe fals counceylle / and by the fals tongue of other
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 16

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Numbered 481 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xvi fable is of the lyon / of the wylde bore / of the bole & of the asse
hanne a man hath lost his dignyte or offyce / he muste leue his fyrst audacyte or hardyness / to thende / that he be not iniuryed and mocqued of euery one / wherof Esope sheweth vnto suche a fable / There was a lyon whiche in his yongthe was fyers and moche outragyous /  ¶ And when he was come to his old age / there came to hym a wyldbore / whiche with his teeth rent and barst a grete pyece of his body and auenged upon hym of the wrong the lyon had doo to hym before that tyme / ¶ After came to hym the boole whiche smote and hurted hym with his hornes / And an asse came there / whiche smote hym in the forhede with his feete by maner of vyndycacion / And thenne the poure Lyon beganne to wepe sayenge within hym self in this manere / When I was yonge and uertuous euery one doubted and fered me / and now that I am old and feble / and nyghe to my dethe / none is that setteth ne holdeth ought by me / but of euery one I am setten aback / I haue lost ​alle good and worship / and therlore this fable admonesteth many one whiche ben enhaunced in dygnyte and worship shewinge to them / how they must be meke and humble / For he that geteth and acquyreth no frendes ought to be doubtous to falle in suche caas and in suche peryl
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# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 15

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Numbered 124 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xv fable is of the rauen and of the foxe
Hey that be glad and Joyefull of the praysynge of flaterers oftyme repente them therof / wherof Esope reherceth to us suche a fable / A rauen whiche was vpon a tree / and held with his bylle a chese / the whiche chese the fox desyred moche to haue / wherfore the foxe wente and preysed hym by suche wordes as folowen / O gentyll rauen thow art the fayrest byrd of alle other byrdes / For thy fethers ben so fayr so bright and so resplendysshynge / and can also so wel synge / yf thow haddest the voys clere and small thow sholdest be the moost happy of al other byrdes / And the foole whiche herd the flateryringe wordes of the foxe beganne to open his bylle for to synge / And then the chese fylle to the grounde / and the fox toke and ete hit / And whan the rauen sawe that for his vayn glorye he was deceyued wexed hevy and sorowfull / and repented hym of that he had byleued the foxe / And this fable techeth vs / how men ought not to be glad ne take reioysshynge in the wordes of caytyf folke / ne also to leue flatery ne vayn glory
# The fables of Aesop by William Caxton (Jacobs)/Vol. II/Liber Primus/Fable 20

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Numbered 39 in the Perry Index. Translated from French by William Caxton and first published in 1484. An annotated version of this text is available.
¶ The xx fable maketh mencion of the swalowe / and other byrdes
E that byleueth not good counceyll / may not fayll to be euylle counceylled / wherof Esope reherceth to vs suche a fable / Of a plowgh man / whiche sowed lynseed / and the swalowe seyng that of the same lynseed men myght make nettes and gynnes / wente and sayd to al other byrdes / Come with me ye al & lete vs plucke vp al this / For yf we leue hit growe / the labourer shal mowe make therof gynnes and nettes for to take vs al / Alle the byrdes despraysed his counceyl / ¶ And thenne as the swalowe sawe this / he wente and herberowed her in the plowgh mans hows / ¶ And whanne the flaxe was growen and pulled vp / the labourer made grynnes and nettes to take byrdes / wherwith he took euery day many other byrdes / and brought them to his hows / to the whiche byrdes the swalowe thenne sayd / I told yow wel / what that shold happe therof / wherfore men ought not to desprayse good councylle / For he that is euyl aduysed and not wel counceyled shalle haue moche payne
¶ Here fynysshed the fyrst booke of Esope /
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Cite error: <ref> tags exist for a group named "errata", but no corresponding <references group="errata"/> tag was found
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# Thesmophoriazusae

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"Thesmophoriazusae" (Θεσμοφοριάζουσαι, Thesmophoriazousai), or "Women of the festival of Thesmophoria", is a comedy written by Aristophanes, and first produced in 411 BCE. The play is considered one of Aristophanes' best parodies of Athenian society, with a particular focus on the subversive role of women in a male-dominated society, the vanity of contemporary poets, and the shameless, enterprising vulgarity of an ordinary Athenian. Warning: template has been deprecated. As with all ancient Greek dramas, the interpretation may vary, given the condition of available manuscripts, the current study of ancient Greek language, and changes in the English language. As a result, varying English translations exist.
English-language translations of Θεσμοφοριάζουσαι include:
* The Thesmophoriazusæ, translated by C. A. Wheelwright (1837)
* The Thesmophoriazusæ, translation by William James Hickie (1853)
* The Thesmophoriazusae, translated by Benjamin Bickley Rogers [1904] (1911 ed.)
* The Thesmophoriazusæ, or The Women's Festival, published by The Athenian Society (1912), anonymous translator presumed to be Oscar Wilde
This work is in the public domain worldwide because the author died at least 100 years ago. Translations of this work may be copyrighted.
Public domainPublic domainfalsefalse
# Thessalonians

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* 1 Thessalonians
* 2 Thessalonians
# They're on Their Way to Mexico

[1st verse:]
They're gettin' ready
They're gettin' ready
We've had a row and now they're going to war
They've got their orders
To sail the waters
With heavy heart they start for a foreign shore
They're not excited
They're just delighted
To go and shake them, make them stand up and roar
Like they never did before
[Refrain:]
They're on their way to Mexico
Just see those Yankee fighters, foe exciters
Gettin' ready to go
They're on their way to win the day
Just take a look at those Yankee brothers
Waving to their grey hair'd mothers
Goodbye, they're leaving
Goodbye, stop grieving
Don't cry, they're glad to go
They'll make them run like a herd of cattle
They'll know they've had some battle
Way down in Mexico
[2nd verse:]
Come over near them
Come on and cheer them
They've got a right to fight this battle because
They've been invited
To go and fight it
And so they're in to win and they'll never pause
Until they take 'em
And then they'll make 'em
With head erect, respect America's laws
Give three cheers for them because
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# They All Look Alike

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Song from the musical Have a Heart.
[Verse]
    In days gone by, I used to be
    Inclined for men's society,
    I would flirt and I would dance
    Ev'ry time that I got the chance.
    Athletic Jim taught me to swim,
    Jack drove me in his car,
    I'd stroll with Ned and golf with Fred,
    What dear, good boys they are!
    But now although, with one accord,
    They try to please me, I'm just bored.
[Refrain]
    For they all lok alike to me now
    Yes, they all, look alike to me now.
    I used to feel as fond of them as I could be,
    But ev'rything is changed somehow.
    I meet an old acquaintance,
    But no longer get a thrill,
    I say, How are you Clarence?"
    And he tells me he is Bill;
    If I see a man on Sunday
    I've forgotten him by Monday,
    For they all look alike to me now.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1975, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 48 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# They Are Giving All

Source: U.S. National Archives and Records Administration
▴ THEY ARE GIVING ALL ▴
WILL YOU SEND THEM WHEAT?
U•S• FOOD ADMINISTRATION
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# They Are Taking the Old Piano

First published in The Sydney Mail and New South Wales Advertiser, 27 June 1906
They're taking the old piano, They're lifting it from the floor. A carrier's cart is waiting Outside the old home door.
And Mother is mutely watching With tears on her faded cheek; I wonder of what she's thinking, Her heart is too full to speak.
Perhaps of the day he brought her, When out from a wreathed arch There rang from the old piano Bright bars of a bridal march.
Or maybe when long years after It wailed the dead march in Saul, As slowly he went for ever Enwrapped in funeral pall.
I know by her pain drawn features How tightly it's chords entwine, I know the piano corner To her is a wasted shrine.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Thesis and Antithesis

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If that we thus are guilty doth appear, Ah, guilty tho’ we are, grave judges, hear! Ah, yes; if ever you in your sweet youth ’Midst pleasure’s borders missed the track of truth, Made love on benches underneath green trees, Stuffed tender rhymes with old new similes, Whispered soft anythings, and in the blood Felt all you said not most was understood Ah, if you have, as which of you has not? Nor what you were have utterly forgot, Then be not stern to faults yourselves have known, To others harsh, kind to yourselves alone.
That we, young sir, beneath our youth’s green trees Once did, not what should profit, but should please, In foolish longing and in love-sick play Forgot the truth and lost the flying day, That we went wrong we say not is not true, But, if we erred, were we not punished too? If not, if no one checked our wandering feet, Shall we our parents’ negligence repeat? In future times that ancient loss renew, If none saved us, forbear from saving you? Nor let that justice in your faults be seen Which in our own or was or should have been!
Yet, yet, recal the mind that you had then, And, so recalling, listen yet again; If you escaped, ’tis plainly understood Impunity may leave a culprit good; If you were punished, did you then, as now, The justice of that punishment allow? Did what your age consents to now, appear Expedient then and needfully severe? In youth’s indulgence think there yet might be A truth forgot by grey severity. That strictness and that laxity between, Be yours the wisdom to detect the mean.
’Tis possible, young sir, that some excess Mars youthful judgment and old men’s no less; Yet we must take our counsel as we may For (flying years this lesson still convey), ’Tis worst unwisdom to be overwise, And not to use, but still correct one’s eyes.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Works of Abraham Cowley/Volume 2/The Despair

THE DESPAIR.
# The Works of Abraham Cowley/Volume 2/The Bargain

THE BARGAIN.
# The Works of Abraham Cowley/Volume 2/The Cure

THE CURE.
# The Works of Abraham Cowley/Volume 2/Resolved to love

RESOLVED TO LOVE.
# The Works of Abraham Cowley/Volume 2/The Change

THE CHANGE.
# The Works of Abraham Cowley/Volume 2/The Dissembler

THE DISSEMBLER.
# The Works of Abraham Cowley/Volume 2/Silence

SILENCE.
# The Works of Abraham Cowley/Volume 2/Sleep

SLEEP.
# The Works of Abraham Cowley/Volume 2/The Concealment

THE CONCEALMENT.
# The Works of Abraham Cowley/Volume 2/The Constant

THE CONSTANT.