OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Flotow, Friedrich Ferdinand Adolf von

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​FLOTOW, FRIEDRICH FERDINAND ADOLF VON, Freiherr (1812–1883), German composer, was born on his father’s estate at Teutendorf, in Mecklenburg, on the 27th of April 1812. Destined originally for the diplomatic profession, his passion for music induced his father to send him to Paris to study under Reicha. But the outbreak of the revolution in 1830 caused his return home, where he busied himself writing chamber-music and operetta until he was able to return to Paris. There he produced Pierre et Cathérine, Rob Roy, La Duchesse de Guise, but made his first real success with Le Naufrage de la Méduse at the Renaissance Théâtre in 1838. Greater, however, was the success which attended Stradella (1844) and Martha (1847), which made the tour of the world. In 1848 Flotow was again driven home by the Revolution, and in the course of a few years he produced Die Grossfürstin (1850), Indra (1853), Rübezahl (1854), Hilda (1855) and Albin (1856). From 1856 to 1863 he was director (Intendant) of the Schwerin opera, but in the latter year he returned to Paris, where in 1869 he produced L’Ombre. From that time to the date of his death he lived in Paris or on his estate near Vienna. He died on the 24th of ​January 1883. Of his concert-music only the Jubelouvertüre is now ever heard. His strength lay in the facility of his melodies.
# 1911 Encyclopædia Britannica/Florus, Publius Annius

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​FLORUS, PUBLIUS ANNIUS, Roman poet and rhetorician, identified by some authorities with the historian Florus (q.v.). The introduction to a dialogue called Virgilius orator an poëta is extant, in which the author (whose name is given as Publius Annius Florus) states that he was born in Africa, and at an early age took part in the literary contests on the Capitol instituted by Domitian. Having been refused a prize owing to the prejudice against African provincials, he left Rome in disgust, and after travelling for some time set up at Tarraco as a teacher of rhetoric. Here he was persuaded by an acquaintance to return to Rome, for it is generally agreed that he is the Florus who wrote the well-known lines quoted together with Hadrian’s answer by Aelius Spartianus (Hadrian 16). Twenty-six trochaic tetrameters, De qualitate vitae, and five graceful hexameters, De rosis, are also attributed to him. Florus is important as being the first in order of a number of 2nd–century African writers who exercised a considerable influence on Latin literature, and also the first of the poëtae neoterici or novelli (new-fashioned poets) of Hadrian’s reign, whose special characteristic was the use of lighter and graceful metres (anapaestic and iambic dimeters), which had hitherto found little favour.
The little poems will be found in E. Bährens, Poëtae Latini minores (1879–1883); for an unlikely identification of Florus with the author of the Pervigilium Veneris (q.v.) see E. H. O. Müller, De P. Annio Floro poëta et de Pervigilio Veneris (1855), and, for the poet’s relations with Hadrian, F. Eyssenhardt, Hadrian und Florus (1882); see also F. Marx in Pauly-Wissowa’s Realencyclopädie, i. pt. 2 (1894).
# 1911 Encyclopædia Britannica/Flourens, Gustave

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​FLOURENS, GUSTAVE (1838–1871), French revolutionist and writer, a son of J. P. Flourens (1794–1867), the physiologist, was born at Paris on the 4th of August 1838. In 1863 he undertook for his father a course of lectures at the Collège de France, the subject of which was the history of mankind. His theories as to the manifold origin of the human race, however, gave offence to the clergy, and he was precluded from delivering a second course. He then went to Brussels, where he published his lectures under the title of Histoire de l’homme (1863); he next visited Constantinople and Athens, took part in the Cretan insurrection of 1866, spent some time in Italy, where an article of his in the Popolo d’Italia caused his arrest and imprisonment, and finally, having returned to France, nearly lost his life in a duel with Paul de Cassagnac, editor of the Pays. In Paris he devoted his pen to the cause of republicanism, and at length, having failed in an attempt to organize a revolution at Belleville on the 7th of February 1870, found himself compelled to flee from France. Returning to Paris on the downfall of Napoleon, he soon placed himself at the head of a body of 500 tirailleurs. On account of his insurrectionary proceedings he was taken prisoner at Créteil, near Vincennes, by the provisional government, and confined at Mazas on the 7th of December 1870, but was released by his men on the night of January 21–22. On the 18th of March he joined the Communists. He was elected a member of the commune by the 20th arrondissement, and was named colonel. He was one of the most active leaders of the insurrection, and in a sortie against the Versailles troops in the morning of the 3rd of April was killed in a hand-to-hand conflict at Rueil, near Malmaison. Besides his Science de l’homme (Paris, 1869), Gustave Flourens was the author of numerous fugitive pamphlets.
See C. Prolès, Les Hommes de la révolution de 1871 (Paris, 1898).
# 1911 Encyclopædia Britannica/Flotsam, Jetsam and Ligan

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​FLOTSAM, JETSAM and LIGAN, in English law, goods lost at sea, as distinguished from goods which come to land, which are technically designated wreck. Jetsam (the same word as jettison, from Lat. jactare, to throw) is when goods are cast into the sea, and there sink and remain under water; flotsam (floatson, from float, Lat. flottare) is where they continue floating on the surface of the waves; ligan (or lagan, from lay or lie) is where they are sunk in the sea, but tied to a cork or buoy in order to be found again. Flotsam, jetsam and ligan belong to the sovereign in the absence only of the true owner. Wreck, on the other hand (i.e. goods cast on shore), was by the common law adjudged to the sovereign in any case, because it was said by the loss of the ship all property was gone out of the original owner. This singular distinction which treated goods washed ashore as lost, and goods on and in the sea as not lost, is no doubt to be explained by the primitive practice of plundering wrecked ships. (See Wreck.)
# 1911 Encyclopædia Britannica/Flounder

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​FLOUNDER, a common term for flat-fish. The name is also more specially given to certain varieties, according to local usage. Thus the Pleuronectes flesus is the common flounder of English terminology, found along the coasts of northern Europe from the Bristol Channel to Iceland. It is particularly partial to fresh water, ascending the Rhine as far as Cologne. It rarely exceeds a length of 12 in. or a weight of 11/2 ℔. In American terminology the principal fish of the name are the “summer flounders” or “deep-sea flounders,” also known in America as “plaice” (Paralichthys dentatus), as long as 3 ft. and as heavy as 15 ℔; the “four-spotted flounders” (Paralichthys oblongus); the “common” or “winter” flounder (Pseudopleuronectes americanus); the “diamond flounder” (Hysopsetta guttulata); and the “pole flounder” (Glyptocephalus cynoglossus).
# 1911 Encyclopædia Britannica/Florus, Julius

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​FLORUS, JULIUS, poet, orator, and jurist of the Augustan age. His name has been immortalized by Horace, who dedicated to him two of his Epistles (i. 3; ii. 2), from which it would appear that he composed lyrics of a light, agreeable kind. The statement of Porphyrion, the old commentator on Horace, that Florus himself wrote satires, is probably erroneous, but he may have edited selections from the earlier satirists (Ennius, Lucilius, Varro). Nothing is definitely known of his personality, except that he was one of the young men who accompanied Tiberius on his mission to settle the affairs of Armenia. He has been variously identified with Julius Florus, a distinguished orator and uncle of Julius Secundus, an intimate friend of Quintilian (Instit. x. 3, 13); with the leader of an insurrection of the Treviri (Tacitus, Ann. iii. 40); with the Postumus of Horace (Odes, ii. 14) and even with the historian Florus.
# 1911 Encyclopædia Britannica/Goslin

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​GOSLIN, or Gauzlinus (d. c. 886), bishop of Paris and defender of the city against the Northmen (885), was, according to some authorities, the son of Roricon II., count of Maine, according to others the natural son of the emperor Louis I. In 848 he became a monk, and entered a monastery at Reims, later he became abbot of St Denis. Like most of the prelates of his time he took a prominent part in the struggle against the Northmen, by whom he and his brother Louis were taken prisoners (858), and he was released only after paying a heavy ransom (Prudentii Trecensis episcopi Annales, ann. 858). From 855 to 867 he held intermittently, and from 867 to 881 regularly, the office of chancellor to Charles the Bald and his successors. In 883 or 884 he was elected bishop of Paris, and foreseeing the dangers to which the city was to be exposed from the attacks of the Northmen, he planned and directed the strengthening of the defences, though he also relied for security on the merits of the relics of St Germain and St Geneviève. When the attack finally came (885), the defence of the city was entrusted to him and to Odo, count of Paris, and Hugh, abbot of St Germain l’Auxerrois. The city was attacked on the 26th of November, and the struggle for the possession of the bridge (now the Pont-au-Change) lasted for two days; but Goslin repaired the destruction of the wooden tower overnight, and the Normans were obliged to give up the attempt to take the city by storm. The siege lasted for about a year longer, while the emperor Charles the Fat was in Italy. Goslin died soon after the preliminaries of the peace had been agreed on, worn out by his exertions, or killed by a pestilence which raged in the city.
See Amaury Duval, L’Évêque Gozlin ou le siège de Paris par les Normands, chronique du IX $^e$ siècle (2 vols., Paris, 1832, 3rd ed. ib. 1835).
# 1911 Encyclopædia Britannica/Gosnold, Bartholomew

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​GOSNOLD, BARTHOLOMEW (d. 1607), English navigator. Nothing is known of his birth, parentage or early life. In 1602, in command of the “Concord,” chartered by Sir Walter Raleigh and others, he crossed the Atlantic; coasted from what is now Maine to Martha’s Vineyard, landing at and naming Cape Cod and Elizabeth Island (now Cuttyhunk) and giving the name Martha’s Vineyard to the island now called No Man’s Land; and returned to England with a cargo of furs, sassafras and other commodities obtained in trade with the Indians about Buzzard’s Bay. In London he actively promoted the colonization of the regions he had visited and, by arousing the interest of Sir Ferdinando Gorges and other influential persons, contributed toward securing the grants of the charters to the London and Plymouth Companies in 1606. In 1606–1607 he was associated with Christopher Newport in command of the three vessels by which the first Jamestown colonists were carried to Virginia. As a member of the council he took an active share in the affairs of the colony, ably seconding the efforts of John Smith to introduce order, industry and system among the motley array of adventurers and idle “gentlemen” of which the little band was composed. He died from swamp fever on the 22nd of August 1607.
See The Works of John Smith (Arber’s Edition, London, 1884); and J. M. Brereton, Brief and True Relation of the North Part of Virginia (reprinted by B. F. Stevens, London, 1901), an account of Gosnold’s voyage of 1602.
# 1911 Encyclopædia Britannica/Gospatric

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​GOSPATRIC (fl. 1067), earl of Northumberland, belonged to a family which had connexions with the royal houses both of Wessex and Scotland. Before the Conquest he accompanied Tostig on a pilgrimage to Rome (1061); and at that time was a landholder in Cumberland. About 1067 he bought the earldom of Northumberland from William the Conqueror; but, repenting of his submission, fled with other Englishmen to the court of Scotland (1068). He joined the Danish army of invasion in the next year; but was afterwards able, from his possession of Bamburgh castle, to make terms with the conqueror, who left him undisturbed till 1072. The peace concluded in that year with Scotland left him at William’s mercy. He lost his earldom and took refuge in Scotland, where Malcolm seems to have provided for him.
See E. A. Freeman, Norman Conquest, vol. i. (Oxford, 1877), and the English Hist. Review, vol. xix. (London, 1904).
# 1911 Encyclopædia Britannica/Gossec, François Joseph

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​GOSSEC, FRANÇOIS JOSEPH (1734–1829), French musical composer, son of a small farmer, was born at the village of Vergnies, in Belgian Hainaut, and showing early a taste for music became a choir-boy at Antwerp. He went to Paris in 1751 and was taken up by Rameau. He became conductor of a private band kept by La Popelinière, a wealthy amateur, and gradually determined to do something to revive the study of instrumental music in France. He had his own first symphony performed in 1754, and as conductor to the Prince de Condé’s orchestra he produced several operas and other compositions of his own. He imposed his influence upon French music with remarkable success, founded the Concert des Amateurs in 1770, organized the École de Chant in 1784, was conductor of the band of the Garde Nationale at the Revolution, and was appointed (with Méhul and Cherubini) inspector of the Conservatoire de Musique when this institution was created in 1795. He was an original member of the Institute and a chevalier of the legion of honour. Outside France he was but little known, and his own numerous compositions, sacred and secular, were thrown into the shade by those of men of greater genius; but he has a place in history as the inspirer of others, and as having powerfully stimulated the revival of instrumental music. He died at Passy on the 16th of February 1829.
See the Lives by P. Hédouin (1852) and E. G. J. Gregoir (1878).
# 1911 Encyclopædia Britannica/Gosport

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​GOSPORT, a seaport in the Fareham parliamentary division of Hampshire, England, facing Portsmouth across Portsmouth harbour, 81 m. S.W. from London by the London & South-Western railway. Pop. of urban district of Gosport and Alverstoke (1901), 28,884. A ferry and a floating bridge connect it with Portsmouth. It is enclosed within a double line of fortifications, consisting of the old Gosport lines, and, about 3000 yds. to the east, a series of forts connected by strong lines with occasional batteries, forming part of the defence works of Portsmouth harbour. The principal buildings are the town hall and market hall, and the church of Holy Trinity, erected in the time of William III. To the south at Haslar there is a magnificent naval hospital, capable of containing 2000 patients, and adjoining it a gunboat slipway and large barracks. To the north is the Royal Clarence victualling yard, with brewery, cooperage, powder magazines, biscuit-making establishment, and storehouses for various kinds of provisions for the royal navy.
Gosport (Goseporte, Gozeport, Gosberg, Godsport) was originally included in Alverstoke manor, held in 1086 by the bishop and monks of Winchester under whom villeins farmed the land. In 1284 the monks agreed to give up Alverstoke with Gosport to the bishop, whose successors continued to hold them until the lands were taken over by the ecclesiastical commissioners. After the confiscation of the bishop’s lands in 1641, however, the manor of Alverstoke with Gosport was granted to George Withers, but reverted to the bishop at the Restoration. In the 16th century Gosport was “a little village of fishermen.” It was called a borough in 1461, when there are also traces of burgage tenure. From 1462 one bailiff was elected annually in the borough court, and government by a bailiff continued until 1682, when Gosport was included in Portsmouth borough ​under the charter of Charles II. to that town. This was annulled in 1688, since which time there is no evidence of the election of bailiffs. With this exception no charter of incorporation is known, although by the 16th century the inhabitants held common property in the shape of tolls of the ferry. The importance of Gosport increased during the 16th and 17th centuries owing to its position at the mouth of Portsmouth harbour, and its convenience as a victualling station. For this reason also the town was particularly prosperous during the American and Peninsular Wars. About 1540 fortifications were built there for the defence of the harbour, and in the 17th century it was a garrison town under a lord-lieutenant.
# 1911 Encyclopædia Britannica/Goss, Sir John

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​GOSS, SIR JOHN (1800–1880), English composer, was born at Fareham, Hampshire, on the 27th of December 1800. He was elected a chorister of the Chapel Royal in 1811, and in 1816, on the breaking of his voice, became a pupil of Attwood. A few early compositions, some for the theatre, exist, and some glees were published before 1825. He was appointed organist of St Luke’s, Chelsea, in 1824, and in 1838 became organist of St Paul’s in succession to Attwood; he kept the post until 1872, when he resigned and was knighted. His position in the London musical world of the time was an influential one, and he did much by his teaching and criticism to encourage the study and appreciation of good music. In 1876 he was given the degree of Mus.D. at Cambridge. Though his few orchestral works have very small importance, his church music includes some fine compositions, such as the anthems “O taste and see,” “O Saviour of the world” and others. He was the last of the great English school of church composers who devoted themselves almost exclusively to church music; and in the history of the glee his is an honoured name, if only on account of his finest work in that form, the five-part glee, Ossian’s “Hymn to the sun.” He died at Brixton, London, on the 10th of May 1880.
# 1911 Encyclopædia Britannica/Gossamer

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​GOSSAMER, a fine, thread like and filmy substance spun by small spiders, which is seen covering stubble fields and gorse bushes, and floating in the air in clear weather; especially in the autumn. By transference anything light, unsubstantial or flimsy is known as “gossamer.” A thin gauzy material used for trimming and millinery, resembling the “chiffon” of to-day, was formerly known as gossamer; and in the early Victorian period it was a term used in the hat trade, for silk hats of very light weight.
The word is obscure in origin, it is found in numerous forms in English, and is apparently taken from gose, goose and somere, summer. The Germans have Mädchensommer, maidens’ summer, and Altweibersommer, old women’s summer, as well as Sommerfäden, summer-threads, as equivalent to the English gossamer, the connexion apparently being that gossamer is seen most frequently in the warm days of late autumn (St Martin’s summer) when geese are also in season. Another suggestion is that the word is a corruption of gaze à Marie (gauze of Mary) through the legend that gossamer was originally the threads which fell away from the Virgin’s shroud on her assumption.
# 1911 Encyclopædia Britannica/Moraes, Francisco de

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​MORAES, FRANCISCO DE (c. 1500–1572), Portuguese romance writer, was probably born at the close of the 15th century. We know very little of his life, except that he was treasurer of the household to King John III., and he is first found in Paris in the suite of the Portuguese ambassador, D. Francisco de Noronha, who had gone there in 1540. He was a commander of the Order of Christ, and was called O Palmeirim on account of his authorship of the famous romance of chivalry Palmeirim de Inglaterra; in 1572 he was assassinated at Evora. He appears to have written his book in France (perhaps in Paris) in 1544, dedicating it to the Infanta D. Maria, daughter of King Manoel, but the first extant Portuguese edition only came out in 1567. A Spanish version was published as early as 1548, and on the strength of this many critics have contended that the book was originally written in that language and that Moraes only translated it into Portuguese. Both tradition and a critical examination of the Portuguese and Spanish texts, however, tell overwhelmingly in favour of the first being the original with Moraes as its author. The episode of the four French ladies shows an intimate acquaintance with the court of Francis I., where Moraes spent some years, and one of these ladies named Torsi is the one he loved and to whom he addressed some verses entitled “Desculpa de huns amores.” The Palmeirim de Inglaterra belongs to another branch of the same cycle as the Amadis de Gaula; the two romances are the best representatives of their class, and for their merits were spared from the auto da fé to which Cervantes condemned other romances of chivalry in D. Quixote. It has a well-marked plot, clearly drawn characters, and an admirable style, and has been reckoned a Portuguese classic from the time of its issue.
Bibliography.—The Palmerin of England, by W. E. Purser (Dublin, 1904), contains an exhaustive study of the romance and the controversy concerning its authorship, with a sketch of the plot. The existing Portuguese editions bear the dates 1567, 1592, 1786 and 1852, while translations exist in Spanish, Italian and French. An English version from the French by A. Munday was first published in 1609. In 1807 Robert Southey issued in 4 vols. 4to an incomplete translation from the Portuguese which is really a revision of Munday. In addition Moraes wrote some Dialogues, which were published at Evora in 1624 and are incorporated in the last two editions of Palmeirim de Inglaterra.  (E. Pr.)