OpenLLM-France/wikimedia huggingface dataset:
# Women of distinction/Chapter 93

CHAPTER XCIII.
MRS. DINAH WATTS PACE.
Dinah Watts Pace was born in Athens, Ga. She attended school at Atlanta University in Atlanta, Ga., and graduated from the normal department in June, 1883.
During the summer of the same year she began her work as teacher in Covington, Ga. She took two little
MRS. DINAH WATTS PACE.
orphan girls to care for and rear. This resulted in the founding of an Orphan Home, where orphans and other needy children are cared for. She has reared six children and has at present twenty-two in the home. The work has grown gradually each year.
​During the past ten years her greatest aid has been from a brother, Lewis G. Watts, who lias given her regularly a part of his earnings toward the support of the work, otherwise the work is mainly supported by her own earnings.
She has received some aid from Northern friends. Mrs. A. C. Reed, of Manchester, Vt. , donated at one time the money for the erection of the present Home building, a large two-story frame structure. She has also given other aid. Friends in and near Boston have also contributed to the work.
The work is nothing like completed, but it is gradually growing.
The mission is known as the Reed Home and School for Colored Children, and, although yet in its infancy, the enterprise is a striking illustration of what a consecrated heart with well-defined purposes and sufficient energy and will to do can accomplish at the hands of an Afro-American woman of small means.
# Women of distinction/Chapter 90

CHAPTER XC.
MRS. ROSA KINCKLE JONES.
In the onward march of progress of any people there is no one thing that can do more to make or mar than the disposition and tendencies of its women. Just as surely as water can only rise to its own level so surely can a race hope only to rise to the height of its women. If they are noble, pure and good, we may confidently expect their influence to bring about the same characteristics in the sterner sex, for
The hand that rocks the cradle Is the hand that rules the world."
Lynchburg, Va., the "City of Hills," that has had the honor of sending out so many distinguished sons, was the place at which she first saw the light of day, and where the better portion of her life was spent.
She attended the public school of that city, making an excellent record, until 1877, when she left for Howard University, from which she graduated with honor in 1880. As is usually the case with gifted women she devoted the first years of her public services to teaching, having taught with great success in the State of Virginia and city of Lynchburg for two years.
Mrs. Jones is a well-read and cultured lady, having a voice of unusual compass, and is an excellent teacher of vocal music; but it is as a pianist that she is especially distinguished. Her execution of the most difficult of classical music is indeed marvelous.
Possessed of a touch of rare sweetness she can give the most excellent interpretation of the great masters, delineating every passion and emotion with a most delicate finish.
Mrs. Jones is undoubtedly possessed of natural ability in the musical line, but in addition to this she has been blessed with the best of instruction from competent teachers from early childhood, continuing the study in the city of Washington, finally taking a course in harmony at the New England Conservatory of Music.
​Since residing in the city of Richmond she has been considered one of its most prominent, if not the most prominent and successful teacher of music, having taught some who are now successful teachers themselves.
For the past five years she has been the highly accomplished teacher at the Hartshorn Memorial College, and hundreds of pupils in and out of the State testify to her great ability.
In 1882 she married Rev. Dr. J. H. Jones, of the Richmond Theological Seminary, and is thus the eminent wife of an eminent man.
Their married life is an ideal one, and the union has been blessed with two bright and interesting boys.
Mrs. Jones is an indefatigable worker, and yet finds time to give her services free to every worthy enterprise. Pleasant, affable, kind, loving, she is loved by all who know her, and is an ideal woman, wife and mother.
G. W. Hayes.
# Women of distinction/Chapter 97

CHAPTER XCVII.
GEORGIA ESTHER LEE PATTON, M. D.
Born in Grundy county, Tenn., April 15, 1864, she attended the primary school in the town of Coffee in all about twenty-five months. In 1882 she entered the Central Tennessee College at Nashville. Beginning quite low in her classes, she pushed her way upwards from lower to higher until graduating from the higher normal department in 1890. Then she entered the medical department (Meharry Medical College), and from the first took a high stand in her studies, making ninety her standard. At first her thirty or more class-mates did not receive this new addition to their number with satisfaction, but sought to discourage her. Unmoved by their efforts she pushed her way to the top, and no doubt by her constancy some of them at times feared they might have to take a lower seat.
However, she gained them (as a shrewd woman will most always do), and, unlike former ones of her sex, she stuck to her work like the ever "busy bee" and graduated with honors in a class of thirty-six persons, she being the only female. This is the more remarkable when it is remembered that she had to remain out of school much of her time to earn her bread, having to depend upon her own will and strength for support as a student. It is again remarkable, yes simply wonderfuly when we who have traveled that road learn that her general average was ninety or thereabouts, and she ​spending only a part of her time at study. She sails for the "Dark Continent" of Africa sometime during this spring, 1893. May her example serve as a stimulus to others of her race and sex, that they may make similar marks of 'distinction in this noble profession! She carries with her our hearty good wishes and our "Godspeed" in the good work of her mission. She will, no doubt, join in with the large number of her brethren (who are successfully practicing medicine all over this Southland) in sustaining the reputation of her Alma Mater, which has done so much for the negro in medicine. We again assert that the practice of medicine by woman does not necessarily rob her of any of those good feminine traits of character.
# Works of Jules Verne/Volume 7

Jules
Verne
A DANGEROUS MOMENT.
Then was a moment of anxiety impossible to describe: everyone was silent, and each watched fearfully the arch described by the projectile. Nothing could be done to escape it, and in a few seconds it fell with a frightful noise on the foredeck of the Dolphin.
The terrified sailors crowded to the stern; no one dared move a step. The fuse burned with a brisk crackle.
But one brave man alone among them ran up to the formidable weapon of destruction. It was Crockston; he took the shell in his strong arms, whilst showers of sparks were falling from it; then, with a super-human effort, he threw it overboard.
Hardly had the shell reached the surface of the water when it burst with a frightful report.—Page 150.
WORKS
of
Jules Verne
EDITED BY
CHARLES F. HORNE, Ph.D.
Professor of English, College of the City of New York;
Author of "The Technique of the Novel," etc.
Vincent Parke and Company
NEW YORK :: :: LONDON
Copyright, 1911, by Vincent Parke and Company.
CONTENTS
Volume Seven
ILLUSTRATIONS
Volume Seven
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Works of Jules Verne/Volume 2

Jules
Verne
DANGEROUS NEIGHBORS
At last have mortal eyes gazed upon two reptiles of the great primitive ocean! I saw the flaming red eyes of the Ichthyosaurus each as big, or bigger than a man's head. * * * The other was the mighty Plesiosaurus, a serpent with a cylindrical body, a short stumpy tail, and fins like a bank of oars in a Roman galley. Its neck, as flexible as that of a swan, rose, more than thirty feet above the waves, a tower of animated flesh.—Page 143.
WORKS
of
Jules Verne
EDITED BY
CHARLES F. HORNE, Ph.D.
Professor of English, College of the City of New York
Author of "The Technique of the Novel," etc.
Vincent Parke and Company
NEW YORK :: :: LONDON
Copyright, 1911, by Vincent Parke and Company.
CONTENTS
Volume Two
ILLUSTRATIONS
Volume Two
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Works of Jules Verne/Volume 5

Jules
Verne
HUNTING UNDERSEAS
And now, how can I retrace the impression left upon me by that walk under the waters? Words are impotent to relate such wonders! Captain Nemo walked in front, his companion followed some steps behind. Conseil and I remained near each other, as if an exchange of words had been possible through our metallic cases. I no longer felt the weight of my clothing, or of my shoes, of my reservoir of air, or my thick helmet, in the midst of which my head rattled like an almond in its shell.
The light, which lit the soil thirty feet below the surface of the ocean, astonished me by its power. The solar rays shone through the watery mass easily, and dissipated all shadow, so that I clearly distinguished objects at a distance of a hundred and fifty yards. Beyond that the tints darkened into fine gradations of ultramarine, and faded into vague obscurity.—Page 80.
WORKS
of
Jules Verne
EDITED BY
CHARLES F. HORNE, Ph.D.
Professor of English, College of the City of New York;
Author of "The Technique of the Novel," etc.
Vincent Parke and Company
NEW YORK :: :: LONDON
Copyright, 1911, by Vincent Parke and Company.
Contents
Volume Five
Illustrations
Volume Five
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Works of Jules Verne/Volume 6

Jules
Verne
FRIEND OR FOE?
"Never mind !" said Pencroft. "It is best to know whom we have to deal with, and I shall not be sorry to recognize that fellow's colors!"
And, while thus speaking, the sailor never left the glass. The day began to fade, and with the day the breeze fell also. The brig's ensign hung in folds, and it became more and more difficult to observe it.
"It is not the American flag." said Pencroft from time to time, "nor the English, the red of which could be easily seen, nor the French or German colors, nor the white flag of Russia, nor the yellow of Spain. One would say it was all one color. Let's see: in these seas, what do we generally meet with? The Chilian flag?—but that is tri-color. Brazilian?—it is green. Japanese?—it is yellow and black, whilst this———"
At this Moment the breeze blew out the unknown flag. Ayrton, seizing the telescope which the sailor had put down, raised it and cried hoarsely, "The black flag!"—Page 243.
WORKS
of
Jules Verne
EDITED BY
CHARLES F. HORNE, Ph.D.
Professor of English, College of the City of New York;
Author of "The Technique of the Novel," etc.
Vincent Parke and Company
NEW YORK :: :: LONDON
Copyright, 1911, by Vincent Parke and Company.
CONTENTS Volume Six
ILLUSTRATIONS
VOLUME SIX
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Where the Bee Sucks

From Act V, scene 1 of The Tempest.

### Versions in The Tempest

See Tempest (Shakespeare) for list of editions.

### Other versions

* "Ariel's Song—Where the Bee sucks" in School Songs (1853).
* "Song from 'The Tempest'" in The Hundred Best Poems (lyrical) in the English language, second series, (ed.) by Adam Luke Gowans (1904).
* "Where the Bee Sucks" in Shakespeare's Songs, (ed.) by Arthur Henry Bullen (1907).
* "Fairy Land (iv)" in the Oxford Book of English Verse 1250-1900 (ed.) by Arthur Quiller-Couch (1931).
* "Fairy Land (iv)" in the Oxford Book of English Verse 1250-1918 (ed.) by Arthur Quiller-Couch (1940).
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Where lies the land to which the ship would go?

Where lies the land to which the ship would go? Far, far ahead, is all her seamen know. And where the land she travels from? Away, Far, far behind, is all that they can say.   On sunny noons upon the deck's smooth face, Link'd arm in arm, how pleasant here to pace; Or, o'er the stern reclining, watch below The foaming wake far widening as we go.
On stormy nights when wild north-westers rave, How proud a thing to fight with wind and wave! The dripping sailor on the reeling mast Exults to bear, and scorns to wish it past.
Where lies the land to which the ship would go? Far, far ahead, is all her seamen know. And where the land she travels from? Away, Far, far behind, is all that they can say.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Where shall we make her grave?

* Where shall we make her grave?, in Blackwood's Edinburgh Magazine Volume 32, 1832.
* Dirge, in National Lyrics, and Songs for Music, 1834.
# Where is God?

Where Is God?
“Oh, where is the sea?” the ﬁshes cried, As they swam the crystal clearness through; “We’ve heard from of old of the ocean’s tide, And we long to look on the water’s blue. The wise ones speak of the inﬁnite sea. Oh, who can tell us if such there be?”
The lark ﬂew up in the morning bright, And sang and balanced on sunny wings; And this was its song: “I see the light, I look o’er a world of beautiful things; But, flying and singing everywhere, In vain I have searched to find the air.”
Minot J. Savage
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Where have we come from? Where are we going?

From The Rubaiyat of Omar Khayyam. Literal ranslation by Dmitri Smirnov from Russian translation by Osip Rumer (1883-1954). Source: Омар Хайям. Четверостишия. М., 1938 (Omar Khayyám. Rubaiyat. Moscow, 1938).
Where have we come from? Where are we going? What is the meaning of our lives? We can’t comprehend. So many pure souls under the blue circle of sky Burn into ashes! But tell me, where is the smoke?
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# Where the Blue Begins

* information about this edition.
* sister projects: Wikidata item.
   From The Outlook, Dec 1922: "Where the Blue Begins" is easier to read than to describe. We are pleasantly introduced into a dog world, where the dog people live and talk and act very much like human beings, so much so, indeed, that an intention of gentle and humorous satire runs through the whole. One hates to use the word whimsical in speaking of Mr. Morley's work [but] … no word begins to describe his peculiar appeal as that does.
WHERE THE BLUE BEGINS
CHRISTOPHER
MORLEY
[Front matter]
WHERE THE BLUE BEGINS
OTHER BOOKS BY THE SAME AUTHOR
    Fiction
      * Parnassus on Wheels
      * The Haunted Bookshop
      * Kathleen
      * (Tales from a Rolltop Desk
    Essays
      * Shandygaff
      * Mince Pie
      * Pipefuls
      * Plum Pudding
      * Travels in Philadelphia
    Poetry
      * Songs for a Little House
      * The Rocking Horse
      * Hide and Seek
      * Chimneysmoke
      * Translations from the Chinese
WHERE THE BLUE BEGINS
BY
CHRISTOPHER MORLEY
When I saw that rage was vain,
And to sulk would nothing gain,
Turning many a trick and wile
I began to soothe and smile.
—William Blake
GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY
1923
COPYRIGHT, 1922, BY
DOUBLEDAY, PAGE & COMPANY
ATX RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
PRINTED IN THE UNITED STATES
AT
THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
TO
FELIX and TOTO
"I am not free— And it may be
Life is too tight around my shins;
For, unlike you,
I can't break through,
A truant where the blue begins.
"Out of the very element
Of bondage, that here holds me pent,
I'll make my furious sonnet:
I'll turn my noose
To tightrope use
And madly dance upon it.
"So I will take
My leash, and make
A wilder and more subtle fleeing— And I shall be
More escapading and more free
Than you have ever dreamed of being!"
WHERE THE BLUE BEGINS
* CHAPTER ONE, 1
* CHAPTER TWO, 8
* CHAPTER THREE, 20
* CHAPTER FOUR, 32
* CHAPTER FIVE, 45
* CHAPTER SIX, 55
* CHAPTER SEVEN, 68
* CHAPTER EIGHT, 81
* CHAPTER NINE, 98
* CHAPTER TEN, 115
* CHAPTER ELEVEN, 128
* CHAPTER TWELVE, 144
* CHAPTER THIRTEEN, 161
* CHAPTER FOURTEEN, 176
* CHAPTER FIFTEEN, 187
* CHAPTER SIXTEEN, 199
* CHAPTER SEVENTEEN, 206
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Yoga Sutras/Introduction to Book IV

INTRODUCTION TO BOOK IV
The third book of the Sutras has fairly completed the history of the birth and growth of the spiritual man, and the enumeration of his powers; at least so far as concerns that first epoch in his immortal life, which immediately succeeds, and supersedes, the life of the natural man.
In the fourth book, we are to consider what one might call the mechanism of salvation, the ideally simple working of cosmic law which brings the spiritual man to birth, growth, and fulness of power, and prepares him for the splendid, toilsome further stages of his great journey home.
The Sutras are here brief to obscurity; only a few words, for example, are given to the great triune mystery and illusion of Time; a phrase or two indicates the sweep of some universal law. Yet it is hoped that, by keeping our eyes fixed on the spiritual man, remembering that he is the hero of the story, and that all that is written concerns him and his adventures, we may be able to find our way through this thicket of tangled words, and keep in our hands the clue to the mystery.
The last part of the last book needs little introduction. In a sense, it is the most important part of the whole treatise, since it unmasks the nature of the personality, that psychical "mind," which is the wakeful enemy of all who seek to tread the path. Even now, we can hear it whispering the doubt whether that can be a good path, which thus sets "mind" at defiance.
If this, then, be the most vital and fundamental part of the teaching, should it not stand at the very beginning? It may seem so at first; but had it stood there, we should not have comprehended it. For he who would know the doctrine must lead the life, doing the will of his [ether which is in Heaven.
# Yontz v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
64 U.S. 495
Yontz v. United States
THIS was an appeal from the District Court of the United States for the northern district of California.
The case is stated in the opinion of the court.
It was argued by Mr. Goold for the appellant, upon which side there was also a brief by Mr. Volney E. Howard, and by Mr. Stanton for the United States.
Mr. Justice CATRON delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Yoga Sutras/Introduction to Book II

INTRODUCTION TO BOOK II
The first book of Patanjali's Yoga Sutras is called the Book of Spiritual Consciousness. The second book, which we now begin, is the Book of the Means of Soul Growth. And we must remember that soul growth here means the growth of the realization of the spiritual man, or, to put the matter more briefly, the growth of the spiritual man, and the disentangling of the spiritual man from the wrappings, the veils, the disguises laid upon him by the mind and the psychical nature, wherein he is enmeshed, like a bird caught in a net
The question arises: By what means may the spiritual man be freed from these psychical meshes and disguises, so that he may stand forth above death, in his radiant eternalness and divine power? And the second book sets itself to answer this very question, and to detail the means in a way entirely practical and very lucid, so that he who runs may read, and he who reads may understand and practise.
The second part of the second book is concerned with practical spiritual training, that is, with the earlier practical training of the spiritual man.
The most striking thing in it is the emphasis laid on the Commandments, which are precisely those of the latter part of the Decalogue, together with obedience to the Master. Our day and generation is far too prone to fancy that there can be mystical life and growth on some other foundation, on the foundation, for example, of intellectual curiosity or psychical selfishness. In reality, on this latter foundation the life of the spiritual man can never be built; nor, indeed, anything but a psychic counterfeit, a dangerous delusion.
Therefore Patanjali, like every great spiritual teacher, meets the question: What must I do to be saved? with the age- old answer: Keep the Commandments. Only after the disciple can say, These have I kept, can there be the further and finer teaching of the spiritual Rules.
It is, therefore, vital for us to realize that the Yoga system, like every true system of spiritual teaching, rests on this broad and firm foundation of honesty, truth, cleanness, obedience. Without these, there is no salvation; and he who practices these, even though ignorant of spiritual things, is laying up treas- against the time to come.
# Willow Song

* Willow Song, in The New Monthly Magazine Volume 40 (Songs for Evening Music), 1834.
* Willow Song, National Lyrics, and Songs for Music (Songs for Summer Hours), 1834.
# Willows

* Search for titles containing or beginning with: "Willows."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Willows," in A Sheaf Gleaned in French Fields (pp. 211−213), London: C. Kegan Paul & Co. (1876)
* The Willows (1907), a short story by Algernon Blackwood
* “Willows,” a poem by Akiko Yosano
# Wills and Will Making

Series of articles published in All the Year Round, New Series, Volume I (from March 20, to May 15, 1869).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1925, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 98 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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