OpenLLM-France/wikimedia huggingface dataset:
# Men-at-the-Bar/Druce, Samuel Benjamin Large

​Druce, Samuel Benjamin Large, M.A. Exeter Coll., Oxon, conveyancer and equity draftsman, a student of Lincoln's Inn 25 Jan., 1864 (then aged 21), called to the bar 18 Nov., 1867 (only son of Joseph Druce, Esq., of Ensham, Oxon); born , 1843; married 10 Aug., 1869, Mary, eldest dau. of J. T. Jackson, of Highbury, London.
    10, Lawn Road, Haverstock Hill, N.W.; 2, Old Buildings, W.C.
# Men-at-the-Bar/Pollock, Hugh

​Pollock, Hugh, B.A., Trin. Coll., Camb., 1882, from Harrow, a student of Lincoln's Inn 5 Nov., 1880 (then aged 21), called to the bar 7 May 1884, (2nd son of George David Pollock, F.R.C.S.); born 15 Jan., 1859 (see Foster's Baronetage).
    36, Grosvenor Street, W.; 4, Stone Buildings, Lincoln's Inn.
# Men-at-the-Bar/Pollock, Rev. Herbert Charles

​Pollock, Rev. Herbert Charles, M.A., Trin. Coll., Camb., 1878, went the South-eastern circuit, a student of the Inner Temple 10 Jan., 1873 (then aged 20), called to the bar 25 April, 1877 (eldest son of Hon. Sir Charles Edward Pollock, a baron of the exchequer); born 1 May, 1851; married 18 Oct., 1883, Flora Grace Turner, dau. of John Turner, Esq., of Wimbledon, Surrey, and has issue (see Foster's Baronetage).
    Sneinton, Nottingham.
# Men-at-the-Bar/Pollock, Robert Erskine

​Pollock, Robert Erskine, LL.B., Trin. Hall, Camb., 1872, a member of the South-eastern circuit, a student of the Inner Temple 12 Oct., 1870 (then aged 27), called to the bar 7 June, 1873 (eldest son of late Robert John Pollock, late 8th Madras cavalry, and associate of court of exchequer); born 2 June, 1843; married 11 Sept., 1884, Mary Viner, only child of late Capt. F. C. Playne, rifle brigade, of Avening Court, co. Gloucester (see Foster's Baronetage).
    16, Cranley Place, Onslow Square, S.W.; 1, Brick Court, Temple, E.C.
# Men-at-the-Bar/Pollock, Walter Herries

​Pollock, Walter Herries, M.A., Trin. Coll., Camb., 1875, a student of the Inner Temple 3 May, 1870 (then aged 20), called to the bar 17 Nov., 1873 (2nd son of Sir William Frederick Pollock, Bart., a master of exchequer); born 21 Feb., 1850; married 11 Jan., 1876, Emma Jane, dau. of late Col. Pipon, R.A., seigneur of Noirmont, Jersey, and has issue (see Foster's Baronetage).
    106, Oakley Street, Chelsea, S.W.; 13, Old Square, Lincoln's Inn, W.C.
# Men-at-the-Bar/Pollock, Frederick

​Pollock, Frederick, M.A. (late scholar and fellow), Trin. Coll., Camb., 1870, first chancellor's medallist 1867, professor of common law to Inns of Court 1884, examiner in law tripos Camb. 1879-81, Corpus professor of jurisprudence Oxon 1883, public examiner 1881-4, professor of jurisprudence Univ. Coll., London, 1882-3, author of Essays in Jurisprudence and Ethics, Principles of Contract, Digest of Law of Partnership, Spinoza, his Life and Philosophy, editor of The Law Quarterly Review, a student of Lincoln's Inn 9 Jan., 1868 ​(then aged 22), called to the bar 1 May, 1871 (eldest son of Sir William Frederick Pollock, Bart., of the Inner Temple, Queen's remembrancer); born 10 Dec., 1845; married 13 Aug., 1873, Georgina Harriet, youngest dau. of late John Deffell, of Calcutta, merchant, and has issue (see Foster's Baronetage).
    48, Great Cumberland Place, W.; 13, Old Square, Lincoln's Inn, W.C.
# Men-at-the-Bar/Pollock, Ernest Murray

​Pollock, Ernest Murray, B.A., Trin. Coll., Camb., 1884, a student of the Inner Temple 13 April, 1881 (then aged 19), called to the bar 17 June, 1885 (4th son of George Frederick Pollock, Esq., of Hanworth, Middlesex, bar.-at-law); born 25 Nov., 1861 (see Foster's Peerage).
    Woodlawn, Hanworth, Feltham.
# Men-at-the-Bar/Pollock, Sir Charles Edward

​Pollock, Sir Charles Edward, a Justice of High Court of Justice, Queen's Bench Division, since 1879, baron of the exchequer 1873-5, of Exchequer Division of High Court 1875-9, marshal to the lord chief baron 1846, J.P. Surrey, joint author of Practice of the County Courts and of County Courts' Equitable Jurisdiction Act, educated at St. Paul's School, a student of the Inner Temple 18 Jan., 1842 (then aged 18), called to the bar 29 Jan., 1847, Q.C. 23 July, 1866, bencher 16 Nov., 1866, serjeant-at-law 13 Jan., 1873 (4th son of Rt. Hon. Sir Frederick Pollock, Bart., lord chief baron of the exchequer); born 31 Oct., 1823; married thrice (see Foster's Baronetage).
    The Croft, Putney, S.E.; Athenæum Club.
# Men-at-the-Bar/Pollock, George Frederick

​Pollock, George Frederick, a master of the supreme court since 1879, a master of the court of exchequer 185—-79, a student of the Inner Temple 30 May, 1837 (then aged 15), called to the bar 9 June, 1843 (3rd son of Sir Frederick Pollock, Bart., late lord chief baron of the court of exchequer, dec.); born 1 June, 1821; married 18 Dec., 1851, Frances Diana, eldest dau. of late Rev. Henry Herbert, rector of Rathdowney, King's Co., and has issue (see Foster's Baronetage).
    Woodlawn, Hanworth, Feltham; 175, Royal Law Courts, Strand, W.C.
# Men-at-the-Bar/Pollock, John Curwood

​Pollock, John Curwood, a student of the Middle Temple 7 Oct., 1830, called to the bar 27 May, 1842 (3rd son of late David Pollock, a bencher of the Middle Temple); 2born April, 1812 {see Foster's Baronetage).
# Men-at-the-Bar/Pollock, Sir William Frederick, Bart.

​Pollock, Sir William Frederick, Bart., M.A., Trin. Coll., Camb., 1840, Queen's remembrancer and senior master in supreme court of judicature, a master of the court of exchequer 1846-75, a student of the Inner Temple 18 Jan., 1833 (then aged 17), called to the bar 26 Jan., 1838 (eldest son of Sir Jonathan Frederick Pollock, Bart., late lord chief baron of the court of exchequer, dec.); born 3 April, 1815; married 30 March, 1844, Juliet, dau. of Rev. Henry Creed, vicar of Corse, co. Glouc., and has issue (see Foster's Baronetage).
    59, Montagu Square, W.; Athenæum Club, S.W.
# Modern Czech Poetry/The son of motion

This is a translation of the VI. chapter of the poem Píseň prvního května, reprinted from the Anthology of Modern Slavonic Literature in Prose and Verse (1919), see Songs of the First May-Tide.
[38] [39]
7.
To slyšel syn ruchu, syn světla a přemítal s bolestí: Proč Evropa vášnivě objímá jen skutečně živé, jen odvážné, silné a sebevědomé,
7. THE SON OF MOTION.
The son of motion, thus hearing, The son of radiance pondered with sorrow: Wherefore doth Europe passionately embrace Only the soothly alive, Only the venturesome, strong and self-certain
[40] [41]
do nejzazších koutů nahlížející, ty, projíždějící oceány, ty, křižující drahami zeměkouli, ty, vesele kupčící s osadami, ty, ohrožující sebe, žoky zlata vyloďující tam v zemích, kde zbrojíři zpívají v hučení vášnivých dmuchavek, kde nově ulitá děla jsou rozestavena, kde v přístavech válečných černé ční lodi? . .
Oh, dávno syn ruchu byl svědkem: že Evropa objímá vášnivě jen ty, kdož skutečně žijí. Ty vítězné po hrozných bojích, ty, milující ovoce staletých kultur, ty, kteří si vybojovali místo a třeba i s nožem v ruce, než rozhodné počaly scény za náhle zdviženou oponou . . .
„Tří zpěvů dnešku i zítřku“ (1905).
“Three Chants of To-day and To-morrow” (1905).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Modern Czech Poetry/The sun-dial

[48] [49]
2. SLUNEČNÍ HODINY.
Dům v rozvalinách. Po děravých zdech se rozlez' žravý mech a lišejníků cizopasná cháska.
Na dvoře bují kokotice a prales kopřiv. Studna otrávená je napajedlo krys.
7. THE SUN-DIAL.
A house in ruins. On the crannied walls Moss gluttonously crawls
And lichens in a spongy rabble.
The yard is rank with nettle-thickets And toad-flax. In the poisoned water-pit Rats have a drinking-lair.
[50] [51]
A chorá jabloň, bleskem rozražená, neví, zda kvetla kdys.
V dnech jasných padnou hvízdajíce stehlíci v rumy. V zářných slunných dnech ožije oblouk hodin v průčelí, a po něm rozmarný a veselý stín času tančí a recituje vážně nebesům: Sine sole nihil sum.
Neb vše je maska.
„Sluneční hodiny“ (1913).
A sickly apple-tree, by lightning split, Knows not, if it bloomed e'er.
When days are clear, the whistling finches Invade the rubble. Beaming, sunlit days Liven the dial's arc that fronts the place, And freakishly and gaily on its face Time's shadow dances And to the sky recites in words of gloom: Sine sole nihil sum.
For all is mask.
“The Sun-Dial” (1913).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Modern Czech Poetry/Two poems

[74] [75]
14. DVĚ BÁSNĚ.
Nad nízkou, hřbitovní zídkou jsem četl knihu písní; to byly divé, vášnivé sloky, v nichž rty se tiskly k retům v objímání, v nichž nahé ruce se kolem boků liliových vily, v nichž krev jak láva se hnala k mozku a v nichž srdce tlukem div nerozbilo ňadra, v nichž rozkoš s láskou zpívaly svůj velký a vzdorný, bájný, jásající paian! Květ ohnivého máku jak zvědav zřel v mou knihu a jako v souhlas kýval, tak jeden žhavý plamen z té knihy byl by vzletěl a proměnil se na květ,
14. TWO POEMS.
On the low churchyard wall I read a book of songs: And they were wild and passionate stanzas, Wherein lips pressed to lips in close embrace; Wherein bare hands Were twined round lily-lustred bodies, Wherein the blood like lava Seethed to the brain; wherein 'twas wonder that The heart-beat did not burst the bosom, Wherein delight with love sang his majestic Defiant, marvellous, exulting paean! A fiery poppy's blossom Pryingly peeped into my book, And, as in concord, nodded, As if a glowing flame Had darted from the book And changed into a blossom,
[76] [77]
jenž kýval u mé hlavy a v letu zabloudilý motýl, měl křídla samý purpur a samé zlato, chvíli se mih' nad řádků směsí jak oživená sloka té vděkuplné, rozvášněné básně.
V tom svezly se mé zraky níž s knihy přes tu zídku na tichý hřbitov dřímající v lese, a přede mnou, hle, jiné tu vlnily se sloky nesmírné epopeje tak plné něhy, klidu, ticha, smutku, tak plné smíru, plné odříkání, té nekonečné básně, již přísná zpívá Smrt — a já se zachvěl a rychle zavřel knihu, ztich' hymnus rozkoše před písní Smrti. A jako v souhlas hlasně zašuměly kol vážné buky a stříbrné břízy, prch' motýl, jen mák žhavý jak výčitka stál tichý v parném vzduchu a hořel v slunci . . .
„Život a smrt“ (1892).
That nodded by my head; A straying butterfly With wings of purest purple And purest gold, anon Gleamed o'er the throng of lines, Like to a living stanza Of this harmonious, empassioned poem.
And then my eyes were turned Below the book across the wall To the quiet graveyard sleeping in the forest, And before me, lo, were other Stanzas eddying onwards, Of an unbounded epic So full of grace, of calm, of rest, of sorrow, So full of concord, full of resignation, Of that unending poem Chanted by ruthless Death, — and with a shudder I quickly closed the book: The hymn of bliss was hushed before Death's song. And, as in concord, came the limpid rustle Of solemn beeches and of silvery birches; The butterfly was gone; the glowing poppy As in rebuke, grew still 'mid sultry air And in the sunlight burned . . .
“Life and death” (1892).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Modern Czech Poetry/The sentimental carousers

[48] [49]
KAREL TOMAN.
1. SENTIMENTÁLNÍ PIJÁCI.
Příteli melancholiku, druhu mé duše tulácké, pod kterým nebem shasnou kdysi životy naše žebrácké?
Pohádek našich stříbro, šeď kdy rozstříkne se, v kterou zem? Kdy hudby, jež jsme milovali, posledním vzdychnou akkordem?
Oh, dávná láska procitá zas echy v strunách srdce. Dost Na zdraví sobě! Snům a světu! Ať rekviem má minulost.
Ve zlatém víně ztopíme tyranský rozmar pamětí. A zpívat budem, zapomenem lásku i vztek i prokletí.
„Torso života“ (1901).
KAREL TOMAN.
1. THE SENTIMENTAL CAROUSERS.
Comrade thou of melancholy, Thou, my vagrant spirit's friend, Underneath what sky hereafter Will our lives of beggary end?
Our annals, silvery and drab, Within what land, when will they wane? When will the music that we cherished Be wafted in a last refrain?
O, bygone love an echo rouses In the heart's chords again. No more! Hail to ourselves, to earth, to dreaming! A requiem to the days of yore.
In golden wine the tyrant mood Of memory we shall immerse. And we shall sing, and shall forget Our love, our fury and our curse.
“Torso of Life” (1901).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Modern Czech Poetry/Water

[44] [45]
OTAKAR THEER.
1. VODA.
Sladká a lstivá duše jak žen řítíš se, vlno, krajkovím pěn. Stříkej a huč, srdce mi zmuč dravou a vábnou svou písní!
Divoká v horách, tiše co dech omýváš města špinavý břeh. Vezmi se, vem bláto i šlem, všechno, co dusí a tísní!
Pokleknu, přijmu od tebe křest, nabudu síly hoře své nést. Odejdu tam, kde lze být sám, v kraj, který duch můj si vysní.
„Uzkosti a naděje“ (1913).
OTAKAR THEER.
1. WATER.
Sweet and enticing As women's souls, Lace-foamed. O billow, Thy surging rolls. Bluster and dart, Tangle my heart In swiftness and lure of thy singing.
Fierce in the mountains, Soft as a sigh, Drab shores of the city Thou ripplest by. Bear thou away The mire and the clay, With burden and plague of their clinging.
I kneel and thou givest Baptism's dower; Grief now I master, Strong with thy power. Yonder I fare To solitude's lair, To the land of my phantasy's bringing.
“Anguish and Hope” (1913).
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Modern Greece

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
MODERN GREECE.
A Poem.
O Greece! thou sapient nurse of finer arts, Which to bright Science blooming Fancy bore, Be this thy praise, that thou, and thou alone, In these hast led the way, in these excelled, Crowned with the laurel of assenting Time. Thomson's Liberty.
LONDON:
JOHN MURRAY, ALBEMARLE STREET.
1817.
# Modern Greece/Printer

T. Davison, Lombard-street, Whitefriars, London.
# Mercer v. Monitor Drill Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
212 U.S. 590
Mercer v. Monitor Drill Company

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mercer v. Monitor Drill Company/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
212 U.S. 590
Mercer v. Monitor Drill Company
Mr. M. H. Boutelle for appellants.
No appearance for appellee.
Dismissed per stipulation.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mercedes

* Search for titles containing or beginning with: "Mercedes."
* sister projects: Wikipedia article, Commons category, travel guide, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Mercedes by Elizabeth Stoddard
* Mercedes by Henry Harland
# Mercelis v. Wilson

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
235 U.S. 579
Mercelis v. Wilson
Argued: November 6, 1914. --- Decided: January 5, 1915
Messrs. Hector H. Scoville and Joseph Anderson, Jr., for appellants.
Messrs. Felix Frankfurter and S. T. Ansell, and Mr. Wolcott H. Pitkin, Jr., Attorney General of Porto Rico, for appellees.
Mr. Justice Lamar delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Merlin (Robinson)/Canto 5

V
# Merlin's Song

Of Merlin wise I learned a song
* Merlin's Song in May-day and other pieces (1867)
* Merlin's Song in Poems (Household Edition, 1904)
# Merlin (Robinson)

Layout 2
MERLIN
BY THE SAME AUTHOR . . . POEMS . . .
CAPTAIN CRAIG
THE CHILDREN OF THE NIGHT
THE TOWN DOWN THE RIVER
THE MAN AGAINST THE SKY
. . . PLAYS . . .
VAN ZORN. A Comedy in Three Acts
THE PORCUPINE. A Drama in Three Acts
MERLIN
A Poem
BY
EDWIN ARLINGTON ROBINSON
New York THE MACMILLAN COMPANY 1917
All rights reserved
Copyright, 1917,
By THE MACMILLAN COMPANY.
Set up and electrotyped. Published March, 1917.
Norwood Press J. S. Gushing Co.—Berwick & Smith Co. Norwood, Mass., U.S.A.
To
GEORGE BURNHAM
* Canto I.
* Canto II.
* Canto III.
* Canto IV.
* Canto V.
* Canto VI.
* Canto VII.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1935, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 88 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Merlin (Robinson)/Canto 1

MERLIN
I
# Merlin (Robinson)/Canto 2

II
# Merlin (Robinson)/Canto 3

III
# Merlin's prophecy

* information about this edition.
* sister projects: Wikidata item.
From Notebook, p. 106, reversed. See also Songs and Ballads

#### 1st reading:

Merlin's prophecy
The harvest shall flourish in wintry weather
When two virginities meet together:
The King & the Priest must be tied in a tether
Before two virgins can meet together.

#### 2nd reading:

Merlins prophecy
The harvest shall flourish in wintry Weather
When two virginities meet together
The King & the Priest must be tied in a tether
Before two virgins can meet together
________________________________________
* ↑ "Blake Complete Writings", ed. Geoffrey Keynes, pub. OUP 1966/85, p. 177.
* ↑ "The Complete Poetry & Prose of William Blake", ed. by David V. Erdman, Anchor Books, 1988, p. 473
* ↑ Merlin's prophecy N 106 rev
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Merlin (Robinson)/Canto 4

IV
# Merlin's Glass

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
* information about this edition.
* sister projects: Wikidata item.
Ah! where is hid, if still it may survive The cankered tooth of age and time's despite, Ah! where is hid that orb of glass so bright That Merlin for King Ryence did contrive? That wondrous orb so bright wherein did live, Or ere time had brought them into light, The forms of things unborn, which to the sight Its high-enchanted power would strangely give!
For hope, with counterfeit of this true glass, Doth so beguile the lover's easy mind, Still turning it to fancy's idiot eye, That reason's self forgets her majesty To join the gaze; till the fond phantoms pass, And grief and stern repentance rise behind.
# Military and Security Developments Involving the People's Republic of China/Appendix 3

Layout 2
# Military and Security Developments Involving the People's Republic of China

Layout 2
Military and Security Developments Involving the People’s Republic of China
A Report to Congress
Pursuant to the National Defense Authorization Act for
Fiscal Year 2000, as amended
Section 1202 of the National Defense Authorization Act for Fiscal Year 2000, Public Law 106-65, as amended, provides that the Secretary of Defense shall submit a report “in both classified and U form, on military and security developments involving the People’s Republic of China. The report shall address the current and probable future course of military-technological development of the People’s Liberation Army and the tenets and probable development of Chinese security strategy and military strategy, and of the military organizations and operational concepts supporting such development over the next 20 years. The report shall also address United States-China engagement and cooperation on security matters during the period covered by the report, including through United States-China military-to-military contacts, and the United States strategy for such engagement and cooperation in the future.”
TABLE OF CONTENTS
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105). However, the US governmental agency may still claim the copyright of works of the United States federal government in other countries and areas. Even so, this work may still be in the public domain in other countries and areas if:
* Other countries and areas apply the rule of the shorter term to United States works. OR
* Other countries and areas exclude official works from copyright. OR
* Any valid copyright outside the USA has expired in any other countries and areas.
Public domainPublic domainfalsefalse
# Military and Security Developments Involving the People's Republic of China/Appendix 2

Layout 2
# Military and Security Developments Involving the People's Republic of China/Appendix 1

Layout 2