# Konrad Wallenrod/Translator's Preface

TRANSLATOR'S PREFACE.
The Teutonic Order, originally, like the Knights Hospitallers, established in the Holy Land about 1199, settled, after the cessation of the Crusades, in the country bordering upon the Baltic Sea, at the mouth of the Vistula, in the year 1225. The possession of the Baltic shores, and of such lands as the Order should conquer from the pagan Prussians and Litwini, was assured to them by Konrad, Duke of Masowsze, brother to Leszek the White of Poland. The fatal error thus committed, in abandoning a hold on the sea-coast, had afterwards a disastrous effect on the history of Poland. The Order speedily made themselves masters of the whole country of Prussia, and were engaged in ceaseless war with the pagans of Lithuania, under pretext of their conversion; more frequently, it is however to be feared, for purposes of raid and plunder. It is, in fact, upon record that a certain Lithuanian prince, who had ​offered to embrace Christianity for the purpose of recovering part of his territory conquered by the Order, upon finding that his conversion would produce no better disposition in them towards himself, declared his intention of abiding in paganism, with the remark that he saw it was no question of his faith, but of his possessions. The plundering expeditions of the Teutonic knights up country, in which many of the chivalry of all Europe frequently bore a part, were termed reyses. The English reader will remember how Chaucer's knight had fought "aboven alle nations in Pruce."
"In Lettow had he reysed and in Ruce."
Henry IV. also, during his banishment, fought in the ranks of the Order.
After the conversion of Lithuania, and the union of that country with Poland, the Teutonic knights were frequently engaged in hostilities with both powers combined, sustaining in the year 1410 a terrible defeat at Tannenberg in E. Prussia, from the forces of Jagellon. In this battle it is worthy of note that the famous John Ziska was engaged. In 1466 Casimir Jagellon inflicted heavy losses on the Order. After its secularisation in 1521, when the Grand-Master Albert embraced the reformed ​faith, the domains of E. Prussia were held as a fief from Poland. In 1657 Prussia became an independent state under Frederick William, the great Elector. It is curious to observe how the name of Prussia, originally that of a conquered, non-Germanic people, has become in our time that of the first German power in the world.
The historical circumstances on which the poem of "Konrad Wallenrod" is founded are thus detailed at length by the author himself, in the following postscript to the work:—
"We have called our story historical, for the characters of the actors, and all the more important circumstances mentioned therein, are sketched according to history. The contemporary chronicles, in fragmentary and broken portions, must be filled out sometimes only by guesses and conjectures, in order to create some historic entirety from them. Although I have permitted myself conjectures in the history of Wallenrod, I hope to justify them by their likeness to truth. According to the chronicle, Konrad Wallenrod was not descended from the family of Wallenrod renowned in Germany, though he gave himself out as a member of it. He was said to have been born of some illicit connection. The royal chronicle says, 'Er war ein Pfaffenkind.' Concerning the character of this singular man, we ​read many and contradictory traditions. The greater number of the chroniclers reproach him with pride, cruelty, drunkenness, severity towards his subordinates, little zeal for religion, and even with hatred for ecclesiastics. 'Er war ein rechter Leuteschinder (library of Wallenrod). Nach Krieg, Zank, und Hader hat sein Herz immer gestanden; und ob er gleich ein Gott ergebener Mensch von wegen seines Ordens sein wollte, doch ist er alien frommen geistlichen Menschen Graüel gewesen. (David Lucas). Er regierte nicht lange, denn Gott plagte ihn inwendig mit dem laufenden Feuer.' On the other hand, contemporary writers ascribe to him greatness of intellect, courage, nobility, and force of character; since without rare qualities he could not have maintained his empire amid universal hatred and the disasters which he brought upon the Order. Let us now consider the proceedings of Wallenrod. When he assumed the rule of the Order, the season appeared favourable for war with Lithuania, for Witold had promised himself to lead the Germans to Wilna, and liberally repay them for their assistance. Wallenrod, however, delayed to go to war; and, what was worse, offended Witold, and reposed such careless confidence in him, that this prince, having secretly become reconciled to Jagellon, not only departed from Prussia, but on ​the road, entering the German castles, burnt them as an enemy, and slaughtered the garrisons. In such an unimagined change of circumstances, it was needful to neglect the war, or undertake it with great prudence. The Grand-Master proclaimed a crusade, wasted the treasures of the Order in preparation—5,000,000 marks—a sum at that time immeasurable, and marched towards Lithuania. He could have captured Wilna, if he had not wasted time in banquets and waiting for auxiliaries. Autumn came; Wallenrod, leaving the camp without provisions, retired in the greatest disorder to Prussia. The chroniclers and later historians were not able to imagine the cause of this sudden departure, not finding in contemporary circumstances any cause therefor. Some have assigned the flight of Wallenrod to derangement of intellect. All the contradictions mentioned in the character and conduct of our hero may be reconciled with each other, if we suppose that he was a Lithuanian, and that he had entered the Order to take vengeance on it; especially since his rule gave the severest shock to the power of the Order. We suppose that Wallenrod was Walter Stadion (see note), shortening only by some years the time which passed between the departure of Walter from Lithuania, and the appearance of ​Konrad in Marienbourg. Wallenrod died suddenly in the year 1394; strange events were said to have accompanied his death. 'Er starb,' says the chronicle; 'in Raserei ohne letzte Oehlung, ohne Priestersegen, kurz vor seinem Tode wütheten Stürme, Regensgüsse, Wasserfluthen; die Weichsel und die Nogat durchwühlten ihre Damme; hingegen wühlten die gewässer sich eine neue Tiefe da, wo jetzt Pilau steht!' Halban, or, as the chroniclers call him, Doctor Leander von Albanus, a monk, the solitary and inseparable companion of Wallenrod, though he assumed the appearance of piety, was according to the chroniclers a heretic, a pagan, and perhaps a wizard. Concerning Halban's death, there are no certain accounts. Some write that he was drowned, others that he disappeared secretly, or was carried away by demons. I have drawn the chronicles chiefly from the works of Kotzebue, Treussens Geschichte, Belege und Erläuterungen.' Hartknoch, in calling Wallenrod 'unsinnig,' gives a very short account of him."
As to the conditions under which the poem was written, it is perhaps needful to state that it was composed by Mickiewicz, during the term of his banishment into Russia, and was flrst published at St. Petersburg in the year 1828. In the character of ​the hero of the story, and in various circumstances of the poem, it is impossible not to recognise the influence of Lord Byron's poetry, which obtained so powerful an ascendency over the works and imaginations of the Continental romanticists, and had thus an influence over foreign literature not conceded in the poet's own country. The Byronic character, however, presents a far nobler aspect in the hands of the present author than in those of its original creator; for, instead of being the outcome of a mere morbid self-concentration, and brooding over personal wrongs, it is the result of a noble indignation for the sufferings of others, and is conjoined with a high purpose for good, even though such good be worked out by means in themselves doubtful or questionable.
We cannot pass by the subject without saying a word as to the undercurrent of political meaning in "Konrad Wallenrod," which fortunately escaped the rigid censorship of the Russian press. Lithuania, conquered and oppressed by the Teutonic Order, is Poland, subjugated by Russia; and the numerous expressions of hatred for oppressors and love of an unhappy country woven into the substance of the narrative must be read as the utterances of a Pole against Russian tyranny. The underhand machinations of the concealed enemy ​against the state in which he is a powerful leader, may be held to figure that intricate web of intrigue and conspiracy which Russian liberalism is gradually weaving throughout the whole political system, and which is daily gaining influence and power. The character of Wallenrod is essentially the same as that of Cooper's "Spy;" but we cannot suppose that the author intended to hold up trickery and deceit as praiseworthy and honourable, even though it is the sad necessity of slaves to use treachery as their only weapon; or that the Macchiavellian precept with which the story is headed is at all intended as one to be generally followed by seekers of political liberty against despotism. The end and aim of this, as of all the works of Mickiewicz, is to show us a great and noble soul, noble in spite of many errors and vices, striving to work out a high ideal, and the fulfilment of a noble purpose; and to exhibit the heroism of renunciation of personal ease and enjoyment for the sake of the world's or a nation's good.
In regard to the method used in the English version, it is only necessary to add that as far as possible verbal accuracy in rendering has been endeavoured after; and an attempt, at least conscientious—whether or not partially successful must be left to the sentence of those qualified to ​form an opinion—has been made to reproduce as nearly as may be something of the original spirit. In translating the main body of the narrative blank verse has been the medium employed, not as at all representing the beautiful and harmonious interchange of rhymes and play of rhythm so conspicuous in the Polish lines; but as securing, by reason of freedom from the necessity for rhymes, a truer verbal rendering, and as being the measure par excellence best suited to English narrative verse. The "Wajdelote's Tale" has for similar reasons been rendered into the same form, instead of being reproduced in the original hexameter stanza, as strange to the Polish as to the English tongue, wherein, despite the works of Longfellow and Clough, it can hardly be said to have yet become thoroughly naturalised. Most of the lyrics are translated into the same metres as the originals, with the sole exception of the ballad of Alpujara. This, as being upon a Spanish or Moorish subject, it was judged best to render into a form nearly resembling that of the ancient Spanish ballad, and employed by Bishop Percy in translation of the "Rio Verde," and other poems from a like source. Moreover, the original "Alpujara" is couched in a metre which, though extremely well suited to the Polish tongue, is difficult ​of imitation in English; or only to be imitated by great loss of accuracy in rendering.
In concluding, the translator begs to express a hope that this humble effort to present, however feebly, to the reading public of Great Britain an image of the work of the greatest of Polish poets, may not be wholly unacceptable. Any defects which the critical eye may note, must undoubtedly be laid rather to the charge of the copyist, than to the original of the great master. I dare, however, to trust, that the shadow of so great a name, and the sincere wish to contribute this slender homage to the memory of one of Europe's most illustrious writers, may serve as an excuse for over-presumption.
London, March 1882.