OpenLLM-France/wikimedia huggingface dataset:
# Leigh Hunt’s London Journal

British magazine, founded and edited by James Henry Leigh Hunt, which ran from 1834–1835
* Volume 1 (1834)
* Volume 2 (1835) (transcription project)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Leigh Hunt’s London Journal/Volume 2/26 September 1835

* "The London Journal"
** "Cleanliness, Air, Exercise, and Diet" (continued) (transcription project)
** "Intolerance of Old Age Towards the Opinions of the Young" (transcription project)
** "Characters of Shakspeare’s Plays" by William Hazlitt
** "The Spirit’s Summons" by Johann August Apel, translated by J. O.
** "Romance of Real Life" (number 88) by François Richer, translated by Charlotte Turner Smith
** "Table Talk"
*** "Fine Simile" (extract from Arthur Coningsby) by John Sterling
*** "Pickling of Meat"
* "The Printing Machine"
** "The Life of Mackintosh" (review, continued) (transcription project)
** "Bertrand’s Geology" (review) (transcription project)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Leif Erikson Day, 2011

Issued October 7, 2011
Presidential Proclamation--Leif Erikson Day, 2011
LEIF ERIKSON DAY, 2011
BY THE PRESIDENT OF THE UNITED STATES OF AMERICA
A PROCLAMATION
    The first Europeans known to set foot on North America took to the ocean more than a millennium ago, facing fierce waters and an uncertain course. Led by Leif Erikson -- son of Iceland and grandson of Norway -- these intrepid Scandinavians sailed fearlessly into the unknown, driven by the promise of adventure and dreams of new discoveries. When they landed in modern day Canada, they founded the settlement of Vinland and established a legacy of exploration and exchange that is fundamental to our courageous spirit.
    Evoking the bravery and determination that characterized Erikson and his crew of pioneers, a group of Norwegians completed their own journey on October 9, 1825. Crammed into an undersized sloop named Restauration, these brave travelers sought new opportunities and embraced the same commitment to exploration that had driven their predecessors centuries earlier. On Leif Erikson Day, we commemorate these historic voyages and celebrate the many ways Nordic-American culture has enriched our Nation.
    The triumphs of Erikson and those who followed inspire us to continue reaching for new horizons. Whether developing new technologies, pushing the boundaries of medicine, or driving ever further into the vastness of space, we do so confidently, knowing that icons like Leif Erikson were able to overcome incredible odds and drive the world forward. Today, let us celebrate his life and legacy with the bold pursuit of America's next great innovation.
    To honor Leif Erikson and celebrate our Nordic-American heritage, the Congress, by joint resolution (Public Law 88-566) approved on September 2, 1964, has authorized the President to proclaim October 9 of each year as "Leif Erikson Day."
    NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, do hereby proclaim October 9, 2011, as Leif Erikson Day. I call upon all Americans to observe this day with appropriate ceremonies, activities, and programs to honor our rich Nordic-American heritage.
    IN WITNESS WHEREOF, I have hereunto set my hand this seventh day of October, in the year of our Lord two thousand eleven, and of the Independence of the United States of America the two hundred and thirty-sixth.
BARACK OBAMA
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Leibniz as a Politician/Front matter

Manchester University Lectures. No. 12.
Leibniz as a Politician.
Sherratt & Hughes
Publishers to the Victoria University of Manchester
Manchester : 34 Cross Street
London: 33 Soho Square W.
Agents for the United States
Longmans Green & Co.
443-449 Fourth Avenue, New York
# Leigh Hunt’s London Journal/Volume 2

* 7 January 1835 (Number 41) (transcription project)
* 14 January 1835 (Number 42) (transcription project)
* 21 January 1835 (Number 43) (transcription project)
* 28 January 1835 (Number 44) (transcription project)
* 4 February 1835 (Number 45) (transcription project)
* 11 February 1835 (Number 46) (transcription project)
* 18 February 1835 (Number 47) (transcription project)
* 25 February 1835 (Number 48) (transcription project)
* 4 March 1835 (Number 49) (transcription project)
* 11 March 1835 (Number 50) (transcription project)
* 18 March 1835 (Number 51) (transcription project)
* 25 March 1835 (Number 52) (transcription project)
* 1 April 1835 (Number 53) (transcription project)
* 8 April 1835 (Number 54) (transcription project)
* 15 April 1835 (Number 55) (transcription project)
* 22 April 1835 (Number 56) (transcription project)
* 29 April 1835 (Number 57) (transcription project)
* 6 May 1835 (Number 58) (transcription project)
* 13 May 1835 (Number 59) (transcription project)
* 20 May 1835 (Number 60) (transcription project)
* 27 May 1835 (Number 61) (transcription project)
* 6 June 1835 (Number 62) (transcription project)
* 13 June 1835 (Number 63) (transcription project)
* 20 June 1835 (Number 64) (transcription project)
* 27 June 1835 (Number 65) (transcription project)
* 30 June 1835 (transcription project)
* 4 July 1835 (Number 66) (transcription project)
* 11 July 1835 (Number 67) (transcription project)
* 18 July 1835 (Number 68) (transcription project)
* 25 July 1835 (Number 69) (transcription project)
* 31 July 1835 (transcription project)
* 1 August 1835 (Number 70) (transcription project)
* 8 August 1835 (Number 71) (transcription project)
* 15 August 1835 (Number 72) (transcription project)
* 22 August 1835 (Number 73) (transcription project)
* 29 August 1835 (Number 74) (transcription project)
* 31 August 1835 (transcription project)
* 5 September 1835 (Number 75) (transcription project)
* 12 September 1835 (Number 76) (transcription project)
* 19 September 1835 (Number 77) (transcription project)
* 26 September 1835 (Number 78) (transcription project)
* 30 September 1835 (transcription project)
* 3 October 1835 (Number 79) (transcription project)
* 10 October 1835 (Number 80) (transcription project)
* 17 October 1835 (Number 81) (transcription project)
* 24 October 1835 (Number 82) (transcription project)
* 31 October 1835 (Number 83) (transcription project)
* 31 October 1835 (transcription project)
* 7 November 1835 (Number 84) (transcription project)
* 14 November 1835 (Number 85) (transcription project)
* 21 November 1835 (Number 86) (transcription project)
* 28 November 1835 (Number 87) (transcription project)
* 30 November 1835 (transcription project)
* 5 December 1835 (Number 88) (transcription project)
* 12 December 1835 (Number 89) (transcription project)
* 19 December 1835 (Number 90) (transcription project)
* 26 December 1835 (Number 91) (transcription project)
* 31 December 1835 (transcription project)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Leigh Ellis Company v. Davis

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
260 U.S. 682
Leigh Ellis Company v. Davis
Argued: Jan. 18, 19, 1923. --- Decided: Jan 29, 1923
Mr. Edgar Watkins, of Atlanta, Ga., for plaintiffs in error.
[Argument of Counsel from pages 683-687 intentionally omitted]
Mr. W. T. Colquitt, of Atlanta, Ga., for defendant in error.
Mr. Justice HOLMES delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laing v. Fox/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
The motion of appellee to dismiss the appeal herein is granted, and the appeal is dismissed for the want of a substantial Federal question. (1) Southwestern Oil Co. v. Texas, 217 U.S. 114, 121, 30 S.C.t. 496, 54 L. Ed. 688; Brown-Forman Co. v. Kentucky, 217 U.S. 563, 572 et seq., 30 S.C.t. 578, 54 L. Ed. 883; American Sugar Refining Co. v. Louisiana, 179 U.S. 89, 95, 21 S.C.t. 43, 45 L. Ed. 102; Hicklin v. Coney, 290 U.S. 169, 176, 54 S.C.t. 142, 78 L. Ed. 247. (2) League v. Texas, 184 U.S. 156, 161, 22 S.C.t. 475, 46 L. Ed. 478; Kentucky Union Co. v. Kentucky, 219 U.S. 140, 152-153, 31 S.C.t. 171, 55 L. Ed. 137; A. Magnano Co. v. Hamilton, 292 U.S. 40, 44, 54 S.C.t. 599, 78 L. Ed. 1109. (3) Supreme Lodge, Knights of Pythias v. Meyer, 265 U.S. 30, 32, 33, 44 S.C.t. 432, 68 L. Ed. 885; Hicklin v. Coney, 290 U.S. 169, 172, 54 S.C.t. 142, 78 L. Ed. 247; Hartford Accident & Ind. Co. v. N. O. Nelson Mfg. Co., 291 U.S. 352, 358, 54 S.C.t. 392, 78 L. Ed. 840; Swiss Oil Corporation v. Shanks, 273 U.S. 407, 413, 47 S.C.t. 393, 71 L. Ed. 709.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laino v. New York/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
374 U.S. 104
Laino v. New York
The motion to dismiss is granted and the appeal is dismissed. Treating the papers whereon the appeal was taken as a petition for writ of certiorari, certiorari is denied.
Mr. Justice BLACK and Mr. Justice DOUGLAS are of the opinion that probable jurisdiction should be noted.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laino v. New York

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
374 U.S. 104
Laino v. New York
Edward H. Levine and Vernon C. Rossner, for appellant.
Louis J. Lefkowitz, Atty. Gen. of New York, and Robert E. Fischer and Maxwell B. Spoont, Special Asst. Attys. Gen., for appellee.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lectures on Housing/Front matter

MANCHESTER UNIVERSITY LECTURES No. XVIII.
Lectures on Housing
Sherratt & Hughes Publishers to the University of Manchester Manchester : 34 Cross Street London : 33 Soho Square, W.
Agents for the United States Longmans, Green & Co. 443-449 Fourth Avenue, New York
# Lectures on Housing

* related portals: Manchester University, Housing.
* sister projects: Wikidata item.
1914 Warburton Lectures at University of Manchester
LECTURES ON HOUSING
THE WARBURTON LECTURES FOR 1914
BY
B. SEEBOHM ROWNTREE
AND
A. C. PIGOU.
MANCHESTER AT THE UNIVERSITY PRESS. 1914
NOTE.
These lectures were delivered under the provisions of the Warburton Trust which is constituted under the Will of the late Mr. Alderman Warburton, of Manchester, who died in the year 1887.
The following lectures were delivered at Manchester University, that by Mr. Rowntree on November 27th, 1913, and that by Professor Pigou on 19th January, 1914.
CONTENTS :
| | PAGE |
| Note | v |
| How far it is possible to provide Satisfactory Houses for the Working Classes at rents which they can afford to pay. By B. Seebohm Rowntree | 3 |
| Some Aspects of the Housing Problem. By A. C. Pigou. | 35 |
| Index | 67 |
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Long Lonkin

Traditional ballad
The country in this part is filled with traditions that record, and ballads that celebrate anecdotes of the predatory warfare then so general. The following ballad was communicated to me by a friend, who has the usual vivid memory of childhood on subjects connected with its early impressions. Not only has it never been published, but it is so curious and quaint, that I cannot resist its insertion here. At least, it is illustrative of the wild scenery haunted by yet wilder memories.
LONG LONKIN.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Etty's Rover

7
* ETTY’S ROVER.
* Artist: T. A. Woolnoth - Engraved by: T. Woolnoth
THE
DRAWING-ROOM SCRAP BOOK.
ETTY'S ROVER.
(VIGNETTE.)
THOU lovely and thou happy child,  Ah, how I envy thee!
I should be glad to change our state,
 If such a thing might be.
And yet it is a lingering joy  To watch a thing so fair,
To think that in our weary life
 Such pleasant moments are.
A little monarch thou art there,
 And of a fairy realm,
Without a foe to overthrow,  A care to overwhelm.
Thy world is in thy own glad will,  And in each fresh delight,
And in thy unused heart, which makes  Its own, its golden light
With no misgivings in thy past,  Thy future with no fear;
The present circles thee around,
 An angel’s atmosphere.
How little is the happiness  That will content a child—
A favourite dog, a sunny fruit,  A blossom growing wild.
A word will fill the little heart
 With pleasure and with pride;
It is a harsh, a cruel thing,
 That such can be denied.
And yet how many weary hours
 Those joyous creatures know;
How much of sorrow and restraint
 They to their elders owe!
How much they suffer from our faults!  How much from our mistakes!
How often, too, mistaken zeal  An infant’s misery makes!
We overrule, and over-teach,  We curb and we confine,
And put the heart to school too soon,
 To learn our narrow line.
No; only taught by love to love,
 Seems childhood’s natural task;
Affection, gentleness, and hope
 Are all its brief years ask.
Enjoy thy happiness, sweet child,  With careless heart and eye;
Enjoy those few bright hours which now,  E’en now, are hurrying by;
And let the gazer on thy face  Grow glad with watching thee,
And better, kinder;—such at least  Its influence on me.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/David Wilkie

52
* Artist: W. Bentley, R. A. - Engraved by: H. Robinson
DAVID WILKIE, ESQ., R.A
BORN NOVEMBER 18, 1785.
I remember seeing a series of sketches at this great artist’s house, illustrative of Napoleon’s career. Of how many noble and unfinished designs is every painter’s portfolio the grave! It is, however, to be hoped that Mr. Wilkie will carry the design into execution. It would be a pictorial epic.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Ivy Bridge, Devonshire

This was set to music by Henry Russell
42
* IVY BRIDGE, DEVONSHIRE.
* Artist: T. Allom - Engraved by: Wm. LePetit
IVY BRIDGE, DEVONSHIRE.
Oh, recall not the past, though this valley be filled  With all we remember, and all we regret; The flowers of its summer have long been distilled,  The essence has perish'd, ah! let us forget. What avails it to mourn over hours that are gone,  O'er illusions by youth and by fantasy nurst? Alas! of the few that are lingering, none  Wear the light or the hues that encircled the first.
Alas for the spring time! alas for our youth!  The grave has no slumber more cold than the heart, When languid and darkened it sinks into truth,  And sees the sweet colours of morning depart.
Life still has its falsehoods to lure and to leave,  But they cannot delude like the earlier light; We know that the twilight encircles the eve,  And sunset is only the rainbow of night.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Durham Cathedral

56
* DURHAM CATHEDRAL, FROM THE NAVE.
* Artist: T. Allom - Engraved by: J. W. Lowry
DURHAM CATHEDRAL.
Those dark and silent aisles are fill'd with night,
There breathes no murmur, and there shines no light;
The graves beneath the pavement yield their gloom, 'Till the cathedral seems one mighty tomb.
The Cross invisible—the words unseen
That tell where Faith and Hope in death have been. But day is breaking, and a rosy smile
Colours the depths of each sepulchral aisle.
The orient windows kindle with the morn,
And 'mid the darkness are their rainbows born;
Each ray that brightens, and each hue that falls,
Attest some sacred sign upon the walls;—
Some sculptured saints' pale head—some graven line Of promise, precept, or belief divine:
Then sounds arise, the echoes bear along
Through the resounding aisles the choral song.
The billowy music of the organ sweeps,
Like the vast anthem of uplifted deeps;
The bells ring forth—the long dark night is done,
The sunshine of the Sabbath is begun.
 What is that temple but a type sublime!
Such was the moral night of ancient time;
Cold and obscure, in vain the king and sage
Gave law and learning to the darkened age.
There was no present faith, no future hope,
Earth bounded then the earth-drawn horoscope;
Till to the east there came the promised star—
Till rose the Sun of Righteousness afar—
Till, on a world redeem'd, the Saviour shone,
Earth for his footstool—Heaven for his throne.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Howth Light-House

47
* HOWTH LIGHTHOUSE, FROM THE NEEDLES.
* Artist: Geo. Petrie - Engraved by: E. Goodall
HOWTH LIGHT-HOUSE.
Few subjects can be more sublime and grand than the present Illustration, under the circumstances and point of view in which it is here represented. A vista, formed by a great chasm amid the rocks, discloses to the view the lofty promontory called the Baily, (situated on the north side of Dublin Bay,) starting precipitously from the water, and having its narrow summit crowned by a beautiful tower, supporting a great lantern with an encircling gallery.—The character of "The Needles" is naturally sublime: the intervening sea between them and the light-house always presents an agitated surface; and the little bold peninsula itself, exposes a series of rocky, steep, and inaccessible cliffs.
Look from the lattice, look forth, my child—
Are the waves heaving, is the wind wild,
Burns the red beacon afar on the air,
Are the stars shining, and is the night fair?
Give me his keepsake, that echoing shell
Where the deep murmur of far waters dwell;
There let me listen, it moans in my ear,
Soft is the music—no tempest is near.
Shine, thou bright beacon, though I may no more
Rejoice in the radiance thou fling'st on the shore,
Yet doth thy glory remembered impart
Light to my slumber, and hope to my heart.
Now is the autumn, the yellow leaves fall
From the grapes that lie purple, the last on the wall,
The free gales of autumn sweep over the sea,
They'll bring back my sailor to home and to me.
The curlew has left, with a fugitive wing,
The nest which she built for her young in the spring,
Far on the wild winds and waters to roam,
But mine with the autumn returns to his home.
He will come to his mother the blind and the old,
Before the drear winter is cheerless and cold;
I shall hear his light footstep his coming declare,
And kiss his fair forehead, and touch his soft hair.
The moon of the hunter is now in her wane,
And fair is the weather and fixed is the vane;
Then shine, thou bright beacon, afar on thy height,
Shine out for the ship soon to welcome thy light.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1835/Honister Crag,—Cumberland

16
* HONISTER CRAG, CUMBERLAND.
* Artist: T. Allom - Engraved by: W. Floyd
HONISTER CRAG,—CUMBERLAND.
"In this wild and picturesque glen a skirmish took place between the Elliotts and the Græmes, in which the young leader of the Scottish clan was slain, though his party were victorious. They buried him in an opening on the hillside; and every clansman brought a fragment of rock, to raise a rude monument to his honour. On the summit of the pile they placed his bonnet, shield, and claymore, that neither friend nor foe should pass irreverently the youthful warrior's grave."
Not where the green grass hides  His kindred before him;
Not where his native trees  Droop to deplore him;
But in the stranger's land  Must we bestow him.
Leave there his sword and shield,  That all may know him.
Never was fairer youth,  Never was bolder;
Who would have met his sword  A few summers older? Ne'er will our chieftain's line  Yield such another;
Who can, amid us all?  Tell it his mother.
# Lectures on the Proofs of the Existence of God

* information about this edition.
* sister projects: Wikidata item.

## Contents

* Lecture 1
* Lecture 2
* Lecture 3
* Lecture 4
* Lecture 5
* Lecture 6
* Lecture 7
* Lecture 8
* Lecture 9
* Lecture 10
* Lecture 11
* Lecture 12
* Lecture 13
* Lecture 14
* Lecture 15
* Lecture 16
* Amplification of the Teleological Proof 1831
* Amplification of the Teleological and Ontological Proofs 1827
* Amplification of the Ontological Proof 1831
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Lectures on the Philosophy of the Human Mind
## Contents

* Lecture I
* Lecture II
* Lecture III
* Lecture IV
* Lecture V
* Lecture VI
* Lecture VII
* Lecture VIII
* Lecture IX
* Lecture X
* Lecture XI
* Lecture XII
* Lecture XIII
* Lecture XIV
* Lecture XV
* Lecture XVI
* Lecture XVII
* Lecture XVIII
* Lecture XIX
* Lecture XX
* Lecture XXI
* Lecture XXII
* Lecture XXIII
* Lecture XXIV
* Lecture XXV
* Lecture XXVI
* Lecture XXVII
* Lecture XXVIII
* Lecture XXIX
* Lecture XXX
* Lecture XXXI
* Lecture XXXII
* Lecture XXXIII
* Lecture XXXIV
* Lecture XXXV
* Lecture XXXVI
* Lecture XXXVII
* Lecture XXXVIII
* Lecture XXXIX
* Lecture XL
* Lecture XLI
* Lecture XLII
* Lecture XLIII
* Lecture XLIV
* Lecture XLV
* Lecture XLVI
* Lecture XLVII
* Lecture XLVIII
* Lecture XLIX
* Lecture L
* Lecture LI
* Lecture LII
* Lecture LIII
* Lecture LIV
* Lecture LV
* Lecture LVI
* Lecture LVII
* Lecture LVIII
* Lecture LIX
* Lecture LX
* Lecture LXI
* Lecture LXII
* Lecture LXIII
* Lecture LXIV
* Lecture LXV
* Lecture LXVI
* Lecture LXVII
* Lecture LXVIII
* Lecture LXIX
* Lecture LXX
* Lecture LXXI
* Lecture LXXII
* Lecture LXXIII
* Lecture LXXIV
* Lecture LXXV
* Lecture LXXVI
* Lecture LXXVII
* Lecture LXXVIII
* Lecture LXXIX
* Lecture LXXX
* Lecture LXXXI
* Lecture LXXXII
* Lecture LXXXIII
* Lecture LXXXIV
* Lecture LXXXV
* Lecture LXXXVI
* Lecture LXXXVII
* Lecture LXXXVIII
* Lecture LXXXIX
* Lecture XC
* Lecture XCI
* Lecture XCII
* Lecture XCIII
* Lecture XCIV
* Lecture XCV
* Lecture XCVI
* Lecture XCVII
* Lecture XCVIII
* Lecture XCIX
* Lecture C
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse