OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Buchu

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​BUCHU, or Buka Leaves, the produce of several shrubby plants belonging to the genus Barosma (nat. order Rutaceae), natives of the Cape of Good Hope. The principal species, B. crenulata, has leaves of a smooth leathery texture, oblong-ovate in shape, from an inch to an inch and a half in length, with serrulate or crenulate margins, on which as well as on the under side are conspicuous oil-glands. The other species which yield buchu are B. serratifolia, having linear-lanceolate sharply serrulate leaves, and B. betulina, the leaves of which are cuneate-obovate, with denticulate margins. They are all, as found in commerce, of a pale yellow-green colour; they emit a peculiar aromatic odour, and have a slightly astringent bitter taste. Buchu leaves contain a volatile oil, which is of a dark yellow colour, and deposits a form of camphor on exposure to air, a liquid hydro-carbon being the solvent of the camphor within the oil-glands. There is also present a minute quantity of a bitter principle. The leaves of a closely allied plant, Empleurum serratulum, are employed as a substitute or adulterant for buchu. As these possess no glands they are a worthless substitute. The British Pharmacopoeia contains an infusion and tincture of buchu. The former may be given in doses of an ounce and the latter in doses of a drachm. The drug has the properties common to all substances that contain a volatile oil. The infusion contains very little of the oil and is of very slight value. Until the advent of the modern synthetic products buchu was valued in diseases of the urinary tract, but its use is now practically obsolete.
# 1911 Encyclopædia Britannica/Buck-Bean

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​BUCK-BEAN, or Bog-Bean (Menyanthes trifoliata, a member of the Gentian family), a bog-plant with a creeping stem, alternately arranged large leaves each with three leaflets, and spikes of white or pink flowers. The stout stem is bitter and has tonic and febrifuge properties. The plant is widely distributed through the north temperate zone.
# 1911 Encyclopædia Britannica/Buck, Carl Darling

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​BUCK, CARL DARLING (1866–), American philologist, was born on the 2nd of October 1866, at Bucksport, Maine. He graduated at Yale in 1886, was a graduate student there for three years, and studied at the American School of Classical Studies in Athens (1887–1889) and in Leipzig (1889–1892). In 1892 he became professor of Sanskrit and Indo-European comparative philology in the University of Chicago; but it is in the narrower field of the Italic dialects that his important work lies, including Der Vocalismus der oskischen Sprache (1892), The Oscan-Umbrian Verb-System (1895), and Grammar of Oscan and Umbrian (1904), as well as an excellent précis of the Italic languages in Johnson’s Universal Cyclopaedia. He collaborated with W. G. Hale (q.v.) in the preparation of A Latin Grammar (1903). Of his contributions to reviews on phonological topics, perhaps the most important is his discussion of “Brugmann’s Law.”
# 1911 Encyclopædia Britannica/Bucher, Lothar

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​BUCHER, LOTHAR (1817–1892), German publicist, was born on the 25th of October 1817 at Neu Stettin, in Pomerania, his father being master at a gymnasium. After studying at the university of Berlin he adopted the legal profession. Elected a member of the National Assembly in Berlin in 1848, he was an active leader of the extreme democratic party. With others of his colleagues he was in 1850 brought to trial for having taken part in organizing a movement for refusal to pay taxes; he was condemned to fifteen months’ imprisonment in a fortress, but left the country before the sentence was executed. For ten years he lived in exile, chiefly in London; he acted as special correspondent of the National Zeitung, and gained a great knowledge of English life; and he published a work, Der Parliamentarismus wie er ist, a criticism of parliamentary government, which shows a marked change in his political opinions. In 1860 he returned to Germany, and became intimate with Lassalle, who made him his literary executor. In 1864 he was offered by Bismarck, and accepted, a high position in the Prussian foreign office. The reasons that led him to a step which involved so complete a break with his earlier friends and associations are not clearly known. From this time till his death he acted as Bismarck’s secretary, and was the man who probably enjoyed the greatest ​amount of his confidence. It was he who drew up the text of the constitution of the North German Confederation; in 1870 he was sent on a very confidential mission to Spain in connexion with the Hohenzollern candidature for the Spanish crown; he assisted Bismarck at the final negotiations for the treaty of Frankfort, and was one of the secretaries to the congress of Berlin; he also assisted Bismarck in the composition of his memoirs. Bucher, who was a man of great ability, had considerable influence, which was especially directed against the economic doctrines of the Liberals; in 1881 he published a pamphlet criticizing the influence and principles of the Cobden Club. He identified himself completely with Bismarck’s later commercial and colonial policy, and probably had much to do with introducing it, and he did much to encourage anti-British feeling in Germany. He died at Glion, in Switzerland, on the 12th of October 1892.
See Heinrich v. Poschinger, Ein 48er: Lothar Buchers Leben und Werke (3 vols., Berlin, 1890); Busch, Bismarck: Some Secret Pages of his History (London, 1898).  (J. W. He.)
# 1911 Encyclopædia Britannica/Buchon, Jean Alexandre

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​BUCHON, JEAN ALEXANDRE (1791–1849), French scholar, was born on the 21st of May 1791 at Menetou-Salon (Cher), and died on the 29th of August 1849. An ardent Liberal, he took an active part in party struggles under the Restoration, while ​throwing himself with equal vigour into the great work of historical regeneration which was going on at that period. During 1822 and the succeeding years he travelled about Europe on the search for materials for his Collection des chroniques nationales françaises écrites en langue vulgaire du XIIIᵉ au XVIᵉ siècle (47 vols., 1824–1829). After the revolution of 1830 he founded the Panthéon litteraire, in which he published a Choix d’ouvrages mystiques (1843), a Choix de monuments primitifs de l’église chrétienne (1837), a Choix des historiens grecs (1837), a collection of Chroniques étrangères relatives aux expéditions françaises pendant le XIIIᵉ siècle (1840), and, most important of all, a Choix de chroniques et mémoires sur l’histoire de France (1836–1841). His travels in southern Italy and in the East had put him upon the track of the medieval French settlements in those regions, and to this subject he devoted several important works: Recherches et matériaux pour servir a une histoire de la domination française dans les provinces démembrées de l’empire grec (1840); Nouvelles recherches historiques sur la principauté française de Morée et ses hautes baronnies (2 vols., 1843–1844); Histoire des conquêtes et de l’établissement des Français dans les états de l’ancienne Grèce sous es Villehardouin (1846, unfinished). None of the numerous publications which we owe to Buchon can be described as thoroughly scholarly; but they have been of great service to history, and those concerning the East have in especial the value of original research.
# 1911 Encyclopædia Britannica/Buck

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​BUCK. (1) (From the O. Eng. buc, a he-goat, and bucca, a male deer), the male of several animals, of goats, hares and rabbits, and particularly of the fallow-deer. During the 18th century the word was used of a spirited, reckless young man of fashion, and later, with particular reference to extravagance in dress, of a dandy. (2) (From a root common to Teutonic and Romance languages, cf. the Ger. Bauch, Fr. buée, and Ital. bucata), the bleaching of clothes in lye, also the lye itself, and the clothes to be bleached, so a “buck-basket” means a basket of clothes ready for the wash. (3) Either from an obsolete word meaning “body,” or from the sense of bouncing or jumping, derived from (1), a word now only found in compound words, as “buck-board,” a light four-wheeled vehicle, the primitive form of which has one or more seats on a springy board, joining the front and rear axles and serving both as springs and body; a “buck-wagon” (Dutch, bok-wagen) is a South African cart with a frame projecting over the wheels, used for the transport of heavy loads. (4) (Either from “buck” a he-goat, or from a common Teutonic root, to bend, as seen in the Ger. bücken, and Eng. “bow”), a verb meaning “to leap”; seen especially in the compound “buck-jumper,” a horse which leaps clear off the ground, with feet tucked together and arched back, descending with fore-feet rigid and head down and drawn inwards.
# 1911 Encyclopædia Britannica/Buchholz

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​BUCHHOLZ, a town of Germany, in the kingdom of Saxony, 1700 ft. above the sea, on the Sehma, 18 m. S. by E. of Chemnitz by rail. Pop. (1905) 9307. It has a Gothic Evangelical church and monuments of Frederick the Wise of Saxony, and Bismarck. There is a school for instruction in lace-making, an industry dating from 1589, which still forms the chief employment of the inhabitants.
# 1911 Encyclopædia Britannica/Janjira

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​JANJIRA, a native state of India, in the Konkan division of Bombay, situated along the coast among the spurs of the Western Ghats, 40 m. S. of Bombay city. Area, 324 sq. m. Pop. (1901), 85,414, showing an increase of 4% in the decade. The estimated revenue is about £37,000; there is no tribute. The chief, whose title is Nawab Sahib, is by descent a Sidi or Abyssinian Mahommedan; and his ancestors were for many generations admirals of the Mahommedan rulers of the Deccan. The state, popularly known as Habsan (= Abyssinian), did not come under direct subordination to the British until 1870. It supplies sailors and fishermen, and also fire-wood, to Bombay, with which it is in regular communication by steamer.
The Nawab of Janjira is also chief of the state of Jafarabad (q.v.).
# 1911 Encyclopædia Britannica/Janssen, Johannes

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​JANSSEN, JOHANNES (1820–1891), German historian, was born at Xanten on the 10th of April 1829, and was educated as a Roman Catholic at Münster, Louvain, Bonn and Berlin, afterwards becoming a teacher of history at Frankfort-on-the-Main. He was ordained priest in 1860; became a member of the Prussian Chamber of Deputies in 1875; and in 1880 was made domestic prelate to the pope and apostolic pronotary. He died at Frankfort on the 24th of December 1891. Janssen was a stout champion of the Ultramontane party in the Roman Catholic Church. His great work is his Geschichte des deutschen Volkes seit dem Ausgang des Mittelalters (8 vols., Freiburg, 1878–1894). In this book he shows himself very hostile to the Reformation, and attempts to prove that the Protestants were responsible for the general unrest in Germany during the 16th and 17th centuries. The author’s partisanship led to some controversy, and Janssen wrote An meine Kritiker (Freiburg, 1882) and Ein zweites Wort an meine Kritiker (Freiburg, 1883) in reply to the Janssens Geschichte des deutschen Volkes (Munich, 1883) of M. Lenz, and other criticisms.
The Geschichte, which has passed through numerous editions, has been continued and improved by Ludwig Pastor, and the greater part of it has been translated into English by M. A. Mitchell and A. M. ​Christie (London, 1896, fol.). Of his other works perhaps the most important are: the editing of Frankfurts Reichskorrespondenz, 1376–1519 (Freiburg, 1863–1872); and of the Leben, Briefe und kleinere Schriften of his friend J. F. Böhmer (Leipzig, 1868); a monograph, Schiller als Historiker (Freiburg, 1863); and Zeit- und Lebensbilder (Freiburg, 1875).
See L. Pastor, Johannes Janssen (Freiburg, 1893); F. Meister, Erinnerung an Johannes Janssen (Frankfort, 1896); Schwann, Johannes Janssen und die Geschichte der deutschen Reformation (Munich, 1892).
# 1911 Encyclopædia Britannica/Janssen, Cornelius

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​JANSSEN, or Jansen (sometimes Johnson), CORNELIUS (1593–1664), Flemish painter, was apparently born in London, and baptized on the 14th of October 1593. There seems no reason to suppose, as was formerly stated, that he was born at Amsterdam. He worked in England from 1618 to 1643, and afterwards retired to Holland, working at Middelburg, Amsterdam, The Hague and Utrecht, and dying at one of the last two places about 1664. In England he was patronized by James I. and the court, and under Charles I. he continued to paint the numerous portraits which adorn many English mansions and collections. Janssen’s pictures, chiefly portraits, are distinguished by clear colouring, delicate touch, good taste and careful finish. He generally painted upon panel, and often worked on a small scale, sometimes producing replicas of his larger works. A characteristic of his style is the very dark background, which throws the carnations of his portraits into rounded relief. In all probability his earliest portrait (1618) was that of John Milton as a boy of ten.
# 1911 Encyclopædia Britannica/Janssens van Nuyssen, Abraham

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​JANSSENS (or Jansens) VAN NUYSSEN, ABRAHAM (1567–1632), Flemish painter, was born at Antwerp in 1567. He studied under Jan Snellinck, was a “master” in 1602, and in 1607 was dean of the master-painters. Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unlike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of colour and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded. He died at Antwerp in 1632.
# 1911 Encyclopædia Britannica/Janssen, Pierre Jules César

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​JANSSEN, PIERRE JULES CÉSAR (1824–1907), French astronomer, was born in Paris on the 22nd of February 1824, and studied mathematics and physics at the faculty of sciences. He taught at the lycée Charlemagne in 1853, and in the school of architecture 1865–1871, but his energies were mainly devoted to various scientific missions entrusted to him. Thus in 1857 he went to Peru in order to determine the magnetic equator; in 1861–1862 and 1864, he studied telluric absorption in the solar spectrum in Italy and Switzerland; in 1867 he carried out optical and magnetic experiments at the Azores; he successfully observed both transits of Venus, that of 1874 in Japan, that of 1882 at Oran in Algeria; and he took part in a long series of solar eclipse-expeditions, e.g. to Trani (1867), Guntoor (1868), Algiers (1870), Siam (1875), the Caroline Islands (1883), and to Alcosebre in Spain (1905). To see the eclipse of 1870 he escaped from besieged Paris in a balloon. At the great Indian eclipse of 1868 he demonstrated the gaseous nature of the red prominences, and devised a method of observing them under ordinary daylight conditions. One main purpose of his spectroscopic inquiries was to answer the question whether the sun contains oxygen or not. An indispensable preliminary was the virtual elimination of oxygen-absorption in the earth’s atmosphere, and his bold project of establishing an observatory on the top of Mont Blanc was prompted by a perception of the advantages to be gained by reducing the thickness of air through which observations have to be made. This observatory, the foundations of which were fixed in the snow that appears to cover the summit to a depth of ten metres, was built in September 1893, and Janssen, in spite of his sixty-nine years, made the ascent and spent four days taking observations. In 1875 he was appointed director of the new astrophysical observatory established by the French government at Meudon, and set on foot there in 1876 the remarkable series of solar photographs collected in his great Atlas de photographies solaires (1904). The first volume of the Annales de l’observatoire de Meudon was published by him in 1896. He died at Paris on the 23rd of December 1907.
See A. M. Clerke, Hist. of Astr. during the 19th Century (1903); H. Macpherson, Astronomers of To-Day (1905).
# 1911 Encyclopædia Britannica/Janssens, Victor Honorius

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​JANSSENS (or Jansens), VICTOR HONORIUS (1664–1739), Flemish painter, was born at Brussels. After seven years in the studio of an obscure painter named Volders, he spent four years in the household of the duke of Holstein. The next eleven years Janssens passed in Rome, where he took eager advantage of all the aids to artistic study, and formed an intimacy with Tempesta, in whose landscapes he frequently inserted figures. Rising into popularity, he painted a large number of cabinet historical scenes; but, on his return to Brussels, the claims of his increasing family restricted him almost entirely to the larger and more lucrative size of picture, of which very many of the churches and palaces of the Netherlands contain examples. In 1718 Janssens was invited to Vienna, where he stayed three years, and was made painter to the emperor. The statement that he visited England is based only upon the fact that certain fashionable interiors of the time in that country have been attributed to him. Janssen’s colouring was good, his touch delicate and his taste refined.
# 1911 Encyclopædia Britannica/Januarius, St

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​JANUARIUS, ST, or San Gennaro, the patron saint of Naples. According to the legend, he was bishop of Benevento, and flourished towards the close of the 3rd century. On the outbreak of the persecution by Diocletian and Maximian, he was taken to Nola and brought before Timotheus, governor of Campania, on account of his profession of the Christian religion. After various assaults upon his constancy, he was sentenced to be cast into the fiery furnace, through which he passed wholly unharmed. On the following day, along with a number of fellow martyrs, he was exposed to the fury of wild beasts, which, however, laid themselves down in tame submission at his feet. Timotheus, again pronouncing sentence of death, was struck with blindness, but immediately healed by the powerful intercession of the saint, a miracle which converted nearly five thousand men on the spot. The ungrateful judge, only roused to further fury by these occurrences, caused the execution of Januarius by the sword to be forthwith carried out. The body was ultimately removed by the inhabitants of Naples to that city, where the relic became very famous for its miracles, especially in counteracting the more dangerous eruptions of Vesuvius. Whatever the difficulties raised by his Acta, the cult of St Januarius, bishop and martyr, is attested historically at Naples as early as the 5th century (Biblioth. hagiog. latina, No. 6558). Two phials preserved in the cathedral are believed to contain the blood of the martyr. The relic is shown twice a year—in May and September. On these occasions the substance contained in the phial liquefies, and the Neapolitans see in this phenomenon a supernatural manifestation. The “miracle of St Januarius” did not occur before the middle of the 15th century.
A great number of saints of the name of Januarius are mentioned in the martyrologies. The best-known are the Roman martyr (festival, the 10th of July), whose epitaph was written by Pope Damasus (De Rossi, Bullettino, p. 17, 1863), and the martyr of Cordova, who forms along with Faustus and Martialis the group designated by Prudentius (Peristephanon, iv. 20) by the name of tres coronae. The festival of these martyrs is celebrated on the 13th of October.
See Acta sanctorum, September, vi. 761–891; G. Scherillo, Esame di un codice greco pubblicato nel tomo secondo della bibliotheca casinensis (Naples, 1876); G. Taglialatela, Memorie storico-critiche del culto del sangue di S. Gennaro (Naples, 1893), which contains many facts, but little criticism; G. Albini, Sulla mobilità dei liquidi viscosi non omogenei (Società reale di Napoli, Rendiconti, 2nd series, vol. iv., 1890); Acta sanctorum, October, vi. 187–193. (H. De.)
# 1911 Encyclopædia Britannica/January

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​JANUARY, the first month in the modern calendar, consisting of thirty-one days. The name (Lat. Januarius) is derived from the two-faced Roman god Janus, to whom the month was dedicated. As doorkeeper of heaven, as looking both into the past and the future, and as being essentially the deity who busied himself with the beginnings of all enterprises, he was appropriately made guardian of the fortunes of the new year. The consecration of the month took place by an offering of meal, salt, frankincense and wine, each of which was new. The Anglo-Saxons called January Wulfmonath, in allusion to the fact that hunger then made the wolves bold enough to come into the villages. The principal festivals of the month are: New Year’s Day; Feast of the Circumcision; Epiphany; Twelfth-Day; and Conversion of St Paul (see Calendar).
# 1911 Encyclopædia Britannica/Gung'l, Josef

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​GUNG’L, JOSEF (1810–1889), Hungarian composer and conductor, was born on the 1st of December 1810, at Zsámbék, in Hungary. After starting life as a school-teacher, and learning the elements of music from Ofen, the school-choirmaster, he became first oboist at Graz, and, at twenty-five, bandmaster of the 4th regiment of Austrian artillery. His first composition, a Hungarian march, written in 1836, attracted some notice, and in 1843 he was able to establish an orchestra in Berlin. With this band he travelled far, even (in 1849) to America. It is worth recording that Mendelssohn’s complete Midsummer Night’s Dream music is said to have been first played by Gung’l’s band. In 1853 he became bandmaster to the 23rd Infantry Regiment at Brünn, but in 1864 he lived at Munich, and in 1876 at Frankfort, after (in 1873) having conducted with great success a series of promenade concerts at Covent Garden, London. From Frankfort Gung’l went to Weimar to live with his daughter, a well-known German opera singer and local prima donna. There he died, on the 31st of January 1889. Gung’l’s dances number over 300, perhaps the most popular being the “Amoretten,” “Hydropaten,” “Casino,” “Dreams on the Ocean” waltzes; “In Stiller Mitternacht” polka, and “Blue Violets” mazurka. His Hungarian march was transcribed by Liszt. His music is characterized by the same easy flowing melodies and well-marked rhythm that distinguish the dances of Strauss, to whom alone he can be ranked second in this kind of composition.