OpenLLM-France/wikimedia huggingface dataset:
# A Dictionary of Music and Musicians/Wartel, Pierre

​WARTEL, Pierre François, born April 3, 1806, at Versailles. From 1823 to 1828 he was a pupil in Choron's School of Music, and afterwards at the Conservatoire under Banderali and Nourrit, where he obtained a first prize for singing. From 1831 to 1846 he played small tenor parts at the Grand Opéra. He afterwards sang with success in Germany, but on his return to Paris devoted himself entirely to teaching. He was considered one of the best teachers of the day, and among his pupils must be named Christine Nilsson, Trebelli, Mlle. Hisson (Grand Opéra) etc. M. Wartel has another claim for distinction, as having introduced into France and popularised Schubert's songs. Indeed it was he who drew the attention of the Viennese to them in 1842, at a time when Schubert was completely eclipsed by Proch, Hackel, etc., and an occasional performance of the Wanderer was the only sign of his existence (Hanslick, Concertwesen, 346). [App. p.815 "add date of death, August 1882."] Wartel's wife,
Atala-Therese-Annette, née Adrien, was born July 2, 1814. Her father was violinist at the Grand Opera, and leader of the Conservatoire band. She received instruction in music at the Conservatoire, was appointed accompanyist there, and in 1831 obtained a professorship, which she resigned in 1838. She was the first female instrumentalist ever engaged at the Société des Concerts. In 1859 she visited England with her husband, and gave a concert at the house of Mr. Grote, where she played Mendelssohn's Pianoforte Trio in D minor with Joachim and Patti [App. p.815 "for Patti read Piatti"]. She composed Studies and other works, including her Lessons on the Piano-forte Sonatas of Beethoven. [App. p.815 "add that Mme. Wartel died Nov. 6, 1865."] Their son,
[ A. C. ]
# A Dictionary of Music and Musicians/Water Carrier, The

[ G. ]
# A Dictionary of Hymnology/A beautiful land by faith I see

​A beautiful land by faith I see. [Heaven.] Given Anon. in the Amer. Shining Star, N. Y. 1862, No. 74 in 4 st. of 4 l. and chorus, and entitled, "The beautiful land." It is in extensive use in America, and is found also in a few English S. S. collections. In S. Booth's S. S. H. Bk., Brooklyn, U.S., 1863, it is credited to "J. Hall."
# A Dictionary of Hymnology/A charge to keep I have

​A charge to keep I have. C. Wesley. [Personal Responsibility.] 1st pub. in his Short Hymns on Select Passages of Holy Scripture, 1762, vol, i., No. 188, in 2 st. of 8 l. and based on Lev. viii. 35. It was omitted from the 2nd ed. of the Short Hymns, &c, 1794, but included in the Wes. H. Bk. 1780, and in the P. Works of J. & C. Wesley, 1868–72, vol, ix., pp. 60, 61. Its use has been most extensive both in G. Brit, and America, and usually it is given in an unaltered form, as in the Wes. H. Bk. No. 318; and the Evang. Hymnal, N. York, No. 320. The line, "From youth to hoary age," in the Amer. Prot. Episcop. Hyl, No. 474, is from the Amer. P. Bk. Coll., 1826.
# A Dictionary of Hymnology/A children's temple here we build

​A children's temple here we build. J. Montgomery. [The Erection of a Sunday School] This hymn was written for the opening of the first Sunday School building in Wincobank, Sheffield. The ms.—which is in the Wincobank Hall Collection of mss.—is dated "December 18, 1840," and signed "J. M." The building was opened on the 13th of April, 1841, tho hymn being printed on a fly-leaf for the occasion. In 1853, Montgomery included it in his Original Hymns, No. 313, in 6 st. of 4 l. and entitled it "The erection of a Sunday School." In the Meth. S. S. H. Bk. 1870, No. 512, st. iv. is omitted, and slight changes are also introduced. Orig. text in Orig. Hys., 1858, p. 333. The hymn by Mrs. Gilbert, née Ann Taylor, "We thank the Lord of heaven and earth," was also written for, and sung on, the same occasion. This hymn has not come into C. U.
# A Dictionary of Hymnology/A day, a day of glory

​A day, a day of glory. J. M. Neale. [Christmas.] A carol written expressly for E. Bedding's Antient Christmas Carols, 1860. It is No. 6 of the "Christmas Carols," in 4 st. of 8 l. In 1867 it was reprinted in the People's H., No. 29.
# A Dictionary of Hymnology/A. T.

​A. T. i.e. Adelaide Thrupp, in Thrupp's Ps. & Hymns, 1853.
# A Dictionary of Hymnology/A. T. R.

​A. T. R. in Ps. & Hymns, by the Rev. A. T. Russell, 1851, are the initials of the Editor.
# A Dictionary of Hymnology/A car of fire is on the air

​A car of fire is on the air. W. W. Hull. [Death and Burial.] Contributed to his Coll. of Hys. for Gen. Use, commonly known as A Churchman's Hymns, 1833. No. 2, in 3 st. of 6 l. In 1863 it was reprinted without alteration, in Kennedy, No. 1176.
# A Dictionary of Hymnology/Adesto sancta Trinitas

​Adesto sancta Trinitas. [Holy Trinity.] The authorship of this short hymn on the Holy Trinity is unknown. Its earliest form is in a us. of the 11th cent. in the British Museum (Vesp. D. xii. f. 1150) printed in the Latin Hys. of the Anglo-Saxon Church, 1851, p. 161. Amongst the English Breviaries it is in those of York, Hereford, and Barum; on the Continent, those of Mainz and Busel; anu also in those of the Orders of the Carmelites, Dominicans, and Fratres Humiliati; but with varying texts. In Mone, i. p. 10, the text is given together with references to miss., and notes on the text; the oldest vs. dating from the 14th cent. Ile also gives two refrains which are sometimes associated with the hymn. Daniel, i. No. 304, gives only the first four lines with a reference to Cassander; but in iv. p. 234, he gives the full text as in Mone, together with Mone's references. It is also in Neule's Hymni Ecclesiae, 1851, p. 157; Hymn. Sarish. 1851, p. 115; the Domin. H. Bk., &c. [W. A. 9.]
Translations in C. U.:—
1. Be present, Holy Trinity; Like Splendour, &c. By J. M. Neale. Appeared in the Hymnal N. 1852, No. 35, in 5 st. of 4 1., and again in later editions. In 1867 it was repeated, unaltered, in the People's H., No. 161, and in the Hymnary, 1872, No. 337.
2. Be with us, Holy Trinity. By J. A. Johnston, 1st pub. in 2nd ed, of his English Hymnal, 1856, No, 148, in 5 st. of 5 1. In Kennedy, 1863, No. 1122, it is slightly altered, specially in the doxology.
2. Be present, Holy Trinity; Co-equal light, &c. By J. D. Chambers, in his Lauda Syon, Pt. i. 1857, p. 215, in 5 st. of 4 1. In the Salisbury II h. 1857, No. 133, and Sarum, 1888, No. 179, the tr. is an arrangement by J. Keble from Dr. Neale with lines 1, 2, of st. i. from this tr, by J. D. Chambers.
4. 0 Holy Trinity! be present. By F. Pott. in his Hys. fitted to the Order of Com. Pr., 1801, No. 107, in 5 st. of 4 1., and in later editions. [J. J.]
# ACLU v. NSA/493 F.3d 644

* Court Documents
* Opinion of the Court
* Concurring Opinion Gibbons
* Dissenting Opinion Gilman
* 493 F.3d 644
* AMERICAN CIVIL LIBERTIES UNION, et al., Plaintiffs-Appellees/Cross-Appellants
* v.
* NATIONAL SECURITY AGENCY, et al., Defendants-Appellants/Cross-Appellees
* No. 06-2095/06-2140
* United States Court of Appeals, Sixth Circuit.
* January 31, 2007, Argued
* July 6, 2007, Decided
* July 6, 2007, Filed
ARGUED: Gregory G. Garre, UNITED STATES DEPARTMENT OF JUSTICE, Washington, D.C., for Appellants.
Ann Beeson, AMERICAN CIVIL LIBERTIES UNION FOUNDATION, New York, New York, for Appellees.
ON BRIEF: Gregory G. Garre, Thomas M. Bondy, Douglas N. Letter, Anthony A. Yang, UNITED STATES DEPARTMENT OF JUSTICE, Washington, D.C., for Appellants.
Ann Beeson, Jameel Jaffer, Melissa Goodman, AMERICAN CIVIL LIBERTIES UNION FOUNDATION, New York, New York, Michael J. Steinberg, Kary L. Moss, AMERICAN CIVIL LIBERTIES UNION FUND OF MICHIGAN, Detroit, Michigan, Randal L. Gainer, DAVIS WRIGHT TREMAINE LLP, Seattle, Washington, for Appellees.
Andrew G. McBride, WILEY REIN LLP, Washington, D.C., Paul D. Kamenar, WASHINGTON LEGAL FOUNDATION, Washington, D.C., Paul J. Orfanedes, Meredith L. DiLiberto, JUDICIAL WATCH, INC., Washington, D.C., John C. Eastman, CHAPMAN UNIVERSITY SCHOOL OF LAW, Orange, California, Jay A. Sekulow, AMERICAN CENTER FOR LAW AND JUSTICE, Washington, D.C., Larry J. Saylor, Saul A. Green, MILLER, CANFIELD, PADDOCK & STONE, Detroit, Michigan, ASSOCIATION OF THE BAR OF THE CITY OF NEW YORK, Donald B. Verrilli Jr., JENNER & BLOCK, Washington, D.C., Kathleen M. Sullivan, STANFORD LAW SCHOOL, Stanford, California, Lucy A. Dalglish, REPORTERS COMMITTEE FOR FREEDOM OF THE PRESS, Arlington, Virginia, Richard M. Corn, New York, New York, for Amici Curiae.
Before: BATCHELDER, GILMAN, and GIBBONS, Circuit Judges. BATCHELDER, J., delivered the judgment of the court. GIBBONS, J., delivered a separate opinion concurring in the judgment only. GILMAN, J., delivered a separate dissenting opinion.
# ABC

* Search for titles containing or beginning with: "ABC."
* sister projects: Wikipedia article, Commons category, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "A B C", a traditional French nursery rhyme.
* "The A.B.C.", a popular alphabet song by Charles Bradlee (1835).

### See also

* "A B C D", another traditional French nursery rhyme.
* "A, B, and C" by Stephen Leacock (1910).
* "Musical Alphabet" in The Child's Own Music Book (1918).
# A. H.

* A. H. in May-day and other pieces (1867)
* A. H. in Poems (Household Edition, 1904)
# ACLU v. NSA

* information about this edition.
* related portals: Case law, United States Government.
* sister projects: Wikipedia article, Wikidata item.
ACLU v. NSA was a lawsuit filed on January 17, 2006 by the American Civil Liberties Union (ACLU) against the U.S. National Security Agency (NSA) to challenge President George W. Bush's so-called Terrorist Surveillance Program.
The plaintiffs requested declaratory judgment and injunctive relief, specifically asking that the court find the program unconstitutional and a violation of federal law, and that it bar the use of the program. The government argued that the lawsuit should be dismissed or alternatively be granted summary judgment based on the State Secrets Privilege and the plaintiffs' lack of standing.
On August 17, 2006, District Court Judge Anna Diggs Taylor ruled that the NSA surveillance program, specifically involving "international telephone and internet communications of numerous persons and organizations" within the United States of America, was unconstitutional and illegal, and ordered that it be halted immediately. She stayed her order pending a appellate hearing expected in September 2006. She did not rule on an alleged NSA call database, citing the state secrets privilege.
On July 6, 2007, the United States Court of Appeals for the Sixth Circuit held that the plaintiffs in the case did not have standing to bring the suit against the NSA, because they could not present evidence that they were the targets of the Terrorist Surveillance Program.
* District Court opinion
* Court of Appeals opinion
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Bell (Jane)

​BELL (JANE), bookseller and printer in London; East end of Christchurch, 1650-59. Succeeded Moses Bell. Printer of popular literature such as Amadis de Gaul and Reynard the Fox. Hazlitt notes an edition of Sir P. Sidney's Ourania printed by her in 1655 with a curious list of books. [Hazlitt, i. 30.] Most of her type was old.
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Beesley (William)

​BEESLEY (WILLIAM), (?) bookseller in London; Charles Street, Covent Garden, near the Peates (?) 1641. His name occurs on the imprint to a pamphlet entitled Beaten Oyle for the lamps of the Sanctuarie. [E. 163 (14).]
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Bell (Moses)

​BELL (MOSES), bookseller and printer in London; neere Christ-Church [Newgate Street], 1628-48. Took up his freedom July 25th, 1624. [Arber, iii. 685.] Started as a bookseller with Henry Bell, possibly a brother, who died about 1639. He was also associated with Benj. Green, q.v. in 1632. Henry and Moses Bell assigned over all their copies to John Haviland and John Wright, sen., on September 4th, 1638. [Arber, iv. 434.] After this, Moses Bell began printing on his own account He died about 1649, and was succeeded by Jane Bell, q.v., probably his widow.
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Beaumont (Robert)

​BEAUMONT (ROBERT), bookseller in London; Little Britain, 1650. Was in partnership with Lawrence Sadler, q.v., and their names are found in the imprint to a medical book entitled De Rachitide sive morbo puerili, by Francis Glisson, 1650. 8°. He was probably dead before 1660, when another edition of the book appeared with Sadler's name only.
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Becke (H.)

​BECKE (H.), bookseller in London; In the Old Bayley, 1643-48. His name occurs in the imprint to the following pamphlets: Protestation of the Two and Twenty Divines for the setting of the Church, 1643 [i.e., March 10th, 1642/3, E. 92 (24)]; A bad and Bloody Fight at Westminster, 1648. [E. 443 (17)]; and Sad newes out of Kent, 1648. [E. 443 (41).]
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Bee (Cornelius)

​BEE (CORNELIUS), bookseller in London; Little Britain, 1636-71/2. Was the son of Thomas Bee, citizen and haberdasher, of London, whose will was proved May 28th, 1621. [P.C.C. 33 Dale.] He appears to have been a man of some capital, and joined Laurence Sadler, q.v., in 1637 in the publication of the Atlas Major. [Domestic State Papers, Charles I, vol. 371, 95.] He is frequently mentioned in the domestic correspondence of the Commonwealth period, and Doctor Worthington in his diary notes [vol. i., p. 185] that the library of John Hales was purchased by Cornelius Bee for £700. His great publication was the Critici Sacri in 9 vols, folio, 1660. He had thought of issuing a tenth volume, and he greatly resented the publication of Matthew Poole's Synopsis of the critical labours of biblical commentators. Lawsuits resulted, the result being given in favour of Poole. Bee thereupon abandoned his projected tenth volume. [Domestic State Papers, Charles II, vol. 244, 27; Case betwixt Mr. Poole and Mr, C. Bee (1677?). Vindication of Mr. Poole's design (1677?)]. Cornelius Bee lost between £6,000 and £10,000 by the great fire. He married a sister of Lancelot Toppyn, bookseller, q.v., and his wife died in 1654. One of his daughters married James Fletcher or Flesher, son of Miles Fletcher or Flesher, and another married Nathaniel Hooke, bookseller, q.v. Cornelius Bee died on January 2nd, 1671/2, and was buried at Great St. Bartholomew. [Smyth, Obituary, p. 93.]
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Beckett (James)

​BECKETT (JAMES), bookseller in London; Inner Temple Gate, Fleet Street, 1636–41. Took up his freedom August 1st, 1636 [Arber, iii. 688], and in the same year published T. Heywood's Challenge for beautie. His first registered publication was the same author's play of the Royall King and the loyall subject, 1637. [Arber, iv. 376.] He was also the publisher of J. Kirke's Seven Champions of Christendome, 1638; F. Lenton's Great Britain's Beauties, 1638; T. Middleton's Mad World my masters, 1640; L. Sharpe's Noble Stranger, 1640; J. Shirley's Humorous Courtier, as well as a romance called Marianus in 1641, after which no more is heard of him. Amongst his other publications were T. Decker's English Villanies seven several times Prest, 1638; H. Peacham's Truth of our Times and Valley of Varietie, both in 1638; R. Braithwaite's Epitome of all the lives of the Kings of France, 1639 [Hazlitt, i., p. 48], and John Taylor's Woman's Sharpe Revenge, 1640. Only three of his publications were entered in the Registers before 1640.
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Bedell (Gabriell)

​BEDELL (GABRIELL), bookseller in London; Middle Temple Gate, Fleet Street, 1646-68. Is first met with on November 7th, 1646, when, in partnership with Mercy Meighen, q.v. the widow of Richard Meighen, he ​made an entry in the Registers of the Company of nineteen books which had formerly belonged to R. Meighen. Twelve of these were plays. Later, however, they appear to have dealt principally in law books. In 1650 they took Thomas Collins, q.v., as third partner. In 1654 Mercy Meighen died, and G. Bedell is found in partnership with R. Marriot, T. Garthwayte, and J. Crooke, but eventually he and T. Collins settled down together, and a list of 86 books, arranged under subjects, published by them in 1656 occurs at the end of T. Goffe's Three excellent Tragedies, Gabriell Bedell died on February 27th, 166 7/8 "by taking a cup of poyson, as is reported." [Smyth's Obituary, p. 77; W. W. Greg, List of English Plays, p. 42.]
# A Dictionary of the Booksellers and Printers who Were at Work in England, Scotland and Ireland from 1641 to 1667/Bell (Henry)

​BELL (HENRY), bookseller and printer (?) in London, 1660-61. There were two booksellers in London of this name during the seventeenth century. The earlier one is believed to have died about 1639 or 1640. The name of the second is found on the title-page of a work on the life and death of Charles I, called the Royal Martyr, published in 1660. [B. M. Gren, 3544.] He was also associated with Peter Lilliecrap, the printer, q.v., in issuing a theological pamphlet called the Female Duel, by T. Toll, in 1661. [B.M., E. 1813 (2).] His address has not been found.
# A Dictionary of Music and Musicians/Aston, Hugh

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Athalia

From volume 1 of the work.
​ATHALIA. The third of Handel's oratorios; composed next after 'Deborah.' Words by Humphreys. The score was completed on June 1, 1733. First performed at Oxford July 10, 1733. Revived by Sacred Harmonic Society June 20, 1845.
# A Dictionary of Music and Musicians/Attaignant, Pierre

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Atterbury, Luffman

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Assmayer, Ignaz

From volume 1 of the work.
[ C. F. P. ]
# A Dictionary of Music and Musicians/Attacco

From volume 4 of the work.
​ATTACCO (Verbal substantive, from attacare, to unite, to bind together). A short phrase, treated as a Point of Imitation; and employed, either as the Subject of a Fugue, as a subordinate element introduced for the purpose of increasing the interest of its development, as a leading feature in a Motet, Madrigal, Full Anthem, or other Choral Composition, or as a means of relieving the monotony of an otherwise too homogeneous Part-Song.
A striking instance of its employment as the Subject of a Fugue will be found in No. xxvii. of Das Wohltemperirte Clavier.
When used merely as an accessory, it almost always represents a fragment of the true Subject; as in 'Ye House of Gilead,' from Handel's 'Jephthah.'
[ W. S. R. ]
# A Dictionary of Music and Musicians/Attack

From volume 1 of the work.
​ATTACK. A technical expression for decision and spirit in beginning a phrase or passage. An orchestra or performer is said to be 'wanting in attack' when there is no firmness and precision in their style of taking up the points of the music. This applies especially to quick tempo. It is equivalent to the coup d'archet, once so much exaggerated in the Paris orchestras, and of which Mozart makes such game (Letter, June 12, 1778).
The chef d'attaque in France is a sort of subconductor who marks the moment of entry for the chorus.
# A Dictionary of Music and Musicians/Astorga, Emanuele d'

From volume 1 of the work.
​ASTORGA, Emanuele Baron d', born at Palermo in 1681 (Fétis pretends to give the day of his birth). He began the serious business of life by witnessing the execution of his father, the Marchese Capece da Roffrano, who was captain of a mercenary troop, and perished on the scaffold along with several Sicilian nobles after an unsuccessful émeute against the power of Spain. In the agony of this terrible occasion his mother actually died, and the child himself fainted away. After a time the orphan attracted the notice of the Princess Ursini, maid of honour to the wife of Philip V, who placed him in the convent of Astorga in Spain. In this asylum it was that he completed the musical education which there is reason to believe he had commenced under Francesco Scarlatti at Palermo. He quitted it after a few years, and on his entrance into the world obtained, through the influence of his patroness, the title of Baron d' Astorga. In 1704 he was sent on a diplomatic mission to the court of Parma. There he soon became a favourite for his music's sake and for his personal gifts, for he was a handsome man, composed with ease and ability, and sang with extraordinary finish and feeling his own graceful and original melodies. It is not otherwise than consonant with a character of which we have only slight though suggestive glimpses, to hear that on the termination of his mission he still lingered at the court of Parma, forgetful of his Spanish ties, and fettered by a secret love affair with his pupil Elisabetta Farnese, the niece of the reigning duke. Nor is it surprising that his entertainer should soon have found means to transfer so dangerous an ornament of his palace to some distant capital. Accordingly we find Astorga dismissed, early in ​1705, with a letter of recommendation to Leopold I at Vienna. The emperor yielded at once to the fascinations of his visitor, and would have attached him to his person had not his own death too rapidly interrupted his intentions. Astorga remained in or returned to Vienna during the reigns of Joseph I and Charles VI, and for many years led a romantic life of travel and adventure, in the course of which he visited and revisited Spain, Portugal, England, and Italy, reconciling himself on his way to the neglected protectress of his boyhood. In 1712 he was in Vienna, and acted as godfather to the daughter of his friend Caldara, whose register (May 9) may still be seen at S. Stephen's. In 1720 he reappeared there for a short time, and thence he finally retired to Bohemia, where he died, August 21, 1736, not however, as usually stated, in a monastery, but in the Schloss Raudnitz, which had been given up to him by its owner, the prince of Lobkowitz, and the archives of which contain evidence of the fact. This circumstance has only very recently been brought to light.
[ C. F. P. ]
# A Dictionary of Music and Musicians/Athalie

From volume 1 of the work.
​ATHALIE. Mendelssohn composed overture, march, and six vocal pieces (Op. 74) to Racine's drama. In the spring of 1843 the choruses alone (female voices), with pianoforte. In May or June 1844, the overture and march. Early in 1845 choruses re-written and scored for orchestra. First performed at Berlin, Dec. 1, 1845; in England, Windsor Castle, Jan. 1, 1847; Philharmonic, March 12, 1849.
# A Dictionary of Music and Musicians/Attacca

From volume 1 of the work.
​ATTACCA, i.e. 'begin' (Ital.), when placed at the end of a movement as the Scherzo of Beethoven's C minor Symphony, or all the three first movements of Mendelssohn's Scotch ditto—signifies that no pause is to be made, but that the next movement is to be attacked at once.
# A Dictionary of Music and Musicians/Ruffo, Vincenzo

From volume 3 of the work.
[ G. ]
# A Dictionary of Music and Musicians/Rubinstein, Joseph

From volume 3 of the work.
[ F. C. ]
# A Dictionary of Music and Musicians/Ruddygore

​RUDDYGORE: or, THE WITCH'S CURSE (Title afterwards spelt Ruddigore.) Comic opera in two acts; the words by W. S. Gilbert, music by Sir Arthur Sullivan. Produced at the Savoy Theatre, Jan. 22, 1887.
# A Dictionary of Music and Musicians/Rudhall

From volume 3 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Rudersdorff, Hermine

From volume 3 of the work.
[ A. C. ]