OpenLLM-France/wikimedia huggingface dataset:
# Hust v. Lines

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
328 U.S. 707
Hust v. Lines
Argument Commenced April 22, 1946, and Suspended, Resumed, and Concluded April29, 1946.
Decided June 10, 1946.
As Amended on Denial of Rehearing Oct. 21, 1946.
Messrs. B. A. Green, of Portland, Or., and Abraham E. Freedman, of Philadelphia, Pa., for petitioner.
Messrs. Erskine Wood and Erskine B. Wood, both of Portland, Or., for respondent.
[Argument of Counsel from page 708 intentionally omitted]
Mr. Justice RUTLEDGE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hustler Magazine v. Falwell

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.

## Concurring Opinion

    White

## Linked case(s)

Certiorari granted Amicus curiae motions granted Oral argument
HUSTLER MAGAZINE, INC., et al. v. FALWELL
Certiorari to the United States Court of Appeals for the Fourth Circuit
No. 86–1278.Argued: December 2, 1987—Decided: February 24, 1988
797 F.2d 1270, reversed.
    Rehnquist, C.J., delivered the opinion of the Court, in which Brennan, Marshall, Blackmun, Stevens, O'Connor, and Scalia, JJ., joined. White, J., filed an opinion concurring in the judgment, post, p. 57. Kennedy, J., took no part in the consideration or decision of the case.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hussey v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
222 U.S. 88
Hussey v. United States
Argued: November 2, 1911. --- Decided: November 20, 1911
Mr. George A. King for appellants.
Mr. Frederick De Courcy Faust and Assistant Attorney General John Q. Thompson for appellee.
Mr. Justice McKenna delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hustler Magazine v. Falwell/Amicus curiae motions granted

Hustler Magazine v. Falwell, Amicus curiae motions granted. Chief Justice William Rehnquist. June 26, 1987. No. 86-1278.
Hustler Magazine v. Falwell, Amicus curiae motions granted
Chief Justice William Rehnquist
June 26, 1987
Hustler Magazine and Larry C. Flynt, Petitioner v. Jerry Falwell
No. 86-1278
SUPREME COURT OF THE UNITED STATES
483 U.S. 1018; 107 S. Ct. 3259; 97 L. Ed. 2d 759
June 26, 1987
PRIOR HISTORY: C.A. 4th Cir. [Certiorari granted, 480 U.S. 945]
DISPOSITION: Motions granted.
OPINION
The motion of Law and Humanities Institute for leave to file a brief as amicus curiae is granted. The motion of Volunteer Lawyers for the Arts, Inc. for leave to file a brief as amicus curiae is granted. The motion of Reporters Committee for Freedom of the Press, et al. for leave to file a brief as amici curiae is granted. The motion of American Civil Liberties Union Foundation, et al. for leave to file a brief as amici curiae is granted. The motion of Richmond Newspapers, Inc., et al. for leave to file a brief as amici curiae is granted. The motion of American Editorial Cartoonists, et al. for leave to file a brief as amici curiae is granted. The motion of Association of American Publishers, Inc. for leave to file a brief as amicus curiae is granted. The motion of Home Box Office, Inc. for leave to file a brief as amicus curiae is granted.
____________________
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# It makes no difference abroad—

* "Two Worlds" in Poems (1890)
* "It makes no difference abroad" in The Complete Poems of Emily Dickinson (1924)
# It dropped so low—in my Regard—

It dropped so low — in my Regard — I heard it hit the Ground — And go to pieces on the Stones At bottom of my Mind —
Yet blamed the Fate that flung it — less Than I denounced Myself, For entertaining Plated Wares Upon my Silver Shelf —
# It is an honorable Thought

It is an honorable Thought And make One lift One's Hat As One met sudden Gentlefolk Upon a daily Street
That We've immortal Place Though Pyramids decay And Kingdoms, like the Orchard Flit Russetly away
# It Wasn't My Fault

* information about this edition.
* sister projects: Wikidata item.
Song from the musical Love o' Mike.
[Verse]
    I always thought girls should not be,
    The slaves of love, but fancy free,
    That was before you came along;
    Of course, I see now I was wrong.
[Refrain]
    (He) It wasn't your fault,
    It wasn't my fault,
    It wasn't anybody's fault at all,
    I saw your eyes,
    wonderful eyes,
    And all I did was fall
    It wasn't your fault,
    It wasn't my fault,
    There isn't anybody else to blame,
    If you should say you're through with me,
    And want no more to do with me,
    I've got to love you just the same.
[Verse]
    I always laughed at men whose lives,
    Were ruled by fiancees and wives,
    My heart was independent quite;
    'Till I met you and then good night.
[Refrain]
    (She) It wasn't your fault,
    It wasn't my fault,
    It wasn't anybody's fault at all,
    I saw your smile,
    your wonderful smile,
    It held my heart enthralled,
    It wasn't your fault,
    It wasn't my fault,
    There wasn't anybody else to blame,
    And if what you request me to,
    You do not try your best to do,
    I've got to love you just the same.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# It can't be "Summer"!

* "It can't be summer,—that got through" in Poems: Second Series (1891)
* "It can't be summer,—that got through" in The Complete Poems of Emily Dickinson (1924)
# It is not Always May

NO HAY PAJAROS EN LOS NIDOS DE ANTANO Spanish Proverb,
The sun is bright,—the air is clear, The darting swallows soar and sing, And from the stately elms I hear The bluebird prophesying Spring.
So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the west wind blows, The freighted clouds at anchor lie.
All things are new;—the buds, the leaves, That gild the elm tree's nodding crest. And even the nest beneath the eaves; There are no birds in last year's nest!
All things rejoice in youth and love, The fulness of their first delight! And learn from the soft heavens above The melting tenderness of night.
Maiden, that read'st this simple rhyme, Enjoy thy youth, it will not stay; Enjoy the fragrance of thy prime, For O! it is not always May!
Enjoy the Spring of Love and Youth, To some good angel leave the rest; For Time will teach thee soon the truth, There are no birds in last year's nest!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# It Was a Lover and His Lass

Song from As You Like It, Act 5, scene 3.

### Versions in As You Like It

See As You Like It (Shakespeare) for list of editions.

### Other versions

* "Poem VIII" in the Golden Treasury of English Songs and Lyrics (ed.) by Francis Turner Palgrave (1861).
* "It Was a Lover and His Lass" in Shakespeare's Songs, (ed.) by Arthur Henry Bullen (1907).
* "It was a Lover and his Lass" in the Oxford Book of English Verse 1250-1900 (ed.) by Arthur Quiller-Couch (1931).
* "It was a Lover and his Lass" in the Oxford Book of English Verse 1250-1918 (ed.) by Arthur Quiller-Couch (1940).
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# It is not that my lot is low

It is not that my lot is low,
That bids the silent tear to flow,
It is not grief that bids me moan,
It is that I am all alone.
In woods and glens I love to roam,
When the tired hedger hies him home ;
Or by the woodland pool to rest,
When pale the star looks on its breast.
Yet when the silent evening sighs,
With hallowed airs and symphonies,
My spirit takes another tone,
And sighs that it is all alone.
The woods and winds with sudden wail
Tell all the same unvaried tale ;
I've none to smile when I am free,
And when I sigh, to sigh with me.
Yet in my dreams a form I view,
That thinks on me and loves me too ;
I start ! and when the vision's flown,
I weep that I am all alone.
# Hymns of the Atharva-Veda/Book 1/Hymn 9

Translated by Ralph T.H. Griffith
Benediction on a King at his inauguration
# Hymns of the Atharva-Veda/Book 2

Hymn 1 Hymn 2 Hymn 3 Hymn 4 Hymn 5 Hymn 6 Hymn 7 Hymn 8 Hymn 9 Hymn 10 Hymn 11 Hymn 12 Hymn 13 Hymn 14 Hymn 15 Hymn 16 Hymn 17 Hymn 18 Hymn 19 Hymn 20 Hymn 21 Hymn 22 Hymn 23 Hymn 24 Hymn 25 Hymn 26 Hymn 27 Hymn 28 Hymn 29 Hymn 30 Hymn 31 Hymn 32 Hymn 33 Hymn 34 Hymn 35 Hymn 36
# Hymns of the Marshes/Marsh Song—At Sunset

III
MARSH SONG—AT SUNSET
Over the monstrous shambling sea, Over the Caliban sea, Bright Ariel-cloud, thou lingerest; Oh wait, oh wait, in the warm red West,— Thy Prospero I'll be.
Over the humped and fishy sea, Over the Caliban sea
Over the monstrous shambling sea,
And do a grace for me.
Over the huge and huddling sea, Over the Caliban sea, Bring hither my brother Antonio,—Man,— My injurer; night breaks the ban: Brother, I pardon thee.
Baltimore, 1879–80.
# Hymns of the Atharva-Veda/Book 1/Hymn 8

Translated by Ralph T.H. Griffith
To Indra, Brihaspati, Soma and Agni, for the destruction of sorcerers
# Hyndman v. Roots

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
97 U.S. 224
Hyndman v. Roots
APPEAL from the Circuit Court of the United States for the Southern District of Ohio.
The facts are stated in the opinion of the court.
The drawings of the machines of the respective parties therein referred to are as follows:--
Mr. E. E. Wood for the appellant.
Mr. James Moore, contra.
MR. JUSTICE SWAYNE delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Is 5

IS FIVE
FIVE BOOKS by E. E. Cummings 1. The Enormous Room 2. Tulips and Chimneys 3. & 4. Xli Poems 5. Is Five ❡
by E. E. Cummings
is
LIVERIGHT New York
COPYRIGHT, 1926, BY HORACE LIVERIGHT
ALL RIGHTS RESERVED
LIVERIGHT PUBLISHING CORPORATION
LIVERIGHT PAPERBOUND EDITION 1970
SBN-87140-002-2
Library of Congress Catalog Card Number 76-114376
Second Liveright Paperback Printing
Printed in the United States of America
FOREWORD
At least my theory of technique, if I have one, is very far from original; nor isit complicated. I can express it in fifteen words, by quoting The Eternal Question And Immortal Answer of burlesk, viz. “Would you hit a woman with a child?—No, I’d hit her with a brick.” Like the burlesk comedian, I am abnormally fond of that precision which creates movement.
If a poet is anybody, he is somebody to whom things made matter very little—somebody who is obsessed by Making. Like all obsessions, the Making obsession has disadvantages; for instance, my only interest in making money would be to make it. Fortunately, however, I should prefer to make almost anything else, including locomotives and roses. It is with roses and locomotives (not to mention acrobats Spring electricity Coney Island the 4th of July the eyes of mice and Niagara Falls) that my “poems” are competing.
They are also competing with each other, with elephants, and with El Greco.
Ineluctable preoccupation with The Verb gives a poet one priceless advantage: whereas nonmakers must content themselves with the merely undeniable fact that two times two is four, he rejoices in a purely irresistible truth (to be found, in abbreviated costume, upon the title page of the present volume.)
E. E. Cummings.
A LIST OF WHERE THESE POEMS have been published
* England France Italy Austria and America *
TITLE IS V FOREWORD vii ONE i–xl 1–55 TWO i–xi 57–72 THREE i–x 73–86 FOUR i–xviii 87–107 FIVE i–v 109–115
# Is Bliss then, such Abyss

Is Bliss then, such Abyss, I must not put my foot amiss For fear I spoil my shoe?
I'd rather suit my foot Than save my Boot — For yet to buy another Pair Is possible, At any store —
But Bliss, is sold just once. The Patent lost None buy it any more — Say, Foot, decide the point — The Lady cross, or not? Verdict for Boot!
# Is 5/FIVE

FIVE
FIVE I
after all white horses are in bed
will you walking beside me, my very lady, if scarcely the somewhat city wiggles in considerable twilight
touch (now) with a suddenly unsaid
gesture lightly my eyes? And send life out of me and the night absolutely into me. . . .a wise and puerile moving of your arm will do suddenly that
do suddenly that will do more than heroes beautifully in shrill armour colliding on huge blue horses, and the poets looked at them, and made verses,
through the sharp light cryingly as the knights flew.
FIVE II
touching you i say (it being Spring and night) “let us go a very little beyond the last road—there’s something to be found”
and smiling you answer “everything turns into something else, and slips away. . . . (these leaves are Thingish with moondrool and i’m ever so very little afraid”)
and i’m ever so very little afraid”) i say “along this particular road the moon if you’ll notice follows us like a big yellow dog. You
don’t believe? look back. (Along the sand behind us, a big yellow dog that’s. . . .now it’s red a big red dog that may be owned by who knows) knows) only turn a little your. so. And
there’s the moon,there is something faithful and mad”
FIVE III
along the brittle treacherous bright streets
of memory comes my heart,singing like
an idiot, whispering like a drunken man
who(at a certain corner, suddenly)meets the tall policeman of my mind. the tall policeman of my mind. awake being not asleep, elsewhere our dreams began which now are folded: but the year completes his life as a forgotten prisoner
—“Ici?”—“Ah non, mon cheri; il fait trop froid”— they are gone: along these gardens moves a wind bringing rain and leaves, filling the air with fear and sweetness. . . .pauses. (Halfwhispering. . . .halfsinging
stirs the always smiling chevaux de bois)
when you were in Paris we met here
FIVE IV
our touching hearts slenderly comprehend (clinging as fingers, loving one another gradually into hands) and bend into the huge disaster of the year:
like this most early single star which tugs
weakly at twilight, caught in thickening fear our slightly fingering spirits starve and smother; until autumn abruptly wholly hugs
our dying silent minds, which hand in hand at some window try to understand the the‍(through pale miles of perishing air, haunted with huddling infinite wishless melancholy, suddenly looming) accurate undaunted
moon’s bright third tumbling slowly
FIVE V
if i have made, my lady, intricate imperfect various things chiefly which wrong your eyes (frailer than most deep dreams are frail) songs less firm than your body’s whitest song upon my mind—if i have failed to snare the glance too shy—if through my singing slips the very skillful strangeness of your smile the keen primeval silence of your hair
—let the world say “his most wise music stole nothing from death?”— nothing from death?”—‍ you only will create (who are so perfectly alive) my shame: lady through whose profound and fragile lips the sweet small clumsy feet of April came
into the ragged meadow of my soul.
# Jennings v. Texas

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
375 U.S. 398
Jennings v. Texas
Sidney E. Dawson, Townes L. Dawson and W. J. Durham, for appellant.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jennings v. Texas/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
375 U.S. 398
Jennings v. Texas
The appeal is dismissed for want of jurisdiction. Treating the papers whereon the appeal was taken as a petition for a writ of certiorari, certiorari is denied.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jennison v. Kirk

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
98 U.S. 453
Jennison v. Kirk
ERROR to the Supreme Court of California.
The facts are stated in the opinion of the court.
Mr. B. F. Myres for the plaintiff in error.
No one appearing for the defendant in error.
MR. JUSTICE FIELD delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jenny

JENNY A NOVEL
TRANSLATED FROM THE NORWEGIAN OF SIGRID UNDSET BY W. EMMÉ
NEW YORK ALFRED · A · KNOPF 1921
COPYRIGHT, 1921, BY ALFRED A. KNOPF, Inc.

## Part one

    Chapter I
    Chapter II
    Chapter III
    Chapter IV
    Chapter V
    Chapter VI
    Chapter VII
    Chapter VIII
    Chapter IX
    Chapter X
    Chapter XI

## Part two

    Chapter I
    Chapter II
    Chapter III
    Chapter IV
    Chapter V
    Chapter VI
    Chapter VII
    Chapter VIII
    Chapter IX
    Chapter X

## Part three

    Chapter I
    Chapter II
    Chapter III
    Chapter IV
    Chapter V
    Chapter VI
    Chapter VII
    Chapter VIII
    Chapter IX
    Chapter X
    Chapter XI
    Chapter XII
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Jennings v. United States Fidelity & Guaranty Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
294 U.S. 216
Jennings v. United States Fidelity & Guaranty Company
Argued: Jan. 16, 17, 1935. --- Decided: Feb 4, 1935
Messrs. John F. Anderson and George P. Barse, both of Washington, D.C., for petitioners.
Mr. Arthur L. Gilliom, of Indianapolis, Ind., for respondent.
[Argument of Counsel from page 217 intentionally omitted]
Mr. Justice CARDOZO delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# In Bohemia/A Disappointment

A DISAPPOINTMENT.
Her hair was a waving bronze, and her eyes
Deep wells that might cover a brooding soul;
And who, till he weighed it, could ever surmise
That her heart was a cinder instead of a coal!
# In Bohemia/A Lost Friend

A LOST FRIEND.
My friend he was; my friend from all the rest;
With childlike faith he oped to me his breast;
No door was locked on altar, grave or grief;
No weakness veiled, concealed no disbelief;
The hope, the sorrow and the wrong were bare,
And ah, the shadow only showed the fair.
I gave him love for love; but, deep within,
I magnified each frailty into sin;
Each hill-topped foible in the sunset glowed.
Obscuring vales where rivered virtues flowed.
Reproof became reproach, till common grew
The captious word at every fault I knew.
He smiled upon the censorship, and bore
With patient love the touch that wounded sore;
Until at length, so had my blindness grown.
He knew I judged him by his faults alone.
Alone, of all men, I who knew him best,
Refused the gold, to take the dross for test!
Cold strangers honored for the worth they saw;
His friend forgot the diamond in the flaw.
At last it came—the day he stood apart,
When from my eyes he proudly veiled his heart;
When carping judgment and uncertain word
A stern resentment in his bosom stirred;
When in his face I read what I had been,
And with his vision saw what he had seen.
Too late! too late! Oh, could he then have known,
When his love died, that mine had perfect grown;
That when the veil was drawn, abased, chastised,
The censor stood, the lost one truly prized.
Too late we learn—a man must hold his friend
Unjudged, accepted, trusted to the end.
# In Bohemia/A Passage

A PASSAGE.
The world was made when a man was born;
He must taste for himself the forbidden springs,
He can never take warning from old-fashioned things;
He must light as a boy, he must drink as a youth,
He must kiss, he must love, he must swear to the truth
Of the friend of his soul, he must laugh to scorn
The hint of deceit in a woman's eyes
That are clear as the wells of Paradise.
And so he goes on, till the world grows old,
Till his tongue has grown cautious, his heart has grown cold.
Till the smile leaves his mouth, and the ring leaves his laugh.
And he shirks the bright headache you ask him to quaff;
He grows formal with men, and with women polite,
And distrustful of both when they're out of his sight;
Then he eats for his palate, and drinks for his head,
And loves for his pleasure,—and 'tis time he was dead!
# In Bohemia/A White Rose

A WHITE ROSE.
The red rose whispers of passion,
And the white rose breathes of love;
Oh, the red rose is a falcon.
And the white rose is a dove.
But I send you a cream-white rosebud
With a flush on its petal tips;
For the love that is purest and sweetest
Has a kiss of desire on the lips.
# In Bohemia/A Year

A YEAR.
In the Spring we see:
Then the buds are dear to us—immature bosoms like lilies swell.
In the Summer we live:
When bright eyes are near to us, oh, the sweet stories the false lips tell!
In the Autumn we love:
When the honey is dripping, deep eyes moisten and soft breasts heave;
In the Winter we think:
With the sands fast slipping, we smile and sigh for the days we leave.
# In Bohemia/A Builder's Lesson

A BUILDER'S LESSON.
"How shall I a habit break?"
As you did that habit make.
As you gathered, you must lose;
As you yielded, now refuse.
Thread by thread the strands we twist
Till they bind us neck and wrist;
Thread by thread the patient hand
Must untwine ere free we stand.
As we builded, stone by stone,
We must toil unhelped, alone,
Till the wall is overthrown.
But remember, as we try,
Lighter every test goes by;
Wading in, the stream grows deep
Toward the centre's downward sweep;
Backward turn, each step ashore
Shallower is than that before.
Ah, the precious years we waste
Levelling what we raised in haste;
Doing what must be undone
Ere content or love be won!
First across the gulf we cast
Kite-borne threads, till lines are passed,
And habit builds the bridge at last!
# In Bohemia/A Tragedy

A TRAGEDY.
A soft-breasted bird from the sea
Fell in love with the light-house flame;
And it wheeled round the tower on its airiest wing,
And floated and cried like a lovelorn thing;
It brooded all day and it fluttered all night,
But could win no look from the steadfast light.
For the flame had its heart afar,—
Afar with the ships at sea;
It was thinking of children and waiting wives,
And darkness and danger to sailors' lives;
But the bird had its tender bosom pressed
On the glass where at last it dashed its breast.
The light only flickered, the brighter to glow;
But the bird lay dead on the rocks below.
# In Bohemia

In Bohemia
John Boyle O'Reilly
In Bohemia:
BY
John Boyle O'Reilly.
BOSTON: THE PILOT PUBLISHING CO. 597 Washington Street.
Copyright, 1886, By John Boyle O'Reilly,
Electrotyped and Printed by Cashman, Keating & Co. Fayette Court, 603 Washington Street.
To
My Four Little Daughters.
CONTENTS.
IN BOHEMIA.