OpenLLM-France/wikimedia huggingface dataset:
# Weintraub v. United States/Order of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
* Dissenting Opinion Douglas
United States Supreme Court
400 U.S. 1014
Weintraub v. United States
Denied.
Mr. Justice DOUGLAS, dissenting.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Weir of Hermiston

Weir of Hermiston, sometimes considered Stevenson's masterpiece, is an unfinished novel cut short by the author's death from apoplexy. It was originally published serially in Cosmopolis, vol. i. pp. 1-20, 321-362, 641-663; vol. ii. pp. 1-27 (January to April 1896) and first appeared in book form in the same year.—Based on A Bibliography of the Works of Robert Louis Stevenson (1903), by William Francis Prideaux. This transcription is of the first edition.
Layout 2
WEIR OF HERMISTON
WEIR OF HERMISTON
An Unfinished Romance by
ROBERT LOUIS
STEVENSON
LONDON CHATTO AND WINDUS PICCADILLY 1896
Edinburgh: T. and A. Constable, Printers to Her Majesty
CONTENTS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Weinman v. De Palma

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
232 U.S. 571
Weinman v. De Palma
Argued: January 20, 1914. --- Decided: February 24, 1914
Mr. Neill B. Field for plaintiffs in error.
Messrs. Francis E. Wood, Owen N. Marron, and A. B. McMillen for defendants in error.
Mr. Justice Pitney delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# What is to be done?

* Search for titles containing or beginning with: "What is to be done?."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* What is to be done? (Что делать? 1863) by Nikolay Chernyshevsky
* What is to be done? (Так что же нам делать?, 1882), long essay by Lev Nikolayevich Tolstoy
* What's to be Done? (Что же делать? 1906), short essay by Lev Nikolayevich Tolstoy
* What is to be Done? (Что делать? 1901–1907) by Vladimir Lenin
Also see:
# What is technology?/front matter

​The Lectures on Technology for the Session 1855-56, will be delivered at 12 o'clock daily, in the Laboratory of the Industrial Museum, behind the Royal College of Surgeons. The subjects chiefly discussed will be, the Economic Production and Application of Heat and Light; the Economic Production and Application of Electricity; the Economic Application of the Photogenic Art; the Principles of Metallurgy and certain allied subjects, as more full explained at pages 21 and 22 of the Introductory Lecture.
∵ Those Manufacturers and others who propose sending Specimens to the Industrial Museum, are requested to communicate with Dr Wilson, who will send them Lists of the objects which are most desired.
Samples illustrating any of the Industrial Arts, will be highly prized, and especially such as explain the progress of a Manufacture through its different stages. Models of Machinery will likewise be very acceptable.,
# What is the benefit of our arrival and departure?

From The Rubaiyat of Omar Khayyam. Тranslation by Dmitri Smirnov from the Russian literal translation by Guzel Samarina, see the source.
What is the benefit of our arrival and departure? If our life is the basis of the cloth, where is the weft? Present righteous men in the fiery chariot
Will be burnt down and they will become ashes, but where is the smoke?
Pronunciation of the original text:
Az āmadan-o raftan-e mā sud-i ku? Va-z tār-e vojud-e bud-e mā pud-i ku? Az ātesh-e charkh cheshmān-e vojud Misuzad-o khāk mishaved, dud-i ku?
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Van Dyke v. Geary

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
244 U.S. 39
Van Dyke v. Geary
Argued: March 23, 1917. --- Decided: May 7, 1917
Messrs. William C. Prentiss and F. C. Jacobs for appellants.
Messrs. Samuel Herrick, George W. Harben, R. William Kramer, and Mr. Wiley E. Jones, Attorney General of Arizona, for appellees.
Mr. Justice Brandeis delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Van Gieson v. Maile

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
213 U.S. 338
Van Gieson v. Maile
Argued: April 6, 1909. --- Decided: April 19, 1909
Mr. Henry Van Gieson in propria persona for appellant.
No appearance for appellee.
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Van Huffel v. Harkelrode

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
284 U.S. 225
Van Huffel v. Harkelrode
Argued: Oct. 28, 1931. --- Decided: Dec 7, 1931
Messrs. H. H. Hoppe and Alonzo M. Snyder, both of Cleveland, Ohio, for petitioner.
Messrs. Gilbert Bettman, of Cincinnati, Ohio, and G. H. Birrell, of Warren, Ohio, for respondent.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Van Gieson v. Maile/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
213 U.S. 338
Van Gieson v. Maile
Argued: April 6, 1909. --- Decided: April 19, 1909
This is a bill in equity, brought by the appellee to set aside a sale on execution to Van Gieson. The bill alleges the bringing of an action for taxes by a collector, recovery of a judgment on default, and the issue of execution thereupon. It sets up various supposed technical defects in the summons and subsequent proceedings, but these do not need to be stated. It is enough to say that, on the ground of such supposed defects, motions were made in the district court where the judgment was rendered, that the execution be recalled, that the service of summons be set aside and quashed, and that the high sheriff be ordered not to sell under the execution until further order of the court. This order was made and a time was fixed for the hearing of the motion at an early day. Nevertheless, the sheriff proceeded with the sale as it had been advertised, on the day before that fixed for the hearing, and sold three lots of land, at a very inadequate price, to Van Gieson, an assistant of his. He gave notice pending the sale that, at the fall of the hammer, he should require a deposit of 50 per cent of the purchase money for each parcel then unsold,-a condition not contained in the notice of sale, and not enforced against Van Gieson. The bill is founded on the alleged defects in the proceedings before execution as well as in the sale, and prays to have the judgment declared void, and, as we have said, the sale set aside. The supreme court of the territory set aside the sale, and, upon the plaintiff paying into court the amount of the judgment, ordered a reconveyance, whereupon Van Gieson appealed to this court.
The ground on which the supreme court went was the single short point that the existence of the order, whether valid or not, was what made the sale disastrous. We see no reason for not accepting this conclusion. However vexatious the conduct of the appellee may have been, his property should not be sacrificed by reason of the act of a court.
Decree affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Van Horn v. William Blanchard Co.

* related portals: New Jersey case law.
* sister projects: Wikidata item.
* Court Documents
* Opinion of the Court
* Dissenting Opinion Handler
SUPREME COURT OF NEW JERSEY
88 N.J. 91; 438 A.2d 552
LLOYD K. VAN HORN, PLAINTIFF-APPELLANT, v. WILLIAM BLANCHARD COMPANY, EPIC CONSTRUCTION COMPANY AND CHARLES C. HULL, INDIVIDUALLY AND/OR AS AGENT, SERVANT, AND/OR EMPLOYEE OF EPIC CONSTRUCTION COMPANY, DEFENDANTS-RESPONDENTS, AND ARGEE CONSTRUCTION COMPANY AND JOHN DOES (BEING FICTITIOUS NAMES) INDIVIDUALLY AND/OR AS AGENTS, SERVANTS, AND/OR EMPLOYEES OF WILLIAM BLANCHARD COMPANY, ARGEE CONSTRUCTION COMPANY, EPIC CONSTRUCTION COMPANY, OR OTHER UNKNOWN COMPANIES, INDIVIDUALLY, JOINTLY, SEVERALLY, AND/OR IN THE ALTERNATIVE, DEFENDANTS
On a rehearing of the judgment of this Court dated May 17, 1979 and reported at 79 N.J. 535 (1979). (See 81 N.J. 294 (1979)).
No. A-86 Argued: February 24, 1981 --- Decided: December 24, 1981
On appeal from the Superior Court, Appellate Division, whose opinion is reported at 173 N.J.Super. 280 (1980).
Laurence P. Bafundo argued the cause for appellant (Friedman & Tighe, attorneys).
Stephen G. Sweet argued the cause for respondent (Methfessel & Werbel, attorneys).
For affirmance — Chief Justice Wilentz and Justices Clifford, Schreiber and Pollock. For reversal — Justices Sullivan, Pashman and Handler. The opinion of the Court was delivered by Clifford, J. Handler, J., dissenting. Justices Sullivan and Pashman join in this opinion.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# When We Were Very Young/In the Fashion

IN THE FASHION
A lion has a tail and a very fine tail, And so has an elephant, and so has a whale, And so has a crocodile, and so has a quail— They've all got tails but me.
If I had sixpence I would buy one; I’d say to the shopman, "Let me try one"; I’d say to the elephant, "This is my one." They'd all come round to see.
Then I'd say to the lion, "Why, you've got a tail! And so has the elephant, and so has the whale! And, look! There’s a crocodile! He's got a tail! "You've all got tails like me!"
# When We Were Very Young/Jonathan Jo

JONATHAN JO
Jonathan Jo Has a mouth like an "O" And a wheelbarrow full of surprises; If you ask for a bat, Or for something like that, He has got it, whatever the size is.
If you’re wanting a ball, It’s no trouble at all;
Why, the more that you ask for, the merrier— Like a hoop and a top, And a watch that won’t stop, And some sweets, and an Aberdeen terrier.
Jonathan Jo Has a mouth like an "O," But this is what makes him so funny: If you give him a smile, Only once in a while, Then he never expects any money!
# When We Were Very Young/Market Square

MARKET SQUARE
I had a penny, A bright new penny, I took my penny To the market square. I wanted a rabbit, A little brown rabbit, And I looked for a rabbit 'Most everywhere.
For I went to the stall where they sold sweet lavender ("Only a penny for a bunch of lavender!"). "Have you got a rabbit, 'cos I don't want lavender?" But they hadn't got a rabbit, not anywhere there.
I had a penny, And I had another penny, I took my pennies To the market square. I did want a rabbit, A little baby rabbit, And I looked for rabbits 'Most everywhere.
And I went to the stall where they sold fresh mackerel ("Now then! Tuppence for a fresh-caught mackerel!"). "Have you got a rabbit, 'cos I don't like mackerel?" But they hadn't got a rabbit, not anywhere there.
I found a sixpence, A little white sixpence. I took it in my hand To the market square. I was buying my rabbit (I do like rabbits), And I looked for my rabbit 'Most everywhere.
So I went to the stall where they sold fine saucepans ("Walk up, walk up, sixpence for a saucepan!"). "Could I have a rabbit, 'cos we've got two saucepans?" But they hadn't got a rabbit, not anywhere there.
I had nuffin', No, I hadn't got nuffin', So I didn't go down To the market square; But I walked on the common, The old-gold common . . . And I saw little rabbits 'Most everywhere!
So I'm sorry for the people who sell fine saucepans, I'm sorry for the people who sell fresh mackerel, I'm sorry for the people who sell sweet lavender, 'Cos they haven't got a rabbit, not anywhere there!
# When We Were Very Young/Knights and Ladies

KNIGHTS AND LADIES
There is in my old picture-book A page at which I like to look, Where knights and squires come riding down The cobbles of some steep old town, And ladies from beneath the eaves Flutter their bravest handkerchiefs, Or, smiling proudly, toss down gages . . But that was in the Middle Ages. It wouldn't happen now; but still, Whenever I look up the hill Where, dark against the green and blue, The firs come marching, two by two, I wonder if perhaps I might See suddenly a shining knight Winding his way from blue to green— Exactly as it would have been Those many, many years ago. . . .
Perhaps I might. You never know.
# When We Were Very Young/Independence

INDEPENDENCE
I never did, I never did, I never did like "Now take care, dear!" I never did, I never did, I never did want "Hold-my-hand"; I never did, I never did, I never did think much of "Not up there, dear!" It’s no good saying it. They don’t understand.
# When We Were Very Young/Missing

MISSING
Has anybody seen my mouse?
I opened his box for half a minute, Just to make sure he was really in it, And while I was looking, he jumped outside! I tried to catch him, I tried, I tried. . . . I think he's somewhere about the house. Has anyone seen my mouse?
Uncle John, have you seen my mouse?
Just a small sort of mouse, a dear little brown one, He came from the country, he wasn't a town one, So he'll feel all lonely in a London street; Why, what could he possibly find to eat?
He must be somewhere. I'll ask Aunt Rose: Have you seen a mouse with a woffelly nose? Oh, somewhere about— He’s just got out. . .
Hasn’t anybody seen my mouse?
# When We Were Very Young/Nursery Chairs

NURSERY CHAIRS
One of the chairs is South America, One of the chairs is a ship at sea, One is a cage for a great big lion, And one is a chair for Me.
The First Chair. When I go up the Amazon, I stop at night and fire a gun To call my faithful band. And Indians in twos and threes, Come silently between the trees, And wait for me to land. And if I do not want to play With any Indians to-day, I simply wave my hand. And then they turn and go away— They always understand.
The Second Chair. I’m a great big lion in my cage, And I often frighten Nanny with a roar. Then I hold her very tight, and Tell her not to be so frightened— And she doesn’t be so frightened any more.
The Third Chair. When I am in my ship, I see The other ships go sailing by. A sailor leans and calls to me As his tall ship goes sailing by. Across the sea he leans to me, Above the winds I hear him cry: “Is this the way to Round-the-World?” He calls as he goes by.
The Fourth Chair. Whenever I sit in a high chair For breakfast or dinner or tea, I try to pretend that it's my chair, And that I am a baby of three.
Shall I go off to South America? Shall I put out in my ship to sea? Or get in my cage and be lions and tigers? Or—shall I be only Me?
# When We Were Very Young/Lines and Squares

LINES AND SQUARES
Whenever I walk in a London street, I'm ever so careful to watch my feet; And I keep in the squares, And the masses of bears, Who wait at the corners all ready to eat The sillies who tread on the lines of the street, Go back to their lairs, And I say to them, "Bears, Just look how I’m walking in all of the squares!"
And the little bears growl to each other, "He's mine, As soon as he's silly and steps on a line." And some of the bigger bears try to pretend That they came round the corner to look for a friend; And they try to pretend that nobody cares Whether you walk on the lines or squares. But only the sillies believe their talk; It’s ever so portant how you walk. And it’s ever so jolly to call out, "Bears, Just watch me walking in all the squares!"
# When We Were Very Young/Little Bo-Peep and Little Boy-Blue

LITTLE BO-PEEP AND LITTLE BOY-BLUE
"What have you done with your sheep, Little Bo-Peep? What have you done with your sheep, Bo-Peep?" "Little Boy Blue, what fun! I've lost them, every one!" "Oh, what a thing to have done, Little Bo-Peep!"
"What have you done with your sheep, Little Boy Blue? What have you done with your sheep, Boy Blue?" "Little Bo-Peep, my sheep Went off, when I was asleep." "I'm sorry about your sheep, Little Boy Blue."
"What are you going to do, Little Bo-Peep? What are you going to do, Bo-Peep? "Little Boy Blue, you'll see They'll all come home to tea." "They wouldn't do that for me, Little Bo-Peep."
"What are you going to do, Little Boy Blue? What are you going to do, Boy Blue?" "Little Bo-Peep, I'll blow My horn for an hour or so." "Isn't that rather slow, Little Boy Blue?"
"Whom are you going to marry, Little Bo-Peep? Whom are you going to marry, Bo-Peep?" "Little Boy Blue, Boy Blue, I'd like to marry you." "I think I should like it too, Little Bo-Peep."
"Where are we going to live, Little Boy Blue? Where are we going to-live, Boy Blue? "Little Bo-Peep, Bo-Peep, Up in the hills with the sheep." "And you'll love your little Bo-Peep, Little Boy Blue?"
"I'll love you for ever and ever, Little Bo-Peep. I'll love you for ever and ever, Bo-Peep." "Little Boy Blue, my dear, Keep near, keep very near." "I shall be always here, "Little Bo-Peep.”
# When We Were Very Young/Politeness

POLITENESS
If people ask me, I always tell them: “Quite well, thank you, I’m very glad to say.” If people ask me, I always answer, “Quite well, thank you, how are you to-day?” I always answer, I always tell them, If they ask me Politely. . . .
BUT SOMETIMES
I wish
That they wouldn't
# William Bathe

* Search for titles containing or beginning with: "William Bathe."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "William Bathe," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Bathe, William," in A Compendium of Irish Biography, by Alfred Webb, Dublin: M. H. Gill & Son (1878)
# William Blake

* Search for titles containing or beginning with: "William Blake."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* William Blake, a biography by G. K. Chesterton
* William Blake, a biography by Arthur Symons, with contemporary sources in part 2
* William Blake, a poem by James Thomson, (B.V.)
For works by or about William Blake (1757–1827), English poet and artist, see Author:William Blake.
# William Blake, Painter and Poet

    p. 40 (Ch. 3) links p. 78 (Ch. 4)
    p. 64 links p.65
The Sons of God. Design from the Book of Job
WILLIAM BLAKE
PAINTER AND POET
By
RICHARD GARNETT, LL.D.
Keeper of the Printed Books in the British Museum
LONDON
SEELEY AND CO. LIMITED, ESSEX STREET, STRAND
NEW YORK, MACMILLAN AND CO.
1895
LIST OF ILLUSTRATIONS
PLATES
| | | PAGE |
| The Sons of God. From the Book of Job | Frontispiece | |
| The Lamb, and Infant Joy. Songs of Innocence | to face | 20 |
| The Fly, and the Tiger. Songs of Experience | "" | 24 |
| The Book of Thel, title-page. In facsimile by W. Griggs | "" | 33 |
| ""page vi."" | "" | 36 |
| America, page | "" | 42 |
| "page | "" | 48 |
ILLUSTRATIONS IN THE TEXT
| Morning, or Glad Day. From an engraving by W. Blake | 11 |
| Illustration from "David Simple." Engraved by W. Blake after T. Stothard, R.A. | 17 |
| From a coloured copy of the "Songs of Innocence and Experience." British Museum | 22 |
| Frontispiece of Mary Wollstonecraft's "Stories" | 24 |
| Page of Young's "Night Thoughts." Illustrated by W. Blake | 26 |
| I want! I want!—Help! Help!—Aged Ignorance!—Death's Door | 28 |
| Design from the "Book of Urizen." By W. Blake | 34 |
| The Ancient of Days setting a Compass to the Earth. From a water-colour drawing by W. Blake. British Museum | 39 |
| Sweeping the Parlour in the Interpreter's House | 40 |
| Design from "Milton." By W. Blake | 47 |
| Portrait of William Blake. From the engraving by L. Schiavonetti, after T. Phillips, R.A | 50 |
| ​The Reunion of Soul and Body. From Blair's "Grave," illustrated by W. Blake | 53 |
| The Babylonian Woman on the Seven-headed Beast. From a water-colour drawing by W. Blake. British Museum | 55 |
| Portrait of Wilson Lowry. By John Linnell. Engraved by Blake and Linnell. | 61 |
| The Resurrection of the Dead. From a water-colour drawing by W. Blake. British Museum | 63 |
| Woodcut from Thornton's Pastoral | 64 |
| The Destruction of Job's Sons and Daughters. From the "Book of Job." By W. Blake | 67 |
| With dreams upon my bed thou scarest me. From the "Book of Job." By W. Blake | 69 |
| Behemoth and Leviathan. From the "Book of Job." By W. Blake | 71 |
# Voyage in Search of La Pérouse/Volume 2

​ Double Canoe of the Friendly Islands
V O Y A G E
IN SEARCH OF
LA PÉROUSE.
PERFORMED BY ORDER OF
THE CONSTITUENT ASSEMBLY,
DURING THE
YEARS 1791, 1792, 1793, AND 1794,
AND DRAWN UP
BY M. LABILLARDIERE,
CORRESPONDENT OF THE ACADEMY OF SCIENCES AT PARIS, MEMBER OF THE SOCIETY OF NATURAL HISTORY, AND ONE OF THE NATURALISTS ATTACHED TO THE EXPEDITION.
TRANSLATED FROM THE FRENCH.
ILLUSTRATED WITH FORTY-SIX PLATES.
IN TWO VOLUMES.
VOL. II.
London: PRINTED FOR JOHN STOCKDALE, PICCADILLY.
1800.
CONTENTS
of THE SECOND VOLUME.
CHAP. X.
CHAP. XI.
CHAP. XII.
CHAP. XIII.
CHAP. XIV.
CHAP. XV.
APPENDIX.