OpenLLM-France/wikimedia huggingface dataset:
# Dictionary of National Biography, 1885-1900/Chandler, Edward

​CHANDLER, EDWARD (1668?–1750), bishop of Durham, was son of Samuel Chandler of Dublin. He was educated at Emmanuel College, Cambridge, and in 1693 became M.A., was ordained priest, and appointed chaplain to Lloyd, bishop of Winchester. In 1697 he became prebendary of Lichfield; became D.D. in 1701, and in 1703 received the stall in Salisbury vacant by the death of Lancelot Addison. In 1706 he became prebendary of Viforcester. He was consecrated his house of Lichfield on 17 Nov. 1717. In 1730 he was translated to Durham, and confirmed on 21 Nov. Chandler was a man of more learning than capacity. He gained some reputation by ‘A Defence of Christianity from the Prophecies, &c.’ (1725), in answer to Collins’s well-known ‘Grounds and Reasons of the Christian Religion.’ - Collins having replied in his ‘Scheme of Liberal Prophecy.’ Chandler published in 1728 ‘A Vindication of the “Defence of Christianity.” The main point at issue was the date of the book of Daniel, in regard to which Collins had anticipated the views of some modern critics. He also published eight sermons, a ‘Chronological Dissertation.' prefixed to R. Arnald’s ‘Commentary on Ecclesiasticus ’ (17 48) [see Arnald, Richard], and a short preface to Cudworth’s ‘Treatise on Immutable Morality’ when first ublished in 1731. He died, after a long illness, in London on 20 Jul. 1750, and was buried at Farnham Royal.
Chandler was accused of having given 9,000l. for the see of Durham. King (Anecdotes, p. 118) mentions him as one of the prelates who died ‘shamefull rich.’ On the other hand, it is said that he gave 50l. to the living of Monkwearmouth, 200l. towards a house fiat the minister of Stockton, 2,000l. for the benefit of clergymen’s widows in his diocese, and that he never sold any of his patent offices. He married Barbara, eldest daughter of Sir Humphrey Briggs, and had by her two sons and three daughters. His ‘great riches’ went, upon their decease without issue, to James Lesley, bishop of Limerick, who had been his chaplain and had married his niece, Miss Lister (Gent. Mag. for 1793, p. 974, where are other particulars about his family).
[Shaw’s Staffordshire, i. 279; Hutchinson’s Durham, i. 574; Whiston’s Life. i. 422; Le Neve’s Fasti, i. 558, 619; ii. 665; iii. 86, 297.]
L. S.
# Dictionary of National Biography, 1885-1900/Channell, William Fry

​CHANNELL, Sir WILLIAM FRY (1804–1873), judge, was born 31 Aug. 1804. He was of a Devonshire family, and his father and grandfather had been naval officers. His father. Pike Channell, served with Nelson at Copenhagen, and then leaving the navy became a merchant and lived at Peckham. His mother was Mary, stepdaughter of William Fry. Channell's only education was at a private school at Peckham, and he often lamented that he had been so ill taught. Hard private reading, however, repaired this defect; his memory was remarkable, and he was unusually familiar with the English classics. For a short time Baron Bramwell was at the same school. At an early age he was articled to a Mr. Tustin, a solicitor, but soon giving up his articles he entered at the Inner Temple, read with the well-known special pleader Cobner, and was called in Lent term 1827. He at once stepped into considerable practice, both at the Surrey sessions and on the home circuit. In his chambers both Chief-justice Bovill and Sir Montagu Smith were pupils, and on the bench he continued to attach great weight to forms of pleading. In 1840, when the court of common pleas was again declared a close court, the royal warrant which threw it open being null and void, Channell, with four others, received the rank of serjeant, and he and Serjeant Talfourd led the court till it was thrown open in 1846. In 1844, when Sir F. Thesiger became solicitor-general, Channell received a patent of precedence, and after Baron Platt was raised to the bench he led the home circuit for some time. He was a very careful advocate, but after a time lost his nisi prius practice, and was heard chiefly in banco. In 1866, Baron Platt being taken ill, he acted as commissioner of assize on the spring and summer circuits and winter gaol delivery, and on 12 Feb. 1857 he was appointed by Lord-chancellor Cranworth to succeed Baron Alderson in the court of exchequer, and was knighted. Though a conservative, he had never been forward in politics or sat in parliament; in 1862 he issued an address at Beverley, but withdrew on finding how corrupt the borough was. He remained on the bench till January 1873, when, being afflicted with asthma and too feeble for the task of going circuit, he carried out a long-formed intention of resigning. He was nominated a member of the privy council, but never was sworn in, and died 26 Feb. at his residence, Clarendon Place, Hyde Park Gardens, and was succeeded by Mr. Charles Pollock. As a judge he was conscientious, careful, and learned, and very severe to criminals, especially garotters. His judgments in banco are very valuable. In 1834 he married Martha, daughter of Richard Moseley of Champion Hill, Camberwell, Surrey, by whom he had one son, Mr. A. M. Channell, Q.C., of the Inner Temple.
[Law Magazine, N. S. ii. 351; Law Journal, viii. 2; Law Times, liv. 163, 335; Solicitors' Journal, xvii. 179, 351.]
J. A. H.
# Dictionary of National Biography, 1885-1900/Chandler, J. W.

John Westbrooke Chandler in the ODNB.
​CHANDLER, J. W. (fl. 1800), portrait painter, a natural son of Lord Warwick, worked in London towards the end of the last century. About 1800 he was invited to Aberdeenshire, where he painted a good many portraits. Afterwards he settled in Edinburgh. He indulged freethinking speculations, was melancholic, and attempted to kill himself. He was unsuccessful, however, and died under confinement 'about 1804-5,' being then less than thirty years old. He was considered a promising painter. From 1787 to 1791 he exhibited ten portraits at the Royal Academy. A portrait by Chandler of Lord St. Helens was engraved in mezzotint by William Ward, A.R.A. 'His works are little known, and such as may be seen are stiff, weakly painted, and do not sustain the character of talent.'
[Redgrave's Dict. of Eng. School ; Graves's Dict. of Artists.]
E. R.
# Dictionary of National Biography, 1885-1900/Chandler, Richard (d.1744)

​CHANDLER, RICHARD (d. 1744), printer and bookseller in partnership with Cæsar Ward, carried on business in London (at the Ship, just without Temple Bar), in York (Coney Street), and in Scarborough. In 1737 they issued an octavo catalogue of twenty-two pages descriptive of books sold and published by them. The firm became the proprietors in 1739 of the printing business of Alexander Staples of Coney Street, and of the 'York Courant,' which was subsequently edited and published by Ward alone. Among the books printed by them at York were: 'The Trial of the Notorious Highwayman Richard Turpin at York Assizes, on the 22nd day of March 1739,' 1739, 8vo; 'Neuropathia, autore Milcolumbo Flemyng, M.D.' 1740, 8vo; 'Reliquiæ Eboracenses, per H[eneage] D[ering], Ripensem,' 1743, 8vo, and a few others. They also published : 'A General Dictionary, Historical and Critical,' 1734-41, 10 vols, folio; 'A New Abridgement of the State Trials to 1737,' folio; 'Jus Parliamentarium by Wm. Petyt,' 1739, folio, and other works of less importance.
While still in partnership with Ward, Chandler undertook, apparently as a private speculation, an extensive work, 'The History and Proceedings of the House of Commons from the Restoration to the present time [1743], containing the most remarkable ​motions, speeches, resolves, reports, and conferences to be met with in that interval,' 1742-4, 14 vols., the last volume printed by William Sandby, who was Chandler's successor. On the publication of the first eight volumes Chandler was admitted to an audience with Frederick, prince of Wales, who accepted the dedication. A companion work, sometimes erroneously ascribed to Chandler, was published by Ebenezer Timberland, also of Ship Yard, Temple Bar, 'The History and Proceedings of the House of Lords from the Restoration in 1600 to the Present Time,' 1742-3, 8 vols. 8vo, with the announcement that 'the general good reception which Mr. Chandler's edition' of the debates of the House of Commons met with had 'induc'd him to publish the debates of the House of Lords during the same period.'
At one time Ward and Chandler seem to have been in prosperous circumstances. Gent says 'they carried on abundance of business in the bookselling way' (Life, p. 191); the enterprise shown in opening shops at London, York, and Scarborough was unusual in those days. Gent also informs us that Chandler's 'Debates,' 'by the run they seemed to take, one would have imagined that he would have ascended to the apex of his desires; but, alas! his thoughts soared too high' (ib. 191 ). He fell into debt, and, to avoid the shame of a debtors' prison, Chandler blew his brains out in bed in the early part of the year 1744. His partner Ward struggled on until June 1745, when his name appeared in the 'London Gazette.'
[Life of Thomas Gent, printer, of York, by himself, 1832; R. Davies's Memoir of the York Press. 1868, pp. 242-8; Notes and Queries, 3rd ser. v. 151.]
H. R. T.
# Dictionary of National Biography, 1885-1900/Chandler, Johanna

​CHANDLER, JOHANNA (1820–1875), philanthropist, born in 1820, was one of the four children of a Mr. Chandler. She was early left an orphan, and taken to the home of her mother’s parents, Mr. and Mrs. Pinnock, of St. Pancras parish, London. On the death of Mrs. Pinnock in 1856 her granddaughters resolved to devote themselves to providing a hospital for paralytics. Johanna and her sisters learned to make flowers and light ornaments of Barbadoes rice-shells, strung together with pearl and white glass beads, and produced by this hard labour for two years 2001. Johanna then applied to the public for subscriptions. The lord mayor, A1derman Wire, himself a paralytic sufferer, allowed her to call a meeting at the Mansion House on 2 Nov. 1859, at which he presided, and at which the subscriptions reached 800l. A committee was formed, a house was rented in Queen Square, and was formally opened by May 1860, with the title of the National Hospital for the Paralysed and Epileptic. The institution flourished, and Miss Chandler raised subscriptions and founded the Samaritan Society, to give aid to outdoor patients; she also founded the home for convalescent ​ women patients at East Finchley. She and her brother devoted most of their time to the work until her death from apoplexy at her house, 43 Albany Street, on 12 Jan. 1875. Her brother Edward Henry, who continued Miss Chandler's work, died unmarried, in the sixty-sixth year of his age, in August 1881.
[Facta non Verba, pp. 101-25 ; London Mirror, 23 Jan. 1876; Christian World, 22 Jan. 1876; private information.]
J. H.
# Dictionary of National Biography, 1885-1900/Chandler, John

1904 Errata appended.
​CHANDLER, JOHN (1700–1780), apothecary, was for many years a partner with Messrs. Smith & Newsom as apothecaries in King Street, Cheapside. He published in 1729 'A Discourse concerning the Smallpox, occasioned by Dr. Holland's Essay,' and in 1761 'A Treatise on the Disease called a Cold.'
[Gent. Mag. 1780. l. 591.]
G. T. B.
Dictionary of National Biography, Errata (1904), p.62 N.B.— f.e. stands for from end and l.l. for last line
| Page | Col. | Line | |
| 39 | i | 19 | Chandler, John: for l read p |
# Dictionary of National Biography, 1885-1900/Chandler, Mary

​CHANDLER, MARY (1687–1745), poetess, born at Malmesbury, Wiltshire, in 1687, was the eldest daughter of Henry Chandler, a dissenting minister, afterwards settled at Bath, her mother having been a Miss Bridgman of Marlborough, and one of her brothers being Dr. Samuel Chandler [q. v.] In her youth her spine became crooked, and her health suffered, yet she set up a shop in Bath about 1705, when not yet out of her teens, and enlivened her hours by writing rhyming riddles and poems to friends (ib. p. 353), and by reading poetry. The neighoouring gentry had her to visit them, among them being Mrs. Boteler, Mrs. Moor, Lady Russell, and the Duchess of Somerset. She was asked so frequently for copies of her verses that she at last resolved to print them. She was permitted to inscribe her book to the Princess Amelia. Swift's Mrs. Barber was her literary friend and neighbour, and she was also a friend of Elizabeth Rowe. Her volume is called 'A Description of Bath,' and going speedily through two editions, a third was issued m 1736, a fourth in 1738, and a fifth in 1741. A wealthy gentleman of sixty, struck with one of her poems, travelled eighty miles to see her, and, after buying a pair of gloves of her, offered to make her his wife, Miss Chandler turned the incident into verse, and a sixth edition of her book being called for in 1744, it appeared with a sub-title, 'To which is added a True Tale, by the same Author.' Soon afterwards Miss Chandler was able to retire from business; and she commenced a poem 'On the Attributes of God,' but this was never finished, for she died on 11 Sept. 1745.
A seventh edition of her poems was issued in 1755, and an eighth in 1767. She dedicated her book to her brother John, and her 'Life,' in Theophilus Cibber's 'Lives of the Poets,' was written by her brother Samuel.
[Th. Cibber's Poets, v. 345-63; Nichols's Lit. Anecd. v. 304, 308; Mary Chandler's Description of Bath, 3rd ed. 1736, p. 21 et seq., and 6th ed. 1744, pp. 79-84.]
J. H.
# Daisy Miller: A Comedy

First published in story form as "Daisy Miller: A Study" in 1878; later worked into a play as "Daily Miller: A Comedy".
"To know this novel by Henry James in all its forms, from the straight-forward first telling of the story in the Cornhill Magazine in 1878 to its revision in the New York edition of 1909, including the preface to the latter and the reworking of the former as a comedy (printed in the Atlantic Monthly in 1883), is to know the matter and the manner of its author as well as any one book or group of books can indicate the changing style and spirit of an author."—"Daisy Miller", The Encyclopedia Americana (1920).
* Daisy Miller: A Comedy (Not published, 1882)
    —Privately printed at James' expense, by London: Macmillan & Co., to secure English copyright. Three copies known to exist.
* "Daisy Miller: A Comedy" in The Atlantic Monthly 51 (306–308) (April–June 1883):
** "Daisy Miller: A Comedy" in The Atlantic Monthly 51 (306) (April 1883): 433–456.
** "Daisy Miller: A Comedy" in The Atlantic Monthly 51 (307) (May 1883): 577–597.
** "Daisy Miller: A Comedy" in The Atlantic Monthly 51 (308) (June 1883): 721–740.
    — Serial publication; first publication in any form.
* Daisy Miller: A Comedy (Boston: James R. Osgood & Co., 1883)
    — First American book edition. (transcription project)
For the original story upon which this play was based, see Daisy Miller: A Study.
# Dairy Queen, Inc. v. Wood/Concurrence Stewart

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinion Stewart
United States Supreme Court
369 U.S. 469
Dairy Queen, Inc. v. Wood
Argued: Feb. 19 and 20, 1962. --- Decided: April 30, 1962
Mr. Justice STEWART concurs in the result.
Mr. Justice FRANKFURTER took no part in the decision of this case.
Mr. Justice WHITE took no part in the consideration or decision of this case.
Mr. Justice HARLAN, whom Mr. Justice DOUGLAS joins, concurring.
I am disposed to accept the view, strongly pressed at the bar, that this complaint seeks an accounting for alleged trademark infringement, rather than contract damages. Even though this leaves the complaint as formally asking only for equitable relief, this does not end the inquiry. The fact that an 'accounting' is sought is not of itself dispositive of the jury trial issue. To render this aspect of the complaint truly 'equitable' it must appear that the substantive claim is one cognizable only in equity or that the 'accounts between the parties' are of such a 'complicated nature' that they can be satisfactorily unraveled only by a court of equity. Kirby v. Lake Shore & Michigan Southern R. Co., 120 U.S. 130, 134, 7 S.Ct. 430, 432, 30 L.Ed. 569. See 5 Moore, Federal Practice (1951), 198-202. It is manifest from the face of the complaint that the 'accounting' sought in this instance is not of either variety. A jury, under proper instructions from the court, could readily calculate the damages flowing from this alleged trademark infringement, just as courts of law often do in copyright and patent cases. Cf., e.g., Hartell v. Tilghman, 99 U.S. 547, 555, 25 L.Ed. 357; Arnstein v. Porter, 2 Cir., 154 F.2d 464; Bruckman v. Hollzer, 9 Cir., 152 F.2d 730.
Consequently what is involved in this case is nothing more than a joinder in one complaint of prayers for both legal and equitable relief. In such circumstances, under principles long since established, Scott v. Neely, 140 U.S. 106, 110, 11 S.Ct. 712, 35 L.Ed. 358, the petitioner cannot be deprived of his constitutional right to a jury trial on the 'legal' claim contained in the complaint.
On this basis I concur in the judgment of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Daisy Miller

* Search for titles containing or beginning with: "Daisy Miller."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Daisy Miller, a story, later a play, by Henry James
* "Daisy Miller," in The Encyclopedia Americana, New York: The Encyclopedia Americana Corporation (1920)
# Daisy Bell

* information about this edition.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Published in 1892. See the Wikipedia article Daisy Bell.
There is a flower within my heart, Daisy, Daisy! Planted one day by a glancing dart, Planted by Daisy Bell! Whether she loves me or loves me not, Sometimes it's hard to tell; Yet I am longing to share the lot Of beautiful Daisy Bell!
CHORUS. (a little faster.) Daisy, Daisy, Give me your answer, do! I'm half crazy, All for the love of you! It won't be a stylish marriage, I can't afford a carriage, But you'll look sweet on the seat Of a bicycle built for two!
We will go "tandem" as man and wife, Daisy, Daisy! "Ped'ling" away down the road of life, I and my Daisy Bell! When the road's dark we can both despise P'liceman and "lamps" as well; There are "bright lights" in the dazzling eyes Of beautiful Daisy Bell! Chorus
I will stand by you in "wheel" or woe, Daisy, Daisy! You'll be the bell(e) which I'll ring you know! Sweet little Daisy Bell! You'll take the "lead" in each "trip" we take, Then if I don't do well; I will permit you to use the brake, My beautiful Daisy Bell! Chorus
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Daisy Miller: A Study (New York: Harper and Brothers, 1879)

DAISY MILLER
A Study
By HENRY JAMES, Jr.
NEW YORK
HARPER & BROTHERS, PUBLISHERS FRANKLIN SQUARE
Entered according to Act of Congress, in the year 1878, by Harper & Brothers,
In the Office of the Librarian of Congress, at Washington.
* Part 1
* Part 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Dairy Queen, Inc. v. Wood

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Concurring Opinion

    Stewart
United States Supreme Court
369 U.S. 469
Dairy Queen, Inc. v. Wood
Argued: Feb. 19 and 20, 1962. --- Decided: April 30, 1962
Michael H. Egnal, Philadelphia, Pa., for petitioner.
Owen J. Ooms, Chicago, Ill., for respondents.
Mr. Justice BLACK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Daisy

* Search for titles containing or beginning with: "Daisy."
* sister projects: Wikipedia article, Commons category, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Daisy" (1806), a poem by James Montgomery
* "The Daisy" (1838), a tale by Hans Christian Andersen
* "The Daisy, a poem by Alfred Tennyson
* "Daisy" (1917), a song by Jerome Kern and P. G. Wodehouse
* "Daisy" (1921), a poem by William Carlos Williams
# Dictionary of National Biography, 1885-1900/Allen, James Baylis

​ALLEN, JAMES BAYLIS (1803–1876), line-engraver, was born in Birmingham, 18 April 1803. He was the son of a button-manufacturer, and as a boy followed his father's business; but at about fifteen years of age he was articled to an elder brother, a general engraver in Birmingham, and about three years later he commenced his artistic training by attending the drawing classes of John Vincent Barber. In 1824 he came to London, and soon found employment in the studio of the Findens, for whose ‘Royal Gallery of British Art’ he engraved at a later period ‘Trent in the Tyrol,’ after Sir A. W. Callcott. Allen's best plates, however, are those after Turner's drawings for the ‘Rivers of France,’ 1833–5, consisting of views of Amboise, Caudebec, Havre, and St. Germain; and for the ‘England and Wales,’ 1827–32, for which he engraved the plates of Stonyhurst, Upnor Castle, Orfordness, Harborough Sands, and Lowestoft Lighthouse. To these may be added ‘The Falls of the Rhine,’ after Turner, for the ‘Keepsake’ of 1833; some plates after Stanfield and Allom for Heath's ‘Picturesque Annual,’ and others after Prout, Roberts, Holland, and J. D. Harding, for Jennings's ‘Landscape Annual;’ and ‘The Grand Bal Masqué at the Opera, Paris,’ after Eugène Lami—a plate remarkable for its effective rendering of artificial light and hot atmosphere—for Allom's ‘France illustrated.’ His larger works were executed chiefly for the ‘Art Journal,’ and comprise ‘The Columns of St. Mark, Venice,’ after Bonington, the ‘Battle of Borodino,’ ‘ Lady Godiva,’ and ‘The Fiery Furnace,’ after George Jones, R.A., and ‘Westminster Bridge, 1745,’ and ‘London Bridge, 1745,’ after Samuel Scott, for the Vernon Gallery; the ‘Death of Nelson,’ ‘Phryne going to the Bath as Venus,’ the ‘Decline of Carthage,’ ‘Ehrenbreitstein,’ ‘St. Mawes, Cornwall,’ and ‘Upnor Castle,’ for the Turner Gallery; and the ‘Battle of Meeanee,’ after Armitage, ‘Greenwich Hospital,’ after Chambers, ‘Hyde Park in 1851,’ after J. D. Harding, ‘Venice: the Bucentaur’ and ‘The Dogana, Venice,’ after Canaletto, and ‘The Herdsman,’ after Berchem, for the Royal Gallery; ‘The Nelson Column,’ after G. Hawkins, ‘Smyrna,’ after Allom, and ‘The Temple of Jupiter Panhellenius,’ after Turner. He engraved likewise a set of five views on the coasts of Suffolk and Kent, and plates for Bartlett's ‘Ireland,’ 1835, Bartlett's ‘Switzerland,’ 1839, Bartlett's ‘Canadian Scenery,’ 1840, Beattie's ‘Scotland,’ 1836, Finden's ‘Views of the Ports and Harbours of Great Britain,’ 1839, and Wright's ‘Rhine, Italy, and Greece,’ 1843.
Allen, together with William and Edward Radclyffe and the Willmores, belonged to a school of landscape-engravers which arose in Birmingham in the earlier part of the present century in consequence of the employment of numerous engravers of various kinds in the iron and steel manufactures of that city, which were then in some respects different from what they are now. He died, after a long illness, at Camden Town, London, 10 Jan. 1876.
R. E. G.