OpenLLM-France/wikimedia huggingface dataset:
# Shakespeare's Songs/You Spotted Snakes

From A Midsummer Night's Dream.
YOU SPOTTED SNAKES
You spotted snakes with double tongue, Thorny hedgehogs, be not seen; Newts and blind-worms, do no wrong, Come not near our fairy queen.
Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby; lulla, lulla, lullaby: Never harm, Nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Weaving spiders, come not here; Hence, you long-legg'd spinners, hence! Beetles black, approach not near; Worm nor snail, do no offence.
​Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby; lulla, lulla, lullaby: Never harm, Nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
# Shakespeare's Sonnets (1883)/Sonnet 10

X.
For shame! deny that thou bear'st love to any, Who for thy self art so unprovident. Grant, if thou wilt, thou art belov'd of many, But that thou none lov'st is most evident; For thou art so possess'd with murtherous hate, That 'gainst thyself thou stick'st not to conspire, Seeking that beauteous roof to ruinate Which to repair should be thy chief desire. O, change thy thought, that I may change my mind! Shall hate be fairer lodg'd than gentle love? Be, as thy presence is, gracious and kind, Or to thyself at least kind-hearted prove; Make thee another self, for love of me, That beauty still may live in thine or thee.
# Southern Historical Society Papers/Volume 24

SOUTHERN
Historical Society Papers.
____________________
VOLUME XXIV.
edited by
R. A. BROCK,
____________________
RICHMOND, VA. Published by the Society.
page
WM. ELLIS JONES,
PRINTER,
RICHMOND, VA.
page
TABLE OF CONTENTS.
PAGE
# Southern Historical Society Papers/Volume 25

SOUTHERN
Historical Society Papers.
____________________
VOLUME XXV.
edited by
R. A. BROCK,
____________________
RICHMOND, VA. Published by the Society.
page
WM. ELLIS JONES,
PRINTER,
RICHMOND, VA.
page
TABLE OF CONTENTS.
PAGE
Note.—The foot-note at page 105, added by the Editor, it seems, refers to a similar incident to that given in the text, which was witnessed by Dr. McGuire. He, and others cited by him, were not at South Mountain, September, 1862.
# Southern Historical Society Papers/Volume 26

SOUTHERN
Historical Society Papers.
edited by
R. A. BROCK,
RICHMOND, VA. Published by the Society.
page
W. M. ELLIS JONES. PRINTER, RICHMOND, VA.
page
TABLE OF CONTENTS.
PAGE
ERRATA.
For assurdly—4th line, p. 256, read assuredly.
For doubtfully—28th line, p. 283, read dutifully.
# Southern Historical Society Papers/Volume 23

SOUTHERN
Historical Society Papers.
edited by
R. A. BROCK,
RICHMOND, VA. Published by the Society.
page
WM. ELLIS JONES,
PRINTER,
RICHMOND, VA.
page
TABLE OF CONTENTS.
PAGE
# Southern Historical Society Papers/Volume 22

SOUTHERN
Historical Society Papers.
edited by
R. A. BROCK,
RICHMOND, VA. Published by the Society.
page
WM. ELLIS JONES, PRINTER, RICHMOND, VA.
page
TABLE OF CONTENTS.
PAGE
# Shewell v. Wycoff

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
SHEWELL verʃus WYCOFF.
T
But, by the court:–We muft not fport with things of fo folemn a nature as Reports of Referrees, and Verdicts of a Jury. The exceptions are much too late. The rule is, that unlefs they are filed within four days, the Judgment niʃs becomes abfolute.
Sergeant for the Plaintiff–Bradƒord and Ingerʃoll for the Defendant.
# Shevlin-Carpenter Company v. Minnesota

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
218 U.S. 57
Shevlin-Carpenter Company v. Minnesota
Argued: April 6, 1910. --- Decided: May 31, 1910
Messrs. Frank B. Kellogg, N. H. Clapp, R. J. Powell, and George W. Morgan for plaintiffs in error.
[Argument of Counsel from pages 58-61 intentionally omitted]
Messrs. George T. Simpson, Charles S. Jelley, and Lyndon A. Smith for defendant in error.
Mr. Justice McKenna delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Shadows in Zamboula

First published in Weird Tales, November 1935. Alternative title: "The Man-Eaters of Zamboula"

## Contents

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1935 could have had their copyright renewed in 1962 or 1963, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1964.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Shadow of Nightmare

1912.
What gulf-ascended hand is this, that grips My spirit as with chains, and from the sound And light of dreamland, draws me to the bound Where darkness waits with wide, expectant lips ? Albeit thereat my footing holds, nor slips, The night-born menace and the fear confound All days and hours of gladness, girt around With sense of near, unswervable eclipse.
So lies a land whose noon is plagued with whirr Of bats, than their own shadows swarthier, That trace their passing upon white abodes, Wherein from court to court, from room to room, In hieroglyphics of abhorrent doom, Is trailed the slime of slowly crawling toads.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Julius Caesar/Act 1

THE TRAGEDIE OF IVLIVS CÆSAR.
Actus Primus. Scœna Prima.
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Hamlet/Act 4 Scene 6

Layout 2
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Julius Caesar

* Act I
* Act II
* Act III
* Act IV
* Act V
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Hamlet/Act 4 Scene 7

Layout 2
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Hamlet/Act 5 Scene 1

Layout 2
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Hamlet/Act 4 Scene 5

Layout 2
# Shakespeare - First Folio facsimile (1910)/The Tragedy of Hamlet/Act 5 Scene 2

FINIS
Layout 2
# Spring at Lourdes

Robert, Cyril (1946): Mary Immaculate: God’s Mother and Mine. Poughkeepsie, New York: Marist Press.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
The longest-living author of this work died in 1946, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 77 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Spring from The Window

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
Birds' love and birds' song Flying here and there, Birds' song and birds' love And you with gold for hair! Birds' song and birds' love Passing with the weather, Men's song and men's love, To love once and forever.
Men's love and birds' love, And women's love and men's! And you my wren with a crown of gold, You my queen of the wrens! You the queen of the wrens — We'll be birds of a feather, I'll be King of the Queen of the wrens, And all in a nest together.
# Spring in New Hampshire/Exhortation

Exhortation
Through the pregnant universe rumbles life's terrific thunder And Earth's bowels quake with terror; strange and terrible storms break, Lightning-torches flame the heavens, kindling souls of men thereunder: Africa! long ages sleeping, Oh my motherland, awake!
In the East the clouds glow crimson with the new dawn that is breaking, And its golden glory fills the western skies:— Oh my brothers and my sisters, wake! arise! For the new birth rends the old earth and the very dead are waking, Ghosts are turned flesh, throwing off the grave's disguise, And the foolish, even children, are made wise; For the big earth groans in travail for the strong, new world in making— Oh my brothers, dreaming for dim centuries, Wake from sleeping; to the East turn, turn you eyes!
Oh the night is sweet for sleeping, but the shining day's for working; Sons of the seductive night, for your children's children's sake, From the deep primeval forests where the crouching leopard's lurking, Lift your heavy-lidded eyes,—Ethiopia! awake!
In the East the clouds glow crimson with the new dawn that is breaking, And its golden glory fills the western skies:— Oh my brothers and my sisters, wake! arise! For the new birth rends the old earth and the very dead are waking, Ghosts are turned flesh, throwing off the grave's disguise, And the foolish, even children, are made wise; For the big earth groans in travail for the strong, new world in making— Oh my brothers, dreaming for long centuries, Wake from sleeping; to the East turn, turn your eyes!
# Spring in New Hampshire/A Memory of June

A Memory of June
When June comes dancing o'er the death of May, With scarlet roses tinting her green breast, And mating thrushes ushering in her day, And Earth on tiptoe for her golden guest,
I always see the evening when we met— The first of June baptised in tender rain— And walked home through the wide streets, gleaming wet, Arms locked, our warm flesh pulsing with love's pain.
I always see the cheerful little room, And in the corner, fresh and white, the bed Sweet scented with a delicate perfume, Wherein for one night only we were wed:
Where in the starlit stillness we lay mute And heard the whispering showers all night long, And your brown burning body was a lute Whereon wild passion played his fevered song.
When June comes dancing o'er the death of May, With scarlet roses staining her fair feet, My soul takes leave of me to sing all day A night of rare love, perfect and complete.
# Spring in New Hampshire/After the Winter

After the Winter
Some day, when trees have shed their leaves And against the morning's white The shivering birds beneath the eaves Have sheltered for the night, We'll turn our faces southward, love, Toward the summer isle Where bamboos spire to shafted grove And wide-mouthed orchids smile.
And we will seek the quiet hill Where towers the cotton tree, And leaps the laughing crystal rill And works the droning bee, And we will build a cottage there Beside an open glade, With black-ribbed blue-bells blowing near And ferns that never fade.
# Spring in New Hampshire/Alfonso, Dressing to Wait at Table, Sings

Alfonso, Dressing to Wait at Table, Sings
Alfonso is a handsome bronze-hued lad Of subtly-changing and surprising parts; His moods are storms that frighten and make glad, His eyes were made to capture women's hearts.
Down in the glory-hole Alfonso sings An olden song of wine and clinking glasses And riotous rakes; magnificently flings Gay kisses to imaginary lasses.
Alfonso's voice of mellow music thrills Our swaying forms and steals our hearts with joy; And, when he soars, his fine falsetto trills Are rarest notes of gold without alloy.
But O! Alfonso, wherefore do you sing Dream-songs of carefree men and ancient places? Soon shall we be beset by clamouring Of hungry and importunate palefaces.
# Spring in New Hampshire/A Prayer

A Prayer
(For Max Eastman)
'Mid the discordant noises of the day I hear thee calling, I stumble as I fare along Earth's way; keep me from falling.
Mine eyes are open but they cannot see for gloom of night; I can no more than lift my heart to thee for inward light.
The wild and fiery passion of my youth consumes my soul; In agony I turn to thee for truth and self-control.
For Passion and all the pleasures it can give will die the death; But this of me eternally must live, thy borrowed breath.
'Mid the discordant noises of the day I hear thee calling, I stumble as I fare along Earth's way; keep me from falling.
# Spring in New Hampshire

SPRING IN
NEW HAMPSHIRE
AND OTHER POEMS
SPRING IN NEW HAMPSHIRE AND OTHER POEMS
By CLAUDE McKAY
LONDON
GRANT RICHARDS LTD
St. Martin's Street
1920
Printed at The Morland Press Ltd 190 Ebury Street London SW1
Preface
The writer of these verses was born in the Clarendon Hills of Jamaica in 1889. In 1911 he published a small volume in the Negro dialect, and later left for the United States where he worked in various occupations and took courses in Agriculture and English at the Kansas State College. In the spring of this year he visited England to arrange for the publication of his poems.
Claude McKay is a pure blooded Negro, and though we have recently been made aware of some of the more remarkable achievements of African Art typified by the sculpture from Benin, and in music by the 'Spirituals,' this is the first instance of success in poetry with which we in Europe at any rate have been brought into contact. The reasons for this late development are not far to seek, and the difficulties presented by modern literary English as an acquired medium would be sufficient to account for the lacuna; but the poems here selected may, in the opinion of not a few who have seen them in periodical form, claim a place beside the best work that the present generation is producing in this country.
I. A. RICHARDS
Cambridge, England. September, 1920.
Acknowledgments are due to the Editors of The Seven Arts, the American Pearson's and The Liberator, where, as in the current issue of The Cambridge Magazine a number of the poems included in this volume have appeared.
An American edition is being published simultaneously by Alfred A. Knopf, 220 West Forty-second Street, New York.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Spring in New Hampshire/December 1919

December 1919
Last night I heard your voice, mother, The words you sang to me When I, a little barefoot boy, Knelt down against your knee.
And tears gushed from my heart, mother, And passed beyond its wall, But though the fountain reached my throat The drops refused to fall.
'Tis ten years since you died, mother, Just ten dark years of pain, And oh, I only wish that I Could weep for once again.
# Sprig of shilela, &c./Tweed-side

TWEED-SIDE.
WHAT beauties doth Flora disclose. How sweet are her smiles upon Tweed; Yet Mary’s still sweeter than those, Both nature and fancy exceed.
No daisy nor sweet blushing rose, Not all the gay flowers in the field; Not Tweed gliding gently thro’ those, Such beauty and pleasure does yield.
The warblers are heard in the grove, The linnet, the lark, and the thrush, The black bird and sweet cooing dove, With music enchant ev’ry bush.
Come let us go forth to the mead, Let’s see the Primroses spring; We’ll lodge in a village on Tweed, And love while the feather’d folk sing. ​How does my love pass the long day, Does Mary net tend a few sheep, Do they never carelessly stray, While happily she lies asleep.
Tweed's murmurs should lull her to rest, Kind nature indulging my bliss, To releave the soft pains of my breast. I’d steal an ambrosial kiss.
'Tis she doth the Virgins excell’ No beauty with her may compare, Love's graces aid round her doth dwell, She’s fairest where thousands are fair.
Say, charmer, where doth thy flock stray, O tell me at Noon where they feed; Shall I seek them on sweet winding Tay, Or the pleasanter bank of the Tweed?
# Sprigg v. Bank of Mount Pleasant

* Search for titles containing or beginning with: "Sprigg v. Bank of Mount Pleasant."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sprigg v. Bank of Mount Pleasant (35 U.S. 257)
* Sprigg v. Bank of Mount Pleasant (39 U.S. 201)
# Sprig of shilela, &c./Tam Glen

TAM GLEN.
MY heart is a breaking dear tittie, Some counsel unto me come len'; To anger them a’ is a pity, But what will I do wi’ Tam Glen? ​I'm thinking wi’ sic a braw fallow, In portith I might make a fen’, What care I in riches to wallow, If I mauna marry Tam Glen? What care I, &c.
I There’s Lowrie the laird of Drummiller, Guide day to you brute, he comes ben, He brags and he blaws o’ his siller: But when will he dance like Tam Glen? My minnie does constantly deave me, An’ bids me beware of young men; They flatter, she says, to deceive me, But wha can think sae of Tam Glen? They flatter, &c.
My daddie says, gin I’ll forsake him, He’ll gie me guide hundred marks ten: But if its ordain’d I maun take him, O wha will I get but Tam Glen. Yesereern at the valentines dealin’ My heart to my mou’ gied a sten’, 'For thrice I drew, and without failin’, And thrice it was written, Tam Glen. For thrice, &c.
The last hallowe’en I was waukin, My droukit sark sleeve as ye ken; His likeness came up the house staukin’. An’ the very grey breeks o’ Tam Glen. ​Came counsel, dear tittv don’t tarry; I’ll gi’e ye my bonny black hen, Gin ye will advise me to marry The lad I lo’e dearly, Tam Glen, Gin ye will, &c.
# Sprig of shilela, &c./Bonny Jessie

BONNY JESSIE.
NOW Edinbro’ I’m gaun to leave, And thee, my bonny dear, Jessie, A while a ’tween us now maun roar, A tumbling swelling sea lassie. But when frae thee, my bonny fair, For dearest love I ha’e, Jessie, I'll think on thee when far awa, O thon sae bonny gay lassie. ​I'll think on those bewitching smiles that won my heart sae dear, Jessie; I’ll think upon sweet Hawthorn’s den, How blyth hae we been there, lassie? The Edinburgh’s bonny walks Along wi’ thee did bear, Jessie, And thought mysel' the brawest lad Wi’ thee, sae bonny fair lassie.
Its wealth that wears the silk atire. But wha win e’er can me, Jessie; While I ha’e beauty, worth, and love, A' that be dear in thee lassie, I dinna look me at the world, Ev’n a' thfit it can gi’e Jessie, Its sacred mair what makes me love, And binds my heart to thee lassie.
And baud me now ay as your ain, By a’ those vows sae dear Jessie, And nane nor do they ken that love, Alone to thee I bear lassie, Its thine wherever I do be, Divide nae seas can we Jessie; The dearest wish here that I hae, Is mine ay wert thou dear lassie.
# Shuttlesworth v. Birmingham Board of Education of Jefferson County, Alabama

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
358 U.S. 101
Shuttlesworth v. Birmingham Board of Education of Jefferson County, Alabama
Mr. James M. Nabrit, Jr., for appellants.
Messrs. Ormond Somerville, Reid B. Barnes and Jos. F. Johnston, for appellee.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Shuttlesworth v. Birmingham Board of Education of Jefferson County, Alabama/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
358 U.S. 101
Shuttlesworth v. Birmingham Board of Education of Jefferson County, Alabama
The motion to affirm is granted and the judgment is affirmed upon the limited grounds on which the District Court rested its decision. 162 F.Supp. 372, 384.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse