# The Man from Ironbark

It was the man from Ironbark who struck the Sydney town, He wandered over street and park, he wandered up and down. He loitered here, he loitered there, till he was like to drop, Until at last in sheer despair he sought a barber's shop. "'Ere! shave my beard and whiskers off, I'll be a man of mark, I'll go and do the Sydney toff up home in Ironbark."
The barber man was small and flash, as barbers mostly are, He wore a strike-your-fancy sash, he smoked a huge cigar; He was a humorist of note and keen at repartee, He laid the odds and kept a "tote", whatever that may be, And when he saw our friend arrive, he whispered, "Here's a lark! Just watch me catch him all alive, this man from Ironbark."
There were some gilded youths that sat along the barber's wall. Their eyes were dull, their heads were flat, they had no brains at all; To them the barber passed the wink, his dexter eyelid shut, "I'll make this bloomin' yokel think his bloomin' throat is cut." And as he soaped and rubbed it in he made a rude remark: "I s'pose the flats is pretty green up there in Ironbark."
A grunt was all reply he got; he shaved the bushman's chin,
Then made the water boiling hot and dipped the razor in.
He raised his hand, his brow grew black, he paused awhile to gloat,
Then slashed the red-hot razor-back across his victim's throat:
Upon the newly-shaven skin it made a livid mark -
No doubt it fairly took him in - the man from Ironbark.
He fetched a wild up-country yell might wake the dead to hear,
And though his throat, he knew full well, was cut from ear to ear,
He struggled gamely to his feet, and faced the murd'rous foe:
"You've done for me! you dog, I'm beat! one hit before I go!
I only wish I had a knife, you blessed murdering shark!
But you'll remember all your life the man from Ironbark."
He lifted up his hairy paw, with one tremendous clout
He landed on the barber's jaw, and knocked the barber out.
He set to work with nail and tooth, he made the place a wreck;
He grabbed the nearest gilded youth, and tried to break his neck.
And all the while his throat he held to save his vital spark,
And "Murder! Bloody murder!" yelled the man from Ironbark.
A peeler man who heard the din came in to see the show;
He tried to run the bushman in, but he refused to go.
And when at last the barber spoke, and said "'Twas all in fun—
'Twas just a little harmless joke, a trifle overdone."
"A joke!" he cried, "By George, that's fine; a lively sort of lark;
I'd like to catch that murdering swine some night in Ironbark."
And now while round the shearing floor the list'ning shearers gape,
He tells the story o'er and o'er, and brags of his escape.
"Them barber chaps what keeps a tote, By George, I've had enough,
One tried to cut my bloomin' throat, but thank the Lord it's tough."
And whether he's believed or no, there's one thing to remark,
That flowing beards are all the go way up in Ironbark.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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