OpenLLM-France/wikimedia huggingface dataset:
# The Story of Uriah

* Kipling, Rudyard (1899, 1919), "The Story of Uriah" in Departmental Ditties and Ballads and Barrack-Room Ballads.
* Kipling, Rudyard (1919), "The Story of Uriah" in Rudyard Kipling's Verse, Inclusive Edition, 1885-1918.
# The Republican Party

* related portals: Conservatism, Political institutions and public administration of the United States.
* sister projects: Wikidata item.
THE
REPUBLICAN
PARTY
By
WILLIS FLETCHER JOHNSON
and
RAY B. SMITH
* THE
* REPUBLICAN
* PARTY
* WHAT IT HAS STOOD FOR AND
* WHAT IT STANDS FOR TO-DAY.
* Bald eagle logo
* By
* Willis Fletcher Johnson
* and
* Ray B. Smith
* The Syracuse Press, Inc.
* Syracuse, N. Y.
* 1920
Copyrighted by THE SYRACUSE PRESS, INC. Syracuse, N. Y. 1920 All Rights Reserved
Published Under Direction of CENTURY HISTORY COMPANY office 117-119 West 48th Street New York City U. S. A.
CONTENTS
Page
THE FORMATIVE PERIOD
CONSTRUCTION AND RECONSTRUCTION
MATERIAL INTERESTS
NATIONAL EXPANSION
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Shewing-up of Blanco Posnet

Written in 1909.
In 1909 Shaw jousted with governmental censorship, as personified by The Examiner Of Plays, an agency acting under the auspices of the Lord Chamberlain. The outcome, unsatisfactory to Shaw, is reviewed minutely in the Preface to this play, which had been refused a license to perform because it dealt openly with prostitution.
Shaw describes the play as a religious tract in dramatic form. Blanco Posnet, the protagonist is wrongfully accused of horse-theft and sentenced to be hanged. By great good-fortune he is rescued by the testimony of a female witness, Feemy—the local harlot—for whom he has uncharacteristically performed an act of charity. His exoneration is spiritually transforming: His status changes abruptly from pariah to pillar of the community. He does not marry Feemy, but shakes hands with her before they part.
* Preface
* Play
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sheriff of Pecos/End matter

ADVENTURE STORIES IN THESE SERIES
FIRST SERIES
DON QUICKSHOT OF THE RIO GRANDE Stephen Chalmers
    "'Lookin'-f'r-Trouble' is my middle name," said Impulsive Pep, adventuring cow-puncher on the border.
LOADED DICE Edwin L. Sabin
    A romance of Texas of the early days.
SONTAG OF SUNDOWN W. C. Tuttle
    Who owned the TJ ranch? This question promoted bloodshed and a war of no mean calibre.
SPAWN OF THE DESERT W. C. Tuttle
    A tale of Calico Town. "Where men lived raw in the desert's maw."
ARIZONA ARGONAUTS H. Bedford-Jones
    Three unique adventurers whose fortunes in the Arizona desert lead through drought and danger.
THE LURE OF PIPER'S GLEN Theodore Goodridge Roberts
    The lure of Piper's Glen was the lure of all the great timber country of the North.
APACHE VALLEY Arthur Chapman
    A cattle war in the Southwest, with all that that phrase implies; terror and blood feud; rustling and stealthy murder.
THE CHALLENGE OF THE NORTH James B. Hendryx
    A story of the call of the North; of true men and of thieves; of big deals and pioneering triumphs.
SECOND SERIES
THE SECOND MATE H. Bedford- Jones
    Peril and mutiny on the China Seas, when every scupper was running red.
THE DEVIL'S PAY DAY W. C. Tuttle
    A roaring tale of the old West when the railroads were coming through.
THE NIGHT RIDER Elmer Brown Mason
    Trails haunted by mysterious riders; an intelligence service of uncanny accuracy; the lure of the Timberlands.
THE CANYON OF THE GREEN DEATH F. R. Buckley
    Who were the devils in human form whose haunt was the lost barranca?
THE SEVEN PEARLS OF SHANDI Magruder Maury
    Seven matchless gems, a fortune in pearls. For them, men like the ruthless Gargoyle's international crook, will do anything.
THE LAST GRUBSTAKE Anthony M. Rud
    Gold he found despite the wiles of claim jumpers, the dangers of the desert, and the games of modern crooks.
SKY-HIGH CORRAL Ralph Cummins
    A yarn of the unending feuds between cattlemen and forest rangers; of forest fires, grazing herds, and bitter fights at timberline.
THE SHERIFF OF PECOS H. Bedford-Jones
    A straight shooting sheriff in the Mesa country of New Mexico.
3A8885—FIRST SERIES 348886—SECOND SERIES
EACH, 15c. ANY TWO FOR 29c. ANY THREE for 43
ANY FIVE FOR 67c. COMPLETE SET OF EIGHT FOR ONLY $1.00
Shipping weight, each 10 ounces; set of eight 44 pounds
SEARS, ROEBUCK AND CO. Chicago—Philadelphia
# The Shield

THE SHIELD
THE SHIELD
Edited by MAXIM GORKY LEONID ANDREYEV and FYODOR SOLOGUB
With a Foreword By WILLIAM ENGLISH WALLING
Translated from the Russian by A. Yarmolinsky
New YorkALFRED A. KNOPFMcmxvii
COPYRIGHT, 1917, BY ALFRED A. KNOPF
PRINTED IN THE UNITED STATES OF AMERICA
* Foreword by William English Walling
* Preface by Avrahm Yarmolinsky
CONTENTS
* Maxim Gorky, Russia and the Jews3
* Leonid Andreyev, The First Step19
* Vladimir Korolenko, Mr. Jackson's Opinion on the Jewish Question37
* Paul Milyukov, The Jewish Question in Russia55
* M. Bernatzky, The Jews and Russian Economic Life77
* Prince Paul Dolgorukov, The War and the Status of the Jew95
* Maxim Kovalevsky, Jewish Rights and Their Enemies103
* Dmitry Merezhkovsky, The Jewish Question as a Russian Question115
* Vyacheslav Ivanov, Concerning the Ideology of the Jewish Question125
* Maxim Gorky, The Little Boy, a Story133
* Fyodor Sologub, The Fatherland for All143
* Vladimir Solovyov, On Nationalism155 ​
* Count Ivan Tolstoy, Concerning the Legal Status of the Jews159
* Leonid Andreyev, The Wounded Soldier, a Story165
* Catherine Kuskova, How to Help?171
* S. Yelpatyevsky, The Homeless Ones181
* Michael Artzibashef, The Jew, a Story193
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Story of the Late Mr. Elvesham

* "The Story of the Late Mr. Elvesham" in The Idler (periodical), 9 (4) (May, 1896)
* "The Story of the Late Mr. Elvesham" in The Plattner Story and Others (1897)
* "The Story of the Late Mr. Elvesham" in The Country of the Blind and Other Stories (1913)
* "The Story of the Late Mr Elvesham" in Tales of the Unexpected (1924)
# The Story of the Life of Lord Palmerston

THE STORY OF THE
LIFE OF LORD PALMERSTON
BY KARL MARX
Edited by his Daughter ELEANOR MARX AVELING
LONDON SWAN SONNENSCHEIN & CO., LIMITED PATERNOSTER SQUARE 1899
page
THE STORY OF THE LIFE OF LORD PALMERSTON
page
[Advertisements]
​Page:Karl Marx - The Story of the Life of Lord Palmerston - ed. Eleanor Marx Aveling (1899).pdf/8
page
THE STORY OF THE
LIFE OF LORD PALMERSTON
BY KARL MARX
Edited by his Daughter ELEANOR MARX AVELING
LONDON SWAN SONNENSCHEIN & CO., LIMITED PATERNOSTER SQUARE 1899
page
Butler & Tanner. The Selwood Printing Works, Frome, and London.
page
PUBLISHERS' PREFACE
In the Preface to "The Eastern Question," by Karl Marx, published in 1897, the Editors, Eleanor Marx Aveling and Edward Aveling, referred to two series of papers entitled "The Story of the Life of Lord Palmerston," and "Secret Diplomatic History of the Eighteenth Century," which they promised to publish at an early date.
Mrs. Aveling did not live long enough to see these papers through the press, but she left them in such a forward state, and we have had so many inquiries about them since, that we venture to issue them without Mrs. Aveling's final revision in two shilling pamphlets.
THE PUBLISHERS.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Three Sluggards

* related portals: Brothers Grimm.
* sister projects: Commons category, Wikidata item.
English-language translations of Die drei Faulen include:
* "The Three Sluggards" (1826), translated by Edgar Taylor, in German Popular Stories
* "The Three Sluggards" (1884), translated by Margaret Raine Hunt, in Grimm's Household Tales
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Three Sluggards (Grimm/Taylor)

* "The Three Sluggards" in German Popular Stories (1826) (transcription project)
* "The Three Sluggards" in Grimm's Goblins (1876)
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Three Snake-Leaves

English-language translations of Die drei Schlangenblätter include:
* "The Three Serpent Leaves", translated by William John Thoms, in Lays and Legends of Germany (1834) (transcription project)
* "The Three Snake-Leaves", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Three Sisters

* Search for titles containing or beginning with: "The Three Sisters."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Three Sisters", anonymous song (18th or 19th century).
* "Three Sisters", a poem by Alfred Gurney (1884).
* "The Three Sisters", play by Anton Chekhov (1901).
# The Three Thirty-Twos

* information about this edition.
* sister projects: Wikidata item.
Extracted from Argosy Allstory Weekly, 7 Nov 1925, pp. 23–56. Title illustration may be omitted.
The Three Thirty-Twos
By HULBERT FOOTNER Author of “Madame Storey in the Toils,” “The Under Dogs,” etc.
A NOVELETTE—COMPLETE IN THIS ISSUE
* PAGE
* Chapter I 23
* Chapter II 26
* Chapter III 28
* Chapter IV 33
* Chapter V 36
* Chapter VI 38
* Chapter VII 42
* Chapter VIII 46
* Chapter IX 50
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1944, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Three Sons of Fortune

* related portals: Brothers Grimm.
* sister projects: Commons category, Wikidata item.
English-language translations of Die drei Glückskinder include:
* "The Three Children of Fortune", translated by Edgar Taylor, in Grimm's Goblins (1877)
* "The Three Sons of Fortune", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Three Spinners

* related portals: Brothers Grimm.
* sister projects: Wikipedia article, Commons category, Wikidata item.
English-language translations of Die drei Spinnerinnen include:
* "The Three Spinsters", translated by Lucy Crane, illustrated by Walter Crane, in Household stories from the collection of the Bros Grimm (1882)
* "The Three Spinners", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
* "The Three Spinning Fairies", translated by Edgar Taylor and Marian Edwardes, edited by Marian Edwardes, illustrated by Robert Anning Bell, in Grimm's Household Tales (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sermons of the Curé of Ars/We are extraordinarily blind

❧ WE ARE EXTRAORDINARILY BLIND
We must certainly be extraordinarily blind because when all is said and done, there is not a single person who could say that he is ready to appear before Jesus Christ. Yet in spite of the fact that we are quite aware of this, there is still not one among us who will take a single step nearer to God. Dear Lord, how blind the sinner is! How pitiable is his lot! My dear children, let us not live like fools any longer, for at the moment when we least expect it, Jesus Christ will knock at our door. How happy then will be the person who has not been waiting until that very moment to prepare himself for Him. That is what I wish you to be.
# The Sermons of the Curé of Ars/We are wretched creatures

❧ WE ARE WRETCHED CREATURES
We cannot dwell upon the conduct of the Jews, my dear people, without being struck with amazement. These very people had waited for God for four thousand years, they had prayed much because of the great desire they had to receive Him, and yet when He came, He could not find a single person to give Him the poorest lodging. The all-powerful God was obliged to make His dwelling with the animals. And yet, my dear people, I find in the conduct of the Jews, criminal as it was, not a subject for explanations, but a theme for the condemnation of the conduct of the majority of Christians. We can see that the Jews had formed an idea of their Redeemer which did not conform with the state of austerity in which He appeared. It seemed as if they could not persuade themselves that this could indeed be He who was to be their Saviour; St. Paul tells us very clearly that if the Jews had recognised Him as God, they would never have put Him to death. There is, then, some small excuse for the Jews. But what excuse can we make, my dear brethren, for the coldness and the contempt which we show towards Jesus Christ? Oh, yes, we do indeed truly believe that Jesus Christ came upon earth, that He provided the most convincing proofs of His divinity. Hence the reason for our hope. We rejoice, and we have good reason to recognise Jesus Christ as our God, our Saviour, and our Model. Here is the foundation of our faith. But, tell me, with all this, what homage do we really pay Him? Do we do more for Him than if we did not believe all this? Tell me, dear brethren, does our conduct correspond at all to our beliefs? We are wretched creatures. We are even more blameworthy than the Jews.
# The Sermons of the Curé of Ars/When you go back home

❧ WHEN YOU GO BACK HOME
On her return to her kingdom, the queen of Sheba could never weary of relating all that she had seen in the temple of Solomon; she talked of it unceasingly, with fresh pleasure. The same thing should happen to the Christian who has assisted properly at holy Mass. When he comes back to his house, he ought to have a talk with his children and his servants and ask them what they have retained of it and what touched them most. Alas! Dear God, what am I going to say? .... How many fathers and mothers, masters and mistresses are there who, if someone wanted to talk to them about what they had heard at Mass, would laugh at all that and say that they were tired of it, that they knew enough about it.... Although generally speaking it seems that people still listen to the holy word of God, the moment they come out of church, they fall into all sorts of careless and frivolous ways. They get up with a sudden rush. They hurry. They jostle at the door. Often the priest has not even come down from the altar when they are already outside the door, and there they give themselves up to discussions upon all sorts of secular subjects. Do you know what the result of this kind of thing is, my dear brethren? This is it. People derive no profit and gain no benefit from what they have heard and seen in the house of God. What graces have been lost! What means of salvation trodden underfoot! What a misfortune that is, to turn to our loss what should have helped so much to save us! You can see for yourselves how many of these services are a burden to the majority of Christians! For those few moments, they stay in the church as if it were some kind of prison, and as soon as they are out, you will hear them shouting at the door, like prisoners who have been given liberty. Are we not quite frequently obliged to close the door of the church in order not to be deafened by their continual noise? Dear God, are these really Christians, who ought to leave Your holy temple with minds filled only with all kinds of good thoughts and desires? Should not they be seeking to engrave these in their memory, that they may never lose them and that they may put them into practice as soon as the opportunity presents itself? Alas! The number of those who assist at the services with attention and who try to profit from them is a little like the number of the elect: ah, how small it is!
# The Sermons of the Curé of Ars/Where are you going?

❧ WHERE ARE YOU GOING?
Ah, who would not be touched? .... A God who weeps with so many tears at the loss of one soul and Who cries unceasingly: My friend, my friend, why proceedest thou thus to lose thy soul and thy God? Stop! Stop! Ah! Look at my tears, my Blood which flows yet. Must I die a second time to save thee? Look at me. Ah! Angels from Heaven descend upon earth, come and weep with me for the loss of this soul! Oh, that a Christian should be so unfortunate as to persevere still in running towards the abyss despite the voice which his God causes him to hear continually! But, you may say to me, no one says these things to us. Oh my friends, unless you want to stop up your ears, you will hear the voice of God, which follows you unceasingly. Tell me, my friends, then, what is this remorse of conscience which overwhelms you in the midst of sin? Why do these anxieties and storms agitate you? Why this fear, this dread that you are in, when you seem to be forever expecting to be crushed by the thunders of Heaven? How many times, even when you were sinning, have you not experienced the touch of an invisible hand which seemed to push you away, as if someone were saying: Unhappy man, what are you doing? Unhappy man, where are you going? Ah my son, why do you wish to damn yourself? .... Would you not agree with me that a Christian who despises so many graces deserves to be abandoned and rejected because he has not listened to the voice of God or profited by His graces? On the contrary, my dear brethren, it is God Himself Who is scorned by this ungrateful soul who would seem to wish to put Him to death again. All creation demands vengeance, and it is, in fact, God alone Who wishes to save this soul and Who is opposed to all that could be prejudicial to it. He watches over its salvation as if it were the only soul in the world.
# The Shores of Amerikay

* related portals: Song lyrics.
* sister projects: Wikipedia article.
A traditional Irish folk song about emigrating to America. Other titles for this song include:
I'm bidding farewell to the land of my youth And the home that I love so well And the mountains grand of my own native land I'm bidding them all farewell With an aching heart I'll bid them adieu For tomorrow we sail far away O'er the raging foam, to seek a home On the shores of Amerikay
It's not for the want of employment I'm going It's not for the want of fame For fortune bright to shine over me And give me a glorious name It's not for the want of employment I'm going O'er the dreary and stormy sea But to seek a home for my own true love On the shores of Amerikay
And when I am bidding my last farewell The tears like rain will fall To think of my friends in my own native land And my home back in old Ireland so small But if I'm to die on a far foreign shore And be buried so far, far away No fond mother's tears will be shed o'er my grave On the shores of Amerikay
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# The Shorn Lamb

* information about this edition.
* sister projects: Wikidata item.
A love story with plenty of colorful southern background, mammies, cotton fields, et al. —from "The Bookman's Guide to Fiction," The Bookman, Mar 1923
The Shorn Lamb
The
Shorn Lamb
BY
Emma Speed Sampson
Author of
"Mammy's White Folks,"
"Billy and the Major,"
"Miss Minerva's Baby"
Chicago
The Reilly & Lee Co.
Printed in the United States of America
Copyright, 1922 by
The Reilly & Lee Co.
All Rights Reserved
The Shorn Lamb
CONTENTS
* CHAPTERPAGE
* 1A Multiplicity of Parents9
* 2"I'm Rebecca Taylor"32
* 3Mill House Folks42
* 4Rebecca Asks References64
* 5Aunt Testy Takes Charge74
* 6In Aunt Peachy's Realm90
* 7Philip's Home-coming106
* 8Rebecca Gets Acquainted114
* 9A Reluctant Knight Errant130
* 10Charms And Pictures146
* 11Magic—black And White157
* 12Aunt Pearly Gates' Wisdom177
* 13Spottswood Capitulates188
* 14A Very Dark Incubator213
* 15A Fearsome Story225
* 16Major Taylor in Doubt240
* 17Betsy's Mortification250
* 18The Missing Deed Book262
* 19Aunt Peachy Gloats278
* 20The Importance of Proof287
* 21The Dancing Mamma is Found298
* 22A Terrified Conjurer306
* 23The Lost is Found317
* 24The Clouds Break325
"God tempers the wind to
the shorn lamb"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse