OpenLLM-France/wikimedia huggingface dataset:
# A Chinese and English vocabulary, in the Tie-chiu dialect/Ù
### ù.
#### 余$^{-1}$

    I; me.

#### 畬$^{-1}$

    A field which has been cultivated only three years.

#### 餘$^{-1}$

    Overplus; leavings; the rest.

#### 予$^{-1}$

    To give; confer; bestow; to praise; I; me.

#### 輿$^{-1}$

    The part of a carriage that contains the load; to sustain; contain.

#### 歟$^1$

    A particle closing a sentence denoting satisfaction or interest.

#### 與$^1$

    Together with; by; with; and; to; to reckon; wait for.

#### 與$^2$

    To give; to add to; to promise; comply with.

#### 預$^{-3}$豫$^{-3}$

    Before-hand; previously prepared for; provided against; to deliberate; pleasure.

#### 譽$^{-3}$

    To praise; extol; speak highly of.

#### 翳$^{3-}$

    A kind of umbrella or fan made of Pheasant's tail; to cover; screen.

#### 飫$^{3-}$

    To eat excessively; to gormandize; gluttonous.

#### 瘀$^{3-}$

    A local accumulation of blood; chronic disease.
# A Choice Collection of 120 Loyal Songs/Ignoramus

Ignoramus: An Excellent Song. To the Tune of, Lay by your Pleading
# A Chinese and English vocabulary, in the Tie-chiu dialect/Ùn
### Ùn.
#### 恩$^{-1}$

    To show kindness to; favor; benignity; gracious.

#### 隱$^2$

    Secret; hidden; settled; tranquil; small; to commiserate.

#### 癮$^2$

    A cutaneous disease; small pustules or blisters.

#### 尹$^2$

    Name of an office; to rule, grasp.

#### 吚$^2$

    To breath; to moan.
# A Chinese and English vocabulary, in the Tie-chiu dialect/ʼNg
### ʼNg.
#### 園$^{-1}$

    A garden; an enclosure.

#### 方$^1$

    A place; region; a plan; means; a recipe.
# A Choice Collection of 120 Loyal Songs/The Loyal Conquest

The Loyal Conquest, or Destruction of Treason. Tune, Lay by your Pleading, the Law ly’s a Bleeding.
# A Christmas Accident

* related portals: Christmas film, Silent film.
* sister projects: Wikipedia article, Wikidata item.
Cast and Crew :
| Crew ||
| Production company | Edison Studios |
| Distributor | General Film Company |
| Director | Harold M. Shaw (d. 1926) |
| Screenwriter | Bannister Merwin (d. 1922) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1926, meaning that this film may be in the public domain in countries and jurisdictions with 97 years p.m.a. or less, as well as in the United States. ||
TRADE MARK Thomas A. Edison REG. U.S. PAT. OFF
A Christmas Accident
by Annie Eliot Trumbull
(Copyright, 1897, A. S. Barnes and Company)
Copyright 1912 Thomas A. Edison Inc.Patented (Re-Issue) Jan. 12, 1904.
Neighbors.
| Mr. Gilton | William Wadsworth |
| Mrs. Gilton | Mrs. William Bechtel |
| Mr. Bilton | Augustus Phillips |
| Mrs. Bilton | Mrs. C. J. Williams |
| Cora Cordelia Bilton | Edna Hamel |
The home of means and selfishness
The home of little means but contentment.
Mr. Gilton's order goes to the wrong house.
"Where is the roast beef?"
Gilton's dog has been poisoned.
The day before Christmas.
Mrs. Gilton wants to do something for the family next door.
"Santa Claus is poor this year."
Five little stockings.
"Santa Claus forgot to bring us a turkey."
Blinded by the storm.
Santa Claus!
Because his
THE END
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 97 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# A Chinese and English vocabulary, in the Tie-chiu dialect/Ó
### Ó.
#### 蠔$^{-1}$

    The rough coarse oysters; a cluster of oysters.

#### 荷$^{-1}$

    The water-lily; generic name of plants; burden.

#### 呵$^1$

    To speak angrily; reprehend; to interrogate; reinterated.

#### 阿$^1$

    O! ah! a familiar prefix to a person's name; who? what; distorted. ​

#### 娿$^1$

    Feeble; unsteady; weak.

#### 猗$^1$

    Soft; flexible; waving as a mulberry tree.

#### 窩$^1$

    A den; a cavern; a hollow place; solitary dwelling.

#### 鍋$^1$

    A boiler; a utensil for containing fat.

#### 𧝰$^2$

    A certain part of a dress; a short garment.

#### 臥$^{-3}$

    Sleeping; lying down; prostrate.

#### 荷$^{-3}$

    To bear or sustain; to bear a burden.

#### 澳$^{-3}$

    A deep river or bay; an entrance; a dock.
# A Choice of Life

from A Choice of Life (1843)
I covet not wealth, and I care not for fame,  But if my own lot I might choose, A quiet retreat in some lone wood I'd claim,  Where the pure earth drinks Heaven's pure dews.
At the north a dark mountain should solemnly rise,  With its old trees by lightnings riven, And its bald rocky summit look out from the skies  To point me the right way to Heaven.
Far away to the south a green valley should spread,  And up from its bosom should gleam, Through maples and elms, a bright silvery thread  Of a slow-winding, pure crystal stream;---
And a small quiet lake, on whose unruffled breast  The wild duck might fearlessly play, Should spread its soft waters away to the west,  And blush in the sunsetting ray;---
And the stout-armed oak with its deep scolloped leaves  Throw its shade on my cottage door, And the generous soil from the seed it receives  A bountiful harvest restore.
With the wife of my heart, and my joyous sons,  And my book and my pen, here I'd rest, And the wealth and the power of earth's mightiest ones,  Were they mine, could not make me more blest.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Dictionary of Music and Musicians/Breath

From volume 1 of the work.
[ W. H. C. ]
# A Dictionary of Music and Musicians/Branle

From volume 1 of the work.
[ E. P. ]
# A Dictionary of Music and Musicians/Brassin, Louis

[ M. ]
# A Dictionary of Music and Musicians/Bratsche

​BRATSCHE (Viola da Braccio). The German name for Viola or Tenor Violin.
# A Dictionary of Music and Musicians/Brandt, Marianne

[ A. C. ]
# A Dictionary of Music and Musicians/Brass Band

From volume 1 of the work.
[ W. H. S. ]
# A Dictionary of Music and Musicians/Brandl, Johann

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Bravo

From volume 1 of the work.
[ G. ]
# A Dictionary of Music and Musicians/Bravura

From volume 1 of the work.
​BRAVURA (Ital., courage, bravery). A style of both music and execution involving the display of unusual brilliancy and technical power; music written to task the ability and test the ​courage of the artist. Thus 'Let the bright Seraphim' (Samson), 'Gli angui d'inferno' (Flauto magico), and 'Non piu mesta' (Cenerentola) are bravura songs, requiring a compass and a power of execution out of the common.
The notion of effect for effect's sake is perhaps involved in the term. Beethoven therefore can never be said to have written bravura pieces, though many of his pieces require the greatest skill and are extremely brilliant.
[ G. ]
# A Dictionary of Music and Musicians/Blagrove, Henry

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Blanchard, Henri

From volume 1 of the work.
[ M. C. C. ]
# A Dictionary of Music and Musicians/Blaes, Elisa

From volume 1 of the work.
[ M. C. C. ]
# A Dictionary of Music and Musicians/Blake, Edward

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Blanckenburgh, Gerbrandt van

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Blanche de Nevers

From volume 1 of the work.
​BLANCHE DE NEVERS, an opera in five acts, founded on the 'Duke's Motto.' Libretto by John Brougham; music by Balfe. Produced at Covent Garden by Pyne and Harrison Nov. 21, 1863.
# A Dictionary of Music and Musicians/Black Domino, The

From volume 1 of the work.
​BLACK DOMINO, THE, the English version of Auber's Domino Noir; translated by H. F. Chorley. Produced at Covent Garden (Pyne & Harrison) Feb. 20, 1861.
# A Dictionary of Music and Musicians/Blaes, Arnold

From volume 1 of the work.
[ M. C. C. ]
# A Dictionary of Music and Musicians/Blahetka, Leopoldine

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Blanche

From volume 1 of the work.
​BLANCHE, i.e. 'white,' is the ordinary French word for the note which we call a minim. In the same manner the French call a crotchet, , noire.
# A Dictionary of Music and Musicians/Glover, William Howard

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Glover, William

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Gnecco, Francesco

[ A. C. ]
# A Dictionary of Music and Musicians/Glover, Stephen

​GLOVER, Stephen, teacher and composer, was born in 1812 in London. From the year 1840 to nearly 1870 his facile pen produced sacred and sentimental songs, ballads, duets and pianoforte pieces, resulting in a record of some twelve to fifteen hundred separate compositions, many of them published. 'The Dream is past' dates probably from 1837; 'The Gipsy's Tent,' 'Echo's Song,' and 'The Merry Mill,' 1840; 'The Monks of old,' 1842; 'The Gipsy Countess' belongs to about the same period; 'I love the merry sunshine,' 1847; 'What are the wild waves saying?' duet, 1850; 'The Blind Girl to her Harp,' 1854; 'The Good-bye at the door,' 1856; 'The Music of the Birds' (one of his many duets for two ladies' voices), 1863; 'Beauty and the Beast,' chamber opera, 1868. Less popular but more favourable examples of his talent are perhaps contained in a collection of (12) 'Songs from the Holy Scriptures,' published by Jefferys; and his setting of Longfellow's 'Excelsior' is not without merit.
Stephen Glover, who was never very robust, retired in early life to the country; but his death took place in London (Bayswater), when he was 58, on Dec. 7, 1870.
His music received that mere drawing-room popularity which proclaimed it worthless as representative of genuine national song on the one hand, and as the effort of a pioneer of culture on the other. His success in the narrow field of his labours was enormous, and has probably not been equalled, in the publishers' sense, by any composer of the present day, although the present day also is not without its musicians who regard the expediency of the moment as their natural ​law. It is due to Stephen Glover to say, while considering his works in this connection, that little evidence of power to do better things appears therein. An agreeable feature in this older writer is the healthiness and cheerful spirit of his music. Sunshine, moonshine, and twilight—but especially sunshine—fairies, flowers, gipsies, and fishermen were the subjects Stephen Glover loved to treat; in conventional method and with superficial characterization, but correctly in the details of the simple forms and harmonies he affected.
[ L. M. M. ]
# A Dictionary of Music and Musicians/Gloria

From volume 1 of the work.
​GLORIA is the name which is generally applied in England to the short hymn Gloria Patri, and in the Roman Church to the longer hymn Gloria in Excelsis, which is also called the 'Great Doxology,' or 'Angelical Hymn,' because its first words are those of the angels who appeared to the shepherds. The former is of unknown origin, and was in use in the Anglo-Saxon offices. The custom of singing it after each psalm is peculiar to the Western Church.
[ C. H. H. P. ]
# A Dictionary of Music and Musicians/Glover, Charles

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Glyn and Parker

From volume 1 of the work.
[ V. de P. ]
# A Dictionary of Music and Musicians/Glockenspiel

[ M. ]
# A Compendium of Irish Biography/Torrens, Robert

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​Torrens, Robert, Colonel, a prolific writer, was born in Ireland in 1780. He entered the Royal Marines in 1797, and rising through the various grades became a colonel in 1837. He distinguished himself against the Danes in 1811, and afterwards served in the Peninsula, where he was appointed colonel of a Spanish legion. In 1831 he was elected member of Parliament ​for Bolton. His works, numbering twenty-six in Allibone's list, are on divers subjects, from Celibia Choosing a Husband, a novel published in 1809, to Tracts on Finance and Trade, 1852. The Annual Register says: " He was an indefatigable writer; the productions of his pen, which include a great variety of tracts on subjects of political economy, some able pamphlets on the currency, and some literary efforts of a lighter class, extend over a period of fifty years. For some time Colonel Torrens was a part proprietor and editor of the Globe newspaper. He was a skilful and lucid writer, and succeeded in throwing considerable light upon some of those abstruse questions connected with monetary science which are the stumbling-block of economical students." He died 27th May 1864, aged 84.
* ↑ Annual Register. London, 1756–1877.
* ↑ Authors, Dictionary of British and American: S. Austin Allibone. 3 vols. Philadelphia, 1869–'71.
# A Compendium of Irish Biography/Torna

Find main topic
Layout 2
​Torna was an Irish poet who lived in the 4th and 5th centuries. He fostered Niall of the Nine Hostages. O'Curry gives an interesting account of such of Torna's poems as have come down to our day (amongst the most valuable being one enumerating the great men interred at Cruachan (now Rathcroghan), County of Roscommon, and thus concludes his notice: "There is no reason to think, as O'Flaherty does, that he did not survive King Dathi, who died in 428, nor that he had embraced the faith before writing this poem."
# A Compendium of Irish Biography/Tottenham, Charles

Find main topic
Layout 2
​Tottenham, Charles, a member of the Irish House of Commons, was born about 1685. He resided at Tottenham Green, "Wexford, and sat for the borough of New Ross. In 1731 a great opposition was set on foot to a proposal that a surplus of £60,000 in the revenue should be made over to the British Government. Tottenham, hearing that the division was coming on sooner than had been expected, rode on horseback from Wexford to Dublin. Getting down at the House of Commons, he was stopped by the serjeant-at-arms, who reported to the Speaker that a member was trying to enter the House without being in full dress, as was customary. After some hesitation, the Speaker decided that he had no power to exclude him, and the bold rider, splashed from head to foot, and wearing jack-boots, strode in, gave his vote, which proved to be a deciding one, and defeated the unpopular measure. Thenceforward he was known and toasted as " Tottenham in his boots." He died 20th September 1758, aged about 73. A portrait of him, in huge jack-boots reaching his thighs, was shown at the National Portrait Exhibition in Dublin in 1872.
* ↑ Barrington, Sir Jonah, Personal Sketches of his own Time: Townsend Young, LL.D. 2 vols. London, 1869.
* ↑ Burke, Sir Bernard: Landed Gentry. 2 vols. London, 1871.
# A Compendium of Irish Biography/Touchet, James, Earl of Castlehaven

Layout 2
​Touchet, James, Earl of Castlehaven, was born early in the 17th century. His father, the 2nd Earl, was beheaded on Tower Hill, 14th May 1631. James was restored to the title and estates of his ancestors in 1634. In 1638 he returned from Rome to attend Charles I. in his campaign against the Scots, and afterwards served in the Low Countries. After Strafford's execution, he retired to Ireland. Early in the war of 1641-'52 he was made prisoner and confined in Dublin. Managing to make his escape, he went through Wicklow to Kilkenny, where he was warmly received by the Supreme Council. In October 1642 he was entrusted with a military command. The history of his life for the next few years is a recital of petty skirmishes, battles, and retreats, the reduction of castles, and misunderstandings with his brother generals and the Council. He was bitterly opposed to the party of the Nuncio, and favoured the peace of 1646. He resided in France and the Low Countries for some two years, and "then I went to Ireland, with the Marquess of Ormond, Lord-Lieutenant, serving the King against the Nuncio, Council, and other his Majesty's enemies." He was appointed Master of the Horse by Ormond. Upon the subjugation of the kingdom by Cromwell, he again withdrew to France, where he engaged in the Prince of Conde's service, and went through many of the Continental campaigns until 1678. After the Restoration, he was, by special Act of Parliament, restored to his dignities. His last days were spent at his mansion in the County of Tipperary, where he died 11th October 1684. He was passionately fond of field sports, and his Memoirs tell, how in the midst of the most bloody and harassing campaigns he often turned aside to enjoy the chase.
* ↑ Burke, Sir Bernard: Dormant, Abeyant, Forfeited, and Extinct Peerages. London, 1866.
* ↑ Dun, Sir Patrick, Memoir: T. W. Belcher, M.D. Dublin, 1865.
* ↑ Walker, Rev. George: Account of the Siege of Londonderry. London, 1689.
# A Compendium of Irish Biography/Todd, Robert Bentley

Layout 2
​Todd, Robert Bentley, M.D., F.R.S., younger brother of preceding, was born in Dublin in 1809. He was educated at Trinity College, went to London in 1831, rose rapidly into practice and prominence, and was appointed Professor of Physiology in King's College in 1837. He took a leading part in founding King's College Hospital, to which he was physician from its opening in 1839 until within a few weeks of his death. He originated the plan of St. John's Training Institution for Nurses in 1847. The Annual Register says: "From the first he had shown the strongest taste for anatomical and physiological pursuits, which he followed with uncommon ardour, and became a lecturer on these subjects in the schools. They were the foundation of his subsequent success, giving to his thoughts and views that sound practical tone so much in harmony with the force of his own character, and which impressed itself so strongly on the medical doctrines of the day." In conjunction with Dr. Grant, he projected the Cyclopædia of Anatomy and Physiology, published between 1836 and 1859. With Dr. Bowman, he brought out an important work on Physiological Anatomy. He also published Clinical Lectures on Paralysis (London, 1854), Clinical Lectures on the Urinary Organs (London, 1856), and numerous other works. Dr. Todd died at his residence in London, 30th January 1860, aged about 51, and was buried at Kensal Green Cemetery.
* ↑ Annual Register. London, 1756–1877.
* ↑ Authors, Dictionary of British and American: S. Austin Allibone. 3 vols. Philadelphia, 1869–'71.
# A Compendium of Irish Biography/Torrens, Sir Henry

* related portals: Henry Torrens.
* sister projects: Wikipedia article, Wikidata item.
Layout 2
​Torrens, Sir Henry, Major-General, was born in Londonderry in 1779. He lost both his parents at an early age, was educated at a military academy in Dublin, and when fourteen entered the 52nd Regiment as an ensign. In 1796 he served under Abercrombie in the West Indies, where he displayed great bravery, was wounded, and was rewarded with a company. He served in Portugal in 1798; in Holland under the Duke of York in 1799; and afterwards in Nova Scotia, Egypt, and India. Returning home on sick leave from India in 1803, he married, at St. Helena, Miss Paton, daughter of the Governor. In 1805 he was promoted to the rank of lieutenant-colonel. After seeing service at Buenos Ayres in 1807, he accompanied Sir Arthur Wellesley as military secretary to Portugal in 1808, and was present at the battles of Roliça and Vimiera. He attained the rank of major-general in 1814, and was gazetted K.C.B. About 1820 he was appointed adjutant-general, and the onerous task of revising the army regulations and introducing many improvements was imposed upon him. Sir Henry died suddenly at Welwyn, Hertfordshire, 23rd August 1828, aged 48.
# A Compendium of Irish Biography/Trench, Melesina Chenevix

Layout 2
​Trench, Melesina Chenevix, granddaughter of Dr. Chenevix, Bishop of Waterford, was born in Ireland in 1768. This talented and amiable woman, mother of Dr. R. C. Trench, Archbishop of Dublin, is known to the public mainly through a volume of Remains, Selections from Journals, Letters, and other Papers, published by her son in 1862, and by her correspondence with Mary Leadbeater, published in the Leadbeater Papers in 1861. The notes we have of her early years with her grandfather (her parents having died when she was but a child), her brief married life with her first husband. Colonel St. George, subsequent residence in Ireland, visits to the Continent between 1799 and 1806, and later married life in England as Mrs. Richard Trench, portray a character of remarkable strength, discernment, and sweetness. She died at Malvern, 27th May 1827, aged 59. Mrs. Leadbeater, under date of 1802, gives a vivid description of their first interview and the mutual attraction by which they were drawn to each other. She says: "My heart entirely acquits me of having been influenced by what I have heard of her rank and fortune. Far more prepossessing than these were the soft lustre of her beautiful black eyes, and the sweetness of her fascinating smile. … Providence had given her talents and dispositions calculated to promote the ​ improvement and happiness of all around her, while her meekness and humility prevented the restraint of her superiority being felt, without taking from the dignity of her character. I was surprised and affected when I beheld her, on one occasion, seated on one of the kitchen chairs in the scullery, for coolness, hearing a company of little children of her tenants sing out their lessons to her."
* ↑ Leadbeater Papers: Annals of Ballytore, by Mary Leadbeater: Memoir of Author: Letters of Burke, Mrs. R. Trench, George Crabbe. 2 vols. London, 1862.
* ↑ Trench, Remains of Mrs. Richard: Edited by her Son, the Dean of Westminster. London, 1862.
# A Dictionary of Music and Musicians/Full Organ

From volume 1 of the work.
[ E. J. H. ]
# A Dictionary of Music and Musicians/Fröhlich

From volume 1 of the work.
​FRÖHLICH. There were four sisters of this name, all natives of Vienna.
1. The eldest, Nanette (Anna), born Sept. 19, 1793, a pupil of Hummel for the piano, and of Hauss and Siboni for singing, became an excellent artist in both branches. From 1819–54 she was teacher of singing at the Conservatoire of Vienna, where she trained many dramatic and concert singers, since celebrated. She will be always gratefully remembered for having induced F. Schubert to write the following pieces:—'Gott ist mein Hirt' (Psalm xxiii), op. 132; and 'Gott in der Natur,' op. 133, both for 4 women's voices; 'Nachthelle,' op. 134, for tenor solo and 4 men's voices; the Serenade ('Zögernd, leise'), op. 135, for alto solo and 4 women's voices; Miriam's Song, op. 136; and Des Tages Weihe (Schicksalslenker'), op. 146, for soprano solo and chorus. Grillparzer wrote the words for the Serenade and Miriam's Song also at her instigation.
2. Barbara, born August 30, 1797, excelled both as a contralto singer and a painter of portraits and flowers. She married Ferdinand Bogner, a government employé and eminent flute-player, who was honorary professor at the Conservatoire from 1821 until his death in 45.
3. Josephine, born Dec. 12, 1803, a distinguished singer, pupil of her sister at the Conservatoire (1819–21), made her début at concerts so successfully that she was immediately engaged for the court theatre (1821–22). Shortly afterwards, however, she went to Copenhagen, and completed her studies under Siboni, who had settled there. As a concert singer she was very well received in Denmark, Norway, and Sweden, and was appointed private singer to the King of Denmark. Later she went to Italy, and sang in the operas of Venice (1829) and Milan (31) with brilliant success. The Societa Apollinea of Venice elected her an honorary member. After her return to Vienna she seldom appeared at concerts, and turned her attention almost entirely to teaching singing. She died May 7, 1878.
[ C. F. P. ]
# A Dictionary of Music and Musicians/Fumagalli, Adolfo

[ A. C. ]
# A Dictionary of Music and Musicians/Fugato

From volume 1 of the work.
[ F. A. G. O. ]