# A Distinguished Provincial at Paris/Part 1/Section 3

Lucien was glad when the rising of the curtain produced a diversion. All Mme. de Bargeton's misgivings with regard to Lucien were increased by the marked attention which the Marquise d'Espard had shown to Chatelet; her manner towards the Baron was very different from the patronizing affability with which she treated Lucien. Mme. de Listomere's box was full during the second act, and, to all appearance, the talk turned upon Mme. de Bargeton and Lucien. Young Rastignac evidently was entertaining the party; he had raised the laughter that needs fresh fuel every day in Paris, the laughter that seizes upon a topic and exhausts it, and leaves it stale and threadbare in a moment. Mme. d'Espard grew uneasy. She knew that an ill-natured speech is not long in coming to the ears of those whom it will wound, and waited till the end of the act.
After a revulsion of feeling such as had taken place in Mme. de Bargeton and Lucien, strange things come to pass in a brief space of time, and any revolution within us is controlled by laws that work with great swiftness. Chatelet's sage and politic words as to Lucien, spoken on the way home from the Vaudeville, were fresh in Louise's memory. Every phrase was a prophecy, it seemed as if Lucien had set himself to fulfil the predictions one by one. When Lucien and Mme. de Bargeton had parted with their illusions concerning each other, the luckless youth, with a destiny not unlike Rousseau's, went so far in his predecessor's footsteps that he was captivated by the great lady and smitten with Mme. d'Espard at first sight. Young men and men who remember their young emotions can see that this was only what might have been looked for. Mme. d'Espard with her dainty ways, her delicate enunciation, and the refined tones of her voice; the fragile woman so envied, of such high place and high degree, appeared before the poet as Mme. de Bargeton had appeared to him in Angouleme. His fickle nature prompted him to desire influence in that lofty sphere at once, and the surest way to secure such influence was to possess the woman who exerted it, and then everything would be his. He had succeeded at Angouleme, why should he not succeed in Paris?
Involuntarily, and despite the novel counter fascination of the stage, his eyes turned to the Celimene in her splendor; he glanced furtively at her every moment; the longer he looked, the more he desired to look at her. Mme. de Bargeton caught the gleam in Lucien's eyes, and saw that he found the Marquise more interesting than the opera. If Lucien had forsaken her for the fifty daughters of Danaus, she could have borne his desertion with equanimity; but another glance—bolder, more ardent and unmistakable than any before—revealed the state of Lucien's feelings. She grew jealous, but not so much for the future as for the past.
"He never gave me such a look," she thought. "Dear me! Chatelet was right!"
Then she saw that she had made a mistake; and when a woman once begins to repent of her weaknesses, she sponges out the whole past. Every one of Lucien's glances roused her indignation, but to all outward appearance she was calm. De Marsay came back in the interval, bringing M. de Listomere with him; and that serious person and the young coxcomb soon informed the Marquise that the wedding guest in his holiday suit, whom she had the bad luck to have in her box, had as much right to the appellation of Rubempre as a Jew to a baptismal name. Lucien's father was an apothecary named Chardon. M. de Rastignac, who knew all about Angouleme, had set several boxes laughing already at the mummy whom the Marquise styled her cousin, and at the Marquise's forethought in having an apothecary at hand to sustain an artificial life with drugs. In short, de Marsay brought a selection from the thousand-and-one jokes made by Parisians on the spur of the moment, and no sooner uttered than forgotten. Chatelet was at the back of it all, and the real author of this Punic faith.
Mme. d'Espard turned to Mme. de Bargeton, put up her fan, and said, "My dear, tell me if your protege's name is really M. de Rubempre?"
"He has assumed his mother's name," said Anais, uneasily.
"But who was his father?"
"His father's name was Chardon."
"And what was this Chardon?"
"A druggist."
"My dear friend, I felt quite sure that all Paris could not be laughing at any one whom I took up. I do not care to stay here when wags come in in high glee because there is an apothecary's son in my box. If you will follow my advice, we will leave it, and at once."
Mme. d'Espard's expression was insolent enough; Lucien was at a loss to account for her change of countenance. He thought that his waistcoat was in bad taste, which was true; and that his coat looked like a caricature of the fashion, which was likewise true. He discerned, in bitterness of soul, that he must put himself in the hands of an expert tailor, and vowed that he would go the very next morning to the most celebrated artist in Paris. On Monday he would hold his own with the men in the Marquise's house.
Yet, lost in thought though he was, he saw the third act to an end, and, with his eyes fixed on the gorgeous scene upon the stage, dreamed out his dream of Mme. d'Espard. He was in despair over her sudden coldness; it gave a strange check to the ardent reasoning through which he advanced upon this new love, undismayed by the immense difficulties in the way, difficulties which he saw and resolved to conquer. He roused himself from these deep musings to look once more at his new idol, turned his head, and saw that he was alone; he had heard a faint rustling sound, the door closed—Madame d'Espard had taken her cousin with her. Lucien was surprised to the last degree by the sudden desertion; he did not think long about it, however, simply because it was inexplicable.
When the carriage was rolling along the Rue de Richelieu on the way to the Faubourg Saint-Honore, the Marquise spoke to her cousin in a tone of suppressed irritation.
"My dear child, what are you thinking about? Pray wait till an apothecary's son has made a name for himself before you trouble yourself about him. The Duchesse de Chaulieu does not acknowledge Canalis even now, and he is famous and a man of good family. This young fellow is neither your son nor your lover, I suppose?" added the haughty dame, with a keen, inquisitive glance at her cousin.
"How fortunate for me that I kept the little scapegrace at a distance!" thought Madame de Bargeton.
"Very well," continued the Marquise, taking the expression in her cousin's eyes for an answer, "drop him, I beg of you. Taking an illustrious name in that way!—Why, it is a piece of impudence that will meet with its desserts in society. It is his mother's name, I dare say; but just remember, dear, that the King alone can confer, by a special ordinance, the title of de Rubempre on the son of a daughter of the house. If she made a mesalliance, the favor would be enormous, only to be granted to vast wealth, or conspicuous services, or very powerful influence. The young man looks like a shopman in his Sunday suit; evidently he is neither wealthy nor noble; he has a fine head, but he seems to me to be very silly; he has no idea what to do, and has nothing to say for himself; in fact, he has no breeding. How came you to take him up?"
Mme. de Bargeton renounced Lucien as Lucien himself had renounced her; a ghastly fear lest her cousin should learn the manner of her journey shot through her mind.
"Dear cousin, I am in despair that I have compromised you."
"People do not compromise me," Mme. d'Espard said, smiling; "I am only thinking of you."
"But you have asked him to dine with you on Monday."
"I shall be ill," the Marquise said quickly; "you can tell him so, and I shall leave orders that he is not to be admitted under either name."
During the interval Lucien noticed that every one was walking up and down the lobby. He would do the same. In the first place, not one of Mme. d'Espard's visitors recognized him nor paid any attention to him, their conduct seemed nothing less than extraordinary to the provincial poet; and, secondly, Chatelet, on whom he tried to hang, watched him out of the corner of his eye and fought shy of him. Lucien walked to and fro, watching the eddying crowd of men, till he felt convinced that his costume was absurd, and he went back to his box, ensconced himself in a corner, and stayed there till the end. At times he thought of nothing but the magnificent spectacle of the ballet in the great Inferno scene in the fifth act; sometimes the sight of the house absorbed him, sometimes his own thoughts; he had seen society in Paris, and the sight had stirred him to the depths.
"So this is my kingdom," he said to himself; "this is the world that I must conquer."
As he walked home through the streets he thought over all that had been said by Mme. d'Espard's courtiers; memory reproducing with strange faithfulness their demeanor, their gestures, their manner of coming and going.
Next day, towards noon, Lucien betook himself to Staub, the great tailor of that day. Partly by dint of entreaties, and partly by virtue of cash, Lucien succeeded in obtaining a promise that his clothes should be ready in time for the great day. Staub went so far as to give his word that a perfectly elegant coat, a waistcoat, and a pair of trousers should be forthcoming. Lucien then ordered linen and pocket-handkerchiefs, a little outfit, in short, of a linen-draper, and a celebrated bootmaker measured him for shoes and boots. He bought a neat walking cane at Verdier's; he went to Mme. Irlande for gloves and shirt studs; in short, he did his best to reach the climax of dandyism. When he had satisfied all his fancies, he went to the Rue Neuve-de-Luxembourg, and found that Louise had gone out.
"She was dining with Mme. la Marquise d'Espard," her maid said, "and would not be back till late."
Lucien dined for two francs at a restaurant in the Palais Royal, and went to bed early. The next day was Sunday. He went to Louise's lodging at eleven o'clock. Louise had not yet risen. At two o'clock he returned once more.
"Madame cannot see anybody yet," reported Albertine, "but she gave me a line for you."
"Cannot see anybody yet?" repeated Lucien. "But I am not anybody——"
"I do not know," Albertine answered very impertinently; and Lucien, less surprised by Albertine's answer than by a note from Mme. de Bargeton, took the billet, and read the following discouraging lines:—
"Mme. d'Espard is not well; she will not be able to see you on Monday. I am not feeling very well myself, but I am about to dress and go to keep her company. I am in despair over this little disappointment; but your talents reassure me, you will make your way without charlatanism."
"And no signature!" Lucien said to himself. He found himself in the Tuileries before he knew whither he was walking.
With the gift of second-sight which accompanies genius, he began to suspect that the chilly note was but a warning of the catastrophe to come. Lost in thought, he walked on and on, gazing at the monuments in the Place Louis Quinze.
It was a sunny day; a stream of fine carriages went past him on the way to the Champs Elysees. Following the direction of the crowd of strollers, he saw the three or four thousand carriages that turn the Champs Elysees into an improvised Longchamp on Sunday afternoons in summer. The splendid horses, the toilettes, and liveries bewildered him; he went further and further, until he reached the Arc de Triomphe, then unfinished. What were his feelings when, as he returned, he saw Mme. de Bargeton and Mme. d'Espard coming towards him in a wonderfully appointed caleche, with a chasseur behind it in waving plumes and that gold-embroidered green uniform which he knew only too well. There was a block somewhere in the row, and the carriages waited. Lucien beheld Louise transformed beyond recognition. All the colors of her toilette had been carefully subordinated to her complexion; her dress was delicious, her hair gracefully and becomingly arranged, her hat, in exquisite taste, was remarkable even beside Mme. d'Espard, that leader of fashion.
There is something in the art of wearing a hat that escapes definition. Tilted too far to the back of the head, it imparts a bold expression to the face; bring it too far forward, it gives you a sinister look; tipped to one side, it has a jaunty air; a well-dressed woman wears her hat exactly as she means to wear it, and exactly at the right angle. Mme. de Bargeton had solved this curious problem at sight. A dainty girdle outlined her slender waist. She had adopted her cousin's gestures and tricks of manner; and now, as she sat by Mme. d'Espard's side, she played with a tiny scent bottle that dangled by a slender gold chain from one of her fingers, displayed a little well-gloved hand without seeming to do so. She had modeled herself on Mme. d'Espard without mimicking her; the Marquise had found a cousin worthy of her, and seemed to be proud of her pupil.
The men and women on the footways all gazed at the splendid carriage, with the bearings of the d'Espards and Blamont-Chauvrys upon the panels. Lucien was amazed at the number of greetings received by the cousins; he did not know that the "all Paris," which consists in some score of salons, was well aware already of the relationship between the ladies. A little group of young men on horseback accompanied the carriage in the Bois; Lucien could recognize de Marsay and Rastignac among them, and could see from their gestures that the pair of coxcombs were complimenting Mme. de Bargeton upon her transformation. Mme. d'Espard was radiant with health and grace. So her indisposition was simply a pretext for ridding herself of him, for there had been no mention of another day!
The wrathful poet went towards the caleche; he walked slowly, waited till he came in full sight of the two ladies, and made them a bow. Mme. de Bargeton would not see him; but the Marquise put up her eyeglass, and deliberately cut him. He had been disowned by the sovereign lords of Angouleme, but to be disowned by society in Paris was another thing; the booby-squires by doing their utmost to mortify Lucien admitted his power and acknowledged him as a man; for Mme. d'Espard he had positively no existence. This was a sentence, it was a refusal of justice. Poor poet! a deadly cold seized on him when he saw de Marsay eying him through his glass; and when the Parisian lion let that optical instrument fall, it dropped in so singular a fashion that Lucien thought of the knife-blade of the guillotine.
The caleche went by. Rage and a craving for vengeance took possession of his slighted soul. If Mme. de Bargeton had been in his power, he could have cut her throat at that moment; he was a Fouquier-Tinville gloating over the pleasure of sending Mme. d'Espard to the scaffold. If only he could have put de Marsay to the torture with refinements of savage cruelty! Canalis went by on horseback, bowing to the prettiest women, his dress elegant, as became the most dainty of poets.
"Great heavens!" exclaimed Lucien. "Money, money at all costs! money is the one power before which the world bends the knee." ("No!" cried conscience, "not money, but glory; and glory means work! Work! that was what David said.") "Great heavens! what am I doing here? But I will triumph. I will drive along this avenue in a caleche with a chasseur behind me! I will possess a Marquise d'Espard." And flinging out the wrathful words, he went to Hurbain's to dine for two francs.
Next morning, at nine o'clock, he went to the Rue Neuve-de-Luxembourg to upbraid Louise for her barbarity. But Mme. de Bargeton was not at home to him, and not only so, but the porter would not allow him to go up to her rooms; so he stayed outside in the street, watching the house till noon. At twelve o'clock Chatelet came out, looked at Lucien out of the corner of his eye, and avoided him.
Stung to the quick, Lucien hurried after his rival; and Chatelet, finding himself closely pursued, turned and bowed, evidently intending to shake him off by this courtesy.
"Spare me just a moment for pity's sake, sir," said Lucien; "I want just a word or two with you. You have shown me friendship, I now ask the most trifling service of that friendship. You have just come from Mme. de Bargeton; how have I fallen into disgrace with her and Mme. d'Espard?—please explain."
"M. Chardon, do you know why the ladies left you at the Opera that evening?" asked Chatelet, with treacherous good-nature.
"No," said the poor poet.
"Well, it was M. de Rastignac who spoke against you from the beginning. They asked him about you, and the young dandy simply said that your name was Chardon, and not de Rubempre; that your mother was a monthly nurse; that your father, when he was alive, was an apothecary in L'Houmeau, a suburb of Angouleme; and that your sister, a charming girl, gets up shirts to admiration, and is just about to be married to a local printer named Sechard. Such is the world! You no sooner show yourself than it pulls you to pieces.
"M. de Marsay came to Mme. d'Espard to laugh at you with her; so the two ladies, thinking that your presence put them in a false position, went out at once. Do not attempt to go to either house. If Mme. de Bargeton continued to receive your visits, her cousin would have nothing to do with her. You have genius; try to avenge yourself. The world looks down upon you; look down in your turn upon the world. Take refuge in some garret, write your masterpieces, seize on power of any kind, and you will see the world at your feet. Then you can give back the bruises which you have received, and in the very place where they were given. Mme. de Bargeton will be the more distant now because she has been friendly. That is the way with women. But the question now for you is not how to win back Anais' friendship, but how to avoid making an enemy of her. I will tell you of a way. She has written letters to you; send all her letters back to her, she will be sensible that you are acting like a gentleman; and at a later time, if you should need her, she will not be hostile. For my own part, I have so high an opinion of your future, that I have taken your part everywhere; and if I can do anything here for you, you will always find me ready to be of use."
The elderly beau seemed to have grown young again in the atmosphere of Paris. He bowed with frigid politeness; but Lucien, woe-begone, haggard, and undone, forgot to return the salutation. He went back to his inn, and there found the great Staub himself, come in person, not so much to try his customer's clothes as to make inquiries of the landlady with regard to that customer's financial status. The report had been satisfactory. Lucien had traveled post; Mme. de Bargeton brought him back from Vaudeville last Thursday in her carriage. Staub addressed Lucien as "Monsieur le Comte," and called his customer's attention to the artistic skill with which he had brought a charming figure into relief.
"A young man in such a costume has only to walk in the Tuileries," he said, "and he will marry an English heiress within a fortnight."
Lucien brightened a little under the influences of the German tailor's joke, the perfect fit of his new clothes, the fine cloth, and the sight of a graceful figure which met his eyes in the looking-glass. Vaguely he told himself that Paris was the capital of chance, and for the moment he believed in chance. Had he not a volume of poems and a magnificent romance entitled The Archer of Charles IX. in manuscript? He had hope for the future. Staub promised the overcoat and the rest of the clothes the next day.
The next day the bootmaker, linen-draper, and tailor all returned armed each with his bill, which Lucien, still under the charm of provincial habits, paid forthwith, not knowing how otherwise to rid himself of them. After he had paid, there remained but three hundred and sixty francs out of the two thousand which he had brought with him from Angouleme, and he had been but one week in Paris! Nevertheless, he dressed and went to take a stroll in the Terrassee des Feuillants. He had his day of triumph. He looked so handsome and so graceful, he was so well dressed, that women looked at him; two or three were so much struck with his beauty, that they turned their heads to look again. Lucien studied the gait and carriage of the young men on the Terrasse, and took a lesson in fine manners while he meditated on his three hundred and sixty francs.
That evening, alone in his chamber, an idea occurred to him which threw a light on the problem of his existence at the Gaillard-Bois, where he lived on the plainest fare, thinking to economize in this way. He asked for his account, as if he meant to leave, and discovered that he was indebted to his landlord to the extent of a hundred francs. The next morning was spent in running around the Latin Quarter, recommended for its cheapness by David. For a long while he looked about till, finally, in the Rue de Cluny, close to the Sorbonne, he discovered a place where he could have a furnished room for such a price as he could afford to pay. He settled with his hostess of the Gaillard-Bois, and took up his quarters in the Rue de Cluny that same day. His removal only cost him the cab fare.
When he had taken possession of his poor room, he made a packet of Mme. de Bargeton's letters, laid them on the table, and sat down to write to her; but before he wrote he fell to thinking over that fatal week. He did not tell himself that he had been the first to be faithless; that for a sudden fancy he had been ready to leave his Louise without knowing what would become of her in Paris. He saw none of his own shortcomings, but he saw his present position, and blamed Mme. de Bargeton for it. She was to have lighted his way; instead she had ruined him. He grew indignant, he grew proud, he worked himself into a paroxysm of rage, and set himself to compose the following epistle:—
"What would you think, madame, of a woman who should take a fancy  to some poor and timid child full of the noble superstitions which  the grown man calls 'illusions;' and using all the charms of  woman's coquetry, all her most delicate ingenuity, should feign a  mother's love to lead that child astray? Her fondest promises, the  card-castles which raised his wonder, cost her nothing; she leads  him on, tightens her hold upon him, sometimes coaxing, sometimes  scolding him for his want of confidence, till the child leaves his  home and follows her blindly to the shores of a vast sea. Smiling,  she lures him into a frail skiff, and sends him forth alone and  helpless to face the storm. Standing safe on the rock, she laughs  and wishes him luck. You are that woman; I am that child.
 "The child has a keepsake in his hands, something which might  betray the wrongs done by your beneficence, your kindness in  deserting him. You might have to blush if you saw him struggling  for life, and chanced to recollect that once you clasped him to  your breast. When you read these words the keepsake will be in  your own safe keeping; you are free to forget everything.
 "Once you pointed out fair hopes to me in the skies, I awake to  find reality in the squalid poverty of Paris. While you pass, and  others bow before you, on your brilliant path in the great world,  I, I whom you deserted on the threshold, shall be shivering in the  wretched garret to which you consigned me. Yet some pang may  perhaps trouble your mind amid festivals and pleasures; you may  think sometimes of the child whom you thrust into the depths. If  so, madame, think of him without remorse. Out of the depths of his  misery the child offers you the one thing left to him—his  forgiveness in a last look. Yes, madame, thanks to you, I have  nothing left. Nothing! was not the world created from nothing?  Genius should follow the Divine example; I begin with God-like  forgiveness, but as yet I know not whether I possess the God-like  power. You need only tremble lest I should go astray; for you  would be answerable for my sins. Alas! I pity you, for you will  have no part in the future towards which I go, with work as my  guide."
After penning this rhetorical effusion, full of the sombre dignity which an artist of one-and-twenty is rather apt to overdo, Lucien's thoughts went back to them at home. He saw the pretty rooms which David had furnished for him, at the cost of part of his little store, and a vision rose before him of quiet, simple pleasures in the past. Shadowy figures came about him; he saw his mother and Eve and David, and heard their sobs over his leave-taking, and at that he began to cry himself, for he felt very lonely in Paris, and friendless and forlorn.