# Zastrozzi/Chapter 6

The character of Matilda has been already so far revealed, as to render it unnecessary to expatiate upon it farther. Suffice it to say, that her syren illusions, and well-timed blandishments, obtained so great a power over the imagination of Verezzi, that his resolution to return to Claudine's cottage before sun-set became every instant fainter and fainter.
"And will you thus leave me?" exclaimed Matilda, in accents of the bitterest anguish, as Verezzi prepared to depart— "will you thus leave unnoticed, her who, for your sake alone, casting aside the pride of high birth, has wandered, unknown, through foreign climes? Oh! if I have (led away by love for you) outstepped the bounds of modesty, let me not, oh! let me not be injured by others with impunity. Stay, I entreat thee, Verezzi, if yet one spark of compassion lingers in your breast—stay and defend me from those who vainly seek one who is irrevocably thine."
With words such as these did the wily Matilda work upon the generous passions of Verezzi. Emotions of pity, of compassion, for one whose only fault he supposed to be love for him, conquered Verezzi's softened soul.
"Oh! Matilda," said he, "though I cannot love thee—though my soul is irrevocably another's—yet, believe me, I esteem, I admire thee; and it grieves me that a heart, fraught with so many and so brilliant virtues, has fixed itself on one who is incapable of appreciating its value.
The time passed away, and each returning sun beheld Verezzi still at Passau —still under Matilda's proof. That softness, that melting tenderness, which she knew so well how to assume, began to convince Verezzi of the injustice of the involuntary hatred which had filled his soul towards her. Her conversation was fraught with sense and elegant ideas. She played to him in the cool of the evening; and often, after sun-set, they rambled together into the rich scenery and luxuriant meadows which are washed by the Danube.
Claudine was not forgotten: indeed, Matilda first recollected her, and, by placing her in an independent situation, added a new claim to the gratitude of Verezzi.
In this manner three weeks passed away. Every day did Matilda practise new arts, employ new blandishments, to detain under her roof the fascinated Verezzi.
The most select parties in Passau, flitted in varied movements to exquisite harmony, when Matilda perceived Verezzi's spirits to be ruffled by recollection.
When he seemed to prefer solitude, a moonlight walk by the Danube was proposed by Matilda; or, with skilful fingers, she drew from her harp sounds of the most heart-touching, most enchanting melody. Her behaviour towards him was soft, tender, and quiet, and might rather have characterised the mild, serene love of a friend or sister, than the ardent, unquenchable fire, which burnt, though concealed, within Matilda's bosom.
It was one calm evening that Matilda and Verezzi sat in a back saloon, which overlooked the gliding Danube. Verezzi was listening, with all the enthusiasm of silent rapture, to a favourite soft air which Matilda sang, when a loud rap at the hall door startled them. A domestic entered, and told Matilda that a stranger, on particular business, waited to speak with her.
"Oh!" exclaimed Matilda, "I cannot attend to him now; bid him wait."
The stranger was impatient, and would not be denied.
"Desire him to come in, then," said Matilda.
The domestic hastened to obey her commands.
Verezzi had arisen to leave the room. "No," cried Matilda, "sit still; I shall soon dismiss the fellow; besides, I have no secrets from you." Verezzi took his seat.
The wide folding-doors which led into the passage were open.
Verezzi observed Matilda, as she gazed fixedly through them, to grow pale.
He could not see the cause, as he was seated on a sofa at the other end of the saloon.
Suddenly she started from her seat— her whole frame seemed convulsed by agitation, as she rushed through the door.
Verezzi heard an agitated voice exclaim, "Go! go! to-morrow morning!"
Matilda returned—she seated herself again at the harp which she had quitted, and essayed to compose herself; but it was in vain—she was too much agitated.
Her voice, as she again attempted to sing, refused to perform its office; and her humid hands, as they swept the strings of the harp, violently trembled.
"Matilda," said Verezzi, in a sympathising tone, "what has agitated you? Make me a repository of your sorrows: I would, if possible, alleviate them."
"Oh no," said Matilda, affecting unconcern; "nothing—nothing has happened. I was even myself unconscious that I appeared agitated."
Verezzi affected to believe her, and assumed a composure which he felt not. The conversation changed, and Matilda assumed her wonted mien. The lateness of the hour at last warned them to separate.
The more Verezzi thought upon the evening's occurrence, the more did a conviction in his mind, inexplicable even to himself, strengthen, that Matilda's agitation originated in something of consequence. He knew her mind to be superior to common circumstance and fortuitous casualty, which might have ruffled an inferior soul. Besides, the words which he had heard her utter—"Go! go! to-morrow morning!"—and though he resolved to disguise his real sentiments, and seem to let the subject drop, he determined narrowly to scrutinise Matilda's conduct; and, particularly, to know what took place on the following morning.— An indefinable presentiment that something horrible was about to occur, filled Verezzi's mind. A long chain of retrospection ensued—he could not forget the happy hours which he had passed with Julia; her interesting softness, her ethereal form, pressed on his aching sense.
Still did he feel his soul irresistibly softened towards Matilda—her love for him flattered his vanity; and though he could not feel reciprocal affection towards her, yet her kindness in rescuing him from his former degraded situation, her altered manner towards him, and her unremitting endeavours to please, to humour him in every thing, called for his warmest, his sincerest gratitude.
The morning came—Verezzi arose from a sleepless couch, and descending into the breakfast-parlour, there found Matilda.
He endeavoured to appear the same as usual, but in vain; for an expression of reserve and scrutiny was apparent on his features.
Matilda perceived it, and shrunk abashed from his keen gaze.
The meal passed away in silence.
"Excuse me for an hour or two," at last stammered out Matilda—"my steward has accounts to settle;" and she left the apartment.
Verezzi had now no doubt but that the stranger, who had caused Matilda's agitation the day before, was now returned to finish his business.
He moved towards the door to follow her—he stopped.
What right have I to pry into the secrets of another? thought Verezzi: besides, the business which this stranger has with Matilda cannot possibly concern me.
Still was he compelled, by an irresistible fascination, as it were, to unravel what appeared to him so mysterious an affair. He endeavoured to believe it to be as she affirmed; he endeavoured to compose himself: he took a book, but his eyes wandered insensibly.
Thrice he hesitated—thrice he shut the door of the apartment; till at last, a curiosity, unaccountable even to himself, propelled him to seek Matilda.
Mechanically he moved along the passage. He met one of the domestics—he inquired where Matilda was.
"In the grand saloon," was the reply.
With trembling steps he advanced towards it—The folding-doors were open— He saw Matilda and the stranger standing at the remote end of the apartment.
The stranger's figure, which was towering and majestic, was rendered more peculiarly striking, by the elegantly proportioned form of Matilda, who leant on a marble table near her; and her gestures, as she conversed with him, manifested the most eager impatience, the deepest interest.
At so great a distance, Verezzi could not hear their conversation; but, by the low murmurs which occasionally reached his ear, he perceived that, whatever it might be, they were both equally interested in the subject.
For some time he contemplated them with mingled surprise and curiosity—he tried to arrange the confused murmurs of their voices, which floated along the immense and vaulted apartment, but no articulate sound reached his ear.
At last Matilda took the stranger's hand: she pressed it to her lips with an eager and impassioned gesture, and led him to the opposite door of the saloon.
Suddenly the stranger turned, but as quickly regained his former position, as he retreated through the door; not quickly enough, however, but, in the stranger's fire-darting eye, Verezzi recognised him who had declared eternal enmity at the cottage on the heath.
Scarcely knowing where he was, or what to believe, for a few moments Verezzi stood bewildered, and unable to arrange the confusion of ideas which floated in his brain, and assailed his terror-struck imagination. He knew not what to believe —what phantom it could be that, in the shape of Zastrozzi, blasted his straining eye-balls—Could it really be Zastrozzi? Could his most rancorous, his bitterest enemy, be thus beloved, thus confided in, by the perfidious Matilda?
For several moments he stood doubting what he should resolve upon. At one while he determined to reproach Matilda with treachery and baseness, and overwhelm her in the mid career of wickedness; but at last concluding it to be more politic to dissemble and subdue his emotions, he went into the breakfast-parlour which he had left, and seated himself as if nothing had happened, at a drawing which he had left incomplete.
Besides, perhaps Matilda might not be guilty—perhaps she was deceived; and though some scheme of villany and destruction to himself was preparing, she might be the dupe, and not the coadjutor, of Zastrozzi. The idea that she was innocent soothed him; for he was anxious to make up, in his own mind, for the injustice which he had been guilty of towards her: and though he could not conquer the disgusting ideas, the unaccountable detestations, which often, in spite of himself, filled his soul towards her, he was willing to overcome what he considered but as an illusion of the imagination, and to pay that just tribute of esteem to her virtues which they demanded.
Whilst these ideas, although confused and unconnected, passed in Verezzi's brain, Matilda again entered the apartment.
Her countenance exhibited the strongest marks of agitation, and full of inexpressible and confused meaning was her dark eye, as she addressed some trifling question to Verezzi, in a hurried accent, and threw herself into a chair beside him.
"Verezzi!" exclaimed Matilda, after a pause equally painful to both—"Verezzi! I am deeply grieved to be the messenger of bad news—willingly would I withhold the fatal truth from you; yet, by some other means, it may meet your unprepared ear. I have something dreadful, shocking, to relate: can you bear the recital?"
The nerveless fingers of Verezzi dropped the pencil—he seized Matilda's hand, and, in accents almost inarticulate from terror, conjured her to explain her horrid surmises.
"Oh! my friend! my sister!" exclaimed Matilda, as well-feigned tears coursed down her cheeks,—"oh! she is—" "What! what!" interrupted Verezzi, as the idea of something having befallen his adored Julia filled his maddened brain with tenfold horror: for often had Matilda declared, that since she could not become his wife, she would willingly be his friend, and had even called Julia her sister.
"Oh!" exclaimed Matilda, hiding her face in her hands, "Julia—Julia—whom you love, is dead."
Unable to withhold his fleeting faculties from a sudden and chilly horror which seized them, Verezzi sank forward, and, fainting, fell at Matilda's feet.
In vain, for some time, was every effort to recover him. Every restorative which was administered, for a long time, was unavailing: at last his lips unclosed —he seemed to take his breath easier— he moved—he slowly opened his eyes.