OpenLLM-France/wikimedia huggingface dataset:
# Castes and Tribes of Southern India/Kēvuto

​Kēvuto.— It is recorded, in the Madras Census Report, 1891, that "the Kēvutas are the fisherman caste of Ganjam, and they are said to be the descendants of the Kaibartas, a fishing caste of Bengal. Besides fishing in rivers, canals and lakes, they ply boats and catamarans, and some are also traders. Uriya Brāhmans and Bairāgis are their priests. From the fifth day after child-birth till the twenty-first, the Uriya Brāhmans read the Bhāgavata Purāna in the house, and on the last day they give a name to the child. The married girls and widows put a veil over their faces whenever they go out of doors."
The Kēvutos are low in the social scale, but not a polluting caste. They apparently recognise the following endogamous sub-divisions: — Bhettiya, Bilva, Jonka, Khottia, Koibarto or Dasa, Liyāri, Chuditiya, and Thossa. Of these the Thossas are cultivators, the Liyāris make a preparation of fried rice (liya), and the Chudityas are engaged in parching grain (chuda, parched rice). By reason of their change of occupation, the Liyāris and Chudityas have practically become distinct castes, and some deny that there is any connection between them and the Kēvutos. Telugu people sometimes call the Chuditiyas Neyyalu, and I am told that there is a street in Parlakimedi almost wholly inhabited by Kēvutos, who say that they are of the Neyyalu caste. ​Of gōtras which occur among the Kēvutos, nāgo (cobra), bhāgo (tiger), and kochipo (tortoise) are the most common. They also have exogamous septs or bamsams, among which are gogudiya (bells) and nolini (bamboo carrier). The titles which occur in the caste are Bēhara, Sitto, Torei, Jalli, Bejjo, and Paiko.
The marriage rite is performed at night, and the bride's father ties a gold bead (konti) on the neck of the bridegroom. The Kēvutos worship especially Dasarāj and Gangadēvi. The latter is worshipped at the Dasara festival, and, in some places, fowls and goats are sacrificed in her honour. In the neighbourhood of the Chilka lake, the goats are not sacrificed, but set at liberty, and allowed to graze on the Kalīkadēvi hill. There is a belief that animals thus devoted to Gangadēvi do not putrify when they die, but dry up.
In the Vizagapatam Agency tracts, the Kēvutos are said to be notorious for their proficiency in magic and necromancy.
# Castes and Tribes of Southern India/Kōdaketti

​Kōdaketti (umbrella tying). — A sub-division of Pānan.
# Castes and Tribes of Southern India/Kōdi

​Kōdi (cock). — An exogamous sept of Kāpu. Thōrika occurs as a sept of Jātapus, who are said to revere a species of fowl called thōrika kōdi, and Kōdi Kandla (fowl's eyes) as a sept of Bōya.
# Castes and Tribes of Southern India/Kīra

​Kīra (parrot). — A sept of Gadaba. Kīra also occurs as a sub-division of Sondi.
# Castes and Tribes of Southern India/Kīraikkāran

​Kīraikkāran.— Kīraikkāran is an occupational name, denoting those who cultivate kīrai (Amarantus). The Kīraikkārans are stated, in the Census Report, 1901, to be usually Agamudaiyans in Coimbatore. I gathered, however, that the name is given by Tamil-speaking people to the Kempati Okkiliyans of Coimbatore, a Canarese people who migrated thither from Kempati in Mysore. The majority of them cultivate kirai and other edible vegetables, but some are petty traders or fishermen. Some of their marriage divisions are named after deities, e.g., Masāni and Vīramashti, and one division is called Jōgi.
# Boy Scouts and What They Do/Scout Law

The Scout Law.
On each side of the band-stand was a great placard bearing the Scout Law—a code of living followed out by hundreds of thousands of boys from the States in the West, to China in the East—from the Northland of Norway to Australia, New Zealand, and Chili in the South; when they became Scouts they promised on their honour to do their utmost to carry it out.
# Boy Scouts of America (film)

* related portals: Documentary film, Silent film.
* sister projects: Wikidata item.
VITALUX MOVIES BOY SCOUTS of AMERICA A Vitalux Educational
On the march.
Erecting tents.
Roll call and inspection.
Preparing for first aid.
First aid drill.
Wall scaling.
Making fire, Indian fashion, by friction.
The End
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# Boy Scouts and What They Do/What Birmingham thought

What Birmingham thought of the Scouts.
The following letter was received by the Chief Scout from the Lord Mayor of Birmingham:
"Dear Sir Robert,
"Before you leave Birmingham I should like, on behalf of the citizens, to express their appreciation of the excellent conduct of the Boy Scouts during their stay in the City. Considering the very large numbers attending the Rally and the Exhibition. I think it is noteworthy that no trouble of any kind has occurred. In fact, the bearing of the lads is a first-class testimonial to the excellent training they have received under your organisation. I trust that the gathering has met with all the success that you desire.
"Yours very truly, "Ernest Martineau, "Lord Mayor of Birmingham."
# Boy Scouts of America (Sousa)

This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Boy Scouts and What They Do/Scout Mottoes

The Scout Mottoes.
With all the earnestness and thoroughness of the Boy Scout, there is a note of laughing philosophy running through the organisation which takes the edge off the worries that have bothered grown-ups, whose boyhood belonged to a sterner generation. The mottoes around the walls of the Exhibition are exhortations that laugh in the face of sorrow, and arc eloquent of the spirit that is behind these bare-armed, bare-kneed boys, who turn London suburbs into prairie land with their swift imagination, and replant the streets of Birmingham with the oak, the ash, and the thorn of old England. The mottoes are in green and yellow—the Scouts' colours—and are all put before the boys by their versatile Chief Scout. They read:—
   * "Be a brick."
   * "Pass it on."
   * "Try whistling."
   * "The oak was once an acorn."
   * "Smile all the time."
   * "Stick to it, stick to it."
   * "Don't stand with your back to the sun."
   * "Don't shoot the musician, he's doing his best."
   * "Softly, softly catchee monkey."
   * "When the cat's away, the mice will play" (the little rotters!).
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A corner of the Stadium, showing the tower from which the Scouts jumped, and the house from which many gallant rescues were made.
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Fire-fighting Scouts.A Perthshire Troop at the fire drill, with their little motor-tender.
# Boy Scouts and What They Do/Scouts Themselves

The Scouts Themselves.
Birmingham, under leaden skies, is not a cheerful town; and a less promising exterior than that of Bingley Hall it would be difficult to imagine. A depressing back street, brick walls, and smoke-laden atmosphere. Yet to this unattractive pivot-point came Scouts from sunny lands across the sea, from all corners of our own kingdom, from Highland valleys, and from Yorkshire dales, from the green fields of Ireland, and the high hills of Wales. They came with their many-hued uniforms, their upright manly bearing, their sunny smiles, and their irrepressible enthusiasm, and lit up the streets of Birmingham till the desert ways blossomed as the rose. How much the presence of the Scouts themselves contributed to the success of the Exhibition, and its charm and brightness, was strangely shown on the Rally day, when very few Scouts were in Bingley Hall, and none in the streets outside. The hours seemed to drag, and all seemed dead until the evening, when the Troops marched in again, and soon all was humming, as before, with a gaiety that was infectious.
Another impression one received was one of wonder at the endurance of the human boy. Up at four or five in the morning, after a few hours of broken sleep in camp; busy at camp duties till noon; then the journey from Perry Hall Park to Bingley Hall; and, lastly, the long hours in the stadium, in the theatre, at display-stalls, or as helpers in the various sections; this, too, till ten o'clock at night, with a hasty meal snatched, in some mysterious manner, at an odd interval during the day. Yet no one seemed weary. From the ever-genial Exhibition Commissioner himself, and the imperturbable Secretary, down to the smallest Scout, there was that amazing calm amid multiplicity of detail that gave the most delightful sense of repose amidst complexity such as no other Exhibition of equal magnitude has ever produced, to my knowledge before.
# Camperdown/Preface

PREFACE.
A few years ago a book was published, called "Our Neighbourhood;" and those who read it, will recollect that the author intended, in the second series, to give a short sketch of some of the most conspicuous characters therein mentioned. The second series is now presented to the public, and is called "Camperdown," the name of our neighbourhood. The work will be continued, under different titles, until the author has accomplished the object stated in the preface to the first series; and which the tenor of the two volumes will more fully explain.
Layout 2
# Campos W.R. v. City Houston

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
502 U.S. 1301
Campos W.R. v. City Houston
Justice SCALIA, Circuit Justice.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Campos W.R. v. City Houston/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
The application before me seeks "an injunction and stay from the Court stopping the entire City election process" with respect to elections for the Houston City Council scheduled for November 5. Application, at 11. As the amicus United States points out, there is no basis in law for such an original order, and the application must be denied.
Assuming that the applicants would desire the lesser relief of a mere stay of the district court's order, I would nonetheless deny it. The issuance by a circuit justice of a stay pending appeal calls for consideration of not only the probability that the district court was wrong, but also the nature of (including responsibility for) the alleged injury that will occur absent a stay, and the effect that a stay would have upon the public interest. See Republican State Comm. of Arizona v. The Ripon Society Inc., 409 U.S. 1222, 1224, 93 S.Ct. 1475, 1477, 34 L.Ed.2d 717 (1972) (REHNQUIST, J., in chambers). Like the Court of Appeals, I am doubtful of the district court's authority to issue the present order. However, while the City may have been guilty of overimaginative lawyering in obtaining it, I have no reason to believe the City was acting in bad faith in the sense of seeking to frustrate the purposes of the Voting Rights Act. Moreover, in my view both the applicants and the United States share some responsibility, by their delay, for this matter's having been presented and decided in inordinate haste. Finally, and most important, I am not certain that more good than harm to the public interest will be achieved by staying the district court's order, making the imminent elections (in which some people have already cast absentee ballots) impossible. On this last point, which seems to me in the present case the determinative one, I am inclined to rely upon the judgment of those federal judges on the scene, who have declined the stay.
For the foregoing reasons, the application is denied.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Camping Out

* "Camping Out" from In the Wilderness, 1878
* "Camping Out" in A-Hunting of the Deer, and other essays, 1906.
# Burns' Popular Songs/Kenmure's on and awa

Kenmure's on and awa.
# Burns' Popular Songs/Louis, what reck I by thee

Louis, what reck I by thee.
# Burns' Popular Songs/My Nannie, O

My Nannie, O.
# Burns' Popular Songs/John Anderson, my jo

John Anderson, my jo.
PARTLY BURNS'S.
# Burns' Popular Songs/My love she's but a lassie yet

My love she's but a lassie yet.
# Burns' Popular Songs/O' a' the airts the Wind can blaw

O’ a’ the airts the Wind can blaw.
# Burns' Popular Songs/Highland Mary

Highland Mary.
# Burns' Popular Songs/I hae a Wife o' my ain

I hae a Wife o' my ain.
# Catholic Encyclopedia (1913)/Andrea Palladio

From volume 11 of the work.
Italian architect, born at Vicenza 1508; died at Venice, 19 August, 1580. There is a tradition that he was the son of a poor carpenter, with no surname of his own, and that the famous humanistic poet, Gian Giorgio Trissino, became his patron and gave him the name of Palladio, in fanciful allusion to Pallas, the Greek goddess of wisdom. After a brief apprenticeship as sculptor he travelled and studied the remains of classical architecture, endeavouring to determine its principles by the aid of Vitruvius's writings. The results of these studies appear in the buildings which he constructed, of which the earliest known is the Palazzo Godi at Lonedo (1540). The execution of his design for the rebuilding of the basilica in his native town was commenced in 1549. The colonnades of this basilica are his most famous work. His Arco di Trionfo, also at Vicenza, is even now the best modern imitation of a Roman triumphal arch. A fine sense of proportion, combined with scholarly refinement and fertility of invention, characterizes the palaces of Vicenza, where Palladio had a free hand. He was a favourite of society in and about Vicenza, and was therefore a most prolific designer of villas. Few of these were ever completed, many have been changed or dismantled, and nearly all have lost the environment of gardens and accessories which were a necessary part of the composition. All are, however, stately, spacious and airy, effective in mass, dignified in detail, and free from affectation. Two standard types are the Villa Capra, in the environs of Vicenza, and the Villa Giacomelli at Treviso.
Only three sacred buildings are surely his work, the small chapel near the last-named villa and the churches of San Giorgio (1565) and Il Redentore (begun, 1576, finished after his death) at Venice. These two churches are cruciform with aisles, crossing-domes, and apsidal terminations to choirs and transepts. The interiors are cold, powerful, and spacious; the exteriors are frankly structural of inferior materials, with semi-circular, lead-covered domes, and with no ornamentation except in the facades.
Palladio may be taken as the representative of a wholesome reaction against the decadent tendencies of his age, and may be said to have fixed good architectural style for many succeeding centuries. Although in France a more meretricious taste prevailed, represented by Lescaut and by De l'Orme in England, through Inigo Jones, Palladio became so much the controlling spirit that the English style of the seventeenth century is now known as "Palladian". Naturally, the Georgian architecture of the United States develops directly from Palladio through the later masters who followed Inigo Jones. Palladio's writings, particularly "Le Antichità di Roma" and the "Quattro Libri dell' Architettura", did more than anything else to spread his influence over Europe: many editions were published in Italy between 1554 and 1642. They were widely translated, and in England Inigo Jones acted as editor and commentator.
Ralph Adams Cram.
# Catholic Encyclopedia (1913)/Andrea della Robbia

From volume 13 of the work.
Nephew, pupil, assistant, and sharer of Luca's secrets, b. at Florence, 1431; d. 1528. It is often difficult to distinguish between his works and Luca's. His, undoubtedly, are the medallions of infants for the Foundling Hospital, Florence, and the noble Annunciation over the inner entrance; the Meeting of S. Francis and S. Dominic in the loggia of S. Paolo; the charming Madonna of the Architects, the Virgin adoring the Divine Child in the Crib and other pieces in the Bargello; the fine St. Francis at Assisi; the Madonna della Quercia at Viterbo; the high altar (marble) of S. Maria delle Grazie at Arezzo; the rich and variegated decorations of the vaulted ceiling, porch of Pistoia Cathedral, and many other works.
Andrea had several sons, of whom Giovanni Girolamo, Luca the Younger, and Ambrogio are the best known. Giovanni executed the famous reliefs for the Ospendale del Ceppo, Pistoia; and Girolamo worked much in France, where he died. The Della Robbia school gradually lost power and inspiration, the later works being often overcrowded with figures and full of conflicting colour.
See bibl. Of ROBBIA, LUCA DI SIMONE DELLA.
M. L. Handley.
# Catholic Encyclopedia (1913)/Andreas Agnellus of Ravenna

From volume 1 of the work.
​Agnellus of Ravenna, Andreas, historian of that church, b. 805; the date of his death is unknown, but was probably about 846. Though called Abbot, first of St. Mary ad Blachernas, and, later, of St. Bartholomew, he appears to have remained a secular priest, being probably only titular abbot of each abbey. He is best known as the author of the "Liber Pontificalis Eccl. Ravennatis", an account of the occupants of his native see, compiled on the model of the Roman Liber Pontificalis (q. v.). It begins with St. Apollinaris (q. v.) and ends with Georgius, the forty-eighth archbishop (846). Though the work contains no little unreliable material, it is a unique and rich source of information concerning ​the buildings, inscriptions, manners, and religious customs of Ravenna in the ninth century. The author shows a strong bias and loses no opportunity of exalting as traditional the independence or "autocephalia" of the church of Ravenna as against the legitimate authority of the Holy See. For his time he is a kind of polemical Gallican. His work bears also traces of personal vanity. In his efforts to be erudite he often falls into unpardonable errors. The diction is barbarous, and the text is faulty and corrupt.
The work of Agnellus was edited by Bacchini (1708), and by Muratori in the second volume of his Scriptores Rerum Italic, (reprinted in P. L., CVI, 459–752). The latest edition is that of Holder-Egger, in Mon. Germ. Hist. Script. Langob., 265 sqq. (Hanover, 1878). See Ebert, Geschichte der Litteratur des Mittelalters, etc. (Leipzig, 1880), II, 374; Balzani, Le Cronache Italiane nel media ero (Milan, 1900), 93–98. For the peculiar autocephalia claimed by the archbishops of Ravenna (akin to that of Milan and Aquileia) see the note of Duchesne in his edition of the Roman Liber Pontificalis (Paris, 1880), I, 348, 349.
Thomas J. Shahan.
# Catholic Encyclopedia (1913)/Andrea Pisano

From volume 1 of the work.
Or ANDREA DA PISA (the name by which Andrea da Pontadera is known).
An Italian sculptor and architect, b. 1270; d. 1349. He was a pupil of Giovanni Pisano , and first learned the trade of a goldsmith, which was of benefit to him in his later work. He is said to have helped his master on the sculpture for St. Maria della Spina, in Pisa, and to have worked on St. Mark's and the Doge's palace, at Venice, before he went to Florence. Here he achieved the one work indisputably his, the first of the three bronze doors for the baptistery of the Duomo at Florence, the one on the south side. He spent years on it before it was finally set up in 1336. The date 1330 on the door refers to the wax model and not to the casting. The door has a number of quatrefoil panels, eight containing only a single figure, while the others have scenes from the life of St. John the Baptist. Pisano's mature style was due to the influence of Giotto. After Giotto died, Pisano built two stories of niches above Giotto's work on the Campanile, quite possibly from Giotto's designs. From 1347 to 1349 he was chief architect of the duomo of Orvieto , which was designed and begun by Lorenzo Maitani. Andrea Pisano had two sons, Nino and Tommaso, who were also sculptors, but his most distinguished pupil was Andrea da Cione, who is known as Orcagna.
Lasinio, Le tre porte del Batistero; Reymond, La Sculpture Florentine.
JOHN J. A' BECKET
# Catholic Encyclopedia (1913)/Andrea Spagni

From volume 14 of the work.
Educator and author, born at Florence, 8 Aug., 1716; died at Rome, 16 Sept., 1788. He entered the Society of Jesus, 22 Oct., 1731, and was employed chiefly in teaching philosophy and theology, though for a time he professed mathematics at the Roman College, and assisted Father Asclepi in his astronomical observations. The most noted of his writings is the work "De Miraculis" (Rome, 1777), which he carefully revised in two succeeding editions (Rome, 1779 and 1785). In this work, besides giving the positive doctrine on the nature and reality of miracles, he has marshalled together with great thoroughness the objections brought forward by the rationalists of his own and preceding times against the chief miracles of the Old and the New Testament, so that the work may be considered as a compendium of the literature of the subject, up to the last quarter of the eighteenth century. His other chief works are: "De Causa efficiente" (Rome, 1764); "De Bono, Malo et Pulchro" (Rome, 1766); "De Mundo" (Rome, 1770); "De Ideis Mentis humanæ" (Rome, l772); "De Motu" (Rome, 1774); "De Anima Brutorum" (Rome, 1775); "De Signis Idearum" (Rome, 1781).
SOMMERVOGEL, Bibl. de la C. de J., VII (Brussels, 1896).
Edward C. Phillips.
# Catholic Encyclopedia (1913)/Andrea Vanni

From volume 15 of the work.
Painter and statesman, b. at Siena, 1320; d. 1414. He entered politics after the democratic overthrow of the government of the city. A letter written to him by St. Catherine, his countrywoman and friend, concerning the administration of the country, is still preserved. He was elected to the Grand Council and sent as Sienese ambassador to the pope at Avignon and Naples. As an artist he was a weak imitator of Simone Martini and of Lorenzetti. With his brother Lippo Vanni, Bartolo di Fredi, and Taddeo di Bartolo, he introduced early Sienese art into the fifteenth century. His chief authenticated work is a large polyptych in the Church of Santo Stefano at Siena. This painting depicts the Virgin enthroned between Sts. Stephen, James the Less, John the Baptist, and Bartholomew; in the niches above are the figures of the Evangelists, while several saints and an Annunciation are painted in five higher projecting compartments. The small heads and the gestures betray a certain stiffness. A very agreeable and carefully painted picture is a "Madonna and Child" in the Church of San Michele. A "Birth of the Virgin", representing James, Catherine, Bartholomew, and Elizabeth, in the gallery at Siena, is the joint work of Vanni and Bartolo di Fredi, who often worked together both in art and politics. A "Crucifixion" with two saints by Vanni is in the Academy at Siena, an "Annunciation" in two panels in the Palazzo Saraceni, and a "St. Sebastian" at the museum. Vanni celebrated St. Catherine in the frescoes of San Domenico at Siena. He also painted at Naples.
PERKINS in the Burlington Magazine, VI (1908), no. 2; MILANESE, Documenti per la storia dell'arte senese (Siena, 1854-56); DELLA VALLE, Lettere Senesi, I (Siena, 1782); CROWE and CAVALCASELLE, New History of Painting in Italy, II (London, 1864-); RICHTER, Siena (Leipzig, 1901).
G. GIETMANN