# Life at High Tide/'And Angels Came--'

Extracted from Life at High Tide: Harper's Novelettes, 1906, pp. 37-63.
"And Angels Came—"
BY ANNE O'HAGAN
THE full effulgence of cloudless midsummer enveloped the place. The lawns, bright and soft, sloped for half a mile to the sweetbrier hedge. Among them wound the drive, now and again crossing the stone bridges of the small, curving lake which gave the estate its affected name—Lakeholm. To the left of the house a coppice of bronze beeches shone with dark lustre; clumps of rhododendrons enlivened the green with splashes of color. Lombardy poplars, with their gibbetlike erectness, bordered the roads and intersected them with mathematical shadows; here and there rose a feathery elm or a maple of wide-branched beauty. To the right, a shallow fall of terraces led to the Italian garden, Mrs. Dinsmore's chief pride, now a glory of matched and patterned color and a dazzle of spray from marble basins. Beyond all the careful, exotic beauty of the place, the wide valley dipped away, alternate meadow and grove, until it met the silvery shiver of willows marking the course of the river. Beyond that again, the hills, solemn in unbroken green, rose to cloud-touched heights.
Before the house Brockton's new automobile waited. He himself leaned against a stone pillar of the piazza, facing his hostess, who sat on the edge of a chair in the tense attitude of protest against delay. She had scarcely recovered from her waking crossness yet, and found herself more irritated than amused at the eccentricities of her guest. She was wondering with unusual asperity why a man with such lack-lustre blue eyes dared to wear a tie of such brilliant contrast. He interrupted her musings.
"Miss Harned seems mighty stand-offish these days."
"Millicent is a little difficult," admitted Millicent's cousin.
"What do you suppose it is? She seemed all smooth enough in New York last winter, and even in the spring after—But now—" He paused again without finishing his sentence. "And I had counted on your influence to make her more approachable."
"Oh, Millicent is having a struggle with her better nature, that is all," laughed Mrs. Dinsmore. "It's hard living with her during the process, but she's adorable once her noble impulses have been vanquished and she's comfortably like the rest of the world again."
"I don't know what you mean," said the downright Mr. Brockton.
"No?" Mrs. Dinsmore was sure that the impertinence of her monosyllable would be lost upon her elderly protégé. "I'll make it clear to you, if I can. Millicent, you know, has nothing—"
"With that figure and that face?" interrupted Brockton, with gallant enthusiasm.
"I was speaking in your terms, Mr. Brockton," said the lady, with suave hauteur. "Of course all of us count my cousin's charm and accomplishments, though we do not inventory them as possessions far above rubies. But in the valuation of the 'change she has nothing. Oh, she may manage to extract five or six hundred a year from some investments of my uncle, and she has the old Harned place in New Hampshire. That might bring in as much as seven hundred dollars if the abandoned farm-fever were still on—"
"By ginger!" boasted Brockton, whose expletives lacked ton, "it's more than I had when I started."
"So I remember your saying before. But I fear that my cousin is not a financial genius. What I meant by her struggles with her better nature is that she sometimes tries to thwart us when we want to make things easy for her. Her better nature had a fearful tussle with her common sense about five years ago, when Aunt Jessie asked her to go abroad; and it nearly overcame her frivolity and her vanity last winter when I met her at the dock and insisted upon having her spend the winter with me, and our second cousin, Alicia Broome, offered to be responsible for her wardrobe. But, thanks be," she added, laughing, "the world, the flesh, and the devil won. So cheer up, Mr. Brockton. It may happen again."
"Oh, I'm not hopeless by any manner of means. I want her pretty badly, and I'm used to getting what I want. I told her, out and out, when she turned me down, back there in May, that if she were a young girl I wouldn't urge her any more, after what she said about her feelings. But she wasn't, and I thought she could look at a proposition from a plain business point of view."
"You told her that? You mentioned to her that she was no longer a young girl?" Mrs. Dinsmore's laugh rippled delightedly on the air.
"I did. Oh, I'm used to bargaining," he rejoined, proudly. "I always could make the other fellow see what he'd lose by refusing my offers. And I got her to take the matter under consideration. I heard somewhere that she was interested in some philanthropy. Well, money comes in handy in charity." He grinned broadly at Mrs. Dinsmore.
At that moment her protégé was extremely distasteful to the lady. But she was a philosopher where marriage was concerned, and she whole-heartedly hoped that her cousin Millicent would not dally too long with her opportunity and allow the matrimonial prize to escape. She was sincerely fond of Millicent, and desired for her the best things in the world. She sometimes said so with touching earnestness.
"She told me"—Mr. Brockton stumbled slightly—"that there wasn't any one else."
"There isn't. She has her train—she's enormously admired—but there is no one in whom she is sentimentally interested. And Aunt Jessie says it was so all the time they were in Europe."
"Wasn't there ever!" he demanded.
"My dear Mr. Brockton, Millicent is twenty-nine, as you reminded her, and she's a normal woman! Of course there have been some ones—her music-master at fourteen, I dare say, and an actor at sixteen, and a young curate at eighteen—oh, of course I'm jesting. But I suppose she was somewhat like other girls. She was engaged at nineteen—and he must have been quite twenty-three! No, I should dismiss all jealousy of her past if I were you."
"Engaged?"
Mrs. Dinsmore wondered suddenly if she had been wise, after all, to admit that widely known fact.
"Oh yes, a bread-and-butter engagement. My uncle was notoriously inadequate in all practical affairs; he was a scholar and something of a recluse and the most charming gentleman I ever saw, but a child in worldly matters,—a child! It ended, you see."
"How did it end?"
"Oh, poor Will Hayter died."
"Dead long?"
"Five or six years."
"Well, I'm not afraid of dead men." Brockton laughed in relief. Mrs. Dinsmore did not point out to him from her more subtle knowledge that constancy to the unchanging dead is sometimes easier than constancy to the variable living. She was only too glad to have the inevitable disclosure made lightly and the truth dismissed without frightening off the desirable suitor. "And certainly Miss Harned don't look as if, as if—"
"Any irremediable grief were gnawing at her damask cheek?—"
"What's this about damask cheeks?" The question came along with a swirl of skirts from the great hall. "Cousin Anna, don't hate me for keeping you so long. Mr. Brockton, I owe you a thousand apologies."
Some of those who admitted Millicent Harned's charm declared that it lay in her voice. Always there sounded through its music the note of eagerness, with eagerness's underlying hint of pathos. Her tones were like her face, her motions, herself. Impulse, merriment, yearning, and the shadow of melancholy dwelt in her eyes and shaped her lips to sensitive curves. She was tall, and her motions were of a spontaneous grace, swifter and more changeful than most women's.
"You have been a disgracefully long time, Millicent," her cousin answered her apology. "But"—she looked at the beautifully gowned figure, the lovely, imaginative face, thereby, like a good showman, calling Mr. Brockton's attention to them—"we'll forgive you."
"Oh, it wasn't primping that kept me. I stopped for a few minutes at the schoolroom door. Poor Lena! She seemed to be feeling the responsibilities of erudition terribly this morning. She showed me her botany slides with such an air! Do you know what genus has the rostellum, Anna?"
"No, I don't," said Anna, shortly. "And Lena's growing up a perfect young prig. I'll have to change governesses. Heaven knows what I'll draw next time! The last one had charm, but no learning, and mighty little intelligence. This one has no manner at all, and is of encyclopædic information. A daughter's a terrible responsibility."
"Isn't she?" Millicent's tone was one of affectionate raillery as she gathered her draperies about her in the automobile. The notion of Anna's responsibilities amused her; Anna was so untouched by them—as smooth-skinned, as slim and vivacious, as the forty-year-old mother of two boys entering college, a girl in the schoolroom and another in the nursery, as she had been as a débutante.
"Oh, you may make fun," said Anna, snapping open the frothy thing she called a sunshade, "but you don't know how I lie awake nights, shuddering lest Lena grow up a near-sighted girl with no color and serious views."
Millicent only smiled as the great machine moved off. The sunshine, the rare and ordered beauty of the place, the fragrance of the soft winds, all lapped her in indolence. As they neared the gate that gave upon the open road, a turn brought them in sight of the front of the house. It was very beautiful. She breathed deeply in the content of the sight—the delicate lines, the soft color, the perfection of detail. In the gardens were stained, mellow columns and balustrades which Anna had brought from the dismantled palace in the Italian hills where she had found them. Everywhere wealth made its subtlest, most delicate appeal to her eyes.
"My house," thought Millicent, as they shot out of the grounds, "shall be different, but as beautiful. The Tudor style, I think, and for my out-of-door glory a vast rose-garden,—acres, if I please!" Then she called sternly to her straying imagination. She was picturing what she might have as the wife of the man before her—the man whose first proposal she had unhesitatingly refused, whose appearance at Lakeholm she had regarded as proof of disloyalty on Anna's part—the man who at the best represented to her only the artistic possibilities of riches. She dismissed her reverie with a frown and joined in the talk.
"Do you know," she confessed, "I forget where it is that we are going?"
"We're coming back to the Monroes' for luncheon," Mrs. Dinsmore reminded her. "But Mr. Brockton is going to skim over most of the Berkshires first. I think you said you hadn't been in this part of the country before, Mr. Brockton?"
"No," said Brockton, "I haven't had much chance to get acquainted with the playgrounds of the country. I've been too busy earning a holiday. But I've earned it all right." He turned to emphasize his boast with a nod toward Millicent. She blushed. His very chauffeur must redden at his braggart air, she thought. The Tudor castle grew dim in her vision.
"What do you think of the bubble, Miss Harned?" he went on. "Goes like a bird, don't she?"
"Indeed she does," answered Millicent, characteristically making immediate atonement in voice and look for the mental criticism of the moment before. "It's really going like a bird. I don't suppose we shall ever have a sensation more like flying."
"Not until our celestial pinions are adjusted," said Anna. Brockton laughed, but Millicent went on:
"Seriously, the loveliest belief I ever lost was the one in the wings with which my virtues should be at last rewarded. To breast the ether among the whirling stars,—didn't you ever lie awake and think of the possibility of that, Anna?"
"Never! I'm no poet in a state of suffocation, as I sometimes suspect you of being."
"As for heaven," declared Brockton, "I don't take much stock in all that. We're here—we know that—and we'd better make the most of it. For all we know, it's our last chance to have a good time. Better take all that's coming to you here and now, Miss Harned, and not count much on those wings of yours."
Millicent smiled mechanically. Could any Elizabethan garden of delight compensate for the misery of having each butterfly of fancy crushed between Lemuel Brockton's big hands in this fashion?
They were entering a village. Before them was the triangular green with the soldier's monument upon it. About it were the post-office, the stores, the small neat houses of the place. A white church, tall-steepled, green-shuttered, rose behind the monument, and with it dominated the square. A wagon or two toiled lazily along the road; before the stores a few dusty buggies were tied. The place seemed drowsy to stagnation in the summer heat. Why, Millicent wondered, were towns so crude and unlovely in the midst of a country so beautiful?
There was a sudden explosive sound, and, with a crunch and a jerk which almost threw them from their seats, the machine came to a standstill. Brockton and his chauffeur were out in an instant, the one peering beneath, the other examining more closely. He emerged in a moment, and there was a jargon of explanation, unintelligible to the two women. All that Anna and Millicent understood was that the accident was not serious; that they would be delayed only a few minutes, and that Brockton was very angry with some one for the mishap. The two men worked together. Anna looked at her cousin.
"I'm dead sleepy," she half whispered. "The wind in my face and the sun are too soporific for me. Let us not say a word to each other."
"You read last night," Millicent accused her. "But I don't feel particularly conversational myself."
She leaned back and surveyed the scene again. She could read the words graved on the granite block beneath the bronze soldier:
"To the men of Warren who fought that their country might be whole and their fellows free this tribute of love is erected."
And there followed the honor-roll of Warren's fallen.
Millicent's sensitive lips quivered a little. Her ready imagination pictured them coming to this very square, perhaps,—the men of Warren. Boys from the hill farms, men from the village shops, the blacksmith who had worked in the light of yonder old forge, the carpenter who was father to the one now leisurely hammering a yellow L upon that weather-stained house,—she saw them all. What had led them? What call had sounded in their ears that they should leave their ploughshares in the furrows, their tills, their anvils, and their benches? What better thing had stirred with the primeval instinct for fight, with the unquenchable, restless longing for adventure, to send them forth? She read the words again—"that their country might be whole and their fellows free."
She moved impatiently. For now an old shadowy theory of hers—an inheritance from the theories of the recluse, her father—stirred from a long-drugged quiet: a theory that there was a disintegrating unpatriotism in the untouched, charmed life of riches she and her fellows sought. She felt the disturbing conviction that those common men—she could almost hear their blundering speech, see their uncouth yawns at the sights and sounds of beauty on which she fed her soul—that those men had wells of life within them purer, sweeter, than she. She averted her eyes from the monument.
"Honey!" called a voice, full-throated and loving—"honey, where are you?"
There was a play-tent on the little patch of yard before the brown cottage to the left. The voice had come from the narrow piazza. Millicent shivered as she looked at it, with its gingerbread decorations already succumbing to the strain of the seasons. The answer came from the tent:
"Here I am, muvver. Did you want me?"
She came out—a child of five or six years. The round-eyed solemnity of babyhood had not left her yet. She brought her small doll family with her, and a benevolent collie ambled beside her. Her mother watched, tenderness beautifying her brown eyes: she was a young woman, no older than Millicent, but her face was more lined than Anna's; a strand of dark hair was blown across her cheek; there were fruit stains on her apron. All the marks of a busy household life were about her, all the bounteous restfulness of a woman well beloved, and the anxieties of a loving woman. She gave the automobile a passing glance, but it had no interest for her. Her eyes came back to caress the young thing which toiled up the steps to her, babbling of a morning's events in the tent.
"Yes, sweetheart, that was very nice," she said, in answer to some breathless demand for sympathy. "And mother has brought you the bread and jam she promised you this morning. Will you eat it here, or in the tent?"
"Couldn't I come into the kitchen to eat it, where you are?"
"Why, yes, honey, if you want to."
The door closed upon the vision of intimate love. Millicent saw Lena walking sedately with the governess of no charm and encyclopædic information.
"Now we're all right," called Brockton, loudly. "Upon my word, Mrs. Dinsmore, I think you were asleep! Miss Harned, you can't be as entertaining as I thought if your cousin falls asleep with you."
"But think how soothing I must be; that's even better than to be entertaining."
"By ginger! I never found that out—that you were soothing, I mean." It was evident that Mr. Brockton intended a compliment. Anna Dinsmore saw the annoyed red whip out upon Millicent's cheeks. She interposed a few ready, irrelevant questions before the tide of Brockton's flattery.
They made their swift way through the hills, sometimes overlooking the winding course of the river, sometimes skirting the great estates of the region, again whizzing noisily through an old village. Anna and Brockton sustained the weight of conversation. Millicent smiled in vague sympathy with their laughter and joined at random in the talk. Obstinately her mind had stayed behind her—with the men of Warren, with the round-faced child, and the woman to whose life love and not art gave all its beauty.
They approached one of the larger old towns of the country—a place with a bustling main street and elm-shaded thoroughfares branching from it. Here were ample, well-kept lawns and houses of prosperous dignity. It seemed charming to Millicent with its air of unhurried activity or undrowsy repose.
"What is this, Anna!" she asked.
Anna told her.
"Riverfield?" Millicent repeated the name, but in a strange voice. Anna stared a little.
"Yes. Why? Do you know any one here?"
"No." The word trickled slowly, unwillingly, from Millicent.
"Lovely town, and there are some good places outside," said Anna. "The Ostranders have one, and Jimson, the artist. But the native city, or whatever you call it, is adorable. It has that air of rewarded virtue which makes one ashamed of one's life—"
"I wish"—Millicent still spoke remotely, as if out of a sleep—"I wish, Mr. Brockton, that we might find a little library and museum they have here."
"Why, of course!"
"Are you going to compare it with the Vatican, Millicent?" asked Anna, flippantly. Millicent turned a distant, starry gaze upon her cousin.
"No," she said; and then, in a flash of sympathy and fright, Anna remembered that it had been for some little Berkshire town that Will Hayter had built a library and museum just before his death, six years before—the town from which his family had originally come. Her memory worked rapidly, constructing the story. The blood dyed her face at the thought of her obtuseness. Then she set her lips firmly. She had done her best; if a wanton fate chose to interfere now and make Millicent slave to the phantom of her early, radiant love, she, Anna, could do no more!
"Here we are, I guess," called Brockton. The machine shot into a broad street. A promenade between a double row of elms down its centre gave it a spacious dignity. The modest court-house stood on one side, as green-bowered as if Justice were a smiling goddess; a few churches broke the stretch of houses. And on the other side the library and museum stood.
"Pretty little building, but plain," commented Brockton, making disparaging note of its graceful severity.
"It's exactly suited to the place; it epitomizes its spirit," said Anna, glibly. "It's austere without being forbidding—a perfect Colonial adaptation of the Greek."
Millicent made no architectural observation. Instead she said: "If you don't mind, I should like to go in for a while. You could pick me up later, perhaps on your way back to—Where is it we are lunching?"
Consternation looked out of Anna's eyes, bewilderment out of Brockton's. But Millicent turned to them with such gentle command in her gaze that they could offer no protest.
"Come back in half an hour, if you are ready," she said. Upon Anna, whose baffled look followed her up the flagging between the close-clipt lawns, there came the feeling that she was leaving her cousin alone with the beloved dead.
"Now what—" began Brockton, in full-toned protest,—"what the—"
"That was the last thing Will Hayter did,"—Anna interrupted his question. "And the first, so to speak. It was a fairly important commission. Jessup, the Trya Drop liniment man, came from Riverfield—he has a mammoth place outside now. When he began to coin money faster than the mint, he gave lots of things to his birthplace—which has always blushed for him. It's prouder that Whittier once spent Sunday with one of its citizens than that Alonzo Jessup is its son. Well, he gave the library and museum, and the commission went to Will Hayter. The Hayters came from here two or three generations ago. It was just before his death, and Millicent has been abroad almost ever since. So she had never seen it."
Brockton gave a look of speechless chagrin at his hostess, which she answered haughtily:
"My dear Mr. Brockton, after all, I never undertook to be a marriage-broker!" Then she glanced at the chauffeur and forbore.
Meantime Millicent sat in one of the square exhibition-halls. The sweet air, with the scent of hay from the farther country faintly impregnating it, blew through the quiet. No one else shared the room with her. The even light soothed her eyes, the stillness calmed the fluttering apprehension in her breast which had presaged she knew not what fresh anguish of loss. There were pictures on the walls—one or two not despicable originals which Trya Drop Jessup had given, many copies, and a few specimens of Riverfield's native talent. But she saw none of them, any more than one sees the windows and the paintings in a great cathedral in the first fulness of reverence. To her this was a sacred place. That grief had lost its poignancy, that youth and health with cruel insistence had reasserted their sway over her life, did not mean forgetfulness, unfaith.
"Truly, truly,"—she almost breathed the words aloud,—"there has been no other one. That was my love, young as we were. But I must fill up the days—I must fill up the days."
Her eyes were fixed unseeingly upon a great canvas at the other end of the hall. Some Riverfield hand had portrayed a Riverfield imagination's conception of the moment in the life of Christ when, the temptations of Satan withstood, angels came to Him upon the mountain. In the lower distance the kingdoms of the world grew dim beneath the shadow that fell from the vanquished and retreating tempter, and from the opening heavens a dazzling cloud of angels streamed toward the solitary Figure on the height. By and by Millicent's eyes took note of it. She half smiled. There was daring at least!
Then the picture faded, and again the persistent figure of the child which had so filled her imagination came before her. But this time it was toward herself that the rosy face was turned and limpid eyes lifted in unquestioning dependence. She was the mother; she stood on the piazza, and hy her side he stood, who had been so dear in himself, so infinitely dearer in the thought of all that should be; toward them the child came; they were enveloped by breathless love for each other and for that being, innocent, trusting, which their love had called into life. So, dimly, she had dreamed in the radiant days of old. Almost she could feel his hand upon her shoulder, hear his voice full of tenderness that expressed itself only in tone, not in word, taking refuge from too great feeling in jest. She closed her eyes against the vision that made her faint with anguish.
Some one entered the room with a brisk little trot; Millicent opened her eyes and turned her head. A small woman, "old maid" from the top of her neat gray head to the toe of her list shoes, came forward. She held a pad and pencil and wore the badge of authority in her manner. At sight of Millicent she paused, blinking behind her glasses. Millicent came slowly out of her trance; recognition dawned upon her. She rose.
"Miss Hayter—Aunt Harriet!" she cried, advancing.
"It is you, then!" chirped the elder lady. "My dear, who could have expected this?"
"Not I, for one!" She held both Miss Hayter's hands. "I had no idea you were here. Surely you haven't given up your beloved Boston school?"
"Oh no. Only in the summer I come here for a month and substitute for the regular curator while she is on her vacation. It"—she struggled against a constitutional distaste for self-revelation—"it seems like a little visit with Will, somehow."
Millicent's throat throbbed with a strangled sob. No one had spoken his name in so long! Her people had had no interest but to banish the memory of him from her heart; this quaint little aunt of his, who had adored him and lived for him, was the first who had spoken of him in—she did not know how many years. She held tight to the old hands, her eyes clung to the withering face. "Say it again," she whispered; "say his name."
"Why, my dear," cried the older woman, "is it still as hard as this? Come, sit down here with me. Of course I knew that you were not one of the changing kind,"—Millicent winced,—"but I'm sorry to think you should suffer now as keenly as you do."
"It is not just that," said Millicent, shamefacedly. "Only, seeing you unexpectedly gave me a pang. And then, being in the place he built—"
The older woman patted her hand soothingly. "I understand," she said. "I've always understood. When—when you didn't write after the very first, I knew it was because you couldn't, not because you forgot. You were really made for each other, you two. I think I never saw two such radiant, happy creatures in the world. Ah, well!" she wiped a sudden dew from her glasses, "waiting's hard, my dear, but it ends,—it ends."
Millicent was hurt by the unbroken faith in her, by the unquestioning belief she could not share. She looked wistfully upon the shining, tearful eyes.
"It is very beautiful to think that," she said, "but, dear Aunt Harriet, you are mistaken about me. I am going to tell you everything. I—I loved your nephew. I shall not love any one else. It happened to come to me in perfectness when I was young—love. But I live, I am well, I am alive to pleasure and pain. How shall I fill up my life but with the things that still matter to me?"
"You think of marrying, you mean?" Aunt Harriet's voice was dry and harsh. "Well—I am sure Will would wish your happiness, and I—it would not be for me to object. Every day it is done, and very often rightly, I suppose; for money, for companionship, for the chance of self-development, women marry without love. I—I could only wish you happiness."
"You—do not understand."
"My dear,"—her voice softened again; something in the pallor and the quivering pain of the girl touched her,—"I do not mean to speak hardly to you. It seems to me like this: when it comes to piecing out a life that has been broken, as yours was—as mine was, my dear, as mine was—there are two ways of doing it. Either you keep your ideal of perfect love, and lead your poor every-day life of odds and ends, like mine, filling your days with the best scraps of pleasure or usefulness you may, or you give up your ideal of perfect love and marry, and have your home and your children and your rounded outward life. There is, maybe, no question of higher or lower. Each one of us does what her nature bids her. I had always thought of you as one who—But it is not for me to judge."
Her voice was gentle, and she did not look at Millicent. Her eyes seemed to pierce the canvas on the opposite wall and the hangings and the stones behind it, and to see a far image of souls in the struggle of choice. The woman beside her sat silent, her thoughts with the idealists—the men who gave up the comfort of their firesides, the gain of their occupations, and followed whither the vision led; the woman whose home was built upon love and who would see only infamy in houses founded otherwise; the poor soul beside her, stronger in courage, more aspiring in thought, than she, with all her delicacies, her refinements of taste. The ideal had led them all—the ideal, as it had once shone for her and for him whose spirit had informed and beautified the spot where she sat and made her choice.
"Aunt Harriet," she said, and her face was like the sudden flashing of stars between torn clouds,—"Aunt Harriet—" She could not utter the decision in words. "May I come to see you—and learn something from you?"
Miss Hayter looked. There was no need to question. No knight ever rose from his accolade with a face more glorified than Millicent's when she silently dedicated herself to the shining company of those who keep unsullied the early vision.
As she passed out of the hall, her eyes fell again upon the painting of the Temptation. She read the black and gilt legend below it—"And Angels Came and Ministered Unto Him." Then she laughed down upon the old-fashioned figure trotting by her side. "And angels came," she said.
Her rapt look frightened Anna when the automobile returned for her. Then the heart of that frivolous woman was stricken for a moment with wistfulness.
"You seem very happy," she faltered, "and—amused, is it? What are you smiling over?"
"I am still thinking of angels. Would you ever have dreamed, Anna, that they sometimes wore list shoes, and sometimes ate bread and jam, and occasionally spoke with granite lips? They do."
Brockton stirred uneasily, foreboding failure. And Anna sighed, mourning two lost visions.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1933, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 90 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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