OpenLLM-France/wikimedia huggingface dataset:
# Book Introduction - Titus

Read first chapter of Titus WRITER: The Apostle Paul ( 1:1) DATE: Practically the same with First Timothy THEME: Titus has much in common with First Timothy. Both Epistles are concerned with the due order of the churches. The distinction is that in First Timothy sound doctrine is more prominent 1 Timothy 1:3-10 in Titus the divine order for the local churches Titus 1:5. The permanent use of these Epistles lies in this twofold application, on the one hand to churches grown careless as to the truth of God, on the other, to churches careless as to the order of God's house. The importance of this order is made solemnly emphatic in that the tests by which true elders and deacons may be known are repeated ; 1 Timothy 3:1-7; Titus 1:6-9. There are two divisions:
* The qualifications and functions of elders, 1:1-16.
* The pastoral work of the true elder, 2:1-3,15.

# CHAPTER 1
## Verse 3

Saviour (See Scofield "Romans 1:16").

## Verse 5

wanting It is not at all a question of the presence in the assembly of persons having the qualifications of elders, made overseers by the Holy Spirit Acts 20:28 that such persons were in the churches of Crete is assumed; the question is altogether one of the appointment of such persons. These assemblies were not destitute of elders; but were "wanting," in that they were not duly appointed. There is a progress of doctrine in respect of the appointing of elders. Cf. v. 5, note. elders Elder (presbuteros) and bishop (episcopos = "overseer") designate the same office (cf Titus 1:7; Acts 20:17; 20:28 the former referring to the man, the latter to a function of the office. The eldership in the apostolic local churches was always plural. There is no instance of one elder in a local church. The functions of the elders are: to rule ; 1 Timothy 3:4,5; 5:17 to guard the body of revealed truth from perversion and error Titus 1:9 to "oversee" the church as a shepherd his flock ; Acts 20:28; John 21:16; Hebrews 13:17. 1 Peter 5:2. Elders are made or "set" in the churches by the Holy Spirit Acts 20:28 but great stress is laid upon their due appointment ; Acts 14:23; Titus 1:5. At first they were ordained ( (Greek - προχειροτονέω," "to elect," "to designate with the hand,") by an apostle; e).g. Acts 14:23 but in Titus and First Timothy the qualifications of an elder become part of the Scriptures for the guidance of the churches in such appointment. 1 Timothy 3:1-7.

# CHAPTER 2
## Verse 11

grace Grace (in salvation). vs. Titus 3:7; Romans 3:24. (See Scofield "John 1:17").

## Verse 13

Saviour (See Scofield "Romans 1:16").

## Verse 14

redeem Sin. (See Scofield "Romans 3:24").

# CHAPTER 3
## Verse 5

righteousness (See Scofield "Romans 10:3") saved (See Scofield "Romans 1:16").

## Verse 6

Saviour (See Scofield "Romans 1:16").

## Verse 7

by his grace Grace (in salvation). Hebrews 2:9; Romans 3:24 (See Scofield "John 1:17").

## Verse 11

sinneth Sin. (See Scofield "Romans 3:23").
* ↑ strong="G4401"
# Book Introduction - Zephaniah

Read first chapter of Zephaniah This prophet, a contemporary of Jeremiah, exercised his ministry during the reign of Josiah. It was a time of revival (2Ki. 22), but the captivity was impending, nevertheless, and Zephaniah points out the moral state which, despite the superficial revival under Josiah (Jeremiah 2:11-13), made it inevitable. Zephaniah is in four parts:
* The coming invasion of Nebuchadnezzar a figure of the day of the Lord, 1:1-2:3.
* Predictions of judgment on certain peoples, 2:4-15.
* The moral state of Israel for which the captivity was to come, 3:1-7.
* The judgment of the nations followed by kingdom blessing under Messiah, 3:8-20.

# CHAPTER 1
## Verse 4

Chemarims i.e. idolatrous priests. Cf. 2 Kings 23:5.

## Verse 5

Malcham An idol of the Ammonites, same as Molech, or Milcom.

## Verse 7

for the day of the Lord As in the other Prophets, the approaching invasion of Nebuchadnezzar is treated as an adumbration of the true day of the Lord in which all earth-judgments will culminate, to be followed by the restoration and blessing of Israel and the nations in the kingdom. See "Day of the Lord" Isaiah 2:10-22; Revelation 19:11-21 "Israel" ; Genesis 12:2,3; Romans 11:26. CF. Joel 1.,2.

## Verse 11

Maktesh Lit. The Mortar, a depression in Jerusalem where the bazaars were.

# CHAPTER 2
## Verse 1

desired Lit. that hath not shame. Cf. Jeremiah 3:3.

## Verse 7

remnant (See Scofield "Jeremiah 15:21").

## Verse 13

Nineveh (See Scofield "Nahum 1:1").

# CHAPTER 3
## Verse 2

trusted (See Scofield "Psalms 2:12")

## Verse 7

fear (See Scofield "Psalms 19:9")

## Verse 9

then will I turn In Zephaniah the conversion of "the peoples" is stated out of the usual prophetic order, in which the blessing of Israel and the setting up of the kingdom precedes the conversion of the Gentiles. (See Scofield "Zechariah 12:1"). See Scofield "Zechariah 12:8". But the passage gives clear testimony as to when the conversion of the nations will occur. It is after the smiting of the nations. Cf. Isaiah 11:9 with context; Daniel 2:34,35; Psalms 2:5-8; Acts 15:15-17; Revelation 19:19-20:6.

## Verse 12

trust (See Scofield "Psalms 2:12").

## Verse 13

remnant (See Scofield "Jeremiah 15:21")

## Verse 15

the midst of thee That this, and all like passages in the Prophets (see "Kingdom (O.T.)," Genesis 1:26; Zechariah 12:8 cannot refer to anything which occurred at the first coming of Christ is clear from the context. The precise reverse was true. (See Scofield "Isaiah 11:1").
# Scofield v. National Labor Relations Board

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Black
United States Supreme Court
394 U.S. 423
Scofield v. National Labor Relations Board
Argued: Jan. 14, 1969. --- Decided: April 1, 1969
James Urdan, Milwaukee, Wis., for petitioners.
Norton J. Come and John Silard, Washington, D.C., for respondents.
Mr. Justice WHITE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Scofield v. National Labor Relations Board/Dissent Black

* Court Documents
* Case Syllabus
* Opinion of the Court
* Dissenting Opinion Black
United States Supreme Court
394 U.S. 423
Scofield v. National Labor Relations Board
Argued: Jan. 14, 1969. --- Decided: April 1, 1969
Mr. Justice BLACK, dissenting.
Because the union members collected from their employer extra pay for piecework production in excess of that agreed upon by the union and the company, the union has tried the members, fined them, and suspended them from the union for one year. Section 8(b)(1) of the National Labor Relations Act makes it an unfair labor practice for a union to 'restrain or coerce' employees in the exercise of their right under § 7 to refrain from any or all concerted activities. In this case the National Labor Relations Board held that the union did not commit an unfair labor practice in coercing employees through fines and suspensions into refusing to engage in this concerted activity. I dissent from affirming this order of the Board for the reasons set out at length in my dissenting opinion in NLRB v. Allis-Chalmers Mfg. Co., 388 U.S. 175, 1 9, 87 S.Ct. 2001, 2016, 18 L.Ed.2d 1123 (1967).

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Songs and Lyrics (Lehrer)/The Subway Song

THE SUBWAY SONG
words by Tom Lehrer
music: “M-O-T-H-E-R”, by Theodore Morse (1915 - P.D.) (original lyrics by Howard Johnson)
H is for my Alma Mater, Harvard C is Central, next stop on the line K is for the kozy Kendall station C is Charles, that overlooks the brine P is Park Street, busy Boston center W is Washington, you see Put them all together, they spell “HCKC-PW” Which is just about what Boston means to me.
Historical note: This is a song that I wrote after I first came to Cambridge in 1943. When I first took the subway ride from Cambridge into Boston, I noticed that the subway stations on the line had this interesting feature.
Kendall has since been renamed Kendall/MIT. Charles has since been renamed Charles/MGH. Washington has since been renamed Downtown Crossing.
# Songs and Lyrics (Lehrer)/There's a Delta for Every Epsilon

* related portals: The Physical Revue.
* sister projects: Wikidata item.
A recording of this song is available here.
THERE'S A DELTA FOR EVERY EPSILON (Calypso)
words and music by Tom Lehrer (1949)
There's a delta for ev'ry epsilon, It's a fact that you can always count upon. There's a delta for ev'ry epsilon -- And now and again There's also an N.
But one condition I must give: The epsilon must be positive. A lonely life all the others live, In no theorem A delta for them.
How sad, how cruel, how tragic! How pitiful, and other adjec - Tives that I might mention. The matter merits our attention. If an epsilon is a hero Just because it is greater than zero, It must be mighty discouragin' To lie to the left of the "uragin."
This rank discrimination is not for us. We must fight for an enlightened calculus, Where epsilons all, both minus and plus, Have deltas To call their own.
# Songs and Lyrics (Lehrer)/The Wiener Schnitzel Waltz

THE WIENER SCHNITZEL WALTZ
words and music by Tom Lehrer
Do you remember the night I held you so tight, As we danced to the Wiener Schnitzel Waltz? The music was gay, and the setting was Viennese, Your hair wore some roses (or perhaps they were peonies), I was blind to your obvious faults, As we danced 'cross the scene To the strains of the Wiener Schnitzel Waltz.
Oh, I drank some champagne from your shoe. I was drunk by the time I got through. For I didn't know as I raised that cup, It had taken two bottles to fill the thing up. It was I who stepped on your dress. The skirts all came off, I confess. Revealing for all of the others to see Just what it was that endeared you to me.
I remember the night I held you so tight, As we danced to the Wiener Schnitzel Waltz. Your lips were like wine (if you'll pardon the simile), The music was lovely and quite Rudolf Frimly. (*) I drank wine, you drank chocolate malts, And we both turned quite green To the strains of the Wiener Schnitzel Waltz.
(*) In the London production of Tomfoolery, these two lines were replaced by:
Your face was aglow, but your teeth rather yellowish. The music was lovely, quite Ivor Novelloish.
# Songs and Lyrics (Lehrer)/The Wild West Is Where I Want to Be

THE WILD WEST IS WHERE I WANT TO BE
words and music by Tom Lehrer
Along the trail you'll find me lopin', Where the spaces are wide open, In the land of the old A.E.C. Where the scenery's attractive, And the air is radioactive, Oh, the Wild West is where I wanna be.
'Mid the sagebrush and the cactus I'll watch the fellas practice Droppin' bombs through the clean desert breeze. I'll have on my sombrero, And of course I'll wear a pair o' Levis over my lead B.V.D.'s.
I will leave the city's rush, Leave the fancy and the plush, Leave the snow and leave the slush And the crowds. I will seek the desert's hush, Where the scenery is lush, How I long to see the mush- Room clouds.
'Mid the yuccas and the thistles I'll watch the guided missiles, While the old F.B.I. watches me. Yes, I'll soon make my appearance (Soon as I can get my clearance), 'Cause the Wild West is where I wanna be.
# Songs and Lyrics (Lehrer)/Trees

TREES
words by Joyce Kilmer music by Oscar Rasbach (P.D.)
adapted by Tom Lehrer
I reckon I shall never see A pome as purty as a tree. A tree whose hungry mouth finds room Against old Mother Earth's bazoom, A tree that looks at God all day, Because it cannot run away. A tree that may in summer wear A mess of buzzards in her hair, On whose bazoom the snow has lain, Who now and then shacks up with rain . Pomes are made by jerks like me, But only God --- I said God --- I mean God --- Can make a tree.
Original poem by Joyce Kilmer:
I think that I shall never see A poem lovely as a tree. A tree whose hungry mouth is prest Against the earth's sweet flowing breast; A tree that looks at God all day And lifts her leafy arms to pray; A tree that may in summer wear A nest of robins in her hair; Upon whose bosom snow has lain; Who intimately lives with rain. Poems are made by fools like me, But only God can make a tree.
free sheet music for the original song may be found online, e.g., at digitalcommons.library.umaine.edu
# Songs and Lyrics (Lehrer)/The SAC Song

The SAC Song
as sung by Rod Taylor in the movie "A Gathering of Eagles" (1963)
words and music by Tom Lehrer
Here at SAC we're filled with pride, There's just one thing we can't decide: Which we'd rather get clobbered by --- An enemy attack or an O. R. I.
Our Wing Commander's got a racket, Though sometimes it's hard to hack it. Whenever he gets his wife alone --- Ding-a-ling-a-ling goes the little red phone.
We love the seven-day alert, For a week we will not see a skirt. We know it's part of SAC's main goal --- To test our positive control.
Absence makes the heart grow fonder, Whatever became of the wild blue yonder? How we wish the good old days were back -- In SAC!
The SAC Song (extra lyrics - not used)
words and music by Tom Lehrer
Inspector Generals don't scare me, 'Cause I've got job security, No sweat -- no need to cry and sob --- 'Cause what kind of nut would want my job?
Let the guys who fly commercial airlines Get ulcers and receding hairlines. We stay calm when things are looking black --- In SAC.
Now if SAC figured me for married life, They would have issued me a wife! There's no essential that we ever lack --- In SAC.
The missile boys were trained to fly, They know their way around the sky. After years of training they are found --- Pushing buttons underground.
When peace and quiet we have found, That old alert is sure to sound, And ev'ry time we hear that klaxon, We say a few words in Anglo-Saxon.
Insider verses:
When some of the guys are home, I know, Their wives sure keep them on the go. With walls to paint and lawns to mow -- They count an Alert as CTO.
One AC went out with his date, And he drank beer till very late. He passed out on his second quart -- She scored it as a ground abort.
Verse for Delbert Mann:
Those big B-52s, I know, Sure cost the country lots of dough. One costs almost as much, I think, As one week's gross of Touch of Mink.
# Songs and Lyrics (Lehrer)/The Vatican Rag

THE VATICAN RAG
words and music by Tom Lehrer
First you get down on your knees Fiddle with your rosaries Bow your head with great respect And genuflect, genuflect, genuflect!
Do whatever steps you want if You have cleared them with the pontiff Everybody say his own Kyrie eleison Doin' the Vatican Rag.
Get in line in that processional Step into that small confessional There the guy who's got religion'll Tell you if your sin's original.
If it is, try playin' it safer Drink the wine and chew the wafer Two, four, six, eight Time to transubstantiate.
So get down upon your knees Fiddle with your rosaries Bow your head with great respect And genuflect, genuflect, genuflect!
Make a cross on your abdomen When in Rome do like a Roman Ave Maria, gee it's good to see ya Gettin' ecstatic an' Sorta dramatic an' Doin' the Vatican Rag.
# Songs and Lyrics (Lehrer)/Unsong

UNSONG
words and music by Tom Lehrer
(This song was written on spec in 1987 for a prospective TV series for the Disney Channel (never produced) intended to teach reading to children. Presumably, it would have been the soundtrack to an animated segment.)
[The characters: A is a nice guy, who wouldn't dream of making trouble for anyone. B is diabolical and loves to make trouble for people just for the fun of it. As we start, A is putting his wardrobe in order. During the first section A gradually becomes aware of what B is up to.]
A: I fold the shirt B: I unfold the shirt A: I lace the shoes B: I unlace the shoes A: I stack the clothes B: And I unstack them A: I pack the clothes
| B: | And I unpack them It should be clear to anyone: Anything you can do --- I can un. |
A (spoken): Why, that's the most unheard of thing I ever heard of! B (spoken): I think you're getting the idea.
A: I wrap the box B: I unwrap the box A: I tie the string B: I untie the string A: [trying to keep B away] I lock the door [between them] B: And I unlock it A: I block the door
| B: | And I unblock it Undoing things is lots of fun -- Anything you can do --- I can un. |
A: I button my shirt B: I unbutton your shirt [it falls off] A: I buckle my belt B: I unbuckle your belt [pants fall down] A: [getting angry] I dress again
| B: | Well, just to impress you I undress you. [A's clothes fall off, down to underwear. A sneezes.] Bless you! |
A (spoken): Why, you unspeakable, unbelievable, unscrupulous, unmitigated.... B (spoken): ”Don't forget "unfair”!"
A: I comb my hair B: I uncomb your hair [it's a mess] A: I blow my nose [blows] B: I unblow your nose [A inhales]
| A: | Oh, yukk! I make the bed B: And I unmake it |
| A: | [trying to stop B, falls on bed -- it collapses] Oops! I break the bed B: And I unbreak it |
| A: | [surprised that B has actually done something helpful] Why, thank you! B: You're unwelcome -- it was unintentional |
| BOTH: | "Un" can undo whatever you've (I've) done Anything you (I) can do, I (you) can un! |
# Songs and Lyrics (Lehrer)/The Slide Rule Song

* related portals: The Physical Revue.
* sister projects: Wikidata item.
A recording of this song is available here.
THE SLIDE RULE SONG
from The Physical Revue
words and music by Tom Lehrer
Don't bring the answers in on bits of paper, And don't be crude and write them on your cuff. The proctors would catch on to such a caper, And you can bet they'd get you soon enough.
Don't write them on your thumbnail, that's the worst place. Don't write them in the lining of your hat. You really shouldn't be here in the first place, If you can't be more original than that.
Against such things they have a justified rule, They expel you without benefit of doubt, But if you hide the answers in your slide rule, It's 8 to 5 that no one will find out.
| CHORUS: | Yes, If you hide the answers in your slide rule, It's 8 to 5 that no one will find out. |
# Songs and Lyrics (Lehrer)/We're Talkin' Algebra

WE'RE TALKIN' ALGEBRA
words and music by Tom Lehrer commissioned by Academic Systems in Mountain View, CA
[Note : The verses are to be recited to a quasi-rap beat.]
Part I: Polvnomials, rational functions, and theory of equations
Polynomials and rational functions, coefficients, Linear factors and quadratics and pure imaginaries, Partial fraction decomposition, And synthetic division, multiplicity of roots, And complex conjugates. (What?) I said "complex conjugates"! (WHAT??)
| REFRAIN (sung): | We're talkin' algebra, What we 're doin' here is algebra. Try a little bit and Wow! You are gonna wonder how Did you ever get along without it up to now. It's algebra, Get yourself a little algebra. You are really gonna be amazed at all that it can do for you. (Who, me?) Yes, you! |
Part II: Conic sections
Hyperbolas and circles and ellipses and parabolas And diameters and radii and axes of symmetry And sections of the cone and completion of the square And directrices and intercepts and vertices and foci And asymptotes. (What?) I said "asymptotes"! (WHAT??) REFRAIN (sung)
Part III: Matrices and determinants
Linear simultaneous equations and solutions, Using coefficient matrices and quotients of determinants, And inconsistent systems, elementary operations, Using Cramer's rule and Gaussian elimination, And cofactors. (What?) I said "cofactors"! (WHAT??) REFRAIN (sung)
Part IV: Mathematical induction, sequences, and counting
Geometric sequences and infinite series, Permutations, combinations, and the sigma notation, Mathematical induction, arithmetical progression, And binomial expansion and the Pascal triangle, And factorials. (Huh?) I said "factorials"! (HUH??) REFRAIN (sung)
[On the recording the lines "Who, me?", "What?", and "Huh?" were spoken by Edward Landesman.]
# Shakespeare of Stratford/The Biographical Facts/Fact 70

Layout 2
New Haven: Yale University Press, pages 96–97
​LXX. BEN JONSON ON SHAKESPEARE (1630?).
Section entitled De Shakespeare nostrat[e] in Jonson’s Timber, or Discoveries, printed posthumously, 1641,
I remember, the players have often mentioned it as an honor to Shakespeare that in his writing, whatsoever he penned, he never blotted out line. My answer hath been: Would he had blotted a thousand; which they thought a malevolent speech. I had not told posterity this but for their ignorance, who choose that circumstance to commend their friend by wherein he most faulted, and to justify mine own candor, for I loved the man and do honor his memory (on this side idolatry) as much as any. He was, indeed, honest, and of an open and free nature; had an excellent ​fancy, brave notions, and gentle expressions, wherein he flowed with that facility that sometime it was necessary he should be stopped: Sufflaminandus erat, as Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too. Many times he fell into those things could not escape laughter: as when he said in the person of Cæsar, one speaking to him ‘Cæsar, thou dost me wrong!’—he replied, ‘Cæsar did never wrong but with just cause’; and such like, which were ridiculous. But he redeemed his vices with his virtues: there was ever more in him to be praised than to be pardoned.
* ↑ ‘Concerning Shakespeare, our countryman.’
* ↑ Cf. Heminge and Condell, p. 90.
* ↑ ‘He had to be checked.’
* ↑ The passage in Jonson’s mind is Julius Cæsar III. i. 47, which does not now stand as Jonson quotes it. The absence of precise logical consistency, which Jonson ascribes to too hasty composition, is abundantly frequent in Shakespeare’s style.
Footnotes