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# 1911 Encyclopædia Britannica/Castell, Edmund

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​CASTELL, EDMUND (1606–1685), English orientalist, was born in 1606 at Tadlow, in Cambridgeshire. At the age of fifteen he entered Emmanuel College, Cambridge, but afterwards changed his residence to St John’s, on account of the valuable library there. His great work was the compiling of his Lexicon Heptaglotton Hebraicum, Chaldaicum, Syriacum, Samaritanum, Aethiopicum, Arabicum, et Persicum (1669). Over this book he spent eighteen years, working (if we may accept his own statement) from sixteen to eighteen hours a day; he employed fourteen assistants, and by an expenditure of £12,000 brought himself to poverty, for his lexicon, though full of the most unusual learning, did not find purchasers. He was actually in prison in 1667 because he was unable to discharge his brother’s debts, for which he had made himself liable. A volume of poems dedicated to the king brought him preferment. He was made prebendary of Canterbury and professor of Arabic at Cambridge. Before undertaking the Lexicon Heptaglotton, Castell had helped Dr Brian Walton in the preparation of his Polyglott Bible. His MSS. he bequeathed to the university of Cambridge. He died in 1685 at Higham Gobion, Bedfordshire, where he was rector.
The Syriac section of the Lexicon was issued separately at Göttingen in 1788 by J. D. Michaelis, who offers a tribute to Castell’s learning and industry. Trier published the Hebrew section in 1790–1792.
# 1911 Encyclopædia Britannica/Cast

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​CAST (from the verb meaning “to throw”; the word is Scand. in origin, cf. Dan. kaste, and Swed. kasta; “cast” in Middle Eng. took the place of the A.S. weorpan, cf. Ger. werfen), a throw, or that which is thrown, or that into which something is thrown. From these three meanings come the main uses of the word; for the throwing of dice, with the figurative sense of a chance or opportunity, as in “at the last cast”; for the throwing of a fisherman’s line in fly-fishing; for hounds spreading out in search of a lost scent; or, with the further meaning of a twisted throw or turn, for a slight squint in the eye. “Cast” is applied to a measure of herrings or other fish, being the amount taken in two hands to be thrown into a vessel, and similarly to a potter’s measure for a certain quantity of clay; in fishing, to the casting line of gut with fly attached; to the hard refuse thrown out of the crop of a bird of prey, and to the coils of earth thrown up by earth-worms. From the old method, in making calculations, of using counters, which were thus “thrown” up into a heap, is probably derived the meaning of “cast” for the “casting up” of figures in an account. Further, the word is found for a mould for the casting of metals, and more particularly for the copy of an original statue or relief taken from a mould; similarly, of fossils, for the mineral filling of the empty mould left by the organism. Special uses of the word are also found in the theatrical term for the assignment of particular parts to the actors and actresses in a play, and in the many figurative senses of a type or stamp, as of features or characters.
# 1911 Encyclopædia Britannica/Castalia

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​CASTALIA, or Fons Castalius, a celebrated fountain in Greece, now called the Fountain of St John, which rises in a chasm of Mount Parnassus, in the neighbourhood of Delphi. It was sacred to Apollo and the Muses, and its water was used in the religious purifications of the “Pythian Pilgrims.” From its connexion with the Muses it is sometimes referred to by late Greek writers (e.g. Lucian, Jup. Trag. 30) and Latin poets (e.g. Ovid, Am. i. 15. 36) as a source of inspiration, and this has passed into a commonplace of modern literature. According to some authorities the nymph Castalia was the daughter of Achelous; according to others the water of the spring was derived from the Boeotian Cephissus.
# 1911 Encyclopædia Britannica/Castanets

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​CASTANETS (Fr. castagnettes, Ger. Kastagnetten, Span. castañuelas), instruments of percussion, introduced through the Moors by way of Spain into Europe from the East, used for marking the rhythm in dancing. Castanets, always used in pairs, one in each hand, consist of two pear or mussel-shaped bowls of hard wood, hinged together by a silk cord, the loop being passed over the thumb and first finger. The two halves are then struck against each other by the other fingers in single, double or triple beats, giving out series of hollow clicks of indefinite musical pitch. When intended for use in the orchestra the pair of castanets is mounted one at each end of a wooden stick about 8 in. long, which facilitates the playing. Castanets are also sometimes used in military bands and are then specially constructed. The two halves are kept open by a slight spring fixed to a frame attached to the hoop of a side drum, and the instrument is worked by the drummer with an ordinary drumstick. An instance of the use of castanets in opera occurs in the Habanera in Carmen. A quaint description of castinatts is given in Harleian MS. 2034 (f. 208) at the British Museum (before 1688) with a pencil sketch which tallies very well with the above. The MS. is by Randle Holme and forms part of the Academy of Armoury. Castanets (κρόταλα) were used by the ancient Greeks, and also by the Romans (Lat. crotalum, crotala) to accompany the dances in the Dionysiac and Bacchanalian rites.
# 1911 Encyclopædia Britannica/Castagno, Andrea del

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​CASTAGNO, ANDREA DEL (1390–1457), Italian painter of the Florentine school, was born in 1390, probably at Castagno, in the district of Mugello, and died in August 1457. He imitated Masaccio and the naturalists of his time in boldness of attitude, but was deficient in grace and colouring. His name was for about four centuries burdened with the heinous charge of murder; it was said that he treacherously assassinated his colleague, Domenico Veneziano, in order to monopolize the then recent secret of oil painting as practised in Flanders by the Van Eycks. This charge has, however, been proved to be an untruth; Domenico died four years after Andrea. The latter is commonly called “Andrea (or Andreino) degl’ Impiccati” (of the Hanged Men); this was in consequence of his being commissioned in 1435 to paint, in the Palazzo del Podestà in Florence, the fallen leaders of the Peruzzi and Albizzi—not (as currently said) the men of the Pazzi conspiracy, an event which did not occur until 1478, long after this painter’s death. One of his principal works now extant (most of them have perished) is the equestrian figure of Nicola di Tolentino, in the cathedral of Florence.
# 1911 Encyclopædia Britannica/Castel, Louis Bertrand

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​CASTEL, LOUIS BERTRAND (1688–1757), French mathematician, was born at Montpellier on the 11th of November 1688, and entered the order of the Jesuits in 1703. Having studied literature, he afterwards devoted himself entirely to mathematics and natural philosophy. He wrote several scientific works, that which attracted most attention at the time being his Optique des couleurs (1740), or treatise on the melody of colours. He endeavoured to illustrate the subject by a clavecin oculaire, or ocular harpsichord; but the treatise and the illustration were quickly forgotten. He also wrote Mathématique universelle (1728) and Traité de physique sur la pesanteur universelle des corps (1724). He also published a critical account of the system of Sir Isaac Newton in French in 1743.
# 1911 Encyclopædia Britannica/Booth

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​BOOTH (connected with a Teutonic root meaning to dwell, whence also “bower”), primarily a temporary dwelling of boughs or other slight materials. Later the word gained the special meaning of a market stall or any non-permanent erection, such as a tent at a fair, where goods were on sale. Later still it was applied to the temporary structure where votes were registered, viz. polling-booth. Temporary booths erected for the weekly markets naturally tended to become permanent shops. Thus Stow states that the houses in Old Fish Street, London, “were at first but movable boards set out on market days to show their fish there to be sold; but procuring licence to set up sheds, they grew to shops, and by little and little, to tall houses.” As bothy or bothie, in Scotland, meaning generally a hut or cottage, the word was specially applied to a barrack-like room on large farms where the unmarried labourers were lodged. This, known as the Bothy system, was formerly common in Aberdeenshire and other parts of northern Scotland.
# 1911 Encyclopædia Britannica/Booth, William

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​In 1890 “General” Booth attracted further public attention by the publication of a work entitled In Darkest England, and the Way Out, in which he proposed to remedy pauperism and vice by a series of ten expedients: (1) the city colony; (2) the farm colony; (3) the over-sea colony; (4) the household salvage brigade; (5) the rescue homes for fallen women; (6) deliverance for the drunkard; (7) the prison-gate brigade; (8) the poor man’s bank; (9) the poor man’s lawyer; (10) Whitechapel-by-the-Sea. Money was liberally subscribed and a large part of the scheme was carried out. The opposition and ridicule with which Booth’s work was for many years received gave way, towards the end of the 19th century, to very widespread sympathy as his genius and its results were more fully realized.
The active encouragement of King Edward VII., at whose instance in 1902 he was invited officially to be present at the coronation ceremony, marked the completeness of the change; and when, in 1905, the “general” went on a progress through England, he was received in state by the mayors and corporations of many towns. In the United States also, and elsewhere, his work was cordially encouraged by the authorities.
See T. F. Coates, The Life Story of General Booth (2nd ed., London, 1906), and bibliography under Salvation Army.
# 1911 Encyclopædia Britannica/Booth, Charles

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​BOOTH, CHARLES (1840– ), English sociologist, was born at Liverpool on the 30th of March 1840. In 1862 he became a partner in Alfred Booth & Company, a Liverpool firm engaged in the Brazil trade, and subsequently chairman of the Booth Steamship Company. He devoted much time, and no inconsiderable sums of money, to inquiries into the statistical aspects of social questions. The results of these are chiefly embodied in a work entitled Life and Labour of the People in London (1891–1903), of which the earlier portion appeared under the title of Life and Labour in 1889. The book is designed to show “the numerical relation which poverty, misery and depravity bear to regular earnings and comparative comfort, and to describe the general conditions under which each class lives.” It contains a most striking series of maps, in which the varying degrees of poverty are represented street by street, by shades of colour. The data for the work were derived in part from the detailed records kept by school-board “visitors,” partly from systematic inquiries directed by Mr Booth himself, supplemented by information derived from relieving officers and the Charity Organization Society. Mr Booth also paid much attention to a kindred subject—the lot of the aged poor. In 1894 he published a volume of statistics on the subject, and, in 1891 ​and 1899, works on Old-age pensions, his scheme for the latter depending on a general provision of pensions of five shillings a week to all aged persons, irrespective of the cost to the state. He married, in 1871, the daughter of Charles Zachary Macaulay. In 1904 he was made a privy councillor.
# 1911 Encyclopædia Britannica/Boothia

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​BOOTHIA (Boothia Felix), a peninsula of British North America, belonging to Franklin district, and having an area of 13,100 sq. m., between 69° 30′ and 71° 50′ N. and 91° 30′ and 97° W. Its northernmost promontory, Murchison Point, is also the northernmost point of the American mainland. It was discovered by Captain (afterwards Sir James) Ross, during his expedition of 1829–1833, and was named after Sir Felix Booth, who had been chiefly instrumental in fitting out the expedition. Boothia forms the western side of Boothia Gulf. From the main mass of the continent the peninsula is almost separated by lakes and inlets; and a narrow channel known as Bellot Strait intervenes between it and North Somerset Island, which was discovered by Sir E. Parry in 1819. The peninsula is not only interesting for its connexion with the Franklin expedition and the Franklin search, but is of scientific importance from the north magnetic pole having been first distinctly localized here by Ross, on the western side, in 70° 5′ N., 96° 47′ W.
Boothia Gulf separates the north-western portion of Baffin Land and Melville Peninsula from Boothia Peninsula. It is connected with Barrow Strait and Lancaster Sound by Prince Regent Inlet, with Franklin Strait by Bellot Strait, and with Fox Channel by Fury and Hecla Strait. The principal bays are Committee and Pelly in the southern portion, and Lord Mayor in the western.
# 1911 Encyclopædia Britannica/Booth, Barton

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​BOOTH, BARTON (1681–1733), English actor, who came of a good Lancashire family, was educated at Westminster school, where his success in the Latin play Andria gave him an inclination for the stage. He was intended for the church; but in 1698 he ran away from Trinity College, Cambridge, and obtained employment in a theatrical company in Dublin, where he made his first appearance as Oroonoko. After two seasons in Ireland he returned to London, where Betterton, who on an earlier application had withheld his active aid, probably out of regard for Booth’s family, now gave him all the assistance in his power. At Lincoln’s Inn Fields (1700–1704) he first appeared as Maximus in Valentinian, and his success was immediate. He was at the Haymarket with Betterton from 1705 to 1708, and for the next twenty years at Drury Lane. Booth died on the 10th of May 1733, and was buried in Westminster Abbey. His greatest parts, after the title-part of Addison’s Cato, which established his reputation as a tragedian, were probably Hotspur and Brutus. His Lear was deemed worthy of comparison with Garrick’s. As the ghost in Hamlet he is said never to have had a superior. Among his other Shakespearian rôles were Mark Antony, Timon of Athens and Othello. He also played to perfection the gay Lothario in Rowe’s Fair Penitent. Booth was twice married; his second wife, Hester Santlow, an actress of some merit, survived him.
See Cibber, Lives and Characters of the most eminent Actors and Actresses (1753); Victor, Memoirs of the Life of Barton Booth (1733).
# 1911 Encyclopædia Britannica/Bootle

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​BOOTLE, a municipal and county borough in the Bootle parliamentary division of Lancashire, England; at the mouth of the Mersey, forming a northern suburb of Liverpool. Pop. (1901) 58,566; an increase by nearly nine times in forty years. The great docks on this, the east bank of the Mersey, extend into the borough, but are considered as a whole under Liverpool (q.v.). Such features, moreover, as communications, water-supply, &c., may be considered as part of the greater systems of the same city. The chief buildings and institutions are a handsome town hall, a museum, free libraries, technical schools, and several public pleasure grounds. Bootle was incorporated in 1868 and was created a county borough in 1888; the corporation consists of a mayor, 10 aldermen and 30 councillors. A proposal to include it within the city of Liverpool was rejected in parliament in July 1903. Area, 1576 acres.
# 1911 Encyclopædia Britannica/Booty

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​BOOTY (apparently influenced by “boot,” O. Eng. bot, advantage or profit, through an adaptation from an earlier form cognate with Ger. Beute and Fr. butin), plunder or gain. The phrase “to play booty,” dating from the 16th century, means to play into a confederate’s hands, or to play intentionally badly at first in order to deceive an opponent.
# 1911 Encyclopædia Britannica/Gribeauval, Jean Baptiste de

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​GRIBEAUVAL, JEAN BAPTISTE DE (1715–1789), French artillery general, was the son of a magistrate of Amiens and was born there on the 15th of September 1715. He entered the French royal artillery in 1732 as a volunteer, and became an officer in 1735. For nearly twenty years regimental duty and scientific work occupied him, and in 1752 he became captain of a company of miners. A few years later he was employed in a military mission in Prussia. In 1757, being then a lieutenant-colonel, ​he was lent to the Austrian army on the outbreak of the Seven Years’ War, and served as a general officer of artillery. The siege of Glatz and the defence of Schweidnitz were his principal exploits. The empress Maria Theresa rewarded him for his work with the rank of lieutenant field-marshal and the cross of the Maria Theresa order. On his return to France he was made maréchal de camp, in 1764 inspector of artillery, and in 1765 lieutenant-general and commander of the order of St Louis. For some years after this he was in disfavour at court, and he became first inspector of artillery only in 1776, in which year also he received the grand cross of the St Louis order. He was now able to carry out the reforms in the artillery arm which are his chief title to fame. See Artillery; and for full details Gribeauval’s own Table des constructions des principaux attirails de l’artillerie . . . de M. de Gribeauval, and the règlement for the French artillery issued in 1776. He died in 1789.
See Puységur in Journal de Paris, supplement of the 8th of July 1789; Chevalier de Passac, Précis sur M. de Gribeauval (Paris, 1816); Veyrines, Gribeauval (Paris, 1889), and Hennébert, Gribeauval, lieutenant-général des armées du roy (Paris, 1896).
# 1911 Encyclopædia Britannica/Griffe

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​GRIFFE (French for “claw”), an architectural term for the spur, an ornament carved at the angle of the square base of columns.
# 1911 Encyclopædia Britannica/Griffin, Gerald

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​GRIFFIN [O’Griobta, O’Greeva], GERALD (1803–1840), Irish novelist and dramatic writer, was born at Limerick of good family, on the 12th of December 1803. His parents emigrated in 1820 to America, but he was left with an elder brother, who was a medical practitioner at Adare. As early as his eighteenth year he undertook for a short time the editorship of a newspaper in Limerick. Having written a tragedy, Aguire, which was highly praised by his friends, he set out in 1823 for London with the purpose of “revolutionizing the dramatic taste of the time by writing for the stage.” In spite of the recommendations of John Banim, he had a hard struggle with poverty. It was only by degrees that his literary work obtained any favour. The Noyades, an opera entirely in recitative, was produced at the English Opera House in 1826; and the success of Holland Tide Tales (1827) led to Tales of the Munster Festivals (3 vols., 1827), which were still more popular. In 1829 appeared his fine novel, The Collegians, afterwards successfully adapted for the stage by Dion Boucicault under the title of The Colleen Bawn. He followed up this success with The Invasion (1832), Tales of my Neighbourhood (1835), The Duke of Monmouth (1836), and Talis Qualis, or Tales of the Jury-room (1842). He also wrote a number of lyrics touched with his native melancholy. But he became doubtful as to the moral influence of his writings, and ultimately he came to the conclusion that his true sphere of duty was to be found within the Church. He was admitted into a society of the Christian Brothers at Dublin, in September 1838, under the name of Brother Joseph, and in the following summer ​he removed to Cork, where he died of typhus fever on the 12th of June 1840. Before adopting the monastic habit he burned all his manuscripts; but Gisippus, a tragedy which he had composed before he was twenty, accidentally escaped destruction, and in 1842 was put on the Drury Lane stage by Macready with great success.
The collected works of Gerald Griffin were published in 1842–1843 in eight volumes, with a Life by his brother William Griffin, M.D.; an edition of his Poetical and Dramatic Works (Dublin, 1895) by C. G. Duffy; and a selection of his lyrics, with a notice by George Sigerson, is included in the Treasury of Irish Poetry, edited by Stopford A. Brooke and T. W. Rolleston (London, 1900).