OpenLLM-France/wikimedia huggingface dataset:
# Clerk of the Council Act 1859

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An Act to provide for the Authentication of certain Orders of the Privy Council in the Absence of the Clerk of the Council in Ordinary. [21st July 1859]
Whereas certain orders of Her Majesty’s Privy Council are by the Acts of Parliament which provide for the issue thereof required to be certified or authenticated under the hand of the clerk in ordinary of the said Council, and delay and inconvenience may arise in the event of such clerk in ordinary being prevented by illness or otherwise from the discharge of his duty:
1. Whenever Her Majesty shall, with the advice of her Privy Council, make provision for the performance of the duties of the clerk of the said Council in ordinary in the event of his absence, any person acting under the authority of the Order in Council in this behalf shall, in relation as well to the signing, certifying, and issuing of Orders of Her Majesty in Council, or of the lords and others of Her Majesty’s Privy Council, under any Acts of Parliament, as to the other duties of the office, have and perform all the powers and functions and be in the place of the clerk of the said Council in ordinary.
This work is in the public domain worldwide because it was created by a public body of the United Kingdom with Crown Status and commercially published before 1974.
See Crown copyright artistic works, Crown copyright non-artistic works and List of Public Bodies with Crown Status.
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# Cleopatra Rag

This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Cyclopedia of Painting/Painters' Tools

PAINTERS' TOOLS.
Painters' scrapers are shown in Fig. 61: A—Clipped point, metal bolster, cocabola wood handle, B—Square point, metal bolster, cocabola handle. C—Clipped point, steel ferrule, half elastic. D—Square point, flat cocabola handle, two rivets, half elastic.
Painters' putty knives are shown in Fig. 62: A—Beechwood handle, open ferrule. B—Burnt wood handle, open ferrule. C—Burnt wood handle, closed ferrule. D—Flat beech wood handle.
Fig. 64. Paint Brush Holder.
Painters' steel wire brushes are illustrated in Fig. 63: A—For removing paint, rust and all foreign accumulations from the surface of plain and ornamental metals, stone and brick. B—Painter's wire duster, made of very fine steel wire. C—Used to apply preparations for removing old paint. D—For removing old paint and cleaning moldings. E—For cleaning cornices and out-of-the-way places.
A painter's brush holder is shown in Fig. 64. This is indispensable for keeping the brushes in good condition.
Fig. 61. Painter's Scrapers.
Fig. 62. Painter's Putty Knives.
Fig. 63. Painter's Steel Wire Brushes.
# Cyclopedia of Painting/Poor Tools

POOR TOOLS.
It is false economy to work with poor or cheap brushes. A good painter can not do good work, or the amount of work he should, with poor tools.
Time is money and time is lost by trying to paint with a cheap stock brush.
It is a mistake to try to work half-handed or with too few brushes.
The kit should consist of a good full stock body brush for each color, the size depending upon the width of the siding to be painted, 3+$^1$⁄$_2$ to 4 inches long stock brush is the one usually used, a full stock trimming, brush, well broken in. There is no economy in using a half worn out body brush for trimming colors. A good trimming brush is just as essential as a good body brush, as it is impossible to cut in on cornices, corner boards and window and sash frames with a ragged edged brush, a good chiseled sash tool or a 1 inch or 1+$^1$⁄$_2$ inch chiseled varnish brush for brackets or mouldings, also a $^1$⁄$_2$ inch flat chiseled varnish brush for sash colors, a good duster and putty and scraping knife. This completes an ordinary kit of tools and is sufficient to do good work. It is not economy to attempt to work with less.
# Complete Encyclopaedia of Music/A/Abbassamento di mano

Abbassamento di mano. (I. Falling of the hand.) The downward movement of the hand in beating the time of any piece of music.
# Complete Encyclopaedia of Music/A/Abaco, Evaristo Felice Dall

Abaco, Evaristo Felice Dall. A violinist and composer, born at Verona. In the year 1726, he was musician to the court of Maximilian Emanuel.
# Complete Encyclopaedia of Music/A/Abacus harmonicus

Abacus harmonicus. (L.) The structure and disposition of the keys of a musical instrument.
# Complete Encyclopaedia of Music/A/Abbatini, Antonio Maria

Abbatini, Antonio Maria, was born at Tiferno, in the year 1605. He was chapel master of the churches of St. John of Lateran, and of Santa Maria Maggiore at Rome. He wrote many motets, the scientific construction of which procured him a well-merited reputation. He was the master of the celebrated Abb� Stephani, of the Venetian school.
# Complete Encyclopaedia of Music/A/Abaco, Baron

Abaco, Baron, born at Verona, was an amateur performer on the violoncello and composer for that instrument. One of his pieces is dated 1748.
# Complete Encyclopaedia of Music/A/Abacus

Abacus, (L.) or KEY-BOARD. An instrument of ancient invention, for dividing the intervals of the octave.
# Complete Encyclopaedia of Music/A/Abbassamento

Abbassamento. (I. n. A falling or depression.) To pass under. It is used in music written for the harpsichord, piano, and organ, and shows that, when playing very rapid passages sometime: one hand passes over or under the other.
# Complete Encyclopaedia of Music/A/Abbassamento di voce

Abbassamento di voce. (I. Falling of the voice.) The fall or change of the voice from tenor to bass.
# Complete Encyclopaedia of Music/A/Abacus et palmulae

Abacus et palmulae. (L.) The name given to the machinery by which the strings of the ancient polyplectrum were struck.
# Complete Encyclopaedia of Music/A/Abbandone, abbandono, con

Abbandone, abbandono, con. (I.) With self-abandonment ; despondingly.
# Creative Commons Attribution-NoDerivatives

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* Creative Commons Attribution-NoDerivs 2.5
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# Creative Commons Attribution-NonCommercial-NoDerivatives

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This license allows licensees to share, provided that attribution is given to the original author, and that content is not used for commercial purposes, but does not allow the creation of derivative works.
* Creative Commons Attribution-NonCommercial-NoDerivs 2.5
* Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
# Creative Commons Attribution-NonCommercial-ShareAlike

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# Creative Commons Attribution

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This license allows licensees to share and modify content, provided that attribution is given to the original author.
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# Creative Commons Attribution-NonCommercial

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This license allows licensees to share and modify content, provided that attribution is given to the original author, and that the content is not used for commercial purposes.
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* Creative Commons Attribution-NonCommercial 3.0 Unported
# Charlotte Harbor Railway Company v. Welles

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United States Supreme Court
260 U.S. 8
Charlotte Harbor Railway Company v. Welles
Argued: Oct. 4, 1922. --- Decided: Oct 16, 1922
Mr. Kenneth I. McKay, of Tampa, Fla., for plaintiff in error.
Mr. Justice McKENNA delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Charlotte Parish v. Ellis

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United States Supreme Court
41 U.S. 451
Charlotte Parish v. Ellis

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Charleston Western Carolina Railway Company v. Varnville Furniture Company

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United States Supreme Court
237 U.S. 597
Charleston Western Carolina Railway Company v. Varnville Furniture Company
Argued: May 12, 1915. --- Decided: June 1, 1915
Mr. F. B. Grier for plaintiff in error.
[Argument of Counsel from pages 598-599 intentionally omitted]
No counsel appeared for defendant in error.
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Collection of Sacred Hymns/Redeemer of Israel

HYMN 6.P. M.
1Redeemer of Israel, Our only delight, On whom for a blessing we call; Our shadow by day, And our pillar by night, Our king, our companion, our all.
2We know he is coming To gather his sheep, And plant them in Zion, in love, For why in the valley Of death should they weep, Or alone in the wilderness rove?
3How long we have wander'd As strangers in sin, And cried in the desert for thee! Our foes have rejoic'd When our sorrows they've seen; But Israel will shortly be free.
4As children of Zion Good tidings for us: The tokens already appear; ​Fear not and be just, For the kingdom is ours, And the hour of redemption is near.
5The secret of heaven, The myst'ry below, That many have sought for so long, We know that we know, For the Spirit of Christ, Tells his servants they cannot be wrong.
# Collection of Sacred Hymns/Glorious Things of Thee Are Spoken

HYMN 4. P. M.
1Glorious things of thee are spoken,
Zion, city of our God!
He whoso word cannot be broken,
Chose thee for his own abode:
2On the Rock of Enoch founded;
What can shake thy sure repose?
With salvation's wall surrounded,
Thou may'st smile on all thy foes.
3See the stream of living waters,
Springing from celestial love,
Well supply thy sons and daughters,
And all fear of drough remove:
​4Who can faint, while such a river Ever flows their thirst t'assuage? Grace which like the Lord, the giver, Never fails from age to age.
5Round each habitation hov'ring, See the cloud and fire appear! For a glory and a cov'ring, Showing that the Lord is near:
6Thus deriving from their banner, Light by night and shade by day; Sweetly they enjoy the Spirit, Which he gives them when they pray.
7Bless'd inhabitants of Zion, Purchas'd with the Savior's blood! Jesus whom their souls rely on, Makes them kings and priests to God.
8While in love his people raises, With himself to reign as kings; All, as priests, his solemn praises, Each for a thank-offering brings.
9Savior, since of Zion's city I through grace a member am; Though the world despise and pity, I will glory in thy name.
​10Fading are all worldly treasures, With their boasted pomp and show! Heav'nly joys and lasting pleasures None but Zion's children know.
# Collection of Sacred Hymns/The Time Is Nigh That Happy Time

HYMN 5.L. M.
1The time is nigh that happy time, That great, expected, blessed day, When countless thousands of our race, Shall dwell with Christ and him obey.
2The prophecies must be fulfil'd Though earth and hell should dare oppose; The stone out of the mountain cut, Though unobserved, a kingdom grows.
3Soon shall the blended image fall, Brass, silver, iron, gold and clay: And superstition's dreadful reign, To light and liberty give way.
4In one sweet symphony of praise, The Jews and Gentiles will unite; And infidelity, o'ercome, Return again to endless night.
5From east to west, from north to south, The Savior's kingdom shall extend, ​And every man in every place, Shall meet a brother and a friend.
# Collection of Sacred Hymns

A COLLECTION
OF
SACRED HYMNS,
FOR THE
C H U R C H
OF THE
LATTER DAY SAINTS.
SELECTED BY EMMA SMITH.
Kirtland, Ohio:
Published by F. G. Williams & co.
1835.
COPYRIGHT SECURED.
* Preface (iii-iv)
* Sacred Hymns. (Hymns 1-36, pp. 5-50)
** 1. Know then that ev'ry soul is free
** 2. Let ev'ry mortal ear attend
** 3. What fair one is this, from the wilderness trav'ling,
** 4. Glorious things of thee are spoken
** 5. The time is nigh that happy time
** 6. Redeemer of Israel
** 7. See all creation join
** 8. O happy souls who pray
** 15. Joy to the world! the Lord will come!
** 23. This earth was once a garden place (Adam-ondi-Ahman)
* Morning Hymns. (Hymns 37-42, pp. 51-57)
* Evening Hymns. (Hymns 43-48, pp. 57-63)
* Farewell Hymns. (Hymns 49-52, pp. 64-69)
* On Baptism. (Hymns 53-56, pp. 70-74)
* On Sacrament. (Hymns 57-61, pp. 75-81)
* On Marriage. (Hymn 62, pp. 81-82)
* Miscellaneous. (Hymns 63-90, pp. 83-121)
** 90. The Spirit of God, like a fire is burning
* Index
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Collection of Sacred Hymns/Let Every Mortal Ear Attend

HYMN 2. C. M.
1Let ev'ry mortal ear attend. And ev'ry heart rejoice: The trumpet of the gospel sounds With an inviting voice.
2Ho! all ye hungry, starving souls, That feed upon the wind, And vainly strive with earthly toys To fill an empty mind;
3The blessed Savior hath prepar'd A soul-reviving feast, ​And bid your longing appetites The rich provision taste.
4Ho! ye that pant for living streams, And pine away and die, Here you may quench your raging thirst With springs that never dry.
5Rivers of love and mercy here, In a rich ocean join; Salvation in abundance flows Like floods of milk and wine.
6The gates of glorious gospel grace, Stand open night and day: Lord, we are come to seek supplies, And drive our wants away.
# Collection of Sacred Hymns/Preface

PREFACE.
In order to sing by the Spirit, and with the understanding, it is necessary that the church of the Latter Day Saints should have a collection of "Sacred Hymns," adapted to their faith and belief in the gospel, and, as far as can be, holding forth the promises made to the fathers who died in the precious faith of a glorious resurrection, and a thousand years' reign on earth with the Son of Man in his glory. Notwithstan​ding the church, as it were, is still in its infancy, yet, as the song of the righteous is a prayer unto God, it is sincerely hoped that the following collection, selected with an eye single to his glory, may answer every purpose till more are composed, or till we are blessed with a copious variety of the songs of Zion.
# Collection of Sacred Hymns/The Spirit of God Like a Fire Is Burning

The Spirit of God Like a Fire Is Burning was first published in either the January 1836 issue of the Messenger and Advocate or the first Latter Day Saint hymnal, Collection of Sacred Hymns (Kirtland, Ohio) which came off the press in late 1835 or early 1836.
The text below reproduces the heading and page break as it appears in the hymnal, but the text itself is identical to that published in the Messenger and Advocate.
HYMN 90. P. M.    1 The Spirit of God like a fire is burning;  The latter day glory begins to come forth;  The visions and blessings of old are returning;  The angels are coming to visit the earth.  We’ll sing & we’ll shout with the armies of heaven:  Hosanna, hosanna to God and the Lamb!  Let glory to them in the highest be given,  Henceforth and forever: amen and amen!    2 The Lord is extending the saints' understanding—  Restoring their judges and all as at first;  The knowledge and power of God are expanding  The vail o'er the earth is beginning to burst.  We'll sing and we'll shout &c.    3 We call in our solemn assemblies, in spirit,  To spread forth the kingdom of heaven abroad,  That we through our faith may begin to inherit  The visions, and blessings, and glories of God.  We'll sing and we'll shout &c.    4 We'll wash and be wash'd, and with oil be anointed  Withal not omitting the washing of feet:  For he that receiveth his -- appointed,  Must surely be clean at the harvest of wheat.  We'll sing and we'll shout &c.    5 Old Israel that fled from the world for his freedom,  Must come with the cloud and the pillar, amain:  A Moses, and Aaron, and Joshua lead him,  And feed him on manna from heaven again.    6 How blessed the day when the lamb and the lion  Shall lie down together without any ire;  And Ephraim be crown’d with his blessing in Zion,  As Jesus descends with his chariots of fire!  We'll sing & we'll shout with His armies of heaven:  Hosanna, hosanna, to God and the Lamb!  Let glory to them in the highest be given,  Henceforth and forever: amen and amen.    FINIS.
# Collected poems, 1901-1918 (Vol. 2)/Tired Tim

TIRED TIM
POOR tired Tim! It's sad for him.
He lags the long bright morning through,
Ever so tired of nothing to do;
He moons and mopes the livelong day,
Nothing to think about, nothing to say;
Up to bed with his candle to creep, Too tired to yawn, too tired to sleep:
Poor tired Tim! It's sad for him.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Collection of Sacred Hymns/Joy to the World

Joy to the World! the Lord Will Come! was first published on the last page of the December 1832 issue of The Evening and Morning Star. The text below, however, is from the first Latter Day Saint Hymnal.
The differences are, for the most part, typographical. In the first printing, the verses are not numbered, the first word ("Joy") is in all capitals, and the first letter ("J") is a drop cap that takes up the first two lines. The hymn is headed "The second coming of the Savior" rather than "HYMN 15. C. M."
HYMN 15. C. M.   1Joy to the world! the Lord will come!  And earth receive her King;  Let ev'ry heart prepare him room,  And saints and angels sing.   2 Rejoice! rejoice! when Jesus reigns!  And saints their songs employ:  While fields and floods, rocks, hills and  plains,  Repeat the sounding joy.   3 No more will sins and sorrows grow,  Nor thorns infest the ground;  He'll come and make the blessings flow  Far as the curse was found.   4 Rejoice! rejoice! in the Most High,  While Israel spread abroad,  Like stars that glitter in the sky,  And ever worship God.
# Collection of Sacred Hymns/Know Then That Every Soul Is Free

SACRED HYMNS.
HYMN 1. L. M.
1Know then that ev'ry soul is free, To choose his life and what he'll be; For this eternal truth is given, That God will force no man to heaven.
2He'll call, persuade direct him right;, Bless him with wisdom, love, and light; In nameless ways be good and kind; But never force the human mind.
3Freedom and reason make us men: Take these away, what are we then? Mere animals, and just as well, The beasts may think of heaven or hell.
4May we no more our powers abuse, But ways of truth and goodness choose; Our God is pleas'd when we improve His grace, and seek his perfect love.
​5It's my free will for to believe: 'Tis God's free will me to receive: To stubborn willers this I'll tell, It's all free grace, and all free will.
6Those that despise, grow harder still; Those that adhere, he turns their will: And thus despisers sink to hell, While those that hear in glory dwell.
7But if we take the downward road, And make in hell our last abode: Our God is clear, and we shall know, We've plunged ourselves in endless wo.
# Conner v. Butler/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
361 U.S. 29
Conner v. Butler
Argued: Oct. 19, 1959. ---
The petition for writ of certiorari is granted. The judgment of the District Court of Appeal of Florida, Third District, is reversed and the case is remanded for further proceedings in conformity with this opinion. We hold that the proofs were sufficient to submit to the jury the question whether employer negligence played a part in producing the petitioner's injury. Rogers v. Missouri Pacific R. Co., 352 U.S. 500, 77 S.Ct. 443, 1 L.Ed.2d 493.
For the reasons set forth in his opinion in Rogers v. Missouri Pacific R. Co., 352 U.S. 500, 524, 77 S.Ct. 443, 459, 1 L.Ed.2d 493, Mr. Justice FRANKFURTHER is of the view that the writ of certiorari is improvidently granted.
Reversed and remanded with directions.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Conner v. Elliott

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United States Supreme Court
59 U.S. 591
Conner v. Elliott
THIS case was brought up from the supreme court of Louisiana, by a writ of error issued under the 25th section of the judiciary act.
The case is stated in the opinion of the court.
It was argued by Mr. Henderson, for the plaintiff in error, and by Mr. Benjamin, for the defendants.
Mr. Justice CURTIS delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Conner v. Similer

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United States Supreme Court
367 U.S. 486
Conner v. Similer
Peyton Ford, for petitioner.
John B. Ogden, for respondent.
On Petition for Rehearing.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Conner v. Similer/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
367 U.S. 486
Conner v. Similer
The petition for rehearing is granted. The order entered March 20, 1961, denying the petition for writ of certiorari is vacated and the petition for writ of certiorari to the United States Court of Appeals for the Tenth Circuit is granted. The Judgment is vacated and the case is remanded to the Court of Appeals for reconsideration in the light of Southard v. MacDonald, Okl., 360 P.2d 940.
THE CHIEF JUSTICE, Mr. Justice BLACK and Mr. Justice DOUGLAS dissent from vacation of the Court of Appeals judgment which held that the respondent Simler was entitled to have the facts of his case in the United States District Court determined by a jury as we believe is required by Rule 38 of the Federal Rules of Civil Procedure, 28 U.S.C.A., our prior decisions and the Seventh Amendment to the Constitution of the United States.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse