OpenLLM-France/wikimedia huggingface dataset:
# The North Star (Rochester)/1847/12/03/Terms and Notices

by William C. Nell
The NORTH STAR is published every Friday, at No. 25, Buffalo Street, (Opposite the Arcade.)
TERMS.
Two dollars per annum, always in advance. No subscription will be received for a less term than six months.
Advertisements not exceeding ten lines inserted three times for one dollar; every subsequent insertion, twenty-five cents.
The object of the North Star will be to attack Slavery in all its forms and aspects; advocate Universal Emancipation; exalt the standard of Public Morality; promote the moral and intellectual improvement or the Colored People; and hasten the day of FREEDOM to the Three Millions of our Enslaved Fellow Countrymen.
PUBLISHER'S NOTICES.
☞ All communications relating to the business matters of the paper names of subscribers, remittances, &c., should be addresses to William C. Nell, Publisher.
☞ Agents, and all others sending names, are requested to be accurate, and give the Post Office, the County, and the State. Each Subscriber is immediately credited for money received.
☞ Any person sending in the payment for four subscribers, to be forwarded to one address, may have of fifth copy for one year.
☞ All letters and communications must be post paid.
LIST OF AGENTS.
Massachusetts.—R. F. Walcutt, 21, Cornhill, Boston; Nathan Johnson, New Bedford; Horatio W. Foster, Lowell; James N. Buffum, Lynn; George Evans, Worcester; Bourne Spooner, Plymouth; Charles H. Seth, Springfield; David Ruggles, Northampton.
Maine.—Oliver Dennett, Portland.
Vermont.—Rowland T. Robinson, North Ferrisburg.
Connecticut.—Jonathan Leonard, Meriden.
New Hampshire.—Weare Tappan, Bradford.
New York.—Sydney H. Gay, 142, Nassau Street; James McCune Smith, 93, West Broadway; Joseph Post, Westbury, Queen County; Mary Harper, Albany.
Pennsylvania.—J. M. M'Kim, 3l, North Fifth Street, Philadelphia; G. W. Goines, 8, Exchange Place, Ditto; H. Vashon, B. Bown, Pittsburg; William Whipper, Columbia; Isaac Roberts, Jacob L. Paxon, Norristown, Montgomery County.
Ohio.—Christian Donaldson, Cincinnati; G. W. Carter, Ditto; Valentine Nicholson, Harveysburgh, Warren County; Samuel Brooke, Salem.
Michigan.—Robert Banks, Detroit.
LAW OF NEWSPAPERS.
1. Subscribers who do not give express notice to the contrary, are considered as wishing to continue their subscriptions.
2. If subscribers order the discontinuance of their papers, the publishers may continue to send until all arrearages are paid.
3. If subscribers neglect or refuse to take their papers from the office to which they are directed, they are held responsible till they settle their bill and order their papers to be discontinued.
4. If subscribers move to other places without informing the publisher, and their paper is sent to the former direction, they are held responsible.
5. The courts have decided that refusing to lake a newspaper or periodical from the office, or removing and leaving it uncalled for, is prima facie evidence of intentional fraud.
Removals.—In giving notice of a change of residence, be sure and state the Post Office to which the paper has formerly been sent.
# The Poetical Works of Thomas Parnell/Poem 1

TO THE RIGHT HONOURABLE ROBERT, EARL OF OXFORD, AND EARL MORTIMER.
Such were the notes, thy once-lov'd poet sung,
Till death untimely stopp'd his tuneful tongue.
O just beheld, and lost! admir'd, and mourn'd!
With softest manners, gentlest arts, adorn'd!
Blest in each science, blest in every strain!
Dear to the Muse, to Harley dear—in vain!
For him, thou oft hast bid the world attend,
Fond to forget the statesman in the friend;
For Swift and him, despis'd the farce of state,
The sober follies of the wise and great;
Dexterous, the craving, fawning crowd to quit,
And pleas'd to 'scape from flattery to wit.
Absent or dead, still let a friend be dear,
(A sigh the absent claims, the dead a tear)
Recall those nights that clos'd thy toilsome days,
Still hear thy Parnell in his living lays:
Who careless, now, of interest, fame, or fate,
Perhaps forgets that Oxford e'er was great;
Or deeming meanest what we greatest call,
Beholds thee glorious only in thy fall.
And sure if ought below the seats divine
Can touch immortals, 'tis a soul like thine:
A soul supreme, in each hard instance tried,
Above all pain, all anger, and all pride,
The rage of power, the blast of public breath,
The lust of lucre, and the dread of death.
In vain to deserts thy retreat is made;
The Muse attends thee to the silent shade:
'Tis hers, the brave man's latest steps to trace,
Re-judge his acts, and dignify disgrace.
When Interest calls off all her sneaking train,
When all the oblig'd desert, and all the vain;
She waits, or to the scaffold, or the cell,
When the last lingering friend has bid farewell.
Ev'n now she shades thy evening walk with bays,
(No hireling she, no prostitute to praise)
Ev'n now, observant of the parting ray,
Eyes the calm sun-set of thy various day,
Through fortune's cloud one truly great can see,
Nor fears to tell, that Mortimer is he.
A. Pope.
Sept. 25, 1721.
# The Poetical Works of Thomas Parnell/Poem 14

A TRANSLATION OF PART OF THE FIRST CANTO OF THE RAPE OF THE LOCK,
INTO LEONINE VERSE, AFTER THE MANNER OF THE ANCIENT MONKS.
Et nunc dilectum speculum, pro more retectum,
Emicat in mensâ, quæ splendet pyxide densâ.
Tum primum lymphâ se purgat Candida nympha;
Jamque sine mendâ, cœlestis imago videnda,
Nuda caput, bellos retinet, regit, implet, ocellos.
Hâc stupet explorans, seu cultûs numen adorans.
Inferior claram Pythonissa apparet ad aram,
Fertque tibi cautè, dicatque superbia! lautè,
Dona venusta; oris, quæ cunctis, plena Iaboris,
Excerpta explorat, dominamque deamque decorat.
Pyxide devotâ, se pandit hic India tota,
Et tota ex istâ transpirat Arabia cistâ.
Testudo hic flectit, dum se mea Lesbia pectit;
Atque elephas lentè te pectit, Lesbia, dente;
Hunc maculis nôris, nivei jacet ille coloris.
Hic jacet et mundè mundus muliebris abundè;
Spinula resplendens æris longo ordine pendens,
Pulvis suavis odore, et epistola suavis amore.
Induit arma ergo Veneris pulcherrima virgo,
Pulchrior in præsens tempus de tempore crescens;
Jam reparat risus, jam surgit gratia visûs,
Jam promit cultu miracula latentia vultu;
Pigmina jam miscet, quo plus sua purpura gliscet,
Et geminans bellis splendet magè fulgor ocellis.
Stant Lemures muti, nymphæ intentique saluti,
Hic figit zonam, capiti locat ille coronam,
Hæc manicis formam, plicis dat et altera normam;
Et tibi vel Betty, tibi vel nitidissima Letty!
Gloria factorum temerè conceditur horum.
* ↑ PART OF THE FIRST CANTO OF THE RAPE OF THE LOCK. And now unveil'd the toilet stands display'd, Each silver vase in mystic order laid. First, rob'd in white, the nymph intent adores, With head uncover'd, the cosmetic powers. A heavenly image in the glass appears, To that she bends, to that her eyes she rears: Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of pride.
* ↑ Unnumber'd treasures ope at once, and here The various offerings of the world appear; From each she nicely culls with curious toil, And decks the goddess with the glittering spoil. This casket India's glowing gems unlocks, And all Arabia breathes from yonder box. The tortoise here and elephant unite, Transform'd to combs, the speckled and the white. Here files of pins extend their shining rows, Puffs, powders, patches, Bibles, billet-doux, Now awful beauty puts on all its arms, The fair each moment rises in her charms, Repairs her smiles, awakens every grace,
* ↑ And calls forth all the wonders of her face; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care; These set the head, and those divide the hair, Some fold the sleeve, while others plait the gown, And Betty's prais'd for labours not her own.
# The Poetical Works of Elijah Fenton/The Platonic Spell

THE PLATONIC SPELL.
# The Poetical Works of Elijah Fenton/To the same, reading The Art of Love

TO THE SAME,
READING
THE ART OF LOVE.
# The Poetical Works of Elijah Fenton/The Fair Nun

THE FAIR NUN.
A TALE.
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# The Poetical Works of Elijah Fenton/The Widow's Wile

TALES.
THE WIDOW'S WILE.
A TALE.
# The Poetical Works of Elijah Fenton/To a Lady, sitting before her glass

EPISTLES.
TO A LADY,
SITTING BEFORE HER GLASS.
# The Poetical Works of Elijah Fenton/The Eleventh Book of Homer's Odyssey. Translated from the Greek. In Milton's style

TRANSLATIONS, &c.
THE ELEVENTH BOOK OF
HOMER'S ODYSSEY.
TRANSLATED FROM THE GREEK,
IN MILTON'S STYLE.
* ↑ Tiresias.
* ↑ Anticlea.
* ↑ He was killed with the bone of a sea-turtle.
* ↑ Antilochus.
# The Poetical Works of Elijah Fenton/To the Queen, on her Majesty's Birth-day

TO THE QUEEN,
ON HER MAJESTY'S BIRTH-DAY.
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# The Poetical Works of Elijah Fenton/To Mr. Pope. An Imitation of a Greek epigram in Homer

TO MR. POPE.
AN IMITATION OF A GREEK EPIGRAM IN HOMER,
In which the poet supposeth Apollo to have given this answer to one who inquired who was the author of the Iliad.
# The Poetical Works of Elijah Fenton/To the Right Hon. the Lady Marg. Cavendish Harley, with the poems of Mr. Waller

TO THE RIGHT HON. THE LADY
MARG. CAVENDISH HARLEY.
WITH THE POEMS OF MR. WALLER.
# The Playboy of the Western World/Preface

Layout 2
PREFACE
In writing The Playboy of the Western World, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers. A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk-imagination of these fine people. Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay. All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the storyteller's or the playwright's hand, as the rich cloaks ​and dresses of his time. It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children. In Ireland, those of us who know the people have the same privilege. When I was writing The Shadow of the Glen, some years ago, I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servant girls in the kitchen. This matter, I think, is of importance, for in countries where the imagination of the people, and the language they use, is rich and living, it is possible for a writer to be rich and copious in his words, and at the same time to give the reality, which is the root of all poetry, in a comprehensive and natural form. In the modern literature of towns, however, richness is found only in sonnets, or prose poems, or in one or two elaborate books that are far away from the profound and common interests of life. One has, on one side, Mallarmé and Huysmans producing this literature; and on the other, Ibsen and Zola dealing with the reality ​of life in joyless and pallid words. On the stage one must have reality, and one must have joy; and that is why the intellectual modern drama has failed, and people have grown sick of the false joy of the musical comedy, that has been given them in place of the rich joy found only in what is superb and wild in reality. In a good play every speech should be as fully flavoured as a nut or apple, and such speeches cannot be written by anyone who works among people who have shut their lips on poetry. In Ireland, for a few years more, we have a popular imagination that is fiery, and magnificent, and tender; so that those of us who wish to write start with a chance that is not given to writers in places where the spring-time of the local life has been forgotten, and the harvest is a memory only, and the straw has been turned into bricks.
J. M. S.
January 21st, 1907.
# The Playboy of the Western World/Cast

Layout 2
​The Playboy of the Western World was first produced by the National Theatre Society, Ltd., at the Abbey Theatre, on Saturday, 26th January, 1907, under the direction of W. G. Fay, with the following cast:—
# The Playboy of the Western World/Persons in the Play

Layout 2
PERSONS IN THE PLAY
Christopher Mahon
Old Mahon, his father, a squatter
Michael James Flaherty (called Michael James), a publican
Margaret Flaherty (called Pegeen Mike), his daughter
Shawn Keogh, her cousin, a young farmer
Widow Quin, a woman of about thirty
Philly Cullen and Jimmy Farrell, small farmers
Sara Tansey, Susan Brady and Honor Blake, village girls
A Bellman
Some Peasants
The action takes place near a village, on a wild coast of Mayo. The first Act passes on an evening of autumn, the other two Acts on the following day.
# The Plays of Euripides (Coleridge)

* related portals: Ancient Greek drama.
* sister projects: Wikidata item.
The Plays of Euripides is a prose translation of the 19 surviving plays attributed to the Greek poet Euripides. The translations were made from the Greek text as edited by Paley, with notes where the translation deviates from that text.
Coleridge's translations were originally published in 1891 by George Bell & Sons. The copy here includes the 1910 reprinting of Volume I and the 1913 reprinting of Volume II, both by the same publisher.
THE PLAYS
OF
EURIPIDES
TRANSLATED INTO ENGLISH PROSE FROM THE TEXT OF PALEY
BY
EDWARD P. COLERIDGE ORIEL COLLEGE, OXFORD
VOL. I
LONDON G. BELL AND SONS, LIMITED 1910
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON.
Hinchcliff.
Euripides.
TABLE OF CONTENTS
Volume I.
| | | PAGE |
| I. | Translator's Preface | vii |
| II. | Memoir of Euripides | xv |
| III. | Translation, with Notes, of Nine Plays, in the following order:— |
| | Rhesus | 1 |
| | Medea | 31 |
| | Hippolytus | 73 |
| | Alcestis | 115 |
| | Heracleidæ | 151 |
| | The Suppliants | 185 |
| | The Trojan Women | 225 |
| | Ion | 263 |
| | Helen | 319 |
Volume II.
| | PAGE |
| Translation, with Notes, of Ten Plays, in the following order:— |
| Andromache | 1 |
| Electra | 41 |
| The Bacchantes | 87 |
| Hecuba | 131 |
| Heracles Mad | 171 |
| The Phœnician Maidens | 217 |
| Orestes | 275 |
| Iphigenia among the Tauri | 337 |
| Iphigenia at Aulis | 389 |
| The Cyclops | 445 |
BOHN'S CLASSICAL LIBRARY
THE PLAYS OF EURIPIDES
VOL. I
LONDON: G. BELL & SONS, LIMITED, PORTUGAL STREET, KINGSWAY, W.C. CAMBRIDGE: DEIGHTON, BELL & CO. NEW YORK: THE MACMILLAN CO. BOMBAY: A. H. WHEELER & CO.
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Prose Works of Percy Bysshe Shelley/St. Irvyne; or, the Rosicrucian

London: Reeves and Turner, page 163
ST. IRVYNE;
OR,
THE ROSICRUCIAN.
A ROMANCE.
BY A GENTLEMAN OF THE UNIVERSITY OF OXFORD.
LONDON: PRINTED FOR J. J. STOCKDALE, 41, PALL MALL. 1811.
[In the letter of the 1st of April, 1810, mentioned at p. 2 of this volume. Shelley say's that, if some one whom he designates as Jock (probably Robinson, the publisher of Zastrozzi) will not give him "a devil of a price" for his poem "and at least 60l." for his "New Romance in three volumes, the dog shall not have them." Perhaps we may pretty safely take this as a reference to St. Irvyne, and conclude that Mr. Robinson did not see his way to giving 60l. for the book ultimately published by Stockdale under circumstances discovered by Mr. Garnett in Stockdale's Budget, and made the subject of an article, Shelley in Pall Mall, in Macmillan's Magazine for June, 1860. From one of Shelley's letters in that article, it seems that Stockdale was at pains to "fit St. Irvyne for the press," Shelley being "by no means a good hand at correction." On the 2nd of December, 1810, Shelley wrote asking "When does 'St. Irvyne' come out?"; on the 18th of the same month he had seen Stockdale's advertisement of it; on the 20th he wrote to Hogg (Life, vol. I., p. 145), "St. Irvyne is come out; it is sent to you at Mr. Dayrell's; you can get one in London by mentioning my name to Stockdale"; on the 28th he wrote again (ib., p. 151), "Your discrimination of that chapter is more just than the praises which you bestow on so unconnected a thing as the romance taken collectively"; and on the 11th of January, 1811, he had already had the bill for the printing, and was writing to Stockdale to request that a copy of the book might be sent to Harriet Westbrook; and Mr. MacCarthy found in The Times for the 26th of January and 2nd of February, 1811, an advertisement of St. Irvyne opening with "The University Romance.—This day is published, price only 5s." St. Irvyne is a 12mo. volume consisting of fly-title, St. Irvyne; or, the Rosicrucian (as on the other side), with imprint "S. Gosnell, Printer, Little Queen Street, London," at foot of the back page, title-page as given opposite, and 236 pages of text, with head-lines throughout, St. Irvyne; or, on the left-hand, the Rosicrucian on the right. There seems to have been a remainder of the book unsold in 1822; for copies are frequently found made up from the original sheets, with a fresh title-page, worded precisely as the original title-page is worded, but with the date 1822. St. Irvyne, as well as Zastrozzi, was reprinted in The Romancist as the work of Shelley (in No. 60, 1840).—H. B. F.]
PAGE
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Raccolta (1857)/The Litanies

74.
THE LITANIES.
That the faithful might the more frequently have recourse to the intercession of most holy Mary in their behalf with Almighty God, doing her honour at the same time, Pope Sixtus V., in the above-named. Constitution, granted—
​i. The Indulgence of 200 days, every time these Litanies are said with devotion and contrition.
Pope Benedict XIII., hy a decree of the S. Congr. of Indulgences, Jan. 12, 1728, confirmed this Indulgence; and Pope Pius VII., whilst also confirming it afresh by a decree of the same S. Congr. of Sept. 30, 1817, extended it to 300 days.
He granted, moreover, to all who say them daily—
ii. The Plenary Indulgence on the five Feasts of Obligation of our Blessed Lady, according to the Roman Calendar, viz. the Immaculate Conception, the Nativity, the Annunciation, the Purification, and the Assumption, on condition that, being truly contrite for their sins, having Confessed and Communicated, they visit a public church and pray according to the intention of the Pope.
LITANY OF THE BLESSED VIRGIN;
Commonly called the Litany of Loretto.
# The Raccolta (1857)/The Rosary or Chaplet called after St. Bridget

73.
THE ROSARY OR CHAPLET CALLED AFTER ST. BRIDGET.
This Chaplet is said in honour of the sixty-three years which the most holy Mary lived upon this earth, being made up of six divisions, each division consisting of one Pater noster, ten Ave Maria, and one Credo;; after these is said one more Pater noster, and three more Ave Maria: thus in all there will be seven Pater noster, to mark the number of her Seven Dolours and Seven Joys; the three Ave Maria being added to make up the full number of sixty-three years. (See the Archivium of the Segretaria of the S. Congr. of Indulgences, tom. vi. p. 144.) It will be seen in the following summary that the Indulgences may be gained by saying the fifteen decades, or five decades only, as mentioned in the Rosary above.
SUMMARY OF INDULGENCES ANNEXED TO THE CHAPLET OF ST. BRIDGET.
i. The Indulgence of 100 days for each Pater, 100 days for each Ave, and 100 days for each Credo, to all the faithful who say the Rosary or Chaplet of St. Bridget. Pope Leo X., July 10, 1515.
ii. The Indulgence of seven years and seven quarantines, besides the above, to every one who says the said Rosary or Chaplet of fifteen decades. Grant of the same Pope Leo. (Whenever this Rosary is said with others, each person may gain the Indulgences I. and II. precisely the same as when the said Rosary is said by one person alone. The same Pope Leo.)
iii. The Plenary Indulgence to all who shall say at least five decades daily for a year, on any one day in the year when, after Confession and Communion, they shall pray for the Holy Church. Pope Clement XI., Sept. 22, 1714.
iv. The Plenary Indulgence, on the Feast of St. Bridget (Oct. 8), to all who say the said Rosary of five decades at least once a week, and, after Confession and Communion, visit their own parish church, or any other church, and pray to God there for the Church as above. Benedict XIV., Jan. 15, 1743.
v. The Plenary Indulgence to all who have been accustomed to say this Rosary, as in No. IV., when, in articulo mortis, recommending their soul to God, they say the holy name Jesus with their hearts, if unable to do so with their lips, having at the same time Confessed and Communicated; or, if these conditions are impossible, being contrite of heart. Benedict XIV.
vi. The Plenary Indulgence, once a month, to all who say this Chaplet daily for a month, on any one day when, after Confession and Communion, they visit a church and pray as above. Benedict XIV.
​vii. The Indulgence of forty days to all who carry this Rosary with them, if, at the tolling of the bell for a passing soul, they kneel down and pray for that soul. Benedict XIV.
viii. The Indulgence of twenty days, to all who carry this Rosary, whenever they make examination of conscience, and say three Pater noster and three Ave Maria. Ben. XIV.