# Thunder on the Left (1925)/Chapter 18

IT WOULD be interesting to speculate," said page 38 of George's treatise, "how such a cheery little town obtained the name Dark Harbour. Perhaps it was due to the scenic background of rugged hills that overlooks the picturesque old fishing port and reflects its invigorating pine woods in the water. At any rate, the future of the place is bright indeed. The Eastern Railroad's express service now stops there, and large metropolitan interests have pledged themselves to the erection of a modern caravansary which will supplement the long famous 'folksy' hospitality of the Bayview Hotel. Separated only by a lengthy trestle from the mainland, the Island spreads its varied allure of rolling sand dunes, pine groves, and broad shallow beaches. Shaped like a crescent, its outward curve is buffeted by the mighty ocean; on the inner side, sheltered from easterly gales by the unique sand hills, is the comfortable cottage colony where a number of wise people have been vacationing for many years. Many artists have discovered the pictorial charm ​of the region, and find in the forests or in the maritime life of the Bay subjects for their water colours and oils. Canvases that have later become famous in academies and exhibitions have first felt the brush in those shingled studios clustered about the old inn, renowned for its savoury chowder. There is a brilliance in the air, an almost Italian richness of colour, in the Island's landscape. It will be many years before so vast a terrain can become crowded, but many new bungalows have been built lately, and the newcomers pay tribute to the good taste of those who, a generation agone, divined Dark Harbour's magic as a haven of summer tranquillity."
He felt a rational pride in this composition. It was in the genially fulsome vein esteemed by railroad companies. Even if people weren't tranquil, in a place so competently described, they ought to be. He thought there was a neatness in that touch about Dark Harbour and its bright future. Phyllis was probably right when she often said it was a shame Mr. Granville should spend his talents in mere publicity work when he might so easily write something famous—fiction, for instance. These are my fictions, he always replied, pointing to his private shelf of advertising pamphlets, neatly bound and gilded as his Works.
​He had spread out his papers on the dining table, where he could write without seeing Joyce's door. But he couldn't seem to resume the flow of that slick treacly style, which the experienced brochurist can smoothly decant, like a tilted molasses barrel. The discomforting irony of the last word penetrated him. He changed "Italian richness" to "Italian passion," but that was as far as inspiration carried him. It was vain to remind himself that Walter Scott had written novels all night long, that Napoleon had planned campaigns in the agony of stomach-ache, that Elbert Hubbard was never at a loss for a Little Journey. In a nervous fidget he pared his nails, sharpened pencils, rearranged the glasses on the sideboard, emptied Ben's cigar débris from the living-room ash tray. He trod stealthily, in stocking feet, for fear of disturbing Joyce. Without his usual couch to sleep on, his usual table to work at, he felt homeless. There was a dull pain at the bottom of his ribs. He tried to remember whether he had unduly bolted his food at dinner. Perhaps he was going to have appendicitis.
He had a sort of insane desire to justify his existence, to atone for a day of such incredible futility by getting some work done. If every possible extraneous trifle could be attended to perhaps his ​mind might be calmed. He crept upstairs to clean his teeth and found that Phyllis had put his dressing gown and pyjamas and slippers on the window seat. Was that a softening overture, or a hint that she did not want him in the bedroom? He tiptoed warily to the balcony to glance at the children. Even in sleep Sylvia was still the coquette: she lay with one hand curled against her cheek, the most ravishing pose, her face a lovely fragile gravity. Janet was restless, muttering something about bathing.
He undressed, sitting on the window seat. With a vague notion of postponing the struggle with the pamphlet he went through his routine with unusual care, watching the details. He noticed for the first time his ingenious attempt to retain the tip of each sock, by curling his toes into it as he removed it. The purpose was evidently to turn the sock completely inside out in the one motion of stripping it off. For the first time in weeks he decided to fold his trousers neatly instead of just throwing them on a chair. He gave them a preliminary shake and found that the sand lodged in the cuffs flew unerringly into his eyes. He discovered that if he tried to put the left leg into his pyjamas first, instead of the right, it didn't feel as though he had them on at all. The laundress ​had managed to let the end of the waist-string vanish inside its little tunnel of hem. It required some very sharp work to creep it out again. What a good booklet could be written, for some pyjama and underwear manufacturer, on The Technique of Getting Undressed. How pleasant that if you lay out your clothes just in the order of their discarding they are exactly serialized in the correct sequence for dressing to-morrow.
All this, he felt with subtle horror, was just a postponement of something inevitable, something he knew was coming but could not identify. Some great beauty of retribution had him in its onward march. He was unworthy of the glory of living, he had niggled and haggled and somewhere in his bunglings he had touched some fatal spring. He had broken some seal, let the genie out of the bottle. The little whiff of fragrant vapour had flowed and spread until it darkened the whole sky. It hung terrible above him and the four tiny Georges cowered beneath it. And behind and within every other thought was Joyce. He could see her, perfect, inaccessible, afraid. This dear device of Nature, this gay, simple ingenuity of dividing life into halves and making them hanker for one another! Oh, Joyce, Joyce, it does matter. Joyce, I need you so.
​A craven impulse tempted him to turn in at once, on the window seat; but its curved shape was not comfortable; moreover, how could he possibly sleep? Downstairs the big couch had a lamp by it; he could read, and while reading, think. The principal pleasure of reading, he had always found, is to fix the attention of the coarse outer mind, allowing the inner faculty to slip free. As he went down the clock startled him by counting midnight. He timed his step on the creaky treads so that the chime would cover them. But that settled it, he thought. One can continue working after twelve, but one can't possibly begin work at that hour. Besides, it's impossible to be conscientious in dressing gown and slippers. Morals, conscience, ambition, all the cunning artifice of custom, are laid aside with the garments of the day. The sophistries of virtue avail you nothing now. The thing in your heart that you are angriest at and most ashamed of, that is God. And that's what gods are invented for: to be despised and rejected. A god who was honoured and welcomed, how unhappy he would be.
He lay down on the couch with a book, but his mind ran wild behind the printed lines. The weight and breathing of the silent house pressed about him. How well he knew that feeling of a ​house at night. All the others, broken at last by the day's long war of attrition, lost in their silence; himself the sole survivor, gleaning stupidly over the battlefield. Matching his lonely wit against destiny, aware of a shuddering compassion for these unruly lives under his charge. What was it that kept them all going? Only his dreams, his poor busy ideas. For the moment he could feel the whole fabric transfigured with truth and tenderness; with love that was furious and clean, with work that was sane and absorbing. What did he really care whether thousands of people did or did not spend their summer on the Great Scenic Route of the Eastern Railroad? Or whether they bedded on the Morrison Mattress, that Makes Sleep a Career?
He slipped to his knees beside the sofa, but he could not even pray. He was aware of the door behind him, and of Phyllis in the room overhead. How terrible if any one should find him on his knees. Praying is only respectable if done in congregations. He remembered those cold evenings long ago, when he and Phyllis couldn't sleep unless she were pressed close behind him, her arm across his chest. And now he was living among strangers. I'll do whatever you tell me, I'll do whatever you tell me. But by heaven he had glimpsed it: he ​had seen beauty within breath and grasp: too close to mar it by selfishness. No, said his demon, you shan't even have the consolation of fine words. You shall have all the mockery and none of the bliss.
I suppose biology's pulling my leg, he reflected. . . .
He must have been kneeling there a long time. His forehead was numb from pressing on the ridged tapestry of the couch. At least you don't need the light on when you're trying to pray. The bills are big enough as it is. He rose stiffly and snicked off the current.
At the foot of the stair he paused. If Joyce were awake he might hear her stir. His hand gripped the carved newel, then slid onto the smooth ascent of the banister rail. He stood a moment, and turned away.
The bedroom was dim. The blinds were not all the way down, dregs of that sparkling moonlight flowed underneath. Phyllis was asleep, he could see her head against the white linen. She lay as she always did, at the far side of the bed, turned away from the door, her arms crossed, one hand perching on her shoulder, the other tucked under ​the pillow. He went softly round the foot of the bed, stepping aside to avoid her slippers. He knew by instinct exactly where they would be.
Crouched at the bedside, he slid one arm under the pillow to find her hand. His fingers met a small damp handkerchief.
He gathered her into his arms. Out of some far-off vacancy she moved drowsily and welcomed him home. They knew every curve of their old embrace. Here was no fear and no doubting. Here was his consolation. Who was ever more beautiful? The tiny flattened handkerchief, was it not a pathetic symbol of the bruised mercies of love? Ah, be slow to mock the plain, simplest things: good-byes, angers, fidelities, renunciations.
He held her close and more close. Then, with a gruesome pang, he checked the name that was on his lips. In the poor comedy of his heart there was room for but one thought: gratitude to Joyce; Joyce who in the unstained bravery of her spirit had taught him anew the worth and miracle of love and whose only reward had been suffering. Her name, so long echoed in his unuttered voice, now filled his mind and terrified him. Here, with Phyllis in his arms, he was thinking of her; this frail ghost of passion came between them. In ​physical sickness his embrace grew faint. It could not be: the last scruple of his manhood revolted against this consummate deceit.
Still half in dream, Phyllis divined him laggard. She crept closer. "Oh, Martin, Martin," she whispered. "I knew you'd come."
Now he knew where the dark current of the hours had been bearing him. Nothing else was possible. Quietly, without anger or surprise, in the relief of one free to face his destiny, he left the room and went down the stair. His hand was out to turn the knob when he saw that Joyce's door was opening toward him.