OpenLLM-France/wikimedia huggingface dataset:
# Assessing the accuracy and quality of Wikipedia entries compared to popular online encyclopaedias/Acknowledgements

This study was published in 2012. See this blog post for further information.
​Acknowledgements
The investigators of this study are grateful to all the academic and student experts from all parts of the world who participated in the study and undertook the reviewing of the articles with great rigour. The investigators gratefully acknowledge those who helped in the selection of the encyclopaedias and articles in Arabic and Spanish, and in the standardisation and anonymisation of the articles before review.
The investigators are thankful to the Clarendon Scholars Council, the Spanish and Latin American Societies, the Middle East Centre and the Khalil Research Institute, the Medical Sciences Division and the Middle Common Rooms of various colleges of the University of Oxford for their help in recruitment.
The investigators appreciate all those students and academics at the University of Oxford who expressed an interest in the study and thank them all for their overwhelming enthusiasm.
The investigators are grateful to the Department of Education at the University of Oxford and to Exeter College for hosting various aspects of the study.
The investigators are grateful to the Wikimedia Foundation for granting the funding to carry out this study.
# Assessing the accuracy and quality of Wikipedia entries compared to popular online encyclopaedias

This study was published in 2012. See this blog post for further information.
Assessing the accuracy and quality of Wikipedia entries compared to popular online encyclopaedias
A preliminary comparative study across disciplines in English, Spanish and Arabic
* Imogen Casebourne
* Dr. Chris Davies
* Dr. Michelle Fernandes
* Dr. Naomi Norman
​Casebourne, I., Davies, C., Fernandes, M., Norman, N. (2012) Assessing the accuracy and quality of Wikipedia entries compared to popular online encyclopaedias: A comparative preliminary study across disciplines in English, Spanish and Arabic. Epic, Brighton, UK. Retrieved from: http://commons.wikimedia.org/wiki/File:EPIC_Oxford_report.pdf
This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported Licence http://creativecommons.org/licences/by-sa/3.0/
Supplementary information Additional information, datasets and supplementary materials from this study can be found at: http://meta.wikimedia.org/wiki/Research:Accuracy_and_quality_of_Wikipedia_entries/Data
​Table of Contents
This work is released under the Creative Commons Attribution-ShareAlike 3.0 Unported license, which allows free use, distribution, and creation of derivatives, so long as the license is unchanged and clearly noted, and the original author is attributed.
Public domainPublic domainfalsefalse
# Assessing the accuracy and quality of Wikipedia entries compared to popular online encyclopaedias/Section 2

This study was published in 2012. See this blog post for further information.
​2. Aims and Objectives
Aims:
The aims of this pilot study are as follows:
* To explore the opinions of expert reviewers regarding attributes relating to the accuracy, quality and style of a sample of Wikipedia entries across a range of languages and disciplines.
* To compare the accuracy, quality, style, references and judgment of Wikipedia entries as rated by experts to analogous entries from popular online alternative encyclopaedias in the same language.
* To explore the viability of the methods used in respect of the first two aims for a possible future study on a larger scale.
Objectives:
Research objective 1: To explore the opinions of expert reviewers pertaining to the accuracy, quality, references, style and overall judgment of Wikipedia entries.
Research objective 2: To compare the accuracy, quality, references, style and overall judgment of Wikipedia entries to those of alternative online encyclopaedias.
Research objective 3: To compare the accuracy, quality, references, style and overall judgment of Wikipedia entries with those of alternative online encyclopaedias in each language, i.e. English, Spanish and Arabic.
Research objective 4: To compare the accuracy, quality, references, style and overall judgment of Wikipedia entries with those of alternative online encyclopaedias in each academic discipline i.e. Humanities; Social Sciences; Mathematics, Physics and Life Sciences; and Medical Sciences.
# Bahai Hymns of Peace and Praise/The Greatest Name

First published in 1908 (with fewer songs); may have been the poem (apparently later put to music) referenced in Tablets of Abdul-Baha Abbas, vol. 1, pp. 57-58 (see p. 34 of http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf ). General praise for the artist is in Selections from the Writings of 'Abdu'l-Bahá, sel. 74.
THE GREATEST NAME.
Words & Music By L. R. WAITE.
3
Let nations rise from shore to shore, And sing it over o'er and o'er; Then wars shall cease forevermore:
ALLAHO ABHA!
4
Great Name of joy, of peace, and rest; That fills with harmony each breast; It's glory shines from east to west:
ALLAHO ABHA!
5
Repeat it, and it reaches far; From world to world and star to star; Naught can its glorious radiance mar: ALLAHO ABHA!
6
Great Name we love more every day, To say over is to pray, And angels listen and obey:
ALLAHO ABHA!
7
Its rhythm swings from pole to pole; Its music soon shall fill each soul; And heavens scroll shall backward roll:
ALLAHO ABHA!
8
ALLAHO ABHA! Let it ring Up to the throne of God, our King; Let men and angels joyous sing:
ALLAHO ABHA!
# Bahai Hymns of Peace and Praise/Softly His Voice is Calling

First published in 1908 (with fewer songs)
Softly His Voice is Calling.
Words & Music by L. R. WAITE.
# Bahai Hymns of Peace and Praise

First edition in 1908 (containing fewer songs)

## License notes

The following work is in the public domain outside of the U.S. due to the author having passed over 84 years ago (May 27, 1939 per p. 8 of http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf ) and within the U.S. due to it having been published before 1929 (in 1908 per p.39 of http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf )

## References

This work was reconstructed based on information provided on pp. 38-40 from http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf with songs recontructed based on its "Musical Examples" section, pp. 345-359

## Additional information

* "The Greatest Name" may have been the poem (apparently later put to music) referenced in Tablets of Abdul-Baha Abbas, vol. 1, pp. 57-58 (see p. 34 of http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf ). General praise for the artist is in Selections from the Writings of 'Abdu'l-Bahá, sel. 74.
* Benediction is praised by 'Abdu'l-Baha in Star of the West, volume 14, issue 9, p. 278 and He also states elsewhere, "Sing this melody in all gatherings of Love and Harmony of the beloved of God." per p. 76 of http://bahai-library.com/pdf/a/armstrong-ingram_music_devotions_OCR-text.pdf

## Individual songs

    Great Day of God.
    Hymn of Praise.
    The Greatest Name.
    Awake ye Nations All.
    His Glorious Sun has Risen.
    The Day of Certainty.
    Praise Thee Oh God.
    Alleluia Song.
    Tell The Wondrous Story.
    Softly His Voice is Calling.
    At Eventide.
    Sweet Peace.
    Benediction.
    Anthem of all Nations.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Bahai Hymns of Peace and Praise/Tell The Wondrous Story

First published in 1908 (with fewer songs)
Tell the Wondrous Story
Words & Music by L. R. WAITE.
# Bahai Hymns of Peace and Praise/The Day of Certainty

First published in 1908 (with fewer songs)
The Day of Certainty.
Words & Music By L. R. WAITE.
# Bahai Hymns of Peace and Praise/Alleluia Song

First published in 1908 (with fewer songs)
Alleluia Song.
Words & Music By L. R. WAITE.
# Astronomische Nachrichten

* related portals: Periodicals.
* sister projects: Wikipedia article, Commons category, quotes, news, textbook, course, travel guide, Wikidata item.
founded in 1821, is one of the first international journals in the field of astronomy. The first issue was published in 1823, however it was not until the following year that English articles appeared in the journal.
| Issue | Title | Author |
| 1824 |||
| 42 | Auszug aus einem Briefe des Herrn Baily an den Herausgeber | Francis Baily |
| 44 | Auszug aus einem Briefe des Herrn J. F. W. Herschel an den Herausgeber | John Frederick William Herschel |
| 46 | On Mr. Babbage's new machine for calculating and printing mathematical and astronomical tables | Francis Baily |
| 1868 |||
| 72 | Beobachtung der Sonnenfinsterniss am 18. August 1868 zu Windsor in New South Wales | John Tebbutt |
# Astronauts Mark Leonard Nimoy’s Passing

* related authors: Leonard Nimoy.
* sister projects: Wikipedia article, Commons gallery, quotes, news.
Astronauts Mark Leonard Nimoy’s Passing. February 27, 2015. YouTube. Uploaded by NASA. Video description at source: "Published on Feb 27, 2015 - NASA Astronaut Mike Fincke and ESA European Space Agency Astronaut Luca Parmitano reflect on the inspiration that actor Leonard Nimoy’s character Mr. Spock in the television series Star Trek had on scientists, engineers, space explorers and fans around the globe." Also available at Internet Archive, marked as licensed public domain.
Astronauts Mark Leonard Nimoy’s Passing
NASA
ReelNASA
February 27, 2015
Published on Feb 27, 2015
NASA Astronaut Mike Fincke and ESA European Space Agency Astronaut Luca Parmitano reflect on the inspiration that actor Leonard Nimoy’s character Mr. Spock in the television series Star Trek had on scientists, engineers, space explorers and fans around the globe.
Mike Fincke: Hello, I'm NASA Astronaut, Mike Fincke.
Luca Parmitano: And I'm European Space Agency Astronaut, Luca Parmitano.
Fincke: We were very saddened to hear of the passing of the actor Leonard Nimoy. Leonard's character, Mr. Spock, inspired generations of NASA scientists and engineers. As well as engineers, scientists, and Star Trek fans, across the planet. And as we at NASA along with our international partners explore the Moon, Mars, and beyond, we'll take the spirit and energy that Leonard brought to his character, Mr. Spock, along with us. Live Long and Prosper.
Parmitano: The message of Star Trek, is one of cooperation and integration. Mr. Spock, a Vulcan from a different planet was fully integrated, in his crew of humans and non-humans. We at the European Space Agency believe in that message, and working with our international partners, we will take that message with us as we go beyond to explore space, for humanity and for our planet.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Astra Caeli

"Over the Carib Sea to-night"
* Edmund Clarence Stedman (1897), "Astra Caeli" in Poems, now first collected.
* Edmund Clarence Stedman (1908), "Astra Caeli" in The poems of Edmund Clarence Stedman.
# Astraea

* Search for titles containing or beginning with: "Astraea."
* sister projects: Wikipedia article, taxonomy, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Astraea", by John Greenleaf Whittier
* "Astræa", by Ralph Waldo Emerson
# Astraea (Whittier)

"Jove means to settle  Astraea in her seat again,  And let down from his golden chain  An age of better metal."  BEN JONSON, 1615.
O POET rare and old! Thy words are prophecies; Forward the age of gold, The new Saturnian lies.
The universal prayer And hope are not in vain; Rise, brothers! and prepare The way for Saturn's reign.
Perish shall all which takes From labor's board and can; Perish shall all which makes A spaniel of the man!
Free from its bonds the mind, The body from the rod; Broken all chains that bind The image of our God.
Just men no longer pine Behind their prison-bars; Through the rent dungeon shine The free sun and the stars.
Earth own, at last, untrod By sect, or caste, or clan, The fatherhood of God, The brotherhood of man!
Fraud fail, craft perish, forth The money-changers driven, And God's will done on earth, As now in heaven;
# Atharva-Veda Samhita/Book I/Hymn 21

21. Against enemies.
[Atharvan.—āindram. ānuṣṭubham.]
As just pointed out (under 20. 4), this hymn and the last verse of the preceding make one hymn in RV. (x. 152) and in Pāipp. (ii.); the latter has a different verse-order (3, 2, 1, 4), but no various readings. For other correspondences, see under the several verses. For the ritual use of the hymn with the two preceding, see under 19; it is further reckoned (Kāuç. 16. 8, note) to the abhaya ('free from fear or danger') gaṇa. It is the first hymn applied (with vii. 55) in the svastyayana or 'for well-being' ceremonies (50. 1), and is, according to the comm., referred to as such in 25. 36. Verse 2 is also used, with others, by Vāit. (29. 5), in the agnicayana or building of the fire-altar.
Translated: Weber, iv. 414; Griffith, i. 25.
1. Giver of well-being, lord of the people (víç), Vṛtra-slayer, remover of scorners, controlling, let the bull Indra go before us, soma-drinker, producing fearlessness.
The comm. renders vimṛdhás by viçeṣeṇa mardhayitā çatrūṇām, although he explains mṛ́dhas in vss. 2, 3 by saṁgrāmān; the word is plainly a possessive compound ⌊accent! no genitive⌋, expressing in form of epithet the action of 2 a and 3 a. RV. reads in a viçás pátis. The verse occurs further in TB. (iii. 7. 11$^4$) and TA. (x. 1. 9); both have viçás, and, in d, svastidā́s for somapā́s.
2. Smite away, O Indra, our scorners (mṛ́dh); put (yam) down them that fight (pṛtany) [us]; make go to lowest darkness whoso vexes us.
RV. reverses the order of c and d, and reads ádharam; and with it agree precisely SV. (ii. 1218) and VS. (viii. 44 a et al.); while TS. (i. 6. 12$^4$) and MS. (iv. 12. 3) have for c adhaspadáṁ tám īṁ kṛdhi. ⌊Cf. MGS. ii. 15. 6 h and p. 155.⌋
3. Smite away the demon, away the scorners; break apart Vṛtra's (two) jaws; away, O Indra, Vṛtra-slayer, the fury of the vexing enemy.
RV. and SV. (ii. 1217) have the same text; TS. (i. 6. 12$^5$) reads çátrūn for rákṣas, nuda for jahi, and bhāmitó for vŗtrahan.
4. Off, O Indra, the mind of the hater, off the deadly weapon of him that would scathe; extend great protection; keep very far off the deadly weapon.
RV. reads manyós for mahát in c, yavayā for yāv- in d. TS. (iii. 5. 8, only a, b) supplies in the first half-verse the missing verb, jahi, putting it in place of vadhám. Unless we resolve çárma into three syllables, the anuṣṭubh is defective by a syllable. ⌊Add naḥ after yacha?⌋
The 5 hymns of this anuvāka ⌊4.⌋ again have 20 verses, the norm: see at the conclusion of the preceding anuvāka (after hymn 16).
# Atharva-Veda Samhita/Book I/Hymn 22

22. Against yellowness (jaundice).
[Brahman.—sāuryam uta mantroktaharimadevatyam. ānuṣṭubham.]
Found in Pāipp. i. Used by Kāuç. (26. 14) in a remedial rite (against heart disease and jaundice [kāmala, Keç.; kāmila, the comm.]).
Translated: Weber, iv. 415; A. Kuhn, KZ. xiii. 113; Griffith, i. 26; Bloomfield, 7, 263.—Cf. also Zimmer, p. 388; Bloomfield, AJP. xii. 437; Bergaigne-Henry, Manuel, p. 134. Kuhn adduces analogous old Germanic charms.
1. Let them (both) go up toward the sun, thy heart-burn (-dyota) and yellowness; with the color of the red bull, with that we enclose (pari-dhā) thee.
Ppp. reads in a udetām; its c is yo rohitasya gor varṇas, which construes better with d. The abbreviated writing hṛdyot- for hṛddyot- (see my Skt. Gr. §232 a ⌊and Roth, ZDMG. xlviii. 102⌋) betrays the pada-text into dividing hṛ॰dytotáḥ (cf. tád yā́m, iv. 19. 6; so even the RV. pada-text has jarat॰víṣam from jaraddvíṣam at v. 8. 2). SPP. has properly in his text the unabbreviated form hṛddyo-. U'd॰ayatām in the AV. Index Verborum is an erratum for úd ayatām: the comm. takes the form, doubtless wrongly, as 3d sing. mid. instead of 3d du. active. Kāuç. follows the indication of c, d, and of 3 a, b, by prescribing the use of products of a red cow, hair and skin etc., in the healing rite.
2. With red colors we enclose thee, in order to length of life; that this man may be free from complaints (-rápas), also may become not yellow.
Ppp. has a different second half-verse: yathā tvam arapā 'so atho 'hārito bhava. The third pāda is iv. 13. 4 d (or RV. x. 137. 5 d). The comm. explains rapas as = pāpa.
3. They that have the red one for divinity, and the kine that are red—form after form, vigor (váyas) after vigor, with them we enclose thee.
The translation implies the easy emendation in a to róhiṇīdevatyās, in accordance with the universal use of devatya elsewhere. The 'red one' is perhaps the red star (or lunar asterism) Rohiṇī, our Aldebaran. Ppp. reads rohiṇīr devatyā, and in b rohiṇīr uta; in d it has tena tvā.
4. In the parrots, in the ropaṇā́kās, we put thy yellowness; likewise in the hā́ridravas we deposit thy yellowness.
Not one of our mss. gives at the beginning the true reading çúkesu, as found in RV. i. 50. 12 ⌊and Ppp.⌋ (and TB. iii. 7. 6$^{22}$), but it is presented by the comm., and by three of SPP's authorities. RV. and TB. have me for te both times, and accent hāridravéṣu. The names are understood by the comm. as those of birds: ropaṇākā = kāṣṭhaçuka, apparently a kind of parrot, and hāridrava = gopītanaka, apparently a yellow water-wagtail. ⌊Ppp. has in b prapaṇākāça.⌋
# Atharva-Veda Samhita/Book I/Hymn 23

23. Against leprosy: with a healing herb.
[Atharvan (çvetalakṣmavināçanāyā 'nenā 'siknīm oṣadhim astāut).—vānaspatyam. ānuṣṭubham.]
Found in Pāipp. i., but defaced, so that for the most part comparison is impossible. Also, with vs. 3 of the next hymn, in TB. (11. 4. 4$^{1-2}$). Used by Kāuç. (26. 22-24), in company with the next following hymn, in a remedial rite (against white leprosy, (çvetakuṣṭha, schol. and comm.).
Translated: Weber, iv. 416; Ludwig, p. 506; Grill, 19, 77; Griffith, i. 27; Bloomfield, 16, 266; furthermore, vss. i, 2 by Bloomfield, AJP. xi. 325.—Cf. Bergaigne-Henry, Manuel, p. 135.
​1. Night-born art thou, O herb, O dark, black, [and] dusky one; O colorer (rajanī), do thou color this leprous spot and what is pale (palitá).
According to the comm., the herb addressed is the haridrā (Curcuma longa). R. writes: "The rajanī is known to the lexicographers, and has later as principal name parpaṭī [an Oldenlandia dyeing red, OB.], Madana 46. 47, Dhanvantari (ms.) i. 27. In Bhāvapr. i. 194 (where, according to my old and good ms., rañjanī is to be read instead of -nā), it is noted that this remedy is fragrant, and comes out of the north. It has a dark aspect. The species not to be determined, because the later identifications are entirely untrustworthy." ⌊See Dhanvantari, Ānanda-āçrama ed., p. 17.⌋ The causative stem rajaya (the meter calls for rāj-) is found only here.
2. The leprous spot, what is pale, do thou cause to disappear from hence, the speckled; let thine own color enter thee; make white things (çuklá) fly away.
TB. has na (naḥ?) for tvāa and açnntām for viçatām in c, and in d çvetā́ni for çuklāni. The comm. gives pṛ´thak for pṛ´ṣat in b, and has the usual support of a small minority of SPP's mss.
3. Dusky is thy hiding-place, dusky thy station (āsthā́na); dusky art thou, O herb; make the speckled disappear from hence.
TB. has the easier reading niláyanam in a. The comm. again gives pṛthak in d; he holds that the plant here addressed is the indigo (nīlī).
4. Of the bone-born leprous spot, and of the body-born that is in the skin, of that made by the spoiler (dū́ṣi)—by incantation have I made the white (çvetá) mark disappear.
Ppp. has in c dhūṣya; TB. reads instead kṛtyáyā; the comm. explains dūṣi as çatrūtpāditā kṛtyā. Ppp. has at the end anenaçam.
# Atharva-Veda Samhita/Book I/Hymn 18

18. Against unlucky marks.
[Draviṇodas.—vāināyakam. ānuṣṭubham: 1. upariṣṭādvirāḍbrṛatT; 2. nicṛjjagatī; 3. virāḍāstārapan̄ktitriṣṭubh.]
Verses 1-3 are found in Pāipp. xx. (but vs. 2 not with the others). Used by Kāuç. (42. 19) in a charm against unlucky signs in a woman.
Translated: Weber, iv. 411; Ludwig, p. 498; Geldner, Ved. Stud. i. 314; Griffith, i. 22; Bloomfield, 109, 260.—It may be mentioned that Geldner takes the whole hymn as relating to a domestic cat.
1. Out we drive (nir-sū) the pallid sign, out the niggard; then, whatever things are excellent (bhadrá), those we lead together (?) for our progeny.
The translation implies in d the very venturesome emendation of árātim to sám; the former appears wholly impracticable, and has perhaps stumbled into d from b; Geldner conjectures instead tvā. Ppp. is defaced, and gives no help. The comm. reads lakṣmam, and explains lalāmyam as accus. sing. masc.: lalāme bhavaṁ tilakasthānagatam; to yāni in c he supplies cihnāni ⌊making c a separate sentence and supplying bhavantu⌋. It would also be possible to make the cesura after prajāyāi, and read nāçayāmasi (so R.). In our edition, dele the accent-mark under tā- of tā́ni in c.
2. Savitar has driven out the trouble (? draṇi) in her feet; out have Varuṇa, Mitra, Aryaman [driven] [that] in her hands; out hath Anumati, bestowing (rā) upon us; the gods have driven this woman forward unto good fortune.
All the mss. give in a sāviṣak, which SPP. very properly retains, though the comm. and Ppp. have -ṣat (see my Skt. Gr.$^2$, §151 a); '​sāviṣak (p. as-) would be an improvement, and may be understood. For c, d, Ppp. has yad ādityāmavatī rarāṇā pṛṇasuvā savitā sāubhagāya. The comm. gives two etymological guesses at araṇīm (which is his reading, instead of -ṇim), both worthless, and describes rarāṇā as accented on the final. The separation of this verse from the others in Ppp. indicates that it probably has nothing to do with "marks." It is rather unusual for the Anukr. to take notice of the occurrence of a triṣṭubh pāda in a jagatī verse ⌊d, no less than c, is triṣṭubh, pronounce devāsāviṣuḥ.⌋
3. Whatever in thy self, in thy body, is frightful, or what in hair or in mien—all that do we smite away with [our] words; let god Savitar advance (sūd) thee.
'God Savitar' or 'the heavenly impeller,' everywhere equivalent. Ppp. begins yat tā "tman tanvā ghoram, and has for c, d tat te vidvāṅ upabādhayeṣāṁ pra tvā suvā savitā sāubhagāya. The metrical description of the verse (11 + 11: 10 + 10 = 42) by the Anukr. is unusual and questionable.
4. The antelope-footed, the bull-toothed, the kine-repelling, the out-blowing, the licked-out, the pallid—these we make disappear from us.