OpenLLM-France/wikimedia huggingface dataset:
# Connie Morgan with the Mounted

Book 2 in the Connie Morgan series: a "deservedly popular series about a boy wonder." (The Bookman, December 1923)
By James B. Hendryx
The Promise
Connie Morgan in Alaska
Connie Morgan with the Mounted
The Gun Brand
As Ick Far applied a rude tourniquet, Connie glanced up. A face leered over the barricade and the muzzle of an old smooth-bore appeared.
Chapter VIII
CONNIE MORGAN
WITH
THE MOUNTED
BY JAMES B. HENDRYX AUTHOR OF “CONNIE MORGAN IN ALASKA,” “THE PROMISE,” ETC.
ILLUSTRATED
G. P. PUTNAM’S SONS NEW YORK AND LONDON The Knickerbocker Press 1918
Copyright, 1918
BY
J. B. HENDRYX
The Knickerbocker Press, New York
CONTENTS
ILLUSTRATIONS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Conner v. Long

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
104 U.S. 228
Conner v. Long
ERROR to the Circuit Court of the United States for the Southern District of New York.
The facts are stated in the opinion of the court.
Mr. Robert S. Green for the plaintiff in error.
Mr. William B. Hornblower and Mr. Daniel H. Chamberlain, contra.
MR. JUSTICE MATTHEWS delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Conners v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
180 U.S. 271
Conners v. United States
Argued: December 17, 1900. --- Decided: February 11, 1901
This was also, as in the last case, a claim for live stock taken and destroyed in October, 1878, by certain bands of the Cheyenne and Arapahoe Indians, the suit being against the United States and Dull Knife's and Little Wolf's bands of Northern Cheyennes and the Northern and Southern Cheyennes and Arapahoe Indians. Defendants disclaimed responsibility upon the ground that the depredation was committed by an independent band of Indians, not then in amity with the United States.
The court of claims made a finding of facts, the material article of which is set forth in the margin.
Finding of Facts.
In May, 1877, 937 Northern Cheyennes, men, women, and children, were removed from the Red Cloud reservation at Fort Robinson, in Nebraska, to the Southern Cheyenne and Arapahoe reservation at Fort Reno, in the Indian territory. The Cheyennes went voluntarily, though reluctantly, relying in part upon representations made to them that the southern reservation would be a desirable home, and in part upon what they understood to be assurances that, if dissatisfied with it, they should be brought back. The body of Indians was composed of subdivisions of the Cheyenne tribe known as the bands of Dull Knife, Little Wolf, Wild Hog, and Old Crow. These so-called bands had no autonomy, and had not been recognized either by the government or by the tribe as separate entities. They were natural sogregations of civilized Indians, leading a nomadic life and living in groups in a widely extended habitat. The so-called chiefs were leaders Upon these findings of fact the court decided as a conclusion of law:
The bands of Dull Knife and Little Wolf, at the time when the depredation was committed, were independent bands of Indians, within the intent and meaning of the Indian depredation act, 1891; and the tribe of Northern Cheyennes, the defendants herein, was not responsible for their acts of depredation, and the petition should be dismissed. 33 Ct. Cl. 317.
Messrs. Wm. H. Robeson and Wm. B. King for appellant.
Assistant Attorney General Thompson and Messrs. Kie Oldham and Lincoln B. Smith for appellees.
Mr. Justice Brown delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# City Bank Farmers' Trust Co. v. Schnader

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
293 U.S. 112
City Bank Farmers' Trust Co. v. Schnader
No. 30 Argued: Oct. 15, 1934. --- Decided: Nov 5, 1934
Appeal from the District Court of the United States for the Eastern District of Pennsylvania.
Messrs. Henry S. Drinker, Jr., and Leslie M. Swope, both of Philadelphia, Pa., for appellant.
[Argument of Counsel from pages 113-115 intentionally omitted]
Mr. Wm. A. Schnader, of Philadelphia, Pa., for appellees.
Mr. Justice BUTLER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Citizens to Protect Public Funds v. Board of Education

* related portals: New Jersey case law.
* sister projects: Wikidata item.
* Court Documents
* Opinion of the Court
* Concurring Opinion Heher
SUPREME COURT OF NEW JERSEY
13 N.J. 172; 98 A.2d 673
CITIZENS TO PROTECT PUBLIC FUNDS AND DUDLEY KIMBALL, PLAINTIFFS-APPELLANTS v. BOARD OF EDUCATION OF THE TOWNSHIP OF PARSIPPANY-TROY HILLS, DEFENDANT-RESPONDENT
On appeal from Superior Court, Law Division.
Argued: June 8, 1953 --- Decided: June 25, 1953
Mr. Worrall F. Mountain, Jr., argued the cause for appellants (Mr. Simon Kasdin, attorney).
Mr. John H. Grossman argued the cause for respondent.
For affirmance — Chief Justice Vanderbilt, and Justices Heher, Oliphant, Burling, Jacobs and Brennan. For reversal — None. The opinion of the court was delivered by William J. Brennan, Jr., J. Heher, J., concurring. Heher, J., concurring in result.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# Complete Encyclopaedia of Music/A/Academy, royal

Academy, royal. The Royal Academy of Music was formed in England, for the performance of operas composed by Mr. Handel, and conducted by him at the theatre in the Haymarket. This institution attracted extraordinary attention, and continued to flourish for a consider-able time, with great reputation. The subscription amounted to £50,000 ; and the king, George I., subscribing £1000, allowed the society to assume the title of Royal Academy. It consisted of a governor, deputy governor, and twenty directors. A contest, however, betwixt Handel and Senesino, in which the directors took the part of the latter, occasioned the dissolution of the Academy, after it had existed for more than nine years. Dr. Busby says it was formed by subscription in the year 1720, for patronizing, supporting, and performing Italian operas, pasticcios, and intermezzi.
# Complete Encyclopaedia of Music/A/Accarezzevolmento

Accarezzevolmento. (I.) Persuasively.
# Complete Encyclopaedia of Music/A/Accel

Accel (I.) Accelerando.
# Complete Encyclopaedia of Music/A/Academie royale

Academie royale. (F.) An academy of music instituted in the year 1669, at Paris; by the Sieur Perrin, under a patent granted by Louie XIV., for the public performance of musical dramas, but which patent Louis soon after revoked, ordering another to be made out in favor of Lulli, who was judged more capable of conducting the design.
# Complete Encyclopaedia of Music/A/Academy, musical

Academy, musical. The first institution of a musical academy in England took place in the year 1710, at the Crown and Anchor Tavern. It consisted both of professors and non-professors, assisted by the gentlemen of the Chapel Royal, and the children of the several choirs, and was con-ducted on an extensive scale, and in the most respectable style. Since that time, several others have taken place on various plans ; among which, one of the most successful, at least for a time, was that established by Giardini, about the year 1750
# Complete Encyclopaedia of Music/A/Academy of ancient music

Academy of ancient music. This institution was established in London, in 1710, by the most eminent masters of the time, with a view to the study and practice of vocal and instrumental music, and continued to flourish for many years. The institution had the advantage of an excellent library, consisting of the most celebrated foreign and domestic compositions, and was aided by the amateurs of the Chapel Royal and the choir of St. Paul's Church, and the boys belonging to each. In 1731, a charge of plagiarism was brought against Bononcini, a member of the Academy, for claiming a madrigal of Lotti as his own, and threatened the existence of the institution. Dr. Greene, leader of the choir at St. Paul's Church, who had introduced the madrigal into the Academy, took part with Bononcini, and both withdrew from the institution. About three years afterwards, Mr. Gates, leader of the choir at the Chapel Royal, retired in disgust; and from this time the Academy became a seminary for the instruction of youth in the science of' music.
# Complete Encyclopaedia of Music/A/Acathist js

Acathist js. (Gr.) A solemn hymn, anciently sung in the Greek church, on the Saturday of the fifth week of Lent, in honor of the Virgin, for having thrice delivered Constantinople from the invasions of barbarians.
# Complete Encyclopaedia of Music/A/Acceldo

Acceldo. An abbreviation of Accelerando - meaning that one must accelerate the time of a piece of music at a particular place to produce effect.
# Complete Encyclopaedia of Music/A/Academy

Academy. A society of persons united for the purpose of improvement in the art of music, or any art or science. Musical academies were frequent in most parts of Europe, but particularly in France and Italy, long since ; and associations under the name of Musical Conventions, and Teachers' Classes, Institutes, Normal Schools, &c., pre now becoming numerous in this country.
# Complete Encyclopaedia of Music/A/Accarezzevole

Accarezzevole. (I.) Fawningly.
# Collected poems, 1901-1918 (Vol. 2)/The Miller and His Son

THE MILLER AND HIS SON
A TWANGLING harp for Mary,
A silvery flute for John,
And now we'll play, the livelong day,
"The Miller and his Son." . . .
"The Miller went a-walking
All in the forest high,
He sees three doves, a-flitting
Against the dark blue sky:
"Says he, 'My son, now follow
These doves so white and free,
That cry above the forest,
And surely cry to thee.'
"'I go, my dearest Father,
But O! I sadly fear,
These doves so white will lead me far,
But never bring me near.'
"He kisses the Miller,
He cries, 'Awhoop to ye!'
And straightway through the forest
Follows the wood-doves three.
"There came a sound of weeping
To the Miller in his Mill:
Red roses in a thicket
Bloomed over near his wheel;
"Three stars shone wild and brightly
Above the forest dim:
But never his dearest son
Returns again to him.
"The cuckoo shall call 'Cuckoo!'
In vain along the vale—
The linnet, and the blackbird,
The mournful nightingale;
"The Miller hears and sees not,
Thinking of his son;
His toppling wheel is silent;
His grinding done.
"'You doves so white,' he weepeth,
'You roses on the tree,
You stars that shine so brightly,
You shine in vain for me!
"'I bade him follow, follow!'
He said, 'O Father dear,
These doves so white will lead me far
But never bring me near.'". . .
A twangling harp for Mary,
A silvery flute for John,
And now we'll play, the livelong day,
"The Miller and his Son."
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Collected poems, 1901-1918 (Vol. 2)/The Ogre

THE OGRE
'TIS moonlight on Trebarwith Vale,
And moonlight on an Ogre keen,
Who, prowling hungry through the dale,
A lone cottage hath seen.
Small, with thin smoke ascending up,
Three casements and a door —
The Ogre eager is to tap,
And here seems dainty store.
Sweet as a larder to a mouse,
So to him staring down,
Seemed the small-windowed moonlit house,
With jasmine overgrown.
He snorted, as the billows snort
In darkness of the night;
Betwixt his lean locks tawny-swart,
He glowered on the sight.
Into the garden sweet with peas
He put his wooden shoe,
And bending back the apple trees
Crept covetously through;
Then, stooping, with a gloating eye
Stared through the lattice small,
And spied two children which did lie
Asleep, against the wall.
Into their dreams no shadow fell
Of his disastrous thumb
Groping discreet, and gradual,
Across the quiet room.
But scarce his nail had scraped the cot
Wherein these children lay,
As if his malice were forgot,
It suddenly did stay.
For faintly in the ingle-nook
He heard a cradle-song,
That rose into his thoughts and woke
Terror them among.
For she who in the kitchen sat
Darning by the fire,
Guileless of what he would be at,
Sang sweet as wind or wire: —
"Lullay, thou little tiny child,
By-by, lullay, lullie;
Jesu in glory, meek and mild.
This night remember thee!
"Fiend, witch, and goblin, foul and wild,
He deems them smoke to be;
Lullay, thou little tiny child,
By-by, lullay, lullie!"
The Ogre lifted up his eyes
Into the moon's pale ray.
And gazed upon her leopard-wise,
Cruel and clear as day;
He snarled in gluttony and fear —
"The wind blows dismally —
Jesu in storm my lambs be near,
By-by, lullay, lullie!"   And like a ravenous beast which sees
The hunter's icy eye.
So did this wretch in wrath confess
Sweet Jesu's mastery.
Lightly he drew his greedy thumb
From out that casement pale,
And strode, enormous, swiftly home,
Whinnying down the dale.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Collected poems, 1901-1918 (Vol. 2)/The Portrait of a Warrior

THE PORTRAIT OF A WARRIOR
HIS brow is seamed with line and scar;
His cheek is red and dark as wine;
The fires as of a Northern star
Beneath his cap of sable shine.
His right hand, bared of leathern glove,
Hangs open like an iron gin,
You stoop to see his pulses move,
To hear the blood sweep out and in.
He looks some king, so solitary
In earnest thought he seems to stand,
As if across a lonely sea
He gazed impatient of the land.
Out of the noisy centuries
The foolish and the fearful fade;
Yet burn unquenched these warrior eyes,
Time hath not dimmed, nor death dismayed.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Collected poems, 1901-1918 (Vol. 2)/The Little Green Orchard

THE LITTLE GREEN ORCHARD
SOME one is always sitting there,
In the little green orchard;
Even when the sun is high
In noon's unclouded sky,
And faintly droning goes
The bee from rose to rose.
Some one in shadow is sitting there.
In the little green orchard.
Yes, and when twilight is falling softly
In the little green orchard;
When the grey dew distils
And every flower-cup fills;
When the last blackbird says,
"What — what!" and goes her way — s-sh!
I have heard voices calling softly
In the little green orchard.
Not that I am afraid of being there, In the little green orchard;
Why, when the moon's been bright,
Shedding her lonesome light,
And moths like ghosties come,
And the horned snail leaves home:
I've sat there, whispering and listening there,
In the little green orchard.   Only it's strange to be feeling there,
In the little green orchard;
Whether you paint or draw,
Dig, hammer, chop, or saw;
When you are most alone.
All but the silence gone . . .
Some one is waiting and watching there,
In the little green orchard.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Collected poems, 1901-1918 (Vol. 2)/The Lost Shoe

THE LOST SHOE
POOR little Lucy
By some mischance,
Lost her shoe
As she did dance:
'Twas not on the stairs,
Not in the hall;
Not where they sat
At supper at all.
She looked in the garden.
But there it was not;
Henhouse, or kennel,
Or high dovecote. Dairy and meadow,
And wild woods through
Showed not a trace
Of Lucy's shoe.
Bird nor bunny
Nor glimmering moon
Breathed a whisper
Of where 'twas gone.
It was cried and cried,
Oyez and Oyez!
In French, Dutch, Latin,
And Portuguese.
Ships the dark seas
Went plunging through,
But none brought news
Of Lucy's shoe;
And still she patters
In silk and leather, O'er snow, sand, shingle,
In every weather;
Spain, and Africa,
Hindustan,
Java, China,
And lamped Japan;
Plain and desert, She hops — hops through,
Pernambuco
To gold Peru;
Mountain and forest,
And river too, All the world over
For her lost shoe.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Collected poems, 1901-1918 (Vol. 2)/The Mother Bird

THE MOTHER BIRD
THROUGH the green twilight of a hedge
I peered, with cheek on the cool leaves pressed,
And spied a bird upon a nest:
Two eyes she had beseeching me
Meekly and brave, and her brown breast
Throbbed hot and quick above her heart;
And then she opened her dagger bill,—
'Twas not a chirp, as sparrows pipe
At break of day; 'twas not a trill,
As falters through the quiet even;
But one sharp solitary note, One desperate, fierce, and vivid cry
Of valiant tears, and hopeless joy, One passionate note of victory;
Off, like a fool afraid, I sneaked,
Smiling the smile the fool smiles best, At the mother bird in the secret hedge
Patient upon her lonely nest.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Collected poems, 1901-1918 (Vol. 2)/The Quartette

THE QUARTETTE
TOM sang for joy and Ned sang for joy and old Sam sang for joy;
All we four boys piped up loud, just like one boy;
And the ladies that sate with the Squire — their cheeks were all wet,
For the noise of the voice of us boys, when we sang our Quartette.   Tom he piped low and Ned he piped low and Sam he piped low;
Into a sorrowful fall did our music flow;
And the ladies that sate with the Squire vowed they'd never forget
How the eyes of them cried for delight, when we sang our Quartette.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Delo v. Stokes/Dissent Stevens

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
* Concurring Opinion Kennedy
* Dissenting Opinions Brennan Stevens
Justice STEVENS, with whom Justice BLACKMUN joins, dissenting.
In my opinion both the District Court and the Court of Appeals-particularly when acting en banc-are in a far better position than this Court to determine whether a successive petition for habeas corpus constitutes an abuse of the writ. Accordingly, I respectfully dissent from the Court's summary disposition of the application to vacate the stay entered by the District Court and upheld by the Court of Appeals.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Delo v. Stokes

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.

## Concurring Opinion

    Kennedy

## Dissenting Opinions

    Brennan
    Stevens
United States Supreme Court
495 U.S. 320
Delo v. Stokes
Syllabus
After respondent Stokes was convicted and sentenced to death in Missouri, he filed three unsuccessful habeas corpus petitions in the federal courts. A few days before his scheduled execution, he filed an application for stay of execution pending consideration of a fourth habeas petition. The District Court found that the imposition of a stay was warranted by the issues raised in his claim that the state courts had selectively applied the rules governing lesser included offense instructions in capital murder cases in violation of his right to equal protection. The Court of Appeals denied the State's motion to vacate the stay.
Held: The District Court abused its discretion in granting the stay. A stay of execution pending disposition of a second or successive federal habeas petition can be granted only when there are substantial grounds upon which relief can be granted. Here, there are no such grounds, because Stokes' fourth petition clearly constitutes an abuse of the writ. His claim could have been raised in his first petition for federal habeas, and the principles he asserts are not novel and could have been developed long before this application.
Motion granted.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Dexter v. Hall

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
82 U.S. 9
Dexter v. Hall

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse