# A Good Woman (Bromfield)/Part 2/Chapter 7

It was more than an hour before the midnight shift began at the Mills, and during that hour Philip walked, sometimes running, along the empty streets, through the falling snow, all unconscious of the cold. He was for a time like a madman living in an unreal world, where all values were confused, all emotions fantastic and without base: in his tired brain everything was confused—his love for his mother, his hatred for his uncle, his pity for Naomi, and his resentment at all three of them for the thing they were trying to do. He wanted to run away where he might never see any of them again, yet to run away seemed to him a cowardly thing which solved nothing. Besides, if he ran away, he would never see Mary Conyngham, and Mary had in some odd fashion become fixed in his mind, an unescapable part of the whole confusion. He must see Mary Conyngham, sometime, in some way.
He was afraid to stay, depressed by the feeling that whenever he returned to the house, he was certain to find them there—waiting, watching him. Why, a man could be driven to insanity by people like that who treated him always as if he were mad.
But worst of all, he had no longer any faith in God: there was nothing of that miraculous essence which seemed to take from one's shoulders all the burden of doubt and responsibility. He couldn't say any longer, "I will leave it to God. He will devise a way. ​Whatever happens. He will be right. I must accept His way." He knew, sharply, completely, for the first time, that a faith must be born in himself, that he had taken up his own life to mold in his own fashion: there was no longer that easy refuge in a God, who would arrange everything. If he had trusted to God now he would have been on his way to Africa, disposed of, not by God, but by the hands of his mother and Naomi and Uncle Elmer.
He could be a coward and weak no longer.
After he had gone a long way he found himself on a height that seemed strange to him, in that part of the Town which lay just above the Flats. It was not strange, of course, for he had stood on the same spot a hundred times before. It was strange only because he was in an odd fashion a new person, born again, a different Philip from the one who had stood there as a boy.
The sight that lay spread out below him suddenly brought a kind of peace: he stopped running, and grew calm and, watching it, he succumbed slowly to its spell. By night, the hard, angular lines of that smoky world melted into a blue mystery, pierced and spotted here and there by lights—the great blue-white lights of the arc-lights in the Mill yards, the leaping scarlet flames that crowned the black furnaces, the yellow lights plumed with steam of the great locomotives moving backward and forward like shuttles weaving a vast carpet with the little signal-lights, red and yellow and mauve and green, set like jewels in a complicated design. In the darkness the grim blacks and grays took on color. Color and light lay reflected from the canopy of smoke and steam that hung above the whole ​spectacle. Piercing the glow of light, rose the black columns of the chimneys and furnaces.
Above it all rose the endless sound of pounding, like the distant booming of a gigantic surf, pierced now and again by the raucous, barbaric squeals of a locomotive.
Halted and given poise by the sight, he stood for a long time looking down into the very center of the roaring hive, forgetting himself suddenly and all his fantastic troubles; and slowly an odd thing happened to him. He felt strong: he wasn't any longer puzzled and afraid. It was as if there lay in the turbulent scene some intoxicating sense of power which took the place of his missing faith. The spectacle beneath him became alive with a tremendous sense of vitality and force that he had not found in all his mystical groping toward God. This thing that lay below him was real, he knew, real in a solid, earthly fashion, created by men in the face of hostile Nature, free of any weak dependence upon a Power which at best had only a doubtful existence. Yet the awful power of this world created by the feeble hand of man was in an odd fashion like the power of the lake, the forest, the sounds of life on the hill at Megambo.
Hazily there came to him the feeling that here lay his salvation, and presently he was overcome by an intense desire to plunge deep into the very midst of the whirling maelstrom of noise and heat and light and power.
Hurrying, he descended the hill, crossing the little river of oil and corruption, passing a great open space covered with cinders, beneath the white glare of lights hanging high above him, until he came at last to a high fence and a gate where he explained who he was and ​showed his card. He had an odd feeling that he should have said simply, "I have come here to save myself," as if the Italian gatekeeper would have known what he meant.
Inside this barrier the sound of pounding grew more and more violent. He went past one cavernous shed and another and another until he came to the one marked with a gigantic number in white paint—17. The yard, the shed, all the world about him was swarming with men—big, raw-boned men with high cheekbones, little, swarthy men, black men, men with flat, Kalmuck noses, some going towards the sheds, some moving away from them. Those who moved homeward were so black with sweat and soot that one could not tell which were negroes and which were white.
Stepping through a doorway, he found himself in a vast cavern echoing with sound, that reached up and up until its height became lost in smoke and shadows. High up, near the top, great cranes with white lights like piercing eyes, and tiny, black figures like ants climbing over them, moved ceaselessly back and forth, picking up tons of metal and putting it down again with a tremendous clatter. Here and there along the sides stood furnaces out of which men were drawing from time to time great piles of metal all rosy-white with heat. Flames leaped out of the ovens, licking the sides and casting fantastic shadows over the powerful, half-naked figures of the workers. The gigantic sound of hammering reverberated through the black cavern.
After a moment Philip addressed a thin, swarthy man with burning eyes. "Where is Krylenko?" he asked. But the man understood no English. "Kry​lenko," he repeated, shouting, above the din, "Krylenko."
The thin man grinned. "Oh, Krylenko," and, pointing, indicated the figure of a powerful, blond man, who stood leaning on a crowbar before an oven a little way off. He was, like the others, naked to the waist, and his white skin was already streaked with soot and sweat. When he turned, Philip saw that he was young, younger even than himself, and that his eyes were blue beneath a great mop of hair so yellow that it had the appearance of having been bleached. The eyes were intelligent.
In English with only a shadow of an accent he told Philip to strip off his coat and shirt and take up a crowbar. In a moment he was standing there with the others, indistinguishable among so many workers. He was half-naked, as he had been beside the fire at Megambo, and the same voluptuous sense of power swept through him. It was oddly terrifying, this cavern filled with flame and smoke and sweating men. It was oddly like the jungle.