OpenLLM-France/wikimedia huggingface dataset:
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Mason, Robert (3)

From volume 3 of the work.
​Mason, Robert, B.A. from Balliol Coll. 12 June, 1585, M.A. 3 July, 1588; one of these names rector of Fenny Drayton, co. Leicester, 1606. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Mason, Richard (1)

From volume 3 of the work.
​Mason, Richard, of Middx., pleb. Christ Church, matric. 23 Nov., 1581, aged 19; B.A. 23 Jan., 1582-3.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Mason, Richard (3)

From volume 3 of the work.
​Mason, Richard, of Hants, gent. Brasenose Coll., matric. 3 April, 1601, aged 15; B.A. 15 July, 1602, M.A. 12 May, 1608, rector of Bighton, Hants, 1620. See Foster's Index Eccl.
# Aesthetic Papers/The Favorite

THE FAVORITE.
I.
I would not have thee criticized By vain or vulgar eyes; I would not have thee eulogized By one who could not prize That maiden purity and calm Which form thy most especial charm.
I want a poet's heart, to read Thy soft, appealing glance, Who, for his pains, should have the meed, While watching thy sweet countenance, Of sunny smiles, that sudden spread Across thy lips, and, passing thence, Upon thy brow their light dispense.
Half child, half woman! the pure faith, That every thing was made for love, Which saved our childish days from scathe, Still bears thy floating feet above The thorns and briars which must tear Those who find no such path of air.
And, surely, natural to thee Such confidence must prove, Stealing from every treasury Thy proper hoard of love; For at the first sound of thy voice The closest stores unlock their choice.
Almost I weep to let thee go: Fain would I watch above thy path, The least approaching shade to know, That thy unventured Future hath, To lead thee in Life's sweetest ways, And feed thee on Love's heartfelt praise.
II.
I watch'd the rose-clouds rise around the scene Wherein thy life's fair pageant on did glide, And every hour, with iris-colored sheen, Tinging thy loveliness and girlish pride.
Fond lingering on childhood's fairy isle, Thy innocent feet yet press'd its dewy flowers; But joys of youth impatient strove to wile Thy half-waked soul to more entrancing bowers.
The sternest eyes dropp'd gentlest looks of love, The coldest hands strewed incense at thy feet; And, in the cloudless zenith arch'd above, Not one dark shade thy fearless gaze could meet.
Yet still thine unsuspicious, placid glance Found nothing strange in such a beauteous lot, But saw the coming years, like dreams, advance, And of their solemn meaning question'd not.
Nor fear'd I for thee,—but bewilder'd, charm'd, Lured by a magic never felt before, I never dream'd mine idol could be harm'd, And careless flung for thee one perfume more.
I saw thy head grow giddy in the breath Of adulation, fanning out the air Common and pure, and with a subtle death Poisoning and making false thine atmosphere.
Oh! perishing of too much love and praise! Oh! foolish mortals, spoiling all their best! Who now our floweret—too much forced—can raise, Or from its bloom exotic bravely wrest?
# Aesthetic Papers/The Twofold Being

THE TWOFOLD BEING.
The dew of youth on her pure brow lay; Her smile was the dawn of Spring's softest day; Spring's rosy light was on all her way.
She seem'd an oasis in desert lands; We thank'd God for her with lifted hands, Then turn'd again to the weary sands.
But Life came on with its withering glare, And swept down all the sweet beauty there, And left the fount dry and the branches bare.
When I look'd again on her alter'd face, The glow had all vanish'd, and left no trace,— Not a lingering gleam of her maiden grace.
Yet that form, as in earliest beauty fair, Can my mind shape out, in this evening air: Not a trait, not a shadow, is wanting there.
So now two beings for one I find; One walks on earth, one lives in my mind; Yet mystic relations these two still bind. ​O Seer! which the reality?— The beauty, all gone ere again I could see; Or this vision my soul hath eternally!
Yet there may be more than the eye can scan: Have such bright creations no wider plan? Doth God love the beautiful less than Man?
It seems as if nothing could fill our dearth; But the beauty that stayed not on dark cold earth May have fled again to the land of its birth.
It fled the pangs of life's constant rack; But, when the soul takes the heavenward track, It shall come like a sweet child nestling back.
For the loveliness that Earth's fairest wear Must be one and the same with the beauty there Of the transfigured angels of heavenly air.
And the parted soul shall take its stand In familiar guise 'mid the sister-band,— Deck'd with the glory of God's right hand.
And for us, when the walls of flesh are riven, And to open'd spirit-eyes is given To see the beloved again in heaven,—
'Mid the fathomless joys of that wondrous scene, Will come once more the presence serene Of that pure beauty's unearthly mien.
Then shall Time's veil uplifted be, And our life's long dreams of anxiety, Like clouds o'er a sunny hill, shall flee.
And it will be seen by the spirits pure, How little is left upon earth to endure, When we learn that all which is fair is sure.
# Aesthetic Papers/Meditations of a Widow

THE MEDITATIONS OF A WIDOW.
Springtime,—it surely came,—its roundelays! Wherefore these full, rich notes and Summer tone? I only knew it was thy Spring to Life,— Above the life of seasons and decay,— True Life, not knowing stint, nor blight, nor check, One everlasting growth in incorruption!
Now joyous Summer passeth in her wealth. She filleth clusters; hangeth gold on boughs; Prepare th the full sheaf, the luscious sweets, Gorgeous apparel; dresses for lilies, And for daisies too; soft hues for Even And for Morn; Music, the livelong day; And Fountains cool, to freshen all. I only know that heat and taint and toil Can never come to thee! Thou'st found thy wealth, Where thine affections reached, in thy mock-life; Hast found that River (either side the Tree Whose leaves—oh thou art rich!—unfolded to thee Fadeless), for the people, past and coming; The fount of freshness, overflowing all: And thou hast learned the rich undying strain, Trumphant, glorious Alleluia!
Autumn, I know thee well,—thy cool all-hail! Thou introducest change: Beauty is pale: Those flashes but proclaim "passing away." Why art thou stern upon our lingering love? Why dost deride and blow upon our joys? Why spend thyself to strew our seeming wealth, And give our very comforts to the wind? Thine awful whisperings are of Grandeur come, And we must hear acclaim of Majesty, Till, half congealed with awe, we breathe "Amen! Let Beauty die; our homage is to Thee." ​All change is God; immutably the same In form of Beauty and sublime display; In most dread hours, His glory beameth out To light up glory in the human soul.
Thou, thou hast passed all change of human life, And not again to thee shall Beauty die, Or Greatness in his robe of terror come. No devastation passeth o'er those fields; The fruits abide, and who partake abide Their high communings. Life and Death is not.
Winter, dread Undertaker, thou art come! And how unique are thy official deeds! The living and the dead, uncoffined, both Live in our meanest traversings concealed.
The heralds of thy coming scattered truths; And, gorgeously arrayed, they looked so gay, Admiring them, we lost the lesson quite.
Then those Old Priests, with withered arms, stood up And read a service: requiems were pealed, And under-tones of death; long deep-drawn sighs Passed o'er the living at their tasks and plays. And what a burial! Sexton nor grave The buried bound about, and palled—all one— And thou dost bury o'er the safe-interred, As thou had st power to shut them deeper down Into the cold dark trophy-room of Death. As well might boast of hulls and husks and shells, And other old investments dropped by life, In passage up to higher, purer life. Oh! there is Life so pure, commingles nought To satiate the greedy maw of Death; All unincumbered, incorrupt, and free! Those dear remains can feel no adverse power,— The Life that laid them down is free from stain, And never shall put off its robe of light!
# Aeterni Patris

* Search for titles containing or beginning with: "Aeterni Patris."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Aeterni Patris, a decree by Pope Gregory XV, 1621
* Aeterni Patris, a decree by Pope Pius IX, 1868
* Aeterni Patris, a decree by Pope Leo XIII, 1879

## See also

* "Æterni Patris (Leo XIII)," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Æterni Patris (Pius IX)," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Pollock, Walter Herries

See also Walter Herries Pollock on Wikipedia.
​Pollock, Walter Herries (1850).—Poet and miscellaneous writer. The Modern French Theatre (1878), Verse, Old and New, Sealed Orders and other Poems, Lectures on French Poets, A Nine Men's Morrice, King Zub, Jane Austen, her Contemporaries and Herself, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Prevost, Francis

See also Francis Prevost on Wikipedia.
​Prevost, Francis (see Battersby).
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Prothero, George Walter, Litt.D., LL.D., etc.

See also George Walter Prothero on Wikipedia.
​Prothero, George Walter, Litt.D., LL.D., etc. (1848).—Historian. Life and Times of Simon de Montfort (1877), Memoir of Henry Bradshaw (1889), ed. Voltaire's Louis Quatorze, Select Statutes, ​etc., of Elizabeth and James I., co-ed. of Cambridge Modern History, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Phillips, Stephen

See also Stephen Phillips on Wikipedia.
​Phillips, Stephen (1868).—Poet. Marpessa (1890), Eremus (1894), Christ in Hades (1896), Poems (1897), Paolo and Francesca (1899), Herod (1900), Ulysses (1902), The Sin of David (1904), Nero (1906), The Last Heir (drama) (1908), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Phillpotts, Eden

See also Eden Phillpotts on Wikipedia.
​Phillpotts, Eden (1862).—Novelist. Down Dartmoor Way (1894), Lying Prophets (1896), Children of the Mist (1898), Sons of the Morning (1900), The River (1902), The Secret Woman (1905), The Whirlwind (1907), The Thief of Virtue (1910), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Pinero, Sir Arthur Wing

See also Arthur Wing Pinero on Wikipedia.
​Pinero, Sir Arthur Wing (1855).—Dramatist. The Magistrate, Sweet Lavender, The Profligate, The Weaker Sex, Lady Bountiful, The Second Mrs. Tanqueray, The Notorious Mrs. Ebbsmith, The Benefit of the Doubt, The Princess and the Butterfly, The Gay Lord Quex, His House in Order, Mid Channel, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Pollard, Albert Frederick, F.R.Hist.S.

See also Albert Pollard on Wikipedia.
​Pollard, Albert Frederick, F.R.Hist.S. (1869).—Historical writer. The Jesuits in Poland (1892), England under Protector Somerset (1900), Henry VIII. (Goupil Series, 1902), Life of Thomas Cranmer (1904), etc., and has contributed largely to The Dictionary of National Biography, Factors in Modern History, The British Empire (1909), and to the Cambridge Modern History, and ed. Political Pamphlets, Tudor Tracts, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Praed, Mrs. Rosa Caroline Mackworth ("Mrs. Campbell Praed")

See also Rosa Campbell Praed on Wikipedia.
​Praed, Mrs. Rosa Caroline Mackworth ("Mrs. Campbell Praed") (1851).—Australian novelist. Policy and Passion (1881), Nadine (1882), The Head Station (1885), Miss Jacobsen's Chance (1887), December Roses (1893), The Insane Root, The Luck of the Leura (1907), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Pollard, Alfred William

See also Alfred W. Pollard on Wikipedia.
​Pollard, Alfred William (1859).—Bibliographer, etc. Books about Books (1893), Bibliographica (1894-96), Early Illustrated Books (1893), Italian Book Illustrations (1894), etc.; and has ed. English Miracle Plays (1890), Herrick, Chaucer (Globe ed.), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Poole, Reginald Lane, Ph.D.

See also Reginald Lane Poole on Wikipedia.
​Poole, Reginald Lane, Ph.D. (1857).—Historical writer. History of the Huguenots of the Dispersion (1880), Illustrations of the History of Modern Thought (1884), Wycliffe and Movements for Reform (1889), Historical Atlas of Modern Europe (1897-1902), etc.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/London, Roger

From volume 3 of the work.
​London, Roger, Benedictine, B.D. 17 Oct., 1534.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovelace, William (2)

From volume 3 of the work.
​Lovelace, William, s. Joh., of Bruton, Somerset, pp. Hart Hall, matric. 9 July, 1709, aged 18; B.A. 1713, vicar of Carhampton, Somerset, 1716. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovelace, William (1)

From volume 3 of the work.
​Lovelace, William, s. William, of Canterbury, Kent, arm. Trinity Coll., matric. 8 June, 1671, aged 17; student of Inner Temple 1672-5; died in 1679. See Foster's Inns of Court Reg.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovelace, Richard

From volume 3 of the work.
​Lovelace, Richard, 1s. William, of Woolwich, Kent, arm. Gloucester Hall, matric. 27 June, 1634, aged 16; created M.A. 31 Aug., 1636, incorporated at Cambridge 1637, "afterwards eminent for his valour and poetry," spent all his estate in the royal cause and died in Gunpowder Alley, Shoe Lane; buried in St. Bride's 1658. See Berry's Kent, 475; Ath. iii. 460; & Fasti, i. 491.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovelace, Robert (1)

From volume 3 of the work.
​Lovelace, Robert, of Berks, gent. Brasenose Coll., matric. 8 Dec., 1587, aged 15.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/London, Thomas (1)

From volume 3 of the work.
​London, Thomas, B.A. sup. 5 May, 1515, secular chaplain, M.A. 13 Feb., 1524-5.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovatt, John

From volume 3 of the work.
​Lovatt, John, s. J., of Clayton, co. Stafford, pleb. Brasenose Coll., matric. 20 March, 1702-3, aged 18; B.A. 1706.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovel, Robert

From volume 3 of the work.
​Lovel, Robert, B.A. from Christ Church 16 Dec., 1650, M.A. 21 June, 1653 (s. Benjamin, rector of Lapworth, co. Warwick), "an excellent botanist," professed physic and had some practice therein at Coventry, where he died, buried in the church of the Holy Trinity 6 Nov., 1690. See Burrows, 568; Ath. iv. 296; & Fasti, ii. 160.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Lovelace, Robert (2)

From volume 3 of the work.
​Lovelace, Robert, B.A. from St. John's Coll. 1610-11, and M.A. from Corpus Christi Coll., Cambridge, 1614; incorporated 10 July, 1621, vicar of Standon, Herts, 1617, and of Wormley, Herts, 1630. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Loveledge, William

From volume 3 of the work.
​Loveledge, William, s. Nicholas, of Westminster, Middlesex, pleb. Christ Church, matric. 24 Feb., 1631-2, aged 19; B.A. 4 June, 1635, M.A. 11 April, 1638, vicar of Daventry, Northants, until sequestered in 1645 by the Westminster assembly. See Alumni West. 103; & Add. MS. 15,669, p. 20.
# A Simplified Grammar of the Danish Language/Part I/Adjectives

ADJECTIVES. (Tillægsord)
Adjectives, which must agree in gender and number with the noun which they qualify, generally form the neuter by adding t, and their plural by adding e to the abstract singular form; as, en god Mand, 'a good man;' et godt Barn, 'a good child;' gode Drenge, 'good boys.'
When the adjective is preceded by the independent demonstrative article, den, det, de, it generally takes an e, as den gode Mand, det gode Barn, de gode Drenge.
​When the adjective ends in e or s, these letters remain unchanged; as, den stakkels Mand, 'the poor man;' den lille Mand, 'the little man;' det lille Barn, 'the little child;' det stakkels Barn, 'the poor child.'
Adjectives ending in el, en, er, discard the e, when used with the independent article; as, ædel, 'noble,' den ædle Mand, 'the noble man;' moden, 'ripe,' den modne Blomme, 'the ripe plum;' mager, 'lean;' den magre Hest, 'the lean horse.' A similar change is effected when the adjective is used in the plural as a predicate, or absolutely; as, Blommerne ere Modne, 'the plums are ripe;' ædle Mænd, 'noble men.'
Adjectives ending in an unaccentuated syllable double the final consonant; as, slem, or slet, 'bad;' den slemme (slette) Mand, 'the bad man.'
Some adjectives are at once defective and irregular; as, megen, sing., 'much;' flere, pl., 'many;' få, pl., 'few;' små, pl., 'small.'
Adjectives may be used independently in the sense of qualified nouns; as, den Gode, 'the good' (man understood); De Store, 'the great' (people understood).
The comparative degrees are formed as follows:—(1) by the addition to the positive of ere (comp)., est (superl.); (2) by the addition to the positive of re (comp.), st (superl.), when the word ends in e, and in some other cases, more especially when the radical vowel undergoes a change; (3) by the use of mere, 'more,' and mest, 'most,' chiefly in words ending in unaccentuated et, and derived from the past participle of verbs; as—
    positive. comparative. superlative. 1. rig, rich, rigere, rigest. 2. ringe, slight, ringere, ringest. 2. stor, large, större, störst. 3. broget, variegated. mere broget, mest broget.
Some adjectives are wholly irregular; as—
    god, good, bedre, best. ond, bad, værre, værst. lille, little, mindre, mindst. gammel, old, ældre, ældst.
# A Simplified Grammar of the Danish Language/Part I/Adverbs

ADVERBS. (Biord.)
Adverbs are often identical with the neuter singular of corresponding adjectives; as, hurtigt, 'hastily,' from hurtig, adj., 'hasty.'
Adverbs of place and time, negation and affirmation, &c. are both simple and compound; as, her, 'here;' herfra, 'hence;' ude, 'out;' udenfra, 'from outside;' ikke, 'not;' ja, jo, 'yes;' så, 'so;' således, 'thus;' silde, 'late;' årle, 'early;' tilforn, 'formerly;' i-dag, 'to-day;' i-går, 'yesterday.'
Some are formed by the addition to other adverbs, adjectives, or other parts of speech, of the affixes ledes and vis; as, ligeledes, 'likewise;' uheldigvis, 'unfortunately;' stykkevis, 'piece by piece.'
Adverbs form their degrees of comparison in the same manner as adjectives; as— ​
    positive. comparative. superlative. ofte, often, oftere, oftest. tit, often, tiere, tiest. smukt, handsomely, smukkere, smukkest.
Some adverbs are irregular; as—
    gærne, rather, readily, hellere, helst. vel, well, bedre, bedst.
Some are defective; as—
    ude, out, yderst. ... för, before, först. ... mindre, less, mindst.
The latter are used to express diminutive degrees of comparison both for adjectives and other adverbs; as—
    smuk, handsome, adj., mindre smuk, mindst smuk. smukt, handsomely, adv., mindre smukt, mindst smukt.
The superlative of adjectives and adverbs acquires additional force when preceded by aller (all, most, very); as, den aller störste Glæde 'the very greatest joy;' på det aller smukkeste, ' most handsomely.'
# A Simplified Grammar of the Danish Language/Part I/Articles

ARTICLES. (Kendeord.)
Two genders are recognized in modern Danish, viz. the Common Gender (Fælleskön), and the Neuter Gender (Intetkön).
Articles and adjectives must agree in gender and number with the noun to which they refer.
There are three distinct articles, viz. the Indefinite Article (ubestemte Kendeord), and two forms of the Definite Article (bestemte Kendeord), known as the "Noun Article" and the "Adjective Article."
​The Indefinite Article, which precedes the noun, is—
    common gender. neuter. en, a, an. et, a, an.
This article agrees in gender with the noun; as, en Mand, e.g., 'a man,' et Barn, n., 'a child.'
The form of the Definite Article, known as the "Noun-Article" (Navneordenes Kendeord), consists of the following affixes, which are added to, and incorporated with, the noun, in conformity with the gender and number of the latter:
    common gender. neuter. plural, both genders. Affix, en, or n, the et, or t, the ene, or ne, the.
As, Mand, e.g., 'man,' Manden, 'the man;' Kone, e.g., 'woman,' Konen, 'the woman;' Barn, n., 'child,' Barnet, 'the child;' Vindue, n., 'window,' Vinduet, 'the window;' Mænd, pl. 'men,' Mændene, 'the men;' Koner, pl., 'women,' Konerne, 'the women;' Vinduer, pl., 'windows,' Vinduerne, 'the windows.'
The terminal letter of the word, and certain considerations of euphony, determine whether en, et, and ene, or simply n, t and ne are to be employed in the formation of the article affix.
The independent form of the definite article, known as the "Adjective Article" (Tillœgs Kendeord), agrees in gender and number with the noun to which it refers, and always precedes the adjective qualifying the latter, never standing in direct proximity to the noun itself.
    common gender. neuter. plural. both gender. den, the det, the de the.
Den gode Mand, e. g., 'the good man;' det gode Barn, n., 'the good child,' de gode Drenge, pl., 'the good boys.'
​Norwegians use Gut, e. g., in the place of Dreng, for 'boy'.
For an explanation of the manner in which the various articles have acquired their present form and significance, the reader is referred to Part II.
# A Simplified Grammar of the Danish Language/Part I/Interjections

INTERJECTIONS. (Udråbsord.)
Interjections are, (1) imitative sounds, expressive of impressions they are intended to convey; as, Puf! knak! top! (2) Natural expletives; as, Ah! Ak! O! Fy! (3) The imperatives of verbs; as, velkommen! 'be welcome;' bort! 'go away.' (4) Vitiated forms of invocation; as, Hillemænd! (O, hellige Mænd!) "Oh! blessed Saints;" Såmænd! (Så sandt som det hellige Evangelium, så hjælpe mig de hellige Mænd!) "As true as holy Gospel, so help me the Blessed Saints!"