OpenLLM-France/wikimedia huggingface dataset:
# Chicago Railway Company v. United States (270 U.S. 287)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
270 U.S. 287
Chicago Railway Company v. United States (270 U.S. 287)
Argued: Jan. 19, 1926. --- Decided: March 1, 1926
Messrs. C. C. Hine, of Chicago, Ill., and William L. Taylor, of Indianapolis, Ind., for appellants.
[Argument of Counsel from page 288 intentionally omitted]
Mr. Blackburn Esterline, of Chicago, Ill., for the United States.
Mr. R. Granville Curry, of Washington, D. C., for Interstate Commerce Commission.
Mr. E. S. Ballard, of Chicago, Ill., for Chicago, L. S. & S. B. Ry Co.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Chicago Railway Company v. United States (274 U.S. 29)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
274 U.S. 29
Chicago Railway Company v. United States (274 U.S. 29)
Argued: and Submitted March 4, 1927. --- Decided: April 11, 1927
Messrs. A. B. Enoch, of Chicago, Ill., M. G. Roberts, of St. Louis, Mo., and Thomas P. Littlepage and M. L. Bell, both of Chicago, Ill., for appellants.
Mr. Blackburn Esterline, of Washington, D. C., for the United States.
Messrs. D. W. Knowlton and P. J. Farrell, both of Washington, D. C., for appellee Interstate Commerce Commission.
Mr. R. C. Fulbright, of Houston, Tex., for appellee Houston Cotton Exchange and Board of Trade and others.
Mr. Justice SUTHERLAND delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Chicago Railway Company v. United States (246 U.S. 512)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
246 U.S. 512
Chicago Railway Company v. United States
Argued: March 27 and 28, 1918. --- Decided: April 15, 1918
[Syllabus from pages 512 intentionally omitted]
Mr. Charles A. Vilas and William G. Wheeler, both of Chicago, Ill., for petitioner.
Mr. Assistant Attorney General Frierson, for the United States.
Mr. Justice McREYNOLDS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Color (Cullen)/Judas Iscariot

Judas Iscariot
# Color (Cullen)/Near White

Near White
# Color (Cullen)/If You Should Go

If You Should Go
# Color (Cullen)/In Memory of Col. Charles Young

In Memory of Col. Charles Young
# Color (Cullen)/Harlem Wine

Harlem Wine
# Color (Cullen)/Heritage

Heritage
(For Harold Jackman)
# Color (Cullen)/Mary, Mother of Christ

Mary, Mother of Christ
# Color (Cullen)/Gods

Gods
# Color (Cullen)/Harsh World That Lashest Me

Harsh World That Lashest Me
(For Walter White)
# Cornhuskers/Horses and Men in Rain

HORSES AND MEN IN RAIN
# Cornhuskers/House

HOUSE
# Cornhuskers/In Tall Grass

IN TALL GRASS
                (over the earth and under the sun.)
# Cornhuskers/Jabberers

JABBERERS
Alike only as a yellow cat and a green parrot are alike,
Fling their staccato tantalizations
Into a wildcat jabber
Even the hundredth silence,
Is better than no silence at all
# Cornhuskers/John Ericsson Day Memorial, 1918

JOHN ERICSSON DAY MEMORIAL, 1918
# Cornhuskers/Joliet

JOLIET
On the other hand the penitentiary.
Sante Fé trains and Alton trains
Between smokestacks on the west
And gray walls on the east.
And part is man's.
The river course laid out
A thousand years ago.
Makes three stripes of silver
Or copper and gold
Or shattered sunflower leaves.
    Talons of an iceberg
    Scraped out this valley.
    Claws of an avalanche loosed here.
# Cornhuskers/Humdrum

HUMDRUM
    and a million deaths to die
    in a million humdrum worlds,
I'd like to change my name
    and have a new house number to go by
    each and every time I died
    and started life all over again.
    and the same old house number always,
    dying a million deaths,
    dying one by one a million times:
    —would you?
             or you?
                or you?
# Cornhuskers/Illinois Farmer

ILLINOIS FARMER
He slept the Illinois nights of his life after days of work in Illinois cornfields.
Now he goes on a long sleep.
The wind he listened to in the cornsilk and the tassels, the wind that combed his red beard zero mornings when the snow lay white on the yellow ears in the bushel basket at the corncrib,
# Cornhuskers/Index of Titles

* A Million Young Workmen, 1915
* A Tall Man
* Adelaide Crapsey
* Alix
* Always the Mob
* Ashurnatsirpal III
* Autumn Movement
* Baby Face
* Band Concert
* Bilbea
* Blizzard Notes
* Bricklayer Love
* Bringers
* Buffalo Bill
* Caboose Thoughts
* Cartoon
* Chicago Poet
* Chicks
* Child Margaret
* Clocks
* Cool Tombs
* Crimson Rambler
* Drumnotes
* Early Moon
* Falltime
* Films
* Fire-Logs
* Fire Dreams
* Flanders
* Flat Lands
* Garden Wireless
* Gargoyle
* Girl in a Cage
* Goldwing Moth
* Grass
* Handfuls
* Haunts
* Have Me
* Hemlock and Cedar
* Hits and Runs
* Horses and Men in Rain
* House
* Humdrum
* Illinois Farmer
* In Tall Grass
* Interior
* Jabberers
* John Ericsson Day Memorial, 1918
* Joliet
* Knucks
* Kreisler
* Laughing Corn
* Lawyer
* Leather Leggings
* Legends
* Loam
* Localities
* Loin Cloth
* Mammy Hums
* Manitoba Childe Roland
* Medallion
* Memoir of a Proud Boy
* Memoir
* Monosyllabic
* Moonset
* Near Keokuk
* New Feet
* Old Osawatomie
* Old Timers
* Out of White Lips
* Palladiums
* Portrait of a Motor Car
* Potato Blossom Songs and Jigs
* Prairie Waters by Night
* Prairie
* Prayers of Steel
* Psalm of Those Who Go Forth Before Daylight
* Questionnaire
* Remembered Women
* Repetitions
* River Roads
* Shenandoah
* Singing Nigger
* Sixteen Months
* Slants at Buffalo, New York
* Smoke
* Southern Pacific
* Still Life
* Street Window
* Summer Shirt Sale
* Sunset From Omaha Hotel Window
* Testament
* The Four Brothers
* The Sea Hold
* The Year
* Three Balls
* Three Pieces on the Smoke of Autumn
* Upstairs
* Valley Song
* Village in Late Summer
* Washerwoman
* Wilderness
* Young Bullfrogs
# Cornhuskers/Interior

INTERIOR
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days...
          they will need winding.
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing...
To be said against them...
Or for them...
In the cool of the night time
The open window begins at his feet
And goes taller than his head.
Silver at the man's bare feet.
He swings one foot in a moon silver.
Mutters "You" and "You"
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff...
These heartbeats travel the night a mile
And touch the moon silver at the window
And the bones of the man.
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
# Counter-Attack and Other Poems/Joy-Bells

JOY-BELLS
Ring your sweet bells; but let them be farewells To the green-vista'd gladness of the past That changed us into soldiers; swing your bells To a joyful chime; but let it be the last.
What means this metal in windy belfries hung When guns are all our need? Dissolve these bells
Whose tones are tuned for peace: with martial tongue
Let them cry doom and storm the sun with shells.
Bells are like fierce-browed prelates who proclaim That "if our Lord returned He'd fight for us."
So let our bells and bishops do the same, Shoulder to shoulder with the motor bus.
# Counter-Attack and Other Poems/Dreamers

DREAMERS
Soldiers are citizens of death's grey land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows. Soldiers are sworn to action; they must win Some flaming, fatal climax with their lives. Soldiers are dreamers; when the guns begin They think of firelit homes, clean beds, and wives.
I see them in foul dug-outs, gnawed by rats, And in the ruined trenches, lashed with rain, Dreaming of things they did with balls and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
# Counter-Attack and Other Poems/Editorial Impressions

EDITORIAL IMPRESSIONS
He seemed so certain "all was going well," As he discussed the glorious time he'd had While visiting the trenches. "One can tell You've gathered big impressions!" grinned the lad
Who'd been severely wounded in the back
In some wiped-out impossible Attack.
"Impressions? Yes, most vivid! I am writing
A little book called Europe on the Rack,
Based on notes made while witnessing the fighting. I hope I've caught the feeling of 'the Line,'
And the amazing spirit of the troops. By Jove, those flying-chaps of ours are fine!
I watched one daring beggar looping loops, Soaring and diving like some bird of prey.
And through it all I felt that splendour shine
Which makes us win." The soldier sipped his wine. "Ah, yes, but it's the Press that leads the way!"
# Counter-Attack and Other Poems/Fight to a Finish

FIGHT TO A FINISH
The boys came back. Bands played and flags were flying, And Yellow-Pressmen thronged the sunlit street
To cheer the soldiers who'd refrained from dying,
And hear the music of returning feet. "Of all the thrills and ardours War has brought,
This moment is the finest." (So they thought.)
Snapping their bayonets on to charge the mob,
Grim Fusiliers broke ranks with glint of steel. At last the boys had found a cushy job.
I heard the Yellow-Pressmen grunt and squeal; And with my trusty bombers turned and went To clear those Junkers out of Parliament.
# Counter-Attack and Other Poems/Front matter

COUNTER-ATTACK
AND OTHER POEMS
BY THE SAME AUTHOR
THE OLD HUNTSMAN
"Unknown to American readers this poet comes out of war-stricken England with a gift of incomparable beauty". . .—Boston Transcript.
"It is seldom that out of a clear sky—without any heralding thru magazine publication or literary gossip—a really noteworthy poet suddenly comes into our midst. But that seems to be the case with Siegfried Sassoon."—Chicago Post.
Net $2.00
E.P. DUTTON & COMPANY NEW YORK
# Counter-Attack and Other Poems/Glory of Women

GLORY OF WOMEN
You love us when we're heroes, home on leave, Or wounded in a mentionable place. You worship decorations; you believe That chivalry redeems the war's disgrace.
You make us shells. You listen with delight,
By tales of dirt and danger fondly thrilled.
You crown our distant ardours while we fight,
And mourn our laurelled memories when we're killed.
You can't believe that British troops "retire" When hell's last horror breaks them, and they run, Trampling the terrible corpses—blind with blood.
O German mother dreaming by the fire,
While you are knitting socks to send your son
His face is trodden deeper in the mud.
# Counter-Attack and Other Poems/In Barracks

IN BARRACKS
The barrack-square, washed clean with rain, Shines wet and wintry-grey and cold. Young Fusiliers, strong-legged and bold,
March and wheel and march again. The sun looks over the barrack gate,
Warm and white with glaring shine,
To watch the soldiers of the Line
That life has hired to fight with fate.
Fall out: the long parades are done.
Up comes the dark: down goes the sun.
The square is walled with windowed light. Sleep well, you lusty Fusiliers;
Shut your brave eyes on sense and sight, And banish from your dreamless ears
The bugle's lying notes that say,
"Another night: another day."
# Counter-Attack and Other Poems/Invocation

INVOCATION
Come down from heaven to meet me when my breath
Chokes, and through drumming shafts of stifling death I stumble toward escape, to find the door Opening on morn where I may breathe once more Clear cock-crow airs across some valley dim
With whispering trees. While dawn along the rim Of night's horizon flows in lakes of fire, Come down from heaven's bright hill, my song's desire.
Belov'd and faithful, teach my soul to wake
In glades deep-ranked with flowers that gleam and shake
And flock your paths with wonder. In your gaze Show me the vanquished vigil of my days.
Mute in that golden silence hung with green,
Come down from heaven and bring me in your eyes Remembrance of all beauty that has been,
And stillness from the pools of Paradise.
# Counter-Attack and Other Poems/How to Die

HOW TO DIE
Dark clouds are smouldering into red While down the craters morning burns.
The dying soldier shifts his head To watch the glory that returns: He lifts his fingers toward the skies
Where holy brightness breaks in flame;
Radiance reflected in his eyes, And on his lips a whispered name.
You'd think, to hear some people talk, That lads go West with sobs and curses, And sullen faces white as chalk, Hankering for wreaths and tombs and hearses.
But they've been taught the way to do it Like Christian soldiers; not with haste And shuddering groans; but passing through it
With due regard for decent taste.
# Compendium of US Copyright Office Practices (1973)/Chapter 11

Chapter 11
Renewal Registration
Outline of Topics
Chapter 11. RENEWAL REGISTRATION
Part 11.1 DURATION OF ORIGINAL COPYRIGHT TERM
Part 11.2 TIME LIMITS FOR RENEWAL
Part 11.3 ORIGINAL REGISTRATION
An American reprint published after expiration of the ad interim period.
Part 11.4 PRESIDENTIAL EXTENSION-OF-TIME PROCLAMATIONS
Part 11.5 CONTRIBUTIONS TO PERIODICALS AND COMPOSITE WORKS
Part 11.6 WORKS FIRST PUBLISHED ABROAD IN ENGLISH
Part 11.7 RENEWAL CLAIMANTS, AUTHORS AND THEIR HEIRS.
Part 11.8 RENEWAL CLAIMANTS: PROPRIETORS
The fact that the corporation also purchased the author's manuscript does not change its
Part 11.9 JOINT RENEWAL CLAIMANTS
Part 11.10 UNACCEPTABLE RENEWAL CLAIMS
# Compendium of US Copyright Office Practices, II (1984)/INDEX/V

- V - :
| | Page |
| Validity doubtful | 1300-13, 1500-17 |
| Validity of claim doubtful | 1500-17 |
| Validity, prima facie evidence of | 100-3 |
| Value (aesthetic) of works of art | 500-2, 500-12, 500-13 |
| Value (commercial) or aesthetic appeal | 500-3 |
| Value (declaration of) | 800-40 |
| Value (symbolic) | 500-3 |
| Variance between information and state­ment of applicant | 900-2 |
| Variance (reconcilable) between names | 1600-8 |
| Variants (acceptable) | 1000-4, 1000-5, 1000-6 |
| Variants of word, symbol, or abbrevia­tion | 1000-4, 1000-11 |
| Variants (unacceptable) | 1000-4, 1000-6,1000-11 |
| Variations (musical) | 400-10 |
| Version (later) of published work, renewal of | 1300-32 |
| Version (new), importation of | 1200-12 |
| Version (new) of previously published work | 900-10 |
| Version (new or revised), basic regis­tration for | 1500-18 |
| Version, renewal of revised published | 1300-33 |
| Version or edition (previous), date of publication of | 900-12 |
| Videocassette, pantomime fixed in | 800-38 ​ |
# Compendium of US Copyright Office Practices, II (1984)/INDEX/XYZ

- X - :
| - Y - ||
| | Page |
| Year (calendar), end of | 1300-1, 1330-2, 1300-3, 1300-4 |
| Year date dispersed | 1000-8 |
| Year date, form of | 1000-7 |
| Year date in Library of Congress Catalog Card Number | 1000-9 ​ |
| Year date in notice | 1000—7, 1000-8, 1000-9, 1000—14 |
| Year date in notice, more than one | 1000-9 |
| Year date (omitted) | 1000-2, 1000-7 |
| Year of creation of work | 700-2 |
| Year of first publication | 1000—2, 1000-14 |
| Year (renewal), application received after | 1300-6 |
| Year (renewal), application received before | 1300-6 |
| - Z - ||
# Complete Encyclopaedia of Music/B/Baildon

Baildon, a celebrated English glee composer, flourished between the years 17?0 and 1780. He is the author of the two glees Adieu to the village delights," and "When gay Bacchus filled my breast ; "both of which, in their different styles, must ever delight the amateur of our English part songs.
# Complete Encyclopaedia of Music/B/Bailey, Anselm

Bailey, Anselm, an English composer, published "A. Treatise on Singing and Playing with just Expression and real Elegance," Lon-don, 1771.
BAILLEUX, ANTOINE, published at Paris, in 1758, six symphonies for four performers ; and about 1767, six symphonies for a full orchestra. He also wrote some solfeggi for vocal and instrumental music, a third edition of which appeared in 1792.
# Complete Encyclopaedia of Music/B/Baillou, Luigi

Baillou, Luigi. Director of the music at the opera in Milan, in 1784. He has published several pieces for the theatre.
# Complete Encyclopaedia of Music/B/Baini, Lorenzo

Baini, Lorenzo, an Italian composer, born at Venice, composed some opera music between the years 1785 and 1790.
# Complete Encyclopaedia of Music/B/Bainville

Bainville, organist at Angers, published some music for his instrument in the year 1767.
BAJ, T., author of the "Miserere," commonly sung on Holy Thursday in the pontifical chapel at Rome, was born near Bologna, and died at Rome in 1718. His "Miserere" is a chef-d'oeuvre for its prosody and just accentuation of the words. It is the only modern production received in the pope's chapel.
# Complete Encyclopaedia of Music/B/Baif, John Antony De

Baif, John Antony De, private secretary of Charles IX., died at Paris in 1591. He published several musical works.
# Complete Encyclopaedia of Music/B/Baillon, P

Baillon, P. L. Guitar and singing master, and author of a method for that instrument, published at Paris in 1781.
# Complete Encyclopaedia of Music/B/Baillot, Pierre

Baillot, Pierre, a celebrated French violinist, was born near Paris, in the year 1771. Ile went to Rome for some years, and took lessons of Polani, an excellent professor of the school of Tartini. About the year 1795, he succeeded Rode as professor of the violin to the Conservatory of Paris ; since which time he has edited an excellent method for the violin, and one for the violoncello, both of which are now in use at the Conservatory; he has also published some instrumental music. This eminent artist expired at Paris, on the 16th of October, 1842, in the 71st year of his age. His funeral, which took place on the following Saturday, in the cemetery of Montmartre, was attended by all the most eminent musicians in Paris, anxious to mingle their regrets over the grave of a highly-talented brother. Baillot is known throughout Europe by his extraordinary genius and finished style as a per-former, and as being master of nearly all the most celebrated violinists of the last quarter of a century.
# Complete Encyclopaedia of Music/B/Baker, Dr

Baker, Dr., a composer and eminent performer on the violin and piano-forte, was born at Exeter in the year 1764. From his mother's sister he received his first instructions, by which he was enabled, at the age of seven, to perform with precision, on the harpsichord, Handel's and Scarlatti's lessons. His first masters were Hugh Bond and the late celebrated Jackson, (at that time organist of the cathedral at Exeter,) and for the violin, Ward; which combined instructions enabled him very soon to lead the concerts is that neighbourhood.
About the age of seventeen he left Exeter for London, from whence he was received in the family of the Earl of Uxbridge, to whom he is indebted for the principal part of his musical education. He was under Cramer (the father) for the violin, and Dussek for the piano-forte. It was through this nobleman's interest, exerted in his favor, that he was permitted to perform the " Storm," in Hanover Square rooms, which, by the late Dr. Burney, was considered an inimitable imitation. During his residence as organist at Stafford, he took his degree at Oxford. The principal of Dr. Baker's works are the following, besides numerous manuscript compositions. "Three Sonatas, dedicated to Lady Wright, for the piano-forte and violin." "Three, dedicated to Countess Talbot." "Three Duets for two performers, dedicated to the Duchess of Rutland." "Six Anthems, for four, five, and six voices." "Voluntaries for the Organ." "Glees, for three and four voices, dedicated to the Earl of Uxbridge." "The Storm at Sea, and the whole of the music performed at his concert at the Hanover Square rooms." "Duets for two voices, dedicated to Miss Abrams." "The Overture and Songs of the Caffres, a musical Entertainment performed at Covent Garden Theatre." To the above may be added a great number of songs, (several sung in public by Incledon, &c.,) duets, concertos, solos for the violin, and airs with variations for the piano-forte.
# Complete Encyclopaedia of Music/B/Bailly, M

Bailly, M. DE, published " Curious Remarks on the Art of Singing," Paris, 1668.
# Clawson v. United States (113 U.S. 143)

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
113 U.S. 143
Clawson v. United States
[Statement of Case from pages 143-145 intentionally omitted]
F. S. Richards and Wayne MacVeagh, for appellant.
[Argument of Counsel from pages 145-146 intentionally omitted]
Sol. Gen. Phillips, for appellee.
Mr. Justice HARLAN, after stating the facts in the foregoing language, delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Clawson v. United States

* Search for titles containing or beginning with: "Clawson v. United States."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Clawson v. United States (113 U.S. 143)
* Clawson v. United States (114 U.S. 477)
# Clawson v. United States (114 U.S. 477)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
114 U.S. 477
Clawson v. United States
F. S. Richards and Wayne MacVeagh, for plaintiff in error.
Sol. Gen. Phillips, for defendant in error.
BLATCHFORD, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Claudius Bombarnac/Chapter XXVII

This text was provided by Project Gutenberg etext 11263.
chapter 27
# Clay Center v. Farmers' Loan Trust Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
145 U.S. 224
Clay Center v. Farmers' Loan Trust Company
J. B. Johnson and John Martin, for appellant.
W. E. Earle and W. T. S.C.urtis, for appellant on motion
W. H. Rossington, Chas. Blood Smith, and H. B. Turner, for appellee.
Mr. Chief Justice FULLER delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse