# The Life of William Morris/Chapter 12

THE LIFE OF WILLIAM MORRIS
CHAPTER XII
LONDON AND KELMSCOTT: THEORIES OF ART AND LIFE
1879-1881
But work among his dye-pots and looms, interesting and fascinating as he found it, could not fill up the whole of his mind. In spite of the variable excitement and the more settled rest of this daily work, voices from an outer world kept calling him more and more imperiously. For a time he tried to think that it was the voice of poetry that was calling, but the fancy brought no real conviction. "As to poetry," he writes in October, 1879, "I don't know, and I don't know. The verse would come easy enough if I had only a subject which would fill my heart and mind: but to write verse for the sake of writing is a crime in a man of my years and experience." He had in fact produced his poetry: the instincts of creation and invention had to find new outlets; and gradually the fabric of social life itself became the field which, as he ​had done with specific arts already, he tried to redeem from commercialism and ugliness, and to reinstate on a sounder basis. He recognized the gravity of the enterprise; yet it did not then seem to him a desperate one. "I have seen a many wonders, and have a good memory for them; and in spite of all grumblings have a hope that civilized people will grow weary of their worst follies and try to live a less muddled and unreasonable life; not of course that we shall see much of that change in the remnant that is left of our days."
In this hope, and for work at anything that might lead towards its accomplishment, he was willing to give up ease and leisure, and much of what made life desirable. And one can trace the conviction growing in him very slowly, that towards forwarding the work some renunciation was necessary—it might be, he thought with a sudden pang, the giving up of Kelmscott. "I am sitting now, 10 p.m.," he writes from there in late autumn, "in the tapestry-room, the moon rising red through the east-wind haze, and a cow lowing over the fields. I have been feeling chastened by many thoughts, and the beauty and quietness of the surroundings, which latter, as I hinted, I am, as it were, beginning to take leave of. That leave-taking will, I must confess, though you may think it fantastic, seem a long step towards saying good-night to the world."
His ease, his leisure, in effect we may say his life, he did give up for the sake of this hope: but the giving up of Kelmscott was a pang that was spared to him. Nor would it be right to think of him as habitually occupied by these somewhat sombre broodings. When he did throw off work, his enjoyment remained that of a child. "All right," runs a note of this year to Ellis arranging for a couple of days' ​fishing, "I think that is best. I am writing to Mrs. Comely to say positively that we will; so begone dull care: don't forget the worms." Another letter gives a description of his arrival with Webb at Kelmscott through the floods of that wet August. They had been at Salisbury, and he had seen Stonehenge for the first time. "I was much impressed by it," he wrote: "though the earth and sky nearly met, and the rain poured continuously, nothing could spoil the great stretches of the Plain, and the mysterious monument that nobody knows anything about—except Fergusson who knows less than nothing." From Amesbury they drove north across the Wiltshire downs.
"We went right up the Avon valley, and very beautiful it was; then, as the river narrowed, we turned off towards a little scrubby town called Pewsey that lies in the valley between the Salisbury and the Marlborough downs: it was all very fine and characteristic country, especially where we had to climb the Marlborough downs at a place that I remembered coming on as a boy with wonder and pleasure: Oare Hill they call it. We got early in the afternoon to Marlborough and walked out to see the College, and so strolled away to the Devil's Den, and back in the dusk. The next morning we set out early for Avebury, in weather at first much like the day before; however it cleared before we reached Silbury, and was quite fine while we were thereabout for two hours, after which we drove on towards Swindon, intending Lechlade and Kelmscott that evening. The downs end at a village called Wroughton, and we could see a large piece of England from the slope of it, Faringdon clump not at all in the background. We got another trap at Swindon, where they warned us that we should ​have to go through the waters to get to Lechlade: we went through Highworth, a queer old village on a hill, and sure enough we could see waters out from thence, though they turned out to be only from the little river Cole: at Highworth we found that they were mending the bridge into Lechlade town, and that it would be closed; so at Inglesham we had to turn aside to strike the road that leads over St. John's Bridge: sure enough in a few yards we were in deep water enough, right over the axles of the wheels: the driver lost his presence of mind, not being used to floods you see, and pretty nearly spilt us in the ditch, but we just saved the carriage, and after some trouble got into the high road by Buscot Parsonage; though even there for some time the said road was also a river: so over St. John's Bridge and safe to Kelmscott. But opening the gate there, lo, the water all over the little front garden: in short, I have never seen so high a flood there: there was a smart shower when we got in and then a bright clear evening: the next day was bright and clear between strong showers with a stiff southwest gale: of course we could do nothing but sail and paddle about the floods."
During the following winter the manufacture of the Hammersmith rugs and carpets went busily on at Kelmscott House. By May enough specimens had been successfully produced to allow of a public exhibition of them. The circular written by Morris and issued by the firm on that occasion states the facts very clearly. This new branch of the business was "an attempt to make England independent of the East for carpets which may claim to be considered works of art."
"We believe," the circular goes on, "that the time has come for some one or other to make that attempt, ​unless the civilized world is prepared to do without the art of Carpet-making at its best: for it is a lamentable fact that, just when we of the West are beginning to understand and admire the art of the East, that art is fading away, nor in any branch has the deterioration been more marked than in Carpet-making.
"All beauty of colour has now (and for long) disappeared from the manufactures of the Levant—the once harmonious and lovely Turkey Carpets. The traditions of excellence of the Indian Carpets are only kept up by a few tasteful and energetic providers in England with infinite trouble and at a great expense, while the mass of the goods are already inferior in many respects to what can be turned out mechanically from the looms of Glasgow or Kidderminster.
"As for Persia, the mother of this beautiful art, nothing could mark the contrast between the past and the present clearer than the Carpets, doubtless picked for excellence of manufacture, given to the South Kensington Museum by His Majesty the Schah, compared with the rough work of the tribes done within the last hundred years, which the Directors of the Museum have judiciously hung near them.
"In short, the art of Carpet-making, in common with the other special arts of the East, is either dead or dying fast; and it is clear to everyone that, whatever future is in store for those countries where it once flourished, they will, in time to come, receive all influence from, rather than give any to, the West.
"It seems to us, therefore, that, for the future, we people of the West must make our own hand-made Carpets, if we are to have any worth the labour and money such things cost; and that these, while they should equal the Eastern ones as nearly as may be in materials and durability, should by no means imitate ​them in design, but show themselves obviously to be the outcome of modern and Western ideas, guided by those principles that underlie all architectural art in common."
Besides this labour of the loom, the year had been crowded with other more public work. Sweeping restorations were proposed and already in progress at St. Mark's, Venice: and Morris was the soul of the movement of protest, which, though conducted in some quarters with more zeal than discretion in its attitude towards Italy and the Italian Government, at least had a powerful influence in preventing the proposed demolition and rebuilding of the western façade. In support of the movement, which was headed by the Society for Protection of Ancient Buildings, he spoke and wrote untiringly, not only in London, but in Birmingham and Oxford. The Oxford meeting in the Sheldonian Theatre was the first occasion on which he appeared at his own University in any public capacity. In his ardour he even succeeded in prevailing on Burne-Jones to make there, for the first and last time on record, a speech in public.
When he had been at Venice the year before, he had been too ill to take much apparent pleasure in St. Mark's. But his eye had taken it all in, and the impression it made on him rather grew than weakened as time went on. "Always beautiful," he now wrote of it, "but from the first meant to grow more beautiful by the lapse of time, it has now become a work of art, a monument of history, and a piece of nature. Surely I need not enlarge on the pre-eminence of St. Mark's in all these characters; for no one who even pretends to care about art, history, or nature, would call it in question; but I will assert that, strongly as I may have seemed to express myself, my words but feebly repre​sent the feelings of a large body of cultivated men who will feel real grief at the loss that seems imminent—a loss which may be slurred over, but which will not be forgotten, and which will be felt ever deeper as cultivation spreads. That the outward aspect of the world should grow uglier day by day in spite of the aspirations of civilization, nay, partly because of its triumphs, is a grievous puzzle to some of us who are not lacking in sympathy for those aspirations and triumphs, artists and craftsmen as we are. So grievous it is that sometimes we are tempted to say, 'Let them make a clean sweep of it all then; let us forget it all and muddle on as best we may, unencumbered with either history or hope!' But such despair is, we well know, a treason to the cause of civilization and the arts, and we do our best to overcome it, and to strengthen ourselves in the belief that even a small minority will at last be listened to and its reasonable opinions be accepted."
He was also a regular visitor and adviser at the South Kensington Museum and at the Royal School of Art Needlework. And alongside of all the rest, he carried on, until the General Election of 1880, vigorous political work in London. In 1879 he was treasurer of the National Liberal League, an association formed to a large extent from the representatives of that working-class London Radicalism which had organized itself in opposition to the Eastern policy of the Government in 1876. At the meetings of this League he made his first essays in the practice of extempore speech. It was a thing which, partly from constitutional shyness and partly from the pressure of thought behind his language, came to him, so far as it did come at all, with great difficulty. "When he spoke offhand," a colleague of his at this time notes—and the ​description is highly characteristic—"he had a knack at times of hammering away at his point until he had said exactly what he wanted to say in exactly the words he wished to use, rocking to and fro the while from one foot to the other."
After the elections of 1880 had replaced a Liberal Government in power, his political partisanship rapidly fell away from him. Like the wave of popular feeling which turned those elections, it had been roused on particular issues, and was kept alive rather by hostility to Lord Beaconsfield's policy than by any great affection for the Cabinet which replaced his. The enthusiasm of 1880 barely lived out the year. The Irish Coercion Bill of 1881 finally destroyed it. In the November following, Morris took an actively joyful part in winding up the affairs of the National Liberal League. The social reforms which he had at heart he saw disappearing amid an ocean of Whiggery, which he no more loved than he did Toryism. "I think some raison d'être might be found for us," he wrote in handing over the accounts when he resigned the treasurership, "if we had definite work to do: I do so hate—this in spite of my accounts—everything vague in politics as well as in art." But definite work of the kind he meant was not then in the programme of the Liberal party. Very soon Morris's attitude towards current politics became one of mere irritation and contempt. "Toryism, a system of common robbery, is nevertheless far better than Whiggism—a compound of petty larceny, popular instruction, and receiving of stolen goods": so runs a well-known passage in "The Romany Rye"; and Morris's way of regarding politics had much in common with Borrow's. Gradually but inevitably he became one of a party to whom Canning's famous phrase took a new meaning; and who resolved, ​if it were possible, to call a new world into existence, not to redress, but to destroy, that balance of the old in which they saw nothing but a door turning back and forward on its hinges.
But this change took time; and it was gradually wrought out through many doubts and even despondencies.
In the summer of 1880 the long-planned voyage of the whole family from Hammersmith to Kelmscott by water actually took place. Price, William De Morgan, and the Hon. Richard Grosvenor were the remainder of the party. All cares were put aside for it, and the light-heartedness of fifteen years before resumed its sway for a happy week.
"Little things please little minds," he writes on the 10th of August; "therefore my mind must be little, so pleased am I this morning. That is not logic, though I suspect the conclusion to be true: but again I doubt if the 'Ark,' which is veritably the name of our ship, can be considered a little thing, except relatively: item, it is scarcely a little thing that the sky is one sheet of pale warm blue, and that the earth is sucking up the sun rejoicing.
"Jenny and I went out before breakfast to see the craft. She is odd but delightful: imagine a biggish company boat with a small omnibus on board, fitted up luxuriously inside with two shelves and a glassrack, and a sort of boot behind this: room for two rowers in front, and I must say for not many more except in the cabin or omnibus. Still what joy (to a little mind) to see the landscape out of a square pane of glass, and to sleep a-nights with the stream rushing two inches past one's ear. Then after all, there is the romance of the bank, and outside the boat the world is wide: item, we can always hire a skiff for ​some of the party to row in and stretch their muscles, and in that way I propose to start this afternoon about 2½ after dining here.
"Rathbone can't come, being too hard at work after all; so our males will consist of Crom, Dick, and Meorgan" (this was a child's mispronunciation of De Morgan's name) "besides self. Yesterday morning, also a very beautiful one, I had qualms about leaving the garden here, which really, as De Morgan said on Sunday, is a very tolerable substitute for a garden: item, after doing a good deal of small necessary work at Queen Square I had qualms about leaving my business; but to-day I have none—I think I know now why I fatten so."
("I really think," he says, however, in another letter, written when he was in much trouble and worry over public work, "that Falstaff's view of sighing and grief blowing men up like a bladder was a sound medical opinion.")
"More and more I think people ought to live in one place—pilgrimages excepted. By the way, I give my third lecture to the Trade Guild of Learning in October; that will be my autumn work, writing it, if I have any quiet time away from home. Also I have promised to lecture next March at the London Institute—subject, the prospects of Architecture in modern civilization. I will be as serious as I can over them, and when I have these two last done, I think of making a book of the lot, as it will be about what I have to say on the subject, which still seems to me the most serious one that a man can think of; for 'tis no less than the chances of a calm, dignified, and therefore happy life for the mass of mankind.
"I shall find my long carpet out of the loom when ​I come back—but I am not a bit anxious about it now, the river will wash all that away."
The story of the expedition is continued in a long letter from Kelmscott:
"We came to our first lodging (Sunbury, some six miles above Hampton Court) very late, about half-past ten, and queer it was the next morning to note how different the place was to our imaginations of it in the dark: item, the commonplace inn was a blow to the romance of the river, as you may imagine. Crom and I slept on board the Ark that night; perforce. A cloudy morning when we started, which at first much disappointed me after the splendid evening we had come in by: nevertheless I was in spirits at the idea of getting out of the Cockney waters, and we were scarcely through the lock we had to pass at starting before the sun was out and hot again: the river was nearly new to me really hereabouts and much better than I expected, especially from Chertsey to Staines; it is full of strange character in many places; Laleham, for instance, with its enormous willows and queer suggestions (at any rate) of old houses on the banks: we dined luxuriously on the bank a little below this, and had tea on the grass of Runneymead, which (as I remembered) is a most lovely place; on such an afternoon as one can scarcely hope to see again for brightness and clearness. When we had done tea, it became obvious that we should never get to Maidenhead (as we had intended) that night, so after much spilling of wisdom in a discussion of the kind where no one can see any plan but his own as possible, we agreed to make another day of it; Windsor on that night (Wednesday) and Marlow on Thursday. Well, we got to Windsor about eight, and beautiful it was coming ​into; and with all drawbacks even when one saw it next morning seemed a wonderful place: so we only made 17 miles this day. We all slept in the inn on the waterside: that was Wednesday.
"Thursday, Dick took us up to Eton; and again in spite of drawbacks it is yet a glorious place. Once more the morning was grey and even threatening rain (wind N.N.E.), but very soon cleared up again into the brightest of days: a very pleasant morning we had, and dined just above Bray Lock; cook was I, and shut up in the Ark to do the job, appearing like the high-priest at the critical moment pot in hand,—but O the wasps about that osier bed! We got quite used to them at last and by dint of care did not swallow any with our food, nor were stung.
"There was a regatta at Maidenhead and both banks crowded with spectators, so that we had to drop the tow-rope before our time, and as the Ark forged slowly along towards the Berkshire side with your servant steering on her roof, and De Morgan labouring at the sculls, you may think that we were chaffed a little. After Maidenhead you go under Cliefden woods, much admired by the world in general; I confess to thinking them rather artificial; also eyeing Mr. Dick with reference to their owner I couldn't help thinking of Mr. Twemlow and Lord Snigsworthy. But at Cookham Lock how beautiful it was: you get out of the Snigsworthy woods there; the hills fall back from the river, which is very wide there, and you are in the real country, with cows and sheep and farm-houses, the work-a-day world again and not a lacquey's paradise: the country too has plenty of character there, and may even be called beautiful: it was beautiful enough that evening at any rate: the sun had set as we cleared Cookham Lock, and we ​went facing the west, which was cloudless and golden, till it got quite dark: by that same dark we had to get through the Marlow Lock, with no little trouble, as we had to skirt a huge weir which roared so that we couldn't hear each other speak, and so to our night's lodging: Crom and I in the Ark close to the roaring weir, Dick and De M. in the inn (a noisy one) and the ladies up town, over the bridge. We took them there, and as we left the little house, looked up the street, and saw the streamers of the Northern Lights flickering all across that part of the sky, just as I saw them in '71 (and not since) in the harbour of Thorshaven: it was very mysterious and almost frightening to see them over the summer leafage so unexpectedly in a place I at least had not seen by daylight.
"So to bed we went, and again in the morning (Friday) a grey day that cleared presently into a very hot one: and once more the river all new to me, and very beautiful: at Hurley Lock we had to wait for a big steamer that plies regularly between Kingston and Oxford with passengers: as I stood up in the lock afterwards I had the surprise of seeing in a long barn-like building two Gothic arches and then a Norman church fitting on to it and joined into a quadrangle by other long roofs: this was Lady Place: once a monastery, then a Jacobean house, and now there is but a farm-house, somewhat gammoned, there: we all went ashore and spent an hour there in great enjoyment, for 'tis a lovely place: there is a huge dove-cot there with carefully moulded buttresses of the 15th century: the church has been miserably gammoned, but kept its old outline.
"I played the cook again a little short of Henley; and we went on again in a burning afternoon through ​a river fuller and fuller of character as we got higher up: stuck in the mud for 20 minutes at Wargrave: past Shiplake, which is certainly one of the most beautiful parts of the Thames, and so to Sonning for the night: a village prepensely picturesque and somewhat stuffy that hot night, but really pretty, with a nice inn where Crom was at home, having spent some time there when Boyce was painting on the river: but we scattered all over the village and Crom and I slept in the Ark. We started earlier on Saturday, as we had to get to Wallingford, a longer run than heretofore. We had got well used to the Ark by now, and there was Janey lying down and working quite at home: very hot and waspy it was at dinner, on the bank between Pangbourne and Goring, but when we were well past the last place the afternoon got much clouded over for the first time since our start: but now out of the over-rated half picturesque reach of Streatley and Goring here we were on the Thames that is the Thames, amidst the down-like country and all Cockneydom left far behind, and it was jolly.
"We got to stuffy grubby little Wallingford rather early, and got lodging in a riverside pothouse partly and partly in the town. Here it rather tickled me that, an hour or so being to spare before supper, the girls proposed and did a row upon the water as a novel pastime. That was Saturday: well, Sunday morning it had rained in the night, and the look of the dull grey almost drizzling morning made me expect a regular wet day; but it was only dull and cool all day, and we had a very pleasant day of it, and I cooked 'em their dinner just above Culham Lock; we got out at Dorchester to look [at] the Dykes which Sir J. Lubbock has tried to get into the schedule of his ​bill and failed; so that the dykes have been partly ploughed over to their hurt: then a bit higher I recognized the place where we stopped for victuals years ago when the Faulkners were with us: and so we got to Oxford a little after nightfall: the banks of the river near the town have been spoilt somewhat since my time; for I have been there but thrice since I was an undergraduate. Well, at Oxford we left the Ark: and Janey the next day (Monday) went on by rail to Kelmscott: while we got up early and by dint of great exertions started from Medley Lock at 9 a.m., with Bossom and another man to tow us as far as New Bridge, where we sent them off, and muddled ourselves home somehow, dining at a lovely place about a mile above New Bridge, where I have stopped twice before for that end. One thing was very pleasant: they were hay-making on the flat flood-washed spits of ground and islets all about Tadpole; and the hay was gathered on punts and the like; odd stuff to look at, mostly sedge, but they told us it was the best of stuff for milk.
"Night fell on us long before we got to Radcot, and we fastened a lantern to the prow of our boat, after we had with much difficulty got our boats through Radcot Bridge. Charles was waiting us with a lantern at our bridge by the corner at 10 p.m., and presently the ancient house had me in its arms again: J. had lighted up all brilliantly, and sweet it all looked you may be sure."
A few days later he writes from London to Mrs. Burne-Jones:
"You may imagine that coming back to this beastly congregation of smoke-dried swindlers and their slaves (whom one hopes one day to make their rebels) under the present circumstances does not make me much ​more in love with London, though I must admit to feeling this morning a touch of the 'all by oneself' independence which you wot of as a thing I like. I found by the way De Morgan a complete sympathizer on the subject of London: however let that pass, since in London I am and must be. The few days we passed at Kelmscott made a fine time of it for me; our mornings were grey and dull, though we had several fine afternoons and two lovely evenings. Thursday we went to Fairford in the afternoon, and I was pleased to see the glass and the handsome church once more. Though the country that way is not remarkable, every turn in the road and every byway set me a-longing to go afoot through the country, never stopping for a day; after all a fine harvest time is the crown of the year in England; there is so much to look at. On the Friday we went to Inglesham and above the Round House, on what might be called the upperest Thames, for half a mile, to look at Inglesham church, a lovely little building about like Kelmscott in size and style, but handsomer and with more old things left in it. Well, we parted on Sunday morning rather melancholy, but had a beautiful voyage to Medley Lock; such an evening, and the best of it at Godstow, where the moon began to show red over Wolvercot.
"So here I am again on the lower Thames, finding it grimy; I have just been busy over my carpeteers; all going pretty well. The 'Orchard' being finished is a fair success as manufacture—lies flat on the whole—and as a work of art has points about it, but I can better it next time."
"I can't pretend," he writes again, when on the point of leaving Kelmscott finally that autumn, "not to feel being out of this house and its surroundings as ​a great loss. I have more than ever at my heart the importance for people of living in beautiful places; I mean the sort of beauty which would be attainable by all, if people could but begin to long for it. I do most earnestly desire that something more startling could be done than mere constant private grumbling and occasional public speaking to lift the standard of revolt against the sordidness which people are so stupid as to think necessary."
The river expedition was repeated in the following year. William De Morgan and Faulkner again joined in it. The party also included De Morgan's sister, and two girls, Miss Bessie Macleod and Miss Lisa Stillman, who came full of the high spirits of youth. "On the whole the hazardous experiment of trying the same expedition twice over has succeeded," was Morris's report after it was over. "Our spirits sank somewhat I think as we neared Kelmscott last night; a thing done and over always does that for people, however well it has gone. For my part I didn't so much feel that as the coming in to Oxford. A kind of terror always falls upon me as I near it; indignation at wanton or rash changes mingles curiously in me with all that I remember that I have lost since I was a lad and dwelling there; not the least of losses the recognition that I didn't know in those days what a gain it was to be there. Perhaps if one dreads repeating a pleasure at my time of life it is because it marks too clearly how the time has gone since the last time, and certainly I feel more than one year older since I came up the water in 1880. At any rate the younger part of us have enjoyed themselves thoroughly; and indeed so have I. You know my faith, and how I feel I have no sort of right to revenge myself for any of my private troubles on the kind earth: and here ​I feel her kindness very specially and am bound not to meet it with a long face."
With a long face he did not meet it, whatever his private troubles and perplexities might be. "According to my recollection," Mr. William De Morgan says of these voyages, "we none of us stopped laughing all the way. The things that come out prominent in my recollection of the two journeys, just as they come, are:1. Morris sitting cooking the dinner inside the house-boat with the window closed to keep the wind off the spirit lamp, and ourselves outside looking at him through the glass.2. The party sitting in a circle at dinner on the riverbank, and Morris starting straight off with an Icelandic or other story which kept us all quiet and well-behaved till washing-up time.3. Detection and conviction by Morris of the Thames Conservancy, which he was always catching at some new misdemeanour.4. A battle royal at Henley at the hotel where we put up, about whether Mrs. Harris was or was not an abstraction. It began like this: we played Twenty Questions, and Mrs. Harris was the subject to be guessed—I think by me, as I was sent out of the room while the discussion proceeded how my first question, 'abstract or concrete?' should be answered. I remember being outside the door when the waiter came up from the people in the room underneath to know if anything was the matter. It was a warm discussion; virtually between Charles Faulkner and Morris. Faulkner maintained that Mrs. Harris was just as much a concrete idea as any other character in fiction. Morris repudiated this indignantly, affirming that she wasn't even a character in fiction, as she doesn't occur in the story except as an invention of Mrs. Gamp, who is herself a character in fiction. It is a delicate question: I recollect discussing it after​wards with Morris in the Merton Abbey days, when I was putting down the foundations of my building there—it was recalled to our minds by the concrete, naturally."
From Kelmscott he wrote on the 4th of September after the second of these voyages: "It has been a great pleasure to see man and maid so hard at work carrying at last. Hobbs began at it on Wednesday morning, and by the next morning the thatchers were putting on the bright straw cap to the new rick: yesterday they were carrying the wheat in the field along our causeway and stacking it in our yard: pretty as one sat in the tapestry-room to see the loads coming on between the stone walls—that was for the other rick though, just beyond the little three-cornered close in front of the house. I am afraid that the last winter has killed us a great many birds here; small ones especially: I don't see the blue tits I look for at this time of the year. I have seen but one moor-hen (yesterday) and was glad to see him, as I feared they were all dead: plenty of rooks however; they have just left off making the parliament-noise they began about six this morning: starlings also, but they haven't begun to gather in our trees yet.
"The other morning as I was coming up the river by our island I heard a great squealing of the swallows, and looking up saw a hawk hanging in the wind overhead, and the swallows gathered in a knot near him: presently two or three swallows left their knot and began skirting Mr. Hawk, and one swept right down on him and fetched him a crack (or seemed to). He considered for a minute or two, then set his wings slant-wise and went down the wind like lightning, and in an instant was hanging over Eaton Hastings: I remember seeing something like this in the flats about the Arun before."
​"We went a most formal expedition on Saturday," says a letter of a fortnight later. "By water to Lechlade: then took a trap there and drove to Cirencester, which turned out a pleasant country town, and to us country folk rather splendid and full of shops. There is a grand church there, mostly late Gothic, of the very biggest type of parish church, romantic to the last extent, with its many aisles and chapels: wall-painting there and stained glass and brasses also: and tacked on to it an elaborate house, now the town hall, but built doubtless for lodging the priests who served the many altars in the church. I could have spent a long day there; however, after mooning about the town a bit, we drove off again along the long stretches of the Foss-way (Roman) over a regular down country, the foot-hills of the Cotswolds, pleasant enough, till we came to the valley which the tiny Coln cuts through, where we set ourselves to seeking the Roman villa: said valley very beautiful, the meadows so sweet and wholesome. Two fields were grown all over with the autumn crocus, which I have not seen wild elsewhere in England, though there was plenty of it near Ems. The Roman villa was very interesting, for a show place with a gimcrack cottage ornée in front of it, and the place was lovely: we spent our time with the utmost recklessness, so that by then we had had tea at a nice little public by a bridge, and were ready to start down the Coln towards Fairford, it was 6.30, and getting towards twilight. However we saw the first two villages well enough and had some inkling of the others: the scale of everything of the smallest, but so sweet, and unusual even; it was like the background of an innocent fairy story. We didn't know our way till we had reached the last of the Coln villages, and kept asking and knocking at cottage doors ​and the like, and it was all very delightful and queer. Our trap put us down at St. John's Bridge, and we trudged thence into Kelmscott, on a night so dark that even Kelmscott lights made a kind of flare in the sky."
It was in the strength of that autumn's stay at Kelmscott, and all the thoughts through which it led him, that he reached a point to which he had not till then attained in width of outlook and depth of insight. An address delivered by him on the 13th of October at the annual meeting of the School of Science and Art connected with the Wedgwood Institute at Burslem, though only published in a locally circulated report, and not at any time very widely known, is both one of the most brilliant and one of the most significant of his published writings. It contains, in a way which none of his other published lectures of that period seem to approach, the sum of all his earlier and the germ of all his later doctrine.
"I myself," he said in that address, "am just fresh from an out-of-the-way part of the country near the end of the navigable Thames, where within a radius of five miles are some half-dozen tiny village churches, every one of which is a beautiful work of art. These are the works of the Thames-side country bumpkins, as you would call us—nothing grander than that. If the same sort of people were to design and build them now, they could not build anything better than the ordinary little plain Nonconformist chapels that one sees scattered about new neighbourhoods. That is what they correspond with, not an architect-designed new Gothic church. The more you study architecture the more certain you will become that I am right in this, and that what we have left us of earlier art was made by the unhelped people. Neither will you fail to see that it was made intelligently and with pleasure.
​"That last word brings me to a point so important that, at the risk of getting wearisome, I must add it to my old sentence and repeat the whole. Time was when everybody that made anything made a work of art besides a useful piece of goods, and it gave them pleasure to make it. Whatever I doubt, I have no doubt of that.
"I know that in those days life was often rough and evil enough, beset by violence, superstition, ignorance, slavery; yet sorely as poor folks needed a solace, they did not altogether lack one, and that solace was pleasure in their work. Much as the world has won since then, I do not think it has won for all men such perfect happiness that we can afford to cast aside any solace that nature holds forth to us. Or must we for ever be casting out one devil by another? Shall we never make a push to get rid of the whole pack of them at once?
"As I sit at my work at home, which is at Hammersmith, close to the river, I often hear some of that ruffianism go past the window of which a good deal has been said in the papers of late, and has been said before at recurring periods. As I hear the yells and shrieks and all the degradation cast on the glorious tongue of Shakespeare and Milton, as I see the brutal reckless faces and figures go past me, it rouses the recklessness and brutality in me also, and fierce wrath takes possession of me, till I remember, as I hope I mostly do, that it was my good luck only of being born respectable and rich, that has put me on this side of the window among delightful books and lovely works of art, and not on the other side, in the empty street, the drink-steeped liquor-shops, the foul and degraded lodgings. I know by my own feelings and desires what these men want, what would have saved them ​from this lowest depth of savagery: employment which would foster their self-respect and win the praise and sympathy of their fellows, and dwellings which they could come to with pleasure, surroundings which would soothe and elevate them; reasonable labour, reasonable rest. There is only one thing that can give them this—art."
Two other passages from the same address are memorable. The first expresses with great lucidity and sympathy the mixture of admiration and impatient despair with which he regarded the work of the Pre-Raphaelite school of painting as it culminated in the art of Burne-Jones.
"The work which is the result of the division of labour, whatever else it can do, cannot produce art: which must, as long as the present system lasts, be entirely confined to such works as are the work from beginning to end of one man—pictures, independent sculpture, and the like. As to these, on the one hand they cannot fill the gap which the loss of popular art has made, nor can they, especially the more imaginative of them, receive the sympathy which should be their due. As things go, it is impossible for any one who is not highly educated to understand the higher kind of pictures. The aspect of this as regards people in general is to my mind much more important than that which has to do with the unlucky artist: but he also has some claim upon our consideration; and I am sure that this lack of the general sympathy of simple people weighs very heavily on him, and makes his work feverish and dreamy, or crabbed and perverse."
The other passage is a piece of straightforward practical advice to designers. In the artist, and therefore in his art, a certain moral quality was before all things essential: the qualities fatal to art were not technical: ​they were "vagueness, hypocrisy, and cowardice." And of these three, vagueness was to Morris as immoral, and therefore as inartistic, as either of the other vices.
"Be careful to eschew all vagueness. It is better to be caught out in going wrong when you have had a definite purpose, than to shuffle and slur so that people can't blame you because they don't know what you are at. Hold fast to distinct form in art. Don't think too much of style, but set yourself to get out of you what you think beautiful, and express it, as cautiously as you please, but, I repeat, quite distinctly and without vagueness. Always think your design out in your head before you begin to get it on the paper. Don't begin by slobbering and messing about in the hope that something may come out of it. You must see it before you can draw it, whether the design be of your own invention or nature's. Remember always, form before colour, and outline, silhouette, before modelling, not because these latter are of less importance, but because they can't be right if the first are wrong."
The progress of his mind towards active Socialism during these two years is recorded in the private letters where he set down his thoughts or his beliefs from one day to another with complete transparency. Through many fluctuations of mood one may trace a gradual advance. Some people, even among those who knew him well, thought of his Socialism as a sudden and unaccountable aberration; or at all events fancied it a movement into which he flung himself in a sudden fit of enthusiasm, without having thought the matter out, and acting on a rash impulse. How much this is the reverse of the truth becomes plain when one traces the long struggle, the deep brooding, through which he ​arrived at his final attitude, and notes the distaste and reluctance which he often felt for the new movement, which at other moments shone out to him as the hope of the world.
"I am in rather a discouraged mood," he writes in a New Year's letter in 1880, "and the whole thing seems almost too tangled to see through and too heavy to move. Happily though, I am not bound either to see through it or move it but a very little way: meantime I do know what I love and what I hate, and believe that neither the love nor the hatred are matters of accident or whim." Beyond all he seems to have been oppressed by a sense of loneliness in his new thoughts. Any moral support from whatever quarter was hailed by him with touching gratitude. To misconstruction he had long been accustomed. "I have had a life of insults and sucking of my brains," he once said, with no exaggeration of the truth. A man of means and University education who deliberately kept a shop, a poet who chose to exercise a handicraft, not as a gentleman amateur, but under the ordinary conditions of handicraftsmen, was a figure so unique as to be all but unintelligible. Sometimes, though rarely, he turned upon his persecutors. "It is a real joy to find the game afoot," he breaks out a few months later; "that the thing is stirring in other people's minds besides mine, the poetic upholsterer, as Sir Ed. Beckett calls me, meaning (strange to say) an insult by that harmless statement of fact."
In another letter written on the New Year's Day of 1881 he regards the matter with a greater sense of responsibility and a more practical seriousness.
"I have of late been somewhat melancholy (rather too strong a word, but I don't know another), not so much so as not to enjoy life in a way, but just so much ​as a man of middle age who has met with rubs (though less than his share of them) may sometimes be allowed to be. When one is just so much subdued one is apt to turn more specially from thinking of one's own affairs to more worthy matters; and my mind is very full of the great change which I hope is slowly coming over the world, and of which surely this new year will be one of the landmarks. Though to me, as I suppose to you, every day begins and ends a year, I was fain to catch hold of ancient custom; nor perhaps will you think it ceremonious or superstitious if I try to join thoughts with you to-day in writing a word of hope for the new year, that it may do a good turn of work toward the abasement of the rich and the raising up of the poor, which is of all things most to be longed for, till people can at last rub out from their dictionaries altogether these dreadful words rich and poor."
Six months later he speaks for the first time clearly of the new day as a thing which (as in the Northern Mythology) can only arrive through some Night of the Gods, and faces the thought that true civilization may have to be reached through the destruction, and not the transformation, of the existing order.
"I suppose you have seen about the sentence on Herr Most and read Coleridge's most dastardly speech to him: just think of the mixture of tyranny and hypocrisy with which the world is governed! These are the sort of things that make thinking people so sick at heart that they are driven from all interest in politics save revolutionary politics: which I must say seems like to be my case. Indeed I have long known, or felt, say, that society in spite of its modern smoothness was founded on injustice and kept together by cowardice and tyranny: but the hope in me has been that matters would mend gradually, till the last struggle, ​which must needs be mingled with violence and madness, would be so short as scarcely to count. But I must say matters like this and people's apathy about them shake one's faith in gradual progress.
"As to the Anti-Scrape, I have little comfort there I must say: we have begun too late and our foes are too many; videlicet, almost all people, educated and uneducated. No, as to the buildings themselves, 'tis a lost cause; in fact, the destruction is not far from being complete already. What people really say to themselves is this: I don't like the thing being done, but I can bear it maybe—or certainly, when I come to think of it—and to stir in it is such obvious suffering; so I won't stir. Certainly to take that trouble in any degree it is needful that a man should be touched with a real love of the earth, a worship of it, no less; and I think that as things go, that is seldom felt except by very simple people, and by them, as would be likely, dimly enough. You know the most refined and cultured people, both those of the old religions and these of the new vague ones, have a sort of Manichean hatred of the world (I use the word in its proper sense, the home of man). Such people must be both the enemies of beauty and the slaves of necessity, and true it is that they lead the world at present, and I believe will do till all that is old is gone, and history has become a book from which the pictures have been torn. Now if you ask me why I kick against the pricks in this matter, all I can say is, first because I cannot help it, and secondly because I am encouraged by a sort of faith that something will come of it, some kind of culture of which we know nothing at present."
A month later he writes again:
"How people talk as if there were no wrongs of society against all the poor devils it has driven de​mented in one way or other! Yet I don't wonder at rich men trembling either: for it does seem as though a rising impatience against the injustice of society was in the air; and no wonder that the craziest heads, that feel this injustice most, breed schemes for setting it all right with a stroke of lightning. There was a curious and thoughtful letter from America in Tuesday night's Echo, the writer of which seemed to have been struck by this thought as to matters over there: quoth he, there is no respect for people in authority there: every one knows that they are there by virtue of a bargain struck by selfishness and selfishness, (I quote his matter only,) and a sort of despair besets people about it. All political change seems to me useful now as making it possible to get the social one: I don't mean to say that I myself make any wide distinction between political and social; I am only using the words in the common way."
And once more three weeks later:
"I don't quite agree with you in condemning grumbling against follies and ills that oppress the world at large, even among friends; for you see it is but now and then that one has a chance of speaking about the thing in public, and meantime one's heart is hot with it, and some expression of it is like to quicken the flame even in those that one loves and respects most, and it is good to feel the air laden with the coming storm even as we go about our daily work or while away time in light matters. To do nothing but grumble and not to act—that is throwing away one's life: but I don't think that words on our cause that we have at heart do nothing but wound the air, even when spoken among friends: 'tis at worst like the music to which men go to battle. Of course if the thing is done egotistically 'tis bad so far; but that ​again, how to do it well or ill, is a matter of art like other things."
A matter of art like other things! from this position he strayed far, in the opinion of many of his perplexed friends and jeering opponents, in the years when he was an active worker for the Socialist cause: and certainly the storm-laden air that he began to feel round him was partly at least an atmosphere of his own creation: a mirage, a fool's paradise, it was freely called by those who, if they ever strayed into a fool's paradise of their own, would at all events never be lured towards it by any superflux of sympathy or any ardour of imagination. Yet to look a little deeper, this atmosphere, imagined or created, and created so far as really imagined, is just what art and art alone gives; and it is well to realize that mankind, if they propose to do without such dreams as this, can buy release from them only by the deliberate destruction of art and renunciation of beauty. Whether the result would be worth the price is a remote and rather abstract question; the price is unpayable.
These last letters are from Kelmscott. The return to London had its natural effect of shaping more or less vague broodings into matters of clear visible right and wrong. "As to my 'symptoms' on being pitchforked into the dirt and misery of the Centre of Intelligence," he breaks out on his return, "I must hold my peace about them, I suppose: only in sober earnest I must ask you to believe that they are not wholly selfish; since I could, if I would, more or less escape from this captivity, and would do so if it were not for the cause."
The reference in the use of the word "symptoms" may not be at once obvious. It is explained by another letter written a few months before. He ​knew—or if he did not know it was not for want of telling—that discontent with the existing order of things might be traceable to some merely physical cause, some pressure on the brain, some disorder of the liver, some acrid humour in the blood, that poisoned the springs of energy. His own temper was naturally passionate, and his gouty habit, with all which that involves when the subject is gathering up for an illness, did not, of course, tend to make him less irritable. That in spite of this his temper sweetened with years was due to an amount of self-control which it is very easy for natures more phlegmatic or of more perfect physical balance to under-estimate. How sane, how full of ordinary common sense his view of such things was, is illustrated by that other letter, one of his rare excursions into literary criticism. Even here the criticism passes almost at once, and almost insensibly, into the larger sphere of a criticism of life.
"Last night I took me a book and read Carlyle on Mrs. Carlyle, having read his James Carlyle and Jeffrey before. I think I never read anything that dispirited me so much; though read it through one must after having once begun it. What is one to say of such outrageous blues as this? As to what he says about this, that, and the other person now living, I can't see that he gives much offence, I mean to say personally; he is generally very unfair and narrow and whimsical about his likes and dislikes, but 'tis something in these days of hypocrisy that he makes distinctions at all—only one wishes his distinctions were something more than whims. But all that is nothing to the ferocity of his gloom; I confess I had no idea of it till I read the book: and yet I find it difficult to say that it ought not to have been printed, and I am sure it ought not to have been garbled, as some folk think it should. ​Only should it not have been called, The history of a great author's liver? Not to mention symptoms too much, I in a small way understand something of that: to look upon your own natural work, which you have chosen out of all the work of the world, with a sick disgust, when you are not at it: to be sore and raw with your friends, distrustful of them, antagonistic to them, when you are not in their company: to want society and to hate it when you've got it:—all these things are just as much a part of the disease as physical squeamishness: but you see, poor chap, he was so always bad that he scarcely had a chance of finding that out. But mind you, I don't believe he didn't enjoy writing his books more or less, even 'Frederick,' the dullest of them and the one he groans over most. After all, my moral from it all is the excellence of art, its truth, and its power of expression. Set 'Sartor Resartus' by all this, and what a difference!
"The story of the old father is touching in spite of its clannishness (which perhaps is not so bad a thing; holds the world together somewhat). He really must have been a good fellow not to have bullied his queer son. Only they wouldn't have been the worse for a touch of definite art up there; even among those beautiful mountains and moors."
But "the cause," a term perhaps specifically used by Morris for the first time in the letter quoted above, was now shaping itself in his mind to something on which the whole of his life both as an artist and as a human being converged: and it was in London, where he saw the misery of the present most acute, that he also discerned, or thought he discerned, some lifting on the horizon, and some glimmer of future hope. To retreat from the pressure of social problems into "a little Palace of Art of one's own" (in the phrase ​of five and twenty years back) was now as before possible—was more possible than ever now, when his business as a manufacturer and decorator was firmly established and capable of large expansion. Just at this time he was carrying out decorations on a large scale at St. James's Palace, which included the hanging of the Throne and Reception rooms with specially designed silk damask, the hand-painting of the ceilings and cornices, and the designing of a special paper for hanging the main staircase. This work was, of course, very widely known; and it had attracted not merely additional attention, but additional respect, to the unique quality of his design and workmanship as a decorator. He had only to accept ordinary commercial conditions and use them for what they were worth, to become a wealthy man, who might live where he chose, and surround himself with a sort of barbed wire fence of beautiful objects. This was just what he would not do: nor would he consent to the less distasteful compromise of giving up the conditions of active production to settle down in quietness at his beloved Kelmscott. The actual problem of civilization, as it was focussed and concentrated in the welter of London, drew him towards it with an invincible attraction; and upon senses always acutely open, and a brain that never ceased sounding among the bases of things, there fell with ever increasing urgency the cry of a bewildered and unhappy people—confusæ sonus urbis et illætabile murmur.