OpenLLM-France/wikimedia huggingface dataset:
# Stories as a mode of thinking/1

THE STORY OF FAUST
or
Buying the World at the Price of the Soul
The story of Faust is an Acted Sermon on the text, "What shall it profit a man if he gain the whole world and lose his own soul." The natural heads for such a sermon are two:
    1. What is it to gain the whole world?
    2. What is it to lose the soul?
But to act the answers to these questions is very different from putting them from a pulpit in words. There are two famous versions of this story:
The Old Version: by Marlowe (before 1597), at the commencement of the Romantic Drama.
The New Version: by Goethe (1806), at the culmination of the Romantic epoch. [Unquestionably prompted by close study of Marlowe's version, which it adapts at every turn to the new intellectual conditions of Goethe's age.]
1. As to the first head both versions agree. Gaining the whole world is dramatized under the form of Magic, that is, the suspension of second causes allowing unlimited realization of Will.
2. The answers to the second head are as widely apart as the sixeenth and nineteenth centuries.
Marlowe's Version
The play treated as a story falls naturally into three divisions:
A. The formation of a compact with an Emissary from Hell: twenty-four years of "the World" in exchange for the soul. [Avoid confusion between Mephistophilis and Mephistopheles.]
B. The twenty-four years of "the World." Mediæval conception of magic: unlimited pleasure, unlimited knowledge, magic tricks as relief scenes.
C. The price of the Soul paid at the conclusion of the term of years; last hour on earth of a doomed soul. A masterpiece of dramatic realisation; especially note the device of "dramatic back-ground" (borrowed from Job xxxvi-xxxviii); gradual rise through the final hour of the tempest which is to break at the moment of doom.
Marlowe's answer to the second head is to show a Soul in the process of being lost in this world (to say nothing of the next) by the paralysis of will produced by repeated acts of self-surrender. Especially notice; apparent external restraints on Faust at the end are in reality no more than natural consequences of self-inflicted emotional shocks—thus Marlowe with great skill has reconciled demoniac agency with free will.
          Note such passages as page 34, line 21; page 37, line 3; page 63, line 13; page 66, lines 21-4; page 68; lines 13, 16, 17. Here Faustus supposes himself to be physically attacked by invisible demons. But it is more in accordance with the general drift of the play to understand these as hysterical convulsions, the natural result of oft-repeated emotional transition from the height of hope to the depth of despair.
[Goethe's Version
is not included in the present course, but will be a good companion study. Briefly its thinking on the second head may be summed up thus: The issue is changed at the last moment by a bold evasion of the poet, Faust's acts suggesting, not being saved, but saving others.]
# Stories as a mode of thinking

UNIVERSITY EXTENSION LECTURES
UNDER THE AUSPICES OF
THE AMERICAN SOCIETY
FOR THE
EXTENSION OF UNIVERSITY TEACHING
STORIES
AS
A MODE OF THINKING
BY
Richard G. Moulton, A.M.
of Cambridge University, England
1 Marlowe's Faustus: Thinking about the loss of the soul
2 Shakespeare's Macbeth: Thinking on Witchcraft
3 Southey's Kehama: Thinking on Destiny
4 Scott's Monastery: Speculation upon Supernatural Beings
5 Spenser's Legend of Guyon: Thinking upon Temperance 6 Spenser's Cave of Mammon: Thinking upon Worldliness
BOOKS
For Marlowe's Faustus: Vol. 3 of Morley's Universal Library (Routledge: 40 cents).
For Macbeth: any edition e.g. Globe edition of Shakespeare (Macmillan $1.25).
For Southey's Kehama: any edition of Southey containing the poem. [A cheap edition of Kehama by Cassell: price, 15 cents cloth, or 10 cents paper covers].
For Scott's Monastery: any edition.
For Spenser: with correct old spelling, Globe edition (Macmillan, $1.25)—cheap editions with modern spelling to be had.
EXERCISES
Exercises on each week's lecture will be found below. Answers in writing [to not more than two questions each week] are invited from all persons attending the lectures. They should be addressed to Mr. Moulton, Colonnade Hotel, Philadelphia, and should arrive a clear forty-eight hours before the following lecture. Some signature, together with the name of the lecture-centre at which the exercise is to be returned, should be given at the top of the first page. The exercises will be returned, with marginal comments, at the Class, at which further explanation of the general subject will be given. All persons attending the lectures are invited to this Class, whether they have sent in exercises to the lecturer or not.
Copyright 1891 by
The American Society for the Extension of University Teaching
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tales from Tolstoi/Preface

PREFACE.
The twelve tales contained in this volume appeared originally, from time to time, in the columns of the Nurses' Periodical, "Misericordia," during the years 1891-1899. They were intended in the first instance for the recreation of convalescent hospital patients, and for the nurses themselves, with no thought of republication. Tolstoi, ten years ago, was not nearly so well known in England as he is now, and many of these stories (some of which I was the first to translate), which have since become famous, then had all the charm of absolute novelty. In course of time these little masterpieces insensibly accumulated synchronously with the growth of the great Russian writer's popularity amongst us, so that I am now able to offer them in volume form to a larger public. The introductory biography is to a great extent derived from Tolstoi's own works, or from the writings of Russians who have known him, and contains many hitherto uncommunicated details.
Finally, I must express my acknowledgments to the Editor of "Misericordia," the Rev. E. F. Russell, for his courtesy in permitting me to reproduce these stories in their present form.
R. N. B.
# Sussex Archaeological Collections/Volume 6

Sussex Archaeological Society.
SUSSEX
Archaeological Collections,
RELATING TO THE
HISTORY AND ANTIQUITIES OF THE COUNTY.
PUBLISHED BY
The Sussex Archaeological Society
VOL. VI.
LONDON:
JOHN RUSSELL SMITH,
36, SOHO SQUARE.
MDCCCLIII
LONDON:
R. TUCKER, PRINTER, PERRY'S PLACE, OXFORD STREET.
CONTENTS :
| | | page |
| Report of the Committee | Report of the Committee | vii |
| Rules of the Society | Rules of the Society | x |
| List of Members | List of Members | xii |
| 1. | On the (so called) Roll of Battle Abbey. By the Rev. Joseph Hunter, F.S.A. | 1 |
| 2. | On the Battle of Hastings. By Mark Antony Lower, M.A., F.S.A. With 2 Plates | 15 |
| 3. | Visit of King Edward the Second to Battle and other parts of Sussex in 1324. By W. H. Blaauw, Esq. M.A., F.S.A. | 41 |
| 4. | Funeral Pageant of Sir Anthony Brown. By the Rev. Edward Turner | 54 |
| 5. | Liberties and Franchises within the Rape of Hastings. By William Durrant Cooper, F.S.A. | 57 |
| 6. | The Origin of the Arms of some Sussex Families. By W. S. Ellis, Esq. With 2 Anastats. | 71 |
| 7. | An Inquiry after the Site of Anderida or Andredesceaster. By the Rev. Arthur Hussey | 90 |
| 8. | Warenniana – Ancient Letters and Notices relating to the Earls de Warenne. Partly from Original MSS. By W. H. Blaauw, Esq. M.A., F.S.A. | 107 |
| 9. | Some Account of Michelham Priory, in Arlington. By the Rev. George Miles Cooper. With 8 Woodcuts. | 129 |
| 10. | On the Custom of Borough English, as Existing in the County of Sussex. By George R. Corner, Esq., F.S.A. | 164 |
| | A List of Manors and Places in the County of Sussex in which the Customary Descent is to the Youngest Son | 178 |
| 11 | Inventory of the Goods of Cornelius Humphrey, of Newhaven, 1697. By the Rev. F. Spurrell | 190 |
| 12. | Memoranda Relating to the Family of Boord, Borde, or Board. With a Memoir of Andrew Borde, M.D. Mark Antony Lower, M.A., F.S.A. | 197 |
| | Notices of Andrew Borde. With a Woodcut | 204 |
| 13. | Inquests Concerning the Rebels of Sussex, after the Barons' War. From Original MSS. By W. H. Blaauw, Esq. M.A., F.S.A. | 215 |
| 14. | Berwick Parochial Records. By the Rev. George Miles Cooper. With 3 Woodcuts | 223 |
| 15. | Extracts from Churchwarden's Accounts and other Matters belonging to the Parish of Bolney. Contained in a MS. Book of the Time of Henry VIII. By the Rev. Joseph Dale | 244 |
| 16. | Architectural Relics of Lewes Priory. With an Introduction. By the Rev. F. Spurrell, M.A., Curate of Barcmobe. With 3 Lithographs and a Woodcut | 253 |
| 17. | On Pevensey Castle, and the Recent Excavations there. With a Plan of the Castle, and Discoveries, by William Figg, F.S.A. By Mark Antony Lower, M.A., F.S.A. With a View, Plan, and 3 Woodcuts | 265 |
| Index | | 283 |
# Telugu-English Dictionary/ద్ర

ద్ర
ద్రవము dravamu, s. Juice, essence, exudation, wetness. 2. Spittle.
దేవించు dravintsu, v. To drop.
ద్రవ్యము dravyamu, s. Wealth, property, riches, substance. 2. A thing. 3. Elementary substance, nine kinds of which are reckoned, viz. Earth, water, fire, air, aather, time, space, soul, and intellect.
# Telugu-English Dictionary/దో

దో
దోకు doku, v, a. To smooth the earth*, to dig up grass by. the root. దోకుకొనిపోవు dokukonipovu, To be grazed, as applied to the skin.
దోగు, దోగాడు dogu, dogaMu, v. n- To creep on the knees, as an infant.
దోచు, దోచుకొను dotsu, dotsukonu, v. a. To plunder, rob, or commit devastation.
దోటీ doti, s. A long pole with a hook at the end of it, used to pluck fruit from high trees.
దోనము donamu, s. A large heavy mallet, for driving wedges into the clefts of the palmyra-tree, when it is split.
దోనె done, s. A native vessel with a single masfc. 2. A boat.
దోపు, దోపుడు dopu, dopudu, 5. Plunder, devastation, pillage. దోపుడువాడు dopuctuvadu, s. A robber, a thief.
దోపు dopu, v. a. To place, or stick, in ; to thrust in ; to insert.
దోమ doma, * A musquitoe, a gnat. దోమతెర domatera, A musquitoe curtain.
దోయి doyi, 5. A couple, two.
దోయిలి doyili, s. The two hands joined together, so as to hold any thing. దోయిలించు doyilintsu, To hold the hands joined together, in that manner.
దోరకాయ dorakaya, s. A fruit almost ripe.
దోరగిలి, దోరగిల్లు doragilu, doragillu, v. n. To be bent, as applied to trees; to be nearly ripe, as applied to fruit.
దోరణము doranamu, s. vide తోరణము toranamu. ​దోరము doramu, s. A gate, door, or entrance.
దోరవన్నె doravanne, s. A bay colour.
దోరు doru, v. n. To be bent, as applied to trees. 2. To die.
దోవ dova, s. A road, path, or way. 2. Means, mode, manner. 3. An expedient, vide త్రోవ trova, దోవతప్పిపోవు dovatappipovu, To miss one's way. దోవచీలు dovachilu, To part, or go off, as one road from another.
దోవతి dovati, s. A Hindoo's lower garment; the cloth round his loins.
దోశ dosa, s. A particular kind of cake baked on an iron plate. దోశపోయు dosapoyu, To bake this cake on an iron plate.
దోషము doshamu, s. Fault, defect, blemish. 2. Sin, offence, crime.
దోసకాయ dusakaya, s. A cucumber.
దోసిలి dosili, s. vide దోయిలి doyili. దోసెడు desedu, adj. As much as the two hands joined can contain.
దోసె dose, s. vide దోశ dosa.
# Telugu-English Dictionary/దౌ

దౌ
దౌడ dauda, s. The cheek, vide దవడ davada.
దౌడు daudu, s. vide దవుడు davudu,
దౌహిత్రుడు dauhitrudu, s. A daughter's son.
# Telugu-English Dictionary/ద్రు

ద్రు
ద్రుంగు drungu, v. n. To become less; to decrease.
# Telugu-English Dictionary/ద్రా

ద్రా
ద్రాభ drabha, s. An awkward, or useless person.
ద్రావకము dravakamu, s. Ointment. 2. Distillation.
ద్రావిడదేశము, ద్రావిళదేశము dravidadesamu, draviladesamu, s. The Tamil country, on the south eastern side of the Indian peninsula, below the Ghauts, from Madras, to Cape Comorin.
ద్రావు dravu, v. a. To push.
ద్రాక్ష draksha, s. The grape vine.
# Telugu-English Dictionary/ద్రో

ద్రో
ద్రోహము drohamu, s. Treason, rebellion, revolt. 2. Mischief, malice, trespass, injury. 3. Treachery, betraying confidence or trust reposed in one. ద్రోహముచేయు drohamucheyu, To act treacherously.
ద్రోహి drohi, s. A traitor, a betrayer.
# Telugu-English Dictionary/ద్రి

ద్రి
ద్రిమ్మరు drimmaru, v. n. To wander.
ద్రిమ్మరి drimmari, s. A wanderer of either sex. ద్రిమ్మరీడు drimmarfdu, 5. A male wanderer.
# Telugu-English Dictionary/ద్రె

ద్రె
ద్రెక్కొను drekkonu, v. a. To oppose, or resist,
ద్రెయ్యు dreyyu, v. n. To be broken.
# Telugu-English Dictionary/ద్వ

ద్వ
ద్వంద్వము dwamdwamu, s. A couple, pair, or brace. 2. Strife, dispute.
# Telugu-English Dictionary/ద్వా

ద్వా
ద్వారము dwaramu, s. A door, or gate. 2. A means; an expedient. 3. A medium, or way by which any thing takes place, or is effected. 4. A hole.
# The Adventures Of A Revolutionary Soldier

* related portals: American Revolution.
* sister projects: Commons category, Wikidata item.
The Adventures Of A Revolutionary Soldier is a first person account of the Revolutionary War, as a continental soldier. Copyrighted 8 February 1830 by James Sullivan Martin.
A
NARRATIVE
OF SOME OF THE
ADVENTURES, DANGERS AND SUFFERINGS
OF A
REVOLUTIONARY SOLDIER
INTERSPERSED WITH
ANECDOTES OF INCIDENTS THAT OCCURRED WITHIN HIS OWN OBSERVATION.
WRITTEN BY HIMSELF.
"Long sleepless nights in heavy arms I've stood; "And spent laborious days in dust and blood."
Pope's Homer.
HALLOWELL:
PRINTED BY GLAZIER, MASTERS & CO.
No. 1, Kennebec-Row.
1830
Table of Contents :
| Preface ||
| Chapter I. | Introductory. |
| Chapter II. | Campaign of 1776. |
| Chapter III. | Campaign of 1777. |
| Chapter IV. | Campaign of 1778. |
| Chapter V. | Campaign of 1779. |
| Chapter VI. | Campaign of 1780. |
| Chapter VII. | Campaign of 1781. |
| Chapter VIII. | Campaign of 1782. |
| Chapter IX. | Campaign of 1783. |
DISTRICT OF MAINE—to wit:
DISTRICT CLERK'S OFFICE.
BE it remembered, That on the eighth day of February, A.D. 1830, and in the fifty-fourth year of the Independence of the United States of America, Mr. James Sullivan Martin, of said District, has deposited in this office, the title of a Book, the right whereof he claims as Proprietor, in the words following, to wit:
"A Narrative of some of the adventures, dangers and sufferings of a Revolutionary Soldier, interspersed with anecdotes of incidents that occurred within his observation. Written by himself.
"'Long sleepless nights in heavy arms I've stood; "'And spent laborious days in dust and blood.'
Pope's Homer."
In conformity to the act of Congress of the United States, entitled "An Act for the encouragement of learning, by securing the copies of maps, charts and books, to the authors and proprietors of such copies, during the times therein mentioned;" and also, to an act, entitled "An Act supplementary to an act, entitled An Act for the encouragement of learning, by securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned; and for extending the benefits thereof to the arts of designing, engraving and etching historical and other prints."
J. MUSSEY, Clerk of the District of Maine.
A true copy as of record. Attest,
J. MUSSEY, Clerk D.C. Maine.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Shadow, the Mysterious Detective

Francis Worcester Doughty writing as "Police Captain Howard. "This story was first serialized in the Boys of New York story paper and was later reprinted as Vol. I, No. 70 in The New York Detective Library published November 16, 1883 by Frank Tousey. This e-text is derived from the reprinted edition."
SHADOW, THE MYSTERIOUS DETECTIVE.
By POLICE CAPTAIN HOWARD,
Author of "Old Mystery," "Young Sleuth," "The Silver Dagger," "A Piece of Paper," "The Broken Button," etc., etc.
INTRODUCTORY.
Again I have been called on to entertain my wide circle of young friends, by relating another story of detective life. Before plunging into my story, I have thought it best to address a few words to you personally, and about myself.
It is held as a rule that an author should never introduce himself into the story he is writing, and yet I find, on looking back, that in nearly all of my recent stories I have described myself as playing a more or less conspicuous part.
And yet I could not avoid doing so, as I can plainly see, without having detracted somewhat of interest from the stories.
As I sit here now, prepared to commence, the question arises: "Shall I keep myself in the background, out of sight, or shall I bring myself in, just as I actually took part in the strange story of
"'Shadow, the Mysterious Detective?'"
Well, I don't know, but I think it may be just as well to introduce myself when necessary, since when I write thus I feel that my pen is talking to you instead of at you. And, besides, I think that to you the story is more realistic.
Am I right?
Don't each of you feel now as if I had written you a personal letter? And are you not satisfied that there is only one Police Captain Howard, and he that one who now speaks to you?
I am sure of it.
And now for the story.

## CONTENTS

* I. A MURDER.
* II. MAT MORRIS.
* III. SHADOW—WHO WAS HE?
* IV. OUT OF THE LION'S JAWS.
* V. HELEN DILT.
* VI. THE REMEMBERED BILLS.
* VII. A HAPPY MOMENT.
* VIII. A NARROW ESCAPE.
* IX. IN THE BLACK HOLE.
* X. FAVORING FORTUNE.
* XI. IN THE MAD-HOUSE.
* XII. SHADOW.
* XIII. IN A BAD BOX.
* XIV. DICK STANTON.
* XV. A FIEND IN HUMAN SHAPE.
* XVI. DISAPPOINTED AGAIN.
* XVII. HELEN'S TORTURE.
* XVIII. PUZZLED.
* XIX. IN DEADLY PERIL.
* XX. STILL SEARCHING.
* XXI. FUN!
* XXII. OUT OF JEOPARDY.
* XXIII. WEAVING THE NET.
* XXIV. "HELP IS HERE!"
* XXV. MAN OR WOMAN?
* XXVI. CORNERED CRIMINALS.
* XXVII. THE MYSTERY EXPLAINED.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnets from the Crimea/The Ruins of Balaclava

THE RUINS OF BALACLAVA
Oh, thankless Crimean land! in ruin laid Are now the castles that were once your pride! Here serpents and the owls from daylight hide, And robbers arm them for the nightly raid. Upon the lettered marble boasts are made, Brave words on battered arms in gold descried, And broken splendor years have scattered wide, Beside the dead who made them are arrayed.
The Greek set shining, columned marble here. The Latin put the Mongol horde to flight, And Mussulmans prayed eastward morn and night. The owl and vulture of dark wing and drear Are fluttering like black banners overhead In cities where the pest piles high the dead.
# Sonnets from the Crimea/Tschatir Dagh (Mirza)

TSCHATIR DAGH
(Mirza)
You, Tschatir Dagh, Crimea's bright-masted ship! World-altar,—minaret—the place where dip Down stairs from golden Heaven for the feet! You guard the door of God in splendor meet, Like Gabriel with holy sword on hip; In bright mist mantled from the toe to lip, Tour turban set with alien stars and sweet.
If winter rule the world, or summer's sun, If Giaour rage about, or winds are wild, Above them, Tschatir Dagh, you, changeless one, Are like to Allah, pure and undefiled; Aloft you tower from out the lowly sod To give to men again the will of God.
# Sonnets from the Crimea/Tschatir Dagh (The Pilgrim)

TSCHATIR DAGH
(The Pilgrim)
Above, blue heaven; around, peaks of snow; And yet the happy pulse of life is slow, I dream of distant places, pleasures dead. The woods of Lithuania I would tread Where happy-throated birds sing songs I know; Above the trembling marshland I would go Where chill-winged curlews dip and call o'er head.
A tragic, lonely terror grips my heart, A longing for some peaceful, gentle place, And memories of youthful love I trace. Unto my childhood home I long to start, And yet if all the leaves my name could cry She would not pause nor heed as she passed by.
# Sonnets to Duse and other Poems

Sonnets to Duse
and other Poems
By
SARA TEASDALE
Boston THE POET LORE COMPANY Publishers 1907
Copyright 1907 by Sara Teasdale All rights reserved
The Gorham Press, Boston, Mass., U.S.A.
To
My Father and Mother
CONTENTS
To Duse :
Poems and Sonnets :
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1933, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 90 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Sonnets from the Crimea/Mountains from the Keslov Steppe

MOUNTAINS FROM THE KESLOV STEPPE
(Pilgrim)
Would he of icy clouds a throne carve bright, Or would the demons of the deepest night A bar build where the shining stars sweep free? It gleams like pagan cities fired, kings flee. When Day was anciently destroyed by Night Did Allah amid chaos fix this light To guide the star-worlds of eternity?
(Mirza)
And seen the rivers bitten black like lines On Tschatir Dagh, where the white cloud reclines, Which not the wildest eagle's shadow stains, Where cradled under me the thunders sleep And Allah and the stars their watches keep.
# Sonnets from the Crimea/The Ackerman Steppe

THE ACKERMAN STEPPE
Across sea-meadows measureless I go, My wagon sinking under grass so tall The flowery petals in foam on me fall, And blossom-isles float by I do not know. No pathway can the deepening twilight show; I seek the beckoning stars which sailors call, And watch the clouds. What lies there brightening all? The Dneister's, the steppe-ocean's evening glow!
The silence! I can hear far flight of cranes— So far the eyes of eagle could not reach— And bees and blossoms speaking each to each; The serpent slipping adown grassy lanes; From my far home if word could come to me!— Yet none will come. On, o'er the meadow-sea!
# Sonnets from the Crimea/The Grave of Countess Potocka

THE GRAVE OF COUNTESS POTOCKA
In Spring of love and life, My Polish Rose, You faded and forgot the joy of youth; Bright butterfly, it brushed you, then left ruth Of bitter memory that stings and glows. O Stars! that seek a path my northland knows, How dare you now on Poland shine forsooth, When she who loved you and lent you her youth Sleeps where beneath the wind the long grass blows?
Alone, My Polish Rose, I die, like you. Beside your grave a while pray let me rest With other wanderers at some grief's behest. The tongue of Poland by your grave rings true. High-hearted, now a young boy past it goes, Of you it is he sings, My Polish Rose.
# Sonnets from the Crimea/The Graves of the Harem

THE GRAVES OF THE HAREM
They sleep well here whom Allah loved and kept And treasured in his vineyard fair and fine, Most lustrous of the Orient pearls that shine, Which youth found where the waves of passion swept. Here, where in peace perpetual they have slept, A turban beckons where the roses twine, A banner flutters out in silken line, And sometimes here a Giaour's name is kept.
Oh! roses of this paradise of old, The eyes that loved not Allah saw you not, Nor arms that prayed not eastward could enfold! But now a Christian treads this hallowed spot; Wise Allah, curse not him who bows his head Amid the marble shrines of Allah's dead!
# Sonnets from the Crimea/The Pass Across the Abyss in the Tschufut-Kale

THE PASS ACROSS THE ABYSS IN THE TSCHUFUT-KALE
(Mirza)
The humble horse alone has wisdom here. He knows where blackest the abysses leer And where the path in safety leads us down. Pray, and look upward to the mountain's crown! The deep below is endless where you peer; Stretch not the hand out as you pass, for fear The added weight of that might plunge you down.
And check your thoughts' free flight, too, while you go; Let all of Fancy's fluttering sails be furled Here where Death watches o'er the riven world.
(Pilgrim)
But what I saw my tongue no more can tell, The angels only could rehearse that well.