OpenLLM-France/wikimedia huggingface dataset:
# Lovely Molly of the county of Down/Three jolly paper-makers

Dated from external evidence.
THREE JOLLY PAPER-MAKERS.
To its own Proper Tune.
THREE Jolly batchelors jolly and gay, Being all Paper-makers, by what I've heard ſay, And they on a frolick by chance took their way, For to ramble abroad at their pleaſure.
The very firſt place that they ſat themſelves down, It happen'd to be into Kiſhorton town, There at the King's arms to drink bear that was brown, Which they did with abundance of pleaſure.
​In drinking I found they were merrily inclin'd, And I join'd with them although I was blind, The thing was accepted, to me they prov'd kind, Which I always ſhall think upon ever.
When that the day we had merrily ſpent, From Kiſhorton town to Crowden we went, And there in the evening to ſpend in content, Which we all of us did our endeavour.
'Twas at the Green Dragon we ſat ourſelves down, When one of theſe barchelors kick'd up a ſtone, And promiſing all to ſee me ſafe home, If that I would ſtay till next morning.
Which I did agree for the ſake of good beer, And from ſuch good fellows I never could ſteer, And when we had done, to the bed did repair, There for to ſleep till day dawning.
As we on our frolick next day did proceed, As a trip unto Badentown that was agreed, There at the Red Lyon our fancy to feed, And tipple the juice of good barley..
And having there arrived, we ſcarce had ſat down, 'Till two of the ladies of that little town, As good for the game as ever was known, And they told us they wanted employment.
Then two of us inſtantly made them ſit down, It was no hard matter, and that I muſt own, For they were as good cattle as e'er ſun ſhin'd on, And keen as attorneys for money.
But as they were kiſſing and hugging their laſs, In came one of their daughters as freſh as a roſe, And ſeeing her mother ſo lovingly diſpos'd, Cauſed the girl burſt out into laughter.
​This made the old woman in a paſſion to fly, Get home you young ſtrumpet, and this ſhe did cry, So ready ſhe was in her face for to fly, For fear ſhe had been flung by her daughter.
Then one of theſe batchelors took this amiſs, He ſtept to the daughter, and gave her a kiſs, He aſk'd her to drink, and ſhe anſwer'd him yes, So we all of us ſat down together.
O you would have laugh’d, had you ſeen the fun, For I was diverted though I could ſee none, Yet I did my endeavour to hold the joke on, For I found they were birds of a feather.
But if I have wrong'd them I'm ſorry for that, Both the old and the young I am ſure I will hate, For ſome of them drank till they piſs'd where they ſat, So I end with my Badentown cattle.
And now to conclude with this ditty of mine, Thoſe Badentown ladies that proved ſo kind, Thoſe three jolly batchelors left them all behind, And that was but what they intended.
To Kiſhorten town as we came along, It was at the King's arms where firſt we began, And there we all parted with the ſame merry ſong, So my batchelors ſong I have ended.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lover

* Search for titles containing or beginning with: "Lover."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Poems

* "The Lover" (1919, "Though I have had friends"), a poem by Richard Aldington
* "The Lovers", a poem by Phœbe Cary
* "The Lover" (1923, "In sable and cicada gauze"), a poem by Elizabeth Jane Coatsworth
* "The Lovers", a poem by C. J. Dennis
* "The Lovers", a poem by Emily Dickinson
* "The Lovers", a poem by Jalal al-Din Muhammad Rumi
* "Lovers", a poem by Siegfried Sassoon

## Short stories

* "The Lover" (1923), a short story by Elizabeth Bowen

## See also

* Love
# Lovely flowers of martyrs, hail

Also known as Holy Innocents, this translation of the Latin hymn Salvete flores martyrum (itself an excerpt from Prudentius' Cathemerinon) was first published in Caswall's Lyra Catholica, 1849.
* "Holy Innocents" in Catholic Hymns (1st ed.), 1853.
* "Holy Innocents" in Catholic Hymns (2nd ed.), 1860.
* "The Holy Innocents, at Vespers" in A Manual of Prayers for the Use of the Catholic Laity, 1889.
# Lovers' Infiniteness

IF yet I have not all thy love, Dear, I shall never have it all; I cannot breathe one other sigh, to move, Nor can intreat one other tear to fall; And all my treasure, which should purchase thee, Sighs, tears, and oaths, and letters I have spent; Yet no more can be due to me, Than at the bargain made was meant. If then thy gift of love were partial, That some to me, some should to others fall, Dear, I shall never have thee all.
Or if then thou gavest me all, All was but all, which thou hadst then; But if in thy heart since there be or shall New love created be by other men, Which have their stocks entire, and can in tears, In sighs, in oaths, and letters, outbid me, This new love may beget new fears, For this love was not vow'd by thee. And yet it was, thy gift being general; The ground, thy heart, is mine; what ever shall Grow there, dear, I should have it all.
Yet I would not have all yet. He that hath all can have no more; And since my love doth every day admit New growth, thou shouldst have new rewards in store; Thou canst not every day give me thy heart, If thou canst give it, then thou never gavest it; Love's riddles are, that though thy heart depart, It stays at home, and thou with losing savest it; But we will have a way more liberal, Than changing hearts, to join them; so we shall Be one, and one another's all.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Loves Garland/Card of Courtship

The following “Poesies” are reprinted from “The Card of Courtship,” or the Language of Love, fitted to the Humours of all Degrees, Sexes, and Conditions, made up of all sorts of curious and ingenious Dialogues, Pithy and pleasant Discourses, Eloquent and Witty Letters, Delicious Songs and Sonnets, Fine Fancies, Harmonious Odes, Sweet Rhapsodies. London. Printed by J. C. for Humphrey Moseley, and are sold at his shop at the signe of the Princes Arms in St. Paul’s Churchyard. 1653.
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# Louisville Nashville Railroad Company v. Kentucky

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
183 U.S. 503
Louisville Nashville Railroad Company v. Kentucky
Argued: November 9, 1900. --- Decided: for Reargument March 25, 1901
At the January term, 1895, of the Marion county circuit court of the state of Kentucky, an indictment was found against the Louisville & Nashville Railroad Company, a corporation of the state of Kentucky, for an alleged violation of § 218 of the Constitution of the state, and § 820 of the Kentucky Statutes, in charging more for the transportation of coal from Altamont, Kentucky, to Lebanon, Kentucky, than to Louisville and Elizabethtown, Kentucky, over railroads which the company were operating under its charter. The indictment alleged that it was filed upon the recommendation of the state railroad commission. The trial resulted in a judgment of conviction and a fine of $300, which, on appeal, was, on May 20, 1899, affirmed by the court of appeals. [21 Ky. L. Rep. 232, 51 S. W. 164, 1012.] From that judgment of the court of appeals a writ of error was allowed by the chief justice of that court on June 28, 1899, and the case was brought to this court.
Messrs. William Lindsay, Walker D. Hines, and H. W. Bruce for plaintiff in error.
Mr. H. W. Rives submitted the case for defendant in error.
Mr. Justice Shiras delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Louisville Nashville Railroad Company v. Mottley (219 U.S. 467)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
219 U.S. 467
Louisville Nashville Railroad Company v. Mottley
Argued: January 9, 1911. --- Decided: February 20, 1911
Mr. Henry L. Stone for plaintiff in error.
[Syllabus from pages 468-470 intentionally omitted]
Messrs. Lewis McQuown, Clarence U. McElroy, and G. D. Milliken for defendants in error.
[Argument from page 470 intentionally omitted]
Mr. Justice Harlan, delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Louisville Nashville Railroad Company v. Maxwell

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
237 U.S. 94
Louisville Nashville Railroad Company v. Maxwell
Argued: March 8, 1915. --- Decided: April 5, 1915
Messrs. John B. Keeble and Ed. T. Seav for plaintiff in error.
Messrs. John A. Pitts and K. T. McConnico for defendant in error.
Mr. Justice Hughes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Louisville Nashville Railroad Company v. Joe Higdon

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
234 U.S. 592
Louisville Nashville Railroad Company v. Joe Higdon
Argued: March 19, 1914. --- Decided: June 22, 1914
Messrs. Benjamin D. Warfield, Henry Lane Stone, Charles H. Moorman, Edward S. Jouett, Malcolm Yeaman, and William A. Colston for plaintiff in error.
[Argument of Counsel from pages 592-594 intentionally omitted]
Messrs. James W. Clay, J. F. Clay, and A. Y. Clay for defendant in error.
Mr. Justice Day delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Littell's Living Age/Volume 159/Issue 2055/The Writings of Euripides

Originally published in the Monthly Packet.
Leaving Euripides as a man and a thinker, we may pass for a moment to his art, which we perceive to be but the flower of his philosophy. His discursive and contemplative spirit, enamored of reality, did not even attempt to soar to the Titanic world of Æschylus. As little could his quick-changing conceptions lend themselves to the gradual evolution, the nice gradations of Sophocles' art. His plots are often careless and unequal. Far from evolving his story, he is fain to make it known beforehand to the audience by means of a prologue. His choruses, beautiful as they lyrically are, are often disconnected from the main theme. Too negligent of unity, he seeks rather to move by scene or situation or incident, by the presentation of human life in its thousandfold variety. His language itself is not involved or subtle, but that of every-day life. Philosophic in his method, his philosophy further asserts itself in his prominent and peculiar characteristics. To the thoughtful observer human life must necessarily appear at first sight sad, and Euripides is the master of pathos. No poet ever drew more tears. With ready imaginative sympathy he has felt deeply the vicissitudes of the human lot, approached it under all its varying conditions. His touch lays bare the beatings of the human heart, and strikes the chord of every passion and affection. And life has other aspects for him too. His attentive eye has caught the color, the variety of the outward moving panorama of men and things; has turned aside to dwell with loving appreciation on the beauty of external nature, and the picturesqueness of both has passed into his verse. But he has not stopped short even here. Looking with visionary eyes on the things of reality, he has informed them with a new spirit, and blended truth with fancy in themes of the most romantic interest. Nor are the grace and brilliancy of his imagination less striking than the homeliness and pathos of his dramatic conception. It is his pathos, his romance, his picturesqueness that make Euripides the most modern of the ancients. In his variety, his free flow of fancy, his careless prodigality of treatment, there is discernible something of that "wood-note wild," that "naturalness" which is the distinguishing trait of Shakespeare. To further the resemblance there are not wanting indications that the genius of Euripides also had its humorous side.
# Littell's Living Age/Volume 160/Issue 2069/Thoughts at Sunrise

Originally published in Spectator.
The summer night is waning, and the morn Breaks over steaming streams and silent fields, With dim, far voices of the early dawn. God and his world are now at peace; this calm, Even now, might deepen to eternity. Oh, break it not! oh, stain it not! O God, Stay thou that rising sun, nor let him rise Once more upon the weary sin and strife, And cries that curse him thro' the burning blue! Come hither, O ye sons of men! and kneel, — Pray to a God ye never prayed to yet, Who in his wide and wistful tenderness Maketh each day the self-same dawn that broke On Eden, — that, remembering what ye were, The Dawn's sweet innocence might call ye back, — An awful, mute appeal to turn again. Nay, but he suffers in that Heaven of heavens. About him are the deeps, Space, with her sounds, The Heaven, with all her dreams of star and sun, The singing of a thousand worlds; to him, Serene, immortal beings bow them low. All these are perfect, yet he hears afar, In that dim, little planet that he loves, Man jarring ever on his harmonies. Aye, yearning in his cold and perfect worlds For man who might have sympathy with him, Move with conceptions vast and burning thoughts From beauty unto beauty, peopling worlds, He grieves, though not the less a God for grief. Man is all out of tune with his design, Who might have shared in that first splendid thought, Conception striving with an utter space, Sound with eternal still that knew her not, And light with the vague dark, till at the last He struck his vast conception into bounds. Still makes he for mankind the innocent dawn, Noon, twilight, and the night, that makes the heart Break into singing at her shining stars. Yet is man but a trembling worshipper, Who heeds not that world-cry from Calvary — A God appealing to the love of man, Laying aside all terror and all power — That should have echoed in him, made the world One fearless Heaven, without a thought of Hell, — Man, who can learn not through defeat and death Sorrow's last gift, a sympathy with God.
# Littell's Living Age/Volume 160/Issue 2069/The Golden Year

We sleep and wake and sleep; but all things move; The sun flies forward to his brother sun; The dark earth follows, wheeled in her eclipse; And human things, returning on themselves, Move onward, leading up the Golden Year.
Ah, though the times when some new thought can bud Are but as poet's seasons when they flower; Yet seas that daily gain upon the shore, Have ebb and flow conditioning their march; And slow and sure comes up the Golden Year.
When wealth no more shall rest in moulded heaps, But, smit with freer light, shall slowly melt In many streams, to fatten lower lands, And light shall spread, and man be liker man, Through all the seasons of the Golden Year.
Shall eagles not be eagles? wrens be wrens? If all the world were falcons, what of that? The wonder of the eagle were the less, But he not less the eagle. Happy days, Roll onward, leading up the Golden Year!
Fly, happy, happy, sails, and hear the press — Fly, happy with the mission of the Cross; Knit land to land, and, blowing heavenward, With silks, and fruits, and spices, clear of toil, Enrich the markets of the Golden Year.
But we grow old. Ah! when shall all men's good Be each man's rule, and universal peace Lie like a shaft of light across the land, And like a lane of beams athwart the sea, Through all the circle of the Golden Year?
# Lord Jim

This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1924, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# List of Carthusians, 1800–1879/I

N.B. — The Mark * indicates a Gown Boy.
Layout 2
I.
Ilberg, James William Henry, 1824, b. 1811.
Ilbert,* Donald, 1863-66. Son of Rev. Peregrine A. Ilbert, Rector of Thurlestone, Devon, b. 1850. Emigrated to California.
Ilderton, Robert Mitford, 1871. Son of Thomas Ilderton (below), b. 1858.
Ilderton, Thomas, 1824. Son of Sanderson Ilderton, of Ilderton. b. 1811. St. Peter's Coll. Cam. Rector of Ilderton, Northumberland.
Iles, Henry Wilson, 1878. Son of Francis H. W. Iles, M.D., of Watford, b. 1865.
Imbert-Terry (see Terry).
Inge,* Francis George, 1853-59, Son of Rev. Wm. Inge, of Benn Hill, near Atherstone. b. 1840. Ch. Ch. Oxf. Assistant Master in the School. Curate of Alrewas, Lichfield.
Inge, John Walter, 1853-56. Brother of the above, b. 1839. Capt. Royal Artillery.
Inglis,* Charles George, 1867-71. Son of Major-Genl. Sir John E. W. Inglis, K.C.B., and grandson of the 1st Lord Chelmsford. b. 1855. Coffee planter in Ceylon.
Inglis,* John Frederick, 1864. Brother of the above, b. 1853. Lieut. 62nd Regt.
Ingpen, Edward Lockyer, 1849-53, b. 1835. St. Mark's Coll. Chelsea.
Ingram,* Edward John Winnington, 1863, b. 1849.
Ingram, Horace Walter Walpole, 1876, b. 1863.
Inman,* James Lipson, 1855-58, b. 1844.
Innes, Lewis Charles, 1839-41, b. 1825. Judge of High Court of Judicature, Madras.
Irvine, Charles Thomas, 1842-46. Son of Rev. Andrew Irvine, of St. Margaret's, Leicester, formerly an Assist. Master in the School, b. 1827. Admiralty; d. 1850.
Irvine,* John William, 1846-55. Brother of the above. b. 1836. Orator. Ch. Ch Oxf. Assistant Master. Rector of St. Mary's, Colchester.
Irvine, Octavius Butler, 1846-53. Twin brother of the above, b. 1836. Judge of the High Court, Madras.
Irvine,* Robert Hamilton, 1819, b. 1806.
Irving,* Frederick Sumner, 1840-48. Son of Rev. Matthew Irving, D.D. Canon of Rochester, b. 1830. Trin. Coll. Cam. Solicitor. One of the Poor-law Auditors.
Irving, John, 1820, b. 1805.
Irving, Robert, 1823, b, 1810.
Irwin, John Lewis, 1822, b. 1808.
Isaacson,* Anthony Allett, 1803-12. Son of Anthony Isaacson, b. 1793. Worc. Coll. Oxf. Vicar of St. Woolos, Newport. Mon. d. 1843.
Isaacson, Henry Whitehead, 1856-59. Son of Rev. John Fredk. Isaacson, Rector of Freshwater, Isle of Wight. b. 1843, Merchant.
Isaacson, John Frederick, 1855-58. Brother of the above. b. 1842. Fellow of St. John's Coll. Cam. 3rd Senr. Opt. Senr. Classic. Rector of Freshwater, Isle of Wight.
Isaacson, Thomas Charles, 1817, b. 1804.
Ivatt, Alfred Edgar, 1875. Son of the late Rev. Alfred William Ivatt, Rector of Coveney, Cambs. b. 1861.
Iveson, , 1806-7.
Iveson, , 1806-7.
# List of Carthusians, 1800–1879/Errata

ERRATA.
For Birch, Walter de Grey, read Birch, Walter de Gray.
Cobbold, Henry Chevallier, entered in error as "deceased."
# List of Carthusians, 1800–1879/End matter

FARNCOMBE & CO., Publishers, LEWES.
by the same author,
DICTIONARY OF THE SUSSEX DIALECT
and
LIST OF PROVINCIALISMS IN USE IN THE COUNTY OF SUSSEX.
8vo, Cloth, free by post, 7s. 6d.
       "An entirely new feature appears in this glossary. Most people suppose that there is something very repulsive in the study of provincialisms. Mr. Parish's volume ought for ever to dispel this most foolish notion. We do not suppose that Sussex folk are wittier than their despised brethren in the "Sheeres," but simply that Mr. Parish is a better observer, with a keener sense of humour than most glossarists. Mr. Parish's glossary is more entertaining than Punch." —Westminster Review.
EDUCATIONAL WORKS BY REV. W. D. PARISH.
SCHOOL ATTENDANCE SECURED WITHOUT COMPULSION. An account of a plan of school management adopted for nearly ten years at Selmeston, Sussex. Post free, 6d.
       The Selmeston plan has secured the approval of the Education Department. The income of the school has been doubled. The Government Grant is more than three times as much as it used to be - and every child in the (scattered) school district averaged over 370 attendance during the last year.
STANDARD POETRY FOR ELEMENTARY SCHOOLS. Adapted to meet the requirements of the Revised Code.
       No. I. "HORATIUS," adapted from Lord Macaulay. 300 lines. Two-pence. 12 copies post free.
       The children learn this with facility. The lines are short and the story attractive.
THE TELEGRAPHIST'S EASY GUIDE to the Code of the Single Needle. A manual for Learners. Price Two-pence.
The 20th Annual Edition, for 1880, Enlarged.
Price 50s., elegantly bound.
DEDICATED BY PERMISSION TO H.R.H. THE PRINCE OF WALES.
THE
County Families of the United Kingdom
BY EDWARD WALFORD, M.A.,
Late Scholar of Balliol College, Oxford.
CHATTO & WINDUS, Piccadilly.
MR. WALFORD'S NEW WORK.
Now Ready, in 2 vols., Crown 8vo, 21s.
LONDONIANA. BY EDWARD WALFORD, M. A.,
Author of "The County Families, &c.
"There is variety and amusement in Mr. Walford's volumes." --Pall Mall Gazette.
" These volumes are interesting, entertaining, and to most readers, will prove instructive reading." --John Bull.
Published Monthly, price One Shilling, in Crown 4to, tastefully printed on hand-made paper, with rough edges, and occasionally Illustrated.
THE ANTIQUARY, a Magazine devoted to the Study of the Past. Edited by EDWARD WALFORD, M.A
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# Lustra/Fish and the Shadow

Fish and the Shadow
The salmon-trout drifts in the stream, The soul of the salmon-trout floats over the stream Like a little wafer of light.
The salmon moves in the sun-shot, bright shallow sea. . . .
As light as the shadow of the fish that falls through the water, She came into the large room by the stair, Yawning a little she came with the sleep still upon her.
"I am just from bed. The sleep is still in my eyes. "Come. I have had a long dream."
And I: "That wood? And two springs have passed us."
"Not so far, no, not so far now, There is a place—but no one else knows it— A field in a valley . . . Qu'ieu sui avinen, Ieu lo sai."
She must speak of the time Of Arnaut de Mareuil, I thought, "qu'ieu sui avinen."
Light as the shadow of the fish That falls through the pale green water.
# Lustra/Gentildonna

Gentildonna
She passed and left no quiver in the veins, who now Moving among the trees, and clinging in the air she severed, Fanning the grass she walked on then, endures:
Grey olive leaves beneath a rain-cold sky.
# Lustra/Heather

Heather
The black panther treads at my side, And above my fingers There float the petal-like flames.
The milk-white girls Unbend from the holly-trees, And their snow-white leopard Watches to follow our trace.
# Lustra/In a Station of the Metro

In a Station of the Metro
The apparition of these faces in the crowd; Petals on a wet, black bough.
# Lustra/Fan-piece, for her Imperial Lord

Fan-piece, for her Imperial Lord
O fan of white silk, clear as frost on the grass-blade, You also are laid aside.