# The Life of Benvenuto Cellini/Index

Contents Book II
* INDEX
* Acciaiuoli, Carlo, Master of the Mint at Florence, i. 294.
* Accolti, Benedetto, Cardinal of Ravenna, i. 172 ; ii. 109.
* "Age of the Despots," a synonym for the Italian Renaissance, i. 8.
* Agnolo, Giulian di Baccio d ii. 283, 312.
* Agnolo, Giuliano d', ii. 312.
* Agnolo, Michel, a Sienese sculptor, i. 145, 148, 151.
* Agostino, tailor to the Duke of Florence, i. 318.
* Alamanni, Luigi, poet, i. 191, 198; ii. 88-91, 114, 147.
* Albizzi, Girolamo degli, ii. 305; mediates between Cellini and the Duke of Florence, ii. 305.
* Albret, Henri d', ii. 124.
* Aldobrandini, Bertino, i. 188, 210, 215n.
* Aleotti, Giovanni, Master of the Wardrobe to Pope Clement VII., i. 240.
* Alicorno, Traiano, chamberlain to Pope Clement VII., i. 199, 201, 241, 276.
* Allegretti, Antonio, poet, i. 207, 303, 307.
* Allori, Angelo (II Bronzino), painter, ii. 309; writes sonnets on Cellini's Perseus, ii. 295, 309.
* Altoviti, Bindo, Tuscan Consul at Rome, ii. 269-271 ;
* Cellini's bust of, xx, xxi, i. 53.
* Alvarez, Pietro, of Toledo, Viceroy of Naples, i. 265.
* Amalfi, Duke of, ii. 99.
* Ambruogio, secretary to Pope Paul III., i. 304.
* Amerigo, a Florentine enameller, i. 135.
* Ammanato, Bartolommeo, sculptor, ii. 315, 323, 324,332.
* Ancestry, Cellini's, i. 73.
* Angelica, the Sicilian, Cellini's inamorata, i. 40, 250, 252, 253, 257, 263, 266.
* Angelo, Michel. See Buonarroti, Michel Angelo.
* Anguillara, Count of, i. 144; ii. 138.
* Anguillotto of Lucca, i. 210. ​
* Annebault, Claude d', Admiral of France, ii. 180, 189.
* Antea, Signora, a Roman courtesan, i. 218.
* Anterigoli, Piermaria (Lo Sbietta), ii. 325 ; Cellini buys a farm from, ii. 325; attempts to poison Cellini, ii. 331;
* succeeds in swindling Cellini, ii. 340.
* Antonio, Cellini's music-teacher, i. 88.
* Apollo and Hyacinth, Cellini's unfinished statue, ii. 253.
* Apostolic Camera, books of the, i. 31 ; ii. 9 ; jewels of the, i. 179; ii. 9.
* Architecture, Cellini's discourse on, i. 46.
* Arno, the gate of, Cellini gets commission to build, ii. 283.
* Arsago, Pagolo, Cellini works with, i. 103.
* Ascanio, apprentice to Cellini, i. 336-341, 347, 348, 354; ii. 19-21, 87, 92, 93, 96-99, 104, 109, 110, 114, 116-118, 122, 154, 188, 200, 201, 218; his misconduct, i. 338.
* Ashbee, C. R., translator of Cellini's "Trattati," xii.
* Assafetida, used in necromancy, i. 254, 255.
* Aureole rests on Cellini's head, i. 23 ; ii. 76; observations of H. D. Pearsall on, i. 23 n.
* Autobiography, Cellini's, his greatest achievement, xxiv; its value as a picture-gallery of the writer's day, xxiv; Symonds's translation the best that has ever been produced, xxv ; not free from boasting and exaggeration, xxvi ; its artlessness and dramatic reality, xxvii ; trans- lated into German by Goethe, i. 5, 58 ; its perennial freshness, i. 5 ; a valuable record for the student of human nature, i. 6 ; its power of fascination akin to that of the classic romances, i. 6 ; its peculiar success due to two circumstances, i. 6 ; its literary merits, i. 43 ; its humour, i. 44 ; vivacity and elasticity of its style, i. 45 ; circulated in manuscript previous to its publication, i. 57 ; different readings of the extant MSS., i. 57 ; six printed editions known to the translator, i. 57 ; varying value of these editions, i. 58, 59; translated into French by Leopold Leclanché, i. 58; excellence of the German version, i. 58; the French translator, while showing much familiarity with sixteenth-century Italian, is sometimes careless, i. 59; gross inaccuracy and inadequacy of Roscoe's English translation, i. 59; translator's reasons for offering a new version, i. 60; selected passages showing Roscoe's inaccuracy, i. 60-65; difficulties encountered in translating, i. 65; the present translator's system, i. 67; reasons for writing, i. 71. ​
* Baglioni, Orazio, general of Pope Clement VII., i. 21, 49, 167,174,182.
* Balbo, Giovanni, i. 157.
* Balbo, Girolamo, Bishop of Gurck, i. 157.
* Baldini, Bernardone, jeweller to the Duke of Florence, ii. 225, 236, 238, 281, 292, 296, 323.
* Balducci, Giacopo, Master of the Pope's Mint, i. 224.
* Bandinello, Baccio, i. 19, 204; ii. 214, 218, 220, 234, 241, 242, 244, 247, 248, 283, 309-311, '316, 317, 322; his quarrel with Cellini, ii. 247-252; his statue of Hercules and Cacus, ii. 248, 317; his high valuation of Cellini's Perseus, ii. 311; his death, ii. 321; his Pieta in the church of the Annunziata, ii. 322.
* Bandini, Giovan, i. 219.
* Bargello, the chief constable in Italian towns, i. 209; attempts to arrest Cellini, i. 301; arrests him, ii. 5, 44.
* Bartolini, Onofrio de', Archbishop of Pisa, ii. 310.
* Bartolommeo, surgeon, married to Cellini's younger sister, i. 184.
* Basin, the Cardinal of Ferrara's, i. 354, 358; ii. 16, 88, 101,106,109,111,123,126.
* Bastiano. See Del Piombo.
* "Bathers, The," cartoon by Michel Angelo, xvii, i. 98. Bellarmati, Girolamo, military architect, ii. 190. ​
* Bembo, Pietro, man of letters, i. 341; his kindness to Cellini, i. 341.
* Bendedio, Alberto, agent of the Cardinal of Ferrara, i. 140; ii. 103, 106-109.
* Bene. See Del Bene.
* Benedetto, Ser, a Sienese notary, i. 258.
* Benintendi, Niccolo, i. 285; fixes a quarrel on Cellini, i.286.
* Benintendi, Piero, i. 285, 287-290.
* Benvegnato of Perugia, the Pope's chamberlain, i. 161— 164.
* Berlinghieri, Berlinghier, i. 213.
* Bernardi, Giovanni, a celebrated maker of medals, i. 257.
* Bettini, Baccio, patron of the arts, i. 324.
* Bianchi, B., editor of Cellini's autobiography, i. 57.
* Biliotti, Zana de', accountant to Pope Clement, i. 223.
* Bologna, Cellini sent to, to learn music, i. 88.
* Bologna, Gian, sculptor, ii. 324n.
* Bourbon, Constable of, said to be killed by Cellini, xxvii, i. 20, 167; his attack on Rome in 1526, i. 165.
* Bozza, servant in Sant' Angelo, ii. 25, 52.
* Brandini, Giovanbattista, ii. 308.
* Bronze-casting, Cellini's success in, ii. 134, 267, 268.
* Bugiardini, Giuliano, painter, i. 190.
* Buonaccorsi, Giuliano, treasurer to Francis I., ii. 223.
* Buonaccorti, Giuliano, a Florentine exile, i. 353.
* Buonarroti, Michel Angelo, i. 97, 114, 156; ii. 248, 270-274; his cartoon of "The Bathers," xvii, i. 98; Torrigiani's quarrel with, i. 99; his praise of Cellini, xxi, i. 189, 190; his David, ii. 21 In.
* Busbacca, a Florentine courier, i. 344, 348, 350, 351.
* Bust, Cellini's, of Bindo Altoviti, xx, ii. 270, 271; of Cosimo de' Medici, xxi.
* Button, Pope Clement's, i. 197, 217, 224, 228, 236, 330. ​
* Cagli, Benedetto da, judge in criminal cases, ii. 6, 47.
* Camera Apostolica, the Roman Exchequer, i. 124n.; ii. 9.
* Camerini, Eugenio, editor of Cellini's autobiography, i. 57.
* Capitolo, Cellini's, written in the castle of Sant' Angelo, ii. 55,60, 72, 75, 77-83, 87.
* Capua, Archbishop of, i. 195.
* Caradosso, a maker of medals, i. 134, 154, 197.
* Carmine, the Chapel of the, fresco painting in, by Masaccio, i. 98 n.
* Carnesecchi, Piero, i. 270.
* Caro, Annibale, a distinguished writer, i. 17, 207, 261, 303, 307.
* Carpani, Gio. Palamede, editor of Cellini's autobiography, i. 57.
* Carpi, Giacomo da, a physician, i. 138; his treatment of the "French disease," i. 139; a connoisseur in the arts of design, i. 139; imposes on the Duke of Ferrara, i. 140.
* Carucci da Pontormo, Jacopo, painter, praises Cellini's Perseus, ii. 295.
* Castel del Rio, Mona Fiore da, Cellini's housekeeper, ii. 262.
* Castoro, Francesco, a goldsmith, gives Cellini work, i. 87.
* Castro, Duke of. See Farnese, Pier Luigi.
* Caterina, Cellini's model and mistress, ii. 156-158, 160, 161,167-172,176.
* Cavalletti, Scipione, Bolognese illuminator, i. 89.
* Cellini, Andrea, Benvenuto's grandfather, i. 72, 75.
* Cellini, Benvenuto, a kind of Steinbock, xi; his garrulity and impulsiveness, xii; his autobiography his best monument, xii; his failure to catch the true spirit of the Renaissance, xiv; a great goldsmith, but not of the line of the best creative artists, xv; secret of his limitations, xvii; his faculty of appreciation, xvii; compared with the master spirits of the Renaissance, xviii; his bust of Bindo Altoviti a work of great merit, xx; aspires to rival ​
* the creations of Donatello and Michel Angelo, xxii; his Perseus not a work of the highest genius, xxiii; general truthfulness of his autobiography, xxiv; his artlessness and good faith, xxvii; his claim that he shot the Constable of Bourbon, xxvii, i. 20; virility of the man and of his narrative, xxx; his method not analytical or introspective, i. 5; his language, despite faulty construction, rises to the level of the most adroit romance-writers, i. 6; his intense egotism, i. 7, 10; his belief in himself, i. 8; his frequent homicides and acts of violence, i. 9; a clear-sighted and impartial critic, i. 10; analysis of his character, i. 11; a good and dutiful son and a loving brother, i. 12; his treatment of a natural daughter, i. 12; his religious feelings, i. 12; his veracity, i. 14; his own statement concerning the truthfulness of his narrative, i. 15; his straightforward means of attaining his ends, i. 16; his portrait as drawn by contemporaries, i. 17; some specific cases in which his veracity has been challenged, i. 19-26; his trustworthiness discernible in his vast picture-gallery of historical personages, i. 26-28; his character sketches genuinely humorous and true to life, i. 29; his trustworthiness confirmed in many instances by corroboration and documentary evidence, i. 29, 30; two important passages in his life imperfectly explained,—his long imprisonment in the castle of Sant' Angelo and his final departure from France, i. 31; elucidation of these two points, i. 31-35; his alleged villainy and violence, i. 36; arguments advanced by the translator in his defence, i. 37; his reply to Bandinello, who reproached him for his murders, i. 38; his instinct for revenge, i. 39; his sensual appetites, i. 40; his want of the gentler emotions of love for a woman, i. 40; his place among the world's three or four best autobiographers, i. 40; his Memoirs a model of vernacular Tuscan prose and an indispensable aid in studying the Italian Renaissance, i. 41; his tenacious memory, i. 43; his vivid word-painting, i. 44; author of various treatises on art, i. 45, 46; his many-sidedness, i. 46; ambitious of making his mark as a poet, i. 46; his verses not the productions of a literary master, yet they are confirmatory of his keen and stringent personality, i. 46; his strong predilection for the arts of de-sign, i. 47; his father's desire to make him a musician, i. 47; his love for drawing and his inborn mastery over technical processes, i. 47; his comprehensive study of the various departments of the goldsmith's trade, i. 47; a goldsmith until his fortieth year, i. 48; his ambition to rival the great sculptors, i. 49; his qualities those of a consummate craftsman, not of an imaginative artist, i. 50; his work characterized more by manual dexterity than by the higher intellectual qualities, i. 50; his industry and progress in the art of sculpture, i. 53; five eminent pieces of sculpture the product of the last period of his active life, i. 53; his substantial title to fame as an artist rests upon his Perseus, i. 54; his reasons for writing his own life, i. 71; his parentage, i. 72-74; his sup-posed ancestry, i. 73; his birth and the reason for his name, i. 78; miraculously escapes a scorpion, i. 79; sees a salamander, i. 79; is taught music, i. 80; his great dislike for it, i. 80, 84, 88, 95, 96; is placed in the work-shop of a goldsmith, i. 84; banished from Florence, i. 87; sent to Bologna to learn music, i. 88; quarrels with his father, i. 93; leaves home and gets employment at Pisa, i. 93; returns to Florence, i. 95; his friendship with Francesco di Filippo, i. 99; leaves home again, for Rome, i. 100; his successful work with II Firenzuola, i. 103; returns to Florence, i. 105; his furious quarrel with Gherardo Guasconti, i. 106-110; flees to Rome, i. 113; works for the Bishop of Salamanca, i. 113; his commis-sion for Madonna Porzia, wife of Gismondo Chigi, i. 115; her generous payment of him, i. 118,119; becomes a member of Pope Clement's band, i. 123, 124; quarrels with the Bishop of Salamanca, i. 126-129; obtains commissions from various dignitaries, i. 130; opens a shop of his own, i. 130; gets into a quarrel with a soldier, i. 132, 133; practises the art of the seal-engraver, i. 134; learns the art of making coins and medals, i. 135; devotes himself to learning enamelling, i. 135; his reflections on his own abilities, i. 135; his marvellous recovery from the plague, i. 141-144; his escape from pirates, i. 144; his practical joke at a supper party, i. 145-151; his kindness to Luigi Pulci, and the shameless return made to him, i. 156-164; fights in the war between Charles V. and Francis I., i. 166; claims that he killed the Constable of Bourbon, i. 167; takes charge of the artillery in the castle of Sant' Angelo, i. 168, 169; some of his exploits, i. 167-182; nearly kills Cardinals Farnese and Salviati, i. 1 73; melts the settings of the Pope 's jewels to save them, i. 179; goes to Mantua, i. 185; commissioned by the Duke of Mantua to make a model for a reliquary, i. 185; quarrels with the Duke of Mantua, i. 186; returns to Florence, i . 1 8 7; praised by Michel Angelo, xxi, i . 1 8 9, 1 90; takes service under Pope Clement against Florence, i. 192, 193; goes to Rome, i. 193; is granted absolution by the Pope, i. 196; his success in designing a button for Pope Clement's cope, i. 198-202, 228; makes dies for Pope Clement's coinage, i. 204; is made stamp-master in the Pope's Mint, i. 205; erects a monument to his brother, i. 215; murders the soldier who shot his brother, i. 218; opens a shop in Rome, i. 220; his shop robbed, i.221; is accused of coining false money, i.224; made a mace-bearer to Pope Clement, i. 228; offends the Pope, i. 232, 233; his eyesight is impaired, i. 234; gets the sickness, i.237; recovers his health, i. 238; deprived of his place in the Mint, i. 242; arrested by the Pope's orders, i. 244; his adventures with a necromancer, i. 252-256; wounds Benedetto, the notary, and is reported to have slain Tobbia, i. 260; flees from Rome, i. 261; goes to Naples, i. 262; returns to Rome, i. 266; taken into favour again by Pope Clement, i. 270; kills Pompeo, i. 275; taken into favour by Pope Paul III., and ordered to strike his coins, i. 278; his life attempted by a Corsican, i. 281; forced to leave Rome, goes to Florence, i. 283; takes a journey to Venice, i. 284-292; a quarrel fastened on him by Niccolo Benintendi, i. 286; rudely treated by a landlord, i. 291; in revenge cuts four beds to pieces, i. 292; makes dies for Alessandro de' Medici, i. 293; returns to Rome, i. 300; his attempted arrest by the Bargello, i. 301; receives a pardon for his killing of Pompeo, i. 305; has a dangerous illness, i. 305; sonnet on his reported death by Benedetto Varchi, i. 311; recovers from his illness, i. 313; employed by Pope Paul III. on a present to Charles V., i. 326; makes a famous foil for the Pope's diamond, i. 331; leaves Rome and travels to Padua, i. 341; leaves Padua for France, i. 344; has a narrow escape from drowning, i. 346, 347; obtains an audience with the King of France, i. 353; saves the life of a French scrivener, i. 355; returns to Rome, i. 358; arrested on a false charge of stealing the Pope's jewels, ii. 5; account of his examination, ii. 6-12; his imprisonment by Pope Paul III., ii. 12-27; his escape, ii. 27-33; his recapture, ii. 45; conveyed to the Torre di Nona, ii. 45; his cruel imprisonment in Sant' Angelo, ii. 50; has an extraordinary vision, ii. 61; his sonnet to the castellan of Sant' Angelo, ii. 65; a plot to poison him fails, ii. 70; is released from the castle of Sant' Angelo, ii. 74; an aureole rests upon his head, ii. 76; his Capitolo to Luca Martini, ii. 77-84; engaged in the service of the Cardinal of Ferrara, ii. 87; his quarrel with the postmaster of Siena, ii. 96; goes to Paris to the court of Francis I ., ii . 1 10; his emoluments from the King, ii. 117; installed in the castle of Le Petit Nesle,ii. 119; visited in his workshop by the King, ii. 124; narrowly escapes being murdered while carrying home gold, ii. 128-130; his success in bronze-casting, ii. 134, 267, 268; receives letters of naturalisation from Francis I., ii. 136; is installed as lord of the castle of Le Petit Nesle, ii. 137; his high favour with the King, ii. 143; incurs the ill-will of Madame d'Etampes, ii. 144; worried by a lawsuit, ii. 151; his means of extricating himself, ii. 154; tried for a criminal offence, ii. 161; his quarrel with Primaticcio (II Bologna), ii. 164; his revenge on Micceri and his model Caterina, ii. 168-170; makes a statue of Jupiter for Francis I.,ii. 183; his colossal statue of Mars, ii. 188; rebuked by the King, defends his conduct, ii. 192-195; his departure from France, ii. 201; arrives at Florence, ii. 208; undertakes his famous statue of Perseus for Cosimo de' Medici, ii. 210; writes a letter to the King of France defending his conduct, ii. 223; accused of an unnatural crime, ii. 229; flees to Venice, ii. 230; returns to Florence, ii. 232; death of his illegitimate son, ii. 243; his great quarrel with Bandinello, ii. 247-252; his casting of the Perseus, ii. 259-266; loses the favour of the Duchess of Florence, ii. 276-281; receives a commission from the Duke of Florence to build the gates of Prato and Arno, ii. 283; his Perseus wins great praise when exhibited to the people, ii. 295-298; the Duke's promises to him, which are not kept, ii. 297, 299, 304; goes on a pilgrimage of thanks for the success of his Perseus, ii. 301; offers his crucifix to the church of S. Maria Novella, ii. 322; buys the farm Delia Fonte from Lo Sbietta, ii. 325; attempt to poison him by Lo Sbietta, ii. 331; swindled by Lo Sbietta, ii. 340; buys the farm Del Poggio from Lo Sbietta, ii. 341; finishes his crucifix and places it on exhibition, ii. 342; his death, ii. 349; account of events not included in his autobiography, ii. 349-354; his pedigree, ii. 357. ​ ​ ​ ​ ​
* Cellini, Cecchino, brother of Benvenuto, i. 92, 188, 209; his valour, i. 86; banished for quarrelling, i. 87; wounded in an encounter with the guard of the Bargello, i. 211; dies of his wound, i. 215; Benvenuto erects a monument to his memory, i. 215; his epitaph, i. 215.
* Cellini, Cosa, Benvenuto' s sister, i. 77, 184.
* Cellini, Cristofano, Benvenuto's great-grandfather, i. 72, 75.
* Cellini, Elisabetta, Benvenuto's mother, i. 72, 76.
* Cellini, Giovanni, Benvenuto's father, i. 72, 75; an excellent musician, i. 76; weds Elisabetta Granacci, i. 77; makes musical instruments, i. 80; a wonderful mechanic, i. 80; a devoted servant of the Medici, i. 82; his epigram on the Medici, i. 83; his prophecy regarding Piero, a pupil who insults him, i. 89; insists on Benvenuto's studying music, i. 80, 84, 89, 95; his pleasure in his son's success, i. 121; dies of the plague, i. 187.
* Cellini, Liperata, Benvenuto's sister, i. 187, 188, 310.
* Cellini, Luca, a valiant soldier, i. 74.
* Cellini, Piera, Benvenuto's wife, ii. 350.
* Cellini, coat-of-arms of the, i. 216
* Cellini, pedigree of the, ii. 357.
* Cellino, Fiorino da, mythical founder of Florence, Cellini claims descent from, i. 20, 73.
* Cennini, Bastiano, i. 296.
* Centano, Andrea, ii. 41.
* Ceri, Rienzo da, i. 132, 167.
* Cesano, Gabriel, ii. 88-91.
* Cesena, Giangiacomo of, a musician, i. 123.
* Ceserino, Gabbriello, a patron to Cellini, i. 131.
* Cesi, Agnolo da, i. 352.
* Chalice, Pope Clement's, i. 229, 232-234, 236, 238, 240, 241, 246, 250, 326. ​
* Charles V., i.326, 327; ii. 178, 189; war in 1521 between
* Francis I. and, i. 165n.
* Cherubino, a famous clockmaker, ii. 93.
* Chigi, Agostino, i. 114.
* Chigi, Gismondo, i. 114.
* Chigi, Madonna Porzia, wife of Gismondo, i. 115, 130; her generous payment of Cellini, i. 118, 119.
* Chioccia, Bartolommeo, a workman employed by Cellini, ii. 155.
* Cibo, Cardinal Innocenzio, i. 130.
* Cibo, Lorenzo, Marquis of Massa, i. 284.
* Cioli, Francesco (Il Moschino), ii. 324 n.
* Cioli, Simone, sculptor, ii. 324 n.
* Cisti, captain in the Bande Nere, i. 209.
* Clement VII., Pope, i. 123, 130, 165; attacked by the Colonnas and driven into the castle of Sant' Angelo, i. 165n.; asks aid from the Duke of Urbino, i. 171; makes war on Florence, i. 191; Cellini takes service under, i. 192, 193; quarrels with Cellini, i. 234-250; takes Cellini into favour again, i. 270; his death, i. 273.
* Cocchi, Antonio, editor of Cellini's autobiography, i. 57.
* Coinage, Pope Clement's, Cellini makes dies for, i. 204.
* Coliseum, necromantic night-scene in the, i. 25, 43, 252256.
* Colonna, Stefano, ii. 246.
* Colonna, the house of, attack on Rome by, i. 165.
* Commune, Florentine, arms of the, i. 83.
* Concino, Bartolommeo, ii. 338.
* Conversing Benedetto, of Pistoja, Governor of Rome, ii. 6, 35.
* Cornaro, Cardinal Francesco, i. 130, 276, 314; ii. 19, 33, 41.
* Cortese, Tommaso, Pope Clement's Datary, i. 203.
* Crespino, the Bargello, ii. 5.
* Crucifix, Cellini's, i. 54; ii. 319, 322; its value as a work of religious art, xxii; completed, ii. 342; purchased by the Duke of Florence, ii. 342n. ​
* Danti, Vincenzio, ii. 323.
* Deed conferring on Cellini the lordship of Le Petit Nesle, i. 30; ii. 137.
* Defects in Cellini's more ambitious works, i. 52; attributable to his composite temper, i. 49.
* Del Bene Albertaccio, one of Cellini's friends, i. 274, 276,341.
* Del Bene, Alessandro, i. 165.
* Del Bene, Baccio, i. 35; ii. 344.
* Del Bene, Ricciardo, i. 353.
* Del Guasto, Alfonso, Marchese, i. 333.
* Del Moro, Raffaello, goldsmith, i. 194, 205, 332.
* Del Nazaro, Mattio, a Veronese in the service of Francis I., ii. 156.
* Del Nero, Francesco, servant of Pope Clement VII., i. 223, 224.
* Del Piffero, Cecchino. See Cellini, Cecchino.
* Del Piffero, Ercole, Cellini works for, i. 88.
* Del Piombo, Sebastiano, celebrated painter, i. 207, 227, 230.
* Del Poggio, farm, Cellini purchases, ii. 341.
* Del Sansovino, Giacopo, sculptor. See Tatti.
* Delia Barca, Giacopino. See Delia Sciorina, Giacopo.
* Delia Fonte, Cellini's farm, ii. 329, 335.
* Delia Chiostra, Ulivieri, i. 94.
* Delia Croce, Baccino, i. 209, 250.
* Delia Sciorina, Giacopo, i. 192, 194, 197.
* Delia Tacca,Giovan Francesco, Milanese goldsmith, ii. 40.
* Diamond, pounded, mixed with Cellini's food, ii. 68.
* Diego, a Spanish youth, i. 147.
* Dies, Cellini makes, for Pope Clement's coinage, i. 204; spurious coins made from Cellini's, i. 224. ​
* Donatello, ii. 233; his Judith and Holofernes, ii. 21 In.
* Donnino, a goldsmith, i. 226.
* Drawing, Cellini's love for, i. 47.
* Dream, Cellini's, about his father, i. 124; in the dungeon of Sant' Angelo, ii. 53, 75.
* Duranti, Durante, chamberlain of Pope Paul III., i. 329; ii. 68; plots Cellini's death, ii. 68.
* Egotism, Cellini's, i. 5, 7, 10, 19.
* Enamelling, Cellini devotes himself to the mastery of, i. 135.
* Ercole del Piffero. See Del Piffero, Ercole.
* Escape, Cellini's, from the castle of Sant' Angelo, ii. 2733.
* Este, Ippolito d', Cardinal of Ferrara, i. 353; ii. 3, 73, 74, 87-89, 91-93, 101, 103, 111-113, 117, 123, 126, 140, 177,199,205.
* Estouteville, Jean d', Provost of Paris, ii. 119n.
* Etampes, Madame d', mistress of Francis I., ii. 124, 138, 149-151, 163; Cellini incurs her ill-will, ii. 144; her machinations against Cellini, ii. 181, 185, 186, 191, 192.
* Eyesight, Cellini's, failure of, i. 234.
* Fa, Jacques de la, ii. 163.
* Fagiuolo, Girolamo, i. 242.
* Fano, Lodovico da, i. 207, 303.
* Farnese, Cardinal Alessandro (afterwards Pope Paul III.), i. 173; ii. 73.
* Farnese, Jeronima, wife of Pier Luigi, ii. 48.
* Farnese, Pier Luigi, son of Pope Paul III., i. 280; ii. 5, 6, 12, 38, 67, 206.
* Faustina, a prostitute, i. 141.
* Faustina, sister of Cellini's apprentice Paulino, i. 122.
* Felice, Cellini's partner, i. 250, 258, 300, 307, 309, 310, 312, 313, 317, 321-323, 341, 358; ii. 18.
* Ferragosto, a religious festival, i. 123. ​
* Ferrara, Cardinal of. See Este, Ippolito d
* Fiaschino, chamberlain to the Duke of Ferrara, ii. 105, 109.
* Filippo, Francesco di, his friendship with Cellini, i. 99, 105.
* Fiorino, one of Cæsar's captains, Cellini claims descent from, i. 73.
* Firenzuola, Giovanni, goldsmith, Cellini works for, i. 101.
* Flood, the Roman, of 1530, i. 227.
* Florence, built in imitation of the city of Rome, i. 72; Cellini's apocryphal derivation of its name, i. 19, 73; Cellini banished from, i. 87; Cellini returns to, i. 183; Cellini leaves, for Mantua, i. 184; Pope Clement makes war upon, i. 191.
* Florence, the Duchess of, Cellini loses the favour of, ii. 276-281; her patronage of Bandinello, ii. 315, 316.
* Foiano, Fra Benedetto da, a priest who was starved to death in prison, i. 32; ii. 56.
* Fontainebleau, Cellini makes models for the door of the palace at, ii. 140.
* Fontainebleau, Nymph of, xxi,i. 52; cast by Cellini, ii. 173.
* Fontana, Domenico, jeweller in Naples, i. 264.
* Foppa, Ambrogio. See Caradosso.
* Francis I. of France, i. 198, 239; ii. 12, 19, 111; war in 1521 between Charles V. and, i. 165; his patronage of Cellini, ii. 112.
* Franzesi, Mattio, poet, i. 306, 307.
* "French disease," i. 139, 237.
* Friendship, Cellini's, uncertain, i. 11.
* Fusconi, Francesco, a famous physician, i. 305, 309-315.
* Gaddi, Agnolino,,i. 253, 255.
* Gaddi, Giovanni, clerk of the Camera, i. 207, 227, 260, 300, 306-308, 310.
* Gaddi, Niccolò, Cardinal de', i. 172; ii. 3, 4.
* Gaio, a foolish Milanese jeweller, i. 331-333.
* Galleotti, Pietro Pagolo, goldsmith, i. 296, 299, 319. ​
* Galluzzi, Bernardo, a cashier of Bindo Altoviti, ii. 75.
* Gambetta, a prostitute, ii. 220; makes a shameful charge against Cellini, ii. 229.
* Ganymede, antique statue of, restored by Cellini, i. 53; ii. 246,253,256.
* Gates of Prato and Arno, Cellini gets commission to build, ii. 283.
* Gattinara, Gio. Bartolommeo di, ii. 10.
* Giangiacomo, of Cesena, musician, i. 123.
* Giannotti, Giannotto, i. 102.
* Giliolo, Girolamo, treasurer of the Duke of Ferrara, ii. 102, 105.
* Ginori, Federigo, i. 190, 198.
* Giovanni, Pier, a chamberlain to Pope Clement VII., i. 243 .
* Giovenale, Latino, de' Manetti. See Juvenale, Latino.
* Goethe, translation of Cellini's autobiography by, i. 5,58.
* Goldsmith, Cellini's reputation as a, xx, xxi, i. 42.
* Goldsmith's art, Cellini's treatise on the, i. 45.
* Gonzaga, Ercole, Cardinal, i. 186.
* Gonzaga, Ippolito, ii. 200.
* Gonzago, Federigo, Marquis of Mantua, i. 185.
* Gorini, Lattanzio, ii. 214, 216, 241, 283.
* Granacci, Elisabetta, Cellini's mother, i. 72, 76.
* Granacci, Stefano, Cellini's maternal grandfather,!. 72, 76.
* Grolier, Jean, ii. 182.
* Guadagni, Felice. See Felice.
* Guasconti, the, Cellini's quarrel with, xxvi, i. 106.
* Guidi, Giacopo, secretary to Cosimo de' Medici, ii. 303.
* Guidi, Guido, physician to Francis I., friend to Cellini, ii. 146, 201,218.
* Hadrian's Mausoleum, a Roman fortress, i. 175.
* Hercules and Cacus, Bandinello's statue of, ii. 248.
* Holy Sepulchre, the, Cellini's vow to visit, ii. 61; Cellini starts on a pilgrimage to, ii. 116. ​
* Homicide, view of Cellini's age concerning its justifiableness, i. 14, 38.
* Il Bachiacca. See Verdi, Antonio, and Verdi, Francesco.
* Il Bologna. See Primaticcio, Francesco.
* Il Bronzino. See Allori, Angelo.
* Il Caradosso. See Caradosso.
* Il Fattore, painter, i. 113, 120, 131.
* Il Lamentone. See Lamentone.
* Il Magalotto. See Magalotti, Gregorio.
* Il Moschino. See Cioli, Francesco.
* Il Rosso, painter, i. 131, 351, 352; ii. 150, 184.
* Il Tribolino. See Pericoli, Niccolo de
* Imprisonment, Cellini's, in the castle of Sant' Angelo, i. 13,17; ii. 12-27.
* Jacomo, of Perugia, a surgeon, ii. 33.
* Jacopo, of Carpi, a surgeon, i. 138; ii. 108.
* Jewels of the Apostolic Camera, the, Cellini entrusted with, by Pope Clement VII., i. 179; Cellini is arrested on a false charge of stealing, ii. 5.
* Julius II., Pope, i. 83.
* Julius III., Pope, ii. 269.
* Jupiter, Cellini's statue of, ii. 123, 124, 131-133, 137, 173, 174, 177, 179, 183, 184, 186, 187.
* Juvenale, Latino, poet, i. 278, 279, 326, 334.
* Lamentone, Il, courier from Florence to Venice, i. 284289.
* Landi, Antonio, ii. 225, 238.
* Landi, Pier, friend of Cellini,i. Ill, 189, 193, 316.
* Lastricati, Alessandro, ii. 263.
* Lautizio, seal-engraver, i. 134; ii. 89.
* Leclanché, Leopold, translator of Cellini's autobiography into French, i. 58. ​
* Leo X., Pope, i. 83 n.
* Leoni, Leone, a goldsmith, ii. 69.
* Lionardo da Vinci. See Vinci, Lionardo da.
* Lippi, Fra Filippo, i. 99.
* Lippi, Francesco, i. 99.
* Lorraine, John of, Cardinal, ii. 124-126, 145.
* Lotto, Pier Maria di, i. 182.
* Lucagnolo, a goldsmith, i. 113; his rivalry with Cellini, i. 116-120.
* Luigi, Pier, son of Pope Paul III. See Farnese, Pier Luigi.
* Macaroni, a Roman workman employed by Cellini, ii. 155, 160.
* Mace-bearer to the Pope, Cellini is made, i. 228.
* Macherone, Cesare, a forger, i. 225, 227.
* Machiavelli, his epitaph on Piero Soderini, i. 82. Macon, Antoine le, secretary to Margaret of Navarre, ii.136.
* Maffio, captain of the Bargello's guard, i. 212, 213.
* Magalotti, an exile at Ferrara, i. 288-290.
* Magalotti, Gregorio, Governor of Rome, i. 244.
* Mannellini, Bernardino, workman to Cellini, ii. 221, 230, 261.
* Manno, an excellent workman, i. 317.
* Mantua, Marquis of. See Gonzago, Federigo.
* Marcone, the goldsmith, i. 96; Cellini apprenticed to, i. 85.
* Margaret of Austria, i. 295n.; ii. 31n.
* Marmagna, Monsignor di, ii. 121.
* Marretti, Girolamo, a Sienese, i. 189.
* Marriage, Cellini's, ii. 350.
* Mars, Cellini's statue of, ii. 163, 187.
* Martelli, Niccolò, his estimate of Cellini as a craftsman and a man, i. 17.
* Martini, Luca, man of letters, i. 317; Cellini addresses a Capitolo to, ii. 77. ​
* Martino, Piero di, a rascally goldsmith, ii. 240.
* Masaccio, painting by, in the Church of the Carmine, i. 98.
* Maurizio, Ser, Chancellor of Florence, i. 284.
* Medal, Gabbriello Ceserino's, by Cellini, i. 131; Girolamo
* Marretti's, i. 189; Federigo Ginori's, i. 190, 198; Pope
* Clement VII.'s, i. 250, 269; Duke of Florence's, i. 298, 320; Duke of Ferrara's, ii. 103, 104.
* Medici, Alessandrode', Duke of Florence, i. 213, 283; Cellini makes dies for, i. 293-297; murdered by Lorenzino, i. 324.
* Medici, Bernardo de', i. 277n.
* Medici, Caterina de', ii. 124n.
* Medici, Cosimo de', Duke of Florence, xvii, i. 9, 86, 284, 325; ii. 209; Cellini makes his famous statue of Perseus for, ii. 211; his promises to Cellini, ii. 297, 299.
* Medici, Ferdinando de', son of Cosimo, ii. 290 n.
* Medici, Francesco de', son of Cosimo, ii. 290 n., 334.
* Medici, Garzia de', son of Cosimo, ii. 290n.
* Medici, Giovanni de', son of Cosimo, ii. 290 n.
* Medici, Giovanni de' (Pope Leo X.), i. 83.
* Medici, Giovannino de', i. 86.
* Medici, Giuliano de', i. 83 n.
* Medici, Giulio de'. See Clement VII.
* Medici, Ippolito de', i. 261, 266, 268, 277.
* Medici, Lorenzino de', i. 80, 296, 298, 299, 320; ii. 231; murders the Duke Alessandro, i. 324.
* Medici, Lorenzo, the Magnificent, i. 80.
* Medici, Ottaviano de', i. 296, 297, 317, 319.
* Medici, Piero de', i. 80; his tomb at Monte Cassino, i. 262.
* Medici, exile of the, i. 189.
* Medici, palace of the, i. 98, 318.
* Medici, the house of, friendly to Cellini and his father, i. 82, 83; the latter a devoted servant of, i. 82.
* Medicean arms, i. 83 n.
* Medicean dynasty, the second, i. 86 n. ​
* Medicean party, the, Cellini's house loyal adherents of, ii. 209.
* Medici, tomb of the, in San Lorenzo at Florence, by Verrocchio, xiv, xix.
* Medusa, Cellini's statue of, for the Perseus, ii. 219, 228, 233,243,255,256.
* Micceri, Pagolo, a workman employed by Cellini, i. 37,39; ii. 155; his hypocrisy, ii. 156, 157; Cellini's revenge on, ii. 168.
* Michel Angelo. See Buonarroti, Michel Angelo.
* Michele, a goldsmith, ii. 20.
* Micheletto, an engraver of jewels, i. 198.
* Mint, Pope Clement VII. 's, i. 224, 238; Cellini is made stamp-master in, i. 205; loses his place in, i. 242.
* Mirandola, Count of, ii. 138, 200, 205.
* Molini, Giuseppe, editor of Cellini's autobiography, i. 57.
* Monaldi, Sandrino, ii. 52, 56.
* Money, false, circulated in Rome, i. 224.
* Monte Aguto, Niccolò da, i. 284, 316, 319, 320.
* Montelupo, Raffaello da, i. 168 n.; ii. 10n., 11.
* Monte Varchi, Benedetto da, poet, i. 58, 112; his sonnet on Cellini's reported death, i. 308, 311.
* Monte Varchi, Francesco da, physician, i. 317; ii. 333.
* Montluc, Jean de, ii. 12, 72.
* Montorsoli, Giovanni Angelo, ii. 298.
* Morality, Cellini's, not closely joined to religion, i. 13.
* Morals of Italian society in Cellini's day, i. 9.
* Murder in Cellini's day a venial error, i. 37.
* Music, Cellini begins the study of, i. 80; his dislike for, i. 80, 84, 88, 95, 96; sent to Bologna to learn, i. 88.
* Nardi, Jacopo, the historian, i. 285, 286.
* Naturalisation, letters of French, given to Cellini, i. 30; ii. 136.
* Navarre, King of, ii. 124, 126, 185. ​
* Necromancer, Cellini's adventures with a, i. 252-256.
* Neptune, Cellini's model for a marble, ii. 315, 319, 327, 334, 336, 342-344.
* Nesle, Le Petit, Cellini goes to live in, ii. 119; is installed as lord of, ii. 137.
* Niccolò, goldsmith, of Milan, Cellini works with, i. 185.
* Nobili, Antonio de', ii. 306.
* Norcia, Francesco da, a famous physician, i. 305, 309-3 15.
* Nugent, Thomas, translator of Cellini's autobiography, i. 58.
* Orange, Prince of, wounded by Cellini during the sack of Rome, i. 20, 180; ii. 11.
* Orazio Baglioni. See Baglioni.
* Orbec, Vicomte d', ii. 122, 127.
* Orsini, Cardinal, i. 181.
* Orsino, Gierolimo, Duke of Bracciano, i. 359.
* Paccalli, Giuliano, ii. 272.
* Pagolo, apprentice of Cellini, ii. 88, 92, 93, 97-100, 104, 109, 110, 114, 117, 118, 122, 154, 200.
* Palazzo del Te, i. 185.
* Palazzo Vecchio, i. 97 n.
* Pallavicini, a friar, ii. 14.
* Pantasilea, a prostitute, i. 146, 158, 159.
* Parentage, Cellini's, i. 72.
* Particino, a wood-carver, ii. 283.
* Pascucci, Girolamo, a Perugian workman employed by
* Cellini, i. 341, 358; ii. 4, 20.
* Pasqualino d' Ancona, ii. 283.
* Paul III., Pope, i. 9, 32, 33, 278; ii. 4, 34, 35, 66, 73, 74, 101, 102; takes Cellini into favour, i. 278; employs Cellini on a present to Charles V., i. 326.
* Paulino, Cellini's boy, i. 122.
* Pa via, Bishop of, ii. 200, 201. ​
* Pearl necklace, the Duchess of Florence's, i. 16; ii. 276.
* Pearsall, H. D., observations of, regarding the aureole which Cellini says surrounded his head, i. 23 n. Pecci, Pier Antonio, of Siena, i. 268.
* Pedignone, soldier in Sant' Angelo, ii. 25.
* Pedigree of the Cellini, ii. 356.
* Penni. See II Fattore.
* Pericoli, Niccolo de', a Florentine sculptor, i. 283-290.
* Perseus, Cellini's bronze statue of, xvii, xx, xxii, xxiii, i. 43, 54; ii. 210, 219, 232, 242, 245, 255, 293, 303, 304, 307-310; casting of, ii. 259-266; praised when exhibited to the people, ii. 295-298.
* Pilgrimage of thanks, Cellini's, for the success of his Perseus, ii. 301.
* Pilli, Raffaello de', surgeon, ii. 254, 333.
* Piloto, goldsmith, i. 156, 275.
* Pirates, Cellini attacked by, i. 144.
* Pitigliano, Count of, ii. 138.
* Plague, great, in Rome, i. 136, 138, 141; Cellini's marvellous recovery from, i. 141-144.
* Plon, Eugène, an authority on Cellini and his works, xii, i. 50n., 54n., 57n.
* Poetry, Cellini's desire to excel in, i. 46.
* Poggini, Gianpagolo and Domenico, eminent die-casters, ii. 221,227, 236, 239.
* Politics, Cellini's abstention from, i. 193 n.
* Polverino, Jacopo, ii. 308.
* Pompeo, a Milanese jeweller, i. 36, 199, 241, 249, 260, 262; picks a quarrel with Cellini, i. 274; slain by Cellini, i. 275.
* Portrait, Cellini's, of Pope Clement VII., i. 250; of the Duke of Ferrara, ii. 102; of the Duke of Florence, ii. 222,232.
* Prato, the gate of, Cellini gets a commission to build, ii. 283. ​
* Primaticcio, Francesco (II Bologna), a painter, ii. 150, 163-165,169,175,184.
* Prinzivalle della Stufa, an upright judge, i. 107, 108.
* Pucci, Antonio, Cardinal, ii. 19.
* Pucci, Roberto, i. 232; ii. 34.
* Pulci, Luigi, Cellini's kindness to, i. 157; his shameful ingratitude, i. 159; his death, i. 164.
* Quarrel, Cellini's, with his father, i. 93; with Gherardo
* Quasconti, i. 106-110; with the Bishop of Salamanca, i. 126-129; with a soldier of Rienzo da Ceri, i. 132, 133; with the Duke of Mantua, i. 186; with Baccio Bandinello, ii. 247-252.
* Quistelli, Alfonso, ii. 308, 335.
* Rastelli, Giacomo, a famous surgeon, i. 206.
* Ravenna, Cardinal of. See Accolti, Benedetto.
* Reality the supreme merit of Cellini's autobiography, xxix.
* Recalcati, Ambrogio, secretary to Pope Paul III., i. 278.
* Religion, Cellini's, not closely joined to morality, i. 13.
* Renaissance, the Italian, its treatment of the professional idea, xii; a time of intense personal pride, xiii; its elevating power, xiv; its lavish production of great men, xvi; its typical products the artist and the bravo, i. 8; Cellini its most eminent exponent in craftsmanship of several kinds, i. 40; his Memoirs a valuable aid to its study, i. 41; his Perseus its last great product, i. 56.
* Riccio, Pier Francesco, majordomo of the Duke of Florence, ii. 214, 216, 267, 274; his malice against Cellini, ii. 216.
* Ridolfi, Niccolò, Cardinal, i. 130.
* Rigogli, Giovanni, i. 187.
* Romano, Giulio, i. 114n., 145; Cellini visits him, i. 185.
* Rome, the sack of, xxvii; Prince of Orange wounded in, i.20, 180; Cellini's exploits in, i. 167-182; Constable of Bourbon killed in, i. 167. ​
* Romoli, Vincenzio, Cellini's servant, i. 252-254, 300, 303, 312.
* Roscoe, Thomas, translator of Cellini's autobiography, i. 58; inaccuracies and deficiencies of his text, i. 59-65.
* Rossi, Gio. Girolamo de', Bishop of Pavia, ii. 71, 147.
* Ruberta, Cellini's servant, ii. 171.
* Rucellai, Luigi, i. 276.
* Safe-conduct, Cellini's, from Pope Clement VII., i. 297, 301.
* St. Paul, Comte de, Francois de Bourbon, ii. 197.
* Salamanca, Bishop of, Cellini works for, i. 113; his impatience, i. 125; delays paying Cellini, i. 126-129; repents of his conduct toward Cellini, i. 130.
* Salimbene, Francesco, Cellini works with, i. 100, 105.
* Salt-cellar, Cardinal of Ferrara's,ii. 89, 126, 131, 137, 173.
* Salviati, Alamanno, ii. 306.
* Salviati, Jacopo, i. 84, 173, 195.
* Salviati, Giovanni, Cardinal, i. 130, 232, 239; ii. 109.
* Salviati, Piero, ii. 313.
* Sanga, Battista, secretary to Pope Clement VII., i. 208.
* San Gallo, Antonio da, a famous architect, i. 352.
* San Gallo, Francesco da, sculptor, ii. 283.
* Sansovino, Giacopo del. See Tatti.
* Santacroce, Antonio, chief of the Pope's gunners, i. 169.
* Sant' Angelo, the castle of, Cellini is imprisoned in, ii. 6; escapes from, ii. 28; recaptured and again confined in, ii. 49.
* Santa Fiore. See Sforza, Ascanio.
* Sauthier, Pierre, a famous printer, ii. 148 n.
* Savello, Giovanbatista, i. 262.
* Savoy, Marguerite, Duchess of, ii. 185.
* Sbietta, Lo. See Anterigoli, Piermaria.
* Scheggia, Raffaellone, ii. 338, 340. ​
* Schio, Girolamo, Bishop of Vasona, confidential agent of Pope Clement VII., i. 223 n., 230.
* Schomberg, Nicholas, Archbishop of Capua, i. 195.
* Scorpion, Cellini miraculously escapes a, i. 79.
* Scorzone, model and mistress to Cellini, ii. 176.
* Sculpture, Cellini's treatise on, i. 45; his industry in the art of, i. 53.
* Serristori, Averardo, ii. 269, 272.
* Sforza, Almeni, chamberlain of the Duke of Florence, ii. 244, 297, 300.
* Sforza, Ascanio, Cardinal Santa Fiore, ii. 38.
* Sforza, Sforza, i. 336.
* Sguazzella, a Florentine painter, with whom Cellini lodged in Paris, i. 353.
* Sistine Chapel, i. 98 n., 114n.
* Soderini, Francesco, i. 320, 324.
* Soderini, Piero, his good-will to Cellini and his father, i. 82; Machiavelli's epitaph on, i. 82 n. Solosmeo, Antonio, of Settignano, sculptor, i. 262.
* Sonnet, Benedetto Varchi's, on Cellini's reported death, i. 311; Cellini's, to the castellan of Sant' Angelo, ii. 65.
* Spini, Gherardo, i. 46n.
* Sputasenni family, Cellini's kindness to the, i. 11; ii. 350.
* Stamp-master, Cellini is made, in the Pope's Mint, i. 205.
* Steinbock, Wenceslas, Cellini compared to, xi.
* Strozzi, Cattivanza degli, i. 209.
* Strozzi, Fra Alessio, i. 110.
* Strozzi, Filippo, i. 179, 23 In., 345.
* Strozzi, Piero, a noted soldier, ii. 135, 138, 198.
* Stufa, Pandolfo della, ii. 310.
* Style, Cellini's, i. 45, 46, 66.
* Targhetta, Miliano, a famous Venetian jeweller, i. 331.
* Tassi, Francesco, editor of Cellini's autobiography, i. 57.
* Tasso, Giovan Battista del, wood-carver, i. 100; ii. 215, 283. ​
* Tatti, Giacopo, a famous sculptor, i. 283, 289; ii. 231; his treatment of Il Tribolino, i. 290.
* Time, Italian method of reckoning, i. 127n.
* Titian, Cellini pays a visit to, in Venice, ii. 231.
* Tobbia, a Milanese goldsmith, i. 239, 243, 247, 250.
* Torello, Lelio, the Duke of Florence's Master of the Rolls, ii. 311.
* Torre di Nona, Roman prison, i. 213; Cellini confined in, ii.45.
* Torrigiani, Piero, sculptor, i. 96; the legend of his death, i. 97n.; his assault on Michel Angelo, i. 99.
* Tournon, Francois, Cardinal de, ii. 92.
* Translations of Cellini's autobiography, i. 58, 59.
* Trespontina, church of the, ii. 31.
* Trotti, Alfonso de', a dilettante of the arts, ii. 106-109.
* Trustworthiness of Cellini's narrative, i. 26.
* Truth, Cellini's attitude toward, i. 16.
* Tuscan dialect, difficulty of translating the, i. 65.
* Ugolini, Antonio, ii. 68, 71, 72.
* Ugolini, Giorgio, castellan of Sant' Angelo, ii. 13, 35, 49, 56, 58, 65, 66; his odd fancies, ii. 22; his death, ii. 68.
* Ugolini, Piero, ii. 67.
* Urbino, servant of Michel Angelo, ii. 273.
* Urbino, Francesco, Duke of, failure of, to send help to Pope
* Clement VII. during the sack of Rome, i. 171.
* Urbino, Gian di, a captain in the war against Pope Clement VII., i. 178.
* Urbino, Raffaello da, i. 113, 352.
* Val d'Ambra, home of Cellini's ancestors, i. 74.
* Valenti, Benedetto, Procurator-Fiscal of Rome, i. 244, 245; ii. 6.
* Valori, Bartolommeo, i. 231, 232.
* Varchi, Benedetto da Monte. See Monte Varchi. ​
* Vasari, Giorgio, painter, architect, and historian, i. 10; ii. 324; his description of Cellini, i. 17; falsifies Cellini to the Pope, i. 316,318.
* Vase, Bishop of Salamanca's, i. 120, 122, 125-129; Cardinal Cibo's, i. 130; Cellini's two-handled, ii. 132, 137, 174,177,190.
* Vasona, Bishop of. See Schio, Girolamo.
* Vassellario, Giorgetto, of Arezzo. See Vasari.
* Vega, Juan de, Viceroy of Sicily, ii. 297.
* Veneziano, Bastiano. See Del Piombo.
* Veracity, Cellini's, xxiv, i. 14; ii. 213n., 252n.
* Verdi, Antonio (II Bachiacca), embroiderer, ii. 227.
* Verdi, Francesco (II Bachiacca), painter, i. 146, 159.
* Vergezio, Giovanni, i. 207n., 303.
* Villainy, Cellini's alleged, i. 36.
* Villerois, Monsignor di, first secretary to the King of France, ii. 120.
* Vinci, Lionardo da, ii. 117; his cartoon representing the taking of Pisa by the Florentines, i. 98.
* Violence, Cellini's, i. 36.
* Vision, Cellini's, in the castle of Sant' Angelo, ii. 61.
* Volterra, Daniello da, painter, i. 35; ii. 344.