OpenLLM-France/wikimedia huggingface dataset:
# Royal Naval Biography/Philpot, Robert

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ROBERT PHILPOT, Esq [Post-Captain of 1800.]
This officer was made a Lieutenant in 1790, and obtained the rank of Commander Jan. 3, 1799. On the 14th Oct. following, being on a cruise off Porto Rico in the Echo sloop of war, he chased a French letter of marque mounting 12 four-pounders, with a complement of 30 men, into Aguadilla bay; and the following day his boats captured a Spanish brig of 2 guns and 20 men, laden with cocoa and indigo. On the 16th in the evening, the Echo’s pinnace and jolly-boat, containing 15 men, under the command of Lieutenant Napier, pulled into the bay and succeeded in carrying the letter of marque, which was brought off in triumph, notwithstanding a heavy fire from 2 field-pieces, one 18-pounder, and several smaller guns, all placed on the beach for her protection. In the execution of this service the pinnace was sunk, but not a man hurt. The prize had on board a valuable cargo, and was bound to Curaçoa.
​Captain Philpot was posted into the Prompte, a 20-gun ship, July 1, 1800; and convoyed a fleet of merchantmen from Jamaica to England in the spring of 1801. He subsequently commanded the Brighton district of Sea Fencibles, and regulated the impress service at Deal.
Agent.– Messrs. Atkins and Son.
# Royal Naval Biography/Phipps, Weston

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WESTON PHIPPS, Esq. [Post-Captain of 1814.]
Was made lieutenant, Aug. 4, 1806; commander, April 30, 1810; and post -captain, June 7, 1814.
# Royal Naval Biography/Phillips, John George

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JOHN GEORGE PHILLIPS, Esq. [Commander.]
Was made a lieutenant in Feb. 1805; and commander on the 22d of Oct. 1814.
# Royal Naval Biography/Pickernell, Peter Giles

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PETER GILES PICKERNELL, Esq. [Commander.]
Obtained his first commission in 1800; commanded the Gallant gun-brig, on the North Sea station, in 1809 and 1810; was advanced to his present rank July 4th in the latter year; and appointed to the Ordinary at Sheerness, under Captain Samuel Jackson, C.B. in Sept. 1823.
# Royal Naval Biography/Pickford, Charles

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CHARLES PICKFORD, Esq. [Commander.]
Obtained his first commission in 1794; served as lieutenant of la Suffisante sloop, Captain Nicholas Tomlinson, at the capture of la Revanche French national brig, between Ushant and the Main, May 27th, 1796; and subsequently assisted in capturing, destroying, and re-capturing, two privateers, eleven French, two Dutch, four Spanish, one American, one Danish, and six British merchantmen, the latter having on board 1433 pipes and 34 hogsheads of wine, 83 bales and 186 bags of cotton, 250 chests of tea, 250 barrels of porter, and a quantity of lemons, vinegar, cork, steel, and other dry goods.
We next find Mr. Pickford first of the Inconstant frigate, on the African station, from whence he brought home his captain’s official account of the recapture of Goree, Mar. 9th, 1804: – the following is an extract:
“Conceiving it of importance that H.M. Ministers should be made acquainted as soon as possible with the recapture of this island, I have purchased a small brig, and sent my first lieutenant, Mr. Charles Pickford, an intelligent and deserving officer, to England, who will have the honor, to present my despatches; and I beg leave to recommend him in the strongest manner to their lordships’ favor.”
Mr. Pickford landed at Portsmouth on the 26th April, ​1804, and was, next day, promoted to the command of the Discovery bomb. In 1809, he commanded the Glommen sloop, on the West India station.
# Royal Naval Biography/Picking, William

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WILLIAM PICKING, Esq. [Commander.]
Entered the royal navy in 1799; obtained his first commission on the 10th Oct. 1807; was senior lieutenant of the Redpole sloop, Captain Alexander Fraser, at the close of the war with France, in 1814; and subsequently served in the Southampton 50, bearing the flag of Rear-Admiral (afterwards Sir William C.) Fahie, commander-in-chief at the Leeward Islands, and on the Halifax station. He was advanced to his present rank on the 18th Sept. 1828, and appointed to the Asia 84, flag-ship of Rear-Admiral (now Sir William; Parker, on the Lisbon station, Aug. 15th, 1832. He shortly afterwards had a narrow escape, a spent ball having grazed his shoulder whilst he was on shore, viewing an attack made by the Miguelites upon Don Pedro’s lines near Oporto. At the same moment, Mr. Vidal, purser of the Asia, then in company, received a musket-ball in the body. He was paid off, on his return from the river Tagus, in the summer of 1834.
# Social Security Act 2018 (Version 56)/Part 2

Part 2 Assistance
Contents
# Social Security Act 2018 (Version 56)/Part 6

Part 6 Administration
Contents
# Social Parallels

Extracted from To-day Magazine, 1895-96, p. 387. Originally, the "parallels" were in 2 columns. To preserve readability they have been transcluded as a single column.
SOCIAL PARALLELS. BY BARRY PAIN.
I.— THE FRIENDLY CHAT.
"I'd a penny ter spend yes'day, and spent it, too."
"Ho!"
"Yur never 'as nutthink."
"Per'aps I do, an' per'aps I don't."
"Whort der yer mean?"
"On'y fawther's dorg bit a perleeceman the other dye, and I saw it."
"Go it—allus braggin'."
"It ain't braggin'—it's terewth. And if it was, 'oo begun it? You with your mucky penny, whort yer've never 'ad."
"We shall see you at the duchess's, of course."
"No, we are not going."
"You never seem to go out anywhere. It is a shame that people don't ask the really nice people."
"Perhaps they do ask us, and we don't go."
"I don't quite see what you mean, dear."
"Only, Herbert and I made up our minds, when we married, that we would live the higher life, and we do not care for some forms of amusement."
"Of course, dear, you're very clever, but do you think you ought to despise everybody like this?"
"I don't—I only state the facts. And surely it is you who are so ready to despise people, on the strengh of the invitation from the duchess, which you've got out of her at last."
II.—A PROPOSAL
"Stow it, 'Erry!"
"Garn! 'Oo's afride? (Kisses her again.) If yer ain't as tistey a little bit as theer is on the 'Eath!"
"Oh, I dessay! Whort are yer gettin' at?"
"Merridge, an' strite."
"Ho yuss! Surposin' I ain't fur tikin' of yer?"
"And surposin' yer awe. Yer knows I'm fond of yer, Hagnes."
"Well, yer do keep on at it so. If yer really—oh, then, anythink to please yer. (Aside) 'Mrs. 'Erry 'Aniford'—it sarnds pretty clawssy."
"Harry! Please!"
"Don't be afraid of me, dear!" (Kisses her again.) Heaven never dreamed anything more beautiful than you."
"Ah, I wonder! (Sighs.) What does this all mean?"
"That I love you—that you must be my wife."
"Must?"
"Ah, you will not say No! You know how I adore you, Agnes."
"You are so—so persistent. If you love me like this, I—take me then, Harry. (Aside) 'Lady Haniford'—but, of course, it's not the title that I care about."
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1928, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 95 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Social Security Act 2018 (Version 56)/Part 1

Part 1 General provisions
Contents
# Social Security Act 2018 (Version 56)/Part 4

Part 4 Factors affecting benefits
Contents
# Social Security Act 2018 (Version 56)/Part 3

Part 3 Obligations
Contents
# Social Security Act 2018 (Version 56)/Part 5

Part 5 Enforcement: sanctions and offences
Contents
# Social Security Act 2018

* Social Security Act 2018 (Version 56)
* Social Security Act 2018 (Version 59)
# Social Security Act 2018 (Version 56)

* related portals: New Zealand.
* sister projects: Wikidata item.
Social Security Act 2018
| Public Act | 2018 No 32 |
| Date of assent | 28 September 2018 |
| Commencement | see section 2 |
The Parliament of New Zealand enacts as follows:
This work is in the public domain because it is listed under the exempted Governmental works outlined by current New Zealand law. The New Zealand copyright law specifies that "no copyright exists in any of the following works, whenever those works were made". (§ 27).
Public domainPublic domainfalsefalse
# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 4 Scene 3

Scena Tertia.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 5 Scene 1

Actus Quintus. Scena Prima.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 5 Scene 3

Scæna Tertia.
Leo. O graue and good Paulina, the great comfort
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 4 Scene 1

Actus Quartus. Scena Prima.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 5 Scene 2

Scoena Secunda.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 4 Scene 2

Scena Secunda.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Act 4 Scene 4

Scena Quarta.
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# Shakespeare - First Folio facsimile (1910)/The Winters Tale/Dramatis Personae

The Names of the Actors.
| LEontes, King of Sicillia. | | |
| Mamillus, yong Prince of Sicillia. | | |
| Camillo. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ | Foure Lords of Sicillia. |
| Antigonus. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ | Foure Lords of Sicillia. |
| Cleomines. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ | Foure Lords of Sicillia. |
| Dion. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ | Foure Lords of Sicillia. |
| Hermione, Queene to Leontes. | | |
| Perdita, Daughter to Leontes and Hermione. | | |
| Paulina, wife to Antigonus. | | |
| Emilia, a Lady. | | |
| Polixenes, King of Bohemia. | | |
| Florizell, Prince of Bohemia. | | |
| Old Shepheard, reputed Father of Perdita. | | |
| Clowne, his Sonne. | | |
| Autolicus, a Rogue. | | |
| Archidamus, a Lord of Bohemia. | | |
| Other Lords, and Gentlemen, and Servants. | | |
| Shepheards, and Shephearddesses. | | |
| FINIS. | | |
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# Shakespeare - First Folio facsimile (1910)/To the Great Variety of Readers

To the great Variety of Readers.
Rom the most able, to him that can but spell: There you are number'd. We had rather you were weighd. Especially, when the fate of all Bookes depends vpon your capacities: and not of your heads alone, but of your purses. Well! It is now publique, & you wil stand for your priuiledges wee know: to read, and censure. Do so, but buy it first. That doth best commend a Booke, the Stationer saies. Then, how odde soeuer your braines be, or your wisedomes, make your licence the same, and spare not. Iudge your sixe-pen'orth, your shillings worth, your fiue shillings worth at a time, or higher, so you rise to the iust rates, and welcome. But, what euer you do, Buy. Censure will not driue a Trade, or make the Iacke go. And though you be a Magistrate of wit, and sit on the Stage at Black-Friers, or the Cock-pit, to arraigne Playes dailie, know, these Playes haue had their triall alreadie, and stood out all Appeales; and do now come forth quitted rather by a Decree of Court, then any purchas'd Letters of commendation.
It had bene a thing, we confesse, worthie to haue bene wished, that the Author himselfe had liu'd to haue set forth, and ouerseen his owne writings; But since it hath bin ordain'd otherwise, and he by death departed from that right, we pray you do not envie his Friends, the office of their care, and paine, to haue collected & publish'd them; and so to haue publish'd them, as where (before) you were abus'd with diuerse stolne, and surreptitious copies, maimed, and deformed by the frauds and stealthes of iniurious impostors, that expos'd them: euen those, are now offer'd to your view cur'd, and perfect of their limbes; and all the rest, absolute in their numbers, as he conceiued the. Who, as he was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together: And what he thought, he vttered with that easinesse, that wee haue scarse receiued from him a blot in his papers. But it is not our prouince, who onely gather his works, and giue them you, to praise him. It is yours that reade him. And there we hope, to your diuers capacities, you will finde enough, both to draw, and hold you: for his wit can no more lie hid, then it could be lost. Reade him, therefore; and againe, and againe: And if then you doe not like him, surely you are in some manifest danger, not to vnderstand him. And so we leaue you to other of his Friends, whom if you need, can bee your guides: if you neede them not, you can leade your selues, and others. And such Readers we wish him.
Iohn Heminge. Henrie Condell.
# Shakespeare - First Folio facsimile (1910)/To the Memorie of the deceased Authour Maister W. Shakespeare

TO THE MEMORIE
of the deceased Authour Maister
W. Shakespeare.
# Song of Songs

* Search for titles containing or beginning with: "Song of Songs."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A book of the Hebrew Bible, also commonly known as Song of Solomon; for versions, see Song of Songs (Bible).
* Song of Songs, a poem by Wilfred Owen
* Song of Songs, a 1914 play by Edward Sheldon
# Song of Life (Coates)

"Maiden of the laughing eyes"
* Coates, Florence Earle (1901), "Song of Life" in Harper's Monthly Magazine (November 1901).
* Coates, Florence Earle (1904), "Song of Life" in Mine and Thine (1904).
* Coates, Florence Earle (1916), "Song of Life" in Poems I.

## References

* ↑ View this version at Google Books.
# Song of Myself (Whitman)

* "I celebrate myself", in Leaves of Grass (1855)
* "Walt Whitman", in Leaves of Grass (1860)
* "Song of Myself", in Leaves of Grass (1882)
* "Song of Myself", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# Song of Nature

Mine are the night and morning
* Song of Nature in May-day and other pieces (1867)
* Song of Nature in Poems (Household Edition, 1904)
# Song of Seid Nimetollah of Kuhistan

* Song of Seid Nimetollah of Kuhistan in May-day and other pieces (1867)
* Song of Seid Nimetollah of Kuhistan in Poems (Household Edition, 1904)
# Song of Solomon

* Search for titles containing or beginning with: "Song of Solomon."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A book of the Hebrew Bible, also commonly known as Song of Songs; for versions, see Song of Songs (Bible).
* Biblical commentary and analysis
** "Solomon, Song of," in Easton's Bible Dictionary (1897)
** "Song of Solomon" in Matthew Henry's Commentary on the Whole Bible 3
# Song of Proserpine

* "Song of Proserpine" in The Hundred Best Poems (lyrical) in the English language (1904), edited by Adam Luke Gowans
* "Song of Proserpine", in The Complete Poetical Works of Percy Bysshe Shelley (1914)
# Song of Songs (Bible)

Song of Songs, also known as Song of Solomon, Song of Songs of Solomon, Canticle and Canticle of Canticles, is a book of the Hebrew Bible. It is universally accepted across all Jewish and Christian biblical canons, though the order of placement differs.
English-language translations of Šîr HašŠîrîm include:
* "Songes of Songes" in the Wycliffe version of the Bible (1380s)
* "Song of Songs" in the Bishops' version (1568)
* "Canticle of Canticles" in the Douay-Rheims version (1610)
* "Song of Solomon" in the Authorized Version (1611)
* "Song of Solomon" in the King James version (1769)
* "Song of Solomon" in the American Standard version (1901)
* "Song of Songs" in the Jewish Publication Society version (1917)
* "Song of Solomon" in the World English version (in progress since 1997)
* "Song of Solomon" in the Wikisource edition (in progress since 2006)
* "Song of Songs" in the Literal Standard Version of the Bible (2020)
# Scenes and Hymns of Life, with Other Religious Poems/Angel Visits

ANGEL VISITS.
No more of talk where God or angel guest With man, as with his friend, familiar used To sit indulgent, and with him partake Rural repast. Milton.
Are ye for ever to your skies departed?  Oh! will ye visit this dim world no more? Ye, whose bright wings a solemn splendour darted  Through Eden's fresh and flowering shades of yore? Now are the fountains dried on that sweet spot, And ye—our faded earth beholds you not!
Yet, by your shining eyes not all forsaken,  Man wandered from his Paradise away; Ye, from forgetfulness his heart to waken,  Came down, high guests! in many a later day, And with the Patriarchs, under vine or oak, Midst noontide calm or hush of evening, spoke.
From you, the veil of midnight-darkness rending,  Came the rich mysteries to the Sleeper's eye, That saw your hosts ascending and descending  On those bright steps between the earth and sky: Trembling he woke, and bowed o'er glory's trace, And worshipped, awe-struck, in that fearful place.
By Chebar's brook ye passed, such radiance wearing  As mortal vision might but ill endure; Along the stream the living chariot bearing,  With its high crystal arch, intensely pure! And the dread rushing of your wings that hour, Was like the noise of waters in their power.
But in the Olive-mount, by night appearing,  Midst the dim leaves, your holiest work was done! Whose was the voice that came divinely cheering,  Fraught with the breath of God, to aid his Son?— Haply of those that, on the moon-lit plains, Wafted good tidings unto Syrian swains.
Yet one more task was yours! your heavenly dwelling  Ye left, and by th' unsealed sepulchral stone, In glorious raiment, sat; the weepers telling,  That He they sought had triumphed, and was gone! Now have ye left us for the brighter shore, Your presence lights the lonely groves no more.
But may ye not, unseen, around us hover,  With gentle promptings and sweet influence yet, Though the fresh glory of those days be over,  When, midst the palm trees, man your footsteps met? Are ye not near when faith and hope rise high, When love, by strength, o'ermasters agony?
Are ye not near when sorrow, unrepining,  Yields up life's treasures unto Him who gave? When martyrs, all things for His sake resigning,  Lead on the march of death, serenely brave? Dreams!—but a deeper thought our souls may fill— One, One is near—a Spirit holier still!
# Scenes and Hymns of Life, with Other Religious Poems/A Church in North Wales

XV.
A CHURCH IN NORTH WALES.
Blessings be round it still! that gleaming fane, Low in its mountain-glen! old mossy trees Mellow the sunshine through the untinted pane, And oft, borne in upon some fitful breeze, The deep sound of the ever-pealing seas, Filling the hollows with its anthem-tone, There meets the voice of psalms!—yet not alone, For memories lulling to the heart as these, I bless thee, midst thy rocks, grey house of prayer! But for their sakes who unto thee repair From the hill-cabins and the ocean-shore. Oh! may the fisher and the mountaineer, Words to sustain earth's toiling children hear, Within thy lowly walls for evermore!
# Scene in a Dalecarlian Mine

* Scene in a Dalecarlian Mine, in The Monthly Magazine Volume 5, 1828.
* Scene in a Dalecarlian Mine, in National Lyrics, and Songs for Music, 1834.
# Scenes and Hymns of Life, with Other Religious Poems/A Penitent's Return

A PENITENT'S RETURN.
Can guilt or misery ever enter here? Ah! no, the spirit of domestic peace, Though calm and gentle as the brooding dove, And ever murmuring forth a quiet song, Guards, powerful as the sword of Cherubim, The hallow'd Porch. She hath a heavenly smile, That sinks into the sullen soul of vice, And wins him o'er to virtue. Wilson.
My father's house once more, In its own moonlight beauty! Yet around, Something, amidst the dewy calm profound, Broods, never mark'd before!
Is it the brooding night, Is it the shivery creeping on the air, That makes the home, so tranquil and so fair, O'erwhelming to my sight?
All solemnized it seems, And still'd, and darken'd in each time-worn hue, Since the rich clustering roses met my view, As now, by starry gleams.
And this high elm, where last I stood and linger'd—where my sisters made Our mother's bower—I deem'd not that it cast So far and dark a shade!
How spirit-like a tone Sighs through yon tree! My father's place was there At evening hours, while soft winds waved his hair! Now those grey locks are gone!
My soul grows faint with fear! Even as if angel steps had mark'd the sod. I tremble where I move—the voice of God Is in the foliage here!
Is it indeed the night That makes my home so awful? Faithless hearted! 'Tis that from thine own bosom hath departed The inborn gladd'ning light!
No outward thing is changed; Only the joy of purity is fled, And, long from nature's melodies estranged, Thou hear'st their tones with dread.
Therefore, the calm abode, By thy dark spirit, is o'erhung with shade; And, therefore, in the leaves, the voice of God Makes thy sick heart afraid!
The night-flowers round that door, Still breathe pure fragrance on the untainted air; Thou, thou alone art worthy now no more To pass, and rest thee there.
And must I turn away?— Hark, hark!—it is my mother's voice I hear— Sadder than once it seem'd—yet soft and clear— Doth she not seem to pray?
My name!—I caught the sound! Oh! blessed tone of love—the deep, the mild— Mother, my mother! Now receive thy child, Take back the lost and found!
# Scenes and Hymns of Life, with Other Religious Poems/A Prayer of Affection

A PRAYER OF AFFECTION.
Blessings, O Father! shower, Father of mercies! round his precious head! On his lone walks and on his thoughtful hour, And the pure visions of his midnight bed,  Blessings be shed!
 Father! I pray Thee not For earthly treasure to that most beloved, Fame, fortune, power:—oh! be his spirit proved By these, or by their absence, at Thy will! But let Thy peace be wedded to his lot, Guarding his inner life from touch of ill.  With its dove-pinion still!
Let such a sense of Thee, Thy watching presence, thy sustaining love, His bosom guest inalienably be,  That wheresoe'er he move,  A heavenly light serene  Upon his heart and mien May sit undimm'd! a gladness rest his own, Unspeakable, and to the world unknown! Such as from childhood's morning land of dreams,  Remember'd faintly, gleams, Faintly remember'd, and too swiftly flown!
 So let him walk with Thee,  Made by Thy spirit free; And when Thou call'st him from his mortal place, To his last hour be still that sweetness given, That joyful trust! and brightly let him part, With lamp clear burning, and unlingering heart,  Mature to meet in heaven  His Saviour's face!