# McClure's Magazine/Volume 28/Number 3/The Man Who Knew

From Mcclure's Magazine, Jan 1907, pp. 243-249
    Now, a death so well conceived, so aptly preluded, must, in the nature of things, crown and complete a life of singular and strong quality. A murder without a good motive is mere folly; properly actuated, it is tragedy, and therefore of worth. ... a man who will furnish forth a good death-bed scene seldom goes naked of an excellent tradition. I have been at some pains to discover the story of David Uys, and this is the tale I gleaned.
The Man Who Knew
by
Perceval Gibbon
Bearded, bowed, with hard blue eyes that questioned always, so we knew David Uys as children; an old, remotely quiet man, who was to be passed on the other side of the street and in silence. I have wondered sometimes if the old man ever noticed the hush that, ran before him and the clamor that grew up behind, the games that held breath, while he went by, and the children that judged him with wide eyes. He alone, of all the people in the little dorp, made his own world and possessed it in solitude; about him, the folk held all interest in community and measured life by a trivial common standard. At his doorstep, though, lay the frontier of little things; he was something beyond us all, and therefore greater or less than we. The mere pictorial value of his tall figure, the dignity of his long, forked beard, and the expectancy of his patient eyes, must have settled it that he was greater. I was a child when he died, and remember only what I saw, but the rest was talk, and so, perhaps, grew the more upon me.
One day he died. For years he had walked forth in the morning and back to his house at noon, a purple spot on the raw color of the town. He had always been still and somewhat ominous, and conveyed to all who saw him a sense of looking for something. But on this day he went back briskly, walking well and striding long, with the gait of one that has good news, and he smiled at those he passed and nodded to them, unheeding or not seeing their strong surprise nor the alarm he wrought to the children. He went straight to his little house, that overlooks a crowded garden and a pool of the dorp spruit, entered, and was seen no more alive. His servant, a sullen Kaffir, found him in his bed when supper-time came, called him, looked, made sure, and ran off to spread the news that David Uys was dead. He was lying, I have learned, as one would lie who wished to die formally, with a smile on his face and his arms duly crossed. This is copiously confirmed by many women who crowded, after the manner of Boers, to see the corpse; and of all connected with him, I think, his end and the studied manner of it, implying an ultimate deference to the conventions, have most to do with the awe in which his memory is preserved.
Now, a death so well conceived, so aptly preluded, must, in the nature of things, crown and complete a life of singular and strong quality. A murder without a good motive is mere folly; properly actuated, it is tragedy, and therefore of worth. So with a death one seldom dies well, in the technical sense, without having lived well, in the artistic sense; and a man who will furnish forth a good death-bed scene seldom goes naked of an excellent tradition. I have been at some pains to discover the story of David Uys; and though some or the greater part of it may throw no further back than to the vrouws of the dorp, it seems to me that they have done their part at least as well as David Uys did his, and this is the tale I gleaned.
When David was a young man the Boers were not yet scattered abroad all over the veldt, and the farms lay in to the dorps, and men saw one another every day. There was still trouble with the Kafirs at times, little risings and occasional murders, with the sacking and burning of homesteads, and it was well to have the men within a couple of days' ride of the field-cornet, for purposes of defense and retaliation. But when David married all this weighed little with him.
"What need of neighbors?" he said to his young wife. "We have more need of land—good land and much of it. We will trek."
"It shall be as you will, David," answered Christina. "I have no wish but yours, and neighbors are nothing to me."
There was a pair of them, you see—both Boers of the best, caring more for a good fire of their own than to see the smoke from another's chimney soiling the sky. Within a week of their agreement the wagons were creaking towards the rising sun, and the whips were saluting the morning. David and Christina fronted a new world together, and sought virgin soil. For a full month they journeyed out, and outspanned at last, on a mellow evening, on their home.
"Could you live here, do you think, Christina?" asked David, smiling, and she smiled back at him and made no other answer.
There was no need for one, indeed, for no Boer could pass such a place. It was a rise, a little rand, flowing out from a tall kopje, grass and bush to its crown, and at its skirts ran a wide spruit of clear water. The veldt waved like a sea—not nakedly and forlorn, but dotted with grey mimosa and big green dropsical aloes, that here and there showed a scarlet plume like a flame. The country was thigh-deep in grass and spoke of game; as they looked, a springbok got up and fled. So here they stayed.
David and his Kaffirs built the house, such a house as you see only when the man who is to make his home in it puts his hand to the building. David knew but one architecture, that of the great hills and the sky, and when all was done, the house and its background clove together like a picture in a fit frame, the one enhancing the other, the two being one in perfection. It was thatched, with deep eaves, and these made a cool stoep and cast shadows on the windows; while the door was red, and took the eye at once, as do the plumes of the aloes. It was not well devised—to say so would be to lend David a credit not due to him; but it occurred excellently.
The next thing that occurred was a child, a son, and this set the pinnacle on their happiness. His arrival was the one great event in many years, for the multiplication of David's flocks and herds was so well graduated, the growth of his prosperity so steady and of so even a process, that it tended rather to content than to joy. It was like having money rather than like getting it. In the same barefoot quiet their youth left them, and the constant passing of days marked them, tenderly at first and then more deeply. Their boy, Trikkie, was a man, and thinking of marrying, when the consciousness of the leak in their lives, stood up before them.
They were sitting of an evening on the stoep, watching the sun go down and pull his ribbons after him, when Christina spoke.
"David," she said, "yesterday was twenty-five years since our marriage. We—we are growing old, David."
She spoke with a falter, believing what she said. For though the blood is running strong and warm, and the eye is as clear as the heart is loyal, twenty-five years is a weary while to count back to one's youth.
David turned and looked at her. He saw for a moment with her eyes—saw that the tenseness of her girlhood had vanished, and he was astonished. But he knew he was strong and hale, well set-up and a good man to be friends with, and as he gripped his knees, he felt the tough muscle under his fingers, and it restored him.
"Christina," he said, seeing she was troubled, "it is the same with both of us. You are not afraid to grow old with me, little cousin?"
She came closer to him but said nothing. It was soon after that, and a wonderful thing in its way, such as David had never heard of before, that there came to them another boy, a wee rascal that shattered all the cobwebs of twenty-five years, and gave Christina something better to think of than the footsteps of time.
Trikkie had been glorious enough in his time, and was glorious enough still, for the matter of that; but this was a creature with exceptional points, which neither David nor Christina—nor, to do him justice, Trikkie—could possibly overlook. Trikkie had a voice like a bell, and whiskers like the father of a family, and stood six foot two in his naked feet, and lacked no excellence that a sturdy bachelor should possess. But the other, who was born to the name of Paul, lamented his arrival with a vociferous note of disappointment in the world that was indescribably endearing; had a head clothed in down like the intimate garments of an ostrich chick, and was small enough for David to put in his pocket. He brought a new horizon with him and imposed it on his parents; he was, in brief, a thing to make a deacon of a Jew peddler.
Thereafter, life for David and Christina was no longer a single phenomenon, but a series of developments. It was like sailing in agreeably rough water. No pensive mood could survive the sight of mighty Trikkie gambolling like a young bull in the company of Paul; nor could quiet hours impart a melancholy while the welkin rang with the voice of the kleintje bullying the adoring Kaffirs. Where before life had glided, now it steeplechased, taking its days bull-headed, and Paul grew to the age of four as a bamboo grows, in leaps.
Then Trikkie, the huge, the hairy, the heavy-footed, the man who prided himself on his ability to make circumstances, discovered, in a revealing flash, that he was, after all, a poor creature, and that the brightest being on earth was Katje Voss, whose people had settled about thirty miles off—next door, as it were. Katje held views not entirely dissimilar, but she consented to marry him, and the big youth walked on air. Katje was a dumpy Boer girl, with a face all cream and roses, and a figure that gave promise of much fat hereafter. Christina had imagined other things, but the ideal is a rickety structure, and she yielded; while David had never considered such an emergency, and consented heartily. Behind Trikkie's back he talked of grandchildren, and was exceedingly happy.
Then his dream-fabric tumbled about his ears.
Trikkie had ridden off to worship his beloved, and David and Christina, as was their wont, sat on the stoep. They watched the figure of their son out of sight, and talked a while, and then lapsed into the silence of perfect companionship. The veldt was all about them, as silent and friendly as they, and the distance was mellow with a haze of heat. From the kraals came at intervals the voice of little Paul in fluent Kafir; David smiled over his pipe and nodded to his wife once when the boy's voice was raised in a shout. Christina was sewing; her thoughts were on Katje, and were still vaguely hostile.
Of a sudden she heard David's pipe clatter on the ground, and looked sharply round at him. He was staring intently into the void sky; his brows were knitted and his face was drawn; even as she turned he gave a hoarse cry.
She rose quickly, but he rose too, and spoke to her in an unfamiliar voice.
"Go in," he said. "Have all ready, for our son has met with a mishap. He has fallen from his horse."
She gasped, and stared at him, but could not speak.
"Go and do it," he said again, looking at her with hard eyes; and suddenly she saw, as by an inward light, that here was not madness, but truth. It spurred her.
"I will do it," she said swiftly. "But you will go and bring him in?"
"At once," he replied, and was away to the shed for the cart. The Kaffirs came running to inspan the horses, and shrank from him as they worked. He was white through his tan, and he breathed loud. Little Paul saw him, and sat down on the ground and cried quietly.
Before David went his wife touched him on the arm, and he turned. She was white to the lips.
"David," she said, and struggled with her speech—"David."
"Well?" he answered, with a pregnant calm.
"David, he is not—not dead?"
"Not yet," he answered; "but I cannot say how it will be when I get there." A tenderness overwhelmed him, and he caught a great sob and put his arm about her. "All must be ready, little cousin. Time enough to grieve afterwards—all our lives, Christina, all our lives!"
She put her hand on his breast.
"All shall be ready, David," she answered. "Trust me, David."
He drove off, and she watched him lash the horses down the hill and force them at the drift—he, the man who loved horses, and knew them as he knew his children. His children! She fled into the house to do her office, and to drink to the bottom of the cup the bitterness of motherhood. A cool bed, linen, cold water and hot water, brandy and milk, all the insignia of the valley of the shadow did she put to hand, and con over and adjust and think upon, and then there was the waiting. She waited on the stoep, burning and tortured, boring at the horizon with dry eyes, and praying and hoping. A lifetime went in those hours, and the sun was slanting down before the road yielded, far and far away, a speck that grew into a cart going slowly. By and by she was able to see her husband driving, but nobody with him—only a rag or a garment that fluttered from the side. Her mind snatched at it; was it—God! what was it?
David drove into the yard soberly; she was at the stoep.
"All is ready," she said, in a low voice. "Will you bring him in?"
"Yes," he said; and she went inside with her heart thrashing like a kicking horse.
David carried in his son in his arms; he was not yet past that. On the white bed inside they laid him, and where his fair head touched the pillow it dyed it red. Trikkie's face was white and blue, and his jaw hung oddly; but once he was within the door, some reinforcement of association came to Christina, and she went about her ministry purposefully and swiftly, a little comforted. At the back of her brain dwelt some idea such as this: here was her house, her home, there David, there Trikkie, here she, and where these were together Death could never make the fourth. The same thought sends a stricken child to its mother. David leant on the foot of the bed, his burning eyes on the face of his son, and his brows tortured with anxiety. Christina brought some drink in a cup and held it to the still lips of the young man.
"Drink, Trikkie," she pleaded softly. "Drink, my kleintje. Only a drop, Trikkie, and the pain will fly away."
She spoke as though he were yet a child, for a mother knows nothing of manhood when her son lies helpless. The arts that made him a man shall keep him a man; so she coaxed the closed eyes and the dumb mouth.
But Trikkie would not drink, heard nothing, gave no sign. Christina laid drenched cloths to his forehead, deftly cleansed and bandaged the gaping rent in the base of the skull whence the life whistled forth, and talked to her boy all the while in the low crooning mother voice. David never moved from the foot of the bed, and never loosed his drawn brows. In came little Paul silently and took his hand, but he never looked down, and the father and the child remained there throughout the languid afternoon.
Evening cool was growing up when Trikkie opened his eyes. Christina was wetting towels for bandages, and her back was towards him, but she knew instantly, and came swiftly to his side. David leaned forward breathlessly, and little Paul cried out with the grip of his hand. They saw a waver of recognition in Trikkie's eyes, a fond light, and it seemed that his lips moved. Christina laid her ear to them.
"And—a—shod—horse!" murmured Trikkie. Nothing more. An hour after he was cold, and David was alone on the stoep, questioning pitiless skies and groping for God, while Christina knelt beside the bed within and wept blood from her soul.
They buried Trikkie in a little kraal on the hillside, and David made the coffin. When he nailed down the lid he was an old man; when the first red clod rang on it, he felt that life had emptied itself. When they were back in the house again, Christina turned to him.
"You knew," she said, in a strange voice—"You knew, but you could not save him." And she laughed aloud. David covered his face with his hands and groaned, but the next instant Christina's arms were about him.
Yet of their old life, before the deluge of grief, too much was happy to be all swamped. Time softened the ruggedness of their wound somewhat, and a day came when all the world was no longer black. Little Paul helped them much, for what had once been Trikkie's was now his; and as he grew before their eyes, his young strength and beauty were a balm to them. David was much abroad in the lands now, for he was growing mealies and rapidly becoming a rich man; and as he rode oft in the morning and rode in at sundown, his new gravity of mind and mien broke up to the youngster who jumped at the stirrup with shouts and laughter, and demanded to ride on the saddle-bow. At intervals, also, Paul laid claim to a gun, to spurs, to a watch, to all the things that go in procession across a child's horizon, and Christina was not proof against the impulse to smile at him.
It is not to be thought, of course, that the shock of foreknowledge, of omnipotent vision, had left David scathless. Though the other details of the tragedy shared his memory, and elbowed the terrifying sense of revelation, he would find himself now and again peering at the future, straining to foresee, as a sailor bores at a fog-bank. Then he would catch himself, and start back shuddering to the instant matters about him. Eventualities he could meet, but in their season and hand to hand; afar off they mastered him. Christina, too, dwelt on it at seasons; but, by some process of her woman's mind, it was less dreadful to her than to David: she, too, could dream at times.
One day she was at work within the house, and Paul ran in and out. She spoke to him once about introducing an evil-smelling water-tortoise; he went forth to exploit it in the yard. From time to time his shrill voice reached her; then the frayed edges of David's black trousers of ceremony engaged her, to the exclusion of all else. Between the scissors and the needle, at last, there stole on her ear a faint tap—tap—such a sound as water dropping on to a board makes. It left her unconscious for a while, and then grew a little louder, with a note of vehemence. At last she looked up and listened. Tap, tap, it went, and she sprang from her chair and went to the stoep and looked out along the road. Far off on the hillside was a horse, ridden furiously on the downward road, and though dwarfed by the miles, she could see the rider flogging and his urgent crouch over the horse's withers. It was a picture of mad speed, of terror and violence, and struck her with a chill. Were the Kaffirs risen? she queried. Was there war abroad? Was this mad rider her husband?
The last question struck her sharply, and she glanced about. Little Paul was sitting on a stone, plaguing the water-tortoise with a stick, and speaking to himself and it. The sight reassured her, and she viewed the rider again with equanimity. But now she was able to place him: it was David, and the horse was his big roan. The pace at which he rode was winding up the distance, and the hoofs no longer tap-tapped, but rang insistently. There was war, then; it could be nothing else. Her category of calamities was brief, and war and the death of her dear ones nearly exhausted it.
David galloped the last furlongs with a tightened rein, and froth snowed from the bit. He pulled up in the yard and slipped from the saddle. Christina saw again on his face the white stricken look and the furrowed frown that had stared on Trikkie's death. David stood with the bridle in his hand and the horse's muzzle against his arm and looked around. He saw Christina coming toward him with quick steps, and little Paul, abandoning the skellpot, running to greet him. He staggered and drew his hand across his forehead.
Christina had trouble to make him speak.
"A dream," he kept saying, "an evil dream."
"A lying dream," suggested Christina anxiously.
"Yes," he hastened to add, "a lying dream."
"About—about little Paul?" was her timid question.
David was silent for a while, and then answered. "I saw him dead," he replied, with a shudder. "God! I saw it as plain as I saw him a moment ago in the kraal."
They heard the child's gleeful shout the same instant. "I've got you! I've got you!" he cried from without.
"He has a water-tortoise," explained Christina with a smile. "Paul," she called aloud, "come indoors."
"Ja," shouted the child, and they heard him run up the steps of the stoep.
"Look," he said, standing at the door, "I found this in the grass. What sort is it, father?"
David saw something lithe and sinuous in the child's hands, and stiffened in every limb. Paul had a skaapstikker in his grip, the green-and-yellow death-snake that abounds in the veldt. Its head lay on his arm, its pin-point eyes maliciously agleam, and the child gripped it by the middle. Christina stood petrified, but the boy laughed and dandled the reptile in glee.
"Be still, Paul," said David, in a voice that was new to him—"be still; do not move."
The child looked up at him in astonishment. "Why?" he began.
"Be still," commanded David, and went over to him cautiously. The serpent's evil head was raised as he approached, and it hissed at him. Paul stood quite quiet, and David advanced his naked hand to his certain death and the delivery of his child. The reptile poised, and as David snatched at it, it struck—but on his sleeve. The next instant was a delirious vision of writhing green and yellow; there was a cry from Paul, and the snake was on the floor. David crushed it furiously with his boot.
Christina snatched the child. "Did it bite you, Paul!" she screamed. "Did it bite you?"
The boy shook his head, but David interposed with a voice of thunder.
"Of course it did!" he vociferated with blazing eyes; "what else did my dream point to? But we'll fight with God yet. Bring me the child, Christina."
On the plump forearm of Paul they found two minute punctures and two tiny points of blood. David drew his knife, and the child shrieked and struggled.
"Get a hot iron, Christina," cried David, and gripped Paul with his knees.
In the morning the room was wild and grisly with blood and the smell of burnt flesh, and David lay face downwards on the floor, writhing as the echoes of Paul's shrieks tortured his ears. But in the next room little Paul was still for ever, and all the ghastly labor was to no purpose.
I suppose there is some provision in the make of humanity for overflow grief, some limit impregnable to affliction; for when little Paul was laid beside his brother, there were still David and Christina to walk aimlessly in their empty world. Their scars were deep, and they were crippled with woe, and it seemed to them they lived as paralytics live, dead in all save in their susceptibility to torture. Moreover, there was a barrier between them in David's disastrous foreknowledge, for Christina could not throw off the thought that it contained the causal elements which had robbed her of her sons. Pain had fogged her; she could not probe the matter, and sensations tyrannized over her mind. David, too, was bowed with a sense of guilt that he could not rise to throw off. All motive was buried in the kraal; and he and his wife sat apart and spent days and nights without the traffic of speech.
But Christina was seized with an idea. She woke David in the night and spoke to him tensely.
"David," she cried, gripping him by the arm—"David! We cannot live for ever. Do you hear me? Look, David, look hard! Look where you looked before. Can you see nothing for me—for us, David?"
He was sitting up, and the spell of her inspiration claimed him. He opened his eyes wide and searched the barren darkness for a sign. He groped with his mind, tore at the bonds of the present.
"Do you see nothing?" whispered Christina. "Oh, David, there must be something. Look—look hard!"
For the space of a hundred seconds they huddled on the bed, David fumbling with the keys of destiny, Christina waiting, breathless.
"Lie down," said David at last. "You are going to die, little cousin. It is all well."
His voice was the calmest in the world.
"And you!" cried Christina; "David, and you?"
"I see nothing," he said.
"Poor David!" murmured his wife, clinging to him. "But I am sure all will yet be well, David. Have no fear, my husband."
She murmured on in the dark, with his arm about her, and promised him death, entreated him to believe with her, and coaxed him with the bait of the grave. They were bride and groom again, they two, and slept at last in one another's arms.
In the morning all was well with Christina, and she bustled about as of old. David was still, and hoped ever, with a tired content in what should happen, a languor that forbade him from railing on fate. Together they prepared matters as for a journey.
"If the black trousers come frayed again," said Christina, "try to remember that the scissors are better than a knife. And the seeds are all in the box under our bed."
"In the box under our bed," repeated David carefully. "Yes, under the bed. I will remember."
"And this, David," holding up piles of white linen, "this is for me. You will not forget?"
"For you?" he queried, not understanding.
"Yes," she answered softly. "I will be buried in this."
He started, but recovered himself with a quivering lip.
"Of course," he answered. "I will see to it. I must be very old, Christina."
She came over and kissed him on the forehead.
In the middle of the afternoon she went to bed, and he came in and sat beside her. She held his hand, and smiled at him.
"Are you dying now?" he asked at length.
"Yes," she said. "What shall I tell Trikkie and the kleintje from you?"
"Tell them nothing," he said, after a pause. "It cannot be that I shall be apart from you all long. No; I am very sure of that."
She pressed his hand, and soon afterwards felt some pain. It was little, and she made no outcry. Her death was calm and not strongly distressing, and the next day David put her into the ground where her sons lay.
But, as I have made clear, he did not die till long afterwards, when he had sold his farm and come to live in the little white house in the dorp, where colors jostled each other in the garden, and fascinated children watched him go in and come out. I think the story explains that perpetual search of which his vacant eyes gave news, and the joyous alacrity of his last home-coming, and the perfect technique of his death. It all points to the conclusion, that however brave the figures, however aspiring their capers, they but respond to strings which are pulled and loosened elsewhere.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 97 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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