OpenLLM-France/wikimedia huggingface dataset:
# Woman of the Century/Margaret Isabelle Sandes

​SANDES, Mrs. Margaret Isabelle, industrial reformer, born in Glasgow, Scotland, 21st May, 1849, of an old and wealthy Scotch family. Her parents came to this country when she was quite young, and finally settled in Milwaukee, Wis. When the Civil War broke out, her father and oldest brother were among the first to respond to the call for volunteers, and both served until the end of the war. MARGARET ISABBELLE SANDES. While they were serving their country at the front, Mrs. Sandes was actively engaged with other girls of her age in making lint, bandages and garments to be sent to the troops in the field. She is thoroughly American. At the age of sixteen years she became the wife of Henry R. Sandes, late Adjutant of the 3rd Wisconsin Cavalry and nephew of Sir Charles Henry Coote, M. P., premier Baronet of Ireland, and in 1867 settled in Chicago, 111. For many years she has been a member of Bishop Fallows' church, and has always been active in church and charitable work. She never engaged in public work until she became identified with the Woman's Relief Corps auxiliary to the Grand Army of the Republic, of which her husband is a prominent member. She held the position of president of Woman's Relief Corps No. 23 for four successive terms, and has been department inspector, department junior vice-president, and served on the department executive board and as national aid in the same order. She has always been an active, earnest worker for all charitable measures. She heartily endorses all legitimate means for the advancement and benefit of women. She has two children, a son and a daughter. She was one of the original nine women appointed by the local directory of the World's Fair, and acted as secretary of that committee until the national commissioners convened, and she went to Washington with the mayor and other influential citizens to aid in securing the site for Chicago. She was appointed alternate lady manager of the ​World's Columbian Commission. Her position as secretary of the Illinois Industrial School for Girls consumes much of her time, and she is thoroughly devoted to the work of caring for and bettering the condition of the dependent girls. Her home is in Ravenswood, a suburb of Chicago, where she is Matron of Chapter No. 190 of the Order of the Eastern Star.
# Woman of the Century/Margaret Mather

​MATHER, Margaret, actor, born in Tilbury, near Montreal, Canada, in 1862. She is of Scotch descent. In 1868 her family left Canada and settled in Detroit, Mich. Margaret went to New York City to live with one of her brothers, MARGARET MATHER. who offered to educate her. She passed through the public schools, and her brother died in 1880, leaving her dependent upon herself for a living. Having become inspired with the desire to go on ​the stage, she studied with George Edgar. She made her debut as Cordelia in "King Lear," and she soon attracted the attention of Manager J. M. Hill, who made a contract with her for a six-year engagement. She at once went under instruction, and for twenty-one months she received the best of training in every line of stage business from dancing to elocution. She opened her career with Mr. Hill, as Juliet, 28th August, 1882, in McVicker's Theater, in Chicago, and her success was instantaneous. She then played in the principal cities, and in 1885, on 16th October, appeared in the Union Square Theater, in New York City, in her famous role of Juliet. Her season of seventeen weeks was played to crowded houses. She has worked and studied diligently, and her repertory includes Rosalind, Imogen, Lady Macbeth, Leah, Julia, Lady Gay Spanker, Peg Woftington, Mary Stuart, Gilbert's Gretchen, Pauline. Juliana, Barbier's Joan of Arc, Nance Oldfield, Constance and Medea. She is constantly adding new attractions to her list, and her artistic growth is substantial. While playing under Mr. Hill's management she became the wife, in 1887, of Emil Haberkorn, the leader of the Union Square Theater orchestra. Soon after her marriage she severed her relations with her manager, and since then she has been playing with a company of her own.
# Women in Love

* information about this edition.
* sister projects: Wikipedia article.
Published in 1920, "Women in Love" is a sequel to the earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula.Warning: template has been deprecated.
Contents:
* Chapter I: Sisters
* Chapter II: Shortlands
* Chapter III: Class-room
* Chapter IV: Diver
* Chapter V: In the Train
* Chapter VI: Creme de Menthe
* Chapter VII: Fetish
* Chapter VIII: Breadalby
* Chapter IX: Coal-dust
* Chapter X: Sketch-book
* Chapter XI: An Island
* Chapter XII: Carpeting
* Chapter XIII: Mino
* Chapter XIV: Water-party
* Chapter XV: Sunday Evening
* Chapter XVI: Man to Man
* Chapter XVII: The Industrial Magnate
* Chapter XVIII: Rabbit
* Chapter XIX: Moony
* Chapter XX: Gladiatorial
* Chapter XXI: Threshold
* Chapter XXII: Woman to Woman
* Chapter XXIII: Excurse
* Chapter XXIV: Death and Love
* Chapter XXV: Marriage or Not
* Chapter XXVI: A Chair
* Chapter XXVII: Flitting
* Chapter XXVIII: Gudrun in the Pompadour
* Chapter XXIX: Continental
* Chapter XXX: Snowed Up
* Chapter XXXI: Exeunt
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Æsop's Fables (V. S. Vernon-Jones)/The Kid and the Wolf

* related authors: Arthur Rackham.
* sister projects: Commons category, Wikidata item.
THE KID AND THE WOLF
A KID strayed from the flock and was chased by a Wolf. When he saw he must be caught he turned round and said to the Wolf, “I know, sir, that I can’t escape being eaten by you: and so, as my life is bound to be short, I pray you let it be as merry as may be. Will you not play me a tune to dance to before I die?” The Wolf saw no objection to having some music before his dinner: so he took out his pipe and began to play, while the Kid ​danced before him. Before many minutes were passed the gods who guarded the flock heard the sound and came up to see what was going on. They no sooner clapped eyes on the Wolf than they gave chase and drove him away. As he ran off, he turned and said to the Kid, “It’s what I thoroughly deserve: my trade is the butcher’s, and I had no business to turn piper to please you.”
# Æsop's Fables (V. S. Vernon-Jones)/The Kingdom of the Lion

* related authors: Arthur Rackham.
* sister projects: Wikidata item.
THE KINGDOM OF THE LION
WHEN the Lion reigned over the beasts of the earth he was never cruel or tyrannical, but as gentle and just as a King ought to be. During his reign he called a general assembly of the beasts, and drew up a code of laws under which all were to live in perfect equality and harmony: the wolf and the lamb, the tiger and the stag, the leopard and the kid, the dog and the hare, all should dwell side by side in unbroken peace and friendship. The hare said, “Oh! how I have longed for this day when the weak take their place without fear by the side of the strong!”
# Æsop's Fables (V. S. Vernon-Jones)/The Labourer and the Snake

THE LABOURER AND THE SNAKE
A LABOURER’S little son was bitten by a Snake and died of the wound. The father was beside himself with grief, and in his anger against the Snake he caught up an axe and went and stood close to the Snake’s hole, and watched for a chance of killing it. Presently the Snake came out, and the man aimed a blow at it, but only succeeded in cutting off the tip of its tail before it wriggled in again. He then tried to get it to come out a second time, pretending that he wished to make up the quarrel. But the Snake said, “I can never be your friend because of my lost tail, nor you mine because of your lost child.”
Injuries are never forgotten in the presence of those who caused them.
# Æsop's Fables (V. S. Vernon-Jones)/The Lark and the Farmer

THE LARK AND THE FARMER
A LARK nested in a field of corn, and was rearing her brood under cover of the ripening grain. One day, before the young were fully fledged, the Farmer came to look at the crop, and, finding it yellowing fast, he said, “I must send round word to my neighbours to come and help me reap this field.” One of the young Larks overheard him, and was very much frightened, and asked her mother whether they hadn’t better move house at once. “There’s no hurry,” replied she; “a man who looks to his friends for help will take his time about a thing.” In a few days the Farmer came by again, and saw that the grain was overripe and falling out of the ears upon the ground. “I must put it off no longer,” he said; “this very day I’ll hire the men and set them to work at once.” The Lark heard him and said to her young, “Come, my children, we must be off: he talks no more of his friends now, but is going to take things in hand himself.”
Self-help is the best help.
# Æsop's Fables (V. S. Vernon-Jones)/The Impostor

THE IMPOSTOR
A CERTAIN man fell ill, and, being in a very bad way, he made a vow that he would sacrifice a hundred oxen to the gods if they would grant him a return to health. Wishing to see how he would keep his vow, ​they caused him to recover in a short time. Now, he hadn’t an ox in the world, so he made a hundred little oxen out of tallow and offered them up on an altar, at the same time saying, “Ye gods, I call you to witness that I have discharged my vow.” The gods determined to be even with him, so they sent him a dream, in which he was bidden to go to the sea-shore and fetch a hundred crowns which he was to find there. Hastening in great excitement to the shore, he fell in with a band of robbers, who seized him and carried him off to sell as a slave: and when they sold him a hundred crowns was the sum he fetched.
Do not promise more than you can perform.
# Æsop's Fables (V. S. Vernon-Jones)/The Lamp

THE LAMP
A LAMP, well filled with oil, burned with a clear and steady light, and began to swell with pride and boast that it shone more brightly than the sun himself. Just then a puff of wind came and blew it out. Some one struck a match and lit it again, and said, “You just keep alight, and never mind the sun. Why, even the stars never need to be relit as you had to be just now.”
# Æsop's Fables (V. S. Vernon-Jones)/The Kid on the Housetop

THE KID ON THE HOUSETOP
A KID climbed up on to the roof of an outhouse, attracted by the grass and other things that grew in the thatch; and as he stood there browsing away, he caught sight of a Wolf passing below, and jeered at him because he couldn’t reach him. The Wolf only looked up and said, “I hear you, my young friend; but it is not you who mock me, but the roof on which you are standing.”
# Æsop's Fables (V. S. Vernon-Jones)/The Lamb Chased by a Wolf

THE LAMB CHASED BY A WOLF
A WOLF was chasing a Lamb, which took refuge in a temple. The Wolf urged it to come out of the precincts, and said, “If you don’t, the priest is sure to catch you and offer you up in sacrifice on the altar.” To which the Lamb replied, “Thanks, I think I’ll stay where I am: I’d rather be sacrificed any day than be eaten up by a Wolf.”
# Æsop's Fables (V. S. Vernon-Jones)/The Lion, Jupiter, and the Elephant

* related authors: Arthur Rackham.
* sister projects: Wikidata item.
THE LION, JUPITER, AND THE ELEPHANT
THE Lion, for all his size and strength, and his sharp teeth and claws, is a coward in one thing: he can’t bear the sound of a cock crowing, and runs away whenever he hears it. He complained bitterly to Jupiter for making him like that; but Jupiter said it wasn’t his fault: he had done the best he could for him, and, considering this was his only failing, he ought to be well content. The Lion, however, wouldn’t be comforted, and was so ashamed of his timidity that he wished he might die. In this state of mind, he met the Elephant and had a talk with him. He noticed that the great beast cocked up his ears all the time, as if he were listening for something, and he asked him why he did so. Just then a gnat came humming by, and the Elephant said, ​“Do you see that wretched little buzzing insect? I’m terribly afraid of its getting into my ear: if it once gets in, I’m dead and done for.” The Lion’s spirits rose at once when he heard this: “For,” he said to himself, “if the Elephant, huge as he is, is afraid of a gnat, I needn’t be so much ashamed of being afraid of a cock, who is ten thousand times bigger than a gnat.”
# Æsop's Fables (V. S. Vernon-Jones)/The Jackdaw and the Pigeons

THE JACKDAW AND THE PIGEONS
A JACKDAW, watching some Pigeons in a farmyard, was filled with envy when he saw how well they were fed, and determined to disguise himself as one of them, in order to secure a share of the good things they ​enjoyed. So he painted himself white from head to foot and joined the flock; and, so long as he was silent, they never suspected that he was not a pigeon like themselves. But one day he was unwise enough to start chattering, when they at once saw through his disguise and pecked him so unmercifully that he was glad to escape and join his own kind again. But the other jackdaws did not recognise him in his white dress, and would not let him feed with them, but drove him away: and so he became a homeless wanderer for his pains.
# ZALITA v. BUSH, AL QAHTANI v. BUSH, OTHMAN v. BUSH, MAJID KHAN v. BUSH: Notice of Joinder

* related portals: Guantanamo.
* sister projects: Wikidata item.
http://docs.justia.com/cases/federal/district-courts/district-of-columbia/dcdce/1:2008mc00442/131990/369/0.pdf
| IN RE: GUANTANAMO BAY DETAINEE LITIGATION | Misc. No 08-442 (TFH) |
| Zalita v. Bush Al Qahtani v. Bush Othman v. Bush Majid Khan v. Bush | 05-CV-1220 (RMU) 05-CV-1971 (RMC) 05-CV-2088 (RWR) 06-CV-1690 (RBW) |

# NOTICE OF JOINDER

Undersigned counsel notifies the Court and counsel for Respondent that Petitioners in the above-captioned matters have joined in “Petitioners’ Response to Respondents’ Motion for Relief from Scheduling Order,” filed in the miscellaneous docket on September 8, 2008.
Dated: August 9, 2008 Respectfully submitted,
* /s/ Shayana Kadidal
* Shayana Kadidal (D.C. Bar No. 454248)
* Gitanjali S. Gutierrez
* Pardiss Kebriaei
* Emi MacLean
* Center for Constitutional Rights
* 666 Broadway, 7th Floor
* New York, New York 10012
* Tel: (212) 614-6438
* Fax: (212) 614-6499
# Zabriskie v. Cleveland Columbus and Cincinnati Railroad Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
64 U.S. 381
Zabriskie v. Cleveland Columbus and Cincinnati Railroad Company

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Yznaga Del Valle v. Harrison

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
93 U.S. 233
Yznaga Del Valle v. Harrison
MOTION to dismiss a writ of error to the Circuit Court of the United States for the District of Louisiana.
Mr. Edward Janin for the defendants in error, in support of the motion.
Mr. Thomas J. Durant and Mr. C. W. Hornor for the plaintiff in error, in opposition thereto.
MR. CHIEF JUSTICE WAITE delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Zoological Illustrations/VolI-Pl38

PICUS bicolor.
Black and White Woodpecker.
Generic Character.—See Pl. 14.
Specific Character.
    P. albus, collo supra, tergo, alis, lineaque temporali nigris, rectricibus nigris, basi maculisque marginis interioris albis.
    White: neck above, back, wings, and line from the ears to the nape, black; tail-feathers black, with their base and spots on the inner margin white.
The simplicity of colouring in the plumage of this bird will easily distinguish it from among the numerous and intricate species already known of this family. It is one of the new birds the recent investigations of Brazilian zoology have added to our museums. The individual here figured was sent me from the district of Minas Geraies.
Total length eleven inches and a half. Bill from the upper base to the tip one inch one line, and from the gape one inch four-tenths; the colour blueish-black; the upper mandible above sharply carinated and slightly curved; orbits (in the dead bird) yellowish-white; the whole of the head and nape, sides of the neck, rump and tail-covers, and all the under plumage pure white, with a tinge of yellow down the middle of the belly: a narrow black line commences at the ears, and is carried down on each side, joining the black of the upper neck; the wings and remaining upper plumage are of a uniform dark sooty black; the tips of the quills much paler and brownish. Wings six inches and a half long; the inside covers black. Tail four inches, and black banded with white at the extreme base; the two outer feathers on each side with alternate black and white bands on the inner web their whole length; feet and claws dirty-greenish: this was a female.
# Zoological Illustrations/VolI-Pl39

HESPERIA Itea.
Generic Character.—See Pl. 28.
Specific Character.
    Hesp. (Div. 2.) alis supra nigrescente-fuscis, subtus pallidioribus basi fulvis, anticis macula flava tri-fissa, posticis subtus margine exteriore et linea longitudinali fulvis, femoribus rufis.
    H. (Div. 2.) Wings above blackish-brown, beneath paler, base fulvous. Anterior with a three-cleft yellow spot. Posterior beneath with a fulvous outer margin and longitudinal line. Thighs rufous.
The descriptions left by Fabricius of this as well as many other extensive families of Lepidoptera, are in general so vague and short, that unless a figure is quoted to elucidate them, it becomes totally impossible to ascertain the precise species intended. Such is the case with the present insect, which will not agree with any described by Fabricius, or figured by Cramer.
During my travels in Brazil I never met with this species, but am indebted to my liberal friend Dr. Langdorff, Russian Consul-general at Rio de Janeiro, for the specimens I possess, as well as a number of other rare and fine insects of this family, which were then not in my own collection.
On each side of the palpi adjoining the eye are two yellowish round dots, and another behind: the posterior wings above have a narrow whitish margin, the colour beneath much paler; but the nerves on this, as well as at the tips of the anterior wings, are blackish-brown; the legs at the base and the tarsi are black.
This is a male insect; the other sex I have not seen.
# Zoological Illustrations/VolI-Pl37

PROCNIAS cucullata.
Hooded Berry-eater.
Generic Character.—See Pl. 21.
Specific Character.
    P. corpore, collo, pectore nigro cucullata; tergo fusco, alis caudaque nigris; tegminum apice, pectoris lateribus, et corpore subtus flavis; capite subcristato.
    Head, neck and fore-part of the breast hooded with black; back brown, wings and tail black; tip of the wing-covers, sides of the breast and body beneath yellow; head subcrested.
I am indebted for this new bird to Miss E. Yeates, who received it with a few others from some part of Brazil: it seems to connect the genera of Ampelis and Procnias, having the bill much less dilated at the base than any of the latter; it however has a close similitude to Procnias melanocephalus (Pl. 25.), which seems further removed from the true Chatterers.
Total length eight inches and three quarters. Bill in extreme length near an inch; the colour dark cinereous; the base furnished with bristles something resembling the Chatterers: the opening of the nostrils large, round, terminal, and nearly naked; the feathers on the crown lengthened; the whole head, neck, and fore-part of the breast black, bordered above by a narrow collar of yellow; back and scapulars brown, rump olive; sides of the breast, inner covers, and under parts uniform yellow; wing-covers black margined with olive, those on the shoulders tipt with brown, the rest with yellow; quills and tail black margined with olive. Wings four inches and three-quarters long, the first quill very short, the third longer than the second. Tail four inches long.
# Zoological Illustrations/VolI-Pl36

ACHATINA perversa.
Reverse Achatina.
Generic Character.—See Pl. 30.
Specific Character.
    A. (Div. 2.) testâ aperturâ perversâ: spirâ productâ, 7-volutâ, apice truncato; albida strigis nebulosis cinereis; linea transversa in basali anfractu; columella margineque labii exterioris castaneis, apertura intus alba.
    Aperture reversed: spire lengthened, of seven volutions, the apex truncated, whiteish with clouded cinereous stripes; central band on the basal volution, pillar, and margin of the outer lip chesnut; mouth within white.
Reverse shells, or such whose mouth when viewed in front is on the left side, are generally held in much estimation by collectors. This deviation from the usual form of shells is sometimes accidental, as in our common garden Snail and several others; while in some species it appears a constant, and therefore a specific distinction. Such I apprehend is the case with the shell now figured, a rare and very elegant species, apparently not noticed by any writer; two or three existing in the British Museum and one in my father's cabinet are all the specimens I have hitherto seen. The latter (here figured) came from Bahia in South America. The whole shell is very finely marked with longitudinal striæ, and the colouring better seen than described: the buff tinge at the base is occasioned by the remaining epidermis.
This shell belongs to the second division of the genus Achatina as mentioned at Plate 30, having the aperture much shorter than the spire and the base nearly entire. Bulla virginea of Linn. seems to connect the two divisions, having the lengthened spire of one and the truncated base of the other.