OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Father

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​FATHER, the begetter of a child, the male parent. The word is common to Teutonic languages, and, like the other words for close family relationship, mother, brother, son, sister, daughter, appears in most Indo-European languages. The O. Eng. form is fæder, and it appears in Ger. Vater, Dutch vader, Gr. πατήρ, Lat. pater, whence Romanic Fr. père, Span. padre, &c. The word is used of male ancestors more remote than the actual male parent, and of ancestors in general. It is applied to God, as the Father of Jesus Christ, and as the Creator of the world, and is thus the orthodox term for the First Person of the Trinity. Of the transferred uses of the word many have religious reference; thus it is used of the Christian writers, usually confined to those of the first five centuries, the Fathers of the Church (see below), of whom those who flourished at the end of, or just after the age of, the apostles are known as the Apostolic Fathers. One who stands as a spiritual parent to another is his “father,” e.g. godfather, or in the title of bishops or archbishops, Right or Most Reverend Father in God. The pope is, in the Roman Church, the Holy Father. In the Roman Church, father is strictly applied to a “regular,” a member of one of the religious orders, and so always in Europe, in English usage, often applied to a confessor, whether regular or secular, and to any Roman priest, and sometimes used of sub-members of a religious society or fraternity ​in the English Church. Of transferred uses, other than religious, may be mentioned the application to the first founders of an institution, constitution, epoch, &c. Thus the earliest settlers of North America are the Pilgrim Fathers, and the framers of the United States constitution are the Fathers of the Constitution. In ancient Rome the members of the senate are the Patres conscripti, the “Conscript fathers.” The senior member or doyen of a society is often called the father. Thus the member of the English House of Commons, and similarly, of the House of Representatives in the United States, America, who has sat for the longest period uninterruptedly, is the Father of the House.
# 1911 Encyclopædia Britannica/John, Margrave of Brandenburg-Cüstrin

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​JOHN, or Hans (1513–1571), margrave of Brandenburg-Cüstrin, was the younger son of Joachim I., elector of Brandenburg, and was born at Tangermünde on the 3rd of August 1513. In spite of the dispositio Achillea which decreed the indivisibility of the electorate, John inherited the new mark of Brandenburg on his father’s death in July 1535. He had been brought up as a strict Catholic, but soon wavered in his allegiance, and in 1538 ranged himself definitely on the side of the Reformers. About the same time he joined the league of Schmalkalden; but before the war broke out between the league and the emperor Charles V. the promises of the emperor had won him over to the imperial side. After the conclusion of the war, the relations between John and Charles became somewhat strained. The margrave opposed the Interim, issued from Augsburg in May 1548; and he was the leader of the princes who formed a league for the defence of the Lutheran doctrines in February 1550. The alliance of these princes, however, with Henry II., king of France, does not appear to have commended itself to him and after some differences of opinion with Maurice, elector of Saxony, he returned to the emperor’s side. His remaining years were mainly spent in the new mark, which he ruled carefully and economically. He added to its extent by the purchase of Beeskow and Storkow, and fortified the towns of Cüstrin and Peitz. He died at Cüstrin on the 13th of January 1571. His wife Catherine was a daughter of Henry II., duke of Brunswick, and as he left no sons the new mark passed on his death to his nephew John George, elector of Brandenburg.
See Berg, Beiträge zur Geschichte des Markgrafen Johann von Küstrin (Landsberg, 1903).
# 1911 Encyclopædia Britannica/John Frederick, Duke of Saxony

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​JOHN FREDERICK (1529–1595), called der Mittlere, duke of Saxony, was the eldest son of John Frederick, who had been deprived of the Saxon electorate by the emperor Charles V. in 1547. Born at Torgau on the 8th of January 1529, he received a good education, and when his father was imprisoned in 1547 ​undertook the government of the remnant of electoral Saxony which the emperor allowed the Ernestine branch of the Wettin family to keep. Released in 1552 John Frederick the elder died two years later, and his three sons ruled Ernestine Saxony together until 1557, when John Frederick was made sole ruler. This arrangement lasted until 1565, when John Frederick shared his lands with his surviving brother, John William (1530–1573), retaining for himself Gotha and Weimar. The duke was a strong, even a fanatical, Lutheran, but his religious views were gradually subordinated to the one idea of regaining the electoral dignity then held by Augustus I. To attain this end he lent a willing ear to the schemes of Wilhelm von Grumbach, who came to his court about 1557 and offered to regain the electoral dignity and even to acquire the Empire for his patron. In spite of repeated warnings from the emperor Ferdinand I., John Frederick continued to protect Grumbach, and in 1566 his obstinacy caused him to be placed under the imperial ban. Its execution was entrusted to Augustus who, aided by the duke’s brother, John William, marched against Gotha with a strong force. In consequence of a mutiny the town surrendered in April 1567, and John Frederick was delivered to the emperor Maximilian II. He was imprisoned in Vienna, his lands were given to his brother, and he remained in captivity until his death at Steyer on the 6th of May 1595. These years were mainly occupied with studying theology and in correspondence. John Frederick married firstly Agnes (d. 1555) daughter of Philip, landgrave of Hesse, and widow of Maurice, elector of Saxony, and secondly Elizabeth (d. 1594) daughter of Frederick III., elector palatine of the Rhine, by whom he left two sons, John Casimir (1564–1633) and John Ernest (1566–1638). Elizabeth shared her husband’s imprisonment for twenty-two years.
See A. Beck, Johann Friedrich der Mittlere, Herzog zu Sachsen (Vienna, 1858); and F. Ortloff, Geschichte der Grumbachischen Händel (Jena, 1868–1870).
# 1911 Encyclopædia Britannica/John Albert

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​JOHN ALBERT (1459–1501), king of Poland, third son of Casimir IV. king of Poland and Elizabeth of Austria. As crown prince he distinguished himself by his brilliant victory over the Tatars at Kopersztyn in 1487. He succeeded his father in 1492. The loss of revenue consequent upon the secession of Lithuania placed John Albert at the mercy of the Polish Sejmiki or local diets, where the szlachta, or country gentry, made their subsidies dependent upon the king’s subservience. Primarily a warrior with a strong taste for heroic adventure, John Albert desired to pose as the champion of Christendom against the Turks. Circumstances seemed, moreover, to favour him. In his brother Wladislaus, who as king of Hungary and Bohemia possessed a dominant influence in Central Europe, he found a counterpoise to the machinations of the emperor Maximilian, who in 1492 had concluded an alliance against him with Ivan III. of Muscovy, while, as suzerain of Moldavia, John Albert was favourably situated for attacking the Turks. At the conference of Leutschau in 1494 the details of the expedition were arranged between the kings of Poland and Hungary and the elector Frederick of Brandenburg, with the co-operation of Stephen, hospodar of Moldavia, who had appealed to John Albert for assistance. In the course of 1496 John Albert with great difficulty collected an army of 80,000 men in Poland, but the crusade was deflected from its proper course by the sudden invasion of Galicia by the hospodar, who apparently—for the whole subject is still very obscure—had been misled by reports from Hungary that John Albert was bent upon placing his younger brother Sigismund on the throne of Moldavia. Be that as it may, the Poles entered Moldavia not as friends, but as foes, and, after the abortive siege of Suczawa, were compelled to retreat through the Bukowina to Sniatyn, harassed all the way by the forces of the hospodar. The insubordination of the szlachta seems to have been one cause of this disgraceful collapse, for John Albert confiscated hundreds of their estates after his return; in spite of which, to the end of his life he retained his extraordinary popularity. When the new grand master of the Teutonic order, Frederic of Saxony, refused to render homage to the Polish crown, John Albert compelled him to do so. His intention of still further humiliating the Teutonic order was frustrated by his sudden death in 1501. A valiant soldier and a man of much enlightenment, John Albert was a poor politician, recklessly sacrificing the future to the present.
See V. Czerny, The Reigns of John Albert and Alexander Jagiello (Pol.) (Cracow, 1882).
# 1911 Encyclopædia Britannica/John Angelus

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​JOHN ANGELUS (d. 1244), emperor of Thessalonica. In 1232 he received the throne from his father Theodore, who, after a period of exile, had re-established his authority, but owing to his loss of eyesight resolved to make John the nominal sovereign. His reign is chiefly marked by the aggressions of the rival emperor of Nicaea, John Vatatzes, who laid siege to Thessalonica in 1243 and only withdrew upon John Angelus consenting to exchange the title “emperor” for the subordinate one of “despot.”
See G. Finlay, History of Greece, vol. iii. (1877).
# 1911 Encyclopædia Britannica/Feuchères, Sophie, Baronne de

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​FEUCHÈRES, SOPHIE, Baronne de (1795–1840), Anglo-French adventuress, was born at St Helens, Isle of Wight, in 1795, the daughter of a drunken fisherman named Dawes. She grew up in the workhouse, went up to London as a servant, and became the mistress of the duc de Bourbon, afterwards prince de Condé. She was ambitious, and he had her well educated not only in modern languages but, as her exercise books—still extant—show, in Greek and Latin. He took her to Paris and, to prevent scandal and to qualify her to be received at court, had her married in 1818 to Adrien Victor de Feuchères, a major in the Royal Guards. The prince provided her dowry, made her husband his aide-de-camp and a baron. The baroness, pretty and clever, became a person of consequence at the court of Louis XVIII. De Feuchères, however, finally discovered the relations between his wife and Condé, whom he had been assured was her father, left her—he obtained a legal separation in 1827—and told the king, who thereupon forbade her appearance at court. Thanks to her influence, however, Condé was induced in 1829 to sign a will bequeathing about ten million francs to her, and the rest of his estate—more than sixty-six millions—to the duc d’Aumale, fourth son of Louis Philippe. Again she was in high favour. Charles X. received her at court, Talleyrand visited her, her niece married a marquis and her nephew was made a baron. Condé, wearied by his mistress’s importunities, and but half pleased by the advances made him by the government of July, had made up his mind to leave France secretly. When on the 27th of August 1830 he was found hanging dead from his window, the baroness was suspected and an inquiry was held, but the evidence of death being the result of any crime appearing insufficient, she was not prosecuted. Hated as she was alike by legitimatists and republicans, life in Paris was no longer agreeable for her, and she returned to London, where she died in December 1840.
# 1911 Encyclopædia Britannica/Feuchtersleben, Ernst, Freiherr von

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​FEUCHTERSLEBEN, ERNST, Freiherr von (1806–1849), Austrian physician, poet and philosopher, was born in Vienna on the 29th of April 1806; of an old Saxon noble family. He attended the “Theresian Academy” in his native city, and in 1825 entered its university as a student of medicine. In 1833 he obtained the degree of doctor of medicine, settled in Vienna as a practising surgeon, and in 1834 married. The young doctor kept up his connexion with the university, where he lectured, and ​in 1844 was appointed dean of the faculty of medicine. He cultivated the acquaintance of Franz Grillparzer, Heinrich Laube, and other intellectual lights of the Viennese world, interested himself greatly in educational matters, and in 1848, while refusing the presidency of the ministry of education, accepted the appointment of under secretary of state in that department. His health, however, gave way, and he died at Vienna on the 3rd of September 1849. He was not only a clever physician, but a poet of fine aesthetical taste and a philosopher. Among his medical works may be mentioned: Über das Hippokratische erste Buch von der Diät (Vienna, 1835), Ärzte und Publicum (Vienna, 1848) and Lehrbuch der ärztlichen Seelenkunde (1845). His poetical works include Gedichte (Stutt. 1836), among which is the well-known beautiful hymn, which Mendelssohn set to music. “Es ist bestimmt in Gottes Rat.” As a philosopher he is best known by his Zur Diätetik der Seele [Dietetics of the soul] (Vienna, 1838), which attained great popularity, and the tendency of which, in contrast to Hufeland’s Makrobiotik (On the Art of Prolonging Life), is to show the true way of rendering life harmonious and lovely. This work had by 1906 gone into fifty editions. Noteworthy also is his Beiträge zur Litteratur-, Kunst- und Lebenstheorie (Vienna, 1837–1841), and an anthology, Geist der deutschen Klassiker (Vienna, 1851; 3rd ed. 1865–1866).
His collected works (with the exception of the purely medical ones) were published in 7 vols. by Fr. Hebbel (Vienna, 1851–1853). See M. Necker, “Ernst von Feuchtersleben, der Freund Grillparzers,” in the Jahrbuch der Grillparzer Gesellschaft, vol. iii. (Vienna, 1893).
# 1911 Encyclopædia Britannica/Feuillants, Club of the

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​FEUILLANTS, CLUB OF THE, a political association which played a prominent part during the French Revolution. It was founded on the 16th of July 1791 by several members of the Jacobin Club, who refused to sign a petition presented by this body, demanding the deposition of Louis XVI. Among the dissident members were B. Barère; and E. J. Sieyès, who were later joined by other politicians, among them being Dupont de Nemours. The name of Feuillants was popularly given to this group of men, because they met in the fine buildings which had been occupied by the religious order bearing this name, in the rue Saint-Honoré, near the Place Vendôme, in Paris. The members of the club preserved the title of Amis de la Constitution, as being a sufficient indication of the line they intended to pursue. This consisted in opposing everything not contained in the Constitution; in their opinion, the latter was in need of no modification, and they hated alike all those who were opposed to it, whether émigrés or Jacobins; they affected to avoid all political discussion, and called themselves merely a “conservative assembly.”
This attitude they maintained after the Constituent Assembly had been succeeded by the Legislative, but not many of the new deputies became members of the club. With the rapid growth of extreme democratic ideas the Feuillants soon began to be looked upon as reactionaries, and to be classed with “aristocrats.” They did, indeed, represent the aristocracy of wealth, for they had to pay a subscription of four louis, a large sum at that time, besides six livres for attendance. Moreover, the luxury with which they surrounded themselves, and the restaurant which they had annexed to their club, seemed to mock the misery of the half-starved proletariat, and added to the suspicion with which they were viewed, especially after the popular triumphs of the 20th of June and the 10th of August 1792 (see French Revolution). A few days after the insurrection of the 10th of August, the papers of the Feuillants were seized, and a list was published containing the names of 841 members proclaimed as suspects. This was the death-blow of the club. It had made an attempt, though a weak one, to oppose the forward march of the Revolution, but, unlike the Jacobins, had never sent out branches into the provinces. The name of Feuillants, as a party designation, survived the club. It was applied to those who advocated a policy of “cowardly moderation,” and feuillantisme was associated with aristocratie in the mouths of the sansculottes.
The act of separation of the Feuillants from the Jacobins was published in a pamphlet dated the 16th of July 1791, beginning with the words, Les Membres de l’assemblée nationale ... (Paris, 1791). The statutes of the club were also published in Paris. See also A. Aulard, Histoire politique de la Révolution française (Paris, 1903), 2nd ed., p. 153.
# 1911 Encyclopædia Britannica/Feuerbach, Anselm

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​FEUERBACH, ANSELM (1829–1880), German painter, born at Spires, the son of a well-known archaeologist, was the leading classicist painter of the German 19th-century school. He was the first to realize the danger arising from contempt of technique, that mastery of craftsmanship was needed to express even the loftiest ideas, and that an ill-drawn coloured cartoon can never be the supreme achievement in art. After having passed through the art schools of Düsseldorf and Munich, he went to Antwerp and subsequently to Paris, where he benefited by the teaching of Couture, and produced his first masterpiece, “Hafiz at the Fountain” in 1852. He subsequently worked at Karlsruhe, Venice (where he fell under the spell of the greatest school of colourists), Rome and Vienna. He was steeped in classic knowledge, and his figure compositions have the statuesque dignity and simplicity of Greek art. Disappointed with the reception given in Vienna to his design of “The Fall of the Titans” for the ceiling of the Museum of Modelling, he went to live in Venice, where he died in 1880. His works are to be found at the leading public galleries of Germany; Stuttgart has his “Iphigenia”; Karlsruhe, the “Dante at Ravenna”; Munich, the “Medea”; and Berlin, “The Concert,” his last important picture. Among his chief works are also “The Battle of the Amazons,” “Pietà,” “The Symposium of Plato,” “Orpheus and Eurydice” and “Ariosto in the Park of Ferrara.”
# 1911 Encyclopædia Britannica/Feud

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​FEUD, animosity, hatred, especially a permanent condition of hostilities between persons, and hence applied to a state of private warfare between tribes, clans or families, a “vendetta.” The word appears in Mid. Eng. as fede, which came through the O. Fr. from the O. High Ger. fehida, modern Fehde. The O. Teutonic faiho, an adjective, the source of fehida, gives the O. Eng. fáh, foe. “Fiend,” originally an enemy (cf. Ger. Feind), hence the enemy of mankind, the devil, and so any evil spirit, is probably connected with the same source. The word fede was of Scottish usage, but in the 16th century took the form foode, fewd in English. The New English Dictionary points out that “feud, fee (Lat. feudum) could not have influenced the change, for it appears fifty years later than the first instances of foode, &c., and was only used by writers on feudalism.” For the etymology of “feud” (feudum) see Fee, and for its history see Feudalism.
# 1911 Encyclopædia Britannica/Longhi, Pietro

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​LONGHI, PIETRO (1702–1762), Venetian painter, was born in Venice. He was a pupil of Antonio Palestra and Giuseppe Maria Crespi at Bologna, and devoted himself to the painting of the elegance of the social life in 18th-century Venice. The republic was dying fast, but her sons, even in this period of political decline, retained their love of pageants and ceremonies and of extravagant splendour in attire. The art of Venice was vanishing like her political power; and the only painters who attempted to stem the tide of artistic decadence were the Canaletti, Guardi, Tiepolo and Longhi. But whilst the Canaletti and Guardi dwelt upon the architectural glories of Venice, and Tiepolo applied himself to decorative schemes in which he continued the tradition of Paolo Veronese and Tintoretto, Longhi became the chronicler of the life of his compatriots. In a way his art may be set beside Hogarth’s, though the Venetian did not play the part of a satirical moralist. He has aptly been called the Goldoni of painting. His sphere is that of light social comedy—the life at the café, the hairdresser’s, at the dancing-school, at the dressmaker’s. The tragic, or even the serious, note is hardly sounded in his work, which, in its colour, is generally distinguished by a rich mellow quality of tone. Most of his paintings are in the public and private collections of Venice. They are generally on a small scale, but the staircase of the Palazzo Grassi in Venice is decorated by him with seven frescoes, representing scenes of fashionable life. At the Venice academy are a number of his genre pictures and a portrait of the architect Temanza; at the Palazzo Quirini-Stampalia the portrait of Daniele Dolfino, “The Seven Sacraments” (etched by Pitteri), a “Temptation of St Anthony,” a “Circus,” a “Gambling Scene,” and several other genre pictures and portraits; at the Museo Correr a dozen scenes of Venetian life and a portrait of Goldoni. In England the National Gallery owns “The Exhibition of a Rhinoceros in an Arena,” a “Domestic Group,” “The Fortune-Teller,” and the portrait of the Chevalier Andrea Tron; two genre pictures are at Hampton Court Palace, and others in the Richter and Mond collections. Many of his works have been engraved by Alessandro Longhi, Bartolozzi, Cattini, Faldoni and others. Longhi died in Venice in 1762.
# 1911 Encyclopædia Britannica/Longitude

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​LONGITUDE (from Lat. longitudo, “length”), the angle which the terrestrial meridian from the pole through a point on the earth’s surface makes with some standard meridian, commonly that of Greenwich. It is equal to the difference between local time on the standard meridian, and at the place defined, one hour of time corresponding to 15° difference of longitude. Formerly each nation took its own capital or principal observatory as the standard meridian from which longitudes were measured. Another system had a meridian passing through or near the island of Ferro, defined as 20° W. of Paris, as the standard. While the system of counting from the capital of the country is still used for local purposes, the tendency in recent years is to use the meridian of Greenwich for nautical and international purposes. France, however, uses the meridian of the Paris observatory as its standard for all nautical and astronomical purposes (see Time). In astronomy, the longitude of a celestial body is the distance of its projection upon the ecliptic from the vernal equinox, counted in the direction west to east from 0° to 360°.