OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Aubervilliers

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​AUBERVILLIERS, or Aubervilliers-les-Vertus, a town of northern France, in the department of Seine, on the canal St Denis, 2 m. from the right bank of the Seine and 1 m. N. of the fortifications of Paris. Pop. (1906) 33,358. Its manufactures include cardboard, glue, oils, colours, fertilizers, chemical products, perfumery, &c. During the middle ages and till modern times Aubervilliers was the resort of numerous pilgrims, who came to pay honour to Notre Dame des Vertus. In 1814 the locality was the scene of a stubborn combat between the French and the Allies.
# 1911 Encyclopædia Britannica/Aubignac, François Hédelin

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​AUBIGNAC, FRANÇOIS HÉDELIN, Abbé d’ (1604–1676), French author, was born at Paris on the 4th of August 1604. His father practised at the Paris bar, and his mother was a daughter of the great surgeon Ambroise Paré. François Hédelin was educated for his father’s profession, but, after practising for some time at Nemours he abandoned law, took holy orders, and was appointed tutor to one of Richelieu’s nephews, the duc de Fronsac. This patronage secured for him the abbey of Aubignac and of Mainac. The death of the duc de Fronsac in 1646 put an end to hopes of further preferment, and the Abbé d’Aubignac retired to Nemours, occupying himself with literature till his death on the 25th of July 1676. He took an energetic share in the literary controversies of his time. Against Gilles Ménage he wrote a Térence justifié (1656); he laid claim to having originated the idea of the “Carte de tendre” of Mlle de Scudéry’s Clélie; and after being a professed admirer of Corneille he turned against him because he had neglected to mention the abbé in his Discours sur le poème dramatique. He was the author of four tragedies: La Cyminde (1642), La Pucelle d’Orléans (1642), Zénobie (1647) and Le Martyre de Sainte Catherine (1650). Zénobie was written with the intention of affording a model in which the strict rules of the drama, as understood by the theorists, were observed. In the choice of subjects for his plays, he seems to have been guided by a desire to illustrate the various kinds of tragedy—patriotic, antique and religious. The dramatic authors whom he was in the habit of criticizing were not slow to take advantage of the opportunity for retaliation offered by the production of these mediocre plays. It is as a theorist that D’Aubignac still arrests attention. It has been proved that to Jean Chapelain belongs the credit of having been the first to ​establish as a practical law the convention of the unities that plays so large a part in the history of the French stage; but the laws of dramatic method and construction generally were codified by d’Aubignac in his Pratique du théâtre. The book was only published in 1657, but had been begun at the desire of Richelieu as early as 1640. His Conjectures académiques sur l’Iliade d’Homère, which was not published until nearly forty years after his death, threw doubts on the existence of Homer, and anticipated in some sense the conclusions of Friedrich August Wolf in his Prolegomena ad Homerum (1795).
The contents of the Pratique du théâtre are summarized by F. Brunetière in his notice of Aubignac in the Grande Encyclopédie. See also G. Saintsbury, Hist. of Criticism, bk. v., and H. Rigault, Hist. de la querelle des anciens et modernes. (1859).
# 1911 Encyclopædia Britannica/Aubagne

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​AUBAGNE, a town of south-eastern France, in the department of Bouches-du-Rhône on the Huveaune, 11 m. E. of Marseilles by rail. Pop. (1906) 6039. The town carries on the manufacture of earthenware and pottery, leather, &c. and the cultivation of fruit and wine. There is a fountain to the memory of the statesman, F. Barthélemy (d. 1830), born at Aubagne.
# 1911 Encyclopædia Britannica/Aubenas

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​AUBENAS, a town of south-eastern France, in the department of Ardèche, 19 m. S.W. of Privas by road. Pop. (1906) 3976 (town), 7064 (commune). Aubenas is beautifully situated on the slope of a hill, on the right bank of the Ardèche, but its streets generally are crooked and narrow. It has a castle of the 13th and 16th centuries, now occupied by several of the public institutions of the town. These include a tribunal and chamber of commerce, and a conditioning-house for silk. Iron and coal mines are worked in the vicinity. As the centre of the silk trade of southern France Aubenas is a place of considerable traffic. It has also a large silk spinning and weaving industry, and carries on tanning and various minor industries together with trade in silk. The district is rich in plantations of mulberries and olives.
# 1911 Encyclopædia Britannica/Aubergine

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​AUBERGINE (diminutive of Fr. auberge, a variant of alberge, a kind of peach), or Egg Plant (Solanum melongena, var. ovigerum), a tender annual widely cultivated in the warmer parts of the earth, and in France and Italy, for the sake of its fruits, which are eaten as a vegetable. The seed should be sown early in February in a warm pit, where the plants are grown till shifted into 8-in. or 10-in. pots, in well-manured soil. Liquid manure should be given occasionally while the fruit is swelling; about four fruits are sufficient for one plant. The French growers sow them in a brisk heat in December, or early in January, and in March plant them out four or eight in a hot-bed with a bottom heat of from 60° to 68°, the sashes being gradually more widely opened as the season advances, until at about the end of May they may be taken off. The two main branches which are allowed are pinched to induce laterals, but when the fruits are set all young shoots are taken off in order to increase their size. The best variety is the large purple, which produces oblong fruit, sometimes reaching 6 or 7 in. in length and 10 or 12 in. in circumference. The fruit of the ordinary form almost exactly resembles the egg of the domestic fowl. It is also grown as an ornamental plant, for covering walls or trellises; especially the black-fruited kind.
# 1911 Encyclopædia Britannica/Aubigné, Constant d'

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​AUBIGNÉ, CONSTANT D’ [Baron de Surineau] (c. 1584–1647), French adventurer, was the son of Théodore Agrippa d’Aubigné, and the father of Madame de Maintenon. Born a Protestant, he became by turns Catholic or Protestant as it suited his interests. He betrayed the Protestants in 1626, revealing to the court, after a voyage to England, the projects of the English upon La Rochelle. He was renounced by his father; then imprisoned by Richelieu’s orders at Niort, where he was detained ten years. After having tried his fortunes in the Antilles, he died in Provence, leaving in destitution his wife, Jeanne de Cardillac, whom he had married in 1627. He had two children, Charles, father of the duchess of Noailles, and Françoise, known in history as Madame de Maintenon.
See T. Lavallée, La Famille d’Aubigné et l’enfance de Madame de Maintenon (Paris, 1863).
# 1911 Encyclopædia Britannica/Baudry, Paul Jacques Aimé

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​BAUDRY, PAUL JACQUES AIMÉ (1828–1886), French painter, was born at La Roche-sur-Yonne (Vendée). He studied under Drolling, a sound but second-rate artist, and carried off the Prix de Rome in 1850 by his picture of “Zenobia found on the banks of the Araxes.” His talent from the first revealed itself as strictly academical, full of elegance and grace, but somewhat lacking originality. In the course of his residence in Italy Baudry derived strong inspiration from Italian art with the mannerism of Coreggio, as was very evident in the two works he exhibited in the Salon of 1857, which were purchased for the Luxembourg: “The Martyrdom of a Vestal Virgin” and “The Child.” His “Leda,” “St John the Baptist,” and a “Portrait of Beulé,” exhibited at the same time, took a first prize that year. Throughout this early period Baudry commonly selected mythological or fanciful subjects, one of the most noteworthy being “The Pearl and the Wave.” Once only did he attempt an historical picture, “Charlotte Corday after the murder of Marat” (1861), and returned by preference to the former class of subjects or to painting portraits of illustrious men of his day—Guizot, Charles Garnier, Edmond About. The works that crowned Baudry’s reputation were his mural decorations, which show much imagination and a high artistic gift for colour, as may be seen in the frescoes in the Paris Cour de Cassation, at the château of Chantilly, and some private residences—the hôtel Fould and hôtel Paiva—but, above all, in the decorations of the foyer of the Paris opera house. These, more than thirty paintings in all, and among them compositions figurative of dancing and music, occupied the painter, for ten years. Baudry died in Paris in 1886. He was a member of the Institut de France, succeeding Jean Victor Schnetz. Two of his colleagues, Dubois and Marius Jean Mercie, co-operating with his brother, Baudry the architect, erected a monument to him in Paris (1890). The statue of Baudry at La Roche-sur-Yonne (1897) is by Gérôme.
See H. Delaborde, Notice sur la vie et les ouvrages de Baudry (1886); Ch. Ephrussi, Baudry, sa vie et son œuvre (1887).  (H. Fr.)
# 1911 Encyclopædia Britannica/Bauhin, Gaspard

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​BAUHIN, GASPARD (1560–1624), Swiss botanist and anatomist, was the son of a French physician, Jean Bauhin (1511–1582), who had to leave his native country on becoming a convert to Protestantism. He was born at Basel on the 17th of January 1560, and devoting himself to medicine, he pursued his studies at Padua, Montpellier, and some of the celebrated schools in Germany. Returning to Basel in 1580, he was admitted to the degree of doctor, and gave private lectures in botany and anatomy. In 1582 he was appointed to the Greek professorship in that university, and in 1588 to the chair of anatomy and botany. He was afterwards made city physician, professor of the practice of medicine, rector of the university, and dean of his faculty. He died at Basel on the 5th of December 1624. He published several works relative to botany, of which the most valuable was his Pinax Theatri Botanici, seu Index in Theophrasti, Dioscoridis, Plinii, et botanicorum qui a seculo scripserunt opera (1596). Another great work which he planned was a Theatrum Botanicum, meant to be comprised in twelve parts folio, of which he finished three; only one, however, was published (1658). He also gave a copious catalogue of the plants growing in the environs of Basel, and edited the works of P. A. Mattioli (1500–1577) with considerable additions. He likewise wrote on anatomy, his principal work on this subject being Theatrum Anatomicum infinitis locis auctum (1592).
His son, Jean Gaspard Bauhin (1606–1685), was professor of botany at Basel for thirty years. His elder brother, Jean Bauhin (1541–1613), after studying botany at Tübingen under Leonard Fuchs (1501–1566), and travelling with Conrad Gesner, began to practise medicine at Basel, where he was elected professor of rhetoric in 1766. Four years later he was invited to become physician to the duke of Württemberg at Montbéliard, where he remained till his death in 1613. He devoted himself chiefly to botany. His great work, Historia plantarum nova et absolutissima, a compilation of all that was then known about botany, was not complete at his death, but was published at Yverdon in 1650–1651, the Prodromus having appeared at the same place in 1619. He also wrote a book De aquis medicatis (1605).
# 1911 Encyclopædia Britannica/Baumbach, Rudolf

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​BAUMBACH, RUDOLF (1840–1905), German poet, was born at Kranichfeld on the Ilm in Thuringia, on the 28th of September 1840, the son of a local medical practitioner, and received his early schooling at the gymnasium of Meiningen, to which place his father had removed. After studying natural science in various universities, he engaged in private tuition, both independently and in families, in the Austrian towns of Graz, Brünn, Görz and Triest respectively. In Triest he caught the popular taste with an Alpine legend, Zlatorog (1877), and songs of a journeyman apprentice, Lieder eines fahrenden Gesellen (1878), both of which have run into many editions. Their success decided him to embark upon a literary career. In 1885 he returned to Meiningen, where he received the title of Hofrat, and was appointed ducal librarian. His death occurred on the 14th of September 1905.
Baumbach was a poet of the breezy, vagabond school, and wrote, in imitation of his greater compatriot, Victor Scheffel, many excellent drinking songs, among which Die Lindenwirtin has endeared him to the German student world. But his real strength lay in narrative verse, especially when he had the opportunity of describing the scenery and life of his native Thuringia. Special mention may be made of Frau Holde (1881), Spielmannslieder (1882), Von der Landstrasse (1882), Thüringer Lieder (1891), and his prose, Sommermärchen (1881).
# 1911 Encyclopædia Britannica/Bauernfeld, Eduard von

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​BAUERNFELD, EDUARD VON (1802–1890), Austrian dramatist, was born at Vienna on the 13th of January 1802. Having ​studied jurisprudence at the university of Vienna, he entered the government service in a legal capacity, and after holding various minor offices was transferred in 1843 to a responsible post on the Lottery Commission. He had already embarked upon politics, and severely criticized the government in a pamphlet, Pia Desideria eines österreichischen Schriftstellers (1842); and in 1845 he made a journey to England, after which his political opinions became more pronounced. After the Revolution, in 1848, he quitted the government service in order to devote himself entirely to letters. He lived in Vienna until his death on the 9th of August 1890, and was ennobled for his work. As a writer of comedies and farces, Bauernfeld takes high rank among the German playwrights of the century; his plots are clever, the situations witty and natural and the diction elegant. His earliest essays, the comedies Leichtsinn aus Liebe (1831); Das Liebes-Protokoll (1831) and Die ewige Liebe (1834); Bürgerlich und Romantisch, (1835) enjoyed great popularity. Later he turned his attention to so-called Salonstücke (drawing-room pieces), notably Aus der Gesellschaft (1866); Moderne Jugend (1869), and Der Landfrieden (1869), in which he portrays in fresh, bright and happy sallies the social conditions of the capital in which he lived.
A complete edition of Bauernfeld’s works, Gesammelte Schriften, appeared in 12 vols. (Vienna, 1871–1873); Dramatischer Nachlass, ed. by F. von Saar (1893); selected works, ed. by E. Horner (4 vols., 1905). See A. Stern, Bauernfeld, Ein Dichterporträt (1890), R. von Gottschall, “E. von Bauernfeld” (in Unsere Zeit, 1890), and E. Horner, Bauernfeld (1900).
# 1911 Encyclopædia Britannica/Bauffremont

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​BAUFFREMONT, a French family which derives its name from a village in the Vosges, spelt nowadays Beaufremont. In consequence of an alliance with the house of Vergy the Bauffremonts established themselves in Burgundy and Franche-Comté. In 1448 Pierre de Bauffremont, lord of Charny, married Maríe, a legitimatized daughter of Philip the Good, duke of Burgundy. Nicolas de Bauffremont, his son Claude, and his grandson Henri, all played important parts in the states-general of 1576, 1588 and 1614, and their speeches have been published. Alexandre Emmanuel Louis de Bauffremont (1773–1833), a prince of the Holy Roman Empire, was created a peer of France in 1817, and duke in 1818. After having served in the army of the princes he returned to France under the Empire, and had been made a count by Napoleon.  (M. P.*)
# 1911 Encyclopædia Britannica/Baulk

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​BAULK, or Balk (a word common to Teutonic languages, meaning a ridge, partition, or beam), the ridge left unploughed between furrows or ploughed fields; also the uncultivated strip of land used as a boundary in the “open-field” system of agriculture. From the meaning of something left untouched comes that of a hindrance or check, so of a horse stopping short of an obstacle, of the “baulk-line” in billiards, or of the deceptive motion of the pitcher in baseball. From the other original meaning, i.e. “beam,” comes the use of the word for the cross or tie-beam of a roof, or for a large log of timber sawn to a one or one and a half foot square section (see Joinery).
# 1911 Encyclopædia Britannica/Baumgarten, Alexander Gottlieb

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​BAUMGARTEN, ALEXANDER GOTTLIEB (1714–1762), German philosopher, born at Berlin. He studied at Halle, and became professor of philosophy at Halle and at Frankfort on the Oder, where he died in 1762. He was a disciple of Leibnitz and Wolff, and was particularly distinguished as having been the first to establish the Theory of the Beautiful as an independent science. Baumgarten did good service in severing aesthetics (q.v.) from the other philosophic disciplines, and in marking out a definite object for its researches. The very name (Aesthetics), which Baumgarten was the first to use, indicates the imperfect and partial nature of his analysis, pointing as it does to an element so variable as feeling or sensation as the ultimate ground of judgment in questions pertaining to beauty. It is important ​to notice that Baumgarten’s first work preceded those of Burke, Diderot, and P. André, and that Kant had a great admiration for him. The principal works of Baumgarten are the following: Dispulationes de nonnullis ad poema pertinentibus (1735); Aesthetics; Metaphysica (1739; 7th ed. 1779); Ethica philosophica (1751, 2nd ed. 1763); Initia philosophiae practicae primae (1760). After his death, his pupils published a Philosophia Generalis (1770) and a Jus Naturae (1765), which he had left in manuscript.
See Meyer, Baumgarten’s Leben (1763); Abbt, Baumgarten’s Leben und Charakter (1765); H. G. Meyer, Leibnitz und Baumgarten (1874); J. Schmidt, Leibnitz und Baumgarten (Halle, 1875); and article Aesthetics.
His brother, Siegmund Jacob Baumgarten (1706–1757), was professor of theology at Halle, and applied the methods of Wolff to theology. His chief pupil, Johann Salomo Semler (q.v.), is sometimes called, the father of German rationalism. Baumgarten, though he did not renounce the Pietistic doctrine, began the process which Semler completed. His works include Evangelische Glaubenslehre (1759); Auszug der Kirchengeschichte (1743–1762); Primae lineae breviarii antiquitatum Christianarum (1747); Geschichte der Religionsparteien (1760); Nachricht von merkwürdigen Büchern (1752–1757); Nachrichten von einer hallischen Bibliothek (1748–1751).
See life by Semler (Halle, 1758).
# 1911 Encyclopædia Britannica/Baudrillart, Henri Joseph Léon

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​BAUDRILLART, HENRI JOSEPH LÉON (1821–1892), French economist, was born in Paris on the 28th of November 1821. His father, Jacques Joseph (1774–1832), was a distinguished writer on forestry, and was for many years in the service of the French government, eventually becoming the head of that branch of the department of agriculture which had charge of the state forests. Henri was educated at the Collège Bourbon, where he had a distinguished career, and in 1852 he was appointed assistant lecturer in political economy to M. Chevalier at the Collège de France. In 1866, on the creation of a new chair of economic history, Baudrillart was appointed to fill it. His first work was an Éloge de Turgot (1846), which at once won him notice among the economists. In 1853 he published an erudite work on Jean Bodin et son temps; then in 1857 a Manuel d’économie politique; in 1860, Des rapports de la morale et de l’économie politique; in 1865, La Liberté du travail; and from 1878 to 1880, L’Histoire du luxe . . . depuis l’antiquité jusqu’à nos jours, in four volumes. At the instance of the Académie des Sciences Morales et Politiques he investigated the condition of the farming classes of France, and published the results in four volumes (1885, et seq.). From 1855 to 1864 he directed the Journal des économistes, and contributed many articles to the Journal des débats and to the Revue des deux mondes. His writings are distinguished by their style, as well as by their profound erudition. In 1863 he was elected member of the Académie des Sciences Morales et Politiques; in 1870 he was appointed inspector-general of public libraries, and in 1881 he succeeded J. Garnier as professor of political economy at the École des Ponts et Chaussées. Baudrillart was made an officer of the Legion of Honour in 1889. He died in Paris on the 24th of January 1892.
# 1911 Encyclopædia Britannica/August

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​AUGUST (originally Sextilis), the sixth month in the pre-Julian Roman year, which received its present name from the emperor Augustus. The preceding month, Quintilis, had been called “July” after Julius Caesar, and the emperor chose August to be rechristened in his own honour because his greatest good fortune had then happened. In that month he had been admitted to the consulate, had thrice celebrated a triumph, had received the allegiance of the soldiers stationed on the Janiculum, had concluded the civil wars, and had subdued Egypt. As July contained thirty-one days, and August only thirty, it was thought necessary to add another day to the latter month, in order that the month of Augustus might not be in any respect inferior to that of Julius.
# 1911 Encyclopædia Britannica/Aughrim

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​AUGHRIM, or Aghrim, a small village in Co. Galway, Ireland, 4 m. W. by S. of Ballinasloe. It is rendered memorable by the decisive victory gained here on the 12th of July 1691 by the forces of William III. under General Ginkel, over those of James II. under the French general St Ruth, who fell in the fight. The Irish numbering 25,000, and strongly posted behind marshy ground, at first maintained a vigorous resistance; but Ginkel having penetrated their line of defence, and their general being struck down by a cannon ball at this critical moment, they were at length overcome and routed with terrible slaughter. The loss of the English did not exceed 700 killed and 1000 wounded; while the Irish, in their disastrous flight, lost about 7000 men, besides the whole material of the army. This defeat rendered the adherents of James in Ireland incapable of further efforts, and was speedily followed by the complete submission of the country.
# 1911 Encyclopædia Britannica/Augmentation

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​AUGMENTATION, or enlargement, a term in heraldry for an addition to a coat of arms; in music, for the imitation in longer notes of an original theme; in biology, an addition to the normal number of parts; in Scots law, an increase of a minister’s stipend by an action called “Process of Augmentation.” The “Court of Augmentation” in Henry VIII.’s time was established to try cases affecting the suppression of monasteries, and was dissolved in Mary’s reign.