# The Torrents of Spring - Ernest Hemingway (1987 reprint).pdf/Part 3

PART THREE
Men in War and the Death of Society
It may be likewise noted that affectation does not imply an absolute negation of those qualities which are affected; and therefore, though, when it proceeds from hypocrisy, it be nearly allied to deceit; yet when it comes from vanity only, it partakes of the nature of ostentation: for instance, the affectation of liberality in a vain man differs visibly from the same affectation in the avaricious, for though the vain man is not what he would appear, or hath not the virtue he affects, to the degree he would be thought to have it; yet it sits less awkwardly on him than on the avaricious man, who is the very reverse of what he would seem to be.
HENRY FIELDING
CHAPTER ELEVEN
Yogi Johnson walked out of the workmen's entrance of the pump-factory and down the street. Spring was in the air. The snow was melting, and the gutters were running with snow-water. Yogi Johnson walked down the middle of the street, keeping on the as yet unmelted ice. He turned to the left and crossed the bridge over Bear River. The ice had already melted in the river and he watched the swirling brown current. Below, beside the stream, buds on the willow brush were coming out green.
It's a real chinook wind, Yogi thought. The foreman did right to let the men go. It wouldn't be safe keeping them in a day like this. Anything might happen. The owner of the factory knew a thing or two. When the chinook blew, the thing to do was to get the men out of the factory. Then, if any of them were injured, it was not on him. He didn't get caught under the Employer's Liability Act. They knew a thing or two, these big pump-manufacturers. They were smart, all right.
Yogi was worried. There was something in his mind. It was spring, there was no doubt of that now, and he did not want a woman. He had worried about it a lot lately. There was no question about it. He did not want a woman. He couldn't explain it to himself. He had gone to the Public Library and asked for a book the night before. He looked at the librarian. He did not want her. Somehow, she meant nothing to him. At the restaurant where ​he had a meal ticket he looked hard at the waitress who brought him his meals. He did not want her, either. He passed a group of girls on their way home from high school. He looked carefully at all of them. He did not want a single one. Decidedly something was wrong. Was he going to pieces? Was this the end?
Well, Yogi thought, women are gone, perhaps, though I hope not; but I still have my love of horses. He was walking up the steep hill that leads up from the Bear River out onto the Charlevoix road. The road was not really so steep, but it felt steep to Yogi, his legs heavy with the spring. In front of him was a grain and feed store. A team of beautiful horses were hitched in front of the feed store. Yogi went up to them. He wanted to touch them. To reassure himself that there was something left. The nigh horse looked at him as he came near. Yogi put his hand in his pocket for a lump of sugar. He had no sugar. The horse put its ears back and showed its teeth. The other horse jerked its head away. Was this all that his love of horses had brought him? After all, perhaps there was something wrong with these horses. Perhaps they had glanders or spavin. Perhaps there was something caught in the tender frog of their hoof. Perhaps they were lovers.
Yogi walked on up the hill and turned to the left onto the Charlevoix road. He passed the last houses on the outskirts of Petoskey and came out onto the open country road. On his right was a field that stretched to Little Traverse Bay. The blue of the bay opening out into the big Lake Michigan. Across the bay the pine hills behind Harbor Springs. Beyond, where you could not see it, Cross Village, where the Indians lived. Even further beyond, the Straits of Mackinac with St. Ignace, where a ​strange and beautiful thing had once happened to Oscar Gardner, who worked beside Yogi in the pump-factory. Further beyond, the Soo, both Canadian and American. There the wilder spirits of Petoskey sometimes went to drink beer. They were happy then. 'Way, 'way beyond, and, in the other direction, at the foot of the lake was Chicago, where Scripps O'Neil had started for on that eventful night when his first marriage had become a marriage no longer. Near there Gary, Indiana, where were the great steel mills. Near there Hammond, Indiana. Near there Michigan City, Indiana. Further beyond, there would be Indianapolis, Indiana, where Booth Tarkington lived. He had the wrong dope, that fellow. Further down there would be Cincinnati, Ohio. Beyond that, Vicksburg, Mississippi. Beyond that, Waco, Texas. Ah! there was a grand sweep to this America of ours.
Yogi walked across the road and sat down on a pile of logs, where he could look out over the lake. After all, the war was over and he was still alive.
There was a chap in that fellow Anderson's book that the librarian had given him at the library last night. Why hadn't he wanted the librarian, anyway? Could it be because he thought she might have false teeth? Could it be something else? Would a little child ever tell her? He didn't know. What was the librarian to him, anyway?
This chap in the book by Anderson. He had been a soldier, too. He had been at the front two years, Anderson said. What was his name? Fred Something. This Fred had thoughts dancing in his brain—horror. One night, in the time of the fighting, he went out on parade—no, it was patrol—in No Man's Land, and saw another man stumbling along in the darkness and shot him. The man ​pitched forward dead. It had been the only time Fred consciously killed a man. You don't kill men in war much, the book said. The hell you don't, Yogi thought, if you're two years in the infantry at the front. They just die. Indeed they do, Yogi thought. Anderson said the act was rather hysterical on Fred's part. He and the men with him might have made the fellow surrender. They had all got the jimjams. After it happened they all ran away together. Where the hell did they run to? Yogi wondered. Paris?
Afterward, killing this man haunted Fred. It's got to be sweet and true. That was the way the soldiers thought, Anderson said. The hell it was. This Fred was supposed to have been two years in an infantry regiment at the front.
A couple of Indians were passing along the road, grunting to themselves and to each other. Yogi called to them. The Indians came over.
"Big white chief got chew of tobacco?" asked the first Indian.
"White chief carry liquor?" the second Indian asked.
Yogi handed them a package of Peerless and his pocket flask.
"White chief heap big medicine," the Indians grunted.
"Listen," Yogi Johnson said. "I am about to address to you a few remarks about the war. A subject on which I feel very deeply." The Indians sat down on the logs. One of the Indians pointed at the sky. "Up there gitchy Manitou the Mighty," he said.
The other Indian winked at Yogi. "White chief no believe every goddam thing he hear," he grunted.
​"Listen," Yogi Johnson said. And he told them about the war.
War hadn't been way to Yogi, he told the Indians. War had been to him like football. American football. What they play at the colleges. Carlisle Indian School. Both the Indians nodded. They had been to Carlisle.
Yogi had played centre at football and war had been much the same thing, intensely unpleasant. When you played football and had the ball, you were down with your legs spread out and the ball held out in front of you on the ground; you had to listen for the signal, decode it, and make the proper pass. You had to think about it all the time. While your hands were on the ball the opposing centre stood in front of you, and when you passed the ball he brought his hand up smash into your face and grabbed you with the other under the chin or under your armpit, and tried to pull you forward or shove you back to make a hole he could go through and break up the play. You were supposed to charge forward so hard you banged him out of the play with your body and put you both on the ground. He had all the advantage. It was not what you would call fun. When you had the ball he had all the advantage. The only good thing was that when he had the ball you could rough-house him. In this way things evened up and sometimes even a certain tolerance was achieved. Football, like the war, was unpleasant; stimulating and exciting after you had attained a certain hardness, and the chief difficulty had been that of remembering the signals. Yogi was thinking about the war, not the army. He meant combat. The army was something different. You could take it and ride with it or ​you could buck the tiger and let it smash you. The army was a silly business, but the war was different.
Yogi was not haunted by men he had killed. He knew he had killed five men. Probably he had killed more. He didn't believe men you killed haunted you. Not if you had been two years at the front. Most of the men he had known had been excited as hell when they had first killed. The trouble was to keep them from killing too much. It was hard to get prisoners back to the people that wanted them for identification. You sent a man back with two prisoners; maybe you sent two men back with four prisoners. What happened? The men came back and said the prisoners were knocked out by the barrage. They would give the prisoner a poke in the seat of the pants with a bayonet, and when the prisoner jumped they would say, "You would run, you son of a bitch," and let their gun off in the back of his head. They wanted to be sure they had killed. Also they didn't want to go back through any damn barrage. No, sir. They learned those kind of manners from the Australians. After all, what were those Jerries? A bunch of goddam Huns. "Huns" sounded like a funny word now. All this sweetness and truth. Not if you were in there two years. In the end they would have softened. Got sorry for excesses and begun to store up good deeds against getting killed themselves. But that was the fourth phase of soldiering, the gentling down.
In a good soldier in the war it went like this: First, you were brave because you didn't think anything could hit you, because you yourself were something special, and you knew that you could never die. Then you found out different. You were really scared then, but if you were a ​good soldier you functioned the same as before. Then after you were wounded and not killed, with new men coming on, and going through your old processes, you hardened and became a good hard-boiled soldier. Then came the second crack, which is much worse than the first, and then you began doing good deeds, and being the boy Sir Philip Sidney, and storing up treasures in heaven. At the same time, of course, functioning always the same as before. As if it were a football game.
Nobody had any damn business to write about it, though, that didn't at least know about it from hearsay. Literature has too strong an effect on people's minds. Like this American writer Willa Cather, who wrote a book about the war where all the last part of it was taken from the action in the Birth of a Nation, and ex-servicemen wrote to her from all over America to tell her how much they liked it.
One of the Indians was asleep. He had been chewing tobacco, and his mouth was pursed up in sleep. He was leaning on the other Indian's shoulder. The Indian who was awake pointed at the other Indian, who was asleep, and shook his head.
"Well, how did you like the speech?" Yogi asked the Indian who was awake.
"White chief have heap much sound ideas," the Indian said. "White chief educated like hell."
"Thank you," Yogi said. He felt touched. Here among the simple aborigines, the only real Americans, he had found that true communion. The Indian looked at him, holding the sleeping Indian carefully that his head might not fall back upon the snow-covered logs.
"Was white chief in the war?" the Indian asked.
​"I landed in France in May, 1917," Yogi began.
"I thought maybe white chief was in the war from the way he talked," the Indian said. "Him," he raised the head of his sleeping companion up so the last rays of the sunset shone on the sleeping Indian's face, "he got V.C. Me I got D.S.O. and M.C. with bar. I was major in the Fourth C.M.R.'s."
"I'm glad to meet you," Yogi said. He felt strangely humiliated. It was growing dark. There was a single line of sunset where the sky and the water met 'way out on Lake Michigan. Yogi watched the narrow line of the sunset grow darker red, thin to a mere slit, and then fade. The sun was down behind the lake. Yogi stood up from the pile of logs. The Indian stood up too. He awakened his companion, and the Indian who had been sleeping stood up and looked at Yogi Johnson.
"We go to Petoskey to join Salvation Army," the larger and more wakeful Indian said.
"White chief come too," said the smaller Indian, who had been asleep.
"I'll walk in with you," Yogi replied. Who were these Indians? What did they mean to him?
With the sun down, the slushy road was stiffening. It was freezing again. After all, maybe spring was not coming. Maybe it did not make a difference that he did not want a woman. Now that the spring was perhaps not coming there was a question about that. He would walk into town with the Indians and look for a beautiful woman and try and want her. He turned down the now frozen road. The two Indians walked by his side. They were all bound in the same direction.
CHAPTER TWELVE
Through the night down the frozen road the three walked into Petoskey. They had been silent walking along the frozen road. Their shoes broke the new-formed crusts of ice. Sometimes Yogi Johnson stepped through a thin film of ice into a pool of water. The Indians avoided the pools of water.
They came down the hill past the feed store, crossed the bridge over the Bear River, their boots ringing hollowly on the frozen planks of the bridge, and climbed the hill that led past Dr. Rumsey's house and the Home Tea-Room up to the pool-room. In front of the pool-room the two Indians stopped.
"White chief shoot pool?" the big Indian asked.
"No," Yogi Johnson said. "My right arm was crippled in the war."
"White chief have hard luck," the small Indian said. "Shoot one game Kelly pool."
"He got both arms and both legs shot off at Ypres," the big Indian said in an aside to Yogi. "Him very sensitive."
"All right," Yogi Johnson said. "I'll shoot one game."
They went into the hot, smoke-filled warmth of the pool-room. They obtained a table and took down cues from the wall. As the little Indian reached up to take down his cue Yogi noticed that he had two artificial arms. They were brown leather and were both buckled on at the elbow. On the smooth green cloth, under the ​bright electric lights, they played pool. At the end of an hour and a half, Yogi Johnson found that he owed the little Indian four dollars and thirty cents.
"You shoot a pretty nice stick," he remarked to the small Indian.
"Me not shoot so good since the war," the small Indian replied.
"White chief like to drink a little?" asked the larger Indian.
"Where do you get it?" asked Yogi. "I have to go to Cheboygan for mine."
"White chief come with red brothers," the big Indian said.
They left the pool-table, placed their cues in the rack on the wall, paid at the counter, and went out into the night.
Along the dark streets men were sneaking home. The frost had come and frozen everything stiff and cold. The chinook had not been a real chinook, after all. Spring had not yet come, and the men who had commenced their orgies were halted by the chill in the air that told them the chinook wind had been a fake. That foreman, Yogi thought, he'll catch hell to-morrow. Perhaps it had all been engineered by the pump-manufacturers to get the foreman out of his job. Such things were done. Through the dark of the night men were sneaking home in little groups.
The two Indians walked on either side of Yogi. They turned down a side street, and all three halted before a building that looked something like a stable. It was a stable. The two Indians opened the door and Yogi followed them inside. A ladder led upstairs to the floor above. It ​was dark inside the stable, but one of the Indians lit a match to show Yogi the ladder. The little Indian climbed up first, the metal hinges of his artificial limbs squeaking as he climbed. Yogi followed him, and the other Indian climbed last, lighting Yogi's way with matches. The little Indian knocked on the roof where the ladder stopped against the wall. There was an answering knock. The little Indian knocked in answer, three sharp knocks on the roof above his head. A trap-door in the roof was raised, and they climbed up through the lighted room.
In one corner of the room there was a bar with a brass rail and tall spittoons. Behind the bar was a mirror. Easy-chairs were all around the room. There was a pool-table. Magazines on sticks hung in a line on the wall. There was a framed autographed portrait of Henry Wadsworth Longfellow on the wall draped in the American flag. Several Indians were sitting in the easy-chairs reading. A little group stood at the bar.
"Nice little club, eh?" An Indian came up and shook hands with Yogi. "I see you almost every day at the pump-factory."
He was a man who worked at one of the machines near Yogi in the factory. Another Indian came up and shook hands with Yogi. He also worked in the pump-factory.
"Rotten luck about the chinook," he said.
"Yes," Yogi said. "Just a false alarm."
"Come and have a drink," the first Indian said.
"I'm with a party," Yogi answered. Who were these Indians, anyway?
"Bring them along too," the first Indian said. "Always room for one more."
​Yogi looked around him. The two Indians who had brought him were gone. Where were they? Then he saw them. They were over at the pool-table. The tall refined Indian to whom Yogi was talking followed his glance. He nodded his head in understanding.
"They're woods Indians," he explained apologetically. "We're most of us town Indians here."
"Yes, of course," Yogi agreed.
"The little chap has a very good war record," the tall refined Indian remarked. "The other chap was a major too, I believe."
Yogi was guided over to the bar by the tall refined Indian. Behind the bar was the bartender. He was a Negro.
"How would some Dog's Head ale go?" asked the Indian.
"Fine," Yogi said.
"Two Dog's Heads, Bruce," the Indian remarked to the bartender. The bartender broke into a chuckle.
"What are you laughing at, Bruce?" the Indian asked.
The Negro broke into a shrill haunting laugh.
"I knowed it, Massa Red Dog," he said. "I knowed you'd ordah dat Dog's Head all the time."
"He's a merry fellow," the Indian remarked to Yogi. "I must introduce myself. Red Dog's the name."
"Johnson's the name," Yogi said. "Yogi Johnson."
"Oh, we are all quite familiar with your name, Mr. Johnson," Red Dog smiled. "I would like you to meet my friends Mr. Sitting Bull, Mr. Poisoned Buffalo, and Chief Running Skunk-Backwards."
"Sitting Bull's a name I know," Yogi remarked, shaking hands.
​"Oh, I'm not one of those Sitting Bulls," Mr. Sitting Bull said.
"Chief Running Skunk-Backwards's great-grandfather once sold the entire Island of Manhattan for a few strings of wampum," Red Dog explained.
"How very interesting," Yogi said.
"That was a costly bit of wampum for our family," Chief Running Skunk-Backwards smiled ruefully.
"Chief Running Skunk-Backwards has some of that wampum. Would you like to see it?" Red Dog asked.
"Indeed, I would."
"It's really no different from any other wampum," Skunk-Backwards explained deprecatingly. He pulled a chain of wampum out of his pocket, and handed it to Yogi Johnson. Yogi looked at it curiously. What a part that string of wampum had played in this America of ours.
"Would you like to have one or two wampums for a keepsake?" Skunk-Backwards asked.
"I wouldn't like to take your wampum," Yogi demurred.
"They have no intrinsic value really," Skunk-Backwards explained, detaching one or two wampums from the string.
"Their value is really a sentimental one to Skunk-Backwards's family," Red Dog said.
"It's damned decent of you, Mr. Skunk-Backwards," Yogi said.
"It's nothing," Skunk-Backwards said. "You'd do the same for me in a moment."
"It's decent of you."
Behind the bar, Bruce, the Negro bartender, had been ​leaning forward and watching the wampums pass from hand to hand. His dark face shone. Sharply, without explanation, he broke into high-pitched uncontrolled laughter. The dark laughter of the Negro.
Red Dog looked at him sharply. "I say, Bruce," he spoke sharply; "you mirth is a little ill-timed."
Bruce stopped laughing and wiped his face on a towel. He rolled his eyes apologetically.
"Ah can't help it, Massa Red Dog. When I seen Mistah Skunk-Backhouse passin' dem wampums around I jess couldn't stand it no longa. Whad he wan sell a big town like New Yawk foh dem wampums for? Wampums! Take away yoah wampums!"
"Bruce is an eccentric," Red Dog explained, "but he's a corking bartender and a good-hearted chap."
"Youah right theah, Massa Red Dog," the bartender leaned forward. "I'se got a heart of a puah gold."
"He is an eccentric, though," Red Dog apologized. "The house committee are always after me to get another bartender, but I like the chap, oddly enough."
"I'm all right, boss," Bruce said. "It's just that when I see something funny I just have to laff. You know I don' mean no harm, boss."
"Right enough, Bruce," Red Dog agreed. "You are an honest chap."
Yogi Johnson looked about the room. The other Indians had gone away from the bar, and Skunk-Backwards was showing the wampum to a little group of Indians in dinner dress who had just come in. At the pool-table the two woods Indians were still playing. They had removed their coats, and the light above the pool-table glinted on the metal joints in the little woods Indian's artificial ​arms. He had just run the table for the eleventh consecutive time.
"That little chap would have made a pool-player in he hadn't had a bit of hard luck in the war," Red Dog remarked. "Would you like to have a look about the club?" He took the check from Bruce, signed it, and Yogi followed him into the next room.
"Our committee room," Red Dog said. On the walls were framed autographed photographs of Chief Bender, Francis Parkman, D. H. Lawrence, Chief Meyers, Stewart Edward White, Mary Austin, Jim Thorpe, General Custer, Glenn Warner, Mabel Dodge, and a full-length oil painting of Henry Wadsworth Longfellow.
Beyond the committee room was a locker room with a small plunge bath or swimming-pool. "It's really ridiculously small for a club," Red Dog said. "But it makes a comfortable little hole to pop into when the evenings are dull." He smiled. "We call it the wigwam, you know. That's a little conceit of my own."
"It's a damned nice club," Yogi said enthusiastically.
"Put you up if you like," Red Dog offered. "What's your tribe?"
"What do you mean?"
"Your tribe. What are you—Sac and Fox? Jibway? Cree, I imagine."
"Oh," said Yogi. "My parents came from Sweden."
Red Dog looked at him closely. His eyes narrowed.
"You're not having me on?"
"No. They either came from Sweden or Norway," Yogi said.
"I'd have sworn you looked a bit on the white side," Red Dog said. "Damned good thing this came out in ​time. There'd have been no end of scandal." He put his hand to his head and pursed his lips. "Here, you," he turned suddenly and gripped Yogi by the vest. Yogi felt the barrel of an automatic pushed hard against his stomach. "You'll go quietly through the club-room, get your coat and hat and leave as though nothing had happened. Say polite good-by to anyone who happens to speak to you. And never come back. Get that, you Swede."
"Yes," said Yogi. "Put up your gun. I'm not afraid of your gun."
"Do as I say," Red Dog ordered. "As for those two pool-players that brought you here, I'll soon have them out of this."
Yogi went into the bright room, looked at the bar, where Bruce, the bartender, was regarding him, got his hat and coat, said good-night to Skunk-Backwards, who asked him why he was leaving so early, and the outside trap-door was swung up by Bruce. As Yogi started down the ladder the Negro burst out laughing. "I knowed it," he laughed. "I knowed it all de time. No Swede gwine to fool ole Bruce."
Yogi looked back and saw the laughing black face of the Negro framed in the oblong square of light that came through the raised trap-door. Once on the stable floor, Yogi looked around him. He was alone. The straw of the old stable was stiff and frozen under his feet. Where had he been? Had he been in an Indian club? What was it all about? Was this the end?
Above him a slit of light came in the roof. Then it was blocked by two black figures, there was the sound of a kick, a blow, a series of thuds, some dull, some sharp, and ​two human forms came crashing down the ladder. From above floated the dark, haunting sound of black Negro laughter.
The two woods Indians picked themselves up from the straw and limped toward the door. One of them, the little one, was crying. Yogi followed them out into the cold night. It was cold. The night was clear. The stars were out.
"Club no damn good," the big Indian said. "Club heap no damn good."
The little Indian was crying. Yogi, in the starlight, saw that he had lost one of his artificial arms.
"Me no play pool no more," the little Indian sobbed. He shook his one arm at the window of the club, from which a thin slit of light came. "Club heap goddam hell no good."
"Never mind," Yogi said. "I'll get you a job in the pump-factory."
"Pump-factory, hell," the big Indian said. "We all go join Salvation Army."
"Don't cry," Yogi said to the little Indian. "I'll buy you a new arm."
The little Indian went on crying. He sat down in the snowy road. "No can play pool me no care about nothing," he said.
From above them, out of the window of the club came the haunting sound of a Negro laughing.
Author's Note to the Reader
In case it may have any historical value, I am glad to state that I wrote the foregoing chapter in two hours di- ​rectly on the typewriter, and then went out to lunch with John Dos Passos, whom I consider a very forceful writer, and an exceedingly pleasant fellow besides. This is what is known in the provinces as log-rolling. We lunched on rollmops, Sole Meunière, Civet de Lièvre à la Chez Cocotte, marmelade de pommes, and washed it all down, as we used to say (eh, reader?) with a bottle of Montrachet 1919, with the sole, and a bottle of Hospice de Beaune 19119 apiece with the jugged hare. Mr. Dos Passos, I believe, shared a bottle of Chambertin with me over the marmelade de pommes (Eng., apple sauce). We drank two vieux marcs, and after deciding not to go to the Café du Dôme and talk about Art we both went to our respective homes and I wrote the following chapter. I would like the reader to particularly remark the way the complicated threads of the lives of the various characters in the book are gathered together, and then held there in that memorable scene in the beanery. It was when I read this chapter aloud to him that Mr. Dos Passos exclaimed, "Hemingway, you have wrought a masterpiece."
P.S.—From the Author to the Reader
It is at this point, reader, that I am going to try and get that sweep and movement into the book that shows that the book is really a great book. I know you hope just as much as I do, reader, that I will get this sweep and movement because think what it will mean to both of us. Mr. H. G. Wells, who has been visiting at our home (we're getting along in the literary game, eh, reader?) asked us the other day if perhaps our reader, that's you, reader—just think of it, H. G. Wells talking about you right in our ​home. Anyway, H. G. Wells asked us if perhaps our reader would not think too much of this story was autobiographical. Please, reader, just get that idea out of your head. We have lived in Petoskey, Mich., it is true, and naturally many of the characters are drawn from life as we lived it then. But they are other people, not the author. The author only comes into the story in these little notes. It is true that before starting this story we spent twelve years studying the various Indian dialects of the North, and there is still preserved in the museum at Cross Village our translation of the New Testament into Ojibway. But you would have done the same thing in our place, reader, and I think if you think it over you will agree with us on this. Now to get back to the story. It is meant in the best spirit of friendship when I say that you have no idea, reader, what a hard chapter this is going to be to write. As a matter of fact, and I try to be frank about these things, we will not even try and write it until tomorrow.