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# An introduction to linear drawing

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an
INTRODUCTION
to
LINEAR DRAWING;
translated from the french of
M. FRANCŒUR;
with alterations and additions to adapt it to the
USE OF SCHOOLS IN THE UNITED STATES.
to which is added
the
ELEMENTS
of
LINEAR PERSPECTIVE;
and
QUESTIONS ON THE WHOLE.
by
WILLIAM B. FOWLE,
instructer of the monitorial school, boston.
BOSTON: HILLIARD, GRAY, LITTLE, & WILKINS. .... 1828.
District Clerk's Office.
Be it remembered that on the thirteenth day of December, A. D. 1827, in the fifty-second year of the Independence of the United States of America, William B. Fowle, of the said district has deposited in this Office, the Title of a Book, the right whereof he claims as Author, in the words following, to wit:
"An Introduction to Linear Drawing; translated from the French of M. Francœur; with alterations and additions to adapt it to the use of schools in the United States; to which are added the Elements of Linear Perspective, and Questions on the whole. By William B. Fowle, Instructer of Monitorial School, Boston."
In conformity to the act of the Congress of the United States, entitled, "An act for the encouragement of learning by securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned;" and also to an act entitled, "An act supplementary to an act, entitled, as an act for the encouragement of learning, by securing the copies of maps, charts and books to the authors and proprietors of such copies during the times therein mentioned; and extending the benefits thereof to the arts of designing engraving and etching historical and other prints."
JOHN W. DAVIS, Clerk of the District of Massachusetts.
* MUNROE & FRANCIS, PRINTERS.
CONTENTS.
Part First.
page
Part Second.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An epitaph for terror - 19 May 2009

From http://www.peaceinsrilanka.org/press-releases-details/press-releases-details/2173: The Official Website of the Secretariat for Coordinating the Peace Process (SCOPP)
When the news finally broke of the death of Mr Prabhakaran, predictably enough there was rejoicing in the country. In Colombo this took the form of crowds bearing flags and processing through the streets. Though there was some inconvenience to vehicles, as far as my own experience went this was minimal, and the crowd seemed reasonably disciplined and even polite.
This was a far cry from the vulgar triumphalism one had feared, and which marks even simple sporting achievements, even in Sri Lanka, and certainly so in other lands where alcohol fuels happiness. In our case, though there was inevitably happiness at the end of the terror that had stalked us for so long, there was also sobriety, because we had suffered for so long, and we know that the end of one problem can often lead to another.
Happiness needs then to be dignified, accompanied by awareness of the need to plan for the future. We have to remember that it was Tamils who suffered more than other Sri Lankans at the hands of this false prophet. Though many Sri Lankans of all backgrounds have died, and not least members of the forces, who sacrificed so much in the last few weeks so that civilians could be saved, we must remember that it was Tamil children who were the most prominent victims of the terror, forced to die as well as to inflict death.
We have to follow the example of a President who stood steadfast against terror whilst never swerving from his goal of a political solution to political problems. We have to respect the armed forces who resisted provocation to the end, and succeeded in rescuing a quarter of a million who had been taken hostage while the rest of the world ignored this manoeuvre. And we should salute too those Tamil politicians who resisted the temptation to cross over to terrorism, frightened though they must have been of the fate that befell so many of their number who dared to resist. The end of the Tigers as we knew them is a triumph for the whole nation, and we must work on behalf of the whole nation to ensure that such terror never recurs.
Prof. Rajiva Wijesinha
Secretary General
Secretariat for Coordinating the Peace Process
This work is released under the Creative Commons Attribution-ShareAlike 3.0 Unported license, which allows free use, distribution, and creation of derivatives, so long as the license is unchanged and clearly noted, and the original author is attributed.
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# Beached Keels/Captain Christy

   To every man, except smug and petty persons ignored by destiny, comes at least one message—a friendly letter, a passing whisper in a crowded room, a shrewd, cold document clicked off in purple type, the word of a breathless runner, a speech-mangled telegram, or a shout from a boat alongside in the dark—to strike a blow which is the be-all and the end-all for some cherished way of life. More than once he reads the written decree, or in echoing memory hears the spoken; and while coming to believe and deeply understand that a strange hour has struck, that his life has swung into a new cycle whose grief lies onward and whose joy behind, …
III
CAPTAIN CHRISTY
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
# Archaeological Journal/Volume 1/Lists of Recent Archaeological Publications (Part 1)

RECENT ARCHAEOLOGICAL PUBLICATIONS.—ENGLISH.
Contents, Part I. :
| IV. | Stained Glass at York, p. 1. |
| V. | Primitive Churches of Norway, pp. 4. |
| Part II. ||
| I. | Treatise on the Pointed Style of Architecture in Belgium, by A. G. B. Schayes, translated by Henry Austin, Architect, pp. 74. |
| II. | The Art of Painting on Glass, or Glass Staining, by Dr. Gessert, translated from the German by William Pole, Assoc. Inst. C. E. pp. 34. |
| III. | Account of the Painted Glass Windows at the Church of Gonda, in Holland, pp. 14. |
| IV. | Illuminated Capital Letters, p. 1. |
| V. | Temple Church, London, p. 1. |
| VI. | On Artistic Ecclesiastical Decoration, by John Woody Papworth, A.R.I.B.A., pp. 32. |
| VII. | An Historical Account of the Church of St. Margaret, Stoke-Golding, Leicestershire, by T. L. Walker, Architect, pp. 22. |
| VIII. | Selections of Painted and Stained Glass, from York, by Messrs. Ball and Gould, pp. 4. |
| IX. | Church of St. Jacques, at Liege, p. 1. |
Recent Publications of the "Oxford Society for Promoting the Study of Gothic Architecture."
On sheets at One Shilling each.
ARCHAEOLOGICAL WORKS PREPARING FOR PUBLICATION.
RECENT ARCHAEOLOGICAL PUBLICATIONS.—FRENCH.
I. Monuments Gaulois, Romains, Chrétiens, Style Latin et Byzantin. II. Musique.
RECENT ARCHAEOLOGICAL PUBLICATIONS.—GERMAN.
# Appletons' Cyclopædia of American Biography/Miller, Alfred Jacob

Edition of 1900.
​MILLER, Alfred Jacob, artist, b. in Baltimore, Md., 2 Jan., 1810; d. there, 26 June, 1874. He received his first lessons in art from Thomas Sully, and, after painting with success in Baltimore and Washington, went to Europe in 1833,Europe in 1833, ​studied in Paris, Rome, and Florence, and lived on terms of intimacy with Thorwaldsen, Horatio Greenough, and Horace Vernet. His work at this time consisted chiefly of copies of the old masters, but it was done with appreciation and accuracy. In 1837 he accompanied Sir William Drummond Stewart to the Rocky mountains, and made a series of sketches of the scenes and incidents of the journey that were the ground-work of a gallery of Indian paintings that are now at Murthley castle. This is one of the most valuable collections of pictures of aboriginal American life that are now extant. He spent the winter of 1841 at Taymouth, the seat of the Earl of Breadalbane, in the highlands of Scotland, painting several portraits of the earl's family. On his return to Baltimore he opened a studio there and followed his art until his death. He belonged to the school of Sir Thomas Lawrence in portraiture.
# Appletons' Cyclopædia of American Biography/Miller, Charles Henry

Edition of 1900.
​MILLER, Charles Henry, artist, b. in New York city, 20 March, 1842. He was educated at Mount Washington collegiate institute, and was graduated in medicine at the New York homœopathic institute in 1864. Before this time he had occasionally painted pictures, and in 1860 he exhibited “The Challenge Accepted” at the National academy of design, in New York city. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian royal academy at Munich under the instruction of Adolf Lier. He was elected an associate of the National academy in 1873 and academician in 1875, and was president of the New York art club in 1879 and of the American committee at the Munich international exposition in 1883. Among those of his pictures that have been exhibited at the National academy of design are “Near Munich” (1870); “A Long Island Homestead” (1873); “High Bridge from Harlem Lane” (1875); “A Bouquet of Oaks” (1884); “A Suburban Way-Side” (1886); and “Cornfield at Queen Lawn” (1887). He exhibited “Old Mill at Springfield, L. I.,” and other paintings at the Philadelphia centennial, “Oaks at Creedmore” at the Paris exposition of 1878, and “Sunset at Purgatory” in that of 1882. He received the gold medal that was awarded by the Massachusetts charitable association in 1878, and another at the World's exposition in New Orleans in 1885. He has also published, under the pen-name of Carl de Muldor, “The Philosophy of Art in America” (New York, 1885).
# Appletons' Cyclopædia of American Biography/Micconopy

Edition of 1900.
​MICCONOPY, Indian chief, b. about 1786; d. in Fort Gibson, Ark., in January, 1849. He was head chief of the Seminole Indians, and commanded in person at Maj. Francis L. Dade's defeat on 28 Dec., 1835, and also with Osceola (q. v.) at the Ouithlacoochie in 1836, but was opposed to the war, and surrendered in December, 1837. His name signifies “pond king.”
# Appletons' Cyclopædia of American Biography/Michælius, Jonas

Edition of 1900.
​MICHÆLIUS, Jonas, clergyman, b. in 1577; d. in Holland after 1638. He was educated at the University of Leyden, and was settled as a clergyman in Holland in 1612-'16, in San Salvador in 1624-'5, and in Guinea in 1626-'7. He came to New Amsterdam in 1628, and was thus the first minister of the Dutch Reformed church in this country. He organized a consistory, and administered the sacraments, but returned to Holland in a few years, probably before the arrival of his successor, Rev. Everardus Bogardus, in 1633. His wife died in New Amsterdam shortly after his arrival. The classis of Amsterdam wished to send Michælius back to this country in 1637, but he did not return. It was long supposed that Bogardus was the first Reformed church clergyman in this country, but the precedence of Michælius was established by a letter from him to Rev. Adrian Smoutius, dated New Amsterdam, 11 Aug., 1628, which was recently found in the Dutch archives at the Hague. In this letter he describes the degraded state of the natives, and proposes to educate their children without trying to redeem the parents. Michælius's letter is printed in an appendix to Mary L. Booth's “History of the City of New York” (New York, 1859).
# Appletons' Cyclopædia of American Biography/Mills, Roger Quarles

Edition of 1900. Supplement.
MILLS, Roger Quarles, senator, b. in Todd county, Ky., 30 March, 1832, and removed to Texas in 1849. After studying law he began practice, and in 1859 he was elected to the Texas legislature. He served in the civil war as colonel of the 10th Texas regiment, and was elected to congress as a Democrat in 1872. He served continuously until he resigned to accept the position of U. S. senator, to which he was elected, 23 March, 1892, to succeed Horace Chilton, who had been appointed by the governor of the state to fill the vacancy caused by the resignation of John H. Reagan, till the meeting of the legislature. Col. Mills took his seat 30 March, 1892, and was re-elected in 1893. He has served on various important committees, including those on commerce and public buildings and grounds. The senator resides in Corsicana.
# Appletons' Cyclopædia of American Biography/Miller, John Henry

Edition of 1900.
​MILLER, John Henry, publisher, b. in Waldeck, Germany, in 1702; d. in Bethlehem, Pa., 31 March, 1782. He came to this country and was employed by Benjamin Franklin and William Bradford to superintend their German printing. He published the Lancaster, Pa., “Gazette” in 1752, and from 1762 till 1779 “Der Wöchentliche Philadelphische Staatsbote.” He did a large business throughout the colonies in printing almanacs, laws, school-books, and the classics, and in reprinting English and German works.
# Appletons' Cyclopædia of American Biography/Michel, Jacques Léonard

Edition of 1900. No confirmation of this person's existence outside of Appletons' and derived sources has as yet been located, but there is also no verifiable source which states the person is one of Appletons' fictitious entries. Use this information with extra caution. This entry has been copied to a large extent from the biography of Michel le Basque: Michel le Basque was a well-known companion of François L'Olonnais, with whom he sacked Maracaibo and Gibraltar, in real life. The amount of booty seized is also mentioned in U.S. dollars, but the currency did not exist until 1792, i.e. 115 years after the subject's date of death.
​MICHEL, Jacques Léonard, surnamed Le Basque (me-shell), French buccaneer, b. in Orthez in 1620; d. in Tortugas in 1677. He served in the French army, rose to the rank of captain, and afterward entered the service of the Company of the West Indies. In 1654 he was lieutenant-governor of Tortugas, but resigned and armed a ship, with which he made war against the Spaniards. Either alone, or in association with other privateers, he pillaged the coasts of Santo Domingo, Cuba, Porto Rico, Venezuela, and of the Gulf of Darien, and became such a terror to the Spanish that they surnamed him the Dreadful. Uniting his forces in 1666 with those of L'Olonnais, they stormed and plundered Cape Leogane on the western coast of Santo Domingo, and afterward took Maracaibo and San Antonio de Gibraltar in Venezuela, where they secured a booty of $1,600,000. Michel afterward devastated the coasts of Honduras and pillaged the city of Porto Caballo in 1673, but was so severely wounded during that expedition that he was no longer able to continue his war against the Spaniards. He died with the reputation of being the most humane buccaneer of his time.
# Appletons' Cyclopædia of American Biography/Miller, Cincinnatus Heine

Edition of 1900.
​MILLER, Cincinnatus Heine (Joaquin), poet, b. in Wabash district, Ind., 10 Nov., 1841. He removed with his parents to Oregon in 1854, became a miner in California, and after various adventures returned in 1860 and studied law under George H. Williams. The next year he was express-messenger in the gold-mining districts of Idaho, edited in 1863 the “Democratic Register,” a weekly newspaper in Eugene, Oregon, which was suppressed for disloyalty, and then opened a law-office in Canon City. He was judge of Grant county, Oregon, in 1866-'70, and while occupying that office began his literary career. From early boyhood he had written verses that were not devoid of merit, although he was ignorant of the rules of versification and of grammar. Having published a paper in defence of Joaquin Murietta, the Mexican brigand, he signed his first two collections of poems by the latter's first name. He was abroad in 1870, travelled in southern Europe and in England, and while there prepared and published his first volume of sustained verse, which met with praise from the English critics. On his return he settled as a journalist in Washington, D. C., and in the autumn of 1887 returned to California. He has written several successful plays, including “The Danites.” His poems are “Songs of the Sierras” (Boston and London, 1871); “Songs of the Sunlands” (1873); “Songs of the Desert” (1875): “Songs of Italy” (1878); “Collected Poems” (1882); and “ Songs of the Mexican Seas” (Boston, 1887). His prose works are “The Baroness of New York” (New York, 1877); “The Danites in the Sierras” (Chicago, 1881); “Shadows of Shasta” (1881); “Memorie and Rime” (New York, 1884); and “49, or the Gold-Seekers of the Sierras” (1884). His first wife, Minnie Dyer, whom he married in 1863, and who obtained a divorce from him in 1876, was a writer of graceful verses, which were published under the pen-name of “Minnie Myrtle.”
# Beasts at Law

* information about this edition.
* sister projects: Wikidata item.
BEASTS AT LAW,
OR
ZOOLOGIAN JURISPRUDENCE;
A POEM,
SATIRICAL, ALLEGORICAL, AND MORAL.
IN THREE CANTOS.
TRANSLATED FROM THE ARABIC OF
SAMPFILIUS PHILOERIN, Z. Y. X. W. &c. &c.
Whose Fables have made so much noise in the East, and whose fame has eclipsed that of Æsop.
WITH NOTES AND ANNOTATIONS.
BY SAMUEL WOODWORTH.
"I call no man an Ape or Ass,
'Tis his own conscience holds the glass."
NEW-YORK:
PRINTED AND PUBLISHED BY J. HARMER & C0,
No. 35 Nassau-street.
1811.

## Contents

* Copyright
* Trial
* The Argument
* Canto 1
* Canto 2
* Canto 3
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Beauty

* Search for titles containing or beginning with: "Beauty."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Poetry

* "Beauty", a poem by Charles Baudelaire
* "Beauty", a poem by Abraham Cowley
* "Beauty", a poem by Olive Custance
* "Beauty", a poem by Martha Julia Elliott
* "Beauty", a poem by Ralph Waldo Emerson
* "Beauty", a poem by William Fowler
* "The Beauty", a poem by Thomas Hardy
* "Beauty" (also called "Mrs Wombwell"), a poem by Letitia Elizabeth Landon
* "Beauty", a poem by John Masefield
* "Beauty", a poem by Wilfred Owen
* "The Beauty", a poem by Edward Coote Pinkney
* "Beauty", a poem by Isaac Rosenberg
* "Beauty", a poem by Christopher Smart
* "Beauty", a poem by Eliza Jane Stephens
* "Beauty", a poem by John Townsend Trowbridge
* "Beauty", a poem by Frances Fuller Victor
* "Beauty", a poem by Ella Wheeler Wilcox
* "Beauty", a poem by Elinor Wylie

## Essays and lectures

* "Beauty", an essay by Ralph Waldo Emerson
* "Beauty", one of the Enneads of Plotinus
* "Beauty", a lecture by Edmund Clarence Stedman
# Beauty (Custance)

* "Beauty", in The Blue Bird (1905)
* "Beauty", in The Inn of Dreams (1911)
# Beauty (Emerson poem)

Was never form and never face
* Beauty in The Conduct of Life (1860)
* Beauty in May-day and other pieces (1867)
* Beauty in Poems (Household Edition, 1904)
# Beauty (Masefield)

* information about this edition.
* sister projects: Wikidata item.
I have seen dawn and sunset on moors and windy hills
Coming in solemn beauty like slow old tunes of Spain:
I have seen the lady April bringing the daffodils,
Bringing the springing grass and the soft warm April rain.
I have heard the song of the blossoms and the old chant of the sea,
And seen strange lands from under the arched white sails of ships;
But the loveliest thing of beauty God ever has shown to me,
Are her voice, and her hair, and eyes, and the dear red curve of her lips.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Beauty and the Beast

* related portals: Children's fairy tales.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Traditional fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve, published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). The most common versions told today are the 1756 French adaptation by Jeanne-Marie Le Prince de Beaumont and the 1889 English adaptation by Andrew Lang.
English-language translations of La Belle et la Bête include:

## Direct translations

* "The Story of the Beauty and the Beast", translated by James Robinson Planché (1858) (external scan)
* "Beauty and the Beast", translator not specified (1874)
* "Beauty and the Beast", translated by Andrew Lang (1889)

## Beaumont adaptation

* "La Belle et la Bête", adapted by Jeanne-Marie Le Prince de Beaumont, 1756.
** "Beauty and the Beast". anonymous translation; pub. James Lumsden and Son, c. 1820.
** "Beauty and the Beast". A. E. Johnson (translation); W. Heath Robinson (illustrations) in Old time stories, 1921.

## Other adaptations

* "Beauty and the Beast" [notes Europa's fairy book restored and retold by Joseph Jacobs done into pictures by John D. Batten. 1921 (1916).
* "Beauty and the Beast" Arthur Quiller-Couch; Edmund Dulac (ill.) The sleeping beauty and other fairy tales from the old French. New York: Hodder & Stoughton. 1910.

## See also

* "How Beauty Contrived to Get Square with the Beast" by Guy Wetmore Carryl, 1902.
* Beauty and the Beast, a short story in The Atlantic Monthly by Bayard Taylor (1866).
# Beauty's Path

"All ugliness wears on its brow the brand"
* Coates, Florence Earle (1908), "Beauty's Path" in The Outlook (22 August 1908).
* Coates, Florence Earle (1909), "Beauty's Path" in Lyrics of Life (1909).
* Coates, Florence Earle (1916), "Beauty's Path" in Poems II.

## References

* ↑ View this version at Google Books.
# Beauty (Owen)

The poem was unfinished upon the author's death and therefore has omissions.
The beautiful, the fair, the elegant, Is that which pleases us, says Kant, Without a thought of interest or advantage.
I used to watch men when they spoke of beauty And measure their enthusiasm. One An old man, seeing a ( ) setting sun, Praised it ( ) a certain sense of duty To the calm evening and his time of life. I know another man that never says a Beauty But of a horse; ( )
Men seldom speak of beauty, beauty as such, Not even lovers think about it much. Women of course consider it for hours In mirrors; ( )
A shrapnel ball - Just where the wet skin glistened when he swam - Like a fully-opened sea-anemone. We both said 'What a beauty! What a beauty, lad' I knew that in that flower he saw a hope Of living on, and seeing again the roses of his home. Beauty is that which pleases and delights, Not bringing personal advantage - Kant. But later on I heard A canker worked into that crimson flower And that he sank with it And laid it with the anemones off Dover.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Beauty and Beauty

* "Beauty and Beauty" from 1914 and other poems (1915)
* "Beauty and Beauty" from The Collected Poems of Rupert Brooke (1915)
# Atchison, Topeka, & Santa Fe Railway Company v. Harold

United States Supreme Court
241 U.S. 371
Atchison, Topeka, & Santa Fe Railway Company v. Harold
Argued: May 2, 1916. --- Decided: June 5, 1916
Messrs. Alfred A. Scott, William R. Smith, Robert Dunlap, and Gardiner Lathrop for plaintiff in error.
Messrs. Ray Campbell, W. A. Ayers, and J. Graham Campbell for defendant in error.
Mr. Chief Justice White delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse