OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Bushido

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​BUSHIDO (Japanese for “military-knight-ways”), the unwritten code of laws governing the lives of the nobles of Japan, equivalent to the European chivalry. Its maxims have been orally handed down, together with a vast accumulation of traditional etiquette, the result of centuries of feudalism. Its inception is associated with the uprise of feudal institutions under Yoritomo, the first of the Shoguns, late in the 12th century, but bushido in an undeveloped form existed before then. The samurai or nobles of Japan entertained the highest respect for truth. “A bushi has no second word” was one of their mottoes. And their sense of honour was so high as to dictate suicide where it was offended.
See Inazo Nitobe, Bushido: The Soul of Japan (1905); also Japan: Army.
# 1911 Encyclopædia Britannica/Busk, George

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​BUSK, GEORGE (1807–1886), British surgeon, zoologist and palaeontologist, son of Robert Busk, merchant of St Petersburg, was born in that city on the 12th of August 1807. He studied surgery in London, at both St Thomas’s and St Bartholomew’s hospitals, and was an excellent operator. He was appointed assistant-surgeon to the Greenwich hospital in 1832, and served as naval surgeon first in the Grampus, and afterwards for many years in the Dreadnought; during this period he made important observations on cholera and on scurvy. In 1855 he retired from service and settled in London, where he devoted himself mainly to the study of zoology and palaeontology. As early as 1842 he had assisted in editing the Microscopical Journal; and later he edited the Quarterly Journal of Microscopical Science (1853–1868) and the Natural History Review (1861–1865). From 1856 to 1859 he was Hunterian professor of comparative anatomy and physiology in the Royal College of Surgeons, and he became president of the college in 1871. He was elected F.R.S. in 1850, and was an active member of the Linnean, Geological and other societies, and president of the Anthropological Institute (1873–1874); he received the Royal Society’s Royal medal and the Geological Society’s Wollaston and Lyell medals. Early in life he became the leading authority on the Polyzoa; and later the vertebrate remains from caverns and river-deposits occupied his attention. He was a patient and cautious investigator, full of knowledge, and unaffectedly simple in character. He died in London on the 10th of August 1886.
# 1911 Encyclopædia Britannica/Busken-Huet, Conrad

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​BUSKEN-HUET, CONRAD (1826–1886), Dutch literary critic, was born at the Hague on the 28th of December 1826. He was trained for the Church, and, after studying at Geneva and Lausanne, was appointed pastor of the Walloon chapel in Haarlem in 1851. In 1863 conscientious scruples obliged him to resign his charge, and Busken-Huet, after attempting journalism, went out to Java in 1868 as the editor of a newspaper. Before this time, however, he had begun his career as a polemical man of letters, although it was not until 1872 that he was made famous by the first series of his Literary Fantasies, a title under which he gradually gathered in successive volumes all that was most durable in his work as a critic. His one novel, Lidewijde, was written under strong French influences. Returning from the East Indies, Busken-Huet settled for the remainder of his life in Paris, where he died in April 1886. For the last quarter of a century he had been the acknowledged dictator in all questions of Dutch literary taste. Perfectly honest, desirous to be sympathetic, widely read, and devoid of all sectarian obstinacy, Busken-Huet introduced into Holland the light and air of Europe. He made it his business to break down the narrow prejudices and the still narrower self-satisfaction of his countrymen, without endangering his influence by a mere effusion of paradox. He was a brilliant writer, who would have been admired in any language, but whose appearance in a literature so stiff and dead as that of Holland in the ’fifties was dazzling enough to produce a sort of awe and stupefaction. The posthumous correspondence of Busken-Huet has been published, and adds to our impression of the vitality and versatility of his mind.  (E. G.)
# 1911 Encyclopædia Britannica/Bushel

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​BUSHEL (from the O. Fr. boissiel, cf. med. L. bustellus, busellus, a little box), a dry measure of capacity, containing 8 gallons or 4 pecks. It has been in use for measuring corn, potatoes, &c., from a very early date; the value varying locally and with the article measured. The “imperial bushel”, legally established in Great Britain in 1826, contains 2218.192 cub.in., or 80 ℔ of distilled water, determined at 62° F., with the barometer at 30 in. Previously, the standard bushel used was known as the “Winchester bushel”, so named from the standard being kept in the town hall at Winchester; it contained 2150.42 cub. in. This standard is the basis of the bushel used in the United States and Canada; but other “bushels” for use in connexion with certain commodities have been legalized in different states.
# 1911 Encyclopædia Britannica/Frauenfeld

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​FRAUENFELD, the capital of the Swiss canton of Thurgau, 27 m. by rail N.E. of Zürich or 141/2 m. W. of Romanshorn. It is built on the Murg stream a little above its junction with the Thur. It is a prosperous commercial town, being situated at the meeting point of several routes, while it possesses several industrial establishments, chiefly concerned with different branches of the iron trade. In 1900 its population (including the neighbouring villages) was 7761, mainly German-speaking, while there were 5563 Protestants to 2188 Romanists. Frauenfeld is the artillery depôt for North-East Switzerland. The upper town is the older part, and centres round the castle, of which the tower dates from the 10th century, though the rest is of a later period. Both stood on land belonging to the abbot of Reichenau, who, with the count of Kyburg, founded the town, which is first mentioned in 1255. The abbot retained all manorial rights till 1803, while the political powers of the Kyburgers (who were the “protectors” of Reichenau) passed to the Habsburgs in 1273, and were seized by the Swiss in 1460 with the rest of the Thurgau. In 1712 the town succeeded Baden in Aargau as the meeting-place of the Federal Diet, and continued to be the capital of the Confederation till its transformation in 1798. In 1799 it was successively occupied by the Austrians and the French. The old Capuchin convent (1591–1848) is now occupied as a vicarage by the Romanist priest. (W. A. B. C.)
# 1911 Encyclopædia Britannica/Fraustadt

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​FRAUSTADT (Polish, Wszowa), a town of Germany, in the Prussian province of Posen, in a flat sandy country dotted with windmills, 50 m. S.S.W. of Posen, on the railway Lissa-Sagan. Pop. (including a garrison) 7500. It has three Evangelical and two Roman Catholic churches, a classical school and a teachers’ seminary; the manufactures include woollen and cotton goods, hats, morocco leather and gloves, and there is a considerable trade in corn, cattle and wool. Fraustadt was founded by Silesians in 1348, and afterwards belonged to the principality of Glogau. Near the town the Swedes under Charles XII. defeated the Saxons on the 13th of February 1706.
# 1911 Encyclopædia Britannica/Frater

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​FRATER, Frater House or Fratery, a term in architecture for the hall where the members of a monastery or friary met for meals or refreshment. The word is by origin the same as “refectory.” The older forms, such as freitur, fraytor and the like, show the word to be an adaptation of the O.Fr. fraitour, a shortened form of refraitour, from the Med. Lat. refectorium. The word has been confused with frater, a brother or friar, and hence sometimes confined in meaning to the dining-hall of a friary, while “refectory” is used of a monastery.
# 1911 Encyclopædia Britannica/Frauenlob

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​FRAUENLOB, the name by which Heinrich von Meissen, a German poet of the 13th century, is generally known. He seems to have acquired the sobriquet because in a famous Liederstreit with his rival Regenbogen he defended the use of the word Frau (i.e. frouwe, = lady) instead of Weib (wîp = woman). Frauenlob was born about 1250 of a humble burgher family. His youth was spent in straitened circumstances, but he gradually acquired a reputation as a singer at the various courts of the German princes. In 1278 we find him with Rudolph I. in the Marchfeld, in 1286 he was at Prague at the knighting of Wenceslaus (Wenzel) II., and in 1311 he was present at a knightly festival celebrated by Waldemar of Brandenburg before Rostock. After this he settled in Mainz, and there according to the popular account, founded the first school of Meistersingers (q.v.). He died in 1318, and was buried in the cloisters of the cathedral at ​Mainz. His grave is still marked by a copy made in 1783 of the original tombstone of 1318; and in 1842 a monument by Schwanthaler was erected in the cloisters. Frauenlob’s poems make a great display of learning; he delights in far-fetched metaphors, and his versification abounds in tricks of form and rhyme.
Frauenlob’s poetry was edited by L. Ettmüller in 1843; a selection will be found in K. Bartsch, Deutsche Liederdichter des 12. bis 14. Jahrhunderts (3rd ed., 1893). An English translation of Frauenlob’s Cantica canticorum, by A. E. Kroeger, with notes, appeared in 1877 at St Louis, U.S.A. See A. Boerkel, Frauenlob (2nd ed., 1881).
# 1911 Encyclopædia Britannica/Frauenburg

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​FRAUENBURG, a town of Germany, in the kingdom of Prussia, on the Frische Haff, at the mouth of the Bande, 41 m. S.W. from Königsberg on the railway to Elbing. Pop. 2500. The cathedral (founded 1329), with six towers, stands on a commanding eminence adjoining the town and surrounded by castellated walls and bastions. This is known as Dom-Frauenburg, and is the seat of the Roman Catholic bishop of Ermeland. Within the cathedral is a monument to the astronomer Copernicus bearing the inscription Astronomo celeberrimo, cujus nomen et gloria utrumque implevit orbem. There is a small port with inconsiderable trade. Frauenburg was founded in 1287 and received the rights of a town in 1310.
# 1911 Encyclopædia Britannica/Fraunce, Abraham

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​FRAUNCE, ABRAHAM (c. 1558–1633), English poet, a native of Shropshire, was born between 1558 and 1560. His name was registered as a pupil of Shrewsbury School in January 1571/2, and he joined St John’s College, Cambridge, in 1576, becoming a fellow in 1580/81. His Latin comedy of Victoria, dedicated to Sidney, was probably written at Cambridge, where he remained until he had taken his M.A. degree in 1583. He was called to the bar at Gray’s Inn in 1588, and then apparently practised as a barrister in the court of the Welsh marches. After the death of his patron Sir Philip Sidney, Fraunce was protected by Sidney’s sister Mary, countess of Pembroke. His last work was published in 1592, and we have no further knowledge of him until 1633, when he is said to have written an Epithalamium in honour of the marriage of Lady Magdalen Egerton, 7th daughter of the earl of Bridgwater, whose service he may possibly have entered.
His works are: The Lamentations of Amintas for the death of Phyllis (1587), a version in English hexameters of his friend’s, Thomas Watson’s, Latin Amyntas; The Lawiers Logike, exemplifying the praecepts of Logike by the practise of the common Lawe (1588); Arcadian Rhetorike (1588); Abrahami Fransi Insignium, Armorum ... explicatio (1588); The Countess of Pembroke’s Yvychurch (1591/2), containing a translation of Tasso’s Aminta, a reprint of his earlier version of Watson, “The Lamentation of Corydon for the love of Alexis” (Virgil, eclogue ii.), a short translation from Heliodorus, and, in the third part (1592) “Aminta’s Dale,” a collection of “conceited” tales supposed to be related by the nymphs of Ivychurch; The Countess of Pembroke’s Emanuell (1591); The Third Part of the Countess of Pembroke’s Ivychurch, entituled Aminta’s Dale (1592). His Arcadian Rhetorike owes much to earlier critical treatises, but has a special interest from its references to Spenser, and Fraunce quotes from the Faerie Queene a year before the publication of the first books. In “Colin Clout’s come home again,” Spenser speaks of Fraunce as Corydon, on account of his translations of Virgil’s second eclogue. His poems are written in classical metres, and he was regarded by his contemporaries as the best exponent of Gabriel Harvey’s theory. Even Thomas Nashe had a good word for “sweete Master France.”
The Countess of Pembroke’s Emanuell, hexameters on the nativity and passion of Christ, with versions of some psalms, were reprinted by Dr A. B. Grosart in the third volume of his Miscellanies of the Fuller Worthies Library (1872). Joseph Hunter in his Chorus Vatum stated that five of Fraunce’s songs were included in Sidney’s Astrophel and Stella, but it is probable that these should be attributed not to Fraunce, but to Thomas Campion. See a life prefixed to the transcription of a MS. Latin comedy by Fraunce, Victoria, by Professor G. C. Moore Smith, published in Bang’s Materialien zur Kunde des alteren englischen Dramas, vol. xiv., 1906.
# 1911 Encyclopædia Britannica/Field, Eugene

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​FIELD, EUGENE (1850–1895), American poet, was born at St Louis, Missouri, on the 2nd of September 1850. He spent his boyhood in Vermont and Massachusetts; studied for short periods at Williams and Knox Colleges and the University of Missouri, but without taking a degree; and worked as a journalist on various papers, finally becoming connected with the Chicago News. A Little Book of Profitable Tales appeared in Chicago in 1889 and in New York the next year; but Field’s place in later American literature chiefly depends upon his poems of Christmas-time and childhood (of which “Little Boy Blue” and “A Dutch Lullaby” are most widely known), because of their union of obvious sentiment with fluent lyrical form. His principal collections of poems are: A Little Book of Western Verse (1889); A Second Book of Verse (1892); With Trumpet and Drum (1892); and Love Songs of Childhood (1894). Field died at Chicago on the 4th of November 1895.
His works were collected in ten volumes (1896), at New York. His prose Love-affairs of a Bibliomaniac (1896) contains a Memoir by his brother Roswell Martin Field (b. 1851). See also Slason Thompson, Eugene Field: a study in heredity and contradictions (2 vols., New York, 1901).
# 1911 Encyclopædia Britannica/Field, John

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​FIELD, JOHN (1782–1837), English musical composer and pianist, was born at Dublin in 1782. He came of a musical family, his father being a violinist, and his grandfather the organist in one of the churches of Dublin. From the latter the boy received his first musical education. When a few years later the family settled in London, Field became the favourite pupil of the celebrated Clementi, whom he accompanied to Paris, and later, in 1802, on his great concert tour through France, Germany and Russia. Under the auspices of his master Field appeared in public in most of the great European capitals, especially in St Petersburg, and in that city he remained when Clementi returned to England. During his stay with the great pianist Field had to suffer many privations owing to Clementi’s all but unexampled parsimony; but when the latter left Russia his splendid connexion amongst the highest circles of the capital became Field’s inheritance. His marriage with a French lady of the name of Charpentier was anything but happy, and had soon to be dissolved. Field made frequent concert tours to the chief cities of Russia, and in 1820 settled permanently in Moscow. In 1831 he came to England for a short time, and for the next four years led a migratory life in France, Germany and Italy, exciting the admiration of amateurs wherever he appeared in public. In Naples he fell seriously ill, and lay several months in the hospital, till a Russian family discovered him and brought him back to Moscow. There he lingered for several years till his death on the 11th of January 1837. Field’s training and the cast of his genius were not of a kind to enable him to excel in the larger forms of instrumental music, and his seven concerti for the pianoforte are now forgotten. Neither do his quartets for strings and pianoforte hold their own by the side of those of the great masters. But his “nocturnes,” a form of music highly developed if not actually created by him, remain all but unrivalled for their tenderness and dreaminess of conception, combined with a continuous flow of beautiful melody. They were indeed Chopin’s models. Field’s execution on the pianoforte was nearly allied to the nature of his compositions, beauty and poetical charm of touch being one of the chief characteristics of his style. Moscheles, who heard Field in 1831, speaks of his “enchanting legato, his tenderness and elegance and his beautiful touch.”
# 1911 Encyclopædia Britannica/Field, Frederick

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​FIELD, FREDERICK (1801–1885), English divine and biblical scholar, was born in London and educated at Christ’s hospital and Trinity College, Cambridge, where he obtained a fellowship in 1824. He took orders in 1828, and began a close study of patristic theology. Eventually he published an emended and ​annotated text of Chrysostom’s Homiliae in Matthaeum (Cambridge, 1839), and some years later he contributed to Pusey’s Bibliotheca Patrum (Oxford, 1838–1870), a similarly treated text of Chrysostom’s homilies on Paul’s epistles. The scholarship displayed in both of these critical editions is of a very high order. In 1839 he had accepted the living of Great Saxham, in Suffolk, and in 1842 he was presented by his college to the rectory of Reepham in Norfolk. He resigned in 1863, and settled at Norwich, in order to devote his whole time to study. Twelve years later he completed the Origenis Hexaplorum quae supersunt (Oxford, 1867–1875), now well known as Field’s Hexapla, a text reconstructed from the extant fragments of Origen’s work of that name, together with materials drawn from the Syro-hexaplar version and the Septuagint of Holmes and Parsons (Oxford, 1798–1827). Field was appointed a member of the Old Testament revision company in 1870.
# 1911 Encyclopædia Britannica/Field, Marshall

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​FIELD, MARSHALL (1835–1906), American merchant, was born at Conway, Massachusetts, on the 18th of August 1835. Reared on a farm, he obtained a common school and academy education, and at the age of seventeen became a clerk in a dry goods store at Pittsfield, Mass. In 1856 he removed to Chicago, where he became a clerk in the large mercantile establishment of Cooley, Wadsworth & Company. In 1860 the firm was reorganized as Cooley, Farwell & Company, and he was admitted to a junior partnership. In 1865, with Potter Palmer (1826–1902) and Levi Z. Leiter (1834–1904), he organized the firm of Field, Palmer & Leiter, which subsequently became Field, Leiter & Company, and in 1881 on the retirement of Leiter became Marshall Field & Company. Under Field’s management the annual business of the firm increased from $12,000,000 in 1871 to more than $40,000,000 in 1895, when it ranked as one of the two or three largest mercantile establishments in the world. He died in New York city on the 16th of January 1906. He had married, for the second time, in the previous year. Field’s public benefactions were numerous; notable among them being his gift of land valued at $300,000 and of $100,000 in cash to the University of Chicago, an endowment fund of $1,000,000 to support the Field Columbian Museum at Chicago, and a bequest of $8,000,000 to this museum.
# 1911 Encyclopædia Britannica/Field, Nathan

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​FIELD, NATHAN (1587–1633), English dramatist and actor, was baptized on the 17th of October 1587. His father, the rector of Cripplegate, was a Puritan divine, author of a Godly Exhortation directed against play-acting, and his brother Theophilus became bishop of Hereford. Nat. Field early became one of the children of Queen Elizabeth’s chapel, and in that capacity he played leading parts in Ben Jonson’s Cynthia’s Revels (in 1600), in the Poetaster (in 1601), and in Epicoene (in 1608), and the title rôle in Chapman’s Bussy d’Ambois (in 1606). Ben Jonson was his dramatic model, and may have helped his career. The two plays of which he was author were probably both written before 1611. They are boisterous, but well-constructed comedies of contemporary London life; the earlier one, A Woman is a Weathercock (printed 1612), dealing with the inconstancy of woman, while the second, Amends for Ladies (printed 1618), was written with the intention, as the title indicates, of retracting the charge. From Henslowe’s papers it appears that Field collaborated with Robert Daborne and with Philip Massinger, one letter from all three authors being a joint appeal for money to free them from prison. In 1614 Field received £10 for playing before the king in Bartholomew Fair, a play in which Jonson records his reputation as an actor in the words “which is your Burbadge now?... Your best actor, your Field?” He joined the King’s Players some time before 1619, and his name comes seventeenth on the list prefixed to the Shakespeare folio of 1623 of the “principal actors in all these plays.” He retired from the stage before 1625, and died on the 20th of February 1633. Field was part author with Massinger in the Fatal Dowry (printed 1632), and he prefixed commendatory verses to Fletcher’s Faithful Shepherdess.
His two plays were reprinted in J. P. Collier’s Five Old Plays (1833), in Hazlitt’s edition of Dodsley’s Old Plays, and in Nero and other Plays (Mermaid series, 1888), with an introduction by Mr A. W. Verity.
# 1911 Encyclopædia Britannica/Fief

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​FIEF, a feudal estate in land, land held from a superior (see Feudalism). The word is the French form, which is represented in Medieval Latin as feudum or feodum, and in English as “fee” or “feu” (see Fee). The A. Fr. feoffer, to invest with a fief or fee, has given the English law terms “feoffee” and “feoffment” (q.v.).