OpenLLM-France/wikimedia huggingface dataset:
# An Etymological Dictionary of the German Language/Annotated/Wachtel

| This annotated version expands the abbreviations in the original entry Wachtel. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Wachtel, feminine, ‘quail,’ from the equivalent Middle High German wahtel, Old High German wahtala, feminine; corresponding to Anglo-Saxon wyhtel (rare; usually çrschęn). The term looks like a derivative of Wacht (root wak, ‘to be awake’). It is probable, however, that the word has attained its present form by many changes; compare Dutch kwakkel, kwartel, ‘quail’ (phonetically cognate with Middle Latin quaccila, French quaille, Italian quaglia, ‘quail’). The word for ‘quail,’ common to Sanscrit and Greek but unknown to Teutonic, was wortok, wortog; compare Sanscrit vartikâ, Greek ὄρτυξ, ‘quail.’
# An Etymological Dictionary of the German Language/Annotated/fletschen

| This annotated version expands the abbreviations in the original entry fletschen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ fletschen, verb, ‘to beat flat, grin,’ from Middle High German vletsen, ‘to show one's teeth’; remoter history obscure.
# An Etymological Dictionary of the German Language/Annotated/fliegen

| This annotated version expands the abbreviations in the original entry fliegen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ fliegen, verb, from the equivalent Middle High German vliegen, Old High German fliogan, ‘to fly’; compare Dutch vliegen, Anglo-Saxon fleógan (3rd singular flŷhþ), English to fly, Old Icelandic fljúga; the common Teutonic term for ‘to fly’; Gothic *fliugan may be inferred from the factitive flaugjan, ‘to keep on flying.’ Fliegen is in no wise connected with fliehen, as is proved by the initial sound of the root in Gothic þliuhan, ‘to flee,’ compared with usflaugjan; see Fliege, Vogel. Teutonic root fliug, from pre-Teutonic pleugh, plugh; akin to Latin plûma for plûhma?. For an older root extending beyond Teutonic see under Feder.
# An Etymological Dictionary of the German Language/Annotated/fliehen

| This annotated version expands the abbreviations in the original entry fliehen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ fliehen, verb, ‘to flee,’ from the equivalent Middle High German vliehen, Old High German fliohan; corresponds to Old Saxon fliohan, Anglo-Saxon fleón (from fleóhan), English to flee, Old Icelandic flýja; the f before l is a common substitution for an older initial þ, as in flehen (Gothic þlaihan), flach (from Gothic þlaqus); compare Gothic þliuhan, ‘to flee.’ This older form was retained only in Gothic; Scandinavian has f (flýja), like the West Teutonic verbs. Hence the Teutonic root is þluh, and by a grammatical change þlug, pre-Teutonic root tluk, tleuk. Fliegen is primitively allied, since it is based upon the root plugh. In the earliest Old Icelandic and in West Teutonic the forms of both the verbs must undoubtedly have been confused; thus Old Icelandic flugu and Anglo-Saxon flugon in the earliest period may mean ‘they fled’ and ‘they flew.’ See Flucht.
# An Etymological Dictionary of the German Language/Annotated/flattern

| This annotated version expands the abbreviations in the original entry flattern. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flattern, verb, ‘to flutter, dangle,’ in Middle High German vladern from Middle High German vlëdern (see Fledermaus); Middle Dutch flatteren, English to flatter, akin to flutter, also Middle English fliteren, English to flitter; Anglo-Saxon floterian, Middle English floteren, ‘to undulate,’ are, however, certainly allied to the root flut, ‘to flow.’
# An Etymological Dictionary of the German Language/Annotated/flechten

| This annotated version expands the abbreviations in the original entry flechten. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flechten, verb, ‘to plait, braid, wreathe,’ from the equivalent Middle High German vlëhten, Old High German vlëhtan; a corresponding Gothic *flaíhtan, akin to flahta, feminine, ‘lock of hair,’ is wanting; Old Icelandic flétta for flehtan. Teutonic root fleht, from pre-Teutonic plekt; the t, as also in Latin plecto compared with plicare, was originally only a formative element of the present tense, for according to Greek πλέκω, πλοκή, πλόκος, the Aryan root must have been plek; compare Sanscrit praçna, ‘braid, basket.’ Falten (root falþ) and flechten (root fleh) are entirely unrelated.
# An Etymological Dictionary of the German Language/Annotated/flackern

| This annotated version expands the abbreviations in the original entry flackern. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flackern, verb, ‘to flare, flicker,’ from Middle High German vlackern, ‘to flicker,’ Old High German (once) flagarôn (for flaggarôn?), ‘to fly, flutter about’; akin to Anglo-Saxon flacor, ‘flying, fluttering,’ Middle English flakeren, ‘to fly, flutter about,’ Middle Dutch flackeren, Scandinavian flökra, verb, ‘to flutter,’ as well as the equivalent flökta. Compare the cognate stems Anglo-Saxon flicorian, English to flicker, Dutch flikkern, ‘to glimmer, gleam’; this class, on account of the numerous words it comprised at an early period, cannot be derived from Latin flagrare, nor even be connected with fliegen, to which Old High German flogarôn, flokrôn, ‘to flutter,’ and flogezen, Middle High German vlokzen, ‘to flutter, gleam,’ may be referred.
# An Etymological Dictionary of the German Language/Annotated/flennen

| This annotated version expands the abbreviations in the original entry flennen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flennen, verb, ‘to weep ruefully, grin,’ from Middle High German *vlennen; akin to Old High German flannên, ‘to make a wry face,’ from pre-Teutonic *flaznan?. Root flas, from pre-Teutonic plos, in Latin plôrare, ‘to weep’?.
# An Etymological Dictionary of the German Language/Annotated/flicken

| This annotated version expands the abbreviations in the original entry flicken. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flicken, verb, from the equivalent Middle High German vlicken, ‘to put on a patch, mend’; akin to Fleck.
# An Etymological Dictionary of the German Language/Annotated/flau

| This annotated version expands the abbreviations in the original entry flau. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flau, adjective, ‘feeble, stagnant, insipid, dull,’ simply Modern High German; borrowed in the last century from Low German flau, Dutch flauw, ‘languid, faint, indifferent,’ which, with English flew, ‘soft, tender,’ are derived from Romance. Considering the late appearance of the cognates, and the area to which they are confined, it is certain that they originated ​in French flou, Old French flau, floi; the latter is of Teutonic origin (see lau), so that Modern High German flau is finally derived from a pre-Teutonic hléwa-. Compare Flanke.
# An Etymological Dictionary of the German Language/Annotated/flehen

| This annotated version expands the abbreviations in the original entry flehen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ flehen, verb, ‘to implore, supplicate,’ from Middle High German vlêhen, Old High German flêhan, flêhôn, ‘to implore,’ Old High German also ‘to fondle, flatter’; initial fl for earlier þl, as in fliehen (Gothic þliuhan); compare Gothic gaþláihan (ai a genuine diphthong), ‘to fondle, embrace, console, exhort in a friendly way,’ akin to Gothic gaþláihts, feminine, ‘comfort, warning.’ Also allied to Old Icelandic flár, ‘false, cunning,’ Anglo-Saxon flâh. ‘wily, cunning,’ both pointing to Gothic *þlaiha-. The primary meaning of the root flaih was perhaps ‘importunate, insinuating speech.’
# An Etymological Dictionary of the German Language/Annotated/häßlich

| This annotated version expands the abbreviations in the original entry häßlich. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ häßlich ‘ugly, loathsome,’ from Middle High German haȥ-, hęȥȥelîch, ‘malignant, hateful, ugly.’
# An Etymological Dictionary of the German Language/Annotated/hören

| This annotated version expands the abbreviations in the original entry hören. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hören, verb, ‘to hear, give ear to, listen,’ from the equivalent Middle High German hœren, Old High German hôren; common Teutonic hauzjan, ‘to hear’; compare Gothic hœusjan, Old Icelandic heyra, Anglo-Saxon hŷran, hêran, English to hear, Dutch hooren, Old Low German hôrian (compare also the derivative horchen); Teutonic root hauz, from pre-Teutonic kous, to which is allied Greek ἀκούω (for *α-κούσjω?; Hesychius, κοᾷ ἀκούει). - The latter is probably connected with the Aryan stem of Ohr (cus), just as Latin audire stands for *aus-dire (compare auscultare); in that case the Teutonic guttural h, Greek ἀκ, would be the remnant of a prefix. A more widely diffused stem for hören is Old Teutonic hlus and klu, from Pre-Teutonic klus and klu, which, however, is nearly obsolete in Teutonic; compare laut, lauschen, laustern. Derivative gehorsam, from Middle High German and Old High German gehôrsam (Anglo-Saxon gehŷrsum), ‘obedient.’
# An Etymological Dictionary of the German Language/Annotated/hätscheln

| This annotated version expands the abbreviations in the original entry hätscheln. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hätscheln, verb, ‘to fondle, pamper,’ recently coined in Modern High German?.
# An Etymological Dictionary of the German Language/Annotated/höfisch

| This annotated version expands the abbreviations in the original entry höfisch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ höfisch, adjective, ‘courtly, flattering, fawning,’ from Middle High German hövesch, adjective, ‘courtly, accomplished’; allied to Hof.
# An Etymological Dictionary of the German Language/Annotated/hänseln

| This annotated version expands the abbreviations in the original entry hänseln. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hänseln, verb, Modern High German only, different from the earlier homonymous word mentioned under Hanse; literally ‘to make a Hans, i.e. a fool, of anybody’ (compare the abusive terms Hansdumm, Hansnarr, Hanswurst).
# An Etymological Dictionary of the German Language/Annotated/häufig

| This annotated version expands the abbreviations in the original entry häufig. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ häufig, adjective, copious, abundant,’ Modern High German only, literally ‘by heaps.’
# An Etymological Dictionary of the German Language/Annotated/husch

| This annotated version expands the abbreviations in the original entry husch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ husch, interjection, ‘hush! quick!’ from Middle High German husch (but used only as an interjection to express a feeling of cold); hence Modern High German huschen.
# An Etymological Dictionary of the German Language/Annotated/hämisch

| This annotated version expands the abbreviations in the original entry hämisch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hämisch, adjective, ‘malicious,’ from late Middle High German hęmisch, adjective, ‘close, malicious, cunning, perfidious,’ originally perhaps ‘veiled, obscure’; allied to Old High German *hamo, ‘covering, dress,’ mentioned under Hamen, Hemd, and Leichnam.
# An Etymological Dictionary of the German Language/Annotated/hurra

| This annotated version expands the abbreviations in the original entry hurra. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hurra, interjection, ‘hurrah!’ from Middle High German hurrâ, interjection (allied to Middle High German hurren, ‘to move quickly’).
# An Etymological Dictionary of the German Language/Annotated/hurtig

| This annotated version expands the abbreviations in the original entry hurtig. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ hurtig, adjective, ‘quick, prompt, speedy,’ from Middle High German hurtec, hurteclîch, ‘quick,’ properly ‘dashing violently against’; Mid. hurt, masculine and feminine, ‘coming into violent collision, impact,’ is said to be borrowed from French heurt (Italian urto), ‘thrust,’ which again is derived from Keltic hwrdh, ‘thrust.’ Yet hurtig may be regarded as a genuine Teutonic word, allied to Old High German rado, Anglo-Saxon hrœd, ‘quick,’ with which Old Icelandic horskr, ‘quick,’ is also connected.
# An Anthology of Australian Verse/Players

And after all — and after all,  Our passionate prayers, and sighs, and tears, Is life a reckless carnival?  And are they lost, our golden years?
Ah, no; ah, no; for, long ago,  Ere time could sear, or care could fret, There was a youth called Romeo,  There was a maid named Juliet.
The players of the past are gone;  The races rise; the races pass; And softly over all is drawn  The quiet Curtain of the Grass.
But when the world went wild with Spring,  What days we had! Do you forget? When I of all the world was King,  And you were my Queen Juliet?
The things that are; the things that seem —  Who shall distinguish shape from show? The great processional, splendid dream  Of life is all I wish to know.
The gods their faces turn away  From nations and their little wars; But we our golden drama play  Before the footlights of the stars.
There lives — though Time should cease to flow,  And stars their courses should forget — There lives a grey-haired Romeo,  Who loves a golden Juliet.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Not Understood

Not understood, we move along asunder;  Our paths grow wider as the seasons creep Along the years; we marvel and we wonder  Why life is life, and then we fall asleep  Not understood.
Not understood, we gather false impressions  And hug them closer as the years go by; Till virtues often seem to us transgressions;  And thus men rise and fall, and live and die  Not understood.
Not understood! Poor souls with stunted vision  Oft measure giants with their narrow gauge; The poisoned shafts of falsehood and derision  Are oft impelled 'gainst those who mould the age,  Not understood.
Not understood! The secret springs of action  Which lie beneath the surface and the show, Are disregarded; with self-satisfaction  We judge our neighbours, and they often go  Not understood.
Not understood! How trifles often change us!  The thoughtless sentence and the fancied slight Destroy long years of friendship, and estrange us,  And on our souls there falls a freezing blight;  Not understood.
Not understood! How many breasts are aching  For lack of sympathy! Ah! day by day How many cheerless, lonely hearts are breaking!  How many noble spirits pass away,  Not understood.
O God! that men would see a little clearer,  Or judge less harshly where they cannot see! O God! that men would draw a little nearer  To one another, – they'd be nearer Thee,  And understood.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Night

First stanza is only three lines
Hark how the tremulous night-wind is passing in joy-laden sighs; Soft through my window it comes, like the fanning of pinions angelic,  Whispering to cease from myself, and look out on the infinite skies.
Out on the orb-studded night, and the crescent effulgence of Dian;  Out on the far-gleaming star-dust that marks where the angels have trod; Out on the gem-pointed Cross, and the glittering pomp of Orion,  Flaming in measureless azure, the coronal jewels of God;
Luminous streams of delight in the silent immensity flowing,  Journeying surgelessly on through impalpable ethers of peace. How can I think of myself when infinitude o'er me is glowing,  Glowing with tokens of love from the land where my sorrows shall cease?
Oh, summer-night of the South! Oh, sweet languor of zephyrs love-sighing!  Oh, mighty circuit of shadowy solitude, holy and still! Music scarce audible, echo-less harmony joyously dying,  Dying in faint suspirations o'er meadow, and forest, and hill!
I must go forth and be part of it, part of the night and its gladness.  But a few steps, and I pause on the marge of the shining lagoon. Here then, at length, I have rest; and I lay down my burden of sadness,  Kneeling alone 'neath the stars and the silvery arc of the moon.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse