# The History of Photogen and Nycteris

First publication 1879, serialized in The Graphic. Wikipedia has an article on The History of Photogen and Nycteris.
I: WATHO
There was once a witch who desired to know everything. But the wiser a witch is, the harder she knocks her head against the wall when she comes to it. Her name was Watho, and she had a wolf in her mind. She cared for nothing in itself - only for knowing it. She was not naturally cruel, but the wolf had made her cruel.
She was tall and graceful, with a white skin, red hair, and black eyes, which had a red fire in them. She was straight and strong, but now and then would fall bent together, shudder, and sit for a moment with her head turned over hear shoulder, as if the wolf had got out of her mind on to her back.
II: AURORA
This witch got two ladies to visit her. One of them belonged to the court, and her husband had been sent on a far and difficult embassy. The other was a young widow whose husband had lately died, and who had since lost her sight. Watho lodged them in different parts of her castle, and they did not know of each other's existence.
The castle stood on the side of a hill sloping gently down into a narrow valley, in which was a river, with a pebbly channel and a continual song. The garden went down to the bank of the river, enclosed by high walls, which crossed the river and there stopped. Each wall had a double row of battlements, and between the rows was a narrow walk.
In the topmost story of the castle the Lady Aurora occupied a spacious apartment of several large rooms looking southward. The windows projected oriel-wise over the garden below, and there was a splendid view from them both up and down and across the river. The opposite side of the valley was steep, but not very high. Far away snowpeaks were visible. These rooms Aurora seldom left, but their airy spaces, the brilliant landscape and sky, the plentiful sunlight, the musical instruments, books, pictures, curiosities, with the company of Watho, who made herself charming, precluded all dulness. She had venison and feathered game to eat, milk and pale sunny sparkling wine to drink.
She had hair of the yellow gold, waved and rippled; her skin was fair, not white like Watho's, and her eyese were of the blue of the heavens when bluest; her features where delicate but strong, her mouth large and finely curved, and haunted with smiles.
III: VESPER
Behind the castle the hill rose abruptly; the north-eastern tower, indeed, was in contact with the rock, and communicated with the interior of it. For in the rock was a series of chambers, known only to Watho and the one servant whom she trusted, called Falca. Some former owner had constructed these chambers after the tomb of an Egyptian king, and probably with the same design, for in the center of one of them stood what could only be a sarcophagus, but that and others were walled off. The sides and roofs of them were carved in low relief, and curiously painted. Here the witch lodged the blind lady, whose name was Vesper. Her eyes were black, with long black lashes; her skin had a look of darkened silver, but was of purest tint and grain; her hair was black and fine and straight-flowing; her features were exquisitely formed, and if less beautiful yet more lovely from sadness; she always looked as if she wanted to lie down and not rise again. She did not know she was lodged in a tomb, though now and then she wondereed she never touched a window. There were many couches, covered with richest silk, and soft as her own cheek, for her to lie upon; and the carpets were so thick, she might have cast herself down anywhere - as befitted a tomb. The place was dry and warm, and cunningly pierced for air, so that it was always fresh, and lacked only sunlight. There the witch fed her upon milk, and wine dark as a carbuncle, and pomegranates, and purple grapes, and birds that dwell in marshy places; and she played to her mournful tunes, and caused wailful violins to attend her, and told her sad tales, thus holding her ever in an atmosphere of sweet sorrow.
IV: PHOTOGEN
Watho at length had her desire, for witches often get what they want: a splendid boy was born to the fair Aurora. Just as the sun rose, he opened his eyes. Watho carried him immediately to a distant part of the castle, and persuaded the mother that he never cried but once, dying the moment he was born. Overcome with grief, Aurora left the castle as soon as she was able, and Watho never invited her again.
And now the witch's care was, that the child should not know darkness. Persistently she trained him until at last he never slept during the day, and never woke during the night. She never let him see anything black, and even kept all dull colours out of his way. Never, if she could help it, would she let a shadow fall upon him, watching against shadows as if they had been live things that would hurt him. All day he basked in the full splendour of the sun, in the same large rooms his mother had occupied. Watho used him to the sun, until he could bear more of it than any dark-blooded African. In the hottest of every day, she stript him and laid him in it, that he might ripen like a peach; and the boy rejoiced in it, and would resist being dressed again. She brought all her knowledge to bear on making his muscles strong and elastic and swiftly responsive - that his soul, she said laughingly, might sit in every fibre, be all in every part, and awake the moment of call. His hair was of the red gold, but his eyes grew darker as he grew, until they were as black as Vesper's. He was the merriest of creatures, always laughing, always loving, for a moment raging, then laughing afresh. Watho called him Photogen.
V: NYCTERIS
Five or six months after the birth of Photogen, the dark lady also gave birth to a baby: in the windowless tomb of a blind mother, in the dead of night, under the feeble rays of a lamp in an alabaster globe, a girl came into the darkness with a wail. And just as she was born for the first time, Vesper was born for the second, and passed into a world as unknown to her as this was to her child - who would have to be born yet again before she could see her mother.
Watho called her Nycteris, and she grew as like Vesper as possible - in all but one particular. She had the same dark skin, dark eyelashes and brows, dark hair, and gentle sad look; but she had just the eyes of Aurora, the mother of Photogen, and if they grew darker as she grew older, it was only a darker blue. Watho, with the help of Falca, took the greatest possible care of her - in every way consistent with her plans, that is, - the main point in which was that she should never see any light but what came from the lamp. Hence her optic nerves, and indeed her whole apparatus for seeing, grew both larger and more sensitive; her eyes, indeed, stopped short only of being too large. Under her dark hair and forehead and eye-brows, they looked like two breaks in a cloudy night-sky, through which peeped the heaven where the stars and no clouds live. She was a sadly dainty little creature. No one in the world except those two was aware of the being of the little bat. Watho trained her to sleep during the day, and wake during the night. She taught her music, in which she was herself proficient, and taught her scarcely anything else.
VI: HOW PHOTOGEN GREW
The hollow in which the castle of Watho lay, was a cleft in a plain rather than a valley among hills, for at the top of its steep sides, both north and south, was a table-land, large and wide. It was covered with rich grass and flowers, with here and there a wood, the outlying colony of a great forest. These grassy plains were the finest hunting grounds in the world. Great herds of small, but fierce cattle, with humps and shaggy manes, roved about them, also antelopes and gnus, and the tiny roedeer, while the woods were swarming with wild creatures. The tables of the castle were mainly supplied from them. The chief of Watho's huntsmen was a fine fellow, and when Phototgen began to outgrow the training she could give him, she handed him over to Fargu. He with a will set about teaching him all he knew. He got him pony after pony, larger and larger as he grew, every one less manageable than that which had preceded it, and advanced him from pony to horse, and from horse to horse, until he was equal to anything in that kind which the country produced. In similar fashion he trained him to the use of bow and arrow, substituting every three months a stronger bow and longer arrows; and soon he became, even on horseback, a wonderful archer. He was but fourteen when he killed his first bull, causing jubilation among the huntsmen, and indeed, through all the castle, for there too he was the favourite. Every day, almost as soon as the sun was up, he went out hunting, and would in general be out nearly the whole of the day. But Watho had laid upon Fargu just one commandment, namely, that Photogen should on no account, whatever the plea, be out until sundown, or so near it as to wake in him the desire of seeing what was going to happen; and this commandment Fargu was anxiously careful not to break; for, although he would not have trembled had a whole herd of bulls come down upon him, charging at full speed across the level, and not an arrow left in his quiver, he was more than afraid of his mistress. When she looked at him in a certain way, he felt, he said, as if his heart turned to ashes in his breast, and what ran in his veins was no longer blood, but milk and water. So that, ere long, as Photogen grew older, Fargu began to tremble, for he found it steadily growing harder to restain him. So full of life was he, as Fargu said to his mistress, much to her content, that he was more like a live thunderbolt than a human being. He did not know what fear was, and that, not because he did not know danger, for he had had a severe laceration from the razor-like tusk of a boar - whose spine, however, he had severed with with one blow of his hunting-knife, before Fargu could reach him with defence. When he would spur his horse into the midst of a herd of bulls, carrying only his bow and his short sword, or shoot an arrow into a herd, and go after it as if to reclaim it for a runaway shaft, arriving in time to follow it with a spear-thrust before the wounded animal knew which way to charge, Fargu thought with terror how it would be when he came to know the temptation of the huddle-spot leopards, and the knife-clawed lynxes, with which the forest was haunted. For the boy had been so steeped in the sun, from childhood so saturated with his influence, that he looked upon every danger from a sovereign height of courage. When, therefore, he was approaching his sixteenth year, Fargu ventured to beg of Watho that she would lay her commands upon the youth himself, and release him from responsibility for him. One might as soon hold a tawny-maned lion as Photogen, he said. Watho called the youth, and in the presence of Fargu laid her command upon him never to be out when the rim of the sun should touch the horizon, accompanying the prohibition with hints of consequences, none the less awful that they were obscure. Photogen listened respectfully, but, knowing neither the taste of fear nor the temptation of the night, her words were but sounds to him.
VII: HOW NYCTERIS GREW
The little education she intended Nycteris to have, Watho gave her by word of mouth. Not meaning she should have light enough to read by, to leave other reasons unmentioned, she never put a book in her hands. Nycteris, however, saw so much better than Watho imagined, that the light she gave her was quite sufficient, and she managed to coax Falca into teaching her the letters, after which she taught herself to read, and Falca now and then brought her a child's book. But her chief pleasure was in her instrument. Her very fingers loved it, and she would wander about over its keys like feeding sheep. She was not unhappy. She knew nothing of the world except the tomb in which she dwelt, and had some pleasure in everything she did. But she desired, nevertheless, something more or diferent. She did not know what it was, and the nearest she could come to expressing it to herself was - that she wanted more room. Watho and Falca would go from her beyond the shine of the lamp, and come again; therefore surely there must be more room somewhere. As often as she was left alone, she would fall to poring over the coloured bas-reliefs on the walls. These were intended to represent various of the powers of Nature under allegorical similitudes, and as nothing can be made that does not belong to the general scheme, she could not fail at least to imagine a flicker of relationship between some of them, and thus a shadow of the reality of things found its way to her.
There was one thing, however, which moved and taught her more than all the rest - the lamp, namely, that hung from the ceiling, which she always saw alight, though she never saw the flame, only the slight condensation towards the centre of the alabaster globe. And besides the operation of the light itself after its kind, the indefiniteness of the globe, and the softness of the light, giving her the feeling as if her eyes could go in and into its whiteness, were somehow also associated with the idea of space and room. She would sit for an hour together gazing up at the lamp, and her heart would swell as she gazed. She would wonder what had hurt her, when she found her face wet with tears, and then would wonder how she could have been hurt without knowing it. She never looked thus at the lamp except when she was alone.
VIII: THE LAMP
Watho having given orders, took it for granted that they were obeyed, and that Falca was all night long with Nycteris, whose day it was. But Falca could not get into the habit of sleeping through the day, and would often leave her alone half the night. Then it seemed to Nycteris that the white lamp was watching over her. As it was never permittted to go out - except while she was awake at least - Nycteris, except by shutting her eyes, knew less about darkness than she did about light. Also, the lamp being fixed high overhead, and in the centre of everything, she did not know much about shadows either. The few there were fell almost entirely on the floor, or kept like mice about the foot of the walls.
Once, when she was thus alone, there came the noise of a far-off rumbling: she had never before heard a sound of which she did not know the origin, and here therefore was a new sign of something beyond these chambers. Then came a trembling, then a shaking; the lamp dropped from the ceiling to the floor with a great crash, and she felt as if both her eyes were hard shut and both her hands over them. She concluded that it was the darkness that had made the rumbling and the shaking, and rushing into the room had thrown down the lamp. She sat trembling. The noise and the shaking ceased, but the light did not return. The darkness had eaten it up!
Her lamp gone, the desire at once awoke to get out of her prison. She scarcely knew what out meant; out of one room into another, where there was not even a dividing door, only an open arch, was all she knew of the world. But suddenly she remembered that she had heard Falca speak of the lamp going out: this must be what she had meant? And if the lamp had gone out, where had it gone? Surely where Falca went, and like her it would come again. But she could not wait. The desire to go out grew irresistible. She must follow her beautiful lamp! She must find it! She must see what it was about!
Now there was a curtain covering a recess in the wall, where some of her toys and gymnastic things were kept; and from behind that curtain Watho and Falca always appeared, and behind it they vanished. How they came out of solid wall, she had not an idea, all up to the wall was open space, and all beyond it seemed wall; but clearly the first and only thing she could do, was to feel her way behind the curtain. It was so dark that a cat could not have caught the largest of mice. Nycteris could see better than any cat, but now her great eyes were not of the smallest use to her. As she went she trod upon a piece of the broken lamp. She had never worn shoes or stockings, and the fragment, though, being of soft alabaster, it did not cut, yet hurt her foot. She did not know what it was, but as it had not been there before the darkness came, she suspected that it had to do with the lamp. She kneeled therefore, and searched with her hands, and bringing two large pieces together, recognized the shape of the lmap. Therewith it flashed upon her that the lamp was dead, that this brokenness was the death of which she had read without understanding, that the darkness had killed the lamp. What then could Falca have meant when she spoke of the lamp going out? There was the lamp - dead, indeed, and so changed that she would never have taken it for a lamp but for the shape! No, it was not the lamp any more now it was dead, for all that made it a lamp was gone, namely, the bright shining of it. Then it must be the shine, the light, that had gone out! That must be what Falca meant - and it must be somewhere in the other place in the wall. She started afresh after it, and groped her way to the curtain.
Now she had never in her life tried to get out, and did not know how; but instinctively she began to move her hands about over one of the walls behind the curtain, half expecting them to go into it, as she supposed Watho and Falca did. But the wall repelled her with inexorable hardness, and she turned to the one opposite. In so doing, she set her foot upon an ivory die, and as it met sharply the same spot the broken alabaster had already hurt, she fell forward with her outstretched hands against the wall. Something gave way, and she tumbled out of the cavern.