# The Heart of England/Chapter 10

CHAPTER X
IN A FARMYARD
We waited to let the forty cows go past, each of them pausing to lick the forehead of the strawberry cow that leaned over the gate of her stall and lowed continually concerning her newly-born white calf. But so slow they were in their wanton, obedient movement to the milking-shed that we turned and found another path, and thus surprised a pond lying deep among tansy flowers, grey nettles and billows of conquering bramble and brier.
The farmyard was always dusty, or deep with ridgy mire, from the trampling of men and horses and cows in the streets that wound among its cart-lodges, stables, stalls, milking-sheds and barns all glowing with mature tiles, and ricks gleaming with amber thatch. But in a corner lay unused, older than them all, the long-headed and snaky-bodied pond. We learned to know that pond.
Sometimes, when summer has honoured the water with a perfect suit of emerald green, that pond shows itself to be a monstrous, coiled, primæval thing, lying undisturbed, and content to be still and contemplative. Often has the monster been driven away—by draining; often has it returned, still a green, coiled, primæval being that disappears suddenly in November and leaves a soft, dark ​pool. Some have ventured to intrude upon the monster, to fish for the sleepy carp which are found when it has been driven from its nest of purple mud; but they fish in vain.
The solitary, dying ash tree at the edge of the pond seems, by day, when the monster is powerful there in the summer, to be but the skeleton of an old victim; or, in the winter, the sad and twisted nymph of the water. But every night, like any dreaming child or musing lover, though not perhaps so happily, is it let into a varied, strange, exalted paradise.
You may see it—on still evenings when the mist prevails over all things except the robin's song, and makes even that more melancholy—or when the songs of many nightingales besiege, enter and possess the house and the deserted farmyard—or when the cold and entirely silent air under a purple November sky chills the blood, so that friendship and hope and purposes are all in vain as in an opiate dream—then you may see the ash-tree take heart. It has the air of one going home upon a lonely road that will not end in loneliness. Those bare and stiff, decaying branches are digits pointing homeward through the sky; the tree forgets the monster at its feet and the children who laugh and the supremacy of the buildings round about. It might seem, with those extended branches, to be a self-torturing and aspiring fanatic who had endured thus for uncounted days and nights, and has his vision at last. For, when night is perfect, the tree exults, and though it is perhaps not joyous, it is as one of those great sorrowful temperaments—of soldier, or explorer, or humorist—so active and inexorable that they ​may claim kinship with the truly joyous ones. If it is still sad, it is "endiademed with woe." How large and satanic it is beside the heavy rounded oaks and the stately, feminine elms and the lovely limes.
Even so might a philosopher heighten and lord it, travelling in Charon's ship along with deflated tyrants and rhetoricians and bold and crimson animals born to eat provinces and to poison worms; even so, Ossian and Arthur and Cuchullain and Achilles triumph over men that were yesterday on thrones and chariots.
Often have I seen the tree, and it alone, giving character to the whole valley and filling the land as a bell fills a cathedral or as the droning of a bee fills a lily.
My little thoughts seem to be drawn up among the black branches like twittering birds going to rest in some high cliff that is a chief pillar of the fabric of the night. Half dead and threatened though it be, surely the spirit of it, which is to many a broad and tragical night as the arm of a great painter to his picture, will survive not only me and my words but the tree itself. I have approached it on some moonlit midnights, when the sky was so deep that the tall oaks were as weeds at the bottom of an unfathomed sea, and it has stood up erect and puissant, as if it were the dreamer at one with all he sees, in a world of blind men with open eyes. Then, as the autumn dawn arrived it was still looking towards Orion; defrauded, indeed for a time of its vision, but not of its glory. The swaying cows wandered to the milking-​sheds. The little bats ran to and fro in the air and made their little snipping and drumming sounds. It was light; but the ash tree was not utterly cast down; it still walked in the way of the stars; it was inscribed in solemn characters upon the sun that rode up red in the mist.