OpenLLM-France/wikimedia huggingface dataset:
# Felt’s Parliamentary Procedure/Objection to Consideration

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OBJECTION TO CONSIDERATION.
126. An objection may be made to the consideration of any principal motion, order of the day, conference report, or resolution, by any member, if he considers it devoid of interest, out of place, calculated to make trouble, or irrelevant to the object of the assembly or for other reasons; but ​the objection can be made only when the question is first presented or before debate has begun.
The question of consideration applies only to such questions as bring a subject before the assembly for consideration, and not to any strictly parliamentary motion. For example, to adjourn to lay on the table, to amend, to commit, etc. It can be made when another member has the floor, or the chairman may put an objection on his own responsibility.
​127. The form is, “I object to the consideration of the question.” This does not require recognition from the chair, or to be seconded.
When the objection is made the chairman says, “Shall the question be considered?” and a vote is then taken. If decided in the negative (two-thirds vote), the whole matter is dismissed for that session, unless reconsidered. If the negative vote is less than two-thirds the question is before the assembly for consideration. Objection to the consideration of any question is seldom made in legislative assemblies or in assemblies of a political nature; in such assemblies the motions is not in general use, unless authorized by special rule; but in fraternal societies, in order to prevent the discussion of political questions or such questions as are peculiarly objectionable and tend to create ill-feeling among the members, the question may be profitably used and is, therefore, recommended.
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# Felt’s Parliamentary Procedure/How to Obtain the Floor

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HOW TO OBTAIN THE FLOOR.
23. Whenever a member desires to introduce any business or to speak to the question before the assembly, it is necessary to first obtain the floor. In order to do this he rises in his place and addresses the presiding officer by his official title, as “Mr. Chairman,” or “Mr. President,” and awaits recognition. When offering a motion or ​when desiring the floor for any purpose the speaker, after addressing the chair, should remain standing and silent until recognized by the chair. This recognition is shown by the chairman calling the name of the member, or by some sign of recognition, which signifies to the assembly who has the floor. (For exceptions see Sec. 79). If more than one member asks the floor at the same time, upon the chair's decision as to which is entitled to the floor, all others should be seated and await another opportunity. If, however, any member considers himself aggrieved by the decision it is his privilege to appeal (124) to the assembly.
24. Upon recognition by the chairman the member is entitled to the floor and states his proposition, business of motion, which must be reduced to writing, if requested by the chairman. Until the member has the floor the introduction of any business is not in order. After the member has the floor he cannot be interrupted by calls for the question, or by a motion to adjourn, or for any purpose by either the chairman or any member, so long as he ​keeps within the rules of the assembly, except to have entered on the minutes a motion to reconsider (135), by a call to order (32), by an objection to the consideration of the question (126), by a call for the orders of the day (89), or by a question of privilege requiring immediate action (87).
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# Felt’s Parliamentary Procedure/Index

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INDEX.
Section.
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# Felt’s Parliamentary Procedure/Meeting and Session

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MEETING AND SESSION.
29. A meeting is the coming together or assembling of the members of a society, or body, and covers only the time between the calling to order and an adjournment. If the adjournment is to a fixed time before the next regular session, the second meeting will be another meeting of the same session: since any meeting which is not an adjournment of another meeting begins a new session.
​This is illustrated either by a session of Parliament, which is opened by a speech from the throne and, after many meetings, is closed by prorogation, or by a session of Congress, which includes many meetings.
In the case of a permanent society holding regular meetings at stated times, as weekly, semi-monthly, or monthly, each meeting should be regarded as a separate session unless the adjournment be to a fixed time before the next regular session.
31. Special meetings are those called by the officers or members of a society,—through proper notice to each member in some regular way as set forth in the by-laws or by rule of the organization,—for the transaction of some special business. The rules for calling special meetings should be strictly enforced. The object of the meeting should be specified in the call convening the meeting and should be so guarded that no business can be legally transacted at said special meeting except such as is germane to the business specified in the call. If, however, all the members ​of the society are present at a special meeting, other business than that specified in the call may be legally transacted, if there is no objection.
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# Felt’s Parliamentary Procedure/Main Question

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MAIN QUESTION.
27. The main or principal question is any particular subject brought before the assembly for its consideration. It takes precedence of nothing except another principal question, and therefore cannot be in​troduced when any question is before the assembly. In order to insure correctness instating, and to prevent a misunderstanding of a complicated motion, the mover of any principal motion or resolution must (if requested by the presiding officer) submit it in writing. It requires to be seconded (for exceptions see Sec. 76), and is not before the assembly for debate until it has been stated by the chair.
By parliamentary courtesy the member upon whose motion a subject is brought before the assembly is first given the floor. In case of the report of a committee this courtesy is extended to the member who presents the report.
28. If a principal motion be indefinitely postponed (122), or rejected, it cannot be brought up again at that session, except by a motion to reconsider (135) the vote by which it was postponed or rejected; this rule applies also to the equivalent of, or to the negative of that motion. But, inasmuch, as one assembly cannot dictate to or ​control the action of another assembly, the same question may be again brought up at any succeeding session.
Whenever a question has been postponed on motion to a certain day, or hour (102), it becomes on that day or that hour one of the orders of the day (89).
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# Felt’s Parliamentary Procedure/Need of Rules

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NEED OF RULES.
2. It is important that all deliberative assemblies should have certain rules for their government in debate and for directing their method of transacting business, since without rules any large assembly might become unmanageable and therefore unable to accomplish its purpose. It is therefore necessary that any deliberative assembly, to command respect, and proceed ​with as little discord as possible, should adopt certain rules, and conduct its business with a regard for certain forms and rules of procedure in order that the will of the majority may be carried out with due regard to the rights of the minority, and that the will of the assembly be ascertained with fair dealing.
It is not of so much importance whose or what set of rules is adopted, as that the assembly recognize and govern itself by some rule or system in conducting its business so that there may be uniformity of proceeding, decorum and regularity, and that the dignity of the body be preserved. It is therefore customary for societies to adopt some authority as a guide in its procedure. When such authority as adopted it should be closely adhered to in all cases to which it is applicable, and is not inconsistent with the organic law or special rules of the society. Any assembly may, however, modify the rules or make for its government special rules which supersede the adopted authority and common parliamentary usage in all ​points to which they relate, and are binding on its members so long as in force, but have no force in any assembly except that which created them. If, however, the assembly or society be a branch of a superior body, or parent organization, it cannot make a rule which conflicts with the constitution, by-laws, or rules of the parent organization, since the constitution, by-laws, etc., form the organic law of the organization, and cannot be suspended by the subordinate body. When a society has such special rules, and an adopted authority, the order of precedence is as follows:
    1st. The organic law.
    2nd. The special rules.
    3rd. The adopted authority.
    4th. Parliamentary usage.
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# Fancy dresses described

This work details a number of historical fancy dress ideas.
Fancy dresses described;
OR,
WHAT TO WEAR AT FANCY BALLS.
By ARDERN HOLT.
FIFTH EDITION.
LONDON:
DEBENHAM & FREEBODY, WIGMORE STREET AND WELBECK STREET;
WYMAN & SONS, 74–76, GREAT QUEEN STREET; AND ALL BOOKSELLERS.
ENTERED AT STATIONERS' HALL.
DEBENHAM & FREEBODY
Invite an inspection of their Novelties and Specialties in
COURT DRESSES AND TRAINS,
PRESENTATION DRESSES,
BALL, EVENING, AND VISITING DRESSES,
COSTUMES,
TAILOR-MADE JACKETS AND GOWNS,
TEA-GOWNS, DRESSING-GOWNS,
MANTLES, MILLINERY,
AND
WEDDING TROUSSEAUX.
SPECIAL DESIGNS IN
NATIONAL, HISTORICAL, AND FANCY COSTUMES FOR TABLEAUX, THEATRICALS, AND FANCY BALLS.
DEBENHAM & FREEBODY, WIGMORE STREET & WELBECK STREET, LONDON, W.
PREFACE.
THE Fourth Edition of Ardern Holt's "Fancy Dresses Described" being exhausted, we have made arrangements for the publication of the Fifth Edition with such corrections as experience dictates, and a very large addition to the number of characters detailed.
The suggestions we have received have been carefully noted, and the result is a larger and more comprehensive work than any hitherto published.
The inquiry for Coloured Plates has induced us to select sixteen favourite Models for Illustration in Colours, of a completely new character, as well as a new series of smaller Illustrations, and we trust they will add greatly to the usefulness of the book.
The Author's name is a guarantee for the correctness of the descriptions and accuracy of details; and we have endeavoured (as in former editions) to maintain such simplicity as will enable many ladies to produce the costumes at home.
DEBENHAM & FREEBODY.
* Illustrations
* Introduction
* A-Z
* Images
* Appendix
* end matter
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Fancy

* Search for titles containing or beginning with: "Fancy."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Fancy", a poem by William Barnes
* "Fancy", a poem by John Keats
* "Fancy", a poem by William Shakespeare
# Fancy dresses described/Illustrations

LIST OF ILLUSTRATIONS.
COLOURED.
| | | | | PLATE |
| Marguerite de Valois | Marguerite de Valois | Marguerite de Valois | Marguerite de Valois | I. |
| Countess of Argyle (in the time of Mary, Queen of Scots) | Countess of Argyle (in the time of Mary, Queen of Scots) | Countess of Argyle (in the time of Mary, Queen of Scots) | Countess of Argyle (in the time of Mary, Queen of Scots) | II. |
| Classic | Classic | Classic | Classic | III. |
| Dowager of Brionne | Dowager of Brionne | Dowager of Brionne | Dowager of Brionne | IV. |
| Esmeralda | Esmeralda | Esmeralda | Esmeralda | V. |
| Hero | Hero | Hero | Hero | VI. |
| Hornet | Hornet | Hornet | Hornet | VII. |
| Incroyable | Incroyable | Incroyable | Incroyable | VIII. |
| Italian Peasant | Italian Peasant | Italian Peasant | Italian Peasant | IX. |
| Magpie | Magpie | Magpie | Magpie | X. |
| Monte Carlo | Monte Carlo | Monte Carlo | Monte Carlo | XI. |
| Normandy | Normandy | Normandy | Normandy | XII. |
| Swiss | Swiss | Swiss | Swiss | XIII. |
| Watteau | Watteau | Watteau | Watteau | XIV. |
| Witch | Witch | Witch | Witch | XV. |
| Maltese Water Carrier | | Suitable for Children | | XVI. |
| Butterfly | | Suitable for Children | | XVI. |
| Red Riding Hood | | Suitable for Children | | XVI. |
| Goblin | | Suitable for Children | | XVI. |
UNCOLOURED. :
| | FIG. |
| Alsatian | 1 |
| Amy Robsart | 2 |
| Anne Boleyn | 3 |
| Air | 4 |
| Mrs. Balchristie | 5 |
| Blue Coat | 6 |
| Breton | 7 |
| Carrier Pigeon | 8 |
| Charity Girl | 9 |
| Charlotte Corday | 10 |
| Cinderella | 11 |
| Colleen Bawn | 12 |
| Di Vernon | 13 |
| Diana | 14 |
| Dresden China | 15 |
| England | 16 |
| Folly | 17 |
| Flower Girl | 18 |
| Footwoman | 19 |
| Fish Girl (Newhaven) | 20 |
| Girl Graduate | 21 |
| Gleaner | 22 |
| Grace Darling | 23 |
| Gainsborough | 24 |
| Miss Hardcastle | 25 |
| Huguenot | 26 |
| Juliet | 27 |
| Joan of Arc | 28 |
| Marie Stuart | 29 |
| Mary Queen of Scots | 30 |
| Marguerite | 31 |
| Marie Antoinette | 32 ​ |
| Nurse | 33 |
| Night | 34 |
| Olivia Primrose | 35 |
| Punchinella | 36 |
| Patience | 37 |
| Pansy | 38 |
| Polish | 39 |
| Puritan | 40 |
| Rubens's Wife | 41 |
| Russian | 42 |
| Serving Maid | 43 |
| Lady Teazle | 44 |
| Venetian | 45 |
| Vivandière | 46, 47 |
| Vandyke | 48, 64 |
| Effie Deans | 49 |
| Dress of the Empire | 50 |
| Maid of Athens | 51 |
| Music | 52 |
| Lady Jane Grey | 53 |
| Martha | 54 |
| Welsh | 55 |
| Louis XIV | 56 |
| Pillar Post | 57 |
| Puritan | 58 |
| Old-Fashioned Beau | 59 |
| Harlequinette | 60 |
| Fairy | 61 |
| Dutch Fisher Boy | 62 |
| Grenadier | 63 |
# Fancy dresses described/Images

Engraved figures.
| 1. Alsatian. | 2. Amy Robsart. |
| 3. Anne Boleyn. | 4. Air |
| 5. Mrs Balchristie. | 6. Blue Coat. |
| 7. Breton. | 8. Carrier Pigeon. |
| 9. Charity Girl. | 10. Charlotte Corday. |
| 11. Cinderella. | 12. Colleen Bawnn. |
| 13. Di Vernon. | 14. Diana. |
| 15. Dresden China. | 16. England. |
| 17. Folly. | 18. Flower Girl. |
| 19. Footwoman. | 20. Newhaven Fish Girl. |
| 21. Girl Graduate. | 22. Gleaner. |
| 23. Grace Darling. | 24. Gainsborough. |
| 25. Miss Hardcastle. | 26. Huguenot. |
| 27. Juliet. | 28. Joan of Arc. |
| 29. Mary Stuart. | 30. Mary Queen of Scots. |
| 31. Marguerite. | 32. Marie Antoinette. |
| 33. Nurse. | 34. Night. |
| 35. Olivia Primrose. | 36. Punchinella. |
| 37. Patience. | 38. Pansy. |
| 39. Polish. | 40. Puritan. |
| 41. Rubens' Wife. | 42. Russian. |
| 43. Serving Maid. | 44. Lady Teazle. |
| 45. Venetian. | 46. Vivandiere. |
| 47. Vivandiere. | 48. Vandyke. |
| 49. Effie Deans. | 50. Dress of the Empire. |
| 51. Maid of Athens. | 52. Music. |
| 53. Lady Jane-Grey. | 54. Martha. |
| 55. Welsh. | 56. Louis XIV. |
| 57. Pillar Post. | 58. Puritan. |
| 59. Old Fashioned Beau. | 60. Harlequinette. |
| 61. Fairy. | 62. Dutch Fisher Boy. |
| 63. Grenadier. | 64. Vandyke. |
Coloured Plates:-
I
MARGUERITE DE VALOIS
II
COUNTESS OF ARGYLL
IN THE TIME OF MARY, QUEEN OF SCOTS
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
| MALTESE WATER CARRIER | BUTTERFLY |
| RED RIDING HOOD | GOBLIN |
# Fancy dresses described/end matter

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DEBENHAM & FREEBODY
SUPPLY every requisite for FANCY COSTUMES, either for Balls or Private Theatricals, and keep in stock a variety of Plain and Fancy Silks and Satins, Plain and Figured Cambrics, Printed Cretonnes and Sateens, Gloves, Flowers, Feathers, &c., for the purpose.
In addition to their ordinary Stock they provide to order Boots, Shoes, Sandals, Gilt Ornaments, Gems, Daggers, Helmets, Masks, Powder, Swords, Wigs, and any other article required.
DEBENHAM & FREEBODY,
WIGMORE STREET AND WELBECK STREET,
LONDON W
With additional Illustrations. In Paper Cover 2s. 6d., Cloth p. 6d.
Gentlemen's Fancy Dress
HOW TO CHOOSE IT
Descriptions of FANCY COSTUMES suitable for GENTLEMEN.
By ARDERN HOLT,
AUTHOR OF "FANCY DRESSES DESCRIBED; OR, WHAT TO WEAR AT FANCY BALLS."
THIS handy volume contains many suggestions for making Fancy Dresses at home, also for arranging Costumes at little cost. It presents a series of minute descriptions, thereby directing the choice where it is intended to purchase or have recourse to a costumier. The Illustrations are a valuable assistance.
LONDON:
WYMAN & SONS, 74-76, GREAT QUEEN STREET, LINCOLN'S-INN FIELDS, W.C.
# Fancy (Keats)

* "Fancy", in The complete poetical works and letters of John Keats (1899), edited by Horace Elisha Scudder
* "Fancy", in Keats; poems published in 1820 (1909), edited by Margaret Robertson
# Encyclopædia Britannica, Ninth Edition/François Marius Granet

See also François Marius Granet on Wikipedia; François Marius Granet on Wikipedia, Granet in the 11th edition; and the disclaimer.
​GRANET, FRANCOIS MARIUS (1777-1849), was the first painter who felt and attempted to render the aesthetic charm of Middle Age and Renaissance architecture. He was born at Aix in Provence, on the 17th December 1777 ; his father was a small builder, but the boy s own strong desires led his parents to place him after some preliminary teaching from a passing Italian artist in a free school of art directed ​by M. Constantin, a landscape painter of some reputation who lived in the town. In 1793 Granet followed the volunteers of Aix to the siege of Toulon, at the close of which he obtained employment as a decorator in the arsenal. Whilst yet a lad he had, at Aix, made the acquaintance of the young Comte de Forbin, and it was upon his invitation that Granet, in the course of the year 1797, proceeded to Paris. De Forbin was one of the pupils of David, and Granet entered the same studio. Later on he got posses sion of a coll in the convent of Capuchins, which, having served for a manufactory of assignats during the Revolution, was afterwards inhabited almost exclusively by artists. In the changing lights and shadows of the corridors of the Capuchins, Granet found the materials for that one picture to the painting of which, with varying success, he devoted his life. In 1802 he left Paris for Rome, where he remained until 1819, when he returned to Paris, bringing with him besides various other works one of fourteen repetitions of his celebrated Choeur des Capucins, executed in 1811. The figures of the monks celebrating mass are taken in this subject as a substantive part of the architectural effect, and this is the case with all Granet s works, even with those in which the figure subject would seem to assert its import ance, and its historical or romantic interest. Stella painting a Madonna on his Prison Wall, 1810 (Leuchtenberg collec tion) ; Sodoma a 1 Hopital, 1815 (Louvre); Basilique basse de St FranQois d Assise, 1823 (Louvre) ; Rachat de Prison- niers, 1831 (Louvre) ; Mort de Poussin, 1834 (Villa Demidoff, Florence), are among his principal works ; all are marked by the same peculiarities, everything is sacrificed to tone. In 1819 Louis Philippe decorated Granet, and afterwards named him Chevalier de 1 Ordre St Michel, and Conservateur des tableaux de Versailles (1826). He be came member of the Institute in 1830; but in spite of these honours, and the ties which bound him to M. de Forbin, then director of the Louvre, Granet constantly returned to Rome. After 1848, he retired to Aix, immediately lost his wife, and died himself on the 21st November 1849. He bequeathed to his native town the greater part of his fortune and all his collections; these are now exhibited in the Muse s, together with a very fine portrait of the donor painted by Ingres in 1811. M. Dele cluze, in Louis David et son temps, devotes a few pages to Granet and his friend the Comte de Forbin.
# Encyclopædia Britannica, Ninth Edition/Frankfort (1.)

See also Frankfort, Kentucky on Wikipedia; Frankfort on Wikipedia; Frankfort in the 11th Edition; and the disclaimer.
FRANKFORT, a city of the United States, capital of Franklin county and of the State of Kentucky, is picturesquely situated on both sides of the Kentucky river, on a space of elevated ground bounded by a bluff 150 feet high. It is distant 29 miles W.N.W. from Lexington, and 65 miles E. from Louisville, by rail. The river is crossed at Frankfort by two bridges, and that portion of the town lying on the south side of the river is known as South Frankfort. The principal buildings are the State house, a marble building with a handsome portico supported by Ionic columns, the institution for imbecile children, the State penitentiary, the county court-house, and the public hall. The beautiful cemetery contains the remains of Daniel Boone, the pioneer of Kentucky, who died September 20, 1820. Frankfort has distilleries and flour and cotton mills, and a considerable trade in lumber. The river is navigable for steamers 40 miles above the city. Frankfort was laid out in 1787, and became the capital of the State in 1792. In 1862 it was occupied for a short time by the Confederates. The population in 1860 was 3702, and in 1870, 5396, of whom 2335 were coloured.