OpenLLM-France/wikimedia huggingface dataset:
# 2022 Lesbian, Gay, Bisexual, Transgender, and Queer Pride Month

| PERSONNEL AND READINESS | UNDER SECRETARY OF DEFENSE 4000 DEFENSE PENTAGON WASHINGTON, D.C. 20301-4000 JUN - 1 2022 |
| MEMORANDUM FOR SENIOR PENTAGON LEADERSHIP | MEMORANDUM FOR SENIOR PENTAGON LEADERSHIP | |
| | DEFENSE AGENCY AND DOD FIELD ACTIVITY DIRECTORS | DEFENSE AGENCY AND DOD FIELD ACTIVITY DIRECTORS |
SUBJECT: 2022 Lesbian, Gay, Bisexual, Transgender, and Queer Pride Month
The Department recognizes June 2022 as Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ+) Pride Month. During Pride Month, we commemorate the achievements and contributions of the LGBTQ+ community, to include service in defense of our Nation.
This year's Pride Month theme is "All Together." Our Total Force is comprised of Service members, civilian employees, and contractor personnel who serve together with dignity and pride. The Department welcomes all qualified individuals to serve, regardless of their gender identity or sexual orientation. We work together to promote an inclusive culture that ensures respect and equal opportunity for all members of the Department while leveraging their diversity of experiences and perspectives to the Department's strategic advantage.
As the Department commemorates Pride Month, we reaffirm our commitment to care for each other and cultivate an environment where all members of the Total Force can achieve their highest potential. We appreciate the contributions of the LGBTQ+ workforce and understand that inequity and discrimination undermine diversity's strategic advantage and our core values. As emerging threats to our national defense arise, let us remember the tremendous strength we derive from working together as teams of diverse individuals united by a common mission to defend the Nation. For more information on LGBTQ+ Pride Month, I encourage you to visit: https://www.defenseculture.mil/Human-Relations-Toolkit/Special-Observances.
* Gilbert R. Cisneros, Jr.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chui
### Chui.
#### 堆$^1$

    A heap of earth; a pile; to accumulate; promiscuous.

#### 椎$^1$

    A bludgeon; club; to strike; blunt; stupid.

#### 錐$^1$

    An awl; sharp point.

#### 凸$^1$

    Protuberant; jutting out; convex; a hillock.

#### 水$^2$

    Water; tide.

#### 崇$^2$

    Calamities; ill omens.

#### 悴$^{-3}$

    Grief visible in the countenance;

#### 猝$^{-3}$

    Abrupt; fierce; impetuous.

#### 瘁$^{-3}$

    Labor; toil; pain; disease.

#### 萃$^{-3}$

    To collect; a rustling sound, as of leaves. ​

#### 誶$^{-3}$

    To vilify; rail at; reprove; accuse: to interrogate.

#### 醉$^{3-}$

    Intoxicated; stupified; highly fascinated.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chun
### Chun.
#### 船$^{-1}$

    A ship; junk; boat; to follow the stream.

#### 尊$^1$

    To honor; respect; honorable; venerable.

#### 蹲$^1$

    A proud attitude; to sit in a reclining posture; to collect.

#### 遵$^1$

    To follow; obey; comply with; obedience.

#### 樽$^1$罇$^1$

    A wine vessel; luxuriant; a desist; stop.

#### 逡$^1$

    To retire back abashed; to refuse.

#### 准$^2$

    To approve; grant; allow; to decide.

#### 凖$^2$

    To equalise; adjust; weight; measure.

#### 撙$^{3-}$

    To adjust; direct; put in order; restrain.

#### 俊$^{3-}$

    Superior talent; a high degree of excellence.

#### 峻$^{3-}$

    Illustrious; high; dangerous.

#### 梭$^{3-}$

    Name of a wood.

#### 浚$^{3-}$

    Deep water; profound.

#### 畯$^{3-}$

    A husbandman; an officer who presides over land.

#### 竣$^{3-}$

    To complete one's work; to finish; retire and stand still.

#### 餕$^{3-}$

    Hot food; the remains of food.

#### 駿$^{3-}$

    A fine horse; dignified; illustrious; elegant.

#### 雋$^{3-}$

    Beautiful; fine; good; fat.

#### 鐫$^{3-}$

    To carve; engrave; cut letter or words.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chut
### Chut.
#### 秫$^{-4}$

    A certain grain; a viscous substance made from grain.

#### 糯$^{-4}$

    Name of a particular kind of rice.

#### 卒$^4$

    Soldiers; lictors; to cease; finish; die; haste; sudden; urgent.

#### 倅$^4$

    To assist; an assistant officer; a hundred men.

#### 率$^4$

    To lead; direct; to follow sudden; prompt.

#### 蟀$^4$

    A cricket
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chán
### Chán.
#### 層$^{-1}$

    An upper room or loft; a degree.

#### ⿱山層$^{-1}$

    Mountains rising one above another.

#### 罾$^{-1}$

    A fishing net.

#### 贈$^{3-}$

    To present to; give; bestow.

#### 棧$^{3-}$

    A scaffold; upper loft; a tent; stable; a railing.

#### 贊$^{3-}$

    To see; to enter; discover; praise.

#### 纘$^{3-}$

    To continue on in succession.

#### 瓚$^{3-}$

    A kind of sceptre; a vessel to contain wine.

#### 讚$^{3-}$

    To praise; assist.

#### 站$^{3-}$

    To stand up; erect.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Cháp
### Cháp.
#### 匝$^{-4}$

    To go round; perform the circuit of; revolve.

#### 雜$^{-4}$襍$^{-4}$

    A mixture of colors or ingredients; mixed; confused.

#### 卡$^{-4}$

    An important pass with a military station; a guard house.

#### 十$^{-4}$

    Ten

#### 汁$^4$

    Juice; gravy; thick liquor

#### 札$^4$

    A board or tablet to write on.

#### 扎$^4$

    To bind; pluck up; eradicate.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chá
### Chá.
#### 柴$^{-1}$

    Fuel; to collect.

#### 嗟$^1$

    To sigh; lament; a tone of sorrow or surprise.

#### 槎$^1$

    To hew wood; pare; to fell.

#### 渣$^1$

    Settlings; dregs.

#### 𦊨$^1$

    A net for rabbits.

#### 昔$^2$

    Formerly; in former times.

#### 昨$^2$

    Yesterday; recently.

#### 早$^2$

    Morning; early; speedily.

#### 蚤$^2$

    A kind of insect.

#### 乍$^{3-}$

    Suddenly; unexpectedly; for a short time.

#### 搓$^1$

    To rub in the hand.

#### 怍$^{3-}$

    Ashamed; to blush.

#### 怎$^{3-}$

    How? why?

#### 詐$^{3-}$

    False; deceitful.

#### 醡$^{3-}$

    A wine press.

#### 仄$^4$

    Rough tone.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chue
### Chue.
#### 罪$^{-3}$

    Crime; sin; to criminate.

#### 贅$^{-3}$

    To give a pledge; addition; repetition; tautology.

#### 嘬$^{-3}$

    To eat with greediness; many eating all at once.

#### 最$^{3-}$

    Important in the highest degree; superlative.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chák
### Chák.
#### 窄 笮$^{-4}$

    Narrow; compressed; a quiver: a punishment.

#### 作$^4$

    To act; make; do; begin.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Chám
### Chám.
#### 針$^1$

    A needle; any pointed instrument.

#### 簪$^1$

    A pin of metal or wood to fasten the hair.

#### 箴$^1$

    A needle; a surgeon's probe; to probe.

#### 斬$^2$

    To cut asunder; decapitate.

#### 譖$^{3-}$

    To revile; slanderous speech.
# A Chinese and English vocabulary, in the Tie-chiu dialect/Cháng
### Cháng.
#### 欉$^{-1}$

    A numeral of trees; a tree; bush.

#### 臧$^1$

    Good; faithful; generous.

#### 莊$^1$

    Sedate; stern; rigid.

#### 棕$^1$

    Name of a tree.

#### 萗$^1$

    Small; trees with small branches.

#### 鬃$^1$

    The hair on a horse's neck; mane.

#### 贜$^{-3}$

    The viscera of the animal body.

#### 贓$^{-3}$

    To receive bribes; unjust gain; stolen goods; booty.

#### 壯$^{3-}$

    Large; strong; affluent; manhood.
# A Daughter of Eve

A fool I was to sleep at noon,  And wake when night is chilly Beneath the comfortless cold moon; A fool to pluck my rose too soon,  A fool to snap my lily.
My garden-plot I have not kept;  Faded and all-forsaken, I weep as I have never wept: Oh it was summer when I slept,  It's winter now I waken.
Talk what you please of future spring  And sun-warm'd sweet to-morrow:— Stripp'd bare of hope and everything, No more to laugh, no more to sing,  I sit alone with sorrow.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Daughter of Eve (Balzac)

* information about this edition.
* sister projects: Wikidata item.
Original French title: "Une Fille d'Eve". First published 1839, included as part of La Comédie humaine; translation published in 1895.
* Dedication
* Chapter I: THE TWO MARIES
* Chapter II: A CONFIDENCE BETWEEN SISTERS
* Chapter III: THE HISTORY OF A FORTUNATE WOMAN
* Chapter IV: A CELEBRATED MAN
* Chapter V: FLORINE
* Chapter VI: ROMANTIC LOVE
* Chapter VII: SUICIDE
* Chapter VIII: A LOVER SAVED AND LOST
* Chapter IX: THE HUSBAND'S TRIUMPH
* Addendum
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# A Cyclopaedia of Female Biography/Kavanah, Julia

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KAVANAH, JULIA,
Is a distinguished writer of the present day; although of Irish birth and parentage, she has devoted her pen chiefly to depict the manners and scenery of France, amid which the greater part of her life has been passed. The date of Miss Kavanah's birth is 1824; the place, Thurles, in the county of Tipperary; her mother's maiden-name was Sophia Fitzpatrick, and her father was Morgan Kavanah, of an old Limerick family. Whilst she was yet a child her parents left Ireland, and after a brief sojourn in London, passed over to France, and took up their abode in Paris, where Julia received her education, and acquired that intimate knowledge of French society which she has turned to such good account in her works. In her twentieth year, that is in 1844, Miss Kavanah came to London, with the determination of devoting herself to literary pursuits. She commenced by contributing tales and essays to various periodicals, by which she acquired considerable popularity, and in 1847 published her first book, a juvenile tale, entitled "The Three Paths;" this was followed, in 1848, by "Madeleine," a story of great and powerful interest. In 1850, came out "Women of France in the Eighteenth Century," two volumes filled with pleasant piquant cabinet pictures of the female celebrities of a most extraordinary and exciting period of French history. We have next, bearing date 1851, a novel, entitled "Nathalie," the scene of which is laid in a remote department of the south of France; it is extremely picturesque, and full of character, finely and firmly drawn. "Women of Christianity," issued in 1852, was the next product of Miss Kavanah's fertile pen; it consists of biographical sketches of women of all ages eminent for piety and benevolence. "Daisy Burns," and "Grace Lea," both three-volume novels, and "Rachel Grav," a single-volume tale, make up the catalogue of our author's published works. She writes pleasantly and fluently, with an esprit more French than English, but her usual tone is sound and healthy, notwithstanding her continental education.
# A Cyclopaedia of Female Biography/Karsch, Anna Louisa

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KARSCH, ANNA LOUISA,
A German poetess, was born December 1st., 1722, in a small hamlet called Nammer, on the borders of Lower Silesia. Her father kept an alehouse; but, dying before Louisa was eight years old, she was taken by a great-uncle, residing in Poland, who taught her to read and write.
Having remained three years with this relative, she returned to her mother, who employed her in household labour and in taking care of the cows. It was at this time that Louisa began to display her fondness for intellectual occupations; but her mother checked her inclinations as much as possible. When she was seventeen she was married to a wool-comber; and, being obliged to share his labour, as well as attend to her household, she had but little leisure to cultivate the muses. She, nevertheless, composed verses while she worked, and on Sunday committed them to paper. After living with this husband for eleven years, she obtained a divorce.
Her poverty induced her to marry Karsch, a tailor, whose dissipated habits threw all the support of the family on Louisa, and rendered her very unhappy. It was at this time that she first began ​to sell her poems: and she also wandered about the country as an improvisatrice. Her writings having fallen into the hands of several gentlemen, she was encouraged to persevere. In 1755, she removed to Great Glogau, where, for the first time, she gained access to a bookseller's shop.
In 1760, she became acquainted with Baron Cottwitz, a Silesian nobleman, who, travelling through Glogau, was struck with her talents; and, commiserating her distress, he took her with him to Berlin, and introduced her to the circle of literati, and to the king, Frederic William the Second. Here she composed most of the poems that were printed in her collection.
Several small pensions were bestowed upon her; but as she had two children and a brother dependent upon her, they proved insufficient for her support. Frederic William the Second had a house built for her, and she was so anxious to occupy it, that she went into it before the walls were dry. This imprudence cost her her life. She died, October, 1791. Her daughter published her memoirs and some of her poems, in 1792.
# A Cyclopaedia of Female Biography/Kent, Duchess of

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KENT, DUCHESS OF
Is the sixth child and youngest daughter of Francis, Duke of Saxe Saalfield Cobourg, and was born August 17th., 1786. She was married to Enrich Charles, hereditary Prince of Leiningen, Her husband died in 1814, leaving her with two children, the Prince of Leiningen and the Princess Anna Feodoronna. She was then called to the regency, and her administration was popular and respected. In 1818, she married the Duke of Kent, son of George the Third, and on the 24th of May, 1819, her only child by his marriage, Victoria, Queen of England, was born in Kensington Palace.
The birth of this daughter was soon followed by the death of the Duke of Kent; and Great Britain is deeply indebted to the Duchess of Kent for the exceeding care she bestowed in training her illustrious daughter, so that she might be worthy to sway the sceptre of this great empire. But her royal father lived only eight months after her birth, and the bereaved widow was left to endure a thousand anxieties as well as sorrows. Her babe was delicate in constitution, and the means for educating her as the heir expectant of the most powerful monarchy in the world were inadequately and grudgingly supplied. None but a soul of the highest order could have successfully struggled with the difficulties which beset the course of the Duchess of Kent. She was equal to her task, fortunately for humanity; the whole world is made better from having on the throne of Great Britain a sovereign who is firm in duty. The sketch of Queen Victoria will be found in its place—we will only add here, that, for the right formation of her character, which makes duty a sacred principle in her conduct, she must have been indebted, in a great measure, to her early training. Let any mother, who has endeavoured to train her own daughter to perform the duties which, in private life, and in a ​small circle, devolye on woman, consider what conscientious care it has required; what sacrifices of self; what daily examples as well as precepts in the right way; and then she may, partly, estimate the merits of the mother of such a woman as Victoria the First. How excellent must have been the character that could acquire the authority and influence necessary to direct well and wisely the education of a young Princess! This was done, too, amidst serious obstacles and many discouragements, and therefore must the Duchess of Kent ever hold a noble rank among women worthily distinguished; she has performed great and important duties with such rare firmness, faithfulness, and success, as makes her a model for mothers in every rank of life.
# A Cyclopaedia of Female Biography/Keralio, Madame de

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KERALIO, MADAME DE,
Was born at Paris, in 1758. She is known principally as a translator of several works from English and Italian. She wrote a voluminous "History of Queen Elizabeth," several novels, and edited a collection of the best French works composed by women.
# A Cyclopaedia of Female Biography/Killigrew, Anne

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KILLIGREW, ANNE,
"A Grace for beauty, and a Muse for wit," as Wood says, was the daughter of Dr. Henry Killigrew, one of the prebendaries of Westminster, and born in London, a little before the restoration of Charles the Second. She showed indications of genius very early, which being carefully cultivated, she became eminent in the arts of poetry and painting. She painted a portrait of the Duke of York, afterwards James the Second, and also of the duchess, to whom she was maid of honour. She also painted some historical pictures and some pieces of still-life, for her own amusement. She was a woman of exemplary piety and virtue. Dryden speaks of her in the highest terms, and wrote long ode to her memory. She died of the small-pox, June, 1685, in her twenty-fifth year. She was buried in the Savoy Chapel.
# A Cyclopaedia of Female Biography/Kauffman, Maria Angelica

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KAUFFMAN, MARIA ANGELICA,
Was born in 1742, at Coire, the capital of the Grisons. She was instructed in the elements of painting by her father, whose talents were moderate, and whom she soon excelled. She loved music, and her admiration of the beautiful was early developed. At the age of fourteen her father took her to Milan, where her talents and personal accomplishments rendered her an object of general admiration. In 1764 she went to Venice, and the following year accompanied Lady Wentworth, the wife or the British ambassador, to this country. Here she painted the whole royal family, which increased her reputation and improved her circumstances; and she was soon elected a member of the royal academy. In London she contracted a most unfortunate marriage, the details of which, from their romantic character, we are apt to assume, are only to be found in the pages of fiction. An English artist who had addressed her and been refused, stung by his disappointment, determined to be revenged upon her. He selected a very handsome young man from the lowest rank—some say he was a footman—and passing him off for a German count, introduced him into the house of Angelica, where he soon became a suitor. Angelica was deceived, and married him. The rejected artist now disclosed the deceit, and Angelica obtained a divorce; not, however, without suffering great ill-usage from her low-minded husband, who fled after robbing her of three hundred pounds. Seven years after, her husband having meanwhile died, Angelica married a Venetian painter, Signor Zucchi, with whom she lived very happily. She continued to retain her maiden name, and never had any children. Signor Zucchi also died long before her. Angelica resided seventeen years in this country; she then went to Rome, where she devoted herself to painting till her death, in 1807. In 1808, her bust was placed in the Pantheon. She left a select library, some beautiful original paintings of old masters, and a considerable fortune, which she divided among several individuals and charitable institutions. She painted many portraits and historical pictures, the latter chiefly after the antique; she treated poetical subjects in a fascinating manner that was peculiarly her own, drew well, coloured beautifully, ​and etched in a spirited style. Her works are remarkable for grace, though the critic may discover in them incorrectness of style and sameness of plan.
# A Cyclopaedia of Female Biography/Khaula

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KHAULA.
An Arabian heroine, who, in the famous battle of the Yermonks, between the Greeks and the Arabs, in the seventh century, rallied the Arabs, when they were driven back by the furious onset of their assailants, and, with several other of the chief women, took the command of the army. In leading the van, Khaula was beaten to the ground by a Greek, when Wafeira, one of her female friends, rescued her, by striking off his head with one blow. This courageous conduct so animated the Arabs, that they routed the Greeks with great loss. Khaula afterwards married the Caliph Ali.
# A Cyclopaedia of Female Biography/Kean, Ellen

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KEAN, ELLEN.
Obtained her celebrity as an actress under her maiden name. Miss Tree. She was born in 1805, in London, and first appeared at Covent Garden Theatre, 1823, when about eighteen years of age. She did not take the town by storm, as some actresses have burst into fame; but her graceful and lady-like manner won the good-will of her audience, and she rose in her profession by real merit, both of character and mind.
In 1837 she visited America, and was very successful in her theatrical engagements. After her return to England, she married Charles Kean, an actor well known for his constant efforts to imitate the manner of his father, the distinguished Edmund Kean. Shortly after their marriage, Charles Kean and his wife went to America, and made a professional tour through the principal cities: the wife was greeted as an old favourite; but she was not the Ellen Tree whom the people had loved. Mrs. Kean now resides with her husband, haying, we believe, retired from the stage.
# A Cyclopaedia of Female Biography/Kelley, Frances Maria

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KELLEY, FRANCES MARIA,
Was born at Brighton, December 15th., 1790. Her father was an officer in the navy, and brother to Michael Kelley, under whom Frances studied music and singing. She made her first appearance at Drury Lane, in 1800, and in 1808 was engaged at the Haymarket, and afterwards at the English Opera House, where she was very successful. From that time to the present, Miss Kelley has been almost constantly before the public, and has retained her position as one of the most popular of actresses; her talents are extremely versatile, and her character irreproachable.
# A Cyclopaedia of Female Biography/Catalina, Angelica

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CATALINA, ANGELICA,
By marriage Valabrèque, a celebrated singer, was born in 1784, at Sinigaglia, in the Ecclesiastical States, and educated at the convent of St. Lucia, near Rome. Angelica displayed, in her seventh year, such wonderful musical talents, and such multitudes came to hear her, that the magistrates prohibited her singing longer in the convent. But the favour of a cardinal, and the love of the celebrated Bosello, enabled her to cultivate her talents. When fourteen, she appeared in the theatres at Venice and other Italian cities. She was afterwards for five years at Lisbon. Her first concert at Madrid gained her more than 15,000 dollars; and from her concerts in Paris her fame spread all over Europe. In London, she received, the first year, a salary of 72,000 francs, and the next, 96,000 francs; besides the immense sums she obtained from her journeys through the country towns. In 1817, she undertook the direction of the Italian opera in Paris, but left it on the return of Napoleon, and resumed it on the restoration of the king. In 1816, she visited the chief cities of Germany and Italy. She passed the most of her time in travelling and singing throughout Europe, till about 1830, when she retired to an estate in Italy, where she lived very much secluded. She was married to M. Valabrèque, formerly a captain in the French service, by whom she had several children. She was a handsome woman and a good actress. Her voice was wonderful from its flexibility and brilliancy. She died in June, 1849.
# A Cyclopaedia of Female Biography/Cassiopeia

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CASSIOPEIA.
Daughter of Arabus, and wife of Cepheus, King of Ethiopia, to whom she bore Andromeda. She dared to compare her daughter's beauty to that of the Nereides, who besought Neptune for vengeance. The god complied by laying waste the dominions of Cepheus by a deluge and a sea-monster. In astronomy, Cassiopeia is a conspicuous constellation in the northern hemisphere.