# The Battle of the Sexes (film)

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The film was originally released with a synchronized soundtrack. The survival status, or preservation status, of the soundtrack is unknown, and all versions with sound online use copyrighted soundtracks. So, our version of the film is silent (as it would have aired in silent theaters at the time). If the soundtrack is ever discovered, this transcription may be later updated with any sound elements that are currently missing.
Cast and Crew :
| Cast ||
| Role | Actor |
| | Jean Hersholt |
| | Phyllis Haver |
| | Belle Bennett |
| | Don Alvarado |
| | Sally O'Neil |
| | Rolfe Sedan |
| | William Bakewell |
| Crew ||
| Distributor | United Artists |
| Director | D. W. Griffith (d. 1948) |
| Producer | Joseph M. Schenck (d. 1961), D. W. Griffith |
| Screenwriter | Daniel Carson Goodman (d. 1957) |
| Cinematographer | Billy Bitzer (d. 1944), Karl Struss (d. 1981) |
| Editor | James Smith |
| Composer | Hugo Riesenfeld (d. 1939) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1981, meaning that this film may be in the public domain in countries and jurisdictions with 42 years p.m.a. or less, as well as in the United States. ||
Joseph M. Schenck presents D. W. Griffith's "The Battle of the Sexes"
United Artists Picture By Feature Productions, Incorporated Copyright MCMXXVIII
with Jean HersholtPhyllis Haver Belle Bennett Don AlvaradoSally O'Neil
From the Story by Daniel Carson Goodman
Adapted for the Screen by Gerrit J. Lloyd
Photography by Karl Strauss Billy Bitzer
Settings by William Cameron Menzies and Park French
Production Manager Raymond A. Klune
Film Edited by James Smith
Assistant Directors Herbert Sutch Alec Bennett
Personally Directed by D. W. Griffith
Cast of Characters
The battle of the sexes—always being fought and never being won.
Marie Skinner wasn't as hard as most gold diggers—she was harder.
Little Women
"I see in the paper, Mr. Judson, you make two hundred fifty thousand dollars in one deal."
William J. Judson
"Now Mumsy, don't you look till Papa comes."
"Many happy returns of your birthday, Mama."
"Mama—my coat—hang it up."
Babe Winsor——the wrong answer to a maiden's prayer.
"It's awf'lly expensive—but I'll take it."
Mother Birthday
"I wish that life would go on like this forever."
"Ah! Gee! Mumsy, you lose your wish."
Mr. Wm. Judson
Apt. #1114 Babylon Apts.
City.
Leaves for office 8:30 promptly.
Returns home 5:45
Attends church with family 10:45 Sundays, missing about every other one.
Seldom goes out at night alone, excepting Wednesday to Fraternal Club 9:00.
"I gotta hand it to you—you're handsomer than the front of a bank."
"Such a man——perfumed ice!"
"He's in there—get him!"
"Shut the door! Shut the door! It might come back."
"Oh! Oh! Where am I?"
"They——They just frighten you out of your life!"
"You're Mr. Judson—I've seen so many pictures of you in the papers."
"From the eyebrows up, you're the image of Napoleon."
"That's funny, somebody else told me that too."
"Awf'lly glad I met you—for you know—a good girl in New York gets so lonesome."
"Do you mind my phoning you so often, Mr. Judson?"
"Oh, Mr. Judson, I have a surprise for you."
Napoleon
"It looks just like you, doesn't it?"
"I really can't stay."
"Stay for just a minute—one minute."
"Your voice is amazing—I—I never heard anything like it."
Poise and Symmetry of Figure
Obesity Leanness— their causes and effects
"Get his subscription to these certificates."
"I don't want to sell these things—it's dangerous."
"You heard me—get his subscription!"
"I wish Daddy didn't have to work so hard. He's at it every night now."
"Helen Logan's just opened her new night club——they say it's marvelous—let's go!"
"Please, Mumsy, we've never been to a night club!"
"I want you to see my new bathing suit——If you don't like it, I'll send it back."
"Do I look bowlegged?"
"Something's sticking me."
"Listen, dear, tell me if I've got those new swimming strokes right."
"Isn't that good, Nappy."
"Do you think I can get anywhere with a stroke like this?"
Dearest:
I am going out with the children and will not be home until late.
Didn't want to go while you were working so hard but the children insisted so.
Love,
Mother
Reserved
"We must get out of here. It would just kill Mumsy if she saw that."
"Mumsy, I don't like this place. Let's go somewhere else."
20
"I've got a terrible headache, Mumsy. Can't we go now?"
"Aren't you dancing?"
"We just did."
"May I?"
"Don't say anything—Daddy must have been drinking."
"I was out with some business friends."
"I couldn't sleep. I've been sitting here thinking of you—wondering if I've been a good wife to you."
"Oh, it's nothing—sleep well, Daddy."
Dearest:
I am going out with the children and will not be home until late.
Didn't want to go while you were working so hard but the children insisted so.
Love,
Mother
More night work.
"Can't you stay home tonight, Daddy?"
"Do you like my hair marcelled?"
"We hoped you'd stay with us tonight."
"I can't tonight, Mama—but next Friday night we'll all go out and have a real party."
"Daddy, I saw you with that girl, and——and I know where you go nights!"
"Stop it—stop it, Mama! I won't have a scene like this before the children."
"Daddy! Daddy!"
"What are you children standing there for? Go to bed."
"Don't darling me unless you've sold those bonds."
"It's late—you've got to get out of here."
"What do you mean by having that man here?"
"I've known him since he was so high."
"I've broken with my family over you. Now you play square with me."
"Why, Honey, don't you trust me?"
"All I do is wait around here for you!"
"Shut up—shut up—you'll rouse the whole neighborhood!"
"You don't love me—you want to get rid of me."
"Now, now, Baby, I'm sorry. I was jealous. I just couldn't help it."
[...] children.
I feel I have the right to live in my own way, and that it is best we separate at once.
I will of course amply arrange for you and [...]
[...] to live in my own way, and that it is best we separate at once.
"He's fat and dumb—but he gives me diamonds."
"I saw her go up to the roof."
"I love you Mumsy—I'd just—just die for you."
Son Shoots Mother's Paramour
Boy Slays to Protect Mother's Honor
Sensational Shooting Result of Boy's Chivalry: Case Presents Unusual [...]
"Watch Mother very closely—she's not well."
"Miss Skinner is expecting me. I'll wait."
"What are you doing here? What do you want?"
"You let my Daddy alone——or I'll kill you!"
"Put that gun down! Do you hear me? They'll hang you!"
"You're worse than a murderess!"
"You don't love my father. I'll give you all my allowance if you'll let him alone."
"Miss Judson——Mr. Winsor."
"Every time you get a few drinks in you—you come up interfering."
"Just a minute——I'm dressing."
"Just be quiet. It won't be long."
"Have a smile?"
"Why—isn't it yours?"
"You know it's not mine! That jazz hound's been here again!"
"We men of the world never have a chance to meet girls like you."
"Ruth what are you doing here?"
"Why, this is my boy friend."
"I saw you hugging her."
"You—you here with that jazz hound. You're disgracing the whole family."
"It's too late for that, Daddy. You beat me to it. I'm just following in your footsteps."
"All right, Honey, I believe you."
"You can't treat me this way! I've as much right to be here as you have!"
"That's different—I'm a man."
"Yes—well, I am a woman."
"You—You'd hit me? You big brute—after all I've done for you—and put up with—for that old sap."
"Daddy—don't you hear? She doesn't care anything about you—but we do."
"You jazz hound—you stay away from my daughter."
"She didn't come here for him—she came to get rid of me."
"Mumsy—Mumsy—Daddy's gotten over his sick spell."
"It's too late now."
"Mr. Judson, aren't you forgetting something? Those bonds?"
"Now, you wouldn't like any unpleasant publicity, would you, Mr. Judson?"
"You're a fool, but you're my fool!"
"We've saved the biggest present, Mumsy, to the last. We'll carry it in and unwrap it here."
"I've had a bitter, bitter lesson, Mama—won't you forgive me?"
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1981, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 42 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse