OpenLLM-France/wikimedia huggingface dataset:
# Jerusalem. The Emanation of the Giant Albion/Plate 95

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 95
* Her voice pierc'd Albions clay cold ear. he moved upon the Rock
* The Breath Divine went forth upon the morning hills, Albion mov'd
* Upon the Rock, he opend his eyelids in pain; in pain he mov'd
* His stony members, he saw England. Ah! shall the Dead live again
* 5 The Breath Divine went forth over the morning hills Albion rose
* In anger: the wrath of God breaking bright flaming on all sides around
* His awful limbs: into the Heavens he walked clothed in flames
* Loud thundring, with broad flashes of flaming lightning & pillars
* Of fire, speaking the Words of Eternity in Human Forms, in direful
* 10 Revolutions of Action & Passion, thro the Four Elements on all sides
* Surrounding his awful Members. Thou seest the Sun in heavy clouds
* Struggling to rise above the Mountains. in his burning hand
* He takes his Bow, then chooses out his arrows of flaming gold
* Murmuring the Bowstring breathes with ardor! clouds roll around the
* 15 Horns of the wide Bow, loud sounding winds sport on the mountain brows
* Compelling Urizen to his Furrow; & Tharmas to his Sheepfold;
* And Luvah to his Loom: Urthona he beheld mighty labouring at
* His Anvil, in the Great Spectre Los unwearied labouring & weeping
* Therefore the Sons of Eden praise Urthonas Spectre in songs
* 20 Because he kept the Divine Vision in time of trouble.
* As the Sun & Moon lead forward the Visions of Heaven & Earth
* England who is Brittannia enterd Albions bosom rejoicing,
* Rejoicing in his indignation! adoring his wrathful rebuke.
* She who adores not your frowns will only loathe your smiles
# Jerusalem. The Emanation of the Giant Albion/Plate 99

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 99
* All Human Forms identified even Tree Metal Earth & Stone. all
* Human Forms identified, living going forth & returning wearied
* Into the Planetary lives of Years Months Days & Hours reposing
* And then Awaking into his Bosom in the Life of Immortality.
* 5 And I heard the Name of their Emanations they are named Jerusalem
* The End of The Song
* of Jerusalem
# Jerusalem. The Emanation of the Giant Albion/Plate 97

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 97
* Awake! Awake Jerusalem! O lovely Emanation of Albion
* Awake and overspread all Nations as in Ancient Time
* For lo! the Night of Death is past and the Eternal Day
* Appears upon our Hills: Awake Jerusalem, and come away
* 5 So spake the Vision of Albion & in him so spake in my hearing
* The Universal Father. Then Albion stretchd his hand into Infinitude.
* And took his Bow. Fourfold the Vision for bright beaming Urizen
* Layd his hand on the South & took a breathing Bow of carved Gold
* Luvah his hand stretch'd to the East & bore a Silver Bow bright shining
* 10 Tharmas Westward a Bow of Brass pure flaming richly wrought
* Urthona Northward in thick storms a Bow of Iron terrible thundering.
* And the Bow is a Male & Female & the Quiver of the Arrows of Love,
* Are the Children of this Bow: a Bow of Mercy & Loving-kindness: laying
* Open the hidden Heart in Wars of mutual Benevolence Wars of Love
* 15 And the Hand of Man grasps firm between the Male & Female Loves
* And he Clothed himself in Bow & Arrows in awful state Fourfold
* In the midst of his Twenty-eight Cities each with his Bow breathing
# Jerusalem. The Emanation of the Giant Albion/Plate 93

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 93
* Anytus Melitus & Lycon thought Socrates a Very Pernicious Man So Caiphas thought Jesus
* Enitharmon heard. She raisd her head like the mild Moon
* O Rintrah! O Palamabron! What are your dire & awful purposes
* Enitharmons name is nothing before you: you forget all my Love!
* The Mothers love of obedience is forgotten & you seek a Love
* 5 Of the pride of dominion, that will Divorce Ocalythron & Elynittria
* Upon East Moor in Derbyshire & along the Valleys of Cheviot
* Could you Love me Rintrah, if you Pride not in my Love
* As Reuben found Mandrakes in the field & gave them to his Mother
* Pride meets with Pride upon the Mountains in the stormy day
* 0 In that terrible Day of Rintrahs Plow & of Satans driving the Team.
* Ah! then I heard my little ones weeping along the Valley!
* Ah! then I saw my beloved ones fleeing from my Tent
* Merlin was like thee Rintrah among the Giants of Albion
* Judah was like Palamabron: O Simeon! O Levi! ye fled away
* 15 How can I hear my little ones weeping along the Valley
* Or how upon the distant Hills see my beloveds Tents.
* Then Los again took up his speech as Enitharmon ceast
* Fear not my Sons this Waking Death. he is become One with me
* Behold him here! We shall not Die! we shall be united in Jesus.
* 20 Will you suffer this Satan this Body of Doubt that Seems but Is Not
* To occupy the very threshold of Eternal Life. if Bacon, Newton, Locke,
* Deny a Conscience in Man & the Communion of Saints & Angels
* Contemning the Divine Vision & Fruition, Worshiping the Deus
* Of the Heathen, The God of This World, & the Goddess Nature
* 25 Mystery Babylon the Great, The Druid Dragon & hidden Harlot
* Is it not that Signal of the Morning which was told us in the Beginning
* Thus they converse upon Mam-Tor. the Graves thunder under their feet
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Otter Hunting in the Fylde

Part III: Sports and Games; Otter Hunting in the Fylde.
OTTER-HUNTING IN THE FYLDE.
Thomas Tyldesley, of Myerscough Lodge and Foxhall (Blackpool), in his diary, under the date of Friday, August 28, 1713, records that he "went an otter-hunting, and killed an otter near New Mill, which Cuddy Threlfall and I dressed. We were a great many, good company—Cuddy Threlfall and Barton, Thomas Barton, and all the neighbourhood—and we ate the whole otter. I paid for Wilding, Cuddy Threlfall, and self, 3s.; so to bed. We drank the house dry." James Lomax, Esq., of Clayton Hall, was long noted for his love of otter-hunting, and his pack of hounds were notorious throughout the whole of Ribblesdale.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/School Holidays in 1790

Part III: Sports and Games; School Holidays in 1790.
SCHOOL HOLIDAYS IN THE EIGHTEENTH CENTURY.
We frequently hear that, in the eighteenth century, old customs, festivals, and holidays were much more—much better, as some would say—observed than at present. In some articles of agreement, made in December 1790, ​between the trustees of the Liverpool Blue Coat Hospital and Mr James Meredith of Manchester, for the labour of two hundred children in "pin-making," for a term of eleven years, it was stipulated that the following holidays should be allowed the boys:—
Christmas, fourteen days, (for amusement).
Good Friday.
Easter, two afternoons, and from three o'clock the third day.
Whitsuntide, the same.
Shrove Tuesday.
Ash Wednesday.
Conversion of St Paul, 25th January.
King Charles' martyrdom, 30th January.
Purification, 2d February.
St Mathias, 24th February.
Annunciation (Ladyday), 25th March.
St Mark, 25th April.
St Philip and St James, 1st May.
Ascension-day (Holy Thursday).
Restoration of King Charles (Royal Oak-day), 29th May.
St Barnabas, 11th June.
St John the Baptist (Midsummer-day), 24th June.
St James (July 25), Liverpool summer fair.
St Bartholomew, 24th August.
St Matthew, 21st September.
St Michael (Michaelmas quarter-day), 29th September.
Liberty-day.
St Luke, 18th October.
King's inauguration.
St Simon and St Jude, 28th October.
All-Saints, 1st November.
Gunpowder Plot, 5th November.
Martinmas (Liverpool winter fair), November 11. ​St Andrew's-day, 30th November.
St Thomas (shortest day), 21st December.
In all, these vacancies make about six weeks holidays in the year—less than is now given in boarding and private schools, but very much more than working boys, apprenticed or otherwise, now enjoy. The most remarkable feature of the above list is, that, with the exception of the fortnight at Christmas, and three afternoons in the Easter week, and the like at Whitsuntide, all the holidays of the year are of single days (twenty-seven in all), averaging more than two in every month of the year. There were three in October and four in November. Now, for apprentices, there are, in addition to Sundays, only two days' holiday legally demandable, viz., Christmas Day and Good Friday. But the custom in Lancashire is to give, in large manufacturing establishments, the whole of the Whitsuntide week as a yearly holiday; and in shops and small establishments, the whole, or the afternoons, of three days; in many cases in the country, Monday, Tuesday, and Wednesday; but in Manchester and the neighbouring district, the three or four race-days, Wednesday, Thursday, and Friday—Saturday being usually set apart for wives, sisters, and daughters from the country to go into Manchester and stare about them, whence it is derisively called "Gaping Saturday." In Blackburn, the annual holidays are Easter Week; in Burnley, the three days of the July fair.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Introduction

Part III: Sports and Games; Introduction.
PART III.
SPORTS AND GAMES.
SPORTS AND GAMES.
INTRODUCTION.
Many of the old open-air sports and games of Lancashire are now altogether lost, the names alone surviving. A few particulars as to the ancient customs in games and sports, as well as to those which still survive, shorn of their ancient garb, may interest the reader.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Kersal Moor Races

Part III: Sports and Games; Kersal Moor Races.
KERSAL MOOR RACES.
The yearly Manchester Whitsuntide races were established on Kersal Moor in the year 1730. Afterwards a long controversy arose on the propriety of continuing or discontinuing the races in a large manufacturing town. Ashton Lever, Esq., and William Hulton, Esq., advocated the races, which were opposed by Edmund Chetham, Esq., Mr John Byrom, M.A., and Mrs Ann Chetham, through whose exertions they were discontinued from 1745, the year of the second Jacobite rising, to about 1760, when they were resumed. For many years these local races formed one of the chief attractions to Manchester, and the population of the large manufacturing district of which it is the centre, during the Lancashire annual holiday at Whitsuntide. A few years ago the site of the races was removed from Kersal Moor to some ​flat ground forming a delta of the river Irwell, between Broughton Suspension Bridge and Pendleton, near Castle Irwell, the house of Mr Fitzgerald, the owner of the ground. Here the races were held for many years in the Whitsuntide week; but of late railway and other excursions and pleasure-trips have largely competed with the races in the popular favour of some half million of holiday Lancashire lads and lasses.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Miscellaneous Games—Archery Butts, &c.

Part III: Sports and Games; Miscellaneous Games—Archery Butts, &c.
MISCELLANEOUS GAMES.
ARCHERY BUTTS.
The butts, or the archery ground for Burnley, was situated in that portion of Keighley Green on which the cotton-mills belonging to Messrs Spencer & Moore now stand. In those "good old days" the ley was a narrow strip of flat land, on the banks of the river Brun, bounded by a "scar" on the one hand, and by a nicely wooded steep on the other. Some old cottages still bear the name of "The Butts." "Scar Foot," and "Scar Top" ​are mentioned in title-deeds to property, but these have recently been modernised into Church Street.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Races by Nude Men

Part III: Sports and Games; Races by Nude Men.
FOOT-RACES BY NUDE MEN.
A correspondent in Notes and Queries says:—"During the summer of 1824 I remember seeing at Whitworth in Lancashire [a hamlet in the parish, and three miles north of the town of Rochdale], two races, at different periods, of this description. On one occasion two men ran on Whitworth Moor, with only a small cloth or belt round the loins. On the other occasion the runners were six in number, stark naked, the distance being seven miles, or seven times round the moor. There were hundreds, perhaps thousands, of spectators, men and women, and it did not appear to shock them, as being anything out of the ordinary course of things. It is with reference to this usage, no doubt, that the Lancashire riddle says—
'As I was going over Rooley Moor, Rooley Moor shaked, I saw four-and-twenty men running stark nak'd; The first was the last and the last was the first.'
The answer is—The twenty-four spokes of a wheel."
Races by nude men are not yet extinct in many parts of Lancashire, notwithstanding the vigilance of the county police.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Slinging, Trippet

Part III: Sports and Games; Slinging, Trippet.
SLINGING.
Slinging is much practised as an amusement by boys and young men. There are three kinds of slings in use—
First, A piece of leather forms the centre; two equal strings are then attached to it. The stone is then placed in the leather portion, and both strings are held in the hand. On a whirling motion being given to the whole, one string is let loose, and the stone is thrown forward with great velocity.
In the second form, a flexible stick takes the place of one of the strings, and the other string is wrapped once or twice round the stick. Motion is then communicated to the stone by a quick vertical stroke from behind to the front of the person slinging.
The third method is by fastening the stone into a cloven stick and then projecting it forward. When throwing clay bullets, the stick is pointed at the top in the form of a cone, and the bullet is firmly pressed upon it. These missiles are then thrown either by a vertical or a horizontal motion, at the pleasure of the slinger.
TRIPPET.
This game is played in the fields, and was very popular in East Lancashire some forty years ago. It is still practised by the colliers in this district. The players choose a smooth water-worn boulder of sandstone or limestone, with a gently sloping side. The trippet is about two inches long, and is made of holly. It is about one inch in diameter in the middle, and slopes off towards each end in a somewhat conical form. A portion of the ​under-side is then made flat, and this is called "the belly." The trippet is then placed upon the sloping side of the boulder, with the point overhanging; and the player, having provided himself with a long, flexible, heavy-headed club, gently taps the trippet so as to make it rise from the stone. As it falls, he strikes the trippet with all his might, and the player who drives it the greatest number of yards in a certain number of strokes wins the game.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 3/Prison Bars, Quoits, Skates

Part III: Sports and Games; Prison Bars, Quoits, Skates.
PRISON BARS.
This game is much practised in East Lancashire. It is quite a favourite play with schoolboys; and they perform it exactly as laid down by Strutt in his "Sports and Pastimes," p. 79, Tegg's edition.
QUOITS AND BOWLS.
These are still favourites with most classes, and ample scope is afforded for both plays at most of our watering-places on the western coast. "Bowling-greens" are very common. A quoiting-ground forms an appendage to almost every cricket-field in East Lancashire.
SKATES.
A peculiar form of skates is used in some parts of Lancashire. A long piece of iron is made smooth at the bottom edge; the back and front are then made sharp, and are turned up at right angles to the flat edge. When these points are driven into the soles of the skater's shoes or clogs, he is fully equipped.
# Jim Butler Tonopah Mining Company v. West End Consolidated Mining Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
247 U.S. 450
Jim Butler Tonopah Mining Company v. West End Consolidated Mining Company
Argued: March 26 and 27, 1918. --- Decided: June 10, 1918
[Syllabus intentionally omitted]
Messrs. Curtis H. Lindley, of San Francisco, Cal., and Hugh H. Brown, of Tonopah, Nev., for plaintiff in error.
Messrs. W. H. Dickson, of Salt Lake City, Utah, S. S. Downer, of Reno, Nev., A. C. Ellis, Jr., of Salt Lake City, Utah, Peck, Bunker & Cole, of Oakland, Cal., and H. H. Atkinson, of Tonopah, Nev., for defendant in error.
Mr. Justice VAN DEVANTER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jilted

* Search for titles containing or beginning with: "Jilted."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Jilted, poem by Paul Laurence Dunbar
* Jilted, short story by Barry Pain
# Jim's Whip

Yes! there it hangs upon the wall  And never gives a sound: The hand that trimmed its greenhide fall  Is hidden underground — There, in that patch of sallee shade,  Beneath that grassy mound.
I never take it from the wall:  That whip belonged to him — The man I singled from them all:  He was my husband, Jim. I see him now — so straight and tall,  So long and lithe of limb.
That whip was with him night and day  When he was on the track: I've often heard him laugh and say  That when they heard it crack, After the breaking of the drought,  The cattle all came back.
And all the time that Jim was here,  A-working on the run, I'd hear that whip ring sharp and clear  Just about set of sun, To let me know that he was near  And that his work was done.
I was away that afternoon,  Penning the calves, when — bang! I heard his whip: 'twas rather soon:  A thousand echoes rang And died away among the hills,  As toward the hut I sprang.
I made the tea and waited, but,  Seized by a sudden whim, I went and sat outside the hut  And watched the light grow dim: I waited there till after dark,  But not a sign of Jim.
The evening air was damp with dew:  Just as the clock struck ten His horse came riderless — I knew  What was the matter then... Why should the Lord have singled out  My Jim from other men?
I took the horse and found him where  He lay beneath the sky, With blood all clotted in his hair.  I felt too dazed to cry: I held him to me as I prayed  To God that I might die.
But sometimes now I seem to hear —  Just when the air grows chill — A single whip-crack, sharp and clear,  Re-echo from the hill. That's Jim! to let me know he's near  And thinking of me still.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Landon in The Literary Gazette 1823/On May Day

Literary Gazette, 3rd May 1823, Page 286
POETICAL CATALOGUE OF PAINTINGS.
On May-day, by Leslie,
Beautiful and radiant May,
Is not this thy festal day?
Is not this spring revelry
Held in honour, Queen, of thee?
'Tis a fair: the booths are gay,
With green boughs and quaint display;
Glasses, where the Maiden's eye
May her own sweet face espy;
Ribands for her braided hair,
Beads to grace her bosom fair;
From yon stand the Juggler plays
With the rustic crowd's amaze;
There the Morris-dancers stand.
Glad bells ringing on each hand;
Here the maypole rears its crest,
With the rose and hawthorn drest;
And beside are painted bands
Of strange beasts from other lands.
In the midst, like the young Queen,
Flower crowned, of the rural green,
Is a bright-checked girl, her eye
Blue, like April's morning sky,
With a blush, like what the rose
To her moonlight minstrel shows;
Laughing at her love the while,—
Yet such softness in the smile,
As the sweet coquette would hide
Woman's love by woman's pride.
Farewell, cities! who could bear
All their smoke and all their care,
All their pomp, when wooed away
By the azure hours of May?
Give me woodbine, scented bowers,
Blue wreathes of the violet flowers,
Clear sky, fresh air, sweet birds and trees,
Sights and sounds, and scenes like these!
# Landon in The Literary Gazette 1823/Medallion Introduction

Literary Gazette, 25th January, 1823, page 60
ORIGINAL POETRY.
MEDALLION WAFERS.
[The hint for this series of Poems (to be continued occasionally) has been taken from the account of the Medallion Wafers in the Literary Gazette. These slight things preserve many of the most beautiful forms of antiquity; and they are here devoted to verse, on the supposition that they have been employed as seals to lovers' correspondence.]
INTRODUCTION.
I do so prize the slightest thing
 Touched, looked, or breathed upon by thee,
That all or aught which can but bring
 One single thought of thine to me,
Is precious as a pilgrim's gift
Upon the shrine he most loves left.
And if, like those charmed caves that weep,
 Preserving tears of crystal dew,
My lute's flow has a power to keep
 From perishing what it shrines too—
It only shall preserve the things
Bearing the bright print of Love's wings.
Here's many a youth with radiant brow
 Darkened by raven curls like thine,
Beauty, whose smile burns even now,
 And love-tales made by song divine:
And these have been the guardian powers
To words as sweet as summer flowers.
I’ll tell thee now the history
 Of these sweet shapes: they are so dear,
Each has been on a scroll from thee;
 Thy kiss, thy sigh, are glowing here:
They'll be the spirit of each tone
I fain would wake from chords long gone.
Just glimpses of the fairest dreams
 I've had when in a hot noon sleeping,
Or those diviner, wilder gleams
 When I some starry watch was keeping;
And sometimes those bright waves of thought
Only from lips like thine, Love, caught.
Oh dear, these lights from the old world,
 So redolent with love and song!
Those radiant gods, now downward hurled
 From the bright thrones they held so long!
But they have power that cannot die
Over the heart's eternity.