OpenLLM-France/wikimedia huggingface dataset:
# Windsor Forest (4th edition)

Pope first published 'Windsor-Forest' in 1713. This transcription is of the fourth edition, which also contains a number of other pieces. The scanned copy sourced from Google was missing a frontispiece, which it should feature according to the catalogue of published works at the back of this version, and Alexander Pope: A Bibliography, Volume 1, Part 1 (1922), p. 95, by Reginald Harvey Griffith. A copy of the frontispiece, from the British Library, was found on Wikimedia Commons and has been incorporated in the work.
WINDSOR-FOREST.
To the Right Honourable.
GEORGE
Lord LANSDOWN.
By Mr. POPE.
The Fourth Edition.
LONDON:
Printed for Bernard Lintot at the Cross Keys between the Temple-Gates in Fleetstreet. 1720.
* Windsor Forest
* Messiah. A Sacred Eclogue, &c.
* Advertisement to Messiah
* To Mr. Pope on his Windsor-Forest
* Advert
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Works of Jules Verne/The Survivors of the Chancellor/Chapter 3

CHAPTER III
BILL OF LADING
September 29.—Captain Huntly's bill of lading, that is to say, the document that describes the Chancellor's cargo and the conditions of transport, is couched in the following terms:
Bronsfield and Co., Agents, Charleston:
I, John Silas Huntly, of Dundee, Scotland, commander of the ship Chancellor, of about 900 tons burden, now at Charleston, do purpose, by the blessing of God, at the earliest convenient season, and by the direct route, to sail for the port of Liverpool, where I shall obtain my discharge. I do hereby acknowledge that I have received from you, Messrs. Bronsfield and Co., Commission Agents, Charleston, and have placed the same under the gun-deck of the aforesaid ship, seventeen hundred bales of cotton, of the estimated value of 26,000l., all in good condition, marked and numbered as in the margin; which goods I do undertake to transport to Liverpool, and there to deliver, free from injury (save only such injury as shall have been caused by the chances of the sea), to Messrs. Laird Brothers, or to their order, or to their representatives, who shall on due ​delivery of the said freight pay me the sum of 2,000l. inclusive, according to the charter-party, and damages in addition, according to the usages and customs of the sea.
And for the fulfillment of the above covenant, I have pledged and do pledge my person, my property, and my interest in the vessel aforesaid, with all its appurtenances. In witness whereof, I have signed three agreements all of the same purport, on the condition that when the terms of one are accomplished, the other two shall be absolutely null and void.
Given at Charleston, September 13th, 1869.
J. S. Huntly.
From the foregoing document it will be understood that the Chancellor is conveying 1,700 bales of cotton to Liverpool; that the shippers are Bronsfield, of Charleston, and the consignees are Laird Brothers of Liverpool. The ship was constructed with the especial design of carrying cotton, and the entire hold, with the exception of a very limited space reserved for passenger's luggage, is closely packed with the bales. The lading was performed with the utmost care, each bale being pressed into its proper place by the aid of screw-jacks, so that the whole freight forms one solid and compact mass; not an inch of space is wasted, and the vessel is thus made capable of carrying her full complement of cargo.
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# Works of Jules Verne/The Survivors of the Chancellor/Chapter 30

CHAPTER XXX
OUR SITUATION CRITICAL
Will this frail boat, forty feet by twenty, bear us in safety? Sink it cannot; the material of which it is composed is of a kind that must surmount the waves. But it is questionable whether it will hold together. The cords that bind it will have a tremendous strain to bear in resisting the violence of the sea. The most sanguine among us trembles to face the future; the most confident dares to think only of the present. After the manifold perils of the last seventy-two days' voyage all are too agitated to look forward without dismay to what in all human probability must be a time of the direst distress.
Vain as the task may seem, I will not pause in my work of registering the events of our drama, as scene after scene they are unfolded before our eyes.
Of the twenty-eight persons who left Charleston in the Chancellor, only eighteen are left to huddle together upon this narrow raft; this number includes the five passengers, namely, M. Letourneur, Andre, Miss Herbey, Falsten, and myself; the ship's officers, Captain Curtis, Lieutenant Walter, the boatswain, Hobart the steward, Jynxstrop the cook, and Dowlas the carpenter; and seven sailors, Austin, Owen, Wilson, O'Ready, Burke, Sandon, and Flaypole.
Such are the passengers on the raft; it is but a brief task to enumerate their resources.
The greater part of the provisions in the store-room were destroyed at the time when the ship's deck was submerged, and the small quantity that Curtis has been able to save will be very inadequate to supply the wants of eighteen people, who too probably have many days to wait ere they sight either land or a passing vessel. One cask of biscuit, another of preserved meat, a small keg of brandy, and two barrels of water complete our store, so that the utmost frugality in the distribution of our daily rations becomes absolutely necessary.
Of spare clothes we have positively none; a few sails will serve for shelter by day, and covering by night. Dowlas has his carpenter's tools, we have each a pocket-knife, and O'Ready an old tin pot, of which he takes the most tender care; in addition to these, we are in possession of a sextant, a compass, a chart, and a metal tea-kettle, ​everything else that was placed on deck in readiness for the first raft having been lost in the partial submersion of the vessel.
Such then is our situation; critical indeed, but after all perhaps not desperate. We have one great fear; some there are among us whose courage, moral as well as physical, may give way, and over failing spirits such as these we may have no control.
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# Winter's Tale

* Search for titles containing or beginning with: "Winter's Tale."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Winter's Tale, play by William Shakespeare (1610–1611)
* "The Winter's Tale," by William Hazlitt in Characters of Shakespear's Plays (1817)
* "The Winter's Tale," in Tales from Shakspeare, by Charles and Mary Lamb
* "Winter's Tale, The," in The Encyclopedia Americana, New York: The Encyclopedia Americana Corporation (1920)
# Winter's Tale (1918) Yale/Appendix C

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APPENDIX C
Text of the Present Edition
The text of the present volume is, by permission of the Oxford University Press, that of the Oxford Shakespeare, edited by the late W. J. Craig, except for the following deviations:
1. The stage directions and the list of dramatis personce are those of the First Folio, any alterations and additions being enclosed in square brackets. The Folio numbering of scenes in the fourth act has been followed.
2. A few minor changes in punctuation (such as good now, for good now in V. i. 19) and in spelling (such as primroses for prime-roses in IV. iv. 122) have been made.
3. The following alterations, all reversions to the readings of the First Folio, have been made in the text, the reading of the Folio and the present text preceding the colon, and that of Craig following it:
I. ii. 70 nor dreamed: no nor dreamed
I. ii. 149 Leon. What cheer?: Pol. What cheer?
I. ii. 264 free of. But: free of: but
II. iii. 161 this: thy
II. iii. 177 it: its
II. iii. 189 does: doth
III. ii. 177 What flaying? boiling: What flaying? or what boiling
III. ii. 244 To: Unto
III. iii. 59 ten: sixteen
IV. iv. 594 our: her
# Winter's Tale (Shakespeare)

* related portals: Elizabethan drama.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
A comedy by William Shakespeare. The play was likely written circa 1610–1611.
* The Winters Tale, from a facsimile copy of the First Folio (1623) (transcription project)
* The Winter's Tale, from The Plays of William Shakespeare, in eight volumes, vol. II, with notes by Samuel Johnson (1765) IA
* The Winter's Tale, in The Complete Works of William Shakespeare, Vol. III, Oxford edition (1910) IA
* The Winter's Tale, edited by F. W. Moorman, The Works of Shakespeare, The Arden Shakespeare, 1st ser. (1912) IA
* The Winter's Tale, edited by H. B. Charlton, (1915) IA
* The Winter's Tale, edited by Frederick E. Pierce, The Yale Shakespeare (1918)
* The Winter's Tale, edited by C. H. Herford, The Warwick Shakespeare (1926)

#### Derivations

* The Story of Perdita from Stories from Old English Poetry by Abby Sage Richardson, 1871
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted.
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# Winter's Tale (1918) Yale

* related portals: The Yale Shakespeare.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
Part of The Yale Shakespeare series.
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The Yale Shakespeare
The Winter's Tale
EDITED BY FREDERICK E. PIERCE
NEW HAVEN · YALE UNIVERSITY PRESS LONDON · HUMPHREY MILFORD OXFORD UNIVERSITY PRESS · MCMXVIII
Copyright, 1918 By Yale University Press
First published, January, 1918
TABLE OF CONTENTS :
| | PAGE |
| The Text | 1 |
| Act I | 1 |
| Act II | 22 |
| Act III | 41 |
| Act IV | 57 |
| Act V | 98 |
| Notes | 121 |
| Appendix A. Sources of the Play | 128 |
| Appendix B. The History of the Play | 131 |
| Appendix C. The Text of the Present Edition | 134 |
| Appendix D. Suggestions for Collateral Reading | 135 |
| Index of Words Glossed | 136 |
The facsimile opposite reproduces the first page of 'The Winter's Tale' from the earliest printed edition, the Shakespeare Folio of 1623. This play is there the fourteenth in order among the thirty-six in the volume and stands at the end of the division of 'Comedies.' The facsimile has been made from the Elizabethan Club copy of the Folio and is about one-third the size of the original.
THE YALE SHAKESPEARE
Edited by
Wilbur L. CrossTucker Brooke
Willard Higley Durham
Published under the Direction
of the
Department of English, Yale University,
on the Fund
Given to the Yale University Press in 1917
by the Members of the
Kingsley Trust Association
To Commemorate the Seventy-Fifth Anniversary
of the Founding of the Society
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1935, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 88 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Winter's Tale (1918) Yale/Appendix D

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APPENDIX D
Suggestions for Collateral Reading
William Hazlitt in Characters of Shakespeare's Plays (1817). (Everyman's Library edition, pp. 213–219.)
Mrs. Anna Jameson in Characteristics of Women, Moral, Poetical and Historical (1833).
Mary Cowden Clarke: 'Hermione; The Russian Princess' in The Girlhood of Shakespeare's Heroines (1850–1852). (Everyman's Library edition, vol. iii.)
A. C. Swinburne in A Study of Shakespeare (1880).
Helena Faucit, Lady Martin: On Some of Shakespeare's Female Characters, Letter no. ix. 'Hermione' (1890).
Andrew Lang: The Comedies of Shakespeare. With illustrations by E. A. Abbey, and comment by Andrew Lang. XII. The Winter's Tale. Harper's Magazine, April, 1894, vol. lxxxviii, pp. 710–720.
Barrett Wendell in William Shakespeare (1894).
H. H. Furness: A New Variorum Edition of Shakespeare. Vol. xi. The Winter's Tale (1898).
L. A. Sherman in What is Shakespeare? (1902).
Brander Matthews in Shakespeare as a Playwright (1913).
# Winter-Song (Coates)

"To him who doth remember"
* Coates, Florence Earle (1912), "Winter-Song" in The Unconquered Air, and Other Poems (1912).
* Coates, Florence Earle (1916), "Winter-Song" in Poems II.
# Winter (1888) Thoreau

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
WINTER: FROM THE JOURNAL OF HENRY D. THOREAU
EDITED BY H. G. O. BLAKE
Knowledge means Ever-renewed assurance by defeat That victory is somehow still to reach; But love is victory, the prize itself.
Browning
BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1888
Copyright, 1887, By HOUGHTON, MIFFLIN & CO.
All rights reserved.
The Riverside Press, Cambridge: Electrotyped and Printed by H. O. Houghton & Co.
* Books by H. D. Thoreau.
* WALDEN; or, Life in the Woods. 12mo, gilt top, $1.50.
* A WEEK ON THE CONCORD AND MERRIMACK RIVERS,
* 12mo, gilt top, $1.50.
* EXCURSIONS IN FIELD AND FOREST. With a
* Biographical Sketch by R. W. Emerson. 12mo, gilt top,
* $1.50.
* THE MAINE WOODS. 12mo, gilt top, $1.50.
* CAPE COD. 12mo, gilt top, $1.50.
* LETTERS TO VARIOUS PERSONS, to which are added
* a few Poems. 12mo, gilt top, $1.50.
* A YANKEE IN CANADA. With Antislavery and Reform Papers. 12mo, gilt top, $1.50.
* EARLY SPRING IN MASSACHUSETTS. From the journal
* of Henry D. Thoreau. 12mo, gilt top, $1.50.
* SUMMER. Selections descriptive of Summer from the Journal
* of Henry D. Thoreau. 12mo, gilt top, $1.50.
* WINTER. Selections from the Journal of Henry D.
* Thoreau. 12mo, gilt top, $1.50.
* The above ten volumes, $15.00; half calf, $27.50.
* HOUGHTON, MIFFLIN & CO.
* Boston and New York.
# Woman Triumphant/front matter

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Copyright 1919 by R. CRONAU New York.
WORKS BY THE SAME AUTHOR.
America, the History of Its Discovery. 2 vols., with 545 illustrations and 37 maps. (Leipzig 1890-92.) Award World's Columbian Exposition. America, historia de su escubrimiento. 3 vols., with several hundred illustrations and maps. (Barcelona 1892.) Award World's Columbian Exposition. From Wonderland to Wonderland, Sketches of American Life and Scenery. With 50 heliogravures. (Leipzig 1886.) Through the Wild West, Journeys of an Artist through the Prairies and Rocky Mountains of America. Illustrated.(Braunschweig 1890.) Travels in the Land of the Sioux Indians. (Leipzig 1886.) Our Wasteful Nation; the Story of American Prodigality and the Abuse of Our National Resources. Illustrated. (New York 1908.) Three Centuries of German Life in the United States, with 210 illustrations. (Berlin 1909.) Award by the University of Chicago. Illustrative Cloud Forms for the Guidance of Observers in the Classification of Clouds. U. S. Publication No. 112. Washington, D. C. 1897.)
SOON TO APPEAR:
In the Realm of Clouds and Gods. Illustrated with 25 color-prints. Three Great Questions in American History Answered. With many maps and illustrations.
# Woman of the Century/Clara B. Bagg

​CLARA B. BAGG. BAGG, Miss Clara B., pianist and music teacher, born in New York City, 26th September, 1861. Her life has been passed in her native city with the exception of a brief residence in Orange, N. J., and a residence in Brooklyn, N. Y.. where her family spent several years. She showed remarkable musical talents at an early age. and as a child she was a skillful pianist, playing difficult classical music with correct expression and great taste. When she was eleven years old, she was placed under training with competent teachers of the piano, and her progress in that art has been rapid and remarkable, her technical and expressional talents seeming to burst at once into full flower. Enthusiastic in her love of music, she has studied earnestly and thoroughly. From the last of her instructors, Rafael Joseffy, she absorbed much of that artist's power, technical skill, fire, force and delicacy. To this she adds her own talent, equipping her for success as a concert performer and as a teacher. She has become well known in the metropolis in both capacities. Although she does not intend to make concert playing her profession, she has appeared with success in Orange, N. J., in Brooklyn. N. Y. and during the winter of 1891-92 in New York City. As a teacher she is quite as enthusiastic as she is in the rôle of a performer.
# Woman of the Century/Christine Nielson Dreier

​DREIER, Mrs. Christine Nielson, concert and oratorio singer, born in Madison, Wis., 10th June, 1866. Her father's name is Andrew Nielson, and both parents were among the early Scandinavian immigrants to this country and settled in Chicago in 1851, afterward removing to Madison. Christine Nielson still retains her maiden name on the stage, although she became the wife, 4th June, 1891, of Otto Albert Dreier, since 1886 the Danish Vice-Consul in Chicago, where they make their home. The career of Christine Nielson thus far is CHRISTINE NIELSON DRIER. a striking example of what energy and perseverance can do for a young woman of genius. Her first teacher, and the one to discover her capabilities, was Prof. T. A. Brand. She then studied with Mrs. Marl De Moe, herself a successful concert singer. Christine began to sing in public at the age of thirteen, attracting, at an orphan's home concert in Madison, the attention of those whose foresight discovered future fame for the young vocalist. She chose Chicago for her more advanced studies, and became the pupil of Mrs. Sara Hershey Eddy. She accompanied Mr. and Mrs. Eddy to Europe in 1889. and after singing with great success in London, Paris and Copenhagen, she spent a year or more in London as a pupil of George Henschel. Her voice is a contralto of wide range, and the comments of the American and foreign press have been highly Complimentary, showing her to be possessed of unusual musical accomplishments.
# Woman of the Century/Clara Doty Bates

​BATES, Mrs. Clara Doty, author, born in Ann Arbor, Mich., in 185-. She is the second daughter of Samuel Rosecrans Doty and Hannah Lawrence, who were among the pioneers of Michigan. Mrs. Bates comes of stalwart stock, mingled Dutch and English blood. Her great-grandfather, CLARA DOTY BATES. a Rosecrans, was ninety years old when he died, and the legend goes that at the time of his death "his hair was as black as a raven's wing." Another ancestor was with Washington at Valley Forge. On the mother's side are the Lawrences, and Hannah Lawrence, the great-grandmother, was famous for her gift of story-telling. Clara had a rhyming talent from her earliest days. She w rote verses when she could only print in big letters. Her first poem was published when she was nine years old. The most of her published work has been fugitive, although she has written several books, chiefly for children. Among these are "Æsop's Tables Versified," "Child Lore," "Classics of Babyland," "Heart's Content," and several minor books, all published in Boston. Her life up to her marriage was passed in Ann Arbor. The homestead, "Heart's Content," was well known for its treasures of books and pictures. The location of the State University in Ann Arbor gave better facilities for education than were offered in the usual western village. It was before the admission of women to equal opportunities with men, but it was possible to secure private instruction in advanced studies. This the little flock of Doty girls had in addition to private Schools, While the son had the university. Clara Doty was married in 1869 to Morgan Bates, a newspaper man and the author of several plays. Her home is in Chicago, Ill. She is a member of the Fortnightly literary club. She is upon the literary committee of the Woman's Branch of the World's Congress Auxiliary. All her manuscript and notes were destroyed by the burning of her father's house several years ago. Among them were a finished story, a half-completed novel and some other work. Mrs. Bates is fond of outdoor life and is a woman of marked individuality.
# Woman of the Century/Charlotte W. Hawes

​CHARLOTTE W. HAWKS HAWES, Miss Charlotte W., composer, lecturer and musical educator, born in Wrentham, Mass. She comes of old Puritan stock, her ancestors on the father's side having settled in Massachusetts in 1635. A large part of her early education was received in a good and cultivated home. She was the oldest daughter of a large family and became a close companion of her father, from whom she inherited her musical gift. She had her preliminary musical training in Boston and New York, continuing her studies in Germany, in Berlin and Dresden, under the direction of the father of Robert and Clara Schumann. During her stay in Dresden she formed the acquaintance of many eminent musicians, among them the famous Liszt. In 1877 she returned to Boston, where she has since made her home. She holds a high place as a composer of music, a musical lecturer and critic, and a teacher of music. She is well versed in the literature of music. One of her popular achievements in the double rôle of composer and poet is her song, "God Bless the Soldier," written for the National Encampment in Boston in August, 1890, and dedicated to the Grand Army of the Republic. During the week of the encampment it was often ​Clayed by the bands in the processions. Others of her popular songs are "Cradle Song." "Greeting," and "Nannie's Sailor Lad." She has filled engagements as a musical lecturer throughout the United States. In 1878 she was publicly invited by a number of men and women must distinguished in Boston's musical, literary and social circles to repeat the course consisting of "Nature's Music," "National Music, Hymns and Ballads," "The Influence of Music," and "Liszt." Miss Hawes is a frequent contributor of critical and biographical sketches to musical publications. She is the editor of "Famous Themes of Great Composers," which has gone through four editions. She is a prolific and successful composer, a faithful interpreter of the music of the great masters, a true poet, and a keen, though kindly, critic.
# Woman of the Century/Clara Christiana Chapin

​CHAPIN, Mrs. Clara Christiana, woman suffragist and temperance worker, born in Gloucestershire, England, 26th December, 1852. Her maiden name was Morgan. Her father was of Welsh extraction, and her mother came of an old country family the Blagdons, proprietors of the manor of Boddington since the days of William the Conqueror. She was educated in Clifton Ladies' College and passed the Cambridge local examination the only form of university privilege open at that time to girls. She came to the United States with her parents and their five younger children in 1870. The family settled in Fillmore county. Neb., and Clara engaged in teaching. In September, ​1872, she became the wife of Clarence C. Chapin, of Sheffield. Mass., and shortly after they removed to Franklin county. Neb., where both took a prominent part in the development of that new CLARA CHRISTIANA CHAPIN. State. Mr. Chapin served as a member of the State legislature, while his talented wife by the use of her pen and personal influence aided in securing the enactment of the famous Slocum license law, at that time supposed to be the panacea in temperance matters. They also aided materially in securing the temperance educational and scientific law for that State. She was particularly interested in all movements for the advancement of women and took an active part in the woman suffrage campaign of 1882. She was a prominent member of the Woman's Christian Temperance Union and wrote much for the press on the woman and temperance questions. Being a little body, Mrs. Chapin commonly went by the name "La Petite" among her co-workers in Nebraska, but, though small of stature, she is of that fine mental acumen which gives great individuality and force of character. Though of English birth, Mrs. Chapin's life-work has been and still is American. She now resides, with her husband, son and two daughters, in one of the pleasant suburban towns Chicago, Ill.