# What Will He Do With It? (Belford)/Book 2/Chapter 11

CHAPTER XI.
Showing that if a good face is a letter of recommendation, a good heart is a letter of credit.
The next day they rode forth, host and guest, and that ride proved an eventful crisis in the fortune of Lionel Haughton. Hitherto I have elaborately dwelt on the fact that, whatever the regard Darrell might feel for him, it was a regard apart from that interest which accepts a responsibility, and links to itself a fate. And even if, at moments, the powerful and wealthy man had felt that interest, he had thrust it from him. That he meant to be generous was indeed certain, and this he had typically shown in a very trite matter-of-fact way. The tailor, whose visit had led to such perturbation, had received instructions beyond the mere supply of the raiment for which he had been summoned; and a large patent portmanteau, containing all that might constitute the liberal outfit of a young man in the rank of a gentleman, had arrived at Fawley, and amazed and moved Lionel, whom Darrell had by this time thoroughly reconciled to the acceptance of benefits. The gift denoted this, "In recognizing you as kinsman, I shall henceforth provide for you as gentleman."
Darrell indeed meditated applying for an appointment in one of the public offices, the settlement of a liberal allowance, and a parting shake of the hand, which should imply, "I have now behaved as becomes me; the rest belongs to you. We may never meet again. There is no reason why this good-by may not be forever."
But in the course of that ride Darrell's intentions changed. Wherefore? You will never guess! Nothing so remote as the distance between cause and effect, and the cause for the effect here was—poor little Sophy.
The day was fresh, with a lovely breeze, as the two riders rode briskly over the turf of rolling common-lands, with the feathery boughs of neighboring woodlands tossed joyously to and fro by the sportive summer wind. The exhilarating exercise and air raised Lionel's spirits, and released his tongue from all trammels; and when a boy is in high spirits, ten to one but he grows a frank egotist, feels the teeming life of his individuality, and talks about himself. Quite unconsciously Lionel rattled out gay anecdotes of his school-days; his quarrel with a demoniacal usher; how he ran away; what befell him; how the doctor went after, and brought him back; how splendidly the doctor behaved—neither flogged nor expelled him, but after patient listening, ​while he rebuked the pupil, dismissed the usher, to the joy of the whole academy; how he fought the head boy in the school for calling the doctor a sneak; how, licked twice, he yet fought that head boy a third time, and licked him; how, when head boy himself, he had roused the whole school into a civil war, dividing the boys into Cavaliers and Roundheads; how clay was rolled out into cannon-balls and pistol-shots, sticks shaped into swords, the playground disturbed to construct fortifications; how a slovenly stout boy enacted Cromwell; how he himself was elevated into Prince Rupert; and how, reversing all history, and infamously degrading Cromwell, Rupert would not consent to be beaten; and Cromwell at the last, disabled by an untoward blow across the knuckles, ignominiously yielded himself prisoner, was tried by a court-martial, and sentenced to be shot! To all this rubbish did Darrell incline his patient ear,—not encouraging, not interrupting, but sometimes stifling a sigh at the sound of Lionel's merry laugh, or the sight of his fair face, with heightened glow on his cheeks, and his long silky hair, worthy the name of lovelocks, blown by the wind from the open loyal features, which might well have graced the portrait of some youthful Cavalier. On bounded the Spanish jennet, on rattled the boy rider. He had left school now, in his headlong talk; he was describing his first friendship with Frank Vance, as a lodger at his mother's; how example fired him, and he took to sketch-work and painting; how kindly Vance gave him lessons; how at one time he wished to be a painter; how much the mere idea of such a thing vexed his mother, and how little she was moved when he told her that Titian was of a very ancient family, and that Francis I., archetype of gentleman, visited Leonardo da Vinci's sick-bed; and that Henry VIII. had said to a pert lord who had snubbed Holbein, "I can make a lord any day, but I cannot make a Holbein!" how Mrs. Haughton still confounded all painters in the general image of the painter and the plumber who had cheated her so shamefully in the renewed window-sashes and redecorated walls, which Time and the four children of an Irish family had made necessary to the letting of the first floor. And these playful allusions to the maternal ideas were still not irreverent, but contrived so as rather to prepossess Darrell in Mrs. Haughton's favour by bringing out traits of a simple natural mother, too proud, perhaps, of her only son, not caring what she did, how she worked, so that he might not lose caste as a born Haughton. Darrell understood, and nodded his head approvingly. "Certainly," he said, speaking almost for the first time, "Fame confers a rank above that of gentlemen ​and of kings; and as soon as she issues her patent of nobility, it matters not a straw whether the recipient be the son of a Bourbon or of a tallow-chandler. But if Fame withhold her patent; if a well-born man paint aldermen, and be not famous (and I dare say you would have been neither a Titian nor a Holbein),—why, he might as well be a painter and plumber, and has a better chance even of bread and cheese by standing to his post as gentleman. Mrs. Haughton was right, and I respect her."
"Quite right. If I lived to the age of Methuselah, I could not paint a head like Frank Vance."
"And even he is not famous yet. Never heard of him."
"He will be famous: I am sure of it; and if you lived in London, you would hear of him even now. Oh, sir! such a portrait as he painted the other day! But I must tell you all about it." And therewith Lionel plunged at once, medias res, into the brief broken epic of little Sophy, and the eccentric infirm Belisarius for whose sake she first toiled and then begged; with what artless eloquence he brought out the colours of the whole story,—now its humour, now its pathos; with what beautifying sympathy he adorned the image of the little vagrant girl, with her mien of gentlewoman and her simplicity of child; the river excursion to Hampton Court; her still delight; how annoyed he felt when Vance seemed ashamed of her before those fine people; the orchard scene in which he had read Darrell's letter, that, for the time, drove her from the foremost place in his thoughts; the return home, the parting, her wistful look back, the visit to the Cobbler's next day; even her farewell gift, the nursery poem, with the lines written on the fly-leaf, he had them by heart! Darrell, the grand advocate, felt he could not have produced on a jury, with those elements, the effect which that boy-narrator produced on his granite self.
"And, oh, sir!" cried Lionel, checking his horse, and even arresting Darrell's with bold right hand—"oh," said he, as he brought his moist and pleading eyes in full battery upon the shaken fort to which he had mined his way—"oh, sir! you are so wise and rich and kind, do rescue that poor child from the penury and hardships of such a life! If you could but have seen and heard her! She could never have been born to it! You look away: I offend you! I have no right to tax your benevolence for others; but, instead of showering favours upon me, so little would suffice for her!—if she were but above positive want, with that old man (she would not be happy without him), safe in such a cottage as you give to your own peasants! I am a ​man, or snall be one soon; I can wrestle with the world, and force my way somehow; but that delicate child, a village show, or a beggar on the high-road! no mother, no brother, no one but that broken-down cripple, leaning upon her arm as his crutch. I can not bear to think of it. I am sure I shall meet her again somewhere; and when I do, may I not write to yon, and will you not come to her help? Do speak—do say 'Yes,' Mr. Darrell."
The rich man's breast heaved slightly; he closed his eyes, but for a moment. There was a short and sharp struggle with his better self, and the better self conquered.
"Let go my reins—see, my horse puts down his ears—he may do you a mischief. Now canter on—you shall be satisfied. Give me a moment to—to unbutton my coat—it is too tight for me."