OpenLLM-France/wikimedia huggingface dataset:
# Keney v. New York

* related portals: Supreme Court of the United States.
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United States Supreme Court
388 U.S. 440
Keney v. New York
Eugene Gressman, for petitioner.
James H. Biben, for respondent.
On Petition for Writ of Certiorari to the County Court of Monroe County, New York.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kenicott v. The Supervisors

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United States Supreme Court
83 U.S. 452
Kenicott v. The Supervisors

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kenilworth (Coates)

"Towering above the plain, proud in decay"
* Coates, Florence Earle (1900), "Kenilworth" in The Atlantic Monthly (January 1900).
* Coates, Florence Earle (1904), "Kenilworth" in Mine and Thine (1904).
* Coates, Florence Earle (1916), "Kenilworth" in Poems II.

## References

* ↑ View this version at Google Books.
# Jerusalem. The Emanation of the Giant Albion/Plate 84

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 84
* Highgates heights & Hampsteads, to Poplar Hackney & Bow:
* To Islington & Paddington & the Brook of Albions River
* We builded Jerusalem as a City & a Temple; from Lambeth
* We began our Foundations; lovely Lambeth! O lovely Hills
* 5 Of Camberwell, we shall behold you no more in glory & pride
* For Jerusalem lies in ruins & the Furnaces of Los are builded there
* You are now shrunk up to a narrow Rock in the midst of the Sea
* But here we build Babylon on Euphrates, compelld to build
* And to inhabit, our Little-ones to clothe in armour of the gold
* 10 Of Jerusalems Cherubims & to forge them swords of her Altars
* I see London blind & age-bent begging thro the Streets
* Of Babylon, led by a child. his tears run down his beard
* The voice of Wandering Reuben ecchoes from street to street
* In all the Cities of the Nations Paris Madrid Amsterdam
* 15 The Corner of Broad Street weeps; Poland Street languishes
* To Great Queen Street & Lincolns Inn, all is distress & woe.
* [three lines gouged out irrecoverably]
* [deleted]
* [deleted]
* 20 The night falls thick Hand comes from Albion in his strength
* He combines into a Mighty-one the Double Molech & Chemosh
* Marching thro Egypt in his fury the East is pale at his course
* The Nations of India, the Wild Tartar that never knew Man
* Starts from his lofty places & casts down his tents & flees away
* 25 But we woo him all the night in songs, O Los come forth O Los
* Divide us from these terrors & give us power them to subdue
* Arise upon thy Watches let us see thy Globe of fire
* On Albions Rocks & let thy voice be heard upon Euphrates.
* Thus sang the Daughters in lamentation, uniting into One
* 30 With Rahab as she turnd the iron Spindle of destruction.
* Terrified at the Sons of Albion they took the Falshood which
* Gwendolen hid in her left hand. it grew &, grew till it
# Jerusalem. The Emanation of the Giant Albion/Plate 85

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 85
* Became a Space & an Allegory around the Winding Worm
* They namd it Canaan & built for it a tender Moon
* Los smild with joy thinking on Enitharmon & he brought
* Reuben from his twelvefold wandrings & led him into it
* 5 Planting the Seeds of the Twelve Tribes & Moses & David
* And gave a Time & Revolution to the Space Six Thousand Years
* He calld it Divine Analogy, for in Beulah the Feminine
* Emanations Create Space. the Masculine Create Time, & plant
* The Seeds of beauty in the Space: listning to their lamentation
* 10 Los walks upon his ancient Mountains in the deadly darkness
* Among his Furnaces directing his laborious Myriads watchful
* Looking to the East: & his voice is heard over the whole Earth
* As he watches the Furnaces by night, & directs the labourers
* And thus Los replies upon his Watch: the Valleys listen silent:
* 15 The Stars stand still to hear: Jerusalem & Vala cease to mourn:
* His voice is heard from Albion: the Alps & Appenines
* Listen: Hermon & Lebanon bow their crowned heads
* Babel & Shinar look toward the Western Gate, they sit down
* Silent at his voice: they view the red Globe of fire in Los's hand
* 20 As he walks from Furnace to Furnace directing the Labourers
* And this is the Song of Los, the Song that he sings on his Watch
* O lovely mild Jerusalem! O Shiloh of Mount Ephraim!
* I see thy Gates of precious stones: thy Walls of gold & silver
* Thou art the soft reflected Image of the Sleeping Man
* 25 Who stretchd on Albions rocks reposes amidst his Twenty-eight
* Cities: where Beulah lovely terminates, in the hills & valleys of Albion
* Cities not yet embodied in Time and Space: plant ye
* The Seeds O Sisters in the bosom of Time & Spaces womb
* To spring up for Jerusalem: lovely Shadow of Sleeping Albion
* 30 Why wilt thou rend thyself apart & build an Earthly Kingdom
* To reign in pride & to opress & to mix the Cup of Delusion
* O thou that dwellest with Babylon! Come forth O lovely-one
# Jerusalem. The Emanation of the Giant Albion/Plate 87

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
* PLATE 87
* Repelling weeping Enion blind & age-bent into the fourfold
* Desarts. Los first broke silence & began to utter his love
* O lovely Enitharmon: I behold thy graceful forms
* Moving beside me till intoxicated with the woven labyrinth
* 5 Of beauty & perfection my wild fibres shoot in veins
* Of blood thro all my nervous limbs. soon overgrown in roots
* I shall be closed from thy sight. sieze therefore in thy hand
* The small fibres as they shoot around me draw out in pity
* And let them run on the winds of thy bosom: I will fix them
* 10 With pulsations. we will divide them into Sons & Daughters
* To live in thy Bosoms translucence as in an eternal morning
* Enitharmon answerd. No! I will sieze thy Fibres & weave
* Them: not as thou wilt but as I will, for I will Create
* A round Womb beneath my bosom lest I also be overwoven
* 15 With Love; be thou assured I never will be thy slave
* Let Mans delight be Love; but Womans delight be Pride
* In Eden our loves were the same here they are opposite
* I have Loves of my own I will weave them in Albions Spectre
* Cast thou in Jerusalems shadows thy Loves! silk of liquid
* 20 Rubies Jacinths Crysolites: issuing from thy Furnaces. While
* Jerusalem divides thy care: while thou carest for Jerusalem
* Know that I never will be thine: also thou hidest Vala
* From her these fibres shoot to shut me in a Grave.
* You are Albions Victim, he has set his Daughter in your path
# Jerusalem. The Emanation of the Giant Albion/Plate 9

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 9 ]
* Condens'd his Emanations into hard opake substances;
* And his infant thoughts & desires, into cold, dark, cliffs of death.
* His hammer of gold he siezd; and his anvil of adamant.
* He siez'd the bars of condens'd thoughts, to forge them:
* 5Into the sword of war: into the bow and arrow:
* Into the thundering cannon and into the murdering gun
* I saw the limbs form'd for exercise, contemn'd: & the beauty of
* Eternity, look'd upon as deformity & loveliness as a dry tree:
* 10I saw disease forming a Body of Death around the Lamb
* Of God, to destroy Jerusalem, & to devour the body of Albion
* By war and stratagem to win the labour of the husbandman:
* Awkwardness arm'd in steel: folly in a helmet of gold:
* Weakness with horns & talons: ignorance with a rav'ning beak!
* Every Emanative joy forbidden as a Crime:
* 15And the Emanations buried alive in the earth with pomp of religion:
* Inspiration deny'd; Genius forbidden by laws of punishment:
* I saw terrified; I took the sighs & tears, & bitter groans:
* I lifted them into my Furnaces; to form the spiritual sword.
* That lays open the hidden heart: I drew forth the pang
* 20Of sorrow red hot: I workd it on my resolute anvil:
* I heated it in the flames of Hand, & Hyle, & Coban
* Nine times; Gwendolen & Cambel & Gwineverra
* Are melted into the gold, the silver, the liquid ruby,
* The crysolite, the topaz, the jacinth, & every precious stone,
* 25 Loud roar my Furnaces and loud my hammer is heard:
* I labour day and night, I behold the soft affections
* Condense beneath my hammer into forms of cruelty
* But still I labour in hope, tho' still my tears flow down.
* That he who will not defend Truth, may be compelld to defend
* 30 A Lie: that he may be snared and caught and snared and taken
* That Enthusiasm and Life may not cease: arise Spectre arise!
* Thus they contended among the Furnaces with groans & tears;
* Groaning the Spectre heavd the bellows, obeying Los's frowns;
* Till the Spaces of Erin were perfected in the furnaces
* 35 Of affliction, and Los drew them forth, compelling the harsh Spectre.
# Knowlton v. Watertown (130 U.S. 334)/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
130 U.S. 334
Knowlton v. Watertown (130 U.S. 334)
These cases are, in all essential respects, the same as that of No. 198, ante, 539, in which the opinion has been just announced, and the same judgment-of affirmance-is therefore rendered therein.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Knox County v. Harshman

* Search for titles containing or beginning with: "Knox County v. Harshman."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Knox County v. Harshman (132 U.S. 14)
* Knox County v. Harshman (133 U.S. 152)
# Knowlton v. Watertown (130 U.S. 327)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
130 U.S. 327
Knowlton v. Watertown
George P. Miller, for plaintiff in error.
Daniel Hall and George W. Bird, for defendant in error.
BRADLEY, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Knox, Boggs & Company v. Smith

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* sister projects: Wikidata item.
United States Supreme Court
45 U.S. 298
Knox, Boggs & Company v. Smith

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Know’st thou the Land (Goethe/Coleridge)

Published as the epigraph to Joseph Hardman's "Colonna the Painter" in Blackwood's Magazine volume 26 (September 1829). Coleridge started translating the third verse, and the lines he completed were published in Scribner's Magazine volume 93 (January 1933).
Know’st thou the Land where the pale Citrons blow, And Golden Fruits through dark green foliage glow? O soft the breeze that breathes from that blue sky! Still stand the Myrtles and the Laurels high. Know’st thou it well? O thither, Friend! Thither with thee, Beloved! would I wend.
Know’st thou the House? On Columns rests its Height; Shines the Saloon; the Chambers glisten bright; And Marble Figures stand and look at me— Ah, thou poor Child! what have they done to thee! Know’st thou it well? O thither, Friend! Thither with thee, Protector! would I wend.
S. T. Coleridge, from Goethe.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Knowlton v. Watertown (130 U.S. 334)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
130 U.S. 334
Knowlton v. Watertown (130 U.S. 334)
SPALDING et al.
v.
SAME.
No. 200.
April 8, 1889.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kinsella v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Whittaker
United States Supreme Court
361 U.S. 234
Kinsella v. United States
Argued: Oct. 22, 1959. --- Decided: Jan 18, 1960
Mr. Harold H. Greene, Washington, D.C., for appellant.
Mr. Frederick Bernays Wiener, Washington, D.C., for appellee.
Mr. Justice CLARK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kinsella v. Krueger

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
351 U.S. 470
Kinsella v. Krueger
Argued: May 3, 1956. --- Decided: June 11, 1956
Mr.
Marvin E. Frankel, Washington, D.C., for petitioner.
Mr. Frederick Bernays Wiener, Washington, D.C., for respondent.
Mr. Justice CLARK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kinship and social organisation

STUDIES IN ECONOMIC AND POLITICAL SCIENCE
Edited by the HON. W. PEMBER REEVES
Director of the London School of Economics and Political Science
No. 36 in the Series of Monographs by Writers connected with the London School of Economics and Political Science.
KINSHIP AND SOCIAL ORGANISATION
Kinship and Social Organisation
By
W. H. R. RIVERS, M.D., F.R.S.,
Fellow of St. John's College, Cambridge
LONDON
CONSTABLE & CO LTD
1914
CONTENTS :
| | page |
| PREFACE | vii. |
| LECTURE I | 1 |
| LECTURE II | 28 |
| LECTURE III | 60 |
| INDEX | 95 |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Clayton Hall and Kersal Cell

Part I: Legends and Traditions; Clayton Hall and Kersal Cell.
CLAYTON HALL AND KERSAL CELL.
Further down the same by-lane (from the moor) that contains Kersal Hall, stands Kersal Cell, the retreat of "Dr" Byrom in the middle of the last century. It is a snug substantial residence, reminding us of Hawthorne's "House of Seven Gables." In the "Doctor's" time, ​it would be all that a poet could desire. In fixing here his hermitage, hundreds of years ago, its original recluse, Sir Hugh le Biron, showed taste as well as sanctity. He was no "friar of orders grey," no monk of the fraternity of Black Penitents; but a stalwart knight, once owner of Clayton Hall and Kersal Cell; both of which mansions have since become linked with nobler though untitled names. Tradition asserts that Sir Hugh left Clayton Hall for the Holy Land, with an esquire bearing his shield, and a hundred stout followers in his train. As the knight and retainers marched away, his lady prettily waved her handkerchief from the tower or turret of Clayton Hall. Arrived at the Holy Land, Le Biron dealt out his deadly blows with no niggardly measure, spreading dismay through the ranks of the enemy. Wherever an infidel's head was visible, there also was the arm of Sir Hugh, ready to cleave it in twain. At length his conscience became troubled, and he began to doubt the righteousness of his righteous cause. The ghosts of those slain by his valour rose in vast numbers before his distempered vision; the wailing of widows and the weeping of orphans, seemed to haunt him wheresoever he went, until he was glad to escape from the land thus rendered unholy, and turn his steps towards the English home from which he had been too long estranged. As he passed slowly up his own avenue he met a funeral train, bearing the remains of his lady to her final resting-place, there, as the tomb-stone sweetly expresses it, to "sleep in Jesus." Year after year she had pined for her absent lord, gradually sinking, the victim of "hope deferred." This blow severed the last link that bound Le Biron to the world, and he retreated from its turmoil to that solitude of Kersal Cell. Here, a "hermit lone," he alternately prayed and ​wandered,—climbing the picturesque heights of Kersal, or the wooded ways of Prestwich—until death, remembering the repentant warrior, removed him to the peaceful grave.—Procter's "Our Turf, Stage, and Ring."
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Dildrum, King of the Cats

See Note and Queries, series 2, volume 10, "Dildrum, King of the Cats". For other versions of the story, see The King of the Cats.
DILDRUM, KING OF THE CATS.
The following tradition is often heard in South Lancashire:—A gentleman was one evening sitting cosily in ​his parlour, reading or meditating, when he was interrupted by the appearance of a cat, which came down the chimney, and called out, "Tell Dildrum, Doldrum's dead!" He was naturally startled by the occurrence; and when, shortly afterwards, his wife entered, he related to her what had happened, and their own cat, which had accompanied her, exclaimed, "Is Doldrum dead?" and immediately rushed up the chimney, and was heard of no more. Of course there were numberless conjectures upon such a remarkable event, but the general opinion appears to be that Doldrum had been king of cat-land, and that Dildrum was the next heir.—N. and Q., 2d ser. x. 464.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Egerton Hall and "Old Madam"

Part I: Legends and Traditions; Egerton Hall and "Old Madam".
"OLD MADAM" OF EGERTON HALL
Egerton Hall, in the township of Turton, was a quaint old residence some two centuries ago; but most of it has been pulled down, and the rest converted into a plain modern cottage. There was a curious legend connected with the old house, which still clings to the site, respecting the occasional appearance of the form of an old lady, dressed in white silk, and who is known by the name of the "Old Madam" to the residents in the district. This tradition is a very common one in most parts of Lancashire, as well as in other counties, and answers to the "Lady in White," who has become the common property of the folk-lore of nearly every country in Europe.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Burnley Cross and the Demon Pigs

Part I: Legends and Traditions; Burnley Cross and the Demon Pigs.
BURNLEY CROSS AND THE DEMON PIGS.
Godly Lane Cross, stands in a small plantation a few hundred yards from the Old Market Place of Burnley. It is evidently of great antiquity, and most probably ​has been removed from the churchyard to its present site. Like those at Whalley and Dewsbury, this Saxon relic is supposed to commemorate the preaching of Paulinus, the first Christian missionary in these parts, about the year 597. The cross has been of large size, and from what remains, it may be inferred that it has been bound by simple fillets, terminating at the apex in a spiral form. Dr Whitaker is inclined to attach considerable weight to the above supposition, from the fact, that a neighbouring field retains the name of "Bishop Leap." The tradition is, that prior to the foundation of any church in Burnley, religious rites were celebrated on the spot where this ancient cross now stands, and that Paulinus baptized his converts in the River Brun. Upon the attempt being made to erect an oratory, the materials were nightly removed by supernatural agents, in the form of pigs, to where St Peter's Church now stands. This popular opinion probably owes its origin to an ancient mural tablet, or escutcheon, yet remaining on the south side of the steeple. Its principal charge bears some resemblance to a pig; but was probably originally intended to represent the Paschal Lamb, since it appears to be surrounded by rude representations of the instruments of the Passion. A similar charge is also sculptured on the old font.
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Fairfax in Ashton Church

Part I: Legends and Traditions; Fairfax in Ashton Church.
GENERAL FAIRFAX BURIED IN ASHTON CHURCH.
In one of his MS. vols. in Chetham's Library, Thomas Barrett, the Manchester antiquary, says:—"They have long had a tradition at Ashton-under-Lyne, that in the chancel of the church, the famous General Fairfax lies buried. How this came about I am at a loss to account for, unless done through privacy, to preserve his corpse from the ill-usage of his enemies, and that it was thus secreted through the means of Colonel Dukinfield, who served in the same cause with Fairfax in the Parliamentary army. Dukinfield Hall lies very near Ashton."
# Lancashire Legends, Traditions, Pageants, Sports, &c./Part 1/Dule upo' Dun

Part I: Legends and Traditions; The Dule upo' Dun.
THE DULE UPO' DUN.
The tradition upon which Mr Roby has founded one of his stories appeared many years ago in the Kaleidoscope, a Liverpool weekly literary publication. Barely three miles from Clitheroe, as you enter a small village on the right of the high road to Gisburne, stood a public-house, having for its sign the above title, which, being translated into plain English, is "The Devil upon Dun" (horse) The story runs that a poor tailor sold himself to Satan for seven years, after which term, according to the contract, signed, as is customary, with the victim's own blood, his soul was to become "the devil's own." He was to have three wishes, and these were expended in a wish for a collop of bacon; in a second, that his wife were "far enough;" and then that she were back home again. At the end of the seven years the Father of Lies appeared and claimed his victim, who tremblingly contended that the contract was won from him by fraud and dishonest pretences, and had not been fulfilled. He ventured to hint at the other party's lack of power to bestow riches or any great gift; on which Satan was goaded into granting him another wish. "Then," said the trembling tailor, ​"I wish thou wert riding back again to thy quarters, on yonder dun horse, and never able to plague me again, or any other poor wretch whom thou hast gotten into thy clutches!" The demon, with a roar, went away riveted to the back of this dun horse, and the tailor watched his departure almost beside himself for joy. He lived happy to a good old age, leaving behind him at his death good store of this world's gear, which was divided amongst his poorer relatives. One of them, having bought the house where the tailor dwelt, set up the trade of a tapster therein, having for his sign, "The Dule upo' Dun." On it is depicted "Old Hornie," mounted upon a scraggy dun horse, without saddle, bridle, or any sort of equipments whatever—the terrified steed being "off and away" at full gallop from the door, where a small hilarious tailor, with shears and measures, appears to view the departure of him of the cloven foot with anything but grief or disapprobation. The house itself is one of those ancient gabled black-and-white edifices, now fast disappearing under the march of improvement. Many windows of little lozenge-shaped panes set in lead, might be seen here in all the various stages of renovation and decay. Over the door, till lately, swung the old and quaint sign, attesting the truth of the tradition and the excellence of mine host's beer.