OpenLLM-France/wikimedia huggingface dataset:
# Atharva-Veda Samhita/Book XVI/Paryaya 7

7. Paryāya the seventh.
The definition of number of verses in the paryāya is taken by the Anukr. verbatim from the Old Anukr. (cf. p. 793, line 12), and appears to mean that the number of verses exceeds by two that of the preceding paryāya.
Translated: Griffith, ii. 205.
1. With that I pierce him; with ill-success I pierce him; with extermination I pierce him; with calamity I pierce him; with seizure I pierce him; with darkness I pierce him.
The 'that' of the first clause doubtless refers to 6. 11.
2. I demand against him with the terrible, cruel demands (prāiṣá) of the gods.
The word prāiṣá seems here to be used, not in its ritual sense which is common later, but rather in a sense suggested by its etymology.
3. I set him in the two tusks of Vāiçvānara.
⌊This seems to be an unmetrical version of iv. 36. 2 c, d.⌋
4. So, not so, may she swallow down.
The pada-text reads evá: áneva: áva, and the translation follows it. The text is probably corrupt; the 'she' (sā́) seems unmotived. Neither Pet. Lex. contains áneva ⌊in its main part; but the word is given in a supplement to the minor Lex., iii. 250 c⌋.
5. Whoso hates us, him let [his] self (ātmán) hate; whomso we hate, let him hate [his] self.}}
6. Let us disportion our hater from heaven, from earth, from atmosphere.
Compare x. 5. 25 etc.; we should expect bhajāmas here as there.
7. O thou of good ways (suyāman), of sight (cākṣuṣá).
Both the words may be proper names. Our P.M. read cākṣuṣaḥ, accentless.
8. Now (idám) do I wipe off evil-dreaming on him of such-and-such lineage, son of such-and-such a mother.
9. What I went at on such-and-such an occasion, what at evening, what in early night;—
The translation follows our emendation, abhyágacham; all the mss. read -chan (one or two in pada perhaps -chat); the true sense is very doubtful. ⌊SPP. reads -chan with all his authorities: see his note, vol. iii., p. 352.⌋
​10. What when awake, what when asleep, what by day, what by night;—
11. What day by day I go at, from that do I cut him off (ava-day).
12. Him do thou smite, with him amuse thyself (? mand), his ribs do thou crush in.
13. Let him not live; him let breath quit.
This verse also forms a part of x. 5. 25 etc.
# Atharva-Veda Samhita/Book XV/Paryaya 9

9. Paryāya the ninth.
[trika. 1. āsurī jagatī; 2. ārcī gāyatrī; 3. ārcī pan̄kti.]
Translated: Aufrecht, Ind. Stud. i. 134; Griffith, ii. 192.—Cf. Zimmer, p. 194.
1. He moved out toward the tribes.
2. After him moved out both the assembly and the gathering and the army and strong drink.
3. Verily both of the assembly and of the gathering and of the army and of strong drink doth he become the dear abode who knoweth thus.
# Atharva-Veda Samhita/Book XVI/Paryaya 1

1. Paryāya the first.
Translated: Griffith, ii. 201.
1. Let go [is] the bull of the waters; let go [are] the heavenly fires.
The verse, or the hymn (paryāya), is quoted in Kāuç. 9. 9, in the process of preparing holy water (çāntyudaka); with it one "lets go the waters," and then follow question and answer respecting the preparation. In Ppp. the initial a of atisṛṣṭās is not elided.
2. Breaking, breaking about, killing, slaughtering;—
3. Dimming ⌊mroká⌋, mind-slaying, digging, out-burning, self-spoiling, body-spoiling.
All these epithets are nom. sing. masc.; as mroká and nirdāhá are found together in v. 31. 9 as epithets of the flesh-eating fire, they are probably names of the fires mentioned in vs. 1: cf. also vs. 7, below; Ppp. combines -dāhā ”tma-. ⌊Weber (Ind. Stud. xiii. 185), discussing mroká as it occurs above at ii. 24. 3 in the long string of epithets, takes our paryāya here as an evening prayer (see p. 792), and notes the names of the ten Agnis here rehearsed in vss. 2, 3.⌋
4. That one now I let go; that one let me not wash down against myself;—
5. That one do we let go against him who hates us, whom we hate.
These two verses form a part of vss. 15-21 in the water-thunderbolt (udavajra) hymn, above, x. 5 ⌊see my note⌋; and fragments of the same hymn are found further on in this paryāya and in 7. 6, 13, indicating some connection of application with that hymn, though Kāuç. suggests such connection only for xvi. 2. 1.
6. Thou art tip (ágra) of the waters; I let you go down unto the ocean.
With the second part compare the opening words of x. 5. 23.
7. The fire that is in the waters, it do I let go, the dimming, digging, body-spoiling one.
With this verse compare PGS. ii. 6. 10, used in the ceremonies commemorating the end of Vedic study. ⌊The definition of the Anukr. seems to be wide of the mark.⌋
8. The fire that entered into you, O waters, this is that; what of you is terrible, this is that.
9. May [it] pour upon you with Indra's Indra-power (indriyá).
10. Free from defilement (-riprá) [are] the waters; let them [carry] away from us defilement;—
11. Let them carry forth from us sin; let them carry forth evil-dreaming.
With the last two verses compare parts of x. 5. 24.
12. With propitious eye look at me, O waters; with propitious body touch my skin.
We had this verse above as i. 33. 4 a, b.
13. We call the propitious fires that sit in the waters. Put in me dominion [and] splendor, O divine [waters].
# Atharva-Veda Samhita/Book XVI/Paryaya 3

3. Paryāya the third.
[Brahman.—ṣaṭka. ādityadevatya. 1. āsurī gāyatrī; 2, 3. ārcy anuṣṭubh; 4. prājāpatyā triṣṭubh; 5. sāmny uṣṇih; 6. 2-p. sāmnī triṣṭubh.]
Translated: Griffith, ii. 202.
1. May I be the head (mūrdhán) of riches, the head of my equals.
Or, perhaps, 'I am the head of the one, may I be so of the other.' The verse (or the paryāya) is quoted twice in Kāuç., once (18. 25) in the citrā ceremony, together with a whole series of other hymns or verses, in partaking of a milk-rice-dish; and once (58. 22), in the ceremony of giving food to a young child (annaprāçana), with a part of the same hymns.
2. Let both breaking (? rujá) and longing (vená) not desert me; let both the head (mūrdhán) and the distributer (? vídharman) not desert me.
The nouns in this and the following verses are in part of obscure meaning and reference.
3. Let both the kettle (?) and the cup (camasá) not desert me; let both the maintainer (dhartṛ́) and the supporter (dharúṇa) not desert me.
The translation follows the suggestion of the Pet. Lexx., to emend urvá at the beginning to ukhá.
​4. Let both the releaser (vimoká) and the wet-rimmed one not desert me; let both him of wet drops (-dā́nu) and Mātariçvan not desert me.
5. Brihaspati my soul, manly-minded by name, hearty (hṛ́dya).
6. Free from torment my heart, a wide pasture, an ocean am I by extent (vídharman).
# Atharva-Veda Samhita/Book XVI/Paryaya 5

5. Paryāya the fifth.
⌊Both the Anukramaṇīs reckon the paryāya as of 10 avasānas: that is, they count the anuṣan̄gas (b-c) only in their first and last occurrences, as explained at p. 793, end (cf. pages 628-9, 772).⌋ One or two of the mss. (W.R.) indicate by fragments of b and c given also with verses 2-5 that they regard all the six verses ⌊or gaṇas, rather⌋ as of equal length. ⌊It is true that the summations (see p. 793 and table) number the gaṇas as 2 and call the avasānarcas of the remaining 4 by the name of paryāya-avasānarcas; but it is not apparent why the gaṇas should not be counted as 6, just as those of the second paryāya of xi. 3 are counted as 18 (p. 632, top, p. 628, ¶ 10).—The numbers of the avasānas as given by SPP. in accord with the Anukr. are added by me in ell-brackets.⌋
Translated: Ludwig, p. 468; Griffith, ii. 203.
1. ⌊1.⌋ We know thy place of birth (janítra), O sleep; thou art son of seizure (grā́hi), agent of Yama; ⌊2.⌋ ender art thou, death art thou; ⌊3.⌋ so, O sleep, do we comprehend thee here; do thou, O sleep, protect us from evil-dreaming.
The verses of this hymn are nearly ⌊vs. 6 exactly⌋ identical with vi. 46. 2; and whether they or it are quoted in Kāuç. 46. 9, 13, it is impossible, and wholly unimportant, to determine ⌊cf. introd. to vi. 46⌋.
2. ⌊4.⌋ We know thy place of birth, O sleep; thou art son of perdition, agent etc. etc.
3. ⌊5.⌋ We know thy place of birth, O sleep; thou art son of ill-success (ábhūti), agent etc. etc.
4. ⌊6.⌋ We know thy place of birth, O sleep; thou art son of extermination (nírbhūti), agent etc. etc.
5. ⌊7.⌋ We know thy place of birth, O sleep; thou art son of calamity (párābhūti), agent etc. etc.
6. ⌊8.⌋ We know thy place of birth, O sleep; thou art son of the wives (-jāmí) of the gods, agent of Yama; ⌊9.⌋ ender art thou, death art thou; ⌊10.⌋ so, O sleep, do we comprehend thee here; do thou, O sleep, protect us from evil-dreaming.
This verse agrees ⌊precisely⌋ with vi. 46. 2, and the ⌊words dévānām patnīnāṁ garbha yámasya kara (the readings are not quite certain)⌋ appear in xix. 57. 3; the other verses are therefore most probably varied repetitions of this one.
# Atharva-Veda Samhita/Book XVI/Paryaya 2

2. Paryāya the second.
[ṣaṭka. vāgdevatya. 1. āsury anuṣṭubh; 3. āsury uṣṇih; 3. sāmny uṣṇih; 4. 3-p. sāmny bṛhatī; 5. ārcy anuṣṭubh; 6. nicṛd virāḍgāyatrī.]
Translated: Griffith, ii. 202.
1. Out of evil-eating (?) with refreshment [comes] speech rich in honey.
The translation implies the change of durarmaṇyàts to duradmanyàs, as proposed by the Pet. Lexx. (add TB. iii. 3. 9$^9$ as a reference for duradmanī́). The reading of the mss. is, however, assured by its quotation in the Prāt. (4. 11. 16 ⌊i.e. Add'l Note, p. 592⌋), and three times in the Kāuç.: namely, in 49. 27, at the very end of the chapter of witchcraft ceremonies, after use of x. 5. 6, 7 and xiii. 1. 56, with the direction iti saṁdhāvyā ’bhimṛçati; and again, twice (58. 6, 12) in the ceremony for long life after initiation to Vedic study, once with the direction iti saṁdhāvya, and once with a smearing with fragrant powders. The word ūrjā́ in our text might also be nominative, and 'comes' is of course doubtful. The metrical definition implies the resolution -ṇí-a.
​2. Rich in honey are ye; may I speak speech rich in honey.
'Ye': i.e., the waters, the adjective being feminine. ⌊We had a phrase like to our second clause at iii. 20. 10: cf. Gram. §738 a.⌋
3. Invoked of me [is] the guardian (gopā́); invoked [is] guardianship.
The different metrical designation of these two 14-syllabled verses is apparently wholly arbitrary.
4. Well-hearing ears, ears hearing what is excellent; may I hear excellent encomium (çlóka).
'Ears' is both times dual; we might fill out to 'well-hearing are my ears' etc.
5. Let both well-hearing and listening (úpaçruti) not desert me—eagle-like sight, unfailing light.
⌊For the mā...mā́, cf. below, 3. 2, etc.⌋
6. Spread (prastará) of the seers art thou; homage be to the spread of the divine ones (dāíva).
The verse is used twice in Kāuç. (2. 18; 137. 33), and once in Vāit. (2. 9). In the former, it accompanies the taking up of part of the darbha-grass provided, and making a seat for the brahman—priest south of the fire, once at the parvan sacrifice and once in the ājyatantra ceremony. In the latter, it accompanies the making of such a spread in the parvan ceremonies. In all the three cases, it is evidently taken because of its specific meaning, and not because of any connection of those ceremonies with the one implied here.
# Betsey Baker (1829)/Betsey Baker

BETSEY BAKER.
AIR.———“ Push about the Jorum.”
As Sung by Mr. Potts, Theatrical Pavilion Glasgow.
From noise and bustle far away, Hard work my time employing, How happily I passed each day, Content and health enjoying; The birds did sing and so did I, As I trudged o’er each acre, I never knew what ’twas to sigh, Till I saw Betsey Baker.
At church I met her dressed so neat, One Sunday in hot weathr With love I found my heart did beat, As we sung psalms together. So piously she hung her head, The while her voice did shake, ah! I thought if ever I did wed, ’Twould be with Betsey Baker.
So from her side I could not budge, And sure I thought no harm on’t, My elbow then she gave a nudge, And bade me mind the sarment. When church was over out she walked, But I did overtake her, Determined I would not be baulked, ———I spoke to Betsey Baker.
​Her manners were genteel and cool, I found on conversation, She had just come from boarding-school, And finished her education: But love made me speak out quite free; Says I, “I’ve many an acre, Will you give me your company?” ———“I sha’nt,” said Betsey Baker.
All my entreaties she did slight, And I was forced to leave her, I got no sleep all that there night, For love had brought a fever. The doctor came, he smelt his cane, With long face like a quaker, Said he, “young man, where lies thy pain?” Says I, “In Betsey Baker.”
Because I was not bad enough, He boluss'd and he pill’d me, And if I’d taken all his stuff, I think he would ha’ kil'd me ; I put an end to all the strife, ’Twixt him and the undertaker, And what d'ye think ’twas saved my ⟨life⟩, ———Why, thoughts of Betsey Baker.
I then again to Betsey went, Once more with love attacked her, But, meantime, she had got acquaint With a ramping mad play-actor: ​If she would have him, he did say, A lady he would make her; He gammoned her to run away, And I lost Betsey Baker.
I fretted very much to find My hopes of love so undone, And mother thought ’twould ease my mind If I came up to London; But though I strive another way, My thoughts will ne’er forsake her; I dream all night and think all day Of cruel Betsey Baker.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Bethlehem Steel Company v. Zurich General Accident & Liability Insurance Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
307 U.S. 265
Bethlehem Steel Company v. Zurich General Accident & Liability Insurance Company
Argued: April 27, 1939. --- Decided: May 22, 1939
See 307 U.S. 650, 59 S.Ct. 1040, 83 L.Ed. --.
Mr. Frederick H. Wood, of New York City, for petitioner.
Mr. Nathan L. Miller, of New York City, for respondent Zurich General Accident & Liability Ins. Co.
Mr. Harry Hoffman, of New York City, for respondents Anglo-Continentale Treuhand, A.G., et al.
Mr. Justice BLACK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Betrothal

* Search for titles containing or beginning with: "Betrothal."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Betrothal", a poem by Florence Earle Coates.
* "Betrothal," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* The Betrothal by Ludwig Tieck.
# Betsey Baker (1829)

BETSEY BAKER,
To which are added,
WHO'S MASTER,
OR,
A FIGHT FOR THE BREECHES.
YORK YOURE WANTED.
AND
Emigrants farewell,
GLASGOW,
Printed by and for J. Natt, 17, (illegible text)
1829.
* Betsey Baker
* Who's master, or, A fight for the breeches
* York you're wanted
* Emigrant's Farewell
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Betsey Baker (1829)/Who's master, or, A fight for the breeches

WHO’S MASTER?
OR,
A FIGHT FOR THE BREECHES.
Sung by Mr. Potts, Theatrical Pavilion, Glasgow.
I’ve often heard Will’s wife declare, That she the breeches, Sirs, would wear; And though her husband would resist, For them she'd fight with nails and fist, To gain, to gain the breeches.
One day as they were at it driving, (Who would he master they were striving) A single rap came to the door, And for a while they did give o’er Fighting, fighting, fighting for the breeches.
​Will ope’d the door, the business asked; When he who knocked poor Will thus tasked, “The master of this house I want!” “See him just now I’m sure you can’t, Until he gets the breeches.
“For spouse and Will can’t well agree, As yet who master is to be; But in five minutes, Sir, or so, Who master is we then shall know, And who’s to wear the breeches.”
Now spouse and Will they did engage, They both set on with equal rage; At length poor Will was forced to yield, And, soundly drubbed, to quit the field; He lost, he lost the breeches!
Spouse she went unto the door, Just as Will had done before: “Good morning, friend, your business, pray? I master am, I’ve gained the day, I wear, I wear the breeches! Yes, I wear, I wear the breeches!”
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Bethlehem of noblest cities

Also known as Hymn for the Epiphany, this translation of the Latin hymn O sola magnarum urbium (itself an excerpt from Prudentius' Cathemerinon) was first published in Caswall's Lyra Catholica, 1849.
* "Hymn for the Epiphany" in Catholic Hymns (1st ed.), 1853.
* "Hymn for the Epiphany" in Catholic Hymns (2nd ed.), 1860.
# Betrayed by a Handprint

* related portals: Silent film.
* sister projects: Wikipedia article, Wikidata item.
Cast and Crew :
| Cast ||
| Role | Actor |
| | Florence Lawrence |
| | Harry Solter |
| | Linda Arvidson |
| | Kate Bruce |
| | Gene Gauntier |
| | George M. Gebhardt |
| | Mack Sennett |
| Crew ||
| Production company | Biograph Company |
| Director | D. W. Griffith (d. 1948) |
| Screenwriter | D. W. Griffith |
| Cinematographer | Billy Bitzer (d. 1944), Arthur Marvin (d. 1911) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1948, meaning that this film may be in the public domain in countries and jurisdictions with 75 years p.m.a. or less, as well as in the United States. ||
BETRAYED BY A HANDPRINT
COPYRIGHT, 1908, BY
Biograph Company New York, N.Y.
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Betsey Baker (1829)/Emigrant's farewell

THE EMIGRANT’S FAREWELL.
TUNE—My Guid Lord Jo(illegible text).
Our native land———our native vale——— A long and last adieu! Farewell to bonnie Tivotdale, And Cheviot mountains blue
​Farewell, ye hills of glorious deeds, And streams renown’d in song——— Farewell, ye braes and blossom’d meads, Our hearts have lov'd so long.
Farewell, the blythesome broomy knowes, Where thyme and harebells grow——— Farewell, the hoary, haunted, howes, O’er hung with birk and sloe.
The mossy cave and mouldering tower That skirt our native dell——— The martyr’s grave, and lover’s bower We bid a sad farewell!
Home of our love! our fathers’ home! Land of the brave and free! The sail is flapping on the foam That bears us far from thee!
We seek a wild and distant shore, Beyond the western main——— We leave thee to return no more, Nor view thy cliffs again!
Our native land———our native vale——— A long and last adieu! Farewell to bonny Tivotdale, And Scotland’s mountains blue!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Betrothal (Coates)

"Both your hands? . . . What mean they, dear?"
* Coates, Florence Earle (1904), "Betrothal" in Mine and Thine (1904).
* Coates, Florence Earle (1916), "Betrothal" in Poems I.
# Bible (King James Version, 1611)/The Actes

Actes: 1 • 2 • 3 • 4 • 5 • 6 • 7 • 8 • 9 • 10 • 11 • 12 • 13 • 14 • 15 • 16 • 17 • 18 • 19 • 20 • 21 • 22 • 23 • 24 • 25 • 26
​Page:BibleKJV1611-022.pdf/23 ​Page:BibleKJV1611-022.pdf/24 ​Page:BibleKJV1611-022.pdf/25 ​Page:BibleKJV1611-022.pdf/26 ​Page:BibleKJV1611-022.pdf/27 ​Page:BibleKJV1611-022.pdf/28 ​Page:BibleKJV1611-022.pdf/29 ​Page:BibleKJV1611-022.pdf/30 ​Page:BibleKJV1611-022.pdf/31 ​Page:BibleKJV1611-022.pdf/32 ​Page:BibleKJV1611-022.pdf/33 ​Page:BibleKJV1611-022.pdf/34 ​Page:BibleKJV1611-022.pdf/35 ​Page:BibleKJV1611-022.pdf/36 ​Page:BibleKJV1611-022.pdf/37 ​Page:BibleKJV1611-022.pdf/38 ​Page:BibleKJV1611-022.pdf/39 ​Page:BibleKJV1611-022.pdf/40 ​Page:BibleKJV1611-022.pdf/41 ​Page:BibleKJV1611-022.pdf/42 ​Page:BibleKJV1611-022.pdf/43 ​Page:BibleKJV1611-022.pdf/44 ​Page:BibleKJV1611-022.pdf/45 ​Page:BibleKJV1611-022.pdf/46 ​Page:BibleKJV1611-022.pdf/47 ​Page:BibleKJV1611-022.pdf/48 ​Page:BibleKJV1611-022.pdf/49 ​Page:BibleKJV1611-022.pdf/50 ​Page:BibleKJV1611-022.pdf/51 ​Page:BibleKJV1611-022.pdf/52 ​Page:BibleKJV1611-022.pdf/53 ​Page:BibleKJV1611-022.pdf/54 ​Page:BibleKJV1611-022.pdf/55 ​Page:BibleKJV1611-022.pdf/56
​$^{16}$ But riſe, and ſtand vpon thy feete: for I haue appeared vnto the thee for this purpoſe, to make thee a miniſter and a witneſſe, both of theſe things which thou haſt ſeen, ⁊ of thoſe things in the which I will appeare vnto thee,
$^{17}$ Deliuering thee from the people, and from the Gentiles, vnto whom now I ſend thee,
$^{18}$ To open their eyes, and to turne them from darkneſſe to light, and from the power of Satan vnto God, that they may receiue forgiueneſſe of ſinnes, and inheritance among them which are ſanctified by faith that is in me. ​Page:BibleKJV1611-023.pdf/2 ​Page:BibleKJV1611-023.pdf/3 ​Page:BibleKJV1611-023.pdf/4
# Bible (Literal Standard Version)

The Literal Standard Version (LSV) is a Modern English translation of the protocanonical books of the Bible with a number of distinctive features. It describes itself as the most literal translation of the Bible into the modern English language. The first edition was published on February 2, 2020, and is available at lsvbible.com.
THE HOLY BIBLE
LITERAL STANDARD VERSION (LSV)
COVENANT PRESS
LITERAL STANDARD VERSION (LSV) First Edition
~ of ~
THE HOLY BIBLE
CONTAINING THE OLD AND NEW TESTAMENTS
Copyright © 2020 by Covenant Press of the Covenant Christian Coalition www.ccc.one
* Preface
* Introduction to the LSV
* The Good News of Salvation
* Key Scriptures
The Names and Order of the Books of the Holy Bible
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