OpenLLM-France/wikimedia huggingface dataset:
# The Hindu

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The Hindu is an Indian English-language daily newspaper. It began as a weekly in 1878 and became a daily in 1889. It is one of the Indian newspapers of record and the second most circulated English-language newspaper in India, after The Times of India. As of March 2018, The Hindu is published from 21 locations across 11 states of India. - from Wikipedia

### Works

* Hyderabad in 1890 and 1891; comprising all the letters on Hyderabad affairs written to the Madras Hindu by its Hyderabad correspondent during 1890 and 1891 (1892) (transcription project)
This work is a periodical and multiple copyrights apply. The period of publication may straddle the periods of different copyright laws. Both the issues themselves and the individual contributions to those issues may have different copyright statuses.
Public domainPublic domainfalsefalse
One or more copyright licenses apply to this work.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
This work is in the public domain in India because it originates from India and its term of copyright has expired. According to The Indian Copyright Act, 1957, all documents enter the public domain after 60 years counted from the beginning of the following calendar year after the death of the author (i.e. as of 2024, prior to January 1, 1964). Film, sound recordings, government works, anonymous works, and works first published over 60 years after the death of the author are protected for 60 years after publication.
Works by authors who died before 1941 entered the public domain after 50 years (before 1991) and copyright has not been restored.
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in India on the URAA date (January 1, 1996). This is the combined effect of India having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
The critical date for copyright in the United States under the URAA is January 1, 1941.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Hind and the Panther/Part 1

THE
HIND
AND THE
PANTHER.
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# The Hind in the Wood

* "The Hind in the Wood", translated by James Planché, in Fairy Tales by the Countess d'Aulnoy (1856)
* The Hind in the Wood, illustrated by Walter Crane (1875)
* "The White Doe" (1906), edited by Andrew Lang, in The Orange Fairy Book
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Hind and the Panther

First published in 1687, this transcription is of the second edition, which was issued the same year. It corrects a number of errata in the first edition, and introduces a few minor textual changes. [Based on John Dryden: A Bibliography of Early Editions and of Drydeniana (1936), by Hugh Macdonald, pp.44-47.]
THE
HIND
AND THE
PANTHER.
A
POEM,
In Three Parts.
| ——— Antiquam exquirite matrem. Et vera, inceffu, patuit Dea. ——— | $\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,$ | Virg. |
The Second Edition.
LONDON, Printed for Jacob Tonson, at the Judges Head in Chancery Lane near Fleetstreet, 1687.
* To the Reader
* The First Part
* The Second Part
* The Third Part
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Kural or the Maxims of Tiruvalluvar/Chapter 111

CHAPTER 111
IN PRAISE OF THE UNION
HE
1101. All the delights of sight and sound and smell and taste and touch are to be found in their entirety only in this damsel of the shining bangles.
1102. The cure of all disease lieth in some other thing than that which causeth it: but the pang that this damsel causeth, she alone can heal.
1103. Is the world of the lotus-eyed God sweeter than the tender arms of her that one loveth ?
1104. When she is at a distance she burneth, but when she is near she is refreshingly cool : ah! whence did she obtain this strange fire ?
1105. Behold the witchery of my love whose tresses are adorned with flowers ! whatever thing my heart desireth, that very thing her form seemeth to me to be!
​1106. Of ambrosia are the arms of my artless damsel formed : for their every touch reviveth my dying limbs.
1107. The embrace of this lovely fair is supremely joyous, even as the family life of the householder who eateth his portion only after distributing charity.
1108. Joyous to the loving pair is the embrace that alloweth not even the air to come between.
1109. The pettish frown, the softening of the heart, and the new embrace, these are the sweets that lovers enjoy.
1110. Even as a man feeleth his ignorance the more keenly the more wise he groweth, even so do I love her the more ardently, the more I enjoy her company.
# The Kural or the Maxims of Tiruvalluvar/Chapter 112

CHAPTER 112
IN PRAISE OF HER BEAUTY
HE
1111. Soft art thou, O blest anitcha flower ! but tenderer than thyself is she on whom my heart is set.
1112. Thou becomest distracted whenever thou seest a flower, O my Heart! Thou thinkest that the flowers that look on all men can resemble her eye!
1113. Her arm is as the bamboo; her body is as the tender leaf; her smile is a very pearl; the sweetest of odours is in her breath; and her eye is piercing as the lance.
1114. The sky-blue flower despaireth of ever equalling her eye in beauty, and droopeth down its head whenever it looketh on her.
1115. She hath adorned herself with anitcha flowers but hath not removed the stems from among them: alack ! her waist will be crushed beneath the weight and will presently break!
​1116. The stars of the heavens wander from their spheres for that they cannot tell which is the moon and which her face.
1117. But is there a spot in the face of this fair one even as in the moon which hath rounded up only to-day its deformities of yesterday?
1118. Bless thee, O Moon! If thou canst shine like the face of this lovely one, I shall love thee in very truth.
1119. If thou want, O Moon, to emulate the face of her whose eyes are like flowers, show not thyself unto all but shine alone for me.
1120. Even the anitcha flower and swan's down are as nettle to the feet of this fair one.
# The Kural or the Maxims of Tiruvalluvar/Chapter 108

CHAPTER 108
THE DEGRADED LIFE
1071. How they take after men, these degraded ones! We have never seen like-ness so exact!
1072. Happier than men of conscience are these despicable ones! For they never have any pangs of the mind to feel.
1073. Like unto very Gods are the base ones on earth! For they too are a law unto themselves.
1074. When the degenerate meeteth a reprobate, he would outbeat him in his vices and pride himself on the achievement.
1075. Fear is the only motive force of degenerates : if there is any other at all, it is appetite, and it availeth just a little.
​1076. Like unto a tomtom are the base ones : for they cannot rest without giving out to others the secrets that are entrusted to them.
1077. The degenerate would grudge even to jerk his hands moistened with food, save to those that can break his jaw with clenched fists.
1078. The worthy can be commanded by a simple word: but, like the sugar-cane, the low can be made to give only by a sound thrashing.
1079. It is enough if he seeth a neighbour clothed and fed : the vile man can always discover vices in his character.
1080. What is the resource of the degenerate when misfortune befalleth him ? He hath but one, and that is to sell himself as quickly as possible.
HERE ENDETH SECTION iii OF PART II
ENTITLED MISCELLANEOUS
HERE ALSO ENDETH PART II
ENTITLED WEALTH
# The Kural or the Maxims of Tiruvalluvar/Chapter 11

CHAPTER 11
GRATITUDE
101. Behold the kindness done without any obligation: even the heavens and the earth are too poor to repay it.
102. A kindness done in the hour of need may look small : but it outweigheth the whole world.
103. Behold the kindness done without thought of recompense : it is mightier than the ocean.
104. The benefit received may be small even like a millet seed: but in the eyes of the just its measure is that of a palmyra tree.
105. Gratitude is not limited by the assistance given: it is bounded only by the nobility of him that receiveth it.
​106. Disregard not the friendship of the holy ones : forsake not those that succoured thee in difficulty.
107. He that hath relieved from affliction shall be remembered with gratitude in every birth.
108. It is ignoble to forget a kindness : but an ill turn received it is the part of nobility to forget at once.
109. The mortallest injury is forgiven the moment the mind recalleth a single kindness received from the injurer.
110. There is redemption for men who are guilty of every other crime: but the ingrate wretch shall know of none.
# The Garden of Eros

* "The Garden of Eros" in The Writings of Oscar Wilde (1907)
* "The Garden of Eros" in The Poems of Oscar Wilde (1909)
# The Japanese Fairy Book

* related portals: Japanese literature, Folklore, Children's fairy tales.
* sister projects: Commons category, Wikidata item.
Japanese fairy tales (and folk tales) illustrated by Kakuzo Fujiyama one or more chapters are available in a spoken word format.
Rendered into English
by
Contents.
Frontispiece
Title Page
Dedication
Preface
List of Illustrations
My Lord Bag of Rice
The Tongue-Cut Sparrow
The Story of Urashima Taro, the Fisher Lad
The Farmer and the Badger
The Shinansha, or the South Pointing Carriage
The Adventures of Kintaro, the Golden Boy
The Story of Princess Hase
The Story of the Man Who Did Not Wish to Die
The Bamboo-Cutter and the Moon-Child
The Mirror of Matsuyama
The Goblin of Adachigahara
The Sagacious Monkey and the Boar
The Happy Hunter and the Skilful Fisher
The Story of the Old Man Who Made Withered Trees to Flower
The Jelly Fish and the Monkey
The Quarrel of the Monkey and the Crab
The White Hare And The Crocodiles
The Story of Prince Yamato Take
Momotaro, or the Story of the Son of a Peach
The Ogre of Rashomon
How an Old Man Lost His Wen
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Japanese Fairy Book/Dedication

To
Eleanor Marion-Crawford.
I Dedicate this Book
to you and to the sweet child-friendship that you gave me in the days spent with you by the Southern Sea, when you used to listen with unfeigned pleasure to these fairy stories from far Japan. May they now remind you of my changeless love and remembrance.
Y. T. O.
    Tokio.
# The Japanese Fairy Book/List of Illustrations

List of Illustrations.
# The Japanese Fairy Book/Frontispiece

Prince Yamato Take bade his wife help him to attire himself like a woman.
# The Japanese Fairy Book/Preface

Preface.
This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore.
Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and Miss Kameko Yamao, who have helped me with translations.
The story which I have named "The Story of the Man who did not Wish to Die" is taken from a little book written a hundred years ago by one Shinsui Tamenaga. It is named Chosei Furo, or "Longevity." "The Bamboo-cutter and the Moon-child" is taken from the classic "Taketari Monogatari," and is not classed by the Japanese among their fairy tales, though it really belongs to this class of literature.
The pictures were drawn by Mr. Kakuzo Fujiyama, a Tokio artist.
In telling these stories in English I have followed my fancy ​in adding such touches of local colour or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West.
Y. T. O.
    Tokio.
# The Hourglass

* Search for titles containing or beginning with: "The Hourglass."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Hour-glass" by Robert Herrick
* "The Hourglass" by Ben Jonson
* "The Hour-Glass" by Susan K. Phillips
* "The Hour-Glass" by William Butler Yeats
* "The Hour-Glass" by Walter de la Mare
# The House (Lovecraft)

'Tis a grove-circled dwelling  Set close to a hill,  Where the branches are telling  Strange legends of ill;  Over timbers so old  That they breathe of the dead,  Crawl the vines, green and cold,  By strange nourishment fed; And no man knows the juices they suck from the depths of their dank slimy bed.
In the gardens are growing  Tall blossoms and fair,  Each pallid bloom throwing  Perfume on the air;  But the afternoon sun  with its shining red rays  Makes the picture loom dun  On the curious gaze, And above the sween scent of the the blossoms rise odours of numberless days.
The rank grasses are waving  On terrace and lawn,  Dim memories savouring  Of things that have gone;  The stones of the walks  Are encrusted and wet,  And a strange spirit stalks  When the red sun has set. And the soul of the watcher is fill'd with faint pictures he fain would forget.
It was in the hot Junetime  I stood by that scene,  When the gold rays of noontime  Beat bright on the green.  But I shiver'd with cold,  Groping feebly for light,  As a picture unroll'd -  And my age-spanning sight Saw the time I had been there before flash like fulgury out of the night.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 86 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The House (Emerson)

There is no architect
* The House in Poems (1847)
* The House in Poems (Household Edition, 1904)
# The Hourglass (Jonson)

Do but consider this small dust Here running in the glass, By atoms moved; Could you believe that this The body was Of one that loved? And in his mistress' flame, playing like a fly, Turned to cinders by her eye? Yes; and in death, as life, unblessed, To have't expressed, Even ashes of lovers find no rest.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 27

CHAP. XXVII.
The corporal had slipped out about ten minutes before my uncle Toby, in order to fix his apparatus, and just give the enemy a shot or two before my uncle Toby came.
He had drawn the six field-pieces for this end, all close up together in front of my uncle Toby's sentry box, leaving only an interval of about a yard and a half betwixt the three, on the right and left, for the convenience of charging, &c.—and the sake possibly of two batteries, which he might think double the honour of one.
In the rear, and facing this opening, with his back to the door of the sentry-- ​sentry-box, for fear of being flanked, had the corporal wisely taken his post:—He held the ivory pipe, appertaining to the battery on the right, betwixt the finger and thumb of his right hand,—and the ebony pipe tipp'd with silver, which appertained to the battery on the left, betwixt the finger and thumb of the other—and with his right knee fixed firm upon the ground, as if in the front rank of his platoon, was the corporal, with his montero-cap upon his head, furiously playing off his two cross batteries at the same time against the counterguard, which faced the counterscarp, where the attack was to be made that morning. His first intention, as I said, was no more than giving the enemy a single puff or two;—but the pleasure of the puffs, as well as the puffing, had insensibly got hold of the corporal, and drawn him on from puff to puff, into the very height ​of the attack, by the time my uncle Toby joined him.
'Twas well for my father, that my uncle Toby had not his will to make that day.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 28

CHAP. XXVIII.
My uncle Toby took the ivory pipe out of the corporal's hand,—looked at it for half a minute, and returned it.
In less than two minutes my uncle Toby took the pipe from the corporal again, and raised it half way to his mouth—then hastily gave it back a second time.
The corporal redoubled the attack,—my uncle Toby smiled,—then looked grave,—then smiled for a moment,—then looked serious for a long ​time;—Give me hold of the ivory pipe, Trim, said my uncle Toby—my uncle Toby put it to his lips,—drew it back directly,—gave a peep over the horn-beam hedge;—never did my uncle Toby's mouth water so much for a pipe in his life.—My uncle Toby retired into the sentry-box with the pipe in his hand.———
—Dear uncle Toby! don't go into the sentry-box with the pipe,—there's no trusting a man's self with such a thing in such a corner.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 31

CHAP. XXXI.
Amongst the many ill consequences of the treaty of Utrecht, it was within a point of giving my uncle Toby a surfeit of sieges; and though he recovered his appetite afterwards, yet ​Calais itself left not a deeper scar in Mary's heart, than Utrecht upon my uncle Toby's. To the end of his life he never could hear Utrecht mentioned upon any account whatever,—or so much as read an article of news extracted out of the Utrecht Gazette, without fetching a sigh, as if his heart would break in twain.
My father, who was a great motive-monger, and consequently a very dangerous person for a man to sit by, either laughing or crying,—for he generally knew your motive for doing both, much better than you knew it yourself—would always console my uncle Toby upon these occasions, in a way, which shewed plainly, he imagined my uncle Toby grieved for nothing in the whole affair, so much as the loss of his hobby-horse.—Never mind, brother Toby, he would say,—by God's blessing we shall ​have another war break out again some of these days; and when it does,—the belligerent powers, if they would hang themselves, cannot keep us out of play.—I defy 'em, my dear Toby, he would add, to take countries without taking towns,—or towns without sieges.
My uncle Toby never took this backstroke of my father's at his hobby horse kindly.—He thought the stroke ungenerous; and the more so, because in striking the horse, he hit the rider too, and in the most dishonourable part of a blow could fall; so that upon these occasions, he always laid down his pipe upon the table with more fire to defend himself than common.
I told the reader, this time two years, that my uncle Toby was not eloquent; and in the very same page gave an instance to the contrary:—I repeat the observation, and a fact which contradicts ​it again.—He was not eloquent,—it was not easy to my uncle Toby to make long harangues,—and he hated florid ones; but there were occasions where the stream overflowed the man, and ran so counter to its usual course, that in some parts my uncle Toby, for a time, was at least equal to Tertullus—but in others, in my own opinion, infinitely above him.
My father was so highly pleased with one of these apologetical orations of my uncle Toby's, which he had delivered one evening before him and Yorick, that he wrote it down before he went to bed.
I have had the good fortune to meet with it amongst my father's papers, with here and there an insertion of his own, betwixt two crooks, thus, and is endorsed,
I may safely say, I have read over this apologetical oration of my uncle Toby's a hundred times, and think it so fine a model of defence,—and shews so sweet a temperament of gallantry and good principles in him, that I give it the world, word for word, (interlineations and all) as I find it.