OpenLLM-France/wikimedia huggingface dataset:
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 77

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Thy glass will show thee how thy beauties wear, Thy dial how thy precious minutes waste; The vacant leaves thy mind's imprint will bear, And of this book this learning mayst thou taste. 4 The wrinkles which thy glass will truly show Of mouthed graves will give thee memory; Thou by thy dial's shady stealth mayst know Time's thievish progress to eternity. 8 Look! what thy memory cannot contain, Commit to these waste blanks, and thou shalt find Those children nurs'd, deliver'd from thy brain, To take a new acquaintance of thy mind. 12 These offices, so oft as thou wilt look, Shall profit thee and much enrich thy book.
1–14 Cf. n. 4 Cf. n. 7 shady stealth: stealthy shadow 10 waste blanks: empty pages 11, 12 Cf. n. 13 offices; cf. n.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 78

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So oft have I invok'd thee for my Muse And found such fair assistance in my verse As every alien pen hath got my use And under thee their poesy disperse. 4 Thine eyes, that taught the dumb on high to sing And heavy ignorance aloft to fly, Have added feathers to the learned's wing And given grace a double majesty. 8 Yet be most proud of that which I compile, Whose influence is thine, and born of thee: In others' works thou dost but mend the style, And arts with thy sweet graces graced be; 12 But thou art all my art, and dost advance As high as learning my rude ignorance.
1–14 Cf. n. 3 As: that use: habit 4 under thee: under thy patronage disperse: spread abroad 9 compile: compose 10 influence: inspiration 13 advance: raise
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 80

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O, how I faint when I of you do write, Knowing a better spirit doth use your name, And in the praise thereof spends all his might, To make me tongue-tied, speaking of your fame! 4 But since your worth,—wide as the ocean is,— The humble as the proudest sail doth bear, My saucy bark, inferior far to his, On your broad main doth wilfully appear. 8 Your shallowest help will hold me up afloat, Whilst he upon your soundless deep doth ride; Or, being wrack'd, I am a worthless boat, He of tall building and of goodly pride: 12 Then if he thrive and I be cast away, The worst was this;—my love was my decay.
2 a better spirit; cf. n. 8 wilfully: eagerly 11 wrack'd: wrecked
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 82

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I grant thou wert not married to my Muse, And therefore mayst without attaint o'erlook The dedicated words which writers use Of their fair subject, blessing every book. 4 Thou art as fair in knowledge as in hue, Finding thy worth a limit past my praise; And therefore art enforc'd to seek anew Some fresher stamp of the time-bettering days. 8 And do so, love; yet when they have devis'd What strained touches rhetoric can lend, Thou truly fair wert truly sympathiz'd In true plain words by thy true-telling friend; 12 And their gross painting might be better us'd Where cheeks need blood; in thee it is abus'd.
2 attaint: disgrace 6 limit: mark, goal 8 time-bettering days: present greater age 10 strained:exaggerated 11 sympathiz'd: matched
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 85

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My tongue-tied Muse in manners holds her still, Whilst comments of your praise, richly compil'd, Reserve their character with golden quill, And precious phrase by all the Muses fil'd. 4 I think good thoughts, while others write good words, And, like unletter'd clerk, still cry 'Amen' To every hymn that able spirit affords In polish'd form of well-refined pen. 8 Hearing you prais'd, I say, ''Tis so, 'tis true,' And to the most of praise add something more; But that is in my thought, whose love to you, Though words come hindmost, holds his rank before. 12 Then others for the breath of words respect, Me for my dumb thoughts, speaking in effect.
1 in manners: modestly 2 richly compil'd: composed in an elaborate style 3 Reserve their character; cf. n. 4 precious: carefully wrought fil'd: polished 7 that able spirit; cf. n. 12 Though words . . . before; cf. n. rank: place in line 13 respect: esteem 14 speaking in effect: which virtually speak
# Shakespeare - First Folio facsimile (1910)/The Merry Wives of Windsor/Act 4 Scene 6

Scena Sexta.
Enter Fenton, Host.
Host. Master Fenton, talke not to mee, my minde is heauy: I will giue ouer all.
Fen.  Yet heare me speake: assist me in my purpose,
And (as I am a gentleman) ile giue thee
A hundred pound in gold, more then your losse.
Host. I will heare you (Master Fenton) and I will (at the least) keepe your counsell.
Fen. From time to time, I haue acquainted you. With the deare loue I beare to faire Anne Page, Who, mutually, hath answer'd my affection, (So farre forth, as her selfe might be her chooser) Euen to my wish; I haue a letter from her Of such contents, as you will wonder at;. The mirth whereof, so larded with my matter, That neither (singly) can be manifested Without the shew of both: fat Falstaffe. Hath a great Scene; the image of the iest. Ile show you here at large (harke good mine Host:) To night at Hernes-Oke, iust 'twixt twelue and one, Must my sweet Nan present the Faerie-Queene: The purpose why, is here: in which disguise While other Iests are something ranke on foote, Her father hath commanded her to slip Away with Slender, and with him, at Eaton Immediately to Marry: She hath consented: Now Sir, Her Mother, (euen strong against that match And firme for Doctor Caius) hath appointed That he shall likewise shuffle her away, While other sports are tasking of their mindes, And at the Deanry, where a Priest attends Strait marry her: to this her Mothers plot She seemingly obedient) likewise hath Made promise to the Doctor: Now, thus it rests, Her Father meanes she shall be all in white; And in that habit, when Slender sees his time To take her by the hand, and bid her goe, She shall goe with him: her Mother hath intended (The better to deuote her to the Doctor; For they must all be mask'd, and vizarded)
That quaint in greene, she shall be loose en-roab’d, With Ribonds-pendant, flaring’bout her head; And when the Doctor spies his vantage ripe, To pinch her by the hand, and on that token, The maid hath giuen consent to go with him
Host. Which meanes she to deceiue? Father, or Mother
Fen. Both (my good Host) to go along with me: And heere it rests, that you’l procure the Vicar To stay for me at Church,’twixt twelue, and one, And in the lawfull name of marrying, To giue our hearts vnited ceremony
Host. Well, husband your deuice; Ile to the Vicar, Bring you the Maid, you shall not lacke a Priest
Fen. So shall I euermore be bound to thee; Besides, Ile make a present recompence.Exeunt.
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# Shakespeare - First Folio facsimile (1910)/The Merry Wives of Windsor/Act 5 Scene 2

Scena Secunda.
Enter Page, Shallow, Slender.
Page. Come, come: wee’ll couch i’th Castle-ditch, till we see the light of our Fairies. Remember son Slender, my.
Slen. I forsooth, I haue spoke with her, & we haue a nay-word, how to know one another. I come to her in white, and cry Mum; she cries Budget, and by that we know one another.
Shal. That’s good too: But what needes either your Mum, or her Budget? The white will decipher her well enough. It hath strooke ten a’clocke.
Page. The night is darke, Light and Spirits will become it wel: Heauen prosper our sport. No man means euill but the deuill, and we shal know him by his hornes. Lets away: follow me. Exeunt.
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# Shakespeare - First Folio facsimile (1910)/The Merry Wives of Windsor/Act 4 Scene 1

Actus Quartus. Scœna Prima.
Enter Mistris Page, Quickly, William, Euans.
Mist.Pag. Is he at M[aster]. Fords already think’st thou?
Qui. Sure he is by this; or will be presently; but truely he is very couragious mad, about his throwing into the water. Mistris Ford desires you to come sodainely.
Mist.Pag. Ile be with her by and by: Ile but bring my yong-man here to Schoole: looke where his Master comes; ’tis a playing day I see: how now Sir Hugh, no Schoole to day?
Eua. No: Master Slender is let the Boyes leaue to play.
Qui. ’Blessing of his heart.
Mist.Pag. Sir Hugh, my husband saies my sonne profits nothing in the world at his Booke: I pray you aske him some questions in his Accidence
Eu. Come hither William; hold vp your head; come.
Mist.Pag. Come-on Sirha; hold vp your head; answere your Master, be not afraid.
Eua. William, how many Numbers is in Nownes?
Will. Two.
Qui. Truely, I thought there had bin one Number more, because they say od’s-Nownes.
Eua. Peace, your tatlings. What is (Faire) William?
Will. Pulcher.
Qu. Powlcats? there are fairer things then Powlcats, sure.
Eua. You are a very simplicity o’man: I pray you peace. What is (Lapis) William?
Will. A Stone.
Eua. And what is a Stone (William? )
Will. A Peeble.
Eua. No; it is Lapis: I pray you remember in your praine.
Will. Lapis.
Eua. That is a good William: what is he (William) that do’s lend Articles.
Will. Articles are borrowed of the Pronoune; and be thus declined. Singulariter nominatiuo hic, haec, hoc.
Eua. Nominatiuo hig, hag, hog: pray you marke: genitiuo huius: Well: what is your Accusatiue-case?
Will. Accusatiuo hinc.
Eua. I pray you haue your remembrance (childe) Accusatiuo hing, hang, hog.
Qu. Hang-hog, is latten for Bacon, I warrant you.
Eua. Leaue your prables (o’man) What is the Focatiue case (William? )
Will. O, Vocatiuo, O.
Eua. Remember William, Focatiue, is caret.
Qu. And that’s a good roote.
Eua. O’man, forbeare.
Mist.Pag. Peace.
Eua. What is your Genitiue case plurall (William? )
Will. Genitiue case?
Eua. I.
Will. Genitiue horum, harum, horum.
Qu. ’Vengeance of Ginyes case; fie on her; neuer name her (childe) if she be a whore.
Eua. For shame o’man.
Qu. You doe ill to teach the childe such words: hee teaches him to hic, and to hac; which they’ll doe fast enough of themselues, and to call horum; fie vpon you.
Ewans. O’man, art thou Lunatics? Hast thou no vnderstandings for thy Cases, & the numbers of the Genders? Thou art as foolish Christian creatures, as I would desires.
Mi.Page. Pre’thee hold thy peace.
Eu. Shew me now (William) some declensions of your Pronounes.
Will. Forsooth, I haue forgot.
Eu. It is Qui, que, quod; if you forget your Quies, your Ques, and your Quods, you must be preeches: Goe your waies and play, go.
M.Pag. He is a better scholler then I thought he was.
Eu. He is a good sprag-memory: Farewel Mis[tris]. Page.
Mis.Page. Adieu good Sir Hugh: Get you home boy, Come we stay too long.Exeunt.
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# Shakespeare - First Folio facsimile (1910)/The Merry Wives of Windsor/Act 5 Scene 1

Actus Quintus. Scæna Prima.
Enter Falstoffe, Quickly, and Ford
Fal. Pre’thee no more pratling: go, Ile hold, this is the third time: I hope good lucke lies in odde numbers: Away, go, they say there is Diuinity in odde Numbers, either in natiuity, chance, or death: away
Qui. Ile prouide you a chaine, and Ile do what I can to get you a paire of hornes
Fall. Away I say, time weares, hold vp your head & mince. How now M[aster]. Broome? Master Broome, the matter will be knowne to night, or neuer. Bee you in the Parke about midnight, at Hernes-Oake, and you shall see wonders
Ford. Went you not to her yesterday (Sir) as you told me you had appointed?
Fal. I went to her (Master Broome) as you see, like a poore-old-man, but I came from her (Master Broome) like a poore-old-woman; that same knaue (Ford hir husband) hath the finest mad diuell of iealousie in him (Master Broome) that euer gouern’d Frensie. I will tell you, he beate me greeuously, in the shape of a woman: (for in the shape of Man (Master Broome) I feare not Goliath with a Weauers beame, because I know also, life is a Shuttle) I am in hast, go along with mee, Ile tell you all (Master Broome: ) since I pluckt Geese, plaide Trewant, and whipt Top, I knew not what’twas to be beaten, till lately. Follow mee, Ile tell you strange things of this knaue Ford, on whom to night I will be reuenged, and I will deliuer his wife into your hand. Follow, straunge things in hand (M[aster]. Broome) follow. Exeunt.
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# Shakespeare - First Folio facsimile (1910)/The Merry Wives of Windsor/Act 4 Scene 3

Scena Tertia.
Enter Host and Bardolfe.
Bar.
Sir, the Germane desires to haue three of your horses: the Duke himselfe will be to morrow at Court, and they are going to meet him.
Host.
What Duke should that be comes so secretly? I heare not of him in the Court: let mee speake with the Gentlemen, they speake English?
Bar.
I Sir? Ile call him to you.
Host.
They shall haue my horses, but Ile make them pay: Ile sauce them, they haue had my houses a week at commaund: I haue turn’d away my other guests, they must come off, Ile sawce them, come. Exeunt.
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# Ruth Fielding at Snow Camp

Book 3 in the Ruth Fielding series
Ruth Fielding
at Snow Camp
OR
LOST IN THE BACKWOODS
BY
ALICE B. EMERSON
Author of "Ruth Fielding of The Red Mill," "Ruth Fielding at Lighthouse Point," etc.
ILLUSTRATED
NEW YORK CUPPLES & LEON COMPANY PUBLISHERS
THE SHARP EXPLOSION AND THE SHRIEK OF THE PANTHER SEEMED SIMULTANEOUS.
Books for Girls
By ALICE B. EMERSON
RUTH FIELDING SERIES
12mo Cloth. Illustrated.
Or, Jasper Parloe's Secret.
RUTH FIELDING AT BRIARWOOD HALL Or, Solving the Campus Mystery.
RUTH FIELDING AT SNOW LODGE Or, Lost in the Backwoods.
RUTH FIELDING AT LIGHTHOUSE POINT Or, Nita, the Girl Castaway.
RUTH FIELDING AT SILVER RANCH Or, Schoolgirls Among the Cowboys.
Cupples & Leon Co., Publishers, New York.
Copyright, 1913, by Cupples & Leon Company
Ruth Fielding at Snow Camp
Printed in U.S.A.
CONTENTS
| CHAPTER | CHAPTER | PAGE |
| I. | A Lively Time | 1 |
| II. | A Surprising Appearance | 8 |
| III. | The Newspaper Clipping | 17 |
| IV. | The Mysterious Behavior of Fred Hatfield | 25 |
| V. | Off for the Backwoods | 32 |
| VI. | On the Train | 37 |
| VII. | A Runaway in Good Earnest | 48 |
| VIII. | First at Snow Camp | 55 |
| IX. | "Long Jerry" Todd | 67 |
| X. | Bears—and Other Things | 76 |
| XI. | The Frost Games | 84 |
| XII. | Peril—and a Taffy Pull | 94 |
| XIII. | Shells and Kernels | 102 |
| XIV. | A Telephone Chase | 109 |
| XV. | The Battle in the Snow | 116 |
| XVI. | An Appearance and a Disappearance | 122 |
| XVII. | Long Jerry's Story | 132 |
| XVIII. | "The Amazon March" | 138 |
| XIX. | Besieged by the Storm King | 146 |
| XX. | The Snow Shroud | 155 ​ |
| XXI. | Adrift in the Storm | 165 |
| XXII. | The Hideout | 171 |
| XXIII. | A Double Captivity | 180 |
| XXIV. | The Search | 188 |
| XXV. | Certain Explanations | 197 |
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# She's All the World to Me/Proem

SHE'S ALL THE WORLD TO ME.
PROEM.
This is the story of how a woman's love triumphed over neglect and wrong, and of how the unrequited passion in the great heart of a boy trod its devious paths in the way to death, until it stood alone with its burden of sin before God and the pitiless deep.
In the middle of the Irish Sea there is, as every one knows, an island which for many ages has had its own people, with their own language and laws, their own judges and governor, their own lords and kings, their own customs and superstitions, their own proverbs and saws, their own ballads and songs. On the west coast of the Isle of Man stands the town of Peel. Though clean and sweet, it is not even yet much of a place to look at with its nooks and corners, its blind lanes and dark alleys, its narrow, crooked, crabbed streets. Thirty-five years ago it was a poor little hungry fishing port, chill and cheerless enough, staring straight out over miles and miles of bleak sea. To the north of Peel stretches a broad shore; to the south lies the harbor with a rocky headland and bare mountain beyond. In front—divided from the mainland by a narrow strait—is a rugged island rock, on which stand the ruins of a castle. ​At the back rises a gentle slope dotted over with gray houses.
This is the scene of the following history of the love that was won and the love that was lost, of death that had no sting and the grave that had no victory. Wild and eerie as the coast on which I learned it is this story of love and death; but it is true as Truth, and what it owes to him who writes it now with feelings deeper than he can say is less than it asks of all by whom it is read in sympathy and simple faith.
# She's All the World to Me/Chapter 5

CHAPTER V.
"CHRISTIAN MYLREA".
It was late when young Christian Mylrea got back to Balladhoo that night of Kerruish Kinvig's visit. "I've been up for a walk to the Monument on Horse Hill," he remarked, carelessly, as he sat down at the piano and touched it lightly to the tune of "Drink to me only with thine eyes." "Poor old Corrin," he said, pausing with two fingers on the keyboard, "what a crazy old heretic he must have been to elect to bury himself up yonder." Then, in a rich full tenor, Christian sang a bar or two of "Sally in our Alley."
The two older men were still seated at opposite sides ​of the table smoking leisurely. Mylrea Balladhoo told Christian of the errand on which he had wished to send him.
"The light? Ah, yes," said Christian, turning his head between the rests in his song, "curious, that, wasn't it? Do you know that coming round by the pier I noticed that the light had gone out; so"—(a run up the piano)—"so, after ineffectual attempts to rouse that sad dog of a harbor-master of yours, dad, I went up into the box and lit it myself. You see it's burning now."
"Humph! so it is," grunted Kerruish Kinvig, who had got up in the hope of discrediting the statement.
"Only the wick run down, that was all," said Christian, who had turned to the piano again, and was rattling off a lively French catch.
Christian Mylrea was a handsome young fellow of five or six and twenty, with a refined expression and easy manner, educated, genial, somewhat irresolute one might say, with a weak corner to his mouth; naturally of a sportive disposition, but having an occasional cast of thoughtfulness; loving a laugh, but finding it rather apt of late to die away abruptly on his lips.
Getting up to go, Kinvig said, "Christian, my man, you've not seen my new net-looms since you came home. Wonderful inventions! Wonderful! Extraordinary! Talk of your locomotive—pshaw! Come down, man, and see them at work in the morning."
Christian reflected for a moment. "I will," he said, in a more serious tone than the occasion seemed to require. "Yes, I'll do that," he said.
"In the morning!" said Mylrea Balladhoo. " ​tomorrow is the first day of the herrings—no time for new net-looms to-morrow at all."
"The herrings!" shouted Kinvig from the door in an accent of high disdain.
"Nothing like leather," said Christian laughing. "Let it be the morning after," he added; and so it was agreed.
Next day Christian busied himself a little among the fishing-smacks that were the property of his father, or were, at least, known by his father's name. He went in and sat among the fisher-fellows with a cheery voice and pleasant face. Everywhere he was a favorite. When his back was turned it was: "None o' yer ransy-tansy-tisimitee about Misther Christian; none o' yer 'Well, my good man,' and the like o' that; awful big and could, sem as if they'd jist riz from the dead." Or perhaps, "No criss-crossing about the young masther; allis preachin'; and 'I'll kermoonicate yer bad behavior' and all that jaw." Or again, more plaintively, "I wish he were a bit more studdy-like, and savin'. Of coorse, of coorse, me and him's allis been middlin' well acquent."
# Snow v. United States

* Search for titles containing or beginning with: "Snow v. United States."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Snow v. United States (85 U.S. 317)
* Snow v. United States (118 U.S. 346)
# Snow v. Lake Shore M. S. Railway Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
121 U.S. 617
Snow v. Lake Shore M. S. Railway Company
[James A. Allen, for appellants.
Geo. Payson, for appellees.
MATTHEWS, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Snow v. United States (118 U.S. 346)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
118 U.S. 346
Snow v. United States
Argued: May 10, 1886. ---
F. S. Richards and Geo. T. Curtis, for Lorenzo Snow.
Asst. Atty. Gen. Maury, for the United States.
BLATCHFORD, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# She Came and Went

* "She Came and Went" in Miscellaneous Poems, 1843.
* "She came and went" in The Riverside song book, 1893.
# She Dwelt Among the Untrodden Ways

One of five poems by Wordsworth which have come to be known as the "Lucy poems"
* "Song" in Lyrical Ballads, Volume II (1800)
* "She dwelt among the untrodden ways" in Poems, Volume I (1815)
* "Lucy", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# She Is Mine to Have and to Hold

A trembling girl stood list'ning to the words her lover said, She heard her father's voice ring stern and clear:– "Not you, a common toiler, but a man of wealth she'll wed,– He pointed to a stranger drawing near.
The youth cried, "Here, beside me, Stands one whose choice shall guide me!" With flashing eyes, the faithful girl replied: "No gold can ever tempt me, Jack, to sacrifice your love!" The youth then press'd her to his heart and cried:
She is mine to have and to hold! She has chosen between love and gold! All the joys love can give Shall be hers, while I live, For she's mine to have and to hold!
An old man's fortune, shatter'd thro' the rival's scheme 'twas done. "Your daughter's hand," he cried, "Can save your name!" The father sobs, "My darling, if you fail me now, there's none To shield my old grey head from grief and shame."
The girl stands pale and sobbing, A step sets her heart throbbing, Then Jack's voice cried, "She'll stand by you thro' life! She'll give all fortune gave me, but she cannot give her hand, For years, in secret, we've been man and wife.
She is mine to have and to hold! She has chosen between love and gold! All the joys love can give Shall be hers, while I live, For she's mine to have and to hold!
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse