# The Pictures/VII

Edward had now made preparations for the jovial evening which he had concerted with Eulenböck. A short time back this day appeared to him as an irksome one, which he only wished to have soon over; but now his mood was such, that he anticipated these hours of giddiness with pleasure, thinking they would be the last he should enjoy for a long time. Towards evening the old man made his appearance, trailing in with the help of a servant two hampers filled with wine.
— What means this? asked Edward: Is not it settled then that I am to entertain you?
— And thou shalt too, said the veteran: I am only bringing a supplementary stock, because thou dost not properly understand the thing, and because I mean this evening to make a complete bout of it.
— A melancholy purpose, rejoined Edward, to resolve to be merry; and yet I have formed it too, in spite of myself and my destiny.
— See there, said Eulenböck, laughing, hast thou too a destiny? That is more than I ever knew, youngster: to me thy nature seemed at the utmost prone to a sort of suspense. But the other is undoubtedly the choicer word, and perhaps it may improve into dexterity, when thou art grown a little wiser. Ay, ay, my friend, dexterity, that is what most men want, intelligence to take advantage of circumstances or to produce them, and thereupon they fall into destiny, or even into that still more fatal suspense, when a Christian hand is not always to be found to cut them down.
— Thou art impudent, exclaimed Edward, and thinkest thyself witty; or else thou art already fuddled.
— May be, child, said the other with a grin, and we will soon take measures for sobering me again. Our good prince has placed me in a sort of affluence, which, if I have discretion, may be lasting; for he protects me admirably, means to buy still more of me, and even orders things from my own pencil. He thinks that in this town I am not in my place, that my merits are not sufficiently recognized, and that I lack encouragement. Perhaps he may take me with him, and improve me still into a genuine artist, for he has the best of inclinations for it, and I precisely taste and talent enough to understand him, and let myself be advised by him.
— Rogue that thou art! said his young friend, I could not help laughing at thy having disposed so advantageously of thy Julio Romano; but still I should not like to be in thy place.
The old man went up to him, stared at him, and said:
— And why not, chuck, if thou hadst but the gift required for it? Every man paints and tricks himself out, to put himself off for better than he really is, and to pass for a wonderfully precious original, when most of them are but daubed copies of copies. Hadst thou but heard my patron analyse the picture, then mightest thou have learnt something! Now I begin to understand all the technical designs of Julio Romano; thou wilt not believe how many excellences I had overlooked in the picture, how many passages of his racy pencil. Ay, it is delightful to penetrate so thoroughly into such an artist; and when one comprehends him entirely, and in all his parts alike, there creeps over us in the full sense of his high merit a feeling of self-complacency, as though we ourselves had some share in the display of his genius; for fully to understand a work of art, they say, is in some measure to produce it. What deep gratitude I owe to my serene patron and critic, for having, beside the money, poured into me such a flood of inspiration!
— If I had not seen the man at the canvas painting, exclaimed Edward smiling, he might make me believe the picture was genuine.
— What hast thou seen? answered the old man warmly: what dost thou understand of the magic of art, and of those invisible spirits which are attracted and embodied by means of colour and design? These are very mysteries for the profane. Dost believe then that a man only paints to make a picture, and that the pallet, the pencil and the good purpose are sufficient? O my dear simpleton, there must concur besides strange conjunctures, astral influxes, and the favour of a variety of spirits, in order to bring about a work as it should be! Did it never fall within thy experience, that an artist of fine perceptions and great depth of thought has spread his canvas, and dipped his pencil into the best colours, to lure and entice the most lovely ideal into his net? He has proposed to himself in the simplicity of his heart to paint an Apollo, he draws and touches, and rubs and brushes, and smiles enamoured and with the sweetest complacency at the creature which is to issue from the void and mist; and now when it is finished, behold all his skilfully-laid nets have caught a mere lob of spirits, that grins and mows at us out of the Arcadian landscape! Now come the ignoramuses, and bawl and rave: The painter fellow has no talent, he has not properly understood the antique, he has produced a daub instead of an ideal, and more such crude judgments. So is justice refused to the susceptible heart of the artist, because an absolute devil, an imp of darkness has fallen into the snare of his art, instead of an angel of light. For these spirits also range about, and only watch for an opportunity to embody themselves. Works of former painters, which have somehow been lost, often wander about a long while distressed in empty space, till a kind and able man again affords them an opportunity of descending in a visible shape. It has cost me labour enough to recover that composition of the excellent Roman artist; it requires more study than thou didst spend in thy boyhood to kidnap thy neighbour's pigeons. If thou art of opinion that, to paint a sacred history, a man is not obliged to bring all his devotion to bear upon the subject, thou art under a great error, from which our talented young friend Dietrich would be best able to relieve thee.
Dietrich, who had just entered, and heard only the last sentiment, took occasion directly to enlarge on this theme. In the meanwhile, Eulenböck had the cloth laid, and arranged the wines in the order according to which they were to be tasted; after this he addressed himself to Edward with the question:
— And what dost thou think of setting about now for the future?
— In the first instance not much, answered he: in the meanwhile I mean to resume and carry on my neglected studies, and in particular to apply myself to history and the modern languages. I shall retrench, let the other parts of my house, which now stand empty without being of use to me, and retain only this little saloon and the adjoining rooms. In this way I hope, with a prudent style of living, to make shift easily for the first years, and in the meanwhile to render myself fit for some place or other.
— Here then will be thy study? said Eulenböck, shaking his head. This place does not at all please me, for I do not think these walls are adapted to lucubration; they have not the proper repercussion; the room itself has not the right quadrature; the thoughts rebound too violently and make a clatter; and if ever you want to continue them in a fugue, they will be sure all to clash in a hubbub together. It was another whim of your poor papa to spoil as he did this fine saloon in his latter years by his caprice. Formerly one looked upon the street on the one side, and here, on the other, over the garden and the park, away to the hills and distant mountains. He not only blocked up this fine view, but even covered the window niches to a great depth with boards and wainscotting, and so destroyed the symmetry of the room. If I were in thy place, I would tear all that stuff, tapestry, and wainscotting open again, and if any of the windows are to be lost, block up those which look on the street.
— It was not caprice, said Edward; it was done, this being his favourite room, on account of his health; the east wind hurt him, and caused him twinges of the gout. The verdant prospect he could enjoy in the other rooms.
— If old Walther was not a fool, proceeded Eulenböck, you were easily relieved. He might give you the girl, who must at all events be settled, and all would be right again.
— Silence! cried Edward, with the greatest vehemence: only to-day let me forget what I hoped and dreamt. I would cease to think of her, since to my horror I have begun to feel that I love her. I will not remind myself how stupidly and foolishly I behaved to her father; not a thought shall cross me to-day, not even her incomprehensible behaviour. No, a glorious lot was prepared for me, I have become aware of it too late; the punishment of my heedlessness is that I must renounce it for ever! But how I can live without her, the future must teach me.
Here the young man, who till now had played the part of Edward's librarian, came in.
— Here is the catalogue you ordered, said he, presenting a few leaves to the youth, who received them with shame.
— How! he exclaimed, not more than about six hundred volumes remaining of that fine collection, and among these only the most ordinary works?
The librarian shrugged his shoulders.
— As from the beginning, he replied, you paid me my salary in books, I was forced to take those which found the readiest purchasers; nor am I a sufficient judge of curiosities, and probably did not set a sufficient value on these; besides books, particularly rarities, vary in their value at different times; and if the seller is hard prest to raise a sum, he must take almost whatever is offered to him.
— At this rate then, said Edward, half in sadness, half with laughter, I should certainly have done better to engage no librarian at all, or have sold the collection at first; I should then have had money in lieu of it, or have kept the books. And what a collection! With what affection my father cherished it! What a joy it was to him, when he obtained the rare Petrarch, the first edition of Dante and Boccaccio. How could I forget that in most of these books there are notes from his hand! How would I prize these works, if I still possessed them! However, as I have no longer a library, you will suppose, as indeed I lately gave you notice, that I have no farther occasion for a librarian. In the mean while, we will spend one more merry day together.
Now came in the man who had often taken part in these wild bouts, and whom, on account of his turn of character, they never called by any other name but that of the Puritan. This name they had given him, because he never chimed in with the cheerful mirth or frolicsome extravagance of the rest, but amidst mutterings and moral reflections consumed his share of the feast.
— Now we only want the Crocodile, cried Eulenböck, and we are all met.
— This was a little hypochondriac bookseller, pale and shrivelled, but one of the hardest drinkers. They had given him this singular name, because as soon as the slightest fumes of the liquor mounted into his brain he burst into tears, and continued to shed them in the greater abundance, the longer the carouse lasted, and the more extravagant the gaiety of the rest. The door opened, and the rueful figure completed the odd circle of the guests.
The table was covered with Perigord pies, oysters, and other savory viands; the company took their seats, and Eulenböck, whose purple face between the tapers cast a reverend sheen, thus solemnly began:
— My assembled friends, a stranger who should suddenly step into this room might be induced, by these arrangements, which have the appearance of a feast, if he was not intimately acquainted with the members of the company, to conceive the opinion, that preparations had here been made for guzzling, drinking, riot and extravagant jollity, such as befits only the rude multitude. Even a young artist named Dietrich, who is now for the first time sitting among us at this table, darts wondering glances at the multitude of these bottles and dishes, at these goose-liver pies, at these oysters and muscles and at the whole apparatus of a solemnity, which to him seems to promise an excess of sensual enjoyment, and he too will be surprized when he learns in how entirely different and directly opposite a sense all this is meant. Gentlemen, I beg you to give me your attention and not to let my words drop too lightly on your ears. If countries solemnize the birth of a prince, if in Arabia a whole tribe hails with festive rejoicings the epoch, when a poet makes his appearance and distinguishes himself; if the installation of a Lord Mayor is celebrated with a banquet; if even the birth of horses of generous breed is with good cause signalized in an impressive manner: it surely concerns us still more closely (not to end with an anti-climax) to look up, to feel an emotion and to touch glasses a little, when the immortal spirit discovers itself to us, when virtue deigns to appear before us in corporeal shape. Yes, my friends, with affected heart I announce it to you, a young candidate for virtue is among us, who this very evening, like an emergent butterfly, will burst his case, and unfold his wings in a new state of being. It is no other person than our generous host, who has given us so many a feast, and so often filled our glasses. But an ardent purpose, not to mention that he is himself on the shallows, that impetus of inspiration, of which the ancients sang, now tears him from us aloft into fields of light, and we, from this table and these bottles and dishes, his earthly burial-place, gaze after him in dizzy amazement, to see to what unknown regions he will now steer his flight. I tell you, my dearest friends, he is revolving innumerable and excellent resolutions in his bosom: and what cannot man, even the weakest and most inconsiderable, resolve? Did you ever consider, (but in your levity you think not of such things), that in a miserable map, if it contain only about a hundred places marked on it, a tract of a thousand miles may be concealed, and that yet it occupies itself no more room than a moderate folio? For there perspective lies by the side of perspective, and hill and dale and stream and wide, immeasurable prospects. So with purposes. Weakly as our Puritan or our friend Dietrich look, they still can carry, in good resolutions, more than ten elephants or twenty camels. How weak I am myself in this virtue, I know better than any one, and hence my reverence for those in whom I perceive such powers.
— Now, as we are not all susceptible of this inspiration, we sit here at this table as at a crossway, whence several roads branch off in various and opposite directions. At leading points of this sort, it is usual for the distances of towns towards all the four quarters of the world to be inscribed on a pyramidal post. The same may be said, under a not unjoyous image, to be the case here. These oysters, taken in excess, lead to sickness; this Burgundy, after a few stages, to red noses; these truffles, with the appurtenances, to dropsy, cardialgy and similar complaints. Our Edward however disdaining all this moves on towards virtue. Fare thee well then on thy lonesome path, and we that are not so much afraid of carbuncled faces, pot-bellies and short breath, proceed along our road. But I too shall shortly leave you, my dearest companions. A generous stranger, whose name I may not yet mention, will animate my genius to the highest performances. He will in distant regions dispose me to receive the unction of idealism, and, if I may so speak, etherialize me. Our pious, warm-hearted Dietrich, with whom we have scarcely become acquainted, pursues his course along painted aisles and decorates his country's altars. What shall I say of thee, librarian, thou who standest before the empty bookcases, and hast not merely read, but literally swallowed, the works? O thou cormorant of erudition, thou of the sect of the Mussulman Omar, canker-worm of libraries, ravager of literature, thou that couldst destroy a new Alexandrian collection, simply by the excellent new device of drawing thy salary, not intellectually, but really, from its books. All the booksellers of the Roman empire ought to send thee round to reduce collections to atoms by thy destructive power, and create a demand for new works. Thou, more than reviewer and worse than Saturn, who only devoured what he had himself begotten: where are they, thy wards, thy pupils, that with their gilt backs and edges so sweetly smiled on thee? To silver hast thou turned them all, and allowed a short interval between their golden and silver age. Farewell thou too, Puritan, most ingenuous of mortals, thou hater of all poetry and lies. Reach me thy hand at parting, poor Crocodile, that already art swimming in tears. In the morass of a tavern must thou howl in future. In a better life we shall all see one another again.
As Edward was pensive, and Dietrich still a stranger in the company, and the librarian and Puritan made no grimaces, there prevailed, during and after this harangue, a profound silence, rendered the more solemn by the sobs and moanings of the bookseller, who had by this time emptied several glasses.
— This is Twelfth night, said Edward, and as it is the custom in many parts to make presents on this day, so I wish my old companions and friends to pass another convivial night with me.
— On this evening, proceeded Eulenböck, there is no impropriety in deviating for once in a way from the usual routine of life. Hence games of chance were formerly customary at this season, though at other times they were forbidden. And how happy would it be for thee, friend Edward, if to-day thy lucky star were to rise again, and the impoverished spend-thrift were favoured with a new fortune. One hears strange tales how young men, reduced by poverty to despair, have determined to hang themselves in their family mansion, and behold, down falls the nail with the beam of the ceiling, and with them at the same time many thousand gold pieces, which the prudent father had secreted there. Closely examined, a silly story. Was it possible then for the father to know that his son would have a particular partiality for hanging? Could he calculate, that the body of the desperate youth would retain substance enough to discover and pull down by its weight the hidden treasure? Might not the prodigal son before have wanted to fix a chandelier there, and so found the money? In short, a thousand solid objections may be made by rational criticism to this ill contrived tale.
— Without thy returning constantly to this taunt, said Edward, nettled, my own conscience upbraids my levity and foolish dissipation. Were it not for the unruliness of the passions, which take a pride in setting reason at defiance, the preachers of morality would have light work of it. It is quite intelligible, that we poor mortals should believe ourselves possessed by evil spirits. For how is it to be explained, that one follows the bad at the same time that one perceives the better, nay, that often, even in our wildest hours, we feel more impelled towards good than towards evil, and even before the commission of the deed are tormented by our consciences? There must be a deeply-rooted corruption in human nature, and one that will never be perfectly trained to a generous growth, nor changed by grafts of virtue.
— So it is, said the Puritan: man is in himself good for nothing, he miscarried at his very creation. He can only be patched, and the botches always remain visible in the eld rotten cloth.
— Ay, truly, sighed the Crocodile, it is to be deplored, and again and again to be deplored.
The tears flowed fast from his glowing eyes.
— When you took me for the first time into that tavern, proceeded Edward, addressing himself to the old painter, did it then give me pleasure to see myself in that circle of coarse and irksome men? I was ashamed when the landlord accosted me with a respect, as though I had been a Deity that had descended from Olympus. Such an honour had never befallen his house before. People soon grew familiar with the presence of my dignity, and still I was attracted, against my will, within the fumes of the parlour, and the clamorous conversation, to my old side, by a kind of talisman, which did not even break as the faces of the host and his people grew colder and even surly, when attention was no longer paid to my call, and meaner guests were treated with more ceremony; for by my negligence I had fallen into a considerable debt, for which I was dunned with coarse importunity. Still worse it fared with a poor tattered wretch, a daily guest, who was scarcely even listened to, who often got spoilt vinegar, and yet durst not complain; he was the butt of the witty menials, the object of the insult and pity of the other strangers, as well as of his own timid contempt. And, ill as he was treated, he was still forced to pay dearer than any, and was imposed upon without venturing to complain, while his business was neglected, and his wife and children were pining at home. In this mirror I saw my own misery, and when once a plain mechanic, of unblemished life, happened to step in, and was greeted by all with respect as a rare phenomenon, I roused at last from my impotent lethargy, paid what my indolence only had neglected, and endeavoured to save that wretch too from sinking into utter ruin. But so it is, that even they who grow rich by the thoughtless profligate, despise him, and cannot withhold their respect from the worthy man who avoids them. In this unworthy manner have I flung away my time and fortune, to purchase contempt.
— Be calm, my son, cried Eulenböck, thou hast also done good to many a poor family.
— Let nothing be said of that, answered Edward, despondingly; that too was done without judgment, as it was without judgment I spent, without judgment travelled, played and drank, and knew not how to secure a cheerful hour for myself or others.
— That indeed is bad, said the old man, and, as far as the precious wine is concerned, a sin. But cheer up and drink, ye brave mates, and rouse our host to the mood which becomes him.
There was however no need of this exhortation, for the company was indefatigable. Even young Dietrich drank stoutly, and Eulenböck arranged the order in which the wines were to follow one another.
— To-day is the trial! he cried: the battle must be won, and the conqueror shews no mercy to the conquered. Look on my martial countenance, ye young heroes, here have I hung out the threatening blood-red banner, as a sign that no mercy is to be found. Nothing in the world, my friends, is so misunderstood as the apparently simple act which men superficially call drinking, and there is no boon to which less justice is done, which is so little prized, as wine. If I could wish ever to become useful to the world, I would induce an enlightened government to erect a peculiar chair, from which I might instruct our ignorant species in the admirable properties of wine. Who does not like to drink? There are but few unfortunate persons, who can with truth assert this of themselves. But it is a misery to see how they drink, without the least gusto, without style, light and shade, so that one hardly finds the vestige of a school; at the utmost colouring, which the insolent puppies presently fasten on their noses, and hang out as a trophy in the sight of the world.
— And how is one properly to begin? asked Dietrich.
— In the first place, rejoined the old man, the foundation must be laid, as in all arts, by quiet humility and simple faith. Only no premature criticism, no inquisitive, impertinent snuffling, but a generous, confident self-devotion. When the scholar has made some progress, he may now begin to discriminate; and if the wine does but meet with a desire of learning and simplicity of character, its spirit communicates instruction through the heart to the head, and with enthusiasm awakens at the same time judgment. Only practice, the main requisite, must not be neglected; no empty idealism; for only action makes the master.
— Oh! how true! sighed the bookseller, letting his tears flow without restraint.
— Words, said the Puritan, which the common herd would call golden.
— Were not drinking, proceeded Eulenböck, an art and a science, there would only need to be a single beverage on earth, as the innocent element, water, already plays that part. But the spirit of nature, shifting and sporting with a lovely grace, infuses itself here and there into the vine, and amidst wondrous struggles lets itself be strained and refined, in order to descend along the magic channel of the palate into our inmost recesses, and there to rouse all our noblest energies out of the torpor and lethargy of their primitive chaos. See, there goes the sot! Oh! my friends, such too were the railings and jeers of those who had not been initiated in the Eleusinian mysteries. With this golden and purple tide there rolls and spreads within us a sea of harmony, and the rising dawn draws a melody from the old statue of Memnon, which till then had stood voiceless in the gloom of night. Through blood and brain courses and speeds exultingly the gentle call: the spring is come! Then all the little spirits feel the sweet waves, and creep with laughing eyes out of their dark corners; they stretch their delicate little crystal limbs, and plunge to bathe in the wine-flood, and plash and shoot, and rise quivering out again, and shake their sparkling spirits' wings, that, as they rustle, the clear drops fall from the little plumes. They run about and meet each other, and kiss a joyous life one from the other's lips. Still closer, still brighter grows the throng, more and more melodious their lispings; then with garlands and solemn triumph they lead the Genius along, who with his dark eyes can hardly peep through his luxuriant flower-wreaths. Now the man is conscious of infinity, immortality; he sees and feels the myriads of spirits within him, and takes pleasure in their frolics. What is one to say then of the vulgar souls, who cry after a man: look, the fellow is drunk. What thinkest thou, honest Crocodile?
The pale man of tears stretched forth his hand to him, and said:
— Ah! my dear friend, the folks are right, and you are right, and the whole world is right. What you have rolled along in such a prophetic strain surpasses my comprehension, but I am blest in my deep emotion. When people go to the play, to weep for their money, it seems to me quite absurd; let others feel elevated by lofty sentiments and actions, I do not understand it; yet, when such good wine goes into me, it operates wonderfully, so that every thing, every thing, let men say what they will, keep silence or laugh, resolves itself with me into the sweetest emotion. My heart, see you, is ready to break with pleasure; I could fold all things, were it even your lame poodle, in my arms. But my eyes suffer under it, and the doctor wanted on that account to forbid me drinking. But this very thought is the most affecting of all ideas to me; I could weep over it for days together: and so he was obliged to recall this direction.
— The more I drink, said the Puritan, the more I hate the stuff which you have been palavering there, Eulenböck, and the more senseless it appears to me. Lies and tricks! It is almost as silly as to sing over one's liquor the songs that are made for the purpose. Every word in them is a falsehood. When a man begins to compare one object with another, he lies directly. The dawn strews roses. Can there be any thing more silly? The sun sinks into the sea. Stuff! The wine glows with purple hue. Foolery! The morning wakes. There is no morning, how can it sleep? It is nothing but the hour when the sun rises. Plague! The sun does not rise, that too is nonsense and poetry. Oh! if I had but my will with language, and might properly scour and sweep it! O damnation! Sweep! In this lying world, one cannot help talking nonsense!
— Do not be put out, honest man, said Eulenböck: your virtue means well, and if you take a different view of the matter from mine, you at least drink the same wine, and almost as much as I do myself. Practice unites us, if theory separates us. Who understands himself nowadays? That is no longer the question even. I would only add one remark, though it be not connected with what I was saying before, that the mode in which men and physicians consider the process of nutrition and assimilation, as it is called, appears to me extremely silly. The oak grows out of its acorn, and the fig produces the fig-tree; and though they require air, water and earth, yet these are not properly the elements out of which they grow. In like manner nourishment only awakens in us our powers and our growth, but does not produce them; it gives the possibility, but not the thing, and man sprouts out of himself like a plant. It is a stupid notion to believe that wine produces immediately of itself all the operations which we ascribe to it; no, as I was saying, its scent and breath only awaken the qualities which are dormant in us. Now rush forth powers, feelings and transports, when they are steeped in its waves. Do you suppose then that throughout the whole range of art and science the case is otherwise? I need not propound anew the old Platonic idea. Raphael and Correggio and Titian do but rouse my own self that slumbers in forgetfulness, and though the greatest genius, the deepest feeling of art, cannot, with all their imagination, invent the images which are presented to them by the great masters, yet these works themselves do but awaken old reminiscences. Hence too the thirst after new intellectual enjoyments, which else would not be commendable; hence the wish to discover the unknown, to produce the original, which otherwise were senseless. For we have a presentiment of the infinity of knowledge within us, that prophetic mirror of eternity, and of what this eternity may become to us, an incessant increase of knowledge, that collects itself in the centre of a celestial tranquillity, and hence extends to new regions. And for this very reason, my dear brother topers, there must be a multitude and a variety of wines.
— And which do you prefer? asked Dietrich. Is there not in this as in other things, the classical and perfect, the modern and trivial, the mannered and affected, the lovely old and simply plain, the hearty and the emptily bombastic?
— Youngster, said the old man, this question is too complicated: it pre-supposes immense experience, historical survey, rejection of prejudice, and a taste matured in all directions, one that can only be fixed and freed by length of years, continued labour and indefatigable study, as well as the instruments required for them, which are not in every man's hands. A few encyclopedical remarks will suffice. Almost every wine has its good qualities, almost all deserve to be known. If in our country the Neckar exists scarcely for any purpose but to quench the thirst, the Würzburger now rises to the character of a generous wine, and the various superior sorts of Rhenish do not admit of being hastily characterized. You have had them before you, and tasted them. Duly to celebrate these noble streams, from the light Laubenheimer to the strong Nierensteiner, the mighty Rüdesheimer and the profound Hochheimer, with all their kindred floods, is a task to which there belongs more than the tongue of a Redi, who in his Tuscan Dithyrambic has raved but indifferently. These spirits pass down the palate pure and clear, refreshing the sense and refining the faculties. If I should illustrate them, it would be by the calm maturity of first-rate writers,—warmth and richness, without extravagance of fancy and dreaming allegory. What is the hotter Burgundy to him who can bear it? It descends into us like immediate inspiration; heavy, sanguine and violent, it rouses our spirits. The wine of Bourdeaux, on the other hand, is cheerful, loquacious; enlivens, but does not inspire. More luxuriant and quaint are the creations of Provence and the poetical Languedoc. Then comes hot Spain, with its Sherries and right Malaga, and the glowing wines of Valencia. Here the wine-stream, as we taste it, transforms itself upon our palate into a globular shape, which rounds and widens more and more, and in Tokay and St. Georgen-Ausbruch it assumes this appearance still more substantially and emphatically. How are mouth and palate and the whole sense of pleasure filled by a single drop of the most generous Cape wine! These wines the connoisseur must only sip and palate, and not drink like our noble Rhenish. What am I to say of you, ye sweetest growths of Italy, and particularly of Tuscany, thou most spirited Monte-Fiascone, thou truly melting Monte-Pulciano? Well, taste then, my friends, and understand me! But thee I could not produce, thee, king of all wines, thee, roseate Aleatico, flower and essence of all the spirit of wine, milk and wine, bloom and sweetness, fire and softness together! This curiosity is not to be drunk, tasted, sipped, or palated; but the man who is blest with it unfolds a new organ, which may not be described to the ignorant and sober.
Here he broke off with emotion, and dried his eyes.
— So then my presentiment was right, cried Dietrich with enthusiasm: this is in the realm of wine, what old Eyck or Hemling, perhaps too brother Giovanni di Fiesole, are among painters. Such is the relish of that sweetly moving and deep colouring, which without shade is still so true, without white so dazzling and thrilling. So does the purple of their drapery satiate and intoxicate, and so is its fire allayed and softened by the mild blue, the fancy breeding violet. All is one, and harmonizes in our souls.
— Except Eulenböck's nose, cried the librarian, quite drunk: that has no touch of scarlet, no transitions in its tones, to blend it with the face; the dark red purple roasts in its magic kitchen, as the beet-root waxes red under ground in the realms of damp night, though quite secluded from the sun. Can this excrescence belong to the life? Can the god of wine so have pampered it? Never! It is a clumsy shell, an ugly case for malice and lies.
— Puffy emptiness, cried the Bookseller, brittle splendour, frail mortality! And there it stands, curved and tottering on the undermined face, so that with its bulk it may soon press down the whole man in ruins. Man! whence didst get this unconscionably wry nose?
— Peace, Crocodile! bawled Eulenböck, violently thumping the table: will this vermin reform the world? Every nose has its history, ye nostrum-mongers! Do the addle-headed creatures suppose, that the smallest event is not subservient as a link to the necessity of eternal laws? For my nose, as it is, I am indebted to my barber.
— Tell us, old boy, cried the young people.
— Patience! said the painter. The science of physiognomy will always continue a fallacious one, for the very reason that too little regard is paid to barbers, taverns and other historical circumstances. The face is indeed the expression of the soul, but it suffers remarkably under the way in which it is treated. The brow from its solidity is best off, if a man does not use himself to paint all his little passions, vexation and uneasiness, by folds upon its surface. See how noble is our Edward's, and how much more handsome yet it would be, if the young fellow had thought and employed himself more! The eyes, in consequence of their alertness, running to and fro, likewise preserve themselves tolerably in their play, unless a man weeps them out, like our Crocodile friend there. The mouth now is worse off; that is soon worn down by chattering and unmeaning smiles, as is the case with our worthy librarian; if a man besides wipes it to excess after eating and drinking, its character soon grows undiscernible, especially if from false shame one keeps always curling the lips inward, like our excellent Puritan, who probably pronounces their redness lying and unprofitable parade. But the nose, the poor nose, which puts itself forward above all other parts, which distinguishes us unhappy men from all brutes, in whom mouth and snout meet in such friendly union, and which in man is made, like the Hocken and the Blocksberg, the place for all witches and evil spirits to hold their revels: is it not in most men, merely on account of the cold air and a catarrh, turned into a cave of Æolus, and hauled, pulled, stretched and touzled, till it becomes a sounding horn and a battle-trumpet? Is not its pliancy and capacity of education abused, to make almost elephants' trunks and turkey-cocks' bills out of it? More pious souls again press it down and squeeze its arrogance into miserable deformities. All this I saw betimes and spared my nose, yet I could not escape my destiny. I grew up and old with my barber, one of my most intimate friends. This artist, as he turned from one side of my face to the other, used, during this change of position, in order to have a fulcrum, to apply the edge of the razor below to my throat, and pressing and leaning upon this rapidly to gain the other side. This appeared to me alarming. He might slip or stumble, in which case he would in all probability make an incision with the thing supported into its supporter, and my face lie unshaved at his feet. For this a remedy was to be contrived. He meditated, and like a true genius found no difficulty in altering his system and his manner. That is to say, he grasped my nose with his fingers, which gave him the advantage of being able to support himself and rest much longer upon it, and drew it forcibly upwards, particularly as he was shaving my upper lip, and so we gazed on each other's eyes, one heart close to the other, and the razor worked with a deliberate and steady action. It happened however that my friend had always owned one of the most remarkable faces in the world, which the vulgar is used to call frightful, distorted and ugly; he had besides the habit of making grimaces, and ogled me with such cordiality, that at every sitting I could not help answering him, and, being so close to him, involuntarily imitated his other oddities. If he hauled up my nose to an inordinate height, he in return, in order to reach the corners of my mouth with the instrument of his art, pulled my lips and mouth violently across. When in this mechanical manner he had forced a seeming smile upon my countenance, his laugh met me, so amiable, friendly, cordial and affecting, that often out of painful sympathy, and merely to stifle a wicked laugh, the tears came into my eyes. Man! Barber friend! I exclaimed: withhold that benignant contraction of thy muscles; I am not smiling, thou dost but pull the corners of my mouth apart like a spunge. It boots not, answered the honest soul, thy winning graces in that smile force me to return them. Well, so we grinned at one another like apes for minutes together.
— I observed at the end of twelve weeks a striking alteration in my physiognomy. The nose mounted and towered aloft prodigiously, as if it would proclaim war upon my eyes and forehead, not to take into account the really ugly contortions of the cheeks and lips, which however I could not drop, because I had received them as a memento from my friend. I pressed the aspiring nose down again, and once more represented my wishes to my generous friend. Now however good counsel seemed scarce, and an expedient hardly possible. Still he resolved, a second Raphael, to adopt a third unexceptionable manner, and after a few struggles he succeeded, having beforehand cautiously ascertained towards which side the operation might be most advantageously directed, in twisting my nose as he rested upon it; and at this point we remained stationary, and thus inevitable fate has bent it for me; my true face, towards which my developement instinctively tended, has furrowed me with these folds, and deep research and speculation, flaming enthusiasm and glowing love for goodness and excellence, have finally woven this red tissue over the whole.
Loud laughter had accompanied this narrative. The librarian now impetuously demanded Champagne, and the bookseller bawled for punch. Eulenböck, however, cried out:
— Oh! ye vulgar souls! After this heavenly ladder which I have made you climb, to take a look into paradise, can so ignoble, mannered, modern and witless a spirit as this punch, as it is called, enter even into the remotest corner of your memory? This wretched brewage of hot water, bad brandy, and lemon acid? And what have we to do in our circle with this diplomatic, sober potation, this Champagne? A liquor that does not expand the heart and the intellect, and, after a half debauch, can but serve, at the utmost, to sober one again? Oh! ye profane ones!
He thumped the table; and the rest, with the exception of Edward, answered this gesture so violently, that with the concussion the bottles danced, and several glasses fell in shivers on the floor. Hereupon the laughter and tumult became still louder; a start was made to fetch fresh glasses, and Dietrich cried:
— It is grown cold here, cold as ice, and that the punch would remedy.
It was late in the night, the servants had retired, they did not know how to heat the stove again; Edward confessed, too, that his stock of wood was quite at an end, and that he had ordered a fresh one to come in early the next morning.
— What think you? cried Dietrich, quite intoxicated, our host, we know, has resolved to fit up this room in quite a new style. Suppose we were to break away this useless wainscoting, these boards that cover the windows, and to light a glorious German fire in the great old-fashioned chimney?
This mad proposition immediately gained a hearing and loud assent from the guests now grown wild, and Edward, who had been the whole evening in a sort of stupefaction, made no opposition. The screen of the fire-place was removed, and then a party ran with lights to the kitchen, to fetch hatchets, bars and other implements. In the anteroom Eulenböck found an old damaged hunting horn, and as he winded it, they marched like soldiers, with bellowing and detestable music, back into the saloon. The table which stood in the way was upset, and immediately there began a hewing, breaking and hammering against the hollow wainscot. Every one strove to surpass the other in diligence, and, to animate the labourers, the painter again blew a charge on the horn, and in the midst of the racket all cried as if they were possessed, Wood, wood! Fire, fire! so that this bellowing, the music, the strokes of the hatchets, the cracking of the boards as they broke and burst, threw the host into such a state of dizziness, that he retired in silence into a corner of the room.
On a sudden the company received an addition as unexpected as it was disagreeable. The neighbourhood had been disturbed, and the watch, which had likewise heard the prodigious uproar, now entered, with an officer at its head, having found the house-door open. They inquired the cause of the din, and the meaning of the cry of fire. Edward, who had kept himself tolerably sober, endeavoured to explain every thing to them, in order to excuse his friends. But these, excited and incapable now of a rational thought, treated this visit as a violent encroachment upon their most unalienable rights; every one cried out against the officer, Eulenböck threatened, the bookseller cursed and wept, the librarian fetched a blow with a bar, and Dietrich, who was the most elevated, was for falling on the lieutenant with his hatchet. The latter, likewise a choleric young man, took the matter in earnest, and considered his honour hurt, and so the end of the scene was, that the guests, amidst bawling and uproar, threats and declamations about liberty, were carried off to the head-quarters of the watch. So ended the feast, and Edward, left alone in the saloon, paced up and down in extreme vexation, and contemplated the havock which his enthusiastic friends had made. Under the overthrown table lay smashed bottles, glasses, plates and dishes, with all that had been left of the savoury cheer; the floor was streaming with the most precious wine; the chandeliers broken to pieces; of those which remained, all the lights, except a single wax taper, were burnt down to the socket, and had gone out. He took the light, and viewed the wainscot from which the tapestry had been torn away, and some strong boards broken down; one beam projected, and barred the entrance to the niche. A singular fancy seized the youth, to continue that same night the work begun by his wild companions; but in order not to make an excessive noise, and perhaps after all share their fate, he took a fine-toothed saw, and cautiously cut through the beam above; he repeated the process below, and took out the block. After this it was not so very difficult to break away a slight inner wainscoting; the thin board fell down, and Edward held his light into the niche. Scarcely however could he cast a look over the broad space, and catch a glimpse of something that glistened in front of him like gold, when on a sudden all disappeared; for he had thrust his light against the top of the aperture, and put it out. Startled and in the greatest agitation, he groped his way across the dark saloon, out at the door, through a long passage, and then across the court to a little back building. How angry was he with himself, to have no instruments at hand for striking a light! He roused out of a sound sleep the hoary porter, who could not for a long time recollect himself, got his taper lighted again after several fruitless attempts, and then returned with cautiously screening hand, trembling in every limb, and with beating heart, along the passages back to the room. He did not know what he had seen, he would not yet believe what he foreboded. In the saloon he first sat down in the arm-chair to collect himself, then lighted some more tapers, and stooping entered the niche. The spacious width of the window gleamed from top to bottom as in a golden blaze; for frame crowded on frame, one more gorgeous than the other, and in them all those pictures of his father, over whose supposed loss, old Walther and Erich had so often mourned. Guido's Salvator Mundi, Dominichino's St. John, all gazed upon him, and he felt himself thrilled with tenderness, devotion, and amazement, as in an enchanted world. When he recovered his recollection, his tears began to flow, and he remained there, heedless of the cold, sitting amidst his new-found treasures, till morning dawned.
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