OpenLLM-France/wikimedia huggingface dataset:
# The Odes and Carmen Saeculare/Book 4/Part 3

III.
Quem tu, Melpomene.
HE whom thou, Melpomene, Hast welcomed with thy smile, in life arriving, Ne'er by boxer's skill shall be Renown'd abroad, for Isthmian mastery striving; Him shall never fiery steed Draw in Achæan car a conqueror seated; Him shall never martial deed Show, crown'd with bay, after proud kings defeated, Climbing Capitolian steep: But the cool streams that make green Tibur flourish, And the tangled forest deep, On soft Æolian airs his fame shall nourish. Rome, of cities first and best, Deigns by her sons' according voice to hail me Fellow-bard of poets blest, And faint and fainter envy's growls assail me.
Goddess, whose Pierian art The lyre's sweet sounds can modulate and measure, Who to dumb fish canst impart The music of the swan, if such thy pleasure: O, 'tis all of thy dear grace That every finger points me out in going Lyrist of the Roman race; Breath, power to charm, if mine, are thy bestowing!
# The Odes and Carmen Saeculare/Book 4/Part 4

IV.
Qualem ministrum.
E'EN as the lightning's minister, Whom Jove o'er all the feather'd breed Made sovereign, having proved him sure Erewhile on auburn Ganymede; Stirr'd by warm youth and inborn power, He quits the nest with timorous wing, For winter's storms have ceased to lower, And zephyrs of returning spring Tempt him to launch on unknown skies; Next on the fold he stoops downright; Last on resisting serpents flies, Athirst for foray and for flight: As tender kidling on the grass Espies, uplooking from her food, A lion's whelp, and knows, alas! Those new-set teeth shall drink her blood:
So look'd the Rætian mountaineers On Drusus:—whence in every field They learn' d through immemorial years The Amazonian axe to wield, I ask not now: not all of truth We seekers find: enough to know The wisdom of the princely youth Has taught our erst victorious foe What prowess dwells in boyish hearts Rear'd in the shrine of a pure home, What strength Augustus' love imparts To Hero's seed, the hope of Rome. Good sons and brave good sires approve: Strong bullocks, fiery colts, attest Their fathers' worth, nor weakling dove Is hatch'd in savage eagle's nest. But care draws forth the power within, And cultured minds are strong for good: Let manners fail, the plague of sin Taints e'en the course of gentle blood. How great thy debt to Hero's race, O Rome, let red Metaurus say, Slain Hasdrubal, and victory's grace First granted on that glorious day Which chased the clouds, and show'd the sun, When Hannibal o'er Italy Ran, as swift flames o'er pine-woods run, Or Eurus o'er Sicilia's sea. Henceforth, by fortune aiding toil, Rome's prowess grew: her fanes, laid waste
By Punic sacrilege and spoil, Beheld at length their gods replaced. Then the false Libyan own'd his doom:— "Weak deer, the wolves' predestined prey, Blindly we rush on foes, from whom 'Twere triumph won to steal away. That race which, strong from Ilion's fires, Its gods, on Tuscan waters tost, Its sons, its venerable sires, Bore to Ausonia's citied coast; That race, like oak by axes shorn On Algidus with dark leaves rife, Laughs carnage, havoc, all to scorn, And draws new spirit from the knife. Hot the lopp'd Hydra task'd so sore Alcides, chafing at the foil: No pest so fell was born of yore From Colchian or from Theban soil. Plunged in the deep, it mounts to sight More splendid: grappled, it will quell Unbroken powers, and fight a fight Whose story widow'd wives shall tell. No heralds shall my deeds proclaim To Carthage now: lost, lost is all: A nation's hope, a nation's name, They died with dying Hasdrubal." What will not Claudian hands achieve? Jove's favour is their guiding star, And watchful potencies unweave For them the tangled paths of war.
# The Red Sunsets, 1883 (Blind, "The boding sky was charactered with cloud")

* "The Red Sunsets, 1883" in The Ascent of Man (1889)
* "The Red Sunsets, 1883" in Poetical works of Mathilde Blind (1900)
# The Red Thumb Mark

Dr. Thorndyke exposes the forgery of a finger print in one of the best of this series of detective stories.—The Bookman, November 1924.
THE RED THUMB MARK
BY R. AUSTIN FREEMAN AUTHOR OF "THE SINGING BONE," "THE BLUE SCARAB," ETC.
NEW YORK DODD, MEAD & COMPANY 1924

### CONTENTS

* Preface v
* I. My Learned Brother 1
* II. The Suspect 10
* III. A Lady in the Case 27
* IV. Confidences 48
* V. The "Thumbograph" 65
* VI. Committed for Trial 79
* VII. Shoals and Quicksands 94
* VIII. A Suspicious Accident 105
* IX. The Prisoner 115
* X. Polton is Mystified 128
* XI. The Ambush 143
* XII. It Might Have Been 166
* XIII. Murder by Post 179
* XIV. A Startling Discovery 199
* XV. The Finger Print Experts 215
* XVI. Thorndyke Plays His Card 258
* XVII. At Last 296
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1943, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Red Sunsets, 1883 (Blind, "The twilight heavens are flushed with gathering light")

* "The Red Sunsets, 1883" in The Ascent of Man (1889)
* "The Red Sunsets, 1883" in Poetical works of Mathilde Blind (1900)
# The Post Captain/This is no mine ain Lassie

THIS IS NO MINE AIN LASSIE.
# The Post Captain/Roslin Castle

ROSLIN CASTLE.
FINIS.
# The Post Captain

There are differences between the titles given on title page and those at the head of each song. Where this is the case, the latter have been used.
THE POST CAPTAIN,
This is no mine ain Lassie,
All in the Downs,
Nobody coming to marry me,
AND,
Twas in that season, &c.
SOLD WHOLESALE BY J. FRASER & CO. PRINTERS, STIRLING.
* The Post Captain
* This is no mine ain Lassie
* Black-eyed Susan
* Nobody coming to marry me
* Roslin Castle
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Post Captain/Nobody coming to marry me

Nobody coming to marry me.
# The Post Captain/The Post Captain

THE POST CAPTAIN.
# The Post Office

Layout 2
THE POST OFFICE
THE POST OFFICE
BY
RABINDRANATH TAGORE
New York
THE MACMILLAN COMPANY 1914
DRAMATIS PERSONÆ
Madhav Amal, his adopted child Sudha, a little flower girl The Doctor Dairyman Watchman Gaffer Village Headman, a bully King's Herald Royal Physician
* Act I
* Act II
THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO
MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE
THE MACMILLAN CO. OF CANADA, Ltd. TORONTO
Copyright, 1914, By MITCHELL KENNERLEY.
Copyright, 1914, By THE MACMILLAN COMPANY. Set up and electrotyped. Published March, 1914. Reprinted March, 1914.
Copyright in GREAT BRITAIN AND IRELAND
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Post Captain/Black-eyed Susan

BLACK-EYED SUSAN.
# The Record

* Search for titles containing or beginning with: "The Record."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Bergen Record, a newspaper in New Jersey
* The Record, a sketch credited to Forrest James Ackerman
* The Record, a poem by Letitia Elizabeth Landon
# The Recluse (Cook)/The Runner

The Runner
By Arthur H. Goodenough
White feet!—white feet! Running in the dew Where the night is deepest, While the stars are few, Do you bear a mortal? Do you bear a wraith? But the Night is speechless, Nought the silence saith.
White feet—light feet— Speeding in the murk, Where the gloam is grimmest, This is witch’s work; Is a tryst your mission? Do you flee in fear? Ask I, but no answer Falls upon my ear.
White feet—swift feet— Running in the grass, I can see the vision, I can hear you pass; But to guess your meaning Is beyond my power; In the shadow racing At this lonely hour.
White feet—strange feet— What is in your wake? Must your course you finish ’Ere the dawn shall break? Ugh! I feel a shiver! Holy Heaven save! Creature of the darkness Have you crossed my grave?
# The Records of the Federal Convention of 1787

One of the great scholarly works of the early twentieth century was Max Farrand's The Records of the Federal Convention of 1787. Published in 1911, Farrand's work gathered the documentary records of the Constitutional Convention into four volumes—three of which are included in this online collection—containing the materials necessary to study the workings of the Constitutional Convention. According to Farrand's introduction, at the close of the convention, the secretary, William Johnson, delivered all the materials to the president of the convention, George Washington, who turned these papers over to the Department of State in 1796. In 1818, Congress ordered that the records be printed, which was done under the supervision of the Secretary of State John Q. Adams, in 1819.
Farrand's Records remains the single best source for discussions of the Constitutional Convention. The notes taken at that time by James Madison, and later revised by him, form the largest single block of material other than the official proceedings. The three volumes also includes notes and letters by many other participants, as well as the various constitutional plans proposed during the convention. — http://memory.loc.gov/ammem/amlaw/lwfr.html
* Volume 1 (May 14, 1787–July 13, 1787)
* Volume 2 (July 14, 1787–September 17, 1787)
* Volume 3 (Appendices)
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Records of the Federal Convention of 1787/Volume 1

* Preface (Pp. vii–x)
* Introduction (Pp. xi–xxv)
* Proceedings of Convention, May 14-25, 1787 (Pp. 1–6)
* Proceedings of Convention, Monday, May 28, 1787 (Pp. 7–14)
* Proceedings of Convention, Tuesday, May 29, 1787 (Pp. 15–28)
* Proceedings of Convention, Wednesday, May 30, 1787 (Pp. 29–44)
* Proceedings of Convention, Thursday, May 31, 1787 (Pp. 45–61)
* Proceedings of Convention, Friday, June 1, 1787 (Pp. 62–75)
* Proceedings of Convention, Saturday, June 2, 1787 (Pp. 76–92)
* Proceedings of Convention, Monday, June 4, 1787 (Pp. 93–114)
* Proceedings of Convention, Tuesday, June 5, 1787 (Pp. 115–129)
* Proceedings of Convention, Wednesday, June 6, 1787 (Pp. 130–147)
* Proceedings of Convention, Thursday, June 7, 1787 (Pp. 148–161)
* Proceedings of Convention, Friday, June 8, 1787 (Pp. 162–173)
* Proceedings of Convention, Saturday, June 9, 1787 (Pp. 174–191)
* Proceedings of Convention, Monday, June 11, 1787 (Pp. 192–208)
* Proceedings of Convention, Tuesday, June 12, 1787 (Pp. 209–222)
* Proceedings of Convention, Wednesday, June 13, 1787 (Pp. 223–239)
* Proceedings of Convention, Thursday, June 14, 1787 (P. 240)
* Proceedings of Convention, Friday, June 15, 1787 (Pp. 241–247)
* Proceedings of Convention, Saturday, June 16, 1787 (Pp. 248–280)
* Proceedings of Convention, Monday, June 18, 1787 (Pp. 281–311)
* Proceedings of Convention, Tuesday, June 19, 1787 (Pp. 312–333)
* Proceedings of Convention, Wednesday, June 20, 1787 (Pp. 334–352)
* Proceedings of Convention, Thursday, June 21, 1787 (Pp. 353–368)
* Proceedings of Convention, Friday, June 22, 1787 (Pp. 369–382)
* Proceedings of Convention, Saturday, June 23, 1787 (Pp. 383–394)
* Proceedings of Convention, Monday, June 25, 1787 (Pp. 395–417)
* Proceedings of Convention, Tuesday, June 26, 1787
* Proceedings of Convention, Wednesday, June 27, 1787
* Proceedings of Convention, Thursday, June 28, 1787
* Proceedings of Convention, Friday, June 29, 1787
* Proceedings of Convention, Saturday, June 30, 1787
* Proceedings of Convention, Monday, July 2, 1787
* Proceedings of Convention, Tuesday, July 3, 1787
* Proceedings of Convention, Thursday, July 5, 1787
* Proceedings of Convention, Friday, July 6, 1787
* Proceedings of Convention, Saturday, July 7, 1787
* Proceedings of Convention, Monday, July 9, 1787
* Proceedings of Convention, Tuesday, July 10, 1787
* Proceedings of Convention, Wednesday, July 11, 1787
* Proceedings of Convention, Thursday, July 12, 1787
* Proceedings of Convention, Friday, July 13, 1787
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Rhododendron Bells

THE RHODODENDRON BELLS
Across the warm night's subtle dusk, Where linger yet the purple light
And perfume of the wild, sweet musk— So softly glowing, softly bright.
Tremble the rhododendron bells.
The rose-pink rhododendron bells.
Tall, slender trees of evergreen
That know the moist winds of the sea,
And narrow leaves of satin's sheen.
And clusters of sweet mystery—
Mysterious rhododendron bells,
Rare crimson rhododendron bells.
O harken—hush! And lean thy ear,
Tuned for an elfin melody.
And tell me now, dost thou not hear
Those voices of pink mystery—
Voices of silver-throated bells.
Of breathing, rhododendron bells?
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Revolutionary Crisis of 1918-1921 in Germany, England, Italy and France/Chapter 5

CHAPTER V
CONCLUSION
In Germany, England, Italy, and France, the basic cause of the workers' defeat in the great revolutionary crisis was the same—reformist policies and leadership. The destinies of the labor organizations involved were in the hands of men who failed in the supreme test. Although doing lip-service to the revolution, these officials were reformers at heart, products of the long years of slow evolutionary advance by Labor before the war. They had no faith in the workers' ability to control society alone. Their point of view was essentially capitalistic, and their whole experience: predisposed them to a policy of compromise and half-way measures. Psychologically they were utterly incapable of leading the masses victoriously to the overthrow of capitalism. It was perfectly natural that as the revolutionary movements developed in the various countries, these reformist leaders should either deliberately sabotage them or barter them off for petty reforms, as happened in all the countries noted. The first great revolutionary effort of the European working class was defeated, not by the capitalists but by the pseudo-Socialist labor leaders.
Their bitter experiences are bringing these facts home to the clearer thinking workers. More and more of them are being convinced that the old policies and leaders, which may have had some justification in the era of reform just past, are totally unfitted for the period of revolutionary struggle now beginning. Hence, the wide-spread efforts to eliminate the evolutionists and to replace them with revolutionists. The workers are placing at their head real fighters, men who, when the next crisis comes, will not cower and cringe, but will go through with the proletarian program, even as Lenin and his group did in Russia. European Labor is drifting steadily to the left, towards Communism.
THE END
# The Rhyme of the O'Sullivan

Pro Bono Publico Went out the streets to scan, And marching to and fro He met a seedy man,
Who did a tale unfold In solemn tones and slow And this is what he told Pro Bono Publico
"For many years I led The people's onward march; I was the 'Fountain Head', The 'Democratic Arch'.
"In more than regal state I used to sit and smile, And bridges I'd donate, And railways by the mile.
"I pawned the country off For many million quid, And spent it like a toff -- So hel me, Bob, I did.
"But now those times are gone, The wind blows cold and keen; I sit and think upon The thing that I have been.
"And if a country town Its obligation shirks, I press for money down To pay for water works.
"A million pounds or two Was naught at all to me -- And now I have to sue For paltry £ s d!
"Alas, that such a fate Should come to such a man, Who once was called the Great -- The great O'Sullivan!"
With weary steps and slow, With tears of sympathy Pro Bono Publico Went sadly home to tea.
Remarking, as he went, With sad and mournful brow, "The cash that party spent -- I wish I had it now!"
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Rhyme of the Three Captains

* "The Rhyme of the Three Captains" in Ballads and Barrack-Room Ballads (1892)
* "The Rhyme of the Three Captains" in Departmental Ditties and Ballads and Barrack-Room Ballads (1919)
# The Rhyme of the Three Sealers

First published in the periodical The Boston Transcript.
* "The Rhyme of the Three Sealers", in The Seven Seas (1896)
* "The Rhyme of the Three Sealers", in Rudyard Kipling's Verse, Inclusive Edition, 1885-1918 (1919)
# The Revolutionist

* Search for titles containing or beginning with: "The Revolutionist."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Revolutionist", short story by Mikhail Artsybashev
* "The Revolutionist", poem by G. K. Chesterton
* "The Revolutionist", short story by Ernest Hemingway
# The Rhodora

In May, when sea-winds pierced our solitudes
* The Rhodora in Poems (1847)
* The Rhodora in Poems (Household Edition, 1904)
# The Sanford Ross v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
250 U.S. 269
The Sanford Ross v. United States
Argued: April 24, 1919. --- Decided: June 2, 1919
Mr. A. Leo Everett, of New York City, for appellant.
Mr. Assistant Attorney General Brown, for the United States.
Mr. Justice PITNEY delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The San Pedro (16 U.S. 78)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
16 U.S. 78
The San Pedro
THIS cause was ordered to further proof at the last term. Further proof was produced at the present term, and the cause submitted thereon without argument.
Feb. 7th.
Mr. Chief Justice MARSHALL delivered the opinion of the court, affirming the decree of restitution in the court below, with a certificate of probable cause of seizure.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The San Pedro (16 U.S. 78)/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
Decree affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Sands of Dee

* "The Sands of Dee", in Andromeda, and Other Poems (1858)
* "The Sands of Dee", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# The Sanity of William Blake/Front matter

* From Blair's Grave
* Frontispiece
The Sanity of
William Blake
By
Greville MacDonald, M.D.
Author of "How Jonas Found His Enemy," "The North Door," "The Ethics of Revolt," &c., &c.
With six illustrations of Blake's drawings
"When thou seest an Eagle, thou seest a portion of Genius: lift up thy head!"
GEORGE ALLEN AND UNWIN, LIMITED
Ruskin House, 40 Museum Street, London, W.C. 1.
1920.
* The following pages comprise the substance of a lecture given before the Ruskin Union, November, 1907, now illustrated and amplified.
* New Issue . . 1920
# The Sanity of William Blake/Title

​The Sanity of William Blake
Greville MacDonald, M.D.
The Sanity of William Blake
# The Paradise/Volume 1/Book 1/The Paradise of Palladius/The Histories of the Holy Men/History 28

​Chapter XXVIII: Of A Certain Woman Who Fell And Repented
THERE was a certain virgin who was a nun, and who dwelt with two other nuns, and she had led a life of abstinence and voluntary self-denial for nine or ten years. And having been beguiled and led astray by a certain singer of Psalms, she tripped, and fell, and conceived, and gave birth to a child; now she hated with the fullest hatred him that had beguiled her. [And she repented within herself with a perfect repentance,] and she followed after repentance with such vigour that she went beyond the bounds of what was seemly, ​and she continued to observe fasts with such self-denial and strictness that she well nigh died of hunger. In her prayers she used to make supplication, saying, “O God, Who dost support and sustain all creation, and Who desirest not the death and destruction of those who err and commit sin, if Thou wishest me to live before Thee, shew me a marvellous thing in this matter, and gather in this fruit of sin which I have brought forth, lest, because I cannot again attain to chastity, I kill myself through reproach and disgrace.” And having made supplication for this thing, she was hearkened unto, and he who had been born unto her did not remain very long alive. And from the day wherein she fell and onwards she neither saw him that had beguiled her and led her captive, nor held converse with him, but she gave herself to frequent fasting and to ministering unto the women who were sick and smitten with disease for the whole of a period of thirty years; and thus her repentance was accepted by God, and He at length revealed unto a certain holy old man concerning her, saying, “Such and such a woman is very much more pleasing unto Me by her penitence than by her virginity.” Now I write down these things in order that, if any man be observing a correct rule of life of any kind whatsoever which is pleasing unto God, he may take heed lest he fall, and that even if he be tripped up in a snare and fall he may not come to despair, and remain in his fallen condition, but that by leaning upon the staff of the hope of the Divine Mercy, and by arraying himself through repentance in the apparel of simplicity and humility he may again become strong enough to stand up, for we should not despise those who truly repent.