# Headlong Hall/Chapter 13

CHAP. XIII.
The ball-room was adorned with great taste and elegance, under the direction of Miss Caprioletta and her friend Miss Cephalis, who were themselves its most beautiful ornaments, even though romantic Meirion, the pre-eminent in loveliness, sent many of its loveliest daughters to grace the festive scene. Numberless were the solicitations of the dazzled swains of Cambria for the honour of the two first dances with the one or the other of these fascinating friends: but little availed, on this occasion, the pedigree lineally traced from Caractacus or King Arthur: their two philosophical lovers, neither of whom could have given the least account of his great-great-grand​father, had engaged them many days before. Mr. Panoscope chafed and fretted like Conwy in his bed of rocks, when the object of his adoration stood up with his rival: but he consoled himself with a lively damsel from the vale of Llwyd, having first compelled Miss Cephalis to promise him her hand for the fourth set.
The ball was accordingly opened by Miss Caprioletta and Mr. Foster, which gave rise to much speculation among the Welch gentry, as to who this Mr. Foster could be; some of the more learned among them secretly resolving to investigate most profoundly the antiquity of the name of Foster, and ascertain what right a person so denominated could have to open the most illustrious of all possible balls with the lovely Caprioletta Headlong, the only sister of Harry Headlong, Esquire, of Headlong Hall, in the Vale of Llanberris, ​the only surviving male representative of the antediluvian family of Headlong Ap-Rhaiader.
When the two first dances were ended, Mr. Escot, who did not choose to dance with any one but his adorable Cephalis, looking round for a convenient seat, discovered Mr. Jenkison in a corner by the side of the Reverend Doctor, who was keeping excellent time with his nose to the lively melody of the harp and fiddle. Mr. Escot seated himself by the side of Mr. Jenkison, and inquired if he took no part in the amusement of the night?
Mr. Jenkison.
No. The universal cheerfulness of the company induces me to rise; the trouble of such violent exercise induces me to sit still. Did I see a young lady in want of a partner, gallantry would incite me to offer myself as ​her devoted knight for half an hour: but as I perceive there are enough without me, that motive is null. I have been weighing these points pro and con, and remain in statu quo.
Mr. Escot.
I have danced, contrary to my system, as I have done many other things since I have been here, from a motive that you will easily guess. (Mr Jenkison smiled.) I have great objections to dancing. The wild and original man is a calm and contemplative animal. The stings of natural appetite alone rouse him to action. He satisfies his hunger with roots and fruits, unvitiated by the malignant adhibition of fire, and all its diabolical processes of elixion and assation: he slakes his thirst in the mountain-stream, συμμισγεται τῃ επιτυχουσῃ, and returns to his peaceful state of meditative repose.
Mr. Jenkison.
Like the metaphysical statue of Condillac.
Mr. Escot.
With all its senses and purely natural faculties developed, certainly. Imagine this tranquil and passionless being, occupied in his first meditation on the simple question of Where am I? Whence do I come? And what is the end of my existence? Then suddenly place before him a chandelier, a fiddler, and a magnificent beau in silk stockings and pumps, bounding, skipping, swinging, capering, and throwing himself into ten thousand attitudes, till his face glows with fever, and distils with perspiration: the first impulse excited in his mind by such an apparition will be that of violent fear, which, by the reiterated perception of its harmlessness, will subside into simple astonishment. Then let any genius, sufficiently ​powerful to impress on his mind all the terms of the communication, impart to him, that, after a long process of ages, when his race shall have attained what some people think proper to denominate a very advanced stage of perfectibility, the most favoured and distinguished of the community shall meet by hundreds, to grin, and labour, and gesticulate, like the phantasma before him, from sunset to sunrise, while all nature is at rest, and that they shall consider this a happy and pleasurable mode of existence, and furnishing the most delightful of all possible contrasts to what they will call his vegetative state—would he not groan from his inmost soul for the lamentable condition of his posterity?
Mr. Jenkison.
I know not what your wild and original man might think of the matter in the ab​stract; but comparatively, I conceive, he would be better pleased with the vision of such a scene as this, than with that of a party of Indians (who would have all the advantage of being nearly as wild as himself), dancing their infernal war-dance round a midnight fire in a North American forest.
Mr. Escot.
Not if you impart to him the true nature of both, by laying open to his view the springs of action in both parties.
Mr. Jenkison.
To do this with effect, you must make him a profound metaphysician, and thus transfer him at once from his wild and original state to a very advanced stage of intellectual progression; whether that progression be towards good or evil, I leave you and our friend Foster to settle between you.
Mr. Escot.
I wish to make no change in his habits and feelings, but to give him, hypothetically, so much mental illumination, as will enable him to take a clear view of two distinct stages of the deterioration of his posterity, that he may be enabled to compare them with each other, and with his own more happy condition. The Indian, dancing round the midnight fire, is very far deteriorated; but the magnificent beau, dancing to the light of chandeliers, is infinitely more so. The Indian is a hunter: he makes great use of fire, and subsists almost entirely on animal food. The malevolent passions that spring from these pernicious habits involve him in perpetual war. He is, therefore, necessitated, for his own preservation, to keep all the energies of his nature in constant activity: to this end his midnight war-dance is very powerfully subservient, and, ​though in itself a frightful spectacle, is at least justifiable on the iron plea of necessity.
Mr. Jenkison.
On the same iron plea, the modern system of dancing is more justifiable. The Indian dances to prepare himself for killing his enemy: but while the beaux and belles of our assemblies dance, they are in the very act of killing theirs: Time:—a more inveterate and formidable foe than any the Indian has to contend with; for, however completely and ingeniously killed, he is sure to rise again, "with twenty mortal murders on his crown," leading his army of blue devils, with Ennui in the van, and Vapours in the rear.
Mr. Escot.
Your observation militates on my side of the question; and it is a strong argument in favour ​of the Indian, that he has no such enemy to kill.
Mr. Jenkison.
There is certainly a great deal to be said against dancing: there is also a great deal to be said in its favour. The first side of the question I leave for the present to you: on the latter, I may venture to allege, that no amusement seems more natural and more congenial to youth than this. It has the advantage of bringing young persons of both sexes together, in a manner which its publicity renders perfectly unexceptionable, enabling them to see and know each other better than, perhaps, any other mode of general association. Tête-à-têtes are dangerous things. Small family parties are too much under mutual observation. A ball-room appears to me almost the only scene uniting that degree of rational and innocent liberty of intercourse, which it is desi​rable to promote as much as possible between young persons, with that scrupulous attention to the delicacy and propriety of female conduct, which I consider the fundamental basis of all our most valuable social relations.
Mr. Escot.
There would be some plausibility in your argument, if it were not the very essence of this species of intercourse to exhibit them to each other under false colours. Here all is show, and varnish, and hypocrisy, and coquetry: they dress up their moral character for the evening at the same toilet where they manufacture their shapes and faces. Ill-temper lies buried under a studied accumulation of smiles. Envy, hatred, and malice retreat from the countenance, to entrench themselves more deeply in the heart. Treachery lurks under the flowers of courtesy. Ignorance and Folly take refuge ​in that unmeaning gabble which it would be profanation to call language: and which even those, whom long experience in "the dreary intercourse of daily life" has screwed up to such a pitch of stoical endurance that they can listen to it by the hour, have branded with the ignominious appellation of "small talk." Small indeed!—the absolute minimum of the infinitely little.
Mr. Jenkison.
Go on. I have said all I intended to say on the favourable side. I shall have great pleasure in hearing you balance the argument.
Mr. Escot.
I expect you to confess that I shall have more than balanced it. A ball-room is an epitome of all that is most worthless and unamiable in the great sphere of human life. ​Every petty and malignant passion is called into play. Coquetry is perpetually on the alert to captivate, caprice to mortify, and vanity to take offence. One amiable female is rendered miserable for the evening, by seeing another, whom she intended to outshine, in a more attractive dress than her own: while the other omits no method of giving stings to her triumph, which she enjoys with all the secret arrogance of an oriental sultana. Another is compelled to dance with a monster she abhors. A third has set her heart on dancing with a particular partner, perhaps for the amiable motive of annoying one of her dear friends: not only he does not ask her, but she sees him dancing with that identical dear friend, whom from that moment she hates more cordially than ever. Perhaps, what is worse than all, she has set her heart on refusing some impertinent fop, who does not give ​her the opportunity.—As to the men, the case is very nearly the same with them. To be sure, they have the privilege of making the first advances, and are, therefore, less liable to have an odious partner forced upon them: though this sometimes happens, as I know by woeful experience: but it is seldom they can procure the very partner they prefer, and when they do, the absurd necessity of changing every two dances forces them away, and leaves them only the miserable alternative of taking up with something disagreeable perhaps in itself, and at all events rendered so by contrast, or of retreating into some solitary corner, to vent their spleen on the first idle coxcomb they can find.
Mr. Jenkison.
I hope that is not the motive which brings you to me.
Mr. Escot.
Clearly not. But the most afflicting consideration of all is, that these malignant and miserable feelings are masked under that uniform disguise of pretended benevolence, that fine and delicate irony, called politeness, which gives so much ease and pliability to the mutual intercourse of civilized man, and enables him to assume the appearance of every virtue, without the reality of one.
The second set of dances was now terminated, and Mr. Escot flew off to reclaim the hand of the beautiful Cephalis, with whom he figured away with surprising alacrity, and probably felt at least as happy among the chandeliers and silk stockings, at which he had just been railing, as he would have been in an American forest, making one in an In​dian ring, by the light of a blazing fire, even though his hand had been locked in that of the most beautiful squaw that ever listened to the roar of Niagara.
Squire Headlong was now beset by his maiden aunt, Miss Brindle-mew Grimalkin Phœbe Tabitha Ap-Headlong, on one side, and Sir Patrick O'Prism on the other: the former insisting that he should immediately procure her a partner; the latter earnestly requesting the same interference in behalf of Miss Philomela Poppyseed. The Squire thought to emancipate himself from his two petitioners by making them dance with each other; but Sir Patrick vehemently pleading a prior engagement, the Squire threw his eyes around till they alighted on Mr. Jenkison and the Reverend Doctor Gaster; both of whom, after waking the latter, he pressed into the service. The Doctor, arising with a strange ​kind of guttural sound, which was half a yawn and half a groan, was handed by the officious Squire to Miss Philomela, who received him with sullen dignity: she had not yet forgotten his falling asleep during the first chapter of her novel, while she was condescending to detail to him the outline of four superlative volumes. The Doctor, on his part, had most completely forgotten it; and though he thought there was something in her physiognomy rather more forbidding than usual, he gave himself no concern about the cause, and had not the least suspicion that it was at all connected with himself. Miss Grimalkin was very well contented with Mr. Jenkison, and gave him two or three ogles, accompanied by a most risible distortion of countenance, which she intended for a captivating smile. As to Mr. Jenkison, it was all one to him with whom he danced, or whether he ​danced or not: he was, therefore, just as well pleased as if he had been left alone in his corner: which is probably more than could have been said of any other human being under similar circumstances.
At the end of the third set, supper was announced, and the party, pairing off like turtles, adjourned to the supper-room. The Squire was now the happiest of mortal men, and the little butler the most laborious. The centre of the largest table was decorated with a model of Snowdon, surmounted with an enormous artificial leek, the leaves of angelica, and the bulb of blanc-mange. A little way from the summit was a tarn, or mountain-pool, supplied through concealed tubes with an inexhaustible flow of milk-punch, which, dashing in cascades down the miniature rocks, fell into the more capacious lake below, washing the mimic foundations of ​Headlong Hall. The Reverend Doctor handed Miss Philomela to the chair most conveniently situated for enjoying this interesting scene, protesting he had never before been sufficiently impressed with the magnificence of that mountain, which he now perceived to be well worthy of all the fame it had obtained.
"Now when they had eaten and were satisfied," Squire Headlong called on Mr. Chromatic for a song: who, with the assistance of his two accomplished daughters, regaled the ears of the company with the following
TERZETTO.
This terzetto was of course much applauded; Mr. Milestone observing, that he thought the figure in the last verse would have been more picturesque, if it had been represented with its arms folded and its back against a tree; or leaning on its staff, with a cockleshell in its hat, like a pilgrim of ancient times.
Mr. Chromatic professed himself astonished that a gentleman of genuine modern taste, like Mr. Milestone, should consider the words ​of a song of any consequence whatever, seeing that they were at best only a species of pegs, for the more convenient suspension of crotchets and quavers. This remark drew on him a very severe reprimand from Mr. Mac Laurel, who said to him: "Dinna ye ken, Sir, that soond is a thing utterly worthless in itsel, and only effectual in agreeable excitements, as far as it is an eecho to sense? Is there ony soond mair meeserable an' peetifu' than the scrape o' a feedle, when it does na touch ony chord i' the human sensorium? Is there ony mair divine than the deep note o' a bagpipe, when it breathes the auncient meelodies o' leeberty an' love? It is true, there are peculiar trains o' feeling an' sentiment, which parteecular combinations o' melody are calculated to excite; an' sae far music can produce its effect without words: but it does na follow, that, when ye put words to it, ​it becomes a matter of indeeference what they are; for a gude strain of impassioned poetry will greatly increase the effect, and a teessue o' nonsensical doggrel will destroy it a' thegither. Noo, as gude poetry can produce its effect without music, sae will gude music without poetry and as gude music will be mair pooerful by itsel' than wi' bad poetry, sae will gude poetry than wi' bad music: but when ye put gude music an' gude poetry thegither, ye produce the divinest compound o' sentimental harmony that can possibly find its way through the ear to the saul."
Mr. Chromatic admitted, that there was much justice in these observations, but still maintained the subserviency of poetry to music. Mr. Mac Laurel as strenuously maintained the contrary, and a furious war of words was proceeding to perilous lengths, when the Squire interposed his authority towards ​the reproduction of peace, which was forthwith concluded, and all animosities drowned in a libation of milk-punch, the Reverend Doctor Gaster officiating as high priest on the occasion.
Mr. Chromatic now requested Miss Caprioletta to favour the company with an air. The young lady immediately complied, and sung the following simple
BALLAD.
Various other songs succeeded, which, as we are not composing a song-book, we shall lay aside for the present.
An old squire, who had not missed one of these anniversaries, during more than half a century, now stood up, and, filling a half-pint bumper, pronounced with a Stentorian ​voice; "To the immortal memory of Headlong Ap-Rhaiader, and to the health of his noble descendant and worthy representative!" This example was followed by all the gentlemen present. The harp struck up a triumphal strain, and, the old squire already mentioned vociferating the first stave, they sang, or rather roared, the following
CHORUS.
Squire Headlong returned thanks with an appropriate libation, and the company returned to the ball-room, where they kept it up till sun-rise, when the little butler summoned them to breakfast.
* ↑ Rousseau, Discours sur les Sciences.
* ↑ Imitated from a passage in the Purgatorio of Dante.