OpenLLM-France/wikimedia huggingface dataset:
# I oppose loosening the rules designed to promote and protect diversity of media ownership

* related authors: Aaron Swartz.
* sister projects: Wikipedia article, Commons gallery, quotes, news, Wikidata item.
Aaron Swartz. (November 5, 2002). "I oppose loosening the rules designed to promote and protect diversity of media ownership". Proceeding Number: 02-277. Name of Filer: Aaron Swartz. Attorney/Author Name: Aaron Swartz. View Filing: Comment on MM Docket # 02-277 (1). Type of Filing: COMMENT. Exparte: No. Date Received: 11/05/2002. Date Posted: 11/14/2002. Address: 349 Marshman Highland Park, IL 60035. https://www.fcc.gov/ecfs/filing/5508457578 and https://ecfsapi.fcc.gov/file/6513307442.pdf
I oppose loosening the rules designed to promote and protect diversity of media ownership
Aaron Swartz
I oppose loosening the rules designed to promote and protect diversity of media ownership
November 5, 2002
I oppose loosening the rules designed to promote and protect diversity of media ownership. These rules were adopted to ensure that the public would receive a diverse range of viewpoints from the media, and not simply the opinions of a handful of media conglomerates.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# I never lost as much but twice

* "I never lost as much but twice" in Poems (1890)
* "I never lost as much but twice" in The Complete Poems of Emily Dickinson (1924)
# I read my sentence—steadily—

* "I read my sentence steadily" in Poems: Second Series (1891)
* "I read my sentence steadily" in The Complete Poems of Emily Dickinson (1924)
# I robbed the Woods—

* "Who robbed the woods?" in Poems: Second Series (1891)
* "Who robbed the woods" in The Complete Poems of Emily Dickinson (1924)
# In War Time, and Other Poems/The Waiting

I wait and watch: before my eyes Methinks the night grows thin and gray; I wait and watch the eastern skies To see the golden spears uprise Beneath the oriflamme of day!
Like one whose limbs are bound in trance I hear the day-sounds swell and grow, And see across the twilight glance, Troop after troop, in swift advance, The shining ones with plumes of snow!
I know the errand of their feet, I know what mighty work is theirs; I can but lift up hands unmeet, The threshing-floors of God to beat, And speed them with unworthy prayers.
I will not dream in vain despair The steps of progress wait for me The puny leverage of a hair The planet's impulse well may spare, A drop of dew the tided sea.
The loss, if loss there be, is mine, And yet not mine if understood; For one shall grasp and one resign, One drink life's rue, and one its wine, And God shall make the balance good.
Oh power to do! Oh baffled will! Oh prayer and action! ye are one. Who may not strive, may yet fulfil The harder task of standing still, And good but wished with God is done!
# In War Time, and Other Poems/To John C. Fremont

TO JOHN C. FREMONT.
# In War Time, and Other Poems/The River Path

No bird-song floated down the hill, The tangled bank below was still;
No rustle from the birchen stem, No ripple from the water's hem.
The dusk of twilight round us grew, We felt the falling of the dew;
For, from us, ere the day was done, The wooded hills shut out the sun.
But on the river's farther side We saw the hill-tops glorified,--
A tender glow, exceeding fair, A dream of day without its glare.
With us the damp, the chill, the gloom With them the sunset's rosy bloom;
While dark, through willowy vistas seen, The river rolled in shade between.
From out the darkness where we trod, We gazed upon those bills of God,
Whose light seemed not of moon or sun. We spake not, but our thought was one.
We paused, as if from that bright shore Beckoned our dear ones gone before;
And stilled our beating hearts to hear The voices lost to mortal ear!
Sudden our pathway turned from night; The hills swung open to the light;
Through their green gates the sunshine showed, A long, slant splendor downward flowed.
Down glade and glen and bank it rolled; It bridged the shaded stream with gold;
And, borne on piers of mist, allied The shadowy with the sunlit side!
"So," prayed we, "when our feet draw near The river dark, with mortal fear,
"And the night cometh chill with dew, O Father! let Thy light break through!
"So let the hills of doubt divide, So bridge with faith the sunless tide!
"So let the eyes that fail on earth On Thy eternal hills look forth;
"And in Thy beckoning angels know The dear ones whom we loved below!"
# In War Time, and Other Poems/To Englishmen

TO ENGLISHMEN.
# In War Time, and Other Poems/To Samuel E. Sewall and Harriet W. Sewall, of Melrose

TO
SAMUEL E. SEWALL
AND
HARRIET W. SEWALL,
OF MELROSE.
# In War Time, and Other Poems/The Proclamation

THE PROCLAMATION.
# In War Time, and Other Poems/The Watchers

THE WATCHERS.
# In War Time, and Other Poems/The Cry of a Lost Soul

Lieutenant Herndon's Report of the Exploration of the Amazon has a striking description of the peculiar and melancholy notes of a bird heard by night on the shores of the river. The Indian guides called it "The Cry of a Lost Soul"! Among the numerous translations of this poem is one by the Emperor of Brazil.
In that black forest, where, when day is done, With a snake's stillness glides the Amazon Darkly from sunset to the rising sun,
A cry, as of the pained heart of the wood, The long, despairing moan of solitude And darkness and the absence of all good,
Startles the traveller, with a sound so drear, So full of hopeless agony and fear, His heart stands still and listens like his ear.
The guide, as if he heard a dead-bell toll, Starts, drops his oar against the gunwale's thole, Crosses himself, and whispers, "A lost soul!"
"No, Senor, not a bird. I know it well,-- It is the pained soul of some infidel Or cursed heretic that cries from hell.
"Poor fool! with hope still mocking his despair, He wanders, shrieking on the midnight air For human pity and for Christian prayer.
"Saints strike him dumb! Our Holy Mother hath No prayer for him who, sinning unto death, Burns always in the furnace of God's wrath!"
Thus to the baptized pagan's cruel lie, Lending new horror to that mournful cry, The voyager listens, making no reply.
Dim burns the boat-lamp: shadows deepen round, From giant trees with snake-like creepers wound, And the black water glides without a sound.
But in the traveller's heart a secret sense Of nature plastic to benign intents, And an eternal good in Providence,
Lifts to the starry calm of heaven his eyes; And to! rebuking all earth's ominous cries, The Cross of pardon lights the tropic skies!
"Father of all!" he urges his strong plea, "Thou lovest all: Thy erring child may be Lost to himself, but never lost to Thee!
"All souls are Thine; the wings of morning bear None from that Presence which is everywhere, Nor hell itself can hide, for Thou art there.
"Through sins of sense, perversities of will, Through doubt and pain, through guilt and shame and ill, Thy pitying eye is on Thy creature still.
"Wilt thou not make, Eternal Source and Goal! In Thy long years, life's broken circle whole, And change to praise the cry of a lost soul?"
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# In War Time, and Other Poems/Thy Will Be Done

THY WILL BE DONE.
# In Winter

"It will be long ere 'neath the sunlight dimpling"
* Coates, Florence Earle (1898), "In Winter" in Poems.
* Coates, Florence Earle (1916), "In Winter" in Poems I.
# In Our Time

In Our Time is the title of Ernest Hemingway's first collection of short stories, published in 1925. The collection is known for its spare language and oblique depiction of emotion, through a style known as Hemingway's "theory of omission".
IN OUR TIME
STORIES BY
ERNEST HEMINGWAY
NEW YORK
BONI & LIVERIGHT
1925
COPYRIGHT 1925 BY
BONI & LIVERIGHT, Inc.
PRINTED IN THE UNITED STATES
First printing, September, 1925
Second printing, March, 1927
Το
HADLEY RICHARDSON HEMINGWAY
​For permission to reprint some of the stories in this volume acknowledgments are due to the editors of The Little Review, The Transatlantic Review and This Quarter.
CONTENTS
​A Girl in Chicago—Tell us about The French A Girl in Chicago—women, Hank. What are A Girl in Chicago—they like?
Bill Smith—How old are the Bill Smith—French women, Hank?
IN OUR TIME
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
Layout 2
# In Our Day of Thanksgiving

Written in 1894 "Remembrance of Past Worshippers"
1 In our day of thanksgiving one psalm let us offer for the saints who before us have found their reward; when the shadow of death fell upon them, we sorrowed, but now we rejoice that they rest in the Lord.
2 In the morning of life, and at noon, and at evening, he called them away from our worship below, but not till his love, at the font and the altar, had clothed them with grace for the way they should go.
3 These stones that have echoed their praises are holy, and dear is the ground where their feet have once trod; yet here they confessed they were strangers and pilgrims, and still they were seeking the city of God.
4 Sing praise, then, for all who here sought and here found him, whose journey is ended, whose perils are past; they believed in the light; and its glory is round them, where the clouds of earth’s sorrows are lifted at last.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# In re Streep/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
156 U.S. 207
In re Streep
Errors are assigned to certain portions of the charge to the jury in this case, but no exceptions were preserved thereto, and no question otherwise raised for our consideration. The judgment is therefore affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# In re Stolar/Concurrence Stewart

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinion Stewart
* Concurrence/Dissent Harlan
* Dissenting Opinion Blackmun
* Wikipedia article
Mr. Justice STEWART, concurring in the judgment.
Ohio's Questions 7 and 13 are plainly unconstitutional under Shelton v. Tucker, 364 U.S. 479, 81 S.Ct. 247, 5 L.Ed.2d 231. In addition, Question 12(g) suffers from the same constitutional deficiency as does Arizona's Question 27 in Baird v. State Bar of Arizona, 401 U.S. 1, 91 S.Ct. 702, 27 L.Ed. 639. For these reasons I agree that the judgment before us must be reversed.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# In re Streep

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
156 U.S. 207
In re Streep
[Syllabus from pages 208-210 intentionally omitted]
W. A. Henderson and Leon Jourolmon, for plaintiffs in error.
W. P. Washburn and Jerome Templeton, for defendants in error.
Mr. Chief Justice FULLER.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# In re Summers

Cite as: In re Summers, 325 U.S. 561 (1945).
Supreme Court of the United States
325 U.S. 561
IN RE SUMMERS
Certiorari to the Supreme Court of Illinois
No. 205. Argued: Apr. 27, 30, 1945 --- Decided: June 11, 1945

## Dissenting Opinion

    Black
1. The Illinois Supreme Court's refusal, on the merits, of petitioner's application for admission to the practice of law, although the matter was not regarded by that court as a judicial proceeding, held to involve a case or controversy within the judicial power under Art. III, § 1, c. 1 of the Federal Constitution. P. 566.
2. Refusal of an application for admission to the practice of law in a State, on the ground that the applicant would be unable in good faith to take the required oath to support the constitution of the State, because of conscientious scruples resulting in unwillingness to serve in the state militia in time of war, held not a denial of any right of the applicant under the First and Fourteenth Amendments of the Federal Constitution. P. 571.
Affirmed.
CERTIORARI, 323 U.S. 705, to review the action of the Supreme Court of Illinois in refusing petitioner's application for admission to the bar.
Mr. Julien Cornell, with whom Messrs. Alfred T. Carton, Charles Liebman and Arthur Garfield Hayes were on the brief, for petitioner.
[p562] William C. Wines, Assistant Attorney General of Illinois, with whom George F. Barrett, Attorney General, was on the brief, for the Justices of the Supreme Court of Illinois, respondents.
Messrs. Harold Evans, Ernest Angell, Claude C. Smith and Thomas Raeburn White filed a brief on behalf of the American Friends Service Committee, as amicus curiae, in support of petitioner.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Interesting Account of Several Remarkable Visions/Cover Page

A
INTERESTING ACCOUNT
OF
SEVERAL REMARKABLE VISIONS
AND OF
THE LATE DISCOVERY
OF
ANCIENT AMERICAN RECORDS
BY O. PRATT
MINISTER OF THE GOSPEL
"For there is nothing covered, that shall not be revealed; and hid, that shal not be known." — Matt. X. 26.
EDINBURGH:
PRINTED BY BALLANTYNE AND HUGHES,
MDCCCXL
# Interesting Account of Several Remarkable Visions

* related portals: Mormonism.
* sister projects: Wikidata item.
Published in: Orson Pratt, A Interesting Account of Several Remarkable Visions and of the Late Discovery of Ancient American Records, Edinburgh:Ballantyne and Hughes, Scotland, 1840. Partially reprinted in: Dan Vogel, Early Mormon Documents, vol. 1, Salt Lake City: Signature Books, 1996 pp. 149-160. (Early Mormon Documents excludes the material from pamphlet pages 14-23, which describe the Book of Mormon and the testimony of the three and eight witnesses)
This was a missionary tract for The Church of Jesus Christ of Latter-day Saints. This tract is of particular interest as it is one of the very first public accounts of the First Vision, and contains a very early version of LDS Church doctrine that would later be presented as the Articles of Faith. It also contains some speculation about the relationship of American geography to events and peoples listed in the Book of Mormon, with this tract used as one of the original sources for modern interpretations in that direction.
Although not originally broken up into separate sections or chapters when it was originally published, this version is divided by subject to make it easier to find topical information and to help proofread the content.
* Cover Page
* First Vision
* Golden Plates
* Book of Mormon Geography
* Three Witnesses
* Church Doctrine
# I'll Tell Me Ma (Irish)

I'll tell me ma when I go home The boys won't leave the girls alone They pulled my hair, they stole my comb But that's alright till I go home
(chorus):She is handsome, she is pretty She is the belle of Belfast city She is a courting one, two, three Please, won't you tell me, who is she?
Albert Mooney says he loves her All the boys are fighting for her They knock on the door and they ring at the bell Saying, oh my true love, are you well? Out she comes out as white as snow Rings on her fingers, bells on her toes Old Jenny Murphy says she'll die If she doesn't get the fellow with the roving eye
(Chorus)
Let the wind and the rain and the hail blow high And the snow come tumbling from the sky She's as nice as apple pie And she'll get her own lad by and by When she gets a lad of her own She won't tell her ma when she comes home Let them all come as they will For it's Albert Mooney she loves still
# I'm Just Wild About Harry

There's some fellow for me in this world Noble Sissle Eubie Blake I'm Just Wild About Harry 1b.jpg Eubie Blake - Just Wild about Harry.ogg
[verse 1]:
There's some fellow for me in this world Harry's his name That's what I claim Why for ev'ry fellow there must be a girl I've found my mate By kindness of fate
[refrain]:
I'm just wild about Harry and Harry's wild about me. The heav'nly blisses of his kisses fill me with ecstacy He's sweet just like choc'late candy and just like honey from a bee Oh I'm just wild about Harry And he's just wild about,
cannot do without,
he's just wild about me
[verse 2]:
There are some fellows that like all the girls I mean the vamps, With cruel lamps But my Harry says
I'm the girl of all girls, I'm his Ideal, How happy I feel.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1983, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 40 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I'll overcome some day

First published in New songs of the gospel (1900), these lyrics became part of We Shall Overcome. A Rev. A. R. Shockly" is sometimes also credited.
This world is one great battlefield With forces all arrayed, If in my heart I do not yield I’ll overcome some day. I’ll overcome some day, I’ll overcome some day, If in my heart I do not yield, I’ll overcome some day.
Both seen and unseen powers join To drive my soul astray, But with His Word a sword of mine, I’ll overcome some day. I’ll overcome some day, I’ll overcome some day, But with His Word a sword of mine, I’ll overcome some day.
A thousand snares are set for me, And mountains in my way, If Jesus will my leader be, I’ll overcome some day. I’ll overcome some day, I’ll overcome some day, If Jesus will my leader be, I’ll overcome some day.
I fail so often when I try My Savior to obey; It pains my heart and then I cry, Lord, make me strong some day. Lord, make me strong some day, Lord, make me strong some day; It pains my heart and then I cry, Lord, make me strong some day.
My mind is not to do the wrong, But walk the narrow way; I’m praying as I journey on, To overcome some day. To overcome some day, To overcome some day; I’m praying as I journey on, To overcome some day.
Though many a time no signs appear, Of answer when I pray; My Jesus says I need not fear, He’ll make it plain some day. I’ll be like Him some day, I’ll be like Him some day; My Jesus says I need not fear, He’ll make it plain some day.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1933, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 90 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I'm "wife"—I've finished that—

* "Apocalypse" in Poems (1890)
* "I'm wife; I've finished that" in The Complete Poems of Emily Dickinson (1924)
# I'm Always Chasing Rainbows

[Verse]
    At the end of the rainbow there's happiness,
    And to find it how often I've tried,
    But my life is a race, just a wild goose chase,
    And my dreams have all been denied.
    Why have I always been a failure,
    What can the reason be?
    I wonder if the world's to blame,
    I wonder if it could be me?
[Chorus]
    I'm always chasing rainbows,
    Watching clouds drifting by.
    My schemes are just like all my dreams,
    Ending in the sky,
    Some fellows look and find the sunshine,
    I always look and find the rain,
    Some fellows make a winning sometime,
    I never even make a gain,
    Believe me.
    I'm always chasing rainbows
    Waiting to find a little bluebird in vain.
[Verse]
    I've Looked to the west as the sun goes down,
    And I've followed its glorious rays
    But the faster I'd run I would miss the sun,
    My life's full of wasted days
    I've always been a natural loser,
    Each thing I touch must fall
    If good luck ever came to me
    It would never seem right at all.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I'm Henery the Eighth, I Am

* related portals: Song lyrics.
* sister projects: Wikipedia article.
Alternate lyrics in parentheses are as recorded by Harry Champion.
You don't know who you're lookin' at, now have a (/just you) look at me I'm a bit of a nob I am, belong to royaltee I'll tell you how it came (/got) about: I married Widow Burch And I was King of England when I toddled (/we doddered) out of (/the) church Outside, the people started shoutin' "Hip-hooray" Said I "Get (/Go) down upon your knees (/knee) it's Coronation Day!"
CHORUS: I'm Henery the Eighth, I am Henery the Eighth I am, I am I got married to the widow next door She'd been married seven times before Everyone was a Henery She wouldn't have a Willie or a Sam I'm her eighth old man named Henery Henery the Eighth I am
I left the Duke of Cumberland, a pub up in the town Soon with one or two moochers (/monarchs) I was holding up the (/me) crown Seated on (/I sat upon) the bucket that the carmen think (/what the common call) their own Surrounded by my (/me) subjects, I was sitting on the throne Out (/Up) came the potman, saying "Go on home (/he said "Now get off) to bed" Said I "Now say another word and off'll go your head!"
CHORUS
Now at the waxwork exhibition not so long ago I was sitting among the kings, I made a lovely show To good old Queen Elizabeth, I shouted "Wotcher Liz!" While people poked my ribs and said "I wonder who this is?" One said "It's Charley Peace!" and then I got the spike I shouted "Show yer ignorance!" as waxy as you like
CHORUS
The undertaker called and to the wife I heard him say "Have you got any orders mum? We're very slack today I picked up number seven for ya, for the Golden Gate Let's have a pound upon account of Henery the eighth" Oh, when he measured me with half a yard of string I dropped upon me marrow bones and sang "God Save the King!"
CHORUS
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I'm Nobody! Who are you?

* "I'm nobody! Who are you?" in Poems: Second Series (1891)
* "I'm nobody! Who are you?" in The Complete Poems of Emily Dickinson (1924)
# I'll tell you how the Sun rose—

* "A Day" in Poems (1890)
* "I'll tell you how the sun rose" in The Complete Poems of Emily Dickinson (1924)