OpenLLM-France/wikimedia huggingface dataset:
# In Memoriam: John McCrae

This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
Published in the 1918 Vimy Ridge and New Poems
For ever immortal "in Flanders' fields."
THERE was a singer who made song
divine
Of the green grapes of Proserpine
Love,
Born in full flower of the marvellous sea,
Was not more fair,
Sung of his voice.
Than she.
The hopeless acquiescence of all time
Once and for all was chanted in his rhyme.
Death-
Stripped equally of exultation and of dread
Grew even more pale :
White were the poppies which he sang.
Not red.
What marvel youth, with sorrow out of mind,
The perfect litany of all grief should find
In strains
So sorrowful and yet so heavily sweet ;
And perfect rest,
Twining with him the poppies in her hair,
For all youth's pains.
He whom we mourn this day, he too did make
A song of poppies, but he cried not Sleep, hut
Wake!
Red,
Red, red with blood his poppies were,
Not pale and wan
Lift up thy head !
Lift up thy head, who mournest him with me,
And what a wonder he hath wrought now see !
In one brief hour
The centuries' symbol of all sleep and de?.th
Now and for ever with immortal breath
Doth flower!
No longer bound where breasts and white
limbs show,
They grow
"Between the crosses row on row."
Sleep? O poppies red,
Made by his song more holy than the rose,
'Tis we,
We shall not sleep !
For, lo !
His word upon our inmost heart
Is graven more deeply than by all the art
Of him
Throughout all time
Lord of all rhyme,
As from the glories of a colonnade
Man turns, of old, to shrines in cloistral shade.
And youth shall kneel there
By this present shrine,
Learning a more divine
Than Proserpine.
While though his body shall in France find
rest.
Yea, the same rest France to her own brave
yields,
His soul shall stray,
By an infallible way,
Not through Elysian, but to Flanders' fields.
# In Memoriam (Mackintosh, "So you were David's father")

Subtitle: "Private D. Sutherland, killed in Action in the German Trench, May 16, 1916, and Others who Died."
* "In Memoriam", in A Highland Regiment (1917)
* "In Memoriam", in A treasury of war poetry, British and American poems of the world war, 1914-1919 (1917)
# In Memoriam (Tennyson)/Canto 10

x.
I hear the noise about thy keel; I hear the bell struck in the night: I see the cabin-window bright; I see the sailor at the wheel.
Thou bringest the sailor to his wife, And travell'd men from foreign lands; And letters unto trembling hands; And, thy dark freight, a vanish'd life.
So bring him; we have idle dreams: This look of quiet flatters thus Our home-bred fancies: O to us, The fools of habit, sweeter seems
To rest beneath the clover sod, That takes the sunshine and the rains, Or where the kneeling hamlet drains The chalice of the grapes of God;
Than if with thee the roaring wells Should gulf him fathom-deep in brine; And hands so often clasp'd in mine, Should toss with tangle and with shells.
# In Memoriam (Tennyson)/Canto 1

i.
I held it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things.
But who shall so forecast the years And find in loss a gain to match? Or reach a hand thro' time to catch The far-off interest of tears?
Let Love clasp Grief lest both be drown'd, Let darkness keep her raven gloss: Ah, sweeter to be drunk with loss, To dance with death, to beat the ground,
Than that the victor Hours should scorn The long result of love, and boast, 'Behold the man that loved and lost, But all he was is overworn.'
# In Memoriam: Herbert Warren

In Memoriam.
Herbert Warren.
I.
O! never has a nobler boy For his fair country bled, Than Herbert Warren, proud and brave— Who sleeps among the dead. On Freedom’s altar lying, A martyr nobly dying— Exulting, bright and flying, So his bold spirit sped!
II.
I have seen him stand undaunted, When dangers gather’d most— Watch’d him multiply his courage, To watch the myriad host; And ’though the leaping thunder, Above, around and under, Tore life and limb asunder— Still stood he to his post!
III.
Weep! Yes, weep, ye patriot men Who love the gallant brave! A noble arm is crush’d that struck Your native land to save; Come! then gather ’round his bier, And as ye go wipe away the tear, Swear, to emulate him here, And never die a slave.
IV.
Herbert is no more—yes, Herbert So daring, yet so mild! To other times he left his name And lofty life, so wild; Calm and quiet he is sleeping, While Freedom, sadly weeping, Bedews the mosses creeping O’er the bosom of her child.
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# In Memoriam (Emerson)

I mourn upon this battle-field
* In Memoriam in May-day and other pieces (1867)
* In Memoriam E. B. E. in Poems (Household Edition, 1904)
# In Memoriam (Tennyson)

First published in 1850, this is a transcription of the first edition. The work is a requiem for the poet's friend, Arthur Henry Hallam who died suddenly of a cerebral haemorrhage in Vienna in 1833, aged 22.
IN MEMORIAM.
IN MEMORIAM.
LONDON: EDWARD MOXON, DOVER STREET. 1850.
LONDON: BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
* Prologue
* Canto I.
* Canto II.
* Canto III.
* Canto IV.
* Canto V.
* Canto VI.
* Canto VII.
* Canto VIII.
* Canto IX.
* Canto X.
* Canto XI.
* Canto XII.
* Canto XIII.
* Canto XIV.
* Canto XV.
* Canto XVI.
* Canto XVII.
* Canto XVIII.
* Canto XIX.
* Canto XX.
* Canto XXI.
* Canto XXII.
* Canto XXIII.
* Canto XXIV.
* Canto XXV.
* Canto XXVI.
* Canto XXVII.
* Canto XXVIII.
* Canto XXIX.
* Canto XXX.
* Canto XXXI.
* Canto XXXII.
* Canto XXXIII.
* Canto XXXIV.
* Canto XXXV.
* Canto XXXVI.
* Canto XXXVII.
* Canto XXXVIII.
* Canto XXXIX.
* Canto XL.
* Canto XLI.
* Canto XLII.
* Canto XLIII.
* Canto XLIV.
* Canto XLV.
* Canto XLVI.
* Canto XLVII.
* Canto XLVIII.
* Canto XLIX.
* Canto L.
* Canto LI.
* Canto LII.
* Canto LIII.
* Canto LIV.
* Canto LV.
* Canto LVI.
* Canto LVII.
* Canto LVIII.
* Canto LIX.
* Canto LX.
* Canto LXI.
* Canto LXII.
* Canto LXIII.
* Canto LXIV.
* Canto LXV.
* Canto LXVI.
* Canto LXVII.
* Canto LXVIII.
* Canto LXIX.
* Canto LXX.
* Canto LXXI.
* Canto LXXII.
* Canto LXXIII.
* Canto LXXIV.
* Canto LXXV.
* Canto LXXVI.
* Canto LXXVII.
* Canto LXXVIII.
* Canto LXXIX.
* Canto LXXX.
* Canto LXXXI.
* Canto LXXXII.
* Canto LXXXIII.
* Canto LXXXIV.
* Canto LXXXV.
* Canto LXXXVI.
* Canto LXXXVII.
* Canto LXXXVIII.
* Canto LXXXIX.
* Canto XC.
* Canto XCI.
* Canto XCII.
* Canto XCIII.
* Canto XCIV.
* Canto XCV.
* Canto XCVI.
* Canto XCVII.
* Canto XCVIII.
* Canto XCIX.
* Canto C.
* Canto CI.
* Canto CII.
* Canto CIII.
* Canto CIV.
* Canto CV.
* Canto CVI.
* Canto CVII.
* Canto CVIII.
* Canto CIX.
* Canto CX.
* Canto CXI.
* Canto CXII.
* Canto CXIII.
* Canto CXIV.
* Canto CXV.
* Canto CXVI.
* Canto CXVII.
* Canto CXVIII.
* Canto CXIX.
* Canto CXX.
* Canto CXXI.
* Canto CXXII.
* Canto CXXIII.
* Canto CXXIV.
* Canto CXXV.
* Canto CXXVI.
* Canto CXXVII.
* Canto CXXVIII.
* Canto CXXIX.
* Epilogue
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Historical essay on the art of bookbinding/Bibliography

BIBLIOGRAPHY.
# Historical essay on the art of bookbinding

HISTORICAL ESSAY
ON THE
ART OF BOOKBINDING
BY
H. P. DU BOIS,
U. S. EDITOR OF “LE LIVRE.”
New York: BRADSTREET PRESS. 1883.
Entered according to Act of Congress, in the year 1883, by
THE BRADSTREET COMPANY,
in the office of the Librarian of Congress, at Washington.
INDEX.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Index to Short Stories

INDEX TO
SHORT STORIES
Second and Enlarged Edition
COMPILED BY INA TEN EYCK FIRKINS Reference Librarian, University of Minnesota
new york THE H. W. WILSON COMPANY london; grafton & company 1923
PRINTED IN U. S. A, PUBLISHED, OCTOBER, 1923
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 86 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Index to Short Stories/Explanations

EXPLANATIONS
A * indicates that the title given in parentheses is the original source of a story which is indexed in a collection the author's complete works not being indexed.
In magazine references to Scribner's Monthly and Scribner's Magazine, Scribner's Monthly (Volumes 1-22 of the Century, old series) is cited as Scrib o s; Scribner's Magazine is cited as Scrib M.
In the reference to the Century Magazine, the old series numbers are used. To get the new series number subtract 22.
In citing collected works [ ] are used to indicate publisher and ( ) to indicate edition.
The order of references as given under the author's name is as follows:
| 1. | Author's collected works |
| 2. | Author's separate works |
| 3. | Composite collections |
| 4. | Magazines |
The list of books indexed, page 511-32, should be consulted to ascertain what editions have been indexed. Different editions of an author's works bearing the same title do not always contains the same stories. same title do not always contain the same stories.
# Index to Short Stories/Index to Short Stories

INDEX TO SHORT STORIES
* table of contents  (not individually listed)
* A
* [B, Be) • [Be, Bi) • [Bi, Bo) • [Bo, Bu) • [Bu, C)
* [C, Ce) • [Ce, Ci) • [Ci, Co) • [Co, Cu) • [Cu, D)
* D
* E
* F
* G
* [H, He) • [He, Hi) • [Hi, Ho) • [Ho, Hu) • [Hu, I)
* I
* J
* K
* L
* [M, Me) • [Me, Mi) • [Mi, Mo) • [Mo, Mu) • [Mu, N)
* N
* O
* P
* Q
* R
* [S, Se) • [Se, Si) • [Si, So) • [So, Su) • [Su, T)
* T
* U
* V
* W
* X
* Y
* Z
# Government Business on Private Email is Detrimental to Good Government

* related authors: Hillary Rodham Clinton.
* sister projects: Wikipedia article, Commons gallery, quotes, news.
Government Business on Private Email is Detrimental to Good Government. Chuck Grassley. March 3, 2015. senate.gov.
Government Business on Private Email is Detrimental to Good Government
United States Senate
March 3, 2015
Government Business on Private Email is Detrimental to Good Government
Mar 03, 2015
Sen. Chuck Grassley of Iowa today made the following comment on government officials’ possible use of private email accounts for government business.
“In 2013, I began looking at federal agencies’ use of the Special Government Employee designation after news reports described the potentially questionable use of the designation for a top aide to Secretary Clinton. Part of my inquiry asked for any correspondence between the State Department and a firm in news reports at the time called Teneo, with connections to former Clinton associates. I asked for all records relating to communications between the State Department and Teneo and the State Department and any clients or entities represented by Teneo. The State Department was slow to respond on all aspects of my letter and never provided any correspondence involving Teneo. I was told that my status as a ranking member at the time was a barrier to a response. When I became a chairman, I reiterated my interest in a response. So far, the State Department has put me off. The news reports today that Secretary Clinton never had a government email address underscores why my inquiry matters. If top State Department officials are conducting government business on private email, the content might never see the light of day. A measure of accountability and transparency is lost. The State Department should fulfill my request from June 2013.
“Similarly, the Financial Crimes Enforcement Network at the Treasury Department should respond completely to my inquiry on whistleblower allegations that top employees were communicating on unofficial electronic devices using alternate email addresses.
“I was critical of the current Labor secretary for using private email to conduct Justice Department business while he was at the Justice Department. He ultimately faced a House committee subpoena over the emails.
“The trend of using private email for public business is detrimental to good government. The public’s business ought to be public with few exceptions.”
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Government Gazette of the Republic of Namibia/321

GOVERNMENT GAZETTE
OF THE
REPUBLIC OF NAMIBIA
CONTENTS
Page
GOVERNMENT NOTICE
Government Notice
OFFICE OF THE PRIME MINISTER
PROMULGATION OF ACT OF THE NATIONAL ASSEMBLY
The following Act which has been passed by the National Assembly and signed by the President in terms of the Namibian Constitution is hereby published in terms of Article 56 of that Constitution.
No. 20 of 1991: National Anthem of the Republic of Namibia Act, 1991.
This work is in the public domain because it was created and first published in Namibia and is is a work of a legislative, administrative or legal nature, or an official translation thereof.
According to the Copyright and Neighbouring Rights Protection Act, 1994, Section 15 part (8), "No copyright shall subsist in the official text of any work of a legislative, administrative or legal nature, or an official translation thereof."
This work is also in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
Public domainPublic domainfalsefalse
# Government (Madison)

Government.
In Monarchies there is a twofold danger: 1st. That the eyes of a good prince cannot see all that he ought to know. 2nd. That the hands of a bad one will not be tied by the fear of combinations against him. Both these evils increase with the extent of domain; and prove, contrary to the received opinion, that monarchy is even more unfit for a great State than for a small one, notwithstanding the greater tendency in the former to that species of government. Aristocracies, on the other hand, are generally seen in small States; where a concentration of the public will is required by external danger, and that degree of concentration is found sufficient. The many, in such cases, cannot govern on account of emergencies which require the promptitude and precautions of a few, whilst the few themselves resist the usurpations of a single tyrant. In Thessaly, a country intersected by mountainous barriers into a number of small cantons, the governments, according to Thucydides, were in most instances oligarchical. Switzerland furnishes similar examples. The smaller the State the less intolerable is this form of government, its rigors being tempered by the facility and the fear of combinations among the people.
A Republic involves the idea of popular rights. A representative Republic chooses the wisdom of which hereditary aristocracy has the chance; whilst it excludes the oppression of that form. And a confederated Republic attains the force of monarchy, whilst it equally avoids the ignorance of a good prince and the oppression of a bad one. To secure all the advantages of such a system, every good citizen will be at once a sentinel over the rights of the people, over the authorities of the confederal government, and over both the rights and the authorities of the intermediate governments.
December 31.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Government Gazette of the Republic of Namibia/6807

GOVERNMENT GAZETTE
OF THE
REPUBLIC OF NAMIBIA
CONTENTS
Page
GOVERNMENT NOTICE
Government Notice
OFFICE OF THE PRIME MINISTER
PROMULGATION OF ACT OF PARLIAMENT
The following Act which has been passed by the Parliament and signed by the President in terms of the Namibian Constitution is hereby published in terms of Article 56 of that Constitution.
No. 17 of 2018: National Symbols of the Republic of Namibia Act, 2018.
This work is in the public domain because it was created and first published in Namibia and is is a work of a legislative, administrative or legal nature, or an official translation thereof.
According to the Copyright and Neighbouring Rights Protection Act, 1994, Section 15 part (8), "No copyright shall subsist in the official text of any work of a legislative, administrative or legal nature, or an official translation thereof."
This work is also in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
Public domainPublic domainfalsefalse
# Government Gazette of the Republic of Namibia

* related portals: Namibia, Periodicals.
* sister projects: Wikipedia article, Wikidata item.
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/Government Gazette of the Republic of Namibia/
# Government

* Search for titles containing or beginning with: "Government."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Government by Frédéric Bastiat (1849).
* Government by Arthur Schopenhauer (1897).
# Instruments of the Modern Symphony Orchestra/SNARE DRUM

SNARE DRUM
| Italian | German | French |
| Tamburo Militare | Kleine Trommel | Tambour (Militaire) |
| | | Caisse claire |
This small drum derives its name from the thin strings of gut, called snares, which are stretched across its lower head. The peculiar rattling sound characteristic of this drum is due to the vibration of these snares against the lower head when the upper head is beaten. The snare drum is played with two sticks of hardwood. The pitch is indefinite.
The technic of the snare drum is a difficult one to acquire, many years practice being required to produce a close, even roll. This is obtained not by rapid single strokes, but by the alternation of double strokes with each hand. The use of this drum in the orchestra is chiefly confined to the production of a military atmosphere.
# Instruments of the Modern Symphony Orchestra/GLOCKENSPIEL

GLOCKENSPIEL
| Italian | German | French |
| Campanetta | Glockenspiel | Carillon |
| | | Jeu de timbre |
The orchestral glockenspiel consists of a series of from twenty-seven to thirty-seven graduated bars of steel, chromatically tuned, and mounted and played in similar manner to the xylophone. Its possibilities of execution are the same as the xylophone, but in the absence of any method of damping the tone, passages in too rapid tempo sound confused and are of poor effect. The clear, bell-like tones of this instrument are sparkling in their brilliancy and are of an incisive quality that penetrates the entire orchestra. A noteworthy use of the glockenspiel by a great composer is in the last act of Wagner's "Meistersinger;" also in "Siegfried," and especially in the magic fire scene in "Die Walküre."
# Instruments of the Modern Symphony Orchestra/HARP

HARP
Charles Schuetze N.Y. Philharmonic Orchestra
Although of great antiquity, the harp has only recently attracted the attention of serious musicians. It was originally a diatonic instrument and modulation out of the key was not possible. Its adoption as an art instrument dates from the year 1810, when Sebastian Erard invented the double-action harp, the mechanism of which has hardly been improved to this day. In fact, it may be said that Erard left this instrument as complete as the Italian luthiers left the violin.
The harp is tuned to the scale of C flat major, but by the use of the seven pedals, each scale tone may be raised one or two semitones, depending upon whether the pedal is depressed one or two of the notches provided. Thus it is possible to play in all keys, though the instrument remains essentially a diatonic one, chromatics being available only at moderate tempo and under conditions which must be studied before attempting to write for the instrument.
The strings are of gut, those of the lower register spun with metal wire. To assist the eye all the C's are colored red and the F's blue. The notation of harp parts is the same as that of the piano. Although the harp is hardly a regular member of the orchestral family, one or more harps are frequently called for in modern scores. Their brilliant, scintillating effect is too well known to require description. Harmonics are possible and are of ethereal beauty in soft passages.
# Instruments of the Modern Symphony Orchestra/PICCOLO

PICCOLO
| Italian | German | French |
| Flauto Piccolo Ottavino | Kleine flöte | Petite flûte |
Ernest F. Wagner N.Y. Philharmonic Orchestra
The piccolo flute (italian "Piccolo" small) or piccolo is slightly less than half the size of the ordinary flute. Its technic is the same, but its range, an octave above that of the flute, is also slightly restricted at both ends of its compass, the lowest note being D and the highest useful note B flat.
The first octave is weak and of little effect, its tones being better replaced by the second octave of the flute. The second octave of the piccolo is useful for imparting brilliancy in fortissimo passages, or it may be used for extending the upward range of the wood-wind, either forte or piano, by continuing a passage when it passes above the compass of the flute. The highest notes are shrill and piercing; they are excellent for tearing, whistling effects in music of a stormy or terrifying character.
The use of the piccolo in the orchestra is incidental rather than normal. When three flutes are employed, the third, or the second and third players, take the piccolo part or parts where indicated in the score.
Parts for the piccolo are written an octave below their actual sound in order to avoid the constant use of leger lines above the staff. It is therefore a "transposing instrument."