# 1911 Encyclopædia Britannica/Magic/Magical Rites

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Magical Rites.—The magic of names leads us up to the magic of the spoken word in general. The spell or incantation and the magical act together make up the rite. (a) The manual acts are very frequently symbolic or sympathetic in their nature; sometimes they are mere reversals of a religious rite; such is the marching against the sun (known as widdershins or deisul); sometimes they are purificatory; and magic has its sacrifices just as much as religion. (b) There are many types of oral rites; some of the most curious consist in simply reciting the effect intended to be produced, describing the manual act, or, especially in Europe, telling a mythical narrative in which Christ or the apostles figure, and in which they are represented as producing a similar effect to the one desired; in other cases the “origin” of the disease or maleficent being is recited. Oral rites, which are termed spells or incantations, correspond in many cases to the oral rites of religion; they, like the manual rites, are a heterogeneous mass and hardly lend themselves to classification. Some formulae may be termed sympathetic; it suffices to name the result to be produced in order to produce it; but often an incantation is employed, not to produce a result directly, but to coerce a god or other being and compel him to fulfil the magician’s will. The language of the incantations often differs from that of daily life; it may be a survival of archaic forms or may be a special creation for magical purposes. In many languages the word used to express the idea of magic means an act, a deed; and it may be assumed that few if any magical ceremonies consist of formulae only; on the other hand, it is certain that no manual act in magic stands absolutely alone without oral rite; if there is no spoken formula, there is at least an unspoken thought. It is in many cases difficult to discover the relative proportions and importance of manual and oral acts. Not only the words but also the tone are of importance in magic; in fact, the tone may be the more important. Rhythm and repetition are no less necessary in oral than in manual acts. (c) As preliminaries, more seldom as necessary sequels to the central feature of the rite, manual or oral, we usually find a certain number of accessory observances prescribed, which find their parallel in the sacrificial ritual. For example, it is laid down at what time of year, at what period of the month or week, at what hour of the day a rite must be performed; the waxing or waning of the moon must be noted; and certain days must be avoided altogether. Similarly, certain places may be prescribed for the performance of the ritual; often the altar of the god serves magical purposes also; but elsewhere it is precisely the impure sites which are devoted to magical operations—the cemeteries and the cross roads. The instruments of magic are in like manner often the remains of a sacrifice, or otherwise consecrated by religion; sometimes, especially when they belong to the animal or vegetable world, they must be sought at certain seasons, May Day, St George’s Day, Midsummer Day, &c. The magician and his client must undergo rites of preparation and the exit may be marked by similar ceremonies.