OpenLLM-France/wikimedia huggingface dataset:
# The Seven Bridges of Königsberg/Section 5

Similarly, if the traveller proceeds from D across bridge g into C, I designate these three successive crossings by the four letters ABDC. These four letters signify that the traveller who was originally in A crossed over into B, then to D, and finally to C; and since these areas are separated from one another by the river the traveller must necessarily have crossed three bridges. The crossing of four bridges will be represented by five letters, and if the traveller crosses an arbitrary number of bridges his journey will be described by a number of letters that is one greater than the number of bridges. For example, eight letters are needed to denote the crossing of seven bridges.
# The Seven Bridges of Königsberg/Section 6

With this method I pay no attention to which bridges are used; that is to say, if the crossing from one area to another can be made by way of several bridges it makes no difference which one is used, so long as it leads to the desired area. Thus if a route could be laid out over the seven Konigsberg bridges so that each bridge were crossed once and only once, we would be able to describe this route by using eight letters, and in this series of letters the combination AB (or BA) would have to occur twice, since there are two bridges a and b, connecting the regions A and B; similarly the combination AC would occur twice, while the combinations AD, BD, and CD would each occur once.
# The Seven Bridges of Königsberg/Section 7

Our question is now reduced to whether from the four letters A, B, C, and D a series of eight letters can be formed in which all the combinations just mentioned occur the required number of times. Before making the effort, however, of trying to find such an arrangement we do well to consider whether its existence is even theoretically possible or not. For if it could be shown that such an arrangement is in fact impossible, then the effort expended on finding it would be wasted. Therefore I have sought for a rule that would determine without difficulty as regards this and all similar questions, whether the required arrangement of letters is feasible.
# The Surnames of the Chinese in America/Merchant's Sons
## Merchants' Sons.

Males under the age of twenty-one years and females under eighteen years are minors, and entitled to land if they are children of domiciled merchant.
The father must be actively engaged in a mercantile business. He must own an interest in the business. He must prove by at least two reputable witnesses, other than Chinese, that he has been engaged in such business as a merchant for one year prior to the application to land the minor children.
The application of any minor child must be properly prepared, and all names should be spelled correctly and according to the David Jones System.
The application should give the father's family and given name; his business and its location; his interest and employment in said business; the name and photograph of the minor child. It should be signed and sworn to by the father.
Another person acquainted with the minor and his parent, and the circumstances of the case, should make affidavit of the facts within his knowledge.
The photograph and name of the father should be identified under oath by at least two reputable witnesses. other than Chinese, who are acquainted with his mercantile standing.
If the application to land of a merchant's son is denied by the Commissioner of Immigration at the port of arrival, he may appeal from this decision to the Department at Washington, D. C. If the adverse decision is sustained and the appeal dismissed he has no other resource but must return to China.

## 商子

凡華商之子年未過二十一歲女年未過十八歲例當准入美國湏有名望西人二名証實其父係 做正項買賣之生意一年以上方爲合例
凡華商子女之名華音英字務湏謹愼調串清楚照依約翰大 衛德之法所串之華音英字最爲合宜
凡商子或女之父母欲代其子女取囘華返美之護照湏繕備其 姓名其生意其股本若干其舖店之門牌住 址其子或女之姓名與原照正面相頭井湏 自簽其名與發誓爲據別人有知該商子與 其父之事實者亦可以代爲取此等護照但 其父之姓名與生意亦必湏有名望之西人 二名矢誓信實方准
凡商子執照回美經 關口之管理外人入境委員不准登岸可將 案做禀寄呈華盛頓京都工商部處求情再 判若工商部判照原判是不能再爲提案該 商子必要撥回中國
# The Surnames of the Chinese in America/Name Spelling Co.
## Chinese Name Spelling Company.

The Chinese Name Spelling Company, under the management of Elmer A. Jones, makes a special business of spelling Chinese names in English correctly, for contracts, leases, wills, deeds, affidavits, store names, and for all kinds of legal documents in use in Courts, United States Customs, Internal Revenue, and Commerce and Labor Departments of the United States, Bureau of Immigration and Chinese—such as writs of habeas corpus, bonds of appearance and appeal,, certificates and affidavits on appeal, applications for duplicate certificate of residence, partnership lists, statements, etc., etc. Send the surname and given name, and the sex written plainly in Chinese characters, to the manager, Elmer A. Jones, with a fee of 1.00, whereupon a certificate like that on the opposite page will be promptly returned.
Special reduced rates for partnership lists.
Address the manager, Mr. Elmer A. Jones, Box 2568, San Francisco, California.
# The Surnames of the Chinese in America/Map

四邑香山地里圖　白話約翰繪圖
Native Homes of the See Yap and Yeung Woh Chinese, Comprising the Districts of Yan Ping, Hoy Ping, San Ning, San Wooi, and Heung Shan of the Province of Kwantung, China.
There are over 50,000 See Yap men in the United States in Feb. 1897.
Most of the details of this map are from personal surveys of D. D. Jones.
Macao to Hong Kong 45 Miles.
Heung Shan to Canton 45 Miles.
    Walled Cities 城
    Market Towns 埠
    Villages 村
Miles 里
Price $2.50.San Francisco, Calif.
Copyright 1894 by D. D. Jones.
此圖係白話約翰賣與梁貴栢專利已經報案別人不得翻印特此聲明
# The Surnames of the Chinese in America/Partnership Lists
## Partnership List.

Under the Chinese Exclusion Law, the rules of the Government require that the manager of a Chinese firm shall file with the Chinese Bureau, at the place where the firm is located, a sworn statement, with his photograph attached, of the name and character of the business, the company or firm name and location, the number and names of the members, their residence, the amount of capital invested by each, and the full amount of capital.
The attorney employed must pay particular attention. to the spelling of the firm, company, and individual names in these partnership lists. Many applicants for admission have been returned to China on account of wrongly spelled names of copartnerships and of individual copartners.
File the original copartnership list with the Chinese Bureau.
File a copy with the Steamship Company for their use and convenience.
Keep a copy on file at the store.
File a new copartnership list, whenever a partner leaves or enters the firm, with the Chinese Bureau and the Steamship Company, and keep a copy at the store.
Keep all corporation lists on file for reference.
It is important that the copartnership lists contain the family and given names of all the partners properly spelled according to the David Jones System.
The name of the attorney attending to the business of the firm should be with his address entered for reference.

## 報股東册

照依禁例美政府要各華商店或各公司之總理將其店內各股東之名塡册報關以便稽 查該總理之原照相貼在册內並將其舖或公司之名與所做之何項生意各股東本銀若干合共本銀 若干以及該店或公司之門牌住址呌代塡股東册之律師留心寫準股東姓名之英字以免混雜致令 關吏生疑最善者工商部存 一册輪船公司存一册該店 或公司自存一册倘遇有新 股東入卽要報明欲較正串 英字以寫華商名字請照依 約翰大衛德之串字法書爲 最合宜代理寫股東册之律 師亦簽名在册內更爲妥貼
# The Two Poets/Addendum

The following personages appear in other stories of the Human Comedy.
Bargeton, Madame de (see Chatelet, Baronne du)
Cerizet
    Eve and David
    A Man of Business
    Scenes from a Courtesan's Life
    The Middle Classes
Chardon, Madame (nee Rubempre)
    Eve and David
    Scenes from a Courtesan's Life
Chatelet, Sixte, Baron du
    A Distinguished Provincial at Paris
    Scenes from a Courtesan's Life
    The Thirteen
Chatelet, Marie-Louise-Anais de Negrepelisse, Baronne du
    A Distinguished Provincial at Paris
    The Government Clerks
Cointet, Boniface
    Eve and David
    The Firm of Nucingen
    The Member for Arcis
Cointet, Jean
    Eve and David
Courtois
    Eve and David
Courtois, Madame
    Eve and David
Desplein
    The Atheist's Mass
    Cousin Pons
    The Thirteen
    The Government Clerks
    Pierrette
    A Bachelor's Establishment
    The Seamy Side of History
    Modeste Mignon
    Scenes from a Courtesan's Life
    Honorine
Gentil
    A Distinguished Provincial at Paris
Grozier, Abbe
    The Commission in Lunacy
Hautoy, Francis du
    Eve and David
Maucombe, Comte de
    Letters of Two Brides
Montriveau, General Marquis Armand de
    The Thirteen
    Father Goriot
    A Distinguished Provincial at Paris
    Another Study of Woman
    Pierrette
    The Member for Arcis
Negrepelisse, De
    The Commission in Lunacy
    A Distinguished Provincial at Paris
Petit-Claud
    Eve and David
Pimentel, Marquis and Marquise de
    Eve and David
Postel
    Eve and David
Prieur, Madame
    Eve and David
Rastignac, Baron and Baronne de (Eugene's parents)
    Father Goriot
Rastignac, Laure-Rose and Agathe de
    Father Goriot
    The Member for Arcis
Rubempre, Lucien-Chardon de
    Eve and David
    A Distinguished Provincial at Paris
    The Government Clerks
    Ursule Mirouet
    Scenes from a Courtesan's Life
Sechard, Jerome-Nicolas
    Eve and David
Sechard, David
    Eve and David
    A Distinguished Provincial At Paris
    Scenes from a Courtesan's Life
Sechard, Madame David
    Eve and David
    A Distinguished Provincial At Paris
    Scenes from a Courtesan's Life
Senonches, Jacques de
    Eve and David
Senonches, Madame Jacques de
    Eve and David
Stanhope, Lady Esther
    The Lily of the Valley
# The Two Poets

* information about this edition.
* sister projects: Wikidata item.
Original French title: "Les Deux Poetes". First published 1837. Included as part of La Comédie humaine.
* Dedication
* Section 1
* Section 2
* Section 3
* Section 4
* Section 5
* Section 6
* Section 7
* Section 8
* Section 9
* Section 10
* Section 11
* Addendum
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Two Poets/Dedication

To Monsieur Victor Hugo,
It was your birthright to be, like a Rafael or a Pitt, a great poet at an age when other men are children; it was your fate, the fate of Chateaubriand and of every man of genius, to struggle against jealousy skulking behind the columns of a newspaper, or crouching in the subterranean places of journalism. For this reason I desired that your victorious name should help to win a victory for this work that I inscribe to you, a work which, if some persons are to be believed, is an act of courage as well as a veracious history. If there had been journalists in the time of Moliere, who can doubt but that they, like marquises, financiers, doctors, and lawyers, would have been within the province of the writer of plays? And why should Comedy, qui castigat ridendo mores, make an exception in favor of one power, when the Parisian press spares none? I am happy, monsieur, in this opportunity of subscribing myself your sincere admirer and friend,
DE BALZAC.
# The Times/1935

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1935/
# The Times/1935/Obituary/Thomas Whittaker

* related portals: Obituaries.
* sister projects: Wikipedia article, Wikidata item.
Source: The Times, Friday, Oct 04, 1935; pg. 16; Issue 47186 — Obituary, Mr. Thomas Whittaker Metaphysician And Critic
Layout 2
Mr. Thomas Whittaker Metaphysician and Critic
Mr. Thomas Whittaker, the author of many philosophical works, died in a Clapham nursing home yesterday after a long illness at the age of 79.
The eldest son of a consulting engineer of Accrington, he was educated at Dublin Royal College of Science and at Exeter College, Oxford, where he won a scholarship in natural science and took second-class honours in biology in 1880. In 1881 he began to contribute to Mind, and from 1885 to 1891 he assisted Professor Croom Robertson in editing this publication. In association with Professor Bain he edited Croom Robertson's "Philosophical Remains." As a result of his studies of Christian origins he developed a definitely rationalist outlook, and he had been a director of the Rationalist Press Association since 1910. His philosophical writings were generally characterized by an admirable coherence of thought and a timelessness which seemed the fruit of his long study of Platoism.
Probably his best-known book is "The Neoplatonists: A Study in the History of Hellenism" which appeared in 1901, and of which the third impression was published in 1928. He expounded Neoplatoism as an independent philosophy of religion which had still a great and partially unexplored value for the modern metaphysician. With this work may be mentioned his "Apollonius of Tyana and Other Essays," 1906, and his study of Macrobius, 1923. His "Origins of Christianity," with an outline of Van Manen's analysis of the Pauline literature, first published in 1904, reached a fourth edition in 1933. His "Prolegomena to a New Metaphysic," 1931, contains many suggestions of value drawn from the rich well of Platonic thought. His last book "Reason," which came out last year, consisted of old articles reprinted with a new introduction.But the collection was unified by a single broad trend of thought.
Among his other works must be mentioned "The Philosophy of History," 1893; "The Liberal State," (1907); "Priests, Philosophers, and Prophets," 1911; "The Theory of Abstract Ethics," 1916; and "The Metaphysics of Evolution," 1926.
This work is anonymous or pseudonymous, and is in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries). It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 88 years or less since publication.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Times/1935/Public notice/Falconer Madan

Source: Death. The Times, Thursday, May 23, 1935; Issue 47071; pg. 1; col A
Layout 2MADAN.—On May 22, 1935, at 94, Banbury Road, Oxford, Falconer Madan, formerly Bodley's Librarian. Hon. Fellow of Brasenose College, beloved husband of Frances Madan, and fifth son of the late Rev. Canon George Madan, aged 84.
This work is ineligible for copyright and therefore in the public domain, because it consists entirely of information that is common property and contains no original authorship.
Public domainPublic domainfalsefalse
# The Tragedy of Romeo and Juliet (First Folio)

Romeo and Juliet is an early tragedy by William Shakespeare about two teenage "star-cross'd lovers" whose "untimely deaths" ultimately unite their feuding households. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Its influence is still seen today, with the two main characters being widely represented as archetypal young lovers.
    Warning: template has been deprecated.
See also Index:Shakespeare - First Folio Faithfully Reproduced, Methuen, 1910.djvu
THE TRAGEDIE OF ROMEO and IULIET
Actus Primus. Scœna Prima.
FINIS
# The Tragedy of the Dutchesse of Malfy

The Duchess of Malfi is a macabre, tragic play, written by the English dramatist John Webster and first performed in 1614 at the Globe Theatre in London, and published for the first time in 1623. It is loosely based on true events that occurred between about 1508 and 1513, recounted in William Painter's The Palace of Pleasure (1567).
This transcription is of the first edition.
THE TRAGEDY
OF THE DUTCHESSE of Malfy.
As it was presented privatly, at the Black-Friers, and publiquely at the Globe, By the Kings Majesties Servants.
The perfect and exact Coppy, with diverse things Printed, that the length of the Play would not beare in the Presentment.
Written by John Webster.
Flora.———Si quid——— ———Candidus Imperti si non bis viere mecum.
LONDON:
Printed by Nicholas Okes, for John Waterson, and are to be sold at the signe of the Crowne, in Paules Church-yard, 1623.
* The Actors Names
* To the Right Honourable, George Harding, Baron Barkeley
* In the just Worth, of that well Deserver, Mr. John Webster, and upon this Maister-peece of Tragœdy
* To his friend Mr. John Webster upon his Dutchesse of Malfy
* To the Reader of the Authour, and his Dutchesse of Malfy
* Act I, scene i
* Act I, scene ii
* Act II, scene i
* Act II, scene ii
* Act II, scene iii
* Act II, scene iv
* Act II, scene v
* Act III, scene i
* Act III, scene ii
* Act III, scene iii
* Act III, scene iv
* Act III, scene v
* Act IV, scene i
* Act IV, scene ii
* Act V, scene i
* Act V, scene ii
* Act V, scene iii
* Act V, scene iv
* Act V, scene v
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
Layout 2
# The Tragedy of Romeo and Juliet (Dowden)/Prologue

THE TRAGEDY
OF
ROMEO AND JULIET
PROLOGUE
Enter Chorus.
| Chor. | Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes 5 A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, 10 ​Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend. [Exit. |
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Critical notes
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Explanatory notes
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# The Tragedy of Romeo and Juliet (Dowden)/The Play

THE TRAGEDY
OF
ROMEO AND JULIET
DRAMATIS PERSONÆ
Escalus, Prince of Verona. :
| Paris, a young Nobleman, Kinsman to the Prince. ||
| Montague, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ Heads of two Houses, at variance with each other. |
| Capulet, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ Heads of two Houses, at variance with each other. |
| An old man, of the Capulet family. ||
| Romeo, Son to Montague. ||
| Mercutio, Kinsman to the Prince, and Friend to Romeo. ||
| Benvolio, Nephew to Montague, and Friend to Romeo. ||
| Tybalt, Nephew to Lady Capulet. ||
| Friar Laurence, a Franciscan. ||
| Friar John, of the same Order. ||
| Balthasar, Servant to Romeo. ||
| Sampson, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ Servants to Capulet. |
| Gregory, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ Servants to Capulet. |
| Peter, Servant to Juliet's nurse. ||
| Abraham, Servant to Montague. ||
| An Apothecary. ||
| Three Musicians. ||
| Page to Paris; another Page; an Officer. ||
| Lady Montague, Wife to Montague. ||
| Lady Capulet, Wife to Capulet. ||
| Juliet, Daughter to Capulet. ||
| Nurse to Juliet. ||
| Citizens of Verona; Kinsfolk of both Houses; Maskers, Guards, Watchmen, and Attendants. ||
| Chorus. ||
Scenes: Verona; Mantua.
Act I.
* Scene i
* Scene ii
* Scene iii
* Scene iv
* Scene v
Act II.
* Prologue
* Scene i
* Scene ii
* Scene iii
* Scene iv
* Scene v
* Scene vi
Act III.
* Scene i
* Scene ii
* Scene iii
* Scene iv
* Scene v
Act IV.
* Scene i
* Scene ii
* Scene iii
* Scene iv
* Scene v
Act V.
* Scene i
* Scene ii
* Scene iii
# The Troubadour; Catalogue of Pictures, and Historical Sketches/Hannibal's Oath

HANNIBAL'S OATH.
And the night was dark and calm,  There was not a breath of air, The leaves of the grove were still,  As the presence of death were there;
Only a moaning sound  Came from the distant sea, It was as if, like life,  It had no tranquillity.
A warrior and a child  Pass'd through the sacred wood, Which, like a mystery,  Around the temple stood.
The warrior's brow was worn  With the weight of casque and plume, And sun-burnt was his cheek,  And his eye and brow were gloom.
The child was young and fair,  But the forehead large and high, And the dark eyes' flashing light  Seem'd to feel their destiny.
They enter'd in the temple,  And stood before the shrine, It stream'd with the victim's blood,  With incense and with wine.
The ground rock'd beneath their feet,  The thunder shook the dome, But the boy stood firm, and swore  Eternal hate to Rome.
There's a page in history  O'er which tears of blood were wept, And that page is the record  How that oath of hate was kept.
# The Troubadour; Catalogue of Pictures, and Historical Sketches/Nymph and Zephyr

NYMPH AND ZEPHYR:
A STATUARY GROUP, BY WESTMACOTT.
And the summer sun shone in the sky, And the rose's whole life was in its sigh, When her eyelids were kiss'd by a morning beam, And the Nymph rose up from her moonlit dream; For she had watch'd the midnight hour Till her head had bow'd like a sleeping flower; But now she had waken'd, and light and dew Gave her morning freshness and morning hue,— Up she sprang, and away she fled O'er the lithe grass stem and the blossom's head,
From the lillies' bells she dash'd not the spray, For her feet were as light and as white as they. Sudden upon her arm there shone A gem with the hues of an Indian stone, And she knew the insect bird whose wing Is sacred to Psyche and to spring; But scarce had her touch its captive prest Ere another prisoner was on her breast, And the Zephyr sought his prize again,— "No," said the Nymph, thy search is vain: And her golden hair from its braided yoke Burst like the banner of hope as she spoke, "And instead, fair boy, thou shalt moralize Over the pleasure that from thee flies; Then it is pleasure,—for we possess But in the search, not in the success."