OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Benoit, Peter Leonard Leopold

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​BENOIT, PETER LEONARD LEOPOLD (1834–1901), Flemish composer, was born on the 17th of August 1834 at Harlebeke in Flanders. His father and a local village organist were his first teachers. In 1851 Benoit entered the Brussels Conservatoire, where he remained till 1855, studying chiefly under F. J. Fétis. During this period he composed music to many melodramas, and to an opera Le Village dans les montagnes for the Park theatre, of which in 1856 he became conductor. He won a government prize and a money grant in 1857 by his cantata Le Meurtre d’Abel, and this enabled him to travel through Germany. In course of his journeyings he found time to write a considerable amount of music, as well as an essay L’École de musique flamande et son avenir. Fétis loudly praised his Messe solennelle, which Benoit produced at Brussels on his return from Germany. In 1861 he visited Paris for the production of his opera Le Roi des Aulnes (“Erlkönig”), which, though accepted by the Théâtre Lyrique, was never mounted; while there he conducted at the Bouffes-Parisiens. Again returning home, he astonished a section of the musical world by the production at Antwerp of a sacred tetralogy, consisting of his Cantate de Noël, the above-mentioned Mass, a Te Deum and a Requiem, in which were embodied to a large extent his theories of Flemish music. It was in consequence of his passion for the founding of an entirely separate Flemish school that Benoit changed his name from Pierre to Peter. By prodigious efforts he succeeded in gathering round him a small band of enthusiasts, who affected to see with him possibilities in the foundation of a school whose music should differ completely from that of the French and German schools. In its main features this school failed, for its faith was pinned to Benoit’s music, which is hardly more Flemish than French or German. Benoit’s more important compositions include the Flemish oratorios De Schelde and Lucifer, the latter of which met with complete failure on its production in London in 1888; the operas Het Dorp int Gebirgte and Isa, the Drama Christi; an enormous mass of songs, choruses, small cantatas and motets. Benoit also wrote a great number of essays on musical matters. He died at Antwerp on the 8th of March 1901.
# 1911 Encyclopædia Britannica/Benserade, Isaac de

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​BENSERADE, ISAAC DE (1613–1691), French poet, was born in Paris, and baptized on the 5th of November 1613. His family appears to have been connected with Richelieu, who bestowed on him a pension of 600 livres. He began his literary career with the tragedy of Cléopâtre (1635), which was followed by four other indifferent pieces. On Richelieu’s death Benserade lost his pension, but became more and more a favourite at court, especially with Anne of Austria. He provided the words for the court ballets, and was, in 1674, admitted to the Academy, where he wielded an influence quite out of proportion to the merit of his work. In 1676 the failure of his Métamorphoses d’Ovide in the form of rondeaux gave a blow to his reputation, but by no means destroyed his vogue with his contemporaries. Benserade would probably be forgotten but for his sonnet on Job (1651). This sonnet, which he sent to a young lady with his paraphrase on Job, having been placed in competition with the Urania of Voiture, a dispute on their relative merits long divided the whole court and the wits into two parties, styled respectively the Jobelins and the Uranists. The partisans of Benserade were headed by the prince de Conti and Mile de Scudéry, while Mme de Montausier and J. G. de Balzac took the side of Voiture.
Some years before his death, on the 19th of October 1691, Benserade retired to Chantilly, and devoted himself to a translation of the Psalms, which he nearly completed.
# 1911 Encyclopædia Britannica/Benson, Francis Robert

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​BENSON, FRANCIS ROBERT (1858– ), English actor, son of William Benson of Alresford, Hants, was born at Tunbridge Wells on the 4th of November 1858. He came of a talented family, his elder brother, W. A. S. Benson (b. 1854), becoming well known in the world of art as one of the pioneers in the revival of English industrial craftsmanship, especially in the field of the metallic arts; and his younger brother, Godfrey Benson, being an active Liberal politician. He was educated at Winchester and New College, Oxford, and at the university was distinguished both as an athlete (winning the Inter-university three miles) and as an amateur actor. In the latter respect he was notable for producing at Oxford the first performance of a Greek play, the Agamemnon, in which many Oxford men who afterwards became famous in other fields took part. Mr Benson, on leaving Oxford, took to the professional stage, and made his first appearance at the Lyceum, under Irving, in Romeo and Juliet, as Paris, in 1882. In the next year he went into managership with a company of his own, taken over from Walter Bentley, and from this time he became gradually more and more prominent, both as an actor of leading parts himself and as the organizer of practically the only modern “stock company” touring through the provinces. In 1886 he married Gertrude Constance Cockburn (Featherstonhaugh), who acted in his company and continued to play leading parts with him. Mr Benson’s chief successes were gained out of London for some years, but in 1890 he had a season in London at the Globe and in 1900 at the Lyceum, and in later years he was seen with his répertoire at the Coronet. His company included from time to time many actors and actresses who, having been trained under him, became prominent on their own account, and both by his organization of this regular company and by his foundation of a dramatic school of acting in 1901, Mr Benson exercised a most important influence on the contemporary stage. From the first he devoted himself largely to the production of Shakespeare’s plays, reviving many which had not been acted for generations, and his services to the cause of Shakespeare can hardly be overestimated. From 1888 onwards he managed the Stratford-on-Avon Shakespearian Festival. His romantic and intellectual powers as an actor, combined with his athletic and picturesque bearing and fine elocution, were conspicuously shown in his own impersonations, most remarkable among which were his Hamlet (in 1900 he produced this play without cuts in London), his Coriolanus, his Richard II., his Lear and his Petruchio.
# 1911 Encyclopædia Britannica/Benson, George

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​BENSON, GEORGE (1699–1762), English dissenting minister, was born at Great Salkeld, in Cumberland, on the 1st of September 1699, of a family which had distinguished itself in church and state. He studied at a school at Whitehaven and later at the university of Glasgow. In 1722, on Calamy’s recommendation, he was chosen pastor of a congregation of dissenters at Abingdon, in Berkshire, where he continued till 1729, when, having embraced Arminian views, he became the choice of a congregation in Southwark; and in 1740 he was appointed by the congregation of Crutched Friars colleague to the learned Dr Nathaniel Lardner, whom he succeeded in 1749. His Defence of the Reasonableness of Prayer appeared in 1731, and he afterwards published paraphrases and notes on the epistles to the Thessalonians, Timothy, Titus and Philemon, adding dissertations on several important subjects, particularly (as an appendix to 1 Timothy) on inspiration. In 1738 he published his History of the First Planting of the Christian Religion, in 3 vols. 4to, a work of great learning and ability. He also wrote the Reasonableness of the Christian Religion (1743), the History of the Life of Jesus Christ, posthumously published in 1764, a paraphrase and notes on the seven Catholic epistles, and several other works, which gained him great reputation as a scholar and theologian even outside his own communion and his own country. Owing to his undoubted Socinianism his works suffered neglect after his death, which occurred on the 6th of April 1762.
# 1911 Encyclopædia Britannica/Benno

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​BENNO (1010–1106), bishop of Meissen, was the son of Werner, count of Woldenburg, was educated at Gosslar, and in 1066 was nominated by the emperor Henry IV. to the see of Meissen. In the troubles between empire and papacy that followed Benno took part against the emperor. In 1085 he was deposed by the synod of Mainz, but after the death of Pope Gregory VII. he submitted, and on the recommendation of the imperialist Pope Clement III. was restored to his see, which he held till his death. He did much for his diocese, both by ecclesiastical reforms on the Hildebrandine model and by material developments. He was long reverenced in his own diocese as a saint before, in 1523, he was canonized by Pope Adrian VI. His canonization drew from Luther a violent brochure “against the new false god and old devil, who is to be lifted up at Meissen.”
For bibliography, see Ulysse Chevalier, Répertoire des sources hist.: Bio-bibliographie, s.v. “Bennon.”
# 1911 Encyclopædia Britannica/Bensley, Robert

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​BENSLEY, ROBERT, an 18th-century English actor, of whom Charles Lamb in the Essays of Elia speaks with special praise. His early life is obscure, and he is said to have served in America as a lieutenant of marines; but he appeared at Drury Lane in 1765, and at that house and at Covent Garden, and later at the Haymarket, he played important parts up to 1796, when he retired from the stage. He appears then to have been given a small post under the government, a paymastership, which he resigned in 1798. He is stated in various quarters to have died in 1817, but Mr Joseph Knight shows in his article in the Dict. Nat. Biog. that this is due to a confusion with another man named William Bensley, who possibly belonged to the family of printers of whom Thomas Bensley (d. 1833) was the chief representative. On the stage he was simply “Mr Bensley,” but though he is named William and even Richard in some accounts, Mr Knight shows that his name was certainly Robert. The actual date of his death is unknown, though it was probably later than 1809, when he is said to have inherited a fortune. His great character was Malvolio, but Charles Lamb’s fervent admiration of his acting seems to have outrun the general opinion.
# 1911 Encyclopædia Britannica/Bent

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​BENT. 1. (From “to bend”), primarily the result of bending; hence any inclination from the straight, as in curved objects like a hook or a bow; this survives in the modern phrase “to follow one’s own bent,” i.e. to pursue a certain course in a direction deviating from the normal, as also in such phrases as Chaucer’s “Downward on a hill under a bent,” indicating a hollow or declivity in the general configuration of the land. From the bending of a bow comes the idea of tension, as in Hamlet, “they fool me to the top of my bent,” i.e. to the utmost of my capacity. 2. (From the O. Eng. beonet, a coarse, rushy grass growing in wet places; cf. the Ger. Binse, a reed), the name (“bent” or “bennet”) popularly applied to several kinds of grass and surviving in the form “bent-grass.”
# 1911 Encyclopædia Britannica/Amman, Paul

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​AMMAN, PAUL (1634–1691), German physician and botanist, was born at Breslau in 1634. In 1662 he received the degree of doctor of physic from the university of Leipzig, and in 1664 was admitted a member of the society Naturae Curiosorum, under the name of Dryander. Shortly afterwards he was chosen extraordinary professor of medicine in the above-mentioned university; and in 1674 he was promoted to the botanical chair, which he again in 1682 exchanged for the physiological. He died at Leipzig in 1691. He seems to have been a man of critical mind and extensive learning. His principal works were: Medicina Critica (1670); Paraenesis ad Docentes occupata circa Institutionum Medicarum Emendationem (1673); Irenicum Numae Pompilii cum Hippocrate (1689); Supellex Botanica (1675); and Character Naturalis Plantarum (1676).
# 1911 Encyclopædia Britannica/Ammanati, Bartolomeo

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​AMMANATI, BARTOLOMEO (1511–1592), Florentine architect and sculptor. He studied under Bandinelli and Jacopo Sansovino, and closely imitated the style of Michelangelo. He was more distinguished in architecture than in sculpture. He designed many buildings in Rome, Lucca and Florence, an addition to the Pitti Palace in the last-named city being one of his most celebrated works. He was also employed in 1569 to build the beautiful bridge over the Arno, known as Ponte della Trinita—one of his celebrated works. The three arches are elliptic, and though very light and elegant, have resisted the fury of the river, which has swept away several other bridges at different times. Another of his most important works was the fountain for the Piazza della Signoria. In 1550 Ammanati married Laura Battiferri, an elegant poet and an accomplished woman.
# 1911 Encyclopædia Britannica/Ammon, Christoph Friedrich von

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​AMMON, CHRISTOPH FRIEDRICH VON (1766–1850), German theological writer and preacher, was born at Baireuth. He studied at Erlangen, held various professorships in the philosophical and theological faculties of Erlangen and Göttingen, succeeded Franz Reinhard (1753–1812) in 1813 as court preacher and member of the consistorial court at Dresden, retired from these offices in 1849, and died on the 21st of May 1850. Seeking to establish for himself a middle position between rationalism and supernaturalism, he declared for a “rational supernaturalism,” and contended that there must be a gradual development of Christian doctrine corresponding to the advance of knowledge and science. But at the same time he sought, like other representatives of this school of thought, such as K. G. Bretschneider and Julius Wegscheider, to keep in close touch with the historical theology of the Protestant churches. He was a man of great versatility and extensive learning, a philologist and philosopher as well as a theologian, and a very voluminous author. His principal theological work was the Fortbildung des Christenthums zur Weltreligion, in 4 volumes (Leipzig, 1833–1840). Entwurf einer reinbiblischen Theologie appeared in 1792 (2nd ed., 1801), Summa Theologiae Christianae in 1803 (other editions, 1808, 1816, 1830); Das Leben Jesu in 1842, and Die wahre und falsche Orthodoxie in 1849. Von Ammon’s style in preaching was terse and lively, and some of his discourses are regarded as models of pulpit treatment of political questions.
See Herzog-Hauck, Realencyklopädie; Otto Pfleiderer, The Development of Theology in Germany since Kant, pp. 89 ff.
# 1911 Encyclopædia Britannica/Amman, Jost

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​AMMAN, JOST (1539–1591), Swiss artist, celebrated chiefly for his engravings on wood, was born at Zürich. Of his personal history little is known beyond the fact that he removed in 1560 to Nuremberg, where he continued to reside until his death in March 1591. His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a period of four years would have filled a hay wagon. A large number of his original drawings are contained in the Berlin collection of engravings. The genuineness of not a few of the specimens to be seen elsewhere is at least questionable. A series of copperplate engravings by Amman of the kings of France, with short biographies, appeared at Frankfort in 1576. He also executed many of the woodcut illustrations for the Bible published at Frankfort by Sigismund Feierabend. Another serial work, the Panoplia Omnium Liberalium Mechanicarum et Sedentariarum Artium Genera Continens, containing 115 plates, is of great value. Amman’s drawing is correct and spirited, and his delineation of the details of costume, &c., is minute and accurate. He executed too much, however, to permit of his reaching the highest style of art. Paintings in oil and on glass are attributed to him, but no specimen of these is known to exist.
# 1911 Encyclopædia Britannica/Ammirato, Scipione

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​AMMIRATO, SCIPIONE (1531–1601), Italian historian, born at Lecce, in the kingdom of Naples. His father, intending him for the profession of law, sent him to study at Naples, but his own decided preference for literature prevented him from fulfilling his father’s wishes. Entering the church, he resided for a time at Venice, and afterwards engaged in the service of Pope Pius IV. In 1569 he went to Florence, where he was fortunate in securing the patronage and support of Duke Cosimo I., who gave him a residence at the Medici Palace and the Villa Zopaja on the understanding that he should write his Istorie Fiorentine (1600), the work by which he is best known. In 1595 he was made a canon of the cathedral of Florence. He died in 1601. Among the other works of Ammirato, some of which were first published after his death, may be mentioned discourses on Tacitus and genealogies of the families of Naples and Florence.
# 1911 Encyclopædia Britannica/Ammoniacum

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​AMMONIACUM, or Gum Ammoniac, a gum-resin exuded from the stem of a perennial herb (Dorema ammoniacum), natural order Umbelliferae. The plant grows to the height of 8 or 9 ft., and its whole stem is pervaded with a milky juice, which oozes out on an incision being made at any part. This juice quickly hardens into round tears, forming the “tear ammoniacum” of commerce. “Lump ammoniacum,” the other form in which the substance is met with, consists of aggregations of tears, frequently incorporating fragments of the plant itself, as well as other foreign bodies. Ammoniacum has a faintly fetid, unpleasant odour, which becomes more distinct on heating; externally it possesses a reddish-yellow appearance, and when the tears or lumps are freshly fractured they exhibit a waxy lustre. It is chiefly collected in central Persia, and comes to the European market by way of Bombay. Ammoniacum is closely related to asafetida and galbanum (from which, however, it differs in yielding no umbelliferone) both in regard to the plant which yields it and its therapeutical effects. Internally it is used in conjunction with squills in bronchial affections; and in asthma and chronic colds it is found useful, but it has no advantages over a number of other substances of more constant and active properties (Sir Thomas Fraser). Only the “tear ammoniacum” is official.
African ammoniacum is the product of a plant said to be Ferula tingitana, which grows in North Africa; it is a dark-coloured gum-resin, possessed of a very weak odour and a persistent acrid taste.
# 1911 Encyclopædia Britannica/Angelus Silesius

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​ANGELUS SILESIUS (1624–1677), German religious poet, was born in 1624 at Breslau. His family name was Johann Scheffler, but he is generally known by the pseudonym Angelus Silesius, under which he published his poems and which marks the country of his birth. Brought up a Lutheran, and at first physician to the duke of Württemberg-Oels, he joined in 1652 the Roman Catholic Church, in 1661 took orders as a priest, and became coadjutor to the prince bishop of Breslau. He died at Breslau on the 9th of July 1677. In 1657 Silesius published under the title Heilige Seelenlust, oder geistliche Hirtenlieder der in ihren Jesum verliebten Psyche (1657), a collection of 205 hymns, the most beautiful of which, such as, Liebe, die du mich zum Bilde deiner Gottheit hast gemacht and Mir nach, spricht Christus, unser Held, have been adopted in the German Protestant hymnal. More remarkable, however, is his Geistreiche Sinn- und Schluss-reime (1657), afterwards called Cherubinischer Wandersmann (1674). This is a collection of “Reimsprüche” or rhymed distichs embodying a strange mystical pantheism drawn mainly from the writings of Jakob Böhme and his followers. Silesius delighted specially in the subtle paradoxes of mysticism. The essence of God, for instance, he held to be love; God, he said, can love nothing inferior to himself; but he cannot be an object of love to himself without going out, so to speak, of himself, without manifesting his infinity in a finite form; in other words, by becoming man. God and man are therefore essentially one.
A complete edition of Scheffler’s works (Sämtliche poetische Werke) was published by D. A. Rosenthal, 2 vols. (Regensburg, 1862). Both the Cherubinischer Wandersmann and Heilige Seelenlust have been republished by G. Ellinger (1895 and 1901); a selection from the former work by O. E. Hartleben (1896). For further notices of Silesius’ life and work, see Hoffmann von Fallersleben in Weimarisches Jahrbuch I. (Hanover, 1854); A. Kahlert, Angelus Silesius (1853); C. Seltmann, Angelus Silesius und seine Mystik (1896), and a biog. by H. Mahn (Dresden, 1896).
# 1911 Encyclopædia Britannica/Angell, George Thorndike

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​ANGELL, GEORGE THORNDIKE (1823–1909), American philanthropist, was born at Southbridge, Massachusetts, on the 5th of June 1823. He graduated at Dartmouth in 1846, studied law at the Harvard Law School, and in 1851 was admitted to the bar in Boston, where he practised for many years. In 1868 he founded and became president of the Massachusetts Society for the Prevention of Cruelty to Animals, in the same year establishing and becoming editor of Our Dumb Animals, a journal for the promotion of organized effort in securing the humane treatment of animals. For many years he was active in the organization of humane societies in England and America. In 1882 he initiated the movement for the establishment of Bands of Mercy (for the promotion of humane treatment of animals), of which in 1908 there were more than 72,000 in active existence. In 1889 he founded and became president of the American Humane Education Society. He became well known as a criminologist and also as an advocate of laws for the safeguarding of the public health and against adulteration of food. He died at Boston on the 16th of March 1909.
# 1911 Encyclopædia Britannica/Angelus

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​ANGELUS, a Roman Catholic devotion in memory of the Annunciation. It has its name from the opening words, Angelus Domini nuntiavit Mariae. It consists of three texts describing the mystery, recited as versicle and response alternately with the salutation “Hail, Mary!” This devotion is recited in the Catholic Church three times daily, about 6 a.m., noon and 6 p.m. At these hours a bell known as the Angelus bell is rung. This is still rung in some English country churches, and has often been mistaken for and alleged to be a survival of the curfew bell. The institution of the Angelus is by some ascribed to Pope Urban II., by some to John XXII. The triple recitation is ascribed to Louis XI. of France, who in 1472 ordered it to be thrice said daily.