OpenLLM-France/wikimedia huggingface dataset:
# Pieces People Ask For/Cut, Cut Behind

CUT, CUT BEHIND.
Vhen shnow und ice vas on der ground, Und merry shleigh-bells shingle; Vhen Shack Frost he vas peen around, Und make mine oldt ears tingle— I hear dhose roguish gamins say, "Let shoy pe unconfined!" Und dhen dhey go for efry shleigh, Und yell, "Cut, cut pehind!"
It makes me shust feel young some more, To hear dhose youngsters yell, Und eef I don'd vas shtiff und sore, Py shings! I shust vould—:Vell, Vhen some oldt pung was coomin' py, I dink I'd feel inclined To shump right in upon der shly, Und shout, "Cut, cut pehind!"
I mind me vot mine fader said Vonce vhen I vas a poy, Mit meeschief alvays in mine head, Und fool of life und shoy. "Now, Hans, keep off der shleighs," says he, "Or else shust bear in mind, I dake you righdt across my knee, Und cut, cut, cut pehind!"
Veil, dot vas years und years ago, Und mine young Yawcob too, Vas now shkydoodling droo der shnow, Shust like I used to do; Und ven der pungs coom py mine house, I shust peeks droo der plind, Und sings oudt, "Go id, Yawcob Strauss, Cut, cut, cut, cut, pehind!"
Charles Follen Adams, in Harpers.
# Pieces People Ask For/Filling His Place

FILLING HIS PLACE.
Young Rip Van Winkle took into his head To go on a cruise round the world, he said;
And in three years' time he would come once more, And all would go on as it had before.
What a blank he left, alack and alack! But the years went round till they brought him back.
And one lazy day in the last of June Stood a sunburnt sailor, humming a tune,
And watching them play on the cricket-ground. He was champion once of the country round;
But that brawny lad with the laughing face, It was plain to see, was filling his place;
And with half a sigh he turned him away, Saying, "It matters not, it is naught but play."
And he took the road to the old grist-mill, Where his place, he knew, they could never fill;
For he'd miss him sore, the miller declared, And his own right hand could be better spared.
The miller had found, on the day he sailed, A good honest lad, who had never failed.
"Well, all men can work, but all cannot sing.
I'll sit in the choir; and they'll know the ring
"Of my voice again, for the girls did say
'Twould break up the choir when I went away."
Has it lost the ring that it had of old? For they look askance, and with glances cold;
And the girls declare, with a pretty pout,
That the stranger there, he has put them out.
What matters it, though, when trifles befall?
One sweet hope is left, that is better than all:
His neighbors and friends may all have forgot,
But sweet Mary Ann, he is sure, has not.
She gave him a rose when he sailed away:
He'll show her that rose when he goes to-day.
How glad she will be, after waiting so long,
To see him again so hearty and strong!
Alas for the sailor! alas for the rose!
They've gone round the world, and this is the close:
"You have stayed too long, you have stayed too long,
Had you come before,"—this was all her song,—
"You had found my heart but an empty nest, And ready to welcome its truant guest.
Go, bring the dead rose to life if you can,
But your place is filled by a better man."
And sadder and wiser he went his way,
But he kept that rose to his dying day.
Maria L. Eve.
# Our Country Needs Ships

OUR COUNTRY NEEDS SHIPS
to carry our boys "Over There" and keep them well supplied with Food, Clothing and the Munitions of War.
The product made in this plant is used for building ships. The ships can be completed only as fast as the material and equipment for each ship arrives at the shipyard.
If every man does a better day's work every day, the ships can be built faster.
BE TRUE TO THE BOYS WHO ARE GIVING THEIR LIVES FOR YOU
UNITED STATES SHIPPING BOARD EMERGENCY FLEET CORPORATION ISSUED BY PUBLICATIONS SECTION, PHILADELPHIA
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Our Dead Singer

Originally printed in Before the Curfew, and Other Poems
H. W. L.
Pride of the sister realm so long our own,  We claim with her that spotless fame of thine,  White as her snow and fragrant as her pine! Ours was thy birthplace, but in every zone Some wreath of song thy liberal hand has thrown  Breathes perfume from its blossoms, that entwine  Where'er the dewdrops fall, the sunbeams shine, On life's long path with tangled cares o'ergrown. Can Art thy truthful counterfeit command,—  The silver-haloed features, tranquil, mild,—  Soften the lips of bronze as when they smiled, Give warmth and pressure to the marble hand? Seek the lost rainbow in the sky it spanned!  Farewell, sweet Singer! Heaven reclaims its child.
Carved from the block or cast in clinging mould,  Will grateful Memory fondly try her best  The mortal vesture from decay to wrest; His look shall greet us, calm, but ah, how cold! No breath can stir the brazen drapery's fold,  No throb can heave the statue's stony breast;  "He is not here, but risen," will stand confest In all we miss, in all our eyes behold. How Nature loved him! On his placid brow,  Thought's ample dome, she set the sacred sign  That marks the priesthood of her holiest shrine, Nor asked a leaflet from the laurel's bough That envious Time might clutch or disallow,  To prove her chosen minstrel's song divine.
On many a saddened hearth the evening fire  Burns paler as the children's hour draws near,—  That joyous hour his song made doubly dear,— And tender memories touch the faltering choir. He sings no more on earth; our vain desire  Aches for the voice we loved so long to hear  In Dorian flute-notes breathing soft and clear,— The sweet contralto that could never tire. Deafened with listening to a harsher strain,  The Mænad's scream, the stark barbarian's cry,  Still for those soothing, loving tones we sigh; Oh, for our vanished Orpheus once again! The shadowy silence hears us call in vain!  His lips are hushed; his song shall never die.
# Our Country (Thoreau)

From The Personality of Thoreau (1901) by F. B. Sanborn pp. 64-5.
OUR COUNTRY
COPIED FROM A POEM OF THOREAU'S WRITTEN ABOUT 1841
It is a noble country where we dwell, Fit for a stalwart race to summer in; From Madawaska to Red River raft, From Florid keys to the Missouri forks, See what unwearied (and) copious streams Come tumbling to the east and southern shore, To find a man stand on their lowland banks: Behold the innumerous rivers and the licks Where he may drink to quench his summer's thirst, And the broad corn and rice fields yonder, where His hands may gather for his winter's store.
See the fair reaches of the northern lakes To cool his summer with their inland breeze, And the long slumbering Appalachian range Offering its slopes to his unwearied knees! See what a long-lipped sea cloth clip the shores, And noble strands where navies may find port; See Boston, Baltimore, and New York stand Fair in the sunshine on the eastern sea, And yonder too the fair green prairie.
See the red race with sullen step retreat, Emptying its graves, striking the wigwam tent, And where the rude camps of its brethren stand, Dotting the distant green, their herds around; In serried ranks, and with a distant clang, Their fowl fly o'er, bound to the northern lakes, Whose plashing waves invite their webbed feet
Such the fair reach and prospect of the land, The journeying summer creeps from south to north With wearied feet, resting in many a vale; Its length cloth tire the seasons to o'ercome, Its widening breadth doth make the sea?breeze pause And spend its breath against the mountain's side: Still serene Summer paints the southern fields, While the stern Winter reigns on northern hills.
Look nearer,—know the lineaments of each face,— Learn the far-travelled race, and find here met The so long gathering congress of the world! The Afric race brought here to curse its fate, Erin to bless,—the patient German too, Th' industrious Swiss, the fickle, sanguine Gaul, And manly Saxon, leading all the rest. All things invite this earth's inhabitants To rear their lives to an unheard-of height, And meet the expectation of the land; To give at length the restless race of man A pause in the long weltering caravan.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Our Country (Whittier)

* "Our Country", (unsourced)
* "Our Country" from The Riverside song book, 1893.
# Plays by Anton Tchekoff (Fell)/Uncle Vanya

This transcription includes audio from LibriVox.
Layout 2
UNCLE VANYA
SCENES FROM COUNTRY LIFE
In Four Acts
CHARACTERS
Alexander Serebrakoff, a retired professor
Helena, his wife, twenty-seven years old
Sonia, his daughter by a former marriage
Mme. Voitskaya, widow of a privy councilor, and mother of Serebrakoff’s first wife
Ivan (Vanya) Voitski, her son
Michael Astroff, a doctor
Ilia (Waffles) Telegin, an impoverished landowner
Marina, an old nurse
A Workman
The scene is laid on Serebrakoff’s country place
* Act I
* Act II
* Act III
* Act IV
# Plays by Jacinto Benavente - Second series

PLAYS
BY
JACINTO BENAVENTE
PLAYS
BY
JACINTO BENAVENTE
SECOND SERIES
TRANSLATED FROM THE SPANISH WITH AN INTRODUCTION
BY
JOHN GARRETT UNDERHILL
REPRESENTATIVE OF THE SOCIEDAD DE AUTORES ESPAÑOLES IN THE UNITED STATED AND CANADA
AUTHORIZED EDITION
NEW YORK
CHARLES SCRIBNER'S SONS
1919
After a drawing by Arturo Ballester
Jacinto Benavente as Don Juan Tenorio
Copyright, 1918, 1919, by JOHN GARRETT UNDERHILL
Published October, 1919
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Plays by Jacinto Benavente - Third series

PLAYS
BY
JACINTO BENAVENTE
THIRD SERIES
PLAYS
BY
JACINTO BENAVENTE
THIRD SERIES
TRANSLATED FROM THE SPANISH WITH AN INTRODUCTION
BY
JOHN GARRETT UNDERHILL
AUTHORIZED EDITION
CHARLES SCRIBNER'S SONS
NEW YORK · LONDON
1923
JACINTO BENAVENTE From a photograph taken in 1920 and inscribed to the translator.
Copyright, 1918, 1919, 1923, by JOHN GARRETT UNDERHILL
All Rights Reserved
Printed in the United States of America
Published March, 1923
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Oregon California Railroad v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
189 U.S. 116
Oregon California Railroad v. United States
Argued: March 4, 1903. --- Decided: April 6, 1903
Mr. Maxwell Evarts for appellant.
Mr. Charles W. Russell for appellee.
Mr. Justice Harlan delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/I did but prompt the age to quit their cloggs

* information about this edition.
* sister projects: Wikidata item.
From Poems &c. Upon Several Occasions [1645]
I did but prompt the age to quit their cloggs  By the known rules of antient libertie,  When strait a barbarous noise environs me  Of Owles and Cuckoes, Asses, Apes and Doggs. As when those Hinds that were transform'd to Froggs  Raild at Latona's twin-born progenie  Which after held the Sun and Moon in fee.  But this is got by casting Pearl to Hoggs; That bawle for freedom in their senceless mood,  And still revolt when truth would set them free.  Licence they mean when they cry libertie; For who loves that, must first be wise and good;  But from that mark how far they roave we see  For all this wast of wealth, and loss of blood.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/Methought I saw my late espoused Saint

* information about this edition.
* sister projects: Wikidata item.
From Poems &c. Upon Several Occasions [1673]
Methought I saw my late espoused Saint  Brought to me like Alcestis from the grave,  Whom Joves great Son to her glad Husband gave,  Rescu'd from death by force though pale and faint. Mine as whom washt from spot of child-bed taint,  Purification in the old Law did save,  And such, as yet once more I trust to have  Full sight of her in Heaven without restraint, Came vested all in white, pure as her mind:  Her face was vail'd, yet to my fancied sight,  Love, sweetness, goodness, in her person shin'd So clear, as in no face with more delight.  But O as to embrace me she enclin'd  I wak'd, she fled, and day brought back my night.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/Cyriack, whose Grandsire on the Royal Bench

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* sister projects: Wikidata item.
From Poems &c. Upon Several Occasions [1673]
Cyriack, whose Grandsire on the Royal Bench  Of Brittish Themis, with no mean applause  Pronounc't and in his volumes taught our Lawes,  Which others at their Barr so often wrench: To day deep thoughts resolve with me to drench  In mirth, that after no repenting drawes;  Let Euclid rest and Archimedes pause,  And what the Swede intend, and what the French. To measure life, learn thou betimes, and know  Toward solid good what leads the nearest way;  For other things mild Heav'n a time ordains, And disapproves that care, though wise in show,  That with superfluous burden loads the day,  And when God sends a cheerful hour, refrains.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/Harry whose tuneful and well measur'd Song

* information about this edition.
* sister projects: Wikidata item.
From Poems &c. Upon Several Occasions [1673]
Harry whose tuneful and well measur'd Song  First taught our English Musick how to span  Words with just note and accent, not to scan  With Midas Ears, committing short and long; Thy worth and skill exempts thee from the throng,  With praise enough for Envy to look wan;  To after age thou shalt be writ the man,  That with smooth aire couldst humor best our tongue. Thou honour'st Verse, and Verse must send her wing  To honour thee, the Priest of Phœbus Quire  That tun'st their happiest lines in Hymn, or Story. Dante shall give Fame leave to set thee higher  Then his Casella, whom he woo'd to sing  Met in the milder shades of Purgatory.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/A Book was writ of late call'd Tetrachordon

* information about this edition.
* sister projects: Wikidata item.
From Poems &c. Upon Several Occasions [16473]
A Book was writ of late call'd Tetrachordon;  And wov'n close, both matter, form and stile;  The Subject new: it walk'd the Town a while,  Numbring good intellects; now seldom por'd on. Cries the staff-reader, bless us! what a word on  A title page is this! and some in file  Stand spelling fals, while one might walk to Mile-  End Green. Why is it harder Sirs then Gordon, Colkitto, or Macdonnel, or Galasp?  Those rugged names to our like mouths grow sleek  That would have made Quintilian stare and gasp. Thy age, like ours, O Soul of Sir John Cheek,  Hated Learning wors then Toad or Asp;  When thou taught'st Cambridge, and King Edward Greek.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/An Epitaph on the Marchioness of Winchester

An Epitaph on the Marchioness of Winchester.
# Poems &c. Upon Several Occasions/Lawrence of vertuous Father vertuous Son

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From Poems &c. Upon Several Occasions [1673]
Lawrence of vertuous Father vertuous Son,  Now that the Fields are dank, and ways are mire,  Where shall we sometimes meet, and by the fire  Help wast a sullen day; what may be won From the hard Season gaining: time will run  On smoother, till Favonius re-inspire  The frozen earth; and cloth in fresh attire  The Lillie and Rose, that neither sow'd nor spun. What neat repast shall feast us, light and choice,  Of Attick tast, with Wine, whence we may rise  To hear the Lute well toucht, or artfull voice Warble immortal Notes and Tuskan Ayre?  He who of those delights can judge, and spare  To interpose them oft, is not unwise.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems &c. Upon Several Occasions/On the Death of a fair Infant dying of a Cough

Anno ætatis 17.
On the Death of a Fair Infant Dying of a Cough.
# Paper and Its Uses/Syllabus

CITY AND GUILDS OF LONDON INSTITUTE EXAMINATIONS
TYPOGRAPHY AND LITHOGRAPHY
Extracts from Syllabus as regards Paper
TYPOGRAPHY
Press and Machine.—Grade I
Sizes, and subdivisions of papers and cards; number of sheets in quires and reams; easy questions on the various grades of paper.
Composing.—Grade II
Hand- and machine-made; qualities and weights, equivalent weights; sizes and subdivisions of printings, writings, and account book papers; sizes and subdivisions of cards.
Press and Machine. Grade II
Various sizes, weights, and subdivisions; differences between machine- and hand-made; coated and super-calendered; effect of heat and damp upon; avoidance of waste from dirt and careless handling.
Final
Papers and Boards.—The manufacture of paper. The paper-making machine; fibre-yielding material; warehouse tests for the various celluloses; soft-, half-, tub-, and engine-sizing; china clay, its uses and how to determine proportion.
Various classes of paper (hand-made, mould-made, and machine-made). Printings, coated papers, writings, banks and loans, plate, drawings, account books, cover papers, blottings, vegetable parchments, imitation parchments, manillas, "safety" cheque papers, wrapping papers, gummed papers.
Judging Papers.—How to judge the quality of various classes of papers and their suitability for the purposes to which they ​are to be put. Bulk, handling, and "look-through," strength, tear (straight and across), length of fibre. British and foreign makes and how to detect. The right and wrong sides.
Defects in Paper.—Cockling, and creasing, stretching, lifting, fluffing, the mill edge, spots, air-bubbles, foreign substances, electricity in paper.
Technical terms used by papermakers and merchants. Insides, outsides, retree, job, mill job, overmake, etc.
Sizes and Weights of Paper.—Standard sizes of the various classes. Standard weights. Equivalent weights of standard and odd sizes, and of reams consisting of 480, 504, or 516 sheets. Reams to the reel.
Watermarks and mill numbers.
Stocking of Paper.—What classes to select for stocking. Racks, for stock. The care of stock, samples, oddments, and useful offcuts. Tying up and marking reams. The effect of light, temperature, chemical fumes, damp and dust on the various classes of paper. Stock-keeping systems and books.
Boards.—Bristol, paste, pulp, wood-pulp, art and tinted, millboards and strawboards. Standard sizes; subdivisions and standard thicknesses. Boards to the cwt.
Market prices and terms for stock papers and makings.
LITHOGRAPHY
Grade I
Machine-made uncoated printing papers: their nature and qualities; dimensions of the more common printing papers, tinted and white, wove and laid, sized and unsized.
Grade II
Hand- and machine-made; tinted; enamels (single and duplex coated); plain and glazed cards, their nature, qualities, and sizes. Paper creasing and its remedies.
Final
Tests for printing properties; papers suitable for particular classes of work.
# Papers and Proceedings of the General Meeting of the American Library Association

Papers and Proceedings of the General Meeting of the American Library Association is a periodical. From 1907 it is called Papers and Proceedings of the Annual Meeting of the American Library Association.
Certain parts of this work are in the public domain in the United States because they were published before 1929.
* Sixth General Meeting (1883) External scan
* Eighth General Meeting (1886) External scan
* Tenth General Meeting (1889) External scan
* Fourteenth General Meeting (1892) External scan
* Fifteenth General Meeting (1893) External scan
* Seventeenth General Meeting (1895) External scan
* Eighteenth General Meeting (1896) External scan
* Twentieth General Meeting (1898) External scan External scan
* Twenty First General Meeting (1899) External scan External scan
* Twenty Second General Meeting (1900) External scan
* Twenty Third General Meeting (1901) External scan External scan External scan
* Twenty Fourth General Meeting (1902) External scan
* Twenty Fifth General Meeting (1903) External scan External scan
* Twenty Sixth General Meeting (1904) External scan External scan
* Twenty Seventh General Meeting (1905) External scan
* Twenty Eighth General Meeting (1906) External scan External scan
* Twenty Ninth Annual Meeting (1907) External scan
* Thirtieth Annual Meeting (1908) External scan
* Thirty First Annual Meeting (1909) External scan
* Thirty Fourth Annual Meeting (1912) External scan
* Thirty Fifth Annual Meeting (1913) External scan
# Oriental Scenery/Part 2/Plate 18

Thirumalai Nayak
No. XVIII.
TREMAL NAIG'S CHOULTRY, MADURA.
The Choultry of Rajah Tremal Naig is considered one of the first works of its kind in the south of Hindoostan. Its general form is that of a parallelogram, three hundred and twelve feet in length, by one hundred and twenty-five feet in width; and consists of one large hall, the ceiling of which is supported by six ranges of columns, about twenty-five feet in height, many of them formed of single stones, and the whole composed of grey granite. This view contains half the centre ile. On the second pillar to the right hand is the effigy of the Rajah with three of his wives, to whom, for his munificence, the Hindoos still continue to pay divine honours. Beyond the Rajah, and on the pillars opposite to him are other statues representing his family. In the ceiling are the twelve signs of the zodiac; and a number of mythological figures carved in basso relievo, are interspersed through the building, which, together with a profusion of other decorations, are executed with an uncommon degree of skill and attention.
The Choultry is an edifice which in the Deccan is always found attached to Hindoo temples, and appropriated to the use of the religious; they are likewise erected on the public roads for the accommodation of travellers.
Tremal Naig's Choultry, Madura.
# Oriental Scenery/Part 2/Plate 19

Tiruchirapalli Rock Fort
No. XIX.
THE ROCK OF TRITCHINOPOLY, TAKEN ON THE RIVER CAUVERY.
The rock of Tritchinopoly is celebrated in the military annals of Hindoostan. This view is taken on the north side from the river Cauvery in the dry season. The building to the right on the western extremity of the rock is an ancient Hindoo temple, held in great veneration by the votaries of that religion; and the lesser one on the summit, a Choultry, commanding a very rich and extensive prospect. Many small Choultries and places of worship also embellish the banks of the river. This with the following views of Tritchinopoly were taken in June, 1792.
Tritchinopoly is in lat. 10° 49′ north, long. 78° 40′ east. Distant from Madras two hundred and sixty-eight miles.
The Rock of Tritchinopoly, taken on the River Cauvery.