OpenLLM-France/wikimedia huggingface dataset:
# A Dictionary of Music and Musicians/Fanfare

From volume 1 of the work.
​FANFARE. A French term of unknown origin—perhaps Moorish, perhaps onomatopoeic—denotes in strictness a short passage for trumpets, such as is performed at coronations and other state ceremonies. In England they are known as 'Flourishes,' and are played by the Trumpeters of Her Majesty's Household Cavalry to the number of eight, all playing in unison on E♭ trumpets without valves. The following, believed to date from the reign of Charles II, is the Flourish regularly used at the opening of Parliament, and was also performed at the announcement of the close of the Crimean War, the visit of the Queen and Prince of Wales to St. Paul's after the Prince's recovery, and so on:—
2. So picturesque and effective a feature as the Fanfare has not been neglected by Opera composers. No one who has heard it can forget the ​effect of the two flourishes announcing the arrival of the Governor in Fidelio, both in the opera and in the two earlier overtures. True to the fact, Beethoven has written it in unison (in the opera and the later overture in B♭, in the earlier overture in E♭, with triplets). Other composers, not so conscientious as he, have given them in harmony, sometimes with the addition of horns and trombones. See Olympie; Struensee, Act 2; Hamlet, Tabl. a, Sc. i, and many more. A good example is that in Tannhäuser, which forms the basis of the march. It is for 3 Trumpets in B:—
A fine Fanfare for four trumpets, composed by Mr. Waterson, Bandmaster of the 1st Life Guards, is played as a dirge at the funerals of that Regiment. Weber has left a short one—'kleiner Tusch'—for 20 trumpets in C (Jähns's Thematic Cat. No. 47 A). [ Tusch.]
3. The word is also employed in a general sense for any short prominent passage of the brass, such as that of the Trumpets and Trombones (with the wood wind also) near the end of the 4th movement in Schumann's E♭ Symphony; or of the whole wind band in the opening Andante of the Reformation Symphony.
[ G. ]
# A Dictionary of Music and Musicians/Fair Rosamond

From volume 1 of the work.
​FAIR ROSAMOND. A grand opera in 4 acts; words by C. Z. Barnett, music by John Barnett; produced at Drury Lane Feb. 28, 1837.
# A Dictionary of Music and Musicians/Faisst, Emmanuel

[ M. ]
# A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature/מ

    מאורע - מאכא
    מאכא - מאס
    מאס - מבולא
    מבולא - מגבילה
    מגבילה - מגופתא
    מגופתא - מגיסא
    מגיסא - מגלב
    מגלב - מגעורי
    מגעורי - מדא
    מדא - מדה
    מדה - מדהא
    מדהא - מדידה
    מדידה - מדעת
    מדעת - מדרשא
    מדרשא - מהובית
    מהובית - מואב
    מואב - מודיעים
    מודיעים - מווח
    מווח - מוטה
    מוטה - מוכס
    מוכס - מולייאתא
    מולייאתא - מומייקה
    מומייקה - מוסמיס
    מוסמיס - מועט
    מועט - מוצהב
    מוצהב - מוקצע
    מוקצע - מוראה
    מוראה - מוריגא
    מוריגא - מורסינטון
    מורסינטון - מות
    מות - מזג
    מזג - מזוזתא
    מזוזתא - מזיד
    מזיד - מזמז
    מזמז - מחבא
    מחבא - מחוי
    מחוי - מחט
    מחט - מחי
    מחי - מחיצותא
    מחיצותא - מחלוקת
    מחלוקת - מחסיא
    מחסיא - מחק
    מחק - מחתה
    מחתה - מטה
    מטה - מטט
    מטט - מטליה
    מטליה - מטמרא
    מטמרא - מטרוניתא
    מטרוניתא - מיאוסא
    מיאוסא - מיזרן
    מיזרן - מיישא
    מיישא - מילא
    מילא - מילני
    מילני - מין
    מין - מיניקה
    מיניקה - מיעוטא
    מיעוטא - מירא
    מירא - מישרא
    מישרא - מכביד
    מכביד - מכוש
    מכוש - מכך
    מכך - מכסא
    מכסא - מכשף
    מכשף - מלאי
    מלאי - מלבנא
    מלבנא - מלוון
    מלוון - מלחא
    מלחא - מליאדין
    מליאדין - מלך
    מלך - מלכי
    מלכי - מללא
    מללא - מלקיט
    מלקיט - ממזרא
    ממזרא - ממשמשנית
    ממשמשנית - מנדה
    מנדה - מנהומי
    מנהומי - מנזירנא
    מנזירנא - מני
    מני - מניומי
    מניומי - מנע
    מנע - מנת
    מנת - מסגי
    מסגי - מסוקתא
    מסוקתא - מסטי
    מסטי - מסיק
    מסיק - מסכן
    מסכן - מסמס
    מסמס - מסע
    מסע - מסר
    מסר - מסרקא
    מסרקא - מעבורא
    מעבורא - מעוט
    מעוט - מעט
    מעט - מעים
    מעים - מעל
    מעל - מעלתא
    מעלתא - מעצרתא
    מעצרתא - מעשנא
    מעשנא - מפיס
    מפיס - מפרע
    מפרע - מצדא
    מצדא - מצוה
    מצוה - מצחא
    מצחא - מצי
    מצי - מצניפא
    מצניפא - מצר
    מצר - מקבא
    מקבא - מקון
    מקון - מקימה
    מקימה - מקצת
    מקצת - מקרבא
    מקרבא - מקשיצת
    מקשיצת - מראה
    מראה - מרגלא
    מרגלא - מרד
    מרד - מרדקא
    מרדקא - מרויתא
    מרויתא - מרות
    מרות - מרח
    מרח - מרט
    מרט - מריח
    מריח - מרישא
    מרישא - מרס
    מרס - מרפא
    מרפא - מרקא
    מרקא - מרר
    מרר - משבא
    משבא - משוחאה
    משוחאה - משח
    משח - משיגא
    משיגא - משילי
    משילי - משך
    משך - משכן
    משכן - משלי
    משלי - משמש
    משמש - משקדי
    משקדי - מששתן
    מששתן - מתאכלי
    מתאכלי - מתורגמן
    מתורגמן - מתיה
    מתיה - מתלא
    מתלא - מתניה
    מתניה - נא
# A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature/ם

    ם - מאורע
# A History of Mathematics/Preface

PREFACE.
An increased interest in the history of the exact sciences manifested in recent years by teachers everywhere, and the attention given to historical inquiry in the mathematical class-rooms and seminaries of our leading universities, cause me to believe that a brief general History of Mathematics will be found acceptable to teachers and students.
The pages treating—necessarily in a very condensed form—of the progress made during the present century, are put forth with great diffidence, although I have spent much time in the effort to render them accurate and reasonably complete. Many valuable suggestions and criticisms on the chapter on "Recent Times" have been made by Dr. E. W. Davis, of the University of Nebraska. The proof-sheets of this chapter have also been submitted to Dr. J. E. Davies and Professor C. A. Van Velzer, both of the University of Wisconsin; to Dr. G. B. Halsted, of the University of Texas; Professor L. M. Hoskins, of the Leland Stanford Jr. University; and Professor G. D. Olds, of Amherst College,—all of whom have afforded valuable assistance. I am specially indebted to Professor F. H. Loud, of Colorado College, who has read the proof-sheets throughout. To all the gentlemen above named, as well as to Dr. Carlo Veneziani ​of Salt Lake City, who read the first part of my work in manuscript, I desire to express my hearty thanks. But in acknowledging their kindness, I trust that I shall not seem to lay upon them any share in the responsibility for errors which I may have introduced in subsequent revision of the text.
FLORIAN CAJORI.
Colorado College, December, 1893.
# A Dictionary of the Book of Mormon/Kishkumen, City of

​KISHKUMEN, CITY OF. One of the iniquitous cities which the Lord, at the time of His crucifixion, caused to be burned with fire from heaven, with its inhabitants, because of their wickedness in casting out the prophets and stoning those whom He sent to proclaim their sinfulness and abominations. So depraved were its people that the Lord declares that there were none righteous among them, and that He destroyed them that the blood of the prophets and saints whom He had sent, and they had slain, ​might no longer cry unto Him from the ground against them. Kishkumen is mentioned only in connction with its destruction.
# A Dictionary of the Book of Mormon/Kumen

​KUMEN. One of the twelve Disciples called and chosen by Jesus to minister to the Nephites, at the time of his visit to that people (A. C. 34). Kumen was present near the temple in the land Bountiful when Jesus appeared, and was baptized by Nephi on the day following. He is not again mentioned by name in the sacred record.
# A Dictionary of the Book of Mormon/Judea, City of

​JUDEA, CITY OF. A city of the Nephites, situated in the southwestern portion of their dominions, somewhere between the Pacific Ocean and the land of Manti. It is only mentioned in Helaman's letter to Moroni, giving an account of the military operations in that region (B. C. 66 to 63). In the first-named year it was garrisoned by a Nephite force of about 6,000 men under Antipus; who, by reason of their reverses and the severe labors of the campaign, were depressed in mind and body. At this time they were strengthened by the arrival of Helaman with 2,000 young Ammonites, who found the soldiers of Antipus working night and day in the effort to strenghten the fortifications of the city. Unitedly they accomplished this purpose. In the second month of the next year (B. C. 65), 2,000 more men arrived from Zarahemla, and a supply of provisions from the fathers of the young Ammonites. In this year the campaign occurred in which Antipus was slain, and the young Ammonites showed such exceeding great valor. After this campaign, the troops which took part in it returned to Judea, and Helaman appears to have taken the chief command. In B. C. 63, reinforcements, to the number of 6060 men arrived, with provisions, and the Nephites felt strong enough to carry on offensive operations. They apparently still made Judea their headquarters, and the point from which they made their attacks. After this war Judea is not again mentioned in the Book of Mormon.
# A Dictionary of the Book of Mormon/Kimnor

​KIMNOR. One of the early Jaredites. He is simply known to us as the father of Akish, the friend of king Omer.
# A Dictionary of the Book of Mormon/Kib

​KIB. The second king of the Jaredites. He was the son of Orihah, and grandson of Jared. He was born in his father's old age, and succeeded him on the throne. Among Kib's sons was one named Corihor, who, when he was thirty-two years old rebelled against his father and drew many people after him. He first established himself in the land of Nehor, and when strong enough came against Kib in the land of Moron, which ​Moron was near the land called Desolation, by the Nephites. Having taken his father prisoner, Corihor hold him in captivity for many years. In his old age Kib begat Shule, who when grown to manhood, overthrew Corihor and replaced his father on the throne. His father having then arrived at an exceedingly great age resigned the kingdom to Shule, who reigned in his stead.
# A Dictionary of the Book of Mormon/Kim

​KIM. A king of the Jaredites. He was the son of Morianton, born to him when he (Morianton) was very aged.
The days of Morianton were among the most prosperous that the Jaredites saw; they grew exceedingly rich during his reign. But when he became very aged he abdicated in favor of Kim, who reigned in his father's place for eight years before the latter died. Kim, however, did not reign in righteousness, and by his wickedness he displeased the Lord, so that He permitted the brother of Kim to rebel against him, dethrone him and hold him in captivity all the remainder of his life. During his captivity he begat sons and daughters, the only one whose name is mentioned is Levi, who was born to him in his old age.
# A Dictionary of the Book of Mormon/Kish

​KISH. A king of the Jaredites. He was the son of Corum, and succeeded his father on the throne. Nothing is said in the Book of Ether about his character, the events of his reign, or the length of his life. All we are told of him is that he reigned in the place of his father and that, when he died, he was succeeded by his son Lib.
# A Dictionary of the Book of Mormon/Kishkumen

​KISHKUMEN. An assassin, and a leading man among the Gadianton robbers at the time of the organization of their marauding bands. In the year B. C. 52, Pahoran, the chief judge of the Nephite commonwealth, died, which event gave rise to serious contentions among the Nephite people. Three of his sons, named Pahoran, Pacumeni and Paanchi, were ambitious to fill the exalted position left vacant by their father's death. Each had his adherents and following, but, according to the national law, the matter was decided by the voice of the people, and Pahoran was chosen.
Pacumeni assented to the decision of the citizens, but Paanchi attempted to raise a rebellion, for which crime he was arrested, tried by the law and condemned to death. Still, the more wicked part of the community supported his unlawful claims. These determined to kill Pahoran, which resolve they carried into effect, and the chief judge was slain by Kishkumen. This foul murder was committed while the chief magistrate was sitting in the judgment seat administering the law, but, through the connivance of the murderer's associates in iniquity, he escaped. Pacumeni, Pahoran's ​brother, was next elefted chief judge, but he was slain in war with the Lamanites the following year. In B. C. 50, Helaman, the son of Helaman, was chosen to fill the judgment seat. Being a righteous man, his election was very distasteful to the Gadianton robbers. They determined to slay him, as they had slain Pahoran, and the same vile instrument was chosen to do the murderous work.
As Kishkumen was on his way to fulfil his bloody errand, a servant of Helaman, whose name is not recorded, met him and gave him one of the secret signs of the Gadiantons. This admitted him into the confidence of the assassin, who explained his purpose, and asked to be conducted into the judgment hall, where Helaman was then sitting in the performance of his duties. This was agreed upon; the two proceeded to where the murderer expected to find his victim. The strategy of the attendant disarmed Kishkumen's suspicions. At an opportune moment the servant stabbed him, and so adroitly did he perform his work, that the robber fell dead without a groan. The servant immediately ran to the judgment hall, and informed Helaman of all that he had heard, seen and done. Without delay, orders were issued for the arrest of the band, but its members, finding that Kishkumen did not return, fled precipitately into the wilderness, beyond the reach of the officers.
# A Dictionary of Music and Musicians/Fodor-Mainvielle, Josephine

From volume 1 of the work.
​FODOR-MAINVIELLE, Josephine, celebrated singer, born 1793 in Paris, where her father, Joseph Fodor the violinist, had settled in 1787. In 1794 her parents removed to St. Petersburg, where she played both pianoforte and harp when only eleven. Three years after she became known as a singer, and in 1810 made her first appearance at the Court Theatre in Fioravanti's 'Cantatrici villanelle,' which was repeated 60 times, so successful was her performance. In 1812 she married the actor Mainvielle, and travelled with him to Stockholm, Copenhagen, returning to Paris, where she was engaged for the Opéra Comique. Her first appearance, Aug. 9, 1814, was a comparative failure; it was evident that French opera was not her province, and she was transferred in November of the same year to the Théâtre Italien, then under Mme. Catalani's management. Here she remained till the beginning of 1816, when she left for London. In London she sang for three seasons as prima donna, listened to with respect, though never a warm favourite. 'Don Giovanni' was brought out at the King's Theatre in 1817, and Zerlina was her best character. In July 1818 she went to Italy, returning to Paris early in the following year, after Catalani had given up the opera. Rossini's 'Barbiere' was then given for the first time in Paris (Oct. 26, 1819) and she played Rosina, as well as Ninetta, Agnese, and other first-rate parts. In 1822, suffering severely from dyspepsia, she was advised to try the milder climate of Naples, which so completely restored her that she appeared at San Carlo as Desdemona, Semiramide, and Zelmira, creating in all 20 new parts. In the following year she sang for a whole season in Vienna, but returned to Naples and remained there till 1825, when she again went to Paris. On Dec. 9 she appeared in Semiramide, but her voice failed and she was compelled to leave the stage. This misfortune was followed by a hoarseness which prevented her singing again in Paris. The management having declined to fulfil their contract, she brought a succession of actions against them, and finally accepted a compromise in 1828. After her return to Naples her voice so far improved that she sang again at San Carlo, but its peculiar charm was gone though her style was as fine as ever, and served as a model for no less a singer than Henrietta Sontag. Mendelssohn saw a great deal of her at Naples in 1831, and his very favourable impression may be learned from his letters (April 27, 1831). Her last appearance was at Bordeaux in 1833, after which she retired into private life.
[ F. G. ]
# A Dictionary of Music and Musicians/Ford, Miss

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Flügel Horn

From volume 1 of the work.
[ W. H. S. ]
# A Dictionary of Music and Musicians/Foli, Signor

​FOLI, Signor, whose real name is Allan James Foley, was born at Cahir, Tipperary, and in early life went to America. He was taught singing at Naples by the elder Bisaccia (father of Gennaro Bisaccia the pianist), and in Dec. 1862 he made his début at Catania as Elmiro in 'Otello.' He played successively at Turin, Modena, Milan, and in 1864 at the Italiens, Paris. On June 17, 1865, Signor Foli made a successful début at Her Majesty's as St. Bris ('Huguenots'); on July 6 as the Second Priest on the revival of 'Zauberflöte,' and on Oct. 28 as the Hermit in 'Der Freischütz.' From that time he has sung frequently in Italian at the three 'patent' theatres in upwards of 60 operas, viz. as Sarastro, Commendatore, Marcel, Caspar, Mephistopheles, Sparafucile, Basilio, Assur and Oroe ('Semiramide'), Rodolfo ('Sonnambula'), Bide the Bent ('Lucia'), Bertram, and Daland on the production of 'Der Fliegende Holländer,' at Drury Lane, July 23, 1870, etc., in addition to the parts previously named in which his fine voice—a rich powerful bass of more than two octaves from E below the line to F—has been heard to full advantage.
[ A. C. ]
# A Dictionary of Music and Musicians/Folia

From volume 1 of the work.
​FOLIA. Said to be an old Spanish dance for a single dancer—'ces belles chaconnes, ces Folies d'Espagne,' which the son of the seneschal of Rennes danced to such perfection (Mad. de Sevigné, July 24, 1689). But really all that is known of it is that the 22 variations, or the theme of them, which close Corelli's 12 solos (op. 5) are entitled Follia; that the same bass and air, but with different variations, are given in the 'Division Violin' as 'Faronell's division on a ground'; that Vivaldi's op. 1, no. 12, is a set of variations on the same; and that Hawkins (chap. 141) cites it as 'a favourite air known in England by the name of Farinelli's Ground,' composed by Farinelli, the uncle of the singer, who was court musician at Hanover in 1684. It seems to follow from this that the ground, and not the treble part, was the 'air,' just as it is in the chaconnes of Bach and Handel (60 variations). The ground is one on which a skilful violin player and a skilful dancer might go on fiddling and dancing ad ifinitum. The following is Corelli's theme:—
[ G. ]
# A Dictionary of Music and Musicians/Foggia, Francesco

From volume 1 of the work.
[ F. G. ]
# A Dictionary of Music and Musicians/Forbes, Henry

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Fochetti

From volume 1 of the work.
[ J. M. ]
# A Dictionary of Music and Musicians/Ford, David

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Fodor, Joseph

From volume 1 of the work.
[ P. D. ]
# A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature/צ

    צאי - צבט
    צבט - צביעין
    צביעין - צבר
    צבר - צדד
    צדד - צדי
    צדי - צדעא
    צדעא - צדקה
    צדקה - צהר
    צהר - צוד
    צוד - צווי
    צווי - צום
    צום - צוף
    צוף - צוצילתא
    צוצילתא - צור
    צור - צורן
    צורן - צחוק
    צחוק - צחצח
    צחצח - צילון
    צילון - ציורות
    ציורות - צילייא
    צילייא - צינבראה
    צינבראה - ציפור
    ציפור - ציצה
    ציצה - ציר
    ציר - צלא
    צלא - צלונהא
    צלונהא - צליבה
    צליבה - צלמון
    צלמון - צלצולין
    צלצולין - צמד
    צמד - צמי
    צמי - צמצם
    צמצם - צמת
    צמת - צמוק
    צמוק - צניעותא
    צניעותא - צנע
    צנע - צעצועים
    צעצועים - צער
    צער - צפור
    צפור - צפי
    צפי - צפצף
    צפצף - צפרדע
    צפרדע - צרדויא
    צרדויא - צרורתא
    צרורתא - צרילא
    צרילא - צרך
    צרך - צרף
    צרף - צרצור
    צרצור - ק
# A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature/ץ

    ץ - צאי
# A Dictionary of the Targumim, the Talmud Babli and Yerushalmi, and the Midrashic Literature/ר

    ר - ראגניות
    ראגניות - ראי
    ראי - ראים
    ראים - ראשוני
    ראשוני - רבא
    רבא - רבה
    רבה - רבי
    רבי - רביא
    רביא - רביעות
    רביעות - רבן
    רבן - רבע
    רבע - רבץ
    רבץ - רגג
    רגג - רגזנותא
    רגזנותא - רגל
    רגל - רגן
    רגן - רגש
    רגש - רדי
    רדי - רדיפה
    רדיפה - רהון
    רהון - רובא
    רובא - רובן
    רובן - רווח
    רווח - רוז
    רוז - ריטבא
    ריטבא - רום
    רום - רומאטיקון
    רומאטיקון - רונגר
    רונגר - רופילא
    רופילא - רוקני
    רוקני - רזוא
    רזוא - רחושין
    רחושין - רחלא
    רחלא - רחמו
    רחמו - רחץ
    רחץ - רחש
    רחש - רטב
    רטב - רטף
    רטף - ריבוע
    ריבוע - ריח
    ריח - רימא
    רימא - ריעא
    ריעא - ריקוח
    ריקוח - ריש
    ריש - רכב
    רכב - רכן
    רכן - רכשא
    רכשא - רמז
    רמז - רמיות
    רמיות - רמת
    רמת - רסק
    רסק - רעבתנותא
    רעבתנותא - רעי
    רעי - רעם
    רעם - רערע
    רערע - רפי
    רפי - רפס
    רפס - רפקא
    רפקא - רצח
    רצח - רצי
    רצי - רצף
    רצף - רקב
    רקב - רקיע
    רקיע - רקק
    רקק - רשה
    רשה - רשי
    רשי - רשם
    רשם - רשעות
    רשעות - רתחא
    רתחא - רתע
    רתע - ש
# A Naval Biographical Dictionary/Arkwright, Augustus Peter

Layout 4
​ARKWRIGHT. (Lieut., 1845. f-p., 14; h-p., 0.)
Augustus Peter Arkwright, born 6 March, 1821, is seventh son of Peter Arkwright, Esq., of Rock House, near Matlock, a magistrate for the county of Derby, by Mary Anne, daughter of Chas. Hurt, Esq., of Wicksworth; brother of Ferdinand Wm. Arkwright, Esq., a Lieutenant in the Army; and grandson of the late wealthy Rich. Arkwright, Esq., of Willersley, co. Derby.
This officer entered the Navy in 1833, and passed his examination 14 Oct. 1840. He afterwards served as Mate, on the Africa, Mediterranean, and Home stations, of the Pantaloon 10, Lieut.-Commander Chas. Horace Lapidge, Prompt schooner, Bonetta surveying-vessel, Capt. Thos. Saumarez Brock, and Queen 110, bearing the flag of Sir John Chambers, White. He obtained his commission 6 Feb. 1845, and, since 17 May following, has been employed in the Trafalgar 120, Capts. Wm. Fanshawe Martin and John Neale Nott.
# A Naval Biographical Dictionary/Armitage, Whaley

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​ARMITAGE. (Lieut., 1838. f-p., 1 7; h-p., 8.)
Whaley Armitage is a younger son of Whaley Armitage, Esq., of Coole and Drumin, co. Louth, barrister-at-law, by Eleanora, eldest daughter and co-heir of the late Edw. Haistwell, Esq., of Kensington; and grand-nephew of the late Gen. Sir John Braithwaite, Bart., Commander-in-Chief at Madras.
This officer entered the Royal Naval College 24 June, 1822; and embarked, 3 June, 1824, on board the Tweed 28, Capts. Fred. Hunn and Lord Henry John Spencer Churchill. After visiting the West Indies and Cape of Good Hope, he became successively Mate, on the former and North and South America stations, of the Sapphire 28, Capt. Hon. Wm. Wellesley, Sparrowhawk 18, Capt. Thos. Metcalfe Currie, Columbine 18, Capt. Henry Ommanney Love, Nimble 5, Lieut.-Commander Jas. Bolton, Forte 44, Capt. Watkin Owen Pell, Pique 36, Capt. Hon. Henry John Rous, and Rover 18, Capt. Chas. Eden. While in the Nimble, in 1833, we find Mr. Armitage assisting at the capture, after a running fight of an hour, of the armed slavers Joaquina and Mannalita. Obtaining his commission, 27 Dec. 1838, he was subsequently appointed – 18 March, 1839, to the Melville 72, fiag-ship at the Cape of Hon. Geo. Elliot – 6 July, 1839, to the command for a few months of the Brisk 3, on the same station – and, 31 Oct. 1840, to the Monarch 84, Capt. Sam. Chambers, in the Mediterranean. He has been on half-pay since the autumn of 1839. Agent – Joseph Woodhead.