# On the River (Daley poem)

(aka "Years After")
Fade off the ridges, rosy light, Fade slowly from the last gray height, And leave no gloomy cloud to grieve The heart of this enchanted eve!
All things beneath the still sky seem Bound by the spell of a sweet dream; In the dusk forest, dreamingly, Droops slowly down each plumèd head; The river flowing softly by Dreams of the sea; the quiet sea Dreams of the unseen stars; and I Am dreaming of the dreamless dead.
The river has a silken sheen, But red rays of the sunset stain Its pictures, from the steep shore caught, Till shades of rock, and fern, and tree Glow like the figures on a pane Of some old church by twilight seen, Or like the rich devices wrought In mediæval tapestry.
All lonely in a drifting boat Through shine and shade I float and float, Dreaming and dreaming, till I seem Part of the picture and the dream.
There is no sound to break the spell, No voice of bird or stir of bough; Only the lisp of waters wreathing In little ripples round the prow, And a low air, like Silence breathing, That hardly dusks the sleepy swell Whereon I float to that strange deep That sighs upon the shores of Sleep.
But in the silent heaven blooming  Behold the wondrous sunset flower  That blooms and fades within the hour — The flower of fantasy, perfuming  With subtle melody of scent  The blue aisles of the firmament!
For colour, music, scent, are one;  From deeps of air to airless heights, Lo! how he sweeps, the splendid sun,  His burning lyre of many lights!
See the clear golden lily blowing!  It shines as shone thy gentle soul,  O my most sweet, when from the goal  Of life, far-gazing, thou didst see —  While Death still feared to touch thine eyes, Where such immortal light was glowing —  The vision of Eternity,  The pearly gates of Paradise!
Now richer hues the skies illume: The pale gold blushes into bloom, Delicate as the flowering Of first love in the tender spring Of Life, when love is wizardry  That over narrow days can throw  A glamour and a glory! so Did thine, my Beautiful, for me  So long ago; so long ago.
So long ago! so long ago!  Ah, who can Love and Grief estrange? Or Memory and Sorrow part?  Lo, in the West another change —  A deeper glow: a rose of fire:  A rose of passionate desire Long burning in a lonely heart.
A lonely heart; a lonely flood. The wave that glassed her gleaming head And smiling passed, it does not know That gleaming head lies dark and low, The myrtle tree that bends above; I pray that it may early bud, For under its green boughs sate we — We twain, we only, hand in hand, When Love was lord of all the land — It does not know that she is dead And all is over now with love, Is over now with love and me.
Once more, once more, O shining years Gone by; once more, O vanished days Whose hours flew by on iris-wings, Come back and bring my love to me! My voice faints down the wooded ways And dies along the darkling flood. The past is past; I cry in vain, For when did Death an answer deign To Love's heart-broken questionings? The dead are deaf; dust chokes their ears; Only the rolling river hears Far off the calling of the sea — A shiver strikes through all my blood, My eyes are full of sudden tears.
The shadows gather over all,  The valley, and the mountains old; Shadow on shadow fast they fall  On glooming green and waning gold; And on my heart they gather drear, Damp as with grave-damps, dark with fear.
O Sorrow, Sorrow, couldst thou leave me  Not one brief hour to dream alone? Hast thou not all my days to grieve me?  My nights, are they not all thine own? Thou hauntest me at morning light,  Thou blackenest the white moonbeams — A hollow voice at noon; at night  A crowned ghost, sitting on a throne,  Ruling the kingdom of my dreams.
Maker of men, Thou gavest breath, Thou gavest love to all that live, Thou rendest loves and lives apart; Allwise art Thou; who questioneth Thy will, or who can read Thy heart? But couldst Thou not in mercy give A sign to us — one little spark Of sure hope that the end of all Is not concealed beneath the pall, Or wound up with the winding-sheet? Who heedeth aught the preacher saith When eyes wax dim, and limbs grow stark, And fear sits on the darkened bed? The dying man turns to the wall. What hope have we above our dead? — Tense fingers clutching at the dark, And hopeless hands that vainly beat Against the iron doors of Death!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse