OpenLLM-France/wikimedia huggingface dataset:
# St. Nicholas/Volume 40/Number 9/Battle-Ships

The “Michigan” bearing down, coming at full speed.
RISKS OF PHOTOGRAPHING BATTLE-SHIPS IN ACTION
BY E. MULLER, JR.
Formerly Official Photographer, United States Navy
Of all the marine pictures that have ever been taken, this picture of the U. S. S. Michigan, flagship of the Atlantic fleet, is considered the most remarkable, When I took it, the experience was one in which I nearly lost my life.
A naval photographer gets many duckings, and, after a time, takes them as a matter of course. Being thrown into the sea is n’t considered by him at all a serious event. It is during battle-ship practice that he encounters. grave dangers, for much of the work done at this time is from the tops of the fighting masts, which are at an elevation of one hundred and twenty feet above the sea.
FIRING SALVOS OF TWELVE-INCH GUNS.
During different practices, I have taken my position in these masts, in order to get detailed pictures. Once in these basket-like tops, the question is how to “stick.” The gun-fire photographs itself. I suppose you wonder what I mean, but it is just this: every time the big twelve-inch guns fire, the awful concussion they cause invariably gives the snap to the shutter of the camera, and the exposure is made. If this were not a successful method—one discovered by ​chance—taking photographs of gun-fire would be an impossibility, for, at the instant when the guns are fired and the exposure of the plate should be made, the thundering noise and the oscillating motion, combined with the terrific shock, seem completely to stun and paralyze one:—it is all that one can do to hang on and brace himself safely,
NIGHT FIRE PHOTOGRAPHING ITSELF THE PLATE 18 EXPOSED BY THE CONCUSSION OF THE GUNS.
The “whip” of the mast, during fire, is due to the recoil of the guns, On the dreadnought North Dakota, when a salvo from the ten-inch guns is fired, the aggregate energy of the ten shells amounts to 500,000 foot-tons—sufficient power to lift a 20,000-ton ship twenty-five feet in the air, The recoil of these heavy guns, which in combination weigh 500 tons, is communicated to the ship with such force as to cause it to heel, in the opposite direction from the target, to the extent of from four to five degrees. The shock is gigantic, no part of the dreadnought escapes its force, and the masts are whipped back and forth like slender reeds blown by the breeze.
The crashing noise, combined with the air current, strikes one so stinging a blow when the first “whip” comes, that he feels as though he had been boxed by the hand of an unscen giant, and, unless the ears are protected by special ear mufflers, total deafness will result.
Many of the pictures of battle practice here published have been taken with great and under fully as dangerous conditions as could be met while hunting wild animals in Africa.
THE NEW STYLE OF MAST, KNOWN AS THE CAGE-MAST. (The fire-control officers are in the top. The targets—eight or nine miles away—can be seen from these tops but not from the main deck.)
# St. Nicholas/Volume 40/Number 9/Mistress Mary

* related authors: Frances Evans Ingersoll.
* sister projects: Wikipedia article, Commons gallery, Commons category, Wikidata item.
# St. Nicholas/Volume 40/Number 9/Roads

* related authors: Charles C. Curran.
* sister projects: Commons category, Wikidata item.
ROADS
THE DAISY FIELD, PAINTED BY CHARLES C. CURRAN.
# St. Nicholas/Volume 40/Number 9

©$^{A.R.}$
“THERE WAS AN OLD WOMAN LIVED UNDER A HILL.”
PAINTED FOR ST. NICHOLAS BY ARTHUR RACKHAM.
ST. NICHOLAS
(The entire contents of this Magazine are covered by the general copyright, and articles must not be reprinted without special permission.)
CONTENTS OF ST. NICHOLAS FOR JULY, 1913.
The Century Co. and its editors receive manuscripts and art material, submitted for publication, only on the understanding that they shall not be responsible for loss or injury theretowhile in their possession or in transit. Copies of manuscripts should be retained by the authors.
In the United States and Canada, the price of The St. Nicholas Magazine is $3.00 a year in advance, or 25 cents a single copy, without discount or extra inducement of any kind. Foreign postage is 60 cents extra when subscribers abroad with the magazine mailed directly from New York to them. We request that remittance be by money order, bank check, draft, or registered letter. The Century Co. reserves the right to suspend any subscription taken contrary to its selling terms and to refund the unexpired credit.
Trustees
WILLIAM W. ELLSWORTH, President IRA H. BRAINERD, Vice-President JOSIAH J. HAZEN, Ass’t Treasurer DOUGLAS Z. DOTY, Secretary
# The Acts and Monuments of John Foxe/Volume 3/From a Letter of John Huss to his Friends in Bohemia

* related portals: Council of Constance, Czech lands.
* related authors: Jan Hus.
Layout 2
From a Letter of John Huss to his Friends in Bohemia.
This John Huss being in prison, wrote divers treatises; as 'Of the Commandments,' 'Of the Lord's Prayer,' ' Of Mortal Sin,' 'Of Matrimony,' 'Of the Knowledge and Love of God,' 'Of three Enemies of Mankind, the World, the Flesh, and the Devil,' 'Of Penance,' 'Of the Sacrament of the Body and Blood of the Lord,' 'Of the sufficiency of the Law of God to rule the Church,' &c. He wrote, also, divers epistles and letters to the lords, and to his friends in Bohemia; and in his writings he did foreshow many things before to come, touching the reformation of the church: and seemeth in the prison to have had divers prophetical revelations showed to him of God. Certain of which his letters and predictions, I thought here underneath to insert, in such sort, as neither in reciting all, I will overcharge the volume too much; nor yet in reciting of none, will I be so brief, but that the reader may have some taste, and take some profit, of the christian writings and doings of this blessed man; first beginning with the letter of the lord de Clum, concerning the safe conduct of John Huss.
# Suspense (1913 film)

* related portals: Crime film, Silent film.
* sister projects: Wikipedia article, Commons category, Wikidata item.
a 1913 American silent short film thriller. The film features early examples of a split screen shot. It was selected for preservation in the United States National Film Registry by the Library of Congress.
Cast and Crew :
| Cast ||
| Role | Actor |
| | Val Paul |
| | Lois Weber |
| | Lon Chaney |
| | Douglas Gerrard |
| Crew ||
| Distributor | Universal Pictures |
| Director | Phillips Smalley (d. 1939), Lois Weber (d. 1939) |
| Screenwriter | Lois Weber |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1939, meaning that this film may be in the public domain in countries and jurisdictions with 84 years p.m.a. or less, as well as in the United States. ||
REX
SUSPENSE.
CAST
| THE WIFE. | LOIS WEBER |
| THE HUSBAND. | VALENTINE PAUL |
| THE PURSUER. | DOUGLAS GERARD |
| THE TRAMP. | SAM KAUFMAN |
I am leaving without notice. No servant will stay in this lonesome place. I will put the back door key under the mat.
Mamie.
"I WON'T GET HOME UNTIL LATE. WILL YOU BE ALLRIGHT."
"A TRAMP IS PROWLING AROUND THE HOUSE."
"NOW HE IS OPENING THE KITCHEN DOOR."
"NOW HE IS IN THE——"
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Suspending the Individual Mandate Penalty Law Equals Fairness Act (H.R. 4118; 113th Congress)

* related portals: United States Congress.
* sister projects: Wikipedia article, Wikidata item.
H.R. 4118 as introduced
113th CONGRESS
2d Session
H. R. 4118
IN THE HOUSE OF REPRESENTATIVES
February 28, 2014
Ms. Jenkins (for herself, Mr. Brady of Texas, Mr. Sessions, Mr. Burgess, Mr. Nugent, Ms. Ros-Lehtinen, Mr. Webster of Florida, Mr. Woodall, and Mr. Cole) introduced the following bill; which was referred to the Committee on Ways and Means
A BILL
To amend the Internal Revenue Code of 1986 to delay the implementation of the penalty for failure to comply with the individual health insurance mandate.

# Section 1. Short title

This Act may be cited as the "Suspending the Individual Mandate Penalty Law Equals Fairness Act" or as the "SIMPLE Fairness Act".

# Sec. 2. Delay in implementation of penalty for failure to comply with individual health insurance mandate
## (a) In general–

Section 5000A(c) of the Internal Revenue Code of 1986 is amended by adding at the end the following new paragraph:

   ### (5) Delay in implementation of penalty–

   Notwithstanding any other provision of this subsection, the monthly penalty amount with respect to any taxpayer for any month beginning before January 1, 2015, shall be zero.

## (b) Delay of certain phase ins and indexing–
### (1) Phase in of percentage of income limitation–

Section 5000A(c)(2)(B) of such Code is amended—
    (A) by striking “2014” in clause (i) and inserting “2015”, and
    (B) by striking “2015” in clauses (ii) and (iii) and inserting “2016”.

### (2) Phase in of applicable dollar amount–

Section 5000A(c)(3)(B) of such Code is amended—
    (A) by striking “2014” and inserting "2015”, and
    (B) by striking “2015” (before amendment by subparagraph (A)) and inserting “2016”.

### (3) Indexing of applicable dollar amount–

Section 5000A(c)(3)(D) of such Code is amended—
    (A) by striking “2016” in the matter preceding clause (i) and inserting “2017”, and
    (B) by striking “2015” in clause (ii) and inserting “2016”.

### (4) Indexing of exemption based on household income–

Section 5000A(e)(1)(D) of such Code is amended—
    (A) by striking “2014” (before amendment by subparagraph (B)) and inserting “2015”, and
    (B) by striking “2013” and inserting “2014”.

## (c) Effective date–

The amendments made by this section shall apply to months beginning after December 31, 2013.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Suspense

* Search for titles containing or beginning with: "Suspense."
* sister projects: Wikipedia article, Commons category, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Suspense", poem by Emily Dickinson
* Suspense (1913), a short silent thriller film
# Suspiria de Profundis

Part I
Part II
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tales and Legends from the Land of the Tzar

TALES AND LEGENDS
FROM THE LAND OF
THE TZAR.
COLLECTION OF RUSSIAN STORIES.
TRANSLATED FROM THE ORIGINAL RUSSIAN BY
EDITH M. S. HODGETTS.
SECOND EDITION.
GRIFFITH FARRAN & CO., LIMITED,
NEWBERY HOUSE,
CHARING CROSS ROAD, LONDON,
And at Sydney.
189I.
[The rights of translation and of reproduction are reserved.]
Dedication.
TO THEIR EXCELLENCIES
MICHAEL NICOLAEVITCH AND SOPHIE NICOLAEVNA
DE KAPOUSTINE,
THIS LITTLE BOOK
IS MOST AFFECTIONATELY DEDICATED BY THE
TRANSLATOR, THEIR GOD-DAUGHTER,
EDITH.
CONTENTS.
page
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The American Cyclopædia (1879)/Fulda

Edition of 1879. See also Fulda on Wikipedia; and the disclaimer.
FULDA, a town of Prussia, in the province of Hesse-Nassau, on a river of the same name, here crossed by three bridges, 56 m. N. E. of Frankfort; pop. in 1871, 9,490. It contains a palace and gardens, formerly the residence of the prince-bishops, a number of churches, two convents, an ecclesiastical seminary, and a number of schools. The cathedral is a fine modern building, the fourth which has stood on this site. Of the ancient church it retains only a crypt, in which is the sarcophagus of St. Boniface. There is a library of 50,000 volumes, manufactories of cotton, linen, and woollen, and trade in corn and cattle. The abbey of Fulda was founded about 750 under the auspices of St. Boniface, became flourishing in the following century through the learning of Rabanus Maurus, who taught at the school connected with the abbey, and obtained from Otho I. in 968 the primacy of all abbeys in Germany. It was raised to the dignity of a bishopric in 1752. This was secularized in 1803, and given to the prince of Orange-Nassau, was annexed to the grand duchy of Berg in 1806, and in 1809 to the principality of Frankfort. After the peace most of the territory was given to the electorate of Hesse, and in 1866 was with the latter annexed to Prussia.
# The American Cyclopædia (1879)/Führich, Joseph von

Edition of 1879. See also Joseph von Führich on Wikipedia; and the disclaimer.
FÜHRICH, Joseph von, a German painter, born at Kratzau, Bohemia, Feb. 9, 1800. He studied in Prague and Rome, and was early associated with Overbeck and other artists in decorating the villa Massimi. In 1834 he settled in Vienna, where he became professor of historical painting at the academy of fine arts. He stands at the head of his profession in his specialty of
Scriptural painting, and has executed admirable works for the church of the Viennese suburb Lerchenfeld and for other churches. Among his more recent productions are the celebrated missal completed in 1868 for the emperor Francis Joseph as a present for the pope; two allegorical cartoons representing spring and autumn (1869); and a series of illustrations of the parable of the prodigal son (1870).
# The American Cyclopædia (1879)/Galimard, Nicolas Auguste

Edition of 1879. See also Nicolas-Auguste Galimard on Wikipedia; and the disclaimer.
​ GALIMARD, Nicolas Auguste, a French painter, born in Paris, March 25, 1813. He studied under Ingres, and exhibited his first works in 1835. “The Ode,” exhibited in 1846, was purchased for the gallery of the Luxembourg. The emperor Napoleon bought in 1857 his “Leda,” to which the committee of the exhibition of 1855 had objected on account of its indecency. He has executed many paintings for churches, and particularly excels in cartoons for church windows. He has introduced among artists the use of paints with a base of zinc, and has written much on art and contemporary artists. One of his writings is entitled L'Art des vitraux.
# The American Cyclopædia (1879)/Galin, Pierre

Edition of 1879. See also Pierre Galin on Wikipedia; and the disclaimer.
​ GALIN, Pierre, a French musician, born in 1786, died in Paris about 1822. Ho studied and taught mathematics at Bordeaux, and the application of this science to music led him to the invention of a new method of teaching the latter art, mainly consisting in separating the study of tone from that of measure. He called his system le méloplaste, and explained it in his Éxposition d'une nouvelle méthode pour l'enseignement de la musique (Bordeaux, 1818). He resided in Paris from 1819 to the time of his premature death, engaged in teaching and lecturing upon his method. This has been adopted to some extent in Europe and in the United States, under the name of that of Galin-Chevé-Pâris. His pupils Édouard Jue, Aimé Lemoine, M. de Geslin, and Aimé Pâris successively published works on the subject (1821-'35).
# The American Cyclopædia (1879)/Galitzin

Edition of 1879. See also the disclaimer.
​ GALITZIN. See Gallitzin.
# The American Cyclopædia (1879)/Galvez, Bernardo, count de

Edition of 1879. See also Bernardo de Gálvez on Wikipedia; and the disclaimer.
​ GALVEZ, Bernardo, count de, a Spanish soldier and statesman, born in Malaga in 1756, died in Mexico, Nov. 30, 1786. He was the son of Don Matias de Galvez, his predecessor as viceroy, and nephew of José de Galvez, marquis of Sonora, visitor of Mexico from 1761 to 1769, and subsequently minister general of the Indies. He served in France and in the Algerine expedition, rose to the rank of colonel, and was made governor of Louisiana July 10, 1776. During the American revolution he gave the Americans aid for operations at a distance from Louisiana, on the frontiers of Virginia and Pennsylvania and on the northwest, but did not permit them to operate against any English posts near him. When Spain joined in the war, Galvez in 1779 raised an army and took from the English Fort Manchac, Baton Rouge, and Fort Panmure at Natchez. In March, 1780, he took Mobile, and on March 9, 1781, he appeared before Pensacola with Solano's fleet, bearing an army of 5,000 men, and on May 10 compelled Gen. Campbell to surrender. He was created a count, and in 1784 appointed captain general of Cuba, Louisiana, and the two Floridas; but as his father's death in 1784 left his post vacant, he was made viceroy of Mexico, retaining the captain-generalcy of Louisiana and Florida. He was so regardless of stiff official Spanish dignity that he gave offence in Spain, and his erection of the palace of Chapultepec excited suspicion, and led to such vexations and annoyances that he fell sick and died of chagrin after a brief administration.
# The American Cyclopædia (1879)/Galilee

Edition of 1879. See also Galilee on Wikipedia; and the disclaimer.
​ GALILEE, the northernmost of the three western main divisions of Palestine in the time of the Romans, subdivided into Upper and Lower Galilee. Upper Galilee was bounded N. and W. by Mt. Lebanon, Cœle-Syria, and Phœnicia, E. by the Jordan, and S. by Lower Galilee. This division was called Galilee of the nations, or of the gentiles, because of the mixed nature of its population. It embraced the ancient territory of Naphtali, and the northern part of Asher. Lower Galilee was bounded N. by Upper Galilee, W. by Phœnicia and the Mediterranean, E. by the lake of Tiberias or Gennesaret, and S. by Samaria. This division contained the ancient territory of Zebulon and parts of Issachar and Asher. The inhabitants of Galilee spoke a rude, corrupt dialect, different from that of the Jews in Samaria and Judea, and were noted for their turbulent and rebellious spirit. It contained most of the places noted in the history of Christ, such as Nazareth, Cana, and Capernaum. The apostles were all Galileans by birth or residence. The chief city of Upper Galilee was Cæsarea Philippi; of Lower Galilee, Tiberias, which after the destruction of Jerusalem by the Romans became the principal religious centre of the Jews in northern Palestine.
# The American Cyclopædia (1879)/Galilee, Sea of

Edition of 1879. See also the disclaimer.
​ GALILEE, Sea of. See Gennesaret.
# The Army and Navy Hymnal/Hymns/O Tender and Sweet Was the Master's Voice

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| 196 | O Tender and Sweet Was the Master's Voice |
| 196 | (OVER THE LINE. 10, 8, 10, 8. With Refrain) |
| N. K. Bradford Edward H. Phelps |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* O tender and sweet was the Master's voice As he lovingly called to me, 'Come over the line it is only a step-- I am waiting my child, for thee!' Refrain 'Over the line,' hear the sweet refrain, Angels are chanting the heavenly strain: 'Over the line,' Why should I remain With a step between me and Jesus. (4th v) 'Over the line,' I will not remain, I'll cross it and go to Jesus. Amen.
* But my sins are many, my faith is small, Lo! the answer came quick and clear; 'Thou needest not trust in thyself at all, Step over the line, I am here.' Refrain
* But my flesh is weak, I tearfully said, And the way I cannot see; I fear if I try I may sadly fail, And thus may dishonor thee. Refrain
* Ah, the world is cold, and I cannot go back, Press forward I surely must; I will place my hand in his wounded palm, Step over the line, and trust. Refrain
Copyright, 1906, by E. H. Phelps. Renewal, By permission of The Biglow & Main Co., owners ​
O Tender and Sweet Was the Master's Voice :
# The Army and Navy Hymnal/Hymns/One Sweetly Solemn Thought

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| | One Sweetly Solemn Thought | 189 |
| | (DULCE DOMUM. S. M.) | 189 |
| Phoebe Cary, 1852 R. S. Ambrose, 1876 |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* One sweetly solemn thought Comes to me o'er and o'er; Nearer my home today am I Than e'er I've been before,
* Near er my Father's house, Where many mansions be; Nearer, today the great white throne,Nearer the crystal sea.
* Nearer the bound of life, Where burdens are laid down; Nearer, to leave the heavy cross, Nearer to gain the crown.
* But, lying dark between, Winding down through the night, There rolls the deep and unknown stream That leads at last to light.
* E'en now, perchance, my feet Are slipping on the brink, And I, to day, am near'er home, Nearer than now I think.
* Father, perfect my trust ! Strengthen my power of faith ! Nor let me stand, at last, alone Up on the shore of death. Amen.
# The Army and Navy Hymnal/Hymns/Onward, Christian Soldiers

Layout 2
| 132 | Onward, Christian Soldiers |
| 132 | (ST. GERTRUDE. 6,5,6,5,D. With Refrain) |
| Sabine Baring-Gould, 1865 Arthur S. Sullivan, 1871 |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Onward, Christian soldiers, Marching as to war, With the cross of Jesus Going on before! Christ,the royal Master, Leads against the foe. Forward into battle See his banners go. Refrain On-ward,Christian soldiers, Marching as to war, With the cross of Jesus Going on before!
* Like a mighty army Moves the church of God: Brothers, we are treading Where the saints have trod : We are not divided, All one body we, One in hope and doctrine, One in charity. Refrain
* Crowns and thrones may perish, Kingdoms rise and wane, But the church of Jesus Constant will re main ; Gates of hell can never 'Gainst that church prevail; We have Christ's own promise, And that cannot fail. Refrain
* Onward,then,ye people, Join our happy throng, Blend with ours your voices In the triumph song, 'Glo-ry, laud, and honor Unto Christ the King!.' This thro' countless a - ges Men and an-gels sing. Refrain Amen.
# The Army and Navy Hymnal/Hymns/O Mother Dear, Jerusalem

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| | O Mother Dear, Jerusalem | 179 |
| | (MATERNA. C. M. D.) | 179 |
| Founded on 'F. B. P.' MSS., 16th or 17th Cent. Altered by David Dickson Samuel A. Ward, 1882 |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* O Mother dear, Jerusalem! When shall I come to thee? When shall my sorrows have an end? Thy joys when shall I see? O happy harbor of the saints! O sweet and pleasant soil! In thee no sorrow may be found, No grief, no care, no toil.
* No murky cloud o'ershadows thee, Nor gloom, nor darksome night; But every soul shines as the sun, For God himself gives light. O my sweet home, Jerusalem, The joys when shall I see? The King that sitteth on thy throne In his felicity.
* The gardens and thy goodly walks Continually are green, Where grow such sweet and pleasant flowers, As nowhere else are seen. Right thro' the streets, with silver sound,The living waters flow, And on the banks, on either side, The trees of life do grow.
* Those trees for evermore bear fruit, And evermore do spring; There evermore the angels are, And evermore do sing. Jerusalem, my happy home, Would God I were in thee! Would God my woes were at an end, Thy joys that I might see!