OpenLLM-France/wikimedia huggingface dataset:
# Dictionary of the Swatow dialect/pwn
### pwn

* 拌pẁn654645
* To put in seasoning; to mix ingredients in food.

#### pẁn ló, pẁn câu-câu;

    put in “stock” as a seasoning, and mix it uniformly throughout the mass.

#### pẁn kài-lûah;

    season with mustard.

#### thiⁿ-sî jûah, pá-lói cò̤ lîang-pẁn kâi lâi cîah kèng hó̤;

    since the weather is hot it is better to prepare food with condiments of a cooling nature.

#### sûi i cò̤-nî iam pẁn sẁn;

    let her concoct it as she pleases.
* 叛pw̆n652297
* To revolt; to resist authority.

#### i sĭ pw̆n-ngêk kâi nâng;

    he is a rebellious person.

#### pw̆n-châk;

    a rebel.

#### mông pw̆n;

    plot rebellion.

#### kek kàu i pw̆n-hẃn;

    drove him to rebellion.

#### hẃn-pw̆n;

    to revolt.

#### pw̆n thû; pw̆n chîn, châk cṳ́;

    traitors; rebels.

#### i pw̆n khṳ̀ kè;

    she eloped and married.
* 拚pw̆n124645
* To regard lightly.

#### pw̆n-mĕng;

    to risk life.

#### i pw̆n-mĕng căi;

    he is foolhardy.
# Dictionary of the Swatow dialect/put
### put

* 不put71713
* An adverb of negation.

#### put khó̤;

    not feasible; unfitting.

#### put lêng;

    unable.

#### put pĭen;

    inconvenient.

#### put sìo;

    disobedient.

#### put pit;

    uncertain.

#### put mêng put pêh;

    not lucid.

#### put ciet, put lî;

    neither instantly nor remotely.

#### bô̤ só̤ put lí;

    there is nothing that is not under his control.

#### bô̤ nâng káⁿ tàⁿ kâi put jī;

    nobody dared disagree with him.

#### it put cò̤, jī put hiuⁿ;

    well, I'm in for it and I'll now go through with it.

#### put sam put sṳ̀;

    neither the one thing nor the other.

#### i lâi sĭu put sĭ;

    he has come to make acknowledgment of an error.

#### put jît cū kàu;

    he will be here erelong.

#### put jû màiⁿ khṳ̀;

    it would be better not to go.

#### put ieh, jṳ̂ tâng;

    without a promise it would be the same.

#### khṳ̀ kàu, i put ciu, put chái;

    on our arrival, he took no notice of us.

#### put tŏng put khien;

    appears out of his element; looks as if it were done by one unaccustomed to the thing; unsystematic and incomplete.

#### put jîen;

    on the contrary.

#### hûa-hùi cîⁿ-ngṳ̂n put cíe;

    spent no small amount of money.

#### i tó lăi put tău-háu;

    he is ill at ease.
* 摳put3316411
* To lift with both hands.

#### saⁿ kṳ put phû cìaⁿ bŏi tâh tîeh;

    lift your dress and then you won't step on it.

#### khò put phû cìaⁿ bŏi mûeh tâm;

    hold up your trowsers and then they will not get wet.

#### kûn put phû cìaⁿ bŏi kûe tîeh kha;

    raise your skirt, then it will not get in the way of your feet. ​
* 捄put438647
* To fill a hod or basket with earth, as in building adobe walls.

#### hàm i khṳ̀ put thô;

    tell him to go and bring earth in a hod.

#### put thô lâi ceng chîeⁿ;

    bring the earth for pounding into tho wall.
# Dictionary of the Swatow dialect/sa
### sasa

* 搓sa10036410
* To lay on with the hands.

#### sa cē îam;

    rub on some salt.

#### sa pêh-thn̂g lô̤h khṳ̀ ío ńng-sūn;

    rub on a little sugar and then the flavour will not be so salt.

#### sa tíam phang-îu;

    rub on a little sesamum oil.
* 砂sa7301124
* Coarse sand; gravel.

#### cu-sa-âng;

    a bright red.

#### sa-chíu;

    a spit of sand.
* 殺sà731796
* To kill, to slay, to slaughter.

#### cêk kâi lâi, cêk kâi sà;

    slay every one that comes.

#### khṳt i sà kàu lío-lío;

    were all killed off by them.

#### sà thâu;

    decapitate.

#### kìⁿ lâi, kìⁿ sà;

    kill every one you see.
* 䶥sà321111
* Irregular, projecting teeth.

#### i kâi khí sà-sà;

    his teeth are very crooked.
# Dictionary of National Biography, 1885-1900/MacDonnell, John

Seán Clárach Mac Dónaill in the ODNB.
​MACDONNELL, JOHN (1691–1754), Irish poet, called in Irish Seaghan Clárach MacDomhnaill, was born near Charleville, co. Cork, in 1691, and obtained the cognomen of Clárach, either because he was fostered in Clare, or because he was related to the MacDonnell family of Clare. He was persecuted as a Jacobite, and hated the English. He knew Greek, Latin, and Irish, and lived by poetry and by teaching. Among his pupils was Sylvester O'Halloran [q. v.], author of a ‘History of Ireland.’ He kept up sessions of the native poets, and presided over them at Rath Luirc, as Charleville is called in Irish. He began a translation of Homer into Irish and a ‘History of Ireland.’ He was encouraged by the MacNamara family in Clare. Many of his poems circulated in manuscript, and were stored in the memories of the peasantry of Munster till the general decay of Irish literature which followed the famine of 1847. The following have been printed: 1. ‘Aisling ar Eire,’ a dream, in which Ireland appears as a fairy, and the poet follows her to Cruachan, the Brugh na Boinne, Craebh ruadh, Tara, and other famous ​places, and finally finds her with Aoibhell of the rock, the banshee of the Dal Cais in the fairy hill of Firinn. He asks when the Gael will be free, and she vanishes. 2. ‘An bonnaire fiadna phuic’ (‘The cruel, lowborn Tyrant’), a poem urging the immediate expulsion of the English. 3. ‘Mac an Cheannaigh’ (‘The Merchant's Son’), in which help from Spain is foretold for Ireland. 4. ‘An Fhocain Breatain’ (‘Britain's Danger’), pointing out her foes on the continent. 5. To the tune of the ‘White Cockade,’ a lament of the woman of Scotland for her husband, King Charles, often called ‘Clárach's Lament.’
He died in 1754, and was buried in the old churchyard of Ballyslough, near Charleville; in the Latin inscription on his tomb he is called Johannes McDonald. John O'Tuama [q. v.] wrote a lament for him in Irish (Hardiman, Irish Minstrelsy, ii. 252).
[John Daly's Reliques of Irish Jacobite Poetry, Dublin, 1844, pt. i.; J. Hardiman's Irish Minstrelsy, ii. 413-14.]
N. M.
# Dictionary of National Biography, 1885-1900/MacCulloch, Horatio

1904 Errata appended.
​MACCULLOCH, HORATIO (1805–1867), landscape painter, son of a weaver, was born in Glasgow in November 1805, on the night on which the city was illuminated in honour of the victory of Trafalgar. After having been apprenticed to a house-painter, he became a pupil of John Knox, a local artist, under whom William Leighton Leitch [q. v.], the water-colour painter, and Daniel Macnee [q. v.] were also studying. About 1824 he and Macnee left Glasgow and went first to Cumnock, where they found employment in painting snuff-boxes, and afterwards to Edinburgh, where they entered the esta​establishment of William Home Lizars [q. v.] the engraver. There MacCulloch remained about two years, colouring plates for Dr. Lizars's ‘Anatomy’ and Selby's ‘Ornithology.’ Returning to Glasgow, he commenced sketching out of doors at the Campsie Hills, on the banks of the Clyde, and in Cadzow Forest. In 1829 he began to exhibit at the Royal Scottish Academy, sending a ‘View on the Clyde,’ which was followed by other landscapes until 1834, when he was elected an associate. A large picture of ‘Cadzow Forest,’ which he exhibited in 1835, attracted much notice, and was highly praised by Professor Wilson. He became an academician in 1838, and then removed to Edinburgh, but many of his summers were spent in Skye, and he often lived for months at Oban. He was the first Scottish artist who carried his colours with him and worked his pictures into life and effect on the spot. He ranged over wide tracts of the highlands, penetrating into the wildest recesses of the mountains, but from time to time returning to the quieter inland lakes of Perthshire and Inverness-shire, or to the lowland rivers, fields, and woods. He became the most popular landscape painter of his day in Scotland, but his works are little known south of the Tweed, possibly because he exhibited once only, in 1844, at the Royal Academy in London. Among his larger works, some of the best are ‘A Scottish Strath,’ ‘Loch an Eilan,’ engraved by William Miller, ‘Loch Katrine,’ ‘Loch Achray,’ ‘Loch Corrinsk,’ ‘Kilchurn Castle,’ ‘Edinburgh from Dalmeny,’ ‘A Dream of the Highlands,’ ‘Misty Corries,’ ‘Glencoe,’ ‘Lord Macdonald's Deer Forest in Skye,’ and ‘Loch Maree.’ His ‘Inverlochy Castle,’ ‘Evening,’ and ‘A Lowland River’ are in the National Gallery of Scotland. The last named picture has been engraved by William Forrest.
MacCulloch died at St. Colm's, Trinity, Edinburgh, on 24 June 1867, and was buried in Warriston cemetery. Two portraits of him by Sir Daniel Macnee are in the National Gallery of Scotland.
[Scotsman, 25 June 1867; Art Journal, 1867, p. 187; Chambers's Biographical Dictionary of Eminent Scotsmen, 1875, iii. 11–13; Exhibition Catalogues of the Royal Scottish Academy, 1829–1867.]
R. E. G.
Dictionary of National Biography, Errata (1904), p.189 N.B.— f.e. stands for from end and l.l. for last line
| Page | Col. | Line | |
| 16 | i | 1 | MacCulloch, Horatio: for William Henry read William Home |
# Dictionary of National Biography, 1885-1900/MacCreery, John

John M'Creery in the ODNB.
​MACCREERY, JOHN (1768–1832), printer and poet, son of John MacCreery, who died in Fleet Street, London, on 9 Aug. 1811, aged 66 (Gent. Mag. 1811, ii. 197), was born in Ireland in 1768. He set up a press in Houghton Street, Liverpool, where he wrote, and printed in 4to, in 1803, 'The Press; a Poem, published as a Specimen of Typography.' It is dedicated to William Roscoe, his earliest patron, for whom he had in 1796 printed the 'Life of Lorenio de Medici,' in 2 vols. 4to. Though described by Timperley as characterised by 'a general chasteness of language, and a glowing love of freedom,' the poem, which commences with an address to the shade of 'Guttemberg,' and concludes by deploring the 'prostitution of the public journals' and the tyranny of Pitt and Napoleon, appears to the modern reader bombastic and absurd. This impression is not lessened by the 'Lines to an Infant Daughter, who requested some Verses on her Birthday,' and other short poems (including an ode to the memory of Robert Emmet) which fill up the volume. The work is, however, beautifully printed from Baskerville press type, contains some moderate woodcuts by Henry Hole, and a few well-written notes upon the origin and development of the art of printing.
MacCreery removed to London early in the century, made influential literary friends, and 'was considered one of the first practical printers of the metropolis.' There in 1809 he printed the 'Bibliomania' for Dibdin (eight hundred pages, printed almost entirely in non-pareil notes, at a cost, including L.P. copies, of 297l.), and, says the ingenuous author, 'partook of the general joy diffused around (MacCreeriana. in Lit. Reminisc. pp. 323-4). Dibdin highly commends the typographical beauty of his productions (including Ottley's 'Ancient Engraving' and Lord Berners's 'Translation of Froissart'); 'the page,' he says, 'is well set up, the ink black and glossy, the paper mellow-tinted, the press work unexceptionable, the embellishments interesting and appropriate.' From Took's Court, Chancery Lane, MacCreery published in 1827 a second part of 'The Press.' The two parts were reprinted in one volume, London, 8to, 1828, without the woodcuts.
He died at Paris on 18 April 1832, falling a victim to the cholera.
[Timperley's Encyclopædia, 1842, pp. 921-3; Gent. Mag. 1832. i. 649; Dibdin's Bibliogr. Decameron, ii. 410; Hone's Every-Day Book, pp. 1135, 1425; Brunet's Manual. iii. 1267; Traill's Memoir of William Roscoe. p. 23; Sutton's Lancashire Authors, p. 75; Allibone's Dict.; Brit. Mus. Cat.]
T. S.
# Dictionary of National Biography, 1885-1900/MacCuairt, James

​MACCUAIRT, JAMES (fl. 1712), Irish poet, often called Seamus dall, or Dall MacCuairt, was born at Creevin, co. Louth, became blind early in life, and was well known as a musician and poet. He was a friend of Carolan [q. v.] He wrote a poem of 210 stanzas on the battle of Aughrim and the death of Sorley MacDonnell, 'San Eachdhruim an air staid na comhnaidh' ('In Aughrim of the slaughter there dwells'). His address to Carolan on his return to Meath from Connaught, 'Da milliuin deag feilte dhibh, o arus Meadhbha ingean Eachael' ('Twelve million welcomes to you from the mansion of Meave, daughter of Eochaidh'), is of eighteen stanzas. He wrote five devotional poems, 'Iarraim do bbeannacht gan fheirg' ('I beseech thy blessing without anger'), of fifty-two stanzas; 'A dhuine nach leir dhuit creachta croidhi on dall' ('Oh man to whom from blindness the wounds of his heart are not clear'); 'A bhladh na bpatiarc sa naingeal' ('Oh flower of the patriarchs and angels'), of 176 stanzas; 'Is claoidhte chuiv Adhamhrena clannuibh' ('Adam put ​destruction. upon his children'): 'Gach uile peacach bhocht gan treoir' ('Every poor sinner without a guide'). Another of his poems is of value for its celebration of football as played in Ireland in his time, 'Ba haigeanta croidheamhuil mo mhacnaigbsi anios' ('High spirited, stout were my friends above there'). The match described was played at Slane, on the banks of the Boyne, between the mix of Meath and Louth, he wrote many songs, of which the best known are on Brian O'Byrne's horse Punch; on Rose O'Reilly, 'Si mo rois bhreifneacb' ('She is my Rose of Brefny'), and 'A criamhthain sios ata mo mhian' ('In Creevin down by there is my desire'); and a panegyric of forty-eight stanzas on Anna, daughter of MacAnghabhan, 'Is mian leamsa tracht air ageimh na mna' ('I desire to treat on the beauty of the woman'). Paul O'Brien (d. 1820), professor of Maynooth College, knew seventeen other poems of his, and repeated their first lines to Edward O'Reilly.
[Brit. Mus. MSS. Egerton 154, f. 37. and 175. f. 82; E. O'Reilly in Transaction of IbernoC-eltic Society, Dublin, 1820.]
N. M.
# Dictionary of National Biography, 1885-1900/MacCurtin, Andrew

​MACCURTIN, ANDREW (in Irish MacCruitin) (d. 1749), Irish poet, was born at Maghglas, in the parish of Kirmorry, co. Ciare. His parents had a small estate there, and belonged to a famous literary clan of Thomond. Cenllach MacCurtin, ollamh [i.e. chronicler] of Thomond. who died in 1376; Giolladuibin MacCurtin, ollamh of Thomond, and harper, who died in l404; Seancha MacCurtin, ollamh of Thomond, who died in 1434: and Geonann MacCurtin, the best student of history in his time in the south of Ireland, who died in 1436, were all of their family. Andrew became a schoolmaster in his native parish, and now and then made journeys through the country, reciting poems and studying antiquities. He was hereditary ollamh to the O'Briens, and was a great authority on the pedigrees of the families of Munster, many of which he recorded. Edward O'Brien of Ennistymon and Sorley MacDonnell of Kilkee were his chief patrons. Two of his poems had a wide repute in Clare, and are still remembered where Irish is spoken there. One, written about 1720, is in praise of Sorley ​MacDonnell and his wife Isabel. It has interludes of recitation in prose, and tells how the bard had left their hospitable house in dudgeon, how ill he fared, and how he longed to return, how ragged was his coat and meagre his fare, and nevertheless how he hated mere wealth, loathed the English language, and despised those who thought it fashionable to speak 'the Saxon jargon.' The other is on address to a fairy chief, Donn na Daibhche, whose service the poet wishes to enter (Egerton MMS. 150, 209). His minor poems are 'Elegy on the Death of Sir Donogh Mac Conor O'Brien,' written in 1717 (ib. 209); another elegy (ib. 160); 'Is truagh ho'm do bhas a bhoill' ('Alas, my limb, that thou perishest thus away') (ib. 161); a Jacobite song (ib. 160); on the Irish language, 'Is milis an teangra an ghaoidbilge' (ib. 158). An elegy on William Bingham is erroneously attributed to him (ib. 110). He also, like most of the Irish poets of his day, acted as scribe, and in 1703 wrote a complete copy of Dr. Keating's [q. v.] 'Tri baorgaoitbe an bhais' (O'Daily, Poets of Munster, p. 36, and O'Grady, Cat. of Irish MSS. in Brit. Mus.); in 1716 for Tadg, chief of the MacNamaras, a copy of the 'Cathreim Thoirdhealbhaigh of Seaghan Mac Ruadri MacCraith' (H.1.18, in the library of Trinity College, Dublin), and in 1720 of the 'Life of St. Senan of Inniscatheigh' (O'Curry, p. 339). He wrote an excellent Irish hand, and was an accomplished Gaelic scholar. He died in 1749, and was buried in his family burying-place in the churchyard of Kilfarboy, near Milltown Malbay in Clare.
[Egerton MS. 209, in Brit. Mus.; O'Looney's Danta Chlainne Domhnaill, 1863; O'Curry's Lectures on the Manuscript Materials of Irish History, 1873; O'Donovan's Annals Rioghochta Eireann, vol. iv.; E. O'Reilly in Transactions of the IberngCeltic Society, 1820; Journal of Proceedings of Royal Soc. of Antiquaries of Ireland, 1891; S. H. O'Grady's Cat. of Irish MSS. in Brit. Mus. 1892.]
N. M.
# Dictionary of National Biography, 1885-1900/MacConmidhe, Gillabrighde

​MACCONMIDHE, GILLABRIGHDE (fl. 1260), historian and poet, was a member of a family which for more than three centuries acted as hereditary poets of the Cinel Eoghain, the O'Neills, and their kindred septs. He was born about 1200, and wrote a poem on Cathal Croibhdhearg O'Conor [q. v.] during the lifetime of that king, who died in 1224. Brian O'Neill, chief of the Cinel Eoghain, once gave him twenty horned cows (fiche bo bheannach) for poem, and on another occasion, after the feativities of May day, gave him twenty cows, besides gold and clothing. When not attending O'Neill the poet travelled through Tyrone and Derry, and frequently visited the chief of the Clan O'Glairmleadhaigh, whose blue eyes he praises, and Amlaibh, chief of the O'Laithbheartaighs. He was with Brian O'Neill at the battle of Down in 1260, when that chief was slain by the Lord-justice Stephen Longespée. The king's head was gone when his body was found on the field, and the poet believed that it had been sent to Henry III of England. He attended the body to Armagh, where it was buried on the north side of the church, west of the tomb of Brian Boroimhe [q. v.] He also visited the disert at Derry, where the body of O'Gairmleadhaigh, who was also slain at Down, was buried. He then wrote a lament of 280 lines on the defeat and the death of Brian. In this be recalls the achievements of the Cinel Koghaln. how they defeated the Oirghialla and the Ulidians, and made the Danes of Dublin pay tribute; how in very old times they made chessmen of the bones of defeated Leinstermen, carried off Ceallachan [q, v.], king of Munster, and made Conchohhar, king of Connaught, a captive. Then he praises O'Neill and his allied chieftains, tells of the battle and the slain, and ends with an invocation of St. Bridget. Four copies of the poem were known to O'Donovan, who from the oldest, a vellum manuscript, belonging to John Nugent of Farranconnell, co. Cavan, printed the text with a translation in the 'Miscellany of the Celtic Society.' Dublin, 1849. The name in sometimes erroneously anglicised MacNamee.
Subsequent members of this literary family who are mentioned in the Irish chronicles are:
Eachmareach MacConmidhe (d. 1420), poet
Maelisa MacConmidhe (d. 1434), ollav (i.e. chronicler) of O'Neill,
Tadhg MacConmidhe (d. 1493), poet, son of Conchobhar Ruadh, and grandson of Eachmarcach, who was murdered by one of his own henchmen.
Solamh MacConmidhe (d. 1507), ollav of O'Neill, famous in general literature and poetry, son of John (d 30 Oct. 1607),
Brian MacConmidhe (d. 1542). man of letters, cursed by MacRohhartaigh, keeper of the Cross of Columcille, for insulting the ​Brian MacConmidhe (d. 1583), poet, son of Donogh.
[Annals Bioghacachta Eirennn. ed. J. O'Donovan; Original Poem on Battle of Down in Miscellany of Celtic Soc., ed. J. O'Donovan, 1849).]
N. M.
# Dictionary of National Biography, 1885-1900/Snelling, Thomas

​SNELLING, THOMAS (1712–1773), numismatist, born in 1712, carried on business as a coin-dealer and bookseller at No. 163 Fleet Street, next the Horn Tavern (now Anderton's Hotel). His name often occurs as a purchaser at London coin-sales about 1766, and among his numismatic customers was William Hunter the anatomist. Snelling wrote and published many treatises on British coins, meritorious productions for their time. The plates of his ‘View of the Silver Coin … of England’ are rather coarsely executed, but Hawkins (Silver Coins) praises them for their fidelity. On the title-pages and plates of his books Snelling was wont to insert the advertisement: ‘Who buys and sells all sorts of coins and medals.’ He died on 2 May 1773, and his son, Thomas Snelling, carried on business as a printseller at 163 Fleet Street, and published posthumously two of his father's works. Snelling's coins, medals, and antiques were sold by auction at Langford's, Covent Garden, 21–24 Jan. 1774 (Priced Sale Catalogue in Medal Room, Brit. Mus.). The coins were principally Greek and Roman, but none of the lots fetched high prices.
There are three portrait medals of Snelling in the British Museum, by G. Rawle, L. Pingo, and Kirk (Durand, Médailles et Jetons de Numismates, p. 190). A portrait of him was drawn and engraved by John Thane, 1770, and William Tassie made a medallion of him (Gray, Tassie, p. 147). There is also a medallion in the Tassie series (ib.) of his daughter, Miss Snelling.
Snelling's works are as follows:
* ‘Seventy-two Plates of Gold and Silver Coin, mostly English,’ 1757, 4to. Henfrey (Num. Chron. 1874, pp. 159 f.) has shown that these were probably printed from copperplates, engraved for Sir James Harrington and the committee of the mint in 1652.
* ‘A View of the Silver Coin … of England,’ 1762.
* . ‘A View of the Gold Coin … of England,’ 1763.
* ‘A View of the Copper Coin … of England,’ 1766 (includes the tradesmen's tokens).
* ‘The Doctrine of Gold and Silver Computations,’ 1766.
* ‘A Supplement to Mr. Simon's Essay on Irish Coins,’ 1767.
* ‘Miscellaneous Views of the Coins struck by English Princes in France,’ &c., 1769 (includes an account of counterfeit sterlings, and of English colonial and pattern coins).
* ‘A View of the Origin … of Jettons or Counters,’ 1769.
* ‘A View of the Silver Coin of … Scotland,’ 1774.
* ‘Thirty-three Plates of English Medals,’ 1776.
W. W.
# Dictionary of National Biography, 1885-1900/Solanus, Moses

​SOLANUS, MOSES, or Moïse du Soul (d. 1735?), Greek scholar, was grandson of Paul du Soul of Tours, who was professor of theology and rector of the academy at Saumur between 1657 and 1661. As a protestant he was driven from France by persecution, and seems to have settled at Amsterdam, whence he came to England. His fine Greek scholarship recommended him to the notice of men of influence at both Oxford and Cambridge. Encouraged by Dr. Bentley, he projected an edition of Lucian, of which in 1708 he printed a specimen at Cambridge, and he collected materials for a life of that writer. Nothing came of this ‘famous and accurate’ edition. In the same year he was employed in the family of the Earl of Wharton (Hearne, Collections, ii. 102). In 1722 and 1723 he was at The Hague, whither, Professor Mayor conjectures, ‘he may have gone to negotiate with the Wetsteins.’ In conjunction with Brutel de la Rivière, he translated Prideaux's ‘Connection’ into French, as ‘Histoire des Juifs et des peuples voisins’ (Amsterdam, 1722). Returning to England, he completed a splendid edition of Plutarch's ‘Lives’ (5 vols. London, 1729), which had been commenced by Augustine Bryan [q. v.] and which Thomas Bentley, LL.D. [q. v.], had, in the first instance, proposed to continue. A passage in the preface (p. xi) of Reitz's edition of ‘Lucian’ shows that he was living after 1733. He appears to have died before 1737.
J. B. M.