# A Good Woman (Bromfield)/Part 2/Chapter 17

It was not, after all, the old Megambo fever, but typhoid which had been lurking for months in the filth of the Flats. Irene Shane knew of it and Mary Conyngham and one or two doctors who were decent enough to take cases for which there was little chance either of pay or glory. It was typhoid that had brought Mary and Irene to talk to the Polish woman in the doorway next to Krylenko's boarding-house. Typhoid was a word that existed in an aura of terror; a disease which might strike any of the Hill people. So long as it happened in the Flats (and the fever lurked there winter and summer) it did not matter. But with Philip it struck at the people on the hills. The news spread quickly. There was another case and then another and another. The newspapers began to talk of it and suddenly the Town learned that there were sixty cases ​in the Flats and that eleven Hunkies and Dagoes were already dead.
When Emma first heard that the illness was typhoid, she snorted and said, "Of course! What could you expect? He got it working in the Flats among those Hunkies and Dagoes. They throw all their slops right into the streets. They ought to be shut off and a wall placed around them. They always have typhoid down there. Some day they'll have a real epidemic and then people will wake up to what it means—bringing such animals into a good clean country!"
The doctors, summoned by Emma in her terror, told her that Philip's case was doubly serious because he had already had fever twice in Megambo and because his whole body was thin and sick. He fell into a state of stupor and remained thus. He seemed to have no resistance.
For days terror racked Emma and Naomi. Each of them prayed, secretly and passionately, begging God to spare the life of the man who became suddenly the only possession in the world which they cherished. And out of their fight there was born a kind of hostility which made their earlier distrust of each other fade into oblivion. There were hours and days when they scarcely addressed each other, when it seemed that the slightest disagreement might hurl them into open warfare. Mabelle was always in the house, moving about, comforting Naomi and exasperating Emma by her sloppy ways.
Indeed, the perpetual sight of Mabelle and her squalid overfed brat in her neat house filled Emma with a distaste to be equaled only by such a calamity as the discovery of vermin in one of her beds. But she ​found herself suddenly delivered into Mabelle's hands; for Mabelle was the only person who could "do anything with" Naomi. If Emma approached her, she grew tense and hysterical. And it was, of course, impossible to think of ridding herself of both: you couldn't turn from your home the woman who was to be the mother of your grandchild.
Mabelle she hated, too, for her passionate and morbid absorption in the subjects of love and childbirth; she seemed to Emma to stand as a symbol of obscenity, who must as such have tortured her brother Elmer. She was a symbol of all that side of life which Emma had succeeded in putting out of her mind for so many years.
But there was one other person who had the power of calming Naomi. This was the Reverend Castor, who, since Naomi's condition prevented her from appearing in the choir, came himself two or three times a week to comfort her and inquire after her husband. Except for Mabelle, he seemed to be Naomi's only friend.
"He is," she told Emma, "a very sympathetic man, and he reminds me of my father. He is just the same build and bald in the same way."
The Reverend Castor had a beautiful voice, low and mellow and filled with rich inflections which Mrs. Wilbert Phipps had once spoken of as an "Æolian harp." He could have had, people said, a great success as an Evangelist, but he was so devoted to his bedridden wife that he would not leave her, even for such a career. The church, they said, was indeed fortunate to keep him, even though it was at the price of his own misfortune. Words of condolence and courage spoken ​in the rich voice had a strange power of rousing the emotions. Once or twice Emma had come upon him sitting in the twilight of the parlor talking to Naomi of illness and faith, of death and fortitude, in so moving a fashion that the tears came into her eyes and a lump into her throat. And he was a good man—a saint. One felt it while talking to him. He was a man who believed, and had devoted his whole life to the care of a sick wife.
Sometimes Mabelle lingered long after the hour when she should have been in her kitchen preparing supper for Elmer. There were in the Reverend Castor's voice intimations of things which she had never found in her own chilly husband.
As Naomi's time drew nearer, the conversation of Mabelle grew proportionately more and more obstetrical.
They compared symptoms and Mabelle's talk was constantly sprinkled with such remarks as, "When I was carrying Jimmy," or, "When Ethel was under way." She even gave it as her opinion that Naomi, from the symptoms, might be having twins.
She appeared to have a strange, demoralizing effect upon Naomi, for the girl came presently to spend all the day in a wrapper, never bothering to dress when she rose. And Emma discovered that for days at a time she did not even trouble to take off the metal bands which she used for curling her long, straight hair. The two of them sat all day long in rocking-chairs while little Jimmy, who was beginning to walk a little, crept from one piece of furniture to another. He had already ruined one corner of the Brussels carpet in the parlor.
Meanwhile, in the great walnut bed Philip lay more ​dead than alive. There were long periods when he recognized no one and simply lay as if made of stone, white, transparent, with a thin, pinched look about the temples. The lines seemed to have faded from his face, giving him a pathetic, boyish look. The only life lingered in the great dark eyes which in his fever were larger and more burning than ever. The doctors who came and went sometimes shook their heads and expressed belief that if the patient could be got to show any interest in the life about him there was hope. But he appeared to have no desire to recover. Even in those moments when his wife gave way and, weeping, had to be taken from the room, he only stared at her without speaking.
Failing to take into account the terrible vitality which came to him from Emma and the toughness of that father whom none of them had ever seen, they marveled that he could go on living at all. Yet week after week passed when he grew no better or worse. None of them knew, of course, about Mary Conyngham and how the thought of her sometimes came to him and filled him with a fierce desire to live. When his sick brain cleared for a little while, he knew with a strange certainty that he could not die leaving her behind, because in some way life would be left incomplete. It was a thought which troubled him, as he was troubled when he could not get a picture to come right because he was not yet a good painter.
And then one day Emma's own doctor took her aside in the hall and said, "There's one thing you must understand, Mrs. Downes. No matter how much your son wants to return to Africa, you mustn't let him go. If he gets well and tries to go back, it will be the end ​of him. I know he'll want to go back, but it'll be suicide to send him where there's fever."
When the doctor had gone, Emma put on her hat and jacket and went for a walk. It was a thing she never did, for there were no moments in her busy life to be wasted simply in walking; but there seemed no other way to find solitude in a world filled with Naomi and Mabelle, little Jimmy and the trained nurse. She had to be alone, to think things out.
She saw clearly enough that, whatever happened, there was now no chance of Philip's going back to Africa and the knowledge filled her with a blank, inexplicable feeling of frustration. But after she had grown more calm, she began to feel more like herself and thus more able to cope with her troubles.
Philip could not go back, and he was to have a child. But if he could not go back to duty, neither, she saw, must he be allowed to return to the Flats. The one, surely, was just as dangerous as the other, and the Mills carried with them a sense of failure and disgrace. No, up to now she had been patient in the belief that he would return to his senses; but the time for patience had passed.
The old feeling of her own strength and righteousness began to return to her in great surging waves of confidence.
John McTavish! What did he know of her husband's weakness? Or Philip's weakness? How could he know that both of them were the sort who had to be guided? John McTavish! (She snorted at the thought.) A waster, a vulgar man, about whom gathered the riffraff of the Town. What had he ever done for the good of any one?
​She had a sudden desire to see Moses Slade. Somehow she felt he'd understand her problem and approve her strong attitude. There was a man who did things. A distinguished man! A man who'd made his mark! Not a good-for-nothing like John McTavish.
The old possibility of marrying Moses Slade kept stealing back over her. Through pride and a faint sense of being a woman rejected, she tried not to think of it, but it was no good trying to put it out of her mind because it was always stealing back upon her unawares. Perhaps if she sent him a postcard, a pretty view of the new park, it would serve to remind him of her without being, properly speaking, a piece of forwardness. The temptation kept pricking her. It would be splendid to be the wife of a Congressman, and it would solve the difficulty of Philip. She could turn over the restaurant to him and Naomi.
Nearly two hours passed before she returned to the house, but in that time all life seemed to have become subdued and conquered once more. It had all been worked out. She sat down at once and wrote a perfectly impersonal message to Congressman Slade on the back of a picture postcard of the new monument to General Tecumseh Sherman that adorned dubiously the new park. On the way to the restaurant she posted it. As she left the house she heard Naomi sobbing alone in the corner of the darkened parlor, and a great wave of contempt swept over her for people who were not strong enough to manage their own lives.
On the same night the Reverend Castor led his congregation, or a fraction of it, in addressing to the Lord words of supplication and entreaty on behalf of "their brother Philip Downes, who lay at the point of ​death." He begged that Philip, who had sacrificed his health, might be spared "to carry on the noble work among the black and sinful children of the great African continent."
As he prayed, with arms extended and face upturned to heaven, the fine nose, the shapely dome of his head and imposing expanse of his chest, took on a classic, moving dignity. As the sonorous voice, trembling with emotion, rolled over the heads of his flock more than one woman felt herself slipping dimly into the grip of strange disturbing emotions.
He prayed longer than usual, painting for the Lord a moving and luxurious picture of the trials suffered by His servant; in Old Testament phrases he finished by calling the attention of God to the suffering of Naomi, who sat at home, ill herself, praying for the life of the husband she loved with such noble and selfless devotion.
When he had finished, there were tears in all eyes, and Emma, seated near the back, was sobbing in a warm mist of suffering and glory. In some way his eloquence had purified them all. It was as if each one of them had passed with Philip through the flame of suffering. They felt purged and clean and full of noble thoughts, almost ready at last to enter the Kingdom of Heaven.
The sound of "Amens!" trembled in the air and before it had died away completely, Miss Swarmish, an old maid with a mustache, struck out several loud chords on the tinny piano and in her booming voice led them in singing, Throw out the Life Line. They sang with militant enthusiasm, their voices echoing in the vast, damp basement of the church. It was an oblique glorification of Philip, the renegade, who lay uncon​scious in the slate-colored house. It was as if they, too, were forcing him back.
When they had finished the orgy of music and the Benediction was spoken, the usual stir was silenced suddenly by Emma's rich voice. She had risen to her feet at the back of the room and was standing with her hands clasped on the back of the chair before her.
"Brothers and sisters," she was saying, in a voice rich with emotion, "I know that all of you feel for me in the illness of my son. I have felt for some time that I should speak to you about him" (here, overcome by feeling, she coughed and hesitated) "to make an answer to the talk that has come to my ear from time to time. I feel that to-night—to-night is the time—the occasion ordained by God. I have very little to say. You know that his health has been wrecked forever by his work among our ignorant, sinful brothers in Africa. He is lying at the point of death. Your prayers have touched me to the depths of my heart, and if it is God's will, surely they will help towards his recovery." (Here she hesitated once more.) "People wondered why he came back. It was because his health was ruined. People wondered why he went into the Flats to work. It was because he wanted to know the life there. He has been through a great spiritual struggle. He fell ill because he was tormented by the wish to go back to his post, to those ignorant black men who live in darkness. If he recovers . . ." (her voice broke suddenly) "if he recovers . . . he can never go back. The doctors have told me that it would be nothing short of suicide. He has given his health, perhaps his life, in carrying forward our great purpose of sending the light to heathen."
​She hesitated for a moment as if she meant to say more, and then sat down abruptly, too overcome for speech. For a moment there was silence, and then one by one women began to gather about her, sobbing, to offer comfort. It was a touching scene, in which Emma managed to control herself after a time. Surrounding her, they moved out of the church in a sort of phalanx. Two or three of them even followed her a little way down the street. But it was her brother, Elmer, who accompanied her home. In his stiff, cold way he proposed to let bygones be bygones.
"At a time like this," he said, "it's not right for a brother and sister to quarrel." And then, after an awkward silence, "I've no doubt that when Philip is well again, he'll come to his senses and behave himself."
He stopped at the slate-colored house for Aunt Mabelle, who had come over to sit with Naomi, and before they left, all of them, even Naomi, seemed to have changed in some way, to have grown more cheerful, as if the Heavenly joy of the prayer-meeting still clung like perfume to their very garments. Things, they all felt, were beginning to work themselves out.