# McClure's Magazine/Volume 6/Number 1/A Point of Knucklin' Down

text from Project Gutenberg, to be matched to page scans.
A POINT OF KNUCKLIN' DOWN.
By Ella Higginson,
Author of "The Takin' in of Old Mis' Lane" and other stories.
It was the day before Christmas—an Oregon Christmas. It had rained mistily at dawn; but at ten o'clock the clouds had parted and moved away reluctantly. There was a blue and dazzling sky overhead. The rain-drops still sparkled on the windows and on the green grass, and the last roses and chrysanthemums hung their beautiful heads heavily beneath them; but there was to be no more rain. Oregon City's mighty barometer—the Falls of the Willamette—was declaring to her people by her softened roar that the morrow was to be fair.
Mrs. Orville Palmer was in the large kitchen making preparations for the Christmas dinner. She was a picture of dainty loveliness in a lavender gingham dress, made with a full skirt and a shirred waist and big leg-o'-mutton sleeves. A white apron was tied neatly around her waist.
Her husband came in, and paused to put his arm around her and kiss her. She was stirring something on the stove, holding her dress aside with one hand.
"It's goin' to be a fine Christmas, Emarine," he said, and sighed unconsciously. There was a wistful and careworn look on his face.
"Beautiful!" said Emarine vivaciously. "Goin' down-town, Orville?"
"Yes." Want anything?"
"Why, the cranberries ain't come yet. I'm so uneasy about 'em. They'd ought to 'a' b'en stooed long ago. I like 'em cooked down an' strained to a jell. I don't see what ails them groc'rymen! Sh'u'd think they c'u'd get around some time before doomsday! Then I want—here, you'd best set it down." She took a pencil and a slip of paper from a shelf over the table and gave them to him. "Now, let me see." She commenced stirring again, with two little wrinkles between her brows. "A ha'f a pound o' citron; a ha'f a pound o' candied peel; two pounds o' cur'nts; two pounds o' raisins—git 'em stunned, Orville; a pound o' sooet—make 'em give you some that ain't all strings! A box o' Norther' Spy apples; a ha'f a dozen lemons; four-bits' worth o' walnuts or a'monds, whichever's freshest; a pint o' Puget Sound oysters fer the dressin', an' a bunch o' cel'ry. You stop by an' see about the turkey, Orville; an' I wish you'd run in 's you go by mother's, an' tell her to come up as soon as she can. She'd ought to be here now."
Her husband smiled as he finished the list. "You're a wonderful housekeeper, Emarine," he said.
Then his face grew grave. "Got a present for your mother yet, Emarine?"
"Oh, yes, long ago. I got 'er a black shawl down t' Charman's. She's b'en wantin' one."
He shuffled his feet about a little. "Unh-hunh. Yuh—that is—I reckon yuh ain't picked out any present fer—fer my mother, have yuh, Emarine?"
"No," she replied, with cold distinctness. "I ain't."
There was a silence. Emarine stirred briskly. The lines grew deeper between her brows. Two red spots came into her cheeks. "I hope the rain ain't spoilt the chrysyanthums," she said then, with an air of ridding herself of a disagreeable subject.
Orville made no answer. He moved his feet again uneasily. Presently he said: "I expect my mother needs a black shawl, too. Seemed to me her'n looked kind o' rusty at church Sunday. Notice it, Emarine?"
"No," said Emarine.
"Seemed to me she was gittin' to look offul old. Emarine"—his voice broke; he came a step nearer—"it'll be the first Christmas dinner I ever eat without my mother."
She drew back and looked at him. He knew the look that flashed into her eyes, and shrank from it.
"You don't have to eat this 'n' without 'er, Orville Parmer! You go an' eat your dinner with your mother 'f you want! I can get along alone. Are you goin' to order them things? If you ain't, just say so, an' I'll go an' do 't myself!"
He put on his hat and went without a word.
Mrs. Palmer took the saucepan from the stove and set it on the hearth. Then she sat down and leaned her cheek in the palm of her hand, and looked steadily out the window. Her eyelids trembled closer together. Her eyes held a far-sighted look. She saw a picture; but it was not the picture of the blue reaches of sky, and the green valley cleft by its silver-blue river. She saw a kitchen, shabby compared to her own, scantily furnished, and in it an old, white-haired woman sitting down to eat her Christmas dinner alone.
After a while she arose with an impatient sigh. "Well, I can't help it!" she exclaimed. "If I knuckled down to her this time, I'd have to do 't ag'in. She might just as well get ust to 't first as last. I wish she hadn't got to lookin' so old an' pitiful, though, a-settin' there in front o' us in church Sunday after Sunday. The cords stand out in her neck like well-rope, an' her chin keeps a-quiv'rin' so! I can see Orville a-watchin' her—"
The door opened suddenly and her mother entered. She was bristling with curiosity. "Say, Emarine!" She lowered her voice, although there was no one to hear. "Where d' you s'pose the undertaker's a-goin' up by here? Have you hear of anybody—"
"No," said Emarine. "Did Orville stop by an' tell you to hurry up?"
"Yes. What's the matter of him? Is he sick?"
"Not as I know of. Why?"
"He looks so. Oh, I wonder if it's one o' the Peterson children where the undertaker's a-goin'! They've all got the quinsy sore throat."
"How does he look? I don't see 's he looks so turrable."
"Why, Emarine Parmer! Ev'rybody in town says he looks so! I only hope they don't know what ails him!"
"What does ail him?" cried out Emarine, fiercely. "What are you hintin' at?"
"Well, if you don't know what ails him, you'd ort to; so I'll tell you. He's dyin' by inches ever sence you turned his mother out o' doors."
Emarine turned white. Sheet lightning played in her eyes.
"Oh, you'd ought to talk about my turnin' her put!" she burst out, furiously. "After you a-settin' here a-quar'l'n' with her in this very kitchen, an' eggin' me on! Wa'n't she goin' to turn you out o' your own daughter's home? Wa'n't that what I turned her out fer? I didn't turn her out, anyhow! I only told Orville this house wa'n't big enough fer his mother an' me, an' that neither o' us 'u'd knuckle down, so he'd best take his choice. You'd ought to talk!"
"Well, if I egged you on, I'm sorry fer 't," said Mrs. Endey, solemnly. "Ever sence that fit o' sickness I had a month ago, I've feel kind o' old an' no account myself, as if I'd like to let all holts go, an' jest rest. I don't spunk up like I ust to. No, he didn't go to Peterson's—he's gawn right on. My land! I wonder 'f it ain't old gran'ma Eliot: she had a bad spell—no, he didn't turn that corner. I can't think where he's goin' to!"
She sat down with a sigh of defeat.
A smile glimmered palely across Emarine's face and was gone. "Maybe if you'd go up in the antic you could see better," she suggested, dryly.
"Oh, Emarine, here comes old gran'ma Eliot herself! Run an' open the door fer 'er. She's limpin' worse 'n usual."
Emarine flew to the door. Grandma Eliot was one of the few people she loved. She was large and motherly. She wore a black dress and shawl and a funny bonnet, with a frill of white lace around her brow.
Emarine's face softened when she kissed her. "I'm so glad to see you," she said, and her voice was tender.
Even Mrs. Endey's face underwent a change. Usually it wore a look of doubt, if not of positive suspicion, but now it fairly beamed. She shook hands cordially with the guest and led her to a comfortable chair.
"I know your rheumatiz is worse," she said, cheerfully, "because you're limpin' so. Oh, did you see the undertaker go up by here? We can't think where he's goin' to. D' you happen to know?"
"No, I don't; an' I don't want to neither." Mrs. Eliot laughed comfortably. "Mis' Endey, you don't ketch me foolin' with undertakers till I have to." She sat down and removed her black cotton gloves. "I'm gettin' to that age when I don't care much where undertakers go to so long 's they let me alone. Fixin' fer Christmas dinner, Emarine dear?"
"Yes, ma'am," said Emarine in her very gentlest tone. Her mother had never said "dear" to her, and the sound of it on this old lady's lips was sweet. "Won't you come an' take dinner with us?"
The old lady laughed merrily. "Oh, dearie me, dearie me! You don't guess my son's folks could spare me now, do you? I spend ev'ry Christmas there. They most carry me on two chips. My son's wife, Sidonie, she nearly runs her feet off waitin' on me. She can't do enough fer me. My, Mrs. Endey, you don't know what a comfort a daughter-in-law is when you get old an' feeble!"
Emarine's face turned red. She went to the table and stood with her back to the older women; but her mother's sharp eyes observed that her ears grew scarlet.
"An' I never will," said Mrs. Endey, grimly.
"You've got a son-in-law, though, who's worth a whole townful of most son-in-laws. He was such a good son, too; jest worshipped his mother; couldn't bear her out o' his sight. He humored her high an' low. That's jest the way Sidonie does with me. I'm gettin' cranky 's I get older, an' sometimes I'm reel cross an' sassy to her; but she jest laffs at me, an' then comes an' kisses me, an' I'm all right ag'in. It's a blessin' right from God to have a daughter-in-law like that."
The knife in Emarine's hand slipped, and she uttered a little cry.
"Hurt you?" demanded her mother, sternly.
Emarine was silent, and did not turn.
"Cut you, Emarine? Why don't you answer me? Aigh?"
"A little," said Emarine. She went into the pantry, and presently returned with a narrow strip of muslin which she wound around her finger.
"Well, I never see! You never will learn any gumption! Why don't you look what you're about? Now, go around Christmas with your finger all tied up!"
"Oh, that'll be all right by to-morrow," said Mrs. Eliot, cheerfully. "Won't it, Emarine? Never cry over spilt milk, Mrs. Endey; it makes a body get wrinkles too fast. O' course Orville's mother's comin' to take dinner with you, Emarine."
"Dear me!" exclaimed Emarine, in a sudden flutter. "I don't see why them cranberries don't come! I told Orville to hurry 'em up. I'd best make the floatin' island while I wait."
"I stopped at Orville's mother's as I come along, Emarine."
"How?" Emarine turned in a startled way from the table.
"I say I stopped at Orville's mother's as I come along."
"Oh!"
"She well?" asked Mrs. Endey.
"No, she ain't; shakin' like she had the Saint Vitus dance. She's failed harrable lately. She'd b'en cryin'; her eyes was all swelled up."
There was quite a silence. Then Mrs. Endey said, "What she b'en cryin' about?"
"Why, when I asked her she jest laffed kind o' pitiful, an' said: 'Oh, only my tom-foolishness, o' course.' Said she always got to thinkin' about other Christmases. But I cheered her up. I told her what a good time I always had at my son's, an' how Sidonie jest couldn't do enough fer me. An' I told her to think what a nice time she'd have here 't Emarine's to-morrow."
Mrs. Endey smiled. "What she say to that?"
"She didn't say much. I could see she was thankful, though, she had a son's to go to. She said she pitied all poor wretches that had to set out their Christmas alone. Poor old lady! she ain't got much spunk left. She's all broke down. But I cheered her up some. Sech a wishful look took holt o' her when I pictchered her dinner over here at Emarine's. I can't seem to forget it. Goodness! I must go. I'm on my way to Sidonie's, an' she'll be comin' after me if I ain't on time."
When Mrs. Eliot had gone limping down the path, Mrs. Endey said: "You got your front room red up, Emarine?"
"No; I ain't had time to red up anything."
"Well, I'll do it. Where's your duster at?"
"Behind the org'n. You can get out the wax cross again. Mis' Dillon was here with all her childern, an' I had to hide up ev'rything. I never see childern like her'n. She lets 'em handle things so!"
Mrs. Endey went into the "front room" and began to dust the organ. She was something of a diplomat, and she wished to be alone for a few minutes. "You have to manage Emarine by contrairies," she reflected. It did not occur to her that this was a family trait. "I'm offul sorry I ever egged her on to turnin' Orville's mother out o' doors, but who'd 'a' thought it 'u'd break her down so? She ain't told a soul either. I reckoned she'd talk somethin' offul about us, but she ain't told a soul. She's kep' a stiff upper lip an' told folks she al'ays expected to live alone when Orville got married. Emarine's all worked up. I believe the Lord hisself must 'a' sent gran'ma Eliot here to talk like an angel unawares. I bet she'd go an' ask Mis' Parmer over here to dinner if she wa'n't afraid I'd laff at her fer knucklin' down. I'll have to aggravate her.'
She finished dusting, and returned to the kitchen. "I wonder what gran'ma Eliot 'u'd say if she knew you'd turned Orville's mother out, Emarine?"
There was no reply. Emarine was at the table making tarts. Her back was to mother.
"I didn't mean what I said about bein' sorry I egged you on, Emarine. I'm glad you turned her out. She'd ort to be turned out."
Emarine dropped a quivering ruby of jelly into a golden ring of pastry and laid it carefully on a plate.
"Gran'ma Eliot can go talkin' about her daughter-'n-law Sidonie all she wants, Emarine. You keep a stiff upper lip."
"I can 'tend to my own affairs," said Emarine, fiercely.
"Well, don't flare up so. Here comes Orviile. Land, but he does look peakid!"
After supper, when her mother had gone home for the night, Emarine put on her hat and shawl.
Her husband was sitting by the fireplace, looking thoughtfully at the bed of coals.
"I'm goin' out," she said briefly. "You keep the fire up."
"Why, Emarine, it's dark. Don't choo want I sh'u'd go along?"
"No; you keep the fire up."
He looked at her anxiously, but he knew from the way she set her heels down that remonstrance would be useless.
"Don't stay long," he said, in a tone of habitual tenderness. He loved her passionately, in spite of the lasting hurt she had given him when she parted him from his mother. It was a hurt that had sunk deeper than even he realized. It lay heavy on his heart day and night. It took the blue out of the sky, and the green out of the grass, and the gold out of the sunlight; it took the exaltation and the rapture out of his tenderest moments of love.
He never reproached her, he never really blamed her; certainly he never pitied himself. But he carried a heavy heart around with him, and his few smiles were joyless things.
For the trouble he blamed only himself. He had promised Emarine solemnly before he married her, that if there were any "knuckling down" to be done, his mother should be the one to do it. He had made the promise deliberately, and he could no more have broken it than he could have changed the color of his eyes. When bitter feeling arises between two relatives by marriage, it is the one who stands between them—the one who is bound by the tenderest ties to both—who has the real suffering to bear, who is torn and tortured until life holds nothing worth the having.
Orville Palmer was the one who stood between. He had built his own cross, and he took it up and bore it without a word.
Emarine hurried through the early winter dark until she came to the small and poor house where her husband's mother lived. It was off the main-travelled street.
There was a dim light in the kitchen; the curtain had not been drawn. Emarine paused and looked in. The sash was lifted six inches, for the night was warm, and the sound of voices came to her at once. Mrs. Palmer had company.
"It's Miss Presly," said Emarine, resentfully, under her breath. "Old gossip!"
"—goin' to have a fine dinner, I hear," Miss Presly was saying. "Turkey with oyster dressin', an' cranberries, an' mince an' pun'kin pie, an' reel plum puddin' with brandy poured over 't an' set afire, an' wine dip, an' nuts an' raisins, an' wine itself to wind up on. Emarine's a fine cook. She knows how to git up a dinner that makes your mouth water to think about. You goin' to have a spread, Mis' Parmer?"
"Not much of a one," said Orville's mother. "I expected to, but I c'u'dn't git them fall patatas sold off. I'll have to keep 'em till spring to git any kind o' price. I don't care much about Christmas, though"—her chin was trembling, but she lifted it high. "It's silly for anybody but children to build so much on Christmas."
Emarine opened the door and walked in. Mrs. Palmer arose slowly, grasping the back of her chair. "Orville's dead?" she said solemnly.
Emarine laughed, but there was the tenderness of near tears in her voice. "Oh, my, no!" she said, sitting down. "I run over to ask you to come to Christmas dinner. I was too busy all day to come sooner. I'm goin' to have a great dinner, an' I've cooked ev'ry single thing of it myself! I want to show you what a fine Christmas dinner your daughter-'n-law can get up. Dinner's at two, an' I want you to come at eleven. Will you?"
Mrs. Palmer had sat down, weakly. Trembling was not the word to describe the feeling that had taken possession of her. She was shivering. She wanted to fall down on her knees and put her arms around her son's wife, and sob out all her loneliness and heartache. But life is a stage; and Miss Presly was an audience not to be ignored. So Mrs. Palmer said: "Well, I'll be reel glad to come, Emarine. It's offul kind o' yuh to think of 't. It 'u'd 'a' be'n lonesome eatin' here all by myself, I expect."
Emarine stood up. Her heart was like a thistle-down. Her eyes were shining. "All right," she said; "an' I want that you sh'u'd come just at eleven. I must run right back now. Good-night."
"Well, I declare!" said Miss Presly. "That girl gits prettier ev'ry day o' her life. Why, she just looked full o' glame to-night!"
Orville was not at home when his mother arrived in her rusty best dress and shawl. Mrs. Endey saw her coming. She gasped out, "Why, good grieve! Here's Mis' Parmer, Emarine!"
"Yes, I know," said Emarine, calmly. "I ast her to dinner."
She opened the door, and shook hands with her mother-in-law, giving her mother a look of defiance that almost upset that lady's gravity.
"You set right down, Mother Parmer, an' let me take your things. Orville don't know you're comin', an' I just want to see his face when he comes in. Here's a new black shawl fer your Christmas. I got mother one just like it. See what nice long fringe it's got. Oh, my! don't go to cryin'! Here comes Orville."
She stepped aside quickly. When her husband entered his eyes fell instantly on his mother, weeping childishly over the new shawl. She was in the old splint rocking-chair with the high back. "Mother!" he cried; then he gave a frightened, tortured glance at his wife. Emarine smiled at him, but it was through tears.
"Emarine ast me, Orville—she ast me to dinner o' herself! An' she give me this shawl. I'm—cryin'—fer—joy—"
"I ast her to dinner," said Emarine, "but she ain't ever goin' back again. She's goin' to stay. I expect we've both had enough of a lesson to do us."
Orville did not speak. He fell on his knees and laid his head, like a boy, in his mother's lap, and reached one strong but trembling arm up to his wife's waist, drawing her down to him.
Mrs. Endey got up and went to rattling things around on the table vigorously. "Well, I never see sech a pack o' loonatics!" she exclaimed. "Go an' burn all your Christmas dinner up, if I don't look after it! Turncoats! I expect they'll both be fallin' over theirselves to knuckle down to each other from now on! I never see!"
But there was something in her eyes, too, that made them beautiful.