OpenLLM-France/wikimedia huggingface dataset:
# Riel letter to Crozier

Revolutionary Canadian Métis leader Louis Riel's letter to police commander Crozier in 1885, demanding the surrender of his troops. Riel's lack of familiarity with the English language sometimes results in awkward wording.
St Anthony, 21st March 1885
To Major Crozier, Commandant of the Police Force at Carlton and Battleford
Major: The councillors of the provisional government of the Saskatchewan have the honor to communicate to you the following conditions of surrender: You will be required to give up completely the situation which the Canadian Government have placed you in, at Carlton and Battleford, together with all government properties.
In case of acceptance, you and your men will be set free, on your parole of honor to keep the peace. And those who will choose to leave the country will be furnished with teams and provisions to reach Qu' Appelle.
In case of non-acceptance, we intend to attack you, when tomorrow, the Lord's Day, is over; and to commence without delay a war of extermination upon all those who have shown themselves hostile to our rights.
Messrs. Charles and Maxime Lepine are the gentlemen with whom you will have to treat.
Major, we respect you. Let the cause of humanity be a consolation to you for the reverses which the governmental misconduct has brought upon you.
LOUIS 'DAVID' RIEL, Exovede
| Rene Parenteau, chairman Chas. Nolin Gab. Dumont Morse Ouellette Albert Monkman Bte. Boyer Donald Ross Amb. Jobin | Jean-Baptiste Parenteau Pierre Henry Albert Delorme Dum. Carriere Maxime Lepine Bte. Boucher David Tourond Ph. Garnot, secretary |
# Robert Emmet's letter to Sarah Curran

    September, 1803
    My dearest Love,
    I don't know how to write to you. I never felt so oppressed in my life as at the cruel injury I have done you.
    I was seized and searched with a pistol over me before I could destroy your letters. They have been compared with those found before.
    I was threatened with having them brought forward against me in Court.
    I offered to plead guilty if they would suppress them.
    This was refused. My love, can you forgive me?
    I wanted to know whether anything had been done respecting the person who wrote the letter, for I feared you might have been arrested.
    They refused to tell me for a long time.
    When I found, however, that this was not the case,
    I began to think that they only meant to alarm me;
    but their refusal has only come this moment,
    and my fears are renewed.
    Not that they can do anything to you even if they would be base enough to attempt it,
    for they can have no proof who wrote them,
    nor did I let your name escape me once.
    But I fear they may suspect from the stile,
    and from the hair, for they took the stock from me,
    and I have not been able to get it back from them, and that they may think of bringing you forward.
    I have written to your father to come to me tomorrow.
    Had you not better speak to himself tonight?
    Destroy my letters that there may be nothing against yourself,
    and deny having any knowledge of me further than seeing me once or twice.
    For God's sake, write to me by the bearer one line to tell me how you are in spirits.
    I have no anxiety, no care, about myself;
    but I am terribly oppressed about you.
    My dearest love, I would with joy lay down my life, but ought I to do more?
    Do not be alarmed; they may try to frighten you; but they cannot do more.
    God bless you, my dearest love.
    I must send this off at once; I have written it in the dark. My dearest Sarah, forgive me.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Sea

THE SEA
The Sea! the Sea! the open Sea; The blue, the fresh, the ever free; Without a mark, without a bound, It runneth the earth's wide regions round. It plays with the clouds, it mocks the skies, Or like a craddled creature lies. I'm on the sea, I'm on the sea, I am where I would ever be; With the blue above, and the blue below, And silence wheresoe'er I go. If a storm should come and awake the deep What matter, what matter, I shall ride and sleep.
I love--O how I love to ride, On the fierce, foaming, bursting tide. When every mad wave drowns the moon, Or whistles aloft his tempest tune, And tells how goeth the world below, And why the sou'-west blast doth blow ! I never was on the dull tame shore, But I loved the great Sea more and more : And backward flew to her billowy birmant, Like a bird that seeketh its mother's nest, And a mother she was and is to me, For I was born on the open Sea.
​The waves were white, and red the morn, In the noisy hour when I was born ; And the whale it whistled, the porpoise rolled, And the Dolphins bared their backs of gold; And never heard such an outcry wild, As welcome to life the Ocean child, I have lived, since then, in calm and strife, Full fifty summers a rover's life, With wealth to spend, and a power to range, But never have sought or sighed for change: And death, whenever he comes to me, Shall come on the wide unbounded Sea.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Minute Gun

THE MINUTE GUN.
When in the storm Albion's coast, The night-watch guards his wary post From thoughts of danger free; He marks some vessel's dusky form, And hears amid some howling storm, The minute gun at sea.
Swift the shore a hardy few, The life-boat man with a gallant crew, And dare the dangerous wave; Through the wild surf they cleave that way, Lost in the foam, nor know dismay, For they go the crew to save.
But oh what rapture fills each breast Of the hapless crew of the ship distress'd, Then landed safe what joy to tell, Of all the dangers that befel, Then heard is no more, By the watch on the shore. The minute gun at sea.
# Seraphim/The Highland Laddie

THE HIGHLAND LADDIE
The Lawland lads thinks they are fine, But O they'e vain an' idle gaudy! ​How much unlike that graceful mein, An' manly looks o' my Highland laddie.
O my bonny, bonny Highland laddie, My handsome charming Highland laddie; May heaven still guard, an' love reward Our Lawland lass an' her Highland laddie
If I were free at will to chuse, To be the wealthiest Lawland lady, I'd tak young Donald without trews, Wi' bannet blue an' belted plaidy. Oh my bonny, &c.
The brawest beau in borrows town, In a' his airs, wi' art made ready, Compar'd to him, he's but a clown; He's finer far in's tartan plaidy O my bonny, &c.
O'er benty hill wi' him I'll run, An' leave my Lawland kin an' daddy ; Frae winter's cauld an' summers sun He'll screen me wi' his Highland plaidy. O my bonny, &c.
A painted room an' silken bed, May please a Lawland laird an' lady; But I can kiss, an' be as glad, Behind a bush in 'a Highland plaidy. O my bonny, &c.
New compliments between us pass, I ca' him my dear Highland laddie; An' he ca's me his Lawland lass, Syne rows me in his Highland plaidy. O my bonny, &c.
Nae greater joy I'll e'er pretend, Than that his love prove true an' steady, Like mine to him; which ne'er shall end, While heaven preserves my Highland laddie. O my bonny, &c.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Rose of Allandale

SONGS.
THE ROSE OF ALLANDALE.
The morn was fair, the skies was clear, No breath came o'er the sea, When Mary left her Highland cot, And wander'd forth with me.
Tho' flowers deck'd the the mountain side, And fragrance fill'd the vale;— By far the sweetest flower there Was the rose of Allandale.
Where'er I wander'd east or west; Though fate began to low'r— A solace still was she to me, In sorrow's lonely hour.
When tempest's lash'd our gallant bark, And rent her shiv'ring sail— One maiden form withstood the storm, 'Twas the rose of Allandale.
And when my sever'd lips were parch'd, On Afric's burning sand, She whisper'd hopes of happiness, And tales of distant land.
My life has been a wilderness, Unbliss'd by fortune's gale— Had not link'd my lot to her's, The Rose of Allandale.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Harper of Mull

THE HARPER OF MULL
When Rosie was faithfu', how happy was I, Still glad some summer the time glided by. I played my harp cheery, while fondly I sang Of the charms o' my Rosie the winter nights lang. But now I'm as weafu' as waefu' can be, Come summer, come winter, 'tis a' ane to me, For the dark gloom of falsehood sae clouds my sad soul, That cheerless for aye is the Harper of Mull.
I wander the glens and the wild woods alane, In their deepest recesses I make my sad mane, My harp's mournfu' melody joins in the strain, While sadly I sing of the day that are gane. The Rosie is faithless, she's nae the less the fair, The thought of her beauty but feeds my despair; With painful remembrance my bosom is full, And weary of life is the Harper of Mull.
As slumb'ring I lay by the dark mountain stream, My lovely young Rosie appear'd in my dream; I thought her still kind, and I ne'er was sae blest, As in fancy I clasp'd the dear nymph to my brest. Thou false fleeting vision, too soon thou wert o'er; Thou waked'st me to tortures unequalled before; But death's silent slumbers my griefs soon shall lull, And the green grass wave over the Harper of Mull.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Highland Minstrel Boy

THE HIGHLAND MINSTREL BOY.
I hae wander'd mony a night in June, Alang the banks o Clyde, Beneath a bright and bonny moon, Wi' Mary at my side. A simmer was she to mine e'e, An' to my heart joy; As weel she loo'd to roam wi' me, Her Highland Minstrel boy. I ha'e wander'd, &c.
Oh, her presence could on ev'ry star New brilliancy confer; And I thought the flowers were sweeter far When they were seen with her. Her brow was calm as sleeping sea, Her glance was full o' joy; And, oh; her heart was true to me, Her Highland Minstrel boy. Oh her presence, &c.
I ha'e play'd to ladies, fair and gay In many a southron hall; But there was one far-far-away, A world above them all. And now, tho' weary years have fled, I think wi' mournfu' joy Upon the time when Mary wed Her Highland Minstrel boy. I ha'e play'd to ladies, &c.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Lass o' Gowrie

THE LASS O' GOWRIE
'Twas on a simmers afternoon, A wee before the sun gaed down, My lassie wi' a braw new gown,
Came o'er the hill to Gowrie. The rose bud ting'd wi' morning showers, Bloom'd fresh within the sunny bowers, But Kitty was the fairest flower That ever bloom'd in Gowrie,
I had nae thought to do her wrang, But round her waist my arms I flang And said, "My lassie, will ye gang To view the Carse o' Gowrie?" I'll take ye to my father's ha' In yon green field beside the shaw, And make you lady o' them a' The brawest wife in Gowrie."
Saft kisses on her lips I laid, The blush upon her cheek soon spread ; She whispered modestly, and said, I'll gang wi' ye to Gowrie." ​The auld folk soon gied their consent, And to Mess John we quickly went, Wha tied to our heart's content, And now she's Lady Gowrie.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Lass of Arranteenie

THE LASS OF ARRANTEENIE.
Forlorn amang the Highland hills, 'Midst Nature's wildest grandeur, By rocky dens, an' woody glens, With weary steps I wander. The langsome way, the darksome day, The mountain mist sae rainy, Are nought to me when gaun to thee, Sweet lass of Arranteenie.
Yon mossy rosebud down the howe, Just op'ning fresh and bonny, It blinks beneath the hazle bough, An's scarely seen by ony; Sae sweet amidst her native hills, Obscurely blooms my Jeany, Mair fair an' gay than rossy May, The flower of Arranteenie.
Now from the mountain's lofty brow, I view the distant ocean, There Av'rice guides the bounding prow- Ambition courts promotion. ​Let fortune pour her golden store, Her laurel'd favours many, Give me but this, my souls first wish, The lass o' Arranteenie.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Rose of Lucerne

ROSE OF LUCERNE, OR, THE SWISS TOY GIRL.
I've come across the sea, I've braved every danger, For a brother dear to me, From Swiss-land a stranger; Then pity, assist, and protect a poor stranger, And buy a little toy of poor Rose of Lucerne. A little toy, a little toy; Then buy a little toy of poor Rose of Lucerne.
Come round me, ladies fair, I've ribbands and laces, I've trinkets rich and rare, To add to the graces Of waist, neck, or arm, or your sweet pretty faces Then buy a little toy of poor Rose of Lucerne. A little toy, a little toy; Then buy a little toy of poor Rose of Lucerne.
​I've paint and I've perfume, For those who may use them; Young ladies, I presume, You all will refuse them; The bloom on your cheek shows that you never use them Yet buy a little toy of Poor Rose of Lucerne. A little toy, little toy: Yet buy a little toy of Poor Rose of Lucerne.
I've cross to make you smart, On your breast you may bear it, Just o'er your little heart, I advise you to wear it; And I hope that no other cross e'er will come near it; Yes I do;-so buy a toy of Poor Rose of Lucerne Yes, I do; Yes, I do; So buy a toy, buy a toy of poor Rose of Lucerne.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seraphim/The Swiss Boy

THE SWISS BOY
Come, arouse thee, arouse thee, my brave Swiss boy! Take thy pail, and to labour away, Come, arouse thee, arouse thee, my brave Swiss boy! Take thy pail, and to labour away, The sun is up, with ruddy beam, The kine are thronging to the stream. Come arouse thee, &c.
And not I, am not I, say, a merry Swiss boy, When I hie to the mountain away? And not I, am not say, a merry Swiss boy, When I hie to the mountain away? For there a shepherd maiden dear, Awaits my song with listening ear, Am not I, &c.
Then at night, then at night, O, a gay Swiss boy! I'm away to my comrades, away. Then at night, then at night, O, a gay Swiss boy! I'm away to my comrades, away. The cup we fill, the wine is passed, In friendship round, untill at last, With "Good night," and "Good night," goes the happy Swiss boy To his home and he slumbers away.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sanborn v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
135 U.S. 271
Sanborn v. United States
Asst. Atty. Gen. Hart, for the United States.
B. F. Butler and O. D. Barrett, for Sanborn.
Mr. Justice HARLAN, after stating the facts in the foregoing language, delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# San Tzu Ching

The Three Character Classic, Trimetric Classic or San Zi Jing (San Tzu Ching in the Wade-Giles Romanisation system) is one of the Chinese classics. It was probably written in the 13th century and attributed to Wang Yinglin during the Song Dynasty. It is also attributed to Ou Shizi.Warning: template has been deprecated.
ELEMENTARY CHINESE
| 三 | 字 | 經 |
| San | Tzŭ | Ching |
TRANSLATED AND ANNOTATED
BY
HERBERT A. GILES, M.A., LL.D. (Aberd.)
Professor of Chinese in the University of Cambridge
and late H. B. M. Consul at Ningpo
Shanghai
Messrs. Kelly & Walsh, Ld.
1900
Printed by E. J. BRILL, Leyden.
* Preface
* San Tzu Ching
* Appendix I
* Appendix II
* Appendix III
* Appendix IV
* Appendix V
* Appendix VI
​By the same Author:
    A Chinese-English Dictionary, ryl 4$^{to}$, pp. XLVI and 1415
    Strange Stories from a Chinese Studio, 2 vols. cr. 8vo.
    Gems of Chinese Literature
    Historic China and other Sketches
    Chuang Tzŭ, — Mystic, Moralist, and Social Reformer
    Chinese Sketches
    Chinese without a Teacher, 5th edition
    Record of the Buddhistic Kingdoms
    Glossary of Reference on the Far East, 3rd edition
    Remains of Lau Tzŭ
    Synoptical Studies in Chinese Character
    Handbook of the Swatow Dialect
    From Swatow to Canton Overland
    Dictionary of Colloquial Idioms
    A Chinese Biographical Dictionary, pp. XII, 1022
    Catalogue of the Wade Library, Cambridge
    Chinese Poetry in English Verse
Printed by E. J. BRILL, Leyden.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# San Tzu Ching/Appendix 2

APPENDIX II.
[These two lines occur in some editions.]
| 160A. | 道 | 淵 | 源 | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | It discusses hidden springs of action, |
| | Tao$^4$ | yüan$^1$ | yüan$^2$ | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | It discusses hidden springs of action, |
| | Speak | abyss | source | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | It discusses hidden springs of action, |
Tao see line 7.
Yüan is composed of 水 shui water as radical, with an obsolete word said to be a picture of water eddying along the banks of a river.
Yüan is composed of water as radical, with 原 yüan origin as phonetic.
| 160B. | 習 | 禮 | 義 | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | and deals with ceremonial and man's duty to his neighbour. |
| | Hsi$^2$ | li$^3$ | i$^4$ | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | and deals with ceremonial and man's duty to his neighbour. |
| | Practise | ceremonial | duty | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | and deals with ceremonial and man's duty to his neighbour. |
Hsi see line 4.
Li see line 32.
I see line 14.
# Sentimental valentine writer

NEW AND IMPROVED SERIES.
No. 13.
THE SENTIMENTAL
VALENTINE WRITER,
CONTAINING A SELECTION OF
THE BEST AND NEWEST VALENTINE
POETRY.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
1850.
Price One Penny.
* The Ladies' Valentine Writer
* The Gentleman's Valentine Writer
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Seoul, the capital of Korea/scans

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 9

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Cymbeline

Act I.
* Act I: Scene I
* Act I: Scene II
* Act I: Scene III
* Act I: Scene IV
* Act I: Scene V
* Act I: Scene VI
* Act I: Scene VII
Act II.
* Act II: Scene I
* Act II: Scene II
* Act II: Scene III
* Act II: Scene IV
Act III.
* Act III: Scene I
* Act III: Scene II
* Act III: Scene III
* Act III: Scene IV
* Act III: Scene V
* Act III: Scene VI
* Act III: Scene VII
* Act III: Scene VIII
Act IV.
* Act IV: Scene I
* Act IV: Scene II
* Act IV: Scene III
* Act IV: Scene IV
Act V.
* Act V: Scene I
* Act V: Scene II
* Act V: Scene III
* Act V: Scene IV
* Act V: Scene V
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 5 Scene 2

FINIS
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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 3

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 4

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 5

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 8

​[Act 4, Scene 8]
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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 7

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 5 Scene 1

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# Shakespeare - First Folio facsimile (1910)/The Tragedie of Anthonie, and Cleopatra/Act 4 Scene 6

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# Royal Naval Biography/Paget, Charles Henry

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CHARLES HENRY PAGET, Esq. [Captain of 1829.]
Son of Rear-Admiral the Hon. Sir Charles Paget, and nephew to the Marquis of Anglesey.
This officer was promoted, while serving as midshipman of the Royal George yatch, Jan. 3d, 1826; appointed flag-lieutenant to Rear-Admiral (now Sir Robert W.) Otway, on the 20th of the following month; advanced to the rank of commander Feb. 21st, 1828; and appointed to the Procris sloop, on the Cork station, Aug. 12th, in the same year. His commission as captain bears date Oct. 28th, 1829.