# The American Fugitive in Europe/Chapter 13

Bristol: "Cook's Folly"—Chepstow Castle and Abbey—Tintern Abbey—Redcliffe Church—Edinburgh—The Royal institute—Scott's Monument—John Knox's Pulpit—Meetings in City Hall, Glasgow
CHAPTER XIII.
"Now, this once gorgeous edifice, if reared By piety, which sought with honest aim
The glory of the Lord, should be revered Even for that cause, by those who seek the same.
Perchance the builders erred; but who shall blame Error, nor feel that they partake it too?
Then judge with charity, whate'er thy name, Be thou a Pagan, Protestant, or Jew;
Nor with a scornful glance these Papal reliques view."
Barton.
It was on a lovely morning that I found myself on board the little steamer Wye, passing out of Bristol harbor. In going down the river, we saw on our right the stupendous rocks of St. Vincent towering some four or five hundred feet above our heads. By the swiftness of our fairy steamer, we were soon abreast of Cook's Folly, a singular tower, built by a man from whom it takes its name, and of which the following romantic story is told: "Some years since a gentleman, of the name of Cook, erected this tower, which has since gone by the name of 'Cook's Folly.' A son having been born, he was desirous of ascertaining, by means of astrology, if he would live to enjoy his property. Being himself a firm ​believer, like the poet Dryden, that certain information might be obtained from the above science, he caused the child's horoscope to be drawn, and found, to his dismay, that in his third, sixteenth, or twenty-first year, he would be in danger of meeting with some fearful calamity or sudden death, to avert which he caused the turret to be constructed, and the child placed therein. Secure, as he vainly thought, there he lived, attended by a faithful servant, their food and fuel being conveyed to them by means of a pulley-basket, until he was old enough to wait upon himself. On the eve of his twenty-first year his parent's hopes rose high, and great were the rejoicings prepared to welcome the young heir to his home. But, alas! no human skill could avert the dark fate which clung to him. The last night he had to pass alone in the turret, a bundle of fagots was conveyed to him as usual, in which lay concealed a viper, which clung to his hand. The bite was fatal; and, instead of being borne in triumph, the dead body of his only son was the sad spectacle which met the sight of his father."
We crossed the channel, and soon entered the mouth of that most picturesque of rivers, the Wye. As we neared the town of Chepstow the old castle made its appearance, and a fine old ruin it is. Being previously provided with a letter of introduction to a gentleman in Chepstow, I lost no time in finding him out. This gentleman gave me a cordial reception, and did what Englishmen seldom ever do, lent me his saddle-horse to ride to the abbey. While lunch was in preparation I took a ​stroll through the castle which stood near by. We entered the castle through the great doorway, and were soon treading the walls that had once sustained the cannon and the sentinel, but were now covered with weeds and wild-flowers. The drum and fife had once been heard within these wails—the only music now is the cawing of the rook and daw. We paid a hasty visit to the various apartments, remaining longest in those of most interest. The room in which Martin the Regicide was imprisoned nearly twenty years was pointed out to to us. The Castle of Chepstow is still a magnificent pile, towering upon the brink of a stupendous cliff, on reaching the top of which, we had a splendid view of the surrounding country. Time, however, compelled us to retrace our steps, and, after partaking of a lunch, we mounted a horse for the first time in ten years, and started for Tintern Abbey. The distance from Chepstow to the abbey is about five miles, and the road lies along the banks of the river. The river is walled in on either side by hills of much beauty, clothed from base to summit with the richest verdure. I can conceive of nothing more striking than the first appearance of the abbey. As we rounded a hill, all at once we saw the old ruin standing before us in all its splendor. This celebrated ecclesiastical relic of the olden time is doubtless the finest ruin of its kind in Europe. Embosomed amongst hills, and situated on the banks of the most fairy-like river in the world, its beauty can scarcely be surpassed. We halted at the "Beaufort Arms" left our horse, and ​sallied forth to view the abbey. The sun was pouring a flood of light upon the old gray walls, lighting up its dark recesses, as if to give us a better opportunity of viewing it. I gazed with astonishment and admiration at its many beauties, and especially at the superb Gothic windows over the entrance-door. The beautiful Gothic pillars, with here and there a representation of a praying priest, and mailed knights, with saints and Christian martyrs, and the hundreds of Scriptural representations, all indicate that this was a place of considerable importance in its palmy days. The once stone floor had disappeared, and we found ourselves standing on a floor of unbroken green grass, swelling back to the old walls, and looking so verdant and silken that it seemed the very floor of fancy. There are more romantic and wilder places than this in the world, but none more beautiful. The preservation of these old abbeys should claim the attention of those under whose charge they are, and we felt like joining with the poet, and saying—
"O ye who dwell
Around yon ruins, guard the precious charge
From hands profane! save the sacred pile—
O'er which the wing of centuries has flown
Darkly and silently, deep-shadowing all
Its pristine honorsfrom the ruthless grasp
Of future violation!"
In contemplating these ruins more closely, the mind insensibly reverts to the period of feudal and regal oppression, when structures like that of Tintern Abbey ​necessarily became the scenes of stirring and highly-important events. How altered is the scene! Where were formerly magnificence and splendor, the glittering array of priestly prowess, the crowded halls of haughty bigots, and the prison of religious offenders, there is now but a heap of mouldering ruins. The oppressed and the oppressor have long since lain down together in the peaceful grave. The ruin, generally speaking, is unusually perfect, and the sculpture still beautifully sharp. The outward walls are nearly entire, and are thickly clad with ivy. Many of the windows are also in a good state of preservation; but the roof has long since fallen in. The feathered songsters were fluttering about, and pouring forth their artless lays as a tribute of joy; while the lowing of the herds, the bleating of flocks, and the hum of bees upon the farm near by, all burst upon the ear, and gave the scene a picturesque sublimity that can be easier imagined than described. Most assuredly Shakspeare had such ruins in view when he exclaimed,
"The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yes, all which it inherit, shall dissolve,
And, like the baseless fabric of a vision,
Leave not a wreck behind."
In the afternoon we returned to Bristol, and I spent the greater part of the next day in examining the interior of Redcliffe Church. Few places in the west of England have greater claims upon the topographer and ​historian than the church of St. Mary's, Redcliffe. Its antiquity, the beauty of its architecture, and, above all, the interesting circumstances connected with its history, entitle it to peculiar notice. It is also associated with the enterprise of genius; for its name has been blended with the reputation of Rowley, of Canynge, and of Chatterton, and no lover of poetry and admirer of art can visit it without a degree of enthusiasm. And, when the old building shall have mouldered into ruins, even these will be trodden with veneration, as sacred to the recollection of genius of the highest order. Ascending a winding stair, we were shown into the treasury room. The room forms an irregular octagon, admitting light through narrow, unglazed apertures, upon the broken and scattered fragments of the famous Rowleian chests, that, with, the rubble and dust of centuries, cover the floor. It is here creative fancy pictures forth the sad image of the spirit of the spot—the ardent boy, flushed and fed by hope, musing on the brilliant deception he had conceived, whose daring attempt has left his name unto the intellectual world as a marvel and a mystery.
That a boy under twelve years of age should write a series of poems, imitating the style of the fifteenth century, and palm these poems off upon the world as the work of a monk, is indeed strange; and that these should become the object of interesting contemplation to the literary world, and should awaken inquiries, and exercise the talents of a Southey, a Bryant, a Miller, a Mathias, and others, savors more of romance ​than reality. I had visited the room in a garret in High Holborn where this poor boy died; I had stood over a grave in the burial-ground of Shoe-Lane Work-house, which was pointed out to me as the last resting-place of Chatterton; and now I was in the room where, it was alleged, he obtained the manuscripts that gave him such notoriety. We descended and viewed other portions of the church. The effect of the chancel, as seen behind the pictures, is very singular, and suggestive of many swelling thoughts. We look at the great east window—it is unadorned with its wonted painted glass; we look at the altar-screen beneath, on which the light of day again falls, and behold the injuries it has received at the hands of time. There is a dreary mournfulness in the scene which fastens on the mind, and is in unison with the time-worn mouldering fragments that are seen all around us. And this dreariness is not removed by our tracing the destiny of man on the storied pavements or on the graven brass, that still bears upon its surface the names of those who obtained the world's regard years back. This old pile is not only an ornament to the city, but it stands a living monument to the genius of its founder. Bristol has long sustained a high position, as a place from which the American abolitionists have received substantial encouragement in their arduous labors for the emancipation of the slaves of that land: and the writer of this received the best evidence that in this respect the character of the people had not been exaggerated, especially as regards the ​"Clifton Ladies' Anti-Slavery Society." From Bristol I paid a hasty visit to the Scotch capital.
Edinburgh is the most picturesque of all the towns which I have visited since my arrival in the father-land. Its situation has been compared to that of Athens; but it is said that the modern Athens is superior to the ancient. I was deeply impressed with the idea that I had seen the most beautiful of cities, after beholding those fashionable resorts, Paris and Versailles. I have seen nothing in the way of public grounds to compare with the gardens of Versailles, or the Champs Elysees, at Paris; and as for statuary, the latter place is said to take the lead of the rest of the world.
The general appearance of Edinburgh prepossesses one in its favor. The town, being built upon the brows of a large terrace, presents the most wonderful perspective. Its first appearance to a stranger, and the first impression, can scarcely be but favorable. In my first walk through the town I was struck with the difference in the appearance of the people from the English. But the difference between the Scotch and the Americans is very great. The cheerfulness depicted in the countenances of the people here, and their free-and-easy appearance, is very striking to a stranger. He who taught the sun to shine, the flowers to bloom, the birds to sing, and blesses us with rain, never intended that his creatures should look sad. There is a wide difference between the Americans and any other people which I have seen. The ​Scotch are healthy and robust, unlike the long-faced, sickly-looking Americans.
While on our journey from London to Paris, to attend the Peace Congress, I could not but observe the marked difference between the English and American delegates. The former looked as if their pockets had been filled with sandwiches, made of good bread and roast beef; while the latter appeared as if their pockets had been filled with Holloway's pills and Mrs. Kidder's cordial.
I breakfasted this morning in a room in which the poet Burns, as I was informed, had often sat. The conversation here turned upon Burns. The lady of the house pointed to a scrap of poetry which was in a frame hanging on the wall, written, as she said, by the poet, on hearing the people rejoicing in a church over the intelligence of a victory. I copied it, and will give it to you:
"Ye hypocrites! are these your pranks,
To murder men and give God thanks?
For shame! give o'er, proceed no further;
God won't accept your thanks for murder."
The fact that I was in the room where Scotland's great national poet had been a visitor caused me to feel that I was on classic, if not hallowed ground. On returning from our morning visit, we met a gentleman with a colored lady on each arm. C——— remarked, in a very dry manner, "If they were in Georgia, the slaveholders would make them walk in a more hurried gait than they do." I said to my friend that, if he meant the ​pro-slavery prejudice would not suffer them to walk peaceably through the streets, they need go no further than the pro-slavery cities of New York and Philadelphia. When walking through the streets, I amused myself by watching C———'s countenance; and, in doing so, imagined I saw the changes experienced by every fugitive slave in his first month's residence in this country. A sixteen months' residence has not yet familiarized me with the change.
I remained in Edinburgh a day or two, which gave me an opportunity of seeing some of the lions in the way of public buildings, &c, in company with our friend C———. I paid a visit to the Royal Institute, and inspected the very fine collection of paintings, statues, and other productions of art. The collection in the Institute is not to be compared to the British Museum at London, or the Louvre at Paris, but is probably the best in Scotland. Paintings from the hands of many of the masters, such as Sir A. Vandyke, Tiziano, Vercellio and Van Dellen, were hanging on the wall, and even the names of Rubens and Titian were attached to some of the finer specimens.Many of these represent some of the nobles and distinguished families of Rome, Athens, Greece, &c. A beautiful one, representing a group of the Lomellini family of Genoa, seemed to attract the attention of most of the visitors.
In visiting this place, we passed close by the monument of Sir Walter Scott. This is the most exquisite ​thing of the kind that I have seen since coming to this country. It is said to be the finest monument in Europe. There sits the author of "Waverley," with a book and pencil in hand, taking notes. A beautiful dog is seated by his side. Whether this is meant to represent his favorite dog, Camp, at whose death the poet shed so many tears, we were not informed; but I was of opinion that it might be the faithful Percy, whose monument stands in the grounds at Abbotsford. Scott was an admirer of the canine tribe. One may form a good idea of the appearance of this distinguished writer when living, by viewing this remarkable statue. The statue is very beautiful, but not equal to the one of Lord Byron, which was executed to be placed by the side of Johnson, Milton and Addison, in Poets' Corner, Westminster Abbey; but the vestry not allowing it a place there, it now stands in one of the colleges at Cambridge. While viewing the statue of Byron, I thought he, too, should have been represented with a dog by his side; for he, like Scott, was remarkably fond of dogs; so much so that he intended to have his favorite, Boatswain, interred by his side.
We paid a short visit to the monuments of Burns and Allan Ramsay, and the renowned old Edinburgh Castle. The castle is now used as a barrack for infantry. It is accessible only from the High Street, and must have been impregnable before the discovery of gunpowder. In the wars with the English, it was twice taken by stratagem: once in a very daring manner, by climbing up the most ​inaccessible part of the rock upon which it stands, and where a foe was least expected, and putting the guard to death; and at another time, by a party of soldiers disguising themselves as merchants, and obtaining admission inside the castle gates. They succeeded in preventing the gates from being closed until reinforced by a party of men under Sir Wm. Douglas, who soon over-powered the occupants of the castle.
We could not resist the temptation held out to see the palace of Holyrood. It was in this place that the beautiful but unfortunate Mary Queen of Scots resided for a number of years. On reaching the palace, we were met at the door by an elderly-looking woman, with a red face, garnished with a pair of second-hand curls, the whole covered with a cap having the widest border that I had seen for years. She was very kind in showing us about the premises, especially as we were foreigners, no doubt expecting an extra fee for politeness. The most interesting of the many rooms in this ancient castle is the one which was occupied by the queen, and where her Italian favorite, Rizzio, was murdered.
But by far the most interesting object which we visited while in Edinburgh was the house where the celebrated Reformer, John Knox, resided. It is a queer-looking old building, with a pulpit on the outside, and above the door are the nearly obliterated remains of the following inscription: "Lufe. God. Above. Al. And. your. Nichbour. As you. Self." This was probably traced under the immediate direction of the great Reformer. ​Such an inscription put upon a house of worship at the present day would be laughed at. I have given it to you, punctuation and all, just as it stands.
The general architecture of Edinburgh is very imposing, whether we regard the picturesque disorder of the buildings in the Old Town, or the symmetrical proportions of the streets and squares in the New. But on viewing this city, which has the reputation of being the finest in Europe, I was surprised to find that it had none of those sumptuous structures which, like St. Paul's, or Westminster Abbey, York Minster, and some other of the English provincial cathedrals, astonish the beholder alike by their magnitude and their architectural splendor. But in no city which I have visited in the kingdom is the general standard of excellence better maintained than in Edinburgh.
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