OpenLLM-France/wikimedia huggingface dataset:
# The Times/1929

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1929/
# The Times/1929/News/The history of the cinematograph

Source: The Times, Issue: 45319, p. 12; Friday, Sept. 27, 1929
Layout 2
The history of the cinematograph Museum collection to be withdrawn
That part of the Will Day collection of cinematograph equipment which is on exhibition at the Science Museum, South Kensington, is likely to be withdrawn shortly. Messrs. Harris and Gillow state that they have instructions to offer the whole collection for sale. It is a large collection, not more than one-fifth having been exhibited at South Kensington, and Mr. Will Day, the owner, has been anxious for some time to have it exhibited as a whole.
This is an interesting collection, tracing the history of the cinematograph and including various sidelines such as optical projection, which belong to a period before cinematography. Most of the items, therefore, belong to the last century. Every branch of the history is represented, and the collection may be said to be almost complete, and includes books, papers lanterns, slides, projectors, films, illuminants, moving pictures, and optical illusions. The whole, if put on exhibition, would probably occupy three or four large rooms. The Science Museum has been unable to accept the whole for display because of it deals with sidelines, and the policy of the museum is to illustrate only the main stages in the development of such an invention.
This work is anonymous or pseudonymous, and is in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries). It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 94 years or less since publication.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Times/1929/Obituary/Freeman Marius O'Donoghue

* related portals: Obituaries.
* sister projects: Wikipedia article, Wikidata item.
Source: The Times, Wednesday, Dec 11, 1929; Issue 45383; pg. 19; col B — Mr. F. M. O'Donoghue
Layout 2
Mr. F. M. O'Donoghue
Mr. Freeman Marius O'Donoghue, late Assistant Keeper in the Department of Prints and Drawings at the British Museum, died on Monday at his chambers in Ryder-street, St. James's, not long before his 81st birthday.
Though he came of Irish stock, Mr. O'Donoghue was a Londoner by birth and long residence. When he was about 17 he entered the Department of Prints and Drawings as a junior assistant, and served there for 40 years, ending his career as Assistant Keeper under the late Sir Sidney Colvin. He specialized in portraits, and was requested by the Trustees to stay on beyond the usual age limit in order that he might finish a special catalogue on which he was engaged. He had been a Fellow of the Society of Antiquaries for many years. Mr. O'Donoghue, who was unmarried, took no interest in sport. His recreations were confined to reading and walking, and he seldom left London save for an occasional visit to Bath. He was constantly at the Reform Club of which he had been a member for a long period.
This work is anonymous or pseudonymous, and is in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries). It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 94 years or less since publication.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Star Woman/Book 2

BOOK II THE FUR PIRATE
# The Star Woman/Book 3

BOOK III THE STAR GOES, THE WOMAN REMAINS
# The Production of Security/9

The Regime of Terror
Suppose nevertheless that the partisans of an artificial organization, either the monopolists or the communists, are right; that society is not naturally organized, and that the task of making and unmaking the laws that regulate society continuously devolves upon men, look in what a lamentable situation the world would find itself. The moral authority of governors rests, in reality, on the self-interest of the governed. The latter having a natural tendency to resist anything harmful to their self-interest, unacknowledged authority would continually require the help of physical force.
The monopolist and the communists, furthermore, completely understand this necessity.
​If anyone, says M. de Maistre, attempts to detract from the authority of God's chosen ones, let him be turned over to the secular power, let the hangman perform his office.
If anyone does not recognize the authority of those chosen by the people, say the theoreticians of the school of Rousseau, if he resists any decision whatsoever of the majority, let him be punished as an enemy of the sovereign people, let the guillotine perform justice.
These two schools, which both take artificial organization as their point of departure, necessarily lead to the same conclusion: TERROR.
# The Production of Security/7

Government and Society
But is it conceivable that the production of security could be organized other than as a monopoly or communistically? Could it conceivably be relegated to free competition?
The response to this question on the part of political writers is unanimous: No.
Why? We will tell you why.
Because these writers, who are concerned especially with governments, know nothing about society. They regard it as an artificial fabrication, and believe that the mission of government is to modify and remake it constantly.
Now in order to modify or remake society, it is necessary to be empowered with an authority superior to that of the various individuals of which it is composed.
​Monopolistic governments claim to have obtained from God himself this authority which gives them the right to modify or remake society according to their fancy, and to dispose of persons and property however they please. Communistic governments appeal to human reason, as manifested in the majority of the sovereign people.
But do monopolistic governments and communistic governments truly possess this superior, irresistible authority? Do they in reality have a higher authority than that which a free government could have? This is what we must investigate.
# The Professor's House

THE
PROFESSOR’S
HOUSE
by
WILLA CATHER
“A turquoise set in silver, wasn’t it?. .Yes, a turquoise set in dull silver.”
—LOUIE MARSELLUS
ALFRED-A-KNOPF
New York mcmxxv
COPYRIGHT, 1925, BY WILLA CATHER
MANUFACTURED IN THE UNITED STATES OF AMERICA
CONTENTS
| Book | I | The Family | 11 |
| Book | II | Tom Outland’s Story | 179 |
| Book | III | The Professor | 255 |
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Story of King Arthur and his Knights

* Contents
* Foreword
* The Book of King Arthur
* The Winning of Kinghood
* Prologue
* Chapter I
* Chapter II
* Chapter III
* Conclusion
* The Winning of a Sword
* Chapter I
* Chapter II
* Chapter III
* The Winning of a Queen
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Conclusion
* The Book of Three Worthies
* Foreword
* Prologue
* The Story of Merlin
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Conclusion
* The Story of Sir Pellias
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Conclusion
* The Story of Sir Gawaine
* Chapter I
* Chapter II
* Chapter III
* Conclusion
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Story of King Arthur and his Knights/Foreword

After several years of contemplation and of thought upon the matter herein contained, it has at last come about, by the Grace of God, that I have been able to write this work with such pleasure of spirit that, if it gives to you but a part of the joy that it hath afforded me, I shall be very well content with what I have done.
For when, in pursuing this history, I have come to consider the high nobility of spirit that moved these excellent men to act as they did, I have felt that they have afforded such a perfect example of courage and humility that anyone might do exceedingly well to follow after their manner of behavior in such measure as he is able to do.
For I believe that King Arthur was the most honorable, gentle Knight who ever lived in all the world. And those who were his fellows of the Round Table - taking him as their looking-glass of chivalry - made, altogether, such a company of noble knights that it is hardly to be supposed that their like will ever be seen again in this world. Wherefore it is that I have had such extraordinary pleasure in beholding how those famous knights behaved whenever circumstances called upon them to perform their endeavor.
So in the year of grace one thousand nine hundred and two I began to write this history of King Arthur and his Knights of the Round Table and, if I am able so to do, I shall endeavor, with love of that task, to finish the same at some other time in another book and to the satisfaction of whosoever may care to read the story thereof.
# The Tragedy of Baikie

As published in Once a Week, 1859–1860.
* Part 1
* Part 2
# The Tragedy of Dido, Queene of Carthage/Dramatis

          DRAMATIS PERSONAE
Gods:
                      Jupiter
                      Mercury (Hermes)
                      Ganymede
                      Cupid
Goddesses:
                      Venus
                      Juno
Trojans:
                      Aeneas
                      Ascanius, his son
                      Achates
                      Ilioneus
                      Cloanthus
                      Sergestus
          Iarbus, King of Gaetulia
          Dido, Queen of Carthage
          Anna, her sister
          Nurse
          Trojan soldiers, Carthaginian Lords, Attendants
# The Tragedy of Dido, Queene of Carthage

* Actus 1
* Actus 2
* Actus 3
* Actus 4
* Actus 5
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Taming of the Shrew (Lamb)

A retelling of Shakespeare's play Taming of the Shrew.
* "The Taming of the Shrew," in Tales from Shakspeare (1831), by Charles and Mary Lamb
* "The Taming of the Shrew," in Tales from Shakespeare (1908), by Charles and Mary Lamb, illustrated by Arthur Rackham
# The Tampa Times

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
The Tampa Times is a daily newspaper based in Tampa, Florida.----
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Tampa Times/
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tampa Times/1919/For Sale

Jarvis Andrew Lattin (1853-1941) in The Tampa Times on June 4, 1919.
For Sale. Farm of 40 acres, 15 acres in grapefruit, 7 years old; 20 acres good vegetable soil, large 2-story house cost $3,000; large barn and packing house. Team of horses, 2 wagons, mower, rake and disk and all implements and 40 head of hogs, 40 chickens, 10 geese. Tropical shade trees. One mile from town. Price $8,000. No frost. Temperature, 60 to 96. J. A. Lattin, Santabarbara, Isle of Pines. 5-29-4t
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tampa Times/1920/J. A. Lattin, from the Isle of Pines

Jarvis Andrew Lattin (1853-1941) in The Tampa Times on December 27, 1920.
J. A. Lattin, from the Isle of Pines, recently arrived in Tampa on the Narwhal. Mr. Lattin is a pioneer settler of the Isle of Pines, and is a big property owner there, being a major shipper of citrus fruit. He has made his residence in Santa Barbara.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Strand Magazine/Volume 4/Issue 19

July, 1892. (transcription project)
Layout 4
​ THE MASS IN THE WOOD. (Marceau's Prisoner.)
* Marceau's Prisoner, from the French of Alexandre Dumas. Illustrated by Paul Hardy.
* Zig-Zags at the Zoo, No. I. Prelusory by Arthur Morrison. Illustrated by J. A. Shepherd.
* Shafts from an Eastern Quiver, No. I. The Diamonds of Shomar's Queen, by Charles J. Mansford. Illustrated by A. Pearse.
* The Evolution of the Cycle. Illustrated by George Cruikshank, Jr..
* A Garden of Roses, by Harry How. Illustrated by Hal Ludlow.
* Portraits of Celebrities at Different Times of their Lives.
* Harold Bellew
* William Gunn
* Arthur Shrewsbury
* Farrer Herschell
* Lucy Walford
* Briton Riviere
* Alexandre Dumas
* The Raising of the Utopia. Illustrated by John Gülich.
* Dr. Trifulgas, from the French of Jules Verne. Illustrated by Jean de Paléologue.
* Illustrated Interviews. No. XIII. George Augustus Sala, by Harry How. Illustrated by John Gülich.
* A Romance from a Detective's Case-Book: The Jewelled Skull, by Dick Donovan. Illustrated by Paul Hardy.
* Popular Composers.
* The Story of Mont Blanc, by J. E. Muddock. Illustrated by W. H. J. Boot.
* Rajeb's Reward, from the French of M. P. Granal. Illustrated by H. R. Millar.
* The Queer Side of Things
** The Legend of Bill Erie, by J. Soudan.
** Aristocracy of the Doggy World.
** A Dynamite Scare, by W. Alison Phillips.
** Pal's Puzzle Page, by Jean de Paléologue.
** Miscellaneous.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Triumphs of Temper (11th ed.)/Canto 5

CANTO V.
Published as the Act directs by T. Cadell, Strand, Feb$^r$. 1st. 1788.
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END OF THE FIFTH CANTO.
# The Triumphs of Temper (11th ed.)/Canto 6

CANTO VI.
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London, Publish'd Sept$^r$. 1st. 1787, by T. Cadell, Strand.
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London: printed by R. Noble, in the Old Bailey.
* ↑ Βεκν Διι, Νεςορε τ᾽ ατδςων. See Nestor's speech in the 11th Iliad.
* ↑ See the views of this palace in Swinburne's Travels.
# The Reminiscences of Carl Schurz (book)/Volume One

A version of this volume with more illustrations and fuller captions is available at Volume One (without scans).
THE
REMINISCENCES
OF
CARL SCHURZ
VOLUME ONE
1829-1852
ILLUSTRATED WITH PORTRAITS AND
ORIGINAL DRAWINGS
NEW YORK
THE McCLURE COMPANY
MCMVII
TABLE OF CONTENTS :
| CHAPTER | CHAPTER | PAGE |
| I | Family History | 3 |
| II | Childhood in Liblar | 21 |
| III | At the Gymnasium in Cologne | 53 |
| IV | At the University of Bonn | 90 |
| V | Beginnings of Revolution, 1848 | 112 |
| VI | Uprising in Germany—Students' |
| | Participation | 134 |
| VII | Campaigns in the Palatinate and |
| | Baden—Escape from Rastatt | 179 |
| VIII | Refugee in Switzerland | 237 |
| IX | Return to Germany—Rachel | 254 |
| X | Liberation of Kinkel | 285 |
| XI | Flight with Kinkel to England | 317 |
| XII | Sojourn in Paris | 342 |
| XIII | Return to London, Mission to |
| | Switzerland—Mazzini, Kossuth | 367 |
| XIV | Refugee Life in London—Marriage |
| | and Departure for America | 389 |
THE REMINISCENCES OF CARL SCHURZ
Copyright, 1907, by The McClure Company
Published, October, 1907
Copyright, 1905, 1906, by The S. S. McClure Company
Copyright 1905, 1906, by Carl Schurz
CARL SCHURZ IN 1906
LIST OF ILLUSTRATIONS
| | FACING PAGE |
| Carl Schurz in 1906 Frontispiece |
| Heribert Jüssen and Frau Jüssen | 12 |
| Christian Schurz, Father of Carl Schurz—Born 1796, Died 1876 | 22 |
| Mother of Schurz—Born 1798, Died 1877 | 24 |
| University at Bonn and Rathaus at Bonn | 92 |
| Rathaus at Bonn | 94 |
| Prof. Gottfried Kinkel | 98 |
| Frederick William III | 104 |
| Frederick William IV and Louis Philippe | 118 |
| The Revolution in Berlin, 1848 | 122 |
| Carl Schurz at Nineteen | 128 |
| Karl Marx | 170 |
| Carl Schurz as a Student | 196 |
| Frederich Tiedemann and Hensel | 204 |
| “A Prussian Officer, under a Flag of Truce, with a Summons to Surrender” | 212 |
| Gottfried Kinkel in Chains | 246 |
| Rachel—From the Painting by Edouard Dubufe | 278 |
| Krüger, Innkeeper at Spandau and Herr Leddihn | 286 |
| Kinkel's Escape | 310 |
| A Mythical Portrait of Schurz | 338 |
| Gottfried Kinkel and Carl Schurz | 374 |
| Carl Schurz and His Wife | 402 |
# The Sad Years/Ourselves Alone

From The Sad Years (1918).
OURSELVES ALONE
One morning, when dreaming in deep meditation, I met a sweet colleen a-making her moan. With sighing and sobbing she cried and lamented: “Oh where is my lost one, and where has he flown?”
My house it is small, and my field is but little, Yet round flew my wheel as I sat in the sun. He crossed the deep sea and went forth for my battle: Oh, has he proved faithless—the fight is not won?
And then I said: “Kathleen, ah! do you remember When you were a queen, and your castles were strong, You cried for the love of a cold-hearted stranger, And in your fair island you planted the wrong?”
“And oh,” I cried, “Kathleen, I once heard you weeping And sighing and sobbing and making your moan. You sang of a lost one, a dear one, a false one— ‘Oh, gone is my blackbird, and where has he flown?’
“Ah! many came forth to the sound of your crying, And fought down the years for the freedom you pined. How many lie still, in their cold exile sleeping, Who sought in far lands your lost blackbird to find?
“And many are caught in the net of the stranger— Have all but forgotten the sound of your name, For other loves call them to help and to save them! They fell to dishonour—we hold them in shame.
“Oh, why drive me forth from your hearth into exile And into far dangers? Your house is my own. Faithful I serve, as I ever did serve you, Standing together, ourselves—and alone.”
# The Sad Years/On the Other Side

From The Sad Years (1918).
ON THE OTHER SIDE
What will you do through the waiting days, What will my darling do? Will you sleep, or wander in those strange ways Until I can come to you?
Do you cry at the door as I cry here, Death's door that lies between? Do you plead in vain for my love, my dear, As you stand by my side unseen?
Who will comfort your difficult ways That were hard to understand, When I who knew you through all your days, Can give you no helping hand?
When I who loved you no word can speak, Though your ghost should cry to me, Can give no help, though my heart should break At the thought of your agony.
You were shy of strangers—and who will come As you stand there lone and new, Through the long years when my lips are dumb What will my darling do?
# The Sad Years/Nora

From The Sad Years (1918).
NORA
Within an English village yesterday I came upon a little child at play. I lingered by to watch the baby game, And heard some voice call gently on her name.
Sweet she replied. How leaped my heart to hear The pretty notes, the accent ever dear, Shy as the wind soft singing from the South! I, hungry, kissed the brogue upon her mouth.
# The Sad Years/October 1915

From The Sad Years (1918).
OCTOBER, 1915
When the white rose and the red spill their leaves upon the way, Make a scented path to tread through the long, sun-haunted day; I half-dreaming all forget in the summer's idle grace, That the city's claim will come, bid me back into my place.
How can I go forth again to the hot and restless town, Where the stranger people pass ever careless up and down, Where convention chills each hand from a kind and friendly hold? Here the robin to my call cheerful comes, alert and bold.
Summer with her pretty ways now is taking leave of me, Slow the ling'ring roses fall, softly sings the honey-bee, How can I go back again to the horrors of the town, Where the husky voice of war fiercely echoes up and down?
# The Sad Years/Sick I Am and Sorrowful

From The Sad Years (1918).
SICK I AM AND SORROWFUL
Sick I am and sorrowful, how can I be well again Here, where fog and darkness are, and big guns boom all day, Practising for evil sport? If you speak humanity, Hatred comes into each face, and so you cease to pray.
How I dread the sound of guns, hate the bark of musketry, Since the friends I loved are dead, all stricken by the sword. Full of anger is my heart, full of rage and misery; How can I grow well again, or be my peace restored?
If I were in Glenmalure, or in Enniskerry now, Hearing of the coming spring in the pine-tree's song; If I woke on Arran Strand, dreamt me on the cliffs of Moher, Could I not grow gay again, should I not be strong?
If I stood with eager heart on the heights of Carrantuohill,
Beaten by the four great winds into hope and joy again,
Far above the cannons' roar or the scream of musketry,
If I heard the four great seas, what were weariness or pain?
Were I in a little town, Ballybunnion, Ballybrack,
Laughing with the children there, I would sing and dance once more,
Hear again the storm clouds roll hanging over Lugnaquilla,
Build dream castles from the sands of Killarney's golden shore.
If I saw the wild geese fly over the dark lakes of Kerry
Or could hear the secret winds, I could kneel and pray.
But 'tis sick I am and grieving, how can I be well again
Here, where fear and sorrow are—my heart so far away?