# The Awkward Age (New York: Harper and Brothers, 1899)/Book 6/Chapter 22

XXII
The subject of this eulogy had meanwhile returned to her sofa, where she received the homage of her new visitor. "It's not I who am magnificent, a bit—it's dear Mr. Longdon. I've just had from Van the most wonderful piece of news about him—his announcement of his wish to make it worth somebody's while to marry my child."
"'Make it'?"— Mitchy stared. "But isn't it?"
"My dear friend, you must ask Van. Of course you've always thought so. But I must tell you, all the same," Mrs. Brook went on, "that I'm delighted."
Mitchy had seated himself, but Vanderbank remained erect and became perhaps even slightly stiff. He was not angry—none of the inner circle at Buckingham Crescent was ever angry—but he looked grave and rather troubled. "Even if it is decidedly fine"—he addressed his hostess straight—"I can't make out, however, quite why you're doing this. I mean immediately making it known."
"Ah, but what do we keep from Mitchy?" Mrs. Brook asked.
"What can you keep? It comes to the same thing," Mitchy said. "Besides, here we are together, share and share alike—one beautiful intelligence. Mr. Longdon's 'somebody' is of course Van. Don't try to treat me as an outsider."
Vanderbank looked a little foolishly, though it was but the shade of a shade, from one of them to the other. "I think I've been rather an ass!"
"What then, by the terms of our friendship—just as Mitchy says—can he and I have a better right to know and to feel with you about? You will want, Mitchy, won't you?"Mrs. Brook went on, "to hear all about that."
"Oh, I only mean," Vanderbank explained, "in ​having just now blurted my tale out to you. However, I of course do know," he pursued to Mitchy, "that whatever is really between us will remain between us. Let me then tell you myself exactly what's the matter." The length of his pause, after these words, showed at last that he had stopped short; on which his companions, as they waited, exchanged a sympathetic look. They waited another minute, and then he dropped into a chair, where, leaning forward, his elbows on the arms and his gaze attached to the carpet, he drew out the silence. Finally he looked at Mrs. Brook. "You make it clear."
The appeal called up for some reason her most infantine manner. "I don't think I can, dear Van—really clear. You know, however, yourself," she continued to Mitchy, "enough, by this time, about Mr. Longdon and mamma."
"Oh, rather!" Mitchy laughed.
"And about mamma and Nanda."
"Oh, perfectly: the way Nanda reminds him, and the 'beautiful loyalty' that has made him take such a fancy to her. But I've already embraced the facts—you needn't dot any i's." With another glance at his fellow-visitor Mitchy jumped up and stood there florid. "He has offered you money to marry her." He said this to Vanderbank as if it were the most natural thing in the world.
"Oh no," Mrs. Brook interposed with promptitude: "he has simply let him know before any one else that the money is there for Nanda, and that therefore—"
"First come, first served?"—Mitchy had already taken her up. "I see, I see. Then, to make her sure of the money," he inquired of Vanderbank, "you must marry her?"
"If it depends upon that, she'll never get it," Mrs. Brook returned. "Dear Van will think, conscientiously, a lot about it, but he won't do it."
​"Won't you, Van, really?" Mitchy asked from the hearth-rug.
"Never, never. We shall be very kind to him, we shall help him, hope and pray for him, but we shall be at the end," said Mrs. Brook, "just where we are now. Dear Van will have done his best, and we shall have done ours. Mr. Longdon will have done his—poor Nanda, even, will have done hers. But it will all have been in vain. However," Mrs. Brook continued to expound, "she'll probably have the money. Mr. Longdon will surely consider that she'll want it if she doesn't marry still more than if she does. So we shall be so much at least," she wound up—"I mean Edward and I and the child will be—to the good."
Mitchy, for an equal certainty, required but an instant's thought. "Oh, there can be no doubt about that. The things about which your mind may now be at ease—!" he cheerfully exclaimed.
"It does make a great difference!" Mrs. Brook comfortably sighed. Then in a different tone: "What dear Van will find at the end that he can't face will be, don't you see? just this fact of appearing to have accepted a bribe. He won't want, on the one hand—out of kindness for Nanda—to have the money suppressed; and yet he won't want to have the pecuniary question mixed up with the matter—to look, in short, as if he had had to be paid. He's like you, you know—he's proud; and it will be there we shall break down."
Mitchy had been watching his friend, who, a few minutes before perceptibly embarrassed, had now recovered himself and, at his ease, though still perhaps with a smile a trifle strained, leaned back and let his eyes play everywhere but over the faces of the others. Vanderbank evidently wished now to show a good-humored detachment.
"See here," Mitchy said to him: "I remember your once submitting to me a case of some delicacy."
​"Oh, he'll submit it to you—he'll submit it even to me," Mrs. Brook broke in. "He'll be charming, touching, confiding—above all he'll be awfully interesting about it. But he'll make up his mind in his own way, and his own way won't be to accommodate Mr. Longdon."
Mitchy continued to study their companion in the light of these remarks, then turned upon his hostess his sociable glare. "Splendid, isn't it, the old boy's infatuation with him?"
Mrs. Brook just hesitated. "From the point of view of the immense interest it—just now, for instance—makes for you and me? Oh yes, it's one of our best things yet. It places him a little with Lady Fanny—'He will, he won't; he won't, he will!' Only, to be perfect, it lacks, as I say, the element of real suspense."
Mitchy frankly wondered. "It does, you think? Not for me—not wholly." He turned again, quite pleadingly, to their friend. "I hope it doesn't for yourself totally either?"
Vanderbank, cultivating his detachment, made at first no more reply than if he had not heard, and the others meanwhile showed faces that testified perhaps less than their respective speeches had done to the absence of anxiety. The only token he immediately gave was to get up and approach Mitchy, before whom he stood a minute, laughing kindly enough, but not altogether gaily. As if then for a better proof of gaiety he presently seized him by the shoulders and, still without speaking, pushed him backward into the chair he himself had just quitted. Mrs. Brook's eyes, from the sofa, while this went on, attached themselves to her visitors. It took Vanderbank, as he moved about and his companions waited, a minute longer to produce what he had in mind. "What is splendid, as we call it, is this extraordinary freedom and good-humor of our intercourse and the fact that we do care—so independently of our personal interests, with so ​little selfishness or other vulgarity—to get at the idea of things. The beautiful specimen Mrs. Brook had just given me of that," he continued to Mitchy, "was what made me break out to you about her when you came in." He spoke to one friend, but he looked at the other. "What's really 'superior' in her is that, though I suddenly show her an interference with a favorite plan, her personal resentment is nothing—all she wants is to see what may really happen, to take in the truth of the case and make the best of that. She offers me the truth, as she sees it, about myself, and with no nasty elation if it does chance to be the truth that suits her best. It was a charming, charming stroke."
Mitchy's appreciation was no bar to his amusement. "You're wonderfully right about us. But still it was a stroke."
If Mrs. Brook was less diverted she followed perhaps more closely. "If you do me so much justice then, why did you put to me such a cold, cruel question?—I mean when you so oddly challenged me on my handing on your news to Mitchy. If the principal beauty of our effort to live together is—and quite according to your own eloquence—in our sincerity, I simply obeyed the impulse to do the sincere thing. If we're not sincere, we're nothing."
"Nothing!"—it was Mitchy who first responded. "But we are sincere."
"Yes, we are sincere," Vanderbank presently said. "It's a great chance for us not to fall below ourselves; no doubt, therefore, we shall continue to soar and sing. We pay for it, people who don't like us say, in our self-consciousness—"
"But people who don't like us," Mitchy broke in, "don't matter. Besides, how can we be properly conscious of each other—?"
"That's it!"— Vanderbank completed his idea: " ​…out my finding myself, for instance, in you and Mrs. Brook? We see ourselves reflected—we're conscious of the charming whole. I thank you," he pursued after an instant to Mrs. Brook—"I thank you for your sincerity."
It was a business sometimes really to hold her eyes, but they had, it must be said for her, their steady moments. She exchanged with Vanderbank a somewhat remarkable look, then, with an art of her own, broke short off without appearing to drop him. "The thing is, don't you think?"—she appealed to Mitchy—"for us not to be so awfully clever as to make it believed that we can never be simple. We mustn't see too tremendous things—even in each other." She quite lost patience with the danger she glanced at. "We can be simple!"
"We can, by God!" Mitchy laughed.
"Well, we are now—and it's a great comfort to have it settled," said Vanderbank.
"Then you see," Mrs. Brook returned, "what a mistake you would make to see abysses of subtlety in my having been merely natural."
"We can be natural," Mitchy declared.
"We can, by God!" Vanderbank laughed.
Mrs. Brook had turned to Mitchy. "I just wanted you to know. So I spoke. It's not more complicated than that. As for why I wanted you to know—"
"What better reason could there be," Mitchy interrupted, "than your being filled to the finger-tips with the sense of how I would want it myself, and of the misery, the absolute pathos, of my being left out? Fancy, my dear chap"—he had only to put it to Van—"my not knowing!"
Vanderbank evidently couldn't fancy it, but he said quietly enough: "I should probably have told you myself."
"Well, what's the difference?"
"Oh, there is a difference," Mrs. Brook loyally said. ​Then she opened an inch or two, for Vanderbank, the door of her dim radiance. "Only I should have thought it a difference for the better. Of course," she added, "it remains absolutely with us three alone, and don't you already feel from it the fresh charm—with it here between us—of our being together?"
It was as if each of the men had waited for the other to assent better than he himself could, and Mitchy then as Vanderbank failed, had gracefully, to cover him, changed the subject. "But isn't Nanda, the person most interested, to know?"
Vanderbank gave, on this, a strange sound of hilarity. "Ah, that would finish it off!"
It produced, for a few seconds, something like a chill, a chill that had for consequence a momentary pause which in its turn added weight to the words next uttered. "It's not I who shall tell her," Mrs. Brook said gently and gravely. "There!—you maybe sure. If you want a promise, it's a promise. So that if Mr. Longdon's silent," she went on, "and you are, Mitchy, and I am, how in the world shall she have a suspicion?"
"You mean of course except by Van's deciding to mention it himself."
Van might have been, from the way they looked at him, some beautiful unconscious object, but Mrs. Brook was quite ready to answer. "Oh, poor man, he'll never breathe."
"I see. So there we are."
To this discussion the subject of it had for the time nothing to contribute, even when Mitchy, rising with the words he had last uttered from the chair in which he had been placed, took, sociably, as well, on the hearthrug, a position before their hostess. This move ministered, apparently, only to Vanderbank's silence, for it was still without speaking that, after a little, he turned away from his friend and dropped once more into the ​same seat. "I've shown you already, you of course remember," Vanderbank presently said to him, "that I'm perfectly aware of how much better Mrs. Brook would like you for the position."
"He thinks I want him myself," Mrs. Brook blandly explained.
She was indeed, as they always thought her, "wonderful," but she was perhaps not even now so much so as Mitchy found himself able to be. "But how would you lose old Van—even at the worst?" he earnestly asked of her.
She just hesitated. "What do you mean by the worst?"
"Then even at the best," Mitchy smiled. "In the event of his falsifying your prediction; which, by-the-way, has the danger, hasn't it?—I mean for your intellectual credit—of making him, as we all used to be called by our nurse-maids, "contrairy.'"
"'Oh, I've thought of that," Mrs. Brook returned. "But he won't do, on the whole, even for the sweetness of spiting me, what he won't want to do. I haven't said I should lose him," she went on; "that's only the view he himself takes—or, to do him perfect justice, the idea he candidly imputes to me; though without, I imagine—for I don't go so far as that—attributing to me anything so unutterably bête as a feeling of jealousy."
"You wouldn't dream of my supposing anything inept of you," Vanderbank said on this, "if you understood to the full how I keep on admiring you. Only what stupefies me a little," he continued, "is the extraordinary critical freedom—or we may call it if we like the high intellectual detachment—with which we discuss a question touching you, dear Mrs. Brook, so nearly and engaging so your most private and most sacred sentiments. What are we playing with, after all, but the idea of Nanda's happiness?"
​"Oh, I'm not playing!" Mrs. Brook declared with a little rattle of emotion.
"She's not playing"—Mr. Mitchett gravely confirmed it. "Don't you feel in the very air the vibration of the passion that she's simply too charming to shake at the window as the house-maid shakes the table-cloth or the jingo the flag?" Then he took up what Vanderbank had previously said. "Of course, my dear man, I'm 'aware,' as you just now put it, of everything, and I'm not indiscreet, am I, Mrs. Brook? in admitting for you, as well as for myself, that there was an impossibility that you and I used sometimes to turn over together. Only—Lord bless us all!—it isn't as if I hadn't long ago seen that there's nothing at all for me."
"Ah, wait, wait!" Mrs. Brook put in.
"She has a theory"—Vanderbank, from his chair, lighted it up for Mitchy, who hovered before them—"that your chance will come, later on, after I've given my measure."
"Oh, but that's exactly," Mitchy was quick to respond, "what you'll never do! You'll walk in magnificent mystery 'later on' not a bit less than you do to-day; you'll continue to have the benefit of everything that our imagination, perpetually engaged, often baffled and never fatigued, will continue to bedeck you with. Nanda, in the same way, to the end of all her time, will simply remain exquisite, or genuine, or generous—whatever we choose to call it. It may make a difference to us, who are comparatively vulgar, but what difference will it make to her whether you do or you don't decide for her? You can't belong to her more, for herself, than you do already—and that's precisely so much that there's no room for any one else. Where, therefore, without that room, do I come in?"
"Nowhere, I see"—Vanderbank seemed obligingly to muse.
​Mrs. Brook had followed Mitchy with marked admiration, but she gave, on this, at Van, a glance that was like the toss of a blossom from the same branch. "Oh then, shall I just go on with you both? That will be joy!" She had, however, the next thing, a sudden drop, which shaded the picture. "You're so divine, Mitchy, that how can you not, in the long-run, break any woman down?"
It was not as if Mitchy was struck—it was only that he was courteous. "What do you call the long-run? Taking about till I'm eighty?"
"Ah, your genius is of a kind to which middle life will be particularly favorable. You'll reap then, somehow, one feels, everything you've sown."
Mitchy still accepted the prophecy only to control it. "Do you call eighty middle life? Why, my moral beauty, my dear woman—if that's what you mean by my genius—is precisely my curse. What on earth is left for a man just rotten with goodness! It renders necessary the kind of liking that renders unnecessary anything else."
"Now that is cheap paradox!" Vanderbank patiently sighed. "You're down for a fine."
It was with less of the patience perhaps that Mrs. Brook took this up. "Yes, on that we are stiff. Five pounds, please."
Mitchy drew out his pocket-book even though he explained. "What I mean is that I don't give out the great thing." With which he produced a crisp bank-note.
"Don't you?" asked Vanderbank, who, having taken it from him to hand to Mrs. Brook, held it a moment, delicately, to accentuate the doubt.
"The great thing's the sacred terror. It's you who give that out."
"Oh!"—and Vanderbank laid the money on the small stand at Mrs. Brook's elbow.
"Ain't I right, Mrs. Brook?—doesn't he, tremendously, and isn't that, more than anything else, what does it?"
​The two again, as if they understood each other, gazed in a unity of interest at their companion, who sustained it with an air clearly intended as the happy mean between embarrassment and triumph. Then Mrs. Brook showed she liked the phrase. "The sacred terror! Yes, one feels it. It is that."
"The finest case of it," Mitchy pursued, "that I've ever met. So my moral's sufficiently pointed."
"Oh, I don't think it can be said to be that," Vanderbank returned, "till you've put the whole thing into a box by doing for Nanda what she does most want you to do."
Mitchy caught on without a shade of wonder. "Oh, by proposing to the Duchess for little Aggie?" He took but an instant to turn it over. "Well, I would propose, to please Nanda. Only I've never yet quite made out the reason of her wish."
"The reason is largely," his friend answered, "that, being very fond of Aggie, and in fact extremely admiring her, she wants to do something good for her and to keep her from anything bad. Don't you know—it's too charming—she regularly believes in her?"
Mitchy, with all his recognition, vibrated to the touch. "Isn't it too charming?"
"Well then," Vanderbank went on, "she secures for her friend a phœnix like you, and secures for you a phœnix like her friend. It's hard to say for which of you she desires most to do the handsome thing. She loves you both, in short"—he followed it up—"though perhaps, when one thinks of it, the price she puts on you, Mitchy, in the arrangement, is a little the higher. Awfully fine, at any rate—and yet awfully odd too—her feeling for Aggie's type, which is divided by such abysses from her own."
"Ah," laughed Mitchy, "but think then of her feeling for mine!"
Vanderbank, still more at his ease now and with his head ​back, had his eyes aloft and afar. "Oh, there are things in Nanda—!" The others exchanged a glance at this, while their companion added: "Little Aggie's really the sort of creature she would have liked to be able to be."
"Well," Mitchy said, "I should have adored her even if she had been able."
Mrs. Brook, for some minutes, had played no audible part, but the acute observer we are constantly taking for granted would perhaps have detected in her, as one of the effects of the special complexion, to-day, of Vanderbank's presence, a certain smothered irritation. "She couldn't possibly have been able," she now interposed, "with so loose—or rather, to express it more properly, with so perverse—a mother."
"And yet, my dear lady," Mitchy promptly reflected, "how, if, in little Aggie's case, the Duchess hasn't prevented—?"
Mrs. Brook was full of wisdom. "Well, it's a different thing. I'm not, as a mother—am I, Van?—bad enough. That's what's the matter with me. Aggie, don't you see? is the Duchess's morality, her virtue; which, by having it, that way, outside of you, as one may say, you can make a much better thing of. The child has been for Jane, I admit, a capital little subject, but Jane has kept her on hand and finished her like some wonderful piece of stitching. Oh, as work, it's of a soigné! There it is—to show. A woman like me has to be herself, poor thing, her virtue and her morality. What will you have? It's our lumbering English plan."
"So that her daughter," Mitchy sympathized, "can only, by the arrangement, hope to become at the best, her immorality and her vice?"
But Mrs. Brook, without an answer for the question, appeared suddenly to have plunged into a sea of thought. "The only way for Nanda to have been really nice—"
"Would have been for you to be like Jane?"
​Mitchy and his hostess seemed for a minute, on this, to gaze together at the tragic truth. Then she shook her head. "We see our mistakes too late." She repeated the movement, but as if to let it all go, and Vanderbank, meanwhile, pulling out his watch, had got up with a laugh that showed some inattention and made to Mitchy a remark about their walking away together. Mitchy, engaged for the instant with Mrs. Brook, had assented only with a nod, but the attitude of the two men had become that of departure. Their friend looked at them as if she would like to keep one of them, and for a purpose connected somehow with the other, but was oddly, almost ludicrously, embarrassed to choose. What was in her face indeed, during this short passage, might prove to have been, should we penetrate, the flicker of a sense that, in spite of all intimacy and amiability, they could, at bottom and as things commonly turned out, only be united against her. Yet she made at the end a sort of choice in going on to Mitchy: "He hasn't at all told you the real reason of Nanda's idea that you should go in for Aggie."
"Oh, I draw the line there," said Vanderbank. "Besides, he understands that too."
Mitchy did, on the spot, himself and every one justice. "Why, it just disposes of me, doesn't it?"
Vanderbank, restless now and turning about the room, stopped, on this, with a smile for Mrs. Brook. "We understand too well!"
"Not if he doesn't understand," she replied after a moment, while she turned to Mitchy, "that his real 'combination' can, in the nature of the case, only be—"
"Oh yes"—Mitchy took her straight up—"with the young thing who is, as you say, positively and helplessly modern, and the pious fraud of whose classic identity with a sheet of white paper has been—oh tacitly of course, but none the less practically—dropped. You've ​so often reminded me. I do understand. If I were to go in for Aggie it would only be to oblige. The modern girl, the product of our hard London facts, and of her inevitable consciousness of them, just as they are—she, wonderful being, is, I fully recognize, my real affair, and I'm not ashamed to say that when I like the individual I'm not afraid of the type. She knows too much—I don't say; but she doesn't know, after all, a millionth part of what I do."
"I'm not sure!" Mrs. Brook earnestly exclaimed.
He had rung out, and he kept it up, with a limpidity unusual. "And product for product, when you come to that, I'm a queerer one myself than any other. The traditions I smash!" Mitchy laughed.
Mrs. Brook had got up and Vanderbank had gone again to the window. "That's exactly why," she returned: "you're a pair of monsters and your monstrosity fits. She does know too much," she added.
"Well," said Mitchy, with resolution, "it's all my fault."
"Not all—unless," Mrs. Brook returned, "that's only a sweet way of saying that it's mostly mine."
"Oh, yours too—immensely; in fact every one's. Even Edward's, I dare say; and certainly, unmistakably, Harold's. Ah, and Van's own—rather!" Mitchy continued; "for all he turns his back and will have nothing to say to it."
It was on the back Vanderbank turned that Mrs. Brook's eyes now rested. "That's precisely why he shouldn't be afraid of her."
He faced straight about. "Oh, I don't deny my part."
He shone at them brightly enough, and Mrs. Brook, thoughtful, wistful, candid, took in for a moment the radiance. "And yet to think that after all it has been mere talk!"
Something in her tone again made her hearers laugh out; so it was still with the air of good-humor that ​Vanderbank rejoined: "Mere, mere, mere. But perhaps exactly the 'mere' that has made us range so wide."
Mrs. Brook's intelligence abounded. "You mean that we haven't had the excuse of passion?"
Her companions once more gave way to merriment, but "There you are!" Vanderbank said, after an instant, less sociably. With it too he held out his hand.
"You are afraid," she answered as she gave him her own; on which, as he made no rejoinder, she held him before her. "Do you mean you really don't know if she gets it?"
"The money, if he doesn't go in?"—Mitchy broke, almost with an air of responsibility, into Vanderbank's silence. "Ah, but, as we said, surely—!"
It was Mitchy's eyes that Vanderbank met. "Yes, I should suppose she gets it."
"Perhaps then, as a compensation, she'll even get more—!"
"If I don't go in? Oh!" said Vanderbank. And he changed color.
He was by this time off, but Mrs. Brook kept Mitchy a moment. "Now—by that suggestion—he has something to show. He won't go in."