OpenLLM-France/wikimedia huggingface dataset:
# Thunder on the Left (1926)

* Other books by the same author
* Fiction
* Parnassus on Wheels
* The Haunted Bookshop
* Kathleen
* Tales from a Rolltop Desk
* Where the Blue Begins
* Pandora Lifts the Lid
* (with Don Marquis)
* Essays
* Shandygaff
* Mince Pie
* Pipefuls
* Plum Pudding
* Travels in Philadelphia
* The Powder of Sympathy
* Inward Ho!
* Religio Journalistici
* Poetry
* Songs for a Little House
* The Rocking Horse
* Hide and Seek
* Chimneysmoke
* Translations from the Chinese
* Parsons' Pleasure
* Plays
* One Act Plays
* Thunder on The Left
* Among the notionable dictes of antique Rome was the fancy that when men heard thunder on the left the gods had somewhat of speciall advertisement to impart.
* Then did the prudent pause and lay down their affaire to studye what omen Jove intended.
* —Sir Eustace Peachtree
* The Dangers of This Mortall Life.
* By Christopher Morley
* Garden CityNew York Doubleday, Page & Company 1926
Copyright, 1925, by Doubleday, Page & Company. All rights reserved. Copyright, 1925, by Harper & Brothers. Printed in the United States at the Country Life Press, Garden City, N. Y.
To S. A. E.
The undertaking a comedy not merely sentimental was very dangerous.
—Oliver Goldsmith.
On parla des passions. "Ah! qu'elles sont funestes!" disait Zadig.—"Ce sont les vents qui enflent les voiles du vaisseau," repartit l'ermite: "elles le submergent quelquefois; mais sans elles il ne pourrait voguer. La bile rend colère et malade; mais sans la bile l'homme ne saurait vivre. Tout est dangereux ici-bas, et tout est nécessaire."
—Voltaire, Zadig.
"Your mind had to be tormented and fevered and exalted before you could see a god."
"It was cruel of you to do this," she said.
—James Stephens,
In the Land of Youth.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
* Chapter 21
* Chapter 22
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The William H. Hoag

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
168 U.S. 443
The William H. Hoag
J. W. Whalley and Wm. T. Muir, for appellants.
L. B. Cox, for appellees.
Mr. Justice BROWN delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The William H. Hoag/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
168 U.S. 443
The William H. Hoag
These cases differ from those already disposed of only in the fact that the libels contain claims by the masters of those vessels, with an averment that during the time they were employed there was an officer known as the 'purser'; that the agents of the receiver and the purser collected and received all the earnings of the vessels from both passengers and freight, and paid over such earnings, in the ordinary course of business, to the receiver; that none of the earnings of the vessels passed through the hands of the masters; and that their sole duties consisted in navigating the steamers upon routes selected by the receiver within the state of Oregon, and that all the supplies and materials were purchased by the said receiver through other agents and servants. This allegation is evidently designed to raise the question whether the ancient doctrine enforced upon the court of admiralty by prohibition from Westminster Hall, that the master has no lien for his wages, and which was declared to be the law by this court in the case of The Orleans, 11 Pet. 175, has any application to modern methods, where a purser or other agent is employed by the owner to collect the freights, and pay the bills of the vessel; the practice formerly being for the master to receive all the freight, pay the crew, and buy the supplies. The denial of the lien of the master was based upon the theory that he had a lien upon the freight for his wages, and, having the freight in his own hands, was presumed to pay himself. The argument is made that, the reason for the rule having ceased to exist, the rule itself, which denied the master a lien upon the vessel, has become obsolete.
A lien was also claimed and admitted on behalf of the masters under a local statute of Oregon, but it was also insisted in defense thereto that the masters had not proceeded within the time allowed by law for the enforcement of such claim.
The latter question, at least, if not the former, did not affect the jurisdiction of the court, but went to the merits alone.
The decrees of the court below in these cases are also, in respect to jurisdiction, affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Willow-Tree (Carroll)

* "Stanzas for Music" in Phantasmagoria and Other Poems (1869)
* "The Willow-Tree" in Three Sunsets and Other Poems (1898)
* "The Willow-Tree" in The Complete Works of Lewis Carroll (1920)
# The Willow

* Search for titles containing or beginning with: "The Willow."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Willow" by Walter de la Mare
* "The Willow" by Karel Jaromír Erben
# The Worm Ouroboros/Thomas the Rhymer

TRUE Thomas lay on Huntlie bank, A ferlie he spied wi his ee; And there he saw a Lady bright Come riding down by the Eildon Tree.
Her skirt was o the grass-green silk, Her mantle o the velvet fyne, At ilka tett of her horse's mane Hung fifty siller bells and nine.
True Thomas he pulld aff his cap, And louted low down on his knee: "Hail to thee, Mary, Queen of Heaven! For thy peer on earth could never be."
"O no, O no, Thomas," she says, "That name does not belong to me; I'm but the Queen of fair Elfland, That am hither come to visit thee.
"Harp and carp, Thomas," she says, "Harp and carp alang wi me. And if ye dare to kiss my lips, Sure of your bodie I will be."
"Betide me weal, betide me woe, That weird shall never daunton me." Syne he has kissed her rosy lips,
All underneath the Eildon Tree.
Thomas the Rhymer.
# The Worm Ouroboros/Title Page and Dedication

THE WORM OUROBOROS
by E.R. Eddison
Illustrations by Keith Henderson
London; Jonathan Cope
1922

## Dedication

To W. G. E. and to my friends K. H. and G. C. L. M. I dedicate this book
It is neither allegory nor fable but a Story to be read for its own sake.
The proper names I have tried to spell simply. The e in Carcë is long, like that in Phryne, the o in Krothering short and the accent on that syllable: Corund is accented on the first syllable, Prezmyra on the second, Brandoch Daha on the first and fourth, Gorice on the last syllable, rhyming with thrice: Corinius rhymes with Flaminius, Galing with sailing, La Fireez with desire ease: ch is always guttural, as in loch.
E. R. E.
9th January 1922
# The Writings of Prosper Mérimée

* Vol. I Carmen (transcription project)
** Introduction
** "Carmen", "Arsène Guillot", "Abbé Aubain"
* Vol. II Colomba (transcription project)
* Vol. III The Mosaic (transcription project)
** "Mateo Falcone", "The Vision of Charles XI", "The Taking of the Redoubt", "Tamango", "The Pearl of Toledo", "The Game of Backgammon", "The Etruscan Vase", "The Conspirators", "Federigo", "Letters from Spain"
* Vol. IV The Double Mistake (transcription project)
** "The Double Mistake", "Souls in Purgatory", "The Venus of Ille"
* Vol. V Last Stories and Translations (1906) (transcription project)
** Stories: "Lokis", "The 'Viccolo' of Madam Lucrezia", "The Blue Chamber", "Djoûmane", "The Spanish Witches"
** Translations from A. S. Pushkin: "The Pistol Shot", "The Queen of Spades", "The Bohemians", "The Hussar"
* Vol. VI The Reign of Charles IX (transcription project)
* Vol. VII Letters to an Unknown I (transcription project)
* Vol. VIII Letters to an Unknown II (transcription project)
# The Writings of Prosper Mérimée/Volume 1/Arsène Guillot

ARSÈNE GUILLOT
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
# The Writings of Oscar Wilde/Volume 1/To Milton

To Milton.
# The Writings of Oscar Wilde/Volume 1/Under the Balcony

O beautiful star with the crimson mouth! O moon with the brows of gold! Rise up, rise up, from the odorous south! And light for my love her way, Lest her little feet should stray On the windy hill and the wold! O beautiful star with the crimson mouth! O moon with the brows of gold!
O ship that shakes on the desolate sea! O ship with the wet, white sail! Put in, put in, to the port to me! For my love and I would go To the land where the daffodils blow In the heart of a violet dale! O ship that shakes on the desolate sea! O ship with the wet, white sail!
O rapturous bird with the low, sweet note! O bird that sits on the spray! Sing on, sing on, from your soft brown throat! And my love in her little bed Will listen, and lift her head From the pillow, and come my way! O rapturous bird with the low, sweet note! O bird that sits on the spray!
O blossom that hangs in the tremulous air! O blossom with lips of snow! Come down, come down, for my love to wear! You will die on her head in a crown, You will die in a fold of her gown, To her little light heart you will go! O blossom that hangs in the tremulous air! O blossom with lips of snow!
# The Writings of Oscar Wilde/Volume 1/Wasted Days

A fair slim boy not made for this world's pain With hair of gold thick clustering round his ears, And longing eyes half veiled by foolish tears Like bluest water seen through mists of rain; Pale cheeks whereon no kiss hath left its stain, Red under-lip drawn in for fear of love, And white throat whiter than the breast of dove - Alas! Alas! If all should be in vain, Corn-fields behind, and reapers all a-row In weariest labour, toiling wearily To no sweet sound of laughter, or of lute; And careless of the crimson sunset-glow, The boy still dreams, nor knows that night is night, And in the night-time no man gathers fruit.
# The Writings of Oscar Wilde/Volume 1/Tædium Vitæ

To stab my youth with desparate knives, to wear
This paltrey age's gaudy livery, To let each base hand filch my treasury, To mesh my soul within a woman's hair, And be mere Fortune's lackeyed groom,—I swear I love it not! These things are less to me Than the thin foam that frets upon the sea, Less than the thistle-down of summer air Which hath no seed: better to stand aloof Far from these slanderous fools who mock my life Knowing me not, better the lowliest roof Fit for the meanest hind to sojourn in, Than to go back to that hoarse cave of strife Where my white soul first kissed the mouth of sin.
# The Writings of Oscar Wilde/Volume 1/Urbs Sacra Æterna

ROME! what a scroll of History thine has been In the first days thy sword republican Ruled the whole world for many an age's span: Then of thy peoples thou wert crownèd Queen, Till in thy streets the bearded Goth was seen; And now upon thy walls the breezes fan (Ah, city crowned by God, discrowned by man!) The hated flag of red and white and green.
When was thy glory! when in search for power Thine eagles flew to greet the double sun, And all the nations trembled at thy rod? Nay, but thy glory tarried for this hour, When pilgrims kneel before the Holy One, The prisoned shepherd of the Church of God.
# The Writings of Prosper Mérimée/Volume 1

THE WRITINGS OF PROSPER MÉRIMÉE COMPRISING HIS
NOVELS, TALES, AND LETTERS TO AN UNKNOWN
WITH
An Essay on the Genius and Achievement of the Author
By GEORGE SAINTSBURY, M.A.
COMPLETE IN EIGHT VOLUMES
THE NOVELS, TALES AND LETTERS OF
PROSPER MÉRIMÉE
Edited by Prof. George Saintsbury, M.A.
COMPLETE IN EIGHT VOLUMES
CARMEN
ARSÈNE GUILLOT
ABBÉ AUBAIN
Translated by
EMILY MARY WALLER
THE LADY MARY LOYD AND
DR. EDMUND BURKE THOMPSON
With Illustrations by
GUSTAVE FRAIPONT AND S. ARCO
NEW YORK PHILADELPHIA
FRANK S. HOLBY
MCMVI
Copyright, 1905 By FRANK S. HOLBY
All rights reserved
CONTENTS
$_{PAGE}$
LIST OF ILLUSTRATIONS
VOLUME I.
Prosper Mérimée Frontispiece
An etching hy Lalauze
PAGE
Etched by A. Nargeot from a draiving by S. Arcos
An etching from a drawing by C. Fraipont
# Too Late (Coates)

"The words of love I never said to thee"
* Coates, Florence Earle (1892), "Too Late" in New Peterson Magazine (February 1894).
* Coates, Florence Earle (1898), "Too Late" in Poems.
* Coates, Florence Earle (1916), "Too Late" in Poems I.
# Tono-Bungay/Book 4

BOOK THE FOURTH
THE AFTERMATH OF TONO- BUNGAY
# The Writings of Saint Patrick, the Apostle of Ireland/Version of Mrs. Alexander

II.
The following version is from the facile pen of the late Mrs. Alexander, wife of the present Archbishop of Armagh. It is closer to the original than the preceding, the latest corrections made by Dr. Whitley Stokes being used. It has been issued, pointed and accentuated for chanting, by the Irish Christian Knowledge Association. Mrs. Alexander's version is now widely used in Ireland, in the services of the Church of Ireland on St. Patrick's Day, and on other occasions. It was sung at York Minster as a processional hymn on St. Patrick's Day, 1891, when Archbishop Magee, who was an Irishman, was enthroned (see pp. 14, 15). The version was appended to this work by the kind permission of Mrs. Alexander.
I bind unto myself to-day
The strong name of the Trinity,
By invocation of the same.
The Three in One and One in Three.
​I bind this day to me for ever,
By power of faith, Christ's Incarnation;
His baptism in Jordan river;
His death on cross for my salvation;
His bursting from the spiced tomb;
His riding up the heavenly way;
His coming at the day of doom;
I bind unto myself to-day.
I bind unto myself the power
Of the great love of Cherubim;
The sweet 'Well done' in judgment hour;
The service of the Seraphim,
Confessors' faith. Apostles' word,
The Patriarchs' prayers, the Prophets' scrolls,
All good deeds done unto the Lord,
And purity of virgin souls.
I bind unto myself to-day
The virtues of the star-lit heaven.
The glorious sun's life-giving ray,
The whiteness of the moon at even,
The flashing of the lightning free,
The whirling wind's tempestuous shocks,
The stable earth, the deep salt sea
Around the old eternal rocks.
I bind unto myself to-day
The power of God to hold and lead,
His eye to watch. His might to stay,
His ear to hearken to my need.
The wisdom of my God to teach,
His hand to guide. His shield to ward;
The Word of God to give me speech,
His heavenly host to be my guard.
​Against the demon snares of sin,
The vice that gives temptation force,
The natural lusts that war within,
The hostile men that mar my course;
Or few or many, far or nigh.
In every place, and in all hours,
Against their fierce hostility,
I bind to me these holy powers.
Against all Satan's spells and wiles,
Against false words of heresy,
Against the knowledge that defiles,
Against the heart's idolatry,
Against the wizard's evil craft,
Against the death-wound and the burning,
The choking wave, the poisoned shaft,
Protect me, Christ, till Thy returning.
Christ be with me, Christ within me,
Christ behind me, Christ before me,
Christ beside me, Christ to win me,
Christ to comfort and restore me,
Christ beneath me, Christ above me,
Christ in quiet, Christ in danger,
Christ in hearts of all that love me,
Christ in mouth of friend and stranger.
I bind unto myself the Name,
The strong Name of the Trinity;
By invocation of the same,
The Three in One, and One in Three.
Of Whom all nature hath creation;
Eternal Father, Spirit, Word:
Praise to the Lord of my salvation
Salvation is of Christ the Lord.
# The Writings of Saint Patrick, the Apostle of Ireland/Translation of St. Patrick's Hymn into the Modern Irish

Translation of St. Patrick's Hymn into the Modern Irish.
BY THE LATE
REV. JAMES GOODMAN, M.A.,
Professor of Irish in the University of Dublin.
Nasgaim me féin, a n-diu, le neart tréan, guiḋe na Tríonóide.
Creidim a d-trí pearsanna le h-adṁáil aondaċta Chruiṫuiġṫeóra an ḃreiṫeaṁnuis.
Nasgaim me féin a n-diu le neart gine Chríosd agus le na ḃaisde,
 le neart a ċroċda agus a aḋluicṫe,
 le neart a eiséirġe agus a ḋeasġaḃála
 le neart a ṫeaċda ċum breiṫeaṁnuis lae an ḃráṫa.
Nasgaim me féin a n-diu le neart gráḋa Sheraṗín, ​a n-uṁluiġeaċd aingeal,
a ḃ-freasdal na n-árdaingeal,
a n-dóṫċas na h-eiséirġe mar luaċraoṫair,
a n-urnuiġṫiḃ na n-Aṫraċ n-uasal,
a d-tairrġireaċd na ḃ-fuirmideaċ,
a seanmóntaiḃ na n-Easbal,
a g-creideaṁ na ḃ-fuismideaċ,
a n-glaine na m-bannaoṁ,
a n-gníoṁaiḃ na ḃ-fíréan.
Nasgaim me féin a n-diu le neart Nenṅe,
solus gréine,
gille na geallaiġe,
aoiḃneas teineaḋ,
déine tinnteaċ,
luaiṫe gaoiṫe,
doiṁneaċd mara,
seasṁaċd talṁan,
dainigne na gacairgeaċ.
Nasgaim me féin a n-diu le neart Dé do'm stiúruġaḋ, ​cúṁaċd Dé do'm ċongḃáil suas,
ciall Dé do'm ṫreóruġaḋ,
súil Dé do'm ḟaire,
cluas Dé do'm éisdeaċd,
briáṫar Dé le laḃairt ar mo ṡon,
láṁ Dé do'm ċosnaṁ,
slíġe Dé roṁam,,
sciaṫ Dé do'm ḋídean,
sluaġ Dé do'm anacul,
ar ḋoluiḃ deaṁon,
ar ṁealltóireaċd ḋuḃáilceaḋ,
ar ḟormadaiḃ aigne,
ar gaċ n-duine iarras mo ḋíoġḃáil,
a g-cein nó a n-gar dom,
a n-aonar nó le sluaġ.
Cuirim a n-diu na nearta so uile
idir me-féin agus gaċ neart naiṁdeaṁuil ead-trócaireaċ ṫiocfaḋ a n-aġaiḋ mo ċuirp nó m'anama: ​a n-aġaiḋ ṫairrġireaċd ḟaiḋeaḋ fallsa, a n-aġaiḋ duḃreaċda págánaċ, a n-aġaiḋ saoḃ-reaċda eiriceaċ, a n-aġaiḋ timceallaċd ioḋalaḋrioḋ,
a n-aġaiḋ piseóga ban, agus gaiḃneaḋ agus druaḋ, a n-aġaiḋ gaċ feasa do ṫruaillfeaḋ corp agus anam an duine.
Críosd do'm ċosnaṁ a n-diu ar gaċ gné nieṁe,
ar losgaḋ, ar ḃaṫaḋ, ar ġuin, nó go ḃ-faġainn iomad luarḋeaċdaḋ. Críosd liom, Críosd róṁam, Críosd am ḋiaiġ,
Críosd ionnam, Críosd fúm, Críosd os mo ċionn, Críosd ar mo ḋeis, Críosd ar mo láiṁċlé, Críosd a leiṫead, Críosd a ḃ-daide, Críosd a n-aoirde, ​Críosd a g-croiḋe gaċ n-duine smuaineas orm,
Críosd a m-béad gaċ n-duine laḃras liom, Críosd a súil gaċ n-duine ḟéaċas orm,
Críosd a g-cluais gaċ n-aon ċloisfeas me. Nasgaim me féin a n-diu le neart tréan, guiḋe na Tríonóide. Creidim a d-trí pearsanna, le h-adṁáil aondaċda Cruiṫuiġṫeóra an ḃreiṫeaṁnuis. Domini est sálus, Domini est sálus, Cristi est salus. Salus tua Dómine sit semper nobiscum. Amen.
# The Writings of St. Francis of Assisi

Statue of St. Francis By Andrea della Robbia, at S. Maria degli Angeli, Assisi.
The Writings
of
Saint Francis of Assisi
NEWLY TRANSLATED INTO ENGLISH
WITH AN INTRODUCTION AND NOTES
BY
FATHER PASCHAL ROBINSON
of the Order of Friars Minor
Philadelphia
The Dolphin Press
MCMVI
Imprimi permittitur
Paterson die 26 Novembris, 1905Paterson die 26 Novembris, 1905
FR. EDUARDUS BLECKE, O.F.M.
Provinciae SS. Nominis Jesu Minister Provincialis
Imprimatur
✠ PATRITIUS JOANNES ✠
Archiep. Philadelphien.
Copyright, 1905
The Dolphin Press
TO THE
MOST REVEREND
Father Denis Schuler
THE ONE HUNDRED AND FIFTH SUCCESSOR OF
SAINT FRANCIS AS MINISTER GENERAL
OF THE FRIARS MINOR
CONTENTS.
PART I.
PART II.
PART III.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The wonders of optics

(transcription project)
Layout 2
THE WONDERS OF OPTICS.
Spectrum showing the absorptive power of Sodium vapour (Fig. 6.)
Solar Spectrum (Fig. 5.)
Action of a prism on a ray of light (Fig. 7)
THE
WONDERS OF OPTICS.
BY
F. MARION.
TRANSLATED FROM THE FRENCH, AND EDITED BY
CHARLES W. QUIN, F.C.S.
ILLUSTRATED WITH SEVENTY ENGRAVINGS ON WOOD, AND A COLOURED FRONTISPIECE.
NEW YORK:
CHARLES SCRIBNER'S SONS,
SUCCESSORS TO
SCRIBNER, ARMSTRONG, & CO.
PART I.
THE PHENOMENA OF VISION.
PART II.
THE LAWS OF LIGHT.
PART III.
NATURAL MAGIC.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The wild flowers song

From Blake’s Notebook (c. 1793). See also: Songs and Ballads.
* The wild flowers song
* As I wanderd the forest
* The green leaves among
* I heard a wild flower
* Singing a Song
* 5 I slept in the earth
* In the silent night
* I murmurd my fears
* And I felt delight
* In the morning I went
* 10 As rosy as morn
* To seek for new Joy
* But I met with scorn c. 1793

## Notes

The fragments of the poem were written on two different pages: 109 & 107 (reversed)
* ↑ "thistle" (deleted).
* ↑ "was fond" (deleted) — sometimes misread as "was found".
# The wind drew off

The wind drew off Like hungry dogs Defeated of a bone — Through fissures in Volcanic cloud The yellow lightning shone — The trees held up Their mangled limbs Like animals in pain — When Nature falls upon herself Beware an Austrian.
# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 14

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 10

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 15

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 13

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 16

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 17

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 11

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# The narrative of a Japanese; what he has seen and the people he has met in the course of the last forty years./Chapter 12

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# Thom's Irish Who's Who/Greer, Henry

​GREER, Henry (M.P. for Battersea, Clapham Div., from June, 1918, to Dec., 1918, and for Somerset, Wells Div., from Dec, 1918); Chairman of H. & W. Greer, Ltd.; Son of late Wm. Greer, of Dundalk; b. 1874; m. 1906, Marguerite, dau. of Louis Roche, of London. Res.: 3, Collingham Gardens, London, S.W.5.
# Thom's Irish Who's Who/Greer, Thomas MacGregor

​GREER, Thomas MacGregor, a J.P. and County Councillor (High Sheriff, 1919), for Co. Tyrone: a Member of Senate of Northern Ireland, 1921; only son of late Thomas Greer. M.P., F.R.G.S.; b. 1869; m. 1892, Dorrinda Florence, dau. of Col. James Corry Jones Lowry, R.A., V.L. Res.: Sea Park, Carrickfergus, Co. Antrim.
# Thom's Irish Who's Who/Gregory, Lady Augusta

​GREGORY, Lady Augusta, dau. of Dudley Persse, of Roxborough, Co. Galway; m. 7th March, 1880, as his 2nd wife, the Rt. Hon. Sir William Henry Gregory. P.C., K.C.M.G., F.R.S.; M.P. for the City of Dublin, 1842-7, and for the Co. of Galway, 1857-72; was subsequently Gov. of Ceylon; and d. 6th March, 1892. Is a Director of the Abbey Theatre. Edited: Autobiography of Sir W. Gregory, 1894; Mr. Gregory's Letter Box (Smith Elder), ​1898. Her chief books are: Cuchulain of Muirthemne, pub. 1902 (Murray); Poets and Dreamers, 1903 (Murray); Gods and Fighting Men, 1904 (Murray): A Book of Saints and Wonders, 1907 (Murray). Seven Short Plays, 1909 (Putnam); Irish Folk History Plays, 1912 (Putnam): New Comedies, 1913; Our Irish Theatre, 1913: The Golden Apple, 1916 (Murray); The Kiltartan Poetry Book, (Putnam), 1919: The Dragon. 1920 (Putnam); Visions and Beliefs in the West of Ireland, 1920 (Putnam; Hugh Lane's Life and Achievement, 1921 (Murray): The Image and other Plays (Putnam), 1922 Recns.: Tree-planting and Grandchildren. Res: Coole Park, Gort, Co. Galway.