OpenLLM-France/wikimedia huggingface dataset:
# The General Strike/IWW preamble

I. W. W. PREAMBLE
The working class and the employing class have nothing in common. There can be no peace as long as hunger and want are found among millions of working people, and the few, who make up the employing class, have all the good things of life.
Between these two classes a struggle must go on until the workers of the world organize as a class, take possession of the earth and the machinery of production, and abolish the wage system.
We find that the centering of the management of industries into fewer and fewer hands makes the trades unions unable to cope with the ever-growing power of the employing class. The trade unions foster a state of affairs which allows one set of workers to be pitted against one another in wage wars. Moreover, the trade unions aid the employing class to mislead the workers into the belief that the working class have interests in common with their employers.
These conditions can be changed and the interest of the working class upheld only by an organization formed in such a way that all its members in any one industry, or in all industries if necessary, cease work whenever a strike or lockout is on in any department thereof, thus making an injury to one an injury to all.
Instead of the conservative motto, "A fair day's wages for a fair day's work," we must inscribe on our banner the revolutionary watchword, "Abolition of the wage system."
It is the historic mission of the working class to do away with capitalism. The army of production must be organized, not only for the every-day struggle with capitalists, but also to carry on production when capitalism shall have been overthrown. By organizing industrially we are forming the structure of the new society within the shell of the old.
For all further information write WM. D. HAYWOOD, General Secretary-Treasurer Industrial Workers of the World, 1001 W. Madison, Chicago, Ill.
# The General Strike/Instructions how to organize

INSTRUCTIONS HOW TO ORGANIZE.
To secure a Charter of the Industrial Workers of the World, get the names of twenty actual wage workers. Those who make a living by working for wages.
All who sign the Charter Application Blank pledge themselves to be in accord with the principles of the I. W. W., as outlined in the Preamble.
The Charter fee is ten dollars. This covers the cost of all books and supplies needed to fully equip a Union of twenty-five members.
Dues paid by the Union to the General Organization are fifteen cents per member per month.
If those who sign the Charter Application Blank are employed in the same industry they will be chartered as an Industrial Union Branch, with jurisdiction over all wage workers employed in that industry in that locality. If the signers of the Charter Application are employed in two or more industries, they will be chartered as a Recruiting Union. Recruiting Unions are temporary organizations, formed for the purpose of having organizations to carry on the educational work necessary for the formation of Industrial Unions.
The methods used in getting a Union started depend upon the circumstances in the locality where the Union is to be formed. You can call a meeting, advertising the same. If there are any among you who are able to explain the principles of the I. W. W., have them do so to those who attend the meeting.
After the explanation has been made, you can call upon all those present, who are in accord with the principles of the Organization, to come forward and sign the Charter Application. Or you can circulate the Charter Application among those with whom you come in contact, and explain the principles of the Industrial Workers of the World to them individually. If they desire to organize, have them sign their names and addresses on the Charter Application.
When you have twenty names, or more, you can notify them to attend the meeting, form a temporary organization by electing a temporary Secretary and Chairman. Collect the Charter fee from those who sign the Application, forward the same to this office, with the Application. The Charter and supplies will be sent to you at once.
In forwarding the Charter Application be sure to specify in what industry those who sign the Blank are employed, so we will know how to make out the Charter.
Trusting that the above will be of assistance to you in organizing your fellow workers, I am,
Yours for Industrial Freedom,
WM. D. HAYWOOD, General Secretary-Treasurer.
INDUSTRIAL WORKERS OF THE WORLD, 1001 West Madison Street, Chicago, Illinois.
# The Genius (Carl Grosse)

Der Genius was translated into English by Peter Will as Horrid Mysteries, subtitled "A Story From the German Of The Marquis Of Grosse" and subsequently referenced by Jane Austen as one of the seven 'horrid novels' in Northanger Abbey.Warning: template has been deprecated.
THE GENIUS: OR, THE MYSTERIOUS ADVENTURES OF DON CARLOS DE GRANDEZ. BY THE MARQUIS VON GROSSE.
translated from the german, By JOSEPH TRAPP, TRANSLATOR OF STOEVER'S LIFE OF LINNAEUS, PICTURE OF ITALY, &c. &c.
IN TWO VOLUMES.
VOL. I.
"———Come, feeling night, "Skarf up the tender eye of pitiful day; "And with thy bloody and invisible hand "Cancel, and tear to pieces, that great bond. "Which keeps me pale—Light thickens; and the crow "Makes wing to the rooky wood: "Good things by day begin to droop and drouse; "While night's black agents to their preys do rouse. "Shakespeare."
LONDON: PRINTED FOR ALLEN AND WEST, N° I5, PATERNOSTER-ROW.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
* Chapter 21
* Chapter 22
* Chapter 23
* Chapter 24
* Chapter 25
* Chapter 26
* Chapter 27
* Chapter 28
* Chapter 29
* Chapter 30
* Chapter 31
# The Glorious Southern Victories!/The Glorious Southern Victories!

THE GLORIOUS SOUTHERN VICTORIES!
Of “Bull’s Run,” the 18th; and Manasseh, the 21st July, 1861.
A warning to all such fanatics as
LINCOLN, GREELEY & CO.,
1.
When the great Judge, Supreme and Just, Shall once inquire for blood; The humble souls, who mourns in dust, Shall find a faithful God.
2.
He from the dreadful gates of death, Does his own Children raise; In “Southern States,” where with cheerful breath, They sing their Father’s praise.
3.
Our foes shall fall with heedless feet, Into the Pit, they made; Fanatics perish in the net, Which their own hands had spread.
4.
Thus by Thy judgments, mighty God, Are Thy deep Counsels known: When men of mischief are destroy’d, The Snare must be their own.
5.
The wicked shall sink down to hell; Thy wrath devour the lands, That dare forget Thee, or rebel, Against Thy known commands.
6.
Though the righteous to sore distress are brought, And wait, and long complain, Their cries shall never be forgot, Nor shall their hopes be vain.
7.
Rise, great Redeemer, from Thy seat, To judge and save the poor; Let the North tremble at Thy feet, And Man prevail no more.
8.
Thy Thunder shall affright the Tyrants, And put their hearts to pain, Made them confess that Thou art God, And They but fanatical wicked men.
NOTA.
* A Warning to L. G. & Co.—see Psalm LII.
* A Warning to L. G. & Co.—1st, 2d and 3d verses……see„ Psalm„ LIX.
* 4th verse—see Psalm XCII, verses 5, 6 and 7.
* 5th verse„—see„ Psalm„ LIII, 5th v.; Psalm LV, verses 9, 10, 11, 19 & 20.
* 6th verse„—see„ Psalm„ LV, 22d & 23d v., Psalm CXII, v. 7, 8, 9, & 10.
* 7th verse„—see„ Psalm„ XLIV, verses 5, 6, &c. Psalm XCIV Psalm CVIII, v. 5, 6, &c.
* 8th verse„—see„ Psalm„ XLVI verse„9 & 10, Psalm LXXXIII.
# The Glory of the Garden

First published in A School History of England (1911) as "The Glory of the Garden".
Layout 2
The Glory of the Garden.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Glorious Southern Victories!/When This War Shall End

WHEN THIS WAR SHALL END.
How long! not enough, a little longer yet, Until you withdraw the troops against us set; Why, do you tremble, why do you fret? Is it for your murders, now you have regret?
You call upon the spirit of Our Washington, To bring peace and union to this once happy land; The Constitution by Traitors being trampled upon, He answers! only the Bravest and Righteous shall stand.
He look down on this country he made glorious and great, And views the carnage of vandals, in his Native State, And answers; Traitors! it is too late, I shall leave you to your ignominous fate.
He tells us maintain our Rights, he urges us on, As his spirit soars o’er our Southern sky, Avenge the Death, of John A. Washington! And for your Rights, you must Conquer or Die.
You beg, beseech, implore our God, To come to you and your section’s rescue: But he points to the recking blood, on Southern sod, And answers; for your murders, my wrath is your due.
Lay down our arms, never! no, never! Not until, this execrable Union we shall sever; And those hordes, of thievish renonwn, Shall the deeds of their Butlers and Banks disown.
If you are frightened and torn by the hissing shell, To you the remedy I can easily tell; You must, fanatics all, from our shores begone, And leave us, our Laws and Government, alone.
Many and painful are our woes, Powerful and merciless is our foes: But our Cause is sublime and just, And in God alone is our trust.
Oh! our God in this Holy Cause, For our Southern Homes and Laws, In this Struggle for Our Rights Make them witness many another Fredericksburg fights.
(C.)
C. S. of America, Feb., 25th 1863.
# The Glory and Joys of Paradise

This translation of Peter Damian's 11th-century Latin hymn first appeared in Wackerbarth's Lyra Ecclesiastica (second series, 1843).
* "Cardinal Petrus Damianus his Hymn on the Glory of Paradise" in Lyra Ecclesiastica, second series (1843).
* "The Glory and Joys of Paradise" quoted in The Seven Great Hymns of the Mediaeval Church by Charles Cooper Nott (1902).
# The Glugs of Gosh

THE GLUGS OF GOSH
THE SWANK
THE GLUGS OF GOSH
By C.J. DENNIS
Sydney. Angus & Robertson Ltd.
THE GLUGS OF GOSH
BY
C. J. DENNIS
Author of "The Songs of a Sentimental Bloke,"
"The Moods of Ginger Mick," "Doreen," etc.
With Illustrations by Hal Gye
SYDNEY
ANGUS & ROBERTSON LTD.
CASTLEREAGH STREET
1917
Printed by W. C. Penfold & Co. Ltd., 183 Pitt Street, Sydney
for
Angus & Robertson Ltd.
London: The Oxford University Press
New York: John Lane Company
Toronto: S. B. Gundy
Of the verses here printed the following appeared originally in "The Bulletin." Sydney : Numbers I., II., III., VI., VII., .XI, and the "Second Rhyme of Sym." The remaining verses, are now published for the first time.
Copyright in Canada and the United States of America.
Dramatic, Cinema and and all other Rights are reserved.
TO MY WIFE
CONTENTS :
| | | Page |
| I. | THE GLUG QUEST Follow the river and cross the ford . . . | 13 |
| II. | JOI, THE GLUG The Glugs abide in a far, far land . . . | 21 |
| III. | THE STONES OF GOSH Now, here is a tale of the Glugs of Gosh . . . | 27 |
| IV. | SYM, THE SON OF JOI Now, Joi, the rebel, he had a son . . . | 35 |
| V. | THE GROWTH OF SYM Now, Sym was a Glug; and 'tis mentioned so . . . | 43 |
| VI. | THE END OF JOI They climbed the trees ... As was told before . . . | 51 |
| VII. | THE SWANKS OF GOSH Come mourn with me for the land of Gosh . . . | 59 ​ |
| VIII. | THE SEER Somewhere or other, 'tis doubtful where . . . | 71 |
| IX. | THE RHYMES OF SYM Nobody knew why it should be so . . . | 81 |
| X. | THE DEBATE He was a Glug of simple charm . . . | 97 |
| XI. | OGS It chanced one day, in the middle of May . . . | 109 |
| XII. | EMILY ANN Government muddled, departments dazed . . . | 115 |
| XIII. | THE LITTLE RED DOG The Glugs still live in the land of Gosh . . . | 125 |
LIST OF ILLUSTRATIONS
LET him who is minded to meet with a Glug
Pluck three hardy hairs from a rabbit-skin rug;
Blow one to the South, and one to the West,
Then burn another and swallow the rest.
And who shall explain 'tis the talk of a fool,
He's a Glug! He's a Glug of the old Gosh school!
And he'll climb a tree, if the East wind blows,
In a casual way, just to show that he knows ...
Now, tickle his toes!
Oh, tickle his toes!
And don't blame me if you come to blows.
—Old Gosh Rhyme
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Encyclopedia Americana (1920)/Zeriba

Edition of 1920. See also zareba on Wiktionary, and the disclaimer.
ZERIBA, or ZAREEBA, a temporary military enclosure, the sides of which are formed of prickly brush wood, sheltered by which a force may camp comparatively safe from sudden surprise. The term came into prominent use during the Anglo-Egyptian campaign of 1884. The protection is also used against wild animals.
# The Encyclopedia Americana (1920)/Zermatt

Edition of 1920. See also Zermatt on Wikipedia, and the disclaimer.
ZERMATT, tsĕr-māt', or zĕr-māt' (formerly called PRABORGNE), Switzerland, a mountain village and tourist-resort in the canton of Valais, at the foot of the Matterhorn and near the head of the Visp Valley, 22½ miles by rail southwest of Visp. It stands 5,315 feet above sea-level, having to the south the great Théodule glacier, above which tower the Breithorn on the east, and beyond the Monte Rosa group, and on the west the rocky cone of the Matterhorn. An electric mountain railway connects with the Riffelberg and the summit of the Gornergrat (10,290 feet). The Théodule Pass or Matterjoch (10,899 feet) leads to Aosta in Italy. Its scenery compares in grandeur with that of Grundewald and Chamonix. In the village churchyard are the graves of many victims of mountaineering. Pop. about 750.
# The Encyclopedia Americana (1920)/Zeta

Edition of 1920. See also Zeta on Wikipedia, and the disclaimer.
ZETA, zē'tạ, (1) the Greek equivalent of the English letter Z, and sixth in the Greek alphabet. (2) a small closet or chamber; applied by some authorities to the room over the porch of a Christian church, where were kept the documents of the church and also containing quarters of the sexton.
# The Encyclopedia Americana (1920)/Zoolatry

Edition of 1920. See also Animal worship on Wikipedia, and the disclaimer.
ZOOLATRY, the worship of animals. This seems to have passed through three stages: (1) The animal was reverenced and propitiated as possessing a power greater than that of man. (2) It was regarded as an incarnation of some deity or spirit. (3) It was raised to the position of a tribal ancestor. Zoölatry had its origin in the belief of primitive man that all nature was endowed with life and that many beings were possessed of great and magical powers. Animals were believed to be especially endowed with such powers. They were also thought to have their chiefs and tribal organizations just as man had, and their great magicians who were powerful enough to bring confusion upon their enemies. Hence primitive man attempted to conciliate all the mysterious forces and powers of nature, among them, those of the animal kingdom. Out of this, through successive stages, grew animal worship, with all its attendant ceremonies, forms and incantations. In the early history of the the human race zoölatry of some kind was very prevalent. Traces of it appear in the Bible, as in the story of the Golden Calf made by the Israelites (Ex. xxxii). Zoölatry took deep root in the religious life of the ancient Egyptians, and all three forms flourished among that people. Juvenal opens his 15th satire with a scathing invective of Egyptian zoölatry, and detailed accounts of it occur in Herodotus, Plutarch, Strabo and Cicero. In the present day zoölatry survives chiefly in India and among the snake-worshippers of the west coast of Africa. See Nature Worship.
# The Encyclopedia Americana (1920)/Zerffi, George Gustavus

Edition of 1920. See also Gustav Zerffi on Wikipedia, and the disclaimer.
ZERFFI, George Gustavus, English author: b. Hungary, 1821; d. Chiswick, England, 28 Jan. 1892. He edited a newspaper at Budapest, and in 1848 served as a captain in the revolutionary army. He also acted for a time as Kossuth's private secretary. On the failure of the revolution in 1849 he went to England and was naturalized, and some years later was engaged as a lecturer in the department of art at South Kensington. Throughout his career Zerffi gave much attention to the subjects of decoration and history, and wrote many works treating these themes in a comprehensive manner. He asserted that history should be studied as a whole on philosophical principles. He planned a general work on these lines entitled ‘Studies in the Science of General History,’ of which two volumes were issued, dealing with ancient and mediæval history respectively. Among his other publications are ‘A Manual of the Historical Development of Art, with Special Reference to Architecture, Sculpture, Painting and Ornament’ (1876); an English version of Goethe's ‘Faust’ with critical and explanatory notes (1859); he also published a number of his lectures.
# The Encyclopedia Americana (1920)/Zerrahn, Carl

Edition of 1920. See also Carl Zerrahn on Wikipedia, and the disclaimer.
ZERRAHN, Carl, American musical conductor: b. Malchow, Mecklenburg, 28 July 1826; d. Milton, Mass., 29 Dec. 1909. In 1848 he came to America as flute-player with the Germanica Orchestra, and six years later became director of the Handel and Haydn Society of Boston, a position he held for 42 years. He was conductor of the Harvard Symphony concerts 1861-82, and for several years was a successful director of famous musical festivals throughout New England, among them being those at Worcester, Mass., which he conducted in 1866-97. He retired in 1898.
# The Encyclopedia Americana (1920)/Zerubbabel

Edition of 1920. See also Zerubbabel on Wikipedia, and the disclaimer.
ZERUBBABEL, zĕ-rŭb'ạ-bĕl, leader of the first band of Israelitish exiles returning from Babylon. He name in the Captivity was Sheshbazzar. He was the recognized prince of Judah, son of Shealtiel, governor of Judah (Hag. i, 12, 14), and on arrival at Jerusalem, with Jeshua, the high-priest, directed the renewal of public daily worship and of festival days, and in the second month of the second year of the return, the reconstruction of the Temple. This last work was stopped by their foes and revived only after 16 years, when it was again undertaken and finally completed by Zerubbabel and Jeshua.
# The Encyclopedia Americana (1920)/Zouave

Edition of 1920. See also Zouave on Wikipedia, and the disclaimer.
ZOUAVE, zoo-äv, a soldier in the French army. Zouaves were organized in 1831 and were originally mercenaries belonging to a Kabyle tribe. The Zouaves in the pay of the dey of Algiers were, when Algeria became a French possession, incorporated with the French army there, preserving their Arab dress. Ultimately the native element was eliminatcd, and the Zouaves became French soldiers in the picturesque Arab costume. As such they distinguished themselves in the Crimea, which was their first European service, and the Franco-Italian War of 1859. There were several regiments of Zouaves among the volunteer Federal troops in the American Civil War, so-called because of their wearing an adaptation of the costume of the French Zouaves. The
Papal or Pontifical Zouaves were recruited from French soldiers at Rome in 1860 and under General Lamoricière, a former commander in Algeria, defended the temporal sovereignty of the Pope. They were unsuccessful against the Italian troops at Rome in 1870, and after serving in France against the Germans and the Commune they were disbanded in 1871.
# The God of Music

* "Music", in Lyrics and Sonnets (1887)
* "The God of Music", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# The House on the Borderland/Dedication

TO MY FATHER
(Whose feet tread the lost aeons)
Open the door,
    And listen!
Only the wind's muffled roar,
    And the glisten
Of tears 'round the moon.
    And, in fancy, the tread
Of vanishing shoon—
    Out in the night with the Dead.
"Hush! And hark
    To the sorrowful cry
Of the wind in the dark.
    Hush and hark, without murmur or sigh,
       To shoon that tread the lost aeons:
    To the sound that bids you to die.
Hush and hark! Hush and Hark!" Shoon of the Dead
# The House on the Borderland/Grief

Fierce hunger reigns within my breast, I had not dreamt that this whole world, Crushed in the hand of God, could yield Such bitter essence of unrest, Such pain as Sorrow now hath hurled Out of its dreadful heart, unsealed!
Each sobbing breath is but a cry, My heart-strokes knells of agony, And my whole brain has but one thought That nevermore through life shall I (Save in the ache of memory) Touch hands with thee, who now art naught!
Through the whole void of night I search, So dumbly crying out to thee; But thou are not; and night's vast throne Becomes an all stupendous church With star-bells knelling unto me Who in all space am most alone!
An hungered, to the shore I creep, Perchance some comfort waits on me From the old Sea's eternal heart; But lo! from all the solemn deep, Far voices out of mystery Seem questioning why we are apart!
"Where'er I go I am alone Who once, through thee, had all the world. My breast is one whole raging pain For that which was, and now is flown Into the Blank where life is hurled Where all is not, nor is again!"
# The House on the Borderland/Preface

Many are the hours in which I have pondered upon the story that is set forth in the following pages. I trust that my instincts are not awry when they prompt me to leave the account, in simplicity, as it was handed to me.
And the MS. itself—You must picture me, when first it was given into my care, turning it over, curiously, and making a swift, jerky examination. A small book it is; but thick, and all, save the last few pages, filled with a quaint but legible handwriting, and writ very close. I have the queer, faint, pit-water smell of it in my nostrils now as I write, and my fingers have subconscious memories of the soft, "cloggy" feel of the long-damp pages.
I read, and, in reading, lifted the Curtains of the Impossible that blind the mind, and looked out into the unknown. Amid stiff, abrupt sentences I wandered; and, presently, I had no fault to charge against their abrupt tellings; for, better far than my own ambitious phrasing, is this mutilated story capable of bringing home all that the old Recluse, of the vanished house, had striven to tell.
Of the simple, stiffly given account of weird and extraordinary matters, I will say little. It lies before you. The inner story must be uncovered, personally, by each reader, according to ability and desire. And even should any fail to see, as now I see, the shadowed picture and conception of that to which one may well give the accepted titles of Heaven and Hell; yet can I promise certain thrills, merely taking the story as a story.
WILLIAM HOPE HODGSON December 17, 1907