OpenLLM-France/wikimedia huggingface dataset:
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 4/Chapter 17

CHAP. XVII.
When the misfortune of my nose fell so heavily upon my father's head,—the reader remembers that he walked instantly up stairs, and cast himself down upon his bed; and from hence, unless he has a great insight into human nature, he will be apt to expect a rotation of the same ascending and descending movements from him, upon this misfortune of my name;—no.
The different weight, dear Sir,—nay even the different package of two vexations of the same weight,—makes a very wide difference in our manners of bearing and getting through with them.—It is ​not half an hour ago, when (in the great hurry and precipitation of a poor devil's writing for daily bread) I threw a fair sheet, which I had just finished, and carefully wrote out, slap into the fire, instead of the foul one.
Instantly I snatch'd off my wig, and threw it perpendicularly, with all imaginable violence, up to the top of the room—indeed I caught it as it fell—but there was an end of the matter; nor do I think any thing else in Nature, would have given such immediate ease: She, dear Goddess, by an instantaneous impulse, in all provoking cases, determines us to a sally of this or that member—or else she thrusts us into this or that place, or posture of body, we know not why—But mark, madam, we live amongst riddles and mysteries—the most obvious ​things, which come in our way, have dark sides, which the quickest sight cannot penetrate into; and even the clearest and most exalted understandings amongst us find ourselves puzzled and at a loss in almost every cranny of nature's works; so that this, like a thousand other things, falls out for us in a way, which tho' we cannot reason upon it,—yet we find the good of it, may it please your reverences and your worships—and that's enough for us.
Now, my father could not lie down with this affliction for his life—nor could he carry it up stairs like the other—He walked composedly out with it to the fish-pond.
Had my father leaned his head upon his hand, and reasoned an hour which ​way to have gone—reason, with all her force, could not have directed him to any thing like it: there is something, Sir, in fish-ponds—but what it is, I leave to system builders and fish pond diggers betwixt 'em to find out—but there is something, under the first disorderly transport of the humours, so unaccountably becalming in an orderly and a sober walk towards one of them, that I have often wondered that neither Pythagoras, nor Plato, nor Solon, nor Licurgus, nor Mahomet, nor any of your noted law-givers, ever gave order about them.
# The Message and Ministrations of Dewan Bahadur R. Venkata Ratnam, volume 2/Chapter 7

VII OUR AIM AND OUTLOOK. (1886)
East and West, the Spiritual and the Practical, the Speculative and the Active, are, at the present time, contending over the soul of India. New thoughts and new ideas, new hopes and new aspirations, are fast springing up in the Indian mind. The old order is daily changing, yielding place to the new. A mighty bloodless revolution is occurring all around us. Far as the mind can view, two strong but opposing currents of thought are at work; and the result is that some are carried away by one current and some by the other. But there is, thank God, a small but daily increasing band which holds that the two seemingly conflicting elements might, with a little patience and forethought, be made to aid and further each other. And holding this view, we will express our ​humble but honest opinion on every moving topic of the day.
The sum of human happiness is contained in that single word, Religion. The basis of every human concern is Religion; which is, indeed, the greatest boon that man enjoys. But the religion that we ill plead for to the utmost of our poor capabilities is, not the religion of hostile creeds and clashing churches, nor the religion of rites and ceremonies, of rituals and sacraments, but a faith and a hope that are.
"Lofty as is the love of God, And ample as the wants of man."
And in commending this religion, we will touch upon every topic of interest and usefulness. We will deal with questions of Education, Society and Morality as, respectively, the planting, the growing and the harvesting processes of Religion. In Religion, we will advocate love; in Morality, justice; in Society, liberty; and in Education, culture. As a rule, politics we will not deal with. But questions of ​policy may never be divorced from the demands of morality. We will, therefore, as occasion many arise, discuss important political topics from the stand-point of justice and righteousness.
None is more alive than ourselves to the utter, inadequacy of our capabilities. The aim is high, the performance will be commonplace. Feeble hands have taken up a great task. But every man has a mission. We will, with the help of God, honestly attempt to accomplish ours, to the best of our humble capacities; and "who dares do more is none." We will, as our name implies, be the Fellow-worker of every honest and faithful servant of God. Rama's hosts were building the bridge across the southern channel; a poor squirrel felt it her duty to help the righteous cause. She dives into the sea, rolls on the shore, and shakes her little weight of sand on the bridge. She catches the eye of the hero; who deigns to acknowledge her services by tenderly passing his kind fingers over her back. Such ​will be our small service in the holy cause of Truth; and such, we hope and trust, will be the kind patronage of the public.
# The Message of the Hour

THE MESSAGE OF THE HOUR
FOUR SERMONS
DELIVERED ON THE NEW YEAR'S DAY, AND THE DAY OF ATONEMENT, 5651-1890.
BY
ISAAC S. MOSES,
RABBI OF CONGREGATION ANSHE MAARAB.
CHICAGO, ILL.: E. RUBOVITS & BRO., PUBLISHERS. 1890.
The Message of the Hour.
FOUR SERMONS
DELIVERED ON THE NEW YEARS' DAY, AND THE DAY OF ATONEMENT, 5651-1890.
BY
ISAAC S. MOSES, RABBI OF CONGREGATION ANSHE MAARAB.
CHICAGO, ILL. E. RUBOVITS & BRO., PUBLISHERS. 1890.
To my venerable friend and predecessor in the pulpit, The Rev. Dr. Liebman Adler, these few pages are dedicated, as a
token of love and friendship. I. S. Moses.
* The Message of the Hour
* The Gifts of Life
* Seeking God
* The Altars Rebuilt
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 97 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Message of the Stars

The
Message of the Stars
MAX HEINDEL
and
AUGUSTA FOSS HEINDEL
an esoteric exposition of
MEDICAL AND NATAL ASTROLOGY
explaining the arts of
PREDICTION AND DIAGNOSIS OF DISEASE
THIRD EDITION Enlarged and Revised. $2.50 Postfree
Rostcrucian Fellowship
international headquarters Mount Ecclesia, Oceanside, California
London:
L. N. FOWLER & CO., 7 IMPERIAL ARCADE
Ludgate Circus
Copyright 1918
by
Max Heindel
Fellowship Press Oceanside, California
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Maremma (Felicia Hemans)

* The Maremma, in The Edinburgh Magazine, November 1820.
* The Palace of the Maremma, in The New Monthly Magazine Volume 41, 1834.
* The Maremma, in Poetical Remains of the Late Mrs Hemans, 1836.
# The Maremma/Author's remarks

THE MAREMMA, A TALE.
The following little Tale, written some time ago, was intended to have been enlarged by the introduction of other characters and incidents, and afterwards published separately; but a poem on the same subject, by a writer of considerable celebrity, having recently made its appearance, the Author of the "Maremma" has, in consequence, given up the idea of its publication in any other mode than the present.
"The history of Desdemona has a parallel in the following passage of Dante. Nello Della Pietra had espoused a lady of noble family at Sienna, named Madonna Pia. Her beauty was the admiration of Tuscany, and excited in the heart of her husband a jealousy, which, exasperated by false reports and groundless suspicions, at length drove him to the desperate resolution of Othello. It is difficult to decide whether the lady was quite innocent, but so Dante represents her. Her husband brought her into the Maremma, which, then as now, was a district destructive to health. He never told his unfortunate wife the reason of her banishment to so dangerous a country. He did not deign to utter complaint or accusation. He lived with her alone, in cold silence, without answering her questions, or listening to her remonstrances. He patiently waited till the pestilential air should destroy the health of this young lady. In a few months she died. Some chroniclers, indeed, tell us, that Nello used the dagger to hasten her death. It is certain that he survived her, plunged in sadness and perpetual silence. Dante had, in this incident, all the materials of an ample and very poetical narrative. But he bestows on it only four verses. He meets in Purgatory three spirits; one was a captain, who fell fighting on the same side with him in the battle of Campaldino; the second, a gentleman assassinated by the treachery of the House of Este; the third was a woman unknown to the poet, and who, after the others had spoken, turned towards him with these words:
Ricordati di me; che son la Pia;
Sienna mi fe, disfecemi Maremma.
Salsi colui che inannellata pria
Disposando m'avea con la sua gemma"
Purgat. Cant. 5th.
EDINBURGH REVIEW, No.58
# The Margaret

United States Supreme Court
94 U.S. 494
The Margaret
APPEAL from the Circuit Court of the United States for the Eastern District of Michigan.
The facts are stated in the opinion of the court.
Mr. William P. Lynde for the appellant.
Mr. Alfred L. Cary, contra.
MR. JUSTICE SWAYNE delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Maremma

The Maremma
by
Felicia Hemans
taken from The Edinburgh Magazine and Literary Miscellany
November 1820
by Peter J. Bolton
The Edinburgh Magazine, November 1820 Pages 395-398
Contents
* Author’s remarks
* The Maremma
{{pd-old}}
# The Moving Picture World/Volume 1/Number 2/Howe's Moving Pictures

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HOWE'S MOVING PICTURES.
The most weird and spectacular mountain peaks in the world were conquered a few months ago for the first time. They are the Dolomites in the northern Italian Tyrol. How they were conquered forms one of the most interesting features of Lyman H. Howe's lifeorama, now touring the States. Switzerland seems time in comparison with the great shattered mountains of solid rock shown in this feature. In shape they violate all ideas of what mountains should be. They seem as though part of another world, or like some colossal castles nature has built above the clouds. It has always been regarded as utterly impossible to ascend them, even though climbers had nothing to look after but themselves.
But to secure these scenes the climbers had to care for the equipment necessary to reproduce them, as well as caring for themselves while facing the same great perils that defied and defeated all others. To succeed, handicapped as they were, where all others, without such disadvantages, had failed, intensifies the amazement of the triumph. The pluck, courage and ingenuity displayed is thrilling and sensational in the extreme. At times they are shown fairly hanging over vast depths. Again they are seen clinging to perpendicular walls of solid rock with only a few precarious inches between them and instant death below. A misstep, dizziness, or a false hold would be fatal at every moment of the hazardous venture. The fearful risks taken hold the spectator with breathless interest, and the wild grandeur of the scenery bewilders the mind.
# The Moving Picture World/Volume 1/Number 2

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THE
Moving Picture World
AND VIEW PHOTOGRAPHER
The only Independent Weekly Journal published in the interests of Manufacturers and Operators of Animated Photographs and Cinematograph Projection, Illustrated Songs, Lantern Lectures and Lantern Slide Makers
PUBLISHED BY
THE WORLD PHOTOGRAPHIC PUBLISHING COMPANY, 361 BROADWAY, NEW YORK
Our first issue, reaching 12,000 readers, is exhausted. If you wish to get your copies regularly, leave an order with your News Agent, or send TWO DOLLARS for a year's subscription.
Editorial
    Ourselves
    The Closing of Nickelodeons in New York City
    Edison vs. Biograph
Trade Notes Moving Pictures Help Detectives Howe's Moving Pictures Moving Pictures That Talk Mind, Voice, Interpretation Lantern Slide Making Correspondence
    The School of Operating
    "Nothing succeeds like success"
The Buyers' Guide Song Slide Review
    The Best Thing in Life
    When You Know You're Not Forgotten by the Girl You Can't Forget
Film Review
    The "Teddy" Bears
Layout 1
# The Moving Picture World/Volume 1/Number 2/"Nothing succeeds like success"

Layout 4
"NOTHING SUCCEEDS LIKE SUCCESS."
By One Who Has Proved It.
Editor Moving Picture World:
Dear Sir—In reply to your favor of recent date, relative to items of growth and improvement and notes of general progress pertaining to this business, I desire to say that it has been phenomenal. Fancy, beginning less than three years ago with a desk chair and to-day controlling the largest retail business of its kind in this city and carrying a stock twice as large as all others collectively.
Of course, hard work has been a prime factor in the case, but the fact remains that after an almost total collapse the motion picture industry took a turn for the better and those interested sat up and took notice.
To-day the industry is on a footing that means permanency, and now that a flickerless and perfect machine is on the market, at a price within the reach of all, it is up to the film manufacturer. If he has not overdrawn the account known as "imagination," his field is large and financially inviting to a marked degree.
This applies to the legitimate, of course, and not to the plagiarist, who, lying in wait like a murderer in the dark, pounces on everything good, the emanations of a man of brains, and deliberately counterfeits the idea. It will be a happy day for responsible dealers when counterfeiters of machines and films will subject themselves to fine and imprisonment for so doing.
Then there is the same class who originate (?) startling, blood-and-thunder pictures, in which vault doors are made fully one inch thick and burglar's dark lantern painted on the wall; where a noted park is used because it costs nothing and a pad dog introduced in the same pictures for the same reason.
The public is gradually becoming educated, especially since the Nickelodeons have become a fad, and when one of these very fake pictures is shown, we hear the well-worn expressions, "Git the hook," etc., etc.
It is well. More power to the voices until they shall drive out every faker and counterfeiter, every falsifier and he who misrepresents for the same of a few paltry dollars, when legitimate dealers will realize a fair per cent. of profit and operators again receive a fair wage.
This industry is bound to grow, and if by concerted action the pirates can be driven out (and I believe they can), then let the leading makers lead and every honest dealer lend a helping hand.
Your publication is deserving of success and I wish for it better things as time progresses.
Cordially yours,
Lewis M. Swaab.
# The Moving Picture World/Volume 1/Number 2/Moving Pictures Help Detectives

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MOVING PICTURES HELP DETECTIVES
Rudolph Blumenthal, said to be one of the cleverest criminals in the country, has been captured between Long Beach and Los Angeles through the agency of the moving pictures taken of the training quarters of Tommy Burns at Long Beach three months ago.
To show as a preliminary to the main fight, Miles Brothers photographed the eager crowd which gathered around the out-door training stand of Tommy Burns.
Rudolph Blumenthal was in this crowd, and when the pictures were shown in Chicago three detectives who had Blumenthal's features stamped upon their memory recognized him. They immediately set out for Long Beach and captured the man at a house ten miles north of there.
# The Moving Picture World/Volume 1/Number 2/Moving Pictures That Talk

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MOVING PICTURES THAT TALK
The "chronomegaphone" is the scientific name given to a new apparatus invented by M. Leon Gaumont, of Paris. A moving picture is thrown on the screen, and as the figures move the chronomegaphone gives them a speech. We thus get a combination of cinematograph and phonograph.
# The Lincoln Star

* related portals: Newspapers.
* sister projects: Wikipedia article, Wikidata item.
Newspaper published in Lincoln, Nebraska. In 1995 it merged with The Lincoln Journal, creating Lincoln Journal Star.
Volume 72 (1973)
# The Lincolnshire Knight

* Search for titles containing or beginning with: "The Lincolnshire Knight."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Lincolnshire Knight, anonymous song
* The Lincolnshire Knight (1802), Scottish chapbook
# The Lincolnshire Knight (1802)

ΤΗΕ
Lincolnshire Knight;
OR, THE
Poor Rich Man.
TO WHICH ARE ADDED,
HARVEST HOME.
THE LADY'S COMPLANT.
The grand Procession on St George's Day.
HOMEWARD BOUND.
LISTEN to the VOICE of LOVE.
GLASGOW, Printed by J. & M. ROBERTSON, Saltmarket, 1802.
* The Lincolnshire Knight
* Harvest Home
* The Lady's Complaint
* The grand Procession on St. George's Day
* Homeward Bound
* Listen to the Voice of Love
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Lincolnshire Knight (1802)/Harvest Home

HARVEST HOME.
COME Roger, come Nell, come Simkin, come Bell; Each lad, with his lass, hither come, With singing and dancing, In pleasures advancing, To celebrate harvest home, For Ceres bids play, And keep holiday, To celebrate harvest home, harvest home, To celebrate harvest home.
Our labours are o'er, Our barns in full store, ​Now swell with rich gifts of the land, Then let each man take His prone and rake, With his cann, and his lass, in his hand.
What mortal can be, So happy as we, In innocent pastime and mirth, While this we carouse, With our sweethearts and spouse, And rejoice o'er the fruits of the earth.
# The Migration of Birds

This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1933, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 90 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
The Cambridge Manuals of Science and Literature
THE MIGRATION OF BIRDS
CAMBRIDGE UNIVERSITY PRESS
London: FETTER LANE, E.C.
C. F. CLAY, Manager
* Edinburgh: 100 PRINCES STREET
* Berlin: A. ASHER AND CO.
* Leipzig: A. BROCKHAUS
* New York: G. P. PUTNAM'S SONS
* Bombay and Calcutta: MACMILLAN AND CO., Ltd.
All rights reserved
​With the exception of the coat of arms at the foot, the design on the title page is a reproduction of one used by the earliest known Cambridge printer, John Siberch, 1521
PREFACE
Any attempt to elucidate the problems connected with the Migration of Birds must, in the present state of knowledge, contain some theory and speculation, but the diligent observations of an army of careful workers yearly add facts, which though they may appear insignificant When considered alone, tend in the aggregate to confirm or repudiate the conclusions of past workers. I have endeavoured to bring together some of the more important theories, and to give prominence to ascertained facts; I have also striven to check desire on my own part to wander into realms of pure speculation, though conscious that I have not always evidence to support my suggestions,
The numbers in brackets in the text refer to the books or papers mentioned in the list at the end of the volume, which is in no ways an attempt at a full bibliography. I have quoted freely from the works of past and living ornithologists. To those I offer apologies if I have misconstrued their arguments, and acknowledge my indebtedness to those whose observations or writing ​have given me light. In particular I tender thanks to Mr Wells W. Cooke for his permission to reproduce the maps facing pp. 76, 78, 80. I have found his writings and those of Herr Otto Herman and Mr Eagle Clarke especially valuable. Mr Eagle Clarke's long looked-for book on Migration is, as I write, still in the press; had mine been more than a manual I should have hesitated to publish until his had appeared.
T. A. Coward
Bowdon, Cheshire, 4 November 1911.
# The Lives of the Most Eminent English Poets

* related portals: Biography, Poetry.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
Corrected edition of 1794, OCLC:221346988
CONTENTS.
OF THE
FIRST VOLUME
CONTENTS.
OF THE
SECOND VOLUME
CONTENTS.
OF THE
THIRD VOLUME
CONTENTS
OF THE
FOURTH VOLUME.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Lives and Characters of the English Dramatick Poets/William Wycherley

William Wycherley.
A Shropshire Gentleman, who has excell’d all Writers in all Languages, in Comedy, and most of the Poets of the present Age in generous Dealing with those he owns his Friends, he has writ Four Plays,
The Country Wife, a Comedy, 4 to. 1683. acted at the Theatre Royal. This Play from the beginning has been frequently acted with great Applause.
The Gentleman Dancing-Master, a Comedy, 4 to. 1673. acted at the Duke’s Theatre.
Love in a Wood; or, St. James’s Park; a Comedy, 4 to. 1672. acted at the Theatre Royal, by his Majesty’s Servants; and dedicated to the Dutchess of Cleveland.
The Plain Dealer, a Comedy, 4 to. 1678. acted at the Theatre Royal, by his Majesty’s Servants. This is accounted the most excellent of all his Comedies, of which and the Author, Mr. Dryden and Mr. Evelyn gives a large Encomium. Some of the Characters are in Molliere’s Le Misanthrope, and Scarron’s City Romance, 8 vo.