# Sorrell and Son (Alfred A. Knopf, printing 9)/Chapter 2

WHEN Sorrell placed two rashers of bacon on Christopher's plate he found himself reflecting that he and his son were eating this meal on credit, and that unless some sort of job was to be discovered in Staunton he might have to visit the sign of the three golden balls.
At the end of the meal he lit his pipe and glanced down the list of the advertisements in a copy of the Staunton Argus. Someone was advertising for a chauffeur; a farmer needed a cowman, and a number of ladies were asking for cooks and housemaids, but Sorrell had to recognize his own limitations. He could not drive a car, or milk a cow, or cook a dinner. Indeed, when he came to consider the question there were very few things that he could do. Before the war he had sat at a desk and helped to conduct a business, but the business had died in 1917, and deny a business man his office chair and he becomes that most helpless of mortals—a gentleman of enforced leisure.
At the top right hand corner of the page Sorrell noticed a paragraph that might have some bearing on his case. It appeared that there was a private Employment Agency in Staunton, conducted by a Miss Hargreaves at No. 13, the High Street. Sorrell tore off the corner of the paper, slipped the notice into his waistcoat pocket, and passed the rest of the paper across the table to Christopher.
"I am going out."
The boy understood.
"I'll be here when you come back."
No. 13 proved to be a stationer's shop, one half of its window brilliant with the wrappers of cheap novels. Its doorway looked across the road into the arched entry of the "Angel" yard, and Miss Hargreaves, from the moment when she pulled up her blind in the morning or pulled it down at night, lived in the gilded presence of the inn's ​angelic figurehead. Sorrell entered the shop. It was long and rambling and dark, and on dull days a light was needed in the far corner where the circulating library lived in a tall recess. There were no customers in the shop, and the young woman behind the counter, turning a pair of myopic eyes on Sorrell, moved instinctively towards where the daily papers were kept.
"Daily Mail?"
That was the sound she expected Sorrell to make, but he surprised her by uttering other words.
"I believe you run an employment agency."
"Yes," said the girl, "that's so."
She glanced in the direction of a kind of desk or cage at the back of the shop where a woman's head was visible.
"You had better see Miss Hargreaves—there."
As Sorrell approached the desk Miss Hargreaves raised her head, showing him the face of a woman of five and forty. She was thin and wiry, with brown eyes of a hungry hardness, and her nose marked out a little red triangle with its congested lip and network of minute blood-vessels.
"Good morning."
He was a stranger, and to this woman all strange men were interesting, yet as Sorrell looked into her brown eyes he felt himself growing inarticulate.
"I want to consult you——"
"You are wanting a servant?"
"No,—that fact is——"
But at this moment they were interrupted by the rush of a vital presence into the shop, something highly scented and with a suggestion of the soft friction of silks. Its movements were large and easy and swift, and bringing with them a sense of disturbing and adventurous liveness. It was at Sorrell's elbow, compelling him to glance over his shoulder. He saw the mass of tawny hair, the broad and handsome face, the red mouth, the blue of the eyes. There was something brutal in the face, a vivacity, a sensual energy. He felt as though a gust of wind had blown into the dark shop, and that this large, blonde creature was stifling his courage, overlaying it as though it were a feeble infant. He turned to the cage, only to find that Miss Hargreaves was all eyes for the newcomer. The thin woman was smiling. Her face suggested some inward excitement.
​"Morning,—Flo—dear——. How are you?"
"Do I look ill?"
There was some element of sympathy between these two women, contrasts though they were, but the lady of the tawny head was studying Sorrell. She stood aside, leaning easily against the wainscoting, her blue knitted coat vivid against the old brown wood.
"This gentleman—first. Mine's not business."
Sorrell wished her with the devil. He felt her eyes upon him, and had he followed the line of least resistance he would have bolted from the shop. To stand there and blurt out his shabby business while she embarrassed him and made him acutely self-conscious!
"Damn!" he thought, "haven't I decided to plunge?"
Miss Hargreaves was fingering the leaves of a ledger, and waiting upon his silence.
"You said you wished to engage——"
"I want a situation."
"Oh——? For yourself? I'm sorry,—but,—only domestic service—you know."
"Of course," said Sorrell, stiff as a frightened cat, "that's what I mean; a place as valet, or footman or something of that sort."
He felt that the two women despised him, especially that big, blonde creature with her blueness and her hard world-wise eyes. Why couldn't she clear out and leave him to the thin woman in the cage?
Miss Hargreaves pretended to glance through the entries in her ledger.
"I'm afraid I have nothing of that sort,—nothing at all."
"I see."
"Why not try the Labour Exchange?"
"I might. Thank you. Sorry to have troubled you. Good morning."
He turned abruptly, his back to the blonde—woman and made for the doorway. He noticed how the worn boards of the floor squeaked under his feet, an uncomfortable sound caused by a discomfited man. He arrived at the doorway. A voice reached after him like a restraining hand.
"Hallo—one moment——"
Sorrell turned in the doorway, and saw the blonde woman sailing down the shop, and he stood aside to let her pass, ​thinking that his necessity was no concern of hers, but she paused by a revolving stand of picture postcards, and taking one at random, gave Sorrell the full stare of her blue eyes.
"Serious?" she asked.
He looked at her rather blankly.
"I beg your pardon——"
Her smile puzzled him.
"Well,—if you are—come across to the 'Angel' in a quarter of an hour. There's a job—vacant."
She passed out, almost brushing against him, and he watched her cross the road and enter the arched gateway of the Angel Inn. She turned to the left towards a doorway, but she did not look back, and he wondered why she had left him with a feeling of having been crushed against a wall. She had suggested immense strength, a brutal and laughing vitality.
Sorrell went back suddenly into the shop, and along its dark length to the woman in the cage.
"Excuse me—would you mind telling me——?"
She caught his meaning.
"That's Mrs. Palfrey; she runs the 'Angel.'"
"Oh. Have you any idea——?"
Miss Hargreaves looked at him queerly.
"They want an odd man—for the luggage and the boots and things——"
He stared at her thin face.
"Well,—why didn't you——?"
"Because I didn't know," she said tartly. "If it is any use to you—well—there it is."
Sorrell stood on the footway and looked across at the Angel Inn.
The exterior of the building pleased him. It had the creamy whiteness of last year's paint, and a well proportioned cornice that threw a definite shadow. The window sashes were painted maroon, and from the centre of the façade an old iron balcony projected like the poop of a ship. The gilded angel appeared to have floated from off this balcony, and there could be not doubt as to the rightness ​of the angel's political opinions. She was a solid Tory angel who had pointed the way heavenwards to generations of Staunton crowds, carrying with her the eloquence of many triumphant Tory orators.
Sorrell's glance travelled towards the arched entry by which coaches and carriages had entered and left the inn in the old days. Above this entry a fine semi-circular window overhung the footwalk, two tall Ionic pillars, painted white, supporting it. Sorrell noticed that the curtains were of green taffeta. The window was fitted with window boxes, but the flowers in the boxes were dead.
He strolled up the street, across the Market Square and into the Close. He was undecided. He had glanced for a moment at the shuttered windows of Mr. Verity's shop, only to realize how rapid had been the drop in his expectations. Odd man at a provincial pub! Assuredly he was landing with a bump at the very bottom of the social precipice.
He sat down on the seat and watched the swans, casual and stately creatures gliding as they pleased.
"Well,—anyway," he reflected, "if one starts at the bottom one has the satisfaction of feeling that one cannot drop any farther."
He thought of Christopher.
"I said I would get a job. Any kind of job may be a ladder—to push the boy up. Or if he can climb up off my shoulders——?"
He rose and walked back to the Angel Inn, and turning in at the arched entry, found a doorway on his left that led into a broad passage. He was to learn to know that passage very well, and to hate it and its slippery oil-cloth, and the stairs that went up from it into the darkness. A lounge enlarged itself on the right, the windows looking into the courtyard; and opening from the other side of the lounge were the office, the passage to the kitchen, the "Cubby Hole," and the back entrance to the "bar"!
Sorrell paused in the passage, with his back to a map of the surrounding country. Two or three visitors were seated in the lounge, smoking and reading the daily papers. A ruddy woman in a leather coat was turning over the pages of a Michelin guide. Sorrell noticed that the tables in the lounge had an uncared-for look. Tobacco ash and used matches littered the trays. There were the marks of glasses. ​The chair nearest him needed the hands of an upholsterer. Moreover, the place had a distinctive and stuffy smell.
Sorrell approached the office window, and as he did so a man appeared at the doorway of the "Cubby Hole." His suffused and injected eyes sighted Sorrell.
"Good morning, sir."
"Good morning," said Sorrell.
The man was in his shirt sleeves, unshaven, and his close-cropped head glistened white between his heavy shoulders; in fact his head seemed attached directly to his broad, short body without the interposition of a neck. His shortness made his bulk more evident, and even the effort of speaking appeared to render him short of breath, for Sorrell saw the labouring of the ballooned waistcoat. The man was not old, and yet he made Sorrell think of some poor, obese, mangy old god with bleared eyes and panting flanks.
"What can I do for you, sir?"
His bluffness had a certain pathos. He appeared the master, a hearty, loud voiced creature, and he was nothing but an obedient sot.
"Mrs. Palfrey told me to call. It's about——."
"About what——?"
"She is needing a man."
"Oh,—ah,—that's it."
The brain behind the blotched face functioned very slowly, nor did the suffused blue eyes express any emotion. They did not change their look of solemn obfuscation.
The man moved to the door on which "The Cubby Hole" was painted in black letters. He opened it.
"Flo."
"Hallo."
"Someone to see you, a fellow after Tom's place."
"Show him in."
As Sorrell responded to the gesture of a fat hand he divined the fact that this poor, rotten shell of a man—the bruised and swollen fruit—was Florence Palfrey's husband.
He closed the door and stood by it, holding his hat in his hand. It was a darkish room, with one window looking out upon a yard, and beneath the window ran a long sofa ​full of crimson coloured cushions. The woman was sitting on the sofa fiddling with some piece of needlework.
She did not tell Sorrell to sit down.
"Well, what's your trouble been?" she asked abruptly.
He answered her with equal abruptness.
"Is that any business of yours?"
Her eyes seemed to take in his thinness, the black and whiteness of his rather solemn face with its little moustache and neatly brushed black hair. His quick reaction to her insolence did not displease her.
"Do you want this job?" she asked.
"That depends——."
"On your pride, my lad. Gentleman and ex-officer and all that!"
She pretended to fiddle with her needlework, and he looked down at her and met her occasional and baffling glances. He could not make her out. Her immense vitality, the brutal glow of her handsome strength made him feel like an'inexperienced and shy boy. Why had she told him to come to her? Was it pity, good nature?
"I want work," he said.
"Married?"
"No. But I have got a boy."
She gave him a comprehending stare.
"What made you come to Staunton?"
"I had a berth offered me. At Verity's. I came down yesterday. He was dead."
She reflected for a moment, her head bent over her work.
"Rather a comedown for you."
"That's my affair."
He had a feeling that she was amused at finding a mancreature in the corner of her cage.
"What about references, a character?"
"I could get you references from the Ex-Officers' Association. My name is Sorrell, Captain Sorrell."
"You will have to drop the 'captain.' Temporary, I suppose?"
"Yes. And what is the job?"
She dallied over revealing the details of the post he was to fill, as though it piqued her to discover at her leisure how much mauling the man-thing could bear.
​"Of course—you are pretty raw. The thing is—you won't be able to put on side. A man who cleans the boots in my house doesn't put on side."
"Point No. 1," he said, "I clean the boots."
"And carry up luggage."
"Yes."
"And keep an eye on the yard and the garage. By the way,—know anything of billiards?"
"I play."
"Then you know how to mark. Then—there is the 'Bar.' You will have to scrub that out every morning, and give a hand sometimes with the drinks."
"Right."
She felt him growing stiffer with the swallowing of each detail. His pale face confronted her with an air of defiance. With each scratch of the claw he forced himself to a grimmer rigidity. He refused to wince.
"Anything else?"
"Oh,—any odd job I may want done."
"Yes."
"And you will call me 'madam.'"
She gave him a stare, and in it was a brutal curiosity. He was like a slave in the arena, down in the sand, and she was wondering whether he would cry for mercy.
"Very well, madam. And may I ask—what I get out of the job?"
"Thirty bob a week—and your keep."
"Is that all?"
"Tips. Don't forget the tips. If a man's obliging——"
She gave an indescribable twitch of the shoulders.
"It's a posh job—in the right place. You'll live in—of course."
Sorrell stood fingering his hat.
"And what about my boy?"
"I'm not engaging a boy. We don't have children here. You can board him out somewhere, and he can go to school. How old?"
"Eleven."
"Very well; it's up to you, Sorrell. I can fill this place ten times over in half an hour."
She saw the white teeth under the little black moustache, and she understood how he was feeling. He hated her. ​He could have struck her in the face, and his suppressed passion gave her the sort of emotion that she found pleasurable. She liked using her claws on men, driving them to various exasperations, and not for a long time had she had such a victim.
"I'll take it," he said. "When shall I start?"
She had turned on the sofa to place a finger on the push of an electric bell. Sorrell heard the distant "burr" of it. She sat as though waiting for someone in order to keep him waiting.
"What did you say?"
Her manner was offhand.
"I asked you—madam—when I should start?"
"Right away. I'll give you an hour to fix up that kid of yours."
"Thank you," he said, and opened the door to go.
But she called him back as her husband entered the room.
"I've taken this man on. He is going to fetch his things."
Mr. Palfrey, stertorous and staring, was nothing but a fat figure of consent.
"Right, my dear."
"That's all, Sorrell. Be back in an hour."
It took Sorrell five minutes to reach the upper room of the house in Fletcher's Lane, and he found Christopher at the window looking out upon the world of Staunton's roofs.
"I have got a job, Kit."
The boy gave him that happy, radiant smile.
"I am glad, pater. What is it?"
Sorrell took one of the first steps towards the greater courage.
"I'm porter at the Angel Hotel."