OpenLLM-France/wikimedia huggingface dataset:
# The English and Scottish Popular Ballads/Part 6/Chapter 181

A
YE Highlands, and ye Lawlands, Oh where have you been? They have slain the Earl of Murray, And they layd him on the green. 'Now wae be to thee, Huntly! And wherefore did you sae? I bade you bring him wi you, But forbade you him to slay.' He was a braw gallant, And he rid at the ring; And the bonny Earl of Murray, Oh he might have been a king! He was a braw gallant, And he playd at the ba; And the bonny Earl of Murray Was the flower amang them a'. He was a braw gallant, And he playd at the glove; And the bonny Earl of Murray, Oh he was the Queen's love! Oh lang will his lady Look oer the castle Down, Eer she see the Earl of Murray Come sounding thro the town! Eer she, etc.
B
'OPEN the gates, and let him come in; He is my brother Huntly, he'll do him nae harm.' The gates they were opent, they let him come in, But fause traitor Huntly, he did him great harm. He's ben and ben, and ben to his bed, And with a sharp rapier he stabbed him dead. The lady came down the stair, wringing her hands: 'He has slain the Earl o Murray, the flower o Scotland.' But Huntly lap on his horse, rade to the king: 'Ye're welcome hame, Huntly, and whare hae ye been? 'Whare hae ye been? and how hae ye sped?' 'I've killed the Earl o Murray, dead in his bed.' 'Foul fa you, Huntly! and why did ye so? You might have taen the Earl o Murray, and saved his life too.' 'Her bread it's to bake, her yill is to brew; My sister's a widow, and sair do I rue. 'Her corn grows ripe, her meadows grow green, But in bonny Dinnibristle I darena be seen.'
# The English and Scottish Popular Ballads/Part 6/Chapter 184

A
TWIXT the Girthhead and Langwood-end Livd the Galiard and Galiard's men. It is the lads of Lethenha, The greatest rogues among them a'. It is the lads of Leverhay, That drove the Crichtons' gier away. It is the lads o the Kirkhill, The gay Galiard and Will o Kirkhill, But and the lads o Stefenbiggin, They broke the house in at the riggin. The lads o Fingland and Hellbackhill, They were neer for good, but aye for ill. Twixt the Staywood Bass and Langside Hill, They stelld the broked cow and branded bull. It is the lads o the Girthhead, The diel's in them for pride and greed. . . . . . . . . The Galiard is to the stable gane; Instead of the Dun, the Blind he's taen. 'Come out now, Simmy o the Side, Come out and see a Johnston ride! 'Here's the boniest horse in a' Nithside, And a gentle Johnston aboon his hide.' Simmy Crichton's mounted then, And Crichtons has raised mony a ane. The Galiard thought his horse had been fleet, But they did outstrip him quite out o sight. As soon as the Galiard the Crichton he saw, Beyond the saugh-bush he did draw. The Crichtons there the Galiard hae taen, And nane wi him but Willy alane. 'O Simmy, Simmy, now let me gang, And I vow I'll neer do a Crichton wrang! 'O Simmy, Simmy, now let me be, And a peck o goud I'll gie to thee! 'O Simmy, Simmy, let me gang, And my wife shall heap it wi her hand!' But the Crichtons wadna let Willy bee, But they hanged him high upon a tree. O think then Will he was right wae, When he saw his uncle guided sae. 'But if ever I live Wamphray to see, My uncle's death revenged shall be!' Back to Wamphray Willy's gane, And riders has raised mony a ane. Saying, My lads, if ye'll be true, Ye's a' be clad in the noble blue. Back to Nidsdale they are gane, And away the Crichtons' nout they hae taen. As they came out at the Wallpath-head, The Crichtons bad them light and lead. And when they came to the Biddess-burn, The Crichtons bad them stand and turn. And when they came to the Biddess-strand, The Crichtons they were hard at hand. But when they cam to the Biddess-law, The Johnstons bad them stand and draw. Out then spake then Willy Kirkhill: 'Of fighting, lads, ye's hae your fill.' Then off his horse Willy he lap, And a burnishd brand in his hand he took. And through the Crichtons Willy he ran, And dang them down both horse and man. O but these lads were wondrous rude, When the Biddess-burn ran three days blood! 'I think, my lads, we've done a noble deed; We have revengd the Galiard's blood. 'For every finger o the Galiard's hand, I vow this day I've killed a man.' And hame for Wamphray they are gane, And away the Crichtons' nout they've taen. 'Sin we've done na hurt, nor we'll take na wrang, But back to Wamphray we will gang.' As they came in at Evanhead, At Reaklaw-holm they spred abread. 'Drive on, my lads, it will be late; We'll have a pint at Wamphray Gate. 'For where eer I gang, or eer I ride, The lads o Wamphr[a]y's on my side. 'For of a' the lads that I do ken, The lads o Wamphr[a]y's king o men.'
# The Gold-Gated West/Autumn Leaves

AUTUMN LEAVES
# The Gold-Gated West/Molokai

MOLOKAI
[One of the Hawaiian Islands where the lepers are confined.]
# The Gold-Gated West/After Harvest

AFTER HARVEST
# The Gold-Gated West/The Campfires of the Pioneers

THE CAMPFIRES OF THE PIONEERS
Vincere est vivere!
# The Gold-Gated West/Beautiful Willamette

For other versions, see Beautiful Willamette
BEAUTIFUL WILLAMETTE
# The Gold-Gated West/Snowdrift

SNOWDRIFT
# The Essays of Francis Bacon/The Table

THE TABLE
1. Of Truth.
2. Of Death.
3. Of Unity in Religion.
4. Of Revenge.
5. Of Adversity.
6. Of Simulation and Dissimulation.
7. Of Parents and Children.
8. Of Marriage and Single Life.
9. Of Envy.
10. Of Love.
11. Of Great Place.
12. Of Boldness.
13. Of Goodness, and Goodness of Nature.
14. Of Nobility.
15. Of Seditions and Troubles
16. Of Atheism.
17. Of Superstition.
18. Of Travel.
19. Of Empire.
20. Of Counsel.
21. Of Delays.
22. Of Cunning.
23. Of Wisdom for a Man's self
24. Of Innovations.
25. Of Dispatch.
26. Of Seeming Wise.
27. Of Friendship.
28. Of Expense.
29. Of the True Greatness of Kingdoms and Estates.
30. Of Regiment of Health.
31. Of Suspicion.
32. Of Discourse.
33. Of Plantations.
34. Of Riches.
35. Of Prophecies.
36. Of Ambition.
37. Of Masks and Triumphs.
38. Of Nature in Men.
39. Of Custom and Education.
40. Of Fortune.
41. Of Usury.
42. Of Youth and Age.
43. Of Beauty.
44. Of Deformity. ​45. Of Building.
46. Of Gardens.
47. Of Negotiating.
48. Of Followers and Friends.
49. Of Suitors.
50. Of Studies.
51. Of Faction.
52. Of Ceremonies and Respects.
53. Of Praise.
54. Of Vain Glory.
55. Of Honour and Reputation.
56. Of Judicature.
57. Of Anger.
58. Of Vicissitude of Things.
# The Essays of Francis Bacon/Title Page

THE
ESSAYES OR COUNSELS,
CIVILL AND MORALL,
OF
FRANCIS LO. VERULAM, VISCOUNT ST. ALBAN.
NEWLY ENLARGED.
LONDON:
Printed by John Haviland, for Hanna Barrett and Richard Whitaker
And are to be sold at the sign of the King's Head, in
Paul's Churchyard
1625.
# The Gentleman's Magazine/Volume 225 New Series/George Housman Thomas

* related portals: Obituaries.
* sister projects: Wikipedia article, Wikidata item.
Layout 2
G. H. Thomas.
Mr. George Housman Thomas, whose death has recently occurred at Boulogne, at the age of forty-four, was apprenticed to G. Bonner, the wood-engraver, and afterwards practised that art in Paris on his own account. In 1843 he went to America to illustrate a New York paper. From America he went to Italy, whence he sent to England many sketches of Rome at the time of the siege, which appeared in the Illustrated London News. He also illustrated "Uncle Tom's Cabin." His drawings attracted the attention of her Majesty, who commissioned him to paint "The Queen Giving the Medals to the Crimean Heroes," which was exhibited in 1856. He also painted for her Majesty "The Coronation of the King of Prussia," "The Marriage of the Prince and Princess of Wales," and "The Queen bestowing the Garter on the Sultan." "Rotten Row," which he exhibited at the Academy a few years since, was, perhaps, from the nature of the subject, the most popular of all his recent works. He has left a widow and a young family.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Face we choose to miss—

The Face we choose to miss — Be it but for a Day As absent as a Hundred Years, When it has rode away.
# The Factor's Garland

* The Factor's Garland (1780), anonymously printed
* The Factor's Garland (1799), printed in Glasgow by J. and M. Robertson
* The Factor's Garland (1800), printed in Edinburgh by J. Morren
* The Factor's Garland (1800), printed in Edinburgh by J. Morren
* The Factor's Garland (1800), printed in Edinburgh by J. Morren
* The Factor's Garland (1840-1850) anonymously printed in Falkirk
* The Factor's Garland (1840-1850) anonymously printed in Glasgow
# The History of Ink/Translations

FORM OF THE WORD INK IN DIFFERENT LANGUAGES
Hebrew: דּיוֹ‎
Chaldaic: ܕܝܘ DỶṒ
Sanskrit: मसि
Greek: Μελαν (Melan)
Latin: ATRAMEUTUM (Scriptorum)
Mediaeval Latin: ENCANSTUM
China: 墨水 MĬH SHWUY (liquid ink)
China:„ 墨 MĬH (Chinese ink)
Canton dialect: MAK SHUY
Hindostan: کالی KALI
Bengal: কালী KALI
Shingalese: මසි
Burmese: မင်
Malayhim: മഷി
Maratha: शाइ
Persia: سیاهی‎ SIYAHI
Sinic: 墨
Turkey: مُرَكِّب‎ MUREKKEB
Armenia: Սեաւ
​Thibet: སྣག་ཚ་
Anamitic: MƯC VIẾT
Malay: دوات‎ DAWĀT
Japan: スミ
Java: MANULYSAN
Egyptian: ϪⲪⲎⲞⲨⲦ
Coptic: ϪⲪⲎⲞⲨⲦ
Amharic: ቀለም
Algerian: سّمخ SIMEKH
Aethopic: ሕመት
Arabic: حبر‎ HBR, HIBR, HIBAR.
French: ENCRE $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$Old French ENQUE Breton LYOU Provincal ANCRA$\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$
German: Tinte (Tinte.) $\scriptstyle {\left\{{\begin{matrix}\ \\\\\ \ \end{matrix}}\right.}$Low Dutch Flamande Hollandais$\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,$ INK
Spanish: TINTA
Portugese: TINTA
Italian: INCHIOSTRO
Piedmontese: INCIOSTR
Russian: ᠪᠡᠬᠡ чернила $\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$Lettish BLANKA Lettauish TINTA
Polish: INKAUST
​Hungarian: TENTA
Bunda or Argolense: TINTA
Bohemia: INGAUST
Basque: CORANSIA
Illyrian: INGOAS
Danish: BLÆC
Swedish: BLÄCK
Laplandish: BLEKK
Greenlandish: BLEK
Icelandish: BLEK
English: INK $\scriptstyle {\left\{{\begin{matrix}\ \\\ \end{matrix}}\right.}$Old English ENKE, INKE, YNKE Anglo-Saxon BLÆC
Welsh: DU, ENGE
Gaelic: DUBHADH
Irish: Duḃ DUBH
Peruvian: YANATULLPU
Chillian: CHILLCAMOM
Mexican: THLLI
Guarani: TIV́̑ TIRV́̑ (Tinta)
Caribee Islands: OÚLITI or OÚLITACLE
# The Gilded Man (El Dorado)/Introduction

CIBOLA.
INTRODUCTION.
THE most interesting period in the history of the discoveries on the American continent was in that part of the sixteenth century when the efforts of the Spanish people were directed to pushing from the already settled coast lands and isthmuses into the interior of both North and South America. I have already endeavored, in the preceding chapters, to project a brief view of the exploring expeditions of the Spaniards in northern South America. Since those sketches were composed, fortune has several times led me into those countries of southern North America which formed the scene of the most arduous efforts of the Spaniards in the sixteenth century to reach the north. I now purpose, as a contribution I owe to knowledge, to follow step by step the tracks of the earliest Spanish campaigns in the southwest of the present United States into the interior of Sonora.
The value of historical research on the American continent consists not only in the enrichment it affords to the fund of scientific knowledge, which has an indirect influence upon life, but also in the destruction it effects of deeply rooted errors, in which it acts immediately upon practical life. Accordingly as we represent to ourselves a people or a country ​when they first become known to us, so we shape our expectations of them when we go to establish our home among them. A correct notion of the past furnishes the basis for an intelligent forecasting of the future. I have tried to show in the history of the dorado what harm may result from incorrect views of history and misapprehensions of manners and customs.
The errors of this kind which arose in the southern half of the Western Continent were, fortunately, corrected at a comparatively early date. In North America similar errors have been reëchoed, with mischievous results, down to near the present time. Expectations awakened and cherished in the beginning of the sixteenth century, not fulfilled but never completely dispelled, have in past years prepared for the failure of many enterprises in the southwest of the United States. These expectations were built upon the basis of a misunderstood fact. The tradition of the "Seven Cities of Cibola" included a kernel of fact enveloped by a shell of exaggerated fancies and hopes. Much interest has been taken in recent times in inquiries respecting the "where" and the "how" of that kernel. While those questions were correctly answered by earnest and intelligent investigation thirty years ago, the practical seeker has been led by them into many unfortunate wanderings, and the settler looking for his future in the west has been lured into attempts that have forever buried his fortunes and those of his companions. The following pages have been prepared in the hope that, conveying the warnings of history, they may furnish the basis for the formation of more correct views.
# The Gilded Man (El Dorado)/Publisher's Note

PUBLISHERS' NOTE.
As compared with the peopling of our Atlantic seaboard, the first explorations of our Southwest by a white race have received comparatively slight attention, the minor consequences of the latter, and the inaccessibility of the early Spanish records, being the sufficiently obvious causes which have combined to prevent minute and exhaustive studies until within the past few years.
Dramatic and intensely interesting conditions have been revealed as Mr. Bandelier—whose work under the auspices of the Archæological Institute of America and on the Hemenway Survey has entitled him to stand first as the documentary historian of this region, and also to rank as the most exhaustive of its explorers has brought the facts of this long-hidden history once more to the light. It is the history of a search for the Golden Fleece, which was full of strange and romantic episodes; a history of the progress of the cross and the sword, which was accompanied by deeds of superhuman endurance, dauntless courage, and a pitiless bigotry and ravening cruelty that drove even the gentle Pueblos to revolt, and to the attempted destruction and concealment of all traces of their conquerors. The Southwest is the land of romantic history, albeit the history is often dark and bloody, and the pictures ​of Spanish exploration and domination which Mr. Bandelier presents in this volume are of profound interest. The legends of the mysterious Seven Cities of Cibola, and of the elusive Gran Quivira, are set forth clothed in no other romantic garb than that due to the truth ascertained by a learned explorer and archæologist; but the bare truth is so strange and moving that it has needed no adornment. Directly from the records we have the final facts in the afterlife of one of La Salle's murderers. In the true story of El Dorado that is to say, The Gilded Man there is settled definitely a matter that has undergone indeterminate dispute through three hundred years. These several papers, with the others here presented, selected from the records of Spanish conquest on both continents of America, do not constitute a continuous nor a complete history. Each, however, is complete in itself; each probably crystallizes the subject that it embraces; and the interest and historical value of the collection as a whole make it a necessary part of every library in which American history is adequately represented.
Owing to Mr. Bandelier's absence in Peru while this volume was passing through the press, he has been unable to revise the proofs a duty which Mrs. Thomas A. Janvier, utilizing her familiarity with Mexican and Spanish historical literature, very obligingly has performed in his behalf. In accordance with her wish we add that to the inability of the author to give his work this final revision must be attributed any errors which may be found in the text.
D. Appleton & Co.
# The Golden Mocassins

Extracted from Popular magazine, 01 Dec 1911, pp. 01-72.
The Golden Moccasins
By Roy Norton
Author of “Justice in the Rough,” “Willow Creek” Stories,” Etc.
A reef of gold, red gold, gold the color of blood, as if the blood of all those who sought it had stained it deep down into the frozen soil. This is the story of the mad quest for that gold, the gold that put a curse on all who sought it. Roy Norton has done many splendid stories of Alaska, but none with the grip and strength of this one, in which he tells of the grim struggles of those who went on this most desperate search for fortune in the frozen North.
(A Complete Novel)
* Chapter I, 1
* Chapter II, 4
* Chapter III, 10
* Chapter IV, 14
* Chapter V, 18
* Chapter VI, 23
* Chapter VII, 27
* Chapter VIII, 31
* Chapter IX, 35
* Chapter X, 40
* Chapter XI, 44
* Chapter XII, 48
* Chapter XIII, 52
* Chapter XIV, 56
* Chapter XV, 60
* Chapter XVI, 64
* Chapter XVII, 68
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Grand Junction Railway Companion to Liverpool, Manchester, and Birmingham

The
Grand Junction
Railway Companion
To
Liverpool, Manchester, and Birmingham;
and
Liverpool, Manchester, and Birmingham
Guide:
Containing
An account of every thing worthy the attention of the traveller upon the line; including a complete description of every part of the rail-road; of the noblemen or gentlemen's seats which may be seen from it; and of the towns and villages of importance in its neighbourhood.
Dedicated (by permission) to the chairman and directors of the Grand Junction Railway Company.
By Arthur Freeling
of
Liverpool:
Published by Henry Lacey, 64, Bold-Street,
and sold by the other booksellers;
Also by Bancks and Co., G. Simms, and J. and J. Thomson, and the other booksellers, Manchester; Wrightson & Webb, and the other booksellers, Birmingham; and Charles Tilt, London.
1837.
* Preface
* Dedication
* Advertisement
* Errata
* Account
* Regulations
* Liverpool to Manchester
* Grand Junction Railway
* Races
* Liverpool Guide
* Manchester Guide
* Birmingham Guide
* Statement
* Index
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Grand Junction Railway Companion to Liverpool, Manchester, and Birmingham/Advert

Freeling's Railway Companions.
* Freeling's London and Birmingham Railway Companion, in Considerable Progress.
* Freeling's— — — London and Southampton.
* Freeling's— — — Manchester, Leeds, Selby, and Hull.
* Freeling's— — — Manchester and Birmingham.
* Freeling's— — — Great Western, London to Bristol, in Considerable Progress.
* Freeling's— — — Maryport, Carlisle, and Newcastle, in Considerable Progress.
* Freeling's— — — Newcastle, Shields, and Sunderland.
* Freeling's— — — Sunderland and Durham.
* Freeling's— — — Birmingham and Gloucester, &c. &c. &c.
The general plan of these Volumes is similar to the Grand Junction Railway Companion; upon which such improvements will be made as the Author's experience in the work may suggest.
N.B.—Railway Companions for every other Line will be published, as soon as their state of progression will allow.
# The Grand Junction Railway Companion to Liverpool, Manchester, and Birmingham/Dedication

To
John Moss, Esq., Chairman;
and to
The Directors
of the
Grand Junction Railway Company;
This Work Is
(By Permission)
Most Respectfully Dedicated),
by
Their Obedient Servant,
THE AUTHOR
# The Grand Jubilee Song

The Grand Jubilee Song.
BY DR. J. M'C. SIMPSON.
Tune "Annie of the Vale."
Come, all my dear brothers Old Fathers—Sisters—Mothers, And let us make the Heavens ring with praise. We've all met in Union,— Let's join in sweet communion And celebrate this Proclamation day.
Chorus. Sing! sing!! Let every body sing!!! Join in the general Jubilee. For Abraham hath spoken And all our chains are broken. Our Nation and our Country now are Free.
The God of the Nations. Has pitied our conditions And stooped to wipe away our scalding tears. He saw with great compassion The bloody tyrant lashing Our sable backs for, Lo! Two hundred years.
Chorus. Sing! sing!! Let every body sing!!! &c.
The Great God of Heaven, This blessed boon has given, And He will our every right defend. We'll trust in His power, In every trying hour And He will jourrey with us to the end.
Chorus. Sing!—sing!! Let every body sing!!! &c.
The laws are oppressive But we are not aggressive, And still our rights like Christians we demand. We no more are "Chattle," The bloody field of Battle Records the fact! The Negro is a man.
Chorus. Shout! shout!! Let every body shout!!! Waft ye the echo o'er the sea, That Abraham has spoken And all our chains are broken Our Nation and our Country now are Free.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Frontier/Part 2

PART II
# The Grand Panjandrum

Published in 1755 to test the memory of the actor Charles Macklin, who had claimed he could read any paragraph once through and then recite it verbatim.
As quoted in the 1820 novel Harry and Lucy concluded (vol. 2) by Maria Edgeworth
   So she went into the garden to cut a cabbage leaf, to make an apple pie; and at the same time a great she-bear coming up the street, pops its head into the shop. 'What! no soap?' So he died, and she very imprudently married the barber; and there were present the Picninnies, and the Joblillies, and the Garyulies, and the grand Panjandrum himself, with the little round button at top; and they all fell to playing the game of catch as catch can, till the gunpowder ran out at the heels of their boots.
In 1885 this nonsense paragraph was published as a poem in a picture book by Randolph Caldecott using the words "great Panjandrum":
So she went into the garden to cut a cabbage-leaf to make an apple-pie; and at the same time a great she-bear, coming down the street,
pops its head into the shop.
What! no soap?
 So he died,
and she very imprudently married the Barber:
and there were present
the Picninnies,
 and the Joblillies,
 and the Garyulies, and the great Panjandrum himself,
with the little round button at top;
and they all fell to playing the game of catch-as-catch-can,
till the gunpowder ran out at the heels of their boots
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Grand Old Pipe

First published as "A Grand Old Pipe" in The Reflector, 22 January 1888, as one of four poems under the title "The Intellectual Decline of a Liberal Unionist." It was later included in Lapsus Calami. (The Grand Old Man was William Ewart Gladstone.) In the third edition the poem was preceded by "To R. K."
* "A Grand Old Pipe" in "The Intellectual Decline of a Liberal Unionist", published in The Reflector (1888)
* "The Grand Old Pipe" in Lapsus Calami (1st edition, April 1891)
* "The Grand Old Pipe" in Lapsus Calami (4th edition, August 1891)