OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Caravel

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​CARAVEL, or Carvel (from the Gr. κάραβος, a light ship, through the Ital. carabella and the Span. carabas), a name applied at different times and in different countries to ships of very varying appearance and build, as in Turkey to a ship of war, and in France to a small boat used in the herring fishery. In the 15th and 16th centuries, caravels were much used by the Portuguese and Spanish for long voyages. They were roundish ships, with a double tower at the stern, and a single one in the bows, and were galley rigged. Two out of the three vessels in which Columbus sailed on his voyage of discovery to America were “caravels.” Carvel, the older English form, is now used only in the term “carvel-built,” for a boat in which the planking is flush with the edges laid side to side, in distinction from “clinker-built,” where the edges overlap.
# 1911 Encyclopædia Britannica/Carausius, Marcus Aurelius

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​CARAUSIUS, MARCUS AURELIUS, tyrant or usurper in Britain, A.D. 286–293, was a Menapian from Belgic Gaul, a man of humble origin, who in his early days had been a pilot. Having entered the Roman army, he rapidly obtained promotion, and was stationed by the emperor Maximian at Gessoriacum (Bononia, Boulogne) to protect the coasts and channel from Frankish and Saxon pirates. He at first acted energetically, but was subsequently accused of having entered into partnership with the barbarians and was sentenced to death by the emperor. Carausius thereupon crossed over to Britain and proclaimed himself an independent ruler. The legions at once joined him; numbers of Franks enlisted in his service; an increased and well-equipped fleet secured him the command of the neighbouring seas. In 289 Maximian attempted to recover the island, but his fleet was damaged by a storm and he was defeated. Maximian and Diocletian were compelled to acknowledge the rule of Carausius in Britain; numerous coins are extant with the heads of Carausius, Diocletian and Maximian, bearing the legend “Carausius et fratres sui.” In 292 Constantius Chlorus besieged and captured Gessoriacum (hitherto in possession of Carausius), together with part of his fleet and naval stores. Constantius then made extensive preparations to ensure the reconquest of Britain, but before they were completed Carausius was murdered by Allectus, his praefect of the guards (Aurelius Victor, Caesares, 39; Eutropius ix. 21, 22; Eumenius, Panegyrici ii. 12, v. 12). A Roman mile-stone found near Carlisle (1895) bears the inscription IMP. C[aes] M. AUR[elius] MAUS. The meaning of MAUS is doubtful, but it may be an anticipation of ARAUS (see F. J. Haverfield in Cumberland and Westmoreland Antiquarian Soc. Transactions, 1895, p. 437).
A copper coin found at Richborough, inscribed Domino Carausio Ces., must be ascribed to a Carausius of later date, since the type of the reverse is not found until the middle of the 4th century at the earliest. Nothing is known of this Carausius (A. J. Evans in Numismatic Chronicle, 1887, “On a coin of a second Carausius Caesar in Britain in the Fifth Century”).
See J. Watts de Peyster, The History of Carausius, the Dutch Augustus (1858); P. H. Webb, The Reign and Coinage of Carausius (1908).
# 1911 Encyclopædia Britannica/Caravaggio, Michelangelo Amerighi da

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​CARAVAGGIO, MICHELANGELO AMERIGHI (or Merigi) DA (1569–1609), Italian painter, was born in the village of Caravaggio, in Lombardy, from which he received his name. He was originally a mason’s labourer, but his powerful genius directed him to painting, at which he worked with immitigable energy and amazing force. He despised every sort of idealism whether noble or emasculate, became the head of the Naturalisti (unmodified imitators of ordinary nature) in painting, and adopted a style of potent contrasts of light and shadow, laid on with a sort of fury, indicative of that fierce temper which led the artist to commit a homicide in a gambling quarrel at Rome. To avoid the consequences of his crime he fled to Naples and to Malta, where he was imprisoned for another attempt to avenge a quarrel. Escaping to Sicily, he was attacked by a party sent in pursuit of him, and severely wounded. Being pardoned, he set out for Rome; but having been arrested by mistake before his arrival, and afterwards released, and left to shift for himself in excessive heat, and still suffering from wounds and hardships, ​he died of fever on the beach at Pontercole in 1609. His best pictures are the “Entombment of Christ,” now in the Vatican; “St Sebastian,” in the Roman Capitol; a magnificent whole-length portrait of a grand-master of the Knights of Malta, Alof de Vignacourt, and his page, in the Louvre; and the Borghese “Supper at Emmaus.”
# 1911 Encyclopædia Britannica/Caravaggio, Polidoro Caldara da

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​CARAVAGGIO, POLIDORO CALDARA DA (1495 or 1492–1543), a celebrated painter of frieze and other decorations in the Vatican. His merits were such that, while a mere mortar-carrier to the artists engaged in that work, he attracted the admiration of Raphael, then employed on his great pictures in the Loggie of the palace. Polidoro’s works, as well as those of his master, Maturino of Florence, have mostly perished, but are well known by the fine etchings of P. S. Bartoli, C. Alberti, &c. On the sack of Rome by the army of the Constable de Bourbon in 1527, Polidoro fled to Naples. Thence he went to Messina, where he was much employed, and gained a considerable fortune, with which he was about to return to the mainland of Italy when he was robbed and murdered by an assistant, Tonno Calabrese, in 1543. Two of his principal paintings are a Crucifixion, painted in Messina, and “Christ bearing the Cross” in the Naples gallery.
# 1911 Encyclopædia Britannica/Caravaca

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​CARAVACA, a town of south-eastern Spain, in the province of Murcia; near the left bank of the river Caravaca, a tributary of the Segura. Pop. (1900) 15,846. Caravaca is dominated by the medieval castle of Santa Cruz, and contains several convents and a fine parish church, with a miraculous cross celebrated for its healing power, in honour of which a yearly festival is held on the 3rd of May. The hills which extend to the north are rich in marble and iron. Despite the lack of railway communication, the town is a considerable industrial centre, with large iron-works, tanneries and manufactories of paper, chocolate and oil.
# 1911 Encyclopædia Britannica/Caravellas

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​CARAVELLAS, a small seaport of southern Bahia, Brazil, on the Caravellas river a few miles above its mouth, which is dangerously obstructed by sandbars. Pop. (1890) of the municipality 5482, about one-half of whom lived in the town. Caravellas was once the centre of a flourishing whale fishery, but has since fallen into decay. It is the port of the Bahia & Minas railway, whose traffic is comparatively unimportant.
# 1911 Encyclopædia Britannica/Beddoes, Thomas

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​BEDDOES, THOMAS (1760–1808), English physician and scientific writer, was born at Shiffnall in Shropshire on the 13th of April 1760. After being educated at Bridgnorth grammar school and at Pembroke College, Oxford, he studied medicine in London under John Sheldon (1752–1808). In 1784 he published a translation of L. Spallanzani’s Dissertations on Natural History, and in 1785 produced a translation, with original notes, of T. O. Bergman’s Essays on Elective Attractions. He took his degree of doctor of medicine at Oxford in 1786, and, after visiting Paris, where he became acquainted with Lavoisier, was appointed reader in chemistry at Oxford University in 1788. His lectures attracted large and appreciative audiences; but his sympathy with the French Revolution exciting a clamour against him, he resigned his readership in 1792. In the following year he published Observations on the Nature of Demonstrative Evidence, and the History of Isaac Jenkins, a story which powerfully exhibits the evils of drunkenness, and of which 40,000 copies are reported to have been sold. About the same time he began to work at his project for the establishment of a “Pneumatic Institution” for treating disease by the inhalation of different gases. In this he was assisted by Richard Lovell Edgeworth, whose daughter, Anna, became his wife in 1794. In 1798 the institution was established at Clifton, its first superintendent being Humphry Davy, who investigated the properties of nitrous oxide in its laboratory. The original aim of the institution was gradually abandoned; it became an ordinary sick-hospital, and was relinquished by its projector in the year before his death, which occurred on the 24th of December 1808. Beddoes was a man of great powers and wide acquirements, which he directed to noble and philanthropic purposes. He strove to effect social good by popularizing medical knowledge, a work for which his vivid imagination and glowing eloquence eminently fitted him. Besides the writings mentioned above, he was the author of Political Pamphlets (1795–1797), a popular Essay on Consumption (1799), which won the admiration of Kant, an Essay on Fever (1807), and Hygeia, or Essays Moral and Medical (1807). He also edited John Brown’s Elements of Medicine (1795), and Contributions to Physical and Medical Knowledge, principally from the West of England (1799).
A life of Beddoes by Dr John E. Stock was published in 1810.
# 1911 Encyclopædia Britannica/Beddgelert

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​BEDDGELERT (“Gelert’s grave”), a village in Carnarvonshire, North Wales, at the foot of Snowdon. The tradition of Gelert, Llewelyn’s hound, being buried there is old in Wales; and common to it and India is the legend of a dog (or ichneumon) saving a child from a beast of prey (or reptile), and being killed by the child’s father under the delusion that the animal had slain the infant. The English poet, W. R. Spencer, has versified the tale of Llewelyn, king of Wales, leaving Gelert and the baby prince at home, returning to find Gelert stained with the blood of a wolf, and killing the hound because he thought his child was slain. Sir W. Jones, the Welsh philologist and linguist, gives the Indian equivalent (Lord Teignmouth’s Life of Jones, ed. Rev. S. C. Wilkes, editor’s supplement). A Brahmin, leaving home, left his daughter in charge of an ichneumon, which he had long cherished. A black snake came up and was killed by the ichneumon, mistakenly killed, in its turn, by the Brahmin on ​his coming back. Another version is the medieval romance in The Seven Wise Masters of Rome. In the edition printed by Wynkyn de Worde it is told by “the first master”—a knight had one son, a greyhound and a falcon; the knight went to a tourney, a snake attacked the son, the falcon roused the hound, which killed the serpent, lay down by the cradle, and was killed by the knight, who discovered his error, like Llewelyn, and similarly repented (Villon Society, British Museum reprint, by Gomme and Wheatley).
On the west of Beddgelert is Moel Hebog (Bare-hill of the falcon), a hiding-place of Owen Glendower. Here, in 1784, was found a brass Roman shield. Near is the famous Aberglaslyn Pass, dividing Carnarvon and Merioneth. In the centre is Cadair Rhys Goch o’r Eryri, a rock named as the chair of Rhys Goch, a bard contemporary with Glendower (died traditionally, 1429). Not far hence passed the Roman road from Uriconium to Segontium (see Carnarvon).
# 1911 Encyclopædia Britannica/Bedaresi, Yedaiah

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​BEDARESI, YEDAIAH (1270–1340), Jewish poet, physician and philosopher of Provence. His most successful work was an ethical treatise, Behinath ‘Olam (Examination of the World), a didactic poem in thirty-seven short sections. The work is still very popular. It was translated into English by Tobias Goodman.
# 1911 Encyclopædia Britannica/Becque, Henry François

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​BECQUE, HENRY FRANÇOIS (1837–1899), French dramatist, was born on the 9th of April 1837 in Paris. He wrote the book of an opera Sardanapale in imitation of Lord Byron for the music of M. Victorin Joncières in 1867, but his first important work, Michel Pauper, appeared in 1870. The importance of this sombre drama was first realized when it was revived at the Odéon in 1886. Les Corbeaux (1882) established Becque’s position as an innovator, and in 1885 he produced his most successful play, La Parisienne. Becque produced little during the last years of his life, but his disciples carried on the tradition he had created. He died in May 1899.
See his Querelles littéraires (1890), and Souvenirs d’un auteur dramatique (1895), consisting chiefly of reprinted articles in which he does not spare his opponents. His Théâtre complet (3 vols., 1899) includes L’Enfant prodigue (Vaudeville Theatre, 6th of Nov. 1868); Michel Pauper (Théâtre de la Porte-Saint-Martin, 17th of June 1870); L’Enlèvement (Vaudeville, 18th of Nov. 1871); La Navette (Gymnase, 15th of Nov. 1878); Les Honnêtes Femmes (Gymnase, 1st of Jan. 1880); Les Corbeaux (Comédie Française, 14th of Sept. 1882); La Parisienne (Théâtre de la Renaissance, 7th of Feb. 1885).
# 1911 Encyclopædia Britannica/Bed-Mould

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​BED-MOULD, in architecture, the congeries of mouldings which is under the projecting part of almost every cornice, of which, indeed, it is a part.
# 1911 Encyclopædia Britannica/Beckx, Pierre Jean

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​BECKX, PIERRE JEAN (1795–1887), general of the Society of Jesus, was born at Sichem in Belgium on the 8th of February 1795, and entered the novitiate of the order at Hildesheim in 1819. His first important post was as procurator for the province of Austria, 1847; next year he became rector of the Jesuit college at Louvain, and, after serving as secretary to the provincials of Belgium and Austria, was elected head of the order in 1853. His tenure of office was marked by an increased zeal for missions in Protestant lands, and by the removal of the society’s headquarters from Rome to Fiesole near Florence in 1870. His chief literary work was the often-translated Month of Mary (Vienna, 1843). He retired in September 1883, being succeeded by Anthony M. Anderledy, a Swiss, who had seen service in the United States. He died at Rome on the 4th of March 1887.
# 1911 Encyclopædia Britannica/Bed (geology)

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​BED, in geology, a term for certain kinds of rock usually found to be arranged in more or less distinct layers; these are the beds of rock or strata. Normally, the bedding of rocks is horizontal or very nearly so; when the upper and lower surfaces of a bed are parallel, the bedding is said to be regular; if it is thickest at one point and thins away thence in every direction, the bedding is lenticular. Beds may be thick (50 ft. or more) or so thin as to be like sheets of paper, e.g. paper shales, such thin beds being often termed layers or laminae; intermediate regular varieties may be called flags, flagstones or tilestones. In fine-grained rocks the bedding is usually thinner and more regular than in coarser rocks, such as sandstones and grits. Bedding is confined to rocks which have been formed under water or by the agency of wind; these are the “stratified” rocks.
The deposition of rock material by moving water is not as a rule uniform, slight changes in the velocity produce an immediate change in the size of the particles deposited upon a given area; thus a coarse sand layer may be succeeded by a finer sand or a mud, or two sandy layers may be separated by a thin layer of muddy shale. Bedding is most often induced by a change in the nature of the contiguous strata; thus a sandstone is followed by a shale or vice versa—changes which may be due to the varying volume or velocity of a current. Or the nature of the deposit may be influenced by chemical actions, whereby we get beds of rock-salt or gypsum between beds of marl. Or again, organic activities may influence the deposit, beds of coal may succeed layers of shale, iron-stone may lie between limestones or clays, a layer of large fossils or of flints may determine a bedding plane in massive limestones. Flaky minerals like mica frequently assist in the formation of bedding planes; and the pressure of superincumbent strata upon earlier formed deposits has no doubt often produced a tendency in the particles to arrange themselves normal to the direction of pressure, thus causing the rock to split more readily along the same direction.
Where rapidly-moving currents of water (or air) are transporting or depositing sand, &c., the bedding is generally not horizontal, but inclined more or less steeply; this brings about the formation of what is variously called “cross-bedding,” “diagonal bedding”, “current bedding” or improperly “false-bedding.” Igneous materials, when deposited through the agency of water or air, exhibit bedding, but no true stratification is seen in igneous rocks that have solidified after cooling, although in granites and similar rocks the process of weathering frequently produces an appearance resembling this structure. Miners not infrequently describe a bed of rock as a “vein,” if it is one that has some economic value, e.g. a “vein of coal or ironstone.”  (J. A. H.)
# 1911 Encyclopædia Britannica/Boll

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​BOLL, a botanical term for a fruit-pod, particularly of the cotton plant. The word is in O. Eng. bolla, which is also represented in “bowl,” a round vessel for liquids, a variant due to “bowl,” ball, which is from the Fr. boule. “Boll” is also used, chiefly in Scotland and the north of England, as a measure of weight for flour = 140 ℔, and of capacity for grain: 16 pecks = 1 boll.
# 1911 Encyclopædia Britannica/Bologna, Giovanni da

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​BOLOGNA, GIOVANNI DA (1524–1608) [Ital. for his real name, Jean Bologne or Boullongne], French sculptor, was born at Douai in 1524. His early training as a sculptor was conducted at Antwerp, but at the age of twenty-five he went to Italy and he settled in 1553 in Florence, where his best works still remain. His two most celebrated productions are the single bronze figure of Mercury, poised on one foot, resting on the head of a zephyr, as if in the act of springing into the air (in the Bargello gallery), and the marble group known as the Rape of the Sabines, which was executed for Francesco de’ Medici and received this name, Lanzi informs us, after it was finished. It is now in the Loggia de Lanzi of the ducal piazza. Giovanni was also employed at Genoa, where he executed various excellent works, chiefly in bronze. Most of his pieces are characterized by great spirit and elegance. His great fountain at Bologna (1563–1567) is remarkable for beauty of proportion. Noteworthy also are his two fountains in the Boboli gardens, one completed in 1576 and the other in 1585. He also cast the fine bronze equestrian statue of Cosimo de’ Medici at Florence and the very richly decorated west door of Pisa cathedral. One of Bologna’s best works, a group of two nude figures fighting, is now lost. A fine copy in lead was at one time in the front quadrangle of Brasenose College, Oxford. In 1881 it was sold for old lead by the principal and fellows of the college, and was melted down by the plumber who bought it.
See La Vie et l’œuvre de Jean Bologne, par Abel Desjardins, d’après les manuscrits—recueillis par Foucques de Vagnonville (1883, numerous illustrations; list of works).
# 1911 Encyclopædia Britannica/Bolsward

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​BOLSWARD, a town in the province of Friesland, Holland, 61/2 m. W.N.W. of Sneek. A steam-tramway connects it with Sneek, Makkum, Harlingen and Franeker. Pop. (1900) 6517. The Great church, or St Martin’s (1446–1466) is a large building containing some good carving, a fine organ and the tombs of many Frisian nobles. The so-called Small church, dating from about 1280, also contains fine carving and tombstones; and is the remnant of a Franciscan convent which once existed here. Bolsward also possesses a beautiful renaissance town-hall (1614–1618) and various educational and charitable institutions, including a music and a drawing school. It has an active trade in agricultural produce, and some spinning-mills and tile and pottery works. The town is mentioned in 725, when it was situated on the Middle Sea. When this receded, a canal was cut to the Zuider Zee, and in 1422 it was made a Hansa town.
The medieval constitution of Bolsward, though in its government by eight scabini, with judicial, and four councillors with administrative functions, it followed the ordinary type of Dutch cities, was in some ways peculiar. The family of Jongema had certain hereditary rights in the administration, which, though not mentioned in the town charter of 1455, were defined in that of 1464. According to this the head of the family sat for two years with the scabini and the third year with the councillors, and had the right to administer an oath to one of each body. More singular was the influential position assigned, in civic legislation and administration, to the clergy, to whom in conjunction with the councillors, there was even, in certain cases, an appeal from the judgment of the scabini.
See C. Hegel, Stadte u. Gilden der germanischen Völker im Mittelalter (Leipzig, 1891).
# 1911 Encyclopædia Britannica/Bolt

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​BOLT, an O. Eng. word (compare Ger. Bolz, an arrow), for a “quarrel” or cross-bow shaft, or the pin which fastened a door. From the swift flight of an arrow comes the verb “to bolt,” as applied to a horse, &c., and such expressions as “bolt upright,” meaning straight upright; also the American use of “bolt” for refusing to support a candidate nominated by one’s own party. In the sense of a straight pin for a fastening, the word has come to mean various sorts of appliances. From the sense of “fastening together” is derived the use of the word “bolt” as a definite length (in a roll) of a fabric (40 ft. of canvas, &c.).
From another “bolt” or “boult,” to sift (through O. Fr. buleter, from the Med. Lat. buretare or buletare), come such expressions as in Shakespeare’s Winter’s Tale, “The fann’d snow, That’s bolted by the northern blasts twice o’er,” or such a figurative use as in Burke’s “The report of the committee was examined and sifted and bolted to the bran.” From this sense comes that of to moot, or discuss, as in Milton’s Comus, “I hate when vice can bolt her arguments.”