OpenLLM-France/wikimedia huggingface dataset:
# The Rock-cut Temples of India/The Caves of Ellora/Exterior Viswakarma—Ellora

EXTERIOR VISWAKARMA.—ELLORA.
OF the Buddhist group, the principal Cave is the so-called Viswakarma, the only Chaitya Cave of the series. It is neither so large as those of Karli or Salsette, being only 43 ft. wide internally, and 83 ft. 1 in. in length; nor is it so rich in its details as the two later Chaityas at Ajunta.
Internally the design of the Temple is marked with considerable elegance and simplicity. The two pillars that support the gallery over the entrance are rich and handsome; the twenty-eight others are simple octagons, changing for a short portion of their height into a figure of sixteen sides.
In front of the daghopa is Buddha seated with his feet down, and surrounded by flying figures and Genii, savouring much more of Brahmanism than the purer religion of the Ascetic, and throughout the whole of the interior the sculptures are much more secular than in any other Buddhist excavation. The alteration in style, in fact, is so obvious, as to prove that the religion of Buddha had lost all its primitive force and originality before this Cave was excavated, and was fast merging into these religions that superseded it.
# The Rock-cut Temples of India/The Caves of Ellora/Indra Subha—Ellora

INDRA SUBHA.—ELLORA.
IT would be uninteresting to describe the remaining Caves of the Hindoo group, as among the photographs that have been sent to this country there are no illustrations of them. This is to be regretted, as among them the Doomar Lena is a finer and larger Cave than that of Elephanta, which it resembles, and there are several others of great magnificence.
There is also, unfortunately, only one illustration of so-called Jaina group, the Indra Subha. It illustrates, however, the perfection to which the Hindoos attained in Cave architecture when once they became so familiar with the rock as to enable them to dispense with structural forms, and adapt these masses to the apparent weight they had to sustain. In this respect some of their later caves almost surpass those of the Buddhists, for being bound by no utilitarian exigencies, they launched out into architectural magnificence, and succeeded in a manner rarely surpassed.
# The Rock-cut Temples of India/The Caves of Ellora/Bas-relief, Kylas—Ellora 2

BAS-RELIEF, KYLAS.—ELLORA.
THE pendant to the bas-relief last described, as representing the campaigns of Rama, from the Ramayana, is taken with the impartiality that characterises this age from the Mahabarata, the other great epic of the Hindoos, and is composed of episodes in the lives of the Pandavas; the upper part apparently representing peaceful occupations, but ending in a battle as a matter of course, and closing with a group of prisoners, the principal of whom is being strangled or having his head cut off.
Having finished his story before he had filled his tablet, the sculptor has left one line blank, and then filled up the remainder with scenes of domestic life and occupations, the subject of which, however, it is not always easy to make out.
# The Rock-cut Temples of India/The Caves of Ellora/Exterior Viswakarma—Ellora 2

EXTERIOR VISWAKARMA.—ELLORA.
THE most novel and interesting feature in the Viswakarma is its court. On three sides it is surrounded by a colonnade of good design, the pillars of which, instead of the bracket capital so universal elsewhere, have an exaggerated abacus peculiar to Ellora. Above this runs a frieze, filled with elephants and animals of the chase, singularly well executed, and above this again a balustrade, each compartment of which contains a male and female figure of very anti-Buddhistical design.
The great peculiarity of this Cave, however, is, that instead of the great simple semicircular window over the entrance, the opening is here divided into three compartments, something like what we call a Venetian window, and represents a form of architecture more removed from the wooden original than any other example of a Chaitya Cave we are acquainted with. The canopies over the side windows also are so modern that it seems impossible to carry the date of their execution beyond the seventh or eighth century, while it may be even more modern.
# The Siege of London, The Pension Beaurepas, and The Point of View/The Point of View

THE POINT OF VIEW.
# The Siege of Corinth (Byron)

* The Siege of Corinth (1816) [unindexed]
* The Siege of Corinth in The Works of Lord Byron (ed. Coleridge, Prothero) Poetry, Volume 3 (1904): (transcription project)
# The Siege of London

* Search for titles containing or beginning with: "The Siege of London."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Siege of London by Henry James (first published in 1883)
* The Siege of London by Posteritas (1885)
# The Siege of London, The Pension Beaurepas, and The Point of View

THE SIEGE OF LONDON,
THE PENSION BEAUREPAS,
AND
THE POINT OF VIEW.
BY
HENRY JAMES, JR.
AUTHOR OF "DAISY MILLER," "THE AMERICAN," "THE PORTRAIT OF A LADY," ETC.
BOSTON: JAMES R. OSGOOD AND COMPANY. 1883.
Copyright, 1879, by Houghton, Osgood, & Co.; 1882, by The Century Company and H. James, Jr.
All rights reserved.
University Press: John Wilson and Son, Cambridge.
CONTENTS.
| | Page |
| The Siege of London | 3 |
| The Pension Beaurepas | 139 |
| The Point of View | 223 |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Collier's New Encyclopedia (1921)/Florida Keys

Edition of 1921; disclaimer.
​FLORIDA KEYS, or REEFS, in Florida, a chain of small islands, keys or reefs, and sandbanks, extending S. W. from Cape Florida, about 220 miles. They are very considerable in number, but only a few are of any importance. Among these may be mentioned Cayo Largo, Indian Key, Long island, Old and New Matacombs, Cayo de Boca, and Key West, on which the city of Key West is built.
# Collier's New Encyclopedia (1921)/Flour Mill

Edition of 1921; disclaimer.
​ ​FLOUR MILL, a mill for grinding and sifting flour.
# Collier's New Encyclopedia (1921)/Flower

Edition of 1921; disclaimer.
​ ​FLOWER, in botany, a developed terminal bud inclosing the organs of reproduction by seed. The earlier botanists limited it to the corolla of a plant, but Linnaeus extended it to include the calyx, corolla, stamens, and pistil. The two last are the only essential parts. This is the modern sense of the term. The manner in which its parts are arranged is called their estivation, and the calyx, corolla, and other parts are generally believed to be transformed leaves arranged on a branchlet; but many writers consider the petals to be transformed stamens. The arrangement of flowers on a branch or stem is called Inflorescence (q. v.). The term Flower of Constantinople, or Flower Constantinople, is a translation of the old name Flos constantinopolitanus, given to the plant now called Lychnis chalcedonica. It is named also flower of Bristowe. The flower of the Axe is Lobelia urens, found in England only near Axminster in Devon; the flower of Crete is Mesembryanthemum tripolium; and flower of Jove Lychnis flos jovis; flower of four hours, Mirabilis dichotoma; flowers of heaven, a fungal, Nostoc cœruleum; and flowers of tan, Æthalium, a gasteromycetous fungal. It is so called from its growing on tan. In chemistry, flowers used to be the name given to bodies of a powdery or mealy consistence or form, e. g., flowers of sulphur, a name sometimes given to sublimed sulphur. In printing, ornamental types or blocks for borders of pages, cards, and the like.
# Collier's New Encyclopedia (1921)/Folklore

Edition of 1921; disclaimer.
FOLKLORE, the science which embraces all that relates to ancient observances and customs, to the notions, beliefs, traditions, superstitions, and prejudices of the common people. Gomme's divisions are: (1) Traditional Narratives: (a) Folk-tales, (b) Hero Tales, (c) Ballads and Songs, (d) Place Legends; (2) Traditional Customs: (a) Local Customs, (b) Festival Customs, (c) Ceremonial Customs, (d) Games; (3) Superstitions and Beliefs: (a) Witchcraft, (b) Astrology, (c) Superstitious Practices and Fancies; (4) Folk-speech: (a) Popular Sayings, (b) Popular Nomenclature, (c) Proverbs, (d) Jingle Rhymes, Riddles, etc.
Folklore had indeed been observed and noted by countless writers from the Father of History downward, but it was not till after the beginning of the 19th century that its value for the elucidation of the social history of mankind had become apparent to thinkers, and its systematic study been seriously begun. Meantime the reawakening to natural poetry and to the beauty of free emotional expression in literature, which lay at the foundation of what it is usual to call Romanticism, had already commenced even in the 18th century, and the publication of Percy's “Reliques of Ancient English Poetry” (1765) had given a powerful impulse to Scott and others in England, to Herder, and to Arnim and Brentano in Germany, who found lying to hand a rich wealth of traditional poetry, the poetic value of which they fortunately had the eyes to see. But the study of folksongs really began with Scott's “Minstrelsy of the Scottish Border” (1802-1803). Popular traditions began to be valued duly just as they began to decline and disappear; but fortunately a plentiful crop had been gathered and put into writing beyond the risk of oblivion.
Such works as E. B. Tylor's “Primitive Culture” (1871), and G. L. Gomme's “Folklore Relics of Early Village Life” (1883), have shown us what significant constructive results may already be attained with the evidence we possess.
# Collier's New Encyclopedia (1921)/Florio, John

Edition of 1921; disclaimer.
​FLORIO, JOHN, an English lexicographer, and the translator of Montaigne; born in London, England, about 1553. His father was a Protestant exile and Italian preacher in London. Florio appears as a private tutor in foreign languages at Oxford about 1576, and two years later published his “First Fruits, which yield Familiar Speech, Merry Proverbs, Witty Sentences and Golden Sayings,” accompanied by “A Perfect Induction to the Italian and English Tongues.” In 1581 Florio was admitted a member of Magdalen College, and became a teacher of French and Italian. He enjoyed the patronage successively of Leicester, the Earl of Southampton, and other noble persons. His next work was “Second Fruits, to be gathered of Twelve Trees, of divers but delightsome Tastes to the Tongues of Italian and English men,” with, annexed to it, the “Garden of Recreation,” yielding 6,000 Italian proverbs (1591). His Italian and English dictionary, entitled “A World of Words,” was published in 1598. Florio was appointed reader in Italian to Queen Anne, and afterward groom of the privy chamber. In 1603 he published in folio his famous translation of Montaigne. It was long believed that the pedantic Holofernes in “Love's Labor's Lost” was a study after Florio. He died in Fulham, in 1625.
# Collier's New Encyclopedia (1921)/Flotsam, Jetsam, and Ligan

Edition of 1921; disclaimer.
​ ​FLOTSAM, JETSAM, and LIGAN, in law: Flotsam, or floatsam, is derelict or shipwrecked goods floating on the sea; jetsam, goods thrown overboard which sink and remain under water; and ligan, goods sunk with a wreck or attached to a buoy, as a mark of ownership. When found such goods may be returned to the owner if he appear; if not, they are the property of the crown.
# Collier's New Encyclopedia (1921)/Follicle

Edition of 1921; disclaimer. See also Follicle (anatomy) on Wikipedia.
FOLLICLE, a form of fruit placed by Lindley in his class Apocarpi. It differs from the legume in having but one valve instead of two. A flower of Nigella, or one of Delphinium, produces several such follicles. In anatomy, a follicle is a minute secreting bag, which commonly opens upon a mucous membrane; a simple gland. It is called also a crypt or lacuna.
# Collier's New Encyclopedia (1921)/Flotow, Friedrich Adolphus von

Edition of 1921; disclaimer.
​ ​FLOTOW (flō′tō), FRIEDRICH ADOLPHUS VON, a German composer; born in Teutendorf, Mecklenburg-Schwerin, Germany, April 26, 1812. He studied music in Paris, but his earlier operas did not find favor with the Parisian opera house directors, so he had to content himself with performances in the aristocratic private theaters. At length “Medusa's Shipwreck” was successfully produced at the Renaissance Theater in 1839. This was followed by “Camoen's Slave” (1843) and “The Soul in Pain” (1846), performed in London as “Leoline.” “Alexander Stradella” was first performed at Hamburg in 1844, and his most successful work, “Martha,” at Vienna in 1847. Among his other works are: “Indra” (1853); “The Phantom” (1869); and “The Enchantress” (1878). He was director of the court theater at Schwerin in 1855-1863; the last years of his life were chiefly spent at Vienna. He died in Darmstadt, Germany, Jan. 23, 1883.
# Collier's New Encyclopedia (1921)/Follen, Eliza Lee (Cabot)

Edition of 1921; disclaimer.
FOLLEN, ELIZA LEE (CABOT), an American author; born in Boston, Mass., Aug. 15, 1787. She was the wife of Charles T. C. Follen, whose memoirs she wrote (1842). Her other works are: “Well-Spent Hours” (1827); “Poems” (1839); “Anti-Slavery Hymns and Songs” (1855); “Twilight Stories” (1855); and “Home Dramas” (1859). She died in Brookline, Mass., Jan. 26, 1860.
# Collier's New Encyclopedia (1921)/Fomentation

Edition of 1921; disclaimer.
FOMENTATION, the application of a liquid, such as water, generally warm, to a portion of the body to remove external or internal disease. The application is usually made by means of flannel, steeped in the liquid. If the water be charged with mucilaginous principles, it is called emollient; if with a narcotic one it is said to be sedative or anodyne.
# The Sower (Blind)

* "The Sower" in The Ascent of Man (1889)
* "The Sower" in Poetical works of Mathilde Blind (1900)
# The Spacious Firmament on High

A metrical paraphrase of Psalm 19, first published in The Spectator, London, August 23, 1712.
* "Ode to the Creator", in the appendix to Hymns for the Amusement of Children (1791).
* Quoted in part 1, chapter 10 of The Age of Reason by Thomas Paine (1794).
* "Hymn" in the Oxford Book of English Verse 1250-1900 (ed.) by Arthur Quiller-Couch (1931).
* "Hymn" in the Oxford Book of English Verse 1250-1918 (ed.) by Arthur Quiller-Couch (1940).
# The Spanish Chapel

* The Spanish Chapel, in The New Monthly Magazine Volume 17. 1826.
* The Spanish Chapel, in Records of Woman: with Other Poems (Miscellaneous Pieces), 1828.
# The Spanish Tragedie/Act 1

ACTVS PRIMVS.
Enter the Ghost of Andrea, and with him Reuenge.
# The Soul of the Sunflower

October, 1881. Published in Scribner's Monthly.
THE warm sun kissed the earth To consecrate thy birth, And from his close embrace Thy radiant face Sprang into sight, A blossoming delight.
Through the long summer days Thy lover’s burning rays Shone hot upon thy heart. Thy life was part Of his desire, Thou passion-flower of fire!
And, turning toward his love, Lifting thy head above The earth that nurtured thee, Thy majesty And stately mien Proclaims thee sun-crowned queen.
On earth, thy gorgeous bloom Bears record of thy tomb, And to transcendent light Thy soul takes flight Till thou art one, O sunflower, with the sun!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Soul should always stand ajar

The Soul should always stand ajar That if the Heaven inquire He will not be obliged to wait Or shy of troubling Her
Depart, before the Host have slid The Bolt unto the Door — To search for the accomplished Guest, Her Visitor, no more —
# The Soul of the Sea

1912.
A wind comes in from the sea, And rolls through the hollow dark Like loud, tempestuous waters. As the swift recurrent tide, It pours adown the sky, And rears at the cliffs of night Uppiled against the vast.
Like the soul of the sea— Hungry, unsatisfied With ravin of shores and of ships— Come forth on the land to seek New prey of tideless coasts, It raves, made hoarse with desire, And the sounds of the night are dumb With the sound of its passing.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Soul selects her own Society—

* "Exclusion" in Poems (1890)
* "The soul selects her own society" in The Complete Poems of Emily Dickinson (1924)
# The Soul that hath a Guest

The Soul that hath a Guest Doth seldom go abroad — Diviner Crowd at Home — Obliterate the need —
And Courtesy forbid A Host's departure when Upon Himself be visiting The Emperor of Men —
# The Scarlet Hill

THE SCARLET HILL
Books by Frank Owen
The Wind that Tramps the World
The Purple Sea
A Husband for Kutani
Della Wu
Rare Earth
Carlyle House•New York
1941
Copyright 1941 by Carlyle House
All rights reserved. No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper.
First Printing
This book was designed by A. L. Fierst. The jacket and title page drawing are by Steele Savage. The text is set in Electra, and the paper is Glatfelter Natural RRR Wove, supplied by the Perkins & Squier Company, N. Y.
Manufactured in the United States of America by the Vail-Ballou Press, Inc., Binghamton, N. Y.
To Hal Hode
As the retinue passed through the red gates of the Imperial grounds, the ancient gatekeeper struck three times on a mighty bronze gong. Was it a symbol? Did it mean that beyond the red gates she would find the Scarlet Hill of Immortality?
"I lay China at your feet," said the Emperor, "and that is all below the sky."
Contents
Acknowledgments
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1941 could have had their copyright renewed in 1968 or 1969, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1970.
The longest-living author of this work died in 1968, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 55 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# The Scarlet Hill/Acknowledgments

ACKNOWLEDGMENTS
The material for this book has been drawn from a thousand sources. I especially am indebted to the writings and translations of Herbert A. Giles, A. E. Grantham, William F. Mayers, Berthold Laufer, E. D. Edwards, Joseph Edkins, Alexander Wylie, Osvald Siren, L. Cranmer-Byng, Benjamin Mardi, Sir Mark Aurel Stein, Friederich Hirth, Leon Wieger, A. J. Brace, Li Ung Bing, Kuo Hsi, Pan Ku, Po Chü-i, Hung Long Tom, Chiang Yee, Ernst Faber, L. A. Lyall, Thomas F. Carter, Frederic H. Balfour, George C. Stent, James Legge, William E. Geil, Robert W. Swallow, Charles Budd, Ambalal Mortraim Thakar, P. Y. Saeki, J. A. Van Aalst, Florence Ayescough, Edna Worthley Underwood, Marcel Granet, C. A. S. Williams, W. J. B. Fletcher, Hilda A. Strong, W. Scarborough, L. C. Goodrich, H. Dawson Gröne, C. F. Hogg, E. B. Powell, Marshall Broomhall, V. W. W. S. Purcell, Sir John Bowring, S. Wells Williams, Somerled Macdonald, Lawrence Binyon, Verne Dyson, Judith Gautier, William R. Morse, G. Margulies, Henry Borel, Edward Thomas Williams, John F. Davis, John C. Ferguson, C. P. Fitzgerald and W. Arthur Cornaby.
Finally, for the help in securing certain books, my thanks must go to Ida A. Pratt, of the Oriental Room of The New York Public Library, and to Henry W. Parker of the Mechanics Institute Library.
| New York City | Frank Owen |
# The Scarlet Citadel

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1933 could have had their copyright renewed in 1960 or 1961, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1962.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# The Tragedy of the Dutchesse of Malfy/Actors

The Actors Names.
| Bosola, | | I. Lowin. |
| Ferdinand, | | 1 R. Burbidge.. 2 I. Taylor. |
| Cardinall, | | 1 H. Cundaile. 2 R. Robinson. |
| Antonio, | | 1 W. Ostler, 2 R. Benfoild. |
| Delio, | | I. Underwood. |
| Forobosco, | | N. Towley. |
| Malateste. | | |
| The Marquesse of Pescara, | | I. Rice. |
| Silvio, | | T. Pollard. |
| The severall mad men, | | N. Towley. I. Underwood, &c. |
| The Dutchesse, | | R. Sharpe. |
| The Cardinals Mis. | | I. Tomson. |
| The Doctor | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | R. Pallant. |
| Cariola, | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | R. Pallant. |
| Court Officers. | $\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ | R. Pallant. |
| Three young Children. | | |
| Two Pilgrimes. | | |