OpenLLM-France/wikimedia huggingface dataset:
# To adequately provide critical technology in a timely manner Pursuant to Section 4533(a)(5) of the Defense Production Act of 1950

Determination published at Whitehouse.gov on June 13, 2017. Determination filed on June 14, 2017 at 11:15 A.M. and published at the Federal Registar on June 15, 2017. Scan: File:To adequately provide critical technology in a timely manner Pursuant to Section 4533(a)(5) of the Defense Production Act of 1950.pdf.
Administration of Donald J. Trump , 2017
June 13, 2017
By the President of the United States of America
A Determination
To adequately provide critical technology in a timely manner Pursuant to Section 4533(a)(5) of the Defense Production Act of 1950
The Archivist of the United States
Determination for the Secretary of Defense
By the authority vested in me as President by the Constitution and the laws of the United States, including section 4533(a)(5) of the Defense Production Act of 1950 (the "Act")(50 U.S.C. 4533(a)(5)), I hereby determine, pursuant to section 4533(a)(5) of the Act, that critical technology item shortfalls affecting adenovirus vaccine production capability; high strength, inherently fire and ballistic resistant, co-polymer aramid fibers industrial capability; secure hybrid composite shipping container industrial capability; and three-dimensional ultra‑high density microelectronics for information protection industrial capability are critical to national defense.
Without Presidential action under this Act, the United States defense industrial base cannot reasonably be expected to adequately provide those capabilities or critical technology items in a timely manner. Further, purchases, purchase commitments, or other action pursuant to section 4533 of the Act are the most cost effective, expedient, and practical alternative method for meeting the need for those capabilities or critical technology items.
You are authorized and directed to publish this memorandum in the Federal Register.
    Donald J. Trump
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# To amend the Interstate Land Sales Full Disclosure Act to clarify how the Act applies to condominiums. (H.R. 2600; 113th Congress)

* related portals: United States Congress.
* sister projects: Wikipedia article, Wikidata item.
H.R. 2600 as introduced
113th CONGRESS
1st Session
H. R. 2600
IN THE HOUSE OF REPRESENTATIVES
June 28, 2013
Mrs. Carolyn B. Maloney of New York (for herself, Mr. Nadler, Mr. Grimm, and Mr. McHenry) introduced the following bill; which was referred to the Committee on Financial Services
A BILL
To amend the Interstate Land Sales Full Disclosure Act to clarify how the Act applies to condominiums.

# Section 1. Exemption for residential condominium units
## (a) Exemption–

Section 1403 of the Interstate Land Sales Full Disclosure Act (15 U.S.C. 1702) is amended—
    (1) in subsection (b)—
       (A) in paragraph (7)(C), by striking “or” at the end;
       (B) in paragraph (8)(G), by striking the period at the end and inserting “; or” ; and
       (C) by adding at the end the following:
             (9) the sale or lease of a condominium unit that is not exempt under subsection (a).; and
    (2) by adding at the end the following:
          (d) For purposes of subsection (b), the term condominium unit means a unit of residential or commercial property to be designated for separate ownership pursuant to a condominium plan or declaration provided that upon conveyance—
             (1) the owner of such unit will have sole ownership of the unit and an undivided interest in the common elements appurtenant to the unit; and
             (2) the unit will be an improved lot..

# Sec. 2. Effective date

The amendments made by this Act shall take effect 180 days after the date of the enactment of this Act.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Theatre Enterprises v. Paramount Film Distributing Corp.

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, news, Wikidata item.
United States Supreme Court
346 U.S. 537
Theatre Enterprises v. Paramount Film Distributing Corp.
Messrs. Philip B. Perlman, Holmes Baldridge, Washington, D.C., for petitioner.
Messrs. Bruce Bromley, Ferdinand Pecora, New York City, for respondents.
Mr. Justice CLARK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Theaetetus

is one of Plato's dialogues concerning the nature of knowledge, written circa 369 BCE.
English-language translations of el:Θεαίτητος include:
* Theaetetus, trans. by Thomas Taylor (1804) (transcription project)
* Theaetetus, trans. by Henry Cary (1854) (transcription project)
* Theaetetus, trans. by Benjamin Jowett (1871)
* Theaetetus, trans. by F. A. Paley (1875) (transcription project)
* Theaetetus, trans. by Benjamin Hall Kennedy (1881) (transcription project)
* Theaetetus, trans. by Ellen Francis Mason (1891) (transcription project)
* Theaetetus, trans. by S. W. Dyde (1899) (transcription project)
* Theaetetus, trans. by H. F. Carlill (1906) (transcription project)
* Theaetetus, trans. by F. M. Cornford (1915) (transcription project)
* Theaetetus, trans. by H. N. Fowler (1921) (transcription project)
# Theard v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
354 U.S. 278
Theard v. United States
Argued: Dec. 13, 1956. --- Decided: June 17, 1957
Mr. Delvaille H. Theard, New Orleans, La., pro se.
Mr. Edward H. Hickey, Washington, D.C., for the respondent.
Mr. Justice FRANKFURTER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Theages

is a dialogue attributed to Plato, featuring Demodocus, Socrates and Theages. There is debate over its authenticity;[1] W. R. M. Lamb draws this conclusion from his opinion that the work is inferior and un-Socratic, but acknowledges that it was universally regarded as authentic in antiquity.[2]
English-language translations of el:Θεάγης include:
(translated by W. R. M. Lamb, Loeb vol. 8, 1927
* Theages, trans. by Thomas Taylor (1804) (transcription project)
* Theages, trans. by George Burges (1851) (transcription project)
* Theages, trans. by William Whewell (1859) (transcription project)
* Theages, trans. by William Whewell (2nd ed.) (1860) (transcription project)
# The poetical works of Matthew Arnold/Palladium

PALLADIUM.
Set where the upper streams of Simois flow, Was the Palladium, high 'mid rock and wood; And Hector was in Ilium, far below, And fought, and saw it not; but there it stood!
It stood, and sun and moonshine rained their light On the pure columns of its glen-built hall. Backward and forward rolled the waves of fight Round Troy; but while this stood, Troy could not fall.
So, in its lovely moonlight, lives the soul. Mountains surround it, and sweet virgin air; Cold plashing, past it, crystal waters roll: We visit it by moments, ah, too rare!
Men will renew the battle in the plain To-morrow: red with blood will Xanthus be; Hector and Ajax will be there again, Helen will come upon the wall to see.
Then we shall rust in shade, or shine in strife, And fluctuate 'twixt blind hopes and blind despairs, And fancy that we put forth all our life, And never know how with the soul it fares.
Still doth the soul, from its lone fastness high, Upon our life a ruling effluence send; And when it fails, fight as we will, we die; And, while it lasts, we cannot wholly end.
# The poetical works of Matthew Arnold/Persistency of Poetry

PERSISTENCY OF POETRY.
Though the Muse be gone away, Though she move not earth to-day, Souls, erewhile who caught her word, Ah! still harp on what they heard.
# The poetical works of Matthew Arnold/Rachel

RACHEL.
I.
In Paris all looked hot and like to fade; Sere, in the garden of the Tuileries, Sere with September, drooped the chestnut-trees; 'Twas dawn, a brougham rolled through the streets, and made
Halt at the white and silent colonnade Of the French Theatre. Worn with disease, Rachel, with eyes no gazing can appease, Sate in the brougham, and those blank walls surveyed.
She follows the gay world, whose swarms have fled To Switzerland, to Baden, to the Rhine; Why stops she by this empty playhouse drear?
Ah! where the spirit its highest life hath led, All spots, matched with that spot, are less divine; And Rachel's Switzerland, her Rhine, is here!
II.
Unto a lonely villa, in a dell Above the fragrant warm Provençal shore, The dying Rachel in a chair they bore Up the steep pine-plumed paths of the Estrelle,
And laid her in a stately room, where fell The shadow of a marble Muse of yore,— The rose-crowned queen of legendary lore, Polymnia,—full on her death-bed. 'Twas well!
The fret and misery of our northern towns, In this her life's last day, our poor, our pain, Our jangle of false wits, our climate's frowns,
Do for this radiant Greek-souled artist cease: Sole object of her dying eyes remain The beauty and the glorious art of Greece.
III.
Sprung from the blood of Israel's scattered race, At a mean inn in German Aarau born, To forms from antique Greece and Rome uptorn, Tricked out with a Parisian speech and face,
Imparting life renewed, old classic grace; Then soothing with thy Christian strain forlorn, A-Kempis! her departing soul outworn, While by her bedside Hebrew rites have place,—
Ah! not the radiant spirit of Greece alone She had—one power, which made her breast its home, In her, like us, there clashed, contending powers,
Germany, France, Christ, Moses, Athens, Rome. The strife, the mixture in her soul, are ours; Her genius and her glory are her own.
# The poetical works of Matthew Arnold/Pis Aller

PIS ALLER.
"Man is blind because of sin; Revelation makes him sure: Without that, who looks within Looks in vain, for all's obscure."
Nay, look closer into man! Tell me, can you find indeed Nothing sure, no moral plan Clear prescribed, without your creed?
​"No, I nothing can perceive! Without that, all's dark for men. That, or nothing, I believe."— For God's sake, believe it, then!
# The poetical works of Matthew Arnold/Progress

PROGRESS.
The Master stood upon the mount, and taught. He saw a fire in his disciples' eyes; "The old law," they said, "is wholly come to naught: Behold the new world rise!"
​"Was it," the Lord then said, "with scorn ye saw The old law observed by scribes and Pharisees? I say unto you, see ye keep that law More faithfully than these!
"Too hasty heads for ordering worlds, alas! Think not that I to annul the law have willed: No jot, no tittle, from the law shall pass Till all have been fulfilled."
So Christ said eighteen hundred years ago. And what, then, shall be said to those to-day, Who cry aloud to lay the old world low To clear the new world's way?
"Religious fervors! ardor misapplied! Hence, hence!" they cry, "ye do but keep man blind! But keep him self-immersed, pre-occupied, And lame the active mind."
Ah! from the old world let some one answer give: "Scorn ye this world, their tears, their inward cares? I say unto you, see that your souls live A deeper life than theirs!
"Say ye, 'The spirit of man has found new roads, And we must leave the old faiths, and walk therein'? Leave, then, the cross as ye have left carved gods, But guard the fire within!
"Bright, else, and fast the stream of life may roll, And no man may the other's hurt behold; Yet each will have one anguish,—his own soul Which perishes of cold."
Here let that voice make end; then let a strain From a far lonelier distance, like the wind Be heard, floating through heaven, and fill again These men's profoundest mind:—
​"Children of men! the unseen Power, whose eye Forever doth accompany mankind, Hath looked on no religion scornfully That men did ever find.
"Which has not taught weak wills how much they can? Which has not fallen on the dry heart like rain? Which has not cried to sunk, self-weary man,— Thou must be born again!
"Children of men! not that your age excel In pride of life the ages of your sires, But that ye think clear, feel deep, bear fruit well, The Friend of man desires."
# The poetical works of Matthew Arnold/Requiescat

REQUIESCAT.
Strew on her roses, roses, And never a spray of yew: In quiet she reposes; Ah! would that I did too!
Her mirth the world required; She bathed it in smiles of glee. But her heart was tired, tired, And now they let her be.
​Her life was turning, turning, In mazes of heat and sound; But for peace her soul was yearning, And now peace laps her round.
Her cabined, ample spirit, It fluttered and failed for breath; To-night it doth inherit The vasty hall of death.
# The year's at the spring/Watson, Sir William

April
APRIL, April, Laugh thy girlish laughter; Then, the moment after, Weep thy girlish tears! April, that mine ears Like a lover greetest, If I tell thee, sweetest, All my hopes and fears, April, April, Laugh thy golden laughter, But, the moment after, Weep thy golden tears.
WILLIAM WATSON
# The year's at the spring/Pepler, H. D. C

The Law the Lawyers Know About
THE law the lawyers know about Is property and land; But why the leaves are on the trees, And why the winds disturb the seas, Why honey is the food of bees, Why horses have such tender knees, Why winters come and rivers freeze, Why Faith is more than what one sees, And Hope survives the worst disease, And Charity is more than these, They do not understand.
H. D. C. PEPLER
# The year's at the spring/Stephens, James

Check
THE night was creeping on the ground; She crept and did not make a sound Until she reached the tree, and then She covered it, and stole again Along the grass beside the wall.
I heard the rustle of her shawl As she threw blackness everywhere Upon the sky and ground and air, And in the room where I was hid: But no matter what she did To everything that was without, She could not put my candle out.
So I stared at the night, and she Stared back solemnly at me.
JAMES STEPHENS
When the Leaves Fall
WHEN the leaves fall off the trees Everybody walks on them: Once they had a time of ease High above, and every breeze Used to stay and talk to them.
Then they were so debonair As they fluttered up and down; Dancing in the sunny air, Dancing without knowing there Was a gutter in the town.
Now they have no place at all! All the home that they can find Is a gutter by a wall, And the wind that waits their fall Is an apache of a wind.
JAMES STEPHENS
# The year's at the spring/Tennant, E. W

Home Thoughts in Laventie
GREEN gardens in Laventie! Soldiers only know the street Where the mud is churned and splashed about By battle-wending feet; And yet beside one stricken house there is a glimpse of grass, Look for it when you pass.
Beyond the Church whose pitted spire Seems balanced on a strand Of swaying stone and tottering brick Two roofless ruins stand, And here behind the wreckage where the back-wall should have been We found a garden green.
The grass was never trodden on, The little path of gravel ​Was overgrown with celandine, No other folk did travel Along its weedy surface, but the nimble-footed mouse Running from house to house.
So all among the vivid blades Of soft and tender grass We lay, nor heard the limber wheels That pass and ever pass, In noisy continuity, until their stony rattle Seems in itself a battle.
At length we rose up from our ease Of tranquil happy mind, And searched the garden's little length A fresh pleasaunce to find; And there, some yellow daffodils and jasmine hanging high Did rest the tired eye.
The fairest and most fragrant Of the many sweets we found, Was a little bush of Daphne flower Upon a grassy mound, ​And so thick were the blossoms set, and so divine the scent, That we were well content.
Hungry for Spring I bent my head, The perfume fanned my face, And all my soul was dancing In that lovely little place, Dancing with a measured step from wrecked and shattered towns Away . . . upon the Downs.
I saw green banks of daffodil, Slim poplars in the breeze, Great tan-brown hares in gusty March A-courting on the leas; And meadows with their glittering streams, and silver scurrying dace, Home——what a perfect place!
EDWARD WYNDHAM TENNANT
# The year's at the spring/Walters, L. D'O

All is Spirit and Part of Me
A GREATER lover none can be, And all is spirit and part of me. I am sway of the rolling hills, And breath from the great wide plains; I am born of a thousand storms, And grey with the rushing rains; I have stood with the age-long rocks, And flowered with the meadow sweet; I have fought with the wind-worn firs, And bent with the ripening wheat; I have watched with the solemn clouds, And dreamt with the moorland pools; I have raced with the water's whirl, And lain where their anger cools; I have hovered as strong-winged bird, And swooped as I saw my prey; I have risen with cold grey dawn, And flamed in the dying day; For all is spirit and part of me, And greater lover none can be.
L. D'O. WALTERS
# The year's at the spring/Monro, Harold

Overheard on a Saltmarsh
NYMPH, nymph, what are your beads? Green glass, goblin. Why do you stare at them? Give them me.
No.
Give them me. Give them me.
No.
Then I will howl all night in the reeds, Lie in the mud and howl for them.
Goblin, why do you love them so?
They are better than stars or water, Better than voices of winds that sing, Better than any man's fair daughter, Your green glass beads on a silver ring.
Hush, I stole them out of the moon.
​Give me your beads. I desire them.
No.
I will howl in a deep lagoon For your green glass beads, I love them so. Give them me. Give them.
No.
HAROLD MONRO
A Flower is Looking through the Ground
FLOWER is looking through the ground, Blinking at the April weather; Now a child has seen the flower: Now they go and play together.
Now it seems the flower will speak, And will call the child its brother— But, oh strange forgetfulness!— They don't recognize each other.
HAROLD MONRO
Man Carrying Bale
THE tough hand closes gently on the load; Out of the mind, a voice Calls 'Lift!' and the arms, remembering well their work, Lengthen and pause for help. Then a slow ripple flows from head to foot While all the muscles call to one another: 'Lift!' and the bulging bale Floats like a butterfly in June.
So moved the earliest carrier of bales, And the same watchful sun Glowed through his body feeding it with light. So will the last one move, And halt, and dip his head, and lay his load Down, and the muscles will relax and tremble. Earth, you designed your man Beautiful both in labour and repose.
HAROLD MONRO
# The year's at the spring/Scott-Hopper, Queenie

Very Nearly!
I NEVER quite saw fairy-folk A-dancing in the glade, Where, just beyond the hollow oak, Their broad green rings are laid: But, while behind that oak I hid, One day I very nearly did!
I never quite saw mermaids rise Above the twilight sea, When sands, left wet, 'neath sunset skies, Are blushing rosily: But—all alone, those rocks amid— One night I very nearly did!
I never quite saw Goblin Grim Who haunts our lumber room And pops his head above the rim Of that oak chest's deep gloom: But once—when Mother raised the lid— I very, very nearly did!
QUEENIE SCOTT-HOPPER
What the Thrush Says
COME and see! Come and see!" The Thrush pipes out of the hawthorn-tree: And I and Dicky on tiptoe go To see what treasures he wants to show. His call is clear as a call can be— And "Come and see!" he says: "Come and see!"
"Come and see! Come and see!" His house is there in the hawthorn-tree: The neatest house that ever you saw, Built all of mosses and twigs and straw: The folk who built were his wife and he— And "Come and see!" he says: "Come and see!"
"Come and see! Come and see!" Within this house there are treasures three: So warm and snug in its curve they lie— Like three bright bits out of Spring's blue sky. ​We would not hurt them, he knows; not we! So "Come and see!" he says: "Come and see!"
"Come and see! Come and see!" No thrush was ever so proud as he! His bright-eyed lady has left those eggs For just five minutes to stretch her legs. He's keeping guard in the hawthorn-tree, And "Come and see!" he says: "Come and see!"
"Come and see! Come and see!" He has no fear of the boys and me. He came and shared in our meals, you know, In hungry times of the frost and snow. So now we share in his Secret Tree Where "Come and see!" he says: "Come and see!"
QUEENIE SCOTT-HOPPER
# The year's at the spring/Naidu, Sarojini

Cradle-Song
FROM groves of spice, O'er fields of rice, Athwart the lotus-stream, I bring for you, Aglint with dew, A little lovely dream.
Sweet, shut your eyes, The wild fire-flies Dance through the fairy neem; From the poppy-bole For you I stole A little lovely dream.
Dear eyes, good-night, In golden light The stars around you gleam; On you I press With soft caress A little lovely dream.
SAROJINI NAIDU
# The year's at the spring/Vernède, R. E

A Petition
ALL that a man might ask, thou hast given me, England Birth-right and happy childhood's long heart's-ease, And love whose range is deep beyond all sounding And wider than all seas.
A heart to front the world and find God in it, Eyes blind enow, but not too blind to see The lovely things behind the dross and darkness, And lovelier things to be.
And friends whose loyalty time nor death shall weaken, And quenchless hope and laughter's golden store; All that a man might ask thou hast given me, England, Yet grant thou one thing more:
​That now when envious foes would spoil thy splendour, Unversed in arms, a dreamer such as I May in thy ranks be deemed not all unworthy, England, for thee to die.
R. E. VERNÈDE
# Transactions of the Linnean Society of London/Volume 10/Remarks on the Sedum ochroleucum, or Αειζωον το μικρον of Dioscorides

II. Remarks on the Sedum ochroleucum, or Αειζωον το μικρον of Dioscorides; in a Letter to Alexander MacLeay, Esq. Sec. Linn. Soc. By James Edward Smith, M.D. F.R.S. P.L.S.
Read November 1, 1808.
I beg leave through your hands to welcome my brethren of the Linnean Society on their first meeting for the ensuing season, and to communicate at the same time an article of botanical intelligence rather interesting to those who are solicitous about natural genera, as well as to those who have endeavoured to ascertain the plants of ancient Greek authors.
| Dr. Smith's Remarks of the Sedum ochroleucum. | 7 |
* thorp
| Dr. Smith's Remarks of the Sedum ochroleucum. | 9 |
                I remain,
# Transactions of the Linnean Society of London/Volume 10/On the Proteaceae of Jussieu/Xylomelum

​Page:Transactions of the Linnean Society of London, Volume 10.djvu/189
# Transactions of the Linnean Society of London/Volume 12

The contents list at the beginning of Part 2 is used in accordance with the instructions given in the 'Direction for placing the Plates of the Twelfth Volume' on image 688 of the book.
Title page - Part 1
THE TRANSACTIONS OF THE LINNEAN SOCIETY OF LONDON.
VOLUME XII.
PART THE FIRST.
LONDON: PRINTED BY
RICHARD AND ARTHUR TAYLOR, SHOE-LANE:
SOLD AT THE SOCIETY'S HOUSE, NO. 9, GERRARD-STREET, SOHO;
AND BY LONGMAN, HURST, REES, ORME, AND BROWN,
PATERNOSTER-ROW.
MDCCCXVII.
Title pages - Part 2
THE TRANSACTIONS OF THE LINNEAN SOCIETY OF LONDON.
VOLUME XII.
PART THE SECOND.
LONDON: PRINTED BY
RICHARD AND ARTHUR TAYLOR, SHOE-LANE:
SOLD AT THE SOCIETY'S HOUSE, NO. 9, GERRARD-STREET, SOHO;
AND BY LONGMAN, HURST, REES, ORME, AND BROWN,
PATERNOSTER-ROW.
MDCCCXVIII.
THE TRANSACTIONS OF THE LINNEAN SOCIETY OF LONDON.
VOLUME XII.
LONDON: PRINTED BY
RICHARD AND ARTHUR TAYLOR, SHOE-LANE:
SOLD AT THE SOCIETY'S HOUSE, NO. 9, GERRARD-STREET, SOHO;
AND BY LONGMAN, HURST, REES, ORME, AND BROWN,
PATERNOSTER-ROW.
MDCCCXVIII.
CONTENTS.
List of Donors to the Library of the Linnean Society,
Donations to the Museum of the Linnean Society.