# The Masque of the Foresaken Gods

1912.
Scene: A moonlit glade on a summer midnight.

### THE POET

How pale the sapphire of the central night, Wherein the stars turn grey! The summer's green, Edgéd and strong by day, is dull and faint Beneath the moon's all-monorating mood, That in this absence of the impassioned sun Sways to a sleep of sound and calm of color The live and vivid aspect of the world. Even thought itself is strangely overcome, And like the pale beginning of a dream. Here were the theater of a miracle, If such, within a world long alienate From its first dreams, and shut with skeptic years, Might now befall.

### THE PHILOSOPHER

The Huntress rides no more Across the upturned faces of the stars: 'Tis but the dead shell of a frozen world, Glttering with desolation. Earth's old gods— The gods that haunt like dreams each planet's youth— Are fled from years incredulous, and tired With penetrating of manifolded masks That give but emptiness they served to hide. Remains not faith enough to bring them back— Pan to his wood, Diana to her moon, And all the powers that once made populous A haggard world where Time grows weary now. Yet Youth, that lives, might for a little claim That vanished pantheon, on such a night, When, under the lowering marvel of the moon, The films of time wear perilously thin, And thought looks backward to the simpler years, Till all the vision seems but just beyond. If one have faith, it may be that he shall Behold them once—once only, and no more, Because of Time's inhospitality, For which they may not stay.

### THE POET

The quiet light Surges and fumes like to a spectral sea Whereof relimning foundered shapes are born! Is it a throng of luminous white clouds— Phantoms of some old storm's death-driven Titans, That float beneath the moon, and speak with voices Like the last echoes of a thunder spent ? 'Tis the forsaken gods, that win a foothold About the magic circle which the moon Draws like some old enchantress round the glade.

### THE PHILOSOPHER

I see them not; the vision is addressed Only to thine acute and eager youth.

### JOVE

All heaven and earth were once my throne; Now I have but the wind alone For shifting judgment-seat. The pillared world supported me: Yet man's old incredulity Left nothing for my feet.

### PAN

Man hath forgotten me: Yet seems it that my memory Saddens the wistful voices of the wood; Within each erst-frequented spot Echo forgets my music not, Nor Earth my tread where trampling years have stood.

### ARTEMIS

Time hath grown cold Toward beauty loved of old. The gods must quake When dreams and hopes forsake The heart of man, And disillusion's ban, More chill than stone, Rears till the former throne Of loveliness Is dark and tenantless. Now must I weep— Homeless within the deep Where once of old Mine orbéd chariot rolled— And mourn in vain Man's immemorial pain Uncomforted Of light and beauty fled.

### APOLLO

Time wearied of my song— A satiate and capricious king Who for his pleasure bade me sing, First of his minstrel throng; Till, cloyed with melody, His ear grew faint to voice and lyre: Forgotten then of Time's desire, His thought was void of me.

### APHRODITE

I, born of sound and foam, Child of the sea and wind, Was fire upon mankind— Fuelled with Syria, and with Greece and Rome. Time fanned me with his breath, Love found new warmth in me, And Life its ecstasy, Till I grew deadly with the wind of death.

### A NYMPH

How can the world be still so beautiful When beauty's self is fled ? 'Tis like the mute And marble loveliness of some dead girl; And we that hover here are as the spirit Of former voice and motion and live color In that which shall not stir nor speak again.

### ANOTHER NYMPH

Nay, rather say this lovely, lifeless world Is but a rigid semblance, counterfeiting The world which was: nor have the gods retained Such power as once informed and rendered vital The cryptic irresponsiveness of stone— That statue which Pygmalion made and loved.

### ATÈ

I, who was discord among men, Alone of all Time's hierarchy Find that Time hath no need of me, No lack that I might fill again.

### THE POET

Tell me, O gods, are ye forever doomed To fall and flutter among spatial winds, Finding release nor foothold anywhere— Debarred from doors of all the suns, like spirits Whose names are blotted from the lists of time, Though they themselves yet wander undestroyed?

### THE GODS TOGETHER

Throneless, discrowned, and impotent, In man's sad disillusionment, We passed with Earth's returnless youth, Who were the semblances of truth, The veils that hid the vacantness Infinite, naked, meaningless, The blank and universal Sphinx Each world confronts at last—and sinks. New gods forefend awhile the gaze Of man—each one a veil that stays— Till the new gods, discredited, Like mist that melts with noon, are fled— That power oppressive, limitless, The tyranny of nothingness. Our power is dead upon the earth With the first dews and dawns of time, But in the far and younger clime Of other worlds, it hath rebirth. Yea, though we find not entrance here— Astray like feathers on the wind, To neither earth nor heaven consigned— Fresh altars in a distant sphere Are keen with fragrance, bright with fire, New hearths to warm us from the night, Till, banished thence, we pass in flight While all the flames of dream expire.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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