OpenLLM-France/wikimedia huggingface dataset:
# The Encyclopedia Americana (1920)/Rolland, Romaine

Edition of 1920. See also Romain Rolland on Wikipedia, and the disclaimer.
ROLLAND, rōl'lạṅ, Romaine, French author: b. Clamecy, 29 Jan. 1866. He studied at the Ecole Normale Superieure, Paris, and in 1889-91 was a member of the Ecole Française
de Rome. He was for a time professor of the history of art at the Ecole Normale Superieure, and was later called to the chair of history and music at the Sorbonne. He was awarded one-fourth of the Nobel Prise for literature in 1915 for the completion of his ‘Jean Christophe,’ a species of rambling novel, written in 10 volumes and carrying much philosophic discussion of life, the sub-titles being ‘L'Aube’; ‘Le Matin ’; ‘L'Adolescent’; ‘La Revolte’; ‘La Toire sur la place’; ‘Antoinette’; ‘Dans la Maison’; ‘Les amies’; ‘Le Buisson Ardente’; and ‘Le Nouvelle Journee.’ It was translated into English by Cannan, G. (1911-13). His other works include ‘Les origines du théatre lyrique moderne’; ‘Les Loups,’ drama; ‘Le Temps,’ drama; ‘Vie de Michel Auge’; ‘Vie de Beethoven’; ‘Haendel’; ‘Vie de Tolstoi’, etc. Consult Stephens, W., ‘French Novelists of To-day, Second Series’ (1915).
# The Encyclopedia Americana (1920)/Robinson, Edward Van Dyke

Edition of 1920. See also Edward Van Dyke Robinson on Wikipedia, and the disclaimer.
ROBINSON, Edward Van Dyke, American economist: b. Bloomington, Ill., 20 Dec. 1867; d. 10 Dec. 1915. He was graduated at the University of Michigan in 1891 and took his Ph.D. at Leipzig in 1895. He was engaged in teaching and lecturing on commercial geography, physiography, economics and political science in 1895-1907; was appointed professor of economics at the University of Minnesota in 1907, and in 1915 accepted that chair at Columbia University. He was a contributor to scientific periodicals and was author of ‘Nature of the Federal State’ (1893); ‘War and Economics’ (1900); ‘Text Book on Commercial Geography’ (1909); ‘Cost of Government, National, State and Local’ (1912); ‘Economic Conditions and the Development of Agriculture in Minnesota’ (1915), etc.
# The Harp-Weaver/Departure

DEPARTURE
It's little I care what path I take, And where it leads it’s little I care; But out of this house, lest my heart break, I must go, and off somewhere.
It's little I know what's in my heart, What's in my mind it's little I know, But there's that in me must up and start, And it's little I care where my feet go.
I wish I could walk for a day and a night. And find me at dawn in a desolate place With never the rut of a road in sight, Nor the roof of a house, nor the eyes of a face.
I wish I could walk till my blood should spout, And drop me, never to stir again, On a shore that is wide, for the tide is out, And the weedy rocks are bare to the rain.
But dump or dock, where the path I take Brings up, it’s little enough I care; And it’s little I’d mind the fuss they’ll make, Huddled dead in a ditch somewhere.
“Is something the matter, dear” she said, “That you sit at your work so silently?” “No, mother, no, 'twas a knot in my thread. There goes the kettle. I'll make the tea.”
# The Harebell

* Search for titles containing or beginning with: "The Harebell."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Harebell", a poem by Edith Mary David
* "The Harebell", a poem by Muriel Stuart
# The Hares and the Frogs

Perry index 138
* "Of the Hares and of the Frogges", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "The Hares and the Frogs", part of "Fables XXVI and XXVII", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Hares and the Frogs", translated by George Fyler Townsend, illustrated by Harrison Weir, in Three Hundred Æsop's Fables (1867)
* "The Hares and the Frogs", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
* "The Hares and the Frogs", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Harp-Weaver

THE HARP-WEAVER AND OTHER POEMS
BY EDNA ST. VINCENT MILLAY
* THE HARP-WEAVER AND OTHER POEMS
* SECOND APRIL
* RENASCENCE AND OTHER POEMS
* A FEW FIGS FROM THISTLES
* ARIA DA CAPO: A PLAY
* THE LAMP AND THE BELL: A DRAMA
THE HARP-WEAVER AND OTHER POEMS
BY EDNA ST. VINCENT MILLAY
Publishers HARPER & BROTHERS NEW YORK AND LONDON MCMXXIII
THE HARP-WEAVER AND OTHER POEMS
Copyright, 1920, 1921, 1922, 1923 By Edna St. Vincent Millay Printed in the U. S. A.
First Edition K-X
CONTENTS
PART ONE
PART TWO
PART THREE
PART FOUR
PART FIVE
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Harlot's House

The Harlot's House was written in 1881 and originally published in The Dramatic Review (April, 1885).
* "The Harlot's House" in The Writings of Oscar Wilde (1907)
* "The Harlot's House" in The Poems of Oscar Wilde (1909)
# The Harp-Weaver/Autumn Chant

AUTUMN CHANT
Now the autumn shudders In the rose’s root. Far and wide the ladders Lean among the fruit.
Now the autumn clambers Up the trellised frame, And the rose remembers The dust from which it came.
Brighter than the blossom On the rose’s bough Sits the wizened, orange, Bitter berry now;
Beauty never slumbers; All is in her name; But the rose remembers The dust from which it came.
# The Hares and the Foxes

Perry index 256
* "Hares, Foxes, and Eagles", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Hares and the Foxes", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Harp-Weaver/A Visit to the Asylum

A VISIT TO THE ASYLUM
Once from a big, big building,
When I was small, small, The queer folk in the windows Would smile at me and call.
And in the hard wee gardens Such pleasant men would hoe: “Sir, may we touch the little girl’s hair?”— It was so red, you know.
They cut me colored asters With shears so sharp and neat, They brought me grapes and plums and pears And pretty cakes to eat.
And out of all the windows, No matter where we went, The merriest eyes would follow me And make me compliment
There were a thousand windows,
All latticed up and down. And up to all the windows, When we went back to town,
The queer folk put their faces, As gentle as could be; “Come again, little girl!” they called, and I Called back, “You come see me!”
# The Harp-Weaver/Euclid alone has looked

XXII
Euclid alone has looked on Beauty bare. Let all who prate of Beauty hold their peace, And lay them prone upon the earth and cease To ponder on themselves, the while they stare At nothing, intricately drawn nowhere In shapes of shifting lineage; let geese Gabble and hiss, but heroes seek release From dusty bondage into luminous air. O blinding hour, O holy, terrible day, When first the shaft into his vision shone Of light anatomized! Euclid alone Has looked on Beauty bare. Fortunate they Who, though once only and then but far away, Have heard her massive sandal set on stone.
# The Harp-Weaver/Feast

FEAST
I drank at every vine,
The last was like the first I came upon no wine So wonderful as thirst.
I gnawed at every root I ate of every plant I came upon no fruit So wonderful as want.
Feed the grape and bean To the vintner and monger; I will lie down lean With my thirst and my hunger
# The Czechoslovak Review/Volume 3/Halek's Evening Songs

Selection of 12 poems from the Hálek's collection Evening Songs. In print of this selection 2 stanzas from Song No. 6 were misplaced under No. 3, see errata in vol. 4, no. 1.
Halek’s Evening Songs
(Translated by Dr. Joseph Štýbr.)
NOTE. Among the lyric and romantic poets who loomed upon the new horizon of the Czech literature in the second half of last century, when the nation appeared to be no longer in need of nourishment from history in its literary education, and when new ways have been sought and found. Vítězslav Hálek (1835–1874) held the most prominent position. From his first appearance in poetry in 1858 for twenty years he held the nation’s attention end enjoyed its adminiration and love. Although neither a deep philosopher nor a prophet of immeasurable horizon, he spoke from heart to heart to the rejuvenated nation; and although he had died in less than the prime of life, with 39 years, he has given the Czech literature a line of works touching upon nearly all classes of writing that filled their mission fully for the time. As a lyric poet he was scarcely outdone to this day. His volume of Evening Songs (Večerní písně) which appeared first in 1858, and since then in many editions, remained his culminating point; a volume of ever fragrant and pleasing effusions of feeling, appealing especially to the tenderness of heart in the erotic spring of life.
The above selection from the mentioned volume is a good illustration of his spirit and style.The translator.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Czechoslovak Review/Volume 3/Industrial commission visits America

INDUSTRIAL COMMISSION VISITS AMERICA.
A commission of Czechoslovak industrial and agricultural experts has just sailed from America after a strenuous inspection trip covering a month which took the members from New York as far as Western Nebraska. The commission was headed by two members of the National Assembly, František Biňovec, a brick manufacturer, and Josef Špaček, a planter. With them went Frant. Zrust, director of the implement divison of the Agrarian Bank, Stanislav Špaček, an engineer experienced in public works, Václav Mašek, agricultural expert, Viktor Neuman, construction and railroad engineer, and Mr. and Mrs. Bezdiček, farmers. The commission had with them Lieut. Mička as courier. They visited New York and Washington, Pittsburgh and Cleveland, Chicago, the Keokuk hydro-electric plant, Omaha and the irrigation works at North Platte, Neb. They were particularly interested in farming implements and methods of farm cultivation, great public works, building industry and in general American organization and efficiency methods. They had little time for anything but their mission of seeing as much as possible of the American industrial ways, but they did address their countrymen in America, in New York, Chicago and Omaha. Both the members of the Czechoslovak parliament are excellent speakers and created a fine impression by their expression of gratitude to Czechoslovaks in America for the share they had in the fight for independence, and by their sensible discussion of the problems which the young republic has to face. In Chicago the commission was guided and entertained by members of the Czechoslovak Chamber of Commerce.
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# The Czechoslovak Review/Volume 3/Independent Bohemia

​Independent Bohemia. By Vladimir Nosek, J. M. Dent & Sons, London.—A great many articles and pamphlets have been written about the Czechoslovak people during the war, but only two books on that subject have been published so far. One is Dr. Edward Beneš, the present minister of foreign affairs of the Czechoslovak Republic, and the second is this book by Vladimir Nosek, secretary of the Czechoslovak Legation in London.
The new publication of 190 pages gives a very full account of the part played by the Czechoslovaks in the great war. The chapter discussing the Czech political parties before and during the war is a feature that was neglected in other accounts of the Czechoslovak cause, and the incorporation of numerous documents illustrating the revolutionary movement is particularly valuable. The story is brought down to the break-up of the Austrian empire and the day of liberation.
One criticism which suggests itself to readers on this side of the Atlantic is the omission of all reference to the work done by the Czechoslovaks in America. In his chapter on "The Military and Political Action of the Czechoslovaks Abroad" Mr. Nosek starts out to say: "The most important part was taken, however, by the Czechoslovak colonies in Bussia and America". And after telling what was done in Bussia he forgets to go back to America.
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# The Czechoslovak Review/Volume 3/Ingratitude

INGRATITUDE.
Fm. Ackerman, lately The Times correspondent in Siberia, says that the Czechoslovaks want to go home. They were revolutionists fighting for the freedom of their own country, and the events which led to their war against the Bolsheviki were only an episode in the great war of which the Czechoslovak revolution was another episode. They were not sent to Siberia by the Allies, they were there by accident; but by their presence and their hard fighting they undoubtedly kept the Bolsheviki and the German influence within bounds, and destroyed German activity of the Urals.
Now the great war is over and the Czechoslovak revolution has ended in glorious triumph. Nevertheless, these men are still dying every day for their country. Not that the Czechoslovak Republic has any direct interest in the events in Siberia; but the boundaries of that republic are yet to be determined by the Peace Conference. Its Government has asked the Allies to let the army come home to a country where it is badly needed before it wastes away on the Siberian front; but it dares not ask very persistently for fear that the annoyance of the Powers who are letting the Czechoslovaks do their work in Russia may express itself in curtailment of the territories of the new State. Czechs and Slovaks are being killed on the Siberian front because their Government is afraid to offend the Allies.
The five great Powers who could not trust one another sufficiently to send their own troops to Russia in any adequate numbers, but whose work there has been done, so far as it has been done at all, by these Czechoslovaks who were there by chance, might at least manifest their gratitude by letting the Czechs go home. They have done their work and we have already told them we shall send none of our own men to their relief. It is grossly unfair to ask the Czechoslovaks to stay in Siberia after the Allies have abandoned Russia to her fate.
N. Y . Times, Feb. 27.
This work was published before January 1, 1929 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 95 years or less since publication.
Public domainPublic domainfalsefalse
# The Female Vagrant

The version in the 'Poems' of 1815 is the latter part of the version in the two editions of 'Lyrical Ballads'.
* "The Female Vagrant" in Lyrical Ballads (1798)
* "The Female Vagrant" in Lyrical Ballads, Volume I (1800)
* "Female Vagrant" in Poems Volume I (1815)
# The Feminist Movement

THE FEMINIST MOVEMENT
THE FEMINIST MOVEMENT
by
ETHEL SNOWDEN
(M$^{rs}$. PHILIP SNOWDEN)
COLLINS'·CLEAR-TYPE·PRESS LONDON & GLASGOW
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 72 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 5

PLATE 5
Eurypterus remipes Dekay Page 161 See plates 2–4, 6–8
| 1 | Carapace of early neanic stage. × 5. Shows size and position of lateral eyes and size and prominence of ocellar mound. Compare with the later stage, plate 5, figure 5 Horizon and locality. Bertie waterlime. Litchfield, Herkimer co., N. Y. |
| 2 | Carapace of later neanic stage. × 5 Horizon and locality. Bertie waterlime. Paris hill, Oneida co., N. Y. |
| 3 | Young individual, × 2, partly retaining original convexity and ornamentation of dorsal side |
| 4 | Young individual, × 2, showing impression of marginal shield of underside of cephalothorax [comp. figure 6] and partly retaining original dorsal convexity |
| 5 | Older individual reproduced in natural size. Retains segments in normal position and original curvature. Shows convex rhachis and flat epimera of dorsal side |
| 6 | Carapace, in natural size, retaining in original position the marginal shield or membrane [see pl. 6, fig. 2] of the ventral side of the cephalothorax |
| 7 | Carapace, × 2, showing two circular, wrinkled spots in front, supposed to be muscle scars. The ocelli also are very distinctly seen Horizon and locality. Bertie waterlime. Litchfield, Herkimer co., N. Y. |
All figures are from photographs. The originals of all specimens are in the State Museum
| Memoir 14. N.Y.State Museum. | Plate 5. |
| J.A.Glenn et H.C.Wardell phot. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 52

PLATE 52
Stylonurus myops Clarke Page 300 See plates 51, 53
| 1–4 | Paratypes showing normal expressions of the carapace. Natural size |
| 5 | Young carapace with abnormally round outline and anterior eyes. × 3 |
| 6 | The only entire specimen observed, dorsal view. Much compressed and poorly preserved. Natural size |
| 7 | Type. Carapace and two tergites. Carapace exfoliated; tergites showing the ornamentation. × 3 |
| 8 | Interior view of carapace showing the broad doublure. × 3 |
| 9 | Specimen showing a median prolongation in front. × 3 |
| 10 | The holotype. × 3 |
| 11 | Interior view of laterally compressed carapace showing frontal marginal row of tubercles. × 3 |
| 12 | Detached visual area. × 5. The radial lines are wrinkles |
| 13 | Compound eye showing semioval form of ocular node and its ornamented surface. Paratype. Natural size |
| 14 | Central portion of figure 4 enlarged (× 3) to show form of ocellar mound and extent of visual areas Horizon and locality. Shawangunk grit. Otisville, Orange co., N. Y. |
The originals are in the State Museum
| Memoir 14. N.Y.State Museum. | Plate 52. |
| E.W.C.L. et G.S.B. del. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 57

PLATE 57
Dolichopterus (?) testudineus nov. Page 274
| 1 | Swimming leg referred with some doubt to this species. Natural size |
| 2 | Carapace. Holotype of the species. Natural size Horizon and locality. Bertie waterlime. Cranes Corners, Herkimer co., N. Y. |
Pterygotus cf. buffaloensis Pohlman Page 358 See plates 67, 68, 72–80
| 3 | Two walking legs with their coxal joints, the latter retaining the epicoxite (epx.). Natural size Horizon and locality. Bertie waterlime. Buffalo, N. Y. |
Echinognathus clevelandi Walcott Page 322 See plate 58
| 4 | Figure of the type. Shows the greater part of a short robust walking leg, the sculpturing of its joints and the closely arranged series of long, curved spines. Natural size Horizon and locality. Utica shale. Holland Patent, Oneida co., N. Y. |
The originals of figures 1 and 2 are in the State Museum, that of figure 3 is in the museum of the Buffalo Society of Natural Sciences, and of figure 4 in the National Museum
| Memoir 14. N.Y.State Museum. | Plate 57. |
| G.S.Barkentin del. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 58

PLATE 58
Echinognathus clevelandi Walcott Page 322 See plate 57
| 1 | Fragment of segment. Paratype of the species. Natural size |
| 2 | Small fragment of segment (× 3) to show character of scales Horizon and locality. Utica shale. Holland Patent, Oneida co., N. Y. |
Megalograptus welchi Miller Page 325
| 3 | Walking leg. Cotype. Natural size |
| 4 | Fragment of walking leg. Cotype. Natural size |
| 5 | Postabdominal segment. Cotype. Natural size Horizon and locality. Richmond group (Liberty beds). Near Clarksville, Warren co., Ohio |
All figures are from photographs
The originals of figures 1 and 2 are in the National Museum, those of figures 3–5 in the museum of Chicago University. Figures 3–5 were furnished by Dr A. F. Foerste
| Memoir 14. N.Y.State Museum. | Plate 58. |
| A.F.F. et J.A.G phot. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 51

PLATE 51
Stylonurus myops Clarke Page 300 See plates 52–53
| 1–5 | Very young (nepionic) stages showing broad rimmed carapace with enormous ocular nodes with suboval visual areas, and but few segments. × 30 |
| 6 | A nepionic individual showing a very large median plate corresponding in form to the metastoma. × 15 |
| 7–13 | Later (neanic) stages showing the gradual change into the mature form of carapace, the gradual decrease of the size of the eyes and the appearance of the ornamentation [compare next plate]. Figures 7 and 11, × 5; figures 8, 9, 10, 12, 13, × 3 |
| 14 | A carapace with mature characters. Natural size Horizon and locality. Shawangunk grit. Otisville, Orange co., N. Y. |
The originals are in the State Museum
| Memoir 14. N.Y.State Museum. | Plate 51. |
| G.S.Barkentin del. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 54

PLATE 54
Stylonurus (Drepanopterus) longicaudatus nov. Page 316 See plates 25, 55, 56
| 1 | Restoration of dorsal aspect |
| Memoir 14. N.Y.State Museum. | Plate 54. |
| G.S.Barkentin del. | J.B.Lyon Co. State Printer. |
# The Eurypterida of New York/Volume 2/Explanations of plates/Plate 50

PLATE 50
Stylonurus cestrotus Clarke Page 286 See plate 49
| 1 | Carapace showing distinctly the extent of the visual areas which are broken out, and the ocellar mound. × 3 |
| 2 | Carapace showing the frontal tumescence and large ocellar mound. × 3 |
| 3 | Carapace showing surface ornamentation. The doublure has become separated on the left side. × 3 |
| 4, | 5, 6 Carapaces illustrating the great variation in outline due to different directions of compression. × 3 |
| 7 | Portion of a grooved leg, probably belonging to this species. Natural size Horizon and locality. Shawangunk grit. Otisville, Orange co., N. Y. |
Stylonurus sp.
| 8 | Fragment of leg, probably referable to Stylonurus, subgenus Ctenopterus. × 3 Horizon and locality. Shawangunk grit. Otisville, Orange, co., N. Y. |
Stylonurus multispinosus nov. Page 297
| 9 | Distal portion of leg. Natural size |
| 10 | Group of first and third endognathites, and a sternite Horizon and locality. Pittsford shale. Pittsford, Monroe co., N. Y. |
The originals of all figures are in the State Museum
| Memoir 14. N. Y. State Museum. | Plate 50. |
| G S Barkentin del | J B Lyon Co State Printer |