# The Gentle Water Bird

First published in The Sydney Morning Herald, 10 April 1926, p11
Dedication: For Mary Gilmore
In the far days, when every day was long, Fear was upon me and the fear was strong, Ere I had learned the recompense of song.
In the dim days I trembled, for I knew God was above me, always frowning through, And God was terrible and thunder-blue.
Creeds the discoloured awed my opening mind, Perils, perplexities—what could I find?— All the old terror waiting on mankind.
Even the gentle flowers of white and cream, The rainbow with its treasury of dream, Trembled because of God's ungracious scheme.
And in the night the many stars would say Dark things unaltered in the light of day; Fear was upon me ever in my play.
There was a lake I loved in gentle rain; One day there fell a bird, a courtly crane; Wisely he walked, as one who knows of pain.
Gracious he was and lofty as a king; Silent he was, and yet he seemed to sing Always of little children and the Spring.
God? Did he know him? It was far he flew- God was not terrible and thunder-blue; —It was a gentle water-bird I knew.
Pity was in him for the weak and strong, All who have suffered when the days were long, And he was deep and gentle as a song.
As a calm soldier in a cloak of grey He did commune with me for many a day Till the dark fear was lifted far away.
Sober-apparelled, yet he caught the glow; Always of heaven would he speak, and low, And he did tell me where the wishes go.
Kinsfolk of his it was who long before Came from the mist (and no one knows the shore) Came with the little children to the door.
Was he less wise than those birds long ago Who flew from God (He surely willed it so) Bearing great happiness to all below?
Long have I learned that all his speech was true: I cannot reason it—how far he flew God is not terrible nor thunder-blue.
Sometimes, when watching in the white sunshine, Someone approaches—I can half define All the calm beauty of that friend of mine.
Nothing of hatred will about him cling, Silent—how silent—but his heart will sing Always of little children and the Spring.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse