OpenLLM-France/wikimedia huggingface dataset:
# The Gardener (Tagore)/16

Hands cling to hands and eyes linger on eyes: thus begins the record of our hearts. It is the moonlight night of March; the sweet smell of henna is in the air; my flute lies on the earth neglected and your garland of flowers is unfinished. This love between you and me is simple as a song. Your veil of saffron color makes my eyes drunk. The jasmine wreath that you wove thrills to my heart like praise. It is a game of giving and with-holding, revealing and screening again; some smiles and some little shyness, and some sweet useless struggles. This love between you and me is simple as a song. No mystery beyond the present; no striving for the impossible; no shadow behind the charm; no groping in the depth of the dark. This love between you and me is simple as a song
We do not stray out of all words into the ever silent; we do not raise our hands to the void for things beyond hope. It is enough what we give and we get. We have not crushed the joy to the utmost to wring from it the wine of pain. This love between you and me is simple as a song.
# The Gardener (Tagore)/17

The yellow bird sings in its tree and makes my heart dance with gladness. We both live in the same village, and that is our one piece of joy. Her pair of pet lambs come to graze in the shade of our garden trees. If they stray into our barley field, I take them up in my arms. The name of our village is Khanjana, and Anjana they call our river. My name is known to all the village, and her name is Ranjana.
Only one field lies between us. Bees that have hived in our grove go to seek honey in theirs. Flowers launched from their landing stairs come floating by the stream where we bathe. Baskets of dried kusum flowers come from their fields into our market. The name of our village is Khanjana, and Anjana they call our river. My name is known to all the village, and her name is Ranjana.
The lane that winds to their house is fragrant in the spring with mango flowers. When their linseed is ripe for harvest the hemp is in bloom in our field. The stars that smile on their cottage send us the same twinkling look. The rain that floods their tank makes glad our kadam forest. The name of our village is Khanjana, and Anjana they call our river. My name is known to all the village, and her name is Ranjana.
# The Gardener (Tagore)/22

When she passed by me with quick steps, the end of her skirt touched me. From the unknown island of a heart came a sudden warm breath of spring. A flutter of a flitting touch brushed me and vanished in a moment, like a torn flower petal blown in the breeze. It fell upon my heart like a sigh of her body and whisper of her heart.
# The Gall Wasp Genus Cynips: A Study in the Origin of Species/Nomenclatorial Data

NOMENCLATORIAL DATA
New subgenera: :
| | Antron Besbicus Atrusca | Antron Besbicus Atrusca |
| New species and varieties: |||
| | Cynips folii atrifolii C. longiventris forsiusi C. divisa atridivisa C. echinus vicina form vicina C. echinus vicina form incepta C. echinus dumosae C. echinus mista C. echinus schulthessae form schulthessae C. echinus schulthessae form atrata C. teres hildebrandae C. multipunctata indicta C. multipunctata conspicua C. maculosa tritior C. mirabilis leachii C. fulvicollis rubricosa C. fulvicollis vorisi C. fulvicollis major C. fulvicollis canadensis C. dugèsi simulatrix C. dugèsi pupoides C. bella congesta C. bella vanescens C. centricola clivorum C. centricola strians | C. arida C. mellea compta C. mellea anceps C. mellea bifurca C. mellea litigans C. mellea concolor C. mellea crassior C. mellea albicolens C. conica C. nubila russa C. villosa expositor C. villosa apache C. villosa calvescens C. villosa consocians C. gemmula cruenta C. gemmula fuscata C. gemmula suspecta C. pezomachoides cincturata C. pezomachoides ozark C. pezomachoides wheeleri C. pezomachoides derivatus C. pezomachoides advena C. hirta packorum C. hirta obtrectans C. hirta opima C. hirta scelesta |
| New names |||
| | C. folii ilicicola for Dryophanta ilicis Kieffer C. longiventris longiventris form substituta for Spathegaster similis Adler C. teres clavuloides for Dryophanta clavula Beutenmüller C. pezomachoides echinoides for Acraspis echini Ashmead C. hirta macrescens for Acraspis macrocarpae Bassett |
New synonomy :
| Cynips folii folii form folii Linnaeus | Cynips folii folii form folii Linnaeus |
| | (= Diplolepis quercus Fourcroy) |
| Cynips fulvicollis fulvicollis form fulvicollis (Fitch) |
| | (= Philonix nigricollis Fitch) |
| | (= Philonix niger Gillette) |
| | (= Philonix gillettei Bassett) |
# The Gall Wasp Genus Cynips: A Study in the Origin of Species/Part I. The Origin of Species

The Gall Wasp Genus Cynips
Among the diverse aspects of the so-called species problem, there is none that has received more unsatisfactory treatment than the study of species. The data of morphology and paleontology have given us information on the origin of orders and classes and phyla, and the geneticists and cytologists have contributed a brilliant interpretation of the mechanism which accounts for the similarities and, ipso facto, for the differences between individuals of successive generations; but comparative studies of species, first-hand contacts in the field with thousands of individuals of hundreds of related species, the careful examination of these individuals with .modern laboratory facilities, and the correlation of such studies with the findings of genetics, cytology, and the other sciences—in short, the thoro taxonomic study of species has only occasionally been accomplished.
Our present account of the gall wasp genus Cynips is offered as an intensive study of 93 species of a phylogenetically natural group. It has been possible to translate so much of the story because the genus is a highly specialized unit of such recent (Oligocene or Miocene) origin that there are no serious gaps in the record as we find it today. The galls produced by these wasps are direct measures of one of the physiologic capacities of the insects, and thus afford an opportunity for the study of physiologic as well as morphologic variation within the group. The precise restriction of each species to particular hosts gives us an opportunity to analyze the relation of isolation to the origin of species, and the relatively poor means of locomotion of most of the gall wasps accounts for considerable geographic variation with its further emphasis on isolation. The existence of 42 subapterous forms in the genus has afforded an unexpected opportunity to show the relation of mutation to the origin of species. All of these items contribute to the utility of these insects for the study of the general problem of evolution. Whether species in the genus Cynips present a fair picture of species in general can ​be determined only from further studies on other gall wasp genera and upon organisms of many diverse groups; but meanwhile we offer our data as illustrative of possibilities in the taxonomic method, and as a body of observations leading to what would seem to be unmistakable conclusions on the origin of species in this particular genus.
# The Game of Go (annotated)/Preface

This book is intended as a practical guide to the game of Go. It is especially designed to assist students of the game who have acquired a smattering of it in some way and who wish to investigate it further at their leisure.
As far as I know there is no work in the English language on the game of Go as played in Japan. There is an article on the Chinese game by Z. Volpicelli, in Vol. XXVI of the “Journal of the China Branch of the Royal Asiatic Society.” This article I have not consulted. There is also a short description of the Japanese game in a work on “Korean Games with Notes on the Corresponding Games of China and Japan,” by Stewart Culin, but this description would be of little practical use in learning to play the game.
There is, however, an exhaustive treatise on the game in German by O. Korschelt. This can be found in Parts 21–24 of the “Mittheilungen der deutschen Gesellschaft für Natur- und Völkerkunde Ostasiens.” The student could readily learn the game from Herr Korschelt's article if it were available, but his work has not been translated, and it is obtainable only in a few libraries in this country. In the preparation of this book I have borrowed freely from Herr Korschelt's work, especially in the chapter devoted to the history of the game, and I have also adopted many of his illustrative games and problems.
Herr Korschelt was an excellent player, and acquired ​his knowledge of the game from Murase Shuho, who was the best player in Japan at the time his article was written (about 1880).
My acquaintance with the game has been acquired from Mr. Mokichi Nakamura, a Japanese resident of this country, who is an excellent player, and whose enthusiasm for the game led me to attempt this book. Mr. Nakamura has also supplied much of the material which I have used in it. Toward the end I have had the expert assistance of Mr. Jihei Hashiguchi, with whom readers of the New York Sun are already acquainted.
Wherever possible I have given the Japanese words and phrases which are used in playing the game, and for those who are not familiar with the system of writing Japanese with Roman characters, I may say that the consonants have the sounds used in English, and the vowels the sounds that are used in Italian, all the final vowels being sounded. Thus, “dame” is pronounced as though spelled “dahmay.”
New York, April, 1908.
# The Gentle Robber

* "The Gentle Robber", in McClure's Magazine Volume 29, May 1907.
* "The Gentle Robber" in The Princess Pourquoi, 1907
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The End of the 19th Century

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A curse?… But only savages in pain abuse their god that’s hiding in the air. An irony?… but how can you compare most dreadful scorns with every day’s disdain?
Contempt?… but only fools despise the weight that is too heavy for their feeble arms. Despair?… so hearing danger’s grim alarms just like a scorpion we end our fate?
Struggle?… but how an ant succeed in strife when thrust upon a rail before the train? Resignation?… but can there be less pain when we acquiesce to the butcher’s knife?
The future life?… The stars who can explore, and who can guess the ending of the world? Joy?… but at the bottom of our souls lie furled, those thoughts that mid enjoyment cry for more.
So what is left? In all the faiths of yore we find no comfort. Things for us are clear. What is your shield against the evil’s spear, man of the fin-de-siècle?… He spoke no more.
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# The End of the World

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The End of the World, a poem by Dora Sigerson Shorter
* The End of the World, a work by Joseph McCabe
* The End of the World, a prose poem by Ivan Turgenev
* The End of the World, a novel by Edward Eggleston
# The Endeavour Journal of Sir Joseph Banks

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Journal of Sir Joseph Banks, written while on board the HM Bark Endeavour.
* August 1768
* September 1768
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* January 1769
* February 1769
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* Manners and customs of South Sea Islands. 1769 (appeared after 14 August 1769)
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* Account of New Zealand
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* Some account of that part of New Holland now called New South Wales (appeared after 26 August 1770)
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* Accounts of Savu and islands near Savu
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* Some account of Batavia
* January 1771
* Some account of Princes Island
* Specimens of language
* February 1771
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* Some account of the Cape of Good Hope
* May 1771
* Some account of St. Helena
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* July 1771
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
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This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The End (Owen)

After the blast of lightning from the east, The flourish of loud clouds, the Chariot Throne; After the drums of time have rolled and ceased, And by the bronze west long retreat is blown, Shall Life renew these bodies? Of a truth, All death will he annul, all tears assuage? Or fill these void veins full again with youth, And wash, with an immortal water, age?
When I do ask white Age, he saith not so: 'My head hangs weighed with snow.' And when I hearken to the Earth, she saith: 'My fiery heart shrinks, aching. It is death. Mine ancient scars shall not be glorified, Nor my titanic tears, the seas, be dried.'
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The End of the World (Shorter)

“Even the silent lips and comforting calm face…”
* Shorter, Dora Sigerson (1893), "The End of the World" in Verses
* Shorter, Dora Sigerson (1907), "The End of the World" in The Collected Poems of Dora Sigerson Shorter
# The End of Autumn

See, the storks and eke the swallows, of our roofs and eaves the guests,
Fearful of the days that threaten now have vanished from their nests;
And the cranes with flapping pinions ranked in orderly array,
Unheeding vain regrets are flying to the southward far away.
Now the fields are brown and barren that were erst so gaily green,
And the forests, wreath'd in vapour, bear a rusty look, I ween,
While along the woodland bye-paths tawny wind-tossed leaflets roll
Like the mournful cast-off fancies of a sorrow - stricken soul.
Looming up from ev'ry quarter, black ice - laden clouds arise,
Like the dragons of the legend tearing through the gloomy skies.
Hidden is the kindly sunlight ; and, with wheeling flight on high,
Sails a flock of carrion-corbies, hoarsely croaking as they fly.
Short the days; grim Winter nears us, riding on the Northern blast;
In the chimney howls the storm-cry, while the children sit aghast;
Oxen bellow, horses whinny; dogs of barking never tire,
And the weary peasants, shiv'ring, huddle closely round the fire.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Endangered Species Act

Presidential memorandum issued on 3 March 2009.
Administration of Barack Obama, 2009
March 3, 2009
By the President of the United States of America
A Memorandum
Subject: The Endangered Species Act
Memorandum for the Heads of Executive Departments and Agencies
The Endangered Species Act (ESA), 16 U.S.C. 1531 et seq., reflects one of the Nation's profound commitments. Pursuant to that Act, the Federal Government has long required a process of broad interagency consultation to ensure the application of scientific and technical expertise to decisions that may affect threatened or endangered species. Under that interagency process, executive departments and agencies (agencies) contemplating an action that may affect endangered or threatened species have long been required, except in certain limited circumstances, to consult with, and in some circumstances obtain the prior written concurrence of, the Fish and Wildlife Service (FWS) and/or the National Marine Fisheries Service (NMFS)-- the expert agencies that have the primary responsibility to ensure that the ESA is implemented in accordance with the law.
On December 16, 2008, the Departments of the Interior and Commerce issued a joint regulation that modified these longstanding requirements. See 73 Fed. Reg. 76272. This new regulation expands the circumstances in which an agency may determine not to consult with, or obtain the written concurrence of, the FWS or NMFS prior to undertaking an action that may affect threatened or endangered species. But under the new regulation, agencies may continue the previous practice of consulting with, and obtaining the written concurrence of, the FWS and NMFS as a matter of discretion.
I hereby request the Secretaries of the Interior and Commerce to review the regulation issued on December16, 2008, and to determine whether to undertake new rulemaking procedures with respect to consultative and concurrence processes that will promote the purposes of the ESA.
Until such review is completed, I request the heads of all agencies to exercise their discretion, under the new regulation, to follow the prior longstanding consultation and concurrence practices involving the FWS and NMFS.
This memorandum is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person. Agencies shall carry out the provisions of this memorandum to the extent permitted by law and consistent with statutory authorities.
The Secretary of the Interior is hereby authorized and directed to publish this memorandum in the Federal Register.
    Barack Obama
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# The Glorious Southern Victories!/Fredericksburg

FREDERICKSBURG.
W. F. W.
Eighteen hundred and sixty-two— That is the number of wounded men Who, if the telegraph’s tale be true, Reached Washington City but yester e’en
And it is but a handful, the telegrams add, To those who are coming by boats and by cars; Weary and wounded, dying and sad; Covered—but only in front—with scars.
Some are wounded by Minié shot, Others are torn by the hissing shell, As it burst upon them as fierce and as hot As a demon spawned in a traitor’s hell,
Some are pierce by the sharp bayonet, Others are crushed by the horses’ hoof; Or fell ’neath the shower of iron which met Them as hail beats down on an open roof.
Shall I tell what they did to meat this fate? Why was this living death their doom— Why did they fall to this piteous state ’Neath the rifle’s crack and the cannon’s boom?
Orders arrived, and the river they crossed— Built the bridge in the enemy’s face— No matter how many were shot and lost, And floated—sad corpses—away from the place.
Orders they heard, and they scaled the height, Climbing right “into the jaws of death”; Each man grasping his rifle piece tight— Scarcely pausing to draw his breath.
Sudden flashed on them a sheet of flame From hidden fence and from ambuscade; A moment more—(they say this is fame)— A thousand dead men on the grass were laid.
Fifteen thousand in wounded and killed, At least, is “our loss” the newspapers say, This loss to our army must surely be filled Against another great battle day.
“Our loss!” Whose loss? Let demagogues say That the Cabinet, President, all are in wrong. What do the orphans and widows pray? What is the burden of their sad song?
’Tis their loss! but the tears in their weeping eyes Hide Cabinet, President, Generals—all; And they only can see a cold form that liest On the hillside slope, by that fatal wall.
They cannot discriminate men or means— They. only demand that this blundering cease, In their frenzied grief they would end such scenes Though that end be—even with traitors—peace.
Is Thy face from Thy people turned, Oh! God? Is thy arm for the Nation no longer strong? We cry from our homes—the dead cry from the sod How long! oh, our righteous God, how long?
# The Glorious Southern Victories!

THE GLORIOUS SOUTHERN VICTORIES!
Of “Bull’s Run,” the 18th; and Manasseh, the 21st July, 1861.
A warning to all such fanatics as
LINCOLN, GREELEY & CO.,
* The Glorious Southern Victories!
* Fredericksburg
* When This War Shall End
This work was published in 1863 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 160 years or less since publication.
Public domainPublic domainfalsefalse
# The Glimpses of the Moon/front matter

By EDITH WHARTON
THE GLIMPSES OF THE MOON THE AGE OF INNOCENCE SUMMER THE REEF THE MARNE FRENCH WAYS AND THEIR MEANING
# The Glories of the Bhagavad Gita (Telang translation)

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The Sacred Books of the East, Volume 8, 1882.

### Contents

* Introduction
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18

### See also

* Sacred Texts
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The English and Scottish Popular Ballads/Part 6/Chapter 183

A
'TURN, Willie Macintosh, Turn, I bid you; Gin ye burn Auchindown, Huntly will head you.' 'Head me or hang me, That canna fley me; I'll burn Auchendown Ere the life lea me.' Coming down Deeside, In a clear morning, Auchindown was in flame, Ere the cock-crawing. But coming oer Cairn Croom, And looking down, man, I saw Willie Macintosh Burn Auchindown, man, 'Bonny Willie Macintosh, Whare left ye your men?' 'I left them in the Stapler, But they'll never come hame.' 'Bonny Willie Macintosh, Whare now is your men?' 'I left them in the Stapler, Sleeping in their sheen.'
B
AS I came in by Fiddich-side, In a May morning, I met Willie Mackintosh, An hour before the dawning. 'Turn again, turn again, Turn again, I bid ye; If ye burn Auchindown, Huntly he will head ye.' 'Head me, hang me, That sall never fear me; I'll burn Auchindown Before the life leaves me.' As I came in by Auchindown, In a may morning, Auchindown was in a bleeze, An hour before the dawning.
Crawing, crawing, For my crowse crawing, I lost the best feather i my wing For my crowse crawing.