OpenLLM-France/wikimedia huggingface dataset:
# First Lessons in the Tie-chiw Dialect/Classes of Men
## CLASSES OF MEN.
### First class

    上品
       Siang pin

### Middle class

    中品
       Tong pin

### Lower class

    下品
       Hia pin

### Husband-men

    農夫
       Long hu

### Hunters

    獵人
       Lă jin

### Physicians

    醫生
       Ui seng

### Merchants

    商人
       Siang jin

### Fishermen

    漁人
       Hŭr jin

### Soldiers

    兵丁
       Pier teng

### Executioners

    殺手
       Suă siw

### Beggars

    乞食
       Khŭrt chiă

### Thieves

    賊子
       Chăt kia

### Gamblers

    賭棍
       Tu kun

### Jailers

    禁止
       Kim chi

### Players

    戲子
       Hi kia

### Slaves

    奴僕
       Nou pok

### Pettifoggers

    訟師
       Song sŭr

### Priests

    和尙
       Huey sie

### Old men

    老人
       Laou nang

### A sage

    聖人
       Sia nang

### A worthy

    賢人
       Hien jin

### Excellent man

    君子
       Kun chŭr

### Just man

    義士
       Gñi sŭr

### Philanthropist

    仁人
       Jin nang

### Virtuous man

    善人
       Sien nang

### Good man

    好人
       Haw nang

### Vicious man

    獃人
       Pai nang

### Bad man

    惡人
       Ak nang

### A hero

    英人
       Eng jin

### A teacher

    先生
       Sin sey

### Literary man

    文人
       Bun jin

### A scholar

    文學
       Bun ŏ

### Civil officer

    文官
       Bun kua

### Military officer

    武官
       Bu kua

### A general

    武將
       Bu chiang

### A sailor

    水手
       Chiu siw

### Super cargo

    船主
       Chun chu

### Sailing-master

    夥長
       Huey tie

### A clerk

    財副
       Chai hu
# First Lessons in the Tie-chiw Dialect/Days of the week
## DAYS OF THE WEEK.
### Sunday

    禮拜
       Loi pai

### Monday

    拜一
       Pai it

### Tuesday

    拜二
       Pai ji

### Wednesday

    拜三
       Pai sa

### Thursday

    拜四
       Pai si

### Friday

    拜五
       Pai gñou

### Saturday

    拜六
       Pai lak
# First Lessons in the Tie-chiw Dialect/Chinese Books
## STYLE, CHINESE BOOKS &c.
### Style

    文理
       Bun li

### Ancient literature

    古文
       Kou bun

### Classics

    經書
       Kia chŭr

### Ancient poetry

    古詩
       Kou si

### Modern literature

    時文
       Si bun

### Fine writing

    文章
       Bun chie

### Historical

    傳志
       Tŭng chi

### Five classics

    五經
       Gñou kia

### Diagrams

    一經
       Yiă-kia

### Ancient history

    書經
       Chŭr-kia

### Sacred odes

    詩經
       Si-kia

### Laws & usages

    禮記
       Loi-ki

### Annals by, C.

    春秋
       Chun-chiw

### Four books

    四書
       Si-su

### Great science

    大學
       Tai-hăk

### Discourses, by C.

    論語
       Lun-gŭr

### Mencius

    孟子
       Meng-chŭr

### Golden medium

    中庸
       Tong-yong

### Filial piety

    孝經
       Haou-kia
# First Lessons in the Tie-chiw Dialect/Boating
## BOATING.
### Large boat

    大船
       Toa chun

### Small boat

    船子
       Chun kia

### Oars

    槳
       Chìe

### Paddles

    橈子
       Jie kia

### Mat

    草蓆
       Chaou chiĕ

### Cushion

    皮坐
       Poe chaw

### To row

    櫂船
       Pey chun

### To steer

    掠尾
       Diă boe

### Work fast

    出力
       Chut lat

### Dip out the water

    舀水
       Ie chui

### The boat rocks

    船搖
       Chun ie

### Boat cover

    弓蓬
       Keng pang

### The boat leaks

    船漏
       Chun laou

### Repair the boat

    收船
       Siw chun

### Lock the boat

    鎖丨
       Saw chun

### Lock theWatch boatdo.

    掌丨
       Chie chun

### Lock theSink boatdo.

    沉丨
       Tim chun

### Lock theSteal boatdo.

    偷丨
       Thaou chun

### Lock theBorrow boatdo.

    借丨
       Chiĕ chun
# First Lessons in the Tie-chiw Dialect/Days of the month
## DAYS OF THE MONTH.
### 1st

    初一
       Chiw it

### 2nd

    初二
       Chiw ji

### 3nd

    初三
       Chiw sa

### 4th

    初四
       Chiw si

### 5th

    初五
       Chiw gñou

### 6th

    初六
       Chiw lak

### 7th

    初七
       Chiw chĭt

### 8th

    初八
       Chiw poĭ

### 9th

    初九
       Chiw kaou

### 10th

    初十
       Chiw chap

### 11th

    十一
       Chap it

### 15th

    十五
       Chap gñou

### 17th

    十七
       Chap chĭt

### 19th

    十九
       Chap kaou

### 20th

    二十
       Ji chap

### 21st

    二一
       Ji it

### 22nd

    二二
       Ji ji

### 25th

    二五
       Ji gñou

### 30th

    三十
       Sa chap
# First Lessons in the Tie-chiw Dialect/Animals
## ANIMALS &c.
### Animals

    牲畜
       Sèng tʼiok

### Horse

    馬
       Bèy

### Ox

    牛
       Gu

### Sheep

    羊
       Ie

### Ass

    驢
       Lŭr

### Hog

    猪
       Tŭr

### Camel

    駝
       Tʼhŏ

### Dog

    狗
       Kaou

### Cat

    貓
       Gniou

### Kitten

    貓子
       Gniou kia

### Stallion

    馬牯
       Bèy kʼho

### Mare

    馬母
       Bèy baw

### Bull

    牛牯
       Gu kʼho

### Cow

    牛母
       Gu baw

### Ram

    羊牯
       Ie kʼho

### Ewe

    羊母
       Ie baw

### Colt

    馬子
       Bèy kia

### Calf

    牛子
       Gu kia

### Pig

    猪子
       Tŭr kia

### Wild beasts

    獸
       Siw

### Lion

    獅剛
       Sai kang

### Lioness

    獅母
       Sai baw

### Tiger

    虎
       Hʼñou

### Bear

    熊
       Him

### Elephant

    象
       Cʼhiè

### Leopard

    豹
       Pa

### Wolf

    豺狼
       Chai lang

### Rhinoceros

    𫵠㐄
       Sai gu

### Deer

    鹿
       Tĕk

### Fox

    狐狸
       Hu lai

### Rat

    老鼠
       Niou chŭr

### Rabbit

    石鼠
       Chiĕ chŭr
# First Lessons in the Tie-chiw Dialect/Birds
## BIRDS &c.
### Birds

    鳥
       Chiou

### Crow

    烏鳥
       Ou chiou

### Sparrow

    雀鳥
       Maw chiă

### Cuckoo

    鳩鳥
       Ku ku

### Owl

    貓頭鳥
       Gñiou taou chiou

### Parrot

    鸚𤔄
       Eng kaw

### Eagle

    鷹
       Eng

### King fisher

    魚鴉
       Hŭr ah

### Quail

    鵪鶉
       An chun

### Vulture

    死人鳥
       Si nang chʼou

### Ostrich

    駝鳥
       Tŏ chiou

### Peacock

    孔雀
       Kong chiĕk

### Pheasant

    山鷄
       Sua koi

### Pigeon

    鴒鳥
       Hun chiou

### Partridge

    鷓鴣
       Chiă kou

### Wild duck

    水鴨
       Chui ăh

### Pelican

    海鵝
       Hai gaw

### Turkey

    火鷄
       Hue koi

### Goose

    鵝
       Gaw

### Duck

    鴨
       ăh

### Fowl

    雞
       Koi

### Chicken

    雞子
       Koi kia

### Cock

    雞翁
       Koi ang

### Drake

    鴨翁
       ăh kang

### Hen

    鷄母
       Koi baw

### Pullet

    鷄旦
       Koi noa
# First Lessons in the Tie-chiw Dialect/Buildings
## BUILDINGS &c.
### House

    厝
       Chu

### Bambu house

    竹厝
       Tek chu

### Board house

    枋厝
       Pang chu

### Brick house

    塗庫
       Tou khou

### Prison

    監
       Kam

### Wat

    𥦩
       Am

### Temple

    廟
       Bie

### Zayat

    經㕔
       Keng tia

### Church

    禮拜堂
       Loi pai tung

### Pagoda

    㙮
       Thă

### Palace

    王府
       Wang hu

### Hut

    寮子
       Liou kia

### Cook house

    火食
       Hue sit

### Godown

    樓底
       Laou toi

### Granary

    倉
       Chŭng

### Treasury

    庫
       Khou

### Fort

    炮臺
       Phaou tai

### Floating house

    水桴
       Chui pey

### Printing office

    印書舘
       In chŭr kuan

### Store room

    棧
       Chan

### Stall

    牛寮
       Gu liou

### Brick

    磚
       Chŭng

### Tile

    瓦
       Hia

### Chak

    笮
       Chak

### Lime

    灰
       Hue

### Sand

    沙
       Sua

### Stone

    石
       Chiĕ

### Rattan

    籐
       Tin

### Nails

    鐵釘
       Tĭ teng

### Board

    枋
       Pang

### Beam

    横載
       Huey chai

### Post

    柱
       Tiou

### Brace

    抵
       Tu

### Rafters

    桷
       Kak

### Wall

    𫮰
       Chie

### Partition

    壁
       Piăh

### Corner

    四角
       Si kak

### Roof

    厝頂
       Chu teng

### Stairs

    梯頭
       Tui taou

### Verandah

    廊
       Lang

### Room

    房
       Pang

### Chamber

    樓頂
       Laou teng

### Loft

    層
       Chan

### Door

    門
       Mŭng

### Window

    窻
       Teng

### Lock

    鎖頭
       Saw taou

### Key

    鎖匙
       Saw si

### Railing

    欄杆
       Lan kan

### Slats

    欄杆枳
       Lan kan chi

### Hinges

    鉸鉞
       Ka sut

### Rings

    門𤨔
       Mŭng huan
# Flint and Feather (1914)/Part 2/At Half-Mast

AT HALF-MAST
You didn't know Billy, did you? Well, Bill was one of the boys, The greatest fellow you ever seen to racket an' raise a noise,— An' sing! say, you never heard singing 'nless you heard Billy sing. I used to say to him, "Billy, that voice that you've got there'd bring A mighty sight more bank-notes to tuck away in your vest, If only you'd go on the concert stage instead of a-ranchin' West." An' Billy he'd jist go laughin', and say as I didn't know A robin's whistle in springtime from a barnyard rooster's crow. But Billy could sing, an' I sometimes think that voice lives anyhow,— That perhaps Bill helps with the music in the place he's gone to now.
The last time that I seen him was the day he rode away; He was goin' acrost the plain to catch the train for the East next day.
'Twas the only time I ever seen poor Bill that he didn't laugh Or sing, an' kick up a rumpus an' racket around, and chaff, For he'd got a letter from his folks that said for to hurry home, For his mother was dyin' away down East an' she wanted Bill to come. Say, but the feller took it hard, but he saddled up right away, An' started across the plains to take the train for the East, next day. Sometimes I lie awake a-nights jist a-thinkin' of the rest, For that was the great big blizzard day, when the wind come down from west, An' the snow piled up like mountains an' we couldn't put foot outside, But jist set into the shack an' talked of Bill on his lonely ride. We talked of the laugh he threw us as he went at the break o' day, An' we talked of the poor old woman dyin' a thousand mile away.
Well, Dan O'Connell an' I went out to search at the end of the week, Fer all of us fellers thought a lot,—a lot that we darsn't speak. We'd been up the trail about forty mile, an' was talkin' of turnin' back,
But Dan, well, he wouldn't give in, so we kep' right on to the railroad track. As soon as we sighted them telegraph wires says Dan, "Say, bless my soul! Ain't that there Bill's red handkerchief tied half way up that pole?" Yes, sir, there she was, with her ends a-flippin' an' flyin' in the wind, An' underneath was the envelope of Bill's letter tightly pinned. "Why, he must a-boarded the train right here," says Dan, but I kinder knew That underneath them snowdrifts we would find a thing or two; Fer he'd writ on that there paper, "Been lost fer hours,—all hope is past. You'll find me, boys, where my handkerchief is flyin' at half-mast."
# Flint and Feather (1914)/Part 1/Workworn

WORKWORN
Across the street, an humble woman lives; To her 'tis little fortune ever gives; Denied the wines of life, it puzzles me To know how she can laugh so cheerily. This morn I listened to her softly sing, And, marvelling what this effect could bring I looked: 'twas but the presence of a child Who passed her gate, and looking in, had smiled. But self-encrusted, I had failed to see The child had also looked and laughed to me. My lowly neighbour thought the smile God-sent, And singing, through the toilsome hours she went O! weary singer, I have learned the wrong Of taking gifts, and giving naught of song; I thought my blessings scant, my mercies few, Till I contrasted them with yours, and you; To-day I counted much, yet wished it more— While but a child's bright smile was all your store,
If I had thought of all the stormy days, That fill some lives that tread less favoured ways, How little sunshine through their shadows gleamed, My own dull life had much the brighter seemed; If I had thought of all the eyes that weep Through desolation, and still smiling keep,
That see so little pleasure, so much woe, My own had laughed more often long ago; If I had thought how leaden was the weight Adversity lays at my kinsman's gate, Of that great cross my next door neighbour bears, My thanks had been more frequent in my prayers; If I had watched the woman o'er the way, Workworn and old, who labours day by day, Who has no rest, no joy to call her own, My tasks, my heart, had much the lighter grown.
# Flint and Feather (1914)/Part 2/A Prodigal

A PRODIGAL
My heart forgot its God for love of you, And you forgot me, other loves to learn; Now through a wilderness of thorn and rue Back to my God I turn.
And just because my God forgets the past, And in forgetting does not ask to know Why I once left His arms for yours, at last Back to my God I go.
# Flint and Feather (1914)/Part 2/At Crow's Nest Pass

AT CROW'S NEST PASS
At Crow's Nest Pass the mountains rend Themselves apart, the rivers wend A lawless course about their feet, And breaking into torrents beat In useless fury where they blend At Crow's Nest Pass.
The nesting eagle, wise, discreet, Wings up the gorge's lone retreat And makes some barren crag her friend At Crow's Nest Pass.
Uncertain clouds, half-high, suspend Their shifting vapours, and contend With rocks that suffer not defeat; And snows, and suns, and mad winds meet To battle where the cliffs defend At Crow's Nest Pass.
# Flint and Feather (1914)/Part 2

Johnson's second collection of poetry, published in 1903 Warning: template has been deprecated.
CANADIAN BORN
The poems from page 81 to page 132 are as they appeared in the second book published by the Author.
Canadian Born
# Flint and Feather (1914)/Part 2/"Give us Barabbas"

"GIVE US BARABBAS"
There was a man—a Jew of kingly blood, But of the people—poor and lowly born, Accused of blasphemy of God, He stood Before the Roman Pilate, while in scorn The multitude demanded it was fit That one should suffer for the people, while Another be released, absolved, acquit, To live his life out virtuous or vile.
"Whom will ye have—Barabbas or this Jew?" Pilate made answer to the mob, "The choice Is yours; I wash my hands of this, and you, Do as you will." With one vast ribald voice The populace arose and, shrieking, cried, "Give us Barabbas, we condone his deeds!" And He of Nazareth was crucified— Misjudged, condemned, dishonoured for their needs.
And down these nineteen centuries anew Comes the hoarse-throated, brutalized refrain, "Give us Barabbas, crucify the Jew!" Once more a man must bear a nation's stain,—
And that in France, the chivalrous, whose lore Made her the flower of knightly age gone by. Now she lies hideous with a leprous sore No skill can cure—no pardon purify.
And an indignant world, transfixed with hate Of such disease, cries, as in Herod's time, Pointing its finger at her festering state, "Room for the leper, and her leprous crime!" And France, writhing from years of torment, cries Out in her anguish, "Let this Jew endure, Damned and disgraced, vicarious sacrifice. The honour of my army is secure."
And, vampire-like, that army sucks the blood From out a martyr's veins, and strips his crown Of honour from him, and his herohood Flings in the dust, and cuts his manhood down. Hide from your God, O! ye that did this act! With lesser crimes the halls of Hell are paved. Your army's honour may be still intact, Unstained, unsoiled, unspotted,—but unsaved.
# Flint and Feather (1914)/Part 2/"Through Time and Bitter Distance"

"THROUGH TIME AND BITTER DISTANCE"
Unknown to you, I walk the cheerless shore. The cutting blast, the hurl of biting brine May freeze, and still, and bind the waves at war, Ere you will ever know, O! Heart of mine, That I have sought, reflected in the blue Of these sea depths, some shadow of your eyes; Have hoped the laughing waves would sing of you, But this is all my starving sight descries—
I
Bends to the freshening breeze, Yields to the rising gale That sweeps the seas;
II
To saltish waves that fling Their spray, whose rime and frost Like crystals cling
III
Till, gleaming like a gem, She sinks beyond the far Horizon's hem.
IV
And nothing left to me Save an oncoming night,— An empty sea.
# Flint and Feather (1914)/Part 2/A Toast

A TOAST
There's wine in the cup, Vancouver, And there's warmth in my heart for you, While I drink to your health, your youth, and your wealth, And the things that you yet will do. In a vintage rare and olden, With a flavour fine and keen, Fill the glass to the edge, while I stand up to pledge My faith to my western queen.
Then here's a Ho! Vancouver, in wine of the bonniest hue, With a hand on my hip and the cup at my lip, And a love in my life for you. For you are a jolly good fellow, with a great, big heart, I know; So I drink this toast To the "Queen of the Coast." Vancouver, here's a Ho!
And here's to the days that are coming, And here's to the days that are gone, And here's to your gold and your spirit bold, And your luck that has held its own;
And here's to your hands so sturdy, And here's to your hearts so true, And here's to the speed of the day decreed That brings me again to you.
Then here's a Ho! Vancouver, in wine of the bonniest hue, With a hand on my hip and the cup at my lip, And a love in my life for you. For you are a jolly good fellow, with a great, big heart, I know; So I drink this toast To the "Queen of the Coast." Vancouver, here's a Ho!
# Executive Order 1380

more info.
Signed by President William H. Taft Wednesday, June 28, 1911
IV PCR 371, July 19, 1911
By virtue of the authority vested in me, the Chairman and Chief Engineer of the Isthmian Canal Commission is hereby authorized to execute revocable licenses for lots in town sites in the Canal Zone, either directly or through such agency as he may direct, such licenses to be revocable at the pleasure of the Chairman and Chief Engineer or such other executive officer as may be in charge in the Canal Zone, licensees to vacate and remove improvements at once without indemnity.
The White House, June 28, 1911.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Five old songs/This is no my ain house

THIS IS NO MINE AIN HOUSE.
O this is no mine ain house, I ken by the rigging o’t; Since wi’ my love I’ve chang’d vows, I dinna like the bigging o’t: For now that I’m young Robie’s bride, And mistress of his fireside, Mine ain house I like to guide, And please me wi’ the trigging o’t.
Then farweel to my father’s house, I gang where love invites me; The strictest duty this allows when love with honour meets me. When Hymen moulds us into ane, My Robie’s nearer than my kin, And to refuse him were a sin, Sae lang’s he kindly treats me.
When I am in mine ain house, true love shall be at hand ay, To make me still a prudent spouse, and let my man command ay; ​Avoiding ilka cause of strife, The common pest of married life, That makes ane weary of his wife, Breaks the common band ay.
# Five old songs/Celia and Damond

CELIA and DAMON.
A dawn of hope my soul revives, and banishes despair; If yet my dearest Damon lives, make him, ye gods your care. Dispel these gloomy shades of night, my tender grief remove; Oh! send some cheering ray of light, and guide me to my love. Thus, in a secret friendly shade, the pensive Celia mourn’d; While courteous Echo lent her aid, and sigh for sigh return’d. When sudden, Damon’s well-known face, each rising fear disarms: He, eager, springs to her embrace, she sinks into his arms.
# Filhiol v. Torney

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
194 U.S. 356
Filhiol v. Torney
Argued: April 25, 1904. --- Decided: May 16, 1904
Messrs. Branch K. Miller, James K. Jones, J. H. McGowan, and William F. Vilas for plaintiffs in error.
Solicitor General Hoyt and Messrs. Marsden C. Burch and Robert A. Howard for defendant in error.
Statement by Mr. Justice Brewer:
This was an action of ejectment, commenced in the circuit court of the United States for the eastern district of Arkansas, based upon the same title which was presented in Muse v. Arlington Hotel Co. 168 U.S. 430, 42 L. ed. 531, 18 Sup. Ct. Rep. 109, and Filhiol v. Maurice, 185 U.S. 108, 46 L. ed. 827, 22 Sup. Ct. Rep. 560. A demurrer to the complaint was sustained on the ground of want of jurisdiction, and a judgment entered for the defendant, and thereupon the case was brought directly to this court on writ of error.
Mr. Justice Brewer delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Filhiol v. Maurice

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
185 U.S. 108
Filhiol v. Maurice
Argued: March 5, 6, 1902. --- Decided: April 7, 1902
This was an action of ejectment brought by Hippolite Filhiol and others in the circuit court of the United States for the eastern district of Arkansas, against Charles E. Maurice, Charles G. Convers, and William G. Maurice, for the recovery of a parcel of land in the city of Hot Springs, Garland county, Arkansas, on the permanent reservation at Hot Springs described as Bath house sits No. 8, and for rent thereof as damages. Plaintiffs deraigned title as heirs at law of Don Juan Filhiol, to whom it was alleged the lands were granted February 22, 1788, by the then Spanish governor of the province of Louisiana, by virtue of which grant said Filhiol became the owner of a tract of 'about three miles square, embracing all the hot springs in the city of Hot Springs, Garland county, Arkansas,' and including the parcel of land for which plaintiffs brought suit. The complaint did not aver the citizenship of plaintiff or defendants, although the caption described plaintiffs as residents of several states other than Arkansas; but it was averred as follows: 'And for cause of action say that by the 5th Amendment of the Constitution of the United States and the 3d article of the treaty of the United States of America and the Republic of France, which was ratified on the 21st day of October, 1803, the United States undertook and agreed to maintain the said Don Juan Filhiol and his heirs in their right and title to the land in controversy and their full enjoyment of the same, but, in violation of the provisions of said treaty, and without due process of law, and in violation of the 5th Amendment of the Constitution of the United States, defendants did, without condemnation and without compensation to plaintiffs, on or about the 2d day of January, 1807, wrongfully and without right, oust the plaintiffs from the possession of the land in controversy, and for more than two years last past have held possession, and they now hold possession, of the land in controversy, wrongfully and without right, and they refuse to surrender possession of the same to plaintiffs.' Defendants demurred to the complaint, on the ground that its allegations did not 'constitute a cause of action.'
The circuit court sustained the demurrer, and, plaintiffs electing to stand on their complaint and declining to amend, the complaint was dismissed with costs. A writ of error directly from this court was then allowed.
Messrs. William F. Vilas, Clifford S. Walton, J. H. McGowan, and Branch K. Miller for plaintiffs in error.
Assistant Attorney General Pradt and Mr. George H. Gorman for defendants in error.
Mr. Chief Justice Fuller delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse