OpenLLM-France/wikimedia huggingface dataset:
# A Short Biographical Dictionary of English Literature/Tatham, John

​Tatham, John (fl. 1632-1664).—Dramatist. Little is known of him. He produced pageants for the Lord Mayor's show and some dramas, Love Crowns the End, The Distracted State, The Scots Figgaries, or a Knot of Knaves, The Rump, etc. He was a Cavalier, who hated the Puritans and the Scotch, and invented a dialect which he believed to be their vernacular tongue.
# A Nymph’s Passion

* "A Nymph’s Passion" (unsourced version)
* "Mutual Passion", in Sibylline Leaves (1817), by Samuel Taylor Coleridge
# A Note on Charlotte Brontë/List of Works

WORKS BY MR. SWINBURNE.
The Queen Mother and Rosamond. Fcp. 8vo. 5s.
Atalanta in Calydon. A New Edition. Crown 8vo. 6s.
Chastelard: A Tragedy. Fcp. 8vo. 7s
Poems and Ballads Fcp. 8vo. 9s
Notes on 'Poems and Ballads'. 8vo. 1s
William Blake. A Critical Essay. With Facsimile Paintings. Demy 8vo. 16s.
Songs before Sunrise. Crown 8vo. 10s. 6d.
Bothwell: A Tragedy. Two Vols. crown 8vo. 12s. 6d.
George Chapman. An Essay. Crown 8vo. 7s.
Songs of Two Nations. Crown 8vo. 6s.
Essays and Studies. Crown 8vo. 12s.
Erechtheus: A Tragedy. Crown 8vo. 6s.
Note of an English Republican on the Muscovite Crusade. 8vo. 1s.
CHATTO & WINDUS, Piccadilly, W.
# A Noiseless Patient Spider

A noiseless patient spider, I mark'd where on a little promontory it stood isolated, Mark'd how to explore the vacant, vast surrounding, It launched forth filament, filament, filament, out of itself. Ever unreeling them, ever tirelessly speeding them.
And you O my soul where you stand, Surrounded, detatched, in measureless oceans of space, Ceaselessly musing, venturing, throwing, seeking the spheres to connect them. Till the bridge you will need be form'd, till the ductile anchor hold, Till the gossamer thread you fling catch somewhere, O my soul.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Nymph’s Passion (Jonson)

I love, and he loves me again,  Yet dare I not tell who;  For if the nymphs should know my swain,  I fear they’d love him too;  Yet if he be not known,  The pleasure is as good as none, For that’s a narrow joy is but our own.
I’ll tell, that if they be not glad,  They may not envy me;  But then if I grow jealous mad  And of them pitied be,  It were a plague ’bove scorn;  And yet it cannot be forborne Unless my heart would, as my thought, be torn.
He is, if they can find him, fair  And fresh, and fragrant too,  As summer’s sky or purgéd air,  And looks as lilies do  That are this morning blown:  Yet, yet I doubt he is not known, And fear much more that more of him be shown.
But he hath eyes so round and bright,  As make away my doubt,  Where Love may all his torches light,  Though Hate had put them out;  But then t’ increase my fears  What nymph soe’er his voice but hears Will be my rival, though she have but ears.
I’ll tell no more, and yet I love,  And he loves me; yet no  One unbecoming thought doth move  From either heart I know:  But so exempt from blame  As it would be to each a fame, If love or fear would let me tell his name.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Nuevo México

State Poem of the U.S. State of New Mexico. It was written by in January, 1911, and it was declared to be the official state poem during the fortieth legislative session, January, 1991. The official version is in both Spanish - as it was originally written - and English.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Bell, Henry Thomas Mackenzie

See also Henry Thomas Mackenzie Bell on Wikipedia.
​Bell, Henry Thomas Mackenzie (1856).—Poet and critic. Spring's Immortality and other Poems, Christina Rossetti, Pictures of Travel and other Poems (1898), Collected Poems (1901).
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Benson, Arthur Christopher

See also A. C. Benson on Wikipedia.
​Benson, Arthur Christopher (1862).—Poet, biographer and essayist. Poems (1893), Lyrics (1895), The Professor and other Poems (1900), The House of Quiet (1903), Peace and other Poems (1905), Upton Letters (1905), From a College Window (1906), Beside Still Waters (1907), Poems (collected) (1909), books on Tennyson, Rossetti, E. Fitzgerald, Walter Pater, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Berenson, Bernhard

See also Bernard Berenson on Wikipedia.
​Berenson, Bernhard (1865).—Writer on art. Venetian Painters of the Renaissance (1894), Lorenzo Lotto, an Essay on Constructive Art Criticism (1895), Florentine Painters of the Renaissance (1896), Central Italian Painters of the Renaissance (1897), Study and Criticism of Italian Art (1901), North Italian Painters of the Renaissance, A Sienese Painter of the Franciscan Legend (1910), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Bennett, Enoch Arnold

See also Arnold Bennett on Wikipedia.
​Bennett, Enoch Arnold (1867).—Novelist, etc. A Man from the North (1898), Polite Farces (1899), Anna of the Five Towns (1902), A Great Man (1904), The Grim Smile of the Five Towns (1907), Buried Alive (1908), Old Wives' Tale (1908), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Birrell, Augustine, M.P., LL.D.

See also Augustine Birrell on Wikipedia.
​Birrell, Augustine, M.P., LL.D., (1850).—Essayist, etc. Obiter Dicta (1884), Res Judicatæ (1892), Men, Women, and Books (1894), Collected Essays (1900), Miscellanies (1901). Books on Charlotte Bronté, Hazlitt, etc. Ed. Boswell's Johnson (1907).
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Belloc, Hilaire

See also Hilaire Belloc on Wikipedia.
​Belloc, Hilaire (1870).—Miscellaneous writer. The Bad Child's Book of Beasts (1896), More Beasts for Worse Children (1897), The Moral Alphabet, Danton (1899), Lambkin's Remains (1900), Robespierre (1901), The Path to Rome (1902), Caliban's Guide to Letters (1903), Mr. Burden (1904), Esto Perpetua (1906), The Historic Thames (1907), A Change in the Cabinet (1909).
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Benson, Edward Frederic

See also E. F. Benson on Wikipedia.
​Benson, Edward Frederic (1867).—Novelist. Dodo (1893), Rubicon (1894), Judgment Books (1895), The Babe B.A. (1897), ​Vintage (1898), Scarlet and Hyssop (1902), Image in the Sand (1905). Plays, Aunt Jeannie (1902), House of Defence (1907), The Climber (1908), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Besant, Mrs. Anne

See also Annie Besant on Wikipedia.
​Besant, Mrs. Anne (1847).—Theosophist. Re-incarnation (1892), Death and After (1893), Karma (1895), The Self and its Sheaths (1895), Ancient Wisdom (1897), Dharma (1899), Esoteric Christianity (1901), Pedigree of Man (1903), Wisdom of the Upanishats (1906), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Berdoe, Edward

See also Edward Berdoe on Wikipedia.
​Berdoe, Edward (1836).—Writer on Browning, etc. Browning's Message to his Time (1890), Browning Cyclopædia (1891), Biographical and Historical Notes to Browning's Complete Works (1894), Browning and the Christian Faith (1896), A Browning Primer (1904), and various books on medicine, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Binyon, Laurence

See also Laurence Binyon on Wikipedia.
​Binyon, Laurence (1869).—Poet and art critic. Lyric Poems (1894), London Visions, Book I. (1895), Book II. (1898), The Praise of Life (1896), Porphyrion and other Poems (1898), Odes (1900), Penthesilea (1905), Paris and Ænone (1906), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hocking, Rev. Joseph

See also Joseph Hocking on Wikipedia.
​Hocking, Rev. Joseph.—Novelist. Zillah (1892), The Birthright (1897), Esau (1904), Chariots of the Lord (1905), A Strong Man's Vow (1907), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hocking, Rev. Silas Kitto

See also Silas Hocking on Wikipedia.
​Hocking, Rev. Silas Kitto (1850).—Novelist. Ivy (1881), Real Grit (1887), In Spite of Fate (1897), Gripped (1902), A Modern Pharisee (1907), Yours and Mine (1909), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hornung, Ernest William

See also E. W. Hornung on Wikipedia.
​Hornung, Ernest William (1866).—Novelist. A Bride from the Bush (1890), The Boss of Taroomba, The Unbidden Guest (1894), Dead Men tell no Tales (1899), The Amateur Cracksman (1899), The Black Mask, A Thief in the Night (1905), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Howells, William Dean, D.Litt.

See also William Dean Howells on Wikipedia.
​Howells, William Dean, D.Litt. (1837).—American novelist, etc. A Foregone Conclusion, A Chance Acquaintance, A Counterfeit Presentment, The Undiscovered Country, Modern Italian Poets, Indian Summer, Heroines of Fiction (1901), Miss Bellard's Inspiration (1905), Through the Eye of the Needle (1907), Fennel and Rue (1908), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hudson, W. H.

See also William Henry Hudson on Wikipedia.
​Hudson, W. H. (1862).—Naturalist and traveller. The Purple Land (1885), The Naturalists in La Plata (1892), Idle Days in Patagonia (1893), British Birds (1895), Green Mansions (1904), A Crystal Age (1906), A Foot in England (1909), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hueffer, Ford Madox

See also Ford Madox Ford on Wikipedia.
​Hueffer, Ford Madox (1873)—.Novelist, etc. The Brown Owl, The Inheritors and Romance (both with J. Conrad), The Face of the Night (1904), The Soul of London (1905), An English Girl (1907), A Call (1910), Life of Madox Brown, etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hodgkin, Thomas, D.C.L., etc.

See also Thomas Hodgkin (historian) on Wikipedia.
​Hodgkin, Thomas, D.C.L., etc. (1831).—Historian. Italy and her Invaders, 8 vols. (1880-1899), Letters of Cassiodorus (1886), Dynasty of Theodosius (1889), Life of Theodoric (I89I), Life of Charles the Great (Foreign Statesmen Series) (1897), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Housman, Laurence

See also Laurence Housman on Wikipedia.
​Housman, Laurence (1867).—Artist, poet, etc. The Writings of William Blake (1893), A Farm in Fairyland (1894), The House of Joy (1895), Green Arras (1896), Gods and their Makers (1897), Spikenard (1898), The Field of Clover (1898), Rue (1899), Sabrina Warham (1904), Prunella, or Love in a Dutch Garden (1906); has illustrated "Goblin Market," "The Were Wolf," "Jump to Glory Jane," etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Hudson, William Henry

Currently there is no articles about this author on Wikipedia and Wikisource.
​Hudson, William Henry (1862).—Critic, etc. Introduction to the Philosophy of Herbert Spencer (1894), Studies in Interpretation (1896), Study of English Literature (1898), The Sphinx and Other Poems (1900), The Meaning and Value of Poetry (1901), Rousseau and Naturalism in Life and Thought (1903), etc.
# A Short Biographical Dictionary of English Literature/Appendix of Living Writers/Housman, Alfred Edward

See also A. E. Housman on Wikipedia.
​Housman, Alfred Edward (1859).—Scholar, poet, etc. A Shropshire Lad (1896), ed. Juvenal and other classics.
# A Vision of the Last Judgment

* A Vision of the Last Judgment (1982) extracted from Selected Poems from William Blake. (London: Everyman), edited by P.H. Butter.
* A Vision of the Last Judgment in Gilchrist's Life of William Blake (1880, 2nd edition), edited by Dante Gabriel Rossetti
# A Vision of the Sea

* "A Vision of the Sea", in Prometheus Unbound; a lyrical drama in four acts with other poems (1820), by Percy Bysshe Shelley
* "A Vision of the Sea", in The Complete Poetical Works of Percy Bysshe Shelley (1914)
# A Vision of Youth

A horseman on a hilltop green  Drew rein, and wound his horn; So bright he looked he might have been  The Herald of the Morn.
His steed was of the sovran strain  In Fancy's meadows bred — And pride was in his tossing mane,  And triumph in his tread.
The rider's eyes like jewels glowed —  The World was in his hand — As down the woodland way he rode  When Spring was in the land.
From golden hour to golden hour  For him the woodland sang, And from the heart of every flower  A singing fairy sprang.
He rode along with rein so free,  And, as he rode, the Blue Mysterious Bird of Fantasy  Ever before him flew.
He rode by cot and castle dim  Through all the greenland gay; Bright eyes through casements glanced at him;  He laughed — and rode away.
The world with sunshine was aflood,  And glad were maid and man, And through his throbbing veins the blood  In keen, sweet shudders ran.
His steed tossed head with fiery scorn,  And stamped, and snuffed the air — As though he heard a sudden horn  Of far-off battle blare.
Erect the rider sat awhile  With flashing eyes, and then Turned slowly, sighing, with a smile,  “O weary world of men!”
For aye the Bird of Fantasy  Sang magic songs to him, And deep and deeper still rode he  Into the Forest Dim.
That rider with his face aglow  With joy of life I see In dreams. Ah, years and years ago  He parted ways with me!
Yet, sometimes, when the days are drear  And all the world forlorn, From out the dim wood's heart I hear  The echo of his horn.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Vision of the Last Judgment (1982)

Edited by Peter H Butter, 1982

## A Vision of the Last Judgment

This world of Imagination is the World of Eternity; it is the divine bosom into which we shall go after the death of the Vegetated body. This World of Imagination is Infinity & Eternal, whereas the world of Generation or Vegetation is Finite & Temporal. There exist in the Eternal World the Permanent Realities of Every Thing which we see reflected in this Vegetable Glass of Nature.
All Things are comprehended in their Eternal Forms in the Divine body of the Saviour, the True Vine of Eternity, The Human Imagination, who appear’d to Me as Coming to Judgment among his Saints & throwing off the Temporal that the Eternal might be Establish’d.
Men are admitted into Heaven not because they have curbed & govern’d their Passion or have No Passions, but because they have Cultivated their Understandings. The Treasures of Heaven are not Negations of Passion but Realities of Intellect, from which all the Passions Emanate Uncurbed in their Eternal Glory. The Fool shall not enter into heaven let him be ever so Holy. Holiness is not The Price of Enterance into Heaven. Those who are cast out are All Those who, having no Passions of their own because No Intellect, Have spent their lives in Curbing & Governing other People’s by the Various arts of Poverty & Cruelty of all kinds. Wo, Wo, Wo to you Hypocrites. Even Murder, the Courts of Justice, more merciful than the Church, are compell’d to allow is not done in Passion, but in Cool Blooded design & Intention.
The Modern Chruch Crucifies Christ with the head Downwards.
The Last Judgment is an Overwhelming of Bad Art & Science. Mental Things are alone Real; what is call’d Corporeal, Nobody Knows of its Dwelling Place: it is in Fallacy & its Existence an Imposture. Where is the Existence Out of Mind or Thought? Where is it but in the Mind of a Fool? Some People flatter themselves that there will be No Last Judgment & that Bad Art will be adopted & mixed with Good Art, that Error or Experiment will make a Part of Truth, & they Boast that it is its Foundation; these People flatter themselves. I will not Flatter them. Error is Created; Truth is Eternal. Error or Creation will be Burned up, & then & not till Then, Truth or Eternity will appear. It is Burnt up the Moment Men cease to behold it. I assert for My self that I do not behold the Outward Creation & that to me it is hindrance & not Action; it is as the Dirt upon my feet, No part of Me. ‘What’, it will be Question’d, ‘When the sun rises do you not see a round Disk of fire somewhat like a Guinea?’ O no, no, I see an Innumerable company of the Heavenly host crying ‘Holy, Holy, Holy is the Lord God Almighty.’ I question not my Corporeal or Vegetative Eye any more than I would Question a Window concerning a Sight. I look through it & not with it.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Vision of Spring in Winter

* "Vision of Spring in Winter" in Littell's Living Age, 125 (1612) (1875)
* "A Vision of Spring in Winter", in Poems and Ballads (second series) (1894)
# A Vision upon the Fairy Queen

First printed in 1590, as a commendatory poem at the front of Spenser's The Faerie Queene. Raleigh imagines the tomb of Petrarch's Laura under the care of Love and Virtue. They depart to follow Spenser's Fairy Queen, leaving behind only Oblivion for Petrarch.
Me thought I saw the graue where Laura lay, Within that Temple, where the vestall flame Was wont to burne; and passing by that way, To see that buried dust of liuing fame, Whose tombe faire loue and fairer vertue kept; All suddeinly I saw the Faery Queene: At whose approch the soule of Petrarke wept; And from thenceforth, those graces were not seene, For they this Queene attended: in whose steed Obliuion laid him downe on Lauras herse: Hereat the hardest stones were seene to bleed, And grones of buried ghostes the heuens did perse, Where Homers spright did tremble all for griefe, And curst th' accesse of that celestiall theife.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A treasury of war poetry, British and American poems of the world war, 1914-1919/Kilmeny

KILMENY
(A Song of the Trawlers)
DARK, dark lay the drifters, against the red west, As they shot their long meshes of steel overside; And the oily green waters were rocking to rest When Kilmeny went out, at the turn of the tide. And nobody knew where that lassie would roam, For the magic that called her was tapping unseen. It was well nigh a week ere Kilmeny came home, And nobody knew where Kilmeny had been.
She'd a gun at her bow that was Newcastle's best, And a gun at her stern that was fresh from the Clyde, And a secret her skipper had never confessed, Not even at dawn, to his newly-wed bride; And a wireless that whispered above like a gnome, The laughter of London, the boasts of Berlin. O, it may have been mermaids that lured her from home, But nobody knew where Kilmeny had been.
It was dark when Kilmeny came home from her quest With her bridge dabbled red where her skipper had died, But she moved like a bride with a rose at her breast; And "Well done, Kilmeny!" the admiral cried. Now at sixty-four fathom a conger may come, And nose at the bones of a drowned submarine; But late in the evening Kilmeny came home, And nobody knew where Kilmeny had been.
There's a wandering shadow that stares at the foam, Though they sing all the night to old England, their queen, Late, late in the evening Kilmeny came home, And nobody knew where Kilmeny had been.
Alfred Noyes
# A treasury of war poetry, British and American poems of the world war, 1914-1919/Light after Darkness

LIGHT AFTER DARKNESS
ONCE more the Night like some great dark drop-scene Eclipsing horrors for a brief entr'acte Descends, lead-weighty. Now the space between, Fringed with the eager eyes of men, is racked By spark-tailed lights, curvetting far and high Swift smoke-flecked coursers, raking the black sky.
And as each sinks in ashes grey, one more Rises to fall, and so through all the hours They strive like petty empires by the score, Each confident of its success and powers, And hovering at its zenith each will show Pale rigid faces, lying dead, below.
There shall they lie, tainting the innocent air, Until the Dawn, deep veiled in mournful grey, Sadly and quietly shall lay them bare, The broken heralds of a doleful day.
E. Wyndham Tennant
Hulluch Road, October, 1915.