OpenLLM-France/wikimedia huggingface dataset:
# Japanese flower arrangement/Chapter 22

CHAPTER TWENTY-TWO
THE SCHOOLS OF JAPANESE FLOWER ARRANGEMENT
I. Ikenobu. 700 a.d.
Ikenobu was commenced by Ono-no-Imoko about thirteen hundred years ago. This is the oldest and, to my thinking, one of the most beautiful of all the schools.
The first Ikenobu was a pupil of Soami. Since then the teacher of this school is always a priest of the Rokkakudo Temple in Kyoto, where the lore has been handed down from generation to generation and is still being taught in exactly the same manner. The priest on whom the mantle of instruction falls is always called Ikenobu.
I never enjoyed my lessons more than at the Rokkakudo Temple. There at the temple you arrange your flowers under the guidance of other priests, but when the ​compositions of the class are nearing completion, Ikenobu himself appears, to give the final verdict on every arrangement. After much bowing and drawing in of the breath, the entire class follows him about, stopping with him before each arrangement, in order to profit by the criticisms on the work of every pupil in the class. If you prefer, an instructor will be sent from the temple to your own residence, but he, of course, will be an understudy and no one so important as Ikenobu himself.
This school is a development of Rikkwa, and its branches include the schools of
| Higashiyama-Ryu | Senki-Ryu |
| Enshiu-Ryu | Seizan-Ryu |
| Misho-Ryu ||
II. Shōgetsudo Ko-Ryu.
Originated by Myoye Shonin. 1171–1231.
III. Ko-Ryu.
Originated by Ōun Hoshi or Matsune Ishiro. 1333–1402.
IV. Higashiyama Jishō-in-Ryu
​Originated by Ashikaga Yoshimasa, 1436–1492, who was called Higashiyama Dono or Jishoin. Branches of this school are
| Senzan-Ryu | Higashiyama-Ko-Sei-Ryu |
| Higashiyama-Ryu | Soami-Ryu |
V. Senke-Ko-Ryu.
Originated by the famous Sen-no-Rikyu. 1520.
VI. Bisho-Ryu.
Originated by Goto Daigakunokami or Bishokui Dokaku. 1545.
VII. Enshiu-Ryu.
Originated by Kobori-Enshu. 1578–1647.
The branches of this school are numerous:
| Nihonbashi Enshiu | Shin Enshiu |
| Ango Enshiu | Miyako Enshiu |
| Seifu Enshiu | Asakusa Enshiu |
VIII. Ko-Shin-Ryu.
Originated by Shin-tetsu-sai, who was the teacher of Hidetada, second Shogun of the Tokugawa dynasty. 1600–1624.
​IX. Sekishu-Ryu.
Originated by Katagiri Iwaminokami Sadamasa. 1604–1673.
X. Jikei-Ryu.
Originated by Shōuken Jikei in the year 1699.
XI. Tōgen-Ryu.
Commenced by Togensai Masayasu about 1716.
| Sōgensai | Murakumo-Ryu |
| Tōko-Ryu | Shikishima-Ryu |
| Dōnin-Ryu ||
XII. Gengi-Ryu.
Commenced by Chiba Ryōboku in the year 1772.
XIII. Mishō-Ryu.
Originated by Mishosai Koho. 1804–1861.
XIV. Sei-Ryu.
Commenced by Dōseiken Ittoku in 1818.
XV. Shōko-Ryu.
Commenced by Hakusuisai in the year 1896.
​There is much controversy among these different schools as to their relative antiquity, but the above dates are those most generally accepted. For any inaccuracy of dates, due to the difficulties of translation from the Japanese chronology, I ask leniency.
# Japanese flower arrangement/Chapter 3

CHAPTER THREE
PRINCIPLES AND RULES OF JAPANESE FLOWER ARRANGEMENT
How the Flowers are Held in Place
THE first step in the arrangement of flowers in Japanese style is to make the support or kubari which holds the flower in an upright position in the vase. This support must be firmly placed in the vase so that it will not slip from side to side before the flowers are put through it.
Almost every school has a different style of support. In some schools the kubari is cut differently for every season of the year. The ones used by Koshin-Ryu are the simplest and are the same throughout the year. They are like the cuts given on page 42.
| Showing how Flowers are placed in Holder No. 1 | Showing how Flowers are placed in Holder No. 2 |
| Flowers placed in Holder No. 4 This arrangement is described under Ashirai | Showing Flowers placed in Holder No. 5 |
In placing the support in the vase put the open end at the back of the vase. Place the open end in first and force the stick into a horizontal position with its other end. The support should be at least one inch below the surface of the water when in its proper place; thus it will be entirely hidden from sight and the flowers will appear to be holding their upright position without artificial aid. This kubari is easily made and will be found most useful in making one branch or flower stand upright in a wide-mouthed receptacle.
Another support is made from a forked piece of wood with ends slanted off at different angles. (See Fig. 2.) This is better for large branches which require great strength in the support, but for all flowers and slender branches Fig. 1 is the ​better. It is often difficult to get a forked stick the proper size. It will either be too large or too small. Whereas the first kubari can be cut to fit the flowers you intend to pass through it and will require no wedges to fill up the unoccupied opening at the back. These wedges, which the beginner often finds necessary to keep his flowers firm in the kubari, are not desirable, as they are untidy and detract from the all-in-one parent-stalk appearance.
If you have no suitable wood at hand from which to make a support, use the ends of the branches or flowers you are arranging, crossed as shown in Fig 5. This is not considered desirable and is used only in an emergency.
These stick supports are used for all flowers and plants placed in high vases, but for water-growing flowers in low receptacles the lead rings and metal holders are used in the ways described later.
# Jude the Obscure/Part 3

Part Third
AT MELCHESTER
    "For there was no other girl, O bridegroom, like her!"
       —Sappho (H. T. Wharton).
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
# Key Of Heaven

KEY OF HEAVEN:
A MANUAL OF
Devotions and Instructions,
For the Use of Catholics.
Published with the Approbation of
His Eminence Cardinal Gibbons,
Archbishop of Baltimore.
JOHN MURPHY COMPANY
| Baltimore, Md., 200 W. Lombard St. | New York: 70 Fifth Avenue. |
Printers to the Holy See.
page
Approbation of the Ordinary.
Imprimatur.
✠ JAMES, CARD. GIBBONS,
Archbishop of Baltimore.
Lay Baptism.
Provided an infant is in danger of dying before a priest can be procured, any other person, whether man, woman, or child, may baptize it in the following manner: While pouring common water on the head or face of the child, pronounce the words, " I baptize thee in the name of the Father, and of the Son, and of the Holy Ghost."
Copyright, 1901, by John Murphy Company,
page
CONTENTS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Kansas: A Cyclopedia of State History/Kate Adele Aplington

​Aplington, Kate Adele, for whom the above collection is named, was born in Sugar Grove, Lee Co., Ill., March 1, 1859, a daughter of Henry H. and Elizabeth Melinda (Deming) Smith, both natives of New York. Her father was an educator and from 1854 to 1879 was engaged continuously in school work, being city superintendent of schools in Savannah, Mt. Carroll, Galena, Macomb, Alton, Polo and Ottawa, Ill., and for 12 years was county superintendent of Whiteside county. Ill. As a girl Mrs. Aplington was quite a student, and was of great help to her father in his laboratory work. She was graduated in 1876, and immediately took some post-graduate work, to fit herself for a university course, but failing eyesight prevented. She taught two terms in the Ottawa (Ill.) high school, and while there helped establish a reading room and library. On June 19, 1879, she was married to John Aplington, a graduate of the Union College of Law of Chicago, and in 1880 they moved to Council Grove, Kan., where they have since resided. In 1901 Mrs. Aplington was appointed a member of the Charities Conference committee and with other members visited the Girls' Industrial School at Beloit, making recommendations that domestic science be installed in the school. In 1902 she was made chairman of the manual training committee of the Kansas State Social Science Federation, and wrote hundreds of letters to educators in the larger towns, from whom ​she received voluminous reports and recommendations from which the present state law was passed in 1903. In that year she was elected vice president of the Kansas Federation of Women's Clubs, at its meeting in Wichita, and was the author of the proposition to publish a “Book of Quotations,” the profits from the sales to be devoted to the purchase of a collection of carbon reproductions of famous paintings. These copies were purchased and for three years were exhibited in various parts of the state, Mrs. Aplington having the superintendency of the same. In 1907, the collection was offered and accepted by the state, and was given the name of “Aplington Art Gallery.” Mrs. Aplington is still connected with the traveling art galleries and at the present time (July, 1911) is preparing notes, etc., for an American collection of paintings which will be placed in the hands of the traveling libraries commission to be used in connection with the other exhibits.
# Kansas: A Cyclopedia of State History/Samuel Allis Jr.

​Allis, Samuel, Jr., an early missionary to the Indians west of the Missouri river, was born at Conway, Franklin county, Mass., Sept. 28, 1805. He learned the trade of harness maker and worked at various places in his early manhood, finally reaching Ithaca, N. Y., where he united with the Presbyterian church, though his parents were Congregationalists. In the spring of 1834 he left Ithaca in company with Rev. John Dunbar (q. v.) as a missionary to the Nez Perces. Upon arriving at St. Louis he found that the company of traders with which he had intended to journey to the Indian country had already left that city. ​Not caring to undertake the trip alone, he spent some time at Fort Leavenworth, and then accompanied Mr. Dunbar to the agency of the Omahas, Otoes and Pawnees at Bellevue, Neb. Soon after arriving there Mr. Dunbar went as a missionary to the Grand Pawnees and Mr. Allis to the Pawnee Loups, with whom he remained until 1846. Among his other labors was the establishment of the Pawnee school at Council Point on the Platte river. For several years he was the interpreter for the United States in the negotiation of treaties and in this capacity aided in the acquisition of the Indian lands in Nebraska and Kansas. In 1851 he went to St. Mary's, Iowa, where he lived on a farm for two years. He then returned to Nebraska and there passed the remainder of his life. As a member of the Nebraska Historical Society he made valuable contributions to the Indian history of that state and Kansas.
# Kansas: A Cyclopedia of State History/Grand Duke Alexis

​Alexis, Grand Duke.—Many people may not know that Kansas was once honored by a visit from royalty. In Nov., 1871, Alexander II, at that time czar of Russia, sent his third son, Grand Duke Alexis, as a special embassador to President Grant and the people of the United States with congratulations on the outcome of the Civil war. With a desire to see something of the country, the grand duke spent a portion of Jan., 1872, with some army officers and plainsmen in roughing it through Kansas, Nebraska and Colorado. The duke's desire was to engage in a buffalo hunt. Accordingly he was met by Gen. Custer and conducted to a camp on Red Willow creek, where it was supposed buffalo could be found. Learning that a large herd of buffalo had been seen in the vicinity of Kit Carson, 130 miles east of Denver, the party took a train at Fort Wallace, Kan., and went there. The troop horses used by the hunting party were unused to the bison and almost stampeded when they came within sight of the herd, causing several ludicrous and some slightly serious accidents. The grand duke has been described as “modest, good-humored and companionable,” and his good humor never showed to better advantage than in that buffalo hunt. After a ball at Denver, given in his honor, the royal party left on a special train for the east. A short stop was made at Topeka, where the grand duke was officially received by Gov. Harvey and the legislature, which was then in session, after which there was an informal reception.
# Kansas: A Cyclopedia of State History/James B. Abbott

​Abbott, James B., one of the pioneer settlers of Kansas, was born at Hampton, Conn., Dec. 3, 1818, and grew to manhood in his native state. He was a member of the third party of emigrants from New England, which reached Lawrence on Oct. 10, 1854, and soon become recognized as one of the stalwart advocates of the free-state cause. Maj. Abbott took up a claim about half a mile south of Blanton's bridge, on the road to Hickory Point, and his house was a favorite meeting place of the free-state men in that neighborhood. As the pro-slaveryites grew more and more agressive, one of the crying necessities of the settlers was arms and ammunition with which to defend themselves against the predatory gangs which infested the territory. Maj. Abbott was one of those who went east to procure arms, and through his efforts there were sent to Kansas 117 Sharp's rifles and a 12-pounder howitzer. He was one of the party that rescued Branson from the sheriff of Douglas county; was a lieutenant in command of a company at the first “battle” of Franklin; commanded the Third regiment of free-state infantry during the siege of Lawrence in 1856; fought with John Brown at Black Jack, and was the leader of the expedition that rescued Dr. John Doy. He was a member of the first house of representatives elected under the Topeka constitution, and in 1857 was elected senator. Upon the adoption of the Wyandotte constitution, he was elected a member of the lower house of the first state legislature, which met in March, 1861. In that year he was appointed agent for the Shawnee Indians and removed to De Soto, Johnson county. At the time of the Price raid he led a party of Shawnees against the Confederates. In 1866 he retired from the Indian agency, and in the fall of that year was elected to the state senate. He was influential in securing the establishment of the school for feeble minded youth. Maj. Abbott died at De Soto on March 2, 1879. The howitzer he brought to Kansas in the territorial days is now in the possession of the Kansas Historical Society, of which he was a director for twelve years immediately prior to his death.
# Kansas: A Cyclopedia of State History/Henry J. Adams

​Adams, Henry J., lawyer, was born at Rodman, Jefferson county, N. Y., Feb. 10, 1816. He was educated in the public schools, spent a short time at Oberlin College, Ohio, then read law and graduated from the Cincinnati Law School. He came to Kansas in March, 1855, and during the summer located at Lawrence. The next winter he was elected a member of the senate of the free-state legislature, and from that time took an active part in public affairs. During the session of 1858 the territorial legislature made him chairman of the committee to investigate the Oxford, Kickapoo and other election frauds. He took a prominent part in the Leavenworth constitutional convention and under that constitution was elected governor, but as Congress failed to admit Kansas as a state, he was never installed in office. Before the convention in 1858, Mr. Adams received an equal vote with Marcus J. Parrott for delegate in Congress, but Parrott was declared the nominee and was elected. Under an act passed by the legislature of 1859, Mr. Adams was appointed a member of a committee with Judge S. A. Kingman and E. S. Hoogland, to audit the claims against the United States government, for losses sustained by citizens of Kansas because of plunder and destruction of private property during the border war. Next to Gov. Robinson he was the most popular candidate before the Republican convention which nominated the first governor of the state. Soon after the outbreak of the Civil war he was appointed paymaster of the army and served in that capacity until the close of hostilities. He died at Waterville, June 2, 1870.
# Jenny lass, my bonny bird/The New Pease Strae

FAIR JENNY,
OR,
THE NEW WAY OF PEASE STRAE.
THE country swain that tends the plain, driving the lightsome plough, ​At right, tho' tir’d, with love a'fir'd, he views the lasses’ brow, When morning comes, instead of drums, the flails clap merrily, To raise the maids out o’ their beds to shake the Pease Strae
Fair Jenny-raise, put on her claise, syne tun'd her voice to sing: She sung sae sweet with notes complete, gar'd a' the echo's ring; An' a' the maids laid by their flails, then danced merrily, And bl'ss'd the hour that they had power to shake the Pease Strae.
The musing swain, disturb'd in brain, fast to her arms he flew, And strove a while ti en wi' a smi'e, said Jenny redd in here: She cries righ' aft, I think ye're daft, to temp a lassie sae; Ye'll do me wrang, pray let me gang and shake the Pease Strae.
My heart, said he, fair wounded be, for thee, my Jenny fair; Without a jest I get nae rest, my bed it proves a snare: Thy in age fine present me syne, an' takes a rest frae me; An, while I dream, in your esteem, you reckon me your fae.
Which is a sign ye will be mine, dear Jenny sayna na', ​But soon comply, or else I die, sae tell me but a flaw: If thou can love there's none above thee, I can fancy sae; I would be blest, If I but wist that ye would shake, ray strae.
She, wi' a smile said, ye're beguil'd, I manna fancy thee, My mither bau'd, she would me scauld, sae dinnae die for me. But yet I own as I’m near grown a woman, since it’s sae. I’ll marry thee, syne ye'll get me to shake your Pease Strae.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jenny of Aberdeen

There are differences between the titles given on the front page and those at the head of each song; where this is the case, the latter have been used.
Jenny of Aberdeen:
To which are added,
Black-Ey’d Susan,
The King & the Tanner,
AND THE
Bonny House of Airly.
Falkirk—Printed by T. Johnston.
* Jenny of Aberdeen
* Black-Ey'd Susan
* The King and the Tanner
* The Bonny House of Airley
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jenny of Aberdeen/Black-Ey'd Susan

BLACK-EY'D SUSAN.
# Jenny Jenkins

* "Jane Jenkins" in Green Mountain Songster (1823).
* "Jenny Jenkins" in Vermont Folksongs and Ballads, (ed.) by Helen Hartness Flanders and George Brown (1931).
* "Jennie Jenkins" in A Treasury of Folk Songs, (ed.) by Sylvia Kolb and John Kolb (1948).
# Jenny lass, my bonny bird

Jenny Lass, my Bonny Bird,
To which are added.
The New Pease Strae
The Minister's Maia's Courtship.
Stirling, Printed by C. Randall, 1806.
* Jenny lass, my bonny bird
* The New Pease Strae
* The Minister's Maid's Courtship
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jenny lass, my bonny bird/Jenny lass, my bonny bird

JENNY LASS, My BONNY BIRD.
JENNY lass, my bonny bird. my father's dead, and a that, And snugly hid aneath the yird, An' I'm his heir, an' a' that, I'm now a laird, an' a' that, I'm now a laird, an' a' that, I've gear an' lan' at my comman' an' muckle mair than a' that.
He left me, wi' his diein' breath, a ⟨dwelling⟩ house an a' that; Guid byars an' birns an' wabs o' claith, a guid peat stack an a' that; A mare, a foal an' a' that; A mare, a foal an' a' that; Sax guid milk ky, a ca f forby; twa guid pet ewes an' a' that.
A yard, a meadow long braid lees; wi' stacks o corn an a' that' They're weel hedg'd roun wi thorn an' trees, an' carts' an cars an' a' that; A plou' an' g ith an a' that; A plou' an' graith an' a' that; Good harrow twa, cock, hens an a', A grizie too, an' a' that.
I've walth o'claiths for ilka-days, for Sundays too, an' a' that; ​I ve bills an' ban's on lairds an' lan's an' filler, g ud, an' a that; An' muckle mair than a' that. An' muckle mair than a' that; What want I now my bonny dow, but just a wife to a' that ?
Now, Jenny dear my errand here. is to seek you to a that; My heart's a lowpin' whan I speer gin ye'll tak me wi a' that? Mysel's my gear' an' a' that: Mysel' my gear, an' a' that: Come, gi'e's your loof to be a proof That ye ll tak me wi' a' that.
Syne Jenny lad her nive in his; said she'd tak him wi' a' that: An' he gae her a hearty kiss, an' dauted her, an a' that: They set the day an a' that. They set the day an' a' that, When she'd come hame to be his dame, an ha'e a rant wi' a' that.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jenny lass, my bonny bird/The Minister's Maid's Courtship

THE
MINISTER MAID’s COURTSHIP,
WHEN I was a bonny wee lassie, I lived by yon river tide; A benny wie laddie courted me, for to make me his bride; My master being one of the Clergy, I kentna we'l how to do; But I courted ay wi' my laddie, and pleas'd the Minister to.
We waited a' opportunities, ay when they were frae hame: ​We kiss'd and clapped each other! so merry as we were then, So merry as we were then, our vows for to renew; So ay I courted my laddie, and pleas’d the Minister too.
It was on a fine simmer evening, I went out for to meet with my lad, He took me into his arms, our hearts being wond’rous glad! And what came o' me then ye need na believe me now; But ay I courted' my laddie, and pleas'd the Minister too
When I came hame to my mistress, she scolded and she flet; Says; where have you been wa'king, that ye have stay d sae late? That ye have stay d sae late, your master I will tell. Thinks I, madam, ye need na fash, for I’ll ha c to do that mysel'.
But I keepet ay up my courage, and made na muckle din And my laddie came ay and saw me, ay's he gaed out and in, And ay s he gaed out and in, ay he pried my mou', So ay I courted my laddie, and pleas'd the Minister too.
​But when the simm'r was over, O pale and wan grew I! Like ane risen out o' a fever, or ane just gaun to die! My master he came an' asked me what was the matter wi' me! If I knew anything that would ease me, at my comman' it should be.
Oh! I maun own my crime. tho it be to my shame and disgrace, I went out for to meet wi' the lad, the lad that gi es out your mass? His voice it was too shrill, he pitch d o'er high for me; And ay sin' syne I remember that I been likein' to die.
Then my laddie was sent for, and he came hingin' his mou'; Says Mess John, had you been a good bairn, we wadna h'e sent for you: My lassie is lyin' sick, an' on you she lays a' the blame An' ye ken ony way ye've wrang‘d her, ye'll raise her as speedy again.
O I never harm'd your lassie, neither by night nor by day; But it was on a fine simmer evening, when crossing o er the way. When crossing o'er the way, I learn'd her how to sing, ​And pitching the high notes of bangor, has driven her a' out o tune
Be pleas'd to mary your lassie O marry your lassie to me! For I'm resolv'd to ha'e her, whether she live or die, Whether she live or die, to make her my wedded wife: So I'll live with my lassie . a sweet and contented life.
FINIS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse