# Americans and others/The Mission of Humour

The Mission of Humour
"Laughter is my object: 'tis a property In man, essential to his reason."
Thomas Randolph, The Muses' Looking-Glass.
AMERICAN humour is the pride of American hearts. It is held to be our splendid national characteristic, which we flaunt in the faces of other nations, conceiving them to have been less favoured by Providence. Just as the most effective way to disparage an author or an acquaintance—and we have often occasion to disparage both—is to say that he lacks a sense of humour, so the most effective criticism we can pass upon a nation is to deny it this valuable quality. American critics have written the most charming things about the keenness of American speech, the breadth and insight of American drollery, the electric current in American veins; and ​we, reading these pleasant felicitations, are wont to thank God with greater fervour than the occasion demands that we are more merry and wise than our neighbours. Mr. Brander Matthews, for example, has told us that there are newspaper writers in New York who have cultivated a wit, "not unlike Voltaire's." He mistrusts this wit because he finds it "corroding and disintegrating"; but he makes the comparison with that casual assurance which is a feature of American criticism.
Indeed, our delight in our own humour has tempted us to overrate both its literary value and its corrective qualities. We are never so apt to lose our sense of proportion as when we consider those beloved writers whom we hold to be humourists because they have made us laugh. It may be conceded that, as a people, we have an abiding and somewhat disquieting sense of fun. We are nimble of speech, we are more prone to ​levity than to seriousness, we are able to recognize a vital truth when it is presented to us under the familiar aspect of a jest, and we habitually allow ourselves certain forms of exaggeration, accepting, perhaps unconsciously, Hazlitt's verdict: "Lying is a species of wit, and shows spirit and invention." It is true also that no adequate provision is made in this country for the defective but valuable class without humour, which in England is exceedingly well cared for. American letters, American journalism, and American speech are so coloured by pleasantries, so accentuated by ridicule, that the silent and stodgy men, who are apt to represent a nation's real strength, hardly know where to turn for a little saving dulness. A deep vein of irony runs through every grade of society, making it possible for us to laugh at our own bitter discomfiture, and to scoff with startling distinctness at the evils which we passively permit. Just as the French monarchy under ​Louis the Fourteenth was wittily defined as despotism tempered by epigram, so the United States have been described as a free republic fettered by jokes, and the taunt conveys a half-truth which it is worth our while to consider.
Now there are many who affirm that the humourist's point of view is, on the whole, the fairest from which the world can be judged. It is equally remote from the misleading side-lights of the pessimist and from the wilful blindness of the optimist. It sees things with uncompromising clearness, but it judges of them with tolerance and good temper. Moreover, a sense of the ridiculous is a sound preservative of social virtues. It places a proper emphasis on the judgments of our associates, it saves us from pitfalls of vanity and self-assurance, it lays the basis of that propriety and decorum of conduct upon which is founded the charm of intercourse among equals. And what it does for us individually, it does for us ​collectively. Our national apprehension of a jest fosters whatever grace of modesty we have to show. We dare not inflate ourselves as superbly as we should like to do, because our genial countrymen stand ever ready to prick us into sudden collapse. "It is the laugh we enjoy at our own expense which betrays us to the rest of the world."
Perhaps we laugh too readily. Perhaps we are sometimes amused when we ought to be angry. Perhaps we jest when it is our plain duty to reform. Here lies the danger of our national light-mindedness,—for it is seldom light-heartedness; we are no whit more light-hearted than our neighbours. A carping English critic has declared that American humour consists in speaking of hideous things with levity; and while so harsh a charge is necessarily unjust, it makes clear one abiding difference between the nations. An Englishman never laughs—except officially in "Punch"—over any form ​of political degradation. He is not in the least amused by jobbery, by bad service, by broken pledges. The seamy side of civilized life is not to him a subject for sympathetic mirth. He can pity the stupidity which does not perceive that it is cheated and betrayed; but penetration allied to indifference awakens his wondering contempt. "If you think it amusing to be imposed on," an Englishwoman once said to me, "you need never be at a loss for a joke."
In good truth, we know what a man is like by the things he finds laughable, we gauge both his understanding and his culture by his sense of the becoming and of the absurd. If the capacity for laughter be one of the things which separates men from brutes, the quality of laughter draws a sharp dividing-line between the trained intelligence and the vacant mind. The humour of a race interprets the character of a race, and the mental condition of which laughter is the expression ​is something which it behooves the student of human nature and the student of national traits to understand very clearly.
Now our American humour is, on the whole, good-tempered and decent. It is scandalously irreverent (reverence is a quality which seems to have been left out of our composition); but it has neither the pitilessness of the Latin, nor the grossness of the Teuton jest. As Mr. Gilbert said of Sir Beerbohm Tree's "Hamlet," it is funny without being coarse. We have at our best the art of being amusing in an agreeable, almost an amiable, fashion; but then we have also the rare good fortune to be very easily amused. Think of the current jokes provided for our entertainment week by week, and day by day. Think of the comic supplement of our Sunday newspapers, designed for the refreshment of the feeble-minded, and calculated to blight the spirits of any ordinarily intelligent household. Think of the debilitated jests and stories which ​a time-honoured custom inserts at the back of some of our magazines. It seems to be the custom of happy American parents to report to editors the infantile prattle of their engaging little children, and the editors print it for the benefit of those who escape the infliction first-hand. There is a story, pleasant but piteous, of Voltaire's listening with what patience he could muster to a comedy which was being interpreted by its author. At a certain point the dramatist read, "At this the Chevalier laughed"; whereupon Voltaire murmured enviously, "How fortunate the Chevalier was!" I think of that story whenever I am struck afresh by the ease with which we are moved to mirth.
A painstaking German student, who has traced the history of humour back to its earliest foundations, is of the opinion that there are eleven original jokes known to the world, or rather that there are eleven original and basic situations which ​have given birth to the world's jokes; and that all the pleasantries with which we are daily entertained are variations of these eleven originals, traceable directly or indirectly to the same sources. There are times when we are disposed to think eleven too generous a computation, and there are less weary moments in which the inexhaustible supply of situations still suggests fresh possibilities of laughter. Granted that the ever fertile mother-in-law jest and the one about the talkative barber were venerable in the days of Plutarch; there are others more securely and more deservedly rooted in public esteem which are, by comparison, new. Christianity, for example, must be held responsible for the missionary and cannibal joke, of which we have grown weary unto death; but which nevertheless possesses astonishing vitality, and exhibits remarkable breadth of treatment. Sydney Smith did not disdain to honour it with a joyous and unclerical quatrain; and ​the agreeable author of "Rab and his Friends" has told us the story of his fragile little schoolmate whose mother had destined him for a missionary, "though goodness knows there wasn't enough of him to go around among many heathen."
To Christianity is due also the somewhat ribald mirth which has clung for centuries about Saint Peter as gatekeeper of Heaven. We can trace this mirth back to the rude jests of the earliest miracle plays. We see these jests repeated over and over again in the folklore of Latin and Germanic nations. And if we open a comic journal to-day, there is more than a chance that we shall find Saint Peter, key in hand, uttering his time-honoured witticisms. This well-worn situation depends, as a rule, upon that common element of fun-making, the incongruous. Saint Peter invaded by air-ships. Saint Peter outwitting a squad of banner-flying suffragettes. Saint ​Peter losing his saintly temper over the expansive philanthropy of millionaires. Now and then a bit of true satire, like Mr. Kipling's "Tomlinson," conveys its deeper lesson to humanity. A recently told French story describes a lady of good reputation, family, and estate, presenting herself fearlessly at the gates of Heaven. Saint Peter receives her politely, and leads her through a street filled with lofty and beautiful mansions, any one of which she thinks will satisfy her requirements; but, to her amazement, they pass them by. Next they come to more modest but still charming houses with which she feels she could be reasonably content; but again they pass them by. Finally they reach a small and mean dwelling in a small and mean thoroughfare. "This," says Saint Peter, "is your habitation." "This!" cries the indignant lady; "I could not possibly live in any place so shabby and inadequate." "I am sorry, madame," replies the saint urbanely; ​"but we have done the best we could with the materials you furnished us."
There are no bounds to the loyalty with which mankind clings to a well-established jest, there is no limit to the number of times a tale will bear retelling. Occasionally we give it a fresh setting, adorn it with fresh accessories, and present it as new-born to the world; but this is only another indication of our affectionate tenacity. I have heard that caustic gibe of Queen Elizabeth's anent the bishop's lady and the bishop's wife (the Tudors had a biting wit of their own) retold at the expense of an excellent lady, the wife of a living American bishop; and the story of the girl who, professing religion, gave her ear-rings to a sister, because she knew they were taking her to Hell,—a story which dates from the early Wesleyan revivals in England,—I have heard located in Philadelphia, and assigned to one of Mr. Torrey's evangelistic services. We still ​resort, as in the days of Sheridan, to our memories for our jokes, and to our imaginations for our facts.
Moreover, we Americans have jests of our own,—poor things for the most part, but our own. They are current from the Atlantic to the Pacific, they appear with commendable regularity in our newspapers and comic journals, and they have become endeared to us by a lifetime of intimacy. The salient characteristics of our great cities, the accepted traditions of our mining-camps, the contrast between East and West, the still more familiar contrast between the torpor of Philadelphia and Brooklyn ("In the midst of life," says Mr. Oliver Herford, "we are—in Brooklyn") and the uneasy speed of New York,—these things furnish abundant material for everyday American humour. There is, for example, the encounter between the Boston girl and the Chicago girl, who, in real life, might often be taken for each other; ​but who, in the American joke, are as sharply differentiated as the Esquimo and the Hottentot. And there is the little Boston boy who always wears spectacles, who is always named Waldo, and who makes some innocent remark about "Literary Ethics," or the "Conduct of Life." We have known this little boy too long to bear a parting from him. Indeed, the mere suggestion that all Bostonians are forever immersed in Emerson is one which gives unfailing delight to the receptive American mind. It is a poor community which cannot furnish its archaic jest for the diversion of its neighbours.
The finest example of our bulldog resoluteness in holding on to a comic situation, or what we conceive to be a comic situation, may be seen every year when the twenty-second of February draws near, and the shops of our great and grateful Republic break out into an irruption of little hatchets, by which ​curious insignia we have chosen to commemorate our first President. These toys, occasionally combined with sprigs of artificial cherries, are hailed with unflagging delight, and purchased with what appears to be patriotic fervour. I have seen letter-carriers and post-office clerks wearing little hatchets in their button-holes, as though they were party buttons, or temperance badges. It is our great national joke, which I presume gains point from the dignified and reticent character of General Washington, and from the fact that he would have been sincerely unhappy could he have foreseen the senile character of a jest, destined, through our love of absurdity, our careful cultivation of the inappropriate, to be linked forever with his name.
The easy exaggeration which is a distinctive feature of American humour, and about which so much has been said and written, has its counterpart in sober ​and truth-telling England, though we are always amazed when we find it there, and fall to wondering, as we never wonder at home, in what spirit it was received. There are two kinds of exaggeration; exaggeration of statement, which is a somewhat primitive form of humour, and exaggeration of phrase, which implies a dexterous misuse of language, a skilful juggling with words. Sir John Robinson gives, as an admirable instance of exaggeration of statement, the remark of an American in London that his dining-room ceiling was so low that he could not have anything for dinner but soles. Sir John thought this could have been said only by an American, only by one accustomed to have a joke swiftly catalogued as a joke, and suffered to pass. An English jester must always take into account the mental attitude which finds "Gulliver's Travels" "incredible." When Mr. Edward FitzGerald said that the church at Woodbridge was so damp that ​fungi grew about the communion rail, Woodbridge ladies offered an indignant denial. When Dr. Thompson, the witty master of Trinity, observed of an undergraduate that "all the time he could spare from the neglect of his duties he gave to the adornment of his person," the sarcasm made its slow way into print; whereupon an intelligent British reader wrote to the periodical which had printed it, and explained painstakingly that, inasmuch as it was not possible to spare time from the neglect of anything, the criticism was inaccurate.
Exaggeration of phrase, as well as the studied understatement which is an even more effective form of ridicule, seem natural products of American humour. They sound, wherever we hear them, familiar to our ears. It is hard to believe that an English barrister, and not a Texas ranchman, described Boston as a town where respectability stalked unchecked. Mazarin's plaintive reflection, "Nothing is so ​disagreeable as to be obscurely hanged," carries with it an echo of Wyoming or Arizona. Mr. Gilbert's analysis of Hamlet's mental disorder,—
"Hamlet is idiotically sane, With lucid intervals of lunacy,"—
has the pure flavour of American wit,—a wit which finds its most audacious expression in burlesquing bitter things, and which misfits its words with diabolic ingenuity. To match these alien jests, which sound so like our own, we have the whispered warning of an American usher (also quoted by Sir John Robinson) who opened the door to a late comer at one of Mr. Matthew Arnold's lectures: "Will you please make as little noise as you can, sir. The audience is asleep"; and the comprehensive remark of a New England scholar and wit that he never wanted to do anything in his life, that he did not find it was expensive, unwholesome, or immoral. This last observation embraces the wisdom of the centuries. ​Solomon would have endorsed it, and it is supremely quotable as expressing a common experience with very uncommon felicity.
When we leave the open field of exaggeration, that broad area which is our chosen territory, and seek for subtler qualities in American humour, we find here and there a witticism which, while admittedly our own, has in it an Old-World quality. The epigrammatic remark of a Boston woman that men get and forget, and women give and forgive, shows the fine, sharp finish of Sydney Smith or Sheridan. A Philadelphia woman's observation, that she knew there could be no marriages in Heaven, because—"Well, women were there no doubt in plenty, and some men; but not a man whom any woman would have," is strikingly French. The word of a New York broker, when Mr. Roosevelt sailed for Africa, "Wall Street expects every lion to do its duty!" equals in brevity ​and malice the keen-edged satire of Italy. No sharper thrust was ever made at prince or potentate.
The truth is that our love of a jest knows no limit and respects no law. The incongruities of an unequal civilization (we live in the land of contrasts) have accustomed us to absurdities, and reconciled us to ridicule. We rather like being satirized by our own countrymen. We are very kind and a little cruel to our humourists. We crown them with praise, we hold them to our hearts, we pay them any price they ask for their wares; but we insist upon their being funny all the time. Once a humourist, always a humourist, is our way of thinking; and we resent even a saving lapse into seriousness on the part of those who have had the good or the ill fortune to make us laugh.
England is equally obdurate in this regard. Her love of laughter has been consecrated by Oxford,—Oxford, the ​dignified refuge of English scholarship, which passed by a score of American scholars to bestow her honours on our great American joker. And because of this love of laughter, so desperate in a serious nation, English jesters have enjoyed the uneasy privileges of a court fool. Look at poor Hood. What he really loved was to wallow in the pathetic,—to write such harrowing verses as the "Bridge of Sighs," and the "Song of the Shirt" (which achieved the rare distinction of being printed—like the "Beggar's Petition"—on cotton handkerchiefs), and the "Lady's Dream." Every time he broke from his traces, he plunged into these morasses of melancholy; but he was always pulled out again, and reharnessed to his jokes. He would have liked to be funny occasionally and spontaneously, and it was the will of his master, the public, that he should be funny all the time, or starve. Lord Chesterfield wisely said that a man ​should live within his wit as well as within his income; but if Hood had lived within his wit—which might then have possessed a vital and lasting quality—he would have had no income. His rôle in life was like that of a dancing bear, which is held to commit a solecism every time it settles wearily down on the four legs nature gave it.
The same tyrannous demand hounded Mr. Eugene Field along his joke-strewn path. Chicago, struggling with vast and difficult problems, felt the need of laughter, and required of Mr. Field that he should make her laugh. He accepted the responsibility, and, as a reward, his memory is hallowed in the city he loved and derided. New York echoes this sentiment (New York echoes more than she proclaims; she confirms rather than initiates); and when Mr. Francis Wilson wrote some years ago a charming and enthusiastic paper for the "Century Magazine," he claimed that Mr. Field was so ​great a humourist as to be—what all great humourists are,—a moralist as well. But he had little to quote which could be received as evidence in a court of criticism; and many of the paragraphs which he deemed it worth while to reprint were melancholy instances of that jaded wit, that exhausted vitality, which in no wise represented Mr. Field's mirth-loving spirit, but only the things which were ground out of him when he was not in a mirthful mood.
The truth is that humour as a lucrative profession is a purely modern device, and one which is much to be deplored. The older humourists knew the value of light and shade. Their fun was precious in proportion to its parsimony. The essence of humour is that it should be unexpected, that it should embody an element of surprise, that it should startle us out of that reasonable gravity which, after all, must be our habitual frame of mind. But the professional humourist cannot ​afford to be unexpected. The exigencies of his vocation compel him to be relentlessly droll from his first page to his last, and this accumulated drollery weighs like lead. Compared to it, sermons are as thistle-down, and political economy is gay.
It is hard to estimate the value of humour as a national trait. Life has its appropriate levities, its comedy side. We cannot "see it clearly and see it whole," without recognizing a great many absurdities which ought to be laughed at, a great deal of nonsense which is a fair target for ridicule. The heaviest charge brought against American humour is that it never keeps its target well in view. We laugh, but we are not purged by laughter of our follies; we jest, but our jests are apt to have a kitten's sportive irresponsibility. The lawyer offers a witticism in place of an argument, the diner-out tells an amusing story in lieu of conversation. Even the clergyman does ​not disdain a joke, heedless of Dr. Johnson's warning which should save him from that pitfall. Smartness furnishes sufficient excuse for the impertinence of children, and with purposeless satire the daily papers deride the highest dignitaries of the land.
Yet while always to be reckoned with in life and letters, American humour is not a powerful and consistent factor either for destruction or for reform. It lacks, for the most part, a logical basis, and the dignity of a supreme aim. Molière's humour amounted to a philosophy of life. He was wont to say that it was a difficult task to make gentlefolk laugh; but he succeeded in making them laugh at that which was laughable in themselves. He aimed his shafts at the fallacies and the duplicities which his countrymen ardently cherished, and he scorned the cheaper wit which contents itself with mocking at idols already discredited. As a result, he purged society, not of the ​follies that consumed it, but of the illusion that these follies were noble, graceful, and wise. "We do not plough or sow for fools," says a Russian proverb, "they grow of themselves"; but humour has accomplished a mighty work if it helps us to see that a fool is a fool, and not a prophet in the market-place. And if the man in the market-place chances to be a prophet, his message is safe from assault. No laughter can silence him, no ridicule weaken his words.
Carlyle's grim humour was also drilled into efficacy. He used it in orderly fashion; he gave it force by a stern principle of repression. He had (what wise man has not?) an honest respect for dulness, knowing that a strong and free people argues best—as Mr. Bagehot puts it—"in platoons." He had some measure of mercy for folly. But against the whole complicated business of pretence, against the pious, and respectable, and patriotic hypocrisies of a successful ​civilization, he hurled his taunts with such true aim that it is not too much to say there has been less real comfort and safety in lying ever since.
These are victories worth recording, and there is a big battlefield for American humour when it finds itself ready for the fray, when it leaves off firing squibs, and settles down to a compelling cannonade, when it aims less at the superficial incongruities of life, and more at the deep-rooted delusions which rob us of fair fame. It has done its best work in the field of political satire, where the "Biglow Papers" hit hard in their day, where Nast's cartoons helped to overthrow the Tweed dynasty, and where the indolent and luminous genius of Mr. Dooley has widened our mental horizon. Mr. Dooley is a philosopher, but his is the philosophy of the looker-on, of that genuine unconcern which finds Saint George and the dragon to be both a trifle ridiculous. He is always undisturbed, always ​illuminating, and not infrequently amusing; but he anticipates the smiling indifference with which those who come after us will look back upon our enthusiasms and absurdities. Humour, as he sees it, is that thrice blessed quality which enables us to laugh, when otherwise we should be in danger of weeping. "We are ridiculous animals," observes Horace Walpole unsympathetically, "and if angels have any fun in their hearts, how we must divert them."
It is this clear-sighted, non-combative humour which Americans love and prize, and the absence of which they reckon a heavy loss. Nor do they always ask, "a loss to whom?" Charles Lamb said it was no misfortune for a man to have a sulky temper. It was his friends who were unfortunate. And so with the man who has no sense of humour. He gets along very well without it. He is not aware that anything is lacking. He is not mourning his lot. What loss there is, ​his friends and neighbours bear. A man destitute of humour is apt to be a formidable person, not subject to sudden deviations from his chosen path, and incapable of frittering away his elementary forces by pottering over both sides of a question. He is often to be respected, sometimes to be feared, and always—if possible—to be avoided. His are the qualities which distance enables us to recognize and value at their worth. He fills his place in the scheme of creation; but it is for us to see that his place is not next to ours at table, where his unresponsiveness narrows the conversational area, and dulls the contagious ardour of speech. He may add to the wisdom of the ages, but he lessens the gayety of life.