OpenLLM-France/wikimedia huggingface dataset:
# Christopher v. Norvell

* related portals: Supreme Court of the United States.
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United States Supreme Court
201 U.S. 216
Christopher v. Norvell
Argued: March 9, 1906. --- Decided: April 2, 1906
Mr. H. H. Buckman for plaintiffs in error.
[Argument of Counsel from pages 216-219 intentionally omitted]
Mr. Duncan Upshaw Fletcher for defendant in error.
[Argument of Counsel from pages 219-221 intentionally omitted]
Mr. Justice Harlan delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Christy v. Lujan

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
490 U.S. 1114
Christy v. Lujan
No. 88-1461
On petition for writ of certiorari to the United States Court of Appeals for the Ninth Circuit.
The petition for a writ of certiorari is denied.
Justice WHITE, dissenting.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Christy v. Alford

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
58 U.S. 601
Christy v. Alford
THIS case was brought up, by writ of error, from the district court of the United States for the district of Texas.
The case is stated in the opinion of the court.
It was submitted upon printed arguments, by Mr. Crittenden, Mr. Hughes, and Mr. Lawrence, for the plaintiff in error, and by Mr. Hill and Mr. Henderson, for the defendant.
Mr. Justice CURTIS delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Collier's New Encyclopedia (1921)/Tumor

Edition of 1921; disclaimer.
​TUMOR, in surgery, any morbid parasitic growth, generally, though not always, attended by swelling. Tumors are primarily divided into two classes, the first innocent, including non-malignant, solid, benign, or sarcomatous, and the second malignant growths. Tumors of the first type occur in comparatively few tissues, and do not alter the adjacent parts unless the tumor produces pressure and partial inflammation; they have no tendency to ulcerate or slough, and, if extirpated by a surgical operation, they do not grow again. They vary considerably in structure, being fatty, cellular, fibrous, fibroid or tendonous, encysted, vascular, cartilaginous, osseous, or fibro-cartilaginous. Fatty and cartilaginous tumors often reach a size so large that they weigh many pounds. They should be excised while they are small. A tumor of the second type, on the contrary, may arise in almost any part of the body, though some parts are more liable than others to attacks. They tend to propagate their morbid action to the adjacent parts, or, by means of the blood, even to spots remote from their formative seat; they ulcerate or slough, and, when extirpated by surgical operation, grow again, either at the original or some other place. The cancer and tubercle are leading types of malignant tumors. A third type of tumor, the semi-malignant, is intermediate between the first two, and includes some forms of sarcomic and of melanotic tumor, the painful subcutaneous tumor or tubercle, nævi, polypi, etc. Melanosis is commoner in horses than in the human subject, and chiefly in white or gray horses. Various tumors are inter-thoracic, affecting the heart, the lungs, etc. There are also tumors of the brain, of the liver, the rectum, etc.; and in women the uterus and the vagina are specially liable to be affected with tumor.
# Collier's New Encyclopedia (1921)/Tunbridge

Edition of 1921; disclaimer.
​TUNBRIDGE, or TONBRIDGE, a market-town of Kent, England; 29½ miles S. E. of London; on the Medway, which here divides into six streams, one of them called the Tun. A castle, originally Norman, but largely rebuilt in 1280-1300, and held successively by Fitz-Gilberts, De Clares, Audleys, and Staffords, retains a fine Early Decorated gatehouse. The manufacture of toys, boxes, and other articles in “Tunbridge ware" (a kind of wood mosaic in veneer) is a specialty. Pop. about 15,000.
# Collier's New Encyclopedia (1921)/Tungsten

Edition of 1921; disclaimer.
​TUNGSTEN, a rare metallic element, found in wolfram, which is a tungstate of iron and manganese, and likewise found in scheelite, which is a tungstate of lime. The metal (Swedish, tung-sten, "heavy stone”) is obtained either as a dark-gray powder or in heavy iron-gray bars, which are very hard and difficult of fusion, and have a sp. gr. of 19.1. Aqua regia and nitric acid convert it into tungstic acid. When 10 parts of this metal are alloyed with 90 of steel a mass of extraordinary hardness is obtained. Tungsten forms two compounds with oxygen—viz., a binoxide, WO$_2$, which is ​obtained in the form of a brown powder by heating tungstic acid to low redness in a current of hydrogen, and which does not form salts with acids; and an acid oxide, known as tungstic anhydride, WO$_3$. Various tungstates have been formed and examined. Of these the most important is the tungstate of soda, which answers admirably as a means of preventing muslin, etc., from bursting out in a flame when brought in contact with fire.
# Collier's New Encyclopedia (1921)/Tungstite

Edition of 1921; disclaimer.
​TUNGSTITE, a mineral occurring mostly as an earthy incrustation, but has been found in distinct cubic crystals at St. Leonard, near Limoges, France. Color, bright yellow or yellow-green. Composition: Oxygen, 20.7; tungsten, 79.3=100, with the formula WO$_3$. Called also tungstic acid and tungstic ocher.
# Collier's New Encyclopedia (1921)/Tunis (protectorate)

Edition of 1921; disclaimer.
​TUNIS, a country of north Africa, now a French protectorate; bounded on the N. and N. E. by the Mediterranean, on the S. E. by Tripoli, and on the W. and S. W. by Algeria; area, estimated at 51,000 square miles; pop. about 1,900,000. The coast line presents three indentations, forming the Bay of Tunis on the N., and those of Hammamet and Cabes or the Lesser Syrtis on the E. The N. W. portion of the country is traversed by the Atlas Mountains, which on their lower slopes have many fertile tracts, partly under culture. Between these mountains and the Gulf of Hammamet on the E. stretches the extensive plain or plateau of Kairwan. The only river of any consequence is the Mejerdah. In 1900 there were 883 miles of railway, of which 866 belong to the state. Agriculture is very much neglected; the principal crops are wheat, barley, and maize; olive plantations are numerous, while tobacco is largely, and cotton, indigo, saffron, and opium partially, grown. On several parts of the coast the fisheries, including that of coral, are valuable. The manufactures consist chiefly of woolen fabrics, soap, dyed skins, and ordinary and morocco leather. The inhabitants consist of a mixture of Moors and Arabs, along with Berbers, here called Kroumirs, occupying the elevated tract N. of the valley of Mejerdah. In ancient times Tunis belonged to the Carthaginians, afterward formed part of the Roman province of Africa, was subdued about 675 by the Arabs, became a powerful state under independent rulers in the 13th century, and in 1575 was incorporated with the Ottoman empire. In the spring of 1881 the French invaded Tunis, in order to punish the turbulence of the Kroumirs, and the French minister resident is now the virtual ruler of the country. Under French administration the Tunisian debt has been consolidated, commerce has increased, the means of transit have been improved, and a number of primary schools established. The exports in 1918 amounted to £5,181,728, and imports to £8,297,718.
# Collier's New Encyclopedia (1921)/Tuning Fork

Edition of 1921; disclaimer.
​TUNING FORK, an instrument of steel, consisting of two prongs, branching from a short handle, which, when set in vibration, gives a musical note. It was invented by John Shore, in 1711. Though the pitch of forks varies slightly with changes of temperature, or by rust, etc., they are the most accurate means of determining pitch. They are capable of being made of any pitch within certain limits, but those most commonly used are the notes A and C, giving the sounds represented by the second and third spaces in the treble stave. The vibration number of the note C varies from 518 (French diapason-normal) and 528 (Scheibler-medium) to 540 and 544 (Philharmonic).
# Collier's New Encyclopedia (1921)/Tunis (city)

Edition of 1921; disclaimer.
​TUNIS, a city and capital of the protectorate of the same name; situated at the head of a salt lake, nowhere more than 6 feet deep, which communicates by a narrow channel with the Gulf of Tunis, an inlet 30 miles long. At the outlet of the lake is Goletta, the port of Tunis, whose harbor is a roadstead with good anchorage, and is sheltered from the N. Goletta is connected by railway with Tunis, which is a walled, fortified, and straggling city, whose winding streets ​are now paved. The whole town has been built of materials taken from the ruins of Carthage, 13 miles N. E. The bazaars of Tunis are good, and some of the mosques are splendid edifices, but Europeans are jealously excluded from them. The Bey's palace is a modern building in the Saracenic style of architecture, internally decorated with great magnificence, but with little taste. The city has many schools and colleges, French and Jewish, and in the Great Mosque is also a Mohammedan college. Tunis has important manufactures of woolen, linen, and silk goods (which are exported to all the Mohammedan countries bordering on the Mediterranean), morocco leather, olive oil, soap, and perfumes. A canal opened in 1893 renders Tunis directly accessible to ocean-going vessels. Pop. about 200,000.
# Collier's New Encyclopedia (1921)/Tunic

Edition of 1921; disclaimer.
​TUNIC, in classical antiquities, a very ancient form of garment in constant use among the Greeks and ultimately adopted by the Romans. The Roman tunic was a sort of shirt worn under the toga, and buckled round the waist by a girdle. It reached an inch or two below the knees, and the sleeves were so short that they merely covered the shoulders; for though tunics hanging down to the ankles (tunicæ talares), and with sleeves extending to the wrists and terminating in fringes (tunicatæ manicatæ et fimbriatæ) were not unknown toward the close of the republic, they were always regarded as indications of effeminate foppery.
# Collier's New Encyclopedia (1921)/Tumulty, Joseph Patrick

Edition of 1921; disclaimer.
​TUMULTY, JOSEPH PATRICK, an American public official, born in Jersey City, N. J., May 5, 1879; educated at St. Peter's College, Jersey City, and after studying law was admitted to the New Jersey bar, in 1902. From 1907 to 1910 he was a member of the New Jersey Assembly. In 1910 he was appointed private secretary to Woodrow Wilson, then governor of New Jersey. In 1912 he was appointed secretary of the Supreme Court of New Jersey. After Governor Wilson's election to the Presidency of the United States he was appointed secretary to the President in 1913, serving throughout both terms of President Wilson.
# Collier's New Encyclopedia (1921)/Tuning

Edition of 1921; disclaimer.
​TUNING, the correct adjustment of the sounds of a musical instrument. Such instruments as the flute and horn are tuned without any difficulty, as, if the pitch is altered by accident, it affects every note, and may easily be rectified by varying the length of the pipe. The notes of the organ and pianoforte, however, are unconnected and independent, and require careful adjustment from time to time. Stringed instruments, such as the violin and harp, require tuning on every occasion on which they are used.
# Complete Encyclopaedia of Music/B/Bagatti Francesco

Bagatti Francesco. A celebrated com-poser and organist at Milan. He wrote some church music about the year 1650.
# Complete Encyclopaedia of Music/B/Bagge, Baron C. Ernest De

Bagge, Baron C. Ernest De, gentleman of the chamber to the King of Prussia, died at Paris in 1791. He was a celebrated amateur player on the violin, but had a most singular method. He published also a concerto for that instrument.
# Complete Encyclopaedia of Music/B/Baeumel

Baeumel, director of the music at Bamberg, died in 1796. He was an excellent performer on the violin.
# Complete Encyclopaedia of Music/B/Baeumer, Friedrich

Baeumer, Friedrich, chamber musician to the Queen of Prussia in 1794, has published some romances, &c.
# Complete Encyclopaedia of Music/B/Bahn, T. G

Bahn, T. G., published at Berlin, in 1790, six trios for the harpsichord and two violins.
# Complete Encyclopaedia of Music/B/Bagatella, Antonio

Bagatella, Antonio, wrote at Padua, in 1796, a valuable work on the construction of violins, tenors, violoncellos, and bass viols.
# Complete Encyclopaedia of Music/B/Baglioni, Francois

Baglioni, Francois, born at Rome, was an excellent singer since the year 1740. He had five daughters, all of whom distinguished them-selves as singers.
# Complete Encyclopaedia of Music/B/Baglioni, Louis

Baglioni, Louis. Son of the preceding, and one of the best violinists at Wurtemburg since the year 1770.
# Complete Encyclopaedia of Music/B/Bahidt

Bahidt, a celebrated performer on the hautboy at Copenhagen.
# Clarel/Part 3/Canto 26
## 26. Vine and the Palm

Along those ledges, up and down-- Through terce, sext, nones, in ritual flight To vespers and mild evening brown; On errand best to angels known, A shadow creepeth, brushed by light. 5 Behold it stealing now over one Reclined aloof upon a stone
High up. 'Tis Vine.  And is it I (He muses), I that leave the others, 10 Or do they leave me? One could sigh For Achmed with his hundred brothers: How share the gushing amity With all? Divine philanthropy! For my part, I but love the past-- 15 The further back the better; yes, In the past is the true blessedness; The future's ever overcast-- The present aye plebeian. So, Mar Saba, thou fine long-ago 20
Lithographed here, thee do I love; And yet to-morrow I'll remove With right good will; a fickle lover Is only constant as a rover. Here I lie, poor solitaire; 25 But see the brave one over there- The Palm! Come now, to pass the time I'll try an invocation frec Invoke it in a style sublime, Yet sad as sad sincerity:-- 30
 "Witness to a watered land, Voucher of a vernal year-- St. Saba's Palm, why there dost stand? Would'st thou win the desert here To dreams of Eden? Thy device 35 Intimates a Paradise! Nay, thy plume would give us proof That thou thyself art prince thereof, Fair lord of that domain.  "But, lonely dwelling in thy reign, 40 Kinship claimest with the tree Worshipped on Delos in the sea-- Apollo's Palm? It ended; Nor dear divinities befriended.--  "Thou that pledgest heaven to me, 45 Stem of beauty, shaft of light, Behold, thou hang'st suspended Over Kedron and the night! Shall come the fall? shall time disarm The grace, the glory of the Palm? 50  "Tropic seraph! thou once gone, Who then shall take thy office on-- Redeem the waste, and high appear, Apostle of Talassa's year And climes where rivers of waters run? 55  "But braid thy tresses--yet thou'rt fair: Every age for itself must care: Braid thy green tresses; let the grim Awaiter find thee never dim! Serenely still thy glance be sent 60 Plumb down from horror's battlement: Though the deep Fates be concerting A reversion, a subyerting, Still bear thee like the Seraphim."
 He loitered, lounging on the stair: 65 Howbeit, the sunlight still is fair.  Next meetly here behooves narrate How fared they, seated left but latc Viewless to Vine above their dell, Viewless and quite inaudible: 70 Derwent, and his good gossip cosy, The man of Lesbos, light and rosy, His anecdote about to tell.
# Clarel/Part 3/Canto 2
## 2. The Carpenter

From vehemence too mad to stem Fain would they turn and solace them. Turn where they may they find a dart. For while recumbent here they view, Beneath them spread, the seats malign, 5 Nehemiah recurs--in last recline A hermit there. And some renew Their wonderment at such a heart, Single in life--in death, how far apart! That life they question, seek a clew: Those virtues which his meekness knew, 10 Marked these indeed but wreckful wane Of strength, or the organic man? The hardy hemlock, if subdued, Decays to violets in the wood, Which put forth from the sodden stem: 15 His virtues, might they breed like them?  Nor less that tale by Rolfe narrated (Thrown out some theory to achieve), Erewhile upon Mount Olivet, That sea-tale of the master fated; 20 Not wholly might it here receive An application such as met The case. It needed something more Or else, to penetrate the core.  But Clarel--made remindful so 25 Of by-gone things which death can show In kindled meaning--here revealed That once Nehemiah his lips unsealed (How prompted he could not recall) In story which seemed rambling all, 30 And yet, in him, not quite amiss. In pointed version it was this:  A gentle wight of Jesu's trade, A carpenter, for years had made His living in a quiet dell, 35 And toiled and ate and slept alone,
Esteemed a harmless witless one. Had I a friend thought he, 'twere well. A friend he made, and through device Of jobbing for him without price. 40 But on a day there came a word-- A word unblest, a blow abhorred. Thereafter, in the mid of night, When from the rafter and the joist The insect ticked; and he, lone sprite, 45 How wakeful lay, what word was voiced? Me love;fear only man. And hc He willed what seemed too strange to be: The hamlet marveled and the glade: Interring him within his house, 50 He there his monastery made, And grew familiar with the mouse. Down to the beggar who might sing, Alms, silent alms, unseen he'd fling, And cakes to children. But no more 55 Abroad he went, till spent and gray, Feet foremost he was borne away.
 As when upon a misty shore The watchful seaman marks a light Blurred by the fog, uncertain quite; 60 And thereto instant turns the glass
And studies it, and thinks it o'er By compass: Is't the cape we pass? So Rolfe from Clarel's mention caught Food for an eagerness of thought: 65 "It bears, it bears; such things may be: Shut from the busy world's pell-mell And man's aggressive energy-- In cloistral Palestine to dwell And pace the stone!" 70  And Mortmain heard, Attesting; more his look did tell Than comment of a bitter word. Meantime the ass, high o'er the bed
Late scooped by Siddim's borders there-- 75 As stupefied by brute despair, Motionless hung the earthward head.
# Clarel/Part 3/Canto 20
## 20. Afterward

"Seedsmen of old Saturn's land, Love and peace went hand in hand, And sowed the Era Golden!
"Golden time for man and mead: Title none, nor title-deed, 5 Nor any slave, nor Soldan.
"Venus burned both large and bright, Honey-moon from night to night, Nor bride, nor groom waxed olden.
"Big the tears, but ruddy ones, 10 Crushed from grapes in vats and tuns Of vineyards green and golden!
"Sweet to sour did never sue, None repented ardor true-- Those years did so embolden. 15
"Glum Don Graveairs slunk in den: Frankly roved the gods with men In gracious talk and golden.
"Thrill it, cymbals of my rhyme, Power was love, and love in prime, 20 Nor revel to toil beholden.
"Back, come back, good age, and reign, Goodly age, and long remain-- Saturnian Age, the Golden!"
The masquer gone, by stairs that climb, 25
In seemly sort, the friars withdrew; And, waiting that, the Islesman threw His couplets of the Arcadian time, Then turning on the pilgrims: "Hoo!
"The bird of Paradise don't like owls: 30 A handful of acorns after the cowls!"
 But Clarel, bantered by the song, Sad questioned, if in frames of thought And feeling, there be right and wrong; Whether the lessonJoel taught 35 Confute what from the marble's caught In sylvan sculpture--Bacchant, Faun, Or shapes more lax by Titian drawn. Such counter natures in mankind-- Mole, bird, not more unlike we find: 40 Instincts adverse, nor less how true Each to itself. What clew, what clew?
# Clarel/Part 3/Canto 22
## 22. The Medallion

In Saba, as by one consent, Frequent the pilgrims single went; So, parting with his young compeer, And breaking fast without delay, For more restorative and cheer, 5 Good Derwent lightly strolled away Within this monkish capital. Chapels and oratories all, And shrines in coves of gilded gloom; The kitchen, too, and pantler's room-- 10 Naught came amiss.  Anear the church He drew unto a kind of porch Such as next some old minsters be, An inner porch (named Galilee 15 In parlance of the times gone by), A place for discipline and grief. And here his tarry had been brief But for a shield of marble nigh, Set in the living rock: a stone 20 In low relief, where well was shown, Before an altar under sky, A man in armor, visor down, Enlocked complete in panoply, Uplifting reverent a crown 25 In invocation.  This armed man In corselet showed the dinted plate, And dread streaks down the thigh-piece ran; But the bright helm inviolate 30 Seemed raised above the battle-zone-- Cherubic with a rare device; Perch for the Bird-of-Paradise. A victor seemed he, without pride Of victory, or joy in fame: 35 'Twas reverence, and naught beside, Unless it might that shadow claim Which comes of trial. Yes, the art So cunning was, that it in part By fair expressiveness of grace 40 Atoned even for the visored face.
 Long time becharmed here Derwent stood, Charmed by the marble's quiet mood Of beauty, more than by its tone Of earnestness, though these were one 45 In that good piece. Yes, long he fed Ere yet the eye was lower led To trace the inseription underrun:
O fair and friendly manifested Spirit! Before thine altar dear 50 Let me recount the marvel of the story Fulfilled in tribute here.
In battle waged where all was fraudful silence, Foul battle against odds, Disarmed, I, fall'n and trampled, prayed: Death, su 55 Come, Death: thy hand is God's!
A pale hand noiseless from the turf responded, Riving the turf and stone: It raised, re-armed me, sword and golden armor, And waved me warring on. 60
O fairest, friendliest, and ever holy-- O Love, dissuading fate--
To thee, to thee the rescuer, thee sainted,  The crown I dedicate:
To thee I dedicate the crown, a guerdon 65  The winner may not wear; His wound re-opens, and he goes to haven:  Spirit! befriend him there.
 "A hero, and shall he repine? 'Tis not Achilles;" and straightway 70 He felt the charm in sort decline; And, turning, saw a votary gray: "Good brother, tell: make this thing clear: Who set this up?" "'Twas long ago, Yes, long before I harbored here, 75 Long centuries, they say." "Why, no! So bright it looks, 'tis recent, sure. Who set it up?" "A count turned monk." "What count?" "His name he did abjure For Lazarus, and ever shrunk 80 From aught of his life's history: Yon slab tells all or nothing, see. But this I've heard; that when the stone Hither was brought from Cyprus fair (Some happy sculptors flourished there 85 When Venice ruled), he said to one: 'They've made the knight too rich appear-- Too rich in helm.' He set it here In Saba as securest place, For a memorial of grace 90 To outlast him, and many a year."
# Cinderella

* related portals: Cinderella.
* sister projects: Wikipedia article, Commons category, definition, Wikidata item.
Title variants include: Ashputtel, Aschenputtel, Cinderilla, Cendrillon, and Cinder-Maid. See the Cinderella portal for many other variants, and reference works on the tale.
* "Cinderella" by Charles Perrault, illustrated by Antoine Clouzier, in The Tales of my Mother Goose (1697)
* "Aschenputtel" by Brothers Grimm, in Grimms' fairy tales (1812)
* "The Cinderella Cat" by Giambattista Basile, in Pentamerone (1634)
* A combination of all versions:
** "Cinder-Maid" [notes] Europa's fairy book restored and retold by Joseph Jacobs done into pictures by John D. Batten. 1921 (1916).