OpenLLM-France/wikimedia huggingface dataset:
# 1922 Encyclopædia Britannica/Repplier, Agnes

See also Agnes Repplier on Wikipedia, and the disclaimer.
​REPPLIER, AGNES (1858- ), American writer, was born in Philadelphia April 1 1858. She was of French extraction and was educated at the Sacred Heart Convent at Torresdale, near Philadelphia. She was one of America's chief representatives of the discursive essay, displaying wide reading and apt quotation. Her writings contain much sound literary criticism as well as caustic comments on contemporary life. These characteristics were already apparent in the first essay which she contributed to the Atlantic Monthly (April 1886), entitled "Children, Past and Present." In 1902 the university of Pennsylvania conferred upon her the degree of Litt.D. She was the author of Books and Men (1888); Essays in Miniature (1892); Essays in Idleness (1893); Philadelphia the Place and the People (1898); Compromises (1904); In our Convent Days (1905); Americans and Others (1912); Counter-Currents (1915).
# 1922 Encyclopædia Britannica/Reynolds, Osborne

See also Osborne Reynolds on Wikipedia, and the disclaimer.
REYNOLDS, OSBORNE (1842-1912), British engineer, was born at Belfast in 1842. He was educated at Dedham grammar school and at Cambridge, and in 1868 became professor of engineering at Owens College, Manchester, holding that post
for nearly 40 years. He was elected F.R.S. in 1877. He was the author of over 70 papers on mechanics and physics published in the transactions of learned societies, notably Sub-Mechanics of the Universe, issued by the Royal Society, whose gold medal he won in 1888. (For his work see 3.581; 5.64; 8.783; 14.61; 22.806; 25.444; 28.428.) He died at Watchet, Som., Feb. 21 1912.
# A Dictionary of Music and Musicians/Hainl, Georges

From volume 1 of the work.
[ G. C. ]
# A Dictionary of Music and Musicians/Hafner

From volume 1 of the work.
​HAFNER. A name sometimes given to Mozart's Symphony in D (Köchel, No. 385),
[ G. ]
# A Dictionary of Music and Musicians/Haigh, Thomas

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Hale, Adam de la

​HALE, Adam de la (Le bossu or boiteux d'Arras), one of the most prominent figures in the long line of Trouvères who contributed to the formation of the French language in the 12th and 13th centuries, was born at Arras about 1240. Tradition asserts that he owed his surname, Le Bossu, to a personal deformity; but he himself writes, 'On m'appelle bochu, mais je ne le suis mie.' His father, Maître Henri, a well-to-do burgher, sent him to the Abbey of Vauxcelles, near Cambrai, to be educated for Holy Orders; but, falling desperately in love with a 'jeune demoiselle' named Marie, he evaded the tonsure and made her his wife. At first the lady seemed to him to unite 'all the agrémens of her sex'; but he soon regarded her with so great aversion that he effected a separation and retired, in 1263, to Douai, where he appears to have resumed the ecclesiastical habit. After this, we hear little more of him, until the year 1282, when, by command of Philippe le Hardi, Robert II. Comte d'Artois, accompanied the Due d'Alençon to Naples, to aid the Duc d'Anjou in taking revenge for the Vêpres Siciliennes. Adam de la Hale, having entered Count Robert's service, accompanied him on this expedition, and wrote some of his most important works for the entertainment of the French Court in the Two Sicilies. The story of his death, at Naples, in 1285, is told by his contemporary, Jean Bodel d'Arras, in 'Le Gieus du Pelerin': the statement in the Dict. Hist. of Prudhomme, that he returned to France and became a monk at Vauxcelles, is therefore incorrect.
Adam de la Hale's most interesting work was a Dramatic Pastoral, entitled, 'Le jeu de Robin et de Marion,' written for the French Court at Naples, and first performed in 1285. Eleven personages appear in the piece, which is written in dialogue, divided into scenes, and interspersed—after the manner of an Opéra Comique—with airs, couplets, and duos dialogués, or pieces in which two voices sing alternately, but never together. The work was first printed by the Société des Bibliophiles de Paris, in 1822 (30 copies only), from a MS. in the Paris Library; and one of the airs is given in Kiesewetter's 'Schicksal und Beschaffenheit des weltlichen Gesanges' (Leipzig, 1841).
[ W. S. R. ]
# A Dictionary of Music and Musicians/Half-Close

From volume 1 of the work.
[ G. ]
# A Dictionary of Music and Musicians/Hague, Charles

From volume 1 of the work.
[ W. H. H. ]
# A Dictionary of Music and Musicians/Haitzinger, Anton

From volume 1 of the work.
​HAITZINGER, Anton, born in 1796 at Wilfersdorf, Lichtenstein, Austria, was sent at the age of 14 to the college of Cornenburg, whence he returned with the degree of licentiate; and soon after found a professor's place at Vienna. He continued to study music, and took lessons in harmony from Wölkert; while his tenor voice was daily developing and improving. Having received some instructions from Mozzati, the master of Mme. Schröder-Devrient, he decided to give up his profession for that of a public singer. He was first engaged at the An-der-Wien Theatre in 1821 as primo tenore, and made triumphant débuts as Gianetto ('Gazza Ladra '), Don Ottavio (Don Giovanni), and Lindoro ('L'Italiana in Algieri'). His studies were continued under Salieri. His reputation becoming general, several new rôles were written for him, among others that of Adolar in 'Euryanthe'; and he paid successful visits to Prague, Presburg, Frankfort, Carlsruhe, etc. The last-named place became his head-quarters until his retirement.
In 1831 and 32 he created a deep impression at Paris with Mme. Schröder-Devrient, in 'Fidelio,' 'Oberon,' and 'Euryanthe.' In 1832 he appeared in London, with the German company conducted by M. Chelard. His voice, described by Lord Mount-Edgcumbe as 'very beautiful, and almost equal to Tramezzani's,' seemed 'throaty and disagreeable' to Mr. Chorley. The latter describes him as 'a meritorious musician with an ungainly presence; an actor whose strenuousness in representing the hunger of the imprisoned captive in the dungeon trenched closely on burlesque.' (See Moscheles' Life, i. 270 etc.) Haitzinger sang here again in 1833 and also in 1841, and in 1835 at St. Petersburg. He died at Carlsruhe Dec. 31, 1869.
[ J. M. ]
# A Dictionary of Music and Musicians/Haeser, August

From volume 1 of the work.
[ M. C. C. ]
# A Dictionary of Music and Musicians/Haessler, Johann

​HAESSLER, Johann Wilhelm, born Mar. 29, 1747, at Erfurt, received his first musical instruction from his uncle, the organist Kittel, who had been a pupil of Sebastian Bach's. At the age of 14 he was appointed organist of the Barfüsserkirche. His father, who was a capmaker, insisted on apprenticing him to his own trade, and on his commercial travels he became acquainted with the great musicians of his time, besides giving lessons and concerts. In 1780 he started winter concerts in Erfurt, and at the same time gave up his business. From 1790 to 1794 he spent his time in concert tours, being especially successful in London and St. Petersburg. In the former he played a concerto of Mozart's, on May 30, 1792. In 1794 he took up his residence in Moscow, where he died, March 25, 1822. Many compositions for pianoforte and organ, as well as songs, are mentioned by Gerber in his Lexicon. (Mendel's Lexicon.)
# A Dictionary of Music and Musicians/Hall, Henry

From volume 1 of the work.
​HALL, Henry, son of Capt. Henry Hall of Windsor, where he was born about 1655, was a chorister of the Chapel Royal under Capt. Cooke. He is said to have studied under Dr. Blow, but this is doubtful. In 1674 he succeeded Theodore Coleby as organist of Exeter Cathedral, an appointment which he resigned on becoming organist and vicar choral of Hereford Cathedral. It is said that about 1696 Hall took deacon's orders to qualify himself for some preferment in the gift of the Dean and Chapter of Hereford. He composed a Te Deum in E flat, a Benedicite in C minor, and a Cantate Domino and Deus Misereatur in B flat, all which, together with 5 anthems, are included in the Tudway Collection (Harl. MSS. 7340 and 7342), and other anthems of considerable merit. The Te Deum has been printed with a Jubilate by William Hine, and an Evening Service by Dr. W. Hayes. Some songs and duets by Hall are included in 'Thesaurus Musicus,' 1693, and 'Deliciæ Musicæ,' 1695, and some catches in 'The Monthly Masks of Vocal Music' for 1704 and 1707. Hall cultivated poetry as well as music; commendatory verses of some merit by him are prefixed to both books of Purcell's 'Orpheus Britannicus,' 1698 and 1702, and to Blow's 'Amphion Anglicus,' 1700. He died March 30, 1707, and was buried in the cloister of the vicars choral at Hereford.
[ W. H. H. ]
# 20th century Models/23
## Warner's Perfection Waists.

| Style 2.–Child's Waist. Buttons fastened with tapes. Buttonholes bound with tape. Sizes, 19 to 27 in. Made of a fine quality sateen; pliable garment; reinforced with cords extending over the arms, and double bands around the waist. It may be buttoned either in front or at the back, as preferred. White and drab. $2.40 per doz. | Warner's WAIST 2. |
| Warner's WAIST 5. | Style 5.–Miss's Waist. Buttons fastened with tapes. Buttonholes bound with tape. Sizes, 19 to 27 in. Made of fine sateen jean, with buttons in front and laced at the back; provided with attachments for fastening the hose supporters at the hips. White and drab. $4.50 per doz. |
| Style 42.–A Waist Suitable for Boys or Girls. Buttons fastened with tapes. Buttonholes bound with tape. Sizes, 19 to 27 in. Three-ply waist made of superior sateen, finely corded. The pattern is practically our original " Wilson's Waist," which is so generally known to the trade. White and drab. $4.50 per doz. | Warner's Waist 42. |
23
# 20th century Models/26

The Warner Bros. Co.
New York Chicago San Francisco
I. M~.
# 20th century Models/I

Century Models, The Warner bros Co~, New York, Chicago, San Francisco
# 20th century Models/18

| Warner's 55 | Warner's 55. Summer. 12½-inch clasp. Four hooks. Two side steels. Sizes, 18 to 30 in. Made of extra fine ventilating material; rust - proof boning, which absolutely prevents rusting of bones and steels; trimmed at the upper edge with lace woven with ribbon. White. $6.00 per cloz. |
| Warner's 51. Summer. 13-inch clasp, Five hooks, Two side steels. Sizes, 18 to 30 in. Made of netting; rust-proof boning, which abso- lutely prevents rusting of bones and steels, trimmed with silk embroidery. White. $6.50 per doz. | Warner's 51 |
| Warner's SENSATION. | Sensation. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen; black made of sateen throughout; boned bust; flossed with silk. White, drab and black. $4.25 per doz. |
| Lenox. 13-inch clasp. Five hooks. Three broad side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen; corded bust; handsomely silk flossed; trimmed with silk em- broidery at the top. White and drab. $4.50 per doz. | Warner's LENOX |
# 20th century Models/19

| Warner's RECORD | Record. 13½-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of Bedford cord, stripped with sateen; flossed with silk; trimmed with embroidery at the upper edge. White and drab. $4.50 per doz. |
| Minerva. 11½-inch clasp. Four hooks. Two side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen; black made of sateen throughout; boned bust; handsomely flossed with silk; trimmed with embroidery at the upper edge. White, drab and black. $4.50 per doz. | Warner's MINERVA |
| Warner's TRIUMPH | Triumph. Long Waist. 14-inch clasp. Six hooks. Three side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen; heavily corded bust; shaped from high-bust models; especially designed for slender forms. White, drab and black. $4.50 per doz. |
| Trophy. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen, with a cording of sateen. extending over the hips and bust. Made in white and drab. $4.50 per doz. | Warner's TROPHY |
19<
# 20th century Models/22

| Warner's ICICLE. | Icicle. Summer. 12½-inch clasp. Four hooks. Two side steels. Sizes, 18 to 30 in. Made of fancy netting; trimmed at the upper and lower edges with lace woven with ribbon. $4.50 per doz, |
* Wonder.
* Summer.
* 11½-inch clasp.
* Four hooks.
* Sizes, 18 to 30 in.
* Made of fine netting, stripped with sateen, with zone waistband; handsomely
* trimmed top and bottom with wide lace.
* $4.25 per doz.
| Sprite. Summer. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of fine netting, stripped with sateen; zone of sateen around waist. $3.90 per doz. | Warner's SPRITE. |
| Warner's SYLPH. | Sylph. Summer. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of fine netting, stripped with sateen; waist sus- tained by narrow strips of sateen; trimmed at the upper edge with lace. $3.65 per doz. |
22
# 20th century Models/21

| Warner's GLEAM Summer. | Gleam. Summer. 13½-inch clasp. Five hooks. Three side steels. Sizes, 18 to 30 in Made of fancy ventilating material, with continuous strips of sateen around the waist; trimmed with silk embroidery. $4.50 per doz. |
| La Violette. Summer. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of fine netting, stripped with sateen ; trimmed at upper edge with lace woven with ribbon ; boned with steel throughout. $4.50 per doz. | Warner's LA VIOLETTE |
| Warner's Triumph—Dress Form. | Triumph—Dress Form. Summer. 14-inch clasp. Six hooks. Three side steels. Sizes, 18 to 30 in. Made of netting, stripped with sateen ; the bust espe-­ cially designed for slim figures. $4.50 per doz. |
* Intrepid
* 13-inch clasp.
* Five hooks.
* Two side steels.
* Sizes, 18 to 30 in.
* Made of jean, stripped with sateen; stripped bust and zone. White and drab.
* $3.40 per doz.
21
# 20th century Models/25

SPECIMEN NEWSPAPER ADVERTISEMENTS. :
| Warner's Corset Warner's Corsets Are not very different from other good corsets. One particular only in which they differ–it's a good one–one the wearer will appreciate–they are rust- proof, which no other corsets are. All things equal, is not this point worth con- sidering? Rust-stained corsets are not pleasing to the eye, and are certainly damaging to the underlinen.  Warner's Corsets–20th Century Models–cost no more with the added rust-proof points than other corsets.    75c., $1.00, $1.25    and $1.50 a pair.  We shall be glad to exploit their good points. | THERE'S A DIFFERENCE BETWEEN CORSETS MADE  EXACTLY RIGHT AND THOSE   MADE MERELY TO SELL. Warner's Corsets, 20th Century Models— The name denotes that they are an advance–e x c e p t in price–in all that makes a corset wearable. Their shape, ease and perfectness prove their worth, the longer you wear them. That's why we ask you to try one of Warner's Cor- sets–20th Century Models.  75c., $1.00, $1.25, $1.50. |
| There Are So Many Different Makes of corsets in these days that one is puzzled to know the right one to choose. All are good in their way, but none is absolutely perfect from the standpoint of maker, retailer and wearer. They don't all think alike. There is only one way to intelligently decide: let the sales- woman make the se- lection for you; it is to her interest to choose the most suitable. We are interesting our cus- tomers in Warner's Corsets–20th Cen= tury Models. If at present you are not a customer of ours, allow us to endeavor to make you one. We have other styles of corsets if you desire them, but we are sure you will not when you know the points of Warner's Corsets–20th Century Models They are to be had at 75c., $1,00, 1.25, 1.50 per pair. Ask for them. | Warner's 67  There is more to a corset than the name–which means little unless backed by merit. This is what Warner's Cor- sets are backed by–merit.   Of graceful shape–   An extra finish–   Light in weight,   and rust-proof boning. Will only cost  75c , $1.00, $1.25, or $1.50 a pair.  Quality of material makes the differ- ence in price, not shape. It is right at all prices. |
# 20th century Models/20

| Warner's Seldom. | Seldom. 13½-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of coutille, stripped with sateen; black made of sateen throughout; boned bust; flossed with silk and trimmed with embroidery. White, drab and black. $4.50 per doz. |
| La Violette. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen, boned with steel throughout; trimmed at the upper edge with lace woven with ribbon. White and drab. $4.50 per doz. | Warner's La Violette. |
| Warner's Good Luck—Misses. | Good Luck—Misses. Shoulder Straps. 12-inch clasp. Five hooks. Sizes, 18 to 26 in. Made of jean, stripped with sateen, with a section of sateen at the waistline ; flossed with silk; trimmed with silk em- broidery. This corset is especially adapted to the develop- ing form. White and drab. $4.50 per doz. |
| Gem. 13-inch clasp. Five hooks. Two side steels. Sizes, 18 to 30 in. Made of jean, stripped with sateen; corded bust; trimmed with silk embroidery at the top. White and drab. $3.90 per doz. | Warner's Gem. |
20
# 20th century Models/24

| Style 43.–Miss's Waist. Buttons fastened with tapes. Buttonholes bound with tape. Sizes, 19 to 27 in. Made of fine sateen; neatly and firmly corded, with remov- able rust-proof steels either side of the buttons. It is laced at the back and buttoned in front. White and drab. $5.50 per doz. | Warner's Miss's Waist. |
* Style 44.--Young Lady's Waist
* Button Front.
* Buttons fastened with tapes.
* Buttonholes bound with tape.
* Sizes, 19 to 27 in.
* This waist is made of soft, pliable sateen, finely corded and
* stripped; laced at the back, buttoned in the front; remov-
* able rust-proof steels. White and drab.
* $7.00 per doz.
| Style 45.–Lady's Waist. Button Front. Buttons fastened with tapes. Buttonholes bound with tape. Sizes, 18 to 36 in. Made of fine sateen, with removable rust-proof steels; buttoned in front, and with cloth buttonholes. A special feature of this garment is the removable steels in each side of the front buttons, which prevent its wrinkling in front. White, drab and black. 18 to 30 in., $8.50 'per doz. 31 to 36 in., 11.50 per doz. | Warner's Lady's Waist. |
| Warner's Waist 46. | Style 46.--Lady's Waist. Clasp Front. Sizes, 18 to 30 in. Made of fine sateen, neatly corded; soft, puffed bust; removable rust-proof steels, and with a glove button at the top of clasp. In this garment are combined the special features of a waist with those desirable in a cor- set. White, drab and black. $8.00 per doz. |
24
# A Child's Garden of Verses/The Land of Counterpane

XVI
THE LAND OF COUNTERPANE
WHEN I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.
And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.
I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.
# A Child's Garden of Verses/The Moon

XXXII
THE MOON
THE moon has a face like the clock in the hall;
She shines on thieves on the garden wall, On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.
The squalling cat and the squeaking mouse,
The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.
But all of the things that belong to the day
Cuddle to sleep to be out of her way;
And flowers and children close their eyes
Till up in the morning the sun shall arise.
# A Child's Garden of Verses/The Unseen Playmate

I
THE UNSEEN PLAYMATE
WHEN children are playing alone on the green, In comes the playmate that never was seen. When children are happy and lonely and good, The Friend of the Children comes out of the wood.
Nobody heard him and nobody saw, His is a picture you never could draw, But he's sure to be present, abroad or at home, When children are happy and playing alone.
He lies in the laurels, he runs on the grass, He sings when you tinkle the musical glass; Whene'er you are happy and cannot tell why, The Friend of the Children is sure to be by!
He loves to be little, he hates to be big, 'T is he that inhabits the caves that you dig; 'T is he when you play with your soldiers of tin That sides with the Frenchmen and never can win.
'T is he, when at night you go off to your bed, Bids you go to your sleep and not trouble your head; For wherever they're lying, in cupboard or shelf, 'T is he will take care of your playthings himself!
# A Child's Garden of Verses/The Hayloft

XXXIX
THE HAYLOFT
THROUGH all the pleasant meadow-side
The grass grew shoulder-high,
Till the shining scythes went far and wide
And cut it down to dry.
These green and sweetly smelling crops
They led in waggons home;
And they piled them here in mountain tops
For mountaineers to roam.
Here is Mount Clear, Mount Rusty-Nail,
Mount Eagle and Mount High;—
The mice that in these mountains dwell, No happier are than I!
O what a joy to clamber there,
O what a place for play, With the sweet, the dim, the dusty air,
The happy hills of hay!
# A Child's Garden of Verses/The Land of Story-Books

VII
THE LAND OF STORY-BOOKS
AT evening when the lamp is lit, Around the fire my parents sit; They sit at home and talk and sing, And do not play at anything.
Now, with my little gun, I crawl All in the dark along the wall, And follow round the forest track Away behind the sofa back.
There, in the night, where none can spy, All in my hunter's camp I lie, And play at books that I have read Till it is time to go to bed.
These are the hills, these are the woods, These are my starry solitudes; And there the river by whose brink The roaring lions come to drink.
I see the others far away As if in firelit camp they lay, And I, like to an Indian scout, Around their party prowled about.
So, when my nurse comes in for me, Home I return across the sea, And go to bed with backward looks At my dear land of Story-books.
# A Child's Garden of Verses/The Little Land

IX
THE LITTLE LAND
WHEN at home alone I sit And am very tired of it, I have just to shut my eyes To go sailing through the skies— To go sailing far away To the pleasant Land of Play; To the fairy land afar Where the Little People are; Where the clover-tops are trees, And the rain-pools are the seas, And the leaves like little ships Sail about on tiny trips; And above the daisy tree Through the grasses, High o'erhead the Bumble Bee Hums and passes.
In that forest to and fro I can wander, I can go; See the spider and the fly, And the ants go marching by
Carrying parcels with their feet Down the green and grassy street. I can in the sorrel sit Where the ladybird alit. I can climb the jointed grass; And on high See the greater swallows pass In the sky, And the round sun rolling by Heeding no such things as I.
Through that forest I can pass Till, as in a looking-glass, Humming fly and daisy tree And my tiny self I see, Painted very clear and neat On the rainpool at my feet. Should a leaflet come to land Drifting near to where I stand, Straight I'll board that tiny boat Round the rain-pool sea to float.
Little thoughtful creatures sit On the grassy coasts of it; Little things with lovely eyes See me sailing with surprise.
Some are clad in armour green— (These have sure to battle been!)— Some are pied with ev'ry hue, Black and crimson, gold and blue; Some have wings and swift are gone;— But they all look kindly on.
When my eyes I once again Open, and see all things plain: High bare walls, great bare floor; Great big knobs on drawer and door; Great big people perched on chairs, Stitching tucks and mending tears, Each a hill that I could climb, And talking nonsense all the time— O dear me, That I could be A sailor on the rain-pool sea, A climber in the clover tree, And just come back, a sleepy-head, Late at night to go to bed.