OpenLLM-France/wikimedia huggingface dataset:
# Kinney v. Clark

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United States Supreme Court
43 U.S. 76
Kinney v. Clark

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Landon in The New Monthly 1831

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Public domainPublic domainfalsefalse
Landon in The New Monthly 1831
Poems in The New Monthly Magazine during the year 1831 by Letitia Elizabeth Landon (L. E. L.)
compiled by Peter J. Bolton
Table of Contents
| The Last Look | Volume 31, Page 71 | 4 |
| Good Night! | Volume 31, Page 484 | 5 |
| The Convict | Volume 32, Pages 33 to 36 | 6 |
# Landon in The New Monthly 1833

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Public domainPublic domainfalsefalse
Landon in The New Monthly 1833
A Poem in The New Monthly Magazine during the year 1833 by Letitia Elizabeth Landon (L. E. L.)
compiled by Peter J. Bolton
* Stanzas—I know it is not made to last
# Landon in The New Monthly 1830

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Public domainPublic domainfalsefalse
Landon in The New Monthly 1830
A Poem in The New Monthly Magazine during the year 1830 by Letitia Elizabeth Landon (L. E. L.)
compiled by Peter J. Bolton
* The Distant Grave
# Landon in The New Monthly 1826/The Wish

(232)
THE WISH.
Oh, it is not on lip or brow
On which you may read change;
But it is in the heart below
That much of new and strange
Lies hidden. Woe the hour betide
That ever they had aught to hide!
My step is in the lighted hall,
Roses are round my hair,
And my laugh rings as if of all
I were the gayest there;
And tell me, if 'mid these around,
Lighter word or smile be found.
But come not on my solitude,
Mine after-hour of gloom,
When silent lip and sullen brow
Contrast the light and bloom,
Which seem'd a short while past to be
As if they were a part of me.
As the red wreaths that bind my hair
Are artificial flowers,
Made for, and only meant to wear
When amid festal hours:
Just so the smiles that round me play
Are false, and flung aside, as they.
And when the reckless crowd among
I speak of one sweet art,
How lightly can I name the song,
Which yet has wrung my heart!
That lute and heart alike have chords
Not to be spoken of in words—
Or spoken but when the dew goes
On its sweet pilgrimage,
Or when its ray the moonbeam throws
Upon the lighted page,
On which the burning heart has pour'd
The treasures of its secret hoard.
These are the poet's hours! oh! these,—
Secret, and still, and deep—
The hot noon lull'd by singing bees
Or the blue midnight's sleep.
When odour, wind, and star, and flower
Are ruling, is the poet's hour.
But ill betide the time when he
Shall wish to hear his song
Borne from its own sweet secrecy
On words of praise along:
Alas for fame! 'tis as the sun
That withers what it shines upon.
My lute is but a humble lute,
Yet o'er it have been thrown
Those laurel leaves, that well might suit
With one of loftier tone.
And yet is there one chord appears
Unwet with sad and secret tears?
Are there not in yon midnight sky
Planets, whose ruling sway
From our birth shape our destiny;—
Some that with darkling ray
In one fix'd mournful aspect shine?
Such natal star I feel is mine.
And once my horoscope was read,—
They said that I should have
A brightness o'er my pathway shed,
And then an early grave;
Feelings worn with a sense their own,
As chords burst by their own sweet tone.
I have one wish, 'tis wild and vain,
Yet still that wish will be,
That I might rest in yon wide main,
My tomb the mighty sea;
As if at once my spirit went
To blend with the vast element.
One day I saw a grave just made,
How drear, how dark, how cold:
There when the coffin had been laid,
They trampled down the mould:
A week more 'twas a step and seat
For heartless rest, and careless feet.
Be my death-pillow, where the rock
Admits no mortal tread—
No carved epitaph to mock
The now unconscious dead;
Or be my grave the billows deep,
Where the sun shines and the winds sweep.L. E. L.
# Landon in The New Monthly 1831/Contents

Table of Contents
| The Last Look | Volume 31, Page 71 | 4 |
| Good Night! | Volume 31, Page 484 | 5 |
| The Convict | Volume 32, Pages 33 to 36 | 6 |
# Landon in The New Monthly 1831/The Last Look

THE LAST LOOK.
'Tis the very lightness of childish impressions that makes them so dear and so lasting.
The shade of the willow fell dark on the tide,  When the maid left her pillow to stand by its side;  The wind, like a sweet voice, was heard in the tree,  And a soft lulling music swept in from the sea. 
The land was in darkness, for mountain and tower  Flung before them the shadows of night's deepest hour;  The moonlight unbroken lay white on the wave,  Till the wide sea was clear as the shield of the brave. 
She flung from her forehead its curls of bright hair,—  Ere those ringlets fell round her, another was there;  Red flushed her cheek's crimson, and dark drooped her eye,  A stranger had known 'twas her lover stood by. 
One note on his sea call, the signal he gave,  And a boat like a plaything, danced light on the wave;  Her head on his shoulder, her hand in his hand,  Yet the maiden looked back as they rowed from the strand. 
She wept not for parents, she wept not for friends,  Yet fast the bright rain through her white hand descends;  The portionless orphan left nothing behind  But the green leaves—the wild flowers sown by the wind. 
But how the heart clings to that earliest love,  Which haunts the lone garden, and hallows the grove;  Which makes the old oak tree and primrose bank fair,  With the memories of childhood whose playtime was there.
Tis our spirits which fling round the joy which they take,  The best of our pleasures are those which we make,  We look to the past, and remember the while,  Our own buoyant step, and our own sunny smile. 
A pathway of silver was tracked on the wave,  The oars left behind them the light which they gave,  And the slight boat flew over the moonlighted brine,  Till the coast in the distance was one shadowy line. 
They reached the proud ship, and the silken sails spread,  And the gallant flag shone like a meteor blood red;  And forth from the scabbard flashed out each bright sword,  In fealty to her the young bride of their lord. 
From a cup of pale gold she sipped the clear wine,  And clasped on her arm the green emeralds shine,  The silver lamps swinging with perfume were fed,  And the rich fur beneath her light footstep was spread. 
From the small cabin window she looked to the shore,  Lost in night she could see its dim outline no more:  She sighed as she thought of her earlier hours,  "Ah, who will now watch o'er my favourite flowers!" L. E. L.
# Landon in The New Monthly 1831/Good Night

"GOOD NIGHT!"
Good night!—what a sudden shadow
Has fallen upon the air,
I look not around the chamber,
I know he is not there.
Sweetness has left the music,
And gladness left the light;
My cheek has lost its colour,
How could he say, Good night!
And why should he take with him
The happiness he brought?
Alas! such fleeting pleasure
Is all too dearly bought: If thus, my heart stop beating,
My spirits lose their tone,
And a gloom, like night, surround me,
The moment he is gone.
Like the false fruit of the lotos,
Love alters every taste:—
We loathe the life we're leading,
The spot where we are plac'd.
We live upon to-morrow,
Or, we dream the past again;
But what avails that knowledge?
It ever comes in vain. L. E. L.
# Landon in The New Monthly 1830/The Distant Grave

The New Monthly Magazine, Volume 29, Page 428
THE DISTANT GRAVE.
They tell me that his grave is made
 Where the stately palm tree bendeth,
A summer temple, upon whose shade
 The purple eve descendeth.
They say the mighty ocean swells
 Beside where he is sleeping,
That moaning winds and murmuring shells
 Seem like perpetual weeping.
'Tis his fitting tomb the sea-girt strand,
 His fitting dirge the billow—
But I wish he were laid in his native land,
 By yon meek and lowly willow.
His father's grave is beneath yon tree,
 His mother's grave is beside it—
There's space at the feet for him and me,
 My brother! we shall not divide it.
I would I could kneel above by thy grave,
 And pray for the much-loved sleeper!
But my thoughts go over the far wild wave,
 And my lonely grief grows deeper.
You fear'd for her whose cheek was pale,
 Which your last kiss left yet paler—
The life your fondness deem'd so frail,
 Your own has been yet frailer.
I would you slept mid familiar things,
 Which your childhood wont to cherish,
Where the church its holy shadow flings
 And your native wild-flowers perish.
The more I think of the dreary sea,
 The more we feel divided,
Thy tomb had been like a friend to me,
 Where my sorrow had been confided.
But my God is recalling the life he gave,
 My love with my grief is dying,
But the spirit—the heavens know no grave,
 And my heart is on those relying.L. E. L.
# Keating v. Public National Bank of New York

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United States Supreme Court
284 U.S. 587
Keating v. Public National Bank of New York
Messrs. Arthur J. W. Hilly and William Herbert King, both of New York City, for appellants.
Messrs. Martin Saxe and Henry L. Moses, both of New York City, for appellee.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Keating v. Public National Bank of New York/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
284 U.S. 587
Keating v. Public National Bank of New York
Decree affirmed Bodkin v. Edward, 255 U.S. 221, 223, 41 S.C.t. 268, 65 L. Ed. 595; Texas & New Orleans R. R. Co. v. Brotherhood of Railway and Steamship Clerks, 281 U.S. 548, 558, 50 S.C.t. 427, 74 L. Ed. 1034; First National Bank of Hartford, Wisconsin, v. City of Hartford, 273 U.S. 548, 47 S.C.t. 462, 71 L. Ed. 767, 59 A. L. R. 1; Minnesota v. First National Bank of St. Paul, 273 U.S. 561, 47 S.C.t. 468, 71 L. Ed. 774; Georgetown National Bank v. McFarland, 273 U.S. 658, 47 S.C.t. 467, 71 L. Ed. 779.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kearsarge

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Kearsarge", a poem by Cora C. Bass
* "Kearsarge", a poem by Edna Dean Proctor
# Keary v. Farmers' Merchants' Bank

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United States Supreme Court
41 U.S. 89
Keary v. Farmers' Merchants' Bank

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kearney v. Taylor

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United States Supreme Court
56 U.S. 494
Kearney v. Taylor

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Klein v. United States

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United States Supreme Court
283 U.S. 231
Klein v. United States
Argued: Feb. 27, 1931. --- Decided: April 13, 1931
Messrs. Benjamin B. Pettus and H. H. Shinnick, both of Washington, D. C., for petitioner.
The Attorney General and Mr. Charles B. Rugg, Asst. Atty. Gen., for the United States.
Mr. Justice SUTHERLAND delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Klein v. Russell

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United States Supreme Court
86 U.S. 433
Klein v. Russell

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kline v. Burke Construction Company

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United States Supreme Court
260 U.S. 226
Kline v. Burke Construction Company
Argued: Oct. 19 and 20, 1922. --- Decided: Nov 20, 1922
Messrs. Wm. H. Arnold and F. S. Quinn, both of Texarkana, Ark., for petitioners.
Mr. James B. McDonough, of Fort Smith, Ark., for respondent.
Mr. Justice SUTHERLAND delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Kleptomaniac

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Kleptomaniac", a poem by Leonora Speyer
* "The Kleptomaniac", a film by Edwin Stanton Porter
# L. 1933 c. 16202 (Florida)

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CHAPTER 16202--(No. 345).
COMMITTEE SUBSTITUTE FOR SENATE BILL NO. 141
AN ACT to Declare, Designate and Establish Certain State Roads.
Be It Enacted by the Legislature of the State of Florida:
Section 1. That the following named road be and the same is hereby declared, created and established as a State road, as a part of the system of State roads of the State of Florida, with all the rights and privileges of designated State roads in the State of Florida; and that said road be designated by some number by the said State Road Department: Beginning in the City of Melbourne at the end of State Road No. 24 at its intersection with State Road No. 4, thence run due east or in an easterly direction to the Atlantic Ocean.
Section 2. This Act shall take effect immediately upon its becoming a law.
Approved May 29, 1933.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# L. 1933 c. 16220 (Florida)

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CHAPTER 16220--(No. 363).
HOUSE BILL NO. 1007
AN ACT to Designate and Establish a Certain Road in Brevard County as a State Road.
Be It Enacted by the Legislature of the State of Florida:
Section 1. That the following named road be and it is hereby declared, designated and established as a State road of the system of state roads of this State with all rights and privileges of designated state roads, this road to be known as and by such number as the State Road Department shall assign to the same, beginning at State Road No. 206 in Merritt, Florida, thence easterly along present county road as near as practical from an engineering standpoint connecting with State Road No. 140 at or near Cocoa Beach as possible.
Section 2. This act shall take effect immediately upon its becoming a law.
Became a law without the Governor's approval.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
# L. 1925 c. 10136 (Florida)

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CHAPTER 10136--(No. 114).
AN ACT to Extend State Road No. 28 as Designated in Chapter 9311, Laws of Florida, Acts of 1923.
Be It Enacted by the Legislature of the State of Florida:
Section 1. That the road designated as Road No. 28, in Chapter 9311, Laws of Florida, Acts of 1923, shall be extended from Starke via Keystone Heights to Palatka, and that said road, as so extended, from Lake City to Palatka, be and is hereby declared, designated and established as a State Road.
Approved May 13, 1925.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse