OpenLLM-France/wikimedia huggingface dataset:
# Shakespeare of Stratford/The Biographical Facts/Fact 64

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New Haven: Yale University Press, pages 77–78
​LXIV. NOTES OF THOMAS GREENE CONCERNING SHAKESPEARE’S ATTITUDE TOWARD THE PROPOSED ENCLOSURES AT WELCOMBE (1614-1615).
MS. notes by Greene, Town Clerk of Stratford, Shakespeare’s cousin and attorney. (Shakespeare Birthplace Museum.)
(A) 5 Septembris, 1614.
Ancient Freeholders in the Fields of Old Stratford and Welcombe. Mr. Shakspeare: 4 yard land. No common nor ground beyond Gospel Bush; no ground in Sandfield, nor none in Slow Hill Field beyond Bishopton, nor none in the enclosure beyond Bishopton.
(B) Jovis [Thursday] 17 Nov. [1614]. My cousin Shakspeare coming [?] yesterday to town, I went to see him how he did. He told me that they assured him they meant to enclose no further than to Gospel Bush, and so up straight (leaving out part of the dingles to the field) to the gate in Clopton hedge, and take in Salisbury’s piece [?]; and that they mean in April to survey the land, and then to give satisfaction and not before; and he and Mr. Hall say they think there will be nothing done at all.
(C) 23 Dec. [1614]. A Hall. Letters written, one to Mr. Mannering, another to Mr. Shakspeare, with almost all the company’s hands to either. I also writ of myself to my Cousin Shakspear the copies of all our acts, and then also a note of the inconveniences would grow [?] by the enclosure.
​(D) 9 Jan. [1615]. Mr. Replingham, 28 Octobris, articled with Mr. Shakspear, and then I was put in by T. Lucas.
(E) On Wednesday, being the 11th day [of January, 1615]. At night Mr. Replingham supped with me, and Mr. W. Barnes was to bear him company, where he assured me before Mr. Barnes that I should be well dealt withal, confessing former promises by himself, Mr. Mannering, and his agreement for me with my Cousin Shakspeare.
(F) Sept. [1615]. W. Shakespeare’s telling J. Greene that I was not able to bear the enclosing of Welcombe.
Note. Combe’s high-handed effort to appropriate common property led to violent opposition from the burghers of Stratford. The quarrel was carried to the Privy Council of England and finally resulted, a couple of years after Shakespeare’s death, in the discomfiture of Combe and the overthrow of the projects for enclosure. The best account of the affair is that of Mrs. Stopes, Shakespeare’s Environment, pp. 81 ff. and 336 ff.
* ↑ This is the land bought by Shakespeare from the Combes. See documents XXXIV and LII.
* ↑ Greene was in London at this time, but returned to Stratford before the date of the next note (Dec. 23), Shakespeare evidently remaining in the city.
* ↑ I.e. meeting of the Stratford town council.
* ↑ The letter of the Stratford corporation to Mannering, testing against enclosures, is preserved (cf. Mrs. Stopes, Shakespeare’s Environment, p. 337). The two letters to Shakespeare are lost.
* ↑ This alludes, of course, to Shakespeare’s agreement with Replingham (see previous document). T. Lucas was one of the witnesses to it.
* ↑ This may be a slip of the pen for ‘he’ (Shakespeare).
Footnotes
# Shakespeare of Stratford/The Biographical Facts/Fact 61

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New Haven: Yale University Press, pages 74–75
​LXI. THOMAS FREEMAN’S SONNET TO SHAKESPEARE (1614).
From Run, and a Great Cast, 2d part, 1614.
Footnotes
# Strike Strategy

No 18. in the Labor Herald Library
page
Organize Your Struggles!
Left Wingers and Progressive trade unionists who know what they want and how to get it are organized in the Trade Union Educational League, a non-partisan organization of informal committees covering the entire trade union movement, whose purpose is to infuse the mass with spirit and understanding for struggle against the employing class.
The Trade Union Educational League asks all workers, regardless of political belief, to join it to realize the following program: 1. Organization of the Unorganized. 2. Amalgamation of craft unions. 3. Class struggle against class collaboration. 4. Fight against company unionism. 5. The formation of a Labor Party based on the trade unions. 6. Elimination of corruption and gang rule in the unions and for democratic rule by membership. 7. No racial, sex or age bar to admission of workers to unions. 8. For Recognition of the Soviet Union. 9. Support of all workers' struggles and all workers' organizations, economic, political, co-operative, etc., against capitalism. 10. An alliance of American labor with peoples oppressed by American imperialism in a common fight for mutual interests. 11. Trade Union Unity, nationally and internationally.
The Trade Union Educational League is in no sense a dual union or affiliated with dual unions. It is opposed to such movements as take militant workers out of trade unions and form "perfect" little so-called unions with few members as rivals to large trade unions. The T. U. E. L. is an educational body seeking to develop the trade unions into more effective organizations for the workers. For further details apply to the
Trade Union Educational League
156 West Washington Street, Chicago, Ill.
page
LABOR HERALD LIBRARY
No. 18
STRIKE STRATEGY
By
WM. Z. FOSTER
Price 25 Cents
Published by The Trade Union Educational League 156 Washington St., Chicago, Ill.
page
TABLE OF CONTENTS
This work is in the public domain in the United States because it was published in 1926, before the cutoff of January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 56

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56
Sweet love, renew thy force; be it not said
Thy edge should blunter be than appetite,
Which but to-day by feeding is allay'd,
To-morrow sharpen'd in his former might: 4
So, love, be thou; although to-day thou fill
Thy hungry eyes, even till they wink with fulness,
To-morrow see again, and do not kill
The spirit of love with a perpetual dulness. 8
Let this sad interim like the ocean be
Which parts the shore, where two contracted new
Come daily to the banks, that, when they see
Return of love, more bless'd may be the view; 12 Or call it winter, which, being full of care, Makes summer's welcome thrice more wish'd, more rare.
10 contracted new: but lately betrothed
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 57

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Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend, Nor services to do, till you require. 4 Nor dare I chide the world-without-end hour Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour When you have bid your servant once adieu; 8 Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But, like a sad slave, stay and think of nought, Save where you are how happy you make those. 12 So true a fool is love that in your will, Though you do anything, he thinks no ill.
5 world-without-end: never ending 10 suppose: conjecture
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 58

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That god forbid that made me first your slave, I should in thought control your times of pleasure, Or at your hand the account of hours to crave, Being your vassal, bound to stay your leisure! 4 O, let me suffer, being at your beck, The imprison'd absence of your liberty; And patience, tame to sufferance, bide each check, Without accusing you of injury. 8 Be where you list, your charter is so strong That you yourself may privilege your time To what you will; to you it doth belong Yourself to pardon of self-doing crime. 12 I am to wait, though waiting so be hell, Not blame your pleasure, be it ill or well.
6 The imprison'd . . . liberty; cf. n. 7 sufferance: suffering check: rebuke 10 privilege: authorise 12 self-doing: done by yourself
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 5

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5
Those hours, that with gentle work did frame The lovely gaze where every eye doth dwell, Will play the tyrants to the very same And that unfair which fairly doth excel; 4 For never-resting time leads summer on To hideous winter, and confounds him there; Sap check'd with frost, and lusty leaves quite gone, Beauty o'ersnow'd and bareness everywhere: 8 Then, were not summer's distillation left, A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it, nor no remembrance what it was: 12 But flowers distill'd, though they with winter meet, Leese but their show; their substance still lives sweet.
2 gaze: object of sight, sight 4 unfair: deprive of beauty fairly: in beauty 6 confounds: destroys 9, 10 Cf. n. 12 it: would it remain 14 Leese: lose
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 51

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Thus can my love excuse the slow offence Of my dull bearer when from thee I speed: From where thou art why should I haste me thence? Till I return, of posting is no need. 4 O, what excuse will my poor beast then find, When swift extremity can seem but slow? Then should I spur, though mounted on the wind, In winged speed no motion shall I know: 8 Then can no horse with my desire keep pace; Therefore desire, of perfect'st love being made, Shall neigh—no dull flesh—in his fiery race; But love, for love, thus shall excuse my jade,— 12 'Since from thee going he went wilful-slow, Towards thee I'll run and give him leave to go.'
1 slow offence: blameworthy slowness 6 swift extremity: extreme speed 8 In winged speed . . . know: though moving with the speed of wings, I shall not seem to myself to be moving at all 11 Shall neigh . . . fiery race; cf. n. 12 for love: for the sake of his love (shown by the slow gait) 14 go: walk
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 54

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O, how much more doth beauty beauteous seem By that sweet ornament which truth doth give! The rose looks fair, but fairer we it deem For that sweet odour which doth in it live. 4 The canker-blooms have full as deep a dye As the perfumed tincture of the roses, Hang on such thorns, and play as wantonly When summer's breath their masked buds discloses: 8 But, for their virtue only is their show, They live unwoo'd, and unrespected fade; Die to themselves. Sweet roses do not so; Of their sweet deaths are sweetest odours made: 12 And so of you, beauteous and lovely youth, When that shall vade, my verse distils your truth.
5 canker-blooms: dog-roses, scentless wild roses 6 tincture: color 8 discloses: unfolds, opens 9 only is their show: consists only in their appearance 10 unrespected: unregarded 11 to themselves: all alone 14 that: that beauty, that youth vade: fade distils: preserves the essence of
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 52

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So am I as the rich, whose blessed key Can bring him to his sweet up-locked treasure The which he will not every hour survey, For blunting the fine point of seldom pleasure. 4 Therefore are feasts so solemn and so rare, Since, seldom coming, in the long year set, Like stones of worth they thinly placed are, Or captain jewels in the carcanet. 8 So is the time that keeps you as my chest, Or as the wardrobe which the robe doth hide, To make some special instant special blest By new unfolding his imprison'd pride. 12 Blessed are you, whose worthiness gives scope, Being had, to triumph; being lack'd, to hope.
4 For: for fear of seldom: rarely enjoyed 5 solemn: ceremonious 7 thinly: widely separated 8 captain: chief carcanet: necklace 9 chest: treasure chest 12 his . . . pride: its gorgeous contents 13 scope: opportunity
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 55

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55
Not marble, nor the gilded monuments
Of princes, shall outlive this powerful rime;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time. 4
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory. 8
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom. 12 So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes.
7 Nor Mars his: neither Mars' 12 wear this world out: outlast this world ending doom: to the judgment day that ends all 13 that: when
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 50

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How heavy do I journey on the way, When what I seek, my weary travel's end, Doth teach that ease and that repose to say, 'Thus far the miles are measur'd from thy friend!' 4 The beast that bears me, tired with my woe, Plods dully on, to bear that weight in me, As if by some instinct the wretch did know His rider lov'd not speed, being made from thee: 8 The bloody spur cannot provoke him on That sometimes anger thrusts into his hide, Which heavily he answers with a groan More sharp to me than spurring to his side; 12 For that same groan doth put this in my mind: My grief lies onward, and my joy behind.
8 being made: if directed
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 53

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53
What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. 4 Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: 8 Speak of the spring and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear; And you in every blessed shape we know. 12 In all external grace you have some part, But you like none, none you, for constant heart.
3 every one, one shade: one shadow apiece 5 counterfeit: portrait 8 tires: headdresses 9 foison: harvest 11 bounty: generosity 14 like none: are like none none you: none are like you
# Sonnet 47 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 47," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 47," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 47," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 47

* Search for titles containing or beginning with: "Sonnet 47."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 47, by William Shakespeare.
* Sonnet 47, by Edmund Spenser, part of Amoretti
* A sonnet by Petratch
# Sonnet 48

* Search for titles containing or beginning with: "Sonnet 48."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 48, by William Shakespeare.
* Sonnet 48, by Edmund Spenser, part of Amoretti
* A sonnet by Petratch
# Sonnet 49

* Search for titles containing or beginning with: "Sonnet 49."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 49, by William Shakespeare.
* Sonnet 49, by Edmund Spenser, part of Amoretti
* A sonnet by Petratch
# Sonnet 46

* Search for titles containing or beginning with: "Sonnet 46."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 46, by William Shakespeare.
* Sonnet 46, by Edmund Spenser, part of Amoretti
* A sonnet by Petratch
# Sonnet 45 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 45," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 45," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 45," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 46 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 46," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 46," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 46," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 45

* Search for titles containing or beginning with: "Sonnet 45."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Sonnet 45, by Ján Kollár
* Sonnet 45, by William Shakespeare.
* Sonnet 45, by Edmund Spenser, part of Amoretti
# Sonnet 49 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 49," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 49," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 49," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sonnet 48 (Shakespeare)

One of the 154 sonnets by Shakespeare from the collection Shakespeare's Sonnets (1609).
* "Sonnet 48," in Shake-speares Sonnets, Never before Imprinted (1609)
* "Sonnet 48," in Shakespeare's Sonnets, (ed.) by William J. Rolfe (1883)
* "Sonnet 48," in Shakespeare's Sonnets, (ed.) by Edward Bliss Reed, The Yale Shakespeare (1923)
The Sonnets of William Shakespeare
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Songs of the Soul/Part 3

30 Huntington Avenue, Boston: Sat Sanga, pages 83–94
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PART III
MY NATIVE LAND
ON COMING TO THE NEW-OLD LAND-AMERICA
THE TOILER'S LAY
CITY DRUM
MOHAWK TRAIL
# Songs of the Soul/Part 4

30 Huntington Avenue, Boston: Sat Sanga, pages 95–106
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FOREWORD
The eleventh chapter of the Bhagavadgita, of which “Vision of Visions” is a lyrical rendition interwoven with an interpretation of its spiritual significance, is the consummation of the teachings of the Book. It describes how the Lord Krishna, the Warrior-Prophet, blessed Arjuna, his devotee, with the great yogic vision of the cosmic drama of life and death, enacted on the Infinite Body of the Lord by Himself. Arjuna, still human, was perplexed, being unable to reconcile the benign aspect of the Lord with His destructive aspect: doing good to men and the world as a whole on the one hand, and bringing death and destruction to countless creatures and worlds on the other. It has been shown here that life and death are both momentary scenes in the cosmic drama, meant not to hurt or please anybody, but designed to afford infinite opportunities to the Lord’s children for the attainment of higher and higher states of evolution through apparently unpleasant disturbances caused by great changes. The relative value of life and death in this Drama, which is a dream in comparison with the Reality of the Lord, is the same. This vision represents the great Cosmic Law, as seen not from the point of view of finite creatures, but from that of the Lord Himself. Hence this allows no room for the finite questioning of Arjuna as to whether the Lord is benign or destructive. To him, to destroy life is not an absence of benignity, nor to give life a presence of it, as is the case with us. The Lord views life and death as forms of change only, ​according to His Cosmic Law. A law is law. It has been His nature, and always will be. There is no question about benignity or otherwise.
VISION OF VISIONS
* ↑ Religion.
* ↑ The principle of preservation.
Footnotes
# Stanzas to a Lady

* Search for titles containing or beginning with: "Stanzas to a Lady."
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By Bryon, George Gordon:
* Stanzas to a Lady, with the Poems of Camoëns (This votive pledge of fond esteem)
* Stanzas to a Lady, on Leaving England ('Tis done—and shivering in the gale)
# Stanzas to the Memory of the Late King

STANZAS
TO THE
MEMORY OF THE LATE KING.
By MRS. HEMANS,
Author of The Restoration of the Works of Art to Italy; Modern Greece; Tales and Historic Poems; Wallace's Invocation to Bruce; The Sceptic; and Translations from Camoens.
LONDON:
JOHN MURRAY, ALBEMARLE-STREET.
1820.
LONDON:
Printed by W. Clowes, Northumberland court.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# South African Law Journal

* related portals: Periodicals.
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The South African Law Journal is a periodical, published from 1885 onwards. From volume 1 to volume 17 published in 1900, it is called the 'Cape Law Journal'.
Certain parts of this work are in the public domain in the United States because they were published before 1929.
Cape Law Journal
* Volume 5 (1888) External scan
* Volume 8 (1891) External scan