OpenLLM-France/wikimedia huggingface dataset:
# The Book of Scottish Song/Fishing Song

Fishing Song.
[W. A. Foster, formerly of Coldstream, now of Glasgow. Tune, "Ye mariners of England."—Here first printed.]
Ye fishermen of Scotland, Who love the stream and pool, Whose haunts are by the river side, Among the shadows cool: Your tackle mount, my gallant hearts, With minnow, fly, or roe, It is best from the west, While the gentle breezes blow.
Old Scotland holds the cataract Among her mountains steep, With streaming rills, and sleepy pools, Where trout and salmon leap. Then mount the line, my gallant hearts, The hills are clear of snow; Fling bait in the spate, While the gentle breezes blow.
The spirit of old anglers gone Will rise with every cast, And cheer us 'neath the summer sun Or winter's angry blast. Where old John Foster fish'd so well, To Birgham Dub, we'll go, And try with the fly, While the gentle breezes blow.
The fame of Carham's angling stream Will only higher rise, While Scott can wield a salmon rod, Or Carse can dress such flies. Tweed's been their glory, they her pride, Then let her waters flow To the fame of their name, While the gentle breezes blow.
# The Book of Scottish Song/For ever, Fortune

For ever, Fortune.
[The following words are by James Thomson, author of the Seasons, and they appear in the Orpheus Caledonius so far back as 1725, attached to the tune of Logan Water.]
For ever, Fortune, wilt thou prove An unrelenting foe to love, And, when we meet a mutual heart, Come in between, and bid us part— ​Bid us sigh on from day to day, And wish, and wish—the soul away; Till youth and genial years are flown, And all the life of life is gone.
But busy, busy, still art thou, To bind the loveless joyless vow, The heart from pleasure to delude, And join the gentle to the rude. For once, oh, Fortune, hear my prayer, And I absolve thy future care; All other blessings I resign, Make but the dear Amanda mine.
# The Book of Scottish Song/Forget na', dear Lassie

Forget na', dear Lassie.
Forget na', dear lassie, when I'm far frae thee, Forget na' the tear that may steal frae my ee; Oh think on the time we sae happy ha'e been; Oh think on the wandering beneath the moon's beam.
I will think on the tear thou wilt shed when alone, And fondly remember each dear woodland scene, I'll bless the sweet smile, that still woo'd me to thee, And hope, sweetly smiling, will gladden my ee.
I see the rose fading, dear maid, on thy cheek, I feel the heart throbbings, thy anguish that speak; But let the tear-drop nor sorrow be thine, Peace rest in thy bosom, and sorrow be mine.
When 'midst the rude storm on the wide-swelling sea, Fond fancy will turn to this hour, love, wi' thee, I'll sigh to the billows to waft me ashore, To part frae my hame and my lassie no more.
# The Book of Scottish Song/Galloway Tam

Galloway Tam.
[Galloway Tam is said to have been a stalwart gypsey in Galloway of the name of Thomas Marshall, some of whose descendants can still be traced. We cannot speak as to the age of the song, but in Gordon of Straloch's MS. Lute Book, 1627, "Gallua Tam" occurs as the title of an air. In the "Remains of Nithsdale and Galloway Song," two additional verses are given to the present, but they are evidently spurious, and scarcely fit for quoting.]
O, Galloway Tam came here to woo— I'd rather we'd gi'en him the bawsand cow;
For our lass Bess may curse and ban The wanton wit o' Galloway Tam!
O Galloway Tam came here to shear— I'd rather we'd gi'en him the guid gray mare He kiss'd the gudewife, and dang the gudeman— And that's the tricks o' Galloway Tam!
# The Book of Scottish Song/For a' that 1

For a’ that.
[Written by Burns in 1794, and in January, 1795, sent to Thomson with the following observation. "A great critic (Aikin) on songs, says that love and wine are the exclusive themes for song-writing. The following is on neither subject, and consequently is no song; but will be allowed, I think, to be two or three pretty good prose thoughts inverted into rhyme."]
Is there, for honest poverty, That hangs his head, and a' that? The coward-slave, we pass bim by; We dare be puir, for a' that, ​For a' that, and a' that, Our toils obscure, and a' that, The rank is but the guinea-stamp— The man's the gowd, for a' that.
What though on hamely Sire we dine, Wear hoddin-grey, and a' that? Gi'e fools their silks, and knaves their wine; A man's a man, for a' that; For a' that, and a' that, Their tinsel show, and a' that, The honest man, though e'er sae puir, Is king o' men, for a' that.
Ye see yon birkie, ca'd a lord, Wha struts, and stares, and a' that; Though hundreds worship at his word, He's but a cuif, for a' that. For a' that, and a' that, His ribbon, star, and a' that, The man of independent mind, He looks and laughs at a' that.
A king can make a belted knight, A marquis, duke, and a' that; But an honest man's aboon his might, Gude faith, he maunna fa' that! For a' that, and a' that, Their dignities, and a' that, The pith o' sense, the pride o' worth, Are higher ranks than a' that.
Then let us pray, that come it may, As come it will, for a' that, That sense and worth, o'er a' the earth, May bear the gree, and a' that, For a' that, and a' that, It's comin' yet, for a' that, That man to man, the warld o'er, Shall brothers be, for a' that.
# The Book of Scottish Song/Forlorn, my love

Forlorn, my love.
[This is another song by Burns to the tune of "O, let me in this ae night."]
Forlorn, my love, no comfort near, Far, far from thee, I wander here; Far, far from thee, the fate severe At which I most repine, love. O wert thou, love, but near me; But near, near, near me; How kindly thou wouldst cheer me, And mingle sighs with mine, love!
Around me scowls a wintry sky, That blasts each bud of hope and joy; And shelter, shade, nor home have I, Save in those arms of thine, love.
Cold, alter'd friendship's cruel part, To poison fortune's ruthless dart— Let me not break thy faithful heart, And say that fate is mine, love.
But dreary though the moments fleet, O let me think we yet shall meet! That only ray of solace sweet Can on thy Chloris shine, love. O wert thou, love, but near me; But near, near, near me; How kindly thou wouldst cheer me, And mingle sighs with mine, love!
# The Book of Scottish Song/Gala Water

Gala Water.
[The exquisitely beautiful tune of "Gala Water" is known to be very old, but nothing can be said of its precise era. Dr. Haydn, the celebrated German composer, admired it, and wrote on the music-sheet of it a note in his best English: "This one Dr. Haydn favourite song." The old words of the tune are lost, with the exception of the two following verses:
Braw, braw lads of Gala water, Braw, braw lads of Gala water; I'll kilt my coats aboon my knee, And follow my love through the water.
O'er yon bank and o'er yon brae, O'er yon moss amang the heather, I'll kilt my coats aboon my knee, And follow my love through the water."
In Herd's, Johnson's, and other collections, two verses are added to these, which properly belong to the song called "The lassie lost her silken snood." The following version of "Gala Water" is by Burns, and was written by him in January, 1793, for Thomson's collection. It may be added, that the Gala is a small stream which rises in MidLothian, runs south, and falls into the Tweed above Melrose.]
There's braw, braw lads on Yarrow braes, That wander through the blooming heather: But Yarrow braes, nor Ettrick shaws, Can match the lads o' Gala water. ​But there is ane, a secret ane, Abune them a' I lo'e him better; And I'll be his, and he'll be mine, The bonnie lad o' Gala water.
Although his daddie was nae laird, And though I ha'e nae mickle tocher; Yet rich in kindest, truest love, We'll tent our flocks on Gala water.
It ne'er was wealth, it ne'er was wealth, That coft contentment, peace, or pleasure; The bands and bliss o' mutual love, O that's the chiefest warld's treasure!
# The Devachanic Plane/Preface

PREFACE
Few words are needed in sending this little book out into the world. It is the sixth of a series of Manuals designed to meet the public demand for a simple exposition of Theosophical teachings. Some have complained that our literature is at once too abstruse, too technical, and too expensive for the ordinary reader, and it is our hope, that the present series may succeed in supplying what is a very real want. Theosophy is not only for the learned; it is for all. Perhaps among those who in these little books catch their first glimpse of its teachings, there may be a few who will be led by them to penetrate more deeply into its philosophy, its science and its religion, facing its abstruser problems with the students zeal and the neophyte's ardour. But these Manuals are not written only for the eager student, whom no initial difficulties can daunt; they are written for the busy men and women of the work-a-day world, and seek to make plain some of the great truths that render life easier to bear and death easier to face. Written by servants of the Masters who are the Elder Brothers of our race, they can have no other object than to serve our fellow-men.
# The Development of Navies During the Last Half-Century

* related portals: Naval Science.
* sister projects: Commons category, Wikidata item.
THE DEVELOPMENT OF NAVIES
DURING THE LAST HALF-CENTURY
BY
CAPTAIN S. EARDLEY-WILMOT, R.N.
With many Illustrations
LONDON
SEELEY AND CO., LIMITED
ESSEX STREET, STRAND 1892.
TO HER MOST GRACIOUS MAJESTY
QUEEN VICTORIA
IN WHOSE REIGN
THE CHANGES HEREIN DESCRIBED
HAVE TAKEN PLACE
THIS BOOK
IS, BY PERMISSION,
DEDICATED
CONTENTS
CHAPTER I THE NAVY IN 1840
CHAPTER II CREATION OF A STEAM FLEET
CHAPTER III BROADSIDE IRONCLADS
CHAPTER IV EARLY TURRET SHIPS
CHAPTER V BARBETTE SYSTEM COMBINED WITH BROADSIDE
CHAPTER VI COAST DEFENCE—THE RAM
CHAPTER VII ARMOUR—LATER TURRET SHIPS
CHAPTER VIII CRUISERS
CHAPTER IX ORDNANCE
CHAPTER X TORPEDO WARFARE
CHAPTER XI STEAM PROPULSION
CHAPTER XII FOREIGN NAVIES—EUROPE
CHAPTER XIII FOREIGN NAVIES—UNITED STATES AND SOUTH AMERICA
Preface Index Advertisements
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1929, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 94 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Catholic's pocket prayer-book/The Magnificat

The Song of the Blessed Virgin Mary, called the Magnificat.
Luke 1.
My soul doth magnify the Lord:
And my spirit ​hath rejoiced in God my Saviour.
Because He hath regarded the humility of his handmaid: for behold from henceforth all generations shall call Me blessed.
For He that is mighty hath done great things to me: and holy is His name.
And His mercy is from generation to generation: to them that fear Him.
He hath showed might in His arm: He hath scattered the proud in the conceit of their heart;
He hath put down the mighty from their seat: and hath exalted the humble.
He hath filled the hungry with good things: and the rich He hath sent away empty.
​He hath received Israel His servant: being mindful of His mercy.
As He spoke to our fathers: to Abraham and to his seed for ever.
Glory be to the Father, etc.
# The Catholic's pocket prayer-book/The Memorare

THE MEMORARE OF ST. BERNARD.
Remember, O most pious Virgin Mary! that never was it known that any one, who fled to thy protection, implored thy help, and sought thy intercession, was left unaided.
Inspired with this confidence, I fly to thee, O Virgin of virgins, my Mother! To thee I come, before thee I stand sinful and sorrowful; O Mother of the Word Incarnate! despise not my petitions, but, in thy mercy, hear and answer me. Amen.
# The Catholic Advocate

* related portals: Newspapers.
* sister projects: Wikipedia article, Wikidata item.
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Catholic Advocate/
# The Catholic's pocket prayer-book/The Rosary

THE ROSARY OF THE BLESSED VIRGIN.
The Rosary is one of the most beautiful, most profitable and most popular of all devotions. It is a combination of mental prayer, or meditation, with vocal prayer. The meditation is made by the consideration of the most memorable and touching events, or mysteries, in the life, suffering, death and glory, of our most holy Redeemer and His blessed Mother. The vocal prayer consists of the recitation, on the beads, of the Lord's Prayer, the Hail Mary and the Glory be to the Father, etc. The mysteries to be meditated on are fifteen in number; they are divided into three parts, which are named the joyful, the sorrowful, and the glorious mysteries.
The mysteries on which we are to meditate while we say
THE ROSARY.
1. The Joyful Mysteries.
In the first joyful mystery we consider how the Archangel Gabriel announced to the most holy Mary that she was to conceive and bring forth our Lord Jesus Christ.
​Our Father once, Hail Mary ten times, and Glory be to the Father once. These same prayers are to be said in each mystery.
In the second joyful mystery we consider how, when Mary heard that Elisabeth was to become the mother of St. John the Baptist, she went to her house, and stayed with her three months.
In the third joyful mystery we consider how our Saviour was born in a stable, at Bethlehem, and laid in a manger between two brute beasts.
In the fourth joyful mystery we consider how the Blessed Virgin Mary, on the day of her purification, presented our Lord in the temple.
In the fifth joyful mystery we consider how the Virgin Mary lost her Son, sought for Him three days, and at the end of the third day found Him in the temple, He being then twelve years old.
2. The Sorrowful Mysteries.
In the first sorrowful mystery we consider how our Lord Jesus Christ ​prayed in the garden of Olivet, and sweated blood.
In the second sorrowful mystery we consider how our Lord Jesus Christ was cruelly scourged in Pilate's house, and had countless blows laid on Him.
In the third sorrowful mystery we consider how our Lord Jesus Christ was crowned with sharp thorns.
In the fourth sorrowful mystery we consider how Jesus was condemned to die, and carried the heavy cross on His shoulders.
In the fifth sorrowful mystery we consider how, when Jesus came to Calvary, He was stripped of His garments and nailed to the cross, whereon He died before His sorrowing Mother's eyes.
3. The Glorious Mysteries.
In the first glorious mystery we consider how Jesus rose glorious the third day after His death, never more to die.
In the second glorious mystery we consider how Jesus, the fortieth day after His resurrection, ascended into heaven, in the presence of His Mother and of His disciples.
​In the third glorious mystery we consider how Jesus, sitting at the right hand of His Father, sent the Holy Ghost on the Apostles and the Blessed Virgin.
In the fourth glorious mystery we consider how the Blessed Virgin Mary passed from this life, and was carried into heaven by the angels.
In the fifth glorious mystery we consider how, in heaven, Mary was crowned by Her Son, and is now the Queen of Angels and Saints.
# The Encyclopedia Americana (1920)/Kinkel, Gottfried

Edition of 1920. See also Gottfried Kinkel on Wikipedia, and the disclaimer.
KINKEL, kĭn'kĕl, Gottfried, German poet and critic: b. Oberkassel, 12 Aug. 1815; d.
Zürich, 13 Nov. 1882. Graduated in theology he entered the Protestant ministry where he distinguished himself as an eloquent preacher, lecturer and public speaker. Among his other duties he was lecturer in the University of Bonn from 1836 to 1848, from time to time, though not regularly, his special subjects being poetry, the history of art and ecclesiastical history. His usefulness was cut short in his own country through his getting mixed up in the revolution of 1848. His arrest followed; but he managed to escape and made his way to the United States, where he made his living for some time as a teacher of languages. Later on he was in London and Zürich in the same capacity. But he was never able to return to Germany. It was probably his love of his native country that brought him to Zürich. He was a poet of some power and originality. Among his published works are ‘Gedichte’ (2 vols., 1843); ‘Otto der Schutz,’ a narrative poem of which nearly 100 editions were published (1845); ‘Die altchristliche Kunst’ (1845); ‘Die Ahr, Landschaft; Geschichte und Volksleben’ (1845); ‘Nimrod’ (a tragedy, 1857); ‘Mosaik zur Kunstgeschichte’ (1876); ‘Tanagra, Idyll aus Griechenland’ (1883); and ‘Erzählungen’ (with his wife, Johanna Kinkel, 1849).
# The Encyclopedia Americana (1920)/Kino (game)

Edition of 1920. See also the disclaimer.
KINO, kē'nō, an American gambling game evolved out of the juvenile game of lotto (q.v.). See Keno.
# The Encyclopedia Americana (1920)/King, Samuel Archer

Edition of 1920. See also Samuel Archer King on Wikipedia, and the disclaimer.
KING, Samuel Archer, American aëronaut and scientist: b. Philadelphia, 1828; d. 1914. At the age of 21 he began making balloons in which he took a great interest. This led him to make ascensions himself two years later at Philadelphia. His interest in the matter created interest in others, so that balloon ascensions became features of expositions, traveling shows and other affairs in which many people were collected together. King himself sometimes made ascensions at such places, notably at the World's Columbian Exposition (Chicago 1893). Between this date and his ascensions at the Centennial Exposition in 1876 much had been done by himself and others of his followers to increase the general interest in the navigation of the air. King led the way in the scientific study of the means of air navigation and in the photographing of objects, especially towns and cities, from the air.
# The Encyclopedia Americana (1920)/Kinnicutt, Leonard Parker

Edition of 1920. See also the disclaimer.
KINNICUTT, Leonard Parker, American chemist and sanitary expert: b. Worcester, Mass., 1854; d. 1911, Educated at the Massachusetts Institute of Technology, Johns Hopkins, Harvard, Heidelberg and Bonn, he became instructor of chemistry at Harvard (1880-83) and full professor of chemistry (1885-90), being appointed, on the latter date, head of the chemistry department of Worcester Polytechnic Institute. He carried on extensive chemical investigations, extending them to the effects of chemical action on sewage. This and other more practical work made him one of the greatest sewage experts in the United States, He also gave a great deal of attention to the supply of water, its purification and preservation from impurities. His connection with the Connecticut Sewage Commission in the capacity of consulting chemist gave a very practical turn to his laboratory experiments of which he made full use. In his capacity of associate editor of The Journal of Industrial and Engineering Chemistry he wrote a great deal on industrial chemistry in all its many phases; but all this material, with the exception of some recast and incorporated in 'Sewage Disposal' (1910), has remained unpublished in separate book form.
# The Encyclopedia Americana (1920)/Kirchbach, Wolfgang

Edition of 1920. See also Wolfgang Kirchbach on Wikipedia, and the disclaimer.
KIRCHBACH, kĭrh'bäH, Wolfgang, German critic and poet: b. London, England, 18 Sept. 1857; d. 1906. He was the son of a German artist and studied in Dresden and Leipzig. Settling in the former city in 1888 he was editor of the Magazin für Litteratur des In- und Auslandes; but from 1896 lived in Berlin. Among his works may be cited ‘Märchen’ (1879); ‘Salvator Rosa,’ a romance (1880); ‘Gedichte’ (1883); ‘Das Leben auf der Walze’ (1892); ‘Die letzten Menschen,’ a drama (1892); ‘Miniaturen’ (Stuttgart 1892); ‘Des Sonnenreichs Untergang’ (Dresden 1895); ‘Gordon Pascha’ (ib. 1895); ‘Eginhardt und Emma’ (ib. 1896); ‘Der Lieder vom Zweirad’ (1900).
# The Encyclopedia Americana (1920)/Kirchhoff, Charles William Henry

Edition of 1920. See also Charles William Henry Kirchhoff on Wikipedia, and the disclaimer.
KIRCHHOFF, kėrk'hŏff, Charles William Henry, American editor and steel expert: b. San Francisco, Cal., 28 March 1853; d. Asbury Park, N. J., 22 July 1916. He attended school in the United States and Germany and was graduated from the Royal School of Mines at Clausthal, Germany, in 1874, taking the degree of mining engineer and metallurgist. During the next three years he was chemist, assayer and assistant superintendent of the Delaware Lead Mills at Philadelphia. Beginning his career in technical journalism in 1876, when he
was correspondent of English, German and Capetown, Africa, papers, he became connected with the Metallurgical Review in 1877, and a little later joined the staff of the Iron Age, leaving it for a time to be managing editor of the Engineering and Mining Journal, but returning in 1884. Four years later he became its editor-in-chief and vice-president of the David Williams Company, the publishers. Mr. Kirchhoff kept up his editorial work, in which he won distinction, until his resignation in 1909, although he had been asked by Mr. Andrew Carnegie to quit New York for Pittsburgh and the Carnegie Steel Company. From 1898-99 and 1911-12 he was president of the American Institute of Mining Engineering. He was at one time a special agent of the United States Geological Survey for the collection of statistics of the production of copper, lead and zinc. He was a member of the Iron and Steel Institute, was once president of the Germania Club and was a member of the American Society of Mechanical Engineers.
# The Encyclopedia Americana (1920)/Kingwood

Edition of 1920. See also Kingwood (wood) on Wikipedia, and the disclaimer.
KINGWOOD, a very handsome Brazilian wood believed by many to be a derived species by crossing, while others claim that it belongs to the Dalbergia, which has numerous representatives in India and the southern countries of Asia generally. It has been claimed for it that it is a species of Triptolomæa while others have maintained that it belongs to the brya ebenus. Kingwood, which is generally very handsomely streaked with violet of different shades and densities of color, is used in the making of fancy cabinets, and cabinet ornaments of smaller dimensions.
# The Encyclopedia Americana (1920)/Kino (gum)

Edition of 1920. See also Kino (gum) on Wikipedia, and the disclaimer.
KINO, kē'nō, a kind of gum which exudes from certain trees when an incision is made, and is dried without artificial heat. The East Indian or Malabar kino comes from a legumimous tree (Pterocarpus marsupium); Bengal or Palas kino from Butea frondosa; and Australian or Botany Bay kino from Eucalyptus rostrata; West Indian from a third plant (Coccoloba unifera). It consists of dark red angular fragments, rarely larger than a pea, and easily splitting into still smaller pieces. It is very soluble in spirits of wine, and in general behavior closely resembles catechu, and yields
by similar treatment the same products. In medicine it is an astringent and tonic.