OpenLLM-France/wikimedia huggingface dataset:
# South Africa Act Amendment Act, 1955/1956-03-09

This is the text of the South Africa Act Amendment Act, 1955, as at 9 March 1956, that being the date on which the Official Languages (Local Authorities) Amendment Act, 1956, was published and came into force.
Act
To amend the South Africa Act, 1909, and to make further provision in regard to the use of the official languages of the Union.
(English text signed by the Governor-General.) (Assented to 18th March, 1955.)
as amended by
Official Languages (Local Authorities) Amendment Act, No. 10 of 1956
Be it enacted by the Queen’s Most Excellent Majesty, the Senate and the House of Assembly of the Union of South Africa, as follows:―
1. The following section is hereby inserted in the South Africa Act, 1909, after section one hundred and thirty-seven:
| “Equality of use of official languages by provincial councils and local authorities. | 137bis. All records, journals and proceedings of a provincial council shall be kept in both the official languages, and all draft ordinances, ordinances and notices of public importance or interest issued by a provincial administration, and all notices issued and all regulations or by-laws made by any institution or body contemplated in paragraph (vi) of section eighty-five, shall be in both official languages.”. |
2. (1) No regulation or by-law of any institution or body contemplated in paragraph (vi) of section eighty-five of the South Africa Act, 1909, made prior to the date of commencement of this Act in only one of the official languages of the Union shall be of any force or effect after the thirty-first day of March, 1957, unless it has been duly published in both the official languages or a translation thereof has at any time prior to the said date been duly published in the other official language by the authority charged by law with the publication of such a regulation or by-law.
(2) Where such a regulation or by-law has been published in both official languages or a translation thereof has been published as provided in sub-section (1), both versions thereof shall have equal force and effect as if the regulation or by-law had originally been made and published in both the official languages.
3. This Act shall be called the South Africa Act Amendment Act, 1955.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 108

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108
What's in the brain, that ink may character, Which hath not figur'd to thee my true spirit? What's new to speak, what new to register, That may express my love, or thy dear merit? 4 Nothing, sweet boy; but yet, like prayers divine, I must each day say o'er the very same; Counting no old thing old, thou mine, I thine, Even as when first I hallow'd thy fair name. 8 So that eternal love in love's fresh case Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page; 12 Finding the first conceit of love there bred, Where time and outward form would show it dead.
1 character: write 3 register: record 9 in love's fresh case: always renewed 11 gives . . . place: withdraws when wrinkles must come 13, 14 Cf. n.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 11

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As fast as thou shalt wane, so fast thou grow'st In one of thine, from that which thou departest; And that fresh blood which youngly thou bestow'st Thou mayst call thine when thou from youth convertest. 4 Herein lies wisdom, beauty and increase; Without this, folly, age and cold decay: If all were minded so, the times should cease And threescore year would make the world away. 8 Let those whom Nature hath not made for store, Harsh, featureless and rude, barrenly perish: Look, whom she best endow'd she gave the more; Which bounteous gift thou shouldst in bounty cherish: She carv'd thee for her seal, and meant thereby 13 Thou shouldst print more, nor let that copy die.
2 departest: takest leave of 3 youngly: in youth bestow'st: layest out, spendest 4 convertest: changest 9 for store: for breeding 11 Look, . . . the more; cf. n.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 111

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O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. 4 Thence comes it that my name receives a brand, And almost thence my nature is subdu'd To what it works in, like the dyer's hand: Pity me, then, and wish I were renew'd; 8 Whilst, like a willing patient, I will drink Potions of eisel 'gainst my strong infection; No bitterness that I will bitter think, Nor double penance, to correct correction. 12 Pity me, then, dear friend, and I assure ye Even that your pity is enough to cure me.
2 guilty goddess . . . deeds: goddess guilty of . . . deeds 5 brand: stigma 6 subdu'd: reduced 10 eisel: vinegar 12 correct correction: chastise chastisement, make my correction doubly sure
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 113

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Since I left you, mine eye is in my mind; And that which governs me to go about Doth part his function and is partly blind, Seems seeing, but effectually is out; 4 For it no form delivers to the heart Of bird, of flower, or shape, which it doth latch: Of his quick objects hath the mind no part, Nor his own vision holds what it doth catch; 8 For if it see the rud'st or gentlest sight, The most sweet favour or deformed'st creature, The mountain or the sea, the day or night, The crow or dove, it shapes them to your feature: 12 Incapable of more, replete with you, My most true mind thus maketh mine untrue.
3 Doth part his function: does but part of its natural work 4 effectually: practically 5 it: my eye heart: mind 6 latch: catch 7 his: the eye's 8 his own: the eye's 10 favour: countenance 14 Cf. n.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 114

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Or whether doth my mind being crown'd with you, Drink up the monarch's plague, this flattery? Or whether shall I say mine eye saith true, And that your love taught it this alchemy, 4 To make of monsters and things indigest Such cherubins as your sweet self resemble, Creating every bad a perfect best, As fast as objects to his beams assemble? 8 O, 'tis the first, 'tis flattery in my seeing, And my great mind most kingly drinks it up: Mine eye well knows what with his gust is 'greeing, And to his palate doth prepare the cup: 12 If it be poison'd, 'tis the lesser sin That mine eye loves it and doth first begin.
1 Or whether doth: is it true that 5 indigest: formless 10 kingly: like a king 11 what . . . 'greeing: what agrees with the mind's taste 13, 14 Cf. n.
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 107

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Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Suppos'd as forfeit to a confin'd doom. 4 The mortal moon hath her eclipse endur'd, And the sad augurs mock their own presage; Incertainties now crown themselves assur'd, And peace proclaims olives of endless age. 8 Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rime, While he insults o'er dull and speechless tribes: 12 And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
1–4 Cf. n. 5 mortal: deadly (?); cf. n. 6 presage: presentiment 10 subscribes: submits 13 in this: in this verse
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 110

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110
Alas! 'tis true I have gone here and there, And made myself a motley to the view, Gor'd mine own thoughts, sold cheap what is most dear, Made old offences of affections new; 4 Most true it is that I have look'd on truth Askance and strangely; but, by all above, These blenches gave my heart another youth, And worse essays prov'd thee my best of love. 8 Now all is done, have what shall have no end: Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confin'd. 12 Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
1, 2 Cf. n. 2 motley: jester 3 Gor'd: wounded 4 Made old . . . new: offended in forsaking old friends for new 7 blenches: inconstancies gave . . . youth: brought me back to youthful love 8 worse essays: trials of the worse 9 have what . . . end: take my unending love 10 grind: whet
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 112

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Your love and pity doth the impression fill Which vulgar scandal stamp'd upon my brow; For what care I who calls me well or ill, So you o'er-green my bad, my good allow? 4 You are my all-the-world, and I must strive To know my shames and praises from your tongue; None else to me, nor I to none alive, That my steel'd sense or changes right or wrong. 8 In so profound abysm I throw all care Of other's voices, that my adder's sense To critic and to flatterer stopped are. Mark how with my neglect I do dispense: 12 You are so strongly in my purpose bred, That all the world besides methinks are dead.
1 impression: mark, brand 4 o'er-green: cover as by a vine or grass allow: approve 7, 8 Cf. n. 10, 11 Cf. n. 12 with . . . dispense: I am indifferent to neglect (by others) 13 in my purpose bred: engrafted in my life 14 besides: except you
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 109

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O, never say that I was false of heart, Though absence seem'd my flame to qualify. As easy might I from myself depart As from my soul, which in thy breast doth lie: 4 That is my home of love: if I have rang'd, Like him that travels, I return again; Just to the time, not with the time exchang'd, So that myself bring water for my stain. 8 Never believe, though in my nature reign'd All frailties that besiege all kinds of blood, That it could so preposterously be stain'd, To leave for nothing all thy sum of good; 12 For nothing this wide universe I call, Save thou, my rose; in it thou art my all.
2 qualify: moderate 5 That: thy breast 7 Just to the time: punctually exchang'd: changed 8 myself bring . . . stain: justify my fault (of absence) 10 blood: temperament 11 preposterously: unnaturally
# Shakespeare's Sonnets (1923) Yale/Text/Sonnet 115

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Those lines that I before have writ do lie, Even those that said I could not love you dearer: Yet then my judgment knew no reason why My most full flame should afterwards burn clearer. 4 But reckoning Time, whose million'd accidents Creep in 'twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp'st intents, Divert strong minds to the course of altering things; 8 Alas ! why, fearing of Time's tyranny, Might I not then say, 'Now I love you best,' When I was certain o'er incertainty, Crowning the present, doubting of the rest? 12 Love is a babe; then might I not say so, To give full growth to that which still doth grow.
5 reckoning: taking account of 12 the rest: the future 13 so: 'I love you best' 14 To give: giving
# Statesman's Year-Book 1871

London: The Macmillan Company, pages title–xii

# THE STATESMAN'S YEAR-BOOK

A STATISTICAL AND HISTORICAL ACCOUNT OF THE STATES OF THE CIVILISED WORLD
Manual for POLITICIANS AND MERCHANTS
FOR THE YEAR 1871
BY FREDERICK MARTIN
EIGHTH ANNUAL PUBLICATION
REVISED AFTER OFFICIAL RETURNS
London MACMILLAN AND CO. 1871
The right of Translation and Reproduction is reserved
Man sagt oft: Zahlen regieren die Welt. Das aber ist gewiss, Zahlen zeigen wie sie regiert wird.
Goethe.
LONDON : PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE AND PARLIAMENT STREET
# Statesman's Year-Book 1899/United States Newspapers

New York and London: The Macmillan Company, pages cciv–ccv

### Newspapers

The number of newspapers published in the United States and Canada in 1898, as shown by the statistics in "Rowell's American Newspaper Directory," was 21,360, the Canadian publications numbering 899. The classification, however, is not carried through the statements for the different publications. Thus for the United States and Canada there were 15,324 weeklies, 2734 monthlies, 2214 dailies, 324 semi-monthlies, 415 semi-weeklies, 156 quarterlies, 80 bi-weeklies, 57 bi-monthlies, and 43 tri-weeklies.
The total number of publications for each State and Canada is as follows:
| Alabama | 219 |
| Alaska | 5 |
| Arizona | 48 |
| Arkansas | 263 |
| California | 684 |
| Canada | 899 |
| Colorado | 310 |
| Connecticut | 201 |
| Delaware | 42 |
| District of Columbia | 71 |
| Florida | 164 |
| Georgia | 357 |
| Idaho | 74 |
| Illinois | 1,619 |
| Indian Territory | 70 |
| Indiana | 850 |
| Iowa | 1,053 |
| Kansas | 703 |
| Kentucky | 318 |
| Louisiana | 181 |
| Maine | 165 |
| Maryland | 208 |
| Massachusetts | 616 |
| Michigan | 786 |
| Minnesota | 601 |
| Mississippi | 211 |
| Missouri | 1,034 |
| Montana | 93 ​ |
| Nebraska | 599 |
| Nevada | 28 |
| New Hampshire | 103 |
| New Jersey | 391 |
| New Mexico | 57 |
| New York | 2,018 |
| North Carolina | 254 |
| North Dakota | 142 |
| Ohio | 1,192 |
| Oklahoma | 108 |
| Oregon | 204 |
| Pennsylvania | 1,430 |
| Rhode Island | 69 |
| South Carolina | 125 |
| South Dakota | 261 |
| Tennessee | 295 |
| Texas | 753 |
| Utah | 74 |
| Vermont | 84 |
| Virginia | 272 |
| Washington | 213 |
| West Virginia | 175 |
| Wisconsin | 619 |
| Wyoming | 41 |
| Total | 21,360 |
# Songs of the Industrial Workers of the World (4th Australian edition)/What We Want

WHAT WE WANT. By Joe Hill. (Tune: "Rainbow").
We want all the workers in the world to organize, Into a great big union grand, And when we all united stand The world for workers we'll demand If the working class could only see and realize What mighty power labor has, Then the exploiting master class, It would soon fade away.
CHORUS:
Come from every land, Join the fighting band, In one union grand, Then for the workers we'll make upon this earth a paradise, When the slaves get wise and organise.
We want the sailor and the tailor and the lumberjacks, And all the cooks and laundry girls, We want the guy that dives for pearls, The pretty maid that's making curls, And the baker and staker and the chimney sweep, We want the man that's slinging hash, The child that works for little cash. In one union grand.
CHORUS:
We want the man that spikes on soles, We want the man that's digging holes, We want the man that's climbing poles, And the trucker and the mucker and the hired man, And all the factory girls and clerks, Yes, we want every one that works. In one union grand.
# Songs of the Industrial Workers of the World (4th Australian edition)/Workingmen, Unite

WORKINGMEN, UNITE. By E. S. Nelson. (Tune: "Red Wing").
Conditions they are bad, And some of you are sad; You cannot see your enemy, The class that lives in luxury,— You workingmen are poor,— Will be for evermore,— As long as you permit the few, To guide your destiny.
It is outrageous—has been for ages; This earth by right belongs to toilers, And not to spoilers of liberty.
The master class is small, But they have lots of "gall." When we unite to gain our right, If they resist we'll use our might; There is no midddle ground, This fight must be one round, To victory, for liberty, Our class is marching on!
Workingmen, unite! We must put up a fight, To make us free from slavery, And capitalistic tyranny; This fight is not in vain, We've got a world to gain, Will you be a fool, a capitalist tool? And serve your enemy?
# Songs of the Industrial Workers of the World (4th Australian edition)/Workers of the World

WORKERS OF THE WORLD. (Air: "Lillibulero"). By Connell.
Stand up, ye toilers, why crouch ye like cravens? Why clutch an existence of insult and want? Why stand to be plucked by an army of ravens, Or hoodwink'd for ever by twaddle and cant? Think of the wrongs ye bear, Think of the rags ye wear, Think on the insults endur'd from your birth; Tolling in snow and rain. Rearing up heaps of grain, All for the tyrants who grind you to earth.
Your brains are as keen as the brains of your masters, In swiftness and strength ye surpass them by far; Ye've brave hearts to teach you to laugh at disasters, Ye vastly outnumber your tyrants in war. Why, then, like cowards stand, Using not brain or hand, Thankful like dogs when they throw you a bone? What right have they to take Things that ye toil to make? Know ye not, workers, that all is your own?
Rise in your might, brothers, bear it no longer; Assemble in masses throughout the whole land; Show these incapable who are the stronger When workers and idlers confronted shall stand. Thro' Castle, Court and Hill, Over their acres all, Onwards we'll press likes waves of the sea, Claiming the wealth we've made, Ending the spoiler's trade; Labor shall triumph and mankind be free.
"War is Hell" for the workers. Let us make the Class War a nightmare for the masters.
"The poor—is any country his? What are to me your glories and your industries—they are not mine?
# Songs of the Industrial Workers of the World (4th Australian edition)/Workers of the World, Awaken!

WORKERS OF THE WORLD, AWAKEN! By Joe Hill.
Workers of the world, awaken! Break your chains, demand your rights; All the wealth you make is taken By exploiting parasites. Shall you kneel in deep submission From your cradles to your graves? Is the height of your ambition To be good and willing slaves?
Chorus:
Fight for your own emancipation; Arise, ye slaves of every nation! In One Union grand. Our little ones for bread are crying, And millions are from hunger dying; The means the end is justifying, 'Tis the final stand.
If the workers take a notion, They can stop all speeding trains; Every ship upon the ocean They can tie with mighty chains, Every wheel in the creation, Every mine and every mill, Fleets and armies of the nation Will at their command stand still.
Join the Union, fellow-workers, Men and women, side by side; We will crush the greedy shirkers Like a sweeping, surging tide; For united we are standing, But divided we will fall; Let this be our understanding— "All for one and one for all."
Workers of the world, awaken! Rise in all your splendid might, Take a wealth that you are making. It belongs to you by right;
# Songs of the North/The Birdie

The Birdie has been translated from the Swedish original by Anna Krook (1850–1926), and published in Songs of the North, printed in Helsinki, Finland, 1926.
There sits so little a birdie  Alone on the ocean-strand. Far off, now the sun is rising,  In gold, in the morning land.
There beckons, among the roses,  A portal of rubies and gold. The heart of the bird is swelling  With love and longing untold.
He flies to the aureole brightness,  The beckoning coast to gain, He flutters his wings, so weary,  He warbles with might and main.
Still further and further he flutters  Not looking behind him, he flees; Where'er he turns his gazes,  But frigid water he sees.
He flies till his wings are broken,  He sinks in the billowing wave — And even is smiling in roses,  The star, in gold, on his grave.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Songs of the North

* The Athenians' Song
* Robin Goodfellow
* The Birdie
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the North/The Athenians' Song

The Athenians’ Song has been translated from the Swedish original by Anna Krook, and published in Songs of the North, printed in Helsinki, Finland, 1926.
Splendid is death, when courageous, the first in battle, thou fallest, Fallest in war for thy land, dying for city and home. Therefore, with fiery mind, arise to fight for thy country, Hasten to yield up thy life, gladly, for races to come! Forward, forward now, boys, in close and invincible columns! Never a feeling of fright, never a thought of retreat!
Shame and stigma fall on the host when, in front of the forces, Old men, ahead of the young, combat and bleed unto death. This behoves, above all, a youth while still he is wearing Wreaths on the curls of his head, sweet-scented flowers of spring. Handsome to women, stately to men, he may seem in his life-time; Handsomer is he in death, fall’n in the thick of the fray.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Songs of the Pixies

Songs of the Pixies was composed by Samuel Taylor Coleridge during 1793. It describes Coleridge's summer vacation, his childhood home and incorporates his view of himself as a young poet. Warning: template has been deprecated.
The poem was first published in 'Poems on Various Subjects' (1796)
* Songs of the Pixies in 'Poems on Various Subjects' (1796)
* Songs of the Pixies (unsourced) - since it varies from the 1796 version, is probably from the collected works of 1834
# Shakespeare of Stratford/The Biographical Facts/Fact 63

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New Haven: Yale University Press, pages 75–76
​LXIII. AGREEMENT PROTECTING SHAKESPEARE AGAINST LOSS OF TITHE INCOME BY REASON OF ENCLOSURES AT WELCOMBE (1614).
Contract of William Replingham, legal agent for the Combes, with Shakespeare and his cousin, Thomas Greene, October 28, 1614.
Vicesimo octavo die Octobris, anno Domini 1614. Articles of agreement indented [and] made between Willm. Shackespeare of Stretford in the county of Warwick, gent., on the one party and Willm. Replingham of Great Harborowe in the county of Warwick, gent., on the other party, the day and year abovesaid. Item, the said Willm. Replingham for him, his heirs, executors, and assigns, doth covenant and agree to and with the said Willm. Shackespeare, his heirs and assigns, that he, the said Willm. Replingham, his heirs or ​assigns, shall upon reasonable request satisfy, content, and make recompense unto him the said Willm. Shackespeare or his assigns for all such loss, detriment, and hinderance as he, the said Willm. Shackespeare, his heirs and assigns, and one Thomas Greene, gent., shall or may be thought in the view and judgment of four indifferent persons, to be indifferently elected by the said Willm. and Willm. and their heirs, and in default of the said Willm. Replingham by the said Willm. Shackespeare or his heirs only, to survey and judge the same to sustain or incur for or in respect of the increasing of the yearly value of the tithes they, the said Willm. Shackespeare and Thomas, do jointly or severally hold and enjoy in the said fields or any of them by reason of any inclosure or decay of tillage there meant and intended by the said Willm. Replingham; and that the said Willm. Replingham and his heirs shall procure such sufficient security unto the said Willm. Shackespeare and his heirs for the performance of these covenants as shall be devised by learned counsel. In witness whereof the parties abovesaid to these presents interchangeably their hands and seals have put the day and year first above written.
Note. A facsimile of this document is given by Halliwell-Phillipps, Outlines, 7th ed., ii. 38, 39. The object of the agreement was to prevent Shakespeare’s personal opposition to William Combe’s project of enclosing and appropriating the ‘common fields’ of Welcombe. Shakespeare and his cousin, Greene, both had tithe rights in this neighborhood which would be affected by the enclosures. See the next document.
Footnotes