# In the Roar of the Sea/Chapter 21

CHAPTER XXI.
OTHELLO COTTAGE.
To revert to the old life as far as possible under changed circumstances, to pass a sponge over a terrible succession of pictures, to brush out the vision of horrors from her eyes, and shake the burden of the past off her head—if for a while only—was a joy to Judith. She had been oppressed with nightmare, and now the night was over, her brain clear, and should forget its dreams.
She and Jamie were together, and were children once more; her anxiety for her brother was allayed, and she had broken finally with Cruel Coppinger. Her heart bounded with relief. Jamie was simple and docile as of old; and she rambled with him through the lanes, along the shore, upon the downs, avoiding only one tract of common and one cove.
A child's heart is elastic; eternal droopings it cannot bear. Beaten down, bruised and draggled by the storm, it springs up when the sun shines, and laughs into flower. It is no eucalyptus that ever hangs its leaves; it is a sensitive plant, wincing, closing, at a trifle, feeling acutely, but not for long.
And now Judith had got an idea into her head, that she communicated to Jamie, and her sanguine anticipations kindled his torpid mind. She had resolved to make little shell baskets and other chimney ornaments, not out of the marine shells cast up by the sea, for on that coast none came ashore whole, but out of the myriad snail-shells that strew the downs. They were of all sizes, from a pin's head to a gooseberry, and of various colors—salmon-pink, sulphur-yellow, rich brown and pure white. By judicious arrangement of sizes and of colors, with a little gum on cardboard, what wonderful erections might be made, certain to charm the money out of the pocket, and bring in a little fortune to the twins.
"And then," said Jamie, "I can build a linney, and rent a paddock, and keep my Neddy at Polzeath."
​"And," said Judith, "we need be no longer a burden to Auntie."
The climax of constructive genius would be exhibited in the formation of a shepherd and shepherdess, for which Judith was to paint faces and hands; but their hats, their garments, their shoes, were to be made of shells. The shepherdess was to have a basket on her arm, and in this basket were to be flowers, not made out of complete shells, but out of particles of sea-shells of rainbow colors.
What laughter, what exultation there was over the shepherd and shepherdess! How in imagination they surpassed the fascinations of Dresden china figures. And the price at which they were to be sold was settled. Nothing under a pound would be accepted, and that would be inadequate to represent the value of such a monument of skill and patience! The shepherd and shepherdess would have to be kept under glass bells, on a drawing-room mantel-shelf.
Judith's life had hitherto been passed between her thoughtful, cultured father and her thoughtless, infantile brother. In some particulars she was old for her age, but in others she was younger than her years. As the companion of her father, she had gained powers of reasoning, a calmness in judging, and a shrewdness of sense which is unusual in a girl of eighteen. But as also the associate of Jamie in his play, she had a childish delight in the simplest amusements, and a readiness to shake off all serious thought and fretting care in an instant, and to accommodate herself to the simplicity of her brother.
Thus—a child with a child—Judith and Jamie were on the common one windy, showery day, collecting shells, laughing, chattering, rejoicing over choice snail-shells, as though neither had passed through a wave of trouble, as though life lay serene before them.
Judith had no experience of the world. With her natural wit and feminine instinct she had discovered that Cruel Coppinger loved her. She had also no hesitation in deciding that he must be repulsed. Should he seek her, she must avoid him. They could not possibly unite their lives. She had told him this, and there the matter ended. He must swallow his disappointment, and think no more about her. No one could have ​everything he wanted. Other people had to put up with rejection, why not Coppinger? It might be salutary to him to find that he could not have his way in all things. So she argued, and then she put aside from her all thought of the Captain, and gave herself up to consideration of snail-shell boxes, baskets, and shepherds and shepherdesses.
Jamie was developing a marvellous aptitude for bird-stuffing. Mr. Menaida had told Judith repeatedly that if the boy would stick to it, he might become as skilful as himself. He would be most happy, thankful to be able to pass over to him some of the work that accumulated, and which he could not execute. "I am not a professional; I am an amateur. I only stuff birds to amuse my leisure moments. Provokingly enough, gentlemen do not believe this. They write to me as if I were a tradesman, laying their commands upon me, and I resent it. I have a small income of my own, and am not forced to slave for my bread and 'baccy. Now, if Jamie will work with me and help me, I will cheerfully share profits with him. I must be director—that is understood."
But it was very doubtful whether poor Jamie could be taught to apply himself regularly to the work, and that under a desultory master, who could not himself remain at a task many minutes without becoming exhausted and abandoning it. Jamie could be induced to work only by being humored. He loved praise. He must be coaxed and flattered to undertake any task that gave trouble. Fortunately, taxidermy did not require any mental effort, and it was the straining of his imperfect mental powers that irritated and exhausted the boy.
With a little cajolery he might be got to do as much as did Uncle Zachie, and if Mr. Menaida were as good as his word—and there could be little doubt that so kind, amiable, and honorable a man would be that—Jamie would really earn a good deal of money. Judith also hoped to earn more with her shell-work, and together she trusted they would be able to support themselves without further tax on Miss Trevisa.
And what a childish pleasure they found in scheming their future, what they would do with their money, where they would take a house, how furnish it! They laughed over their schemes, and their pulses fluttered at the delightful pictures they conjured up. And all their ​rosy paradise was to rise out of the proceeds of stuffed birds and snail-shell chimney ornaments.
"Ju! come here, Ju!" cried Jamie.
Then again impatiently, "Ju! come here, Ju!"
"What is it, dear?"
"Here is the very house for us. Do come and see."
On the down, nestled against a wall that had once enclosed a garden, but was now ruinous, stood a cottage. It was built of wreck-timber, thatched with heather and bracken, and with stones laid on the thatching, which was bound with ropes, as protection against the wind. A quaint, small house, with little windows under the low eaves; one story high, the window-frames painted white; the glass frosted with salt blown from the sea, so that it was impossible to look through the small panes, and discover what was within. The door had a gable over it, and the centre of the gable was occupied by a figure-head of Othello. The Moor of Venice was black and well battered by storm, so that the paint was washed and bitten off him. There was a strong brick chimney in the midst of the roof, but no smoke issued from it, nor had the house the appearance of being inhabited. There were no blinds to the windows, there were no crocks, no drying linen about the house; it had a deserted look, and yet was in good repair.
"Oh, Ju! " said Jamie, "we will live here. Will it not be fun? And I shall have a gun and shoot birds."
"Whose house can it be?" asked Judith.
"I don't know. Ju, the door is open; shall we go in?"
"No, Jamie, we have no right there."
A little gate was in the wall, and Judith looked through. There had at one time certainly been a garden there, but it had been neglected, and allowed to be overrun with weeds. Roses, escallonica, and lavender had grown in untrimmed luxuriance. Marigolds rioted over the space like a weed. Pinks flourished, loving the sandy soil, but here and there the rude blue thistle had intruded and asserted its right to the sea-border land as its indigenous home.
Down came the rain, so lashing that Judith was constrained to seek shelter, and, in spite of her protest that she had no right to enter Othello Cottage, she passed the threshold.
​No one was within but Jamie, who had not attended to her objection; led by curiosity, and excusing himself by the rain, he had opened the door and gone inside.
The house was unoccupied, and yet was not in a condition of neglect and decay. If no one lived there, yet certainly some one visited it, for it had not that mouldy atmosphere that pervades a house long shut up, nor were dust and sand deep on floor and table. There was furniture, though scanty. The hearth showed traces of having had a fire in it at no very distant period. There were benches. There were even tinder-box and candle on the mantle-shelf.
Jamie was in high excitement and delight. This was the ogre's cottage to which Jack had climbed up the bean-stalk. He was sure to find somewhere the hen that laid golden eggs, and the harp that played of itself.
Judith seated herself on one of the benches and sorted her shells, leaving Jamie to amuse himself. As the house was uninhabited, it did not seem to her that any gross impropriety existed in allowing him to run in and out and peep round the rooms, and into the corners.
"Judith," he exclaimed, coming to her from an adjoining room, "there is a bed in here, and there are crooks in the wall!"
"What are the crooks for, dear?"
"For climbing, I think."
Then he ran back, and she saw no more of him for a while, but heard him scrambling.
She rose and went to the door into the adjoining apartment to see that he was after no mischief. She found that this apartment was intended for sleeping in. There was a bedstead with a mattress on it, but no clothes. Jamie had found some crooks in the wall, and was scrambling up these, with hands and feet, toward the ceiling, where she perceived an opening, apparently into the attic.
"Oh, Jamie! what are you doing there?"
"Ju, I want to see whether there is anything between the roof and the ceiling. There may be the harp there, or the hen that lays golden eggs."
"The shower is nearly over; I shall not wait for you."
She seated herself on the bed and watched him. He thrust open a sliding board, and crawled through into the attic. He would soon tire of exploring among the ​rafters, and would return dirty, and have to be cleared of cobwebs and dust. But it amused the boy. He was ever restless, and she would find it difficult to keep him occupied sitting by her below till the rain ceased, so she allowed him to scramble and search as he pleased. Very few minutes had passed before Judith heard a short cough in the main room, and she at once rose and stepped back into it to apologize for her intrusion. To her great surprise she found her aunt there, at the little window, measuring it.
"A couple of yards will do—double width," said Miss Trevisa.
"Auntie!" exclaimed Judith. "Who ever would have thought of seeing you here?"
Miss Trevisa turned sharply round, and her lips tightened.
"And who would have thought of seeing you here," she answered, curtly.
"Auntie, the rain came on; I ran in here so as not to be wet through. To whom does this house belong?"
"To the master—to whom else? Captain Coppinger."
"Are you measuring the window for blinds for him?"
"I am measuring for blinds, but not for him."
"But—who lives here?"
"No one as yet."
"Is any one coming to live here?"
"Yes—I am."
"Oh, auntie! and are we to come here with you?"
Miss Trevisa snorted, and stiffened her back.
"Are you out of your senses, like Jamie, to ask such a question? What is the accommodation here? Two little bedrooms, one large kitchen, and a lean-to for scullery—that is all—a fine roomy mansion for three people indeed!"
"But, auntie, are you leaving the Glaze?"
"Yes, I am. Have you any objection to that?"
"No, aunt, only I am surprised. And Captain Cruel lets you have this dear little cottage?"
"As to its being dear, I don't know, I am to have it; and that is how you have found it open to poke and pry into. I came up to look round and about me, and then found I had not brought my measuring tape with me, so I returned home for that, and you found the door open and thrust yourself in."
​"I am very sorry if I have given you annoyance."
"Oh, it's no annoyance to me. The place is not mine yet."
"But when do you come here, Aunt Dunes?"
"When?" Miss Trevisa looked at her niece with a peculiar expression in her hard face that Judith noticed, but could not interpret. "That," said Miss Trevisa, "I do not know yet."
"I suppose you will do up that dear little garden," said Judith.
Miss Trevisa did not vouchsafe an answer; she grunted, and resumed her measuring.
"Has this cottage been vacant for long", auntie?"
"Yes."
"But, auntie, some one comes here. It is not quite deserted."
Miss Trevisa said to herself, "Four times two and one breadth torn in half to allow for folds will do it. Four times two is eight, and one breadth more is ten."
Just then Jamie appeared, shyly peeping through the door. He had heard his aunt's voice, and was afraid to show himself. Her eye, however, observed him, and in a peremptory tone she ordered him to come forward.
But Jamie would not obey her willingly, and he deemed it best for him to make a dash through the kitchen to the open front door.
"That boy!" growled Miss Trevisa, "I'll be bound he has been at mischief."
"Auntie, I think the rain has ceased, I will say good-by."
Then Judith left the cottage.
"Ju," said Jamie, when he was with his sister beyond earshot of the aunt, "such fun—I have something to tell you."
"What is it, Jamie?"
"I won't tell you till we get home."
"Oh, Jamie, not till we get back to Polzeath?"
"Well, not till we get half-way home—to the white gate. Then I will tell you."