# The Soft Side (New York: The Macmillan Company, 1900)/The Real Right Thing/Chapter 1

THE REAL RIGHT THING
I
When, after the death of Ashton Doyne—but three months after—George Withermore was approached, as the phrase is, on the subject of a 'volume,' the communication came straight from his publishers, who had been, and indeed much more, Doyne's own; but he was not surprised to learn, on the occurrence of the interview they next suggested, that a certain pressure as to the early issue of a Life had been brought to bear upon them by their late client's widow. Doyne's relations with his wife had been, to Withermore's knowledge, a very special chapter—which would present itself, by the way, as a delicate one for the biographer; but a sense of what she had lost, and even of what she had lacked, had betrayed itself, on the poor woman's part, from the first days of her bereavement, sufficiently to prepare an observer at all initiated for some attitude of reparation, some espousal even exaggerated of the interests of a distinguished name. George Withermore was, as he felt, initiated; yet what he had not expected was to hear that she had mentioned him as the person in whose hands she would most promptly place the materials for a book.
These materials—diaries, letters, memoranda, notes, documents of many sorts—were her property, and wholly in her control, no conditions at all attaching to any portion of her heritage; so that she was free at present to do as she liked—free, in particular, to do nothing. What Doyne would have arranged had he had time to arrange could be but supposition and guess. Death had taken him too soon and too suddenly, ​and there was all the pity that the only wishes he was known to have expressed were wishes that put it positively out of account. He had broken short off—that was the way of it; and the end was ragged and needed trimming. Withermore was conscious, abundantly, how close he had stood to him, but he was not less aware of his comparative obscurity. He was young, a journalist, a critic, a hand-to-mouth character, with little, as yet, as was vulgarly said, to show. His writings were few and small, his relations scant and vague. Doyne, on the other hand, had lived long enough—above all had had talent enough—to become great, and among his many friends gilded also with greatness were several to whom his wife would have struck those who knew her as much more likely to appeal.
The preference she had, at all events, uttered—and uttered in a roundabout, considerate way that left him a measure of freedom—made our young man feel that he must at least see her and that there would be in any case a good deal to talk about. He immediately wrote to her, she as promptly named an hour, and they had it out. But he came away with his particular idea immensely strengthened. She was a strange woman, and he had never thought her an agreeable one; only there was something that touched him now in her bustling, blundering impatience. She wanted the book to make up, and the individual whom, of her husband's set, she probably believed she might most manipulate was in every way to help it to make up. She had not taken Doyne seriously enough in life, but the biography should be a solid reply to every imputation on herself. She had scantly known how such books were constructed, but she had been looking and had learned something. It alarmed Withermore a little from the first to see that she would wish to go in for quantity. She talked of 'volumes'—but he had his notion of that.
'My thought went straight to you, as his own would have done,' she had said almost as soon as she rose before him there in her large array of mourning—with her big black eyes, her ​big black wig, her big black fan and gloves, her general gaunt, ugly, tragic, but striking and, as might have been thought from a certain point of view, 'elegant' presence. 'You're the one he liked most; oh, much!'—and it had been quite enough to turn Withermore's head. It little mattered that he could afterward wonder if she had known Doyne enough, when it came to that, to be sure. He would have said for himself indeed that her testimony on such a point would scarcely have counted. Still, there was no smoke without fire; she knew at least what she meant, and he was not a person she could have an interest in flattering. They went up together, without delay, to the great man's vacant study, which was at the back of the house and looked over the large green garden—a beautiful and inspiring scene, to poor Withermore's view—common to the expensive row.
'You can perfectly work here, you know,' said Mrs. Doyne; 'you shall have the place quite to yourself—I'll give it all up to you; so that in the evenings, in particular, don't you see? for quiet and privacy, it will be perfection.'
Perfection indeed, the young man felt as he looked about—having explained that, as his actual occupation was an evening paper and his earlier hours, for a long time yet, regularly taken up, he would have to come always at night. The place was full of their lost friend; everything in it had belonged to him; everything they touched had been part of his life. It was for the moment too much for Withermore—too great an honour and even too great a care; memories still recent came back to him, and, while his heart beat faster and his eyes filled with tears, the pressure of his loyalty seemed almost more than he could carry. At the sight of his tears Mrs. Doyne's own rose to her lids, and the two, for a minute, only looked at each other. He half expected her to break out: 'Oh, help me to feel as I know you know I want to feel!' And after a little one of them said, with the other's deep assent—it didn't matter which: 'It's here that we're with ​him.' But it was definitely the young man who put it, before they left the room, that it was there he was with them.
The young man began to come as soon as he could arrange it, and then it was, on the spot, in the charmed stillness, between the lamp and the fire and with the curtains drawn, that a certain intenser consciousness crept over him. He turned in out of the black London November; he passed through the large, hushed house and up the red-carpeted staircase where he only found in his path the whisk of a soundless trained maid, or the reach, out of a doorway, of Mrs. Doyne's queenly weeds and approving tragic face; and then, by a mere touch of the well-made door that gave so sharp and pleasant a click, shut himself in for three or four warm hours with the spirit—as he had always distinctly declared it—of his master. He was not a little frightened when, even the first night, it came over him that he had really been most affected, in the whole matter, by the prospect, the privilege, and the luxury, of this sensation. He had not, he could now reflect, definitely considered the question of the book—as to which there was here, even already, much to consider: he had simply let his affection and admiration—to say nothing of his gratified pride—meet, to the full, the temptation Mrs. Doyne had offered them.
How did he know, without more thought, he might begin to ask himself, that the book was, on the whole, to be desired? What warrant had he ever received from Ashton Doyne himself for so direct and, as it were, so familiar an approach? Great was the art of biography, but there were lives and lives, there were subjects and subjects. He confusedly recalled, so far as that went, old words dropped by Doyne over contemporary compilations, suggestions of how he himself discriminated as to other heroes and other panoramas. He even remembered how his friend, at moments, would have seemed to show himself as holding that the 'literary' career might—save in the case of a Johnson and a Scott, with a Boswell and a Lockhart to help—best content itself to be represented. The artist was ​what he did—he was nothing else. Yet how, on the other hand, was not he, George Withermore, poor devil, to have jumped at the chance of spending his winter in an intimacy so rich? It had been simply dazzling—that was the fact. It hadn't been the 'terms,' from the publishers—though these were, as they said at the office, all right; it had been Doyne himself, his company and contact and presence—it had been just what it was turning out, the possibility of an intercourse closer than that of life. Strange that death, of the two things, should have the fewer mysteries and secrets! The first night our young man was alone in the room it seemed to him that his master and he were really for the first time together.