OpenLLM-France/wikimedia huggingface dataset:
# The Wind Among the Reeds/Aedh pleads with the Elemental Powers

AEDH PLEADS WITH THE ELEMENTAL POWERS
The Powers whose name and shape no living creature knows Have pulled the Immortal Rose; And though the Seven Lights bowed in their dance and wept, The Polar Dragon slept, His heavy rings uncoiled from glimmering deep to deep: When will he wake from sleep?
Great Powers of falling wave and wind and windy ﬁre, With your harmonious choir
Encircle her I love and sing her into peace, That my old care may cease; Unfold your ﬂaming wings and cover out of sight The nets of day and night.
Dim Powers of drowsy thought, let her no longer be Like the pale cup of the sea, When winds have gathered and sun and moon burned dim Above its cloudy rim; But let a gentle silence wrought with music ﬂow Whither her footsteps go.
# The Wind Among the Reeds/Aedh hears the Cry of the Sedge

AEDH HEARS THE CRY OF THE SEDGE
I wander by the edge Of this desolate lake Where wind cries in the sedge Until the axle break That keeps, the stars in their round And hands hurl in the deep The banners of East and West And the girdle of light is unbound, Your head will not lie on the breast Of your beloved in sleep.
# The Wind Among the Reeds/Aedh tells of a Valley full of Lovers

AEDH TELLS OF A VALLEY FULL OF LOVERS
I dreamed that I stood in a valley, and amid sighs, For happy lovers passed two by two where I stood; And I dreamed my lost love came stealthily out of the wood With her cloud-pale eyelids falling on dream-dimmed eyes: I cried in my dream 'O women bid the young men lay
'Their heads on your knees, and drown their eyes with your hair, 'Or remembering hers they will find no other face fair 'Till all the valleys of the world have been withered away.'
# The Wind Among the Reeds/Aedh tells of the Rose in his Heart

AEDH TELLS OF THE ROSE IN HIS HEART
All things uncomely and broken, all things worn out and old, The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the ploughman, splashing the wintry mould, Are wronging your image that blossoms a rose in the deeps of my heart.
The wrong of unshapely things is a wrong too great to be told;
I hunger to build them anew and sit on a green knoll apart, With the earth and the sky and the water, remade, like a casket of gold For my dreams of your image that blossoms a rose in the deeps of my heart.
# The Wind Among the Reeds/Breasal the Fisherman

BREASAL THE FISHERMAN
Although you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words.
# The Wind Among the Reeds/Hanrahan laments because of his Wanderings

HANRAHAN LAMENTS BECAUSE OF HIS WANDERINGS
O where is our Mother of Peace Nodding her purple hood? For the winds that awakened the stars Are blowing through my blood. I would that the death-pale deer Had come through the mountain side, And trampled the mountain away, And drunk up the murmuring tide; For the winds that awakened the stars Are blowing through my blood, And our Mother of Peace has forget me Under her purple hood.
# The Wenona

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
86 U.S. 41
The Wenona

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The West Australian

"The West Australian (often simply called The West) is the only locally-edited daily newspaper published in Perth, Western Australia. The West is published in tabloid format, as is the state's other major newspaper, The Sunday Times."Warning: template has been deprecated.
Before 18 November 1879, this newspaper was known as The Western Australian Times.
# The West Australian/1911/05/10

See the scan index for this issue.
Articles
* Fremantle Prison
* Petitions In Divorce
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Wentworth Falls, Blue Mountains

A walk beneath a blazing Austral sun, Through poor, thin scrub, 'mid charred and ring-barked trees, Almost too bare to rustle in the breeze Which o'er the mountain tops will weep anon. And now there bursts mine awestruck gaze upon The mighty valley, bathed in sleeping seas Of forest, with vast caryatides Of rugged sandstone precipice, whereon Its tree-clad sides do rest. A blue haze spreads Like far, faint peat-reek from a Highland cot, A light wind blows to meet me from the heads, Until I dream that I am standing, not Upon a mountain-gorge, but on a bay, With coves and headlands stretching far away. Well might the famous naturalist* exclaim That this was Sydney Harbour moved inland, When he beheld the giant gorge expand With capes of huge outstanding cliffs to frame And separate the deep-sunk coves-the same As our great port, had there but been a strand Beneath their feet, of shimmering, silvery sand, And deep blue water where the forest came. What stranger freak hath Nature played than this? To mould two masterpieces on one plan, And set the one among the fastnesses Of mountains, scarce accessible to man; But leave the other where the sea breeze brings The commerce of the nations on its wings,
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Times/1836

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1836/
# The Times/1852

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1852/
# The Times/1836/News/Marriage Act

Source: The Times, Tuesday, Aug 02, 1836; Issue 16171; pg. 7; col G — Marriage Act.
The following is the clause in the Marriage Bill as altered by the Bishop of Exeter:—
"And be it enacted, that after the expiration of the said period of 21 days, or seven days if the marriage is by license, marriages may be solemnized in the registered building stated as aforesaid in the notice of such marriage, between and by the parties described in the notice and certificate, according to such form and ceremony as they may see fit to adopt: provided, nevertheless, that every such marriage shall be solemnized with open doors, between the hours of 8 and 12 in the forenoon, in the presence of some registrar of the district in which such registered building is situate, and of two or more credible witnesses; provided also, that in some part of the ceremony and in the presence of the deputy-registrar and witnesses, each of the parties shall declare—
"'I do solemnly declare that I know not of any lawful impediment why I, A.B., may not be joined in matrimony to C.D.'
"And each of the parties shall say to the other—
"'In the presence of Almighty God, and before these witnesses, I, M., do take thee N., to be my wedded wife [or husband], to live in the presence of God, solemnly promise and vow that I will be to thee a loving and faithful husband [or wife], and that I will keep me only unto thee so long as both shall live.'
"Provided also, that there be no lawful impediment to the marriage of such parties."
# The Times/1790

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1790/
# The Times/1843

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The Times/1843/
# The Times/1836/Letter to the Editor/New Marriage Act

Source: The Times, Mar 12, 1836; Issue 16049; pg. 7; col E — New Marriage Act. LECTOR.
New Marriage Act. To the Editor of The Times
Sir,—Admitting the necessity of an amendment in the law respecting marriage, which the bill for this purpose, recently brought before the consideration of Parliament, is generally, and perhaps deservedly, thought to be well calculated to effect, I would respectfully request the attention of your readers to one of its provisions, which, to to say the least, appears to present a wide contrast to the general tenor of its enactments.
It is proposed that a written notice of an intended marriage, specifying the names of the parties, &c. should be given to the registrar of the proper district, and to be entered by him in "The Marriage Notice Book," and that a certificate of such notice and party should be given by the registrar to the party requiring the same, sections 1 and 2. We have then the following singular provision, section 3:—
"Provided always that no such notice shall be received, or certificate given, by any registrar, and by whom the parties intending marriage are known, shall personally appear before the registrar at the time of delivery of the notice, and certify thereon under his hand that, to the best of his or her knowledge and belief, the parties intending marriage are therein truly described."
In other words, no person shall marry unless they have some mutual friend known to the registrar, and who shall appear personally before the registrar at the time appointed to give the proposed certificate.
Here the registrar is, indeed, made a person of importance, for it is not sufficient that one well known to the parties themselves should give the proposed certificate, which should seem to be all that is requisite—no, it is essential that the person should be known by the registrar!
Such are the simple facts of the case, from which I would respectfully leave your readers to draw their own conclusions.
# The Wizard of the Sea

* related portals: Stratemeyer Syndicate, Science fiction.
* sister projects: Wikidata item.
Edward Stratemeyer writing as "Roy Rockwood;" later to be used as a house pseudonym for several series from the Stratemeyer Syndicate

## Contents

CHAPTER
* INTRODUCING OUR HEROES.
* A TERRIFIC EXPLOSION.
* THE GREAT FIGHT.
* ON THE ROAD.
* HOKE UMMER'S TREACHERY.
* OUT ON THE BAY.
* A LIVELY ENCOUNTER.
* VMONT IS PUNISHED.
* DOCTOR HOMER WODDLE.
* THE SUBMARINE TERROR.
* ON THE BACK OF THE MONSTER.
* INSIDE OF THE "SEARCHER."
* THE OWNER OF THE SUBMARINE MONSTER.
* THE ATTACK.
* PRISONERS.
* THE MYSTERIES OF THE "SEARCHER."
* THE DEVIL FISH.
* MONT IS LOST.
* MONT'S PERIL.
* THE WRECKS.
* ON LAND ONCE MORE.
* FIGHTING THE SAVAGES.
* ELECTRIFYING THE SAVAGES.
* A PEARL WORTH A FORTUNE.
* THE MAN OF MYSTERY.
* THROUGH THE EARTH.
* THE ESCAPE—CONCLUSION.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Wheel of Fortune/Appendix 1c

THE ADVANTAGE OF THE THIN
SPINDLE
Since we introduced the thin Spindle, we have been keeping a number of them in reserve. When a student has his spindle bent, it is not corrected there and then but he is at once given one of the spare good ones, so there is no delay. Afterwards all the spindles that have gone wrong are collected and corrected together.
The sadi, i.e. the wrapping on the spindle which serves as a pulley, is often cut by itself and has sometimes to be cut off in order to correct the spindle. A new sadi has to be wrapped and for this a bottle of thick gum is kept ready at hand. It must be made of fine strong yarn, and be wrapped very tight. If it is loose, the string which revolves the spindle (mala) sinks in it and cuts it as under, and at once the spindle stops. If the sadi is made of coarse yarn, ​it becomes rough, and so the mala does not run smoothly, and the spindle throbs and causes breakage of the yarn while it is being spun.
Pairs of chamarakhan (leather-bearing) also are kept in reserve. When these become too soft by an excess of oiling or by rough handling, they must be changed. Now-a-days we make them from raw hides and not from leather or bamboo, and so they keep longer.
Formerly a rotund piece of wood or cardboard used to serve as a rest for winding the cone. But now we have substituted a piece of horn which is more durable. Wax is kept in stock for treating the mala. Besides these things we have a small oil-can, a pen-knife, a hammer, a chisel, and a small anvil.
The students bring the hank twisted hard in the shape of a stick. The hank weighs two tolas, which is the standard weight of the sliver provided. A bigger hank causes trouble while we open it, and the yarn is spoilt. The yarn spun by each student is kept separate with his name upon a wooden ​tag attached to it. Every student is asked to stick to one particular count all along till he has spun out enough for a length of warp; and then the yarn is sent to the weaving department. Every one is anxious to see when his yarn is sent out for weaving. Three such lengths of warp are being woven at present. About seven are ready waiting to be woven. An eleven year old girl will soon get a piece 20 yards long and 42 inches wide out of yarn spun by herself in the course of three months. This will provide her with too suits of clothing of two small sadis, 2 blouses and 2 petticoats. Her father had put in a pound of yarn spun by himself, to finish up the piece, and in return for this, she is going to spare a dhoti for him too. She is as much pleased to see the cloth woven from her own yarn as most girl would be to see brocade. Two other girls have combined their stock of yarn and are daily asking for it to be woven. Those students who have passed out from the spinning class are engaged in other departments; and have not much time to spare for spinning; so they work on holidays and ​prepare woof for their own warps, which are waiting to be woven. So in the second, month, the spinning department is in full swing. Y. I.— 18th Aug. 1921.
Layout 2
# The Wheel of Fortune

Ganesh & Co., Madras, 1922
THE WHEEL OF FORTUNE
Freedom’s Battle Swaraj in One Year Indian Home Rule
Mahatma Gandhi
    His Life writings and speeches
    Foreword by Mrs. SarojInI Naldu
    3rd Edition, Revised and Enlarged
THE WHEEL OF FORTUNE
BY
MAHATMA GANDHI
Appreciation by
DWIJENDRANATH TAGORE
MADRAS
GANESH & CO.
1922
THE CAMBRIDGE PRESS, MADRAS.
CONTENTS
USE KHADAR
MAHATMA GANDHI
writes from the Sabermati jail:
“I am indifferent to whatever else
the country may do, so long as the
cause of the Khadi and the Charka
is well looked after. It must be
clearly understood that there is no
salvation for us until the Khadar
programme is completely worked.”
—Independent.
SAVE SIXTY CRORES ANNUALLY
Layout 2
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Wheel of Fortune/Appendix 1b

SPINNING DEPARTMENT
I should like to add a few more facts about the spinning department, before I come to weaving.
In Ashadha the students were more energetic than before. The number of regular students was 21, and these in 23 working days (there being six holidays in the month) spun 30 pounds and 24 tolas of yarn of about 12 counts on the average, fit for warp. At ten annas a pound, this means a wage of Rs. 19-2-0. The total number of hours of spinning was 1337. At 4 hours a day it should have been 1932 (23 number of days x 21 number of students x 4). This deficiency is not due to idleness, nor to headache. Complaints of idleness have now quite ceased. And students now understand that headache may prevent; one from reading or working sums but not from spinning. They have also realised that if ​the arms are fatigued by fetching water or swimming, there is nothing like spinning for removing the fatigue. The thing is that those students who have mastered spinning were engaged in carding and other process. If full time had been given to spinning, we would have turned out a proportionately bigger quantity of yarn.
The spinning power of the students is increasing every day. The students who spun 7 tolas an hour during the Satyagraha week is now no longer a prodigy and others are fast overtaking him. One day a girl spun tolas of uniform and well-twisted 12-count yarn in 6 hours. At the above rate this means a wage of 2 annas 3 pies. For 8 hours therefore the wage would be 3 annas, for 12 hours 4 annas 6 pies, for 14 hours 5 annas 3 pies. But it is hardly necessary to emphasise the pecuniary value of the work, so far as schools are concerned. The point is that by constituting spinning as a permanent part of our school curricula we provide manual training of the highest kind and at the same time prepare for the re-advent of a day when spinning will be ​as much a part of our domestic economy as say cooking.
Y.I.—11th Aug. '21.
Layout 2
# The Times/1931/Public notice/George Thorn-Drury

Source: The Times, Jan 16, 1931; Issue 45722; pg. 1 — Deaths
Layout 2THORN-DRURY.—On Wednesday, Jan. 14, 1931, very suddenly at 42, Roland-gardens, S.W.7, George Thorn-Drury, K.C., Recorder of Dover, Funeral to-morrow (Saturday), at St. Stephen's Canterbury, at 12 o'clock.
This work is anonymous or pseudonymous, and is in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries). It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 92 years or less since publication.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Times/1931/Obituary/Frank Gibson

* related portals: Obituaries.
* sister projects: Wikidata item.
Source: The Times, Monday, Feb 23, 1931; pg. 17; Issue 45754.
Mr. Frank Gibson
We regret to announce the death, as a result of a street accident, of Mr. Frank Gibson, Art Adviser to the Commonwealth of Australia, who was well known in artistic circles in London, both as a critic and a collector.
Mr. Gibson was born in Melbourne in 1865 and educated at Melbourne University. He studied art at the Slade School under Professor Brown and in the European galleries. He married Eugeni Joachim, a niece of the famous violinist and herself a talented musician. The couple had many friends in London, and the musical parties at their house in Bayswater will long be remembered. Mrs. Gibson who had a famous collection of fans died about two years ago.
From 1908 to 1914 Gibson was art advisor to the Selton Bequest and National Gallery of Victoria, entrusted with the acquisition of works of art in England and Europe. His own private collection—he was generous in his appreciate of contemporary artists—contained works by Speer, Conder, Clausen, and Brabazon. As a writer he was best known by his life of Charles Conder, upon whom he was an acknowledged expert, but he also published studies of Fantin-Latour, six French painters, and Leighton, and contributed to the Burlington Magazine, the Studio, and the Connoisseur.
This work is anonymous or pseudonymous, and is in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in its home country on the URAA date (January 1, 1996 for most countries). It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 92 years or less since publication.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse