# Romola (London 1863)/Volume 1/Chapter 11

CHAPTER XI.
TITO'S DILEMMA.
When Fra Luca had ceased to speak, Tito still stood by him in irresolution, and it was not till, the pressure of the passengers being removed, the friar rose and walked slowly into the church of Santa Felicita, that Tito also went on his way along the Via de' Bardi.
"If this monk is a Florentine," he said to himself—"if he is going to remain at Florence, everything must be disclosed." He felt that a new crisis had come, but he was not, for all that, too agitated to pay his visit to Bardo, and apologize for his previous non-appearance. Tito's talent for concealment was being fast developed into something less neutral. It was still possible—perhaps it might be inevitable—for him to accept frankly the altered conditions, and avow Baldassarre's existence; but hardly without casting an unpleasant light backward on his original reticence as studied equivocation in order to avoid the fulfilment of a secretly recognized claim, to say nothing of his quiet settlement of himself and investment of his florins, when, it would be clear, his ​benefactor's fate had not been certified. It was at least provisionally wise to act as if nothing had happened, and, for the present, he would suspend decisive thought; there was all the night for meditation, and no one would know the precise moment at which he had received the letter.
So he entered the room on the second story, where Romola and her father sat among the parchment and the marble, aloof from the life of the streets on holidays as well as on common days, with a face only a little less bright than usual, from regret at appearing so late: a regret which wanted no testimony, since he had given up the sight of the Corso in order to express it; and then set himself to throw extra animation into the evening, though all the while his consciousness was at work like a machine with complex action, leaving deposits quite distinct from the line of talk; and by the time he descended the stone stairs and issued from the grim door in the starlight, his mind had really reached a new stage in its formation of a purpose.
And when, the next day, after he was free from his professorial work, he turned up the Via del Cocomero, towards the convent of San Marco, his purpose was fully shaped. He was going to ascertain from Fra Luca precisely how much he conjectured of the truth, and on what grounds he conjectured it; and, further, how long he was to remain at San Marco. And on that fuller knowledge he hoped ​to mould a statement which would in any case save him from the necessity of quitting Florence. Tito had never had occasion to fabricate an ingenious lie before: the occasion was come now—the occasion which circumstance never fails to beget on tacit falsity; and his ingenuity was ready. For he had convinced himself that he was not bound to go in search of Baldassarre. He had once said that on a fair assurance of his father's existence and whereabouts, he would unhesitatingly go after him. But, after all, why was he bound to go? What, looked at closely, was the end of all life, but to extract the utmost sum of pleasure? And was not his own blooming life a promise of incomparably more pleasure, not for himself only, but for others, than the withered wintry life of a man who was past the time of keen enjoyment, and whose ideas had stiffened into barren rigidity? Those ideas had all been sown in the fresh soil of Tito's mind, and were lively germs there: that was the proper order of things—the order of nature, which treats all maturity as a mere nidus for youth. Baldassarre had done his work, had had his draught of life: Tito said it was his turn now.
And the prospect was so vague:—"I think they are going to take me to Antioch:" here was a vista! After a long voyage, to spend months, perhaps years, in a search for which even now there was no guarantee that it would not prove vain: and to leave behind at ​starting a life of distinction and love: and to find, if he found anything, the old exacting companionship which was known by rote beforehand. Certainly the gems and therefore the florins were, in a sense, Baldassarre's: in the narrow sense by which the right of possession is determined in ordinary affairs; but in that large and more radically natural view by which the world belongs to youth and strength, they were rather his who could extract the most pleasure out of them. That, he was conscious, was not the sentiment which the complicated play of human feelings had engendered in society. The men around him would expect that he should immediately apply those florins to his benefactor's rescue. But what was the sentiment of society?—a mere tangle of anomalous traditions and opinions, that no wise man would take as a guide, except so far as his own comfort was concerned. Not that he cared for the florins save perhaps for Romola's sake: he would give up the florins readily enough. It was the joy that was due to him and was close to his lips, which he felt he was not bound to thrust away from him and travel on, thirsting. Any maxims that required a man to fling away the good that was needed to make existence sweet, were only the lining of human selfishness turned outward: they were made by men who wanted others to sacrifice themselves for their sake. He would rather that Baldassarre should not suffer: he liked no one to suffer; but could any philosophy ​prove to him that he was bound to care for another's suffering more than for his own? To do so he must have loved Baldassarre devotedly, and he did not love him: was that his own fault? Gratitude! seen closely, it made no valid claim: his father's life would have been dreary without him: are we convicted of a debt to men for the pleasures they give themselves?
Having once begun to explain away Baldassarre's claim, Tito's thought showed itself as active as a virulent acid, eating its rapid way through all the tissues of sentiment. His mind was destitute of that dread which has been erroneously decried as if it were nothing higher than a man's animal care for his own skin: that awe of the Divine Nemesis which was felt by religious pagans, and, though it took a more positive form under Christianity, is still felt by the mass of mankind simply as a vague fear at anything which is called wrong-doing. Such terror of the unseen is so far above mere sensual cowardice that it will annihilate that cowardice: it is the initial recognition of a moral law restraining desire, and checks the hard bold scrutiny of imperfect thought into obligations which can never be proved to have any sanctity in the absence of feeling. "It is good," sing the old Eumenides, in Æschylus, "that fear should sit as the guardian of the soul, forcing it into wisdom—good that men should carry a threatening shadow in their hearts under the full ​sunshine; else, how shall they learn to revere the right?" That guardianship may become needless; but only when all outward law has become needless—only when duty and love have united in one stream and made a common force.
As Tito entered the outer cloister of San Marco, and inquired for Fra Luca, there was no shadowy presentiment in his mind: he felt himself too cultured and sceptical for that: he had been nurtured in contempt for the tales of priests whose impudent lives were a proverb, and in erudite familiarity with disputes concerning the Chief Good, which had after all, he considered, left it a matter of taste. Yet fear was a strong element in Tito's nature—the fear of what he believed or saw was likely to rob him of pleasure: and he had a definite fear that Fra Luca might be the means of driving him from Florence.
"Fra Luca? ah, he is gone to Fiesole—to the Dominican monastery there. He was taken on a litter in the cool of the morning. The poor Brother is very ill. Could you leave a message for him?"
This answer was given by a fra converso, or lay brother, whose accent told plainly that he was a raw contadino, and whose dull glance implied no curiosity.
"Thanks; my business can wait."
Tito turned away with a sense of relief. "This friar is not likely to live," he said to himself. "I saw he was worn to a shadow. And at Fiesole there ​will be nothing to recall me to his mind. Besides, if he should come back, my explanation will serve as well then as now. But I wish I knew what it was that his face recalled to me."