OpenLLM-France/wikimedia huggingface dataset:
# The Jewel of Seven Stars

The Jewel of Seven Stars (also published under the name The Jewel of the Seven Stars) is a horror novel by Bram Stoker first published in 1903. The story is about an archaeologist's plot to revive Queen Tera, an ancient Egyptian mummy.
When The Jewel of Seven Stars was first released in 1903 the publishers received a great deal of criticism from both critics and readers because of its gruesome ending. Shortly before his death in 1912 when Stoker attempted to republish the book he was told that he would have to change the ending if he didn’t want it to go out of publication. As a result, Stoker removed Chapter XVI "Powers – Old and New" and gave the book a new and happier ending. For many years the original ending was unavailable to most readers. - Warning: template has been deprecated.
The version below is from the revised, 1912 edition. [Note: The original Chapter 16 (removed in the 1912 edition) and Chapter 20 (ending; Chapter 19 in the revision) can be found in the Discussion pages of Chapter 15 and 19 respectively.]
THE JEWEL OF SEVEN STARS
BY
BRAM STOKER
To
Eleanor and Constance Hoyt

### Contents

* Chapter I: A Summons in the Night
* Chapter II: Strange Instructions
* Chapter III: The Watchers
* Chapter IV: The Second Attempt
* Chapter V: More Strange Instructions
* Chapter VI: Suspicions
* Chapter VII: The Traveller's Loss
* Chapter VIII: The Finding of the Lamps
* Chapter IX: The Need of Knowledge
* Chapter X: The Valley of the Sorcerer
* Chapter XI: A Queen's Tomb
* Chapter XII: The Magic Coffer
* Chapter XIII: Awaking From the Trance
* Chapter XIV: The Birth-Mark
* Chapter XV: The Purpose of Queen Tera
* Chapter XVI: The Cavern
* Chapter XVII: Doubts and Fears
* Chapter XVIII: The Lesson of the "Ka"
* Chapter XIX: The Great Experiment
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Flying Girl/Foreword
### FOREWORD

The author wishes to acknowledge her indebtedness to Mr. Glenn H. Curtiss and Mr. Wilbur Wright for courtesies extended during the preparation of this manuscript. These skillful and clever aviators, pioneers to whom the Art of Flying owes a colossal debt, do not laugh at any suggestion concerning the future of the aëroplane, for they recognize the fact that the discoveries and inventions of the next year may surpass all that have gone before. The world is agog with wonder at what has been accomplished; even now it is anticipating the time when vehicles of the air will be more numerous than are automobiles to-day.
The American youth has been no more interested in the development of the science of aviation than the American girl; she is in evidence at every meet where aëroplanes congregate, and already recognizes her competence to operate successfully any aircraft that a man can manage. So the story of Orissa Kane’s feats has little exaggeration except in actual accomplishment, and it is possible her ventures may be emulated even before this book is out of press. There are twenty women aviators in Europe; in America are thousands of girls ambitious to become aviators.
An apology may be due those gentlemen who performed so many brilliant feats at the 1911 meet at Dominguez, for having thrust them somewhat into the shade to allow the story to exalt its heroine; but they will understand the exigencies that required this seeming discourtesy and will, the author is sure, generously pardon her.
# The Flying Girl and Her Chum

* information about this edition.
* sister projects: Wikipedia article.
   In the sequel, instrument trouble in Steve's new hydroplane forces Orissa and her friend and passenger Sybil to set down on a remote island. The second novel is less an aviation tale and more of a straight adventure story than its predecessor. Warning: template has been deprecated.
The Flying Girl And Her Chum
BY EDITH VAN DYNE
Author of The Flying Girl; Aunt Jane's Nieces Series Etc.
Illustrated by Joseph Pierre Nuyttens
The Reilly & Britton Co. Chicago
Copyright, 1912 BY The Reilly & Britton Co.

### CONTENTS

CHAPTER
* The Girl With the Yacht
* The Girl With the Aëroplane
* A Prodigy in Aeronautics
* The Aluminum Chest
* The Last Drop of Gasoline
* Castaways
* Two Girls and One Island
* An Owl Concert
* Miss Columbus and Miss Crusoe
* Madeline Dentry's Proposition
* A Game of Checkers
* The Quest of the "Salvador"
* Capricious Fate
* On the Bluff
* Boat Ahoy!
* An Island Kingdom
* Don Miguel Del Borgitis
* The Mask Off
* An Exciting Race
* Besieged
* Capturing an Aëroplane
* Ramon Ganza
* A Desperate Alternative
* The Diplomacy of Chesty Todd
* Scuttled
* Orissa Returns
* Facing the Crisis
* The Prisoner
* Orissa Decides
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Hymns of the Rigveda/Book 4

* Hymn 1
* Hymn 2
* Hymn 3
* Hymn 4
* Hymn 5
* Hymn 6
* Hymn 7
* Hymn 8
* Hymn 9
* Hymn 10
* Hymn 11
* Hymn 12
* Hymn 13
* Hymn 14
* Hymn 15
* Hymn 16
* Hymn 17
* Hymn 18
* Hymn 19
* Hymn 20
* Hymn 21
* Hymn 22
* Hymn 23
* Hymn 24
* Hymn 25
* Hymn 26
* Hymn 27
* Hymn 28
* Hymn 29
* Hymn 30
* Hymn 31
* Hymn 32
* Hymn 33
* Hymn 34
* Hymn 35
* Hymn 36
* Hymn 37
* Hymn 38
* Hymn 39
* Hymn 40
* Hymn 41
* Hymn 42
* Hymn 43
* Hymn 44
* Hymn 45
* Hymn 46
* Hymn 47
* Hymn 48
* Hymn 49
* Hymn 50
* Hymn 51
* Hymn 52
* Hymn 53
* Hymn 54
* Hymn 55
* Hymn 56
* Hymn 57
* Hymn 58
# The Jewish Manual

* related portals: Judaism.
* sister projects: Wikidata item.
See also The Jewish Manual/Index
CONTENTS.
GLOSSARY.
# The Gates of Kamt/Chapter 31
### CHAPTER XXXI THE END

Beside the Rock of Anubis, Ur-tasen parted from us. He had not spoken one word since we started, but here he asked if Hugh was satisfied.
"Quite satisfied," he replied.
"Then farewell, oh, son of Ra!" said the high priest, solemnly. He knelt down and kissed the sand of the desert, then quietly he rose and started to walk back towards the gates of Kamt. We watched his gaunt figure across the desert until a boulder hid it from our view; it looked bent with age and disappointment. I think he felt that the youthful ruler of Kamt would not place much power in his hands, and that the stranger, though absent, had conquered after all.
The journey across the desert was terribly wearisome at first, but gradually Hugh's taciturnity fled and we spent many happy hours in remembering our golden visions and looking over the many treasures which lay at the bottom of our carts. The oxen, however, stood the journey very badly; one by one they dropped upon the road, and the last six days of our voyage we did on foot, carrying as little water as we dared, and we were very close on starvation point when, late one evening, we reached the grave of the Greek priest, which faced the setting sun. We rested here that night, and weak, tired out as we were, we spent half the night in watching … watching an imaginary point on the horizon, which is more fair, more gorgeous and grand than aught which Western civilisation has ever dreamed of.
​And now we are back at The Chestnuts, and Hugh and I are not as young as we were. Dear old Janet welcomed us, much shocked at our terrible appearance; but the day after our arrival there was no trace outwardly on either of us of the strange adventures we had just gone through. We resumed our quiet, English, bachelor life, as if the last few months had been all a dream; and at times now, when I sit beside the great log fire and watch the dying embers on the hearth, I wonder whether the vision of the ancient hordes of Egypt, the glories of Men-ne-fer and Tanis, are not all a product of my excited fancy, and, above all, I wonder whether the vision of a tall, girlish figure, whose hair is like the rays of Osiris when he sinks to rest, and whose very name breathes romance and mystery, is not one of those dreams with which the remembrance of dear old Mr. Tankerville was always wont to lull me to sleep.
Then I look up lazily from the fire in which my aching eyes had seen vast temples and mammoth carvings, and I see close to me Sawnie Girlie sitting at his desk.
He is writing one of those learned books which have spread his fame from one corner of Europe to the other, and before him there is a tiny gold casket with a glass lid, within which lies a faded and dried sprig of rosemary.
"White rosemary for remembrance!"
# The Indian Biographical Dictionary (1915)/Anderson, A. R.

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​Anderson, A. R.; Agent M.&S.M. Railway Co., since 1908: till then was Agent, Southern Mahratta Railway Co.; Dharwar; successfully coped with widespread strikes on the broad gauge section of the Railway, 1909 and 1913; on leave out of India. 1911.
# The Indian Biographical Dictionary (1915)/Andrew, James

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​Andrew, James, I.C.S., joined service as Assistant Collector and Magistrate, Nellore, 1879; acted in the lower grades in various districts till he became Collector and Magistrate, 1897; President of the Indian Police Committee, 1902; acting fourth Member, Madras Board of Revenue, 1903. Additional Member, Madras Legislative Council, 1904, Resident in Travancore and Cochin, 1904; reverted to the Board of Revenue and retired, 1909.
# The Indian Biographical Dictionary (1915)/Aplin, Lt. Col. S. L. I.

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​Aplin, Lt. Col. S. L. I. Ag. Commissioner, Mandalay Division; joined service, 1883, as Assistant Commissioner; Cantonment Magistrate, 1891; Judge, Small Cause Court, 1902; Acting Commissioner, Mandalay Division, 1913. Address: Mandalay, Burma.
# The Indian Biographical Dictionary (1915)/Anantarama Aiyer, C. S.

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​Anantarama Aiyer, C. S., B.A., Under Secretary to Government Local and Municipal Departments Madras: born, 1879; son of Chittoor Subbaraya Aiyar; joined service, 1902 as Deputy Collector of Chingleput; Head Quarters Deputy Collector, Tanjore. 1912; Under Secretary, Madras Government, 1913. Address: Moubray’s Road, Teynampet, Madras.
# The Indian Biographical Dictionary (1915)/Anantasami Rao, L.

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​Anantasami Rao, L.:- Retired Secretary to Government of Mysore: born, 28th April 1853. Joined service as Teacher, Royal School, Mysore, 10th April 1871; Asst. Commissioner, Bangalore, 1886; Registrar, Chief Court, 1889; U.S. to Mysore Government, December 1891; Deputy Secretary in charge of Muzrai Department, 1901; Secretary in same, 1904, retired 1908. Address: Chamarajpet, Bangalore City.
# The Indian Biographical Dictionary (1915)/Anderson, Capt. R. H.

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​Anderson, Capt. R. H., District Superintendent of Police, Andamans; born, 1882; first appointed, 1901. Address: Port Blair.
# The Indian Biographical Dictionary (1915)/Apcar, Honorable Mr. J. G.

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​Apcar, Honorable Mr. J. G.; elected non-official Member, Legislative Council, Bengal; appointed, 25th December, 1913.
# The Indian Biographical Dictionary (1915)/Anton, Bertram

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​Antaon, Bertram, Hon’ble Mr. Attorney-General, Ceylon.
# The Indian Biographical Dictionary (1915)/Andrew, Rev. Adam

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​Andrew, Rev. Adam, United Church of Scotland, Chingleput; s. of Adam Andrew; b. Dailly, Ayrshire, Scotland, 1851; educ: Alton, Galston Paisely Commercial Academy, Glasgow; U.F. Church Theological College, Glasgow; came out to India as Missionary attached to the Free Church of Scotland; posted to Chingleput, 1879; acted in Madras for 11 months in addition to his work in Chingleput; received the K.I.H. medal, 1903; received a Bar to it, 1915; m. Elizabeth Macfarlane, d. of Mr. Alexander Macfarlane. Publications: “Indian Problems”, the “New Movements in India”, “Prices of Food Grains and Wages in India”. “Elementary Education”, “Uneducated Children of the Presidency”, “The Depressed classes of the Presidency”. Address: Chingleput, Madras Presidency.
# The Indian Biographical Dictionary (1915)/Annesley, Lieutenant the Hon’ble C. A. J.

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​Annesley, Lieutenant the Hon’ble C. A. J., A.D.C. to H.E. the Governor of Bengal; was A.D.C. to Lord Carmaicheal when he was Governor of Madras. Address: Government House, Calcutta.
# The Isle of Founts

* The Isle of Founts, in The New Monthly Magazine Volume 8, 1823.
* The Isle of Founts, in The Forest Sanctuary, and Other Poems (Lays of Many Lands), 1825.
# The Island of Skyros

"Here, where we stood together, we three men"
* "The Island of Skyros" in Poems of the Great War selected by John William Cunliffe (1916)
* "The Island of Skyros" in A treasury of war poetry, British and American poems of the world war, 1914-1919 (1917)
# The Isle of Pines

* Search for titles containing or beginning with: "The Isle of Pines."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Isle of Pines (1913), a story by Ambrose Bierce
* The Isle of Pines (1668), a book by Henry Neville, written under the pseudonym "Henry Cornelius Van Sloetten".
# The Isle of Pirate's Doom
## Contents

* The First Day
* The Second Day
* And Last
# The Hesperides & Noble Numbers/Hesperides/The Hock-cart or Harvest Home. To the Right Honourable Mildmay, Earl of Westmoreland

250. THE HOCK-CART OR HARVEST HOME. TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORELAND.
Come, sons of summer, by whose toil We are the lords of wine and oil: By whose tough labours and rough hands We rip up first, then reap our lands. Crowned with the ears of corn, now come, And to the pipe sing harvest home. Come forth, my lord, and see the cart Dressed up with all the country art: See here a maukin, there a sheet, As spotless pure as it is sweet: The horses, mares, and frisking fillies, Clad all in linen white as lilies. The harvest swains and wenches bound For joy, to see the hock-cart crowned. About the cart, hear how the rout Of rural younglings raise the shout; Pressing before, some coming after, Those with a shout, and these with laughter. Some bless the cart, some kiss the sheaves, Some prank them up with oaken leaves: Some cross the fill-horse, some with great Devotion stroke the home-borne wheat: While other rustics, less attent To prayers than to merriment, Run after with their breeches rent. Well, on, brave boys, to your lord's hearth
Glitt'ring with fire, where, for your mirth, Ye shall see first the large and chief Foundation of your feast, fat beef: With upper stories, mutton, veal And bacon (which makes full the meal), With sev'ral dishes standing by, As here a custard, there a pie, And here all-tempting frumenty. And for to make the merry cheer, If smirking wine be wanting here, There's that which drowns all care, stout beer; Which freely drink to your lord's health, Then to the plough, the commonwealth, Next to your flails, your fans, your fats, Then to the maids with wheaten hats: To the rough sickle, and crook'd scythe, Drink, frolic boys, till all be blithe. Feed, and grow fat; and as ye eat Be mindful that the lab'ring neat, As you, may have their fill of meat. And know, besides, ye must revoke The patient ox unto the yoke, And all go back unto the plough And harrow, though they're hanged up now. And, you must know, your lord's word's true, Feed him ye must, whose food fills you; And that this pleasure is like rain, Not sent ye for to drown your pain, But for to make it spring again.
Maukin, a cloth. Fill-horse, shaft-horse. Frumenty, wheat boiled in milk. Fats, vats.
# The Hesperides & Noble Numbers/Hesperides/The Hour-glass

127. THE HOUR-GLASS.
That hour-glass which there you see With water fill'd, sirs, credit me,
The humour was, as I have read, But lovers' tears incrystalled. Which, as they drop by drop do pass From th' upper to the under-glass, Do in a trickling manner tell, By many a watery syllable, That lovers' tears in lifetime shed Do restless run when they are dead.
Humour, moisture.
# The Hesperides & Noble Numbers/Hesperides/The Olive Branch

187. THE OLIVE BRANCH.
Sadly I walk'd within the field, To see what comfort it would yield; And as I went my private way An olive branch before me lay, And seeing it I made a stay,
And took it up and view'd it; then Kissing the omen, said Amen; Be, be it so, and let this be A divination unto me; That in short time my woes shall cease And Love shall crown my end with peace.
# The Hesperides & Noble Numbers/Hesperides/The Parcae; or, Three Dainty Destinies: The Armillet

47. THE PARCÆ; OR, THREE DAINTY DESTINIES: THE ARMILLET
Three lovely sisters working were, As they were closely set, Of soft and dainty maidenhair A curious armillet. I, smiling, asked them what they did, Fair Destinies all three, Who told me they had drawn a thread Of life, and 'twas for me. They show'd me then how fine 'twas spun, And I reply'd thereto,— "I care not now how soon 'tis done, Or cut, if cut by you".
# The Hesperides & Noble Numbers/Hesperides/The Hand and Tongue

339. THE HAND AND TONGUE.
Two parts of us successively command: The tongue in peace; but then in war the hand.
# The Hesperides & Noble Numbers/Hesperides/The Lily in a Crystal

193. THE LILY IN A CRYSTAL.
You have beheld a smiling rose When virgins' hands have drawn O'er it a cobweb-lawn; And here you see this lily shows, Tomb'd in a crystal stone, More fair in this transparent case Than when it grew alone And had but single grace.
You see how cream but naked is Nor dances in the eye Without a strawberry, Or some fine tincture like to this, Which draws the sight thereto More by that wantoning with it Than when the paler hue No mixture did admit.
You see how amber through the streams More gently strokes the sight With some conceal'd delight Than when he darts his radiant beams Into the boundless air; Where either too much light his worth Doth all at once impair, Or set it little forth.
Put purple grapes or cherries in- To glass, and they will send More beauty to commend Them from that clean and subtle skin Than if they naked stood, And had no other pride at all But their own flesh and blood And tinctures natural.
Thus lily, rose, grape, cherry, cream, And strawberry do stir More love when they transfer A weak, a soft, a broken beam,
Than if they should discover At full their proper excellence; Without some scene cast over To juggle with the sense.
Thus let this crystal'd lily be A rule how far to teach Your nakedness must reach; And that no further than we see Those glaring colours laid By art's wise hand, but to this end They should obey a shade, Lest they too far extend.
So though you're white as swan or snow, And have the power to move A world of men to love, Yet when your lawns and silks shall flow, And that white cloud divide Into a doubtful twilight, then, Then will your hidden pride Raise greater fires in men.
Tincture, colour, dye. Scene, a covering.
# The Hesperides & Noble Numbers/Hesperides/The Mad Maid's Song

412. THE MAD MAID'S SONG.
Good-morrow to the day so fair, Good-morning, sir, to you; Good-morrow to mine own torn hair, Bedabbled with the dew.
Good-morning to this primrose too, Good-morrow to each maid That will with flowers the tomb bestrew Wherein my love is laid.
Ah! woe is me, woe, woe is me, Alack and well-a-day! For pity, sir, find out that bee Which bore my love away.
I'll seek him in your bonnet brave, I'll seek him in your eyes; Nay, now I think th'ave made his grave I' th' bed of strawberries.
I'll seek him there; I know ere this The cold, cold earth doth shake him; But I will go or send a kiss By you, sir, to awake him.
Pray, hurt him not, though he be dead, He knows well who do love him, And who with green turfs rear his head, And who do rudely move him. He's soft and tender (pray take heed); With bands of cowslips bind him, And bring him home; but 'tis decreed That I shall never find him.
# The Hesperides & Noble Numbers/Hesperides/The Kiss. A Dialogue

329.THE KISS. A DIALOGUE.
1. Among thy fancies tell me this, What is the thing we call a kiss? 2. I shall resolve ye what it is.
It is a creature born and bred Between the lips (all cherry-red), By love and warm desires fed. Chor. And makes more soft the bridal bed.
2. It is an active flame that flies, First, to the babies of the eyes; And charms them there with lullabies. Chor. And stills the bride, too, when she cries.
2. Then to the chin, the cheek, the ear, It frisks and flies, now here, now there, 'Tis now far off, and then 'tis near. Chor. And here and there and everywhere.
1. Has it a speaking virtue? 2. Yes. 1. How speaks it, say? 2. Do you but this; Part your joined lips, then speaks your kiss Chor. And this love's sweetest language is.
1. Has it a body? 2. Aye, and wings With thousand rare encolourings; And, as it flies, it gently sings, Chor. Love honey yields, but never stings.
# The Hesperides & Noble Numbers/Hesperides/The Meadow-verse; or, Anniversary to Mistress Bridget Lowman

354. THE MEADOW-VERSE; OR, ANNIVERSARY TO MISTRESS BRIDGET LOWMAN.
Come with the spring-time forth, fair maid, and be This year again the meadow's deity. Yet ere ye enter give us leave to set Upon your head this flowery coronet; To make this neat distinction from the rest, You are the prime and princess of the feast; To which with silver feet lead you the way, While sweet-breath nymphs attend on you this day. This is your hour, and best you may command, Since you are lady of this fairy land. Full mirth wait on you, and such mirth as shall Cherish the cheek but make none blush at all.
Meadow-verse, to be recited at a rustic feast.
# The Hesperides & Noble Numbers/Hesperides/The Night-piece, to Julia

* information about this edition.
* sister projects: Wikidata item.
Her eyes the glow-worm lend thee,
The shooting stars attend thee;
 And the elves also,  Whose little eyes glow
Like the sparks of fire, befriend thee.
No Will-o'-th'-wisp mis-light thee, Nor snake or slow-worm bite thee;  But on, on thy way,  Not making a stay, Since ghost there's none to affright thee.
Let not the dark thee cumber; What though the moon does slumber?  The stars of the night  Will lend thee their light, Like tapers clear without number.
Then, Julia, let me woo thee, Thus, thus to come unto me;  And when I shall meet  Thy silv'ry feet, My soul I'll pour into thee.

### Notes

* From Hesperides (1648).
* glow-worm: likely the European firefly Lampyris noctiluca.
* Will o' th' wisp: "the phenomenon of ghostly lights sometimes seen at night or in twilight hovering over damp ground in still air, often over bogs."
* slow-worm : likely the snake-like lizard Anguis fragilis; Herrick seems to have understood that the slow-worm was not a snake species.
* This work is in the public domain worldwide because the author died at least 100 years ago.