# The Wages of Virtue/Chapter 9
### CHAPTER IX THE CAFÉ AND THE CANTEEN

AS the door closed behind the departing John Bull, the heavy purdah between the sitting-room and the tiny side-chamber or alcove in which was Carmelita's bed, was pushed aside, and Olga Kyrilovitch, barefooted and dressed in night attire belonging to Carmelita, entered the room. On the sofa lay Carmelita sobbing, her hands pressed over her eyes.
Looking more boy-like than ever, with her short hair, the Russian girl advanced noiselessly and shook Carmelita sharply by the shoulder.
"You fool," she hissed between clenched teeth. "You stupid fool. You blind, stubborn, hopeless fool!" Carmelita sat up. This was language she could understand, and a situation with which she could deal.
"Yes?" she replied without resentment, "and why?"
"Those two men. … Compare them. … I heard every word—I could not help it. I could not come out—I should not have been safe, even with you here, with that vile, filthy Italian in the room, nor could I come, for shame, like this, while the Englishman was here. … Why did you let him say he does not love me?" and the girl burst into tears. Carmelita stared.
​"Oho! you love him, do you?" quoth she.… "Then if you know what love is, why do you abuse the man I love?"
The girl raised her impassioned tear-stained face to Carmelita's.
"Will nothing persuade you, little fool?" she cried, "that that Italian beast no more loves you than—than Jean Boule loves me—that he is playing with you, that he is battening on you, and that, the moment the fat Canteen woman accepts him, he will marry her and you will see him no more? Why should Jean Boule lie to you? Why should the American? Why should I?—Ask any Legionary in Sidi."
Carmelita clenched her little fist and appeared to be about to strike the Russian girl.
"Stop!" continued Olga, and pointed to the uniform which lay folded on the chair. "See! Prove your courage and prove us all liars if you can. Put on that uniform, disguise yourself, and go to the Canteen any night in the week. If your Rivoli is not there behind the bar, hand-in-glove with Madame, turn me into the street—or leave me at the mercy of your Rivoli. There now.…"
"I will," said Carmelita, and then screamed and laughed, laughed and screamed, as her overwrought nerves and brain gave way in a fit of hysterics.
When she recovered, Olga Kyrilovitch discovered that the seed which she had sown had taken root, and that it was Carmelita's unalterable intention to pay a visit to the Canteen on the very next evening.
"For my Luigi's own sake I will spy upon him," she said, "and to prove all his vile accusers wrong. When I have done it I will confess to him with tears ​and throw myself at his feet. He shall do as he likes with me.… But he will understand that it was only to disprove these lies that I did it, and not because I for one moment doubted him."
But doubt him Carmelita did. As soon as her decision was taken and announced, she allowed Olga to talk on as she pleased, and insensibly came to realise that at the bottom of her heart she knew John Bull to be incapable of deceiving her. Why should he? Why should all the Legionaries, except Rivoli's own hirelings, take up the same attitude towards him? Why should there be no man to speak well of him save such men as Borges, Hirsch, Bauer, Malvin, and the others, all of whom carried their vileness in their faces? As her doubts and fears increased, so did her wrath and excitement, until she strode up and down the little room like a caged pantheress, and Olga feared for her sanity and her own safety. And then again, Love would triumph, and she would beat her breast and wildly reproach herself for her lack of faith, and overwhelm Olga with a deluge of vituperation and accusation.
At length came the relief of quiet weeping, and, having whispered to Olga her Great Secret, or rather her hopes of having one to tell, she sobbed herself to sleep on the girl's shoulder, to dream of the most wonderful of bambinos.
Meanwhile, John Bull spent one of the wretchedest evenings of a wretched life. Returning to his chambrée to find himself hailed and acclaimed "hero," he commenced at once, with his usual uncompromising directness and simplicity, to inform all and sundry, who mentioned the subject, that there ​would be no duel. It hurt him most of all to see the face of his friend Rupert fall and harden, as he informed him that he could not fight Rivoli after all. On his explaining the position to him, Reginald Rupert, decidedly shocked, remarked—
"Your business, of course," and privately wondered whether les beaux yeux of Carmelita, or of Olga, had shed the light in which his friend had come to see things so differently. Surely, Carmelita's best friend would be the person who saved her from Rivoli; and, if it were really Olga whom Bull were considering, there were more ways of killing a cat than choking it with melted butter. Anyhow, he didn't envy John Bull, nor yet the weaker vessels of the Seventh Company. What would John Bull do, if, on hearing of his change of mind, Rivoli simply took him and put him across his knee? Would his promise to Carmelita sustain him through that or similar indignities? After all, a challenge is a challenge; and some people would consider that the prior engagement to Rivoli could not in honour be cancelled afterwards by an engagement with Carmelita or anybody else.
No. To the young mind of Rupert this was not "the clean potato," and he was disappointed in his friend. As they undressed, in silence, an idea struck him, and he turned to that gentleman.
"I say, look here, Bull, old chap," quoth he. "You'll of course do as you think best in the matter, and so shall I. I'm going to challenge Rivoli myself. I shall follow your admirable example and challenge him publicly, and I shall add point to it by wasting a litre of wine on his face, which I shall also smack with what violence I may. I am not Company Marksman ​like you, but, as Rivoli knows, I am a First Class shot. I shall say I have been brooding over his breaking my back, and now want to fight him on even terms."
A look of pain crossed the face of the old soldier.
"Rupert," he said, rising and laying his hand on his friend's shoulder, "you'll do nothing of the kind.… Not, that is, if you value my friendship in the least, or have the slightest regard for me. Do you not understand that I have given Carmelita my word that I will neither fight Rivoli with a weapon in my hand, nor attack him with one? Would she not instantly and naturally suppose that I had got you to do it for me? … Would anything persuade her to the contrary?"
"Is he to go unpunished then? Is he to ride roughshod over us all? He'll be ten times worse than before. You know he'll ascribe your withdrawal to cowardice—and so will everybody else," was the reply.
"They will," agreed John Bull.
"What's to be done then?"
"I don't know, but I'll tell you what is not to be done. No friend of mine is to challenge Rivoli to a duel."
The Bucking Bronco entered.
"Say, John," he drawled, "I jest bin and beat up Mister Mounseer Malvin, I hev'. 'Yure flappin' yure mouth tew much,' I ses. 'Vous frappez votre bouche trop,' I ses. 'Yew come off it, me lad,' I ses. 'Yew jes' wipe off yure chin some. Effacez votre menton,' I ses. Then I slugs him a little one."
"What was it all about, Buck?" enquired Rupert.
"Do yew know what the little greasy tin-horn of a hobo was waggin' his chin about? Sed as haow ​yew was a-climbin' down and a-takin' back the challenge to our Loojey! I told him ef he didn't wipe off his chin and put some putty on his gas-escape I'd do five-spot in Biribi fer him. 'Yes, Mounseer Malvin,' I ses when I'd slugged him, 'I'll git the as de pique on my collar for yew!' … 'It's true,' he snivelled. 'It's true,' and lays on the groun' so as I shan't slug him agin. So I comes away—not seein' why I should do the two-step on nuthin' at the end of a rope for a dod-gasted little bed-bug like Mounseer Malvin."
"It is true, Buck," replied John Bull.
"Well then, I wisht I'd stayed and plugged him some more," was the remarkable reply.
"Rivoli told Carmelita about the duel, and I've promised her I'd let him go," continued John Bull.
"Then yure a gosh-dinged fool, John," said the Bucking Bronco. "Yew ain't to be trusted where wimmin's about. It would hev' bin the best day's work yew ever done fer Carmelita ef you'd let daylight through thet plug-ugly old bluff. He'll lie ter her from Revelley to Taps until old Mother Canteen takes him into her shebang fer good—and then as like as not, he'll put Carmelita up at auction.… There'll be no holding our Loojey now, John. I should smile. Anybody as thinks our Loojey'll make it easy fer yew has got another think comin'. It's a cinch. He'll give yew a dandy time, John. What's a-bitin' yew anyway?"
"Carmelita," was the reply.
"I allow the right stunt fer eny pal o' Carmelita's ​is ter fill our Loojey up with lead as you perposed ter do.… Look at here, John. I'll do it. I could hit all Loojey's buttons with my little gun, one after the other, at thirty yards—and I'd done it long ago, but I know'd it meant the frozen mit fer mine from Carmelita, and I wasn't man enuff ter kill him fer Carmelita's good and make my name mud to her fer keeps."
"Same thing now, Buck," was the answer. "Challenge Luigi, and you can never set foot in the Café de la Légion again. If you killed him—it would be Carmelita's duty in life to find you and stab you."
"Sure thing, John—an' what about yew? Ef our Looj was to be 'Rivoli the Coward' ef he wouldn't fight, who's to be 'coward' now? … Yew've bitten off more'n yew can chew."
"Anyhow, Buck, if you're any friend of mine—you'll let Rivoli alone. Qui facit per alium facit per se, and that's Dutch for 'I might as well kill Rivoli with my own hand as kill him through yours.'"
The Bucking Bronco broke into song—
"But serpose an' serpose, Yure Hightaliand lad shouldn't die? Nor the bagpipes shouldn't play o'er him Ef I punched him in the eye!"
chanted he, as he placed his beloved "gun"—an automatic pistol—under his pillow. "I'll beat him up, Johnnie. Fer Carmelita's sake I ain't shot him up, an' fer her sake and yourn I won't shoot him up now, but the very first time as he flaps his mouth about this yer dool, I'll beat him up—and there'll be some fight," and the Bucking Bronco dived into his "flea-bag."
The next day the news spread throughout the caserne ​of the First Battalion of the Legion that the promised treat was off, the duel between the famous Luigi Rivoli and the Englishman, John Bull, would not take place, the latter, in spite of the publicity and virulence of his challenge, having apologised.
The news was ill received. In the first place the promise of a brilliant break in the monotony of Depôt life was broken. In the second place, the undisputed reign of a despotic and brutal tyrant would continue and grow yet heavier and more insupportable; while, in the third place, it was not in accordance with the traditions of the Legion that a man should fiercely challenge another in public, and afterwards apologise and withdraw. Italian shares boomed and shot sky-high, while John Bulls became a drug in the market.
That evening the Bucking Bronco, for the first time in his life, received a message from Carmelita, a message which raised him to the seventh heaven of expectation and hope, while the sanguine blood coursed merrily through his veins.
Carmelita wanted him. At five o'clock without fail, Carmelita would expect him at the Café. She needed his help and relied upon him for it…. Gee-whillikins! She should have it.
At half-past five that evening, the Bucking Bronco entered le Café de la Légion and stared in amazement at seeing a strange Legionary behind Carmelita's bar. He was a small, slight man in correct walking-out dress—a blue tunic, red breeches and white spats. His képi was pulled well down over a small, intelligent face, the most marked features of which were very broad black eyebrows, and a biggish dark moustache. The broad chin-strap of the képi was down, and pressed ​the man's chin up under the large moustache beneath which the strap passed. The soldier had a squint and the Bucking Bronco had always experienced a dislike and distrust of people so afflicted.
"An' what'n Hell are yew a-doin' thar, yew swivel-eyed tough?" he enquired, and repeated his enquiry in Legion French.
The Legionary laughed—a ringing peal which was distinctly familiar.
"Don't yew git fresh with me, Bo, or I'll come roun' thar an' improve yure squint till you can see in each ear-'ole," said the American, trying to "place" the man.
Again the incongruous tinkling peal rang out and the Bucking Bronco received the shock of his life as Carmelita's voice issued through the big moustache. Words failed him as he devoured the girl with his eyes.
"Dear Monsieur Bouckaing Bronceau," said she. "Will you walk out to-night with the youngest recruit in the Legion?"
The Bronco still stared agape.
"I am in trouble," continued Carmelita, "and I turn to you for help."
The light of hope shone in the American's eyes.
"Holy Poker!" said he. "God bless yure sweet eyes, fer sayin' so, Carmelita. But why me? Have yew found yure Loojey out, at last? Why me?"
"I turn to you for help, Monsieur Bronco," said the girl, "because you have told me a hundred times that you love me. Love gives. It is not always asking, asking, asking. Now give me your help. I want to get at the truth. I want to clear a good and honest man ​from a web of lies. Take me to the Canteen with you to-night. They say my Luigi goes there to see Madame la Cantinière. They say he flirts and drinks with her, that he helps her there, and serves behind her bar. They even dare to say that he asks her to marry him.…"
"It's true," interrupted the Bucking Bronco.
"Very well—then take me there now. My Luigi has sworn to me a hundred times that he never sets foot in Madame's Canteen, that he would not touch her filthy Algerian wine—my Luigi who drinks only the best Chianti from Home. Take me there and prove your lies. Take me now, and either you and your friends, or else Luigi Rivoli, shall never cross my threshold again." Carmelita's voice was rising, tears were starting to her eyes, and her bosom rose and fell as no man's ever did.
"Easy, honey," said the big American. "Ef yure gwine ter carry on right here, what'll you do in the Canteen when yew see yure Loojey right thar doin' bar-tender fer the woman he's a-doin' his damnedest to marry?"
"Do?" answered Carmelita in a low tense voice. "Do? I would be cold as ice. I would be still and hard as one of the statues in my own Naples. All Hell would be in my breast, but a Hell of frozen fire do you understand, and I would creep away. Like a silent spirit I would creep away—but I would be a spirit of vengeance. To Monsieur Jean Boule would I go and I would say, 'Kill him! Kill him! For the love of God and the Holy Virgin and the Blessed Bambino, kill him—and let me come and stamp upon his face.' That is what I would say, Monsieur Bronco."
​The American covered the girl's small brown hand with his huge paw.
"Carmelita, honey," he whispered. "Don't go, little gel—don't go. May I be struck blind and balmy right hyar, right naow, ef I tell you a word of a lie. Every night of his life he's thar, afore he comes down hyar with lies on his lips to yew. Don't go. Take my word fer it, an' John Bull's word, and young Rupert's word. They're White Men, honey, they wouldn't lie ter yew. Believe what we tell yew, and give ole John Bull back his promise, an' let him shoot-up this low-lifer rattlesnake.…"
"I will see with my own eyes," said Carmelita—adding with sound feminine logic, "and if he's not there to-night, I'll know that you have all lied to me, and that he never was there—and never, never, never again shall one of you enter my house, or my Legionaries shall nail you by the ears to the wall with their bayonets.… Shame on me, to doubt my Luigi for a moment."
The American gave way.
"Come on then, little gel," he said. "P'raps it's fer the best."
§2
Entering the Canteen that evening for his modest litre, 'Erb caught sight of his good friend, the Bucking Bronco, seated beside a Legionary whom 'Erb did not know. The American beckoned and 'Erb emitted a joyous sound to be heard more often in the Ratcliffe Highway than in the wilds of Algeria. Apparently his pal's companion was, or had been, in funds, for his head reposed upon his folded arms.
​"Wotto, Bucko!" exclaimed the genial 'Erb. "We a-goin' to ketch this pore bloke's complaint? Luvvus! Wish I got enuff to git as ill as wot 'e is."
"Sit down t'other side of him, 'Erb," responded the American. "We may hev' to help the gay-cat to bed. He's got a jag. Tight as a tick—an' lef me in the lurch with two-francs' worth to drink up."
"Bless 'is 'eart," exclaimed 'Erb. "I dunno wevver 'e's a-drinkin' to drahn sorrer or wevver he's a-drinkin' to keep up 'is 'igh sperrits—but he shan't say as 'ow 'Erb 'Iggins didn't stand by 'im to the larst—the larst boll' I mean," and 'Erb filled the large glass which the American reached from the bar.
"’Ere's 'ow, Cocky," he shouted in the ear of the apparently drunken man, giving him a sharp nudge in the ribs with his elbow.
The drunken man gasped at the blow, gave a realistic hiccough and murmured: "A votre santé, Monsieur."
"Carn't the pore feller swaller a little more, Buck?" enquired 'Erb with great concern. "Fency two francs—an' he's 'ad ter giv' up! … Never mind, Ole Cock," he roared again in the ear of the drunkard, "p'raps you'll be able ter go ahtside in a minnit an' git it orf yer chest. Then yer kin start afresh. See? … 'Ope hon, 'ope hever.… 'Sides," he added, as a cheering afterthought, "It'll tiste as good a-comin' up as wot it did a-goin' dahn." He then blew vinously into his mouth-organ and settled down for a really happy evening.
A knot of Legionaries, friends of Rivoli, stood at the bar talking with Madame.
"Here he comes," said one of them, leaning with his back against the bar. "Ask him."
​Luigi Rivoli strode up, casting to right and left the proud glances of the consciously Great.
"Bonsoir, ma belle," quoth he to Madame. "And how is the Soul of the Soul of Luigi Rivoli?"
The drunken man, sitting between the Bucking Bronco and le Légionnaire 'Erbiggin, moved his head. He lay with the right side of it upon his folded arms and his flushed face toward the bar. His eyes were apparently closed in sottish slumber.
Madame la Cantinière fixed Rivoli with a cold and beady eye. (She "wagged her beard" too much, did she? Oho!)
"And since when have I been the Soul of the Soul of Luigi Rivoli?" she enquired.
"Can you ask it, My Own?" was the reply. "Did not the virgin fortress of my heart capitulate to the trumpet of your voice when first its musical call rang o'er its unsealed walls?"
"Pouf!" replied Madame, bridling.… (What a way he had with him, and what a fine figure of a man he was, but "beards" quotha!) Raising the flap of the zinc-covered bar, Luigi, as usual, passed within and poured himself a bumper of wine. Raising the glass—
"To the brightest eyes and sweetest face that I ever looked upon," he toasted, and drank.
Madame simpered. Her wrath had, to some extent, evaporated.… Not that she would ever dream of marrying him. No! that "beard" would be ever between them. No! No! He had dished himself finally. He had, as it were, hanged himself in that beard as did Absalom in the branches of a tree. The price he should pay for that insult was the value of her Canteen and income. There was balm and satis​faction in the thought. Still—until his successor were chosen, or rather, the successor of the late-lamented, so cruelly, if skilfully, carved by those sacrépans and galopins of Arabs—the assistance of the big man as waiter and chucker-out should certainly not be refused. By no means.
"And what is this tale I hear of you and le Légionnaire Jean Boule?" enquired Madame. "They say that the Neapolitan trollop of Le Café de la Légion (sous ce nom-là!) has begged your life of him."
The drunken man slowly opened his eyes and Rivoli put down his glass with a fierce frown.
"And who invented that paltry, silly lie?" he asked, and laughed scornfully. Madame pointed a fat forefinger at the Bucking Bronco who leant, head on fist, regarding Rivoli with a sardonic smile.
"Sure thing, Loojey. I'm spreadin' the glad joyous tidin's, as haow yure precious life has been saved, all over the whole caboodle," and proceeded to translate.
"Oh, is that the plot?" replied the Italian. "Is that the best lie the gang of you could hatch? Corpo di Bacco! It's a poor one. Couldn't the lot of you think of a likelier tale than that?"
The Bucking Bronco opined as haow thar was nuthin' like the trewth.
"Look you," said the Italian to Madame, and the assembled loungers. "This grey English cur—pot-valiant—comes yapping at me, being in his cups, and challenges me, me, Luigi Rivoli, to fight. I say: 'Go dig your grave, dog,' and he goes. I have not seen him since, but on all hands I hear that he has arranged with this strumpet of the Café to say that she has begged my life of him," and Luigi Rivoli roared with ​laughter at the idea. "Now listen you, and spread this truth abroad.… Madame will excuse me," and he turned with his stage bow to Madame.… "I am no plaster saint, I am a Légionnaire. Sometimes I go to this Café—I admit it," and again turning to Madame, he laid his hand upon his heart. "Madame," he appealed, "I have no home, no wife, no fireside to which to be faithful.… And as I honestly admit I visit this Café. The girl is glad of my custom and possibly a little honoured—of that I would say nothing.… Accidents will happen to the bravest and most skilful of men in duels. The girl begged me not to fight. 'You are my best customer,' said she, 'and the handsomest of all my patrons,' and carried on as such wenches do, when trade is threatened. 'Peace, woman,' said I, 'trouble me not, or I go to Zuleika across the way.' … She then took another line. 'Look you, Signor,' said she, 'this old fool, Boule, comes to me when he has money; and he drinks here every night. Spare his miserable carcase for what I make out of it,' and with a laugh I gave the girl my franc and half-promise.… Still, what is one's word to a wanton? I may shoot the dog yet, if he and his friends be not careful how they lie."
The drunken man had turned his face on to his arms. No one but the American and 'Erb noticed that his body was shaken convulsively. Perhaps with drunken laughter?
"Tole yer so, Cocky," bawled 'Erb in his ear. "You'll be sick as David's sow in a minnit, 'an' we'll all git blue-blind, paralytic drunk,'" and rising to his feet 'Erb lifted up his voice in song to the effect that—
"White wings they never grow whiskers, They kerry me cheerily over the sea To ye Banks and Braes o' Bonny Doon Where we drew 'is club money this mornin'. Witin' to 'ear the verdick on the boy in the prisoner's dock When Levi may I menshun drew my perlite attenshun To the tick of 'is grandfarver's clock. Ninety years wivaht stumblin', Tick, Tick, Tick,-- Ninety years wivaht grumblin', gently does the trick, When it stopped short, never to go agine Till the ole man died. An' ef yer wants ter know the time, git yer 'air cut."
For the moment 'Erb was the centre of interest, though not half a dozen men in the room understood the words of what the vast majority supposed to be a wild lament or dirge.
John Bull entered the Canteen, and 'Erb was forgotten. All near the counter, save the drunken man, watched his approach. He strode straight up to the oar, his eyes fixed on Rivoli.
"I wish to withdraw my challenge to you," he said in a clear voice. "I am not going to fight you after all."
"But, Mother of God, you are!" whispered the drunken man.
"Oho!" roared Rivoli. "Oho!" and exploded with laughter. "Sober to-night are you, English boaster? And how do you know that I will not fight you, flaneur?"
"That rests with you, of course," was the reply.
"Oho, it does, does it, Monsieur Coup Manqué? And suppose I decide not to fight you, but to punish you as little barking dogs should be punished? By the Wounds of God you shall learn a lesson, little cur.…"
The drunken man moved, as though to spring to ​his feet, but the big American's arm flung round him pressed him down, as he lurched his huge body drunkenly against him, pinning him to the table.
"’Ere," expostulated 'Erb. "’E wants ter be sick, I tell yer. Free country ain't it, if 'e is a bloomin' Legendary.… Might as well be a bleed'n drummerdary if 'e carn't be sick w'en 'e wants to.… 'Ope 'e ain't got seven stummicks, eny'ow," he added as an afterthought, and again applied himself to the business of the evening.
John Bull turned, without a word, and left the Canteen. The knot about the bar broke up and Luigi was alone with Madame save for two drunken men and one who was doing his best to achieve that blissful state.
"Have you forgiven me, Beloved of my Soul?" asked Rivoli of Madame, as she mopped the zinc surface of the bar.
"No," snapped Madame. "I have not."
"Then do it now, my Queen," he implored. "Forgive me, and then do one other thing."
"What is that?" enquired Madame.
"Marry me," replied Rivoli, seizing Madame's pudgy fist.
The eyes of the drunken man were on him, and the American watching, thought of the eyes of the snake that lies with broken back watching its slayer. There was death and the hate of Hell in them, and while he shuddered, his heart sang with hope.
"Marry me, Véronique," he repeated. "Have pity on me and end this suspense. See you, I grow thin," and he raised his mighty arms in a pathetic gesture.
Madame glanced at the poor man's stomach. There was no noticeable maigreur.
​"And what of the Neapolitan hussy and your goings on in the Café de la Légion?" she asked.
"To Hell with the putain," he almost shouted. "I am like other men—and I have been to her dive like the rest. Marry me and save me from this loose irregular soldier's life. Do you think I would stray from thee, Beloved, if thou wert mine?"
"Not twice," said Madame.
"Then away with this jealousy," replied the ardent Luigi. "Let me announce our nuptials here and now, and call upon my comrades-in-arms to drink long life and happiness to my beauteous bride—whom they all so chastely love and revere. Come, little Star of my Soul! Come, carissima, and I will most solemnly swear upon the Holy Cross that never, never, never again will I darken the doors of the casse-croûte of that girl of the Bazaar. I swear it, Véronique—so help me God and all the Holy Saints—your husband will die before he will set foot in Carmelita's brothel."
"Come," said the drunken man, with a little piteous moan. "Could you carry me out, Signor? I am going to faint."
The Bucking Bronco gathered Carmelita up in his arms and strode toward the door.
"’Ere 'old on," ejaculated 'Erb. "’Arf a mo'! I'll tike 'is 'oofs.…"
"Stay whar yew are, 'Erb," said the American sternly, over his shoulder.
"Right-o, ole bloke," agreed 'Erb, always willing to oblige. "Right-o! Shove 'im in 'is kip while I 'soop 'is bare.'"
Outside, the Bucking Bronco set Carmelita down ​upon a bench in a dark corner and chafed her hands as he peered anxiously into her face.
"Pull yureself together, honey," he urged. "Don't yew give way yit. Yew've gotter walk past the Guard ef I carries yew all the rest of the way."
The broken-hearted girl could only moan. The American racked his brains for a solution of the difficulty and wished John Bull and Rupert were with him. It would be utterly hopeless to approach the gate with the girl in his arms. What would happen if he could not get her out that night? Suddenly the girl rose to her feet. Pride had come to her rescue.
"Come, Monsieur Bronco," she said in a dead, emotionless voice. "Let me get home," and began to walk like an automaton. Slipping his arm through hers, the American guided and supported her, and in time, Carmelita awoke from a terrible dream to find herself at home. The Russian girl, in some clothing and a wrap of Carmelita's, admitted them at the back door.
"Get her some brandy," said the Bucking Bronco.
"Shall I open the Caffy and serve fer yew, Carmelita, ma gel?" he asked.
Before he could translate his question into Legion French, Carmelita had understood, partly from his gestures. She shook her head.
Olga Kyrilovitch looked a mute question at the American. He nodded slightly. Carmelita caught the unspoken communication between the two.
"Yes," she said, turning to Olga, "you were right.… They were all right. And I was wrong.… He is the basest, meanest scoundrel who ever betrayed a woman. I do not realise it yet—I am stunned.… ​And I am punished too. I shall die or go mad when I understand.… And I want to be alone. Go now, dear Signor Orso Americano, and take my love and this message to Signor Jean Boule. I kiss his boots in humility and apology, and if he will kill this Rivoli for me I will be his slave for life."
"Let me kill him fer yew, Carmelita," begged the American as he turned to go, and then paused as his face lit up with the brightness of an idea. "No," he said. "Almighty God! I got another think come. I'll come an' see yew to-morrow, Carmelita—and make yew a proposal about Mounseer Loojey as'll do yew good." At the door he beckoned to the Russian girl.
"Look at hyar, Miss Mikhail," he whispered. "Stand by her like a man to-night. Nuss her, and coddle her and soothe her. You see she don't do herself no harm. Yew hev' her safe and in her right mind in the mornin'—an' we'll git yew and yure brother outer Sidi or my name ain't Hyram Cyrus Milton."
§3
That night was one of the most unforgettable of all the memorable nights through which Olga Kyrilovitch ever lived in the course of her adventurous career. For it was the only night during which she was shut up with a violent and dangerous homicidal maniac. In addition to fighting for her own life, the girl had, at times, to fight for that of her assailant, and she deserved well of the Bucking Bronco. Nature at length asserted herself and Carmelita collapsed. She slept, and awoke in the middle of the next day as sane as a person can be, every fibre of whose being yearns and tingles with one fierce obsession. Even ​to the experienced Russian girl, the wildness of the Neapolitan revenge-passion was an alarming revelation.
"Though I starve or go mad, I cannot eat nor sleep till I have spat on his dead face," were the only words she answered to Olga's entreaty that she would take food. But she busied herself about her daily tasks with pinched white face, pinched white lips, and cavernous black brooding eyes.
"Rivoli's next meal here will be his last," thought Olga Kyrilovitch, and shuddered.
Terrible and unfathomable as was Carmelita's agony of mind, she insisted on carrying out the programme for the escape of the two Russians fixed for that day, and Olga salved a feeling of selfishness by assuring herself that anything which took the girl's thoughts from her own tragedy was for her good.
That afternoon, Feodor Kyrilovitch made his unobtrusive exit from the Legion and was admitted by his sister at the back door of the Café. In his pocket was a letter enclosed in a blank envelope. On an inner envelope was the following name and address: "Lady Huntingten, Elham Old Hall, Elham, Kent, England."
By the five-thirty train two flighty females--one blonde, the other brunette--were seen off from the little Sidi-bel-Abbès station of the Western Algerian Railway, which runs from Tlemcen to Oran, by Mademoiselle Carmelita of the Café de la Légion. Their conversation and playful badinage with the guard of Légionnaires, which is always on duty at the platform gate, were frivolous and unedifying. Sergeant Boulanger, as gallant to women as he was ​ferocious to men, vowed to his admired Carmelita that it broke his heart to announce that he feared he could not allow her two friends to proceed on their journey until—Carmelita's white face seemed to go a little whiter—they had both given him a chaste salute. On hearing this, one of the girls fled squealing to the train, while the other, with very real blushes and unfeigned reluctance, submitted her face to partial burial beneath the vast moustache of the amorous Sergeant.… As the ramshackle little train crawled out of the station, this girl said to the one who had fled: "You were a sneak to bolt like that, Feodor," and received the somewhat cryptic reply—
"My dear Olga, and where should we both be now if his lips had felt the bristles around mine? … You don't suppose that a double shave, twice over, makes a man's face like a girl's, do you?…"
These two young females found Lady Huntingten all, and more than all, her son had prophesied. When Feodor and Olga Kyrilovitch left the hospitable roof of Elham Old Hall, she parried their protestations of gratitude with the statement that she was fully repaid and over-paid, for anything she had been able to do for them, by the pleasure of talking with friends of her son, friends who had actually been with him but a few days before, and who so fully bore out the statements contained in his letter to the effect that he was in splendid health and having a splendid time.
On returning to her Café, Carmelita found the Bucking Bronco, John Bull, Reginald Rupert, 'Erbiggins, and several other Légionnaires awaiting admittance. Having opened her bar and mechanically ​ministered to her customers' needs, the unsmiling, broken-looking Carmelita, all of whose vitality and energy seemed concentrated in her burning eyes beckoned to the American and led him into her room Gripping his wrist with her cold hand, and almost shaking him in her too-long suppressed frenzy:
"Have you told Jean Boule?" she asked. "When will he kill him? Where? Quick, tell me! I must be there. I must see him do it.… Oh! He will die too quickly.… It is too good a death for such a reptile.… It is no punishment.… Why should he not suffer some thousandth part of what I suffer?"
"Look at hyar, Carmelita, honey," interrupted the American, putting his arm round the little heaving shoulders as he mentally translated what he must first say in his own tongue. "Thet's jest whar the swine would git the bulge on yew. Why shouldn't he git a glimpse o' sufferin', sech as I had ter sit an' see yew git, las' night? … An' I gits it in the think-box las' night, right hyar. Listen, ma honey. I'm gwine ter beat him up, right naow, right hyar, in yure Caffy—an' before yure very eyes. In front of all his bullies an' all the guys he's beat up, I'll hev' him on his knees a-blubberin' an' a-prayin' fer mercy.… Then he shall lick yure boots, little gel, same as he makes recruits lick his. Then he shall grovel on the ground an' beg an' pray yew to marry him, and at that insult yew shall ask me to put him across my knee and irritate his pants with my belt—an' then throw him neck and crop, tail over tip, in the gutter! Termorrer John Bull smacks his face on the barrack-square an' tells him he was only playin' with him about lettin' him off that dool."
​When Carmelita clearly understood the purport of this remarkable speech she put her arms around the Bucking Bronco's neck.
"Dear Signor Orso Americano," she whispered. "Humiliate him to the dust before his comrades, bring him grovelling to my feet, begging me to marry him—and I will be your wife.… Blind, blind, unnameable fool that I have been—to think this dog a god and you a rough barbarian.… Forgive me, Signor.… I could kill myself."
The Bucking Bronco folded the woman in his arms. Suddenly she struggled free, thrust him from her, and, falling into a chair, buried her face in her arms and burst into tears. Standing over her the Bucking Bronco awkwardly patted her back with his huge hand.
"Do yew good, ma gel," he murmured over and over again. "Nuth'n like a good cry for a woman.… Git it over naow, and by'n-by show a smilin' face an' a proud one fer Loojey Rivoli to see fer the las' time."
"The bambino," wailed the girl. "The bambino."
"What?" exclaimed the Bucking Bronco.
Rising, the girl looked the man in the face and painfully but bravely stammered out what had been her so-wonderful Secret, and the hope of her life.
The Bucking Bronco again folded Carmelita in his arms.
* ↑ Mark of the Zephyrs.
* ↑ Last Post. So called (in the American Army) because it is the signal to leave the Canteen and turn off the beer-taps.
* ↑ Bed.
* ↑ Drink his beer.