OpenLLM-France/wikimedia huggingface dataset:
# The Fisherman Piping

Perry index 11
* "Of a Fyſſher", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Fiſherman and his Pipe", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Fisherman Piping", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Fisher", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Fisherman Piping", translated by Vernon Stanley Jones, illustrated by Arthur Rackham, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Fisherman and His Wife

Collected by Runge. It was included as number 19 of the Brothers Grimm's Kinder- und Hausmärchen (1812), and in Büsching's Volks-Sagen, Märchen und Legenden (1812)
English-language translations of Vom Fischer und seiner Frau include:
* "The Fisherman and his Wife", translated by Edgar Taylor and David Jardine, in German Popular Stories (1823)
* "The Fisherman and His Wife", translated by Lucy Crane, illustrated by Walter Crane, in Household stories from the collection of the Bros Grimm (1882)
* "The Fisherman and His Wife", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
* "The Fisherman and His Wife", translated by Alice Lucas, illustrated by Arthur Rackham, in The Fairy Tales of the Brothers Grimm (1909)
* "The Fisherman and his Wife", translated by Edgar Taylor, David Jardine and Marian Edwardes, edited by Marian Edwardes, illustrated by Robert Anning Bell, in Grimm's Household Tales (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Fisherman and his Wife (Grimm/Taylor and Jardine)

* "The Fisherman and his Wife" in German Popular Stories (1823) (transcription project)
* "The Fisherman and his Wife" in Grimm's Goblins (1876) (transcription project)

## See also

* "The Fisherman and his Wife" (1912), Taylor and Jardine translation, revised by Marian Edwardes
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The First of May

Subtitled: "A Memory"
The waters make a music low:  The river reeds Are trembling to the tunes of long ago —  Dead days and deeds
Become alive again, as on  I float, and float, Through shadows of the golden summers gone  And springs remote.
Above my head the trees bloom out  In white and red Great blossoms, that make glad the air about;  And old suns shed
Their rays athwart them. Ah, the light  Is bright and fair! No suns that shine upon me now are bright  As those suns were.
And, gazing down into the stream,  I see a face, As sweet as buds that blossom in a dream,  Ere sorrows chase
Fair dreams from men, and send in lieu  Sad thoughts. A wreath Of blue-bells binds the head—a bluer blue  The eyes beneath.
This is my little Annie's face;  My child-sweetheart Whom long ago I lost in that dark place  Where all lives part.
Beside me still I see her stand,  Who is no more. She walked with me through childhood, hand in hand,  But at the door
Of youth departed from me. Fain  Was I that day To go with her. Ah, sweetheart, come again  This First of May!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Fisherman

* Search for titles containing or beginning with: "The Fisherman."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Fisherman, a poem by William Butler Yeats
* The Fisherman, a poem by Johann Wolfgang von Goethe

### See also

* The Fishermen
# The Dog and the Sparrow

* related portals: Brothers Grimm.
* sister projects: Wikipedia article, Commons category, Wikidata item.
English-language translations of Der Hund und der Sperling include:
* The Dog and the Sparrow (1823), translated by Edgar Taylor and David Jardine, in German Popular Stories
* "The Dog and the Sparrow", translated by Lucy Crane, illustrated by Walter Crane, in Household stories from the collection of the Bros Grimm (1882)
* "The Dog and the Sparrow", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
* The Dog and the Sparrow (1900), translated by Andrew Lang, in The Grey Fairy Book
* "The Dog and the Sparrow", translated by Alice Lucas, illustrated by Arthur Rackham, in The Fairy Tales of the Brothers Grimm (1909)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dog and the Cook

Perry index 328
* "A Dog Invited to Supper", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Dog and the Cook", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Dog and the Cook", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dog and the Hare

Perry index 136
* "The Dog and the Hare", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Hound and the Hare", translated by Vernon Stanley Jones, illustrated by Arthur Rackham, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dog and the Wolf

Perry index 346
* "Of the Wulf and of the Dogge", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Dog and a Wolfe", in Fables of Æsop and Other Eminent Mythologists (1692)
* "A Dog and a Lyon", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Wolf and the House-dog", translated by George Fyler Townsend, illustrated by Harrison Weir, in Three Hundred Æsop's Fables (1867)
* "The Dog and the Wolf", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Dog and the Wolf", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dog and His Shadow

Perry index 133; also know as The Dog and His Reflection, The Dog and the Shadow, The Dog and His Meat
* "A Dog and a Shadow", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Dog and the Shadow", translated by George Fyler Townsend, illustrated by Harrison Weir, in Three Hundred Æsop's Fables (1867)
* "Of the Dogge and of the Pyece of Flessh", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "The Dog and the Shadow", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Dog and the Shadow", translated by Vernon Stanley Jones, illustrated by Arthur Rackham, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dog and the Sparrow (Grimm/Taylor and Jardine)

* "The Dog and the Sparrow" in German Popular Stories (1823) (transcription project)
* "The Dog and the Sparrow" in Grimm's Goblins (1876)
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Happy couple/Chapter 5

The TRAVELLING CHAPMAN.
COntentment consists not in wealth, Nor yet in great store of riches, For although that my winning be very sma', Yet I have contentment, that’s best of a'.
I travell'd all day, but no money did get, Not so much as a penny appeared in sight; You may suppose that my winning was sma', Yet I have contentment, that’s best of a'.
I travell'd all day with a pack on my back,
I ask'd every person what they did lack,
They pric'd my goods, but bought none at a',
Yet I have contentment, that's best of a',
I went to some Ladies to sell my goods,
Some muslins and fine rambricks, fit for hoods,
They ruffled my goods, but bought none at a',
Yet I have contentment, that's best of a'.
Sometimes my bed-chamber is not very neat,
Being sometimes of barley, often of wheat,
At other times, but the hare barn wa':
Yet I have contentment, that's best of a'.
Other sometimes but the bare barn floor,
Instead of a window, a hole in the door,
Where day-light shines in, though it be sma'.
Yet I have contentment, that's best of a'.
# The Happy couple/Chapter 3

The Faint-Hearted BATCHELOR.
LONG time have I courted a bonny fair maid, But now for to marry her I am afraid, If she proves with child my sorrow begins, Then I must provide both blankets and pins. Blankets and pins, blankets and pins, Then I must provide both blankets and pins.
When my wife lies in, the charges are great, There is bread and cheese for the gossips to eat, There's gruel and sugar for the lying in wife, Those things are sufficient to plague a man's life. Blankets and pins, blankets and pins, &c.
There is sugar and butter to get for the child, All this is sufficient to put a man wild, A spoon and a sauce-pan, the milk for to boil, A cradle also for to quiet the child. Blankets and pins, blankets and pins, &c.
The midwife wants money and nurse-keeper too, And trade is so bad there is nothing to do, There is nothing to do, which makes me run wild, All this to provide for another man's child. Blankets and pins, blankets and pins, &c.
There’s slabbering bubs and barries also, And shoes and stockings when the child can go, When the child can speak, he must go to school, I pray who would marry to be such a fool. Blankets and pins, blankets and pins, &c.
# The Happy couple/Chapter 4

The MAID’S ANSWER.
YOU poor sorry fellow, forbear now to rue, If ever I marry it shan’t be with you, For you that considers those things at the first, The woman that marry’s you surely is curst, She surely is curs’d, that e’er will have you. Therefore sorry fellow I bid you adieu.
Whoever does get you, full hard is her lot, You’ll know how much meal will thicken the pot, The loaf in the cupboard all day it may ly, Though she with sad hunger be ready to cry. She surely is curs’d, that e’er will have you, Therefore sorry fellow, I bid you adieu.
# The Happy couple/Chapter 6

TEARS WASH MY SAD CHEEKS.
TEars wash my sad cheeks, whilst I relate the story, of Henry the bravest of all British tars,
Cover'd with laurels, surrounded with glory, his fears shew'd the share that he had in the wars:
Under brave Rodney he fought and obtain'd both the thanks and applause of his captain and crew,
But cruel the fate and unkind, that ordain'd, such an end to my Henry so brave and so true.
With rapture he fixed his fond eyes upon me, the few hours he'd leave for to spend upon shore;
My heart, how it beat when be, tore himself from me, tho' little I thought I would ne'er see him more:
His feet scarce on deck, when by danger surrounded, the ship Royal George to the deep was consign’d, Brave Kempenfelt sunk, and my Henry confounded; by death’s near approach, to his fate was resign’d.
In so noble a ship a commander so brave, the nation had cause her sad loss to deplore, And the hundreds of souls overwhelm’d by the waves, claim’d the tears of their widows on shore;
But Henry my love, my dear Henry to me, as a nation was all my heart could deplore; But a victim he’s fall’n to the turbulent sea, and his faithful fond Nancy can ne’er see him more.
# The Happy couple

THE
Happy Couple.
To which are added,
A TOUCH on the TIMES.
Faint hearted BATCHELOR.
The MAID’S ANSWER.
The Travelling Chapman.
Tears wash my Sad CHEEKS.
If e'er I do Well 'tis a Wonder.
I FIND I MUST LOVE.
Entered according to Order
* The Happy Couple
* A Touch on the Times
* Faint Hearted Batchelor
* The Maid’s Answer
* The Travelling Chapman
* Tears Wash My Sad Cheeks
* If E'er I Do Well 'tis a Wonder
* I Find I Must Love
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Happy couple/Chapter 2

A TOUCH on the TIMES.
ALL you good people I pray you attend, Unto these few verses which here I have penn’d, Concerning provisions that is very dear, Nor like to be cheaper in this present year.
The first is the farmer that soweth the corn, I’m sure they’re as big rogues as ever were born; They are not content with their going on, Though the grain it turns out nine hundred to one.
The next is the miller that grinds in the mill, He’s sure to take care his own bags to fill; The devil’s so busy at taking his toll, First with his dish and then with his bowl.
The next is the baker his oven does heat, And he makes his bread the poor people to cheat; And when his bread’s baken it’s as soggy as yarn, It’s puffed up so well spunged with barm.
If you go to market for to buy some meat, You must watch the butcher or he will you cheat; He’ll cock up his steell-yard and make it go down, And swear it is weight tho' it want a whole pound.
The gardeners they sit all in a row, With potatoes, and carrots, and cabbage also; They are as great vaillains as you could lack, They might sell potatoes at four pence per peck.
As for the shop-keepers I think they are worse, For they cheat us in tobacco and snuff; O all they want is poor people to cheat, For they make it out by selling short weight.
We're pinch'd in our bellies as also our clothes, The shoemaker he pinches all of our shoes; I'm sure the poor people have reason to sing, And wish all these rogues in a halter to swing.
The farmer, and miller, and butcher don't fail, They're fond of pulling old Nick, by the tail, If they do not lower the price of the meat, Jack-catch in a halter will make them to sweat.
# The Happy couple/Chapter 1

THE HAPPY COUPLE.
ONE summer morning as I was a-walking, I heard a young damsel making her moan, My Johnny's gone and left me, which sorely does perplex me, and I poor girl am left all alone.
He is gone and left me, this false hearted young man, I little thought so cruel he would be, The thoughts of my Johnny, will drive me melancholy, if I hear he's buried all in the salt sea.
Down by the sea side, as she was lamenting, making a moan for the loss of her dear, A young sailor stept up to her! said he, my dearest jewel, come tell to me the reason you sit sighing here?
O my dearest Johnny is gone away from me, he's gone and has left me in sorrow and woe, I can take no ease, since he's cross'd the raging seas, neither can I tell where to wander or go.
He said my dearest jewel, come leave of your sighing, dry up those tears, don't grieve any more; for I am your Johnny, drive off all melancholy, I am your true love just come on shore.
Hearing what he said, she stood like one amazed, wiping the tears from off her eyes; Then said my dearest jewel, how could you be so cruel? it's doubtful I'd died if I'd ne'er seen you more.
Now this happy couple they are joined together, the bells they did ring and the minstrels did play, And they live together, like two young loyal lovers, blest be this couple until their dying day.
# The Hesperides & Noble Numbers/Hesperides/To the King, Upon His Coming With His Army Into the West

77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.
Welcome, most welcome to our vows and us, Most great and universal genius! The drooping West, which hitherto has stood As one in long-lamented widowhood, Looks like a bride now, or a bed of flowers Newly refresh'd both by the sun and showers. War, which before was horrid, now appears Lovely in you, brave prince of cavaliers! A deal of courage in each bosom springs By your access, O you the best of kings! Ride on with all white omens; so that where Your standard's up, we fix a conquest there.
# The Hesperides & Noble Numbers/Hesperides/To a Gentlewoman Objecting to Him His Gray Hairs

164. TO A GENTLEWOMAN OBJECTING TO HIM HIS GRAY HAIRS
Am I despised because you say, And I dare swear, that I am gray? Know, lady, you have but your day: And time will come when you shall wear Such frost and snow upon your hair;
And when (though long, it comes to pass) You question with your looking-glass; And in that sincere crystal seek, But find no rose-bud in your cheek: Nor any bed to give the show Where such a rare carnation grew. Ah! then too late, close in your chamber keeping, It will be told That you are old, By those true tears y'are weeping.
# The Hesperides & Noble Numbers/Hesperides/To a Gentlewoman on Just Dealing

338. TO A GENTLEWOMAN ON JUST DEALING.
True to yourself and sheets, you'll have me swear; You shall, if righteous dealing I find there. Do not you fall through frailty; I'll be sure To keep my bond still free from forfeiture.
# The Hesperides & Noble Numbers/Hesperides/To the Fever, Not to Trouble Julia

204. TO THE FEVER, NOT TO TROUBLE JULIA.
Thou'st dar'd too far; but, fury, now forbear To give the least disturbance to her hair: But less presume to lay a plait upon Her skin's most smooth and clear expansion. 'Tis like a lawny firmament as yet, Quite dispossess'd of either fray or fret. Come thou not near that film so finely spread, Where no one piece is yet unlevelled. This if thou dost, woe to thee, fury, woe, I'll send such frost, such hail, such sleet, and snow,
Such flesh-quakes, palsies, and such fears as shall Dead thee to th' most, if not destroy thee all. And thou a thousand thousand times shalt be More shak'd thyself than she is scorch'd by thee.
# The Hesperides & Noble Numbers/Hesperides/To the King, to Cure the Evil

161. TO THE KING, TO CURE THE EVIL.
To find that tree of life whose fruits did feed And leaves did heal all sick of human seed: To find Bethesda and an angel there Stirring the waters, I am come; and here, At last, I find (after my much to do) The tree, Bethesda and the angel too: And all in your blest hand, which has the powers Of all those suppling-healing herbs and flowers. To that soft charm, that spell, that magic bough, That high enchantment, I betake me now, And to that hand (the branch of heaven's fair tree), I kneel for help; O! lay that hand on me, Adored Cæsar! and my faith is such I shall be heal'd if that my king but touch. The evil is not yours: my sorrow sings, "Mine is the evil, but the cure the king's".
# The Hesperides & Noble Numbers/Hesperides/To the Detractor

173. TO THE DETRACTOR.
Where others love and praise my verses, still Thy long black thumb-nail marks them out for ill: A fellon take it, or some whitflaw come For to unslate or to untile that thumb! But cry thee mercy: exercise thy nails To scratch or claw, so that thy tongue not rails: Some numbers prurient are, and some of these Are wanton with their itch; scratch, and 'twill please.
Fellon, a sore, especially in the finger.
Whitflaw, or whitlow.
# The Hesperides & Noble Numbers/Hesperides/To the High and Noble Prince George, Duke, Marquis, and Earl of Buckingham

245. TO THE HIGH AND NOBLE PRINCE GEORGE, DUKE, MARQUIS, AND EARL OF BUCKINGHAM.
Never my book's perfection did appear Till I had got the name of Villars here: Now 'tis so full that when therein I look I see a cloud of glory fills my book. Here stand it still to dignify our Muse, Your sober handmaid, who doth wisely choose Your name to be a laureate wreath to her Who doth both love and fear you, honoured sir.
# The Hesperides & Noble Numbers/Hesperides/To Virgins

297. TO VIRGINS.
Hear, ye virgins, and I'll teach What the times of old did preach. Rosamond was in a bower Kept, as Danae in a tower: But yet Love, who subtle is, Crept to that, and came to this. Be ye lock'd up like to these, Or the rich Hesperides, Or those babies in your eyes, In their crystal nunneries; Notwithstanding Love will win, Or else force a passage in: And as coy be as you can, Gifts will get ye, or the man.
Babies in your eyes, see Note to p. 17.
# The Hesperides & Noble Numbers/Hesperides/To the Earl of Westmoreland

112. TO THE EARL OF WESTMORELAND.
When my date's done, and my grey age must die, Nurse up, great lord, this my posterity: Weak though it be, long may it grow and stand, Shored up by you, brave Earl of Westmoreland.
# The Hesperides & Noble Numbers/Hesperides/To the Generous Reader

95. TO THE GENEROUS READER.
See and not see, and if thou chance t'espy Some aberrations in my poetry, Wink at small faults; the greater, ne'ertheless, Hide, and with them their father's nakedness. Let's do our best, our watch and ward to keep; Homer himself, in a long work, may sleep.
# The Hesperides & Noble Numbers/Poems Not Included in Hesperides/A Carol Presented to Dr. Williams, Bishop of Lincoln as a New-Year's Gift

A CAROL PRESENTED TO DR. WILLIAMS, BISHOP OF LINCOLN AS A NEW-YEAR'S GIFT.
Fly hence, pale care, no more remember Past sorrows with the fled December, But let each pleasant cheek appear Smooth as the childhood of the year, And sing a carol here. 'Twas brave, 'twas brave, could we command the hand Of youth's swift watch to stand As you have done your day; Then should we not decay. But all we wither, and our light Is spilt in everlasting night, Whenas your sight Shows like the heavens above the moon, Like an eternal noon That sees no setting sun. Keep up those flames, and though you shroud Awhile your forehead in a cloud,
Do it like the sun to write In the air a greater text of light; Welcome to all our vows, And since you pay To us this day So long desir'd, See we have fir'd Our holy spikenard, and there's none But brings his stick of cinnamon, His eager eye or smoother smile, And lays it gently on the pile, Which thus enkindled, we invoke Your name amidst the sacred smoke.
Chorus. Come then, great Lord. And see our altar burn With love of your return, And not a man here but consumes His soul to glad you in perfumes.