OpenLLM-France/wikimedia huggingface dataset:
# The Massacre at Paris/Scene 12

Sound Trumpets within, and then all crye vive la Roy two or three times.
All. Vive la Roy, vive la Roy. Sound Trumpets.
Qu. Welcome from Poland Henry once agayne,
Welcome to France thy fathers royall seate, Heere hast thou a country voide of feares, A warlike people to maintaine thy right, A watchfull Senate for ordaining lawes, A loving mother to preserve thy state, And all things that a King may wish besides: All this and more hath Henry with his crowne.
Car. And long may Henry enjoy all this & more.
All. Vive la Roy, vive la Roy. Sound trumpets.
Henry, Thanks to you al. The guider of all crownes, Graunt that our deeds may wel deserve your loves: And so they shall, if fortune speed my will, And yeeld our thoughts to height of my desertes. What saies our Minions, think they Henries heart Will not both harbour love and Majestie? Put of that feare, they are already joynde, No person, place, or time, or circumstance, Shall slacke my loves affection from his bent, As now you are, so shall you still persist, Remooveles from the favours of your King.
Mugeroun. We know that noble mindes change not their thoughts For wearing of a crowne: in that your grace, Hath worne the Poland diadem, before you were invested in the crowne of France:
Henry, I tell thee Mugeroun we will be freends, And fellowes to, what ever stormes arise.
Mugeroun. Then may it please your Majestie to give me leave,
To punish those that doe prophane this holy feast.
He cuts of the Cutpurse eare, for cutting of the golde buttons off his cloake.
Henry. How meanst thou that?
Cutpurse. O Lord, mine eare.
Mugeroun. Come sir, give me my buttons and heers your eare.
Guise. Sirra, take him away.
Henry. Hands of good fellow, I will be his baile For this offence: goe sirra, worke no more, Till this our Coronation day be past: And now our solemne rites of Coronation done, What now remaines, but for a while to feast, And spend some daies in barriers, tourny, tylte, and like disportes, such as doe fit the Court? Lets goe my Lords, our dinner staies for us.
Goe out all, but the Queene and the Cardinall.
Queene.
How likes your grace my sonnes pleasantnes? His minde you see runnes on his minions, And all his heaven is to delight himselfe: And whilste he sleepes securely thus in ease, Thy brother Guise and we may now provide, To plant our selves with such authoritie, as not a man may live without our leaves. Then shall the Catholick faith of Rome, Flourish in France, and none deny the same.
Car. Madam, as in secrecy I was tolde,
My brother Guise hath gathered a power of men, Which as he saith, to kill the Puritans, But tis the house of Burbon that he meanes. Now Madam must you insinuate with the King, And tell him that tis for his Countries good, And common profit of Religion.
Qu. Tush man, let me alone with him, To work the way to bring this thing to passe: And if he doe deny what I doe say, Ile dispatch him with his brother presently. And then shall Mounser weare the diadem: Tush, all shall dye unles I have my will. For while she lives Katherine will be Queene. Come my Lords, let us goe to seek the Guise, And then determine of this enterprise. Exeunt.
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# The Massacre at Paris/Scene 11

{{c|Enter the King of France, Navar and Epernoune staying him: enter Qu. Mother, and the Cardinall.
King. O let me stay and rest me heer a while, A griping paine hath ceasde upon my heart: A sodaine pang, the messenger of death.
Qu. O say not so, thou kill'st thy mothers heart.
King. I must say so, paine forceth me complaine.
Na. Comfort your selfe my Lord and have no doubt, But God will sure restore you to your health.
King. O no, my loving brother of Navarre.
I have deserv'd a scourge I must confesse, Yet is there pacience of another sort, Then to misdoe the welfare of their King: God graunt my neerest freends may prove no worse. O holde me up, my sight begins to faile, My sinnewes shrinke, my braines turne upside downe, My heart doth break I faint and dye. He dies.
Queene. What art thou dead, sweet sonne speak to thy Mother. O no, his soule is fled from out his breast, And he nor heares, nor sees us what we doe: My Lords, what resteth there now for to be done? But that we presently despatch Embassadours To Poland, to call Henry back againe, To weare his brothers crowne and dignity. Epernoune, goe see it presently be done, And bid him come without delay to us.
Eper. Madam, I will. Exit Eper.
Queene. And now my Lords after these funerals be done, We will with all the speed we can provide, For Henries coronation from Polonie: Come let us take his body hence. All goe out, but Navarre and Pleshe.
Navar. And now Navarre whilste that these broiles doe last, My opportunity may serve me fit, To steale from France, and hye me to my home.
For heers no saftie in the Realme for me, And now that Henry is cal'd from Polland, It is my due by just succession: And therefore as speedily as I can perfourme, Ile muster up an army secretly, For feare that Guise joyn'd with the K. of Spaine, Might seeme to crosse me in mine enterprise. But God that alwaies doth defend the right, Will shew his mercy and preserve us still.
Pleshe. The vertues of our true Religion, Cannot but march with many graces more: Whose army shall discomfort all your foes, And at the length in Pampelonia crowne, In spite of Spaine and all the popish power, That holdes it from your highnesse wrongfully: Your Majestie her rightfull Lord and Soveraigne.
Navarre.
Truth Pleshe, and God so prosper me in all, As I entend to labour for the truth, And true profession of his holy word: Come Pleshe, lets away while time doth serve.Exeunt.
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# The Massacre at Paris/Scene 15

Enter the King of France, Duke of Guise, Epernoune, and Duke Joyeux.
King. My sweet Joyeux, I make thee Generall, Of all my army now in readines: To march against the rebellious King Navarre, At thy request I am content thou goe, Although my love to thee can hardly suffer, Regarding still the danger of thy life.
Joyeux. Thanks to your Majestie, and so I take my leave. Farwell my Lord of Guise and Epernoune.
Guise. Health and harty farwell to my Lord Joyeux. Exit Joyeux.
King. So kindely Cosin of Guise you and your wife doe both salute our lovely Minions.
he makes hornes at the Guise.
Guise. How now my Lord, faith this is more then need, Am I thus to be jested at and scornde? Tis more then kingly or Emperious. And sure if all the proudest Kings in Christendome, should beare me such derision: They should know how I scornde them and their mockes.
I love your Minions, dote on them your selfe, I know none els but holdes them in disgrace: And heer by all the Saints in heaven I sweare, That villain for whom I beare this deep disgrace: Even for your words that have incenst me so, Shall buy that strumpets favour with his blood. Whether he have dishonoured me or no. Par la mor du, Il mora.Exit.
King. Beleeve me this jest bites sore.
Eper. My Lord, twere good to make them frends For his othes are seldome spent in vaine.
Enter Mugeroun.
King. How now Mugeroun, metst thou not the Guise at the doore?
Muge. Not I my Lord, what if I had?
King. Marry if thou hadst, thou mightst have had the stab, For he hath solemnely sworne thy death.
Muge. I may be stabd, and live till he be dead, But wherfore beares he me such deadly hate?
King. Because his wife beares thee such kindely love.
Muge. If that be all, the next time that I meet her, Ile make her shake off love with her heeles. But which way is he gone, Ile goe take a walk on purpose from the Court to meet with him. Exit.
King. I like not this, come Epernoune lets goe seek the Duke and make them freends. Exeunt.
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# The Lives and Characters of the English Dramatick Poets/Peaps

Peaps.
A Scholar of Eaton Schol, who at seventen, writ a Play, called,
Love in its Extasy, a Pastoral, 4 to. 1649. but written many Years before ’twas printed.
# The Lives and Characters of the English Dramatick Poets/Richard Carpenter

Richard Carpenter.
This Author lived in the latter end of King James I. and the beginning of King Charles I. Publish'd one Play called,
The Pragmatical Jesuit new Leaven'd, 4to. A Play tends to Morality and Vertue; so 'tis doubted whether the Author was not a Divine, there being Three Sermons Publish'd under the same Name, in the latter end of the Reign of King James I.
# The Lives and Characters of the English Dramatick Poets/Richard Flecknoe

Richard Flecknoe.
This memorable Author liv'd in the Reign of both the Charle's, was (as I have had it from good hands) a Jesuit, but forsook the knavish part of his Office for Poetry, tho' his works, if I may credit those that have read him with more regard than my self, is not enough to quit him of all the tricks of that Order, he is for nothing so famous, as for naming a Poem of Mr. Dryden's call'd, Mac Flecknoe, he has Published several Plays, but whether any of 'em were Acted or not, I'm not able to determine.
Damoyselles A-la-mode, a Comedy, 8vo. 1667. Dedicated to their Graces the Duke and Dutchess of New Castle, borrowed from Moliere's Precieuses Ridicules, L'Escole des Femes, & L'Escole des Maris.
Erminia; or, The Chast Lady, a Tragi-Comedy, 8vo. 1667, Dedicated to the fair and virtuous Lady the Lady Southcott.
Loves Dominion, a Pastoral, 8vo. 1654. Dedicated to the Lady Elizabeth Claypole: A Play full of Morality, and written as a Pattern for the Reformed Stage.
Love's Kingdom, a Pastoral Tragi-Comedy, 8vo. 1664. Dedicated to his Excellency the Marquess of Newcastle. This ​Published with a fresh Title ten years after; the other going before, is almost the same, only Corrected, and a very little alter'd.
Marriage of Oceanus and Britania, a Masque.
This Author has written divers Epigrams and Enigmatical Characters; also a short Discourse of the English Stage, Published at the end of his Love's Dominion, 8vo. Diarium, or The Journal, another piece of his in Burlesque Verse, 12ves. 1656. &c.
# The Lives and Characters of the English Dramatick Poets/R. Waver

R. Waver.
An Author as unknown as the two former: he publish'd but one Play, which Mr. Langbain says he never saw, entituled,
Lusty Juventus, an Interlude, 4to. printed without any Date. Tho' Mr. Langbain attributes this Play to R. Waver, yet his Name is not to the Title Page, nor any where about the Play, to give him that Assurance; but I suppose he depended on former Catalogues.
# The Lives and Characters of the English Dramatick Poets/Ralph Knevet

Ralph Knevet.
A Norfolk Gentleman, of the same time with the former, writ a Pastoral represented at Norwich, call’d,
Rhodon and Iris, a Pastoral, 4 to. 1631. Dedicated to Nicholas Bacon, Esq.
# The Lives and Characters of the English Dramatick Poets/Richard Brome

Richard Brome.
He Liv'd in the time of King Charles I. was servant to Ben. Johnson, and writ himself into Reputation by his Comedies; was Complimented with Copies of Verses, from most of the Poets of his time, and even from his Master Ben. His Plots are his own, and studying more Men then Books, he has not fallen into Plagiarism. Besides those Plays writ by himself, he joyn'd with Heywood, in a Play call'd, The Lancashire Witches. His Plays, in all fifteen, as they were Published follow (viz.) City Wit, or The Woman wears the Breeches, Court Beggar, Damoyselle, or The New Ordinary; Mad Couple well Match'd; Reviv'd under the Title of Debauchee, or The Credulous Cuckold, 1677. Novella: These five are Printed together in one Vol. 8vo. 1653.
Covent Garden Weeded; English Moor, or The Mock Marriage; Love-sick Court, or The Ambitious Politick; New Academy, or The New Exchange; Queen and Concubine: These five are Printed in another Vol. 8vo. 1659.
Antipodes, C. 4to. 1640. Jovial Crew, or The Merry Beggars, C. 4to. 1659. Revived and Reprinted 1686. Northern Lass, C. 4to. 1663. Revived and Reprinted 1684. with new Prologue and Epilogue. Queens Exchange, C. 4to. 1657. Sparagus Garden, C. 4to. 1640. Most of these Plays were Acted with general Applause.
# The Lives and Characters of the English Dramatick Poets/Peter Hausted

Peter Hausted.
He was born at Oundle, in Northamptonshire, proceeded to Master of Arts, in Queens-College, Cambridge, in the Reign of Charles ​the First; he was impatient of Censure, as well as his admired Ben. and writ a Play, called,
The Rival Friends, a Comedy, 4 to. 1632. Acted before the King and Queen at Cambridge. The Scene betwixt Love-all and Hamershin, Act 3. Scene 7, from that betwixt True-wit, Daw, and La Fool, in Ben.’s Silent Woman.
# The Lives and Characters of the English Dramatick Poets/Richard Bernard

Richard Bernard.
A Gentleman that Liv'd in Lincolnshire, in the time of Queen Elizabeth, and gave us then a Translation of Terrences Comedies, in a Language and Stile suitable to the time he Liv'd in. Pub. Terentius was a Carthaginian born, and brought a Slave to Rome in his Youth, there well Educated by his Patron Terent. Seneca, and by him made Free for his wit, and left behind him six Comedies ​(viz.) Andrea, Adelphi, Eunuchus, Heutontimorumenos, Hecyra, and Phormio, the Fourth Edition in 4to. 1614. The four first of these Comedies are borrowed from Menander. The two last taken from Apollodorus. He generally brought two of Menander's into one of his. He was thought to have the help of Lælius and Pub. Scipio, in his Writings which he thought an Honour, not Disgrace.
# The New International Encyclopædia/Hansch, Anton

Edition of 1905. See also Anton Hansch on Wikipedia; and the disclaimer.
HANSCH, hänsh, Anton (1813-76). An Austrian painter, born in Vienna. He was a pupil of Mössmer at the Academy of Vienna, and afterwards traveled and studied in Germany, Belgium, Switzerland, and Italy. His works consist of landscapes remarkable for composition and careful detail. Notable pictures are: “Region Bordering on the Königsee” (1849); “The Jungfrau in Switzerland” (1853); “Under the Linden Trees on the Shore of Chiem Lake” (1858), all in the Vienna Museum; “The Lake of Constance,” “Firwood in the Salzkammergut” (Vienna Academy); “From the Wilderness of Styria,” “At Bernina Pass,” “After the Storm,” and “The Wetterhorn.”
# The New International Encyclopædia/Hansemann, David Justus Ludwig

Edition of 1905. See also David Hansemann on Wikipedia; and the disclaimer.
HANSEMANN, hän′se-mȧn, David Justus Ludwig (1790-1864). A German publicist and statesman, born at Finkenwerder, near Hamburg. He set up as a wool-dealer at Aix-la-Chapelle in 1817, and after having attained considerable reputation in commerce and through railway construction, was elected a Deputy in the Provincial Diet of Rhenish Prussia in 1845. In 1847 he was elected a member of the United Diet, in which he became conspicuous as a leader of the Liberal Opposition, and in 1848 he was for a brief period Prussian Minister of Finance. He was the founder of the Diskontogesellschaft of Berlin, one of the most important financial institutions of Germany. His published works deal with economic and political topics of his time, and include: Preussens wichtigste Eisenbahnfrage (1837), and Das preussische und deutsche Verfassungswerk (1850).
# The New International Encyclopædia/Harbaugh, Henry

Edition of 1905. See also Henry Harbaugh on Wikipedia; and the disclaimer.
​HARBAUGH, här′ba̤, Henry (1817-67). An American clergyman of the German Reformed Church, born near Waynesborough, Pa. He studied in Mercersburg Seminary, where he became professor of theology in 1864. He was the chief exponent of the ‘Mercersburg theology.’ From 1850 to 1866 he was the editor of the Guardian, a monthly magazine, and afterwards of the Mercersburg Review. He published some poems in ‘Pennsylvania Dutch,’ and also wrote: Heaven (3 vols., 1843-53); The Fathers of the German Reformed Church (1858); and Christological Theology (1864).
# The New International Encyclopædia/Haran

Edition of 1905. See also Haran (biblical place) on Wikipedia; and the disclaimer.
​HA′RAN, or CHARRAN, kǎr′rǎn (Ass. Kharranu, road). A city in the north of Mesopotamia, and southeast of Edessa, at the junction of the Damascus road with the highway from Nineveh to Carchemish. For the Assyrians it became a strategic position of first-rate importance, and is mentioned in inscriptions as early as the time of Tiglathpileser I., about 1100 B.C. Sargon II. (B.C. 721-705) refers to his having restored the ancient privileges of the place, and later kings, like Assurbanipal, devoted themselves to the restoration of the temple to the moon-god, which enjoyed a high reputation as a place of pilgrimage. Haran, the Carrhæ of the Greeks and Romans, became, by virtue of its situation, the centre of considerable commerce. It was here that the Roman general Crassus, in his eastern expedition, was attacked and slain by the Parthians (B.C. 53), and here also the Emperor Caracalla was murdered at the instigation of Macrinus, A.D. 217. The place retained its importance down to the period of the Arab ascendancy, but is now wholly in ruins. According to the Book of Genesis, which traces the name to Haran, a son of Terah, Haran was the first resting-place of the latter and his family, after their migration from Ur of the Chaldees, and here Terah died before Abraham's migration into Canaan (Gen. xi. 31-32). The story recalls the tradition of the sojourn of some clans—probably of Aramean origin—associated with Hebrews at some remote period. Consult : Metz, Geschichte der Stadt Harran (1892); Sachau, Reise in Mesopotamien (Leipzig, 1899).
# The New International Encyclopædia/Harar

Edition of 1905. See also the disclaimer.
​HARAR, hȧ-rär′. See Harrar.
# The New International Encyclopædia/Haraucourt, Edmond

Edition of 1905. See also Edmond Haraucourt on Wikipedia; and the disclaimer.
​HARAUCOURT, ȧ′rō̇′ko͞or′, Edmond (1857—), A French poet and novelist, born at Bourmont (Haute-Marne). His first work, La légende des sexes, poèmes hystériques (1883), under the pen-name of Le Sire de Chabley, attracted some attention. L'âme nue (1885), a collection of verse, in which some of the earlier poems were included, and Seul (1891), showed the poet's increasing power and melancholy charm. He also wrote the romance Amis (1887); Shylock (1889), a play; the Passion (1890), a drama; Héro et Léandre (1893); Alienor, an opera; Don Juan (1894); and Elisabeth (1894). He received the Academy prize for his poem, Les Vikings (1890).
# The New International Encyclopædia/Hanfstängl, Franz

Edition of 1905. See also Franz Hanfstaengl and Edgar Hanfstaengl on Wikipedia; and the disclaimer.
HANFSTÄNGL, hänf'stĕng'l, Franz (1804-77). A German lithographer and photographer, born in Bayernrain. He studied lithography under Mitterer at Munich, and spent six years in the Munich Academy (1819-25). He went to Dresden in the following year and began his great work, completed in 1852, of copying in lithograph the canvases of the Dresden Gallery. In 1844 he returned to Munich, leaving his establishment at Dresden to his brothers Max and Hans. From 1848 to 1853 he gave up lithography for galvanography, and then devoted himself almost entirely to photography and later to photogravure and heliogravure. His son Edgar Hanfstängl (1842—) succeeded to the business in 1868. The most important publications of the house are the periodical Die Kunst unserer Zeit, first published in 1890, and fine collections of carbon-print reproductions, including the contents of the principal European galleries, and the Galerie moderner Meister.
# The New International Encyclopædia/Haratin

Edition of 1905. See also Haratin on Wikipedia; and the disclaimer.
​HARATIN, hä′rȧ-tēn′. ‘Black’ Berbers, living on the southern slopes of the Atlas Mountains. Their darker complexion is doubtless owing to mixture with negroes. They are interesting to the ethnologist in that they still preserve the patriarchal tribal state. See Berber.
# The New Student's Reference Work/Cincinnatus, Lucius Quintius

See also Lucius Quinctius Cincinnatus on Wikipedia, and the disclaimer.
​ Cincinnatus (sĭn′sĭn-nā′tus), Lucius Quintius, was made consul of Rome in 460 B. C. When the messengers came to tell him of his election, they found him ploughing on his small farm. Two years later he was made dictator. The barbarous Æqui had surrounded the consul Lucius Minucius and defeated him. Cincinnatus marched to his aid and rescued him. Sixteen days later he laid down the unlimited power of the dictatorship and went back contentedly to his small farm on the Tiber. At the age of 80 he was again made dictator. He was a favorite hero among the later Romans, who looked on him as a model of goodness and simple manners.
# The New Student's Reference Work/Cider

See also Cider on Wikipedia, and the disclaimer.
​ Cider is the fermented juice of apples. Usually, apples that are sour in taste are used, and late apples make better cider than early ones. The apples after gathering are left to mellow for some days. The juice is crushed out by passing the apples between fluted rollers or in mills of various kinds. The pulp is placed in bags or in wicker-work frames with holes, and the juice is drained into tubs. This juice is kept for the finest quality of cider. The rest is squeezed out in a press. This pressure, especially where unduly great, adds juice from the pipe and skins and gives it a coarser flavor, though in larger quantity. Eight to ten days' fermentation takes place in casks with large bungholes, the vinegary yeast frothing to the top, which is constantly removed. The cider is next freed of the sediment by being placed in fresh casks, and this is repeated in the spring. Champagne cider is made by bottling the juice before it is fully fermented. Cider contains from four to ten per cent. of alcohol.
# The New Student's Reference Work/Cimabue, Giovanni

See also Cimabue on Wikipedia, and the disclaimer.
​ Cimabue (chē′mȧ-bo͞o′ắ), Giovanni, an Italian painter, was born at Florence in 1240. The art of painting had in his day fallen into decay, and Cimabue's attempt to follow nature, painting from a living model, was called “a new thing in these times.” His two madonnas are still preserved in Florence, but he is best known as the teacher of Giotto and as the founder of the Florentine school of painters which included Michael Angelo and Raphael. He died about 1302.
# The New Student's Reference Work/Cimbri

See also Cimbri on Wikipedia, and the disclaimer.
​ Cimbri (sĭm′brī), a people who, together with the Teutons, came out of the north of Germany, and moving southward fought against the Romans in 113 B. C. At first victorious, they were prevented from ravaging Italy by Marius, who routed them in a battle near Verona in 101 B. C. In this battle they showed the greatest courage, even the women killing themselves and their children when they saw that all was lost. Years later, Cæsar and Tacitus speak of the Cimbri, who appear to have lived, a few in number, in the far north of Germany. They probably belonged to the German race.
# The New Student's Reference Work/Cimon

See also Cimon on Wikipedia, and the disclaimer.
​ Cimon (sī′mŭn), an Athenian commander, was the son of Miltiades, the conqueror at Marathon. At the time of the Persian War he was made one of the two commanders of the Athenian section of the Greek navy, commanded by the Spartan, Pausanias. His greatest encounter was in 466 B. C., with a Persian fleet of 350 ships at the River Eurymedon, when he destroyed or captured 300 vessels and also defeated the Persian land-force on the same day. He became very popular in Athens, but later was opposed by Pericles and the democracy and banished, though he was recalled in five years. He died during one of his sieges, in 449 B. C.
# The New Student's Reference Work/Cinematograph

See also Cinematograph on Wikipedia, and the disclaimer.
​ Cinematograph (sĭn′ḗ-măt′ṓ-grắf). This is an instrument which casts upon a screen a number of successive views which have been taken from a moving object, in so swift an order that the eye does not observe that the picture has been changed. The spectator appears to behold one and the same view, in which the objects are in actual motion. On an average about 100,000 pictures are needed for an exhibition which is to last one hour. The instrument was invented in 1894 by Edison.