OpenLLM-France/wikimedia huggingface dataset:
# A Treatise on Painting/Chapter 171

Chap.CLXXI.—The Parts of the Face, and their Motions.
The motions of the different parts of the face, occasioned by sudden agitations of the mind, are ​many. The principal of these are, Laughter, Weeping, Calling out, Singing, either in a high or low pitch, Admiration, Anger, Joy, Sadness, Fear, Pain, and others, of which I propose to treat. First, of Laughing and Weeping, which are very similar in the motion of the mouth, the cheeks, the shutting of the eyebrows, and the space between them; as we shall explain in its place, in treating of the changes which happen in the face, hands, fingers, and all the other parts of the body, as they are affected by the different emotions of the soul; the knowledge of which is absolutely necessary to a painter, or else his figures may be said to be twice dead. But it is very necessary also that he be careful not to fall into the contrary extreme; giving extraordinary motions to his figures, so that in a quiet and peaceable subject, he does not seem to represent a battle, or the revellings of drunken men: but, above all, the actors in any point of history must be attentive to what they are about, or to what is going forward; with actions that denote admiration, respect, pain, suspicion, fear, and joy, according as the occasion, for which they are brought together, may require. Endeavour that different points of history be not placed one above the other on the same canvass, nor walls with different horizons, as if it were a jeweller’s shop, shewing the goods in different square caskets.
Layout 2
# A Treatise on Painting/Chapter 172

Chap. CLXXII.—Laughing and Weeping.
Between the expression of laughter and that of weeping there is no difference in the motion of the features either in the eyes, mouth, or cheeks; only in the ruffling of the brows, which is added when weeping, but more elevated and extended in laughing. One may represent the figure weeping as tearing his clothes, or some other expression, as various as the cause of his feeling may be; because some weep for anger, some through fear, others for tenderness and joy, or for suspicion; some for real pain and torment; whilst others weep through compassion, or regret at the loss of some friend and near relation. These different feelings will be expressed by some with marks of despair, by others with moderation; some only shed tears, others cry aloud, while another has his face turned towards heaven, with his hand depressed, and his fingers twisted. Some again will be full of apprehension, with their shoulders raised up to their ears, and so on, according to the above causes.
Those who weep, raise the brows, and bring them close together above the nose, forming many wrinkles on the forehead, and the corners of the mouth are turned downwards. Those who laugh have them turned upwards, and the brows open and extended.
Layout 2
# A Treatise on Painting/Chapter 175

Chap. CLXXV.—The Course of Study to be pursued.
The student who is desirous of making great proficiency in the art of imitating the works of Nature, should not only learn the shape of figures or other objects, and be able to delineate them with truth and precision, but he must also accompany them with their proper lights and shadows, according to the situation in which those objects appear.
Layout 2
# A Treatise on Painting/Chapter 167

Chap. CLXVII.—How to represent old Men.
Old men must have slow and heavy motions; their legs and knees must be bent when they are standing, and their feet placed parallel and wide asunder. Let them be bowed downwards, the ​head leaning much forward, and their arms very little extended.
Layout 2
# A Treatise on Painting/Chapter 17

Chap. XVII.—Of drawing from Casts or Nature.
In drawing from relievo, the draftsman must place himself in such a manner, as that the eye of the figure to be drawn be level with his own.
Layout 2
# A Treatise on Painting/Chapter 170

Chap. CLXX.—Of the Variety of Faces.
The countenances of your figures should be expressive of their different situations: men at work, at rest, weeping, laughing, crying out, in fear, or joy, and the like. The attitudes also, and all the members, ought to correspond with the sentiment expressed in the faces.
Layout 2
# A Treatise on Painting/Chapter 173

Chap. CLXXIII.—Of Anger.
If you represent a man in a violent fit of anger, make him seize another by the hair, holding his head writhed down against the ground, with his knee fixed upon the ribs of his antagonist; his right arm up, and his fist ready to strike; his hair standing on end, his eyebrows low and straight; his teeth close, and seen at the corner of the mouth; his neck swelled, and his body covered in the Abdomen with creases, occasioned by his bending over his enemy, and the excess of his passion.
Layout 2
# A Treatise on Painting/Chapter 174

Chap. CLXXIV.—Despair.
The last act of despondency is, when a man is in the act of putting a period to his own existence. He should be represented with a knife in one hand, with which he has already inflicted the wound, and tearing it open with the other. His garments and hair should be already torn. He will be standing with his feet asunder, his knees a little bent, and his body leaning forward, as if ready to fall to the ground.
Layout 2
# Alexander Keith memo

This purported document, claiming to be have been a letter from a US Naval Officer to a US Senator during the American Civil War, has no guarantee of its authenticity. It refers to the Confederate agent Alexander Keith, Jr.
My Lord, A very painful frustration has been produced by the appearance on the coast of the Northern United States of the Confederate Cruiser called the "Tallahassee".
This vessel is reported to have been out of Hatteras, North Carolina, about the 1st of this month.
She showed herself off the New York harbor on the 11th of August. In the days which followed she is believed to have destroyed fifty four federal vessels. Her arrival at Halifax was reported to the United States Authorities yesterday by telegraph. The newspapers of today publish a telegram from Halifax, dated yesterday, stating that the "Tallahassee" was coaling there from a vessel alongside and would probably sail again in the night. It is added in the telegram, that she as formerly the blockade runner "Atlanta", which had made three trips into Wilmington.
The appearance of this vessel and the havoc made by her have caused a load and almost universal outcries against the inefficiency of the Navy Department; nor have accusations and approaches against England been spared.
Mr. Leward spoke to me on the subject yesterday He observed that the effect which might be produced upon the feelings of the people of the United States towards Great Britain was a matter for very serious Consideration. Reports had, he said, reached the Government, that the "Tallahassee" had taken her armament onboard at Bermuda. He had not however any positive information on this point, and he hoped that he should be spared the necessary of making a complaint respecting it to Her majesty's Government.
He would not however conceal the uneasiness with which he had learned that the "Tallahassee" had put into Halifax nor the apprehensions which he curtained, that she might receive supplies there. Mr. Leward then reminded line of a paper which he had put into my hand some months ago, with reference to the affair of the "Chesapeake", and which purported to be the Decipher of a letter from a Confederate Agent to Mr. A Keith, respecting the seizure of the "Chesapeake", and respecting a shipment of a thousand muskets to Halifax.
A copy of this paper was transmitted to your Lordship with the dispatch No. 913 of the 21 December last. Mr. Leward went on yesterday to say that the United States Government had discovered that this Mr. A Keith, who was a Merchant at Halifax, had recently written to New York to order a compass, which was no doubt intended for the "Tallahassee", and three thousand Barrels of Pork. Mr. Leward begged me to inform the Lt. Gov. of NS by telegraph of this discovery
# Alexander III (Coates)

"The world in mourning for a Russian Tsar!"
* Coates, Florence Earle (1898), "Alexander III" in Poems.
* Coates, Florence Earle (1916), "Alexander III" in Poems I.
# Alexander Milburn Company v. Davis-Bournonville Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
270 U.S. 390
Alexander Milburn Company v. Davis-Bournonville Company
Argued: March 8, 1926. ---
Mr. James A. Watson, of Washington, D. C., for petitioner.
[Argument of Counsel from pages 390-392 intentionally omitted]
Mr. Dean S. Edmonds, of New York City, for respondent.
[Argument of Counsel from pages 393-399 intentionally omitted]
Mr. Justice HOLMES delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Alexander Pennington v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
231 U.S. 631
Alexander Pennington v. United States
Argued: December 15, 1913. --- Decided: January 5, 1914

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Alexander III

* Search for titles containing or beginning with: "Alexander III."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Alexander III", a poem by Florence Earle Coates
* Various Alexanders III. in 1911 Encyclopædia Britannica
* "Alexander III," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
* "Alexander III," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
# Alexander Pope (Stephen)

English Men of Letters
EDITED BY JOHN MORLEY
POPE
ALEXANDER POPE
BY LESLIE STEPHEN
London: MACMILLAN AND CO. 1880.
The Right of Translation and Reproduction is Reserved.
CONTENTS.
LONDON: GILBERT AND RIVINGTON, PRINTERS, ST. JOHN’S SQUARE.
Layout 2
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"Advance, America!"

"ADVANCE, AMERICA!"
IN winds that leave man's spirit cold, And a great darkness overhead, They stood—bloodstained with ghostly red. Too young, too many far, they seemed, To be so soon, so grimly, dead,— Night more than mortal night, to hold All they had dreamed. . . . They were so many; and so young, they seemed.
"Halt! Who goes there?" The red ghosts on their beat of air Night-answered were: the word was, "Friend!" And as before their life had end, The sentinels who erstwhile halted Death, And died for it, a host of young men slain, In their red harness stood on guard again And shouted with recovered lease of breath— So that, and even as a thing surprised, The dread winds failed, to silence fell— "Advance, friend, and be recognized!" "Pass, friend!" and yet again, "All's well!" Then as men turning restwards out of pain, "Pass, friend!" and now more faintly still, "All's well!"
John Helston
# A train went through a burial gate

* "A train went through a burial gate" in Poems (1890)
* "A train went through a burial gate" in The Complete Poems of Emily Dickinson (1924)
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"Lochaber no More"

"LOCHABER NO MORE!"
FAREWELL to Lochaber, farewell to the glen, No more will he wander Lochaber again. Lochaber no more! Lochaber no more! The lad will return to Lochaber no more! The trout will come back from the deeps of the sea, The bird from the wilderness back to the tree, Flowers to the mountain and tides to the shore, But he will return to Lochaber no more!
O why should the hills last, that never were young, Unperishing stars in the heavens be hung; Be constant the seasons, undrying the stream, And he that was gallant be gone like a dream? Brave songs will be singing in isles of the West, But he will be silent who sang them the best; The dance will be waiting, the pipes will implore, But he will return to Lochaber no more!
Child of the forest! profound is thy sleep, The valley that loved thee awakes but to weep; When our fires are rekindled at dawn of the morn, Our griefs burn afresh, and our prayers are forlorn; The night falls disconsolate, bringing no peace, No hope for our dreams, for our sighs no release; In vain come the true hearts and look from the door, For thou wilt return to Lochaber no more!
Neil Munro
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"All the Hills and Vales Along"

"ALL THE HILLS AND VALES ALONG"
ALL the hills and vales along Earth is bursting into song, And the singers are the chaps Who are going to die perhaps. O sing, marching men, Till the valleys ring again. Give your gladness to earth's keeping, So be glad, when you are sleeping.
Cast away regret and rue, Think what you are marching to. Little live, great pass. Jesus Christ and Barabbas Were found the same day. This died, that went his way. So sing with joyful breath. For why, you are going to death. Teeming earth will surely store All the gladness that you pour.
Earth that never doubts nor fears, Earth that knows of death, not tears, Earth that bore with joyful ease Hemlock for Socrates, ​Earth that blossomed and was glad 'Neath the cross that Christ had, Shall rejoice and blossom too When the bullet reaches you. Wherefore, men marching On the road to death, sing! Pour your gladness on earth's head, So be merry, so be dead.
From the hills and valleys earth Shouts back the sound of mirth, Tramp of feet and lilt of song Ringing all the road along. All the music of their going, Ringing, swinging, glad song-throwing, Earth will echo still, when foot Lies numb and voice mute. On, marching men, on To the gates of death with song. Sow your gladness for earth's reaping, So you may be glad, though sleeping. Strew your gladness on earth's bed, So be merry, so be dead.
Charles Hamilton Sorley
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"Burn up the World"

"BURN UP THE WORLD"
BURN up the world, and yet the living spark Which once was England would for ever shine And be a star. It would be as a sign Hung in the silent forehead of the dark, A light for them who listen and cry "Hark!" Hoping for Hope. And to the holy shrine Of her dear name, by dying made divine, Would come the pilgrim ages. Like an ark Would float her memory upon the flood Of Cosmic change. Great deeds would enter there: Deeds of great daring, consecrate with blood, Immortal fames and grandeurs, words sublime That like strong eagles soared above despair, And thoughts beyond the highest reach of Time.
Leonard Van Noppen
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"For all we have and are"

"FOR ALL WE HAVE AND ARE"
FOR all we have and are, For all our children's fate, Stand up and meet the war. The Hun is at the gate! Our world has passed away In wantonness o'erthrown. There is nothing left to-day But steel and fire and stone.
Though all we knew depart, The old commandments stand: "In courage keep your heart, In strength lift up your hand."
Once more we hear the word That sickened earth of old: "No law except the sword Unsheathed and uncontrolled," ​Once more it knits mankind, Once more the nations go To meet and break and bind A crazed and driven foe.
Comfort, content, delight— The ages' slow-bought gain— They shrivelled in a night, Only ourselves remain To face the naked days In silent fortitude, Through perils and dismays Renewed and re-renewed.
Though all we made depart, The old commandments stand: "In patience keep your heart, In strength lift up your hand."
No easy hopes or lies Shall bring us to our goal, But iron sacrifice Of body, will, and soul. There is but one task for all— For each one life to give. Who stands if Freedom fall? Who dies if England live?
Rudyard Kipling
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"It Will be a Hard Winter"

"IT WILL BE A HARD WINTER"
THEY say the blue king jays have flown From woods of Westchester: So I am off for Luthany, But I shall make no stir; For who fair Luthany would see, Must set him forth alone.
In screwing winds last night the snow Creaked like an angry jinn; And two old men from up the State Said, "Bears went early in,"— Half pausing by my ice-locked gate,— "March will be late to blow."
So I for Luthany am bound, And I shall take no pack; You cannot find the way, you know, With feet that make a track, But light as blowing leaf must go, And you must hear a sound
That's like a singing strange and high Of birds you've never seen; Then two ghosts come; as doves they move, While you must walk between; And one is Youth and one is Love, Who say, "We did not die."
The harp-built walls of Luthany Are builded high and strong, To shelter singer, fool and seer; And glad they live, and long. All others die who enter there, But they are safe, these three.
​The seer can warm his body through By some far fire he sees; The fool can naked dance in snow; The singer—as he please! And which I be of these, oho, That is a guess for you!
Once in a thousand years, they say, The walls are beaten down; And then they find a singer dead; But swift they set a crown Upon his lowly, careless head, And sing his song for aye!
So I to Luthany will flee, While here the winter raves. God send I go not as one blind A-dancing upon graves! God save a madman if I find War's heel on Luthany!
Olive Tilford Dargan
# A treasury of war poetry, British and American poems of the world war, 1914-1919/"Men who March away"

REFLECTIONS
"MEN WHO MARCH AWAY"
(Song of the Soldiers)
WHAT of the faith and fire within us Men who march away Ere the barn-cocks say Night is growing grey, To hazards whence no tears can win us; What of the faith and fire within us Men who march away!
Is it a purblind prank, O think you, Friend with the musing eye Who watch us stepping by, With doubt and dolorous sigh? Can much pondering so hoodwink you? Is it a purblind prank, O think you, Friend with the musing eye?
Nay. We see well what we are doing. Though some may not see— Dalliers as they be— England's need are we; Her distress would leave us rueing: Nay. We well see what we are doing! Though some may not see!
​In our heart of hearts believing Victory crowns the just, And that braggarts must Surely bite the dust, Press we to the field ungrieving, In our heart of hearts believing Victory crowns the just.
Hence the faith and fire within us Men who march away Ere the barn-cocks say Night is growing grey, To hazards whence no tears can win us; Hence the faith and fire within us Men who march away.
Thomas Hardy
September 5, 1914.
# A Night in a Moorish Harem

* related portals: Erotica.
* sister projects: Wikipedia article, Wikidata item.

### Table of Contents

* I. Abdallah Pasha's Seraglio
* II. The Spanish Lady's Story
* III. The Grecian Lady's Story
* IV. The Moorish Lady's Story
* V. The Italian Lady's Story
* VI. The Circassian Lady's Story
* VII. The Portuguese Lady's Story
* VIII. The Persian Lady's Story
* IX. The Captain's First Story
* X. The Captain's Second Story
* XI. The Captain's Third Story
* XII. The Captain's Fourth Story
* XIII. The Arabian Lady's Story
* XIV. The French Lady's Story
* Conclusion
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (15)

From volume 2 of the work.
​Fisher, John (?Fisler), s. J., of Sherborne, Dorset, gent. Exeter Coll., matric. 15 Nov., 1689, aged 18.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (2)

From volume 2 of the work.
​Fisher, John (Fyssher), M.A. of Cambridge, incorporated* 18 March, 1532-3, B.D. 2 April, 1533, rector of Leigh, Essex, 1535, vicar of Roydon 1541, etc. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (13)

From volume 2 of the work.
​Fisher, John, s. J(ohn), of Chew Magna, Somerset, pp. Trinity Coll., matric. 15 July, 1681, aged 18; student of Middle Temple 1681. See Foster's Inns of Court Reg.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (4)

From volume 2 of the work.
​Fisher, John (Fysher), of Hants, arm. Merton Coll., matric. 28 April, 1592, aged 16.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (14)

From volume 2 of the work.
​Fisher, John, s. William, of Chawton, Hants, gent. Christ Church, matric. 28 March, 1683, aged 17; B.A. 1686, M.A. 1689, student of Gray's Inn 1686. See Foster's Gray's Inn Reg.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (16)

From volume 2 of the work.
​Fisher, John, s. Ric., of London, pleb. University Coll., matric. 1 July, 1698, aged 15, B.A. 1702; M.A. from St. Mary Hall 22 March, 1704-5; one of these names rector of Milton, Berks, 1704, etc. See Foster's Index Eccl.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (3)

From volume 2 of the work.
​Fisher, John, fellow of New Coll. 1562-73, from Abingdon, Berks, B.A. 19 Nov., 1565; one of these names rector of Elveden, Suffolk, 1572. See Foster's Index Eccl & O.H.S. i. 259.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (10)

From volume 2 of the work.
​Fisher, John, pleb. Wadham Coll., matric. 26 Oct., 1660.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (11)

From volume 2 of the work.
​Fisher, John, M.A. Cambridge; D.Med. 12 March, 1660-1*. Hon. fellow college of physicians 1664, died 1682. See Munk's Roll, i. 347.
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Fisher, John (12)

From volume 2 of the work.
​Fisher, John, s. Nic., of Stonebank Green, Westmorland, gent. Queen's Coll., matric. 3 June, 1663, aged 16; B.A. 1667, student of Gray's Inn 1670. See Foster's Gray's Inn Reg.
# Acanthus

* Search for titles containing or beginning with: "Acanthus."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Acanthus (plant)," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Acanthus (see)," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Acanthus," in Encyclopædia Britannica (11th ed., 1911)