OpenLLM-France/wikimedia huggingface dataset:
# The Army and Navy Hymnal/Hymns/When the Trumpet of the Lord Shall Sound

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| 188 | When the Trumpet of the Lord Shall Sound |
| 188 | (WHEN THE ROLL IS CALLED UP YONDER ) |
| James M. Black James M. Black |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* When the trumpet of the Lord shall sound, and time shall be no more, And the morning breaks, eternal, bright and fair; When the saved of earth shall gather over on the other shore And the roll is called up yonder I'll be there. Refrain: When the roll is called up yonder, When the roll is called up yonder, When the roll is called up yonder, When the roll is called up yonder, I'll be there. (Last Verse:Amen.)
* On that bright and cloudless morning, when the dead in Christ shall rise, And the glory of his resurrection share; When his chosen ones shall gather to their home beyond the skies, And the roll is called up yonder, I'll be there. Refrain
* Let me labor for the Master from the dawn till setting sun, Let me talk of all his wondrous love and care, Then, when all of life is over, and my work on earth is done, And the roll is called up yonder I'll be there. Refrain
Copyright, 1898, by Obas. H. Gabriel. Used by permission of J. M. Black, owner. ​
When the Trumpet of the Lord Shall Sound :
# The Army and Navy Hymnal/Hymns/Work for the Night Is Coming

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| 138 | Work for the Night Is Coming |
| 138 | (WORK SONG. 7,6,7,5, D.) |
| Anna L. Coghill, 1860 Lowell Mason, 1864 |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Work, for the night is coming, Work through the morning hours; Work while the dew is sparkling, Work 'mid springing flowers; Work while the day grows brighter Under the glowing sun; Work, for the night is coming, When man's work is done.
* Work, for the night is coming, Work through the sunny noon; Fill brightest hours with labor, Rest comes sure and soon: Give every flying minute Something to keep in store; Work, for the night is coming, When man works no more.
* Work, for the night is coming, Under the sunset skies; While their bright tints are glowing, Work, for daylight flies; Work, till the last beam fadeth, Fadeth to shine no more; Work, while night is dark'ning, When man's work is o'er. Amen
# The Army and Navy Hymnal/Hymns/Yield Not to Temptation

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| 118 | Yield Not to Temptation |
| 118 | (PALMER. 10,10,10,10. With Refrain) |
| Horatio R. Palmer, 1868 Horatio R. Palmer, 1868 |||
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* Yield not to temptation, for yielding is sin, Each victory will help you some other to win; Fight manfully onward, dark passions subdue, Look ever to Jesus He will carry you Refrain Ask the Saviour to help you Comfort and strengthen and keep you; He is willing to aid you, He will carry you through.
* Shun evil companions, bad language disdain, God's Name hold in rev-erence, nor take it in vain; Be thoughtful and earnest, kindhearted and true, Look ever to Jesus He will carry you Refrain
* To him that o'ercometh God giveth a crown, Through faith we shall conquer, though often cast down; He who is our Saviour, our strength will renew; Look ever to Jesus He will carry you Refrain Amen.
Yield Not to Temptation :
# The Army and Navy Hymnal/Orders of Worship

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Orders of Worship
# The Army and Navy Hymnal/Hymns/When We Walk with the Lord

Layout 2
| | When We Walk with the Lord | 211 |
| | (TRUST AND OBEY ) | 211 |
| J. H. Sammis D. B. Towner |||
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* When we walk with the Lord In the light of his word, What a glory he sheds on our way! While we do his good will, He abides with us still, And with all who will trust and obey. Refrain Trust and obey, For there's no other way To be happy in Jesus, But to trust and obey. (Last verse:Amen.)
* Not a shadow can rise, Not a cloud in the skies, But his smile quickly drives it away; Not a doubt nor a fear, Not a sigh nor a tear, Can abide while we trust and obey. Refrain
* Not a burden we bear, Not a sorrow we share, But our toil he doth richly repay; Nor a grief not a loss, Not a frown nor a cross, But is blest if we trust and obey. Refrain
* But we never can prove The delights of his love, Until all on the altar we lay, For the favor he shows, And the joy he bestows, Are for them who will trust and obey. Refrain
* Then in fellowship sweet We will sit at his feet, Or we'll walk by his side in the way; What he says we will do, Where he sends we will go, Never fear, only trust and obey. Refrain
Copyright, 1914, by D. B. Towner. Renewal. Charles M. Alexander, owner. Used by permission
# The Army and Navy Hymnal/Hymns/When Thy Heart with Joy O'erflowing

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| | When Thy Heart with Joy O'erflowing | 137 |
| | (BULLINGER. 8,5,8,3) | 137 |
| Theodore Chickering Williams, 1891 Ethelbert W. Bullinger, 1877 |||
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* When thy heart with joy o'erflowing, Sings a thankful prayer, In thy joy, O let thy brother With thee share.
* When thy harvest sheaves in gathered, Fill thy barns with store, To thy God and to thy brother Give the more.
* If thy soul, with power uplift ed, Yearn for glorious deed, Give thy strength to serve thy brother In his need.
* Share with him thy bread of bless -ing, Sor - row's bur - den share; When thy heart en folds a brother God is there Amen
# The Army and Navy Hymnal/Hymns/Where Cross the Crowded Ways of Life

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| 145 | Where Cross the Crowded Ways of Life |
| 145 | (GERMANY. L. M.) |
| Frank Mason North, 1905 William Gardiner's Sacred Melodies, 1815 |||
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* Where cross the crowded ways of life, Where sound the cries of race and clan, Above the noise of selfish strife, We hear thy voice, Son of man !
* In haunts of wretchedness and need, On shadowed thresholds dark with fears, From paths where hide the lures of greed, We catch the vision of thy tears.
* The cup of water given for thee Still holds the freshness of thy grace ; Yet long these multitudes to see The sweet compassion of thy face.
* Master from the mountain side, Make haste to heal those hearts of pain; Among these rest-less throngs abide, tread the city's streets again ;
* Till sons of men shall learn thy love, And follow where thy feet have trod; Till glorious from thy heaven above, Shall come the city of our God. Amen.
# The Case is Altered/Act I Scene II

SCENE II.
Enter the sewer, pass by with service again, the serving-men take knowledge of Valentine as they go. Juniper salutes him.
Junip. What, Valentine! fellow Onion,
take my dish, I prithee. You rogue, sirrah,
tell me how thou dost, sweet Ingle.
Val. Faith, Juniper, the better to see thee
thus folick.
[Exit Onion.]
Junip. Nay, slid I am no changling, I am
Juniper still. I keep the pristinate1 ; ha,
you mad hieroglyphick, when shall we
swagger?
Val. Hieroglyphick? what meanest thou
by that?
Junip. Mean! Godso, is't not a good
word, man? what, stand upon the meaning
with your friends. Puh, abscond.
Val. Why but stay, stay; how long has
this sprightly humour haunted thee?
Junip. Foh, humour, a foolish natural
gift we have in the Æquinoxial.
Val. Natural, 'slid it may be supernatural
all this.
Junip. Valentine, I prithee ruminate thyself welcome. What fortuna de la guerra.
Val. O how pitifully are these words forc'd,
As though they were pumpt out on's belly.
Junip. Sirrah, Ingle, I think thou hast
seen all the strange countries in Christendom
since thou went'st.
Val. I have seen some, Juniper.
Junip. You have seen Constantinople?
Val. I, that I have.
Junip. And Jerusalem, and the Indies,
and Goodwin-sands, and the tower of Babylon, and Venice, and all?
Val. I, all: no, marle, and he have a
nimble tongue, if he practise to vault thus
from one side of the world to another.
Junip. O it's a most heavenly thing to
travel, and see countries, especially at sea,
and a man had a patent not to be sick.
Val. O sea-sick jest, and full of the
scurvey.
# The Case is Altered/Act I Scene III

SCENE III.
Enter Juniper, Antonio, Sebastian, Martino, Vincentio, Balthasar and Christophero.
Seb. Valentine! welcome I faith; how
dost, sirrah?
Mart. How do you, good Valentine?
Vinc. Troth, Valentine, I am glad to see you.
Balth. Welcome, sweet rogue.
Seb. Before god he never lookt better in
his life.
Balth. And how is't, man? what alla
coragio?
Val. Never better, gentlemen, I faith.
Junip. 'Swill, here comes the steward.
Chr. Why how now, fellows! all here,
and nobody to wait above, now they are
ready to rise? look up, one or two; signior
Francisco Colonia's man, how does your
good master?
[Exeunt Juniper, Martino, Vincentio.]
Val. In health, sir; he will be here anon.
Chr. Is he come home then?
Val. I, sir, he is not past six miles hence;
he sent me before to learn if count Ferneze
were here, and return him word.
Chr. Yes, my lord is here, and you may
tell your master, he shall come very happily
to take his leave of lord Paulo Ferneze,
who is now instantly to depart, with other
noble gentlemen, upon special service.
Val. I will tell him, sir.
Chr. I pray you do; fellows, make him
drink.
Val. Sirs, what service is't they are employed in?
Seb. Why, against the French; they
mean to have a fling at Milain again, they
say.
Val. Who leads our forces, can you tell?
Seb. Marry, that does signior Maximilian,
he is above now.
Val. Who! Maximilian of Vicenza?
Balt. I, he; do you know him?
Fal. Know him! O yes, he's an excellent
brave soldier.
Balt. I, so they say; but one of the
most vain-glorious men in Europe.
Val. He is indeed marry exceeding valiant.
Seb. And that is rare.
Balth. What?
Seb. Why, to see a vain-glorious man
valiant.
Val. Well, he is so, I assure you.
Enter Juniper.
Junip. What no farther yet! come on,
you precious rascal, Sir Valentine, I'll give
you a health i' faith; for the heavens, you
mad Capricio, hold hook and line.
# The Bostonians (London & New York: Macmillan & Co., 1886)

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
THE BOSTONIANS
THE
BOSTONIANS
A Novel
BY
HENRY JAMES
London and New York
MACMILLAN AND CO.
1886
COPYRIGHT 1886 By HENRY JAMES
* Book 1
* Book 2
* Book 3
# The Bostonians (London & New York: Macmillan & Co., 1886)/Book 1

BOOK FIRST.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
# The Author's Earnest Cry and Prayer

* "The Author's Earnest Cry", in The Beauties of Burn's Poems (1819), a chapbook printed in Falkirk
* "The Author's Earnest Cry and Prayer", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
# The Buffoon and the Countryman

Perry index 527
* "The Buffoon and the Countryman", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Buffoon and the Countryman", translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Clown and the Countryman", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Bugle Song

This song appears between the third and fourth parts of later editions of The Princess.
* "The Bugle Song", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
* "The Splendour Falls on Castle Walls", in The Hundred Best Poems (lyrical) in the English language - second series (1904), edited by Adam Luke Gowans
* "The Splendour Falls" (unsourced version)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Builder

The Builder is a periodical, published from 1843 onwards. From 1966 it is called 'Building'. Certain parts of this work are in the public domain in the United States because they were published before 1929.
* Volume 1 (1843) (transcription project) IA
* Volume 3 (1845) IA External scan
* Volume 4 (1846) IA External scan
* Volume 5 [1847] IA
* Volume 6 [1848] IA
* Volume 7 [1849] IA External scan External scan
* Volume 8 [1850] External scan
* Volume 9 [1851] IA External scan
* Volume 10 [1852] IA
* Volume 11 [1853] IA
* Volume 12 [1854] IA
* Volume 13 [1855] IA
* Volume 14 [1856] IA
* Volume 15 [1857] IA
* Volume 17 [1859] IA External scan
* Volume 18 [1860] External scan
* Volume 19 [1861] IA External scan
* Volume 20 [1862] External scan External scan
* Volume 21 [1863] External scan
* Volume 23 [1865] IA External scan
* Volume 24 [1866] External scan
* Volume 25 [1867] IA External scan External scan
* Volume 26 [1868] External scan External scan
* Volume 27 (1869) IA External scan External scan
* Volume 28 [1870] External scan
* Volume 29 [1871] IA
* Volume 32 [1874] IA External scan External scan
* Volume 34 [1876] IA
* Volume 35 [1877] External scan External scan External scan
* Volume 36 [1878] IA External scan
* Volume 39 [July to December 1880] IA
* Volume 40 [January to June 1881] IA
* Volume 43 [July to December 1882] IA
* Volume 44 [January to June 1883] IA
* Volume 45 [July to December 1883] IA
* Volume 46 [January to June 1884] IA
* Volume 47 [July to December 1884] IA
* Volume 49 [July to December 1885] IA
* Volume 50 [January to June 1886] IA
* Volume 53 [July to December 1887] IA
* Volume 55 [July to December 1888] IA
* Volume 56 [January to June 1889] IA
* Volume 57 [July to December 1889] IA
* Volume 58 [January to June 1890] IA
* Volume 59 [July to December 1890] IA
* Volume 60 [January to June 1891] IA
* Volume 62 [January to June 1892] IA
* Volume 63 [July to December 1892] IA
* Volume 67 [July to December 1894] IA
* Volume 68 [January to June 1895] IA
* Volume 73 [July to December 1897] IA
* Volume 75 [July to December 1898] IA
* Volume 80 [January to June 1901] IA
* Volume 81 [July to December 1891] IA
* Volume 82 [January to June 1902] IA
* Volume 83 [July to December 1902] IA
* Volume 84 [January to June 1903] IA
* Volume 86 [January to June 1904] IA
* Volume 89 [July to December 1905] IA
* Volume 90 [January to June 1906] IA
* Volume 91 [July to December 1906] IA
# The Catholic Encyclopedia and its makers

* The Catholic Encyclopedia and its makers
* The Catholic Encyclopedia and its makers/A'Becket, John Joseph
* The Catholic Encyclopedia and its makers/Abel, Reverend Félix Marie
* The Catholic Encyclopedia and its makers/Abraham, Ladislas
* The Catholic Encyclopedia and its makers/Barrett, Reverend Michael
* The Catholic Encyclopedia and its makers/Christitch, Elisabeth O'Brien
* The Catholic Encyclopedia and its makers/Connellan, Patrick Laurence
* The Catholic Encyclopedia and its makers/Devine, Reverend Arthur
* The Catholic Encyclopedia and its makers/Donovan, Robert
* The Catholic Encyclopedia and its makers/Fernandez, Very Reverend Monsignor Canon Isidoro
* The Catholic Encyclopedia and its makers/Freeland, Very Reverend Canon John
* The Catholic Encyclopedia and its makers/Gilliat-Smith, Frederick Ernest
* The Catholic Encyclopedia and its makers/McNeal, Reverend Mark Joseph
* The Catholic Encyclopedia and its makers/O'Neill, Reverend James David
* The Catholic Encyclopedia and its makers/Otten, Joseph
* The Catholic Encyclopedia and its makers/Oussani, Reverend Gabriel
* The Catholic Encyclopedia and its makers/Power, Mother Alice
* The Catholic Encyclopedia and its makers/Russell, Reverend Matthew
* The Catholic Encyclopedia and its makers/Sexton, Reverend Canon Patrick
* The Catholic Encyclopedia and its makers/Smith, Reverend Sydney Fenn
* The Catholic Encyclopedia and its makers/Smith, Sydney Fenn
* The Catholic Encyclopedia and its makers/The making of the Catholic Encyclopedia
* The Catholic Encyclopedia and its makers/Wilstach, Joseph Walter
# The Collected Works of Ambrose Bierce/Volume 3/An Unfinished Race

AN UNFINISHED RACE
James Burne Worson was a shoemaker who lived in Leamington, Warwickshire, England. He had a little shop in one of the by-ways leading off the road to Warwick. In his humble sphere he was esteemed an honest man, although like many of his class in English towns he was somewhat addicted to drink. When in liquor he would make foolish wagers. On one of these too frequent occasions he was boasting of his prowess as a pedestrian and athlete, and the outcome was a match against nature. For a stake of one sovereign he undertook to run all the way to Coventry and back, a distance of something more than forty miles. This was on the 3d day of September in 1873. He set out at once, the man with whom he had made the bet - whose name is not remembered - accompanied by Barham Wise, a linen draper, and Hamerson Burns, a photographer, I think, following in a light cart or wagon.
For several miles Worson went on very well, at an easy gait, without apparent fatigue, for he had really great powers of endurance and was not sufficiently intoxicated to enfeeble them. The three men in the wagon kept a short distance in the rear, giving him occasional friendly “chaff” or encouragement, as the spirit moved them. Suddenly - in the very middle of the roadway, not a dozen yards from them, and with their eyes full upon him - the man seemed to stumble, pitched headlong forward, uttered a terrible cry and vanished! He did not fall to the earth - he vanished before touching it. No trace of him was ever discovered.
After remaining at and about the spot for some time, with aimless irresolution, the three men returned to Leamington, told their astonishing story and were afterward taken into custody. But they were of good standing, had always been considered truthful, were sober at the time of the occurrence, and nothing ever transpired to discredit their sworn account of their extraordinary adventure, concerning the truth of which, nevertheless, public opinion was divided, throughout the United Kingdom. If they had something to conceal, their choice of means is certainly one of the most amazing ever made by sane human beings.
# The Black Cat (magazine)/Volume 1/Number 2

Contents
A Calaveras Hold-Up. Roberta Littlehale.
From a Trolley Post. Margaret Dodge.
An Andenken. Julia Magruder.
The Man from Maine. J. D. Ellsworth.
A Wedding Tombstone. Clarice Irene Clinghan.
The Other One. A. H. Gibson.
Stateroom Six. William Albert Lewis.
Her Eyes, Your Honor! H. D. Umbstaetter.
THE SHORTSTORY PUBLISHING CO. 144 HIGH ST., BOSTON, MASS.
The Black Cat
A Monthly Magazine of Original Short Stories.
Entered at the Post-Office at Boston, Mass., as second-class matter.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Cave Girl

First published as a book in 1925. Originally serialized in two parts: The Cave Girl (1913) and The Cave Man (1917).
THE CAVE GIRL
The Cave Girl saves Waldo’s life.
THE CAVE GIRL
BY
EDGAR RICE BURROUGHS
AUTHOR OF
TARZAN AND THE ANT MEN, THE LAND THAT TIME FORGOT, PELLUCIDAR, Etc.
GROSSET & DUNLAP PUBLISHERSNEW YORK
Made in the United States of America
Copyright Edgar Rice Burroughs, Inc. 1925
Published March, 1925
Copyrighted in Great Britain
Printed in the United States of America
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Chronicles of Cooperstown/Glimmerglass

THE CHRONICLES OF COOPERSTOWN
| by James Fenimore Cooper (1838) Preface & Introduction Chapter I Chapter II, From 1780 to 1799 Chapter III, From 1792 to 1797 Chapter IV Chapter V Chapter VI Chapter VII | continued by S. M. Shaw (1886) Chapter VIII, From 1838 to 1851 Chapter IX, From 1851 to 1861 Chapter X, From 1861 to 1871 Chapter XI, From 1871 to 1881 Chapter XII, From 1881 to 1886 "The Glimmerglass" The County of Otsego Index |
"THE GLIMMERGLASS"
Although the varied charms of the landscapes surrounding Cooperstown, attractive in themselves, and rendered still more fascinating by the magic pen of Cooper, cannot fail to be sources of exquisite delight to all lovers of the beautiful in nature, it is the "Glimmerglass," haunted with the wraiths and shades of the creations of the great Novelist, lying as pure and fair as on creation’s first day,
* "Among the pine-clad mountains;
* Forever smiling upward to the skies,"
that appeals most to’ the fancy and dwells longest in the mind.
In the romance of the "Deerslayer" the chief charm of association lies on the Lake and its shores; its scenes being laid almost wholly on its waters or upon the land immediately surrounding them, and with such accuracy is every point, cove and shoal portrayed, and made the scene of some romantic incident or deed of daring, that it is difficult to believe that the facts and characters were reations of fiction, so deftly and with such a semblance of reality are they portrayed.
Although the description of the Lake as seen by Deerslayer, is; that of its appearance prior to the year 1760, t remains in all essential particulars the same beautiful gem as when, undisturbed by the hand of man, the fringing forests were mirrored in its glassy surface• and the impression it produced on the mind of Deerilayer, a mind. peculiarly sensitive and appreciative of the’ beauties of nature, may well hear repetition in these pages: ≈ 130
* "O’er no sweeter Lake
* Shall morning break or noon-cloud sail;
* No fairer face than thine shall take
* The sunset’s golden veil"
And may
* "Thy peace rebuke our feverish stir,
* Thy beauty our deforming strife;
* Thy woods and waters minister
* The healing of their life."       C. M. H.
≈ 140
# The Chronicles of Cooperstown/The County of Otsego

THE CHRONICLES OF COOPERSTOWN
| by James Fenimore Cooper (1838) Preface & Introduction Chapter I Chapter II, From 1780 to 1799 Chapter III, From 1792 to 1797 Chapter IV Chapter V Chapter VI Chapter VII | continued by S. M. Shaw (1886) Chapter VIII, From 1838 to 1851 Chapter IX, From 1851 to 1861 Chapter X, From 1861 to 1871 Chapter XI, From 1871 to 1881 Chapter XII, From 1881 to 1886 "The Glimmerglass" The County of Otsego Index |
THE COUNTY OF OTSEGO.
The county of Otsego was set off from Montgomery in 1791, and Cooperstown designated as the county seat. A part of Schoharie was taken off in 1795, and a part of Delaware in 1797. The county as at first organized comprised &nly two towns — Cherry Valley and Otsego. As the population increased other towns were formed, as follows:
# The Chronicles of Cooperstown/Chapter XII

THE CHRONICLES OF COOPERSTOWN
| by James Fenimore Cooper (1838) Preface & Introduction Chapter I Chapter II, From 1780 to 1799 Chapter III, From 1792 to 1797 Chapter IV Chapter V Chapter VI Chapter VII | continued by S. M. Shaw (1886) Chapter VIII, From 1838 to 1851 Chapter IX, From 1851 to 1861 Chapter X, From 1861 to 1871 Chapter XI, From 1871 to 1881 Chapter XII, From 1881 to 1886 "The Glimmerglass" The County of Otsego Index |
CHAPTER XII.
FROM 1881 TO 1886.
[Skip to: 1881, 1882, 1883, 1884, 1885.]