# The Home and the World/Chapter 5/Nikhil's Story 1

CHAPTER V nikhil's story iv
Everything is rippling and waving with the flood of August. The young shoots of rice have the sheen of an infant's limbs. The water has invaded the garden next to our house. The morning light, like the love of the blue sky, is lavished upon the earth.... Why cannot I sing? The water of the distant river is shimmering with light; the leaves are glistening; the rice-fields, with their fitful shivers, break into gleams of gold; and in this symphony of Autumn, only I remain voiceless. The sunshine of the world strikes my heart, but is not reflected back.
When I realize the lack of expressiveness in myself, I know why I am deprived. Who could bear my company day and night without a break? Bimala is full of the energy of life, and so she has never become stale to me for a moment, in all these nine years of our wedded life.
My life has only its dumb depths; but no murmuring rush. I can only receive: not impart movement. And therefore my company is like fasting. I recognize clearly to-day that Bimala has been languishing because of a famine of companionship.
Then whom shall I blame? Like Vidyapathi I can only lament:
It is August, the sky breaks into a passionate rain;
       Alas, empty is my house.
​My house, I now see, was built to remain empty, because its doors cannot open. But I never knew till now that its divinity had been sitting outside. I had fondly believed that she had accepted my sacrifice, and granted in return her boon. But, alas, my house has all along been empty.
Every year, about this time, it was our practice to go in a house-boat over the broads of Samalda. I used to tell Bimala that a song must come back to its refrain over and over again. The original refrain of every song is in Nature, where the rain- laden wind passes over the rippling stream, where the green earth, drawing its shadow-veil over its face, keeps its ear close to the speaking water. There, at the beginning of time, a man and a woman first met,—not within walls. And therefore we two must come back to Nature, at least once a year, to tune our love anew to the first pure note of the meeting of hearts.
The first two anniversaries of our married life I spent in Calcutta, where I went through my examinations. But from the next year onwards, for seven years without a break, we have celebrated our union among the blossoming water-lilies. Now begins the next octave of my life.
It was difficult for me to ignore the fact that the same month of August had come round again this year. Does Bimala remember it, I wonder?—she has given me no reminder. Everything is mute about me.
It is August, the sky breaks into a passionate rain;
       And empty is my house.
The house which becomes empty through the parting of lovers, still has music left in the heart of its emptiness. But the house that is empty because hearts are asunder, is awful in its silence. Even the cry of pain is out of place there.
This cry of pain must be silenced in me. So long as I continue to suffer, Bimala will never have true freedom. I must free her completely, otherwise I shall never gain my freedom from untruth......
I think I have come to the verge of understanding one thing. Man has so fanned the flame of the loves of men and women, as to make it overpass its rightful domain, and now, even in the name of humanity itself, he cannot bring it back under control. Man's worship has idolized his passion. But there must be no more human sacrifices at its shrine.....
I went into my bedroom this morning, to fetch a book. It is long since I have been there in the day-time. A pang passed through me as I looked round it to-day, in the morning light. On the clothes rack was hanging a sari of Bimala's, crinkled ready for wear. On the dressing-table were her perfumes, her comb, her hair-pins, and with them, still, her vermilion box! Underneath were her tiny gold-embroidered slippers.
Once, in the old days, when Bimala had not yet overcome her objections to shoes, I had got these ​out from Lucknow, to tempt her. The first time she was ready to drop for very shame, to go in them even from the room to the verandah. Since then she has worn out many shoes, but has treasured up this pair. When first showing her the slippers, I chaffed her over a curious practice of hers; 'I have caught you taking the dust of my feet, thinking me asleep! These are the offerings of my worship to ward the dust off the feet of my wakeful divinity.' 'You must not say such things,' she protested, 'or I will never wear your shoes!'
This bedroom of mine,—it has a subtle atmosphere which goes straight to my heart. I was never aware, as I am today, how my thirsting heart has been sending out its roots to cling round each and every familiar object. The severing of the main root, I see, is not enough to set life free. Even these little slippers serve to hold one back.
My wandering eyes fall on the niche. My portrait there is looking the same as ever, in spite of the flowers scattered round it having been withered black! Of all the things in the room their greeting strikes me as sincere. They are still here simply because it was not felt worth while even to remove them. Never mind; let me welcome truth, albeit in such sere and sorry garb, and look forward to the time when I shall be able to do so unmoved, as does my photograph.
As I stood there, Bimal came in from behind. I hastily turned my eyes from the niche to the ​shelves as I muttered: 'I came to get Amiel's Journal.' What need had I to volunteer an explanation? I felt like a wrong-doer, a trespasser, prying into a secret not meant for me. I could not look Bimal in the face, but hurried away.
v
I had just made the discovery that it was useless to keep up a pretence of reading in my room outside, and also that it was equally beyond me to busy myself attending to anything at all,—so that all the days of my future bid fair to congeal into one solid mass and settle heavily on my breast for good,—when Panchu, the tenant of a neighbouring zamindar, came up to me with a basketful of cocoa-nuts and greeted me with a profound obeisance.
'Well, Panchu,' said I. 'What is all this for?'
I had got to know Panchu through my master. He was extremely poor, nor was I in a position to do anything for him; so I supposed this present was intended to procure a tip to help the poor fellow to make both ends meet. I took some money from my purse and held it out towards him, but with folded hands he protested: 'I cannot take that, sir!'
'Why, what is the matter?'
'Let me make a clean breast of it, sir. Once, when I was hard pressed, I stole some cocoa-nuts from the garden here. I am getting old, and may die any day, so I have come to pay them back.'
​Amiel's Journal could not have done me any good that day. But these words of Panchu lightened my heart. There are more things in life than the union or separation of man and woman. The great world stretches far beyond, and one can truly measure one's joys and sorrows when standing in its midst.
Panchu was devoted to my master. I know well enough how he manages to eke out a livelihood. He is up before dawn every day, and with a basket of pan leaves, twists of tobacco, coloured cotton yarn, little combs, looking-glasses, and other trinkets beloved of the village women, he wades through the knee- deep water of the marsh and goes over to the Namasudra quarters. There he barters his goods for rice, which fetches him a little more than their price in money. If he can get back soon enough he goes out again, after a hurried meal, to the sweetmeat seller's, where he assists in beating sugar for wafers. As soon as he comes home he sits at his shell-bangle making, plodding on often till midnight. All this cruel toil does not earn, for himself and his family, a bare two meals a day during much more than half the year. His method of eating is to begin with a good filling draught of water, and his staple food is the cheapest kind of seedy banana. And yet the family has to go with only one meal a day for the rest of the year.
At one time I had an idea of making him a charity allowance, 'But,' said my master, 'your gift may ​destroy the man, it cannot destroy the hardship of his lot. Mother Bengal has not only this one Panchu. If the milk in her breasts has run dry, that cannot be supplied from the outside.'
These are thoughts which give one pause, and I decided to devote myself to working it out. That very day I said to Bimal: 'Let us dedicate our lives to removing the root of this sorrow in our country.'
'You are my Prince Siddharta, I see,' she replied with a smile. 'But do not let the torrent of your feelings end by sweeping me away also!'
'Siddharta took his vows alone. I want ours to be a joint arrangement.'
The idea passed away in talk. The fact is, Bimala is at heart what is called a 'lady.' Though her own people are not well off, she was born a Rani. She has no doubts in her mind that there is a lower unit of measure for the trials and troubles of the 'lower classes.' Want is, of course, a permanent feature of their lives, but does not necessarily mean 'want' to them. Their very smallness protects them, as the banks protect the pool; by widening bounds only the slime is exposed.
The real fact is that Bimala has only come into my home, not into my life. I had magnified her so, leaving her such a large place, that when I lost her, my whole way of life became narrow and confined. I had thrust aside all other objects into a ​corner to make room for Bimala,—taken up as I was with decorating her and dressing her and educating her and moving round her day and night; forgetting how great is humanity and how nobly precious is man's life. When the actualities of everyday things get the better of the man, then is Truth lost sight of and freedom missed. So painfully important did Bimala make the mere actualities, that the truth remained concealed from me. That is why I find no gap in my misery, and spread this minute point of my emptiness over all the world. And so, for hours on this Autumn morning, the refrain has been humming in my ears:
It is the month of August, and the sky breaks into a passionate rain; Alas, my house is empty.