OpenLLM-France/wikimedia huggingface dataset:
# The Riverside song book/There is hovering about me

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THERE IS HOVERING ABOUT ME.
Alice Cary. Arr. from Franz Abt.
Moderato.
1. There is hov - er - ing a - bout me A power so sweet, so
1. There is hov - er - ing a - bout me A power so sweet, so
sweet, I know, de - spite my sor - row, That we shall
sweet, I know, de - spite my sor - row, That we shall
sure - ly meet, . . . That we shall sure - ly meet.
sure - ly meet, . . . That we shall sure - ly meet.
2. I know, and thus the dark-ness Be - tween us is de -
4. You send me in - ti - ma - tions In morn- ing’s gen - tle
2. I know, and thus the dark - ness Between us is de -
4. You send me in - ti - ma - tions In morn- ing's gen - tle
fled, That death is but a shad - ow, That
beams, And at night you come and meet me, And at
fled, That death, That death is but a
beams, And at night, at night you come and
That death is but a shad - ow, That
And at night you come and meet me, And at
death is but a shad - ow, With sun - shine ei - ther
night you come and meet me In the gold - en gate of
shad - ow is but a shad - ow, With sun - shine ei - ther
meet me, you come and meet me In the gold - en gate of
death is but a shad - ow, With sun - shine ei - ther
night you come and meet me In the gold - en gate of
side, With sun - shine ei - ther side. 3. The world is ver - y
dreams, In the gold -en gate of dreams.
side, With sun - shine ei - ther side. 3. The world is ver - y
dreams, In the gold -en gate of dreams.
wea - ry, But I shall ev - er know That still there is a
wea - ry, But I shall ev - er know That still there is a
borderland Where spirits come and go, Where spir - its come and go;
borderland Where spirits come and go, Where spir - its come and go;
# The Riverside song book/The Storm Song

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THE STORM SONG.
Bayard Taylor. Arr. from Christoph Willibald Gluck.
1. The clouds are scud - ding a - cross the moon, A
2. Broth - ers, a night of ter - ror and gloom Speaks
3. Down with the hatch - es on those who sleep! The
4. Tho' the rig - ging shriek in his might-y grip, And the
5. Yet, cour - age, broth - ers! we trust the wave, With
mist - y light is on the sea; The
in the cloud and gath-'ring roar, Thank
wild and whis - tling deck have - we; Good
na - ked spars be snapped a - way, Lashed
God a - bove, our guid- ing chart; So ​
wind in the shrouds has a win - try tune, And the
Gold, He has giv'n us broad sea-room, A
watch, my brothers, to - night we'll keep, While the
to the helm, we'll drive our ship In the
whether to har - bor or o - cean-grave, Be it
foam is fly - ing free, . . . . . . And the
thou - sand miles from shore, . . . . . . A
tem - pest is on the sea, . . . . . . While the
teeth of the whelm - ing spray, . . . . . . In the
still with a cheer - y heart, . . . . . . Be it
foam . . is fly - ing free.
thou - sand miles from shore.
tem - pest is on the sea!
teeth of the whelm - ing spray!
still with a cheer - y heart!
# The Riverside song book/The Sweet Little Man

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THE SWEET LITTLE MAN.
Dedicated to the Stay-at-home Rangers.
Oliver Wendell Holmes. Scotch Air.
Moderato. (Air: Bonnie Dundee.)
1. All the brave boys un - der can - vas are sleep - ing.
2. Bring him the but - ton - less gar - ment of wo - man!
3. All the fair maid - ens a - bout him shall clus - ter,
4. Now then, nine cheers for the Stay - at - home Ran - ger!
All of them press -ing to march with the van,
Cov - er his face lest it free - kle and tan;
Pluck the white feath- ers from bon - net and fan,
Blow the great fish - horn and beat the big pan!
Far from the home where their sweet-hearts are weep - ing;
Mus - ter the A - pron - string Guards on the Com - mon.
Make him a plume like a tur - key - wing dus - ter,—
First in the field that is far - thest from dan - ger.
What are you wait - ing for, sweet lit - tle man?
That is the corps for the sweet lit - tle man!
That is the crest for the sweet lit - tle man!
Take vour white-feath - er plume, sweet lit - tle man!
​ Chorus.
Sweet lit - tle man, O sweet lit - tle man;
What are you wait - ing for, sweet lit - tle man?
All the brave boys un - der can - vas are sleep - ing,mdash;
What are you wait - ing for, sweet lit - tle man?
# The Swan and the Skylark

* The Swan and the Skylark, in Blackwood's Edinburgh Magazine Volume 31, 1832.
* The Swan and the Sky-Lark, in National Lyrics, and Songs for Music, 1834.
# The Swan and the Goose

Perry index 399
* "A Swan and a Goose", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Swan and the Goose", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Swapping Song

Roud 469, variously titled "The Foolish Boy", "The Swapping Song", "The Bugle Played for Me", "Six Horses", etc.
* "The Foolish Boy" in A Book of Nursery Songs and Rhymes (1895)
* "The Ploughboy in Luck" in The Baby's Opera (1900)
* "My father he died, but I can't tell you how" in A Book of Nursery Rhymes by Charles Welsh (1901)
# The Swastika

* Search for titles containing or beginning with: "The Swastika."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Nonfiction

* The Swastika: The Earliest Known Symbol, and Its Migrations (1896), a nonfiction book by Thomas Wilson
* The Swastika: A Study of the Nazi Claims of Its Aryan Origin (1933), an essay by William Norman Brown

## Periodicals

* The Swastika, a Denver, Colorado periodical, established 1907 (external scan)
* The Swastika, the yearbook of Catawba College in western North Carolina, established 1927 (name changed to The Sayakini in 1941)

## Short stories

* "The Swastika", by Robert W. Chambers
# The Theory of the Leisure Class

THE THEORY OF
THE LEISURE CLASS
AN ECONOMIC STUDY IN THE EVOLUTION OF INSTITUTIONS
BY
THORSTEIN VEBLEN
New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., Ltd. 1899
All rights reserved
Copyright, 1899, By THE MACMILLAN COMPANY.
Norwood Press J. S. Cushing & Co.—Berwick & Smith Norwood Mass. U.S.A.
PREFACE
It is the purpose of this inquiry to discuss the place and value of the leisure class as an economic factor in modern life, but it has been found impracticable to confine the discussion strictly within the limits so marked out. Some attention is perforce given to the origin and the line of derivation of the institution, as well as to features of social life that are not commonly classed as economic.
​Partly for reasons of convenience, and partly because there is less chance of misapprehending the sense of phenomena that are familiar to all men, the data employed to illustrate or enforce the argument have by preference been drawn from everyday life, by direct observation or through common notoriety, rather than from more recondite sources at a farther remove. It is hoped that no one will find his sense of literary or scientific fitness offended by this recourse to homely facts, or by what may at times appear to be a callous freedom in handling vulgar phenomena or phenomena whose intimate place in men’s life has sometimes shielded them from the impact of economic discussion.
Such premises and corroborative evidence as are drawn from remoter sources, as well as whatever articles of theory or inference are borrowed from ethnological science, are also of the more familiar and accessible kind and should be readily traceable to their source by fairly well-read persons. The usage of citing sources and authorities has therefore not been observed. Likewise the few quotations that have been introduced, chiefly by way of illustration, are also such as will commonly be recognised with sufficient facility without the guidance of citation.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1929, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 94 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Symbolism of Freemasonry

Illustrating and Explaining Its Science and Philosophy, its Legends, Myths and Symbols.
This etext has been provided by Project Gutenberg.

### Contents

* Preface
* Chapter I: Preliminary.
* Chapter II: The Noachidae.
* Chapter III: The Primitive Freemasonry of Antiquity.
* Chapter IV: The Spurious Freemasonry of Antiquity.
* Chapter V: The Ancient Mysteries.
* Chapter VI: The Dionysiac Artificers.
* Chapter VII: The Union of Speculative and Operative Masonry at the Temple of Solomon.
* Chapter VIII: The Travelling Freemasons of the Middle Ages.
* Chapter IX: Disseverance of the Operative Element.
* Chapter X: The System of Symbolic Instruction.
* Chapter XI: The Speculative Science and the Operative Art.
* Chapter XII: The Symbolism of Solomon's Temple.
* Chapter XIII: The Form of the Lodge.
* Chapter XIV: The Officers of a Lodge.
* Chapter XV: The Point within a Circle.
* Chapter XVI: The Covering of the Lodge.
* Chapter XVII: Ritualistic Symbolism.
* Chapter XVIII: The Rite of Discalceation.
* Chapter XIX: The Rite of Investiture.
* Chapter XX: The Symbolism of the Gloves.
* Chapter XXI: The Rite of Circumambulation.
* Chapter XXII: The Rite of Intrusting, and the Symbolism of Light.
* Chapter XXIII: Symbolism of the Corner-stone.
* Chapter XXIV: The Ineffable Name.
* Chapter XXV: The Legends of Freemasonry.
* Chapter XXVI: The Legend of the Winding Stairs.
* Chapter XXVII: The Legend of the Third Degree.
* Chapter XXVIII: The Sprig of Acacia.
* Chapter XXIX: The Symbolism of Labor.
* Chapter XXX: The Stone of Foundation.
* Chapter XXXI: The Lost Word.
* Synoptical Index.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sylvia Handy v. United States/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
143 U.S. 513
The Sylvia Handy v. United States
We have already held in Ex parte Cooper, 12 Sup. Ct. Rep. 453, that the act of February 16, 1875, (chapter 77, § 1, 18 St. 315,) applies to appeals taken from decrees of the district court of the United States for the district of Alaska sitting in admiralty, and we are therefore limited upon this appeal to a determination of the questions of law arising upon the record, and to such rulings of the court, excepted to at the time, as may be presented by a bill of exceptions prepared as in actions at law. The libel and findings in this case, as in that, are sufficient to sustain the jurisdiction.
The certificate of the clerk is to the effect 'that the foregoing copies of pleadings, papers, and journal entries in the cause of The United States v. The Schooner Sylvia Handy and L. N. Handy & Co. have been by me compared with the originals thereof, as the same appear on file and of record in this court, and that the same are full and true transcripts of said original pleadings, papers, and journal entries now in my custody and control.' No mention is made in this certificate of a bill of exceptions, but we find in the record a paper so styled filed March 23, 1888, and presumably signed on that day. Two terms of the district court of Alaska are provided for in each year, one beginning on the first Monday of May, and the other on the first Monday of November. 23 St. 24, c. 53, § 3. The trial of this cause took place on the 22d of September, 1887, and the decree was entered on that day, and there is nothing in the record showing the authority of the court to allow a bill of exceptions at the succeeding term. Looking into the bill, however, the only exception that we find there taken is thus stated: 'The defendants there and then excepted to the ruling of the court and the law as declared by the court, viz.;' and then follow the findings of fact and conclusions of law made and filed by the court.
The bill of exceptions does not purport to contain all the evidence, and no request was made for a finding of fact as to the actual locality of the killing and the seizure in question.
Under these circumstances, the rulings in Ex parte Cooper are decisive of this case, and the decree will therefore be affirmed.
Mr. Justice FIELD dissented.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Syllabus for the People/Chapter 1

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THE SYLLABUS OF PIUS IX.
I.
Introduction.
The Syllabus of Pius IX. is a series or catalogue of propositions, taken mostly from works of writers in our own century, and condemned by the See of Rome during the Pontificate of his present Holiness. The Syllabus itself was published on the 8th of December, Feast of the Immaculate Conception, in the year 1864; but all the propositions contained in it had been branded with Papal censure in some previous Bull, Brief, or Apostolic Letter, either in the reign of Pius IX. himself, or in that of his immediate predecessor, Gregory XVI. This will be seen from the references at the foot of each condemned thesis in the subjoined translation of the Syllabus, which give the date and title of the official document in which the said proposition had been previously censured. By glancing down the headings of the several classes in which the condemned errors are arranged, the reader will see that while some of them involve abstract doctrines, by far the greater part deal with those principles of Christian morals, ​which are developed and applied as the individual comes into contact with society and with the State.
The Syllabus was accompanied by an Encyclical, or circular letter of His Holiness, addressed to "all Patriarchs, Primates, Archbishops and Bishops in communion with the Apostolic See." The tenor of the Encyclical, wherein the Holy Father commands all the children of the Catholic Church to hold every doctrine condemned by the Holy See as unlawful to be upheld or defended, coupled with subsequent declarations, leave Catholics no room to doubt that, in passing censure on each and every one of these propositions, the Pope claims intellectual obedience on the ground of his infallibility.
To explain from proper sources and in as easy a shape as possible, the sense wherein the condemnations were intended to be made, is the object of my present essay. To do this, I shall first give the Syllabus translated in full; next I shall say a word or two on what are called the "minor censures," etc., so as to convey an idea of what the Church means to do when she stamps a proposition with such or such a theological censure; and shall then pass to review the Syllabus in detail. Ignorance of its nature, caused by the most violent misrepresentation, has raised a storm against it in the public mind of our country; but nine-tenths of the condemnations it contains would be as heartily subscribed to by Protestants as by Catholics.
# The Time Machine (Heinemann text)/Chapter 15

XV
THE TIME TRAVELLER'S RETURN
"So I came back. For a long time I must have been insensible upon the machine. The blinking succession of the days and nights was resumed, the sun got golden again, the sky blue. I breathed with greater freedom. The fluctuating contours of the land ebbed and flowed. The hands spun backward upon the dials. At last I saw again the dim shadows of houses, the evidences of decadent humanity. These, too, changed and passed, and others came. Presently, when the million dial was at zero, I slackened speed. I began to recognize our own petty and familiar architecture, the thousands hand ran back to the starting-point, the night and day flapped slower and slower. Then the old walls of the laboratory came round me. Very gently, now, I slowed the mechanism down.
"I saw one little thing that seemed odd to me. I think I have told you that when I set out, before my ​velocity became very high, Mrs. Watchett had walked across the room, travelling, as it seemed to me, like a rocket. As I returned, I passed again across that minute when she traversed the laboratory. But now her every motion appeared to be the exact inversion of her previous ones. The door at the lower end opened, and she glided quietly up the laboratory, back foremost, and disappeared behind the door by which she had previously entered. Just before that I seemed to see Hillyer for a moment; but he passed like a flash.
"Then I stopped the machine, and saw about me again the old familiar laboratory, my tools, my appliances just as I had left them. I got off the thing very shakily, and sat down upon my bench. For several minutes I trembled violently. Then I became calmer. Around me was my old workshop again, exactly as it had been. I might have slept there, and the whole thing have been a dream.
"And yet, not exactly! The thing had started from the south-east corner of the laboratory. It had come to rest again in the north-west, against the wall where you saw it. That gives you the exact distance from my little lawn to the pedestal of the White Sphinx, into which the Morlocks had carried my machine.
​"For a time my brain went stagnant. Presently I got up and came through the passage here, limping, because my heel was still painful, and feeling sorely begrimed. I saw the Pall Mall Gazette on the table by the door. I found the date was indeed to-day, and looking at the timepiece, saw the hour was almost eight o'clock. I heard your voices and the clatter of plates. I hesitated—I felt so sick and weak. Then I sniffed good wholesome meat, and opened the door on you. You know the rest. I washed, and dined, and now I am telling you the story."
# The Story of Prague (1920)/Map of Prague

PRAGUE.
# The Story of Prague (1920)/Note

NOTE
As the names of the streets, squares, etc., at Prague are now only written in the national language, I have thought that a short list of the most necessary Bohemian words would be welcome. It will be very useful when using the plan of Prague that accompanies this book. It is scarcely necessary to say that English is spoken in the principal hotels of Prague. Those who feel inclined to learn the Bohemian language which, though difficult, is philologically of the highest interest, will find an able guide in Professor Morfill’s Grammar of the Bohemian or Cech Language.
Divadlo = theatre.
Hora = mountain; thus Bilá Hora, the White Mountain.
Chram or Kostel = church.
Na levo = to the left.
Na pravo = to the right.
Nábrezi = quay.
Nádrazi = railway station.
Námesti = square, market-place (the French ‘place’).
Nové Mesto = the new town.
Malá Strana = the small ‘side’ or quarter of Prague.
Most = bridge.
Ostrov island; thus Zofinsky Ostrov, Sophia’s Island.
Radnice—town hall. ​Staré Mesto = the old town.
Trh = market.
Trida = street.
Ulice = street.
It may be useful to the traveller to know that the different districts of Prague are numbered, and that since Vysehrad in 1883, Holesovic-Bubna in 1884, and Liben in 1901 have become parts of Prague the numbers run thus— I. Staré Mesto. II. Nové Mesto. III. Malá Strana. IV. Hradcany. V. Josefské Mesto (Joseph’s, formerly the Jews’ town). VI. Vysehrad. VII. Holesovic-Bubna. VIII. Liben.
The suburbs Karlin, Smichov and Vinohrady (‘the vineyards’) do not as yet form part of the city of Prague.
# The Story of Prague (1920)/front matter

MEDIAEVAL TOWNS
PRAGUE
​The Story of Prague
* The Mediæval Towns Series
* ASSISI. By Lina Duff Gordon. [6th Edition.
* AVIGNON. By Thomas Okey.
* BRUGES. By Ernest Gilliat-Smith. [4th Edition.
* BRUSSELS. By E. Gilliat-Smith.
* CAIRO. By Stanley Lane-Poole. [3rd Edition.
* CAMBRIDGE. By C. W. Stubbs, D.D. [3rd Edition.
* CANTERBURY. By G. R. Stirling Taylor.
* CHARTRES. By Cecil Headlam, M.A. [2nd Edition.
* CONSTANTINOPLE. By W. H. Hutton. [4th Edition.
* COVENTRY. By Mary Dormer Harris.
* DUBLIN. By D. A. Chart, M.A.
* EDINBURGH. By O. Smeaton, M.A.
* FERRARA. By Ella Noyes.
* FLORENCE. By Edmund G. Gardner, M.A. [9th Edition.
* JERUSALEM. By Col. Sir C. M. Watson, K.C.M.G., C.B. [2nd Edition.
* LONDON. By H. B. Wheatley. [3rd Edition.
* LUCCA. Written by Janet Ross and Nelly Erichsen, and Illustrated by Nelly Erichsen.
* MILAN. By Ella Noyes.
* MOSCOW. By Wirt Gerrare. [3rd Edition.
* NUREMBERG. By Cecil Headlam, M.A. [6th Edition.
* OXFORD. By Cecil Headlam, M.A. [2nd Edition.
* PADUA. By C. Foligno
* PARIS. By Thomas Okey. [4th Edition.
* PERUGIA. By Margaret Symonds and Lina Duff Gordon. [7th Edition.
* PISA. By Janet Ross. Illustrated by Nelly Erichsen.
* PRAGUE. By Count Lützow. [3rd Edition.
* ROME. By Norwood Young. [7th Edition.
* ROUEN. By Theodore A. Cook. [5th Edition.
* SANTIAGO (SPAIN). By C. Gascoigne Hartley.
* SEVILLE. By W. M. Gallichan. [2nd Edition.
* SIENA. By Edmund G. Gardner, M.A. [4th Edition.
* TOLEDO. By Hannah Lynch. [3rd Edition.
* VENICE. By Thomas Okey. [4th Edition.
* VERONA. By Alethea Wiel. [3rd Edition.
# The Story of Rimini/Canto 1

THE
STORY OF RIMINI.
CANTO I.
The coming to fetch the Bride from Ravenna.
# The Story of Prague (1920)/Index

INDEX
A
B
C
D
E
F
G
H
J
K
L
M
N
O
P
R
S
T
U
V
W
Z
THE TEMPLE PRESS, PRINTERS, LETCHWORTH, ENGLAND
# The Troubadour; Catalogue of Pictures, and Historical Sketches

THE TROUBADOUR.
BY
L. E. L.
AUTHOR OF THE IMPROVISATRICE
LONDON
PRINTED FOR HURST, ROBINSON & CO.
5 WATERLOO PLACE, PALL MALL
1825
T H ET R O U B A D O U R;
CATALOGUE OF PICTURES,
AND
HISTORICAL SKETCHES.
BY L. E. L. AUTHOR OF THE IMPROVISATRICE.
The age of chivalry is gone. Burke.
SECOND EDITION.
LONDON: PRINTED FOR HURST, ROBINSON & CO. 5, WATERLOO PLACE, PALL MALL; AND A. CONSTABLE AND CO. EDINBURGH.
1825.
TO
WILLIAM JERDAN, ESQ.
THIS WORK,
SO MUCH INDEBTED TO HIS KIND SURVEILLANCE,
IS INSCRIBED,
BY
THE OBLIGED AUTHOR,
L. E. L.
ADVERTISEMENT.
The Poem of The Troubadour is founded upon an ancient custom of Provence, according to which a festival was held, and the minstrel who bore away the prize from his competitors was rewarded, by the lady chosen to preside, with a Golden Violet. It is hardly necessary to say, that this makes only the conclusion of the tale, —all the earlier parts being given to chivalrous adventure and to description characteristic of the age. L. E. L.
Contents. :
| | Page |
| THE TROUBADOUR | 1 |
| POETICAL SKETCHES OF MODERN PICTURES. | |
| PORTRAIT OF A LADY | 257 |
| JULIET AFTER THE MASQUERADE | 260 |
| THE COMBAT | 265 |
| THE FAIRY QUEEN SLEEPING | 267 |
| THE ORIENTAL NOSEGAY | 272 |
| A CHILD SCREENING A DOVE FROM A HAWK | 278 |
| THE ENCHANTED ISLAND | 280 |
| CUPID AND SWALLOWS FLYING FROM WINTER | 284 |
| LOVE NURSED BY SOLITUDE | 289 |
| FAIRIES ON THE SEA SHORE | 292 |
| A GIRL AT HER DEVOTIONS | 297 |
| NYMPH AND ZEPHYR | 301 |
| SKETCHES FROM HISTORY. | |
| THE SULTANA'S REMONSTRANCE | 305 |
| HANNIBAL'S OATH | 309 |
| ALEXANDER AND PHILLIP | 312 |
| THE RECORD | 317 |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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