# What Will He Do With It? (Belford)/Book 3/Chapter 18

CHAPTER XVIII.
The scene shifts back to Gatesboro', the forenoon of the day succeeding the memorable Exhibition at the Institute of that learned town. Mr. Hartopp was in the little parlor behind his country-house, his hours of business much broken into by those intruders who deem no time unseasonable for the indulgence of curiosity, the interchange of thought, or the interests of general humanity and of national enlightenment. The excitement produced on the previous evening by Mr. Chapman, Sophy, and Sir Isaac, was greatly on the increase. Persons who had seen them naturally called on the Mayor to talk over the Exhibition. Persons who had not seen them still more naturally dropped in just to learn what was really Mr. Mayor's private opinion. The little parlor was thronged by a regular levee. There was the proprietor of a dismal building, still called "The Theatre," which was seldom let except at election-time, when it was hired by the popular candidate for the delivery of those harangues upon liberty and conscience, tyranny and oppression, which furnish the staple of declamation equally to the dramatist and the orator. There was also the landlord of the Royal Hotel, who had lately built to his house "The City Concert Room"—a superb apartment, but a losing speculation. There, too, were ​three highly respectable persons, of a serious turn of mind, who came to suggest doubts whether an entertainment of so frivolous a nature was not injurious to the morality of Gatesboro'. Besides these notables, there were loungers and gossips, with no particular object except that of ascertaining who Mr. Chapman was by birth and parentage, and suggesting the expediency of a deputation ostensibly for the purpose of asking him to repeat his performance, but charged with private instructions to cross-examine him as to his pedigree. The gentle Mayor kept his eyes fixed on a mighty ledger-book, pen in hand. The attitude was a rebuke on intruders, and in ordinary times would have been so considered. But mildness, however majestic, is not always effective in periods of civic commotion. The room was animated by hubbub. You caught broken sentences here and there crossing each other, like the sounds that had been frozen in the air, and set free by a thaw, according to the veracious narrative of Baron Munchausen.
Play house Proprietor. "The theatre is the—"
Serious Gentleman. "Plausible snare by which a population, at present grave and well-disposed, is decoyed into becoming—"
Excited Admirer. "A French poodle, Sir, that plays dominos like a—"
Credulous Conjecturer. "Benevolent philanthropist, condescending to act for the benefit of some distressed brother who is—""
Proprietor of City Concert Room. "One hundred and twenty feet long by forty, Mr. Mayor! Talk of that damp theatre, Sir!—you might as well talk of the—"
Suddenly the door flew open, and, pushing aside a clerk who designed to announce him, in burst Mr. Chapman himself.
He had evidently expected to find the Mayor alone, for at the sight of that throng he checked himself, and stood mute at the threshold. The levee for a moment was no less surprised, and no less mute. But the, good folks soon recovered themselves. To many it was a pleasure to accost and congratulate the man who, the night before, had occasioned to them emotions so agreeable. Cordial smiles broke out—friendly hands Were thrust forth. Brief but hearty compliments, mingled with entreaties to renew the performance to a larger audience, were showered round. The Comedian stood, hat in hand, mechanically passing his sleeve over its nap, muttering, half inaudibly, "You see before you a man"—and turning his single eye from one face to the other, as if struggling to guess what was meant, ​or where he was. The Mayor rose and came forward, "My dear friends," said he, mildly, "Mr. Chapman calls by appointment. Perhaps he may have something to say to me confidentially."
The three serious gentlemen, who had hitherto remained aloof, eying Mr. Chapman much as three inquisitors might have eyed a Jew, shook three solemn heads, and set the example of retreat. The last to linger were the rival proprietors of the theatre and the city concert-room. Each whispered the stranger,—one the left ear, one the right. Each thrust into his hand a printed paper. As the door closed on them the Comedian let fall the papers: his arm drooped to his side; his whole frame seemed to collapse. Hartopp took him by the hand, and led him gently to his own armchair beside the table. The Comedian dropped on the chair, still without speaking.
Mr. Hartopp. "What is the matter? What has happened?"
Waife. "She is very ill,—in a bad way; the doctor says so,—Dr. Gill."
Mr. Hartopp (feelingly). "Your little girl in a bad way! Oh, no; doctors always exaggerate in order to get more credit for the cure. Not that I would disparage Dr. Gill, fellow-townsman, first-rate man. Still 't is the way with doctors to talk cheerfully if one is in danger, and to look solemn if there is nothing to fear."
Waife. "DO you think so: you have children of your own, sir?—of her age, too?—Eh! eh!"
Mr. Hartopp. "Yes; I know all about children,—better, I think, than Mrs. H. does. What is the complaint?"
Waife. "The doctor says it is low fever."
Mr. Hartopp. "Caused by nervous excitement, perhaps."
Waife (looking up). "Yes: that's what he says,—nervous excitement."
Mr. Hartopp. "Clever sensitive children, subjected precociously to emulation and emotion, are always liable to such maladies. My third girl, Anna Maria, fell, into a low fever, caused by nervous excitement in trying for school prizes."
Waife. "Did she die of it, sir?"
Mr. Hartopp (shuddering). "Die! no! I removed her from school, set her to take care of the poultry, forbade all French exercises, made her take English exercises instead, and ride on a donkey. She's quite anotherthing now, cheeks as red as an apple, and as firm as a cricket-ball."
Waife. "I will keep poultry; I will buy a donkey. Oh, sir! you don't think she will go to heaven yet, and leave me here?"
​Mr. Hartopp. "Not if you give her rest and quiet. But no excitement, no exhibitions."
Waife (emptying his pockets on the table). "Will you kindly count that money, sir? Don't you think that would be enough to find her some pretty lodgings hereabouts till she gets quite strong again? With green fields,—she's fond of green fields and a farm-yard with poultry,—though we were lodging a few days ago with a good woman who kept hens, and Sophy did not seem to take to them much. A canary bird is more of a companion, and—"
Hartopp (interrupting). "Ay—ay—and you! what would you do?"
Waife. "Why, I and the dog would go away for a little while about the country."
Hartopp. "Exhibiting?"
Waife. "That money will not last forever, and what can we do, I and the dog, in order to get more for her?"
Hartopp (pressing his hand warmly). "You are a good man, sir. I am sureof it; you cannot have done things which you should be afraid to tell me. Make me your confidant, and I may then find some employment fit for you, and you need not separate yourself from your little girl."
Waife. "Separate from her! I should only leave her for a few days at a time till she gets well. This money would keep her,—how long? Two months? three? how long? the doctor would not charge much."
Hartopp. "You will not confide in me then? At your age,—have you no friends,—no one to speak a good word for you?"
Waife (jerking up his head with a haughty air). "So—so! Who talks to you about me, sir? I am speaking of my innocent child. Does she want a good word spoken for her? Heaven has written it in her face."
Hartopp persisted no more; the excellent man was sincerely grieved at hisvisitor's obstinate avoidance of the true question at issue; for the Mayor could have found employment for a man of Waife's evident education and talent. But such employment would entail responsibilities and trust. How recommend to it a man of whose life and circumstances nothing could be known,—a man without a character? And Waife interested him deeply. We have all felt that there are some persons towards whom we are attracted by a peculiar sympathy not to be explained,—a something in the manner, the cut of the face, the tone of the ​voice. If there are fifty applicants for a benefit in our gift, one of the fifty wins his way to our preference at first sight, though with no better right to it than his fellows. We can no more say why we like the man than we can say why we fall in love with a woman in whom no one else would discover a charm. "There is," says a Latin love-poet, "no why or wherefore in liking." Hartopp, therefore, had taken, from the first moment, to Waife—the staid, respectable, thriving man, all muffled up from head to foot in the whitest lawn of reputation—to the wandering, shifty, tricksome scatterling, who had not seemingly secured, through the course of a life bordering upon age, a single certificate for good conduct. On his hearthstone, beside his ledger-book, stood the Mayor, looking with a respectful admiration that puzzled himself upon the forlorn creature, who could give no reason why he should not be rather in the Gatesboro' Parish Stocks than in its chief magistrate's easy-chair. Yet were the Mayor's sympathetic liking and respectful admiration wholly unaccountable? Runs there not between one warm human heart and another the electric chain of a secret understanding? In that maimed outcast, so stubbornly hard to himself—so tremulously sensitive for his sick child—was there not the majesty to which they who have learned that Nature has her nobles reverently bow the head! A man, true to man's grave religion, can no more despise a life wrecked in all else, while a hallowing affection stands out sublime through the rents and chinks of fortune, than he can profane with rude mockery a temple in ruins—if still left there the altar.