# The Rose in the Ring/Part 1/Chapter 4

pp. 55–76.

### CHAPTER IV
#### A STRANGER APPEARS ON THE SCENE

An hour after the conclusion of the performance David was on the road once more; not, as before, afoot and weary, but safely ensconced in one of the huge, lumbering "tableau" wagons used for the transportation of canvas and perishable properties. The boss canvasman, not the hardened brute that he appeared to be, had stored him away in the damp interior of the ponderous wagon, first providing him with dry blankets on which he could sleep with some security and no comfort. There was little space between his mountainous, shifting bed and the roof of the van; and there would have been no air had not the driver of the four-horse team obligingly opened a narrow window beneath the seat on which he rode.
With considerable caution the fugitive had been smuggled into the van, under the very noses of his pursuers, so to speak. Somewhat dazed and half sick with anxiety, he obeyed every instruction of his friend the clown.
Blake and his men had watched the tearing down of the tent, the loading of the entire concern and its subsequent departure down the night-shrouded country pike. That Blake was not fully satisfied with the story told to him by Thomas Braddock, and somewhat doubtfully supported by his own investigations, is proved by the fact that he decided to follow the show until he was positively assured that his quarry was not being shielded by the circus people. With no little astuteness he and his companion resolved that they could accomplish nothing by working openly: their only chance lay in the ability to keep the circus people from knowing that they were following them. In this they counted without their hosts. At no time during the next three days were their movements unknown to the clever band of rascals who followed the show for evil purposes, and who, with perfect integrity, kept the proprietor advised of every step taken and of every disguise affected.
Blake was not the first nor the last confident officer of the law to more than meet his match in the effort to outwit an old-time road circus. He was butting his head against a stone wall. Consummate rascality on one hand, unwavering loyalty on the other: he had but little chance against the combination. The lowliest peanut-vender was laughing in his sleeve at the sleuth; and the lowliest peanut-vender kept the vigil as resolutely as any one else.
Despite his uncomfortable position and the natural thrills of excitement and peril, David was sound asleep before the wagon was fairly under way. Complete exhaustion surmounted all other conditions. He was vaguely conscious of the sombre rumbling of the huge wagon and of the regular clicking of the wheel-hubs, so characteristic of the circus caravan and so dear to the heart of every boy. His bones ached, his stomach was crying out for food, and his body was chilled; but none of these could withstand the assault of slumber. He would have slept if Blake's hand had been on his shoulder.
Out into the country rolled the big wagon, at two o'clock in the morning, following as closely as possible the flickering rear lantern of the vehicle ahead. The rain had ceased falling, but there was a mist in the air, blown from the trees that lined the road. Those of the circus men who were compelled to ride outside the wagons were clothed in their rubber coats; their more fortunate companions slept under cover on the pole wagons, on top of the seat wagons, or in stretchers swung beneath the property wagons or cages. Others, still more fortunate, slept in property or trunk vans, or in the band chariots. The leading performers and officials, including all of the women, traveled by train. The gamblers, pickpockets and fakirs got along as best they could from town to town by stealing passage on the freight trains. Times there were, however, when the entire aggregation traveled with the caravan. On such occasions the luckless roustabout gave up his precarious bedroom to the "ladies" and sat all night in dubious solitude atop of his lodging house. These emergencies were infrequent: they arose only when railroad facilities were not to be had, or—alas! when the exchequer was depleted.
On this murky night the performers remained over in S——, to take an early train for the next stand. The railroad show was then an untried experiment. Barnum and Coup and others were planning the great innovation, but there was a grave question as to its practicability. Later on Coup made the venture, transporting his show by rail. Such men as Yankee Robinson, Cole and even P. T. Barnum traveled by wagon road until that brave attempt was made. The railroad was soon to solve the "bad roads" problem for all of them. Short jumps would no longer be necessary; profitable cities could be substituted for the small towns that every circus had to make on account of the distances and the laborious mode of transportation. Still, if you were to chat awhile with an old-time showman, you would soon discover that the "road circus" of early days was the real one, and that the scientifically handled concern of to-day is as utterly devoid of the true flavor as the night is without sunshine.
Three times during the long, dark hours before dawn the chariot was stalled in the mud of the mountain road; as many times it was moved by the united efforts of five or six teams and the combined blasphemy of a dozen drivers. Through all of this, David slept as if drugged. Daybreak came; the ghostly wagon train slipped from darkness into the misty light of a new "day." Cocks were crowing afar and near, and birds were chirping in the bushes at the roadside. Out of the sombre, crinkling night rolled the red, and white, and golden juggernauts, gradually taking shape in the gray dawn, crawling with sardonic indifference past toll-gate and farmhouse, creaking and groaning and snapping in weird, uncanny chorus.
Early risers were up to see the "circus" pass. It was something of an epoch in the lives of those who dwelt afar from the madding crowd.
The elephant, the cages of wild beasts, the horses, the towering chariots, the amazing pole wagons—all slipped down the road and over the hill, strange, unusual objects that came but once a year and seemed to leave the countryside smaller and more narrow than it had been before.
Hunched-up drivers, sleepily handling a half-dozen reins, looked neither to right nor left, but swore mechanically for the benefit of the tired horses, and without compunction in the presence of roadside spectators, male or female. Wet, sour, unfriendly minions were they, but they sent up no lamentations; their lives may have been hard and unpromising, but lightly in their hearts swam the blissful conviction that they were superior to the envious yokels who gaped at them from fence corners and barnyards since the first dreary streak of dawn crept into the skies. A shadowy, ungainly, mysterious caravan of secrets, cherished but unblest, it straggled through the dawn, resolute in its promise of splendor at midday. Wild beasts were abroad in the land, and mighty serpents, too; but they slept and were scorned by the men who slumbered above or below them.
The country people looked on and wondered, and shuddered at the thought of the terrific creatures at their very door-yards. Then they hitched up their teams and flocked to town in the wake of the peril, there to marvel and delight in the very things that had awed them in their own province. And all through the land people locked their doors and put away their treasures. The circus had come to town!
It was eight o'clock before David was routed from his strange bed by the boss canvasman. They were in a new town. He rubbed his eyes as he stood beside the wagon wheel and looked upon the amazing scene before him. Dozens of huge wagons were spread over the show-grounds; a multitude of men and horses swarmed in and about them; curious crowds of early risers stood afar off and gazed. The rhythmic pounding of iron stakes, driven down by four precise sledge-men came to his ears from all sides; the jangling of trace-chains; the creaking of wagons and the whine of pulleys. Here, there, everywhere were signs of a mighty activity, systematic in its every phase. Men toiled and swore and were cursed with the regularity of a single well-balanced mind. Already the horse tent and the cook tent were up. A blacksmith shop was clanging out its busy greetings.
For a moment David forgot his own predicament. He stared in utter bewilderment, vastly interested in the great transformation. Under his very eyes a city of white was about to spring into existence.
Some one touched his shoulder, not ungently. He started in sudden alarm. A rough-looking fellow in a soiled red undershirt was standing at his elbow.
"The boss says you'd better come to the cook-top and get somethin' to eat, young feller." That was all. He jerked his head in the direction of the long, low tent in the corner of the lot and started off. David followed, sharply conscious of a revived hunger.
A score of men were seated at the long tables, gulping hot coffee and bolting their food. From the kitchen beyond came the crackling of fats, the odor of frying things and the aroma of strong coffee. The clatter of tin pans and cups, the rattle of pewter knives and forks and the commands of hungry men to the surly lads who served them assailed the refined ears of the young Virginian as he stopped irresolutely at the mouth of the tent.
"Set down here, kid," said his escort, pointing to a place on the plank, stepping over it himself to take his seat at the board. If the stranger expected a greeting or comment on his appearance among these men, he was happily disappointed. They looked at him with sullen, indifferent eyes and went on bolting the breakfast. Some of them were half naked; all of them were dirty and reeking with perspiration. There was no effort at general conversation. David had the feeling that they hated each other and were ready to hurl things at the slightest provocation, such as the passing of the time of day.
A half-grown boy placed a huge tin cup full of steaming coffee on to the table and said in a husky, consumptive voice:
"'Ere's your slop, kid."
Another boy jammed a panful of bacon and corn-bread across his shoulder and advised him to hurry up and "grab it, you."
David ate in shocked silence. The man at his left laughed at his genteel use of the knife and fork and the dainty handling of the bacon. Sugar and cream were not served. He was hungry. The coarse but well-cooked food pleased his palate more than he could have believed. He ate his fill of the "chuck," as his neighbor called it. Then he was hurried back to the wagon in which he had slept. It was empty now, cavernous and reeking with the odor of damp canvas lately removed.
"Git in there, kid," said his guide briskly. "You gotta keep under cover fer a spell. Stay in there 'tel Joey Grinaldi says the word. Them's Braddock's orders."
David hesitated a moment. "Where is Mrs. Braddock?" he asked.
"Train ain't in yet. You don't suppose the highlights travel this away, do you? Well, nix, I should say not. Say, are you goin' to learn the business? If you are, I got some fishworm oil that's jest the thing to limber up yer joints. In two weeks, if you rub this oil of mine all over you reg'lar, you c'n bend double three ways." It was an old game. David stared but shook his head.
"I'm not going to be a performer," he said, with a wry smile at the thought of "fishworm oil."
"Well, that bein' the case, have you got any chewin' about yer clothes?"
"Chewing?" murmured David.
"Fine cut er plug, I don't care."
"I don't chew tobacco," said David stiffly.
"Oh," said the man in amaze. "A reg'lar little Robert Reed, eh? Well, hop inside there. I gotta shut the door. Don't you cry if it's dark, kid."
David crawled into the chariot and the door was closed after him. A thin stream of daylight came down through the narrow slit beneath the driver's seat. For a while he sat with his back against the wall, pondering the situation. Then, almost without warning, sleep returned to claim his senses. He slipped over on his side, mechanically stretched out his legs and forgot his doubts and troubles.
He was aroused by the jostling and bouncing of the huge, empty wagon. With a start of alarm he leaped to his feet, striking his head against the roof of his abiding place, and hurried to the end of the wagon to peer out through the slit. Bands were playing, whips were cracking and children were shrieking joyously. It was a long time before he grasped the situation. The "Grand free street parade" was in progress; he was riding, like a caged beast, through the principal streets of the town!
From the security of his position he could look out upon the throng that lined the sidewalks, without danger of being seen in return. After the first great wave of mortification and shame, he was able to consider his situation to be quite as amusing as it was fortunate. He found himself laughing at the country people and their scarcely more sophisticated city brethren with something of the worldly scorn that dominated the "profession." Even the horses that drew the "Gorgeous chariots of gold" eyed the gaping crowds with profound pity. There is nothing in all this world so incredibly haughty as a circus, from tent-peg to proprietor. Perhaps you who read this have felt your own insignificance while gazing at an imperial tent-peg that happened to lie in your path as you wandered about the grounds; or you have certainly felt mean and lowly in the presence of a program-peddler, and positively servile in contact with a boss canvasman. It is in the air; and the very air is the property of the circus.
In time the twenty wagons, with their double and quadruple teams, attended fore and aft by cavaliers and court-ladies, papier maché grotesques, trick mules and "calico ponies," came once more to the grounds, still pursued by the excited crowd. Far ahead of the parade a loud-voiced "barker" rode, warning all people to look out for their horses: "The elephant is coming!" Just to show their utter lack of poise, at least fifty farm nags, in super-equine terror, leaped out of their harness and into their own vehicles when "Goliath," the decrepit old elephant, shuffled by, too tired to lift his proboscis, thus exemplifying the vast distinction between themselves and the circus horses which only noticed Goliath when he got in the way.
David had a long wait in the dark, stuffy chariot. Finally the door was opened and Braddock looked in. Directly behind the proprietor was the dirty sidewall of a tent. David blinked afresh in the light of day,—although, alas, the sun was not shining.
"Hello," said Braddock shortly. His cigar bobbed up and down with the movement of his lips. "Come out. You can duck under the canvas right here. Lift it up, Bill."
The boy slid from the chariot to the ground and made haste to pass under the wall which had been raised by a canvasman. Braddock followed him into the huge tent. A small army of men were erecting the seats for the afternoon performance. David realized that he was in the "main top."
A stocky, bow-legged man, his hands in his pockets and a short briar pipe in his lips, advanced to meet them.
"Well, 'ow are you?" asked this merry-eyed stranger, his face going into a hundred wrinkles by way of friendly greeting. "Oh, I say, David, don't you know your old pal and playmate? Hi, there! 'Ere we are!"
David stared in astonishment. It was Grinaldi, the clown, without his make-up or his wig! Never was there such a change in human face.
They clasped hands, David laughing outright in the ecstasy of relief at finding this whilom friend.
"Keep shady, you," said Braddock, finding no pleasure in the boy's change of manner. "Those pinchers came over on the train with us. And say, we might just as well settle what's to be done about you. I've thought it over seriously. I'm taking a risk in havin' you around, understand that. But if you want a job with the show, I'll give you one. Tell you what I'll do: I'll give you two and a half a week and your board. That's good pay for a beginner. You to do clown work and—"
"But I can't be a clown—" began David.
"Well, what do you want?" roared Braddock, apparently aghast. "Do you expect to ride around in carriages and live on goose liver? Say, where do you think you are? In society? Well, you can get that out of your head, lemme tell you that, you—"
"'Ere, 'ere, Brad," put in Joey sharply, noting the look in the boy's pale face. "Don't talk like that. 'E's not used to that sort o' gaff. Let me talk it over with 'im."
"Well, the offer don't stand long. He either takes it or he don't. If he don't, out he goes. Say, you, where's all that money you had last night? I'm not going to have anybody carryin' a wad around like that and gettin' it nabbed and then settin' up a roar against the show, gettin' us pulled or something worse. I insist on taking care of that stuff, for my own protection, just so long as you stay with this show."
David looked helplessly to Joey Noakes for succor.
"I'll talk that over with 'im, too, Brad," announced the clown briefly.
"And let me add something else," resumed Braddock, with an unnecessary oath. "I'm not going to have you hangin' around my wife and daughter if you do stay with us. Remember one thing: you're a cheap clown, and you've got to know your place. My daughter's a decent girl. She's got good blood in her, understand that. Damn' fine blood. I'm not going to have her associatin' with a—"
"'Old on, Brad!" interrupted the old clown, glaring at him. "Cheese it, will you? I won't stand for it. You got five 'undred from this boy and you ought to treat 'im decent. He's got just as good blood in 'im as Christie's got—and better, blow me, because it's probably good on both sides—which is more than you can say for her, poor girl. Thank God, she don't show that she's got your blood in 'er veins."
"Here! Do you mean to insinuate that she's not mine?" gasped Braddock, suddenly a-tremble. Much as he trusted to the virtue of his wife, he was never able to comprehend the miracle that gave him Christine for a daughter. There was no trace of him to be seen in her.
"You know better than that," said the clown coldly.
"Well," said Braddock, nervously shifting his cigar and lowering his gaze. If he had intended to say more, he changed his mind and walked off toward the center of the tent where men were throwing up a circular bank about the ring.
"He's a drunken dog," said the clown, glaring after him. "She's the finest woman in the world. And to think of 'er bein' the wife of that bounder."
David had been thinking of it and puzzling his tired brain for hours.
"How did she happen to marry—"
"No time for that now," said Grinaldi briskly. "Mebby I'll tell you about her some other time, not now. You'd better keep away from her and Christine for a couple of days. Brad will forget it in no time, 'specially if he thinks he can scrape some more o' that money out of you. Oh, he's a slick one. He's got 'is eye on that wad. Now, let's get down to business. I advise you to stick to the show for awhile—at least until we're a good ways off. Take up 'is offer. It ain't bad. You can 'ave chuck with me and Ruby. I'll look out for that. You just do wot I tell you, and you'll be a clown. Not a real one, but good enough to earn two and a 'arf. I'm not doin' this for you, my boy, because I think I need an assistant. Joey Grinaldi has been a fav'rit clown in two hemispheres for forty years. Some day I'll show you the medals I got in London and Paris and—but never mind now. You start right in this afternoon, doin' just wot I tells you. You'll be all right and them blokes as is 'untin' for you won't be able to twig you from sole leather. Wot say?"
"I'll do just as you say," said David simply.
"Good! Now come over 'ere by the band section and I'll tell how we'll work it out. Of course, we'll improve it every day. All you needs is confidence. We 'ave dinner at twelve-thirty in the performer's end of the cook-tent. It's all right there. I'll fetch yours into the dressin'-tent for you, so's you won't be seen. There's my daughter over there. Ain't she a stunner? Say, she's a gal as is a gal. Best trapeze worker in the business, if I do say it myself. And 'er mother was the best columbine that ever appeared in a Drury Lane pantomime, poor lass." He abruptly passed his hand across his eyes.
"The columbine?" said David, his eyes beaming. "I remember the columbine and the harlequin and the pantaloon in Drury Lane one boxing week when I was in London with my grandfather. Was a columbine really your wife?"
"She was," said Joey proudly. "But," he added hastily, "it ain't likely you saw her. She died when Ruby was born."
That afternoon David appeared in the ring, once more clad in the striped suit and besmeared with bismuth. He was even more frightened than at his first appearance, when he was driven by another fear. Ruby Noakes, black-eyed and dashing, winked at him saucily from her perch on the high trapeze, having caught his eye. When she slid down the stout lacing and wafted kisses to the multitude, he was near enough to catch her merry undertone:
"You have no idea how funny you are," she said, passing him by with a skip.
"There's your friend, the detective," remarked Joey, later on, jerking his head in the direction of the animal tent. Sure enough, Blake was standing at the end of the tier of seats, talking with Thomas Braddock. "But he doesn't reckernize you, David, so don't turn any paler than you are already."
The new clown, wretchedly unsuited to his new occupation, managed to get through the performance without mishap. He followed instructions blindly but faithfully, barking his shins twice and tripping over an equestrian banner once with almost direful results. The audience laughed with glee, and Grinaldi congratulated him on the hit he was making.
"Hit?" moaned David, rubbing his elbow in earnest. "Good heaven! Was that a hit?"
"My boy, they'd laugh if you were to break your neck," said the clown gravely.
Christine Braddock came on for her turn early in the program. David was told that her mother, who persistently though vainly opposed a ring career for her loved one, compromised with Braddock on the condition that she was to appear early in the performance.
"Brad was a circus rider in his younger days, before he took to drink," explained Joey, as he and David sat together at the edge of the ring while Briggs, the ringmaster, announced the approach of "the world-famed child marvel, Little Starbright, and Monseer Dupont, in the great-est eques-trian feats evah attempted by mor-tal crea-tuah!"
"When Christie was a wee bit of a thing he took 'er into the ring with 'im. She sat on 'is shoulder and the crowd thought it wonnerful. Arter that he took 'er in reg'lar. Mrs. Braddock almos' lost 'er mind, but Brad coaxed 'er into seein' it 'is way. It was before he took to drinking steady. That gal 'as no more business being a circus rider than nothink. But you can't make Brad see it that way now. He says she's got to earn 'er bread and keep, and that she's no better than wot 'er father is. If circus riding is good enough for 'im, it's good enough for 'is offspring, says he. Her mother just had to give in to 'im. Well, when she was about ten, Brad took to drinking. That was before he bought old Van Slye out. One day he fell off the 'oss with 'er and broke 'is arm. Fort'nitly, the younker wasn't 'urt. So, then he had sense enough to listen to 'is wife. He quit riding 'isself, but he put big Tom Sacks into the act in 'is place. Tom is the present Mons. Dupont—a fine feller and as steady as can be. He's powerful strong and a fairish sort of rider—but nothink like wot Brad used to be in his best day. Christine's getting a bit biggish for 'im to 'andle; I daresay this is the last season for their double act. But for four seasons she's been doing amazing fine work with old Tom. She seems to like it, and she's as daring as the very old Nick. Don't know wot fear is, I might say. She's so fairy-like and so purty that the crowds just naterally love 'er to death. She's going to be a wonnerful 'ansome woman, David, that gal is, take it from me. 'Ere she is!"
"She's like a rose," said David, following the slim, scarlet creature with his eyes.
"And a rose she is, my heartie," said Joey. "When I was a lad at 'ome, there was a chap named Thackeray writing wonderful clever tales. I remembers one of them particular. It was called 'The Rose and the Ring.' I never see Christine in them togs without thinking of the name of that book—The Rose and the Ring, d' ye get my idea? Mr. Thackeray was a well-known writer when I was a boy. That was thirty year ago. I daresay he's dead and forgotten now."
David smiled. "He'll never die, Mr. Noakes. He's more alive now than ever. 'The Rose and the Ring.' Why not 'The Rose in the Ring'?"
"Hi! Hi!" cried Joey approvingly, "Right you are."
During the entire act of Little Starbright and Monsieur Dupont David gazed entranced. He followed Grinaldi, but his eyes were not always leveled against the spotted back of his mentor; they were for the lithe, graceful figure in scarlet riding atop of the sturdy Tom Sacks, sometimes standing upright on his shoulders, again leaning far out from his thigh, or even more daringly dancing on his broad back while he squatted on the pad. First on one foot, then the other, then clear of his back with both of them twinkling in merry time to the quickstep of the band, her dark hair fluttering from beneath the saucy cap, her hands waving and her eyes sparkling. Kisses went wafting to every section of the tent, and with them smiles such as David had never seen before.
He was standing near when she leaped from the horse's back and skipped to the center of the ring to blow her final kisses to the multitude. It occurred to him all at once that he was staring at this wonderfully graceful, fairy-like little creature with the eyes of a delighted spectator and not as a clown. He guiltily looked for a reprimand from Grinaldi. To his surprise and disappointment she passed him by without a sign of recognition, slipping her tiny feet into the ground shoes and shuffling off to the dressing-tent with the stride peculiar to ring performers. For a moment he felt as if she had struck him in the face, so quick was his pride to resent the slight.
"This ain't a parlor, my lad," said Joey, shrewdly analyzing the feelings of his protégé. "You mustn't expect the ladies to stop and chat with you in the ring. It ain't reg'lar. She didn't mean nothink—nothink at all, bless 'er 'eart."
When the performance was over, David was whisked into the men's section of the dressing-tent and told to stay there until further orders. He changed his clothes and "washed up," listening meanwhile to the congratulations and the good-natured chaffing of the performers who were there with him. Despite their ribald scoffing, he knew they were his friends: there was something about these careless, inconsequent knights of the sawdust ring, in spangles or out, that warmed the cockles of his sore, despairing heart.
He came before long to laugh with them and to take their jibes as they were meant—good-naturedly. Joey Grinaldi beamed with congratulation. He laid himself out to make the going easy for his "gentleman pardner," appreciating the vast distinction that lay between these men and the kind David had known all of his life. And David saw that he was trying to make it easy for him. His heart swelled with a strange gratitude; he unbent suddenly and met the rough kindnesses more than half way. They were not the kind of men he was used to,—they were not gentlemen; but they stood ready to be his friends, and something told him that they would ring true to the very end if he met them half way.
They had their own undeviating regard for what they called honor: honor meant loyalty and fairness, nothing more. Simple, genial, unpolished braggarts were they, but their word was as good or better than a gentleman's bond. David was soon to fall under the spell of this bland comradeship: he was to see these men in a light so bright that it blinded him to their vulgarities, their quaint blasphemy and their prodigious lack of veracity as applied to personal achievements. He was to find in them a splendid chivalry, almost unbelievable at first: their regard for the women in the troupe was in the nature of a revelation to him, who came from the land of gallantry itself.
"Say, kid," said Signor Anaconda, "the human snake," suddenly adopting a serious mien,—which did not become him,—"you gotta change your name. What'll we call him, fellers? Now, le' 's give him a reg'lar story-book name. Prince Something-or-other. What say to—"
"That's all settled," said old Joey, his eyes full of soap and water and squeezed so tightly together that they looked like wrinkles. "Christine Braddock named 'im this morning. I forgot to tell you, David. Your name is Snipe—Jack Snipe."
David flushed. "Why did she call me that?" he asked.
"Because you were lonesome, and there is nothink so lonesome as a jack-snipe. Leastwise, that's wot she says. She asked me if I'd ever seen a jack-snipe on a wet, dreary day, a-standing on a sandbar, all alone like and forlorn. She said she always felt so sorry for the poor little cuss—no, she didn't say cuss either. What was it she said, Casey? You was there."
"She said 'thing,'" said Casey briefly.
"Right, my lad. Thing it was. Well, wot she says goes in this 'ere aggergation, so from now on you are just Jack Snipe." He lowered his voice. "There won't nobody call you David or Jenison after this, my boy. It's too dangerous."
David was thoughtful. "Do you mean to say," he said, after a pause, "that every person in this show knows who I really am?"
"You bet your life they do," said Casey.
"And what I am wanted for?"
"Certain. Wot's that got to do with it?"
"Do they think I'm—I'm guilty?"
"Well, I reckon most of 'em do," said the contortionist blandly. "But," he added in some haste, "they don't give a dang for a little thing like that."
"But," said David fiercely, "I don't want them to think I am guilty. I can't bear to think that every one is looking upon me as a criminal. Why—why, what must the ladies of the—of the show think of me? I—I—"
Joey Grinaldi put his hand on the young fellow's shoulder: "They don't think you done it, Jack—not one of 'em. I heard 'em speaking of you last night as if you was a reg'lar angel. For the fust time since I've knowed all of them women, they are all agreed on one thing: they all agree that you are the sweetest kid they've ever seen and that you never done anything naughty in your life. Come on, now. Mrs. Braddock wants to see you a minute."
David's heart leaped. He followed the old clown into the open tent, his eyes bright with the eagerness to look once more upon the strange, lovely friend of the night before,—his true guardian angel.
She was standing near the entrance to the main tent, talking with half a dozen of the women performers, all of whom were in street attire. As soon as she saw him she smiled and motioned for him to join the group. He was not slow to obey the summons. To the amazement of the interested group the young Virginian lifted her hand to his lips. Mrs. Braddock flushed warmly, an exquisite smile of appreciation leaping to her rather sombre eyes.
"You must let me introduce you to these ladies," she said, after a few low words of greeting. "This is Jack Snipe, our new clown," she said, naming for his benefit the riders, the ropewalker, the snake-charmer and the boneless wonder. David was profoundly polite, almost old-fashioned in his acknowledgment of the introduction. The women were suddenly conscious of a new-found glory in themselves. The "boneless wonder" talked of his elegance for weeks, and always without resorting to slang.
"Where is Miss Christine?" asked David, turning to Mrs. Braddock with a shy smile.
She did not answer at once. When she did, it was with palpable uneasiness. "My daughter usually takes her sleep at this time, Dav—Jack."
David's cheek slowly turned red. He remembered what Braddock had said to him.
"You are all very good to me," he murmured, for want of anything better to say. His sensitive heart was thumping quickly, driven by humiliation. She looked steadily into his eyes without speaking and then walked away from the group, directing him to follow. They sat down upon the tumbler's pad, just where they had been seated the night before.
"My husband is hard sometimes, David," she said gently. "It will last for a few days, that is all. We must not aggravate him now. In a little while he will forget that he has—has said certain things. Then, I hope that you and Christine will be good friends. I—I want her to know you well, David. I want her to be with—with some one who is different from the people here. You understand, don't you?"
"Yes," said David, suddenly enlightened. "I know what you mean. I shall be very happy, too."
"Ah, how gently you did that," she cried, a wistful gleam in her dark eyes. "How the blood tells its story! Yes, David, I want her to know you; I want her to—to be with her own kind." Her face flamed with sudden fervor; he was struck by the almost pathetic eagerness that leaped into her eyes, transfiguring them. "I have tried so hard to give her something of what I had myself, David, when I was a girl. Everything depends on the next year or two. She is thinking for herself now. It is the turning-point. You must know, David, you must see that she is not like the others here."
"She is like you," he said, very simply.
The blood surged once more to her cheeks; her lips parted with the quick breath of joy and gratitude. She thanked him very gently, very gravely. No word was uttered against the man who was Christine's father.
"I prayed last night, David, that you might stay with the show until the end of this season. I am determined that it shall be her last, no matter what it may cost both of us."
"Cost both of us," thought he, and at once knew what she meant. The cost, if necessary, would be the husband and father.
Then she told him, in hurried sentences, that she had watched him in the ring, and that her daughter had come back to her with glowing reports of his composure and cleverness. David's pride, at least, was appeased. She had looked at him, after all, and was interested.
He was struck by the sudden, curious change that came over Mrs. Braddock's face. She was looking past him toward the entrance to the circus tent. All the color, all the eagerness left her face in a flash; the warmth died out in her big brown eyes and in its stead appeared a look of positive dread and uneasiness—it might have been repugnance. Her lips grew tense, and he could see that she started ever so slightly, as if in surprise.
He glanced over his shoulder. Thomas Braddock was approaching, his face red with anger and drink. At his side walked a tall, exceedingly well-dressed stranger, who carried his silk hat in his hand and was smiling blandly upon the proprietor's wife.
"Oh, that man again!" he heard her say between her stiff lips. There was a world of loathing in the half-whispered sentence, which was so low that it barely reached his ears. He looked up quickly, and saw her face go darkly red again—the red of humiliation, he could have sworn.
"Go!" she said to David, quietly but firmly.
He turned away, vaguely conscious that the newcomer was more to be feared than Thomas Braddock himself. Instinctively the boy experienced a singular, instantaneous aversion to this immaculate intruder.
"Get out!" he heard Braddock roar after him as he paused at the partition to look once more at the stranger.
The man was bowing low before the straight, motionless figure of Mary Braddock. Her chin was high in the air, and David could almost have sworn that he saw her nostrils dilate.
From a place beyond the flap in the partition he surveyed this disturbing visitor.