OpenLLM-France/wikimedia huggingface dataset:
# The English and Scottish Popular Ballads/Part 5

The English and Scottish Popular Ballads
Edited by Francis James Child
Part V
Boston Houghton, Mifflin and Company New York: 11 East Seventeenth Street The Riverside Press, Cambridge London: Henry Stevens & Son, 115 St. Martin's Lane, Charing Cross
One Thousand Copies Printed.
No. 233
Copyright, 1888, by F. J. Child.
The Riverside Press, Cambridge: Electrotyped and printed by H. O. Houghton and Company.
Rev. Professor Skeat has done me the great service of collating Wynken de Worde's text of The Gest of Robin Hood, the manuscript of Robin Hood and the Monk and of Robin Hood and the Potter, and all the Robin Hood broadsides in the Pepys collection. Mr Macmath has collated the fragments of the earlier copy of The Gest which are preserved in the Advocates' Library, and, as always, has been most ready to respond to every call for aid. I would also gratefully acknowledge assistance received from Mr W. Aldis Wright, of Trinity College, Cambridge; the Rev. Edmund Venables, Precentor of Lincoln; Dr Furnivall; and, in America, from Mr W. W. Newell, Miss Perine and Mrs Dulany.
F. J. C.
February, 1888.
# The Complete Works of Swami Vivekananda/Volume 4/Translation: Poems/The Hymn of Samadhi

THE HYMN OF SAMADHI
(Rendered from Bengali)
Lo! The sun is not, nor the comely moon, All light extinct; in the great void of space Floats shadow-like the image-universe.
In the void of mind involute, there floats The fleeting universe, rises and floats, Sinks again, ceaseless, in the current "I".
Slowly, slowly, the shadow-multitude Entered the primal womb, and flowed ceaseless, The only current, the "I am", "I am".
Lo! 'Tis stopped, ev'n that current flows no more, Void merged into void — beyond speech and mind! Whose heart understands, he verily does.
# The Complete Works of Swami Vivekananda/Volume 4/Translation: Prose
## Translation: Prose

* The Problem of Modern India and its Solution
* Ramakrishna, his Life and Sayings
* The Paris Congress of the History of Religions
* Knowledge: Its Source and Acquirement
* Modern India
* The Education that India needs
* Our Present Social Problems
# The Family Kitchen Gardener (1856)/Elecampane

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ELECAMPANE.
I’nula Helènium.—Inule, Fr.—Inule, Ger.
The Elecampane is a strong-growing perennial plant, a native of Britain, rising from three to five feet high. It is cultivated in most gardens, and delights in a moist or shaded situation. It can be propagated by dividing the root in the Autumn. The roots are thick, Carrot-shaped, and aromatic; when dried, ground, and made into a tea, it is considered an excellent remedy for a cold. In some countries the root is candied and used as a stomachic for strengthening the tone of the viscera.
# The Family Kitchen Gardener (1856)/Filbert

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FILBERT.
Córylus Avellana.—Noisette, Fr.—Nussbaum, Ger.
The common Hazel Nut will never be an article of profit to the American gardener or husbandman; yet we introduce the ​subject for some who cultivate for pleasure, variety, and amusement. It is a curious fact that all good things come “from the east:” so say writers on the Filbert. It comes from Pontus. Thousands grow wild on the “braes” of Scotland, and millions are over the whole United States, from Maine to Texas. Cultivation has greatly improved the size, but we doubt of the flavor being more delicious. In its wild state it is a large-sized shrub, with a gray colored bark, and roundish, heart-shaped leaves. The male catkins (flowers) appear on the preceding year's shoots, in Autumn, and wait all Winter for the expansion of the female flowers in Spring. The varieties in quality are all very similar, though they considerably differ in appearance. The Red, White, Cosford, and Frizzled, are sufficient for cultivation.
Propagation.—By layers, as directed for Figs; by suckers, which spring up freely from the roots; or by seeds, that may be purchased at the fruit-stores, in any of our cities.
Culture.—They like a heavy, moist loam, and will grow where partially shaded. Plant them eight or ten feet apart. Prune as directed for currants, merely to check the superabundant growth, to throw them into spur-buds, for fruiting.
# The Family Kitchen Gardener (1856)/Fetticus

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CORN SALAD.
Fédia olitória.—Mache, Fr.—Ackersalat, Ger.
Fetticus or Lambs’ Lettuce is a native of Europe, and cultivated extensively as a Spring salad, but in France they frequently dress it like Spinach. It is called Lambs’ Lettuce, from its having been in repute as an early feed for lambs. Every garden should have a patch of this very palatable vegetable, as it comes early in Spring, when even the sight of green is refreshing.
Culture.—Sow the seed from the 8th to the 20th of September, in shallow drills, one-fourth inch deep and six inches apart: cover lightly, and if dry weather, tread or roll the ground to press the seed and soil together. It is an annual, and requires to be sown every year. Hoe and keep clear of weeds; in November cover slightly with straw; when wanted, the leaves should be picked and not cut. If the Winter proves mild, it will be in use the whole season. If the seed is not fresh every year, it will frequently lie six months in the ground before it vegetates. It requires good rich soil; on such the flavor is greatly improved.
# The Family Kitchen Gardener (1856)/Garden Seeds for Half an Acre

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GARDEN SEEDS FOR HALF AN ACRE.
The following seeds, with judicious management, will fully crop a garden of half an acre, which will supply a moderate sized family with vegetables throughout the year. Vegetable seeds, where carefully grown in this country, are (with a few exceptions) preferable to those imported; but the utter carelessness manifested by many in keeping them apart when growing, is not to be recommended.
* 1 oz. Asparagus.
* 3 qts. Beans, of sorts.
* 4 oz. Beet, of sorts.
* ¼ oz. Broccoli.
* ¼ oz. Cauliflower.
* 4 oz. Cabbage, of sorts.
* ¼ oz. Celery.
* 8 oz. Cress.
* ½ oz. Cucumber.
* 1 oz. Carrot.
* 1 qt. Early Corn.
* 1 pkt. Egg Plant.
* ½ oz. Endive.
* ¼ oz. Leck.
* 1 qt. Lima Beans.
* 1 oz. Lettuce, of sorts.
* 4 oz. Mustard.
* ½ oz. Melons.
* ½ oz. Okra.
* 2 oz. Onions, sorts.
* 1 pap. Parsley.
* 1 oz. Parsneps.
* 1 pap. Peppers.
* ½ oz. Pumpkin.
* 8 qts. Peas.
* 8 oz. Radish.
* ½ oz. Salsafy.
* ½ oz. Squash.
* 8 oz. Spinage.
* 1 pap. Tomatoes.
* 2 oz. Turnip.
* 6 pap. Pot and Sweet Herbs.
Cost about $10.
Sceds should always be kept in bags, in a dry, airy situation. Wall closets and cellars are objectionable, from their dampness. All seeds will keep two, and many from three to six years.
# The Family Kitchen Gardener (1856)/Fennel

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FENNEL.
Anèthum Fænículum.—L’Aneth, Fr.—Dillkraut, Ger.
Is a native of Europe, and may be seen growing wild on the banks of rivers and near the sea coasts. It is an indispensable ingredient in French cookery, and extensively used by the English, but comparatively in little demand with us. Its tender stalks are used in soups and fish sauces, also as garnishes for dishes. It is conspicuous as a medicinal plant, and admitted into the Materia Medica; its virtues are stomachic and carminative.
Culture.—Fennel is cultivated by sowing the seeds early in Spring, in shallow drills half an inch deep and ten inches wide, covering with fine earth. They should be sown where they are intended to grow. Thin out the plants to four inches apart; a dozen of good roots will supply any family, and when once established, there is little fear of losing it, being a perennial and will last many years. Seedlings will also come up plentifully around the old plants, though it is not advisable ​to allow the plants to go to seed unless it is wanted for use. If the flower stems are cut off as soon as they appear, it will encourage a production of young leaves below.
# The Ewie wi' the Crooked Horn

THE Ewie wi' the Crooked Horn; TO WHICH ARE ADDED, She lives in the Valley below, THE STAR OF THE EAST, The Mill, Mill, O, ON FRIENDSHIP.
GLASGOW. Printed for the Booksellers.
1828.
* The Ewie wi' the Crooked Horn
* She Lives in the Valley Below
* The Star of the East
* The Mill, Mill, O
* On Friendship
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Ewie wi' the Crooked Horn/She Lives in the Valley Below

SHE LIVES IN THE VALLEY BELOW.
# The Evolution of Worlds/Notes 6

6
On the Induced Circularity of Orbits through Collision
Since the moment of momentum is the velocity into the perpendicular upon its direction, in the time $dt$ it is:—
$vpdt=hdt=r^{2}d\theta$
The whole moment of momentum from perihelion to perihelion is therefore:—
${\begin{aligned}\int _{0}^{360^{\circ }}r^{2}d\theta =\,&{\frac {a^{2}\cdot (1-e^{2})^{2}}{1-e^{2}}}\\&{\underset {0}{\overset {360^{\circ }}{{\Biggl\;}}}{\frac {-e\sin \theta }{1+e\cos \theta }}+{\frac {2}{(1-e^{2})^{\frac {1}{2}}}}\tan ^{-1}\left({\sqrt {\frac {1-e}{1+e}}}\cdot \tan {\frac {\theta }{2}}\right){\Biggr ]}\end{aligned}}$ ​$=2\pi a^{2}\cdot (1-e^{2})^{\frac {1}{2}}$,
which is twice the area of the ellipse.
The energy in the ellipse during an interval $dt$ is
${\frac {1}{2}}mv^{2}dt={\frac {1}{2}}m\mu \left({\frac {2}{r}}-{\frac {1}{a}}\right)dt$
from the well-known equation for the velocity in a focal conic. The integral of this for the whole ellipse is
$\int _{0}^{T}{\frac {1}{2}}mv^{2}dt=\int _{0}^{360^{\circ }}{\frac {1}{2}}{\frac {m\mu }{h}}\left(2r-{\frac {r^{2}}{a}}\right)d\theta =m\mu ^{\frac {1}{2}}\pi a^{\frac {1}{2}}$
Since
$\int rd\theta =\int {\frac {a\cdot 1-e^{2}}{1+e\cos \theta }}d\theta ={\frac {2a\cdot 1-e^{2}}{(1-e^{2})^{\frac {1}{2}}}}\tan ^{-1}\left({\sqrt {\frac {1+e}{1-e}}}\tan {\frac {\theta }{2}}\right)$
and $\int r^{2}d\theta$ is given above.
By collision a part of this energy is lost, being converted into heat. The major axis, a, is, therefore, shortened. But from the expression $\scriptstyle {2\pi a^{2}\cdot (1-e^{2})^{\frac {1}{2}}}$ for the moment of momentum we see that this is greatest when e is least. If, therefore, a is diminished, e must also be diminished, or the moment of momentum would be lessened, which is impossible.
# The Ewie wi' the Crooked Horn/On Friendship

ON FRIENDSHIP.
FINIS.
# The Ewie wi' the Crooked Horn/The Ewie wi' the Crooked Horn

EWIE WI' THE CROOKED HORN.
# The Evolution of Worlds/Notes 7

7
Capture of Satellites
See has recently shown (Astr. Nach. No. 4341–42) that a particle moving through a resisting medium under the attraction of two bodies revolving round one another in circles may eventually be captured by one of them though originally under the domination of both. The argument consists in introducing the effect of a resisting medium ​upon the motion in the space permitted by Jacobi's integral, following Darwin's examination of this space. In the actual case of nature the effect is much more complicated, and at present is not capable of exact solution for masses other than indefinitely small, even supposing circular orbits for the chief bodies. It may, however, explain the curious relation shown in the arrangement of the direct and retrograde movement of satellites.
# The Dust behind I strove to join

The Dust behind I strove to join Unto the Disk before — But Sequence ravelled out of Sound Like Balls upon a Floor —
# The Dutch in the Medway

First published in A School History of England (1911) as "The Dutch in the Medway".
Layout 2
The Dutch in the Medway.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Dutchess of Newcastle's Lament/The Deceived Batchelor

THE DECEIVED BATCHELOR.
# The Dutchess of Newcastle's Lament/The Fickle Fix'd

THE FICKLE FIX'D.
# The Dusky Crew

Our heads were rough and our hands were black With the ink-stain's midnight hue; We scouted all, both great and small— We were a dusky crew; And each boy's hand was against us raised— 'Gainst me and the Other Two.
We chased the hare from her secret lair, We roamed the woodlands through; In parks and grounds far out of bounds Wandered our dusky crew; And the keepers swore to see us pass— Me and the Other Two.
And one there was who was light of limb, Nimble and wary too. A spirit grim we made of him Unto our dusky crew: He fetched and carries for all us three— For me and the Other Two.
Our secret caves in the cold, dark earth The luscious lettuce grew; We ate the cress in merriness— We were a dusky crew; The radish red gave sweet repast To me and the Other Two.
Our lettuces are dead and gone, Our plans are fallen through; We wander free in misery— We are a wretched crew: For a master's wrath has fallen on us— On me and the Other Two.
He found our cave in the cold, dark earth, He crept the branches through; He caught us all in our Council-Hall— Caught us, a dusky crew; To punishment he led us all— Me and the Other Two.
Our lettuces are dead and gone, Our plans have fallen through; We wander free in misery— We are a wretched crew. Will happiness no more return To me and the Other Two?
This work is in the public domain in the United States because it was published in 1881, before the cutoff of January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Dustman

* Search for titles containing or beginning with: "The Dustman."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Ole Lukøie" (The Dustman), story by Hans Christian Andersen
* "The Dustman", song by James Lynam Molloy
# The Dutch Patrol

"When Christmas-Eve is ended,"
* Edmund Clarence Stedman (1897), "The Dutch Patrol" in Poems, now first collected.
* Edmund Clarence Stedman (1908), "The Dutch Patrol" in The poems of Edmund Clarence Stedman.
# The Dutchess of Newcastle's Lament

THE Dutcheſs of Newcaſtle's Lament.
TO WHICH ARE ADDED,
THE DECEIVED BATCHELOR.
SWEET JEANY.
THE FICKLE FIX'D.
GLASGOW,
Printed by J.& M. ROBERTSON,
Saltmarket, 1802.
* The Dutchess of Newcastle's Lament
* The Deceived Batchelor
* Sweet Jeany
* The Fickle Fix'd
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Dutchess of Newcastle's Lament/Sweet Jeany

SWEET JEANY
Tune - among the birk bushes, etc
# The Dutchess of Newcastle's Lament/The Dutchess of Newcastle's Lament

The Dutchess of Newcastle's Lament.
# The Great Didactic of John Amos Comenius/The Great Didactic/Chapter 1

CHAPTER I
MAN IS THE HIGHEST, THE MOST ABSOLUTE, AND THE MOST EXCELLENT OF THINGS CREATED
1. When Pittacus$^{13}$ of old gave to the world his saying “Know thyself,” the sentiment was received by the wise with so much approval, that, in order to impress it on the people, they declared that it had fallen from heaven, and caused it to be written in golden letters on the temple of the Delphic Apollo, where great assemblies of men used to collect. Their action was prudent and wise; but their statement was false. It was, however, in the interests of truth, and is of great importance to us.
2. For what is the voice from heaven that resounds in the Scriptures but “Know thyself, O man, and know Me.” Me the source of eternity, of wisdom and of grace; thyself, My creation, My likeness, My delight.
3. For I have destined thee to be the companion of My eternity; for thy use I designed the heaven, the earth and all that in them is; to thee alone I gave all those things in conjunction, which to the rest of creation I gave but singly, namely, Existence, Vitality, Sense, and Reason. I have made thee to have dominion over the works of My hands. I have placed all things under thy feet, sheep and oxen and the beasts of the field, the fowl of the air and the fish of the sea, and I have crowned thee with glory and with honour (Psalm viii.) To thee, finally, lest anything should be lacking, I have given Myself in personal ​communion, joining My nature to thine for eternity, and in this distinguishing thee from all created things, visible and invisible. For what creature in heaven or in earth can boast that God was manifest in his flesh and was seen of angels (1 Tim. iii. 16), not, forsooth, that they might only see and marvel at Him whom they desired to see (1 Peter i. 12), but that they might adore God made manifest in the flesh, the son of God and of man (Hebrews i. 6; John i. 51; Matthew iv. 11). Know therefore that thou art the corner-stone and epitome of my works, the representative of God among them, the crown of My glory.
4. Would that this were inscribed, not on the doors of temples, not on the title-pages of books, not on the tongues, ears, and eyes of all men, but on their hearts! Would that this could be done to all who undertake the task of educating men, that they might learn to appreciate the dignity of the task and of their own excellence, and might bring all means to bear on the perfect realisation of their divinity!
# The Four Just Men (1920)

* information about this edition.
* related portals: Thriller, Mystery.
* sister projects: Wikipedia article.
Four young, handsome, immensely wealthy vigilantes (including a European prince) who kill people in the name of Justice. The eponymous "Just Men" appear in several sequels. Warning: template has been deprecated.
TO
I. M. W.
CONTENTS
PART I
THE SECRETARY OF STATE FOR FOREIGN AFFAIRS
* Thery's Trade
* A Newspaper Story
* The Faithful Commons
* One Thousand Pounds Reward
* Preparations
* The Outrage at the "Megaphone"
* The Clues
* The Messenger of the Four
* The Pocket-Book
* The Cupidity of Marks
* Three Who Died
* A Newspaper Cutting
* Conclusion
PART II THE COUNCIL OF JUSTICE
* The Red Hundred
* The Fourth Man
* Jessen, Alias Long
* The Red Bean
* The Council of Justice
* Princess Revolutionary
* The Government and Mr. Jessen
* An Incident in the Fight
* The Four vs. the Hundred
* The Trial
* Manfred
* In Wandsworth Jail
* The "Rational Faithers"
* At the Old Bailey
* Chelmsford
* The Execution
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1932, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 91 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Encyclopedia Americana (1920)/Lords Spiritual

Edition of 1920. See also Lords Spiritual on Wikipedia, and the disclaimer.
LORDS SPIRITUAL, in Great Britain, archbishops and bishops of the Anglican Church who are given seats in the House of Lords. These are the archbishops of Canterbury (the Primate of all England) and York, and 24 of the bishops. The bishops of London, Durham and Winchester are invariably members of the House of Lords; the other bishops are called according to seniority. Suffragan bishops are not eligible for the Upper House. On his retirement from his bishopric the Lord Spiritual ceases to be a member of the House of Lords. The Lords Spiritual are not peers of the realm, but only Lords Spiritual of Parliament. They have no right to demand trial by the House of Lords as peers, but are amenable to the jurisdiction of the ordinary courts of law. Although the Lords Spiritual of the Upper House are distinct from the Lords Temporal, they do not vote separately, but jointly, forming for purposes of legislation one estate. The prelates vote on every subject brought before the Lords, except in trials for high treason and other cases of a criminal nature. On such occasions they never attend or vote; this, however, is in deference to those canon laws which forbid them from participating in matters of blood, and not owing to any Parliamentary requirement. The Spiritual Lords cannot vote or even take their seats in the House unless robed in their ecclesiastical vestments, with rochet, lawn sleeves and mortar-board cap complete. The distinction between peers of the realm and the Lords Spiritual of Parliament also extends to the families of the latter, courtesy titles not being accorded to them.
# The Encyclopedia Americana (1920)/Lorelei

Edition of 1920. See also Lorelei on Wikipedia, and the disclaimer.
LORELEI, lō'rĕ-lī, or LURLEI, loor'lī, a rock on the right bank of the Rhine, near Saint Goar, about 425 feet above the river, through which a tunnel has been bored. Once a serious menace to passengers on the river and always famed for its echo, the rock has been personified by German poets, notably Heine, as a siren, luring sailors to destruction by the music of her voice, an evident idealization of the danger of the rock and of its echo.
# The Encyclopedia Americana (1920)/Loris-Melikoff, Mikhail Tarielovitch Tainoff, Count

Edition of 1920. See also Mikhail Loris-Melikov on Wikipedia, and the disclaimer.
LORIS-MELIKOFF, lō′rĭs-mĕl′ĭ-kŏf, Mikhail Tarielovitch Tainoff, Count, Russian soldier and statesman: b. Tiflis, Russia, 1 Jan. 1826; d. Nice, France, 22 Dec. 1888. He was of Armenian descent, entered the army in 1843, served in several campaigns in the Caucasus and became major-general in his 30th year and distinguished himself at the capture of Kars in 1854. He served in the Crimean War and was made lieutenant-general in 1863. In the Turco-Russian War of 1877 he won the victory of Aladja Dagh in October, following up which he took Kars in November and for his services in the campaign was made a count in 1878. He was recalled from Tiflis (where in charge of several districts he had introduced liberal reforms) during the Nihilist menace in 1879, and in 1880 was appointed Minister of the Interior, in which post he began by introducing liberal measures, but the assassination of the Tsar (13 March 1881) was followed by the adoption of a reactionary policy on the accession of Alexander III, his position became untenable and he resigned.
# The Encyclopedia Americana (1920)/Lortzing, Gustav Albert

Edition of 1920. See also Albert Lortzing on Wikipedia, and the disclaimer.
LORTZING, lôrts'ĭng, Gustav Albert, German composer: b. Berlin, 23 Oct. 1801; d. there, 21 Jan. 1851. His parents were actors and at 19 young Lortzing made his theatrical debut at Aachen and Düsseldorf. In 1824 he brought out his first opera, ‘Ali Pascha von Jannina,’ but attracted little notice. Two years later he became a member of the Court Theatre Company at Detmold. ‘Der Pole und sein Kind’ appeared in 1831. Lortzing's fame, however, rests on the two operas, ‘Czar und Zimmermann’ (1837) and ‘Der Wildschütz’ (1842). The former is one of the masterpieces of comic opera and still holds the boards in German opera-houses, although it was indifferently received at its first production at Leipzig. ‘Undine’ appeared in 1845 and ‘Der Waffenschmied’ in 1846. Lortzing was made conductor of the Leipzig Opera in 1844, but resigned soon afterward after a quarrel with the management. He was reinstated through the influence of friends, but his temperamental nature soon involved him in a second quarrel and brought about his removal. He was made capellmaster of the Friedrich Wilhelmstadtisches Theatre, Berlin, in 1850. Consult Kruse, G. R., ‘Albert Lortzing’ (Berlin 1899) and Wittmann, Herman, ‘Lortzing’ (Leipzig 1889).