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# The Indian Biographical Dictionary (1915)/Cooke, Theodore

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​Cooke, Theodore; C.I.E. (1891); M.A. LL.D. P.G.S. F.L.S. Director of Public Instruction, Bombay, (retired); b. 1836; s. of Rev. John Cooke, Rector of Ardinan, Co. Tipperary: educ: at Dublin University; went to India as Engineer of the B.B.&C.I. Railway, 1860: erected the Bassein Bridge, 1865; Principal of Civil Engineering College, Poona, 1865: officiated thrice as Director of Public Instruction, Bombay ​Director of Botanical Survey of Western India, and Director of Agriculture, Bombay; Fellow of the Bombay University; retired, 1893: Sub-Director of the Imperial Institute. Publications: Manual of Heat, Manual of Geology, Flora of Bombay Presidency; Address: Potswood House, New Gardens.
# The Indian Biographical Dictionary (1915)/Coppel, Rt. Rev. Francis Stephen

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​Coppel, Rt. Rev. Francis Stephen, R.C, (see Nagpur, Bishop of.)
# The Indian Biographical Dictionary (1915)/Corbet, Frederick Hugh Mackenzie

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​Corbet, Frederick Hugh Mackenzie; Barrister-at-Law; Advocate-General, Madras, since 21st October. 1912; b. Barcelona, 1862; 2nd s. of Reginald John Corbet, J.P., M.L.C, Ceylon; m. Eila, e.d. of Sir George, W. R. Campbell, K.C.M.G.; Educ.: privately; paid special attention to Law and modern languages; was granted Letters Patent of Venia Ætatis, 1879; Private Secretary to Hon. Mr. Justice Lawrie, 1885, 1886, and 1888, Librarian, Colombo Museum, 1886-93; Secretary, Central Irrigation Board, Ceylon, 1890-91; resigned salaried Government employment (services acknowledged by Secretary of State for the Colonies), 1893; Hon. Executive Officer and Home Agent, Government of Ceylon, at the Imperial Institute, 1893-1901; Hony. Secretary, Ceylon General Committee for Paris Exposition, 1889; Member of Council, and successively Hony. Sec. and Hon. Treas. of Ceylon Cranch, Royal Asiatic Society, 1887-93; Delegate to International Congress of Orientalists, London, 1891; called to Bar. (Gray’s In.) 1897; Chairman and Director of several South African and other Companies; Member of Committee of several Societies; President, Hardwicke Society, 1902-03; Secretary, Royal Commission on the Church of England and other Religious Bodies in Wales and won Monmouthshire, 1909-1912. Jubilee Gold Medal of Ceylon, 1897. Publications: various official Reports, etc.; Introduction to Ceylon portion of The Golden Book of India, 1900; The Laws of the Empire, 1901. Address: College Bridge House, Commander-in Chief’s Road, Egmore, Madras, S.C.
# The Indian Biographical Dictionary (1915)/Cory, Ven. Charles Page

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​Cory, Ven. Charles Page, Archdeacon of Rangoon since 1907. Educ.: St. John’s College, Cambridge (M.A.). Ordained 1883; Curate of Cexley, 1884; Vice Principal St. Paul’s College, Madagascar, 1884 90; Curate of Ledbergh, 1890-91; Chaplain Rangoon Catonments, 1892-95; Thatyetmyo, 1895-99: Incumbent of Port Blair, 1901-3; Chaplain of Rangoon Cathedral, 1903-4; Rangoon Cantonments, 1904-5; Acting Archdeacon and Commissary, 1906-7: Maymyo, 1906-9. Address: Maymyo, Burma.
# The Indian Biographical Dictionary (1915)/Cooper, Francis Alfred

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​Cooper, Francis Alfred C.M.G., Director of Public Works, Ceylon, 1912. Address: Colombo, Ceylon.
# The Indian Biographical Dictionary (1915)/Copleston, Right Rev. Reginald Stephen

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​Copleston, Right Rev. Reginald Stephen; Bishop of Calcutta and Metropotiton of India (Retd.); b. 1845; s. of Rev. R. E. Copleston; educ. at Merchant Taylors; and Merton College, Oxford; m. Edith, d. of late Archbishop Trench; Fellow and Tutor, St. John’s College, Oxford; appointed Bishop of Colombo, 1875; translated to Calcutta and became Metropolitan of India, 1902; retired, ​1913. Publication: Buddhism: Primitive and Present, etc. Address: c/o. Indian Office, London.
# The Indian Biographical Dictionary (1915)/Cooper, Lt.-Col. Sir William Earnshaw

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​Cooper, Lt.-Col. Sir William Earnshaw, Kt., (1903); C.I.E., (1897); Hon. Col. Cawnpore Volunteer Rifle Corps; managing partner. Cooper, Allen and Co., Cawnpore, India; b. 1843; Commanded 5th Administrative Batt. N.W.P. Volunteers for several years; President Upper India Chamber of Commerce, 1889-99: Member, Legislative Council, 1893-1900. Publications: The Murder of Agriculture; Socialism and its Perils, 1908; Britain for the Briton, 1909; England’s Need, 1910 etc. Address: Cawnpore, U.P., India; Hume Towers, Bournemouth.
# The Indian Biographical Dictionary (1915)/Coterill, Cecil Bernard

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​Coterill, Cecil Bernard, B.A., I.C.S.; Private Secretary to H.E. the Governor of Madras; educ: Caliol College, Oxford: Joined Service as Assisstant Collector, Vizagapatam, 1899; Deputy Commissioner, Salt and Abkari Rev. Madras, 1905; Secry. to Board of Revenue, Separate Revenue, 1907; appointed Private Secretary to H.E. the Governer, 1912. Address: Government House, Madras, and Ootacamend.
# The Indian Biographical Dictionary (1915)/Coomaraswami, Dr. Ananda K.

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​Coomaraswami, Dr. Ananda K., D.Sc. (Lond), F.I.S., F.G.S., M.R.A.S., Ceylon; s. of late Sir Muttu Coomaraswami, of Ceylon; b. 1877; Educ: Wycliffe College, Stonehouse, Gloucester, and University College, London; Director of Mineralogical Survey of Ceylon, 1903-06; initiated a movement for National Education, teaching of vernaculars in all schools, and revival of Indian culture; Member of the Ceylon University Association; undertook a lecturing tour in India; one of the founders of the India Society; was in charge of the Arts section at the United Provinces Exhibition of 1910-11; Member of the Council of the India Society and Viking Society; Fellow of the University College, London. Publications: Reports of the Geology of Ceylon, 1903-06; Mediaeval Sinhalese Art; The Indian Craftsman; Essays in National Idealism; Art and Swadeshi; Selected Examples of Indian Art; Indian Drawings, 2 Vols; Myths of the Hindus and Buddhists; Arts and Crafts of India and Ceylon; etc, etc. Recreation: Collecting Indian works of art. Address: No. 39, Brookfield, West Hill, Highgate, N.
# The Indian Biographical Dictionary (1915)/Coomes, William Heron

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​oomes, William Heron; F.R.G.S. F.R.A.S., Assoc. Inst. C.E.; Protector of Immigrants, Trinidad and Tobago, since 1896; b. 1851; m. 1875; Marion, d. of W. Letheby Inch, Paymaster-in-Chief, R.N.; Educ.: Christ College, Finchley; entered R.N. 1866; Assist. Supt. Marine Surveys; Government, of India, being employed principally on harbours, Madras, Colombo, Goa, etc.; 1876-84, Interpreter in Hindi, Urdu, and Persian; retired as Commander, 1894; member of Legislative Council and J.P. for the colony of Trinidad and Tobago. Recreations: shooting, fishing, whist, bridge, photography. Address: Port of Spain, Trinidad, West Indies.
# The Life of the Fields

THE
Life of the Fields
By RICHARD JEFFERIES
AUTHOR OF "THE GAMEKEEPER AT HOME," "NATURE NEAR LONDON," "RED DEER," "THE STORY OF MY HEART: MY AUTOBIOGRAPHY," ETC.
London
CHATTO AND WINDUS, PICCADILLY
1884
[All rights reserved]
NOTE.
My thanks are due to those Editors who have so kindly permitted me to reprint the following pages:—"The Field-Play" appeared in Time; "Bits of Oak Bark" and "The Pageant of Summer," in Longman^s Magazine; "Meadow Thoughts" and "Mind under Water," in The Graphic; "Clematis Lane," "Nature near Brighton," "Sea, Sky, and Down," "January in the Sussex Woods," and "By the Exe," in The Standard; "Notes on Landscape Painting," in The Magazine of Art; "Village Miners," in The Gentleman's Magazine; "Nature and the Gamekeeper," "The Sacrifice to Trout," "The Hovering of the Kestrel," and "Birds Climbing the Air," in The St. James's Gazette; "Sport and Science," in The National Review; "The Water-Colley," in The Manchester Guardian; "Country Literature," "Sunlight in a London Square," "Venice in the East End," "The Pigeons at the British Museum," and "The Plainest City in Europe," in The Pall Mall Gazette.
RICHARD JEFFERIES.
CONTENTS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The King of the Dark Chamber/Act 7

VII
At the Door of the Queen's Palace
"King"
What is this you have done, Kanchi?
Kanchi
I wanted to fire only this part of the garden near the palace. I had no idea that it would spread so quickly on all sides. Tell me, quick, the way out of this garden.
"King"
I can tell you nothing about it. Those who brought us here have all fled away.
Kanchi
You are a native of this country—you must know the way.
"King"
I have never entered these inner royal gardens before.
Kanchi
I won't hear of it—you must show me the way, or I shall split you into halves.
"King"
You may take my life by that means, but it would be a very precarious method of finding the way out of this garden.
Kanchi
Why were you, then, going about saying that you were the King of this country?
"King"
I am not the King—I am not the King. (Throwing himself on the ground with folded hands.) Where art thou, my King? Save me, oh, save me! I am a rebel—punish me, but do not kill me!
Kanchi
What is the use of shouting and cringing to the empty air? It is a much better way of spending the time to search for the way.
"King"
I shall lie down here—I shall not move an inch. Come what will, I shall not complain.
Kanchi
I will not allow all this nonsense. If I am to be burnt to death, you will be my companion to the very end.
From the Outside
Oh, save us, save us, our King! The fire is on all sides of us!
Kanchi
Fool, get up, lose no more time.
Sudarshana (entering)
King, O my King! save me, save me from death! I am surrounded by fire.
"King"
Who is the King? I am no King.
Sudarshana
You are not the King?
"King"
No, I am a hypocrite, I am a scoundrel. (Flinging his crown on the ground.) Let my deception and hypocrisy be shattered into dust!
[Goes out with Kanchi.
Sudarshana
No King! He is not the King? Then, O thou God of fire, burn me, reduce me to ashes! I shall throw myself into thy hands, O thou great purifier; burn to ashes my shame, my longing, my desire.
Rohini (entering)
Queen, where are you going? All your inner chambers are shrouded in raging fire—do you not enter there.
Sudarshana
# The King of the Dark Chamber/Act 9

IX
The King of Kanya Kubja, father of Sudarshana, and his Minister
King of Kanya Kubja
I heard everything before her arrival.
Minister
The princess is waiting alone outside the city gates on the bank of the river. Shall I send people to welcome her home?
King of Kanya Kubja
What! She who has faithlessly left her husband—do you propose trumpeting her infamy and shame to ​every one by getting up a show for her?
Minister
Shall I then make arrangements for her residence at the palace?
King of Kanya Kubja
You will do nothing of the sort. She has left her place as the Empress of her own accord—here she will have to work as a maid-servant if she wants to stay in my house.
Minister
It will be hard and bitter to her, Your Highness.
King of Kanya Kubja
If I seek to save her from her sufferings, then I am not worthy to be her father.
Minister
I shall arrange everything as you wish, Your Highness.
King of Kanya Kubja
Let it be kept a secret that she is my daughter; otherwise we shall all be in an awful trouble.
Minister
Why do you fear such disaster, Your Highness?
King of Kanya Kubja
When woman swerves from the right path, then she appears fraught with the direst calamity. You do not know with what deadly fear this daughter of mine has inspired me—she is coming to my home laden with peril and danger.
# The King of the Golden River/Advertisement

ADVERTISEMENT
TO THE FIRST EDITION
The Publishers think it due to the Author of this Fairy Tale, to state the circumstances under which it appears.
THE KING OF THE GOLDEN RIVER was written in 1841, at the request of a very young lady, and solely for her amusement, without any idea of publication. It has since remained in the possession of a friend, to whose suggestion, and the passive assent of the Author, the Publishers are indebted for the opportunity of printing it.
The Illustrations, by Mr. Richard Doyle, will, it is hoped, be found to embody the Author's ideas with characteristic spirit.
# The King of the Golden River
## Table of contents

* Advertisement
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The King of the Dark Chamber/Act 5

V
Grandfather near the door of the Pleasure House. A Company of Men
Grandfather
Have you had enough of it, friends?
First Man
Oh, more than that, Grandpa. Just see, they have made me red all over. None has escaped.
Grandfather
No? Did they throw the red dust on the Kings too?
Second Man
But who could approach them? They were all secure inside the enclosures.
Grandfather
So they have escaped you! Could you not throw the least bit of colour on them? You should have forced your way there.
Third Man
My dear old man, they have a different sort of red specially to themselves. Their eyes are red: the turbans of their guards and retinue are red too. And the latter flourished their swords about so much that a little more nearness on our part would have meant a lavish display of the fundamental red colour.
Grandfather
Well done, friends—always keep ​them at a distance. They are the exiles of the Earth—and we have got to keep them so.
Third Man
Enter a Band of Singers, singing.
All blacks and whites have lost their distinction And have become red—red as the tinge of your feet. Red is my bodice and red are my dreams, My heart sways and trembles like a red lotus.
Grandfather
Excellent, my friends, splendid! So you had a really enjoyable time!
Singers
Oh, grand! Everything was red, red! Only the moon in the sky gave us the slip—it remained White.
Grandfather
He only looks so innocent from the outside. If you had only taken off his white disguise, you would have seen his trickery. I have been watching what red colours he is throwing on the Earth to-night. And yet, fancy his remaining white and colourless all the while!
Song
With you is my game, love, my love! My heart is mad, it will never own defeat, Do you think you will escape stainless yourself reddening me with red powder?
Enter the "King" and Kanchi.
Kanchi
You must do exactly as I have told you. Let there be no mistake of any kind.
"King"
There shall be no mistake.
Kanchi
The Queen Sudarshana's mansions are in the ...
"King"
Yes, sire, I have seen the place well.
Kanchi
What you have got to do is to ​set fire to the garden, and then you will take advantage of the bustle and confusion to accomplish your object straightway.
"King"
I shall remember.
Kanchi
Look here, Sir Pretender, I cannot help thinking that a needless fear is troubling us—there is really no King in this country.
"King"
My sole aim is to rid this country of this anarchy. Your common man cannot live without a King, whether a real one or a fraud! Anarchy is always a source of danger.
Kanchi
Pious benefactor of the people, your ​wonderful self-sacrifice should really be an example to all of us. I am thinking of doing this extraordinary service to the people myself.
[They go out.
# The King of the Dark Chamber/Act 6

VI
Rohini
What is the matter? I cannot make out what is all this! (To the gardeners.) Where are you all going away in such a hurry?
First Gardener
We are going out of the garden.
Rohini
Where?
Second Gardener
We do not know where—the King has called us.
Rohini
Why, the King is in the garden. Which King has called you?
First Gardener
We cannot say.
Second Gardener
The King we have been serving all our life, of course.
Rohini
Will you all go?
First Gardener
Yes, all—we have to go instantly. Otherwise we might get into trouble.
[They go out.
Rohini
I cannot understand their words. . . . I am afraid. They are scampering off like wild animals that fly just ​before the bank of a river breaks down into the water.
Enter King of Koshala
Koshala
Rohini, do you know Where your King and Kanchi have gone?
Rohini
They are somewhere in the garden, but I could not tell you where.
Koshala
I cannot really understand their intentions. I have not done well to
Rohini
What is this dark affair going on amongst these kings? Something dreadful is going to happen soon. Shall I too be drawn into this affair?
Enter Avanti
Avanti
Rohini, do you know where the other princes are?
Rohini
It is difficult to say which of them is where. The King of Koshala just passed by in this direction.
Avanti
I am not thinking of Koshala. Where are your King and Kanchi?
Rohini
I have not seen them for a long time.
Avanti
Kanchi is always avoiding us. He is certainly planning to deceive us all. I have not done well to put my hand in this imbroglio. Friend, could you ​kindly tell me any Way out of this garden?
Rohini
I have none.
Avanti
Is there no man here who will show me the way out?
Rohini
The servants have all left the garden.
Avanti
Why did they do so?
Rohini
I could not exactly understand what they meant. They said the King had commanded them to leave the garden at once.
Avanti
King? Which King?
Rohini
They could not say exactly.
Avanti
Rohini
Where shall I find the King? When I gave him the flowers the Queen had sent, he did not seem much interested in me at the time; but ever since that hour he has been showering gifts and presents on me. This causeless generosity makes me more afraid. . . . Where are the birds flying at such an hour of the night? What has frightened them all on a sudden? This is not the usual time of their flight, certainly. . . . Why is the ​Queen's pet deer running that way? Chapata! Chapata! She does not even hear my call. I have never seen a night like this! The horizon on every side suddenly becomes red, like a madman's eye! The sun seems to be setting at this untimely hour on all sides at the same time. What madness of the Almighty is this! . . . Oh, I am frightened! . . . Where shall I find the King?
# The King of the Golden Mountain

* related portals: Brothers Grimm.
* sister projects: Wikipedia article, Commons category, Wikidata item.
English-language translations of Der König vom goldenen Berg include:
* "The King of the Golden Mountain" (1823), translated by Edgar Taylor and David Jardine, in German Popular Stories
* "The King of the Golden Mountain", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 2 (1884)
* "The King of the Golden Mountain", translated by Alice Lucas, illustrated by Arthur Rackham, in The Fairy Tales of the Brothers Grimm (1909)
* "The King of the Golden Mountain", translated by Edgar Taylor, David Jardine and Marian Edwardes, illustrated by Robert Anning Bell, in Grimm's Household Tales (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The King of the Golden Mountain (Grimm/Taylor and Jardine)

* "The King of the Golden Mountain" in German Popular Stories (1823) (transcription project)
* "The King of the Golden Mountain" in Grimm's Goblins (1876)

## See also

* "The King of the Golden Mountain" (1912), Taylor and Jardine translation, revised by Marian Edwardes
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The New International Encyclopædia/Keller, Ferdinand (painter)

Edition of 1905. See also Ferdinand Keller (painter) on Wikipedia; and the disclaimer.
KELLER, Ferdinand (1842—). A German historical painter, born at Karlsruhe. In 1857 he accompanied his father and brother to Brazil, and there sketched diligently from nature in the tropical forests. He returned to Karlsruhe in 1862, studied landscape painting under Schirmer,
and then figure painting under Canon, whereupon he spent four years in Italy, mostly in Rome. His “Death of Philip II.” was awarded the first prize at the International Art Exhibition in Rio de Janeiro. Besides some large landscape compositions, and numerous portraits, he next produced “Burning of Rome Under Nero” (1873, medal Vienna Exposition), and became more widely known through his successful competition for the painting of the curtain in the New Theatre at Dresden, which he executed in 1876. Then followed “Victory of Margrave Ludwig Wilhelm of Baden Over the Turks at Salankamen. 1691” (1879, Karlsruhe Gallery); “Hero Finding the Body of Leander” (1880, Vienna Academy); and later “Apotheosis of William the Victorious” (1888, National Gallery, Berlin). He scored a great triumph with a large allegorical composition, representing the founding of the university in a “Triumphal Progress of Pallas Athene Before Elector Ruprecht” (1886), in the Aula of Heidelberg University. He was made professor at the School of Art in Karlsruhe, and ranks among the chief representatives of modern colorism in Germany.
# The New International Encyclopædia/Keller, Friedrich Ludwig von

Edition of 1905. See also Friedrich Ludwig Keller on Wikipedia; and the disclaimer.
KELLER, Friedrich Ludwig von (1799-1860). A Swiss-German jurist, pupil of Savigny. He was born at Zurich, studied jurisprudence at Berlin and Göttingen (1819-22), and on his return home became professor of civil law, took an active part in Swiss politics, aud soon became head of the liberal radicals of Zurich. In 1831 he was made head of the Swiss justiciary. From 1843 to 1847 he was professor in the University and then went to Berlin as successor of Puchta. He became a Conservative member of the Lower House, and because of his services to the monarchical party was ennobled. His principal works are Ueber Litiscontestation and Urteil (1827) and Der römische Zivilprozess und die Aktionen (6th ed. 1883). His Vorlesungen über die Pandekten was edited by Friedberg (1861), and by Lewis (1867).
# The New International Encyclopædia/Keleti, Gustav Friedrich

Edition of 1905. See also Gustav Friedrich Keleti on Wikipedia; and the disclaimer.
KELETI, kĕl'ĕ-tḗ, Gustav Friedrich (1834-1902). An Hungarian landscape painter and writer
on art, born at Pressburg. He first studied law at Pesth and Vienna, and became a tutor in the family of Baron Eötvös, before taking up painting at the Munich Academy, under Fischbach, Voltz, and Schleich. He developed an independent style in the spirit of romanticism. Several of his landscapes are in the National Museum at Budapest. By his writings he contributed much toward the elevation of art criticism in Hungary, and under his direction were established in 1871 the Royal Hungarian School of Drawing, and in 1880 the School of Industrial Art, of which he became the superintendent. He was elected a member of the Hungarian Academy in 1874.
# The New International Encyclopædia/Kelle, Johann

Edition of 1905. See also Johann von Kelle on Wikipedia; and the disclaimer.
KELLE, kĕl'le, Johann (1829—). A German philologist, born at Regensburg, and educated at Munich. In 1857 he was made professor of the German language and literature in the University of Prague. His work on Otfrid includes: Otfrids von Weissenburg Evangelienbuch (1856); Die Formen und Lautlehre der Sprache Otfrids (1869); Christi Leben und Lehre, besungen von Otfrid: Aus dem Althochdeutschen übersetzt (1870); and Glossar zu Otfrids Evangelienbuch (1879-81). His work on Notker is no less important; in general it aims to prove that the writings bearing his name are not by a school or group of translators, but by Notker alone, and includes: Verbum und Nomen in Notkers Boëthius (1885); Die Sankt Galler deutschen Schriften und Notker Labeo (1888); and Untersuchungen zur Ueberlieferung, Uebersetzung, Grammatik der Psalmen Notkers (1889). Among his other works the following should he mentioned: Die Jesuitengymnasien in Oesterreich (1873); Vergleichende Grammatik der germanischen Sprachen, vol. i. (1863); Geschichte der deutschen Litteratur von der ältesten Zeit bis zur Mitte des 11. Jahrhunderts (1892); Ueber die Quelle von Ezzos Gesang von den Wundern Christi (1893); and his Speculum Ecclesiæ (1858).