OpenLLM-France/wikimedia huggingface dataset:
# The Middle Years

* Search for titles containing or beginning with: "The Middle Years."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Middle Years", a short story by Henry James, published in 1893
* The Middle Years, an autobiographical book by Henry James, published posthumously in 1917
# The Middle Classes/Dedication

To Constance-Victoire.
 Here, madame, is one of those books which come into the mind,  whence no one knows, giving pleasure to the author before he can  foresee what reception the public, our great present judge, will  accord to it. Feeling almost certain of your sympathy in my  pleasure, I dedicate the book to you. Ought it not to belong to  you as the tithe formerly belonged to the Church in memory of God,  who makes all things bud and fruit in the fields and in the  intellect?
 A few lumps of clay, left by Moliere at the feet of his colossal  statue of Tartuffe, have here been kneaded by a hand more daring  than able; but, at whatever distance I may be from the greatest of  comic writers, I shall still be glad to have used these crumbs in  showing the modern Hypocrite in action. The chief encouragement  that I have had in this difficult undertaking was in finding it  apart from all religious questions,—questions which ought to be  kept out of it for the sake of one so pious as yourself; and also  because of what a great writer has lately called our present  "indifference in matters of religion."
 May the double signification of your names be for my book a  prophecy! Deign to find here the respectful gratitude of him who  ventures to call himself the most devoted of your servants.
 De Balzac.
# The Lord's Prayer (Meynell)

* Meynell, Alice (1917), "The Lord's Prayer" in A father of women, and other poems.
* Meynell, Alice (1921), "The Lord's Prayer" in Poems.
# The Lord's Prayer

* Search for titles containing or beginning with: "The Lord's Prayer."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Lord's Prayer, a passage from the Gospel of Matthew, 1st century
* The Lord's Prayer, a poem attributed to Christopher Smart, 1771
* The Lord's Prayer, a poem by Alice Meynell, 1921
# The Lord's My Shepherd (unsourced)

This paraphrase of Psalm 23 has been attributed to various people, inc. Francis Rous (1579-1659) in The Lutheran Hymnal . It appears in the Scottish Psalter (1650) . It was set to the tune "Crimond" by Jessie Seymour Irvine.
The Lord's my shepherd, I'll not want.
He makes me down to lie
in pastures green. He leadeth me
the quiet waters by.
My soul he doth restore again,
and me to walk doth make
within the paths of righteousness,
e'en for his own name's sake.
Yea, though I walk in death's dark vale,
yet will I fear no ill.
For thou art with me, and thy rod
and staff me comfort still.
My table thou hast furnished in presence of my foes:
my head thou dost with oil anoint,
and my cup overflows.
Goodness and mercy all my life
shall surely follow me.
And in God's house for evermore my dwelling place shall be.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Lord's My Shepherd (Rous)

* related portals: Hymns.
* sister projects: Wikipedia article, Commons category, Wikidata item.
This paraphrase of Psalm 23 has been attributed to various people, inc. Francis Rous (1579-1659) in The Lutheran Hymnal . It appears in the Scottish Psalter (1650) . It was set to the tune "Crimond" by Jessie Seymour Irvine.
* "Hymn" in "Memorial Service: King Edward VII" (1910)
* "The Lord's My Shepherd" (unsourced)
# The Jovial Rantin' Highlandman/The Jovial Rantin' Highlandman

THE RANTIN HIGHLANDMAN.
# The Jovial Rantin' Highlandman/Yougal Harbour

YOUGAL HARBOUR
OR,
Pretty Nancy of Capperquin.
# The Journal of Speculative Philosophy/Volume 2

Index page: Journal_of_Speculative_Philosophy_Volumes_1_and_2.djvu

## Volume II

* Preface

### Number 1

* Page 1 Statement of the Problem
* Page 3 Sun-Clear Statement

### Number 2

* Page 65 Sun-Clear Statement (cont.)
* Page 103 Questions Concerning Certain Faculties Claimed for Man by C. S. Peirce

### Number 3

* Page 129 Sun-Clear Statement (cont.)
* Page 140 Some Consequences of Four Incapacities by C. S. Peirce

### Number 4

* Page 193 Grounds of Validity of the Laws of Logic by C. S. Peirce
# The Journey

* Search for titles containing or beginning with: "The Journey."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Journey", a poem by Charles Churchill
* "The Journey", a poem by Emily Dickinson
* "The Journey", a poem by Grace Fallow Norton
# The Jovial Rantin' Highlandman/Logan-Braes and Answer

Although the work is credited to 'R. Burns' (presumably Robert), it does not appear in his collected works. The The Book of Scottish Song attributes it to John Mayne, and provides details of its publication history.
LOGAN - BRAES.
[by R. Burns.]
# The Jovial Rantin' Highlandman/My Ain Dear Jean

MY AIN DEAR JEAN,
# The Journal of Tropical Medicine
## Old Series

* Volume I, 1898
* Volume II, 1899
* Volume III, 1900
* Volume IV, 1901
* Volume V, 1902
* Volume VI, 1903 (transcription project)
* Volume VII, 1904 (transcription project)
# The Jovial Rantin' Highlandman/Roy's Wife of Aldivalloch

Roy's Wife of Aldivalloch.
FINIS.
# The Jovial Rantin' Highlandman

The Jovial Rantin'
HIGHLANDMAN.
To which are added,
Yougal Harbour:
OR,
PRETTY NANCY of CAPPERQUIN.
My ain Dear Jean.
Logan-Braes & Anſwer:
AND
Roy's Wife of Aldivalloch.
Falkirk, Printed by T. Johnston.
* The Jovial Rantin' Highlandman
* Yougal Harbour
* My Ain Dear Jean
* Logan-Braes & Answer
* Roy's Wife of Aldivalloch
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The New International Encyclopædia/Drake, Francis Samuel

Edition of 1905. See also Francis Samuel Drake (historian) on Wikipedia; and the disclaimer.
DRAKE, Francis Samuel (1828-85). An American author, born at Northwood, N. H., the son of Samuel Gardner Drake. His most important work is his Dictionary of American Biographies (1872), containing 10,000 biographies, nearly all prepared by himself. He also published Life of General Henry Knox (1873), The Town of Roxbury (1878), and Indian History for Young Folks (1884); and contributed to Winsor's Memorial History of Boston (1880-82).
# The New International Encyclopædia/Drew Theological Seminary

Edition of 1905. See also Drew University on Wikipedia; and the disclaimer.
DREW THEOLOGICAL SEMINARY. A leading educational institution for the training of Methodist Episcopal ministers. The seminary was founded at Madison, N. J., in 1866, and was named in honor of Daniel Drew, who donated grounds and buildings to the value of about $275,000. The course of study extends through three years, and is intended not only to give a thorough professional training, but to afford opportunity for a broad culture through the study of the humanities. The seminary degree B.D. is given only to graduates holding a prior academic degree. No tuition fees are charged. The seminary buildings include Mead Hall, Asbury Hall, Embury Hall, the Hoyt-Bowne Hall, the Administration Building, and the J. B. Cornell Library. The total value of the grounds and buildings is approximately $700,000, while the endowment funds aggregate $460,000. The library is especially valuable, containing 73,000 volumes and 59,000 pamphlets. The enrollment of students approximates 200.
# The New International Encyclopædia/Dracæna draco

Edition of 1905. See also Dracaena draco on Wikipedia; and the disclaimer.
DRACÆ'NA DRA'CO (Lat., from Gk. δρακαινα, drakaina, she-dragon, from δράκον, drakōn, dragon), or Dragon Tree. A tree of the order Liliaceæ, that produces the resin called dragon's blood. Its thickness is greatly out of proportion
to its height. The head is crowned with short branches bearing tufts of sword-shaped leaves. Humboldt saw a famous specimen in Teneriffe, which at the time of his visit was 70 feet tall and 45 feet in circumference, and was estimated to be 6000 years old. It was destroyed by a storm in 1868. The Guanches worshiped it, and had hollowed its trunk into a small sanctuary. Others of large size are reported from the Canary Islands and India.
# The New International Encyclopædia/Drake, Friedrich Johann Heinrich

Edition of 1905. See also Friedrich Drake on Wikipedia; and the disclaimer.
DRAKE, drä'ke, Friedrich Johann Heinrich (1805-82). A German sculptor, born at Pyrmont, June 23, 1805. His father was a turner, and the son also served an apprenticeship in cabinet-work. His talent in clay-modeling attracted the attention of Dr. Mundhenke, a relative of Rauch, who in 1827 obtained for him admission into the sculptor's atelier. Drake also studied in Italy, where he came under the inlluence of Thorwaldsen, but Rauch was his principal master, and his first works were executed under Rauch's directions. The best of them is a group representing a “Dying Warrior” (1833), crowned with the laurel of victory; a “Madonna and Child,” bought by the Empress of Russia; and a graceful statue of a “Female Vine-Dresser” (National Museum, Berlin). His early works also include a series of excellent portrait statuettes of Goethe, Schiller, Rauch, the two Humboldts, and other celebrities. In 1836 he modeled the colossal bronze statue of Justus Möser, a German patriot, for Osnabrück, and in 1844 he completed the plaster statues of the eight “Provinces of Prussia” for the White Hall in the Royal Palace of Berlin. Among his best works is the marble statue of Frederick William III. in the Thiergarten, Berlin; the frieze crowning the circular pedestal, 18 feet in height, represents the enjoyment of nature, and is one of the most graceful works of modern sculpture. Noteworthy among his other works is the noble marble statue of Christian Rauch, in the vestibule of the New Museum, Berlin; another of the sculptor Schinkel (1869), and a marble group in the Schlossbrüche representing a “Warrior Crowned by Victory” (1850). Perhaps the most important of all his monumental works is the colossal bronze statue of King William of Prussia (1867), for the iron bridge of Cologne. At the Paris Exhibition (1867) this monument was adjudged the most remarkable work of modern sculpture, and brought to the sculptor the great gold medal of the Legion of Honor. His latest works include the colossal bronze statue of Alexander von Humboldt in Philadelphia and busts of Bismarck and von Moltke. Drake is one of the foremost representatives of the German School of sculpture of
the nineteenth century. His art is manly and strong, but not without a high appreciation of beauty of form. It is not a reflection of the antique, like that of Canova, but more original and modern. In his portrait work he renders the character of the subject in its most attractive features, but without false idealization. He was highly regarded by contemporaries, having been professor of the Academy of Berlin and member of the academies in Munich, Saint Petersburg, Antwerp, Rome, and of the Institute of France. He died in Berlin. Consult: Lübke, History of Sculpture, vol. ii. (London, 1872); Heinrich, Rauch, Rietschel und Drake (Basel, 1884).
# The New International Encyclopædia/Drake, Joseph Rodman

Edition of 1905. See also Joseph Rodman Drake on Wikipedia; and the disclaimer.
DRAKE, Joseph Rodman (1795-1820). An American poet. He is chiefly remembered for his poems “The American Flag” and “The Culprit Fay,” and for the eulogy by his friend Halleck (see Halleck, Fitz-Greene), beginning “Green be the turf above thee.” Drake was born in New York City, was early left an orphan, and had a hard struggle in his first years. He managed, however, to study medicine, graduating in 1816, and the same year married the daughter of Henry Eckford, a ship-builder, much to the bettering of his circumstances. The same year also he wrote “The Culprit Fay,” his longest work, a fanciful poem which aimed to show that American rivers were not unadapted to romance and romantic treatment. In 1818 he went to Europe, and on his return wrote a series of verse satires for the New York Evening Post on current events. They were done in conjunction with Halleck, and are generally known as The Croakers. The verses were distinctly witty and very popular. In 1819 Drake went to New Orleans to recover his health, but the following year he died of consumption in New York. The Culprit Fay and Other Poems (including “The American Flag”) was published in 1835. There have been two later editions. The Croaker verses were collected in 1880.
# The New International Encyclopædia/Drake, Nathan

Edition of 1905. See also Nathan Drake (essayist and physician) on Wikipedia; and the disclaimer.
DRAKE, Nathan (1766-1836). An English physician and author. He was born at York, and was educated at Edinburgh. After a short residence at Sudbury he removed, in 1792, to Hadleigh, Suffolk, where he became prominently known as a physician and essayist. He was a versatile and very prolific author. His more important works include: Shakespeare and His Times (1817), in which the accumulated material of previous editions and annotations was for the first time collated and presented in its entirety; and On the Use of Digitalis in Consumption (five papers published in the Medical and Physical Journal, London, 1799-1800). His Literary Hours (1798) were exceedingly popular early in the nineteenth century (4th ed. 1820).
# The New International Encyclopædia/Drake, Samuel Adams

Edition of 1905. See also Samuel Adams Drake on Wikipedia; and the disclaimer.
DRAKE, Samuel Adams (1833—). An American editor and author, born in Boston, the son of Samuel Gardner Drake. Upon the outbreak of the Civil War he became inspector and adjutant-general of the Kansas militia, and in 1864 brigadier-general. His many works include: Old Landmarks of Boston (1873); New England Legends and Folk-Lore (1884); The Making of the Great West (1887); The Making of the Ohio Valley States (1894); The Watch Fires of '76 (1895); Myths and Fables of Today (1900).
# The New International Encyclopædia/Drake, Samuel Gardner

Edition of 1905. See also Samuel Gardner Drake on Wikipedia; and the disclaimer.
DRAKE, Samuel Gardner (1798-1875). An eminent American antiquarian. He was born in Pittsfield, Mass., was educated in the common schools, and from 1818 to 1825 taught in a
district school. In 1828 he went to Boston, where he established an antiquarian book-store—the first of its kind in the United States—and devoted himself to the study of early Massachusetts history. He was one of the founders (1847) of the New England Historical and Genealogical Society, was its president in 1858, and for many years was the editor of its quarterly Register. He published four valuable works on Indian history: Indian Biography (1812); Book of the Indians (1833); Old Indian Chronicle (1836); and Indian Captivities (1839); besides the History and Antiquities of Boston (1856); Annals of Witchcraft in the United States (1869); and History of the French and Indian War (1870). He also edited Church's Entertaining History of King Philip's War (1825); Mather's Indian War of 1675-76 (1862); Early History of New England (1864); and Hubbard's Indian Wars (1865).
# The Kobzar of the Ukraine/A Triumphal March

Layout 2
A Triumphal March
His progress was a triumphal march, a succession of banquets and popular welcomes and entertainments at the homes of the wealthy.
At Kiev people still remember that the earliest Russian civilization had its beginnings in the Ukraine. There Christianity first took root, and there were the first Russian Princes.
Before Shevchenko's arrival there was organized at Kiev the Society of Cyril and Methodius, called after the great apostles of Russia, and the leading spirits of the Society were professors in the University of Kiev.
Into this brilliant company Shevchenko was welcomed. Its leaders became his devoted friends. A chair of painting in the University was to be established for him.
Most remarkable were the relations between Shevchenko and Professor Kulisch. ​Kulisch was to be married to a great lady, a daughter of one of the nobles of the country. The poet was invited to the wedding and the bride, in her enthusiasm, actually kissed his hand. This was an astonishing act of condescension towards one who had been a serf, but this lady, herself afterwards a famous authoress, cherished the memory to her dying day.
Shevchenko's saddest experience in the Ukraine was when he visited his native village and found his brothers and sisters in serfdom. His dream was to earn enough money to purchase their freedom, and afterwards to devote his life to the liberation of the peasantry. The poem—"The Bondwoman's Dream"—commemorates the poet's meeting with his favorite sister, Katherine, working as a slave.
His friends thought he should go to Italy to perfect himself in painting. Madame Kulisch purposed to sell her family jewels to raise sufficient money to send Shevchenko to that country. Her husband who was in the plot told Shevchenko that some wealthy person had contributed the money but he must not ask for the donor's name.
But on returning to Kiev from the Kulisch home a policeman put his hand on the shoulder of the poet painter.
Shevchenko meets his sister.
# The Kobzar of the Ukraine/Autocrat Versus Poet

Layout 2
Autocrat Versus Poet
Tens of thousands of copies of the New Testament and the Psalter were burned by his orders. He said such books were for the priests, not for the common people. Incidentally it may be remarked that the priests had to teach what he wanted or lose their jobs.
To speak against his government, or even to criticize czars who reigned hundreds of years before him was a crime.
The little band of dreamers who formed the Society of Cyril and Methodius actually hoped to convert this autocrat, and secure his assistance in freeing the people. They had visions of a free Confederation of Slavonic states, after the pattern of the United States of America, but with the czar as head. But they sadly misjudged their man.
​Shechenko had actually spoken impertinently of the Autocrat in his poems. He refused to retract.
The government really wished to be lenient, if he would only be good and confess that he had done wrong. But Shevchenko was not of those who are willing to admit that black is white.
# The Kobzar of the Ukraine/A Poem of Exile

This poem was originally written in 1850 is known under the Ukrainian title of "Лічу в неволі дні і ночі" (Liču v nevoli dni i noči, "I count in captivity the days and nights"). This is a translation of the second, longer version of the poem.
Layout 2
A Poem of Exile
I COUNT in prison the days and nights And then forget the count. How heavily, Oh Lord, Do these days pass! And the years flow after them, Quietly they flow, Bearing with them Good and ill. Everything do they gather Never do they return. You need not plead. Your prayers unanswered fall. Mid oozy swamps among the weeds Year after weary year has sadly flowed. Much of something have they taken From dark store-house of my heart; Borne it quietly to the sea, As quietly the sea swallowed it. Not gold and silver Did they take from me, But good years of mine Freighted with loneliness,
Sorrows written on the heart With unseen pen. And a fourth year passes So gently, so slowly, The fourth book of my imprisonment I start to stitch up, Embroidering it with tears Of homesickness in a foreign land. Yet such woe tells itself not in words. Never, never in the wide world. In far away captivity There are no words Not even tears, Just nothingness; Not even God above thee. Nothing is there to see, None with whom to speak, Not even desire for life. Yet thou must live! I must! I must! But for what? That I may not lose my soul? My soul is not worth such suffering! Then why must I live on in the world.
Drag these fetters in my jail? Because, perchance, my own Ukraine I shall see again. Again I shall pour out my words of sorrow To the green groves and rich meadows. No family have I of my own in all Ukraine, Yet the people there are different from these foreigners I would walk again among the bright villages On the Dnieper's banks and sing my thoughts gentle and sad. Grant me, Oh God of mercy That I may live to see again Those green meadows, those ancestral tombs. If Thou wilt not grant this. Yet bear my tears To my Ukraine. Because, God, I die for her. It may be that I shall lie more lightly in foreign soil
When sometimes in Ukraine they speak of my memory. Carry my tears then Oh God of loving kindness, Or at least send hope into my soul. I can think no more with my poor head. For coldness of death comes on me When I think that they may bury me in foreign soil And bury my thoughts with me And none tell about me in the Ukraine. And yet it may be that gently through the years My tear-embroidered songs shall fly sometime And fall as dew upon the ground On the tender heart of youth. And youth shall nod assent. And weep for me Making mention of me in its prayers. Well, as it will be so it will be. Perhaps 'twill swim Perhaps 'twill wade Yet even if they crucify me for it I'll still write my verses.
# The Kobzar of the Ukraine/Hymn of Exile

Layout 2
Hymn of Exile
THE sun goes down beyond the hill, The shadows darken, birds are still; From fields no more come toiler's voices In blissful rest the world rejoices. With lifted heart I, gazing stand, Seek shady grove in Ukraine's land. Uplifted thus, 'mid memories fond My heart finds rest, o'er the hills beyond. On fields and woods the darkness falls From heaven blue a bright star calls. The tears fall down. Oh, evening star! Hast thou appeared in Ukraine far? In that fair land do sweet eyes seek thee Dear eyes that once were wont to greet me? Have eyes forgotten their tryst to keep? Oh then, in slumber let them sleep No longer o'er my fate to weep.
# The Kobzar of the Ukraine/Freedom and Friends

Freedom and Friends
He is introduced, too, in Russian or Polish translations to the great authors of other lands and times,—Greece and Rome, Germany and Britain offer him their treasures.
To us it is interesting to know that Byron, Walter Scott, and Shakespeare profoundly influenced him.
But a conflict of spirit now faces him. His worldly interests and his judgment advise him to go on with his painting. But strange music seems to ring in his ears. It is the music of his beautiful and suffering Ukraine. Songs seem to come to him from the wind and he writes them down.
​They are in the peasant language of the Ukraine.
His 'Kobzar' appears in its first edition, with eight poems, in 1840. It is like a lightning flash through Russia.
Great Russian critics sneered at it, saying it was in the longuage of the swineherds. But the whole Ukraine recognized it as the voice of their suppressed nation. The down-trodden masses of all Russia knew that they had found a spokesman.
# The New International Encyclopædia/Bivouac

Edition of 1905. See also Military camp on Wikipedia; and the disclaimer.
BIVOUAC, bĭv'wăk (Fr., probably from Ger. Beiwache, Beiwacht, from bei, by + Wache, watch, guard), Military. An encampment of soldiers in the open air; generally of a temporary nature. In active service, and in an enemy's country, great care must be exercised in
the choice of ground for a bivouac. It must be, as far as possible, free from being commanded by artillery fire, capable of hasty defense, offer few (if any) advantages to an enemy, and be near water facilities for men and animals. See Encampment; Camp, Military; and Cantonment.