# Possession (Bromfield)/Chapter 14

DUSK had already fallen and the black servants had placed silver candlesticks among the wreckage of the Christmas feast before the first chair was drawn back with a scraping sound in the paneled dining room of Shane's Castle.
Throughout the long dinner, Ellen sat silent and somewhat abashed, eating little, hearing nothing, not even the family talk which each year followed the same course, rambling backward into reminiscences of the Civil War and of Grandpa Barr's adventure to the Gold Coast in the Forties. Even when the old man, lost in a torrent of sweeping memories, described with flashing blue eyes and the resonant voice of youth the jungle tapestries of Panama and a terrible shipwreck off the Cocos Islands, Ellen did not raise her head. It was not these things which interested her; ​they were too far away and she was still too young, too egoistic, to understand the burning romance that lay in them.
It was only Lily who interested her, and with Lily she had been able to make no progress. Her cousin was placed opposite her, between Charles Tolliver and his son Fergus; and between these two Lily divided her attention, save in those moments when the stentorian tones of the Red Old Scot drowned all conversation. Even the boy she addressed with as much charm and as much interest as if he had been the most fascinating of men; and Fergus, young though he was, had been affected. His clear blue eyes, half-hidden by dark lashes, glowed with a naïve pleasure. Ellen, watching the pair, understood suddenly that this brother, so fascinated by the woman beside him, would one day escape as Lily had escaped. It was easy for him; it was easy for any man. For a girl to escape was a different matter. Yet, sitting there wrapped in despair, she planned how she might help him if she were the first to make her way into the world.
For Fergus exerted upon her a strange effect of softening. His fanciful mind she alone understood, and there were times in the long winter evenings when it was to him alone that she played her savage music. His shyness, which, unlike hers, lacked all the quality of savagery, aroused in her a fierce instinct of protection. There were times when the sight of his clear eyes, his blond curly head and snub nose filled her with an unaccountable melancholy and foreboding.
Sometimes during the dinner Ellen turned at the sound of a loud, rasping voice to regard her cousin Eva Barr, who sat by the side of Irene discussing harshly their work among the poor. Something about the horse-faced spinster filled her with a vague terror. It was as if Eva Barr stood as a symbol of that which a courageous, strong-minded woman might become if kept too long imprisoned. To Ellen, turning these things over secretly in her mind, it seemed that the way of her own destiny lay before her, branching now into two paths. At the end of the one stood the glowing Lily and at the end of the other Eva Barr, baffled ​sour, dogmatic, driving herself with a fierce energy into good works.
In a sudden access of pity and sorrow, for herself as much as for Eva Barr and old Miss Ogilvie, the tears welled in her eyes and dropped to the starched front of her shirtwaist. But she dried them, quickly and proudly, before they were seen, with the handkerchief she kept in the jangling chatelaine at her waist.
Ah, she saw everything very clearly . . . even the tragedy of her mother, so contented at this moment, in the midst of all her family, talking in her rich, vigorous voice to bitter old Julia Shane. Yet there was no way of saving any one, of changing anything. By some profound and feminine instinct, the girl knew this and it made her weep silently. . . . Ellen, who people said was so proud and had no heart.
Thus all her plans for seeking help from Lily were dissipated. If she had been less proud, she might, by an heroic effort, have approached her cousin saying, "You must give me money . . . lend it to me. Some day I will pay you back, for I will be rich, powerful. You must help me to do what I know I must do." But she found herself incapable of speaking the words, because the pride of a poverty which has been trained to show an indifferent face was too deeply planted in her. She would ask anything else . . . anything. She could not ask for money.
It was Lily herself who, all unconsciously, closed the matter once and for all. As the family, much wrapped in coats and furs against the cold, stood in the dark hallway making their farewells, she drew Ellen aside and, placing a friendly arm about the waist of the girl, said, "You play superbly, Ellen. If you can play always as you have played to-day, you will be a great artist." And then in a whisper, almost furtive, she said, "You must not throw it away. It is too great a gift. And don't let them make you settle into the pattern of the Town. It's what they'll try to do, but don't let them. We only live once, Ellen. Don't waste your life. . . . And when the time comes, if you want to come ​and study in Paris with the great Philippe, you can live with me." For a moment, the girl blushed and regarded the floor silently. "I won't let them," she managed to murmur presently. "Thank you, cousin Lily." It was all that she was able to say.
And when she stepped through the doorway into the cold air, the flames above the furnaces were blurred before her glistening eyes. Lily had promised Paris. That was something; but Paris was a long way off and the road between was certain to be hard.