OpenLLM-France/wikimedia huggingface dataset:
# Gregg Dyeing Company v. Query City of Greenville

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
286 U.S. 472
Gregg Dyeing Company v. Query City of Greenville
Argued: Dec. 10, 1931. --- Decided: May 31, 1932
Messrs. James M. Lynch, of Florence, S.C.., and P. F. Henderson, of Aiken, S.C.., for appellants.
Messrs. John M. Daniel, Atty. Gen., and J. Fraser Lyon, of Columbia, S.C.., for appellees.
Mr. Chief Justice HUGHES delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Greey v. Dockendorff

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
231 U.S. 513
Greey v. Dockendorff
Argued: December 2, 1913. --- Decided: December 15, 1913
Messrs. Benjamin G. Paskus, Ralph Wolf, James N. Rosenberg, and Garrard Glenn for appellant.
Messrs. Julius Henry Cohen, Gerard B. Townsend, and Theodore B. Richter for appellee.
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Gregg Cartage Storage Company v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
316 U.S. 74
Gregg Cartage Storage Company v. United States
Argued: March 4, 1942. --- Decided: April 13, 1942
Appeal from the District Court of the United States for the Northern District of Ohio.
Messrs. Howell Leuck, of Cleveland, Ohio, H. Russell Bishop, of Washington, D.C., for appellants.
Mr. James C. Wilson, of Washington, D.C., for appellees.
Mr. Justice JACKSON delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Gregg v. Barrett

* related portals: United States Court of Appeals for the District of Columbia Circuit.
* sister projects: Wikidata item.
* Court Documents
* Opinion of the Court
* 771 F.2d 539
* JUDD GREGG, U.S. CONGRESSMAN, et al., Appellants
* v.
* WILLIAM J. BARRETT, individually and in his official capacity as Acting Public Printer, et al.
* No. 84-5458
* United States Court of Appeals, District of Columbia Circuit.
* April 15, 1985, Argued
* September 13, 1985, Decided
Maxwell A. Miller, with whom Michael R. Perna was on the brief, for Appellants.
Charles Tiefer, Assistant General Counsel to the Clerk, U.S. House of Representatives, with whom Steven R. Ross, General Counsel to the Clerk, Michael Davidson, Senate Legal Counsel, M. Elizabeth Culbreth, Deputy Senate Legal Counsel and Morgan J. Frankel, Assistant Senate Legal Counsel, United States Senate, were on the brief for Appellees Congressional.
Robert C. Seldon, Assistant United States Attorney, with whom Joseph E. diGenova, United States Attorney, Royce C. Lamberth, R. Craig Lawrence and Michael J. Ryan, Assistant United States Attorneys were on the brief for Appellee Public Printer.
Mikva and Edwards, Circuit Judges, and McGowan, Senior Circuit Judge. Opinion for the Court filed by Circuit Judge Mikva.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Gregg v. Forsyth

* Search for titles containing or beginning with: "Gregg v. Forsyth."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Gregg v. Forsyth (65 U.S. 179)
* Gregg v. Forsyth (69 U.S. 56)
# Harlem Shadows/Morning Joy

Layout 2
At night the wide and level stretch of wold, Which at high noon had basked in quiet gold, Far as the eye could see was ghostly white; Dark was the night save for the snow's weird light.
I drew the shades far down, crept into bed; Hearing the cold wind moaning overhead Through the sad pines, my soul, catching its pain, Went sorrowing with it across the plain.
At dawn, behold! the pall of night was gone, Save where a few shrubs melancholy, lone, Detained a fragile shadow. Golden-lipped The laughing grasses heaven's sweet wine sipped.
The sun rose smiling o'er the river's breast, And my soul, by his happy spirit blest, Soared like a bird to greet him in the sky, And drew out of his heart Eternity.
# Harlem Shadows/O Word I Love to Sing

Layout 2
O word I love to sing! thou art too tender For all the passions agitating me; For all my bitterness thou art too tender, I cannot pour my red soul into thee.
O haunting melody! thou art too slender, Too fragile like a globe of crystal glass; For all my stormy thoughts thou art too slender, The burden from my bosom will not pass.
O tender word! O melody so slender! O tears of passion saturate with brine, O words, unwilling words, ye can not render My hatred for the foe of me and mine.
# Harlem Shadows/On Broadway

Layout 2
About me young and careless feet Linger along the garish street; Above, a hundred shouting signs Shed down their bright fantastic glow Upon the merry crowd and lines Of moving carriages below. Oh wonderful is Broadway—only My heart, my heart is lonely.
Desire naked, linked with Passion, Goes strutting by in brazen fashion; From playhouse, cabaret and inn The rainbow lights of Broadway blaze All gay without, all glad within; As in a dream I stand and gaze At Broadway, shining Broadway—only My heart, my heart is lonely.
# Harlem Shadows/On a Primitive Canoe

Layout 2
Here, passing lonely down this quiet lane, Before a mud-splashed window long I pause To gaze and gaze, while through my active brain Still thoughts are stirred to wakefulness; because Long, long ago in a dim unknown land, A massive forest-tree, ax-felled, adze-hewn, Was deftly done by cunning mortal hand Into a symbol of the tender moon. Why does it thrill more than the handsome boat That bore me o'er the wild Atlantic ways, And fill me with rare sense of things remote From this harsh life of fretful nights and days? I cannot answer but, whate'er it be, An old wine has intoxicated me.
# Harlem Shadows/My Mother

Layout 2
I
Reg wished me to go with him to the field, I paused because I did not want to go; But in her quiet way she made me yield Reluctantly, for she was breathing low. Her hand she slowly lifted from her lap And, smiling sadly in the old sweet way, She pointed to the nail where hung my cap. Her eyes said: I shall last another day. But scarcely had we reached the distant place, When o'er the hills we heard a faint bell ringing; A boy came running up with frightened face; We knew the fatal news that he was bringing. I heard him listlessly, without a moan, Although the only one I loved was gone.
II
The dawn departs, the morning is begun, The trades come whispering from off the seas, The fields of corn are golden in the sun, ​The dark-brown tassels fluttering in the breeze; The bell is sounding and the children pass, Frog-leaping, skipping, shouting, laughing shrill, Down the red road, over the pasture-grass, Up to the school-house crumbling on the hill. The older folk are at their peaceful toil, Some pulling up the weeds, some plucking corn, And others breaking up the sun-baked soil. Float, faintly-scented breeze, at early morn Over the earth where mortals sow and reap— Beneath its breast my mother lies asleep.
# Harlem Shadows/North and South

Layout 2
O sweet are tropic lands for waking dreams! There time and life move lazily along. There by the banks of blue-and-silver streams Grass-sheltered crickets chirp incessant song, Gay-colored lizards loll all through the day, Their tongues outstretched for careless little flies, And swarthy children in the fields at play, Look upward laughing at the smiling skies. A breath of idleness is in the air That casts a subtle spell upon all things, And love and mating-time are everywhere, And wonder to life's commonplaces clings. The fluttering humming-bird darts through the trees And dips his long beak in the big bell-flowers, The leisured buzzard floats upon the breeze, Riding a crescent cloud for endless hours, The sea beats softly on the emerald strands— O sweet for quiet dreams are tropic lands!
# Harlem Shadows/Jasmines

Layout 2
Your scent is in the room. Swiftly it overwhelms and conquers me! Jasmines, night jasmines, perfect of perfume, Heavy with dew before the dawn of day! Your face was in the mirror. I could see You smile and vanish suddenly away, Leaving behind the vestige of a tear. Sad suffering face, from parting grown so dear! Night jasmines cannot bloom in this cold place; Without the street is wet and weird with snow; The cold nude trees are tossing to and fro; Too stormy is the night for your fond face; For your low voice too loud the wind's mad roar. But oh, your scent is here—jasmines that grow Luxuriant, clustered round your cottage door!
# Harlem Shadows/La Paloma in London

Layout 2
About Soho we went before the light; We went, unresting six, craving new fun, New scenes, new raptures, for the fevered night Of rollicking laughter, drink and song, was done. The vault was void, but for the dawn's great star That shed upon our path its silver flame, When La Paloma on a low guitar Abruptly from a darkened casement came–– Harlem! All else shut out, I saw the hall, And you in your red shoulder sash come dancing With Val against me languid by the wall, Your burning coffee-colored eyes keen glancing Aslant at mine, proud in your golden glory! I loved you, Cuban girl, fond sweet Diory.
# Harlem Shadows/Memorial

Layout 2
Your body was a sacred cell always, A jewel that grew dull in garish light, An opal which beneath my wondering gaze Gleamed rarely, softly throbbing in the night.
I touched your flesh with reverential hands, For you were sweet and timid like a flower That blossoms out of barren tropic sands, Shedding its perfume in one golden hour.
You yielded to my touch with gentle grace, And though my passion was a mighty wave That buried you beneath its strong embrace, You were yet happy in the moment's grave.
Still more than passion consummate to me, More than the nuptials immemorial sung, Was the warm thrill that melted me to see Your clean brown body, beautiful and young; ​The joy in your maturity at length, The peace that filled my soul like cooling wine, When you responded to my tender strength, And pressed your heart exulting into mine.
How shall I with such memories of you In coarser forms of love fruition find? No, I would rather like a ghost pursue The fairy phantoms of my lonely mind.
# Herald Angels, and The Holly & Ivy

Broadside containing two poems (Douce adds. 137(25) in the Bodleian Library), printed between 1812 and 1830 by T. Bloomer, Birmingham.
* Herald Angels
* The Holly & Ivy
This work was published in 1830 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 193 years or less since publication.
Public domainPublic domainfalsefalse
# Heralds of God

HERALDS
OF GOD
By
JAMES S. STEWART,
D.D.
How are they to believe in One of whom they have not heard? And how are they ever to hear, without a herald? And how can men be heralds, unless they are sent by God?
St. Paul to the Romans.
NEW YORK CHARLES SCRIBNER'S SONS
CONTENTS :
| | | PAGE |
| PREFACE | PREFACE | 5 |
| CHAPTER ||
| I. | THE PREACHER'S WORLD | 9 |
| II. | THE PREACHER'S THEME | 58 |
| III. | THE PREACHER'S STUDY | 100 |
| IV. | THE PREACHER'S TECHNIQUE | 141 |
| V. | THE PREACHER'S INNER LIFE | 190 |
To
ROSAMUND
ROBIN and JACK
Copyright, 1946, by CHARLES SCRIBNER'S SONS
Printed in the United States of America
G-5.60[MH]
All rights reserved. No part of this book may be reproduced in any form without the permission of Charles Scribner's Sons
By the same Author
A Man in Christ : Vital Elements of St. Paul's Religion
The Life and Teaching of Jesus Christ
The Gates of New Life
The Strong Name
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1946 could have had their copyright renewed in 1973 or 1974, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1975.
The longest-living author of this work died in 1990, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 33 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Herald Angels, and The Holly & Ivy/Herald Angels

HERALD Angels
HARK! the herald angels sing
"Glory to the new-born King,
"Peace on earth, and mercy mild,
"God and sinners reconcil'd."
Joyful all ye nations rise,
Join the triumph of the skies,
With the angelic host proclaim,
Christ is born in Bethlehem.
Christ by highest heaven ador'd,
Christ the everlasting Lord;
Late in time behold him come,
Offspring of a Virgin's womb.
Veil'd in flesh, the Godhead he,
Hail the incarnate Deity;
Pleas'd as man with t' appear,
Jesus, our Immanuel, here!
Hail the heaven-born prince of peace
Hail the Sun of righteousness;
Light and life to all he brings,
Ris'n with healing in his wings.
Mild, he lays his glory by,
Born that man no more should die,
Born to raise the sons of earth,
Born to give them second birth.
# Herald Angels, and The Holly & Ivy/The Holly & Ivy

THE Holly & Ivy.
The Holly and the Ivy,
Now are both well grown,
Of all the trees that are in the wood,
The holly bears the crown.
chorus.
The rising of the sun,
The running of the deer,
The playing of the merry organ,
Sweet singing in the choir.
The holly bears a blossom,
As white as the lilly flower,
And Mary bore sweet Jesus Christ,
To be our sweet Saviour.
The holly bears a berry,
As red as any blood,
And Mary bore sweet Jesus Christ,
To do poor sinners good.
The holly bears a prickle,
As sharp as any thorn,
And Mary bore sweet Jesus Christ,
On Christmas day in the morn.
The holly bears a bark,
As bitter as any gall,
And Mary bore sweet Jesus Christ,
For to redeem us all.
The Holly and the Ivy,
Now are both well grown,
Of all the trees that are in the wood,
The Holly bears the crown.
T. Bloomer, Printer, Birmingham.
# Heraclitus

For work by the classical author, see Fragments of Heraclitus.
THEY told me, Heraclitus, they told me you were dead, They brought me bitter news to hear and bitter tears to shed. I wept as I remember'd how often you and I Had tired the sun with talking and sent him down the sky.
And now that thou art lying, my dear old Carian guest, A handful of grey ashes, long, long ago at rest, Still are thy pleasant voices, thy nightingales, awake;
For Death, he taketh all away, but them he cannot take.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Housing and Community Development Act of 1992/Title XVI
## TITLE XVI — TECHNICAL CORRECTIONS OF BANKING LAWS

    SUBTITLE A—FEDERAL DEPOSIT INSURANCE CORPORATION IMPROVEMENT ACT
       Sec. 1601. Table of contents.
       Sec. 1602. Transfer and Redesignation of Sections with Duplicate Section Numbers.
       Sec. 1603. Technical Corrections Relating to Title I of the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1604. Technical Corrections Relating to Title II of the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1605. Technical Corrections Relating to Title III of the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1606. Technical Corrections Relating to Title IV of the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1607. Technical Corrections Relating to Title V of the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1608. Federal Housing Finance Board Practice Required to Conform to Congressional Intent and Existing Law.
       Sec. 1609. Effective Date.
    SUBTITLE B—RESOLUTION TRUST CORPORATION
       Sec. 1611. Technical Corrections Relating to Title I of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1612. Technical Corrections Relating to Title II of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1613. Technical Corrections Relating to Title III of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1614. Technical Corrections Relating to Title IV of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1615. Technical Corrections Relating to Title V of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1616. Technical Corrections Relating to Title VI of the Resolution Trust Corporation Refinancing, Restructuring, and Improvement Act of 1991.
       Sec. 1617. Repeal of Title Consisting of Amendments Duplicated in the Federal Deposit Insurance Corporation Improvement Act of 1991.
       Sec. 1618. Effective Date.
# Hillsboro People/Noctes Ambrosianæ

Layout 2
NOCTES AMBROSIANÆ
From Hemlock Mountain's barren crest
The roaring gale flies down the west
And drifts the snow on Redmount's breast
In hollows dark with pine.
Full in its path from hill to hill
There stands, beside a ruined mill,
A lonely house, above whose sill
A brace of candles shine.
And there an ancient bachelor
And maiden sister, full three-score,
Sit all forgetful of the roar
Of wind and mountain stream;
Forgot the wind, forgot the snow,
What magic airs about them blow?
They read, in wondering voices low,
The Midsummer Night's Dream!
And, reading, past their frozen hill
In charmèd woods they range at will
And hear the horns of Oberon shrill
Above the plunging Tam;—
Yea, long beyond the cock's first crow
In dreams they walk where windflowers blow;
Late do they dream, and liker grow
To Charles and Mary Lamb.
# Hillsboro People/Hemlock Mountain

Layout 2
HEMLOCK MOUNTAIN
By orange grove and palm-tree, we walked the southern shore,
Each day more still and golden than was the day before.
That calm and languid sunshine! How faint it made us grow
To look on Hemlock Mountain when the storm hangs low!
To see its rocky pastures, its sparse but hardy corn,
The mist roll off its forehead before a harvest morn;
To hear the pine-trees crashing across its gulfs of snow
Upon a roaring midnight when the whirlwinds blow.
Tell not of lost Atlantis, or fabled Avalon;
The olive, or the vineyard, no winter breathes upon;
Away from Hemlock Mountain we could not well forego,
For all the summer islands where the gulf tides flow.
# Hillsboro People/Salem Hills to Ellis Island

Layout 2
SALEM HILLS TO ELLIS ISLAND
I
A single sleighbell, tinkling down
The virgin road that skirts the wood,
Makes poignant to the lonely town
Its silence and its solitude.
A single taper's feeble flare
Makes darker by its lonely light
The cold and empty farmsteads square
That blackly loom to left and right;
And she who sews, by that dim flame,
The patient quilt spread on her knees,
Hears from her heirloom quilting-frame
The frolic of forgotten bees.
Yea, all the dying village thrills
With echoes of its cheerful past,
The golden days of Salem Hills;
Its only golden days? Its last?
II
From Salem Hills a voiceless cry
Along the darkened valley rolls.
Hear it, great ship, and forward ply
With thy rich freight of venturous souls.
Hear it, O thronging lower deck,
Brave homestead-seekers come from far;
And crowd the rail, and crane the neck;
In Salem Hills your homesteads are!
Where flourish now the brier and thorn,
The barley and the wheat shall spring,
And valleys standing thick with corn
(Praise God, my heart!), shall laugh and sing.
# Impression de Voyage

* "Impression de Voyage" in The Writings of Oscar Wilde (1907)
* "Impression de Voyage" in The Poems of Oscar Wilde (1909)
# Impressions: A Book of Verse

IMPRESSIONS
A BOOK OF VERSE
LILLA CABOT PERRY
BOSTON COPELAND AND DAY
MDCCCXCVIII
COPYRIGHT, 1898, BY COPELAND AND DAY
DEDICATED TO THE MEMORY OF TWO FRIENDS
CONTENTS
A LOVE STORY :
| a summer evening in the city | page 3 |
| his morning thought | 4 |
| love's prayer | 5 |
| i ask no more | 6 |
| a misunderstanding | 7 |
| the truth entire | 8 |
| a short separation: he | 9 |
| a short separation: she | 10 |
| he is dejected | 11 |
| love's gift | 12 |
| exile: her spoken thought | 13 |
| exile: her thought unspoken | 14 |
| she is frightened at his anger at her resolving on a long absence | 15 |
| a letter she wrote but did not send | 16 |
| no letter from him! | 17 |
| she thinks he is changed | 18 |
| she loves | 19 |
| she hopes | 20 |
| she despairs | 21 |
| her letter on hearing him ill spoken of | 22 |
| self-encouragement | 23 |
| his answer | 24 |
| her answer to a sceptical letter | 25 |
| his answer | 26 |
| on receiving his letter | 27 |
| meeting after long absence: as she feared it would be | 28 |
| after long absence: as it was | 29 |
| the end | 30 |
| LOVE AND DEATH ||
| love and death | 33 |
| death, thou art beautiful | 34 |
| sorrow | 35 |
| at sorrow's window | 36 |
| too late | 37 |
| not dead | 38 |
| in days gone by: rondeau redoublé | 39 |
| requiescat in pace | 40 |
| the smiling dead | 41 |
| some graves there are | 42 |
| life and death | 43 |
| a word from a freed spirit | 44 |
| MISCELLANEOUS POEMS ||
| art | 47 |
| allston's picture of lorenzo and jessica | 48 |
| a rainy day with the anthology | 49 |
| with a book of verse | 50 |
| with a flower from carnac | 51 |
| chateau d'hautefort: now | 52 |
| chateau d'hautefort: then | 53 |
| failure | 54 |
| the soul's self | 55 |
| the secrets of all hearts | 56 |
| to time | 57 |
| repentance | 58 |
| sympathy | 59 |
| grief's loneliness | 60 |
| meeting after absence and change | 61 |
| in the morning | 62 |
| to a despairing lover | 63 |
| once more | 64 |
| what the brook said | 65 |
| in answer to a question | 66 |
| song | 67 |
| song | 68 |
| song | 69 |
| cherry blossoms | 70 |
| december | 71 |
| here i lie dreaming: rondeau | 72 |
| to helen | 73 |
| to helen with a hand glass | 74 |
| love, art thou gone? | 75 |
| lady of the moonlight | 76 |
| must i then wound thee? | 77 |
| love and anger | 78 |
| el mihrab: the holy of holies of the mosque at cordova | 79 |
| to a bride | 80 |
| horseman springing from the dark: a dream | 81 |
# Impression du Matin

* "Impression du Matin" in The Writings of Oscar Wilde (1907)
* "Impression du Matin" in The Poems of Oscar Wilde (1909)
# Impressions

* Search for titles containing or beginning with: "Impressions."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Impressions: A Book of Verse, a collection of poems by Lilla Cabot Perry
* "Impressions", a pair of poems by Oscar Wilde, i.e. "Les Silhouettes" and "La Fuite de la Lune"
* "Impressions", a pair of poems by Oscar Wilde, i.e. "Le Jardin" and "La Mer"

## See also

* Impression