OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Mandasor

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​MANDASOR, or Mandsaur, a town of Central India, in the native state of Gwalior, on the Rajputana railway, 31 m. S. of Neemuch. Pop. (1901), 20,936. It gave its name to the treaty with Holkar, which concluded the Mahratta-Pindari War in 1818. It is a centre of the Malwa opium trade.
Mandasor and its neighbourhood are full of archaeological interest. An inscription discovered near the town indicated the erection of a temple of the sun in 437, and at Sondani are two great monolith pillars recording a victory of Yasodharma, king of Malwa, in 528. The fort dates from the 14th and 15th centuries. Hindu and Jain remains are numerous, though the town is now entirely Mahommedan.
# 1911 Encyclopædia Britannica/Mandate

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​MANDATE (Mandatum), a contract in Roman law constituted by one person (the mandatarius) promising to do something gratuitously at the request of another (the mandator), who undertakes to indemnify him against loss. The jurist distinguished the different cases of mandatum according as the object of the contract was the benefit of the mandator or a third person singly, or the mandator and a third person, the mandator and the mandatarius, or the mandatarius and a third person together. When the benefit was that of the mandatarius alone, the obligations of the contract were held not to arise, although the form of the contract might exist, the commission being held to be merely advice tendered to the mandatarius, and acted on by him at his own risk. Mandatum was classified as one of the contracts established by consent of the parties alone; but, as there was really no obligation of any kind until the mandatarius had acted on the mandate, it has with more propriety been referred to the contracts created by the supply of some fact (re). The obligations of the mandatarius under the contract were, briefly, to do what he had promised according to his instructions, observing ordinary diligence in taking care of any property entrusted to him, and handing over to his principal the results of his action, including the right to sue in his name. On the other hand, the principal was bound to recoup him his expenses and indemnify him against loss through obligations he might have incurred.
The essentials and the terminology of the contract are preserved in most modern systems of law. But in English law mandate, under that name, can hardly be said to exist as a separate form of contract. To some extent the law of mandatum corresponds partly to the law of principal and agent, partly to that of principal and surety. “Mandate” is retained to signify the contract more generally known as gratuitous bailment. It is restricted to personal property, and it implies the delivery of something to the bailee, both of which conditions are unknown in the mandatum of the civil law (see Bailment).
# 1911 Encyclopædia Britannica/Mandaue

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​MANDAUE, a town of the province of Cebú, island of Cebú, Philippine Islands, on the E. coast and E. coast road, about 4 m. N.E. of the town of Cebú, the capital. Pop. (1903), 11,078; in the same year the town of Consolación (pop. 5511) was merged with Mandaue. Its climate is very hot, but healthy. The principal industries are the raising of Indian corn and sugar-cane and the manufacture of salt from sea-water. Cebú-Visayan is the language.
# 1911 Encyclopædia Britannica/Gérard, Étienne Maurice

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​GÉRARD, ÉTIENNE MAURICE, Count (1773–1852), French general, was born at Damvilliers (Meuse), on the 4th of April 1773. He joined a battalion of volunteers in 1791, and served in the campaigns of 1792–1793 under Generals Dumouriez and Jourdan. In 1795 he accompanied Bernadotte as aide-de-camp. In 1799 he was promoted chef d’escadron, and in 1800 colonel. He distinguished himself at the battles of Austerlitz and Jena, and was made general of brigade in November 1806, and for his conduct in the battle of Wagram he was created a baron. In the Spanish campaign of 1810 and 1811 he gained special distinction at the battle of Fuentes d’Onor; and in the expedition to Russia he was present at Smolensk and Valutina, and displayed such bravery and ability in the battle of Borodino that he was made general of division. He won further distinction in the disastrous retreat from Moscow. In the campaign of 1813, in command of a division, he took part in the battles of Lützen and Bautzen and the operations of Marshal Macdonald, and at the battle of Leipzig (in which he commanded the XI. corps) he was dangerously wounded. After the battle of Bautzen he was created by Napoleon a count of the empire. In the campaign of France of 1814, and especially at La Rothière and Montereau, he won still greater distinction. After the first restoration he was named by Louis XVIII. grand cross of the Legion of Honour and chevalier of St Louis. In the Hundred Days Napoleon made Gérard a peer of France and placed him in command of the IV. corps of the Army of the North. In this capacity Gérard took a brilliant part in the battle of Ligny (see Waterloo Campaign), and on the morning of the 18th of June he was foremost in advising Marshal Grouchy to march to the sound of the guns. Gérard retired to Brussels after the fall of Napoleon, and did not return to France till 1817. He sat as a member of the chamber of deputies in 1822–1824, and was re-elected in 1827. He took part in the revolution of 1830, after which he was appointed minister of war and named a marshal of France. On account of his health he resigned the office of war minister in the October following, but in 1831 he took the command of the northern army, and was successful in thirteen days in driving the army of Holland out of Belgium. In 1832 he commanded the besieging army in the famous scientific siege of the citadel of Antwerp. He was again chosen war minister in July 1834, but resigned in the October following. In 1836 he was named grand chancellor of the Legion of Honour in succession to Marshal Mortier, and in 1838 commander of the National Guards of the Seine, an office which he held till 1842. He became a senator under the empire in 1852, and died on the 17th of April in the same year.
# 1911 Encyclopædia Britannica/Gérardmer

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​GÉRARDMER, a town of north-eastern France, in the department of Vosges, 33 m. E.S.E. of Epinal by rail. Pop. (1906) of the town, 3993; of the commune, 10,041. Gérardmer is beautifully situated at a height of 2200 ft. at the eastern end of the small Lake of Gérardmer (285 acres in extent) among forest-clad mountains. It is the chief summer-resort of the French Vosges and is a centre for excursions, among which may be mentioned those to the Höhneck (4481 ft.), the second highest summit in the Vosges, the Schlucht, the mountain pass from France to Germany, and, nearer the town, the picturesque defile of Granges, watered by the Vologne, which at one point forms the cascade known as the Saut des Cuves. The town itself, in which the chief object of interest is the huge lime-tree in the market-place, carries on cloth-weaving, bleaching, wood-sawing and the manufacture of wooden goods; there is trade in the cheeses (géromés) manufactured in the neighbourhood. Gérardmer is said to owe its name to Gerard of Alsace, 1st duke of Lorraine, who in the 11th century built a tower on the bank of the lake or mer, near which, in 1285, a new town was founded.
# 1911 Encyclopædia Britannica/Géricault, Jean Louis André Théodore

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​GÉRICAULT, JEAN LOUIS ANDRÉ THÉODORE (1791–1824), French painter, the leader of the French realistic school, was born at Rouen in 1791. In 1808 he entered the studio of Charles Vernet, from which, in 1810, he passed to that of Guérin, whom he drove to despair by his passion for Rubens, and by the unorthodox manner in which he persisted in interpreting nature. At the Salon of 1812 Géricault attracted attention by his “Officier de Chasseurs à Cheval” (Louvre), a work in which he personified the cavalry in its hour of triumph, and turned to account the solid training received from Guérin in rendering a picturesque point of view which was in itself a protest against the cherished convictions of the pseudo-classical school. Two years later (1814) he re-exhibited this work accompanied with the reverse picture “Cuirassier blessé” (Louvre), and in both subjects called attention to the interest of contemporary aspects of life, treated neglected types of living form, and exhibited that mastery of and delight in the horse which was a feature of his character. Disconcerted by the tempest of contradictory opinion which arose over these two pictures, Géricault gave way to his enthusiasm for horses and soldiers, and enrolled himself in the mousquetaires. During the Hundred Days he followed the king to Bethune, but, on his regiment being disbanded, eagerly returned to his profession, left France for Italy in 1816, and at Rome nobly illustrated his favourite animal by his great painting “Course des Chevaux Libres.” Returning to Paris, Géricault exhibited at the Salon of 1819 the “Radeau de la Méduse” (Louvre), a subject which not only enabled him to prove his zealous and scientific study of the human form, but contained those elements of the heroic and pathetic, as existing in situations of modern life, to which he had appealed in his earliest productions. Easily depressed or elated, Géricault took to heart the hostility which this work excited, and passed nearly two years in London, where the “Radeau” was exhibited with success, and where he executed many series of admirable lithographs now rare. At the close of 1822 he was again in Paris, and produced a great quantity of projects for vast compositions, models in wax, and a horse écorché, as preliminary to the production of an equestrian statue. His health was now completely undermined by various kinds of excess, and on the 26th of January 1824 he died, at the age of thirty-three.
Géricault’s biography, accompanied by a catalogue raisonné of his works, was published by M. C. Clément in 1868.
# 1911 Encyclopædia Britannica/Góngora y Argote, Luis de

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​GÓNGORA Y ARGOTE, LUIS DE (1561–1627), Spanish lyric poet, was born at Cordova on the 11th of July 1561. His father, Francisco de Argote, was corregidor of that city; the poet early adopted the surname of his mother, Leonora de Góngora, who ​was descended from an ancient family. At the age of fifteen he entered as a student of civil and canon law at the university of Salamanca; but he obtained no academic distinctions and was content with an ordinary pass degree. He was already known as a poet in 1585 when Cervantes praised him in the Galatea; in this same year he took minor orders, and shortly afterwards was nominated to a canonry at Cordova. About 1605–1606 he was ordained priest, and thenceforth resided principally at Valladolid and Madrid, where, as a contemporary remarks, he “noted and stabbed at everything with his satirical pen.” His circle of admirers was now greatly enlarged; but the acknowledgment accorded to his singular genius was both slight and tardy. Ultimately indeed, through the influence of the duke of Sandoval, he obtained an appointment as honorary chaplain to Philip III., but even this slight honour he was not permitted long to enjoy. In 1626 a severe illness, which seriously impaired his memory, compelled his retirement to Cordova, where he died on the 24th of May 1627. An edition of his poems was published almost immediately after his death by Juan Lopez de Vicuña; the frequently reprinted edition by Hozes did not appear till 1633. The collection consists of numerous sonnets, odes, ballads, songs for the guitar, and of certain larger poems, such as the Soledades and the Polifemo. Too many of them exhibit that tortuous elaboration of style (estilo culto) with which the name of Góngora is inseparably associated; but though Góngora has been justly censured for affected Latinisms, unnatural transpositions, strained metaphors and frequent obscurity, it must be admitted that he was a man of rare genius,—a fact cordially acknowledged by those of his contemporaries who were most capable of judging. It was only in the hands of those who imitated Góngora’s style without inheriting his genius that culteranismo became absurd. Besides his lyrical poems Góngora is the author of a play entitled Las Firmezas de Isabel and of two incomplete dramas, the Comedia venatoria and El Doctor Carlino. The only satisfactory edition of his works is that published by R. Foulché-Delbose in the Bibliotheca Hispanica.
See Edward Churton, Góngora (London, 1862, 2 vols.); M. González y Francés, Góngora racionero (Córdoba, 1895); M. González y Francés, Don Luis de Góngora vindicando su fama ante el propio obispo (Córdoba, 1899); “Vingt-six Lettres de Góngora” in the Revue hispanique, vol. x. pp. 184–225 (Paris, 1903).
# 1911 Encyclopædia Britannica/Géruzez, Nicolas Eugène

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​GÉRUZEZ, NICOLAS EUGÈNE (1799–1865), French critic, was born on the 6th of January 1799 at Reims. He was assistant professor at the Sorbonne, and in 1852 he became secretary to the faculty of literature. He wrote a Histoire de l’éloquence politique et religieuse en France aux XIV $^e$, XV $^e$, et XVI $^e$ siècles (1837–1838); an admirable Histoire de la littérature française depuis les origines jusqu’à la Révolution (1852), which he supplemented in 1859 by a volume bringing down the history to the close of the revolutionary period; and some miscellaneous works. Géruzez died on the 29th of May 1865 in Paris. A posthumous volume of Mélanges et pensées appeared in 1877.
# 1911 Encyclopædia Britannica/Gérôme, Jean Léon

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​GÉRÔME, JEAN LÉON (1824–1904), French painter, was born on the 11th of May 1824 at Vesoul (Haute-Saône). He went to Paris in 1841 and worked under Paul Delaroche, whom he ​accompanied to Italy (1844–1845). On his return he exhibited “The Cock-fight,” which gained him a third-class medal in the Salon of 1847. “The Virgin with Christ and St John” and “Anacreon, Bacchus and Cupid” took a second-class medal in 1848. He exhibited “Bacchus and Love, Drunk,” a “Greek Interior” and “Souvenir d’Italie,” in 1851; “Paestum” (1852); and “An Idyll” (1853). In 1854 Gérôme made a journey to Turkey and the shores of the Danube, and in 1857 visited Egypt. To the exhibition of 1855 he contributed a “Pifferaro,” a “Shepherd,” “A Russian Concert” and a large historical canvas, “The Age of Augustus and the Birth of Christ.” The last was somewhat confused in effect, but in recognition of its consummate ability the State purchased it. Gérôme’s reputation was greatly enhanced at the Salon of 1857 by a collection of works of a more popular kind: the “Duel: after a Masquerade,” “Egyptian Recruits crossing the Desert,” “Memnon and Sesostris” and “Camels Watering,” the drawing of which was criticized by Edmond About. In “Caesar” (1859) Gérôme tried to return to a severer class of work, but the picture failed to interest the public. “Phryne before the Areopagus,” “Le Roi Candaule” and “Socrates finding Alcibiades in the House of Aspasia” (1861) gave rise to some scandal by reason of the subjects selected by the painter, and brought down on him the bitter attacks of Paul de Saint-Victor and Maxime Ducamp. At the same Salon he exhibited the “Egyptian chopping Straw,” and “Rembrandt biting an Etching,” two very minutely finished works. Gérôme’s best paintings are of Eastern subjects; among these may be named the “Turkish Prisoner” and “Turkish Butcher” (1863); “Prayer” (1865); “The Slave Market” (1867); and “The Harem out Driving” (1869). He often illustrated history, as in “Louis XIV. and Molière” (1863); “The Reception of the Siamese Ambassadors at Fontainebleau” (1865); and the “Death of Marshal Ney” (1868). Gérôme was also successful as a sculptor; he executed, among other works, “Omphale” (1887), and the statue of the duc d’Aumale which stands in front of the château of Chantilly (1899). His “Bellona” (1892), in ivory, metal, and precious stones, which was also exhibited in the Royal Academy of London, attracted great attention. The artist then began an interesting series of “Conquerors,” wrought in gold, silver and gems—“Bonaparte entering Cairo” (1897); “Tamerlane” (1898); and “Frederick the Great” (1899). Gérôme was elected member of the Institut in 1865. He died in 1904.
# 1911 Encyclopædia Britannica/Göhrde

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​GÖHRDE, a forest of Germany, in the Prussian province of Hanover, immediately W. of the Elbe, between Wittenberg and Lüneburg. It has an area of about 85 sq. m. and is famous for its oaks, beeches and game preserves. It is memorable for the victory gained here, on the 16th of September 1813, by the allies, under Wallmoden, over the French forces commanded by Pecheur. The hunting-box situated in the forest was built in 1689 and was restored by Ernest Augustus, King of Hanover. It is known to history on account of the constitution of Göhrde, promulgated here in 1719.
# 1911 Encyclopædia Britannica/Gérard, Jean Ignace Isidore

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​GÉRARD, JEAN IGNACE ISIDORE (1803–1847), French caricaturist, generally known by the pseudonym of Grandville—the professional name of his grandparents, who were actors—was born at Nancy on the 13th of September 1803. He received his first instruction in drawing from his father, a miniature painter, and at the age of twenty-one came to Paris, where he soon afterwards published a collection of lithographs entitled Les Tribulations de la petite propriété. He followed this by Les Plaisirs de toutâge and La Sibylle des salons; but the work which first established his fame was Métamorphoses du jour, published in 1828, a series of seventy scenes in which individuals with the bodies of men and faces of animals are made to play a human comedy. These drawings are remarkable for the extraordinary skill with which human characteristics are represented in animal features. The success of this work led to his being engaged as artistic contributor to various periodicals, such as La Silhouette, L’Artiste, La Caricature, Le Charivari; and his political caricatures, which were characterized by marvellous fertility of satirical humour, soon came to enjoy a general popularity. Besides supplying illustrations for various standard works, such as the songs of Béranger, the fables of La Fontaine, Don Quixote, Gulliver’s Travels, Robinson Crusoe, he also continued the issue of various lithographic collections, among which may be mentioned La Vie privée et publique des animaux, Les Cent Proverbes, L’Autre Monde and Les Fleurs animées. Though the designs of Gérard are occasionally unnatural and absurd, they usually display keen analysis of character and marvellous inventive ingenuity, and his humour is always tempered and refined by delicacy of sentiment and a vein of sober thoughtfulness. He died of mental disease on the 17th of March 1847.
A short notice of Gérard, under the name of Grandville, is contained in Théophile Gautier’s Portraits contemporains. See also Charles Blanc, Grandville (Paris, 1855).
# 1911 Encyclopædia Britannica/Gérault-Richard, Alfred Léon

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​GÉRAULT-RICHARD, ALFRED LÉON (1860– ), French journalist and politician, was born at Bonnétable in the department of Sarthe, of a peasant family. He began life as a working upholsterer, first at Mans, then at Paris (1880), where his peasant and socialist songs soon won him fame in the Montmartre quarter. Lissagaray, the communist, offered him a position on La Bataille, and he became a regular contributor to the advanced journals, especially to La Petite République, of which he became editor-in-chief in 1897. In 1893 he founded Le Chambard, and was imprisoned for a year (1894) on account of a personal attack upon the president, Casimir-Périer. In January 1895 he was elected to the chamber as a Socialist for the thirteenth arrondissement of Paris. He was defeated at the elections of 1898 at Paris, but was re-elected in 1902 and in 1906 by the colony of Guadeloupe.
# 1911 Encyclopædia Britannica/Gödöllö

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​GÖDÖLLÖ, a market town of Hungary, in the county of Pest-Pilis-Solt-Kiskun, 23 m. N.E. of Budapest by rail. Pop. (1900) 5875. Gödöllö is the summer residence of the Hungarian royal family, and the royal castle, built in the second half of the 18th century by Prince Anton Grassalkovich, was, with the beautiful domain, presented by the Hungarian nation to King Francis Joseph I. after the coronation in 1867. In its park there are a great number of stags and wild boars. Gödöllö is a favourite summer resort of the inhabitants of Budapest. In its vicinity is the famous place of pilgrimage Mária-Besnyö, with a fine Franciscan monastery, which contains the tombs of the Grassalkovich family.
# 1911 Encyclopædia Britannica/Eustyle

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​EUSTYLE (from Gr. εὖ, well, and στῦλος, column), the architectural term for the intercolumniation defined by Vitruvius (iii. 3) as being of the best proportion, i.e. two and a half diameters (see Intercolumniation).
# 1911 Encyclopædia Britannica/Euthydemus

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​EUTHYDEMUS, a native of Magnesia, who overturned the dynasty of Diodotus of Bactria, and became king of Bactria about 230 B.C. (Polyb. xi. 34; Strabo xi. 515 wrongly makes him the first king). In 208 he was attacked by Antiochus the Great, whom he tried in vain to resist on the shores of the river Arius, the modern Herirud (Polyb. x. 49). The war lasted three years, and was on the whole fortunate for Antiochus. But he saw that he was not able to subdue Bactria and Sogdiana, and so in 206 concluded a peace with Euthydemus, through the mediation of his son Demetrius, in which he recognized him as king (Polyb. xi. 34). Soon afterwards Demetrius (q.v.) began the conquest of India. There exist many coins of Euthydemus; those on which he is called god are struck by the later king Agathocles. Other coins with the name Euthydemus, which show a youthful face, are presumably those of Euthydemus II., who cannot have ruled long and was probably a son of Demetrius.  (Ed. M.)