OpenLLM-France/wikimedia huggingface dataset:
# The Poetical Works of the Right Hon. George Granville, Lord Lansdowne/94

SONG. TO THE SAME.
Clarinda, with a haughty grace, In ſcornful poſtures ſets her face, And looks as ſhe were born alone To give us love, and take from none.4
Tho’ I adore to that degree, Clarinda! I would die for thee, Is you ’re too proud to eaſe my pain, I am too proud for your diſdain.8
# The Poetical Works of the Right Hon. George Granville, Lord Lansdowne/95

DRINKING SONG. TO SLEEP.
Great god of Sleep, ſince it muſt be That we muſt give ſome hours to thee, Invade me not while the free bowl Glows in my cheeks, and warms my ſoul; That be my only time to ſnore5 When I can laugh and drink no more. Short, very ſhort, be then thy reign, For I ’m in haſte to laugh and drink again.
But, O! if melting in my arms In ſome ſoft dream, with all her charms,10 The nymph belov’d ſhould then ſurpriſe, And grant what waking ſhe denies; Then, gentle Slumber! pr’y thee ſtay, Slowly, ah! ſlowly bring the day; Let no rude noiſe my bliſs deſtroy, Such ſweet deluſion ’s real joy.16
# The Sidereal Messenger of Galileo Galilei

Layout 2
THE SIDEREAL MESSENGER
RIVINGTONS
GALILEO'S BROKEN LENS.
EXHIBITED IN THE LOAN COLLECTION OF SCIENTIFIC APPARATUS AT THE SOUTH KENSINGTON MUSEUM, 1876.
From a photograph of the Science and Art Department, South Kensington.
THE SIDEREAL MESSENGER
OF
GALILEO GALILEI
AND A PART OF THE PREFACE TO KEPLER'S DIOPTRICS
CONTAINING THE ORIGINAL ACCOUNT OF GALILEO'S ASTRONOMICAL DISCOVERIES.
A Translation with Introduction and Notes
BY
EDWARD STAFFORD CARLOS, M.A.
HEAD MATHEMATICAL MASTER IN CHRIST'S HOSPITAL.
RIVINGTONS WATERLOO PLACE, LONDON Oxford and Cambridge
MDCCCLXXX
* Prefatory Note
* Introduction
* The Sidereal Messenger
* Kepler's Continuation
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Sidereal Messenger of Galileo Galilei/Prefatory Note

PREFATORY NOTE.
About five years ago I was engaged in preparing a catalogue of the ancient books which belong to Christ's Hospital. One portion of these books consisted of a collection of ancient mathematical works presented at various times for the use of that part of the school which is known as the Royal Mathematical Foundation of King Charles II. Amongst them were some well known by name to every mathematical student, but which few have ever seen. Perhaps the most interesting of them all was a little volume, printed in London in 1653, containing Gassendi's Explanation of the Ptolemaic and Copernican Systems of Astronomy, as well as that of Tycho Brahe, Galileo's Sidereus Nuncius, and Kepler's Dioptrics. I found Galileo's account ​of his astronomical discoveries so interesting, both in matter and in style, that I translated it as a recreation from school-work. I venture to think that others also will be interested in following Galileo through the apprehension of his famous discoveries, and in reading the language in which he announced them.
Layout 2
# The Sick Muse

English-language translations of The Sick Muse include:
* The Sick Muse, translated by Clark Ashton Smith
* The Sick Muse, translated by F. P. Sturm
# The Sick Stag

Perry index 305
* "The Sick Stag", translated by George Fyler Townsend, illustrated by Harrison Weir, in Three Hundred Æsop's Fables (1867)
* "The Sick Stag", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Siege of Belgrade

First published in Wheeler’s Magazine in 1828.
An Austrian army, awfully arrayed, Boldly by battery besieged Belgrade. Cossack commanders cannonading come, Dealing destruction's devastating doom. Every endeavor engineers essay, For fame, for fortune fighting - furious fray! Generals 'gainst generals grapple - gracious God! How honors Heaven heroic hardihood! Infuriate, indiscrminate in ill, Kindred kill kinsmen, kinsmen kindred kill. Labor low levels longest, lofiest lines; Men march 'mid mounds, 'mid moles, ' mid murderous mines; Now noxious, noisey numbers nothing, naught Of outward obstacles, opposing ought; Poor patriots, partly purchased, partly pressed, Quite quaking, quickly "Quarter! Quarter!" quest. Reason returns, religious right redounds, Suwarrow stops such sanguinary sounds. Truce to thee, Turkey! Triumph to thy train, Unwise, unjust, unmerciful Ukraine! Vanish vain victory! vanish, victory vain! Why wish we warfare? Wherefore welcome were Xerxes, Ximenes, Xanthus, Xavier? Yield, yield, ye youths! ye yeomen, yield your yell! Zeus', Zarpater's, Zoroaster's zeal, Attracting all, arms against acts appeal!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sick Rose

* The Sick Rose (Songs of Experience), in Songs of Experience by William Blake
* The sick rose (1st draft), in Notebook by William Blake
# The Sorcerer/Aline's ballad

* Aline
* Have faith in me - thou art my day -
* I turn to thee for love and light -
* Take that life-giving love away
* And leave me in eternal night!
* Thou art the hill - and I the dale -
* Thou art the sea and I the shell -
* Thou art the wind and I the sail -
* Thou art the spring and I the well!
* Without that spring no well would be,
* Have faith in me - have faith in me!
* Have faith in me - the ripening corn
* Is faithful to the autumn sun!
* Thou art the god of my young morn,
* My harvest god - oh doubting one!
* Thou art the day and I the hour -
* Thou art the idol - I the throng -
* Thou art the tree and I the flower -
* Thou art the singer - I the song.
* Oh let the song be sung by thee -
* Have faith in me - have faith in me!
# The Sorcerer/Second verse of Constance's aria

This verse was cut from the libretto in 1920s. In 1960s it was returned and is sung on 1966 D'Oyly Carte recording.
* Constance
* When I rejoice,
* He shows no pleasure.
* When I am sad,
* It grieves him not.
* His solemn voice
* Has tones I treasure —
* My heart they glad,
* They solace my unhappy lot!
* When I despond,
* My woe they chasten —
* When I take heart,
* My hope they cheer;
* With folly fond
* To him I hasten —
* From him apart,
* My life is very sad and drear!
# The Sorceress of the Strand

* information about this edition.
* sister projects: Wikipedia article, Wikidata item.
Extracted from The Strand magazine, Vol. XXIV, July-Dec 1902 (stories 1 to 3); and Vol. XXV, Jan - June 1903 (stories 4-6). Short stories featuring Madame Sara, one of the two female villains from the Meade-Eustace partnership.
The Sorceress of the Strand
By L. T. Meade and Robert Eustace

### CONTENTS

[Vol XXIV, serialised Oct–Nov–Dec 1902]
* Madame Sara
* The Blood-Red Cross
* The Face of the Abbot
[Vol XXIV, serialised from Jan–Feb–Mar 1903]
* The Talk of the Town
* The Bloodstone
* The Teeth of the Wolf
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1943, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sorcerer/Aline and Lady Sangazure duet

This duet is found in the license copy of opera; it was never performed.
| Aline | Oh, why art thou sad, my mother?  All nature is smiling now. In this village there's not another  As solemn and glum as thou! It is idle attempt to smother  Sad thoughts that wring thy brow! How can I console my mother?  Oh answer me quickly - how? |
| Chorus | How can she console her mother?  Oh answer her quickly - how? |
| Lady Sangazure | My daughter, be blithe and merry  Nor think of your sad mamma; My grief I will strive to bury  And join in the gay ha! ha! My sorrows are selfish very  And clash with the loud huzzah! They sadden the hey down derry  And temper the tra! la! la! |
| Chorus | Her grief it is certain very  Does temper the tra! la! la! |
# The Sorcerer/Lady Sangazure's ballad

This duet was most probably cut at early performances; music for it is lost.
* Lady Sangazure
* In days gone by, these eyes were bright,
* This bosom fair, these cheeks were rosy,
* This faded brow was snowy white,
* These lips were fresh as new-plucked posy;
* My girlish love he never guessed,
* Until the day when we were parted;
* I treasured it within my heart,
* And lived alone and broken-hearted.
* These cheeks are wan with age and care,
* These weary eyes have done their duty,
* As white as falling snow my hair,
* And faded all my girlish beauty.
* I see my every charm depart;
* But Memory's chain I cannot sever,
* For ah, within my poor old heart
* The fire of love burns bright as ever!
# The Sorcerer/Original Act II opening chorus

This is original opening chorus for Act II. It was replaced in 1884 revival.
* Chorus
* Happy are we in our loving frivolity,
* Happy and jolly as people of quality;
* Love is the source of all joy to humanity,
* Money, position, and rank are a vanity;
* Year after year we've been waiting and tarrying,
* Without ever dreaming of loving and marrying.
* Though we've been hitherto deaf, dumb, and blind to it,
* It's pleasant enough when you've made up your mind to it.
# The Sorcerer/Second incantation scene

RECITATIVE :
| Mr. Wells | Oh hideous doom - to scatter desolation, And cause unhappiness on every hand! To foster misalliance through the nation And breed unequal matches in the land! By nature I am mild, humane and tender, It racks my soul such fearful sights to see! I can no longer bear it! I will render My fearful gift to him who gave it me! |
| INCANTATION ||
| | Spirits short and spirits long — Spirits weak and spirits strong — Spirits slow and spirits fleet — Spirits mixed and spirits neat — Spirits dark and spirits fair — Listen to my heart-felt prayer. |
| The stage has grown dark - a gauze descends - imps appear. ||
| Chorus of Spirits | We hear the spells  J. W. Wells! What terrors trouble you,  J. W. W.? Ha! ha! Ha! ha! Some terrors trouble him  J. W. Double him! Ha! ha! Ha! ha! |
| The market cross opens and Ahrimanes is seen through transparency. ||
| Ahrimanes | Presumptuous wretch — what favours do you seek? You called me — I am here! What would you? Speak! |
| Mr. Wells | Ahrimanes — mighty master — Hear me — hear me now! |
| Chorus | Hear him — hear him now! |
| Mr. Wells | Avert this terrible disaster — Free me from my vow! |
| Chorus | Free him from his vow! Hear him, hear him now! Ha! ha! Ha! ha! Ha! ha! Ha! ha! |
| SOLO — Ahrimanes ||
| | If thou, audacious elf, will yield Alexis to my grasp And let his doom be signed and sealed In Death's unpleasant clasp — Or if thou wilt consent, thyself, To come below with me, Til grant thy wish, presumptuous elf! I want, or him, or thee! |
| Chorus | Be dutiful, and obey Give us — give us our prey! |
| Ahrimanes | Or thou — or he Which shall it be? |
| Chorus | Or thou — or he Which shall it be? |
| Mr. Wells | Or I — or he— Which shall it be? |
| Chorus | Ha! ha! Ha! ha! Ha! ha! Ha! ha! |
| Mr. Wells | Oh master, pity show! |
| Chorus | No! No! |
| Mr. Wells | To meet your views I'll try — If one of us must go below — |
| Chorus | Ho! Ho! |
| Mr. Wells | I'd rather he than I! |
| Chorus | Much rather? |
| Mr. Wells | Much rather! |
| Chorus | Greatly prefer it? |
| Mr. Wells | Greatly prefer it! |
| Chorus | Ha! ha! Ha! ha! Ha! ha! Ha! ha! |
| Ahrimanes | Good — be it so. When he will go With me below, Just let me know. Ring out his knell And I will quell The fatal spell Till then — farewell! |
| Chorus | Farewell! Farewell! Farewell! Ha! ha! Ha! ha! Ha! ha! Ha! ha! |
# The Simplest Game

Proposed rules of football, published by J. C. ["Charles"] Thring in 1862. According to Thring, he created the rules "as an antidote to the Rugby game, which has unhappily been lately adopted by many clubs", with the aim that "our Universities should adopt this or some similar code of laws".
1. A goal is scored whenever the ball is forced through the goal and under the bar, except it be thrown by hand.
2. Hands may be used only to stop a ball and place it on the ground before the feet.
3. Kicks must be aimed only at the ball.
4. A player may not kick the ball whilst in the air.
5. No tripping up or heel kicking allowed.
6. Whenever a ball is kicked beyond the side flags, it must be returned by the player who kicked it, from the spot it passed the flag line in a straight line towards the middle of the ground.
7. When a ball is kicked behind the line of goal, it shall be kicked off from that line by one of the side whose goal it is.
8. No player may stand within six paces of the kicker when he is kicking off.
9. A player is 'out of play' immediately he is in front of the ball, and must return behind the ball as soon as possible. If the ball is kicked by his own side past a player, he may not touch or kick it, or advance, until one of the other side has first kicked it, or one of his own side, having followed it up, has been able, when in front of him, to kick it.
10. No charging allowed when a player is out of play; that is, immediately the ball is behind him.

## Notes

* ↑ Thring (1862), Rules of Football: The Winter Game, London: Hamilton. Reported in Curry, Graham (2001); Football: A Study in Diffusion; Leicester: University of Leicester. p. 61.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1924, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sin of the Atom

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
God was lonely—silent space Was his sole abiding place— On the lips of darkness yet Kiss of love had not been set;
Then by darkness, Power’s bride This poor dust was vivified, And the first-born daughter, Light,
Spun the planets from the night;
With her distaff sat to spin Cords of force to hold them in; Cords remotest cycles feel In the whirling of her wheel—
So, forever, toiling thus, Light has tarried virtuous; But the atom scornful stood In his new, free hardihood,
And before thy life began On this planet, conscious man, By the atom disobeyed Was the law envenomed made.
In the Eden of our race So was wrought the first disgrace; Niw the atom’s guilty stains Course, death-laden, through our veins:—
There our long and bitter plaint; There the leper’s fearful taint; There the sudden poison pang Of the cruel cobra’s fang;
There the atom’s shameless sin Let the rabies’ virus in, And his rebel hardihood Poisoned nature’s perfect blood.
Mortal! so some prouder race
Yet may mourn for thy disgrace, In some cycle vast and great That thou canst not estimate
Man! what knowest thou of man? What of God’s divinest plan? Fool! thou dost not, canst not know How life’s pulses throbbing go,—
Canst not tell how far thou art
From the beat of nature’s heart; Nor what nobler veins thy sin Lets the death-drop virus in.
Yet, in spite of all thou dost,
Light is true, and God is just; Though temptation may not plead, Nor thy sorrows intercede,
Though the sting my vision saw Was of death that poisoned law, And the horror sin has done Through the deathless cycles run,
In some subtle, perfect way Out of darkness comes the day; In some vast alembic, filled With the false is truth distilled.
# The Sincere Christian

* related portals: Christianity.
* sister projects: Wikidata item.
Source: Vol. 1 http://www.archive.org/details/worksgeo01haygiala Vol. 2 http://www.archive.org/details/worksgeo02haygiala

### Contents
#### Volume 1

* Chapter 1: HIS NATURE
* Chapter 2: OF THE BLESSED TRINITY.
* Chapter 3: OF CREATION AND PROVIDENCE.
* Chapter 4: OF THE CREATION AND FALL OF THE ANGELS.
* Chapter 5: OF THE CREATION AND FALL OF MAN.
* Chapter 6: OF THE PROMISE OF A REDEEMER, AND STATE OF MANKIND TILL HIS COMING.
* Chapter 7: OF JESUS CHRIST OUR REDEEMER.
* Chapter 8: OF THE OFFICE AND DIGNITIES OF THE REDEEMER.
* Chapter 9: OF THE BENEFITS OF OUR REDEMPTION.
* Chapter 10: OF FAITH IN JESUS CHRIST
* Chapter 11: OF THE RULE OF FAITH.
* Chapter 12: OF THE CHURCH.
* Chapter 13: OF THE MARKS OF THE CHURCH.
* Chapter 14: OF THE LAW OF GOD IN GENERAL.
* Chapter 15: OF THE COMMANDS OF THE CHURCH.
* Chapter 16: OF SIN
* Chapter 17: OF REPENTANCE.
* Chapter 18: OF THE GRACE OF GOD.
* Chapter 19: OF THE SACRAMENTS IN GENERAL.
* Chapter 20: OF THE SACRAMENT OF BAPTISM.
* Chapter 21: OF THE SACRAMENT OF CONFIRMATION.

#### Volume 2

* Chapter 22: OF THE HOLY EUCHARIST.
* Chapter 23: OF THE SACRIFICE OF THE MASS.
* Chapter 24: OF THE SACRAMENT OF PENANCE.
* Chapter 25: OF THE SACRAMENT OF EXTREME UNCTION.
* Chapter 26: OF THE SACRAMENT OF HOLY ORDERS.
* Chapter 27: OF THE SACRAMENT OF MARRIAGE.
* Chapter 28: OF THE CHURCH TRIUMPHANT.
* Chapter 29: AN INQUIRY WHETHER SALVATION CAN BE HAD WITHOUT TRUE FAITH, AND OUT OF THE COMMUNION OF THE CHURCH OF CHRIST
* Chapter 30: ON COMMUNICATING IN RELIGION WITH THOSE WHO ARE SEPARATED FROM THE CHURCH OF CHRIST
# The Red Hand of Ulster/Introductory note
### BY LORD KILMORE OF ERRIGAL

The events recorded in this chapter and the next did not fall under my own observation. I derived my knowledge of them from various sources, chiefly from conversations with Bob Power, who had, as will appear, first-hand knowledge. In the third chapter I begin my own personal narrative of the events which led up to the final struggle of Ulster against Home Rule and of the struggle itself. Accidents of one kind or another, the accidents of the situation of Kilmore Castle, the accident of Bob Power’s connection with my daughter Marion, the accidents of my social position and personal tastes, have placed me in a position to give a very full account of what actually happened. The first two chapters of this book will therefore be written in the impersonal manner of the ordinary history; I myself occupying the position of unseen spectator. The rest of the book is largely founded upon the diary which I actually kept.
# The Red House

   Conventionally your life-story ended in a shower of rice at the church door...
   And now all that was six months ago; and instead of attending to that destiny, the fairy princess and her unworthy prince were plunged over head and ears in their first quarrel—their first serious quarrel—about the real and earnest things of life....
THE RED HOUSE
BY E. NESBIT

### CONTENTS

* THE BEGINNING
* IN THE RED HOUSE
* THE GHOST
* OUR NEW TENANT
* THE LOAFERY
* YOLANDE'S REASONING
* THE HOUSE-WARMING
* THE TENANT
* MANLY SPORTS
* THE INVADERS
* THE ROOM FOR CONFIDENCES
* THE PUSSY-KITTEN
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1924, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sundhya, or, the Daily Prayers of the Brahmins/Plate 1

Guru Vandana
PLATE 1.
THE BRAHMIN'S FIRST MORNING PRAYER TO THE GOOROO ON RISING.
It is habitual with the Natives, all over India, to rise with the first dawn of day. The Brahmin sits up on his charpaya or on a mat on the ground, and, joining his hands, repeats the following prayer to the Gooroo (High Priest, who is considered by the Hindoos to he invested with the power of a Deity, and to have sprung from the Gods. To him the Brahmin offers up his first morning orisons. The words, in Sanscrit, are as contained in the Poorans, the following being a literal translation:—
"I glorify thee, Benign, who rests upon a serpent, from whose navel the lotus springs; God of Gods! the supporter of the universe; beautiful as the azure of the sky; cloud-like in colour; elegant in form.
"The husband of Luxshmee, lotus-eyed, worthy the contemplation of sages! Vishnoo, the preserver and destroyer the world! the only Lord of the universe!
"I glorify him who is to be always contemplated, the remover of all stains, the granter of all desires, the essence of all holy shrines; who is praised by Siva and by Brahma, the universal refuge, the assuager of the pain of his servants, the protector of those who bend before him, the bark to bear us over the ocean of the world. I praise thy lotus-feet, oh mighty Male."
श्रीगणेशाय नमः अथ ध्यानस्य श्लोकोयं लिख्यते
लक्ष्मीकांतं कमलनयनं योगिभिर्ध्यानगम्यं वंदे विष्णुं भवभयहरं सर्वलोकैकनाथं॥१॥
अथ प्रणामस्य श्लोकोयं लिख्यते
भृत्यार्तिहं प्रणतपालं भवाब्धिपोतं वंदे महापुरुष ते चरणारविंदं॥२॥
PLATE 1
THE BRAHMIN'S FIRST PRAYER TO THE GUROO
Day & Son, lith$^{rs}$. to the Queen.
# The Temple: Sacred Poems and Private Ejaculations/The Altar

The Altar.
# The Religions of India

This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
CONTENTS.
| | | | PAGE |
| Preface | Preface | Preface | ix |
| Introduction | Introduction | Introduction | xxi |
| I. | The Vedic Religions | The Vedic Religions | 1–38 |
| | The Rig-Veda: its Deities, Cultus, and Essential Character | The Rig-Veda: its Deities, Cultus, and Essential Character | 1–38 |
| II. | Brahmanism | Brahmanism | 39–100 |
| | 1. | Ritual—Spread | 39–63 |
| | 2. | Philosophic Speculations of the Upanishads—The Sankhya and the Vedanta Reaction | 64–86 |
| | 3. | Decline in Dogmatic and Ritual | 87–100 |
| III. | Buddhism | Buddhism | 101–139 |
| | Buddha and his Teachings—Spirit and Organisation—Decline | Buddha and his Teachings—Spirit and Organisation—Decline | 101–139 |
| IV. | Jainism | Jainism | 140–152 |
| | Affinity with Buddhism—Creed and Cultus | Affinity with Buddhism—Creed and Cultus | 140–152 |
| V. | Hinduism | Hinduism | 153–293 |
| | 1. | The Hindu Sects: their Great Deities—Civa, Vishnu, Krishna, Rama—The Avataras—The Trinity | 159–185 |
| | 2. | Their History and Doctrines—Vishnuism, Çivaism—Influences, Philosophical and Religious | 186–237 |
| | 3. | The Reforming Sects—Mussulman Influence—The Sikhs | 238–251 |
| | 4. | Worship—Idolatries—Sacred Symbols and Objects—Festivals—Pilgrimages—Retrospective and Prospective | 252–293 |
# The Times/1902/Court circular/Funeral of Canon Macdonnell

John Cotter Macdonnell (1822-1902) Source: Court Circular. The Times, Monday, Sep 15, 1902; Issue 36873; pg. 7; col F (excerpt)
. . . Layout 2The funeral of Canon Macdonnell took place on Saturday at Peterborough Cathedral. The body was met at the west door by the Dean and Chapter, honorary canons, and choir, Canon Clayton reading the opening sentences. The coffin was placed under the lantern tower, at the entrance to the choir. The Dean read the lesson. The hymn selected was "Peace, perfect peace," and as the funeral procession passed out of the north-east door Dr. Keeton played the "Dead March." The body was laid to rest at the foot of Archbishop Magee's grave and by the side of Mrs. Macdonnell, who died seven years ago. The concluding portion of the service was read by the Rev. Ronald Macdonnell, a nephew. The mourners included Sir Shirley Salt (of Crickhowell) and Lady Salt (daughter), Mr. Fred T. Macdonnell (son), Miss Salt (granddaughter), Dr. Hercules Macdonnell (nephew), the Rev. H. Rees Moog and Mrs. Rees Mogg (niece), the Rev. Arthur Magee (son of the late Archbishop), the Rev. E. Fishbourne, the Rev. A. F. Evans and Archdeacon Stocks. Three were wreaths from the Bishop of Peterborough and Lady Mary Glyn.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse