# Fire-Tongue/Chapter 24

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CHAPTER XXIV
THE SCREEN OF GOLD
PAUL Harley raised his aching head and looked wearily about him. At first, as might be expected, he thought that he was dreaming. He lay upon a low divan and could only suppose that he had been transported to India.
Slowly, painfully, memory reasserted itself and he realized that he had been rendered unconscious by the blow of a sandbag or some similar weapon while telephoning from the station master's office at Lower Claybury. How long a time had elapsed since that moment he was unable to judge, for his watch had been removed from his pocket. He stared about him with a sort of fearful interest. He lay in a small, barely furnished room, having white distempered walls, wholly undecorated. Its few appointments were Oriental, and the only window which it boasted was set so high as to be well out of reach. Moreover, it was iron-barred, and at the moment admitted no light, whether because it did not communicate with the outer world, or because night was fallen, he was unable to tell.
There were two doors in the room, one of very ​massive construction, and the other a smaller one. The place was dimly lighted by a brass lantern which hung from the ceiling. Harley stood up, staggered slightly, and then sat down again.
"My God," he groaned and raised his hand to his head.
For a few moments he remained seated, victim of a deadly nausea. Then, clenching his jaws grimly, again he stood up, and this time succeeded in reaching the heavy door.
As he had supposed, it was firmly locked, and a glance was sufficient to show him that his unaided effort could never force it. He turned his attention to the smaller door, which opened at his touch, revealing a sleeping apartment not unlike a monk's cell, adjoining which was a tiny bathroom. Neither rooms boasted windows, both being lighted by brass lanterns.
Harley examined them and their appointments with the utmost care, and then returned again to the outer room, one feature of which, and quite the most remarkable, he had reserved for special investigation.
This was a massive screen of gilded iron scroll work, which occupied nearly the whole of one end of the room. Beyond the screen hung a violet-coloured curtain of Oriental fabric; but so closely woven was the metal design that although he could touch this curtain with his finger at certain points, it ​proved impossible for him to move it aside in any way.
He noted that its lower fringe did not quite touch the floor. By stooping down, he could see a few feet into some room beyond. It was in darkness, however, and beyond the fact that it was carpeted with a rich Persian rug, he learned but little from his scrutiny. The gilded screen was solid and immovable.
Nodding his head grimly, Harley felt in his pockets for pipe and pouch, wondering if these, too, had been taken from him. They had not, however, and the first nausea of his awakening having passed, he filled and lighted his briar and dropped down upon the divan to consider his position.
That it was fairly desperate was a fact he was unable to hide from himself, but at least he was still alive, which was a matter at once for congratulation and surprise.
He had noticed before, in raising his hand to his head, that his forehead felt cold and wet, and now, considering the matter closely, he came to the conclusion that an attempt had been made to aid his recovery, by some person or persons who must have retired at the moment that he had shown signs of returning consciousness.
His salvation, then, was not accidental but deliberate. He wondered what awaited him and why his life had been spared.
​That he had walked blindly into a trap prepared for him by that mysterious personality known as Fire-Tongue, he no longer could doubt. Intense anxiety and an egotistical faith in his own acumen had led him to underestimate the cleverness of his enemies, a vice from which ordinarily he was free.
From what hour they had taken a leading interest in his movements, he would probably never know, but that they had detected Paul Harley beneath the vendor of "Old Moore's Almanac" was certain enough. What a fool he had been!
He reproached himself bitterly. Ordinary common sense should have told him that the Hindu secretary had given those instructions to the chauffeur in the courtyard of the Savoy Hotel for his, Paul Harley's, special benefit. It was palpable enough now. He wondered how he had ever fallen into such a trap, and biting savagely upon his pipe, he strove to imagine what ordeal lay ahead of him.
So his thoughts ran, drifting from his personal danger, which he knew to be great, to other matters, which he dreaded to consider, because they meant far more to him than his own life. Upon these bitter reflections a slight sound intruded, the first which had disturbed the stillness about him since the moment of his awakening.
Someone had entered the room beyond the gilded screen, and now a faint light showed beneath the ​fringe of the curtain. Paul Harley sat quite still, smoking and watching.
He had learned to face the inevitable with composure, and now, apprehending the worst, he waited, puffing at his pipe. Presently he detected the sound of someone crossing the room toward him, or rather toward the screen. He lay back against the mattress which formed the back of the divan, and watched the gap below the curtain.
Suddenly he perceived a pair of glossy black boots. Their wearer was evidently standing quite near the screen, possibly listening. Harley had an idea that some second person stood immediately behind the first. Of this idea he presently had confirmation. He was gripping the stem of his pipe very tightly and any one who could have seen him sitting there must have perceived that although his face wore an unusual pallor, he was composed and entirely master of himself.
A voice uttered his name:
"Mr. Paul Harley
He could not be sure, but he thought it was the voice of Ormûz Khân's secretary. He drew his pipe from between his teeth, and:
"Yes, what do you want with me?" he asked.
"Your attention, Mr. Harley, for a few moments, if you feel sufficiently recovered."
"Pray proceed," said Harley.
Of the presence of a second person beyond the ​screen he was now assured, for he had detected the sound of whispered instructions; and sinking lower and lower upon the divan, he peered surreptitiously under the border of the curtain, believing it to be more than probable that his movements were watched.
This led to a notable discovery. A pair of gray suède shoes became visible a few inches behind the glossy black boots—curiously small shoes with unusually high heels. The identity of their wearer was beyond dispute to the man who had measured that delicate foot.
Ormûz Khân stood behind the screen!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1959, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 64 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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