OpenLLM-France/wikimedia huggingface dataset:
# The Works of the Rev. Jonathan Swift/Volume 18/Epitaph on General Gorges and Lady Meath

EPITAPH,
ON
GENERAL GORGES, AND LADY MEATH.
UNDER this stone lies Dick and Dolly. Doll dying first, Dick grew melancholy; For Dick without Doll thought living a folly.
Dick lost in Doll a wife tender and dear: But Dick lost by Doll twelve hundred a year; A loss that Dick thought no mortal could bear.
Dick sigh'd for his Doll, and his mournful arms cross'd; Thought much of his Doll, and the jointure he lost; The first vex'd him much, the other vex'd most.
Thus loaded with grief, Dick sigh'd and he cried: To live without both full three days he tried; But liked neither loss, and so quietly died.
Dick left a pattern few will copy after: Then, reader, pray shed some tears of salt water; For so sad a tale is no subject of laughter. ​
Meath smiles for the jointure, though gotten so late; The son laughs, that got the hard gotten estate; And Cuffe grins, for getting the Alicant plate.
Here quiet they lie, in hopes to rise one day, Both solemnly put in this hole on a Sunday, And here rest —— sic transit gloria mundi!
* ↑ Of Kilbrue, in the county of Meath.
* ↑ Dorothy, dowager of Edward, earl of Meath. She was married to the general in 1716; and died April 10, 1728. Her husband survived her but two days.
* ↑ John Cuffe, of Desart, esq., married the general's eldest daughter.
# The Works of the Rev. Jonathan Swift/Volume 18/Epitaph on the Earl of Berkeley

EPITAPH,
INSCRIBED ON A MARBLE TABLET, IN BERKELEY CHURCH, GLOUCESTERSHIRE.
H. S. E. Carolus Comes de Berkeley, Vicecomes Dursley, Baro Berkeley, de Berkeley Cast., Mowbray, Segrave, Et Bruce, è nobilissimo Ordine Balnei Eques, Vir ad genus quod spectat et proavos usquequaque nobilis, Et longo si quis alius procerum stemmate editus; Muniis etiam tam illustri stirpi dignis insignitus. Siquidem a Gulielmo III° ad ordines fœderati Belgii Ablegatus et Plenipotentiarus Extraordinarius Rebus, non Britanniæ tantùm, sed totius fere Europæ (Tunc temporis præsertim arduis) per annos V. incubuit, Quam felici diligentiâ, fide quam intemeratâ, Ex illo discas, Lector, quod, superstite patre, In magnatum ordinem adscisci meruerit. Fuit à sanctioribus consiliis et Regi Guliel. et Annæ Reginæ, E proregibus Hiberniæ secundus, Comitatum civitatumque Glocest. et Brist. Dominus Locumtenens, Surriæ et Glocest. Custos Rot., Urbis Glocest. magnus Senescallus, Arcis sancti de Briavell Castellanus, Guardianus Forestæ de Dean. Denique ad Turcaruin primum, deinde ad Roman. Imperatorem Cum Legatus Extraordinarius designatus esset, Quo minus has etiam ornaret provincias Obstitit adversa corporis valetudo. Sed restat adhuc, præ quo sordescunt cætera, Honos verus, stabilis, et vel morti cedere nescius, Quòd veritatem evangelicam seriò amplexus; Erga Deum pius, erga pauperes munificus, Adversùs omnes æquus et benevolus, In Christo jam placidè obdormit Cum eodem olim regnaturus unà. Natus VIII° April. mdcxlix. denatus xxiv° Septem. mdccx. ætat. suæ lxii.
# The Works of the Rev. Jonathan Swift/Volume 18/Letter from Andrew Michael Ramsay to Jonathan Swift - 4

FROM CHEVALIER RAMSAY.
AT PARIS, FEB. 20, 1738-9.
I SEND you here enclosed the bill of loading for the small box of books I wrote of to you some time ago. I shall be glad to hear you received them, much more to know if the perusal pleased you. No man having a higher idea of your talents, genius, and capacity, than he, who is, with great respect, reverend sir, your most humble and most obedient servant,
A. RAMSAY.
# The Works of the Rev. Jonathan Swift/Volume 18/Horace, Book IV, Ode XIX, Addressed to Humphry French, Late Lord Mayor of Dublin

HORACE. BOOK IV, ODE XIX.
ADDRESSED TO HUMPHRY FRENCH, ESQ.,
LATE LORD MAYOR OF DUBLIN.
PATRON of the tuneful throng, O! too nice, and too severe! Think not, that my country song Shall displease thy honest ear. Chosen strains I proudly bring, Which the Muses, sacred choir! When they gods and heroes sing, Dictate to th' harmonious lyre. Ancient Homer, princely bard! Just precedence still maintains; With sacred rapture still are heard Theban Pindar's lofty strains. Still the old triumphant song, Which, when hated tyrants fell, Great Alcæus boldly sung, Warns, instructs, and pleases well. Nor has Time's all darkening shade In obscure oblivion press'd What Anacreon laugh'd and play'd; Gay Anacreon, drunken priest! Gentle Sappho, love-sick muse, Warms the heart with amorous fire; ​Still her tenderest notes infuse Melting rapture, soft desire. Beauteous Helen young and gay, By a painted fopling won, Went not first, fair nymph, astray, Fondly pleas'd to be undone. Nor young Teucer's slaughtering bow, Nor bold Hector's dreadful sword, Alone, the terrours of the foe, Sow'd the field with hostile blood. Many valiant chiefs of old Greatly lived and died, before Agamemnon, Grecian bold, Waged the ten years famous war. But their names, unsung, unwept, Unrecorded, lost, and gone, Long in endless night have slept, And shall now no more be known. Virtue, which the poet's care Has not well consign'd to fame, Lies, as in the sepulchre Some old king without a name. But, O Humphry, great and free, While my tuneful songs are read, Old forgetful Time on thee Dark oblivion ne'er shall spread. When the deep cut notes shall fade On the mouldering Parian stone, On the brass no more be read The perishing inscription. Forgotten all the enemies, Envious G———n's cursed spite, And P———l's derogating lies, Lost and sunk in Stygian night. ​Still thy labour and thy care, What for Dublin thou hast done, In full lustre shall appear, And outshine th' unclouded sun. Large thy mind, and not untried, For Hibernia now doth stand, Through the calm, or raging tide, Safe conducts the ship to land. Falsely we call the rich man great, He is only so that knows, His plentiful or small estate Wisely to enjoy and use. He, in wealth or poverty, Fortune's power alike defies; And falsehood and dishonesty More than death abhors and flies: Flies from death! — No, meets it brave, When the suffering so severe May from dreadful bondage save Clients, friends, or country dear. This the sovereign man, complete; Hero; patriot; glorious; free; Rich and wise; and good and great; Generous Humphry, thou art he.
# The Three Tradesmen

* "The Three Tradesmen", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Three Tradesmen", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Act III/Scene IV

SCENE IV.
Another part of the Same.
* ↑ In time the stately ox—] Old Jeronymo again! "In time the savage bull sustains the yoke," &c. Lightly, in the next line, is commonly, usually.
* ↑ Hercules the porter.] Sec p. 62.
* ↑ Be but as cunning, point in his device,] That is, be as exact and clever in his plot as I was in mine. See vol. iv. p. 169.
# The Works of Ben Jonson/Volume 6/The Sad Shepherd

THE
SAD SHEPHERD:
OR,
A TALE OF ROBIN HOOD.
​The Sad Shepherd.] This exquisite fragment first appeared in the folio, 1641. It was evidently the author's last work for the stage; and it is commonly said that he left it unfinished. Either the palsy had remitted its hold upon his faculties, or, (to use a trite expression,) like a dying taper, he had collected all his powers for one bright blaze before they sunk for ever; for the Tale of Robin Hood is replete with beauties of every kind, and may securely challenge not only the comparison "with Sicily and Greece," (claimed for it by the author) but with the pastoral fables of any other age or country.
The folio has this motto from Virgil:
Nec erubuit sylvas habitare Thaleia.
An attempt was made to "continue and complete this piece" by Mr. Waldron. The effort, though bold, was laudable, and the success highly honourable to his talents and ingenuity. To say that he fell short of Jonson, is saying nothing to his discredit; but, injustice to the modest and unpretending continuator, it may fairly be added, that there are not many dramatic writers in our language, to whose compositions the powers which he has displayed in his Supplement, will be found to be ver unequal.
* Argument
* Prologue
* Dramatis personæ
Act I.
* Act I, Scene I.
* Act I, Scene II.
Act II.
* Act II, Scene I.
* Act II, Scene II.
Act III.
* Act III, Scene I.
* Act III, Scene II.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Act III/Scene III

SCENE III.
Pancras.
Enter Turfe, Awdrey, Clench, Medlay, Pan, and Scriben.
* ↑ I will ride Above prince Arthur.] In the procession of the society of archers (called prince Arthur's knights) to the Artillery-ground, where an annual display of skill took place. The worthies subsequently mentioned probably bore a part in the march, which seems to have been conducted with some kind of burlesque parade.
* ↑ He laid Dick Tator by the heels.] Low as the joke is, we find Butler has borrowed it in his speech of Colonel Pride: "They talk indeed of a Roman general, who came from the plough; Dick Talor, I think they call him, who having beat the enemy went home to the country rich, and renowned for a very wise man." Last Speech of Colonel Pride. Whal.
* ↑ His name was Vadian and a cunning toter.] A toter or tooter is a low term for a piper. Who this "cunning toter" was, I cannot inform the reader, unless it be Robert Fabyan. Fabian was parcel poet, and parcel historian, and wrote a rhyming Chronicle of English story down to his own times, the end of the 15th century. If this be To-Pan's Vadian, he certainly cannot be called a cunning toter; but he was undoubtedly popular among the lower classes: he was besides, an alderman, a sheriff, and by occupation a mercer. His Chronicle treats of pageants, lord-mayors' feasts, and other goodly matters, very delectable to city ears.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Dramatis Personæ

DRAMATIS PERSONÆ.
Chanon (canon) Hugh, vicar of Pancras and captain Thums.
Squire Tub, or Tripoly, of Totten-Court.
Basket Hilts, his man and governor.
Justice Preamble, alias Bramble, of Maribone.
Miles Metaphor, his clerk.
Pol Martin, huisher to lady Tub.
Tobie Turfe, high constable of Kentish-town.
John Clay, of Kilborn, tilemaker, the bridegroom.
In-and-In Medlay, of Islington, cooper and headborough.
Rasi' Clench, of Hamstead, farrier and petty constable.
To-Pan, tinker, or metal-man of Belsise, thirdborough
Diogenes Scriben, of Chalcot, the great writer.
Hannibal (Ball) Puppy, the high constable's man.
Father Rosin, the minstrel, and his two Boys.
Black Jack, lady Tub's butler.
Lady Tub, of Totten, the Squire's mother.
Dido Wispe, her woman.
Sibil Turfe, wife to the high-constable.
Awdrey Turfe, her daughter, the bride.
Joan, Joyce, Madge, Parnel, Grisel, and Kate, maids of the bridal.
Servants.
SCENE, Finsbury Hundred.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Act II/Scene I

ACT II. SCENE I.
The fields near Pancras.
* ↑ I love no trains of Kent, &c] i. e. long ones, alluding to the old proverb, "Kentish long-tails."
* ↑ ——— till this ash plant Had rung noon on your pate,] This is a proverbial allusion to the custom of striking the dresser as a signal for dinner, which was then served up at noon. The notices of this practice are innumerable. Maple face, just above, is a term of contempt, of which the precise import is not known. Mr. Malone thinks it alludes to the rough bark of the maple. It may be so: though I suspect that it rather refers to colour, and means tann'd, or sunburnt. In some passages which I have noted, it appears to be synonymous with broad-face: for this I cannot account; unless it refers to the mazer or broad dish of our forefathers, which was usually formed of this wood.
* ↑ Old Blurt.] Jonson alludes to the title of an old comedy, by his friend, Middleton "Blurt, master Constable." 1602.
* ↑ It skills not] i. e. it matters not, it is of no consequence, &c. So in the Poetaster: "Give him what thou hast, though it lack a shilling or two of the sum, it skills not."
* ↑ As you will answer it at your apperil.] Again! See voI. v. p. 137.
* ↑ Peace, and be nought!] i. e. peace and be hanged! another example of the phrase explained, vol. iv. 421.
* ↑ Awdrey's indignation arises from the equivocal use of the word done. Her affectation of delicacy amidst her real grossness is well marked.
* ↑ Like Bungy's dog.] A familiar that followed him, and of whose diabolical agency various facts are recorded in the old story-book of "Friar Bacon."
* ↑ Turn not the bad cow after thy good soap.] This is evidently a proverbial expression; I am not quite sure that I understand it; unless it refers to the custom in some countries of using cow-dung as a succedaneum for soap.
* ↑ Would I had a few more geances on't."] i. e. Jaunts, or errands. Whal.
* ↑ You mean to make a hoiden, &c.] Dr. Johnson derives this word from the Welsh, hoeden, an awkward country girl. From the passage in the text, as well as from several others which I have met with of a similar kind, I am induced to think that hoiden was the ancient term for a leveret. It was assuredly the name of some animal remarkable for the vivacity of its motions, and was formerly applied to the youth of both sexes, though now confined to designate a wild romping girl.
* ↑ In the vallies of my trust.] i. e. I suppose, in the portmanteau or cloke bag: from the French valise.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Act III/Scene II

SCENE II.
The Same.
Before Turfe's House.
Enter lady Tub, Pol Martin, and Wispe.
* ↑ And a device of hers.] i. e. an animated puppet. Device (vice) was the name given to every piece of machinery moved by wheels or wires. See vol. iv. p. 41.
* ↑ 'Twould make me a man of mark.] It would appear from this that the line above ("there are ten old nobles,") was corrupt, and that we should read, Hold, there is an old noble; but I have changed nothing. The quibble between noble and mark, (the latter being double the value of the former) is a favourite with our old writers. Thus, in The Puritan: "A man of mark, quoth-a! I do not think he can shew a beggar's noble. A. I. Sc. 3. See p. 89.
* ↑ Young justice Bramble has kept level coyl.] i. e. (in our old dramatists) riot or disturbance. But, properly, level coil is a game in which each of the parties strives to supplant and win the place of the other. The childish play of catch-corner comes something near it. Coles derives it from the Italian (levar il culo,) and calls it pitch-buttock. If there be two plays of the name, it is well; this may then be one of them.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Act III/Scene V

SCENE V.
Kentish Town.
Before Turfe's House.
# The Works of Ben Jonson/Volume 6/A Tale of a Tub/Prologue

PROLOGUE.
No state-affairs, nor any politic club, Pretend we in our Tale, here, of a Tub: But acts of clowns and constables, to-day Stuff out the scenes of our ridiculous play. A coopers wit, or some such busy spark, Illumining the high constable, and his clerk, And all the neighbourhood, from old records, Of antique proverbs, drawn from Whitson-lords: And their authorities, at Wakes and Ales, With country precedents, and old wives tales, We bring you now, to shew what different things The cotes of clowns are from the courts of kings.
# The World Factbook (1990)/Coral Sea Islands

page 73
​Coral Sea Islands (territory of Australia)
See regional map X
Geography
Total area: undetermined; includes numerous small islands and reefs scattered over a sea area of about 1 million km², with Willis Islets the most important
Comparative area: undetermined
Land boundaries: none
Coastline: 3,095 km
Maritime claims:
    Contiguous zone: 12 nm
    Continental shelf: 200 meters or to depth of exploitation
    Exclusive fishing zone: 200 nm
    Territorial sea: 3 nm
Climate: tropical
Terrain: sand and coral reefs and islands (or cays)
Natural resources: negligible
Land use: 0% arable land; 0% permanent crops; 0% meadows and pastures; 0% forest and woodland; 100% other, mostly grass or scrub cover; Lihou Reef Reserve and Coringa-Herald Reserve were declared National Nature Reserves on 3 August 1982
Environment: subject to occasional tropical cyclones; no permanent fresh water; important nesting area for birds and turtles
Note: the islands are located just off the northeast coast of Australia in the Coral Sea
People
Population: 3 meteorologists
Government
Long-form name: Coral Sea Islands Territory
Type: territory of Australia administered by the Minister for Arts, Sport, the Environment, Tourism, and Territories Graham Richardson
Flag: the flag of Australia is used
Economy
Overview: no economic activity
Communications
Ports: none; offshore anchorages only
Defense Forces
Note: defense is the responsibility of Australia; visited regularly by the Royal Australian Navy; Australia has control over the activities of visitors
# The Varieties of Religious Experience/front matter

Layout 2
* By the Same Author
* THE PRINCIPLES OF PSYCHOLOGY.
* 2 vols. 8vo. New York: Henry Holt & Co. London: Macmillan & Co. 1890.
* PSYCHOLOGY: BRIEFER COURSE.
* 12mo. New York: Henry Holt & Co. London: Macmillan & Co. 1892.
* THE WILL TO BELIEVE, AND OTHER ESSAYS IN POPULAR PHILOSOPHY.
* 12mo. London, New York, and Bombay: Longmans, Green & Co. 1897.
* HUMAN IMMORTALITY: TWO SUPPOSED OBJECTIONS TO THE DOCTRINE.
* 16mo. Boston: Houghton, Mifflin & Co. 1898.
* TALKS TO TEACHERS ON PSYCHOLOGY: AND TO STUDENTS ON SOME OF LIFE'S IDEALS.
* 12mo. New York: Henry Holt & Co. London and Bombay: Longmans, Green & Co. 1899.
* THE LITERARY REMAINS OF HENRY JAMES.
* Edited, with an Introduction, by William James. With Portrait. Crown 8vo. Boston: Houghton, Mifflin & Co. 1885.
# The Various Contrivances by which Orchids are Fertilised by Insects

See also A List of the Scientific Works Published by D. Appleton & Co.
THE
VARIOUS CONTRIVANCES
BY WHICH
ORCHIDS ARE FERTILISED BY INSECTS.
By CHARLES DARWIN, M.A., F.R.S., &c,
SECOND. EDITION, REVISED.
WITH ILLUSTRATIONS.
NEW YORK:
D. APPLETON AND COMPANY,
549 AND 551 BROADWAY.
1877.
CONTENTS.
Preface to the Second Edition  Pages v–vi
List of Papers and Books bearing on the Fertilisation of the Orchideæ &c.  vii–x
Introduction  1–5
CHAPTER I.
OPHREÆ.
CHAPTER II.
OPHREÆ—continued.
CHAPTER III.
ARETHUSEÆ.
CHAPTER IV.
NEOTTEÆ.
CHAPTER V.
MALAXEÆ AND EPIDENDREÆ.
CHAPTER VI.
VANDEÆ.
CHAPTER VII.
VANDEÆ continued.—CATASETIDÆ.
CHAPTER VIII.
CYPRIPEDEÆ—HOMOLOGIES OF THE FLOWERS OF ORCHIDS.
CHAPTER IX.
GRADATION OF ORGANS, &C.—CONCLUDING REMARKS.
Index 294
LIST OF WOODCUTS.
PAGE
P.S.—I am much indebted to Mr. Q. B. Sowerby for the pains which he has taken in making the Diagrams as intelligible as possible.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Works of Charles Dickens/Volume 29/His General Line of Business

THE UNCOMMERCIAL TRAVELLER.
I.
HIS GENERAL LINE OF BUSINESS.
Allow me to introduce myself—first negatively.
No landlord is my friend and brother, no chambermaid loves me, no waiter worships me, no boots admires and envies me. No round of beef or tongue or ham is expressly cooked for me, no pigeon-pie is especially made for me, no hotel-advertisement is personally addressed to me, no hotel-room tapestried with great-coats and railway wrappers is set apart for me, no house of public entertainment in the United Kingdom greatly cares for my opinion of its brandy or sherry. When I go upon my journeys, I am not usually rated at a low figure in the bill; when I come home from my journeys, I never get any commission. I know nothing about prices, and should have no idea, if I were put to it, how to wheedle a man into ordering something he doesn't want. As a town traveller, I am never to be seen driving a vehicle externally like a young and volatile pianoforte van, and internally like an oven in which a number of flat boxes are baking in layers. As a country traveller, I am rarely to be found in a gig, and am never to be encountered by a pleasure train, waiting on the platform of a branch station, quite a Druid in the midst of a light Stonehenge of samples. ​ And yet—proceeding now, to introduce myself positively—I am both a town traveller and a country traveller, and am always on the road. Figuratively speaking, I travel for the great house of Human Interest Brothers, and have rather a large connection in the fancy goods way. Literally speaking, I am always wandering here and there from my rooms in Covent-garden, London—now about the city streets: now, about the country by-roads—seeing many little things, and some great things, which, because they interest me, I think may interest others.
These are my brief credentials as the Uncommercial Traveller.
# The Valley of Decision
### Book I: The Old Order

    Prima che incontro alla festosa fronte
    I lugubri suoi lampi il ver baleni.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9

### Book II: The New Light

Zu neuen Ufern lockt ein neuer Tag.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15

### Book III: The Choice

    The Vision touched him on the lips and said:
    Hereafter thou shalt eat me in thy bread,
    Drink me in all thy kisses, feel my hand
    Steal 'twixt thy palm and Joy's, and see me stand
    Watchful at every crossing of the ways,
    The insatiate lover of thy nights and days.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7

### Book IV: The Reward

Where are the portraits of those who have perished in spite of their vows?
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
# The Yellow Book/Volume 13/Helen

​Four Pictures
By E. J. Sullivan
* Helen
* The Sorceress
* The Couch
* The Mirror
page
​ I. Helen - E. J. Sullivan (1897)
# The Yellow Book/Volume 13/Pierrot

​Pierrot
By Olive Custance
PIERROT . . . . Pierrot . . . . at first they said you slept,
And then they told me you would never wake . . . .
I dared not think . . . . I watched the white day break,
The yellow lamps go out . . . . I have not wept.
But now I kiss your dear cold hands and weep;
Shaken with sobs I cower beside the bed . . . .
At last I realise that you are dead . . . .
Drawn suddenly into the arms of sleep. . . .
Love! . . . you will never look at me again
With those rain-coloured, heavy-lidded eyes,
Closed now for ever . . . .Pierrot, was it wise
To love so madly since we loved in vain?
In vain! in vain! . . . but Pierrot, it was sweet
To stem the stealthy hours with wine and song!. . .
Though death stood up between us stern and strong,
And fate twined nets to trip our dancing feet. . . .
. . . . Too soon, alas! too soon our summer swooned
To bitter winter . . . . and against the lace
Of tossed white pillows lay a reckless face,
With feverish parched mouth like a red wound. . . . Yet still was our brave love not overthrown,
And I would nestle at your side and see
Your large sad eyes grow passionate for me. . . .
Love! wake and speak . . . . I cannot live alone. . . .
Blue as blue flame is the great sky above . . . .
The earth is wonderful and glad and green;
But shut the sunlight out . . . . for I have seen
Forgetfulness upon the face of love.
# The Yellow Book/Volume 13/Old Houses off the Dry Gate, Glasgow

​Two Pictures
By Muirhead Bone
* Winter Evening on the Clyde
* Old Houses off the Dry Gate, Glasgow
page
​ II. Old Houses off the Dry Gate, Glasgow - Muirhead Bone (1897)