# Master Eustace (New York: Thomas Seltzer, 1920)/Benvolio/Part 7

VII
She went to Italy, and Benvolio went with her; but before he went he paid a visit to his other mistress. He flattered himself that he had burned his ships behind him, but the fire was still visibly smouldering. It is true, nevertheless, that he passed a very strange half-hour with Scholastica and her father. The young girl had greatly changed; she barely greeted him; she looked at him coldly. He had no idea her face could wear that look; it vexed him to find it there. He had not been to see her in many weeks, and he now came to tell her that he was going away for a year: it is true these were not conciliatory facts. But she had taught him to think that she possessed in perfection the art of trustful resignation, of unprotesting, cheerful patience—virtues that sat so gracefully on her bended brow that the thought of their being at any rate supremely becoming took the edge from his remorse at making them necessary. But now Scholastica looked older, ​as well as sadder, and decidedly not so pretty. Her figure was meagre, her movements angular, her complexion, even, not so pure as he had fancied. After the first minute he avoided her eye; it made her uncomfortable. Her voice she scarcely allowed him to hear. The Professor, as usual, was serene and frigid, impartial and transcendental. There was a chill in the air, a shadow between them. Benvolio went so far as to wonder that he had ever found a charm in the young girl, and his present disillusionment gave him even more anger than pain. He took leave abruptly and coldly, and puzzled his brain for a long time afterward over the mystery of Scholastica's reserve.
The Countess had said that travelling was a test of friendship; in this case friendship (or whatever the passion was to be called) bade fair for some time to resist the test. Benvolio passed six months of the liveliest felicity. The world has nothing better to offer to a man of sensibility than a first visit to Italy during those years of life when perception is at its keenest, when discretion has arrived, and yet youth has not departed. He made with the Countess a long, slow progress through the lovely land, from the Alps to the Sicilian Sea; and it seemed to him that his imagination, his intellect, his genius, expanded with every breath and ripened with every glance. The Countess was in an almost equal ecstasy, and their sympathy ​was perfect in all points save the lady's somewhat indiscriminate predilection for assemblies and receptions. She had a thousand letters of introduction to deliver, and they entailed a vast deal of social exertion. Often, on balmy nights when he would have preferred to meditate among the ruins of the Forum, or to listen to the moonlit ripple of the Adriatic, Benvolio found himself dragged away to kiss the hand of a decayed princess, or to take a pinch from the snuff-box of an epicurean cardinal. But the cardinals, the princesses, the ruins, the warm southern tides which seemed the voice of history itself—these and a thousand other things resolved themselves into a vast pictorial spectacle—the very stuff that inspiration is made of. Everything he had written before coming to Italy now appeared to him worthless; this was the needful stamp, the consecration of talent. One day, however, this pure felicity was clouded; by a trifle you will say, possibly, but you must remember that in men of Benvolio's disposition primary impulses are almost always produced by trifles light as air. The Countess, speaking of the tone of voice of some one they had met, happened to say that it reminded her of the voice of that queer little woman at home—the daughter of the blind professor. Was this pure inadvertence, or was it malicious design? Benvolio never knew, though he immediately demanded of her, in ​surprise, when and where she had heard Scholastica's voice. His whole attention was aroused; the Countess perceived it, and for a moment she hesitated. Then she bravely proclaimed that she had seen the young girl in the musty old book-room where she spent her dreary life. At these words, uttered in a profoundly mocking tone, Benvolio had an extraordinary sensation. He was walking with the Countess in the garden of a palace, and they had just approached the low balustrade of a terrace which commanded a magnificent view. On one side were violet Apenines, dotted here and there with a gleaming castle or convent; on the other stood the great palace through whose galleries the two had just been strolling, with its walls incrusted with medallions and its cornice charged with statues. But Benvolio's heart began to beat; the tears sprang to his eyes; the perfect landscape around him faded away and turned to nothing, and there rose before him, distinctly, vividly present, the old brown room that looked into the dull northern garden, tenanted by the quiet figures he had once told himself that he loved. He had a choking sensation and a sudden, overwhelming desire to return to his own country.
The Countess would say nothing more than that the fancy had taken her one day to go and see Scholastica. "I suppose I may go where I please!" she cried in the tone of the great lady who is accustomed ​to believe that her glance confers honor wherever it falls. "I'm sure I did her no harm. She's a good little creature, and it's not her fault if she's so unfortunately plain." Benvolio looked at her intently, but he saw that he would learn nothing from her that she did not choose to tell. As he stood there he was amazed to find how natural or at least how easy it was to disbelieve her. She had been with the young girl: that accounted for anything; it accounted abundantly for Scholastica's painful constraint. What had the Countess said and done? what infernal trick had she played upon the poor girl's simplicity? He helplessly wondered, but he felt that she could be trusted to hit her mark. She had done him the honor to be jealous, and to alienate Scholastica she had invented some infernally plausible charge against himself. He felt sick and angry, and for a week he treated his companion with the coldest civility. The charm was broken, the cup of pleasure was drained. This remained no secret to the Countess, who was profoundly vexed at her own indiscretion. At last she abruptly told Benvolio that the test had failed; they must separate; he would please her by taking his leave. He asked no second permission, but bade her farewell in the midst of her little retinue, and went journeying out of Italy with no other company than his thick-swarming memories and projects.
​The first thing he did on reaching home was to repair to the Professor's abode. The old man's chair, for the first time, was empty, and Scholastica was not in the room. He went out into the garden, where, after wandering hither and thither, he found the young girl seated on a secluded bench. She was dressed, as usual, in black; but her head was drooping, her empty hands were folded, and her face was sadder even than when he had last seen her. If she had been changed then, she was doubly changed now. Benvolio looked round, and as the Professor was nowhere visible, he immediately guessed the cause of her affliction. The good old man had gone to join his immortal brothers, the classic sages, and Scholastica was utterly alone. She seemed frightened at seeing him, but he took her hand, and she let him sit down beside her. "Whatever you were once told that made you think ill of me is detestably false," he said. "I have a boundless friendship for you, and now more than ever I should like to show it." She slowly gathered courage to meet his eyes; she found them reassuring, and at last, though she never told him in what way her mind had been poisoned, she suffered him to believe that her old confidence had come back. She told him how her father had died and how, in spite of the high philosophical maxims he had bequeathed to her for her consolation, she felt very lonely and helpless. Her uncle ​had offered her a maintenance, meagre but sufficient; she had the old serving-woman to keep her company, and she meant to live where she was and occupy herself with collecting her father's papers and giving them to the world according to a plan for which he had left particular directions. She seemed irresistibly appealing and touching and yet full of secret dignity and self-support. Benvolio fell in love with her on the spot, and only abstained from telling her so because he remembered just in time that he had an engagement with the Countess which had not yet been formally rescinded. He paid her a long visit, and they went in together and rummaged over her father's books and papers. The old scholar's literary memoranda proved to be extremely valuable. It would be a great work and a most interesting enterprise to give them to the world. When Scholastica heard Benvolio's high estimate of them her cheek began to glow and her spirit to revive. The present then was secure, she seemed to say to herself, and she would have occupation for many a month. He offered to give her every assistance in his power, and in consequence he came daily to see her. Scholastica lived so much out of the world that she was not obliged to trouble herself about gossip. Whatever jests were aimed at the young man for his visible devotion to a mysterious charmer, he was very sure that her ear was never wounded by ​base insinuations. The old serving-woman sat in a corner, nodding over her distaff, and the two friends held long confabulations over yellow manuscripts in which the commentary, it must be confessed, did not always adhere very closely to the text. Six months elapsed, and Benvolio found an ineffable charm in this mild mixture of sentiment and study. He had never in his life been so long of the same mind; it really seemed as if, as the phrase is, the fold was taken for ever, as if he had done with the world and were ready to live henceforth in the closet. He hardly thought of the Countess, and they had no correspondence. She was in Italy, in Greece, in the East, in the Holy Land, in places and situations that taxed the imagination.
One day, in the darkness of the vestibule, after he had left Scholastica, he was arrested by a little old man of sordid aspect, of whom he could make out hardly more than a pair of sharply-glowing little eyes and an immense bald head, polished like an ivory ball. He was a quite terrible little figure in his way, and Benvolio at first was frightened. "Mr. Poet," said the old man, "let me say a single word. I give my niece a maintenance. She may do what she likes. But she forfeits every stiver of her allowance and her expectations if she is fool enough to marry a fellow who scribbles rhymes. I'm told they are sometimes an hour finding two that will ​match! Good evening, Mr. Poet!" Benvolio heard a sound like the faint jingle of loose coin in a trowsers pocket, and the old man abruptly retreated into his domiciliary gloom. Benvolio had never seen him before, and he had no wish ever to see him again. He had not proposed to himself to marry Scholastica, and even if he had, I am pretty sure he would now have taken the modest view of the matter, and decided that his hand and heart were an insufficient compensation for the forfeiture of a miser's fortune. The young girl never spoke of her uncle: he lived quite alone apparently, haunting his upper chambers like a restless ghost, and sending her, by the old serving-woman, her slender monthly allowance, wrapped up in a piece of old newspaper. It was shortly after this that the Countess at last came back. Benvolio had been taking one of his long customary walks, and passing through the park on his way home, he had sat down on a bench to rest. In a few moments a carriage came rolling by; in it sat the Countess beautiful, sombre, solitary. He rose with a ceremonious salute, and she went her way. But in five minutes she passed back again, and this time her carriage stopped. She gave him a single glance, and he got in. For a week afterward Scholastica vainly awaited him. What had happened? It had happened that though she had proved herself both false and cruel, the Countess again asserted ​her charm, and our precious hero again succumbed to it. But he resumed his visits to Scholastica after an interval of neglect not long enough to be unpardonable; the only difference was that now they were not so frequent.
My story draws to a close, for I am afraid you have already lost patience with our young man's eternal comings and goings. Another year ran its course, and the Professor's manuscripts were arranged in great piles, and almost ready for the printer. Benvolio had had a constant hand in the work, and had found it exceedingly interesting; it involved inquiries and researches of the most stimulating and profitable kind. Scholastica was very happy. Her friend was often absent for many days, during which she knew he was leading the great world's life; but she had learned that if she patiently waited, the pendulum would swing back and he would reappear and bury himself in their books and papers and talk. And it was not all work and no play between them either; they talked of everything that came into their heads, and Benvolio by no means forbade himself to descant on those things touching which this sacred vow of personal ignorance had been taken for his companion. He took her wholly into his poetic confidence, and read her everything he had written since his return from Italy. The more he worked the more he desired to work; and ​so, at this time, occupied as he was with editing the Professor's manuscripts, he had never been so productive on his own account. He wrote another drama, on an Italian subject, which was performed with magnificent success; and this he had discussed with Scholastica scene by scene and speech by speech. He proposed to her to come and see it acted from a covered box, where her seclusion would be complete. She seemed for an instant to feel the force of the temptation; then she shook her head with a frank smile, and said it was better not. The play was dedicated to the Countess, who had suggested the subject to him in Italy, where it had been imparted to her, as a family anecdote, by one of her old princesses. This easy, fruitful double life might have lasted for ever but for two most regrettable events. Might have lasted I say; you observe I do not affirm it positively. Scholastica became preoccupied and depressed; she was suffering a secret annoyance. She concealed it as far as she might from her friend, and with some success; for although he suspected something and questioned her, she persuaded him that it was his own fancy. In reality it was no fancy at all, but the very uncomfortable fact that her shabby old uncle, the miser, was making himself excessively disagreeable to her. He had told Benvolio that she might do as pleased her, but he had recently revoked this amiable concession. He informed her ​one day by means of an illegible note, scrawled with a blunt pencil, on the back of an old letter, that her beggarly friend the poet came to see her altogether too often; that he was determined she never should marry a crack-brained rhymester; and that before the sacrifice became too painful she would be so good as to dismiss Mr. Benvolio. This was accompanied by an intimation, more explicit than gracious, that he opened his money bags only for those who deferred to his incomparable wisdom. Scholastica was poor, and simple, and lonely; but she was proud, for all that, with a silent pride of her own, and her uncle's charity, proffered on these terms, became intolerably bitter to her soul. She sent him word that she thanked him for his past liberality, but she would no longer be a charge upon him. She said to herself that she could work; she had a superior education; many women, she knew, supported themselves. She even found something inspiring in the idea of going out into the world of which she knew so little, to seek her fortune. Her great desire, however, was to keep her situation a secret from Benvolio, and to prevent his knowing the sacrifice she was making for him. This it is especially that proves she was proud. It so befell that circumstances made secrecy possible. I don't know whether the Countess had always an idea of marrying Benvolio, but her unquenchable vanity still ​suffered from the spectacle of his divided allegiance, and it suggested to her a truly malignant revenge. A brilliant political mission, for a particular purpose, was about to be despatched to a neighboring government, and half a dozen young men of eminence were to be attached to it. The Countess had influence at court, and without saying anything to Benvolio, she immediately urged his claim to a post, on the ground of his distinguished services to literature. She pulled her wires so cleverly that in a very short time she had the pleasure of presenting him his appointment, on a great sheet of parchment, from which the royal seal dangled by a blue ribbon. It involved an exile of but a few weeks, and to this, with her eye on the sequel of her project, she was able to resign herself. Benvolio's imagination took fire at the thought of spending a month at a foreign court, in the very hotbed of consummate diplomacy; this was a phase of experience with which he was as yet unacquainted. He departed, and no sooner had he gone than the Countess, at a venture, waited upon Scholastica. She knew she was poor, and she believed that in spite of her homely virtues she would not, if the opportunity was placed in a certain light, prove implacably indisposed to better her fortunes. She knew nothing of the young girl's contingent expectations from her uncle, and her interference, at this juncture, was simply a ​remarkable coincidence. She laid before her a proposal from a certain great lady, whose husband, an eminent general, had just been dubbed governor of an island on the other side of the globe. This lady desired a preceptress for her children; she had heard of Scholastica's merit, and she ventured to hope that she might persuade her to accompany her to the antipodes and reside in her family. The offer was brilliant; to Scholastica it seemed mysteriously and providentially opportune. Nevertheless she hesitated, and demanded time for reflection; without telling herself why, she wished to wait till Benvolio returned. He wrote her two or three letters, full of the echoes of his actual life, and without a word about the things that were nearer her own experience. The month elapsed, but he was still absent. Scholastica, who was in correspondence with the governor's wife, delayed her decision from week to week. She had sold her father's manuscripts to a publisher, at a very poor bargain, and gone, meanwhile, to live in a convent. At last the governor's lady demanded her ultimatum. The poor girl scanned the horizon, and saw no rescuing friend; Benvolio was still at the court of Illyria! What she saw was the Countess's fine eyes eagerly watching her over the top of her fan. They seemed to contain a horrible menace, and to hold somehow her happiness at their mercy. Her heart sank; she ​gathered up her few possessions and set sail, with her illustrious protectors, for the antipodes. Shortly after her departure Benvolio returned. He felt a terrible pang of rage and grief when he learned that she had gone; he went to the Countess, prepared to accuse her of the basest treachery. But she checked his reproaches by arts that she had never gone so far as to use before, and promised him that if he would trust her, he should never miss that pale-eyed little governess. It can hardly be supposed that he believed her, but he appears to have been guilty of letting himself be persuaded without belief. For some time after this he almost lived with the Countess. He had, with infinite pains, purchased from his neighbor, the miser, the right of occupancy of the late Professor's apartment. The repulsive old man, in spite of his aversion to rhymesters, had not resisted the financial argument, and seemed greatly amazed that a poet should have a dollar to spend. Scholastica had left all things in their old places, but Benvolio, for the present, never went into the room. He turned the key in the door, and kept it in his waistcoat pocket, where, while he was with the Countess, his fingers fumbled with it. Several months rolled by, and the Countess's promise was not verified. He missed Scholastica intensely, and missed her more as time elapsed. He began at last to go to the old room with the garden, and to try ​to do some work there. He succeeded in a fashion, but it seemed dreary—doubly dreary when he reflected what it might have been. Suddenly he ceased to visit the Countess; a long time passed without her seeing him. She met him at another house, and had some remarkable words with him. She covered him with reproaches that were doubtless deserved, but he made her an answer that caused her to open her eyes and flush, and admit afterward that, for a clever woman, she had been a great fool. "Don't you see," he said—"can't you imagine that I cared for you only by contrast? You took the trouble to kill the contrast, and with it you killed everything else. For a constancy I prefer this!" And he tapped his poetic brow. He never saw the Countess again. I rather regret now that I said at the beginning of my story that it was not to be a fairy tale; otherwise I should be at liberty to say, with harmonious geniality, that if Benvolio missed Scholastica he missed the Countess also, and led an extremely fretful and unproductive life, until one day he sailed for the antipodes and brought Scholastica home. After this he began to produce again; only, many people said, his poetry had become dismally dull. But excuse me; I am writing as if this were a fairy tale!