OpenLLM-France/wikimedia huggingface dataset:
# Oxford Book of English Verse 1250-1900/The Moon

​609. The Moon
I
And, like a dying lady lean and pale,  Who totters forth, wrapp'd in a gauzy veil, Out of her chamber, led by the insane And feeble wanderings of her fading brain, The moon arose up in the murky east A white and shapeless mass.
II
Art thou pale for weariness Of climbing heaven and gazing on the earth,  Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?
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# Oxford Book of English Verse 1250-1900/The Question

​616 The Question
I dream'd that, as I wander'd by the way,  Bare Winter suddenly was changed to Spring; And gentle odours led my steps astray,  Mix'd with a sound of waters murmuring Along a shelving bank of turf, which lay  Under a copse, and hardly dared to fling Its green arms round the bosom of the stream, But kiss'd it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets;  Daisies, those pearl'd Arcturi of the earth, The constellated flower that never sets;  Faint oxlips; tender bluebells, at whose birth The sod scarce heaved; and that tall flower that wets—  Like a child, half in tenderness and mirth— Its mother's face with heaven-collected tears When the low wind, its playmate's voice, it hears.
And in the warm hedge grew lush eglantine,  Green cowbind and the moonlight-colour'd May, And cherry-blossoms, and white cups whose wine  Was the bright dew yet drain'd not by the day;
And wild roses, and ivy serpentine,  With its dark buds and leaves wandering astray; And flowers, azure, black, and streak'd with gold, Fairer than any waken'd eyes behold.
And nearer to the river's trembling edge  There grew broad flag-flowers, purple prank'd with white, And starry river-buds among the sedge,  And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge  With moonlight beams of their own watery light; And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen.
Methought that of these visionary flowers  I made a nosegay, bound in such a way That the same hues which in their natural bowers  Were mingled or opposed, the like array Kept these imprison'd children of the Hours  Within my hand;—and then, elate and gay, I hasten'd to the spot whence I had come, That I might there present it—O! to whom?
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# Our Master

* related portals: Hymns.
* sister projects: Wikidata item.
Also called “Immortal Love, Forever Full,” from its first line.
* “Our Master,” in The Complete Poetical Works of John Greenleaf Whittier (1895)
* “Immortal Love, Forever Full,” in The Army and Navy Hymnal (1920)
# Our Mat

It came from the prison this morning, Close-twisted, neat-lettered, and flat; It lies the hall doorway adorning, A very good style of a mat.
Prison-made! how the spirit is moven As we think of its story of dread -- What wiles of the wicked are woven And spun in its intricate thread!
The letters are new, neat and nobby, Suggesting a masterly hand -- Was it Sikes, who half-murdered the bobby, That put the neat D on the "and"?
Some banker found guilty of laches -- It's always called laches, you know -- Had Holt any hand in those Hs? Did Bertrand illumine that O?
That T has a look of the gallows, That A's a triangle, I guess; Was it one of the Mount Rennie fellows Who twisted the strands of the S?
Was it made by some "highly connected", Who is doing his spell "on his head", Or some wretched woman detected In stealing her children some bread?
Does it speak of a bitter repentance For the crime that so easily came? Of the wearisome length of the sentence, Of the sin, and the sorrow, and shame?
A mat! I should call it a sermon On sin, to all sinners addressed; It would take a keen judge to determine Whether writer or reader is best.
Though the doorway be hard as a pavestone, I rather would use it than that -- I'd as soon wipe my boots on a gravestone, As I would on that Darlinghurst mat!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# O'Connor v. Ohio

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
385 U.S. 92
O'Connor v. Ohio
Argued: Nov. 14, 1966. ---
James W. Cowell, Toledo, Ohio (Raymond S. Metzger, Jr., Toledo, Ohio, of counsel), for petitioner.
Harry Friberg, Pros. Atty., and Anthony Pizza, Asst. Pros. Atty., Toledo, Ohio, for respondent.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# O'Connor's Child (Hemans)

* O'Connor's Child, in The Winter's Wreath, 1829.
* O'Connor's Child, National Lyrics, and Songs for Music, 1834.
# O'Connor v. Ohio/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
United States Supreme Court
385 U.S. 92
O'Connor v. Ohio
Argued: Nov. 14, 1966. ---
This is the second time petitioner has come before this Court with the claim that the prosecutor's comment upon his failure to testify during his trial for larceny violated the constitutional right to remain silent. In O'Connor v. Ohio, 382 U.S. 286, 86 S.Ct. 445, 15 L.Ed.2d 337, we considered this contention when we granted certiorari, vacated the conviction and remanded the case to the Supreme Court of Ohio for further proceedings in light of our decision in Griffin v. State of California, 380 U.S. 609, 85 S.Ct. 1229, 14 L.Ed.2d 106. Following remand, the Ohio court by a closely divided vote upheld petitioner's conviction solely on the ground that he failed to object to the proscribed comment at his trial and during his first appeal in the state courts. That failure was held to preclude the Ohio appellate courts from considering the claim that petitioner's federal constitutional rights had been infringed.
The State does not contest the fact that the prosecutor's remarks violated the constitutional rule announced in Griffin. Moreover, it is clear the prospective application of that rule, announced in Tehan v. U.S. ex rel. Shott, 382 U.S. 406, 86 S.Ct. 459, 15 L.Ed.2d 453, does not prevent petitioner from relying on Griffin, since his conviction was not final when the decision in Griffin was rendered. Indeed, in Tehan we cited our remand of petitioner's case as evidence that Griffin applied to all convictions which had not become final on the date of the Griffin judgment. 382 U.S., at 409, n. 3, 86 S.Ct., at 461. Thus, the only issue now before us is the permissibility of invoking the Ohio procedural rule to defeat petitioner's meritorious federal claim.
We hold that in these circumstances the failure to object in the state courts cannot bar the petitioner from asserting this federal right. Recognition of the States' reliance on former decisions of this Court which Griffin overruled was one of the principal grounds for the prospective application of the rule of that case. See Tehan v. U.S. ex rel. Shott, 382 U.S. 406, 417, 86 S.Ct. 459, 465, 15 L.Ed.2d 453. Defendants can no more be charged with anticipating the Griffin decision than can the States. Petitioner had exhausted his appeals in the Ohio courts and was seeking direct review here when Griffin was handed down. Thus, his failure to object to a practice which Ohio had long allowed cannot strip him of his right to attack the practice following its invalidation by this Court.
We therefore grant the petition for certiorari and reverse the judgment of the Supreme Court of Ohio.
It is so ordered.
Judgment reversed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# O'Connor's Child

* Search for titles containing or beginning with: "O'Connor's Child."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "O'Connor's Child: or, The Flower of Love Lies Bleeding", poem by Thomas Campbell
* "O'Connor's Child", poem by Felicia Hemans
# O'Connor v. Mills

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
300 U.S. 26
O'Connor v. Mills
Argued: Jan. 12, 1937. --- Decided: Feb 1, 1937
Mr. J. A. Tellier, of Little Rock, Ark., for petitioners.
Mr. J. W. House, of Little Rock, Ark., for respondent.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Parker v. Morrill

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
106 U.S. 1
Parker v. Morrill
Gideon D. Camden, for the motion.
D. D. Lord, opposed.
WAITE, C. J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Parker v. Motor Boat Sales

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
314 U.S. 244
Parker v. Motor Boat Sales
Argued: Nov. 19, 1941. --- Decided: Dec 8, 1941
See 314 U.S. 716, 62 S.Ct. 477, 86 L.Ed. --.
Messrs. Francis Biddle, Atty. Gen., and Francis M. Shea, Asst. Atty. Gen., for petitioner.
Mr. Minitree Jones Fulton, of Richmond, Va., for respondent.
Mr. Justice BLACK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Parker v. Monroig

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
239 U.S. 83
Parker v. Monroig
Argued: October 12, 1915. --- Decided: November 15, 1915
Mr. N. B. K. Pettingill for appellants.
Messrs. Frederick S. Tyler and Frank Antonsanti for appellees.
Mr. Chief Justice White delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Parker v. North Carolina
## Concurring Opinion

    Black

## Dissenting Opinion

    Brennan
United States Supreme Court
397 U.S. 790
Parker v. North Carolina
Norman B. Smith, Greensboro, N.C., for petitioner.
Jacob L. Safron, Raleigh, N.C., for respondent.
Mr. Justice WHITE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Parker v. McLain

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
237 U.S. 469
Parker v. McLain
Argued: April 14, 1915. --- Decided: May 10, 1915
Messrs. Edward P. Garnett and Isaac O. Pickering for plaintiff in error.
Mr. W. R. Thurmond for defendant in error.
Mr. Justice Van Devanter delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Odes on Several Subjects (Akenside)

ODES
ON
Several Subjects.
ΠΙΝΔΑΡΟΣ
ΑΠΕΡΑΝΤΟΝ. ΕΤΩ Δ'ΑΣΤΟΙΣ ΑΔΩΝ, ΚΑΙ ΧΘΟΝΙ ΓΥΙΑ ΚΑΛΥΨΑΙ- Μ',ΑΙΝΕΩΝ ΑΙΝΗΤΑ, ΜΟΜ- ΦΑΝ Δ'ΕΠΙΣΠΕΙΡΩΝ ΑΛΙΤΡΟΙΣ.
[ Price One Shilling and Six-pence. ]
ADVERTISEMENT.
THE following Odes were written at very distant intervals, and with a view to very different manners of expression and versification. The author pretends chiefly to the merit of endeavouring to be correct, and of carefully attending to the best models. From what the ancients have left of this kind, perhaps the Ode may be allow'd the most amiable species of poetry;, but certainly there is none which in modern languages has been generally attempted with so little success. For the perfection of lyric poetry depends, beyond that of any other, on the beauty of words and the gracefulness of numbers; in both which respects the ancients had infinite advantages above us. A consideration which will alleviate the author's disappointment, if he too should be found to have miscarried.
ODES
ON
Several Subjects.
LONDON:
Printed for R. Dodsley at Tully's Head in Pall-Mall, And Sold by M. Cooper in Pater-noster-Row.
M.DCC.XLV.
* Ode I: Allusion to Horace
* Ode II: On the Winter Solstice, 1740.
* Ode III: Against Suspicion
* Ode IV: To a Gentleman whose Mistress had Married and Old Man
* Ode V: Hymn to Chearfulness, the Author Sick
* Ode VI: On the Absence of the Poetic Inclination
* Ode VII: To a Friend, on the Hazard of Falling in Love
* Ode VII: On leaving Holland
* Ode IX: To Sleep
* Ode X: On Lyric Poetry
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Odes on Several Subjects (Akenside)/Ode 3

ODE III. Against Suspicion.
O Fly! 'Tis dire Suspicion's mein: And, meditating plagues unseen, The sorc'ress hither bends: Behold her torch in gall imbrued: Behold——her garments drop with blood Of lovers and of friends.
Fly far! Already in your eyes I see a pale suffusion rise; And soon thro' every vein, Soon will her secret venom spread, And all your heart and all your head Imbibe the potent stain.
Then come the hours of shame and fear The hints of horror seize your ear; While gleams of lost delight Raise the deep discord of the brain, As light'ning shines along the main Thro' whirlwinds and thro' night.
No more can faith or candor move; But each ingenuous deed of love Which once you would applaud, Now, smiling o'er her dark distress, Malignant fancy longs to dress Like injury and fraud.
Farewel to virtue's peaceful times! For soon you'll stoop to act the crimes You thus can stoop to fear: When vice begins her ugly train With wrongs of such unmanly stain, What horrors form the rear!
'Tis thus, to work her baleful pow'r, Suspicion waits the sullen hour Of fretfulness and strife, When care th' infirmer bosom wrings, Or Eurus shakes his gloomy wings To damp the seats of life.
But come, forsake the scene unblest, Which first beheld you candid breast, To groundless fears a prey; Come, where with my prevailing lyre The skies, the streams, the groves conspire To charm your doubts away.
Thron'd in the sun's descending car, What Pow'r unseen diffuses far This tenderness of mind? What Genius smiles on every flood? What God, in whispers from the wood, Bids every heart be kind?
O thou, whate'er thy awful name, Whose breath awak'd th' immortal flame That moves my active veins; Thou, who by fair affection's ties Hast doubled all my future joys, And half disarm'd my pains;
Let universal Candour still, Clear as yon heav'n-reflecting rill, Preserve my open mind; Nor This, nor That man's crooked views, One mean or cruel doubt infuse To injure human kind.
# Odes on Several Subjects (Akenside)/Ode 6

ODE VI. On the Absence of the Poetic Inclination.
QUEEN of my songs, harmonious maid, Why, why hast thou withdrawn thy aid? Why thus forsook my widow'd breast, With dark infeebling damps oppress'd? Where is the bold prophetic heat, With which my bosom wont to beat? Where all the bright mysterious dreams Of haunted shades and tuneful streams,
That woo'd my Genius to divinest themes?
Say, can the purple charms of wine, Or young Dione's form divine, Or flatt'ring scenes of promis'd fame Relume thy faint, thy dying flame?
Have soft, melodious airs the pow'r, To give one free, poetick hour? Or, from amid th' Elysian train, The soul of Milton shall I gain,
To win the back with some cœlestial strain?
O mighty mind! O sacred flame! My spirit kindles at his name; Again my lab'ring bosom burns; The Muse, th' inspiring Muse returns! Such on the banks of Tyne confest, I hail'd the bright, ethereal guest, When first she seal'd me for her own, Made all her blissful treasures known,
And bad me swear to follow Her alone.
# Odes on Several Subjects (Akenside)/Ode 1

ODE I. Allusion to Horace,
————Ego, apis Matinæ
More, modoque, &c.Lib. iv. Od. ii.
AMID the garden's fragrance laid,
Where yonder limes behold their shade
Along the glassy stream,
With Horace and his tuneful ease
I'll rest from crouds, and care's disease,
And summer's piercing beam.
Behold the busy, wand'ring Bee! From bloom to bloom, from tree to tree She sweeps mellifluous dews; For her the silken gems arise, For her display their shinking dyes, Their balmy breath diffuse.
Sweet Murmurer! may no rude storm This pleasurable scene deform To check thy gladsome toils; Still may the buds unsullied spring, Still flow'rs and sunshine court thy wing To these ambrosial spoils.
Nor shall my Muse hereafter fail Her fellow-lab'rer thus to hail, And lucky be the strains! For long ago did nature frame Your seasons and your arts the same, Your pleasures and your pains.
Like thee, in lowly, sylvan scenes, And river-banks and fruitful greens Delights my vagrant song; Nor strives by soaring high in air, Tho' swans and eagles triumph there, To draw the giddy throng.
Nor where the raven, where the owl By night their hateful orgies howl, Will she her cares imploy; But flies from ruins and from graves, From ghostly cells and monkish caves To day-light and to joy.
Nor will she tempt the barren waste; Nor deigns th' ungrateful stores to taste Of any noxious thing; But leaves with scorn to others' use The bitter hemlock's baneful juice, The nettle's sordid sting.
From all which nature fairest knows, The vernal blooms, the summer rose, She draws her mingled wealth; And when the lovely task is done, She consecrates a double boon, To pleasure and to health.
# Odes on Several Subjects (Akenside)/Ode 4

ODE IV.
TO
A Gentleman whose Mistress had married an Old Man.
Indeed, my Phædria, if to find That gold a female's vow can gain, If this had e'er disturb'd your mind, Or cost one serious moment's pain, I should have said that all the rules You learnt of moralists and schools, Were very useless, very vain.
Yet I perhaps mistake the case; And tho' with this heroic air, Like one that holds a nobler chace, You seem the lady's loss to bear, Perhaps your heart bely'd your tongue, And thinks my censure mighty wrong To count it such a slight affair.
When Hesper gilds the shaded sky, Slow-winding thro' the well-known grove, Methinks I see you cast your eye Back to the morning scenes of love: Her tender look, her graceful way, The pretty things you heard her say, Afresh your struggling fancy move.
Then tell me, is your soul intire? Does wisdom calmly hold her throne? Then can you question each desire, Bid this remain, and that begone? No tear half-starting from your eye? No kindling blush you know not why? No stealing sigh or stifled groan?
Away with this unmanly mood! See where the hoary churl appears, Whose hand hath seiz'd the fav'rite good Which you reserv'd for happier years: While side by side the blushing maid Shrinks from his visage half-afraid, Spite of the sickly joy she wears.
Ye guardian pow'rs of love and fame, This chaste, harmonious pair behold; And thus reward the gen'rous flame Of all who barter vows for gold. O bloom of youth and opening charms Well-buried in a dotard's arms! O worthy price of beauty sold!
Cease then to gaze, unthankful boy; Let, let her go, the venal fair! Unworthy she to give you joy; Then wherefore should she give you care? Lay, lay your myrtle garland down, And let the willow's virgin-crown With happier omens bind your hair.
O just escap'd the faithless main, Tho' driven unwilling on the land! To guid your favour'd steps again, Behold you better genius stand: Where Plato's olive courts your eye, Where Hamden's laurel blooms on high, He lifts his heav'n-directed hand.
When these are blended on your brow, The willow will be nam'd no more; Or if that love-deserted bough The pitying, laughing girls deplore, Yet still shall I most freely swear, Your dress has much a better air Than all that ever bridegroom wore.
# Odes on Several Subjects (Akenside)/Ode 7

ODE VII. To a Friend, on the Hazard of falling in Love.
NO, foolish boy—To virtuous fame If now thy early hopes be vow'd, If true ambition's nobler flame Command thy footsteps from the croud, Lean not to Love's inchanting snare; His dances, his delights beware,
Nor mingle in the band of young and fair.
By thought, by dangers, and by toils, The wreath of just renown is worn; Nor will ambition's awful spoils The flowry pomp of ease adorn:
But Love dissolves the nerve of thought; By Love unmanly fears are taught;
And Love's reward with slothful arts is bought.
True, where the Muses, where the pow'rs Of softer wisdom, easier wit, Assist the Graces and the Hours To render beauty's praise compleat, The fair may then perhaps impart Each finer sense, each winning art,
And more than schools adorn the manly heart.
If then, from Love's deceit secure, Such bliss be all thy heart intends, Go, where the white-wing'd evening hour On Delia's vernal walk descends: Go, while the pleasing, peaceful scene Becomes her voice, becomes her mien,
Sweet as her smiles, and as her brow serene.
Attend, while that harmonious tongue Each bosom, each desire commands; Apollo's lute by Hermes strung And touch'd by chaste Minerva's hands, Attend. I feel a force divine, O Delia, win my thoughts to thine,
That half thy graces seem already mine.
Yet conscious of the dang'rous charm, Soon would I turn my steps away; Nor oft provoke the lovely harm, Nor once relax my reason's sway. But thou, my friend—What sudden sighs? What means the blush that comes and flies?
Why stop? why silent? why avert thy eyes?
So soon again to meet the fair? So pensive all this absent hour? —O yet, unlucky youth, beware, While yet to think is in thy pow'r.
In vain with friendship's flatt'ring name Thy passion masks its inward shame;
Friendship, the treach'rous fuel of thy flame!
Once, I remember, tir'd of Love, I spurn'd his hard, tyrannic chain, Yet won the haughty fair to prove What sober joys in friendship reign. No more I sigh'd, complain'd, or swore; The nymph's coy arts appear'd no more,
But each could laugh at what we felt before.
Well-pleas'd we pass'd the chearful day, The unreserv'd discourse resign'd, And I inchanted to survey One gen'rous woman's real mind: But soon I wonder'd what possess'd Each wakeful night my anxious breast;
No other friendship e'er had broke my rest!
Fool that I was—And now, ev'n now While thus I preach the Stoic strain, Unless I shun Dione's view, An hour unsays it all again. O friend!—when Love directs her eyes To pierce where every passion lies,
Where is the firm, the cautious, or the wise?