# Poems of Italy: selections from the Odes of Giosue Carducci/Miramar

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O MIRAMAR, about your fair white towers, Weary with weight of the rain-burdened sky, Like some dark cluster of ill-omened birds  Gather the clouds.
O Miramar, against your granite rocks, Grey-rising from the grim deeps of the sea With echoing shriek as of tormented souls  Thunder the waves.
In melancholy shadow of the clouds Stand, keeping watch above the double gulf, Turreted cities of the Istrian shore
 Gems of the sea.
And all its roaring anger still the sea Hurls 'gainst the rocky rampart whence you look Over the Adriatic on both sides,  Hapsburgian hold.
O'er Nabresina thunder bursts and rolls Along the iron coast; and, lightning-crowned, Distant Triesté through a mist of showers  Raises her head.
Ah, how all nature smiled on that fair morn Of April when, his lovely dame beside, Forth came the fair-haired Emperor, to sail  For distant shores.
Upon his placid countenance there beamed The manly strength of one to empire called; The blue eyes of his lady wandered proud  Over the sea.
Farewell, O castle of the happy days, Vainly constructed as a nest for love! An alien zephyr toward the desert ocean  Bears off the twain.
With kindled hopes, they leave the halls adorned With chiselled wisdom and triumphal story; Dante and Goethe to the castle's lord  Make vain appeal.
A sphinx of changeful aspect lures him on To follow in her path across the sea. He yields, and half-way open leaves the book  Of old romance.
Ah, 'twas no song of love or high exploit, No music of guitars that waited him To sound a welcome in the Aztec Spain!  Long on the air,
What is that wail which from Salvor's sad Point Sounds midst the raucous sobbing of the flood? Do dead Venetians sing, or else the old,  Old Istrian Fates?
—"Ah, Son of Hapsburg, in an ill-starred hour
You mount, upon our seas, the fated ship! Darkly the Furies, by you, to the wind
 Shake out the sails.
See how the sphinx perfidiously gives back
As you advance, and puts on other forms!
It is mad Joan's livid look that fronts
 That of your wife;
It is the severed head of France's Queen Grinning at you; and with deep-sunken eyes
Fastened on yours, 'tis Montezuma's fierce
 Yellow-hued face.
While, midst dark tufts of savage plants, unstirred By any breathing of benignant airs, Huitzilopotli in his pyramid  Sits keeping watch.
Out from the god are darting livid flames Into the tropic night; he scents your blood, And with his gaze o'ersweeps the spreading main,  Howling, "Oh come!
"Long have I waited; the ferocious whites Destroyed my kingdom, broke my temples down, Come, self-devoted victim, nephew thou  Of the Fifth Charles.
"I wanted not your forebears of ill fame, Rotten with vice, consumed with royal madness; For you I waited, you I pluck, reborn  Hapsburgian flower.
“And to Guatimozino's mighty soul That reigns 'neath the pavilion of the sun, I send you, Maximilian, that are strong,  Beautiful, pure!"
* ↑ The "Novara."
* ↑ Marie Antoinette.

## Notes

​The Château of Miramar, from which the Archduke Maximilian of Austria set out on his ill-fated expedition to Mexico, is situated on the Adriatic, not far from Trieste. The "double gulf" (third stanza) consists of the Gulf of Venice and the Gulf of Trieste, which form practically one sheet of water; and the "turreted cities of the Istrian shore" (whose names I omitted in the translation as unnecessary) are Muggia, Pirano, Egida, and Parenzo. Huitzilopotli (stanza sixteen) is the Mexican god of war. In his own note to the original poem, Carducci explains the rather obscure allusions which occur in the ninth and ​tenth stanzas. "Certain recollections of the Château of Miramar that find place in these verses perhaps need elucidation," he writes. "In Maximilian's study, built to resemble the cabin of the flagship 'Novara,' which later carried him to Mexico, portraits of Dante and Goethe are to be seen near where the Archduke was accustomed to sit studying; and there still lies open upon the table an old edition of Castillian romances—rare, if I remember rightly, and printed in the Low Countries. In the main hall are engraved a number of Latin maxims. Memorable among them, because of the spot and the man, are these: "Si Fortuna juvat cavete tolli," "Sæpe sub dulci melle venena latent," "Non ad astra mollis et terris via," "Vivitur ingenio, cætera mortis erunt."