# Achilles Goes to Chicago

Extracted from Harpers Monthly Magazine, vol. 113, 1906, pp. 115–120. Accompanying illustrations may be omitted. Included in Mr. Achilles (1912) as Chapters I (Achilles Goes to Chicago) and II (A Butterfly Spreads It's wings)
Achilles Goes To Chicago
BY JENNETTE LEE
Achilles Alexandrakis was arranging the fruit on his stall in front of his little shop on Clark Street. It was a clear, breezy morning, cool for October, but not cold enough to endanger the fruit that Achilles handled so deftly in his dark, slender fingers. As he built the oranges into their yellow pyramid and grouped about them figs and dates, melons and pears, and grapes and pineapples, a look of content held his face. This was the happiest moment of his day.
Already, half an hour ago, Alcibiades and Yaxis had departed with their push-carts, one to the north and one to the south, calling antiphonally as they went, in clear, high voices that came fainter and fainter to Achilles among his fruit.
They would not return until night, and then they would come with empty carts, and jingling in their pockets coppers and nickels and dimes. The breath of a sigh escaped Achilles's lips as he stood back surveying the stall. Something very like homesickness was in his heart. He had almost fancied for the minute that he was back once more in Athens. He raised his eyes and gave a quick, deep glance up and down the street—soot and dirt and grime, frowning buildings and ugly lines, and overhead a meagre strip of sky. Over Athens the sky hung glorious, a curve of light from side to side. His soul flew wide to meet it. Once more he was swinging along the "Street of the Winds," his face lifted to the Parthenon on its Acropolis, his nostrils breathing the clear air. Chicago had dropped from him like a garment, his soul rose and floated.... Athens everywhere—column and cornice, and long, delicate lines, and color of marble and light. He drew a full, sweet breath.
"How much for them peaches?"
Achilles's eye returned from Athens; it dropped through gray soot. "Five cen's," he said, dreamily.
The young woman's back was turned to him. She was hurrying on.
"You no want them?" said Achilles, gently.
There was no reply. The young woman was gone.
Achilles sighed a little and picked up the basket beside him and entered the little shop. It was darker within, darker than in the street. The light came, almost grudgingly, through the open window and door; and only the glowing yellow disks of oranges and lemons and grapefruit relieved its gloom. Achilles placed the basket carefully on a side shelf and turned once more to the street. A man had paused before the stall, looking down. Achilles hastened to the door, welcome in his dark face.
The man looked up. There was a deep line between his eyes. It focussed the piercing glance. "How much for your melons?"
Achilles moved forward with quick, stately step. He wore a seersucker coat and black cotton trousers, but for the moment he had forgotten that his garments did not float a little as he moved. He ran a hand along the smooth, green, crinkling stripes of the melon. "Thirty-five, these—forty, these ones," he said, courteously.
The man lifted an eye. "Got a paper—for the address? I want them sent."
"I take in my haid," said Achilles, with clear glance.
The man hesitated a second. "All right. Don't forget; 1383 Sheridan Road. Send four. They'll pay when you deliver."
"I send right off," said Achilles, cheerfully. "I pick you nice ones. Good day, sir."
But the man was gone—without response—far down the street, and the crowd was shoving past. The day had begun. In and out of the gloomy shop Achilles moved with quick, gliding step, taking orders, filling bags, making change—always with his dark eyes seeking, a little wistfully, something that did not come to them.... It was all so different—this new world. Achilles had been in Chicago six months now, but he had not yet forgotten a dream that he had dreamed in Athens. Sometimes he dreamed it still, and then he wondered whether this, about him, were not all a dream—this pushing, scrambling, picking, hurrying, choosing crowd, dropping pennies and dimes into his curving palm, swearing softly at slow change, and flying fast from street to street. It was not thus in his dream. He had seen a land of new faces, turned ever to the West, with the light on them. He had known them, in his dream—eager faces, full of question and quick response. His soul had gone out to them and, musing in sunny Athens, he had made ready for them. Each morning when he rose he had lifted his glance to the Parthenon, studying anew the straight lines—that were yet not straight—the mysterious, dismantled beauty, the mighty lift of its presence. When they should question him, in this new land, he must not fail them. They would be hungry for the beauty of the ancient world—they who had no ruins of their own. He knew in his heart how it would be with them—the homesickness for the East—all its wonder and its mystery. Yes, he would carry it to them. He, Achilles Alexandrakis, should not be found wanting. This new world was to give to him money, wealth, better education for his boys, a competent old age. But he, too, had something to give in exchange. He must make himself ready against the great day when he should travel down the long way to the Piræus, for the last time, and set sail for America.
He was in America now. He knew, when he stopped to think, that this was not a dream. He had been here six months, in the little shop on Clark Street, but no one had yet asked him of the Parthenon. Sometimes he thought that they did not know that he was Greek. Perhaps if they knew that he had been in Athens, had lived there all his life from a boy, they would question him. The day that he first thought of this, he had ordered a new sign painted. It bore his name in Greek characters, and it was beautiful in line and color. It caused his stand to become known far and wide as the "Greek Shop," and within a month after it was put up his trade had doubled—but no one had asked about the Parthenon.
He had really ceased to hope for it now. He only dreamed the dream, a little wistfully, as he went in and out, and his thought dwelt always on Athens and her beauty. The images stamped so carefully on his sensitive brain became his most precious treasures. Over and over he dwelt on them. Ever in memory his feet climbed the steps to the Acropolis or walked beneath stately orange-trees, beating a soft rhythm to the sound of flute and viol. For Achilles was by nature one of the lightest-hearted of children. In Athens his laugh had been quick to rise, and fresh as the breath of rustling leaves. It was only here, under the sooty sky of the narrow street, that his face had grown a little sad.
At first the days had been full of hope, and the face of each newcomer had been scanned with eager eyes. The fruit, sold so courteously and freely, was hardly more than an excuse for the opening of swift talk. But the talk had never come. There was the inevitable and never-varying, "How much?" the passing of coin, and hurrying feet. Soon a chill had crept into the heart of Achilles. They did not ask of Athens. They did not know that he was Greek. They did not care that his name was Achilles. They did not see him standing there with waiting eyes. He might have been a banana on its stem, a fig-leaf against the wall, the dirt that gritted beneath their feet, for all that their eyes took note.... Yet they were not cruel or thoughtless. Sometimes there came a belated response—half surprised, but cordial—to his gentle "good day." Sometimes a stranger said, "The day is warm," or, "The breeze from the Lake is cool to-day." Then the eyes of Achilles glowed like soft stars in their places. Surely now they would speak. They would say, "Is it thus in Greece?" But they never spoke. And the days hurried their swift feet through the long, dirty streets.
A tall woman in spectacles was coming toward him, sniffing the air a little as she moved. "Have you got any bananas?"
"Yes. They nice." He led the way into the shop and reached to the swinging bunch. "You like some?" he said, encouragingly.
She sniffed a step nearer. "Too ripe," decisively.
"Yes-s. But here and here—" He twirled the bunch skilfully on its string. "These—not ripe, and these." His sunny smile spread their gracious acceptableness before her.
She wrinkled her forehead at them. "Well—you might as well cut me off six."
"A pleasure, madame." He had seized the heavy knife.
"Give me that one." It was a, large one near the centre; "and this one here —and here."
When the six were selected and cut off they were the cream of the bunch. She eyed them doubtfully, still scowling a little. "Yes. I'll take these."
The Greek bowed gravely over the coin she dropped into his palm. "Thank you, madame."
It was later now, and the crowd moved more slowly, with longer pauses between the buyers.
A boy with a bag of books stopped for an apple. Two children with their nurse halted a moment, looking at the glowing fruit. The eyes of the children were full of light and question. Somewhere in their depths Achilles caught a flitting shadow of the Parthenon. Then the nurse hurried them on, and they, too, were gone.
He turned away with a little sigh, arranging the fruit in his slow, absent way. Something at the side of the stall caught his eye, a little movement along the board, in and out through the color and leaves. He lifted a leaf to see. It was a green and black caterpillar, crawling with stately hunch to the back of the stall. Achilles watched him with gentle eyes. Then he leaned over the stall and reached out a long finger. The caterpillar, poised in midair, remained swaying back and forth above the dark obstruction. Slowly it descended and hunched itself anew along the finger. It travelled up the motionless hand and reached the sleeve. With a smile on his lips Achilles entered the shop. He took down an empty fig-box and transferred the treasure to its depths, dropping in after it one or two leaves and a bit of twig. He fitted the lid to the box, leaving a little air, and taking the pen from his desk, wrote across the side in clear Greek letters "πεταλοῦδα." Then he placed the box on the shelf behind him, where the wet ink of the lettering glistened faintly in the light. It was a bit of the heart of Athens prisoned there; and many times, through the cold and snow and bitter sleet of that winter, Achilles took down the fig-box and peered into its depths at a silky bit of gray cradle swung from the side of the box by its delicate bands.
It happened, on a Wednesday in May, that Madame Lewandowska was ill. So ill that when Betty Harris, with her demure music-roll in her hand, tapped at the door of Madame Lewandowska's studio, she found no one within.
On ordinary days this would not have mattered, for the governess, Miss Stone, would have been with her, and they would have gone shopping or sightseeing until the hour was up and James returned. But to-day Miss Stone, too, was ill, James had departed with the carriage, and Betty Harris found herself standing, music-roll in hand, at the door of Madame Lewandowska's studio—alone in the heart of Chicago for the first time in the twelve years of her life.
It had been a very carefully guarded life, with nurses and servants and instructors. No little princess was ever more sternly and conscientiously reared than little Betty Harris, of Chicago. For her tiny sake herds of cattle were slaughtered every day; and all over the land hoofs and hides and by-products and soap-factories lifted themselves to heaven for Betty Harris. If anything were to happen to her, the business of a dozen States would quiver to the core.
She tapped the marble floor softly with her foot and pondered. She might sit here in the hall and wait for James—a whole hour. There was a bench by the wall. She looked at it doubtfully.... It was not seemly that a princess should sit waiting for a servant—not even in marble halls. She glanced about her again. There was probably a telephone somewhere—perhaps on the ground floor. She could telephone home and they would send another carriage. Yes, that would be best. She rang the elevator bell and descended in stately silence. When she stepped out of the great door of the building she saw, straight before her, the sign she sought—"Pay Station."
But then something happened to Betty Harris. The spirit of the spring day caught her and lifted her out of herself. Men were hurrying by with light step. Little children laughed as they ran. Betty skipped a few steps and laughed softly with them.... She would walk home. It was not far. She had often walked as far in the country, and she knew the way quite well.... And when she looked up again, she stood in front of the glowing fruit-stall, and Achilles Alexandrakis was regarding her with deep, sad eyes.
Achilles had been dreaming down the street when the little figure came in sight. His heart all day had been full of sadness—for the spring in the air. And all day Athens had haunted his steps—the Athens of dreams. Once when he had retired into the dark, cool shop, he brushed his sleeve across his eyes, and then he had stood looking down in surprise at something that glistened on its worn surface.
Betty Harris looked at him and smiled. She had been so carefully brought up that she had not learned that some people were her inferiors and must not be smiled at. She gave him the straight, sweet smile that those who had cared for her all her life loved so well. Then she gave a little nod. "I'm walking home," she said.
Achilles leaned forward a little, almost holding his breath lest she float from him. It was the very spirit of Athens—democratic, cultured, naïve. He gave her the salute of his country. She smiled again. Then her eye fell on the tray of pomegranates near the edge of the stall—soft and pink. She reached out a hand. "I have never seen these," she said, slowly. "What are they?"
"Pomegranates— Yes— You like some? I give you."
He disappeared into the shop and Betty followed him, looking about with clear, interested eyes. It was like no place she had ever seen—this cool, dark room, with its tiers on tiers of fruit, and the fragrant, spicy smell, and the man with the sad, kind face. Her quick eye paused—arrested by the word printed on a box on the shelf to the right..:. Ah, that was it! She knew now quite well. He was a Greek man. She knew the letters; she had studied Greek for six months; but she did not know this word—"π-ε-τ-α-λ-—" She was still spelling it out when Achilles returned with the small box of pomegranates in his hand.
She looked up slowly. "I can't quite make it out," she said.
"That?" Achilles's face was alight. "That is Greek."
She nodded. "I know. I study it; but what is it—the word?"
"The word?—Ah, yes, it is— How you say? You shall see."
He reached out a hand to the box. But the child stopped him. A quick thought had come to her.—"You have been in Athens, haven't you? I want to ask you something, please."
The hand dropped from the box. The man turned about, waiting. If heaven were to open to him now—!
"I've always wanted to see a Greek man," said the child, slowly,—"a real Greek man. I've wanted to ask him something he would know about. Have you ever seen the Parthenon?" She put the question with quaint seriousness.
A light came into the eyes of Achilles Alexandrakis. It flooded the room.
"You ask me—the Parthenon?" he said, solemnly. "You wish me—tell that?" It was wistful—almost a cry of longing.
Betty Harris nodded practically. "I've always wanted to know about it—the Parthenon. They tell you how long it is, and how wide, and what it is made of, and who began it, and who finished it, and who destroyed it, but they never, never"—she raised her small hand impressively—"they never tell you how it looks!"
Achilles brought a chair and placed it near the open door. "Will it—kindly—you sit?" he said, gravely.
She seated herself, folding her hands above the music-roll, and lifting her eyes to the dark face looking down at her. "Thank you."
Drawn by Lucas Wolcott Hitchcock Half-tone plate engraved by H. Leinroth
HE FLUNG THE WORDS FROM HIM LIKE A CHANT
Achilles leaned back against the counter, thinking a little. He sighed gently. "I tell you many things," he said at last.
"About the Parthenon, please," said Betty Harris.
"You like Athens?" He said it like a child.
"I should like it—if they would tell me real things. I don't seem to make them understand. But when they say how beautiful it is—I feel it here." She laid her small hand to her side.
The smile of Achilles held glory in its depths. "I tell you," he said.
The clear face reflected the smile. A breath of waiting held the lips. "Yes."
Achilles leaned again upon his counter. His face was rapt, and he spread his finger-tips a little as if something within them stirred to be free.
"It stands so high and lifts itself"—Achilles raised his dark hands—"ruined there—so great—and far beneath, the city lies, drawing near and near, and yet it cannot reach.... And all around is light—and light—and light. Here it is a cellar "—his hands closed in with crushing touch—"but there—!" He flung the words from him like a chant of music, and a sky stretched about them from side to side, blue as sapphire and shedding radiant light upon the city in its midst—a city of fluted column and curving cornice and temple and arch and tomb. The words rolled on, fierce and eager. It was a song of triumph, with war and sorrow and mystery running beneath the sound of joy. And the child, listening with grave, clear eyes, smiled a little, holding her breath. "I see it—I see it!" She half whispered the words.
Achilles barely looked at her. "You see—ah, yes—you see. But I—I have not words!" It was almost a cry.... "The air, so clear—like wine—and the pillars straight and high and big—but light—light—reaching...." His soul was among them, soaring high. Then it returned to earth and he remembered the child.
"And there is an olive-tree," he said, kindly, "and a well where Poseidon—"
"I've heard about the well and the olive-tree," said the child; "I don't care so much about them. But all the rest—" She drew a quick breath. "It is very beautiful. I knew it would be. I knew it would be!"
There was silence in the room.
"Thank you for telling me," said Betty Harris. "Now I must go." She slipped from the chair with a little sigh. She stood looking about the dim shop. "Now I must go," she repeated, wistfully. Achilles moved a step toward the shelf. "Yes—but wait—I will show you." He reached up to the box and took it down lightly. "I show you." He was removing the cover.
The child leaned forward with shining eyes.
A smile came into the dark, grave face looking into the box. "Ah, he has blossomed—for you." He held it out to her.
She took it in shy fingers, bending to it. "It is beautiful," she said, softly. "Yes—beautiful!"
The dark wings, with shadings of gold and tender blue, lifted themselves a little, waiting.
The child looked up. "May I touch it?" she asked.
"Yes— But why not?"
The dark head was bent close to hers, watching the wonderful wings.
Slowly Betty Harris put out a finger and stroked the wings.
They fluttered a little—opened wide and rose—in their first flutter of light.
"Oh!" It was a cry of delight from the child.
The great creature had settled on the bunch of bananas and hung swaying. The gold and blue wings opened and closed slowly.
Achilles drew near and put out a finger.
The butterfly was on it.
He held it toward her, smiling gently, and she reached up, her very breath on tiptoe. A little smile curved her lips, quick and wondering, as the transfer was made, thread by thread, till the gorgeous thing rested on her own palm.
She looked up. "What shall I do with it?" It was a shining whisper.
Achilles's eyes sought the door.
They moved toward it slowly, light as breath.
In the open doorway they paused. Above the tall buildings the gray rim of sky lifted itself. The child looked up to it. Her eyes returned to Achilles.
He nodded gravely.
She raised her hand with a little "p-f-f"—it was half a quick laugh and half a sigh.
The wings fluttered free, and rose, and faltered, and rose again—high and higher, between the dark walls—up to the sky, into the gray—and through.
The eyes that had followed it came back to earth. They looked at each other and smiled gravely—two children who had seen a happy thing.
The child stood still with half-lifted hand.... A carriage drove quickly into the street. The little hand was lifted higher. It was a regal gesture—the return of the princess to earth.
James touched his hat—a look of dismay and relief battling in his face as he turned the horses sharply to the right. They paused in front of the stall, their hoofs beating dainty time to the coursing of their blood.
Achilles eyed them lovingly. The spirit of Athens dwelt in their arching necks.
He opened the door for the child with the quiet face and shining eyes. Gravely he salaamed as she entered the carriage.
Through the window she held out a tiny hand. "I hope you will come and see me," she said.
"Yes, I come," said Achilles, simply. "I like to come."
James dropped a waiting eye.
"Home, James."
The horses sprang away. Achilles Alexandrakis, bareheaded in the spring sunshine, watched the carriage till it was out of sight. Then he turned once more to the stall and rearranged the fruit. The swift fingers laughed a little as they worked, and the eyes of Achilles were filled with light.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 72 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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