OpenLLM-France/wikimedia huggingface dataset:
# Encyclopædia Britannica, Ninth Edition/Tegea

See also Tegea on Wikipedia; Tegea in the 11th Edition; and the disclaimer.
Of its buildings much the most famous was the great temple of Athene Alea, which had often afforded sanctuary to fugitives from Sparta. The old temple was burned down in 394 B.C., and Pausanius speaks of the newer temple as by far the finest and largest in the Peloponnesus (that of Zeus at Olympia, however, occupied nearly double the area). The architect was Scopas; and, as the recent German excavations have proved, the temple was a Doric peripteros, with six columns at each end and fourteen at each side. Of the columns which Pausanias mentions in addition to the Doric, the Corinthian may have stood in the pronaos and posticum, the Ionic in '‘the interior of the temple” (for έκτός we should probably read έντός in Pausanius, viii. 45, 5). The ancient image of Athene Alea was carried off by Augustus, and placed at the entrance to his new forum at Rome. The statues of .Æsculapius and Health, which in Pausanias’s time stood on the two sides of the image of the goddess at Tegea, were by Scopas. On the front pediment of the temple was sculptured the hunt of the Calydonian boar, on the back pediment the combat between Telephus and Achilles. Some fragments of these pedimental sculptures (comprising the head of the boar and two human heads, one helmeted) have been discovered; and, as they are the only existing sculptures which can be referred with some certainty to the hand of Scopas himself, they are of the highest importance for the history of art. The site of the temple, at the modern village of Piali, was partially excavated under the auspices of the German archaeological institute in 1879 and 1882. It appears that the foundations of the temple measured 49·90 metres (nearly 164 feet) by 21·30 (70 feet). As Tegea stood on a plain surrounded by mountains and liable to inundations, its site has been covered by an alluvial soil which has been favourable to the preservation of the ruins, and a thorough excavation might yield important results.
On the excavations, see Mittheilungen des deutschen archäologischen Institutes in Athen, 1879, p. 131 sq., 168 sq.; ibid., 1880, p, 52 sq.; ibid., 1883, p. 274 sq. On the artistic value of the sculptures, see ibid., 1881, p. 393 sq.; Jour. Hell. Stud., 1886, p. 115 sq.
# Fairy Tales from Brazil/Illustrations

ILLUSTRATIONS :
| And out rushed the great black cloud of night | Frontispiece |
| FACING PAGE ||
| The Falcon flew towards the earth with the violin | 26 |
| The little white hen journeyed on and on, and finally she arrived at the royal palace | 78 |
| Finally the tiger and the monkey came to a cobra lying in the path | 98 |
| "O peddler boy, peddler boy," he said to him, "please give me a banana" | 126 |
| The monkey played on his guitar, and he danced around the room | 138 |
| Out of the three magic sacks there sprang three beautiful maidens | 156 |
| Straight out of the biggest wave of all there came a sea serpent to meet her | 184 |
# Fairy Tales from Brazil/Preface

​IT is late afternoon in my Brazilian garden. The dazzling blue of sea and sky which characterises a tropical noonday has become subdued and already roseate tints are beginning to prepare the glory of the sunset hour. A lizard crawls lazily up the whitewashed wall. The song of the sabiá, that wonderful Brazilian thrush, sounds from the royal palm tree. The air is heavy with the perfume of the orange blossom. There is no long twilight in the tropics. Night will leap down suddenly upon my Brazilian garden from out of the glory of the sunset sky.
Theresa, the ama, stands before us on ​the terrace under the mango trees, and we, her yáyázinhas and yóyózinhos, know that the story hour has come. Theresa, daughter of the mud huts under the palm trees, ama in the sobrado of the foreign senhora, is a royal queen of story land. For her the beasts break silence and talk like humans. For her all the magic wonders of her tales stand forth as living truth. Her lithe body sways backwards and forwards to the rhythm of her words as she unfolds her tales to us. She is a picture to remember as she stands under the mango trees on our terrace. Her spotless white "camiza" is decorated with beautiful pillow lace, her own handiwork. Her skirt of stiffly starched cotton is red and purple in colour. A crimson flowered folded shawl hangs over her right ​shoulder and great strings of beads ornament the ebony of her neck and arms. To sit at the feet of Theresa, the ama, is to enter the gate of story land.
# Fairy tales (1)/The Fairy Song

The date is estimated
a
SONG
sung by the
QUEEN of the FAIRIES.
COME, follow, follow me, Ye fairy elves that be, Like tripping oe’r the green, Come follow all your Queen! ​Hand in hand we'll dance around, For this place is fairy ground.
When mortals are at rest, And snoring in their nest, Unheard and unespied Thro’ key holes we do glide; Over tables, stools, and shelves, We trip it with our fairy elves.
And if the house be foul, With platter, dish or bowl, Up stairs we nimbly creep, And find the sluts asleep; Then we pinch their arms and thighs. None us hears and none us spies.
But if the house be swept, And from uncleanness kept, We praise the houshold maid, And surely she is paid; Every night before we go, We drop a tester in her shoe.
Then over a mushroom’s head Our table cloth we spread; A grain of rye or wheat, The diet that we eat; Early drops of dew we drink In corn cups fill’d to the brink.
The brains of nightingales, With unctuous fat of snails, ​Between two cackels stew’d, Is meat that’s easily chew’d; Brains of worms and marrow of mice, Do make a feast that’s wond’rous nice.
The grashopper, gnat, and fly, Serve for our minstrelsy; Grace said, we dance a while, And so the time beguile: But if the moon doth hide her head, The glow-worm lights us home to bed.
O’er tops of dewy grass, So nimbly we do pass, The young and tender stalk Ne’er bends where we do walk; Yet in the morning may be seen Where we the night before have been.
FINIS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Fairy tales (1800)

Dated from internal and external evidence.
Fairy Tales,
CONTAINING
The Stories of Cinderilla
OR, THE
Little Glass Slipper
LITTLE RED RIDING-HOOD;
Princess Fair-star and Prince Cherry.
AND
EBOULI SINA.
TO WHICH IS ADDED
THE FAIRY SONG.
Printed by J. Morrow, Cowgate.
* Cinderilla, or, the little glass slipper
* Little Red Riding-hood
* Princess Fair-Star and Prince Cherry
* Ebouli Sina
* The fairy song
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Fairy tales (1)

The date is estimated
FAIRY TALES.
containing
The Stories of Cinderilla,
or, the
Little Glass Slipper;
LITTLE RED RIDING-HOOD,
Princess Fair-star and Prince Cherry
and
EBOULI SINA.
to which is added,
THE FAIRY SONG.
Edinburgh: Printed and Sold by J. Morren.
* Cinderilla, or, The Little Glass Slipper
* Little Red Riding-Hood
* Princess Fair-Star and Prince Cherry
* Ebouli Sina
* The Fairy Song
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Fairy tales (1)/Ebouli Sina

The date is estimated
the
STORY
of
EBOULI SINA.
EBOULI SINA, a sage derwise, had passed the night in the house of a poor woman, who had exercised all the duties of hospitality towards him, he was touched with the unfortunate condition to which she was reduced, and resolving to succour her in her misfortunes, he loosened a stone from out of the wall of the house, and pronounced some words over it, placed it again where it was before, and pierced it with a little pipe, at the end of which he put a cock, then said to the ​woman as he returned her his thanks, and bid her adieu.
My good Mother, whenever you are in want of necessaries turn this Cock, and draw out as much wine as you please; take the quantity that is necessary for your own life, and carry the remainder to the market. Be assured that the source will never fail, all I exact of you is, not to unloose the stone, nor to look at what I have put behind it. The good woman promised she would not, and during some time observed what the holy man had recommended to her. She gathered riches; affluence and plenty soon reigned in her little family, at length curiosity became so strong within her that she submitted to its dictates, she displaced the stone, and found nothing behind it but one single grape; she then replaced it in the fame order she found it, but the wine ran no more: Thus was she, by satisfying her idle curiosity, punished by the same want she before experienced.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# First National Bank of Guthrie Center v. Anderson

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
269 U.S. 341
First National Bank of Guthrie Center v. Anderson
Argued: Jan. 27, 1925. --- Decided: Jan 4, 1926
Mr. J. G. Gamble, of Des Moines, Iowa, for plaintiff in error.
Messrs. Ben J. Gibson, of Des Moines, Iowa, and Earl W. Vincent, of Guthrie Center, Iowa, for defendants in error.
Mr. Justice VAN DEVANTER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# First National Bank of Hartford Wis v. City of Hartford

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
273 U.S. 548
First National Bank of Hartford Wis v. City of Hartford
Argued: Dec. 13, 1926. --- Decided: March 21, 1927
Messrs. A. W. Fairchild, George P. Miller, Edwin S. Mack, and J. Gilbert Hardgrove, all of Milwaukee, Wis., for plaintiff in error.
Messrs. E. J. Dempsey, of Oshkosh, Wis., Herman L. Ekern, of Madison, Wis., and Edward M. Smart, of Milwaukee,
[Argument of Counsel from page 549 intentionally omitted] for defendants in error.
Mr. Justice STONE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# First National Bank of Gulfport v. Adams

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
258 U.S. 362
First National Bank of Gulfport v. Adams
Argued: and Submitted March 2, 1922. --- Decided: April 10, 1922
Mr. Wm. H. Watkins, of Jackson, Miss., for petitioner.
Mr. J. B. Harris, of Jackson, Miss., for respondent.
Mr. Justice McREYNOLDS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# First National Bank of Lake Benton, Minnesota v. Watt

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
184 U.S. 151
First National Bank of Lake Benton, Minnesota v. Watt
Argued: January 15, 1902. --- Decided: February 24, 1902
By this action, which was commenced in a court of the state of Minnesota, recovery was sought from the First National Bank of Lake Benton, Minnesota, plaintiff in error here, of twice the amount of the entire interest which it was alleged had been paid to that bank by Watt, plaintiff below, who is the defendant in error on this record. The right to the relief was based on the averment that the bank had, in violation of the law of the United States, received from Watt usurious interest. The cause was tried to a jury and a verdict returned in favor of Watt. From an order denying a motion for a new trial an appeal was taken to the supreme court of the state of Minnesota, and that court affirmed the judgment. 76 Minn. 458, 79 N. W. 509. Upon the return of the record to the trial court, judgment was entered on the verdict of the jury. Another appeal was then taken and the judgment was affirmed. 79 Minn. 266, 82 N. W. 1118. The case was then brought to this court by writ of error.
Messrs. F. B. Kellogg and C. A. Severance for plaintiff in error.
Mr. F. L. Janes for defendant in error.
Mr. Justice White, after making the foregoing statement, delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Fleischmann Distilling Corporation v. Maier Brewing Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Stewart
United States Supreme Court
386 U.S. 714
Fleischmann Distilling Corporation v. Maier Brewing Company
Argued: Feb. 14, 1967. --- Decided: May 8, 1967
Moses Lasky, San Francisco, Cal., for peit ioners.
J. Albert Hutchinson, San Francisco, Cal., for respondents.
Mr. Chief Justice WARREN delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Flaxman

We deemed the secret lost, the spirit gone, Which spake in Greek simplicity of thought, And in the forms of gods and heroes wrought Eternal beauty from the sculptured stone,— A higher charm than modern culture won With all the wealth of metaphysic lore, Gifted to analyze, dissect, explore. A many-colored light flows from one sun; Art, 'neath its beams, a motley thread has spun; The prism modifies the perfect day; But thou has known such mediums to shun, And cast once more on life a pure, white ray. Absorbed in the creations of thy mind, Forgetting daily self, my truest self I find.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Fleischer v. W.P.I.X., Inc./Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
371 U.S. 16
Fleischer v. W.P.I.X., Inc.
The motions to dismiss are granted and the appeal is dismissed for want of a substantial federal question.
Mr. Justice GOLDBERG took no part in the consideration or decision of this case.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Fleischmann Const Company v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
270 U.S. 349
Fleischmann Const Company v. United States
Argued: Oct. 15, 1925. --- Decided: March 1, 1926
[Syllabus from pages 349-351 intentionally omitted]
Messrs. Levi H. David, of Washington, D. C., and William F. Kimber, of New York City, for plaintiffs in error.
Mr. Bynum E. Hinton, of Washington, D. C., for defendants in error Forsberg and others.
Mr. David W. Kahn, of New York City, for defendants in error Wallace & Gale.
Messrs. Weissberger & Leichter, of New York City (Messrs. Milton Leichter and Isidor Weissberger, both of New York City, of counsel), for defendants in error Pierce, Butler & Pierce Mfg. Corporation, Structural Slate Co., and Beaton & Cadwell Mfg. Co.
Mr. Justice SANFORD delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Fleischer v. W.P.I.X., Inc.

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
371 U.S. 16
Fleischer v. W.P.I.X., Inc.
Gustave B. Garfield, for appellant.
Daniel Huttenbrauck and Seymour Shainswit, for appellees.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Four excellent old songs/Bessy Bell & Mary Gray

BESSY BELL & MARY GRAY.
History of the Ballad.
There is a place called Lednoch about four computed miles from Perth; here it was where the celebrated Bessy Bell and Mary Gray lived. The father of the former was Laird of Kinvaid, in the neighbourhood of Lednoch; and that of the latter, was Laird of Lednoch. The two young ladies were extremely handsome, and maintained the strictest friendship and intimacy with one-another. When Miss Bell was on a visit to Miss Gray, the plague broke out, in 1666, to avoid which, they built themselves a bower about a mile west from Lednoch house, in a very retired and romantic situation. In this retreat they lived for some time, and were often visited by a young gentleman who, being enamoured with both of them, composed the following celebrated ballad in their praise. But alas! the mutual lover, at last having caught the infection, communicated it to the two ladies, who fell unhappy victims to its virulence-. Their bodies were afterwards conveyed to another part of Mr Gray's ground, called, Dornoch-haugh, and there buried. on the top of a little hill, about a mile and a half north of the house of Lednoch stood a Cross of great antiquity; at the foot of this Cross are three Wells, commonly called, the Bishops Wells, within a small distance of each other; where the Bishops of St. Andrew’s, Dunkeld, and Dunblane were wont to assemble, and drink to one-another, while each of them stood at the well within his own Diocess.
O Bessy Bell and Mary Gray, they were twa bonny lasses; The bigged a bow'r on yon burn-brae, and thack'd it o'er wi' rashes.
​Fair Bessy Bell I loo’d yestreen, and thought I ne’er could alter, But Mary Gray's twa pauky een, they gar my fancy faulter.
Now Bessy’s hair’s like a lint-tap, she smiles like a May-morning, When Phoebus starts from Thetis' lap, the hills with rays adorning.
White is her neck, fast is her hand, her waist and feet’s fu’ genty, With ilka grace she can command, her lips, O wow! they’re dainty.
And Mary’s locks they’re like a craw, her eyes like diamonds glances, She’s ay so clean redd up, and bra’, she kills when e'er she dances.
Blyth as a kid, with wit at will, she blooming, tight, and tall is; And guide her airs sae gracefu’ still, O Jove, she’s like thy Pallas.
Dear Bessy Bell, and Mary Gray, ye unco fair opress us; Our fancies jee between you twa, ye are sic bonny lasses.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Four excellent old songs/Birks of Invermay

BIRKS OF INVERMAY.
The smiling morn, the breathing spring, Invite the tuneful birds to sing; And, while they warble from each spray, Love melts the universal lay : Let us, my Love, be timely wife, Like them improve the hour that flies, And in soft raptures waste the day Among the birks of Invermay.
For soon the winter of the year, And age, life’s winter, will appear; At this thy living bloom will fade, As that will strip the verdant shade; Our taste of pleasure then is o’er, The feather’d songsters are no more; And when they droop, and we decay,
​Behold the hills and vales around, With lowing herds and flocks abound; The wanton kids, and frisking lambs, Gambol and dance about their dams; The busy bees with humming noise, And all the reptile kind rejoice! Let us, like them, then, sing and play, About the Birks of Invermay.
Hark! how the waters, as they fall, Loudly my love to gladness call; The wanton waves sport in the beams, And fishes play throughout the streams. The circling sun does now advance, And all the planets round him dance; Let us as joyful be as they, Among the Birks of Invermay.
chorus.
All Nature, thro’ her works divine, Teach lovers to improve their time; That they may not with fighing say. We’ve lost the joys of Invermay.
FINIS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Four excellent songs (1)

Date is estimated
No. 13.
Four Excellent
SONGS.
Home, sweet Home. Up and warn a’ Willie. Royal Charlie. The piper o’ Dundee.
NEWTON-STEWART. Printed and Sold, Wholesale and Retail, by J. McNairn.
* Home, sweet Home
* Up and warn a' Willie
* Royal Charlie
* The piper o' Dundee
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Four excellent songs (1)/Up and warn a' Willie

Date is estimated
UP AND WARN A’, WILLIE.
Up and warn a’ Wille, Warn, warn a’; To hear my canty Highland sang Relate the thing I saw, Wille.
When we gaed to the braes o’ Mar, And to the weapon-shaw, Willie, Wi’ true design to serve our king And banish Whigs awa’, Willie. Up and warn a’, Willie. Warn, warn a’; For lords and lairds cam here bedeen, And wow but they were braw, Willie.
But when the standard was set up, Right fierce the wind did blaw, Willie; The royal nit upon the tap Down to the ground did fa’, Willie, Up and warn a’ Willie, Warn, warn a’; Then second sighted Sandy said, We’d do nae gude at a’, Willie.
​But when the army joined at Perth, The bravest e’er ye saw, Willie, We did na doubt the rogues to rout, Restore our king and a’, Willie, Up and warn a’ Willie. Warn, warn a’; The pipers play’d frae right to left, O whirry Whigs awa’, Willie.
But when we marched to Sherramuir, And there the rebels saw, Willie; Brave Argyle attacked our right, Our flank, and front and a’, Willie. Up and warn a’, Willie, Warn, warn a’; Traitor Huntly soon gave way, Seaforth, St Clair and a’, Willie.
But brave Glengary on our right, The rebel’s left did claw. Willie, He their the greatest slaughter made, That ever Donald saw, Willie. Up and warn a’ Willie, Warn, warn a’; And Whittam fyl’d his breeks for fear, And fast did rin awa, Willie.
​For he called us a Highland mob, And swore he’d slay us a’ Willie; But we chass’d him hack to Stirling brig, Dragoons and foot, and a’ Willie. Up and warn a’ Willie, Warn, warn a’; At length we rallied on a hill, And briskly up did draw, Willie.
But when Argyle did view our line, And them in order saw, Willie, He straight gaed to Dumblane again, And back his left did draw, Willie. Up and warn a’ Willie, Warn, warn a’; Then we to Auchterarder march’d, To wait a better fa’, willie.
Now if ye speir wha wan the day, I've tell’d ye what I saw, willie, We baith did fight and baith were beat, And baith did rin awa, willie. Up and warn a’ willie, Warn, warn a’; For second sighted Sandy said We’d do nae good at a’, willie.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse