OpenLLM-France/wikimedia huggingface dataset:
# Federal Trade Commission v. Fred Meyer, Inc./Dissent Stewart

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinion Fortas
* Dissenting Opinions Harlan Stewart
United States Supreme Court
390 U.S. 341
Federal Trade Commission v. Fred Meyer, Inc.
Argued: Nov. 6, 1967. ---
Mr. Justice STEWART, dissenting.
Section 2(d) of the Clayton Act, as amended by the Robinson-Patman Act, makes it unlawful for a supplier to grant to a customer a promotional allowance which is not available to 'all other customers competing in the distribution of such products or commodities.' The Federal Trade Commission held that the respondent retailer had violated § 2(d) by inducing certain of its direct suppliers to grant it promotional allowances which were not available to wholesalers who sold the suppliers' products to retailers competing with the respondent. The Court of Appeals refused to enforce this part of the Commission's order on the ground that the wholesalers were not customers 'competing' with the respondent. We granted certiorari limited to a single question:
'Whether a supplier's granting to a retailer who buys directly from it promotional allowances that are not made available to a wholesaler who resells to retailers competing with the directbuying retailer violates Section 2(d) of the Robinson-Patman Act.' 386 U.S. 907, 87 S.Ct. 853, 17 L.Ed.2d 781.
The Court today agrees with the Court of Appeals' answer to this question and holds that wholesalers are not customers 'competing' with the respondent. But the Court nevertheless goes on to hold that § 2(d) was violated upon a theory not argued here by either party. The theory is that retailers who are in fact customers of independent wholesalers are somehow also 'customers' of the suppliers of those wholesalers. The Commission has never suggested that this case should turn on any such construction of the term 'customer.' Cf. SEC v. Chenery Corp., 318 U.S. 80, 63 S.Ct. 454, 87 L.Ed. 626.
Because the Court of Appeals was correct in rejecting the Commission's construction of § 2(d), I would affirm its judgment. But, at the very least, the case should be remanded in order to give the respondent notice and an opportunity to defend against the novel construction of § 2(d) under which the Court today finds the respondent to be a violator of the law. Due process requires no less. Cf. Cole v. State of Arkansas, 333 U.S. 196, 68 S.Ct. 514, 92 L.Ed. 644.

## Notes

* ↑ In this opinion the term 'respondent' refers to Fred Meyer, Inc.
* ↑ One Commissioner attempted in vain to persuade the Commission to accept the theory which the Court today adopts: 'What made this practice illegal, as I see it, is that the allowances were not also made available on proportionally equal terms to Meyer's retail competitors. But that is not the Commission's view of the law.' 63 F.T.C., at — (Commissioner Elman, concurring in part and dissenting in part).
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Grimm's Goblins (1876)/The Fox and the Horse

Notes
THE FOX AND THE HORSE.
A FARMER had a horse that had been an excellent faithful servant to him: but he was now grown too old to work; so the farmer would give him nothing more to eat, and said, "I want you no longer, so take yourself off out of my stable; I shall not take you back again until you are stronger than a lion." Then he opened the door and turned him adrift.
The poor horse was very melancholy, and wandered up and down in the wood, seeking some little shelter from the cold wind and rain. Presently a fox met him: "What's the matter, my friend?" said he, "why do you hang down your head and look so lonely and woe-begone?" "Ah!" replied the horse, "justice and avarice never dwell in one house; my master has forgotten all that I have done for him so many years, and because I can no longer work he has turned me adrift, and says unless I become stronger than a lion he will not take me back again; what chance can I have of that? he knows I have none, or he would not talk so."
However, the fox bid him be of good cheer, and said, "I will help you; lie down there, stretch yourself out quite stiff, and pretend to be dead." The horse did as he was told, and the fox went straight to the lion who lived in a cave close by, and said to him, "A little way off lies a dead horse; come with me and you may make an excellent meal of his carcase." The lion was greatly pleased, and set off immediately; and when they came to the horse, the fox said, "You will not be able to eat him comfortably here; I'll tell you what—I will tie you fast to ​his tail, and then you can draw him to your den, and eat him at your leisure."
This advice pleased the lion, so he laid himself down quietly for the fox to make him fast to the horse. But the fox managed to tie his legs together and bound all so hard and fast that with all his strength he could not set himself free. When the work was done, the fox clapped the horse on the shoulder, and said "Jip! Dobbin! Jip!" Then up he sprang, and moved off, dragging the lion behind him. The beast began to roar and bellow, till all the birds of the wood flew away for fright; but the horse let him sing on, and made his way quietly over the fields to his master's house.
"Here he is, master," said he, "I have got the better of him:" and when the farmer saw his old servant, his heart relented, and he said, "Thou shalt stay in thy stable and be well taken care of." And so the poor old horse had plenty to eat, and lived—till he died.
# Gertie

* related portals: Cartoons, Silent cartoons.
* sister projects: Wikipedia article, Commons category, quotes, news, taxonomy, Wikidata item.
Cast and Crew :
| Cast ||
| Role | Actor |
| | Winsor McCay |
| | George McManus |
| | Tad Dorgan |
| | Roy McCardell |
| | Tom Powers |
| Crew ||
| Director | Winsor McCay (d. 1934) |
| Producer | Winsor McCay |
| Screenwriter | Winsor McCay, John Randolph Bray (d. 1978) |
| Editor | Winsor McCay |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1978, meaning that this film may be in the public domain in countries and jurisdictions with 45 years p.m.a. or less, as well as in the United States. ||
Winsor McCay America's Greatest Cartoonist AND GERTIE RELEASED THROUGH THE BOX OFFICE ATTRACTION COMPANY.
Museum of Natural History, New York City
WINSOR McCAY, creator of "Little Nemo" and "Dreams of a Rarebit Fiend;" GEORGE McMANUS, creator of "The Newlyweds," "Bringing up Father," and "Let George do it;" ROY McCARDELL, humorist, and others, on a joy ride.
"We've got a puncture. Let's go into the museum while he fixes it."
In the museum.
THE DINOSAURUS SKELETON 70 FEET LENGTH—20 FEET HEIGHT
Winsor McCay bets George McManus a dinner for the party that he can make the Dinosaurus live again by a series of hand-drawn cartoons.
After six months work, McCay finishes drawing the cartoons.
No. 9999 No. 10000
McManus calls while the cartoons are being photographed.
"I made ten thousand cartoons,—each one a little different from the one preceding it."
"Mr. McManus wants to see some of the drawings."
The dinner.
"And now Mr. McCay will show us what he thinks a Dinosaurus looked like in real life."
"McCay, your bet was that you could make it move."
"Gertie,—yes, her name is Gertie,—will come out of that cave and do everything I tell her to do."
"Come out Gertie, and make a pretty bow."
"Aw, stop that!"
"Be a good girl and bow to the audience."
"Thanks! Now raise your right foot."
"That's good! Now raise your left foot."
"Never mind that sea serpent! Gertie, raise your left foot."
"You're a bad girl, shame on you!"
"Oh, dont' cry. Here catch this pumpkin."
"Now will you raise your left foot?"
"Gertie, don't hurt Jumbo."
"Gertie loves music. Play for her and she'll dance."
"Did you see that four-winged lizard?"
"Sure?"
"Are you in the habit of seeing things?"
"Are you fibbing of me?"
"Will you have a little drink?"
"There's a lake. Take a little drink if you want it."
"Gertie will now show that she isn't afraid of me and take me for a ride."
Paying the bet.
"Who pays for the dinner? Let George do it!"
And George did.
The End.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1934, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 89 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Gerrit Schimmelpennich and Jan Adrian Toe Lear Who Are Aliens v. William Bayard

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
26 U.S. 264
Gerrit Schimmelpennich and Jan Adrian Toe Lear Who Are Aliens v. William Bayard

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Gervais

* Search for titles containing or beginning with: "Gervais."
* sister projects: Wikipedia article, taxonomy, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Authors

* François Louis Paul Gervaise

## Works

* "Gervais", a poem by Margaret Adelaide Wilson
# Gertrude

* Search for titles containing or beginning with: "Gertrude."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Gertrude, a work by Caroline Louisa Waring Calvert
* Gertrude, a poem by Felicia Dorothea Hemans
* Gertrude, a work by Elizabeth Sewell
# Gertrude (Hemans)

* Records of Woman—No. VII. Gertrude, in The New Monthly Magazine Volume 16, 1826.
* Gertrude, or Fidelity till Death, in Records of Woman: with Other Poems (Records of Woman), 1828.
# Gertrude Von Der Wart

* "Gertrude Von Der Wart" (1840), in The Theatrical Speaker
* "Gertrude Von Der Wart" (1840s), in The Spouter's Companion
# Grimm's Household Tales, Volume 2/The Sole

Tale 172. Notes
172.—THE SOLE.
The fishes had for a long time been discontented because no order prevailed in their kingdom. None of them turned aside for the others, but all swam to the right or the left as they fancied, or darted between those who wanted to stay together, or got into their way; and a strong one gave a weak one a blow with its tail, which drove it away, or else swallowed it up without more ado. "How delightful it would be," said they, "if we had a king who enforced law and justice among us!" and they met together to choose for their ruler, the one who could cleave through the water most quickly, and give help to the weak ones.
They placed themselves in rank and file by the shore, and the pike gave the signal with his tail, on which they all started. Like an arrow, the pike darted away, and with him the herring, the gudgeon, the perch, the carp, and all the rest of them. Even the sole swam with them, and hoped to reach the winning-place. All at once, the cry was heard, "The herring is first! the herring is first!" "Who is first?" screamed angrily the flat envious sole, who had been left far behind, "who is first?" "The herring! The herring," was the answer. "The naked herring?" cried the jealous creature, "the naked herring?" Since that time the sole's mouth has been at one side for a punishment.
# Grimm's Household Tales, Volume 2/The Star Money

153.—THE STAR-MONEY.
There was once on a time a little girl whose father and mother were dead, and she was so poor that she no longer had any little room to live in, or bed to sleep in, and at last she had nothing else but the clothes she was wearing and a little bit of bread in her hand which some charitable soul had given her. She was, however, good and pious. And as she was thus forsaken by all the world, ​she went forth into the open country, trusting in the good God. Then a poor man met her, who said, "Ah, give me something to eat, I am so hungry!" She reached him the whole of her piece of bread, and said, "May God bless it to thy use," and went onwards. Then came a child who moaned and said, "My head is so cold, give me something to cover it with." So she took off her hood and gave it to him; and when she had walked a little farther, she met another child who had no jacket and was frozen with cold. Then she gave it her own; and a little farther on one begged for a frock, and she gave away that also. At length she got into a forest and it had already become dark, and there came yet another child, and asked for a little shirt, and the good little girl thought to herself, "It is a dark night and no one sees thee, thou canst very well give thy little shirt away," and took it off, and gave away that also. And as she so stood, and had not one single thing left, suddenly some stars from heaven fell down, and they were nothing else but hard smooth pieces of money, and although she had just given her little shirt away, she had a new one which was of the very finest linen. Then she gathered together the money into this, and was rich all the days of her life.
# Grimm's Household Tales, Volume 2/The Shroud

109.—THE SHROUD.
There was once a mother who had a little boy of seven years old, who was so handsome and loveable that no one could look at him without liking him, and she herself worshipped him above everything in the world. Now it so happened that he suddenly became ill, and God took him to himself; and for this the mother could not be comforted, and wept both day and night. But soon afterwards, when the child had been buried, it appeared by night in the places where it had sat and played during its life, and if the mother wept, it wept also, and when morning came it disappeared. As, however, the mother would not stop crying, it came one night, in the little white shroud in which it had been laid in its coffin, and with its wreath of flowers round its head, and stood on the bed at her feet, and said, "Oh, mother, do stop crying, or I shall never fall asleep in my coffin, for my shroud will not dry because of all thy tears, which fall upon it." The mother was afraid when she heard that, and wept no more. The next night the child came again, and held a little light in its hand, and said, "Look, mother, my shroud is nearly dry, and I can rest in my grave." Then the mother gave her sorrow into God's keeping, and bore it quietly and patiently, and the child came no more, but slept in its little bed beneath the earth.
# Goblin Market and Other Poems (1862)/Three Seasons

THREE SEASONS.
# Goblin Market and Other Poems (1862)/Winter Rain

WINTER RAIN.
# Gobseck

* information about this edition.
* sister projects: Wikipedia article, Wikidata item.
First published 1830. Included as part of La Comédie humaine.
* Dedication
* Part 1
* Part 2
* Part 3
* Part 4
* Part 5
* Part 6
* Addendum
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Gobseck/Addendum

The following personages appear in other stories of the Human Comedy.
Bidault (known as Gigonnet)
    The Government Clerks
    The Vendetta
    Cesar Birotteau
    The Firm of Nucingen
    A Daughter of Eve
Derville
    A Start in Life
    The Gondreville Mystery
    Father Goriot
    Colonel Chabert
    Scenes from a Courtesan's Life
Derville, Madame
    Cesar Birotteau
Gobseck, Jean-Esther Van
    Father Goriot
    Cesar Birotteau
    The Government Clerks
    The Unconscious Humorists
Gobseck, Sarah Van
    Cesar Birotteau
    The Maranas
    Scenes from a Courtesan's Life
    The Member for Arcis
Gobseck, Esther Van
    The Firm of Nucingen
    A Bachelor's Establishment
    Scenes from a Courtesan's Life
Grandlieu, Vicomtesse de
    Scenes from a Courtesan's Life
    Colonel Chabert
Grandlieu, Vicomte Juste de
    Scenes from a Courtesan's Life
Grandlieu, Vicomtesse Juste de
    Scenes from a Courtesan's Life
    A Daughter of Eve
Maurice (de Restaud's valet)
    Father Goriot
Palma (banker)
    The Firm of Nucingen
    Cesar Birotteau
    Lost Illusions
    A Distinguished Provincial at Paris
    The Ball at Sceaux
Restaud, Comte de
    Father Goriot
Restaud, Comtesse Anastasie de
    Father Goriot
Restaud, Ernest de
    The Member for Arcis
Restaud, Madame Ernest de
    The Member for Arcis
Restaud, Felix-Georges de
    The Member for Arcis
Trailles, Comte Maxime de
    Cesar Birotteau
    Father Goriot
    Ursule Mirouet
    A Man of Business
    The Member for Arcis
    The Secrets of a Princess
    Cousin Betty
    The Member for Arcis
    Beatrix
    The Unconscious Humorists
# Gobseck/Dedication

To M. le Baron Barchou de Penhoen.
 Among all the pupils of the Oratorian school at Vendome, we are, I  think, the only two who have afterwards met in mid-career of a  life of letters—we who once were cultivating Philosophy when by  rights we should have been minding our De viris. When we met, you  were engaged upon your noble works on German philosophy, and I  upon this study. So neither of us has missed his vocation; and  you, when you see your name here, will feel, no doubt, as much  pleasure as he who inscribes his work to you.—Your old  schoolfellow,
 1840 De Balzac.
# Goblin Market and Other Poems (1862)/Twilight Calm

TWILIGHT CALM.
# Goblin Market and Other Poems (1862)/Wife to Husband

WIFE TO HUSBAND.
# Goblin Market and Other Poems (1862)/Up-Hill

UP-HILL
# Hand in Hand/Wind Music

Wind Music
A WIND harp in a garden all year round, Was fingered by the winds, and each one found Within its silver strings an answering sound.
A wind for Summer, and a wind for Spring; For Autumn, and for Winter,—let them sing Their own songs in the music that they bring.
The soft South wind came like a lover sighing Some low sweet song of love that, never dying, Could still be faithful, though its hope was flying.
The West wind brought a tender, yearning strain, As of a heart that breathed regret and pain For something lost and never found again.
The East wind sobbed, and shrieked, and moaned, and wailed, In tones like those of shipwrecked men who hailed Across the storm some ship that safely sailed,
Unhearing and unheeding; their despair As each one met the death that was his share, Borne on the East wind shuddered on the air.
The North wind blew one sudden furious blast, Like a loud battle call, and hurried past. The harp strings snapt;—that echo was their last.
# Hand in Hand/Where Hugli Flows

Where Hugli Flows
WHERE Hugli flows, her city’s banks beside White domes and towers rise on a glittering plain: The strong, bright sailing-ships at anchor ride, Waiting to float their cargoes to the main, Where Hugli flows.
Brown waters, treacherous currents whirling by The painted fishing-boats haste to and fro, Brown sails, brown sailors, crimsoned curiously, Under the all-transfiguring sunset glow, Where Hugli flows,
Where Hugli flows, our English eyes are weary Our hearts are sometimes very far away. Needs must, that exile should be long and dreary How slow the hours, how lagging long the day, Where Hugli flows.
Yet, years hence, when the steamer’s screw shall beat The homeward track, for us without return, Our bitter bread, by custom almost sweet, We shall look back, perhaps through tears that burn, Where Hugli flows.
Calcutta.
# Hand in Hand/Wind Music and the Child

Wind-Music and the Child
A TUNE that keeps no earthly time or measure, Rising and falling at the wind's wild pleasure;
Now quick in haste, now slow in languid leisure.
But always very musically sweet And always sad. No little childish feet To its soft cadence dance along the street;
No little childish voice breaks into singing, By a glad impulse, like a wild bird flinging
An echo to the sound the wind is bringing.
Rather the child, altho' scarce knowing why, Hearing this music, passes slowly by,
And breathes its fear and wonder in a sigh.
# Handbook of Maritime Rights

HANDBOOK
OF
MARITIME RIGHTS,
AND
THE DECLARATION OF PARIS CONSIDERED.
BY
H. A. MUNRO-BUTLER-JOHNSTONE, M.P.
LONDON: W. RIDGWAY, 169, PICCADILLY, W.
1876.
​"Maritime Rights" are the title deeds of this country. Without them, an insignificant island in the German Ocean could never have attained its present height of greatness and of splendour. Deprived of them, it must infallibly relapse into a position of third or fourth rate importance.
It is for the people of England to say whether they will tamely submit to seeing their title deeds torn up before their eyes, or whether they will, without delay, take the steps necessary to restore them in their integrity.
H. A. M. B. J.
PREFACE.
At the end of the Great War (1815), it would have been a superfluous task to instruct the people of England as to the meaning of "Maritime Rights" Unfortunately it is no longer so. Sixty years of peace, interrupted only by wars, scarcely one of which can be dignified by the name of a Great War, have blunted the country's perception on this question. But should we ever be again overtaken by a serious war, it will not be long before the sense of what we once possessed and considered our most precious heritage will force itself upon the attention of the nation. It is no uncommon thing now-a-days to find even well educated politicians ignorant of the elementary questions involved in " ​Maritime Rights." It is for the instruction of such persons that I have written this short hand-book.
Should any one wish for more information on the subject, or should any important town in England desire to form a branch Committee of the Maritime League of Great Britain, I place myself at their disposal.
H. A. Munro-Butler-Johnstone.
5, Hamilton Place, Piccadilly.
CONTENTS. :
| Chapter. | Chapter. | Page |
| I. | Blockades | 1 |
| II. | Privateer | 8 |
| III. | The Eight of Search | 17 |
| IV. | The Right of Capture | 25 |
| V. | International Law and the Reason of the Thing | 35 |
| VI. | Treaty Exceptions to the Law of Nations | 46 |
| VII. | The Prussian Remonsteance | 63 |
| VIII. | The Armed Neutralities | 73 |
| IX. | The Crimean War and the Declaration of Paris | 83 |
| X. | Consequences of the Declaration of Paris | 97 |
| XI. | Sparing all Private Property at Sea | 106 |
| XII. | Conclusion | 120 |
* The Maritime League for the Resumption of Naval Rights in Great Britain
* Rules for Local Associations in connection with the Maritime League
By the same Author.
LETTERS ON IRELAND.
THE FAIR OF NIJNI-NOVGOROD AND A TRIP UP THE VOLGA, 1875.
THE EASTERN QUESTION IN 1875.
THE TURKS: THEIR CHARACTER, MANNERS, AND INSTITUTIONS, AS BEARING ON THE EASTERN QUESTION, 1876.
PUBLISHED BY
JAMES PARKER & CO., 377, STRAND.
ALSO,
THE BULGARIAN HORRORS AND THE QUESTION OF THE EAST.
A Letter addressed to the Right Hon. W. E. Gladstone, 1876.
PUBLISHED BY
WILLIAM RIDGWAY, 169, PICCADILLY.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse