OpenLLM-France/wikimedia huggingface dataset:
# The Bride of Lammermoor

Edinburgh: Archibald Constable and Co., page 1
THE
BRIDE OF LAMMERMOOR.
VOLUME I
VOLUME II
VOLUME III
* Chapter numbers are not consistent.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Bride (Sigourney)

* information about this edition.
* sister projects: Wikidata item.
I came, but she was gone. In her fair home, There lay her lute, just as she touched it last, At summer twilight, when the woodbine cups Fill'd with pure fragrance. On her favourite seat Lay the still open work-box, and that book Which last she read, its pencil'd margin mark'd By an ill-quoted passage—trac'd, perchance, With hand unconscious, while her lover spake That dialect which brings forgetfulness Of all beside. It was the cherish'd home, Where from her childhood she had been the star Of hope and joy. I came—and she was gone. Yet I had seen her from the altar led, With silvery veil but slightly swept aside, The fresh, young rose-bud, deepening in her cheek, And on her brow the sweet and solemn thought Of one who gives a priceless gift away. And there was silence 'mid the gather'd throng. The stranger, and the hard of heart, did draw Their breath suppressed, to see the mother's lip Turn ghastly pale, and the majestic sire Shrink as with smother'd sorrow, when he gave His darling to an untried guardianship, And to a far-off clime. Haply his thought Travers'd the grass-grown prairies, and the shore Of the cold lakes; or those o'erhanging cliffs, And pathless mountain-tops, that rose to bar Her log-rear'd mansion from the anxious eye Of kindred and of friend. Even triflers felt How strong and beautiful is woman's love. Which, taking in its hand its thornless joys, The tenderest melodies of tuneful years, Yea! and its own life also—lays them all Meek and unblenching, on a mortal's breast, Reserving nought, save that unspoken hope Which hath its root in God. Mock not with mirth A scene like this, ye laughter-loving ones; The licens'd jesters lip, the dancer's heel— What do they here? Joy, serious and sublime, Such as doth nerve the energies of prayer, Should swell the bosom, when a maiden's hand, Fill'd with life's dewy flow'rets, girdeth on That harness which the ministry of death Alone unlooseth, but whose fearful power May stamp the sentence of eternity.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Anglo-Saxon Chronicle (Thorpe)

RERUM BRITANNICARUM MEDII ÆVI SCRIPTORES,
OR
CHRONICLES AND MEMORIALS OF GREAT BRITAIN AND IRELAND
DURING
THE MIDDLE AGES.
THE CHRONICLES AND MEMORIALS
OF
GREAT BRITAIN AND IRELAND DURING THE MIDDLES AGES.
PUBLISHED BY THE AUTHORITY OF HER MAJESTY’S TREASURY, UNDER THE DIRECTION OF THE MASTER OF THE ROLLS.
On the 26th of January 1857, the Master of the Rolls submitted to the Treasury a proposal for the publication of materials for the History of this Country from the Invasion of the Romans to the Reign of Henry VIII.
The Master of the Rolls suggested that these materials should be selected for publication under competent editors without reference to periodical or chronological arrangement, without mutilation or abridgment, preference being given, in the first instance, to such materials as were most scarce and valuable.
He proposed that each chronicle or historical document to be edited should be treated in the same way as if the editor were engaged on an Editio Princeps; and for this purpose the most correct text should be formed from an accurate collation of the best MSS.
To render the work more generally useful, the Master of the Rolls suggested that the editor should give an account of the MSS. employed by him, of their age and their peculiarities; that he should add to the work a brief account of the life and times of the author, and any remarks necessary to explain the chronology; but no other note or comment was to be allowed, except what might be necessary to establish the correctness of the text.
​The works to be published in octavo, separately, as they were finished; the whole responsibility of the task resting upon the editors, who were to be chosen by the Master of the Rolls with the sanction of the Treasury.
The Lords of Her Majesty’s Treasury, after a careful consideration of the subject, expressed their opinion in a Treasury Minute, dated February 9, 1857, that the plan recommended by the Master of the Rolls “was well calculated for the accomplishment of this important national object, in an effectual and satisfactory manner, within a reasonable time, and provided proper attention be paid to economy, in making the detailed arrangements, without unnecessary expense.”
They expressed their approbation of the proposal that each chronicle and historical document should be edited in such a manner as to represent with all possible correctness the text of each writer, derived from a collation of the best MSS., and that no notes should be added, except such as were illustrative of the various readings. They suggested, however, that the preface to each work should contain, in addition to the particulars proposed by the Master of the Rolls, a biographical account of the author, so far as authentic materials existed for that purpose, and an estimate of his historical credibility and value.
Rolls House, December 1857.
* Volume 1: Original Texts
* Volume 2: Translation
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Anglo-Saxon Chronicle (Thorpe)/Volume 1

THE ANGLO-SAXON CHRONICLE.
ORIGINAL TEXTS.
Pl. VIII.
Ms. Brit. Mus. Cott. Otho. B XI
Day & Son, Lith. to the Queen.
Pl. VII.
Ms. Brit. Mus. Cott. Tib. A III
Day & Son, Lith. to the Queen.
Pl. VI.
Ms. Brit. Mus. Cott. Domi$^n$. A. VIII.
Day & Son, Lith. to the Queen.
Pl. V.
Ms. Bodl. Laud. 636.
Day & Son, Lith. to the Queen.
Pl. IV.
Ms. Brit. Mus. Cott. Tib. B. IV.
Day & Son, Lith. to the Queen.
Pl. III.
Ms. Brit. Mus. Cott. Tib. B. 1.
Day & Son, Lith. to the Queen.
Pl. II.
Ms. Brit. Mus. Cott. Tib. A. VI.
Day & Son, Lith. to the Queen.
Pl. I.
Ms. Cor. Chris. Coll Cantab. S. XI.
Day & Son, Lith. to the Queen.
THE
ANGLO-SAXON CHRONICLE,
ACCORDING TO THE
SEVERAL ORIGINAL AUTHORITIES.
EDITED, WITH A TRANSLATION, BY BENJAMIN THORPE,
MEMBER OF THE ROYAL ACADEMY OF SCIENCE AT MUNICH, AND OF THE SOCIETY OF NETHERLANDISH LITERATURE AT LEYDEN.
VOL. I.
ORIGINAL TEXTS.
PUBLISHED BY THE AUTHORITY OF THE LORDS COMMISSIONERS OF HER MAJESTY’S TREASURY, UNDER THE DIRECTION OF THE MASTER OF THE ROLLS.
LONDON: LONGMAN, GREEN, LONGMAN, AND ROBERTS.
1861.
Printed by
Eyre and Spottiswoode, Her Majesty's Printers.
For Her Majesty's Stationery Office.
* Preface
* The Anglo-Saxon Chronicle
* Index of Places and Peoples
* List of Works
# The Anglo-Saxon Version of the Story of Apollonius of Tyre/Preface

PREFACE.
THE object of the Editor in publishing the following fragment being purely philological, all matter relating to the original tale, and its several versions, is purposely avoided, and would, indeed, be superfluous, the subject having already been very amply and ably treated both by Dr. Thomas Warton,, and the late Mr. Douce.
The Latin version (of which the Saxon is a translation) forms the 153rd chapter of the Gesta Romanorum; but a more ancient and better text is that given by Welser, from a manuscript in the Library of the Abbey of St. Ulrich and St. Afra at Augsburg.
Compositions in Anglo-Saxon upon profane subjects being so few, it is to be much regretted that a fragment only of the Story of Apollonius of Tyre has been preserved to us in that ancient dialect. ​The chasm in the Saxon text is supplied in the following translation (a few trifling alterations excepted,) from the recent English version of the Gesta.
The Anglo-Saxon version of Apollonius forms part of the matchless collection of manuscripts in that tongue preserved in the Library of Corpus Christi College, Cambridge; for the most liberal use of which (consistent with the restrictions of the devisor), and for much kind attention during the time he was engaged in transcribing it, the Editor with pleasure offers his grateful acknowledgements to the Rev. Dr. Lamb, Master of the College. To the Rev. H. Calthrop, M. A., one of the Fellows, he also feels greatly indebted for his politeness during the same period: to his friend, John M. Kemble, Esq., M.A., of Trin. Coll., he has likewise to offer his thanks, both for the share he kindly took in the transcription, and for collating the proofs with the manuscript, as they issued from the press.
Oxford, May 30, 1834.
* ↑ History of English Poetry, vol. i. p. clxxvii. 8vo edit.
* ↑ Illustrations of Shakespeare, vol. ii. p.135
* ↑ Marci Velseri Opera Historica et Philologica. Norimb. 1632, fol. p.677.
* ↑ Gesta Romanorum, &c., by the Rev. Charles Swann. 2 vols. 12mo. 1824.
* ↑ Archbishop Parker.
# The Anglo-Saxon Version of the Story of Apollonius of Tyre

Published by J. and A. Arch, in London.
THE
ANGLO-SAXON VERSION
OF THE STORY
OF
APOLLONIUS OF TYRE,
UPON WHICH IS FOUNDED
THE PLAY OF PERICLES, ATTRIBUTED TO SHAKSPEARE;
FROM A MS. IN THE LIBRARY OF C. C. C. CAMBRIDGE.
WITH
A LITERAL TRANSLATION, &c.
BY
BENJAMIN THORPE, F.S.A.
LONDON:
JOHN AND ARTHUR ARCH, 61 CORNHILL.
1834.
PRINTED BY RICHARD TAYLOR,
RED LION COURT, FLEET STREET.
* Preface
* Text
* Translation
* Glossary
* Appendix
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Anglo-Saxon Version of the Story of Apollonius of Tyre/Appendix

ANNOTANDA.
| Page 14, line 14, | after gebeorscipe some words seem wanting to complete the sense. |
| Page— — — 16, line— — — 12, | ⁊ gecig Þe to Þinum frynd (freondum?). The sense of this passage seems very uncertain. |
| Page— — — 20, line— — — 17, | næs git yfel wif. Of these words I can make no sense; they are not in the Latin text of the Gesta, which has "Apollonius ait, Sume codicillos quos tibi misit pater tuus, et lege." |
CORRIGENDA IN MS.
| Page  6, line— — —  8, | for fundon read funden |
| Page— — —  6— — —, line— — — 25, | for Antiochio read Antiocho |
| Page— — —  7, line— — — 20, | for Þa read Þe |
| Page— — —  9, line— — — 11, | after wælreowesta insert [deað] |
| Page— — — 12, line— — —  8, | for mine read minne |
| Page— — — 13, line— — —  4, | for geslegene read geslegenne |
| Page— — — 19, line— — — 16, | for gecneordnessan read gecneordnessa |
| Page— — — 28, line— — —  9, | for ealde-fæder read ealda-fæder |
ERRATA.
| Page  3, line ult., | for into read in to |
| Page— — — 15, line— — — 17, | for stille restore the reading of the MS. stilli, as being the orthography of the Saxon translator for stillig. |
| Page— — — 28, line— — —  4, | for hande read handa |
| Page— — — 39, line— — — 23, | dele I was |
# The Army and Navy Hymnal/Catholic/O Sacred Heart of Jesus Dear

Layout 2
| | O Sacred Heart of Jesus Dear | 13 |
| | Act of Consecration | 13 |
| I. Williams Old Melody |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* O Sacred Heart! O Heart of Jesus dear! O Sacred Heart aflame with love divine; Take thou my heart, draw me each day more near; Take thou my heart, Take thou my heart, Take thou my heart and let it rest in thine.
* Pierced by the lance on Calvary's cruel Tree, A Saving Flood of priceless graces poured, From his dear Heart, whose Blood was shed for me; The Sacred Heart, The Sacred Heart, The Sacred Heart, the loving Heart of God.
* O Sacred Heart, true source of heavenly bliss, Of peace divine which thou alone canst give; What sweeter lot could mortal ask than this To die for thee, To die for thee, To die for thee with thee in heaven to be?
# The Army and Navy Hymnal/Catholic/O Angels Blest, His Praises Sing

Layout 2
| 8 | O Angels Blest, His Praises Sing |
| I. Williams Labat |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* O angels blest, His praises sing for evermore; My Jesus sweet, my King whom I adore, Comes this happy day to be my heart's dear guest; His praises tell, His wondrous mercy sing, My Jesus dear, whom I adore, my God and King; My Jesus dear, whom I adore, my God and King.
* My Savior kind, my Lord and God to thee I call; Oh, come from heaven and be my love, my all. All unworthy though I be, to thee I cry Oh, come and make thy home within my heart, Oh, take it for thine own and from me ne'er depart; Oh, take it for thine own and from me ne'er depart.
* O God most high, before this miracle of love, The angels bend in wondering awe above; Ungrateful have I been to thee dear Lord, Unworthy now to raise my eyes to thee; One word of pardon speak, my spirit healed shall be; One word of pardon speak, my spirit healed shall be.
* Sweet Sacrament, I hope, I love, I thee adore; O, make me love thee ever more and more; Thou art all in all to me, Jesus most dear, Naught in this world can e'er attract me more, I love thee, dearest King, I love and thee adore; I love thee, dearest King, I love and thee adore.
# The Army and Navy Hymnal/Catholic/O Dearest Mother of Mercy

Layout 2
| 20 | O Dearest Mother of Mercy |
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
O Dearest Mother of Mercy :
# The Army and Navy Hymnal/Catholic/Holy Patron! Thee Saluting

Layout 2
| | Holy Patron! Thee Saluting | 22 |
| * * * Rev. P. J. Nicholas |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
# The Army and Navy Hymnal/Catholic/Mother Dear, O Pray for Me

Layout 2
| 18 | Mother Dear, O Pray for Me |
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
Mother Dear, O Pray for Me :
# The Army and Navy Hymnal/Catholic/Jesus, My Lord, My God, My All

Layout 2
| 12 | Jesus, My Lord, My God, My All |
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Jesus, my Lord, my God, my All, How can I live thee as I ought? And how revere this wondrous gift, So far surpassing hope or thought! Chorus Sweet Sacrament we thee adore, Oh make us love thee more and more! Oh make us love thee more and more!
* Had I but Mary's sinless heart, To love thee with my dearest King, O with what bursts of fervent praise, Thy goodness Jesus would I sing! Chorus
* The Body, Soul and Godhead all, O Mystery of love divine; I cannot compass all I have, For all thou hast and art are mine! Chorus
* Sound, sound his praises higher still, And come ye angels to our aid; 'Tis God! 'tis God! the very God, Whose power hath men and angels made! Chorus
# The Army and Navy Hymnal/Catholic/Like a Strong and Raging Fire

Layout 2
| 14 | Like a Strong and Raging Fire |
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Like a strong and raging fire In a narrow furnace pent Glows the Sacred Heart's desire In the Holy Sacrament; Round that sacred furnace thronging Shall these hearts refuse to burn? Heart of love and tender longing Shall we make thee no return? Bending low in adoration, while our souls are borne above, Twill Be sweet-er far to wear it, Than a crown of the fairest flowers.
* 'Twas to cast abroad love's fire That our God from heaven came; May those sparks our love inspire; May we burn with that blest flame; All our sins, our slights, our coldness, All our insults we deplore, Pardon, Lord, our daring boldness, We will never wound thee more. Bending low in adoration, &c.
* Blessed Lord, thy heart is cloven With the cross of bitter woe, There are thorns around it woven And the blood drops from it flow; Let us take thy cross and bear it, Let they thorny crown be ours, 'Twill be sweeter far to wear it than a crown of fairest flowers. Bending low in adoration, &c.
Like a Strong and Raging Fire :
# The Army and Navy Hymnal/Catholic/O Lord, I Am Not Worthy

The anonymous tune is more commonly known as Aulé.
Layout 2
| | O Lord, I Am Not Worthy | 9 |
| | (DOMINE, NON SUM DIGNUS ) | 9 |
| * * * Traditional Air |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* O Lord, I am not worthy, That thou shouldst come to me, But speak the word of comfort, My spirit healed shall be.
* I'm longing to receive thee, The Bridegroom of my soul, No more by sin to grieve thee, Or fly thy sweet control.
* O Lord, thou art all holy, The angels thee adore; How, then, ought I sincerely My wrongs and sins deplore!
* But when thou soon wilt enter My heart, my sinful heart, Then heal me, be my shelter, For thou my Savior art.
* O Lord, how can I thank thee For such a gift as this? A gift which truly filleth My soul with heavenly bliss!
* I praise thee, I extol thee, I love thee, O my Sire, Till once in joy and glory, In heaven I thee admire.
# The Army and Navy Hymnal/Catholic/Holy God We Praise Thy Name

This hymn is a loose translation of the Te Deum, via an anonymous German translation often attributed to Ignaz Franz. The tune is known by many names, including Framingham, Grossner, Grosser Gott, Halle, Hungarian Melody, Laudamus, Paris, Paschal, and Stillorgan. In German, it appears in both Protestant and Catholic hymnals to the text Großer Gott wir loben dich [Great God, we praise thee].
Layout 2
* Holy God we praise thy name, Lord of all we bow before thee; All on earth thy scepter claim, All in heaven above adore thee, Infinite thy vast domain, Ever lasting is thy regin.
* Hark! the loud celestial Hymn, Angel choirs above are raising; Cherubim and seraphim In unceasing chorus praising, Fill the heavens with sweet accord; Holy, holy, holy, Lord!
* Holy Father, Holy Son, Holy Spirt, Three we name thee, While in essence only One, Undivided God we claim thee; And adoring bend the kneee, While we own the mystery.
* Thou art King of glory, Christ! Son of God yet born of Mary, For use sinner sacrificed, And to death a tributary; First to break the bars of death, Thou hast opened heaven to faith.
# The Army and Navy Hymnal/Catholic/O Day of Happiness Undying

Layout 2
| | O Day of Happiness Undying | 11 |
| I. Williams Rev. Fr. Ligonnet |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Let hosts of heaven at - tend and heart - felt prais - es sing; Let earth and sky re - joice this hap - py, ha p - py day; My God dwells in my heart, my Sav iour and my King; His love so dear, so sweet, he now to me doth bring, To be mine own for aye, to be mine own for aye. O Day of hap-i-ness undying Of sweet de-light and ectasy; My God on wings of mer-cy fly-ing, Deigns to come and dwell with me My God on wings of mer-cy fly-ing, Deigns to come and dwell with me
* He loves me with a love no mor - tal heart can show, A love so vast and deep, so true and wonder-ful, That e'en the saints in heaven its depths can nev-er know ; Sweet peace and heaven- ly joy and sav - ing grac -es flow From love so mer-ci-ful, from love so mer-ci-ful. O Day of hap-i-ness undying &c.
* 0! Je - sus, dear est Lord, my heart e'er pines and sighs, To lean, like John of old up - on thy sa-cred Breast; The prom-ise sweet, 0! Lord, to read in thy dear Eyes, That one day I shall fly to thee in Par - a-dise, In thy loved Heart to rest, in thy loved Heart to rest. O Day of hap-i-ness undying, &c.
O Day of Happiness Undying :
O Day of Hapiness Undying :
# The Biographical Dictionary of America/Baird, Samuel T.

​BAIRD, Samuel T., representative, was born in Oak Ridge, La., May 5, 1861. He was admitted to the bar in 1882; was district attorney of the 6th judicial district, 1884-'88; and judge of the same district, 1888-'92. Upon the expiration of his term of office as judge, he resumed his practice of the law. He was a member of the state senate in 1896; temporary chairman of the Democratic state conference, June, 1896; a delegate to the Democratic convention in 1896, and a representative in the 55th and 56th congresses. He died in Washington, D. C., April 22, 1899.
# The Biographical Dictionary of America/Baker, Benjamin Franklin

​BAKER, Benjamin Franklin, musician, was born in Wenham, Mass., July 10, 1811. He removed to Salem, Mass., studied music and began to teach in 1831. He was a member of a concert company in 1833, musical director in Dr. William E. Channing's church, Boston. 1839-'47. He held musical conventions from 1841; served as vice-president of the Handel and Haydn society, and was teacher of music in the Boston grammar schools, 1842-48. He introduced the study of music into the schools of Lawrence and Lowell; edited The Boston Musical Journal and founded Boston music school in 1857. He wrote and published music. He died in Boston, March 11, 1889.
# The Biographical Dictionary of America/Baker, Abijah Richardson

​BAKER, Abijah Richardson, clergyman, was born in Franklin, Mass., Aug. 30, 1805; son of David and Jemima (Richardson) Baker. In 1830 he was graduated from Amherst college, and from Andover theological seminary in 1835. In the latter year he became an instructor in the Phillips Andover academy, and in 1836 was installed pastor of the Medford (Mass.) Congregational church. There he remained for thirteen years. When he resigned to accept a call to Lynn, Mass., in 1851. He organized the Central church of that city. This pastorate he resigned in 1857 and resided for a time at Wellesley, removing thence to South Boston, Mass. His published writings include: "A School History of the United States, containing Maps, a Chronological Chart, and an Outline of Topics for a More Extensive Course of Study" (1843); "A Question Book on the Topics in Christ's Sermon on the Mount" (3 vols., 1862), and "The Catechism Tested by the Bible" (1851). This was translated into fifteen languages, and reached a publication of over a million. He also assisted his wife in editing "The Mother's Assistant" and "The Happy Home." He was married in 1835 to Harriet Newell, daughter of Rev. Leonard and Abigail (Wheeler) Woods. His sons in 1897 were located as follows: George Stuart Baker, D. D., rector of St. Luke's hospital, N. Y.; Charles Richard Baker, D. D., rector of the Church of the Messiah, Brooklyn, N. Y.; William Henry Baker, M. D., ex-professor of gynæcology in Harvard university, Boston, Mass.; Walter Abijah Baker, D. D., rector of St. John the Baptist's church, Baltimore, Md., and the Rev. Frank Woods Baker, rector of St. Paul's church, Cincinnati, Ohio. He died April 30, 1876.