OpenLLM-France/wikimedia huggingface dataset:
# Chairman Royce Statement on Former Secretary Clinton's Use of Personal Email for State Department Business

* related authors: Hillary Rodham Clinton.
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Chairman Royce Statement on Former Secretary Clinton's Use of Personal Email for State Department Business. Chairman Ed Royce. house.gov
Chairman Royce Statement on Former Secretary Clinton's Use of Personal Email for State Department Business
United States House of Representatives
March 4, 2015
Chairman Royce Statement on Former Secretary Clinton’s Use of Personal Email for State Department Business
MAR 4, 2015
Washington, D.C. – Today, U.S. Rep. Ed Royce (R-CA), Chairman of the House Foreign Affairs Committee, issued the following statement on former Secretary of State Hillary Clinton’s use of personal email for official State Department business:
“I am deeply troubled that Secretary Clinton used personal email to conduct official State Department business. The Federal Records Act exists to provide to the American people the level of transparency and accountability they deserve from their federal government. Her practice frustrated Congressional oversight. The allegations that Secretary Clinton sought to sidestep the law merit robust scrutiny.
“The Select Committee on Benghazi continues its important investigation. Today it issued a subpoena for Secretary Clinton’s e-mails related to Libya. Also, the Oversight and Government Reform Committee is reviewing the Administration’s compliance with the Federal Records Act and related laws. The Foreign Affairs Committee stands ready to support this important work.”
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Complete Encyclopaedia of Music/A/Andante

Andante. (I.) This word seems to have had, in times past, a signification different from that attached to it by the musicians of the present day, and is frequently to be found at the beginning of old movements of a grand and even cheerful style. But now, it is used to imply a time somewhat slow, and a performance distinct and exact, gentle, tender, and soothing.
# Complete Encyclopaedia of Music/A/Ancient music

Ancient music. The epithet ancient, when applied to the term music, is not, as when conjoined with the word literature, to be referred to the productions of the classical Greeks and Romans. The eleventh century of the Christian era arrived before the appearance of Guido's scale ; to the age of De Muris (i. e., the fourteenth century) we are indebted for the introduction of the bass, tenor, and treble clefs ; and half of the seventeenth century had elapsed be-fore the art was attained of composing in a plurality of real and distinct simultaneous parts. It is, therefore, chiefly to the composers of the eighteenth century, that the expression ancient music properly relates ; and, indeed, it seldom alludes to productions of an earlier date. M. F�tis, in 1843, made some discoveries at Brussels, which are interesting in respect to the history of music. The best is a manuscript which was placed in the Royal Library, among the books of plain chant. It contains masses and motets, by celebrated composers of the close of the fourteenth and the beginning of the fifteenth century. The most important pieces in the volume were, "Three masses, for three voices, by Guillaume Dufay ; two masses, for four voices, by the same ; one mass, ' Omnipotens Pater,' for three voices, by a hitherto unknown composer, named Jean Plourmel ; the mass ' Deus Creator Omnium,' by an English composer named Riquarett [Richard] Cockx." All these authors wrote from about 1390 to 1420. Then came the motet, "Orbis Terrarum," for four voices, by Busnois; a Magnificat, for four voices ; and several other pieces by the same author. The volume concludes with a mass by Le Roy. These highly interesting compositions fill up a considerable hiatus in the his-tory of the art. The other discovery, though less important, is worthy of' notice ; it is a beautiful manuscript, twenty-eight inches high and nine-teen broad, on very fine vellum, most admirably written, with arabesques, among which is seen the portrait of the foot of Mary of Burgundy. In this volume was found entire an admirable composition by Josquin de Pres, for six voices, and six or seven other important compositions, written about 1430.
# Complete Encyclopaedia of Music/A/Ancient music schools

Ancient music schools. Among the Jews, there were schools of the prophets, where young men were taught to sing psalms, and to play on musical instruments ; and the prophets often prophesied, playing on the harp, and other ancient Jewish instruments. In these schools, persons were only taught the study and practice of music. Thus we see that music schools are of a very ancient date. For music is a language which all nations speak ; a language which addresses the heart.
# Complete Encyclopaedia of Music/A/Ancient signatures

Ancient signatures. In the music of Corelli, Geminiani, Handel, &c., the general rules of finding the tonic, either in the major mode by the characteristic notes of the signature, or in the minor mode by the leading note accidentally inserted, are not always sufficient. When, instead of the complete series of sharps or flats of the signature, the last sharp or flat is suppressed, and inserted accidentally when requisite, like the leading note of the minor mode, such deviation from the usual method of notation is termed the ancient signature. Thus, in the seventh and twelfth sonatas, or violin solos, of Corelli, op. 5, the signatures appear to be either C major, or A, its relative minor ; but the accidental notes, C sharp and B flat, show that the real key is D minor : and that the B flat, which is used in the modern signature, is omitted at the clef. So we see, that, although the term signature is defined to be the number of sharps or flats at the clef; yet the word will be also applied to the two natural keys of C major and A minor. Examples of the ancient signature of D minor may also be found in the third and fifth concertos of Geminiani, op. 2, and in the fourth concerto of op. For instance, the first movement of his third concerto begins thus : -
Here the key is known to be I), by the accidental C sharp, and to be also D minor by the natural F, which remains unaltered, as in the signature. The same ancient method of notation is some-times found in the key of G major, where the sharp of the leading note, F, is inserted accident-ally, when requisite ; as in the following example from the first chorus of Handel's oratorio of "Saul," "How excellent thy name, 0 Lord ! " One of the intermediate movements commences thus :
Here the key is known to be G, by the sharp be-fore the F, which is used in the second treble as a third below the A ; and the B natural of the clef shows it to be G major.
# Complete Encyclopaedia of Music/A/Ancilia

Ancilia. (L.) The sacred shields on which the ancients beat the time of their music at pub. lie festivals.
# Complete Encyclopaedia of Music/A/Ancora

Ancora. (I.) Again, once more.
# Complete Encyclopaedia of Music/A/Ancient musicians

Ancient musicians. Musicians win flourished before the introduction of Christianity, such as the Greeks and Romans, and their con-temporaries. The Egyptian flute was only a cow's horn with but three or four holes in it, and their harp or lyre had only three strings ; the Grecian lyre only seven strings, and was very small, being held in one hand ; the Jewish trumpets, that made the walls of Jericho fall down, were only rams' horns ; their flute was the same as the Egyptian. They had no other instrumental music than that by percussion ; of which the most boasted was that of the psaltery, a small triangular harp or lyre with wire string and struck with an iron needle or stick ; their sackbut was something like a bagpipe ; the timbrel was a tambourine ; and the dulcimer was a horizontal harp, with wire strings, and struck with a stick, like the psaltery. They had no written music ; had scarcely a vowel in their language ; and yet, according to Josephus, the Jews had two thou-sand musicians playing at the dedication of the temple of' Solomon.
# Complete Encyclopaedia of Music/A/Ancient sharp signatures

Ancient sharp signatures. The ancient signature of one skimp is applicable to the keys of D major and It minor; but the sharp signatures of this ancient method are never found in the minor mode; for, as the second, or supertonic of the key would then require an accidental sharp, the irregularity of the signature would perpetually occur. In the solos of Corelli, however, several in-Mimeos occur of the ancient sharp signature in the major mode, viz.: the sixth and ninth sonatas in two sharps are in the key of A major; and the G sharp is accidentally inserted. The eleventh sonata of the same work hears the signature of three sharps, and is in the key of E major, the D sharp being inserted accidentally. Handel's duet, in the oratorio of "Athalia," "Joys in gentle train appearing," is also in this by. and has this signature. The ancient signature of thin- sharps is found in Handel's beautiful air, "Rendi il aereno al ciglio," from the opera "Sosarmes." This is in B major, with the sharp to its leading note, A, occasionally inserted. It was also introduced in 1786, by Dr. Arnold, in the oratorio of "Redemption," to the words, "Lord, remember David."
# Complete Encyclopaedia of Music/A/Ancient theatres

Ancient theatres. These buildings were so constructed, originally, that the actors could not be heard at the extremity of the stage. The Greeks, therefore, contrived a plan to supply that defect, and to augment the tone of the voice, and make it more distinct and articulate. For this purpose they invented large copper vessels, which were disposed under the seats of the theatre in such a manner as made all sounds strike upon the ear with more force and distinctness. The orchestra was divided into three parts. The first and most considerable was more particularly called the orchestra, and was appropriated to the pantomimes and dancers. In the second part were placed those who sung in chorus; and in the third were disposed their symphony or band. The passion of the Athenians and all the Greeks for comedy and dramatic representation is inconceivable. Their eyes, ears, imagination, and understanding, all equally shared in the satisfaction. Nothing gave them so sensible a pleasure, however, as the strokes which were aimed at the affairs of the public. Frequently mere accident was the occasion of sudden application, which was very agreeable to the people. Upon the following couplet of Aeschylus being spoken upon the stage in praise of Amphiaraus, -
"'Tis his desire
Not to appear, but to be, great and good,"
the whole audience rose up, and unanimously applied it to another person. A similar circumstance happened to Philopoemen : at the instant he entered the theatre, they were singing, -
"He comes, to whom we owe Our liberty, the noblest good below;"
and all the Greeks east their eyes upon him, and with clapping of hands and acclamations of joy, expressed their veneration for the hero.
# Chauffeurs Teamsters And Helpers Local Union N 795 v. Yellow Transit Freight Lines Inc

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
370 U.S. 711
CHAUFFEURS, TEAMSTERS AND HELPERS LOCAL UNION NO. 795, etc., et al., Petitioners, v. YELLOW TRANSIT FREIGHT LINES, INC., et al.
Argued: Oct. 11, 1961. ---
David Previant, Milwaukee, Wis., for petitioners.
Malcolm Miller, Wichita, Kan., for respondents.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Chaucerian and Other Pieces/Subjects

INDEX
TO SOME
SUBJECTS EXPLAINED IN THE NOTES.
A large number of the Notes refer to explanations of peculiar words and to proper names; the references to these will be found in the Glossarial Index and in the Index of Names. A few other subjects of more general interest are also discussed; the chief of these are indexed below. The references are to the pages.
Arbours described, 535.
Bell, Book, and Candle, cursing by, 485. Birds singing the 'hours,' 552. burly, etymology of, 524. Burning of heretics, 489, 490, 494.
Cardinal Virtues, 479. Chaucer's death alluded to, 510. Chaucer's Boëthius, alluded to, 451, 453-4, 457-8, 461-3, 466-76, 481-3. — Anelida, 537, 543. — Book of the Duchess, 473, 530. — Canterbury Tales, 456, 503, &c. — Compleynt of Venus, 548-9. — House of Fame, imitated, 467-8. — Legend of Good Women, 452, 467, 483, 500-1, 537, 542-3, 547. — Merciless Beautè, 513. — Rom. of the Rose, 456-7, 504-6, 545, 549, 551. — Troilus, 452, 455, 457, 459, 472, 481-3, 521-3, 525, 551. Christine de Pisan, 499. Creeping to the cross, 490. Cupid's arrows, 531-2.
determission (a false form), 476.
Elements, the four, 462, 472.
Final cause, 464. Forget-me-not, 536. Friars, the, 493-6.
Geoffrey de Vinsauf, 540. Gower's blindness, 498. Griffin, the, 485.
Hengist, perhaps alluded to, 471. Hercules, pillars of, 507. 'Hours,' Canonical, 552-3.
Knot, the, defined, 468.
Lent, three divisions of, 521. Lepers, 523, 525. Lollards, the, 464, 485, 489. London, election of the mayor, 459. Lydgate's Temple of Glass, imitated, 540, &c.
Margaret, meaning of, 475-6, 484; derivation of, 479. Maze described, 535. me, for men = man, 452. Mottoes worn on sleeves, 536.
Pearl, virtues of the, 453, 475. Pelican, the, 485. Piers Plowman, imitated, 456-8, 464-6, 477, 482-4. ​ Popes, schism of the, 487. Prester John, 532. Proverbs, Book of (quoted), 477-8. Proverbs:—a cipher in augrim, 470; against the hair, 468; all day fails the fool's thought, 472; he that hews above his head, the chips fall in his eye, 462, 509; it may rime, but it accords not, 466; silence gives consent, 461; the habit makes not the monk, 475; when bale is highest, boot is nighest, 473; fallere, flere, &c., 516, 546; vento quid levius, &c., 516.
Remember-me, 536. Romance of the Rose, 456-7, 504-6, 545, 549, 551.
St. Julian's paternoster, 536-7. Sun, four horses of the, 523; greater than the earth, 479.
Virgin, five joys of the, 511.
web and pin, 455. Week, names of the days of the, 473-4. Worthies, the nine, 497, 514, 532.
Zealand, 460.
THE END.
# Chauffeurs Teamsters And Helpers Local Union N 795 v. Yellow Transit Freight Lines Inc/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
370 U.S. 711
CHAUFFEURS, TEAMSTERS AND HELPERS LOCAL UNION NO. 795, etc., et al., Petitioners, v. YELLOW TRANSIT FREIGHT LINES, INC., et al.
Argued: Oct. 11, 1961. ---
Reversed. Sinclair Rfg. Co. v. Atkinson, 370 U.S. 195, 82 S.Ct. 1328.
Mr. Justice BRENNAN, with whom Mr. Justice DOUGLAS and Mr. Justice HARLAN join, concurring.
Since it is clear that the collective bargaining agreement involved in this case does not bind either party to arbitrate any dispute, I agree that no injunction should be granted. See Sinclair Rfg. Co. v. Atkinson, 370 U.S. 195, 82 S.Ct. 1328 (dissenting opinion).
Mr. Justice FRANKFURTER took no part in the decision of this case.
Mr. Justice WHITE took no part in the consideration or decision of this case.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# City of Los Angeles v. Public Utilities Commission of California/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
359 U.S. 119
City of Los Angeles v. Public Utilities Commission of California
The motion of The Pacific Telephone and Telegraph Company et al. to be added as parties appellee is granted. The motions to dismiss are granted and the appeal is dismissed for want of a substantial federal question.
Mr. Justice BLACK is of the opinion that probable jurisdiction should be noted.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# City of Lincoln v. Power

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
151 U.S. 436
City of Lincoln v. Power
Statement by Mr. Justice SHIRAS.
This was an action brought, at January term, 1891, in the circuit court of the United States for the district of Nebraska, by Margaret J. Power, a citizen of the state of Iowa, against the city of Lincoln, a municipal corporation of the state of Nebraska, for personal injuries which the plaintiff incurred while passing along a street of said city, and which she alleged had been occasioned by the carelessness and negligence of the municipal authorities in permitting a hole or broken grating to remain in a sidewalk after having been notified of its existence.
The cause was tried before the district judge, sitting as circuit judge, and a jury, and resulted in a verdict and judgment in favor of the plaintiff for the sum of $5,700. The defendant, alleging error in the action of the court below in admitting certain matters in evidence offered in behalf of the plaintiff, and in rejecting others offered in behalf of the defendant, and in certain instructions to the jury, brought a writ of error to this court.
L. C. Burr, for plaintiff in error.
T. M. Marquett, for defendant in error.
Mr. Justice SHIRAS, after stating the facts in the foregoing language, delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# City of Los Angeles v. Public Utilities Commission of California

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
359 U.S. 119
City of Los Angeles v. Public Utilities Commission of California
Messrs. Roger Arnebergh, Alan G. Campbell and Walhfred Jacobson, for appellants.
Mr. J. Thomason Phelps, for appellees.
Messrs. Arthur T. George, Francis N. Marshall, John Robert Jones, Alvin H. Pelavin and Warren A. Palmer, for appellees Pacific Telephone & Telegraph Co. and others.
Messrs. John C. Banks, Walter J. Mattison, John C. Melaniphy, J. Elliott Drinard, Claude V. Jones, Charles S. Rhyne and J. Parker Connor, for Member Municipalities of the National Institute of Municipal Law Officers, as amici curiae.
Messrs. Archie L. Walters, M. Tellefson, John H. Lauten, Henry McClernan and Everett M. Glenn, for the Cities of Azusa and others, as amici curiae.
Messrs. A. L. Wirin and Fred Okrand, for American Civil Liberties Union of Southern California, as amici curiae.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# City of Litchfield v. Ballou

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
114 U.S. 190
City of Litchfield v. Ballou
John M. Palmer, for appellant.
D. T. Littler, for appellees.
MILLER, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# City of Los Angeles v. Los Angeles Gas & Electric Corporation

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
251 U.S. 32
City of Los Angeles v. Los Angeles Gas & Electric Corporation
Argued: Oct. 23, 1919. --- Decided: Dec 8, 1919
Mr. W. B. Mathews, of Los Angeles, Cal., for appellants.
Messrs. Paul Overton and Herbert J. Goudge, both of Los Angeles, Cal., for appellee.
Mr. Justice McKENNA delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Cleveland Cincinnati Chicago St. Louis Railway Company v. Dettlebach

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
239 U.S. 588
Cleveland Cincinnati Chicago St. Louis Railway Company v. Dettlebach
Argued: November 29, 1915. --- Decided: January 10, 1916
Messrs. Edward A. Foote and Frank L. Littleton for plaintiff in error.
Messrs. C. C. Young, Charles L. Stocker, and Jesse A. Fenner for defendant in error.
Mr. Justice Pitney delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Cleveland & Pittsburgh Railroad Company v. City of Cleveland Ohio

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
235 U.S. 50
Cleveland & Pittsburgh Railroad Company v. City of Cleveland Ohio
Argued: October 13, 1914. --- Decided: November 16, 1914
Messrs. William B. Sanders and Harold T. Clark for plaintiffs in error.
Messrs. Newton D. Baker, John N. Stockwell, and Arthur F. Young for defendant in error.
[Argument of Counsel from pages 51-53 intentionally omitted]
Memorandum opinion by Mr. Justice Day, by direction of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Cleveland-Cliffs Iron Company v. Arctic Iron Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
248 U.S. 178
Cleveland-Cliffs Iron Company v. Arctic Iron Company
Argued: Nov. 22, 1918. --- Decided: Dec 23, 1918
Messrs. A. C. Dustin, Horace Andrews, and W. P. Belden, all of Cleveland, Ohio, for Cleveland-Cliffs Iron Co.
Messrs. S. W. Shaull, of Tropico, Cal., and C. C. Daniels, of New York City, for Arctic Iron Co.
Mr. Chief Justice WHITE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Condensed Novels

* information about this edition.
* sister projects: Wikidata item.
* Preface to the 1867 edition
* Muck-a-Muck: A Modern Indian Novel. After Cooper
* Terence Denville by Ch-l-s L-v-r
* Selina Sedilia by Miss M. E. B-dd-n and Mrs. H-n-y W—d
* The Ninety-Nine Guardsmen by Al-x-d-r D-m-s
* The Dweller of the Threshold by Sir Ed-d L-tt-n B-lw-r
* The Haunted Man: A Christmas Story by Ch-l-s D-k-ns
* Miss Mix by Ch-l-tte Br-nte
* Guy Heavystone by the Author of "Sword and Gun"
* Mr. Midshipman Breezy by Capt. M-ry-t
* John Jenkins by T. S. A-rth-r
* No Title by W—lk—e C—ll-ns
* N. N.: A French Paragraphic Novel
* Fantine. After the French of Victor Hugo
* "La Femme." After the French of M. Michelet
* Mary McGillup, a Southern Novel
* Handsome is as Handsome Does by Ch—s R—de
* Lothaw by Mr. Benjamins
* The Hoodlum Band, or the Boy Chief, the Infant Politician, and the Pirate Prodigy
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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