# Master Eustace (New York: Thomas Seltzer, 1920)/Benvolio/Part 4

IV
As there was no name on the parcel, Benvolio, on reaching the old gray house, over the wall of whose court an adventurous creeper stretched its long arm into the street, found himself wondering in what terms he should ask to have speech of the person for whom the books were intended. At any hazard he was determined not to retreat until he had caught a glimpse of the interior and its inhabitants; for this was the same man, you must remember, who had scaled the moonlit wall of the Countess's garden. An old serving woman in a quaint cap answered his summons, and stood blinking out at the fading day light from a little wrinkled white face, as if she had never been compelled to take so direct a look at it before. He informed her that he had come from the bookseller's, and that he had been charged with a personal message for the venerable gentleman who had bespoken the parcel. Might he crave license to speak with him? This obsequious phrase was an ​improvisation of the moment: of course it was hit or miss. But Benvolio had an indefinable conviction that it was rightly aimed; the only thing that surprised him was the quiet complaisance of the old woman.
"If it's on a bookish errand you come, sir," she said with a little wheezy sigh, "I suppose I only do my duty in admitting you!"
She led him into the house, through various dusky chambers, and at last ushered him into an apartment of which the side opposite to the door was occupied by a broad, low casement. Through its small old panes there came a green dim light—the light of the low western sun shining through the wet trees of the famous garden. Everything else was ancient and brown; the walls were covered with tiers upon tiers of books. Near the window, in the still twilight, sat two persons, one of whom rose as Benvolio came in. This was the young girl of the garden—the young girl of an hour since at the book seller's. The other was an old man who turned his head, but otherwise sat quite still.
Both his movements and his stillness immediately announced to Benvolio's fine sense that he was blind. In his quality of poet Benvolio was inventive; a brain that is constantly cudgelled for rhymes is tolerably alert. In a few moments, therefore, he had given a vigorous push to the wheel of fortune. ​Various things had happened. He had made a soft, respectful speech, he hardly knew about what; and the old man had told him he had a delectable voice—a voice that seemed to belong rather to a person of education than to a tradesman's porter. Benvolio confessed to having picked up an education, and the old man had thereupon bidden the young girl offer him a seat. Benvolio chose his seat where he could see her, as she sat at the low-browed casement. The bookseller on the square thought it likely Benvolio would come back that evening and give him an account of his errand, and before he closed his shop he looked up and down the street, to see whether the young man was approaching. Benvolio came, but the shop was closed. He didn't notice it: he walked three times round the great Place without noticing it. He was thinking of something else. He had sat all the evening with the blind old scholar and his daughter, and he was thinking intently, ardently of them. When I say of them, of course I mean of the daughter.
A few days afterward he got a note from the Countess saying it would give her pleasure to receive his visit. He immediately wrote to her that, with a thousand regrets, he found himself urgently occupied in town and must beg leave to defer his departure for a day or two. The regrets were perfectly sincere, but the plea was none the less valid. ​Benvolio had become deeply interested in his tranquil neighbors, and, for the moment, a certain way the young girl had of looking at him—fixing her eyes, first, with a little vague, half-absent smile, on an imaginary point above his head, and then slowly dropping them till they met his own—was quite sufficient to make him happy. He had called once more on her father, and once more, and yet once more, and he had a vivid prevision that he would often call again. He had been in the garden and found its mild mouldiness even more delightful on a nearer view. He had pulled off his very ill-fitting mask, and let his neighbors know that his trade was not to carry parcels, but to scribble verses. The old man had never heard of his verses; he read nothing that had been published later than the sixth century; and nowadays he could read only with his daughter's eyes. Benvolio had seen the little white volume on the table, and assured himself it was his own; and he noted the fact that in spite of its well-thumbed air, the young girl had never given her father a hint of its contents, I said just now that several things had happened in the first half hour of Benvolio's first visit. One of them was that this modest maiden fell most positively in love with him. What happened when she learned that he was the author of the little white volume I hardly know how to express; her innocent passion, I suppose, passed from ​the positive to the superlative degree. Benvolio possessed an old quarto volume, bound in Russia leather, about which there clung an agreeable pungent odor. In this old quarto he kept a sort of diary—if that can be called a diary in which a whole year had sometimes been allowed to pass without an entry. On the other hand, there were some interminable records of a single day. Turning it over you would have chanced, not infrequently, upon the name of the Countess; and at this time you would have observed on every page some mention of "the Professor" and of a certain person named Scholastica. Scholastica, we immediately guess, was the Professor's daughter. Very likely this was not her own name, but it was the name by which Benvolio preferred to know her, and we needn't be more exact than he. By this time, of course, he knew a great deal about her, and about her venerable sire. The Professor, before the loss of his eyesight and his health, had been one of the stateliest pillars of the University. He was now an old man; he had married late in life. When his infirmities came upon him he gave up his chair and his classes and buried himself in his library. He made his daughter his reader and his secretary, and his prodigious memory assisted her clear young voice and her steady-moving pen. He was held in great honor in the scholastic world; learned men came from afar to ​consult the blind sage, and to appeal to his wisdom as to the ultimate law. The University settled a pension upon him, and he dwelt in a dusky corner, among the academic shades. The pension was small, but the old scholar and the young girl lived with conventual simplicity. It so happened, however, that he had a brother, or rather a half brother, who was not a bookish man, save as regarded his ledger and day-book. This personage had made money in trade, and had retired, wifeless and childless, into the old gray house attached to Benvolio's garden. He had the reputation of a skinflint, a curmudgeon, a bloodless old miser who spent his days in shuffling about his mouldy old house, making his pockets jingle, and his nights in lifting his money-bags out of trapdoors, and counting over his hoard. He was nothing but a chilling shadow, an evil name, a pretext for a curse: no one had ever seen him, much less crossed his threshold. But it seemed that he had a soft spot in his heart. He wrote one day to his brother, whom he had not seen for years, that the rumor had come to him that he was blind, infirm, and poor; that he himself had a large house with a garden behind it, and that if the Professor was not too proud, he was welcome to come and lodge there.
The Professor had come in this way a few weeks before, and though it would seem that to a sightless old ascetic all lodgings might be the same, he took ​a great satisfaction in this one. His daughter found it a paradise, compared with their two narrow chambers under the old gable of the University, where, amid the constant coming and going of students, a young girl was compelled to lead a cloistered life. Benvolio had assigned as his motive for intrusion, when he had been obliged to confess to his real character, an irresistible desire to ask the old man's opinion on certain knotty points of philosophy. This was a pardonable fiction, for the event, at any rate, justified it. Benvolio, when he was fairly launched in a philosophical discussion, forgot that there was anything in the world but metaphysics; he revelled in transcendent abstractions, and became unconscious of all concrete things—even of that most brilliant of concrete things, the Countess. He longed to embark on a voyage of discovery on the great sea of pure reason. He knew that from such voyages the deep-browed adventurer rarely returns; but if he finds an El Dorado of thought, why should he regret the dusky world of fact? Benvolio had much high discourse with the Professor, who was a devout Neo-Platonist, and whose venerable wit had spun to subtler tenuity the ethereal speculations of the Alexandrian school. Benvolio at this season vowed that study and science were the only game in life worth the candle, and wondered how he could ever for an instant have thought otherwise. He ​turned off a little poem in the style of Milton's "Penseroso," which, if it had not quite the merit of that famous effusion, was at least the young man's own happiest performance. When Benvolio liked a thing he liked it as a whole—it appealed to all his senses. He relished its accidents, its accessories, its material envelope. In the satisfaction he took in his visits to the Professor it would have been hard to say where the charm of philosophy began or ended. If it began with a glimpse of the old man's mild, sightless blue eyes, sitting fixed beneath his shaggy white brows like patches of pale winter sky under a high-piled cloud, it hardly ended before it reached the little black bow on Scholastica's slipper; and certainly it had taken a comprehensive sweep in the interval. There was nothing in his friends that the appreciative fellow did not feel an immense kindness for. Their seclusion, their stillness, their super-simple notions of the world and the world's ways, the faint, musty perfume of the University which hovered about them, their brown old apartment, impenetrable to the rumors of the town—all these things were part of the charm. Then the essence of it perhaps was that in this silent, simple life the intellectual key, if you touched it, was so finely resonant. In the way of thought there was nothing into which his friends were not initiated—nothing they could not understand. The mellow light of their ​low-browed room, streaked with the moted rays that slanted past the dusky bookshelves, was the atmosphere of culture. All this made them, humble folk as they were, not so simple as they at first appeared. They, too, in their own fashion, knew the world; they were not people to be patronized; to visit them was not a condescension but a privilege.
In the Professor this was not surprising. He had passed fifty years in arduous study, and it was proper to his character and his office that he should be erudite, impressive, and venerable. But sweet Scholastica seemed to Benvolio at first almost grotesquely wise. She was an anomaly, a prodigy, a charming monstrosity. Charming, at any rate, she was, and as pretty, I must lose no more time in saying, as had seemed likely to Benvolio at his window. And yet, even on a nearer view, her prettiness shone forth slowly and half-dimly. It was as if it had been covered with a series of film-like veils, which had to be successively drawn aside. And then it was such a homely, shrinking, subtle prettiness, that Benvolio, in the private record I have mentioned, never thought of calling it by the arrogant name of beauty. He called it by no name at all; he contented himself with enjoying it—with looking into the young girl's mild gray eyes and saying things, on purpose, that caused her candid smile to deepen until (like the broadening ripple of a lake) it reached a ​certain dimple in her left cheek. This was its maximum; no smile could do more, and Benvolio desired nothing better. Yet I cannot say he was in love with the young girl; he only liked her. But he liked her, no doubt, as a man likes a thing but once in his life. As he knew her better the oddity of her learning quite faded away; it seemed delightfully natural, and he only wondered why there were not more women of the same pattern. Scholastica had imbibed the wine of science instead of her mother's milk. Her mother had died in her infancy, leaving her cradled in an old folio, three-quarters opened, like a wide V. Her father had been her nurse, her playmate, her teacher, her life-long companion, her only friend. He taught her the Greek alphabet be fore she knew her own, and fed her with crumbs from his own scholastic revels. She had taken submissively what was given her, and, without knowing it, she grew up a learned maiden.
Benvolio perceived that she was not in the least a woman of genius. The passion for knowledge, of its own motion, would never have carried her far. But she had a clear, tranquil, natural mind, which gave back an exact, definite image of everything that was presented to it; the sort of intelligence, Benvolio said, which had been, as a minimum, every one's portion in the golden age, and would be again the golden mean in the millennium. And then she ​was so teachable, so diligent, so indefatigable. Slender and meagre as she was, and rather pale, too, with being much within doors, she was never tired, she never had a headache, she never closed her book or laid down a pen with a sigh. For helping a man, Benvolio thought it was an exquisite organism. What a work he might do on summer mornings and winter nights with that brightly demure little creature at his side, transcribing, recollecting, sympathizing! He wondered how much she cared for these things herself; whether a woman could care for them without being dry and harsh. It was in a great measure for information on this point that he used to question her eyes with the frequency that I have mentioned. But they never gave him a perfectly direct answer, and this was why he came and came again. They seemed to him to say, "If you could lead a student's life for my sake, I could be a life-long household scribe for yours." Was it divine philosophy that made Scholastica charming, or was it she that made philosophy divine? I cannot relate everything that came to pass between these young people, and I must leave a great deal to your imagination. The summer waned, and when the autumnal shadow began to gnaw the bright edge of the days, the quiet couple in the old gray house had expanded to a talkative trio. For Benvolio the days had passed very fast; the trio had talked of so many ​things. He had spent many an hour in the garden with the young girl, strolling in the weedy paths, or resting on a moss-grown bench. She was a delightful listener, because while she was perfectly deferential, she was also perfectly attentive. Benvolio had had women fix very beautiful eyes upon him, and watch with an air of ecstasy the movement of his lips, and yet had found them three minutes afterward quite incapable of saying what he was talking about. Scholastica followed him and, without effort or exultation, understood him.