OpenLLM-France/wikimedia huggingface dataset:
# An Etymological Dictionary of the German Language/Annotated/Fenchel

| This annotated version expands the abbreviations in the original entry Fenchel. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Fenchel, masculine (Suabian and Alemannian Fenkel), from the equivalent Middle High German vënchel, vënichel, Old High German fënahhal, fënihhal, masculine, ‘fennel’; compare Anglo-Saxon finul, English fennel; formed from Latin (fœniculum, feniculum, feniclum), fenuclum; from the same source the Romance cognates French fenouil, Italian finocchio, ‘fennel,’ are derived.
# An Etymological Dictionary of the German Language/Annotated/Fenster

| This annotated version expands the abbreviations in the original entry Fenster. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Fenster, neuter, ‘window,’ from the equivalent Middle High German vęnster, Old High German vęnstar, neuter; compare Dutch venster, neuter. Based, with a curious change of gender, on Latin fenestra, from which, however, the fęnstar of the Middle European Teutons could only be produced by shifting the accent back according to the Teutonic custom (compare Abt) and by syncopating the second e. This indicates that the word was borrowed very early, in the beginning of the Old High German period. Yet the idea was well known to the older periods, as is testified by the terms naturally applied to the existing object — Gothic augadaurô, ‘eye-gate,’ Anglo-Saxon êgþŷrel, ‘eye-hole,’ Old Icelandic vindauga (whence Middle English windôge, English window). By the introduction of the Southern term (compare also Old Irish senister, Welsh ffenester) the idea was probably reconstructed. This word was borrowed at the same period as other words — Ziegel, Mauer — relating to the building of houses.
# An Etymological Dictionary of the German Language/Annotated/Fell

| This annotated version expands the abbreviations in the original entry Fell. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Fell, neuter, ‘hide, skin, fur,’ from Middle High German vël(ll), Old High German fël(ll), ‘human skin, hide’; compare Gothic fill, neuter, in þrûts-fill, ‘leprosy,’ faurafilli, ‘foreskin’; Old Icelandic fjall, ‘skin, hide,’ in compounds, Anglo-Saxon fëll, neuter, ‘skin, hide,’ English fell, Dutch vel. Common to Teutonic originally, but universal in the wider sense of ‘skin,’ both of men and animals. Teutonic fella- from pre-Teutonic pello- or pelno-; compare Latin pellis, Greek πέλλα, ‘hide, leather,’ ἄπελλος, neuter, ‘(skinless) unhealed wound,’ ἐρυσίπελας, ‘erysipelas, St. Anthony's fire,’ ἐπίπλοος, ‘caul of the entrails,’ the latter for ἐπίπλοϝος, akin to Lithuanian plėvė, ‘caul, skin’; also akin to Anglo-Saxon filmen, ‘membrane, foreskin,’ English film; likewise Greek πέλμα, ‘sole of the foot or shoe,’ and perhaps πέπλος, ‘garment,’ as a reduplicated form (πέ-πλ-ος, root πελ).
# An Etymological Dictionary of the German Language/Annotated/Felsen

| This annotated version expands the abbreviations in the original entry Felsen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Felsen, masculine, ‘rock,’ from the equivalent Middle High German vęlse, vęls, masculine, Old High German fęlis, masculine, felisa, feminine (from which French falaise, ‘cliff,’ is borrowed); akin to Old Saxon fęlis, masculine, probably also to Old Icelandic fjall, ‘mountain’; the latter would be *filza- in Gothic, the former *falisa-; in Dutch and English the word is wanting. Old Irish ​ail (from *palêk), ‘rock,’ Old Slovenian planina, ‘mountain,’ Sanscrit parvata, ‘rock, mountain,’ may be primitively allied. Connected also with Old Indian púr, ‘fastness, citadel,’ to which Greek πόλι-ς has been referred? or with Sanscrit pâšâṇa (for *palsâna), ‘stone’?.
# An Etymological Dictionary of the German Language/Annotated/Ferge

| This annotated version expands the abbreviations in the original entry Ferge. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Ferge, masculine, ‘ferryman,’ from Middle High German vęrge, vęrje, vęre, Old High German fęrjo, fęro (nominative singular fęrjo, genitive and dative fęrin, accusative fęrjun), masculine, ‘mariner, ferryman.’ The j is changed into g after r as in Scherge, Latwerge. Gothic *farja, masculine, ‘mariner,’ is wanting. Most closely allied to Fähre; also akin to Gothic farjan, ‘to navigate,’ see root far under fahren.
# An Etymological Dictionary of the German Language/Annotated/Felge

| This annotated version expands the abbreviations in the original entry Felge. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Felge, feminine, ‘felly (of a wheel),’ from Middle High German vëlge, Old High German fëlga, feminine, ‘rim of a wheel, tyre,’ Old High German also ‘harrow, roller for breaking clods’; compare Dutch radvelge, ‘felloe,’ Anglo-Saxon fëlg, English felly (rim, fellow). Is Old High German felga, ‘roller, harrow,’ to be connected with Anglo-Saxon *fealge (Middle English falge, ‘fallow land’), English fallow, and its e to be regarded therefore as formed by mutation? Middle High German valgen, ‘to plough up, dig,’ makes such a supposition very probable. It is possible that the two classes in the sense of ‘felloe’ and ‘barrow’ are not allied to each other. Between Old High German fëlga and Anglo-Saxon felga, ‘felloe,’ there is no connecting link.
# An Etymological Dictionary of the German Language/Annotated/Ferien

| This annotated version expands the abbreviations in the original entry Ferien. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Modern High German Ferien (since the 16th century), ‘vacation, holidays,’ has been derived anew from Latin feriae.
# An Etymological Dictionary of the German Language/Annotated/Ferkel

| This annotated version expands the abbreviations in the original entry Ferkel. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Ferkel, neuter, ‘sucking-pig,’ from Middle High German vęrker, verchel, vęrhelîn, Old High German farhelî(n); diminutive of Middle High German varch, neuter, ‘pig, sucking-pig,’ Old High German farah, farh, neuter; Anglo-Saxon fearh, masculine, English farrow; Dutch varken, neuter, ‘pig’; Gothic *farha- is wanting. In any case it is a pre-Teutonic word, since the allied Aryan languages have words corresponding to it both in sound and meaning; *farhaz from pre-Teutonic porkos, corresponds to Latin porcus (Greek πόρκος), Lithuanian pàrszas, Old Slovenian prasę, neuter, Old Irish orc. Like Eber and Schwein, this word too, unknown to Indian, is essentially West Aryan, while Kuh is a common Aryan word.
# An Etymological Dictionary of the German Language/säuseln

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/säuseln | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ säuseln, vb., ‘to rustle, murmur,’ dimin. of MidHG. siusen, ‘to bluster.’
# An Etymological Dictionary of the German Language/süß

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/süß | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ süß, adj., ‘sweet,’ from the equiv. MidHG. süeȥe, adj. (also suoȥe, swuoȥe, adv.), OHG. suoȥi (swuoȥi), adj., a common Teut. term, occurring also in the other Aryan languages. Comp. OSax. swôti, Du. zoet, AS. swête, E. sweet, OIc. sœ́tr, Goth. *swôtus (for which sū̆ts is found), ‘sweet.’ The Teut. swôt-u, from Aryan swâd-ú, is based on an Aryan root swā̆d; comp. Sans. svad, ‘sweet, delicious,’ and the root svad, ‘to taste nice’ (svâd, ‘to be rejoiced’), Gr. ἡδύς, ‘sweet,’ and ἥδομαι, ‘I rejoice’ (ἡδονή, ‘pleasure,’ ἁνδάνω, ‘to please’), Lat. suâvis for *suâdvis, ‘sweet’ (also suâdere, ‘to advise,’ lit. ‘to make tasty, pleasant’?). In the Teut. group, AS. swătan, Scotch swats, ‘beer,’ may be allied; on the other hand, the primary verb corresponding to ​Aryan swâdú-, ‘sweet,’ was lost at an early period in Teut.
# An Etymological Dictionary of the German Language/taub

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/taub | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ taub, adj., ‘deaf, torpid,’ from MidHG. and OHG. toup (b), ‘deaf, insensible, stupid, foolish, mad’; corresponding to Goth. daufs (b), ‘callous,’ AS. deáf, E. deaf, and the equiv. Du. doof. Since the meanings of the OHG. and MidHG. adj. border on those of OHG. and MidHG. tump (see dumm), the two words are certainly connected. The assumed relation (see dumm) to the Aryan root dhubh, ‘to be blunt, obtuse, deafened,’ preserved in Gr. τυφλός, ‘blind,’ leads further to toben and its ​cognates. ModHG. betäuben, ‘to deafen, stun,’ from MidHG. töuben, MidHG. and OHG. touben, wk. vb., ‘to deprive of sensation or strength, to annihilate,’ supports the assumed primary meaning.
# An Etymological Dictionary of the German Language/säugen

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/säugen | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ säugen, vb., ‘to suckle,’ from the equiv. MidHG. söugen, OHG. sougen, prop. ‘to cause to suck’; a factitive of sûgan; see saugen. Goth. *saugjan is wanting.
# An Etymological Dictionary of the German Language/tapfer

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/tapfer | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ tapfer, adj., ‘brave, variant, bold,’ from MidHG. tapfer (dapfer, tapfel), ‘firm, pressed, full, weighty, important’ (only in late MidHG. brave), OHG. tapfar, ‘heavy, weighty, important’; comp. Du. dapper, ‘brave, much,’ E. dapper. The connection in meaning with OSlov. doblĭ, ‘strong, able,’ debelŭ, ‘stout,’ and dobrŭ, ‘beautiful, good,’ is quite clear, but it is difficult to show how it is related to the corresponding OIc. dapr, ‘sad’; note, however, ModHG. dreist, ‘bold, audacious,’ OHG. drîsti, OLG. thrîsti, compared with Lat. trîstis.
# An Etymological Dictionary of the German Language/tauchen

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/tauchen | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ tauchen, vb., ‘to dip, dive,’ from the equiv. MidHG. tûcken, wk. vb., OHG. tûhhan, str. vb.; comp. Du. duiken, ‘to dive, duck,’ E. to duck (whence also E. duck, AS. dûce); see further ducken. Other terms derived from the Teut. root duk, ‘to stoop, dive,’ are wanting. The connection of the word with taufen is improbable.
# An Etymological Dictionary of the German Language/säumen

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/säumen | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ säumen, vb., ‘to linger,’ from MidHG. sûmen, ‘to stay, defer, loiter, linger’; OHG. only virsûmen (MidHG. versûmen), ‘to let slip,’ and ar-sûmen, ‘to omit.’ The history of the word is very obscure, because it is peculiar to G., and appears only in a compound form in OHG. The great antiquity of the compound is attested by MidHG. frá-sûme, m., ‘delay,’ which points to Goth. *frá-sûma, m.; we should have expected MidHG. versûme. Probably the meaning, which properly belongs only to the compound, has been transferred to the simple form. —
# An Etymological Dictionary of the German Language/tasten

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/tasten | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ tasten, vb., ‘to touch, fumble, grope,’ from the equiv. MidHG. tasten, wk. vb. Borrowed about 1200 A.D. from the Romance cognate Ital. tastare (Fr. tâter), ‘to feel, fumble,’ which is based on a Lat. *taxitare (allied to late Lat. taxare, ‘to touch sharply’).
# An Etymological Dictionary of the German Language/tauen

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/tauen | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ tauen, vb., ‘to thaw,’ from MidHG. touwen, töuwen, OHG. douwen, dęwen (dôan), wk. vb., ‘to dissolve’; comp. Du. dooijen, AS. þâwan, E. to thaw, OIc. þeyja. With ModHG. Tauwind, m., ‘thaw wind, comp. Du. dooij, E. thaw, OIc. þeyr. If the Teut. root þaw, ‘to dissolve’ (comp. verdauen), exhibited in all these words, has originated in þagw, equiv. to Aryan tē̆q, Gr. τήκω, ‘to melt,’ τακερός, ‘liquid,’ may be counted as cognates. Yet the Teut. words, as well as Osset. t‘ayun, ‘to thaw,’ may point to an Aryan root taw.
# An Etymological Dictionary of the German Language/säen

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/säen | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ säen, vb., ‘to sow (seed),’ from the equiv. MidHG. sœjen, sœn, OHG. sâen (from an orig. sêjan); comp. the equiv. Goth. saian, OIc. sá, AS. sawan, E. to sow, Dan. zaaijen, OSax. sâjan. The Teut. root sê, ‘to sow,’ of which Saat and Same are derivatives, is common to the Aryan group; comp. the Lat. root sê in sê-vi, sa-tum, sê-men (Lat. sero is a reduplicated pres. for *si-so); OSlov. sěja (sěti), ‘to sow,’ Lith. sěja (sěti), ‘to sow.’
# Amos (Bible)

Amos is a book of the Hebrew Bible. It is universally accepted across all Jewish and Christian biblical canons, but in the Jewish canon it is often included in the book of Minor Prophets, rather than as a distinct book.
    For commentaries and encyclopedia articles, see Amos.
English-language translations of Amos include:
* "Amos" in the Wycliffe version of the Bible (1380s)
* "Amos" in the Bishops' version (1568)
* "Amos" in the Douay-Rheims version (1610)
* "Amos" in the Authorized Version (1611)
* "Amos" in the King James version (1769)
* "Amos" in the American Standard version (1901)
* "Amos" in the Jewish Publication Society version (1917)
* "Amos" in the World English version (in progress since 1997)
* "Amos" in the Wikisource edition (in progress since 2006)
* "Amos" in the Literal Standard Version of the Bible (2020)
# Amos v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
255 U.S. 313
Amos v. United States
Argued: Dec. 13, 1920. --- Decided: Feb 28, 1921
Messrs. H. H. Obear and Charles A. Douglas, both of Washington, D. C., for plaintiff in error.
The Attorney General and Mr. W. C. Herron, of Washington, D. C., for the United States.
Mr. Justice CLARKE delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Amour de Voyage

And I was a man who could write you rhyme (Oust so much for you—nothing more), And you were the woman I loved for a time— Loved for a little, and nothing more. We shall go our ways when the voyage is o'er, You with your beauty and I with my rhymes, With a dim remembrance rising at time (Only a memory, nothing more) Of a lovely face and some worthless rhymes.
Meantime till our comedy reaches its end (Its comic ending, and nothing more) I shall live as your lover who loved as a friend— Shall swear true love till Life be o'er. And you, you must make believe and attend, As the steamer throbs from shore to shore.
And so, we shall pass the time for a little, (Pass it in pleasure, and nothing more), For vows, alas! are sadly brittle; And each may forget the oaths that we swore. And have we not loved for an age, an age? And was I not yours from shore to shore? From landing-stage to landing-stage Did I not worship and kneel and adore? And what is a month in love but an age? And who in their senses would wish for more?
This work is in the public domain in the United States because it was published in 1884, before the cutoff of January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Amphion

* "Amphion", in Poems (1843)
* "Amphion", unsourced version
# Anecdotes of Great Musicians

A spoken word version of this edition is available at LibriVox
ANECDOTES
OF
GREAT MUSICIANS.
ANECDOTES
OF
GREAT MUSICIANS.
THREE HUNDRED ANECDOTES AND BIOGRAPHICAL SKETCHES OF FAMOUS COMPOSERS AND PERFORMERS.
BY
W. FRANCIS GATES,
AUTHOR OF "MUSICAL MOSAICS," "PIPE AND STRINGS," ETC.
LONDON:
WEEKES & CO.,
14, Hanover Street, Regent Street, W.
1896.
INTRODUCTORY.
In the search for what this volume comprises, much material has been examined. Had the intention been to make it include all the anecdotes that are related of various musicians, three times the present space would have been necessary. But many of the narratives of past and current literature will not stand the test of probability, and in some cases the humor or reason for relation is hard to find.
I have attempted to cull from the mass of material that came to my notice such anecdotes as have two features,—that of being characteristic of the person referred to, and that of possessing sufficient interest; and in this re-narration I have incorporated such bits of musical information, along biographical and historical lines, as came to mind at the time of writing, but letting this feature be secondary to the main idea of the work. Thus it is hoped that while my readers may find interesting anecdote, they may also incidentally find that which is of more permanent value.
This work may be regarded as a companion volume to my "Musical Mosaics," supplementing the thoughts of the great musicians there expressed with incidents giving somewhat of a clue to their personality.
It would be in vain for me to attempt to acknowledge ​all the sources from which these anecdotes have been gleaned, owing to the extent of the field covered. The majority of the matter appears in this volume for the first time in its present form, although in a few cases there are partial quotations.
No classification has been made in the body of the work, thus avoiding monotony in a consecutive reading. The indexes furnish ample references.
If these narrations awaken a more general interest in musical biography, one purpose of my labor will have been accomplished.
W. FRANCIS GATES.
* Table of Contents
* Index of Names
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Anecdotes of Great Musicians/Anecdote 1

1.—THE GREGORIAN CHANT.
There have been musical antagonisms in all ages of the world. Church and State have joined in them as well as individuals. But not all of them had as judicious an arbiter as had the dispute between the French and Roman singers on the occasion of a visit of Charlemagne to Rome to celebrate Holy Week, about the year 803, A.D. This most Catholic magnate had taken with him his choir; and the Gallic singers soon started a controversy with the choristers of the Roman Church, claiming to sing better and more agreeably than the Italians.
But the Roman choristers knew that their style of music was in direct descent from St. Gregory, and accused the Gauls of corrupting and disfiguring the true ecclesiastical style.
Finally this dispute between the singers of the good King Charles and those of Pope Adrian waxed so warm that the King thought it time to take a hand and end the hostilities. He called his singers before him and asked them whether they thought the water of a fountain would be purest at its source, or after it had run a good distance and been mixed with other streams. Of course, they answered that the nearer to the source the purer the water. The King then exclaimed, "Mount ye then up to the pure fountain of St. Gregory, whose chant ye have manifestly corrupted."
​On his return to France, Charlemagne took with him, at his request and by the appointment of Pope Adrian, two singers learned in the true ecclesiastical mode. He stationed one at Metz and the other at Soissons. The Pope also sent choral books which had been written by Gregory, so that these teachers, who had themselves studied under him, could correct the French books. The King ordered all singing masters in the kingdom to be taught by these Roman monks and to conform their books and teaching to the Gregorian antiphonal.
# Anecdotes of Great Musicians/Anecdote 10

10.—A TEST OF PRECOCITY.
The youthful Mozart was not the greatest prodigy known to history, but he was one of the few whose early precocity did not lead to expectations which were disappointed in later life. His musical life was a continual growth. Great stories were told of his marvelous abilities, and some of them were doubtless exaggerated. But every claim that was put forth by himself or by the parents of this wonder-child he could fulfill.
The Archbishop of Salzburg had it in his power to benefit the art of all succeeding time by granting proper patronage to Mozart, but this the churlish old fellow declined to do. He even declared that the boy Mozart was a fraud, and in the interests of art and religion he would unmask him. His plan was to confine the young genius in a closed room, give him pens, ink, paper and the necessary words, and to hold him prisoner there ​until he should have composed a mass. The Mozarts, father and son, consented to the trial, knowing it was entirely within the boy's powers. For more than a week did he stay in that room, seeing no one save the servant who brought his meals: At the end of this time he sent to the bishop his composition, which, after trial by the court band, the bishop ordered to be placed in the repertoire of the cathedral choir. But even after this display of genius the prelate was lacking in that appreciation of art which would have led him to become a beneficent patron.
# An Etymological Dictionary of the German Language/Annotated/Gulden

| This annotated version expands the abbreviations in the original entry Gulden. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gulden, masculine, ‘florin,’ from the equivalent Middle High German gulden, guldîn, masculine, ‘the golden coin,’ from Middle High German guldîn, ‘golden.’ The absence of mutation from u to ü is in accordance with the practice of earlier Upper German (Suabian Gülden).
# An Etymological Dictionary of the German Language/Annotated/Grotte

| This annotated version expands the abbreviations in the original entry Grotte. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Grotte, see Gruft.