# Embarrassments (New York: The Macmillan Company, 1897)/The Figure in the Carpet/Chapter 4

IV
Returning to town I feverishly collected them all; I picked out each in its order and held it up to the light. This gave me a maddening month, in the course of which several things took place. One of these, the last, I may as well immediately mention, was that I acted on Vereker's advice: I renounced my ridiculous attempt. I could really make nothing of the business; it proved a dead loss. After all, before, as he had himself observed, I liked him; and what now occurred was simply that my new intelligence and vain preoccupation damaged my liking. I not only failed to find his general intention—I found myself missing the subordinate intentions I had formerly found. His books didn't even remain the charming things they had been for me; the exasperation of my search put me out of conceit of them. Instead of being a pleasure the more they became a ​resource the less; for from the moment I was unable to follow up the author's hint I of course felt it a point of honour not to make use professionally of my knowledge of them. I had no knowledge—nobody had any. It was humiliating, but I could bear it—they only annoyed me now. At last they even bored me, and I accounted for my confusion—perversely, I confess—by the idea that Vereker had made a fool of me. The buried treasure was a bad joke, the general intention a monstrous pose.
The great incident of the time however was that I told George Corvick all about the matter and that my information had an immense effect upon him. He had at last come back, but so, unfortunately, had Mrs. Erme, and there was as yet, I could see, no question of his nuptials. He was immensely stirred up by the anecdote I had brought from Bridges; it fell in so completely with the sense he had had from the first that there was more in Vereker than met the eye. When I remarked that the eye seemed what the printed page had been expressly invented to meet he immediately accused me of being spiteful because I had been foiled. Our commerce had always that pleasant latitude. The thing ​Vereker had mentioned to me was exactly the thing he, Corvick, had wanted me to speak of in my review. On my suggesting at last that with the assistance I had now given him he would doubtless be prepared to speak of it himself he admitted freely that before doing this there was more he must understand. What he would have said, had he reviewed the new book, was that there was evidently in the writer's inmost art something to be understood. I hadn't so much as hinted at that: no wonder the writer hadn't been flattered! I asked Corvick what he really considered he meant by his own supersubtlety, and, unmistakably kindled, he replied: "It isn't for the vulgar—it isn't for the vulgar!" He had hold of the tail of something; he would pull hard, pull it right out. He pumped me dry on Vereker's strange confidence and, pronouncing me the luckiest of mortals, mentioned half a dozen questions he wished to goodness I had had the gumption to put. Yet on the other hand he didn't want to be told too much—it would spoil the fun of seeing what would come. The failure of my fun was at the moment of our meeting not complete, but I saw it ahead, and Corvick saw that I saw it. I, on my side, saw likewise that ​one of the first things he would do would be to rush off with my story to Gwendolen.
On the very day after my talk with him I was surprised by the receipt of a note from Hugh Vereker, to whom our encounter at Bridges had been recalled, as he mentioned, by his falling, in a magazine, on some article to which my signature was appended. "I read it with great pleasure," he wrote, "and remembered under its influence our lively conversation by your bedroom fire. The consequence of this has been that I begin to measure the temerity of my having saddled you with a knowledge that you may find something of a burden. Now that the fit's over I can't imagine how I came to be moved so much beyond my wont. I had never before related, no matter in what expansion, the history of my little secret, and I shall never speak of the business again. I was accidentally so much more explicit with you than it had ever entered into my game to be, that I find this game-I mean the pleasure of playing it—suffers considerably. In short, if you can understand it, I've spoiled a part of my fun. I really don't want to give anybody what I believe you clever young men call the tip. That's of course a selfish solicitude, and I name it to you ​for what it may be worth to you. If you're disposed to humour me, don't repeat my revelation. Think me demented—it's your right; but don't tell anybody why."
The sequel to this communication was that as early on the morrow as I dared I drove straight to Mr. Vereker's door. He occupied in those years one of the honest old houses in Kensington-square. He received me immediately, and as soon as I came in I saw I had not lost my power to minister to his mirth. He laughed out at the sight of my face, which doubtless expressed my perturbation. I had been indiscreet—my compunction was great. "I have told somebody," I panted, "and I'm sure that person will by this time have told somebody else! It's a woman, into the bargain."
"The person you've told?"
"No, the other person. I'm quite sure he must have told her."
"For all the good it will do her—or do me! A woman will never find out."
"No, but she'll talk all over the place: she'll do just what you don't want."
Vereker thought a moment, but he was not so disconcerted as I had feared: he felt that if the ​harm was done it only served him right. "It doesn't matter—don't worry."
"I'll do my best, I promise you, that your talk with me shall go no further."
"Very good; do what you can."
"In the meantime," I pursued, "George Corvick's possession of the tip may, on his part, really lead to something."
"That will be a brave day."
I told him about Corvick's cleverness, his admiration, the intensity of his interest in my anecdote; and without making too much of the divergence of our respective estimates mentioned that my friend was already of opinion that he saw much further into a certain affair than most people. He was quite as fired as I had been at Bridges. He was moreover in love with the young lady: perhaps the two together would puzzle something out.
Vereker seemed struck with this. "Do you mean they're to be married?"
"I daresay that's what it will come to."
"That may help them," he conceded, "but we must give them time!"
I spoke of my own renewed assault and ​confessed my difficulties; whereupon he repeated his former advice: "Give it up, give it up!" He evidently didn't think me intellectually equipped for the adventure. I stayed half an hour, and he was most good-natured, but I couldn't help pronouncing him a man of shifting moods. He had been free with me in a mood, he had repented in a mood, and now in a mood he had turned indifferent. This general levity helped me to believe that, so far as the subject of the tip went, there wasn't much in it. I contrived however to make him answer a few more questions about it, though he did so with visible impatience. For himself, beyond doubt, the thing we were all so blank about was vividly there. It was something, I guessed, in the primal plan, something like a complex figure in a Persian carpet. He highly approved of this image when I used it, and he used another himself. "It's the very string," he said, "that my pearls are strung on!" The reason of his note to me had been that he really didn't want to give us a grain of succour—our destiny was a thing too perfect in its way to touch. He had formed the habit of depending upon it, and if the spell was to break it must break by some force ​of its own. He comes back to me from that last occasion—for I was never to speak to him again—as a man with some safe secret for enjoyment. I wondered as I walked away where he had got his tip.