# Tono-Bungay/Book 1/Chapter 1

TONO-BUNGAY
CHAPTER THE FIRST
Of Bladesover House, and my Mother: and the Constitution of Society
§1
Most people in this world seem to live "in character;" they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than "character actors." They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have played the part. But there is also another kind of life that is not so much living as a miscellaneous tasting of life. One gets hit by some unusual transverse force, one is jerked out of one's stratum and lives crosswise for the rest of the time, and, as it were, in a succession of samples. That has been my lot, and that is what has set me at last writing something in the nature of a novel. I have got an unusual series of impressions that I want very urgently to tell. I have seen life at very different ​levels, and at all these levels I have seen it with a sort of intimacy and in good faith. I have been a native in many social countries. I have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks—the unjustifiable gifts of footmen—in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and—to go to my other extreme—I was once—oh, glittering days!—an item in the house-party of a countess. She was, I admit, a countess with a financial aspect, but still, you know, a countess. I've seen these people at various angles. At the dinner-table I've met not simply the titled but the great. On one occasion—it is my brightest memory—I upset my champagne over the trousers of the greatest statesman in the empire—Heaven forbid I should be so invidious as to name him!—in the warmth of our mutual admiration.
And once (though it is the most incidental thing in my life) I murdered a man. . . .
Yes, I've seen a curious variety of people and ways of living altogether. Odd people they all are, great and small, very much alike at bottom and curiously different on their surfaces. I wish I had ranged just a little further both up and down, seeing I have ranged so far. Royalty must be worth knowing and very great fun. But my contacts with princes have been limited to quite public occasions, nor at the other end of the scale have I had what I should call an inside acquaintance with that dusty but attractive class of people who go about on the high-roads drunk but en famille (so redeeming the minor lapse), in the summer-time, with a perambulator, lavender to sell, sun-brown children, a smell, and ambiguous bundles that fire the ​imagination. Navvies, farm-labourers, sailormen and stokers, all such as sit in 1834 beer-houses, are beyond me also, and I suppose must remain so now for ever. My intercourse with the ducal rank too has been negligible; I once went shooting with a duke, and in an outburst of what was no doubt snobbishness, did my best to get him in the legs. But that failed.
I'm sorry I haven't done the whole lot, though. . . .
You will ask by what merit I achieved this remarkable social range, this extensive cross-section of the British social organism. It was the Accident of Birth. It always is in England. Indeed, if I may make the remark so cosmic, everything is. But that is by the way. I was my uncle's nephew, and my uncle was no less a person than Edward Ponderevo, whose comet-like transit of the financial heavens happened—it is now ten years ago! Do you remember the days of Ponderevo, the great days, I mean, of Ponderevo? Perhaps you had a trifle in some world-shaking enterprise! Then you know him only too well. Astraddle on Tono-Bungay, he flashed athwart the empty heavens—like a comet—rather, like a stupendous rocket!—and overawed investors spoke of his star. At his zenith he burst into a cloud of the most magnificent promotions. What a time that was! The Napoleon of domestic conveniences! . . .
I was his nephew, his peculiar and intimate nephew. I was hanging on to his coat-tails all the way through. I made pills with him in the chemist's shop at Wimblehurst before he began. I was, you might say, the stick of his rocket; and after our tremendous soar, after he had played with millions, a golden rain in the sky, after my bird's-eye view of the modern world, I fell again, a little scarred and blistered perhaps, two and ​twenty years older, with my youth gone, my manhood eaten in upon, but greatly edified, into this Thames-side yard, into these white heats and hammerings, amidst the fine realities of steel—to think it all over in my leisure and jot down the notes and inconsecutive observations that make this book. It was more, you know, than a figurative soar. The zenith of that career was surely our flight across the channel in the Lord Roberts β. . . .
I warn you this book is going to be something of an agglomeration. I want to trace my social trajectory (and my uncle's) as the main line of my story, but as this is my first novel and almost certainly my last, I want to get in too all sorts of things that struck me, things that amused me and impressions I got—even although they don't minister directly to my narrative at all. I want to set out my own queer love experiences too, such as they are, for they troubled and distressed and swayed me hugely, and they still seem to me to contain all sorts of irrational and debatable elements that I shall be the clearer-headed for getting on paper. And possibly I may even flow into descriptions of people who are really no more than people seen in transit, just because it amuses me to recall what they said and did to us, and more particularly how they behaved in the brief but splendid glare of Tono-Bungay and its still more glaring offspring. It lit some of them up, I can assure you! Indeed, I want to get in all sorts of things. My ideas of a novel all through are comprehensive rather than austere. . . .
Tono-Bungay still figures on the hoardings, it stands in rows in every chemist's storeroom, it still assuages the coughs of age and brightens the elderly eye and ​loosens the elderly tongue; but its social glory, its financial illumination, have faded from the world for ever. And I, sole scorched survivor from the blaze, sit writing of it here in an air that is never still for the clang and thunder of machines, on a table littered with working drawings, and amid fragments of models and notes about velocities and air and water pressures and trajectories—of an altogether different sort from that of Tono-Bungay.
§2
I write that much and look at it, and wonder whether, after all, this is any fair statement of what I am attempting in this book. I've given, I see, an impression that I want to make simply a hotch-potch of anecdotes and experiences with my uncle swimming in the middle as the largest lump of victual. I'll own that here, with the pen already started, I realize what a fermenting mass of things learnt and emotions experienced and theories formed I've got to deal with, and how, in a sense, hopeless my book must be from the very outset. I suppose what I'm really trying to render is nothing more nor less than Life—as one man has found it. I want to tell—myself, and my impressions of the thing as a whole, to say things I have come to feel intensely of the laws, traditions, usages, and ideas we call society, and how we poor individuals get driven and lured and stranded among these windy, perplexing shoals and channels. I've got, I suppose, to a time of life when things begin to take on shapes that have an air of reality, and become no longer material for dreaming, but interesting ​in themselves. I've reached the criticizing, novel-writing age, and here I am writing mine—my one novel—without having any of the discipline to refrain and omit that I suppose the regular novel-writer acquires.
I've read an average share of novels and made some starts before this beginning, and I've found the restraints and rules of the art (as I made them out) impossible for me. I like to write, I am keenly interested in writing, but it is not my technique. I'm an engineer with a patent or two and a set of ideas; most of whatever artist there is in me has been given to turbine machines and boat-building and the problem of flying, and do what I will I fail to see how I can be other than a lax, undisciplined story-teller. I must sprawl and flounder, comment and theorize, if I am to get the thing out I have in mind. And it isn't a constructed tale I have to tell but unmanageable realities. My love-story—and if only I can keep up the spirit of truth-telling all through as strongly as I have now, you shall have it all—falls into no sort of neat scheme of telling. It involves three separate feminine persons. It's all mixed up with the other things. . . .
But I've said enough, I hope, to excuse myself for the method or want of method in what follows, and I think I had better tell without further delay of my boyhood and my early impressions in the shadow of Bladesover House.
§3
There came a time when I realized that Bladesover House was not all it seemed, but when I was a little boy I took the place with the entirest faith as a complete authentic microcosm. I believed that the Bladesover system was a little working model—and not so very little either—of the whole world.
Let me try and give you the effect of it.
Bladesover lies up on the Kentish Downs, eight miles perhaps from Ashborough; and its old pavilion, a little wooden parody of the temple of Vesta at Tibur, upon the hill crest behind the house, commands in theory at least a view of either sea, of the Channel southward and the Thames to the north-east. The park is the second largest in Kent, finely wooded with well-placed beeches, many elms and some sweet chestnuts, abounding in little valleys and hollows of bracken, with springs and a stream and three fine ponds and multitudes of fallow deer. The house was built in the eighteenth century, it is of pale red brick in the style of a French château, and save for one pass among the crests which opens to blue distances, to minute, remote, oast-set farm-houses and copses and wheatfields and the occasional gleam of water, its hundred and seventeen windows look on nothing but its own wide and handsome territories. A semicircular screen of great beeches masks the church and village, which cluster picturesquely about the high-road along the skirts of the great park. Northward, at the remotest corner of that enclosure, is a second dependent village, Ropedean, less fortunate in its greater distance and also on account of a rector. This divine was indeed rich, but he was vindictively economical because of some shrinkage of his tithes; and ​by reason of his use of the word Eucharist for the Lord's Supper he had become altogether estranged from the great ladies of Bladesover. So that Ropedean was in the shadows through all that youthful time.
​But of that in its place.
The great house, the church, the village, and the labourers and the servants in their stations and degrees, seemed to me, I say, to be a closed and complete social system. About us were other villages and great estates, and from house to house, interlacing, correlated, the Gentry, the fine Olympians, came and went. The country towns seemed mere collections of shops, marketing places for the tenantry, centres for such education as they needed, as entirely dependent on the gentry as the village and scarcely less directly so. I thought this was the order of the whole world. I thought London was only a greater country town where the gentlefolk kept town-houses and did their greater shopping under the magnificent shadow of the greatest of all fine gentlewomen, the Queen. It seemed to be in the divine order. That all this fine appearance was already sapped, that there were forces at work that might presently carry all this elaborate social system in which my mother instructed me so carefully that I might understand my "place," to Limbo, had scarcely dawned upon me even by the time that Tono-Bungay was fairly launched upon the world.
There are many people in England to-day upon whom it has not yet dawned. There are times when I doubt whether any but a very inconsiderable minority of English people realize how extensively this ostensible order has even now passed away. The great houses stand in the parks still, the cottages cluster respectfully on their borders, touching their eaves with their creepers, the English country-side—you can range through Kent from Bladesover northward and see—persists obstinately in looking what it was. It is like an early day in a fine October. The hand of change ​rests on it all, unfelt, unseen; resting for awhile, as it were half reluctantly, before it grips and ends the thing for ever. One frost and the whole face of things will be bare, links snap, patience end, our fine foliage of pretences lie glowing in the mire.
For that we have still to wait a little while. The new order may have gone far towards shaping itself, but just as in that sort of lantern show that used to be known in the village as the "Dissolving Views," the scene that is going remains upon the mind, traceable and evident, and the newer picture is yet enigmatical long after the lines that are to replace those former ones have grown bright and strong, so that the new England of our children's children is still a riddle to me. The ideas of democracy, of equality, and above all of promiscuous fraternity have certainly never really entered into the English mind. But what is coming into it? All this book, I hope, will bear a little on that. Our people never formulates; it keeps words for jests and ironies. In the meanwhile the old shapes, the old attitudes remain, subtly changed and changing still, sheltering strange tenants. Bladesover House is now let furnished to Sir Reuben Lichtenstein, and has been since old Lady Drew died; it was my odd experience to visit there, in the house of which my mother had been housekeeper, when my uncle was at the climax of Tono-Bungay. It was curious to notice then the little differences that had come to things with this substitution. To borrow an image from my mineralogical days, these Jews were not so much a new British gentry as "pseudomorphous" after the gentry. They are a very clever people, the Jews, but not clever enough to suppress their cleverness. I wished I could have gone downstairs to savour the tone of the pantry. It would ​have been very different I know. Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper proprietor of the type that hustles along with stolen ideas from one loud sink-or-swim enterprise to another, had bought the place outright; Redgrave was in the hands of brewers.
But the people in the villages, so far as I could detect, saw no difference in their world. Two little girls bobbed and an old labourer touched his hat convulsively as I walked through the village. He still thought he knew his place—and mine. I did not know him, but I would have liked dearly to have asked him if he remembered my mother, if either my uncle or old Lichtenstein had been man enough to stand being given away like that.
In that English country-side of my boyhood every human being had a "place." It belonged to you from your birth like the colour of your eyes, it was inextricably your destiny. Above you were your betters, below you were your inferiors, and there were even an unstable questionable few, cases so disputable that you might, for the rough purposes of every day at least, regard them as your equals. Head and centre of our system was Lady Drew, her "leddyship," shrivelled, garrulous, with a wonderful memory for genealogies and very, very old, and beside her and nearly as old, Miss Somerville, her cousin and companion. These two old souls lived like dried-up kernels in the great shell of Bladesover House, the shell that had once been gaily full of fops, of fine ladies in powder and patches and courtly gentlemen with swords; and when there was no company they spent whole days in the corner parlour just over the housekeeper's room, between reading and slumber and caressing their two pet dogs. When I ​was a boy I used always to think of these two poor old creatures as superior beings living, like God, somewhere through the ceiling. Occasionally they bumped about a bit and one even heard them overhead, which gave them a greater effect of reality without mitigating their vertical predominance. Sometimes too I saw them. Of course if I came upon them in the park or in the shrubbery (where I was a trespasser) I hid or fled in pious horror, but I was upon due occasion taken into the Presence by request. I remember her "leddyship" then as a thing of black silks and a golden chain, a quavering injunction to me to be a good boy, a very shrunken loose-skinned face and neck, and a ropy hand that trembled a halfcrown into mine. Miss Somerville hovered behind, a paler thing of broken lavender and white and black, with screwed up, sandy-lashed eyes. Her hair was yellow and her colour bright, and when we sat in the housekeeper's room of a winter's night warming our toes and sipping elder wine, her maid would tell us the simple secrets of that belated flush. . . . After my fight with young Garvell I was of course banished, and I never saw those poor old painted goddesses again.
Then there came and went on these floors over our respectful heads, the Company; people I rarely saw, but whose tricks and manners were imitated and discussed by their maids and valets in the housekeeper's room and the steward's room—so that I had them through a medium at second hand. I gathered that none of the company were really Lady Drew's equals, they were greater and lesser—after the manner of all things in our world. Once I remember there was a Prince, with a real live gentleman in attendance, and that was a little above our customary levels and excited ​us all, and perhaps raised our expectations unduly. Afterwards, Rabbits, the butler, came into my mother's room downstairs, red with indignation and with tears in his eyes. "Look at that!" gasped Rabbits. My mother was speechless with horror. That was a sovereign, a mere sovereign, such as you might get from any commoner!
After Company, I remember, came anxious days, for the poor old women upstairs were left tired and cross and vindictive, and in a state of physical and emotional indigestion after their social efforts. . . .
On the lowest fringe of these real Olympians hung the vicarage people, and next to them came those ambiguous beings who are neither quality nor subjects. The vicarage people certainly hold a place by themselves in the typical English scheme; nothing is more remarkable than the progress the Church has made—socially—in the last two hundred years. In the early eighteenth century the vicar was rather under than over the house-steward, and was deemed a fitting match for the housekeeper or any not too morally discredited discard. The eighteenth century literature is full of his complaints that he might not remain at table to share the pie. He rose above these indignities because of the abundance of younger sons. When I meet the large assumptions of the contemporary cleric, I am apt to think of these things. It is curious to note that to-day that down-trodden, organ-playing creature, the Church of England village Schoolmaster, holds much the same position as the seventeenth-century parson. The doctor in Bladesover ranked below the vicar but above the "vet"; artists and summer visitors squeezed in above or below this point according to their appearance and expenditure; and then in a carefully ​arranged scale came the tenantry, the butler and housekeeper, the village shopkeeper, the head keeper, the cook, the publican, the second keeper, the blacksmith (whose status was complicated by his daughter keeping the post-office—and a fine hash she used to make of telegrams too!), the village shopkeeper's eldest son, the first footman, younger sons of the village shopkeeper, his first assistant, and so forth. . . .
All these conceptions and applications of a universal precedence and much else I drank in at Bladesover, as I listened to the talk of valets, ladies'-maids, Rabbits the butler and my mother in the much cupboarded, white-painted, chintz-brightened housekeeper's room where the upper servants assembled, or of footmen and Rabbits and estate men of all sorts among the green baize and Windsor chairs of the pantry—where Rabbits, being above the law, sold beer without a licence or any compunction—or of housemaids and still-room maids in the bleak, matting-carpeted still-room, or of the cook and her kitchen maids and casual friends among the bright copper and hot glow of the kitchens.
Of course their own ranks and places came by implication to these people, and it was with the ranks and places of the Olympians that the talk mainly concerned itself. There was an old peerage and a Crockford together with the books of recipes, the Whitaker's Almanack, the Old Moore's Almanack, and the eighteenth century dictionary, on the little dresser that broke the cupboards on one side of my mother's room; there was another peerage, with the covers off, in the pantry; there was a new peerage in the billiard-room, and I seem to remember another in the anomalous apartment that held the upper servants' bagatelle board, and in which, after the Hall dinner, they ​partook of the luxury of sweets. And if you had asked any of those upper servants how such and such a Prince of Battenberg was related to, let us say, Mr. Cunninghame Graham or the Duke of Argyle, you would have been told upon the nail. As a boy, I heard a great deal of that sort of thing, and if to this day I am still a little vague about courtesy titles and the exact application of honorifics, it is, I can assure you, because I hardened my heart, and not from any lack of adequate opportunity of mastering these succulent particulars.
Dominating all these memories is the figure of my mother—my mother who did not love me because I grew liker my father every day—and who knew with inflexible decision her place and the place of every one in the world—except the place that concealed my father—and in some details mine. Subtle points were put to her. I can see and hear her saying now, "No, Miss Fison, peers of England go in before peers of the United Kingdom, and he is merely a peer of the United Kingdom." She had much exercise in placing people's servants about her tea-table, where the etiquette was very strict. I wonder sometimes if the etiquette of housekeepers' rooms is as strict to-day, and what my mother would have made of a chauffeur. . . .
On the whole I am glad that I saw so much as I did of Bladesover—if for no other reason than because seeing it when I did, quite naïvely, believing in it thoroughly, and then coming to analyze it, has enabled me to understand much that would be absolutely incomprehensible in the structure of English society. Bladesover is, I am convinced, the clue to almost all that is distinctively British and perplexing to the foreign inquirer in England and the English-speaking peoples. Grasp firmly that England was all Bladesover ​two hundred years ago; that it has had Reform Acts indeed, and such-like changes of formula, but no essential revolution since then; that all that is modern and different has come in as a thing intruded or as a gloss upon this predominant formula, either impertinently or apologetically; and you will perceive at once the reasonableness, the necessity, of that snobbishness which is the distinctive quality of English thought. Everybody who is not actually in the shadow of a Bladesover is as it were perpetually seeking after lost orientations. We have never broken with our tradition, never even symbolically hewed it to pieces, as the French did in quivering fact in the Terror. But all the organizing ideas have slackened, the old habitual bonds have relaxed or altogether come undone. And America too, is, as it were, a detached, outlying part of that estate which has expanded in queer ways. George Washington, Esquire, was of the gentlefolk, and he came near being a King. It was Plutarch, you know, and nothing intrinsically American, that prevented George Washington being a King. . . .
§4
I hated teatime in the housekeeper's room more than anything else at Bladesover. And more particularly I hated it when Mrs. Mackridge and Mrs. Booch and Mrs. Latude-Fernay were staying in the house. They were, all three of them, pensioned-off servants. Old friends of Lady Drew's had rewarded them posthumously for a prolonged devotion to their minor comforts, and Mrs. Booch was also trustee for a favourite Skye terrier. Every year Lady Drew gave them an ​invitation—a reward and encouragement of virtue with especial reference to my mother and Miss Fison, the maid. They sat about in black and shiny and flouncey clothing adorned with gimp and beads, eating great quantities of cake, drinking much tea in a stately manner and reverberating remarks.
I remember these women as immense. No doubt they were of negotiable size, but I was only a very little chap and they have assumed nightmare proportions in my mind. They loomed, they bulged, they impended. Mrs. Mackridge was large and dark; there was a marvel about her head, inasmuch as she was bald. She wore a dignified cap, and in front of that upon her brow hair was painted. I have never seen the like since. She had been maid to the widow of Sir Roderick Blenderhasset Impey, some sort of governor or such-like portent in the East Indies, and from her remains—in Mrs. Mackridge—I judge Lady Impey was a very stupendous and crushing creature indeed. Lady Impey had been of the Juno type, haughty, unapproachable, given to irony and a caustic wit. Mrs. Mackridge had no wit, but she had acquired the caustic voice and gestures along with the old satins and trimmings of the great lady. When she told you it was a fine morning, she seemed also to be telling you you were a fool and a low fool to boot; when she was spoken to, she had a way of acknowledging your poor tinkle of utterance with a voluminous, scornful "Haw!" that made you want to burn her alive. She also had a way of saying "Indade!" with a droop of the eyelids.
Mrs. Booch was a smaller woman, brown haired, with queer little curls on either side of her face, large blue eyes, and a small set of stereotyped remarks that constituted her entire mental range. Mrs. ​Latude-Fernay has left, oddly enough, no memory at all except her name and the effect of a green-grey silk dress, all set with gold and blue buttons. I fancy she was a large blond. Then there was Miss Fison, the maid who served both Lady Drew and Miss Somerville, and at the end of the table opposite my mother, sat Rabbits the butler. Rabbits, for a butler, was an unassuming man, and at tea he was not as you know butlers, but in a morning coat and a black tie with blue spots. Still, he was large, with side whiskers, even if his clean-shaven mouth was weak and little. I sat among these people on a high, hard, early Georgian chair, trying to exist, like a feeble seedling amidst great rocks, and my mother sat with an eye upon me, resolute to suppress the slightest manifestation of vitality. It was hard on me, but perhaps it was also hard upon these rather over-fed, ageing, pretending people, that my youthful restlessness and rebellious unbelieving eyes should be thrust in among their dignities.
Tea lasted for nearly three-quarters of an hour, and I sat it out perforce; and day after day the talk was exactly the same.
"Sugar, Mrs. Mackridge?" my mother used to ask. "Sugar, Mrs. Latude-Fernay?"
The word "sugar" would stir the mind of Mrs. Mackridge. "They say," she would begin, issuing her proclamation—at least half her sentences began "they say"—"sugar is fatt-an-ing, nowadays. Many of the best people do not take it now at all."
"Not with their tea, ma'am," said Rabbits, intelligently.
"Not with anaything," said Mrs. Mackridge, with an air of crushing repartee, and drank.
​"They do say such things!" said Mrs. Booch.
"They say," said Mrs. Mackridge, inflexibly, "the doctors are not recomm-an-ding it now."
My Mother: "No, ma'am?"
Mrs. Mackridge: "No, ma'am."
Then, to the table at large: "Poor Sir Roderick, before he died, consumed great quan-ta-ties of sugar. I have sometimes fancied it may have hastened his end."
This ended the first skirmish. A certain gloom of manner and a pause was considered due to the sacred memory of Sir Roderick.
"George," said my mother, "don't kick the chair!"
Then, perhaps, Mrs. Booch would produce a favourite piece from her repertoire. "The evenings are drawing out nicely," she would say, or if the season was decadent, "How the evenings draw in!" It was an invaluable remark to her; I do not know how she would have got along without it.
My mother, who sat with her back to the window, would always consider it due to Mrs. Booch to turn about and regard the evening in the act of elongation or contraction, whichever phase it might be.
A brisk discussion of how long we were to the longest or shortest day would ensue, and die away at last exhausted.
Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits; among others she read the paper—The Morning Post. The other ladies would at times tackle that sheet, but only to read the births, marriages, and deaths on the front page. It was, of course, the old Morning Post that cost threepence, not the brisk coruscating young thing of to-day. "They say," she would open, "that Lord Tweedums is to go to Canada."
​"Ah!" said Mr. Rabbits; "dew they?"
"Isn't he," said my mother, "the Earl of Slumgold's cousin?" She knew he was; it was an entirely irrelevant and unnecessary remark, but still, something to say.
"The same, ma'am," said Mrs. Mackridge. "They say he was extremelay popular in New South Wales. They looked up to him greatlay. I knew him, ma'am, as a young man. A very nice pleasant young fella."
Interlude of respect.
"'Is predecessor," said Rabbits, who had acquired from some clerical model a precise emphatic articulation without acquiring at the same time the aspirates that would have graced it, "got into trouble at Sydney."
"Haw!" said Mrs. Mackridge, scornfully, "so I am tawled."
"'E came to Templemorton after 'e came back, and I remember them talking 'im over after 'e'd gone again."
"Haw?" said Mrs. Mackridge, interrogatively.
"'Is fuss was quotin' poetry, ma'am. 'E said—what was it 'e said?—'They lef' their country for their country's good,' which in some way was took to remind them of their being originally convic's, though now reformed. Every one I 'eard speak, agreed it was takless of 'im."
"Sir Roderick used to say," said Mrs. Mackridge, "that the First Thing"—here Mrs. Mackridge paused and looked dreadfully at me—"and the Second Thing"—here she fixed me again—"and the Third Thing"—now I was released—"needed in a colonial governor is Tact." She became aware of my doubts again, and added predominantly, "It has always struck me that that was a Singularly True Remark."
I resolved that if ever I found this polypus of Tact ​growing up in my soul, I would tear it out by the roots, throw it forth and stamp on it.
"They're queer people—colonials," said Rabbits, "very queer. When I was at Templemorton I see something ov 'em. Queer fellows, some of 'em. Very respectful of course, free with their money in a spasammy sort of way, but—— Some of 'em, I must confess, make me nervous. They have an eye on you. They watch you—as you wait. They let themselves appear to be lookin' at you. . . ."
My mother said nothing in that discussion. The word "colonies" always upset her. She was afraid, I think, that if she turned her mind in that direction my errant father might suddenly and shockingly be discovered, no doubt conspicuously bigamic and altogether offensive and revolutionary. She did not want to rediscover my father at all.
It is curious that when I was a little listening boy I had such an idea of our colonies that I jeered in my heart at Mrs. Mackridge's colonial ascendancy. These brave emancipated sunburnt English of the open, I thought, suffer these aristocratic invaders as a quaint anachronism, but as for being gratified——!
I don't jeer now. I'm not so sure.
§5
It is a little difficult to explain why I did not come to do what was the natural thing for any one in my circumstances to do, and take my world for granted. A certain innate scepticism, I think, explains it—and a certain inaptitude for sympathetic ​assimilation. My father, I believe, was a sceptic; my mother was certainly a hard woman.
I was an only child, and to this day I do not know whether my father is living or dead. He fled my mother's virtues before my distincter memories began. He left no traces in his flight, and she, in her indignation, destroyed every vestige that she could of him. Never a photograph nor a scrap of his handwriting have I seen; and it was, I know, only the accepted code of virtue and discretion that prevented her destroying her marriage certificate and me, and so making a clean sweep of her matrimonial humiliation. I suppose I must inherit something of the moral stupidity that could enable her to make a holocaust of every little personal thing she had of him. There must have been presents made by him as a lover, for example—books with kindly inscriptions, letters perhaps, a flattened flower, a ring, or suchlike gage. She kept her wedding-ring of course, but all the others she destroyed. She never told me his christian name or indeed spoke a word to me of him, though at times I came near daring to ask her; and what I have of him—it isn't much—I got from his brother, my hero, my Uncle Ponderevo. She wore her ring; her marriage certificate she kept in a sealed envelope in the very bottom of her largest trunk, and me she sustained at a private school among the Kentish hills. You must not think I was always at Bladesover—even in my holidays. If at the time these came round, Lady Drew was vexed by recent Company, or for any other reason wished to take it out of my mother, then she used to ignore the customary reminder my mother gave her, and I "stayed on" at the school.
​But such occasions were rare, and I suppose that between ten and fourteen I averaged fifty days a year at Bladesover.
Don't imagine I deny that was a fine thing for me. Bladesover, in absorbing the whole country-side, had not altogether missed greatness. The Bladesover system has at least done one good thing for England, it has abolished the peasant habit of mind. If many of us still live and breathe pantry and housekeeper's room, we are quit of the dream of living by economizing parasitically on hens and pigs. . . . About that park there were some elements of a liberal education; there was a great space of greensward not given over to manure and food grubbing; there was mystery, there was matter for the imagination. It was still a park of deer. I saw something of the life of these dappled creatures, heard the belling of stags, came upon young fawns among the bracken, found bones, skulls, and antlers in lonely places. There were corners that gave a gleam of meaning to the word forest, glimpses of unstudied natural splendour. There was a slope of bluebells in the broken sunlight under the newly green beeches in the west wood that is now precious sapphire in my memory; it was the first time that I knowingly met Beauty.
And in the house there were books. The rubbish old Lady Drew read I never saw; stuff of the Maria Monk type, I have since gathered, had a fascination for her; but back in the past there had been a Drew of intellectual enterprise, Sir Cuthbert, the son of Sir Matthew who built the house; and thrust away, neglected and despised, in an old room upstairs, were books and treasures of his that my mother let me rout among during a spell of wintry wet. Sitting under a ​dormer window on a shelf above great stores of tea and spices, I became familiar with much of Hogarth in a big portfolio, with Raphael—there was a great book of engravings from the stanzas of Raphael in the Vatican—and with most of the capitals of Europe as they had looked about 1780, by means of several big iron-moulded books of views. There was also a broad eighteenth-century atlas with huge wandering maps that instructed me mightily. It had splendid adornments about each map title; Holland showed a fisherman and his boat; Russia a Cossack; Japan, remarkable people attired in pagodas—I say it deliberately, "pagodas." There were Terrae Incognitae in every continent then, Poland, Sarmatia, lands since lost; and many a voyage I made with a blunted pin about that large, incorrect and dignified world. The books in that little old closet had been banished, I suppose, from the saloon during the Victorian revival of good taste and emasculated orthodoxy, but my mother had no suspicion of their character. So I read and understood the good sound rhetoric of Tom Paine's "Rights of Man," and his "Common Sense," excellent books, once praised by bishops and since sedulously lied about. Gulliver was there unexpurgated, strong meat for a boy perhaps, but not too strong I hold—I have never regretted that I escaped niceness in these affairs. The satire of Traldragdubh made my blood boil as it was meant to do, but I hated Swift for the Houyhnhnms and never quite liked a horse afterwards. Then I remember also a translation of Voltaire's "Candide," and "Rasselas;" and, vast book though it was, I really believe I read, in a muzzy sort of way of course, from end to end, and even with some reference now and then to the Atlas, Gibbon—in twelve volumes.
​These readings whetted my taste for more, and surreptitiously I raided the bookcases in the big saloon. I got through quite a number of books before my sacrilegious temerity was discovered by Ann, the old head-housemaid. I remember that among others I tried a translation of Plato's "Republic" then, and found extraordinarily little interest in it; I was much too young for that; but "Vathek"—"Vathek" was glorious stuff. That kicking affair! When everybody had to kick!
The thought of "Vathek" always brings back with it my boyish memory of the big saloon at Bladesover.
It was a huge long room with many windows opening upon the park, and each window—there were a dozen or more reaching from the floor up—had its elaborate silk or satin curtains, heavily fringed, a canopy (is it?) above, its complex white shutters folding into the deep thickness of the wall. At either end of that great still place was an immense marble chimney-piece; the end by the bookcase showed the wolf and Romulus and Remus, with Homer and Virgil for supporters; the design of the other end I have forgotten. Frederick, Prince of Wales, swaggered flatly over the one, twice life-size, but mellowed by the surface gleam of oil; and over the other was an equally colossal group of departed Drews as sylvan deities, scantily clad, against a storm-rent sky. Down the centre of the elaborate ceiling were three chandeliers, each bearing some hundreds of dangling glass lustres, and over the interminable carpet—it impressed me as about as big as Sarmatia in the store-room Atlas—were islands and archipelagoes of chintz-covered chairs and couches, tables, great Sèvres vases on pedestals, a bronze man and horse. Somewhere in this wilderness one came, I ​remember, upon a big harp beside a lyre-shaped music-stand, and a grand piano. . . .
The book-borrowing raid was one of extraordinary dash and danger. One came down the main service stairs—that was legal, and illegality began in a little landing when, very cautiously, one went through a red baize door. A little passage led to the hall, and here one reconnoitred for Ann, the old head-housemaid—the younger housemaids were friendly and did not count. Ann located, came a dash across the open space at the foot of that great staircase that has never been properly descended since powder went out of fashion, and so to the saloon door. A beast of an oscillating Chinaman in china, as large as life, grimaced and quivered to one's lightest steps. That door was the perilous place; it was double, with the thickness of the wall between, so that one could not listen beforehand for the whisk of the feather-brush on the other side. Oddly rat-like, is it not, this darting into enormous places in pursuit of the abandoned crumbs of thought?
And I found Langhorne's "Plutarch" too, I remember, on those shelves. It seems queer to me now to think that I acquired pride and self-respect, the idea of a state and the germ of public spirit, in such a furtive fashion; queer, too, that it should rest with an old Greek, dead these eighteen hundred years, to teach me that.
§6
The school I went to was the sort of school the Bladesover system permitted. The public schools that ​had come into existence in the brief glow of the Renascence had been taken possession of by the ruling class; the lower classes were not supposed to stand in need of schools, and our middle stratum got the schools it deserved, private schools, schools any unqualified pretender was free to establish. Mine was kept by a man who had had the energy to get himself a College of Preceptors diploma, and considering how cheap his charges were, I will readily admit the place might have been worse. The building was a dingy yellow-brick residence outside the village, with the schoolroom as an outbuilding of lath and plaster.
I do not remember that my school-days were unhappy—indeed, I recall a good lot of fine mixed fun in them—but I cannot without grave risk of misinterpretation declare that we were at all nice and refined. We fought much, not sound formal fighting, but "scrapping" of a sincere and murderous kind, into which one might bring one's boots—it made us tough at any rate—and several of us were the sons of London publicans, who distinguished "scraps" where one meant to hurt from ordered pugilism, practising both arts, and having, moreover, precocious linguistic gifts. Our cricket-field was bald about the wickets, and we played without style and disputed with the umpire; and the teaching was chiefly in the hands of a lout of nineteen, who wore ready-made clothes and taught despicably. The head-master and proprietor taught us arithmetic, algebra, and Euclid, and to the older boys even trigonometry, himself; he had a strong mathematical bias, and I think now that by the standard of a British public school he did rather well by us.
We had one inestimable privilege at that school, and that was spiritual neglect. We dealt with one ​another with the forcible simplicity of natural boys, we "cheeked," and "punched" and "clouted;" we thought ourselves Red Indians and cowboys and such-like honourable things, and not young English gentlemen; we never felt the strain of "Onward, Christian soldiers," nor were swayed by any premature piety in the cold oak pew of our Sunday devotions. All that was good. We spent our rare pennies in the uncensored reading matter of the village dame's shop, on the Boys of England and honest penny dreadfuls—ripping stuff, stuff that anticipated Haggard and Stevenson, badly printed and queerly illustrated, and very very good for us. On our half-holidays we were allowed the unusual freedom of rambling in twos and threes wide and far about the land, talking experimentally, dreaming wildly. There was much in those walks! To this day the landscape of the Kentish weald, with its low broad distances, its hop gardens and golden stretches of wheat, its oasts and square church towers, its background of downland and hangers, has for me a faint sense of adventure added to the pleasure of its beauty. We smoked on occasion, but nobody put us up to the proper "boyish" things to do; we never "robbed an orchard" for example, though there were orchards all about us, we thought stealing was sinful; we stole incidental apples and turnips and strawberries from the fields indeed, but in a criminal inglorious fashion, and afterwards we were ashamed. We had our days of adventure, but they were natural accidents, our own adventures. There was one hot day when several of us, walking out towards Maidstone, were incited by the devil to despise ginger beer, and we fuddled ourselves dreadfully with ale; and a time when our young minds were infected to the pitch of buying pistols, by the ​legend of the Wild West. Young Roots from Highbury, came back with a revolver and cartridges, and we went off six strong to live a free wild life one holiday afternoon. We fired our first shot deep in the old flint mine at Chiselstead, and nearly burst our ear-drums; then we fired in a primrose-studded wood by Pickthorn Green, and I gave a false alarm of "keeper," and we fled in disorder for a mile. After which Roots suddenly shot at a pheasant in the high-road by Chiselstead, and then young Barker told lies about the severity of the game laws and made Roots sore afraid, and we hid the pistol in a dry ditch outside the school field. A day or so after we got it again, and ignoring a certain fouling and rusting of the barrel, tried for a rabbit at three hundred yards. Young Roots blew a molehill at twenty paces into a dust cloud, burnt his fingers, and scorched his face; and the weapon having once displayed this strange disposition to flame upon the shooter, was not subsequently fired.
One main source of excitement for us was "cheeking" people in vans and carts upon the Goudhurst road; and getting myself into a monstrous white mess in the chalk pits beyond the village, and catching yellow jaundice as a sequel to bathing stark naked with three other Adamites, old Ewart leading that function, in the rivulet across Hickson's meadows, are among my memorabilia. Those free imaginative afternoons! how much they were for us! how much they did for us! All streams came from the then undiscovered "sources of the Nile" in those days, all thickets were Indian jungles, and our best game, I say it with pride, I invented. I got it out of the Bladesover saloon. We found a wood where "Trespassing" was forbidden, ​and did the "Retreat of the Ten Thousand" through it from end to end, cutting our way bravely through a host of nettle beds that barred our path, and not forgetting to weep and kneel when at last we emerged within sight of the High Road Sea. So we have burst at times, weeping and rejoicing, upon startled wayfarers. Usually I took the part of that distinguished general Xenōphen—and please note the quantity of the ō. I have all my classical names like that,—Socrates rhymes with Bates for me, and except when the bleak eye of some scholar warns me of his standards of judgment, I use those dear old mispronunciations still. The little splash into Latin made during my days as a chemist washed off nothing of the habit. Well,—if I met those great gentlemen of the past with their accents carelessly adjusted I did at least meet them alive, as an equal, and in a living tongue. Altogether my school might easily have been worse for me, and among other good things it gave me a friend who has lasted my life out.
This was Ewart, who is now a monumental artist at Woking, after many vicissitudes. Dear chap, how he did stick out of his clothes, to be sure! He was a long-limbed lout, ridiculously tall beside my more youthful compactness, and, except that there was no black moustache under his nose blob, he had the same round knobby face he has to-day, the same bright and active hazel brown eyes, the stare, the meditative moment, the insinuating reply. Surely no boy ever played the fool as Bob Ewart used to play it, no boy had a readier knack of mantling the world with wonder. Commonness vanished before Ewart, at his expository touch all things became memorable and rare. From him I first heard tell of love, but only after its ​barbs were already sticking in my heart. He was, I know now, the bastard of that great improvident artist, Rickmann Ewart; he brought the light of a lax world that at least had not turned its back upon beauty, into the growing fermentation of my mind.
I won his heart by a version of Vathek, and after that we were inseparable yarning friends. We merged our intellectual stock so completely that I wonder sometimes how much I did not become Ewart, how much Ewart is not vicariously and derivatively me. . . .
§7
And then when I had newly passed my fourteenth birthday, came my tragic disgrace.
It was in my midsummer holidays that the thing happened, and it was through the Honourable Beatrice Normandy. She had "come into my life," as they say, before I was twelve.
She descended unexpectedly into a peaceful interlude that followed the annual going of those Three Great Women. She came into the old nursery upstairs, and every day she had tea with us in the housekeeper's room. She was eight, and she came with a nurse called Nannie; and to begin with, I did not like her at all.
Nobody liked this irruption into the downstairs rooms; the two "gave trouble,"—a dire offence; Nannie's sense of duty to her charge led to requests and demands that took my mother's breath away. Eggs at unusual times, the reboiling of milk, the rejection of an excellent milk pudding—not negotiated respectfully, but dictated as of right. Nannie was a dark, long-featured, taciturn woman in a grey dress; she had a ​furtive inflexibility of manner that finally dismayed and crushed and overcame. She conveyed she was "under orders"—like a Greek tragedy. She was that strange product of the old time, a devoted, trusted servant; she had, as it were, banked all her pride and will with the greater, more powerful people who employed her, in return for a life-long security of servitude—the bargain was none the less binding for being implicit. Finally they were to pension her, and she would die the hated treasure of a boarding-house. She had built up in herself an enormous habit of reference to these upstairs people, she had curbed down all discordant murmurings of her soul, her very instincts were perverted or surrendered. She was sexless, her personal pride was all transferred, she mothered another woman's child with a hard, joyless devotion that was at last entirely compatible with a stoical separation. She treated us all as things that counted for nothing save to fetch and carry for her charge. But the Honourable Beatrice could condescend.
The queer chances of later years come between me and a distinctly separated memory of that childish face. When I think of Beatrice, I think of her as I came to know her at a later time, when at last I came to know her so well that indeed now I could draw her, and show a hundred little delicate things you would miss in looking at her. But even then I remember how I noted the infinite delicacy of her childish skin and the fine eyebrow, finer than the finest feather that ever one felt on the breast of a bird. She was one of those elfin, rather precocious little girls, quick coloured, with dark hair, naturally curling dusky hair that was sometimes astray over her eyes, and eyes that were sometimes impishly dark, and sometimes a clear brown-yellow. ​And from the very outset, after a most cursory attention to Rabbits, she decided that the only really interesting thing at the tea-table was myself.
The elders talked in their formal dull way—telling Nannie the trite old things about the park and the village that they told every one, and Beatrice watched me across the table with a pitiless little curiosity that made me uncomfortable.
"Nannie," she said, pointing, and Nannie left a question of my mother's disregarded to attend to her; "is he a servant boy?"
"S-s-sh," said Nannie. "He's Master Ponderevo."
"Is he a servant boy?" repeated Beatrice.
"He's a schoolboy," said my mother.
"Then may I talk to him, Nannie?"
Nannie surveyed me with brutal inhumanity. "You mustn't talk too much," she said to her charge, and cut cake into fingers for her. "No," she added decisively, as Beatrice made to speak.
Beatrice became malignant. Her eyes explored me with unjustifiable hostility. "He's got dirty hands," she said, stabbing at the forbidden fruit. "And there's a fray to his collar."
Then she gave herself up to cake with an appearance of entire forgetfulness of me that filled me with hate and a passionate desire to compel her to admire me. . . . And the next day before tea, I did for the first time in my life, freely, without command or any compulsion, wash my hands.
So our acquaintance began, and presently was deepened by a whim of hers. She had a cold and was kept indoors, and confronted Nannie suddenly with the alternative of being hopelessly naughty, which in her ​case involved a generous amount of screaming unsuitable for the ears of an elderly, shaky, rich aunt, or having me up to the nursery to play with her all the afternoon. Nannie came downstairs and borrowed me in a careworn manner, and I was handed over to the little creature as if I was some large variety of kitten. I had never had anything to do with a little girl before, I thought she was more beautiful and wonderful and bright than anything else could possibly be in life, and she found me the gentlest of slaves—though at the same time, as I made evident, fairly strong. And Nannie was amazed to find the afternoon slip cheerfully and rapidly away. She praised my manners to Lady Drew and to my mother, who said she was glad to hear well of me, and after that I played with Beatrice several times. The toys she had remain in my memory still as great splendid things, gigantic to all my previous experience of toys, and we even went to the great doll's house on the nursery landing to play discreetly with that, the great doll's house that the Prince Regent had given Sir Harry Drew's first-born (who died at five), that was a not ineffectual model of Bladesover itself, and contained eighty-five dolls and had cost hundreds of pounds. I played under imperious direction with that toy of glory.
I went back to school when that holiday was over, dreaming of beautiful things, and got Ewart to talk to me of love; and I made a great story out of the doll's house, a story that, taken over into Ewart's hands, speedily grew to an island doll's city all our own.
One of the dolls, I privately decided, was like Beatrice.
One other holiday there was when I saw something of her—oddly enough my memory of that second holiday ​in which she played a part is vague—and then came a gap of a year, and then my disgrace.
§8
Now I sit down to write my story and tell over again things in their order, I find for the first time how inconsecutive and irrational a thing the memory can be. One recalls acts and cannot recall motives; one recalls quite vividly moments that stand out inexplicably—things adrift, joining on to nothing, leading nowhere. I think I must have seen Beatrice and her half-brother quite a number of times in my last holiday at Bladesover, but I really cannot recall more than a little of the quality of the circumstances. That great crisis of my boyhood stands out very vividly as an effect, as a sort of cardinal thing for me, but when I look for details—particularly details that led up to the crisis—I cannot find them in any developing order at all. This half-brother, Archie Garvell, was a new factor in the affair. I remember him clearly as a fair-haired, supercilious-looking, weedily-lank boy, much taller than I, but I should imagine very little heavier, and that we hated each other by a sort of instinct from the beginning; and yet I cannot remember my first meeting with him at all.
Looking back into these past things—it is like rummaging in a neglected attic that has experienced the attentions of some whimsical robber—I cannot even account for the presence of these children at Bladesover. They were, I know, among the innumerable cousins of Lady Drew, and according to the theories of downstairs, candidates for the ultimate possession of ​Bladesover. If they were, their candidature was unsuccessful. But that great place, with all its faded splendour, its fine furniture, its large traditions, was entirely at the old lady's disposition; and I am inclined to think it is true that she used this fact to torment and dominate a number of eligible people. Lord Osprey was among the number of these and she showed these hospitalities to his motherless child and step-child, partly, no doubt, because he was poor, but quite as much, I nowadays imagine, in the dim hope of finding some affectionate or imaginative outcome of contact with them. Nannie had dropped out of the world this second time, and Beatrice was in the charge of an extremely amiable and ineffectual poor army-class young woman whose name I never knew. They were, I think, two remarkably ill-managed and enterprising children. I seem to remember, too, that it was understood that I was not a fit companion for them, and that our meetings had to be as unostentatious as possible. It was Beatrice who insisted upon our meeting.
I am certain I knew quite a lot about love at fourteen, and that I was quite as much in love with Beatrice then as any impassioned adult could be, and that Beatrice was, in her way, in love with me. It is part of the decent and useful pretences of our world that children of the age at which we were, think nothing, feel nothing, know nothing of love. It is wonderful what people the English are for keeping up pretences. But indeed I cannot avoid telling that Beatrice and I talked of love and kissed and embraced one another.
I recall something of one talk under the overhanging bushes of the shrubbery—I on the park side of the stone wall, and the lady of my worship a little inelegantly astride thereon. Inelegantly do I say? You ​should have seen the sweet imp as I remember her. Just her poise on the wall comes suddenly clear before me, and behind her the light various branches of the bushes of the shrubbery that my feet might not profane, and far away and high behind her, dim and stately, the cornice of the great façade of Bladesover rose against the dappled sky. Our talk must have been serious and business-like, for we were discussing my social position.
"I don't love Archie," she had said, apropos of nothing; and then in a whisper, leaning forward with the hair about her face, "I love you!"
But she had been a little pressing to have it clear that I was not and could not be a servant.
"You'll never be a servant—ever!"
I swore that very readily, and it is a vow I have kept by nature.
"What will you be?" said she.
I ran my mind hastily over the professions.
"Will you be a soldier?" she asked.
"And be bawled at by duffers? No fear!" said I. "Leave that to the plough-boys."
"But an officer?"
"I don't know," I said, evading a shameful difficulty. "I'd rather go into the navy."
"Wouldn't you like to fight?"
"I'd like to fight," I said. "But a common soldier—it's no honour to have to be told to fight and to be looked down upon while you do it, and how could I be an officer?"
"Couldn't you be?" she said, and looked at me doubtfully; and the spaces of the social system opened between us.
Then, as became a male of spirit, I took upon myself ​to brag and lie my way through this trouble. I said I was a poor man, and poor men went into the navy; that I "knew" mathematics, which no army officer did; and I claimed Nelson for an exemplar, and spoke very highly of my outlook upon blue water. "He loved Lady Hamilton," I said, "although she was a lady—and I will love you."
We were somewhere near that when the egregious governess became audible, calling "Beeee-âtrice! Beeee-e-e-âtrice!"
"Snifty beast!" said my lady, and tried to get on with the conversation; but that governess made things impossible.
"Come here!" said my lady suddenly, holding out a grubby hand; and I went very close to her, and she put her little head down upon the wall until her black fog of hair tickled my cheek.
"You are my humble, faithful lover?" she demanded in a whisper, her warm flushed face near touching mine, and her eyes very dark and lustrous.
"I am your humble, faithful lover," I whispered back.
And she put her arm about my head and put out her lips, and we kissed, and boy though I was, I was all atremble. So we two kissed for the first time.
"Beeee-e-e-â-trice!"—fearfully close.
My lady had vanished, with one wild kick of her black-stockinged leg. A moment after, I heard her sustaining the reproaches of her governess, and explaining her failure to answer with an admirable lucidity and disingenuousness.
I felt it was unnecessary for me to be seen just then, and I vanished guiltily round the corner into the West Wood, and so to love-dreams and single-handed play, ​wandering along one of those meandering bracken valleys that varied Bladesover park. And that day and for many days that kiss upon my lips was a seal, and by night the seed of dreams.
Then I remember an expedition we made—she, I, and her half-brother—into those West Woods—they two were supposed to be playing in the shrubbery—and how we were Indians there, and made a wigwam out of a pile of beech logs, and how we stalked deer, crept near and watched rabbits feeding in a glade, and almost got a squirrel. It was play seasoned with plentiful disputing betwen me and young Garvell, for each firmly insisted upon the leading rôles, and only my wider reading—I had read ten stories to his one—gave me the ascendency over him. Also I scored over him by knowing how to find the eagle in a bracken stem. And somehow—I don't remember what led to it at all—I and Beatrice, two hot and ruffled creatures, crept in among the tall bracken and hid from him. The great fronds rose above us, five feet or more, and as I had learnt how to wriggle through that undergrowth with the minimum of betrayal by tossing greenery above, I led the way. The ground under bracken is beautifully clear and faintly scented in warm weather; the stems come up black and then green; if you crawl flat, it is a tropical forest in miniature. I led the way and Beatrice crawled behind, and then as the green of the further glade opened before us, stopped. She crawled up to me, her hot little face came close to mine; once more she looked and breathed close to me, and suddenly she flung her arm about my neck and dragged me to earth beside her, and kissed me and kissed me again. We kissed, we embraced and kissed again, all without a word; we desisted, we stared and hesitated—then in ​a suddenly damped mood and a little perplexed at ourselves, crawled out, to be presently run down and caught in the tamest way by Archie.
That comes back very clearly to me, and other vague memories—I know old Hall and his gun, out shooting at jackdaws, came into our common experiences, but I don't remember how; and then at last, abruptly, our fight in the Warren stands out. The Warren, like most places in England that have that name, was not particularly a warren, it was a long slope of thorns and beeches through which a path ran, and made an alternative route to the downhill carriage road between Bladesover and Ropedean. I don't know how we three got there, but I have an uncertain fancy it was connected with a visit paid by the governess to the Ropedean vicarage people. But suddenly Archie and I, in discussing a game, fell into a dispute for Beatrice. I had made him the fairest offer: I was to be a Spanish nobleman, she was to be my wife, and he was to be a tribe of Indians trying to carry her off. It seems to me a fairly attractive offer to a boy to be a whole tribe of Indians with a chance of such a booty. But Archie suddenly took offence.
"No," he said;" we can't have that!"
"Can't have what?"
"You can't be a gentleman, because you aren't. And you can't play Beatrice is your wife. It's—it's impertinent."
"But——" I said, and looked at her.
Some earlier grudge in the day's affair must have been in Archie's mind. "We let you play with us," said Archie; "but we can't have things like that."
"What rot!" said Beatrice. "He can if he likes."
But he carried his point. I let him carry it, and ​only began to grow angry three or four minutes later. Then we were still discussing play and disputing about another game. Nothing seemed right for all of us.
"We don't want you to play with us at all," said Archie.
"Yes, we do," said Beatrice.
"He drops his aitches like anything."
"No, E doesn't," said I, in the heat of the moment.
"There you go!" he cried. "E, he says. E! E! E!"
He pointed a finger at me. He had struck to the heart of my shame. I made the only possible reply by a rush at him. "Hello!" he cried, at my blackavised attack. He dropped back into an attitude that had some style in it, parried my blow, got back at my cheek, and laughed with surprise and relief at his own success. Whereupon I became a thing of murderous rage. He could box as well or better than I—he had yet to realize I knew anything of that at all—but I had fought once or twice to a finish with bare fists, I was used to inflicting and enduring savage hurting, and I doubt if he had ever fought. I hadn't fought ten seconds before I felt this softness in him, realized all that quality of modern upper-class England that never goes to the quick, that hedges about rules and those petty points of honour that are the ultimate comminution of honour, that claims credit for things demonstrably half done. He seemed to think that first hit of his and one or two others were going to matter, that I ought to give in when presently my lip bled and dripped blood upon my clothes. So before we had been at it a minute he had ceased to be aggressive except in momentary spurts, and I was knocking him about almost as I wanted to do, and ​demanding breathlessly and fiercely, after our school manner, whether he had had enough, not knowing that by his high code and his soft training it was equally impossible for him to either buck-up and beat me, or give in.
I have a very distinct impression of Beatrice dancing about us during the affair in a state of unladylike appreciation, but I was too preoccupied to hear much of what she was saying. But she certainly backed us both, and I am inclined to think now—it may be the disillusionment of my ripened years—whichever she thought was winning.
Then young Garvell, giving way before my slogging, stumbled and fell over a big flint, and I, still following the tradition of my class and school, promptly flung myself on him to finish him. We were busy with each other on the ground when we became aware of a dreadful interruption.
"Shut up, you fool!" said Archie.
"Oh, Lady Drew!" I heard Beatrice cry. "They're fighting! They're fighting something awful!"
I looked over my shoulder. Archie's wish to get up became irresistible, and my resolve to go on with him vanished altogether.
I became aware of the two old ladies, presences of black and purple silk and fur and shining dark things: they had walked up through the Warren, while the horses took the hill easily, and so had come upon us. Beatrice had gone to them at once with an air of taking refuge, and stood beside and a little behind them. We both rose dejectedly. The two old ladies were evidently quite dreadfully shocked, and peering at us with their poor old eyes; and never had I seen such a tremblement in Lady Drew's lorgnettes.
​"You've never been fighting?" said Lady Drew. "You have been fighting."
"It wasn't proper fighting," snapped Archie, with accusing eyes on me.
"It's Mrs. Ponderevo's George!" said Miss Somerville, so adding a conviction for ingratitude to my evident sacrilege.
"How could he dare?" cried Lady Drew, becoming very awful.
"He broke the rules," said Archie, sobbing for breath. "I slipped, and—he hit me while I was down. He knelt on me."
"How could you dare?" said Lady Drew.
I produced an experienced handkerchief rolled up into a tight ball, and wiped the blood from my chin, but I offered no explanation of my daring. Among other things that prevented that, I was too short of breath.
"He didn't fight fair," sobbed Archie. . . .
Beatrice, from behind the old ladies, regarded me intently and without hostility. I am inclined to think the modification of my face through the damage to my lip interested her. It became dimly apparent to my confused intelligence that I must not say these two had been playing with me. That would not be after the rules of their game. I resolved in this difficult situation upon a sulky silence, and to take whatever consequences might follow.
§9
The powers of justice in Bladesover made an extraordinary mess of my case.
​I have regretfully to admit that the Honourable Beatrice Normandy did, at the age of ten, betray me, abandon me, and lie most abominably about me. She was, as a matter of fact, panic-stricken about me, conscience-stricken too; she bolted from the very thought of my being her affianced lover and so forth, from the faintest memory of kissing; she was indeed altogether disgraceful and human in her betrayal. She and her half-brother lied in perfect concord, and I was presented as a wanton assailant of my social betters. They were waiting about in the Warren, when I came up and spoke to them, etc.
On the whole, I now perceive Lady Drew's decisions were, in the light of the evidence, reasonable and merciful.
They were conveyed to me by my mother, who was, I really believe, even more shocked by the grossness of my social insubordination than Lady Drew. She dilated on her ladyship's kindnesses to me, on the effrontery and wickedness of my procedure, and so came at last to the terms of my penance. "You must go up to young Mr. Garvell, and beg his pardon."
"I won't beg his pardon," I said, speaking for the first time.
My mother paused, incredulous.
I folded my arms on her table-cloth, and delivered my wicked little ultimatum. "I won't beg his pardon nohow," I said. "See?"
"Then you will have to go off to your uncle Frapp at Chatham."
"I don't care where I have to go or what I have to do, I won't beg his pardon," I said.
And I didn't.
After that I was one against the world. Perhaps ​in my mother's heart there lurked some pity for me, but she did not show it. She took the side of the young gentleman; she tried hard, she tried very hard, to make me say I was sorry I had struck him. Sorry!
I couldn't explain.
So I went into exile in the dog-cart to Redwood station, with Jukes the coachman, coldly silent, driving me, and all my personal belongings in a small American-cloth portmanteau behind.
I felt I had much to embitter me; the game had not the beginnings of fairness by any standards I knew. . . . But the thing that embittered me most was that the Honourable Beatrice Normandy should have repudiated and fled from me as though I was some sort of leper, and not even have taken a chance or so, to give me a good-bye. She might have done that anyhow! Supposing I had told on her! But the son of a servant counts as a servant. She had forgotten and now remembered. . . .
I solaced myself with some extraordinary dream of coming back to Bladesover, stern, powerful, after the fashion of Coriolanus. I do not recall the details, but I have no doubt I displayed great magnanimity. . . .
Well, anyhow I never said I was sorry for pounding young Garvell, and I am not sorry to this day.