OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Crediton

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​CREDITON, a market town in the South Molton parliamentary division of Devonshire, England, 8 m. N.W. of Exeter by the London & South-Western railway. Pop. of urban district (1901) 3974. It is situated in the narrow vale of the river Creedy near its junction with the Exe, between two steep hills, and is divided into two parts, the east or old town and the west or new town. The church of Holy Cross, formerly collegiate, is a noble Perpendicular building with Early English and other early portions, and a fine central tower. The grammar school, founded by Edward VI. and refounded by Elizabeth, has exhibitions to Oxford and Cambridge universities. Shoe-making, tanning, agricultural trade, tin-plating, and the manufacture of confectionery and cider have superseded the former large woollen and serge industries. In 1897 Crediton was made the seat of a suffragan bishopric in the diocese of Exeter.
See Rev. Preb. Smith, “Early History of Credition,” in Devonshire Association for the Advancement of Science, Literature and Art, Transactions, vol. xiv. (Plymouth, 1882); Richard J. King, “The Church of St Mary and of the Holy Cross, Credition,” in Exeter Diocesan Architectural Society, Transactions, vol. iv. (Exeter, 1878).
# 1911 Encyclopædia Britannica/Credner, Carl Friedrich Heinrich

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​CREDNER, CARL FRIEDRICH HEINRICH (1809–1876), German geologist, was born at Waltershausen near Gotha, on the 13th of March 1809. He investigated the geology of the Thüringer Waldes, of which he published a map in 1846. He was author of a work entitled Über die Gliederung der oberen Juraformation und der Wealden-Bildung im nordwestlichen Deutschland (Prague, 1863), also of a geological map of Hanover (1865). He died at Halle on the 28th of September 1876.
His son, Carl Hermann Credner (1841– ), was born at Gotha on the 1st of October 1841, educated at Breslau and Göttingen, and took the degree of Ph.D. at Breslau in 1864. In 1870 he was appointed professor of geology in the university of Leipzig, and in 1872 director of the Geological Survey of Saxony. He is author of numerous publications on the geology of Saxony, and of an important work, Elemente der Geologie (2 vols., 1872; 7th ed., 1891), regarded as the standard manual in Germany. He has also written memoirs on Saurians and Labyrinthodonts.
# 1911 Encyclopædia Britannica/Cree

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​CREE, a tribe of North American Indians of Algonquian stock. They are still a considerable tribe, numbering some 15,000, and living chiefly in Manitoba and Assiniboia, about Lake Winnipeg and the Saskatchewan river. They gave trouble by their constant attacks upon the Sioux and Blackfeet, but are now peaceable and orderly.
See Handbook of American Indians (Washington, 1907).
# 1911 Encyclopædia Britannica/Creatianism and Traducianism

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​CREATIANISM AND TRADUCIANISM. Traducianism is the doctrine about the origin of the soul which was taught by Tertullian in his De anima—that souls are generated from souls in the same way and at the same time as bodies from bodies: creatianism is the doctrine that God creates a soul for each body that is generated. The Pelagians taunted the upholders of original sin with holding Tertullian’s opinion, and called them Traduciani (from tradux: vid. Du Cange s. vv.), a name which was perhaps suggested by a metaphor in De an. 19, where the soul is described “velut surculus quidam ex matrice Adam in propaginem deducta.” Hence we have formed “traducianist,” “traducianism,” and by analogy “creatianist,” “creatianism.” Augustine denied that traducianism was necessarily connected with the doctrine of original sin, and to the end of his life was unable to decide for or against it. His letter to Jerome (Epist. Clas. iii. 166) is a most valuable statement of his difficulties. Jerome condemned it, and said that creatianism was the opinion of the Church, though he admitted that most of the Western Christians held traducianism. The question has never been authoritatively determined, but creatianism, which had always prevailed in the East, became the general opinion of the medieval theologians, and Peter Lombard’s creando infundit animas Deus et infundendo creat was an accepted formula. Luther, like Augustine, was undecided, but Lutherans have as a rule been traducianists. Calvin favoured creatianism.
Peter Lombard’s phrase perhaps shows that even in his time it was felt that some union of the two opinions was needed, and Augustine’s toleration pointed in the same direction, for the traducianism he thought possible was one in which God operatur institutas administrando non novas instituendo naturas (Ep. 166. 5. 11). Modern psychologists teach that while “personality” can be discerned in its “becoming,” nothing is known of its origin. Lotze, however, who may be taken as representing the believers in the immanence of the divine Being, puts forth—but as a “dim conjecture”—something very like creatianism (Microcosmus, bk. iii. chap. v. ad fin.). It is still, as in the days of Augustine, a question whether a more exact division of man into body, soul and spirit may help to throw light on this subject.
See indices to Augustine, vol. xi., and Jerome, vol. xi. in Migne’s Patrologia, s.v. “Anima”; Franz Delitzsch, Biblical Psychology, ii. § 7; G. P. Fisher, History of Chr. Doct. pp. 187 ff.; A. Harnack, History of Dogma (passim; see Index); Liddon, Elements of Religion, Lect. iii.; Mason, Faith of the Gospel, iv. §§ 3, 4, 9, 10. (A. N.*)
# 1911 Encyclopædia Britannica/Creech, Thomas

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​CREECH, THOMAS (1659–1700), English classical scholar, was born at Blandford, Dorsetshire, in 1659. He received his early education from Thomas Curgenven, master of Sherborne school. In 1675 he entered Wadham College, Oxford, and obtained a fellowship in 1683 at All Souls’. He was headmaster of Sherborne school from 1694 to 1696, and in 1699 he received a college living, but in June 1700 he hanged himself. The immediate cause of the act was said to be a money difficulty, though according to some it was a love disappointment; both of these circumstances no doubt had their share in a catastrophe primarily due to an already pronounced melancholia. Creech’s fame rests on his translation of Lucretius (1682) in rhymed heroic couplets, in which, according to Otway, the pure ore of the original “somewhat seems refined.” He also published a version of Horace (1684), and translated the Idylls of Theocritus (1684), the Thirteenth Satire of Juvenal (1693), the Astronomicon of Manilius (1697), and parts of Plutarch, Virgil and Ovid.
# 1911 Encyclopædia Britannica/Credence

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​CREDENCE, or Credence Table, a small side-table, originally an article of furniture placed near the high table in royal or noble houses, at which the ceremony of the praegustatio, Italian credenziare, the “assay” or tasting of food and drink for poisons was performed by an official of the household, the praegustator or credentiarius as he was called in Medieval Latin. Both the ceremony and the table were known as credentia (Lat. credere, to believe, trust), Ital. credenza, Fr. crédence. After the need for the ceremony had disappeared the name still survived, and the table developed a back and several shelves for the display of plate, and gradually merged into the buffet (q.v.). It is, however, as an article of ecclesiastical furniture that the credence table is most familiar. It takes the form of a small table of wood or stone, sometimes fixed and sometimes merely a shelf above or near the piscina. It usually stands on the south or Epistle side of the altar, and on it are placed, in the Roman Catholic Church, the cruets containing the wine and water, the chalice, the candlesticks to be carried by the acolytes, and other objects to be used in the ceremony of the Mass. The use of such a table, to which earlier the name of paratorium or oblationarium was given, appears to have come into use when the personal presentation of the oblations at the Mass became obsolete. When the pope celebrates Mass a special credence table on the Gospel side of the altar is used, and the ceremony of tasting for poison in the unconsecrated elements is still observed. In some churches in England the old credence tables still exist, as at the church of St Cross near Winchester, where there is a fine stone 15th-century example; more frequent are examples of the stone shelf near the piscina. There are some carved wooden ones surviving, one type being with a semicircular top and three legs placed in a triangle with a lower shelf. The formal use of the credence table for the unconsecrated elements and the holy vessels before the celebration has been revived in the English Church.
# 1911 Encyclopædia Britannica/Dessoir, Ludwig

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​DESSOIR, LUDWIG (1810–1874), German actor, whose name was originally Leopold Dessauer, was born on the 15th of December 1810 at Posen, the son of a Jewish tradesman. He made his first appearance on the stage there in 1824 in a small part. After some experience at the theatre in Posen and on tour, he was engaged at Leipzig from 1834 to 1836. Then he was attached to the municipal theatre of Breslau, and in 1837 appeared at Prague, Brünn, Vienna and Budapest, where he accepted an engagement which lasted until 1839. He succeeded Karl Devrient at Karlsruhe, and went in 1847 to Berlin, where he acted Othello and Hamlet with such extraordinary success that he received a permanent engagement at the Hof-theater. From 1849 to 1872, when he retired on a pension, he played 110 parts, frequently on tour, and in 1853 acting in London. He died on the 30th of December 1874 in Berlin. Dessoir was twice married; his first wife, Theresa, a popular actress (1810–1866), was separated from him a year after marriage; his second wife went mad on the death of her child. By his first wife Dessoir had one son, the actor Ferdinand Dessoir (1836–1892). In spite of certain physical disabilities Ludwig Dessoir’s genius raised him to the first rank of actors, especially as interpreter of Shakespeare’s characters. G. H. Lewes placed Dessoir’s Othello above that of Kean, and the Athenaeum preferred him in this part to Brooks or Macready.
# 1911 Encyclopædia Britannica/Detainer

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​DETAINER (from detain, Lat. detinere), in law, the act of keeping a person against his will, or the wrongful keeping of a person's goods, or other real or personal property. A writ of detainer was a form for the beginning of a personal action against a person already lodged within the walls of a prison; it was superseded by the Judgment Act 1838.
# 1911 Encyclopædia Britannica/Dessau

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​DESSAU, a town of Germany, capital of the duchy of Anhalt, on the left bank of the Mulde, 2 m. from its confluence with the ​Elbe, 67 m. S.W. from Berlin and at the junction of lines to Cöthen and Zerbst. Pop. (1905) 55,134. Apart from the old quarter lying on the Mulde, the town is well built, is surrounded by pleasant gardens and contains many handsome streets and spacious squares. Among the latter is the Grosse Markt with a statue of Prince Leopold I. of Anhalt-Dessau, “the old Dessauer.” Of the six churches, the Schlosskirche, adorned with paintings by Lucas Cranach, in one of which (“The Last Supper”) are portraits of several reformers, is the most interesting. The ducal palace, standing in extensive grounds, contains a collection of historical curiosities and a gallery of pictures, which includes works by Cimabue, Lippi, Rubens, Titian and Van Dyck. Among other buildings are the town hall (built 1899–1900), the palace of the hereditary prince, the theatre, the administration offices, the law courts, the Amalienstift, with a picture gallery, several high-grade schools, a library of 30,000 volumes and an excellently appointed hospital. There are monuments to the philosopher Moses Mendelssohn (born here in 1729), to the poet Wilhelm Müller, father of Professor Max Müller, also a native of the place, to the emperor William I., and an obelisk commemorating the war of 1870–71. The industries of Dessau include the production of sugar, which is the chief manufacture, woollen, linen and cotton goods, carpets, hats, leather, tobacco and musical instruments. There is also a considerable trade in corn and garden produce. In the environs are the ducal villas of Georgium and Luisium, the gardens of which, as well as those of the neighbouring town of Wörlitz, are much admired.
Dessau was probably founded by Albert the Bear; it had attained civic rights as early as 1213. It first began to grow into importance at the close of the 17th century, in consequence of the religious emancipation of the Jews in 1686, and of the Lutherans in 1697.
See Würdig, Chronik der Stadt Dessau (Dessau, 1876).
# 1911 Encyclopædia Britannica/Dessewffy, Aurel

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​DESSEWFFY, AUREL, Count (1808–1842), Hungarian journalist and politician, eldest son of Count József Dessewffy and Eleonora Sztaray, was born at Nagy-Mihály, county Zemplén, Hungary. Carefully educated at his father’s house, he was accustomed to the best society of his day. While still a child he could declaim most of the Iliad in Greek without a book, and read and quoted Tacitus with enthusiasm. Under the noble influence of Ferencz Kazinczy he became acquainted with the chief masterpieces of European literature in their original tongues. He was particularly fond of the English, and one of his early idols was Jeremy Bentham. He regularly accompanied his father to the diets of which he was a member, followed the course of the debates, of which he kept a journal, and made the acquaintance of the great Széchenyi, who encouraged his aspirations. On leaving college, he entered the royal aulic chancellery, and in 1832 was appointed secretary of the royal stadtholder at Buda. The same year he turned his attention to politics and was regarded as one of the most promising young orators of the day, especially during the sessions of the diet of 1832–1836, when he had the courage to oppose Kossuth. At the Pressburg diet in 1840 Dessewffy was already the leading orator of the more enlightened and progressive Conservatives, but incurred great unpopularity for not going far enough, with the result that he was twice defeated at the polls. But his reputation in court circles was increasing; he was appointed a member of the committee for the reform of the criminal law in 1840; and, the same year with a letter of recommendation from Metternich in his pocket, visited England and France, Holland and Belgium, made the acquaintance of Thiers and Heine in Paris, and returned home with an immense and precious store of practical information. He at once proceeded to put fresh life into the despondent and irresolute Conservative party, and the Magyar aristocracy, by gallantly combating in the Világ the opinions of Kossuth’s paper, the Pesti Hírlap. But the multiplicity of his labours was too much for his feeble physique, and he died on the 9th of February 1842, at the very time when his talents seemed most indispensable.
See Aus den Papieren des Grafen Aurel Dessewffy (Pest, 1843); Memorial Wreath to Count Aurel Dessewffy (Hung.), (Budapest, 1857); Collected Works of Count Dessewffy, with a Biography (Hung.), (Budapest, 1887). (R. N. B.)
# 1911 Encyclopædia Britannica/Detaille, Jean Baptiste Édouard

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​DETAILLE, JEAN BAPTISTE ÉDOUARD (1848–), French painter, was born in Paris on the 5th of October 1848. After working as a pupil of Meissonier’s, he first exhibited, in the Salon of 1867, a picture representing “A Corner of Meissonier’s Studio.” Military life was from the first a principal attraction to the young painter, and he gained his reputation by depicting the scenes of a soldier’s life with every detail truthfully rendered. He exhibited “A Halt” (1868); “Soldiers at rest, during the Manœuvres at the Camp of Saint Maur” (1869); “Engagement between Cossacks and the Imperial Guard, 1814” (1870). The war of 1870–71 furnished him with a series of subjects which gained him repeated successes. Among his more important pictures may be named “The Conquerors” (1872); “The Retreat” (1873); “The Charge of the 9th Regiment of Cuirassiers in the Village of Morsbronn, 6th August 1870” (1874); “The Marching Regiment, Paris, December 1874” (1875); “A Reconnaissance” (1876); “Hail to the Wounded!” (1877); “Bonaparte in Egypt” (1878); the “Inauguration of the New Opera House”—a water-colour; the “Defence of Champigny by Faron’s Division” (1879). He also worked with Alphonse de Neuville on the panorama of Rezonville. In 1884 he exhibited at the Salon the “Evening at Rezonville,” a panoramic study, and “The Dream” (1888), now in the Luxemburg. Detaille recorded other events in the military history of his country: the “Sortie of the Garrison of Huningue” (now in the Luxemburg), the “Vincendon Brigade,” and “Bizerte,” reminiscences of the expedition to Tunis. After a visit to Russia, Detaille exhibited “The Cossacks of the Ataman” and “The Hereditary Grand Duke at the Head of the Hussars of the Guard.” Other important works are: “Victims to Duty,” “The Prince of Wales and the Duke of Connaught” and “Pasteur’s Funeral.” In his picture of “Châlons, 9th October 1896,” exhibited in the Salon, 1898, Detaille painted the emperor and empress of Russia at a review, with M. Félix Faure. Detaille became a member of the French Institute in 1898.
See Marius Vachon, Detaille (Paris, 1898); Frédéric Masson, Édouard Detaille and his work (Paris and London, 1891); J. Claretie, Peintres et sculpteurs contemporains (Paris, 1876); G. Goetschy, Les Jeunes peintres militaires (Paris, 1878).
# 1911 Encyclopædia Britannica/Detinue

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​DETINUE (O. Fr. detenue, from detenir, to hold back), in law, an action whereby one who has an absolute or a special property in goods seeks to recover from another who is in actual possession and refuses to redeliver them. If the plaintiff succeeds in an action of detinue, the judgment is that he recover the chattel or, if it cannot be had, its value, which is assessed by the judge and jury, and also certain damages for detaining the same. An order for the restitution of the specific goods may be enforced by a special writ of execution, called a writ of delivery. (See Contract; Trover.)
# 1911 Encyclopædia Britannica/Destouches, Philippe

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​DESTOUCHES, PHILIPPE (1680–1754), French dramatist, whose real name was Néricault, was born at Tours in April 1680. When he was nineteen years of age he became secretary to M. de Puysieux, the French ambassador in Switzerland. In 1716 he was attached to the French embassy in London, where he remained for six years under the abbé Dubois. He contracted with a Lancashire lady, Dorothea Johnston, a marriage which was not avowed for some years. He drew a picture later of his own domestic circumstances in Le Philosophe marié (1726). On his return to France (1723) he was elected to the Academy, and in 1727 he acquired considerable estates, the possession of which conferred the privileges of nobility. He spent his later years at his château of Fortoiseau near Melun, dying on the 4th of July 1754. His early comedies were: Le Curieux Impertinent (1710), L’Ingrat (1712), L’Irrésolu (1713) and Le Médisant (1715). The best of these is L’Irrésolu, in which Dorante, after hesitating throughout the play between Julie and Célimène, marries Julie, but concludes the play with the reflection:—
“J’aurais mieux fait, je crois, d’épouser Célimène.”
After eleven years of diplomatic service Destouches returned to the stage with the Philosophe marié (1727), followed in 1732 by his masterpiece Le Glorieux, a picture of the struggle then beginning between the old nobility and the wealthy parvenus who found their opportunity in the poverty of France. Destouches wished to revive the comedy of character as understood by Molière, but he thought it desirable that the moral should be directly expressed. This moralizing tendency spoilt his later comedies. Among them may be mentioned: Le Tambour nocturne (1736), La Force du naturel (1750) and Le Dissipateur (1736).
His works were issued in collected form in 1755, 1757, 1811 and, in a limited edition (6 vols.), 1822.
# 1911 Encyclopædia Britannica/Eubulides

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​EUBULIDES, a native of Miletus, Greek philosopher and successor of Eucleides as head of the Megarian school. Nothing is known of the events of his life. Indirect evidence shows that he was a contemporary of Aristotle, whom he attacked with great bitterness. There was also a tradition that Demosthenes was one of his pupils. His name has been preserved chiefly by some celebrated, though false and captious, syllogisms of which he was the reputed author. Though mainly examples of verbal quibbling, they serve to show the difficulties of language and of explaining the relations of sense-given impressions. Eubulides wrote a treatise on Diogenes the Cynic and also a number of comedies. (See Megarian School of Philosophy.)
# 1911 Encyclopædia Britannica/Ettrick

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​ETTRICK, a river and parish of Selkirkshire, Scotland. The river rises in Capel Fell (2223 ft.), a hill in the extreme S.W. of the shire, and flows in a north-easterly direction for 32 m. to its junction with the Tweed, its principal affluent being the Yarrow. In the parish of Ettrick were born James Hogg, the “Ettrick shepherd” (the site of the cottage being marked by a monument erected in 1898), Tibbie (Elizabeth) Shiel (1782–1878), keeper of the famous inn at the head of St Mary’s Loch, both of whom are buried in the churchyard, and Thomas Boston (1713–1767), one of the founders of the Relief church. About 2 m. below Ettrick church is Thirlestane Castle, the seat of Lord Napier and Ettrick, a descendant of the Napiers of Merchiston, and beside it is the ruin of the stronghold that belonged to John Scott of Thirlestane, to whom, in reward for his loyalty, James V. granted a sheaf of spears as a crest, and the motto, “Ready, aye ready.” Two miles up Rankle Burn, a right-hand tributary, lies the site of Buccleuch, another stronghold of the Scotts, which gave them the titles of earl (1619) and duke (1663). Only the merest fragment remains of Tushielaw tower, occupying high ground opposite the confluence of the Rankle and the Ettrick, the home of Adam Scott, “King of the Border,” who was executed for his misdeeds in 1530. Lower down the dale is Deloraine, recalling one of the leading characters in The Lay of the Last Minstrel. If the name come from the Gaelic dail Orain, “Oran’s field,” the district was probably a scene of the labours of St Oran (d. 548), an Irish saint and friend of Columba. It seems that Sir Walter Scott’s rhythm has caused the accent wrongly to be laid on the last, instead of the penultimate syllable. Carterhaugh, a corruption of Carelhaugh, occupying the land where Ettrick and Yarrow meet, was the scene of the ballad of “Young Tamlane,” and of the historic football match in 1815, under the auspices of the duke of Buccleuch, between the burghers of Selkirk, championed by Walter Scott, sheriff of the Forest (not yet a baronet), and the men of Yarrow vale, championed by the Ettrick shepherd.