# A Bal Masqué

First published in French in 1835 in the collection "Souvenirs d'Antony". This translation first published in the collection Short Story Classics (Foreign): Volume IV: French I, ed. William Patten, Collier, 1907.
A BAL MASQUÉ
by alexandre dumas
I SAID that I was in to no one; one of my friends forced admission.
My servant announced Mr. Anthony R———. Behind Joseph's livery I saw the corner of a black redingote; it is probable that the wearer of the redingote, from his side, saw a flap of my dressing gown; impossible to conceal myself.
"Very well! Let him enter," I said out loud. "Let him go to the Devil," I said to myself.
While working it is only the woman you love who can disturb you with impunity, for she is always at bottom interested in what you are doing.
I went up to him, therefore, with the half-bored face of an author interrupted in one of those moments of sorest self-mistrust, while I found him so pale and haggard that the first words I addressed to him were these:
"What is the matter? What has happened to you?"
"Oh! Let me take breath," said he. "I'm going to tell you all about it, besides, it's a dream perhaps, or perhaps I am mad."
​He threw himself into an armchair, and let his head drop between his hands.
I looked at him in astonishment; his hair was dripping with rain; his shoes, his knees, and the bottom of his trousers were covered with mud. I went to the window; I saw at the door his servant and his cabriolet; I could make nothing out of it all.
He saw my surprise.
"I have been to the cemetery of Pére-Lachaise," said he.
"At ten o'clock in the morning?"
"I was there at seven—cursed bal masqué!"
I could not imagine what a bal masqué and Pére-Lachaise had to do with one another. I resigned myself, and turning my back to the mantelpiece began to roll a cigarette for him between my fingers with the phlegm and the patience of a Spaniard.
While he was coming to the point I hinted to Anthony that I, for my part, was commonly very susceptible to attentions of that kind.
He made me a sign of thanks, but pushed my hand away.
Finally I bent over to light the cigarette for myself: Anthony stopped me.
"Alexandre," he said to me, "Listen, I beg of you."
"But you have been here already a quarter of an hour and have not told me anything."
"Oh! it is a most strange adventure."
I got up, placed my cigarette on the mantelpiece and crossed my arms like a man resigned; only I began to believe, as he did, that he was fast becoming mad.
​"You remember the ball at the Opéra, where I met you?" he said to me after a moment's silence.
"The last one where there were at least two hundred people?"
"The very same. I left you with the intention of abandoning myself to one of those varieties of which they spoke to me as being a curiosity even in the midst of our curious times; you wished to dissuade me from going; a fatality drove me on. Oh! you, why did you not see it all, you who have the knack of observation? Why were not Hoffman or Callot there to paint the picture as the fantastic, burlesque thing kept unrolling itself beneath my eyes? Unsatisfied and in melancholy mood I walked away, about to quit the Opéra; I came to a hall that was overflowing and in high spirits: corridors, boxes, parterre. Everything was obstructed. I made a tour of the room; twenty masks called me by name and told me theirs. These were all leaders—aristocrats and merchants—in the undignified disguise of pierrots, of postilions, of merry-andrews, or of fishwives. They were all young people of family, of culture, of talent; and there, forgetful of family, talent, breeding, they were resurrecting in the midst of our sedate and serious times a soiree of the Regency. They had told me about it, and yet I could not have believed it!— I mounted a few steps and leaning against a pillar, half hidden by it, I fixed my eyes on that sea of human beings surging beneath me. Their dominoes, of all colors, their motley costumes, their grotesque disguises formed a spectacle resembling nothing ​human. The music began to play. Oh, it was then these gargoyle creatures stirred themselves to the sound of that orchestra whose harmony reached me only in the midst of cries, of laughs, of hootings; they hung on to each other by their hands, by their arms, by their necks; a long coil formed itself, beginning with a circular motion, the dancers, men and women, stamping with their feet, made the dust break forth with a noise, the atoms of which were rendered visible by the wan light of the lustres; turning at ever-increasing speed with bizarre postures, with unseemly gestures, with cries full of abandonment; turning always faster and still faster, swaying and swinging like drunken men, yelling like lost women, with more delirium than delight, with more passion than pleasure; resembling a coil of the damned doing infernal penance under the scourge of demons! All this passed beneath my eyes, at my feet. I felt the wind of their whirling past; as they rushed by each one whom I knew flung a word at me that made me blush. All this noise, all this humming, all this confusion, all this music went on in my brain as well as in the room! I soon came to the point of no longer knowing whether that which I had before my eyes was a dream or reality; I came to the point of asking myself whether it was not I who was mad and they who were sane; I was seized with a weird temptation to throw myself into the midst of this pandemonium, like Faust through the Witches' Sabbath, and I felt that I too, would then have cries, postures, laughs like theirs. Oh! from that to madness there is but one ​step. I was appalled; I flung myself out of the room, followed even to the street door by shrieks that were like those cries of passion that come out of the caverns of the fallow deer.
"I stopped a moment under the portico to collect myself; I did not wish to venture into the street; with such confusion still in my soul I might not be able to find my way; I might, perhaps, be thrown under the wheels of some carriage I had not seen coming. I was as a drunken man might be who begins to recover sufficient reason in his clouded brain to recognize his condition, and who, feeling the will return but not the power, with fixed eyes and staring, leans motionless against some street post or some tree on the public promenade.
"At that moment a carriage stopped before the door, a woman alighted or rather shot herself from the doorway.
"She entered beneath the peristyle, turning her head from right to left like one who had lost her way; she was dressed in a black domino, had her face covered by a velvet mask. She presented herself at the door.
"'Your ticket,' said the door-keeper.
"'My ticket?' she replied. 'I have none.'
"'Then get one at the box-office.'
"The domino came back under the peristyle, fumbled nervously about in all her pockets.
"'No money!' she cried. 'Ah! this ring—a ticket of admission for this ring,' she said.
"'Impossible,' replied the woman who was ​distributing the cards; 'we do not make bargains of that kind.'
"And she pushed away the brilliant, which fell to the ground and rolled to my side.
"The domino remained still without moving, forgetting the ring, sunk in thought.
"I picked up the ring and handed it to her.
"Through her mask I saw her eyes fixed on mine.
"'You must help me to get in,' she said to me; 'You must, for pity's sake.'
"'But I am going out, madame,' I said to her.
"'Then give me six francs for this ring, and you will render me a service for which I shall bless you my life long.'
"I replaced the ring on her finger; I went to the box-office, I took two tickets. We reentered together.
"As we arrived within the corrider I felt that she was tottering. Then with her second hand she made a kind of ring around my arm.
"'Are you in pain?' I asked her.
"'No, no, it is nothing,' she replied, 'a dizziness, that is all—'
"She hurried me into the hall.
"We reentered into that giddy Charenton.
"Three times we made the tour, breaking our way with great difficulty through the waves of masks that were hurling themselves one upon the other; she trembling at every unseemly word that came to her ear; I blushing to be seen giving my arm to a woman who ​would thus put herself in the way of such words; then we returned to the end of the hall.
"She fell upon a sofa. I remained standing in front of her, my hand leaning on the back of her seat.
"'Oh! this must seem to you very bizarre,' she said, 'but not more so than to me, I swear to you. I have not the slightest idea of all this' (she looked at the ball), 'for even in my dreams I could not imagine such things. But they wrote me, you see, that he would be here with a woman, and what sort of a woman should it be who could come to a place like this?'
"I made a gesture of surprise; she understood.
"'But I am here, you wish to ask, do you not? Oh! but for me that is another thing: I, I am looking for him; I, I am his wife. As for these people, it is madness and dissipation that drives them hither. But I, I, it is jealousy infernal! I have been everywhere looking for him; I have been all night in a cemetery; I have been at Grève on the day of an execution; and yet, I swear to you, as a young girl I have never once gone into the street without my mother; as a wife I have never taken one step out of doors without being followed by a lackey; and yet here I am, the same as all these women who are so familiar with the way; here I am giving my arm to a man whom I do not know, blushing under my mask at the opinion he ought to have of me! I know all this! Have you ever been jealous, monsieur?'
​"'Unhappily,' I replied to her.
"'Then you will forgive me, for you understand. You know that voice that cries out to you "Do!" as in the ear of a madman; you have felt that arm that pushes one into shame and crime, like the arm of fate. You know that at such a moment one is capable of everything, if one can only get vengeance.'
"I was about to reply; all at once she rose, her eyes fastened on two dominoes that were passing in front of us at that moment.
"'Silence!' she said.
"And she hurried me on following in their footsteps. I was thrown into the middle of an intrigue of which I understood nothing; I could feel all the threads vibrating, but could take hold of none of them by the end; but this poor wife seemed so troubled that she became interesting. I obeyed like a child, so imperious is real feeling, and we set ourselves to follow the two masks, one of which was evidently a man, the other a woman. They spoke in a low voice; the sounds reached our ears with difficulty.
"'It is he!' she murmured; 'it is his voice; yes, yes, that is his figure—'
"The latter of the two dominoes began to laugh.
"'That is his laugh,' said she; 'it is he, monsieur, it is he! The letter said true, O, mon Dieu, mon Dieu!'
"In the mean while the two masks kept on, and we followed them always. They went out of the hall, and we went out after them; they took the stairs leading to the boxes, and we ascended in their footsteps; ​they did not stop till they came to the boxes in the centre; we were like their two shadows. A little closed box was opened; they entered it; the door again closed upon them.
"The poor creature I was supporting on my arm frightened me by her excitement. I could not see her face, but crushed against me as she was, I could feel her heart beating, her body shivering, her limbs trembling. There was something uncanny in the way there came to me such, knowledge of unheard-of suffering, the spectacle of which I had before my very eyes, of whose victim I knew nothing, and of the cause of which I was completely ignorant. Nevertheless, for nothing in this world would I have abandoned that woman at such a moment.
"As she saw the two masks enter the box and the box close upon them, she stopped still a moment, motionless, and as if overwhelmed. Then she sprang forward to the door to listen. Placed as she was her slightest movement would betray her presence and ruin her; I dragged her back violently by the arm, I lifted the latch of the adjoining box, I drew her in after me, I lowered the grille and pulled the door to.
"'If you wish to listen,' I said to her, 'at least listen from here.'
"She fell upon one knee and flattened her ear against the partition, and I—I held myself erect on the opposite side, my arms crossed, my head bent and thoughtful.
"All that I had been able to observe of that woman seemed to me to indicate a type of beauty. The lower ​part of her face, which was not concealed by her mask, was youthful, velvety, and round; her lips were scarlet and delicate; her teeth, which the black velvet mask falling just above them made appear still whiter, were small, separated, and glistening; her hand was one to be modeled, her figure to be held between the fingers; her black hair, silky, escaped in profusion from beneath the hood of her domino, and the foot of a child, that played in and out under her skirt, looked as if it should have trouble in balancing her body, all lithe, all graceful, all airy as it was. Oh! what a marvelous piece of perfection must she be! Oh! he that should hold her in his arms, that should see every faculty of that spirit absorbed in loving him, that should feel the beating of her heart against his, her tremblings, her nervous palpitations, and that should be able to say: 'All of this, all of this, comes of love, of love for me, for me alone among all the millions of men, for me, angel predestined! Oh! that man!—that man!—'
"Such were my thoughts, when all at once I saw that woman rise, turn toward me, and say to me in a voice broken and fierce:
"'Monsieur, I am beautiful, I swear it; I am young, I am but nineteen. Until now I have been white as an angel of the Creation—ah, well—' she threw both arms about my neck, '—ah, well, I am yours—take me!—'
"At the same instant I felt her lips pressed close to mine, and the effect of a bite, rather than that of a kiss, ran shuddering and dismayed through my whole body; over my eyes passed a cloud of flame.
​"Ten minutes later I was holding her in my arms, in a swoon, half dead and sobbing.
"Slowly she came to herself; through her mask I made out how haggard were her eyes; I saw the lower part of her pale face, I heard her teeth chatter one upon the other, as in the chill of a fever. I see it all once more.
"She remembered all that had taken place, and fell at my feet.
"'If you have any compassion, she said to me, sobbing, 'any pity, turn away your eyes from me, never seek to know me; let me go and forget me. I will remember for two!'
"At these words she rose again; quickly, like a thought that escapes us, she darted toward the door, opened it, and coming back again, 'Do not follow me, in heaven's name, Monsieur, do not follow me!' she said.
"The door pushed violently open, closed again between her and me, stole her from my sight, like an apparition. I have never seen her more!
"I have never seen her more! And ever since, ever since the six months that have glided by, I have sought her everywhere, at balls, at spectacles, at promenades. Every time I have seen from a distance a woman with lithe figure, with a foot like a child's, with black hair, I have followed her, I have drawn near to her, I have looked into her face, hoping that her blushes would betray her. Nowhere have I found her again, in no place have I seen her again—except at night, except in my dreams! Oh! there, there she reappears; there ​I feel her, I feel her embraces, her biting caresses so ardent, as if she had something of the devil in her; then the mask has fallen and a face most grotesque appeared to me at times blurred as if veiled in a cloud; sometimes brilliant, as if circled by an aureole; sometimes pale, with a skull white and naked, with eyes vanished from the orbits, with teeth chattering and few. In short, ever since that night, I have ceased to live; burning with mad passion for a woman I do not know, hoping always and always disappointed at my opes. Jealous without the right to be so, without knowing of whom to be jealous, not daring to avow such madness, and all the time pursued, preyed upon, wasted away, consumed by her."
As he finished these words he tore a letter from his breast.
"Now that I have told you everything,' he said to me, "take this letter and read it."
I took the letter and read:
"Have you perhaps forgotten a poor woman who has forgotten nothing and who dies because she can not forget?
"When you receive this letter I shall be no more. Then go to the cemetery of Pére-Lachaise, tell the concierge to let you see among the newest graves one that bears on its stone the simple name 'Marie,' and when you are face to face with that grave, fall on your knees and pray."
"Ah, well!" continued Anthony, "I received that letter yesterday, and I went there this morning. The concierge conducted me to the grave, and I remained ​two hours on my knees there, praying and weeping. Do you understand? She was there, that woman. Her flaming spirit had stolen away; the body consumed by it had bowed, even to breaking, beneath the burden of jealousy and of remorse; she was there, under my feet, and she had lived, and she had died, for me unknown; unknown!—and taking a place in my life as she had taken one in the grave; unknown!—and burying in my heart a corpse, cold and lifeless, as she had buried one in the sepulchre—Oh! Do you know anything to equal it? Do you know any event so appalling? Therefore, now, no more hope. I will see her again never. I would dig up her grave that I might recover, perhaps, some traces wherewithal to reconstruct her face; and I love her always! Do you understand, Alexandre? I love her like a madman; and I would kill myself this instant in order to rejoin her, if she we're not to remain unknown to me for eternity, as she was unknown to me in this world."
With these words he snatched the letter from my hands, kissed it over and over again, and began to weep like a little child.
I took him in my arms, and not knowing what to say to him, I wept with him.
* ↑ Redingote is a French corruption of the English word "riding coat" and means generally a long, plain double-breasted street coat.
* ↑ Charenton Saint Maurice, the lunatic asylum near Paris, commonly designated as Charenton.
* ↑ The name of a public square in Paris where executions formerly took place.

## Notes

This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.