# De Chatillon/De Chatillon, Act One

DE CHATILLON; OR, THE CRUSADERS.
A TRAGEDY.$^1$
["About this time, Mrs Hemans was engaged in the composition of another tragedy, entitled 'De Chatillon, or, The Crusaders;' in which, with that deference to fair criticism which she was always ready to avow, and to act upon, she made it her purpose to attempt a more compressed style of writing, avoiding that redundancy of poetic diction which had been censured as the prevailing fault of 'The Vespers.' It may possibly be thought that in the composition in question she has fallen into the opposite extreme of want of elaboration; yet, in its present state, it is, perhaps, scarcely amenable to criticism—for, by some strange accident, the fair copy transcribed by herself was either destroyed or mislaid in some of her subsequent removals, and the piece was long considered as utterly lost. Nearly two years after her death, the original rough MS., with all its hieroglyphical blots and erasures, was discovered amongst a mass of forgotten papers; and it has been a task of no small difficulty to decipher it, and complete the copy now first given to the world. Allowances must, therefore, be made for the disadvantages under which it appears,—thus deprived of her own finishing touches, and with no means of ascertaining how far it may differ from the copy so unaccountably missing."—Memoir, p. 80-1.]
DRAMATIS PERSONÆ.
| Rainier de Chatillon, A French Baron. | Gaston, A Vassal of Rainier’s. |
| Aymer, His Brother. | Urban, A Priest. |
| Melech, A Saracen Emir. | Sadi. |
| Herman, | |
| Du Mornay, } Knights. | Moraima, Daughter of Melech. |
Knights, Arabs, Citizens, &c.
ACT I.
Scene I.—Before the gates of a city in Palestine.
Urban, Priests, Citizens, at the gates. Others looking from the walls above.
Urb. (to a Citizen on the walls above.) You see their lances glistening? You can tell The way they take?
Cit. Not yet. Their march is slow; They have not reach'd the jutting cliff, where first The mountain path divides.
Urb. And now?
Cit. The wood
Shuts o'er their track. Now spears are flashing out— It is the banner of De Chatillon. (Very slow and mournful military music without.) This way! they come this way!
Urb. All holy saints Grant that they pass us not! Those martial sounds Have a strange tone of sadness! Hark, they swell Proudly, yet full of sorrow.
Rainier de Chatillon enters with knights, soldiers, &c.
Welcome, knights! Ye bring us timely aid! men's hearts were full Of doubt and terror. Brave De Chatillon! True soldier of the Cross! I welcome thee; I greet thee with all blessing! Where thou art There is deliverance!
Rai. (bending to receive the Priest's blessing.) Holy man, I come From a lost battle.
Urb. And thou bring'st the heart Whose spirit yields not to defeat.
Rai. I bring My father's bier.
Urb. His bier! I marvel not To see your brow thus darken'd! And he died, As he had lived, in arms?
Rai. (gloomily.) Not, not in arms— His war-cry had been silenced. Have ye place Amidst your ancient knightly sepulchres For a warrior with his sword? He bade me bear His dust to slumber here.
Urb. And it shall sleep Beside our noblest, while we yet can call One holy place our own! Heard you, my lord, That the fierce Kaled's host is on its march Against our city?
Rai. (with sudden exultation.) That were joy to know! That were proud joy!—Who told it?—there’s a weight That must be heaved from off my troubled heart By the strong tide of battle! Kaled?—ay, A gallant name! How heard you?
Urb. Nay, it seem'd As if a breeze first bore the rumour in. I know not how it rose; but now it comes Like fearful truth, and we were sad, thus left
Hopeless of aid or counsel—till we saw—
Rai. (hastily.) You have my brother here?
Urb. (with embarrassment.) We have; but he—
Rai. But he—but he!—Aymer de Chatillon! The fiery knight—the very soul o' the field— Rushing on danger with the joyous step Of a hunter o'er the hills!—is that a tone Wherewith to speak of him? I heard a tale— If it be true—nay, tell me!
Urb. He is here: Ask him to tell thee.
Rai. If that tale be true—
(He turns suddenly to his companions.)
And we will have our day of vengeance yet, Soldiers and friends![Exeunt omnes.
Scene II.—A Hall of Oriental architecture, opening upon gardens. A fountain in the centre.
Aymer de Chatillon, Moraima. Mor. (bending over a couch on which her brother is sleeping.)
Brings in such lulling sounds! Nay, think you not This slumber will restore him? See you not His cheek's faint glow?
Aym. (turning away) It was my sword which gave The wound he dies from!
Mor. Dies from! say not so! The brother of my childhood and my youth, My heart's first friend!—Oh! I have been too weak, I have delay'd too long! He could not sue, He bade me urge the prayer he would not speak, And I withheld it! Christian, set us free! You have been gentle with us! 'tis the weight, The bitter feeling, of captivity Which preys upon his life!
Aym. You would go hence?
Mor. For his sake!
Aym. You would leave me! 'Tis too late! You see it not—you know not, that your voice Hath power in its low mournfulness to shake Mine inmost soul?—that you but look on me, With the soft darkness of your earnest eyes, And bid the world fade from me, and call up A thousand passionate dreams, which wrap my life As with a troubled cloud? The very sound Of your light step hath made my heart o'erflow, Even unto aching, with the sudden gush Of its deep tenderness! You know it not? —Moraima!—speak to me!
Mor. (covering herself with her veil.) I can but weep!
Is it even so?—this love was born for tears! Aymer! I can but weep! (going to leave him, he detains her.)
Aym. Hear me, yet hear me! I was rear'd in arms; And the proud blast of trumpets, and the shouts Of banner'd armies—these were joy to me. Enough of joy! Till you!—I look'd on you— We met where swords were flashing, and the light Of burning towers glared wildly on the slain— And then—
Mor. (hurriedly.) Yes! then you saved me!
Aym. Then I knew, At once, what springs of deeper happiness Lay far within my soul; and they burst forth Troubled and dash'd with fear—yet sweet! I loved! Moraima! leave me not!
Mor. For us to love! Oh! is't not taking sorrow to our hearts, Binding her there? I know not what I say! How shall I look upon my brother? Hark! Did he not call? (she goes up to the couch.)
Aym. Am I beloved? She wept With a full heart! I am! and such deep joy Is found on earth! If I should lose her now! If aught— [an attendant enters. (To attendant.) You seek me!—why is this?
Att. My lord, Your brother and his knights—
Aym. Here! are they here? The knights—my brother, saidst thou?
Att. Yes, my lord, And he would speak with you.
Aym. I see—I know— (To attendant.) Leave me! I know why he is come: 'tis vain, They shall not part us! (Looking back on Moraima as he goes out.) What a silent grace Floats round her form! They shall not part us! no! [Exit—Scene closes.
Scene III.—A square of the city—a church in the background.
Rainier de Chatillon.
Rai. (walking to and fro impatiently.) And now, too! now! My father unavenged, Our holy places threaten'd, every heart Task'd to its strength! A knight of Palestine Now to turn dreamer, to melt down his soul In love-lorn sighs; and for an infidel! —Will he lift up his eyes to look on mine? Will he not——hush!
Aymer enters. (They look on each other for a moment without speaking.)
Rai. (suppressing his emotion.) So brothers meet! You know Wherefore I come?
Aym. It cannot be; 'tis vain. Tell me not of it!
Rai. How! you have not heard? (Turning from him.) He hath so shut the world out with his dreams, The tidings hare not reach'd him! or perchance Have been forgotten! You have captives here?
Aym. (hurriedly.) Yes, mine! my own—won by the right of arms! You dare not question it.
Rai. A prince, they say, And his fair sister:—is the maid so fair!
Aym. (turning suddenly upon him.) What, you would see her!
Rai. (scornfully) I!—oh, yes! to quell My soul's deep yearnings! Let me look on swords. Boy, boy! recall yourself!—I come to you With the last blessing of our father!
Aym. Last! His last!—how mean you? Is he——
Rai. Dead?—yes! dead. He died upon my breast.
Aym, (with the deepest emotion.) And I was here! Dead!—and upon your breast! You closed his eyes— While I—he spoke of me?
Rai. With such deep love! He ever loved you most! His spirit seem'd To linger for your coming.
Aym. What! he thought That I was on my way! He look'd for me? And I—
Rai. You came not! I had sent to you, And told you he was wounded.
Aym. Yes—but not— Not mortally!
Rai. 'Twas not that outward wound— That might have closed; and yet he surely thought That you would come to him! He call'd on you When his thoughts wander'd! Ay, the very night, The very hour he died, some hasty step Enter'd his chamber—and he raised his head, With a faint lightning in his eyes, and ask'd If it were yours! That hope's brief moment pass'd— He sank then.
Aym. (throwing himself upon his brother's neck.) Brother! take me to his grave, That I may kneel there, till my burning tears,
With the strong passion of repentant love, Wring forth a voice to pardon me!
Rai. You weep! Tears for the garlands on a maiden's grave! You know not how he died!
Aym, Not of his wound?
Rai. His wound!—it is the silent spirit’s wound, We cannot reach to heal! One burning thought Prey'd on his heart.
Aym. Not—not—he had not heard— He bless'd me, Rainier?
Rai. Have you flung away Your birthright? Yes! he bless’d you!—but he died —He whose name stood for Victory's—he believed The ancient honour from his gray head fall'n, And died—he died of shame!
Aym, What feverish dream—
Rai. (vehemently.) Was it not lost, the warrior’s latest field, The noble city held for Palestine Taken—the Cross laid low? I came too late To turn the tide of that disastrous fight, But not to rescue him. We bore him thence Wounded, upon his shield——
Aym. And I was here!
Rai. He cast one look back on his burning towers, Then threw the red sword of a hundred fields To the earth—and hid his face! I knew, I knew His heart was broken! Such a death for him! —The wasting—the sick loathing of the sun— Let the foe's charger trample out my life, Let me not die of shame! But we will have—
Aym. (grasping his hand eagerly.) Yes! vengeance!
Rai. Vengeance! By the dying once, And once before the dead, and yet once more Alone with heaven's bright stars, I took that vow For both his sons! Think of it, when the night Is dark around you, and in festive halls Keep your soul hush'd, and think of it!
A low Chant of female voices, heard from behind the scenes.
Fall'n is the flower of Islam's race!  Break ye the lance he bore, And loose his war-steed from its place:  He is no more—
Weep for him mother, sister, bride! He died, with all his fame—
Aym, (Pointing to a palace, and eagerly speaking to his attendant, who enters.) Came it not thence? Rudolf, what sounds are these?
Att. The Moslem prince, your captive—he is dead: It is the mourners' wail for him.
Aym. And she— His sister—heard you—did they say she wept? [Hurrying away.
Rai. (indignantly.) All the deep stirring tones of honour's voice In a moment silenced! [Solemn military music.
(A funeral procession, with priests, &c., crosses the background to enter the church.)
Rai. (following Aymer and grasping his arm.) Aymer! there—look there! It is your father's bier!
Aym. (returning.) He bless'd me, Rainier? You heard him bless me? Yes! you closed his eyes: He look'd for me in vain!
[He goes to the bier, and bends over it, covering his face.