# Collected poems, 1901-1918 (Vol. 2)/Sam's Three Wishes; or Life's Little Whirligig

SAM'S THREE WISHES; or LIFE'S LITTLE WHIRLIGIG
"I'M thinking and thinking," said old Sam Shore,
"'Twere somebody knocking I heard at the door."
From the clock popped the cuckoo and cuckooed out eight,
As there in his chair he wondering sate . . .
"There's no one I knows on would come so late,
A-clicking the latch of an empty house
With nobbut inside 'un but me and a mouse. . . .
Maybe a-waking in sleep I be,
And 'twere out of a dream came that tapping to me."
At length he cautiously rose, and went,
And with thumb upon latch awhile listening bent,
Then slowly drew open the door. And behold!
There stood a Fairy! — all green and gold,
Mantled up warm against dark and cold,
And smiling up into his candle shine,
Lips like wax, and cheeks like wine,
As saucy and winsome a thing to see
As are linden buds on a linden tree.
Stock-still in the doorway stood simple Sam,
A-ducking his head, with "Good-e'en to 'ee. Ma'am."
Dame Fairy she nods, and cries clear and sweet,
"'Tis a very good-e'en, sir, when such folks meet.
I know thee, Sam, though thou wist not of me, And I'm come in late gloaming to speak with thee;
Though my eyes do dazzle at glint of your rush,
All under this pretty green fuchsia bush."
Sam ducked once more, smiling simple and slow, Like the warbling of birds her words did flow,
And she laughed, very merry, to see how true
Shone the old man's kindness his courtesy through.
And she nodded her head, and the stars on high
Sparkled down on her smallness from out of the sky.   "A friend is a friend, Sam, and wonderful pleasant,
And I'm come for old sake's sake to bring thee a present.
Three wishes, three wishes are thine, Sam Shore,
Just three wishes — and wish no more,
All for because, ruby-ripe to see,
The pixy-pears burn in yon hawthorn tree,
And your old milch cow, wheresoever she goes
Never crops over the fairy-knowes.
Ay, Sam, thou art old and thy house is lone,
But there's Potencies round thee, and here is one!"
Poor Sam, he stared: and the stars o'crhead
A shimmering light on the elm-tops shed.
Like rilling of water her voice rang sweet, And the night-wind sighed at the sound of it.
He frowned — glanced back at the empty grate,
And shook very slowly his grey old pate:
"Three wishes, my dear! Why, I scarcely knows
Which be my crany and which my toes!
But I thank 'ee, Ma'am, kindly, and this I'd say,
That the night of your passing is Michaelmas Day;
And if it were company come on a sudden, Why, I'd ax for a fat goose to fry in the oven!"   And lo, and forsooth! as the words he was uttering,
A rich puff of air set his candle a-gultering, And there rose in thie kitchen a sizzling and sputtering,
With a crackling of sparks and of flames a great fluttering,
And — of which here could not be two opinions — A smoking-hot savour of sage and onions.
Beam, wall and flagstones the kitchen was lit, Every dark corner and cranny of it
With the blaze from the hearthstone. Copper and brass
Winked back the winking of platter and glass.
And a wonderful squeaking of mice went up
At the smell of a Michaelmas supper to sup — Unctuous odours that wreathed and swirled
Where'er frisked a whisker or mouse-tail twirled,
While out of the chimney up into the night
That ne'er-to-be-snuffed-too-much smoke took flight.
"That's one," says the Fairy, finger on thumb,
"So now, Mister Sam, there's but two to come!"
She leaned her head sidelong; she lifted her chin,
With a twinkling of eye from the radiance within.
Poor Sam stood astounded; he says, says he,
"I wish my old Mother was back with me,
For if there was one thing she couldn't refuse
'Twas a sweet thick slice from the breast of a goose."   But his cheek grew stiff and his eyes stared bright,
For there, on her stick, pushing out of the night,
Tap-tapping along, herself and no other,
Came who but the shape of his dear old Mother!
Straight into the kitchen she hastened and went,
Her breath coming quick as if all but spent.
"Why, Sam," says she, "the bird be turning,
For my nose tells I that the skin's a-burning!"
And down at the oven the ghost of her sat
And basted the goose with the boiling fat.
"Oho," cries the Fairy, sweet and small,
"Another wish gone will leave nothing at all."
And Sam sighs, "Bless 'ee. Ma'am, keep the other,
There's nowt that I want now I have my Mother."
But the Fairy laughs softly, and says, says she,
"There's one wish left, Sam, I promised 'ee three.
Hasten your wish, the hour creeps on,
There's calling afield and I'm soon to be gone.
Soon as haps midnight the cocks will crow
And me to the gathering and feasting must go."
Sam gazed at his Mother — withered and wan,
The rose in her cheek, her bright hair, gone,
And her poor old back bent double with years —
And he scarce could speak for the salt, salt tears.
"Well, well," he says, "I'm unspeakable glad:
But — it hain't quite the same as when I was a lad.
There's joy and there's joy, Ma'am, but to tell 'ee the truth
There's none can compare with the joy of one's youth.
And if it was possible, how could I choose
But be back in boy's breeches to eat the goose;
And all the old things — and my Mother the most,
To shine again real as my own gatepost.
What wouldn't I give, too, to see again wag
The dumpity tail of my old dog, Shag!
Your kindness, Ma'am, but all wishing was vain
Unless us can both be young again."
A shrill, faint laughter from nowhere came . . .
Empty the dark in the candle-flame. . . .
And there stood our Sam, about four foot high, Snub nose, shock hair, and round blue eye.
Breeches and braces and coat of him too,
Shirt on his back, and each clodhopping shoe
Had shrunk to a nicety — button and hem
To fit the small Sammie tucked up into them.
There was his Mother, too; smooth, dear cheek,
Lips as smooth as a blackbird's beak.
Pretty arched eyebrows, the daintiest nose — While the smoke of the baking deliciously rose.
"Come, Sammie," she cries, "your old Mammikin's joy,
Climb up on your stool, supper's ready, my boy.
Bring in the candle, and shut out the night;
There's goose, baked taties and cabbage to bite.
Why, bless the wee lamb, he's all shiver and shake,
And you'd think from the look of him scarcely awake!
If 'ee glour wi' those eyes, Sam, so dark and round,
The elves will away with 'ee, I'll be bound!"
So Sam and his Mother by wishes three
Were made just as happy as happy can be.
And there — with a bumpity tail to wag — Sat laughing, with tongue out, their old dog, Shag.
To clatter of patter, bones, giblets and juice,
Between them they ate up the whole of the goose.   But time is a river for ever in flow,
The weeks went by as the weeks must go,
Soon fifty-two to a year did grow, The long years passed, one after another,
Making older and older our Sam and his Mother;
And, alas and alack, with nine of them gone,
Poor Shag lay asleep again under a stone,
And a sorrowful dread would sometimes creep
Into Sam's dreams, as he lay asleep,
That his Mother was lost, and away he'd fare,
Calling her, calling her, everywhere,
In dark, in rain, by roads unknown,
Under echoing hills, and alone, alone.
What bliss in the morning to wake and see
The sun shining green in the linden tree,
And out of that dream's dark shadowiness
To slip in on his Mother and give her a kiss,
And go whistling off in the dew to hear
The thrushes all mocking him, sweet and clear.
Still, moon after moon from heaven above
Shone on Mother and son, and made light of love. Her roses faded, her pretty brown hair
Had sorrowful grey in it everywhere.
And at last she died, and was laid to rest,
Her tired hands crossed on her shrunken breast, And Sam, now lonely, lived on and on
Till most of his workaday life seemed gone.
Yet spring came again with its green and blue, And presently summer's wild roses too, Pinks, Sweet William, and sops-in-wine,
Blackberry, lavender, eglantine.
And when these had blossomed and gone their way,
'Twas apples, and daisies and Michaelmas Day —
Yes, spider-webs, dew, and haws in the may, And seraphs singing in Michaelmas Day.
Sam worked all morning and couldn't get rest
For a kind of a feeling of grief in his breast.
And yet, not grief, but something more
Like the thought that what happens has happened before.
He fed the chickens, he fed the sow,
On a three-legged stool sate down to the cow,
With a pail 'twixt his legs in the green in the meadow.
Under the elm trees' lengthening shadow;
And woke at last with a smile and a sigh
To find he had milked his poor Jingo dry.
As dusk set in, even the birds did seem
To be calling and calling from out of a dream.
He chopped up kindling, shut up his shed,
In a bucket of well-water soused his head
To freshen his eyes up a little and make
The drowsy old wits of him wider awake.
As neat as a womanless creature is able
He swept up his hearthstone and laid the table.
And then o'er his platter and mug, if you please,
Sate gloomily gooming at loaf and cheese — Gooming and gooming as if the mere sight
Of his victuals could satisfy appetite!
And the longer and longer he looked at them
The slimmer slimmed upward his candle flame,
Blue in the air. And when squeaked a mouse
'Twas loud as a trump in the hush of the house.
Then, sudden, a soft little wind puffed by,
'Twixt the thick-thatched roof and the star-sown sky;
And died. And then
That deep, dead, wonderful silence again.
Then — soft as a rattle a-counting her seeds
In the midst of a tangle of withered-up weeds —
Came a faint, faint knocking, a rustle like silk,
And a breath at the keyhole as soft as milk — Still as the flit of a moth. And then . . .
That infinitesimal knocking again.
Sam lifted his chin from his fists. He listened.
His wandering eyes in the candle glistened.
Then slowly, slowly, rolled round by degrees — And there sat a mouse on the top of his cheese.
He stared at this Midget, and it at him, Over the edge of his mug's round rim.
And — as if it were Christian — he says, "Did 'ee hear
A faint little tap-tap-tap-tapping, my dear?
Vou was at supper and me in a maze,
'Tis dark for a caller in these lone days,
There's nowt in the larder. We're both of us old. And all of my loved ones sleep under the mould.
And yet — and yet — as I've told 'ee before. . ."
But if Sam's story youd read to the end, Turn back to page 1, and press onward, dear friend;
Yes, if you would stave the last note of this song,
Turn back to page primus, and warble along! For all sober records of life (come to write 'em),
Are bound to continue — well — ad infinitum!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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