OpenLLM-France/wikimedia huggingface dataset:
# Rhymes of a Rolling Stone/The Atavist

The Atavist
What are you doing here, Tom Thorne, on the white top-knot o’ the world, Where the wind has the cut of a naked knife and the stars are rapier keen? Hugging a smudgy willow fire, deep in a lynx robe curled, You that’s a lord’s own son, Tom Thorne — what does your madness mean?
Go home, go home to your clubs, Tom Thorne! home to your evening dress! Home to your place of power and pride, and the feast that waits for you! Why do you linger all alone in the splendid emptiness, Scouring the Land of the Little Sticks on the trail of the caribou?
Why did you fall off the Earth, Tom Thorne, out of our social ken? What did your deep damnation prove? What was your dark despair? Oh with the width of a world between, and years to the count of ten, If they cut out your heart to-night, Tom Thorne, her name would be graven there!
And you fled afar for the thing called Peace, and you thought you would find it here, In the purple tundras vastly spread, and the mountains whitely piled; It’s a weary quest and a dreary quest, but I think that the end is near; For they say that the Lord has hidden it in the secret heart of the Wild.
And you know that heart as few men know, and your eyes are fey and deep, With a “something lost” come welling back from the raw, red dawn of life: With woe and pain have you greatly lain, till out of abysmal sleep The soul of the Stone Age leaps in you, alert for the ancient strife.
And if you came to our feast again, with its pomp and glee and glow, I think you would sit stone-still, Tom Thorne, and see in a daze of dream, A mad sun goading to frenzied flame the glittering gems of the snow, And a monster musk-ox bulking black against the blood-red gleam.
I think you would see berg-battling shores, and stammer and halt and stare, With a sudden sense of the frozen void, serene and vast and still; And the aching gleam and the hush of dream, and the track of a great white bear, And the primal lust that surged in you as you sprang to make your kill.
I think you would hear the bull-moose call, and the glutted river roar; And spy the hosts of the caribou shadow the shining plain; And feel the pulse of the Silences, and stand elate once more On the verge of the yawning vastitudes that call to you in vain.
For I think you are one with the stars and the sun, and the wind and the wave and the dew; And the peaks untrod that yearn to God, and the valleys undefiled; Men soar with wings, and they bridle kings, but what is it all to you, Wise in the ways of the wilderness, and strong with the strength of the Wild?
You have spent your life, you have waged your strife where never we play a part; You have held the throne of the Great Unknown, you have ruled a kingdom vast:
But to-night there’s a strange, new trail for you, and you go, O weary heart! To the place and rest of the Great Unguessed... at last, Tom Thorne, at last.
# Songs of the Soul/Part 2

30 Huntington Avenue, Boston: Sat Sanga, pages 37–82
Layout 2
PART II
WAKE, WAKE MY SLEEPING HUNGER, WAKE!
ETERNITY
VANISHING BUBBLES
VARIETY
THE BLOOD OF ROSE
AT THE ROOTS OF ETERNITY
UNDYING BEAUTY
THE NOBLE NEW
PROTECTING THORNS
TATTERED GARMENT
IN STILLNESS DARK
NATURE’S NATURE
​Not here, not here The soft capricious wiles of flowers, Nor swarming storm clouds’ sweeping terror, Nor doomsday’s thunder drear Dismantling earth and stars, The cosmic beauties all to mar;  Dishevelling of trees  And light-haired skies,  Nor nature’s murderous mutiny  Nor man’s all-powerful destiny  Can touch me here.
​  Of concentration  And distraction;—  The darkness burns  With a million tongues,  And now I spy  All past, all distant things as nigh.
​ And try to lisp half-truths Of wordless charms of Thee Unseen To whom Nature her nature owes, and sheen. ​
MY KINSMEN
​ The lark, the cuckoo, the pheasant sweet, The deer, the lamb, the lion great, The shark and monsters of the sea! In love and peace all greeted me.
OM
MYSTERY
SILENCE
IT’S ALL UNKNOWN
AT THE FOUNTAIN OF SONG
THE EVER NEW
THE EVER-TRODDEN PATH
THE HUMAN MIND
THE CUP OF ETERNITY
A MIRROR NEW
THE SPELL
* ↑ Cosmic vibration.
* ↑ Cosmic vibration.
* ↑ Vibration of life energy.
* ↑ Spinal cord
Footnotes
# Songs and Lyrics (Lehrer)/Selling Out

SELLING OUT
(written for the 1973 UCSC student production of Park)
words and music by Tom Lehrer
| A (son): | Selling out Is easy to do -- It's not so hard To find a buyer for you. When money talks, You're under its spell, But what do you have when there's nothing left to sell? |
| B (daughter): | I'd rather call it "compromise." Sometimes you have to close your eyes. Being rich is no disgrace. Put on your shoes and join the race. It has a very soothing voice. It's up to you to make the choice. Before you know it, there'll be nothing left to sell. |
| C (father): | You can't always break the rules. People who try are fools. When you get older, maybe then you will see. I've always found ideals Don't take the place of meals. That's how it is and how it will always be. |
| D (mother): | It's so nice to have integrity, I'll tell you why: If you really have integrity, It means your price is very high. So remember when you start to preach And moralize, That we all are in the game, And, brother, its name Is compromise. |
| Suggested routine for performance: | 1st chorus: A 2nd chorus: A and B 3rd chorus: C 4th chorus (optional): A, B, and C 5th chorus: D 6th chorus: All |
# Songs and Lyrics (Lehrer)/Send the Marines

SEND THE MARINES
words and music by Tom Lehrer
When someone makes a move Of which we don't approve, Who is it that always intervenes? U.N. and O.A.S.,They have their place, I guess,alt:We know that the UN They have their place, I guess,U.N. and O.A.S.,alt:Is helpful now and then But first – Send the Marines!
We'll send them all we've got, John Wayne and Randolph Scott; Remember those exciting fighting scenes? To the shores of Tripoli, But not to Mississippoli, What do we do? We send the Marines!
For might makes right, And till they've seen the light, They've got to be protected, All their rights respected, Till somebody we like can be elected.
Members of the corps All hate the thought of war. They'd rather kill them off by peaceful means. Stop calling it aggression, Ooh, we hate that expression! We only want the world to know That we support the status quo. They love us everywhere we go, So when in doubt, Send the Marines!
* ↑ Five lines replaced in The Madness of George Dubya by: Like Mel Gibson and Tom Cruise Our heroes never lose 'Cause all we want is peace by any means And so when there's a war on, Despite the oxymoron
* ↑ Two lines replaced in Tomfoolery by: From the halls of Montezuma To show our sense of huma
# Songs and Lyrics (Lehrer)/Shakespeare Lied

SHAKESPEARE LIED (from How Now, Dow Jones (1968))
original lyrics by Carolyn Leigh, original music by Elmer Bernstein, adapted by Tom Lehrer
A: Oh, God, I can't live without him! I'll die! B: Die from love? A: People have. B: Aah! You've been reading too many books. Listen!
| B: | Shakespeare lied. When Juliet died, Romeo didn't take poison just because he'd lost his bride. |
| A: | What did he do? |
| B: | He got over it. He went back to Junior High, and he got over it. And so will you. You'll get over it. |
| A: | So Romeo got himself a life, But then, there's Othello, he murdered his wife! |
| B: | But Shakespeare lied. Othello may have cried, But he never strangled Desdemona 'cause he thought she lied. |
| A: | What did he do? |
| B: | He got over it. She found the handkerchief, and he got over it. And so will you. You'll get over it. Just bear in mind that Shakespeare lied. |
| A: | Okay, how about Cleopatra? |
| B: | You recall that asp In Cleopatra's grasp, Well, she didn't yell "O, Antony" and gasp her final gasp. |
| A: | You're putting me on! |
| B: | No! None the worse from it She even made a stunning snakeskin purse from it. And as for you --- |
| A: | I know! I'll get over it. |
| B: | You'll get over it, |
| A: | Okay, take Hamlet, he's a better test, 'Cause there was a guy who was really depressed. |
| B: | But Shakespeare lied. When all those people died, Hamlet didn't just mope around and think of suicide. |
| A: | What did he do? Don't tell me --- |
| BOTH: | He got over it. |
| B: | Right! He got himself some Prozac and got over it. And so will you. You'll get over it. |
| A: | I'll get over it. |
| B: | Love isn't fatal, as a rule, Forget all that stuff you learned in school, And bear in mind, whatever you decide That Shake --- A: So he made a mistake, Speare --- And I'm happy to hear he |
| BOTH: | Lied! |
# Songs and Lyrics (Lehrer)/She's My Girl

SHE'S MY GIRL
words and music by Tom Lehrer
Sharks gotta swim, and bats gotta fly, I gotta love one woman till I die. To Ed or Dick or Bob She may be just a slob, But to me, well, She's my girl.
In winter the bedroom is one large ice cube, And she squeezes the toothpaste from the middle of the tube. Her hairs in the sink Have driven me to drink, But she's my girl, she's my girl, she's my girl, And I love her.
The girl that I lament for, The girl my money's spent for, The girl my back is bent for, The girl I owe the rent for, The girl I gave up Lent for Is the girl that heaven meant for me.
So though for breakfast she makes coffee that tastes like sham--poo, I come home for dinner and get peanut butter stew, Or if I'm in luck, It's broiled hockey puck, But, oh well, What the hell, She's my girl, And I love her.
# Songs and Lyrics (Lehrer)/Sociology

SOCIOLOGY
words by Tom Lehrer music by Irving Berlin ("Choreography" from the movie White Christmas)
1. Strange Is the change They are trying to arrange Today in Sociology.
Fanatics In their attics Are learning mathematics Just for Sociology.
Persuasion By equation They all feel is much more satisfactory. In an ivory steeple, Far away from all people, They do research in Sociology.
2.
Guys Who wrote lies Now present them in disguise (A cinch in Sociology).
A tract Quite abstract Without one single fact Is splendid Sociology.
Birds Who used words Now all talk in terms of x and y and z. They can take one small matrix And really do great tricks All in the name of Sociology.
3. Joes Who wrote pros Now write algebra. Who knows? It may be Sociology.
They're Everywhere Full of sigma and chi-square And full of --- Sociology.
They consult Sounding occult Talking like a mathematics Ph. D. They can snow all their clients By calling it "science" Although it's only Sociology.
4. (extra verse) Kind souls Who took polls Now pursue much higher goals Today in Sociology
Don't condemn Any of them Hand in hand with IBM They're doing Sociology.
Graphs Once got laughs But now calculus you'll find is SOP. Folks who once were empirical Now all get lyrical Over the change in Sociology.
# Songs and Lyrics (Lehrer)/Scenery

SCENERY
words by Tom Lehrer music by James van Heusen tune: "Harmony" (from Variety Girl - 1947) written for and used in shows at Camp Androscoggin
(Enter in front of curtain)
If it is not exactly clear Why I'm here, You may think it's part of the plot, But it's not. This song I bring Is just a silly thing, Which I will only sing, You see, To give them time to change the scenery.
Scenery, scenery, The only reason that there is for this here song Is to help the guys along.
| (turning upstage) | Tell us now, are you ready for us? |
| (all backstage yell:) | NO! |
| (to audience) | Well, in that case, I will sing another chorus. |
If you should ask me why this song Is so long, All I can say is just that I'm Killing time. As you must know, I didn't write this show, And so you mustn't go Blaming me. I'm here to let them change the scenery.
Scenery, scenery, And if you think this song is silly as can be, I admit that I agree.
| (turning upstage) | Tell us now, are you ready for us? |
| (all backstage yell:) | YES! |
| (to audience) | Well, in that case, you are spared another chorus. |
(Exit)
Note: Can be done as a solo or by a small group (changing "I" to "we," etc.) A dance interlude may be inserted if the song still isn't long enough to accommodate the scene change.
# Songs and Lyrics (Lehrer)/Silent E

SILENT E
from The Electric Company
words and music by Tom Lehrer
Who can turn a can into a cane? Who can turn a pan into a pane? It's not too hard to see It's Silent E
Who can turn a cub into a cube? Who can tum a tub into a tube? It's elementary For Silent E
He took a pin and turned it into pine He took a twin and turned him into twine
Who can turn a cap into a cape? Who can tum a tap into a tape? A little glob becomes a globe instantly If you just add Silent E
He turned a dam - Alikazam! - into a dame But my friend Sam stayed just the same
Who can turn a man into a mane? Who can turn a van into a vane? A little hug becomes huge instantly Don't add W, don't add X, and don't add Y or Z, Just add Silent E
Silent E (private version)
words and music by Tom Lehrer
Silent E, Silently, Turns a cap into a cape, Turns a Jap into a jape, And just last night [spoken:] It turned a simple rap into a rape!
I tell you, bud, It makes a ​ dud into a dude. It'll even make crud Sound Crude.
And thanks to silent E, lucky me, I used to hop, but now I hope, I used to slop, now I just slope, And best of all, My pop is now the Pope!
# Songs and Lyrics (Lehrer)/So Long, Mom

SO LONG, MOM
words and music by Tom Lehrer
So long, Mom, I'm off to drop the bomb, So don't wait up for me. But while you swelter Down there in your shelter, You can see me On your TV.
While we're attacking frontally, Watch Brinkally and Huntally, Describing contrapuntally The cities we have lost. No need for you to miss a minute Of the agonizing holocaust.
Little Johnny Jones he was a U.S. pilot, And no shrinking vi'let was he. He was mighty proud when World War Three was declared. He wasn't scared, No siree!
And this is what he said on His way to armageddon:
So long, Mom, I'm off to drop the bomb, So don't wait up for me. But though I may roam, I'll come back to my home, Although it may be A pile of debris.
Remember, Mommy, I'm off to get a Commie, So send me a salami, And try to smile somehow. I'll look for you when the war is over --- An hour and a half from now
# Songs and Lyrics (Lehrer)/Speed's Song

SPEED'S SONG
written for Act 2, Scene 1, of an aborted musical version of Two Gentlemen of Verona at UCSC
words: Tom Lehrer music: "Torna a Surriento" by Ernesto De Curtis
All day long you whine and whimper, Sighing sighs and looking vague, Fold your arms and look tormented (And) hide as if you had the plague.
War-bl-ing pathetic love songs, Tossing in your sleep at night, Weeping [sob] --- just as if you'd lost your mother, Fasting with no appetite.
Once you used to laugh at lovers When they spoke of how it feels, Weeping [sob] --- only when you needed money, Fasting only between meals.
You may be my master, But look how you behave! Love is the master now, You are the slave.
from The Two Gentlemen of Verona, Act 2, Scene 1
Valentine: Go to, sir. Tell me, do you know Madam Silvia?
Speed: She that your worship loves?
Valentine: Why, how know you that I am in love?
Speed: Marry, by these special marks: first, you have learned, like Sir Proteus, to wreathe your arms like a malcontent, to relish a love-song like a robin-redbreast, to walk alone like one that had the pestilence, to sigh like a schoolboy that had lost his A B C, to weep like a young wench that had buried her grandam, to fast like one that takes diet, to watch like one that fears robbing, to speak puling like a beggar at Hallowmas. You were wont, when you laughed, to crow like a cock; when you walked, to walk like one of the lions; when you fasted, it was presently after dinner; when you looked sadly, it was for want of money And now you are metamorphosed with a mistress, that when I look on you, I can hardly think you my master.
# Songs and Lyrics (Lehrer)/Smut

SMUT
words and music by Tom Lehrer
Smut! Give me smut and nothing but! A dirty novel I can't shut If it's uncut And unsubt-le.
I've never quibbled If it was ribald. I would devour Where others merely nibbled. As the judge remarked the day that he acquitted my Aunt Hortense, "To be smut It must be ut- Terly without redeeming social importense."
Por- Nographic pictures I adore. Indecent magazines galore, I like them more If they're hardcore.
Bring on the obscene movies, murals, postcards, neckties, samplers, stained glass windows, tattoos, anything! More, more, I'm still not satisfied!
Stories of tortures Used by debauchers Lurid, licentious and vile, Make me smile. Novels that pander To my taste for candor Give me a pleasure sublime. Let's face it, I love slime!
All books can be indecent books, Though recent books are bolder. For filth, I'm glad to say, Is in the mind of the beholder.
When correctly viewed, Everything is lewd. I could tell you things about Peter Pan, And the Wizard of Oz — There's a dirty old man!
I thrill To any book like Fanny Hill, And I suppose I always will, If it is swill And really fil-thy.
Who needs a hobby like tennis or philately? I've got a hobby: rereading Lady Chatterley. But now they're trying to take it all away from us unless We take a stand, and hand in hand We fight for freedom of the press.
In other words: Smut! (I love it.) The adventures of a slut. Oh, I'm a market they can't glut. I don't know what Compares with smut. Hip, hip, hooray! Let's hear it for the Supreme Court! Don't let them take it away!
# Science and Health (1881)

* information about this edition.
* sister projects: Wikipedia article, Commons category, Wikidata item.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
* “God is Love.”
* 1 John iv. 8.
* “There is nothing either good or bad, but thinking makes it so.”
* Shakespeare.
* “I, I, I, I itself, I,
* The inside and outside, the what and the why,
* The when and the where, the low and the high,
* All I, I, I, I itself, I.”
CONTENTS OF VOL. I.
| Chapter | Chapter | Page |
| I. | Science of Being | 8 |
| II. | Footsteps of Truth | 64 |
| III. | Physiology | 122 |
| IV. | Recapitulation | 166 |
| V. | Healing the Sick | 185 |
CONTENTS OF VOL. II.
| Chapter | Chapter | Page |
| VI. | Demonology | 1 |
| VII. | Imposition and Demonstration | 47 |
| VIII. | Creation | 97 |
| IX. | Marriage | 152 |
| X. | Prayer and Atonement | 164 |
| XI. | Platform of Christian Scientists | 192 |
| XII. | Reply to a Clergyman | 199 |
“Damsel, I say onto thee, arise.” — Mark v. 41.
SCIENCE AND HEALTH
BY
MARY B. GLOVER EDDY
THIRD EDITION, REVISED
Lynn, No. 8 Broad Street:
PUBLISHED BY DR. ASA G. EDDY.
1881.
Entered according to Act of Congress, in the year 1881, by
Mary B. Glover Eddy,
In the Office of the Librarian of Congress, at Washington.
University Press:
John Wilson And Son, Cambridge.
# Richards v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
369 U.S. 1
Richards v. United States
Argued: Nov. 15, 1961. --- Decided: Feb 26, 1962
Truman B. Rucker, Tulsa, Okl., for petitioners.
Richard J. Medalie, Washington, D.C., for respondent, the United States.
W. B. Patterson, Dallas, Tex., for respondent, American Airlines, Inc.
Mr. Chief Justice WARREN delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Richards v. Mackall (113 U.S. 539)

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
113 U.S. 539
Richards v. Mackall
W. Willoughby, for motion.
W. B. Webb and Enoch Totten, in opposition.
WAITE, J.
The supreme court of the District of Columbia consists of one chief justice and five associate justices. Rev. St. D. C. § 750; 20 St. 320, c. 99, § 1. The law provides for both special and general terms of the court, and for an appeal from the special to the general term; but the judgments and decrees, when rendered, are, whether they be at general or special term, the judgments and decrees of the supreme court. Rev. St. D. C. §§ 753, 772. A general term is held by three justices, two, however, constituting a quorum, and a special term by one. Rev. St. D. C. §§ 754, 757; 20 St. 320, c. 99, § 2. By section 705 of the Revised Statutes of the United States, as amended February 25, 1879, (20 St. 320, c. 99, § 4,) the final judgments and decrees of the supreme court of the District of Columbia, in cases where the value of the matter in dispute exceeds $2,500, may be brought to this court for review 'upon writ of error or appeal, in the same manner and under the same regulations as are provided by law in cases of writs of error on judgments, or appeals from decrees rendered in a circuit court.' This is an appeal from a decree of the supreme court of the district at a general term held by Chief Justice CARTTER and Associate Justices HAGNER and COX, which began on the first Monday in April, 1884, and ended July 5, 1884. The transcript contains the following:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Richardson, John

* Search for titles containing or beginning with: "Richardson, John."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
# Richardson v. Ainsa

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
218 U.S. 289
Richardson v. Ainsa
Argued: and submitted November 2, 1910. --- Decided: November 14, 1910
Mr. S. L. Kingan for appellant.
[Argument of Counsel from pages 290-293 intentionally omitted]
Messrs. Joseph W. Lewis, Selim M. Franklin, and Frank H. Hereford for appellee.
[Argument of Counsel from pages 293-294 intentionally omitted]
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Richards v. Mackall (124 U.S. 183)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
124 U.S. 183
Richards v. Mackall
[Statement of Case from pages 183-187 intentionally omitted]
W. B. Webb and Enoch Totten, for appellant.
W. Willoughby, for appellee.
Mr. Justice HARLAN, after stating the facts in the foregoing language, delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Richardson Company v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
266 U.S. 541
Richardson Company v. United States
Argued: Dec. 10, 11, 1924. --- Decided: Jan 5, 1925
Mr. Raymond M. Hudson, of Washington, D. C., for appellant.
The Attorney General and Mr. Alfred A. Wheat, of New York City, for the United States.
Mr. Justice SANFORD delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Rosemary and Pansies/To a Friend

TO A FRIEND
# Rosemary and Pansies/The Wine of Life

THE WINE OF LIFE