# Japan: Its History, Arts, and Literature/Volume 7/Index

Index
INDEX
* À jour, early use of chiselling, 74; bronze castings, 140; development of chiselling, 277–282.
* Akao family, sword-decorators, 281.
* Aki, Miyōchin, armourer, 263.
* Alcove recess, decorative purpose of picture in, 3.
* Alloys used in Japanese art, 232–236, 317; antimony ware, 318. See also Bronze.
* Amida, seventh-century bronze statue of, 79.
* Anami Kwōyetsu, lacquerer, 346, 360.
* Anatomy, Japanese art attitude, 8, 33, 57, 200.
* Anderson, William, on Chinese pictorial art, 24–26; on the Japanese Classical school, 39; on an ancient mural painting, 152.
* Aoki family, sword-decorators, 269.
* Applied art, Shōsō-in collection, 20, 87–89; first evidence, 72; shrines, 115; religious monopoly, 135; rise of secular, 135. See also Bronze, Enamel, Interior decoration. Iron, Lacquer, Metal-work, Sculpture, Sword-furniture.
* Arakawa Reiun, wood-carver, 202.
* Araki Kwampo, painter, 63.
* Architecture, character of early Buddhist temples, 148. See also Interior decoration.
* Ariyoshi Nagato-nō-Sho, mask-carver, 168.
* Armour, beginning of decoration, 74, 205; Yoshitsune's, 205.
* Bells, ancient, 72, 99; tone, 99, 101; dimensions, 100; metal, 101; proportions, 102; form, 103; decoration, 103; method of hanging, 103.
* Bowes, J. L., mistake on Japanese enamels, 331, 375.
* Boya Magojiuro, mask-carver, 166.
* Bronze, Japanese, introduction of casting, 70; use in weapons, 71; stone moulds, 71; early mirrors and bells, 72, 96; method of constructing early statues, 75; early temple ornaments and decorations, 78; statues of the seventh century, 79; introduction of the cire-perdue process of casting, 80; Nara Daibutsu, 85, 132–134; objects in the Shōsō-in collection, 88, 89; temple bells, 99–104; gongs, 104; Kamakura Daibutsu, 111, 114, 120; composition, 125; quality, 127; yellow, 128; process of casting, 129–134; Nagoshi family of art founders, 136–138; development of casting in Tokugawa epoch, 139–141; tōrō, 140; manufacture of parlour bronzes, 141–144; modern castings, 144–147; Occidental influence, 147; relation of the sculptor and founder, 148. See also Fine Arts, Sculpture.
* Bronze age in Japan, 70.
* Brush, Japanese painting, 11.
* Buddhism, influence on Japanese art, 17–19, 29, 75, 82, 106, 119–125; influence on Chinese art, 21; character of religious paintings, 30; religious zeal of emperors, 108; temples monopolise ​sculptures, 117; character of early temples, 148–150; ceremonial splendour, 149.
* Buncho, chromo-xylographer, 50.
* Bunrin, painter, 62.
* Bunzo, mask-carver, 165.
* Buto Gempachi, sword-decorator, 303.
* Button for girdle-pendants. See Netsuke.
* Caricatures, character of Japanese, 36.
* Castings. See Bronze, Iron.
* Chamberlain, B. H., on Japanese pictorial art, 15.
* Champlevé, variety of enamel decoration, 327. See also Enamel.
* Chiaroscuro. See Light and shade.
* Chigusa, mask-carver, 166.
* Chikanobu. See Izeki Jirozaemon.
* Chikudo Ganki. See Ganki.
* China, relation to Japanese art, 16–24, 37–40, 78, 367; prehistoric contact with Japan, 98; character of sculpture, 119.
* Chiselling, varieties of chisels, 229; methods, 241–243, 247, 274. See also Metal-work, Sculpture, Sword-furniture.
* Chiyo family, sword-decorators, 286.
* Chō Dense. See Meichō.
* Choan, Kōami, lacquerer, 360.
* Chobunsai, chromo-xylographer, 50
* Chōen, sculptor, 110.
* Chōhei, lacquerer, 363.
* Chōho, Kōami, lacquerer, 361.
* Chōkyu, Kōami, lacquerer, 361.
* Chosei, sculptor, 110.
* Chōshiu province, school of sword-decorators, 279.
* Chōshun, sculptor, 110.
* Choun Yasuyoshi, Deme, mask-carver, 167.
* Chromo-xylography. See Wood.
* Chuen, sculptor, 1 10.
* Civilisation, Japanese, European attitude toward, 1; gradual influence of the Occident before the Revolution of 1867, 65; ancient, industrial rather than agricultural, 69; prehistoric contact with China and Korea, 98; art instinct, 177; attitude toward art and nature, 225–227.
* Classical school of pictorial art, characteristics, 38–40; branches, 40. See also Kose school, Pictorial art.
* Clay statues, technique, 84; famous, 86. See also Sculpture.
* Cloisonné, variety of enamel decoration, 327. See also Enamel.
* Colour in art, Chinese use, 22, 24; in religious pictures, 30; in decorations of the Kano school, 42; hand-coloured prints, 47; development of chromo-xylographs, 48–50; Japanese knowledge and use, 56, 160; in interior decorations, 159.
* Conder, J., on character of Japanese decorative designs, 158.
* Copper, use in sword-decorating, 236.
* Costumes. See Sage-mono.
* Daibutsu, Nara, 85, 132–134; Kamakura, 111, 114, 120.
* Dansho, mask-carver, 166.
* Deme family, mask-carvers, 166, 167.
* Dengyō Daishi, artist-priest, 29, 109.
* Deva Kings (Shi-Tennō), eighth-century clay statues of, 86; (Ni-ō) temple Kofuku-ji statues, 112; temple Todai-ji statues, 113.
* Distemper, use in Japanese decoration, 152.
* Dōchō, Kōami, lacquerer, 345.
* Door, panel paintings, 3.
* Dōsei, Kōami, lacquerer, 345, 361.
* Dragon in Japanese art, 253.
* Drama, popularity of the No, 162; use of masks, 163; influence on the theatre, 164.
* Drawing. See Line.
* Echi Yoshifune, mask-carver, 165.
* Economic condition, ancient, 69.
* Eishin, Hidari, decorative-sculptor, 161.
* Eitoku, painter, 42.
* Eiyen, sculptor, 116.
* Enamel, as sword-decoration, 285; composition, 327; varieties, 327; introduction, 328, 329, 332; technique, 328, 376; former uses, 330–333, 375; modern development, 333–340; Japanese and Chinese, compared, 340.
* Engraving. See Metal, Wood.
* Ensei, sculptor, 110.
* Enso, sculptor, 109.
* Eshin, sculptor-priest, 109.
* Fenollosa, E. F., on Japanese pictorial art, 15.
* Feudalism, influence on Japanese art, 38, 111.
* Fine arts, Japanese, genesis, 17–19, 193; influence of Buddhism, 29, 82, 106, 119–125; continuity of development, 70; character of artists, 156, 161, 318; instinct, 177; attitude toward the nude, 180; canons, 191, 203; conscientiousness, 208; Japanese attitude toward, 225–227, 229; effect of the Revolution of 1867 and a foreign market, 322–325. See also Bronze, Enamel, Interior decoration, Lacquer, Metal-work, Pictorial art, Sculpture, Sword-furniture.
* Forgery in Japanese fine arts, 324.
* Fresco painting not employed by Japanese, 152.
* Fujii family, sword-decorators, 280.
* Fukurai Masatomo, mask-carver, 166.
* Fukushima Kagan, figure-sculptor, 200.
* Fusayoshi, Miyōchin, armourer, 267.
* Ganki, painter, 62.
* Ganku, painter, 60.
* Ganku, sculptor-priest, 110.
* Gekkei, painter, 62.
* Genjiro. See Jirozaemon Yoshimitsu.
* Genkiu Mitsufusa, Deme, mask-carver, 167.
* Genkiu Mitsunaga, Deme, mask-carver, 167.
* Genkiu Mitsushige, Deme, mask-carver, 167.
* Genkiu Mitsuzane, Deme, mask-carver, 167.
* Genre painting, development, 44.
* Genri Toshimitsu, Deme, mask-carver, 167.
* Genri Yoshimitsu, Deme, mask-carver, 167.
* Gensuke Hidemitsu, Deme, mask-carver, 167.
* Gensuke Mitsukira, Deme, mask-carver, 167.
* Gilding, method, 370.
* Girdle pendants. See Sage-mono.
* Girls' fête, dolls, 194.
* Gold, use in Japanese art, 74, 229–231; surfacing debased, 231, 371; method of gilding with, 370; process of refining, 371.
* Golden Pavilion, decoration, 153, 369.
* Gongs, origin, 104; varieties, 104; tone, 105.
* Gonse, Louis, on Japanese pipe cases, 190; on motives in sword-decoration, 227; on Japanese lacquer, 360; on the Goto family, 373; misapprehensions on sword-decorators, 373.
* Gorobei, sword-decorator, 287.
* Goto family, sword-decorators, 212, 219–225, 298; skill and motives of early masters, 252–260, 373; art influence, 260, 261, 272; branches, 299.
* Gowland, W., on quality of Japanese bronze, 127; on method of ​casting bronze, 129–132; on Japanese alloys, 232, 235; on method of gilding, 370; on refining processes, 371; on "surfacing" metals, 371.
* Graining of metals for art use, 245–247; origin, 262.
* Greek art and Japanese art, 17–19, 78, 80, 119–122, 124, 368; and Chinese art, 21.
* Guard, sword, 219; development of decoration, 250, 261–265, 277; materials, 265.
* Gunkei, mask-carver, 166.
* Guri-bori, variety of metal decoration, 247.
* Gyogi, sculptor-priest, 81.
* Hadagoro, lacquerer, 345, 360.
* Hamano family, sword-decorators, 291, 303, 306, 375.
* Hammering of metal, 312.
* Han Kan, Chinese artist, 22.
* Hanzan, lacquerer, 363.
* Hanzo. See Hokan Mitsunao.
* Hanzo Yasukore, Deme, mask-carver, 167.
* Hara Yōyusai, lacquerer, 362.
* Haruaki, Ishiguro, sword-decorator, 302.
* Harukuni, Okamoto, sword-decorator, 294.
* Harunari, Hirata, sword-decorator, 285, 308.
* Harunobu, Suzuki, chromo-xylographer, 49, 50.
* Haruwaka Tadatsugu, mask-carver, 166.
* Haruyori. See Shunzui.
* Hasegawa Kumazo, art-founder, 145, 147.
* Hashi-ichi, sculptor, 191.
* Hashimoto Gaho, painter, 63; western influence upon, 68.
* Heian epoch, and the beginning of secular pictorial art, 27–29; character of sculpture in, 106–109.
* Hibi Munetada, mask-carver, 165.
* Hidekiyo, Omori, sword-decorator, 303.
* Hidenori, Omori, sword-decorator, 303.
* Hidetomo, Omori, sword-decorator, 303.
* Hidetsugu, lacquerer, 345, 360.
* Hideyori. See Shuzui.
* Hideyori, Omori, sword-decorator, 303.
* Hideyoshi, Omori, sword-decorator, 303.
* Hideyoski, the Taikō, as an art patron, 135, 150, 162; Palace of Pleasure, 270.
* Hien Wantsz, sculptor, 81.
* Hikoshiro, Hirata, sword-decorator, 285.
* Hirata family, sword-decorators and enamellers, 285, 300, 312, 332.
* Hiroshige, chromo-xylographer, 50.
* Hirotaka, painter, 31, 35.
* Hiroyoshi, Kuwamura, sword-decorator, 272.
* Hisayori. See Juzui, Kiuzui.
* Hishigawa Moronobu, xylographer, 46.
* Hōgen, art title, 117.
* Hōin, art title, 110.
* Hokan Mitsunao, Deme, mask-carver, 167.
* Hokke-do Trinity, famous group of dry lacquer statues, 86.
* Hokkei, chromo-xylographer, 50.
* Hokusai, art characteristics, 9, 10; chromo-xylographer, 50; traces of Western influence upon, 67.
* Hōkyō, art title, 110.
* Honjo Yoshitane, swordsmith and decorator, 309.
* Horai Ujitoki, mask-carver, 166.
* Horu-ji, temple, ancient distemper painting in, 152.
* Hōshō family, No dancers, 162.
* Hosono Masamori, inlayer, 273.
* Hotokusai, art-founder, 144. ​
* Hoyen, painter, 62.
* Hozan, mask-carver, 166.
* Humour in Japanese sculpture, 85. See also Caricatures.
* Ichibei, Nara, sword-decorator, 288.
* Ichijo, Goto, sword-decorator, 298–301; specimens of his work, 307.
* Ichikawa Hirosuke, alleged sword-decorator, 218.
* Ideographa, influence on pictorial art, 8, 11, 31; helmet characters, 262.
* Igarashi Dōho, lacquerer, 361.
* Igarashi Shinsai, lacquerer, 345, 361.
* Illustrations, freaks, 33; of the Tosa school, 34; development of wood engraving, 45–47; hand-coloured prints, 47; development of coloured prints, 48–51; technique of coloured prints, 51–55. See also Pictorial art.
* Imao Keinen, painter, 63.
* Inaba-no-suke, title used by Yoshioka family, 283, 284.
* Inchō, sculptor, 110.
* Inchu, sculptor, 116.
* Industry in ancient Japan, 69.
* Injin, sculptor, 116.
* Injo, sculptor, 110, 116.
* Inkaku, sculptor, 110.
* Inken, sculptor, 116.
* Inkō, sculptor, 116.
* Inku, sculptor, 116.
* Inlaying, in sword-decoration, 220, 272; varieties, 243–245; inserted, 313; sepia, 315; ground-out, 315.
* Inouye family, sword-decorators, 286.
* Inro, girdle pendant, original and acquired use and fashion, 173; its cord-clutch, 173; decoration, 186.
* Insertion in metal work, 313.
* Inshu, sculptor, 116.
* Inso, sculptor, 116.
* Inson, sculptor, 110.
* Interior decoration, decorative purpose of Japanese pictures, 3, 34, 42; growth of demand, 32, 42, 43; seventh-century temple, 78; early use of pictorial, 149, 151–153; development of sculptured, 150; pictorial, of the Golden and Silver Pavilions, 153; pictorial and sculptured, of Nishi Hongwan-ji, 154; pictorial and sculptured, of the Nikkō mausoleum, 155–157; general and particular aspects, 157; character of designs, 158; use of colours, 159; use of metal-carvings, 326.
* Inyu, sculptor, 116.
* Ippitsusai, chromo-xylographer, 50.
* Iron, displaces bronze in swords, 71; ancient bell-shaped castings of unknown use, 73; first manufacture of vessels of, 136; tea-ceremonial urn and its influence, 136–138; in sword-decoration, 236; patina, 237. See also Bronze, Metal-work.
* Iron age in Japan, 70.
* Ishiguro family, sword-decorators, 301, 306.
* Ishikawa Riuyemon Shigemasa, mask-carver, 165.
* Isono family, metal-carvers and inlayers, 284.
* Ito family, sword-decorators, 282, 296.
* Ittan. See Sanehisa.
* Ittosai, mask-carver, 165.
* Iwamoto family, sword-decorators, 286, 293, 303, 306.
* Iwasa Matahei, painter, 44.
* Iyefusa, Miyōchin, armourer, 267.
* Iyemasa, Nagoshi, art-founder, 138.
* Iyetsugu, Jiyemon, art-founder, 141.
* Iyeyasu, Shōgun, mausoleum, 154.
* Izeki Jirozaemon, mask-carver, 168.
* Izeki Kawachi Iyeshige, mask-carver, 168.
* Izuka Tōyō, lacquerer, 362.
* Jakushi. See Kizayemon.
* Jikan Yoshimitsu, Deme, mask-carver, 166.
* Jimpo, Nomura, sword-decorator, 287.
* Jingo, Aoki, sword-decorator, 269.
* Jingoro, Hidari, decorative-sculptor, 151, 156, 157.
* Jirozaemon Mitzuteru, Deme, mask-carver, 167.
* Jirozaemon Norimitsu, Deme, mask-carver, 167.
* Jirozaemon Yoshimitsu, Deme, mask-carver, 167.
* Jitsuye, artist-priest, 29.
* Jiunin, mask-carver, 166.
* Jiyemon family, art-founders, 141.
* Jōchiku, Isono, metal-carver, 284.
* Jōchō, sculptor, 107, 110; record of his work, 168; titles, 109, 110.
* Jōhō, art-founder, 138.
* Joi, Nara, sword-decorator, 289; specimen of his work, 375.
* Jokaku, sculptor, 111; his Deva Kings, 113.
* Jōkasai, lacquerer, 363.
* Jokei. See Gensuke Hidemitsu.
* Jomi. See Sanshō.
* Jōsei, art-founder, 138.
* Josetsu, artist-priest, 37, 40.
* Joshin. See Gensuke Hidemitsu.
* Jōshin, Goto, sword-decorator, 220, 259.
* Jotetsu, Isono, metal-carver, 285.
* Jōun. See Oshima Katsujiro.
* Jōyen, sculptor, 116.
* Jōyu, Nagoshi, art-founder, 138.
* Jubei, Aoki, sword-decorator, 269.
* Jujō, Goto, sword-decorator, 223.
* Juzui, Hamano, sword-decorator, 303.
* Kacho, metal-carver, 326.
* Kaga province as an art centre, 270.
* Kaikei, sculptor, 116.
* Kaji Tsunekichi, enameler, 333.
* Kajikawa Kaijiro, lacquerer, 362.
* Kakino Moto-no-Otoma, sculptor, 81.
* Kakōsai, lacquerer, 363.
* Kaku-no-bo, mask-carver, 166.
* Kakujo, sculptor, 110.
* Kakuyu, Minamoto no, caricaturist, 36.
* Kamakura epoch. See Military epoch.
* Kambayashi Rakkiken, figure-sculptor, 200.
* Kame, art-founder, 142.
* Kameyama Yasutomo, art-founder, 141.
* Kamparu family, No dancers, 162.
* Kan-Kan. See Han Kan.
* Kanaoka, Kose no, painter, Chinese influence on, 16, 22; position, 28; style, 28; no surviving pictures, 28; and the Kose school, 34.
* Kanashi, sculptor, 80.
* Kanaya, metal-carver, 270.
* Kanaya Gorosaburo, art-founder, 145.
* Kanazawa as an art centre, 271.
* Kaneiye, sword-decorator, 250, 266.
* Kaneko family, sword-decorators, 286.
* Kano Natsuo, sword-decorator, 309.
* Kano school of pictorial art, branch of the Classical school, 40; development of the decorative method, 42. See also Pictorial art.
* Kansai, chromo-xylographer, 51.
* Kansai, Koma, lacquerer, 362.
* Kansei, sculptor, 109.
* Kanyen, sculptor, 116.
* Kashiwaya Nagatsune, metal-carver, 295.
* Kasuga Motomitsu, painter, alleged founder of the Yamato school, 32, 33.
* Kasuga Tori, mask-carver, 166.
* Kasuga school of pictorial art, 33. See also Pictorial art, Yamato school.
* Kata-kiri style of incised chiselling, 274.
* Katsugi Uji-iye, sword-decorator, 272.
* Katsukawa Shunsho, chromo-xylographer, 50.
* Katsukawa Shunyei, chromo-xylographer, 50. ​
* Katsumasa, Hidan, decorative-sculptor, 161.
* Kawabata Gyokusho, painrer, 63.
* Kawanari, painter, traditional skill and originality, 27.
* Kawanobe Itcho, lacquerer, 363.
* Kawarabayashi Hidekuni, sword-decorator, 310.
* Kazutomo, Omori, sword-decorator, 303.
* Keibun, painter, 62.
* Keibunkai, sculptor, 81.
* Keibunkomi, sculptor, 81.
* Keijo, sword-decorator, 224.
* Keisai, art-founder, 143.
* Kenjō, Goto, sword-decorator, 221, 222.
* Kenyen, sculptor, 110.
* Kichijo-in, mask-carver, 166.
* Kijima Ippu, inlayer, 315.
* Kikuchi Yosai, painter, 62.
* Kikugawa Utamaro, chromo-xylographer, 50.
* Kimara, sculptor, 80.
* Kimimaro, sculptor, founder of the Nara Daibutsu, 81.
* Kimmochi, painter, 35.
* Kinai family, sword-decorators, 280, 374.
* Kinchaku, different uses, 169; method of wearing, 169. See also Sage-mono.
* Kinonaga, Torii, chromo-xylographer, 50.
* Kintada, painter, 35.
* Kishiu, Miyōchin, armourer, 263.
* Kitagawa Sōden, sword-decorator, 283.
* Kitao Shigemasa, chromo-xylographer, 50.
* Kiuhaku, Koma, lacquerer, 361.
* Kiui, Koma, lacquerer, 361.
* Kiushiu. See Izeki Jirozaemon.
* Kiuzui, Hamano, sword-decorator, 303.
* Kiyohiro, Torii, chromo-xylographer, 48.
* Kiyōji-tate, shape, use, and decoration, 192.
* Kiyomasu, Torii, chromo-xylographer, 48.
* Kiyomitsu, mask-carver, 165.
* Kiyomitsu, Torii, chromo-xylographer, 48.
* Kiyonaga, Torii, chromo-xylographer, 50.
* Kiyonari, Ishiguro, sword-decorator, 302.
* Kiyonobu, Torii, chromo-xylographer, 48.
* Kiyōsai, chromo-xylographer, 51; on motion in art, 57; as a genre painter, 62.
* Kiyoshige, Torii, chromo-xylographer, 48.
* Kizan. See Jikan.
* Kizayemon, sword -decorator, 290.
* Kōami family, lacquerers, 345, 360, 361.
* Kōben, sculptor, 113, 116; his Demon-lantern-bearers, 113.
* Kōbo Daishi, artist-priest, 29, 109; no surviving pictures, 30; brings pictures from China, 367.
* Kōchō, sculptor, 110.
* Kodama Choyemon Yoshimitsu, mask-carver, 168.
* Kodama Omi Mitsumasa, mask-carver, 168.
* Kōgai, origin, 218; origin of decoration, 251. See also Sword-furniture.
* Kogitsune, metal-carver, 282.
* Kōgō, use and decoration, 192.
* Koji, Yamagawa, sword-decorator, 309.
* Kōjo, sculptor, 110.
* Kōkei, sculptor, 113, 116.
* Kōkitsu, sculptor, 116.
* Kokō. See Hiroyoshi.
* Koma family, lacquerers, 361, 362.
* Ko-maro, sculptor, 109.
* Kongō family, No dancers, 162. ​
* Konju, Iwamoto, sword-decorator, 303.
* Konkwan, Iwamoto, sword-dccorator, 293.
* Korea, influence on Japanese art, 16–19, 76; prehistoric contact with Japan, 98.
* Koreo, Ishiguro, sword-decorator, 302.
* Koreshige, painter, 35.
* Koreshige, Ishiguro, sword-decorator, 302.
* Koretsune, Ishiguro, sword-decorator, 302.
* Koreyoshi, Ishiguro, sword-decorator, 302; specimen of his work, 306.
* Kōrin, painter, 62.
* Kōrin, sculptor, 116.
* Koriu-ji, temple, bronze statues of seventh century in, 79.
* Koriusai, chromo-xylographer, 50.
* Kose no Kanaoka. See Kanaoka.
* Kose school of pictorial art, Chinese style, 34; object of its work, 36. See also Pictorial Art.
* Kōsei, sculptor, 116.
* Kōshin, sculptor, 116.
* Kōsho, Heian-epoch sculptor, 107, 110; titles, 109.
* Kōshō, Military-epoch sculptor, 116.
* Kōshu, sculptor, 116.
* Kōshun, sculptor, 116.
* Kōson, sculptor, 116.
* Kōtan, sculptor, 116.
* Kōun, Heian-epoch sculptor-priest, 109.
* Kōun, Military-epoch sculptor-priest, 116.
* Kōun, Takamura, sculptor, 201; school, 201.
* Koushi, mask-carver, 165.
* Kōyei, sculptor, 116.
* Kōyō, sculptor, 116.
* Kōyu, sculptor, 116.
* Kozuka, origin of wearing, 218; origin of decoration, 251. See also Sword-furniture.
* Kubo Shunman, chromo-xylographer, 50.
* Kukai. See Kōbō Daishi.
* Kumagaye Naohiko, painter, 63.
* Kuninaga, sword-dccorator, 272, 374.
* Kusakari Kiyosada, inlayer, 296.
* Kuwamura family, sword-decorators, 271.
* Kwaikei, sculptor, 111; his Deva Kings, 113.
* Kwanjo, Iwamoto, sword-decorator, 203.
* Kwannon, goddess of mercy, Shotoku's statue, 77; wooden statue in temple Hokke-ji, 87.
* Kwanri, Iwamoto, sword-decorator, 303.
* Kwanze family, No dancers, 162.
* Kwōjō, Goto, sword-decorator, 221, 222; style, 259.
* Kyōtō, capital of Japan, influence on art development, 32.
* Lacquer, statues, 84, 86; qualities, 341; introduction, 342; development and use, 343–345, 346, 349; early master lacquerers, 345; modern conditions, 349; technique, 349–354, 377; decoration, 354–358; special varieties, 358–360.
* Lapidary work, ancient Japanese, 92.
* Leather used in girdle-pendants, 170.
* Light and shade, in Japanese pictures, 5, 15, 30, 59; in Chinese pictures, 22, 25.
* Line, in Japanese art, influence of ideographs, 8; styles of touch, 9; influence of artist's position while painting, 12; precedence, 12, 57, 58, 229; in Chinese art, 22; in religious pictures, 30; in caricatures, 36; development in incised chiselling, 274.
* Makunosuke. See Choun.
* Mambi. See Tosui. ​
* Manku. See Tosui.
* Mannerisms and copying in Japanese pictures, 13.
* Mansho. See Kodama Omi.
* Manual dexterity of Japanese artists, 9–11.
* Manyei. See Genkiu Mitsunaga.
* Maruyama Okio, painter, founder of the Shi-jo school, 59, 60.
* Masachika, Nara, sword-decorator, 289.
* Masaharu, Ishiguro, sword-decorator, 302.
* Masahiro, Ishiguro, sword-decorator, 302.
* Masakiyo, Ishiguro, sword-decorator, 302.
* Masamine, Kōami, lacquerer, 361.
* Masamitsu. See Yeijo.
* Masamune no Busshi, sculptor, 109.
* Masanaga, Nara, sword-decorator, 288, 289.
* Masanobu, painter, founder of the Kano school, 40.
* Masanobu, Nara, sword-decorator, 290.
* Masatsugu. See Kenjō.
* Masatsune, art-founder, 143.
* Masatsune, Ishiguro, sword-decorator, 301.
* Masatsune, Ito, sword-decorator, 282.
* Masayori, Hamano, sword-decorator, 291.
* Masayoshi, Ishiguro, sword-decorator, 302.
* Masks, use in the No dance, 163; as works of art, 165; celebrated carvers, 165–168.
* Masu-ya, artists called, 375.
* Matabei, Muneta, sword-decorator, 268.
* Mataemon, wood-carver, 150.
* Matazayemon, Muneta, sword-decorator, 268.
* Matsumoto Kisaburo, figure-sculptor, 200.
* Mayeda Toshiiye, chief of Kaga, career, 270; art patron, 271.
* Maze-gane, process in metal work, 314.
* Medicine box. See Inro.
* Meichō, painter, 31.
* Meishin. See Shigeyoshi (Meishin).
* Menesuke, Miyōchin, armourer, 262.
* Menuki, sword-mount, origin of decoration, 217, 251. See also Sword-furniture.
* Metal work, early development of decoration, 74, 78; in the Shōsō-in collection, 87–89; inlaying, 243–245; graining, 245–247; hammering, 312; insertion, 313; inserted inlaying, 313; maze-gane, 314; shibuichi-doshi, 314; sepia-inlaying, 315; ground-out inlaying, 315; in architectural decoration, 326. See also Alloys, Bronze, Gold, Iron, Sword-furniture.
* Michitaka, Sok en Kishō on sword-decoration, 212–225.
* Military epoch, virile character of sculpture, 110; specimens of religious sculpture, 111–114.
* Ming dynasty, China, character of pictorial art, 43.
* Minjo, sword-decorator, 310.
* Minkoku, sword-decorator, 310.
* Miroku, mask-carver, 165.
* Mirrors, ancient, 72, 96, 368; magical, 98; antiquity, 368.
* Mitsuiye. See Kwōjō.
* Mitsumasa. See Jujō, Teijō.
* Mitsumori. See Keijō.
* Mitsune Nakai, sword-decorator, 279.
* Mitsushige. See Sojukō.
* Mitsutaka. See Yenjō.
* Mitsutoshi. See Tsujō.
* Mitsutsugu. See Tokujō.
* Miyano, mask-carver, 166.
* Miyata Chikugo, mask-carver, 168.
* Miyochin family, armourers, 262, 267. ​
* Miyoju. See Shigeyoshi (Miyoju).
* Mizunō family, sword-decorators, 272.
* Mogarashi. See Kitagawa.
* Mokunosuke. See Tosui Mitsunori.
* Money-pouch. See Kinchaku.
* Monjushiri, thirteenth-century statue of, 113.
* Mori Sosen, painter, 61.
* Moriyoshi, Kuwamura, sword-decorator, 271.
* Morotsugu. See Shigehiro.
* Motochska, sword-decorator, 310.
* Motomichi, sword-decorator, 310.
* Motonari, sword-decorator, 310.
* Motonobu, painter, founder of the Kano school, 40.
* Muneta family, sword-decorators, 268.
* Muneyuki, Umetada, sword-decorator, 282.
* Myojun, sculptor-priest, 110.
* Nagafusa, Kōami, lacquerer, 361.
* Nagasaki as an art centre, 290.
* Nagashige, Kōami, lacquerer, 361.
Nagata Tomoharu, lacquerer, 362.
* Nagatsune, Yasui, metal-carver, 286.
* Nagayoshi family, sword-decorators, 272.
* Nagoshi family, art-founders, 136, 138.
* Naka Mitsuyuki, Deme, mask-carver, 167.
* Nakai family, sword-decorators, 279.
* Nakayama, Kōmin, lacquerer, 362.
* Nakayama Shōyeki, art-founder, 142.
* Namikawa Sosuke, head of a school of enamelers, 336, 376.
* Namikawa Yasuyuki, enameler, 336, 376.
* Naomichi, Muneta, sword-decorator, 269.
* Naomine, Muneta, sword-decorator, 269.
* Naoshige, Muneta, sword-decorator, 269.
* Naoshige, Okamoto, sword-decorator, 374.
* Nara, capital of Japan, art objects, 19; condition of pictorial art in Nara epoch, 26; civilisation, 81; aspect of the city, 83.
* Nara Busshi, 109.
* Nara family, sword-decorators, 276, 289, 305.
* Nara ningyo, and the netsuke, 175; form, 97, 199; history, 197–199, 369, 370.
* Nature, Japanese attitude toward, 226.
* Nen Kawo and the Chinese renaissance in Japanese art, 37.
* Netsuke, origin, 174–176; decoration, 176; designs in decoration, 177–185, 191; material, 177; criterion of value, 181–183, 196; form, 185; uniqueness, 193; sculptors, 193, 195–197.
* Nikkō, mask-carver, 165.
* Nikkō mausoleum, interior decoration, 154, 159.
* Ninomiya Tōtei, lacquerer, 362.
* Nishi Hongwan-ji, temple, interior decoration, 154.
* Nobuiye, Miyōchin, armourer, sword-guards, 263.
* Nobunaga as an art patron, 150, 162.
* Nobushige, painter, 35.
* Nobutsune Nakai, sword-decorator, 279.
* Nobuzane, painter, characteristics, 10.
* Nogami Yataro, art-founder, 145.
* Nomura Bunkyo, painter, 63.
* Nomura family, sword-decorators, 286, 287.
* Nude in art, Japanese attitude toward, 7, 125, 178, 180; Chinese attitude toward, 180.
* Oda Noaki, sword-decorator, 310.
* Ogata Gekko, chromo-xylographer, 51, 63.
* Ogata Kwōrin, lacquerer, 346, 361.
* Ogawa Ritsuō, lacquerer, 348, 362. ​
* Ogawa Shōmin, lacquerer, 362.
* Ohori Masatoshi, hammerer of metal, 312.
* O-i. See Wong Wei.
* Ojime, fashion, 173.
* Okamoto family of Hagi, metal-carvers, 279, 374.
* Okamoto family of Kyōtō, sword-decorators, 294, 374.
* Okamura Masanobu, xylographer, 46, 48.
* Okano Hohaku, figure-sculptor, 199.
* Okano Kijiro, sword-decorator, 310.
* Okazaki Sessei, art-founder, 145.
* Omori family, sword-decorators, 292, 303, 306.
* Omiva Yamato Bokunyu, mask-carver, 168.
* Ono. See Jikan.
* Ono Goroyemon, sculptor and founder of the Kamakura Daibutsu, 111.
* Ooka Shunboku, xylographer, 46.
* Oshima Katsujiro, art-founder, 144.
* Oshima Yasutaro, art-founder, 144.
* Ouishi, art-founder, 138.
* Patina, of bronze, 126, 127, 372; of Japanese alloys, 233, 235; of copper, 236, 372; of iron, 237; of pewter, 317.
* Perspective, in Japanese pictures, 4, 15, 58; in Chinese pictures, 22, 25.
* Pewter, composition, 317; use, 317; patina, 317.
* Pictorial art, Japanese, character, 2; decorative purpose, 3, 6; effect of purpose on characteristics, 4, 32; impressionistic, 5; motion, 6; exclusion of the nude, 7; ignorance of anatomy, 8; influence of ideographs, 8, 11, 31; styles of touch, 9; manual dexterity, 9–11; materials, 11; position of the artist while painting, 12; mannerisms, 13; multiplication of copies, 13; effect on criticism of inaccessibility of originals, 14; character of religious paintings, 15, 23, 30; relation to Chinese, 16, 21–24, 26, 37–40; influence of Buddhism, 17, 29; beginning of secular, 27–29; continued precedence of religious, 29, 30; technique of religious and secular, 31; first native school of secular, 31; Yamato school, 32, 33; Tosa school, 34; Kose or Classical school, 34; Takuma school, 35; objects of the work of these schools, 36; caricatures, 36; renaissance of Chinese influence, 37–41; periods in development, 41; development of the decorative mode, 42; reaction against the Classical school, 43; genre painting and the Popular school, 44; development of wood-cuts and coloured prints, 45–51; analysis of the work of the Popular school, 55–59; branches of the Popular school, 59–62; present conditions, 62–64; effect of Western ideas, 64–68; in architectural decoration, 151–155, 158; ancient distemper painting, 152; no frescos, 152; no portraits, 368. See also Fine arts.
* Picture-galleries, why none in Japan, 4, 14.
* Popular school of pictorial art, development of genre, 44; development of xylography, 45–51; Occidental popularity, 55; use of colour, 56; drawing, 57–59; absence of texture painting, 58. See also Pictorial art.
* Portraits, statue, 115; no pictorial, 368.
* Puppets of Nara. See Nara ningyo.
* Raijo, sculptor, 110.
* Refining metals, Japanese process, 371. ​
* Rein, J. J., on patina, 372.
* Relief, early designs in, 72; in bronze castings, 140; origin and development in metal-carving, 220, 249, 261; varieties in metal carving, 241; in lacquer, 344.
* Religious paintings, Japanese, 15, 23, 29, 30; technique, 31. See also Buddhism.
* Renjō, Goto, sword-decorator, 223.
* Repoussé, process in early statutes, 75; in sword-decoration, 220. See also Relief.
* Ri-fu-ho, traditional carver, 193.
* Rihei, Yamamoto, lacquerer, 362.
* Riuki. See Nogami.
* Riumin, sword-decorator, 310.
* Riyoyei, Iwamoto, sword-decorator, 303.
* Rōben, artist-priest, 86.
* Rwaiken, sculptor, 116.
* Ryōkin, wood-carver, 46.
* Sadahisa, sword-decorator, 310.
* Sage-mono, money-pouch, 169–171; tobacco outfit, 171, 187–191; medicine-box, 173, 186; origin of the netsuke, 174–176; its decoration, 176–186; en suite designs, 191.
* Saicho. See Dengyō Daishi.
* Sairen, mask-carver, 166.
* Sanehisa, Nagoshi, art-founder, 138.
* Sanko, mask-carver, 165.
* Sanraku, painter, 42.
* Sansei-sha, firm of art-founders, 144.
* Sanshō, Nagoshi, art-founder, 138.
* Screen painting, 3.
* Sculpture, Japanese, question of foreign influence, 19, 76, 78, 89, 193; superiority, 20; primitive conditions, 75; first sculptors, 76; wooden images by Tori and Shotoku, 77; bronze statues of seventh century, 79, 80; sculptors of the seventh century, 80; early culmination in Nara epoch, 80, 83, 85–89; influence of Buddhism, 82, 83, 106, 117–125; clay and dry-lacquer statues, 84; stone statues, 90–96; character of Heian epoch, 106–109; sculptors of the Heian epoch, 109; character of Military epoch, 110–115; portrait, 114, 115; sculptors of the Military epoch, 116; narrow range of motives, 123; the nude ignored, 125, 180; relation of the sculptor and bronze-caster, 148; development of wood-carving in interior decorations, 149–151, 154–161; mask carving and carvers, 164–168; of the netsuke, 176–186, 193; of the inro, 186; of the pipe-case, 190; origin of netsuke carving, 193–196; figure, 197–200; modern realism, 200; modern Kōun school of wood-carvers, 201–203; skill and demand in modern wood-carving, 203; Japanese knowledge of lights in, 315; training of sculptors, 319–321; source of designs, 321. See also Bronze, Fine arts, Sword-furniture.
* Seiami, lacquerer, 345, 361.
* Seichō, sculptor, 110.
* Seigai Kanshichi, lacquerer, 362.
* Seimin, art-founder, 142.
* Senshiu Yoriyoshi, mask-carver, 168.
* Senshu Yashamaru, mask-carver, 168.
* Senyen, sculptor, 116.
* Sesshiu, painter, 40.
* Seventh Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
* Shadows. See Light and shade.
* Shakudo alloy, composition, 232, 233; antiquity, 232; properties, 233.
* Shakuzuru, mask-carver, 165.
* Shiba Tachito, sculptor, 76; builds temples, 76. ​
* Shiba Tasu-na, sculptor, 76.
* Shiba Tori. See Tori Busshi.
* Shibara Ichidayu, lacquerer, 361.
* Shibata Zeshin, lacquerer, 349, 362.
* Shibayama Doshō, lacquerer, 357, 363.
* Shibuichi, composition, 234; properties, 235; antiquity, 235.
* Shibuichi-doshi, process in metal-work, 314.
* Shichirozayemon, founder, 136.
* Shigehiro, Yoshioka, metal-carver, 283, 284.
* Shigemitsu, Omori, sword-decorator, 292.
* Shigetsugu, Yoshioka, metal-carver, 283, 284.
* Shigeyoshi, Umetada, sword-decorator, 267.
* Shigeyoshi (Meishin), Umetada, sword-decorator, 268.
* Shigeyoshi (Miyōju), Umetada, sword-decorator, 267.
* Shi-jo school of pictorial art, 59. See also Pictorial art.
* Shikongō, clay statue of, in temple Todai-ji, 86.
* Shimizu Rinkei, mask-carver, 166.
* Shinkai Takejiro, wood-carver, 202.
* Shirayama Shōya, lacquerer, 363.
* Shishō Daishi, sculptor-priest, 109.
* Shitan wood, properties and use, 369.
* Shōami Masanari, lacquerer, 362.
* Shōami Masanobu, inlayer, 273.
* Shōami Nagatsugu, inlayer, 273.
* Shōbei, Yamamoto, lacquerer, 361.
* Shōga Shiubun, painter, 37, 40.
* Shōkaku. See Oshima Katsujiro.
* Shōko, Iwamoto, sword-decorator, 303.
* Shōkwasai, lacquerer, 363.
* Shōsō-in collection of objects of applied art, 19, 87–89.
* Shotoku, Prince, character, 77; as a sculptor, 77.
* Shōun, decorative-sculptor, 161.
* Shōun, mask-carver, 166.
* Shōyemon, Nomura, sword-decorator, 287.
* Shōzui. See Masayori.
* Shuncho, chromo-xylographer, 50.
* Shunkei, sculptor-priest, 116.
* Shunshō, Yamamoto, lacquerer, 361.
* Shunzui, Hamano, sword-decorator, 303.
* Shuraku, sword-decorator, 310.
* Shuzan. See Tosa Mitsuoki.
* Shuzui, Hamano, sword -decorator, 303.
* Silver, use in Japanese art, 231; surfacing debased, 231, 372.
* Silver Pavilion, decoration, 153.
* Soami Hisatsugu, mask-carver, 166.
* Soami family, sword-decorators, 269.
* Sohaku, Kōami, lacquerer, 345, 361.
* Sōjō, Goto, sword-decorator, 220, 222.
* Sōju. See Shigetsugu.
* Sojukō, Goto, sword-decorator, 222.
* Sokei, Kōami, lacquerer, 345, 361.
* Sōkō, Hirata, hammerer of metal, 312.
* Somin, art-founder, 143.
* Sōmin, Yokōya, sword-decorator, 274–276.
* Sōtoku. See Shigehiro.
* Sōyo, Yokoya, sword-decorator, 274.
* Sozen, Kōami, lacquerer, 345, 361.
* Statues. See Bronze, Sculpture.
* Stone statues, mediocre, 90, 93; unsatisfactory material, 91, 96; Japanese skill, 92; ancient monument, 92; buried effigies, 93; images, 94–96.
* Suggestion in Japanese pictures, 5; in Chinese pictures, 23.
* Sukezaemon. See Jikan Yoshimitsu, Yukan Mitsuyasu.
* Sumptuary laws on chromo-xylographs, 51.
* Sung dynasty, China, character of its pictorial art, 22.
* Surfacing debased metals, 231, 371.
* Suwara Yasugoro, art-founder, 144. ​
* Suzuki Harunobu. See Harunobu.
* Suzuki Gcnsuke, hammerer of metals, 312; originates process of insertion, 313.
* Suzuki Chōkichi, art-founder, 145.
* Suzuki Kichigoro, invents antimony ware, 318.
* Suzuki Kinyemon, sword-decorator, 303.
* Sword-furniture, Japanese, early decoration, 74; skill in decorating, 207; character of decoration, 208; articles, 210, 211, 217–219, 250, 251; Japanese commentary on decoration, 212–225; Goto family of decorators, 212, 219–225, 252–261; identification of decorators, 212, 213, 219; styles of metal ground, 213, 238–241; grades of decorators, 214; high ideals of master carvers, 215, 216; antiquity of decoration, 217; technical skill and motives in decoration, 227–229, 252–260, 288; chisels used, 229; metals employed, 230, 232, 236; methods of chiselling, 241–243, 247, 274; inlaying, 243–245, 272; graining, 245–247; beginning of relief carving, 249; early field of decoration, 250–252; development of guard decoration, 261–265; decoration in the sixteenth century, 266–270; decoration in the seventeenth century, 270–286; enamel decoration, 285, 332; decoration in the eighteenth century, 286–296; decoration in the nineteenth century, 296–303, 308–311; termination of production, 297; social influence on decoration, 304–306; specimens of nineteenth-century work, 306–308; guild, 310. See also Metal-work.
* Swords, bronze, 71; iron, 72; varieties, 209; disappearance of samurai, 297. See also Sword-furniture.
* Symmetry, axiom of, in art, 20.
* Tachibana no Morikumi, xylographer, 46.
* Taiami, lacquerer, 345, 360.
* Takaichi Makuni, sculptor, 81.
* Takaichi Mamaro, sculptor, 81.
* Takamura Kōun, sculptor, 201; school, 201.
* Takao-maro, sculptor, 109.
* Takashima Takakane, painter, 34.
* Takatsune, Soami, sword-decorator, 269.
* Takayoshi, Miyōchin, armourer, 263.
* Taki Katei, painter, 63.
* Takioka family, puppet-makers, 370.
* Takuma Tamenari, painter, school, 35; religious pictures, 35.
* Takuma school of pictorial art, 35. See also Pictorial art.
* Takusai, art-founder, 144.
* Tamakaji Zokoku, lacquerer, 362.
* Tancho, decorative-sculptor, 161.
* Tang dynasty, China, character of its pictorial art, 22.
* Tankai Rishi, mask-carver, 166.
* Tari-maro, sculptor, 109.
* Taroyemon. See Naka.
* Tatsuki Chōbei, lacquerer, 361.
* Tea-ceremonial, Hideyoshi's influence, 136; urns, 136.
* Teijō, art-founder, 143.
* Teijō, Goto, sword-decorator, 222.
* Temmin, sword-decorator, 310.
* Tenaka Kiyohisa, sword-decorator, 310.
* Teruhide, Omori, sword-decorator, 292.
* Terumasa, Omori, sword-decorator, 292.
* Terumoto, Omori, sword-decorator, 303.
* Tetsugen. See Naoshige (Okamoto.)
* Texture not shown in Japanese pictures, 59.
* Theatre, influence of the No dance, 164.
* Third Avenue academy of sculptors, ​110; in Military epoch, 116. See also Sculpture.
* Toba Sojō. See Kakuyu.
* Tobacco, introduction, 171; clubs, 171; early pipes, 172; modern fashion in outfit, 172, 187–191; en suite decoration of outfit, 191. See also Sage-mono.
* Tohaku Mitsutaka, Dcme, mask-carver, 167.
* Tokei, sculptor, 116.
* Tokugawa epoch, influence on art, 43, 139, 270.
* Tokujō, Goto, sword-decorator, 221.
* Tokuwaka Tadamasa, mask-carver, 165.
* Tomi Yeisuke, art-founder, 145.
* Tomochika, Omori, sword-decorator, 303.
* Tomoharu, Okamoto, sword-decorator, 279.
* Tomotsugu, Okamoto, sword-decorator, 279.
* Tomotsune, Nakai, sword-decorator, 279.
* Tomotsune, Omori, sword-decorator, 303.
* Tomoyuki, Nakai, sword-decorator, 279.
* Tori Busshi, sculptor, skill, 76, 77; wooden statues, 77.
* Torii family, chromo-xylographers, 48, 50.
* Toriusai. See Okano Kijiro.
* Tōrō, development of casting, 140.
* Tosa Mitsuoki, netsuke carver, 195.
* Tosa school of pictorial art, 34–36. See also Pictorial art.
* Toshiharu, Nara, sword-decorator, 276.
* Toshihisa, Nara, sword-decorator, 276, 374.
* Toshinaga, Nara, sword-decorator, 277.
* Toshiteru, Nara, sword-decorator, 276.
* Tosui Mitsunori, Deme, mask-carver, 167.
* Tōun, art-founder, 143.
* Toun Yasutaka, Deme, mask-carver, 167.
* Toyoda Kokō, metal-worker, achievements, 313, 314.
* Toyoharu, Utagawa, chromo-xylographer, 50.
* Toyokuni, Utagawa, chromo-xylographer, 50.
* Toyonobu, Utagawa, chromo-xylographer, 50.
* Tsuji family, sword-decorators, 285.
* Tsujō, Goto, sword-decorator, 222, 223.
* Tuke, S., on the chromo-xylograph process, 52–55.
* Uchino Harutoshi, sword-decorator, 309.
* Umetada family, swordsmiths and decorators, 267, 282.
* Unga, sculptor, 116.
* Unkei, sculptor, 111; his Deva Kings, 113; his Watch Dogs, 113.
* Unshō, sculptor, 116.
* Untaro. See Toun Yasutaka.
* Utagawa family, chromo-xylographers, 50.
* Uwo Hyoye, mask-carver, 166.
* Uyematsu Hōmin, lacquerer, 363.
* Uyemura family, sword-decorators, 286.
* Wakabayashi family, sword-decorators, 286.
* Watanabe Hisamitsu, sword-decorator, specimen of his work, 308.
* Watanabe Kwazan, secretly studies Occidental methods, 66; ordered to commit suicide, 66; commemoration, 66; Western influence on his paintings, 67.
* Watanabe Seitei, painter, 51, 63; influence of Western methods on, 68. ​
* Weapons, bronze, 71. See also Sword.
* Wong Wei, Chinese painter, 22.
* Wood, development of wood-engraving, 45–47, 367; development of chromo-xylographs, 48–51; technique of chromo-xylographs, 51–55; early wooden statues, 76–78; Nara-epoch statue, 87; Heian-epoch statues, 108; the Deva Kings, 112; favourite material for statues, 117; carving in interior decoration, 150, 154–158; carved masks, 163, 165; netsuke carvings, 177; puppets, 194, 197–200; modern carving, 200–204.
* Wu Tao-tsz, Chinese painter, 22.
* Xylography. See Wood.
* Yakushi, sculptor, 80.
* Yakushi, seventh-century bronze statue of, 79.
* Yamagawa Koji. See Koji.
* Yamamoto Fukumatsu, figure-sculptor, 201.
* Yamamoto family, lacquerers, 361, 362.
* Yamato Mamori, mask-carver, 168.
* Yamato school of pictorial art, 32, 34–36. See also Pictorial art.
* Yasha, mask-carver, 165.
* Yashichiro, Nagoshi, founder, invents tea-ceremonial urn, 136; honours, 137.
* Yasuchicka, Nara, sword-decorator, 276.
* Yasuchika Shinsuke, sword-decorator, 303.
* Yasui family, sword-decorators, 286.
* Yasuiye, Jiyemon, art-founder, 141.
* Yasuteru, Jiyemon, art-founder, 141.
* Yechizen. See Toshiharu.
* Yeijiro. See Ichijo.
* Yeijō, Goto, sword-decorator, 221.
* Yeishi, chromo-xylographer, 50.
* Yeishi, Iwamoto, sword-decorator, 303.
* Yenchin, artist-priest, 29.
* Yenjō, Goto, sword-decorator, 224.
* Yoji Hidetsugu, lacquerer, 361.
* Yōjuro. See Nakayama Shōyeki.
* Yokoya family, sword-decorators, 274, 305.
* Yoneharu Unkai, sculptor, 202.
* Yosei, lacquerer, 363.
* Yoshimichi, Miyōchin, armourer, 263.
* Yoshinari, mask-carver, 165.
* Yoshinori, Mizuno, sword-decorator, 272.
* Yoshioka Tadatsuga, sword-decorator, 310.
* Yoshisato, Ishiguro, sword-decorator, 302.
* Yoshishige, sword-decorator, 272, 374.
* Yoshitsugu, Akao, sword-decorator, 281.
* Yoshitsune, Ishiguro, sword-decorator, 302.
* Yoshitsune, Minamoto, his armour, 205.
* Yujō, Goto, sword-decorator, 217, 218, 220, 222; and relief carving, 249; field, 250, 251; skill, 252; specimens of his work, 255, 256, 258.
* Yukan Mitsuyasu, Deme, mask-carver, 167.
* Yusai Yasuhisa, Deme, mask-carver, 167.
* Yuzayemon, wood-carver, 150.
* Zenriusai Gido. See Suwara.
* Zenshō, Nagoshi, art-founder, 138.
* Zuiyetsu. See Iyemasa.
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