# Riders of the Silences/Chapter 21

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CHAPTER XXI
THE DANCE
Jacqueline could never back a horse in that gown, or even sit sidewise in the saddle without hopelessly crumpling it, so they walked to the school-house. It was a slow progress, for she had to step lightly and carefully for fear of the slippers. He took her bare arm and helped her; he would never have thought of it under ordinary conditions, but since she had put on this gown she was greatly changed to him, no longer the wild, free rider of the mountain-desert, but a defenseless, strangely weak being. Her strength was now something other than the skill to ride hard and shoot straight and quick.
Greatest wonder of all, she accepted the new relation tacitly, and leaned more and more weight on his hand, and even looked up and laughed with pleasure when he almost lifted her over a muddy runlet. It was all new, very strange, and, oddly enough, not unpleasant. Each was viewing the other from such an altered point that neither spoke.
So they came to the schoolhouse in this silence, and reached the long line of buggies, buckboards, and, most of all, saddled horses. They flooded the horse-shed where the school children stabled their ​mounts in the winter weather. They were tethered to the posts of the fence; they were grouped about the trees.
It was a prodigious gathering, and a great affair for the mountain-desert. They knew this even before they had set foot within the building.
They stopped here and adjusted their masks carefully. They were made from a strip of black lining which Jack had torn from one of the coats in the trunk which lay far back in the hills.
Those masks had to be tied firmly and well, for some jester might try to pull away that of Pierre, and if his face were seen, it would be death—a slaughter without defense, for he had not been able to conceal his big Colt in these tight-fitting clothes. Even as it was, there was peril from the moment that the lights within should shine on that head of dark-red hair.
As for Jack, there was little fear that she would be recognized. She was strange even to Pierre every time he looked down at her, for she had ceased to be Jack and had become very definitely "Jacqueline." But the masks were on; the scarf adjusted about the throat and bare, shivering shoulders of Jack, and they stood arm in arm before the door out of which streamed the voices and the music.
"Are you ready?"
"Yes."
"Pierre—if they should find us out—"
"Never in a thousand years. Are you ready?"
"Yes."
But she was trembling so, either from fear, or ​excitement, or both, that he had to take a firm hold on her arm and almost carry her up the steps, shove the door open, and force her in.
A hundred eyes were instantly upon them, practised, suspicious eyes, accustomed to search into all things and take nothing for granted; eyes of men who, when a rap came at their door, looked to see whether or not the shadow of the stranger fell full in the center of the crack beneath the door. If it fell to one side the man might be an enemy, and therefore they would stand at one side of the room, their hands upon the butt of the six-gun, and shout: "Come in." Such was the battery of glances from the men, and the color of Pierre altered, paled.
He knew some of those faces, for those who hunt and are hunted never forget the least gestures of their enemies. There was a mighty temptation to turn back even then, but he set his teeth and forced himself to stand calmly, adjust the absurd eye-glass on his nose, and stare about the room.
The chuckle which replied to this maneuver freed him for the moment. Suspicion was lulled. Moreover, the red-jeweled hair of Jacqueline and her lighted eyes called all attention almost immediately upon her. She shifted the golden scarf—the white arms and breast flashed in the light—a gasp responded. There would be talk to-morrow; there were whispers even now.
It was not the main hall that they stood in, for this school, having been built by an aspiring community, contained two rooms; this smaller room, used by the little ones of the school, was now ​converted into a hat-and-cloak room, and here also were a dozen baskets and boxes filled with comforters and blankets.
It was because of what lay in those baskets that the men and the women walked and talked softly in this room. They were wary lest they should arouse a sound which not even the loudest music could quite drown—a sound which makes all women sit up straight and sniff like hunted animals at bay, and makes all men frown and glance about for places of refuge.
Now and then some girl came panting and flushed from the dance-hall within and tiptoed to one of these baskets, and raised an edge of a blanket and looked down at the contents with a singular smile. Pierre hung up his hat, removed his gloves slowly, nerving himself to endure the sharp glances, and opened the door for Jacqueline.
If she had held back tremulously before, something she had seen in the eyes of those in the first room, something in the whisper and murmur which rose the moment she started to leave, gave her courage. She stepped into the dance-hall like a queen going forth to address devoted subjects.
The second ordeal was easier than the first. There were many times more people in that crowded room, but each was intent upon his own pleasure. A wave of warmth and light swept upon them, and a blare of music, and a stir and hum of voices, and here and there the sweet sound of a happy girl's laughter. They raised their heads, these two wild ​rangers of the mountain-desert, and breathed deep of the fantastic scene.
It was marvelous, indeed, that so much gay life could exist within the arms of those gaunt, naked hills beyond the windows. There was no attempt at beauty in the costumes of the masqueraders. Here and there some girl achieved a novel and pleasing effect; but on the whole they strove for cheaper and more stirring things in the line of the grotesque.
Here passed a youth wearing a beard made from the stiff, red bristles of the tail of a sorrel horse. Another wore a bear's head cunningly stuffed, the grinning teeth flashing over his head and the skin draped over his shoulders. A third disfigured himself horribly by painting after the fashion of an Indian on the war-path, with crimson streaks down his forehead and red and black across his cheeks.
But not more than a third of all the assembly made any effort to masquerade, beyond the use of the simple black mask across the upper part of the face. The rest of the men and women contented themselves with wearing the very finest clothes they could afford to buy, and there was through the air a scent of the general merchandise store which not even a liberal use of cheap perfume and all the drifts of pale-blue cigarette smoke could quite overcome.
As for the music, it was furnished by two very old men, relics of the days when there were contests in fiddling; a stout fellow of middle age, with cheeks swelled almost to bursting as he thundered out terrific blasts on a slide trombone; a youth who ​rattled two sticks on an overturned dish-pan in lieu of a drum, and a cornetist of real skill.
In an interlude, before very long, he would amuse with a solo, including all sorts of runs and whistling notes, and be a source of talk for many a month to come.
There were hard faces in the crowd, most of them, of men who had set their teeth against hard weather and hard men, and fought their way through, not to happiness, but to existence, so that fighting had become their pleasure.
Now they relaxed their eternal vigilance, their eternal suspicion. Another phase of their nature weakened. Some of them were smiling and laughing for the first time in months, perhaps, of bitter labor and loneliness on the range. With the gates of good-nature opened, a veritable flood of gaiety burst out. It glittered in their eyes, it rose to their lips in a wild laughter. They seemed to be dancing more furiously fast in order to forget the life which they had left, and to which they must return.
And through all the cheapness there was a great note of poetry as well; but one caught this only by a sense of intuition, or by remembering that these were the conquerors of the bitter nature of the mountain-desert There was beauty here, the beauty of strength in the men and a brown loveliness in the girls; just as in the music, the blatancy of the rattling dish-pan and the blaring trombone were more than balanced by the real skill of the violinists, who kept a high, sweet, singing tone through all the clamor.
​One could close his ears to the rest of the noise, if he strove to do so, and hear nothing but that harmonious moaning of the strings, steady and clear, like the aspirations of a man divorced from the facts of his weakness and his crudeness in practical life.
And Pierre le Rouge and Jacqueline? They stood aghast for a moment when that crash of noise broke around them; but they came from a life where there was nothing of beauty except the lonely strength of the mountains and the appalling silences of the stars that roll above the desert. Almost at once they caught the overtone of human joyousness, and they turned with strange smiles to each other, and it was "Pierre?" "Jack?" Then a nod, and she was in his arms, and they glided into the dance.