# The Wheel of Fortune/Chapter 10

SPINNING
THE MUSIC OF THE SPINNING WHEEL
Slowly but surely the music of perhaps the most ancient machine of India is once more permeating society. Pandit Malaviyaji has stated that he is not going to be satisfied until the Ranis and the Maharanis of India spin yarn for the nation, and the Ranas and the Maharanas sit behind the handlooms and weave cloth for the nation. They have the example of Aurangzeb who made his own caps. A greater emperor—Kabir—was himself a weaver and has immortalised the art in his poems. The Queens of Europe, before Europe was caught in Satan's trap, spun yarn and considered it a noble calling. The very words, spinster and wife, prove the ancient dignity of the art of spinning and weaving. 'When Adam delved and Eve span, who was then a gentleman,' also reminds one of the same fact. Well may Panditji hope ​to persuade the royalty of India to return to the ancient calling of this sacred land of ours. Not on the clatter of arms depends the revival of her prosperity and true independence. It depends most largely upon re-introduction, in every home, of the music of the spinning wheel. It gives sweeter music and is more profitable than the execrable harmonium, concertina and the accordian.
Whilst Panditji is endeavouring in his inimitably suave manner to persuade the Indian royalty to take up the spinning wheel, Shrimati Saraia Devi Choudhrani, who is herself a member of the Indian nobility, has learnt the art and has thrown herself heart and soul into the movement. From all the accounts received from her and others, Swadeshi has become a passion with her. She says she feels uncomfortable in her muslin saris and is content to wear her khaddar saris even in the hot weather. Her khaddar saris continue to preach true Swadeshi more eloquently than her tongue. She has spoken to audiences in Amritsar, Ludhiana and ​elsewhere and has succeeded in enlisting the services, for her Spinning Committee at Amritsar, of Mrs. Ratanchand and Bugga Chowdhry and the famous Ratan Devi who during the frightful night of the 13th April despite the Curfew Order of General Dyer sat, all alone in the midst of the hundreds of the dead and dying, with her dead husband's cold head in her lap. I venture to tender my congratulations to these ladies. May they find solace in the music of the spinning wheel and in the thought that they are doing national work. I hope that the other ladies of Amritsar will help Sarala Devi in her efforts and that the men of Amritsar will realise their own duty in the matter.
In Bombay the readers are aware that ladies of noted families have already taken up spinning. Their ranks have been joined by Dr. Mrs. Manekbai Bahudarji who has already learnt the art and who is now trying to introduce it in the Sevasadan. Her Highness the Begum Saheba of Janjira and her sister Mrs. Atia Begum Rahiman, have also undertaken to learn the art. I ​trust that these good ladies will, having learnt spinning, religiously contribute to the nation their daily quota of yarn.
I know that there are friends who laugh at this attempt to revive this great art. They remind me that in these days of mills, sewing machines or typewriters, only a lunatic can hope to succeed in reviving the rusticated spinning wheel. These friends forget that the needle has not yet given place to the sewing machine nor has the hand lost its cunning in spite of the typewriter. There is not the slightest reason why the spinning wheel may not co-exist with the spinning mill even as the domestic kitchen co-exists with the hotels. Indeed typewriters and sewing machines may go, but the needle and the reed pen will survive. The mills may suffer destruction. The spinning wheel is a national necessity. I would ask sceptics to go to the many poor homes where the spinning wheel is again supplementing their slender resources and ask the inmates whether the spinning wheel has not brought joy to their homes. ​Thank God, the reward issued by Mr. Rewashanker Jagjiwan bids fare to bear fruit. In a short time India will possess a renovated spinning wheel—a wonderful invention of a patient Deccan artisan. It is made out of simple materials. There is no great complication about it. It will be cheap and capable of being easily mended. It will, give more yarn than the ordinary wheel and is capable of being worked by a five years old boy or girl. But whether the new machine proves what it claims to be or it does not, I feel convinced that the revival of hand-spinning and hand-weaving will make the largest contribution to the economic and the moral regeneration of India. The millions must have a simple industry to supplement agriculture. Spinning was the cottage industry years ago and if the millions are to be saved from starvation, they must be enabled to reintroduce spinning in their homes, and every village must repossess its own weaver. Y. I.—21st July 1920.
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