OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Concepción (Chile)

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​CONCEPCIÓN, a city of southern Chile, capital of a province and department of the same name, on the right bank of the Bio-Bio river, 7 m. above its mouth, and 355 m. S.S.W. of Santiago by rail. Pop. (1895) 39,837; (1902, estimated) 49,351. It is the commercial centre of a rich agricultural region, but because of obstructions at the mouth of the Bio-Bio its trade passes in great part through the port of Talcahuano, 8 m. distant by rail. The small port of Penco, situated on the same bay and 10 m. distant by rail, also receives a part of the trade because of official restrictions at Talcahuano. Concepción is one of the southern termini of the Chilean central railway, by which it is connected with Santiago to the N., with Valdivia and Puerto Montt to the S., and with the port of Talcahuano. Another line extends southward through the Chilean coal-producing districts to Curanilhué, crossing the Bio-Bio by a steel viaduct 6000 ft. long on 62 skeleton piers; and a short line of 10 m. runs ​northward to Penco. The Bio-Bio is navigable above the city for 100 m. and considerable traffic comes through this channel. The districts tributary to Concepción produce wheat, wine, wool, cattle, coal and timber, and among the industrial establishments of the city are flour mills, furniture and carriage factories, distilleries and breweries. The city is built on a level plain but little above the sea-level, and is laid out in regular squares with broad streets. It is an episcopal see with a cathedral and several fine churches, and is the seat of a court of appeal. The city was founded by Pedro de Valdivia in 1550, and received the singular title of “La Concepción del Nuevo Extremo.” It was located on the bay of Talcahuano where the town of Penco now stands, about 9 m. from its present site, but was destroyed by earthquakes in 1570, 1730 and 1751, and was then (1755) removed to the margin of the Bio-Bio. In 1835 it was again laid in ruins, a graphic description of which is given by Charles Darwin in The Voyage of H.M.S. Beagle. The city was twice burned by the Araucanians during their long struggle against the Spanish colonists.
# 1911 Encyclopædia Britannica/Concert

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​CONCERT (through the French from Lat. con-, with, and certare, to strive), a term meaning, in general, co-operation, agreement or union; the more specific usages being, in music, for a public performance by instrumentalists, vocalists or both combined, and in diplomacy, for an understanding or agreement for common action between two or more states, whether defined by treaty or not. The term “Concert of Europe” has been commonly applied, since the congress of Vienna (1814–1815), to the European powers consulting or acting together in questions of common interest. (See Alliance and Europe: History.)
# 1911 Encyclopædia Britannica/Dalriada

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​DALRIADA, the name of two ancient Gaelic kingdoms, one in Ireland and the other in Scotland. The name means the home of the descendants of Riada. Irish Dalriada was the district which now forms the northern part of county Antrim, and from which about A.D. 500 some emigrants crossed over to Scotland, and founded in Argyllshire the Scottish kingdom of Dalriada. For a time Scottish Dalriada appears to have been dependent upon Irish Dalriada, but about 575 King Aidan secured its independence. One of Aidan’s successors, Kenneth, became king of the Picts about 843, and gradually the name Dalriada both in Ireland and Scotland fell into disuse.
See W. F. Skene, Celtic Scotland (Edinburgh, 1876–1880).
# 1911 Encyclopædia Britannica/Dalry

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​DALRY (Gaelic, “the field of the king”), a mining and manufacturing town of Ayrshire, Scotland, on the Garnock, 231/4 m. S.W. of Glasgow, by the Glasgow & South-Western railway. Pop. (1901) 5316. The public buildings include the library and reading-room, the assembly rooms, Davidshill hospital, Temperance hall and night asylum. There is a public park. The industries consist of woollen factories, worsted spinning, box-, cabinet-, coke- and brick-making, machine-knitting, currying and the manufacture of aerated waters. Coal and iron are found, but mining is not extensively pursued. In the vicinity are the iron works of Blair and Glengarnock, and a curious stalactite cave, known as Elf House, 30 ft. high and about 200 ft. long, offering some resemblance to a pointed aisle. Rye Water flows into the Garnock close to the town. Captain Thomas Crawford of Jordanhill (1530–1603), the captor of Dumbarton Castle, spent the closing years of his life at Dalry, where a considerable estate had been granted to him.
# 1911 Encyclopædia Britannica/Dalradian

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​DALRADIAN, in geology, a series of metamorphic rocks, typically developed in the high ground which lies E. and S. of the Great Glen of Scotland. This was the old Celtic region of Dalradia, and in 1891 Sir A. Geikie proposed the name Dalradian as a convenient provisional designation for the complicated set of rocks to which it is difficult to assign a definite position in the stratigraphical sequence (Q.J.G.S. 47, p. 75). In Sir A. Geikie’s words, “they consist in large proportion of altered sedimentary strata, now found in the form of mica-schist, graphite-schist, andalusite-schist, phyllite, schistose grit, greywacke and conglomerate, quartzite, limestone and other rocks, together with epidiorites, chlorite-schists, hornblende schists and other allied varieties, which probably mark sills, lava-sheets or beds of tuff, intercalated among the sediments. The total thickness of this assemblage of rocks must be many thousand feet.” The Dalradian series includes the “Eastern or Younger schists” of eastern Sutherland, Ross-shire and Inverness-shire—the Moine gneiss, &c.—as well as the metamorphosed sedimentary and eruptive rocks of the central, eastern and south-western Highlands. The series has been traced into the north-western counties of Ireland. The whole of the Dalradian complex has suffered intense crushing and thrusting.
See Pre-Cambrian; also J. B. Hill, Q.J.G.S., 1899, 55, and G. Barrow, loc. cit., 1901, 57, and the Annual Reports and Summaries of Progress of the Geological Survey of the United Kingdom from 1893 onwards.
# 1911 Encyclopædia Britannica/Dalou, Jules

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​DALOU, JULES (1838–1902), French sculptor, was the pupil of Carpeaux and Duret, and combined the vivacity and richness of the one with the academic purity and scholarship of the other. He is one of the most brilliant virtuosos of the French school, admirable alike in taste, execution and arrangement. He first exhibited at the Salon in 1867, but when in 1871 the troubles of the Commune broke out in Paris, he took refuge in England, where he rapidly made a name through his appointment at South Kensington. Here he laid the foundation of that great improvement which resulted in the development of the modern British school of sculpture, and at the same time executed a remarkable series of terra-cotta statuettes and groups, such as “A French Peasant Woman” (of which a bronze version under the title of “Maternity” is erected outside the Royal Exchange), the group of two Boulogne women called “The Reader” and “A Woman of Boulogne telling her Beads.” He returned to France in 1879 and produced a number of masterpieces. His great relief of “Mirabeau replying to M. de Dreux-Brézé,” exhibited in 1883 and now at the Palais Bourbon, and the highly decorative panel, “Triumph of the Republic,” were followed in 1885 by “The Procession of Silenus.” For the city of Paris he executed his most elaborate and splendid achievement, the vast monument, “The Triumph of the Republic,” erected, after twenty years’ work, in the Place de la Nation, showing a symbolical figure of the Republic, aloft on her car, drawn by lions led by Liberty, attended by Labour and Justice, and followed by Peace. It is somewhat in the taste of the Louis XIV. period, ornate, but exquisite in every detail. Within a few days there was also inaugurated his great “Monument to Alphand” (1899), which almost equalled in the success achieved the monument to Delacroix in the Luxembourg Gardens. Dalou, who gained the Grand Prix of the International exhibition of 1889, and was an officer of the Legion of Honour, was one of the founders of the New Salon (Société Nationale des Beaux-Arts), and was the first president of the sculpture section. In portraiture, whether statues or busts, his work is not less remarkable.
# 1911 Encyclopædia Britannica/Dalmellington

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​DALMELLINGTON, a village of Ayrshire, Scotland, 15 m. S.E. of Ayr by a branch line, of which it is the terminus, of the Glasgow & South-Western railway. Pop. (1901) 1448. The district is rich in minerals—coal, ironstone, sandstone and limestone. Though the place is of great antiquity, the Roman road running near it, few remains of any interest exist. It was, however, a centre of activity in the Covenanting times.
# 1911 Encyclopædia Britannica/Dalton

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​DALTON, a city and the county-seat of Whitfield county, Georgia, U.S.A., in the N.W. part of the state, 100 m. N.N.W. of Atlanta. Pop. (1890) 3046; (1900) 4315 (957 negroes); (1910) 5324. Dalton is served by the Southern, the Nashville, Chattanooga & St Louis, and the Western & Atlanta (operated by the Nashville, Chattanooga & St Louis) railways. The city is in a rich agricultural region; ships cotton, grain, fruit and ore; and has various manufactures, including canned fruit and vegetables, flour and foundry and machine shop products. It is the seat of Dalton Female College. Dalton was founded by Duff Green and others in 1848, and was incorporated in 1874. Hither General Braxton Bragg retreated after his defeat at Chattanooga in the last week of November 1863. Three weeks afterwards Bragg, in command of the army in northern Georgia in winter quarters here, was replaced by General Joseph E. Johnston, who, with his force of 54,400, adopted defensive tactics to meet Sherman’s invasion of Georgia, with his 99,000 or 100,000 men in the Army of the Cumberland (60,000) under General G. H. Thomas, the Army of the Tennessee (25,000) under General J. B. M‘Pherson, and the Army of the Ohio (14,000) under General J. M. Schofield. The Federal forces stretched for 20 m. in a position south of Ringgold and between Ringgold and Dalton. Johnston’s line of defences included Rocky Face Ridge, a wall of rock through which the railway passes about 5 m. north-west of the city, Mill Creek (1 m. north-north-west of Dalton), which he dammed so that it could not be forded, and earthworks north and east of the city. On the 7th of May General M’Pherson started for Resaca, 18 m. south of Dalton, to occupy the railway there in Johnston’s rear, but he did not attack Resaca, thinking it too strongly protected; Thomas, with Schofield on his left, on the 7th forced the Confederates through Buzzard’s Roost Gap (the pass at Mill Creek) north-west of Dalton; at Dug Gap, 4 m. south-west of Dalton, on the 8th a fierce Federal assault under Brigadier-General John W. Geary failed to dislodge the Confederates from a quite impregnable position. On the 11th the main body of Sherman’s army followed M’Pherson toward Resaca, and Johnston, having evacuated Dalton on the night of the 12th, was thus forced, after five days’ manœuvring and skirmishing, to march to Resaca and to meet Sherman there.
See J. D. Cox, The Atlanta Campaign (New York, 1882); Johnson and Buel, Battles and Leaders of the Civil War (4 vols., New York, 1887); and Official Records of the War of the Rebellion, series 1, vols. 32, 38, 39, 45, 49; series ii., vol. 8.
# 1911 Encyclopædia Britannica/Dallmeyer, John Henry

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​DALLMEYER, JOHN HENRY (1830–1883), Anglo-German optician, was born on the 6th of September 1830 at Loxten, Westphalia, the son of a landowner. On leaving school at the age of sixteen he was apprenticed to an Osnabrück optician, and in 1851 he came to London, where he obtained work with an optician, W. Hewitt, who shortly afterwards, with his workmen, entered the employment of Andrew Ross, a lens and telescope manufacturer. Dallmeyer’s position in this workshop appears to have been an unpleasant one, and led him to take, for a time, employment as French and German correspondent for a commercial firm. After a year he was, however, re-engaged by Ross as scientific adviser, and was entrusted with the testing and finishing of the highest class of optical apparatus. This appointment led to his marriage with Ross’s second daughter, Hannah, and to the inheritance, at Ross’s death (1859), of a third of his employer’s large fortune and the telescope manufacturing portion of the business. Turning from astronomical work to the making of photographic lenses (see Photography), he introduced improvements in both portrait and landscape lenses, in object-glasses for the microscope and in condensers for the optical lantern. In connexion with celestial photography he constructed photo-heliographs for the Wilna observatory in 1863, for the Harvard College observatory in 1864, and, in 1873, several for the British government. Dallmeyer’s instruments achieved a wide success in Europe and America, taking the highest awards at various international exhibitions. The Russian government gave him the order of St Stanislaus, and the French government made him chevalier of the Legion of Honour. He was for many ​years upon the councils of both the Royal Astronomical and Royal Photographic societies. About 1880 he was advised to give up the personal supervision of his workshops, and to travel for his health, but he died on board ship, off the coast of New Zealand, on the 30th of December 1883.
His second son, Thomas Rudolphus Dallmeyer (1859–1906), who assumed control of the business on the failure of his father’s health, was principally known as the first to introduce telephotographic lenses into ordinary practice (patented 1891), and he was the author of a standard book on the subject (Telephotography, 1899). He served as president of the Royal Photographic Society in 1900–1903.
# 1911 Encyclopædia Britannica/Condé

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​CONDÉ, the name of some twenty villages in France and of two towns of some importance. Of the villages, Condé-en-Brie (Lat. Condetum) is a place of great antiquity and was in the middle ages the seat of a principality, a sub-fief of that of Montmirail; Condé-sur-Aisne (Condatus) was given in 870 by Charles the Bald to the abbey of St Ouen at Rouen, gave its name to a seigniory during the middle ages, and possessed a priory of which the church and a 12th-century chapel remain; Condé-sur-Marne (Condate), once a place of some importance, preserves one of its parish churches, with a fine Romanesque tower. The two towns are:—
1. Condé-sur-l’Escaut, in the department of Nord, at the junction of the canals of the Scheldt and of Condé-Mons. Pop. (1906) town, 2701; commune, 5310. It lies 7 m. N. by E. of Valenciennes and 2 m. from the Belgian frontier. It has a church dating from the middle of the 18th century. Trade is in coal and cattle. The industries include brewing, rope-making and boat-building, and there is a communal college. Condé (Condate) is of considerable antiquity, dating at least from the later Roman period. Taken in 1676 by Louis XIV., it definitely passed into the possession of France by the treaty of Nijmwegen two years later, and was afterwards fortified by Vauban. During the revolutionary war it was besieged and taken by the Austrians (1793); and in 1815 it again fell to the allies. It was from this place that the princes of Condé (q.v.) took their title. See Perron-Gelineau, Condé ancien et moderne (Nantes, 1887).
2. Condé-sur-Noireau, in the department of Calvados, at the confluence of the Noireau and the Drouance, 33 m. S.S.W. of Caen on the Ouest-État railway. Pop. (1906) 5709. The town is the seat of a tribunal of commerce, a board of trade-arbitration and a chamber of arts and manufactures, and has a communal college. It is important for its cotton-spinning and weaving, and carries on dyeing, printing and machine-construction; there are numerous nursery-gardens in the vicinity. Important fairs are held in the town. The church of St Martin has a choir of the 12th and 15th centuries, and a stained-glass window (15th century) representing the Crucifixion. There is a statue to Dumont d’Urville, the navigator (b. 1790), a native of the town. Throughout the middle ages Condé (Condatum, Condetum) was the seat of an important castellany, which was held by a long succession of powerful nobles and kings, including Robert, count of Mortain, Henry II. and John of England, Philip Augustus of France, Charles II. (the Bad) and Charles III. of Navarre. The place was held by the English from 1417 to 1449. Of the castle some ruins of the keep survive. See L. Huet, Hist. de Condé-sur-Noireau, ses seigneurs, son industrie, &c. (Caen, 1883).
# 1911 Encyclopædia Britannica/Condé, Louis de Bourbon, Prince of

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​CONDE, LOUIS DE BOURBON, Prince of (1530–1569), fifth son of Charles de Bourbon, duke of Vendôme, younger brother of Antoine, king of Navarre (1518–1562), was the first of the famous house of Condé (see above). After his father’s death in 1537 Louis was educated in the principles of the reformed religion. Brave though deformed, gay but extremely poor for his rank, Condé was led by his ambition to a military career. He fought with distinction in Piedmont under Marshal de Brissac; in 1552 he forced his way with reinforcements into Metz, then besieged by Charles V.; he led several brilliant sorties from that town; and in 1554 commanded the light cavalry on the Meuse against Charles. In 1557 he was present at the battle of St Quentin, and did further good service at the head of the light horse. But the descendants of the constable de Bourbon were still looked upon with suspicion in the French court, and Condé’s services were ignored. The court designed to reduce his narrow means still further by despatching him upon a costly mission to Philip II. of Spain. His personal griefs thus combined with his religious views to force upon him a rôle of political opposition. He was concerned in the conspiracy of Amboise, which aimed at forcing from the king the recognition of the reformed religion. He was consequently condemned to death, and was only saved by the decease of Francis II. At the accession of the boy-king Charles IX., the policy of the court was changed, and Condé received from Catherine de’ Medici the government of Picardy. But the struggle between the Catholics and the Huguenots soon began once more, and henceforward the career of Condé is the story of the wars of religion (see France: History). He was the military as well as the political chief of the Huguenot party, and displayed the highest generalship on many occasions, and notably at the battle of St Denis. At the battle of Jarnac, with only 400 horsemen, Condé rashly charged the whole Catholic army. Worn out with fighting, he at last gave up his sword, and a Catholic officer named Montesquiou treacherously shot him through the head on the 13th of March 1569.
# 1911 Encyclopædia Britannica/Credentials

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​CREDENTIALS (lettres de créance), a document which ambassadors, ministers plenipotentiary, and chargés d’affaires hand to the government to which they are accredited, for the purpose, chiefly, of communicating to the latter the envoy’s diplomatic rank. It also contains a request that full credence be accorded to his official statements. Until his credentials have been presented and found in proper order, an envoy receives no official recognition. The credentials of an ambassador or minister plenipotentiary are signed by the chief of the state, those of a chargé d’affaires by the foreign minister.
# 1911 Encyclopædia Britannica/Credi, Lorenzo di

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​CREDI, LORENZO DI (1459–1537), Italian artist, whose surname was Barducci, was born at Florence. He was the least gifted of three artists who began life as journeymen with Andrea del Verrocchio. Though he was the companion and friend of Leonardo da Vinci and Perugino, and closely allied in style to both, he had neither the genius of the one nor the facility of the other. We admire in Da Vinci’s heads a heavenly contentment and smile, in his technical execution great gloss and smoothness of finish. Credi’s faces disclose a smiling beatitude; his pigments have the polish of enamel. But Da Vinci imparted life to his creations and modulation to his colours, and these are qualities which hardly existed in Credi. Perugino displayed a well-known form of tenderness in heads, moulded on the models of the old Umbrian school. Peculiarities of movement and attitude become stereotyped in his compositions; but when put on his mettle, he could still exhibit power, passion, pathos. Credi often repeated himself in Perugino’s way; but being of a pious and resigned spirit, he generally embodied in his pictures a feeling which is yielding and gentle to the verge of coldness. Credi had a respectable local practice at Florence. He was consulted on most occasions when the opinion of his profession was required on public grounds, e.g. in 1491 as to the fronting, and in 1498 as to the lantern of the Florentine cathedral, in 1504 as to the place due to Michelangelo’s “David.” He never painted frescoes; at rare intervals only he produced large ecclesiastical pictures. The greater part of his time was spent on easel pieces, upon which he expended minute and patient labour. But he worked with such industry that numbers of his Madonnas exist in European galleries. The best of his altar-pieces is that which represents the Virgin and Child with Saints in the cathedral of Pistoia. A fine example of his easel rounds is in the gallery of Mainz. Credi rivalled Fra Bartolommeo in his attachment to Savonarola; but he felt no inclination for the retirement of a monastery. Still, in his old age, and after he had outlived the perils of the siege of Florence (1527), he withdrew on an annuity into the hospital of Santa Maria Nuova, where he died. The National Gallery, London, has two pictures of the Virgin and Child by him.
# 1911 Encyclopædia Britannica/Credit

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​CREDIT (Lat. credere, to believe), in a general sense, belief or trust. The word is used also to express the repute which a person has, or the estimation in which he is held. In a commercial sense credit is the promise to pay at a future time for valuable consideration in the present: hence, a reputation of solvency and ability to make such payments is also termed credit. In book-keeping credit is the side of the account on which payments are entered; hence, sometimes, the payments themselves.
The part which credit plays in the production and exchange of wealth is discussed in all economic text-books, but special reference may be made to K. Knies, Geld und Kredit (1873–1879), and H. D. Macleod, Theory of Credit (1889–1891). See also Hartley Withers, The Meaning of Money (1909).