OpenLLM-France/wikimedia huggingface dataset:
# Executive Order 14206

more info.
Donald Trump's sixtieth executive order of his second presidency, originally published on February 7, 2025 by the White House. Published as Executive Order 14206 on February 12, 2025 in the Federal Register. Scan: Index:Executive Order 14206.pdf
Signed by President Donald Trump Friday, February 7, 2025
Federal Register page & date: 90 FR 9503, Wednesday, February 12, 2025
​Executive Order 14206 of February 7, 2025
Protecting Second Amendment Rights
By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered:
Section 1. Purpose. The Second Amendment is an indispensable safeguard of security and liberty. It has preserved the right of the American people to protect ourselves, our families, and our freedoms since the founding of our great Nation. Because it is foundational to maintaining all other rights held by Americans, the right to keep and bear arms must not be infringed.
Sec. 2. Plan of Action. (a) Within 30 days of the date of this order, the Attorney General shall examine all orders, regulations, guidance, plans, international agreements, and other actions of executive departments and agencies (agencies) to assess any ongoing infringements of the Second Amendment rights of our citizens, and present a proposed plan of action to the President, through the Domestic Policy Advisor, to protect the Second Amendment rights of all Americans.
(b) In developing such proposed plan of action, the Attorney General shall review, at a minimum:
Sec. 3. Implementation. Upon submission of the proposed plan of action described in section 2 of this order, the Attorney General shall work with the Domestic Policy Advisor to finalize the plan of action and establish a process for implementation.
Sec. 4. General Provisions. (a) Nothing in this order shall be construed to impair or otherwise affect:
​(b) This order shall be implemented consistent with applicable law and subject to the availability of appropriations.
(c) This order is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person.
THE WHITE HOUSE, February 7, 2025.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Little Musgrove and the Lady Barnet

* related portals: Roud Folk Song Index
* sister projects: Wikipedia article, Wikidata item
one or more pieces are available in a format using the Score extension.
* Excerpted in Act 5 of The Knight of the Burning Pestle (1613)
* "The lamentable Ditty of Little Mousgroue, and the Lady Barnet", broadside printing (c. 1630)
* "The old Ballad of Little Musgrave and the Lady Barnard" in Wit Restor'd (1658)
* "Lamentable Ballad of Little Musgrove, and the Lady Barnet", broadside printing
** "The lamentable Ditty of the little Mousgrove, and the Lady Barnet" (c. 1658–1664)
** "A Lamentable Ballad of the Little Musgrove, and the Lady Barnet" (c. 1663–1674)
** "A Lamentable Ballad of the Little Musgrove, and the Lady Barnet" (c. 1674–1679)
** "A Lamentable Ballad of Little Musgrove, and the Lady Barnet" (c. 1684–1686)
* "A Lamentable Ballad of Little Musgrove, and the Lady Barnet", broadside printing (c. 1688–1709)
** "A Lamentable Ballad of Little Musgrove, and the Lady Barnet" (printing 1)
** "A Lamentable Ballad of Little Musgrove, and the Lady Barnet" (printing 2)
* "A Lamentable Ballad of Little Musgrove, and the Lady Barnet", broadside printing (c. 1693–1695)
* "Little Musgrave and the Lady Bernard" in Miscellany Poems (1716)
* "A Lamentable Ballad of Little Musgrove and the Lady Barnet", broadside printing (c. 1763–1775)
* "Little Musgrave and Lady Barnard" in Reliques of Ancient English Poetry (first edition 1765, second edition 1767)
* "Little Musgrave and Lady Barnard" in The Ballad Literature and Popular Music of the Olden Time (1855)
* "Little Musgrave and Lady Barnard" in The English and Scottish Popular Ballads (1885)
# Tamerlane (Rowe)/Act 3 Sc 1

ACT III. SCENE I.
SCENE, the Inside of the Royal Tent.
Enter Axaila, Selima, and Women Attendants.
# Tamerlane (Rowe)/Act 4 Sc 1

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# Dictionary of Greek and Roman Biography and Mythology/Craterus 2.

​CRA'TERUS (Κρατερός), a brother of Antigonus Gonatas, and father of Alexander, the prince of Corinth. (Phlegon, de Mirab. 32; Justin, Prolog. xxvi.) He distinguished himself as a diligent compiler of historical documents relative to the history of Attica. He made a collection of Attic inscriptions, containing decrees of the people (ψηφισμάτων συναγωγή), and out of them he seems to have constructed a diplomatic history of Athens. (Plut. Aristeid. 32, Cim. 13.) This work is frequently referred to by Harpocration and Stephanus of Byzantium, the latter of whom (s.v. Νύμφαιον) quotes the ninth book of it. (Comp. Pollux, viii. 126; Schol. ad Aristoph. Av. 1073, Ran. 323.) With the exception of the statements contained in these and other passages, the work of Craterus, which must have been of great value, is lost. (Niebuhr, Kleine Schrift. i. p. 225, note 39; Böckh, Pref. to his Corp. Inscript. i. p. ix.)[L. S.]
# Dictionary of Greek and Roman Biography and Mythology/Craterus 3.

​CRA'TERUS (Κρατερός), a Greek physician, who is mentioned in Cicero’s Letters (ad Att. xii. 13, 14) as attending the daughter of Atticus, Attica (called also Caecilia or Pomponia), B.C. 45. He is mentioned also by Horace (Sat. ii. 3. 161), Persius (Sat. iii. 65), and Galen (De Compos. Medicum. sec. Locos, vii. 5, vol. xiii. p. 96, De Antid. ii. 8. vol. x. p. 147); and he may perhaps be the same person who is said by Porphyry (De Abstin. ab Animal. i. 17, p. 61, ed. Cantab.) to have cured one of his slaves of a very remarkable disease.[W. A. G.]
# Dictionary of Greek and Roman Biography and Mythology/Craterus 4.

​CRA'TERUS, a sculptor of the first century after Christ, whose statues, executed together with Pythodorus, were much admired, and were regarded as a great ornament of the palace of the Caesars. (Plin. H. N. xxxvi. 4 § 11.) The words “palatinas domos Caesarum,” in that passage, compared with the preceding ones, “Titi Imperatoris domo,” are to be understood of the imperial palaces on the Palatine hill, and fix the date of Craterus to the time of the first emperors.[L. U.]
# Dictionary of Greek and Roman Biography and Mythology/Crates 1.

​CRATES (Κράτης), of Athens, was the son of Antigenes of the Thriasian demus, the pupil and friend of Polemo, and his successor in the chair of the Academy, perhaps about B.C. 270. The intimate friendship of Crates and Polemo was celebrated in antiquity, and Diogenes Laërtius has preserved an epigram of the poet Antagoras, according to which the two friends were united after death in one tomb. The most distinguished of the pupils of Crates were the philosopher Arcesilaüs, Theodorus, the founder of a sect called after him, and Bion Borysthenites. The writings of Crates are lost. Diogenes Laërtius says, that they were on philosophical subjects, on comedy, and also orations; but the latter were probably written by Crates of Tralles. [ Crates of Tralles.] (Diog. Laërt. iv. 21–23.)Template:DGRBM/A.S.
# The Story of Christchurch, New Zealand

The Story of Christchurch New Zealand.
# The Story of Christchurch, New Zealand/Front Matter

The Story of Christchurch, N.Z.
# The Story of Christchurch, New Zealand/Title

The Story of Christchurch New Zealand.
By Henry F. Wigram.
Christchurch: Printed and Published by The Lyttleton Times Co., Ltd. 1916.
# Five Excellent New Songs (1783)

Five Excellent New Songs. viz.
I SARCH COLLINS, or the Irish Girl II The Ladies Breast-Knot. III Jack Rand’s Farewel to Miss Roch. IV ANNA, a favourite Song V Malton LORDSHIP.
(Upload an image to replace this placeholder.)
FALKIRK:
Poems:
* The Irish Girl
* The Ladies Breast-Knots
* Jack Rand's Farewel to M'Roch
* Anna
* Malton Lordship
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Five Excellent New Songs (1783)/The Irish Girl

The Irish Girl.
YOung men and maids, I pray draw near, And listen a while unto my song, And you the truth shall hear, Its of a bonny black Irish girl, unto this country did belong.
Her wear it was neat, she's very compleat; she’s mild and modest in every degree. Her mantle is black, and her petticoat red; and an Irish girl ohon was she.
Her mantle was black, and her petticoat red, her pretty blue stockings, as you may see; Her brogs was black upon her feet, and an Irish girl ohon was she.
It’s with a green ribbon I’ll ty up my hair, quet over my shoulders, as you may see, My curchief of linen, my mantle of black; and an Irish girl ohon was she.
There’s many fair maids in this country, there’s more than one, or two, or three, With their chains of gold about their necks, but none of them all compare with thee.
My name it went out both far and near, many one’s heard of me ne’er did me see; I’m pictur'd in gold before the king, and Sarch Collins they do call me.
'Tis I will forsake my bibles and books, and so will I my presbetry ; And I will forsake my own religion, to Sarch my dear, to many with thee.
You need not forsake your bibles and book, nor yet need you your presbetry; A man that proves false to his own religion, I’m sure he can never prove true to me.
I will go to Lochaber my love, and there will sweem from bank to brae, All with my shirt about my neck, Sarch, my dear, to marry with thee.
O do not venture, dear John, she said, don’t venture your life so far from me; For I will forsake my friends & acquaintance, and Johnny my dear, I’ll marry with thee.
This loving couple join’d hand in hand, in wedlock’s bands, as you may see; She proves a true and virtuous wife; and an Irish girl for ever was she.
# Five Excellent New Songs (1783)/The Ladies Breast-Knots

The Ladies Breast-Knots.
There was a bridal in this town. And till't the lasses a’ was boun’, With mankie facings on their gown, and some of them had breast-knots.
O the bonny, O the bonny, O the bonny breast-knots! Tight and bonny were they a’, when they got on their breast-knots.
And there was mony lusty lad. As ever handled grape and goad; I wat their manhood well they show'd, at rushing the breast-knots. O the bonny, &c.
At nine o'clock they did conveen. Some clad in blue, some clad in green, Wi’ glancing buckles in their sheen, and flowers upon their waistcoat. O the bonuy, &c.
The bride by this time was right sain, When that she saw sae light a train, She pray’d the day might keep frae rain for spoiling of their breast knots, O the bonny, &c.
Forth came the wives a’ wi’ a phrase, And wish’d the lass happy days, And muckle made they of her clais, and ’specially the breast knots. O the bonny, &c.
Forth spake the mither, fain she saw, The bride and maidens a’ sae bra’, Wi’ cakling clouts black be their fa’ they have made a bonuy feast o’t. O the bonny, &c.
Next down their breakfast it was set, Some barely lippes of mil and meat, It leiped them it was sae het, as soon as they did taste o’t, O the bonny, &c.
Till some srae them the spoons they threw, And swore that they had burnt their mu’; And some unto their cutty blew, I wat their will they mist not. O the bonny, &c.
When ilka ane had claw’d his plate, The piper lad he looked blate, Altho’ they laid that he should eat, I true he lost the best o’t, O the bonny, &c.
Syne forth they got a’ wi’ a loup, O'er creels and a’ did coup, The Piper said, wi’ them d—l scoup, he d made a hungry feast o’t. O the bonny, &c.
Syne off they got a’ wi’ a fling, Each lass until her lad did hing And a’ cry’d for a diff’rent spring. the bride she sought the breast-knot. O the bonny, &c.
Fan they ty’d up the marriage band, At the bridegroom’s they neist did land Forth came auld Madge wi’ her spilt mu, and bread and cheese a fist o’t. O the bonny, &c.
She took a quarter and a third, On the bride’s head she gart a’gird. Till sarle flew athort the eard, and parted round the rest o’t O the bonny, &c.
The lass that by the hand he took, Twice, thrice, they led her round the crook Some said, good-wife, well mate ye brook and some great count they cast not. O the bonny, &c.
All ran to killens and barns in banks, Some sat on deals, and some on planks The Piper lad stood on his shanks; and dirled up the breast-knot. O the bonny, &c.
# Five Excellent New Songs (1783)/Jack Rand's Farewel to M'Roch

JACK RAND's Farewel to M‘ROCH.
FArewel my dear, farewel Miss Roach, Since Tyburn-tree must part us both; With heavy sigh, and look in vain, We only part to meet again.
What! say you true, my dear Jack Rand  In love we’ll part, then let’s shake hand! May Angels guard you from all rocks, That we may join in Cupid’s flocks.
I wish I’d been some country girl, My cows to milk, and ewes to tell; A lover I’ll ne’er take in hand, Unless it be my dear Jack Rand.
Farewel ye woods, farewel ye plains, No more alone Mis Roach will range, Ye roadmen all, adieu to ye, Likewise to Shakespear’s jubilee.
No lark nor linnet, nor turtle dove Was e'er so robbed of their love. I strove to rise, but could not fly, For which I must; in Newgate ly.
When I am carted, and going to die, What numbers will see me pass by! My shining gold will not save me, Nor guard me from the gallows tree.
In Portland-square I there did dwell, Where many a one knew me full well, With a bunch of ribbons at every knee, I thought no lad so flash as me.
Methinks I hear the death-bell toll, The Lord have mercy on my soul! May God receive me when I die. I care not where my body lie.
You roadmen all I pray attend To these few lines which I have penn’d, Leave off your thieving, & take good way And then you’ll see more happy days.
# Five Excellent New Songs (1783)/Anna

ANNA. A favourite Song
SHepherds, I have lost my love, have you seen my Anna? Pride of every shady grove, upon the banks of banna.
I for her my home forsook, on yon misty mountain; Left my flock, my pipe, my crook, greenwood shade and fountian.
Never shall I see them more, until her returning: All the joys of life are o’er, from gladness chang’d to mourning.
Whither is my charmer flown? shepherds, tell me whither. Ah! woes for me, perhaps she’s gone, for ever, and for ever.
# Five Excellent New Songs (1783)/Malton Lordship

Malton Lordship.
SINCE I am deprived of my fancy fo fair, Farewel Malton-Lordship, and all beauties there; Your streets, & your broad-streets, I often have trode, But I can stay no longer there to make my abode.
But the leaving of you all, it grieves me full sore. My true love is one thing that grieves me much more, The dear girl that I love, I never can enjoy, Oh such a sad lamenting case would any man destroy.
I wish my swaddling clothes my grave clothes had been, My baptism day, my burial had been; I never wou’d have known such sorrow, grief, & woe, This pretty fair maid’s answer was always no no.
Many, many is the time I’ve rapped at the door. With my holiday clothes, with snow all cov'red o’er; But yet she proves to me like the cooling of the day; For the sake of my false lover, I must go away.
Woe come on this poverty, for it’s the want of cash, Makes many a bonny laddie to want his bonny lass: The emptiness of my pocket makes me want my joy, Oh such a sad tormenting cas, would any lad destroy.
I’ve travell’d thro’ Englaed, thro’ France & Spain, But now I’m return’d to Malton Lordship again: It is far better for to be where cannon bullets fly, Than for to be in any false woman’s company.
FINIS.
# Reliques of Ancient English Poetry/Volume 2

Reliques of Ancient English Poetry: Consisting of Old Heroic Ballads, Songs, and other Pieces of our earlier Poets, (Chiefly of the Lyric kind) Together with some few of later Date. The Second Edition. Volume the Second.
London: Printed for J. Dodsley in Pall-Mall. M DCC LXVII.
Selden’s Table-talk.
# Reliques of Ancient English Poetry/Volume 2/For the Victory at Agincourt

V.
For the Victory at Agincourt
That our plain and martial ancestors could wield their swords much better than their pens, will appear from the following homely Rhymes, which were drawn up by some poet laureat of those days to celebrate the immortal victory gained at Agincourt, Oct. 25, 1415. This song or hymn is given meerly as a curiofity, and is printed from a MS copy in the Pepys collection, vol. I. folio. It is there accompanied with the musical notes, which are copied in a small plate at the end of this volume.
# Federal Register

Official daily journal of the U.S. federal government published in print and at federalregister.gov with today's table of contents at govinfo.gov. It publishes Executive orders, presidential memoranda and proclamations from the Portal:Presidents of the United States, and publications of the Cabinet departments and independent agencies of the Executive branch
* Federal Register, Vol. 1, No. 1
* Federal Register, Vol. 1, No. 2
* Federal Register, Vol. 66, No. 55 (transcription project)
** Announcement of Public Meeting to Discuss Potential Standards or Guidelines for Respiratory Protective Devices Used to Protect Emergency Response Workers Against Chemical, Biological, and Radiological Agents
* Federal Register, Vol. 75, No. 143 (transcription project)
** Exemption to Prohibition on Circumvention of Copyright Protection Systems for Access Control Technologies

## Presidential documents

* Presidential document navigation, including executive orders and proclamations, can be found here.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Minority of One

* Volume 1 (December 1959)
* Volume 2 (January 1960 to December 1960)
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
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# Mrs. Zora Hahnen v. Gretchen Hahnen

Zora Montgomery Courtney and Gretchen Frances Hahnen court case concerning her trust and her spending habits
In The District Court Of The State Of Iowa In And For Polk Co. Mrs. Zora Hahnen Plaintiff, vs. Gretchen Hahnen Defendant. Petition At Law
Comes now this Plaintiff, and for cause of action, states that she is a resident of the City of Des Moines, County of Polk, State of Iowa, and that the Defendant, Gretchen Hahnen, is at present, a resident of the City of Des Moines, Polk County, Iowa. That this plaintiff is the mother of said Gretchen Hahnen, defendant. That the said Gretchen Hahnen is a spendthrift, and by her excessive idleness and disregard for money, shall so spend waste and lessen her Estate, as to expose herself to want and suffering. Furthermore, that said Defendant, Gretchen Hahen has been so wasteful, and said defendant has been of such vicious habits regarding travel and wearing apparel, that the appointment of a temporary guardian and a permanent guardian for said defendant, Gretchen Hahnen will be to the best interests of the above named defendant in order to control and preserve her monies and credits. The plaintiff furthermore states that on or about the latter part of February, 1921, said defendant, Gretchen Hahnen in company with one, Elinor Gregg, left the city of Des Moines, and travelled to Quincy, Illinois, where they stayed for several days, and later travelled to Chicago, Illinois, and resided at 4035 Sheridan Road, at the Shercumb Hotel, and that during here at period of time that said defendant carried on said travelling, the expenses of Elinor Gregg for railroad fare and hotel fare was borne by the defendant herein, Gretchen Hahnen.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# All Around the Bay of Passamaquoddy/List of Indian Geographic Names

​Page:All Around the Bay of Passamaquoddy.djvu/12 ​Page:All Around the Bay of Passamaquoddy.djvu/13 ​Page:All Around the Bay of Passamaquoddy.djvu/14 ​beach; from mékw(a), "red;' ámk, "beach;" –es, diminutive ending, "small, little," and 'k, –ûk, locative case suffix, "at, on."
Schoodic or Skúdik, "at the clearings," is a topographic term given to the Schoodie or Grand lake, on headwaters of St Croix river; also to the St Croix river itself, and to the town of Calais, built on its lower course. That these clearings were effected by burning down the timber appears from the term itself; for skwút, skút means fire, and the name really means "at the fire." Another Skúdik lake lies in the southeastern corner of Piscataquis county, Maine.
St. Croix river, in Indian Skúdik síp, "the river of clearings;" from the clearings on its shores or on the Skúdik lake, where the river takes its origin. For a long distance it forms the frontier between Maine (Washington county) and New Brunswick. The French name, "Holy Cross," came from a cross erected by early French explorers.
St Francis river, in Canada, Ontario province, upon which Indians cognate to the Penobscots of Maine are living, is called by them Lesigantuk, a contraction of Ulastigán-tuk. The same name is given to their village and to the natives themselves.
St George and St George river, emptying into the northeast end of Passamaquoddy bay, are just as well known by their Indian name, Megigadéwik, "many eels having;" from mégi, many; gat or kat, eel; –wi, adjectival ending; –k, locative case suffix.
St John river, running near the western border of New Brunswick and its large tributary, the Aroostook, are both called in Penobscot and in Passamaquoddy, Ulastúk, "good river," meaning river of easy navigation, without cascades, falls, or rapids; from úla, wúli, good ; –tuk, tida. river and waters driven in waves.
# Thirty Poems/The Twenty-Seventh of March

Layout 2
THE TWENTY-SEVENTH OF MARCH.
Written March, 1855.