OpenLLM-France/wikimedia huggingface dataset:
# The Deserter

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* "The Deserter", a poem by Mary Louisa Chitwood
* "The Deserter", a poem by Joseph Seamon Cotter, Jr.
* "The Deserter," short story by Richard Harding Davis
* "The Deserter", a poem by Sarah Parker Douglas
* The Deserter by Charles King
* The Deserter, versions of a poem by Letitia Elizabeth Landon
* The Deserter by Winifred Mary Letts
* The Deserter by Crayton McCants
# The Deserter (Cotter)

* "The Deserter", published in The Band of Gideon and Other Lyrics (1918)
* "The Deserter", published in Caroling Dusk (1927)
# And What Shall You Say?

* "And What Shall You Say?", published in The Band of Gideon and Other Lyrics (1918)
* "And What Shall You Say?", published in The Book of American Negro Poetry (1922)
* "And What Shall You Say?", published in Caroling Dusk (1927)
# The Band of Gideon

* "The Band of Gideon", in The Band of Gideon and Other Lyrics (1918)
* "The Band of Gideon", in The Book of American Negro Poetry (1922), edited by James Weldon Johnson
* "The Band of Gideon", published in Caroling Dusk (1927)
# Finis

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* “Finis,” a poem by Edward Estlin Cummings
* “Finis,” a poem by Georgia Douglas Camp Johnson
* “Finis,” a short story by Jack London
* “Finis,” a poem by Dorothy Parker
* “Finis,” a poem by John Cowper Powys
* “Finis,” a poem by Clark Ashton Smith
# Enough Rope/Finis

Finis
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# Finis (Smith)

1912.
It seemed that from the west The live red flame of sunset, Eating the dead blue sky And cold insensate peaks, Was loosened slowly, and fell. Above it a few red stars Burned down like low candle-flames Into the gaunt black sockets Of the chill insensible mountains. But in the ascendant skies (Cloudless, like some vast corpse Unfeatured, cerementless) Succeeded nor star nor planet. It may have been that black, Pulseless, dead stars arose And crossed as of old the heavens. But came no living orb, Nor comet seeming the ghost, Homeless, of an outcast world Seeking its former place That is no more nor shall be In all the cosmos again. Null, blank and meaningless As a burnt scroll that blackens With the passing of the fire, Lay the dead infinite skies. Lo ! in the halls of Time, I thought, the torches are out— The triumph of the gods Or funereal pomp of demons For which their flames were lit Over and quiet at last With the closing peace of night, Whose dumb impassible skies Enfold the living world As the sea a sinking pebble.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 63 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Caroling Dusk/Rain Music

RAIN MUSIC
# Opals (Custance)/Rain Music

Rain Music
# Caroling Dusk/Supplication

SUPPLICATION
# United Nations Treaty Series/Volume 318/1/4624

No. 4624
JAPAN
and
FEDERAL REPUBLIC OF GERMANY
Official texts: German and Japanese.
Registered by Japan on 31 December 1958.
The Government of Japan and the Government of the Federal Republic of Germany have concluded the following Agreement:
Article 1
(1) Diplomatic representatives and consuls of the Contracting States shall be entitled to record marriages between betrothed persons who are nationals of the sending State, provided that they are empowered to do so under the regulations of the sending State.
(2) Marriages concluded in accordance with paragraph (1) above shall be notified immediately to the Ministry of Foreign Affairs of the receiving State through the diplomatic representative of the sending State.
Article 2
(1) Diplomatic representatives and consuls of the Contracting States shall be entitled to register births and deaths of nationals of the sending State in the form prescribed by the law of that State.
(2) The obligations imposed by the law of the receiving State with regard to the notification of births and deaths shall not be affected by the provisions of this article.
Article 3
This Agreement shall also be valid in the Land of Berlin, unless the Government of the Federal Republic of Germany informs the Government of Japan to the contrary within three months of the entry into force of the Agreement.
Article 4
(1) This Agreement shall enter into force on the date of its signature.
​(2) This Agreement shall cease to have effect three months after the date on which one of the two Governments notifies the other Government that it wishes to terminate it.
(3) Article 1 shall cease to have effect if provision should be made in the domestic legislation of one of the Contracting States that marriages may be concluded only before the competent local authorities.
In witness whereof the plenipotentiaries have signed this Agreement.
Done at Tokyo, on 27 June 1957, in duplicate, in the Japanese and German languages, both texts being equally authentic.
# Ivy

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* “The Ivy,” a poem by William Barnes
* "Ivy," in Domestic Encyclopædia, by A. F. M. Willich, London: (1802)
* "Ivy," in Encyclopædia Britannica (11th ed., 1911)
* “Ivy,” a poem by Edgar Fawcett
* Ivy, a novel by Silas Kitto Hocking
* “Ivy,” a poem by Georgia Douglas Camp Johnson
* "Ivy," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
# Poems of Rural Life in the Dorset Dialect/The Ivy

THE IVY.
Upon theäse knap I’d sooner be The ivy that do climb the tree, Than bloom the gaÿest rwose a-tied An’ trimm’d upon the house’s zide. The rwose mid be the maïdens’ pride,  But still the ivy’s wild an’ free;  An’ what is all that life can gi’e,  ’Ithout a free light heart, John?
The creepèn sheäde mid steal too soon Upon the rwose in afternoon; But here the zun do drow his het Vrom when do rise till when do zet, ​To dry the leaves the raïn do wet  An’ evenèn aïr do bring along  The merry deäiry-maïden’s zong,  The zong of free light hearts, John.
Oh! why do vo’k so often chaïn Their pinèn minds vor love o’ gaïn, An’ gi’e their innocence to rise A little in the worold’s eyes? If pride could lift us to the skies,  What man do value God do slight,  An’ all is nothèn in his zight  ’Ithout an honest heart, John.
An ugly feäce can’t bribe the brooks To show it back young han’some looks, Nor crooked vo’k intice the light To cast their zummer sheädes upright: Noo goold can blind our Meäker’s zight.  An’ what’s the odds what cloth do hide  The bosom that do hold inside  A free an’ honest heart, John?
# Domestic Encyclopædia (1802)/Ivy

Edition of 1802.
​IVY, the Common, or Hedera Helix, L. a native plant, growing in woods, hedges, and about old buildings: it flowers in the mouth of October.
This plant was first brought to Europe from Canada, and has been long cuhivated in the British gardens, chiefly for the purpose of covering walls or buildings. It shoots almost 20 feet in one year, and gradually extends to the top of the highest building. It is easily propagated in autumn, by its trailing branches; and will thrive in almost any soil or situation; so that in the following October it is fit to be transplanted to those places where it is destined to remain.
The leaves of ivy possess a nauseous taste, though in Germany they are employed as a specific in the atrophy of children. Among the lower class of people in England, they are applied to issues; and the Scotch Highlanders prepare an ointment from the leaves, which is much esteemed for the cure of burns.—The berries are of a fine gold colour, and possess a slight degree of acidity: when swallowed by children or adults, they occasion vomiting, diarrhœa, and profuse sweating.—The roots of this plant are employed by leather-cutters to whet their knives.—Böhmer informs us, that both the leaves and branches are useful in tanning.—Apricots and peaches, when covered with ivy during the month of February, have been observed to bear abundant fruit.—Horses and sheep eat the common ivy, but it is totally refused by cows and goats.
# The New Student's Reference Work/Ivy

See also Ivy on Wikipedia, and the disclaimer.
Ivy, a name applied to a variety of woody plants which have the habit of climbing by means of sucker-like discs, so that they can attach themselves to walls and other vertical surfaces. This habit makes the plants valuable in connection with the covering and ornamenting of walls, houses, churches etc. The common European ivy is Hedera helix, which belongs to the aralia family. It is evergreen, with entire or three-to-five lobed leaves and usually black berries. It is an exeeedingly variable species, and more than 60 species have been cultivated in European gardens. The American ivy or woodbine is a species of Ampelopsis, a genus which belongs to the grape family. It is a much more rapid-growing vine than the English ivy, and its leaves color bright scarlet in autumn. About 20 species are known in North America and Asia, the common one in the United States being A. quinquefolia, often called the Virginia creeper. Japan ivy or Boston ivy is also a species of Ampelopsis (A. tricuspidata), being especially useful, since it covers walls very densely and its glossy leaves stand dust and smoke well. This probably is the favorite among the hardy vines in cities. The name of poison ivy is applied to various poisonous species of Rhus (R. toxicodendron, also known as poison oak, being the chief one), a genus which belongs to the cashew family.
# An Autumn Love Cycle/Ivy

CONTEMPLATION
# United Nations Treaty Series/Volume 318/A

ANNEX A
Ratifications, accessions, prorogations, etc., concerning treaties and international agreements registered with the Secretariat of the United Nations
# Caroling Dusk/An April Day

AN APRIL DAY
# Caroling Dusk/The Deserter

THE DESERTER
# Caroling Dusk/And What Shall You Say?

AND WHAT SHALL YOU SAY?
# Caroling Dusk/The Band of Gideon

THE BAND OF GIDEON
# Caroling Dusk/Blanche Taylor Dickinson

BLANCHE TAYLOR DICKINSON
I was born on a farm near Franklin, Kentucky, April 15, 1896, and received my education variously . . . public schools, Bowling Green Academy, Simmon’s University and Summer schools.
No degree. Taught for several years in my native state. I am a lover of music and divide my time between the typewriter and piano. First published in Franklin Favorite, later, Louisville Leader, Chicago Defender, Pittsburgh Courier, Crisis, Opportunity and Wayfarer. My favorite poets are Countee Cullen, Georgia Douglas Johnson and Edna St. Vincent Millay; my favorite past-time, walking along a crowded street. I have a hunch that I shall become a short story writer and my favorite exertion is trying to perfect my “technique.”
At present I am living in Sewickley, Penna.
# Personal and Political Ballads/Winfield Scott

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WINFIELD SCOTT (November 1, 1861.)
R. H. Stoddard
# Caroling Dusk/The Walls of Jericho

THE WALLS OF JERICHO
# An Evaluation of the Harbor of Yokosuka, Japan As a Typhoon Haven

NAVAL POSTGRADUATE SCHOOL
Monterey, California
THESIS
An Evaluation of the Harbor of Yokosuka, Japan as a Typhoon Haven
by
Russell John Graff
March 1975
Approved for public release; distribution unlimited.
An Evaluation of the Harbor of
Yokosuka, Japan as a Typhoon Haven
by
Russell John Graff
Lieutenant Commander, United States Navy
B.S., University of San Francisco, 1962
Submitted in partial fulfillment of the
requirements for the degree of
MASTER OF SCIENCE IN METEOROLOGY
from the
NAVAL POSTGRADUATE SCHOOL
March 1975
ABSTRACT
This study is an evaluation of the port of Yokosuka, Japan as a typhoon "haven." Characteristics of the port discussed include the topographical effects on winds during the passage of tropical cyclones, port facilities, wave action and storm surge. Problems to be considered when remaining in port and possible evasion procedures for ships sortieing are examined.
Tropical cyclone tracks from 1947-1973 for the western North Pacific were analyzed to determine the probability of threat to the port. Observations by the author and conversations with harbor authorities are utilized in arriving at conclusions.
In most instances the results show that the port of Yokosuka is a safe typhoon haven. To aid commanders in their decision making, an operationally oriented flow diagram is presented which summarizes the location of various sections of the text.
CONTENTS
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# An Evaluation of the Harbor of Yokosuka, Japan As a Typhoon Haven/Acknowledgements

ACKNOWLEDGMENTS
The author would like to acknowledge the following individuals for their contributions to this study: Mr. Sam Brand and Dr. G. J. Haltiner for their guidance and assistance throughout the study, CDR J. L. Gilchrist, USN, Commanding Officer, Naval Weather Service Facility, Yokosuka, Japan and CDR H. Ikegami, JMSDF, Meteorologist, Yokosuka Regional Headquarters for their valuable comments and information exchange and finally a special note of thanks to Mrs. Winona Carlisle for the many hours spent typing the finished product.
# An Evaluation of the Harbor of Yokosuka, Japan As a Typhoon Haven/Introduction

1. INTRODUCTION
The hazard associated with a mature tropical cyclone is serious to all ships, no matter their size. The foremost thought of commanders when confronted with the threat imposed by a typhoon is that when the threat has abated will his unit(s) be able to proceed as directed to complete its assigned mission. The usual practice is to try to avoid the typhoon and its far ranging danger area entirely which usually implies an evasion at sea.
This study examines the Japanese port of Yokosuka as a typhoon haven. An attempt is made to answer the following questions when a typhoon threatens Yokosuka. Should a unit remain in port rather than put to sea, or when a typhoon threatens a ship at sea should that ship seek the shelter of Yokosuka? The intent is to provide an aid to the commander in his decision-making process.
The decision includes the weighing of many factors. Items to be considered, for example, may include the U.S. Fleet Weather Central/Joint Typhoon Warning Center (FWC/JTWC), Guam warnings, the climatology for the time of year, the physical features of the port itself, and the options if the ship puts out to sea.
An operationally oriented flow chart is found on page 65 in Figure 33. This chart identifies pertinent pages of this study as a quick reference guide.
# Caroling Dusk/To an Icicle

TO AN ICICLE
# Caroling Dusk/Four Walls

FOUR WALLS
# Caroling Dusk/Revelation

REVELATION
# Revelation

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* The Book of Revelation, last book of the Bible.
* Revelation (1913), a poem by Robert Frost.
* Revelation (1919), a poem by H. P. Lovecraft.
* Revelation, a poem by John Masefield (as titled in Harper's Magazine September 1915).
* Revelation, a poem by Blanche Taylor Dickinson
* Revelation, a poem by John Greenleaf Whittier.
# The collected poems of James Elroy Flecker/Brumana

Brumana
Oh shall I never never be home again? Meadows of England shining in the rain Spread wide your daisied lawns: your ramparts green With briar fortify, with blossom screen Till my far morning—and O streams that slow And pure and deep through plains and playlands go, For me your love and all your kingcups store, And—dark militia of the southern shore, Old fragrant friends—preserve me the last lines Of that long saga which you sung me, pines, When, lonely boy, beneath the chosen tree I listened, with my eyes upon the sea.
O traitor pines, you sang what life has found The falsest of fair tales. Earth blew a far-horn prelude all around, That native music of her forest home, While from the sea's blue fields and syren dales Shadows and light noon-spectres of the foam Riding the summer gales On aery viols plucked an idle sound.
​Hearing you sing, O trees, Hearing you murmur, "There are older seas, That beat on vaster sands, Where the wise snailfish move their pearly towers To carven rocks and sculptured promont'ries," Hearing you whisper, "Lands Where blaze the unimaginable flowers."
Beneath me in the valley waves the palm, Beneath, beyond the valley, breaks the sea; Beneath me sleep in mist and light and calm Cities of Lebanon, dream-shadow-dim, Where Kings of Tyre and Kings of Tyre did rule In ancient days in endless dynasty, And all around the snowy mountains swim Like mighty swans afloat in heaven's pool.
But I will walk upon the wooded hill Where stands a grove, O pines, of sister pines, And when the downy twilight droops her wing And no sea glimmers and no mountain shines My heart shall listen still. For pines are gossip pines the wide world through And full of runic tales to sigh or sing. 'Tis ever sweet through pines to see the sky Mantling a deeper gold or darker blue. 'Tis ever sweet to lie On the dry carpet of the needles brown, ​And though the fanciful green lizard stir And windy odours light as thistledown Breathe from the lavdanon and lavender, Half to forget the wandering and pain, Half to remember days that have gone by, And dream and dream that I am home again!
# Caroling Dusk/That Hill

THAT HILL
# Myths and Legends Beyond Our Borders/Our Lady of the Remedies

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OUR LADY OF THE REMEDIES
AS Our Lady of Guadalupe hears the prayers of those who suffer from too much rain, so Our Lady of the Remedies heeds the request of those who lack it, and sometimes the agricultural interests of the valley lead the farmers into a conflict of petitions. A dozen miles from the capital rises the hill of Totoltepec, crowned in former centuries by a temple. In the shelter of ​that work, which his own men had injured, Cortez and his army rested during the retreat of the Noche Triste. As a protection against the native hordes, one of his soldiers carried an image of the Virgin that had been brought from Spain. It had been set up in a public place, with Montezuma's permission, but Cortez feared that the angered people would destroy it, as he had destroyed the statues of their gods. Wounded and tired, the soldier for-sook his trust and hid the figure near the temple. In 1635 a reformed Aztec found it in a clump of maguey, and, delighted with his discovery, was for taking it home with him, when the image began to work miracles to show its intention to remain on the hill. The priests decided that a chapel must be built for it, and this was erected, the Virgin rewarding her worshippers by continuing her miracles and benefits, especially that of giving copious rains after the dry season. So greatly was she esteemed that during the civil war in the early part of the nineteenth century the royalists took the statue to the city with them when Hidalgo drove them in, and made it a general in their army, as Our Lady of Guadalupe had become a leader on the other side. But her efforts were without avail, and when the republicans triumphed, the people were so indignant at her faithlessness in accepting a commission from their enemies that they stripped away her jewels, valued at a million dollars, broke her nose off, cut out one eye, and formally decreed ​her banishment from the country. The latter sentence was never carried out, for she was too strongly placed in the affections of some of the people to make her removal possible, so that she is now back on the hill where Cortez's soldier left her, and there she rewards the faithful and de-serving according to their prayers and needs.
# Myths and Legends Beyond Our Borders/Some Other Miracles

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SOME OTHER MIRACLES
IN Jesus of Nazareth Church, Mexico City, stands an image of great age, known as Our Lady of the Ball. It was at one time the property of a poor man in Ixtapalapan, who made a shrine for it and worshipped it constantly. It would have been better for all concerned if his religion had been more in his life and less on his lips, for on the mere suspicion that his wife had been flirting with some dusky neighbors he charged her with infidelity, refused to listen to denials and explanations, and loaded his old horse-pistol, intending to shoot her as she knelt at the foot of the Virgin. The woman begged the protection of the statue so earnestly that, just as the husband fired, the statue threw out its hand and turned the course of the bullet so that it entered the clay wall of the cabin. This intervention convinced the man that his wife was innocent, and the couple worshipped the statue so incessantly afterward that it was hardly possible to get them to work, until the priests carried ​it away to the capital, where they were sure that it would do good to more than two people.
In the chapel of the convent of Our Lady of the Conception, Mexico City, the Sisters were puzzled by what sounded like the ticking of a clock, although there was no clock in or near the building whose pendulum was set to so slow a swing. The chapel was inspected frequently without result, until a nun more adventurous than the rest discovered that the noise was made by drops of water falling behind the organ. The miraculous part of this occurrence is that it came from a dry ceiling, and there was no water above it. The Virgin at length revealed to one of the Sisters in a dream that so long as the water ticked off the hours the building was safe, but that when it ceased to fall the building must fall instead. And it did. It fell into the hands of prosaic reformers and real estate dealers, who partitioned it into dwellings.
From this it appears that the power of the spiritual authorities over water had declined since the time of that priest in Tacubaya who on a hot day rested beneath a tree and blessed it for shading him. The result of his blessing is seen in the constant greenness of the arbol benito and the continued flow of a spring that gushed into being under its root at that moment.
In 1580 an Aztec chief saw a picture of the Virgin floating about in the flood in Mexico City and rescued it. As soon as the inundation had subsided ​he made a chapel of adobe on the spot where it had been found, and placed the picture in it. Though the lazy people did not keep the building in repair, allowing its roof to fall and its sides to breach and crack, the Virgin always protected her picture from the rain and dirt, and at last the mysterious canvas was housed in the church of Our Lady of the Angels, which was built for it. The figure of the Virgin is now hidden behind a dress that a pious tailor made for her in 1776.