# The Poetic Edda (tr. Bellows)/Brot af Sigurtharkvithu

BROT AF SIGURTHARKVITHU
Fragment of a Sigurth Lay
Introductory Note
The gap of eight leaves in the Codex Regius (cf. introductory note to the Sigrdrifumol) is followed by a passage of twenty stanzas which is evidently the end of a longer poem, the greater part of it having been contained in the lost section of the manuscript. There is here little question of such a compilation as made up the so-called Reginsmol, Fafnismol, and Sigrdrifumol; the extant fragment shows every sign of being part of a poem which, as it stood in the manuscript, was a complete and definite unit. The end is clearly marked; the following poem, Gurthrunarkvitha I, carries a specific heading in the manuscript, so that there is no uncertainty as to where the fragment closes.
It seems altogether likely that the twenty stanzas thus remaining are the end of a poem entitled Sigurtharkvitha (Lay of Sigurth), and, more specifically, the "Long" Lay of Sigurth. The extant and complete Sigurth lay, a relatively late work, is referred to by the annotator as the "Short" Lay of Sigurth, which, of course, presupposes the existence of a longer poem with the same title. As the "short" lay is one of the longest poems in the whole collection (seventy stanzas), it follows that the other one must have been considerably more extensive in order to have been thus distinguished by its length. It may be guessed, then, that not less than eighty or a hundred stanzas, and possibly more, of the "Long" Lay of Sigurth have been lost with the missing pages of Regius.
The narrative, from the point at which the so-called Sigrdrifumol breaks off to that at which the Brot takes it up, is given with considerable detail in the Volsungasaga. In this prose narrative four stanzas are quoted, and one of them is specifically introduced with the phrase: "as is told in the Lay of Sigurth." It is possible, but most unlikely, that the entire passage paraphrases this poem alone; such an assumption would give the Lay of Sigurth not less than two hundred and fifty stanzas (allowing about fifteen stanzas to each of the missing pages), and moreover there are inconsistencies in the Volsungasaga narrative suggesting that different and more or less conflicting poems were used as sources. The chances are that the "Long" Lay of Sigurth ​filled approximately the latter half of the lost section of the manuscript, the first half including poems of which the only trace is to be found in the Volsungasaga prose paraphrase and in two of the stanzas therein quoted.
The course of the Volsungasaga's story from the Sigrdrifumol to the Brot is, briefly, as follows. After leaving the Valkyrie, Sigurth comes to the dwelling of Heimir, Brynhild's brother-in-law, where he meets Brynhild and they swear oaths of fidelity anew (the Volsungasaga is no more lucid with regard to the Brynhild-Sigrdrifa confusion than was the annotator of the poems). Then the scene shifts to the home of the Gjukungs. Guthrun, Gjuki's daughter, has a terrifying dream, and visits Brynhild to have it explained, which the latter does by foretelling pretty much everything that is going to happen; this episode was presumably the subject of a separate poem in the lost section of the manuscript. Guthrun returns home, and Sigurth soon arrives, to be made enthusiastically welcome. Grimhild, mother of Gunnar and Guthrun, gives him a magic draught which makes him forget all about Brynhild, and shortly thereafter he marries Guthrun.
Then follows the episode of the winning of Brynhild for Gunnar (cf. Gripisspo, 37 and note). This was certainly the subject of a poem, possibly of the first part of the "Long" Lay of Sigurth, although it seems more likely that the episode was dealt with in a separate poem. The Volsungasaga quotes two stanzas describing Sigurth's triumphant passing through the flames after Gunnar has failed and the two have changed forms. They run thus:
After Sigurth has spent three nights with Brynhild, laying his sword between them (cf. Gripisspo, 41 and note), he and Gunnar return home, while Brynhild goes to the dwelling of her brother-in-law, Heimir, and makes ready for her marriage with Gunnar, ​directing Heimir to care for her daughter by Sigurth, Aslaug. The wedding takes place, to be followed soon after by the quarrel between Guthrun and Brynhild, in which the former betrays the fact that it was Sigurth, and not Gunnar, who rode through the flames. Brynhild speaks with contempt of Guthrun and her whole family, and the following stanza, which presumably belongs to the same Sigurth lay as the Brot, is quoted at this point:
Gunnar and Sigurth alike try to appease the angry Brynhild, but in vain. After Sigurth has talked with her, his leaving her hall is described in the following stanza, introduced by the specific phrase: "as is said in the Lay of Sigurth":
Brynhild then tells Gunnar that she had given herself wholly to Sigurth before she had become Gunnar's wife (the confusion between the two stories is commented on in the note to Gripisspo, 47), and Gunnar discusses plans of vengance with his brother, Hogni. It is at this point that the action of the Brot begins.
Beginning with this poem, and thence to the end of the cycle, the German features of the narrative predominate (cf. introductory note to Gripisspo).
Here it is told in this poem about the death of Sigurth, and the story goes here that they slew him out of doors, but some say that they slew him in the house, on his bed ​while he was sleeping. But German men say that they killed him out of doors in the forest; and so it is told in the old Guthrun lay, that Sigurth and Gjuki's sons had ridden to the council-place, and that he was slain there. But in this they are all agreed, that they deceived him in his trust of them, and fell upon him when he was lying down and unprepared.
* ↑ The fragment begins with the last words of line 1 (probably line 3 of the stanza). A few editors ascribe this speech to Gunnar and the next to Brynhild; one reconstruction of lines 1-2 on this probably false assumption runs: "Why art thou, Brynhild,  daughter of Buthli, / Scheming ill  with evil counsel?
* ↑ A few editors ascribe this speech to Brynhild. Gunnar, if the stanza is his, has believed Brynhild's statement regarding Sigurth's disloyalty to his blood-brother.
* ↑ The Volsungasaga quotes a somewhat different version of this stanza, in which the snake is called "wood-fish" and the third line adds "beer and many things." Eating snakes and the flesh of beasts of prey was commonly supposed to induce ferocity. Gotthorm: Grimhild's son, half-brother to Gunnar. He it is who, not having sworn brotherhood with Sigurth, does the killing.
* ↑ In the manuscript this stanza stands between stanzas 11 and 12; most editions have made the change here indicated. South of the Rhine: the definite localization of the action shows how clearly all this part of the story was recognized in the North as of German origin. Atli (Attila; cf. introductory note to Gripisspo): the Northern version of the story makes him Brynhild's brother. His marriage with Guthrun, and his slaying of her brothers, are told in the Atli poems. Regarding the manner of Sigurth's death cf. concluding prose passage and note. Stanza 13 indicates that after stanza 5 a stanza containing the words of an eagle has been lost.
* ↑ One line of this stanza, but it is not clear which, seems to have been lost. The gray horse: Grani.
* ↑ Some editions set stanzas 8 and 9 after stanza 11; Sijmons marks them as spurious. Buthli: cf. Gripisspo, 19, note.
* ↑ Goths: a generic term for any German race; cf. Gripisspo, 35 and note. Five sons: according to the Volsungasaga Sigurth had only one son, named Sigmund, who was killed at Brynhild's behest. Sigurtharkvitha en skamma and Guthrunarkvitha II likewise mention only one son. The daughter of Sigurth and Guthrun, Svanhild, marries Jormunrek (Ermanarich).
* ↑ The manuscript marks line 4 as the beginning of a new stanza, and a few editions combine it with stanza 13.
* ↑ Slayer of hosts: warrior (Gunnar). Raven and eagle: cf. note on stanza 5.
* ↑ Mogk regards stanzas 16 and 17 as interpolated, but on not very satisfactory grounds. On the death of Gunnar cf. Drap Niflunga.
* ↑ No gap is indicated in the manuscript, and some editions attach these two lines to stanza 16. Niflungs: this name (German Nibelungen), meaning "sons of the mist," seems to have belonged originally to the race of supernatural beings to which the treasure belonged in the German version. It was subsequently extended to include the Gjukungs and their Burgundians. This question, of minor importance in the Norse poems, has evoked an enormous amount of learned discussion in connection with the Nibelungenlied.
* ↑ Footprints: the actual mingling of blood in one another's footprints was a part of the ceremony of swearing blood-brotherhood, the oath which Gunnar and Sigurth had taken. The fourth line refers to the fact that Sigurth had won many battles for Gunnar.
* ↑ Regarding the sword episode cf. Gripisspo, 41 and note. Wound-staff: sword.
* ↑ Prose. This prose passage has in the manuscript, written in red, the phrase "Of Sigurth's Death" as a heading; there is no break between it and the prose introducing Guthrunarkvitha I, the heading for that poem coming just before stanza 1. This note is of special interest as an effort at real criticism. The annotator, troubled by the two versions of the story of Sigurth's death, feels it incumbent on him not only to point the fact out, but to cite the authority of "German men" for the form which appears in this poem. The alternative version, wherein Sigurth is slain in bed, appears in Sigurtharkvitha en skamma, Guthrunarhvot, and Hamthesmol, and also in the Volsungasaga, which tells how Gotthorm tried twice to kill Sigurth but was terrified by the brightness of his eyes, and succeeded only after the hero had fallen asleep. That the annotator was correct in citing German authority for the slaying of Sigurth in the forest is shown by the Nibelungenlied and the Thithrekssaga. The "old" Guthrun lay is unquestionably Guthrunarkvitha II.