OpenLLM-France/wikimedia huggingface dataset:
# Jersey Journal/1962/Joseph Cancalosi; Film Operator

Joseph James Cancalosi (1894-1962) obituary in the Jersey Journal on December 4, 1986.
Joseph Cancalosi; Film Operator
Joseph Cancalosi, 67, of 220 Nunda Avenue, died yesterday at Jersey City Medical Center. He was a movie projector operator at the Monticello Theater. He served with the Army in France during World War I. He was a member of the Catholic War Veterans. funeral will be 10 a.m. Thursday from the Introcaso-Angelo Funeral Home.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Æsop's Fables (V. S. Vernon-Jones)/The Hare and the Tortoise

* related authors: Arthur Rackham
* sister projects: Wikipedia article, Commons category, Wikidata item
THE HARE AND THE TORTOISE
A HARE was one day making fun of a Tortoise for being so slow upon his feet. “Wait a bit,” said the Tortoise; “I’ll run a race with you, and I’ll wager that I win.” “Oh, well,” replied the Hare, who was much amused at the idea, “let’s try and see”; and it was soon agreed that the fox should set a course for them, and be the judge. When the time came both started off together, but the Hare was soon so far ahead that he ​thought he might as well have a rest: so down he lay and fell fast asleep. Meanwhile the Tortoise kept plodding on, and in time reached the goal. At last the Hare woke up with a start, and dashed on at his fastest, but only to find that the Tortoise had already won the race.
Slow and steady wins the race.
# Æsop's Fables (V. S. Vernon-Jones)/The Lion and the Mouse

THE LION AND THE MOUSE
A LION asleep in his lair was waked up by a Mouse running over his face. Losing his temper he seized it with his paw and was about to kill it. The Mouse, terrified, piteously entreated him to spare its life. “Please let me go,” it cried, “and one day I will repay you for your kindness.” The idea of so insignificant a creature ever being able to do anything for him amused the Lion so much that he laughed aloud, and good-humouredly let it go. But the Mouse’s chance came, after all. One day the Lion got entangled in a net which had been spread for game by some hunters, and the Mouse heard and recognised his roars of anger and ran to the spot. Without more ado it set to work to gnaw the ropes with its teeth, and succeeded before long in setting the Lion free. “There!” said the Mouse, “you laughed at me when I promised I would repay you; but now you see, even a Mouse can help a Lion.”
# Æsop's Fables (V. S. Vernon-Jones)/The Wolf in Sheep’s Clothing

THE WOLF IN SHEEP’S CLOTHING
A WOLF resolved to disguise himself in order that he might prey upon a flock of sheep without fear of detection. So he clothed himself in a sheepskin, and slipped among the sheep when they were out at pasture. He completely deceived the shepherd, and when the flock was penned for the night he was shut in with the rest. But that very night as it happened, the shepherd, requiring a supply of mutton for the table, laid hands on the Wolf in mistake for a Sheep, and killed him with his knife on the spot.
# Æsop's Fables (V. S. Vernon-Jones)/The Fox and the Stork

* related authors: Arthur Rackham
* sister projects: Wikipedia article, Commons gallery, Commons category, Wikidata item
THE FOX AND THE STORK
A FOX invited a Stork to dinner, at which the only fare provided was a large flat dish of soup. The Fox lapped it up with great relish, but the Stork with her long bill tried in vain to partake of the savoury broth. Her evident distress caused the sly Fox much amusement. But not long after the Stork invited him in turn, and set before him a pitcher with a long and narrow neck, into which she could get her bill with ease. Thus, while she enjoyed her dinner, the Fox sat by hungry and helpless, for it was impossible for him to reach the tempting contents of the vessel.
# Colour-Music: The Art of Mobile Color

Layout 2
COLOUR-MUSIC
COLOUR-MUSIC THE ART OF MOBILE COLOUR
BY A. WALLACE RIMINGTON A.R.E., R.B.A. PROFESSOR OF FINE ARTS, QUEEN'S COLLEGE, LOND. WITH ILLUSTRATIONS
PREFATORY NOTES BY SIR HUBERT VON HERKOMER, R.A, M.V.O. AND Dr. W. BROWN, King's Coll., Lond.
NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS
Printed in Great Britain
CONTENTS
ILLUSTRATIONS
PRINTED BY WILLIAM BRENDON AND SON, LTD. PLYMOUTH
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Colour-Music: The Art of Mobile Color/Note by Dr. William Brown

NOTE
UPON THE PSYCHOLOGICAL ASPECTS OF COLOUR-MUSIC
By DR. W. BROWN
Considered from the points of view of the psycho-physics and psychology of visual and auditory sensations, a colour-music art seems full of promise. The analogies existing between these two realms of experience are numerous and, in many cases, very close—probably even closer than the majority of psychologists have hitherto been ready to admit. Too much stress should not be laid on the discrepancies between the quantitative stimulus-relations in the two cases, since the question is primarily a psychological one, and such discrepancies are not sufficiently pronounced to detract from the significance of analogies arrived at on purely psychological evidence. The emotional influences of colour, as those of sound, are obvious and beyond ​dispute, and the scheme of introducing rhythm—i.e. the time relation—into colour combinations opens up an entirely new field of investigation which psychologists will not be slow in exploring. Whatever the future of colour-music may be on the plane of æsthetic production and appreciation—and it seems to be exceedingly hopeful—the theory cannot fail to be of the greatest importance and productive- ness for future research in the domain of the psychology of colour.
King's Coll., Lond. KingJuly, 1911.
# Tarzan and the Lost Empire

* related portals: Adventure
* sister projects: Wikipedia article, Commons category
TARZAN TO THE RESCUE
The disappearance of a noted archeologist hunting the secret of the Lost Tribe of the Wiramwazi Mountains was a signal to the one man who could penetrate Africa's deepest interior—Tarzan of the Apes. For only Tarzan, the white man who had been raised by the anthropoid apes, could understand the ways of the jungle and its beasts perfectly enough to speed to the scientist’s rescue.
But this time, in addition to savage tribes and vicious beasts, Tarzan uncovered a strange lost land—twin cities of Roman soldiery, outposts of a ruthless empire that had fallen fifteen hundred years before.
Tarzan’s desperate struggle between ancient intrigues and modern schemers, against deadly gladiators and enraged lions, is Edgar Rice Burroughs at his very best.
​Foreword: THE REAL TARZAN
Who is the real Tarzan of the Apes?
Everyone generally agrees that he’s the strong man that lives in the jungle and can talk with his animal friends. But from there on, the definitions will vary. Some will swear that he lives in a tree house and is usually saying, “Me Tarzan, you Jane,” while others will tell you that he has a son named Boy and a monkey called Cheetah.
In spite of what you may suppose, this is not a valid answer to the question. Tarzan does not live in a tree house, he speaks English fluently, his son’s name is Korak the Killer and he calls his monkey Nkima.
The misconceptions were brought about by the Tarzan motion pictures of a few years back, and, though they have certainly spread Tarzan’s fame, they have altered his character from that created by Burroughs in his books. The Tarzan novels are vividly conceived, mature, gripping stories told by a talented author.
You hold one of these novels in your hand. You will find the real Tarzan far more thrilling than his pale movie counterpart.
—Camille Cazadessus, Jr. Editor, ERB-dom, a magazine devoted to the Burroughs books.
EDGAR RICE BURROUGHS
TARZAN
AND THE LOST EMPIRE
ACE BOOKS, INC.
1120 Avenue of the Americas
New York 36, N.Y.
​This Ace edition follows the text of the first hard-cover book edition, originally published in 1929.
Cover art and title page illustration by Frank Frazetta.
To Jean Hulbert
Edgar Rice Burroughs books available in Ace editions: F-156 AT THE EARTH'S CORE F-157 THE MOON MAID F-158 PELLUCIDAR F-159 THE MOON MEN F-168 THUVIA, MAID OF MARS
Printed in U.S.A.
(not listed in original)
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
* Chapter 21
* Chapter 22
* Chapter 23
This work is a newer edition of a previously copyrighted work that contains new material additions such as the cover image, front matter or end matter.
# Morris v. Weinberger
## Dissenting Opinion

    Douglas
Supreme Court of the United States
410 U.S. 422
Morris v. Weinberger, Secretary of Health, Education, and Welfare
Certiorari to the United States Court of Appeals for the Fourth Circuit
No. 71-6698. Argued: January 17, 1973 --- Decided: February 22, 1973
455 F.2d 775, certiorari dismissed as improvidently granted.
E.R. McClelland argued the cause and filed a brief for petitioner.
Walter H. Fleischer argued the cause for respondent. On the brief were Solicitor General Griswold, Assistant Attorney General Wood, Mark L. Evans, Kathryn H. Baldwin, and Michael Kimmel.
PER CURIAM.
# Morris v. Weinberger/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
* Dissenting Opinion Douglas
[p422] PER CURIAM.
Twenty days after this Court granted a writ of certiorari, 409 U.S. 841, Congress amended the relevant statutory provisions, § 202 (d)(8) of the Social Security Act, 42 U.S.C. § 402 (d)(8). See § 111 (a), Social Security Amendments of 1972 (Oct. 30, 1972), Pub.L. 92-603, 86 Stat. 1329. The writ of certiorari heretofore granted is dismissed as improvidently granted.
# The Life and Writings of Alexandre Dumas

A breezily written and rather biased (on the pro-Dumas side) biography of Alexandre Dumas 'the elder'.
THE LIFE AND WRITINGS OF ALEXANDRE DUMAS
THE LIFE AND WRITINGS OF ALEXANDRE DUMAS (1802-1870)
BY HARRY A. SPURR AUTHOR OF "A COCKNEY IN ARCADIA," ETC.
WITH MANY ILLUSTRATIONS
NEW YORK FREDERICK A. STOKES, COMPANY PUBLISHERS
Copyright, 1902, By HARRY A. SPURR.
Published in October, 1902.
This Book, THE OUTCOME OF MANY YEARS OF LOVING STUDY, IS RESPECTFULLY DEDICATED TO MADAME DUMAS fils, IN GRATEFUL RECOGNITION OF HER SYMPATHY AND HELP.
CONTENTS
| | PAGE |
| Dedication | v |
| Preface | vii |
| List of Illustrations | xv |
| PART I. ||
| HIS LIFE AND CHARACTER ||
| Birth, Manhood and Early Successes (1802-30) | 3 |
| The Reign of Dumas I. (1830-48) | 40 |
| Wanderings, Decline and Death (1848-70) | 94 |
| Character | 125 |
| PART II. ||
| HIS WRITINGS. ||
| His Writings | 183 |
| HIS GENIUS ||
| A Defence | 273 |
| A Counterclaim | 309 ​ |
| APPENDICES ||
| A. History and Fiction: a Comparison | 351 |
| B. Chronology of Dumas's Life | 355 |
| C. Tabular Analysis of Dumas's Writings | 357 |
| D. List of Books Consulted | 373 |
| Index | 377 |
LIST OF ILLUSTRATIONS.
| | PAGE |
| Alexandre Dumas père | Frontispiece |
| House in which Dumas was Born, Villers-Cotterets | 8 |
| Dumas in 1828 (from a drawing by Deveria) | 30 |
| Portrait of Dumas, after Maurin | 36 |
| Dumas's Theatre, the "Historique" | 86 |
| Alexandre Dumas fils | 108 |
| Title-Page of "Nouvelles Contemporaines" | 185 |
| "D'Artagnan" (from the Doré statue, Paris) | 209 |
| The Dumas Monument by Doré, Paris | 342 |
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Conversion of St. Vladimir

* related portals: Czech literature, Vladimir the Great, Humour
* sister projects: Commons category, Wikidata item
The Conversion of St. Vladimir
A Legend from Early Russian History
Written by
Karel Havliček (Borovsky)
(1821 – 1856)
Translated from the Bohemian
by
Ernst Altschul
Cleveland, Ohio
1930
Copyright 1930 Ernst Altschul Cleveland, Ohio
Dedicated to His Excellency
PROF. Thomas G. Masaryk
Who enjoys the well deserved distinction of being the First President
of the
CZECHOSLOVAK REPUBLIC
As a slight tribute for his fully justified admiration in his treatise on, and biography of Karel Havlicek.
Table of Contents
Page
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Executive Order 14216

more info.
Donald Trump's seventieth executive order of his second presidency, originally published on February 18, 2025 by the White House. Published as Executive Order 14216 on February 24, 2025 in the Federal Register. Scan: Index:Executive Order 14216.pdf
Signed by President Donald Trump Tuesday, February 18, 2025
Federal Register page & date: 90 FR 10451, Monday, February 24, 2025
​Executive Order 14216 of February 18, 2025
Expanding Access to In Vitro Fertilization
By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered:
Section 1. Purpose and Policy. Today, many hopeful couples dream of starting a family, but as many as one in seven are unable to conceive a child. Despite their hopes and efforts, infertility struggles can make conception difficult, turning what should be a joyful experience into an emotional and financial struggle. My Administration recognizes the importance of family formation, and as a Nation, our public policy must make it easier for loving and longing mothers and fathers to have children.
In vitro fertilization (IVF) offers hope to men and women experiencing fertility challenges. Americans need reliable access to IVF and more afford able treatment options, as the cost per cycle can range from $12,000 to $25,000. Providing support, awareness, and access to affordable fertility treatments can help these families navigate their path to parenthood with hope and confidence.
Therefore, to support American families, it is the policy of my Administration to ensure reliable access to IVF treatment, including by easing unnecessary statutory or regulatory burdens to make IVF treatment drastically more affordable.
Sec. 2. Lowering Costs and Reducing Barriers to IVF. Within 90 days of the date of this order, the Assistant to the President for Domestic Policy shall submit to the President a list of policy recommendations on protecting IVF access and aggressively reducing out-of-pocket and health plan costs for IVF treatment.
Sec. 3. General Provisions. (a) Nothing in this order shall be construed to impair or otherwise affect:
(b) This order shall be implemented consistent with applicable law and subject to the availability of appropriations.
​(c) This order is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person.
THE WHITE HOUSE, February 18, 2025.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Return to In-Person Work

Originally published on January 20, 2025 at whitehouse.gov and published on January 28, 2025 at federalregister.gov.
​Memorandum of January 20, 2025
Return to In-Person Work
Memorandum for the Heads of Executive Departments and Agencies
Heads of all departments and agencies in the executive branch of Government shall, as soon as practicable, take all necessary steps to terminate remote work arrangements and require employees to return to work in-person at their respective duty stations on a full-time basis, provided that the department and agency heads shall make exemptions they deem necessary.
This memorandum shall be implemented consistent with applicable law.
THE WHITE HOUSE, Washington, January 20, 2025
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Comedies of Plautus: Literally Translated into English Prose, with Notes

Volumes (not listed in original)
* Volume 1, containing
** Trinummus; the Three Pieces of Money
** Miles Gloriosus: the Braggart Captain
** Bacchides; or, the Twin-Sisters
** Stichus; or, the Parasite Rebuffed
** Pseudolus; or, the Cheat
** Menæchmi; or, the Twin-Brothers
** Aulularia; or, the Concealed Treasure
** Captivi; the Captives
** Asinaria; or, the Ass-Dealer
** Curculio; or, the Forgery
* Volume 2, containing
** Amphitryon; or, Jupiter in Disguise
** Rudens; the Fisherman's Rope
** Mercator; the Merchant
** Cistellaria; or, the Casket
** Truculentus; the Churl
** Persa; the Persian
** Casina; or, the Stratagem Defeated
** Pœnulus; the Young Carthaginian
** Epidicus; or, the Fortunate Discovery
** Mostellaria; or, the Haunted House
** Fragments of the Writings of Plautus
** Index to the Two Volumes
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Comedies of Plautus: Literally Translated into English Prose, with Notes/Volume 2

THE
COMEDIES
OF
PLAUTUS
LITERALLY TRANSLATED INTO ENGLISH PROSE,
WITH NOTES,
BY
HENRY THOMAS RILEY, B.A.,
LATE SCHOLAR OF CLARE HALL, CAMBRIDGE.
IN TWO VOLUMES.
VOL. II.
CONTAINING THE
AMPHITRYON, RUDENS, MERCATOR, CISTELLARIA, TRUCULENTUS,
PERSA, CASINA, PŒNULUS, EPIDICUS, MOSTELLARIA,
AND FRAGMENTS.
LONDON: GEORGE BELL AND SONS, YORK STREET,
COVENT GARDEN.
1890.
LONDON:
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED.
STAMFORD STREET AND CHARING CROSS.
PREFACE.
In the Translation of the Plays contained in the present volume, the text of Fleckeisen has been adopted for the Amphitryon and the Rudens, and that of Weise (as given in the Tauchnitz Edition) for the others. In the supposed interpolations of the Amphitryon and Mercator, Schmieder has been followed.
The previous English translations of the author are few in number. A part of the Menæchmi (translated, it is supposed, by William Warner) was published in 1595; to which reference will be found at page 372 of Vol. I. In the latter part of the seventeenth century Echard translated the Amphitryon, Rudens, and Epidicus. Thornton remarks that "his style is coarse and indelicate; when he aims at being familiar, he is commonly low and vulgar." In 1747, Cooke, the Translator of Terence, published a version of the Amphitryon, which Thornton speaks of as apparently intended "merely for the use of learners."
Of Thornton's translation of Plautus as a poetical work, it is impossible to speak in other than terms of admiration; but from the circumstance of its being blank verse, it is not sufficiently close to convey to the English reader an accurate idea of the peculiar style of the author.
A professed translation of seven of the Comedies of Plautus was published by the Lev. G. S. Cotter in 1827, but in it he avowedly omits a large portion of the text, and a still larger portion without the least intimation.
In the present translation, particular attention has been given to the difficult and obscure passages, and it may not be presumptuous to hope that the Notes will be found of value to the classical student.
It is hardly necessary to remind the Reader that the asterisks in the text denote where portions of the original are lost.
H. T. R.
CONTENTS.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Comedies of Plautus: Literally Translated into English Prose, with Notes/Volume 2/Mostellaria/The Subject

THE SUBJECT.
While Theuropides is absent from home on business, his son Philolaches leads a dissolute life at home with his friend Callidamates and his own servant Tranio. While they are in the midst of their carousals, the father of Philolaches unexpectedly arrives at Athens. Their first impulse is to leave the house immediately, but, Callidamates being in a state of helpless intoxication, they are prevented from so doing. In this dilemma, Tranio undertakes to rescue them. He requests them to remain perfectly quiet in the house, and not to stir out of it. The house is then shut up, and he sallies forth to meet Theuropides. He pretends to him that the house has been shut up for some months past, in consequence of its being haunted. In the midst of the conversation, he is accosted by a Banker, who duns him for the interest of some money which Philolaches has borrowed of him for the purpose of procuring the freedom of Philematium, his mistress. Theuropides enquires what the money was borrowed for, on which Tranio says that Philolaches has purchased a house with it. On Theuropides making further enquiries, Tranio says that he has bought the house in which Simo is living. On this, Theuropides wishes to examine this new purchase, and sends Tranio to request Simo to allow him to do so, if not inconvenient. Tranio obtains the permission, Simo being ignorant of the object, and they go over the house, Theuropides being much pleased with his son's bargain. Tranio is then sent by Theuropides into the country to fetch Philolaches thence, he having pretended that he is there. Shortly after, a servant of Callidamates comes to the house that is shut up to fetch his master home. Theuropides questions him; and on receiving further information from Simo, who declares that he has not sold his own house, he resolves to punish Tranio. The latter, on finding this to be the case, runs to an altar for refuge. Callidamates, who is now sober, and has got out of the house by the back-gate, now makes his appearance, and, at his earnest intercession, pardon is granted by Theuropides to Philolaches and Tranio.