OpenLLM-France/wikimedia huggingface dataset:
# Marriage (Enabling) Act 1960

* related portals: Acts of the Parliament of the United Kingdom
* sister projects: Wikidata item
See this legislation with any revisons at legislation.gov.uk .
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CHAPTER 29
An Act to enable a person to marry certain kin of a former spouse. [13th April, 1960]
BE it enacted by the Queen's most Excellent Majesty, by and with the advice and consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the authority of the same, as follows:—
Certain marriages to be void.
1.—(1) No marriage hereafter contracted (whether in or out of Great Britain) between a man and a woman who is the sister, aunt or niece of a former wife of his (whether living or not), or was formerly the wife of his brother, uncle or nephew (whether living or not), shall by reason of that relationship be void or voidable under any enactment or rule of law applying in Great Britain as a marriage between persons within the prohibited degrees of affinity.
(2) In the foregoing subsection words of kinship apply equally to kin of the whole and of the half blood.
(3) This section does not validate a marriage, if either party to it is at the time of the marriage domiciled in a country outside Great Britain, and under the law of that country there cannot be a valid marriage between the parties.
(4) The enactments mentioned in the Schedule to this Act are hereby repealed to the extent specified in the third column of the Schedule.
Short title, citation and extent.
2.—(1) This Act may be cited as the Marriage (Enabling) Act, 1960, and this Act and the Marriage Acts, 1949 to 1958, may be cited together as the Marriage Acts, 1949 to 1960.
(2) This Act shall not apply to Northern Ireland.
SCHEDULE
Enactments Repealed
| Session and Chapter | Short Title | Extent of Repeal |
| 7 Edw. 7. c. 47. | The Deceased Wife's Sister's Marriage Act, 1907. | The whole Act. |
| 11 & 12 Geo. 5. c. 24. | The Deceased Brother's Widow's Marriage Act, 1921. | The whole Act. |
| 21 & 22 Geo. 5. c. 31. | The Marriage (Prohibited Degrees of Relationship) Act, 1931. | The whole Act. |
| 12, 13 & 14 Geo. 6. c. 76. | The Marriage Act, 1949. | Subsections (2) and (3) of section one; Part II of the First Schedule. |
PRINTED BY SIR JOHN ROUGHTON SIMPSON, C.B.
Controller of Her Majesty's Stationery Office and Queen's Printer of Acts of Parliament
LONDON: PUBLISHED BY HER MAJESTY'S STATIONERY OFFICE
Price 3d. net
PRINTED IN ENGLAND
This work is in the public domain worldwide because it is one of the following types of legislation in the United Kingdom or its predecessor states, and received Royal Assent or the approval of HM in Council (as applicable) before 1975:
* Act of Parliament
* Act of the Scottish Parliament
* Measure of the National Assembly for Wales
* Act of Senedd Cymru (formerly known as an Act of the National Assembly for Wales)
* Act of the Northern Ireland Assembly
* Measure of the General Synod of the Church of England
See section 164 of the Copyright, Designs and Patents Act 1988 (as amended).
Public domainPublic domainfalsefalse
# Songs and Lyrics (Lehrer)/Te Amo

s = ½ gt² is sung to the same tune.
Te Amo
words and music by Tom Lehrer (with thanks to Munro Edmonson)
[1]
# Julia Ward Howe

* related portals: Biography
* related authors: Julia Ward Howe
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item
the authors were awarded the first Pulitzer Prize for Biography or Autobiography in 1917 for this work
* Julia Ward Howe, 1819–1910 (1915 Dec large paper ed.) assisted by Florence Howe Hall
** Julia Ward Howe, 1819–1910 (1915 in two vols.) (external transcriptions) (external scans (multiple parts): [ 1], 2)
* Julia Ward Howe, 1819–1910 (1916 Mar ed.) assisted by Florence Howe Hall
** Julia Ward Howe, 1819–1910 (1916 in two vols.) (transcription volumes: 1, 2)
** Julia Ward Howe, 1819–1910 (undated two vols. in one) Project Gutenberg (start transcription)
* Julia Ward Howe, 1819–1910 (1925 ed.)
** Julia Ward Howe, 1819–1910 (1925 in single vol. 1925 ed.) (start transcription) (external scan)
This work is in the public domain in the United States because it was published in 1915, before the cutoff of January 1, 1930.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book II/Canto X

Cant. X.
# Zóphiël/To Robert Southey, Esq

TO
ROBERT SOUTHEY, ESQ.
# Zóphiël

ZÓPHIËL.
LONDON:
C. AND W. REYNELL, PRINTERS, BROAD STREET, GOLDEN SQUARE.
ZÓPHIËL;
OR,
THE BRIDE OF SEVEN.
BY
MARIA DEL OCCIDENTE,
BOSTON:
CARTER AND HENDEE.
1833.
Chapters (not listed in original)
* To Robert Southey, Esq
* Preface
* Canto First
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Acadiensis/Volume 1/Number 2/The Northern Muse

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THE NORTHERN MUSE.
(From the Book Lover.)
—Bliss Carman.
# Acadiensis/Volume 1/Number 4/The Daisy

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The Daisy.
W. P. Dole.
# Zóphiël/Preface

PREFACE.
In finishing Zóphiël, the writer has endeavoured to adhere entirely to that belief (once prevalent among the fathers of the Greek and Roman churches), which supposes that the oracles of antiquity were delivered by dæmons or fallen angels, who wandered about the earth, formed attachments to such mortals as pleased them best, and caused themselves, in many places, to be adored as divinities.
In endeavouring to give authority for the incidents of the story, all quotations from the sacred writings have been scrupulously avoided; and the beings introduced are to be considered only as Phoebus, Zephyr, &c. under other names.
Most of the systems of ancient philosophy, either Western or Oriental, suppose beings similar to the angels of the fathers, and differ from the Mosaic account only in ​being more full and explicit. Justin Martyr and others supposed that even Homer borrowed from Hebraic records and traditions, and found in his writings the creation of the world, the tower of Babel, and the angels cast out of heaven. Hesiod's beautiful allegory of "Love calling order from chaos," may, it is said, be traced to the same source.
The fact of the actual existence of such beings as angels are represented, it is for others to question: according to all that is related of them, they are creatures superior in power, but endued with wishes and propensities nearly resembling those of mortals; and, in their attributes, corresponding almost entirely with those deities which they are thought, by the fathers, to have personated, and which have ever been a subject for poetry and fable.
# Acadiensis/Volume 1/Number 3/An Acadian Monarch

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An Acadian Monarch.
THE MOOSE.
Patrick McCarthy.
St. John, 1901.
# The Gentleman's Magazine/Volume 1/Issue 3/A Short Rule

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A short Rule to determine the Value of Bar-Silver.
MUltiply the Grots of the Price of a Mark Fine, by 28.—Divide what comes out, by the Pence sterling, of the Price of an Ounce of Standard Silver, and you'll have the Grots Banco, that one Pound sterling produces on Standard Silver in Bars so bought and fold.
EXAMPLES.
Given Standard Silver in Bars at 62 Pence per Ounce: Fine Silver at 24 Guilders 2 Stivers Banco per Mark fine. Quere how much Banco Money does one Pound Sterling produce?
The Grots of 24 Guilders 2 Stivers are 964. These multiply'd by 28, make 26992, these divided by 62 Pence, bring out 435 Grots, or 36 Schellings 3 Grots $^1$⁄$_4$ Bank Money for one Pound Sterling. Again—Given Standard Silver in Bars at 65 Pence per Ounce: Fine Silver at 25 Guilders 11 Stivers Banco per Mark fine, Quere, how much Banco Money does 1 Pound Sterling produce? The Grots of 25 Guilders 11 Stivers are 1022. These multiply'd by 28, make 28616. These divided by 65 Pence, bring out 440 Grots $^{10}$⁄$_{66}$, or 36 Schellings 8 Grots $^1$⁄$_4$ Bank Money for 1 Pound Sterling.
Suppose the Exchange betw. Amsterdam and London at 34, 11, what Profit does there arise on Standard Silver at the given Prices in this Example?—To find which, 1761 (the quarter Grots of 36, 8$^1$⁄$_4$) being multiply'd by 100, are 176100. These divided by 1676, (the quarter Grots of 34, 11) bring out L. 105:91:05 that is L. 5:01:5 per Cent. Profit, at the Prices above, viz. Bought at 65 Pence—Sold at 25 Guilders 11 Stivess Banco—Return'd by Exchange at 34, 11 per L. Sterling.
# The Gentleman's Magazine/Volume 1/Issue 3/To Prevent The Mails Being Robb'd

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To prevent the MAILS being robb'd.
THE Bristol Mail, after passing unmolested five Years, having been robb'd twice last Year, and the Persons convicted thereof discover'd by Indorsements on Bank Notes taken away, it has been thought proper by the Postmafter general, to re-publish the Method prescribed in 1724, with some necessary Additions, to make it more difficult for Highway-men, or their Accomplices, to put off such Notes; which Method, as now improved, is recommended to Practice by all Persons who shall send Notes by the Post, viz. to write on the Back the Proprietor's Name, and the Place where sent from and to, with the Day of the Month in Words, not in Figures, which have been alter'd; and to write on the other side an Order to stop Payment, if the Mail is robb'd, in the following manner:
On the Back.
London, March the first, 1730, per Post to Chester, John Hind, Proprietor of this Note.
On the face of the Note:
Upon Notice that the Mail is robb'd, stop Payment at the Bank, until Advice from
John Hind John Strong
If there is occasion to remit the said Note to London, write,
Chester, March the tenth, 1730, per Post to London, John Strong, Proprietor of this Note.
The Order to stop Payment need not be writ again, only sign'd as above by John Strong under the other Name, and so by every Proprietor, the Names answering on each side. As a further Caution, it is required that the Proprietors keep by them a Memorandum of such Endorsements, also of the Number, Date, and Sum of each Note sent by Post.
N.B. An exact Plan of these Directions may be seen at every Post-house.
# The Works of Alexander Pope (1717)/Vertumnus and Pomona, from the fourteenth Book of Ovid's Metamorphosis

VERTUMNUS
AND
POMONA:
From the Fourteenth Book of
OVID's METAMORPHOSES.
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# The Works of Alexander Pope (1717)/The Fable of Dryope, from the ninth Book of Ovid's Metamorphosis

This is the first time this particular work appeared in print. [Based on Alexander Pope: A Bibliography Volume 1, Part 1 (1922), by Reginald Harvey Griffith, p. 66.]
THE
FABLE of DRYOPE.
From the Ninth Book of
OVID's METAMORPHOSES.
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# The Works of Alexander Pope (1717)/The first Book of Statius his Thebais

THE
FIRST BOOK
OF
STATIUS
HIS
THEBAIS.
Translated in the Year 1703.
The ARGUMENT.
Oedipus King of Thebes having by mistake slain his father Laius, and marry'd his mother Jocasta, put out his own eyes, and resign'd the realm to his sons, Etheocles and Polynices. Being neglected by them, he makes his prayer to the fury Tisiphone, to sow debate betwixt the brothers. They agree at last to reign singly, each a year by turns, and the first lot is obtain'd by Etheocles. Jupiter, in a council of the Gods, declares his resolution of punishing the Thebans, and Argives also, by means of a marriage betwixt Polynices and one of the daughters of Adrastus King of Argos. Juno opposes, but to no effect; and Mercury is sent on a message to the shades, to the ghost of Laius, who is to appear to Etheocles, and provoke him to break the agreement. Polynices in the mean time departs from Thebes by night, is overtaken by a form, and arrives at Argos; where he meets with Tydeus, who had fled from Calydon, having kill'd his brother. Adrastus entertains them, having receiv'd an oracle from Apollo that his daughters should be marry'd to a Boar and a Lion, which he understands to be meant of these strangers by whom the hides of those beasts were worn, and who arriv'd at the time when he kept an annual feast in honour of that God. The rise of this solemnity he relates to his guests, the loves of Phœbus and Psamathe, and the story of Choræbus. He enquires, and is made acquainted with, their descent and quality: The sacrifice is renew'd, and the book concludes with a Hymn to Apollo.
THE
FIRST BOOK
OF
STATIUS his THEBAIS.
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* ↑ Parthenopæus.
* ↑ Gentilisque animos subit furor, seems to me a better reading than Gentilesque.
# The Works of Alexander Pope (1717)/Part of the thirteenth Book of Homer's Odysses

PART OF THE
THIRTEENTH BOOK
OF
HOMER's
ODYSSES.
Part of the
THIRTEENTH BOOK
OF
HOMER's ODYSSES.
# The Works of Alexander Pope (1717)/The Gardens of Alcinous, from the seventh Book of Homer's Odysses

THE
GARDENS
OF
ALCINOUS.
From the Seventh Book of
HOMER's ODYSSES.
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# An Excellent Collection of Popular Songs ("The Hawthorn")/The hawthorn

The Hawthorn:
One midsummer morning, all nature look’d gay, I met my dear Jamie a tedding the hay, Who said, my lovely treasure, come see where I dwell, Beside the bonny hawthorn that blooms in the vale: That blooms in the valley, that blooms in the vale; Beside the bonny hawthorn that blooms in the vale.
He prais’d me, and said that his love was sincere, Not one on the green was so charming and fair; I listen’d, with pleasure, to Jamie's tender tale. Beside the bonny hawthorn that blooms in the vale.
That blooms, &c.
O hark, bonny Bess, to the birds in yon grove. How delightfu’ they sing, how inviting to love: The briers, deck’d wi’ roses, perfume the fanning gale, Beside the bonny Hawthorn that blooms in the vale.
That blooms, &c.
His looks were so pleasing, his words soft and kind. They told me the youth had no guile in his mind; My heart, too, confess’d him the flower of all the dale, Beside the bonny hawthorn that blooms in the vale.
That blooms, &c.
I tried for to go, and oft said I could not stay, But he would not leave me, nor let me away; Still pressing his suit, at last he did prevail, Beside the bonny hawthorn that blooms in the vale.
That blooms, &c.
Now tell me, ye maidens, how I could refuse, His lips were so sweet, and so binding his vows; We went and were married, and most cordially we dwell. Beside the bonny hawthorn that blooms in the vale. That blooms, &c.
# An Excellent Collection of Popular Songs ("The Hawthorn")/Lillies of the valley

Lilies of the Valley.
O’er barren hills and flowery dales, O’er seas and distant shores, With merry songs and jocund tales, I’ve pass’d some pleasant hours; Tho' wand’ring thus, I ne’er could find A girl like blythsome Sally, Who picks, and culls, and cries aloud, “ Sweet lilies of the valley.”
From whistling o’er the harrow’d turf, From nestling of each tree, I chose a soldier’s life to wed, So social, gay, and free: Yet tho’ the lasses love me well, And' often try to rally, None pleases me like her who cries, “ Sweet lilies of the valley.”
I’m now return’d, of late discharg’d, To see my native soil; From fighting in my country’s cause, To plough my country’s soil: I care not which, with either pleas'd, So I possess my Sally, That little merry nymph, who cries, Sweet lies of the valley.”
# An Excellent Collection of Popular Songs ("The Hawthorn")/Paudien O'Rafferty

Paudien O'Rafferty.
When I was a serving my time at Drogheda, . Minding my work, just as I ought to do, My master’s fair daughter, Miss Biddy O’Dogherty, Bored a hole in the heart of young Paudien O’ Rafferty. Fol, lol, lol, &c.
Miss Bid was a nice little girl as she ought to be, Courted by half the young fellows of Drogheda, ​Who long’d to be kissing this sweet creature of Drogheda, But she lik’d none so well as young Paudien O’Rafferty Fol, lol, lol, &c.
Now to think upon this, faith it made me conceited, I went near the fire where Miss Biddy was seated ; She look’d like an angel when knitting her stocking O, I drew close my chair, and laid hold of her bottom O*. Fol, lol, lol, &c.
When I found myself close by my darling a sitting Says I, my dear creature, come throw by your knitting And listen a while till I tell you how I love you, why, And how much I adore you, Miss Biddy O’Dogherty Fol, lol, lol, &c.
O can’t you be aisy, Pat, don’t be a teasing. You’ve pull’d out my needles, you see, by your wheezing; I’ve dropt all the stitches, you’ve quite spoil’d the stocking O, The dickens is in you, pray let go my bottom O. Fol, lol, lol, &c.
Her mother came running to us in the kitchen. To see if Miss Biddy was minding her knitting; Says she, what are you doing there, Paudien O’Rafferty? Faith, I’m courting your daughter, Miss Biddy O'Dogherty. Fol, lol, lol,.&c.
Her nose grew as red’s a big turkey cock’s snout; Says she, my young Pat, have I now found you out!
*From a bottom of thread the knitter is supplied.
​But straight I will run and tell Mr O'Dogherty, What a hopeful apprentice is Paudien O’Rafferty. Fol, lol, lol, &c.
Then I begg’d the dear girl no longer to stay, But pack up her tatters and with me set away: So now she’s no longer call’d Biddy O’Dogherty, Faith we’re married, and how she’s Mrs O’Rafferty. Fol, lol, lol, &c.
# An Excellent Collection of Popular Songs ("The Hawthorn")/Charlie he's my darling

Charlie he's my Darling.
’Twas on a Monday morning, Right early in the year, That Charlie came to our town, The young Chevalier. An’ Charlie he’s my darling, My darling, my darling, Charlie he’s my darling, The young Chevalier.
As he was walking up the street, The city for to view, O there he spied a bonnie lass The window looking thro’. An’ Charlie, &c.
Sae light’s he jumped up the stair, And tirled at the pin; And wha sae ready as hersel, To let the laddie in. An’ Charlie, &c.
He set his Jenny on his knee, All in his Highland dress; For brawlie weel he ken’d the way To please a bonny lass. An’ Charlie, &c.
Its up yon heathery mountain, And down yon scroggy glen, ​We daur nae gang a milking, For Charlie and his men. An’ Charlie, &c.
# An Excellent Collection of Popular Songs ("The Hawthorn")/The Bay of Biscay

The Bay of Biscay, O.
Loud roar’d the dreadful thunder; The rain a deluge show’rs; The clouds were rent asunder, By lightning’s vivid pow’rs: The night both drear and dark, Our poor devoted bark, There she lay, Till next day, In the Bay of Biscay, O.
Now dash’d upon the billow, Her op’ning timbers creak; Each fears a wat’ry pillow, None stop the dreadful leak; To cling to slipp’ry shrouds, Each breathless seaman crowds. As she lay, Till the day, In the Bay of Biscay, O.
At length the wish’d for morrow, Broke through the hazy sky; Absorb’d in silent sorrow, Each heav’d the bitter sigh ; The dismal wreck to view, Struck horror to our crew As she lay, On that day, In the Bay of Biscay, O.
Her yielding timbers sever, Her pitchy seams are rent; When Heaven, all bounteous ever, its boundless mercy sent; ​A sail in sight appears ! We hail her with three cheers, Now we sail, With the gale, From the Bay of Biscay, O.
# An Excellent Collection of Popular Songs ("The Hawthorn")/Tam Glen

Tam Glen.
My heart is a breaking, dear tittie, Some counsel unto me come Jen’, To anger them a' is a pity; But what will I do wi’ Tam Glen?
I’m thinking, wi’ sic a braw fellow, in poortith I might mak a fen', What care I in riches to wallow, If I mauna marry Tam Glen.
There’s Lowrie, the Laird o’ Drumeller, “ Gude day to you,’’ brute, he comes ben: He brags and he blaws o’ his siller, But when will he dance like Tam Glen?
My minnie does constantly deave me, And bids me beware o’ young men; They flatter, she says, to deceive me; But wha can think sae o’ Tam Glen?
My daddy says, gin I’ll forsake him, He’ll gie me gude hunder marks ten, But, if it’s ordain’d I maun take him, O wha will I get but Tam Glen?
Yestreen at the Valentine’s dealing, My heart to my mou gied a sten ; For thrice I drew ane without failing, And thrice it was written-Tam Glen.
The last Halloween I was waukin My droukit sark-sleeve, as ye ken; His likeness cam up the house staukin, And the very gray breeks o' Tam Glen!
​Come counsel, dear tittie, don’t tarry;
I’ll gie you my bonny black hen, Gif ye will advise me to marry
'The lad I lo’e dearly, Tam Glen.
# An Excellent Collection of Popular Songs ("The Hawthorn")/Far, far at sea

Far, far at Sea.
’Twas night, when the bell had toll’d twelve, And poor Susan was laid on her-pillow, In her ear whisper’d some fleeting elve, Your love now lies lost on a billow, Far, far at sea.
All was dark, when she woke out of breath, Not an object her fears could discover; All was still as the silence of death, Save Fancy, which painted her lover, Far, far at sea.
So she whisper’d a pray’r—clos’d her eyes, But the phanton still haunted her pillow; While in terror she echoed his cries, As struggling he sunk'in a billow, Far, far at sea.
# Lilies of the Valley

* "Lilies of the valley", in Ladies' amusements (1820), a chapbook printed in Edinburgh
* "Lilies of the Valley", in Battle of Sheriff Muir (1823), a chapbook printed in Edinburgh
* "Lilies of the Valley", in The Farmer (1825), a chapbook printed in Stirling
* "Lilies of the Valley", in Lilies of the Valley (1825), a chapbook printed in Stirling
* "Lilies of the Valley", in The Lover's Songster (n.d.), a chapbook printed in Newcastle
* "Lillies of the valley", in Excellent collection of popular songs (n.d.), a chapbook printed in Edinburgh
* "Blythesome Sally", in My Friend and Pitcher (n.d.), a chapbook printed in Stirling
# Tam Glen

* "Tam Glen", in Sae will we yet (n.d.), a chapbook printed in Stirling
* "Tam Glen" in Sprig of shilela, &c. (n.d.), a Scottish chapbook printed in Glasgow
* "Tam Glen" in Blue e'ed Mary (n.d.), a Scottish chapbook printed in Glasgow
* "Tam Glen" in Tak your auld cloak about ye (n.d.), a Scottish chapbook printed in Glasgow
* "Tam Glen" in Tam Glen (n.d.), a Scottish chapbook printed in Stirling
* "Tam Glen" in An excellent new song, called, The sprig of shilale, &c. (n.d.), a Scottish chapbook printed in Stirling
* "Tam Glen" in An Excellent collection of popular songs (n.d.), a Scottish chapbook printed in Edinburgh
* "Tam Glen", in Bruce's Address (n.d.), a chapbook printed in Glasgow
* "Tam Glen" in A Most Choice Collection of Popular Songs (n.d.), a Scottish chapbook printed in Edinburgh
* "Tam Glen" in The Goldfinch (1817), a Scottish chapbook printed in Kilmarnock
* "Tam Glen" in Tam Glen (1823), a Scottish chapbook printed in Glasgow
* "Tam Glen" in The Book of Scottish Song (1843) edited by Alexander Whitelaw
* "Tam Glen", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith