OpenLLM-France/wikimedia huggingface dataset:
# Volpone/Act V Scene III

SCENE III.
A Room in Volpone's House.
Enter Mosca in the habit of a clarissimo, and Volpone in that of a commandadore.
Volp. Am I then like him? Mos. O, sir, you are he: No man can sever you. Volp. Good. Mos. But what am I? Volp. 'Fore heaven, a brave clarissimo; thou becom'st it! Pity thou wert not born one. Mos. If I hold My made one, 'twill be well.[Aside. Volp. I'll go and see What news first at the court.[Exit. Mos. Do so. My Fox Is out of his hole, and ere he shall re-enter, I'll make him languish in his borrow'd case, Except he come to composition with me.— Androgyno, Castrone, Nano!
Enter Androgyno, Castrone, and Nano.
All. Here. Mos. Go, recreate your selves abroad; go, sport.— [Exeunt. So, now I have the keys, and am possest. Since he will needs be dead afore his time, I'll bury him, or gain by him: I am his heir, And so will keep me, till he share at least. To cozen him of all, were but a cheat Well placed; no man would construe it a sin: Let his sport pay for't. This is call'd the Fox-trap. [Exit.
# Volpone/Act V Scene IV

SCENE IV.
A Street.
Enter Corbaccio and Corvino.
Corb. They say, the court is set. Corv. We must maintain Our first tale good, for both our reputations. Corb. Why, mine's no tale: my son would there have kill'd me. Corv. That's true, I had forgot:—mine is, I'm sure. [Aside. But for your Will, sir. Corb. Ay, I'll come upon him For that hereafter, now his patron's dead.
Enter Volpone.
Volp. Signior Corvino! and Corbaccio! sir, Much joy unto you. Corv. Of what? Volp. The sudden good Dropt down upon you—— Corb. Where? Volp. And none knows how, From old Volpone, sir. Corb. Out, arrant knave! Volp. Let not your too much wealth, sir, make you furious. Corb. Away, thou varlet. Volp. Why, sir? Corb. Dost thou mock me?
Volp. You mock the world, sir; did you not change Wills? Corb. Out, harlot! Volp. O! belike you are the man, Signior Corvino? 'faith, you carry it well; You grow not mad withal; I love your spirit: You are not over-leaven'd with your fortune. You should have some would swell now, like a wine-fat, With such an autumn—Did he give you all, sir? Corv. Avoid, you rascal! Volp. Troth, your wife has shewn Herself a very woman; but you are well, You need not care, you have a good estate, To bear it out, sir, better by this chance: Except Corbaccio have a share. Corb. Hence, varlet. Volp. You will not be acknown, sir; why, 'tis wise. Thus do all gamesters, at all games, dissemble: No man will seem to win. [Exeunt Corvino and Corbaccio.]—Here comes my vulture, Heaving his beak up in the air, and snuffing.
Enter Voltore.
Volt. Outstript thus, by a parasite! a slave, Would run on errands, and make legs for crumbs Well, what I'll do—— Volp. The court stays for your worship.
I e'en rejoice, sir, at your worship's happiness, And that it fell into so learned hands, That understand the fingering—— Volt. What do you mean? Volp. I mean to be a suitor to your worship, For the small tenement, out of reparations, That, at the end of your long row of houses, By the Piscaria: it was, in Volpone's time, Your predecessor, ere he grew diseased, A handsome, pretty, custom'd bawdy-house As any was in Venice, none dispraised; But fell with him: his body and that house Decay'd together. Volt. Come, sir, leave your prating. Volp. Why, if your worship give me but your hand, That I may have the refusal, I have done. 'Tis a mere toy to you, sir; candle-rents; As your learn'd worship knows—— Volt. What do I know? Volp. Marry, no end of your wealth, sir; God decrease it! Volt. Mistaking knave! what, mock'st thou my misfortune? [Exit. Volp. His blessing on your heart, sir; would 'twere more!—— Now to my first again, at the next corner. [Exit.
# Raggedy Ann's Alphabet Book/The Volland Sunny Bookshelf

THE VOLLAND SUNNY BOOK SHELF
A Treasure House for Children
IT IS the Volland Ideal that books should make children happy and build character unconsciously; that the stories be full of action and interest, made still more attractive by pictures in color, done by authors and artists who know and love children and leave out fear, mischief, cruelty and moralizing.
Recent Volland Sunny Books are:
Additional Titles in Preparation
THE P. F. VOLLAND COMPANY
Publishers of Books Good for Children
| New York | JOLIET | Chicago |
# Raggedy Ann's Alphabet Book

Raggedy Ann’s Alphabet Book
Raggedy Ann’s Alphabet Book
Written and Illustrated by Johnny Gruelle
The P. F. Volland Company
Copyright 1925
The P. F. Volland Company
Joliet, U. S. A.
(All rights reserved)
Copyright, Great Britain, 1923
Printed in U.S.A.
Chapters (not listed in original)
    Ann
    Crickets and Dwarfies
    Elves and Fairies
    Grasshoppers and Humming Birds
    Ink and Birds
    Katydids and Larks
    Moon
    Owls
    Queen
    Snails and Turtles
    Usefulness and Violets
    Winter and Christmas
    Loyalty
    Goodness, Kindness, Friendliness
    The Alphabet
    The Volland Sunny Bookshelf
This work is in the public domain in the United States because it was published in 1925, before the cutoff of January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Wind and Stream

* "The Wind and Stream" in The Atlantic Monthly, 1 (2) (December, 1857)
* "The Wind and Stream" in Thirty Poems (1864)
# Caroling Dusk/Tenebris

TENEBRIS
# Caroling Dusk/When the Green Lies Over the Earth

WHEN THE GREEN LIES OVER THE EARTH
# Caroling Dusk/A Mona Lisa

A MONA LISA
# Steppenwolf

STEPPENWOLF
STEPPENWOLF
BY HERMANN HESSE
TRANSLATED FROM THE GERMAN BY BASIL CREIGHTON
NEW YORK
HENRY HOLT AND COMPANY
Chapters (not listed in original)
HARRY HALLER'S RECORDS
COPYRIGHT, 1929,
BY
HENRY HOLT AND COMPANY, INC.
PRINTED IN THE UNITED STATES OF AMERICA
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Caroling Dusk/Your Hands

YOUR HANDS
# Caroling Dusk/I Weep

I WEEP
# Caroling Dusk/For the Candle Light

FOR THE CANDLE LIGHT
# Caroling Dusk/Dusk

DUSK
# Dusk

* Search for titles containing or beginning with: "Dusk"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Dusk", a poem by Valery Yakovlevich Bryusov
* "Dusk", a poem by Gladys Cromwell
* "Dusk", a poem by Nora May French
* "Dusk", a poem by Angelina Weld Grimké
* "Dusk" by Guy Roslyn in Littell's Living Age, 127 (1641), a poem
* Dusk, a short story by Saki
# The Puppet Player

* "The Puppet-Player", published in Negro Poets and Their Poems (1923)
* "The Puppet Player", published in Caroling Dusk (1927)
# Caroling Dusk/The Puppet Player

THE PUPPET PLAYER
# Winter Twilight

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "A Winter Twilight", a poem by Angelina Weld Grimké
* "Winter Twilight". a poem by Rebecca Queen Jordan
* "Winter Twilight". a poem by Mary Noel McDonald
# Tacon v. Arizona
## Dissenting Opinion

    Douglas
Supreme Court of the United States
410 U.S. 351
Tacon v. Arizona
Certiorari to the Supreme Court of Arizona
No. 71-6060. Argued: January 9, 1973 --- Decided: February 21, 1973
Where issues presented in petition for certiorari were not raised below nor passed upon by the State's highest court, and where the only issue actually litigated does not alone justify exercise of certiorari jurisdiction, the writ of certiorari is dismissed as improvidently granted.
107 Ariz. 353, 488 P.2d 973, certiorari dismissed as improvidently granted.
Robert J. Hirsh argued the cause and filed a brief for petitioner.
William P. Dixon, Assistant Attorney General of Arizona, argued the cause for respondent. With him on the brief was Gary K. Nelson, Attorney General.
PER CURIAM.
# Caroling Dusk/A Winter Twilight

A WINTER TWILIGHT
# A Winter Twilight

* "A Winter Twilight", published in Negro Poets and Their Poems (1923)
* "A Winter Twilight", published in Caroling Dusk (1927)
# The Sacred Books and Early Literature of the East/Volume 1/The Legends Of Babylon That Survived Its Fall

THE LEGENDS OF BABYLON
THAT SURVIVED ITS FALL
"They that see thee shall gaze at thee, they shall consider thee, saying, Is this the man that made the earth to tremble?"
—Isaiah XIV. 16.
"And Babylon shall become heaps, a dwelling-place for jackals, an astonishment and a hissing, without inhabitant."
—Jeremiah LI. 37.
THE LEGENDS OF BABYLON THAT SURVIVED ITS FALL
(INTRODUCTION)
SOME part of very old Babylonian legend and tradition was, as we have already pointed out, carried off by the Hebrews when they first departed from their Babylonian home in the city of Ur. Hence the Book of Genesis must be reckoned among our most valued sources of knowledge of Babylonia. Genesis tells us that the Almighty's first command to earth was, "Let there be light." Those words have been made the opening quotation and motto of the present series of volumes; because from that divine command sprang not only all Babylonian and Hebrew culture, but also every form of human progress everywhere. Each upward step of man must ever come from letting in the light.
The reader, then, might well begin this volume by reviewing the first chapters of Genesis, to gather their picture of old Babylonia, the Biblical land of Shinar, or of light, the starting-place of human civilization. There lay the garden of Eden, circled by its four rivers, the fertile region of the lower Euphrates. There still towers the enormous bulk of Mount Ararat, on which Noah landed with the ark. There arose the cities of "Babel and Erech and Accad and Calnah in the land of Shinar," wherein Shinar is but another form of Sumer, and all the names are easily identified with those of Babylonia. There, also, the huge temple tower of Babel, or Babylon, was lifted high toward heaven, while around its base the traffic of all the nations of earth, gathering in earth's first great mercantile metropolis, may well have culminated in a very babel of conflicting, shouting tongues.
Yet it must be remembered that the Hebrew narrative remained long unknown to the masses of mankind. Greece ​and Rome drew their scanty knowledge of Babylonia, not from Genesis, but from the Babylonian priest, Berosus. To explain his land to its Grecian conquerors, Berosus wrote its history. His volume has long since perished; but fragments of it were quoted by other authors, and have come down to us. Mainly, these quotations are but repetitions of one another. The longest and best of them are given here. Berosus wrote them after his country's glory had long faded. Chronologically, they belong at the end of our volume rather than at the beginning. They are, however, given first as representing what, before recent scientific exploration, was the sum total of human remembrance retained from all the struggles and the splendors, the terrific wars and gorgeous palaces, all the sin and shame and wisdom and glory, that went to make up at least five thousand years of human effort in its most vigorous youth.
# Caroling Dusk/Anne Spencer

ANNE SPENCER
From Lynchburg, Va., where she lives, Anne Spencer writes, “Mother Nature, February, forty-five years ago forced me on the stage that I, in turn, might assume the rôle of lonely child, happy wife, perplexed mother—and, so far, a twice resentful grandmother. I have no academic honors, nor lodge regalia. I am a Christian by intention, a Methodist by inheritance, and a Baptist by marriage. I write about some of the things I love. But have no civilized articulation for the things I hate. I proudly love being a Negro woman—its so involved and interesting. We are the PROBLEM—the great national game of TABOO.”
# Caroling Dusk/Neighbors

NEIGHBORS
# Neighbors

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Neighbors", a poem by Helena Jane Coleman
* "Neighbors", a poem by Anne Spencer
# Caroling Dusk/I Have a Friend

I HAVE A FRIEND
# Substitution

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Substitution", a poem by Elizabeth Barrett Browning
* "Substitution", a poem by Anne Spencer
# Caroling Dusk/Substitution

SUBSTITUTION
# Myths and Legends Beyond Our Borders/The Mountain and the See

Layout 2
THE MOUNTAIN AND THE SEE
IT'S of no use to try, you can't get away from it in Quebec,—that old yarn about George III. and Dr. Mountain. Every guide-book tells it, every guide repeats it, and every visitor is supposed to laugh the first eight or ten times he hears it. Some people pretend that they can whistle it. So you may as well know the worst and have it over at once. The episcopal see of Quebec was a fat benefice, and many prelates were willing to sacrifice toast and tea and other domestic luxuries that they might assume the charge of it, for a vacancy had occurred, and several eyes looked longingly, with anxious side glances toward the king. Among the willing ones was the Reverend Dr. Mountain, of London, who, having the king's ear one day, when George had been greatly comforted by port and flattery, made this remark: "Your majesty can fill the see of Quebec by faith."
​"How, by faith?" inquired the head of the Church.
"You can say, 'Be this Mountain removed into that see,' and it shall be so."
George III. meditated for some minutes, and was finally about to take his afternoon nap, when suddenly he turned, broke into a roar of laughter, merrily punched the clergyman in the back, and shouted, "I see it! I see it! Sea: see. Ha, ha, ha! Well, the Mountain shall be removed to that see." And it was.
The moral of which appears to be to make yourself explicit when you converse with royalty, and to request favors only after it has had its dinner.
# Love for Love/Act I

LOVE for LOVE.
ACT I. SCENE I.
Valentine in his Chamber Reading. Jeremy waiting.
Several Books upon the Table.
# Love for Love

LOVE for LOVE.
Written by
Mr. CONGREVE.
LOVE for LOVE:
A
COMEDY.
Acted at the
THEATRE in Little Lincolns-Inn Fields,
BY
His Majesty's Servants.
Written by Mr. CONGREVE.
LONDON:
Printed for Jacob Tonson, at the Judge's-Head, near the Inner-Temple-Gate in Fleetstreet. 1695.
Contents (not listed in original)
* Preface directed to Charles, Earl of Dorset and Middlesex
* Prologue, spoken by Mrs. Bracegirdle
* Prologue spoken at the opening of the New House
* Epilogue, spoken by Anne Bracegirdle
* Dramatis Personæ
Love for Love
   * Act I.
   * ACT II. (To be migrated)
   * Act III.
   * ACT IV. (To be migrated)
   * ACT V. (To be migrated)
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Executive Order 14196

more info.
Donald Trump's fiftieth executive order of his second presidency, originally published on February 3, 2025 by the White House, addressed to the Secretary of the Treasury and the Secretary of Commerce. Published as Executive Order 14196 on February 10, 2025 in the Federal Register. Scan: Index:Executive Order 14196.pdf
Signed by President Donald Trump Monday, February 3, 2025
Federal Register page & date: 90 FR 9181, Monday, February 10, 2025
​Executive Order 14196 of February 3, 2025
A Plan for Establishing a United States Sovereign Wealth Fund
By the authority vested in me as President by the Constitution and the laws of the United States of America, and in order to promote the longterm financial health and international leadership of the United States, it is hereby ordered:
Section 1. Policy and Purpose. It is the policy of the United States to maximize the stewardship of our national wealth for the sole benefit of American citizens. To this end, it is in the interest of the American people that the Federal Government establish a sovereign wealth fund to promote fiscal sustainability, lessen the burden of taxes on American families and small businesses, establish economic security for future generations, and promote United States economic and strategic leadership internationally.
Sec. 2. Sovereign Wealth Fund. The Secretary of the Treasury and the Secretary of Commerce, in close coordination with the Assistant to the President for Economic Policy, shall develop a plan for the establishment of a sovereign wealth fund consistent with section 1 of this order. The Secretary of the Treasury and the Secretary of Commerce shall jointly submit this plan to the President within 90 days of the date of this order. Such plan shall include recommendations for funding mechanisms, investment strategies, fund structure, and a governance model. The plan shall also include an evaluation of the legal considerations for establishing and managing such a fund, including any need for legislation.
Sec. 3. General Provisions. (a) Nothing in this order shall be construed to impair or otherwise affect:
(b) This order shall be implemented consistent with applicable law and subject to the availability of appropriations.
​(c) This order is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person.
THE WHITE HOUSE, February 3, 2025.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Tacon v. Arizona/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
* Dissenting Opinion Douglas
[p351] PER CURIAM.
Petitioner, while a soldier in the United States Army stationed at Fort Huachuca, Arizona, was arrested and charged by state authorities with the sale of marihuana in violation of applicable state law. Prior to his trial on this charge, the petitioner was discharged from the Army and voluntarily left Arizona for New York. When the trial date was set, the petitioner's court-appointed attorney so advised the petitioner and requested him to return to Arizona. Assertedly because he lacked travel funds, the petitioner did not appear in Arizona on the date set for trial. Under these circumstances, the trial proceeded without the petitioner's presence, as authorized by state procedure. The jury returned a guilty verdict. After the verdict was rendered, the petitioner obtained the necessary travel funds and returned to Arizona in time for his sentencing. He was sentenced to not less than five [p352] nor more than five and one-half years in prison. The Arizona Supreme Court affirmed his conviction. 107 Ariz. 353, 488 P.2d 973 (1971).
The petition for certiorari in this case presented questions as to constitutional limits on the States' authority to try in absentia a person who has voluntarily left the State and is unable, for financial reasons, to return to that State. Upon reviewing the record, however, it appears that these broad questions were not raised by the petitioner below nor passed upon by the Arizona Supreme Court. We cannot decide issues raised for the first time here. Cardinale v. Louisiana, 394 U.S. 437 (1969). The only related issue actually raised below was whether petitioner's conduct amounted to a knowing and intelligent waiver of his right to be present at trial. Since this is primarily a factual issue which does not, by itself, justify the exercise of our certiorari jurisdiction, the writ of certiorari is dismissed as improvidently granted.
It is so ordered.
# Volpone/Act V Scene VI

SCENE VI.
The Scrutineo or Senate House.
Enter Avocatori, Notario, Bonario, Celia, Corbaccio, Corvino, Commandadori, Saffi, &c.
1 Avoc. Are all the parties here? Not. All but the advocate. 2 Avoc. And here he comes.
Enter Voltore and Volpone.
1 Avoc. Then bring them forth to sentence. Volt. O, my most honour'd fathers, let your mercy Once win upon your justice, to forgive— I am distracted——
Volp. What will he do now?[Aside. Volt. O, I know not which to address myself to first; Whether your fatherhoods, or these innocents— Corv. Will he betray himself?[Aside. Volt. Whom equally I have abused, out of most covetous ends—— Corv. The man is mad! Corb. What's that? Corv. He is possest. Volt. For which, now struck in conscience, here I prostrate My self at your offended feet, for pardon. 1, 2 Avoc. Arise. Cel. O heaven, how just thou art! Volp. I am caught In mine own noose——[Aside. Corv. [to Corbaccio.] Be constant, sir: nought now Can help, but impudence. 1 Avoc. Speak forward. Com. Silence! Volt. It is not passion in me, reverend fathers, But only conscience, conscience, my good sires, That makes me now tell truth. That parasite, That knave, hath been the instrument of all. 1 Avoc. Where is that knave? fetch him. Volp. I go.[Exit. Corv. Grave fathers, This man's distracted; he confest it now: For, hoping to be old Volpone's heir, Who now is dead—— 3 Avoc. How! 2 Avoc. Is Volpone dead? Corv. Dead since, grave fathers. Bon. O sure vengeance!
1 Avoc. Stay, Then he was no deceiver. Volt. O no, none: The parasite, grave fathers. Corv. He does speak Out of mere envy, 'cause the servant's made The thing he gaped for: please your fatherhoods, This is the truth, though I'll not justify The other, but he may be some deal faulty. Volt. Ay, to your hopes, as well as mine, Corvino: But I'll use modesty. Pleaseth your wisdoms, To view these certain notes, and but confer them; As I hope favour, they shall speak clear truth. Corv. The devil has enter'd him! Bon. Or bides in you. 4 Avoc. We have done-ill, by a public officer To send for him, if he be heir. 2 Avoc. For whom? 4 Avoc. Him that they call the parasite. 3 Avoc. 'Tis true, He is a man of great estate, now left. 4 Avoc. Go you, and learn his name, and say, the court Entreats his presence here, but to the clearing Of some few doubts.[Exit Notary. 2 Avoc. This same's a labyrinth! 1 Avoc. Stand you unto your first report? Corv. My state, My life, my fame—— Bon. Where is it? Corv. Are at the stake. 1 Avoc. Is yours so too? Corb. The advocate's a knave, And has a forked tongue—— 2 Avoc. Speak to the point.
Corb. So is the parasite too. 1 Avoc. This is confusion. Volt. I do beseech your fatherhoods, read but those—[Giving them papers. Corv. And credit nothing the false spirit hath writ: It cannot be, but he's possest, grave fathers. [The scene closes.
# Volpone/Act V Scene VII

SCENE VII.
A Street.
Enter Volpone.
Volp. To make a snare for mine own neck! and run My head into it, wilfully! with laughter! When I had newly 'scaped, was free, and clear, Out of mere wantonness! O, the dull devil Was in this brain of mine, when I devised it, And Mosca gave it second; he must now Help to sear up this vein, or we bleed dead.—
Enter Nano, Androgyno, and Castrone.
How now! who let you loose? whither go you now? What, to buy gingerbread, or to drown kitlings? Nan. Sir, master Mosca call'd us out of doors, And bid us all go play, and took the keys. And. Yes. Volp. Did master Mosca take the keys? why, so! I'm farther in. These are my fine conceits! I must be merry, with a mischief to me!
What a vile wretch was I, that could not bear My fortune soberly? I must have my crochets, And my conundrums! Well, go you, and seek him: His meaning may be truer than my fear. Bid him, he straight come to me to the court; Thither will I, and, if't be possible, Unscrew my advocate, upon new hopes: When I provoked him, then I lost myself. [Exeunt.