OpenLLM-France/wikimedia huggingface dataset:
# Five Excellent Songs

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Five Excellent Songs (c. 1815–1820) (transcription project)
* Five Excellent Songs (c. 1820s) (transcription project)
* Five Excellent Songs (c. 1820s) (transcription project)
* Five Excellent Songs (c. 1820s) (transcription project)
* Five Excellent Songs (c. 1820s) (transcription project)
* Five Excellent Songs (c. 1830s) (transcription project)
* Five Excellent Songs (c. 1840s) Five excellent songs (1)
* Five Excellent Songs (c. 1840s) (transcription project)
* Five Excellent Songs (c. 1850s) (transcription project)
# Five Favourite Songs

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Five Favourite Songs (c. 1820s) (transcription project)
* Five Favourite Songs (c. 1830s) (transcription project)
* Five Favourite Songs (1832) (transcription project)
* Five Favourite Songs (c. 1840s)
* Five Favourite Songs (c. 1840s) (transcription project)
* Five Favourite Songs (c. 1840s) (transcription project)
# Five Popular Songs

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Five Popular Songs (c. 1815–1825)
* Five Popular Songs (c. 1825) (transcription project)
* Five Popular Songs (c. 1840s) (transcription project)
* Five Popular Songs (c. 1840s) (transcription project)
* Five Popular Songs (c. 1850s) (transcription project)
# Five Songs

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Five Songs (c. 1800) (transcription project)
* Five Songs (c. 1800) (transcription project)
* Five Songs (c. 1815–1820)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (c. 1815–1820) (transcription project)
* Five Songs (1823) (transcription project)
* Five Songs (c. 1840s) (transcription project)

## See also

* Five Sonsg (c. 1800)
# The New International Encyclopædia/Irene (empress)

Edition of 1905. See also Irene of Athens on Wikipedia; and the disclaimer.
​IRENE, i-rē′nē̇ (Lat., from Gk. Ειρήνη, Eirēnē) (c.752-c.804). Byzantine Empress from 780 to 802. She was a native of Athens, and in 769 married Leo, who became Emperor as Leo IV. in 775. Her husband died in 780, and Irene became Regent during the minority of her son, Constantine VI. A great worshiper of images—in fact, this had during the lifetime of her husband caused her to be banished from the Imperial palace—she quickly began to plot for their restoration, and with this purpose assembled a council of bishops at Constantinople, A.D. 786, which, however, was broken up by the troops of the capital. A second council held at Nicea in the following year was more successful, and image-worship was reëstablished in the Eastern Church. (See Image-worship and Iconoclasm. In 790 the Government was taken out of her hands by her son, but in 792 she was again in power, and in 797 she caused Constantine to be blinded and shut up in a dungeon, where he soon died. In 802 her treasurer Nicephorus rebelled, and banished her to the Isle of Lesbos, where she remained until her death, about 804. After the restoration of the Western Empire by Charles the Great (800) that monarch contemplated the revival of the ancient Roman Empire by his marriage to Irene, but these plans were frustrated by her fall. Irene had been successful in her wars against the Slavs, but she was defeated by Harun al-Rashid, and compelled to pay an annual tribute. Consult: Gasquet, “Charlemagne et l'impératrice Irène,” in the Annales de la faculté des lettres de Bordeaux (1884).
# The New International Encyclopædia/Irene, Saint

Edition of 1905. See also Irene of Hungary on Wikipedia; and the disclaimer.
​IRENE, Saint (c.1084–1124). A Byzantine Empress, daughter of Ladislas I., King of Hungary. In 1104 she married Emperor Johannes II., but lived for some time in a cloister before 1124, when she died. She was canonized by the Greek Church for her piety and charity. The name Saint Irene is often incorrectly applied to Irene, the wife of Leo IV., and enemy of the iconoclasts.
# The New International Encyclopædia/Ireton, Henry

Edition of 1905. See also Henry Ireton on Wikipedia; and the disclaimer.
​IRETON, īr′ton, Henry (1611–51). An English general of the Commonwealth. He was the eldest son of German Ireton, of Attenborough, Nottinghamshire. He graduated B.A. at Trinity College, Oxford, in 1629, and studied law at the Middle Temple, London, but at the outbreak of the Civil War offered his services to the Parliament. At Naseby he was wounded and taken prisoner, but regained his liberty when Cromwell’s Ironsides decided the fortunes of the day. In 1645 he became a member of Parliament, and took an active part in its disputes with the army. At first he favored a settlement between the King and Parliament, but upon being convinced of the impracticability of such an arrangement he became the King’s implacable enemy, and was one of those who signed his death warrant. His connection with Cromwell, whose daughter Bridget he married in 1646, greatly advanced his interests. When Cromwell went to Ireland to subdue that country he was accompanied by his son-in-law, on whose vigor, judgment, and tact he placed much reliance. Cromwell’s presence, however, was soon required in Scotland, and the complete subjugation of Ireland was intrusted to Ireton. His career was brief, severe, but successful. He compelled the surrender of Carlow, Waterford, Duncannon, and Limerick, and inaugurated a policy of civil government which was marked by fairness and religious sincerity. He died of an epidemic fever at Limerick. His remains were conveyed to England and interred in Westminster Abbey; but after the Restoration they were disinterred, hanged, and burned at Tyburn.
# The New International Encyclopædia/Iri

Edition of 1905. See also Evrotas (river) on Wikipedia; and the disclaimer.
​IRI, ē′rē̇. A river of Greece. See Eurotas.
# The New International Encyclopædia/Iriarte, Ignazio

Edition of 1905. See also Ignacio de Iriarte on Wikipedia; and the disclaimer.
​IRIARTE, ē′rē̇-är′tā̇, Ignazio (1620–85). A Spanish landscape painter, born at Azcoitia (Guipuzcoa). He studied under Herrera in Seville, and was one of the original members and the first secretary of the Academy of Seville (1660). He painted the backgrounds in some of Murillo’s pictures, and Murillo, in turn, furnished the figures for his friend’s landscapes. There are four well-composed, conventional landscapes by him in the Prado Museum at Madrid which show his talent as a colorist.
# The New International Encyclopædia/Iriarte y Oropesa, Tomás de

Edition of 1905. See also Tomás de Iriarte on Wikipedia; and the disclaimer.
​IRIARTE, or YRIARTE, Y OROPESA, ē′rē̇är′tū̇ ē̇ ō′rō̇-pā′sȧ, Tomás de (1750–91). A Spanish poet, born on the island of Teneriffe, September 18, 1750; educated at Madrid under the care of his uncle, Juan de Iriarte, the head of the Royal Library. He began very early to translate French plays and to compose plays of his own. For his maintenance, however, he depended throughout his life upon the income derived from certain minor posts to which he was appointed in the Ministry of Foreign Affairs and of War, and from other administrative appointments. The tranquillity of his career was somewhat disturbed by numerous literary quarrels with other writers of the time, notably with Juan Pablo Forner, and in 1786 he was summoned before the Inquisition to answer a charge of adherence to the doctrines which the French philosophers were then disseminating, a charge from which he seems, however, to have had little difficulty in clearing himself. He died at Madrid, September 17, 1791. Much of his published verse consists of translations, most of which are not so good as his original poems. Among these are the Epistles, one of which forms the dedication of his translation of Horace’s Ars Poetica to his friend Cadalso, and a didactic work, La musica, a discussion of the elements of music, which attracted attention abroad and won him praise from Metastasio. But his permanent fame is based upon his versified fables, the Fábulas literarias, still among the most popular in Spain. In their content these show considerable skill on Iriarte’s part in adapting the peculiarities and habits of animals to doctrinal purposes; in their form they also display his ingenuity, being written in a great variety of metres with a due regard for harmony and symmetry. Consult his Obras (Madrid, 1805); and the edition of his poems in the Biblioteca de autores españoles, vol. xiii. (Madrid, 1891); Cotarelo y Mori, Iriarte y su época (Madrid, 1897). The fables were translated into many European languages. Belfour’s Literary Fables Imitated from the Spanish of Yriarte appeared in London in 1806, and Rockliffe's rendering of Iriarte reached a third edition in 1866.
# United States v. First National Bancorporation, Inc./Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
[p577] PER CURIAM.
The judgment is affirmed by an equally divided Court.
MR. JUSTICE POWELL took no part in the consideration or decision of this case.
# United States v. First National Bancorporation, Inc.

Supreme Court of the United States
410 U.S. 577
United States v. First National Bancorporation, Inc., et al.
Appeal from the United States District Court for the District of Colorado
No. 71-703. Argued: October 16-17, 1972 --- Decided: February 28, 1973
329 F.Supp. 1003, affirmed by an equally divided court.
Deputy Solicitor General Friedman argued the cause for the United States. With him on the briefs were Solicitor General Griswold, Assistant Attorney General Kauper, Acting Assistant Attorney General Comegys, Donald I. Baker, Howard E. Shapiro, William Bradford Reynolds, and Lee A. Rau.
Eugene J. Metzger argued the cause for appellees. With him on the briefs were Edward B. Close, Jr., Carl W. Schwarz, and Mark W. Haase.
PER CURIAM.

## Notes

* ↑ Briefs of amici curiae were filed by Robert Bloom, C. Westbrook Murphy, and Charles H. McEnerney, Jr., for the Comptroller of the Currency; by William E. Murane and J. William Via, Jr., for the Federal Deposit Insurance Corporation; by Andrew P. Miller, Attorney General, and Henry M. Massie, Jr., Assistant Attorney General, for the Commonwealth of Virginia; and by Michael Iovenko for the New York State Banking Department.
# Hurtado v. United States
## Concurrence/Dissent

    Brennan

## Dissenting Opinion

    Douglas
Supreme Court of the United States
410 U.S. 578
Hurtado et al. v. United States
Certiorari to the United States Court of Appeals for the Fifth Circuit
No. 71-6742. Argued: January 17, 1973 --- Decided: March 5, 1973
1. A material witness who is incarcerated because unable to give bail is entitled under 28 U.S.C. § 1821 to the same $20 per diem compensation as is allowed a nonincarcerated witness during the trial or other proceeding at which he is in "attendance," i.e., has been summoned and is available to testify in a court in session, regardless of whether he is physically present in the courtroom. Pp. 582-587.
2. The $1 statutory per diem plus subsistence in kind for incarcerated witnesses before trial does not violate the Just Compensation Clause, as detention of a material witness is not a "taking" under the Fifth Amendment; and the distinction between compensation for pretrial detention and for trial attendance is not so unreasonable as to violate the Due Process Clause of the Fifth Amendment, since Congress could determine that in view of the length of pretrial confinement and the costs necessarily borne by the Government, only minimal compensation for pretrial detention is justified, particularly since the witness has a public duty to testify. Pp. 588-591.
452 F.2d 951, vacated and remanded to District Court.
STEWART, J., delivered the opinion of the Court, in which BURGER, C.J., and WHITE, MARSHALL, BLACKMUN, POWELL, and REHNQUIST, JJ., joined. BRENNAN, J., filed an opinion concurring in part and dissenting in part, post, p. 591. DOUGLAS, J., filed a dissenting opinion, post, p. 600.
Albert Armendariz, Sr., argued the cause and filed a brief for petitioners.
Solicitor General Griswold argued the cause for the United States. With him on the brief were Assistant Attorney General Petersen, Deputy Solicitor General Lacovara, Harry R. Sachse, and Jerome M. Feit.
# The Poem of Ulysses, or The Odyssey

The earliest verse by Lovecraft which survives in the 'second edition' of this poem, dated 8 November 1897 in the Preface, and which Lovecraft began composing at the age of six. See pages 21–22 in A Dreamer and a Visionary: H. P. Lovecraft in His Time by S. T. Joshi (2001).
The nighte was darke! O readers, Hark! And see Ulysses’ fleet! From trumpets sound back homeward bound He hopes his spouse to greet. Long he hath fought, put Troy to naught And leveled down its walls. But Neptune’s wrath obstructs his path And into snares he falls. After a storme that did much harme He comes upon an isle Where men do roam, forgetting home, And lotos doth beguile. From these mean snares his men he tears And puts them on the ships. No leave he grants, and lotos plants Must no more touch their lips. And now he comes to Cyclops homes Foul giants all are they. Each hath 1 eye, and hard they ply Great Vulcan to obey. A cyclop’s cave the wandrers brave And find much milk & cheese But as they eat, foul death they meet For them doth Cyclops seize. Each livelong day the Cyclops prey Is two most noble Greeks Ulysses brave he plans to save And quick escape he seeks. By crafty ruse he can confuse The stupid giant’s mind Puts out his eye with dreadful cry And leaves the wrench behind. Now next he finds the king of winds Great Aeolus’s home The windy king to him doth bring Wind bags to help him roam. He now remains in fair domains In Circes palace grand. His men do change in fashion strange To beasts at her command. But Mercury did set him free From witcheries like this Unhappy he his men to see Engaged in swinish bliss. He drew his sword and spake harsh word To Circe standing there “My men set free”, in wrath quoth he “Thy damage quick repair”!!! Then all the herd at her brief word Become like men once more Her magic beat, she gives all treat Within her palace door. And now Ulysses starts in bliss The Syrens for to pass No sound his crew’s sharp ears imbues For they are stop-ped fast. Now Scylla’s necks menace his decks Charybdis threats his ships Six men are lost—O! dreadful cost But he through danger slips. At last from waves no ship he saves But on Calypsos isle He drifts ashore and more & more He tarries for a while. At Jove’s command he’s sent to land To seek his patient wife, But his raft breaks, and now he takes His life from Neptune’s strife. He quickly lands on Scheria’s strands And goes unto the king. He tells his tale, all hold wassail; An ancient bard doth sing. Now does he roam unto his home Where suitors woo his spouse In beggar’s rags himself he drags Unknown into his house His arrows flew at that vile crew Who sought to win his bride Now all are killed and he is filled With great & happy pride. His swineherd first, then his old nurse Do recognize him well Then does he see Penelope With whom in peace he’ll dwell. Until black death doth stop his breath And take him from the earth; He’ll ne’er roam far from Ithaca, The island of his birth—
# Arcadia (Lovecraft)

By Head Balledup
O give me the life of the village,  Uninhibited, free, and sweet; The place where the arts all flourish,  Grove Court and Christopher Street.
I am sick of the old conventions,  And critics who will not praise, So sing ho for the open spaces,  And aesthetes with kindly ways.
Here every bard is a genius,  And artists are Raphaels, And above the roofs of Patchin Place  The Muse of Talent dwells.
# Dead Passion's Flame

A Poem by Blank Frailty
Ah, Passion, like a voice—that buds! With many thorns . . . that sharply stick: Recalls to me the longing of our bloods . . . And—makes my wearied heart requick! . . . . . . . .
# Mighty Oregon

"Mighty Oregon" is the school song for the University of Oregon in Eugene, Oregon. It was composed in 1915 by Albert John Perfect, with lyrics courtesy of journalism student DeWitt Gilbert. These lyrics fall into the public domain as they were published before January 1, 1930.
Oregon, our Alma Mater We will guard thee on and on Fellows gather 'round and cheer her Chant her glory, Oregon! Roar the praises of her warriors Sing the story, Oregon On to victory urge the heroes Of our Mighty Oregon!
Go! Ducks! Go! Fight! Ducks! Fight! Go! Fight! Win! Ducks! Win!
Oregon, our Alma Mater We will guard thee on and on Fellows gather 'round and cheer her Chant her glory, Oregon! Roar the praises of her warriors Sing the story, Oregon On to victory urge the heroes Of our Mighty Oregon!
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Czecho-Slovak Student Life/Volume 18

Chapters (not listed in original)
* Number 1
* Number 2
* Number 3
* Number 4
* Number 5
* Number 6
* Number 7
* Number 8
This work is in the public domain in the United States because it was published in 1928, before the cutoff of January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Czecho-Slovak Student Life

* related portals: Periodicals, Czech lands, Slovakia
* sister projects: Wikidata item
Czecho-Slovak Student Life, also spelled Czechoslovak Student Life was a monthly magazine published by students of the St. Procopius College at Lisle, Illinois, between November 1927 and June 1931. It followed the previously published monthly Student Life (November 1926–June 1927) and quarterly Studentské Listy written in Czech and Slovak languages (1908–June 1926), including the numbering of their volumes and issues.
* Volume 18 (transcription project)
* Volume 19
* Volume 20
* Volume 21
# On the Creation of Niggers

* information about this edition
* sister projects: Wikidata item
From a hectographed poem credited to "H. P. Lovecraft" in the Howard P. Lovecraft collection at Brown University Library, with manuscript date "1912" in an unknown hand. The hectograph is the only extant copy of the poem, and the attribution is frequently questioned but generally accepted as accurate.
ON THE CREATION OF NIGGERS.
H.P.LOVECRAFT.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Five songs (1)

Date is estimated
Five Songs.
Robinson Crusoe. The Lover's Departure, Katherine Ogie. Answer to the Happy Strangers. Bonny Jessie.
Printed for the Booksellers.
Poems: (not listed in original)
* Robinson Crusoe
* The lover's departure
* Katherine Ogie
* Answer to the happy strangers
* Bonny Jessie
This work was published in 1820 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 204 years or less since publication.
Public domainPublic domainfalsefalse
# Taking of Hostages Act 1982 (Commencement) Order 1982

* related portals: Law of the United Kingdom and Ireland
* sister projects: Wikidata item
See this legislation with any revisons at legislation.gov.uk .
Layout 2
STATUTORY INSTRUMENTS
1982 No. 1532 (C. 46)
FUGITIVE CRIMINAL PREVENTION AND SUPPRESSION OF TERRORISM
The Taking of Hostages Act 1982 (Commencement) Order 1982
| Made.... | 27th October 1982 |
At the Court of Saint James, the 27th day of October 1982
Present, The Counsellors of State in Council
Whereas Her Majesty, in pursuance of the Regency Acts 1937 to 1953, was pleased, by Letters Patent dated the 30th day of September 1982, to delegate to the six Counsellors of State therein named or any two or more of them full power and authority during the period of Her Majesty's absence from the United Kingdom to summon and hold on Her Majesty’s behalf Her Privy Council and to signify thereat Her Majesty’s approval for anything for which Her Majesty’s approval in Council is required:
Now, therefore, Her Majesty Queen Elizabeth The Queen Mother and Her Royal Highness The Princess Margaret, Countess of Snowdon, being authorised thereto by the said Letters Patent, and in pursuance of the powers conferred by section 6(2) of the Taking of Hostages Act 1982(a) and all other powers enabling Her Majesty, and by and with the advice of Her Majesty’s Privy Council, do on Her Majesty’s behalf order, and it is hereby ordered, as follows:—
1. The Taking of Hostages Act 1982 shall come into force on 26th November 1982.
2. This Order may be cited as the Taking of Hostages Act 1982 (Commencement) Order 1982.
N. E. Leigh, Clerk of the Privy Council.
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Public domainPublic domainfalsefalse