OpenLLM-France/wikimedia huggingface dataset:
# The Conservative (Lovecraft)/March 1923

The Conservative
Edited by H. P. Lovecraft
Contents
* Thomas Holley Chivers
* An Amateur Humorist
* In the Editor's Study
The Conservative
Edited and Published by H. P. Lovecraft, 598 Angell St., Providence, R. I., under the Auspices of Amateur Journalism and the National and United Amateur Press Associations.
# The Knickerbocker/Volume 1/Number 2/The Albatross

Layout 2
THE ALBATROSS.
"Tis said the Albatross never rests.". . . . . . .Buffon.
Orcatia.
# Hector Servadac

* Hector Servadac (1906)
* "Off on a Comet" by Jules Verne, in Amazing Stories, Volume 1 (1926)
# The Knickerbocker/Volume 1/Number 2

First volume, second number of The Knickerbocker. Published February 1833. (transcription project)

### Articles and stories

* "Memoir of General Chassé"
* "Horæ Germanicæ No. II"
* 'A Tourist in Kentucky', "An Inkling of an Adventure"
* 'A Traveller in Spain', "Lodgings at Zaragoza"
* "Fanny: In Seven Chapters"
* 'An Emeritus Professor', "The Art of Making Poetry"
* 'Author of "Dreams and Reveries"', "Faces"
* Charles Fenno Hoffman (ed.), "Editor's Table"
* ——— "Literary Notices"

### Poems

* Orcatia, "The Albatross"
* Kenneth Quivorley, "Waller to His Mistress"
* Miss Vanderstein, "The Outcast"
* Henry de Witt, "Drinking Song" (translated from the French)
* "Recipe for Making Sweet-Potato Pudding" (in Editor's Table)
* "To ———" (in Editor's Table)
* Zuleika, "Sonnet of Petrarch to Laura" (in Editor's Table)
* Henry J. Finn, "The Lay of the Locomotive" (in Editor's Table)
# A Room of One's Own (Hogarth 1929)

A ROOM OF ONE'S OWN
[Advertisements]
By the same Author
Fiction
The Voyage Out Night and Day Jacob's Room Mrs. Dalloway To the Lighthouse Orlando
Criticism
The Common Reader Mr. Bennett and Mrs. Brown
A Room of One's Own
Virginia Woolf
Published by Leonard and Virginia Woolf at the Hogarth Press, 52 Tavistock Square, London, W.C. 1929
Printed in Great Britain by R. & R. Clark, Limited, Edinburgh.
Chapters (not listed in original)
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
* Chapter VI.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 83 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The New Accelerator

* "The New Accelerator" in Tales of the Unexpected (1924)
* "The New Accelerator" in Amazing Stories, 01 (01) (April 1926)
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# A Room of One's Own (Harcourt 1929)

A ROOM OF ONE’S OWN
[Advertisements]
Books by Virginia Woolf
The Voyage Out Night and Day Monday or Tuesday The Common Reader Jacob’s Room Mrs. Dalloway To the Lighthouse Orlando A Room Of One’s Own
A Room of One’s Own
VIRGINIA WOOLF
Harcourt, Brace and Company
New York
COPYRIGHT, 1929, BY HARCOURT, BRACE AND COMPANY, INC.
Ninth printing, April, 1937
PRINTED IN THE UNITED STATES OF AMERICA BY QUINN & BODEN COMPANY, INC., RAHWAY, N. J. TYPOGRAPHY BY ROBERT S. JOSEPHY
This essay is based upon two papers read to the Arts Society at Newnham and the Odtaa at Girton in October 1928. The papers were too long to be read in full, and have since been altered and expanded.
A ROOM OF ONE’S OWN
Chapters (not listed in original)
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 83 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Conservative (Lovecraft)/July 1918/Selenaio-Phantasma

Selenaio-Phantasma
Dedicated to the Author of "Nemesis.”
By Alfred Galpin, Jr.
In Elysium-fann’d fields of my slumber, In the wild-tinted beauties of night, I have feasted on sights without number, Recreated all Heav’n with my sight: And I wake to the sunrise at dawning, fit close to the dusk’s mad delight.
Shadow’d visions of beauties unpainted, Shifting sights of a Heaven beyond, Primal nature in pureness untainted, Without Man and his slave-making wand, Meet my sight in procession uncanny, unorder’d, and link’d without bond.
Mingling phantoms above Man’s poor notion, Phantasmas obscure and unknown, Undulations and waves of wild motion Into infinite variance grown, I behold in my slumbers of madness, from far shores of mad Cynthia blown.
I have seen things of cryptical meaning, Hinting life far above mortal view; Superstitions of primitive gleaning Blend with fancy to forms strange and new; And my fetterless brain leaps the mountain of Science and dreams ’tis not true.
All the hopes of a life are entwined With the greed of a fancy unchain’d, While my thoughts, by the sleep undermined, Wander wordless, uncheck’d, uncontain’d D’er unearthly expanses of Spiritland, haunting where once they had reign’d.
When, in midst of this immundane dreaming Come effulgent the first rays of light, Bringing hack my rapt soul with their beaming, Lending splendour to all within sight: And I wake to the sunrise at dawning, fit close to the dusk’s mad delight.
# The Poetical Works of Jonathan E. Hoag/To Jonathan E. Hoag, Poet

To Jonathan E. Hoag, Poet
James F. Morton, Jr.
# Midland Naturalist/Volume 01/The Rainfall of 1877

The Rainfall of 1877.
By W. J. Harrison, F.G.S.
Incomplete and imperfect as it must needs be from the early date of its publication, and from the fact that our staff of observers is as yet not fully organised, still the main features of the Rainfall of the past year in the Midland counties may be gathered from the table which we print below. In it the stations are grouped in counties, and the fall at a few other localities is given at the end for the purpose of comparison. For the ​third year in succession the general rainfall over this district has been considerably above the average. Heavy rains in January, following similar downfalls in December of 1876, produced frequent floods. On January 3rd a steady and continuous downpour proved the maximum fall of the year in the eastern and east-central counties, and wet and cold weather continued to the end of April. May was also a cold month, but in June we had a remarkably fine and pleasant period, rainfall everywhere in England below the average, and falling on eight to ten days only. A heavy storm on July 14th (accompanied by electrical disturbances) caused the maximum fall, in the western and west-central Midlands, over three inches falling in the twenty four hours at Haughton Hall, Shifnal. August was wet, September about the average, but October was rather a fine month, followed, however, by frequent rains to the end of the year.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Meeting of Parliament Act 1870

* related portals: United Kingdom
* sister projects: Wikidata item
The Meeting of Parliament Act 1870 allows Parliament to be summoned by Royal Proclamation provided that at least six days notice is given.
Meeting of Parliament Act 1870 c.81 33_and_34_Vict
An Act to amend the Acts of the thirty-seventh year of King George the Third, chapter one hundred and twenty-seven, and the thirty-ninth and fortieth years of King George the Third, chapter fourteen. [9th August 1870]
1. This Act may be cited as “The Meeting of Parliament Act 1870.”
2. Parliament may be summoned by a Royal Proclamation in manner provided by the recited Acts, to meet on any day not less than six days from the day of the date of such proclamation, and the recited Acts, so far as they relate to such summoning of Parliament, shall be construed as if six days were therein substituted for fourteen days.
This work is in the public domain worldwide because it was created by a public body of the United Kingdom with Crown Status and commercially published before 1975.
See Crown copyright artistic works, Crown copyright non-artistic works and List of Public Bodies with Crown Status.
Public domainPublic domainfalsefalse
# Jersey Journal/1957/Mrs. Ada Kohlman

Ada Augusta Freudenberg (1884-1957) obituary in Jersey Journal on January 25, 1957.
Mrs. Ada Kohlman
The funeral of Mrs. Ada Freudenberg Kohlman, of 60 Crane Avenue, Rutherford, former resident of Jersey City and Hoboken, will be held Sunday in her home. Mrs. Kohlman, wife of Ralph Kohlman, died Wednesday in her home. Otto Mack is the funeral director.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Jersey Journal/1962/Peter Rice, 53, Model Builder

Peter Edward Rice (1908-1962) obituary in Jersey Journal on March 7, 1962.
Peter Rice, 53, Model Builder
Peter Rice, 53, a retired architectural scale model builder, died yesterday in his home at 1212 Bergenline Avenue, Union City. He had suffered from a heart ailment. Mr. Rice was born in Jersey City and had resided in Union City for 25 years. He was employed by the Theodore Conrad Architectural Scale Models Co. of Jersey City. His funeral, will be Friday from the Schlemm Funeral Home, Union City.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# The Conservative (Lovecraft)/July 1923

The Conservative
Edited by H. P. Lovecraft
Contents
* To Satan
* Felis
* The Crock o' Gold
* Intuition in the Philosophy of Bergson
* The Storm
* Ennui
* Fause Murdoch
* I Will Lead Thee
* Song XVIII cent.
* In the Editor's Study
The Conservative
Edited and Published by H.P. Lovecraft, 598 Angell St., Providence, R.I., under the auspices of Amateur Journalism.
From the Press of C. A. A. Parker, 30 Waite St., Malden, Mass.
# The Conservative (Lovecraft)/July 1923/To Satan

To Satan
By Samuel Loveman
“Tu tires ton pardon de l’eternal martyre Inflige sans relache aux coeurs ambitieux.”
......Baudelaire
To H. P. L.
When, mid the hyacinth deep that girds the sky, You saw, O Brother, ere your eyes grew dim, In wrath and loneliness the sight of Him, Amid His bow’d and litten hierarchy: Heard songs that fell from lips half-strange with years, Outcast and ruin’d, beautiful in flame, You——with the lost among the damned few, The fallen rebel crew—— Hearing the flattery that fawned His name, Turn’d back to hell a face that shone with tears.
Did you not at the sunken portals wait, And where the golden estuaries fell, Gazing at heav’n before the low of hell, Stretch forth your hand to where the tyrant sate? With the first cry that shook th’ enslaved world, Swift, silver, clarion, Lo! I make you free, Free as the winds and as the waters are, Sons of the morning-star! O souls of mine, I give you liberty—— No withering, hate into the darkness hurl’d!
Not from those spaces charm’d to dusk and rose, Nor in the scarves with light and music pent, Came the soft wail of disillusionment, But lower than the lowliest in their woes, The trodden and the dispossess’d of fate; These, brooding in a quiet flash of tears, By stars that to the massive night are graven, Recall’d their austere haven The sorrow and the bitterness of years, Conceiv’d in ruin and embalm’d in hate!
And now shall men no longer fear and dread! For heav’n is shatter’d, faded is the host, That without pity judg’d the tortur’d lost, And radiantly parcell’d forth the dead. See! where your molten throne uprears in night The legions gleam, the drowsy vultures wing; That which first met your plaintive, human eyes, Ev’n that, is paradise...... At last, my Brother, the awakening!.. Ere dawn appears, a perfect chrysolite.
# The Conservative (Lovecraft)/July 1923/Felis

Felis A Prose Poem By Frank Belknap Long, Jun.
Oh, how delightful it is to stroke the sinuous hair of felicitous cats. Long, long ago I discovered that these happy creatures know more than Adam our father because they have never been tempted by the evil one, have never eaten of the forbidden fruit and have never fallen. I know that in their great, tearless, seductive eyes there lurk sinister secrets, preincarnate hieroglyphics which only the gods can fathom, secrets and signs which portend nothing but evil for man. And they are immortal; you cannot kill them. When the tiny sphere which certain weary seers have agreed to call the earth, for lack of a better name, shall have permitted itself to become cold through sheer ennui there shall yet remain the cats. They are immortal and shall live always, even as the old stone gods, even as the voluptuous Venus, even as the albine and implacable Oelphic Apollo. Long have I studied them, and I have become, in a degree, their slave. They have begun to exercise an unholy fascination over me and have even stolen into my dreams, into the secret chambers of my fancy. I shall always see them now whenever I dream, large, and sinewy and soft with prismatic eyes, scintillating eyes, vacillating eyes, eyes green and blue, and pale, washed-out yellow, like the mournful orbs of the melancholy Kakue bird of Paraguay who possesses the immortal soul of a negress. And in my dreams they climb over my arms and legs and purr and whine disconsolately. And when I reach out, fascinated, and smooth their long fur I experience a joy at once profound and ​awful——because their fur is soft and burns my fingers. There is something outré about their fur. I have seen great waste places entirely inhabited by cats. I have seen cats of all colors, of all shades, of all hues, and of every shape and size. I have seen skeleton cats and cats with elephantiasis and deformed and misshapen and dwarfed cats. I have seen cats that could talk and cats that could laugh and, yes, I have actually seen a cat who could dance. But whenever I dream of cats I see the spiced mummy of some august Pharaoh, or a skeleton rider carrying a scythe riding furiously around an ever widening circle or a radiant corpse swinging gracefully under a cloudless blue sky. When I walk the streets of our great cities I am haunted by cats. I see them everywhere, behind the smooth glass of costly limousines, on street corners, in the languid eyes of woman, by deserted waterfronts, in the smoke of a man’s pipe, on top of tall buildings, down dark and unfrequented alleys, and in the pale yellow light of the city’s gas lamps. Some day I shall drown in a sea of cats. I shall go down, smothered by their embraces, feeling their warm breath upon my face, gazing into their large eyes, hearing in my ears their soft purring. I shall sink lazily down through oceans of fur, between myriads of claws, clutching innumerable tails and I shall surrender my wretched soul to the selfish and insatiable god of felines.
# Editorial (Lovecraft)

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
H. P. Lovecraft wrote a number of pieces under the heading “Editorial,” some of which were published in his own journal, The Conservative, and others of which were published in The United Amateur. See Portal:Writings in the United Amateur.
* The Conservative:
** April 1915
** July 1915
** October 1915
* The United Amateur:
** November 1920
** September 1921
** January 1922
** July 1925
# The Conservative (Lovecraft)/April 1915/Editorial

Editorial
The Conservative, in thrusting upon an unsuspecting amateur public this first issue of what purports to be a paper, may well ​adopt that tone of trembling humility which suits the inexperienced beginner.
As another ambitious novice wrote not long ago in rugged verse:
"Mid amateurs and novices, through oft they are winning, Be it ever so humble, there must be a beginning. A slap from the critic swiftly brings us to our feet; Shakes up our senses, and shakes out our conceit."
# The Conservative (Lovecraft)/July 1915/Editorial

Editorial
In this, his second issue, The Conservative deems it both proper and necessary to attempt a definition of his journalistic policy and a forecast of his future endeavours. Though the title of the sheet affords a general index to its basic character, it is nevertheless well to describe and qualify the exact species of conservatism here represented.
That the arts of literature and literary criticism will receive prime attention from The Conservative seems very probable. The increasing use among us of slovenly prose and lame metre, supported and sustained by the light reviewers of the amateur press, demands an active opponent, even though a lone one, and the profound ​reverence of The Conservative for the polished writers of a more correct age, fits him for a task to which his mediocre talent might not otherwise recommend him.
When The Conservative shall have laid down his task, it is his desire that he may be able to employ with justice the closing words of The Rambler, who said, over a century and a half ago: "Whatever shall be the final sentence of mankind, I have at least endeavoured to deserve their kindness. I have laboured to refine our language to grammatical purity, and to clear it from colloquial barbarism, licentious idioms, and irregular combinations."
Outside the domain of pure literature, The Conservative will ever be found an enthusiastic champion of total abstinence and prohibition; of moderate, healthy militarism as contrasted with dangerous and unpatriotic peace-preaching; of Pan-Saxonism, or the domination by the English and kindred races over the lesser divisions of mankind; and of constitutional or representative government, as opposed to the pernicious and contemptible false schemes of anarchy and socialism. Though the first named of these items may superficially appear a rather inappropriate function for a Conservative, it must be remembered, that he who strives against the Hydra-monster Rum, strives most to conserve his fellow-men.
# The Conservative (Lovecraft)/October 1915/Editorial

Editorial
Weak and pliant indeed is he who maketh no enemies. Ever since The Conservative commenced his series of frank criticisms and unvarnished comments, his heels have been annoyed by the vindictive snappings of a dozen or more vituperative little curs whose bristles he seems to have brushed the wrong way as he passed by them. Not all of these have yet expressed themselves in print, but from the gifted Charles D. Isaacson down to the wretched, sneaking mongrel "Bab Bell", they have each taken their "little fling" at the newcomer. Now the Conservative has no wish to trample the under dog, nor even to stifle the feeble yelps that assail this paper; wherefore he extends herewith an invitation for every hostile amateur journalist, human, Nationalite, or "Bab Bell", to submit for publication herein any and all sneers, attacks, or insults which he may have prepared against the Conservative. Reasonable brevity will insure publication without deletion. The Conservative believes that no one possesses the right to attack him unless willing to have that attack printed with original spelling, style, and grammar, in these pages, directly beside the articles whose tone he is denouncing. The public may then be able intelligently to compare the reasoning and attainments of the Conservative and his critics. It is to be hoped that those critical canines and insulting insects will by next issue have furnished the Conservative with sufficient venom to start a new column, to be entitled "From the Enemy's Camp".
It scarcely need be remarked that the above has no reference to those persons of intelligence and good manners who conscientiously disagree with the Conservative in gentlemanly fashion. These critics and dissenters are but to be praised for their sturdy independence of thought, and their admirable restraint of expression. For ​them is reserved the friendly answer, and, when possible, the apologetic recantation. It may be noticed that in this issue the Conservative has conceded practically all points to Mr. Kleiner in the discussion concerning allowable rhymes.
# In the Editor's Study

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
In H. P. Lovecraft’s personally published journal, The Conservative, miscellaneous notes were collected at the end of many issues under the title “In the Editor’s Study.”
* April 1915
* October 1915
* October 1916
* January 1917
* July 1917
* July 1918
* July 1919
* March 1923
* July 1923