OpenLLM-France/wikimedia huggingface dataset:
# Heresies of Sea Power

HERESIES OF SEA POWER
FRED T. JANE
HERESIES OF SEA POWER
HERESIES OF SEA POWER
BY FREDERICK T. JANE
AUTHOR OF 'FIGHTING SHIPS', ETC: INVENTOR OF THE NAVAL WAR GAME
WITH MAPS AND ILLUSTRATIONS
LONGMANS, GREEN, AND CO.
39 PATERNOSTER ROW, LONDON
NEW YORK AND BOMBAY
1906
All rights reserved
​This book is intentionally suggestive only. Though it seem to be all that its title can imply, it has not been produced with a view to casting doubt upon the labours of great men who have made a special study of Naval History, but only in order to suggest the possibility of some great principle underlying all Naval History, as capable of reinforcing theories of Sea Power as of destroying them.
I would only ask those whose first attitude towards the book may be that of hostile criticism to read it to the end before forming too definite an opinion as to the thesis advanced, assuring them that the final conclusion has not been arrived at without very careful thought, earnest study, and every effort to avoid the role of the mere iconoclast.
FRED. T. JANE.
Contents
Part I
Seven Great Naval Wars and Their Paradoxes
Part II
Problems that ‘Sea Power’ Does not Solve
Part III
The Trend of Things
MAPS AND ILLUSTRATIONS.
PAGE :
| Map to illustrate Peloponnesian War | | | 27 |
| Map of Syracuse to illustrate Peloponnesian War | | | 35 |
| Map to illustrate Punic Wars | | | 41 |
| One of the Venetian Galleasses at Lepanto | | to face | 75 |
| Map to illustrate the Course of the Spanish Armada | | | 79 |
| Ship of the Spanish Armada | $\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,$ | to face | 81 |
| Ship of William the Conqueror | $\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,$ | to face | 81 |
| British Ship at the time of the Spanish Armada | | to face„ | 83 |
| Map to illustrate Russo-Japanese War | | | 89 |
| Map of Port Arthur | | to face | 91 |
| Map showing Principal British Trade Routes | | to face„ | 166 |
| Map to illustrate Campaign of 1805 and Earlier | | | 217 |
| Egyptian Ship about 2500 B.C. | | | 278 |
| Large Egyptian Ship in the Red Sea circa 1200 B.C. | | | 279 |
| Egyptian Warship in Action 1000 B.C. | $\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,$ | | 280 |
| Asiatic Warship in same Battle | $\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,$ | | 280 |
| Phœnician Warship of circa 700 B.C. From Nineveh Monuments | | | 281 |
| The Great Harry | | to face | 302 |
| Cyclops—early Paddle Warship | | | 310 |
| French Floating Battery in the Crimean War | | | 311 |
| The old Turret Ship Royal Sovereign | | | 313 |
| The Royal Sovereign | | to face | 313 |
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Comedies of Plautus: Literally Translated into English Prose, with Notes/Volume 2/Mostellaria/Dramatis Personae

Dramatis Personæ.
Scene—Athens; before the houses of Theuropides and Simo.
# The Comedies of Plautus: Literally Translated into English Prose, with Notes/Volume 2/Mostellaria

MOSTELLARIA;
OR, THE HAUNTED HOUSE.
Table of Contents (not listed in original)
* Dramatis Personæ
* The Subject
* Act I
* Act II
* Act III
* Act IV
* Act V
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tarzan and the Lost Empire/Advertisements

The whole world knows Tarzan of the Apes, the white man raised in the jungles of Africa, whose deeds and exploits have made book and movie history.
TARZAN AND THE LOST EMPIRE brings back to print one of the most astonishing adventures of the marvelous jungle hero. It is the story of an ancient Roman city, long forgotten by civilization and buried amid the deepest jungles of the Dark Continent. It is the story of Tarzan’s discovery of this last surviving pocket of lost warriors and the fate that awaited him at the hands of an empire dead for fifteen hundred years.
Edgar Rice Burroughs is a by-word for adventure!
# Female Genital Mutilation Act 2003 (Commencement) Order 2004

* related portals: Law of the United Kingdom and Ireland
* sister projects: Wikidata item
See this legislation with any revisons at legislation.gov.uk .
Layout 2
STATUTORY INSTRUMENTS
2004 No. 286 (C.10)
CRIMINAL LAW, ENGLAND AND WALES
The Female Genital Mutilation Act 2003 (Commencement) Order 2004
| Made.... | 6th February 2004 |
The Secretary of State, in exercise of the power conferred upon him by section 8(2) of the Female Genital Mutilation Act 2003(a), hereby makes the following Order:
1. This Order may be cited as the Female Genital Mutilation Act 2003 (Commencement) Order 2004.
2. The Female Genital Mutilation Act 2003 shall come into force on 3rd March 2004.
EXPLANATORY NOTE (This note is not part of the Order)
This Order brings the Female Genital Mutilation Act 2003 into force on 3rd March 2004.
This work is licensed under the Open Government Licence v3.0 (OGL v.3).
    You are free to:
   * copy, publish, distribute and transmit the Information;
   * adapt the Information;
   * exploit the Information commercially and non-commercially for example, by combining it with other Information, or by including it in your own product or application.
    You must, where you do any of the above:
   * acknowledge the source of the Information in your product or application by including or linking to any attribution statement specified by the Information Provider(s) and, where possible, provide a link to this licence;
   * If the Information Provider does not provide a specific attribution statement, you must use the following:
       Contains public sector information licensed under the Open Government Licence v3.0.
Note: Since 2010, almost all information owned by the UK Crown is offered for use and re-use under the Open Government Licence by authority of The Controller of His Majesty's Stationery Office.
See also: Meta for information on usage on Wikimedia wikis.
Public domainPublic domainfalsefalse
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto II

Cant. II.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto III

Cant. III.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto IV

Can. IIII.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto V

Cant V.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto VI

Can. VI.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto VII

Cant. VII.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto VIII

Cant. VIII.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto IX

Cant. IX.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto X

Cant. X.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto XI

Cant XI.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book I/Canto XII

Cant. XII.
Finis Lib. I.
# The Faerie Queene (1590/1596)/Books 1 to 3 (1590)/Book II

The second Booke
of the Faerie Queene.
Contayning
The Legend of Sir Guyon
OR
Of Temperaunce.
Cantos (not listed in original)
* Canto I
* Canto II
* Canto III
* Canto IV
* Canto V
* Canto VI
* Canto VII
* Canto VIII
* Canto IX
* Canto X
* Canto XI
* Canto XII
# Old Ninety-Nine's Cave

OLD NINETY-NINE'S CAVE
BY
ELIZABETH H. GRAY
THE C. M. CLARK PUBLISHING CO. BOSTON, MASSACHUSETTS 1909
Copyright, 1909 by The C. M. Clark Publishing Co. Boston, Massachusetts U. S. A.
All Rights Reserved
PRESS OF MURRAY AND EMERY COMPANY BOSTON, MASSACHUSETTS
To the loving memory of my Father and in grateful recognition to my friend J. F. C., whose encouragement made this book possible.
Chapters (not listed in original)
* Introduction
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
ILLUSTRATIONS
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Monk and the Miller's Wife (n.d., Glasgow)

THE MONK
AND
The Miller's Wife.
A COMIC TALE.
GLASGOW:
PRINTED FOR THE BOOKSELLERS.
72.
THE MONK AND THE MILLER'S WIFE.
[Ramsay borrowed the plot of this tale from "The Freirs of Berwick," a much superior composition of the fifteenth century, usually attributed to Dunbar. The Benedictine, in the preface to "The Abbot," intimates the opinion of Scott that the story might probably have been derived by the last mentioned author from some collection of fabliaux of the thirteenth or fourteenth century.]
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Heroic Age

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Heroic Age, a poem by Richard Watson Gilder
* The Heroic Age, a book by Hector Munro Chadwick
# Department of Motor Vehicles v. Rios
## Dissenting Opinion

    Douglas
Supreme Court of the United States
410 U.S. 425
Department of Motor Vehicles of California v. Rios
On Petition for Writ of Certiorari to the Supreme Court of California
No. 72-686. Argued: N/A --- Decided: February 26, 1973
Since it is not clear whether the California Supreme Court judgment reversing the lower court is based on federal or state constitutional grounds, or both, and therefore whether this Court has jurisdiction on review, that judgment is vacated and the case remanded.
Certiorari granted; 7 Cal.3d 792, 499 P.2d 979, vacated and remanded.
PER CURIAM.
# The Poem-book of the Gael/The Saltair na Rann/The Heavenly Kingdom

* related portals: Christian poetry
* sister projects: Wikidata item
Published in the Saltair na Rann in the 10th century, denoting lineage to the Irish bishop Oengus the Culdee. Translation from 1912.
II. THE HEAVENLY KINGDOM
* ↑ Lit. "green," "gold," and "purple," but they seem to imply special stones.
* ↑ Or peaceful light.
* ↑ This is the L. B. reading; the text gives "excellence" or "fertility," which does not make good sense.
* ↑ The L. B. reading is fond d'argut futhib, which seems to point to some such meaning as "base," "foundation."
* ↑ Reading uncertain.
* ↑ This is the L. B. reading; our text seems to mean "in renown."
* ↑ Or "thresholds."
* ↑ Perhaps Ancient of Days.
* ↑ Mac bethad may mean "a sinless man," as mac báis, "son of death," means a sinful man.
* ↑ We take síd to be an adjective; it might also mean "a fairy mound," but this is hardly applicable here.
* ↑ Rev. xiv. i.
* ↑ "I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder; and I heard the voice of harpers harping with their harps" (Rev. xiv. 2).
* ↑ "In my Father's house are many mansions" (John xiv. 3).
* ↑ Rogmar (mod. Ir. roghmhar) means "bulky" or "fortunate" or "fat"; here it refers to God as possessor of all.
# The Poem-book of the Gael/The Saltair na Rann/The Forbidden Fruit

* related portals: Christian poetry, Celtic languages
* sister projects: Wikidata item
Published in the Saltair na Rann in the 10th century, denoting lineage to the Irish bishop Oengus the Culdee. Translation from 1912.
III. THE FORBIDDEN FRUIT, (vii.)
RINCE who gave a clear admonition to Eve and to Adam,l. 1081 that they should eat of the produce of Paradise according to God's command:
"Eat ye of them freely, of the fruits of Paradise—sweet the fragrance— many, all of them (a festival to be shared) are lawful for you save one tree.
"In order that you may know that you are under authority, without sorrow, without strife, without anxiety, without long labour,
without age, evil, or blemish;
"Without decay, without heavy sickness; with everlasting life, in everlasting triumph on your going to heaven (joyous the festival) at the choice age of thirty years."
​A thousand years and six hours of the hours, without guile, without danger, it has been heard, Adam was in Paradise.
O God our help, whom champions prove, who fashioned all with perfect justice, not bright the matter of our theme (?) the King who spake an admonition with them.
Prince who gave a clear admonition.
(The figures in brackets after the title of the chapters are the numbers of the poems or cantos in the text.)
* ↑ Lit. "share of a festival"; this is one of those chevilles which are frequent in this poem, often introduced without much sense to fill out a line, or to give a rhyming word. We have omitted a few of them in the translation.
* ↑ There seems to be some error here. According to Gen. v. 3, Adam lived altogether nine hundred and thirty years, as the poet states further on (p. 43).
* ↑ The meaning of this line is not clear. The above is conjectural.
# The Monk and Miller's Wife (n.d., Kilmarnock)

THE
MONK
AND
MILLER'S WIFE.
A TALE
BY ALLAN RAMSAY
KILMARNOCK:
Printed for the Booksellers.
The Monk and Miller's Wife.
FINIS.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Monk and the Miller's Wife

"An honest miller winn'd in Fife"
* "The Monk and the Miller's Wife", in Four Funny Tales (1802), a chapbook printed in Ayr
* The Monk and Miller's Wife (1808), a chapbook printed in Edinburgh
* The Monk and the Miller's Wife (n.d.), a chapbook printed in Glasgow
* The Monk and Miller's Wife (n.d.), a chapbook printed in Kilmarnock
# The Monk and Miller's Wife (1808, Edinburgh)

THE
MONK
AND
MILLER'S WIFE.
A TALE.
BY ALLAN RAMSAY.
EDINBURGH:
PRINTED BY AND FOR OLIVER & BOYD, NETHERBOW.
1808.
THE
MONK
AND
MILLER’S WIFE.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Caroling Dusk/Homing

HOMING
# Caroling Dusk/Golgotha Is a Mountain

GOLGOTHA IS A MOUNTAIN
# Caroling Dusk/Albert Rice

ALBERT RICE
I am a native of our Capital City, born in the Mauve Decade (1908). My schooling has been in the Washington grammar and high schools. It was while a student at Dunbar High School that I felt a restless urge to write something other than dull formal paragraphs in English. I made several attempts at verse but found them so poor that I hastily put such ideas behind me.
After leaving high school I entered the government service in Washington, but my radical views could not become reconciled to the conservative bourgeoise ideals around me; so I left the government service and journeyed to New York in the winter of 1926. Here I served an apprenticeship in literary vagabondage with the bizarre and eccentric young vagabond poet of High Harlem, Richard Bruce. It was here that I felt inspired to write “The Black Madonna.” I was one evening at vespers down at St. Mary’s the Virgin, and while lost in contemplation before Our Lady, I thought of a Madonna of swart skin, a Madonna of dark mien.
​Despite my radicalism I am religious. I admire the socialist form of government, and my favorite poet is Claude McKay. And some day I hope to flee the shores of this exquisite hell. My temperament is Latin. I abhor all things Anglo-Saxon. I’d rather live in the squalor of Mulberry Street, N. Y. (Little Italy) than at Irvington-on-the-Hudson. I love bull fights and dislike baseball games. I like dancing and dislike prayer meetings. I love New York because it is crowded and noisy and an outpost of Europe. Of my home here in Washington I have not much to offer. I like Washington because it has such a large share of Babbitts, both white and black. And I like it because Georgia Douglas Johnson lives there and on Saturday nights has an assembly of likable and civilized people, and because it was from this Saturday night circle that Jean Toomer, Richard Bruce, and Richard Goodwin, the artist, went forth to fame and infamy.
# Caroling Dusk/The Black Madonna

THE BLACK MADONNA
# Caroling Dusk/Countee Cullen

COUNTEE CULLEN
Born in New York City, May 30, 1908, and reared in the conservative atmosphere of a Methodist parsonage, Countee Cullen’s chief problem has been that of reconciling a Christian upbringing with a pagan inclination. His life so far has not convinced him that the problem is insoluble. Educated in the elementary and high schools of New York City, with an A.B. degree and a Phi Beta Kappa Key from New York University, an M.A. from Harvard, arrantly opposed to any form of enforced racial segregation, he finds it a matter of growing regret that no part of his academic education has been drawn from a racial school. As a poet he is a rank conservative, loving the measured line and the skillful rhyme; but not blind to the virtues of those poets who will not be circumscribed; and he is thankful indeed for the knowledge that should he ever desire to go adventuring, the world is rife with paths to choose from. He has said, perhaps with a reiteration sickening to some of his friends, that he wishes any merit that may be in his work to flow from it solely as the expression of a poet—with no racial consideration to bolster it up. He is still of the same thought. At present he is employed as Assistant Editor of Opportunity, A Journal of Negro Life.
His published works are Color, The Ballad of the Brown Girl, and Copper Sun.
# Caroling Dusk/Lines to Our Elders

LINES TO OUR ELDERS
You too listless to examineIf in pestilence or famineDeath lurk least, a hungry gamin
# Presidential Pardon of General Mark A. Milley

Executive Grant of Clemency
Joseph R. Biden, Jr. President of the United States of America
To all to whom these presents shall come, greeting:
Be It Known, That This Day, I, Joseph R. Biden, Jr., President of the United States, Pursuant to My Powers Under Article II, Section 2, Clause 1, of the Constitution, Have Granted Unto
General Mark A. Milley A Full and Unconditional Pardon
For any offenses against the United States, including but not limited to any offenses under the United States Code or the Uniform Code of Military Justice, which he may have committed or taken part in during the period from January 1, 2014, through the date of this pardon arising from or in any manner related to his service as Chief of Staff of the U.S. Army or Chairman of the Joint Chiefs of Staff.
In testimony whereof I have hereunto signed my name and caused the seal of the Department of Justice to be affixed.
Done at the City of Washington this 19th day of January in the year of our Lord Two Thousand and Twenty-Five and of the Independence of the United States the Two Hundred and Forty-Ninth.
Joseph R. Biden, Jr. President
# Lines to Our Elders

* "Lines to Our Elders", published in Copper Sun (1927)
* "Lines to Our Elders", published in Caroling Dusk (1927)
# Copper Sun (Cullen)/Lines to Our Elders

Lines to Our Elders
(To Melanie)
# The Octopus Cycle

originally published in Amazing Stories, Vol. 3, No. 2
* "The Octopus Cycle", edited by Hugo Gernsback, in Amazing Stories, Vol. 3, No. 2 (April 1928)
* The Octopus Cycle (unsourced)
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1928, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 96 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Drug Fact Sheet: Opium

Opium
WHAT IS OPIUM?
Opium is a highly addictive non-synthetic narcotic that is extracted from the poppy plant, Papaver somniferum. The opium poppy is the key source for many narcotics, including morphine, codeine, and heroin.
WHAT IS ITS ORIGIN?
The poppy plant, Papaver somniferum, is the source of opium. It was grown in the Mediterranean region as early as 5000 B.C., and has since been cultivated in a number of countries throughout the world. The milky fluid that seeps from its incisions in the unripe seedpod of this poppy has been scraped by hand and air-dried to produce what is known as opium.
A more modem method of harvesting for pharmaceutical use is by the industrial poppy straw process of extracting alkaloids from the mature dried plant (concentrate of poppy straw). All opium and poppy straw used for pharmaceutical products are imported into the United States from legitimate sources in regulated countries.
What are common street names?
Common street names include:
What does it look like?
Opium can be a liquid, solid, or powder, but most poppy straw concentrate is available commercially as a fine brownish powder.
How is it used?
Opium can be smoked, intravenously injected, or taken in pill form. Opium is also misused in combination with other drugs. For example, “Black” is a combination of marijuana, opium, and methamphetamine, and “Buddha” is potent marijuana spiked with opium.
What is its effect on the mind?
The intensity of opium’s euphoric effects on the brain depends on the dose and route of administration. It works quickly when smoked because the opiate chemicals pass into the lungs, where they are quickly absorbed and then sent to the brain. An opium “high” is very similar to a heroin “high”; users experience a euphoric rush, followed by relaxation and the relief of physical pain.
What is its effect on the body?
Opium inhibits muscle movement in the bowels leading to constipation. It also can dry out the mouth and mucous membranes in the nose. Opium use leads to physical and psychological dependence, and can lead to overdose.
What are its overdose effects?
Overdose effects include:
Which drugs cause similar effects?
Drugs that cause similar effects include:
What is its legal status in the United States?
Opium is a Schedule II narcotic under the Controlled Substances Act. Most opioids are Schedule Il, Ill, IV, or V drugs. Some drugs that are derived from opium, such as heroin, are Schedule I drugs.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Art of Courtship (n.d., Stirling)

THE ART OF COURTSHIP
CONTAINING
An Entertaining Dialogue That passed between William Lawson and his sweet-heart Bessy Gibb. Also, Two Love-Letters which he sent to his Sweetheart; and her Answers. Very beneficial for such blate Wooers, or young beginners, as have not gotten the art of courtship.
AND,
TWO RECEIPTS: The one for young Men how to wale a good wife: and the other for young Women how to wale a good Husband.
To which is added, THE LAUGHABLE TALE Of THE MONK AND THE MILLER’S WIFE.
AND, AN ADDRESS TO A SCOTCH HAGGIS, On New- Year's-Day.
STIRLING: Printed and Sold by M. Randall.
Contents (not listed in original)
* The Art of Courtship
* The Laughable Tale of the Monk and the Miller's Wife
* An Address to a Scotch Haggis, on New-Year's-Day
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Thousand-and-Second Tale of Scheherazade

* "The Thousand-and-Second Tale of Scheherazade" in Godey’s Lady’s Book, volume 30, February 1845 (transcription project)
* "The Thousand-and-Second Tale of Scheherazade" in The Works of the Late Edgar Allan Poe, volume 1 (1850)
* "Thousand-and-Second Tale of Scheherazade", edited by Hugo Gernsback, in Amazing Stories, Vol. 3, No. 2 (April 1928)
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse