OpenLLM-France/wikimedia huggingface dataset:
# The Atlantic Monthly/Volume 1/Number 1/The Origin of Didactic Poetry

Featured in Vol 1., No. 1 of The Atlantic Monthly.
THE ORIGIN OF DIDACTIC POETRY
When wise Minerva still was young And just the least romantic, Soon after from Jove's head she flung That preternatural antic, 'Tis said to keep from idleness Or flirting,—those twin curses,— She spent her leisure, more or less, In writing po——, no, verses.
How nice they were! to rhyme with far A kind star did not tarry; The metre, too, was regular As schoolboy's dot and carry;
And full they were of pious plums, So extra-super-moral,— For sucking Virtue’s tender gums Most tooth-enticing coral.
A clean, fair copy she prepares, Makes sure of moods and tenses, With her own hand,—for prudence spares A man- (or woman) -uensis; Complete, and tied with ribbons proud, She hinted soon how cosy a Treat it would be to read them aloud After next day's Ambrosia.
The Gods thought not it would amuse So much as Homer's Odyssees, But could not very well refuse The properest of Goddesses; So all sat round in attitudes Of various dejection, As with a hem! the queen of prudes Began her grave prelection.
At the first pause Zeus said, "Well sung!— I mean—ask Phœbus,—he knows." Says Phœbus, "Zounds! a wolf's among Admetus's merinos! Fine! very fine! but I must go; They stand in need of me there; Excuse me!" snatched his stick, and so Plunged down the gladdened ether.
With the next gap, Mars said, "For me Don't wait,—naught could be finer; But I'm engaged at half-past three,— A fight in Asia Minor!" Then Venus lisped, "How very thad! It rainth down there in torinth; But I mutht go, becauthe they've had A thacrifithe in Corinth!"
Then Bacchus,—"With those slamming doors I lost the last half dist—(hic!) Mos' bu'ful se'ments! what's the Chor's? My voice shall not be missed—(hic!)" His words woke Hermes; "Ah!” he said, "I so love moral theses!" Then winked at Hebe, who turned red, And smoothed her apron's creases.
Just then Zeus snored,—the Eagle drew His head the wing from under;
The many-volumed thunder; Some augurs counted nine,—some, ten,— Some said, 'twas war,—some, famine,— And all, that other-minded men Would get a precious ———.
Proud Pallas sighed, "It will not do; Against the Muse I've sinned, oh!" And her torn rhymes sent flying through Olympus's back window. Then, packing up a peplus clean, She took the shortest path thence, And opened, with a mind serene, A Sunday-school in Athens.
The verses? Some, in ocean swilled, Killed every fish that bit to 'em; Some Galen caught, and, when distilled, Found morphine the residuum; But some that rotted on the earth Sprang up again in copies, And gave two strong narcotics birth,— Didactic bards and poppies.
Years after, when a poet asked The Goddess's opinion, As being one whose soul had basked In Art's clear-aired dominion,— "Discriminate," she said, "betimes; The Muse is unforgiving; Put all your beauty in your rhymes, Your morals in your living."
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Atlantic Monthly/Volume 1/Number 1/Sonnet

Featured in Vol 1., No. 1 of The Atlantic Monthly.
SONNET.
The Maple puts her corals on in May, While loitering frosts about the lowlands cling, To be in tune with what the robins sing, Plastering new log-huts ’mid her branches gray; But when the Autumn southward turns away, Then in her veins burns most the blood of Spring, And every leaf, intensely blossoming, Makes the year’s sunset pale the set of day. O Youth unprescient, were it only so With trees you plant, and in whose shade reclined, Thinking their drifting blooms Fate’s coldest snow, You carve dear names upon the faithful rind, Nor in that vernal stem the cross foreknow That Age may bear, silent, yet unresigned!
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Atlantic Monthly/Volume 1/Number 2/The Wind and Stream

Featured in Vol 1., No. 2 of The Atlantic Monthly.
THE WIND AND STREAM.
A brook came stealing from the ground; You scarcely saw its silvery gleam Among the herbs that hung around The borders of that winding stream,— A pretty stream, a placid stream, A softly gliding, bashful stream.
A breeze came wandering from the sky, Light as the whispers of a dream; He put the o'erhanging grasses by, And gayly stooped to kiss the stream,— The pretty stream, the flattered stream, The shy, yet unreluctant stream.
The water, as the wind passed o'er, Shot upward many a glancing beam, Dimpled and quivered more and more, And tripped along a livelier stream,— The flattered stream, the simpering stream, The fond, delighted, silly stream.
Away the airy wanderer flew To where the fields with blossoms teem, To sparkling springs and rivers blue, And left alone that little stream,— The flattered stream, the cheated stream, The sad, forsaken, lonely stream.
That careless wind no more came back; He wanders yet the fields, I deem; But on its melancholy track Complaining went that little stream,— The cheated stream, the hopeless stream, The ever murmuring, moaning stream.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Atlantic Monthly/Volume 1/Number 2/The Golden Mile-Stone

Featured in Vol 1., No. 2 of The Atlantic Monthly. (December 1857)
THE GOLDEN MILE-STONE.
[The Milliorium Aureum, or Golden Mile-Stone, was a gilt marble pillar in the Forum at Rome, from which, as a central point, the great roads of the empire diverged through the several gates of the city, and the distances were measured.]
Leafless are the trees; their purple branches Spread themselves abroad, like reefs of coral Rising silent In the Red Sea of the winter sunset.
From the hundred chimneys of the village, Like the Afreet in the Arabian story, Smoky columns Tower aloft into the air of amber.
At the window winks the flickering fire-light; Here and there the lamps of evening glimmer, Social watch-fires, Answering one another through the darkness.
On the hearth the lighted logs are glowing, And, like Ariel in the cloven pine-tree, For its freedom Groans and sighs the air imprisoned in them.
By the fireside there are old men seated, Seeing ruined cities in the ashes, Asking sadly Of the Past what it can ne'er restore them.
By the fireside there are youthful dreamers, Building castles fair with stately stairways, Asking blindly Of the Future what it cannot give them. ​By the fireside tragedies are acted In whose scenes appear two actors only, Wife and husband, And above them God, the sole spectator.
By the fireside there are peace and comfort, Wives and children, with fair, thoughtful faces, Waiting, watching For a well-known footstep in the passage.
Each man's chimney is his Golden Mile-Stone,— Is the central point from which he measures Every distance Through the gateways of the world around him.
In his farthest wanderings still he sees it; Hears the talking flame, the answering night-wind, As he heard them When he sat with those who were, but are not.
Happy he whom neither wealth nor fashion, Nor the march of the encroaching city, Drives an exile From the hearth of his ancestral homestead!
We may build more splendid habitations, Fill our rooms with paintings and with sculptures, But we cannot Buy with gold the old associations.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Atlantic Monthly/Volume 1/Number 2/My Portrait Gallery

Featured in Vol 1., No. 2 of The Atlantic Monthly.
MY PORTRAIT GALLERY.
Oft round my hall of portraiture I gaze, By Memory reared, the artist wise and holy, From stainless quarries of deep-buried days. There, as I muse in soothing melancholy, Your faces glow in more than mortal youth, Companions of my prime, now vanished wholly,— The loud, impetuous boy, the low-voiced maiden. Ah, never master that drew mortal breath Can match thy portraits, just and generous Death, Whose brush with sweet regretful tints is laden! Thou paintest that which struggled here below Half understood, or understood for woe, And, with a sweet forewarning, Mak'st round the sacred front an aureole glow Woven of that light that rose on Easter morning.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Encyclopædia Britannica, First Edition/Volume II

See also the scan index and the Encyclopædia Britannica, 1st edition, disclaimer.

## C

* Caaba
* Cab
* Cabalist
* Caballaria
* Caballeros
* Caballine
* Cabbage
* Cabbage-tree
* Cabbaging
* Cabbala
* Caherah or Al-Caherah
* Cahlo
* Cahors
* Cahys
* Cajanaburg
* Cajazzo
* Cajeput
* Caifum
* Caimacan or Caimacam
* Caiman or Caiman-Islands
* Cainians or Cainites
* Cainito
* Cairo or Grand Cairo
* Cairoan
* Cairns
* Caisson
* Caithness
* Cakile
* Calaba
* Calabash-Tree
* Calabria
* Calade
* Calahorra
* Calais
* Calamanco
* Calaminaris or Lapis Calaminaris
* Canticles
* Canto
* Canton
* Cantoning
* Cantred or Cantref
* Canvas
* Canatus
* Canzone
* Canzonetta
* Cap
* Cap of Maintenance
* Cape
* Cape of Good-Hope
* Cape-Coast-Castle
* Capella
* Caper
* Caperquin
* Caphar
* Chevroned
* Chevronel
* Chevronne or Chevronny
* Chewing-Balls
* Chiampa
* Chian Earth
* Chiapa
* Chiarasco
* Chiarenza
* Chiaro-Scuro
* Chichester
* New Chichester
* Chick or Chicken
* Chicken-Pox
* Chick-weed
* Chickling Pea
* Chicuito or Cuyo
* Chidley or Chimley
* Chief
* In Chief
* Chief Lord
* Chief-Justice
* Chieftain
* Chieri
* Chilblains
* Child-Bed
* Child-Birth
* Childermas-Day or Innocent's-Day
* Chiliad
* Chiliarcha or Chiliarchus
* Chiliasts
* Chilminar, Chelminar, or Tchelminar
* Chiltern
* Chimæra
* Chimay
* Chimera
* Chimes
* Chimney
* China
* China-Root
* China-ware
* Chinca
* Chin Cough
* Chinese
* Chiney
* Chinon
* Chio, Chios, Xio, or Scio
* Chionanthus
* Chiozzo or Chioggio
* Chippenham
* Chipping or Much-Wiccomb
* Chirography
* Chiromancy
* Chironia
* Chironomy
* Chirotony
* Chirvan
* Chirurgery
* Chisley-Land

## F

* Fox
* Fox-Glove
* Foy or St Foy
* Fraction
* Decimal Fractions
* Fracture
* Frænum
* Frænum Linguæ
* Frænum Penis
* Fraga
* Fragaria
* France
* Francfort
* Francfort on the Oder
* Franche-Comte
* Franchise
* Franciscan Monks, Friars Minor, or Gray Friars
* Francolini
* Franconia
* Frangula
* Frangulæ Species
* Frank Language or Lingua Franca
* Frank or Franc
* Frankendal
* Francenia, Sea-Heath, or Sea-Chickweed
* Frankenstein
* Franks, Frankis, or Franquis
* Franstat or Fraustat
* Frascati or Frescati
* Fraternity

## J

* St James's day
* Epistle of St James
* James-town
* Janeiro
* Janicaw, or Janowits
* Janizaries
* Jansenists
* January
* Japan or islands of Japan
* Japanning
* Jasminum
* Jasper
* Jasponyx
* Jasques
* Jatropha
* Java
# Encyclopædia Britannica, First Edition/Volume III

See also the scan index and the Encyclopædia Britannica, 1st edition, disclaimer.
* Macao
* Maccabees
* Macclesfield
* Mace
* Macedonia
* Maceration
* Machian
* Machine
* Machinery
* Mackeran
* Mackerel
* Name
* Town
* Zygophyllum
# Encyclopædia Britannica, First Edition/Name

See also Name on Wikipedia, and the Encyclopædia Britannica, 1st edition, disclaimer.
# The Spanish Tragedie/Act 3

ACTVS TERCIVS.
Enter Viceroy of Portingale, Nobles, Alexandro, Villappo.
# The New Student's Reference Work/Job

See also Job (Biblical figure) on Wikipedia, and the disclaimer.
Job, the hero of the book named after him. He is said to have lived in Uz, somewhere between Palestine and the Euphrates. The belief of most scholars at present is, that the book is a dramatic poem and that Job is not a real person, but simply the main character in this poem, as Hamlet is in one of Shakespeare’s plays. No one is now able to determine the authorship of the book. As a work of genius and art it has the first rank in Hebrew literature, and abounds in sublime thought. It shows a man, who through suffering and trial, remains true to his trust in the wisdom of Providence. The book was, perhaps, written during the exile. It is ranked with Hamlet and Faust as the three greatest poems of their class. See Davidson’s Job and Froude’s Short Studies on Great Subjects.
# Proclamation, November 27, 1942

Declaring the extraterritoriality of the birthplace of Princess Margriet of the Netherlands
* Proclamation, original document signed and sealed by Governor General Alexander Cambridge, Earl of Athlone.
* Proclamation, published in the Canada Gazette, Vol. LXXVI, Extra No. 232.
# Proclamation declaring the extraterritoriality of the birthplace of Princess Margriet of the Netherlands in Canada

F. P. Varcoe DEPUTY MINISTER OF JUSTICE
CANADA.
Athlone.
Canada
GEORGE THE SIXTH, by the Grace of God, of Great Britain, Ireland, and the British Dominions beyond the seas, KING, Defender of the Faith, Emperor of India,
To all to whom these Presents shall come or whom the same may in anywise concern,
GREETING:---
A PROCLAMATION.
WHEREAS it is necessary and advisable, for the security, defence, peace, order and welfare of Canada, that arrangements should be made to enable heads of the United Nations and Royal Families thereof, to take refuge within the territorial limits of Canada, and thus to promote and encourage the war efforts of the United Nations.
AND WHEREAS, in particular, it is expedient that arrangements should be made to enable the Royal Family of the Netherlands, or members thereof, to continue to take refuge within Canada, and to provide extra-territorial character to any place in which the heir presumptive to the throne of the Netherlands may be confined and in which an heir to such throne may be born.
AND WHEREAS Our Governor General in Council has ordered that a Proclamation be issued accordingly and published in the Canada Gazette.
NOW KNOW YE that by and with the advice of our Privy Council for Canada and pursuant to the powers vested in Us by the War Measures Act, Chapter 206 of the Revised Statutes of Canada 1927, We do by this Our Proclamation declare and direct:-
* That any place in Canada within which Her Royal Highness the Princess Juliana of the Netherlands may be confined shall, for the period of the lying-in and to the extent of actual occupation for such purpose, be extra-territorial, and for such purpose Her Royal Highness the Princess Juliana and any child that shall be born shall be accorded immunity from criminal, civil and military jurisdiction, whether Dominion or Provincial.
* That a statement in writing by an official member of Her Royal Highness the Princess Juliana's household to the effect that any such place is being employed or has been employed for such purpose shall be received as conclusive proof of such facts by any Canadian court or Judicial authority.
OF ALL WHICH Our Loving Subjects and all others whom these Presents may concern are hereby required to take notice and to govern themselves accordingly.
This work is in the public domain worldwide because it was prepared or published by or under the direction or control of the Canadian Government or any government department prior to 1975.
Section 12 of the Canadian Copyright Act provides a reservation for Crown rights or privileges. Lack of modern case law on the subject makes it unclear whether perpetual prerogative rights over these documents still apply, or whether these rights have lapsed. Notwithstanding, these documents are reproducible under the terms of the Reproduction of Federal Law Order.
Public domainPublic domainfalsefalse
# Thirty Poems/The Song of the Sower

Layout 2
THE SONG OF THE SOWER.
# Canada Gazette/Volume LXXVI/Extra No. 232

Declaring the extraterritoriality of the birthplace of Princess Margriet of the Netherlands
The Canada Gazette La Gazette du Canada
OTTAWA, SATURDAY, DECEMBER 26, 1942
PROCLAMATION
CANADA
George The Sixth, by the Grace of God, of Great Britain, Ireland and the British Dominions beyond the Seas KING, Defender of the Faith, Emperor of India.
To All To Whom these Presents shall come or whom the same may in anywise concern,
Greeting:
A PROCLAMATION.
F. P. MARCOE, Deputy Minister of Justice, Canada.$\scriptstyle {\left.{\begin{matrix}\ \\\\\ \\\ \ \end{matrix}}\right\}\,$ WHEREAS it is necessary and advisable, for the security, defence, peace, order and welfare of Canada, that arrangements should be made to enable heads of the United Nations and Royal Families thereof, to take refuge within the territorial limits of Canada, and thus to promote and encourage the war efforts of the United Nations.
And Whereas, in particular, it is expedient that arrangements should be made to enable the Royal Family of the Netherlands, or members thereof, to continue to take refuge within Canada, and to provide extra-territorial character to any place in which the heir presumptive to the throne of the Netherlands may be confined and in which an heir to such throne may be born.
And Whereas Our Governor General in Council has ordered that a Proclamation be issued accordingly and published in the Canada Gazette.
Now Know Ye that by and with the advice of our Privy Council for Canada and pursuant to the powers vested in Us by the War Measures Act, Chapter 206 of the Revised Statutes of Canada 1927, We do by this Our Proclamation declare and direct:—
Of All Which Our Loving Subjects and all others whom these Presents may concern are hereby required to take notice and to govern themselves accordingly.
By Command,
E. H. COLEMAN, Under Secretary of State.
Ottawa Printed by Edmund Cloutier, Printer to the King's Most Excellent Majesty.
This work is in the public domain worldwide because it was prepared or published by or under the direction or control of the Canadian Government or any government department prior to 1975.
Section 12 of the Canadian Copyright Act provides a reservation for Crown rights or privileges. Lack of modern case law on the subject makes it unclear whether perpetual prerogative rights over these documents still apply, or whether these rights have lapsed. Notwithstanding, these documents are reproducible under the terms of the Reproduction of Federal Law Order.
Public domainPublic domainfalsefalse
# Thirty Poems/The New and the Old

Layout 2
THE NEW AND THE OLD.
# The Moth (Wells)

First published in the Pall Mall Gazette in 1895
* "A Moth—Genus Novo", in The Stolen Bacillus and Other Incidents (1904)
* "The Moth", in Tales of the Unexpected (1922)
* "The Moth", edited by Hugo Gernsback, in Amazing Stories, Vol. 3, No. 5 (August 1928)
This work is in the public domain in the United States because it was published in 1895, before the cutoff of January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Red Harvest

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Red Harvest, a novel by Dashiell Hammett
* Red Harvest, a play by Walter Charles Roberts
# Red Harvest (1929)

RED HARVEST
RED HARVEST
BY
DASHIELL HAMMETT
Author of
THE DAIN CURSE
THE MALTESE FALCON
GROSSET & DUNLAP
Copyright 1927, 1929
By Alfred A. Knopf, Inc.
Published February, 1929 Second Printing March, 1930 Third Printing March, 1931
Manufactured in the United States of America
to
Joseph Thompson Shaw
TABLE OF CONTENTS
I · A WOMAN IN GREEN AND A MAN IN GRAY · 3
II · THE CZAR OF POISONVILLE · 14
III · DINAH BRAND · 26
IV · HURRICANE STREET · 38
V · OLD ELIHU TALKS SENSE · 50
VI · WHISPER’S JOINT · 61
VII · THAT’S WHY I SEWED YOU UP · 71
VIII · A TIP ON KID COOPER · 82
IX · A BLACK KNIFE · 88
X · CRIME WANTED—MALE OR FEMALE · 100
XI · THE SWELL SPOON · 108
XII · A NEW DEAL · 118
XIII · —$200.10— · 129
XIV · MAX · 138
XV · CEDAR HILL INN · 147
XVI · EXIT JERRY · 158
XVII · RENO · 165
​XVIII · PAINTER STREET · 178
XIX · THE PEACE CONFERENCE · 184
XX · LAUDANUM · 192
XXI · THE SEVENTEENTH MURDER · 203
XXII · THE ICE PICK · 212
XXIII · MR. CHARLES PROCTOR DAWN · 226
XXIV · WANTED · 236
XXV · WHISKEYTOWN · 245
XXVI · BLACKMAIL · 251
XXVII · WAREHOUSES · 260
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 63 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Birds of Passage (Collection)/The Golden Mile-Stone

Featured in Vol 1., No. 2 of The Atlantic Monthly in 1857
The Golden Mile-Stone Leafless are the trees; their purple branches Spread themselves abroad, like reefs of coral, Rising silent In the Red Sea of the Winter sunset.
From the hundred chimneys of the village, Like the Afreet in the Arabian story, Smoky columns Tower aloft into the air of amber.
At the window winks the flickering fire-light; Here and there the lamps of evening glimmer, Social watch-fires Answering one another through the darkness.
On the hearth the lighted logs are glowing, And like Ariel in the cloven pine-tree For its freedom Groans and sighs the air imprisoned in them.
By the fireside there are old men seated, Seeing ruined cities in the ashes, Asking sadly Of the Past what it can ne'er restore them.
By the fireside there are youthful dreamers, Building castles fair, with stately stairways, Asking blindly Of the Future what it cannot give them.
By the fireside tragedies are acted In whose scenes appear two actors only, Wife and husband, And above them God the sole spectator.
By the fireside there are peace and comfort, Wives and children, with fair, thoughtful faces, Waiting, watching For a well-known footstep in the passage.
Each man's chimney is his Golden Mile-stone; Is the central point, from which he measures Every distance Through the gateways of the world around him.
In his farthest wanderings still he sees it; Hears the talking flame, the answering night-wind, As he heard them When he sat with those who were, but are not.
Happy he whom neither wealth nor fashion, Nor the march of the encroaching city, Drives an exile From the hearth of his ancestral homestead.
We may build more splendid habitations, Fill our rooms with paintings and with sculptures, But we cannot Buy with gold the old associations!
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse