OpenLLM-France/wikimedia huggingface dataset:
# The Indianapolis News/1937/4 American Pilots Quit Spanish War as Loyalists Fail to Pay

Eddie August Schneider et. al. in the The Indianapolis News on January 6, 1937 by the Associated Press.
4 American Pilots Quit Spanish War as Loyalists Fail to Pay
Paris; January 6, 1937 (Associated Press) Four disillusioned American aviators announced today they were through with Spain and, furthermore, they were through with civil wars. The quadrumvirate - Bert Acosta, Frederick Lord, Gordon Berry and Eddie Schneider — had led the Spanish Socialist government's "Yankee Squadron" on the Basque front in the far North. But, they said, they were not paid, and money was their only reason for joining up. The venture, said Schneider, "was purely business." They quit Spain after six weeks in the mountainous War zone of the age of the Basque Pyrenees and returned here proclaiming and intention to hurry back to America as fast as possible. Schneider told the European edition of the New York Herald Tribune "we quit because the Spanish government owes us $1,100." The flyers also protested they were given nothing except unarmed sports planes with which to fight, while Russian pilots were assigned "regular American army planes." The American war planes were said to be machines built in Russia through contracts giving the Soviet government permission to copy American models. The flyers said both the Socialists and Fascists air forces in Spain were staffed almost entirely by foreigners. The government, they added, seemed to be outnumbered in men and equipment everywhere, particularly in their sector. Acosta and Berry were to sail for New York where they left for the war November 11. Their companions made arrangements to follow shortly.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
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Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
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It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
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# The New International Encyclopædia/Basilica (legal code)

Edition of 1905. See also Basilika on Wikipedia; and the disclaimer.
​BASILICA (Gk. neut. plur. of SacriXocis, basilikos, royal). A legal code published by Leo VI. of the Byzantine Empire at the close of the Ninth or the beginning of the Tenth Century. Its name is equivalent, in the opinion of some, to Imperial law; but others think it was given in honor of Basil, the father of Leo. who began the work. It was composed of 60 books. The materials used were Greek translations of the Corpus Juris Civilis of Justinian, commentaries on the Corpus, and some later laws. In it the influence of Christianity is very marked, especially with regard to family relations. The best edition is Heimbach: Basilicorum Libri LX. Gr. et Lat., 5 vols. (Leipzig, 1833-50), completed by Zachariæ von Lingenthal, who published the Prolegomena in 1846, and a supplement in 1870. But only about two-thirds of the whole work are extant. Consult: Heimbach, "Griechisch-römisches Recht," in Ersch und Gruber, Encyklopädie, Part LXXXVI. (Leipzig, 1818-80); Haubold, Manuale Basilicorum (Leipzig, 1819), a collation of Justinian with the later law; and Montreuil, Histoire du droit byzantin, 3 vols. (Paris, 1843-47).
# Ravensdene Court

Starting with a dual murder, Mr. Fletcher unravels his patchwork quilt with amazing skill, then sews it together again. The best work of this master of detective fiction, with quaint atmosphere, thrills, mystery, and love. —The Bookman, August 1922
RAVENSDENE COURT
[Advertisements]
THE MYSTERY STORIES OF
J. S. FLETCHER
"We always feel as though we were really spreading happiness when we can announce a genuinely satisfactory mystery story, such as J. S. Fletcher's new one."
—N. P. D., in the New York Globe.
THE MIDDLE TEMPLE MURDER [1918]
"Unquestionably, the detective story of the season and, therefore, one which no lover of detective fiction should miss."—The Broadside.
THE TALLEYRAND MAXIM [1920]
"A crackerjack mystery tale; the story of Linford Pratt, who earnestly desired to get on in life, by hook or by crook-with no objection whatever to crookedness, so long as it could be performed in safety and secrecy."—Knickerbocker Press.
THE PARADISE MYSTERY [1920]
"As a weaver of detective tales Mr. Fletcher is entitled to a seat among the elect. His numerous followers will find his latest book fully as absorbing as anything from his pen that has previously appeared."—New York Times.
DEAD MEN'S MONEY [1920]
"The story is one that holds the reader with more than the mere interest of sensational events; Mr. Fletcher writes in a notable style."—Newark Evening News.
THE ORANGE-YELLOW DIAMOND [1921]
" . . . A rattling good yarn. . . . An uncommonly well written tale."—New York Times."
THE CHESTERMARKE INSTINCT [1921]
"Mr. Fletcher is a master of plot. . . . To tell a story as well as this is a literary achievement."—Boston Transcript.
THE BOROUGH TREASURER [1921]
"As mystifyng a tale as even Mr. Fletcher himself has written."—New York Times.
THE HERAPATH PROPERTY [1921]
Numerous complications lead from the murder of Jacob Herapath and the search for his will.
SCARHAVEN KEEP [1922]
The mystery of the disappearance of Bassett Oliver, famous actor.
RAVENSDENE COURT [1922]
Two men are struck down by an unseen hand, at the same time in widely separated places—who killed them?
$2.00 net each at all booksellers or from the Publisher
ALFRED A. KNOPF, New York.
RAVENSDENE COURT
BY J. S. FLETCHER
NEW YORK ALFRED · A · KNOPF MCMXXII
COPYRIGHT, 1922, BY ALFRED A. KNOPF, Inc.
Published July, 1922
MANUFACTURED IN THE UNITED STATES OF AMERICA
CONTENTS
RAVENSDENE COURT
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1935, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 89 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Great Events by Famous Historians

Associated editors: Charles F. Horne and John Rudd. Directing editor: Walter F. Austin
* Vol. 1
* Vol. 2
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Donald M'Donald (1824)

Donald M'Donald;
To which are added,
Merry Maggy Cameron.
Sandy oʻer the lee.
Fairfa' the Lasses, O.
STIRLING.
Printed by W. Macnie.
1824.
Contents (not listed in original)
* Donald M'Donald
* Merry Maggy Cameron
* Sandy o'er the lee
* Fairfa' the Lasses, O
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Irish Finance Minister cancer statement

* related portals: Ireland
* sister projects: Wikidata item
The following is the full text of the statement issued by the Minister for Finance of Ireland, Brian Lenihan T.D. concerning his cancer diagnosis on Monday, 4 December 2009 in Dublin.
During the week before Christmas, I underwent tests in hospital which identified a blockage at the entrance to my pancreas. A stent was inserted and the pancreas is now functioning normally.
Cancerous tissue has been identified in the material that has caused the blockage. My medical advice is that chemotherapeutic and radiotherapeutic treatment are required. I will begin the treatment later this week.
Notwithstanding this medical condition, I am feeling fit and well. Having discussed the matter with the Taoiseach and having consulted my medical advisers, it is my intention to continue to serve as Minister for Finance.
I will not be accepting invitations for speaking engagements in the next few months. I will continue to fulfil the essential functions of my office. I will supervise the work of my Department and meet delegations relevant to this work. I will prepare for and attend Government meetings.
I will make myself accountable to Dáil Éireann and carry out my parliamentary duties. I will convene and attend any meetings required for the implementation of Government policy. I will be available for media interviews about my work as Minister, as required. I will continue to represent the constituency of Dublin West to the best of my abilities.
The Government is determined to implement the plan for economic recovery set out in the last two Budgets. That plan has been endorsed by every member of the Government. With the full support of my colleagues I will continue to oversee its implementation.
I am well aware of the importance of the office I hold. My doctors have advised that I am fit to continue to fulfil my duties. If that position were to change in the course of my treatment, I would be the first to recognise it. At all times, I will act in the best interests of the country and in accordance with any medical advice received. I do not intend to issue any further statements about this matter.
I want to thank the very many well wishers who sent me messages of support following media reports of my illness. I have been overwhelmed by the goodwill shown to my family and myself from all sides. I am aware that many have remembered me in their thoughts and prayers. I thank them for it. I hope I can repay this goodwill by continuing to serve to the best of my ability as I undergo treatment for my medical condition.
# Pragmatism: A New Name for Some Old Ways of Thinking/Dedication

TO THE MEMORY OF JOHN STUART MILL
FROM WHOM I FIRST LEARNED THE PRAGMATIC OPENNESS OF MIND AND WHOM MY FANCY LIKES TO PICTURE AS OUR LEADER WERE HE ALIVE TO-DAY
# Pragmatism: A New Name for Some Old Ways of Thinking/Preface

PREFACE
The lectures that follow were delivered at the Lowell Institute in Boston in November and December, 1906, and in January, 1907, at Columbia University, in New York. They are printed as delivered, without developments or notes. The pragmatic movement, so-called—I do not like the name, but apparently it is too late to change it—seems to have rather suddenly precipitated itself out of the air. A number of tendencies that have always existed in philosophy have all at once become conscious of themselves collectively, and of their combined mission; and this has occurred in so many countries, and from so many different points of view, that much unconcerted statement has resulted. I have sought to unify the picture as it presents itself to my own eyes, dealing in broad strokes, and avoiding minute controversy. Much futile controversy might have been avoided, I believe, if our critics had been willing to wait until we got our message fairly out. ​If my lectures interest any reader in the general subject, he will doubtless wish to read farther. I therefore give him a few references.
In America, John Dewey's 'Studies in Logical Theory' are the foundation. Read also by DEWEY the articles in the Philosophical Review, vol. xv, pp. 113 and 465, in Mind, vol. xv, p. 293, and in the Journal of Philosophy, vol. iv, p. 197.
Probably the best statements to begin with. however, are F. C. S. Schiller's in his 'Studies in Humanism,' especially the essays numbered i, v, vi, vii, xviii and xix. His previous essays and in general the polemic literature of the subject are fully referred to in his footnotes.
Furthermore, see J. Milhaud: le Rationnel, 1898, and the fine articles by Le Roy in the Revue de Métaphysique, vols. 7, 8 and 9. Also articles by Blondel and de Sailly in the Annales de Philosophie Chrétienne, 4me Série, vols. 2 and 3. Papini announces a book on Pragmatism, in the French language, to be published very soon.
To avoid one misunderstanding at least, ​let me say that there is no logical connexion between pragmatism, as I understand it, and a doctrine which I have recently set forth as 'radical empiricism.' The latter stands on its own feet. One may entirely reject it and still be a pragmatist.
Harvard University, April, 1907.
# Donald M'Donald (1824)/Merry Maggy Cameron

Merry Maggy Cameron.
# Dictionary of Greek and Roman Biography and Mythology/Crates 2.

​CRATES (Κράτης), of Athens, a comic poet, of the old comedy, was a younger contemporary of Cratinus, in whose plays he was the principal actor before he betook himself to writing comedies. (Diog. Laërt. iv. 23; Aristoph. Equit. 536-540, and Schol.; Anon, de Com. p. xxix.) He began to flourish in Ol. 82. 4, B.C. 449, 448 (Euseb. Chron.), and is spoken of by Aristophanes in such a way as to imply that he was dead before the Knights was acted, Ol. 88. 4, B.C. 424. With respect to the character of his dramas, there is a passage in Aristotle (Poët. 5) which has been misunderstood, but which seems simply to mean, that, instead of making his comedies vehicles of personal abuse, he chose such subjects as admitted of a more general mode of depicting character. This is confirmed by the titles and fragments of his plays and by the testimony of the Anonymous writer on Comedy respecting his imitator, Pherecrates (p. xxix). His great excellence is attested by Aristophanes, though in a somewhat ironical tone (l.c.; comp. Ath. iii. p. 117, c.), and by the fragments of his plays. He excelled chiefly in mirth and fun (Aristoph. l.c.; Anon. de Com. l.c.), which he carried so far as to bring drunken persons on the stage, a thing which Epicharmus had done, but which no Attic comedian had ventured on before. (Ath. x. p. 429, a.) His example was followed by Aristophanes and by later comedians; and with the poets of the new comedy it became a very common practice. (Dion Chrysost. Orat. 32, p. 391, b.) Like the other great comic poets, he was made to feel strongly both the favour and the inconstancy of the people. (Aristoph. l.c.) The Scholiast on this passage says, that Crates used to bribe the spectators,—a charge which Meineke ​thinks may have been taken from some comic poet who was an enemy to Crates. There is much confusion among the ancient writers about the number and titles of his plays. Suidas has made two comic poets of the name, but there can be little doubt that he is wrong. Other grammarians assign to him seven and eight comedies respectively. (Anon, de Com. pp. xxix, xxxiv.) The result of Meineke’s analysis of the statements of the ancient writers is, that fourteen plays are ascribed to Crates, namely, Γείτονες, Διόνυσος, Ἥρωες, Θηρία, Θησαυρός, Λάμια, Μέτοικοι, Ὄρνιθες, Παιδιαί, Πεδῆται, Ῥήτορες, Σάμιοι, Τόλμαι, Φιλάργυρος, of which the following are suspicious, Διόνυσος, Θησαυρός, Μέτοικοι, Ὄρνιθες, Πεδῆται, Φιλάργυρος, thus leaving eight, the number mentioned by the Anonymous writer on Comedy, namely, Γείτονες, Ἥρωες, Θηρία, Λάμια, Παιδιαί, Ῥήτορες, Σάμιοι, Τόλμαι. Of these eight plays fragments are still extant. There are also seventeen fragments, which cannot be assigned to their proper plays. The language of Crates is pure, elegant, and simple, with very few peculiar words and constructions. He uses a very rare metrical peculiarity, namely, a spondaic ending to the anapaestic tetrameter. (Poll. vi. 53; Athen. iii. p. 119, c.; Meineke, Frag. Com. Graec. i. pp. 58–66, ii. pp. 231–251; Bergk, Comment. de Reliq. Comm. Att. Antiq. pp. 266–283.)[P. S.]
# Donald M'Donald (1824)/Sandy o'er the lee

Sandy o‘er the lee.
# Donald M'Donald (1824)/Fairfa' the Lasses, O

Fairfa' the lasses, O.
FINIS.
# Fairfa' the Lasses, O

"Fairfa' the Lasses, O"
* "Fairfa' the Lasses", in Fairfa' the Lasses (n.d.), a chapbook printed in Stirling
* "Fairfa' the Lasses, O", in Donald M'Donald (1824), a chapbook printed in Stirling
# Sandy o'er the Lee

"I winna marry ony man but Sandy o'er the lee"
* "Sandy o'er the lee", in Donald M'Donald (1824), a chapbook printed in Stirling
* "Sandy O'er the Lee", in Tak your auld cloak about ye (n.d.), a chapbook printed in Stirling
# Tak your auld cloak about ye (3)/Sandy O'er the Lee

SANDY O'ER THE LEE.
WINNA marry ony man but Sandy o'er the lee; winna marry ony man but Sandy o'er the lee; ​I winna bae the domniee, guid he cannie be, But I will hae my Sandy lad, my Sandy o‘er the lee. For he‘s ay a-kissing, kissing, ay a-kissing, me; He's ay a-'kissing, kissing, ay a-kissing me.
I winna hae the minister for all his godly Looks, Nor yet yill I the lawyer hae, for a’ his wily crooks; I winna hae the plowman lad, nor yet will I the miller, But I will hae my Sandy lad without a penny siller, For he's ay a-kissing, &c.
I winna hae the soldier lad for he gangs to the war; I winna hae the soldier lad because he smells o’ tar; I winna hae the lord nor laird for a’ their meikle gear, But l will hae my Sandy lad, my Sandy o'er the muir, For he's ay a-kissing, &c,
# Fairfa' the lasses (1)/Fairfa' the Lasses

FAIRFA' THE LASSES.
TUNE,——‘Green grow the rashes, O.’
Fairfa’ the lasses, O! Fairfa’ the lasses, O! And dool and care still be his share, Wha doesna loo the lasses, O!
Pale poverty an’ girnin’ care, How lang will ye harrass us, O? Yet light’s the load we hae to bear, If lessen’d by the lasses, O! Fairfa’, &c.
The rich may sneer as they gae by, Or scornfully may pass us, O! Their better lot let’s ne’er envy, But live and love the lasses, O. Fairfa’, &c.
Why should we eves sigh for wealth? Sic thoughts should never fash us, O; A fig for pelf, when blest wi’ health, Content, an’ bonnie lasses, O. Fairfa’, &c.
​The ancient Bards, to sknw their skill, Plac'd Muses on Parnassus O; But let them fable as they will, My Muses are the lasses, O. Fairfa', &c.
The drunkard cries, the joys o' wine A' ither mirth surpasses, O; But he ne'er kent the bliss divine, That I hae wi' the lasses, O. Fairfa', &c.
When I am wi' the chosen few, The time fu' quickly passes, O, But days are hours, and less, I trow, When I am wi' the lasses, O. Fairfa', &c.
When joys abound, then let a round Of overflowing glasses, O, Gae brisk about, an clean drink out; The toast be-- 'Bonnie lasses,' O. Fairfa', &c.
# Donald M'Donald (n.d., Kilmarnock)

Donald M‘Donald
To which are added,
And sae will we yet.
Answer to the Happy Stranger.
O'er the Muir amang the Heather.
Love and Glory.
KILMARNOCK: Printed for the Booksellers.
Contents (not listed in original)
* Donald M'Donald
* And sae will we yet
* Answer to the Happy Stranger
* Love and Glory
* O'er the Muir amang the Heather
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love and Glory

Traditional Scottish song.
* "Love and Glory" in The Lover's Songster (n.d.), a chapbook printed in Newcastle
* "Love and Glory" in Three Songs (n.d.), a chapbook printed in Edinburgh
* "Love and Glory", in Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
# O'er the Muir amang the Heather

* "O'er the Muir amang the Heather", in New minstrel (n.d.), a chapbook printed in Glasgow
* "O'er the Muir amang the Heather", in The Singers' Companion (n.d.), a chapbook printed in Glasgow
* "O'er the muir amang the heather", in Ladies' amusements (1820), a chapbook printed in Edinburgh
* "O'er the Moor Among the Heather", in The Song Book No. 4 (n.d.), a chapbook printed in Glasgow
* "O'er the Muir amang the Heather", in Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
# Sae will we yet

* "And sae will we yet", in Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
* "And Sae Will We Yet", in Sae will we yet (n.d.), a chapbook printed in Stirling
* "And Sae Will We Yet", in The Song Book No. 4 (n.d.), a chapbook printed in Glasgow
* "And sae will we yet" in I had a horse (n.d.), a chapbook printed in Glasgow
* "We've ay been provided for" in Catherine Ogie (1820), a chapbook printed in Edinburgh
* "Sae will we yet" in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# An Answer to the Happy Stranger

* "The answer to the happy stranger", in Three excellent songs (1821), a chapbook printed in Falkirk
* "Answer to the Happy Stranger", in Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
* "Answer to the Happy Stranger", in Answer to the blue bonnet, &c (n.d.), a chapbook printed in Stirling
* "The Stranger", in The Traveller's Return (n.d.), a chapbook printed in Stirling
* "Answer to the happy strangers", in Five songs (n.d.), a chapbook with no printing information
# Donald M'Donald

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Donald M'Donald, various Scottish chapbooks
* "Donald MacDonald", a song by James Hogg
# Donald M'Donald (1824)/Donald M'Donald

Donald M'Donald.
# Donald MacDonald

"My name it is Donald M'Donald"
* "Donald M'Donald", in Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
* "Donald M'Donald", in Donald M'Donald (1824), a chapbook printed in Kilmarnock
* "Donald McDonald", in Home, Sweet Home (1829), a chapbook printed in Stirling
* "Donald Macdonald", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# Donald M'Donald (chapbooks)

Various Scottish chapbooks
* Donald M'Donald (n.d.), a chapbook printed in Kilmarnock
* Donald M'Donald (1824), a chapbook printed in Kilmarnock
# Donald M'Donald (n.d., Kilmarnock)/Donald M'Donald

Donald M'Donald.
# Donald M'Donald (n.d., Kilmarnock)/And sae will we yet

And sae will we yet.
# Donald M'Donald (n.d., Kilmarnock)/Answer to the Happy Stranger

Answer to the happy Strangers.
# Donald M'Donald (n.d., Kilmarnock)/Love and Glory

Love and Glory.
# Donald M'Donald (n.d., Kilmarnock)/O'er the Muir amang the Heather

O'er the Muir amang the Heather.
# Widsith

Verse Indeterminate Saxon
# Personal and Political Ballads/A Voice from Spain

Layout 2
A VOICE FROM SPAIN. Ode to Abraham Lincoln. Translated from the Spanish of Carolina Coronado de Perry, by Martha Perry Lowe.
# Personal and Political Ballads/Answer to "My Maryland"

A response to "Maryland, My Maryland" by James Ryder Randall
Layout 2
ANSWER TO "MY MARYLAND." By W. H. C. Hosmer
# Three Herring in Sa't, with The Answer (1799, Glasgow)

There are differences between the titles given on the front page and those at the head of each song; where this is the case, the latter have been used.
THREE
HERRING IN SA'T,
WITH THE
ANSWER.
To which are added,
The LADIES' AMUSEMENT.
HAWKE'S ENGAGEMENT.
SEIZE OCCASION.
GLASGOW, Printed by J. & M. ROBERTSON, Saltmarket, 1799.
Contents (not listed in original)
* Three Herring in Sa't
* The Maid's Answer
* The Ladies' Amusement
* Hawke's Engagement
* Seize Occasion
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse