OpenLLM-France/wikimedia huggingface dataset:
# The New International Encyclopædia/Heraclea

Edition of 1905. See also Heraclea#Ancient cities on Wikipedia; and the disclaimer.
​HERACLEA, hĕr′ā-klē′a (Lat., from Gk. Ἡράκλεια, Hērakleia, from Ἡρακλῆς, Hēraklēs, Hercules). The name of a number of Greek towns, in both Europe and Asia. Of these the most important were: (1) Heraclea in Lucania, near the Gulf of Tarentum, not far from the modern Policoro. It was founded in B.C. 432 by Tarentines and Thurians, and the inhabitants of the earlier colony Siris, which continued to exist only as its port. In a fertile territory it seems to have enjoyed great prosperity, but in dependence upon Tarentum. In B.C. 280 the first great battle between Pyrrhus (q.v.) and the Romans was fought near by, and two years later the Romans concluded with Heraclea a treaty of alliance on very favorable terms. It was still a flourishing place in the time of Cicero, but later fell into decay, and is now a heap of ruins. Near the ancient site were found in 1732 and later two bronze tablets, the Tabulæ Heracleenses, containing on one side a long Greek inscription of the fourth century B.C. relating to certain sacred lands of Dionysus and Athena, whose boundaries had been disturbed in a recent war, and on the other a much more important Latin document, the Lex Iulia Municipalis (B.C. 45), which is one of the chief authorities for the municipal law of Italy. These inscriptions have often been published, but may best be found in Kaibel, Inscriptiones Græcæ, Siciliæ et Italiæ, 645 (Berlin, 1890), and Corpus Inscriptionum Latinarum, i. (Berlin, 1863).
(2) Heraclea Minoa, on the south coast of Sicily, east of Agrigentum. The city seems to have been originally a Phoenician trading station, Rus Melkart, but was later occupied by Selinus, and about B.C. 510 by Spartans under the leadership of Euryleon. The name Minoa was due to a legend attributing the founding of the city to Minos of Crete. It was afterwards destroyed by the Carthaginians, though a small settlement continued to exist under Carthaginian rule, and after B.C. 314 rose to renewed importance, and was one of the chief Carthaginian naval stations during the First Punic War. The site, on Cape Bianco, is now wholly deserted, and but few traces of the ancient city are visible.
(3) Heraclea Pontica, a Megarian colony on the south coast of the Black Sea, the modern Eregli (q.v.). It seems to have been founded about the middle of the sixth century B.C., and after a period of party strife, passed under the rule of a moderate oligarchy, which soon made it master of the neighboring territory including some of the lesser Greek colonies. Even when the aristocracy was supplanted by a tyrant, the prosperity of the city continued to increase; but after the overthrow of the Persian Empire by Alexander the growth of the Bithynian power and the wars with the Galatians lessened its influence. It was plundered by the Romans in the Mithridatic war, and from that time gradually declined. It was the birthplace of the philosopher Heraclides Ponticus (q.v.).
# The New International Encyclopædia/Heracleon

Edition of 1905. See also Heracleon on Wikipedia; and the disclaimer.
​HER′ACLE′ON (Lat., from Gk. Ἡρακλέων , Herakleōn). A Gnostic Christian, who flourished in Italy during the third quarter of the second century. Clement of Alexandria calls him the most distinguished follower of Valentinus (q.v.). His writings survive only in fragments, and each quotation is accompanied by unfriendly comments by his orthodox opponent. He wrote a Gospel commentary, entitled Hypomnemata, which dealt especially with Saint John. Origen preserves considerable fragments of this work in his own commentary on the same Gospel. Clement also quotes from Heracleon, but we are not certain that it is from this work. Hippolytus says that Heracleon and other Western Valentinians taught that Christ’s body was of animal substance, while the Oriental School regarded it as spiritual. But we know little about the details of their systems. Heracleon’s influence was sufficient to perpetuate his name among his followers, who are called Heracleonites. Consult Brooke, The Fragments of Heracleon (Cambridge, 1901). See Gnosticism
# The New International Encyclopædia/Heracleonas

Edition of 1905. See also Heraclonas on Wikipedia; and the disclaimer.
​HER′ACLE′ONAS (Lat., from Gk. Ἡρακλειωνας, Hērakleiōnas) (c. 614–?). An Emperor of Byzantium, son of the Emperor Heraclius. He fought with his father in Syria, and was appointed Cæsar in 638 or 639. When his father died (641) his mother, Martina, asked that he be permitted to rule with his invalid stepbrother, Constantine III. But Constantine died after a reign of less than five months and Heracleonas became sole Emperor. The Senate suspected that Martina had had this in view and had possibly hurried the death of her stepson; a revolution broke out; Heracleonas was dethroned, his nose cut off, his mother’s tongue torn out, and the two were exiled to Constantinople. Constans II., son of Constantine, succeeded to the throne.
# The New International Encyclopædia/Heracleopolis

Edition of 1905. See also Heracleopolis Magna on Wikipedia; and the disclaimer.
​HERAC′LEOP′OLIS (Lat., from Gk. Ἡρακλέους πολις, Hērakleous polis, city of Hercules). A city of ancient Egypt on the right bank of the Bahr Yusuf (Joseph’s Canal), about 10 miles west of the Nile. It was called by the Egyptians Henen-suten, whence its Coptic name Hnés, and its modern Arabic name Ahnas and Henassîye. Heracleopolis was the seat of worship of the ram-headed god Hershef, whom the Greeks identified with Heracles. Of the temples and other buildings, for which the place was renowned in ancient times, scarcely anything remains. An extensive necropolis lies upon the opposite bank of ​the Bahr Yûsuf. Consult Naville, Ahnas el Medineh, Egyptian Exploration Fund, vol. xi. (London, 1891).
# The New International Encyclopædia/Hepworth, George Hughes

Edition of 1905. See also the disclaimer.
​HEPWORTH, George Hughes (1833–1902). An American clergyman and journalist. He was born in Boston, graduated at Harvard Divinity School in 1855, and entered the Unitarian ministry at Nantucket, Mass. He was pastor of the Church of the Unity, Boston, from 1858 to 1870, meantime serving as a chaplain in the Union Army on the staff of General Banks. In 1870 he took charge of the Church of the Messiah in New York, but resigned within two years, renouncing the Unitarian faith, and soon afterwards established in the same city the Church of the Disciples. He resigned this charge in 1878, and went abroad for rest. He preached at the Belleville Avenue Congregational Church in Newark, N. J., from 1882 until 1885, when he became connected editorially with the New York Herald and Evening Telegram. He had charge of a famine relief fund for Ireland in 1880, and later investigated the condition of the Armenian Christians. Among his writings are: Whip, Hoe, and Sword (1864); Rocks and Shoals (1870); Hiram Golf’s Religion (1892); Brown Studies (1895); The Farmer and the Lord (1896); and Through Armenia on Horseback (1898).
# The New International Encyclopædia/Heracleonites

Edition of 1905. See also Heracleon on Wikipedia; and the disclaimer.
​HERAC′LEONITES See Heracleon.
# Kenilworth (Edinburgh, 1821)/Volume 2

KENILWORTH;
A ROMANCE.
BY THE AUTHOR OF "WAVERLEY," "IVANHOE," &c.
IN THREE VOLUMES.
VOL. II.
EDINBURGH:
PRINTED FOR ARCHIBALD CONSTABLE AND CO.; AND JOHN BALLANTYNE, EDINBURGH; AND HURST, ROBINSON, AND CO., LONDON.
1821.
Printed by James Ballantyne and Co. Edinburgh.
KENILWORTH.
Chapters (not listed in original)
* Chapter I.
* Chapter II.
* Chapter III.
* Chapter IV.
* Chapter V.
* Chapter VI.
* Chapter VII.
* Chapter VIII.
* Chapter IX.
* Chapter X.
* Chapter XI.
* Chapter XII.
* Chapter XIII.
# Old-New Land

Layout 2
OLD-NEW LAND
("ALTNEULAND")
BY
THEODOR HERZL
Translated from the original German by
LOTTA LEVENSOHN
With a Preface by
STEPHEN S. WISE
“If you will it,
It is no fable.”
NEW YORK
BLOCH PUBLISHING CO.
“THE JEWISH BOOK CONCERN"
1941
Copyright, 1941, by
BLOCH PUBLISHING CO., INC.
PUBLISHER’S NOTE
The German original of Old-New Land was published under the title of “Altneuland” in 1902, about two years before the untimely death of Theodor Herzl. Hebrew, Yiddish and Russian translations appeared within some years thereafter, but the novel has hitherto been available to English readers only in incomplete serial versions pub­lished in American Zionist periodicals. The publishers therefore feel it a privilege to be able to present the first full English translation of this famous work by the founder of political Zionism now that so many of his visions have been either wholly or partly fulfilled.
The footnotes are intended to furnish a succinct notion of the actual developments as compared with Dr. Herzl’s forecasts. While many of these forecasts have come to pass, much more has been accomplished since this translation was made. The notes were prepared originally by Miss Levensohn to accompany the text of her abridged serial translation in the “New Palestine Magazine,” to which thanks are due for its kind permission to use them for this book as well as for the use of the translator’s introduc­tion, which appears in this volume in somewhat revised form.
Bloch Publishing Co.
New York, April, 1941.
CONTENTS
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Treasure of the Humble

The Treasure of the Humble
By the Same Author
THE TREASURE OF THE HUMBLE. Translated by Alfred Sutro. 12mo. $1.75.
WISDOM AND DESTINY.Translated by Alfred Sutro. 12mo. $1.75.
THE LIFE OF THE BEE.Translated by Alfred Sutro. 12mo. $1.40 net.
SISTER BEATRICE AND ARDIANE AND BARBE BLEUE.Translated by Bernard Miall. 12mo. $1.20 net.
THE BURIED TEMPLE.Translated by Alfred Sutro. 12mo. $1.40 net.
The Treasure of the Humble By Maurice Maeterlinck Translated by Alfred Sutro With Introduction by A. B. Walkley
New York: Dodd, Mead & Company London: George Allen, Ruskin House 1903.
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Baltimore Sun/1926/10/17/The Captive

​Let us speak here of a great success, “The Captive.”
In Paris it was known as “La Prisonniere,” and those who saw it there brought back tales that its theme of Lesbian love would never be permitted on the American stage. Moreover, they said, it would revolt its audiences.
The truth is just the opposite.
“The Captive,” aside from its admittedly ugly theme, is a fine play—a fine drama. It has a sweeping dramatic force which settles down over the auditorium of the Empire and makes the audiences unite in one grand hush. It creates an embarrassing and tense silence. The people hang on every word of a plot which titters no ugly words; which never sidesteps to pander.
This writer, along with many others, felt that even so fine a play was handicapped by its theme. He felt that once a few discriminating audiences had witnessed it, the lewd rabble would rush in. All wrong.
It is drawing audiences of fine tone. Conservative people acclaim it as a great play. There are no seats to be had. The box office registers a sellout at each performance. Hundreds stand, willing to wear out their feet through three long acts of subtle drama.
So it is more than just a commercial triumph. It is as artistic a thing as New York has ever seen. Gilbert Miller has given it a production that smacks, aside from its lavishness, of impecable good taste and glory be. The cast is equal to its job.
“The Captive,” together with that stirring drama called “Broadway,” is the hit of the town right now. And to miss it is to miss the heighth of theatrical perfection.
# The Baltimore Sun/1926/10/17

The An image should appear at this position in the text. Sun
Baltimore, Sunday Morning, October 17, 1926
Part 2, Section 1
Articles (not listed in original)
# Tristan und Isolde (Wagner)

This English translation published anonymously in 1890.
Layout 2
Tristan und Isolde
OPERA IN THREE ACTS
BY
RICHARD WAGNER
PUBLISHED BY
FRED RULLMAN, INC., NEW YORK, N. Y.
Table of Contents (not listed in original)
* Argument
* Dramatis Personae
* Act I
* Act II
* Act III
* Music
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tristan und Isolde (Wagner)/Dramatis Personae

Layout 2
DRAMATIS PERSONÆ.
Sailors, Knights and Esquires.
# Tristan und Isolde (Wagner)/Argument

Layout 2
ARGUMENT.
ACT I.
Tristan, a valiant Cornish knight, is bringing Isolda, princess of Ireland, over as a bride for his uncle, King Mark. He is himself in love with her, but owing to a blood-feud between them forces himself to conceal his passion. Isolda, in anger at his seeming unkindness, attempts to poison herself and him, but her attendant, Brangæna, changes the draught for a love-potion, which enflames their passion beyond power of restraint.
ACT II.
Isolda has been wedded to King Mark, but holds stolen interviews with Tristan, during one of which they are surprised, for Tristan has been betrayed by a jealous friend, Melot. Touched by King Mark’s bitter reproaches, Tristan provokes Melot to fight and suffer himself to be mortally wounded.
ACT III.
Tristan’s faithful servant, Kurvenal, has carried his wounded master to his native home in Brittany, where he is carefully tended. Isolda has also been sent for, as being skilled above all others in the healing art. The excitement of her approach only hastens Tristan’s death and he breathes his last sigh in her arms. Mark has followed Isolda; he has had matters explained and is prepared to reunite the lovers, but it is too late. Isolda utters her lament over the body of her lover and her heart breaks; in death alone are they united.
# Tristan und Isolde (Wagner)/Act I

In most editions, Scene 5 extends through what is printed here as Scenes 6 and 7.
Layout 2
TRISTAN AND ISOLDA
ACT I.
[A pavilion erected on the deck of a ship, richly hung with tapestry, quite closed in at back at first. A narrow hatchway at one side leads bellow into the cabin.]
SCENE I.
Isolda on a couch, her face buried in the cushions.—Brangæna holding open a curtain, looks over the side of the vessel.
SCENE II.
[The whole length of the ship is now seen, down to the stern, with the sea and horizon beyond. Round the mainmast sailors are ensconced, busied with ropes; beyond them in the stern are groups of knights and attendants, also seated; a little apart stands Tristan folding his arms and thoughtfully gazing out to sea; at his
feet Kurneval reclines carelessly. From the mast-head above is once more head the voice of the young sailor.]
[At an imperious sign from Isolda Brangæna withdraws and timidly walks along the deck towards the stern, past the working sailors. Isolda, following her with fixed gaze, sinks back on the couch, where she remains seated during the following, her eyes still turned sternward.]
While Tristan seeks to stop him and the offended Brangæna turns to depart, Kurneval sings after her at the top of his voice, as she lingeringly withdraws.]
[Kurvenal, driven away by Tristan's chidings, descends into the cabin. Brangæna returns in discomposure to Isolda, closing the curtains behind her, while all the men take up the chorus and are heard without.]
SCENE III.
[Isolda and Brangæna alone, the curtain being again completely closed. Isolda rises with a gesture of despair and wrath. Brangæna falls at her feet.]
SCENE IV.
(Kurvenal boisterously enters through the curtains.)
Scene V.
SCENE VI.
[Kurvenal retires again. Brangæna, almost beside herself, turns up the stage. Isolda, mustering all her powers of resolution, walks slowly and with dignity towards the sofa, by the head of which she supports herself, turning her eyes firmly towards the entrance.)
Tristan enters, and pauses respectfully at the entrance.)
SCENE VII.
[The curtains are now drawn wide apart; the whole ship is covered with knights and sailors, who with shouts of joy, make signs over towards the shore which is now seen to be quite near, with castle-crowned cliffs. Tristan and Isolda remain absorbed in mutual contemplation, perceiving nothing that is passing.]
# Roseburg High School Alma Mater

The "Alma Mater" is one of two school songs of Roseburg High School in Roseburg, Oregon, the other being the "Fight Song". These lyrics fall into the public domain as they were published on the Roseburg School District website without notice of copyright on either the lyrics or the website as a whole.
Hail, old Roseburg, hail, Alma mater hail. We'll give our all for thee, Orange and the black. From the Umpqua's banks, sound the call afar. In defeat or victory It's hail, old Roseburg, hail.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1930 and 1977 (inclusive) without a copyright notice.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Roseburg High School Fight Song

The "Fight Song" is one of two school songs of Roseburg High School in Roseburg, Oregon, the other being the "Alma Mater." The blank space in the third line is filled by the name of the opposing team whenever the song is performed. These lyrics fall into the public domain as they are published on the Roseburg School District's website without notice of copyright on either the lyrics or the website as a whole.
On Roseburg High School Fighting for our fame. We won't let the sons of ____ Put our names to shame. Rah Rah Rah On Roseburg High School Victory is our aim. Fight for the right, Oh fight for the right To call it the Indian game.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1930 and 1977 (inclusive) without a copyright notice.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Declaration of Independence of the Czechoslovak Nation by Its Provisional Government

* related portals: Czech lands, World War I
* sister projects: Wikipedia article, Wikidata item
The Czechoslovak Declaration of Independence, also known as the Washington Declaration (Czech: Washingtonská deklarace; Slovak: Washingtonská deklarácia) was drafted in Washington, D.C., and published by Czechoslovakia's Paris-based Provisional Government on 18 October 1918
* Declaration of Independence of the Czechoslovak Nation by its Provisional Government (1918)
* "Declaration of Independence of the Czechoslovak Nation by Its Provisional Government" in The Czechoslovak Review, 2 (10 (2)) (1918)
# The Blue Castle/Chapter 36

FINALLY Valancy went to bed. Before she went she re-read Dr. Trent’s letter. It comforted her a little. So positive. So assured. The writing so black and steady. Not the writing of a man who didn’t know what he was writing about. But she could not sleep. She pretended to be asleep when Barney came in. Barney pretended to go to sleep. But Valancy knew perfectly well he wasn’t sleeping any more than she was. She knew he was lying there, staring through the darkness. Thinking of what? Trying to face—what?
Valancy, who had spent so many happy wakeful hours of night lying by that window, now paid the price of them all in this one night of misery. A horrible, portentous fact was slowly looming out before her from the nebula of surmise and fear. She could not shut her eyes to it—push it away—ignore it.
There could be nothing seriously wrong with her heart, no matter what Dr. Trent had said. If there had been, those thirty seconds would have killed her. It was no use to recall Dr. Trent’s letter and reputation. The greatest specialists made mistakes sometimes. Dr. Trent had made one.
Towards morning Valancy fell into a fitful dose ​with ridiculous dreams. One of them was of Barney taunting her with having tricked him. In her dream she lost her temper and struck him violently on the head with her rolling-pin. He proved to be made of glass and shivered into splinters all over the floor. She woke with a cry of horror—a gasp of relief—a short laugh over the absurdity of her dream—a miserable sickening recollection of what had happened.
Barney was gone. Valancy knew, as people sometimes know things—inescapably, without being told—that he was not in the house or in Bluebeard’s Chamber either. There was a curious silence in the living-room. A silence with something uncanny about it. The old clock had stopped. Barney must have forgotten to wind it up, something he had never done before. The room without it was dead, though the sunshine streamed in through the oriel and dimples of light from the dancing waves beyond quivered over the walls.
The canoe was gone but Lady Jane was under the mainland trees. So Barney had betaken himself to the wilds. He would not return till night—perhaps not even then. He must be angry with her. That furious silence of his must mean anger—cold, deep, justifiable resentment. Well, Valancy knew what she must do first. She was not suffering very keenly now. Yet the curious numbness that pervaded her being was in a way worse than pain. It was as if something in her had died. She forced herself to ​cook and eat a little breakfast. Mechanically she put the Blue Castle in perfect order. Then she put on her hat and coat, locked the door and hid the key in the hollow of the old pine and crossed to the mainland in the motor boat. She was going into Deerwood to see Dr. Trent. She must know.