OpenLLM-France/wikimedia huggingface dataset:
# DOGE Termination of a HHS $2.23 Million Contract for Equity Assessments of Existing Program Policies

The sixth document released by the United States' Department of Government Efficiency (DOGE), showing the termination of a $2.23 million contract by the United States Department of Health and Human Services for "Equity Assessments of Existing Program Policies". This was released by DOGE at 11:37 PM EST on February 13, 2025.
​Page:DOGE Termination of a HHS $2.23 Million Contract for Equity Assessments of Existing Program Policies.pdf/1
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This work is in the public domain in the United States because it was solely created by employees of the Department of Government Efficiency (DOGE), an organization in the United States federal government. As such, these are works prepared by an officer or employee of the United States Government as part of that person’s official duties under the terms of Title 17, Chapter 1, Section 105 of the US Code. This makes them ineligible for copyright.
Public domainPublic domainfalsefalse
# Patronymica Cornu-Britannica/Z

Z.
ZELLEY. Qy. from Zelah (found Zela and Zealla) in St. Allen. Pryce gives "Zea-lla, Zeh-lan, the dry enclosure, and Zu-la, Sew-lan, the black enclosure; or Zoulan, the mow yard, or enclosure for straw, reed, or stubble (zoul, stubble, hawm, reed to thatch with). This must refer to Zula in Mawgan in Meneage.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Royal Assent Act

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Royal Assent Act 1967 (c. 23), an UK Act of Parliament that altered the method of royal assent to bills.
* Royal Assent Act (S.C. 2002, c. 15), a Canadian Act that provided for similar measures.
# Patronymica Cornu-Britannica/Christian Names

CHRISTIAN NAMES.
| Androw. For Andrew. Davydh. For David. Dewy. For David. Dzhûan, Dzhuan. For John. East or Est. For Justus. (Pronter Est, the priest of St. Just.) Elec. For Alexander. Est. See East. Faria. For Maria. | Franki. For Francis. Hecka. For Dick. Jakeh. For Said to be a form of John; but perhaps rather of its nickname, Jack. Jammeh. For James. Jorwerth. For Edward. Jowan. For John. Mihâl. For Michael. Pedyr. For Peter. |
THE END.
CHARLES JONES, PRINTER, WEST HARDING STREET.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Mythology among the Hebrews and its historical development

MYTHOLOGY AMONG THE HEBREWS
AND
ITS HISTORICAL DEVELOPMENT
BY
IGNAZ GOLDZIHER, PH.D.
MEMBER OF THE HUNGARIAN ACADEMY OF SCIENCES
TRANSLATED FROM THE GERMAN, WITH ADDITIONS BY THE AUTHOR
BY
RUSSELL MARTINEAU, M.A.
OF THE BRITISH MUSEUM
LONDON
LONGMANS, GREEN, AND CO.
1877
All rights reserved
TO
PROFESSORS
H. L. FLEISCHER
FRIEDRICH MAX MULLER
H. VAMBERY
THE PIONEERS OF SEMITIC, ARYAN, AND TURCO-TATARIC PHILOLOGY
This Work is Dedicated
By THE AUTHOR and THE TRANSLATOR
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Plotinus (MacKenna)/Volume 3/Ennead 4.1

THE FOURTH ENNEAD
FIRST TRACTATE
On the Essence of the Soul (I)
1.
In the Intellectual Kosmos dwells Authentic Essence, with the Intellectual-Principle (Divine Mind) as the noblest of its content, but containing also souls, since every soul in this lower sphere has come thence: that is the world of unembodied spirits while to our world belong those that have entered body and undergone bodily division.
There the Intellectual-Principle is a concentrated all—nothing of it distinguished or divided—and in that kosmos of unity all souls are concentrated also, with no spatial discrimination.
But there is a difference:—
The Intellectual-Principle is for ever repugnant to distinction and to partition. Soul, there without distinction and partition, has yet a nature lending itself to divisional existence: its division is secession, entry into body.
In view of this seceding and the ensuing partition we may legitimately speak of it as a partible thing.
But if so, how can it still be described as indivisible?
In that the secession is not of the soul entire; something of it holds its ground, that in it which recoils from separate existence.
The entity, therefore, described as "consisting of the undivided soul and of the soul divided among bodies," contains a soul which is at once above and below, attached to the Supreme and yet reaching down to this sphere, like a radius from a centre.
Thus it is that, entering this realm, it possesses still the vision inherent to that superior phase in virtue of which it unchangingly main​tains its integral nature. Even here it is not exclusively the partible soul: it is still the impartible as well: what in it knows partition is parted without partibility; undivided as giving itself to the entire body, a whole to a whole, it is divided as being effective in every part.
# Plotinus (MacKenna)/Volume 3/Acknowledgement

ACKNOWLEDGEMENT
The translator desires to acknowledge the generous help afforded him by Mr. E. R. Dodds, Lecturer in Classics at University College, Reading, and author of "Select Passages Illustrating Neo-Platonism," who has examined and criticised the translation of this Fourth Ennead throughout. In a very large number of passages the translator has adopted interpretations originally proposed by Mr. Dodds. At the same time he wishes to make it clear that Mr. Dodds is in no sense responsible for the accuracy of the rendering as a whole.
PRINTED BY WILLIAM BRENDON AND SON, LTD. PLYMOUTH, ENGLAND
# Patronymica Cornu-Britannica/Y

Y.
YELLAND. See Yolland.
YEO, YOE. According to Lower, the Yeos are an ancient Devonshire family. He seems to suggest that they may have had their name from the river Yeo in that county. D. Gilbert says they were formerly persons of consequence in the North of Cornwall and of Devonshire, and that they bore arms, Argent, a chevron Gules, between three birds. C. S. Gilbert derives the name from Treyeo, near Stratton. There is also Treyew in Kenwyn, which Pryce renders "the above or upper town" (tre-yew, -yuh). Yeo, Yoe may also be Cornish forms of Hugh.
YOE. See Yeo.
YOLLAND, YELLAND. From youl-, jowl-lan, the devil's enclosure; or perhaps rather from yuhal-lan, the high church or enclosure.
YOULDEN. From Youldon, which Pryce translates the devil's hill (joul-den); but qy. from yuhal-don, the high hill.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Plotinus (MacKenna)/Volume 4

Layout 2
Of this Edition 1000 copies have been printed on pure rag paper
THE LIBRARY OF PHILOSOPHICAL TRANSLATIONS. PLOTINUS: THE DIVINE MIND, VOLUME IV.
Do ċum glóirе Dé & onóra na h-Éireann Stíofán mac-Enna.
LOTINUS THE DIVINE MIND, BEING THE TREATISES OF THE FIFTH ENNEAD, TRANSLATED FROM THE GREEK BY STEPHEN MACKENNA
THE MEDICI SOCIETY, LIMITED 7 GRAFTON ST. LONDON, W. 1 ALSO AT BOSTON, U.S.A. 1926
Printed in England
CONTENTS
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Plotinus (MacKenna)/Volume 4/Acknowledgements

ACKNOWLEDGEMENTS
The translator feels obliged to put on record his constant obligation—during the preparation of this volume—to the following works:—
"The Philosophy of Plotinus": William Ralph Inge, C.V.O., D.D., etc.
PRINTED BY WILLIAM BRENDON AND SON, LTD. PLYMOUTH, ENGLAND
# Tixall Poetry/The Fairies' Song

The Fairies' Song.
Wee dance on hills above the wind, And leave our footsteps there behind, Which shall to after ages last, When all our dancing dayes are past.
Sometimes we dance upon the shore To whisteling winds and seas that roare Then wee make the wind to blow, And sett the seas a dancing too.
The thunder’s noise is our delight, And lightning makes us day by night, And in the ayre we dance on high To the loud musick of the sky.
About the moone we make a ring, And falling stars we wanton fling Like squibbs and rocketts, for a toy, While what frights others is our joy.
But when wee would hunt away our cares, Wee boldly mount the galloping spheares; And riding so from east to west, Wee chace each nimble zodiac beast.
Thus, giddy growen, wee make our beds, With thick black clouds to rest our heads, And flood the earth with our darke showers, That did but sprinkle these our bowers.
Thus having done with orbs and sky, Those mighty spaces vast and high, Then downe we come, and take the shapes, Sometimes of cats, sometimes of apes.
Next turn'd to mites in cheese, forsooth, Wee gett into some hollow tooth,
Wherein, as in a Christmasse hall, Wee frisk and dance the devil and all.
Then we change our wily features Into yett far smaller creatures, And dance in joynts of gowty toes, To painfull tunes of groans and woes.
# Caroling Dusk/Song for a Dark Girl

SONG FOR A DARK GIRL
# Caroling Dusk/Homesick Blues

HOMESICK BLUES
# The Weary Blues (collection)/Fantasy in Purple

FANTASY IN PURPLE
Beat the drums of tragedy for me.
Beat the drums of tragedy and death.
And let the choir sing a stormy song
To drown the rattle of my dying breath.
Beat the drums of tragedy for me,
And let the white violins whir thin and slow,
But blow one blaring trumpet note of sun
To go with me
to the darkness
where I go.
Layout 2
# Fantasy in Purple

* "Fantasy in Purple", published in The Weary Blues (1926)
* "Fantasy in Purple", published in Caroling Dusk (1927)
# Caroling Dusk/Fantasy in Purple

FANTASY IN PURPLE
# Thinking One Can

This is an early version of the story that became known as "The Little Engine That Could", published in Wellspring for Young People. For a version from 1910, see The Pony Engine.
A little railroad engine was employed about a station yard for such work as it was built for, pulling a few cars on and off the switches. One morning it was waiting for the next call when a long train of freight-cars asked a large engine in the roundhouse to take it over the hill. "I can't; that is too much a pull for me," said the the great engine built for hard work. Then the train asked another engine, and another, only to hear excuses and be refused. At last in desperation the train asked the little switch engine to draw it up the grade and down on the other side. "I think I can," puffed the little locomotive, and put itself in front of the great heavy train. As it went on the little engine kept bravely puffing faster and faster, "I think I can, I think I can, I think I can." Then as it near the top of the grade, that had so discouraged the larger engines, it went more slowly, but still kept saying, "I—think—I—can, I—think—I—can." It reached the top by dint of brave effort and then went on down the grade, congratulating itself, "I thought I could, I thought I could."
To think of hard things and say, "I can't" is sure to mean "Nothing done." To refuse to be daunted and insist on saying, "I think I can," is to make sure of being able to say triumphantly by and by, "I thought I could, I thought I could."
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Weary Blues (collection)/Dream Variation

DREAM VARIATION
To fling my arms wide
In some place of the sun, To whirl and to dance
Till the white day is done. Then rest at cool evening
Beneath a tall tree
While night comes on gently, Dark like me,— That is my dream!
To fling my arms wide
In the face of the sun,
Dance! whirl! whirl!
Till the quick day is done.
Rest at pale evening. . . . A tall, slim tree. . . . Night coming tenderly
Black like me.
Layout 2
# The Weary Blues (collection)/Winter Moon

WINTER MOON
How thin and sharp is the moon tonight! How thin and sharp and ghostly white
Is the slim curved crook of the moon tonight!
Layout 2
# The Weary Blues (collection)/Set 2 Title

DREAM VARIATIONS
Layout 2
# Dream Variation

* "Dream Variation", published in The Weary Blues (1926)
* "Dream Variation", published in Caroling Dusk (1927)
# Caroling Dusk/Dream Variation

DREAM VARIATION
# The Weary Blues (collection)/The Negro Speaks of Rivers

THE NEGRO SPEAKS OF RIVERS
(To W. E. B. DuBois)
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset.
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
Layout 2
# The Negro Speaks of Rivers

* "The Negro Speaks of Rivers", published in The Crisis: A Record of The Darker Races, p. 17. (June 1921)
* "The Negro Speaks of Rivers", published in The Weary Blues (1926)
* "The Negro Speaks of Rivers", published in Caroling Dusk (1927)
# The Negro Speaks of Rivers (Crisis)

The Crisis: A Record of The Darker Races, New York, NY, USA: NAACP, June 1921, p. 17.
I’ve known rivers: I’ve known rivers ancient as the world and older than the  flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln
 went down to New Orleans, and I’ve seen its muddy
 bosom turn all golden in the sunset.
I’ve known rivers: Ancient, dusky rivers.
My soul has grown deep like the rivers.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1967, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 57 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Caroling Dusk/The Negro Speaks of Rivers

THE NEGRO SPEAKS OF RIVERS
# The Weary Blues (collection)/Set 3 Untitled Poem

POEM
The night is beautiful,
So the faces of my people.
The stars are beautiful, So the eyes of my people.
Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.
Layout 2
# Poem (Hughes, "The night is beautiful")

"The night is beautiful . . ."
* "Poem", published in The Weary Blues (1926)
* "Poem", published in Caroling Dusk (1927)
# Caroling Dusk/Poem (Taylor Dickinson)

POEM
# Suicide's Note

* "Suicide's Note", published in The Weary Blues (1926)
* "Suicide's Note", published in Caroling Dusk (1927)
# The Weary Blues (collection)/Suicide's Note

SUICIDE'S NOTE
The calm,
Cool face of the river
Asked me for a kiss.
Layout 2
# Caroling Dusk/Suicide's Note

SUICIDE’S NOTE
# Caroling Dusk/Poem (Hughes)

POEM
# The Weary Blues (collection)/Mother to Son

MOTHER TO SON
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor— Bare. But all the time I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So boy, don't you turn back.
Don't you set down on the steps
'Cause you finds it's kinder hard.
Don't you fall now— For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
Layout 2
# Mother to Son

* "Mother to Son", published in The Weary Blues (1926)
* "Mother to Son", published in Caroling Dusk (1927)
# Caroling Dusk/Mother to Son

MOTHER TO SON
# Caroling Dusk/A House in Taos

A HOUSE IN TAOS
# Caroling Dusk/Gwendolyn B. Bennett

GWENDOLYN B. BENNETT
Gwendolyn B. Bennett was born in Giddings, Texas, on July 8th, 1902. Her father was a lawyer and her mother ​was a school teacher. She received her elementary training in the Public Schools of Washington, D. C., and Harrisburg, Pa. She was graduated from the Girls’ High School in Brooklyn, New York, during January, 1921. While she was in attendance there she was a member of the Felter Literary Society and the Girls’ High School Dramatic Society, being the first Negro girl to have been elected to either of these societies. In an open contest she was awarded the first prize for a poster bearing the slogan Fresh Air Prevents Tuberculosis.
She matriculated in the Fine Arts Department of Teachers’ College, Columbia University, where she remained for two years. She then entered the Normal Art Course at Pratt Institute, Brooklyn, New York. She was the author of her class play each of the two years she was there. In her Junior Year she played the leading part in the play which she had herself written. She was graduated from Pratt Institute June 1924.
She then became a member of the Howard University Faculty in Fine Arts as Instructor in Design, Water-color and Crafts. During the Christmas holidays of the school year 1924–25 Miss Bennett was awarded the Thousand Dollar Foreign Scholarship by the Alpha Sigma Chapter of the Delta Sigma Theta Sorority at its Annual Convention held in New York City.
She sailed for Cherbourg, France on June fifteenth, 1925. While in Paris she studied at the Académie Julian, The Académie Coloraossi and the École de Pantheon. Through the influence of Konrad Bercovici she was thrown in contact with the artist, Frans Masereel, one of France’s best known modern painters. M. and Mme. Masereel offered Miss Bennett the hospitality of their home and together with their circle of friends did much to encourage her in her work while in Paris. She returned to America during June 1926.
For the summer of 1926 she was employed at the Op​portunity magazine where she acted in the capacity of Assistant to the Editor. September 1926 she returned to Howard University where she resumed her classroom work after a year's leave of absence.
# Caroling Dusk/Quatrains

QUATRAINS
# Quatrains

* Search for titles containing or beginning with: "Quatrains"
* sister projects: Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Quatrains", a pair of poems by Gwendolyn B. Bennett
* "Quatrains", a series of poems by Ralph Waldo Emerson
* The Rubaiyat or Quatrains, a series of poems by Omar Khayyam
* "Quatrains", a poem by Robert William Service
# Advice

* Search for titles containing or beginning with: "Advice"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Advice", poem by Gwendolyn B. Bennett
* "Advice", poem by Paul Laurence Dunbar
* "Advice", a poem by Rebecca Queen Jordan
* "Advice", a poem by May C. Lassen
* "Advice", poem by Frank Belknap Long
* "Advice", poem by Ella Wheeler Wilcox
# Caroling Dusk/Secret

SECRET
# Caroling Dusk/Advice

ADVICE
# Caroling Dusk/To a Dark Girl

TO A DARK GIRL
YOUR SONGS
# DOGE Release of Modification of a $96,639 Contract Between NOAA and the University of Illinois

The United States' Department of Government Efficiency (DOGE) released that a modification occurred to a $96,639 contract between the United States National Oceanic and Atmospheric Administration (NOAA) and the University of Illinois, for participation in the World Data Centre (WDC). This contract was created and modified in February 2024 by Barbara Shifflett, an employee at the National Oceanic and Atmospheric Administration. This document was released by DOGE on February 17, 2025.
​Page:DOGE Release of Modification of a $96,639 Contract Between NOAA and the University of Illinois.png
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was solely created by employees of the Department of Government Efficiency (DOGE), an organization in the United States federal government. As such, these are works prepared by an officer or employee of the United States Government as part of that person’s official duties under the terms of Title 17, Chapter 1, Section 105 of the US Code. This makes them ineligible for copyright.
Public domainPublic domainfalsefalse
# Secret

* Search for titles containing or beginning with: "Secret"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Secret, a short story by Algernon Blackwood
* "Secret", a poem by Gwendolyn B. Bennett
* "A Secret", versions of a poem by Florence Earle Coates
* "The Secret by Leslie Coulson
* "The Secret", short story by Forrest Crissey", 1912
* "The Secret by Emily Dickinson
* "The Secret by Paul Laurence Dunbar
* "The Secret"," poem by Frederick Faust", 1917
* "The Secret", short story by Mary Eleanor Wilkins Freeman", 1907
* "The Secret", a poem by Lucy Larcom
* "The Secret", a poem by Katherine Mansfield
* "A Secret (1913), a poem by James Rowe
* "The Secret by Clark Ashton Smith
* "The Secret", a poem by Celia Thaxter

## See also

* Secrets
# Copper Sun (Cullen)

Copper Sun
COPPER SUN
By
Countee Cullen
Author of "Color" and "The Ballad of the Brown Girl"
WITH DECORATIONS BY CHARLES CULLEN
Harper & Brothers, Publishers New York and London Mcmxxvii
COPPER SUN
Copyright, 1927, by Harper & Brothers Printed in the United States of America
First Edition G-B
To the Not Impossible Her
Acknowledgments
TO
Harper's Magazine Poetry: A Magazine of Verse Opportunity: Journal of Negro Life Palms The Crisis Fire Folio Yule Tide Anthology The Measure Vanity Fair Books of The New York Herald-Tribune Foot Prints The Conning Tower of the New York World The Nation The Bookman The Carolina Magazine acknowledgment is hereby made for permission to reprint certain poems that first appeared in these periodicals.
Contents
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1946, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 78 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Caroling Dusk/Your Songs

YOUR SONGS
# Caroling Dusk/Fantasy

FANTASY
# Caroling Dusk/Lines Written at at the Grave of Alexander Dumas

LINES WRITTEN AT THE GRAVE OF ALEXANDER DUMAS
# Fantasy

* Search for titles containing or beginning with: "Fantasy"
* sister projects: Wikipedia article, Commons category, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A Fantasy (1866), a poem by Elizabeth Chase Allen
* Fantasy (1927), a poem by Gwendolyn B. Bennett
* Fantasy (1853), a poem by Gérard de Nerval
* A Fantasy (1911), a poem by Sara Teasdale