OpenLLM-France/wikimedia huggingface dataset:
# On the Desert - Recent Events in Egypt/Preface

Contents
PREFACE.
The Peninsula of Sinai has been a favorite ground of Biblical explorers. In their zeal to visit scenes made dear by connection with sacred history, they have sought to follow the track of the children of Israel from the time of their departure out of Egypt; to trace their marches on the desert; and to fix the place of their encampments, not only around the base of Sinai, but even when wandering and almost lost in the Great and Terrible Wilderness. The fruit of these researches is a Library of Exploration, which forms a most valuable addition to our Biblical Literature, not only for the knowledge it gives of sacred geography, but of the whole religious, social, and political economy of the Hebrews.
While these great works, the monuments of so much learning, occupy the attention of scholars, other readers may be interested in turning over a Portfolio of Sketches, which claims only to present a few Pictures of the Desert. The Peninsula is as unique in its scenery as in its history—combining the three great features of the desert, the mountains and the sea; the sands, the cliffs, and the rolling waters—all which have a peculiar fascination when seen in a pure, transparent atmosphere, with the lights and shadows of sunrisings and sunsettings. Passing through such a country, not as an explorer, but only as a traveller, the writer has been content to accept what came within his personal observation, and to describe only what he could ​see with his own eyes. The notes which are here written out were all taken on the spot, often in the most difficult circumstances—in the tent at the close of day, when wearied with a long march; or at noon, resting under a cliff, in "the shadow of a great rock in a weary land"; on the shore of the sea, or on the tops of mountains. Sometimes, as he passed over a point of view which commanded a wide sweep of the horizon, he could only rein in his camel, and sketch the scene from the saddle. Pictures thus taken, if they have no other merit, may have that of a literal fidelity, and imperfect as they are, may perhaps impart a little of the glow of enthusiasm which the scenes themselves enkindled in him who attempts to describe them, and thus lead some to follow in his steps; while to others he would hope that these lighter sketches may serve as an introduction to those great works, which are not only of absorbing interest, but rich in learning and instruction.
Once only in the following pages is the simple narrative—the detail of incidents of tent-life, of the camp and the march, or the description of scenes on the mountain and the desert—interrupted to introduce a defence of the Hebrew Law. This may be thought quite unnecessary. But it has become such a fashion of the day to question, not only the inspiration of Moses, but his wisdom as a Lawgiver, and even his humanity, that one who was loyal to that great name could hardly refrain from some reflections which naturally arose under the cliffs of Sinai.
# On the Desert - Recent Events in Egypt/Contents

Contents
CONTENTS
| I. | Egypt in the Spring of 1882 | 1 |
| II. | England in Egypt | 22 |
| III. | The First Day on the Desert | 38 |
| IV. | Marah, Elim and the Camp by the Red Sea | 55 |
| V. | Our Bedaween Companions | 65 |
| VI. | A Sabbath in the Wilderness | 78 |
| VII. | The Ascent of Mount Serbal | 87 |
| VIII. | Coming to the Foot of Sinai | 98 |
| IX. | On the Top of Mount Sinai | 109 |
| X. | The Hebrew Commonwealth founded on Religion | 124 |
| XI. | Theocracy and Democracy | 138 |
| XII. | The Criminal Law—was it written in Blood? | 156 |
| XIII. | Life in a Convent | 172 |
| XIV. | Leaving Sinai. Passing Through the Mountains | 188 |
| XV. | The Great and Terrible Wilderness | 203 |
| XVI. | Nukhl—on the Route of Pilgrims to Mecca | 218 |
| XVII. | The Old Sheikh. Illness on the Desert | 232 |
| XVIII. | Perils Among Robbers | 248 |
| XIX. | Returning to Civilization | 262 |
| XX. | The Moslems of Gaza—A Brave Missionary | 273 |
| XXI. | Through the Hill Country to Bethlehem | 283 |
| XXII. | Around the Place where Christ was Born | 291 |
| XXIII. | The Dead Sea and the Jordan. Jericho | 306 |
| XXIV. | Going up to Jerusalem | 319 |
# Selections from the American Poets/The Spirit of Poetry

Layout 2
THE SPIRIT OF POETRY.
# United States v. Dionisio
## Dissenting Opinions

    Douglas
    Marshall

## Separate Opinion

    Brennan
Supreme Court of the United States
410 U.S. 1
United States v. Dionisio
Certiorari to the United States Court of Appeals for the Seventh Circuit
No. 71-229. Argued: November 6, 1972 --- Decided: January 22, 1973
A grand jury subpoenaed about 20 persons, including respondent, to give voice exemplars for identification purposes. Respondent, on Fourth and Fifth Amendment grounds, refused to comply. The District Court rejected both claims and adjudged respondent in contempt. The Court of Appeals agreed in rejecting respondent's Fifth Amendment claim but reversed on the ground that the Fourth Amendment required a preliminary showing of reasonableness before a grand jury witness could be compelled to furnish a voice exemplar and that here the proposed "seizures" would be unreasonable because of the large number of witnesses subpoenaed to provide the exemplars.
Held:
    1. The compelled production of the voice exemplars would not violate the Fifth Amendment privilege against compulsory self-incrimination, since they were to be used only for identification purposes, and not for the testimonial or communicative content of the utterances. Pp. 5-7.
    2. Respondent's Fourth Amendment claim is also invalid. Pp. 8-18.
       (a) A subpoena to compel a person to appear before a grand jury does not constitute a "seizure" within the meaning of the Fourth Amendment, and the fact that many others besides respondent were ordered to give voice recordings did not render the subpoena unconstitutional. Davis v. Mississippi, 394 U.S. 721, distinguished. Pp. 8-13.
       (b) The grand jury's directive to make the voice recording infringed no valid Fourth Amendment interest. Pp. 13-15.
       (c) Since neither the summons to appear before the grand jury nor its directive to give a voice exemplar contravened the Fourth Amendment, the Court of Appeals erred in requiring a preliminary showing of reasonableness before respondent could be compelled to furnish the exemplar. Pp. 15-16.
442 F.2d 276, reversed and remanded.
STEWART, J., delivered the opinion of the Court, in which BURGER, C.J., and WHITE, BLACKMUN, POWELL, and REHNQUIST, JJ., joined. BRENNAN, J., filed an opinion concurring in part and dissenting in part, post, p. 22. DOUGLAS, J., post, p. 23, and MARSHALL, J., post, p. 31, filed dissenting opinions.
Philip A. Lacovara argued the cause for the United States. On the brief were Solicitor General Griswold, Assistant Attorney General Petersen, Wm. Bradford Reynolds, Beatrice Rosenberg, and Sidney M. Glazer.
John Powers Crowley argued the cause and filed a brief for respondent.
# Gettysburg Address

* information about this edition
* related portals: American Civil War, Speeches
* sister projects: Wikipedia article, Commons category, quotes, news, textbook, travel guide, Wikidata item
The Gettysburg Address, Abraham Lincoln's most famous speech and one of the most quoted political speeches in United States history, was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on November 19, 1863, during the American Civil War, four and a half months after the Battle of Gettysburg.
There are several sources of the speech: Five known manuscript copies of the Gettysburg Address are each named for the associated person who received it from Lincoln below. All versions differ in their wording, punctuation, and structure.
* Gettysburg Address (1863), Nicolay draft
* Gettysburg Address (1863), Hay draft
* Gettysburg Address (1864), Everett copy
* Gettysburg Address (1864), Bancroft copy
* Gettysburg Address (1864), Bliss copy
* Gettysburg Address (1922), inscribed on the southern interior wall at the Lincoln Memorial

## Works about the Gettysburg Address

* Inauguration of the Gettysburg Cemetery (1863), report in the Daily Illinois State Journal

## See also

* Gettysburg Oration, a speech given the same day as Lincoln's
# The China Mail

The China Mail was an English-language newspaper published in Hong Kong from 1845 to 1974, making it the longest-lived of any Hong Kong newspaper.

## Index by Year

If we have any transcribed content for a given year, it will be linked to here:
| | | | | | 1845 | 1846 | 1847 | 1848 | 1849 |
| 1850 | 1851 | 1852 | 1853 | 1854 | 1855 | 1856 | 1857 | 1858 | 1859 |
| 1860 | 1861 | 1862 | 1863 | 1864 | 1865 | 1866 | 1867 | 1868 | 1869 |
| 1870 | 1871 | 1872 | 1873 | 1874 | 1875 | 1876 | 1877 | 1878 | 1879 |
| 1880 | 1881 | 1882 | 1883 | 1884 | 1885 | 1886 | 1887 | 1888 | 1889 |
| 1890 | 1891 | 1892 | 1893 | 1894 | 1895 | 1896 | 1897 | 1898 | 1899 |
| 1900 | 1901 | 1902 | 1903 | 1904 | 1905 | 1906 | 1907 | 1908 | 1909 |
| 1910 | 1911 | 1912 | 1913 | 1914 | 1915 | 1916 | 1917 | 1918 | 1919 |
| 1920 | 1921 | 1922 | 1923 | 1924 | 1925 | 1926 | 1927 | 1928 | 1929 |
This work is a periodical and multiple copyrights apply. The period of publication may straddle the periods of different copyright laws. Both the issues themselves and the individual contributions to those issues may have different copyright statuses.
Public domainPublic domainfalsefalse
One or more copyright licenses apply to this work.
This work is in the public domain in Hong Kong because the copyright in this work has expired. A work's copyright is expired in Hong Kong when either the author of the work died before 1975, or if the work's author is unknown, the work was created before 1975.
See Section 17 of the Copyright Ordinance (Cap. 528) of the Laws of Hong Kong.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Three Excellent Popular New Songs

There are differences between the titles given on the front page and those at the head of each song; where this is the case, the latter have been used.
THREE EXCELLENT POPULAR
NEW SONGS.
VIZ.
THE LOWLANDS OF HOLLAND. THE COBBLER’S MARRIAGE. SAUCY TIBBY.
R. TAYLOR, PRINTER, FALKIRK.
* The Lowlands of Holland
* The Cobbler's Marriage
* Tibbie wi' her Fifty Mark
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Favorite new song, called Saucy Tibby, wi' her fifty mark/Tibbie wi' her Fifty Mark

TIBBIE wi’ her FIFTY MARK.
O Tibbie. I ha’e seen the day ye wadna been sae shy; For laik o’gear ye lightly me, but yet I carena by.
Yestreen I met you on the moor, Ye spakena, but gaed by like flour! Ye geek at me because I’m poor, But ne’er a hair care I.
I doubtna, lass, but ye may think, Because ye ha’e the name o’clink, That ye can please me wi’ a wink, Whene’er ye like to try. He’s silly that would be sae mean, Altho’ his pouch o’coin were clean, Wha follows ony saucy quean, hat looks sae proud and high: O Tibbie, &c.
Altho’ a lad were e’er sae smart, If he want gowd, that yellow dirt, Ye’ll cast your head anither airt, And answer him su'dry. ​But if he hae the name o’ gear, Ye’ll fasten to him like a brier, Tho’ hardly he, for sense and lear, Be better than the ky. O Tibbie, &c.
O Tibbie, ye’re o’er su’ o’spice, Your Daddie’s gear makes you o’er nice, But ne’er a ane wad speir your price, Were ye as poor as I. There lives a lass in yonder park, I wadna gi’e her in her sark, For you and a’ your fifty mark. That gars ye look sae shy.
O Tibbie, &c.
# Tibbie wi' her Fifty Mark

* "Tibbie wi' her Fifty Mark", in Favorite new song, called Saucy Tibby, wi' her fifty mark (1822), a chapbook printed in Falkirk
* "Tibbie wi' her Fifty Mark", in Three Excellent Popular New Songs (n.d.), a chapbook printed in Falkirk
# Three Excellent Popular New Songs/Tibbie wi' her Fifty Mark

Tibbie wi her Fifty Mark.
# Three Excellent Popular New Songs/The Cobbler's Marriage

The Cobler's Marriage.
# Middletown Times Herald

* related portals: Newspapers
* sister projects: Wikipedia article, Commons category, Wikidata item
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/Middletown Times Herald/
# On Shakespeare (Jonson)

    De Shakespeare Nostrat
I remember the players have often mentioned it as an honor to Shakespeare, that in his writing, whatsoever he penned, he never blotted out a line. My answer hath been, “Would he had blotted a thousand,” which they thought a malevolent speech. I had not told posterity this but for their ignorance, who chose that circumstance to commend their friend by wherein he most faulted; and to justify mine own candor, for I loved the man, and do honor his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature; had an excellent fancy, brave notions, and gentle expressions, wherein he flowed with that facility that sometime it was necessary he should be stopped. “Sufflaminandus erat,” as Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too. Many times he fell into those things, could not escape laughter, as when he said in the person of Cæsar, one speaking to him: “Cæsar, thou dost me wrong.” He replied: “Cæsar did never wrong but with just cause; and such like, which were ridiculous. But he redeemed his vices with his virtues. There was ever more in him to be praised than to be pardoned.

## Footnotes

* ↑ “Of our countryman, Shakespeare.”
* ↑ “He should have been clogged.”
* ↑ The speech is not found in this form in our version of Shakespeare’s “Julius Cæsar.”
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Internationale

   "The Internationale" (French: L'Internationale) is a widely-sung left-wing anthem. It has been a standard of the socialist movement since the late 19th century. […] The original French words were written in June 1871 by Eugène Pottier (1816–1887, previously a member of the Paris Commune) and were originally intended to be sung to the tune of "La Marseillaise". Pierre De Geyter (1848–1932) set the poem to music in 1888. His melody was first publicly performed in July 1888 and became widely used soon after.
   —Warning: template has been deprecated.
English-language translations of L’Internationale include:
Debout ! les damnés de la terre ! Eugène Pottier L'Internationale.jpg Internationale Russian.ogg

## Direct translations

* "The Internationale" (1871), translated by Wikisource.
* "The Internationale" (1871), translated by Eugène Pottier himself.
* "The Internationale" (1900), translated by Charles Hope Kerr.

## Indirect translations

* "The Internationale" (1902), Arkady Kots' Russian translation (ru:Интернационал), translated by Wikisource.
* "The Internationale" (1902), Henrik Menander's Swedish translation (sv:Internationalen), translated by Wikisource.
* "The Internationale" (1904), Olav Kringen's Norwegian translation ([[:mul:Internasjonalen]), translated by Wikisource.
* "The Internationale" (1905), Otto Wille Kuusinen, Yrjö Elias Sirola, and Sulo Wuolijoki's Finnish translation (mul:Kansainvälinen, copyrighted in Finland until 2034), translated by Wikisource.
* "The Internationale" (1910), Emil Luckhardt's German translation (w:de:Die_Internationale_(Lied)), translated by Wikisource.
* "The Internationale" (1922), Ōmi Komaki's Japanese translation (mul:インターナショナル, copyrighted in Japan until 2028), translated by Wikisource.
* "The Internationale" (1923), Qu Qiubai's Chinese translation (zh:國際歌 (瞿秋白)), translated by Wikisource.
* "The Internationale" (1923), Xiao San's Chinese translation, translated by Wikisource.
* "The Internationale" (1926), the National Revolutionary Army's Chinese translation (zh:國際歌 (國民革命軍)), translated by Wikisource.
# To Byron

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "To Byron", a fragment of a poem by Percy Bysshe Shelley
* "To Byron", a poem by John Keats
# Cornhuskers/The Year

THE YEAR
I
Buds throwing open baby fists
II
Clambering to the clutches of life
III
Holding golden flimsy hopes
Against the tramplings
IV
Only the muffling
Of winds dark and lonesome—
# The Rocky Mountain Saints/Chapter 12

​Page:The Rocky Mountain Saints.djvu/104 ​Page:The Rocky Mountain Saints.djvu/105 ​Page:The Rocky Mountain Saints.djvu/106 ​Page:The Rocky Mountain Saints.djvu/107 ​Page:The Rocky Mountain Saints.djvu/108
# The Rocky Mountain Saints/Chapter 13

​Page:The Rocky Mountain Saints.djvu/109 ​Page:The Rocky Mountain Saints.djvu/110 ​Page:The Rocky Mountain Saints.djvu/111 ​Page:The Rocky Mountain Saints.djvu/112 ​Page:The Rocky Mountain Saints.djvu/113
# The Cobler's Marriage

* "The Cobbler's Marriage", in Three Excellent Popular New Songs (n.d.), a chapbook printed in Falkirk
* "The cobler's marriage", in Musical garland (n.d.), a chapbook printed in Falkirk
# Musical garland/The cobler's marriage

The Cobler's Marriage.
Last week I got a wife, And when I first did woo her, I vow‘d to stick through life Like cobler‘s wax unto her: But soon we went by some mishap, To loggerheads together, And when my wife began to strap, Why I began to leather.
My wife without her shoes, Is hardly three feet seven, And I, to all men's views, Am full, five feet eleven; So when to take her down some pegs. I drabb'd her neat and clever; She made a bolt right through my legs, And ran away for ever.
​When she was gnoe good lack! My hair like hogs hair bristled, I thought she‘d ne‘er come back, So went to work and whistled; Then let her go, I‘ve got my stall, Which my no robber rifle; 'Twould break my heart to lose my awl, To lose my wife's a trifle.
# Scribner's Magazine/Volume 37/Number 1/Bearer of Glad Tidings

“Unto you that fear My name shall the Sun of Righteousness arise with healing in his wings”
# Three Excellent Popular New Songs/The Lowlands of Holland

THE
LOWLANDS OF HOLLAND
# Street Scene (1929)

* related portals: American literature, Pulitzers
* sister projects: Wikipedia article, Commons gallery, Commons category, Wikidata item
Elmer Rice won the 1929 Pulitzer Prize for Drama for this play.
Layout 2
Setting by Jo Mielziner
STREET SCENE
A Play in Three Acts
BY
ELMER L. RICE
SAMUEL FRENCH
Thos. R. Edwards Managing Director NEW YORK LOS ANGELES
SAMUEL FRENCH Ltd. LONDON
1929
ALL RIGHTS RESERVED
Copyright 1928, 1929 by Elmer L. Rice
FIRST PRINTING MARCH, 1929
SECOND PRINTING APRIL, 1929
MANUFACTURED IN THE UNITED STATES OF AMERICA BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N. Y.
​The cast of the play as originally presented at THE PLAYHOUSE, New York City, January 10th, 1929
WILLIAM A. BRADY, LTD.
PRESENTS
STREET SCENE
A Play in Three Acts By ELMER RICE
DIRECTED BY THE AUTHOR SETTING BY JO MIELZINER
CHARACTERS
(IN THE ORDER OF THEIR FIRST APPEARANCE)
There is only one setting which is described in detail in the text.
The action takes place on an evening in June, and on the morning and afternoon of the following day.
* Act I
* Act II
* Act III
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1967, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 57 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Lowlands of Holland

* "The Lowlands of Holland", in Three Excellent Popular New Songs (n.d.), a chapbook printed in Falkirk
* "The drowned mariner", in Collection of popular songs (n.d.), a chapbook printed in Falkirk
# Collection of popular songs (1)/The drowned mariner

THE DROWNED MARINER.
The love that I have chosen, I’ll therewith be content, The salt seas shall be frozen, before that I repent, Repent it shall (illegible text) never; until the day I die, But the lowlands of Holland, hath twin’d my love and me.
My love is on the salt sea, and I’m upon the side, ’Nough to breag a yonng thing’s heart, who lately was a bride, Who lately was a bonny bride, most pleasant for to see ​But the lowlands of Holland, hath twin’d my love and me.
There shall no shirt go on my back, nor comb go on my hair, Neither shall coal nor candle light shine in my bower mair. Nor shall I choose another love, untill the day I die; Since the lowland of Holland hath twin’d my love and me.
My love he built a bonny ship, and set her on the sea, With seven score brave mariners, to bear her company; There’s threescore of them were sunk, and threescore died at sea, And the lowlands of Holland, hath twin’d my love and me.
Their main-mast was hewn down, their yards and rigging’s gone, Their ropes and their anchors out o’er ship-board were thrown, Out o’er the ship-board they were blown, by tempest in the sea, ​And the lowlands of Holland, hath twin’d my love and me.
My love hath built a bonny ship, and set it on the main, Yet hath not twenty mariners, now for to bring her hame; The weary wind did rise again, the seas began to rout, My love then and his pretty ship, turn's widershins about:
New Holland is a bonny place, in it there grows no grain, Nor yet no habitation within for to remain, The sugar canes are plenty, the wine drops from the tree, And the lowlands of Holland hath twin’d my love and me.
New Holland is a bonny place, but it is scant of men, Yet to conquer New England, is what they do intend, for there is none that can win them, so well they know the sea, And the lowlands of Holland hath twin’d my love and me.
​Be still, be still my daughter, be still and be content, There are more lads in Galloway, thou needs not so lament. O there are none in Galloway, not one that longs for me, For I lov’d ne’er a love but one, who’s drown’d in the sea.
He was a comely proper youth, I lov’d him for my part; But death has taken him from me, which sore afflicts my heart, And since that he’s departed I’ll mourn and weep always, That e’er he went to Holland, that was my earthly joys.
Unto the grave that he has gone, that was my comely dear. May heaven receive my soul to rest, and guide me while I'm here. I’ll still lament in brinish tears, until the day I die, Since the lowlands of Holland hath twin’d my love and me.
# Musical garland

THE
MUSICAL
GARLAND:
CONTAINING
A CHOICE COLLECTION OF
Love, Patriotic, Comic, Naval, and Sentimental
SONGS.
MUSIC, 'TIS THINE TO CHARM THE SOUL,
AND ALL ITS HARSHER POWERS CONTROLL.
FALKIRK:
PRINTED AND SOLD BY T. JOHNSTON.
* The Trumpet of Glory
* Jessy and the Rose
* I'll soon hae a wife o' my ain
* Charlie is my Darling
* Fairest Maid on Devon Banks
* Maggy Lauther
* Roy's Wife of Aldivalloch
* Roslin Castle
* Donald Caird's Come Again
* Wandering Willie
* The Woodpecker
* My Anna's Worth my Anna's Charms
* Black eyed Susan
* Jenny's Bawbee
* The Cobler's Marriage
* A Soldiers Gratitude
* How Joyous is a Country Life
* My Ellen, alas! is no more
* My Love she's but a Lassie yet
* Robin Adair
* O Life is like a Summer Flower
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse