OpenLLM-France/wikimedia huggingface dataset:
# Executive Order 14174

more info.
Donald Trump′s twenty-eighth executive order of his second presidency, originally published on January 21, 2025 by the White House. Published as Executive Order 14174 on January 31, 2025 in the Federal Register. Scan: Index:Executive Order 14174.pdf
Signed by President Donald Trump Tuesday, January 21, 2025
Federal Register page & date: 90 FR 8637, Friday, January 31, 2025
​Executive Order 14174 of January 21, 2025
Revocation of Certain Executive Orders
By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered:
Section 1. Revocation. The following Executive Orders are hereby revoked:
(a) Executive Order 14042 of September 9, 2021 (Ensuring Adequate COVID Safety Protocols for Federal Contractors); and
(b) Executive Order 14043 of September 9, 2021 (Requiring Coronavirus Disease 2019 Vaccination for Federal Employees).
Sec. 2. General Provisions. (a) Nothing in this order shall be construed to impair or otherwise affect:
(b) This order shall be implemented consistent with applicable law and subject to the availability of appropriations.
(c) This order is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person.
THE WHITE HOUSE, January 21, 2025.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Eyesore

This translation of the novel was never published in book form.
EYESORE
RABINDRANATH TAGORE
Translated from the Bengali novel, Chokher Bali, By SURENDRANATH TAGORE
Extracted from THE MODERN REVIEW A Monthly Review and Miscellany 210-3-1, Cornwallis Street, Calcutta January to December, 1914
Chapters (not listed in original)
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Blackmail

* Search for titles containing or beginning with: "Blackmail"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Blackmail," in Encyclopædia Britannica (11th ed., 1911)
* Blackmail, in The Encyclopedia Americana (1920)
* Blackmail (1925), by Herman Cyril McNeile
* Blackmail (1929), a film by Alfred Hitchcock
# Tamerlane (Rowe)/Epilogue

EPILOGUE.
Spoke by Mrs. Bracegirdle.
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# Tamerlane (Rowe)/Prologue

PROLOGUE.
Spoke by Mr. Betterton.
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# Executive Order 14182

more info.
Donald Trump′s thirty-sixth executive order of his second presidency, originally published on January 24, 2025 by the White House. Published as Executive Order 14182 on January 31, 2025 in the Federal Register. Scan: Index:Executive Order 14182.pdf
Signed by President Donald Trump Friday, January 24, 2025
Federal Register page & date: 90 FR 8751, Friday, January 31, 2025
​Executive Order 14182 of January 24, 2025
Enforcing the Hyde Amendment
By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered:
Section 1. Purpose and Policy. For nearly five decades, the Congress has annually enacted the Hyde Amendment and similar laws that prevent Federal funding of elective abortion, reflecting a longstanding consensus that American taxpayers should not be forced to pay for that practice. However, the previous administration disregarded this established, commonsense policy by embedding forced taxpayer funding of elective abortions in a wide variety of Federal programs.
It is the policy of the United States, consistent with the Hyde Amendment, to end the forced use of Federal taxpayer dollars to fund or promote elective abortion.
Sec. 2. Revocation of Orders and Actions. The following Executive Orders are hereby revoked:
(a) Executive Order 14076 of July 8, 2022; and
(b) Executive Order 14079 of August 3, 2022.
Sec. 3. Implementation. The Director of the Office of Management and Budget shall promulgate guidance to the heads of executive departments and agencies related to implementation of sections 1 and 2 of this order.
Sec. 4. General Provisions. (a) Nothing in this order shall be construed to impair or otherwise affect:
(b) This order shall be implemented consistent with applicable law and subject to the availability of appropriations.
​(c) This order is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person.
THE WHITE HOUSE, January 24, 2025.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Raven (Poe)

* related portals: American literature
* sister projects: Wikipedia article, Commons category, Wikidata item
Published in advance copy, dated January 29, in the Evening Mirror (New York) in 1845, the first authorised text may be the February issue of American Review.
* "The Raven" (by "——— Quarles"). American Review, Volume 1, February, 1845, pp. 143–145.
* "The Raven" in The Raven and Other Poems, 1845. New York: Wiley and Putnam. pp. 1–5.
* "The Raven" in The Works of the Late Edgar Allan Poe, vol. 2, 1859. pp. 7–11.
* Le Corbeau, The Raven; poëme par Edgar Poe, 1875. Folio. Paris: Richard Lesclide. Stéphane Mallarmé (translation), Édouard Manet (illustrations)
* The Raven, 1884. Edmund C Stedman, editor; Gustave Doré, illustrator. New York: Harper & Brothers.
* The Raven; with literary and historical commentary (1885) John Henry Ingram, editor, various material and authors. London: George Redway.
* "The Raven" in The Riverside song book (1893)
* "The Raven", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
* "The Raven", in The Bells and other poems (1912); illustrated by Edmund Dulac
# Lenore (Poe)

first authorised edition appeared in Pioneer, February 1843, 1:60-61
* "Lenore" The Works of the Late Edgar Allan Poe, vol. 2, 1859. pp. 12–13.
* Lenore, 1885; Henry Sandham, ill.
* "Lenore" in Weird Tales, 7 (1) (January 1926)
# The Green Pastures (1929)/Part 1/Scene 3

Layout 2
Scene III
Enclosing the stage is a heterogeneous cluster of cottonwood, camphor, live oak and sycamore trees, youpon and turkey berry bushes, with their purple and red berries, sprays of fern-like indigo fiera and splashes of various Louisiana flowers. In the middle of the ​Page:The Green Pastures (1929).djvu/50 ​Page:The Green Pastures (1929).djvu/51 ​Page:The Green Pastures (1929).djvu/52 ​Page:The Green Pastures (1929).djvu/53 ​Page:The Green Pastures (1929).djvu/54 ​Page:The Green Pastures (1929).djvu/55 ​Page:The Green Pastures (1929).djvu/56
# The Mystery of Marie Rogêt

* "The Mystery of Marie Roget", in Tales (1846)
* "The Mystery of Marie Rogêt", illustrated by Arthur Rackham, in Poe's Tales of Mystery and Imagination (1935)
# The Murders in the Rue Morgue

* "The Murders in the Rue Morgue", in Tales (1845)
* "The Murders in the Rue Morgue" in Weird Tales, 1 (4) (June 1923)
* "The Murders in the Rue Morgue", illustrated by Arthur Rackham, in Poe's Tales of Mystery and Imagination (1935)
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pickwick Papers

* The Posthumous Papers of the Pickwick Club (serial: April (31 March) 1836–November (30 October) 1837) (transcription volumes: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19)
* The Posthumous Papers of the Pickwick Club (first ed., 1837) (transcription project)
* The Posthumous Papers of the Pickwick Club (Cheap Edition): The Posthumous Papers of the Pickwick Club. By Charles Dickens. With a frontispiece. From a design by C. R. Leslie, Esq., R. A. Engraved by J. Thompson. London: Chapman and Hall, 186, Strand. MDCCCXLVII.
* The Posthumous Papers of the Pickwick Club (Library Edition): The Posthumous Papers of the Pickwick Club. By Charles Dickens. In two volumes. Vol. I[II]. London: Chapman and Hall, 193, Piccadilly; and Bradbury and Evans, 11, Bouverie Street. 1858.
* The Pickwick Papers (1897) (Volumes 1 and 2 of The Works of Charles Dickens in Thirty-two Volumes)
* The Posthumous Papers of the Pickwick Club (unsourced version from Project Gutenberg)
# Bleak House

* Bleak House (1853)
* Bleak House (1867), in Works of Charles Dickens (Library Edition) (transcription project)
* Bleak House (Project Gutenberg version)
# Dombey and Son (Gutenberg)

Dombey and Son, first published in monthly parts between October 1846 and 1848, originally carried the full title Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation. Dickens started writing the book in Lausanne but travelled extensively during the course of its writing, returning to England to begin another work before completing it.Warning: template has been deprecated.

### Contents

* PREFACE OF 1848
* PREFACE OF 1867
* 1. Dombey and Son
* 2. In which Timely Provision is made for an Emergency that will sometimes arise in the best-regulated Families
* 3. In which Mr Dombey, as a Man and a Father, is seen at the Head of the Home-Department
* 4. In which some more First Appearances are made on the Stage of these Adventures
* 5. Paul's Progress and Christening
* 6. Paul's Second Deprivation
* 7. A Bird's-eye Glimpse of Miss Tox's Dwelling-place; also of the State of Miss Tox's Affections
* 8. Paul's further Progress, Growth, and Character
* 9. In which the Wooden Midshipman gets into Trouble
* 10. Containing the Sequel of the Midshipman's Disaster
* 11. Paul's Introduction to a New Scene
* 12. Paul's Education
* 13. Shipping Intelligence and Office Business
* 14. Paul grows more and more Old-fashioned, and goes Home for the holidays
* 15. Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter Gay
* 16. What the Waves were always saying
* 17. Captain Cuttle does a little Business for the Young people
* 18. Father and Daughter
* 19. Walter goes away
* 20. Mr Dombey goes upon a journey
* 21. New Faces
* 22. A Trifle of Management by Mr Carker the Manager
* 23. Florence solitary, and the Midshipman mysterious
* 24. The Study of a Loving Heart
* 25. Strange News of Uncle Sol
* 26. Shadows of the Past and Future
* 27. Deeper shadows
* 28. Alterations
* 29. The Opening of the Eyes of Mrs Chick
* 30. The Interval before the Marriage
* 31. The Wedding
* 32. The Wooden Midshipman goes to Pieces
* 33. Contrasts
* 34. Another Mother and Daughter
* 35. The Happy Pair
* 36. Housewarming
* 37. More Warnings than One
* 38. Miss Tox improves an Old Acquaintance
* 39. Further Adventures of Captain Edward Cuttle, Mariner
* 40. Domestic Relations
* 41. New Voices in the Waves
* 42. Confidential and Accidental
* 43. The Watches of the Night
* 44. A Separation
* 45. The Trusty Agent
* 46. Recognizant and Reflective
* 47. The Thunderbolt
* 48. The Flight of Florence
* 49. The Midshipman makes a Discovery
* 50. Mr Toots's Complaint
* 51. Mr Dombey and the World
* 52. Secret Intelligence
* 53. More Intelligence
* 54. The Fugitives
* 55. Rob the Grinder loses his Place
* 56. Several People delighted, and the Game Chicken disgusted
* 57. Another Wedding
* 58. After a Lapse
* 59. Retribution
* 60. Chiefly Matrimonial
* 61. Relenting
* 62. Final
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Dombey and Son (Gutenberg)/PREFACE OF 1848

PREFACE OF 1848
I cannot forego my usual opportunity of saying farewell to my readers in this greetingplace, though I have only to acknowledge the unbounded warmth and earnestness of their sympathy in every stage of the journey we have just concluded.
If any of them have felt a sorrow in one of the principal incidents on which this fiction turns, I hope it may be a sorrow of that sort which endears the sharers in it, one to another. This is not unselfish in me. I may claim to have felt it, at least as much as anybody else; and I would fain be remembered kindly for my part in the experience.
DEVONSHIRE TERRACE, Twenty-Fourth March, 1848.
# Dombey and Son (Gutenberg)/PREFACE OF 1867

PREFACE OF 1867
I make so bold as to believe that the faculty (or the habit) of correctly observing the characters of men, is a rare one. I have not even found, within my experience, that the faculty (or the habit) of correctly observing so much as the faces of men, is a general one by any means. The two commonest mistakes in judgement that I suppose to arise from the former default, are, the confounding of shyness with arrogance - a very common mistake indeed - and the not understanding that an obstinate nature exists in a perpetual struggle with itself.
Mr Dombey undergoes no violent change, either in this book, or in real life. A sense of his injustice is within him, all along. The more he represses it, the more unjust he necessarily is. Internal shame and external circumstances may bring the contest to a close in a week, or a day; but, it has been a contest for years, and is only fought out after a long balance of victory.
I began this book by the Lake of Geneva, and went on with it for some months in France, before pursuing it in England. The association between the writing and the place of writing is so curiously strong in my mind, that at this day, although I know, in my fancy, every stair in the little midshipman's house, and could swear to every pew in the church in which Florence was married, or to every young gentleman's bedstead in Doctor Blimber's establishment, I yet confusedly imagine Captain Cuttle as secluding himself from Mrs MacStinger among the mountains of Switzerland. Similarly, when I am reminded by any chance of what it was that the waves were always saying, my remembrance wanders for a whole winter night about the streets of Paris - as I restlessly did with a heavy heart, on the night when I had written the chapter in which my little friend and I parted company.
# The Green Pastures (1929)/Part 1/Scene 4

Layout 2
Scene IV
A roadside.
Cain, a husky young Negro, stands over the body of the dead Abel. Both are dressed as laborers. Cain is looking at the body in awe, a rock in his right hand. God enters.
God
Cain, look what you done to Abel.
​Page:The Green Pastures (1929).djvu/57 ​Page:The Green Pastures (1929).djvu/58
# Wife No. 19/Chapter 9
### CHAPTER IX.
#### THE HARDSHIPS AND PERILS OF LIFE IN A NEW COUNTRY

* "Killed by the Indians."
* How Apostates Disappeared.
* A Suspicious Fact.
* How Brigham "took care" of the People's Property.
* The Mormon Battalion.
* Brigham Pockets the Soldiers' Pay.
* How Proselytes were Made.
* Scapegraces sent on Mission.
* My Father goes to Europe.
* How Missionaries' wives are Left.
* Collecting funds for the Missionaries.
* Brigham Embezzles the Money.
* The "Church Train."
* Joseph A. Young as a Missionary.
* His Misdoings in St. Louis.
* What Brother Brown said of Him.
* The Perpetual Emigration Fund.
* How the Money was Raised.
* Cheating the Confiding Saints.
* How Brigham Manages the Missionaries' Property.
* The "Church" makes Whiskey for the Saints.
* The Missionaries bring home new Wives.
* How English Girls are Deceived.
* My First Baptism.
Discouraging Apostasy.HE first years of life in a new country are full of hardships, peril, and adventure, and all these the Mormon people met.
I can remember listening in round-eyed wonder and terror at recitals of Indian atrocities, for we were surrounded by the wandering Southern tribes, and they were constantly thieving from us, and a murder was by no means an uncommon thing. When a man left home and failed to return, the general verdict, as a matter of course, was, "killed by the Indians." Did an ​Page:Wife No 19.djvu/167 ​Page:Wife No 19.djvu/168 ​they had to depend upon; for, being poor men, with large families, they naturally preferred to keep what property they had where they could look after it themselves, feeling certain that they would take quite as careful an interest in it as a stranger would.
The names of these rebellious men were Hunter, Keer, and Hadshead. They insisted upon defending their property, and the captain commanded them to be arrested and put in irons, and then he started with them for Salt Lake City, having previously secured all their stock. When they Brigham "Takes Cake" of the People's Cattle! arrived at Parowan, they were chained together and confined in the school-house, there being no prison or jail in the place.
They were met by George A. Smith, who at that time was on a visit to the southern settlements; and he, thinking the men were treated with unnecessary harshness, ordered their irons taken off, and them set at liberty and allowed to return to their families — without their stock, however. These men, after suffering such indignities, could live among the Mormons no longer, and they left for California.
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# The Green Pastures (1929)/Part 1/Scene 5

Layout 2
Scene V
Cain is discovered walking on an unseen treadmill. A middle distance of trees, hillsides and shrubbery passes him on an upper treadmill. Behind is the blue sky. He stops under the branches of a tree to look at a sign on a fence railing. Only half the tree is visible on the stage. The sign reads, “Nod Parish. County Line.”
Cain
[Sitting down with a sigh of relief under the tree.] At las’! Phew! [Wipes his forehead with a handkerchief.] Feels like I been walkin’ fo’ty years. [He looks back.] Well, dey cain’ git me now. Now I kin ​Page:The Green Pastures (1929).djvu/59 ​Page:The Green Pastures (1929).djvu/60 ​Page:The Green Pastures (1929).djvu/61 ​Page:The Green Pastures (1929).djvu/62 ​Page:The Green Pastures (1929).djvu/63
# Ancient India as described by Megasthenês and Arrian/Frag. XIII.

Fragm. XIII.
Ælian, Hist. Anim. XVII. 39. Conf. Fragm. XII. 2.
Of Indian Apes.
In the country of the Praxii, who are an Indian people, Megasthenês says there are apes not inferior in size to the largest dogs. They ​have tails five cubits long, hair grows on their forehead, and they have luxuriant beards hanging down their breast. Their face is entirely white, and all the rest of the body black. They are tame and attached to man, and not malicious by nature like the apes of other countries.
* ↑ Fragm. XIII. B. Ælian, Hist.. Anim. XVI. 10. Of Indian Apes. Among the Prasii in India there is found, they say, a species of apes of human-like intelligence, and which are to appearance about the size of Hurkanian dogs. Nature has furnished them with forelocks, which one ignorant of the reality would take to be artificial. Their chin, like that of a satyr, turns upward, and their tail is like the potent one of the lion. Their body is white all over except the face and the tip of the tail, which are of a reddish colour. They are very intelligent, and naturally tame. They are bred in the woods, where also they live, subsisting on the fruits which they find growing wild on the hills. They resort in great numbers to the suburbs of Latage, an Indian city, where they eat rice which has been laid down for them by the king's orders. In fact, every day a ready-prepared meal is set out for their use. It is said that when they have satisfied their appetite they retire in an orderly manner to their haunts in the woods, without injuring a single thing that comes in their way.
* ↑ The Prâchyas (i.e. Easterns) are called by Strabo, Arrian, and Pliny Πράσιοι, Prasii; by Plutarch (Alex. 62) Πραίσιοι, a name often used by Ælian also; by Nikolaüs Damas. (ap. Stob. Floril. 37, 38) Πραΰσιοι; by Diodorus (xvii. 93) Βρήσιοι; by Curtius (IX. 2, 3) Pharrasii; by Justin (xii. 8, 9) Præsides. Megasthenês attempted to approximate more closely to the Sansṛit Prâchya, for here he uses Πραξιακός. And it appears that Πράξιοι should be substituted for Πράσιοι in Stephan. Byzant., since it comes between the words Πράξιλος and Πρασ.—Schwanbeck, p. 82, not. 6.
# Ancient India as described by Megasthenês and Arrian/Frag. XXVII. B

Fragm. XXVII.B.
Ælian. V. L. iv. 1.
The Indians neither put out money at usury, nor know how to borrow. It is contrary to established usage for an Indian either to do or suffer a wrong, and therefore they neither make contracts nor require securities. Conf. Suid. V. Ινδοι.
# The Boy Who Knew What The Birds Said

The Boy Who Knew What The Birds Said
THE MACMILLAN COMPANY
NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO
MACMILLAN & CO., Limited
LONDON • BOMBAY • CALCUTTA MELBOURNE
THE MACMILLAN CO. OF CANADA, Ltd.
TORONTO
Round and round the Castle they went and the Giant with his strength was wearing out Feet-in-the-Ashes.
The Boy Who Knew What The Birds Said
By Padraic Colum
Illustrated by
Dugald Stewart Walker
The Macmillan Company, Publishers New YorkMcmxx
Copyright, 1918
By THE MACMILLAN COMPANY
Set up and electrotyped. Published October, 1918.
For The Boy In The Brocken
Contents
PAGE
List of Full Page Illustrations
The Boy Who Knew What The Birds Said
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1972, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 52 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Alumni Oxonienses: the Members of the University of Oxford, 1500-1714/Barker, Hugh (1)

From volume 1 of the work.
​Barker, Hugh, of Northants, 'Gen. Cond.' New Coll., matric. 4 March, 1585-6, aged 28; fellow 1585, B.C.L. 19 Feb., 1591-2, D.C.L. 17 June, 1605, practising law in Chichester 1604, advocate 1607, chancellor of the diocese of Oxford, dean of the Arches, and president of the college of advocates, died 1632. See Fasti, i. 307; Gutch, i. 200-1; & D.N.B.
# Fifty Years & Other Poems/To America

To America
# Fifty Years & Other Poems/O Black and Unknown Bards

O Black and Unknown Bards
# Fifty Years & Other Poems/O Southland

O Southland!
# Fifty Years & Other Poems

* related portals: Harlem Renaissance
* related authors: James Brander Matthews
Fifty Years
and other
Poems
James Weldon Johnson
Fifty Years & Other Poems
Fifty Years & Other Poems
By James Weldon Johnson
Author of "The Autobiography of an Ex-Colored Man," etc.
With an Introduction by Brander Matthews
The Cornhill Company Boston
Copyright, 1917 By The Cornhill Company
All rights reserved
To G. N. F.
Acknowledgment
For permission to reprint certain poems in this book thanks are due to the editors and proprietors of the Century Magazine, the Independent, The Crisis, The New York Times, and the following copyright holders, G. Ricordi and Company, G. Schirmer and Company, and Joseph W. Stern and Company.
Contents
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 86 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse