OpenLLM-France/wikimedia huggingface dataset:
# On love, meekness, and watching over each other

SOURCE: Isaac Penington (1617 - 1679) Letters of Isaac Penington: an eminent minister of the gospel in the Society of Friends, which he joined about the year 1658: the greater part not before published [edited by John Barclay], London: John & Arthur Arch, 1828 as Letter No. LETTER LII [Number 52], headed “On love, meekness, and watching over each other”, pp168-169.
Notes: 1. An extract of this letter, the section from “Our life is” up to "... with a tender hand" is included in Britain Yearly Meeting's Quaker Faith & Practice (1995), as paragraph 10.01, and was in previous editions of the British Quaker Books of Discipline. The letter to Amersham Meeting is transcribed and its context described in Knowing the mystery of life within: Selected writings of Isaac Penington in their historical and theological context, selected and introduced by R. Melvin Keiser & Rosemary Moore; London, Quaker Books (2005) ISBN 0-85245-378-7 page 59-60.
2. “Third Month” was May, until the calendar was revised.
Isaac Penington's letter to Amersham Friends Meeting 1667
To Friends in Amersham,
Friends,
Our life is love, and peace, and tenderness; and bearing one with another, and forgiving one another, and not laying accusations one against another; but praying one for another, and helping one another up with a tender hand, if there has been any slip or fall; and waiting till the Lord gives sense and repentance, if sense and repentance in any be wanting.
O wait to feel this spirit, and to be guided to walk in this spirit, that ye may enjoy the Lord in sweetness, and walk sweetly, meekly, tenderly, peaceably, and lovingly one with another. And then ye will be a praise to the Lord, and any thing that is, or hath been, or may be amiss, ye will come over in the true dominion, even in the Lamb's dominion; and that which is contrary shall be trampled upon, as life rises and rules in you.
So, watch your hearts and ways; and watch one over another in that which is gentle and tender, and knows it can neither preserve itself, nor help another out of the snare; but the Lord must be waited upon to do this in and for us all. So, mind Truth, the service, enjoyment, and possession of it in your hearts, and so to walk as ye may bring no disgrace upon it, but may be a good savour in the places where ye live - the meek, innocent, tender, righteous life reigning in you, governing over you, and shining through you in the eyes of all with whom ye converse.
Your Friend in the Truth, and a desirer of your welfare and prosperity therein.
I. P.
Aylesbury,
4th of 3rd Month, 1667.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# British Chess Magazine

* related portals: Periodicals
* sister projects: Wikipedia article, Commons category, Wikidata item
* Buckle as a Chess Player (July 1891), by Charles Tomlinson
* The International Vienna Tourney (August 1898)
# Magic Morning (Kouznetsov)

Copyleft 2003 by Author, authorised translation from Russian; posted at http://www.ils.uec.ac.jp/~dima/TXT/morning.txt . That site allows free copying, distribution and modification
I remember the wonderful morning at the riverside where we camped with my sons. At the end of the spring vacations, we had only one day to paddle some ten miles upflow the river until the railroad in order get home in time.
The evening was cold. We warmed the ground with huge bonfire, then moved the fire and the set-up our tent at the hot spot.
It kept warm until the morning.
At the first light of the daybreak, I got out shaking of a horrible cosmic cold. The marvel frosty world was around.
Our tent, our boat, trees, bushes, the grass were made of a sugar powder.
The river was covered with a pure white cotton. The fireplace was the only black object. I pushed the logs together and the yellow fire appeared showing that all the frozen night it was waiting for this moment.
I cracked the iced rise into the can, set it up the fire and cried to children, but they did not answer. I downed into the dense cotton to get water.
I entered the warm milk until my neck, but it was not warm enough; so, I quickly returned to the hot fire.
The bushes and the grass around the fire were turning from sugar to silver and brilliants. The rays of the sun reached our camp, lighting the rainbow on the magic bushes.
Children ignored my invitations to see the marvel play of ice, water and sunshine, they appeared only after to hear that our breakfast is ready.
The leaves were already drying by the rising sun, the magic frosty morning was turning into a normal warm day.
This work is released under the Creative Commons Attribution-ShareAlike 2.0 Generic license, which allows free use, distribution, and creation of derivatives, so long as the license is unchanged and clearly noted, and the original author is attributed—and if you alter, transform, or build upon this work, you may distribute the resulting work only under the same license as this one.
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# Charlottetown Resolves

   Resolves Adopted in Charlotte Town, Mecklenburg County, North Carolina, May 31, 1775
   This Day the Committee met, and passed the following
   RESOLVES:
   Whereas by an Address presented to his Majesty by both Houses of Parliament in February last, the American Colonies are declared to be in a State of actual Rebelion, we conceive that all Laws and Commissions confirmed by, or derived from the Authority of the King or Parliament, are annulled and vacated, and the former civil Constitution of these Colinies for the present wholly suspended. To provide in some Degree for the Exigencies of the County in the present alarming Period, we deem it proper and necessary to pass the following Resolves, viz.
   Signed by Order of the Commitee.
   EPH. BREVARD, Clerk of the Committee
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lorena

Source used most likely . Better source at .
The years creep slowly by, Lorena, The snow is on the grass again. The sun's low down the sky, Lorena, The frost gleams where the flow'rs have been. But the heart throbs on as warmly now, As when the summer days were nigh. Oh, the sun can never dip so low A-down affection's cloudless sky.
A hundred months have passed, Lorena, Since last I held that hand in mine, And felt the pulse beat fast, Lorena, Though mine beat faster far than thine. A hundred months, 'twas flowery May, When up the hilly slope we climbed, To watch the dying of the day, And hear the distant church bells chime.
We loved each other then, Lorena, More than we ever dared to tell; And what we might have been, Lorena, Had but our lovings prospered well -- But then, 'tis past, the years are gone, I'll not call up their shadowy forms; I'll say to them, "Lost years, sleep on! Sleep on! nor heed life's pelting storms."
The story of that past, Lorena, Alas! I care not to repeat, The hopes that could not last, Lorena, They lived, but only lived to cheat. I would not cause e'en one regret To rankle in your bosom now; For "if we try we may forget," Were words of thine long years ago.
Yes, these were words of thine, Lorena, They burn within my memory yet; They touched some tender chords, Lorena, Which thrill and tremble with regret. 'Twas not thy woman's heart that spoke; Thy heart was always true to me: A duty, stern and pressing, broke The tie which linked my soul with thee.
It matters little now, Lorena, The past is in the eternal past; Our heads will soon lie low, Lorena, Life's tide is ebbing out so fast. There is a Future! O, thank God! Of life this is so small a part! 'Tis dust to dust beneath the sod; But there, up there, 'tis heart to heart.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Sunday up the River

* "Sunday up the River", in The City of Dreadful Night and other poems (1880)
* "Sunday up the River" in the Oxford Book of English Verse 1250-1900 (1931), edited by Arthur Quiller-Couch
# Oxford Book of English Verse 1250-1900/Sunday up the River

MY love o'er the water bends dreaming;
It glideth and glideth away:
She sees there her own beauty, gleaming
Through shadow and ripple and spray.
O tell her, thou murmuring river,
As past her your light wavelets roll,
How steadfast that image for ever
Shines pure in pure depths of my soul.
# In the Train

* Search for titles containing or beginning with: "In the Train"
* sister projects: Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "In the Train", a poem by Sara Teasdale
* "In the Train", a poem by James Thomson (B.V.)
# In the Train (Thomson)

This poem has been included in various anthologies, although it is not an individual piece, rather it is Part X (of XII) of a larger work called 'Sunday at Hampstead'.
* "Sunday at Hampstead", in The City of Dreadful Night and other poems (1880)
* "In the Train" in the Oxford Book of English Verse 1250-1900 (1931), edited by Arthur Quiller-Couch
* "In the Train" in the Oxford Book of English Verse 1250-1918 (1940), edited by Arthur Quiller-Couch
# Gifts (Thomson)

This poem has been included in various anthologies, although it is not an individual piece, rather it is Part XV (of XX) of a larger work called 'Sunday up the River'.
* "Sunday up the River", in The City of Dreadful Night and other poems (1880)
* "Gifts" in the Oxford Book of English Verse 1250-1900 (1931), edited by Arthur Quiller-Couch
* "Gifts" in the Oxford Book of English Verse 1250-1918 (1940), edited by Arthur Quiller-Couch
# Gifts

* Search for titles containing or beginning with: "Gifts"
* sister projects: Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Gifts", a poem by Florence Earle Coates
* "Gifts", a poem by Helena Jane Coleman
* "Gifts", a poem by Olive Custance
* Gifts, an essay by Ralph Waldo Emerson
* "Gifts", a poem by Ralph Waldo Emerson
* "Gifts", a poem by Gertrude Hall
* Gifts, an essay by Agnes Repplier
* "Gifts", a poem by Sara Teasdale
* "Gifts", a poem by James Thomson (B.V.)

## See also

* The Gift
# Oxford Book of English Verse 1250-1900/Gifts

GIVE a man a horse he can ride,
Give a man a boat he can sail;
And his rank and wealth, his strength and health,
On sea nor shore shall fail.
Give a man a pipe he can smoke,
Give a man a book he can read:
And his home is bright with a calm delight,
Though the room be poor indeed.
Give a man a girl he can love,
As I, O my love, love thee;
And his heart is great with the pulse of Fate,
At home, on land, on sea.
# The Vine (Thomson)

This poem has been included in various anthologies, although it is not an individual piece, rather it is Part XVIII (of XX) of a larger work called 'Sunday up the River'.
* "Sunday up the River", in The City of Dreadful Night and other poems (1880)
* "The Vine" in the Oxford Book of English Verse 1250-1900 (1931), edited by Arthur Quiller-Couch
* "The Vine" in the Oxford Book of English Verse 1250-1918 (1940), edited by Arthur Quiller-Couch
# The Vine

* Search for titles containing or beginning with: "The Vine"
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Vine", a poem by Robert Herrick
* "The Vine", a poem by E. Pauline Johnson
* "The Vine", a poem by James Thomson
* "The Vine", a poem by Frances Fuller Victor
# Oxford Book of English Verse 1250-1900/The Vine

THE wine of Love is music,
And the feast of Love is song:
And when Love sits down to the banquet,
Love sits long:
Sits long and arises drunken,
But not with the feast and the wine;
He reeleth with his own heart,
That great, rich Vine.
# 1911 Encyclopædia Britannica/Pillau

See also Baltiysk on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer. Part of Russia since 1945.
​PILLAU, a seaport and watering-place of Germany, in the Prussian province of East Prussia, on the spit of sand (Nehrung) which separates the Frische Haff from the Baltic, on the north of the entrance channel, and 29 m. by rail from Königsberg. Pop. (1905), 7374. It is fortified and has a harbour, which serves as the outer port of Königsberg, and to some extent also of Elbing and Braunsberg. A new navigable channel was in 1900–1901 constructed across the Frische Haff from Pillau to Königsberg. Pillau has a school of navigation, and is a well-known pilot station. Ship-building, sail-making, fishing and the working of amber are carried on.
Pillau is memorable as the place where Gustavus Adolphus of Sweden landed in 1626. It did not obtain civic privileges until 1725, but was fortified shortly after that date. In 1807 it offered a stout resistance to the French. By a treaty of the 24th of February 1812 it was ceded to Napoleon, but on the 6th of February in the following year it was restored to Prussia.
# Dictionary of National Biography, 1885-1900/Carrington, Noel Thomas

Nicholas Toms Carrington in the ODNB.
​CARRINGTON, NOEL THOMAS (1777–1830), Devonshire poet, was the son of a retail grocer at Plymouth, where he was born in 1777. Shortly after his birth his parents removed to Plymouth Dock, and for some time he was employed as a clerk in the Plymouth dockyard, but he found the occupation so irksome that he entered as a seaman on board a man-of-war. In this capacity he was present at the defeat of the Spanish fleet off Cape St. Vincent by Sir John Jervis 14 July 1797. After his term of service expired he settled at Maidstone, Kent, where for five years he taught a public school. In 1809, at the solicitation of several friends, he established a private academy at Plymouth Dock ​which he conducted without intermission until six months before his death, 2 Sept. 1830. At an early period of his life Carrington began to contribute occasional pieces in verse to the London and provincial papers. His poems are chiefly descriptive of the scenery and traditions of his native county, and are characterised by no small literary grace, although without striking individuality in matter or manner. In 1820 he published separately ‘The Banks of the Tamar,’ and in 1826 ‘Dartmoor.’ His collected poems, with a short memoir prefixed, appeared posthumously in two volumes in 1831.
[Memoir prefixed to his Collected Poems; Gent. Mag. ci. pt. i. 276–9; Brit. Mus. Cat.]
T. F. H.
# Narrative of a Voyage Round the World (Belcher)

* related portals: Royal Navy
* sister projects: Wikidata item
* Volume 1
* Annotated/Volume 1
* Volume 2
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# When My Dreams Come True (Berlin)
## Sheet music

* "When My Dreams Come True" (1929), published by Irving Berlin, Inc.

## Film renditions
### In The Cocoanuts

* "When My Dreams Come True" (1929), the first rendition performed by Oscar Shaw and Mary Eaton together
* "When My Dreams Come True" (1929), the second rendition performed by Mary Eaton only
* "When My Dreams Come True" (1929), the third rendition performed by Mary Eaton only
# The Cocoanuts (play)

* related portals: Marx Brothers
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item
1925 musical starring the Marx Brothers

## Adaptations

* The Cocoanuts (1929), a sound film adaptation directed by Robert Florey and Joseph Santley
   * The Cocoanuts (1929), an original Universal Pictures screenplay draft for the film
# Bosko, the Talk-Ink Kid

* related portals: Bosko, Cartoons, Sound cartoons
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item
| Song | Performer |
| "Sonny Boy" | Carman Griffin Maxwell |
Cast and Crew :
| Cast ||
| Role | Actor |
| | Rochelle Hudson |
| Crew ||
| Director | Hugh Harman (d. 1982) |
| Producer | Hugh Harman, Rudolf Ising (d. 1992) |
| Screenwriter | Hugh Harman, Rudolf Ising |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1992, meaning that this film may be in the public domain in countries and jurisdictions with 32 years p.m.a. or less, as well as in the United States. ||
Bosko Well, here I is, and I sure feel good!
Rudolf Ising Oh-ho. You feel good, do you?
Bosko Yeah, I is just out of the pen. Hahahahahahahahahaha!
Rudolf Ising All right, now that you're here, what can you do?
Bosko What can I do? Haha! Boss, what I can't do ain't.
Rudolf Ising Well, well, who are you?
Bosko Who is I? I'm Bosko. That's who I ain't nobody else except but.
Rudolf Ising Bosko, eh? All right, Bosko, show me what you can do.
Bosko Okay, boss. Watch this here.
Bosko Who's all them folks out there in the dark?
Rudolf Ising Why, the audience, Bosko. Can you make them laugh?
Bosko Mm, mm.
Bosko Got a piano?
Rudolf Ising Yeah. Here you are.
Bosko Right there.
Bosko Ain't that a heck of a move?
Bosko Hahahahahahahahahahahahaha!
Bosko
When there is grey ski— I don't mind the grey skies, I still has you, Sonny Boy!
Bosko Hey, where's I at?
Bosko Dang! I was readjusted!
Bosko
Sonny Boy!
Rudolf Ising Bummer! Bummer! That was rotten.
Bosko Ow! Ow! Put that out! Ooh! Ooh! Ooh! Ow! Ow! Ouch! Ouch! Let me go. Cut that out! Put that out! Ooh!
Rudolf Ising You'll go back to the pen for that.
Bosko Well, so long, folks! See you all later!
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1992, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 32 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Florida

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Encyclopedia articles

* "Florida," by Eaton S. Drone in The American Cyclopædia (1879)
* "Florida," by S. A. Drake in Encyclopædia Britannica, Ninth Edition (v. 9) (1879)
* "Florida," in The New International Encyclopædia, New York: Dodd, Mead and Co. (1905)
* "Florida (vessel)," in The New International Encyclopædia, New York: Dodd, Mead and Co. (1905)
* "Florida," in The Nuttall Encyclopædia, (ed.) by James Wood, London: Frederick Warne and Co., Ltd. (1907)
* "Florida," in Encyclopædia Britannica (11th ed., 1911)
* "Florida," by James Veale in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Florida," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
* "Florida," in Collier's New Encyclopedia, New York: P. F. Collier & Son Co. (1921)
* "Florida," by James Miller Leake in Encyclopædia Britannica (12th ed., 1922)

## Verse

* "Florida by the Sea", also known as "Florida", a song by Irving Berlin

## See also

* Portal:Florida
# Big Business (1929 film)

* related portals: Christmas film, Comedy film, Silent film
* sister projects: Wikipedia article, Commons category, Wikidata item
A 1929 silent Laurel and Hardy comedy short. Listed in the National Film Registry in 1992.
Cast and Crew :
| Cast ||
| Role | Actor |
| | Stan Laurel |
| | Oliver Hardy |
| | Jimmy Finlayson |
| | Charlie Hall |
| | Lyle Tayo |
| | Retta Palmer |
| | Tiny Sandford |
| Crew ||
| Production company | Hal Roach Studios |
| Distributor | Metro-Goldwyn-Mayer |
| Director | James W. Horne (d. 1942), Leo McCarey (d. 1969) |
| Producer | Hal Roach (d. 1992) |
| Screenwriter | H. M. Walker (d. 1937), Leo McCarey |
| Cinematographer | George Stevens (d. 1975) |
| Editor | Richard C. Currier |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1992, meaning that this film may be in the public domain in countries and jurisdictions with 32 years p.m.a. or less, as well as in the United States. ||
HAL ROACH presents STAN LAUREL and OLIVER HARDY
IN BIG BUSINESS ≈
Directed by J. WESLEY HORNE Supervising Director LEO Mc CAREY
Photographed by GEORGE STEVENS Edited by RICHARD CURRIER Titles by H. M. WALKER
The story of a man who turned the other cheek—And got punched on the nose—
"—Selling Christmas trees in California—"
301
"—Wouldn't you like to buy a Christmas tree?—"
"—Wouldn't your husband like to buy one?—"
"—I have no husband—"
"—If you had a husband, would he buy one?—"
"—From now on I'll do the talking!—"
POSITIVELY NO PEDDLERS OR SOLICITORS
"—It's personality that wins—"
"—Come on, Personality—"
281
"—I don't think he wants a tree—"
"—I've got a big business idea—"
"—Could I take your order for next year?—"
"—It's a sale!—"
"—Give me the ambulance corps!—"
"—Who started all this?—"
"—So you started this!—"
"—Merry Christmas—"
The End
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1992, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 32 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse