OpenLLM-France/wikimedia huggingface dataset:
# The Hollow of the Three Hills

published in Twice-Told Tales
# The Garden of Eden (Doughty)

This book is part of the New-Church Popular Series, which are designed to present the doctrines, philosophy, and spirit of the New Church in a simple, clear, and concise manner.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
New-Church Popular Series.[No. 9.
THE
Garden of Eden:
GIVING
THE SPIRITUAL INTERPRETATION AND TRUE MEANING OF THE STORY.
BY
Rev. JOHN DOUGHTY,
Author of "The World Beyond."
PHILADELPHIA:
SWEDENBORG PUBLISHING ASSOCIATION,
900 Chestnut Street.
COLLINS, PRINTER.
PREFACE.
T the present day there is not much openly avowed infidelity in Christian lands. But there are reasons for believing that there exists a vast amount of it in a latent form, and no inconsiderable portion even in the churches themselves.
And since it prevails among some of the most thoughtful and honest people, the questions, What is the cause of it? and How is it to be effectually remedied? deserve the serious consideration of every friend of mankind, and especially of every teacher of the Christian religion.
The chief cause undoubtedly is, the mistaken idea in regard to the Sacred Scripture and the method by which its true meaning is to be elicited, which has become so prevalent throughout the bounds of Christendom. This idea is, that the written Word has but one meaning, and that, the meaning conveyed to the natural ​understanding by the natural or sensuous interpretation of the words of Scripture.
By this false but prevalent method, the Bible is reduced to the level of a human composition, is robbed of its Divine spirit and life, and much of it made to teach what every rational mind sees to be very unreasonable—some of it unintelligible and even puerile. No wonder, therefore, that questions like the following, which Mr. Ingersoll is reported to have asked in a recent lecture, should arise in many thoughtful minds:
What, then, is the remedy? We know of but one; and that is, to teach people the real nature and purpose of Holy Scripture—to show them wherein its divinity consists, what is the law that ​governs in a truly divine composition, and what the method therefore by which its true meaning is to be unfolded. All of which is so fully and clearly revealed in the writings of Emanuel Swedenborg, that every one who carefully and prayerfully examines these writings, is sure to see it. And the Christian ministers who refuse or neglect to do so, are left without excuse,—and will continue, however unintentionally and unconsciously, to foster the growing skepticism of our times.
The purpose of this little volume is, to lift the reader's mind above the sensuous plane of thought, and to show him, by a method of interpretation applicable alike to all other parts of Scripture, the spiritual and true meaning of that old Garden of Eden story.
CONTENTS.
I.PAGE
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
# The Garden of Boccaccio

exerpt; 1828, published 1829, 1834
Of late, in one of those most weary hours, When life seems emptied of all genial powers, A dready mood, which he who ne'er has known May bless his happy lot, I sate alone ; And, from the numbing spell to win relief, Call'd on the Past for thought of glee or grief. In vain ! bereft alike of grief and glee, I sate and cow'r'd o'er my own vacancy ! And as I watch'd the dull continuous ache, Which, all else slumb'ring, seem'd alone to wake ; O Friend ! long wont to notice yet conceal, And soothe by silence what words cannot heal, I but half saw that quiet hand of thine Place on my desk this exquisite design. Boccaccio's Garden and its faery, The love, the joyaunce, and the gallantry ! An Idyll, with Boccaccio's spirit warm, Framed in the silent poesy of form.
 Like flocks adown a newly-bathéd steep  Emerging from a mist : or like a stream Of music soft that not dispels the sleep,  But casts in happier moulds the slumberer's dream, Gazed by an idle eye with silent might The picture stole upon my inward sight. A tremulous warmth crept gradual o'er my chest, As though an infant's finger touch'd my breast. And one by one (I know not whence) were brought All spirits of power that most had stirr'd my thought In selfless boyhood, on a new world tost Of wonder, and in its own fancies lost ; Or charm'd my youth, that, kindled from above, Loved ere it loved, and sought a form for love ; Or lent a lustre to the earnest scan Of manhood, musing what and whence is man ! ... And many a verse which to myself I sang, That woke the tear, yet stole away the pang, Of hopes, which in lamenting I renew'd : ...
 Thanks, gentle artist ! now I can descry  Thy fair creation with a mastering eye,  And all awake ! And now in fix'd gaze stand,  Now wander through the Eden of thy hand ;  ...  I see no longer ! I myself am there,  Sit on the ground-sward, and the banquet share.  'Tis I, that sweep that lute's love-echoing strings,  And gaze upon the maid who gazing sings :  Or pause and listen to the tinkling bells  From the high tower, and think that there she dwells.  With old Boccaccio's soul I stand possest,  And breathe an air like life, that swells my chest.  ...
 Still in thy garden let me watch their pranks,  ...  With that sly satyr peeping through the leaves !
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Garden of Survival

This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 72 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Freed Bird

* The Freed Bird, in Blackwood's Edinburgh Magazine Volume 30, 1831.
* The Free'd Bird, in Blackwood's Edinburgh Magazine Volume 31, 1832.
* The Free'd Bird, in Poetical Remains of the Late Mrs Hemans, 1836.
# The Goldfinch (1817)/Sally Roy

Sally Roy.
# The Goldfinch (1817)/Sleeping Maggie

Sleeping Maggie.
# The Goldfinch (1817)/The Braes of Balquhidder

The Braes of Balquhidder.
# The Goldfinch (1817)/Loudon's bonny Woods and Braes

THE GOLDFINCH.
Loudon's bonny Woods and Braes.
# The Goldfinch (1817)/Auld Langsyne

Auld Langsyne.
# The Goldfinch (1817)/Gloomy Winter's now awa'

Gloomy Winter's now awa'.
# The Goldfinch (1817)/Killoch Burn

Killock Burn.
FINIS.
H. Crawford, Printer.
# The Goldfinch (1817)/Love and Glory

Love and Glory.
# The Goldfinch (1817)/Tam Glen

Tam Glen.
# The Grotius Sheafe Master

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
13 U.S. 368
The Grotius Sheafe Master
Absent. TODD, J.
THIS case was continued from last term, for further proof, (See ante, vol. 8, p. 456) and was now submitted, upon the further proof produced, without argument.
WASHINGTON, J. delivered the opinion of the Court as follows:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Groans of the Tankard

* "The Groans of the Tankard", in Poems (1773)
* "The Groans of the Tankard", in The Works of Anna Laetitia Barbauld (1825)
# The Genuine Remains in Verse and Prose of Mr. Samuel Butler/Volume 2

THE
GENUINE REMAINS
IN
VERSE and PROSE
OF
Mr. SAMUEL BUTLER,
Author of HUDIBRAS.
Published from the
Original Manuscripts, formerly in the Possession of W. Longueville, Esq;
With NOTES
By R. THYER
Keeper of the Public Library at Manchester.
IN TWO VOLUMES.
VOL. II.
LONDON:
Printed for J. and R. Tonson, in the Strand. MDCCLIX.
​CONTENTS
OF THE
SECOND VOLUME.
Page
THE Character of a modern Politician 1
An hypocritical Nonconformist 35
A Republican 52
A Politician 60
A State-Convert 62
A Risker 65
A modern Statesman 69
A Duke of Bucks 72
A degenerate Noble 77
A huffing Courtier 80
A Court-beggar 86
A Bumpkin, or Country-Squire 90
An Antiquary 94
A proud Man 98
The hen-pect Man 104
A Small Poet 107
A Philosopher 128
A Fantastic 131
A melancholy Man 134
An Haranguer 137
A Popish Priest 141
A Traveller 144
A Catholic 147 ​The Character of a curious Man Page 150
A Ranter 153
A corrupt Judge 155
An Amorist 158
An Astrologer 161
A Lawyer 164
An Herald 173
A Latitudinarian 177
A Mathematician 179
An Epigrammatist 183
A Virtuoso 185
A Justice of Peace 190
A Fanatic 194
An Intelligencer 197
A Proselite 200
A Clown 203
A Quibbler 206
A Wooer 209
An impudent Man 212
An Imitator 216
A Time-server 219
A Prater 222
An Hermetic Philosopher 225
An Alderman 253
A Disputant 256
A Sot 259
An Atheist 261
A Juggler 263
A Sceptic 266 ​The Character of a Projector Page 268
A Complimenter 271
A Churchwarden 273
A Romance-writer 275
A Cheat 278
A Libeller 281
A tedious Man 284
A Taylor 287
A factious Member 290
A Pretender 293
A Newsmonger 296
An Embassador 298
A Play-writer 301
A Mountebank 304
A modern Critic 307
A Wittal 310
A busy Man 313
A litigious Man 315
A Pedant 318
A Hunter 321
A Humorist 324
A Leader of a Faction 326
A debauched Man 329
A seditious Man 331
An affected Man 334
A Medicine-taker 336
The rude Man 338
A Miser 341
A Rabble 345 ​The Character of a Shop-keeper Page 348
A Quaker 351
A Swearer 354
A luxurious Man 357
An ungrateful Man 360
A Knight of the Post 363
An undeserving Favourite 366
A Cuckold 372
A malicious Man 375
A Squire of Dames 379
A Knave 382
An Anabaptist 385
A Vintner 390
An Hypocrite 393
An Opiniaster 396
A choleric Man 399
A Lover 402
A Translator 405
A Rebel 408
A City-wit 411
A superstitious Man 414
A Drole 416
An Empiric 419
An obstinate Man 422
A Zealot 425
An Overdoer 427
A jealous Man 430
An insolent Man 432
A rash Man 434 ​
The Character of a Pimp Page 437
An affected or formal Man 441
A Flatterer 443
A Prodigal 446
A Pettifogger 449
A Bankrupt 452
The Inconstant 455
A Horfe-courser 458
A Glutton 461
A Ribald 463
Thoughts upon various Subjects 466 to 512
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Heritage (Lowell)

* "The Heritage" in The Riverside song book (1893)
* "The Heritage" in Suggestive programs for special day exercises (1898)
* "The Heritage" in Pieces People Ask For (1909)
# The Heritage of Dedlow Marsh

* Search for titles containing or beginning with: "The Heritage of Dedlow Marsh."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Heritage of Dedlow Marsh, a collection of stories
* “The Heritage of Dedlow Marsh,” a story in that collection
# The Heritage (Duer Miller)

from Scribner's Magazine, Apr 1916
THE HERITAGE
By Alice Duer Miller
Serene and fair,
High in the crystal air,
On hillsides deep in birches and in pines,
Then in all hearts there stirs a hidden fire
Of hope, or memory;
Some their beloved dead more yearningly desire,
Some dream of loves to be,
Some weep their swift and sweet mortality.
But I remember only,
Long centuries ago,
A glen more dark and lonely
Than these which now I know,
The noise of waters flowing,
And faint, salt breezes blowing,
Ivy and myrtle growing,
There, when the moon was at full we would come, we would come,
To the shrilling of pipes, and the terrible tone of the drum
Rolling long, rolling loud, as the voice that presages the rain,
We would come to the cavern profound, to the holy domain.
Figures moved agile and fleet.
Then there was dancing, ay, dancing,
Leaping and stamping of feet,— Dancers that drifted and darted,
Light as a leaf in the breeze,
Circles that met and that parted,
While the stars danced through the trees.
Quickening, the drums beat the measure,
All the night long on the hill,— Such was the Thunderer's pleasure. . . .
This I remember me still.
O placid northern moon on this calm lake
Beaming demure and tame,
How can I take
Aught of delight in thy pale flame?
I ache
For a communion I have known
Long centuries ago,
Which nevermore the world will seek, or will know;
For a belief outgrown,
Yet how much more my own
Than creeds that hold me quiet on my knees;
For rites that brought delights like these,
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Herberts of Elfdale

Serial story published in Once a Week, from October 20 to November 3, 1860.
* Part 1
* Part 2
* Part 3
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Heritage

* Search for titles containing or beginning with: "The Heritage."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Heritage (1905), by Rudyard Kipling
* The Heritage, by James Russell Lowell
* Heritage, a poem by Claude McKay
* The Heritage (1916), by Alice Duer Miller
# The Herdsman and the Lost Bull

Perry index 49
* "Jupiter and a Herds-man", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Herdsman and the lost Bull", translated by George Fyler Townsend, in Three Hundred Æsop's Fables (1867)
* "The Herdsman and the Lost Bull", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The House of the Vampire/XVIII
## XVIII

After Ernest's departure Ethel Brandenbourg's heart was swaying hither and thither in a hurricane of conflicting feelings. Before she had time to gain an emotional equilibrium, his letter had hurled her back into chaos. A false ring somewhere in Ernest's words, reechoing with an ever-increasing volume of sound, stifled the voice of love. His jewelled sentences glittered, but left her cold. They lacked that spontaneity which renders even simple and hackeneyed phrases wonderful and unique. Ethel clearly realised that her hold upon the boy's imagination had been a fleeting midsummer night's charm, and that a word from Reginald's lips had broken the potency of her spell. She almost saw the shadow of Reginald's visage hovering over Ernest's letter and leering at her from between the lines in sinister triumph. Finally reason came and whispered to her that it was extremely unwise to give her heart into the keeping of a boy. His love, she knew, would have been exacting, irritating at times. He would have asked her to sympathise with every phase of his life, and would have expected active interest on her part in much that she had done with long ago. Thus, untruth would have stolen into her life and embittered it. When mates are unequal, Love must paint its cheeks and, in certain moods at least, hide its face under a mask. Its lips may be honeyed, but it brings fret and sorrow in its train.
These things she told herself over and over again while she penned a cool and calculating answer to Ernest's letter. She rewrote it many times, and every time it became more difficult to reply. At last she put her letter aside for a few days, and when it fell again into her hand it seemed so unnatural and strained that she destroyed it.
Thus several weeks had passed, and Ernest no longer exclusively occupied her mind when, one day early in September, while glancing over a magazine, she came upon his name in the table of contents. Once more she saw the boy's wistful face before her, and a trembling something stirred in her heart. Her hand shook as she cut the pages, and a mist of tears clouded her vision as she attempted to read his poem. It was a piece of sombre brilliance. Like black-draped monks half crazed with mystic devotion, the poet's thoughts flitted across the page. It was the wail of a soul that feels reason slipping from it and beholds madness rise over its life like a great pale moon. A strange unrest emanated from it and took possession of her. And again, with an insight that was prophetic, she distinctly recognised behind the vague fear that had haunted the poet the figure of Reginald Clarke.
A half-forgotten dream, struggling to consciousness, staggered her by its vividness. She saw Clarke as she had seen him in days gone by, grotesquely transformed into a slimy seathing, whose hungry mouths shut sucking upon her and whose thousand tentacles encircled her form. She closed her eyes in horror at the reminiscence. And in that moment it became clear to her that she must take into her hands the salvation of Ernest Fielding from the clutches of the malign power that had mysteriously enveloped his life.
# The Lives and Characters of the English Dramatick Poets/Cosmo Manuch

Cosmo Manuch.
A Major in the King's Army, in the late Civil War, and Author of two Plays, call'd,
The just General, a Tragedy, 4to. 1630. This the Author design'd for the Stage, but was not ever acted.
The Loyal Lovers, a Tragi-Comedy, 4to. 1652. The Author, in Play, represents divers of the Committee Men and their Informers.
# The Lives and Characters of the English Dramatick Poets/Dr. Charles Davenant

Dr. Charles Davenant.
This Gentleman is the eldest Son of Sir William, and Dr. of Laws; he is yet Living, and has given us one Proof that Horoum filii noxæ,, is not always true in his Play call'd,
Circe, an Opera, 4to. 1677. Acted at the Duke's Theatre with Applause. Plot founded on Poetical History; see Ovid's Metamorph. Natal. Comes, Boccace, &c.
# The Lives and Characters of the English Dramatick Poets/Dr. Robert Wild

Dr. Robert Wild.
THis Author, tho’ a Presbyterian Doctor, writ one Play and divers Poems, but is most famous for his Iter Boreale. The Play is intituled,
The Benefice, a Comedy, 4 to. 1689. The Design taken from another Play, call’d, The Return from Parnassus; or, A Scourge for Simony.
# The Lives and Characters of the English Dramatick Poets/Dawbridgecourt Belchier

Dawbridgcourt Belchier.
This Gentleman writ one Interlude in the time of King James I. whilst he lived at Utreicht, in the United Provinces, which he entituled,
Hans Beer-pot, his Invisible Comedy of See me, and See me not, Int. 4to. 1618. Acted by an honest Company of Health-Drinkers, says the Title. He was an English Man, and in his Epistle calls it neither Comedy nor Tragedy, wanting both number of Speakers, and Parts or Acts it should have, it consisting of three Acts only.
# The Lives and Characters of the English Dramatick Poets/Dr. James Drake

Dr. James Drake.
A Member of the Colledge of Physitians, and formerly of Gonvile and Caius College in Cambridge. He has lately Publish'd a Play, call'd,
The Sham Lawyer, or, The Lucky Extravagant, a Comedy, 4to. Acted at the Theatre Royal, 1697. This Play, as it wanted Success, so it is for the most part borrowed from two of Fletcher's, (viz.) The Spanish Curate, and Wit without Money; but whether our Author has improv'd the Materials, or not, I leave to the Criticks.
# The Lives and Characters of the English Dramatick Poets/Dr. Jasper Maine

Dr. Jasper Maine.
THis learned Author was born at a place called, Hatherleigh, a Market Town in Devonshire, An. Dom. 1604. and in the Time of King James the First, passed from Westminster-School, to Christ-Church, Oxon, An. Dom. 1623. in the Condition of a Servitor, where he was encouraged in his Studies by Dr. Duppa, and the next Year chosen into the Number of Students on that noble Foundation. He passed his Degrees till he entred into Orders, and Plurality of Two Livings near that University, both in the Gift of the College. After his being made Doctor of Divinity, and turn’d out by the Visitation of the late Government of Oliver Cromwel, he was received into the Family of the Earl of Devon, having lost both his Livings. In the Restauration of the King, he ​found his Two Livings, and Advancement to a Canon of Christ-Church, as also Archdeacon of Chichester. He died Decemb. 6. 1672. and was buried on the North side of the Cathedral of Christ-Church, where is to be seen a shortEpitaph on a Marble Stone, placed over his Grave by his Executors, Dr. South and Dr. Lamphire. He gave by his Will 500 l. towards re-building of St. Paul's, and to Cassington, and Pyrton, near Watlington, (of which Places he was Vicar) 100 l. each. He writ and published the two following Plays:
The Amorous War, a Tragi-Comedy, 4to. Oxon, 1658, also printed fol. and 8vo.
The City Match, a Comedy, 4to. Oxon, 1658. printed also Fol. and 8vo. This Comedy was acted before their Majesties at White-Hall, and divers times afterwards at Black Fryars, with great Applause.
These two Plays are usually bound together.
This Author published divers other Books; as part of Lucian's Dialogues, Eng. Fol. divers Sermons, 4to. and a Poem on the Victory over the Dutch, 1665, &c.
* ↑ Wood Athenæ Oxonienses, Vol. 2. p. 372, 373.
* ↑ Hist. and Antiquit. Oxon. Lib. 2. p. 282.
# The Lives and Characters of the English Dramatick Poets/Christopher Marlow

Christopher Marlow.
A Famous Poet of Queen Elizabeth and King James’s Time, contemporary with the immortal Shakespear, was Fellow-Actor with Heywood, and others, he writ a Poem called, Hero and Leander, much commended, as also these seven Plays following:
Dr. Faustus his tragical History, 4 to. 1661, being the last Edition, printed with the Addition of many Scenes. Plot, Camerarii Opera Subsc. Cent. 1. Cap. 70. Wierus de Præftig. Dæmonum, Lib. 2. Cap. 4. Lonicerus, &c.
Dido, Queen of Carthage, a Tragedy, 4 to. 1594. In this he was joined by Nash. Plot from Virgil’s Æneids, Book 4.
Edward the Second, a Tragedy, 4 to. 1594. Plot from Thomas de la More, Sir Francis Hubert, and other English Historians of that Time.
Jew of Malta, a Tragi-Comedy, 4 to. 1633. Acted by her Majesty’s Servants at the Cock-pit, and at Whitehall, before the King and Queen. A Play of great Esteem in those Days.
Lust’s Dominion; or, The Lascivious Queen, a Tragedy 8 vo. 1661. This Play has been acted of late Years, under the Title of Abdelazar; or, The Moor’s Revenge: with few Alterations, by Mrs. Behn.
Massacre at Paris, with the Death of the Duke of Guise, a Tragedy, 8 vo. Acted by the Lord Admiral’s Servants. Is not divided into Acts. Plot from Davila, Thuanus, Dupleix, and Mezeray, in the Reigns of Char. IX. and Hen. III. of France.
Tamberlain the Great; or, The Scythian Shepherd, in Two Parts, a Tragedy, 8 vo. 1593. Acted also by the Lord Admiral’s Servants. Plot, Jean du Bec, Laonicus, Chalcocondilas, Pet. Bizarus, Knolles Hist. Turks, L’Histoire de Tamerlain, 8 vo. and his Life in English, 8 vo.
# The Lives and Characters of the English Dramatick Poets/Cyril Turner

Cyril Turner.
An Author who writ in the Time of King James the First, two Plays, entituled,
The Atheists Tragedy, 4 to. The Conveyance away of Sebastian and Fresco, on her Husband’s approach, is taken from Boccace’s Novels, Day 7. Nov. 6.
The Loyal Brother; or, The Revenger’s Tragedy, 4 to.