OpenLLM-France/wikimedia huggingface dataset:
# The Encyclopedia Americana (1920)/Faucit, Helen

Edition of 1920. See also Helena Faucit on Wikipedia, and the disclaimer.
FAUCIT, fâ'sĭt, Helen (lady Martin), English actress: b. London, England, 11 Oct 1817; d. Wales, 31 Oct. 1898. In 1851 she was married to Theodore (afterward Sir Theodore)
Martin (q.v.). She made her professional début as Julia in the ‘Hunchback’ at Covent Garden in January 1836. She was at once successful, took a leading part in Macready's Shakespearean revivals, in the first representation of Lytton's plays, and in Browning's ‘Blot in the Scutcheon’ and ‘Strafford.’ As an interpreter of Shakespeare's heroines, Juliet, Rosalind, Portia, Beatrice, Imogen, Cordelia and Lady Macbeth, she stood first among the actresses of her time. Some years after her marriage she left the stage, appearing only at rare intervals for public or charitable purposes, as in Beatrice at the opening of the Shakespeare Memorial Theatre at Stratford. In 1885 she published a volume of delightful studies, entitled ‘On Some of Shakespeare's Female Characters.’ Her ‘Life,’ by her husband, appeared in 1900.
# The Encyclopedia Americana (1920)/Faulhaber, Michael

Edition of 1920. See also Michael von Faulhaber on Wikipedia, and the disclaimer.
FAULHABER, foul'hạ-bėr, Michael, German prelate: b. Klosterheidenfeld, Bavaria, 5 March 1869. He was educated at the Schweinfurt gymnasium, and at the gymnasium, university and Kilaneum Seminary of Würzburg. In 1887-88 he was a soldier and non-commissioned officer in the Bavarian army and was ordained to the Catholic priesthood in 1892. In 1892-94 he was chaplain and parish priest and in 1894-96 was prefect of the Kilianeum Seminary, Würzburg. In 1896-99 he was engaged in studying manuscripts at the Vatican and other Italian museums. From 1899 to 1903 he was privatdocent in Greek palæography, Biblical archæology, homiletics, exegesis of the Psalms, at the University of Würzburg, and in 1903-11 was professor of the Old Testament exegesis and introduction to Sacred Scripture at the University of Strassburg. In 1911 Dr. Faulhaber was consecrated bishop of Speyer. In 1900 he visited England to study manuscripts of early Christian literature, spending one semester at Oxford. In 1902 he visited Spain for a
similar purpose. He has published "Die griechischen Apologeten der klassischen Väterzeit" (1896); "Die Propheten-Catenen nach römischen Handschriften" (1899); "Hesychii Hierosolymitani interpretatio Isaiæ prophetæ" (1900); "Hohelied-Proverbien-und Prediger Catenen" (1902); "Petrus stirbt nicht" (1903); "Weltkirche und nationale Anstalten" (1906); "Die Vesperpsalmen, weiteren Kreisen erklärt" (1906); "Schule und Religion" (1907); "Soziale Charitas" (1910); "Priester und Volk und unsere Zeit" (1911; 1912); "Die heilige Schrift ein Hirtenbrief der sozialem Ordnung" (1911); "Charakterbilder der biblischen Frauenwelt" (1912). He was a collaborator in Kihn, "Patrologie"; Karo-Lietzmann, "Catenarum græcarum catalogus" (1902); Buchberger, "Kirchliches Handlexigon," etc. He is a contributor to the Theologische Quartalsehrift, Biblische Zeitschrift, Strassburger Diözesanblatt, Oriens christianus, Monatsschrift für katholische Lehrerinnen, Literarische Rundschau, Theologische Revue, etc.
# The Encyclopedia Americana (1920)/Farrar, Eliza Ware Rotch

Edition of 1920. See also Eliza Ware Farrar on Wikipedia, and the disclaimer.
FARRAR, Eliza Ware Rotch, American writer: b. Flanders, Belgium, 1791; d. Springfield, Mass., 22 April 1870. She married Prof. John Farrar of Harvard University. Her works include ‘The Children's Robinson Crusoe’; ‘The Story of Lafayette’; ‘The Youth's Love-Letters’; ‘Congo in Search of His Master’ (1854); and ‘Recollections of Seventy Years’ (1865).
# The Encyclopedia Americana (1920)/Faucher, Léonard Joseph

Edition of 1920. See also Léon Faucher on Wikipedia, and the disclaimer.
FAUCHER, Léonard Joseph (Léon), French economist: b. Limoges, 8 Sept. 1803; d. Marseilles, 14 Dec. 1854. His family removed to Toulouse in 1812 and four years later his parents were separated. In those trying years Léon helped support himself and his mother by designing embroidery, the while attending to his studies. He became private tutor in Paris, and managed to pursue his studies in history and archæology. In 1830 he became active as a Liberal in journalism. In 1830-33 he was on the staff of the Temps and for a time was editor of Le Constitutionel. He launched a journal of his own, Le Bien public, but it turned out a failure. In 1834 he joined the Courier français and was its editor from 1839 to 1842. About this time he began to give his attention to economic questions; advocated a customs union between the Latin races to offset the Teutonic Zollverein, also propounding a free trade policy, in which connection he visited England in 1843 to study the system there. In 1847 he was sent from Rheims to the Chambre as an advocate of free trade. After 1848 he was a member of the Constituent Assembly, where he opposed several popular measures chiefly because they were sponsored by the Republicans. Under Louis Napoleon he was successively Minister of Public Works and Minister of the Interior, but in 1849 his attempt to influence the approaching elections compelled his resignation. In 1851 he was again Minister of the Interior. After Napoleon's coup d'état he retired from politics and went to Italy to restore his shattered health. He died while returning to Paris. Consult ‘Mélanges d'economie politique et de finance’ (2 vols., 1856), and ‘Léon Faucher, biographie et correspondence’ (2 vols., 2d ed., Paris 1875).
# The Encyclopedia Americana (1920)/Faucigny

Edition of 1920. See also Faucigny on Wikipedia, and the disclaimer.
FAUCIGNY, fō-sē-nyē', a district of France, department of Haute Savoie; area, about 840 square miles. Belongs almost wholly to the basin of the Arve, and not more than one-third of its surface is fit for culture. Pop. 102,000.
# The Encyclopedia Americana (1920)/Faujas de Saint-Fond, Barthélemy

Edition of 1920. See also Barthélemy Faujas de Saint-Fond on Wikipedia, and the disclaimer.
FAUJAS DE SAINT-FOND, fō'zhạ' de san'-foṅ', Barthélemy, French geologist: b. Montélimart, 17 May 1741; d. 18 July 1819. He received his education at the Jesuit College of Lyons, studied law at Grenoble and was admitted advocate to the Parliament. In 1765 he became president of the Seneschal's Court, but he soon was attracted to outdoor life and the study of geology. On the occasion of his repeated visits to the Alps he studied the forms, structure and composition of rocks and in 1775 discovered a rich vein of pozzuolana in the Velay. Buffon invited him to Paris, where Louis XVI appointed him assistant naturalist at the Museum and in 1788 he became royal commissioner for mines. In the latter capacity he traveled all over Europe and in his ‘Recherches sur les volcans éteints du Vivarais et du Velay’ he developed his theory of the origin of volcanoes. He was the first to point out the volcanic nature of the basaltic columns in Fingal's Cave, Isle of Staffa. In 1793 he was made professor at the Jardin des Plantes, a post he held until 1818. He wrote ‘Voyage en Angleterre, en Écosse et aux Iles Hébrides’ (1797; Eng. trans., 2 vols., 1799); ‘Description des expériences de la machine aérostatique de MM. Montgolfier’ (1784); ‘Historie naturelle de la province de Dauphine’ (1782); ‘Mineralogie des volcans’ (1784); ‘Essai de géologie’ (1809).
# The Encyclopedia Americana (1920)/Farrar, Edgar Howard

Edition of 1920. See also Edgar Howard Farrar on Wikipedia, and the disclaimer.
FARRAR, Edgar Howard, American lawyer: b. Concordia Parish, La., 20 June 1849. He was graduated at the University of Virginia in 1871 and studied law at the University of
Louisiana, being admitted to the bar in 1872. In 1878-80 he was assistant corporation counsel and in 1880 corporation counsel of New Orleans. He was for years chairman of the Executive Committee of One Hundred to reform the municipal government of New Orleans. He was chairman of the committee of safety formed to prosecute the Mafia assassins of the chief of police and led the campaign which defeated the proposition to extend the charter of the Louisiana Lottery. He was one of the organizers of the National Democracy in 1896 and made a notable address on the money question at the Indianapolis Convention. In 1906-08 he was president of the Louisiana Tax Commission and in 1910-11 was president of the American Bar Association. In 1882 he was selected by Paul Tulane as one of the trustees of the fund exceeding $1,000,000 to found Tulane University.
# The Encyclopedia Americana (1920)/Faucher, Julius

Edition of 1920. See also Julius Faucher on Wikipedia, and the disclaimer.
FAUCHER, fō'shạ, Julius, German economist and free trader: b. Berlin, 1820; d. Rome, 1878. He was a descendant of a French Huguenot family and was educated in the city of his birth. He was a follower of Adam Smith and embraced the doctrine of the English Free-trade party. In Berlin, in 1846, he founded the first German free-trade society,
later known as the Economic Society of Berlin. He founded the Abendpost at Berlin in 1850, the first free-trade journal in the country. Within a few years it was suppressed by the authorities and Faucher removed to England, where he joined the staff of the Morning Star. In 1861 he was back in Germany advocating strenuously for the liberty of domicile, free trade and freedom in industry. He was chosen member of the Prussian Diet and in 1863, with Michaelis, founded the Vierteljahrsschrift für Volkswirtschaft, Politik, und Kulturgeschichte. During the Franco-Prussian War he was correspondent of the London Daily News with the German armies. He published, in addition to his articles in the periodicals mentioned above, ‘Ein Winter in Italien, Griechenland und Konstantinople’ (1876); ‘Vergleichende Kulturbilder aus den vier europäischen Millionenstädten’ (1877); ‘Streifzüge durch die Küsten und Inseln des Archipels und des ionischen Meeres’ (1878); ‘Russian Agrarian Legislation of 1861’ (in ‘System of Land Tenure in Various Countries,’ 3d ed., London 1881).
# The Encyclopedia Americana (1920)/Faulkner, Charles James

Edition of 1920. See also Charles J. Faulkner on Wikipedia, and the disclaimer.
FAULKNER, fâk'nėr, Charles James, American lawyer: b. Berkeley County, Va., 1805; d. 1 Nov. 1884. He was admitted to the bar in 1829, sat at various times in both houses of the Virginia legislature and was a member of Congress 1851-59. In 1860 he was appointed Minister to France. Returning to the United States in 1861 he was imprisoned on suspicion of disloyalty, in Fort Warren, Boston, but was exchanged the same year. He was sent to Congress from West Virginia 1875-77.
# The Green Carnation

* related portals: LGBT.
* related authors: Oscar Wilde.
* sister projects: Wikipedia article, Wikidata item.
Written as a satire based on the alleged relationship between English authors Oscar Wilde and Lord Alfred Douglas, this fictional work was used as evidence in the Regina v Wilde court trial on charges of gross indecency. Its title is taken from an alleged 19th century code for secretly gay men which was a green flower pinned onto a suit or shirt to identify each other.
The Green Carnation
NEW YORK D. APPLETON AND COMPANY
1894
Copyright, 1894, By D. APPLETON AND COMPANY
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Green Bay Tree (Bromfield, Frederick A. Stokes Company, printing 11)/Chapter 90

WITH Lily's marriage and the end of the war, the house in Rue Raynouard regained something of its old life and gaiety. For M. de Cyon, the match was one surrounded by advantages. His wife was rich and beautiful. She had superb taste. She spoke excellent French and yet she was an American and thus provided a bond with the powerful nation whose favor was invaluable to every nation of Europe. His friends were charmed by her, for she had a way of listening to them, of drinking in their talk with a breathless air. Therefore they declared her not only beautiful but clever, a distinction which even Lily had never claimed. The world knew only that she was an American widow, wealthy, distinguished, beautiful, who had lived very quietly in Paris for more than twenty years. None knew anything against her. Indeed the only person who knew her story was dead, shot in the dungheaps of a French barnyard.
Yet there was, as people said, something about Lily de Cyon that aroused curiosity, even a tenuous suspicion. Somehow she did not fit the story of a quiet existence among the dowdy friends of Madame Gigon. She appeared to have mysterious resources, of instinct, of knowledge, of mystery. Enfin! She was a fascinating woman.
The strange gift of the crazy Madame Blaise appeared no longer to fill her with horror; for The Girl in the Hat and The Byzantine Empress were brought down from their hiding place in the dusty garret of Numero Dix and hung on either side of the flaming Venice of Mr. Turner. They were greatly admired by the painters whom Paul Schneidermann brought to the house. Some attributed them to Ingres, but none was certain. It was impossible to say who had painted them for they bore no signature. There were some who believed that they were the only great pictures of an obscure artist whose ​solitary rise from mediocrity came through the inspiration of a woman, a marvelously beautiful woman with dark amber hair and green white skin.
In the spring of 1920, the postman left with the concierge of Numero Dix a thin letter bordered in black bearing the postmark of Lisieux. It contained only a line or two, the mere mention of the death of Sister Monica. She was buried within the walls of the convent which she had not left in more than thirteen years.
# The Green Bay Tree (Bromfield, Frederick A. Stokes Company, printing 11)/Chapter 9

AT Cypress Hill, Julia Shane and her elder daughter returned, when the door had closed on their guests, to the drawing-room to discuss after a custom of long standing the entertainment of the evening. They agreed that Mrs. Harrison had grown much too stout, that she was indeed on the verge of apoplexy; that Miss Abercrombie became steadily more fidgety and affected.
"A woman should marry," said Julia Shane, "even if she can do no better than a day laborer."
Two candles by the side of the tall mirror and one by the flaming Venice of Mr. Turner guttered feebly and expired. Now that she was alone, the old woman lighted a cigarette and blew the smoke quietly into the still air. It was Lily who interrupted the silence.
"Willie proposed to me again," she said presently.
The mother made no answer but regarded the girl quietly with a curious questioning look in her tired eyes. Lily, seated in the glow of light from the majolica lamp, must have understood what was passing in her mind.
"No," she said, "if I had wanted to marry, I could have had a man . . . a real man." For a second her eyes grew dark with emotion and her red lips curved as if she remembered suddenly and with a shameless pleasure the embraces of her lover. "No," she continued, "I wouldn't play such a trick, even on a poor thing like Willie."
The old woman knocked the ashes from her cigarette. The rings flashed and glittered in the candle light. "Sometimes," she said softly, "I think you are hopeless . . . altogether abandoned."
There was a note of melancholy in her voice, so poignant that the girl suddenly sprang from her chair, crossed the little space between them and embraced her mother impulsively. ​"I'm sorry for your sake, Mama," she said. "I'm sorry. . . . She kissed the hard, handsome face and the mother returned the embrace with a sudden fierce burst of unaccustomed passion.
"It's all right, Lily dear. I'm only thinking of you. I don't think anything can really hurt me any longer. I'm an old warrior, tough and well-armored." For a second she regarded the girl tenderly and then asked, "but aren't you afraid?"
"No!" The answer was quiet and confident.
"You're a strange, strange girl," said the mother.
# The Garden at No. 19

* information about this edition.
* sister projects: Commons category, Wikidata item.
A London bachelor who has come into a little money buys a house in Hertford Park. He soon discovers that an air of mystery hangs about the place, and that the other houses in the street, with the exception of No. 19, are empty. Strange sounds and odors, and stranger emanations of an indefinable nature, assail him from this garden. He finds the house is occupied by a young girl and her morose uncle. … {Description extracted from review in the Nation, June 1910]
The Garden at No. 19
Edgar Jepson
And then a cold chill ran down my back
THE GARDEN AT N$^o$ 19
BY EDGAR JEPSON
Author of "Admirable Tinker," "Lady Noggs, Peeress," "Arsene Lupin," etc.
With four illustrations by H. R. BOEHM
NEW YORK
WESSELS & BISSELL CO.
1910
Copyright, 1910, by Wessels and Bissell
Entered at Stationers' Hall, London (All Rights Reserved)
Printed in the United States of America

### CONTENTS

CHAPTER
* I Came To Live at No. 20
* I Get a Fright
* The Roaring in the Night
* At the New Bohemians
* Mark Talks
* The Rite in the Garden
* The End of the Night
* Pamela Dances on the Lawn
* The Talisman
* We Watch Together
* A Respite from the Rites
* Woodfell's Grip Slips
* Woodfell
* Helen Ranger
* The Priestess of Ashtaroth
* The Rich Man's Lesson
* The Circle Breaks
* Marks Talks Again
* Marks Fortifies No. 20
* The Eve of the Full Moon
* In No. 19
* Marks is Reticent
* We Find a Paradise
* Woodfell's Record
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Garden Sepulchre

written for the consecration of the cemetery
In the faith of Him who saw  The eternal morning rise, Through the open gates of pearl,  On the hills of Paradise;
Looking to the promised land,  Saw the verdant palms, that wave In the calm and lustrous air,  Through the shadows of the grave;
In His name, whose deathless love  With a glory all divine, Filled the garden-sepulchre,  Far away in Palestine;
We would consecrate a place  Where our loved ones may repose, When the storms of life are past,  And the weary eyelids close;—
Fairer than a festal hall  Wreath the chambers of their rest;— Sacred to the tears that fall  O'er the slumbers of the blest:—
Sacred to the hopes that rise  Heavenward from this vale of tears, Soaring, with unwearied wing,  Through the illimitable years.
Each sweet nursling of the spring  Here shall weep its fresh'ning dews, Here its fragile censer swing,  And all its fragrant soul diffuse.
The lily, in her white symar,  Fondly o'er the turf shall wave, Asphodels and violets star  All the green-sward of the grave.
Here the pale anemone  In the April breeze shall nod, And the may-flower weave her blooms,  Through and through the velvet sod.
Bending by the storied urn,  Purple eglantine shall blow, Till the pallid marble takes,  From her cheek, a tender glow.
Where the folding branches close  In a verdant coronal, Through their dim and dreaming boughs,  Faintly shall the sun-beams fall.
Memories, mournful, yet how sweet!  Here shall weave their mystic spell; Angels tread, with silent feet,  Paths where love and sorrow dwell.
No rude sound of earth shall break  The dim quiet, evermore; But the winds and waves shall chaunt  A requiem on the lonely shore.
Flitting through the laurel's gloom,  The humming-bird shall wander by, Winnowing the floral bloom,  From cups of wreathèd ivory.
The bee shall wind his fairy horn,  Faintly murmuring on the ear; Sounds that seem of silence born,  Soothe the soul of sadness here;
Many a low and mystic word,  From the realm of shadows sent, In the busy throng unheard,  Make the silence eloquent:
Words of sweet promise, spoken  Only where the dirge is sung; Where the golden bowl is broken,  And the silver chord unstrung.
Faith shall, with uplifted eye,  All the solitude illume; Hope and Memory shall sit,  Shining seraphs, by the tomb.
# The Gates of Morning/Book 3

BOOK III
# The Future—never spoke—

The Future — never spoke — Nor will He — like the Dumb — Reveal by sign — a syllable Of His Profound To Come —
But when the News be ripe — Presents it — in the Act — Forestalling Preparation — Escape — or Substitute —
Indifference to Him — The Dower — as the Doom — His Office — but to execute Fate's — Telegram — to Him —
# The English and Scottish Popular Ballads/Part 1/Chapter 16

* a. Motherwell's MS., p. 286. b. 'The broom blooms bonnie and says it is fair,' Motherwell's Minstrelsy, p. 189.
* Sharpe's Ballad Book, ed. by D. Laing, p. 159.
* 'The broom blooms bonie,' Johnson’s Museum, No 461.
* Notes and Queries, First Series, V, 345, one stanza.
The three stanzas of this ballad which are found in the Musical Museum (C) were furnished, it is said, by Burns. It was first printed in full (A b) in Motherwell's Minstrelsy. Motherwell retouched a verse here and there slightly, to regulate the metre. A a is here given as it stands in his manuscript. B consists of some scattered verses as remembered by Sir W. Scott.
The directions in 3, 4 receive light from a passage in 'Robin Hood's Death and Burial:'
Other ballads with a like theme are 'The Bonny Hind,' further on in this volume, and the two which follow it.
Translated in Grundtvig's E. og s. Folkeviser, No 49, p. 308; Wolff's Halle der Volker, I, 64.
a. Motherwell's MS., p. 286. From the recitation of Mrs King, Kilbarchan Parish, February 9, 1825. b. 'The broom blooms bonnie and says it is fair,' Motherwell’s Minstrelsy, p. 189.
Sharpe's Ballad Book, ed. by D. Laing, p. 159: Sir Walter Scott, from his recollection of a nursery-maid's singing.
Johnson's Museum, No 461.
Notes and Queries, 1st Series, V, 345, communicated by E. F. Rimbault.
* b. Motherwell's printed copy has these variations: 1$^1$. It is talked, it is talked; a variation found in the MS. 3$^1$. O when … loud, loud cry. 3$^2$. an arrow frae thy bow. 4$^1$, cauld and dead. 5$^1$. loud, loud cry. 6$^1$. has houkit. 6$^2$. babie. 7$^1$. came hame. 7$^2$, dancing mang them a': this variation also in the MS. 9$^1$, 10$^1$. There are.
* "I have heard the 'Broom blooms bonnie' sung by our poor old nursery-maid as often as I have ​teeth in my head, but after cudgelling my memory I can make no more than the following stanzas." Scott, Sharpe's Ballad Book, 1880, p. 159. Scott makes Effie Deans, in The Heart of Mid-Lothian, vol. I, ch. 10, sing this stanza, probably of his own making: The elfin knight sat on the brae,  The broom grows bonny, the broom grows fair And by there came lilting a lady so gay.  And we daurna gang down to the broom nae mair
# The Holly-Tree Inn

This is a 1900 reprint from the The Holly-Tree Inn and Other Reprinted Pieces collection of short stories, published as the second volume of A Child's History of England and Miscellaneous Pieces. The Holly-Tree Inn was originally published in the Christmas 1855 edition of Household Words. There is some evidence that Dickens only wrote three of the sections and the framing story; the other sections are purportedly attributed as follows: "The Ostler", Wilkie Collins; "The Landlord", William Howitt; "The Barmaid" Adelaide Anne Procter; "The Poor Pensioner", Holme Lee.
THE HOLLY-TREE INN
* The Guest
* The Ostler
* The Boots⁠
* The Landlord
* The Bar-maid
* The Poor Pensioner
* The Bill
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse