OpenLLM-France/wikimedia huggingface dataset:
# That's the real dandy/That's the Real Dandy

That's the Real Dandy.
The cant word throughout the town, So fam’d and of so great reuown Will shortly be, I hope pull’d down, It took its rise from Brandy.
The reason is so easy understood, A cobler’s wife thought Nantz so good, Who as she sip’d the plesant food, Cry’d isn't that the Dandy.
The Cobler passing by the shop, To taste the cordial in did hop, And finding Neil had got a drop, He spy’d a stich most handy;
And round the Beggar-market place, Withit poor Neil he did so lace Till she with sad distorted face, Cry’d, Jobson that’s the Dandy.
Of this word he could make no sense, So straightway dragged his characer hence, But first he pay’d dear twenty pence, That she had drunk in Brandy.
And as he haul’d her through the street, ​For she, the child, had lost her feet, To every person she did meet, Cry'd that s the real Dandy.
A chimney sweeper heard the fnn As he through the street for foot did ran, Crying, fire and smoke, we’re all undone, By drinking stout at Brandy.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That Half-Crown Sweep

The run of Billabong-go-dry Is just beyond Lime Burner's Gap; Its waterhole and tank supply Is excellent -- upon the map. But lacking nature's liquid drench, The station staff are wont to try With "Bob-in Sweeps" their thirst to quench, Or nearly quench, at Bong-go-dry.
The parson made five-yearly rounds That soil of arid souls to delve, He wrote, "I'll come for seven pounds, Or I could stop away for twelve." But lack of lucre brought about The pusillanimous reply: "Our luxuries are all cut out, You'll have to go to Bong-go-dry."
Now rabbit skins were very high -- There'd been a kind of rabbit rush -- And what with traps and sticks they'd shy, The station blacks were very flush, And each was taught his churchman's job, "When that one parson's plate comes roun' No good you put in sprat or bob, Too quick you put in harp-a-crown."
The parson's word was duly kept, He came and did his bit of speak; The boss remarked he hadn't slept So sound and well for many a week. But Gilgai Jack and Monkey Jaw Regarded preaching as a crime Against good taste; they said, "What for That one chap yabber all the time?"
Proceedings ceased: the boss's hat Was raked from underneath his chair; The coloured congregation sat And waited with expectant air. At last from one far-distant seat Where Gilgai's Mary'd been asleep, There came a kind of plaintive bleat, "Say, boss! Who won the harp-crown sweep?"
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# That I did always love

* "Proof" in Poems (1890)
* "That I did always love" in The Complete Poems of Emily Dickinson (1924)
# That's the real dandy

That's the REAL DANDY.
To which are added,
THE JOLLY BEGGAR.
TURN IN, TURN OUT.
The Happy Marriage.
The Broad Swords
OF AULD SCOTLAND.
Stirling, Printed by M. Randall.
* That's the Real Dandy
* The Beggar
* Jack's Disaster
* Pretty Nancy
* The Broad Swords of OLD SCOTLAND
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That's the real dandy/Jack's Disaster

Jack's disaster.
Come all you roaring boys, that delight in roaring noise. I compare it to nothing but laughter, When a sailor comes on shore, with his go silver store, there's no one can get rid of it faster.
​The first thing Jack craves, is a chamber fine and clean,
with good liquor of every sort, With a pretty girl likewise, with her black and rolling eyes then Jack sar he is pleas'd to the heart:
And so the game goes on; till his his money's spent and gone, then his landlady begins for to frown, With her nasty leering eye, and her nose turn'd all awry, crying. Sailor, it is high time to begone.
This strange and sudden check, put Jack's head sails all a-back not knowing to what shore for to steer, Resolving for revenge, and himself for to defend, swore the deck fore and aft should be clear.
No quarter he did cry, candlesticks at him did fly then Jack he began to engage, The old Bawd in a fright, call d she watchmen of the right, crying, bundle him away to the cage,
Then Jack understands, there's a ship wants to be mann'd, and to the East-Indies she is bound, With a sweet and pleasant gale, she spreads a swelling sail, bids adieu unto England's fair ground.
​So all you sailors bold, pray be careful of your gold,
you will find that to be your best friend: Take some honest sober wife, then you'll ne'er be deceivd, but on her you may always depend.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That's the real dandy/The Broad Swords of OLD SCOTLAND

The Broad Swords of Old Scotland,
WHEN our valiant anceſtors did land in this isle, Brave Fergus commanded and vict'ry did smile With their Broad Swords in their hand they well cleared the ſoil! O the Broad Swords of old Scotland! And O the Old Scottish broad swords!
The Romans, the Picts and be Old Britons too, Us, by fraud and by guile did attempt to ſubdue; But their ſchemes prov'd abortive while we did prove true, ​
O the Broad Swords,&c.
Tho' ſome facts Nobles to ſerve their own end,
Did join with the English, themſelves to befriend, And we lost they did loſe in the end, O the Broad Swords, &c.
Remember brave Wallace who boldly did play, Bruce at Bannockburn what a glorious day! The flowers of old England our heroes did I fly O the Broad Swords &c.
See Edward their King take his heels in a fight, Nor e'er look'd behind but in Berwick alight, In an old fishing boat he at Scotland good night. O the broad Swords, &c.
Our Scottish ancestors were valiant and bold, In learning ne'er beat nor in battle contrould, But now—ſhall I name it!— Alas! we're all told, O the Broad Swords of Old Scotland,
And O the Old Scottiſh Broad Swords.
FINIS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That's the real dandy/Pretty Nancy

Pretty Nancy.
As I was walking one morning so fair, So green was the fields, and cool was the air, There did I discover, Pretty Nancy my lover. And I for to woo her was pleas'd for to say,
O fairest of creatures that ever was seen, You're the pride of my heart, the flow'r of the green, With garlands of roses, And sweet pretty posies, What nature composes I'll crown you my queen
To these words I spoke she answered and said, O how can you flatter a poor harmless maid, For your tongue it runs so nimble, It makes my heart to tremble, And I fear disemble my poor heart to break
Of all my sweethearts I have nine or ten, Yet never a one I can fancy of them, But if I should believe you, And you should deceive me,
​And scornfully leave me, oh! where am I then,
these words I speak is by the powers above, The rocks and the mountains shall sooner remove And the sea shall flame on fire, If from my eve I shall retire, And there's nothing I desire but innocent love.
If innocent love is all your request, And you in earnest, I thought you were in jest, I'll adore you with pleasure, With kisses out of measure, With joy, peace & pleasure we both shall be blest.
This couple they're married, and live very happy, Enjoying one another with pleasures to canty, The rocks they shall melt. And the mountains shall remove, Ere ever prove false to the woman I love.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That's the real dandy/The Beggar

The Beggar.
A Beggar l am, of low degree, For I’m of a begging family, I'm lame, but when in a fighting 'bout I whip off my leg and fight it out; In running I leav: the beadle behind And a laſe I can ſee, tho'alas! I am blind Through town and village I gaily jog, My music, the bell of my little clog.
Chorus, I’m cloth’d in rags,
I’m hung with bags, That around me wags; I’ve a bag for my salt A bag for my malt A bag for the eg of a goose For my oats a bag. For my groats a bag.
And a bottle to hold my booze: It's now heaven bleſs you for your charity, And then puſh the can about, fol de roldere.
SPEAKING
Bleſs your noble honor, and your good lady, ​hope you will never know the loss of a leg or an eye.
Heaven bleſs you for your charity, Then puſh about the can, fol de roll
In begging a farthing, I'm poor and old, In ſpending a I'm (illegible)and bold, When a brave full company I ſee It's my noble maters, your charity,"— But when a traveller I meet alone, "Stand and deliver, or I'll knock you down" All day for a wandering mumper paſe, All night—Oh a barn, and a buxom laſs.
chorusI'm clothed in rags, I'm hung with bags, That around me wags: I've a big for my ſalt, A'bag for my malt, A bag for the leg of gooſe; For my oats a bag For my groats a bag, And a bottle to hold my booze: & c.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# That International Rag

[1st verse]:
What did you do, America?
They're after you, America
You got excited and you started something
Nations jumping all around
You've got a lot to answer for
They lay the blame right at your door
The world is ragtime crazy from shore to shore
[chorus]:
London dropped its dignity
So has France and Germany
All hands are dancing to a raggedy melody
Full of originality
The folks who live in sunny Spain
Dance to a strain
That they call the Spanish Tango
Dukes and Lords and Russian Czars
Men who own their motor cars
Throw up their shoulders to that raggedy melody
Full of originality
Italian opera singers have learned to snap their fingers
The world goes 'round to the sound of the International Rag
[2nd verse]:
In every land, America
Most every band, America
Has started everybody dancing daily
Prancing gaily all around
There's syncopation in the air
They've got the fever everywhere
Each happy, snappy chappy cries "It's a bear."
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Annotated Prince/Chapter V

Chapter V: How Cities or Provinces Which Before Their Acquisition Have Lived Under Their Own Laws Are To Be Governed
When a newly acquired State has been accustomed, as I have said, to live under its own laws and in freedom, there are three methods whereby it may be held. The first is to destroy it; the second, to go and reside there in person; the third, to suffer it to live on under its own laws, subjecting it to a tribute, and entrusting its government to a few of the inhabitants who will keep the rest your friends. Such a Government, since it is the creature of the new Prince, will see that it cannot stand without his protection and support, and must therefore do all it can to maintain him; and a city accustomed to live in freedom, if it is to be preserved at all, is more easily controlled through its own citizens than in any other way.
We have examples of all these methods in the histories of the Spartans and the Romans. The Spartans held Athens and Thebes by creating oligarchies in these cities, yet lost them in the end. The Romans, to retain Capua, Carthage, and Numantia, destroyed them and never lost them. On the other hand, when they thought to hold Greece as the Spartans had held it, leaving it its freedom and allowing it to be governed by its own laws, they failed, and had to destroy many cities of that Province before they could secure it. For, in truth, there is no sure way of holding other than by destroying, and whoever becomes master of a City accustomed to live in freedom and does not destroy it, may reckon on being destroyed by it. For if it should rebel, it can always screen itself under the name of liberty and its ancient laws, which no length of time, nor any benefits conferred will ever cause it to forget; and do what you will, and take what care you may, unless the inhabitants be scattered and dispersed, this name, and the old order of things, will never cease to be remembered, but will at once be turned against you whenever misfortune overtakes you, as when Pisa rose against the Florentines after a hundred years of servitude.
If, however, the newly acquired City or Province has been accustomed to live under a Prince, and his line is extinguished, it will be impossible for the citizens, used, on the one hand, to obey, and deprived, on the other, of their old ruler, to agree to choose a leader from among themselves; and as they know not how to live as freemen, and are therefore slow to take up arms, a stranger may readily gain them over and attach them to his cause. But in Republics there is a stronger vitality, a fiercer hatred, a keener thirst for revenge. The memory of their former freedom will not let them rest; so that the safest course is either to destroy them, or to go and live in them.

## Notes

The Annotated Prince - Chapter V
# The Arabian Nights

* Search for titles containing or beginning with: "The Arabian Nights."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Arabian Nights, also known as One Thousand and One Nights, collection of stories from the Islamic Golden Age
* "From the Arabian Nights", a poem by R. S. Mitchell
* "Recollections of the Arabian Nights", a poem by Alfred Lord Tennyson
# The Arab Warrior

Go, ask of men that know my name,
And they the truth will speak,
That I'm the terror of the strong,
The helper of the weak.
My spear has made the dragon brood
Succumb to galling bands,
And tossed before the jaws of War
The forage he demands.
I steer my horse through stormy fights,
As a seaman steers his craft ;
My joy, to splinter on my breast
The foeman's flying shaft.
I am the latest laid to rest,
The earliest in the fight,
And while the others idly feast
I rub my harness bright.
And while the booty they divide
I heap the ranks of slain,
And when they scorn my poverty,
I scorn their greed of gain.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Air Force Role In Developing International Outer Space Law

(transcription project) (page images with accompanying text). Versions in DjVu and PDF format are available.

## Disclaimer

Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessary represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release, distribution.
Digitize January 2003 from May 1999 Printing NOTE: Pagination changed.
* Foreword
* About the Author
* Acknowledgement
* Introduction
* Chapter 1: Germination of Outer Space as a Legal Concept​
* Chapter 2: Air Force Opposition to International Conventions on Space
* Chapter 3: Air Force as a Backseat “Driver” in Space Law Debates
* Chapter 4: Project West Ford
* Chapter 5: Maj Gen Albert M. Kuhfeld and Air Force Leadership of Space Law Development
* Chapter 6: The 1972 Liability for Damages Convention
* Epilogue
* Appendix A: Air Staff Reaction to Project RAND Report Dated 28 October 1957
* Appendix B: Conclusions of the Air Doctrine Branch Study 8 October 1958
* Appendix C: Excerpts from The Operations Coordinating Board's “Operations Plan for Outer Space” 18 March 1959
* Appendix D: Conclusions of Colonel Martin Menter's Thesis “Astronautical Law” May 1959
* Appendix E: “Ten Precepts” General Albert M. Kuhfeld January 1962
* Glossary of Term
* Glossary of Key People
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Air Force Role In Developing International Outer Space Law/About the Author
## About the Author

Delbert R. “Chip” Terrill Jr. is an administrative law judge with the United States Federal Energy Regulatory Commission. Judge Terrill is a colonel in the USAF Reserves and serves as a historian with the Air Force Historical Research Agency, Maxwell Air Force Base (AFB), Alabama. He received a BS degree (majoring in history) from the United States Air Force Academy in 1970 and a JD degree in 1974 from the Georgetown University Law Center. Judge Terrill has worked at the White House and on Capitol Hill, and with the Office of US Special Counsel. He has served as a special assistant US attorney and as a department counsel and hearing examiner (now administrative judge) with the Department of Defense (DOD) Legal Services Agency’s Directorate for Industrial Security Clearance Review (now Office of Hearings and Appeals). While in the Air Force Reserve, he previously served at the Department of Legal Medicine, Armed Forces Institute of Pathology, and the Office of the Surgeon General of the Air Force. He is a graduate of the Air War College (outstanding graduate), the Armed Forces Staff College, and the Air Force Squadron Officer School. In February 1994 and July 1997, Colonel Terrill attended the Sixth and Seventh Biennial Conferences on the Law Relating to National Security Activities in Outer Space. His prior publications include “Complaint Procedures Initiated by and Against Federal Administrative Law Judges Need Reform Now,” Judge’s Journal (Fall 1994); Chapter Two “The Patient, the Hospital and the Law,” Lawyers Medical Cyclopedia (Allan Smith Publishing Company, 1981); and “The New Copyright Law: How It Affects Physicians,” The Journal of Legal Medicine (1977).
# The Air Force Role In Developing International Outer Space Law/Acknowledgement

Acknowledgment
I would like to thank the individuals who assisted me in the research and preparation of this monograph. Will H. Carroll, Prof Harry H. Almond Jr., and Brig Gen Martin Menter, USAF, Retired, all provided invaluable interviews and documents. Robbie Profitt of the Federal Aviation Administration assisted me in locating crucial Air Coordinating Committee papers. Mrs. Albert M. Kuhfeld provided me access to her husband’s files. Eilene Galloway allowed me to pick her brain periodically. R. Cargill Hall provided me early access to his insightful works analyzing the origins of US space policy, which explain in detail the Eisenhower administration’s thinking and efforts to assure acceptance of its “freedom of space” policy. The officials of the Air Force Historical Research Agency, Maxwell Air Force Base, Alabama, graciously allowed me the flexibility of completing this long-term project as a part of my agency duties. The librarians at the National Academy of Sciences and the archivists at the National Records Center and the National Archives and Records Administration were always helpful and pleasant. Most importantly, thanks are due to Jacob Neufeld, who guided the direction of my research and my writing and whose welcomed red pen was always ready and on the money, and to Thomas C. Lobenstein and Peggy Smith, my Air University Press editors, for their willingness to put up with my last-minute additions and changes. Thanks also to Karen Fleming-Michael for reading, copyediting, and logistic support. Finally, thanks to James Howard and Richard Wolf who prevented the succeeding generations of computer software programs from disorganizing the iterations of this monograph and who thereby kept me sane.
# The Argus/1903/Death of Mr. George Meares

"DEATH OF MR. GEORGE MEARES." The Argus (Melbourne, Vic. : 1848 - 1957) 9 December 1903: p. 9. <http://nla.gov.au/nla.news-article10586868>.
Death of Mr. George Meares.
The death of Mr. George Meares, C.M.G., which took place yesterday morning at his residence, "Grosvenor," Glenferrie-road, Malvern, will be learned with sincere regret by his many friends, by whom he was held in high esteem. Until about a fortnight ago he was in his usual health, but the extreme heat of the weather at that time brought about a sudden collapse, the immediate cause of his death being heart failure Mr Meares was born at Westmeath, Ireland in June, 1825, and arrived at Sydney in 1847. Coming to Melbourne in 1852, he began business as a draper in Collins street, a few doors eastward from "The Argus" office. Subsequently he moved to Bourke-street, where, in conjunction with his brother, the late Mr. R. S. Meares, he remained in business until 1878. He subsequently became identified with financial pursuits, and about 20 years ago acquired a pastoral property in New South Wales. He entered civic life as a representative of Latrobe Ward, to which he was elected on March 30, 1874, and from which he retired on November 1, 1837. He was mayor of the city for the terms 1879-1880, and 1880-1881, and during the latter term his hospitality was a household word on the occasion of the visit of the young princes. At the time of his death Mr. Meares held office on the directorate, of the Metropolitan Gas Company, and as a commissioner of Savings Banks. Mrs. Meares predeceased her husband in 1875, and there is a family of three daughters and three sons. One of the daughters is the wife of Mr Henry Andrews of Flinders-lane. The sons are Mr Robert Meares (Messrs. Russell and Meares solicitors). Mr. Richard Meares (a pastoralist in New South Wales) and Dr. Albert Meares, of Branxholme, whose wife is a daughter of Mr C. J. Ham, M.L.C. The funeral will take place this afternoon at the Melbourne Cemetery.
This work was published in 1903 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 120 years or less since publication.
Public domainPublic domainfalsefalse
# The Argus

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
* "Sudden death: Thomas Wayth Gudgeon" in The Argus, 1890
* "Death of Mr. George Meares" in The Argus, 1903
* "An ex-mayor" in The Argus, 1903
* "Death of Mr. J. J. Shillinglaw" in The Argus, 1905
* "Bishop of Mombasa is Dead" in The Argus, 1916