OpenLLM-France/wikimedia huggingface dataset:
# The Philosophical Review/Volume 1/Summary: Seeland - Ueber die Einseitigkeit der herrschenden Krafttheorie I

Z. f. Ph. = Zeitschrift für Philosophie und philosophische Kritik
This is the first part of a two-part article; the second part is Summary: Seeland - Ueber die Einseitigkeit der herrschenden Krafttheorie II
It is the constant progress in the organic, and especially in the psychical sphere, which has led the author to doubt the constancy of the sum of energy in the universe as a whole. His own thesis is that "the sum of the real forces, i.e. those which are understood in the law of the conservation of energy, are not constant, but steadily increasing in the course of the world's history. The thing, however, which furnishes this supply is an unknown and indefinite existence, which we cannot indeed name nothing, but yet we are not in a position to say anything further of it."
In the lives of plants, animals, and men we constantly see new properties and relations arise, and those already existing becoming stronger, without being able to explain these through any existing sum of forces. Living organisms do not simply react like machines upon one invariable stimulus, but respond purposively to the most varied forms of excitement. The organisms, too, become modified, and when these modifications become permanent as a result of them, a higher stage of life is made possible. Nothing is more common than to speak of 'natural forces' and to forget that the bases of these forces are themselves indefinite and unknown. We constantly see organic beings, ​particularly men, advance through an indefinite number of stages and develop from their original nature new properties and forces. But this original nature is only an indefinite somewhat out of which the forces must be produced, and what is produced is generally higher and more complex than the stimulus.
The development of memory and the other intellectual powers cannot be supposed to take place at the expense of other vital forces; for if the development has been harmonious, if the body has not been neglected or misused, the individual is physically stronger than before. Further, contact with persons or things calls forth new dispositions and feelings, and deepens those which already exist; i.e. produces new psychical forces without necessitating any loss. Stimuli of a negative character, like cold, hunger, pain, have a similar effect. Painful psychical experiences are most important for the genesis of positive moral qualities. All advance is the result of strain, of suffering, of conflict. If we ask for the source of this additional spiritual force, the question cannot be answered from the standpoint of the prevailing theory of energy.
# The Philosophical Review/Volume 1/Summary: Rosinski - Die Wirklichkeit als Phänomen des Geistes - Part 1

Phil. Mon. = Philosophische Monatshefte
This is the first part of a two-part article; the second part is Summary: Rosinski - Die Wirklichkeit als Phänomen des Geistes - Part 2
This article is a criticism of Kant's Thing in Itself and of Herbart's Absolute Real. Experience teaches that the change in an object is conditioned not only by the cause but by its own nature also. The subject A occasions in B the reaction b, the subject A' the reaction b'; b and b' are both expressions and states of one and the same object; they must accordingly correspond to its nature. So in our mental world. The sensation with which we react on external impressions cannot be otherwise than conformable to the nature of our Self. The perception must be in conformity with the subjectivity of the sensibility. The subjectivity of the content of perception brings with it that of all knowledge. The latter is conditioned on the one hand by the laws of thought and on the other hand by sensation. The dualism of sense and understanding was the great error which fettered the metaphysics of antiquity. Every form of epistemological dualism must involve the understanding in contradictions. The entire nature of the spirit, the whole field of its productions, forms a unity. As the understanding asserts that the objects of the sensibility do not exist in themselves, so must it also say: All of my products and objects must correspond to my nature and my laws; they would be different if I myself had another character.
The 'thing in itself' preserves its character of a being only through its qualities; if it is posited without determination there is nothing posited; for that which has no determination, as Hegel teaches, is the Nothing. Every quality which we apply to 'the real' can have only a subjective significance; the 'thing in itself' is not to be thought as ​existing somehow, it must be posited as quite undetermined. As this contradiction is necessitated by our positing 'the absolute real,' so it can be avoided only by its negation. We must conclude, therefore, that because the being is such only through subjective determinations, it itself must be subjective; or because no absolutely real qualities can be ascribed to it, and that which is without qualities is identical with the not-being, so it is, as 'absolute real,' a non-being. All the grounds which compel us to posit things are only in us and are not given to us from without. We have just the same right to say that perception arises from an inner cause as from 'things in themselves.' The phenomenon contains in itself the only true being. It lies in the nature of spirit to posit the phenomenon as real. The real need not, as Herbart says it must, be posited in order that the given may have a point of contact for its validity. The phenomenon must, to be sure, depend upon a Something, but this Something lies within its borders. It lies in the nature of the spirit to posit the phenomenon as real.
# The Royal Banners Forward Go

This translation of the 6th-century Latin hymn Vexilla Regis was first published in Neale's Mediaeval Hymns and Sequences in 1851.
* "Vexilla Regis prodeunt" in Mediaeval Hymns and Sequences, 3rd edition, (ed.) by John Mason Neale (1867).
* "The Vexilla Regis" in The Seven Great Hymns of the Mediaeval Church (ed.) by Charles Cooper Nott (1902).
# The Pinafore Picture Book/end matter

With 28 Colour-Plates and specially designed binding and end papers. Crown 4to.
THE PETER PAN PICTURE BOOK THE STORY OF PETER PAN, retold from Mr. J. M. Barrie's popular Play By DANIEL S. O'CONNOR And Illustrated by ALICE B. WOODWARD
| Price 5s. net | Price 5s. net |
LONDON: GEORGE BELL & SONS And all Booksellers
# The Pinafore Picture Book/front matter

THE PETER PAN PICTURE BOOK
THE STORY OF PETER PAN
Retold by DANIEL O'CONNOR
From the Play by J. M. Barrie
WITH 28 FULL-PAGE ILLUSTRATIONS IN COLOUR BY
"Miss Woodward's pictures are really delightful. The whimsical flavour of the fairy play is faithfully reflected, while for rich and harmonious colouring and decorative quality of design they would be difficult to surpass."—Athenaeum.
"It would be difficult to imagine anything more dainty. The pictures are exquisitely beautiful, and to follow the story in Mr. Daniel O'Connor's version is almost as fascinating as it was to see Mr. Barrie's quaint creation on the stage."—Glasgow Herald.
# The Pine Tree

The poem was written in 1841. Published 1841. It is a free translation of Ein Fichtenbaum steht einsam by Heinrich Heine.
* In the wild north a pine tree stands alone
* On the bare top of a mountain.
* It slumbers and sways, covered with
* Powdery snow like a mantle.
* 5 And it dreams constantly: that in faraway wilds
* In the land where the sun rises,
* A cheerless and lovely palm stands alone,
* Growing on a gloomy cliff. 1841. Transl. 19 Sept. 2007.
The note on the translation:
This work is licensed under the terms of the GNU Free Documentation License.
The Terms of use of the Wikimedia Foundation require that GFDL-licensed text imported after November 2008 must also be dual-licensed with another compatible license. "Content available only under GFDL is not permissible" (§7.4). This does not apply to non-text media.
Public domainPublic domainfalsefalse
# The Pines of Lory

* information about this edition.
* sister projects: Commons category, Wikidata item.
Edition: New York: Life Publishing Company, 1901. The Pines of Lory was first serialized in Scribner's Magazine Aug to Nov 1901 (with the same header illustrations). It was adapted into a film, The Pines of Lorey in 1914.
Do you want "a story just about a feller and a girl"—and also about a dog and a desert island? J. A. Mitchell's "The Pines Of Lory" has fortunately been published again. It charmed thousands of readers twenty-one years ago, and it should do so again. J. A. Mitchell wrote eight or ten curious and original books, and it is a pity that there is no one like him now. —The Outlook, 2 June 1924
THE PINES OF LORY
"It is no gardener's cottage"
THE
PINES OF LORY
By
J. A. Mitchell
Author of "Amos Judd," "That First Affair," "Gloria Pictis," etc.
DECORATIONS BY ALBERT D. BLASHFIELD
New York
Life Publishing Company
1901
Copyright, 1901
By J. A. Mitchell
New York City
Entered at Stationers' Hall, London Printed in the United States
All rights reserved
TO
ALL LOVERS OF LOVERS
AND LOVERS OF OUT-OF-DOOR THINGS
AND MILDER FORMS OF
FOLLY
THIS BOOK
IS AFFECTIONATELY
DEDICATED
There is a pleasure in the pathless wood, There is a rapture on the lonely shore.
Byron
* I. A Relic from Africa
* II. Froth of the Sea
* III. A Fool at Thirty
* IV. Northward
* V. Wonderland
* VI. The Secret of the Pines
* VII. The Clouds Gather
* VIII. “Women Are Devils”
* IX. A Sinner’s Recompense
* X. Trapping a Quail
* XI. Food for Thought
* XII. The Wolf At The Door
* XIII. The Horn of Plenty
* XIV. Pilgrims
* XV. Revelations
* XVI. News from the World
* XVII. Voices of the Wood
* XVIII. A Nunnery?
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pines

* Search for titles containing or beginning with: "The Pines."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Pines, a poem by Richard Watson Gilder
* The Pines, a poem by Robert William Service
# The Squire's Prologue and Tale (Chaucer)

part of The Canterbury Tales
* The Squieres Tale (1900) from The Complete Works of Geoffrey Chaucer
* The Squire’s Tale from The Canterbury Tales and Faerie Queene (1870) (transcription project)
* The Squire’s Tale from The Canterbury tales of Geoffrey Chaucer (1914) (transcription project)
* The Squire’s Tale from (unsourced)
# The Squaw Man

* Search for titles containing or beginning with: "The Squaw Man."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Squaw Man", a poem by Robert William Service
* The Squaw Man, a 1914 film
# The Squire of Dames

Extracted from Pall Mall magazine, 1903 May (pp. 27–36) & June (pp. 189–198) Accompanying illustrations omitted.
THE SQUIRE OF DAMES.
BY H. B. MARRIOTT WATSON
* The Fog and the Lady
* The Baby
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sacred Books and Early Literature of the East/Volume 13

The Sacred Books and Early Literature of the East
With Historical Surveys of the Chief Writings of Each Nation
Translations, Bibliographies, etc., by the following Leading Orientalists:
In America:
Morris Jastrow, LL.D., Professor of Semitic Languages, University of Pennsylvania; James H. Breasted, LL.D., Professor of Egyptology, University of Chicago; Charles C. Torrey, D.D., Professor of Semitic Languages, Yale University; A. V. W. Jackson, LL.D., Professor of Indo- Iranian, Columbia University; Charles R. Lanman, LL.D., Professor of Sanskrit, Harvard University; Rev. Charles F. Aiken, S.T.D., Dean of the Faculty of Theology, Catholic University; Friedrich Hirth, LL.D., Professor of Chinese, Columbia University; Rev. William E. Griffis, D.D., former Professor at the Imperial University, Tokio.
In Europe:
E. A. W. Budge, F.S.A., Director of Egyptology in the British Museum; Sir Gaston Maspero, D.C.L., Member of the Royal Institute of France; Rev. A. H. Sayce, LL.D., Professor of Comparative Philology, Oxford University; W. Flinders-Petrie, LL.D., Professor of Egyptology, University College, London; Stephen Langdon, Ph.D., Professor of Assyriology, Oxford University; Sir Ernest Satow, LL.D., G.C.M.G., British Minister to Japan; H. Oldenberg, LL.D., Professor of Sanskrit, Kiel University; T. W. Rhys-Davids, LL.D., Librarian of the Royal Asiatic Society; Arminius Vambéry, LL.D., Professor of Oriental Languages, University of Budapest.
In Asia:
Sir M. Coomara Swamy, Legislative Council of Ceylon; Romesh Chunder Dutt, C.I.E., Author of the History of Civilization in Ancient India; Darab D. P. Sanjana, Educational Society of Bombay; Viscount Kencho Suyematsu, LL.M., Japanese Minister of the Interior; Sheik Faiz-Ullah-Bhai, Head Master of the Schools of Anjuman-i-Islam; Ralph T. Griffith, President Benares College, India; Jivanji Jamshedji Modi, Fellow of Bombay University, Officier de l'Académie Française.
Under the editorship of a staff of specialists directed by Prof. Charles F. Horne, Ph.D.
Parke, Austin, and Lipscomb, Inc. New York London
This Volume is one of a complete set of the Sacred Books and Early Literature of the East, consisting of fourteen volumes. In Volume I of the series will be found a certificate as to the limitation of the edition and the registered number of this set.
Copyright, 1917, Parke, Austin, and Lipscomb, Inc.
The God of Children.
This Japanese God of Children is known as Jizo or Jesu.
​Page:The Sacred Books and Early Literature of the East, Volume 13.djvu/13
“Let there be light.”—Genesis I, 3.
“There never was a false god, nor was there ever really a false religion, unless you call a child a false man.”—Max Müller.
Contents of Volume XIII
Japan
Illustrations in Volume XIII
# The Sacred Books and Early Literature of the East

Not to be confused with Sacred Books of the East by Max Müller (1879-1910).
THE SACRED BOOKS AND EARLY LITERATURE OF THE EAST
WITH HISTORICAL SURVEYS OF THE CHIEF WRITINGS OF EACH NATION
Translations, Bibliographies, etc., by the following Leading Orientalists:
IN AMERICA:
MORRIS JASTROW, LL.D., Professor of Semitic Languages, University of Pennsylvania; JAMES H. BREASTED, LL.D., Professor of Egyptology, University of Chicago; CHARLES C. TORREY, D.D., Professor of Semitic Languages, Yale University; A. V. W. JACKSON, LL.D., Professor of Indo- Iranian, Columbia University; CHARLES R. LANMAN, LL.D., Professor of Sanskrit, Harvard University; Rev. CHARLES F. AIKEN, S.T.D., Dean of the Faculty of Theology, Catholic University; FRIEDRICH HIRTH, LL.D., Professor of Chinese, Columbia University; Rev. WILLIAM E. GRIFFIS, D.D., former Professor at the Imperial University, Tokio.
IN EUROPE:
E. A. W. BUDGE, F.S.A., Director of Egyptology in the British Museum; Sir GASTON MASPERO, D.C.L., Member of the Royal Institute of France; Rev. A. H. SAYCE. LL.D., Professor of Comparative Philology, Oxford University; W. FLINDERS-PETRIE, LL.D., Professor of Egyptology, University College, London; STEPHEN LANGDON. Ph.D., Professor of Assyriology, Oxford University; Sir ERNEST SATOW, LL.D., G.C.M.G., British Minister to Japan; H. OLDENBERG, LL.D., Professor of Sanskrit, Kiel University; T. W. RHYS-DAVIDS, LL.D., Librarian of the Royal Asiatic Society; ARMINIUS VAMBÉRY, LL.D., Professor of Oriental Languages, University of Budapest.
IN ASIA:
Sir M. COOMARA SWAMY, Legislative Council of Ceylon; ROMESH CHUNDER DUTT, C.I.E., Author of the History of Civilization in Ancient India; DARAB D. P. SANJANA. Educational Society of Bombay; Viscount KENCHO SUYEMATSU. LL.M., Japanese Minister of the Interior; SHEIK FAIZ-ULLAH-BHAI, Head Master of the Schools of Anjuman-i-Islam; RALPH T. GRIFFITH, President Benares College, India; JIVANJI JAMSHEDJI MODI, Fellow of Bombay University, Officier de l'Académie Française.
Under the editorship of a staff of specialists directed by Prof. CHARLES F. HORNE, Ph.D.
PARKE, AUSTIN, AND LIPSCOMB, Inc. NEW YORK LONDON
* Volume I: Babylonia and Assyria
* Volume II: Egypt
* Volume III: Ancient Hebrew
* Volume IV: Medieval Hebrew
* Volume V: Ancient Arabia
* Volume VI: Medieval Arabic, Moorish, and Turkish
* Volume VII: Ancient Persia
* Volume VIII: Medieval Persia
* Volume IX: India and Brahmanism
* Volume X: Buddhism
* Volume XI: Ancient China
* Volume XII: Medieval China
* Volume XIII: Japan
* Volume XIV: The Great Rejected Books of the Biblical Apocrypha
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Sacramento Bee

* related portals: Newspapers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
American newspaper published in Sacramento, California
Volume 138 (1925)
# The Sacramento Union

Newspaper from Sacramento, California (1851-1994)
* Volume 29 (1865)
* Volume 39 (1870)
# The Poetical Works of William Motherwell/It Deeply Wounds the Trusting Heart

It Deeply Wounds the Trusting Heart.
It deeply wounds the trusting heart That ever throbs to good, To know that by a perverse art It still is misconstrued:
And thus the beauties of the field, The glories of the sky, To lofty natures often yield Sole solace ere they die.
The things that harmless couch on earth, Or pierce the blue of heaven, Have mystic reasons in their birth Why they should be sin-shriven.
The secrets of the human breast No human eye may scan; With Him alone those secrets rest Who made and judgeth man.
Nor lightly should we estimate The Hand which rules it so. Nor idly seek to penetrate What angels may not know.
Enough that with a righteous will, In this disjointed scene, The upright one, through good and ill, Will be as he hath been.
And should a ribald multitude Repay with hate his love, He still can smile : man’s ways are viewed By Him who rules above.
# The Poetical Works of William Motherwell/In the Quiet and Solemn Night

In the Quiet and Solemn Night.
In the quiet and solemn night, When the moon is silvery bright, Then the screech owl's eerie cry Mocks the beauties of the sky: Tu whit, tu whoo, Its wild halloo Doth read a drowsy homily.
From yon old castle's chimneys tall, The bat on leathern sail doth fall In wanton-wise to skim the earth, And flout the mouse that gave it birth. Tu whit, tu whoo, That wild halloo Hath marred the little monster's mirth.
Fond lovers seek the dewy vale, That swimmeth in the moonshine pale;
But maids! beware, when in your ear The screech-owl screams so loud and clear: Tu whit, tu whoo, Its wild halloo Doth speak of danger lurking near.
It bids beware of murmured sigh, Of air-spun oath and wistful eye; Of star that winks to conscious flower Through the roof of leaf-clad bower: Tu whit, tu whoo, That wild halloo Bids startled virtue own its power!
# The Poetical Works of William Motherwell/Jeanie Morrison

Jeanie Morrison.
I've wandered east, I've wandered west, Through mony a weary way; But never, never can forget The luve o' life's young day! The fire that's blawn on Beltane e'en, May weel be black gin Yule; But blacker fa' awaits the heart Where first fond luve grows cule.
O dear, dear Jeanie Morrison, The thochts o' bygane years Still fling their shadows ower my path, And blind my een wi' tears: They blind my een wi' saut, saut tears, And sair and sick I pine, As memory idly summons up The blithe blinks o' langsyne.
'Twas then we luvit ilk ither weel, 'Twas then we twa did part; Sweet time—sad time! twa bairns at seule, Twa bairns, and but ae heart! 'Twas then we sat on ae laigh bink, To leir ilk ither lear; And tones, and looks, and smiles were shed, Remembered evermair.
I wonder, Jeanie, aften yet, When sitting on that bink, Cheek touchin' cheek, loof lock'd in loof, What our wee heads could think? When baith bent doun ower ae braid page, Wi' ae buik on our knee, Thy lips were on thy lesson, but My lesson was in thee.
Oh, mind ye how we hung our heads, How cheeks brent red wi' shame, Whene'er the scule-weans laughin' said, We cleek'd thegither hame? And mind ye o' the Saturdays, (The seule then skail't at noon,)
When we ran aff to speel the braes— The broomy braes o' June?
Aly head rins round and round about, Aly heart flows like a sea, As ane by ane the thochts rush back O' scule-time and o' thee. Oh, mornin' life! oh, mornin' luve! Oh lichtsome days and lang, When hinnied hopes around our hearts Like simmer blossoms sprang!
Oh mind ye, luve, how aft we left The deavin' dinsome toun, To wander by the green burnside, And hear its waters croon? The simmer leaves hung ower our heads The flowers burst round our feet, And in the gloamin o' the wood, The throssil whusslit sweet;
The throssil whusslit in the wood. The burn sang to the trees,
And we with Nature's heart in tune, Concerted harmonies; And on the knowe abune the burn, For hours thegither sat In the silentness o' joy, till baith Wi' very gladness grat.
Aye, aye, dear Jeanie Morrison, Tears trinkled doun your cheek, Like dew-beads on a rose, yet nane Had ony power to speak! That was a time, a blessed time, When hearts were fresh and young, When freely gushed all feelings forth, Unsyllabled—unsung!
I marvel, Jeanie Morrison, Gin I hae been to thee As closely twined wi' earliest thochts, As ye hae been to me? Oh! tell me gin their music fills Thine ear as it does mine; Oh! say gin e'er your heart grows grit Wi' dr earnings o' langsyne?
I've wandered east, I've wandered west, I've borne a weary lot; But in my wanderings, far or near, Ye never were forgot. The fount that first burst frae this heart, Still travels on its way; And channels deeper as it rins, The luve o' life's young day.
O dear, dear Jeanie Morrison, Since we were sindered young, I've never seen your face, nor heard The music o' your tongue; But I could hug all wretchedness, And happy could I die, Did I but ken your heart still dreamed O' bygane days and me!
# The Poetical Works of William Motherwell/Isabelle

Isabelle.
A Serenade.
Hark! sweet Isabelle, hark to my lute, As softly it plaineth o'er The story of one to whose lowly suit Thy heart shall beat no more! List to its tender plaints, my love, Sad as the accents of saints, my love, Who mortal sin deplore!
Awake from your slumber, Isabelle, wake, 'Tis sorrow that tunes these strings; A last farewell would the minstrel take Of her whose beauty he sings: The moon seems to weep on her way, my love, And, shrouded in clouds, seems to say, my love, No hope with the morning springs!
Deep on the breeze peals the hollow sound Of the dreary convent bell; Its walls, ere a few short hours wheel round, Will girdle my Isabelle!
They'll take thee away from these arms, love, And bury thy blossoming charms, love, Where midnight requiems swell.
At the high altar I see thee kneel, With pallid and awe-struck face; I see the veil those looks conceal That shone with surpassing grace— The shade will prey on thy bloom, my love, While I shall wend to the tomb, my love, And leave of my name no trace.
We lov'd and we grew, we grew and we lov'd, Twin flowers in a dewy vale; The churchman's cold hand hath one remov'd, The other will soon wax pale; O fast will be its decline, my love, As this dying note of mine, my love, Lost in the evening gale!