# The Reverberator (1 volume, American issue, London and New York, Macmillan & Co., 1888)/Chapter 2

II.
The court was roofed with glass; the April air was mild; the cry of women selling violets came in from the street and, mingling with the rich hum of Paris, seemed to bring with it faintly the odour of the flowers. There were other odours in the place, warm, succulent and Parisian, which ranged from fried fish to burnt sugar; and there were many things besides: little tables for the post-prandial coffee; piles of luggage inscribed (after the initials, or frequently the name, R. P. Scudamore or D. Jackson Hatch), Philadelphia, Pa., or St. Louis, Mo.; rattles of unregarded bells, flittings of tray-bearing waiters, conversations with the second-floor windows of admonitory landladies, arrivals of young women with coffinlike bandboxes covered with black oilcloth and depending from a strap, sallyings forth of persons staying and arrivals, just afterwards, of other persons to see them; together with vague prostrations on benches of tired heads of American ​families. It was to this last element that Mr. Dosson himself in some degree contributed, but it must be added that he had not the extremely bereft and exhausted appearance of certain of his fellows. There was an air of meditative patience, of habitual accommodation in him; but you would have guessed that he was enjoying a holiday rather than panting for a truce, and he was not so enfeebled but that he was able to get up from time to time and stroll through the porte cochère to have a look at the street.
He gazed up and down for five minutes, with his hands in his pockets, and then came back; that appeared to content him; he asked for very little—had no restlessness that these small excursions would not assuage. He looked at the heaped-up luggage, at the tinkling bells, at the young woman from the lingère, at the repudiated visitors, at everything but the other American parents. Something in his breast told him that he knew all about these. It is not upon each other that the animals in the same cage, in a zoological collection, most turn their eyes. There was a silent sociability in him and a superficial fineness of grain that helped to account for his daughter Francie's various delicacies. He was fair and spare and had no figure; you would have seen in a moment that the question of how he should hold himself had never in his life occurred to him. He never held himself at all; providence held him ​rather (and very loosely), by an invisible string, at the end of which he seemed gently to dangle and waver. His face was so smooth that his thin light whiskers, which grew only far back, scarcely seemed native to his cheeks: they might have been attached there for some harmless purpose of comedy or disguise. He looked for the most part as if he were thinking over, without exactly understanding it, something rather droll which had just occurred; if his eyes wandered his attention rested, and hurried, quite as little. His feet were remarkably small, and his clothes, in which light colours predominated, were visibly the work of a French tailor: he was an American who still held the tradition that it is in Paris a man dresses himself best. His hat would have looked odd in Bond Street or the Fifth Avenue, and his necktie was loose and flowing.
Mr. Dosson, it may further be mentioned, was a man of the simplest composition, a character as cipherable as a sum of two figures. He had a native financial faculty of the finest order, a gift as direct as a beautiful tenor voice, which had enabled him, without the aid of particular strength of will or keenness of ambition, to build up a large fortune while he was still of middle age. He had a genius for happy speculation, the quick, unerring instinct of a "good thing;" and as he sat there idle, amused, contented, on the edge of the Parisian street, he might very well have passed ​for some rare performer who had sung his song or played his trick and had nothing to do till the next call. And he had grown rich not because he was ravenous or hard, but simply because he had an ear, or a nose. He could make out the tune in the discord of the market-place; he could smell success far up the wind. The second factor in his little addition was that he was an unassuming father. He had no tastes, no acquirements nor curiosities, and his daughters represented society for him. He thought much more and much oftener of these young ladies than of his bank-shares and railway-stock; they refreshed much more his sense of ownership, of accumulation. He never compared them with other girls; he only compared his present self to what he would have been without them. His view of them was perfectly simple. Delia had a more unfathomable profundity and Francie a wider acquaintance with literature and art. Mr. Dosson had not perhaps a full perception of his younger daughter's beauty: he would scarcely have pretended to judge of that, more than he would of a valuable picture or vase, but he believed she was cultivated up to the eyes. He had a recollection of tremendous school-bills and, in later days, during their travels, of the way she was always leaving books behind her. Moreover was not her French so good that he could not understand it?
The two girls, at any rate, were the wind in ​his sail and the only directing, determining force he knew; they converted accident into purpose; without them, as he felt, he would have been the tail without the kite. The wind rose and fell, of course; there were lulls and there were gales; there were intervals during which he simply floated in quiet waters—cast anchor and waited. This appeared to be one of them now; but he could be patient, knowing that he should soon again inhale the brine and feel the dip of his prow. When his daughters were out the determining process gathered force, and their being out with a brilliant young man only deepened the pleasant calm. That belonged to their superior life, and Mr. Dosson never doubted that George M. Flack was brilliant. He represented the newspaper, and the newspaper for this man of genial assumptions represented Mind—it was the great shining presence of our time. To know that Delia and Francie were out with an editor or a correspondent was really to see them dancing in the central glow. This is doubtless why Mr. Dosson had slightly more than usual his air of recovering slowly from a pleasant surprise. The vision to which I allude hung before him, at a convenient distance, and melted into other bright confused aspects: reminiscences of Mr. Flack in other relations—on the ship, on the deck, at the hotel at Liverpool, and in the cars. Whitney Dosson was a loyal father, but he would ​have thought himself simple had he not had two or three strong convictions: one of which was that the children should never go out with a gentleman they had not seen before. The sense of their having, and his having, seen Mr. Flack before was comfortable to him now: it made it mere placidity for him personally to forego the young man's society in favour of Delia and Francie. He had not hitherto been perfectly satisfied that the streets and shops, the general immensity of Paris, were just the right place for young ladies alone. But the company of a pleasant gentleman made them right—a gentleman who was pleasant through being up to everything, as one connected with that paper (he remembered its name now, it was celebrated) would have to be. To Mr. Dosson, in the absence of such happy accidents, his girls somehow seemed lonely; which was not the way he struck himself. They were his company but he was scarcely theirs; it was as if he had them more than they had him.
They were out a long time, but he felt no anxiety, as he reflected that Mr. Flack's very profession was a prevision of everything that could possibly happen. The bright French afternoon waned without bringing them back, but Mr. Dosson still revolved about the court, till he might have been taken for a valet de place hoping to pick up custom. The landlady smiled at him sometimes, as she passed and re-passed, and even ventured to ​remark disinterestedly that it was a pity to waste such a lovely day indoors—not to take a turn and see what was going on in Paris. But Mr. Dosson had no sense of waste: that came to him much more when he was confronted with historical monuments, or beauties of nature or art, which he didn't understand nor care for: then he felt a little ashamed and uncomfortable—but never when he lounged in that simplifying way in the court. It wanted but a quarter of an hour to dinner (that he could understand) when Delia and Francie at last met his view, still accompanied by Mr. Flack and sauntering in, at a little distance from each other, with a jaded air which was not in the least a tribute to his possible solicitude. They dropped into chairs and joked with each other, with a mixture of sociability and languor, on the subject of what they had seen and done—a question into which he felt as yet a delicacy as to inquiring. But they had evidently done a good deal and had a good time: an impression sufficient to rescue Mr. Dosson personally from the consciousness of failure.
"Won't you just step in and take dinner with us?" he asked of the young man, with a friendliness begotten of the circumstances.
"Well, that's a handsome offer," George Flack replied, while Delia remarked that they had each eaten about thirty cakes.
"Well, I wondered what you were doing so ​long. But never mind your cakes. It's twenty minutes past six, and the table d'hôte is on time."
"You don't mean to say you dine at the table d'hôte!" Mr. Flack ejaculated.
"Why, don't you like that?" Francie drawled sweetly.
"Well, it isn't what you most build on when you come to Paris. Too many flower-pots and chickens' legs."
"Well, would you like one of these restaurants?" asked Mr. Dosson. "I don't care, if you show us a good one."
"Oh, I'll show you a good one—don't you worry."
"Well, you've got to order the dinner then," said Francie.
"Well, you'll see how I could do it!" And the young man looked at her very hard, with an intention of softness.
"He has got an interest in some place," Delia declared. "He has taken us to ever so many stores, and he gets his commission."
"Well, I'd pay you to take them round," said Mr. Dosson; and with much agreeable trifling of this kind it was agreed that they should sally forth for the evening meal under Mr. Flack's guidance.
If he had easily convinced them on this occasion that that was a more original proceeding than worrying those old bones, as he called it, ​at the hotel, he convinced them of other things besides in the course of the following month and by the aid of repeated visits. What he mainly made clear to them was that it was really most kind of a young man who had so many great public questions on his mind to find sympathy for problems which could fill the telegraph and the press so little as theirs. He came every day to set them in the right path, pointing out its charms to them in a way that made them feel how much they had been in the wrong. He made them feel indeed that they didn't know anything about anything, even about such a matter as ordering shoes—an art in which they vaguely supposed themselves rather strong. He had in fact great knowledge, and it was wonderfully various, and he knew as many people as they knew few. He had appointments—very often with celebrities—for every hour of the day, and memoranda, sometimes in shorthand, on tablets with elastic straps, with which he dazzled the simple folk at the Hôtel de l'Univers et de Cheltenham, whose social life, of narrow range, consisted mainly in reading the lists of Americans who "registered" at the bankers' and at Galignani's. Delia Dosson, in particular, had a way of poring solemnly over these records which exasperated Mr. Flack, who skimmed them and found what he wanted in the flash of an eye: she kept the others waiting while she satisfied herself that Mr. and ​Mrs. D. S. Rosenheim and Miss Cora Rosenheim and Master Samuel Rosenheim had "left for Brussels."
Mr. Flack was wonderful on all occasions in finding what he wanted (which, as we know, was what he believed the public wanted), and Delia was the only one of the party with whom he was sometimes a little sharp. He had embraced from the first the idea that she was his enemy, and he alluded to it with almost tiresome frequency, though always in a humorous, fearless strain. Even more than by her fashion of hanging over the registers she provoked him by appearing to think that their little party was not sufficient to itself; by wishing, as he expressed it, to work in new stuff. He might have been easy, however, for he had sufficient chance to observe how it was always the fate of the Dossons to miss their friends. They were continually looking out for meetings and combinations that never came off, hearing that people had been in Paris only after they had gone away, or feeling convinced that they were there but not to be found through their not having registered, or wondering whether they should overtake them if they should go to Dresden, and then making up their minds to start for Dresden, only to learn, at the eleventh hour, through some accident, that the elusive party had gone to Biarritz. "We know plenty of people if we could only come across them," ​Delia had said more than once: she scanned the continent with a wondering, baffled gaze and talked of the unsatisfactory way in which friends at home would "write out" that other friends were "somewhere in Europe." She expressed the wish that such correspondents as that might be in a place that was not at all vague. Two or three times people had called at the hotel when they were out and had left cards for them, without any address, superscribed with a mocking dash of the pencil, "Off to-morrow!" The girl sat looking at these cards, handling them and turning them over for a quarter of an hour at a time; she produced them days afterwards, brooding upon them afresh as if they were a mystic clue. George Flack generally knew where they were, the people who were "somewhere in Europe." Such knowledge came to him by a kind of intuition, by the voices of the air, by indefinable and unteachable processes. But he held his peace on purpose; he didn't want any outsiders; he thought their little party just right. Mr. Dosson's place in the scheme of providence was to go with Delia while he himself went with Francie, and nothing would have induced George Flack to disfigure that equation.
The young man was professionally so occupied with other people's affairs that it should doubtless be mentioned to his praise that he still managed to have affairs—or at least an affair—of his own. That affair was Francie Dosson, and ​he was pleased to perceive how litttle she cared what had become of Mr. and Mrs. Rosenheim and Master Samuel and Miss Cora. He counted all the things she didn't care about—her soft inadvertent eyes helped him to do that; and they footed up so, as he would have said, that they gave him a pleasant sense of a free field. If she had so few interests there was the greater possibility that a young man of bold conceptions and cheerful manners might become one. She had usually the air of waiting for something, with a sort of amused resignation, while tender, shy, indefinite little fancies hummed in her brain; so that she would perhaps recognise in him the reward of patience. George Flack was aware that he exposed his friends to considerable fatigue; he brought them back pale and taciturn from suburban excursions and from wanderings often rather aimless and casual among the boulevards and avenues of the town. He regarded them at such moments with complacency, however, for these were hours of diminished resistance: he had an idea that he should be able eventually to circumvent Delia if he could only watch for some time when she was tired. He liked to make them all feel helpless and dependent, and this was not difficult with people who were so modest and artless, so unconscious of the boundless power of wealth. Sentiment, in our young man, was not a scruple nor a source of weakness; but he thought it ​really touching, the little these good people knew of what they could do with their money. They had in their hands a weapon of infinite range and yet they were incapable of firing a shot for themselves. They had a kind of social humility; it appeared never to have occurred to them that, added to their amiability, their money gave them a value. This used to strike George Flack on certain occasions when he came back to find them in the places where he had dropped them while he rushed off to give a turn to one of his screws. They never played him false, never wearied of waiting; always sat patient and submissive, usually at a café to which he had introduced them or in a row of chairs on the boulevard, or in the Tuileries or the Champs Elysées.
He introduced them to many cafés, in different parts of Paris, being careful to choose those which (in his view) young ladies might frequent with propriety, and there were two or three in the neighbourhood of their hotel where they became frequent and familiar figures. As the late spring days grew warmer and brighter they usually sat outside on the "terrace"—the little expanse of small tables at the door of the establishment, where Mr. Flack, on the return, could descry them from afar at their post in exactly the same position to which he had committed them. They complained of no satiety in watching the many-coloured movement of the Parisian streets; ​and if some of the features in the panorama were base they were only so in a version which the imagination of our friends was incapable of supplying. George Flack considered that he was rendering a positive service to Mr. Dosson: wouldn't the old gentleman have sat all day in the court anyway? and wasn't the boulevard better than the court? It was his theory, too, that he flattered and caressed Miss Francie's father, for there was no one to whom he had furnished more copious details about the affairs, the projects and prospects, of the Reverberator. He had left no doubt in the old gentleman's mind as to the race he himself intended to run, and Mr. Dosson used to say to him every day, the first thing, "Well, where have you got to now?" as if he took a real interest. George Flack narrated his interviews, to which Delia and Francie gave attention only in case they knew something of the persons on whom the young emissary of the Reverberator had conferred this distinction; whereas Mr. Dosson listened, with his tolerant interposition of "Is that so?" and "Well, that's good," just as submissively when he heard of the celebrity in question for the first time.
In conversation with his daughters Mr. Flack was frequently the theme, though introduced much more by the young ladies than by himself, and especially by Delia, who announced at an early period that she knew what he wanted and that it ​wasn't in the least what she wanted. She amplified this statement very soon—at least as regards her interpretation of Mr. Flack's designs: a certain mystery still hung about her own, which, as she intimated, had much more to recommend them. Delia's vision of the danger as well as the advantage of being a pretty girl was closely connected (and this was natural) with the idea of an "engagement": this idea was in a manner complete in itself—her imagination failed in the oddest way to carry it into the next stage. She wanted her sister to be engaged but she wanted her not at all to be married, and she had not clearly made up her mind as to how Francie was to enjoy both the promotion and the arrest. It was a secret source of humiliation to her that there had as yet to her knowledge been no one with whom her sister had exchanged vows: if her conviction on this subject could have expressed itself intelligibly it would have given you a glimpse of a droll state of mind—a dim theory that a bright girl ought to be able to try successive aspirants. Delia's conception of what such a trial might consist of was strangely innocent: it was made up of calls and walks and buggy-drives and above all of being spoken of as engaged; and it never occurred to her that a repetition of lovers rubs off a young lady's delicacy. She felt herself a born old maid and never dreamed of a lover of her own—he would have been dreadfully ​in her way; but she dreamed of love as something in its nature very delicate. All the same she discriminated; it did lead to something after all, and she desired that for Francie it should not lead to a union with Mr. Flack. She looked at such a union in the light of that other view which she kept as yet to herself but which she was ready to produce so soon as the right occasion should come up; and she told her sister that she would never speak to her again if she should let this young man suppose—And here she always paused, plunging again into impressive reticence.
"Suppose what?" Francie asked, as if she were totally unacquainted (which indeed she really was) with the suppositions of young men.
"Well, you'll see, when he begins to say things you won't like." This sounded ominous on Delia's part, but she had in reality very little apprehension; otherwise she would have risen against the custom adopted by Mr. Flack of perpetually coming round: she would have given her attention (though it struggled in general unsuccessfully with all this side of their life) to some prompt means of getting away from Paris. She told her father what in her view the correspondent of the Reverberator was "after"; but it must be added that she did not make him feel very strongly on the matter. This however was not of importance, with her inner sense that Francie would never ​really do anything—that is would never really like anything—they didn't like.
Her sister's docility was a great comfort to her, especially as it was addressed in the first instance to herself. She liked and disliked certain things much more than the younger girl did either; and Francie was glad to take advantage of her reasons, having so few of her own. They served—Delia's reasons—for Mr. Dosson as well, so that Francie was not guilty of any particular irreverence in regarding her sister rather than her father as the controller of her fate. A fate was rather a cumbersome and formidable possession, which it relieved her that some kind person should undertake the keeping of. Delia had somehow got hold of hers first—before even her father, and ever so much before Mr. Flack; and it lay with Delia to make any change. She could not have accepted any gentleman as a husband without reference to Delia, any more than she could have done up her hair without a glass. The only action taken by Mr. Dosson in consequence of his elder daughter's revelations was to embrace the idea as a subject of daily pleasantry. He was fond, in his intercourse with his children, of some small usual joke, some humorous refrain; and what could have been more in the line of true domestic sport than a little gentle but unintermitted raillery upon Francie's conquest? Mr. Flack's attributive intentions became a theme of indulgent parental ​chaff, and the girl was neither dazzled nor annoyed by such familiar references to them. "Well, he has told us about half we know," she used often to reply.
Among the things he told them was that this was the very best time in the young lady's life to have her portrait painted and the best place in the world to have it done well; also that he knew a "lovely artist," a young American of extraordinary talent, who would be delighted to undertake the work. He conducted them to this gentleman's studio, where they saw several pictures by which they were considerably mystified. Francie protested that she didn't want to be done that way, and Delia declared that she would as soon have her sister shown up in a magic lantern. They had had the fortune not to find Mr. Waterlow at home, so that they were free to express themselves and the pictures were shown them by his servant. They looked at them as they looked at bonnets and confections when they went to expensive shops; as if it were a question, among so many specimens, of the style and colour they would choose. Mr. Waterlow's productions struck them for the most part in the same manner as those garments which ladies classify as frights, and they went away with a very low opinion of the young American master. George Flack told them, however, that they couldn't get out of it, inasmuch as he had already written home to the Reverberator ​that Francie was to sit. They accepted this somehow as a kind of supernatural sign that she would have to; for they believed everything that they heard quoted from a newspaper. Moreover Mr. Flack explained to them that it would be idiotic to miss such an opportunity to get something at once precious and cheap; for it was well known that Impressionism was going to be the art of the future, and Charles Waterlow was a rising Impressionist. It was a new system altogether and the latest improvement in art. They didn't want to go back, they wanted to go forward, and he would give them an article that would fetch five times the money in a couple of years. They were not in search of a bargain, but they allowed themselves to be inoculated with any reason which they thought would be characteristic of earnest people; and he even convinced them, after a little, that when once they had got used to Impressionism they would never look at anything else. Mr. Waterlow was the man, among the young, and he had no interest in praising him, because he was not a personal friend; his reputation was advancing with strides, and any one with any sense would want to secure something before the rush.