OpenLLM-France/wikimedia huggingface dataset:
# Alas! so all things now do hold their peace

From his Love Poems (1728 ed.).
Alas! so all things now do hold their peace, Heaven and earth disturbèd in no thing. The beast, the air, the birds their song do cease;
The nightès chare the stars about doth bring; Calm is the sea, the waves work less and less. So am not I, whom love, alas, doth wring, Bringing before my face the great increase Of my desires, whereat I weep and sing, In joy and woe, as in a doubtful ease: For my sweet thoughts sometime do pleasure bring, But by and by the cause of my disease Gives me a pang that inwardly doth sting, When that I think what grief it is, again, To live, and lack the thing should rid my pain.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Scriptural Interpretation

Thou shalt understand, therefore, that the Scripture hath but one sense, which is the literal sense. And that literal sense is the root and ground of all, and the anchor that never faileth, whereunto if thou cleave, thou canst never err or go out of the way. And if thou leave the literal sense, thou canst not but go out of the way. Neverthelater, the Scripture useth proverbs, similitudes, riddles, or allegories, as all other speeches do; but that which the proverb, similitude, riddle, or allegory signifieth, is ever the literal sense, which thou must seek out diligently: as in the English we borrow words and sentences of one thing, and apply them unto another, and give them new significations. We say, "Let the sea swell and rise as high as he will, yet hath God appointed how far he shall go": meaning that the tyrants shall not do wat they would, but that only which God hath appointed them to do. "Look ere thou leap": whose literal sense is, "Do nothing suddenly, or without advisement." "Cut not the bough that thou standest upon": whose literal sense is, "Oppress not the commons"; and is borrowed hewers. When a thing speedeth not well, we borrow speech, and say, "The bishop hath blessed it"; because that nothing speedeth well that they meddle withal. If the porridge be burned too, or the meat overroasted, we say, "The bishop hath put his foot in the pot," or "The bishop hath played the cook"; because the bishops burn whom they lust, and whosoever displeaseth them. "He is a pontifical fellow"; that is , proud and stately. "He is popish"; that is, superstitious and faithless.
Beyond all this, when we have found out the literal sense of the Scripture by the process of the text, or by a like text of another place, then go we, and as the Scripture borroweth similitudes of worldly things, even so we again borrow similitudes or allegories of the Scripture, and apply them to our purposes; which allegories are no sense of the Scripture, but free things besides the Scripture, and altogether in the liberty of the Spirit. ***This allegory proveth nothing, neither can do. For it is not the Scripture, but an ensample or a similitude borrowed of the Scripture, to declare a text or a conclusion o the Scripture more expressly, and to root it and grave it in the heart. For a man than doth a plain speaking, and leaveth behind him as it were a sting to prick him forward, and to awake him withal. Moreover, if I could not prove with an open text that which the allegory doth express, then were the allegory a thing to be jested at, and of no greater value than a tale of Robin Hood.
# Bonie Jean-a Ballad

Bonie Jean: A Ballad
To its ain tune.
There was a lass, and she was fair,
At kirk or market to be seen;
When a’ our fairest maids were met,
The fairest maid was bonie Jean.
And aye she wrought her mammie’s wark,
And aye she sang sae merrilie;
The blythest bird upon the bush
Had ne’er a lighter heart than she.
But hawks will rob the tender joys
That bless the little lintwhite’s nest;
And frost will blight the fairest flowers,
And love will break the soundest rest.
Young Robie was the brawest lad,
The flower and pride of a’ the glen;
And he had owsen, sheep, and kye, And wanton naigies nine or ten.
He gaed wi’ Jeanie to the tryste,
He danc’d wi’ Jeanie on the down; And, lang ere witless Jeanie wist, Her heart was tint, her peace was stown!
As in the bosom of the stream,
The moon-beam dwells at dewy e’en;
So trembling, pure, was tender love
Within the breast of bonie Jean.
And now she works her mammie’s wark,
And aye she sighs wi’ care and pain;
Yet wist na what her ail might be,
Or what wad make her weel again.
But did na Jeanie’s heart loup light,
And didna joy blink in her e’e,
As Robie tauld a tale o’ love
Ae e’ening on the lily lea?
The sun was sinking in the west,
The birds sang sweet in ilka grove;
His cheek to hers he fondly laid,
And whisper’d thus his tale o’ love:
“O Jeanie fair, I lo’e thee dear;
O canst thou think to fancy me, Or wilt thou leave thy mammie’s cot, And learn to tent the farms wi’ me?
“At barn or byre thou shalt na drudge,
Or naething else to trouble thee;
But stray amang the heather-bells,
And tent the waving corn wi’ me.”
Now what could artless Jeanie do?
She had nae will to say him na:
At length she blush’d a sweet consent,
And love was aye between them twa.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Fourth Book of Virgil

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
* information about this edition
* sister projects: Wikidata item
# Canzoniere 164

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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* information about this edition
* sister projects: Wikidata item
# The soote season

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
The soote season, that bud and bloom forth brings, With green hath clad the hill and eke the vale. The nightingale with feathers new she sings; The turtle to her make hath told her tale. Summer is come, for every spray now springs. The hart hath hung his old head on the pale; The buck in brake his winter coat he flings; The fishes float with new repairèd scale; The adder all her slough away she slings; The swift swallow pursueth the fliès small; The busy bee her honey now she mings. Winter is worn, that was the flowers' bale. And thus I see among these pleasant things, Each care decays, and yet my sorrow springs.
# The Innocence of Father Brown

* related portals: Mystery
* sister projects: Wikipedia article, Commons category, Wikidata item
The first Father Brown compilation.
"'Has Miss Hope seen that thing on the window?'" (see page 130).
THE INNOCENCE OF FATHER BROWN
by G. K. CHESTERTON
with eight full-page plates by Sydney Seymour Lucas
CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1911
ALL RIGHTS RESERVED
To WALDO AND MILDRED D'AVIGDOR
CONTENTS
PAGE
LIST OF PLATES
FACING PAGE
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# It is a beauteous Evening, calm and free

* "It is a beauteous Evening, calm and free", in Poems, in Two Volumes (1807)
* "It is a beauteous", in Poems (1815)
* "It is a beauteous evening" in The Hundred Best Poems (lyrical) in the English language (1904), edited by Adam Luke Gowans
* "Evening on Calais Beach" in the Oxford Book of English Verse 1250-1900 (1931), edited by Arthur Quiller-Couch
* "Evening on Calais Beach" in the Oxford Book of English Verse 1250-1918 (1940), edited by Arthur Quiller-Couch
# Story of the Engine that Thought It Could

This is an early version of the story that became known as The Little Engine That Could, published 8 April 1906 in the New York Tribune
In a certain railroad yard there stood an extremely heavy train that had to be drawn up an unusually heavy grade before it could reach its destination. The superintendent of the yard was not sure what it was best for him to do, so he went up to a large, strong engine and asked: "Can you pull that train over the hill?"
"It is a very heavy train," responded the engine.
He then went to another great engine and asked: "Can you pull that train over the hill?"
"It is a very heavy grade," it replied.
The superintendent was much puzzled, but he turned to still another engine that was spick and span new, and he asked it: "Can you pull that train over the hill?"
"I think I can," responded the engine.
So the order was circulated, and the engine was started back so that it might be coupled with the train, and as it went along the rails it kept repeating to itself: "I think I can. I think I can. I think I can."
The coupling was made and the engine began its journey, and all along the level, as it rolled toward the ascent, it kept repeating to itself: "I ---think ---I can. I ---think ---I--- can. I ---think--- I ---can."
Then it reached the grade, but its voice could still be heard: "I think I can. I----- think-----I-----can. I -----think----- I----- can." Higher and higher it climbed, and its voice grew fainter and its words came slower: "I -------think --------I-------can."
It was almost to the top.
“I ---------think"
It was at the top.
"I ---------can."
It passed over the top of the hill and began crawling down the opposite slope.
'I ------think------- I------ can------I----- thought------I-------could I----- thought----- I----- could. I thought I could. I thought I could. I thought I could."
And singing its triumph, it rushed on down toward the valley.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of Love and Rebellion

* related portals: Song lyrics, Poetry
* sister projects: Wikidata item
Songs of Rebellion
COPYRIGHT, 1915
COVINGTON HALL
JOHN J. WEIHING PRINTING CO.
Publishers
520 Poydras Street
New Orleans--Louisiana
* Rebellion
* Why I am a revolutionist
* Battle hymn of toil
* The conscience of the workers
* The strike
* The church
* In God we trust
* Robert Emmet
* Mary, the mother of Christ
* Lucifer, the Morning Star
* Might is right
* The madman's boast
* Us, the hoboes
* Jesus Christ
* My mammy's son
* The dreamer
* The World Will
Songs of Love
* This:
* The word
* I only know
* One last kiss
* A letter to psyche
* My Woman
* The last message
* Psyche-land
* Unanswered
* Faithless
* Little girl
* The dead love
* The one woman
* The dream that was veiled
* The ruined gate
* Rose leaves
* Isabel
* To my sister
* Love's letter
* Mizpah
Miscellaneous Poems
* The drunkard's song
* A warning
* "I have plowed in the sea"
* Ole Ned am dyin'
* Longings
* The companionless
* 'Taint no use
* A little soliloquy
* De ghos' cat
* You want to be a poet, child?
* To Spot
* A prayer
* Res', sweet res'
* Heart to heart
* Shadows
* I am weary
* L'envoi
Songs of Love and Rebellion
FIFTY CENTS THE BOOK
SPECIAL DISCOUNTS ON LOT ORDERS TO LOCALS, PAPERS, SPEAKERS, NEWSDEALERS AND BOOK STORES -0- -0-
ADDRESS COVINGTON HALL OR WEIHING PRINTING CO. 520 POYDRAS STREET NEW ORLEANS, LA.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1952, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 71 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Historical Catechism of American Unionism

* related portals: American History, Economic history and conditions, Industrial Workers of the World
* sister projects: Wikidata item
(Upload an image to replace this placeholder.)
Historical Catechism
of
American Unionism
PRICE 25 CENTS
PUBLISHED BY THE
EDUCATIONAL BUREAU OF THE INDUSTRIAL WORKERS OF THE WORLD
1001 WEST MADISON ST., CHICAGO, ILL.
* Preface
* Historical Catechism of American Unionism
* In conclusion
* Advertisement—Industrial Solidarity
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# When the Leaves Come Out

* related portals: Industrial Workers of the World
* sister projects: Commons category, Wikidata item
WHEN THE LEAVES COME OUT
AND OTHER REBEL VERSES
BY
RALPH CHAPLIN
CLEVELAND OHIO
PUBLISHED BY THE AUTHOR
MDCCCCXVII
COPYRIGHT RALPH CHAPLIN 1917
CONTENTS
We are indebted to "The Masses" for the use of the beautiful Drawing by Charles A. Winter used on the cover of this book.
The decorative headings were designed by the author.
The press-work on this book done by R. G. Horn erstwhile pressman of I. W. W. Publishing Bureau.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1961, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 62 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Nigger Heaven

* Search for titles containing or beginning with: "Nigger Heaven"
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Nigger Heaven (1926), a novel by Carl Van Vechten
* "Nigger Hebb'n" (1919), a poem by Clement Richardson Wood
# Critique of Judgment

The Critique of Judgment by Immanuel Kant, first published in 1790, sometimes referred to as the "third critique," the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason(1788).
English-language translations of Kritik der Urteilskraft include:
* (1856) Extract from Prose writers of Germany by J. E. Cabot
* In The Philosophy of Kant in extracts by John Watson
       (1882) Extracts from Critique of Judgment (1st ed.)
       (1891) Extracts from Critique of Judgment (2nd ed.)
* (1892) Kant's Kritik of Judgment by J. H. Bernard (Commons file)
# Men and Women (Browning)/Volume 1/Evelyn Hope

EVELYN HOPE.
1. Beautiful Evelyn Hope is dead  Sit and watch by her side an hour. That is her book-shelf, this her bed;  She plucked that piece of geranium-flower, Beginning to die too, in the glass.  Little has yet been changed, I think— The shutters are shut, no light may pass  Save two long rays thro' the hinge's chink.
2. Sixteen years old when she died!  Perhaps she had scarcely heard my name— It was not her time to love: beside,  Her life had many a hope and aim, Duties enough and little cares,  And now was quiet, now astir— Till God's hand beckoned unawares,  And the sweet white brow is all of her.
3. Is it too late then, Evelyn Hope?  What, your soul was pure and true, The good stars met in your horoscope,  Made you of spirit, fire and dew— And just because I was thrice as old,  And our paths in the world diverged so wide, Each was nought to each, must I be told?  We were fellow mortals, nought beside?
4. No, indeed! for God above  Is great to grant, as mighty to make, And creates the love to reward the love,—  I claim you still, for my own love's sake! Delayed it may be for more lives yet,  Through worlds I shall traverse, not a few— Much is to learn and much to forget  Ere the time be come for taking you.
5. But the time will come,—at last it will,  When, Evelyn Hope, what meant, I shall say, In the lower earth, in the years long still,  That body and soul so pure and gay? Why your hair was amber, I shall divine,  And your mouth of your own geranium's red— And what you would do with me, in fine,  In the new life come in the old one's stead.
6. I have lived, I shall say, so much since then,  Given up myself so many times, Gained me the gains of various men,  Ransacked the ages, spoiled the climes; Yet one thing, one, in my soul's full scope,  Either I missed or itself missed me— And I want and find you, Evelyn Hope!  What is the issue? let us see!
7. I loved you, Evelyn, all the while;  My heart seemed full as it could hold— There was place and to spare for the frank young smile  And the red young mouth and the hair's young gold. So, hush,—I will give you this leaf to keep—  See, I shut it inside the sweet cold hand. There, that is our secret! go to sleep;  You will wake, and remember, and understand.
# O Canada (Buchan)

In the early 1900s, there were several attempts to write English lyrics to go with the popular French-Canadian patriotic song "Ô Canada". Buchan's lyrics were briefly popular in British Columbia, before being overshadowed by Robert Stanley Weir's "O Canada" (which later became the English version of the Canadian national anthem).
O Canada, our heritage, our love Thy worth we praise all other lands above. From sea to see throughout their length From Pole to borderland, At Britain's side, whate'er betide Unflinchingly we'll stand With hearts we sing, "God save the King", Guide then one Empire wide, do we implore, And prosper Canada from shore to shore.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Lapsus Calami (Aug 1891)/In the Backs

Originally published in The Cambridge Review of 20 February 1891.
II. MEN AND WOMEN.
1. In the Backs.
As I was strolling lonely in the Backs, I met a woman whom I did not like. I did not like the way the woman walked: Loose-hipped, big-boned, disjointed, angular. If her anatomy comprised a waist, I did not notice it: she had a face With eyes and lips adjusted thereunto, But round her mouth no pleasing shadows stirred, Nor did her eyes invite a second glance. Her dress was absolutely colourless, Devoid of taste or shape or character; Her boots were rather old, and rather large, And rather shabby, not precisely matched. Her hair was very far from beautiful And not abundant: she had such a hat As neither merits nor expects remark. She was not clever, I am very sure, ​Nor witty nor amusing: well-informed She may have been, and kind, perhaps, of heart; But gossip was writ plain upon her face. And so she stalked her dull unthinking way; Or, if she thought of anything, it was That such a one had got a second class, Or Mrs So-and-So a second child. I do not want to see that girl again: I did not like her: and I should not mind If she were done away with, killed, or ploughed. She did not seem to serve a useful end: And certainly she was not beautiful.
# Pippa Passes

Originally published in 1841.
ROBERT BROWNING
Pippa Passes
Robert Browning
Barse & Hopkins New York
PIPPA PASSES;
A DRAMA.
1841.
I DEDICATE MY BEST INTENTIONS, IN THIS POEM, ADMIRINGLY TO THE AUTHOR OF “ION,” AFFECTIONATELY TO MR. SERGEANT TALFOURD.
PERSONS.
* Pippa.
* Ottima.
* Sebald.
* Foreign Students.
* Gottlieb.
* Schramm.
* Jules.
* Phene.
* Austrian Police.
* Bluphocks.
* Luigi and his Mother.
* Poor Girls.
* Monsignor and his Attendants.
* Introduction
* I - Morning
* II - Noon
* III - Evening
* IV - Night
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Men and Women (Browning)/Volume 2/In a Balcony

* First Part
* Second Part
* Part Third
# Creative Unity/Introduction

INTRODUCTION
It costs me nothing to feel that I am; it is no burden to me. And yet if the mental, physical, chemical, and other innumerable facts concerning all branches of knowledge which have united in myself could be broken up, they would prove endless. It is some untold mystery of unity in me, that has the simplicity of the infinite and reduces the immense mass of multitude to a single point.
This One in me knows the universe of the many. But, in whatever it knows, it knows the One in different aspects. It knows this room only because this room is One to it, in spite of the seeming contradiction of the endless facts contained in the single fact of the room. Its knowledge of a tree is the knowledge of a unity, which appears in the aspect of a tree.
This One in me is creative. Its creations are a pastime, through which it gives expression ​to an ideal of unity in its endless show of variety. Such are its pictures, poems, music, in which it finds joy only because they reveal the perfect forms of an inherent unity.
This One in me not only seeks unity in knowledge for its understanding and creates images of unity for its delight; it also seeks union in love for its fulfilment. It seeks itself in others. This is a fact, which would be absurd had there been no great medium of truth to give it reality. In love we find a joy which is ultimate because it is the ultimate truth. Therefore it is said in the Upanishads that the advaitam is anantam,—"the One is Infinite"; that the advaitam is anandam,—"the One is Love."
To give perfect expression to the One, the Infinite, through the harmony of the many; to the One, the Love, through the sacrifice of self, is the object alike of our individual life and our society.
# July 2 1954 Telegram to Ambassadors

       SENT TO: Amembassy PARIS 39
       RPTD INFO: Amembassy SAIGON 31, Amconsul GENEVA 9
       REDEPTEL 4852, June 28; Saigon 2746; Geneva 489
It seems to me that new Vietnamese Prime Minister Ngo Dinh Diem, who has reputation of uncompromising nationalist, is quite in the dark about developments critically affecting country he is trying to lead. We fear that if results of French negotiations with Communists are revealed to him as a fait accompli, the very reaction French wish to avoid will result.
You should therefore indicate our concern to the French and ascertain their own intentions with respect to consulting him or minimizing his resentment and their views with respect to plans and prospects for maintaining order in South Vietnam.
       (signed by), John Foster Dulles
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Constitution of the Soviet Union

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Constitution of the Soviet Union (1924)
* Constitution of the Soviet Union (1942) - 1942 edition of the 1936 Soviet Constitution
* Constitution of the Soviet Union (1977)
# Something

* Search for titles containing or beginning with: "Something"
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Something"—a fairy tale by H. C. Andersen
* "Something"—a magazine article by G. K. Chesterton