# The Literati of New York/No. IV/Epes Sargent

Regarding poet Epes Sargent.
Mr. Sargent is well known to the public as the author of "Velasco, a Tragedy," "The Light of the Light-house, with other Poems," one or two short novelettes, and numerous contributions to the periodicals. He was also the editor of "Sargent's Magazine," a monthly work, which had the misfortune of falling between two stools, never having been able to make up its mind whether to be popular with the three or dignified with the five dollar journals. It was a "happy medium" between the two classes, and met the fate of all happy media in dying, as well through lack of foes as of friends. In medio tutissimus ibis is the worst advice in the world for the editor of a magazine. Its observance proved the downfall of Mr. Lowell and his really meritorious "Pioneer."
"Velasco" has received some words of commendation from the author of "Ion," and I am ashamed to say, owes most of its home appreciation to this circumstance. Mr. Talfourd's play has, itself, little truly dramatic, with much picturesque and more poetical value; its author, nevertheless, is better entitled to respect as a dramatist than as a critic of dramas. "Velasco," compared with American tragedies generally, is a good tragedy — indeed, an excellent one, but, positively considered, its merits are very inconsiderable. It has many of the traits of Mrs. Mowatt's "Fashion," to which, in its mode of construction, its scenic effects, and several other points, it bears as close a resemblance as, in the nature of things, it could very well bear. It is by no means improbable, however, that Mrs. Mowatt received some assistance from Mr. Sargent in the composition of her comedy, or at least was guided by his advice in many particulars of technicality.
"Shells and Sea Weeds," a series of brief poems, recording the incidents of a voyage to Cuba, is, I think, the best work in verse of its author, and evinces a fine fancy, with keen appreciation of the beautiful in natural scenery. Mr. Sargent is fond of sea pieces, and paints them with skill, flooding them with that warmth and geniality which are their character and their due. "A Life on the Ocean Wave" has attained great popularity, but is by no means so good as the less lyrical compositions, "A Calm," "The Gale," "Tropical Weather," and "A Night Storm at Sea."
"The Light of the Light-house" is a spirited poem, with many musical and fanciful passages, well expressed. For example —
"But, oh, Aurora's crimson light,
 That makes the watch-fire dim,
Is not a more transporting sight
 Than Ellen is to him.
He pineth not for fields and brooks,
 Wild flowers and singing birds,
For summer smileth in her looks
 And singeth in her words."
There is something of the Dibdin spirit throughout the poem, and, indeed, throughout all the sea poems of Mr. Sargent — a little too much of it, perhaps.
His prose is not quite so meritorious as his poetry. He writes "easily," and is apt at burlesque and sarcasm — both rather broad than original. Mr. Sargent has an excellent memory for good hits and no little dexterity in their application. To those who meddle little with books, some of his satirical papers must appear brilliant. In a word, he is one of the most prominent members of a very page 78 extensive American family — the men of industry, talent and tact.
In stature he is short — not more than five feet five — but well proportioned. His face is a fine one; the features regular and expressive. His demeanor is very gentlemanly. Unmarried, and about thirty years of age.