# Works of Jules Verne/Round the World in Eighty Days/Chapter 2

CHAPTER II IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS FOUND HIS IDEAL
"Upon my word," said Passepartout to himself, first, "I have known at Madame Tussaud's good people as lively as my new master!" Madame Tussaud's "good people" are wax figures, much visited in London, who, indeed, are only wanting in speech.
During the few minutes that he had interviewed Phileas Fogg, Passepartout had examined his future master, rapidly but carefully. He was a man that might be forty years old, of fine handsome face, of tall figure, which a slight corpulence did not misbecome, his hair and whiskers light, his forehead compact, without appearance of wrinkles at the temples, his face rather pale than flushed, his teeth magnificent. He appeared to possess in the highest degree what physiognomists call "repose in action," a quality common to those who do more work than talking. Calm, phlegmatic, with a clear eye and immovable eyelid, he was the finished type of those cool-blooded Englishmen so frequently met in the United Kingdom, and whose somewhat academic posture Angelica Kauffman has marvelously reproduced under her pencil. Seen in the various acts of his existence, this gentleman gave the idea of a well-balanced being in all his parts, evenly hung, as perfect as a chronometer. Indeed, Phileas Fogg was exactness personified, which was seen clearly from "the expression of his feet and his hands," for with man, as well as with the animals, the limbs themselves are organs expressive of the passions.
Phileas Fogg was one of those mathematically exact people, who, never hurried and always ready, are economical of the steps and their motions. He never made one stride too many, always going by the shortest route. He did not give an idle look. He did not allow himself a superfluous gesture. He had never been seen moved or troubled. He ​was a man of the least possible haste, but he always arrived on time. However, it will be understood that he lived alone, and, so to speak, outside of every social relation. He knew that in life one must take his share of friction, and as frictions retard, he never rubbed against anyone.
As for Jean, called Passepartout, a true Parisian of Paris, he had sought vainly for a master to whom he could attach himself, in the five years that he had lived in England and served as a valet in London. Passepartout was not one of those Frontins or Mascarilles, who, with high shoulders, nose high in air, a look of assurance, and staring eye, are only impudent dunces. No, Passepartout was a good fellow, of amiable physiognomy, his lips a little prominent, always ready to taste or caress, a mild and serviceable being, with one of those good round heads that we like to see on the shoulders of a friend. His eyes were blue, his complexion rosy, his face fat enough for him to see his cheek bones, his chest broad, his form full, his muscles vigorous, and he possessed a herculean strength which his youthful exercise had splendidly developed. His brown hair was somewhat tumbled. If the ancient sculptors knew eighteen ways of arranging Minerva's hair, Passepartout knew of but one for fixing his own: three strokes of a large comb, and it was dressed.
The most meager stock of prudence would not permit of saying that the expansive character of this young man would agree with that of Phileas Fogg. Would Passepartout be in all respects exactly the servant that his master needed? That would only be seen by using him. After having had, as we have seen, quite a wandering youth, he longed for repose. Having heard the exactness and proverbial coolness of the English gentlemen praised, he came to seek his fortune in England. But until the present, fate had treated him badly. He had not been able to take root anywhere. He had served in ten different houses. In every one the people were capricious and irregular, running after adventures or about the country—which no longer suited Passepartout. His last master, young Lord Longsferry, member of Parliament, after having passed his nights in the Haymarket oyster-rooms, returned home too frequently on the shoulders of policemen. Passepartout wishing, above all things, to be able to respect his
V. VII Verne ​master, ventured some mild remarks, which were badly received, and he quit. In the meantime, he learned that Phileas Fogg, Esq., was hunting a servant. He made some inquiry about this gentleman. A person whose existence was so regular, who never slept in a strange bed, who did not travel, who was never absent, not even for a day, could not but suit him. He presented himself, and was accepted under the circumstances that we already know.
At half-past eleven, Passepartout found himself alone in the Saville Row mansion. He immediately commenced his inspection, going over it from cellar to garret. This clean, well-ordered, austere, Puritan house, well organized for servants, pleased him. It produced the effect upon him of a fine snail-shell, but one lighted and heated by gas, for carburetted hydrogen answered both purposes here. Passepartout found without difficulty, in the second-story, the room designed for him. It suited him. Electric bells and speaking tubes put it in communication with the lower stories. On the mantel an electric clock corresponded with the one in Phileas Fogg's bed-chamber, both beating the same second at the same instant. "That suits me, that suits me!" said Passepartout.
He observed also in his room a notice fastened above the clock. It was the programme for the daily service. It comprised—from eight o'clock in the morning, the regular hour at which Phileas Fogg, rose, until half-past eleven, the hour at which he left his house to breakfast at the Reform Club—all the details of the service, the tea and toast at twenty-three minutes after eight, the shaving water at thirty-seven minutes after nine, the toilet at twenty minutes before ten, etc. Then from half-past eleven in the morning until midnight, the hour at which the methodical gentleman retired—everything was noted down, foreseen, and regulated. Passepartout took a pleasure in contemplating this programme, and impressing upon his mind its various directions.
As to the gentleman's wardrobe, it was in very good taste and wonderfully complete. Each pair of pantaloons, coat, or vest bore a regular number, which was also entered upon a register, indicating the date at which, according to the season, these garments were to be worn in their turn. The same rule applied to his shoes.
​In short, in this house in Saville Row—which in the time of the illustrious but dissipated Sheridan, must have been the temple of disorder—its comfortable furniture indicated a delightful ease. There was no study, there were no books, which would have been of no use to Mr. Fogg, since the Reform Club placed at his disposal two libraries, the one devoted to literature, the other to law and politics. In his bed-chamber there was a medium-sized safe whose construction protected it from fire as well as from burglars. There were no weapons in the house, neither for the chase, nor for war. Everything there denoted the most peaceful habits.
After having minutely examined the dwelling, Passepartout rubbed his hands, his broad face brightened, and he repeated cheerfully: "This suits me! This is the place for me! Mr. Fogg and I will understand each other perfectly! A homebody, and so methodical! A genuine automaton! Well, I am not sorry to serve under an automaton!"
Layout 2