OpenLLM-France/wikimedia huggingface dataset:
# The Book of American Negro Poetry/When de Co'n Pone's Hot

WHEN DE CO'N PONE'S HOT
Dey is times in life when Nature
Seems to slip a cog an' go,
Jes' a-rattlin' down creation,
Lak an ocean's overflow;
When de worl' jes' stahts a-spinnin'
Lak a picaninny's top,
An' yo' cup o' joy is brimmin'
'Twell it seems about to slop,
An' you feel jes' lak a racah,
Dat is trainin' fu' to trot—
When yo' mammy says de blessin'
An' de co'n pone's hot.
When you set down at de table.
Kin' o' weary lak an' sad.
An' you'se jes' a little tiahed
An' purhaps a little mad;
How yo' gloom tu'ns into gladness,
How yo' joy drives out de doubt
When de oven do' is opened,
An' de smell comes po'in' out;
Why, de 'lectric light o' Heaven
Seems to settle on de spot,
When yo' mammy says de blessin' An' de co'n pone's hot.
When de cabbage pot is steamin'
An' de bacon good an' fat,
When de chittlins is a-sputter'n' So's to show you whah dey's at;
Tek away yo' sody biscuit,
Tek away yo' cake an' pie,
Fu' de glory time is comin',
An' it's 'proachin' mighty nigh,
An' you want to jump an' hollah,
Dough you know you'd bettah not.
When yo' mammy says de blessin'
An' de co'n pone's hot.
I have hyeahd o' lots o' sermons,
An' I've hyeahd o' lots o' prayers,
An' I've listened to some singin'
Dat has tuck me up de stairs
Of de Glory-Lan' an' set me
Jes' below de Mastah's th'one,
An' have lef my hea't a-singin, In a happy aftah tone;
But dem wu'ds so sweetly murmured
Seem to tech de softes' spot,
When my mammy says de blessin',
An' de co'n pone's hot.
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# Poems (Greenwell)/The Question

THE QUESTION.
"Jesus saith to Simon Peter, Simon, son of Jonas, lovest thou me more than these? He saith unto him, Yea, Lord; thou knowest that I love thee."—John xxi. 15.
# A Cradle Song

* Search for titles containing or beginning with: "A Cradle Song."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* A Cradle Song (1789), a poem by William Blake from Songs of Innocence. ("Sweet dreams, form a shade")
* A Cradle Song (1794), a poem by William Blake from the Notebook (c. 1793) intended for Songs of Experience. ("Sleep, Sleep, beauty bright")
* Cradle Song, a song with music by Johannes Brahms and anonymous lyrics, commonly known as Brahms' Lullaby. ("Lullaby and good-night, with roses delight")
* Cradle Song, a poem by Florence Earle Coates. ("Thy heart and mine are one, my dear")
* A Cradle Song, a poem by Padraic Colum published in Wild Earth (1907). ("O, men from the fields!")
* Cradle Song, a poem by Richard Watson Gilder. ("In the embers shining bright")
* "Cradle Song", a poem by Rebecca Queen Jordan
* Cradle-Song, a poem by Sarojini Naidu. ("From groves of spice")
* Cradle Song, a poem by Samuel F. Smith, translated from the anonymous German lullaby "Schlaf, Kindlein, schlaf". ("Sleep, baby, sleep!")
* Cradle Song, a song with music by Carl Maria von Weber and anonymous translation of lyrics by Franz Carl Hiemer. ("Sleep, my heart's darling, in slumber repose")
* "Cradle Song", a poem by Mariana Griswold Van Rensselaer
# Her Calendar

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Her calendar", a poem by Irenè Hardy
* "Her Calendar", a poem by Mariana Griswold Van Rensselaer
# The Sisters

* Search for titles containing or beginning with: "The Sisters."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Sisters, by Georg Ebers
* The Sisters, versions of a poem (ballad) by Felicia Hemans
* "The Sisters", a poem by Jane Elizabeth Roscoe Hornblower
* The Sisters (1904), a short story by James Joyce published in The Irish Homestead
* The Sisters (1914), a revised version of the short story by James Joyce published in Dubliners
* The Sisters, versions of a poem by Letitia Elizabeth Landon (Now, Maiden, wilt thou come with me)
* The Sisters, a poem by Letitia Elizabeth Landon (The morning light is in their hair)
* The Sisters, versions of a poem by Alfred Tennyson
* The Sisters, a poem by John Greenleaf Whittier
* The Sisters, a short story by Friedrich August Schulze translated by Robert Pearse Gillies
* "The Sisters", a poem by Mariana Griswold Van Rensselaer
# Poems (Jackson)/Tribute

Ralph Waldo Emerson.
# A Song for Twilight

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "A Song for Twilight", a poem by Marietta Holley
* "A Song for Twilight", a poem by Mariana Griswold Van Rensselaer
# Hills o' Gallowa/Hills o' Gallowa

HILLS OF GALLOWA.
Amang the birks sae blithe and gay, I met my Julia hameward gaun; The linties chantit on the spray, The lammies lowpit on the lawn; On ilka swaird the hay was mawn, The braes wi' gowans buskit braw; And gloamin's plaid o' grey was thrawn Cut o'er the hills of Gallowa.
Wi' music wild the woodlands rang, And fragrance winged alang the lee, When down we sat, the flowers amang, Upon the banks of stately Dee. My Julia's arms encircle me; Then sweetly slade the hours awa, Till dawnin' cost a glimmerin' ee, Upon the hills o' Gallowa.
It is nae owsen, sheep and kye, It is nae gow'd it is nae gear, This lifted ee wad hae quoth I, The warld's drumlie gloom to cheer;
But gie to me my Julia dear, Ye pow'rs wha rule this earthen ba', And O sae blythe thro' life I'll steer, Amang the hills o' Gallowa.
When gloamin' daunders up the hill, And our gudeman ca's hame the cows; Wi' fier I'll trace the mossy rill, That thro' the rashes dimpled rows; Or tint amang the screggy knowes, My birken pipe I'll sweetly blaw, And sing the stream, the straths, the hawes, The hills and dales o' Gallowa.
And when auld Scotland's heathy hills, Her rural nymphs and jovial swains, Her flowery wilds and wimpling rills, Awake nae mair my cantie streams; Where friendship dwells and freedom reigns, Where heather blooms and moor-cocks craw, O dig my grave, and lay my banes, Amang the hills o' Gallowa.
# Hills o' Gallowa/Green Grow the Rashes, O

GREEN GROW THE RASHES, O.
Green grow the rashes, O, Green grow the rashes, O; The sweetest hours that e'er I spent, I spent amang the lasses, O.
There's nought but care on every han', In every hour that passes, O, What signifies the life o' man, And 'twerna for the lasses, O.
The warldly race may riches chase, And riches still may flee, them, O, And though at last they catch them fast, Their hearts can ne'er enjoy them, O
But gie me a cannie hour at e'en, My arms about my dearie, O, And wardly cares and wardly men, May a' gae tapsalteerie, O.
For you sae douse who sneer at this, Ye're nought but senseless asses, O, The wisest man the warld e'er saw, He dearly lov'd the lasses, O.
And Nature swears the lovely dears, Her noblest work she classes, O, Her prentice hand she tried on man, And then she made the lasses, O.
# Willie Wastle

* "Sic a wife as Willie had", in Dainty Davie (1823), a chapbook printed in Glasgow
* "Sic a Wife as Willie Had", in Hills o' Gallowa (1826), a chapbook printed in Stirling
* "Willie Wastle", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
* "Willie's Wife", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
* "Willie Wastle", in Seven Select Songs (n.d.), a chapbook printed in Edinburgh
# Hills o' Gallowa/Sic a Wife as Willie Had

SIC A WIFE AS WILLIE HAD.
Willie Wastle dwalt on Tweed, The spot they ca'd it Linkumdoddie, Willie was a wabster gude, Cou'd stown a clue wi' ony body.
He had a wife was door and din, O Tinker Maggie was her mither; Sic a wife as Willie had, I wadna gae a button for her.
She has an ee, she has but ane, The cat has twa the very colour; Five rusty teeth, forbye a stump, A clapper tongue wad deave a miller; A whiskin beard about her mou, Her nose and chin they threaten ither.
She's bow-hough'd she's hein shin'd, Ae limpin leg a hand breed shorter; She's twisted right, she's twisted left, To balance fair in ilka quarter: She has a humph upon her breast, The twin o' that upon her shouther.
Auld baudrans by the ingle sits, and wi' her loof her face a washin'; But Willie's wife is nae sae trig, She dights her grunzie wi' a hushion; Her walie nieves like midden-creels. Her face wad fyle the Logan water.
# The Poetical Works of Robert Burns/Bonie Bell

BONIE BELL.
# Hills o' Gallowa/How Sweet the Rose Blaws

HOW SWEET THE ROSE BLAWS.
How sweet the rose blaws, it fades and it fa's; Red is the rose and bonnie O: It brings to my mind what my dear laddie was; So bloom'd, so cut off, was my Johnnie, O.
Now peace is returned, but nae joy brings to me: Red is the rose and bonnie O: For cauld is his cheek, and blameless his e'e, And nae mair beats the heart o' my Johnnie, O.
Ah! why did he love me, and leave these sweet plains; Red is the rose and bonnie, O: Where smiling contentment and peace ever reigns, But they'll ne'er bloom again for my Johnnie, O.
Nor to me will their beauties e'er pleasure impart, Red is the rose and bonnie, O, For sunk is my spirits and broken my heart, Soon I'll meet ne'er to part frae my Johnnie, O.
FINIS.
# How Sweet the Rose Blaws

* "How Sweet the Rose Blaws", in Hills o' Gallowa (1826), a chapbook printed in Stirling
* "Red is the Rose", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# The Book of Scottish Song/Red is the Rose

Red is the Rose.
[Air, "Broom blooms bonnie."]
How sweet the rose blaws, it fades and it fa's; Red is the rose and bonnie, O: It brings to my mind what my dear Johnnie was; So bloom'd, so cut off was my Johnnie, O.
Now peace is return'd, but nae joy brings to me; Red is the rose and bonnie, O: For cold is his cheek, and closed is his e'e, And nae mair beats the heart o' my Johnnie, O.
Ab! why did he love me, and leave these sweet plains; Red is the rose and bonnie, O: Where smiling contentment and peace ever reigns, But they'll ne'er bloom again for my Johnnie, O. ​Nor to me will their beauties e'er pleasure impart; Red is the rose and bonnie, O: For sunk is my spirits, and broken my heart; Soon I'll meet ne'er to part frae my Johnnie, O.
# Hills o' Gallowa

There are differences between the titles listed on the front page and the titles at the head of each song. Where this is the case, the latter have been used. There is also a song in the work that is not listed on the front page.
Hills o' Gallowa;
To which are added,
Last May a braw wooer,
Green grow the rashes, O,
Sweet the rose blaws.
STIRLING. Printed by W. Macnie.
1826
* Hills o' Gallowa
* Last May a Braw Wooer
* Green Grow the Rashes, O
* Sic a Wife as Willie Had
* How Sweet the Rose Blaws
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lyrics of Sunshine and Shadow/A Boy's Summer Song

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A BOY'S SUMMER SONG
# The Complete Poems of Paul Laurence Dunbar/A Boy's Summer Song

A BOY'S SUMMER SONG
'Tis fine to play  In the fragrant hay, And romp on the golden load;  To ride old Jack  To the barn and back, Or tramp by a shady road.  To pause and drink,  At a mossy brink; Ah, that is the best of joy,  And so I say  On a summer's day, What's so fine as being a boy?  Ha, Ha!
 With line and hook  By a babbling brook, The fisherman's sport we ply;  And list the song  Of the feathered throng That flit in the branches nigh.  At last we strip  For a quiet dip; Ah, that is the best of joy.  For this I say  On a summer's day, What's so fine as being a boy?  Ha, Ha!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Boy's Summer Song

* "A Boy's Summer Song", published in Lyrics of Sunshine and Shadow (1905)
* "A Boy's Summer Song", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Johnny Speaks

* "Johnny Speaks", published in Lyrics of Sunshine and Shadow (1905)
* "Johnny Speaks", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/Johnny Speaks

JOHNNY SPEAKS
The sand-man he's a jolly old fellow, His face is kind and his voice is mellow, But he makes your eyelids as heavy as lead, And then you got to go off to bed;  I don't think I like the sand-man.
But I've been playing this livelong day; It does make a fellow so tired to play! Oh, my, I'm a-yawning right here before ma, I'm the sleepiest fellow that ever you saw.  I think I do like the sand-man.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lyrics of Sunshine and Shadow/Johnny Speaks

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JOHNNY SPEAKS
# Flag Desecration Amendment (1991)

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
* related portals: Constitutional documents, United States, Unsuccessful attempts to amend the United States Constitution.
* sister projects: Wikidata item.
There have been over ten thousand attempts to amend the United States Constitution, but only 27 attempts have succeeded. This Amendment may be read at the Library of Congress Website.
The Declaration of Independence | The Articles of Confederation | The Constitution | The Bill of Rights | Other Amendments | Unsuccessful Amendments
The Congress and the States shall have power to prohibit the act of desecration of the flag of the United States and to set criminal penalties for that act.
# Corwin Amendment

* related portals: Constitutional documents, Slavery.
* sister projects: Wikipedia article, quotes, Wikidata item.
An amendment to the United States Constitution proposed by Congress on March 2, 1861, as House Resolution No. 80. Originally suggested by President James Buchanan, it was drafted by a committee chaired by Representative Thomas Corwin of Ohio. Its purpose was to persuade states that permitted slavery that the federal government would not interfere with slavery in places where it already existed. Legislatures in two states, Ohio and Maryland, ratified the amendment, while the legality of ratification by a state constitutional convention in Illinois was disputed.
The Declaration of Independence | The Articles of Confederation | The Constitution | The Bill of Rights | Other Amendments | Unsuccessful Amendments
​ March 2, 1861.
[No. 13.]Joint Resolution to amend the Constitution of the United States.
Resolved by the Senate and House of Representatives of the United States of America in Congress assembled, Proposed amendment to the Constitution. That the following article be proposed to the Legislatures of the several States as an amendment to the Constitution of the United States, which, when ratified by three-fourths of said Legislatures, shall be valid, to all intents and purposes, as part of the said Constitution, viz.:
‘‘Article Thirteen.
‘‘No amendment shall be made to the Constitution which will authorize or give to Congress the power to abolish or interfere, within any State, with the domestic institutions thereof, including that of persons held to labor or service by the laws of said State.’’
Approved, March 2, 1861.

## Notes

* External Source: 12 United States Statutes at Large, 36th Congress, 2nd Session, 1861, p. 251.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Alchemy of Happiness

* related portals: Religion, Islam.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
The Kimiya-yi Sa'ādat (Alchemy of Happiness) was written towards the end of Abū Ḥāmid Muḥammad ibn Muḥammad al-Ghazālī's life shortly before 499/1105. During the time before it was written the Muslim world was considered to be in a state of political as well as intellectual unrest. al-Ghazali noted that there were constant disputes regarding the role of philosophy and scholastic theology and Sufi's became chastised for their neglect of the ritual obligations of Islam. Upon its release, the Kimiya-yi sa'ādat allowed al-Ghazali to considerably reduce the tensions between the scholars and mystics.
* The Alchemy of Happiness (Homes), 1873 translation by Henry Augustus Homes
* The Alchemy of Happiness (Field), 1909 translation by Claud Field
# Toy-Making at Home: How to Make a Hundred Toys from Odds and Ends/A Catapult Game

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​A Catapult Game.—Probably every boy knows what a catapult is—and what fun there is in the using of it. Happy young fingers pull back the powerful elastic, and bright eyes watch the stone go whizzing away. There is a fluttering of white wings: something falls; and there, lying in the road, is a motionless lump of flesh and feathers—all that remains of what was a beautiful little bird, pouring out its heart in joyful song.
Boys who think for a minute will not want to use the catapult in that cruel fashion: they will prefer a game in which no harm is done, in which no innocent creature is harmed, but which provides just as much fun. “Catapult skittles” is such a game.
It consists simply of a board with a catapult at one end, and a set of skittles at the other. The broken peg skittles dealt with above will do admirably for this (Fig. 34).
The catapult itself can also be made with two pegs. These should be cut off cleanly at the forks. Two holes, about 3 in. ​apart, should then be bored in the base board (for this, a piece of plank about 3 ft. or 4 ft. long will do quite well), and the pegs screwed on (see Fig. 39 on page 34).
Fig. 34.
For ammunition all you need is an unlimited number of little pieces of cardboard, folded in two. These carry well, are quite heavy enough to upset the skittles, and, above all, are not likely to hurt, even if they do strike a player.
If you wish to vary the game slightly, you can rig up a “cokernut shy” in place of the skittles. This you will find very popular at Christmas time, particularly if you play for the nuts.
Fig. 35.
For this you want some wire hoops on which to stand the nuts. To make these, take a piece of stiff wire about 5 in. long and bend one end in the shape of a small circle, about ½ in. across. Now bend this loop so that it is at right angles to the wire; then when the wire is upright the circle will be horizontal (Fig. 35). Sharpen the other end with a file. Make three or four like this, and then some more an inch shorter, ​and a third lot two inches shorter. These must then be driven into the other end of the catapult board so that they are not too close together; otherwise the game is too easy.
Now all you need is a cardboard shelter. This can be oblong at the ends and triangular at the sides; but the shape is quite immaterial so long as the “shy” is properly shut in. Fig. 36 shows a suitable arrangement.
Fig. 36.
# Toy-Making at Home: How to Make a Hundred Toys from Odds and Ends/The Jig-saw Puzzle

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​The Jig-saw Puzzle was at one time a very popular toy, and there are signs that its popularity is being revived. If it does
Fig. 55.
not interest you particularly, it will provide a little brother or sister with endless amusement.
In reality the puzzle consists merely of a picture (generally an interesting coloured one) glued very firmly to a piece of fretwood or cigar-box wood. This is then by means of a fret saw cut into a great many pieces, shaped as quaintly and awkwardly as possible (see Fig. 55). These pieces are then jumbled up into disorder, and passed on to the little one in order that the shapes may be fitted into place and the original picture reconstructed.
# Toy-Making at Home: How to Make a Hundred Toys from Odds and Ends/Geometrical Puzzle

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​Somewhat after the style of the “jig-saw” puzzle just described is the
Geometrical Puzzle shown in Fig. 56. Each of these consists of a capital letter divided up by one or two straight lines into right-angled triangles and other geometrical shapes. While very simple to look at when completed, these little puzzles are by no means easy to solve when the odd pieces are given
Fig. 56.
in a jumbled state. The capital letters should be drawn on a piece of cigar-box wood, and then carefully cut out with a fret saw, or, better still, with a tenon saw if you have one. If you cannot manage wood, then the puzzle can be done in stout cardboard and cut out with a sharp thin knife.
# How We Think

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How We Think
BY
JOHN DEWEY
PROFESSOR OF PHILOSOPHY IN COLUMBIA UNIVERSITY
D. C. HEATH & CO., PUBLISHERS
BOSTON NEW YORK CHICAGO
Copyright, 1910, By D. C. Heath & Co. id 7
Our schools are troubled with a multiplication of studies, each in turn having its own multiplication of materials and principles. Our teachers find their tasks made heavier in that they have come to deal with pupils individually and not merely in mass. Unless these steps in advance are to end in distraction, some clew of unity, some principle that makes for simplification, must be found. This book represents the conviction that the needed steadying and centralizing factor is found in adopting as the end of endeavor that attitude of mind, that habit of thought, which we call scientific. This scientific attitude of mind might, conceivably, be quite irrelevant to teaching children and youth. But this book also represents the conviction that such is not the case; that the native and unspoiled attitude of childhood, marked by ardent curiosity, fertile imagination, and love of experimental inquiry, is near, very near, to the attitude of the scientific mind. If these pages assist any to appreciate this kinship and to consider seriously how its recognition in educational practice would make for individual happiness and the reduction of social waste, the book will amply have served its purpose.
It is hardly necessary to enumerate the authors to whom I am indebted. My fundamental indebtedness is to my wife, by whom the ideas of this book were ​inspired, and through whose work in connection with the Laboratory School, existing in Chicago between 1896 and 1903, the ideas attained such concreteness as comes from embodiment and testing in practice. It is a pleasure, also, to acknowledge indebtedness to the intelligence and sympathy of those who cooperated as teachers and supervisors in the conduct of that school, and especially to Mrs. Ella Flagg Young, then a colleague in the University, and now Superintendent of the Schools of Chicago.
New York City, December, 1909.
CONTENTS