OpenLLM-France/wikimedia huggingface dataset:
# German 25th Army Instrument of Surrender (4 May 1945)

* information about this edition.
* sister projects: Wikidata item.
The Instrument for the surrender of the 25th German Army was the legal instrument by which the German Command of the 25th German Army surrendered simultaneously to the First Canadian Corps at the end of World War II in Europe. After this partial body of the German military surrendered, there came the surrender of total the German military 8 of May.
This is the Instrument of Surrender of the 25th German Army, which was signed on 4 May, 1945, at Luneburg.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
Public domainPublic domainfalsefalse
| ​ Instrument of Surrender of All German armed forces in HOLLAND, in northwest Germany including all islands, and in DENMARK. The German Command agrees to the surrender of all armed forces in HOLLAND, in northwest GERMANY including the FRISIAN ISLANDS and HELIGOLAND and all other islands, in SCHLESWIG-HOLSTEIN, and in DENMARK, to the C.-in-C. 21 Army Group. This to include all naval ships in these areas. These forces to lay down their arms and to surrender unconditionally. All hostilities on land, on sea, or in the air by German forces in the above areas to cease at 0800 hrs. British Double Summer Time on Saturday 5 May 1945. The German command to carry out at once, and without argument or comment, all further orders that will be issued by the Allied Powers on any subject. Disobedience of orders, or failure to comply with them, will be regarded as a breach of these surrender terms and will be dealt with by the Allied Powers in accordance with the accepted laws and usages of war. This instrument of surrender is independent of, without prejudice to, and will be superseded by any general instrument of surrender imposed by or on behalf of the Allied Powers and applicable to Germany and the German armed forces as a whole. This instrument of surrender is written in English and in German. The English version is the authentic text. The decision of the Allied Powers will be final if any doubt or dispute arises as to the meaning or interpretation of the surrender terms. B. L. Montgomery Field-Marshal 4 May 1945 1830 hrs. Hans Georg von Friedberg Kinzel G. Wagner Poleck Friedel | Page 1 |
# Absalom and Achitophel

This work by Dryden was first published in 1681 by Jacob Tonson. This transcription is of the 3rd edition, printed in 1682. The main difference from previous editions is the inclusion of the verses by Nahum Tate (see John Dryden: a bibliography of early editions and of Drydeniana (1967), by Hugh Macdonald, pp. 18-26).
ABSALOM
AND
ACHITOPHEL.
A
POEM.
The Third Edition; Augmented and Revised.
LONDON,
Printed for J. T. and are to be Sold by W. Davis in Amen-Corner, 1682.
* To the Reader
* To the Unknown Author of this Excellent Poem
* To the Unknown Author of this Admirable Poem
* To the Conceal'd Author of this Incomparable Poem
* Absalom and Achitophel, a Poem
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tucson Daily Citizen

The Tucson Daily Citizen is a daily newspaper based in Tucson, Arizona. The periodical did not renew copyrights for issues.
Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/Tucson Daily Citizen/
# Patie's Wedding, or, All Parties Pleased (1802, Glasgow)

Patie's Wedding;
or, all
PARTIES PLEASED,
to which are added
ABSENCE ILL TO BIDE.
JOHNNY AND MARY.
THE BRAES OF YARROW.
GLASGOW, PRINTED BY J. & M. ROBERTSON, Saltmarket, 1802.
* Patie's Wedding
* Absence Ill to Bide
* Johnny and Mary
* The Braes of Yarrow
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Patie's Wedding, or, All Parties Pleased (1802, Glasgow)/Patie's Wedding

PATIE'S WEDDING.
# Patie's Wedding

* "Patie's Wedding", in Patie's Wedding, or, All Parties Pleased (1802), a chapbook printed in Glasgow
* "Patie's Wedding", in Patie's wedding, or, All parties pleased (n.d.), a chapbook with no printing information
# Absence Ill to Bide

* "Absence Ill to Bide", in Patie's Wedding, or, All Parties Pleased (1802), a chapbook printed in Glasgow
* "Absence Ill to Bide", in Patie's wedding, or, All parties pleased (n.d.), a chapbook with no printing information
# Patie's Wedding, or, All Parties Pleased (1802, Glasgow)/Absence Ill to Bide

ABSENCE ILL to BIDE.
# Patie's Wedding, or, All Parties Pleased (1802, Glasgow)/Johnny and Mary

JOHNNY and MOLLY.
# Patie's Wedding, or, All Parties Pleased (1802, Glasgow)/The Braes of Yarrow

THE BRAES of YARROW.
GLASGOW Printed by J. & M. Robertson, Saltmarket, 1802
# John Highlandman's Remarks on the City of Glasgow (1802, Glasgow)

There are differences between the titles given on the front page and those at the head of each song; where this is the case, the latter have been used.
John Highlandman's Remarks
ON THE
CITY of GLASGOW
TO WHICH ARE ADDED,
JOHNNY AND MOLLY.
ORIGINAL of TWEEDSIDE.
THE PLOUGHMAN LAD.
THE BRAES OF YARROW.
GLASGOW,
Printed by J. & M. Robertson, Saltmarket, 1802.
* John Highlandman's Remarks on Glasgow
* Johnny and Molly
* Original of Tweedside
* The Ploughman Lad
* The Braes of Yarrow
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# John Highlandman's Remarks on the City of Glasgow (1802, Glasgow)/Johnny and Molly

​ ​Gold and titles give not health, and Johnny cou'd not theſe imparts: Youthfu' Mary's greateſt wealth was fill her fatihfu' Johnay's heart; Sweet the joys that lovers find, great the treaſure, ſweet the pleaſure, Where the beart is always kind Chor. I own the burn and thro' the mead, his golden locks war'd'er his brow, Johnny, liling, tun“ his reed, and Mary wip'd her bonny mou'.
ORIGINAL of TWEEDSIDE.
WHen Maggy and me were acquaint, I carry'd my noddle fu'hie, Nae lint white en a' the green plain, nor goudſpink ſae bonny as she.
O whiſtled, I pip'd, and I ſang, I woo'd, but I came rae great ſpeed, Therefore I maun wan ler abroad, avd lay my bares over the Tweed.
To Maggy my love I did tell, ſaut tears did my paſſion expreſs; Alas! for ( lo ed her oʻer well, and the women lo'e ſic a man leſs.
Her heart was frozen and cauld, her pride had my ruin decreed, Therefore will wander abroad, and lay my bares far frae the Tweed.
# John Highlandman's Remarks on the City of Glasgow (1802, Glasgow)/The Braes of Yarrow

THE BRAES OF YARROW.
TH E ſun juſt glancing thro' the trees, gave light and joy to ilka grove, And pleaſure in each ſouthern breeze, awaken hope and ſlumbering love; When Jeany ſung with hearty glee, to charm her winſome marrow, My bonny laddie gang wi' me. we'll o'er the braes o' Yarrow.
Young Sandy was the blytheſt ſwain, that ever pip'd en broomy brae; Nae laſs cou'd ken him'free from pain, fae gracefu', kind fae fair and gay. And Jeany ſung with hearty glee, to charm her winſome marrow, My bonny laddie gang wi' me we'll o'er the braes o Yarrow.
He kiſſ'd and lo'ed the bonny maid, her ſparkling een had won his heart, Nae leſs the youth had e'er betray'd, nae fear had the, the lad nae art. And ſtill ſhe ſung with hearty glee, to charm her winſome marrow, My bonny laddie gang wi' me, we'll o'er the braes 6 Yarrow.
Glaſgow, Printed by T. & M. Robertſon,
Saltmarket, 1802.
# The Braes of Yarrow ('The sun just glancing through the trees')

* "The Braes of Yarrow", in Patie's Wedding, or, All Parties Pleased (1802), a chapbook printed in Glasgow
* "The Braes of Yarrow", in John Highlandman's Remarks on the City of Glasgow (1802), a chapbook printed in Glasgow
* "The Braes of Yarrow", in Patie's wedding, or, All parties pleased (n.d.), a chapbook with no printing information
# Young Gregor's Ghost (1800)/Gloomy December

Gloomy December
ANCE mair I hail thee, thou gloomy December, Ance mair I hail thou wit ſorrow and care: Sad was the parting thou make me remember, Parting wi' Nancy, oh, ne'er to meet mair. Fond lovers parting is ſweet painful pleaſure, Hope beaming mild on the ſoft-parting hour; But dire feeling, O farewell for ever, Anguiſh unranged, and agony pure.
Wild as the winter now tearing the foreſt, Till the laſt leaf o the ſummer is flown, Such is the tempeſt has ſhaken my boſom, Till my laſt hope and laſt comfort is gone. Still ſhall I hail thee, thou gloomy December, Still ſhall I hail thee with ſorrow and care, For ſad was the parting thou makes me remember. Parting wi' Nancy, oh, never to meet mair.
FINIS.
# Poems, Sacred and Moral/Futurity

FUTURITY.
# Futurity

* Search for titles containing or beginning with: "Futurity."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Futurity", a poem by Elizabeth Barrett Browning
* "Futurity", a poem by Martha Julia Elliott
* "Futurity", a poem by Thomas Gisborne
* "Futurity", a poem by Rebecca Queen Jordan
# Poems, Sacred and Moral/Conscience

POEMS,
SACRED AND MORAL.
CONSCIENCE.
# Conscience

* Search for titles containing or beginning with: "Conscience."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Conscience", a poem by Florence Earle Coates
* "Conscience", a poem by Gavin Douglas
* Conscience, English translation of Conscience l’innocent, a novel by Alexandre Dumas.
* "Conscience", a poem by Thomas Gisborne
* "Conscience", a poem by George Herbert
* "Conscience", a poem by William Dean Howells

### Encyclopaedia articles

* "Conscience," in Encyclopædia Britannica (11th ed., 1911)
* "Conscience," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
# Conscience (Coates)

"The friend I loved betrayed my trust"
* "Conscience" from Lippincott's Monthly Magazine (May 1894) Vol. 53 No. ? p. 682.
* "Conscience" from Poems (1898)
* "Conscience" from Poems Vol. II (1916)

## References

* ↑ View this version at Google Books
# The Poetical Works of Gavin Douglas/Conscience

CONSCIENCE.
UHEN halie Kirk first flurist in Ȝouthheid,
Prelatis wer chosin of all perfectioun;
For Conscience than the brydill had to leid,
And Conscience maid the hale electioun,
Syne eftir that come schrewit correctioun,
And thocht that Conscience had our large ane weid,
And of his habite out cuttit thay ane skreid.
And fra Conscience the Con thay clip away,
And maid of Conscience Science and na mair;
Bot ȝit the Kirk stude weill, full mony day, 10
For it wes rewlit be mene of wit and layre;
Syn eftir that Sciens began to payr,
And thocht at Sciens was our lang ane jaip,
The Sci away fast can thay rub and scraip;
And fra Sci of Science wes adew,
Than left thai nocht bot this sillab Ens,
Quhilk in our language singnifies that schrew
Riches and geir, that gart all grace go hens;
For Sciens baith and faythfull Consciens
Sa corruptit ar with this warldis gude,
That falset joukis in everie clerkis hude.
O hungrie Ens! cursit with cairis calde,
All kynd of folk constrenis thow to wirk;
For thé that thief Judas his Maister said;
For thé Symon infectit Halie Kirk;
To poysoun Justice thow dois nevir irk;
Thow fals Ens, go hens, thou monsture peralous,
God send Defens with Conscience in till ws!
Finis quod Bischop Douglas of Dunkelde, &c.
# Stops of Various Quills/Conscience

CONSCIENCE
UDGE me not as I judge myself, O Lord! Show me some mercy, or I may not live: Let the good in me go without reward; Forgive the evil I must not forgive!
# 1911 Encyclopædia Britannica/Conscience

See also Conscience on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​CONSCIENCE (Lat. con-scientia, literally “knowledge of a thing shared with another person” or “complete knowledge,” and derivatively “consciousness” in general), a philosophical term used both popularly and technically in many different senses for that mental faculty which decides between right and wrong. In popular usage “conscience” is generally understood to give intuitively authoritative decisions as regards the moral quality of single actions; this usage implicitly assumes that every action has an objective or intrinsic goodness or badness, which “conscience” may be said to discern much in the same way as the eye sees or the ear hears. Moralists generally, however, are agreed that in all moral judgments of this character there is an implied reference to moral laws, the validity of which is in some ethical systems the true subject matter of conscience. The part played by conscience in relation to general moral laws and particular cases will vary according to the view taken of the character of the general laws. If, on what is called the “jural” theory, these laws are regarded as deriving their authority from an external source, the operation of conscience is so far limited. It may be held to recognize the validity of divine laws, for example; or it may be confined to the deductive process of applying those laws to particular cases, known as “cases of conscience” (see Casuistry). If, on the other hand, the general laws are regarded as intuitive, then the discernment of them may be taken as the true function of conscience. In either theory, conscience may be understood as the active principle in the soul which, in face of two alternatives, tells a man that he ought to select the one which is in conformity with the moral law. Apart from the two functions of discerning between right and wrong, and actively predisposing the agent to moral action, conscience has further a retrospective action whereby remorse falls upon the man who recognizes that he has broken a moral law. See Ethics; also Butler, Joseph; and compare the “moral sense” doctrine of Shaftesbury.
There are certain special uses of the word “conscience.” A Conscience clause is the term given to a special provision often inserted in an English act of parliament to enable persons having religious scruples to absent themselves from certain services, or to abstain from certain duties, otherwise prescribed by the act. Conscience money is the name given to a payment voluntarily made by a person who has evaded his obligations, especially in respect of taxes and the like. This usage derives from the last function of conscience mentioned above. Conscience Courts were local courts, established by acts of parliament in London and various provincial towns, for the recovery of small debts, usually sums under £5. They were superseded by county courts (q.v.).
# Poems, Sacred and Moral/The Duellist: an Elegy

THE
DUELLIST:
AN ELEGY
THE
DUELLIST:
AN
ELEGY.
# Poems (Millay)

​Poems by Edna St. Vincent Millay
By the Same Author
THE HARPWEAVER AND OTHER POEMS
"In the sublimation of lyricism she is unapproached. There is no one who so lifts extreme simplicity and naturalness on to the peaks of ecstasy or the heights of sorrow; or who so combines beauty with power." Manchester Guardian.
Poems by
Edna St. Vincent Millay
THIRD IMPRESSION
London
Martin Secker
1926
First published August 1923, 1,000 coies
Reprinted . August 1924, 1,000 copies
Reprinted .January 1926, 1,000 copies
Printed in Great Britain.
Londons Martin Secker (Ltd.) 1926.
CONTENTS
Section One
Renascence, 13
God's World, 22
Afternoon on a Hill, 23
Journey, 24
Sorrow, 26
Tavern, 27
Ashes of Life, 28
The Little Ghost, 29
Kin to Sorrow, 31
Three Songs of Shattering, 32
The Shroud, 34
The Dream, 35
Indifference, 36
Witch-wife, 37
Blight, 38
When the Year Grows Old, 40
Unnamed Sonnets, i-v, 42
Sonnet vi (Bluebeard), 47
Section Two
I, 51
II, 51
Recuerdo, 52
Thursday, 53
To the Not Impossible Him, 54
The Singing-Woman from the Wood's Edge, 55
Humoresque, 58
She is Overheard Singing, 59
The Unexplorer, 61
Grown-up, 62
The Penitent, 63
Daphne, 64
Portrait by a Neighbour, 65
The Merry Maid, 66
To S. M.,67
The Philosopher, 68
Sonnet—Love, Though for This, 69
Sonnet—I Think I Should Have Loved You, 70
Sonnet—Oh, Think Not I am Faithful, 71
Sonnet—I Shall Forget You Presently, 72
Section Three
Spring, 75
City Trees, 76
The Blue-Flag in the Bog, 77
Eel-Grass, 86
Elegy before Death, 87
The Bean-Stalk, 88
Weeds, 90
Passer Mortuus Est, 91
Pastoral, 92
Assault, 93
Travel, 94
Low-Tide, 95
Song of a Second April g6
The Poet and his Book, 97
Alms, 102
Inland, 104
To a Poet that Died Young, 105
Wraith, 107
Ebb, 109
Elaine, 110
Burial, 111
​Mariposa, 112
Doubt no more that Oberon, 113
Lament, 114
Exiled, 115
The Death of Autumn, 117
Ode to Silence, 118
Memorial to D. C., 127
Unnamed Sonnets, i~xii, 134
Wild Swans, 146
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Poems (Nealds)/Written on the arrival of a newly married pair at the residence of the Bridegroom's father

FINIS.
PRINTED BY R. GILBERT,
St. John's Square,
# Poems (Millay)/Wild Swans

Printed in Great Britain by Hazell, Watson & Viney, Ld., London and Aylesbury.
# Poems (Millay)/I

SECTION TWO
# Poems (Millay)/Sonnet vi (Bluebeard)

VI
# Poems (Millay)/Renascence

SECTION ONE
# Indifference

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Indifference", a poem by Nora May French
* "Indifference", a poem by Edna St. Vincent Millay
# Sorrow

* Search for titles containing or beginning with: "Sorrow."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Sorrow", a poem by Sarah Elizabeth Carmichael
* "Sorrow", a story by Anton Chekhov
* "Sorrow", a poem by Rebecca Queen Jordan
* "Sorrow", a poem by Edna St. Vincent Millay
* "Sorrow", a poem by Laetitia Pilkington
* "Sorrow", a poem by Alexander Pushkin
* "Sorrow", a poem by Algernon Charles Swinburne
* "Sorrow", a poem by Cynthia Taggart
* "Sorrow", a poem by Celia Thaxter
# Poems (Millay)/Spring

SECTION THREE
# Lyrics of Lowly Life/Premonition

Layout 2
PREMONITION.
# Premonition (Dunbar)

* "Premonition", published in Lyrics of Lowly Life (1896)
* "Premonition", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Chase (Dunbar)

* "The Chase", published in Lyrics of Sunshine and Shadow (1905)
* "The Chase", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lyrics of Sunshine and Shadow/The Chase

Layout 2
THE CHASE
# Lyrics of Sunshine and Shadow/The Sand-Man

Layout 2
THE SAND-MAN
# The Sand-Man (Dunbar)

* "The Sand-Man", published in Lyrics of Sunshine and Shadow (1905)
* "The Sand-Man", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lyrics of Sunshine and Shadow/Winter Song

Layout 2
WINTER SONG
# Winter-Song (Dunbar)

* "Winter Song", published in Lyrics of Sunshine and Shadow (1905)
* "Winter-Song", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lyrics of Sunshine and Shadow/A Christmas Folksong

Layout 2
A CHRISTMAS FOLKSONG
# A Christmas Folk Song

* "A Christmas Folksong", published in Lyrics of Sunshine and Shadow (1905)
* "A Christmas Folksong", published in The Complete Poems of Paul Laurence Dunbar (1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/A Christmas Folksong

A CHRISTMAS FOLKSONG
De win' is blowin' wahmah,  An hit's blowin' f'om de bay;  Dey's a so't o' mist a-risin'  All erlong de meddah way;  Dey ain't a hint o' frostin'  On de groun' ner in de sky,  An' dey ain't no use in hopin'  Dat de snow'll 'mence to fly.  It's goin' to be a green Christmas,  An' sad de day fu' me.  I wish dis was de las' one  Dat evah I should see.
 Dey's dancin' in de cabin,  Dey's spahkin' by de tree;  But dancin' times an' spahkin'  Are all done pas' fur me.  Dey's feastin' in de big house,  Wid all de windahs wide--  Is dat de way fu' people  To meet de Christmas-tide?  It's goin' to be a green Christmas,  No mattah what you say.  Dey's us dat will remembah  An' grieve de comin' day.
 Dey's des a bref o' dampness  A-clingin' to my cheek;  De aih's been dahk an' heavy  An' threatenin' fu' a week,  But not wid signs o' wintah,  Dough wintah'd seem so deah--  De wintah's out o' season,  An' Christmas eve is heah.  It's goin' to be a green Christmas,  An' oh, how sad de day!  Go ax de hongry chu'chya'd,  An' see what hit will say.
 Dey's Allen on de hillside,  An' Marfy in de plain;  Fu' Christmas was like springtime,  An' come wid sun an' rain.  Dey's Ca'line, John, an' Susie,  Wid only dis one lef':  An' now de curse is comin'  Wid murder in hits bref.  It's goin' to be a green Christmas--  Des hyeah my words an' see:  Befo' de summah beckons  Dey's many 'll weep wid me.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse