OpenLLM-France/wikimedia huggingface dataset:
# 1911 Encyclopædia Britannica/Crank

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​CRANK, a word of somewhat obscure etymology, probably connected with a root meaning “crooked,” and appearing in the Ger. krank, ill, a figurative use of the original word; among other words in English containing the same original meaning are “cringe” and “crinkle.” In mechanics, a crank is a device by which reciprocating motion is converted into circular motion or vice versa, consisting of a crank-arm, one end of which is fastened rigidly at right angles to the rotating shaft or axis, while the other end bears a crank-pin, projecting from it at right angles and parallel to the shaft. When the reciprocating part of a machine, as the piston and piston-rod of a steam engine, is linked to this crank by a crank-rod or connecting rod, one end of which works on the crank-pin and the other on a pin in the end of the reciprocating part, the to-and-fro motion of the latter imparts a circular motion to the shaft and vice versa. The crank, instead of being made up as described above, may be formed by bending the shaft to the required shape, as sometimes in the handle of a winch. A bell-crank, so called because of its use in bell-hanging to change the direction of motion of the wires from horizontal to vertical or vice versa, consists of two arms rigidly connected at an angle, say of 90°, to each other and pivoted on a pin placed at the point of junction.
Crank is also the name given to a labour machine used in prisons as a means of punishment (see Tread-mill). Other uses of the word, connected with the primary meaning, are for a crooked path, a crevice or chink; and a freakish turn of thought or speech, as in Milton’s phrase “quips and cranks.” It is also used as a slang expression, American in origin, for a harmless ​lunatic, or a faddist, whose enthusiasm for some one idea or hobby becomes a monomania. “Crank” or “crank-sided” is a nautical term used of a ship which by reason of her build or from want of balance is liable to overturn. This strictly nautical sense is often confused with “crank” or “cranky,” that is, rickety or shaky, probably derived direct from the German krank, weak or ill.
# 1911 Encyclopædia Britannica/Frame

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​FRAME, a word employed in many different senses, signifying something joined together or shaped. It is derived ultimately from O.E. fram, from, in its primary meaning “forward.” In constructional work it connotes the union of pieces of wood, metal or other material for purposes of enclosure as in the case of a picture or mirror frame. Frames intended for these uses are of great artistic interest but comparatively modern origin. There is no record of their existence earlier than the 16th century, but the decorative opportunities which they afforded caused speedy popularity in an artistic age, and the Renaissance found in the picture frame a rich and attractive means of expression. The impulses which made frames beautiful have long been extinct or dormant, but fine work was produced in such profusion that great numbers of examples are still extant. Frames for pictures or mirrors are usually square, oblong, round or oval, and, although they have usually been made of wood or composition overlaid upon wood, the richest and most costly materials have often been used. Ebony, ivory and tortoiseshell; crystal, amber and mother-of-pearl; lacquer, gold and silver, and almost every other metal have been employed for this purpose. The domestic frame has in fact varied from the simplest and cheapest form of a plain wooden moulding to the most richly carved examples. The introduction in the 17th century of larger sheets of glass gave the art of frame-making a great essor, and in the 18th century the increased demand for frames, caused chiefly by the introduction of cheaper forms of mirrors, led to the invention of a composition which could be readily moulded into stereotyped patterns and gilded. This was eventually the deathblow of the artistic frame, and since the use of composition moulding became normal, no important school of wood-carving has turned its attention to frames. The carvers of the Renaissance, and down to the middle of the 18th century, produced work which was often of the greatest beauty and elegance. In England nothing comparable to that of Grinling Gibbons and his school has since been produced. Chippendale was a great frame maker, but he not only had recourse to composition, but his designs were often extravagantly rococo. Even in France there has been no return of the great days when Oeben enclosed the looking-glasses which mirrored the Pompadour in frames that were among the choicest work of a gorgeous and artificial age. In the decoration of frames as in so many other respects France largely followed the fashions of Italy, which throughout the 16th and 17th centuries produced the most elaborate and grandiose, the richest and most palatial, of the mirror frames that have come down to us. English art in this respect was less exotic and more restrained, and many of the mirrors of the 18th century received frames the grace and simplicity of which have ensured their constant reproduction even to our own day.
# 1911 Encyclopædia Britannica/Fox Morcillo, Sebastian

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​FOX MORCILLO, SEBASTIAN (1526?–1559?), Spanish scholar and philosopher, was born at Seville between 1526 and 1528. About 1548 he studied at Louvain, and, following the example of the Spanish Jew, Judas Abarbanel, published commentaries on Plato and Aristotle in which he endeavoured to reconcile their teaching. In 1559 he was appointed tutor to Don Carlos, son of Philip II., but did not live to take up the duties of the post, as he was lost at sea on his way to Spain. His most original work is the De imitatione, seu de informandi styli ratione libri II. (1554), a dialogue in which the author and his brother take part under the pseudonyms of Gaspar and Francisco Enuesia. Among Fox Morcillo’s other publications are: (1) In Topica Ciceronis paraphrasis et scholia (1550); (2) In Platonis Timaeum commentarii (1554); (3) Compendium ethices philosophiae ex Platone, Aristotele, aliisque philosophis collectum; (4) De historiae institutione dialogus (1557), and (5) De naturae philosophia.
He is the subject of an excellent monograph by Urbano Gonzalez de Calle, Sebastián Fox Morcillo: estudio histórico-crítico de sus doctrinas (Madrid, 1903).
# 1911 Encyclopædia Britannica/Fraas, Karl Nikolas

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​FRAAS, KARL NIKOLAS (1810–1875), German botanist and agriculturist, was born at Rattelsdorf, near Bamberg, on the 8th of September 1810. After receiving his preliminary education at the gymnasium of Bamberg, he in 1830 entered the university of Munich, where he took his doctor’s degree in 1834. Having devoted great attention to the study of botany, he went to Athens in 1835 as inspector of the court garden; and in April 1836 he became professor of botany at the university. In 1842 he returned to Germany and became teacher at the central agricultural school at Schleissheim. In 1847 he was appointed professor of agriculture at Munich, and in 1851 director of the central veterinary college. For many years he was secretary of the Agricultural Society of Bavaria, but resigned in 1861. He died at his estate of Neufreimann, near Munich, on the 9th of November 1875.
His principal works are: Στοιχεῖα τῆς Βοτανικῆς (Athens, 1835); Synopsis florae classicae (Munich, 1845); Klima und Pflanzenwelt in der Zeit (Landsh., 1847); Histor.-encyklopäd. Grundriss der Landwirthschaftslehre (Stuttgart, 1848); Geschichte der Landwirthschaft (Prague, 1851); Die Schule des Landbaues (Munich, 1852); Baierns Rinderrassen (Munich, 1853); Die künstliche Fischerzeugung (Munich, 1854); Die Natur der Landwirthschaft (Munich, 1857); Buch der Natur für Landwirthe (Munich, 1860); Die Ackerbaukrisen und ihre Heilmittel (Munich, 1866); Das Wurzelleben der Culturpflanzen (Berlin, 1872); and Geschichte der Landbau und Forstwissenschaft seit dem 16$^{ten}$ Jahrh. (Munich, 1865). He also founded and edited a weekly agricultural paper, the Schranne.
# 1911 Encyclopædia Britannica/Frahn, Christian Martin

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​FRAHN, CHRISTIAN MARTIN (1782–1851), German numismatist and historian, was born at Rostock. He began his Oriental studies under Tychsen at the university of Rostock, and afterwards prosecuted them at Göttingen and Tübingen. He became a Latin master in Pestalozzi’s famous institute in 1804, returned home in 1806, and in the following year was chosen to fill the chair of Oriental languages in the Russian university of Kazan. Though in 1815 he was invited to succeed Tychsen at Rostock, he preferred to go to St Petersburg, where he became director of the Asiatic museum and councillor of state. He died at St Petersburg.
Frahn wrote over 150 works. Among the more important are: Numophylacium orientale Pototianum (1813); De numorum Bulgharicorum fonte antiquissimo (1816); Das muhammedanische Münzkabinet des asiatischen Museum der kaiserl. Akademie der Wissenschaften zu St Petersburg (1821); Numi cufici ex variis museis selecti (1823); Notice d’une centaine d’ouvrages arabes, &c., qui manquent en grande partie aux bibliothèques de l’Europe (1834); and Nova supplementa ad recensionem Num. Muham. Acad. Imp. Sci. Petropolitanae (1855). His description of some medals struck by the Samanid and Bouid princes (1804) was composed in Arabic because he had no Latin types.
# 1911 Encyclopædia Britannica/Fracastoro, Girolamo

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​FRACASTORO [Fracastorius], GIROLAMO [Hieronymus] (1483–1553), Italian physician and poet, was born at Verona in 1483. It is related of him that at his birth his lips adhered so closely that a surgeon was obliged to divide them with his incision knife, and that during his infancy his mother was killed by lightning, while he, though in her arms at the moment, escaped unhurt. Fracastoro became eminently skilled, not only in medicine and belles-lettres, but in most arts and sciences. He studied at Padua, and became professor of philosophy there in 1502, afterwards practising as a physician in Verona. It was by his advice that Pope Paul III., on account of the prevalence of a contagious distemper, removed the council of Trent to Bologna. He was the author of many works, both poetical and medical, and was intimately acquainted with Cardinal Bembo, Julius Scaliger, Gianbattista Ramusio (q.v.), and most of the great men of his time. In 1517, when the builders of the citadel of San Felice (Verona) found fossil mussels in the rocks, Fracastoro was consulted about the marvel, and he took the same view—following Leonardo da Vinci, but very advanced for those days—that they were the remains of animals once capable of living in the locality. He died of apoplexy at Casi, near Verona, on the 8th of August 1553; and in 1559 the town of Verona erected a statue in his honour.
The principal work of Fracastoro is a kind of medical poem entitled Syphilidis, sive Morbi Gallici, libri tres (Verona, 1530), which has been often reprinted and also translated into French and Italian. Among his other works (all published at Venice) are De vini temperatura (1534); Homocentricorum (1535); De sympatha et antipathia rerum (1546); and De contagionibus (1546). His complete works were published at Venice in 1555, and his poetical productions were collected and printed at Padua in 1728.
# 1911 Encyclopædia Britannica/Foxglove

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​FOXGLOVE, a genus of biennial and perennial plants of the natural order Scrophulariaceae. The common or purple foxglove, D. purpurea, is common in dry hilly pastures and rocky places and by road-sides in various parts of Europe; it ranges in Great Britain from Cornwall and Kent to Orkney, but it does not occur in Shetland or in some of the eastern counties of England. It flourishes best in siliceous soils, and is not found in the Jura and Swiss Alps. The characters of the plant are as follows: stem erect, roundish, downy, leafy below, and from 18 in. to 5 ft. or more in height; leaves alternate, crenate, rugose, ovate or elliptic oblong, and of a dull green, with the under surface downy and paler than the upper; radical leaves together with their stalks often a foot in length; root of numerous, slender, whitish fibres; flowers 13/4-21/2 in. long, pendulous, on one side of the stem, purplish crimson, and hairy and marked with eye-like spots within; segments of calyx ovate, acute, cleft to the base; corolla bell-shaped with a broadly two-lipped obtuse mouth, the upper lip entire or obscurely divided; stamens four, two longer than the other two (didynamous); anthers yellow and bilobed; capsule bivalved, ovate and pointed; and seeds numerous, small, oblong, pitted and of a pale brown. As Parkinson remarks of the plant, “It flowreth seldome before July, and the seed is ripe in August”; but it may occasionally be found in blossom as late as September. Many varieties of the common foxglove have been raised by cultivation, with flowers varying in colour from white to deep rose and purple; in the variety gloxinioides the flowers are almost regular, suggesting those of the cultivated gloxinia. Other species of foxglove with variously coloured flowers have been introduced into Britain from the continent of Europe. The plants may be propagated by unflowered off-sets from the roots, but being biennials are best raised from seed.
* Foxglove (Digitalis purpurea), one-third nat. size.
* 1. Corolla cut open showing the four stamens; rather more than half nat. size. 2. Unripe fruit cut lengthwise, showing the thick axial placenta bearing numerous small seeds. 3. Ripe capsule split open.
The foxglove, probably from folks’-glove, that is fairies’ glove, is known by a great variety of popular names in Britain. In the south of Scotland it is called bloody fingers; farther north, dead-men’s-bells; and on the eastern borders, ladies’ thimbles, wild mercury and Scotch mercury. In Ireland it is generally known under the name of fairy thimble. Among its Welsh synonyms are menyg-ellyllon (elves’ gloves), menyg y llwynog (fox’s gloves), bysedd cochion (redfingers) and bysedd y cwn (dog’s fingers). In France its designations are gants de notre dame and doigts de la Vierge. The German name Fingerhut (thimble) suggested to Fuchs, in 1542, the employment of the Latin adjective digitalis as a designation for the plant. Other species of foxglove or Digitalis although found in botanical collections are not generally grown. For medicinal uses see Digitalis.
# 1911 Encyclopædia Britannica/Foča

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​FOČA (pronounced Fáwtcha), a town of Bosnia, situated at the confluence of the Drina and Čehotina rivers, and encircled by wooded mountains. Pop. (1895) 4217. The town is the headquarters of a thriving industry in silver filigree-work and inlaid weapons, for which it was famous. With its territories enclosed by the frontiers of Montenegro and Novi Bazar, Foča, then known as Chocha, was the scene of almost incessant border warfare during the middle ages. No monuments of this period are left except the Bogomil cemeteries, and the beautiful mosques, which are the most ancient in Bosnia. The three adjoining towns of Foča, Goražda and Ustikolina were trading-stations of the Ragusans in the 14th century, if not earlier. In the 16th century, Benedetto Ramberti, ambassador from Venice to the Porte, described the town, in his Libri Tre delle Cose dei Turchi, as Cozza, “a large settlement, with good houses in Turkish style, and many shops and merchants. Here dwells the governor of Herzegovina, whose authority extends over the whole of Servia. Through this place all goods must pass, both going and returning, between Ragusa and Constantinople.”
# 1911 Encyclopædia Britannica/Davidson, Thomas

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​DAVIDSON, THOMAS (1817–1885), British palaeontologist, was born in Edinburgh on the 17th of May 1817. His parents possessed considerable landed property in Midlothian. Educated partly in the university at Edinburgh and partly in France, Italy and Switzerland, and early acquiring an interest in natural history, he benefited greatly by acquaintance with foreign languages and literature, and with men of science in different countries. He was induced in 1837, through the influence of Leopold von Buch, to devote his special attention to the brachiopoda, and in course of time he became the highest authority on this group. The great task of his life was the Monograph of British Fossil Brachiopoda, published by the Palaeontographical Society (1850–1886). This work, with supplements, comprises six quarto volumes with more than 200 plates drawn on stone by the author. He also prepared an exhaustive memoir on “Recent Brachiopoda,” published by the Linnean Society. He was elected F.R.S. in 1857. He was awarded in 1865 the Wollaston medal by the Geological Society of London, and in 1870 a Royal medal by the Royal Society; and in 1882 the degree of LL.D. was conferred upon him by the university of St Andrews. He died at Brighton on the 14th of October 1885, bequeathing his fine collection of recent and fossil brachiopoda to the British Museum.
See biography with portrait and list of papers in Geol. Mag. for 1871, p. 145.
# 1911 Encyclopædia Britannica/Davidson, Samuel

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​DAVIDSON, SAMUEL (1807–1898), Irish biblical scholar, was born near Ballymena in Ireland. He was educated at the Royal College of Belfast, entered the Presbyterian ministry in 1835, and was appointed professor of biblical criticism at his own college. Becoming a Congregationalist, he accepted in 1842 the chair of biblical criticism, literature and oriental languages at the Lancashire Independent College at Manchester; but he was obliged to resign in 1857, being brought into collision with the college authorities by the publication of an introduction to the Old Testament entitled The Text of the Old Testament, and the Interpretation of the Bible, written for a new edition of Horne’s Introduction to the Sacred Scripture. Its liberal tendencies caused him to be accused of unsound views, and a most exhaustive report prepared by the Lancashire College committee was followed by numerous pamphlets for and against. After his resignation a fund of £3000 was subscribed as a testimonial by his friends. In 1862 he removed to London to become scripture examiner in London University, and he spent the rest of his life in literary work. He died on the 1st of April 1898. Davidson was a member of the Old Testament Revision Committee. Among his principal works are:—Sacred Hermeneutics Developed and Applied (1843), rewritten and republished as A Treatise on Biblical Criticism (1852), Lectures on Ecclesiastical Polity (1848), An Introduction to the New Testament (1848–1851), The Hebrew Text 'of the Old Testament Revised (1855), Introduction to the Old Testament (1862), On a Fresh Revision of the Old Testament (1873), The Canon of the Bible (1877), The Doctrine of Last Things in the New Testament (1883), besides translations of the New Testament from Von Tischendorf’s text, Gieseler’s Ecclesiastical History (1846) and Fürst’s Hebrew and Chaldee Lexicon.
# 1911 Encyclopædia Britannica/Davies, David Charles

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​DAVIES, DAVID CHARLES (1826–1891), Welsh nonconformist divine, was born at Aberystwyth on the 11th of May 1826, his father being a merchant and a pioneer of Welsh Methodism, his mother a niece of Thomas Charles (q.v.) of Bala. He was educated in his native town by a noted schoolmaster, John Evans, at Bala College, and at University College, London, where he graduated B.A. in 1847 and M.A. (in mathematics) in 1849. He had already begun to preach, and after an evangelistic tour in South Wales supplied the pulpit of the English presbyterian church at Newtown for six months, and settled as pastor of the bilingual church at Builth in 1851. He returned to this charge after a pastorate at Liverpool (1853–1856), left it again in 1858 for Newtown, and went in May 1859 to the Welsh church at Jewin Crescent, London. Here he remained until 1876, and from that date till 1882, although living at Bangor for reasons of health, had the chief oversight of the church. In 1888 he accepted the principalship of the Calvinistic Methodist College at Trevecca in Brecknockshire. His work here was successful, but short; he died at Bangor on the 26th of September 1891, and was buried at Aberystwyth.
Though Davies stood somewhat apart from the main currents of thought both without and within his church, and was largely unknown to English audiences or readers, he exercised a strong influence on Welsh life and thought in the 19th century. He was a serious student, especially of anti-theistic positions, a good speaker, and a frequent contributor to Welsh theological journals. Several of his articles have been collected and published, the most noteworthy being expositions on The First Epistle of John (1889), Ephesians (2 vols., 1896, 1901), Psalms (1897), Romans (1902); and The Atonement and Intercession of Christ (1899, English trans. by D. E. Jenkins, 1901).