OpenLLM-France/wikimedia huggingface dataset:
# Sailor's courtship (1822)/My lovely Owen

MY LOVELY OWEN.
Tho' for beyond the mountains, that looks 'o distant here, To fight his country's battles, last May-day went my dear; Ah! well shall I remember, with bitter sighs, the day; ​Why, Owen, did thou leave me? a home why did I stay?
Ah! cruel wife my father, who did my flight restrain; And I was cruel-hearted that did at home remain: With thee, mv love, contented, I'd journey far away, Why, O en, &c.
To market, at Langollen, each morning do I go; But now to strike a bargain no longer do I know: My father chides at evening, nay mother all the day. Why, Owen, &c.
When thinking of my Owen, my eyes with tears they fill; And then my mother chides some, because my wheel stands still: How can I think of spinning, whilst Owen's far away . Why Owen, &c.
Oh! could it please kind Heav'n to shield my love from harm, ​To clasp him in my bosom would every care disarm; But Oh! I fear, far distant will be that happy day. Why, Owen, &c.
# Dissolution of the Long Parliament

Oliver Cromwell MP's speech on the dissolution of the Rump of the Long Parliament, given to the House of Commons, 20 April 1653.
It is high time for me to put an end to your sitting in this place, which you have dishonoured by your contempt of all virtue, and defiled by your practice of every vice; ye are a factious crew, and enemies to all good government; ye are a pack of mercenary wretches, and would like Esau sell your country for a mess of pottage, and like Judas betray your God for a few pieces of money.
Is there a single virtue now remaining amongst you? Is there one vice you do not possess? Ye have no more religion than my horse; gold is your God; which of you have not barter'd your conscience for bribes? Is there a man amongst you that has the least care for the good of the Commonwealth?
Ye sordid prostitutes have you not defil'd this sacred place, and turn'd the Lord's temple into a den of thieves, by your immoral principles and wicked practices? Ye are grown intolerably odious to the whole nation; you were deputed here by the people to get grievances redress'd, are yourselves become the greatest grievance.
Your country therefore calls upon me to cleanse this Augean stable, by putting a final period to your iniquitous proceedings in this House; and which by God's help, and the strength he has given me, I am now come to do; I command ye therefore, upon the peril of your lives, to depart immediately out of this place; go, get you out!
Make haste! Ye venal slaves be gone! So! Take away that shining bauble there, and lock up the doors. In the name of God, go!
Annotation: "that shining bauble" refers to the mace that lies in the centre of the House of Commons when in session.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Castle of Wolfenbach

First published in 1793, this transcription is of the first edition. Neither volume is subdivided into chapters.
* Volume I.
* Volume II.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Castle of Wolfenbach

* related portals: Northanger Abbey's "horrid" novels
* sister projects: Wikipedia article, Wikidata item
The Castle of Wolfenbach (1793) is the most famous novel written by the English Gothic novelist Eliza Parsons. First published in two volumes in 1793, it is among the seven "horrid novels" recommended by the character Isabella Thorpe in Jane Austen's novel Northanger Abbey and an important early work in the genre, predating Ann Radcliffe's The Mysteries of Udolpho and Matthew Gregory Lewis's The Monk. Warning: template has been deprecated.
* The Castle of Wolfenbach (1793), first edition.
* The Castle of Wolfenbach (1854) (transcription project)
# The Necromancer (Kahlert)/Volume 1

THE
NECROMANCER.
THE
NECROMANCER:
OR THE
TALE
OF THE
BLACK FOREST:
FOUNDED ON FACTS:
TRANSLATED FROM THE GERMAN OF
LAWRENCE FLAMMENBERG,
BY PETER TEUTHOLD.
IN TWO VOLUMES.
VOL. I.
LONDON:
PRINTED FOR WILLIAM LANE,
AT THE
Minerva-Press
LEADENHALL-STREET.
* Preface of the Translator
* First Part
* Second Part
Just published, Price 17s. 6d.
ROSINA,
A NOVEL,
IN FIVE VOLUMES.
BY THE AUTHOR OF
DELIA.
FREDERICA RISBERG,
A GERMAN STORY:
IN TWO VOLUMES.
ELLEN AND JULIA,
A NOVEL
IN TWO VOLUMES.
BY MRS. PARSONS.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Necromancer (Kahlert)/Volume 1/Preface of the Translator

PREFACE
OF THE
TRANSLATOR.
The wonderful Incidents related in the following Sheets, not being made up of tiresome Love Intrigues, repeated again and again in almost every new Book of Amusement, will, as I flatter myself, not be quite displeasing to ​the reader, on account of the Novelty of the Subject. The strange mysterious Events which occur in this little Performance are founded on Facts, the authenticity of which can be warranted by the Translator, who has lived many Years not far from the principal Place of Action.
If the Subject of the following Tale should be thought interesting and amusing, the Public may expect a speedy Publication of a still more intricated and wonderful one, exhibiting a long Series of similar Frauds, perpetrated under the mysterious Veil of pretended supernatural Aid.
​The Publisher being sensible of the manifold Defects of his Translation, will acknowledge with Gratitude the gentle Corrections of the dread Arbiters of Literary Death and Life, and Promises carefully to avoid, in a future Publication, the repetition of any flips the Critick's Eagle Eye shall discover in the following Sheets.
# The Braes of Balquither (1817, Edinburgh)/The Braes of Balquither

THE BRAES OF BALQUITHER.
# The New York Times/1929/10/24/Capital Surprised by New Stock Drop

Layout 2
CAPITAL SURPRISED BY NEW STOCK DROP
Change in Rediscount Rate Has Not Been Discussed Formally by Reserve Board.
Special to The New York Times.
WASHINGTON, Oct. 23.—The break in stock market values on the New York Stock Exchange this afternoon came as a surprise to administration officials who, with the stiffening of security values at the opening of the market, had believed that the recession was checked. Officials declined to comment on the situation except to say that there was nothing in the condition of the Federal Reserve System or in general business conditions which could be held responsible for the recent reaction.
The Federal Reserve System has been placed in a strong position for any emergency and its condition today is a matter of much satisfaction to the administration.
The question of a reduction in the rediscount rate of the New York Reserve Bank from 6 per cent to 5 per cent, the level at all other reserve system banks, has not been discussed formally by the Reserve Board. The belief here is that such a step, which might help to check further liquidation in the stock market, would be taken only if the directors of the New York bank decided that a serious situation existed and were able to convince the board that action was advisable. With the result meeting of the directors of the New York bank scheduled for tomorrow, it is possible that the Reserve Board will also meet.
The opinion appeared to prevail here that the downward slide of values would be stemmed before the liquidation threatened seriously to affect business.
# John Masefield

John Masefield
"All of life is material for his seeing eye and his thinking heart, as he makes the wonderful familiar and the familiar wonderful"
Edwin Markham
* TABLE OF CONTENTS
* John Masefield
* In Behalf of John Masefield
* Rule Brittania! By Laurence Stallings
* John Masefield's Place In English Poetry
* "Of The Elect" By Arthur Guiterman
* "The Most Satisfying Poet" By John Farrar
* Bibliography
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The New York Times/1929/10/24/Reserve Statement Today

Layout 2
RESERVE STATEMENT TODAY.
Bankers Differ Widely in Their Forecasts as to Loan Total.
In view of the drastic reduction in stock market prices the banking community is awaiting with unusual interest the report today of the Federal Reserve Bank on brokers' loans and the statement of the condition of the twelve banks of the system. Last week a rise of $88,000,000 carried the total of brokers' loans up to $6,801,000,000, or within $3,000,000 of the record high figure reached on Oct. 2.
Even among the best-informed bankers opinion as to whether the total will show a heavy decline or go to new high levels showed sharp conflict. The best opinion seems inclined to look for a comparatively slight alteration in either direction, however, with the market decline and the subscriptions to new issues bringing on a deadlock.
Little concern is now expressed among bankers over money market conditions. While it is generally held that the present ease in credit is largely the result of heavy bill purchases by the New York Federal Reserve Bank and the Reserve System as a whole, few look for a return to stringency in money even should the Reserve decide to curtail its purchases of bills.
Sentiment among bankers is turning strongly toward a reduction in the rediscount rate at the local Reserve Bank. The belief expressed on Monday by Charles E. Mitchell, chairman of the National City Bank and a director of the New York Reserve Bank, that a lower rediscount rate would prove beneficial, was greeted in the financial district as forecasting a cut in the rate before many weeks.
Undoubtedly the subject will come up for discussion at today's meeting of the directors of the Reserve Bank and possibly another of those long-drawn-out debates with Washington over the long distance telephone will ensue.
It is not unlikely that should a reduction in the rate be ordered the cut will be only one-half of 1 per cent, to 5$^1$⁄$_2$ per cent.
Among strong banking interests the feeling is that the decline in share prices has overrun itself. Prices in many important sections of the list are believed to have been driven down unduly. While there has undoubtedly been purchasing for important interests in recent days, these purchases have not yet appeared in volume. Assurance is given by leading bankers, however, that the decline will not be permitted to go to dangerous extremes.
# The New York Times/1929/10/24/Wheat Tumbles at Chicago

Layout 2
WHEAT TUMBLES AT CHICAGO.
March Future Hits Season's Low Mark, Following Stock Slump.
Special to The New York Times.
CHICAGO, Oct. 23.—Tumbling prices on the New York Stock market had their reaction on the Chicago Board of Trade today, where wheat values crashed 4 to 4$^1$⁄$_4$ cents a bushel to a new low for the season for the March delivery and to a new low, since late in June, for the December, as longs scrambled to get out. Efforts to stem the tide were without avail, and the finish was at the bottom.
December was down to $1.24$^7$⁄$_8$ a bushel, a decline of 33 cents since July 29, when the highest of the season for December was reached. The finish was at practically the low for the day.
The break in the market started about midday with heavy unloading attributed to traders who, it was said, were selling their wheat to protect their stocks. Prices are now down to an export basis for the first time in months, but foreigners are said to be holding off and buying sparingly.
The break in wheat was largely responsible for weakness in corn, the latter reaching 2$^1$⁄$_8$ to 2$^1$⁄$_4$ cents a bushel after an early upturn, and closed 2$^1$⁄$_2$ to 2$^5$⁄$_8$ cents lower. Oats lost $^3$⁄$_4$ to 1$^1$⁄$_8$ cents while rye was off 1$^3$⁄$_8$ to 1$^1$⁄$_2$ cents.
# The New York Times/1929/10/24/Prices Slump on the Curb

Layout 2
PRICES SLUMP ON THE CURB.
Rapid Declines Mark Final Hour, With Many Issues Affected.
Values melted rapidly on the Curb Exchange in the final hour of trading yesterday, following a quiet and steady morning and desultory noon-time selling. The wave of offerings was characterized by observers as distress selling, and although many of the issues affected have undergone wider breaks, the cumulative effect brought many new low records.
In the utility section heavy losses were recorded in Allied Power and Light, American Cities Power and Light, American and Foreign Power warrants, American Gas and Electric, American Light and Traction, American Superpower, Central States Electric, Cities Service, Commonwealth Edison, Electric Bond and Share, Electric Investors, Electric Shareholdings, Empire Power, Indian Territory Oil, Insull Utility Investments, Middle West Utilities, Niagara Hudson Power, Northern States Power, Standard Power and Light, United Corporation warrants and United Light and Power A.
Declines characterized other utility stocks and affected many leaders in the general list, although some support appeared in chain store and merchandising stocks. New low records were set by Cord Corporation, Crocker Wheeler, Fedders Manufacturing, Lehman Corporation, United Stores A, United Wall Paper and many other issues.
Advances in moderate trading took place in Balaban & Katz, Hires, Morrison Electrical Supply, Parmele Transportation, Pittsburgh Plate Glass, South Coast Company, Sterchi Brothers, Thompson Products A, Wilson Jones and some others, In the oil group losses were shown by Cosden Oil, Gulf Oil and Vacuum Oil.
# Selections from the American Poets/Autumn Musings

Layout 2
AUTUMN MUSINGS.
# Selections from the American Poets/Sonnet (Time)

Layout 2
Sonnet.
# Selections from the American Poets/The Vision of Liberty

Layout 2
THE VISION OF LIBERTY.
# Selections from the American Poets/Lines to the Western Mummy

Layout 2
LINES TO THE WESTERN MUMMY.
# Katedral ng Borongan

This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
Ang orihinal ng simbahan na yari sa eskombro ay ipinatayo ni Padre Fransisco Diez noong mga taong 1710 bilang parangal sa mahal na birhen ng natividad. Ang pamamahala sa simbahan ay inilipat ng mga paring Pransiskano noong 1768. Tinupok ng apoy noong 1773 at muling ipinatayo at pinalaki sa pangangsiwa ni Padre Roque de Osma noong 1781. Noong 1853, isang bilog na kampanaryo and idinagdag ni Padre Juan Navarette. Ang Disenyo ng simbahan ay ginawang hugis krus ni Padre Antonio Sanchez noong 1873. Noong 1887, ang bubong ay binago at pinalitan ng sink o metal ni Padre Arsenio Figueroa.
Noong 1939, inilipat ang pangangasiwa sa simbahan ng mga paring Pransiskano sa unang Pilipinong kura paroko na si Padre Fransisco Palomeras na nagdagdag ng ikalawang palapag sa kampanaryo.

## Translation (English)

The original church is at the rubble created by Father Fransisco Diez in 1710 with a magnification with the love of the mother of nativity. The church was managed by Franciscans in 1768. The church caught fire in 1773 and was rebuilt bigger by Father Roque de Osma in 1781. In 1853, the circle of the bell was created by Father Juan Navarette. The design of the cross was imprinted by Father Antonio Sanchez in 1873. In 1887, the roof was recreated and bought with a metal texture by Father Arsenio Figueroa.
In 1939, an administration was applied to the church by the Franciscans, known as the first Filipino kura parish, managed by Father Fransisco Palomeras as the second floor of the tower.
# The Statesman's Yearbook

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Statesman's Year-Book 1871
* Statesman's Year-Book 1899
* Statesman's Year-Book 1913
* Statesman's Year-Book 1921
# Waes me for Prince Charlie

"A wee bird cam' to our ha' door"
* "Waes me for Prince Charlie", in Six popular songs (n.d.), a chapbook printed in Glasgow
* "Waes me for Prince Charlie", in Six Popular Songs (n.d.), a chapbook printed in Glasgow (a duplicate of the one above)
* "Waes Me For Prince Charly", in Waes me for Prince Charly (1820), a chapbook printed in Glasgow
* "Waes me for prince Charly", in Bonny Mally Stewart (1826), a chapbook printed in Stirling
* "Wae's me for Prince Charlie", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# Six popular songs (1840-1850)/The Braes of Busbie

THE BRAES OF BUSBIE.
What anguish wrung ray throbbing heart, When fate decreed I should depart, Far from the lovely banks of Cart, And the bonny braes of Busbie, O. In vain I strove to check the sigh, Or tear that glitter’d in my eye, While thinking that the hour drew nigh Which drove me far from Busbie, 0.
’Twas not to leave the verdant bowers, Nor glen bespread with summer flowers, ’Twas not to leave that stream which pours Its murmuring tide thro’ Busbie, O. But parting with Eliza dear. Of blooming cheek, and eye so clear— ’Twas that which brought the frequent tear, When I took leave of Busbie, O.
Tho’ far from her embraces torn, Yet oft on fancy homeward borne, With her I sat beneath yon thorn Amang the braes of Busbie, O. And cheering hope, with radiant smile, Would still the fleeting hours beguile, When far from my dear native isle, And the bonny braes of Busbie, O.
But now return’d, again I rove With her by lonely grot or grove, And fan the mutual flame of love Among the braes of Busbie, O. ​Let heroes chase the phantom fame, Peru’s rich ore let miser’s claim, My only wish, my dearest aim. Is that sweet nymph of Busbie, O.
# Six popular songs (1840-1850)/A light heart & thin pair of breeches

SONGS.
A LIGHT HEART AND A THIN PAIR OF BREECHES.
Ye frolicsome sparks of the game, And you that’s got money in store, Come listen to Jamie by name, Who once had his hatful of gold; Seven score acres of land, Corn and cattle in store; But now he’s as poor as a rat, And he goes as genteel as before. And it’s what need we quarrel for riches, Or any such glittering toys, A light heart and a thin pair of breeches Pass through the wide world brave boys
My father went clothed in leather, My mother in cheapest of gray, They trudged through all sorts of weather, That I might go gallant and gay. With my beaver hat mounted with feather, My heart was as light as a cork, An all that the old folks could gather I trifled away on my sport. Singing, what need we quarrel, &c.
​Some say that care killed the cat, Which mado her to starve alive, But I will he wiser than that, For never a care had I. With the toast of a full flowing howl, We’ll drive away sorrow and strife, Here’s a health to each good-hearted fellow Who never knew care in his life. And sing, what need we quarrel, &c.
# Six popular songs (1840-1850)/England, Europe's glory

ENGLAND, EUROPE’S GLORY.
There is a land amidst the waves, Whose sons are famed in story; Who never were, or will be slaves, Nor shrink from death and glory. Then strike the harp and bid it swell, Admiring worlds adore ye; Shout blessings on the land we dwell, To England, Europe’s glory!
Blest land, beyond all lands afar, Encircled by the waters; With lion-hearted sons in war, And beauty’s peerless daughters. Go ye, whose discontented hearts Disdain the joys before ye; Go seek a home in foreign parts, Like England, Europe’s glory.
# Six popular songs (1840-1850)/Alice Gray

ALICE GRAY.
She’s all my fancy painted her, She’s lovely, she’s divine; But her heart it is another’s, She never can be mine. Yet loved I as man never loved, A love without decay;— Oh, my heart—my heart is breaking For the love of Alice Gray.
Her dark brown hair is braided o’er A brow of spotless white; Her soft blue eye now languishes— Now flashes with delight. The hair is braided not for mo, The eye is turn’d away;— Yet my heart—my heart is breaking For the love of Alice Gray.
I’ve sunk beneath the summer’s sun, And trembled in the blast; But my pilgrimage is nearly done, The weary conflict’s past. ​And when the green sod wraps my grave, May pity haply say, Oh his heart—his heart was broken For the love of Alice Gray.
# Six popular songs (1840-1850)/Scotland yet

SCOTLAND YET.
Gae bring my gude auld harp ance mair, Gae bring it free and fast, For I maun sing anither sang Ere a’ my glee be past; An’ trow ye as I sing my lads, The burden o’t shall be— Auld Scotland’s howes, and Scotland’s knowes, Aud Scotland’s hills for me; I’ll drink a cup to Scotland yet, Wi’ a’ the honours three.
The heath waves wild upon her hills, And foaming frae the fells, Her fountains sing of freedom still, As they dash down the dells; For weel I lo’e the land, my lads. That’s girded by the sea— Then Scotland’s vales, and Scotland’s dales, And Scotland’s hills for me; ​I’ll drink a cup to Scotland yet, Wi’ a’ the honours three.
The thistle wags upon the fields Whare Wallace bare his blade, They gave her foemen’s dearest blude To dyo her auld grey plaid; And looking to the lift, my lads, He sang this doughty glee :— Auld Scotland’s richt, and Scotland’s micht, And Scotland’s hills for me; I'll drink a cup to Scotland yet, Wi’ a’ the honours three.
They tell o’ Ian’s wi’ brichter skies, Whare freedom’s voice ne’er rang; Gi’o me the land whare Ossian dwelt, And Coila’s minstrel sang— For I’vo nae skill o’ lan’s, my lays, That kenna to be free— Then Scotland’s richt, and Scotland’s micht, And Scotland’s hills for me; I’ll drink a cup to Scotland yet. Wi’ a’ the honours three.
# Bonny Mally Stewart (1826)/Waes me for prince Charly

WAE ME FOR PRINCE CHARLY.
A wee bird came to our ha' door, He warbled sweet and clearly, As aye he o'ercame o' his sang Wae(illegible text) Waes me for Prince Charly. O! when I heard the bonny soun', The tears cam happin' rarely; I took my bonnet aff my head, For weel I lo'ed Prince Charly.
Quoth I, My bird my bonny bonny bird, Is that a sang ye borrow, Are ⟨these⟩ some words ye've learnt by heart, Or a lilt o' dool and sorrow. Oh! no, no no the wee bird sang, I've flown sin' morning early; But sick a day o' wind and rain— Oh! waes me for Prince Charly.
On hills that are by right his ain, He roves a lonely stranger; ​On every side he's prest by want, On every side is danger. (illegible text)"⟨Yestreen⟩ I met him in the glen, My heart maist burstit fairly; For sadly changed indeed was he— Oh! waes me for prince Charly.
Dark night cam on the tempest roared, Loud our the hills and valleys; An' whare was't that your prince lay down, Whose hame should be a palace. "He row'd him in his Highland plaid, Which covered him but sparely, An' slept beneath a bush o' broom— Oh waes me for prince Charly.
But now the bird saw some red coat, An' he shook his wings wi' anger— Oh this is no a land for me, I'll tarry here nae langer. He hover'd on the wing a while, Ere he departed fairly; But weel I mind the fareweel straih, Was (illegible text) Waes me for Prince Charly.
FINIS.