OpenLLM-France/wikimedia huggingface dataset:
# The Book of Scottish Song/Cauld Kail in Aberdeen 2

Cauld Kail in Aberdeen.
[This counter strain to the convivial song of the same name was written by Alexander fourth Duke of Gordon (born in 1743; died in 1827,) and inserted in the second volume of Johnson's Museum.]
There's cauld kail in Aberdeen, And custocks in Stra'bogie, Gin I ha'e but a bonnie lass, Ye're welcome to your cogie. And ye may sit up a' the night, And drink till it be braid day-light: Gi'e me a lass baith clean and tight, To dance the reel o' Bogie. ​In cotillions the French excel, John Bull loves country dances; The Spaniards dance fandangoes well; Mynheer an allemande prances: In foursome reels the Scots delight, At threesome's they dance wondrous light, But twasome's ding a' out o' sight, Danc'd to the reel o' Bogie.
Come, lads, and view your partners weel, Wale each a blythesome rogie: I'll tak' this lassie to mysel', She looks sae keen and vogie: Now, piper lad, bang up the spring; The country fashion is the thing, To prie their mou's ere we begin To dance the reel o' Bogie.
Now ilka lad has got a lass, Save yon auld doited fogie, And ta'en a fling upon the grass, As they do in Stra'bogie; But a' the lassies look sae fein, We canna think oursel's to hain, For they maun ha'e their come-again To dance the reel o' Bogie.
Now a' the lads ha'e done their best, Like true men o' Stra'bogie; We'll stop a while and tak' a rest, And tipple out a cogie. Come now, my lads, and tak' your glass. And try ilk other to surpass, In wishing health to ev'ry lass, To dance the reel o' Bogie.
# The Snug Bit of Land in the Ocean (Glasgow, 1800)

ΤΗΕ
Snug Bit of Land in the Ocean.
TO WHICH ARE ADDED,
Chloe how Blubber'd is thy Cheeks. RUNDY'S SONG in the FARMER. THE MARRIAGE ACT. The beautiful Markets of Glasgow. THE WEDDING DAY. FATHER DENNIS'S COMFORT.
GLASGOW,
Printed by J. & M. ROBERTSON, Saltmarket, 1800.
Contents (not listed in original)
* Τhe Snug Bit of Land in the Ocean
* Chloe How Blubber'd is Thy Cheeks
* Rundy's Song in the Farmer
* The Marriage Act
* The Beautiful Markets of Glasgow
* The Wedding Day
* Father Dennis's Comfort
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Mary Stuart (Drinkwater)/front matter

Mary Stuart.
COPYRIGHT, 1921, BY HOUGHTON MIFFLIN COMPANY
DRAMATIC RIGHTS IN THE UNITED STATES CONTROLLED BY WILLIAM HARRIS, JR.
CAUTION
All dramatic rights for John Drinkwater's Mary Stuart in North America are owned and controlled by William Harris, Jr., Hudson Theatre, New York City. Special notice should be taken that possession of this book without a valid contract for production first having been obtained from Mr. Harris confers no right or license to professionals or amateurs to produce the play publicly or in private for gain or charity. Until further notice performances of this play in North America will be limited to those companies which appear under Mr. Harris's direction, and he absolutely forbids other performances by professionals or amateurs, including "readings," tableaux, and anything of such nature approximating a performance. The play is fully protected by copyright and any violations will be prosecuted.
Act of March 4, 1909: Section 28
"That any person who wilfully or for profit shall infringe any copyright secured by this act, or who shall knowingly and wilfully aid or abet such infringement shall he deemed guilty of a misdemeanor, and upon conviction thereof shall he punished by imprisonment for not exceeding one year, or by a fine of not less than $100 nor more than $1000, or both, in the discretion of the Court"
# The Green Pastures (1929)/Part 1/Scene 8

Layout 2
Scene VIII
Interior of Noah’s house. The ensemble suggests the combination living-dining room in a fairly prosperous Negro’s cabin. Clean white curtains hang at the window. A table and chairs are in the center of the room. There is a cheerful checked tablecloth on the ​Page:The Green Pastures (1929).djvu/84 ​Page:The Green Pastures (1929).djvu/85 ​Page:The Green Pastures (1929).djvu/86 ​Page:The Green Pastures (1929).djvu/87 ​Page:The Green Pastures (1929).djvu/88 ​Page:The Green Pastures (1929).djvu/89 ​Page:The Green Pastures (1929).djvu/90 ​Page:The Green Pastures (1929).djvu/91 ​Page:The Green Pastures (1929).djvu/92
# The Marriage Act

* "The Marriage Act", in The Snug Bit of Land in the Ocean (1800), a chapbook printed in Glasgow
* "The Marriage Act", in The Old Man Outwitted, or, The Fortunate Lovers (1804), a chapbook printed in Glasgow
* "The Marriage Act", in Crazy Jane (1820), a chapbook printed in Edinburgh
# Land in the Ocean/The Land in the Ocean

THE LAND IN THE OCEAN.
# The Snug Bit of Land in the Ocean

* "Τhe Snug Bit of Land in the Ocean", in The Snug Bit of Land in the Ocean (1800), a chapbook printed in Glasgow
* "The Land in the Ocean", in Land in the Ocean (1823), a chapbook printed in Edinburgh
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/Τhe Snug Bit of Land in the Ocean

The SNUG BIT of LAND in the OCEAN
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/Chloe How Blubber'd is Thy Cheeks

CHLOE how BLUBBER'D is thy FACE
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/Rundy's Song in the Farmer

RUNDY'S SONG in the FARMER.
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/The Marriage Act

THE MARRIAGE ACT.
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/The Beautiful Markets of Glasgow

The Beautiful MARKETS of GLASGOW.
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/The Wedding Day

THE WEDDING DAY.
# The Snug Bit of Land in the Ocean (Glasgow, 1800)/Father Dennis's Comfort

FATHER DENNIS'S COMFORT.
Glasgow, Printed by J & M Robertson, Saltmarket, 1800.
# Land in the Ocean/When the Rosy Morn

WHEN THE ROSY MORN.
# Argosy All-Story Weekly/The Saga of Silver Bend

As serialized in Argosy All-Story Weekly, 1929 March 16, 23 & 30. Cover illustration by James C. McKell
A war of the rangeland
The Saga of Silver Bend
By J. E. GRINSTEAD Author of “Signed, 'Scada,'” etc.
(not listed in original)
* Part 1 1929-03-16
* Part 2 1929-03-23
* Part 3 1929-03-30
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# When the Rosy Morn

* "Rosy Morn", in Far, Far at Sea (n.d.), a chapbook printed in Stirling
* "The Gleaners", in The Beauties of Glasgow (1802), a chapbook printed in Glasgow
* "Rosy morn", in Last May a Braw Wooer (1819), a chapbook printed in Edinburgh
* "When the Rosy Morn", in Land in the Ocean (1823), a chapbook printed in Edinburgh
# Far, Far at Sea (Stirling)/Rosy Morn

ROSY MORN.
FINIS.
# The Beauties of Glasgow (1802)/The Gleaners

THE GLEANERS.
# Last May a Braw Wooer (1819, Edinburgh)/Rosy morn

WHEN THE ROSY MORN, &c.
When the rosy morn appearing, Paints with gold the verdant lawn, ​Bees, on banks of thyme disporting. Sip the sweets, and hail the dawn.
Warbling birds, the day proclaiming, Carol sweet the lively strain; They forsake their leafy dwelling, To secure the golden grain.
See, content, the humble gleaner. Take the scattered ears that fall; Nature, all her children viewing, Kindly bounteous, cares for all.
FINIS.
# Last May a Braw Wooer (1819, Edinburgh)/Parting moments

PARTING MOMENTS.
While I hang on your bosom, distracted to lose you, High swells my sad heart, and fast my tears flow, Yet think not of coldness they fall to accuse you, Did I ever upbraid you? Oh, no my love, no! I own it would please me at home could you tarry, Nor e'er feel a wish from Maria to go; But if it gives pleasure to you my dear Harry, Shall I blame your departure? Oh, no my love no.
Now do not, dear Hal, while abroad you are straying, ​That heart which is mine on a rival bestow, Nay, banish that frown such displeasure betraying; Do you think I suspect you? Oh, no my love no. I believe you too kind for one moment to grieve me; Or plant in a bosom which adores you such woe; Yet should you dishonour my truth, and deceive me, Should I e'er cease to love you? Oh no, my love no.
# Maid & her barley

The maid & her barley
To which are added,
Paddy Whack.
EDINBURGH:
Printed for the Bookseller in Town and Country.
Poems: (not listed in original)
* The Maid and her Barley
* Paddy Whack
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Danish History

Public Domain English translations for Books X-XVI are currently believed to be unavailable.

### Table of Contents

* General Introduction by Rasmus B. Anderson
* Introduction
* Preface
* Book I
* Book II
* Book III
* Book IV
* Book V
* Book VI
* Book VII
* Book VIII
* Book IX
# The New International Encyclopædia/Kemble, Marie Thérèse De Camp

Edition of 1905. See also Maria Theresa Kemble on Wikipedia; and the disclaimer.
​KEMBLE, Marie Thérèse De Camp (1774- 1838). An actress, born at Vienna, Austria, of a theatrical family, brought to England when a child, and in 1806 married to Charles Kemble (q.v.). As Miss De Camp she had already become popular in comedy, and played also in comic opera. She continued on the stage with her husband, but retired in 1819, except for an appearance with her daughter Fanny in 1829. She was the author of several dramatic pieces, among them The Day After the Wedding, an interlude.
# The New International Encyclopædia/Kemble, Roger

Edition of 1905. See also Roger Kemble on Wikipedia; and the disclaimer.
​KEMBLE, Roger (1721-1802). The founder of the English family of actors bearing his name, of which his daughter Sarah (see SIDDONS, SARAH) and his son John Philip (see Kemble, John Philip) are the most celebrated. He was the head of an itinerant company of players, and an actor of some ability. He married in 1753 Sarah Wood, an actress, by whom he had twelve children. Consult FitzGerald, The Kembles, an Account of the Kemble Family (London, 1871).
# The New International Encyclopædia/Kemble Plays

Edition of 1905. See also the disclaimer.
​KEMBLE PLAYS, The name given to a valuable collection of English dramas made by the tragedian John Philip Kemble (q.v.) and now in the library of Devonshire House, London. It includes the first editions of Shakespeare's plays.
# The New International Encyclopædia/Kemény, Zgismond

Edition of 1905. See also Zsigmond Kemény on Wikipedia; and the disclaimer.
​KEMÉNY, kĕ′mā-ny′, Zgismond, Baron (1816-75). An Hungarian politician and writer, born in Magyar-Kapud, Transylvania. He studied and practiced law, and in 1840 became a member of the Opposition in the local Parliament, and the editor of its organ, Erdelyi Hirado. In 1842 he retired for a time from public life, and took up literature. His first novel, Gyulai Pál, was published in five volumes in 1846. Two years afterwards he was in Budapest, assistant editor of the Pesti Hirlap, and a deputy to the National Assembly on the side of Kossuth. In 1851 he became editor of the influential political journal, the Pesti Napló. His romances are Ferj és nö (1852); Sziv örvényei (1854); Az özvegy és leánya (1856) ; and Zord idő (1857), while his essays were collected in two volumes under the title, Studies (1870).
# The Green Pastures (1929)/Part 1/Scene 9

Layout 2
​Page:The Green Pastures (1929).djvu/93 ​Page:The Green Pastures (1929).djvu/94 ​Page:The Green Pastures (1929).djvu/95 ​Page:The Green Pastures (1929).djvu/96 ​Page:The Green Pastures (1929).djvu/97 ​Page:The Green Pastures (1929).djvu/98 ​Page:The Green Pastures (1929).djvu/99 ​Page:The Green Pastures (1929).djvu/100 ​Page:The Green Pastures (1929).djvu/101 ​Page:The Green Pastures (1929).djvu/102 ​Page:The Green Pastures (1929).djvu/103
# The New International Encyclopædia/Kemnitz

Edition of 1905. See also Martin Chemnitz on Wikipedia; and the disclaimer.
​KEMNITZ, kĕm′nits. A German theologian. See CHEMNITZ.
# The New International Encyclopædia/Kemp, George Meikle

Edition of 1905. See also George Meikle Kemp on Wikipedia; and the disclaimer.
​KEMP, George Meikle (1795-1844). A Scotch architect, born at Moorfoot, Peeblesshire. He was the son of a shepherd, but in his youth showed a taste for drawing, and though by trade a carpenter and wheelwright, took every opportunity to study architecture. After a short stay abroad, he settled for a time in Edinburgh. One of his works there was a model in wood of a palace for the Duke of Buccleuch. He also did some drawings for a book on Scottish cathedrals that was never brought out, and prepared designs for a restoration of Glasgow Cathedral. The only actual work of Kemp is the monument to Walter Scott in Edinburgh, begun in 1840. He was accidentally drowned before this was completed, but it remains a lasting honor to its architect.
# The Band of Gideon and Other Lyrics

* related portals: Harlem Renaissance
* related authors: Cale Young Rice
The Band of Gideon
Joseph S. Cotter, Jr.
The Band of Gideon
and
Other Lyrics
The Band of Gideon
And Other Lyrics
By Joseph S. Cotter, Jr.
The Cornhill Company Boston
Copyright, 1918 by The Cornhill Company
In memory
of
my sister
Florence Olivia Cotter
Contents
​Page:The Band of Gideon and Other Lyrics.djvu/44
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The New International Encyclopædia/Kemp, James Furman

Edition of 1905. See also James Furman Kemp on Wikipedia; and the disclaimer.
​KEMP, James Furman (1859—). An American geologist, born in New York City, and educated at the Brooklyn Adelphi, at Amherst College, and at the Columbia School of Mines. He became a member of the Federal and State Geological Surveys, made especial investigation of the geology of the Adirondack Mountains (New York), and was appointed professor of geology in Columbia University. His publications include Ore Deposits of the United States and Canada (1893-1900) and Handbook of Rocks(1896-1901 ).
# The New International Encyclopædia/Kemp, Joseph

Edition of 1905. See also Joseph Kemp (organist) on Wikipedia; and the disclaimer.
​KEMP, Joseph (1778-1824). An English organist, born at Exeter. From 1802 to 1809 he was organist of Bristol Cathedral, and from 1809 to 1814 resided in London, after which he lived chiefly in Exeter. In 1810 he delivered lectures on the 'New System of Musical Education,' which it is claimed was the first method propounded in England, for class or chorus teaching. Among his works were the famous cathedral anthem I Am Alpha and Omega: Twelve Psalmodical Melodies; Musical Illustrations of the Beauties of Shakespeare; Musical Illustrations of the Lady of the Lake; and many chants, single glees, and duets. He died at Exeter.
# The New International Encyclopædia/Kempe, Eliza

Edition of 1905. See also Anna Eliza Bray on Wikipedia; and the disclaimer.
​KEMPE, Ann Eliza. The maiden name of the English author Ann Eliza Kempe Bray (q.v.).
# The New International Encyclopædia/Kempelen, Wolfgang von

Edition of 1905. See also Wolfgang von Kempelen on Wikipedia; and the disclaimer.
​KEMPELEN, kĕm′pĕ-lēn, Wolfgang von (1734-1804). An Austrian mechanic and inventor. He was born at Pressburg, in Hungary, and obtained celebrity as the deviser of an automaton chess-player with which he traveled over a good part of the world. Kempelen also produced a complicated figure which articulated certain words distinctly. To explain its construction he published the Mechanismus der menschlichen Sprache (1791).
# The Band of Gideon and Other Lyrics/Introduction

Introduction
Nearly twenty years ago there came to my door a Negro of fine standing in the community, with the manuscript of a play which he desired me to read. That manuscript, whatever its faults, had the fundamental quality of sincerity—a quality that is not always present in work that often finds its way to a far wider audience.
The writer of that play was Joseph S. Cotter, and now in this volume, written by Joseph S. Cotter, Jr., his son, there is displayed the talent for verse-writing that I found in the father; a talent which has, however, in this instance, been hampered by sad ill health. For the verses of this volume were nearly all written on a sick bed, by a boy whose twenty-two years have been far from filled with the ineffable boon of strong health.
But to the public the interest these verses will have, apart from their merit and the gallant spirit in which they are written, lies in this: The Negro race, which has always been able to ease its heart with melody and folk-song, is beginning to look upon words also as a medium of giving expression to its deeper and finer emotions. Paul Lawrence Dunbar and James Weldon Johnson are perhaps the most distinguished of those who have entered the field of poetry, but perhaps if health is re​stored to Joseph S. Cotter, Jr., he also may later find himself ranking with these two of his predecessors. At least all sympathizers with the Negro race will hope this may be so, and will give an interested attention to this small but earnest sheaf of songs.
Cale Young Rice.
Louisville, June, 1918.
# Dictionary of National Biography, 1885-1900/Ryther, John

​RYTHER, JOHN (1634?–1681), nonconformist divine, son of John Rither (d. 1673), a tanner, was born in Yorkshire about 1634, and educated at Leeds grammar school. On 25 March 1650, being then under sixteen years of age, he was admitted as a sizar at Sidney-Sussex College, Cambridge. His father became a leader among the quakers at York. Ryther held the vicarage of Frodingham (including Bromby), Lincolnshire, from which he was ejected, the presumption being that it was a sequestered living, which he lost at the Restoration. He retired to York, but soon obtained the vicarage of North Ferriby, Yorkshire; he resided, however, at Brough in the neighbouring parish of Elloughton. Ejected from Ferriby by the Uniformity Act of 1662, he preached in his house at Brough till the operation of the Five Miles Act (which came into force 25 March 1666) compelled him to remove. He preached at Allerton, near Bradford, and aided in founding in 1668 the congregational church at Bradford-dale. For illegal preaching he was imprisoned for six months, and again for fifteen months, in York Castle. About 1669 he removed to London, a meeting-house was built for him at Wapping, and here he became exceedingly popular with sailors, who shielded him from arrest. He was known as the ‘seaman's preacher.’ He died in June 1681. The mother of Andrew Kippis [q. v.] was his descendant. He published, besides single sermons (1672–80), including a funeral sermon for James Janeway [q. v.]:
* ‘The Morning Seeker,’ 1673, 8vo.
* ‘A Plat for Mariners; or the Seaman's Preacher,’ 1675, 8vo; reprinted [1780], 8vo, with preface by John Newton (1725–1807) [q. v.]
* ‘The Best Friend … or Christ's Awakening Call,’ 1678, 8vo.
John Ryther (d. 1704), son of the above, acted as chaplain on merchant ships trading to both the Indies, and early in 1689 became minister at Nottingham of the congregational church in Bridlesmith Gate, and (from 3 Oct. 1689) in Castle Gate. He published: ‘A Defence of the Glorious Gospel,’ 1703, 8vo, against John Barret (1631–1713) [q. v.] Among the manuscripts in the museum of Ralph Thoresby [q. v.] were ‘A Journal kept by the Rev. Mr. John Ryther of his Voyage from Venice to Zant, 1676 … from Zant … to London. … Another from Sardinia to England. From London, 1680, to the coast of Cormandell, and Bay of Bengale. From Fort St. George, 1681, to Cape Bona Esperance, from St. Helena to England.’
[Calamy's Account, 1713, pp. 448, 833; Calamy's Continuation, 1727, ii. 601 sq. 953 sq.; Musæum Thoresbyanum, 1816, p. 81 (89); Carpenter's Presbyterianism in Nottingham [1862], pp. 106, 109; Miall's Congregationalism in Yorkshire, 1868, p. 240; Heywood's Diaries, ed. Turner, ii. 289; Nottingham Daily Press, 30 May 1889; information from the master of Sidney-Sussex College, and from J. S. Rowntree, esq., York.]
A. G.
# Dictionary of National Biography, 1885-1900/Steward, Thomas

​STEWARD, THOMAS, D.D. (1669?–1753), presbyterian divine, was born about 1669, probably at Norwich. His family was originally of Lackford, Suffolk. He was educated for the ministry by John Collinges, D.D. [q. v.], and in 1689, on the recommendation of John Fairfax (1623–1700) [q. v.], was settled in a congregation at Debenham, Suffolk. In 1706 he succeeded Elias Travers as minister of Cook Street presbyterian congregation, Dublin, on a stipend of 80l. His house rent cost him 20l., and he complains that, funeral sermons being ‘quite out of fashion,’ he got ‘nothing in that way,’ and as there was no fee for baptism, ‘neither burials nor births are of any advantage to me.’ Steward was orthodox, though a non-subscriber; he attended with Joseph Boyse [q. v.] and others as a deputation from the Dublin presbytery to the general synod of Ulster at Derry (1722), when a vain attempt was made to heal the non-subscription controversy. In 1724 he left Dublin and became minister of the presbyterian congregation at Bury St. Edmund's, Suffolk. He received the diploma of D.D. from Aberdeen in 1733. He was a correspondent of Francis Hutcheson (1694–1746), (1694–1746) [q. v.], Philip Doddridge, D.D. [q. v.], John Leland (1691–1766) [q. v.], and Cromwell Mortimer [q. v.] He died at Bury St. Edmund's on 10 Sept. 1753, aged 84. His wife died in 1749.
Besides one or two tracts, he published ‘Sermons,’ 1734, 8vo. In the ‘Philosophical Transactions Abridged,’ 1738, viii. 269, is his paper on a remedy for the bite of a mad dog. A folio volume of manuscript letters in Latin and English, containing about eighty originals addressed to Steward, and twenty ​copies of his replies, was in 1879 in the possession of Sir Edward Reid of Derry.
[Browne's Hist. of Congregationalism in Norfolk and Suffolk, 1877, pp. 420, 491; Witherow's Hist. and Lit. Memorials of Presbyterianism in Ireland, 1879, i. 175 sq.; Irwin's Hist. of Presbyterianism in Dublin, 1890, p. 322; Records of Gen. Synod of Ulster, 1897, ii. 24 sq.]
A. G.
# Dictionary of National Biography, 1885-1900/Venning, John

​VENNING, JOHN (1776–1858), philanthropist, born at Totnes, Devonshire, on 20 May 1776, was the son of Walter Venning, a merchant, by his wife Mary Ann. He was educated at Totnes grammar school, and at the age of fourteen was put into the counting-house of Messrs. Jackson & Co., a firm of Russia merchants in London. He went to St. Petersburg in 1793, and made for himself a high position there as a merchant. His interest in the condition of Russian prisons was aroused by his brother, Walter Venning [q. v.], and in 1819, on the foundation of the St. Petersburg Society for the Improvement of Prisons, he became treasurer. After his brother's death (1821) he threw himself with great energy into this branch of philanthropic work, visiting the prisons of Sweden, Germany, France, and England, and making reports and suggestions, which he laid, with some success, before the imperial government. He had much personal intercourse with the czars Alexander I and Nicholas I. In addition to prison reforms, he was able to introduce many needed improvements in lunatic asylums. In 1830 he settled in Norfolk, where he aided in benevolent and evangelical work. He died at Norwich on 11 April 1858. He was married on 13 Sept. 1805 to the daughter of James Meybohm, a merchant of St. Petersburg. She survived him and left issue.
A. G.