OpenLLM-France/wikimedia huggingface dataset:
# An Etymological Dictionary of the German Language/Annotated/Dolch

| This annotated version expands the abbreviations in the original entry Dolch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dolch, masculine, ‘dagger, dirk,’ simply Modern High German (from the beginning of the 16th century), derived like the equivalent Dutch, Danish, and Swedish dolk, from Slavonic (Bohemian and Polish tulich?).
# An Etymological Dictionary of the German Language/Annotated/Dom

| This annotated version expands the abbreviations in the original entry Dom. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dom, masculine, ‘cathedral, dome, cupola,’ Modern High German only, borrowed from Latin domus (for domus dei; compare the Gothic word gudhûs, ‘the house of God, church’). An earlier loan-word is Old High German tuom (also dôm), Middle High German tuom, ‘a bishop's collegiate church, cathedral,’ which was naturalised in Germany about the 9th century; compare Old High German scuola from Latin scŏla, as if it were scôla; so tuom for tôm from dŏmus; see Schule. The form Tum, developed from Middle High German tuom, kept its ground till the beginning of the last century.
# An Etymological Dictionary of the German Language/Annotated/Dorsch

| This annotated version expands the abbreviations in the original entry Dorsch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dorsch, masculine, ‘torsk,’ simply Modern High German, formed from Low German dorsch; corresponds to Old Icelandic þorskr, English torsk, tusk, from the equivalent Danish torsk.
# An Etymological Dictionary of the German Language/Annotated/Dole

| This annotated version expands the abbreviations in the original entry Dole. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dole, feminine, ‘canal,’ from Middle High German *dol, Old High German dola, feminine, ‘pipe’; akin to Low German and Frisian dole, ‘pit, ditch.’
# An Etymological Dictionary of the German Language/Annotated/Dolmetsch

| This annotated version expands the abbreviations in the original entry Dolmetsch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dolmetsch, masculine, ‘interpreter,’ from the equivalent Middle High German tolmetsche, tolmetze, tulmetsche; a Turk. word (North Turk. tilmač) which found its way into Middle High German through Magyar (tolmács) or Slavonic (Old Slovenian tlǔmačĭ, Polish tlumacz, Bohemian tlumač); also in Middle High German tolc, tolke (compare further Dutch tolk), ‘interpreter,’ from Old Slovenian tlŭkŭ (whence also Lithuanian tulkas, Lettic tulks, ‘interpreter’).
# An Etymological Dictionary of the German Language/Annotated/Donnerstag

| This annotated version expands the abbreviations in the original entry Donnerstag. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Donnerstag, ‘Thursday,’ from Middle High German donerstac, dunrestac, Old High German donarestag; compare Dutch donderdag, Anglo-Saxon þunresdœg, English Thursday, Old Icelandic þórsdagr; the day sacred to the Old Teutonic god þunar (Old High German Donar, Old Low German Thunar, Old Icelandic þórr for þōnruz); see Dienstag and Woche. A remarkable form occurs in Middle High German (Bavarian), pfinz-tac, ‘Thursday,’ from the equivalent Greek πέμπτη.
# An Etymological Dictionary of the German Language/Annotated/Dorn

| This annotated version expands the abbreviations in the original entry Dorn. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Dorn, masculine, ‘thorn, prickle,’ from the equivalent Middle High German and Old High German dorn, masculine; corresponds to Gothic þaurnus, Old Icelandic þorn, Anglo-Saxon þorn, English thorn, Dutch doorn, Old Saxon thorn, ‘thorn’; from pre-Teutonic trnu-. Compare Old Slavonic trŭnŭ, ‘thorn,’ Sanscrit tṛna, ‘blade of grass.’
# An Etymological Dictionary of the German Language/Annotated/kappen

| This annotated version expands the abbreviations in the original entry kappen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kappen, verb, ‘to chop, lop,’ Modern High German simply, from Dutch kappen, ‘to split’; compare Danish kappe and English chap. In UpAlsat. kchapfe is found with the High German form; allied also to the dialectic graded forms kipfen, kippen; hence the Teutonic root kep, kapp.
# An Etymological Dictionary of the German Language/Annotated/kauzen

| This annotated version expands the abbreviations in the original entry kauzen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kauzen, verb, ‘to cower’; Modern High German only; like kauern, it is connected with the root kû; zen is a suffix from Old High German zen, azen (ȥȥen, aȥȥen), Gothic atjan; *kûwatjan would be the Gothic form. Compare kauern.
# An Etymological Dictionary of the German Language/Annotated/kauderwelsch

| This annotated version expands the abbreviations in the original entry kauderwelsch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kauderwelsch, adjective, ‘jargon,’ first occurs in early Modern High German allied to an unexplained verb kaudern, ‘to talk unintelligibly,’ ​hence ‘strange, unintelligible foreign tongue.’ It seems to have been a Swiss word originally and allied to Suabian and Swiss kauder, chûder, ‘tow’; or should it be churwelsch?
# An Etymological Dictionary of the German Language/Annotated/kauen

| This annotated version expands the abbreviations in the original entry kauen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kauen, verb, ‘to chew,’ from the equivalent Middle High German kûwen, kiuwen, Old High German chiuwan; Modern High German au and Middle High German û in this word compared with äu in wiederkäuen is properly Middle German merely. It corresponds to Anglo-Saxon ceóuwan, English to chew, and the equivalent Dutch kaauwen. The verb, which is based on a Teutonic root këw, ku, pre-Teutonic gew, is wanting in Gothic; compare Old Slovenian žĭvą, žują, žĭvati, ‘to chew.’ The Aryan root is gjū̆, gī̆w, ‘to chew’; see Rieme. Greek γεύομαι for γεύσομας is totally unconnected with High German kauen, being allied to kosten.
# An Etymological Dictionary of the German Language/Annotated/kaufen

| This annotated version expands the abbreviations in the original entry kaufen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kaufen, verb, ‘to buy,’ from Middle High German koufen, Old High German choufôn. The meaning in Old High German and Middle High German is somewhat more general, ‘to trade, negotiate,’ specially also ‘to buy, sell, or to barter.’ Compare Gothic kaupôn, ‘to trade,’ Anglo-Saxon čŷpan (Gothic *kaupjan), ‘to buy, sell.’ The word has numerous interesting meanings; its primary sense is ‘to barter,’ and was used by the parties on either side, and hence on the development of the system of paying in specie it signified both ‘to buy’ and ‘to sell’; compare also Anglo-Saxon ceáp, ‘trade, business, cattle’ (cattle was, in fact, the chief medium of payment in exchange; compare Geld and Vieh). It is most closely allied to Latin caupo, ‘retail dealer, innkeeper,’ and in connection with this fact it is certainly remarkable that a nomen agentis corresponding to Latin caupo is far less widely diffused than the Teutonic verb kaupôn (only in Old High German does choufo mean ‘shopkeeper’). The Teutonic verb in the form of kupiti, ‘to buy’ (allied to kupŭ, ‘trade,’ kupĭcĭ, merchant,’ Lithuanian kùpezus, ‘merchant’), passed into primary Slavonic and Finnish (kauppata, ‘to trade’). The cognates are wanting in Romance (compare Kaiser). — The Modern High German Kauf is Old High German chouf, masculine, ‘trade, business’; Anglo-Saxon čeáp, ‘trade’; in English the cognates cheap and chapman have been retained.
# An Etymological Dictionary of the German Language/Annotated/keck

| This annotated version expands the abbreviations in the original entry keck. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ keck, adjective, ‘pert, impudent,’ from Middle High German këc, a variant of quëc (inflected këcker, quëcker), ‘living, fresh’; Old High German chëc (inflected chëcchêr), quëc, quëcchêr, ‘living.’ Corresponding to Anglo-Saxon cwicu (cucu), ‘living,’ English quick. The primary meaning of the adjective is ‘living,’ and the Modern High German lebhaft, ‘lively,’ illustrates the development of the signification. For farther comparison we have to proceed from the corresponding Gothic adjective qiwa, ‘living’ (the second c, k of the High German and English words, is an insertion before the Gothic w). Gothic qiwa-, derived from gwiwo-, giwo-, corresponds exactly to Latin vîvus for gwîvus, Sanscrit jîvás, ‘living,’ allied to Latin vîvere (victus); Sanscrit jivâtus, ‘life,’ jîvathas, ‘life’; furthur, in Greek with an initial β (compare βαίνω, ‘to go’), βίος, βίοτος, βιόω; allied to Old Slovenian živŭ, Lithuanian gývas, Old Irish beo, ‘living.’ All these forms indicate an Aryan root gī̆w, ‘to live.’ This root seems to be graded in Teutonic only, in Old Icelandic kveykva, kveikja (Gothic *qaiwjan), ‘to light a fire,’ properly ‘to give life to.’ In Modern High German erquicken and Quecksilber are connected with the same root, and in fact with the Aryan, adjective gī̆wós, ‘living’; the loss of the u after q, which has differentiated keck from queck, is seen also in kommen, Köder, and Kot.
# An Etymological Dictionary of the German Language/Annotated/kaput

| This annotated version expands the abbreviations in the original entry kaput. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kaput, adjective, literally ‘lost at play,’ Modern High German simply, from French capot; faire capot, ‘to cause to lose,’ être capot, &c. The French expression was introduced into German with a number of other terms originally used at play (compare Treff).
# An Etymological Dictionary of the German Language/Annotated/kasteien

| This annotated version expands the abbreviations in the original entry kasteien. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kasteien, verb, ‘to chastise,’ from Middle High German kastîgen (g for j), kę̂stigen, Old High German chęstîgôn, ‘to chastise, punish’; the alteration of the accent and the vowels corresponds to that in Kastanie (which see) compared with the dialectic Keste. Latin castîgare (whence also French châtier, and further English chastise) was adopted on the introduction of Christianity (compare Kreuz, Priester, and predigen) from ecclesiastical Latin; Old High German chę̂stîgôn, like many words borrowed in the Old High German period (see predigen), was accented after the German method.
# An Etymological Dictionary of the German Language/Annotated/kauern

| This annotated version expands the abbreviations in the original entry kauern. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kauern, verb, ‘to crouch’; its relation to Middle High German hûren (Dutch hurken), ‘to squat,’ is obscure; in English and in Scandinavian an initial k also appears, Middle English couren, English to cower; Danish kûre, Swedish kûra, in the Modern High German sense; Old Icelandic kúra, ‘to be inactive’ Compare kauzen.
# An Etymological Dictionary of the German Language/Annotated/kaum

| This annotated version expands the abbreviations in the original entry kaum. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ kaum, adverb, ‘scarcely,’ from Middle High German kûme, as adjective (?), ‘thin, weak, infirm,’ as adverb (Old High German chûmo), ‘with difficulty, hardly, scarcely, not’; to this is allied Old High German chûmig, ‘powerless, toilsome.’ ‘Feeble’ is the primary meaning of the adjective and adverb, as is shown by Lower Hessian küme, Middle Low German küme, Swiss chum, and Middle English kîme, ‘feeble.’ The corresponding Anglo-Saxon cŷme signifies ‘tender, fine, beautiful’ (compare klein), Teutonic kûmi-, ‘feeble,’ is not found in the other languages.
# An Anthology of Australian Verse/'Through Pleasant Paths'

Through pleasant paths, through dainty ways,  Love leads my feet; Where beauty shines with living rays,  Soft, gentle, sweet; The placid heart at random strays, And sings, and smiles, and laughs and plays, And gathers from the summer days  Their light and heat, That in its chambers burn and blaze  And beam and beat.
I throw myself among the ferns  Under the shade, And watch the summer sun that burns  On dell and glade; To thee, my dear, my fancy turns, In thee its Paradise discerns, For thee it sighs, for thee it yearns,  My chosen maid; And that still depth of passion learns  Which cannot fade.
The wind that whispers in the night,  Subtle and free, The gorgeous noonday's blinding light,  On hill and tree, All lovely things that meet my sight, All shifting lovelinesses bright, Speak to my heart with calm delight,  Seeming to be Cloth'd with enchantment, robed in white,  To sing of thee.
The ways of life are hard and cold  To one alone; Bitter the strife for place and gold —  We weep and groan: But when love warms the heart grows bold; And when our arms the prize enfold, Dearest! the heart can hardly hold  The bliss unknown, Unspoken, never to be told —  My own, my own!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/A Coast View

High 'mid the shelves of a grey cliff, that yet Riseth in Babylonian mass above, In a benched cleft, as in the mouldered chair Of grey-beard Time himself, I sit alone, And gaze with a keen wondering happiness Out o'er the sea. Unto the circling bend That verges Heaven, a vast luminous plain It stretches, changeful as a lover's dream — Into great spaces mapped by light and shade In constant interchange — either 'neath clouds The billows darken, or they shimmer bright In sunny scopes of measureless expanse. 'Tis Ocean dreamless of a stormy hour, Calm, or but gently heaving; — yet, O God! What a blind fate-like mightiness lies coiled In slumber, under that wide-shining face! While o'er the watery gleam — there where its edge Banks the dim vacancy, the topmost sails Of some tall ship, whose hull is yet unseen, Hang as if clinging to a cloud that still Comes rising with them from the void beyond, Like to a heavenly net, drawn from the deep And carried upward by ethereal hands.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/A Song of Sydney

First published in The Australian Girl : And Other Verses 1900
High headlands all jealously hide thee, O fairest of sea-girdled towns! Thine Ocean-spouse smileth beside thee, While each headland threatens and frowns. Like Venice, upheld on sea-pinion, And fated to reign o'er the free, Thou wearest, in sign of dominion, The zone of the sea.
No winter thy fertile slope hardens, O new Florence, set in the South! All lands give their flowers to thy gardens, That glow to thy bright harbour's mouth; The waratah and England's red roses With stately magnolias entwine, Gay sunflowers fill sea-scented closes, All sweet with woodbine.
Thy harbour's fair flower-crowned islands See flags of all countries unfurled, Thou smilest from green, sunlit highlands To open thine arms to the world! Dark East's and fair West's emulations Resound from each hill-shadowed quay, And over the songs of all nations, The voice of the sea.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Faith

And is the great cause lost beyond recall?  Have all the hopes of ages come to naught?  Is life no more with noble meaning fraught? Is life but death, and love its funeral pall? Maybe. And still on bended knees I fall,  Filled with a faith no preacher ever taught.  O God — MY God — by no false prophet wrought — I believe still, in despite of it all!
Let go the myths and creeds of groping men.  This clay knows naught — the Potter understands. I own that Power divine beyond my ken,  And still can leave me in His shaping hands. But, O my God, that madest me to feel, Forgive the anguish of the turning wheel!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 97 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse