# The Reverberator (1 volume, American issue, London and New York, Macmillan & Co., 1888)/Chapter 13

XIII.
Mr. Dosson, as we know, was meditative, and the present occasion could only minister to that side of his nature, especially as, so far at least as the observation of his daughters went, it had not urged him into uncontrollable movement. But the truth is that the intensity, or rather the continuity, of his meditations did engender an act which was not perceived by these young ladies, though its consequences presently became definite enough. While he waited for the Proberts to arrive in a phalanx and noted that they failed to do so he had plenty of time to ask himself—and also to ask Delia—questions about Mr. Flack. So far as they were addressed to his daughter they were promptly answered, for Delia had been ready from the first, as we have seen, to pronounce upon the conduct of the young journalist. Her view of it was clearer every hour; there was a difference however in the course of action which she judged this view to demand. At first he was to be blown ​up for the mess he had got them into (profitless as the process might be and vain the satisfaction); he was to be visited with the harshest chastisement that the sense of violated confidence could inflict. Now he was simply to be dropped, to be cut, to be let alone to his dying day: the girl quickly recognised that this was a much more distinguished way of showing displeasure. It was in this manner that she characterised it, in her frequent conversations with her father, if that can be called conversation which consisted of his serenely smoking while she poured forth arguments which combined both variety and repetition. The same cause will produce consequences the most diverse: a truth according to which the catastrophe that made Delia express freely the hope that she might never again see so much as the end of Mr. Flack's nose had just the opposite effect upon her father. The one thing he wanted positively to do at present was to let his eyes travel over his young friend's whole person: it seemed to him that that would really make him feel better. If there had been a discussion about this the girl would have kept the field, for she had the advantage of being able to tell her reasons, whereas her father could not have put his into words. Delia had touched on her deepest conviction in saying to Francie that the correspondent of the Reverberator had played them that trick on purpose to get them into such trouble with the ​Proberts that he might see his own hopes bloom again under cover of their disaster. This had many of the appearances of a strained interpretation, but that did not prevent Delia from placing it before her father several times an hour. It mattered little that he should remark, in return, that he didn't see what good it could do Mr. Flack that Francie—and he and Delia, for all he could guess—should be disgusted with him: to Mr. Dosson's mind that was such a queer way of reasoning. Delia maintained that she understood perfectly, though she couldn't explain—and at any rate she didn't want the manœuvring creature to come flying back from Nice. She didn't want him to know that there had been a scandal, that they had a grievance against him, that any one had so much as heard of his article or cared what he published or didn't publish: above all she didn't want him to know that the Proberts had cooled off. Mixed up with this high rigour on Miss Dosson's part was the oddest secret complacency of reflection that in consequence of what Mr. Flack had published the great American community was in a position to know with what fine folks Francie and she were associated. She hoped that some of the people who used to call on them when they were "off to-morrow" would take the lesson to heart.
While she glowed with this consolation as well as with the resentment for which it was required ​her father quietly addressed a few words, by letter, to George Flack. This communication was not of a minatory order; it expressed on the contrary the loose sociability which was the essence of Mr. Dosson's nature. He wanted to see Mr. Flack, to talk the whole thing over, and the desire to hold him to an account would play but a small part in the interview. It was much more definite to him that the soreness of the Proberts was a kind of unexpected insanity (so little did his experience match it), than that a newspaper-man had misbehaved in trying to turn out an attractive article. As the newspaper-man happened to be the person with whom he had most consorted for some time back he felt drawn to him in the presence of a new problem, and somehow it did not seem to Mr. Dosson to disqualify him as a source of comfort that it was just he who had been the fountain of injury. The injury was a sort of emanation of the crazy Proberts. Moreover Mr. Dosson could not dislike at such short notice, a man who had smoked so many of his cigars, ordered so many of his dinners and helped him so loyally to spend his money: such acts constituted a bond, and when there was a bond people gave it a little jerk in time of trouble. His letter to Nice was the little jerk.
The morning after Francie had turned her back on Gaston and left him planted in the salon (he ​had remained ten minutes, to see if she would reappear, and then had marched out of the hotel), she received by the first post a letter from him, written the evening before. It conveyed his deep regret that their meeting in the morning should have been of so painful, so unnatural a character, and the hope that she did not consider, as her strange behaviour had seemed to suggest, that she had anything to complain of. There was too much he wanted to say and above all too much he wanted to ask, for him to consent to the indefinite postponement of a necessary interview. There were explanations, assurances, de part et d'autre, with which it was manifestly impossible that either of them should dispense. He would therefore propose that she should see him, and not be wanting in patience to that end, on the following evening. He did not propose an earlier moment because his hands were terribly full at home. Frankly speaking, the state of things there was of the worst. Jane and her husband had just arrived and had made him a violent, an unexpected scene. Two of the French newspapers had got hold of the article and had given the most perfidious extracts. His father had not stirred out of the house, had not put his foot inside of a club, for more than a week. Marguerite and Maxime were immediately to start for England, for an indefinite stay. They couldn't face their life in Paris. For himself, he was in the breach, fighting ​hard and making, on her behalf, asseverations which it was impossible for him to believe, in spite of the dreadful defiant confession she had appeared to throw at him in the morning, that she would not virtually confirm. He would come in as soon after nine as possible; the morrow, up to that time, would be severe in the Cours la Reine, and he begged her in the meantime not to doubt of his perfect tenderness. So far from his distress having made it less he had never yet felt so much that she had, in his affection, a treasure of indulgence to draw upon.
A couple of hours after this letter arrived Francie lay on one of the satin sofas with her eyes closed and her hand clinched upon it in her pocket. Delia sat near her with a needle in her fingers, certain morsels of silk and ribbon in her lap, several pins in her mouth, and her attention wandering constantly from her work to her sister's face. The weather was now so completely vernal that Mr. Dosson was able to sit in the court, and he had lately resumed this practice, in which he was presumably at the present moment absorbed. Delia had lowered her needle and was watching Francie, to see if she were not asleep—she had been perfectly still for so long—when her glance was drawn to the door, which she heard pushed open. Mr. Flack stood there, looking from one to the other of the young ladies, as if to see which of them would be most agreeably surprised by his visit. ​"I saw your father down stairs—he says it's all right," said the journalist, advancing and smiling. "He told me to come straight up—I had quite a talk with him."
"All right—all right?" Delia Dosson repeated, springing up. "Yes, indeed, I should say so." Then she checked herself, asking in another manner: "Is that so? father sent you up?" And then, in still another: "Well, have you had a good time at Nice?"
"You'd better all come down and see. It's lovely down there. If you'll come down I'll go right back. I guess you want a change," Mr. Flack went on. He spoke to Delia but he looked at Francie, who showed she had not been asleep by the quick consciousness with which she raised herself on her sofa. She gazed at the visitor with parted lips, but she said nothing. He hesitated a moment, then came toward her, smiling, with his hand out. His bright eyes were brighter than ever, but they had an odd appearance of being smaller, like penetrating points. "Your father has told me all about it. Did you ever hear of anything so ridiculous?"
"All about what?—all about what?" said Delia, whose attempt to represent happy ignorance seemed likely to be spoiled by an intromission of ferocity. She might succeed in appearing ignorant, but she could scarcely succeed in appearing happy. Francie had risen to her feet and had ​suffered Mr. Flack to possess himself for a moment of her hand, but neither of the girls had asked the young man to sit down. "I thought you were going to stay a month at Nice," Delia continued.
"Well, I was, but your father's letter started me up."
"Father's letter?"
"He wrote me about the row—didn't you know it? Then I broke. You didn't suppose I was going to stay down there when there were such times up here."
"Gracious!" Delia exclaimed.
"Is it pleasant at Nice? Is it very gay? Isn't it very hot now?" Francie asked.
"Oh, it's all right. But I haven't come up here to talk about Nice, have I?"
"Why not, if we want to?" Delia inquired. Mr. Flack looked at her for a moment very hard, in the whites of the eyes; then he replied, turning back to her sister: "Anything you like, Miss Francie. With you one subject is as good as another. Can't we sit down? Can't we be comfortable?" he added.
"Comfortable? of course we can!" cried Delia, but she remained erect while Francie sank upon the sofa again and their companion took possession of the nearest chair.
"Do you remember what I told you once, that the people will have the plums?" George Flack asked of the younger girl.
​She looked for an instant as if she were trying to recollect what he had told her; then she said, "Did father write to you?"
"Of course he did. That's why I'm here."
"Poor father, sometimes he doesn't know what to do!" Delia remarked.
"He told me the Reverberator has made a sensation. I guessed that for myself, when I saw the way the papers here were after it. That thing will go the round you'll see! What brought me was learning from him that they have got their backs up."
"What on earth are you talking about?" cried Delia.
Mr. Flack turned his eyes on hers in the same way as a moment before; Francie sat there serious, looking hard at the carpet. "What game are you trying, Miss Delia? It ain't true you care what I wrote, is it?" he pursued, addressing himself again to Francie.
She raised her eyes. "Did you write it yourself?"
"What do you care what he wrote—or what does any one care?" Delia broke in.
"It has done the paper more good than anything—every one is so interested," said Mr. Flack, in the tone of reasonable explanation. "And you don't feel that you have anything to complain of, do you?" he added, to Francie, kindly.
"Do you mean because I told you?"
​"Why, certainly. Didn't it all spring out of that lovely drive and that walk in the Bois that we had, when you took me to see your portrait? Didn't you understand that I wanted you to know that the public would appreciate a column or two about Mr. Waterlow's new picture, and about you as the subject of it, and about your being engaged to a member of the grand monde, and about what was going on in the grand monde, which would naturally attract attention through that? Why, Miss Francie, you talked as if you did."
"Did I talk a great deal?" asked Francie.
"Why, most freely—it was too lovely. Don't you remember when we sat there in the Bois?"
"Oh, rubbish!" Delia ejaculated.
"Yes, and Mme. de Cliché passed."
"And you told me she was scandalised. And we laughed—it struck us as idiotic. I said it was affected and pretentious. Your father tells me she is scandalised now—she and all the rest of them—at their names appearing in the Reverberator. I don't hesitate to declare that that's affected and pretentious too. It ain't genuine—and if it is it doesn't count. They pretend to be shocked because it looks exclusive, but in point of fact they like it first-rate."
"Are you talking about that old piece in the paper? Mercy, wasn't that dead and buried days and days ago?" Delia ejaculated. She ​hovered there in a fever of irritation, fidgeted by the revelation that her father had summoned Mr. Flack to Paris, which struck her almost like a treachery because it seemed to denote a plan. A plan, and an uncommunicated plan, on Mr. Dosson's part was unnatural and alarming; and there was further provocation in his appearing to shirk the responsibility of it by not having come up, at such a moment, with Mr. Flack. Delia was impatient to know what he wanted anyway. Did he want to slide back to a common, though active, young man? Did he want to put Mr. Flack forward with a shallow extemporised optimism as a substitute for the alienated Gaston? If she had not been afraid that something still more complicating than anything that had happened yet might come to pass between her two companions in case of her leaving them together she would have darted down to the court to appease her conjectures, to challenge her father and tell him she should be very much obliged to him if he wouldn't meddle. She felt liberated however, the next moment, for something occurred that struck her as a quick indication of her sister's present emotion.
"Do you know the view I take of the matter, according to what your father has told me?" Mr. Flack inquired. "I don't mean that he suggested the interpretation, but my own knowledge of the world (as the world is constituted over here!) ​forces it upon my mind. They are scandalised, they are horrified. They never heard anything so dreadful. Miss Francie, that ain't good enough! They know what's in the papers every day of their lives and they know how it got there. They are simply making the thing a pretext to break—because they don't think you're fashionable enough. They're delighted to strike a pretext they can work, and they're all as merry together round there as a lot of boys when school don't keep. That's my view of the business."
"Oh—how can you say such a thing?" drawled Francie, with a tremor in her voice that struck her sister. Her eyes met Delia's at the same moment, and this young woman's heart bounded with the sense that she was safe. Mr. Flack's indelicacy attempted to prove too much (though Miss Dosson had crude notions about the license of the press she felt, even as an untutored woman, what a false step he was now taking), and it seemed to her that Francie, who was revolted (the way she looked at her, in horror, showed that), could be trusted to check his advance.
"What does it matter what he says, my dear?" she cried. "Do make him drop the subject—he's talking very wild. I'm going down to see what father means—I never heard of anything so flat!" At the door she paused a moment to add mutely, with a pressing glance, "Now just wipe him out—mind!" It was the same injunction she had ​launched at her from afar that day, a year before, they all dined at Saint-Germain, and she could remember how effective it had been then. The next moment she flirted out.
As soon as she had gone Mr. Flack moved nearer to Francie. "Now look here, you are not going back on me, are you?"
"Going back on you—what do you mean?"
"Ain't we together in this thing? Surely we are."
"Together—together?" Francie repeated, looking at him.
"Don't you remember what I said to you—in the clearest terms—before we went to Waterlow's, before our drive? I notified you that I should make use of the whole thing."
"Oh, yes, I understood—it was all for that. I told them so. I never denied it."
"You told them so?"
"When they were crying and going on. I told them I knew it—I told them I gave you the tip, as they say."
She felt Mr. Flack's eyes on her, strangely, as she spoke these words; then he was still nearer to her—he had taken her hand. "Ah, you're too sweet!" She disengaged her hand and in the effort she sprang up; but he, rising too, seemed to press always nearer—she had a sense (it was disagreeable) that he was demonstrative—so that she retreated a little before him. "They were all ​there roaring and raging, trying to make you believe you have outraged them?"
"All but young Mr. Probert. Certainly they don't like it."
"The cowards!" said George Flack. "And where was young Mr. Probert?"
"He was away—I've told you—in America."
"Ah, yes, your father told me. But now he has come back doesn't he like it either?"
"I don't know, Mr. Flack," Francie replied, impatiently.
"Well, I do, then. He's a coward too—he'll do what his papa tells him—and the countess and the duchess and all the rest: he'll just back down—he'll give you up."
"I can't talk to you about that," said Francie.
"Why not? why is he such a sacred subject, when we are together? You can't alter that. It was too lovely, your standing up for me—your not denying me!"
"You put in things I never said. It seems to me it was very different," the girl remarked.
"Everything is different when it's printed. What else would be the good of papers? Besides, it wasn't I; it was a lady who helps me here—you've heard me speak of her: Miss Topping. She wants so much to know you—she wants to talk with you."
"And will she publish that?" Francie asked, gravely.
​Mr. Flack stared a moment. "Lord, how they have worked on you! And do you think it's bad?"
"Do I think what's bad?"
"Why, the letter we are talking about."
"Well—I don't like it."
"Do you think I was dishonourable?"
The girl made no answer to this, but after a moment she said, "Why do you come here this way—why do you ask me such questions?"
He hesitated; then he broke out: "Because I love you—don't you know that?"
"Oh, please don't!" she almost moaned, turning away.
"Why won't you understand it—why won't you understand the rest? Don't you see how it has worked round—the heartless brutes they've turned into, and the way our life—yours and mine—is bound to be the same? Don't you see the base way they treat you and that I only want to do anything in the world for you?"
Francie made no immediate response to this appeal, but after a moment she began: "Why did you ask me so many questions that day?"
"Because I always ask questions—it's my business to ask them. Haven't you always seen me ask you and ask every one all I could? Don't you know they are the very foundation of my work? I thought you sympathised with my work so much—you used to tell me you did."
​"Well, I did," said Francie.
"You put it in the past, I see. You don't then any more."
If this remark was on her visitor's part the sign of a rare assurance the girl's gentleness was still unruffled by it. She hesitated, she even smiled; then she replied, "Oh yes, I do—only not so much."
"They have worked on you; but I should have thought they would have disgusted you. I don't care—even a little sympathy will do—whatever you've got left." He paused, looking at her, but she remained silent; so he went on: "There was no obligation for you to answer my questions—you might have shut me up, that day, with a word."
"Really?" Francie asked, with all her sweet good faith in her face. "I thought I had to—for fear I should appear ungrateful."
"Ungrateful?"
"Why to you—after what you had done. Don't you remember that it was you that introduced us———?" And she paused, with a kind of weary delicacy.
"Not to those snobs that are screaming like frightened peacocks. I beg your pardon—I haven't that on my conscience!"
"Well, you introduced us to Mr. Waterlow and he introduced us to—to his friends," Francie explained, blushing, as if it were a fault, for the ​inexactness engendered by her magnanimity. "That's why I thought I ought to tell you what you'd like."
"Why, do you suppose if I'd known where that first visit of ours to Waterlow was going to bring you out I'd have taken you within fifty miles———" He stopped suddenly; then in another tone, "Lord, there's no one like you! And you told them it was all you?"
"Never mind what I told them."
"Miss Francie," said George Flack, "if you'll marry me I'll never ask a question again. I'll go into some other business."
"Then you didn't do it on purpose?" Francie asked.
"On purpose?"
"To get me into a quarrel with them—so that I might be free again."
"Well, of all the ideas———!" the young man exclaimed, staring. "Your mind never produced that—it was your sister's."
"Wasn't it natural it should occur to me, since if, as you say, you would never consciously have been the means———"
"Ah, but I was the means!" Mr. Flack interrupted. "We must go, after all, by what did happen."
"Well, I thanked you when I drove with you and let you draw me out. So we're square, aren't we?" The term Francie used was a colloquialism ​generally associated with levity, but her face, as she spoke, was none the less deeply serious—serious even to pain.
"We're square?" Mr. Flack repeated.
"I don't think you ought to ask for anything more. Good-bye."
"Good-bye? Never!" cried the young man.
He had an air of flushing with disappointment which really showed that he had come with a certain confidence of success.
Something in the way Francie repeated her "Good-bye!" indicated that she perceived this and that in the vision of such a confidence there was little to please her. "Do go away!" she broke out.
"Well, I'll come back very soon," said Mr. Flack, taking his hat.
"Please don't—I don't like it." She had now contrived to put a wide space between them.
"Oh, you tormentress!" he groaned. He went toward the door, but before he reached it he turned round. "Will you tell me this, anyway? Are you going to marry Mr. Probert—after this?"
"Do you want to put that in the paper?"
"Of course I do—and say you said it!" Mr. Flack held up his head.
They stood looking at each other across the large room. "Well then—I ain't. There!"
"That's all right," said Mr. Flack, going out.