OpenLLM-France/wikimedia huggingface dataset:
# The Tribes of Burma

Ethnographical Survey of India
BURMA
No. 4
THE TRIBES OF BURMA
BY
C. C. LOWIS, I.C.S.
SUPERINTENDENT, ETHNOGRAPHICAL SURVEY, BURMA
RANGOON
OFFICE OF THE SUPERINTENDENT, GOVERNMENT PRINTING. BURMA
1910
TABLE OF CONTENTS.
A.—The Tibeto-Burmans.
I.—The Western Tibeto-Burmans.
II.—The Eastern Tibeto-Burmans.
B.—The Mon Khmers.
C.—The Siamese-Chinese.
D.—The Salons.
PREPARATORY NOTE
For the purposes of this volume the expression "tribe" is not used in any restricted sense. It merely means such of the collections of the indigenous folk of Burma as have not attained to any measure of political cohesion. It thus excludes the Burmans, the Arakanese and the Takings, all of whom at one time or the other formed real kingdoms under a single ruler, and the Shans, who, though they have never in their present seats been united under a single sovereign, have their recognized territorial rulers. On the other hand, it includes communities like the Yabeins and Danus who have no tribal formation and cannot be looked upon as possessing strictly speaking, tribal characteristics.
Reference has in the following pages been made, where necessary, to the Burmans, the Arakanese, the Shans and the Takings. No attempt, however, has been made to deal with them in detail or to give a list of the main authorities regarding them.
C. C. LOWIS, Supdt., Ethnographical Survey.
This work is in the public domain worldwide because it was created by a public body of the United Kingdom with Crown Status and commercially published before 1975.
See Crown copyright artistic works, Crown copyright non-artistic works and List of Public Bodies with Crown Status.
Public domainPublic domainfalsefalse
# H. RES. 224 Supporting the designation of Pi Day, and for other purposes

H.Res. 224
111th CONGRESS 1st Session

## H. RES. 224

Supporting the designation of Pi Day, and for other purposes.

### IN THE HOUSE OF REPRESENTATIVES

March 9, 2009

### RESOLUTION

Supporting the designation of Pi Day, and for other purposes.
    Resolved, That the House of Representatives—

## Source

Government Printing Office, H. Res. 224
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Poems (Townsend)/Jerusalem

JERUSALEM.
* ↑ This Poem obtained the Chancellor's Medal at the Cambridge Commencement July, 1817.
* ↑ Isai. i. 2.
* ↑ Isai. v. 26, &c. and xxix. 6.
* ↑ Isai. xxix. 3.
* ↑ Idem, 4th verse
* ↑ Psalm lv. 6.
* ↑ 1 Kings, ch. vi. passim.
* ↑ 2 Sam. vii. 4.
* ↑ Josephi Hist. et Tacit. lib. v. c. 13.
* ↑ Psalm cv. and cvi, passim.
* ↑ Isai. liii. 3.
* ↑ Idem, 7th verse.
* ↑ Matt. xxvii. 51, 52.
* ↑ Isai. lii. 1, 2, 9.
* ↑ Rev. xxi. 1, 2, &c.
# A Complete Collection of the English Poems which have obtained the Chancellor's Gold Medal in the University of Cambridge/Jerusalem

JERUSALEM,
BY
CHAUNCY HARE TOWNSHEND, ESQ. FELLOW-COMMONER OF TRINITY HALL.
1817.
* ↑ Isa. i. 2.
* ↑ Isa. v. 26, &c., and xxix. 6.
* ↑ Isa. xxix. 3.
* ↑ Idem 4th verse.
* ↑ Psalm lv. 6.
* ↑ 1 Kings, ch. vi. passim.
* ↑ 2 Sam. vii. 4.
* ↑ Josephi Hist. et Tacit. lib. v. c. 13.
* ↑ Psalm cv. and cvi. passim.
* ↑ Isa. liii. 3.
* ↑ Idem, 7th verse.
* ↑ Matt. xxvii. 51, 52.
* ↑ Isa. lii. 1, 2, 9.
* ↑ Rev, xxi. 1, 2, &c.
# Jerusalem

* Search for titles containing or beginning with: "Jerusalem"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Jerusalem, subtitled "The Emanation of The Giant Albion", a poem by William Blake
* "Jerusalem", an anthem and hymn by William Blake
** The same verse in the preface of Blake's poem Milton
* Jerusalem, a literary guidebook by Laurence Hutton
* "Jerusalem", a work by George Adam Smith
* "Jerusalem", a poem by Chauncey Hare Townshend

### Encyclopaedia articles

* "Jerusalem", in A Dictionary of All Religions and Religious Denominations (1817), by Hannah Adams
* "Jerusalem," in Easton's Bible Dictionary (1897)
* "Jerusalem," in A Dictionary of Music and Musicians, (ed.) by George Grove, London: MacMillan & Co., Ltd. (1900)
* "Jerusalem," in Encyclopædia Britannica (11th ed., 1911)
* "Jerusalem," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
* "Jerusalem," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
# Jerusalem (Townshend)

* "Jerusalem", in Poems (1821)
* "Jerusalem", in A Complete Collection of the English Poems which have obtained the Chancellor's Gold Medal in the University of Cambridge (1859)
# Joint Communiqué on the Establishment of Diplomatic Relations

* information about this edition
* sister projects: Wikipedia article, Wikidata item
The communique was announced simultaneously in Washington (on 9PM EST December 15, 1978) and Beijing (on December 16).
Joint Communique on the Establishment of Diplomatic Relations between the United States of America and the People's Republic of China
January 1, 1979
The United States of America and the People's Republic of China have agreed to recognize each other and to establish diplomatic relations as of January 1, 1979.
The United States of America recognizes the Government of the People's Republic of China as the sole legal Government of China. Within this context, the people of the United States will maintain cultural, commercial, and other unofficial relations with the people of Taiwan.
The United States of America and the People's Republic of China reaffirm the principles agreed on by the two sides in the Shanghai Communique and emphasize once again that:
* Both wish to reduce the danger of international military conflict.
* Neither should seek hegemony in the Asia-Pacific region or in any other region of the world and each is opposed to efforts by any other country or group of countries to establish such hegemony.
* Neither is prepared to negotiate on behalf of any third party or to enter into agreements or understandings with the other directed at other states.
* The Government of the United States of America acknowledges the Chinese position that there is but one China and Taiwan is part of China.
* Both believe that normalization of Sino-American relations is not only in the interest of the Chinese and American peoples but also contributes to the cause of peace in Asia and the world.
The United States of America and the People's Republic of China will exchange Ambassadors and establish Embassies on March 1, 1979.
This work is in the public domain in the U.S. because it is an edict of a government, local or foreign. See § 313.6(C)(2) of the Compendium II: Copyright Office Practices. Such documents include "legislative enactments, judicial decisions, administrative rulings, public ordinances, or similar types of official legal materials" as well as "any translation prepared by a government employee acting within the course of his or her official duties."
These do not include works of the Organization of American States, United Nations, or any of the UN specialized agencies. See Compendium III § 313.6(C)(2) and 17 U.S.C. 104(b)(5).
A non-American governmental edict may still be copyrighted outside the U.S. Similar to {{PD-in-USGov}}, the above U.S. Copyright Office Practice does not prevent U.S. states or localities from holding copyright abroad, depending on foreign copyright laws and regulations.
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# Men and Women (Browning)/Volume 2/In a Balcony/I

IN A BALCONY.
FIRST PART.
# Sououd-e-Melli

* related portals: National anthems, Afghanistan
* sister projects: Wikipedia article, Commons category, Wikidata item
This land is Afghanistan
It is pride of every Afghan
The land of peace, the land of sword
Its sons are all braves
This is the country of every tribe
Land of Baluch, and Uzbeks
Pashtoons, and Hazaras
Turkman and Tajiks
with them, Arabs and Gojars
Pamirian, Nooristanian
Barahawi, and Qizilbash
Also Aimaq, and Pashaye
This Land will shine for ever
Like the sun in the blue sky
In the chest of Asia
It will remain as heart for ever
We will follow the one God
We all say, Allah is great, we all say, Allah is great
# Eudemian Ethics

A highly detailed table of contents exists in the original; the simple one below may be useful until it can be fully transcribed and proofread.
PREFACE
With the permission of Messrs. Teubner I have followed in this translation the text of Susemihl (Leipzig 1884), who here as elsewhere has brought much light by obvious corrections and judicious punctuation. Where readings other than his are adopted they are mentioned with the names of their authors.
In the foot-notes are cited corresponding passages from the Nicomachean Ethics and Magna Moralia. Here the work of Susemihl has been of the greatest assistance.
The Eudemian Ethics and the De Virtutibus et Vitiis have not received much attention from scholars. Mr. Ross's suggestions have been of the greatest use to me; Fritzsche's commentary I have sometimes referred to with advantage, and also to some notes printed by Prof. Henry Jackson and kindly sent me by him some years ago. Prof. Jackson is also the author of an article in the Journal of Philology, xxxii, which has shed a flood of light on the corrupt passage, Bk. Vn, chs. 13, 14. Of course the principal help to the understanding of the two treatises is the Nicomachean Ethics, their resemblances to and differences from which work are of great interest.
J. SOLOMON.

## Eudemian Ethics

* Book I
* Book II
* Book III
* Book IV
* Book V
* Book VI
* Book VII
# Whiteoak

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* White Oak (1921), a silent Western film directed by Lambert Hillyer (scan needed)
* Jalna (1927–1960), also called Whiteoaks, a novel series by Mazo de la Roche
   * Whiteoaks of Jalna (1929), also called Whiteoaks, the second novel in the Jalna series
# The Knickerbocker/Volume 13/Number 5/The Speaking Picture

Layout 2
THE SPEAKING PICTURE.
SUGGESTED BY VANDERLYN'S PORTRAIT OF MRS. ALLSTON, DAUGHTER OF AARON BURR.
L. H.
# The Yellow Book/Volume 13/The Noon of Love

​The Noon of Love
By J. A. Blaikie
i
Eastward each morning,
Ever old, ever new,
The radiant adorning
Of day made for you
Meets me, and lifts me, upspringing
Over crag, over hollow,
Over woodland and meadow,
A glory all heaven, the earth its sun-shadow——
I go with heart singing,
And singing winds follow,
I take my way winging,
Where the gossamers fly, to the sun's gold clinging,
My sweeting, my darling, my One!
Into the gold and the sun.
ii
Unbreathing Noon, the hour of love's dominion,
Falls now, as yesterday, as 'twill to-morrow;
Soft as the amorous dove's uplifted pinion,
Sweet as the fair first sleep of new-born sorrow.
There s not the least small stir on yonder wall
Of grass or fern; hushed is the torrent's throat
Within the dark ravine, and in yon oak
The woodpecker his many-sounding stroke
Has stayed; the windless air bears not one note
To vex the dreaming air this noontide fall.
But we, my love, sleep not, but wake to prove
The inconstant constancy o the noon of love;
My kingdom lost! which once more I regain,
And then do lose with every evening's pain—
A conqueror who takes his spoil, yet yields
More than he wins of Love's ne'er-conquered fields—
Some unimagined treasure there must be
That I from you may draw, or you from me,
Some joy which we from envious time may wrest
That shall make droop the proud o'er-topping crest
Of yesterday; and so the exhaustless store
Offers fresh marvels of love-lure and lore.
Thus ours full harvest is; our noon of love
Nor afternoon nor aftermath may know,
With changeless change it does our spirits move
And of love s hours eternises the flow:
Better than best of what is past, O Day!
Until thou diest with thy last rose-ray,
Better than best until to-morrow shines
A-quivering through yon purple band of pines,
Ever the best, beneath noon's ripened skies,
O Spirit and Heart that me imparadise!
iii
Westward each nightfall
When white lies the dew,
Where the stream makes a bright fall
Of moon-rays for you;
While the night wind goes sighing
Over crag, over hollow,
Like a ghostly replying
To the snowy owl s crying,
I the white waters follow;
With lips still sweet from sweet lips kist,
Like a spirit I pass
O'er the gleaming grass
Into the moon and the mist.
# The Yellow Book/Volume 6/A Song

​A Song
By Dollie Radford
Outside the hedge of roses Which walls my garden round, And many a flower encloses, Lies fresh unfurrowed ground.
I have not delved, nor planted, In that strange land, nor come
To sow in soil enchanted
Sweet promises of bloom.
My labours all have ended Within my fragrant wall, The blossoms I have tended
Have grown so sweet and tall.
But now in silver showers
Your laughter falls on me, And fairer than all flowers
Your flower-face I see.
And bound no more by roses, I break my barrier through, And leave all it encloses, Dear one, to follow you.
# The Yellow Book/Volume 2/A Song

​Song
By Dollie Radford
I COULD not through the burning day In hope prevail, Beside my task I could not stay If love should fail.
Nor underneath the evening sky, When labours cease, Fold both my tired hands and lie At last in peace.
Ah! what to me in death or life Could then avail? I dare not ask for rest or strife If love should fail.
# The Yellow Book/Volume 6/Mars

Mars
A Medley
By Rose Haig Thomas
Not this cold grey world for me With its dull monotony Of sombre land and sea.
No! a mad career In another sphere, Rather than linger here.
Then heigh for rosy Mars! The king of all the stars! Where prisms play Pranks with the day— There would I stay, Where light is dark, and darkness bright,
And wisdom folly, weakness might. Where right is wrong, and wrong made right, Where night is day, and day is night, And the night glows rich with a warm red light.
​So heigh for rosy Mars The king of all the stars! Where purple fish leap in a scarlet sea, In sportive play; Where deep waves roll, wine-red as Burgundy. Throughout the day Across the blazing heavens sails an azure sun; How his cerulean shades Melt into mauve among the rosy blades! And blood-red trees their golden shadows write Over the violet glades.
There winged beings green as malachite Flit in and out the cooling turquoise light At the high noon. And when the sun sets deeply darkly blue, Bathing the bloody blades in opal dew, Falls on a scarlet world a golden night, Wherein slow riseth into sight No pale-faced moon. With giddy circlings, a strange steel-blue And star-shaped satellite Whirls through the golden blare. As nervous starfish shun the touch, So shoot her shrinking fingers forth, Point East and South, point West and North, Her mazy moving radiants such A thousand changes wear. They flash from her steely shield Like a myriad scimitars, As she laces her golden field ​With its splutter of blue black stars.
Thus is the gamut set
From palest orange unto purplest jet.
Then the malachite beings grow glittering bronze
With feeling, with passion, agleam, aglow,
In touch with their molten rosy world.
Green fire flashes from their jewelled breasts,
Where flame a thousand ages,
Whilst their broad pinions spread, quiver to the quill.
Forth from each beauteous head leap forked tongues ;
A rushing sound as music of a stream
Stirs the still air with sweet strange speech
That writes its meanings on the atmosphere.
The flashing hieroglyphics scintillate,
Among the purple shades, fork-lightning quick.
Between the waving wings
The younger beings feel and see and hear,
And on their brains the branded image sinks
Of quiv'ring naked knowledge newly born.
The seeming solid ground uncertain heaves,
Stretching to slender threads the pliant chain,
The easy fetters of a lessened gravity.
These buoyant beings rise and madly dance
Wide stepping as the winds, their waving wings
Mingling in one green cloud,
Which bronzing in the golden night
Drifts out of sight.
​Gone is the scarlet sea,
The azure day,
And my rainbow reverie
Fades into grey.
# The Hour of the Dragon

The Hour of the Dragon is one of the original stories by Howard and his only full length novel about Conan the Cimmerian. Originally written for a British publisher Dennis Archer, it was later published as a five part serial in Weird Tales between the months of December 1935 to April 1936 after the initial publisher folded. It is considered by many to be one of his best works.Warning: template has been deprecated.
The Lion banner sways and falls in the horror-haunted gloom; A scarlet Dragon rustles by, borne on winds of doom. In heaps the shining horsemen lie, where the thrusting lances break, And deep in the haunted mountains, the lost, black gods awake. Dead hands grope in the shadows, the stars turn pale with fright, For this is the Dragon's Hour, the triumph of Fear and Night.

## Contents

* Chapter 1: O Sleeper, Awake!
* Chapter 2: The Black Wind Blows
* Chapter 3: The Cliffs Reel
* Chapter 4: "From What Hell Have You Crawled?"
* Chapter 5: The Haunter of the Pits
* Chapter 6: The Thrust of a Knife
* Chapter 7: The Rending of the Veil
* Chapter 8: Dying Embers
* Chapter 9: "It Is the King or His Ghost!"
* Chapter 10: A Coin from Acheron
* Chapter 11: Swords of the South
* Chapter 12: The Fang of the Dragon
* Chapter 13: "A Ghost Out of the Past"
* Chapter 14: The Black Hand of Set
* Chapter 15: The Return of the Corsair
* Chapter 16: Black-Walled Khemi
* Chapter 17: "He Has Slain the Sacred Son of Set!"
* Chapter 18: "I Am the Woman Who Never Died"
* Chapter 19: In the Hall of the Dead
* Chapter 20: Out of the Dust Shall Acheron Arise
* Chapter 21: Drums of Peril
* Chapter 22: The Road to Acheron
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1935 could have had their copyright renewed in 1962 or 1963, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1964.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 88 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Jewels of Gwahlur

First published in Weird Tales, March 1935. Alternative titles: "Teeth of Gwahlur" & "The Servants of Bit-Yakin"

## Contents

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1935 could have had their copyright renewed in 1962 or 1963, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1964.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 88 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# The Yellow Book/Volume 6/A Madrigal

A Madrigal
By Olive Custance
Ah! leave my soul like forest pool
In shadow smiling unafraid— Let not thy laughter stir its cool Clear depths, sweet maid, Let not, I pray, thy sunlike hair Pierce to the thoughts that slumber there!
My soul is still as summer noon— Its inmost shrines are full of sleep; But when the stars of dreamland swoon 'Twill wake and weep; The dawn of Love that brings thy blue Bright eyes, will bring a sorrow too!
My soul is silent—trouble not Its secret reveries with thy songs. The rare red tint thy lips have got! The whole world longs To kiss them—therefore speak not, dear; My soul must struggle, should it hear. *****
​I see thee, and my soul is swung
In golden trances of delight ;
I hear thee, and my tremulous tongue
Hurls forth a flight
Of bird-like songs, saluting thee.
Oh, come and dwell and dream with me.
# The Yellow Book/Volume 5/Hymn to the Sea

Hymn to the Sea
By William Watson
# The Yellow Book/Volume 5/A Song

Song
By Richard Le Gallienne
# The Yellow Book/Volume 5/Two Songs

Two Songs
By Rosamund Marriott-Watson
I—Requiescat
# The Yellow Book/Volume 5/Perennial

Perennial
By Ernest Wentworth
# The Yellow Book/Volume 5/Refrains

Refrains
By Leila Macdonald
" . . . Whereupon coming to the bars of his window and looking out, he did begin to weep and lament him, and cry out on the good sun that shone even into the King's prison. But most he did bewail that no one should pay heed to his death. . . ."
# The Yellow Book/Volume 4/Red Rose

Red Rose
By Leila Macdonald
Layout 2