OpenLLM-France/wikimedia huggingface dataset:
# Lost

* Search for titles containing or beginning with: "Lost."
* sister projects: Wikipedia article, Commons category, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Lost, a poem by Elizabeth Akers Allen
* Lost, poem by G. K. Chesterton
* "Lost", a poem by Mary Louisa Chitwood
* Lost, poem by Emily Dickinson
* Lost, poem by Richard Watson Gilder
* Lost, a poem by Martha Lavinia Hoffman
* Lost, poem by Banjo Paterson
* Lost, poem by John Cowper Powys
* Lost, poem by Robert W. Service
* Lost, poem by Charles Hamilton Sorley
* Lost, a poem by Clara Augusta Jones Trask
# Last Days

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Last Days", a poem by Alice Emily Argent
* "Last Days", a poem by Elizabeth Stoddard
# The Message

* Search for titles containing or beginning with: "The Message."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Message", a short story by Honoré de Balzac
* "The Message", a poem by John Donne
* "The Message", a poem by Nora May French
* "A Message", a poem by Robert Grant
* "The Message", a poem by Heinrich Heine
* "The Message", an anonymous poem translated by Letitia Elizabeth Landon
* "The Message", a poem by Elizabeth Stoddard
* "Message", a poem by Sara Teasdale
* The Message, a novel by Louis Tracy
* "The Message", a poem by George Edward Woodberry
# Autumn Flowers

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Autumn Flowers", a poem by Mary Louisa Chitwood
* "Autumn Flowers", a poem by Helen Truesdell
# United States Reports/Volume 360

* 360 U.S. 1 (1959) Smith v. United States
* 360 U.S. 19 (1959) United States v. Atlantic Refining Company
* 360 U.S. 25 (1959) Louisiana Power & Light Company v. City of Thibodaux
* 360 U.S. 45 (1959) Lassiter v. Northampton County Board of Elections
* 360 U.S. 55 (1959) Federal Trade Commission v. Simplicity Pattern Company
* 360 U.S. 72 (1959) Uphaus v. Wyman
* 360 U.S. 109 (1959) Barenblatt v. United States
* 360 U.S. 167 (1959) Harrison v. National Association for the Advancement of Colored People
* 360 U.S. 185 (1959) County of Allegheny v. Frank Mashuda Company
* 360 U.S. 203 (1959) National Labor Relations Board v. Cabot Carbon Company
* 360 U.S. 219 (1959) Martin v. Creasy
* 360 U.S. 230 (1959) Mills v. Louisiana
* 360 U.S. 240 (1959) National Association for the Advancement of Colored People v. Alabama ex rel. Patterson
* 360 U.S. 246 (1959) Ohio ex rel. Eaton v. Price
* 360 U.S. 251 (1959) Ford Motor Company v. Park
* 360 U.S. 252 (1959) Burns v. Ohio
* 360 U.S. 264 (1959) Napue v. Illinois
* 360 U.S. 273 (1959) Magenau v. Aetna Freight Lines, Inc.
* 360 U.S. 287 (1959) Anonymous v. Baker
* 360 U.S. 301 (1959) National Labor Relations Board v. Fant Milling Company
* 360 U.S. 310 (1959) Marshall v. United States
* 360 U.S. 315 (1959) Spano v. New York
* 360 U.S. 328 (1959) United States v. 93970 Acres of Land
* 360 U.S. 334 (1959) Safeway Stores Incorporated v. Oklahoma Retail Grocers Association, Inc.
* 360 U.S. 343 (1959) Palermo v. United States
* 360 U.S. 367 (1959) Rosenberg v. United States
* 360 U.S. 378 (1959) Atlantic Refining Company v. Public Service Commission of New York
* 360 U.S. 395 (1959) Pittsburgh Plate Glass Company v. United States
* 360 U.S. 411 (1959) Southwestern Sugar and Molasses Company v. River Terminals Corporation
* 360 U.S. 423 (1959) Raley v. Ohio
* 360 U.S. 446 (1959) Commissioner of Internal Revenue v. Hansen
* 360 U.S. 470 (1959) Lev v. United States
* 360 U.S. 471 (1959) National Association for the Advancement of Colored People v. Bennett
* 360 U.S. 472 (1959) Cofield v. United States
* 360 U.S. 474 (1959) Greene v. McElroy
* 360 U.S. 525 (1959) Farmers Educational & Cooperative Union of America, North Dakota Division v. Wday, Inc.
* 360 U.S. 548 (1959) Pennsylvania Railroad Company v. Day
* 360 U.S. 564 (1959) Barr v. Matteo (360 U.S. 564)
* 360 U.S. 593 (1959) Howard v. Lyons
* 360 U.S. 601 (1959) Union Pacific Railroad Company v. Price
* 360 U.S. 622 (1959) In re Sawyer
* 360 U.S. 672 (1959) Ingram v. United States
* 360 U.S. 684 (1959) Kingsley International Pictures Corporation v. Regents of the University of the State of New York
* 360 U.S. 709 (1959) Taylor v. McElroy
* 360 U.S. 712 (1959) Wisconsin v. Illinois
* 360 U.S. 715 (1959) United States v. Hine Pontiac
* 360 U.S. 924 (1959) Scales v. United States
# Lyrics of Sunshine and Shadow/The River of Ruin

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THE RIVER OF RUIN
# Lyrics of Sunshine and Shadow/When a Feller's Itchin' to Be Spanked

Layout 2
WHEN A FELLER'S ITCHIN' TO BE SPANKED
# The Poetical Works of Leigh Hunt/The Panther

THE PANTHER.
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# Barr v. Matteo (360 U.S. 564)

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article.
Barr v. Matteo, 360 U.S. 564 (1959), was a United States Supreme Court case concerning legal immunity for officers of the executive branch. The Court held that when a federal government official issues a press release or other public statement about an aspect of their official duties, they are absolutely immune from libel suits—at least so long as the libel suit was not authorized by Congress, per Justice Hugo Black, whose concurring opinion provided the decisive fifth vote for immunity. The case originated when John J. Madigan and Linda Matteo, two former employees of the Office of Rent Stabilization, sued acting director William G. Barr over statements he made about them in a press release. In the Supreme Court's plurality opinion for four of five justices in the majority, Justice John Marshall Harlan II said that Barr was immune from being sued over the contents of his press release because his issuance of that press release was within the "outer perimeter" of his official duties. Harlan's opinion further asserted that federal officials "should be free to exercise their duties unembarrassed by the fear of damage suits in respect of acts done in the course of those duties."

## Concurring Opinion

    Black

## Dissenting Opinions

    Warren
    Brennan
    Stewart
Supreme Court of the United States
360 U.S. 564
Barr v. Matteo et al.
Certiorari to the United States Court of Appeals for the District of Columbia Circuit
No. 350. Argued: April 29, 1959 --- Decided: June 29, 1959
When petitioner was Acting Director of the Office of Rent Stabilization and respondents were subordinate officials of the same office, petitioner caused to be issued a press release announcing his intention to suspend respondents because of the part which they had played in formulating a plan for the utilization of certain agency funds. The plan had been severely criticized on the floor of Congress, and the congressional criticism had been widely reported in the press. Respondents sued petitioner for libel, alleging malice.
Held: Petitioner's plea of absolute privilege in defense of the alleged libel must be sustained. Pp. 564-578.
103 U.S. App. D.C. 176, 256 F. 2d 890, reversed.
For judgment of the Court and opinion of MR. JUSTICE HARLAN, joined by MR. JUSTICE FRANKFURTER, MR. JUSTICE CLARK, and MR. JUSTICE WHITTAKER, see pp. 564-576.
For concurring opinion of MR. JUSTICE BLACK, see p. 576.
For dissenting opinion of MR. CHIEF JUSTICE WARREN, joined by MR. JUSTICE DOUGLAS, see p. 578.
For dissenting opinion of MR. JUSTICE BRENNAN, see p. 586.
For dissenting opinion of MR. JUSTICE STEWART, see p. 592.
Daniel M. Friedman argued the cause for petitioner. On the brief were Solicitor General Rankin, Assistant Attorney General Doub, Samuel D. Slade and Bernard Cedarbaum.
Byron N. Scott argued the cause for respondents. With him on the brief was Richard A. Mehler.
# European Elegies/Autumn (2)/In a cemetery

95.IN A CEMETERY
From the Czech of Jaroslav Havliček.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# European Elegies/Winter/Written in a new cemetery

49.WRITTEN IN A NEW CEMETERY
From the Czech of Josef Kálal.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Poems (Probyn)/Forgotten polly

POEMS.
# Sudden Death

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Sudden death", a poem by May Probyn
* "Sudden Death", a poem by Amelia Welby
# Arizona Republic/1949/Polio Fails To Stop Snuffy's Owners

John Howard Lindauer (1904-1954) in Arizona Republic on 30 November 1949.
Polio Fails To Stop Snuffy's Owners. Polio almost prevented these three youngsters from entering their pet pup, Snuffy, in the Rotary Club mutt show Saturday. Teddy, John and Ruth Lindauer, children of Mr. and Mrs. Jack Lindauer of 4620 North 10th street, all were stricken with the disease in September. Complete recovery of all of them makes it possible for them to enter Snuffy in competition for the best wagon puller.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# The Soldier's Departure/The Soldier's Departure

THE SOLDIER's DEPARTURE
# The Soldier's Departure/I Hae Lost My Jeanie, O

I HAE LOST MY JEANIE, O.
Tune, 'The Lee Rigg.'
# The Soldier's Departure

There are differences between the titles given on title page and those at the head of each song. Where this is the case, the latter have been used.
The Soldier's Departure,
THE DAY RETURNS.
I hae lost my Jeanie O,
The BUD on the BRIER.
Ca' the Ewes, &c.
AND
MARY'S DREAM.
SOLD WHOLESALE BY J. FRASER & CO. PRINTERS, STIRLING.
* The Soldier's Departure
* The Day Returns
* I Hae Lost My Jeanie, O
* The Bud on the Brier
* Ca' the Ewes to the Knowes
* Mary's Dream
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Soldier's Departure/Ca' the Ewes to the Knowes

CA' THE EWES TO THE KNOWES.
# The Soldier's Departure/The Bud on the Brier

THE BUD ON THE BRIER.
# The Day Returns

* "The Day Returns", in The Soldier's Departure (n.d.), a chapbook printed in Stirling
* "The Day returns", in Seven Select Songs (n.d.), a chapbook printed in Edinburgh
* "The Day Returns", in Tak your auld cloak about ye (n.d.), a chapbook printed in Glasgow
* "The day returns", in I had a horse (1820), a chapbook printed in Edinburgh
* "The Day Returns", in Welcome Charlie o'er the main (1826), a chapbook printed in Stirling
* "The Day Returns", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
* "The Blissful Day", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
# The Soldier's Departure/The Day Returns

THE DAY RETURNS.
# Tak your auld cloak about ye (2)/The Braes of Yarrow

THE BRAES OF YARROW.
⟨Busk⟩ ye, busk ye, my bonnie bride, Busk ye, busk ye, my winsome marrow; ⟨Busk⟩ ye, busk ye, my bonnie bride, And let us to the braes of Yarrow. ⟨There⟩ will we sport and gather dew, Dancing while lay'rocks sing in the morning; ⟨There⟩ learn frae turtles to prove true, O Bell, ne'er vex me with thy scorning.
​To westlin breezes Flora yields, And when the beams are kindly ⟨warming⟩, Blytheness appears o'er all the fields, And nature looks mair fair and ⟨charming⟩: Learn frae the burns, that trace ⟨the⟩ mead, Tho' on their banks the roses ⟨blossom⟩ Yet hastilie they flow to Tweed, And pour their sweetness in his ⟨bosom⟩.
Haste ye, haste ye, my bonnie Bell, Haste to my arms, and there I'll ⟨guard⟩ thee; With free consent my fears repel, I'll with my love and care reward ⟨thee⟩ Thus sang I saſtly to my fair, Wha rais'd my hopes wi' kind ⟨relenting⟩: O queen of smiles! I ask nae mair, Since now my bonnie Bell's ⟨consenting⟩.
# Tak your auld cloak about ye (2)/The Day Returns

THE DAY RETURNS.
The day returns, my bosom burns, The blissful day we twa did meet; ​Tho' winter wild in tempest toil'd, Ne'er summer sun was half sae ⟨sweet⟩ Than a' the pride that loads the tide, And crosses o'er the sultry line; Than kingly robes, than crowns ⟨and⟩ globes, Heaven gave me more—it gave ⟨made⟩ thee mine.
While day and night can bring ⟨delight⟩ Or nature aught of pleasure give; While joys above my mind can move For thee, and thee alone, I live! When that grim fee of life below Comes in between to make us part; The iron hand that breaks our band, It breaks my bliss, it breaks my ⟨heart⟩.
# Tak your auld cloak about ye (2)/Tak Your Auld Cloak About Ye

TAK YOUR AULD CLOAK ABOUT YE.
In winter when the rain rain'd cauld, And frost and snaw on ilka hill, And Boreas, wi' his blast sae bauld, Was threat'ning a' our kye to kill; Then Bell, my wife, wha loes na ⟨strife⟩ She said to me right hastilie, Get up, goodman, save Crumie's life And tak your auld cloak about ye.
My Crumie is a usefu' cow, And she is come of a good kin'; Aft has she wet the bairns' mou, And I am laith that she should ty Get up, goodman, it is fu' time, The sun shines frae the lift sae hie Sloth never made a gracious end, Go tak your auld cloak about ye.
My cloak was ance a good grey ⟨cloak⟩ When it was fitting for my wear; But now its scantly worth a groat, For I hae worn't this thretty year Let's spend the gear that we hae won, We little ken the day we'll die; ​⟨Then⟩ I'll be proud, since I hae sworn To hae a new cloak about me.
⟨In⟩ days when our King Robert rang, His trews they cost but half a crown; ⟨He⟩ said they were a groat owre dear, And ca'd the taylor thief and loon: ⟨He⟩ was the king that wore a crown, And thou'rt a man of laigh degree; ⟨'Tis⟩ pride puts a' the country down, Sae tak your auld cloak about ye.
⟨Every⟩ land has its ain laugh, Ilk kind of corn has its ain hool; ⟨I⟩ think the warld is a' gaun daft, When ilka wife her man wad rule. Do ye not see Rob, Jock, and Hab, How they are girded gallantlie, While I sit hurklen in the ase; I'll hae a new cloak about me.
⟨Goodman⟩, I wat 'tis thretty years Since we did ane anither ken; ⟨And⟩ we hae had atween us twa, O'lads and bonny lasses ten: Now they are women grown and men, I wish and pray weel may they be; ​And why will thou thysell misken? E'en tak your auld cloak about ye.
Bell, my wife, she loes na strife, But she was guide me, if she can, And to maintain an easy life, I aft maun yield, tho' I'm goodman: Nought's to be won at woman's hand, Unless ye gie her a' the plea; Sae I leave aft whar I began, And tak my auld cloak about me.
# Tak your auld cloak about ye (2)/Jockie to the Fair

JOCKIE TO THE FAIR.
'Twas on the morn of sweet May-day, When nature painted all things gay, Taught birds to sing, and lambs to play, And gild the meadows fair; Young Jockie, with the early dawn, Arose, and tipped it o'er the lawn, His Sunday's coat the youth put on, For Jenny had vow'd away to run, With Jockite to the fair. for Jenny lead vow'd, &c.
The cheerful parish bells had rang; With eager steps he trudg'd along, ​While flow'ry garlands round him hung, Which shepherds us'd to wear: He tap't the window, Haste my dear, ⟨Jenny⟩, impatient, cried Who's there? Tis I, my love, and no one near, ⟨Step⟩ gently down, ye've nought to fear, With Jockie to the fair. Step gently down, &c.
⟨My⟩ dad and mam are fast asleep, ⟨My⟩ brother's up, and with the sheep, ⟨And⟩ will you still your promise keep, Which I have heard you swear? ⟨And⟩ will you ever constant prove? ⟨I⟩ will, by all the powers above! ⟨And⟩ ne'er deceive my charming dove; ⟨Dispel⟩ those doubts, and haste, my love With Jockie to the fair. Dispel these doubts, &c.
⟨Behold⟩ the ring, the shepherd cried, ⟨Will⟩ Jenny be my charming bride, ⟨Let⟩ Cupid be our happy guide, And Hymen meet us there. ⟨When⟩ Jockie did his vows renew, ⟨He⟩ would be constant, would be true, ⟨His⟩ word he pledg’d, away they flew ​⟨O'er⟩ cowslips tipt with balmy dew, With Jockie to the fair. O'er cowslips tipt, &c.
⟨In⟩ raptures meet the joyful throng ⟨Their⟩ gay companions blythe & young, ⟨Each⟩ joins the dance each joins the song To hail the happy pair. ⟨In⟩ turns there's none so fond as they, ⟨They⟩ bless the kind propitious day, ⟨The⟩ smiling morn of blooming May, ⟨When⟩ lovely Jenny ran away With Jockie to the fair. When lovely Jenny, &c.
# Welcome Charlie o'er the main/The Day Returns

THE DAY RETURNS.
The day returns, my bosom burns, The blissful day we twa did meet; Tho’ winter wild in tempest toil’d, Ne’er summer sun was hauf sae sweet. Than a’ the pride that loads the tide, And crosses o’er the sultry line, ​Than kingly robes, than crowns and globes, Heav'n gave me more it made thee mine.
While day and night can bring delight, Or nature aught of pleasure give; While joy above my mind can move, For thee and thee alone I live. When that grim foe of life below, Comes in between to make us part, The iron hand that breaks our band, It breaks my bliss———it breaks my heart.
# Welcome Charlie o'er the main/Welcome Charlie O'er The Main

WELCOME CHARLIE O'ER THE MAIN.
Arouse, arouse each kilted clan! Let Highland hearts lead on the van, And forward wi' their durks in han’ To fight for Royal Charlie. Welcome Charlie o'er the main, Our Highland hills are a' your ain, Welcome to your Isle again; O welcome Royal Charlie!
Auld Scotia's sons 'mong Highland hills, Can nobly brave the face o’ ills, For kindred fire ilk bosom fills, At sight of Royal Charlie. Welcome Charlie, &c.
The ancient thistle wags her pow, And proudly waves o'er dale and knowe, To hear the oath and sacred vow——— We'll live and die for Charlie. Welcome Charlie, &c.
Rejoic'd to think nae foreign weed, Shall trample on our kindred seed; ​For weel she kens her sons will bleed, Or fix his throne right fairly. Welcome Charlie, &c.
Amang the wilds o' Caledon, Breathes there a base degenerate son, Wha would not to his standard run, And rally round Prince Charlie? Welcome Charlie, &c.
Then let the flowing quaich go round, And loudly let the Pibroch sound, Till every glen and rock resound The name o’ Royal Charlie. Welcome Charlie o’er the main. Our Highland hills are a' your ain; Welcome to your throne again, O welcome Royal Charlie.
# Welcome Charlie o'er the main/The Sailor Boy

THE SAILOR BOY.
To Davy Jones old dad was gone, And mother likewise dead, When little I was left alone, To labour for my bread. No matter, I ne'er pip'd my eye. Thof care attach'd me sore, But soon become a sailor boy, And left all care on shore.
All danger did I smiling scorn, And swiggʻd the flowing can, And prov'd myself from stem to stern, A sailor and a man. ​To Indies, east and west, I sail'd, The line I cross'd o'er and oʻer, Ere on my native beach I hail‘d, My Pretty Poll on shore.
We jiggʻd it at a merry dance, And both dislik'd to part, My timbers stout may start by chance, But English oak my heart. Then let but fortune cheerly smile, And hand me gold galore, Why, all the sum of all my toil, Is pretty Poll on shore.
# Welcome Charlie o'er the main/Hills Of Gallowa

HILLS OF GALLOWA.
Amang the birks sae blythe and gay, I met my Julia hameward gaun; The linties chantit on the spray, The lammies lowpit on the lawn; On ilka swaird the hay was mawn, The braes wi' gowans buskit braw; And gloamin's plaid o' grey was thrawn, Out o'er the hills of Gallowa.
Wi' music wild the woodlands rang, And fragrance winged alang the lee, ​When down we sat, the flowers amang, Upon the banks of stately Dee. My Julia's arms encircled me; Then sweetly slade the hours awa, Till dawnin' cost a glimmerin' ee, Upon the hills o' Gallowa.
It is nae owsen, sheep and kye, It is nae gowd it is nae gear, This lifted ee wad hae quoth I, The warld's drumlie gloom to chear; But gie to me my Julia dear, Ye pow'rs wha rule this earthen ba And O sae blythe thro' life I'll steer, Amang the hills o' Gallowa.
When gloamin' daunders up the hill, And our gudeman ca's hame the cows; Wi' her I'll trace the mossy rill, That thro' the rashes dimpled rows; Or tint amang the scroggy knowes, My birken pipe I'll sweetly blaw. And sing the streams, the straths, the howes, The hills and dales o’ Gallowa.
And when auld Scotland's heathy hills, Her rural nymphs and jovial swains, Her flowery wilds and wimpling rills, Awake nae mair my cantie streams; ​Where friendship dwells and freedom reigns, Where heather blooms and moor-cocks craw, O dig my grave, and lay my bones, Amang the hills o’ Gallowa.
# Welcome Charlie o'er the main/Oh Nancy Wilt Thou Fly With Me

OH NANNY WILT THOU FLY WITH ME.
Oh Nanny, wilt thou fly with me, nor sigh to leave the charming town, Can silent glens have charms for thee, the lowly cote and russet gown. No longer drest in silken sheen, no longer deck'd with jewels rare? Say, canst thou quit the busy scene, where thou wert fairest of the fair. Where thou art fairest, where thou art fairest where thou wert fairest of the fair.
Oh Nanny when thou'rt far awa, do thou not cast a wish behind? Say, canst thou face the flaky snaw, nor shrink before the warping wind, O can that saft and gentlest mien, severest hardships learn to bear, Nor, sad regret each courtly scene,
​O Nanny can'st thou love so true, thro‘ perils keen wi' me to gae, Or when thy swain mishap shall rue, to share wi‘ him the pangs o‘ wae. And when invading pains befal, wilt thou assume the nurse's care; Nor wishful, those gay scenes recal, where thou wert fairest of the fair.
And when, at last, thy love shall die, wilt thou receive his parting breath, Wilt thou repress each struggling sigh, and cheer with smiles the bed of death. And wilt thou o’er his much lov’d clay, strew flowers, and drop the the tender tear, Nor then regret those scenes so gay, where thou wert fairest of the fair.
# The True Hearted Maiden

* "The True Hearted Maiden", in The True Hearted Maiden (1802), a chapbook printed in Glasgow
* "The True Hearted Maiden", in The Happy Stranger, or, The Fortunate Meeting (1802), a chapbook printed in Glasgow
* "The True-Hearted Maiden", in Fair maid in bedlam, or, The deceitful Irish boy (1803), a chapbook printed in Glasgow
* "The True Hearted Maiden", in The Sailor's Return (1806), a chapbook printed in Glasgow
# The Female Soldier

* "The Female Soldier", in The Happy Stranger, or, The Fortunate Meeting (1802), a chapbook printed in Glasgow
* "The Female Soldier", in Fair maid in bedlam, or, The deceitful Irish boy (1803), a chapbook printed in Glasgow
* "The Female Soldier", in The Sailor's Return (1806), a chapbook printed in Glasgow