OpenLLM-France/wikimedia huggingface dataset:
# The Hen-peck'd husband, or, Easy John/The Hen-peck'd husband, or, Easy John

The HEN-PECK'D HUSBAND.
YOUNG men and wives I pray attend, while I relate my ditty, A wife I have, I do declare, ſhe's neither handſome, good-natur'd, nor witty.
For better for worſe I took my wife, all joys of life with me miſcarry'd, I oft-times wiſh'd, but wiſh'd in vain, that to her I had ne'er been marry'd.
On Mondy morning, ere it is light, like a ⟨horſe⟩ then I do labour And when that I come home at night, madam's goſſiping with each neighbour.
The fire is out, the bed's unmade, on her coming home I'm oblig'd to tarry, And when ſhe does, theſe words ſhe ſays, I'll make you rue you e’er did marry.
I am your wife, your lawful wife, to maintain me you muſt endeavour. I call her jewel, dear, and wife, but all theſe loving words won't pleaſe'er.
Then with a ſtool ſhe combs my ears, my coat to the pawnbroker carries, I oft-times wiſh, and wiſh in vain, that I had ne'er been marry'd.
​On Sunday morning ſhe does begin, as ſoon as e'er her eyes are open, Come riſe up John, and fetch ſome gin, dear me, I think you're quite provoking.
Your ſhitren clouts I waſh and dry, rock the cradle, and tend the fire, The chamber-pot then at me does fly, crying, You dog, then take your hire.
I've got the cholic, fetch more gin in, whilſt I’m gone then comes young Harry; My horns to complete is the next thing, if this is wedlock, then who would marry?
Then I hurry'd back with the gin, thinking to gain my dear wife's favour, She calls me her contented buck, and bids me drink to my neighbour.
Then from my ſight, ſhe ſays, begone; the Devil take both her and Harry, It would be well for Easy John, believe me, I never more would marry.
# The Hen-peck'd husband, or, Easy John/Cupid's pastime

CUPID'S PASTIME.
IT chanc'd of late a ſhepherd ſwain, that went to ſeek his ſtraying ſheep, Within a thicket on a plain, eſpy'd a dainty maid aſleep.
Her golden hair o'erſpread her face; her careleſs arms abroad were caſt: ​Her quiver had her pillow's place; her breaſt lay bare to ev'ry blaſt.
The ſhepherd ſtood and gaz'd his fill; nought durſt he do, nought durſt he ſay, Whilſt chance, or elſe perhaps his will, did guide the god of love that way.
The crafty boy thus ſees her ſleep whom if ſhe wak'd he durſt not ſee; Behind her cloſely ſeeks to creep, before her nap could ended be.
There come, he ſteals her ſhafts away, and puts his own into their place; Nor dares he any longer ſtay, but ere ſhe wakes, he's hence away.
Scarce was he gone, but ſhe awakes, and ſpies the ſhepherd ſtanding by; Her bended bow in haſte ſhe takes, and at the ſimple ſwain lets fly.
Forth flew the ſhaft, and pierc'd his heart, that to the ground he fell with pain; Yet up again forthwith he ſtarts. and to the nymph he ran amain.
Amaz'd to ſee ſo ſtrange a ſight, ſhe ſhot, and ſhot. but all in vain: The more his wounds, the more his might, love yielded ſtrength amidſt his pain.
Her angry eyes were great with tears, ſhe blam'd her hands, ſhe blam'd her ſkill, ​The bluntneſs of her ſhafts ſhe fears, and try them on herſelf ſhe will.
Take heed ſweet nymph, try not thy ſhafts, each little touch will pierce thy heart; Alas! thou know’ſt not Cupid's craft; revenge is joy; the end is ſmart.
Yet try ſhe will, and pierce ſome bare: her hands were glov'd, but next hand, Was that fair breaſt, that breaſt ſo rare, that made the ſhepherd ſenſeleſs ſtand.
That breaſt ſhe pierc'd, and thro' that breaſt, love found an entry to her heart; At feeling of this new come gueſt, oh! how this gentle nymph did ſtart!
She runs not now; ſhe ſhoots no more; away ſhe throws both ſhaft and bow; She ſeeks for what ſhe ſhun'd before, ſhe thinks the ſhepherd's haſte too ſlow.
Though mountains meet not, lovers may; what other lovers do, did they; The God of love ſat on a tree, and laugh'd that pleaſant ſight to ſee.
# The Hen-peck'd husband, or, Easy John/The sailor's journal

⟨The⟩ SAILOR'S JOURNAL.
’TWAS poſt meridian half paſt four, by ſignal I from Nancy parted, At fix ſhe linger'd on the ſhore, with uplift hands, and broken hearted; ​At ſeven, while tautning the fore-ſtay, I ſaw her faint, or elſe 'twas fancy, At eight we all got under weigh, and bid a long adieu to Nancy.
Night came and now eight bells had rung, where careleſs ſailors ever cheerly, On the mid-watch, ſo jovial ſung, with tempers, labour cannot weary; I little to their mirth inclin'd, while tender thoughts ruſh'd on my fancy, And my warm ſighs increas'd the wind, look'd on the moon, & thought on Nancy.
And now arriv'd that jovial night, when ev'ry true-bred tar carouſes, When o'er the grog all hands delight, to toſs their ſweethearts and their ſpouſes. Round went the cup, the jeſt, the glee, while tender wiſhes fill’d each fancy, And when in turn it came to me, I heav'd a ſigh and toaſted Nancy.
Next morn a ſtorm came on at four, at ſix, the elements in motion, Plung'd me, and three poor ſailors more, headlong within the foaming ocean; Poor wretches they ſoon found their graves, for me it may be only fancy, But Love ſeem'd to forbid the waves, to match me from the arms of Nancy.
Scarce the foul hurricane was clear'd, fearce winds and waves had ceas'd to rattle ​When a bold enemy appear'd, and dauntleſs we prepar'd for battle; And now, while ſome lov'd friend or wife, like light’ning ruſh’d on every fancy. To Providence I truſted life. put up a prayer, put up a prayer, and thought on Nancy.
At laſt, 'twas in the month of May, the crew, it being lovely weather, At three A. M. diſcover’d day, and England's chalky cliffs together. At ſeven, up channel how we bore while hopes and fears ruſh'd on my fancy, At twelve, I gaily jump'd aſhore, and to my throbbing heart preſs'd Nancy.
# The Hen-peck'd husband, or, Easy John/The lover's summons

THE LOVER'S SUMMONS.
ARISE thou miſtreſs of my heart, and do not me diſdain; Come now and quickly take the part of me, your conquer'd ſwain.
To you alone I am a ſlave, there's none on earth can cure, The flame that in my breaſt I have, for you I do endure.
⟨Come⟩ now dear nymph and eaſe my ſmart, of me your darling ſwain, My love for you within my heart, does conſtantly remain.
​Now we in Hymen's bands will wed, our hearts united be therefore, In love live without any dread, in joys for evermore.
# The Hen-peck'd husband, or, Easy John/The sailor's departure

The SAILOR'S DEPARTURE.
SEE, Mary, the ſails are all full, now I muſt away to the ſea, Let danger come when, how it will, I'll heave a ſigh only for thee.
All hardſhips I'll boldly endure, if you Mary only prove true, When of riches I've gain'd a good ſtore, I'll bring them all home love to you.
The heat of the Eaſt and the Weſt, the cold of be North too I'll bear, Should war, Mary, pierce my firm breaſt, I'll, dying, ev'n think on my dear.
Think thou on thy Edward away, ah! have him for ever in view, The ſhip ſails, and I cannot ſtay, one kiſs more, and now ⟨love⟩ adieu.
He's gone! may Fate ſpeed his career, while I for his abſence do mourn, Day and night will I ſigh for my dear, and weep till my Edward return.
GLASGOW, Printed by J.& M. ROBERTSON, Saltmarket, 1802.
# The Lass o' Arranteinie

THE
LASS o' ARRANTEINIE;
The Minute Gun at Sea;
Tom Starboard;
KATHERINE OGIE;
Yon Burn Side;
AND
THE ROSE TREE.
STIRLING:
PRINTED, AND SOLD WHOLESALE, BY J. FRASER & CO.
* The Lass o' Arranteinie
* The Minute Gun at Sea
* Tom Starboard
* Katherine Ogie
* Yon Burn Side
* The Rose Tree
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Lass o' Arranteinie/Tom Starboard

TOM STARBOARD.
# The Lass o' Arranteinie/The Rose Tree

THE ROSE-TREE.
FINIS.
# O Bonny Lassie/The Lass o' Aranteenie

THE LASS O' ARANTEENIE.
Forlorn amang the Highland hills, 'Midst Nature's wildest grandeur; By rocky dens and woody glens, With weary steps I wander. The langsome way, the darksome day, The mountain mist sae rainy, Are nought to me, when gaun to thee, Sweet lass o' Aranteenie.
Yon mossy rote-bud down the howe, Just op'ning fresh and bonny, Blinks sweetly neath the hazle bough, An’s scarcely seen by onie. Sae sweet amidst her native hills, Obscurely blooms my Jeanie, Marr fair an' gay than rosy May, The flower o' Aranteenie,
​Now from the mountains lofty brow, I view the disant ocean, There av'rice guides the bounding prow, Ambition courts promotion. Let fortune pour her golden store, Her laurel'd favours many— Give me but this my soul a first wish, The lass o' Aranteenie.
# The Lass o' Arranteinie/The Lass o' Arranteinie

THE LASS O' ARRANTEINIE.
# 1911 Encyclopædia Britannica/Pendleton, Edmund

See also Edmund Pendleton on Wikipedia; and our 1911 Encyclopædia Britannica disclaimer.
​PENDLETON, EDMUND (1721–1803), American lawyer and statesman, was born, of English Royalist descent, in Caroline county, Virginia, on the 9th of September 1721. He was self-educated, but after reading law and being admitted to the bar (1744) his success was immediate. He served in the Virginia House of Burgesses from 1752 until the organization of the state government in 1776, was the recognized leader of the conservative Whigs, and took a leading part in opposing the British government. He was a member of the Virginia. committee of correspondence in 1773, in 1774 was president of the Virginia provincial convention, and a member of the first ​<section begin="s1">Continental Congress. In 1776, as president of the provincial convention, which adopted a state constitution for Virginia, he drew up the instructions to the Virginia members of Congress directing them to advocate the independence of the American colonies In the same year he became president of the Virginia committee of safety, and in October was chosen the first speaker of the House of Delegates. With Jefferson and Chancellor George Wythe he drew up a new law code for Virginia. He was president of the court of chancery in 1777–1788, and from 1779 until his death was president of the Virginia court of appeals. He was an enthusiastic advocate of the Federal constitution, and in 1788 exerted strong influence to secure its ratification by his native state. He was a leader of the Federalist party in Virginia until his death at Richmond, Va., on the 23rd of October 1805.
# The Minute Gun at Sea

* "The Minute gun" in Peggy Bawn (n.d.), a chapbook printed in Edinburgh
* "The Minute Gun at Sea", in Beneath the Willow Tree (n.d.), a chapbook printed in Stirling
* "The Minute Gun at Sea" in New minstrel (n.d.), a chapbook printed in Glasgow
* "The Minute Gun" The Sentimental Songster (n.d.), a chapbook printed in Glasgow
* "The Minute Gun" in Seraphim (n.d.), a chapbook printed in Glasgow
* "The Minute Gun at Sea" in The Singers' Companion (n.d.), a chapbook printed in Glasgow
* "The Minute Gun at Sea", in The Lass o' Arranteinie (n.d.), a chapbook printed in Stirling
# The Lass o' Arranteinie/The Minute Gun at Sea

THE MINUTE GUN AT SEA.
# The Lass o' Arranteinie/Katherine Ogie

KATHERINE OGIE.
# Kath'rine Ogie

'Of the author of this old song nothing is known, but it can be traced as far back as the days of Charles II., before whom it was sung by John Abell of the chapel-royal, a celebrated singer of the period. Single sheets of it, with the music, were published in 1680. In the "Pills to Purge Melancholy," published about twenty years later, an inaccurate reprint of it is given, and also another song to the same tune, called "Kath'rine Logie." Ramsay's version of it in the Tea Table Miscellany differs only in a few words from the original, and is the one generally adopted.' —Alexander Whitelaw, The Book of Scottish Song (1843)
* "Katherine Ogie", in The Lass o' Arranteinie (n.d.), a chapbook printed in Stirling
* "Katharine Ogie" in Teh (sic) prisoner's welcome (1790), a chapbook
* "Katherine Ogie" in The Canary (1810), a chapbook printed in Paisley
* "Catharine Ogie" in Catharine Ogie (1815-1825), a chapbook printed in Edinburgh
* "Katherine Ogie" in Five songs (1815-1825), a chapbook
* "Catherine Ogie" in Catherine Ogie (1820), a chapbook printed in Edinburgh
* "Katharine Ogie" in Tweedside (1823), a chapbook printed in Glasgow
* "Kath'rine Ogie" in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# Teh (sic) prisoner's welcome

Date and place of publication from external evidence. The pages are incorrectly imposed in the original pamphlet - the page order has been fixed to publish poems in correct order, however the original numbering sequence is as follows : [1], 4, 3, 2, 7, 6, 5, 8.
TEH
Prisoner’s Welcome.
To which are added
Katharine Ogie
The Yellow-Hair’d Laddie.
Jockie lad an’ ye wa’d
Steal Me.
The Power’s of love
Printed this present Year.
* Teh prisoner's welcome
* Katharine Ogie
* The yellow-hair'd laddie
* Jockie lad an' ye wa'd steal me
* The power's of love
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Book of Scottish Song/We'll meet beside

We’ll meet beside.
[Written by Robert Tannahill. In the life of the poet, it is stated, that on one occasion, while taking a solitary walk, his musings were interrupted by the voice of a country-girl, who was singing a song of his own,
"We'll meet beside the dusky-glen, on yon burn-side."
This, he used to say, gave him great satisfaction, as an accidental and unconscious evidence of the rising popularity of his songs.]
We'll meet beside the dusky glen on yon burn-side, Where the bushes form a cozie den, on yon burn-side: Though the broomy knowes be green, Yet there we may be seen; But we'll meet—we'll meet at e'en, down by yon burn-side. ​I'll lead thee to the birken bower on yon burn-side, Sae sweetly wove wi' woodbine flower, on yon burn-side: There the busy prying eye Ne'er disturbs the lover's joy, While in other's arms they lie, down by yon burn-side.
Awa', ye rude unfeelin' crew, frae yon burn-side! Those fairy scenes are no for you, by yon burn-side: There fancy smooths her theme, By the sweetly murmurin' stream, And the rock-lodged echoes skim, down by yon burn-side.
Now the plantin' taps are tinged wi' gowd on yon burn-side, And gloamin' draws her foggie shroud o'er yon burn-side: Far frae the noisy scene, I'll through the fields alane; There we'll meet, my ain dear Jean! down by yon burn-side.
# Yon Burn Side

* "The Burn Side", in Six popular Scotch songs (n.d.), a chapbook printed in Kirkcudbright
* "Yon Burn Side", in The Lass o' Arranteinie (n.d.), a chapbook printed in Stirling
* "We'll meet beside", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# Six popular Scotch songs/The Burn Side

THE BURN SIDE.
We'll meet beside the dusky glen, on yon burn side, Where the bushes form a cozie den, on yon burn side; Though the broomy knowes be green, Yet there we may be seen; But we'll meet—we'll meet, at e'en, down by yon burn side.
I'll lead thee to the birken bower, on yon burn side, Sae sweetly wove wi' woodbine flower, on yon burn side— There the busy prying eye Ne'er disturbs the lover's joy,
​While in ither's arms they lie, down by yon burn side.
Awa', ye rude unfeeling crew, frae yon burn side- Those fairy scenes are no for you, by yon burn side- There fancy smooths her theme, By the sweetly murm’ring stream, And the rock-lodg'd echoes skim, down by yon burn side.
Now the planting taps are ting’d wi' goud, on yon burn side, And gloaming draws her foggy shroud on yon burn side, Far frae the noisy scene, I'll through the fields alane- There we'll meet, my ain dear Jean! down by yon burn side.
# Six popular Scotch songs/Auld Robin Gray

AULD ROBIN GRAY.
When the sheep are in the fauld, and the kye a’ at hame, And a' the warld to sleep are gane; The waes of my heart fa' in showers frae my ee, When my gudeman lies sound by me.
Young Jamie lo'ed me weel, and he sought me for his bride, But saving a crown he had naething beside; To make that crown a pound, my Jaimie gaed to sea, And the crown and the pound were baith for me.
He had nae been gone a week but only twa, When my mither she fell sick, and the cow was stown awa'; My father brake his arm, and my Jamie at the sea, And auld Robin Gray came a courting to me.
​My father couldna' work, and my mither couldna' spin, I toil'd day and night, but their bread I couldna' win; Auld Rob maintain’d them baith, and wi' tears in his ee. Said, Jenny, for their sakes, will ye marry me?
My heart it said nay, I look’d for Jamie back; But the wind it blew high, and the ship it was a wreck, The ship it was a wreck, why didna Jenny die? Any why do I live to say Wae is me?
My father urged me sair, though my mither didna speak, She look'd in my face till my heart was like to break; So I gied him my hand, though heart was in the sea, And auld Robin Gray is gudeman to me.
I hadna been a wife a week but only four, When sitting sae mournfully at my ain door, I saw my Jamie's wraith, for I coudna think it he, Till he said, I'm come back, love, to marry thee.
O sair did we greet, and muckle did we say; We took but ae kiss, and we tore ourselves away, I wish I were dead, but I’m no like to die; And why do I live to sae Wae is me?
I gang like a ghaist, and carena to spin, I darena think on Jamie, for that wou'd be a sin; But I'll do my best a gudewife to be, For auld Robin Gray is kind unto me.
# Six popular Scotch songs/Rob Roy McGregor

ROB ROY M'GREGOR.
Pardon, now, the bold outlaw, Rob Roy M'Gregor, O: Grant him mercy, gentles a',— Rob Roy M‘Gregor, O; Let your hearts and hands agree, Set the Highland laddie free, Make us sing wi' muckle glee, Rob Roy M'Gregor, O.
Lang the state had doom'd his fa’; Rob Roy M'Gregor, O; Still he spurn’d the scornfu' law, Rob Roy M‘Gregor, O; Scots can for their country dee, Ne'er frae Britain's foe they flee, A’ that's past forget, forgi'e, Rob Roy M‘Gregor, O.
Scotland's fear and Scotland's pride, Rob Roy M‘Gregor, O: Your award must now abide, Rob Roy M'Gregor, O; Lang your favours ha'e been mine, Favours I will neer resign,— Welcome then for auld langsyne, Rob Roy MʻGregor, O.
# The Lass o' Arranteinie/Yon Burn Side

YON BURN SIDE.
# Health and Safety at Work etc. Act 1974/Schedule 4

Layout 2
SCHEDULE 4 Modifications of Part I in Connection with Agriculture
# Health and Safety at Work etc. Act 1974/Schedule 5

Layout 2
SCHEDULE 5 Subject-Matter of Building Regulations
1. Preparation of sites.
2. Suitability, durability and use of materials and components (including surface finishes).
3. Structural strength and stability, including—
    (a) precautions against overloading, impact and explosion;
    (b) measures to safeguard adjacent buildings and services;
    (c) underpinning.
4. Fire precautions, including—
    (a) structural measures to resist the outbreak and spread of fire and to mitigate its effects;
    (b) services, fittings and equipment designed to mitigate the effects of fire or to facilitate fire-fighting;
    (c) means of escape in case of fire and means for securing that such means of escape can be safely and effectively used at all material times.
​5. Resistance to moisture and decay.
6. Measures affecting the transmission of heat.
7. Measures affecting the transmission of sound.
8. Measures to prevent infestation.
9. Measures affecting the emission of smoke, gases, fumes, grit or dust or other noxious or offensive substances.
10. Drainage (including waste disposal units).
11. Cesspools and other means for the reception, treatment or disposal of foul matter.
12. Storage, treatment and removal of waste.
13. Installations utilising solid fuel, oil, gas, electricity or any other fuel or power (including appliances, storage tanks, heat exchangers, ducts, fans and other equipment).
14. Water services (including wells and bore-holes for the supply of water) and fittings and fixed equipment associated therewith.
15. Telecommunications services (including telephones and radio and television wiring installations).
16. Lifts, escalators, hoists, conveyors and moving footways.
17. Plant providing air under pressure.
18. Standards of heating, artificial lighting, mechanical ventilation and air-conditioning and provision of power outlets.
19. Open space about buildings and the natural lighting and ventilation of buildings.
20. Accommodation for specific purposes in or in connection with buildings, and the dimensions of rooms and other spaces within buildings.
21. Means of access to and egress from buildings and parts of buildings.
22. Prevention of danger and obstruction to persons in and about buildings (including passers-by).
23. Matters connected with or ancillary to any of the matters mentioned in the preceding provisions of this Schedule.
# Combs v. United States

Supreme Court of the United States
408 U.S. 224
Combs v. United States
Certiorari to the United States Court of Appeals for the Sixth Circuit
No. 71-517. Argued: April 11, 1972 --- Decided: June 26, 1972
Petitioner was convicted of receiving, possessing, and concealing whiskey known by him to have been stolen from an interstate shipment. Prior to his trial, the District Court had denied a motion to suppress the whiskey from evidence on the contention that there had been no showing of probable cause to support issuance of the warrant authorizing the search for the whiskey. The petitioner raised only the validity of the warrant on his appeal, but the Court of Appeals held that he lacked standing to challenge the legality of the search, which had occurred on his father's farm where petitioner was not living or present at the time of the search.
Held: Since the Government now suggests that the warrant was invalid, and since the record is inadequate for a determination of whether petitioner had an interest in the searched premises that would afford him standing under Mancusi v. DeForte, 392 U.S. 364, to challenge the legality of the search, the judgment of the Court of Appeals is vacated and the case remanded for further proceedings.
446 F. 2d 515, vacated and remanded.
James N. Perry argued the cause for petitioner. With him on the brief was William F. Hopkins.
William Bradford Reynolds argued the cause for the United States. With him on the brief were Solicitor General Griswold, Assistant Attorney General Petersen, Beatrice Rosenberg, and Roger A. Pauley.
PER CURIAM.
# Kois v. Wisconsin/Concurrence Douglas

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
* Concurring Opinion Douglas
[p232] MR. JUSTICE DOUGLAS, concurring in the judgment.
I concur in the judgment because neither logic, history, nor the plain meaning of the English language will support the obscenity exception this Court has engrafted onto the First Amendment.
This case, moreover, is further testimony to the morass in which this Court has placed itself in the area of obscenity. Men are sent to prison under definitions which they cannot understand, and on which lower courts and members of this Court cannot agree. Here, the Court is forced to examine the thematic content of the two newspapers for the publication of which petitioner was prosecuted in order to hold that they are constitutionally protected. Highly subjective inquiries such as this do not lend themselves to a workable or predictable rule of law, nor should they be the basis of fines or imprisonment.
In this case, the vague umbrella of obscenity laws was used in an attempt to run a radical newspaper out of [p233] business and to impose a two-year sentence and a $2,000 fine upon its publisher. If obscenity laws continue in this uneven and uncertain enforcement, then the vehicle has been found for the suppression of any unpopular tract. The guarantee of free expression will thus be diluted and in its stead public discourse will only embrace that which has the approval of five members of this Court.
The prospect is not imaginary now that the Bill of Rights, applicable to the States by reason of the Fourteenth Amendment, is coming to be a "watered down" version, meaning not what it says but only what a majority of this Court thinks fit and proper.