# The Lesson of the Master, The Marriages, The Pupil, Brooksmith, The Solution, Sir Edmund Orme (New York & London: Macmillan & Co., 1892)/The Lesson of the Master/Chapter 1

I.
He had been informed that the ladies were at church, but that was corrected by what he saw from the top of the steps (they descended from a great height in two arms, with a circular sweep of the most charming effect) at the threshold of the door which, from the long, bright gallery, overlooked the immense lawn. Three gentlemen, on the grass, at a distance, sat under the great trees; but the fourth figure was not a gentleman, the one in the crimson dress which made so vivid a spot, told so as a "bit of colour" amid the fresh, rich green. The servant had come so far with Paul Overt to show him the way and had asked him if he wished first to go to his room. The young man declined this privilege, having no disorder to repair after so short and easy a journey and liking to take a general perceptive possession of the new scene immediately, as he always did. He stood there a little with his eyes on the group and on the admirable picture—the wide grounds of an old country-house near London (that only made it better,) on a splendid Sunday in June. "But that lady, who is she?" he said to the servant before the man went away.
"I think it's Mrs. St. George, sir." ​"Mrs. St. George, the wife of the distinguished———" Then Paul Overt checked himself, doubting whether the footman would know.
"Yes, sir—probably, sir," said the servant, who appeared to wish to intimate that a person staying at Summersoft would naturally be, if only by alliance, distinguished. His manner, however, made poor Overt feel for the moment as if he himself were but little so.
"And the gentlemen?" he inquired.
"Well, sir, one of them is General Fancourt."
"Ah yes, I know; thank you." General Fancourt was distinguished, there was no doubt of that, for something he had done, or perhaps even had not done (the young man could not remember which) some years before in India. The servant went away, leaving the glass doors open into the gallery, and Paul Overt remained at the head of the wide double staircase, saying to himself that the place was sweet and promised a pleasant visit, while he leaned on the balustrade of fine old ironwork which, like all the other details, was of the same period as the house. It all went together and spoke in one voice—a rich English voice of the early part of the eighteenth century. It might have been church-time on a summer's day in the reign of Queen Anne; the stillness was too perfect to be modern, the nearness counted so as distance and there was something so fresh and sound in the originality of the large smooth house, the expanse of whose beautiful brickwork, which had been kept clear of messy creepers (as a woman with a rare complexion disdains a veil,) was pink rather than red. When Paul Overt perceived that the people under the trees were noticing him he turned back through the open doors into the great gallery which was the pride of the place. It traversed the mansion from end to end and seemed— ​with its bright colours, its high panelled windows, its faded, flowered chintzes, its quickly-recognised portraits and pictures, the blue and white china of its cabinets and the attenuated festoons and rosettes of its ceiling—a cheerful upholstered avenue into the other century.
The young man was slightly nervous; that belonged in general to his disposition as a student of fine prose, with his dose of the artist's restlessness; and there was a particular excitement in the idea that Henry St. George might be a member of the party. For the younger writer he had remained a high literary figure, in spite of the lower range of production to which he had fallen after his three first great successes, the comparative absence of quality in his later work. There had been moments when Paul Overt almost shed tears upon this; but now that he was near him (he had never met him,) he was conscious only of the fine original source and of his own immense debt. After he had taken a turn or two up and down the gallery he came out again and descended the steps. He was but slenderly supplied with a certain social boldness (it was really a weakness in him,) so that, conscious of a want of acquaintance with the four persons in the distance, he indulged in a movement as to which he had a certain safety in feeling that it did not necessarily appear to commit him to an attempt to join them. There was a fine English awkwardness in it—he felt this too as he sauntered vaguely and obliquely across the lawn, as if to take an independent line. Fortunately there was an equally fine English directness in the way one of the gentlemen presently rose and made as if to approach him, with an air of conciliation and reassurance. To this demonstration Paul Overt instantly responded, though he knew the gentleman was not his host. He was tall, straight and elderly, and had a pink, ​smiling face and a white moustache. Our young man met him half way while he laughed and said: "A——— Lady Watermouth told us you were coming; she asked me just to look after you." Paul Overt thanked him (he liked him without delay,) and turned round with him, walking toward the others. "They've all gone to church—all except us," the stranger continued as they went; "we're just sitting here—it's so jolly." Overt rejoined that it was jolly indeed—it was such a lovely place; he mentioned that he had not seen it before—it was a charming impression.
"Ah, you've not been here before?" said his companion. "It's a nice little place—not much to do, you know." Overt wondered what he wanted to "do"—he felt as if he himself were doing a good deal. By the time they came to where the others sat he had guessed his initiator was a military man, and (such was the turn of Overt's imagination,) this made him still more sympathetic. He would naturally have a passion for activity—for deeds at variance with the pacific, pastoral scene. He was evidently so good-natured, however, that he accepted the inglorious hour for what it was worth. Paul Overt shared it with him and with his companions for the next twenty minutes; the latter looked at him and he looked at them without knowing much who they were, while the talk went on without enlightening him much as to what it was about. It was indeed about nothing in particular, and wandered, with casual, pointless pauses and short terrestrial flights, amid the names of persons and places—names which, for him, had no great power of evocation. It was all sociable and slow, as was right and natural on a warm Sunday morning. Overt's first attention was given to the question, privately considered, of whether one of the two younger ​men would be Henry St. George. He knew many of his distinguished contemporaries by their photographs, but he had never, as it happened, seen a portrait of the great misguided novelist. One of the gentlemen was out of the question—he was too young; and the other scarcely looked clever enough, with such mild, undiscriminating eyes. If those eyes were St. George's the problem presented by the ill-matched parts of his genius was still more difficult of solution. Besides, the deportment of the personage possessing them was not, as regards the lady in the red dress, such as could be natural, towards his wife, even to a writer accused by several critics of sacrificing too much to manner. Lastly, Paul Overt had an indefinite feeling that if the gentleman with the sightless eyes bore the name that had set his heart beating faster (he also had contradictory, conventional whiskers—the young admirer of the celebrity had never in a mental vision seen his face in so vulgar a frame), he would have given him a sign of recognition or of friendliness—would have heard of him a little, would know something about Ginistrella, would have gathered at least that that recent work of fiction had made an impression on the discerning. Paul Overt had a dread of being grossly proud, but it seemed to him that his self-consciousness took no undue license in thinking that the authorship of Ginistrella constituted a degree of identity. His soldierly friend became clear enough; he was "Fancourt," but he was also the General; and he mentioned to our young man in the course of a few moments that he had but lately returned from twenty years service abroad.
"And do you mean to remain in England?" Overt asked.
"Oh yes, I have bought a little house in London."
​"And I hope you like it," said Overt, looking at Mrs. St. George.
"Well, a little house in Manchester Square—there's a limit to the enthusiasm that that inspires."
"Oh, I meant being at home again—being in London."
"My daughter likes it—that's the main thing. She's very fond of art and music and literature and all that kind of thing. She missed it in India and she finds it in London, or she hopes she will find it. Mr. St. George has promised to help her—he has been awfully kind to her. She has gone to church—she's fond of that too—but they'll all be back in a quarter of an hour. You must let me introduce you to her—she will be so glad to know you. I dare say she has read every word you have written."
"I shall be delighted—I haven't written very many," said Overt, who felt without resentment that the General at least was very vague about that. But he wondered a little why, since he expressed this friendly disposition, it did not occur to him to pronounce the word which would put him in relation with Mrs. St. George. If it was a question of introductions Miss Fancourt (apparently she was unmarried,) was far away and the wife of his illustrious confrère was almost between them. This lady struck Paul Overt as a very pretty woman, with a surprising air of youth and a high smartness of aspect which seemed to him (he could scarcely have said why,) a sort of mystification. St. George certainly had every right to a charming wife, but he himself would never have taken the important little woman in the aggressively Parisian dress for the domestic partner of a man of letters. That partner in general, he knew, was far from presenting herself in a single type: his observation had instructed him that she was not inveterately, not ​necessarily dreary. But he had never before seen her look so much as if her prosperity had deeper foundations than an ink-spotted study-table littered with proof-sheets. Mrs. St. George might have been the wife of a gentleman who "kept" books rather than wrote them, who carried on great affairs in the City and made better bargains than those that poets make with publishers. With this she hinted at a success more personal, as if she had been the most characteristic product of an age in which society, the world of conversation, is a great drawing-room with the City for its antechamber. Overt judged her at first to be about thirty years of age; then, after a while, he perceived that she was much nearer fifty. But she juggled away the twenty years somehow—you only saw them in a rare glimpse, like the rabbit in the conjurer's sleeve. She was extraordinarily white, and everything about her was pretty—her eyes, her ears, her hair, her voice, her hands, her feet (to which her relaxed attitude in her wicker chair gave a great publicity,) and the numerous ribbons and trinkets with which she was bedecked. She looked as if she had put on her best clothes to go to church and then had decided that they were too good for that and had stayed at home. She told a story of some length about the shabby way Lady Jane had treated the Duchess, as well as an anecdote in relation to a purchase she had made in Paris (on her way back from Cannes,) for Lady Egbert, who had never refunded the money. Paul Overt suspected her of a tendency to figure great people as larger than life, until he noticed the manner in which she handled Lady Egbert, which was so subversive that it reassured him. He felt that he should have understood her better if he might have met her eye; but she scarcely looked at him. "Ah, here they come—all the good ones!" she said at ​last; and Paul Overt saw in the distance the return of the churchgoers—several persons, in couples and threes, advancing in a flicker of sun and shade at the end of a large green vista formed by the level grass and the overarching boughs.
"If you mean to imply that we are bad, I protest," said one of the gentlemen—"after making oneself agreeable all the morning!"
"Ah, if they've found you agreeable!" Mrs. St. George exclaimed, smiling. "But if we are good the others are better."
"They must be angels then," observed the General.
"Your husband was an angel, the way he went off at your bidding," the gentleman who had first spoken said to Mrs. St. George.
"At my bidding?"
"Didn't you make him go to church?"
"I never made him do anything in my life but once, when I made him burn up a bad book. That's all!" At her "That's all!" Paul broke into an irrepressible laugh; it lasted only a second, but it drew her eyes to him. His own met them, but not long enough to help him to understand her; unless it were a step towards this that he felt sure on the instant that the burnt book (the way she alluded to it!) was one of her husband's finest things.
"A bad book?" her interlocutor repeated.
"I didn't like it. He went to church because your daughter went," she continued, to General Fancourt. "I think it my duty to call your attention to his demeanour to your daughter."
"Well, if you don't mind it, I don't," the General laughed.
"Il s'attache à ses pas." But I don't wonder—she's so charming."
​"I hope she won't make him burn any books!" Paul Overt ventured to exclaim.
"If she would make him write a few it would be more to the purpose," said Mrs. St. George. "He has been of an indolence this year!"
Our young man stared—he was so struck with the lady's phraseology. Her "Write a few" seemed to him almost as good as her "That's all." Didn't she, as the wife of a rare artist, know what it was to produce one perfect work of art? How in the world did she think they were turned off? His private conviction was that admirably as Henry St. George wrote, he had written for the last ten years, and especially for the last five, only too much, and there was an instant during which he felt the temptation to make this public. But before he had spoken a diversion was effected by the return of the absent guests. They strolled up dispersedly—there were eight or ten of them—and the circle under the trees rearranged itself as they took their place in it. They made it much larger; so that Paul Overt could feel (he was always feeling that sort of thing, as he said to himself,) that if the company had already been interesting to watch it would now become a great deal more so. He shook hands with his hostess, who welcomed him without many words, in the manner of a woman able to trust him to understand—conscious that, in every way, so pleasant an occasion would speak for itself. She offered him no particular facility for sitting by her, and when they had all subsided again he found himself still next General Fancourt, with an unknown lady on his other flank.
"That's my daughter—that one opposite," the General said to him without loss of time. Overt saw a tall girl, with magnificent red hair, in a dress of a pretty grey-green tint and of a limp silken texture, in which every ​modern effect had been avoided. It had therefore somehow the stamp of the latest thing, so that Overt quickly perceived she was eminently a contemporary young lady.
"She's very handsome—very handsome," he repeated, looking at her. There was something noble in her head, and she appeared fresh and strong.
Her father surveyed her with complacency; then he said: "She looks too hot—that's her walk. But she'll be all right presently. Then I'll make her come over and speak to you."
"I should be sorry to give you that trouble; if you were to take me over there—" the young man murmured.
"My dear sir, do you suppose I put myself out that way? I don't mean for you, but for Marian," the General added.
"I would put myself out for her, soon enough," Overt replied; after which he went on: "Will you be so good as to tell me which of those gentlemen is Henry St. George?"
"The fellow talking to my girl. By Jove, he is making up to her—they're going off for another walk."
"Ah, is that he, really?" The young man felt a certain surprise, for the personage before him contradicted a preconception which had been vague only till it was confronted with the reality. As soon as this happened the mental image, retiring with a sigh, became substantial enough to suffer a slight wrong. Overt, who had spent a considerable part of his short life in foreign lands, made now, but not for the first time, the reflection that whereas in those countries he had almost always recognised the artist and the man of letters by his personal "type," the mould of his face, the character of his head, the expression of his figure and even the indications of his dress, in England this identification was as little as possible a ​matter of course, thanks to the greater conformity, the habit of sinking the profession instead of advertising it, the general diffusion of the air of the gentleman—the gentleman committed to no particular set of ideas. More than once, on returning to his own country, he had said to himself in regard to the people whom he met in society: "One sees them about and one even talks with them; but to find out what they do one would really have to be a detective." In respect to several individuals whose work he was unable to like (perhaps he was wrong) he found himself adding, "No wonder they conceal it—it's so bad!" He observed that oftener than in France and in Germany his artist looked like a gentleman (that is, like an English one,) while he perceived that outside of a few exceptions his gentleman didn't look like an artist. St. George was not one of the exceptions; that circumstance he definitely apprehended before the great man had turned his back to walk off with Miss Fancourt. He certainly looked better behind than any foreign man of letters, and beautifully correct in his tall black hat and his superior frock coat. Somehow, all the same, these very garments (he wouldn't have minded them so much on a weekday,) were disconcerting to Paul Overt, who forgot for the moment that the head of the profession was not a bit better dressed than himself. He had caught a glimpse of a regular face, with a fresh colour, a brown moustache and a pair of eyes surely never visited by a fine frenzy, and he promised himself to study it on the first occasion. His temporary opinion was that St. George looked like a lucky stockbroker—a gentleman driving eastward every morning from a sanitary suburb in a smart dog cart. That carried out the impression already derived from his wife. Paul Overt's glance, after a moment, travelled back to this lady, and he saw that her own had ​followed her husband as he moved off with Miss Fancourt. Overt permitted himself to wonder a little whether she were jealous when another woman took him away. Then he seemed to perceive that Mrs. St. George was not glaring at the indifferent maiden—her eyes rested only on her husband, and with unmistakable serenity. That was the way she wanted him to be—she liked his conventional uniform. Overt had a great desire to hear more about the book she had induced him to destroy.