# The Mystery of a Hansom Cab/Chapter 15

CHAPTER XV.
A WOMAN OF THE PEOPLE.
Bourke Street is always more crowded than Collins Street, especially at night. The theatres are there, and of course there is invariably a large crowd collected under the electric lights. Fashion does not come out after dark to walk about the streets, but prefers to roll along in her carriage; therefore the block in Bourke Street at night is slightly different from that of Collins Street in the day. The restless crowd which jostles and pushes along the pavements is grimy in the main, but the griminess is lightened in many places by the presence of the ladies of the demi-monde, who flaunt about in gorgeous robes of the brightest colors. These gay-plumaged birds of ill-omen collect at the corners of the streets, and converse loudly with their male acquaintances till desired by some white-helmeted policemen to move on, which they do, after a good deal of unnecessary chatter. Round the doors of the hotels a number of ragged and shabby-looking individuals collect, who lean against the walls criticizing the crowd, and waiting till some of their friends ask them to have a glass—a request they obey with suspicious alacrity. Further on, a crowd' of horsy-looking men are standing under the Opera House verandah, and one hears nothing but ​sporting talk about the cup, and odds being given and taken on the cracks of the day. Then here and there are ragged street Arabs, selling matches and newspapers; and against the verandah post, in the full blaze of the electric light, leans a weary, draggled-looking woman, one arm clasping a baby to her breast, and the other holding a pile of newspapers, while she drones out in a hoarse voice, "'Erald, third 'dition, one penny!" until the ear wearies of the constant repetition. Cabs rattle incessantly along the street; here a fast-looking hansom, with a rakish horse, bearing some gilded youth to his Club—there a dingy looking vehicle, drawn by a lank quadruped, which straggles blindly down the street. Alternating with these, carriages dash along with their well-groomed horses, and within, the vision of bright eyes, white dresses, and the sparkle of diamonds. Then, further up, just on the verge of the pavement, a band, consisting of three violins and a harp, is stationed, which is playing a German waltz to an admiring crowd of attentive spectators. If there is one thing which the Melbourne folk love more than another, it is music, their fondness for which is only equalled by their admiration for horse-racing. Any street band which plays at all decently, may be sure of a good audience, and a substantial remuneration for their playing. Some writer has described Melbourne as Glasgow, with the sky of Alexandria; and certainly the beautiful climate of Australia, so Italian in its brightness, must have a great effect on the nature of such an adaptable race as the Anglo-Saxon. In spite of the dismal prognostications of Marcus Clark regarding the future Australian, whom he describes as being "a tall, coarse, strong-jawed, greedy, pushing, talented man, excelling in swimming and horsemanship," it is more likely that he will be a cultured, indolent individual, with an intense appreciation of the arts and sciences, and a dislike to hard work and utilitarian principles. Climatic influence should be taken into account with regard to the future Australian, and our posterity will be no more like us than the luxurious Venetians resembled their hardy forefathers, who first started to build on those lonely sandy islands of the Adriatic.
This was the conclusion Mr. Calton arrived at as he followed his guide through the crowded streets, and saw with ​what deep interest the crowd listened to the rhythmic strains of Strauss and the sparkling melodies of Offeenbach. The brilliantly lit street, with the never-ceasing stream of people pouring along; the shrill cries of the street Arabs, the rattle of vehicles and the fitful strains of music, all made up a scene which fascinated him, and he could have gone on wandering all night, watching the myriad phases of human character constantly passing before his eyes. But his guide, with whom familiarity with the proletarians had, in a great measure, bred indifference, hurried him away to Little Bourke Street, where the narrowness of the street, with the high buildings on each side, the dim light of the sparsely scattered gas lamps, and the few ragged-looking figures slouching along, formed a strong contrast to the brilliant and crowded scene they had just left. Turning off Little Bourke Street, the detective led the way down a dark lane, which felt like a furnace, owing to the heat of the night; but on looking up, Calton caught a glimpse of the blue sky far above, glittering with stars, which gave him quite a sensation of coolness.
"Keep close to me," whispered Kilsip, touching the barrister on the arm; "we may meet some nasty customers about here."
Mr. Calton, however, did not need such a warning, for the neighborhood through which they were passing was so like that of the Seven Dials in London, that he kept as closely to the side of his guide as did Dante to that of Virgil in the Infernal Regions. It was not quite dark, for the atmosphere had that luminous kind of haze so observable in Australian twilight, and this weird light was just sufficient to make the darkness visible. Kilsip and the barrister kept for safety in the middle of the alley, so that no one could spring upon them unawares, and they could see sometimes on the one side, a man cowering back into the black shadow, or, on the other, a woman with disordered hair and bare bosom, leaning out of a window trying to get a breath of fresh air. There were also some children playing in the dried-up gutter, and their shrill young voices came echoing strangely through the gloom, mingling with a bacchanalian sort of song a man was singing, as he slouched along unsteadily over the rough stones. Now and then a mild looking string of Chinamen stole along, clad ​in their dull hued blue blouses, either chattering shrilly, like a lot of parrots, or moving silently down the alley with a stolid Oriental apathy on their yellow faces. Here and there came a stream of warm light through an open door, and within, the Mongolians were gathered round the gambling tables, playing fan-tan, or else leaving the seductions of their favorite pastime and gliding soft-footed to the many cook-shops, where enticing looking fowls and turkeys already cooked were awaiting purchasers. Kilsip, turning to the left, led the barrister down another and still narrower lane, the darkness and gloom of which made the lawyer shudder, as he wondered how human beings could live in them.
"It is like walking in the valley of the shadow of death," he muttered to himself, as they brushed past a woman who was crouching down in a dark corner, and who looked up at them with an evil scowl on her white face. And, indeed, it was not unlike the description in Bunyan's famous allegory; what, with the semi-darkness, the wild lights and shadows, and the vague undefinable forms of men and women flitting to and fro in the dusky twilight.
At last, to Calton's relief, for he felt somewhat bewildered by the darkness and narrowness of the lanes through which he had been taken, the detective stopped before a door, which he opened, and stepping inside, beckoned to the barrister to follow. Calton did so, and found himself in a low, dark, ill smelling passage, at the end of which they saw a faint light. Kilsip caught his companion by the arm and guided him carefully along the passage. There was much need of this caution, for Calton could feel that the rotten boards were full of holes, into which one or the other of his feet kept slipping from time to time, while he could hear the rats squeaking and scampering away on all sides. Just as they got to the end of this tunnel, for it could be called nothing else, the light suddenly went out, and they were left in complete darkness.
"Light that," cried the detective in a peremptory tone of voice. "What do you mean by dowsing the glim?"
Thieves' argot was, evidently, well understood here, for there was a shuffle in the dark, a muttered voice, and then some one lit the candle with a match. This time Calton saw the light was held by an elfish-looking child, with a ​scowling white face, and tangled masses of black hair, which hung over her eyes. She was crouching down on the floor, against the damp wall, and looked up at the detective defiantly, yet with a certain fear in her eyes, as though she were a wild animal, cowed against her will.
"Where's Mother Guttersnipe?" asked the detective sharply, touching her with his foot, an indignity she resented with a malignant glance, and arose quickly to her feet.
"Upstairs," she replied, jerking her head in the direction of the right wall, in which Calton, his eyes being more accustomed to the flickering light of the candle, could see a gaping black chasm, which he presumed was the stair alluded to. "You won't get much out of her to-night she's a-goin' to start 'er booze, she is."
"Never mind what she's doing," said Kilsip, sharply, "take me to her at once."
The girl gave him a sullen look, and with reluctant feet led the way into the black chasm and up the stairs, which were so shaky that Calton was in terror lest they should be precipitated into unknown depths. He held on firmly to his companion's arm, as they toiled slowly up the broken steps, and at last stopped at a door, through the cracks of which a faint glimmer of light could be seen. Here the girl gave a shrill whistle, and the door opened as if by magic. Still preceded by their elfish guide, Calton and the detective stepped through the doorway, and a curious scene was presented to their view. It was a small, square room, with a low roof, from which the paper, mildewed and torn, hung in tatters; on the left hand, at the far end, was a kind of low stretcher, upon which a woman, almost naked, was lying, amid a heap of frowsy greasy clothes. She appeared to be ill, for she kept her head tossing from side to side restlessly, and every now and then she sang snatches of old songs in a shrill, cracked voice. In the center of the room was a rough deal-table, upon which stood a guttering tallow candle, which but faintly illuminated the scene, and a half-empty, square bottle of schnapps, with a broken cup beside it. In front of these signs of festivity sat an old woman with a pack of cards spread out before her, and from which she had evidently been telling the fortune of a villainous-looking young man who had ​opened the door, and who stood looking at the detective with no very friendly expression of countenance. He was dressed in a greasy brown velvet coat, much patched, and a black wide-awake hat, which was pulled down over his eyes. He looked like one of those Italians who retail icecream on the street, or carry round organs with monkeys on them, and his expression was so scowling and vindictive that the barrister thought it was not very hard to tell his ultimate destiny—Pentridge, or the gallows.
As they entered, the fortune-teller raised her head, and, shading her eye with one skinny hand, looked curiously at the new comers. Calton thought he had never seen such a repulsive looking old crone; and, indeed, she was worthy of the pencil of Dore to depict, such was the grotesque ugliness which she exhibited. Her face was seamed and lined with innumerable wrinkles, clearly defined by the dirt which was in them; bushy gray eyebrows, drawn frowningly over two piercing black eyes, whose light was undimmed by age; a hook nose, like the beak of a bird of prey, and a thin-lipped mouth, with two long yellow tusks sticking out like those of a wild boar. Her hair was very luxurious and almost white, and was tied up in a great bunch by a greasy bit of black ribbon. As to her chin, Calton, when he saw it wagging to and fro, involuntarily quoted Macbeth's lines about the witches—
"Ye should be women,
And yet your beards forbid me to interpret
That ye are so."
And, indeed, she was no bad representative of the weird sisters.
This lady looked viciously at them when they entered, and demanded sulkily—"What the 'ell they wanted?"
"Want your booze," cried the child, with an elfish laugh, as she shook back her tangled hair.
"Get out, you whelp," croaked the old hag, shaking one skinny fist at her, "or I'll tear your heart out, cuss you."
"Yes, she can go," said Kilsip, nodding to the girl, "and you can clear, too," he added, sharply, turning to the young man, who still stood holding the door open. At first he seemed inclined to dispute the detective's order, but ultimately obeyed him, muttering as he went out, ​something about "the bloomin' cheek of showin' swells cove's cribs." The child followed him out, her exit being accelerated by Mother Guttersnipe, who, with a rapidity only attained by long practice, seized the shoe off one of her feet, and flung it at the head of the rapidly retreating girl.
"Wait till I ketches yer, Lizer," she shrieked, with a volley of curses, "I'll break yer 'ead, blarst ye!"
Lizer responded with a shrill laugh of disdain, and vanished through the shaky door, which she closed after her.
When she had disappeared. Mother Guttersnipe took a drink out of the broken cup, and, gathering all her greasy cards together in a business-like way, looked insinuatingly at Calton, with a suggestive leer.
"It's the future ye want unveiled, dearie?" she croaked, rapidly shuffling the cards; "an' old mother 'ud tell——"
"No she won't," interrupted the detective, sharply. "I've come on business."
The old woman started at this, and looked keenly at him from under her bushy eyebrows.
"What 'av the boys been up to now?" she asked harshly. "There ain't no swag 'ere this time, blarst ye."
Just then the sick woman, who had been restlessly tossing on the bed, commenced singing a snatch of the quaint old ballad of Barbara Allen—
"Oh, mither, mither, mak' my bed,
An' mak' it saft an' narrow;
Since my true love died for me to-day,
I'll die for him to-morrow."
"Shut up, cuss you!" yelled Mother Guttersnipe, viciously, "or I'll knock yer bloomin' 'ead orf," and she seized the square bottle as if to carry out her threat; but, altering her mind, she poured some of its contents into the cup, and drank it off with avidity.
"The woman seems ill," said Calton, casting a shuddering glance at the stretcher.
"So she are!" growled Mother Guttersnipe, angrily. "She ought to be in Yarrer Bend, she ought, instead of stoppin' 'ere, an' singin' them beastly things, which makes my blood run cold. Just 'ear 'er," she said, viciously, as the sick woman broke out once more—
"Oh, little did my mither think,
When first she cradled me,
I'd die sa far away fra' home,
Upon the gallows tree."
"Yah!" said the old woman, hastily, drinking some more gin out of the cup. "She's allays a-talkin' of dyin' an' gallers, as if they were nice things to jawr about."
"Who was the woman who died here three or four weeks ago?" asked Kilsip, sharply.
"'Ow the 'ell should I know," retorted Mother Guttersnipe, sullenly. "I didn't kill 'er, did I? It were the brandy she drank; she was allays drinkin', cuss 'er."
"Do you remember the night she died?"
"No, I don't," answered the beldame, frankly. "I were drunk—blind, bloomin', blazin' drunk—s'elp me G—."
"You're always drunk," said Kilsip.
"What if I am?" snarled the woman, seizing her bottle. "You don't pay fur it. Yes, I'm drunk. I'm allays drunk, I was drunk last night, an' the night before, an' I'm a-goin' to git drunk to-night"—with an impressive look at the bottle—"an' to-morrow night, an' I'll keep it up till I'm rottin' in the grave, blarst an' cuss ye."
Calton shuddered, so full of hatred and suppressed malignity was her voice, but the detective merely shrugged his shoulders.
"More fool you," he said, briefly. "Come now, on the night the 'Queen,' as you called her, died, there was a gentleman came to see her?"
"So she said," retorted Mother Guttersnipe; "but lor', I dunno anythin', I were drunk."
"Who said— the 'Queen?'"
"No, my gran'darter, Sal. The 'Queen' sent 'er to fetch the toff to see 'er cut 'er lucky. Wanted 'im to look at 'is work I s'pose, cuss 'im; and Sal prigged some paper from my box," she shrieked, indignantly; "prigged it w'en I were too drunk to stop 'er."
The detective glanced at Calton, who nodded to him with a gratified expression on his face. They were right as to the paper having been stolen from the Villa at Toorak.
"You did not see the gentleman who came?" said Kilsip, turning again to the old hag.
​"Not I, cuss you," she retorted, politely. "'E came about 'alf-past one in the morning, an' you don't expects we can stop up all night, blarst ye."
"Half-past one o'clock," repeated Calton, quickly. "The very time. Is this true?"
"Wish I may die if it ain't," said Mother Guttersnipe, graciously. "My gran'darter Sal kin tell ye."
"Where is she?" asked Kilsip, sharply.
At this the woman threw back her head, and howled in a dismal manner.
"She's 'ooked it," she wailed, drumming on the ground with her feet. "Gon' an' left 'er pore old gran' an' joined the army, cuss 'em, a-comin' round an' a-spilin' business."
Here the woman on the bed broke out again—
"Since the flowers o' the forest are a' wed awa'."
"Fur G—'s sake 'old yer jawr," yelled Mother Guttersnipe, rising and making a dart at the bed. "I'll choke the life out of ye, s'elp me. D'ye want me to murder ye, singin' 'em blarsted funeral things?"
Meanwhile the detective was talking rapidly to Mr. Calton.
"The only person who can prove Mr. Fitzgerald was here between one and two o'clock," he said, quickly, "is Sal Rawlins, as everyone else seems to have been drunk or asleep. As she has joined the Salvation Army, I'll go to the barracks the first thing in the morning and look for her."
"I hope you'll find her," answered Calton, drawing a long breath. "A man's life hangs on her evidence."
They turned to go, Calton having first given Mother Guttersnipe some loose silver, which she siezed with an avaricious clutch.
"You'll drink it, I suppose?" said the barrister, shrinking back from her.
"Werry likely," retorted the hag, with a repulsive grin, tying the money up in a piece of her dress, which she tore off for the purpose. "I'm a fortin' to the public 'ouse, I am, an' it's the only pleasure I 'ave in my life, cuss it."
The sight of money had a genial effect on her nature, for she held the candle at the head of the stairs as they went down, so that they should not break their heads. As ​they arrived safely, they saw the light vanish, and heard the sick woman singing, "The Last Rose of Summer," and then a volley of curses from Mother Guttersnipe.
The street door was open, and after groping their way along the dark passage with its pitfalls, they found themselves in the open street.
"Thank heaven," said Calton, taking off his hat, and drawing a long breath. "Thank heaven we are safely out of that den!"
"At all events our journey has not been wasted," said the detective as they walked along. "We've found out where Mr. Fitzgerald was the night of the murder, so he will be safe."
"That depends upon Sal Rawlins," answered Calton, gravely; "but come, let us have a glass of brandy, for I feel quite ill after my experience of low life."