OpenLLM-France/wikimedia huggingface dataset:
# The Black Bird

ΤΗΕ
Black Bird.
To which is added,
Love is the Cause of my Mourning,
The BETRAYED DAMSEL.
The FOUR MISSES.
The CONTENTED MAN.
The LADS of the VILLAGE.
ALLAN WATER,
The HAPPY MARRIAGE,
Entered according to Order.
Contents (not listed in original)
* Τhe Black Bird
* Love is the Cause of my Mourning
* The Betrayed Damsel
* The Four Misses
* The Contented Man
* The Lads of the Village
* Allan Water
* The Happy Marriage
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Black Bird/The Lads of the Village

The LADS of the VILLAGE.
# The Black Bird/The Happy Marriage

The HAPPY MARRIAGE.
FINIS.
# The Black Bird/Τhe Black Bird

The BLACK BIRD.
# The Black Bird/Love is the Cause of my Mourning

Love is the cause of my Mourning.
# The Black Bird/The Betrayed Damsel

The BETRAYED DAMSEL.
# Down in this town there lives a sweet lovely creature

* "Young men are deceitful", in Vanity of pride (1802), a chapbook printed in Glasgow
* "The Betrayed Damsel", in The Black Bird (n.d.), a chapbook with no printing information
# Vanity of pride/Young men are deceitful

YOUNG MEN are DECEITFUL.
IN this town there lives a sweet lovely creature, For wit and parentage none can exceed her, She is now in her prime, gay, brisk, and airy, And is, now at this time the flower of any.
When to her I did go, I said, Fair creature, My heart is so enflam’d with your sweet features, That I can take no rest, my dearest jewel, For love torments my breast, pray be not cruel.
O fie! young man, she said, if I should love ye, Your parents they’ll say, you are above me, Then you’ll not me regard, but prove a rover, And I shall find it hard for to recover.
Talk not of parentage, no nor relations, My dear, I have for you such veneration, Was I a Lord, Duke, or Earl, Cupid direct me, In rich diamonds & pearls, my dear, I’d deck thee.
Was I a King myself, or rul’d the nation, Or had I all the world in my possession, And you as poor as Job, I’d ne’er forsake you, But mistress of the globe I soon would make you.
Then hearing what he said, she stood amazed, And nothing to him said, but on him gazed, When she her silence broke, Cupid regarded her, You’d thought an angel spoke, had you but heard her.
​But since you've, young man, these words expressed, No longer let your heart be so oppressed; This heart that once was mine, to thee I deliver, Take it in exchange for thine, keep it for ever.
Witness ye pow'rs above that first created us, Nothing but death, my love, shall separate us, There is nothing now to keep us asunder, Then let's to church and be joined together.
But when he of her heart had thus bereav'd her, He play'd the tyrant's part, and soon did leave her, Which makes me for to cry, fatal man I find him, Since he is gone, farewel, I ne'er will mind him.
# Vanity of pride

THE
VANITY OF PRIDE.
TO WHICH ARE ADDED,
MATRIMONIAL DEAFNESS.
YOUNG MEN are DECEITFUL.
FOR THE LOVE OF JEAN.
The DISTRESSED MAIDEN,
WITH THE ANSWER.
The MEN WILL ROMANCE.
G L A S G O W, Printed by J. & M. ROBERTSON, Saltmarket, 1802.
Poems: (not listed in original)
* Vanity of Pride
* Matrimonial deafness
* Young men are deceitful
* For the love of Jean
* The distressed maiden, with The answer
* The men will romance
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Vanity of pride/Vanity of Pride

THE VANITY OF PRIDE.
MY friends, I've liv'd among you many years, Mind my words, attend and you shall hear, For times they grow worse in Britain every ⟨day⟩, If you'll the reason hear you'll say, Well they may.
Here’s all kind of wickedness doth rule and reign, Which in short time will prove our dreadful bane, Tho' God in mercy does a while forbear to frown, And on us ⟨pour⟩ his angry vengeance down.
Young men & maids good counsel don't despise, But have the fear of God before your eyes, While here you flourish in your blooming youth, Let your delight be in the word of truth.
O let it be your constant rule and guide, To strive to shun that heinous sin of pride, On which so many thousands spend their store, Who scarce will give one farthing to the poor.
By sad experience, this I can boldly say, Some people they do study night and day, On what to eat, and drink, and what to wear, But of their precious souls take little care.
The sin of drunkenness too much is used, By which God’s creatures they are much abused, For when a man is in a drunken fit, He values not what sin he does commit.
The sin of swearing is so common grown, The like in former times was never known, For if some people do at variance fall, Immediately they'll for damnation call.
​The paths of whoredom pray at all times shun, And from the company of harlots run, For they like painted ⟨snakes⟩ appear in view, To sting your precious souls and bodies too.
If by Providence you to riches do rise, Why then be careful that you don't despise, Your parents dear when they are in distress, For those that do, the Lord will never bless.
How many thousands do the Day profane! Some seeking after most ungodly gain; Others in pleasure are passing the time away, And quite neglect the duty of the Day.
Taverns and ale-houses they most frequent, And there, alas! much precious time is spent, The fields are full, the churches are but thin, As if that Day were set apart for sin.
How can we think that God will ever bless, Our native kingdom here with good success, Or that he'll ever prosper us in this war, That is begun and carried on so far.
O! may we now reform our lives with speed, And be good Christians both in word and deed; O! clean your hearts from all malice and strife, And seek the paths of everlasting life.
If poverty with thee should pitch her tent, Do you then learn therewith to be content, For he who gives, from us can take away, And can restore't to us another day.
So make your peace with God while time you have, For there is no repentance in the grave; Sound this alarm often in thine ear, Shortly to judgement we must all appear.
# Vanity of pride/Matrimonial deafness

MATRIMONIAL DEAFNESS.
TWO ears at a time are too many for use, as they're only the inlets of strife; And some may be found, who (tho' wife) would refuse, to possess these fair organs of life.
This deafness oft times of advantage is found, misfortunes may turn to a blessing, When nonsense ⟨distracts⟩, or when tumults abound, they then lose their force of distressing.
I wisely am taught to be deaf with one ear, while the other for use I employ, One gate I shut up against trouble and care, and the other keep open for joy.
When my Comfort begins her windpipe to clear, with peals that would rend worlds asunder, Serenely I sit and cock up my deaf ear, unmov'd 'midst the roar of her thunder.
T'other day comes a dun, with "Sir, you well know," "What say you? speak louder a little;" "You know, Sir, you borrow'd full 12 months ago—" "Alas, friend! I can't hear a title."
"You owe me ten pounds," much louder he cries, and repeats it as loud as he can, Then I point to my ears, and stare with my eyes, till he scarcely believes me the man.
I, grave as a Don, cry "My hearing's quite lost," "And my money," says he, "too I fear, "Pox on him 'tis folly to talk to a post;" So he leaves me as mad as a hare.
​Thus my life, night and day, in soft indolence flows, scolding, dunning, nor bawling I fear, Ye marry'd men all then, that wish for repose, mind, and always be deaf with one ear.
# Vanity of pride/For the love of Jean

FOR THE LOVE OF JEAN.
JOCKY said to Jeany, Jeany, wilt thou do't? Ne'er a fit, quo' Jeany, for my tocher-good, For my tocher good, I winna marry thee, E'ens ye like quo' Johnny, ye may let me be.
I hae gowd and gear, I hae land enough, I hae seven good owsen ganging in a pleugh, Ganging in a pleugh, and linking o'er the lee, And gin ye winna tak me, I can let you be.
I ha'e a good ha' house, a barn and a byer, A stack afore the door, I'll mak a rantin fire, I'll mak a rantin fire, and merry we shall be: And gin ye winna tak me, I can let ye be.
Jeany said to Jocky, gin ye winna tell, Ye shall be the led, I'll be the lass mysell; Ye're a bonny lad, and I'm a lassie free, Ye're ⟨welcome⟩ to tak me than to let me be.
# Vanity of pride/The distressed maiden, with The answer

THE DISTRESSED MAIDEN.
WAS ever maiden fair distrest in love like me, long time I've been courted, alas I to my pain, My love is forlorn, and I am left alone, he loves another, and he doth me disdain.
When first a wooing my love came to me, how happy was I in the sight of my dear, My love is forsworn, and I am left to mourn, Cupid direct me the way I'm to steer.
My lovesick heart ⟨is⟩ oft, since my love ⟨has been⟩ crost, like to a ship that sails on the sea, Where the lofty sails so high, blow the sails to the sky, thus my poor senses are wavering from me.
Go most profane man, how apt are you to trepan, their eyes show deceit, so fair are their tongues, Their feet are swift to go, young virgins to undo hard are their hearts that do virgins trepan.
THE ANSWER.
What voice is this I hear, sound like my dearest deat, cease to lament love, for still I am true, No man e'er was born could your bright beauty scorn, and I adore no fair creature but you.
How are are maidens fair to rave in deep despair, they think they're forsaken in ev'ry degree, When fear fills their mind, that men are unkind, and will court each new face that they see.
Let's not disputing stand, we'll join our hearts & hand, come pretty maids convey my delight, From church to the bed, where all sorrows are fled, ⟨whilst⟩ raptures shall crown the long night.
​When bright morning peep, then soft music sweet, shall waken my dear from her silent repose, Singing joy to my bride as she lies by my side, with lips more sweet than the damask rose.
# Vanity of pride/The men will romance

THE MEN WILL ROMANCE.
When I enter’d my teens I threw play things aside, I perceiv’d myself woman and fit for a bride, By young men I was flatter’d my pride to enhance, Oh! the maids believe when the men they romance.
He swore that my eyes the bright diamonds excel, Such a face and such tresses he never beheld, And to gaze on my neck it was rapture and trance, Ah! the maids believe when the men do romance.
Young Polydore saw me one night at the ball, And vow’d to my charms he a conquest must fall, On his knees he intreated my hand for to dance, Ah! the maids believe when the men do romance.
He conducted me home when the pastime was o’er, And declar’d he ne’er saw so much beauty before, How he ogl’d and sigh’d when he saw me advance, Ah! the maids believe when the men do romance.
Then day after day I his company had, Till at length he declar’d all his flame to my dad, But my father lov’d money he would not advance, He reply’d to my lover, we men will romance.
Altho’ my papa would not give us one shilling, Yet to wed me my Polydore vow’d he was willing, So we both went to church, at night we did dance, And believe me young women he did not romance.
Glasgow, Printed by J. & M. Robertson, Saltmarket. 1802
# The Black Bird/The Four Misses

The FOUR MISSES
# The Black Bird/The Contented Man

THE CONTENTED MAN.
# The Barnyard Battle

Disney Cartoons present A Mickey Mouse Sound Cartoon
The Barnyard Battle
A Walt Disney Comic by Ub Iwerks Recorded by Powers Cinephone System Copyright MCMXXIX
Recruiting Office
Recruiting Office
Chart :
* OK
Examiner Aah!
OK
Officer
Company, forward march!
The enemy
Cats Rawr! Rawr! Rawr!
Machine Gun Bullets.
Mickey Mouse Hahahahaha!
Pete Roar!!!
Pete Growl!!!
Mickey Mouse Hahahahahaha!
Mickey Mouse Heh!
Pete Rawr!!! Rawr!
Pete Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow!
Cats Rawr!
Mickey Mouse Pfft!
Cats Rawr! Rawr!
Mice Yay! Yay! Yay! Woo! Woo! [etc.]
Cat Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow! Ow!
Mickey Mouse
The End
A Walt Disney Comic
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1972, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 52 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Lads of the Village

* "The Lads of the Village", in The Fortunate Lover, or, The Old Man Outwitted (n.d.), a chapbook with no printing information
* "The Lads of the Village", in The Black Bird (n.d.), a chapbook with no printing information
# The Fortunate Lover, or, The Old Man Outwitted/The Lads of the Village

The LADS of the VILLAGE
# The Book of Scottish Song/By Allan Stream

By Allan Stream.
[Written by Burns for Thomson's collection.—"I walked out yesterday evening," says the poet, "with a volume of the Museum in my hand, when, turning up 'Allan Water,' 'What numbers shall the muse repeat,' &c. as the words appeared to me rather unworthy of so fine an air, I sat and raved under the shade of an old thorn, till I wrote one to suit the measure."]
By Allan stream I chanced to rove, While Phœbus sank beyond Benledi, The winds were whisp'ring through the grove, The yellow corn was waving ready: I listen'd to a lover's sang, And thought on youthful pleasures many; And aye the wild-wood echoes rang— O, dearly do I love thee, Annie!
O, happy be the woodbine bower; Nae nightly bogle mak' it eerie; Nor ever sorrow stain the hour, The place and time I met my dearie! Her head upon my throbbing breast, She, sinking, said, I'm thine for ever! While many a kiss the seal impress'd, The sacred vow, we ne'er should sever.
The haunt o' spring 's the primrose brae; The summer joys the flocks to follow, How cheerie, through her short'ning day, Is autumn in her weeds of yellow! But can they melt the glowing heart, Or chain the soul in speechless pleasure, Or through each nerve the rapture dart, Like meeting her, our bosom's treasure?
# By Allan Stream

"By Allan stream I chanced to rove"
* "By Allan Stream", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
* "By Allan Stream", in The Poetical Works of Robert Burns (1887), edited by Alexander Smith
# The Black-bird/Allan-Water

Allan-Water.
# The New York Times/1929/10/24/Radical-Socialists to Meet

Layout 2
RADICAL-SOCIALISTS TO MEET.
Herriot and Daladier Vie for Leadership and Cabinet Control.
RHEIMS, Oct. 23 (AP).—Edouard Herriot, former Premier and Cabinet Minister, and Edouard Daladier are struggling for control of the Radical-Socialist party, which opens its annual congress here tomorrow. It will last three or four days.
This, the largest party in the French Parliament, with 181 votes of the 612 in the Chamber, has as its one big aim a return to power.
M. Daladier, the organizer, is president of the big powerful group, but M. Herriot, his predecessor, has a popularity based on personality that makes his resumption of control quite possible.
Back of this fight lies a disagreement on policy and political power. For a quarter of a century, until André Tardieu entered the Poincaré Cabinet in 1926, the Radical-Socialists always had the Ministry of the Interior. Whether they controlled the Cabinet or not, they controlled the appointment of Prefects and the electoral machinery. Their enemies called them something akin to a "pork barrel" party, for the Radical-Socialists always have been distributers of favors, free with rewards to the politically faithful.
As for a return to power, which the party regards as essential to its political life, both factions say it must be arranged, but neither suggests how. M. Daladier's supporters, the Left Wing, would work with the Socialists, who have nearly 100 votes, but the Socialists refuse to have anything to do with the Radical-Socialists. M. Herriot, without saying what alliances he would make, has declared against sacrificing principles by cooperating with Right and Centre groups.
# The New York Times/1929/10/24/Prince Aids British Beef

Layout 2
PRINCE AIDS BRITISH BEEF.
Heir at Smithfield Market Urges Buying of National Meats.
LONDON, Oct. 23 (AP).—The Prince of Wales is a farmer himself and he believes in advertising the roast beef of Old England.
During a visit to the Smithfield meat market in London today the Prince marked some sides of British beef and advised London housewives to ask for national meats "and see that they get them."
Received by the Lord Mayor of London, Sir William Waterlow; Noel Buxton, Minister of Agriculture, and market authorities, the Prince made a tour of the Smithfield district and inspected the system by which home-killed beef is marked and graded under the "national mark" stamp.
"In the interests of British agriculture and as a farmer myself, I hope London butchers will take full advantage of this scheme," the Prince then said.
# The New York Times/1929/10/24/Reds Get $9,000,000 Loan for Farms

Layout 2
Reds Get $9,000,000 Loan for Farms
MOSCOW, Oct. 23 (AP).—The American Society for Jewish Farm Settlements in Russia has granted the Soviet Government a $9,000,000 loan for seventeen years at 5 per cent. The loan, which will be handled by the Chase National Bank, will be issued in forty quarterly instalments of $250,000 each for ten years, beginning in 1929.
# The New York Times/1929/10/24/Washington Prepares Naval Parley Data

Layout 2
WASHINGTON PREPARES NAVAL PARLEY DATA
Stimson and Aides Compiling Technical Reports for Use at London Conference.
WASHINGTON, Oct. 23 (AP).—Secretary of State Stimson and other State Department officials are compiling technical reports for the use of America's delegation to the London naval conference.
Actively assisting the Secretary are Joseph P. Cotton, the Under-Secretary of State, and J. Theodore Marriner, chief of the Western European Division, both of whom dealt intimately with the naval question while Ambassador Dawes and Prime Minister MacDonald held preliminary discussions this Summer.
Mr. Stimson has ordered that all information pertinent to the London meeting which may come into the hands of any one in the department be made available to Mr. Marriner, who has been prominently mentioned as his chief coordinator and adviser at the conference.
The assistance of naval officers, some of whom are yet to be chosen as advisers to the American group, is being enlisted by the Secretary in these preliminary activities. Rear Admiral Richard H. Jackson, a member of the General Board of the Navy, who has been mentioned as a possible choice by President Hoover for an advisory position, conferred with Mr. Stimson yesterday.
# The New York Times/1929/10/24/Liberals to Abstain from Egyptian Vote

Layout 2
LIBERALS TO ABSTAIN FROM EGYPTIAN VOTE
Lay Responsibility on Wafdists for Rejecting Treaty With Britain They Support.
Wireless to The New York Times.
CAIRO, Egypt, Oct. 23.—A curious situation has arisen in connection with the forthcoming elections to the new Chamber of Deputies which is to meet to decide whether the terms of the draft treaty proposed by the British Government are acceptable to the nation or not.
The Liberal Constitutional party, whose president, Mohamed Mahmud Pasha, brought the treaty from London and subsequently resigned his premiership owing to Wafdist or Nationalist determination not to have anything to do with a treaty he sponsored, has decided not to take part in the elections. They base their decision on the ground that their participation would endanger the fate of the treaty, inasmuch as the Wafdist candidates would seize the opportunity to inflame public opinion against the terms of a treaty which the Liberals, risking wrecking the the voters hopes of obtaining still better terms, thus, in the opinion of the Liebrals, risking wrecking the prospects of agreement with Britain.
In leaving a clear field to the Wafdists, who will thus practically form the entire Chamber when elected, the Liberals intend to throw the entire responsibility for possible rejection of the treaty on the Wafdists.
# By Allan Water

"What numbers shall the muse repeat"
* "Allan-Water", in The Black-bird (1818), a chapbook printed in Falkirk
* "Allan Water", in The Black Bird (n.d.), a chapbook with no printing information
# Peewee

Peewee By William MacHarg Co-Author of
"The Indian Drum," "Blind Men's Eyes," etc.
Chicago The Reilly & Lee Co. 1922
Copyright 1921 by The Reilly & Lee Co.
All Rights Reserved
Made in U. S. A.
Peewee
Contents
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Black Bird/Allan Water

ALLAN WATER.
# Roy Blakeley's Adventures in Camp/Chapter XXXIX

​Page:Roy Blakeley s Adventures in Camp.pdf/248 ​Page:Roy Blakeley s Adventures in Camp.pdf/249 ​Page:Roy Blakeley s Adventures in Camp.pdf/250 ​Page:Roy Blakeley s Adventures in Camp.pdf/251 ​Page:Roy Blakeley s Adventures in Camp.pdf/252 ​Page:Roy Blakeley s Adventures in Camp.pdf/253 ​Page:Roy Blakeley s Adventures in Camp.pdf/254 ​Page:Roy Blakeley s Adventures in Camp.pdf/255 ​Page:Roy Blakeley s Adventures in Camp.pdf/256 ​Page:Roy Blakeley s Adventures in Camp.pdf/257
# The Green Pastures

A play by Marc Connelly adapted from Ol' Man Adam an' His Chillun (1928), a collection of stories written by Roark Bradford. The play was the winner of the Pulitzer Prize for Drama in 1930.
* The Green Pastures (1929), the original play by Marc Connelly
* The Green Pastures (1936), a film written and directed by Marc Connelly
# The Green Pastures (1929)/Part 2

Layout 2
THE GREEN PASTURES
PART TWO
Scenes
* 1. The Private Office
* 2. The Mouth of a Cave
* 3. A Throne Room
* 4. The Foot of a Mountain
* 5. A Cabaret
* 6. The Private Office
* 7. Outside a Temple
* 8. Another Fish Fry