# Zanoni/Vol. 1/Book 1/Chapter 5

CHAPTER V.
Quello Ippogifo, grande e strano augello
Lo porta via.
And now, accompanying this mysterious Zanoni, am I compelled to bid a short farewell to Naples. Mount behind me — mount on my hippogriff, reader; settle yourself at your ease. I bought the pillion the other day of a poet who loves his comfort; it has been newly stuffed for your special accommodation. So, so, we ascend! Look as we ride aloft — look ! — never fear, hippogriffs never stumble; and every hippogriff in Italy is warranted to carry elderly gentlemen — look down on the gliding landscapes ! There, near the ruins of the Oscan's old Atella, rises Aversa, once the stronghold of the Norman; there gleam the columns of Capua, above the Vulturnian Stream. Hail to ye, cornfields and vineyards famous for the old Falernian! Hail to ye, golden orange-groves of Mola di Gaeta! — Hail to ye, sweet shrubs and wild flowers, omnis copia narium, that clothe the mountain-skirts of the silent Lautulæ! Shall we rest at the Volscian Anxur — the modern Terracina — where the lofty rock stands like the ​giant that guards the last borders of the southern land of Love? Away, away! and hold your breath as we flit above the Pontine Marshes. Dreary and desolate, their miasma is to the gardens we have passed what the rank commonplace of life is to the heart when it has left love behind. Mournful Campagna, thou openest on us in majestic sadness. Rome, seven-hilled Rome! receive us as Memory receives the way-worn; receive us in silence, amidst ruins! Where is the traveller we pursue? Turn the hippogriff loose to graze: he loves the acanthus that wreathes round yon broken columns. Yes, that is the arch of Titus, the conqueror of Jerusalem, — that the Colosseum! Through one passed the triumph of the deified invader — in one fell the butchered gladiators. Monuments of murder, how poor the thoughts, how mean the memories ye awaken, compared with those that speak to the heart of man on the heights of Phyle, or by thy lone mound, grey Marathon! We stand amidst weeds, and brambles, and long waving herbage. Where we stand reigned Nero — here were his tesselated floors; here,
"Mighty in the Heaven, a second Heaven,"
hung the vault of his ivory roofs — here, arch upon arch, pillar on pillar, glittered to the world the golden palace of its master — the Golden House of Nero. How the lizard watches us with his bright timorous eye! We disturb his reign. Gather that wild flower: the Golden House is vanished — but the wild flower may have kin to those which the stranger's hand scattered ​over the tyrant's grave; — see, over this soil, the grave of Rome, Nature strews the wild flowers still!
In the midst of this desolation is an old building of the middle ages. Here dwells a singular recluse. In the season of the malaria the native peasant flies the rank vegetation round; but he, a stranger and a foreigner, breathes in safety the pestilential air. He has no friends, no associates, no companions, except books and instruments of science. He is often seen wandering over the grass-grown hills, or sauntering through the streets of the new city, not with the absent brow and incurious air of students, but with observant, piercing eyes, that seem to dive into the hearts of the passers-by. An old man, but not infirm — erect and stately, as if in his prime. None know whether he be rich or poor. He asks no charity, and he gives none — he does no evil, and seems to confer no good. He is a man who appears to have no world beyond himself; but appearances are deceitful; and Science, as well as Benevolence, lives in the Universe. This abode, for the first time since thus occupied, a visitor enters. It is Zanoni.
​ They converse — they confess to each other — they conjure up the past, and repeople it; but note how differently do such remembrances affect the two. On Zanoni's face, despite its habitual calm, the emotions change and go. He has acted in the past he surveys; but not a trace of the humanity that participates in joy and sorrow can be detected on the passionless visage of his companion; the Past, to him, as is now the Present, has been but as nature to the sage, the volume to the student — a calm and spiritual life — a study — a contemplation.
Prom the Past they turn to the Future. Ah! at the close of the last century, the Future seemed a thing tangible — it was woven up in all men's fears and hopes of the Present.
At the verge of that hundred years, Man, the ripest-born of Time, stood as at the deathbed of the Old World, and beheld the New Orb, blood-red amidst cloud and vapour — uncertain if a comet or a sun. Behold the icy and profound disdain on the brow of the old man — the lofty yet touching sadness that darkens the glorious countenance of Zanoni. Is it that one views with contempt the struggle and its issue, and the other with awe or pity? Wisdom contemplating mankind leads but to the two results — compassion or disdain. He who believes in other worlds can accustom himself to look on this as the naturalist ​on the revolutions of an ant-hill, or of a leaf. What is the Earth to Infinity — what its duration to the Eternal? Oh, how much greater is the soul of one man than the vicissitudes of the whole globe! Child of heaven, and heir of immortality, how from some star hereafter wilt thou look back on the ant-hill and its commotions, from Clovis to Robespierre, from Noah to the Final Fire. The spirit that can contemplate, that lives only in the intellect, can ascend to its star, even from the midst of the Burial-ground called Earth, and while the Sarcophagus called Life immures in its clay the Everlasting!
But thou, Zanoni — thou hast refused to live only in the intellect — thou hast not mortified the heart — thy pulse still beats with the sweet music of mortal passion — thy kind is to thee still something warmer than an abstraction — thou wouldst look upon this Revolution in its cradle, which the storms rock — thou wouldst see the world while its elements yet struggle through the chaos!
Go!
* ↑ That hippogriff, great and marvellous bird, bears him away.
* ↑   "An des Jahrhunderts Neige, Der reifste Sohn der Zeit." Die Künstler.