OpenLLM-France/wikimedia huggingface dataset:
# Logie o' Buchan (1790)/Song 2

The Roving maids of Edinburgh.
THE roving maids of Edinburgh, they are so brisk and airy, They make young men to laugh at them their heads so high they carry, Fal de ral lal de ral.
Now behold these pretty maids, as they walk on the causey. With ruffls cuff and capuchine. and vow but they be fancy.
With fine net hoods upon their heads, each dame a buckling comb O; Which amunted is with silver bright, and set with bristol stone O.
Their lockets fine that bright do shine, a glancing broach below it; Their bravery full well you see, how proud they are to show it.
with new fashon’d caps, of different sets, that are so monstrous high O; Such flory gigs upon their heads, are frightful to the eye O.
The other night I got such a fright, I bless'd me from all evil? When a lady came in shining robes, I thought it was the devil.
With a cap more high then granadiers, and hair drest in fine order, She appeared like sweet Margarets ghost Come from the stygian border.
With silkin hose and fine pink shoes, they are all teim'd and ready, It is not easy for to know, a scodgie by a lady.
There's lasses bright, turns out at night their sign is a white apron? All in the dark to seek a spark, and wha but our Miss Katherine.
Some lasses then I do offend, in telling of their knavery, For that's the way I'm bold to say, that you've won all your bravery.
The roving maids of Edinburgh, when they go to the dancing,
The young men all admires the sport, they are so neat and handsome.
It is well kent, their face they paint, they are so vain and idle, To busk and dress more time they pass then they do on their bible.
With muffs fans, and cardinals, made of the finest scarlet? They worn are I do declare, by many a common harlot.
Their quality, come show to me, you'll know it by their cleeding? Dear neighbours then I'll tell you plain you'll find it by their breeding.
They curse and swear and dominier, and scold like any randy; Their morning drink I railly think, is whisky, gin or brandy.
And if they chance to prove with child or lose their reputatiou, then sets up a baudy house, and that's their occupation,
Such hands and bullies then turn thives observe the dismal story, By hangie's hands their lives they end, and that's call'd Tyburn's glory.
Layout 2
# Logie o' Buchan (1790)/Song 3

Tamie Lamies cure for a druuken wife.
THERE liv'd a wife in ourgate end, she loe'd a drap of cappie O, And all the gear that e'er she gat, she slipt it o'er her gabbie, O, Upon a frosty winter night. the wife had got a drappie, O, And she had pish'd hir coats so well, she could not find the patie, O.
Bnt, she awa' to her goodman, they ca'd him Tamie Lamie, O, Gae ben and fetch the cave to me' that I may get a dramie, O, Tamie was an honest man, himself he took a drappie, O, It was not well out o'er his craig, till she was on his tapie, O.
She aid him well baith back an side, and fair she creish'd his backie, O,
And made his skin baith black and blue and gar'd his shoulders crackie, O, Then he’s awa’ to the malt barn, and he has tae’n a pockie, O, He put her in baith head and tail, and cast her o’er his backie, O.
The carline spurn’d wi' head and feet, the carle he was sae ackie, O, To ilka wall that he came by, he gard he head play knackie, O, Goodman, I think you’ll murder me, my brains you out will knockie, O, He gied her ay the other hitce, ly still you devil’s buckie, O.
Goodman I’m like to make my burn, O let me out good Tamie, O, Then he set her upon a stane, and bade her pish her damie, O, Then Tamie took her aff the stane, and put hir in the pockie, O, and when she did begin to spurn. he lent her ay a knockie, O.
Away he went to the mill-dam, and there gae her a duckie, O
And ilka Cheil that had a stick. play’d thump upon her backie, O, And when he took her hame again, he did hang up the pockie, O, At her bed side as I heard say, upon a little knagie, O.
And ilka day that she rose up, in naething but her smockie, O, Sae soon as she look’d o’er the bed, she might behold the pockie, O, Now all ye men baith far and near, that have a drunken toutie O, Duck your wives in time o-year, and I’ll lend you the pockie, O. The wife did live tor ninteen year, and was fu’ frank a couthie, O, And ever since she got the duck, she never had the drouthie, O, At last the carline chanc’d to die, and Tamie did her bury, O, And for the public benefit, he has gard print the curie, O. And this he did her motto make, here lies an honest luckie, O, Who never left the drinking trade, until she got a duckie, O.
Layout 2
# Johnny and Mary

* "Johnny and Molly", in John Highlandman's Remarks on the City of Glasgow (1802), a chapbook printed in Glasgow
* "Johnny and Mary", in Patie's Wedding, or, All Parties Pleased (1802), a chapbook printed in Glasgow
* "Johnny and Molly", in The Auld Goodman, or, The Goodwife Victorious (1802), a chapbook printed in Glasgow
* "Johnnie and Mary", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
* "Johnny and Mary", in Patie's wedding, or, All parties pleased (n.d.), a chapbook with no printing information
# Song (Harpur poem)

First published in The Empire, 2 June 1856
It was, I well remember, The merry Springtime, when Young Dora in the eventide Came singing up the Glen: Came singing up the Glen, Till I felt her tuneful art, Like a subtle stream of vocal fire Run glowing through my heart.
A fond resolve, long cherished, Till then I might control; Till then—but oh! that witching strain, It drew it from my soul: It drew it from my soul, And she did not say me nay, And the world of Love was all the world To us that happy day.
I'm happy now in thinking How happy I was then, When tow'rds the glowing west, my love Went homeward down the Glen: Went homoward down the Glen, While my comfort surer grew, Till methought the old-faced hills all looked As they were happy too.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# John Highlandman's Remarks on the City of Glasgow (1802, Glasgow)/John Highlandman's Remarks on Glasgow

John Highlandman's Remarks on Glasgow.
# John Highlandman's Remarks on Glasgow

* "John Highlandman's Remarks on Glasgow", in John Highlandman's Remarks on the City of Glasgow (1802), a chapbook printed in Glasgow
* "John Highlandman's Remarks on Glasgow", in Captain Mulligan (n.d.), a chapbook printed in Stirling
# Tamie Lamie's Cure for a Drunken Wife (1790)

Tamie Lamie's Cure
FOR A
DRUNKEN WIFE.
To which are added,
The Ploughman's Rant,
AND
GOWF my LOGIE.
Entered according to Order.
* Tamie Lamie's Cure for a Drunken Wife
* The Ploughman's Rant
* Gowf My Logie
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Tamie Lamie's Cure for a Drunken Wife

* "Tamie Lamie's Cure for a Drunken Wife", in The Hawking Wench, or, Gowf my Logie (1803), a chapbook printed in Glasgow
* "Tamie Lamies Cure for a Drunken Wife", in Logie o' Buchan (n.d.), a chapbook with no printing information
* "Tamie Lamies Cure for a Drunken Wife", in Tamie Lamie's Cure for a Drunken Wife (n.d.), a chapbook with no printing information
# Tamie Lamie's Cure for a Drunken Wife (1790)/Tamie Lamie's Cure for a Drunken Wife

Tamie Lamie's Cure for a Drunken Wife.
There liv'd a wife in our gate-end, ſhe lo'ed a drap of cappie O, And all the gear that e'er ſhe gat, ſhe ſlipt it o'er her gabbie O.
Upon a froſty winter night, the wife had got a drappie O, And ſhe had piſh'd her coats ſae well, the cou'd nae find the pattie O.
But ſhe's awa' to her goodman, they ca'd him Tamie Lamie O, Gae ben and fetch the key to me, that I may get a dramie O.
Tamie was an honeſt man, himſel he took a drappie O, It was nae well out o'er his craig, till ſhe was on his tappie O.
She paid him well baith back and ſide, and fair ſhe creiſh'd his backie O, She made his ſkin baith blue and black, and made his ſhoulders crackie O.
Then he's awa' to the malt barn, and he has ta'en a ſackie O, He put her in baith head and tail, and caſt her o'er his backie O.
​The carline ſpurr'd wi' head and feet, the carle he was fae ackie 0, To ilka' wa' that he came by, he garr'd her head play knackie O.
Goodman, I think you'll murder me, my brains you out will knockie O, He gi'ed her ay the other hitch, ly ſtill ye devil's buckie O.
Goodman I'm like to mak my burn, O let me out good Tamie O, Then he fet her upon a ſtane, and bad her piſh a damie O.
Then Tamie took her aff the ſtane, and put her in the ſackie O, And when ſhe did begin to ſpurr, he lent her ay a knockie O.
Away he went to the mill-dam, and there gae her a duckie 0, And ilka cheil that had a ſtick, play'd thump upon her backie O.
And when he took her hame again, he did hing up the ſackie O, At her bed-ſide as I hear ſay, upon a little knagie O.
And ilka' day when ſhe roſe up, in naething but her ſmockie O, Sae ſoon's the look'd him in the face, The might behold the ſackie O,
​Now all ye men baith far and near, that have a drunken toutie O, Duck ye your wives in time o' year, and I'll lend you the ſackie O.
The wife did live for nineteen years, and was fu' frank and couthie O, And ever ſince ſhe got the duck, ſhe never had a drouthie O.
At laſt the carline chanc'd to die, and Tamie did her bury O, And for the public benefit, he has gar'd print the curie O.
And this he did her motto make, "Here lies an honeſt luckie O," "Who never left the drinking trade, "until ſhe got duckie O.”
THE PLOUGHMAN'S RANT.
To its own Proper Tune.
THE ploughman he's a bonny lad, and all his work's at leiſure, And when that he comes home at e'en, he kiſſes me with pleaſure. Up wi't a' my ploughman lad, up wi't a' my ploughman, Of a' the lads that I do know, commend me to the ploughman.
# Tamie Lamie's Cure for a Drunken Wife (1790)/The Ploughman's Rant

​ ​Now the blooming ſpring comes on, he takes his yoking early, And whiſtles o'er the fallow'd land, he goes to fallow early. Up wi't a' my ploughman lad, &c.
The ploughman he comes hame at e'en, he's often wet and weary, Caſt off the wet put on the dry, come to your bed my deary. Up wit a' my ploughman lad, &c.
It's I will waſh my ploughman's hoſe, and I will waſh his o'erly, And I' will make my ploughman's bed, and chear him late and early. Up wi't a' my ploughman lad, &c.
It's merry butt, and merry ben, it'merry is my ploughman; Of all the trades that I do ken, commend me to the ploughman. Up wi't a' my ploughman lad, &c.
Plow yon hill, and plow yon dale, plow yon haugh and fallow, Who winna drink the ploughman's health, is but a dirty fellow. Up wi't a' my ploughman lad, up wi't a' my ploughman, Of a the lads that I do know, commend me to the ploughmnan.
# The Ploughman Lad

* "The Ploughman Lad", in John Highlandman's Remarks on the City of Glasgow (1802), a chapbook printed in Glasgow
* "The Ploughman's Rant", in The Hawking Wench, or, Gowf my Logie (1803), a chapbook printed in Glasgow
* "The Ploughman's Rant", in Tamie Lamie's Cure for a Drunken Wife (n.d.), a chapbook with no printing information
# Tamie Lamie's Cure for a Drunken Wife (1790)/Gowf My Logie

GOWF MY LOGIE.
To it's own Proper Tune.
OF modeſt maids in ſimple weeds, I've nothing for to ſay man, But againſt the game of hawking wench, I'll tell you and you'll ſtay man. And ye buſk ſae bra' laſſie, and ye buſk ſae bra', The lads will crack your maidenhead, and that's againſt the law.
I view them aft come to the church, with meal upon their hair man; Whom I have ſeen in former times, with back and buttocks bare man. O do not look ſo high laſſie, O do not look ſo high, You'll mind your mither was but poor tho' now you drink your tea.
Thoſe dirty maids come to the church, holding their mouths ſo mim man, Like riddle rims their tails go round, fine coats ſtript in the loom man. O vow but ye be vogie laſſie, O vow but ye be vogie, You're proud to wear that whore like coat, its name is gowf my logie.
​ I laugh to ſee them come to fairs, with whalebone ſtay's it's queer man, So fooliſhly they are primpt up, like ſunks upon a mare man. O gin ye be trig laſſie, O gin ye be trig, The whalebone keeps their bellyback, and yet it may turn big.
With ſtamingers into their breaſts, their bubbies they do cruſh man, Which makes them jimp about the middle, and big where ye wad wiſh man. O ſoon ye learn the trade laſſie, O ſoon ye learn the trade, About fifteen you are ſae keen, as venture to the bed.
With ribbons rare and other ware, they're primpet up ſae nice man, They loftily do cock their heads, even as their docks gat ſpice man. O well does thou incline laſſie, O well does thou incline, To dance the blanket hornpipe, as minnie did langſyne.
Our Ladies now we do not know, tho' they buſk ne'er fae bra' man, Our ſervant maids does wear the ſame, we think they're ladies a' man. ​O what needs a' this pride laſſie, O what needs a' this pride, To wear your beſt clothes ev'ry day, and what when you're a bride.
Some think their maiden-head will ſpoil, before young men come near man, It's pain to keep, it's like a boil, 'tis duty them to clear man. O hute awa' wi' pride laſſie, O hute awa' wi' pride, It's that, that makes young men go by, they'll no mak you their bride.
So all young men that want a wife, take warning by their look man, Love not a laſs that caſts her head, about'like a game cock man. O well I know I their eye laſſie, O well know I their eye, They'll vex a man and chap his pan, his head they'll hornifie
So beware when Maggy Idle comes, a fooling to the fair man, If you incline ſhe will reſign, the whole uſe of her ware man. And ſhe draw you on laddie, and ſhe draw you on, She'll burn you wi' her merry bit, and then you'll ſigh and moan.
F I N I S.
# Gowf my Logie

* "The Hawking Wench, or Gowf my Logie", in The Hawking Wench, or, Gowf my Logie (1803), a chapbook printed in Glasgow
* "Gowf My Logie", in Tamie Lamie's Cure for a Drunken Wife (n.d.), a chapbook with no printing information
# The Hawking Wench, or, Gowf my Logie (1803, Glasgow)/The Hawking Wench, or Gowf my Logie

The Hawking Wench, or Gowf my Logie.
# The Calcutta Review/Series 1/Number 1/Article 2

​Page:The Calcutta Review (1844), Volume 1.djvu/53 ​Page:The Calcutta Review (1844), Volume 1.djvu/54 ​Page:The Calcutta Review (1844), Volume 1.djvu/55 ​Page:The Calcutta Review (1844), Volume 1.djvu/56 ​Page:The Calcutta Review (1844), Volume 1.djvu/57 ​Page:The Calcutta Review (1844), Volume 1.djvu/58 ​Page:The Calcutta Review (1844), Volume 1.djvu/59 ​Page:The Calcutta Review (1844), Volume 1.djvu/60 ​Page:The Calcutta Review (1844), Volume 1.djvu/61 ​Page:The Calcutta Review (1844), Volume 1.djvu/62 ​Page:The Calcutta Review (1844), Volume 1.djvu/63 ​Page:The Calcutta Review (1844), Volume 1.djvu/64 ​Page:The Calcutta Review (1844), Volume 1.djvu/65 ​Page:The Calcutta Review (1844), Volume 1.djvu/66 ​Page:The Calcutta Review (1844), Volume 1.djvu/67 ​Page:The Calcutta Review (1844), Volume 1.djvu/68 ​Page:The Calcutta Review (1844), Volume 1.djvu/69 ​Page:The Calcutta Review (1844), Volume 1.djvu/70 ​Page:The Calcutta Review (1844), Volume 1.djvu/71 ​Page:The Calcutta Review (1844), Volume 1.djvu/72 ​Page:The Calcutta Review (1844), Volume 1.djvu/73 ​Page:The Calcutta Review (1844), Volume 1.djvu/74 ​Page:The Calcutta Review (1844), Volume 1.djvu/75 ​Page:The Calcutta Review (1844), Volume 1.djvu/76 ​Page:The Calcutta Review (1844), Volume 1.djvu/77 ​Page:The Calcutta Review (1844), Volume 1.djvu/78 ​Page:The Calcutta Review (1844), Volume 1.djvu/79 ​Page:The Calcutta Review (1844), Volume 1.djvu/80 ​Page:The Calcutta Review (1844), Volume 1.djvu/81 ​Page:The Calcutta Review (1844), Volume 1.djvu/82 ​Page:The Calcutta Review (1844), Volume 1.djvu/83 ​Page:The Calcutta Review (1844), Volume 1.djvu/84 ​Page:The Calcutta Review (1844), Volume 1.djvu/85 ​Page:The Calcutta Review (1844), Volume 1.djvu/86 ​Page:The Calcutta Review (1844), Volume 1.djvu/87 ​Page:The Calcutta Review (1844), Volume 1.djvu/88 ​Page:The Calcutta Review (1844), Volume 1.djvu/89 ​Page:The Calcutta Review (1844), Volume 1.djvu/90 ​Page:The Calcutta Review (1844), Volume 1.djvu/91 ​Page:The Calcutta Review (1844), Volume 1.djvu/92 ​Page:The Calcutta Review (1844), Volume 1.djvu/93 ​Page:The Calcutta Review (1844), Volume 1.djvu/94 ​Page:The Calcutta Review (1844), Volume 1.djvu/95 ​Page:The Calcutta Review (1844), Volume 1.djvu/96 ​Page:The Calcutta Review (1844), Volume 1.djvu/97 ​Page:The Calcutta Review (1844), Volume 1.djvu/98 ​Page:The Calcutta Review (1844), Volume 1.djvu/99 ​Page:The Calcutta Review (1844), Volume 1.djvu/100 ​Page:The Calcutta Review (1844), Volume 1.djvu/101 ​Page:The Calcutta Review (1844), Volume 1.djvu/102 ​Page:The Calcutta Review (1844), Volume 1.djvu/103 ​Page:The Calcutta Review (1844), Volume 1.djvu/104 ​Page:The Calcutta Review (1844), Volume 1.djvu/105
# Adolescence

* Search for titles containing or beginning with: "Adolescence."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Lectures

* "Adolescence" (1906), a lecture by Cephas Guillet
* "Adolescence" (1917), a lecture by Stephen Paget

## Nonfiction volumes

* Adolescence: Its Psychology and Its Relations to Physiology, Anthropology, Sociology, Sex, Crime and Religion (1904), a book by G. Stanley Hall

## Poems

* "Adolescence" ("There was a time when in late afternoon"), a poem by Claude McKay

## See also

* Age
* Growing Up
* Youth
# Patie's wedding, or, All parties pleased (2)

Patie's Wedding;
OR, ALL
PARTIES PLEASED.
To which are added,
ABSENCE ILL TO BIDE.
JOHNNY and MARY.
The BRAES of YARROW.
Entered according to Order.
* Patie's Wedding
* Absence Ill to Bide
* Johnny and Mary
* The Braes of Yarrow
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Poems: Second Series (Dickinson)

POEMS
BY
EMILY DICKINSON
Edited by two of her friends
T. W. HIGGINSON and MABEL LOOMIS TODD
SECOND SERIES
BOSTON ROBERTS BROTHERS 1891
Copyright, 1891,
By Roberts Brothers.
University Press:
John Wilson and Son, Cambridge, U.S.A.
CONTENTS.
EMILY DICKINSON'S POEMS.
Edited by two of her friends, Mabel Loomis Todd and T. W. Higginson.
First and Second Series. 16mo, cloth, price of each, $1.25; white and green cloth, full gilt, price of each, $1.50.
ROBERTS BROTHERS, Publishers,
Boston.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1932, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 91 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Nothing that can die

"Nothing that we deem can die"
* Coates, Florence Earle (1914), "Nothing that can die" in Harper's Magazine (July 1914). (external scan)
* Coates, Florence Earle (1916), "Nothing that can die" in Poems II.
# Dissertations, Grammatical and Philological

DISSERTATIONS
Grammatical and Philological.
BY
PETER WALKDEN FOGG.
[N. B. These Dissertations are contained in the second volume of Elementa Anglicana; but are thus printed separately to accommodate such as may wish to peruse them without the rest of the work; particularly to serve as lessons for pupils, to whose hands the Key cannot with propriety be committed.]
——Fari, ut possit, quæ sentiat. HORACE.
STOCKPORT;
PRINTER, FOR THE AUTHOR, BY J. CLARKE and sold by T. KNOTT. NO. 47, LOMBARD-STREET, LONDON. and by the Booksellers in general.
1796.
ENTERED AT STATIONERS' HALL.
PREFACE.
The Grammar which I have offered to the public should have consisted of three volumes; the first nearly what it now is, the second comprizing the key and notes, the third composed of a number of rules and examples subservient to composition, to‍gether with these dissertations. The first and third volumes would then have been proper for learners in their different states of proficiency; the second would have been entirely for the pur‍pose of reference. Not fixing on this plan at first, and having unfortunately straitened myself by the terms of subscription, the work is necessarily published in two unequal volumes. The additional exercises in composition, not strictly grammatical, and therefore not originally promised, together with two dissertations on composition and criticism, are as yet unprinted; though (according to my ideas in January last) they are quite prepared for the press. What farther augmentations they may receive, and what encouragement I may have to bring them to light, cannot at present be precisely ascertained. In my own practice I find the manuscript of considerable utility.
The following attempts to investigate the Theory of the greatest part of the grammatical rules in a plain and popular way, appeared so adapted for pupils in the higher classes, that a few copies have been struck off to be sold separately. Their excellencies, if they possess any, the reader will discover: one of their defects I freely acknowledge. Remarks properly falling under some of the heads had been anticipated in the Notes fol‍lowing the Key, and to avoid repetition are wanting here. It ​is hoped however that enough is left to satisfy the mind on the most important topics. Should that public favour, which I have toiled to deserve, encourage the republication of the whole work, every thing apparently misplaced shall be removed, and three volumes formed, that shall aim at least, to traverse the whole Circle of philology, with as large an extent as common seminaries require.
Stockport, September 16th, 1796.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Ballad of the White Horse/Book Ⅰ

Layout 2
THE BALLAD OF THE WHITE HORSE
THE VISION OF THE KING
# The Ballad of the White Horse/Book Ⅱ

Layout 2
THE GATHERING OF THE CHIEFS