OpenLLM-France/wikimedia huggingface dataset:
# The Battle of Prestonpans (1824, Stirling)

The Battle of Prestonpans;
To which are added,
The Minstrel.
Charlie he’s my Darling.
STIRLING; Printed by W. Macnie. 1824.
* The Battle of Prestonpans
* The Minstrel
* Charlie he's my Darling
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Battle of Prestonpans (1824, Stirling)/Charlie he's my Darling

CHARLIE HE'S MY DARLING
FINIS
# The Battle of Prestonpans (1824, Stirling)/The Minstrel

THE MINSTRAL.
# The Battle of Prestonpans

* "The Battle of Prestonpans", in The Battle of Prestonpans (1824), a chapbook printed in Stirling
* "The Battle of Prestonpans", in Thinks I to Myself Thinks I (1826), a chapbook printed in Stirling
* "Tranent Muir", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# The Battle of Prestonpans (1824, Stirling)/The Battle of Prestonpans

THE BATTLE OF PRESTONPANS.
# How We Drove the Trotter

Oh, he was a handsome trotter, and he couldn't be completer, He had such a splendid action and he trotted to this metre, Such a pace and such a courage, such a record-killing power, That he did his mile in two-fifteen, his twenty in the hour. When he trotted on the Bathurst-road the pace it was a panter, But he broke the poet's rhythm when he broke out in a canter—
As we were remarking the pace was a panter, But just as we liked it he broke in a canter, And rattled along with a motion terrific, And scattered the sparks with a freedom prolific; He tugged at the bit and he jerked at the bridle, We pulled like a demon, the effort was idle, The bit in his teeth and the rein in the crupper, We didn't much care to get home to our supper.
Then we went Like the wind, And our hands They were skinned, And we thought With a dread To go over his head, And we tugged And we strove, Couldn't say That we drove Till we found It had stopped And the gallop was dropped!
Then he dropped into a trot again as steady as a pacer, And we thought we had a dandy that was sure to make a racer, That would rival all the Yankees and was bound to beat the British, Not a bit of vice about him though he was a trifle skittish; Past the buggies and the sulkies on the road we went a-flying, For the pace it was a clinker, and they had no chance of trying, But for fear he'd start a canter we were going to stop his caper When he bolted like a bullet at a flying piece of paper—
Helter skelter, What a pelter! Such a pace to win a welter! Rush, Race, Tear! Flying through the air! Wind a-humming, Fears benumbing, Here's another trap a-coming! Shouts! Bash! Crash! Moses, what a smash!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# After Noon (Ertz)

After Noon
By Susan Ertz
Author of "Madame Claire," "Nina," etc.
A. L. Burt Company PublishersNew York
Published by arrangement with D. Appleton & Company Printed in U. S. A.
COPYRIGHT—1926—BY D. APPLETON & COMPANY PRINTED IN THE UNITED STATES OF AMERICA
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1985, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 38 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Under the Greenwood Tree (Hardy)

* information about this edition
* sister projects: Wikipedia article, Commons category, Wikidata item
Under the Greenwood Tree or The Mellstock Quire A Rural Painting of the Dutch School published anonymously in 1872. The plot concerns the activities of a group of church musicians, one of whom, Dick Dewy, becomes romantically entangled with a comely new school mistress, Fancy Day. Love triumphs, although she marries with "a secret she would never tell" - namely, that she was also courted by the local vicar, Parson Maybold.
UNDER THE GREENWOOD TREE
or
THE MELLSTOCK QUIRE A RURAL PAINTING OF THE DUTCH SCHOOL
by Thomas Hardy

## Contents

* Preface
Part 1
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
Part 2
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
Part 3
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
Part 4
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
Part 5
* Chapter 1
* Chapter 2
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1928, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 95 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Middleton's Rouseabout

Tall and freckled and sandy,  Face of a country lout; This was the picture of Andy,  Middleton's Rouseabout.
Type of a coming nation,  In the land of cattle and sheep, Worked on Middleton's station,  "Pound a week and his keep."
On Middleton's wide dominions  Plied the stockwhip and shears; Hadn't any opinions,  Hadn't any "idears".
Swiftly the years went over,  Liquor and drought prevailed; Middleton went as a drover,  After his station had failed.
Type of a careless nation,  Men who are soon played out, Middleton was: — and his station  Was bought by the Rouseabout.
Flourishing beard and sandy,  Tall and robust and stout; This is the picture of Andy,  Middleton's Rouseabout.
Now on his own dominions  Works with his overseers; Hasn't any opinions,  Hasn't any "idears".
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Virginia Housewife: or, Methodical Cook/Lamb

LAMB.
The fore-quarter should always be roasted and served with mint sauce in a boat; chop the mint small and mix it with vinegar enough to make it liquid, sweeten it with sugar.
The hind-quarter may be boiled or roasted, and requires mint sauce; it may also be dressed in various ways.
Cut the shank bone from a hind-quarter, separate the joints of the loin, lay it in a pan with the kidney uppermost, sprinkle some pepper and salt, add a few cloves of garlic, a pint of water and a dozen large ripe tomatos with the skins taken off, bake it but do not let it be burnt, thicken the gravy with a little butter and brown flour.
Separate the leg from the loin, cut off the shank and boil the leg; divide the loin in chops, dredge and fry them a nice brown, lay the leg in the middle of the dish, and put the chops around, pour over parsley and butter, and garnish with fried parsley.
The leg cut into steaks and the loin into chops, will make a fine fricassee, or cutlets.
Clean them very nicely, and boil them till tender, take off the flesh from the head with the eyes, also ​mince the tongue and heart, which must be boiled with the head; split the feet in two, put them with the pieces from the head and the mince, into a pint of good gravy, seasoned with pepper, salt, and tomato catsup, or ripe tomatos: stew it till tender, thicken the gravy, and lay the liver cut in slices and broiled over it—garnish with crisp parsley and bits of curled bacon.
# Union Oil Co. of California v. The San Jacinto
## Dissenting Opinion

    Stewart
Supreme Court of the United States
409 U.S. 140
Union Oil Co. of California v. The San Jacinto et al.
Certiorari to the United States Court of Appeals for the Ninth Circuit
No. 71-900. Argued: October 17, 1972 --- Decided: December 5, 1972
Implicit in that portion of Art. 16 of the Inland Rules of Navigation that directs a moderate speed for vessels proceeding in foggy weather, and in the concomitant half-distance rule, is the assumption that vessels can reasonably be expected to be traveling on intersecting courses. On the facts of this case, it was totally unrealistic to anticipate the possibility that the vessels were on intersecting courses and the rule was not applicable. Pp. 144-146.
451 F.2d 1369, reversed.
REHNQUIST, J., delivered the opinion of the Court, in which BURGER, C.J., and WHITE, MARSHALL, BLACKMUN, and POWELL, JJ., joined. STEWART, J., filed a dissenting opinion, in which DOUGLAS and BRENNAN, JJ., joined, post, p. 147.
Kenneth E. Roberts argued the cause and filed briefs for petitioner.
Erskine B. Wood argued the cause and filed briefs for respondents.
# The Meaning of Thanksgiving Day, a Seasonal Play

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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Letter to John Hamilton Reynolds, March 17, 1817

March 17th, 1817
My dear Reynolds,-
My brothers are anxious that I should go by myself into the country - they have always been extremely fond of me, and now that Haydon has pointed out how necessary it is that I should be alone to improve myself, they give up the temporary pleasure of living with me continually for a great good which I hope will follow. So I shall soon be out of Town. You must soon bring all your present troubles to a close, and so must I, but we must, like the Fox, prepare for a fresh swarm of flies. Banish money - Banish sofas - Banish Wine - Banish Music; but right Jack Health, honest Jack Health, true Jack Health - Banish Health and banish all the world. I must ... myself ... if I come this evening, I shall horribly commit myself elsewhere. So I will send my excuses to them and Mrs. Dilke by my brothers.
Your sincere friend,
John Keats
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Nicene and Post-Nicene Fathers: Series I/Volume II/City of God/Book XXI/Chapter 19

Chapter 19.—Of Those Who Promise Impunity from All Sins Even to Heretics, Through Virtue of Their Participation of the Body of Christ.
So, too, there are others who promise this deliverance from eternal punishment, not, indeed, to all men, but only to those who have been washed in Christian baptism, and who become partakers of the body of Christ, no matter how they have lived, or what heresy or impiety they have fallen into. They ground this opinion on the saying of Jesus, "This is the bread which cometh down from heaven, that if any man eat thereof, he shall not die. I am the living bread which came down from heaven. If a man eat of this bread, he shall live for ever."" Therefore, say they, it follows that these persons must be delivered from death eternal, and at one time or other be introduced to everlasting life.

## Footnotes

* ↑ John vi. 50, 51.
# How to Improve the Memory

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How to Improve the Memory
By
Edwin Gordon Lawrence
Author of The Lawrence Reader and Speaker How to Master the Spoken Word etc., etc.
CHICAGO A. C. McCLURG & CO. 1913
Copyright A. C. McClurg & Co. 1913
Published September, 1913
W. P. HALL PRINTING COMPANY, CHICAGO
To My Daughter. EDWINA
"Of her bright face one glance will trace A picture on the brain, And of her voice in echoing hearts A sound must long remain; But memory such as mine of her So very much endears, When death is nigh my latest sigh Will not be life's, but hers."
PREFACE
IN offering this system of memory training to the public the author frankly states that it is not a secret that is imparted for so many dollars, nor one that can be obtained without labor. It is intended to show how the mind can be strengthened so as to enable it to perceive, retain, and reproduce incidents that have passed; how words, dates, facts, and pictures may be stored away in the brain and recalled at pleasure; how by a right use of the mental power memory can be made to perform wonderful feats.
There is no reason why it should take a public speaker ten times longer to memorize his speech than it does to write it, nor is there any reason ​why matter once committed to memory should speedily be forgotten.
The author has devoted a lifetime to the training of orators and actors, and this system of memory training, now given for the first time to the public, has been the growth of years, and been thoroughly tested by him on vast numbers of students. He therefore offers it to all who desire to possess a good memory with the assurance that their wish can be gratified by a faithful study of these pages.
Edwin G. Lawrence.
CONTENTS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# How to Improve the Memory/Preface

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PREFACE
IN offering this system of memory training to the public the author frankly states that it is not a secret that is imparted for so many dollars, nor one that can be obtained without labor. It is intended to show how the mind can be strengthened so as to enable it to perceive, retain, and reproduce incidents that have passed; how words, dates, facts, and pictures may be stored away in the brain and recalled at pleasure; how by a right use of the mental power memory can be made to perform wonderful feats.
There is no reason why it should take a public speaker ten times longer to memorize his speech than it does to write it, nor is there any reason ​why matter once committed to memory should speedily be forgotten.
The author has devoted a lifetime to the training of orators and actors, and this system of memory training, now given for the first time to the public, has been the growth of years, and been thoroughly tested by him on vast numbers of students. He therefore offers it to all who desire to possess a good memory with the assurance that their wish can be gratified by a faithful study of these pages.
Edwin G. Lawrence.
# How to Improve the Memory/Lesson 2

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The author wishes it to be understood clearly that he desires the student to pay particular attention to the thought, this being the most important part of memory training, and that placing the attention on the position of figures, letters, words, etc., is only to be done as a means to an end, the end being a recalling of the object or thought. Lay Hold of the Thought.
# How to Improve the Memory/Lesson 3

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We have now reached the end of the third lesson of the series, and the author urges a thorough study of this lesson, so that the next in order, Opposition, may be the better understood.
# How to Improve the Memory/Lesson 4

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# How to Improve the Memory/Lesson 5

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# How to Improve the Memory/Lesson 6

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Here is the sequence: (1) The going of Jesus into the wilderness to be tempted. (2) He hungered. (3) The arrival of the devil. (4) The first temptation. (5) The rejection. (6) The second temptation. (7) The rejection. (8) The third temptation. (9) The rejection. (10) The departure of the devil. (11) The coming of the angels.
Lay hold of the thought, get the facts in a sequence, and this entire narrative is easily learned and remembered.