# Memorials of a Tour on the Continent, 1820/Desultory Stanzas/Notes

NOTES.
Note 1. Page 98. line 12.
Ye who convoked in Sarnen occupy.
Sarnen, one of the two Capitals of the Canton of Underwalden; the spot here alluded to is close to the town, and is called the Landenberg, from the Tyrant of that name, whose chateau formerly stood there. On the 1st of Jan. 1308, the great day which the confederated Heroes had chosen for the deliverance of their Country, all the Castles of the Governors were taken by force or stratagem; and the Tyrants themselves conducted, with their Creatures, to the frontiers, after having witnessed the destruction of their Strong-holds. From that time the Landenberg has been the place where the Legislators of this division of the Canton assemble. The scite, which is well described by Ebel, is one of the most beautiful in Switzerland.
Note 2. Page 99. line 2.
Honoured Bridge.
The Bridges of Lucerne are roofed, and open at the sides, so that the Passenger has, at the same time, the ​benefit of shade, and a view of the magnificent Country. The Pictures are attached to the rafters; those from Scripture History on the Cathedral-bridge, amount, according to my notes, to 240. Subjects from the Old Testament face the Passenger as he goes towards the Cathedral, and those from the New as he returns. The pictures on these Bridges, as well as those in most other parts of Switzerland, are not to be spoken of as works of art; but they are instruments admirably answering the purpose for which they were designed.
The following Stanzas were suggested by the "Tower of Tell," at Altorf, on the outside walls of which the chief exploits of the Hero are painted: it is said to stand upon the very ground where grew the Lime Tree against which his Son was placed when the Father's archery was put to proof under the circumstances so famous in Swiss History.
What though the Italian pencil wrought not here, Nor such as did the public meed bestow On Marathonian valour, yet the tear Springs forth in presence of this gaudy show, While narrow cares their limits overflow. Thrice happy, Burghers, Peasants, Warriors old, Infants in arms, and Ye, that as ye go Home-ward or School-ward, ape what ye behold; Heroes before your time, in frolic fancy bold!
But when that calm Spectatress from on high Looks down—the bright and solitary Moon, Who never gazes but to beautify; And snow-fed torrents, which the blaze of noon
Roused into fury, murmur a soft tune That fosters peace, and gentleness recals; Then might the passing Monk receive a boon Of saintly pleasure, from these pictured walls, While, on the warlike groups, the mellowing lustre falls.
How blest the souls who when their trials come Yield not to terror or despondency, But face like that sweet Boy their mortal doom, Whose head the ruddy Apple tops, while he Expectant stands beneath the linden tree, Not quaking like the timid forest game; He smiles—the hesitating shaft to free, Assured that Heaven its justice will proclaim, And to his Father gives its own unerring aim.
In the 3d of the Desultory Stanzas, I am indebted to M. Ramond, who has written with genuine feeling on these subjects.
THE END.
LONDON: Printed by A. & R. Spottiswoode, New-Street-Square.