OpenLLM-France/wikimedia huggingface dataset:
# Plane Crazy

* related portals: Cartoons, Mickey Mouse, Musical film, Sound film
* sister projects: Wikipedia article, Commons category, quotes, news, travel guide, Wikidata item
Cast and Crew :
| Crew ||
| Production company | The Walt Disney Company |
| Distributor | Celebrity Productions |
| Director | Walt Disney (d. 1966) |
| Producer | Walt Disney |
| Screenwriter | Walt Disney |
| Composer | Carl W. Stalling (d. 1972) |
| Animator | Ub Iwerks (d. 1971), Hugh Harman (d. 1982), Rudolf Ising (d. 1992) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1992, meaning that this film may be in the public domain in countries and jurisdictions with 32 years p.m.a. or less, as well as in the United States. ||
Disney Cartoons present A Mickey Mouse Sound Cartoon
Plane Crazy
A Walt Disney Comic by Ub Iwerks Recorded by Powers Cinephone System Copyright MCMXXIX
Cows
Moo! Moo!
How to Fly
Minnie Mouse Who, me?
Mickey Mouse
Hahahaha!
Mickey Mouse
Hahahahahahahaha!
HaHa
Mickey Mouse
The End
A Walt Disney Comic
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1972, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 52 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Skeleton Dance

* related portals: Cartoons, Musical film, Silly Symphonies, Sound film
* sister projects: Wikipedia article, Commons category, Wikidata item
Cast and Crew :
| Crew ||
| Production company | Walt Disney Pictures |
| Distributor | Disney+ |
| Director | Walt Disney (d. 1966) |
| Producer | Walt Disney |
| Screenwriter | Walt Disney |
| Composer | Carl W. Stalling (d. 1972) |
| Animator | Ub Iwerks (d. 1971), Roy O. Disney (d. 1971), Walt Disney, Wilfred Jackson (d. 1988) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1988, meaning that this film may be in the public domain in countries and jurisdictions with 36 years p.m.a. or less, as well as in the United States. ||
Disney Cartoons Present A
Silly Symphony
"The Skeleton Dance"
A Walt Disney Comic
Drawn by Ub Iwerks
Music by Carl W. Stalling
Recorded by Powers Cinephone System Copyright MCMXXIX
Voice Ahahahahaha!
Owl Whoo!
Owl Whoo! Whoo!
Owl Whoo! Whoo!
Dog Oowwwwww!
Cats Meowow! Meowow!
Cat 1 Meow! Meow! Meow! Meow! Meowwwww!
Cat 2 Meow! Meow! Meow! Meow! Meowwwww!
Cat 2 Rgh!
Cats Meow!
Owl Whoo! Whoo!
Owl Whoo! Whoo!
Owl Whoo!
Rooster Cock-a-doodle-doo! Cock-a-doodle-doo!
A Silly Symphony
The End
Disney Cartoons
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1988, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 36 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Springtime (film)

* related portals: Cartoons, Musical film, Silly Symphonies, Sound film
* sister projects: Wikipedia article, Commons category, Wikidata item
Cast and Crew :
| Crew ||
| Production company | Walt Disney Pictures |
| Director | Ub Iwerks (d. 1971) |
| Producer | Walt Disney (d. 1966) |
| Composer | Carl W. Stalling (d. 1972) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1972, meaning that this film may be in the public domain in countries and jurisdictions with 52 years p.m.a. or less, as well as in the United States. ||
Walt Disney presents a Silly Symphony Trade markRegistered
Copyright MCMXXIX Walt Disney Productions
Springtime
Chicks
Frog
Frog
Frog
Frogs
Frogs
Frogs
The End
A Walt Disney Production
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1988, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 36 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# When the Cat's Away (film)

* related portals: Cartoons, Mickey Mouse, Musical film, Sound film
* sister projects: Wikipedia article, Commons category, Wikidata item
This Mickey Mouse film is loosely remade from the Alice Comedies film Alice Rattled by Rats (1925).
Cast and Crew :
| Crew ||
| Production company | Walt Disney Pictures |
| Distributor | Columbia Pictures, Disney+ |
| Director | Walt Disney (d. 1966) |
| Producer | Walt Disney |
| Composer | Carl W. Stalling (d. 1972) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1972, meaning that this film may be in the public domain in countries and jurisdictions with 52 years p.m.a. or less, as well as in the United States. ||
Disney Cartoons present A Mickey Mouse Sound Cartoon
When the Cat's Away
A Walt Disney Comic by Ub Iwerks Recorded by Powers Cinephone System Copyright MCMXXIX
Gone for the day
Tom Cat
X X X
Black Pete
Hahaha!
Black Pete
Hahaha!
Ach der Lieber Augustine
Home Sweet Home
Listen to the Mocking Bird
9:10
10:00
11:00
Player
Niagara
Swiss Cheese
Parrot
Records
Home Sweet Home
Mickey Mouse
The End
A Walt Disney Comic
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1980, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 44 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Steamboat Willie

* related portals: Cartoons, Mickey Mouse, Musical film, Sound film
* sister projects: Wikipedia article, Commons category, Wikidata item
Steamboat Willie is a 1928 American animated short film directed by Walt Disney and Ub Iwerks, considered the debut of both Mickey and Minnie Mouse, although both characters appeared several months earlier in a test screening of Plane Crazy. The film notably entered the public domain in the United States in January 1, 2024, along with all other works from 1928. The film is particularly famous in the subject of US copyright law, for being the apparent reason behind the Sonny Bono Copyright Term Extension Act, often referred to as the "Mickey Mouse Protection Act" of 1998, which extended most major US copyright properties to 95 years after publication.
Cast and Crew :
| Cast ||
| Role | Actor |
| Mickey Mouse | Walt Disney |
| Crew ||
| Production company | The Walt Disney Company |
| Distributor | Celebrity Productions, Disney+ |
| Director | Walt Disney (d. 1966), Ub Iwerks (d. 1971) |
| Producer | Roy O. Disney (d. 1971), Walt Disney |
| Screenwriter | Walt Disney, Ub Iwerks |
| Composer | Carl W. Stalling (d. 1972), Wilfred Jackson (d. 1988), Carl Edouarde (d. 1932) |
| Animator | Johnny Cannon (d. 1946), Les Clark (d. 1979), Ub Iwerks, Wilfred Jackson |
| Storyboard artist | Ub Iwerks |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1988, meaning that this film may be in the public domain in countries and jurisdictions with 36 years p.m.a. or less, as well as in the United States. ||
Disney Cartoons present A Mickey Mouse Sound Cartoon
Steamboat Willie
A Walt Disney Comic by Ub Iwerks Recorded by Powers Cinephone System Copyright MCMXXIX
Pete Get down there!
Parrot I hope you don't feel hurt, big boy! Hahahahahahahahahahahahahaha— Help! Help! Man overboard!
Pete Hahahahaha!
Podunk Landing
FOB
C.L.O.D.
Hay
Kitchen
Turkey in the Straw Hey! Hey!
Cat Meow! Meow! Meowwwwwowwwww... [etc.]
Potato Bin
Parrot Hope you don't feel hurt, big boy! Hahahahahahahaha! Hahahahahaha! Help! Man overboard! Help!
Mickey Hahahahahahahaha!
Mickey Mouse Sound Cartoon
The End
A Walt Disney Comic
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1988, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 36 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Rope

* Search for titles containing or beginning with: "Rope"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Rope (1922), a novel by Harold Everett Porter
* Rope (1929), a play by Patrick Hamilton.
* Rope (1948), a film by Alfred Hitchcock based on the play.
* "Rope and Rope-making," in Encyclopædia Britannica (11th ed., 1911)
* "Ropes," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
# Hell Gate

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Hell Gate," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)
* "Hell Gate", a poem by Alfred Edward Housman ("Onward led the road again")
* "Hell Gate", a short story by Washington Irving

## See also

* Hell
# Hell

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.

## Essays

* "Hell", an essay by Samuel Taylor Coleridge

## Encyclopedia articles

* "Hell," in Encyclopædia Britannica (11th ed., 1911)
* "Hell," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)

## See also

* Portal:Hell
* Hell Gate
* Hell's Bells
# Hell's Bells (film)

* related portals: Hell, Musical film, Silly Symphonies, Sound cartoons
* sister projects: Wikipedia article, Commons category, Wikidata item
Cast and Crew :
| Crew ||
| Production company | Walt Disney Pictures |
| Director | Ub Iwerks (d. 1971) |
| Producer | Walt Disney (d. 1966) |
| Composer | Carl W. Stalling (d. 1972) |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1972, meaning that this film may be in the public domain in countries and jurisdictions with 52 years p.m.a. or less, as well as in the United States. ||
Columbia Pictures Corp present a Silly Symphony
"Hell's Bells"
A Walt Disney Comic
Drawn by Ub Iwerks
Music by Carl W. Stalling
Recorded by Powers Cinephone System Copyright MCMXXIX
Three-headed dog
Three-headed dog
Satan
Hahahaha!
A Silly Symphony
The End
Columbia Pictures
This work is in the public domain in the United States because it was published before January 1, 1930.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1972, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 52 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Copyright Basics

* related portals: United States Copyright Office
* sister projects: Wikidata item
This work is referred to as Circular 1.
A 1980 edition is the first to appear in Worldcat. OCLC:6810880. Project Gutenberg contains revision December 2000, and the current version is located at http://www.copyright.gov
* 2000, December
* 2006, July
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hell's Bells

* Search for titles containing or beginning with: "Hell's Bells"
* sister projects: Wikipedia article, Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Hell's Bells (1924), a play written by Barry Conners
* Hell's Bells (1929), a Silly Symphonies film

## See also

* Hell
* Bells
# When God Laughs & Other Stories

WHEN GOD LAUGHS
& OTHER STORIES
BY JACK LONDON
MILLS & BOON 1911
CONTENTS
* When God Laughs
* The Apostate
* A Wicked Woman
* Just Meat
* Created He Them
* The Chinago
* Make Westing
* Semper Idem
* A Nose for the King
* The "Francis Spaight"
* The Curious Fragment
* A Piece of Steak
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Characteristicks of Men, Manners, Opinions, Times/Volume 2/Treatise 4

TREATISE IV. VIZ. AN INQUIRY CONCERNING VIRTUE, OR MERIT.
Formerly Printed from an Imperfect Copy: Now Corrected, and Publish'd intire.
———Amoto quæramus seria ludo. Hor. Sat. 1.
Printed first in the Year M.DC.XC.IX.
# Hawaiian Hilltop (Taggard collection)

WYCKOFF&GELBER·SAN FRANCISCO
FLIGHT ONE
HAWAIIAN HILLTOP
By GENEVIEVE TAGGARD
San Francisco:
WYCKOFF & GELBER
1923
Copyright 1923 by Genevieve Taggard
To
James and Alta Taggard
who took me there
​These poems have been published in:
Harper's The Conning Tower of the New York Tribune The Bowling Green of the New York Evening Post The Lyric West The Measure, A Journal of Poetry The Liberator Voices, A Journal of Verse
​CONTENTS
500 copies "Hawaiian Hilltop"
Printed at the Grabhorn Press: San Francisco
November, 1923
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Sir Orfeo, Adapted From the Middle English

* related portals: Medieval poetry
* sister projects: Wikipedia article, Wikidata item
Sir Orfeo
Adapted from the Middle English
BY
EDWARD EYRE HUNT
CAMBRIDGE
Harvard Coöperative Society
MCMIX
Copyright, 1909
By E. T. E. Hunt
All rights reserved
First edition, December, 1909
The University Press, Cambridge, U. S. A.
Introduction
PROFESSOR SCHOFIELD, in his “English Literature from the Norman Conquest to Chaucer,” writes as follows:
“In Celtic tradition there were kings as well as queens of the Otherworld, and they too were known to cast loving eyes on mortals. In ‘Sir Orfeo’ we have an unusually happy embodiment of this conception in a story where it had originally no place. In the hands of a clever poet the ancient tale of Orpheus and Eurydice became a genuine lay of Britain, not simply because it was fashioned by him in the same metre and style as the lays on native themes, but because he transformed it in spirit ​throughout to accord with British notions of fairyland.
“From Hades, evidently, the scene of the old classical story has been transferred to fairy-land; the king of the Celtic Otherworld is substituted for Pluto. References in Chaucer’s Merchant’s Tale to ‘Pluto, that is king of fayerye,’ and in Dunbar’s ‘Golden Targe’ to ‘Pluto, the elrich incubus, in cloak of green,’ attest the familiarity of the mediæval English and Scotch with this new conception of the lord of the dead. Certain other classical stories (e.g. Pyramus and Thisbe, and Narcissus) were dealt with in old French poems sometimes called lays; but no one of them presents the peculiar situation in ‘Orfeo,’ where the Celtic spirit has quite dispossessed the ancient and permeated the whole account.
“The French lay of Orpheus, from which ‘Orfeo’ is translated, is now lost; but we have references enough to it in other works to es​tablish its previous existence. One, in the French prose romance of Lancelot, is of unusual interest. King Bademagus, we read, ‘was seated in an arm-chair of ivory, which was very beautiful, and before him was a harper who played ( notoit ) the lay of Orpheus; and it pleased the king so much to listen that there was no one who dared say a word.’”
I am indebted to Professor W. H. Schofield for permission to quote the foregoing paragraphs and for encouragement in the preparation of this little volume; to Dr. K. G. T. Webster for interpretations of difficult phrases, although the restrictions of metre have occasionally forced me to disregard them; and to Professor L. B. R. Briggs for his kindly critical judgment of the verse.
E. E. H.
Stoughton Hall, Cambridge,
December tenth, 1909.
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1953, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 71 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# A Tale From the Rainbow Land

* related portals: Hawaii
* sister projects: Commons category, Wikidata item
A Tale From the Rainbow Land
By Katherine M. Yates
Author of "On the Way There," "At the Door," "Chet," etc.
Illustrated by Audley B. Wells
Paul Elder and Company · Publishers San Francisco
Copyright, 1914 By Katherine M. Yates
A BOOK HATH MORE OF THE READER THAN OF THE WRITER BETWEEN ITS COVERS. SEE THAT THOU DOST FIND GOOD WITHIN THY BOOKS
* Foreword
* A Tale From the Rainbow Land
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Characteristicks of Men, Manners, Opinions, Times/Volume 2/Treatise 5

TREATISE V. VIZ.
THE  MORALISTS, A Philosophical Rhapsody.
BEING A RECITAL OF Certain CONVERSATIONS on NATURAL and MORAL Subjects.
——Inter Silvas Academi quærere Verum. Horat. Ep. 2. Lib. 2.
Publish'd in the Year M.DCC.IX.
# Saṃyuktāgama 34: Five Bhikṣus

* information about this edition
* related portals: Buddhist sutras
* sister projects: Wikipedia article, Wikidata item
Taishō Tripiṭaka volume 2, number 99, sūtra 34. Translated originally by Trepiṭaka Guṇabhadra, ca. 435-443 CE.
The second dis­course of the Bud­dha, teach­ing the principle of anāt­man.
Thus have I heard. At one time the Bhagavān was dwelling in Vārāṇasī, at the Deer Park of Ṛṣipatana. At that time, the Bhagavān told a group of five bhikṣus, “Form does not exist as a self. If form existed as a self, then form would not be associated with the arising of illness and suffering. Regarding form, it is also not possible to cause it to be like this, or not like this, because form is not oneself. From form and the arising of illness and suffering, one also grasps the desire to make form like this, or not like this. Sensation, conception, synthesis, and discrimination are also such as this.
“Bhikṣus, tell me what you think: is form permanent or impermanent?” The bhikṣus addressed the Buddha, saying, “Impermanent, Bhagavān.” “Bhikṣus, is that which is impermanent, suffering?” The bhikṣus addressed the Buddha, saying, “It is suffering, Bhagavān.” “Bhikṣus, regarding these impermanent and afflicting dharmas, easily subject to change, does a well-learned venerable disciple perceive in these a self or a non-self, and thereby dwell in appearances?” The bhikṣus addressed the Buddha saying, “No, Bhagavān, and sensation, conception, synthesis, and discrimination are also such as this.” “For this reason, bhikṣus, all form that exists – whether in the past, the future, or the present; internal or external; coarse or fine; appealing or unappealing; far or near – all these are not a self, not a true self. Correct contemplation of sensation, conception, synthesis, and discrimination is also such as this.
“Bhikṣus, regarding these Five Skandhas, a well-learned venerable disciple perceives they are not a self, not a true self, and contemplates thusly. Regarding the various realms, because there is no actual grasping, there is no actual suffering, and because there is no actual suffering, there is self-awakening and Nirvāṇa. ‘My births have come to an end, Brahmacarya has been established, what was to be done has been done, and there is the self-realization of no further suffering.’”
After the Buddha had spoken this sutra, the group of five bhikṣus did not give rise to outflows, and their minds attained liberation. After the Buddha had spoken this sutra, the bhikṣus heard what the Buddha had truly said, and blissfully practiced in accordance.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.