OpenLLM-France/wikimedia huggingface dataset:
# I had a horse (1815-1825)/The slumb'ring maid

ON A BANK OF LOWERS.
On a bank of flowers in a summer's day, Inviting and undres'd In her bloom of years, bright Celia lay, With love and sleep oppress'd; When a youthful swain, with admiring eyes Wished he durst the fair maid surprise, With a fa, la, la, &c. But he fear'd approaching spies.
​As he gazed, a gentle breeze arose, That fann'd her robes aside: And the sleeping nymph did charms disclose Which, waking, she would hide. Then his breath grew short, and his pulse beat high, He long'd to touch what he chanc'd to spy, With a fa, la, la, &c. But durst not yet draw nigh.
All amazed he stood, with her beauties fir'd, And bless'd the courteous wind; Then in whispers sigh'd, and the gods desir'd, That Celia might be kind. Then, with hope grown bold, he advanc'd amain: But she laugh'd aloud in a dream, and again, With a fa, la, la, &c. Repelled the tim'rous swain.
Yet, when once desire has enflamed the soul, All modest doubts withdraw, And the god of love does each fear controul That would the lover awe. Shall a prize like this, says the vent'rous boy, Escape, and I not the means employ, With a fa, la, la, &c. To seize the proffer'd joy?
Here the glowing youth, to relieve his pain, The slumb'ring maid caress'd, ​And with tremb'ling hands (oh, the simple swain,) Her glowing bosom press'd Then the virgin wak'd and affrighted flew, Yet look'd as wishing he would pursue, With a fa, la, la, &c. But Damon miss'd his cue.
Now repenting that he had let her fly, Himself he thus accus,d: What a dull and stupid thing was I, That such a chance abus'd! To my shame 'twill now on the plains he said, Damon a virgin sleep betray'd, With a fa,la, la, &c. Yet let her go a maid.
# I had a horse (1815-1825)/Deeply, deeply drink of wine

GAILY STILL.
Gaily still the moments roll While I quaff the flowing bowl, Care can never reach the soul, That deeply drinks of Wine, That deeply drinks of Wine, Care can never reach the soul, That deeply, deeply drinks of Wine.
See the Lover pale with grief Bind his brows with willow leaf, ​But his heart soon finds relief, By drinking deep of Wine, &c.
Eyes of fire, and lips of dew, Cheeks that shame the rose's hue, What are these to me or you, That deeply drinks, &c.
# I had a horse (1815-1825)/Saw ye my father

O SAW YE MY FATHER.
O saw ye my father, or ssw ye my mother, Or saw ye my true love John? I saw not father, I saw not your mother, But I saw your true love John.
Up Johnny rose, and to the door he goes, And gently tirled the pin. The lassie taking tent unto the door she went And she open'd and let him in.
Flee up, flee up. my bonny grey cock, And craw when it is day; Your neck shall be like the bonny beaten gold And your wings of the silver grey;
The cock prov'd false, and untrue he was, For he crew an hour o'er soon. The lassie thought it day when she sent her love away, And it was but a blink of the moon,
# My Friend and Pitcher

My Friend and Pitcher,
THE LITTLE LAD,
I HAD A HORSE,
Blythesome Sally,
Etrick Banks,
AND
THE SMILE AND THE TEAR.
SOLD WHOLESALE BY J. FRASER. & CO. PRINTERS, STIRLING.
* My Friend and Pitcher
* The Little Lad
* I Had a Horse
* Blythesome Sally
* Etrick Banks
* The Smile and the Tear
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# My Friend and Pitcher/My Friend and Pitcher

THE FRIEND AND PITCHER.
# My Friend and Pitcher/The Little Lad

THO' I AM NOW A VERY LITTLE LAD.
# My Friend and Pitcher/I Had a Horse

I HAD A HORSE.
# My Friend and Pitcher/Etrick Banks

ETRICK BANKS.
# Ettrick Banks

* "Etrick Banks", in My Friend and Pitcher (n.d.), a chapbook printed in Stirling
* "Etrick Banks", in New song in praise of Burns (n.d.), a chapbook printed in Stirling
* "Ettrick Banks", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# I had a Horse

* "I had a horse I had nae mair", in The calm dewy morning (n.d.), a chapbook printed in Edinburgh
* "I Had a Horse", in Answer to the blue bonnet, &c (n.d.), a chapbook printed in Stirling
* "I Had a Horse", in My Friend and Pitcher (n.d.), a chapbook printed in Stirling
* "I had a horse", in I had a horse (n.d.), a chapbook printed in Glasgow
* "I had a horse", in I had a horse (1820), a chapbook printed in Edinburgh
* "I had a horse", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# The Glyphs

* information about this edition
* sister projects: Wikidata item
It brings the prehistoric past of a powerful nation of Central America vividly before you.
The Glyphs
By Roy Norton Author of “The Phantom U-Boat," “The Liberator ,” Etc.
Who or what are glyphs? will be your first question, probably. They are records carved on stone by a lost people, in this case the Mayas of Central America, a race which achieved a civilization equal to that of the Egyptians, and thousands of years before them! In this story of Norton’s there is a little band of daring adventurers who, fascinated by the reading of rare glyphs, go halfway round the world in search of the hidden metropolis of the ancient Mayas. What happens to them savors of the Arabian Nights, only with them it is their courage and endurance which are the magic of the marvelous performance. There is no heroine except the lost city, but the adventurers fall in love with her for good and sufficient reasons.
(A Complete Novel)
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# My Friend and Pitcher/Blythesome Sally

LILLIES OF THE VALLEY.
# Ladies' amusements

THE
Ladies’ Amusements.
To which are added,
THE GALLANT SAILOR
Nature's richest Mine.
Jenny dang the Weaver.
O'ER THE MUIR AMANG THE HEATHER.
Lilies of the valley.
EDINBURGH. PRINTED FOR THE BOOKSELLERS,
1820
* The Ladies' Amusements
* The Gallant Sailor
* Nature's Richest Mine
* Jenny dang the weaver
* O'er the muir amang the heather
* Lilies of the valley
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Ladies' amusements/Lilies of the valley

LILIES OF THE VALLEY.
O’er barren hills and flowery dales, O’er seas and distant shores, With merry song and jocued tales, I’ve pass’d some pleasant hours: Tho’ wandring thus, I ne’er could fin A girl like blythesome Sally, ​Who picks, and culls, and cries aloud, “Sweet lilies of the valley!"
From whistling o’er the harrow’d turf, From nestling in each tree I chose a soldier’s life to wed, So social gay and free: Yet though the lasses love as well, And often try to rally, None pleases me like her that cries, "Sweet lilies of the valley!"
I’m now return’d of late discharged To use my native toil; From fighting in my country's cause To plough my country’s soil: I care not which—with either pleas’d, So I possess my Sally: The little merry nymph that cries, "Sweet lilies of the valley!”
FINIS.
# The New York Times/1921

Content exists for this periodical, though at this stage it is not specifically organised beyond a basic hierarchy.
The pages listed below are an automatically generated listing.
Special:PrefixIndex/The New York Times/1921/
# The Book of Scottish Song/Jenny dang the Weaver

Jenny dang the Weaver.
[Sir A. Boswell, Bart.]
At Willie's wedding on the green, The lasses, bonnie witches, Were a dress'd out in aprons clean, And braw white Sunday mutches: Auld Maggie bade the lads tak' tent, But Jock would not believe her; But soon the fool his folly kent, For Jenny dang the Weaver. And Jenny dang, Jenny dang, Jenny dang the Weaver; But soon the fool his folly kent, For Jenny dang the Weaver.
At ilka country dance or reel, Wi' her he would be bobbing; When she sat down—he sat down, And to her would be gabbing; Where'er she gaed baith butt and ben, The coof would never leave her; Aye kecklin' like a clocking hen, But Jenny dang the Weaver. Jenny dang, &c.
Quo' he, My lass, to speak my mind, In troth I needna swither; You've bonnie een, and if you're kind, I'll never seek anither: He humm'd and haw'd, the lass cried Peugh! And bade the coof no deave her; Syne snapt her fingers, lap and leugh, And dang the silly weaver. And Jenny dang, Jenny dang, Jenny dang the Weaver; Syne snapt her fingers, lap and leugh, And dang the silly Weaver.
# Ladies' amusements/Jenny dang the weaver

JENNY DANG THE WEAVER.
At Willy’s wedding on the green, The lasses, bonny witches. Were a’ drest out in aprons clean, And braw white Sunday mutches: And Maggy bade the lads tak tent, But Jock would not believe her; But soon the fool his folly kept. For Jenny dang the weaver. And Jenny dang, Jenny dang, Jenny dang the weaver; But soon the fool his folly kent, For Jenny dang the weaver.
​At ilka country dance or reel Wi' her he would be bobbing; When she sat down he sat down, And to her he would be gabbing; Where'er she gade, baith but and bon, The coof would never leave her, Ay keckling like a clocking hen, But Jena dang the weaver. Jenny dang, &c
Quo' he, "My lass, to speak my mind, "In troth I needna awither "You've bonny een, and if you're kind, "I'll never seek anither?" He humm’d and haw'd; the lass cried ough! And bade the coof no deave her: Syne snapt her fingers, lap and laugh, And dang the silly weaver. And Jenny dang, Jenny dang, Jenny dang the weaver, Syne snapt her finders, lap and laugh, And dang the silly weaver.
# Jenny dang the Weaver

* "Jenny dang the Weaver", in The Canary (1810), a chapbook printed in Paisley
* "Jenny dang the weaver", in Ladies' amusements (1820), a chapbook printed in Edinburgh
* "Jenny dang the Weaver", in The Book of Scottish Song (1843), edited by Alexander Whitelaw
# Ladies' amusements/The gallant sailor

THE GALLANT SAILOR.
Farwell my dear and gallant sailor, since you and I must parted be; If you prove constant without failing, I still will prove the same to thee.
May the winds and waves direct you, to the willful port design'd; ​Though you leave me, do not grieve me, let your love be as true as mine.
For all my father he proves cruel, you to sea must go once more; With true love I will requite you, none but you I do adore.
Frightful dreams doth oft affright me, when on my bed I slumb'ring lie; Dreadful horrors doth surprise me, when I dream you're cast away.
Then I'm started, and wake surprised, wishing that you were in my arms, I would caress you and embrace you, for to free you from all harms.
Sometimes my dear, in fatal battle, my thoughts give me that you are slain, So then there’s nothing that can case me, but my sailor's return again.
# The Gallant Sailor

* "The Gallant Sailor", in Rambling boy with the answer (1803), a chapbook printed in Glasgow
* "The Gallant Sailor", in Hawthorn (1817), a chapbook printed in Edinburgh
* "The gallant sailor", in Ladies' amusements (1820), a chapbook printed in Edinburgh
# Rambling boy with the answer (1)/The Gallant Sailor

THE GALLANT SAILOR.
Farewell my dear and gallant sailor, since you and I mull; parted be; If you prove constant without failing, I will still prove the same to thee. ​May the winds and waves direct you, to the willful port design'd; Tho' you leave me, do not grieve me, let your love be as true as mine.
For all my father he proves cruel, you to lea must go once more: With true love l will requite you, none but you I do adore.
Frightful dreams doth oft affright me, when on my bed l slumb’ring lie; Dreadful horrors doth surprise me, when I dream you're cast away.
Then I'm started, and wake surprised, wishing that you were in my arms, I would caress you, and embrace you, for to free you from all harms.
Sometimes my dear, in fatal battle, my thoughts give me that you’re slain, So then there’s nothing that can eafs me, but my sailor’s return again
# Hawthorn (1817)/The Gallant Sailor

THE GALLANT SAILOR.
⟨Far⟩ewel my dear and gallant sailor, ⟨Si⟩nce you and I must parted be; ​If you prove constant without failing, I will prove the same to thee. May the winds and waves direct you, to the wistful part design'd; Though you leave me do not grieve me, let your love be as true as mine.
For all my Father he proves cruel, you to sea must go once more; With true love I will requite you, none but you I do adore. Frightful dreads doth oft affright me when, on my bed I slumbring lie; Dreadful horrors doth surprise me, when I dream you’re cast away.
Then I’m started, and wake surprised, wishing that you were in my arms, I would caress you and embrace you, for to free you from all harms, Sometimes my dear, in fatal battle my thoughts give me that you are slain, “So then there’s nothing that can ease me, but my sailor’s return again.
# Billboard

Billboard by Year :
| 1890s | | | | | 1894 | 1895 | 1896 | 1897 | 1898 | 1899 |
| 1900s | 1900 | 1901 | 1902 | 1903 | 1904 | 1905 | 1906 | 1907 | 1908 | 1909 |
| 1910s | 1910 | 1911 | 1912 | 1913 | 1914 | 1915 | 1916 | 1917 | 1918 | 1919 |
| 1920s | 1920 | 1921 | 1922 | 1923 | 1924 | 1925 | 1926 | 1927 | 1928 | 1929 |
| 1930s | 1930 | 1931 | 1932 | 1933 | 1934 | 1935 | 1936 | 1937 | 1938 | 1939 |
This work is a periodical and multiple copyrights apply. The period of publication may straddle the periods of different copyright laws. Both the issues themselves and the individual contributions to those issues may have different copyright statuses.
Public domainPublic domainfalsefalse
One or more copyright licenses apply to this work.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Billboard/1900
## January

Volume 12, Issue 3 (start transcription)

## External links

* Billboard Magazine archives
# Aberdeen & Rockfish R. Co. v. SCRAP

Supreme Court of the United States
409 U.S. 1207
Aberdeen & Rockfish Railroad Co. et al. v. Students Challenging Regulatory Agency Procedures (SCRAP) et al.
On Application for Stay
No. A-72. Argued: N/A --- Decided: July 19, 1972
SCRAP, a student environmental association, secured from a three-judge District Court an injunction against the authorization by the Interstate Commerce Commission (ICC) of a temporary 2.5% freight surcharge to be imposed across the board by most of the Nation's railroads. The ground for the injunction was that by adding the surcharge to the cost of transporting recyclable goods, fewer such goods would be transported, the need would be met by increased use of natural resources, and there would therefore be an adverse impact on the environment; hence the National Environmental Policy Act required that the ICC prepare an "impact statement" on the surcharge. The District Court considered the applications for stay of the injunction pending appeal but, concluding that danger to the environment outweighed the loss of income and consequent financial threat to the railroads, the court denied the application.
Held: Since it cannot be said that the District Court's factual evaluation of the necessity for a stay constituted an abuse of discretion, the applications for stay must be denied.
See: 346 F.Supp. 189.
MR. CHIEF JUSTICE BURGER, Circuit Justice.

## Notes

* ↑ Together with No. A-73, Interstate Commerce Commission v. Students Challenging Regulatory Agency Procedures (SCRAP) et al., also on application for stay.
# Red Jacket

The poem honors the Seneca orator and chief Sagoyewatha (1750–1830), who was also known as "Red Jacket".
* "Red Jacket", published in Selections from the American Poets (1840)
* "Red Jacket", published in The Poetical Writings of Fitz-Greene Halleck (1869)
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jersey Journal/1944/Charging Beatings, Seeks Divorce

Louis Julius Freudenberg II (1922-1986) in the The Jersey Journal on August 10, 1944.
Charging Beatings, Seeks Divorce.
Margaret M. Freudenberg, 3171 Hudson Blvd., has filed suit for divorce against Louis J. Freudenberg, 8 Sherman Place, charging him with extreme cruelty. The case has been referred to Advisory Master Thomas for hearing and trial has been set for September 12. In her divorce petition the woman charges her husband beat and kicked her on many occasions, called her vile names and threatened to kill her. She also states he never worked throughout their married life. They were married January 15, 1942, and the wife states she was finally forced to leave Freudenberg in August 1942. Rudolph R. Naddeo is attorney for the wife.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Jersey Journal/1986/Louis M. Freudenberg

Louis Julius Freudenberg II obituary in the Jersey Journal on December 4, 1986. He is incorrectly identified as "Louis M. Freudenberg", but he was "Louis J. Freudenberg".
Louis M. Freudenberg
Louis M. [sic] Freudenberg, 67, a lifelong Jersey City resident, died Friday in his home. He was a retired employee of the Pennsylvania Railroad in Kearny. He was an Army veteran of World War II. Services were held Tuesday in the Veterans Chapel at New Jersey Veterans Cemetery, Arneytown. Arrangements were by Evergreen Funeral Home, Jersey City.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1978 and March 1, 1989 (inclusive) without a copyright notice, and without subsequent copyright registration with the U.S. Copyright Office within 5 years.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Strand Magazine/Volume 5/Issue 27

Layout 4
"By Heaven," cried Ruy Lopez, "the Duke shall finish his Game!" (A Game of Chess).
* A Game of Chess, from the French. Illustrated by Paul Hardy.
* Illustrated Interviews. No. XXI. Mr. and Mrs. Kendal, by Harry How.
* Author! Author!, by E. W. Hornung. Illustrated by W. S. Stacey.
* Zig-Zags at the Zoo, No. IX. Zig-Zag Conkavian by Arthur Morrison. Illustrated by J. A. Shepherd.
* Shafts from an Eastern Quiver, No. IX. Maw-Sayah, the Keeper of the Great Burman Nat, by Charles J. Mansford. Illustrated by A. Pearse.
* From Behind the Speaker's Chair, by Henry W. Lucy. Illustrated by F. C. Gould.
* Portraits of Celebrities at Different Times of their Lives.
* Lord Battersea,
* William Quiller Orchardson,
* Lady Hallé,
* Sir Charles Hallé,
* Dr. Hermann Adler,
* Sir Archibald Alison, Bart.
* Jane Hading
* Adventures of Sherlock Holmes Adventure XVI. The Adventure of the Stockbroker's Clerk, by A. Conan Doyle. Illustrated by Signey Paget.
* Beauties.
* Hands, by Beckles Willson.
* Rosita, from the French of Pitre Chevalier. Illustrated by H. R. Millar.
* The Queer Side of Things
** The N.P.M.C., by J. F. Sullivan.
** Miscellaneous.
** Drinking Vessels of All Times.
** A Crocodile Story.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Herring in Sa't with the Answer

Herring in Sa't
WITH THE
ANSWER
To which are added,
The LADIES' Amusement,
AND
HAWKE'S Engagement.
Entered according to Order.
* Herring in Sa't
* The Answer to Herring in Sa't
* The Ladies' Amusement
* Hawke's Engagement
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Herring in Sa't with the Answer/The Answer to Herring in Sa't

The ANSWER to HERRING in SA'T.
To the Foregoing Tune.
# Herring in Sa't with the Answer/The Ladies' Amusement

THE LADIES AMUSEMENT.