OpenLLM-France/wikimedia huggingface dataset:
# Towards the Source : 1894-97 : 2

We sat entwined an hour or two together
(how long I know not) underneath pine-trees
that rustled ever in the soft spring weather
stirr'd by the sole suggestion of the breeze:
we sat and dreamt that strange hour out together
fill'd with the sundering silence of the seas:
the trees moan'd for us in the tender weather
we found no word to speak beneath those trees
but listen'd wondering to their dreamy dirges
sunder'd even then in voiceless misery;
heard in their boughs the murmur of the surges
saw the far sky as curv'd above the sea.
That noon seem'd some forgotten afternoon,
cast out of Life, where Time might scarcely be:
our old love was but remember'd as some swoon;
Sweet, I scarce thought of you nor you of me
but, lost in the vast, we watched the minutes hasting
into the deep that sunders friend from friend;
spake not nor stirr'd but heard the murmurs wasting
into the silent distance without end:
so, whelm’d in that silence, seem’d to us as one
our hearts and all their desolate reverie,
the irresistible melancholy of the sun,
the irresistible sadness of the sea.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1975).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1932, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 92 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Israel's Inalienable Possessions - The Gifts and the Calling of God Which are Without Repentance
## CONTENTS

    Preface
    Works by the Same Author
    I. The Apostle's Yearning Love for Israel
    II. The Significance of the Name Israel
    III. Israel's Adoption
    IV. The Shekinah Glory and the Covenants
    V. The Law-giving and the Service of God
    VI. The Promises
    VII. Whose are the Fathers, and of Whom is Christ
    Additional Works
This work is in the public domain in the United States because it was published before January 1, 1930.
The longest-living author of this work died in 1926, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 98 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Israel's Inalienable Possessions - The Gifts and the Calling of God Which are Without Repentance/Chapter 01

BY THE SAME AUTHOR.
A DIVINE FORECAST OF JEWISH HISTORY:
A PROOF OF THE SUPERNATURAL ELEMENT IN SCRIPTURE.
Paper, 6<L net (post free, yd.). Cloth, Is. net (post free, is. xirf.).
" Written by one who has made its subject a life-long study, and has devoted many earnest years to work among the Jews ; . . . full of interest to Bible students."
Preachers' Magazine.
"One of the very sanest and best little books on its subject we have ever read." Life of Faith.
" The renewed scattering of the Jewish people, consequent upon the repeated massacres in Russia, will invest with timely interest Rev. David Baron's book. In a succinct manner he sketches the familiar story, and after a luminous outline of the apostasy of the nation, he deals with its unique punishment, and the testimony of ' the everlasting people ' to the truth of God's Word. In conclusion, Israel s future is indicated as foreshadowed in the prophetic Scriptures. Mr. Baron has written many good books, but none of them has made a stronger appeal than this for a prayerful perusal of those who ' pray for the peace of Jerusalem.'" The Christian.
"A clear re-statement of an interesting theme, and will commend itself to all who value the place and purpose of the Hebrew people in the general plan of history. '
Irish Congregational Magazine.
LONDON : MORGAN AND SCOTT.
# Israel's Inalienable Possessions - The Gifts and the Calling of God Which are Without Repentance/Chapter 09

The Jewish Problem : Its Solution.
By DAVID BARON. New and Revised Edi- tion. Leatherette, Is. ; cloth boards, Is. 6d.
" One of the clearest books we have seen on the question." Irish Baptist Magazine.
"A clear, concise compendium on the Jewish question." Sword and Trcrwel.
" Among introductions to the study of prophecy we would assign a prime place to Mr. Baron's book, ' The Jewish Problem.' "TAe Christian.
Anglo-Israelism and the True History of the
Ten "Lost" Tribes. By DAVID BARON. Price 4d.
Haggai's Prophecy
A Voice to the Present Time. By DAVID BARON. Leatherette, 6d.
44 Aus dem Cheder," and Three other Stones.
True and Touching Pictures of Jewish Life. Translated from the German by Mrs. BARON. Cloth, IB.
"The pages throw great light upon the Jewish problem in some of its most important aspects ; the strength and the weakness of Hebrew home life and training are here depicted." The Christian.
The Mystery of Israel.
Two striking- Sermons on Israel's Present and Future.
By ADOLPH SAPHIR, D.D. Price 4d.
LONDON :
MORGAN & SCOTT.I2, PATERNOSTER Buu.DiNGS,E.C.
OR FROM THE HEBREW CHRISTIAN TESTIMONY TO ISRAEL
3, BOSCASTLE ROAD, HIGHGATE ROAD, N.W.
LIFORNIA LIBRARY
igeles
last date stamped below.
A 000133942 3
# Israel's Inalienable Possessions - The Gifts and the Calling of God Which are Without Repentance/Chapter 00

PREFACE.
The substance of this booklet is an address, afterwards written out in amplified form for The Scattered Nation, whence, by request, it is now reprinted. May the Great Shepherd of Israel bless this weak and inadequate effort to quicken interest in the hearts of Christians for the people still " beloved for the fathers' sakes," to whom He has never forgotten to be gracious even in the darkest hours of their long night of sorrow.
DAVID BARON.
# The Winners

What is the moral? Who rides may read. When the night is thick and the tracks are blind A friend at a pinch is a friend indeed, But a fool to wait for the laggard behind. Down to Gehenna or up to the Throne, He travels the fastest who travels alone.
White hands cling to the tightened rein, Slipping the spur from the booted heel, Tenderest voices cry 'Turn again,' Red lips tarnish the scabbarded steel, High hopes faint on a warm hearth stone-- He travels the fastest who travels alone.
One may fall but he falls by himself-- Falls by himself with himself to blame, One may attain and to him is pelf, Loot of the city in Gold or Fame. Plunder of earth shall be all his own Who travels the fastest and travels alone.
Wherefore the more ye be holpen and stayed, Stayed by a friend in the hour of toil, Sing the heretical song I have made-- His be the labour and yours be the spoil, Win by his aid and the aid disown-- He travels the fastest who travels alone!
# Ode to Adversity

For a detailed, annotated version of this poem, visit The Thomas Gray Archive
DAUGHTER of Jove, relentless power,  Thou tamer of the human breast,  Whose iron scourge and torturing hour  The bad affright, afflict the best!  Bound in thy adamantine chain  The proud are taught to taste of pain,  And purple tyrants vainly groan With pangs unfelt before, unpitied and alone.    When first thy Sire to send on earth  Virtue, his darling child, design’d,  To thee he gave the heavenly birth  And bade to form her infant mind.  Stern, rugged Nurse! thy rigid lore  With patience many a year she bore;  What sorrow was, thou bad’st her know, And from her own she learn’d to melt at others’ woe.    Scared at thy frown terrific, fly  Self-pleasing Folly’s idle brood,  Wild Laughter, Noise, and thoughtless Joy,  And leave us leisure to be good.  Light they disperse, and with them go  The summer Friend, the flattering Foe;  By vain Prosperity received, To her they vow their truth, and are again believed.    Wisdom in sable garb array’d  Immersed in rapturous thought profound,  And Melancholy, silent maid,  With leaden eye, that loves the ground,  Still on thy solemn steps attend:  Warm Charity, the general friend,  With Justice, to herself severe, And Pity dropping soft the sadly-pleasing tear.    O! gently on thy suppliant’s head  Dread Goddess, lay thy chastening hand!  Not in thy Gorgon terrors clad,  Nor circled with the vengeful band  (As by the impious thou art seen)  With thundering voice, and threatening mien,  With screaming Horror’s funeral cry, Despair, and fell Disease, and ghastly Poverty;—    Thy form benign, O Goddess, wear,  Thy milder influence impart,  Thy philosophic train be there  To soften, not to wound my heart.  The generous spark extinct revive,  Teach me to love and to forgive  Exact my own defects to scan, What others are to feel, and know myself a Man.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Old People and the Things that Pass

Source scans: http://www.archive.org/details/oldpeoplethingst00coupuoft
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI
* Chapter XVII
* Chapter XVIII
* Chapter XIX
* Chapter XX
* Chapter XXI
* Chapter XXII
* Chapter XXIII
* Chapter XXIV
* Chapter XXV
* Chapter XXVI
* Chapter XXVII
* Chapter XXVIII
* Chapter XXIX
* Chapter XXX
* About the author and this work
* About this transcription
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Life and Letters of Faraday

* Volume I. (transcription in progress)
* Volume II. (transcription in progress)
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Geebung Polo Club

Layout 2
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1975).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# For the Sexes: The Gates of Paradise

* The Gates of Paradise
* Mutual Forgiveness of each Vice,
* Such are the Gates of Paradise.
* Against the Accuser’s chief desire
* Who walkd among the Stones of Fire
* Jehovah’s Finger Wrote the Law,
* They Wept, then rose in Zeal & Awe
* And the Dead Corpse from Sinai’s heat
* Buried beneath his Mercy Seat.
* O Christians, Christians, tell me Why
* You rear it on your Altars high.
* To the Accuser Who Is the God of This World
* Truly, My Satan, thou art but a Dunce,
* And dost not know the Garment from the Man.
* Every Harlot was a Virgin once,
* Nor canst thou ever change Kate into Nan.
* Tho’ thou art Worship’d by the Names Divine
* Of Jesus & Jehovah, thou art still
* The Son of Morn in weary Night’s decline,
* The lost Traveller’s Dream under the Hill.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Of the Gates

    My Eternal Man set in Repose
    The Female from his darkness rose
    And She found me beneath a Tree
    A Mandrake & in her Veil hid me
    Serpent Reasonings us entice
    Of Good & Evil: Virtue and Vice
    Doubt Self Jealous Watry folly
    Struggling thro Earth's Melancholy
    Naked in Air in Shame & Fear
    Blind in Fire with shield & spear
    Two Horn'd Reasoning Cloven Fiction
    In Doubt which is Self contradiction
    A dark Hermaphrodite We stood
    Rational Truth Root of Evil & Good
    Round me flew the Flaming Sword
    Round her snowy Whirlwinds roard
    Freezing her Veil the Mundane Shell
    I rent the Veil where the Dead dwell
    When weary Man enters his Cave
    He meets his Saviour in the Grave
    Some find a Female Garment there
    And some a Male, woven with care
    Lest the Sexual Garments sweet
    Should grow a devouring Winding sheet
    One Dies! Alas! The Living & Dead
    One is slain & One is fled
    In Vain-glory hatcht & nurst
    By double Spectres Self Accurst
    My Son! my Son! thou treatest me
    But as I have instructed thee
    On the shadows of the Moon
    Climbing thro Nights highest noon
    In Times Ocean falling drownd
    In Aged Ignorance profound
    Holy & cold I clipd the Wings
    Of all Sublunary Things
    And in depths of my Dungeons
    Closed the Father & the Sons
    But when once I did descry
    The Immortal Man that cannot Die
    Thro evening shades I haste away
    To close the Labours of my Day
    The Door of Death I open found
    And the Worm Weaving in the Ground
    Thou'rt my Mother from the Womb
    Wife, Sister, Daughter to the Tomb
    Weaving to Dreams the Sexual strife
    And weeping over the Web of Life
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Gates of Paradise

For the Sexes
The
Gates
of
Paradise
* Mutual Forgiveness of each Vice
* Such are the Gates of Paradise
* Against the Accusers chief desire
* Who walkd among the Stones of Fire
* Jehovahs Finger Wrote the Law
* Then Wept: then rose in Zeal & Awe
* And the Dead Corpse from Sinais heat
* Buried beneath his Mercy Seat
* O Christians Christians tell me Why
* You rear it on your Altars high
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# To The Accuser who is The God of This World

Plate 21 of For the Sexes: The Gates of Paradise
To the Accuser Who Is
The God of This World
Truly, My Satan, thou art but a Dunce, And dost not know the Garment from the Man. Every Harlot was a Virgin once, Nor canst thou ever change Kate into Nan.
Tho' thou art Worship'd by the Names Divine Of Jesus & Jehovah, thou art still The Son of Morn in weary Night's decline, The lost Traveller's Dream under the Hill.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Hermit

* Search for titles containing or beginning with: "The Hermit"
* sister projects: Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Hermit, (1886), a poem by Oliver Goldsmith Internet Archive identifier: hermitballad00gold
* The Hermit, a legend in verse by Ilia Chavchavadze translated by Marjory Wardrop (1895)
* The Hermit (1909), a poem by Florence Earle Coates
* The Hermit, a poem by Gladys Cromwell
* The Hermit, a poem by Mattie Griffith
* The Hermit, a poem by Martha Lavinia Hoffman
* The Hermit, a poem by Thomas Parnell
* The Hermit, a poem by Thomas Parnell
* The Story of the Hermit, a variant of the story of Parnell's poem, summarized by Thomas Frederick Crane in Italian Popular Tales (1885)
* The Hermit, a poem by Katharine Tynan
# Poems (Emma M. Ballard Bell)

POEMS.
POEMS.
BY
MRS. EMMA M. BELL, A.M.
PHILADELPHIA:
J. B. LIPPINCOTT & CO.
1872
Entered according to Act of Congress, in the year 1871, by
EZRA M. BELL,
In the Office of the Librarian of Congress at Washington.
CONTENTS.
This work is in the public domain in the United States because it was published before January 1, 1930.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Near and Far

* Search for titles containing or beginning with: "Near and Far"
* sister projects: Wikidata item
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Near and Far, a poetry collection by Edmund Blunden
* "Near and Far", a poem by Florence Earle Coates
* Near and Far a book by William Senior
# Poems &c. Upon Several Occasions/The Passion

The Passion.
This Subject the Author finding to be above the yeers he had, when he wrote it, and nothing satisfi'd with what was begun, left it unfinisht.
# The Passion

* "The Passion", in Poems of Mr. John Milton, Both English and Latin, Compos'd at several times (1645)
* "The Passion", in Poems &c. Upon Several Occasions (1673)
* "The Passion", in The Complete Poetical Works of John Milton (1899), edited by Horace Elisha Scudder
# Poems of Mr. John Milton, Both English and Latin, Compos'd at several times/The Passion

The Passion
I.
Wherwith the stage of Ayr and Earth did ring,
And joyous news of heav'nly Infants birth, My muse with Angels did divide to sing; But headlong joy is ever on the wing, In Wintry solstice like the shortn'd light Soon swallow'd up in dark and long out-living night.
II.
And set my Harpe to notes of saddest wo, Which on our dearest Lord did sease er'e long, Dangers, and snares, and wrongs, and worse then so, Which he for us did freely undergo. Most perfect Heroe, try'd in heaviest plight Of labours huge and hard, too hard for human wight.
III.
That dropt with odorous oil down his fair eyes, Poor fleshly Tabernacle entered, His starry front low-rooft beneath the skies; O what a Mask was there, what a disguise! Yet more; the stroke of death he must abide, Then lies him meekly down fast by his Brethrens side.
IV.
To this Horizon is my Phœbus bound,
His Godlike acts, and his temptations fierce, And former sufferings other where are found; Loud o're the rest Cremona's Trump doth sound; Me softer airs befit, and softer strings Of Lute, or Viol still, more apt for mournful things.
V.
Over the Pole thy thickest mantle throw, And work my flatter'd fancy to belief, That Heav'n and Earth are colour'd with my wo; My sorrows are too dark for day to know: The leaves should all be black wheron I write, And letters where my tears have washt a wannish white.
VI.
That whirl'd the Prophet up at Chebar flood, My spirit som transporting Cherub feels, To bear me where the Towers of Salem stood, Once glorious Towers, now sunk in guiltles blood; There doth my soul in holy vision sit In pensive trance, and anguish, and ecstatick fit.
VII.
That was the Casket of Heav'ns richest store,
And here though grief my feeble hands up-lock, Yet on the softned Quarry would I score My plaining vers as lively as before; For sure so well instructed are my tears, That they would fitly fall in order'd Characters.
VIII.
Take up a weeping on the Mountains wilde, The gentle neighbourhood of grove and spring Would soon unboosom all thir Echoes milde, And I (for grief is easily beguild) Might think th' infection of my sorrows loud, Had got a race of mourners on som pregnant cloud.
This Subject the Author finding to be above the yeers he had, when he wrote it, and nothing satisfi'd with what was begun, left it unfinisht.
# The Complete Poetical Works of John Milton/The Passion

THE PASSION
(1630)
This was begun as a companion-piece to the "Ode on the Nativity," and probably dates from the Easter Season of 1630. The chilly conceitfulness of many of the lines contrasts remarkably with the eager and inspired tone of the Ode. If it were not for the explicit statement of the opening lines, we should be inclined to attribute this poem to an earlier date.
This Subject the Author finding to be above the years he had when he wrote it, and nothing satisfied with what was begun, left it unfinished.
# The Voyage of Life

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Voyage of Life", a poem by Emma M. Ballard Bell
* "The Voyage of Life", a poem by Lucy Hamilton Hooper
# To the Flowers

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "To the Flowers", a poem by Emma M. Ballard Bell
* "To the Flowers", a poem by Martha Lavinia Hoffman
# Poems (Emma M. Ballard Bell)/Morning

POEMS.
# Guardian Angels

This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Guardian Angels", a poem by Annie Lanman Angier
* "Guardian Angels", a poem by Emma M. Ballard Bell
* "Guardian Angels", a poem by Matilda Caroline Smiley Edwards