# Weird Tales/Volume 24/Issue 3/The Eyrie

The last page of the source scan is missing.
From time to time we are importuned by our readers to devote several pages of Weird Tales each month to a forum in which the lovers of fantastic fiction can exchange views. We are asked to have articles on weird fiction generally, information about our authors, debates between the fans. It has been suggested that we expand the Eyrie for this purpose, and make it a battleground for the conflicts of the weird fiction fans. This we have stedfastly refused to do, for Weird Tales, after all, is a magazine of fiction, and undue expansion of the Eyrie, or the opening of a new department to satisfy the fans, would take just that much space away from weird stories, which are our primary interest. So, instead of reducing our story space to make room for such a department, we suggest to those of you who are interested that you write to Charles D. Hornig, editor of The Fantasy Fan, whose home address is 137 West Grand Street, Elizabeth, New Jersey. We have been receiving The Fantasy Fan for several months, and we think it is just the forum you want—that is, those of you who make weird fiction your hobby. The Fantasy Fan does not appear on the news stands, but Mr. Hornig can supply you with detailed information about it.
Joseph T. Ryerson, of Muskegon Heights, Michigan, writes to the Eyrie: "Having been a constant reader of WT ever since its conception, I feel it's about time I aired my thoughts. I just read in the July issue the reprint from your first issue, The Dead Man's Tale, and feel that your present authors will have to keep on their toes in order to maintain the standard of that story. But for sheer pathos and beauty, One Christmas Eve stands out above the rest. It was a very fortunate circumstance that Robert E. Howard did not have a hand in writing Through the Gates of the Silver Key, for it is a humdinger as it is. . . . No biographies of authors, please."
B. M. Reynolds, of North Adams, Massachusetts, writes: "Congratulations on your July issue. It was a knockout and then some. I don't believe you have ever put out an issue containing so many stories of superb quality and high standard. You have certainly set a new high mark. Through the Gates of the Silver Key was a classic, and positively the best piece of work those incomparable artists Lovecraft and Price have ever done. Its cosmic scope and imaginative brilliance certainly give one plenty of food for thought. By all means give us a sequel to this story, and get Randolph Carter or one of his 'facets' back to earth again. Arlton Eadie takes second honors with his new mystery serial, The Trail of the Cloven Hoof. This is the best serial since Golden Blood and the best work I have ever seen by Eadie. If he can sustain the present high mark of eery mystery and nameless horror throughout the forthcoming chapters, he will have written a masterpiece. The Master of Souls by Harold Ward was also a very entertaining and unusual story, having a most bizarre and original theme. Ward's work has been steadily improving, and I am surprized he does not receive more comment."
Edgar Hurd, of Crescent City, California, writes: "I have been reading Weird Tales for about four years and I think it has ​improved constantly and is the best magazine of any type on the market. I like Brundage's covers, though I think some weird monsters in addition to the human figures would be good. Please don't enlarge the Eyrie until it crowds out a couple of short stories. The plan of making extracts of the important parts of the letters is best. And I hope the majority of the readers vote against an author's page. In the July issue, Through the Gates of the Silver Key was my first choice. It was marvelous. It filled my head with mighty thoughts and great yearnings. I give The Illusion of Flame by Paul Ernst second place.... Your newest author, C. L. Moore, is excellent, I am eagerly waiting for his story, Dust of Gods. My favorite story characters are Conan and Northwest Smith. The bloody adventures of Conan are very interesting, and C. L. Moore has such unusual and original conceptions that reading his stories is a pleasure. I am fed up with stories of animated corpses and vampires.... I like the fantastic and imaginative story better than the scary one. Especially do I like stories about undeveloped and unknown powers of the mind."
Robert Bloch, of Milwaukee, writes: "In heaven's name, publish that author's page! WT has a very interesting staff of authors, indeed. No one could claim a more interesting career than Price, soldier of fortune, etc.; Howard, a typical barbarian like his own Conan; Lovecraft, the recluse; Derleth, the descendant of a count who fled the French revolution; Quinn and his interesting job. Yet the bulk of your readers know nothing of these fascinating facts. Loosen up with them!"
Emil Petaja, of Milltown, Montana, writes: "Although I have just had time to glance over the July issue of Weird Tales, the stories appear to be unusually excellent. I am glad to see a novel by Arlton Eadie. It seems to me that his stories have never been fully appreciated by your readers. One of his tales, The Avenging Shadow, which appeared in 1931, was never mentioned in the Eyrie, but it struck me as being one of the best tales you have ever published. . . . I want to say a word regarding suggestions made of late with reference to a quarterly or mid-monthly magazine, to be devoted to longer stories, reprints, etc. I consider this a splendid idea. You could publish in it long serial reprints, both from back issues of Weird Tales and stories such as The Wolf-Leader by Dumas, which appeared serially as a reprint in WT. This could appear quarterly and be twice as large as WT, and sell for fifty cents. In this, you could give information on old, forbidden magic, true weird tales, and old writers like Cagliostro, Roger Bacon, etc. With regard to a page giving information about your authors, I agree with you, by all means don't have one. In many cases these would detract from the author's popularity. I can see no reason for kicking about your covers. Individually, each is a work of art, and the weird atmosphere is uppermost in each."
Miss Andre Cross, of Hollywood, California, writes: "For three years I have been a faithful reader of Weird Tales and I have never found anything to make a comment about. I was never very interested in writing fan letters, but it seems I must write to you and say how much I enjoy every word of your magazine. It is simply supreme. Your cover designs are extremely attractive, and if they are not actually done by a woman, they have the fine, delicate touch of a woman.... I think you should have more stories of vampires and stories such as The Return of Balkis, The Sapphire Goddess, and Revelations in Black. Give us more of the charming fascinating character Monsieur Jules de Grandin, the gallant Frenchman, and his adventures."
Fred Anger, of Berkeley, California, writes: "Weird Tales is certainly improving steadily. Every new copy gets better and better; evidently there is no end to your progress. The first installment of The Trail of the Cloven Hoof is as good a piece of weird fiction as it is possible to find. Mr. Eadie has given us nothing but the best in all the years he has been writing. The Trail of the Cloven Hoof equals if not excels The World-Wrecker of several years ago. Congratulations, Mr. Eadie. Through the Gates
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1934 could have had their copyright renewed in 1961 or 1962, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1963.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse