OpenLLM-France/wikimedia huggingface dataset:
# The Sikh Religion/Volume 6/Parmanand

PARMANAND
Parmanand resided at Barsi, north of Pandharpur. His era and history are not known. It is said that he had the same love and affection for God as the milkmaids had for Krishan. In his riper years he used to sing the praises of God with the zest of a boy of twelve or fourteen years of age, and he thus largely contributed to the magnification of God's name. The beauty and deeds of Krishan's external and internal body were ever present to him, so it is no wonder that he sang the graces, the splendour, the loveliness, and the pastoral and sylvan sports of that great king with all the enthusiasm of earnest faith and devotion.
Parmanand used to be so absorbed in the love and contemplation of God that tears, it is said, flowed continually from his eyes, and times without number he experienced an alteration and stoppage of his voice during his paroxysms of ecstasy. He ​used to make seven hundred protestations to God daily, often on the muddy road. A merchant once offered him a silken cloth to protect his knees. He declined the offer and told him to give it to a more needy person, as he himself would be satisfied with an old cloth instead. This the merchant granted him.
Parmanand defended the utterance of God's name as a devotional exercise by saying that prayers are often not felt, because while repeating them men's minds are apt to wander; but the continual utterance of God's name must ever result in heartfelt devotion.
In his hymns Parmanand called himself Sarang, by which he meant that he longed for God as the sarang or chatrik longs for its yearly raindrops.
Parmanand's writings are believed to excessively increase men's love for God. It is said to be impossible for one to read them without contemplating God or bearing an image of Him in the mind. A list of Parmanand's works is given in the Asht Chhap or the Eight Marks of the followers of Vishnu.
The following hymn of Parmanand's composition is found in the Granth Sahib.
Sarang
O man, what hast thou done by hearing the Purans?
Thou hast performed no steady worship, and not given alms to the hungry.
Lust hast thou not forgotten, wrath hast thou not for gotten, covetousness hath not left thee;
Slander hath not left thy lips, and fruitless hath been all thy devotion.
O sinful man, by highway robbery and house-breaking hast thou filled thy belly.
Thou hast committed the folly from which on thy departure to the next world infamy will result. ​The desire for the destruction of life did not leave thy heart, and thou didst not cherish mercy for living things.
Parmanand, thou hast not in the company of holy men made current God's pure word.
# The Shame of Going Back

When you've come to make a fortune and you haven't made your salt, And the reason of your failure isn't anybody's fault — When you haven't got a billet, and the times are very slack, There is nothing that can spur you like the shame of going back;  Crawling home with empty pockets,  Going back hard-up; Oh! it's then you learn the meaning of humiliation's cup.
When the place and you are strangers and you struggle all alone, And you have a mighty longing for the town where you are known; When your clothes are very shabby and the future's very black, There is nothing that can hurt you like the shame of going back.
When we've fought the battle bravely and are beaten to the wall, 'Tis the sneers of men, not conscience, that make cowards of us all; And the while you are returning, oh! your brain is on the rack, And your heart is in the shadow of the shame of going back.
When a beaten man's discovered with a bullet in his brain, They POST-MORTEM him, and try him, and they say he was insane; But it very often happens that he'd lately got the sack, And his onward move was owing to the shame of going back.
Ah! my friend, you call it nonsense, and your upper lip is curled, I can see that you have never worked your passage through the world; But when fortune rounds upon you and the rain is on the track, You will learn the bitter meaning of the shame of going back;  Going home with empty pockets,  Going home hard-up; Oh, you'll taste the bitter poison in humiliation's cup.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Shame of the Cities

THE SHAME OF THE CITIES
BY
LINCOLN STEFFENS
NEW YORK McCLURE, PHILLIPS & CO. MCMIV
Copyright, 1904, by
McCLURE, PHILLIPS & CO.
Published, March, 1904
Second Impression
COPYRIGHT, 1908, 1903, BY S. S. MCCLURE COMPANY
CONTENTS
PAGE
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Rescue/Part V

PART V.
THE POINT OF HONOUR AND THE POINT OF PASSION
# The Rescue/Part VI

PART VI.
THE CLAIM OF LIFE AND THE TOLL OF DEATH
# The Sea-Hawk

The Sea Hawk was adapted into a silent film by George Lloyd in 1924. The well-known film of the same name starring Errol Flynn used an entirely different story, but with some footage from the 1924 version.
THE SEA-HAWK
BY RAFAEL SABATINI

## Contents

* Note
Part I:
Sir Oliver Tressilian
* Chapter I: The Huckster
* Chapter II: Rosamund
* Chapter III: The Forge
* Chapter IV: The Intervener
* Chapter V: The Buckler
* Chapter VI: Jasper Leigh
* Chapter VII: Trepanned
* Chapter VIII: The Spaniard
Part II:
Sakr-el-Bahr
* Chapter I: The Captive
* Chapter II: The Renegade
* Chapter III: Homeward Bound
* Chapter IV: The Raid
* Chapter V: The Lion of the Faith
* Chapter VI: The Convert
* Chapter VII: Marzak-ben-Asad
* Chapter VIII: Mother and Son
* Chapter IX: Competitors
* Chapter X: The Slave-market
* Chapter XI: The Truth
* Chapter XII: The Subtlety of Fenzileh
* Chapter XIII: In the Sight of Allah
* Chapter XIV: The Sign
* Chapter XV: The Voyage
* Chapter XVI: The Pannier
* Chapter XVII: The Dupe
* Chapter XVIII: Sheik Mat
* Chapter XIX: The Mutineers
* Chapter XX: The Messenger
* Chapter XXI: Moriturus
* Chapter XXII: The Surrender
* Chapter XXIII: The Heathen Creed
* Chapter XXIV: The Judges
* Chapter XXV: The Advocate
* Chapter XXVI: The Judgement
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sea-Hare

* "Das Meerhäschen", Brothers Grimm Kinder- und Haus-Märchen Band 2 (1857)
* "The Sea-Hare", M Hunt (translator) Grimm's Household Tales, Volume 2, 1884.
# The Shell

* Search for titles containing or beginning with: "The Shell."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Shell", a poem by Thomas Holley Chivers
* "The Shell", a poem by Henry Smalley Sarson
* "The Shell," a short story by Mary Stewart Cutting
# The Shepheard's Calender (Crane)

he Shep:
Twelve Aeglogues proportionable to the twelve monthes
Entitled to the noble and vertuous gent: leman most worthy of all titles both of learning & chivalry
* by Edmund
* Spenser:
* newly adorned with twelve pict: ures and other
* devices by
* Walter Crane.
* LONDON · & · NEW YORK · HARPER · & · BROTHERS · MDCCCXCVIII ·
TO HIS BOOK.
Go, little Book! thyself present,
As child whose parent is unkent,
To him that is the President
Of Nobleness and Chivalry:
And if that Envy bark at thee,
As sure it will, for succour flee
Under the shadow of his wing.
And, asked who thee forth did bring,
A shepheard’s swain, say, did thee sing,
All as his straying flock he fed:
And, when his Honour has thee read,
Crave pardon for thy hardyhed.
But, if that any ask thy name,
Say, thou wert base-begot with blame;
Forthy thereof thou takest shame.
And, when thou art past jeopardy,
Come tell me what was said of me,
And I will send more after thee.
IMMERITO.
IMMERITO
TABLE OF CONTENTS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Silken Tassel/To One Who Knows

TO ONE WHO KNOWS
# The Silvia

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
171 U.S. 462
The Silvia
Harrington Putnam and C. C. Burlingham, for appellant.
J. Parker Kirlin, for appellee.
Mr. Justice GRAY delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Silken Tassel/Introduction

INTRODUCTION
I am told that Mr. Khabardar is a popular poet in his mother-tongue, Gujerati, and I can well believe it on the assumption that a poet’s wealth of ideas and metrical power is capable of spending itself through more than one language, In Mr. Khabardar’s case it obviously should be so. He has lived and listened so closely to Keats and Francis Thompson and other masters of lyrical English, and he has made their speech and method so fully his own—in these English poems of his—₮that it is only on the rarest occasion that a close reader comes on an accent which discloses the foreign lip. I f his technical mastery is so strong in a foreign language, his expression in his mother-tongue must indeed he as excellent as I am told it is. This gives one the feeling that, how­ ever fluently and sweetly he may sing in English of the joy of human love and Divine vision, one is still, in his English poems, only on the threshold ​of his genius. My introduction of Mr. Khabardar is, therefore, somewhat complicated. I cannot introduce him as an Indian poet, for he is not here singing in an Indian language, and if he was, I should unfortunately he none the wiser. I cannot introduce him as an English poet, because he is not one. But I can introduce him—as himself; as one who songs in this book melodiously and until fulness of that level of human life which is the common experience of all humanity, and (which is his special excellence) of that higher level of spiritual realisation which is familiar to Indian experience, and which may the sooner find utterance in English poetry by being voiced in the orient in songs such as these.
# The Riddle (Grimm)

English-language translations of Das Rätsel include:
* "The Riddle", translated by William John Thoms, in Lays and Legends of Germany (1834) (transcription project)
* "The Riddle", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
* "The Riddle" in The Green Fairy Book (1902)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Riddle and Other Stories

Whether they've all appeared before in magazine I don't know , but here they are at last in a volume, these stories that many readers have longed to have. … Sometimes Mr. de la Mare begins by placing us in this world, and then beckons us little by little into another world in whose different strangeness he is quite as much at home. Sometimes the transition is swift and smooth from one world to the other, as in the Riddle itself; and once in a while, as in the Count's Courtship, we discover that this world can be as strange as any. … —from the review in The New Republic, Sept 1923. Full review(s) on the Discussion page
THE RIDDLE AND OTHER STORIES
By the same Author
Poetry
* THE LISTENERS and other Poems
* PEACOCK PIE: A Book of Rhymes
* MOTLEY and other Poems
* POEMS 1901-1918
* A CHILD'S DAY
* SONGS OF CHILDHOOD
* THE VEIL and other Poems
* DOWN A DOWN DERRY
Prose
* HENRY BROCKEN
* THE RETURN
* THE THREE MULLA MULGARS
* MEMOIRS OF A MIDGET
* STORY & RHYME
THE RIDDLE
AND OTHER STORIES
BY
WALTER DE LA MARE
SELWYN & BLOUNT LIMITED 21 YORK BUILDINGS, ADELPHI LONDON
First printed, May 1923
Printed in England at The Kynoch Press
CONTENTS
* The Almond Tree, P. 1
* The Count's Courtship, P. 38
* The Looking Glass, P. 5 5
* Miss Duveen, P. 69
* Selina'S Parable, P. 90
* Seaton's Aunt, P. 97
* The Bird of Travel, P. 142
* The Bowl, P. 178
* The Three Friends, P. 169
* Lispet, Lispett & Vaine, P. 178
* The Tree, P. 20 5
* Out of the Deep, P. 232
* The Creatures, P. 273
* The Riddle, P. 289
* The Vats, P. 29
* Advertisements
to Russell Loines
“This communicating of a man's self to his friend .... redoubleth joys, and cutteth griefs in halfs.”
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Richmond Times-Dispatch/Pokahuntas Bell: Pleasant Presentation at Fort Boon on Exposition Grounds

The Richmond Times-Dispatch article on June 16, 1907 about the casting of the Pokahuntas Bell in 1907.
Jamestown Exposition Grounds, VA. June 15. -- Pokahuntas Bell, cast from historic pieces of metal, donated for the purpose by prominent people in various parts of the country, was formally presented to the Pokahuntas Bell Association on the Kentucky reservation, on the Exposition Grounds, this afternoon. The bell stood on the right of the main entrance to the representation of old Fort Boon, which is Kentucky building. A large crowd witnessed the ceremonies. Governor Swanson of Virginia was the orator on this occasion. The Governor received the bell on behalf of the faculty of the University of Virginia. The bell will be entrusted to the keeping of the university at the close of the exposition. Other speakers at the ceremonies were T. J. Wool, of general counsel for the exposition and Major Hunter.
Among the interested spectators present was Mrs. Anna S. Green, of Colpeper, VA. who founded the Pokahuntas Bell Association. Music for the occaion was furnished by the band of the University of Missouri.
# The Richmond Times-Dispatch/Pokahuntas Bell

The Richmond Times-Dispatch article on May 6, 1907 about the casting of the Pokahuntas Bell in 1907.
Mrs. A. S. Green, president of Pokahuntas Bell Association, has just returned from the Jamestown Exposition, and would be glad to see the Richmond members of this association and others who are interested in this historical bell at the Jefferson [Hotel in Rich'd Va.] to-day between the hours of 11 and 1 o'clock. She desires to make a report of the selection the association has made for the environment and position of this bell. The location is ideal so far as regards the early settlement days which the bell represents. It will be on time to ring out its peaceful tones on the 18th of May.
# The Riddle

* Search for titles containing or beginning with: "The Riddle."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Riddle, a fairy tale by the Brothers Grimm.
* The Riddle, a short story by Walter de la Mare.
* The Riddle, a traditional English folk song.

### See also

* Riddles
# The Riddle Solved

* The Modern Review/Volume 6/Number 6/The Riddle Solved
* Mashi and Other Stories/The Riddle Solved
# The Soldier's Funeral (Letitia Elizabeth Landon)

* From The Literary Gazette, November 1822
* From The Improvisatrice; and Other Poems (1824)
# The Soldier's Grave (Letitia Elizabeth Landon)

* From The Literary Gazette, February 1823
* The Improvisatrice; and Other Poems (1824)
# The Soldier's Return (2)

The SOLDIER'S RETURN,
The Irish Smugglers,
Loudon's bonny Woods and Braes,
THE SAILOR'S EPITAPH,
AND
THE SLIGHTED LOVER.
No. 32.
PRINTED FOR, AND SOLD WHOLESALE BY,
J. FRASER, PRINTER, STIRLING.
* The Soldier's Return
* The Irish Smugglers
* Loudon's Bonny Woods and Braes
* The Sailor's Epitaph
* The Slighted Lover
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Soldier's Dream

* Search for titles containing or beginning with: "The Soldier's Dream."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Soldier's Dream", a poem by Thomas Campbell
* "The Soldier's Dream", a poem by C. G. Fall
# The Soldier's Grave

* Search for titles containing or beginning with: "The Soldier's Grave."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Soldier's Grave, a poem by James Fraser (1817).
* The Soldier's Grave, versions of a ballad by Letitia Elizabeth Landon (1823).
# The Soldier's Adieu

* Search for titles containing or beginning with: "The Soldier's Adieu."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Soldier's Adieu", poem by Charles Dibdin
* "The Soldier's Adieu", poem by Robert Tannahill
# The Soldier's Death-Bed

* The Soldier's Deathbed, in Blackwood's Edinburgh Magazine Volume 25, 1829.
* The Soldier's Deathbed, in Songs of the Affections, with Other Poems (Songs of the Affections, with Other Poems), 1830.
# The Summons (Felicia Hemans)

* The Summons, in Blackwood's Edinburgh Magazine Volume 26, 1829.
* The Call to Battle, in National Lyrics, and Songs for Music, 1834.
# The Summoner's Prologue and Tale (Chaucer)

part of The Canterbury Tales
* The Somnours Tale (1900) from The Complete Works of Geoffrey Chaucer
* The Summoner’s Tale from The Canterbury Tales and Faerie Queene (1870) (transcription project)
* The Summoner’s Tale from The Canterbury tales of Geoffrey Chaucer (1914) (transcription project)
* The Summoner’s Tale from (unsourced)
# The Summons

* Search for titles containing or beginning with: "The Summons."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Summons, a poem by Ralph Waldo Emerson
* The Summons, versions of a poem by Felicia Hemans
* The Summons, a novel by Alfred Edward Woodley Mason
* The Summons, a poem by Katharine Tynan
* The Summons, a poem by John Greenleaf Whittier
# The Summons (novel)

* information about this edition.
* sister projects: Wikidata item.
The Summons is a 1920 novel by A. E. W. Mason
THE SUMMONS
BY A. E. W. MASON
AUTHOR OF "THE FOUR FEATHERS," "THE
TURNSTILE," ETC.
TO THOSE WHO SERVED WITH ME ABROAD THROUGH THE FOUR YEARS

### CONTENTS

CHAPTER
* The Olympic Games
* An Anthem Intervenes
* Mario Escobar
* The Secret of Harry Luttrell
* Hillyard's Messenger
* The Honorary Member
* In the Garden of Eden
* Hillyard Hears News of an Old Friend
* Enter the Heroine in Anything but White Satin
* The Summons
* Stella Runs to Earth
* In Barcelona
* Old Acquaintance
* "Touching the Matter of Those Ships"
* In a Sleeping-Car
* Tricks of the Trade
* On a Cape of Spain
* The Uses of Science
* Under Grey Skies Again
* Lady Splay's Preoccupations
* The Magnolia Flowers
* Jenny Prask
* Plans for the Evening
* Jenny Prask Is Interested
* In a Library
* A Fatal Kindness
* The Rank and File
* The Long Sleep
* Jenny Puts up Her Fight
* A Revolution in Sir Chichester
* Jenny and Millie Splay
* "But Still a Ruby Kindles in the Vine"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sermon on the Mount (Bossuet)/Day 23

Twenty-third Day
'Our Father, Who art in Heaven' — Matt. vi. 9.
YET again ‘ Our Father '; but this time we must add ‘Who art in heaven.’ Thou art everywhere; but specially Thou art in heaven as in the place where Thou gatherest together Thy children, where Thou showest them Thyself and Thy glory, and where Thou hast appointed them their inheritance.
St Paul, when he had told us how the Spirit gives testimony that we are children of God, added, ' and if sons, heirs also ’: and even this is not all: — it is difficult to realise the full measure of our happiness, for we are ' heirs, indeed, of God, and joint-heirs with Christ.’ We shall have the same inheritance — the same kingdom. We shall be seated on Christ’s own throne; we shall share in His glory, and shall be happy in Him, through Him, and with Him. ​Hence we cry: 'Our Father Who art in heaven,' that we may remember where He calls us.
Who could fail to love Him Who makes us not only His heirs, but co-heirs with His beloved Son? And who could fail to desire that lovely inheritance? It is given only to those who love Him. Our inheritance is God Himself: He is our one good and our sole reward. 'I,’ He said, 'am thy protector, and thy reward exceeding great ’: — too great, that is, for your deserts, but not exceeding the immense goodness of your God.
* ↑ Rom. viii. 17.
* ↑ Gen. xv. i.