OpenLLM-France/wikimedia huggingface dataset:
# Proclamation of South Australia

By His Excellency John Hindmarsh, Knight of the Royal Hanoverian Guelphie Order, Governor and Commander in Chief of His Majesty’s Province of South Australia:
In announcing to the colonists of His Majesty’s Province of South Australia, the establishment of the Government, I hereby call upon them to conduct themselves on all occasions with order and quietness, duly to respect the laws, and by a course of industry and sobriety, by the practice of sound morality and a strict observance of the Ordinances of Religion, to prove themselves worthy to be the Founders of a great free colony.
It is also, at this time especially, my duty to apprize the Colonists of my resolution, to take every lawful means for extending the same protection to the Native Population as to the rest of His Majesty’s subjects and of my firm determination to punish with exemplary severity all acts of violence or injustice which may in any manner be practiced or attempted against the Natives who are to be considered as much under the safeguard of the Law as the Colonists themselves, and equally entitled to the privileges of British subjects. I trust therefore, with confidence to the exercise of moderation and forbearance by all Classes in their intercourse with the Native Inhabitants, and that they will omit no opportunity of assisting me to fulfil His Majesty’s most gracious and benevolent intentions toward them by promoting their advancement in civilization and ultimately, under the blessing of Divine Providence, their conversion to the Christian Faith.
By His Excellency’s Command, Robert Gouger Colonial Secretary
God Save the King!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Science (journal)/Volume 5/No. 100

Letters to the Editor
* Why is Water Considered Ghost-Proof? by Lester F. Ward (p. 2)
* Hollyhock-Disease and the Cotton-Plant by J. C. Arthur (p. 2)
* Military Cetology by Frederick W. True (pp. 2-3)
* Man in the Stone Age by Daniel G. Brinton (p. 3)
* Dr. Haacke's Discovery of the Eggs of Echidna by Henry F. Osborn (p. 3)
* Artificial Wampum by Erminnie A. Smith (pp. 3-4)
* Was It Imagination? by E. T. Quimby (p. 4)
* The Kongo by Gardiner G. Hubbard (pp. 5-8)
* Lake Mistassini by J. D. Whitney (pp. 8-10)
* The Tasman Glacier (pp. 10-11)
* The Digestibility of Cellulose by H. P. Armsby (pp. 11-12)
* Is the Rainfall of Kansas Increasing? (pp. 12-13)
* American Society for Psychical Research (pp. 13)
* The Natural Bridge of Virginia (pp. 13-14)
* Hereditary Intellect and the Geographical Distribution of Talents (pp. 14-15)
* Dr. Hack Tuke on Hypnotism by Hack Tuke (pp. 15-16)
* Inheritance among the Ancient Arabs by J. W. Powell (pp. 16-18)
* Notes and News (pp. 18-20)
# Science (journal)/Volume 5/No. 120

Letters to the Editor
* Progress of Vegetation in the Ohio Valley by Jos F. James (pp. 414-415)
* Prehistoric Fishing by W. M. Beauchamp (p. 415)
* The Ruddy Glow around the Sun by G. H. Stone (p. 415)
* Carl Theodor Von Siebold (pp. 415-416)
* The New Mining Laboratory of the Massachusetts Institute of Technology (pp. 417-419)
* Silver from a Pennsylvania Mound by Cyrus Thomas (pp. 419-420)
* A Fossil Elk or Moose from the Quaternary of New Jersey by W. B. Scott (pp. 420-422)
* Geographical News (pp. 422-423)
* The American Fisheries Society (pp. 423-426)
* Inland Navigation of Europe (pp. 426-427)
* The Geology of Wisconsin (pp. 427-430)
* Nordenskiöld's Arctic Investigations by A. E. Nordenskiöld (pp. 430-432)
* Notes and News (p. 432)
# Science (journal)/Volume 5/No. 120/Carl Theodor Von Siebold

DOI: 10.1126/science.ns-5.120.415-b, pages 415-416
The death of Carl Theodor Ernst von Siebold, the last survivor of three distinguished brothers, deprives Germany of one of her most honored men of science. His investigations had ceased, owing to illness and the
encroachments of age, some time before his head; but his career is a long record of discoveries. He was born a Würzburg, Feb. 16, 1804. His elder brother, Eduard Kaspar Jakob, was a prominent obstetrician, holding a professorship at Göttingen at the time of his death. His still older cousin, Philip Fraz (not a brother, as sometimes stated), became distinguished by his very successful scientific journeys in Japan and the Indian Archipelago. Carl Theodor, like Helmholz, and many another of the older German men of science, was educated as a physician, and began life with the practice of his profession, at first in a governmental post as a 'kreisphysikos' in Heilsberg for a year, next as director of the lying-in hospital at Dantzig. In 1840 he definitely entered upon a university career as professor of physiology at Erlangen; and, after several changes, he went to Munich in 1853, and there remained until his death, on the 7th of last April.
His original work has been almost entirely in the field of zoölogy, more especially in the domain of comparative anatomy. His manual of this last-mentioned science is a great masterpiece, a model of truthful and critical compilation, supported by numerous original observations. In this work an immense array of facts are properly co-ordinated, and the whole concisely presented. It is not too much to say of this publication, that it has never been surpassed as an adequate exposition of the contemporary knowledge of comparative anatomy. Siebold's own investigations have been very numerous. His researches on the development of the intestinal worms, and also those on parthenogenesis, opened new fields of thought and the first-mentioned were of great practical utility to mankind. His monograph on the fresh-water fishes of Europe is the standard authority on the subject. Together with Kölliker, he founded the famous Zeitachrift für wissenschaftliche zoologie, a journal of the very highest character. The museum at Munich, of which he had charge, is a beautiful monument to his scientific and judicious administration. Such, in brief, are the long-continued and successful labors of one of the most esteemed veterans of German science, of one whose work and influence have contributed much to give Germany of to-day the intellectual leadership of mankind.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Science (journal)/Volume 5/No. 120/The Ruddy Glow around the Sun

DOI: 10.1126/science.ns-5.120.415-a, page 415
In November, 1883, at the time of the remarkable after-glows, I noticed that there was a broad, reddish ring around the sun even at mid-day. Soon after, I briefly described the appearances in Nature. Since then, I have constantly observed this phenomenon. The sky is very bright for about ten degrees from the sun; then comes the ruddy zone about twenty degrees wide, the deepest color being at about the natural distance of halos. My observations show that at this place there are but few days of the year when the chromatic glow is not visible; but it varies in intensity not only from day to day, but even from hour to hour. About a year ago I discovered that an increase in the depth of color preceded a fall in the temperature, and the formation, first of a structureless haze in the upper atmosphere, and, soon after, of cirrhus-clouds. At other times storms came on with no increase in the depth of color. Soon it became evident that the latter cases were when rain fell, and the general temperature was not low. Hail and sometimes snow storms were accompanied by great depth of color. During the summer of 1884, I passed several weeks in Maine. On two occasions the colored zone appeared around the sun as distinctly as it ordinarily does here. Both times the appearance of the glow was followed by violent thunder-storms, with high winds and hail.
While temperature would not affect the diffractive power of particles of volcanic dust directly, yet it is possible that at a low temperature the dust particles, on account of the condensation of the air, may be enough nearer to each other to give a perceptibly greater diffractive power to the mass of air in which they are suspended. But so often has an increase in the depth of the circumsolar glow preceded the formation of clouds, that it seems far more probable that the glow is caused by the precipitation of atmospheric moisture at low temperatures. If dust is involved in the process, it is probably only by its increasing the depth of color, or by its facilitating the precipitation of moisture.
In substance, these views have been expressed verbally to numerous persons for more than a year past. They are published now not merely as a matter of theoretical meteorology, but also for a practical purpose. The observations here recorded make it probable that the glow may be utilized as a prognostication of hail. It goes without saying, that it will be of great value to many, especially tn those who have much exposed glass on the roofs of greenhouses, etc., to be able to predict hail and a fall in the temperature. It is true that other localities than those named may not show the same phenomena. The subject is worthy of the careful study of the signal-service, and of meteorologists generally.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/The Workers of the World are Now Awaking

THE WORKERS OF THE WORLD ARE NOW AWAKING By Richard Brazier (Tune: "The Shade of the Old Apple Tree")
The Workers of the World are now awaking; The earth is shaking' with their mighty tread. The master class in great fear now are quaking, The sword of Damocles hangs o'er their head. The toilers in one union are uniting, To overthrow their cruel master's reign.
In one Union now they all are fighting, The product of their labor to retain.
CHORUS
It's a union for true Liberty It's a union for you and for me; It's for girls and for boys, Who want freedom from wage slavery; And we march with a Red Flag ahead, 'Cause the blood of all nations is red— Come and join in the fray, Come and join us today, We are fighting for Freedom and Bread.
The master's class in fear have kept us shaking, For long in bondage they held us fast; But the fight the Industrial Workers are now making Will make our chains a relic of the past. Industrial unionism now is calling, The toilers of the world they hear its cry; In line with the Industrial Workers they are falling, By their principles to stand or fall and die.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/Workingmen, Unite!

WORKINGMEN, UNITE! By E. S. Nelson (Tune: "Red Wing.")
Conditions they are bad, And some of you are sad; You cannot see your enemy, The class that lives in luxury,— You workingmen are poor,— Will be forevermore,— As long as you permit the few To guide your destiny.
CHORUS
Shall we still be slaves and work for wages? It is outrageous—has been for ages; This earth by right belongs to toilers, And not to spoilers of liberty.
The master class is small, But they have lots of "gall." When we unite to gain our right, It they resist we'll use our might; There is no middle ground This fight must be one round To victory, for liberty, Our class is marching on!
Workingmen, unite! We must put up a fight, To make us free from slavery And capitalistic tyranny;
This fight is not in vain, We've got a world to gain. Will you be a fool, a capitalist tool, And serve your enemy?
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Songs of the Workers (15th edition)/Workers of the World, Unite!

The tune to this song, "Love Me and the World is Mine," was written by Ernest Roland Ball.
WORKERS OF THE WORLD, UNITE! By Walquist (Tune: "Love Me and the World is Mine")
I wander up and down the street, Till I have blisters on my feet. My belly's empty, I've no bed, No place to rest my weary head. There's millions like me wandering, Who are deeply pondering, Oh, what must we do to live? Shall the workers face starvation, misery and privation, In a land so rich and fair
CHORUS
Unite, my Fellow Men, unite! Take back your freedom and your right You have nothing to lose now, Workers of the World, unite.
Oh! workingmen, come organize, Oh! when, oh! when will you get wise? Are you still going to be a fool, And let the rich man o'er you rule? It is time that you were waking, See the dawn is breaking Come now, wake up from your dream. All this wealth belong to toilers, And not to the spoilers, Wage slaves throw your chains away.
CHORUS
Unite, my Fellow, Men unite! And crush the greedy tyrant's might The earth belongs to Labor, Workers of the World, unite.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Songs of the Workers (15th edition)/Workers' Memorial Song

WORKERS' MEMORIAL SONG Air: Russian „ПОХОРОННЫЙ МАРШ“---Funeral March.
Dying as soldiers fighting for Labor, so did you fall; An off'ring of your love for those who share the strife; Gladly you gave us talent and treasure; yielding your all. The honor of the world, your freedom and your life.
Deeply you suffered nor shrunk from the grave— Judges and hangmen, the fate of the fray; Starved in dark dungeons, beaten and tortured—cheerful and brave— Defying chains and jails, you marched upon your way.
Mad with their blood-lust, rich from our labor, exploiters dwell In luxury and splendor; scornful of our power Sweeping to triumph, trusting no promise—Heaven or Hell; This song of sorrow sounds to them their fatal hour.
Rise now we workers rebellious and bold; Tyrants no longer shall rule from above; We are the builders—no one shall suffer hunger and cold— We bring a world of beauty, liberty and love.
Farewell true comrades, death now enfolds you—rest in the tomb; As sleeping there in peace you know no more of pain. Farewell, true comrades, we will remember you and your doom, And Labor soon will prove that none have died in vain
Farewell true comrades, we rise to the fight; O'er-sweeping all 'neath the banner ye bore, Slavery and sorrow vanish before us. Toilers Unite! To break your bonds and rule the world for evermore.
(Repeat the last four lines of the last stanza.)
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/When You Wear That Button

The tune to this song, "When You Wore a Tulip" (1914), was written by Jack Mahoney (words) and Percy Wenrich (music).
WHEN YOU WEAR THAT BUTTON (Tune: "When You Wore a Tulip") By Richard Brazier
I met him in Dakota when the harvesting was o'er A "Wob" he was, I saw by the button that he wore. He was talking to a bunch of slaves in the jungles near the tracks; He said "You guys whose homes are on your backs; Why don't you stick together with the "Wobblies" in one band And fight to change conditions for the workers in this land.
CHORUS
When you wear that button, the "Wobblies" red button And carry their red, red card, No need to hike, boys, along these old pikes, boys Every "Wobbly" will be your pard. The boss will be leery, the "stiffs" will be cheery When we hit John Farmer hard They'll all be affrighted. when we stand united And carry that Red, Red Card.
The "stiffs" all seemed delighted, when they heard him talk that way. They said, "We need more pay, and a shorter working day." The "Wobbly" said "You'll get these things without the slightest doubt If you'll organize to knock the bosses out. If you'll join the One Big Union, and wear their badge of liberty You'll strike that blow all slaves must strike if they would be free.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/We're Ready

WE'RE READY (Air: "Soldier's Song")
Courage and honor to him who's jailed; Our hearts shall cheer him and cry "All Hail!" Our hands shall help to win the fight— We're ready to fight, we're ready to die For Liberty.
Industrial Unionism is the royal road to Industrial Freedom.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/Whadda Ya Want to Break Your Back for the Boss For?

WHADDA YA WANT TO BREAK YOUR BACK FOR THE BOSS FOR? (Tune: "What Do You Want to Make Those Eyes at Me For?")
Toiling along in light from morn 'til night, Wearin' away your all for the Parasite; Working' like a mule with a number two, Puffin' like a bellows when the day is through; Steering a load of gravel through the muck and slop
Packing a hod of mustard 'til you damn near flop; Trying to bust a gut for two twenty-five, Pluggin' like a sucker 'til five.
CHORUS
So whadda ya want to break your back for the boss for, When it don't mean life to you? Do you think it right to struggle day and night, And plow like Hell for the Parasite? So whadda ya want to break your back for the boss for, When there's more in life for you? Slow up Bill! that's the way to beat the System; Join the Wobbly Gang, they've got the bosses guessing So whadda ya want to break your back for the boss for, When it don't mean life to you?
Do it all today and you'll soon find out, Tomorrow there'll be nothing but to hang about, Looking at the "job sign," wondering why you rave, With a wrinkle on your belly like an ocean wave; Doughnuts then begin to hang a little high, You're pinched by the Bull for a "German spy;" You're nothing but a bum, says the Judge with a smile, Thirty days on the Rock pile.
"Yaas," said the farmer reflectively "All the I. W. W. fellers I've met seem to be pretty decent lads, but them "alleged I. W. W's. must be holy frights."
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/We Have Fed You All for a Thousand Years

WE HAVE FED YOU ALL FOR A THOUSAND YEARS Poem—by an Unknown Proletarian. Music—by Rudolf von Liebich, of the General Recruiting Union, Chicago, and Composer of Music for the Working Class.
We have fed you all, for a thousand years And you hail us still unfed, Though there's never a dollar of all your wealth But marks the worker's dead. We have yielded our best to give you rest And you lie on crimson wool. Then if blood be the price of all your wealth, Good God! We have paid it in full.
There is never a mine blown skyward now But we're buried alive for you. There's never a wreck drifts shoreward now But we are its ghastly crew. Go reckon our dead by the forges red And the factories where we spin. If blood be the price of your cursed wealth Good God! we have paid it in.
We have fed you all for a thousand years— For that was our doom you know, From the days when you chained us in your fields
To the strike of a week ago You have taken our lives, and our babies and wives And we're told it's your legal share; But if blood be the price of your lawful wealth Good God! we have bought it fair.
This work was published in 1908 and is anonymous or pseudonymous due to unknown authorship. It is in the public domain in the United States as well as countries and areas where the copyright terms of anonymous or pseudonymous works are 115 years or less since publication.
Public domainPublic domainfalsefalse
# Songs of the Workers (15th edition)/Wage Workers, Come Join the Union

WAGE WORKERS, COME JOIN THE UNION (Tune: "Battle Hymn of the Republic")
We have seen the reaper toiling in the heat of summer sun, We have seen his children needy when the harvesting was done, We have seen a mighty army dying, helpless, one by one, While their flag went marching on.
CHORUS
Wage workers, come join the union! Wage workers, come join the union! Wage workers, come join the union! Industrial Workers of the World.
O, the army of the wretched, how they swarm the city street— We have seen them in the midnight, where the Goths and Vandals meet; We have shuddered in the darkness at the noises of their feet, But their cause went marching on.
Our slaver's marts are empty, human flesh no more is sold, Where the dealer's fatal hammer makes the clink of leaping gold, But the slavers of the present more relentless powers hold, Though the world goes marching on
But no longer shall the children bend above the whizzing wheel, We will free the weary women from their bondage under steel;
In the mines and in the forest worn and helpless man shall fell That his cause is marching on.
Then lift your eyes, ye toilers, in the desert hot and dear, Catch the cool winds from the mountains. Hark! the river's voice is near; Soon we'll rest beside the fountain and the dreamland will be here As we go marching on.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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