OpenLLM-France/wikimedia huggingface dataset:
# Landon in The Literary Gazette 1835/Körner’s Grave

​11
Literary Gazette, 17th January, 1835, Page 44
ORIGINAL POETRY.
VERSIONS FROM THE GERMAN.
(Third Series.)
Körner's Grave.—Anon.
Where is my soldier's grave—where have you laid him?
 Sculptured aisles and vaulted tombs to sleep among?
A nobler urn hath the memory made him
 Of a life that was devoted unto war and unto song.
He is laid on the battle-field—there the youth slumbers,
 Where war's mighty sacrifice is offered unto death;
There did his spirit pour its latest numbers—
 "Bless me, oh my father!" sighed the hero's dying breath.
Ye, who so dearly held him, now follow me with weeping—
 Yonder the green hillock his lowly grave above—
There the oak, tall and old, its shadowy watch is keeping—
 There was the hero laid by brave men in their love.
Well may the young and true weep above his ashes,
 Honouring the unforgotten one who slumbereth here;
Yet, amid the fields of death, where the red war-spear flashes,
 German hearts will hold his remembrance dear.
Still let the urn of the brave one inherit
 The crown that was glorious around his youthful head:
Maidens still ask his sweet songs, and his spirit
 Is with us, although its mortal veil be fled.
Never, on the noble race in which he led ye, falter—
 Oh, my German people! forget ye not the brave;
Vow ye to your country's cause, as if upon an altar—
 Make ye an altar of my youthful hero's grave!
Although but in its youth-tide, already adorning
 The early oak, with summer, hung around each graceful bough,
Stately and pleasant, amid the skies of morning,
 Amid the rich and painted clouds it reared its lofty brow.
So bloomed our hero! and for the sunny hours
 That lifted up his young green head so beautiful above,
There came forth all the music from the forest's deepest bowers,
 And sung in his boughs like the singing of love!
There was song amid the leaves, as if Apollo had suspended
 His old heroic lyre amid the thick green shade—
He the god of bard and hero:—too soon the music ended—
 A storm in early summer, low the youthful oak-tree laid.
Too soon death seized my bravest,—in the first spring-tide of honour
 He fell in glorious battle, a hero and a bard;
Dear was the debt which his country took upon her,—
 Her praise and her remembrance is the patriot's reward.
First in the holy warfare for liberty he perished—
 The path in which he led to the youthful brave belongs;
Follow ye his footsteps—so be his memory cherished,
 While nightingales amid the boughs mourn for his lovely songs.
L. E. L.
# Landon in The Literary Gazette 1834/The New Year

ORIGINAL POETRY.
THE NEW YEAR.
Let the black clouds sweep o'er the sky,
 Earth-born, they suit our earthly sphere;
Fit pall for the departed one,
 Fit cradle for the coming Year.
Heavy like many a heart below,
 Yet lit with gleams of broken light,
Uncertain, shadowy, and their gloom
 So soon to merge in deeper night.
On such a scroll might Fate inscribe
 The records of the Year to be—
The dark, the transient—such a page
 O Earth! is chronicle for thee.
'Twas a false science that which sought
 Thy future where those planets shine:
The bright, the calm–ah! what have they
 In common or with thee or thine?
The clouds, and not the stars, to them
 The omen and the sign be given—
The clouds, the vapours of our soil,
 Not stars, whose element is heaven.
The deepening shade, the flitting light,
 Mark what each coming month will know— The passing joy, the constant care,
 Of life's sad pilgrimage below.
The past still mirrors the to-come:
 Let each say what their past has been.
Do they not shudder to recall—
 Would they live o'er each troubled scene?
Ah! happy those, if such there be,
 Whose still unbroken spirits raise
Some vision to be realised,
 Some fond belief in happier days.
The changeful Year itself may read
 Its lesson to the human heart!
How pass away its sunshine hours;
 How does its loveliness depart!
From the first flower, which, timid, sad,
 Rises amid the unkindly snow,
To the last rose, whose pale sweet blush
 Has half forgot its early glow—
Do they not fade and fall?—the air
 Forgetful of their summer spell,
Till Earth seems one vast sepulchre,
 Inscribed with one sad word, "Farewell!" And thus it is with life: how soon
 Its early hopes decline and die!
And love, which lingers to the last,
 Forgets its smile, but keeps its sigh.
Look back—twelve phantoms, drear and dim,
 Have melted into silent space;
Twelve more come gradual in their room,
 With eager step and hidden face.
Ah! trust them not;—the veil when raised
 Will shew but faces ye have known;
Though still from every added round
 Something of light and life is flown.
Those cheerful bells, how can they bid
 A welcome to the new-born Year?
I think on what the past has been;
 I cannot hope—I only fear.
Oh, vanity of mirth! those bells
 What mockery the peal they gave! Chime as for a departing soul—
 Toll o'er the New Year as a grave.
L. E. L.
# Landon in The Literary Gazette 1835/Pauline’s Price

​8
Literary Gazette, 10th January, 1835, Page 28
ORIGINAL POETRY.
VERSIONS FROM THE GERMAN.
(Second Series.)
Pauline's Price.—Goethe.
Sweet Pauline, could I buy thee
 With gold or its worth,
I would not deny thee
 The wealth of the earth.
They talk of the pleasure
 That riches bestow—
Without thee, my treasure,
 What joy could I know?
Did I rule Europe over,
 Thy price it should be;
Let them leave, for thy lover,
 A cottage with thee,
Where a pear-tree is stooping
 With fruit at the door,
And the green vine is drooping
 Each dark lattice o'er.
If my life-breath could be, love,
 A ransom for thine,
I'd yield it for thee, love,
 With all that is mine.
Ah! had I the power,
 I'd count as time flown
A year for each hour
 That thou wert mine own.
# Jerusalem. The Emanation of the Giant Albion/Plate 42

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 42 ]
# Jerusalem. The Emanation of the Giant Albion/Plate 44

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 44 [30] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 45

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 45 [31] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 41a

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 41a [37] ]
[ Each Man is in his Spectre's power Untill the arrival of that hour, When his Humanity awake And cast his Spectre into the Lake”]
# Jerusalem. The Emanation of the Giant Albion/Plate 43

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 43 [29a] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 43a

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
# Jerusalem. The Emanation of the Giant Albion/Plate 40a

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 40a [36] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 41

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 41 [46a] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 44a

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 44a [39] ]
# Jerusalem. The Emanation of the Giant Albion/Plate 45a

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 45a [40] ]
# Language of the Gods

London: Macmillan and Co. (1918)
assembling directory
7 March 2016
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1935, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 88 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Language and the Study of Language/front matter

WORKS UPON THE ENGLISH LANGUAGE AND LITERATURE,
PUBLISHED BY CHARLES SCRIBNER & CO.
| MARSH'S Lectures on the English Language | 1 Vol. | $3.00 |
| —— Origin and History of the English Language | 1 Vol. | 3.00 |
| MULLER'S Lectures on the Science of Language | 2 Vols. | 6.00 |
| CRAIK'S History of English Literature and the English Language | 2 Vols. | 7.50 |
| DE VERE'S Studies in English | 1 Vol. | 2.50 |
| COLLIER'S Rarest Books in the English Language | 4 Vols. | 16.00 |
| CLARK'S Elements of the English Language | 1 Vol. | 1.25 |
| DWIGHT'S Modern Philology | 2 Vols. | 6.00 |
Any of these works sent by mail, post-paid, upon receipt of the price.
# Lady Noggs, Peeress

   From a review in the Bookman, 1906: "Has the Prime Minister a niece?" That, undoubtedly, will be our question in the future, when Prime Ministers are committing deeds which, in our opinion, are inexplicable and mistaken. Mr. Edgar Jepson has sketched for us with his pen some quite everyday pictures in the home-life of Lord Errington, Prime Minister. In Lord Errington's home-life. Lady Felicia Grandison (Lady Noggs to her familiars) is undeniably an influence, and such an influence that even his political enemies might allow that to Lord Errington much might be forgiven. She has a Sir Joshua Reynolds face, and a fiendish instinct for getting into mischief and brazening it out. [...] For the future, as we said before, when things in Parliament distress us, we shall sigh with tolerance, and murmur "cherchez la niece."
LADY NOGGS, PEERESS
BY EDGAR JEPSON
Author of "The Admirable Tinker"
New York : McClure, Philips & Co. : Mcmv
McCLURE, PHILLIPS & CO. Published, April 1905
Copyright, 1905, by Edgar Jepson. copyright 1903, 1904, by The Curtis Publishing Company.

### CONTENTS

CHAPTER
* The Lady Noggs Apologizes, 3
* The Spoiled Advertisement, 20
* Six Rabbits a Week, 45
* The Lady Noggs Flags the Northern Star, 72
* The Lady Noggs Receives an Invitation, 97
* A Variation in the Art of Poodle-Shaving, 111
* The Lady Noggs Returns, 131
* The Lady Noggs Finds a New Friend, 151
* An Unhappy Conference, 169
* The Perils of Philanthropy, 185
* Mr. Borrodaile is Firm, 201
* The Impossible Uncle, 217
* An Informal Introduction, 237
* In the Brigand's Lair, 252
* The Wedding Guest, 289
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1938, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Kwaidan: Stories and Studies of Strange Things/Oshidori

There was a falconer and hunter, named Sonjō, who lived in the district called Tamura-no-Gō, of the province of Mutsu. One day he went out hunting, and could not find any game. But on his way home, at a place called Akanuma, he perceived a pair of oshidori (mandarin-ducks), swimming together in a river that he was about to cross. To kill oshidori is not good; but Sonjō happened to be very hungry, and he shot at the pair. His arrow pierced the male: the female escaped into the rushes ​ of the further shore, and disappeared. Sonjo took the dead bird home, and cooked it.
That night he dreamed a dreary dream. It seemed to him that a beautiful woman came into his room, and stood by his pillow, and began to weep. So bitterly did she weep that Sonjō felt as if his heart were being torn out while he listened. And the woman cried to him: “Why,—oh! why did you kill him?—of what wrong was he guilty? … At Akanuma we were so happy together,—and you killed him! … What harm did he ever do you? Do you even know what you have done?—oh! do you know what a cruel, what a wicked thing you have done? … Me too you have killed,—for I will not live without my husband! … Only to tell you this I came.” … Then again she wept aloud,—so bitterly that the voice of her crying pierced into the marrow of the listener’s bones;—and she sobbed out the words of this poem:—
Hi kururéba Sasoëshi mono wo— Akanuma no Makomo no kuré no Hitori-né zo uki!
And after having uttered these verses she exclaimed:—“Ah, you do not know—you cannot know what you have done! But to-morrow, when you go to Akanuma, you will see,—you will see. …” So saying, and weeping very piteously, she went away.
When Sonjō awoke in the morning, this dream remained so vivid in his mind that he was greatly troubled. He remembered the words:—“But to-morrow, when you go to Akanuma, you will see,—you will see.” And he resolved to go there at once, that he might learn whether his dream was anything more than a dream.
So he went to Akanuma; and there, when he came to the river-bank, he saw the female oshidori swimming alone. In the same moment the bird perceived Sonjō; but, instead of trying to escape, she swam straight towards ​him, looking at him the while in a strange fixed way. Then, with her beak, she suddenly tore open her own body, and died before the hunter’s eyes....
Sonjo shaved his head, and became a priest.
* ↑ From ancient time, in the Far East, these birds have been regarded as emblems of conjugal affection.
* ↑ There is a pathetic double meaning in the third verse; for the syllables composing the proper name Akanuma (“Red Marsh”) may also be read as akanu-ma, signifying “the time of our inseparable (or delightful) relation.” So the poem can also be thus rendered:—“When the day began to fail, I had invited him to accompany me. … ! Now, after the time of that happy relation, what misery for the one who must slumber alone in the shadow of the rushes!”—The makomo is a sort of large rush, used for making baskets.
# League v. Egery

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
65 U.S. 264
League v. Egery
THIS case was brought up by writ of error from the District Court of the United States for the eastern district of Texas.
The case is stated in the opinion of the court.
It was argued by Mr. Hughes for the plaintiff in error, and Mr. Phillips for the defendants.
Mr. Hughes tried to avoid the effect of the case of Smith v. Power, 14 Texas, 147, which decided that the grant was within the littoral leagues, and therefore void, by referring to a statute of Texas, (Hartley's Digest, article 3, p. 221,) by virtue of which the record of that case could not have been maintained if it had been pleaded in bar in the present case.
The arguments upon the merits of the case are omitted.
Mr. Justice CAMPBELL delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# League v. Texas

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
184 U.S. 156
League v. Texas
Argued: and Submitted January 29, 1902. --- Decided: February 24, 1902
On August 6, 1898, the state of Texas filed a petition in the district court of San Augustine county, Texas, averring that the defendant was justly indebted to the state of Texas and the county of San Augustine in the sum of $1,305.87, on account of taxes, interest, penalties, and costs due on certain described lands for the years 1884, 1885, 1886, 1887, 1888, 1889, 1890, 1891, 1892, 1894, 1895, and 1896. The prayer was for a recovery of the taxes, interest, etc., and for a decree establishing and enforcing a lien upon the several tracts for the amounts found due upon each. An answer was filed and a trial had, which resulted, on September 9, 1889, in a finding that there was due the state the amount claimed for taxes, atc., a decree that the state recover the amount thereof from the defendant, and adjudging a lien upon the several tracts therefor, and directing a foreclosure and sale. On appeal to the court of civil appeals the decree was modified by striking out the taxes of 1884, all penalties and the personal judgment against the defendant, leaving the decree to stand as a finding of the amount due for taxes subsequent to the year 1884, interest and costs, and a foreclosure of a lien therefor upon the several tracts. This modification reduced the amount of the recovery to $1,232.77, with interest at 6 per cent from September 9, 1899, the date of the decree in the district court. On error to the supreme court of the state the decree of the court of civil appeals was affirmed (93 Tex. 553, 57 S. W. 34), whereupon this writ of error was sued out.
Mr. F. Charles Hume for plaintiff in error.
Messrs. D. E. Simmons and C. K. Bell for defendant in error.
Mr. Justice Brewer delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Leander and Hero

* Leander and Hero, a poem in the Literary Gazette, 22nd February 1823.
* Leander and Hero, the poem as republished in The Vow of the Peacock and Other Poems, 1835.
# Leake to Twiss, 4 February 1830

Provenance: from Florey, Cecil C. (1995) Peninsula City, which cites Cygnet (1935) Swan River Booklets.
Oxford Street, London 4th February, 1830
Mr. Under-Secretary Twiss, Sir,— Can you not give Captain Stirling a hint on his imprudence in calling the capital of Swan River by the Insignificant name of Perth? Is it because Sir George Murray was born at this insignificant place, known only to reading men or Geographers, as an obscure place in Scotland? I have heard a vast number already declare against the Swan River because they now consider it a place where the Scotch interests will only prevail. There is Perth Town, Melville Water, Cockburn Sound and Dalrymple Sound, in fact nothing but Scotch names. Why was not the principal town called Swan River, London Town, Wellington, or a name which the three countries in unison may look up to? Pray show this to Sir George Murray and tell him to give a friendly hint to Captain Stirling who seems to go astray like all other Governors of Colonies. He ought, however, endeavour to get the Colony established before he gives birth to his Scotch prejudices and feelings. As one who has sent out a son, I am more than annoyed by his giving the principal town the name of Perth. Who ever heard of such a place?
I have the honour to be, etc., William Leake
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Leahy v. State Treasurer of Oklahoma

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
297 U.S. 420
Leahy v. State Treasurer of Oklahoma
Argued: Feb. 11, 1936. --- Decided: March 2, 1936
Mr. C. S. Macdonald, of Pawhuska, Okl., for petitioner.
Messrs. C. D. Cund, of Duncan, Okl., and C. W. King, of Oklahoma City, Okl., for respondents.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Leahy v. State Treasurer of Oklahoma/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
297 U.S. 420
Leahy v. State Treasurer of Oklahoma
Argued: Feb. 11, 1936. --- Decided: March 2, 1936
Leahy brought this action in a court of Oklahoma against the State Treasurer and others to recover $11.99 paid under protest as state income tax. He is a duly enrolled member of the Osage Tribe of Indians, and has long held a certificate of competency. As such member he is entitled to receive, from time to time, his pro rata share of the income of the restricted mineral resources of the tribe held by the United States for the tribe under the Act of June 28, 1906, c. 3572, 34 Stat. 539, and later legislation. The tax challenged is upon such income paid to him. Leahy claims that it is void because laid by the state upon a federal instrumentality. The trial court overruled the contention and entered judgment for the defendants. On the authority of Choteau v. Burnet, 283 U.S. 691, 51 S.Ct. 598, 75 L.Ed. 1353, its action was affirmed by the Supreme Court of the state, three judges dissenting. 49 P.(2d) 570. We granted certiorari because of the constitutional question presented. 296 U.S. 572, 56 S.Ct. 381, 80 L.Ed. 404.
The facts are substantially the same as those presented in Choteau v. Burnet, supra, which upheld a federal income tax on a like payment. The applicable statutes and decisions are discussed there. As Leahy was entitled to have the income paid to him and was free to use it as he saw fit, no reason appears why it should not be taxable also by the state.
Affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lean Lisa

* "Die hagere Liese", No. 168 Kinder- und Hausmärchen. (var. ed.) The Brothers Grimm
* "Lean Lisa", transl. Hunt, M. Grimm's Household Tales, Volume 2. 1884
# Leaning on the Everlasting Arms

in The Glad Evangel for Revival, Camp, and Evangelistic Meetings, (Dalton, Georgia: A. J. Showalter & Company, 1887). Music: Anthony J. Showalter. Showalter wrote this tune and words to the refrain and first verses after hearing from two friends whose wives had died, and asked Hoffman to write the remaining lyrics. Showalter, from an old Deitch family of the Shenandoah Valley, Virginia (Rockingham County), headed shape-note sing schools in Georgia and Alabama. This song was sung in the 1943 movie "The Human Comedy," which was nominated for Academy Awards in five categories and in "True Grit."
What a fellowship, what a joy divine, Leaning on the everlasting arms; What a blessedness, what a peace is mine, Leaning on the everlasting arms.
Refrain
Leaning, leaning, safe and secure from all alarms; Leaning, leaning, leaning on the everlasting arms.
O how sweet to walk in this pilgrim way, Leaning on the everlasting arms; O how bright the path grows from day to day, Leaning on the everlasting arms.
Refrain
What have I to dread, what have I to fear, Leaning on the everlasting arms; I have blessed peace with my Lord so near, Leaning on the everlasting arms.
Refrain
# Lady Athlyne

New York: Paul R. Reynolds, page Title
LADY ATHLYNE
BY
BRAM STOKER
PAUL R. REYNOLDS
NEW YORK
Copyright, 1908, by
BRAM STOKER
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Lady Anne Granard/Volume 3

LADY ANNE GRANARD;
OR,
KEEPING UP APPEARANCES.
BY L. E. L.,
(THE LATE MRS. MACLEAN)
AUTHORESS OF "ETHEL CHURCHILL"
"THE IMPROVISATRICE," &c.
IN THREE VOLUMES.
VOL. III.
LONDON:
HENRY COLBURN, PUBLISHER,
GREAT MARLBOROUGH STREET.
1842.
LONDON: F. SHOBERL, JUN., 51, RUPERT STREET, HAYMARKET, PRINTER TO H.R.H. PRINCE ALBERT.

## Volume 3

* Chapter 49
* Chapter 50
* Chapter 51
* Chapter 52
* Chapter 53
* Chapter 54
* Chapter 55
* Chapter 56
* Chapter 57
* Chapter 58
* Chapter 59
* Chapter 60
* Chapter 61
* Chapter 62
* Chapter 63
* Chapter 64
* Chapter 65
* Chapter 66
* Chapter 67
* Chapter 68
* Chapter 69
* Chapter 70
* Chapter 71
* Chapter 72
* Chapter 73
* Chapter 74