# Whiteoaks of Jalna/Chapter 11

Alayne's amazement on seeing Finch at her door was a mild emotion compared with that which she experienced when it opened upon Ernest. She would scarcely have been more taken aback had one of the tall old trees of Jalna drawn up its roots and journeyed to visit her. She suffered him to shake her hand, to imprint a kiss on her cheek. She put him into the Chinese-red chair, and even then she could not believe in his reality. Her eyes sought the door, half expecting to behold the rest of the procession—Grandmother and Boney, Nicholas and Nip, Renny and his spaniels, Piers and Pheasant, little Wake.
"But, my dear child," said Ernest, "how good it is to see you!"
"Yes, indeed," said Alayne, sitting down near him and trying to make her voice natural, "it is delightful to see you, too."
"You're looking pale, dear Alayne."
"Ah, well, you know what winter in the city is. I've been tired to death sometimes."
She realized, now that the shock of surprise was passing, why he had come. He had come to take Finch home, and, if possible, she would prevent it.
She turned a look of defence on him. "I suppose you've come to see Finch," she said.
Ernest was embarrassed. He wished she had not come so directly to the point. He would have liked to have a little pleasant conversation, and then have led up delicately to the object of his visit.
"Well, my dear Alayne, I suppose I shall see Finch, now that I'm here, but it really gives me a much deeper pleasure to see you."
"You're not really going to insist on the poor boy going back with you, surely!"
​"No, no, no. But I want to talk to him, to find out how he is living—in short, to satisfy the family about him. It's really dreadful, you know, for a mere boy of his inexperience to be turned loose in New York."
"He's working! And he's treated with more consideration than he was at home. I hope you don't mind my saying that. You know yourself that Finch was not always treated fairly."
Ernest remained invincibly placid. "My dear girl, I don't believe you understand us. Our family circle is very closely knit."
"I do understand! It's so closely knit that you won't let one of your number escape. You want to reach out and drag him back again. I know I'm being awfully rude, but I cannot help it. It is the way I've always felt about your family."
"We didn't reach out after Eden."
"You knew it was no use. You couldn't control Eden. And you had no inkling as to where he was."
Ernest regarded her with curiosity. "Do you mind if I ask you something?"
"What is it?"
"Have you seen Eden since you came back?"
"No, I have not. I suppose I shall never see him again. I don't want to."
"I'm very sure you don't. You suffered too much because of him." Ernest was relieved that he had successfully switched the conversation into a more sympathetic channel. He laid his long white hand on hers and gently pressed it. She experienced a sudden warmth and sense of security in being treated with affection by a much older person. It was nice, and he was nice—she had forgotten how nice, how kind. She had forgotten, too, how distinguished his appearance, and how agreeable to the ear his voice. Really, he was a dear, and she must not be too hard on him. He was less to blame than the others for the tyranny of Jalna.
He exclaimed in admiration at the compactness, the charm of the apartment. She led him about, showing him all the trig electrical devices. They delighted him. ​He had never seen anything like them. He must press the electric buttons and observe all the resulting phenomena. Ernest said that he wondered how she had ever endured the discomforts of Jalna.
Returning, arm in arm, to the living-room, the subject of Finch was reopened, with more restraint on the part of Alayne and even greater amiability on the part of Ernest. She gave him particulars about Finch's work, his chances of advancement.
Ernest listened with sympathy.
"But where," he asked, "does his chance of continuing the study of music come in?"
"I'm afraid it doesn't come in at all," she replied sadly, "but then, neither does it apparently at Jalna."
"Oh, I think Renny may relent on that score."
"Tell me, Uncle Ernest," she demanded, looking him in the eyes, "was it Renny who urged you to come to see Finch or was it to please your mother? I know how she hates the thought of any of the boys leaving home."
He was pleased at being "Uncled" by Alayne.
"My dear child," he said, "I did not need any urging. I wanted to see the boy, and I thought what an opportunity for seeing you. You know, I had grown very fond of you."
"And I of you! You see, I had no—no——"
"No nice old uncles," he continued for her. "Of course not. Nice old aunts are one thing, but nice old uncles are quite another. Their position is unique. . . . Now, as to Renny. If you had heard him talking to me just before I left, you would have realized how keen he is to have Finch back."
"When I lived at Jalna," she said, thoughtfully, "I used to think that very often in those family conclaves of yours Renny was urged"—she longed to say "harried"—"into taking a stand that——"
"No, no, no! Renny is a man of quick decisions. He knows what he wants and goes for it."
"Yes, I know," she agreed, in a low tone.
"When we hold those conclaves, as you call them, Renny usually has his own opinion from the beginning, but it is only after the matter has been thrashed out by ​the family that he gives voice to his decision, and because his decision often coincides with the conclusion the family has reached——"
"Do the family ever reach a unanimous decision?"
"If you could have heard how fully agreed we were that Finch must come home——"
"Oh, that I can understand! I wish I had not told you where he is working."
"My dear, I shall not try to force Finch in the very least. You shall be present, if you will, when we meet, then you'll see that I only want an affectionate talk with him."
"But what are you going to do, then? Bribe him to go home with the promise of music lessons? Has Renny descended to bribing the boys?"
Ernest answered impressively: "Renny had no intention of stopping Finch from playing the piano except till his examinations should be over. Once he has written on them, Renny intends, and has intended all along, that Finch shall begin taking lessons again. He may spend the whole summer making music if he likes."
"Hmph," muttered Alayne, grudgingly. She wished she could have felt more enthusiastic over the family's plans for Finch.
Nevertheless, Ernest was a dear. She loved to see him sitting in her most comfortable chair making attractive but rather vague gestures with his graceful hands. She was proud of him when Rosamond Trent came in and discovered them. She had the feeling that when she had talked of Eden's uncles Rosamond had pictured two rather frowsty old men, quaint relics of a bygone day. Now she saw that Rosamond found Ernest charming. She was impressed by the pleasant modulations in his voice. These he had acquired at Oxford, along with the notion that, while it might be well for some to slave, it was not well for Ernest Whiteoak.
Ernest invited the two to luncheon with him. As he walked along Fifth Avenue with them beside him, there was spring in his step and in his blood. Alayne had a look of breeding; he admired that in a woman above all things. Rosamond looked essentially a woman of the ​world; and he hankered for the world. Again and again he wished old Nicholas could see him. As a gesture of complete abandon, he ordered lobster. His guests ordered it, too, but without any air of recklessness. With the three bright red mounds before them, he could not help but talk of meals in Victorian London. He told of sitting at a table near Oscar Wilde, and of having seen Lily Langtry in her prime. He recalled how Nicholas had rowed for Oxford.
After luncheon they returned to the apartment and Rosamond brought out a bottle of liqueur. She had prepared a strange cocktail before they had set out.
"But I thought," exclaimed Ernest, sipping from the diminutive green glass, "that you had Prohibition here!"
"We have," returned Miss Trent, in her deepest contralto, "but we also have the speak-easy."
"Speak-easy?" repeated Ernest. "But what in the world is that?"
"Happily there is no need for you to become acquainted with them. They're stupid places. I may tell you that they are thicker than the flowers in May here."
"Ah, we could never get on with Prohibition," said Ernest.
"Of course you couldn't!" she commented. "Do you like that liqueur?"
Alayne wished that Rosamond were not so keenly interested in the subject of drinking. It had an almost morbid fascination for her. It repelled Alayne to hear the solid, middle-aged woman using the current tags about Prohibition, talking as though she were a seasoned drinker. Yet it was really only a harmless affectation, the desire to be intensely modern. Rosamond was a good honest soul, a loyal, sympathetic friend.
"We couldn't do with Prohibition at home," said Ernest, didactically. "Our population is too small." Miss Trent's cocktail, the excitement of the crowded streets and restaurant, the liqueur on the return, had gone to his head. His brain was active, but his thoughts somewhat kaleidoscopic. "Think of our Boundary Line, three hundred miles of it from coast to coast—or is it ​three thousand?—without a single fort! Oh, no, Prohibition would mix things up dreadfully."
His audience looked properly impressed, but Alayne suggested that he sit down. He refused, and continued to stand gracefully, holding his glass. "See what Prohibition has done for you! Why, I am told that our Nova Scotian fishermen have given up fishing. It is more profitable to smuggle. You get all you want through them."
"Life is a strange muddle," observed Rosamond.
"It is. And the women's vote has made it still more so," he murmured. "Luckily our women are British in their training, and vote as their men do. But look at the situation in the Province of Quebec! There the women have no vote. 'We are Latins!' their Premier exclaims. 'We adore our women, but we will not give them the vote. It is against all our instincts.' And I must say I admire them for it."
"Yet they haven't Prohibition, have they?" asked Miss Trent, bewildered.
"No, and never had! Their greatest grievances are Orangeism in Ontario, emigration to the States, and, of course, smuggling, which is sometimes a source of Revenue. But the real trouble with the whole Dominion is the Boundary Line—and these Arctic expeditions—and Transatlantic flights." He sat down abruptly.
Very soon his slight confusion passed, and he was himself again. It must be arranged when he was to see Finch. Alayne suggested that they meet in the apartment, go out to dinner together, and then to the theatre. Ernest desired that Finch should not be told of his arrival. It would be a pleasant surprise for the boy to find his uncle awaiting him. "Because, you know, dear Alayne, I'm not going to scold or threaten him. Nothing at all of that sort."
"I should say not," said Alayne, truculently.
But she would not agree to Finch's meeting Ernest without preparation. She telephoned him, asking him to come to see her that evening, and announced the arrival from Jalna. She delivered Ernest's reassuring message.
​Nevertheless, Finch was shaking when he came into the room. If it had seemed strange to Alayne to see one of the older generation of Whiteoaks in New York, for Finch it was an almost staggering experience. He felt as though he were viewing his distinguished-looking elderly relative for the first time. He could not remember Uncle Ernest's ever having been away from Jalna, and he had never been away himself till now in all his life. Even when they shook hands, and Ernest spoke kindly to him, he had a sense of unreality and, in spite of Alayne's reassurance, a sense of foreboding.
He did not know just what he feared. His uncle could not force him to go home. At his back he had the strength of Alayne's staunch loyalty. That day he had actually had a word of praise in the office.
"Upon my honour," exclaimed Ernest, putting his hand on the boy's shoulder, "you're taller than ever, old fellow! And thin! He's really thinner, Alayne, though I shouldn't have thought it possible. And how are you getting on?"
Finch braced himself with as much manliness as he could muster, and replied: "Oh, fine, thanks. That is—all right, I think."
"I'm glad of that. They'll be so glad to hear at home."
Finch was embarrassed. "Were they worrying?" he mumbled.
"Indeed they were. We were all of us greatly worried. But no need to talk; I can tell them now that you are well and safe." No word of his going back. Finch breathed easier, and yet there was a queer ache at his heart. The truth was, in the past few days he had been suffering acutely from homesickness. Under the delicate April sky, the dusty, never-resting traffic of the city had made him feel as he had never before felt in springtime—heavy, tired, stifled, trapped. His feet dragged, longing for the springing grass. His nostrils seemed unable to draw in sufficient air to satisfy his lungs. It was only by a great effort that he could keep his mind on his work. Each night he dreamed of Jalna, and waked half expecting to find himself in his room ​under the eaves. More and more he remembered all that had been beautiful and kindly and pleasant in his home.
Alayne had intended that they should go to a play, but Ernest suggested grand opera because Finch was so fond of music. She had acquiesced, and Rosamond Trent had been able to arrange about the tickets. While they were at dinner, Alayne had suddenly seen Ernest's sweet thoughtfulness in a new light. She remembered having heard him say that above all things he disliked grand opera. "He is a sly old man," she thought. "He intends to work on Finch's feelings through his love of music."
The opera was Aïda. Finch had never heard it before. Tears of happiness filled his eyes, his heart was heavy with the sweetness of music. Yet it was not the music of the orchestra or the singers that moved him. It was the music of the old square piano at home. It was Beethoven's Opus X., which in imagination he was playing. The keys, alive, eager, rose to meet his fingers. With one part of his brain he heard the music of Aïda. With another he followed himself through the intricacies of the movement.
Every now and again Ernest's eyes slid speculatively toward him. He wondered whether the boy were happy or unhappy, whether he should have difficulty in persuading him to come home. The thought of leaving Finch in New York was intolerable to him. The thought of Jalna without Finch seemed insupportable. Not that he had ever found him anything but a commonplace, rather irritating boy. But he was a Whiteoak, one of themselves. Eden's defection had been the first break. If Finch left home, it would seem that disintegration of the family had set in. Besides, there was Mama. It was bad for her to be worried.
He felt suddenly rather tired. It had been an exciting day for him, full of unusual activities. He felt weighted by his responsibility. At the same time he experienced a sense of elation at being at the opera in company with these two well-turned-out women. Ah, if old Nicholas could only see him! Alayne, he thought, was lovelier ​than ever. Sorrow and fatigue had brought out the inward brightness of her, as the brightness of a jewel is accentuated by calculated and delicate cutting. And there was a kind of recklessness about her that seemed new to him. He remembered her as always wearing an air of reserve, of awareness. Now it seemed that she was one ready to throw off bonds which chafed her, one craving a broader sweep of air. She fascinated him. He longed to know what she was thinking. Ah, how tired he was! Would the opera never end? He stifled a yawn.
But as the crowd surged out, and he felt the cool night air on his face, he revived. It was like a return to his prime to find himself steering an evening-cloaked female through a crowd. Really, he must make a trip to New York every now and again after this. It was not well to let one's self become frowsty. And with his figure, his carriage, it was a downright waste. He pressed Miss Trent's firm arm a little as he guided her. An exquisite perfume rose from the soft fur of her collar. . . .
They had a little supper in the apartment. Delicate food, Pall Mall cigarettes, bought specially for him; gay conversation, for Ernest found it easy to shine before this audience, so uncritical, so, if he could have known, tolerantly amused by him; and, added to their tolerance and amusement, a sentimental desire to look through his mind back into the strange glamour of another day. He sighed as he said good-night. He was not a bit tired now, and he hated to think how soon this charming interlude would be over.
It was not till he and Finch were back in his hotel bedroom that there returned to him with force the consciousness of his mission. He had arranged that the boy should spend the night with him, and had got a room for him next to his own. He shrank from the thought of a clash of wills at that late hour. He wished he could simply pack Finch into his portmanteau the next day, with his clothes, and carry him back to Jalna. It was such a nuisance having to be politic with him, tactful and understanding. It was really a pest the way boys grew up.
​There was a distinct air of embarrassment between them when they found themselves alone in the hotel bedroom together. It was abominably stuffy, and Ernest went to the window and threw it up.
He looked out for a moment on the confusion of roofs and blinding lights, at the orange- and ruby-coloured signs that flashed on and off, at the sinister-looking black spaces beyond which lay one knew not what, at the white-lettered signs which were painted, tier upon tier, on the side of a building in the next street, at the strange, blurred sky which might as well be a stretch of canvas for all its apparent reality. Up here the sound of the traffic was deadened to a dull rumble that seemed resentful of the spring night.
Ernest found that he had smudged his finger-ends in opening the window. He went into the bathroom to wash his hands. Finch had dropped into a chair by the table, looking very young and wan under the hard electric light. He had picked up the shiny black Bible belonging to the hotel and was looking at it with a queer smile. An uncomfortable boy, Ernest thought. He lathered his hands, and examined his face in the mirror above the basin. He was looking very well.
On returning to the bedroom he said: "I hate very much to go back to Jalna without you, Finch. Everyone at home will be disappointed."
"I can't see them disappointed because I don't go back."
"But they will be. You don't understand. You're one of us, aren't you?"
"The odd one."
"Nonsense. We're all more or less oddities, I fancy. And we're proud of you, though you may not think so."
Finch grunted sarcastically. "You should have heard Renny and Piers telling me how proud they were of me!"
"Come, come, don't take things so hard. Piers has a rough tongue——"
"He's as hard as nails! With me, anyhow."
"He doesn't always mean it, and, if he does, he's not the important one. It's Renny who matters."
​"Renny thinks I'm an ass."
Ernest sat down beside him. He put all the persuasiveness, all the eloquence of which he was capable, into his voice. "Renny loves you. He wants you to come home like a good boy, without any further trouble. He is willing, after you've tried your examinations, to let you take music lessons again—to play as much as you want to. All you have to do is to try your exams."
"What if I fail?"
"You won't fail. You'll pass. You did not fail badly last time. You're sure to pass."
"And if I do—what then?"
"You have all your life before you. You'll make something fine of it."
"I don't see myself," said Finch wearily.
"Finch, you had a very clever and very lovely mother. She would have wanted you to develop your talent—to be a credit to us."
"Good Lord!" exclaimed the boy. "This sort of talk is new to me! My talents—my mother——"
"But, my dear child," cried Ernest in exasperation, for his head was beginning to ache, "families will make remarks. You don't expect——"
"Gran often makes sneering remarks about her—my mother. I hear her, though I've pretended not."
"Your grandmother is a hundred and one. Your mother has been dead eleven years. What have their relations to do with the question in hand. . . . Really, you are wearing me out! The point is this." Ernest made a supreme effort. "What is there for you in New York? Crowds, crowds, crowds. Struggle, struggle. You, a Whiteoak, struggling in a foreign mob! Uncongenial work. Homesickness. You know you're horribly homesick, Finch. I've been watching you. You're homesick."
"Don't!" cried the boy in anguish, putting his head on the table. "I can't bear it! Oh, Uncle Ernest, do you really think I'd better go back?"