OpenLLM-France/wikimedia huggingface dataset:
# The history of caste in India

THE
HISTORY OF CASTE
IN INDIA
Evidence of the Laws of Manu on the Social Conditions in India During the Third Century A. D., Interpreted and Examined :
WITH AN APPENDIX ON
RADICAL DEFECTS OF ETHNOLOGY
BY
SHRIDHAR V. KETKAR, A. M. (Cornell)
Formerly the Senior Editor of Maharashtra Vagvilasa Magazine, Bombay, India
VOLUME ONE
Messrs. TAYLOR & CARPENTER
Booksellers and Publishers
ITHACA, N. Y. 1909
Copyright 1909
BY
SHRIDHAR V. KETKAR.
JAMES B. LYON COMPANY,
PRINTERS, ELECTKOTYPERS, BINDERS,
ALBANY.N.Y.
PREFACE.
I have said regarding the scope of the book in the introductory chapter and here I make only such remarks, which I could not include in the book itself.
The second and seventh chapters of this book were reported to the general seminary of the Department of History and Political Science at Cornell University during the year 1907-8. I am indebted to the professors and students for their valuable criticisms made on the occasion. The second chapter formed part of the dissertation which was submitted as a partial fulfillment of the requirements of master's degree. The radical defects of ethnology which I have discussed in the appendix have appeared already in the quarterly American Anthropologist, Vol. XI.
During the compilation of the book, I hail availed myself of the material in the Boston Public Library and the libraries at Cornell, Columbia, Yale, and Harvard, I found the library of Harvard best suited for my work; the oriental collection there, is undoubtedly the best in the country. Professor Lanman at Harvard had allowed me the privilege of using his own excellent and extensive collection.
In the preparation of the index besides those of a general reader, the special needs of the students of society, antiquity, Sanskrit literature and Indian history have been considered and I hope the index would be of some service to them.
​While adapting the Roman alphabet to represent Indian words, I have distinguished long vowels by a maeron, italised, t, d, n to represent the non-dental sounds, and re to represent the peculiar Sanskrit vowel. The letters j i denotes the peculiar pelatal compound of frequent occurrence in Sanskrit words. I have avoided all other niceties. In the case of some words which have already become English I have given the current English spelling.
My sincere thanks are due to Professor Lanman of Harvard and Professor Hopkins of Yale, for their perusal of the manuscript and for some very valuable suggestions. I should also thank Messrs. J. B. Lyon & Co. for their careful typography, and Mr. Henry C. Hasbrouck of Troy, N. Y., for going over the proofs.
September '09.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 86 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigram (3)

EPIGRAM.
The world is a bundle of hay, Mankind are the asses who pull; Each tugs it a different way,— And the greatest of all is John Bull!
[First published, Letters and Journals, 1830, ii. 494.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigrams

EPIGRAMS.
[First published, The Liberal, No. I., October 18, 1822, p. 164.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigram (2)

EPIGRAM.
In digging up your bones, Tom Paine, Will. Cobbett has done well: You visit him on Earth again, He'll visit you in Hell. or— You come to him on Earth again He'll go with you to Hell!
January 2, 1820. [First published, Letters and Journals, 1830, ii. 295.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigram (1)

EPIGRAM.
FROM THE FRENCH OF RULHIÈRES.
If for silver, or for gold, You could melt ten thousand pimples Into half a dozen dimples, ​ Then your face we might behold, Looking, doubtless, much more snugly, Yet even then 'twould be damned ugly.
August 12, 1819. [First published, Letters and Journals, 1830, ii. 235.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigram on an Old Lady who had some Curious Notions respecting the Soul

JEUX D'ESPRIT AND MINOR POEMS, 1798–1824.
EPIGRAM ON AN OLD LADY WHO HAD SOME CURIOUS NOTIONS RESPECTING THE SOUL.
In Nottingham county there lives at Swan Green, As curst an old Lady as ever was seen; And when she does die, which I hope will be soon, She firmly believes she will go to the Moon!
1798. [First published, Letters and Journals, 1830, i. 28.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epilogue

EPILOGUE.
1.
There's something in a stupid ass, And something in a heavy dunce; But never since I went to school I heard or saw so damned a fool As William Wordsworth is for once.
2.
And now I've seen so great a fool As William Wordsworth is for once; I really wish that Peter Bell And he who wrote it were in hell, For writing nonsense for the nonce.
3.
It saw the "light in ninety-eight," Sweet babe of one and twenty years! And then he gives it to the nation And deems himself of Shakespeare's peers!
4.
He gives the perfect work to light! Will Wordsworth, if I might advise, Content you with the praise you get From Sir George Beaumont, Baronet, And with your place in the Excise!
Ravinna, March 22, 1820. [First published, Paradies, etc., collected ... by Walter Hamilton, 1888, p. 105.]
* ↑ [The MS. of the "Epilogue" is inscribed on the margin of a copy of Wordsworth's Peter Bell, inserted in a set of Byron's Works presented by George W. Childs to the Drexel Institute. (From information kindly supplied by Mr. John H. Bewley, of Buffalo, New York.) The first edition of Peter Bell appeared early in 1819, and a second edition followed in May, 1819. In Byron's Dedication of Marino Faliero, "To Baron Goethe," dated October 20, 1820 (Poetical Works, 1891, iv. 341), the same allusions to Sir George Beaumont, to Wordsworth's "place in the Excise," and to his admission that Peter Bell had been withheld "for one and twenty years," occur in an omitted paragraph first published, Letters, 1891, v. 101. So close a correspondence of an unpublished fragment with a genuine document leaves little doubt as to the composition of the "Epilogue."]
* ↑ [The missing line may be, "To permanently fill a station," see Preface to Peter Bell.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Endorsement to the Deed of Separation, in the April of 1816

ENDORSEMENT TO THE DEED OF SEPARATION, IN THE APRIL OF 1816.
A year ago you swore, fond she! "To love, to honour," and so forth: Such was the vow you pledged to me, And here's exactly what 't is worth.
[First published, Poetical Works, 1831, vi. 454.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Elegy

ELEGY.
Behold the blessings of a lucky lot! My play is damned, and Lady Noel not.
May 25, 1821. [First published, Medwin's Conversations, 1824, p. 121.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/Epigram (4)

EPIGRAM.
ON THE BRAZIERS' ADDRESS TO BE PRESENTED IN ARMOUR BY THE COMPANY TO QUEEN CAROLINE.
It seems that the Braziers propose soon to pass An Address and to bear it themselves all in brass; ​A superfluous pageant, for by the Lord Harry! They'll find, where they're going, much more than they carry.
Or—
The Braziers, it seems, are determined to pass An Address, and present it themselves all in brass;—
| A superfluous | $\scriptstyle {\left\{{\begin{matrix}\ \end{matrix}}\right.}$ | pageant trouble | $\scriptstyle {\left.{\begin{matrix}\ \end{matrix}}\right\}\,$ | for, by the Lord Harry! |
They'll find, where they're going, much more than they carry.
January 6, 1821. [First published, Letters and Journals, 1830, ii. 442.]
# The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 7/E Nihilo Nihil

[E NIHILO NIHIL;
OR
An Epigram Bewitched.]
Of rhymes I printed seven volumes— The list concludes John Murray's columns: Of these there have been few translations For Gallic or Italian nations; And one or two perhaps in German— But in this last I can't determine. But then I only sung of passions That do not suit with modern fashions; Of Incest and such like diversions Permitted only to the Persians, Or Greeks to bring upon their stages— But that was in the earlier ages Besides my style is the romantic, Which some call fine, and some call frantic; While others are or would seem as sick Of repetitions nicknamed Classic. For my part all men must allow Whatever I was, I'm classic now. ​I saw and left my fault in time, And chose a topic all sublime— Wondrous as antient war or hero— Then played and sung away like Nero, Who sang of Rome, and I of Rizzo: The subject has improved my wit so, The first four lines the poet sees Start forth in fourteen languages! Though of seven volumes none before Could ever reach the fame of four, Henceforth I sacrifice all Glory To the Rinaldo of my Story: I've sung his health and appetite (The last word 's not translated right— He 's turned it, God knows how, to vigour) I'll sing them in a book that 's bigger. Oh! Muse prepare for thy Ascension! And generous Rizzo! thou my pension.
February, 1818. [From an autograph MS. in the possession of Mr. Murray, now for the first time printed.]
* ↑ [Byron must have added the Fourth Canto of Childe Harold to the complete edition of the Poetical Works in six volumes. See Murray's list, dated "Albemarle Street, London, January, 1818." The seventh volume of the Collected Works was not issued till 1819.]
* ↑ [A French translation of the Bride of Abydos appeared in 1816, an Italian translation of the Lament of Tasso in 1817. Goethe (see Letters, 1901, v. 503-521) translated fragments of Manfred in 1817, 1818, but the earliest German translation of the entire text of Manfred was issued in 1819.]
* ↑ [See the last line of the Italian translation of the quatrain.]
# The Works of J. W. von Goethe/Volume 9/To the Chosen One

TO THE CHOSEN ONE.
[This sweet song is doubtless one of those addressed to Frederica.]
Hand in hand, and lip to lip! Oh, be faithful, maiden dear! Fare thee well! thy lover's ship Past full many a rock must steer; But should he the haven see, When the storm has ceased to break, And be happy, reft of thee,— May the gods fierce vengeance take!
Boldly dared is well-nigh won! Half my task is solved aright; Every star's to me a sun, Only cowards deem it night. Stood I idly by thy side, Sorrow still would sadden me; But when seas our path divide, Gladly toil I,—toil for thee!
​Now the valley I perceive, Where together we will go, And the streamlet watch each eve, Gliding peacefully below. Oh, the poplars on yon spot! Oh, the beech-trees in yon grove! And behind we'll build a cot. Where to taste the joys of love!
# The Works of J. W. von Goethe/Volume 9/To the Grasshopper

AFTER ANACREON.
[The strong resemblance of this fine poem to Cowley's ode bearing the same name, and beginning, "Happy insect! what can be," will be at once seen.]
Happy art thou, darling insect, Who upon the trees' tall branches, By a modest draught inspired, Singing, like a monarch livest! Thou possessest as thy portion All that on the plains thou seest, All that by the hours is brought thee; 'Mongst the husbandmen thou livest. As a friend, uninjured by them, Thou whom mortals love to honour, Herald sweet of sweet Spring's advent! Yes, thou'rt loved by all the Muses, Phœbus' self, too, needs must love thee; They their silver voices gave thee, Age can never steal upon thee. Wise and gentle friend of poets, Born a creature fleshless, bloodless, Though Earth's daughter, free from suffering, To the gods e'en almost equal.
# The Works of J. W. von Goethe/Volume 9/To the Rising Full Moon

Dornburg, 25th August, 1828.
Wilt thou suddenly enshroud thee, Who this moment wert so nigh? Heavy rising masses cloud thee, Thou art hidden from mine eye.
Yet my sadness thou well knowest, Gleaming sweetly as a star! That I'm loved, 'tis thou that showest, Though my loved one may be far.
Upward mount then! clearer, milder, Robed in splendour far more bright! Though my heart with grief throbs wilder, Fraught with rapture is the night!
# The Works of J. W. von Goethe/Volume 9/True Enjoyment

TRUE ENJOYMENT.
Vainly wouldst thou, to gain a heart, Heap up a maiden's lap with gold; The joys of love thou must impart, Wouldst thou e'er see those joys unfold. The voices of the throng gold buys. No single heart 'twill win for thee; Wouldst thou a maiden make thy prize, Thyself alone the bribe must be.
If by no sacred tie thou'rt bound, Oh, youth, thou must thyself restrain! Well may true liberty be found, Though man may seem to wear a chain. Let one alone inflame thee e'er, And if her heart with love o'erflows, Let tenderness unite you there. If duty's self no fetter knows.
First feel, oh, youth! A girl then find Worthy thy choice,—let her choose thee, In body fair, and fair in mind, And then thou wilt be blest, like me. I who have made this art mine own, A girl have chosen such as this; The blessing of the priest alone Is wanting to complete our bliss.
Nought but my rapture is her guide, Only for me she cares to please,— Ne'er wanton save when by my side, And modest when the world she sees. That time our glow may never chill, She yields no right through frailty; ​Her favour is a favour still, And I must ever grateful be.
Yet I'm content, and full of joy, If she'll but grant her smile so sweet. Or if at table she'll employ, To pillow hers, her lover's feet; Give me the apple that she bit, The glass from which she drank, bestow, And when my kiss so orders it, Her bosom, veiled till then, will show.
And when she wills of love to speak, In fond and silent hours of bliss, Words from her mouth are all I seek, Nought else I crave,—not e'en a kiss. With what a soul her mind is fraught, Wreathed round with charms unceasingly! She's perfect,—and she fails in nought Save in her deigning to love me.
My reverence throws me at her feet, My longing throws me on her breast; This, youth, is rapture true and sweet; Be wise, thus seeking to be blest. When death shall take thee from her side, To join th' angelic choir above, In heaven's bright mansions to abide,— No diff'rence at the change thou'lt prove.
# The Works of J. W. von Goethe/Volume 9/To a Golden Heart He Was Wearing on His Neck

TO A GOLDEN HEART HE WAS WEARING ON HIS NECK.
[Addressed, during the Swiss tour already mentioned, to a present Lili had given him during the time of their happy connection, which was then about to be terminated for ever.]
Thou, of joy that died away, the token Which as yet I on my neck am wearing, Longer hold'st us twain, thou mental tie that's broken? Art thou the length of love's short days repairing?
​Flee I, Lili, from thee! Must still, tied to thy fetter, Like unto a debtor, Roam in strange lands, through vales and forests darting! Ah! not so soon could this my heart from My Lili's heart be parting.
Like a bird that erst did break his string, And to the wood returns, He drags of his prison the disgrace, Still some bit of the string on his trace; No longer the old bird, once born with freedom's wing; Has been a slave where'er he turns.
# The Works of J. W. von Goethe/Volume 9/To the Kind Reader

TO THE KIND READER.
No one talks more than a poet; Fain he'd have the people know it. Praise or blame he ever loves; None in prose confess an error, Yet we do so, void of terror, In the Muses' silent groves.
What I erred in, what corrected, What I suffered, what effected, To this wreath as flowers belong; For the aged and the youthful. And the vicious and the truthful, All are fair when viewed in song.
# The Works of J. W. von Goethe/Volume 9/To the Distant One

    "To the Distant One" redirects here; see also To a Distant One.
TO THE DISTANT ONE.
And have I lost thee evermore, Hast thou, oh, fair one, from me flown? Still in mine ear sounds, as of yore, Thine every word, thine every tone.
As when at morn the wanderer's eye Attempts to pierce the air in vain, When, hidden in the azure sky, The lark high o'er him chants his strain:
​So do I cast my troubled gaze Through bush, through forest, o'er the lea; Thou art invoked by all my lays; Oh, come then, loved one, back to me!
# The Works of J. W. von Goethe/Volume 9/Valediction

VALEDICTION.
I once was fond of fools, And bid them come each day; Then each one brought his tools, The carpenter to play; The roof to strip first choosing, Another to supply, The wood as trestles using, To move it by-and-by. While here and there they ran, And knocked against each other; To fret I soon began, My anger could not smother, So cried, "Get out, ye fools!" At this they were offended; Then each one took his tools, And so our friendship ended.
Since that I've wiser been, And sit beside my door; When one of them is seen, I cry, "Appear no more!" "Hence, stupid knave!" I bellow: At this he's angry, too: "You impudent old fellow! And pray, sir, who are you? Along the streets we riot, And revel at the fair: ​But yet we're pretty quiet, And folks revile us ne'er. Don't call us names, then, please!" At length I meet with ease, For now they leave my door— 'Tis better than before!
# The Works of J. W. von Goethe/Volume 9/Treasure Trove

TREASURE TROVE.
Through the forest idly, As my steps I bent, With a free and happy heart, Singing as I went.
Cowering in the shade I Did a floweret spy, Bright as any star in heaven, Sweet as any eye.
Down to pluck it stooping, Thus to me it said, "Wherefore pluck me only To wither and to fade?"
​Up with its roots I dug it, I bore it as it grew, And in my garden-plot at home I planted it anew;
All in a still and shady place, Beside my home so dear, And now it thanks me for my pains And blossoms all the year.
# The Yellow Dwarf

from Le Nain jaune in Les Contes des Fées
* The Yellow Dwarf, translated by James Planché, illustrated by John Gilbert (1856)
* The Yellow Dwarf, illustrated by Walter Crane (1875)
* "The yellow dwarf", translated by Minnie Wright, edited by Andrew Lang, illustrated by Henry Justice Ford, in The Blue Fairy Book (1889)
# The Velvet Glove (James)

* "The Velvet Glove" in The English Review 1 (March 1909): 625–649.
    — First publication in any form; quotation marks part of title.
* "The Velvet Glove" in The Finer Grain (New York: Charles Scribner's Sons, 1910): ?–?.
    — First American book edition.
* "The Velvet Glove" in The Finer Grain (London: Methuen & Co., 1910): 1–45.
    — First English book edition.
* "The Velvet Glove" in Maud-Evelyn, The Special Type, The Papers and Other Tales (London: Macmillan & Co., 1923): 203–239.
    — Volume 28 of The Novels and Stories of Henry James, the first posthumous collection of James' works; uses the "New York Edition" text.
# The Vendetta

Original French title: "La Vendetta". First published 1830. Included as part of La Comédie humaine.
To Puttinati, Milanese Sculptor.
* Chapter I: Prologue
* Chapter II: The Studio
* Chapter III: Labedoyere's Friend
* Chapter IV: Love
* Chapter V: Marriage
* Chapter VI: Retribution
* Addendum
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Vendetta/Addendum

The following personages appear in other stories of the Human Comedy.
Bidault (known as Gigonnet)
    The Government Clerks
    Gobseck
    Cesar Birotteau
    The Firm of Nucingen
    A Daughter of Eve
Bonaparte, Napoleon
    The Gondreville Mystery
    Colonel Chabert
    Domestic Peace
    The Seamy Side of History
    A Woman of Thirty
Bonaparte, Lucien
    The Gondreville Mystery
Camusot de Marville, Madame
    Cesar Birotteau
    Jealousies of a Country Town
    Scenes from a Courtesan's Life
    Cousin Pons
Magus, Elie
    A Marriage Settlement
    A Bachelor's Establishment
    Pierre Grassou
    Cousin Pons
Murat, Joachim, Prince
    The Gondreville Mystery
    Colonel Chabert
    Domestic Peace
    The Country Doctor
Rapp
    The Gondreville Mystery
Roguin
    Cesar Birotteau
    Eugenie Grandet
    A Bachelor's Establishment
    Pierrette
Thirion
    Cesar Birotteau
    Jealousies of a Country Town
Tiphaine, Madame
    Pierrette
Vergniaud, Louis
    Colonel Chabert
# The prophetic books of William Blake, Milton

W. BLAKE'S MILTON
EDITED BY
A.G.B. RUSSELL and E.R.D. MACLAGAN
MILTON
[Advertisements]
* UNIFORM WITH THIS BOOK
* The Prophetic Books of W. Blake
* JERUSALEM
* Edited by E.R.D. Maclagan and
* A. G. B. Russell
* 6s. net
THE PROPHETIC BOOKS OF WILLIAM BLAKE
MILTON
Edited by E. R. D. MACLAGAN and A. G. B. RUSSELL
LONDON:
A. H. BULLEN
47, GREAT RUSSELL STREET
1907
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON.
Milton
* Preface
* Book the first
* Book the second
* Extra pages
* Index
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1955, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 68 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The production of the Gospel of Mark – An essay on intertextuality/Section 1

Modern informed readers know the Gospel of Mark from critical Greek editions with text-critical and other notes in the margins. These notes inform them not only about the history of the transmission of the final text, but also about allusions and quotations in the text. In addition, it is commonly maintained that the Gospel was originally written in Greek, and that the final text represents a rather lengthy history of growth. For more than a century attempts have been made to explain the origin of the gospel material and to interpret the space between the related events and the final inscripturation of the contents of the Gospel. For that reason the emphasis has been on the growth and not on the making of the Gospel. Very few scholars have ​taken the production of the written Gospel seriously. Certain data beliefs and assumptions concerning the Gospel have become so dominant that very little progress has been made in the history of interpretation of the Gospel (see e g Peabody 1987:3ff).
In this essay I will discuss the importance of the unsolved problem of the production of the Gospel of Mark. To achieve my goal, I will first pay attention to current views on the origin of the material. The idea is to illustrate the implications of the traditional focus on the origins of the Gospel. In the next part of the essay I will turn to the production of the Gospel from the perspective of intertextuality. In this section I will focus on the implications of a totally different perception of the phenomena of text and textual relationships.
# The Zoologist/4th series, vol 3 (1899)/Issue 697

Contents :
| | | PAGE |
| Distant, W.L. | Biological Suggestions. Mimicry (Part I) | 289 |
| Renshaw, Graham | Notes on the Zoological Collections of Amsterdam, Rotterdam, and Antwerp | 316 |
| | Notes and Queries | 320 |
| | Notices of New Books | 327 |
| | Editorial Gleanings | 332 |