# Jinrikisha Days in Japan/Chapter 34
### CHAPTER XXXIV KOBÉ AND ARIMA

Travellers had cause to rejoice when the Tokaido railroad made it a twenty-four hours’ journey on dry land from Tokio to Kobé, the foreign settlement adjoining the ancient town of Hiogo. It is almost always a miserable trip by water, notwithstanding the beauty of Fuji and the coast. Chopping seas, cross-currents, and unexpected pitchings and motions disturb the equilibrium even of an old sailor, and the trip to Kobé often lays him low, while smiling skies and seemingly smooth waters seem to make a mock of him. When typhoons sweep, the province of Kii is a magnet for them, and frightful seas rage around that point which guards the entrance to the Inland Sea.
Kobé, as the port of Osaka and Kioto, and the outlet of the great Yamashiro tea-district, is an important place commercially; its growth more than equalling Yokohama’s since the opening of the port. Beginning with less than 10,000 native inhabitants in the town of Hiogo in 1868, it had risen to more than 80,000 in 1887. The foreign colony has increased in proportion, and in 1888 its foreign trade amounted to $42,971,976. Of this sum $24,667,906 were imports, and $18,304,070 were exports. Ships of all nations lie at anchor in its busy harbor, and ​the many American sailing vessels that come out loaded with kerosene return with cargoes of rags, camphor, and curios, by which general invoice name are included the cheaper porcelains, lacquers, fans, lanterns, toys, and trifles made for the foreign trade.
Kobé, lying at the head of the Inland Sea, sheltered from the ocean, and screened even from the land by the low range of mountains back of it, possesses the best and driest climate of any of the treaty ports now open for the residence of foreigners. The soil is sandy, and the site, facing southward, enjoys to the full the winter sun and summer winds. The town, beginning in lines of houses that run down from each velvet, green ravine in the abrupt hill-wall, slopes steeply to the water’s edge, and there spreads out in a long Bund, one part of which, lined with foreign residences, banks, and consulates, is the pride of Kobé. This foreign Bund is much less picturesque than the native or Hiogo Bund, off which lie hundreds of curious junks, that at night display constellations of softly glowing lanterns on their masts, while the whole harbor and hill-side twinkle with open lights, and the electric search-lights of the men-of-war Hash broad rays over the scene.
At the end of the native Bund Government buildings close the street, and the railway wharf and sea-wall follow a long point of land that runs far out into the bay, and is capped by a fortress with a round stone tower and a light house. A double line of ancient trees marks the course of the Minatogawa, which centuries ago was turned from its proper channel and made to run along this high embankment. A steep slope of forty feet in some places leads from the level of the Hiogo streets to the banks of this watercourse, which are turfed over, shaded with rows and groves of pines and enormous camphor-trees, and made gay with garden-plots and picturesque tea-houses. The dry river-bed is a play-ground ​for legions of children, and during matsuris it is crowded with booths and side-shows. Hiogo, meaning “arsenal,” figures prominently in ancient history, and here Kusunoki Masashige, that ideal hero and model of chivalric valor, fought the last battle of the War of the Chrysanthemums and established the sovereignty of the Emperor Go-Daigo in the fourteenth century. Kusunoki's memory is worshipped everywhere, but the Nanko temple in Hiogo is dedicated to his memory, and on anniversary days its matsuris are brilliant and picturesque affairs. Besides this great Shinto temple, Hiogo has a Buddhist establishment of equal importance—the Shinkoji, outside whose sanctuary sits a colossal bronze Buddha of serene, majestic countenance, its granite pedestal rising as an island in the midst of a lotus pond.
Properly speaking, the Minatogawa lies in Hiogo, but where ancient Hiogo ends and modern Kobé begins no mortal can see. The Motomachi, the main street of Kobé, winds its narrow length from the banks of the Minatogawa to the Foreign Concession, beyond which warehouses, tea-firing godowns, and foreign residences stretch and spread in every way outside the narrow limits of the tract conceded to alien residents in the treaties. Kobé means “head,” or “gate of god,” probably in reference to its position at the entrance of the Inland Sea. While so picturesquely placed it is the model foreign settlement of the East, and the municipal council—a mixed board of consular and native officials—has never allowed its right to that fame to be questioned. A pretty park down in the heart of the Concession, shaded with ancient camphor-trees and ornamented by hedges, groups of palms, thatched summer-houses, and a bell-tower, was once the execution-ground of Hiogo. A small temple that stood near it has given way to a large tea-firing godown, and native children tumble and play where the ​headsman used to bind mutilated bodies or ghastly heads to high poles and set them up at the corners, after immemorial usage. The park, or recreation-grounds for the foreign colony, lies, beside the long embankment of another elevated river-bed on the opposite side from the Minatogawa.
Every gap in the Kobé hills leads to some lovely little valley, and orange groves dot the hill-sides. In one green ravine are the falls of Nunobiki, where a clear mountain stream takes two long plunges down sheer granite walls, drops in foaming cascades past old rice-mills, and courses on over the sloping plain to the sea. The Moon temple shines, a white spot, far up towards the summit of the steep, green mountain, and, with the more accessible falls, offers the two favorite points for visitors’ excursions. Farther along the brow of the hill stands the Gold Ball temple, a whitewashed structure, looking like an exaggerated country meeting-house, with its roof surmounted by a gilded sphere, and with nothing even suggesting Buddhism in its appearance. While it is an eyesore to every one else, the natives, who contributed the money to build this monstrosity of what they consider foreign architecture, are delighted with its unique and bizarre appearance. Around it lies a populous graveyard, many of the stones gray with the mosses of centuries. Others, newly erected, are family memorials, bearing the names of those members already buried there written in black characters, and the names of the living in red. It is a curious custom; but to the Japanese, who even point with pride to the red letters of their own names on these family monuments, it is rational and right. Cremation is the funeral rite preferred, and up a narrow valley behind the temple is the crematory, much used both by rich and poor. The process is simple and inexpensive, and the visitor always encounters some funeral train accompanying a body to that little white temple of fire, ​or some family group bearing the ashes down to the cemetery for final rest.
A line of tea-houses bands the brow of the hill; innumerable Shinto shrines lost among the pine-trees show their long lines of torii at the edges of the groves; and at another point the schools and homes of the large American missionary colony make a settlement quite to themselves.
Kobé is almost entirely given up to the trade in cheap goods for the foreign market. The streets are lined and the shops filled with such porcelain, bronze, paper, and lacquer monstrosities; such burlesques of embroidery and nightmares of color as crowd the Japanese stores in the cities of America, chief customers of this trade. One Chicago importing house takes more of such goods annually than the whole kingdom of Belgium, one of the oldest, richest, and most densely populated countries of Europe. The curio-shops proper have diminished in numbers as the rage for foreign trade increased, until there remains almost alone the establishment of an old samurai, who still retains the shaved crown and gun-hammer cue of his class. Despising modern ways and business signs, this one simply hung a huge sword over his gate-way and left his customers to stumble upon him accidentally, push their way through a rubbish and lumber-room, and pursue their unguided path across the garden. Of recent years even this old conservative has relented a little and made his entrance more plainly alluring; but formerly each comer felt the excitement of discovering some jealously hidden treasure-house. Within, there is still a room full of old saddles, state kagos, military trappings, and banners; a place crowded with spears, lances, and color standards; a chamber piled high with brocade gowns, uniforms and temple hangings; hundreds of carved and gilded Buddhas, divine Kwannons more or less battered and worn, and hoards of old ​porcelain, lacquer, bronze, and carvings. The last room looks upon a little garden with its inevitable miniature pond crossed by a stone bridge with stone lanterns, and stunted pines on the slope of a small mountain. Beyond this garden are more stores of armor, coins, and ancient things, and a second story doubles the whole lower labyrinth of the place. An army might be equipped from this magazine of military stores, or a pantheon fitted out with Buddhas, Kwannons, Nios, lesser gods, and gilded images. All these deities are certified to have come from the Nara or Mount Hiyeizan temples, which are the miraculous sources of supply of everything sacerdotal in this part of Japan. One fortunate tourist, who bought a Buddha of Hari Shin, found that the jewel in the forehead was a diamond instead of a crystal, which, when cut in facets, proved to be worth several hundred dollars. Of this incident the old samurai prefers not to talk, and to change the subject his agile son refills the tea-cups, unrolls more kakemonos, or displays the swords and helmets “of my father’s young time.”
Through Kobé the colored straw mosaics of Tajima province on the west coast find their market, as well as the basket wares of Arima, a village lying fifteen miles inland. One goes from Kobé to Arima by jinrikisha, and starting in the dew and freshness of a summer morning at six o’clock, we reached the grateful shade of the Taiko’s maple in the tea-house garden soon after nine. As we rose by degrees through the suburbs of Kobé, and drew nearer its glorious green hill-wall, we had a superb view of the opaline bay, set with the black hulls of great merchant ships, the white ones of foreign men-of-war, and dotted with the square white sails of hundreds of junks and fishing-boats. A sudden turn in the road took us behind the sharp spur of a hill, and a narrow canon lay before us with the road clinging to one side wall. All the way we followed watercourses—the ​road now in some wild ravine, and again running up some emerald rice valley. All the way we met primitive ox-carts carrying their loads down to Kobé, each driver bearing an equally heavy load hanging from the ends of a pole across his shoulders. The oxen’s horns were bound with fantastic bits of red cloth, their feet shod with straw sandals; and the cart was braked on the slopes by the main force and strength of the driver exerted against a long tongue or pole that also served to guide it. These placid, easy-going oxen, with their hard-working drivers walking beside them, afford some of the best pictures of the old road-side scenes. Small boys trudged at their fathers’ heels with bundles of baskets or firewood over their shoulders, and women carried their share of the family load.
FARM LABORERS
All the afternoon we roamed about Arima, climbing its steep streets and threading its narrow by-ways. In the glaring white sunlight the shops were caves of cool shadow, and we found them filled with everything that bamboo will make, from clothes-baskets to toothpicks, and all selling for a song. Their weight is almost nothing, but, with the most ingenious packing, the space they consume makes the cost of shipment to America equal that of production. Except the necessaries of life, nothing seems to be sold in Arima save bamboo baskets and straw work; and every house is a basket-factory, where father, mother, children, and almost babes, weave baskets or prepare the bamboo. Heredity asserts itself again, and these descendants of generations of basket-makers work with a dexterity equalling sleight-of-hand tricksters. Arima’s industrial life is a fine study in political economy.
The hill-side is musical with the boom of Buddhist bells and echoing clang of Shinto gongs; but more strangers toil upward for a drink from the sparkling, ice-cold soda spring beside one temple, than to pray at its door-way. For centuries Arima’s hot-springs have wrought their cures, and sufferers from rheumatism and skin diseases have flocked to its pools. The Government has charge of the springs, and the waters are conducted to a large bath-house in the heart of the village, where free baths in the common pool are open to every one, and where private baths may be obtained at a trifling charge.