OpenLLM-France/wikimedia huggingface dataset:
# Strange Farlies

From Churchyard's, A Handfull of Gladsome Verses given to the Queen's Majesty at Woodstock this Progress, 1592. Reprinted in A Midsummer Night's Dream, Ebenezer Charlton Black (ed), Ginn, Boston, 1910, p.xxii. The word "Farlies" means "marvels".
Strange farlies fathers told Of fiends and hags of hell; And how that Circes, when she would, Could skill of sorcery well;
And how old thin-faced wives, That roasted crabs by night, Did tell of monsters in their lives That now prove shadows light;
And told what Merlin spoke Of world and times to come; But all that fire doth make no smoke, For in mine ear doth hum
Another kind of bee, That sounds a tune most strange, A trembling noise of words to me That makes my countenance change.
Of old Hobgobling's guise, That walked like ghost in sheets, With maids that would not early rise For fear of bugs and sprites.
Some say the fairies fair Did dance on Bednall Green, And fine familiars of the air Did talk with men unseen.
And oft in moonshine nights, When each thing draws to rest, Was seen dumb shows and ugly sights That fearèd every guest
Which lodgéd in the house; And where good cheer was great, Hodgepoke would come and drink carouse And munch up all the meat.
But where foul sluts did dwell, Who used to sit up late, And would not scour the pewter well, There came a merry mate
To kitchen or to hall, Or place where sprites resort; Then down went dish and platters all To make the greater sport.
A further sport fell out When they to spoil did fall; Rude Robin Goodfellow, the lout, Would skim the milk-bowls all,
And search the cream-pots too, For which poor milk-maid weeps. God wot what such mad guests will do When people soundly sleeps!
These are but fables feigned, Because true stories old In doubtful days are more disdained Than any tale is told.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Strange Interlude

* related portals: American literature, Pulitzers.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Awarded the Pulitzer Prize for Drama in 1928.
Layout 2
STRANGE INTERLUDE
EUGENE O’NEILL
A Play
STRANGE INTERLUDE
NEW YORK
BONI & LIVERIGHT
1928
Copyright, 1928, by
Boni & Liveright, Inc.
Printed in the United States of America
First printing, February, 1928 Second printing, March, 1928 Third printing, March, 1928 Fourth printing, May, 1928
NOTE
All rights reserved including that of translation into foreign languages. All acting rights, both professional and amateur, including motion picture rights, are reserved in the United States, Great Britain and all countries of the Copyright Union by the author.
In its present form this play is dedicated to the reading public only and no performance may be given without special arrangement with the author's agent.
CHARACTERS
Charles Marsden
Professor Henry Leeds
Nina Leeds, his daughter
Edmund Darrell
Sam Evans
Mrs. Amos Evans, Sam’s mother
Gordon Evans
Madeline Arnold
SCENES
First Part
Act One
Library, the Leeds’ home in a small university town of New England—an afternoon in late summer.
Act Two
The same. Fall of the following year. Night.
Act Three
Dining room of the Evans’ homestead in northern New York state—late spring of the next year. Morning.
Act Four
The same as Acts One and Two. Fall of the same year. Evening.
Act Five
Sitting room of small house Evans has rented in a seashore suburb near New York. The following April. Morning.
Second Part
Act Six
The same. A little over a year later. Evening.
Act Seven
Sitting room of the Evans’ apartment on Park Avenue. Nearly eleven years later. Early afternoon.
Act Eight
Section of afterdeck of the Evans’ cruiser anchored near the finish line at Poughkeepsie. Ten years later. Afternoon.
Act Nine
A terrace on the Evans’ estate on Long Island. Several months later. Late afternoon.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1953, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 70 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tarzan and the Ant Men/There's More to Follow

There's More to Follow!
More stories of the sort you like; more, probably, by the author of this one; more than 500 titles all told by writers of world-wide reputation, in the Authors’ Alphabetical List which you will find on the reverse side of the wrapper of this book. Look it over before you lay it aside. There are books here you are sure to want—some, possibly, that you have always wanted.
It is a selected list; every book in it has achieved a certain measure of success.
The Grosset & Dunlap list is not only the greatest Index of Good Fiction available, it represents in addition a generally accepted Standard of Value. It will pay you to
Look on the Other Side of the Wrapper!
In case the wrapper is lost write to the publishers for a complete catalog
​EDGAR RICE BURROUGHS’ NOVELS
May be had wherever books are sold. Ask for Grosset and Dunlap’s list
BANDIT OF HELL’S BEND, THE
CAVE GIRL, THE
LAND THAT TIME FORGOT, THE
TARZAN AND THE ANT MEN
TARZAN AND THE GOLDEN LION
TARZAN THE TERRIBLE
TARZAN THE UNTAMED
JUNGLE TALES OF TARZAN
AT THE EARTH’S CORE
THE MUCKER
A PRINCESS OF MARS
THE GODS OF MARS
THE WARLORD OF MARS
THUVIA, MAID OF MARS
THE CHESSMEN OF MARS
GROSSET & DUNLAP, Publishers, NEW YORK
# Tarzan and the Golden Lion/Advertisements

THE "MARTIAN" TALES
By EDGAR RICE BURROUGHS
An absorbing series of Adventures and Romance forty-three million miles from Earth. It is hardly too much to say it is the boldest piece of imaginative fiction in this generation.
Only the man who created TARZAN, the Ape-man, could have written these amazing stories.
A Princess of Mars The Gods of Mars The Warlord of Mars Thuvia, Maid of Mars
THE "TARZAN" STORIES
By EDGAR RICE BURROUGHS
Never has such a character come to you from the pages of a book; never has the human brain conceived so strange a creation as Tarzan, the Ape-man.
Everybody is reading and talking of the wonderful "TARZAN" Novels.
Tarzan of the Apes The Return of Tarzan The Beasts of Tarzan The Son of Tarzan Tarzan and the Jewels of Opar Jungle Tales of Tarzan Tarzan the Untamed Tarzan the Terrible
Layout 2
# Telugu-English Dictionary/చో

చో
చో tsó, s. A place. 2. A time,.
చోటు tsóṭu, s. A place. చోట tsota, adv. In a place.
చోద్యము chódyamu, s. A curiosity. 2. Surprize, adj. Curious. 2. Surprizing.
చోరుడు chóruḍu, s. A thief, a robber.
చోళ్లు chóḷḷu, s. plu. The grain usually termed Natchenny. Cynosurus coracanus.
# Telugu-English Dictionary/చు

చు
చుంగుడు tsttngudu, s. A trifling or small balance, or arrear.
చుంగులు tsimgulu, s. plu. The ends of a garment.
చుంచు tsuntsu, 5. vide చిప్పకుంకటి chippakunkati- 2. The musk rat. 3. v A mouse, adj. Young. చుంచుంబాలుడు tsumtsumbaludu, A young child.
చుండు tsundiij s. The dandruff, v. n. To be decocted, evaporated, or dried up. చుండించు tsundintsu, To decoct, or dry up.
చుంయి chumyi, s. The noise made by fire, when it comes in contact with water.
చుక్క tsukka, s. A drop, dot, or spot. 2- The round mark worn on the forehead, by Hindoos. 3. A star. చుక్కబొట్టు tsukkabottu, An ornamental spot worn on the forehead, by Hindoo women; also the round sectarialmark, worn by both men and women.
చుక్కాని tsukkani, s. The helm or rudder of a vessel.
చుట్ట tsufcta, 5. A round roll of any thing;. 2. A roll of tobacco. చుట్టదాగు-చుట్టపట్టు, చుట్టపీల్చు tsuttadasju* tsuttapattu, tsryttapiltsu, To smoke aclie root. ​చుట్టము tsutfcamu, s. A relation. చుట్టరికము tsuttarikamu, Relationship, consanguinity, affinity.
చుట్టు tsuttu, v. a. To roll round : to wrap up. 2. To go round, to roam, wander, or travel.
చుట్టుకొను tsuttukonu, v. Comp. To' surround. 2. To roll, or wrap up. 8. Circumference. 2. A toe ring, worn by women, adv. Around. 2. Round about ; out of the direct way. పాగాచుట్టు pagatsuttu, To tie a turband.
చునాయించు tsonayintsu, v. ei. To plait, or fold, any part of the dress.
చుఱచుఱకాలు tsurratsurrakalu, v. n. To burn quickly, with a crackling noise.
చుఱుకు tsurruku, ^.Excessive heat. 2- Force, violence- 3. Sharpness. 4. Haste, impetuosity, speed. 5. Pain. adj. Hot. 2. Violent. 3. Sharp. 4. Quick, impetuous. 5. Painful.
చుఱుపుచ్చు tsurruputstsu, v. a. To burn, or consume.
చులకన tsulakana, s. Lightness. 2. Want of importance or difficulty. 3. Disregard, contempt.
చులకని tsulakani, adj. Light. 2. Unimportant, easy. 3. Contemptu ous.
చులుకము chulukamu, s. The hand hollowed, so as to hold water, &c.
చువ్వ tsuvva, s. A small supple stick, or "cane ; a slip of wood.
చువ్వె tsuwe,£>ar£. This is a particle, denoting reality or certainty, used in the superior language only j as ధర్మంబుచేసిన పుణ్యఫలంబు నొందుదువు చువ్వె dharmambuchesina punyaphalambu nonduduvu tsuvve, If you practise virtue, you will certainly obtain it's fruit.
# Telugu-English Dictionary/చూ

చూ
చూచు tsutsu, v. a. To see ; to look; to perceive. 2. To observe. 3. To visit. 4. To meet. 5. To wait. 6. To try. 7. To consider. 8. To take care, or be on one's guard. This verb also expresses the exercise of any of the five senses, and therefore occasionally denotes either to see, to taste, to smell, to feel, or to hear, according to the context.
చూచుకొను tsutsukonu, v. Comp. To see ; tp see each other.
చూపు, చూపించు tsupu, tsupintsu, v, Cans. To cause to see, or look ; to shew, or point out.
చూడు tsudu, s. Pregnancy, as applied to cattle only. చూడియావు tsiidiyavu, A cow with calf.
చూడు tsudu, v. a. To burn.
చూడ్కి tsudki, s. A look. 2. An eye, ​చూపరి tsupari, s. A handsome person.
చూపు tsupu, s. Si glit, a look.
చూరకత్తి, చూరుకత్తి tsiirakattij tsurukatti, s. A small knife. 2. A creese, or small dagger.
చూరు tsiiru, s. The border of a shelving roof. 2. Powder of any kind, చూరుకమ్మి tsurukammi, A board nailed on the end of a shelving roof.
చూరెలుక tsureluka, s. A kind of rat.
చూర్ణము ehurnamn, s. Powder ; dust; any pulverized substance.
చూఱ tsiirra, 5. Plunder.
చూలు tsulu, s. The womb. 2. The foetus. 3. A child. చూలాలు tsula- lu, A pregnant woman.
చూవె tsuve, part, vide చువ్వె tsuvve.
# Telugu-English Dictionary/చై

చై
చైత్రము chaitramu, s. The first Telugu lunar month ; that in which the moon's change takes place when the sun is in Aries.
చైదము, చైది chaidamu, chaidi, s. A trade, or profession.
# Telugu-English Dictionary/చొ

చొ
చొంగ tsonga, s. Saliva* spittle.
చొక్కటము tsokkatamu, s. Beauty. adj. Beautiful, handsome.
చొక్కము tsokkamu, s. Beauty, adj. Handsome. 2. Pure.
చొక్కా, చొక్కాయి tsokka, tsokkayi, s. A jacket.
చొక్కు tsokku,^. Intoxication, stupe- faction. Faintness. v. n. To be intoxicated, stupified, or faint, 2. To die. చొక్కాకులు tsokkakulu, Dead, or dried leaves.
చొచ్చు, చొత్తెంచు .tsotstsu, tsottentsu, 0. a. To enter by force? to penetrate. 2. To interfere in any business, or matter ; to embark in any undertaking, or enterprise.
చొట్ట tsotia, adj. Withered, or lame, as applied to any limb, 8. A dent, or bend.
చొప్ప tsoppa, s. The straw of the Holcus saccharatus, or Holcus spicatus? jonnalu, or sudzalu.
చొప్పించు tsoppintsu, v. a. The causal of చొచ్చు tsotstsn, q. v. To pierce. 2. To string or thread.
చొప్పిల్లు tsoppillu, u. n. To shine.
చొప్పు tsoppu, s. Manner, way. చొప్పున tsoppuna, adv. Agreeable to, according to, at the rate of. ఆచొప్పున atsoppuna, In that manner or way.
చొబలము tsobalamu, s. The foetus of the mare.
చొరవ tsorava, s. Introduction, penetration. 2. Boldness, confidence, firmness. వానికిఅన్న చొరవలేదు vanikiannatsoravaledu, He has no in- clination for food.
చొఱ tsorra, s. A species offish.
చొల్లు, చొళ్లు tsollii, tsollu, . s. vide చొంగ tsonga.
# Telugu-English Dictionary/చౌ

చౌ
చౌ tsau, adj. Four. s. vide చవు-చౌకాలిపీట tsavu, tsaukalipita, A chair; lit. A seat with four legs. చౌవంచ tsauvantsa, Five.
చౌక tsanka, adj. vide చవుక tsavuka.
చౌకము tsaukamu, adj. Square, s. A square.
చౌకళించు tsaukalintsu, v. n. vide చవుకళించు tsavukalintsn.
చౌకీ tsauki, s. A custom house. 2. A watch house. A watchman.
చౌడు tsaudu, s. vide చవడు tsavadu.
చౌడోలు tsaudolu, s. A howdah, or seat on the elephant.
చౌతా tsautl, 8. The litter generally called a dooly^
చౌతి tsauti, s. vide చవుతి tsavuti.
చౌదంతి tsatidanti, 5. vide చవుదంతి tsavudanti.
చౌదరి tsaudari, s. A Chowdry ; the head of a village, purganah, or caste,under the former Mussulman government.
చౌర్యము chauryamu, s. Theft, robbery.
చౌలము choulamu, s. The ceremony of tonsure ; shaving off the hair of a child, three years old , with the exception of one lock, left on the crown of the head.
# Telugu-English Dictionary/ఛ

ఛ
ఛ chha, The twenty-second letter, and seventh consonant in the Telugu alphabet.
# Telugu-English Dictionary/చీ

చీ
wikt:చీ phi interj. Expressive of disgust, contempt, or shame. Fie ! &c.
wikt:చీకటి chikati, 5. Darkness, adj. Dark. చీకటిగాము chikatigamu,The moon's ascending node, reckoned by the Hindoos as the eighth planet.
చీకాకుపడు chikakupadui. v. n. To be puzzled, or confounded.
చీకిలి ehikili s. A broom.
చీకు chiku, s. A blind person, adj. Blind,
చీకు chiku, gcZ;. Damaged, spoiled by damp, &c v. a. To suck. 25. P'&dfe చవుకు tsavuku.
చీకురువాయి chikuruvayi, s. A cricket.
చీకువాలు chikuvalu, s. Darkness.
చీటి, చీటీ chiti, chiti, >. A note, or small letter. 2. Chintz, painted cloth.
చీడ chida, s. "A disease ; applied either to those of animals, or of vegetables.
చీడు ehidu, s. A bundle of thread, consisting of seven punjums, or two hundred and ten ఎనికె enike, q. v.
చీదర chidara, s. Abhorrence, loathing. 2. Perplexity, distraction of mind.
చీదు chidu, v. a. To blow the nose.
చీపురు chipuru, s. A broom.
చీమ cliima, s. An ant.
చీమిడి chimidi, ®. The mucus of the nose. ​చీము chimu, s. Matter from a sore ; pas.
wikt:చీర chira, s. A female garment.
చీరపిట్ట-చీరపేను, చీరపోతు chirapitta-chirapenu, chirapotu, 5. A white louse.
చీరము chiramu, s. Lead. 2. Bark, rind. 3. A cloth made of bark.
చీరిక chirika, 5. A moth, a cricket,
చీరికలు chirikalu, s. phi. Remnants orbits of cloth; tatters. 2. Slices.
చీరికి chfriki, 5. Regard, esteem. చీరికిగొను chirikigonu, v. a. To regard. or esteem.
చీరు ckiru, ?;. c. To cut in slices. 2. To scratch. 3. To tear with the claws or tusks- 4. To hiss like a serpent.
చీరె chire, s. wtfe చీర chfra.
చీఱు chfrru, v. w. To call, to invite.
చీల chila, s. An iron nail ; A wooden pin.
చీలమండ chilamanda. 5. The ankle.
చీలి chili, s. Acat.
చీలికెలు chilikel,!!, s. wZe చీరికలు chirikalu.
చీలు chilu, v. a. To split, or open. 2. To part from company.
చీలుచు, చీల్చు chilutsu, chiltsu, v. a. To divide, or split.
చీల్పించు chilpintsu, t (7ews. To cause to split.
# Sex and the Love-Life

SEX AND THE LOVE-LIFE
BY
WILLIAM J. FIELDING
Author of “Sanity In Sex," "The Caveman Within Us," “Health and Self-Mastery,” “Rational Sex Series," etc.
DODD MEAD & COMPANY NEW YORK1927
Copyright, 1927 By DODD, MEAD AND COMPANY, Inc.
PRINTED IN U. S. A.
MANUFACTURED IN THE UNITED STATES OF AMERICA BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N. Y.
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1973, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 50 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Thatcher Heating Company v. Burtis

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
121 U.S. 286
Thatcher Heating Company v. Burtis
[ B. F. Lee, for appellants.
A. J. Todd, for appellees.
MATTHEWS, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# That is solemn we have ended

That is solemn we have ended Be it but a Play Or a Glee among the Garret Or a Holiday
Or a leaving Home, or later, Parting with a World We have understood for better Still to be explained.
# Thatcher v. Powell

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
19 U.S. 119
Thatcher v. Powell
ERROR to the Circuit Court of West Tennessee.
This cause was argued at the last term, and at the present term the opinion of the Court was delivered by Mr. Chief Justice MARSHALL.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# That she forgot me was the least

That she forgot me was the least I felt it second pain That I was worthy to forget Was most I thought upon.
Faithful was all that I could boast But Constancy became To her, by her innominate, A something like a shame.
# That short—potential stir

* "The Funeral" in Poems (1890)
* "That short, potential stir" in The Complete Poems of Emily Dickinson (1924)
# That man no guard or weapons needs

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
The believer's safety by John Newton
    That man no guard or weapons needs,
    Whose heart the blood of JESUS knows;
    But safe may pass, if duty leads,
    Through burning sands or mountain snows.
    Released from guilt he feels no fear,
    Redemption is his shield and tow'r;
    He sees his Savior always near
    To help, in every trying hour.
    Though I am weak and Satan strong,
    And often to assault me tries;
    When Jesus is my shield and song,
    Abashed the wolf before me flies.
    His love possessing I am blest,
    Secure whatever change may come;
    Whether I go to East or West,
    With him I still shall be at home.
    If placed beneath the northern pole,
    Though winter reigns with rigor there;
    His gracious beams would cheer my soul,
    And make a spring throughout the year.
    Or if the deserts sun-burnt soil,
    My lonely dwelling e'er should prove;
    His presence would support my toil,
    Whose smile is life, whose voice is love.
# Shakespearean Tragedy/Note O

Layout 2
London: Macmillan, pages 438–439
NOTE O.
OTHELLO ON DESDEMONA’S LAST WORDS.
I have said that the last scene of Othello, though terribly painful, contains almost nothing to diminish the admiration and love which heighten our pity for the hero (p. 198). I said ‘almost’ in view of the following passage (V. ii. 123 ff):
This is a strange passage. What did Shakespeare mean us to feel? One is astonished that Othello should not be startled, nay thunder-struck, when he hears such dying words coming from the lips of an obdurate adulteress. One is shocked by the moral blindness or obliquity which takes them only as a further sign of her worthlessness. Here alone, I think, in the scene ​sympathy with Othello quite disappears. Did Shakespeare mean us to feel thus, and to realise how completely confused and perverted Othello’s mind has become? I suppose so: and yet Othello’s words continue to strike me as very strange, and also as not like Othello,—especially as at this point he was not in anger, much less enraged. It has sometimes occurred to me that there is a touch of personal animus in the passage. One remembers the place in Hamlet (written but a little while before) where Hamlet thinks he is unwilling to kill the King at his prayers, for fear they may take him to heaven; and one remembers Shakespeare’s irony, how he shows that those prayers do not go to heaven, and that the soul of this praying murderer is at that moment as murderous as ever (see p. 171), just as here the soul of the lying Desdemona is angelic in its lie. Is it conceivable that in both passages he was intentionally striking at conventional ‘religious’ ideas; and, in particular, that the belief that a man’s everlasting fate is decided by the occupation of his last moment excited in him indignation as well as contempt? I admit that this fancy seems un-Shakespearean, and yet it comes back on me whenever I read this passage. [The words ‘I suppose so’ (l. 3 above) gave my conclusion; but I wish to withdraw the whole Note.]
Footnotes
# Social Security Act 2018 (Version 56)/Section 11

11Transitional, savings, and related provisions
The transitional, savings, and related provisions set out in Schedule 1 have effect according to their terms.
Compare: 1964 No 136 s 3C, Schedule 32
# Social Security Act 2018 (Version 56)/Section 15

15What this Part does
This Part—
(a)sets out the various types of assistance through which MSD provides people with financial support; and
(b)specifies the requirements for each type of assistance.
# Social Security Act 2018 (Version 56)/Section 16

16Residential requirement
(1)This section sets out the residential requirement that must be met by applicants for certain types of assistance under this Part.
(2)A person (P) meets the residential requirement if—
(a)P is a New Zealand citizen or holds a residence class visa under the Immigration Act 2009, and is ordinarily resident in New Zealand when P first applies for the benefit, and—
(i)has resided continuously in New Zealand for a period of at least 2 years at any one time after becoming a citizen or resident; or
(ii)is recognised as a refugee or a protected person in New Zealand under the Immigration Act 2009; or
(b)P is ordinarily resident in a country with which New Zealand has a reciprocity agreement, and P has resided continuously in New Zealand for a period of at least 2 years before applying for the benefit or before a decision on P’s claim for the benefit is made.
(3)For the purposes of subsection (2)(b), New Zealand has a reciprocity agreement with another country if there is in force under section 380 an order declaring that the provisions contained in an agreement (for example, a convention) signed by New Zealand and the Government of that country set out in a schedule of the order have force and effect so far as they relate to New Zealand.
(4)This section does not limit section 204 (MSD may refuse or cancel benefit if person not ordinarily resident in New Zealand), and is subject to section 205 (refugee or protected person status).
(5)This section is also subject to any regulations made under section 421 that specify circumstances in which a person—
(a)is taken to meet the residential requirement; or
(b)must be treated, for the purposes of satisfying the residential requirement, as being resident and present in New Zealand; or
(c)must not be required to comply with the residential requirement.
Compare: 1964 No 136 s 74AA
# Social Security Act 2018 (Version 56)/Part 8

Part 8 Other provisions
Contents
# Social Security Act 2018 (Version 56)/Section 13

13Status of guides or outlines
All guides or outlines in this Act are by way of explanation only. They do not affect the provisions specified in them.
# Social Security Act 2018 (Version 56)/Section 14

14Status of examples
(1)An example used in an enactment in or made under this Act is only illustrative of the provisions to which it relates. It does not limit those provisions.
(2)If an example and a provision to which it relates are inconsistent, the provision prevails.
Compare: 1964 No 136 s 3B
# Social Security Act 2018 (Version 56)/Section 17

17Rates
(1)Assistance granted under this Part must be paid at the appropriate rate specified in Schedule 4.
(2)Subsection (1) does not apply to the following assistance granted under this Part:
(a)an emergency benefit under section 63:
(b)childcare assistance under section 77:
(c)funeral grants under section 90:
(d)temporary additional support under section 96:
(e)special assistance under subpart 17.
(3)Subsection (1) is subject to the provisions of this Act that provide for the reduction, suspension, or cancellation of assistance in certain circumstances.
Compare: 1964 No 136 ss 20G, 29A, 39B, 40I, 61(2), 61CB, 61EC, 61G(3), 61GA(3), 69C, 88M, 163, 169
# Social Security Act 2018 (Version 56)/Section 1

1Title
This Act is the Social Security Act 2018.