# The Ballad of the Calliope

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By the far Samoan shore, Where the league-long rollers pour All the wash of the Pacific on the coral-guarded bay, Riding lightly at their ease, In the calm of tropic seas, The three great nations' warships at their anchors proudly lay.
Riding lightly, head to wind, With the coral reefs behind, Three German and three Yankee ships were mirrored in the blue; And on one ship unfurled Was the flag that rules the world -- For on the old Calliope the flag of England flew.
When the gentle off-shore breeze, That had scarcely stirred the trees, Dropped down to utter stillness, and the glass began to fall, Away across the main Lowered the coming hurricane, And far away to seaward hung the cloud-wrack like a pall.
If the word had passed around, "Let us move to safer ground; Let us steam away to seaward" -- then his tale were not to tell! But each Captain seemed to say "If the others stay, I stay!" And they lingered at their moorings till the shades of evening fell.
Then the cloud-wrack neared them fast, And there came a sudden blast, And the hurricane came leaping down a thousand miles of main! Like a lion on its prey, Leapt the storm fiend on the bay, And the vessels shook and shivered as their cables felt the strain.
As the surging seas came by, That were running mountains high, The vessels started dragging, drifting slowly to the lee; And the darkness of the night Hid the coral reefs from sight, And the Captains dared not risk the chance to grope their way to sea.
In the dark they dared not shift! They were forced to wait and drift; All hands stood by uncertain would the anchors hold or no. But the men on deck could see, If a chance for them might be, There was little chance of safety for the men who were below.
Through that long, long night of dread, While the storm raged overhead, They were waiting by their engines, with the furnace fires aroar; So they waited, staunch and true, Though they knew, and well they knew, They must drown like rats imprisoned if the vessel touched the shore.
When the grey dawn broke at last, And the long, long night was past, While the hurricane redoubled, lest its prey should steal away, On the rocks, all smashed and strown, Were the German vessels thrown, While the Yankees, swamped and helpless, drifted shorewards down the bay.
Then at last spoke Captain Kane, "All our anchors are in vain, And the Germans and the Yankees they have drifted to the lee! Cut the cables at the bow! We must trust the engines now! Give her steam, and let her have it, lads! we'll fight her out to sea!"
And the answer came with cheers From the stalwart engineers, From the grim and grimy firemen at the furnaces below; And above the sullen roar Of the breakers on the shore Came the throbbing of the engines as they laboured to and fro.
If the strain should find a flaw, Should a bolt or rivet draw, Then -- God help them! for the vessel were a plaything in the tide! With a face of honest cheer Quoth an English engineer, "I will answer for the engiines that were built on old Thames-side!
"For the stays and stanchions taut, For the rivets truly wrought, For the valves that fit their faces as a glove should fit the hand. Give her every ounce of power; If we make a knot an hour Then it's way enough to steer her, and we'll drive her from the land."
Life a foam-flake tossed and thrown, She could barely hold her own, While the other ships all helplessly were drifting to the lee. Through the smother and the rout The Calliope steamed out -- And they cheered her from the Trenton that was foundering in the sea.
Ay! drifting shoreward there, All helpless as they were, Their vessel hurled upon the reefs as weed ashore is hurled, Without a thought of fear The Yankees raised a cheer -- A cheer that English-speaking folk should echo round the world.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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