OpenLLM-France/wikimedia huggingface dataset:
# The Alicia

* related portals: Supreme Court of the United States.
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United States Supreme Court
74 U.S. 571
The Alicia
THIS was a motion by Mr. Ashton, Assistant Attorney-General, to docket and dismiss.
It appeared from the certificate of the clerk of the Circuit Court of the United States for the Southern District of Florida, that on the 9th of January, 1863, a decree of condemnation was entered in the District Court for the condemnation of the Alicia and her cargo, for violation of the blockade. From this decree an appeal was allowed, and taken to the Circuit Court; and, on the 18th of May, 1867, an order was made in that court, on the application of the parties in interest-there being at this time, in the Circuit Court, no order, judgment, or decree in the case for the transfer of the cause to this court.
The application and order for transfer were made under the thirteenth section of the act of June 30, 1864, which enacts that prize causes, depending in the Circuit Courts, may be transferred, upon the application of all parties in interest, to this court.
The appellant had not docketed the cause and filed the record within the time allowed by the rules in cases of appeals, and Mr. Ashton's motion to dismiss was made for that reason.
The CHIEF JUSTICE delivered the opinion of the court.

## Notes

* ↑ 13 Stat. at Large, 311.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The All-Mother

* "The All-Mother" in Lippincott's Monthly Magazine Volume 93 March 1914.
* "The All-Mother" in Poems Volume II (1916).
# The Algonquin Legends of New England/Authorities

Authorities.
The authorities consulted in writing this work were as follows:—
Persons.
Tomah Josephs, Passamaquoddy, Indian Governor at Peter Daiua’s Point, Maine.
The Rev. Silas T. Rand, Baptist Missionary among the Micmac Indians at Hantsport, Nova Scotia. This gentleman lent me his manuscript collection of eighty-five stories, all taken down from verbal Indian narration. He also communicated much information in letters, etc.
John Gabriel, and his son Peter J. Gabriel, Passamaquoddy Indians, of Point Pleasant, Maine.
Noel Josephs, of Peter Dana’s Point, alias Che gach goch, the Raven.
Joseph Tomah, Passamaquoddy, of Point Pleasant.
Louis Mitchell, Indian member of the Legislature of Maine. To this gentleman I am greatly indebted for manuscripts, letters, and oral narrations of great value.
Sapiel Selmo, keeper of the Wampum Record, formerly read every four years at the kindling of the great fire at Canawagha.
Marie Saksis, of Oldtown, a capital and very accurate narrator of many traditions.
Miss Abby Alger, of Boston, by whom I was greatly aided in collecting the Passamaquoddy stories, and who obtained several for me among the St. Francis or Abenaki Indians.
Edward Jack, of Fredericton, for several Micmac legends and many letters containing folk-lore, all taken down by him directly from Indians.
Mrs. W. Wallace Brown. Mr. Brown was agent in charge of ​the Passamaquoddies in Maine. To this lady, who has a great influence over the Indians, and is much interested in their folklore and legends, I am indebted for a large collection of very interesting material of the most varied description.
Noel Neptune, Penobscot, Oldtown, Maine.
Books, Manuscripts, etc.
The Story of Glooskap. A curious manuscript in Indian–English, obtained for me by Tomah Josephs.
The Dominion Monthly for 1871. Containing nine Micmac legends by Rev. S. T. Rand.
Indian Legends. (Manuscript of 900 pp. folio.) Collected among the Micmac Indians, and translated by Silas T. Rand, Missionary to the Micmaes.
A Manuscript Collection of Passamaquoddy Legends and Folk-Lore. By Mrs. W. Wallace Brown, of Calais, Maine. These are all given with the greatest accuracy as narrated by Indians, some in broken Indian–English. They embrace a very great variety of folk-lore.
Manuseript Fairy Tales in Indian and English. By Louis Mitchell.
Manuscript: The Superstitions of the Passamaquoddies. In Indian and English.
A History of the Passamaquoddy Indians. Manuscript of 80 pages, Indian and English. All of these were written for me by L. Mitchell, M. L.
Wampum Records. Read for me by Sapiel Selano, the only living Indian who has the key to them.
David Cusick’s Sketches of Ancient History of the Six Nations. Lockport, N. Y., 1848. Printed, but written in Indian–English.
Manuscript: Six Stories of the St. Francis or Abenaki Indians. Taken down by Miss Abby Alger.
Osgood’s Maritime Provinces. In this work there are seven short extracts relative to Glooskap given without reference to any book or author.
# The All Right Un

He came from "further out", That land of fear and drought And dust and gravel. He got a touch of sun, And rested at the run Until his cure was done, And he could travel.
When spring had decked the plain, He flitted off again As flit the swallows. And from that western land, When many months were spanned, A letter came to hand, Which read as follows:
"Dear Sir, I take my pen In hopes that all their men And you are hearty. You think that I've forgot Your kindness, Mr Scott; Oh, no, dear sir, I'm not That sort of party.
"You sometimes bet, I know. Well, now you'll have a show The 'books' to frighten. Up here at Wingadee Young Billy Fife and me We're training Strife, and he Is a all right un.
"Just now we're running byes, But, sir, first time he tries I'll send you word of. And running 'on the crook' Their measures we have took; It is the deadest hook You ever heard of.
"So when we lets him go, Why then I'll let you know, And you can have a show To put a mite on. Now, sir, my leave I'll take, Yours truly, William Blake, P.S. -- Make no mistake, He's a all right un.
By next week's Riverine I saw my friend had been A bit too cunning. I read: "The racehorse Strife And jockey William Fife Disqualified for life -- Suspicious running."
But though they spoilt his game I reckon all the same I fairly ought to claim My friend a white un. For though he wasn't straight, His deeds would indicate His heart at any rate Was "a all right un".
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Tamil Proverbs/ஐ

ஐ.

## ஐங்கலக் கப்பியில் நழுவின கப்பி இவன்.

    He is a broken grain fallen out of five kalams.
    One of a large number of insignificant persons.

## ஐங்காதம் போனாலும் அகப்பே அரைக்காசு கிடையாதே.

    Though you may go fifty miles, you will not fetch half a cash.

## ஐங்காதம் போனாலும், அகப்பை அரைக்காசு.

    Although it may go fifty miles, an agappai will fetch but half a cash.

## ஐங்காதம் போனாலும் அறிமுகம் வேண்டும்.

    Though one goes fifty miles off, an acquaintance is needed.

## ஐங்காதம் போனாலும் தன் பாவம் தன்னோடே.

    Though he may go fifty miles, his own sin will still cleave to him.
* Though cooked with five ingredients, the wild gourd will not lose its odour.

## ஐதது நெல், அடர்ந்தது சுற்றம்.

    In rice plants, distance is required, in kindred, closeness.

## ஐந்து சிட்டுக்கு இரண்டு காசு விலை.

    The price of five chits a small bird is two cash.

## ஐப்பசி மாதம் அழுகைத் தூறல் கார்த்திகை மாதம் கன மழை.

    In October drizzling, in November heavy rain.

## ஐப்பசி மாதத்து வெய்யலில் அன்று உரித்த தோல் அன்று காயும் .

    In the sunshine of October a skin dries the day it is stript off.

## ஐப்பசிக்கும் கார்த்திகைக்கும் மழை இல்லாவிட்டால் அண்ணனுக்கும் சரி தம்பிக்கும் சரி.

    If the rains of October and November fail, the elder and younger brother will be on a par.

## ஐப்பசி மாதத்து எருமைக்கடாவும் மார்கழி மாதத்து நம்பியானும் சரி.

    A buffalo in the month of October and a Vaishnava brahman in December are alike.

## ஐம்பதிலே அறிவு, அறுபதிலே அடக்கம், அறுபதுக்குமேல் ஒன்றுமில்லை.

    At fifty discrimination, at sixty moderation, after sixty no distinguishing characteristic.

## ஐம்பது வயதானவனுக்கு ஐந்து வயது பெண்ணா?

    Is a girl of five fit to be the wife to a man of fifty?

## ஐயங்காரும் தொத்துக் கொடுப்பார்.

    Even the Aiyangar may communicate contagious disease.

## ஐயப்பட்டால் பைய நட.

    If in doubt, advance slowly.

## ஐயப்பன் குதிரையை வையாளி விட்ட கதை.

    Like the story of one who rode Aiyanàr's horse.

## ஐயமான காரியத்தைச் செய்யல் ஆகாது.

    To do a doubtful thing is bad.

## ஐயம் ஏற்றும் அறிவே ஓது.

    Though reduced to beggary, learn to be wise.

## ஐயர் என்பவர் துய்யர் ஆவர் .

    Those who are entitled to be called brahmans are holy.

## ஐயர் வருகிறவரையில் அமாவாசை நிற்குமா?

    Will the new moon await the brahman’s arrival?

## ஐயர் கதிர்போல அம்மாள் குதிர்போல.

    The husband is like an ear of corn, the wife is like a rice bin or grain receptacle.

## ஐயனார் படையிற் குயவனார் பட்டதுபோல.

    As the potter perished in the army of Aiyanar.

## ஐயனார் கோவில் செங்கல் அத்தனையும் தெய்வம்.

    The bricks of Aiyanar’s temple are so many gods.

## ஐயனார் கோவில் மண்ணை மிதித்தவர் அத்தனையும் பிடாரி.

    Those who have trodden the ground of Aiyanar’s temple are so many Pidaris.

## ஐயனாரே வாரும் கடாவைக் கைக்கொள்ளும்.

    Come, Aiyanar, and accept a goat, a sacrifice.

## ஐயன் அமைப்பை ஆராலும் தள்ளக்கூடாது.

    No one may dispute the pre-ordination of god.

## ஐயோ என்றால் இவனுக்கு ஆறு மாசத்துப் பாவம் சுற்றும்.

    The man who expresses commiseration for him will incur six months sin.
# Tamil Proverbs/ஔ

ஔ.

## ஔவை சொல்லுக்கு அச்சம் இல்லை.

    No fear about Avvai's sayings.

## ஔவையார்மேலும் குற்றம் உண்டு அண்ணாவியார்மேலும் பழுது உண்டு.

    Even Avvai may be charged with blame, a religious teacher also may have his defects.
# The Book of Scottish Song/O Mally's meek

O Mally’s meek.
[This was an almost extemporaneous effusion of Burns, on seeing a fair country girl walk along the High Street of Dumfries, with her shoes and stockings, more Scotico, in her hand, instead of on her feet. He sent it to Johnson's Museum, accompanied with an air resembling much the old tune of "Andro and his Cutty Gun." It was his last contribution to that publication!]
As I was walking up the street, A barefit maid I chanc'd to meet; But O the road was very hard For that fair maiden's tender feet. O Mally's meek, Mally's sweet, Mally's modest and discreet, Mally's rare, Mally's fair, Mally's every way complete.
It were mair meet, that those fine feet Were weel lac'd up in silken shoon, And 'twere more fit that she should sit Within yon chariot gilt aboon. O Mally's meek, &c.
Her yellow hair, beyond compare, Comes trinkling down her swan-white neck; And her two eyes, like stars in skies, Would keep a sinking ship frae wreck. O Mally's meek, &c.
# The Book of Scottish Song/O Mary, turn awa'

O Mary, turn awa’.
[Air, "What ails this heart o' mine?"]
O, Mary, turn awa' That bonnie face o' thine, And dinna, dinna shaw that breast, That never can be mine. Can aught o' warld's gear E'er cool my bosom's care? Na, na, for ilka look o' thine, It only feeds despair.
Then, Mary, turn awa', That bonnie face o' thine; O dinna, dinna shaw that breast, That never can be mine! Wi' love's severest pangs My heart is laden sair, And o'er my breast the grass maun grow, Ere I am free frae care.
# The Book of Scottish Song/O Tibbie

O Tibbie.
[This was written by Burns in 1776, when he was only about seventeen years of age. The subject of the song is said to have been Isabella Steven, the daughter of a small laird near Lochlee.—Tune, "Invercauld's Reel."]
O Tibbie! I ha'e seen the day Ye wadna been sae shy; For lack o' gear ye lightly me, But ne'er a hair care I. Yestreen I met you on the moor, Ye spak' na, but gaed by like stoure; Ye geck at me because I'm poor, But ne'er a hair care I.
I doubt na, lass, but ye may think, Because ye ha'e the name o' clink, That ye can please me wi' a wink, Whene'er ye like to try.
But sorrow take him that's sae mean, Although his pouch o' coin were clean, Wha follows ony saucy quean, That looks sae proud and high.
Although a lad were e'er sae smart, If he but want the yellow dirt, Ye'll cast your head anither airt, And answer him fu' dry.
But if he ha'e the name o' gear, Y'ell fasten to him like a brier, Though hardly he, for sense or lear, Be better than the kye.
There lives a lass in yonder park, I wadna gi'e her in her sark For thee, wi' a' thy thousand mark; Thou needna look sae high.
# The Book of Scottish Song/O Jeanie

O Jeanie.
[Composed by the Ettrick Shepherd, to the tune of "Blue Bonnets over the Border." He himself says, it was "the most popular love song he ever wrote," but we think he is here mistaken.]
O! my lassie, our joy to complete again, Meet me again in the gloamin', my dearie; Low down i' the dell let us meet again, O! Jeanie, there's naething to fear ye. Come when the wee bat flits silent an eerie; Come when the pale face o' nature looks weary. Love be thy sure defence, Beauty and innocence— O! Jeanie, there's naething to fear ye.
Sweetly blows the haw and the rowan-tree, Wild roses speck our thicket sae breerie; Still, still will our bed in the greenwood be— O! Jeanie, there's naething to fear ye; Note when tha blackbird o' singing grows weary, List when the beetle bee's bugle comes near ye: Then come with fairy haste, Light foot and beating breast— O! Jeanie, there's naething to fear ye.
Far, far will the bogle an' brownie be; Beauty an' truth, they daurna come near it Kind love is the tie of our unity; A' maun love it, and a' maun revere it. Love mak's the sang o' the woodland sae cheerie; Love gars a' nature look bonnie that's near ye; Love mak's the rose sae sweet, Cowslip an' violet— O! Jeanie, there's naething to fear ye.
# The Book of Scottish Song/O gin I were

O gin I were.
[Alex. Maclaggan.]
O! gin I were the balmy sleep That saftly seals young Phœbe's e'e, When, soothed by slumbers warm and deep, Sic visions in her dreams wad be As angels might be blythe to see.
Then I would ope my aching heart, My aching heart, that Phœbe fair Might see in every troubled part Her own sweet image smiling there, Like sunshine on a cloud of care.
# The Book of Scottish Song/O come with me

O come with me.
[John Finlay.—Here first printed. Tune, "Roslin Castle."]
O come with me, for the queen of night Is thron'd on high in her beauty bright: 'Tis now the silent hour of even, When all is still in earth an' heaven; The cold flowers which the valleys strew Are sparkling bright wi' pearly dew, And hush'd is e'en the bee's saft hum, Then come with me, sweet Mary, come.
The opening blue bell—Scotland's pride In heaven's pure azure deeply dyed; The daisy meek frae the dewy dale, The wild thyme, and the primnse pale, Wi' the lily frae the glassy lake, Of these a fragrant wreath I'll make, And bind them mid' the locks that flow In rich luxuriance from thy brow.
O! love, without thee what were life, A bustling scene of care and strife; A waste, where no green flowery glade Is found, for shelter or for shade. But cheer'd by thee, the griefs we share, We can with calm composure bear; For the darkest nicht o'care and toil Is bricht when blest by woman's smile.
# The Book of Scottish Song/O Mary, ye'se be clad

O Mary, ye’se be clad.
[Written in imitation of the above beautiful lyric, and published in Urbani's collection, adapted to a tune composed by Miss Grace Corbet, while a very young girl.]
O Mary, ye'se be clad in silk, And diamonds in your hair, Gin ye'll consent to be my bride, Nor think on Arthur mair. Oh, wha wad wear a silken goun, Wi' tears blindin' their e'e? Before I break my true love's chain, I'll lay me down and dee.
For I have pledged my virgin troth, Brave Arthur's fate to share; And he has gi'en to me his heart, Wi' a' its virtues rare. The mind whase every wish is pure, Far dearer is to me; And, ere I'm forced to break my faith, I'll lay me down and dee.
So trust me, when I swear to thee By a' that is on high; Though ye had a' this warld's gear, My heart ye couldna buy; For langest life can ne'er repay The love he bears to me; And ere I'm forced to break my faith, I'll lay me down and dee.
# The Book of Scottish Song/O Nancy's hair

O Nancy’s hair.
[To an old Border melody.]
Oh Nancy's hair is yellow like gowd, An' her een, like the lift, are blue; Her face is the image o' heavenly luve, An' her heart is leal and true.
The innocent smile that plays on her cheek, Is like the dawning morn; An' the red, red blush, that across it flees, Is sic as the rose ne'er has worn.
If it's sweet to see the flickerin' smile Licht up her sparklin' e'e, Its holier far to see it dimm'd Wi' the gushin' tear's saut tree. ​'Twas na for a faithless luve's fause vows, Nor a brither upo' the wave, That I saw them fa'—no, they were drapt On an aged father's grave.
Though joy may dimple her bonnie mou', An' daftin' may banish care, In nae blythsome mood, nor hour o' bliss, Will these een e'er glint sae fair.
# The Book of Scottish Song/O brother Sandie

O brother Sandie.
[After the above severe Jacobite effusion, it may be but fair to give a Whig song on the other side of the question. Burns was mistaken in thinking that all the political songs of the period were in favour of the Stuart dynasty, but it is not to be denied, that those on that side were by far the most numerous and the best. The following was written on the rebellion of '45, and sung to the tune of "Lillibulero, bullen a la," (Uncle Toby's tune.) Lillibulero, bullen a la, were the pass words used by the Catholics during the dreadful Irish massacre of 1641.]
O brother Sandie, hear ye the news? Lillibulero, bullen a la, An army 's just coming without any shoes, Lillibulero, bullen a la. ​To arms, to arms! brave boys, to arms! A true British cause for your courage doth ca'; Court, country, and city against a banditti, Lillibulero, bullen a la.
The pope sends us over a bonnie young lad, Lillibulero, &c. Who, to court British favour, wears a Highland plaid, Lillibulero, &c.
A protestant church from Rome doth advance, Lillibulero, &c. And, what is more rare, it brings freedom from France, Lillibulero, &c.
If this shall surprise you, there's news stranger yet, Lillibulero, &c. He brings Highland money to pay British debt, Lillibulero, &c.
You must take it in coin which the country affords, Lillibulero, &c. Instead of broad pieces, he pays with broad swords, Lillibulero, &c.
And sure this is paying you in the best ere, Lillibulero, &c. For who once is thus paid will never want more, Lillibulero, &c. To arms, to arms! brave boys, to arms! A true British cause for your courage doth ca'; Court, country, and city against a banditti, Lillibulero, bullen a la.
# The Awakening: The Resurrection

Translated by William E. Smith in 1900. It was the subject of a 1907 Buddhist sermon entitled Fight the Good Fight with All thy Might.

## Book One

| Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 | Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 | Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 |

## Book Two

| Chapter 58 Chapter 59 Chapter 60 Chapter 61 Chapter 62 Chapter 63 Chapter 64 Chapter 65 Chapter 66 | Chapter 67 Chapter 68 Chapter 69 Chapter 70 Chapter 71 Chapter 72 Chapter 73 Chapter 74 | Chapter 75 Chapter 76 Chapter 77 Chapter 78 Chapter 79 Chapter 80 Chapter 81 Chapter 82 |

## Book Three

| Chapter 83 Chapter 84 Chapter 85 Chapter 86 | Chapter 87 Chapter 88 Chapter 89 | Chapter 90 Chapter 91 Chapter 92 |

## Gallery of Illustrations

This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The American Cyclopædia (1879)/August Friedrich Eberhard

Edition of 1879. See also the disclaimer.
AUGUST FRIEDRICH EBERHARD, prince of Würtemberg, uncle of King Charles I., a Prussian general of cavalry, born Jan. 24, 1813. He entered the Prussian service in 1830, became in 1858 commanding general of the Prussian guards, and took part in the wars against Austria (1866) and France (1870), favorable mention of his name being made in the reports of the battles of Gravelotte and Sedan.
# The American Cyclopædia (1879)/Astolphus

Edition of 1879. See also Aistulf on Wikipedia; and the disclaimer.
ASTOLPHUS, or Astalphus, called by the Germans Aistulf, king of the Lombards in northern Italy, succeeded his brother Rachis in 749, and died in 756. After having seized the exarchate of Ravenna, he threatened Rome. Pope Stephen II. fled to France and demanded aid from King Pepin, who crossed the Alps in 754 with an army, defeated Astolphus, and besieged Pavia. The Lombard obtained peace on condition of surrendering Ravenna and all his other conquests; but on Pepin's withdrawal he burst forth again, laid siege to Rome, and ravaged all the surrounding country. The pope again supplicated Pepin, who crossed the Alps and shut Astolphus up in Pavia. Astolphus was preparing for a new war, but fell from his horse while hunting, and died three days afterward without leaving male heirs.
# The American Cyclopædia (1879)/Astorga

Edition of 1879. See also Astorga, Spain on Wikipedia; and the disclaimer.
ASTORGA (anc. Asturica Augusta), a city of Spain, in the province and 30 m. by rail W. S. W. of Leon, is situated on an elevated plain 2 m. from the river Tuerto; pop. 5,000. It is surrounded by ruined walls, and has an ancient Gothic cathedral with a high altar of great beauty, an old castle, and some Roman remains. Napoleon made Astorga his headquarters during the pursuit of Sir John Moore, at the beginning of 1809. In 1810 it was taken after an obstinate defence by Junot, and in 1812 retaken by the Spaniards.
# The American Cyclopædia (1879)/Astorga, Emmanuele d'

Edition of 1879. See also Emanuele d'Astorga on Wikipedia; and the disclaimer.
ASTORGA, Emmanuele d', a Sicilian musical composer, born at Palermo, Dec. 11, 1681, died in Bohemia, Aug. 21, 1736. His father, a Sicilian of rank, in command of a band of mercenary troops, resisted the union of Sicily with Spain; but his soldiers betrayed him, and he was executed in the presence of his wife and son. The former immediately died of grief, and Emmanuele was for a time almost idiotic and helpless. Recovering, he entered a convent at Astorga, from which town he took his surname. Here he speedily developed a remarkable musical talent, and in 1704 became a court musician and composer at Parma. Soon afterward he attached himself to the suite of the emperor Leopold, and after his death in 1705 travelled extensively, but at last entered a convent in Bohemia, where he spent the remainder of his life. His principal work is his Stabat Mater, of which the original MS. is preserved in the library of Oxford.