OpenLLM-France/wikimedia huggingface dataset:
# Dictionary of National Biography, 1885-1900/Richardson, George (1736?-1817?)

​RICHARDSON, GEORGE (1736?–1817?), architect, was in full professional practice towards the end of the eighteenth century in London. From 1760 to 1763 he was travelling in the south of France, Italy, Istria, and Dalmatia, and studying the remains of ancient architecture and painting. The materials which he there collected were utilised in his subsequent work on the five orders of architecture, and in what formed the main branch of his professional activity, viz. the decoration of apartments in the antique taste. In 1765 he gained the premium of the Society of Arts for the elevation of a side of a street in classical style, being then under thirty years of age, and from 1766 he was a frequent exhibitor at that society's gallery. From 1774 to 1793 he also exhibited at the Royal Academy. In 1766 he lived in King Street, Golden Square; but had removed by 1767 to 95 Great Titchfield Street, and again by 1781 to No. 105 in the same street, which continued to be his address till 1816, the date of his last publication. His terms as a teacher of architectural drawing are advertised in his ‘New Designs in Architecture,’ 1792. In his old age he was in reduced circumstances, and was relieved by Nollekens.
Original coloured designs for ceilings, by Richardson, are in the Soane Museum, Lincoln's Inn Fields. The range of his studies and the measure of his ability as a decorator may be deduced from his published works: 1. ‘Ædes Pembrochianæ,’ 1774 (an account of the antiquities at Wilton House). 2. ‘A Book of Ceilings,’ 1776. 3. ‘Iconology,’ 2 vols. 1778–9, with plates by Bartolozzi and other engravers after W. Hamilton. 4. ‘A New Collection of Chimney Pieces,’ 1781. 5. ‘Treatise on the Five Orders of Architecture,’ 1787. 6. ‘New Designs in Architecture,’ 1792. 7. ‘New Designs of Vases and Tripods,’ 1793. 8. ‘Capitals of Columns and Friezes from the Antique,’ 1793. 9. ‘Original Designs for Country Seats or Villas,’ 1795. 10. ‘The New Vitruvius Britannicus,’ 2 vols. 1802–8 (a sequel to Colin Campbell's ‘Vitruvius Britannicus,’ 1715, &c.). 11. ‘Ornaments in the Grecian, Roman, and Etruscan Tastes,’ 1816. In all these works, with the exception of ‘Iconology’ (No. 3), the plates were engraved in aquatint by Richardson himself, jointly, in the later publications, with his son William, who exhibited architectural designs at the Royal Academy, 1783–1794.
C. D.
# Dictionary of National Biography, 1885-1900/Richardson, Edward

​RICHARDSON, EDWARD (1812–1869), sculptor, born in 1812, first appeared as an exhibitor at the Royal Academy in 1836, and until 1866 he continued to send at first classical subjects, and then portrait busts and monumental works. He also exhibited in Suffolk Street and at the British Institution. He incurred some opprobrium by his restoration of the effigies of the knights templars in the Temple church in 1842, and was refused admission to the Society of Antiquaries. The effigies had suffered before he began to restore them, by being left in a damp shed in Hare Court during the winter of 1841–2. Richardson also restored the monuments of the Earl and Countess of Arundel in Chichester Cathedral in 1844, and that of Richard de Wyche [q. v.], bishop of Chichester, in the same place, in 1846 (Gent. Mag. 1847, i. 258, with etching). He gave an account of these and other monuments when the Archæological Institute visited Chichester in 1853 (ib. 1853, ii. 288). In 1848–9 he restored eight ancient effigies in Elford church, Staffordshire (ib. 1852, ii. 66). In 1850 he repaired one of the seated statues on the west front of Wells Cathedral, which had fallen from a height of sixty feet (Archæol. Journal, viii. 201). In 1852 he communicated to the Archæological Institute a paper on mediæval sculpture in alabaster in England (ib. x. 116). He was commissioned to make or procure many of the casts of sepulchral effigies for the Crystal Palace, Sydenham, and gave an account of the effigies of English kings at Fontevrault and Le Mans to the Archæological Institute in 1854 (ib. xi. 298).
Among his original works are the recumbent effigy in alabaster of the Earl of Powis (1848) at Welshpool, that of the Marquis of Ormonde (1854) in Kilkenny Cathedral, many military monuments at Woolwich and in Canterbury Cathedral, and the monument to Sir Robert Dick at Madras.
Richardson was an active member of the London and Middlesex Archæological Society. After some years of ill-health he died of erysipelas on 17 May 1869, at Melbury Terrace, Marylebone.
He published ‘The Monumental Effigies of the Temple Church,’ London, 1843, 4to; ‘Ancient Stone and Leaden Coffins, recently discovered in the Temple Church,’ 1845; ‘Monumental Effigies and Tombs in Elford Church,’ 1852, with thirteen etchings, and several papers in the ‘Archæological Journal.’
C. D.
# Dictionary of National Biography, 1885-1900/Richardson, Frances Mary

​RICHARDSON, FRANCES MARY (1785–1861), book collector. [See Currer.]
# Dictionary of National Biography, 1885-1900/Richardson, Gabriel

​RICHARDSON, GABRIEL (d. 1642), author, was of Lincolnshire birth, and the son of a minister. He was admitted to Brasenose College, Oxford, in 1602; graduated B.A. in 1604, M.A. in 1608, and B.D. ​in 1619. He became fellow of his college in 1607, and rector of Heythrop, Oxfordshire, in 1635. He died on 31 Dec. 1642, and was buried on 1 Jan. in the church of St. Mary the Virgin, Oxford. Richardson wrote ‘Of the State of Europe, XIIII Bookes conteining the Historie and Relation of the many Provinces hereof, continued out of approved Authours,’ Oxford, 1627, fol. (each book paged separately, and beginning with a half-title). This was dedicated to John, bishop of Lincoln. Wood states that the manuscript, amounting to several volumes, of the remainder of the work came into the hands of Dr. Henry Bridgman, who neglected, if he did not mutilate, it.
W. A. S.
# Dictionary of National Biography, 1885-1900/Richardson, George (1773-1862)

​RICHARDSON, GEORGE (1773–1862), quaker, born on 18 Dec. 1773 at Low Lights, near North Shields, Northumberland, was fourth son of John Richardson (d. 1800), a tanner there, by his wife, Margaret Stead (cf. Newcastle Advertiser, 5 April 1800). George's mother died when he was eight, and he was sent to live with an aunt who kept a shop at Shields. There he read largely, chiefly quaker books. At fourteen he was apprenticed to Joshua Watson, a grocer in Newcastle, where he settled for life, and soon took charge of a branch of his master's business. He began preaching at twenty, and was recorded a minister by the Society of Friends at twenty-four. After travelling seven hundred miles or more as ‘guide’ to friends from America, he began religious tours on his own account, and during the next forty years visited every county in England, as well as Wales, Ireland, Scotland, Jersey, and Guernsey. He also interested himself in missions, and was for fifty years connected with the Bible Society. He actively helped to found the Royal Jubilee schools at Newcastle by way of celebrating the jubilee of George III (1809). He spent his leisure among the fishing population of Cullercoats (Northumberland), and provided for the village efficient water supply and schools. Even in advanced age he would, when at Cullercoats, put out to sea with bibles for the French sailors in the ships in the offing.
He died, aged nearly 90, on 9 Aug. 1862, and was buried in the Friends' burial-ground, Pilgrim Street, Newcastle. By his wife, Eleanor Watson, niece of his first employer, Richardson had five children, who ​reached maturity. Of a son Isaac, who died at Ventnor, aged 30, Richardson wrote a brief ‘Memoir,’ published in London, 12mo, 1841. He also wrote tracts and pamphlets on tithes and other subjects, and ‘Annals of the Cleveland Richardsons and their Descendants,’ Newcastle, 12mo, 1850.
C. F. S.
# Dictionary of National Biography, 1885-1900/John of London (fl.1267)

​JOHN (fl. 1267), called of London, mathematician, born about 1246, was a poor boy of fifteen when he attracted the notice of Roger Bacon [q. v.], who caused him to be instructed in languages, mathematics, and optics. Bacon speaks of him as one of the only two perfect mathematicians of his time (Opus Tertium, c. xi.); and when in 1267 he sent John to Rome to present his 'Opus Majus,' 'Opus Minus,'and 'Opus Tertium' to Pope Clement IV, to explain difficulties, and exhibit certain experiments, there was no (Bacon wrote) whom he could employ with so much satisfaction (ib. c. xix.) Bacon is said to have received him into the order of St. Francis. Some have supposed that he is identical with John Peckham [q. v.], the archbishop of Canterbury. Tanner ascribes to him two treatises,(l)'De Trigonio Circinoque Analogico,' (2) 'De Speculis Comburentibus,' both of which ore preserved in Cott. MS. Vit C. vii. It is possible that some of the works which pass under the name of Bacon are by John of London, In Vatican MS. 3202 there is a treatise styled 'Joannes de Ponderibus,' along with a number of Bacon's minor works.
[Bale, xiii. 81; Pits, p. 878; Tanner's Bibl. Brit.-Hib. p. 436; Leland's Collect. ii. 40; Sbaralea's Suppl. in Script. Ord. S. Francisc. p. 437; Bacon's Opus Tertium, cc. xi. and xix.; Opus Majus, i. c. x.; Brewer's Preface to his Opera Inedita R. Bacon in Rolls Ser.]
C. L. K.
# Dictionary of National Biography, 1885-1900/Johns, Ambrose Bowden

​JOHNS, AMBROSE BOWDEN (1776–1858), painter, born at Plymouth in 1776, was apprenticed to a printer and publisher, who was father of Benjamin R. Haydon [q. v.], but soon devoted himself to landscape-painting. He built himself a cottage near Plymouth, and was much encouraged by Northcote, Haydon, and other friends. He was acquainted with J. M. W. Turner, R.A., who used to sketch with him and stay at his cottage. Johns painted somewhat in the style of Turner. A picture by Johns in the collection of Mr. S. C. Hall was engraved ​by J. Cousen in one of the annuals, when it was ascribed to Turner. The mistake produced a coolness between the two artists. The same picture was subsequently put up for sale at Christie's as an example of Turner, and on two other occasions Johns's work passed as that of Turner. His paintings are little known out of Devonshire, where there were good examples in the collections of the Earl of Morley at Saltram, and Dr. Yonge at Plymouth. A work of rather different character from his usual paintings, ‘A Boy Blowing Bubbles,’ is in the collection of Sir Massey Lopes at Maristow, Devonshire. A fine example, ‘Okehampton Castle,’ is in the collection of the Earl of Darnley at Cobham Hall, Kent. Through an overuse of asphaltum many of his pictures have blackened with age. Johns occasionally exhibited at the Royal Academy. He died at Plymouth on 10 Dec. 1858.
L. C.
# Dictionary of National Biography, 1885-1900/Johns, Charles Alexander

​JOHNS, CHARLES ALEXANDER (1811–1874), miscellaneous writer, born at Plymouth on 31 Dec. 1811, was son of Henry Incledon Johns, and grandson of Tremenheere Johns, a solicitor of Helston, Cornwall. In 1831 he was second master at Helston grammar school, under the Rev. Derwent Coleridge [q. v.] Charles Kingsley was a pupil at the school from 1831 to 1836, and Johns encouraged in Kingsley a passion for botany. In 1841 Johns graduated B.A. at Trinity College, Dublin; in the same year he was ordained deacon, and became priest in 1848. From June 1843 to December 1847 he was head-master of the school at Helston, and he was living there as late as 1863. He afterwards opened a private school for boys at Winton House, Winchester, and was the founder, in 1870, and president of the Winchester Literary and Scientific Society. He became a fellow of the Linnean Society in 1836. He died at Winton House on 28 June 1874.
Johns was the author of many popular scientific and educational books, some scientific papers, and a few separately printed sermons. His chief publications were ‘Flowers of the Field,’ 1853, 2 vols. 16mo, which passed through numerous editions, the last in 1 vol. being dated 1889; and ‘Forest Trees of Britain,’ 1869, 8vo. Other of his works are: 1. ‘Chronological Rhymes on English History,’ 1833, 12mo, with subsequent editions in 1855 and 1861. 2. ‘Flora Sacra,’ 1840, 16mo. 3. ‘Examination Questions on the Pentateuch,’ 1847, 12mo. 4. ‘Rambles in the Country,’ 1847–52, 12mo. 5. ‘Gardening for Children,’ 1848, 12mo. 6. ‘A Week at the Lizard,’ 1848, 16mo; 2nd edit. 1874. 7. ‘Amnesnon the Forgetful and Eustathes the Constant,’ 1849, 16mo. 8. ‘The Loss of the Amazon,’ 1852, 18mo. 9. ‘First Steps to Botany,’ 1853, 16mo. 10. ‘Birds' Nests,’ 1854, 16mo; 2nd edit. 1865. 11. ‘The Governess … by a Schoolmaster of twenty years' standing,’ 1855, 18mo. 12. ‘Birds of the Wood and Field,’ 1859, 12mo; 2nd and 3rd ser. 1862. 13. ‘Picture Books for Children—Animals,’ 1859, 12mo; subsequent editions in 1873 and 1883. 14. ‘Rambles about Paris,’ 1859, 8vo. 15. ‘Sea Weeds,’ 1860, twelve cards, 12mo. 16. ‘Monthly Wild Flowers,’ 1860, 12mo. 17. ‘Monthly Window Flowers,’ 1860, 12mo. 18. ‘British Birds in their Haunts,’ 1862; 2nd edit. is illustrated by Wolf, 1879. 19. ‘Ductor in Elegias,’ 1863, 12mo. 20. ‘Home Walks and Holiday Rambles,’ 1863, 8vo. 21. ‘Child's First Book of Geography,’ 1872, 16mo.
He edited ‘Monthly Gleanings from the Field and Garden,’ 1859, 8vo, and contributed ‘Notes on British Plants’ to Hooker's ‘London Journal of Botany,’ 1847, vi. 473; ‘On the Landslip at the Lizard,’ to the ‘Journal of the Geological Society,’ 1848, iv. 193; ‘Acherontia Atropos,’ to the ‘Entomologist,’ 1866–7, iii. 3; ‘Fall of the Leaf,’ to the ‘Journal of the Winchester Scientific Society,’ 1874, i. 27; ‘Notes on a Collection of Land and Freshwater Shells,’ ib. pp. 27–9; and ‘Vesuvius,’ ib. pp. 98–108.
G. S. B.
# Dictionary of National Biography, 1885-1900/John of Peterborough

"Supposed chronicler" in the ODNB.
​JOHN (fl. 1380), called of Peterborough, is alleged to be the author of 'Chronicon Petroburgense, ab anno 654, quo tempore monasterium Sancti Petri a Peada Rege Merciorum fundatum erat, ad a.c. 1368.' This chronicle is contained in MS. Cotton Claud. A. v., where it is ascribed in a late hand to 'Johannes Abbas,' but there was no abbot of that name at Peterborough between 1263 and 1408. Abbot John de Caleto [q. v.] died in the former year, and John Deeping became abbot in the latter (Dugdale, Monasticon, i. 356-361). John of Peterborough must therefore be regarded as an imaginary person. Simon Patrick, in his appendix to Gunton's 'History of the Church of Peterborough' (p. 312), ascribed the chronicle to John de Caleto, and the later portion of it, from 1259, has been assigned to Robert of Boston. Sparke is inclined to give the authorship to John Deeping. The authority for supposing that the author was a 'John the Abbot' is, however, very slight, and all the ascriptions are mere conjecture. The 'Chronicon Petroburgense' was printed in 1723 in Sparke's 'Historiæ Anglicanæ Scriptores varii,' pp. 1-114, and was again edited by Dr. J. A. Giles in 1845. Although, considering the period which it covers, the chronicle is brief, it has some value.
[Pits, p. 448; Tanner's Bibl. Brit.-Hil). p. 431; Oudin, Script. Eccl. iii. 1088; Hardy's Cat. Brit. Hist. iii. 149, 216, in Rolls Ser.]
C. L. K.
# Dictionary of National Biography, 1885-1900/John of Schipton (d.1257)

​JOHN (d. 1257), called of Schipton, counsellor of Henry III, was one of King John's chaplains, was constantly employed by Henry III as an ambassador to foreign courts and in difficult matters, and was one of his intimate advisers. He was an Augustinian canon, and seems to have generally been called John the Canon. In January 1352 he was prior of the Augustinian house at Newburgh in Yorkshire, and the following year was sent from Gascony by the king to raise supplies for the army from the Londoners. When in Flanders, whither he was sent on an embassy in 1254, he wrote an account of the war then going on there, which was seen and used by Matthew Paris. In the autumn the king tried to persuade the canons of Carlisle to elect him as their bishop, but they would not do so. He died in 1257.
[M. Paris's Chron. Maj. v. 409, 437, 455, 588, 610 (Rolls Ser.) no new facts given in the Hist. Anglorum, iii. 334, 337 (Rolls Ser.), or in Tanner's Bibl. Brit. p. 552, or Hardy's Cat. iii. 146 (Rolls Ser.)]
W. H.
# Dictionary of National Biography, 1885-1900/Johns, David

​JOHNS, DAVID (1794–1843), missionary to Madagascar, born in 1794, was the son of J. Johns of Llain, Llanarth, Monmouthshire. He became church member at Penrhiwgaled, and, first at Neuaddlwyd, and afterwards at Newtown and Gosport, studied to qualify himself as a missionary to Madagascar. He was ordained at Penrhiwgaled 14 Feb. 1826. He married Mary, daughter of W. Thomas, independent minister at Bala, and set sail for Madagascar 11 May 1826. On their arrival they were welcomed by David Jones (d. 1841) [q. v.] and David Griffiths [q. v.], with whom Johns regularly co-operated till 1836. Persecution then compelled Johns and his companions to retire to the Mauritius, which he left for England in May 1839. He returned thither in January 1841, and paid several visits to Madagascar. On one of these he was taken ill, and died at Nossi Bé, a small island off the north-west coast of Madagascar, on 6 Aug. 1843, aged 49. With the help of J. Rainison, superintendent of schools, Johns translated Bunyan's ‘Pilgrim's Progress’ into the Malagasy vernacular, and prepared school-books and other small works. In 1840 he ​published a work in Welsh, giving a history of the persecution of the Christians at Madagascar. He also published a ‘Dictionary of the Malagasy Language,’ 1835, 8vo.
R. J. J.
# Dictionary of National Biography, 1885-1900/Ryan, Richard

​RYAN, RICHARD (1796–1849), biographer, born in 1796, was son of Richard Ryan, a bookseller in Camden Town, who died before 1830 (cf. Gent. Mag. 1830, pt. i.). Ryan seems to have followed the business of a bookseller, but found time to write several interesting books, a few plays, and some songs which were set to music by eminent composers. His plays—‘Everybody's Husband,’ a comic drama in one act; ‘Quite at Home,’ a comic entertainment in one act; and ‘Le Pauvre Jacques,’ a vaudeville in one act, from the French—are printed in J. Cumberland's ‘Acting Plays,’ 1825. Ryan died in 1849.
Besides the works mentioned, he published
* ‘Eight Ballads on the Superstitions of the Irish Peasantry,’ 8vo, London, 1822.
* ‘Biographia Hibernica, a Biographical Dictionary of the Worthies of Ireland, from ​the earliest periods to the present time,’ 2 vols. 8vo, London, 1819–21.
* ‘Poems on Sacred Subjects,’ &c., 8vo, London, 1824.
* ‘Dramatic Table Talk, or Scenes, Situations, and Adventures, serious and comic, in Theatrical History and Biography, with engravings,’ 3 vols. 12mo, London, 1825.
* ‘Poetry and Poets, being a Collection of the choicest Anecdotes relative to the Poets of every age and nation, illustrated by engravings,’ 3 vols. 12mo, London, 1826.
[Allibone's Dict. of Engl. Lit. vol. iii.; O'Donoghue's Poets of Ireland, p. 220.]
D. J. O'D.
# Dictionary of National Biography, 1885-1900/Ryder, Alfred Phillipps

​RYDER, Sir ALFRED PHILLIPPS (1820–1888), admiral of the fleet, born on 27 Nov. 1820, was seventh son of Henry Ryder [q. v.], bishop of Lichfield, and of his wife Sophia, daughter of Thomas March Phillipps of Garendon Park, Leicestershire. He entered the navy in May 1833, passed his examination in July 1839, and in the special competitive course at the Royal Naval College won his commission as lieutenant on 20 July 1841. He was then appointed to the 42-gun frigate Belvidera, in which he served in the Mediterranean till his ship was paid off in 1845. On 15 Jan. 1846 he was promoted to the rank of commander, and in May 1847 was appointed to the steam sloop Vixen, on the North America and West Indies station, from which he was promoted on 2 May 1848, for brilliant service at the capture of Fort Serapique on the San Juan river. From 1853 to 1857 he commanded the Dauntless frigate in the Channel, and afterwards in the Black Sea during the Russian war. From 1863 to 1866 he was controller of the coastguard, and was promoted to be rear-admiral on 2 April 1866. He was second in command of the Channel fleet in 1868–9, and was afterwards naval attaché at Paris. On 7 May 1872 he became vice-admiral, was commander-in-chief in China from 1874 to 1877, became admiral on 5 Aug. 1877, and from 1879 to 1882 was commander-in-chief at Portsmouth. On 24 May 1884 he was nominated a K.C.B., and was promoted to the rank of admiral of the fleet on 29 April 1885. After resigning the Portsmouth command he lived for the most part at Torquay. His health, never robust, was impaired, and he suffered from depression of spirits. In April 1888 he came to London for medical treatment, and while taking a trip on the river was drowned near Vauxhall pier. He was buried on 5 May at Hambleden, near Henley-on-Thames. Ryder was a man of high attainments, and made persistent exertions to raise the standard of education in the navy. He devoted much of his time on shore to scientific study, and was the author of some pamphlets on professional subjects, including one on a new method of determining distances at sea.
J. K. L.
# Dictionary of National Biography, 1885-1900/Ryan, Michael Desmond

​RYAN, MICHAEL DESMOND (1816–1868), dramatic and musical critic, son of Dr. Michael Ryan (fl. 1800) [see under Ryan, Michael], was born at Kilkenny on 3 March 1816. He was educated at Edinburgh for the medical profession, but went to London in 1836 and gradually drifted into literature. ‘Christopher among the Mountains,’ a satire upon Professor Wilson's criticism of the last canto of ‘Childe Harold,’ and a parody of the ‘Noctes Ambrosianæ’ were his first notable efforts. In 1844 he became a contributor to the ‘Musical World,’ of which he was sub-editor from 1846 to 1868. He was also connected as musical and dramatic critic with the ‘Morning Post,’ ‘Morning Chronicle,’ ‘Morning Herald,’ and other journals. In 1849 he wrote the libretto of Macfarren's ‘Charles II,’ and a spectacular opera, ‘Pietro il Grande,’ commissioned by Jullien, was produced at the Royal Italian Opera on 17 Aug. 1852. In collaboration with Frank Mori he wrote an opera, ‘Lambert Simnel,’ intended for Mr. Sims Reeves, but never produced. He wrote the words of a very large number of songs, of which may be mentioned ‘Songs of Even,’ with music by F. N. Crouch (1841), a set of twelve ‘Sacred Songs and Ballads’ by Edward Loder (1845), and a collection of ‘Songs of Ireland,’ in which, in conjunction with F. N. Crouch, he fitted old melodies with new words. He died in London on 8 Dec. 1868.
[Grove's Dict. of Music and Musicians; O'Donoghue's Poets of Ireland; Obituary notices in Musical World and Morning Post.]
J. C. H.
# Dictionary of National Biography, 1885-1900/Ryan, Edward (d.1819)

​RYAN, EDWARD, D.D. (d. 1819), prebendary of St. Patrick's, Dublin, second son of John Philip Ryan, by his wife, Miss Murphy, was born in Ireland. He entered Trinity College, Dublin, as a scholar, 1767, graduated B.A. 1769, M.A. 1773, LL.B. 1779, B.D. 1782, and D.D. in 1789. He was curate at St. Anne's, Dublin, from 1776, vicar of St. Luke's, Dublin, and prebendary of St. Patrick's from 16 June 1790 until his death in January 1819. Although some of his family were strictly catholic, Ryan strenuously attacked catholicism in a ‘History of the Effects of Religion on Mankind’ (vol. i. London, 1788, 8vo, vol. ii. 1793; 3rd ed. Edinburgh, 1806, 8vo). It was translated into French (‘Bienfaits de la Religion,’ Paris, 1810, 8vo). The proceeds of the publication Ryan devoted to the poor of the parish of St. Luke's. Other works by him are: 1. ‘A Short but Comprehensive View of the Evidences of the Mosaic and Christian Codes,’ &c., Dublin, 1795, 8vo. 2. ‘An Analysis of Ward's Errata of the Protestant Bible’ (published 1688), Dublin, 1808, 8vo; this was answered by Dr. Milner in ‘An Inquiry into certain Opinions concerning the Catholic Inhabitants of Ireland,’ &c.; 3rd ed. London, 1818. 3. ‘Letter to G. Ensor, &c., to which are added Reasons for being a Christian,’ Dublin, 1811, 8vo.
C. F. S.