OpenLLM-France/wikimedia huggingface dataset:
# Spirella Catalogue (1933)/123

* STYLE 2532—BRASSIERE

#### THE 2531 SERIES—STOUT OR 30-TYPE

ADAPTABILITY—This series is designed to care for the well developed bust of the 30-type figure, and especially adapts to the care of shoulder and under arm flesh.
The design of this brassiere with the built-up shoulder smooths and controls the full bust, under arm and upper back flesh, and gives a smooth, pleasing contour under the gown. The garment extends well below the waist all around, making it suitable for wear with a low-topped girdle or corset.
MEASUREMENTS
Bust Sizes—40 to 52. Larger sizes, special see Price List.
Waist Sizes—May be ordered 5, 6, 7 or 8 inches smaller than bust, without extra charge.
Style 2531 :
| F 8½ | W to BL 4 or 4½ | W to T(ob) 9 | UA 5 | B 8 |
| F 3 | | | UA 3 | B 2½ |
| Style 2532 |||||
| F 9 | W to BL 5 or 5½ | W to T(ob) 9½ | UA 5½ | B 8½ |
| F 3½ | | | UA 3 | B 2½ |
| Style 2533 |||||
| F 10 | W to BL 6 or 6½ | W to T(ob) 10½ | UA 6 | B 9 |
| F 3½ | | | UA 3 | B 2½ |
HOW TO ORDER—The style in the series to order is determined by the client's waist to bust line measurement.
In classifying a client as to type for a brassiere, that part of the figure to be controlled by the brassiere must be considered, not the figure as a whole.
No corset or girdle is complete without a brassiere.
For complete information on How to Order, see page 132.
For materials and prices, see Price List. 123
# Special 301 Report/2013/Annex 1

ANNEX 1. STATUTORY BACKGROUND ON SPECIAL 301
Pursuant to Section 182 of the Trade Act of 1974, as amended by the Omnibus Trade and Competitiveness Act of 1988 and the Uruguay Round Agreements Act ("Special 301"), USTR is required to identify those countries that deny adequate and effective protection for IPR or deny fair and equitable market access for persons that rely on IPR protection. The USTR is required to designate countries that have the most onerous or egregious acts, policies, or practices and whose acts, policies, or practices have the greatest adverse impact (actual or potential) on the relevant U.S. products as "Priority Foreign Countries." Priority Foreign Countries are potentially subject to an investigation under the Section 301 provisions of the Trade Act of 1974. USTR may not designate a country as a Priority Foreign Country if it is entering into good faith negotiations or making significant progress in bilateral or multilateral negotiations to provide adequate and effective protection of IPR. USTR is required to decide whether to identify countries within 30 days after issuance of the annual National Trade Estimate Report. In addition, USTR may identify a trading partner as a Priority Foreign Country or remove such identification whenever warranted.
USTR has created a "Priority Watch List" and "Watch List" under Special 301 provisions. Placement of a trading partner on the Priority Watch List or Watch List indicates that particular problems exist in that country with respect to IPR protection, enforcement, or market access for persons relying on IPR. Countries placed on the Priority Watch List are the focus of increased bilateral attention concerning the problem areas.
Additionally, under Section 306, USTR monitors a trading partner's compliance with measures that are the basis for resolving an investigation under Section 301. USTR may apply sanctions if a country fails to satisfactorily implement such measures.
The Trade Policy Staff Committee, in particular the Special 301 Subcommittee, in advising USTR on the implementation of Special 301, obtains information from and holds consultations with the private sector, U.S. embassies, foreign governments, and the U.S. Congress, among other sources.
# Special 301 Report/2013

Issue 2013 of the Special 301 Report (N. 25).
2013 Special 301 Report
Acting United States Trade Representative Demetrios Marantis
Office of the United States Trade Representative
ACKNOWLEDGEMENTS
The Office of the United States Trade Representative (USTR) is responsible for the preparation of this report. Acting U.S. Trade Representative Demetrios Marantis gratefully acknowledges in particular the contributions of Deputy U.S. Trade Representatives Michael Punke and Miriam Sapiro; USTR General Counsel Timothy Reif; Chief of Staff Lisa Garcia; and Assistant USTR for Public/Media Affairs Carol Guthrie, Deputy Assistant USTR for Intergovernmental Affairs and Public Engagement Tiffany Enoch, Acting Assistant USTR for Congressional Affairs Rene Munoz, Executive Secretary Jeremy Sturchio, Senior Policy Advisor Holly Smith, Senior Advisor David Roth, Assistant USTR for Intellectual Property and Innovation Stan McCoy, Director for Intellectual Property and Innovation Paula Karol Pinha, and numerous other staff of the Office of Intellectual Property and Innovation, the Office of General Counsel, and other USTR offices. Thanks are extended to partner agencies, including the Departments of Agriculture, Commerce, Health and Human Services, Homeland Security, Justice, Labor, Transportation, Treasury, State, the U.S. Patent and Trademark Office, and the U.S. Copyright Office.
In preparing the report, substantial information was solicited from U.S. Embassies around the world, from U.S. Government agencies, and from interested stakeholders. The draft of this report was developed through the Special 301 Subcommittee of the interagency Trade Policy Staff Committee.
May 2013
TABLE OF CONTENTS
# Special 301 Report/2013/Annex 2

ANNEX 2. THE WIPO PERFORMANCES AND PHONOGRAMS TREATY (WPPT) AND THE WIPO COPYRIGHT TREATY (WCT)
The United States continues to work with other governments, in consultation with U.S. copyright industries and other affected sectors, to develop strategies to address global IPR issues. In 1996, the WIPO concluded two copyright treaties, the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty. Following their entry into force in 2002, these treaties have raised the standard of copyright protection around the world, particularly with regard to Internet based delivery of copyrighted content. The WIPO Internet Treaties have clarified certain exclusive rights and require signatories to provide adequate legal protection and effective legal remedies against the circumvention of certain technological measures as well as certain acts affecting rights management information. A growing number of trading partners are implementing the WIPO Internet Treaties to create a legal environment conducive to investment and growth in legitimate Internet-related businesses, services, and technologies.
As of April 2013, there are 91 contracting parties to the WPPT and 90 contracting parties to the WCT. Other trading partners have implemented key provisions of these treaties in their national laws without formally ratifying them. The United States urges other governments to ratify and implement the provisions of the WIPO Internet Treaties.
The following trading partner became party to the WCT between January 2012 and March 2013:
| Malaysia | Entry into Force: December 27, 2012 |
The following two trading partners became parties to the WPPT between January 2012 and March 2013:
| Ghana | Entry into Force: February 16, 2013 |
| Malaysia | Entry into Force: December 27, 2012 |
# Stories of King Arthur and His Knights/Title Page

by GEORGE G. HARRAP & COMPANY
39-41 Parker Street, Kingsway, London, W.C.,
Reprinted: December 1905; July 1906; May 1907;
January 1909; September 1909; July 1910; July 1911;
October 1912; October 1913; March 1915; February
1917; August 1917; May 1918; October 1919;
June 1920; October 1921; October 1922;
June 1923; January 1925; April 1936;
September 1927; October 1928;
January 1930; January 1931;
# Stories of Lough Guir

* information about this edition.
* sister projects: Wikidata item.
First published in All the Year Round, April 1870. Republished posthumously in the 1923 collection Madam Crowl's Ghost and Other Tales of Mystery, edited by M. R. James
* Opening
* The Magician Earl
* Moll Rial's Adventure
* The Banshee
* The Governess's Dream
* The Earl's Hall
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Stories of Lough Guir/The Banshee

The Banshee
So old a Munster family as the Bailys, of Lough Guir, could not fail to have their attendant banshee. Everyone attached to the family knew this well, and could cite evidences of that unearthly distinction. I heard Miss Baily relate the only experience she had personally had of that wild spiritual sympathy.
She said that, being then young, she and Miss Susan undertook a long attendance upon the sick bed of their sister, Miss Kitty, whom I have heard remembered among her contemporaries as the merriest and most entertaining of human beings. This light-hearted young lady was dying of consumption. The sad duties of such attendance being divided among many sisters, as there then were, the night watches devolved upon the two ladies I have named: I think, as being the eldest.
It is not improbable that these long and melancholy vigils, lowering the spirits and exciting the nervous system, prepared them for illusions. At all events, one night at dead of night, Miss Baily and her sister, sitting in the dying lady's room, heard such sweet and melancholy music as they had never heard before. It seemed to them like distant cathedral music. The room of the dying girl had its windows toward the yard, and the old castle stood near, and full in sight. The music was not in the house, but seemed to come from the yard, or beyond it. Miss Anne Baily took a candle, and went down the back stairs. She opened the back door, and, standing there, heard the same faint but solemn harmony, and could not tell whether it most resembled the distant music of instruments, or a choir of voices. It seemed to come through the windows of the old castle, high in the air. But when she approached the tower, the music, she thought, came from above the house, at the other side of the yard; and thus perplexed, and at last frightened, she returned.
This aerial music both she and her sister, Miss Susan Baily, avowed that they distinctly heard, and for a long time. Of the fact she was clear, and she spoke of it with great awe.
# Stories of King Arthur and His Knights/Illustrations

| KING ARTHUR | (W. B. Margetson) Frontispiece |
| THE DEDICATION | (J. Pettie, R.A.) |
| MERLIN AND NIMUE | (Burne-Jones) |
| SIR TRISTRAM AND THE FAIR ISOUD | (D. G. Rosetti) |
| SIR GALAHAD | (G. F. Watts) |
| SIR LAUNCELOT AT THE CROSS | (Stella Langdale) |
| ELAINE | (J. M. Strudwick) |
| THE PASSING OF ARTHUR | (Stella Langdale) |
# Streamlining Claims Processing for Federal Contractor Employees Act (H.R. 2747; 113th Congress)

* related portals: United States Congress.
* sister projects: Wikipedia article, Wikidata item.
H.R. 2747 as introduced
113th CONGRESS
1st Session
H. R. 2747
IN THE HOUSE OF REPRESENTATIVES
July 19, 2013
Mr. Walberg (for himself and Mr. Courtney) introduced the following bill; which was referred to the Committee on Education and the Workforce
A BILL
To amend title 40, United States Code, to transfer certain functions from the Government Accountability Office to the Department of Labor relating to the processing of claims for the payment of workers who were not paid appropriate wages under certain provisions of such title.

# Section 1. Short title

This Act may be cited as the “Streamlining Claims Processing for Federal Contractor Employees Act”.

# Sec. 2. Transfer of administrative authority to the Department of Labor
## (a) Authority of Comptroller General To pay wages and list contractors violating contracts–

Section 3144 of title 40, United States Code, is amended—
    (1) in the section heading, by striking “of Comptroller General”; and
    (2) in subsection (a)(1), by striking “Comptroller General ” and inserting “Secretary of Labor”.

## (b) Report of violations and withholding of amounts for unpaid contracts and liquidated damages–

Section 3703(b)(3)of title 40, United States Code, is amended by striking “Comptroller General” both places it appears and inserting “Secretary of Labor”.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Street & Smith v. Atlas Manufacturing Company (231 U.S. 348)

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
231 U.S. 348
Street & Smith v. Atlas Manufacturing Company
Argued: November 10, 1913. --- Decided: December 1, 1913
Messrs. Hugh K. Wagner and Leonard J. Langbein for appellants.
Messrs. James Love Hopkins and Nelson Thomas for appellees.
Mr. Justice Van Devanter delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Streeper v. Victor Sewing-Machine Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
112 U.S. 676
Streeper v. Victor Sewing-Machine Company
John R. McBride and J. G. Sutherland, for appellants.
Chas. W. Bennett, for appellee.
BLATCHFORD, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Stars and Stripes Forever

This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Stars in the Sea

I took a boat on a starry night  And went for a row on the water, And she danced like a child on a wake of light  And bowed where the ripples caught her.
I vowed as I rowed on the velvet blue  Through the night and the starry splendour, To woo and sue a maiden I knew  Till she bent to my pleadings tender.
My painted boat she was light and glad,  And gladder my heart with wishing, And I came in time to a little lad  Who stood on the rocks a-fishing.
I said "Ahoy!" and he said "Ahoy!"  And I asked how the fish were biting; "And what are you trying to catch, my boy,  Bream, silver and red – or whiting?"
"Neither," he answered, "the seaweed mars  My line and the sharp shells sunder — I am trying my luck with those great big stars  Down there in the round skies under."
"Good-bye! from him, and "Good-bye!" from me,  And never a laugh came after; So many go fishing for stars in the sea  That it's hardly a subject for laughter.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1949, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 74 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Stars of the Desert

New York: John Lane Company, pages i–vii
Stars of the Desert
​Contents
Page
| To Aziz: Song of Mahomed Akram | 1 |
| Surf Song | 2 |
| Oh, Life, I have taken you for My Lover | 3 |
| Illusion | 6 |
| Sleep | 7 |
| Song of the Enfifa River | 9 |
| The River of Pearls at Fez: Translation | 12 |
| Syed Amir | 13 |
| Au Salon | 15 |
| The Lute Player of Casa Blanca | 16 |
| The Hospital on the Shore | 19 |
| Among the Sandhills | 20 |
| The Cactus | 21 |
| Lalla Radha and the Churel | 22 |
| Rabat: Morocco | 28 |
| Gathered from Ternina's Face | 30 |
| Opium: Li's Riverside Hut at Taku | 32 |
| In the Water Palace | 34 |
| The Crucifix | 40 |
| Wind o' the Waste: on the Wall of Pekin | 41 |
| Happiness | 42 |
| The Orange Garden | 44 |
| Droit du Seigneur | 46 |
| Korean Song | 52 |
| Stars of the Desert (Mahomed Akram's Night Watch) | 53 |
| The Fisherman's Bride | 55 |
| The End | 57 |
| The Consolation of Dreams | 60 |
| Men Should be Judged | 62 |
| The Island of Desolation: Song of Mohamed Akram | 63 |
| A Sea Pink | 65 |
| The Date-garden | 68 |
| Trees of Wharncliffe House | 71 |
| All Farewells should be gently spoken | 75 |
| Garden Song | 77 |
| The Match-maker | 79 |
| Vain-Glory | 81 |
| Worth while | 83 |
| Invitation to the Jungle | 84 |
| The Sinjib Tree | 86 |
| The Outlaw | 88 |
| Return! | 91 |
| Philosophy of Morning | 92 |
| The Slave | 96 |
| The Seasons | 98 |
| Devotion of Aziz to Mir Khan | 100 |
| The Purple Dusk | 108 |
| Hamlili, the Sultan of Song | 109 |
| Love is the Symbol of a Sacred Thing | 111 |
| Istar-i-Sahara | 113 |
| Love the Careless | 116 |
| Shouldst Thou Consent | 118 |
| Reminiscence of Maëterlinck's "Life of the Bee" | 120 |
| On Deck | 121 |
| The Ocean Tramp | 123 |
| The Mirrored Stars of Tangier | 124 |
| At Simrole Tank | 125 |
| The Guru's Tale: The Enchanted Night | 126 |
| Among the Fuchsias | 129 |
| At the Taking of the Fort | 130 |
| Twilight | 133 |
| To Aziz | 135 |
| In the Vineyards | 136 |
| In the African Desert | 137 |
| The City: Song of Mahomed Akrara | 140 |
| The Jungle Fear | 142 |
| Disloyal | 144 |
| The Court of Pomegranates | 146 |
| The Tower of Victory | 149 |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Stars (Brontë)

"Ah! why, because the dazzling sun"
* "Stars" in Poems by Currer, Ellis, and Acton Bell (1846)
* "Stars" in The Complete Poems of Emily Brontë (1908)
# Spider Boy/Advertisements

The Work of Carl Van Vechten
Music After the Great War. New York: G. Schirmer. 1915.
Music and Bad Manners. New York: Alfred A. Knopf. 1916.
Interpreters and Interpretations. New York: Alfred A. Knopf. 1917.
The Music of Spain. New York: Alfred A. Knopf. 1918. London: Kegan Paul, Trench, Tribner & Co. 1920.
The Merry-Go-Round. New York: Alfred A. Knopf. 1918.
In the Garret. New York: Alfred A. Knopf. 1920.
Interpreters. New York: Alfred A. Knopf. 1920.
The Tiger in the House. New York: Alfred A. Knopf. 1920. New York: Alfred A. Knopf. 1924. London: William Heinemann. 1921.
Peter Whiffle. New York: Alfred A. Knopf. 1922, 1927. London: Grant Richards. 1923, 1928.
The Blind Bow-boy. New York: Alfred A. Knopf. 1923, 1925. London: Grant Richards. 1923.
The Tattooed Countess. New York: Alfred A. Knopf. 1924. London: Alfred A. Knopf. 1926.
Red: Papers on Musical Subjects. New York: Alfred A. Knopf. 1925.
Firecrackers. New York: Alfred A. Knopf. 1925. London: Alfred A. Knopf. 1927.
Excavations. New York: Alfred A. Knopf. 1926. London: Alfred A. Knopf. 1926.
Nigger Heaven. New York: Alfred A. Knopf. 1926. London: Alfred A. Knopf. 1926. Helsingfors: Holger Schilds—Forlag. 1927. Paris: Simon Kra. 1927.
Spider Boy. New York: Alfred A. Knopf. 1928. London: Alfred A. Knopf. 1928.
A Note on the Type in which this Book is set
The type in which this book has been set is based on the design of Caslon (1692–1766) who, it is generally conceded brought the old-style letter to its highest perfection. While certain modifications have been introduced to meet changing printing conditions, the basic design of the Caslon letters has never been improved. The type selected for this book is a modern adaptation rather than an exact copy of the original.
Set up, electrotyped, printed and bound by the Plimton Press, Norwood, Mass., paper made by W. C. Hamilton & Sons, Miquon, Pa.
# Spider Boy

Carl Van Vechten
Novels
The Tattooed Countess A romantic novel with a happy ending
Peter Whiffle: His Life and Works
The Blind Bow-boy A cartoon for a stained-glass window
Firecrackers A realistic novel
Nigger Heaven
Spider Boy A scenario for a moving picture
Books About Cats
The Tiger in the House
Lords of the Housetops
Essays
RedExcavationsInterpreters
Alfred · A · Knopf · Publisher
Spider Boy a scenario for a moving picture by Carl Van Vechten
1928
New York · Alfred · A · Knopf · London
For Blanche Knopf with Pansies and Kinkajous and Love
"Not seldom to be famous, is to be widely known for what you are not."
Herman Melville.
C. P. Cavafy.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1964, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 59 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 3

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 5

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 5 Scene 1

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 2

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 6

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 7

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 8

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 3 Scene 3

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 1

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# Shakespeare - First Folio facsimile (1910)/The Third Part of King Henry the Sixth/Act 4 Scene 4

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