# Manacled

Publoished in The Argosy, volume 71.
IN the First Act there had been a farm scene, wherein real horses had drunk real water out of real buckets, afterward dragging a real waggon off stage, L. The audience was consumed with admiration of this play, and the great Theatre Nouveau rang to its roof with the crowd's plaudits.
The Second Act was now well advanced. The hero, cruelly victimised by his enemies, stood in prison garb, panting with rage, while two brutal warders fastened real handcuffs on his wrists and real anklets on his ankles. And the hovering villain sneered.
"'Tis well, Aubrey Pettingill," said the prisoner. "You have so far succeeded; but, mark you, there will come a time -- "
The villain retorted with a cutting allusion to the young lady whom the hero loved.
"Curse you," cried the hero, and he made as if to spring upon this demon; but, as the pitying audience saw, he could only take steps four inches long.
Drowning the mocking laughter of the villain came cries from both the audience and the people back of the wings. "Fire! Fire! Fire!" Throughout the great house resounded the roaring crashes of a throng of human beings moving in terror, and even above this noise could be heard the screams of women more shrill than whistles. The building hummed and shook; it was like a glade which holds some bellowing cataract of the mountains. Most of the people who were killed on the stairs still clutched their play-bills in their hands as if they had resolved to save them at all costs.
The Theatre Nouveau fronted upon a street which was not of the first importance, especially at night, when it only aroused when the people came to the theatre and aroused again when they came out to go home. On the night of the fire, at the time of the scene between the enchained hero and his tormentor, the thoroughfare echoed with only the scraping shovels of some street-cleaners, who were loading carts with blackened snow and mud. The gleam of lights made the shadowed pavement deeply blue, save where lay some yellow plum-like reflection.
Suddenly a policeman came running frantically along the street. He charged upon the fire-box on a corner. Its red light touched with flame each of his brass buttons and the municipal shield. He pressed a lever. He had been standing in the entrance of the theatre chatting to the lonely man in the box-office. To send an alarm was a matter of seconds.
Out of the theatre poured the first hundreds of fortunate ones, and some were not altogether fortunate. Women, their bonnets flying, cried out tender names; men, white as death, scratched and bleeding, looked wildly from face to face. There were displays of horrible blind brutality by the strong. Weaker men clutched and clawed like cats. From the theatre itself came the howl of a gale.
The policeman's fingers had flashed into instant life and action the most perfect counter-attack to the fire. He listened for some seconds, and presently he heard the thunder of a charging engine. She swept around a corner, her three shining enthrilled horses leaping. Her consort, the hose-cart, roared behind her. There were the loud clicks of the steel-shod hoofs, hoarse shouts, men running, the flash of lights, while the crevice-like streets resounded with the charges of other engines.
At the first cry of fire, the two brutal warders had dropped the arms of the hero and run off the stage with the villain. The hero cried after them angrily. "Where you going? Here, Pete -- Tom -- you've left me chained up, damn you!"
The body of the theatre now resembled a mad surf amid rocks, but the hero did not look at it. He was filled with fury at the stupidity of the two brutal warders, in forgetting that they were leaving him manacled. Calling loudly, he hobbled off stage, L, taking steps four inches long.
Behind the scenes he heard the hum of flames. Smoke, filled with sparks sweeping on spiral courses, rolled thickly upon him. Suddenly his face turned chalk-colour beneath his skin of manly bronze for the stage. His voice shrieked. "Pete -- Tom -- damn you -- come back -- you've left me chained up."
He had played in this theatre for seven years, and he could find his way without light through the intricate passages which mazed out behind the stage. He knew that it was a long way to the street door.
The heat was intense. From time to time masses of flaming wood sung down from above him. He began to jump. Each jump advanced him about three feet, but the effort soon became heart-breaking. Once he fell, and it took time to get upon his feet again.
There were stairs to descend. From the top of this flight he tried to fall feet first. He precipitated himself in a way that would have broken his hip under common conditions. But every step seemed covered with glue, and on almost every one he stuck for a moment. He could not even succeed in falling down stairs. Ultimately he reached the bottom, windless from the struggle.
There were stairs to climb. At the foot of the flight he lay for an instant with his mouth close to the floor trying to breathe. Then he tried to scale this frightful precipice up the face of which many an actress had gone at a canter.
Each succeeding step arose eight inches from its fellow. The hero dropped to a seat on the third step, and pulled his feet to the second step. From this position he lifted himself to a seat on the fourth step. He had not gone far in this manner before his frenzy caused him to lose his balance, and he rolled to the foot of the flight. After all, he could fall downstairs.
He lay there whispering. "They all got out but I. All but I." Beautiful flames flashed above him, some were crimson, some were orange, and here and there were tongues of purple, blue, green.
A curiously calm thought came into his head. "What a fool I was not to foresee this! I shall have Rogers furnish manacles of papier-mâché to-morrow."
The thunder of the fire-lions made the theatre have a palsy.
Suddenly the hero beat his handcuffs against the wall, cursing them in a loud wail. Blood started from under his finger-nails. Soon he began to bite the hot steel, and blood fell from his blistered mouth. He raved like a wolf.
Peace came to him again. There were charming effects amid the flames. . . . He felt very cool, delightfully cool. . . . "They've left me chained up."
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse