# The Literati of New York/No. II/Charles Anthon

Regarding poet Charles Anthon.
Doctor Charles Anthon is the well-known Jay-professor of the Greek and Latin languages in Columbia College, New York, and Rector of the Grammar School. If not absolutely the best, he is at least generally considered the best classicist in America. In England and in Europe at large, his scholastic acquirements are more sincerely respected than those of any of our countrymen. His additions to Lemprière are there justly regarded as evincing a nice perception of method and accurate as well as extensive erudition, but his "Classical Dictionary" has superseded the work of the Frenchman altogether. Most of Professor Anthon's publications have been adopted as text-books at Oxford and Cambridge — an honour to be properly understood only by those acquainted with the many high requisites for attaining it. As a commentator (if not exactly as a critic) he may rank with any of his day, and has evinced powers very unusual in men who devote their lives to classical lore. His accuracy is very remarkable; in this particular he is always to be relied upon. The trait manifests itself even in his MS., which is a model of neatness and symmetry, exceeding in these respects anything of the kind with which I am acquainted. It is somewhat too neat, perhaps, and too regular, as well as diminutive, to be called beautiful; it might be mistaken at any time, however, for very elaborate copper-plate engraving
But his chirography, although fully in keeping so far as precision is concerned with his mental character, is, in its entire freedom from flourish or superfluity, as much out of keeping with his verbal style. In his notes to the Classics he is singularly Ciceronian — if, indeed, not positively Johnsonese.
An attempt was made not long ago to prepossess the public against his "Classical Dictionary," the most important of his works, by getting up a hue and cry of plagiarism — in the case of all similar books the most preposterous accusation in the world, although, from its very preposterousness, one not easily rebutted. Obviously, the design in any such compilation is, in the first place, to make [column 2:] a useful school-book or book of reference, and the scholar who should be weak enough to neglect this indispensable point for the mere purpose of winning credit with a few bookish men for originality, would deserve to be dubbed, by the public at least, a dunce. There are very few points of classical scholarship which are not the common property of "the learned" throughout the world, and in composing any book of reference recourse is unscrupulously and even necessarily had in all cases to similar books which have preceded. In availing themselves of these latter, however, it is the practice of quacks to paraphrase page after page, rearranging the order of paragraphs, making a slight alteration in point of fact here and there, but preserving the spirit of the whole, its information, erudition, etc. etc., while everything is so completely re-written as to leave no room for a direct charge of plagiarism; and this is considered and lauded as originality. Now, he who, in availing himself of the labours of his predecessors (and it is clear that all scholars must avail themselves of such labours) — he who shall copy verbatim the passages to be desired without attempt at palming off their spirit as original with himself, is certainly no plagiarist, even if he fail to make direct acknowledgment of indebtedness — is unquestionably less of the plagiarist than the disingenuous and contemptible quack who wriggles himself, as above explained, into a reputation for originality, a reputation quite out of place in a case of this kind — the public, of course, never caring a straw whether he be original or not. These attacks upon the New York professor are to be attributed to a clique of pedants in and about Boston, gentlemen envious of his success, and whose own compilations are noticeable only for the singular patience and ingenuity with which their dovetailing chicanery is concealed from the public eye.
Doctor Anthon is, perhaps, forty-eight years of age; about five feet eight inches in height; rather stout; fair complexion; hair light and inclined to curl; forehead remarkably broad and high; eye gray, clear and penetrating; mouth well-formed, with excellent teeth — the lips having great flexibility and consequent power of expression; the smile particularly pleasing. His address in general is bold, frank, cordial, full of bonhommie. His whole air is distinigué in the best understanding of the term — that is to say, he would impress any one at first sight with the idea of his being no ordinary man. He has qualities, indeed, which would have insured him eminent success in almost any pursuit; and there are times in which his friends are half disposed to regret his exclusive devotion to classical literature. He was one of the originators of the late "New York Review," his associates in the conduct and proprietorship being Dr. F. L. Hawks and Professor R. C. Henry. By far the most valuable papers, however, were those of Doctor A.page 269