# The Community's Sunbeam

Each of the orphans of the Lotus Brotherhood Colony has a duty, Fraülein explained.
"Ach," she cried enthusiastically, "an inspiration I have! He is too young to work as yet, this little Ivan, but he shall have his task, like the rest. He shall be our little sunbeam. He shall laugh and play and make us happy."
But, really, what exactly are the duties of a sunbeam?
The Community's Sunbeam
BY ELIZABETH JORDAN
MISS CLAKKSON looked at the small boy, and the small boy looked back at Miss Clarkson with round, unwinking eyes. In the woman's glance were sympathy and a puzzled wonder; the child's gaze expressed only a calm and complete detachment. Subtly, but unmistakably, he succeeded in conveying the impression that he regarded this human object before him because it was in his line of vision, but that he found no interest in it, nor good reason far assuming an interest he did not feel: that if, indeed, he was conscious of any emotion at all, it was in the nature of a vaguely dawning desire that the object should remove itself, should cease to shut off the view from the one window of the tenement room that was his home. But it really did not matter much. Already, in his seven years of life, the small boy had decided that nothing really mattered much, and his dark, grim little face, with its deep-cut, unchildish lines, bore witness to the unwavering strength of this conviction. If the object preferred to stay— He settled himself more firmly on the rickety chair he occupied, crossed his feet with infinite care, and continued to regard the object with eyes that held the invariable expression with which they met the incidents of life, whether these incidents were the receiving of a banana from Miss Clarkson's hands, or, as had happened half an hour before, the spectacle of his dead mother being carried down-stairs.
It was not a stupid look; it was at once intent, unsympathetic, impersonal. Under it, now, its object experienced a moment of actual embarrassment. Miss Clarkson was not accustomed to the indifferent gaze of human eyes, and in her philanthropic work among the tenements she had been somewhat conspicuously successful with children. They seemed always to like her, to accept her, and, if her undoubted charm of face, of dress, and of smile failed to win them, Miss Clarkson was not above resorting to the aid of little gifts, of toys, even to the pernicious power of pennies. She did good, but she did it in her own way. She was young, she was rich, she was independent. She helped the poor because she pitied them and wished to aid them, but her methods were unique, and were followed none the less serenely when, as frequently happened, they conflicted with all tile accepted notions of organized philanthropy.
She had come to this room almost daily. Miss Clarkson remembered, since she had discovered the destitute Russian woman and her child there a month ago. The mother was dying of consumption; the child was neglected and hungry—yet both had an unmistakable air of birth, of breeding; and the mother's French was as perfect as the exquisitely finished manner that drew from Anne Clarkson, in the wretched tenement room, her utmost deference and courtesy. The child, too, had glints of polish. Punctiliously he opened doors, placed chairs, bowed; punctiliously he stood when the lady stood, sat when the lady sat, met her requests for small services with composure and appreciation. And (here was the rub) each time she came, bringing in her generous wake the comforts that lightened his mother's dreary journey into another world, he received her with the air of one courteously greeting a stranger, or, at best, of one seeking an elusive memory as one surveys a half-familiar face.
Doggedly Anne Clarkson had persisted in her attentions to them both. The mother was grateful—there was no doubt of that. Under the ministrations of the nurse Miss Clarkson supplied, under the influence of food, of medicines, and of care, she brightened out of the apathy in which her new friend had found her. But to the last she retained something of her soil's unresponsiveness, and an uncommunicativeness which tagged his as hereditary. She never spoke of herself, of her friends, or of her home. She made no hist requests, left no last messages. Once as she looked at her boy her eyeballs exuded a film of moisture. Miss Clarkson interpreted this phenomenon rightly, and quietly said:
"I will see that he is well cared for." The sick woman gave her a long look, and then nodded.
"You will," she answered. "You are not of those who promise and do not perform. You are very good—you have been very good to us. Your reward should come. It does not always come to those who are good, but it should come to you. You should marry and leave this terrible country, and be happy."
The words impressed Miss Clarkson, because, as she reminded herself now, they were almost the last her protégée uttered. She considered them excessively unmodern, and strongly out of place on the lips of one whose romance had ended in disillusionment.
Well, it was over. The mother was gone. But the child remained, and his future—his immediate future, at least—must be decided here and now. With a restless movement Anne Clarkson leaned toward him. In her abstraction she had shifted her glance from him for a few moments, and he had taken advantage of the interval to survey dispassionately the toes of the new shoes she had given to him. He glanced up now, and met her look with the singular unresponsiveness which seemed his note.
"We're going away, Ivan," she said, speaking with that artificial cheerfulness practised so universally upon the helpless and the young. "Mother has gone, you know, and we can't stay here any more. We're going to the country, to a beautiful place where there are flowers, and birds, and dogs, and other little boys and girls. So get your cap, dear."
Ivan looked unimpressed, but he rose with instant obedience and crossed the room to its solitary closet. His little figure looked very trim in the new suit she had bought for him: she noticed how well he carried himself. His preparations for departure were humorously simple. He took his cap from its peg, put it on his head, and opened the door for her to precede him in the utter abandonment of his "home." Earlier in the day Miss Clarkson had presented to pleased neighbors the furniture and clothing of the dead woman, taking the precaution to have it fumigated in an empty room in the building. On the same impulse she had given to an old bedridden Irishwoman a few little articles that had soothed the Russian's last days: a small night-lamp, a bed-tray, and the like. Ivan's outfit, consisting solely of the things she herself had given him, had been packed in his mother's one small foreign trunk, which had held until then only an ikon, quaintly framed. Of letters, of souvenirs, of any clue of any kind to the identity of mother and son, there was none. She felt sure that the names they had given her were assumed.
Stiffly erect, Ivan waited beside the open door. Miss Clarkson gave a methodical last look around the dismantled room, and walked out of it, the child following. At the top of the stairs she turned her head sharply, a sudden curiosity uppermost in her mind. Was he glancing back? she wondered. Was he showing any emotion? Did he feel any? He seemed so horribly mature—he must understand something of what this departure meant. Did he, by chance, need comforting? But Ivan was close by her side, his sombre black eyes looking straight before him, his new shoes creaking freshly as he descended the rickety steps. Miss Clarkson sighed. If only he were pretty, she reflected. There were always sentimental women ready and willing to adopt a handsome child. But even Ivan's mother would have declared him not pretty. He was merely small, and dark, and foreign, and reserved, and horribly self-contained. His black hair was perfectly straight, his lips made a straight line in his face. He had no dimples, no curls, none of the appealing graces and charms of childhood. He was seven—seven decades, she almost thought, with a sudden throb of pity for him. But he had one quality of childhood—helplessness. To that, at least, the Community to which she had finally decided to entrust him would surely respond. She took his small hand in hers as they reached the street, and after an instinctive movement of withdrawal, like the startled fluttering of a bird, he suffered it to remain there. Together they walked to the nearest corner, and stood awaiting the coming of a trolley-car, the heat of an August sun blazing upon them, the stifling odors of the tenement quarter filling their nostrils. Rude, half-naked little boys jeered at them, and made invidious remarks about Ivan's new clothes; a small girl smiled shyly at him; a wretched yellow dog snapped at his heels. To these varying attentions the child gave the same quietly observant glance, a glance without rancor as without interest. Miss Clarkson experienced a sense of utter helplessness as she watched him.
"Did you know the little girl, Ivan?" she asked in English.
"Yes, madam."
"Do you like her?"
"No, madam."
"Why not? She seemed a nice little girl."
There was no response. She tried again.
"Are you tired, dear?"
"No, madam."
"Are you glad you are going into the country and away from the hot, dirty city?"
"No, madam."
"Would you rather stay here?"
"No, madam."
The quality of the negative was the same in all.
Miss Clarkson gave him up. When they entered the car she sank into a depressed silence, which endured until they reached the Grand Central Station. There, after she had sent off several telegrams, and bought their tickets, and established herself and her charge comfortably side by side on the end seat in a drawing-room car, she again essayed sprightly conversation adapted to the understanding of the young:
"Do you know the country, Ivan?" she asked, ingratiatingly. "Have you ever been there to see the grass and the cows and the blue skies?"
"No, madam."
"You will like them very much. All little boys and girls like the country, and are very happy there."
"Yes, madam."
"Do you like to play?"
"No, madam."
"Do you like to—to—look at picture-books?"
"No, madam."
"What do you like to do?"
There was no reply. Miss Clarkson groaned inwardly. Was he only a little monosyllabic machine? The infant regarded with calm eyes the sweep of the New York landscape across which the train was passing. His patron opened the new novel with which she had happily provided herself, plunged into its pages, and let herself rest by forgetting him for a while. He sat by her side motionless, observant, continuing to exude infinite patience.
"He ought to be planted on the Egyptian sands," reflected Miss Clarkson once, as she glanced at him. "He'd make a dear little brother to the Sphinx." She stopped a train-boy passing through the car and bought him a small box of chocolates, which he ate uninterruptedly, somewhat as the tiny hand of a clock marks the seconds. Later she presented him with a copy of a picture-paper. He surveyed its illustrations with studious intentness for five minutes, and then laid the paper on the seat beside him. Miss Clarkson again fled to sanctuary in her novel, wondering how long pure negation could enlist interest.
At the small station where they left the train the tension of the situation was slightly lessened. A plump little woman, with a round pink face, keen, very direct blue eyes, and live gray hair, deftly tooled a fat pony up to the asphalt, and greeted them with cheerful informality.
"Get in," she said briskly, after a brief hand-shake with Miss Clarkson. "There's plenty of room in the phaeton. We pack five in sometimes. I was sorely tempted to bring two of the children; they begged to come to meet the new boy; but it seemed best not to rush him in the beginning, don't you know, so I left Josephine squalling behind the wood-pile, and Augustus Adolphus strangling manfully on a glass of lemonade intended to comfort him."
She laughed as she spoke, but her blue eyes surveyed the boy appraisingly as she tucked him into the space between herself and Miss Clarkson. He had stood cap in hand during the meeting between the ladies; now he replaced his cap upon his head, fixed his black eyes on the restless tail of the fat pony, and remained submerged under the encroaching summer garments of both women. Mrs. Eltner, presiding genius of the Lotus Brotherhood Colony, exchanged an eloquent glance with Miss Clarkson as she started the pony along the winding-ribbon of the country road. Then she prattled on.
"Well," she quoted in answer to Miss Clarkson's question, "they are so well that Fraülein von Hoffman is in despair over them. She has some new theories she's anxious to try when they're ill, but throughout the year she hasn't had one chance. Every blessed child is flamboyantly robust. Goodness! Why shouldn't they be? In the sunshine from eight in the morning until six at night. They have their lessons in a little roofed summer-house in the open air, their meals in another, and they almost sleep in the open air. There are ten of them now—counting your boy,"—she nodded toward the unconscious Ivan—"four girls and six boys. None of the parents interferes with them. They sleep in the dormitory with Fraülein, she teaches them a few hours a day, and the rest of the time we leave them alone. Fraülein assures me that the influence on their developing souls is wonderful,"—Mrs. Eltner laughed comfortably. "It's all an experiment," she went on more seriously. "Who can tell how it will end? But one thing is certain: we have taken these poor waifs from the New York streets, and we have at least made them healthy and happy to begin with. The rest must come later."
"An achievement," agreed Miss Clarkson. "I hope you will be as successful with my small charge. He is not healthy, and I doubt if he has ever known a moment of happiness. Possibly he can never take it in. I don't know—he puzzles me."
Her friend nodded, and they drove on in silence. It was almost sunset when the fat pony turned into an open gate leading to a big white Colonial house, whose wide verandas held hammocks, easy chairs, and one fat little girl asleep on a door-mat. On the sweeping lawn before the house an old man lounged comfortably in a garden-chair, surveying with quiet approval the efforts of a pretty girl in a wide sunbonnet who was weeding a flower-bed near him. Through the open window of a distant room came the sound of a piano. At the left of the house a solitary peacock strutted, his spreading tail alive in the sun's last rays. The effect of the place was deliciously "homey." With eyes slightly distended, Ivan surveyed the monstrous fowl, turning his head to follow its progress as the phaeton rolled around the drive and stopped before the wide front door. The two women again exchanged glances.
As they entered the wide hall, a picturesque group disintegrated suddenly. A slender German woman, tall, gray-haired, slightly bent, detached herself from an encircling mass of childish hands and arms and legs, gave a hurried greeting to Miss Clarkson, of whom she rather disapproved, and turned eyes alight with interest on the new claimant for her ministrations. Cap in hand, Ivan looked up at her. Mrs. Eltner introduced them briefly.
"Your new little boy, Fraülein," she said, "Ivan Ivanovitch. He speaks English and French and Russian. He is going to love his new teacher and his new little friends, and be very happy here."
Fraülein von Hoffman bent down and kissed the chilling surface of Ivan's pale cheek.
"But yes," she cried, "of a certainty he shall be happy. We are all happy here—all, all. He shall have his place, his lessons, his little duties—but, ach, he is so young! He is the youngest of us. Still, he must have his duty." She checked her rapid English for a courteous explanation to Miss Clarkson.
"Each has his duties," she told that lady, while the line of children lent polite interest to her words, drinking them in, apparently, with their open mouths. "Each of us must be useful to the community in some way, however small. That is our principle. Yes. Little Josephine waters every day the flowers in the dining-room, and they bloom gratefully for little Josephine—ach, how they bloom! Augustus Adolphus keeps the wood-box filled. It is Henry's task to water the growing plants, and Henry never forgets. So, too, it is with the others. But Ivan—Ivan is very young. He is but seven, you say. Yes, yes, what shall one do at seven?"
Her rapid broken English ceased again as she surveyed the child, her blond brows knit in deep reflection. Then her thin face lit suddenly.
"Ach," she cried enthusiastically, "an inspiration I have! He is too young to work as yet, this little Ivan, but he shall have his task, like the rest. He shall be our little sunbeam. He shall laugh and play and make us happy."
With a common hysterical impulse Miss Clarkson and Mrs. Eltner turned their heads to avoid each other's eyes, the former making a desperate effort at self-control as she gazed severely through a window near her. It was not funny, this thing, she reminded herself sternly; it was too ghastly to be funny, but there was no question that the selection of Ivan Ivanovitch as the joyous, all-pervasive sunbeam of the community at Locust Hall was slightly incongruous. When she could trust herself she glanced at him. He stood as he had stood before, his small, old, unchildish face turned up to the German, his black eyes fixed unwaveringly upon her gray ones. Under the glance Fraülein's expression changed. For an instant there was a look of bewilderment on her face, of a doubt of the wisdom of her choice of a mission for this unusual newcomer, but it disappeared as quickly as it had come. With recovered serenity she addressed him and those around him.
"But he need not begin to-night," she added kindly, "not when he is tired. He shall eat, he shall rest, he shall sleep. Then to-morrow he shall take his place among us and be the little sunbeam. Yes, yes—think how far the sunbeam has to travel!" she murmured inspirationally.
Miss Clarkson knelt down before the boy and gathered him into her arms. The act was spontaneous and sincere, but as she did it she realized that in the eyes of the German, and even in those of Mrs. Eltner, it seemed theatrical. It was one of the things Fraülein von Hoffman disapproved in her—this tendency to moments of emotion.
"Good night, Ivan," she said. "I am going to stay until morning, so I shall see you then. Sleep well. I am sure you will be a happy little boy in this pleasant home."
The unfathomable eyes of Ivan Ivanovitch looked back into hers.
"Good night, madam," he said quietly. Then, as she was about to turn away, his small face took on for an instant the dawn of an expression. "Good night, madam," he said again, more faintly.
Slight as the change had been, Miss Clarkson caught it. She swayed toward, him.
"Are you homesick, Ivan?" she asked, caressingly, almost lovingly. "Would you like me to take you up-stairs and put you to bed?"
Fraülein von Hoffman broke in upon her speech.
"But they shall all go," she cried. "It is their time. He will not be alone. Josephine shall take him by the hand; Augustus Adolphus shall lead the way. It will be a little procession—ach, yes! And he shall have his supper in the nursery."
A chubby, confident little girl of nine detached herself from the group near them and grasped the hand of Ivan Ivanovitch firmly within her own. He regarded her stoically for an instant; then his eyes returned to Miss Clarkson's, who had risen, and was watching him closely. There was a faint flicker in them as he replied to her question.
"No, madam," he said gravely. "Thank you, madam. Good night, madam."
He bowed deeply, drawing the reluctant figure of the startled Josephine into the salute as he did so. A sturdy German boy of eleven, with snapping brown eyes, placed himself before the children, his feet beating time, his head very high. "Forward, march!" he cried, in clear, boyish tones. The triumphant Josephine obeyed the command, dragging her charge after her. Thus convoyed, one companion leading, another pulling, the rest following with many happy giggles, Ivan Ivanovitch marched up-stairs to bed. His life as the Community's sunbeam had begun.
The next morning Fraülein von Hoffman met Miss Clarkson in the hall, and turned upon her the regard of a worried gray eye. Miss Clarkson returned the look, her heart sinking as she did so.
"It is that child," the German began. "He is of an interest—and ach, ja! of a discouragement," she added, with a gusty sigh. "Already I can see it—what it will be. He speaks not; he plays not. He gazes always from the window, and when one speaks, he says, 'Yes, madam'—only that. This morning I looked to see him bright and happy, but it is not so. Is it that his little heart breaks for his mother? Is it—that he is always thus?"
"I don't know what you can do with him," said the American frankly. "He's like that all the time. I asked his mother, and she admitted it. I brought him here because I hoped the other children might brighten him up, and I knew you could arouse him if any one could."
The tribute, rare from Miss Clarkson, cheered Fraülein von Hoffman. Her face cleared. She began to regain her self-confidence.
"Ach, well," she said, comfortably, "we will see. We will do our best—yes, of a certainty. And we will see." She strolled away after this oracular utterance, and Miss Clarkson went to breakfast. Thus neither witnessed a scene taking place at that moment on the lawn near the front veranda. Standing there with his back against a pillar, surrounded by the other children of the community, was Ivan Ivanovitch. In the foreground, facing him, stood Augustus Adolphus, addressing the newcomer in firm accents, and emphasizing his remarks by waving a grimy forefinger before Ivan Ivanovitch's uninterested face. The high, positive tones of Augustus Adolphus filled the air.
"Well, then, why don't you do it?" he was asking, fiercely. "You got to do it. You have to. Fraülein says so. The rest of us has to do ours. I filled my wood-boxes already, and Josie watered the flowers. We did it early so we could watch you being a sunbeam, and now you ain't being one. Why ain't you? You got to! Why don't you begin?" The continued unresponsiveness of Ivan Ivanovitch irritated him at this point, and he turned excitedly to the others.
"Ain't he got to?" he cried. "Ain't he got to be a sunbeam? Fraülein said he should begin this morning. Well, then, why don't he begin?"
A childish buzz of corroboration answered him. It was plain that the assignment of Ivan's mission, publicly made as it had been the night before, had deeply impressed the children of the Community. They closed around the two boys. The small Josephine laid a propelling hand upon Ivan's shoulder and tried to push him forward, with a vague idea of thus accelerating his task.
"Begin now," she suggested, encouragingly. "Do it, and have it over. That's the way I do."
In response to this maiden appeal the lips of Ivan Ivanovitch parted.
"I do not know how to do it," he announced, distinctly. "How shall I do it?"
Augustus Adolphus broke in again.
"Aw, say, go on," he urged. "You got to do it. Why don't you, then?"
Ivan Ivanovitch turned upon him an eye in which the habitual expression of patience was merely intensified.
"I do not know how to do it," he said again, speaking slowly and painstakingly. "You tell me how; then I will do it."
Under the force of this counter-charge, Augustus Adolphus fell back.
I—I—don't know, neither," he muttered, feebly. "I thought you knew. You got to know, 'cause you got to do it."
The eye of the small Russian swept the little group, and lingered on the round face of Josephine.
"You tell me," he said to her. "Then I will do it."
Josephine rose to the occasion.
"Why, why," she began, doubtfully, "I know what it is. You be a sunbeam, you know. I know what a sunbeam is. It's a little piece of the sun. It is long and bright. It comes through the window and falls on the floor. You could do that. Sometimes it falls on us. Sometimes it falls on flowers."
Offered this choice, Ivan at once expressed his preference.
"I will fall on flowers," he announced with decision.
The brown eyes of Augustus Adolphus glittered as he suddenly grasped the possibilities of the situation.
"No, you won't, neither," he cried, excitedly. "You got to do it all. You better begin now. You can fall through that window; it's open." He indicated, as he spoke, a low French window leading from the living-room on to the broad veranda. "He's got to," he cried, again. "Ain't he got to?" With a unanimous cry the meeting declared that he had got to. Some of the children knew better; others did not; but all knew Augustus Adolphus Schmidtt.
Without a word, Ivan turned, walked up the steps of the veranda, entered the wide hall, swung to the left, crossed the living-room, approached the window, and fell out, head first. There was something deeply impressive in the silence and swiftness of his action, something deliciously stimulating to the spectators in the thud of his small body on the unyielding wood. A long sigh of happiness was exhaled by the group of children. Certainly this was a new duty—a strange one, but worthy, no doubt, since it emanated from Fraülein, and beyond question interesting as a spectacle. Augustus Adolphus resolved in that instant to attend to his personal tasks at an early hour each day, that he might have uninterrupted leisure for getting new falls out of Ivan's. That infant had now found his feet, and was methodically brushing the dust from his clothes. There was a rapidly developing lump over one eye, but his expression remained unchanged. Josephine approached him with happy gurgles. Her heart was filled with womanly sympathy, but her soul remained undaunted. She was of the Spartan stuff that sends sons to the war, and holds a reception for them if they return—from victory,—on their shields. She cooed in conscious imitation of Fraülein's best manner. "Now you can fall on flowers."
Her victim followed her unresistingly to the spot she indicated, and, having arrived, cast himself violently upon a bed of blazing nasturtiums. The enthusiastic and approving group of children closed around him as he rose. Even Augustus Adolphus, as he surveyed the wreck that remained, yielded to Ivan's loyal devotion to his rôle the tribute of an envious sigh.
"Now you can fall on us," he suggested joyfully. Before the words had left his innocent lips, Ivan had made his choice. The next instant the air was full of arms, leg's, caps, and hair.
"Lemme go," shrieked Augustus Adolphus, battling wildly with the unsuspected and terrible force that had suddenly assailed him. "Lemme go, I tell you."
The reply of Ivan came through set teeth as he planted one heel firmly in the left ear of the recumbent youth. "I have to fall on you," he explained mildly, suiting the action to the word. "First I fall on you; then I let you go."
There was no question in the minds of the spectators that this was the most brilliant and successfully performed of the strange and interesting tasks of Ivan. They clustered around to tell him so, while Augustus Adolphus sought the dormitory for needed repairs. One of the rules of the Community was that the children should settle their little disputes among themselves. Fortunately, perhaps, for Augustus Adolphus he found the dormitory empty, and was able to remove from his person the most obvious evidences of one hoisted by his own petard. In the mean time Ivan Ivanovitch was experiencing a new sensation—the pleasurable emotion caused by the praise of one's kind.
"I think your new duties is nice," Josephine informed him, as she gazed upon him with eyes humid with approval. "You have to do it every day," she added, gluttonously.
Ivan assented, but in his heart there lay a doubt. Seeking for light, he approached Fraülein von Hoffman that afternoon as she dozed and knitted under a sheltering tree.
He stopped before her and fixed her with his serious gaze.
"Does a sunbeam fall through windows?" he inquired, politely.
Fraülein von Hoffman regarded him with a drowsy lack of interest.
"But yes, surely, sometimes," she admitted.
"Does it fall always through the window—every day?"
"But yes, surely, if it is in the right place."
The community's sunbeam sighed.
"Does it fall on flowers, and on boys and girls?" he persisted.
"But yes, it falls on everything that is near."
A look of pained surprise dawned upon the features of Ivan Ivanovitch.
"Always he asked quickly. "It falls on everything that is near?"
Fraülein von Hoffman placidly counted her stitches, confirming with a sigh her suspicion that she had dropped three.
"Not always," she murmured, absently. "But no. Only when the sun is shining."
Ivan carried this gleam of comfort with him when he went away, and it is very possible that he longed for a darkened world. But if indeed his daily task was difficult, as it frequently proved to be as the days passed, there were compensations—in the school games, in the companionship of his new friends, in the kindness of those around him. Even Augustus Adolphus was good to him at times. Unquestioningly, inscrutably, Ivan absorbed atmosphere, and did his share of the Community's work as he saw it.
The theories of the Community were consistently carried out. In the summer, after their few hours of study, the children were left to themselves. Together they worked out the problems of their little world; together they discussed, often with an uncanny insight, the grown-ups around them. Sometimes the tasks of the others were forgotten: frequently, in the stress of work and play, Augustus Adolphus's wood-box remained unfilled, Josephine's flowers were unwatered. But the mission of Ivan as a busy and strenuous sunbeam was regularly and consistently carried out—all the children saw to that. Regularly, that is, save on dark days. Here he drew the line.
"Fraülein says it only falls on things when the sun shines," he explained tersely, and he fulfilled his mission accordingly. Fraülein wondered where he had accumulated the choice collection of bumps and bruises that adorned his person; but he never told, and apparently nobody else knew. Mrs. Eltner marvelled darkly over the destruction of her favorite nasturtium-bed. Daily the stifled howls of Augustus Adolphus continued to rend the ambient air when the sunbeam fell on him; but he forbore to complain, suffering heroically this unpleasant feature of the programme, that the rest might not be curtailed. Once, indeed, he had rebelled.
"Why don't you fall on some one else?" he had demanded, sulkily. "You don't have to fall on me all the time."
The reply of the sunbeam was convincing in its simple truth.
"I do," he explained. "Fraülein has said so. It must fall always on the same place if it is there."
Augustus Adolphus was silenced. He was indeed there, always. It was unfortunate, but seemed inevitable, that he should contribute his share to the daily entertainment so deeply enjoyed by all.
It was, very appropriately, at Thanksgiving-time that Ivan's mission as an active sunbeam ended. He was engaged in his usual profound meditation in the presence of Miss Clarkson, who had come to see him, and who was at the moment digesting the information she had received, that not once in his months at Locust Hall had he been seen to smile. True, he seemed well and contented. His thin little figure was fast taking on plumpness; he was brown, bright-eyed. Studying him, Miss Clarkson observed a small bruise on his chin, another on his intellectual brow.
"How did you get those, Ivan?" she asked.
For some reason, Ivan suddenly decided to tell her.
"I fell through the window. This one I got yesterday"—he touched it; "this one I got Monday; this one I got last week." He revealed another that she had not discovered, lurking behind his left ear.
"But surely you didn't fall through the window as often as that!" gasped Miss Clarkson. The small boy surveyed her wearily.
"But yes," he murmured, in unconscious imitation of Fraülein. "I must fall through every day when the sun shines."
Miss Clarkson held him off at arm's length and stared at him.
"In Heaven's name, why?" she demanded.
Ivan explained patiently. Miss Clarkson listened, asked a few questions, gave way to a moment of uncontrollable emotion. Then she called together the other children, and again heard the story. It came disjointedly from each in turn, but most fluently, more picturesquely, most convincingly, from the lips of Augustus Adolphus Schmidtt and the fair Josephine. When they had finished their artless recital, Miss Clarkson sought Fraülein von Hoffman. That afternoon, beside the big open fire in the children's winter play-room, Fraülein von Hoffman addressed her young charges in words brief but pointed, and as she talked the mission of Ivan at Locust Hall took on a new significance, clear to the dullest mind.
"You were very cruel to Ivan—ach, most cruel! And he is not to fall any more, anywhere, on anything, you understand," explained the German, clearly. "He has no tasks any more. He is but to be happy, and you should love him, and take care of him, because he is so small. That is all."
Ivan exhaled a sigh of deep contentment. Then he looked around him. The great logs on the andirons were blazing merrily. In the hands of Josephine a corn-popper waved above them, the corn inside burning unobserved as she lent her ears to Fraülein's earnest words. Ten apples, suspended on strings, swung from the mantel, spinning slowly as they roasted. It was a restful and agreeable scene to the eyes of little Ivan.
Josephine felt called upon to defend her friends.
"We didn't mean to be cruel," she explained, earnestly, answering the one of Fraülein's charges which had most impressed her. "We love Ivan. We love him lots. We like to see him be a sunbeam, an' we thought he liked to be one."
The faces of his little companions were all around him. Ivan surveyed them in turn. They loved him—lots. Had not Josephine just said so? And only yesterday Augustus Adolphus had played marbles with him. It was very good to be loved, to have a home, and not to be a little sunbeam any longer. Then his eyes met those of Miss Clarkson, fixed upon him sympathetically.
"Would you like to go away, Ivan?" she asked quietly. "Would you be happier somewhere else?"
The eyes of Ivan widened with sudden fear. To have this and to lose it!—now, if ever, he must speak! "Oh, no," he cried, earnestly; "no, no, madam!"
Reassured, she smiled at him, and as she did so something in her look, in the atmosphere, in the moment, opened the boy's, closed heart. He drew a long breath, and smiled back at her—a shy, hesitant, unaccustomed smile, but one very charming on his serious little face. Miss Clarkson's heart leaped in sudden triumph. It was his first smile, and it was for her.
"I like it here," he said. "I like it very much, madam."
Miss Clarkson had moments of wisdom.
"Then you shall stay, my boy," she said. "You shall stay as long as you wish. But, remember, you must not be a sunbeam any more."
Ivan responded in one word—a simple, effective word, much used by his associates in response to pleasing announcements of holidays and vacations, but thus far a stranger on his lips. He threw back his head and straightened his shoulders.
"Hurray!" he cried, with deep fervor. This was enough for Augustus Adolphus and the fair Josephine. "Hurray!" they shrieked in jubilant duet—"Hurray! Hurray!"
The others joined in. "Hur-ray!" cried the nine small companions of Ivan. He looked at them for a moment, his thin mouth twitching. They were glad, too, then, that he was to stay! He walked straight to Miss Clarkson, buried his face in her lap, and burst into tears. For a moment she held him close, smoothing his black head with a tender hand. Almost immediately he straightened himself and returned to the side of Josephine, shy, shamefaced, but smiling again—a new Ivan.
"What did you cry for?" demanded that young lady, obtusely. "Because you feel bad?"
Augustus Adolphus replied for his friend, with an insight beyond his years.
"You let him alone," he said severely. "He don't never cry when he feels bad; he only cries when he feels good!"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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