# A Dictionary of Music and Musicians/Schubert, Franz (composer)/Schubert Tables

I. Alphabetical Lists.
2. Published Songs. (457.)
Those with opus-numbers extend to op. 173. Then follow the Schwanengesang—'Schw. No. i,' etc.; then the 'Nachgelassene Musikalische Dichtungen' in 50 Lieferungen—'Lf. i.' etc.; then 4 Lieder—'4 L. 1,' etc.; then 6 Lieder—'6 L. No. 1,' etc.; then 40 Lieder '40 L. 1,' etc. (See Nottebohm's Catalogue.) Where a song is given twice under different titles an * is prefixed to the second insertion.
Cols. 4 and 5 refer to the editions of Litolff and Senff. Litolff's includes ops. 1–131, and Lieff. 1–50. in consecutive order; but omits ops. 21; 52, nos. 3 and 4; 60; 83; no; 129; and Lief. 43. Senff's—edited by Julius Rietz—includes ops. 1–131, and Lieff. 1–50, but differently arranged; and omits ops. 52, nos. 3 and 4; 62, no. 1; 129. Peters's edition is more complete, but was not known to the author in time. A complete critical edition of all the songs in chronological order of composition is much wanted.
The following abbreviations of publishers' names are used:—Gotth. = Gotthard; Hasl. = Haslinger; Mech. = Mechetti; Riet. B. = Rieter-Biedermann; Schreib. = Schreiber; Whistl. = Whistling; Witznd. = Witzendorf; B. & H. = Breitkopf & Härtel.
Reissm. = Reissmann's 'Franz Schubert,' etc., 1873, the Appendix to which contains some songs.
2. Part Songs, etc.
Column 1 shows the original editions of these, but they have been collected in two subsequent editions by Peters (no. 1045, 1046, 1047), and (in 2 vols.) by Spina, edited by Herbeck, who has in some cases added orchestral accompaniments to Schubert's sketches. PF. = Pianoforte Accompaniment. Orch. = Orchestra.
3. Works for the Stage. (18.)
O. = Opera. Opt. = Operetta. Dr. = Drama. S. = Singspiel. Mel. = Melodrama
$^1$ Revised by Capellmeister Johann Fuchs, and published by Schlesinger, 1882.
4. Sacred Works. (8)
5. String Quartets.
6. Symphonies.
b. = begun. e. = ended.
7. Pianoforte Sonatas.
​II. Catalogue of all Schubert's works, printed and unprinted, in the order of their composition, as far as is ascertainable.
This attempt is compiled from the dates given (1) in Mr. Nottebohm's Thematic Catalogue; (2) in the 'Chronological Catalogue of all the Songs composed by F. Schubert from 1811 to 1828' in the Witteczek Collection of the Musikverein at Vienna; (3) from my own notes taken in the Archives of the same Collection; (4) from the List given by Reissmann; (5) from occasional information in Letters; and (6) from all other sources available to the compiler. The date is most usually marked by Schubert himself upon the piece. Occasionally it has been supplied from a letter, as in the case of 'Einsamkeit' (No. 550); from inference, or some other source; but this is very rare. The compositions to which no date can be affixed are placed at the end of the Catalogue. Where two dates are given the left-hand one is that of beginning the piece, the right-hand one that of ending it. 'à 3,' 'à 4' etc. = for 3, or 4, voices. F. = female voices. M.= men's voices ('à 4 M. and Orch.' = for 4 men's voices with orchestra). N.B.—All instrumental works, and works with orchestral accompaniments, are in italics.
Pieces without date of month or year.
| Name. | Name. | Key | Opus No. or Publ. |
| 888 | Morgenlied (Werner) | . . | Op. 4, 2 |
| 889 | Die abgeblühte Linde (Széchényi) | . . | Op. 7, 1 |
| 890 | Der Flug der Zeit (Do.) | . . | Op. 7, 2 |
| 891 | Der Tod u. d. Mädchen (Claudius) | . . | Op. 7, 3 |
| 892 | 18 Original Tänze. PF. | . . | Op. 9, 1, 3, 4, 14–28 |
| 910 | Das Dörfchen (Bürger), à 4 | . . | Op. 11, 1 |
| 911 | Die Nachtigal (Unger), do. | . . | Op. 11, 2 |
| 912 | Frühlingslied (Schober), à 4 M. | . . | Op. 16, 1 |
| 913 | Jünglings wonne (Matthisson), à 4 M. | . . | Op. 17, 1 |
| 914 | Liebe (Schiller), à 4 M. | . . | Op. 17, 2 |
| 915 | Zum Rundtanz (Salis), à 4 M. | . . | Op. 17, 3 |
| 916 | Die Nacht | . . | Op. 17, 4 |
| 917 | 26 Ländler, PF. | . . | Op. 18, 4–12, 1–17 |
| 943 | 7 Ecossaises, PF. | . . | Op. 18, 1–4, 1–3 |
| 950 | Der Schiffer (Mayrhofer) | . . | Op. 21, 2 |
| 951 | Wehmuth (M. von Collin) | . . | Op. 22, 2 |
| 952 | Die Liebe hat gelogen (Platen) | . . | Op. 23, 1 |
| 953 | Selige Welt (Senn) | . . | Op. 23, 2 |
| 954 | Schwannengesang (Do.) | . . | Op. 27, 3 |
| 955 | 3 Marches heroiques, PF., 4 hands | Bm, C, D | Op. 27 |
| 958 | 7 Deutsche Tänze, PF. | . . | Op. 33, 3–7, 10, 11 |
| 965 | Overture, PF., 4 hands | F | Op. 34 |
| 966 | Der Pilgrim (Schiller) | . . | Op. 37, 1 |
| 967 | Six Grandes Marches, PF. 4 hands | . . | Op. 40 |
| 973 | Nacht und Träume (M. v. Collin) | . . | Op. 43, 2 |
| 974 | 'Tutus in corde' | . . | Op. 46 |
| 975 | 34 Valses sentimentales. PF. | . . | Op. 50 |
| 1009 | 3 Marches Militaires, PF., 4 hands | . . | Op. 51 |
| 1012 | An die Leier (Bruchmann) | . . | Op. 56, 2 |
| 1013 | Im Haine (Do.) | . . | Op. 56, 3 |
| 1014 | Der Schmetterllng (F. Schlegel) | . . | Op. 57, 1 |
| 1015 | Die Berge (Do.) | . . | Op. 57, 2 |
| 1016 | Du liebst mich nicht (Platen) | . . | Op. 59, 1 |
| 1017 | Dithyrambe (Schiller) | . . | Op. 60, 2 |
| 1018 | 6 Polonaises | . . | Op. 61 |
| 1024 | Mignon u. d. Harfner (Goethe) | . . | Op. 62, 1 |
| 1025 | Lied der Mignon. 'Heiss mich' (Do.) | . . | Op. 62, 2 |
| 1026 | Do.'So lasst' (Do.) | . . | Op. 62, 3 |
| 1027 | Do.'Sehnsucht' (Do.) | . . | Op. 62, 4 |
| 1028 | Divertissement. PF., 4 hands | Em | Op. 63 |
| 1029 | Wehmuth (Hüttenbrenner), à 4 M. | . . | Op. 64, 1 |
| 1030 | Ewige Liebe (Schulze), à 4 M. | . . | Op. 64, 2 |
| 1031 | Flucht (Lappe), à 4 M. | . . | Op. 64, 3 |
| 1032 | Hommage aux b. Viennoises, 15 Waltzes and 2 Ecossaises, PF. | . . | Op. 67 |
| 1049 | Die Advokaten, TTB | . . | Op. 74 |
| 1050 | 4 Polonaises, PF., 4 hands | . . | Op. 75 |
| 1054 | 10 Valses Nobles, PF. | . . | Op. 77 |
| 1064 | 4 Impromptus, PF. | . . | Op. 90 |
| 1068 | 6 Moments musicals, Pf. | . . | Op. 94 |
| 1074 | 4 Refrain-Lieder (Seidl) | . . | Op. 95 |
| 1078 | Glaube, Hoffnung u. Liebe (Kuffner) | . . | Op. 97 |
| 1079 | Phantasie, PF., 4 hands | Fm | Op. 103 |
| 1080 | D. Hochzeitsbraten, STB. & PF. | . . | Op. 104 |
| 1081 | Widerspruch (Seidl) | . . | Op. 105, 1 |
| 1082 | Wiegenlied (Do.) | . . | Op. 105, 2 |
| 1083 | Sehnsucht (Do.) | . . | Op. 105, 3 |
| 1084 | Gott im Ungewitter (Uz) | . . | Op. 112, 1 |
| 1085 | Gott der Weltschöpfer (Do.) | . . | Op. 112, 2 |
| 1086 | Der Mondabend (Ermin) | . . | Op. 131, 1 |
| 1087 | 'Notre amitié,' Rondo. PF. 4 hands | D | Op. 138 |
| 1088 | 4 Impromptus, PF. | . . | Op. 142 |
| 1092 | Nocturne, PF. & Cello | E♭ | Op. 148 |
| 1093 | Trinklied. 'Edit Nonna,' à 4 M. | . . | Op. 155 |
| 1094 | Nachtmusik (Seckendorf), à 4 M. | . . | Op. 156 |
| 1095 | Constitutionslied, à 4 M. & Orch. | . . | Op. 157 |
| 1096 | Der Wintertag, à 4 M. | . . | Op. 169 |
| 1097 | Die Blumensprache | . . | Op. 173, 3 |
| 1098 | An den Tod (Schubart) | . . | Lf. 17, 3 |
| 1099 | Atya (Mayrhofer) | . . | Lf. 22, 2 |
| 1100 | Ihr Grab | . . | Lf. 36, 3 |
| 1101 | Licht und Liebe (Collin) | . . | Lf. 41, 1 |
| 1102 | Fragm. a. d. Götter Griechnl. (Schiller) | . . | Lf. 42, 1 |
| 1103 | Im Gegenw. Vergangenes (Goethe) | . . | Lf. 43 |
| 1104 | Der Goldschmledsgesell (Do.) | . . | Lf. 48, 6 |
| 1105 | Augenlied (Mayrhofer) | . . | Lf. 80, 3 |
| 1106 | Täglich zu singen | . . | MS. |
| 1107 | Rüdigers Heimkehr; T., Chor. & Orch. | . . | Spina |
| 1108 | Morgengesang, à 4 V. & Orch. | . . | Spina |
| 1109 | Begräbnisslied (Kopstock). à 4 | . . | 9 Ges., 8 |
| 1110 | Osterlied (Do.), à 4 & PF. | . . | 9 Ges., 9 |
| 1111 | Wein und Liebe (Haug), à 4 M. | . . | Spina |
| 1112 | Der Entfernten (Salis), à 4 M. | . . | Spina |
| 1113 | Lob d. Einsamkeit (Do.), à 4 M. | . . | |
| 1114 | 5 Clavierstücke | E, E, C, A, E | Klemm |
| 1119 | Clavierstück | C | 3 Clavierst. no. 3 |
| 1120 | March, PF | E | Artaria |
| 1121 to 1131 | 10 Ländler PF. | . . | 20 Lindl., 1, 6, 7, 9, 10, 11, 13–16. |
* ↑ 'Auf der Bruck. Der 25sten Julius. 1814.' See 'Poetisches Tagebuch,' p. 79; in Sämmtl. poet. Werke von Ernst Schulze. 8vo. Leipzig, 1822.
* ↑ On the autograph, at beginning of 1st movement, '5 Sept. 1814'; at end of do., 'Completed in 4½ hours'; at beginning and end of Anante, 'Sept. 6, 1814' and 'Sept. 10, 1814'; at end of Minuet, 'Sept. 11, 1814'; and at end of Finale, 'Sept. 13, 1814.'
* ↑ Except the Andante.
* ↑ No. 3 originally in G♭.