# Arabian Poetry for English Readers/The Moallakát/The Poem of Amriolkais

THE
POEM
OF
AMRIOLKAIS.
THE ARGUMENT.
THE Poet, after the manner of his countrymen, supposes himself attended on a journey by a company of friends; and as they pass near a place where his mistress had lately dwelled, but from which her tribe was then removed, he desires them to stop awhile, that he might indulge the painful pleasure of weeping over the deserted remains of her tent. They comply with his request, but exhort him to show more strength of mind, and urge two topics of consolation, namely, that he had before been equally unhappy, and that he had enjoyed his full share of pleasures. Thus, by recollection of his past delight, his imagination is kindled, and his grief suspended.
He then gives his friends a lively account of his juvenile frolics, to one of which they had alluded. It seems he had been in love with a girl named Onaiza, and had in vain sought an occasion to declare his passion. One day, when her tribe ​had struck their tents, and were changing their station, the women, as usual, came behind the rest, with the servants and baggage, in carriages fixed on the backs of camels. Amriolkais^ advanced slowly at a distance, and, when the men were out of sight, had the pleasure of seeing Onaiza retire with a party of damsels to a rivulet or pool, called Daratjuljul, where they undressed themselves, and were bathing, when the lover appeared, dismounted from his camel, and sat upon their clothes, proclaiming aloud that whoever would redeem her dress must present herself naked before him.
They adjured, entreated, expostulated; but, when it grew late, they found themselves obliged to submit, and all of them recovered their clothes except Onaiza, who renewed her adjurations, and continued a long time in the water: at length she also performed the condition, and dressed herself. Some hours had passed, when the girls complained of cold and hunger. Amriolkais therefore instantly killed the young camel on which he had ridden, and having called the female attendants together, made a fire and roasted him. The afternoon was spent in gay conversation, not without a cheerful cup, for he was provided with wine in a leathern bottle. But, when it was time to follow the tribe, the prince (for such was his rank) had neither camel nor horse; and Onaiza, after much importunity, consented to take him on her camel, before the carriage, while the other damsels divided among themselves the less agreeable burden of his arms and the furniture of his beast.
He next relates his courtship of Fatima, and his more dangerous amour with a girl of a tribe at war with his own, whose beauties he very minutely and luxuriantly delineates. From these love-tales he proceeds to the commendation of his own fortitude, when he was passing a desert in the darkest night; and the mention of the morning which succeeded leads him to a long description of his hunter, and of a chase in the forest, followed by a feast on the game which had been pierced by his javelins.
​Here his narrative seems to be interrupted by a storm of lightning and violent rain;—he nobly describes the shower, and the torrent which it produced down all the adjacent mountains; and, his companions retiring to avoid the storm, the drama (for the poem has the form of a dramatic pastoral) ends abruptly.
The metre is of the first species, called long verse, and consists of the bacckius or amphibrachys, followed by the first epitrite; or, in the fourth and eighth places of the distich, by the double iambus, the last syllable being considered as a long one: the regular form, taken from the second chapter of "Commentaries on Asiatic Poetry," is this:
"Amator | puellarum | miser sæ | pe fallitur Ocellis | nigris, labris | odoris, | nigris comis."
THE POEM OF AMRIOLKAIS.
2. "Tudam and Mikra; a station, the marks of which are not wholly effaced, though the south wind and the north have woven the twisted sand."
3. Thus I spoke, when my companions stopped their coursers by my side, and said: "Perish not through despair: only be patient."
4. "A profusion of tears," answered I, "is my sole relief; but what avails it to shed them over the remains of a deserted mansion?"
5. "Thy condition," they replied, "is not more painful than when thou leftest Howaira, before thy present passion, and her neighbour Rebaba, on the hills of Masel."
6. "Yes," I rejoined, "when those two damsels departed, musk was diffused from their robes, as the eastern gale sheds the scent of clove-gillyflowers:
7. "Then gushed the tears from my eyes, through excess of regret, and flowed down my neck, till my sword-belt was drenched in the stream."
​8. "Yet hast thou passed many days in sweet converse with the fair: but none so sweet as the day which thou spentest by the pool of Daratjuljul."
9. On that day I killed my camel, to give the virgins a feast; and, oh! how strange was it that they should carry his trappings and furniture!
10. The damsels continued till evening helping one another to the roasted flesh, and to the delicate fat, like the fringe of white silk finely woven.
11. On that happy day I entered the carriage, the carriage of Onaiza, who said: "Wo to thee! thou wilt compel me to travel on foot."
12. She added (while the vehicle was bent aside with our weight), "O Amriolkais, descend, or my beast also will be killed!"
13. I answered: "Proceed, and loosen his rein; nor withhold from me the fruits of thy love, which again and again may be tasted with rapture.
14. "Many a fair one like thee—though not, like thee, a virgin—have I visited by night; and many a lovely mother have I diverted from the care of her yearling infant, adorned with amulets:
15. "When the suckling behind her cried, she turned round to him with half her body; but half of it, pressed beneath my embrace, was not turned from me."
16. Delightful, too, was the day when Fatima first rejected me on the summit of yon sand-hill, and took an oath, which she declared inviolable.
​17. "O Fatima!" said I, "away with so much coyness; and if thou hadst resolved to abandon me, yet at last relent!
18. "If indeed my disposition and manners are unpleasing to thee, rend at once the mantle of my heart, that it may be detached from thy love.
19. "Art thou so haughty, because my passion for thee destroys me; and because whatever thou commandest my heart performs?
20. "Thou weepest; yet thy tears flow merely to wound my heart with the shafts of thine eyes—my heart, already broken to pieces and agonizing."
21. Besides these, with many a spotless virgin, whose tent had not yet been frequented, have I held soft dalliance at perfect leisure.
22. To visit one of them, I passed the guards of her bower, and a hostile tribe, who would have been eager to proclaim my death.
23. It was the hour when the Pleiads appeared in the firmament, like the folds of a silken sash variously decked with gems.
24. I approached: she stood expecting me by the curtain; and, as if she was preparing for sleep, had put off all her vesture but her night-dress.
25. She said: "By Him who created me," and gave me her lovely hand, "I am unable to refuse thee; for I perceive that the blindness of thy passion is not to be removed."
​26. Then I rose with her; and as we walked she drew over our footsteps the train of her pictured robe.
27. Soon as we had passed the habitations of her tribe, and come to the bosom of a vale, surrounded with hillocks of spiry sand,
28. I gently drew her towards me by her curled locks, and she softly inclined to my embrace;—her waist was gracefully slender, but sweetly swelled the part encircled with ornaments of gold.
29. Delicate was her shape; fair her skin; and her body well proportioned: her bosom was as smooth as a mirror,
30. Or, like the pure egg of an ostrich, of a yellowish tint blended with white, and nourished by a stream of wholesome water not yet disturbed.
31. She turned aside, and displayed her soft cheek: she gave a timid glance with languishing eyes, like those of a roe in the groves of Wegera looking tenderly at her young.
32. Her neck was like that of a milk-white hind, but, when she raised it, exceeded not the justest symmetry; nor was the neck of my beloved so unadorned.
33. Her long coal-black hair decorated her back, thick and diffused, like bunches of dates clustering on the palm-tree.
34. Her locks were elegantly turned above her head; and the riband which bound them was lost in her tresses, part braided, part dishevelled.
​35. She discovered a waist taper as a well-twisted cord; and a leg both as white and as smooth as the stem of a young palm, or a fresh reed, bending over the rivulet.
36. When she sleeps at noon, her bed is besprinkled with musk: she puts on her robe of undress, but leaves the apron to her handmaids.
37. She dispenses gifts with small, delicate fingers, sweetly glowing at their tips, like the white and crimson worm of Dabia, or dentrifices made of esel-wood.
38. The brightness of her face illumines the veil of night, like the evening taper of a recluse hermit.
39. On a girl like her, a girl of a moderate height, between those who wear a frock and those who wear a gown, the most bashful man must look with an enamoured eye.
40. The blind passions of men for common objects of affection are soon dispersed; but from the love of thee my heart cannot be released.
41. O how oft have I rejected the admonitions of a morose adviser, vehement in censuring my passion for thee; nor have I been moved by his reproaches!
42. Often has the night drawn her skirts around me, like the billows of the ocean, to make trial of my fortitude in a variety of cares;
43. And I said to her, when she seemed to extend her sides, to drag on her unwieldy length, and to advance slowly with her breast:
​44. "Dispel thy gloom, O tedious night! that the morn may rise; although my sorrows are such, that the morning-light will not give more comfort than thy shades.
45. "O hideous night!—a night in which the stars are prevented from rising, as if they were bound to a solid cliff with strong cables!"
46. Often, too, have I risen at early dawn, while the birds were yet in their nests, and mounted a hunter with smooth short hair, of a full height, and so fleet as to make captive the beasts of the forest;
47. Ready in turning, quick in pursuing, bold in advancing, firm in backing; and performing the whole with the strength and swiftness of a vast rock which a torrent has pushed from its lofty base;
48. A bright bay steed, from whose polished back the trappings slide, as drops of rain glide hastily down the slippery marble.
49. Even in his weakest state he seems to boil while he runs; and the sound which he makes in his rage is like that of a bubbling cauldron.
50. When other horses that swim through the air are languid and kick the dust, he rushes on like a flood, and strikes the hard earth with a firm hoof.
51. He makes the light youth slide from his seat, and violently shakes the skirts of a heavier and more stubborn rider;
52. Rapid as the pierced wood in the hands of a playful child, which he whirls quickly round with a well-fastened cord.
​53. He has the loins of an antelope, and the thighs of an ostrich; he trots like a wolf, and gallops like a young fox.
54. Firm are his haunches; and when his hinder parts are turned towards you, he fills the space between his legs with a long thick tail, which touches not the ground, and inclines not to either side.
55. His back, when he stands in his stall, resembles the smooth stone on which perfumes are mixed for a bride, or the seeds of coloquinteda are bruised.
56. The blood of the swift game, which remains on his neck, is like the crimson juice of hinna on gray flowing locks.
57. He bears us speedily to a herd of wild cattle, in which the heifers are fair as the virgins in black trailing robes, who dance round the idol Dewaar:
58. They turn their backs, and appear like the variegated shells of Yemen on the neck of a youth distinguished in his tribe for a multitude of noble kinsmen.
59. He soon brings us up to the foremost of the beasts, and leaves the rest far behind; nor has the herd time to disperse itself.
60. He runs from wild bulls to wild heifers, and overpowers them in a single heat, without being bathed, or even moistened, with sweat.
61. Then the busy cook dresses the game, roasting part, baking part on hot stones, and quickly boiling the rest in a vessel of iron.
​62. In the evening we depart; and when the beholder's eye ascends to the head of my hunter, and then descends to his feet, it is unable at once to take in all his beauties.
63. His trappings and girths are still upon him: he stands erect before me, not yet loosed for pasture.
64. O friend, seest thou the lightning, whose flashes resemble the quick glance of two hands, amid clouds. raised above clouds?
65. The fire of it gleams like the lamps of a hermit, when the oil poured on them shakes the cord by which they are suspended.
66. I sit gazing at it, while my companions stand between Daaridge and Odhaib; but far distant is the cloud on which my eyes are fixed.
67. Its right side seems to pour its rain on the hills of Katan, and its left on the mountains of Sitaar and Yadbul.
68. It continues to discharge its waters over Cotaifa till the rushing torrent lays prostrate the groves of canahbel-trees.
69. It passes over mount Kenaan, which it deluges in its course, and forces the wild goats to descend from every cliff.
70. On mount Taima it leaves not one trunk of a palm tree, nor a single edifice, which is not built with well-cemented stone.
​71. Mount Tebeir stands in the heights of the flood, like a venerable chief wrapped in a striped mantle.
72. The summit of Mogaimir, covered with the rubbish which the torrent has rolled down, looks in the morning like the top of a spindle encircled with wool.
73. The cloud unloads its freight on the desert of Ghabeit, like a merchant of Yemen alighting with his bales of rich apparel.
74. The small birds of the valley warble at daybreak, as if they had taken their early draught of generous wine mixed with spice.
75. The beasts of the wood, drowned in the floods of night, float, like the roots of wild onions, at the distant edge of the lake.