OpenLLM-France/wikimedia huggingface dataset:
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836/Horse-Shoe Falls, Niagara

20
* HORSE-SHOE FALLS, NIAGARA. ENTRANCE TO THE CAVERN ON THE ENGLISH SIDE.
* Artist: T. Allom - Engraved by: R. Sands
HORSE-SHOE FALL, NIAGARA.
In the centre of the Fall, a vast body of water rushes in an unbroken sheet; but towards the extremities, the fluid mass is shivered by rocky projections into minute particles, assuming a variety of forms, and radiant with prismatic hues. The volume of air carried down by the waters in their descent, so greatly diminishes the sustaining power of the element, that only substances of the greatest buoyancy will float in the chasm beneath. The spectator can advance to a great distance behind the cascade, by traversing a ledge of rock connected with the overhanging cliff; and having arrived at the customary limit, a scene of wonderful and fearful interest displays itself before him. A curtain of waters separates him from the world, a rocky canopy rises far above his head; "his feelings are those of a prisoner, but never, surely, was there so magnificent a dungeon!"
The concussion of the waters at Niagara strikes less forcibly on the ear than might be supposed; within a very short distance of the Falls, conversation may be maintained without any great exertion of the voice. The sounds of the cataract combine with none other; they would be heard amid the roaring of a volcano, and yet do not drown the chirping of a sparrow.
The view of the Falls represented in the engraving, derives much additional interest from an event detailed in the following extract from the Literary Gazette, May 9th, 1835:—
"A recent letter from New York announces the fall of the Table rock, at the Falls of Niagara. This immense mass of stone was on the Canada side of the river, projecting so as to afford the spectator a front view of the Horse-Shoe Fall. It was considerably undermined, and fissures on the surface had, for some time past, indicated the disruption. A larger mass was detached two or three years back, by the total fall of the most favourable position for viewing the magnificent appearance presented by that stupendous fall of waters."
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836/Ruins about the Taj Mahal

In the note, Miss Landon presumably intended Shah Jahan rather than Nour Jahan.
44
* RUINS ABOUT THE TAJ MAHAL, AGRA.
* Artist: S. Austin - Engraved by: E. Challis
RUINS ABOUT THE TAJ MAHAL.
An arid plain leads to the luxuriant gardens which still adorn the mausoleum where Nour Jahan and the lovely partner of his throne "sleep the sleep that knows no waking." Ponds of gold and silver fish are the common ornaments of a great man’s grounds in India. They are covered after sunset with a gauze frame, to protect them from their various nightly enemies. Notwithstanding the care taken for their preservation, they often become the prey of the kingfisher. Tombs in India are palaces, vast and immutable as the slumbers which they cover. As if to add the contrast of natural fertility to human decay, the garden always surrounds the grave.
Mournfully they pass away,
The dearest and the fairest;
Beauty, thou art common clay,
Common doom thou sharest.
Though the rose bestow its dyes
For a blush too tender;
Though the stars endow thine eyes
With their midnight splendour.
Though thy smiles around thee fling Atmosphere elysian; Though thy presence seems to spring Like a poet’s vision; Though the full heart worship thee, Like a thing enchanted; Though the cold earth common be, When thy touch is wanted:
Yet thou dost decay and die, And beside thee perish All that grew beneath thine eye, All that we wont cherish, Every gentle hope and thought Which thou bearest hither; Hues from thine own heaven brought, Hues thou takest thither.
Fare thee well—thou soon art flown
From a world that loved thee;
Heaven, that claims thee for its own,
Soon from us removed thee.
Here thy shadows only come,
Fleeting, though divinest;
But in thine eternal home
Steadfastly thou shinest.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836/Pulo Penang

79
* PULO PENANG.
* Artist: S. Austin - Engraved by: S. Lacey
PULO PENANG.
The sail from Penang to Singapore presents the loveliest succession of scenery which ocean can produce. The sea is studded with tracts of fairy-land, glittering like emeralds in the golden sun, where the waving trees dip their long branches into the water; where the smooth sands are covered with shells, sparkling with all the hues of the prism. Birds, too, of Orient plumage, skim over the surface of the silver sea, or glance in and out from groves laden with fruit and flowers. The ocean-land, linked by these flowery labyrinths, retains its tranquillity even during the summer tempests.
Never—that fairy isle can be  No lengthened resting-place of mine;
I love it dearest when I see  Its shadow lengthen on the brine:
And then my heart with softness fills;  I think upon its palmy groves,
I hear the murmur of its rills,  I hear the singing of its doves.
I see the white catalpa bend,  As when beneath thy whiter hand, The buds in snowy showers descend,
 To wreath for thy dark hair a band: And then I sigh to be on shore,  To linger languid at thy side,
I think that I will part no more  From thee, my own, my idol bride.
Oh, only those who part can know  How dear the love that absence brings;
O’er wind and wave my fancies go,  As if my very heart had wings:
And yet, when listless on the land,
 Impatient in my happiness,
I long again to grasp my brand,
 Again I long the deck to press.
I love to see my red flag sweep;  I love to see my sabre shine;
Almost as much I love the deep  As I love those sweet eyes of thine.
I bring thee treasures from afar;  For thy dear sake I sweep the sea;
But for the honour won in war,  I should be too unworthy thee.
# Letitia Elizabeth Landon (L. E. L.) in Fisher's Drawing Room Scrap Book, 1836/Scenes in London:—The City Church-Yard

46
SCENES IN LONDON.—THE CITY CHURCHYARD.
If there be one object more material, more revolting, more gloomy than another, it is a crowded churchyard in a city. It has neither sympathy nor memory. The pressed-down stones lie heavy upon the very heart. The sunshine cannot get at them for smoke. There is a crowd; and, like most crowds, there is no companionship. Sympathy is the softener of death, and memory of the loved and the lost is the earthly shadow of their immortality. But who turns aside amid those crowds that hurry through the thronged and noisy streets?—No one can love London better than I do; but never do I wish to be buried there. It is the best place in the world for a house, and the worst for a grave. An Irish patriot once candidly observed to me, "Give me London to live in; but let me die in green Ireland:"—now, this is precisely my opinion.
PRAY thee lay me not to rest  Among these mouldering bones; Too heavily the earth is prest  By all these crowded stones.
Life is too gay—life is too near—  With all its pomp and toil; I pray thee do not lay me here,  In such a world-struck soil.
The ceaseless roll of wheels would wake
The slumbers of the dead; I cannot bear for life to make  Its pathway o’er my head.
The flags around are cold and drear,  They stand apart, alone; And no one ever pauses here,  To sorrow for the gone.
No: lay me in the far green fields  The summer sunshine cheers; And where the early wild flower yields  The tribute of its tears.
Where shadows the sepulchral yew,  Where droops the willow tree; Where the long grass is filled with dew—  Oh! make such grave for me!
And passers-by, at evening’s close,  Will pause beside the grave, And moralize o’er the repose  They fear, and yet they crave.
# Life of William, Earl of Shelburne/Volume 2

Emery Walker, Ph. sc.
The Marquis of Lansdowne, K.G. from a mezzotint of the group with Lord Ashburton & Colonel Barré belonging to Lord Northbrook, painted by Sir Joshua Reynolds in 1787
LIFE OF WILLIAM EARL OF SHELBURNE
AFTERWARDS
FIRST MARQUESS OF LANSDOWNE
WITH EXTRACTS FROM HIS PAPERS AND CORRESPONDENCE
BY
LORD FITZMAURICE
(SECOND AND REVISED EDITION)
IN TWO VOLUMES VOL. II 1776–1805
MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1912
CONTENTS
CHAPTER I
The Death of Lord Chatham
1776–1779
CHAPTER II
Lord Shelburne and Lord North
1779–1780
CHAPTER III
Lord Shelburne and the King
1780–1782
CHAPTER IV
The First Negotiation in Paris
1782
CHAPTER V
The Administration of Lord Shelburne
1782
CHAPTER VI
The Second Negotiation in Paris
1782–1783
CHAPTER VII
The Coalition
1783
CHAPTER VIII
Lord Shelburne and Mr. Pitt
1783–1785
CHAPTER IX
Retirement
1785–1788
CHAPTER X
Lord Shelburne on Men and Things
CHAPTER XI
The French Revolution
1788–1793
CHAPTER XII
The New Whig Opposition
1793–1805
APPENDIX I
APPENDIX II
MAPS
PORTRAITS AND CARICATURES
# Life of William, Earl of Shelburne/Volume 2/Advertisements

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# Lichfield and Warwick

* "Lichfield and Warwick (A European Summer, II)" in The Nation (25 July 1872)
    — First publication in any form
* "Lichfield and Warwick" in Transatlantic Sketches (Boston: James R. Hopgood & Co., 1875): ?–?.
    — First American book edition
* "Lichfield and Warwick" in Foreign Parts (Leipzig: Bernhard Tauchnitz, 1883): ?–?.
    — First Continental book edition
* "Lichfield and Warwick" in English Hours (London: William Heinemann, 1905): 77–92.
    — First English book edition
* "Lichfield and Warwick" in English Hours (Boston: Houghton, Mifflin & Co., 1905): 77–92.
    — Second American book edition
* "Lichfield and Warwick" in English Hours (Cambridge: The Riverside Press, 1905): 77–92.
    — "Large Paper Edition" reprint of the second American book edition
# Lichter v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Concurring Opinions

    Murphy
    Jackson
United States Supreme Court
334 U.S. 742
Lichter v. United States
Argued: Nov. 20, 21, 1947. --- Decided: June 14, 1948
[Syllabus from pages 742-744 intentionally omitted]
Mr. Paul W. Steer, of Cincinnati, Ohio, for petitioners Lichter and others.
Mr. Leo R. Friedman, of San Francisco, Cal., for petitioners Pownall and others.
Mr. Edward C. Park, of Boston, Mass., for petitioner Alexander Wool Combing Co.
Mr. Philip B. Perlman, Sol. Gen., of Washington, D.C., for respondent.
Mr. Justice BURTON delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lichter v. United States/Concurrence Murphy

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinions Murphy Jackson
United States Supreme Court
334 U.S. 742
Lichter v. United States
Argued: Nov. 20, 21, 1947. --- Decided: June 14, 1948
Mr. Justice MURPHY concurs in the result in these cases.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Libya, Libya, Libya

* related portals: National anthems.
* sister projects: Wikipedia article, Wikidata item.
Libya, Libya, Libya (also known as Ya Beladi, "Oh my country!"), composed by Mohammed Abdel Wahab, is the national anthem of Libya. It was originally the national anthem from independence in 1951 until 1969 when King Idris I was overthrown by a Coup d'état led by Muammar Gaddafi. Gaddafi adopted the marching song Allahu Akbar as the national anthem of the newly proclaimed Libyan Arab Republic. In 2011 It was readopted as national anthem by the National Transitional Council.
    — Excerpted from Libya, Libya, Libya on Wikipedia, the free online encyclopedia.

## Lyrics

| Transliteration | Arabic | English |
| يا بلادي بجهادي وجلادي ادفعي كيد الأعادي و العوادي واسلمي اسلمي طول المدي إننا نحن الفدا ليبيا ليبيا ليبيا يا بلادي أنت ميراث الجدود لارعى الله يداً تمتد لك فاسلمي، إنا -على الدهر- جنود لا نبالي إن سلمت من هلك وخذي منا وثيقات العهود إننا يا ليبيا لن نخذلك لن نعود للقيود قد تحررنا وحررنا الوطن ليبيا ليبيا ليبيا جرّد الأجداد عزماً مرهفاً يوم ناداهم منادٍ للكفاح ثم ساروا يحملون المصحفا باليد الأولى، وبالأخرى سلاح فإذا في الكون دين وصفا وإذا العالم خير وصلاح فالخلود للجدود إنهم قد شرفوا هذا الوطن ليبيا ليبيا ليبيا يا ابن ليبيا، يا ابن آساد الشرى إننا للمجد والمجد والمجدُ لنا مذ سرونا حمد القوم السرى بارك الله لنا استقلالنا فابتغوا العلياء شأواً في الورى واستعدوا للوغى أشبالنا للغلاب يا شباب إنما الدنيا كفاح للوطن ليبيا ليبيا ليبيا | Ya Biladi Ya Biladi Bijihadi Wajiladi Idfa'i Kaydal A'adi Wal'awadi Waslami Islami Islami Islami Tulal Mada Innana Nahnul Fida Libya Libya Libya. Yabiladi Anti Mirathul Judud La Ra'allahu Yadan Tamtaddu Lak Faslami Inna 'Aladdahri Junud La Nubali In Salimti Man Halak Wakhudi Minna Wathiqatil 'Uhud Innana Ya Libya Lan Nakhdilak Lanna'ud Lil Quyud Qadd Taharrarna Waharrarnal Watan Libya Libya Libya. | Oh my country! Oh my country! With my struggle and my patience, Drive off enemies and mishaps, And survive! Survive! Survive! Survive all through; we are your ransom, Libya, Libya, Libya. Chorus: Oh my country! You are the heritage of grandfathers, May God cast off any hand that would harm you, Do survive! We are for ever your soldiers, If you survive we care not who perishes. To you we give solemn pledges, that we, Oh Libya, will never fail you. We will never go back to fetters, we have been liberated, and we have freed our home country, Libya, Libya, Libya. Chorus: Our grandfathers carried their swords when struggle called on them Carrying the holy Quran in a hand, and the swords in the other They fought till they spread religion, peace and prosperity all over the world Eternity for them They have built our integrity, Libya, Libya, Libya. Chorus: Oh the son of Libya, the son of lions We are for glory And glory is yours Since we began our struggle, all people were with us May god protect our independence Seek the ultimate heights And be ready for the struggle, our youth Life is a war for the glory of our home land Libya, Libya, Libya. |
# License Tax Cases

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
72 U.S. 462
License Tax Cases

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lichten v. Texas/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
United States Supreme Court
393 U.S. 86
Lichten v. Texas
The motion to dismiss is granted and the appeal is dismissed for want of a substantial federal question.
Mr. Justice HARLAN is of the opinion that probable jurisdiction should be noted and the case set for argument.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Life of an American Fireman

* related portals: Documentary film, Silent film.
* sister projects: Wikipedia article, Commons category, Wikidata item.
A 1903 American short silent film, one of the earliest American narrative films. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress.
Cast and Crew :
| Cast ||
| Role | Actor |
| | James White |
| Crew ||
| Production company | Edison Studios |
| Distributor | Edison Manufacturing Company |
| Director | Edwin Stanton Porter (d. 1941), George S. Fleming |
| Screenwriter | Edwin Stanton Porter |
| Cinematographer | Edwin Stanton Porter |
| Based on available information, the latest crew member that is relevant to international copyright laws died in 1941, meaning that this film may be in the public domain in countries and jurisdictions with 82 years p.m.a. or less, as well as in the United States. ||
FIRE ALARM TELEGRAPHY STATION F. D.N. Y. 383
TURN HANDLE TO RIGHT UNTIL DOOR OPENS, THEN PULL INSIDE HOOK ONCE ONLY AND SHUT THE DOOR
CHARLYMARRYBILLTOM
TRADE Thomas A. Edison MARK
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Life of William Blake (Gilchrist)

The first standard text on William Blake, also known as Gilchrist's Blake or Life of Blake, the authors and editors included Alexander Gilchrist, Anne Gilchrist, Dante Gabriel Rossetti and William Michael Rossetti.
* Life of William Blake (1863), 1st edition by Alexander Gilchrist
* Life of William Blake (1880), 2nd edition edited by Anne Gilchrist (Vol. I.) and Dante Gabriel Rossetti (Vol. II.)
# Life on a Rope

"Life on a Rope" is a poem written by American poet Peter Pestoni and published in 1983 by Savant, a not-for-profit literary publisher.
<poem> I am a prisoner of everyone's questions their laughter illuminates my mind in solid colors, freedom lives only in conversation, I fear in tight-rope walking I, alone, am i with no reasons and answers, and no name for the gamble of blood helpless, I step into the darkness not knowing what darkness hides.
This work is in the public domain worldwide because it has been so released by the author.
Public domainPublic domainfalsefalse
# Marrone v. Washington Jockey Club of the District of Columbia

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
227 U.S. 633
Marrone v. Washington Jockey Club of the District of Columbia
Argued: February 28, 1913. --- Decided: March 10, 1913
Messrs. Lorenzo A. Bailey and George A. Prevost for plaintiff in error.
[Argument of Counsel from pages 633-635 intentionally omitted]
Messrs. A. S. Worthington and Charles L. Frailey for defendants in error.
Mr. Justice Holmes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Marrow v. Brinkley

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
129 U.S. 178
Marrow v. Brinkley
W. H. Burroughs, for plaintiffs in error.
Richard Walke, for defendants in error.
FULLER, C. J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Mars

* Search for titles containing or beginning with: "Mars."
* sister projects: Wikipedia article, Commons category, travel guide, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Mars", a poem by Florence Earle Coates
* Mars, by Percival Lowell
* "Mars", a poem by Rose Haig Thomas
* "Mars (planet)," in Encyclopædia Britannica (11th ed., 1911)
# List of Carthusians, 1800–1879/1846

​ BRAMLEY.
BRAMLEY.
BRADFORD.
YOUNG.
HAWKINS.
BAYLIFF.
DAMER.
ESPINASSE.
PEARSE.
STONE.
DES VOEUX.
SMITH.
RICHARD.
SADLER.
NICHOLSON.
JONES.
WARD.
MURRAY.
FLOYD.
GIBBS.
CUPPAGE.
DRUMMOND.
BUTLER.
TURNER.
DOWBIGGIN.
KELLY.
HELME.
BOWEN.
CLARKE.
SUTHERLAND.
FISHER.
OSWALD.
IRVINE.
IRVINE.
# List of Carthusians, 1800–1879/1847

​ BORTHWICK.
HOPE.
PALMER.
COOK.
HILLS.
FIELDING.
COBBOLD.
BINGLEY.
SAUNDERS.
SAUNDERS.
TALBOT.
JELF.
LACY.
PRITCHARD.
SAUNDERS.
HUNTER.
BOSWORTH.
SANDHAM.
BINGLEY.
BOGER.
JAMES.
KING.
HEATH.
DOWNING.
PEARSON.
BONNEY.
SAUNDERS.
HALL.
BOGER.
LEWIN.
PEMBER.
# List of Carthusians, 1800–1879/1853

​ SHEPHERD.
WELCH.
WALFORD.
TAMPLIN.
LAW.
HAVERS.
STONE.
ORME.
WARDE.
WATERWORTH.
RODWELL.
STURGEON.
COLLYER.
LINDSAY.
TEULON.
SEYMOUR.
DANIELS.
INGE.
INGE.
ROBERTS.
TAYLOR.
WILMOT.
FAUSSETT.
READ.
BUTTER.
MACGREGOR.
PLUNKETT.
HALSEY.
THORP.
REEVE.
KENT.
DONNITHORNE.
GILBERT.
OSBORN.
FOWLE.
ELLIS.
FARROW.
CARTER.
FORSTER.
SEYMOUR.
BOWER.
LAWRELL.
TATE.
BARNARD.
WILSON.
# List of Carthusians, 1800–1879/1850

​ HARVEY.
CHAPMAN.
SAUNDERS.
SAMS.
SOLLY.
BULWER.
BROWNING.
BLOXAM.
BAKER.
CLINCH.
GRIGG.
KANE.
READE.
CEELY.
HODGSON.
PEMBER.
KING.
DOWNES.
FORSTER.
MACNAGHTEN.
MURRAY.
HOBART.
GIRDLESTONE.
TUCK.
BAYLIFF.
FORSTER.
SHORTT.
ESDAILE.
PHILLIPS.
FONBLANQUE
# List of Carthusians, 1800–1879/1851

​ PEILE.
SAUNDERS.
BAILEY.
RIDGEWAY.
HARDINGE.
MADDEN.
JACKSON.
CHURTON.
RAMSBOTHAM.
BADCOCK.
EVANS.
HUGHES.
LINDSAY.
NICHOLSON.
WALFORD.
HODGE.
JOHNSTON.
MAINWARING.
SAUNDERS.
SAMS.
CURTIS.
SARGEAUNT.
WHARTON.
CARPENTER.
CARTER.
BERRY.
PARNELL.
BULKELEY.
MANN.
BOVELL.
ESDAILE.
BARKER.
EVANS.
BIRCH.
LARCOM.
CUNINGHAM.
CAMPBELL.
PORTMAN.