OpenLLM-France/wikimedia huggingface dataset:
# The Survivors Speak/Introduction

Introduction
Before the Survivor-initiated court case that led to the creation of the Truth and Reconciliation Commission of Canada, the Canadian residential school story has largely been told, to the extent that it has been told at all, through the documents and reports of the people who organized and ran the system. These documents describe the goals and methods of the federal government that founded and funded the schools, and of the religious organizations that operated them. Their written records contain the rationales for continued residential school operation, as well as internal, and occasionally public, criticisms of the schools. These have provided the basis for valuable histories.
Over the past thirty years, a growing number of former students have published their memoirs. In addition, Aboriginal organizations and individual academics have conducted research, and, in some cases, compiled and published transcripts of interviews and writings by former students, often with a focus on a specific school.
The Truth and Reconciliation Commission of Canada was mandated "to receive statements and documents from former students, their families, community and all other interested participants" and to recognize "the unique experiences" of all former students.
Over 6,750 people have given recorded statements to the Truth and Reconciliation Commission of Canada. Most of these were given in private settings. Others were given at the national, regional, and community events; sharing circles; and hearings organized by the Commission. These private and public statements form a key part of the Commission's legacy.
The Commission recognizes that the essential voice of the former students must be given a central place in any history of the schools. Since statement gathering has been an ongoing process throughout the Commission's mandate, it has not been possible to undertake a complete assessment and analysis of all the statements. This volume is based on a survey of the statements gathered from all parts of the country between 2009 and 2014. Almost all the statements come from individuals who attended schools after 1940. The volume begins with the students' lives prior to attending residential school, and then describes their arrival at the schools, and their experiences studying, working, and living in the schools.
Commentary and interpretation have been kept to a minimum to allow the students to speak for themselves.
# The Survivors of the Chancellor

The Survivors of the Chancellor: Diary of J. R. Kazallon, Passenger (Le Chancellor: Journal du passager J.-R. Kazallon) is an 1875 novel written by Jules Verne about the final voyage of a British sailing vessel, the Chancellor, told from the perspective of one of its passengers (in the form of a diary).Warning: template has been deprecated.
This etext has been provided by Project Gutenberg.

### Table of Contents

* Chapter I: The Chancellor
* Chapter II: Crew and Passengers
* Chapter III: Bill of Lading
* Chapter IV: Something About My Fellow Passengers
* Chapter V: An Unusual Route
* Chapter VI: The Sargasso Sea
* Chapter VII: Voices in the Night
* Chapter VIII: Fire on Board
* Chapter IX: Curtis Explains the Situation
* Chapter X: Picrate of Potash on Board
* Chapter XI: The Passengers Discover Their Danger
* Chapter XII: Curtis Becomes Captain
* Chapter XIII: Between Fire and Water
* Chapter XIV: Breakers to Starboard!
* Chapter XV: Shipwrecked
* Chapter XVI: Silas Huntly Rescued from the Waves
* Chapter XVII: M. Letourneur is Pessimistic
* Chapter XVIII: We Explore the Reef
* Chapter XIX: The Cargo Unloaded
* Chapter XX: Examination of the Hold
* Chapter XXI: The Chancellor Released From Her Prison
* Chapter XXII: A New Danger
* Chapter XXIII: An Attempt at Mutiny
* Chapter XXIV: Curtis Resolves to Abandon the Ship
* Chapter XXV: While There's Life There's Hope
* Chapter XXVI: Mr. Kear Makes a Business Deal
* Chapter XXVII: The Whale-Boat Missing
* Chapter XXVIII: Mrs. Kear Succumbs to Fever
* Chapter XXIX: We Embark on the Raft
* Chapter XXX: Our Situation Critical
* Chapter XXXI: First Day on the Raft
* Chapter XXXII: We Catch a Supply of Fish
* Chapter XXXIII: Mutiny on the Raft
* Chapter XXXIV: A Squall
* Chapter XXXV: Two Sailors Washed Overboard
* Chapter XXXVI: We Lose Nearly All Our Provisions
* Chapter XXXVII: Lieutenant Walter's Condition
* Chapter XXXVIII: Mutiny Again
* Chapter XXXIX: A Father's Love
* Chapter XL: Death of Lieutenant Walter
* Chapter XLI: Human Flesh for Bait
* Chapter XLII: Oxide of Copper Poisoning
* Chapter XLIII: Owen's Death
* Chapter XLIV: The Depths of Despair
* Chapter XLV: Our Thirst Relieved
* Chapter XLVI: My Fast is Broken
* Chapter XLVII: Hobart Hangs Himself
* Chapter XLVIII: Hobart's Body Stolen
* Chapter XLIX: The Negro Becomes Insane
* Chapter L: All Hope Gone
* Chapter LI: Flaypole Becomes Delirious
* Chapter LII: I Decide to Commit Suicide
* Chapter LIII: We Decide to Draw Lots
* Chapter LIV: Miss Herbey Pleads for One Day More
* Chapter LV: Fresh Water
* Chapter LVI: Near the Coast of South America
* Chapter LVII: Land Ahoy!
# The Principles of Biology Vol. I/Chapter III.1

PART III.
THE EVOLUTION OF LIFE.
CHAPTER I.
PRELIMINARY.
§ 109. In the foregoing Part, we have contemplated the most important of the generalizations to which biologists have been led by observation of organisms; as well as some others which contemplation of the facts has suggested to me. These Inductions of Biology have also been severally glanced at on their deductive sides; for the purpose of noting the harmony existing between them and those primordial truths set forth in First Principles. Having thus studied the leading phenomena of life separately, we are prepared for studying them as an aggregate, with the view of arriving at the most general interpretation of them.
There is an ensemble of vital phenomena presented by each organism in the course of its growth, development, and decay; and there is an ensemble of vital phenomena presented by the organic world as a whole. Neither of these can be properly dealt with apart from the other. But the last of them may be separately treated more conveniently than the first. What interpretation we put on the facts of structure and function in each living body, depends entirely on our conception of the mode in which living bodies in general have originated. To form some conclusion respecting this mode—a provisional if not a permanent conclusion—must therefore be our first step.
We have to choose between two hypotheses—the hypothesis of Special Creation and the hypothesis of Evolution. ​Either the multitudinous kinds of organisms which now exist, and the far more multitudinous kinds which have existed during past geologic eras, have been from time to time separately made; or they have arisen by insensible steps, through actions such as we see habitually going on. Both hypotheses imply a Cause. The last, certainly as much as the first, recognizes this Cause as inscrutable. The point at issue is, how this inscrutable Cause has worked in the production of living forms. This point, if it is to be decided at all, is to be decided only by examination of evidence. Let us inquire which of these antagonist hypotheses is most congruous with established facts.
# The Ramayana/Book I/Canto XXVII: The Birth of Tádaká

When thus the sage without a peer Had closed that story strange to hear. Ráma again the saint addressed To set one lingering doubt at rest: 'O holy man, 'tis said by all That spirits' strength is weak and small: How can she match, of power so slight, A thousand elephants in might?' And Vis'vámitra thus replied To Raghu's son the glorified: 'Listen, and I will tell thee how She gained the strength that arms her now. A mighty spirit lived of yore; Suketu was the name he bore. Childless was he, and free from crime In rites austere he passed his time. The mighty Sire was pleased to show His favour, and a child bestow. Tádaká named, most fair to see. A pearl among the maids was she. And matched, for such was Brahmá's dower, A thousand elephants in power. Nor would the Eternal Sire, although The spirit longed, a son bestow. That maid in beauty's youthful pride Was given to Sunda for a bride. Her son, Máricha was his name, A giant, through a curse, became. She, widowed, dared with him molest
Agastya, of all saints the best. Inflamed with hunger's wildest rage, Roaring she rushed upon the sage. When the great hermit saw her near, On speeding in her fierce career, He thus pronounced Márícha's doom: 'A giant's form and shape assume.' And then, by mighty anger swayed, On Tádaká this curse he laid: 'Thy present form and semblance quit, And wear a shape thy mood to fit; Changed form and feature by my ban. A fearful thing that feeds on man.'
She, by his awful curse possessed, And mad with rage that fills her breast, Has on this land her fury dealt Where once the saint Agastya dwelt. Go, Ráma, smite this monster dead, The wicked plague, of power so dread, And further by this deed of thine, The good of Bráhmans and of kine, Thy hand alone can overthrow, In all the worlds, this impious foe. Nor let compassion lead thy mind To shrink from blood of womankind; A monarch's son must ever count The people's welfare paramount. And whether pain or joy he deal Dare all things for his subjects' weal; Yea, if the deed bring praise or guilt, If life be saved or blood be spilt: Such, through all time, should be the care Of those a kingdom's weight who bear. Slay, Ráma, slay this impious fiend, For by no law her life is screened. So Manthará, as bards have told, Virochan's child, was slain of old By Indra, when in furious hate She longed the earth to devastate. So Kávya's mother, Bhrigu's wife, Who loved her husband as her life, When Indra's throne she sought to gain, By Vishnu's hand of yore was slain. By these and high-souled kings beside, Struck down, have lawless women died.'
# The Ramayana/Book I/Canto XXIII: Vas'ishtha's Speech

While thus the hapless monarch spoke, Paternal love his utterance broke. Then words like these the saint returned. And fury in his bosom burned: 'Didst thou, O King, a promise make, And wishest now thy word to break? A son of Raghu's line should scorn To fail in faith, a man forsworn. But if thy soul can bear the shame I will return e'en as I came. Live with thy sons, and joy be thine, False scion of Kakutstha's line.'
As Vis'vámitra, mighty sage, Was moved with this tempestuous rage, Earth rocked and reeled throughout her frame, And fear upon the Immortals came. But Saint Vas'ishtha, wisest seer, Observant of his vows austere, Saw the whole world convulsed with dread, And thus unto the monarch said: 'Thou, born of old Ikshváku's seed, Art Justice' self in mortal weed. Constant and pious, blest by fate, The right thou must not violate. Thou, Raghu's son, so famous through The triple world as just and true, Perform thy bounden duty still, Nor stain thy race by deed of ill If thou have sworn and now refuse Thou must thy store of merit lose. Then, Monarch, let thy Ráma go, Nor fear for him the demon foe. The fiends shall have no power to hurt Him trained to war or inexpert, Nor vanquish him in battle field, For Kus'ik's son the youth will shield. He is incarnate Justice, he The best of men for bravery. Embodied love of penance drear, Among the wise without a peer.
Full well he knows, great Kus'ik's son, The arms celestial, every one, Arms from the Gods themselves concealed, Far less to other men revealed. These arms to him, when earth he swayed, Mighty Kris'ás'va, pleased, conveyed. Kris'ás'va's sons they are indeed, Brought forth by Daksha's lovely seed, Heralds of conquest, strong and bold, Brilliant, of semblance manifold. Jayá and Vijayá, most fair, And hundred splendid weapons bare. Of Jayá, glorious as the morn, First fifty noble sons were born. Boundless in size yet viewless too, They came the demons to subdue. And fifty children also came Of Vijayá the beauteous dame, Samháras named, of mighty force, Hard to assail or check in course. Of these the hermit knows the use, And weapons new can he produce. All these the mighty saint will yield To Ráma's hand, to own and wield; And armed with these, beyond a doubt Shall Ráma put those fiends to rout. For Ráma and the people's sake, For thine own good my counsel take, Nor seek, O King, with fond delay, The parting of thy son to stay,'
# The Tragedy of Romeo and Juliet (Dowden)/Act 3/Scene 4

SCENE IV. The Same. A room in Capulet's house.
Enter Capulet, Lady Capulet, and Paris.
| Cap. | Things have fall'n out, sir, so unluckily, That we have had no time to move our daughter: Look you, she loved her kinsman Tybalt dearly, And so did I: well, we were born to die. 'Tis very late, she'll not come down to-night:5 I promise you, but for your company, I would have been a-bed an hour ago. |
| Par. | These times of woe afford no time to woo. Madam, good night: commend me to your daughter. |
| Lady Cap. | I will, and know her mind early to-morrow;10 ​To-night she's mew'd up to her heaviness. |
| Cap. | Sir Paris, I will make a desperate tender Of my child's love: I think she will be ruled In all respects by me; nay more, I doubt it not.— Wife, go you to her ere you go to bed;15 Acquaint her here of my son Paris' love, And bid her, mark you me, on Wednesday next— But, soft! what day is this? |
| Par. | But, soft! what day is this? Monday, my lord. |
| Cap. | Monday! ha, ha! Well, Wednesday is too soon; O' Thursday let it be:—o' Thursday, tell her,20 She shall be married to this noble earl. Will you be ready? do you like this haste? We'll keep no great ado; a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly,25 Being our kinsman, if we revel much. Therefore we'll have some half a dozen friends, And there an end.—But what say you to Thursday? |
| Par. | My lord, I would that Thursday were to-morrow. |
| Cap. | Well, get you gone: o' Thursday be it then.—30 ​Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day.— Farewell, my lord.—Light to my chamber, ho! Afore me, it is so very very late, That we may call it early by and by:—35 Good night.[Exeunt. |
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Critical notes
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Explanatory notes
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# The Tragedy of Romeo and Juliet (Dowden)/Act 2/Scene 6

SCENE VI.—The Same. Friar Laurence's cell.
Enter Friar Laurence and Romeo.
| Fri. | So smile the heavens upon this holy act, That after-hours with sorrow chide us not! |
| Rom. | Amen, amen! but come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight.5 Do thou but close our hands with holy words, Then love-devouring death do what he dare, It is enough I may but call her mine. |
| Fri. | These violent delights have violent ends, And in their triumph die, like fire and powder,10 Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow.15 Enter Juliet. Here comes the lady: O, so light a foot ​Will ne'er wear out the everlasting flint. A lover may bestride the gossamer That idles in the wanton summer air, And yet not fall; so light is vanity.20 |
| Jul. | Good even to my ghostly confessor. |
| Fri. | Romeo shall thank thee, daughter, for us both. |
| Jul. | As much to him, else is his thanks too much. |
| Rom. | Ah, Juliet, if the measure of thy joy Be heap'd like mine, and that thy skill be more25 To blazon it, then sweeten with thy breath This neighbour air, and let rich music's tongue Unfold the imagined happiness that both Receive in either by this dear encounter. |
| Jul. | Conceit, more rich in matter than in words,30 Brags of his substance, not of ornament: They are but beggars that can count their worth; But my true love is grown to such excess I cannot sum up sum of half my wealth. |
| Fri. | Come, come with me, and we will make short work;35 For, by your leaves, you shall not stay alone Till holy church incorporate two in one.[Exeunt. |
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Critical notes
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Explanatory notes
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# The Tower (Yeats)/A Prayer for my Son

A PRAYER FOR MY SON
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tournament (Lanier)

* "The Tournament", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
* "The Tournament", in Southern Life in Southern Literature (1917), edited by Maurice Garland Fulton
# The Tower (Yeats)/All Souls' Night

ALL SOULS' NIGHT
AN EPILOGUE TO 'A VISION'
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tower (Yeats)/Among School Children

AMONG SCHOOL CHILDREN
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tower (Yeats)/From 'Oedipus at Colonus'

FROM 'OEDIPUS AT COLONUS'
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tower (Yeats)/Leda and the Swan

LEDA AND THE SWAN
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tournament

* Search for titles containing or beginning with: "The Tournament."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Tournament, a poem by Letitia Elizabeth Landon
* The Tournament, a poem by Sidney Lanier
# The Tower (Yeats)

Layout 2
THE TOWER
MACMILLAN AND CO., Limited
LONDON · BOMBAY · CALCUTTA · MADRAS MELBOURNE
THE MACMILLAN COMPANY
NEW YORK · BOSTON · CHICAGO DALLAS · SAN FRANCISCO
THE MACMILLAN CO. OF CANADA, Ltd.
TORONTO
THE TOWER
BY
W. B. YEATS
MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1928
COPYRIGHT
PRINTED IN GREAT BRITAIN
BY R. & R. CLARK, LIMITED, EDINBURGH
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tower (Yeats)/A Man Young and Old

A MAN YOUNG AND OLD
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Tower (Yeats)/Colonus' Praise

COLONUS' PRAISE (From 'Oedipus at Colonus')
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse