OpenLLM-France/wikimedia huggingface dataset:
# The Complete Poems of Paul Laurence Dunbar/In Summer Time

IN SUMMER TIME
When summer time has come, and all The world is in the magic thrall Of perfumed airs that lull each sense To fits of drowsy indolence; When skies are deepest blue above, And flow'rs aflush,—then most I love To start, while early dews are damp, And wend my way in woodland tramp Where forests rustle, tree on tree, And sing their silent songs to me; Where pathways meet and pathways part,— To walk with Nature heart by heart, Till wearied out at last I lie Where some sweet stream steals singing by A mossy bank; where violets vie In color with the summer sky,— Or take my rod and line and hook, And wander to some darkling brook, Where all day long the willows dream, And idly droop to kiss the stream, And there to loll from morn till night— Unheeding nibble, run, or bite— Just for the joy of being there And drinking in the summer air, The summer sounds, and summer sights, That set a restless mind to rights When grief and pain and raging doubt Of men and creeds have worn it out; The birds' song and the water's drone, The humming bees' low monotone, The murmur of the passing breeze, And all the sounds akin to these, That make a man in summer time ​Feel only fit for rest and rhyme. Joy springs all radiant in my breast; Though pauper poor, than king more blest, The tide beats in my soul so strong That happiness breaks forth in song, And rings aloud the welkin blue With all the songs I ever knew. O time of rapture! time of song! How swiftly glide thy days along Adown the current of the years, Above the rocks of grief and tears! 'Tis wealth enough of joy for me In summer time to simply be.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/In the Morning

'LIAS! 'Lias! Bless de Lawd! Don' you know de day's erbroad? Ef you don' git up, you scamp, Dey'll be trouble in dis camp. Tink I gwine to let you sleep W'ile I meks yo' boa'd an' keep? Dat's a putty howdy-do-- Don' you hyeah me, 'Lias --you?
Bet ef I come crost dis flo' You won' fin' no time to sno' Daylight all a-shinin' in W'ile you sleep --w'y hit's a sin! Aint de can'le-light enough To bu'n out widout a snuff, But you go de mo'nin' thoo Bu'nin' up de daylight too?
'Lias, don' you hyeah me call? No use tu'nin' to'ds de wall; I kin hyeah dat mattuss squeak; Don' you hyeah me w'en I speak? Dis hyeah clock done struck off six- Ca'line, bring me dem ah sticks! Oh, you down, suh; huh, you down-- Look hyeah, don' you daih to frown.
Ma'ch yo'se'f an wash yo' face, Don' you splattah all de place; I got somep'n else to do, 'Sides jes' cleanin' aftah you. Tek dat comb an' fix yo' haid!-- Looks jes' lak a feddah baid. Look hyeah, boy, I let you see You sha' n't roll yo' eyes at me.
Come hyeah; bring me dat ah strap! Boy, I'll whup you 'twell you drap; You done felt yo'se'f too strong, An' you sholy got me wrong. Set down at dat table thaih; Jes' you whimpah ef you daih! Evah mo'nin' on dis place, Seem lak I mus' lose my grace.
Fol' yo' han's an' bow yo' haid-- Wait ontwell de blessin' 's said; "Lawd, have mussy on ouah souls--" (Don' you daih to tech dem rolls--) "Bless de food we gwine to eat--" (You set still --I see yo' feet; You jes' try dat trick agin!) "Gin us peace an' joy. Amen!"
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/In Summer

IN SUMMER
Oh, summer has clothed the earth  In a cloak from the loom of the sun! And a mantle, too, of the skies' soft blue,  And a belt where the rivers run.
And now for the kiss of the wind,  And the touch of the air's soft hands, With the rest from strife and the heat of life,  With the freedom of lakes and lands.
I envy the farmer's boy  Who sings as he follows the plow; While the shining green of the young blades lean  To the breezes that cool his brow.
He sings to the dewy morn,  No thought of another's ear; But the song he sings is a chant for kings  And the whole wide world to hear.
He sings of the joys of life,  Of the pleasures of work and rest, From an o'erfull heart, without aim or art;  'T is a song of the merriest.
O ye who toil in the town,  And ye who moil in the mart, Hear the artless song, and your faith made strong  Shall renew your joy of heart.
Oh, poor were the worth of the world  If never a song were heard,— If the sting of grief had no relief,  And never a heart were stirred.
So, long as the streams run down,  And as long as the robins trill, Let us taunt old Care with a merry air,  And sing in the face of ill.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/Inspiration

INSPIRATION
At the golden gate of song Stood I, knocking all day long, But the Angel, calm and cold, Still refused and bade me, "Hold."
Then a breath of soft perfume, Then a light within the gloom; Thou, Love, camest to my side, And the gates flew open wide.
Long I dwelt in this domain, Knew no sorrow, grief, or pain; Now you bid me forth and free, Will you shut these gates on me?
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/Invitation to Love

COME when the nights are bright with stars  Or when the moon is mellow; Come when the sun his golden bars  Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene'er you may,  And you are welcome, welcome.
You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it rest As the bird flies home to its welcome nest.
Come when my heart is full of grief  Or when my heart is merry; Come with the falling of the leaf  Or with the redd'ning cherry. Come when the year's first blossom blows, Come when the summer gleams and glows, Come with the winter's drifting snows,  And you are welcome, welcome.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/In May

IN MAY
Oh to have you in May,  To talk with you under the trees, Dreaming throughout the day,  Drinking the wine-like breeze,
Oh it were sweet to think  That May should be ours again, Hoping it not, I shrink,  Out of the sight of men.
May brings the flowers to bloom,  It brings the green leaves to the tree, And the fatally sweet perfume,  Of what you once were to me.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Complete Poems of Paul Laurence Dunbar/In The Tents Of Akbar

IN THE TENTS OF AKBAR
In the tents of Akbar  Are dole and grief to-day, For the flower of all the Indies  Has gone the silent way.
In the tents of Akbar  Are emptiness and gloom, And where the dancers gather,  The silence of the tomb.
Across the yellow desert,  Across the burning sands, Old Akbar wanders madly,  And wrings his fevered hands.
And ever makes his moaning  To the unanswering sky, For Sutna, lovely Sutna,  Who was so fair to die.
For Sutna danced at morning,  And Sutna danced at eve; Her dusky eyes half hidden  Behind her silken sleeve.
Her pearly teeth out-glancing  Between her coral lips, The tremulous rhythm of passion  Marked by her quivering hips.
As lovely as a jewel  Of fire and dewdrop blent, So danced the maiden Sutna  In gallant Akbar's tent.
And one who saw her dancing,  Saw her bosom's fall and rise Put all his body's yearning  Into his lovelit eyes.
Then Akbar came and drove him—  A jackal—from his door, And bade him wander far and look  On Sutna's face no more.
Some day the sea disgorges,  The wilderness gives back, Those half-dead who have wandered,  Aimless, across its track.
And he returned—the lover,  Haggard of brow and spent; He found fair Sutna standing  Before her master's tent.
"Not mine, nor Akbar's, Sutna!"  He cried and closely pressed, And drove his craven dagger  Straight to the maiden's breast.
Oh, weep, oh, weep, for Sutna,  So young, so dear, so fair, Her face is gray and silent  Beneath her dusky hair.
And wail, oh, wail, for Akbar,  Who walks the desert sands, Crying aloud for Sutna,  Wringing his fevered hands.
In the tents of Akbar  The tears of sorrow run, But the corpse of Sutna's slayer,  Lies rotting in the sun.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Day came slow—till Five o'clock—

* "Day's Parlor" in Poems: Second Series (1891)
* "The day came slow, till five o'clock" in The Complete Poems of Emily Dickinson (1924)
# The Day of Atonement (Raphaelson)
## Adaptations

* The Jazz Singer (1925), the play adapted by Samson Raphaelson
* The Jazz Singer (1927), sound film adaptation of the play directed by Alan Crosland
# The Day of Uniting

* information about this edition.
* sister projects: Wikidata item.
   After what the great scientific Maggerson started in the life of the highly unscientific Jimmy Blake—to say nothing of what he did to the British government, it is hard to think of mathematics as necessarily dry.
The Day of Uniting
By Edgar Wallace Author of “Number Six and the Borgia,” “The Daffodil Enigma,” Etc.
What was the dread news which the great mathematician, Maggerson, so terrifiedly brought to the British prime minister at Downing Street, that day? Subsequent acts of the government leaders were certainly inexplicable enough—even to the point of tragedy. No one can keep you guessing about such a mystery longer than Mr. Wallace, and nobody knows better how to season suspense with such amusement as Mr. Ferdie Ponter supplied to a worried world as naturally as breathing. When you finish this tale, you will agree that you have had all that any one story can hold.
(A Complete Novel)
* Prologue $^{page}$ 1
* Chapter I 3
* Chapter II 6
* Chapter III 9
* Chapter IV 11
* Chapter V 13
* Chapter VI 15
* Chapter VII 19
* Chapter VIII 23
* Chapter IX 27
* Chapter X 30
* Chapter XI 33
* Chapter XII 35
* Chapter XIII 39
* Chapter XIV 41
* Chapter XV 45
* Chapter XVI 49
* Chapter XVII 53
* Chapter XVIII 56
* Chapter XIX 58
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1932, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 91 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Day of Atonement

* Search for titles containing or beginning with: "The Day of Atonement."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Day of Atonement" (1916), a short story by Vladimir Korolenko
* "The Day of Atonement" (1922), a short story by Samson Raphaelson
# The Eight Strokes of the Clock

1922
* Contents
* I. ON THE TOP OF THE TOWER
* II. THE WATER BOTTLE
* III. THE CASE OF JEAN LOUIS
* IV. THE TELL-TALE FILM
* V. THÉRÈSE AND GERMAINE
* VI. THE LADY WITH THE HATCHET
* VII. FOOTPRINTS IN THE SNOW
* VIII. AT THE SIGN OF MERCURY
AUTHOR'S NOTE
These adventures were told to me in the old days by Arsène Lupin, as though they had happened to a friend of his, named Prince Rénine. As for me, considering the way in which they were conducted, the actions, the behaviour and the very character of the hero, I find it very difficult not to identify the two friends as one and the same person. Arsène Lupin is gifted with a powerful imagination and is quite capable of attributing to himself adventures which are not his at all and of disowning those which are really his. The reader will judge for himself.
M. L.
# The Economic Consequences of the Peace

1919

### Contents

* Chapter 1: Introductory
* Chapter 2: Europe Before the War
* Chapter 3: The Conference
* Chapter 4: The Treaty
* Chapter 5: Reparations
* Chapter 6: Europe After the Treaty
* Chapter 7: Remedies
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1946, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 77 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Encyclopedia Americana (1920)/Baptistines

Edition of 1920. See also Baptistines on Wikipedia, and the disclaimer.
BAPTISTINES. (1) A religious order of women founded in 1744 in Genoa by Baptista Solimani. Their rule enjoined a strict fast throughout the entire year, the chanting of the office at midnight and conversation with friends or relatives restricted to three times during the year. (2) A congregation of secular priests founded in 1755 by Dominic Olivieri and placed under the jurisdiction of the Cardinal Prefect of the Propaganda by Pope Benedict XIV. The congregation ceased to exist at the end of the 18th century.
# The Encyclopedia Americana (1920)/Baptists, German Brethren

Edition of 1920. See also the disclaimer.
BAPTISTS, Gertnan Brethren. See German Baptist Brethren.
# The Encyclopedia Americana (1920)/Baptists, Old School

Edition of 1920. See also Primitive Baptists on Wikipedia, Wikisource's Baptists portal, and the disclaimer.
BAPTISTS, Old School or Primitive. This body split off from the other Baptist denominations about 1835, though they themselves claim to be the “original Baptists.” They are opposed to the strong Calvinistic tendencies exhibited by others of the Baptist denominations, and do not countenance paid ministers, and consequently they do not maintain theological seminaries, schools or colleges. They have gradually lost their hold in the Middle States, where education has spread, but they still hold their own in the mountainous regions of Georgia, Tennessee and North Carolina. In all they have nearly 3,000 churches and over 100,000 members.
# The Encyclopedia Americana (1920)/Baptist Church of Christ, The

Edition of 1920. See also Baptist Church of Christ on Wikipedia, Wikisource's Baptists portal, and the disclaimer.
BAPTIST CHURCH OF CHRIST, The, came into separate existence in Tennessee about the beginning of the 19th century as a
reaction against certain features of excessive Calvinism. General redemption and the perseverance of the saints form cardinal articles of their belief; and the washing of feet is by them practised as an ordinance. Congregations of the Baptist Church of Christ are found in Tennessee, their chief stronghold, Arkansas, Alabama, Mississippi, Missouri, North Carolina and Texas. In all there are about 150 churches with a total membership of over 8,000.
# The Encyclopedia Americana (1920)/Baptists, Seventh-Day

Edition of 1920. See also Seventh Day Baptists on Wikipedia, Wikisource's Baptists portal, and the disclaimer.
BAPTISTS, Seventh-Day, who hold that the command to observe the seventh day, the Jewish Sabbath, is incumbent upon all Christians as well as Jews, date the foundation of
their society back to 1676, when the first church of the denomination was opened in London by Francis Bampfield, prebendary of Exeter Cathedral. Since then various churches professing the same views as Bampfield have come into existence and several of them have disappeared. The original society is still active. The first church of the Seventh-Day Baptists was founded at Newport, R. I., in 1671 by Stephen Mumford. Although this latter is older than the English by a few years it does not appear that the one grew out of the other. The American society, which has its missionary headquarters at Westerly, R. I., is active in missionary work and maintains a publishing house at Plainfield. N. J.; an academy at Salem, W. Va., and two colleges, one at Milton, Wis., and the other at Alfred Centre, N. Y. The 96 churches and more than 8,000 members of the American society are scattered over 24 States.
# The Encyclopedia Americana (1920)/Baptist Young People's Union of America

Edition of 1920. See also Wikisource's Baptists portal, and the disclaimer.
BAPTIST YOUNG PEOPLE'S UNION OF AMERICA, an association representing many young people's societies connected with the Baptist churches in the United States and Canada, organized June 1891 in Chicago, which place has since been its headquarters. Upon the formation of the Union, as the withdrawal of the Baptist societies was feared by the Christian Endeavor societies, a plan of federation was adopted for the establishment of young people's societies over which no constitution should be required. Conventions are held yearly. Consult Bacon and Northrop, ‘Young People's Societies’ (New York 1900).
# The Encyclopedia Americana (1920)/Baptista, John

Edition of 1920. See also Baptista Mantuanus on Wikipedia, and the disclaimer.
BAPTISTA, John, Carmelite poet: b. Mantua 1448; d. 1516. His poetical writings were well known throughout Europe during his lifetime; their correctness of form and choice Latinity caused them to be used as texts in the schools. His greatest poem is ‘De Calamitate Temporum’ (‘On the Evils of the Day’), and is divided into three parts.
# The Encyclopedia Americana (1920)/Baptistery

Edition of 1920. See also Baptistery on Wikipedia, and the disclaimer.
BAPTISTERY, that part of the church, or a special building in which is administered the sacrament of baptism. In the earliest ages of Christianity the solemn administration of this sacrament was reserved to the bishop, and to the Episcopal church was generally annexed a special building called the baptistery. As the converts to Christianity increased, it became necessary to set aside for the baptismal ceremonies a small space within the main building of the various parish churches. The large baptisteries were generally circular or polygonal in form and were placed close to the cathedral church. Many were noted for their beautiful architectural forms. Northern Italy contains many fine examples, notably at Pisa, Parma, Florence, Cremona, Lucca, Siena, Bologna, Ascoli and elsewhere. Many of these are large buildings capable of holding great throngs of people. About the time of the Renaissance separate baptisteries ceased to be erected, baptismal fonts within the church taking their place.
# The Encyclopedia Americana (1920)/Baptists, Freewill

Edition of 1920. See also Free Will Baptist on Wikipedia, Wikisource's Baptists portal, and the disclaimer.
BAPTISTS, Freewill, originated in New Hampshire in 1780, as a strongly anti-Calvinistic body. Benjamin Randall, a Congregationalist, left that body and advocated open communion. He was influenced in this step by the prominence given by the Methodists to various of the ideas advocated by him. Randall's first Freewill Baptist Church was in New Durham, N. H. In 1841 the Free-Communion Baptists of New York State united with the Freewill Baptists. In 1870 the Freewill Baptists numbered about 60,000, and in 1895 over 86,000. For some years past they have been officially known as “Free Baptists.” In 1910 the Free Baptists and the Regular Baptists of the United States consolidated their missionary societies and work and made it possible for the local churches to unite, if they saw fit. In 1912 the Free Baptists had still 1,110 churches and over 65,000 adherents. The “Original Freewill Baptists,” a distinct organization, similar to the General Baptists of England, date their origin from 1729. In 1912 they had 834 churches and over 57,000 members,
# The Fairy (Blake, Notebook)

* information about this edition.
* sister projects: Wikidata item.
From Notebook, p. 105, reversed. See also Songs and Ballads

#### 1st reading:

The Fairy
"Come hither my sparrows,
"My little arrows.
"If a tear or a smile
"Will a man beguile,
"If an amorous delay
"Clouds a sunshiny day,
"If the [tread del.] step of a foot
"Smites the heart to its root,
"Tis the marriage ring
"Makes each fairy a king."
So a fairy sung.
From the leaves I sprung.
He leap'd from the spray
To flee away.
But in my hat caught
He soon shall be taught.
Let him laugh let him cry,
He's my butterfly;
For I've pull'd out the sting
[And del.] Of the marriage ring [(Is a foolish thing del.) Is a childs play thing del.]

#### 2nd reading:

The Fairy
Come hither my sparrows
My little arrows
If a tear or a smile
Will a man beguile
If an amorous delay Clouds a sunshiny day
If the step of a foot
Smites the heart to its root
Tis the marriage ring
Makes each fairy a king
So a fairy sung
From the leaves I sprung
He leapd from the spray
To flee away
But in my hat caught
He soon shall be taught
Let him laugh let him cry
Hes my butterfly
For I've pulld out the Sting
Of the marriage ring
________________________________________
* ↑ "Blake Complete Writings", ed. Geoffrey Keynes, pub. OUP 1966/85, p. 178.
* ↑ "The Complete Poetry & Prose of William Blake", ed. by David V. Erdman, Anchor Books, 1988, p. 475
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Fairies

* Search for titles containing or beginning with: "The Fairies."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Fairies," a poem by Dora Sigerson Shorter
* "The Fairies," Julian Fane's translation of the poem "Die Nixen" by Heinrich Heine
* "The Fairies," the story "Les fées" by Charles Perrault as translated by A. E. Johnson
* "The Fairies" a poem by William Allingham
# The Fairies (Shorter)

“The fairies, the fairies, the mischief-loving fairies…”
* Shorter, Dora Sigerson (1893), "The Fairies" in Verses
* Shorter, Dora Sigerson (1907), "The Fairies" in The Collected Poems of Dora Sigerson Shorter
# The Fairies' Song

Caroline era-poem.
* "The Fairies' Song," in Tixall Poetry (1813)
* "The Fairies' Song," in Fugitive Poetry. 1600–1878 (1878)
# The Fairy

English-language translations of Les Féees include:
* "Toads and Diamonds" Lang, Andrew (transl.). The Blue Fairy Book, 1889.
* "The Fairy" Welsh (transl.). The Tales of Mother Goose, 1901.
* "The Fairy" Samber, Mansion, Clarke. The fairy tales of Charles Perrault, 1922.
* "The Fairies". The fairy tales of Charles Perrault, 1977.
# The Encyclopedia Americana (1920)/Reform Judaism

Edition of 1920. See also the disclaimer.
REFORM JUDAISM. See Jews and Judaism — Reform Judaism.
# The Encyclopedia Americana (1920)/Reformed Church

Edition of 1920. See also the disclaimer.
REFORMED CHURCH. See Calvin, John; Calvinism; Reformed Church in America; Reformation.
# The Encyclopedia Americana (1920)/Reformatory Schools

Edition of 1920. See also Reform school on Wikipedia, and the disclaimer.
REFORMATORY SCHOOLS, schools instituted for the training of juvenile offenders who have been convicted of an offense punishable by imprisonment. The first reformatory managed under legislative control was the one established in New York in 1824, known as the New York House of Refuge. Its success was so marked that at present there are 56 institutions in the United States for the reformation of juvenile offenders. Among them are a number of admirably conducted establishments under the control of religious denominations, to which children are sent, according to the religious creed of their parents, when the same can be ascertained.