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# The Origin of the Knowledge of Right and Wrong

Vom Ursprung sittlicher Erkenntnis (1889)

## Book reviews

* Review by G. E. Moore in International Journal of Ethics (1903).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Original Fables of La Fontaine

CONTENTS
| | PAGE |
| The Two Mules | 13 |
| The Hare and the Partridge | 15 |
| The Gardener and His Landlord | 17 |
| The Man and His Image | 20 |
| The Animals Sick of the Plague | 22 |
| The Unhappily Married Man | 25 |
| The Rat retired from the World | 27 |
| The Maiden | 29 |
| The Wishes | 31 |
| The Dairy-Woman and the Pail of Milk | 34 |
| The Priest and the Corpse | 36 |
| The Man Who ran after Fortune and the Man who waited for Her in His Bed | 38 |
| An Animal in the Moon | 42 |
| The Fortune-Tellers | 44 |
| The Cobbler and the Financier | 47 |
| The Power of Fable | 50 |
| The Dog Who carried His Master's Dinner | 53 |
| Thyrsis and Amaranth | 54 |
| The Rat and the Elephant | 56 |
| The Horoscope | 57 |
| Jupiter and the Thunderbolts | 60 |
| Education | 63 |
| Democritus and the People of Abdera | 64 |
| The Acorn and the Pumpkin | 67 |
| The Schoolboy, the Pedant, and the Owner of a Garden | 69 |
| The Sculptor and the Statue of Jupiter | 71 |
| The Oyster and the Pleaders | 73 ​ |
| The Cat and the Fox | 75 |
| The Monkey and the Cat | 77 |
| The Two Rats, the Fox, and the Egg | 79 |
| The Dog with His Ears cropped | 86 |
| The Lioness and the She-Bear | 88 |
| The Rabbits | 90 |
| The Gods wishing to instruct a Son of Jupiter | 93 |
| The Lion, the Monkey, and the Two Asses | 95 |
| The Wolf and the Fox in the Well | 98 |
| The Mice and the Screech-Owl | 100 |
| The Companions of Ulysses | 102 |
| The Quarrel between the Dogs and the Cats and between the Cats and the Mice | 106 |
| The Wolf and the Fox | 109 |
| Love and Folly | 111 |
| The Forest and the Woodcutter | 113 |
| The Fox and the Young Turkeys | 115 |
| The Ape | 117 |
| The Scythian Philosopher | 118 |
| The Elephant and Jupiter's Ape | 120 |
| The League of Rats | 122 |
| The Arbiter, the Hospitaller, and the Hermit | 124 |
​The poet Jean de la Fontaine was born at Château-Thierry on July 8, 1621. He was a kindly, merry, and generous man and much beloved. His fables were written in verse and were published in three collections at different times of his life. Many were new versions of existing fables; but those of his later years were more often original inventions.
All in this book are of La Fontaine's own invention, although several have since appeared in collections of Æsop's fables without the acknowledgment that is La Fontaine's due.
He died on April 13, 1695, at the age of seventy-three.
LETCHWORTH
THE TEMPLE PRESS
PRINTERS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Original Fables of La Fontaine/An Animal in the Moon

XIII
AN ANIMAL IN THE MOON
(Book VII.—No. 18)
Whilst one philosopher tells us that men are constantly the dupes of their own senses, another will swear that the senses never deceive, Both are right. Philosophy truly affirms that the senses will deceive so long as men are content to take upon trust the evidence the senses bring. But if this evidence is weighed, measured, and tested by every available resource of science the senses can deceive no one.
In England, not long ago, when a large telescope was levelled to observe the moon, the observer was astounded to see what he took to be some new animal in this lovely planet. Everybody was excited about the marvellous appearance. Something had occurred up above there which, without doubt, must betoken great changes of some sort. Who could tell but that all the dreadful wars that were then convulsing Europe had not been caused by it? The king, who patronised the sciences, hastened to the observatory to see the sight, ​and see it he did. There was the monster right enough!
And what was it after all?—Nothing but a poor little mouse that had by some unlucky chance got in between the lenses of the telescope. Here was the cause of all the devastating wars! Everybody laughed. . . .
# The Original Fables of La Fontaine/Education

XXII
EDUCATION
(Book VIII.—No. 24)
Once upon a time there were two dogs, one named Lurcher and the other Cæsar. They were brothers; handsome, well-built, and plucky, and descended from dogs who were famous in their day. These two brothers, falling into the hands of different masters, found their destinies likewise in different spheres; for whilst one haunted the forests, the other lurched about a kitchen.
The names to which they now answered were not, however, the names that were first given them. The influence of each one's career upon his nature brought about a new name and a new reputation; for Cæsar's nature was improved and strengthened by the life he led, whilst Lurcher's was made more and more despicable by a degraded existence. A scullion named him Lurcher; but the other dog received his noble name on account of his life of high adventure. He had held many a stag at bay, killed many a hare, and otherwise risen to the position of a Cæsar among dogs. Care was taken that he should not mate indiscriminately, so that his descendants' blood should not degenerate. On the other hand, poor Lurcher bestowed his affections wherever he would and his brood became populous. ​He was the progenitor of all turn-spits in France; a variety which became common enough to form at last a race in themselves. They show more readiness to flee than to attack, and are the very antipodes of the Cæsars.
We do not always follow our ancestors, nor even resemble our fathers. Want of care, the flight of time, a thousand things, cause us to degenerate.
Ah! how many Cæsars, failing to cultivate their best nature and their gifts, become Lurchers!
# The Original Fables of La Fontaine/Jupiter and the Thunderbolts

XXI
JUPITER AND THE THUNDER-BOLTS
(Book VIII.—No. 20)
One day, as Jupiter seated on high looked down upon the world, he was incensed at the faults committed by mankind, "Let us" he said, "have some other occupants in the regions of the universe in place of these present inhabitants who importune and weary me. Go you to Hades, Mercury, and bring hither the cruellest of the furies. This time, O race that I have too tenderly nurtured, you shall perish."
After this outburst the temper of the god began to cool.
O ye sovereigns of this world, to whom it has been given to be the arbiters of our destinies, let a night ​intervene between your wrath and the storm which may follow!
Mercury, light of wing and sweet of tongue, descended to the abode of the dread sisters Tisiphone, Megæra, and Alecto, and his choice fell upon the latter, the pitiless one. She, feeling proud of the preference, grew so arrogant as to swear by Pluto that the whole of the human brood should soon people his domains. But Jupiter did not approve of the vow this member of the Eumenides had sworn, and he sent her back to Hades. At the same time he launched a thunderbolt upon one particularly perfidious race of men. This, however, being hurled by a father's arm, mercifully fell in a desert, causing less ruin than alarm. What followed from this was simply that the wicked brood took heart at such indulgence and did not trouble to mend their ways. Then all the gods in Olympus complained, until he who controls the clouds swore by the Styx that further storms should be sent and that they should not fail as the other had.
The Olympians only smiled at this. They told Jupiter that as he was the father it would be better if he left in other hands the making of thunderbolts. Vulcan undertook the task. Soon his furnaces glowed with bolts of two kinds; one that hits its mark with a deadly unerring—and that is the sort which any of the Olympian gods will hurl; whilst the other sort was that which becomes scattered on its course and does damage only to the mountain tops, or perchance is even lost on the way. It is this kind of thunderbolt that Jupiter sends. His fatherly heart permits him to use no other.
# The Oldest Known Writing in Siamese: The Inscription of Phra Ram Khamhæng of Sukhothai, 1293 A.D.

* related portals: History of Thailand.
* sister projects: Wikidata item.
Dissertation, transliteration, and translation of the Ram Khamhaeng Inscription, attributed to Ram Khamhaeng; published in Journal of the Siam Society. 6 (1).
THE OLDEST KNOWN WRITING IN SIAMESE
THE INSCRIPTION OF
Phra Ram Khamhæng of Sukhothai
1293 A.D.
BY
CORNELIUS BEACH BRADLEY, A.M.
Professor of Rhetoric in the University of California.
Bangkok
1909.
​THE author gratefully acknowledges his special indebted-to:—H. R. R. Prince Damrong Rajanubhab, Minister of the Interior, for permission to use the resources of the Vajirañana Library and to have free access to the Sŭkhothăi stone, and particularly for his invaluable personal assistance in the identification of places named in the text; to Oscar Frankfurter, Ph. D., Secretary of the National Library, for the generosity with which he has honored every draft made upon the stores of his learning and scholarship, and for his kindly interest, wise counsel, and unwearied helpfulness that have attended every stage of the work; to Phră Măha Wĭcha Thăm and Luang Chănthăramat, his learned assistants, for almost daily help rendered by them in all matters of Siamese philology and archeology; to Mr. R. W. Giblin, F.R.G.S. of the Royal Survey Department, for the reproductions of the text which accompany this paper; and in the North, to Chău Suriyawong of Chiengmai, to Phră Năphi Sipĭsankhŭn of Wat Chieng Măn, and, not least, to Rev. Daniel McGilvary, D.D., for elucidation of many difficult points involving special knowledge of the Lao country, customs, and speech.
* Bibliography
* The Oldest Known Writing in Siamese
* Translation
* Transliteration
* Notes
* Word-list
* Plates
First general meeting of the Siam Society
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Oldest Known Writing in Siamese: The Inscription of Phra Ram Khamhæng of Sukhothai, 1293 A.D./Bibliography

BIBLIOGRAPHY.
Bowring, Sir John : The Kingdom and People of Siam. London 1827. Vol. I. pp. 278—279. (A very brief notice accompanied by a specimen of the writing—an indifferent pen-sketch of the first few lines.)
Bastian, Dr. A. : Journal of the Royal Asiatic Society of Bengal. Vol. XXXIV. 1864. (The translation occupies pp. 7—12 of the reprint, which alone I have been able to see. It is really no translation, but a first sketch, in which the writer reports such impressions of the drift and import of the writing as he was able to get from Siamese sources.)
Schmitt, Père : Excursions et Reconnaissances, Vol. VIII. Saigon 1884. pp. 169—187, with 9 plates of the text—its first publication. (The text is neither a facsimile nor a tracing, nor a rendering of it by any method of accurate reproduction. What the author supposed to be found on the stone, and what he supplied from conjecture, are both set down alike in coarse black letters apparently drawn with a brush. Words still plainly to be read on the stone reappear strangely, or even absurdly, transformed. The translation, naturally repeats the errors of this transcript, with, of course, others of its own.)
Schmitt, Père : Deux Anciennes Inscriptions Siamoises transcrites et traduites par M. Schmitt. Saigon 1885. (A little booklet apparently made up of reprints of the article just named, and of another from Vol. VII. of the same series ).
Pavie Auguste : Mission Pavie, Indo-Chine, 1879—1895. Études Diverses II. Paris 1898. pp. 176—201. (Introductory Note, transliteration, translation, and text by the ​author of the two preceding studies. It is in fact another edition of them, revised and altered somewhat, and with the text now in photographic reproduction. But for the scholar, the value of this text is very seriously diminished by the fact that it has everywhere been retouched, and that too, it would seem, without reference to the original, but to some inaccurate transcript—apparently the one twice published before. Similar changes of the text appear, and nearly all the lacunæ are written in so as to appear as text. Transliteration and translation are, of course, no more authentic than the text on which they are based—if it be not rather sometimes the case that the interpretation has determined the text.)
——— ——— วจิรญาณ (Vajirañana Magazine, Vol. VI. pp. 3574—3577. Bangkok 1898. A short article embodying in a freely modernized version nearly the whole of the fourth face of the inscription, including the dates, the story of the origination of Siamese writing, and the boundaries of the realm.)
——— ——— เรื่อง เมือง สุโขไท (Bangkok 1908. A pamphlet of 22 pages, prepared and printed for H. R. H. the Crown Prince, containing two inscriptions from Sŭkhothăi and one from Khămphæng Phĕt. The first of these, the one with which we are here concerned, is the text in modern Siamese characters and spelling, with occasional substitution of modern words. Here also there is no indication of what portions are conjectural. But upon the whole, I find it the least inaccurate text so far produced.)
# The Oldest English Epic/Chapter 5

Chapter split into two sections:— Deor and Widsith
CHAPTER V
THE SINGER AND HIS LAY
IF the Beowulf and the Waldere were epic poems composed by that more deliberate process in vogue in the scriptorium, there are lays like the Hildebrand and Finnsburg, material of the epics, which seem to demand the living voice, the banquet in hall, the excited band of warriors who listen and shout applause to the singer. A minstrel of this type had in memory a store of favorite lays, old and new. He had, too, the technique of his art, and could on occasion improvise upon new material, using of course the traditional and conventional phrases which made a good half of all his songs. He was a striking figure. In two happy rescues from the wreckage of our old poetry, he not only tells the story of his life, but indicates the range of the material at his command.
* I. Deor
* II. Widsith
# The Religion of God

* related portals: Islam.
* sister projects: Wikidata item.
The Religion of God is a book of Riaz Ahmed Gohar Shahi on spiritualism. Originally this book was written in urdu. In this book Gohar Shahi posits the path to attain Divine Love of God. Messiah Foundation International also translated the book into English and republished it with Balboa Press however the material is copyrighted.

## Contents

* An introduction to this book
* Man from beginning to end
* The origin of man in the world
* The spiritual entity Nafs (self or ego)
* The spiritual entity Qalb
* The Human Soul
* The spiritual entity Sirri
* The spiritual entity Khaffi
* The spiritual entity Akhfa
* The spiritual entity Anna
* The word Allah
* The method of producing light
* Who is paradise for?
* An explanation
* Who is Piety for?
* Destiny
* The third category of the souls
* Think for a moment to which Adam do you belong?
* There is a difference between the angels and the Archangels
* In the study of spirituality the spiritual entity Qalb is of great importance
* The Religion of God
* The Religion of the Souls
* Some sayings of His Holiness Gohar Shahi
* Imam Mehdi will reform all religions
* The straight path (illuminated)
* A friend of God
* A revolutionary message from Gohar Shahi to all of humanity
* Important note
* Taryaak-e-Qalb
* A few experiences of loving souls
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# The Shepherd of the Hills/Chapter 42
### CHAPTER XLII. THE WAY OF THE LOWER TRAIL.

FIX—the—light, as it was—please? That's—it. Thank you, Doctor. How beautiful she is—how beautiful!" He seemed to gather strength, and looked carefully into the face of each member of the little group about the bed; the shepherd, Old Matt, Aunt Mollie, Pete, and the physician. Then he turned his eyes back to the painting. To the watchers, the girl in the picture, holding her brimming cup, seemed to smile back again.
"I loved her—I loved—her. She was my natural mate—my other self. I belonged to her—she to me. I—I can't tell you of that summer—when we were together—alone in the hills—the beautiful hills—away from the sham and the ugliness of the world that men have made. The beauty and inspiration of it all I put into my pictures, and I knew because of that they were good—I knew they would win a place for me—and—they did. Most of all—I put it there," (He pointed to the painting on the wall) "and the crowd saw it and felt it, and did not know what it was. But I knew—I knew—all the time, I ​knew. Oh!—if that short summer could have been lengthened—into years, what might I not have done? Oh, God! That men—can be—so blind—so blind!"
For a time he lay exhausted, his face still turned toward the picture, but with eyes closed as though he dreamed. Then suddenly, he started up again, raising himself on his elbows, his eyes opened wide, and on his face a look of wondering gladness. They drew near.
"Do—do—you—hear? She is calling—she is calling again. Yes—sweetheart—yes, dear. I—I am—com—"
Then, Old Matt and Aunt Mollie led the shepherd from the room.
And this way runs the trail that follows the lower level, where those who travel, as they go, look always over their shoulders with eyes of dread, and the gloomy shadows gather long before the day is done.
# The Privy Councillor (Chekhov)

English-language translations of Тайный советник include:
* The Privy Councillor, translated by Robert Edward Crozier Long in The Kiss and Other Stories, 1908
* The Privy Councillor, translated by Marian Fell
# The Prize

* Search for titles containing or beginning with: "The Prize."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Prize" by Josephine Dodge Daskam Bacon
* "The Prize" by Rafael Sabatini
# The Problem (Emerson)

I like a church; I like a cowl
* "The Problem", in Poems (1847)
* "The Problem", in Poems (Household Edition, 1904)
* "The Problem", in Poems That Every Child Should Know (1904), edited by Mary Elizabeth Burt
# The Problem

* Search for titles containing or beginning with: "The Problem."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Problem", a poem by Ralph Waldo Emerson
* "The Problem", a poem by John Greenleaf Whittier
# The Problem (Whittier)
## I.

NOT without envy Wealth at times must look On their brown strength who wield the reaping-hook And scythe, or at the forge-fire shape the plough Or the steel harness of the steeds of steam; All who, by skill and patience, anyhow Make service noble, and the earth redeem From savageness. By kingly accolade Than theirs was never worthier knighthood made. Well for them, if, while demagogues their vain And evil counsels proffer, they maintain Their honest manhood unseduced, and wage No war with Labor's right to Labor's gain Of sweet home-comfort, rest of hand and brain, And softer pillow for the head of Age.

## II.

And well for Gain if it ungrudging yields Labor its just demand; and well for Ease If in the uses of its own, it sees No wrong to him who tills its pleasant fields And spreads the table of its luxuries. The interests of the rich man and the poor Are one and same, inseparable evermore; And, when scant wage or labor fail to give Food, shelter, raiment, wherewithal to live, Need has its rights, necessity its claim. Yea, even self-wrought misery and shame Test well the charity suffering long and kind. The home-pressed question of the age can find No answer in the catch-words of the blind Leaders of blind. Solution there is none Save in the Golden Rule of Christ alone.
# The Rover Boys at School/front matter

BY THE SAME AUTHOR
THE ROVER BOYS ON THE RIVER;
    Or, The Search for the Missing Houseboat
THE ROVER BOYS IN CAMP;
    Or, The Rivals of Pine Island.
THE ROVER BOYS ON LAND AND SEA;
    Or, The Crusoes of Seven Islands.
THE ROVER BOYS IN THE MOUNTAINS;
    Or, A Hunt for Fun and Fortune.
THE ROVER BOYS ON THE GREAT LAKES;
    Or, The Secret of the Island Cave.
THE ROVER BOYS OUT WEST;
    Or, The Search for a Lost Mine.
THE ROVER BOYS IN THE JUNGLE;
    Or, Stirring Adventures In Africa.
THE ROVER BOYS ON THE OCEAN;
    Or, A Chase for a Fortune.
THE ROVER BOYS AT SCHOOL;
    Or, The Cadets of Putnam Hall.
12mo, finely illustrated and bound in cloth.
Price, per volume, 60 cents.
GROSSET & DUNLAP PUBLISHERS NEW YORK
Copyright, 1899, by
THE MERSHON COMPANY