OpenLLM-France/wikimedia huggingface dataset:
# The Presidents of the United States, 1789-1914/Volume I

See also the Preface.
From the painting by Gilbert Stuart in the Boston Athenæum
CONTENTS
| | PAGE |
| George Washington |
| By Robert C. Winthrop | 1 |
| John Adams |
| By John Fiske | 61 |
| Thomas Jefferson |
| By James Parton | 109 |
| James Madison |
| By John Fiske | 157 |
| James Monroe |
| By Daniel C. Gilman | 193 |
| John Quincy Adams |
| By John Fiske | 217 |
| Andrew Jackson |
| By John Fiske | 251 |
LIST OF ILLUSTRATIONS
GEORGE WASHINGTON
 From the painting by Gilbert Stuart in the Boston Athenæum
Frontispiece :
| Facing Page ||
| FAC-SIMILE OF THE LAST PAGE OF LETTER FROM GEORGE WASHINGTON TO JAMES MADISON | 30 |
| GEORGE WASHINGTON  From the painting, 1790, by John Trumbull, in the City Hall, New York 38 ||
| GEORGE WASHINGTON  Bust of the Statue by Houdon in the Capitol, Richmond, Va. 48 ||
| WASHINGTON'S HOME AT MOUNT VERNON | 58 |
| JOHN ADAMS  From the painting by Gilbert Stuart, now in the possession of his great-grandson 64 ||
| HOUSES AT BRAINTREE, MASS., IN WHICH JOHN ADAMS AND HIS SON WERE BORN | 74 |
| FAC-SIMILE LETTER FROM JOHN ADAMS TO JUDGE WILLIAM CRANCH | 96 |
| THOMAS JEFFERSON  From the painting by Mather Brown. Owned by Henry Adams, Washington, D. C. 112 ||
| MONTICELLO, NEAR CHARLOTTESVILLE, VA.; THE HOME OF THOMAS JEFFERSON  Now owned by Hon. Jefferson M. Levy, New York 128 ||
| FAC-SIMILE LETTER FROM THOMAS JEFFERSON TO MRS. MARGARET HARRISON SMITH | 144 |
| JAMES MADISON  From the painting by Gilbert Stuart. Owned by T. Jefferson Coolidge  160 ||
|- |FAC-SIMILE LETTER FROM JAMES MADISON TO MRS. MARGARET HARRISON SMITH |align="right" valign="bottom"| 178 |- |colspan="2"|
| MONTPELIER, PIEDMONT, VA., THE HOME OF JAMES MADISON  Now owned by Col. William Dupont | 182 |
|- |colspan="2"|
| JAMES MONROE  From the painting by John Vanderlyn in the City Hall, New York | 196 |
|- |FAC-SIMILE LETTER FROM JAMES MONROE TO THE GENERAL ASSEMBLY OF VIRGINIA |align="right" valign="bottom"|206 |- |colspan="2"|
| OAK HILL, NEAR LEESBURG, VA., THE HOME OF JAMES MONROE  Now owned by Mr. Henry Fairfax | 210 |
|- |colspan="2"|
| JOHN QUINCY ADAMS  From the painting by Edward Dalton Marchant in the N. Y. Historical Society | 220 |
|- |FAC-SIMILE LETTER FROM JOHN QUINCY ADAMS TO CHARLES FRANCIS ADAMS |align="right" valign="bottom"|226 |- |HOUSE AT QUINCY, MASS., IN WHICH THE TWO PRESIDENTS, JOHN ADAMS AND JOHN QUINCY ADAMS, LIVED |align="right" valign="bottom"|242 |- |colspan="2"|
| ANDREW JACKSON  From the painting by Thomas Ball | 254 |
|- |FAC-SIMILE LETTER FROM ANDREW JACKSON TO JAMES KNOX POLK |align="right" valign="bottom"|274 |- |THE HERMITAGE, NEAR NASHVILLE, TENN., THE HOME OF ANDREW JACKSON |align="right" valign="bottom"|304 |- |colspan="2"|
| PORTRAITS OF THE LADIES OF THE WHITE HOUSE FROM 1789 TO 1837 | End of Volume |
THE PRESIDENTS OF THE UNITED STATES
1789-1914
BY
JOHN FISKE, CARL SCHURZ, ROBERT C. WINTHROP, GEORGE TICKNOR CURTIS, GEORGE BANCROFT, JOHN HAY, AND MANY OTHERS
EDITED BY
JAMES GRANT WILSON
ILLUSTRATED
Volume I
NEW YORK CHARLES SCRIBNER'S SONS
1914
# The Presidents of the United States, 1789-1914/Volume II

From a photograph by Gardner.
CONTENTS
| | PAGE |
| Martin Van Buren |
| By James C. Welling | 1 |
| William Henry Harrison |
| By Arthur E. Bostwick | 29 |
| John Tyler |
| By John Fiske | 49 |
| James K. Polk |
| By George Bancroft | 89 |
| Zachary Taylor |
| By Jefferson Davis | 121 |
| Millard Fillmore |
| By James Grant Wilson | 145 |
| Franklin Pierce |
| By Bainbridge Wadleigh | 175 |
| James Buchanan |
| By George Ticknor Curtis | 203 |
| Abraham Lincoln |
| By John Hay | 245 |
LIST OF ILLUSTRATIONS
ABRAHAM LINCOLN
 From a photograph by Gardner
Frontispiece :
| Facing Page ||
| MARTIN VAN BUREN  From a photograph by Brady, Washington, D. C. 4 ||
| FAC-SIMILE LETTER FROM MARTIN VAN BUREN TO FITZ-GREENE HALLECK | 18 |
| LINDENWALD, KINDERHOOK, N. Y., THE HOME OF MARTIN VAN BUREN | 24 |
| WILLIAM HENRY HARRISON  From a portrait in the possession of Bettie Harrison Eaton, North Bend, Ohio 32 ||
| FAC-SIMILE LETTER FROM WILLIAM HENRY HARRISON TO DAVID K. ESTE | 40 |
| JOHN TYLER  From a photograph by Brady, Washington, D. C. 52 ||
| SHERWOOD FOREST, GREENE CO., VA., THE HOME OF JOHN TYLER | 64 |
| FAC-SIMILE OF LAST PAGE OF LETTER FROM JOHN TYLER TO DAVID S. GARDINER | 80 |
| JAMES K. POLK  From a photograph by Brady, Washington, D. C. 92 FAC-SIMILE OF LAST PAGE OF LETTER FROM JAMES KNOX POLK TO MRS. SARAH C. POLK 102 POLK PLACE, NASHVILLE, TENN., THE HOME AND TOMB OF JAMES K. POLK 106 ZACHARY TAYLOR  From a photograph by Brady, Washington, D. C. 124 FAC-SIMILE OF LAST PAGE OF LETTER FROM ZACHARY TAYLOR TO JOHN J. CRITTENDEN  134 ||
| HOME OF ZACHARY TAYLOR, NEAR LOUISVILLE, KY. | 138 |
| MILLARD FILLMORE  From a photograph by Baker, Buffalo, N. Y 148 ||
| FAC-SIMILE LETTER FROM MILLARD FILLMORE TO JAMES GRANT WILSON | 164 |
| HOME OF MILLARD FILLMORE, NIAGARA SQUARE, BUFFALO, N. Y., AS IT APPEARS AT THE PRESENT TIME | 170 |
| FRANKLIN PIERCE  From a painting by G. P. A. Healy in the Corcoran Gallery, Washington, D. C 178 ||
| BIRTHPLACE OF FRANKLIN PIERCE, AT HILLSBOROUGH, N. H. | 182 |
| FAC-SIMILE LETTER FROM FRANKLIN PIERCE TO WILLIAM L. MARCY | 188 |
| JAMES BUCHANAN  From a photograph by Brady, Washington, D. C. 206 ||
| WHEATLAND, NEAR LANCASTER, PA., THE HOME OF JAMES BUCHANAN | 222 |
| FAC-SIMILE LETTER FROM JAMES BUCHANAN TO AARON V. BROWN | 238 |
| STATUE OF ABRAHAM LINCOLN IN JACKSON PARK, CHICAGO, ILL.  Augustus Saint-Gaudens, Sculptor 248 ||
| HOME OF ABRAHAM LINCOLN, SPRINGFIELD, ILL. | 252 |
| FAC-SIMILE OF THE ADDRESS DELIVERED BY ABRAHAM LINCOLN AT THE DEDICATION OF THE NATIONAL CEMETERY AT GETTYSBURG | 280 |
| FAC-SIMILE LETTER FROM ABRAHAM LINCOLN TO JOHN S. STUART | 288 |
| THE PROPOSED LINCOLN MEMORIAL, WASHINGTON, D. C. EASTERN FACADE FACING WASHINGTON MONUMENT  Henry Bacon, Architect 300 ||
| PORTRAITS OF THE LADIES OF THE WHITE HOUSE FROM 1837 TO 1865  End of Volume ||
THE PRESIDENTS OF THE UNITED STATES
1789-1914
BY
JOHN FISKE, CARL SCHURZ, ROBERT C. WINTHROP, GEORGE TICKNOR CURTIS, GEORGE BANCROFT, JOHN HAY, AND MANY OTHERS
EDITED BY
JAMES GRANT WILSON
ILLUSTRATED
Volume II
NEW YORK CHARLES SCRIBNER'S SONS
1914
# The Saturday Evening Post/No Mean City

* information about this edition.
* sister projects: Wikidata item.
As serialized in The Saturday Evening Post, 1919, May 17 & 24.
NO MEAN CITY
By Eugene Manlove Rhodes
ILLUSTRATED BY CLARK FAY
* Part I
* Part II
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1934, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 89 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Roman Index of Forbidden Books (Betten)/Section I/Chapter 2

2. The Power of the Church.
That the Church has the right to legislate on the publication and use of all books that touch on questions of faith and morals, must be evident to every Catholic. It is ​a truth clearly contained in the words of Christ to St. Peter: "Feed my lambs, feed my sheep," and in the duty imposed on the Apostles of "teaching the faithful to observe all, whatsoever I have commanded you."
The fact that general councils as well as many popes have issued laws and decrees regarding books, is sufficient evidence of their power and of their commission to do this. This very fact must also convince us that the observation of these laws must be salutary and conducive to the welfare of the Church at large and of the individual Christian.
The inventions, discoveries and progress of our times can introduce no change in this respect. The human mind is still as prone to err and as much subject to the persuasive influence of books as it ever was. Good books are as useful to-day as they were in olden times, and objectionable writings have the same deplorable effects they had a thousand years ago.
Nor can the Church, possessing the power to watch over our reading, neglect ​to make use of this power when the salvation of souls calls for its exercise. Bad literature is one of the worst enemies of mankind. The Church can never allow it to corrupt the hearts of her children or to undermine the foundation of their faith, without at least raising a warning voice.
How great are the precautions the civil authorities take in case of an epidemic; yet, no matter how seriously the precautions hamper traffic and trade, we find them reasonable. We should even censure our executive and legislative officers if they omitted to take proper precautions. But, says Pope Leo, in the Constitution Officiorum ac munerum, nothing can be conceived more pernicious, more apt to defile souls than uncurbed license in the writing and disseminating of bad books. "Therefore," he continues, "the Church, whose office it is to watch over the integrity of faith and morals, has ever striven, as far as in her power lay, to restrain the faithful from the reading of bad books as from a deadly poison."
# The Roman Index of Forbidden Books (Betten)/Section I/Chapter 4

4. The Roman Index.
More than thirty years after the first index of Henry VIII had appeared, the first Roman Index of Forbidden Books was compiled and issued by Paul IV, 1559, It remained in force only a few years, till 1564, when the so-called Tridentine Index was published under Pius IV. It was called "Tridentine," because it had been drawn up by a commission appointed for this purpose by the Council of Trent. It was milder than the Index of Paul IV, and contained divers "Index rules," the forerunners of the general decrees embodied in the Constitution "Officiorum ac munerum."
The Tridentine Index remained the Roman Index for more than three hundred ​years. Its "rules" were occasionally modified, new regulations were added or old ones abrogated, other books were inserted in the catalogue; but the essential features remained the same.
In 1897, Leo XIII took the matter up again. The index of forbidden books was thoroughly revised. About a thousand titles were dropped. The "rules," too, were revised, "to make them milder, without altering their nature, so that it cannot be difficult or irksome for any person of good will to obey them."
This, then, represents the whole book legislation of the Church. There are no other documents, except the decrees by which, as occasion demanded, individual books were forbidden. The encyclical of Pius X on Modernism merely enjoins on the bishops special vigilance in regard to publications infected with modernistic views.
This universal legislation, however, does not preclude the local prohibition of books by bishops or other ecclesiastical authorities. Thus Spain had, until 1820, its own ​Index, controlled by the Spanish Inquisition.
# The Roman Index of Forbidden Books (Betten)/Appendix

LITERARY GUIDE BOOKS
FOR BOOKLOVERS AND STUDENTS
# The Romance of Isabel, Lady Burton/Book 3

BOOK III
WIDOWED
(1890—1896)
"El Maraa min ghayr Zaujuhá mislahá tayarán maksús el Jenáhh"
("The woman without her husband is like a bird with one wing")
* CHAPTER I: THE TRUTH ABOUT "THE SCENTED GARDEN"
* CHAPTER II: THE RETURN TO ENGLAND
* CHAPTER III: THE TINKLING OF THE CAMELS BELL
# The Realm of Ends or Pluralism and Theism

Index page: The Realm of Ends or Pluralism and Theism (1911).djvu
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
THE REALM OF ENDS OR PLURALISM AND THEISM
THE GIFFORD LECTURES DELIVERED IN THE UNIVERSITY OF St ANDREWS IN THE YEARS 1907-10
BY
JAMES WARD,
SC.D (CAMB.), HON. LL.D. (EDIN.), HON. D.SC. (OXON.), FELLOW OF THE BRITISH ACADEMY AND OF THE NEW YORK ACADEMY OF SCIENCES, PROFESSOR OF MENTAL PHILOSOPHY, CAMBRIDGE
SECOND EDITION
Cambridge:
at the University Press
1912
          All tended to mankind,
    And man produced, all has its end thus far:
    But in completed man begins anew
    A tendency to God.
Browning.
Aber die erkannten thatsächlichen Verhältnisse können allein unsere Gedanken nach diesem Mittelpunkte der Welt wenigstens convergiren machen.
Lotze.
Contents
Preface
    Part 1: Pluralism
Lecture I: Introductory
Lecture II: The One and the Many
Lecture III: Pluralism
Lecture IV: The Contingency in the World
Lecture V: Evolution as Epigenesis and Equilibration
Lecture VI: The Pluralistic Goal
Lecture VII: The Pluralism of Hegel
Lecture VIII: The Hegelian Unity
Lecture IX: The Limits of Pluralism
Lecture X: The Difficulties of Pluralism
    Part 2: Theism
Lecture XI: The Idea of Creation
Lecture XII: The Cosmology of Theism
Lecture XIII: Freedom
Lecture XIV: Freedom and Foreknowledge
Lecture XV: The Problem of Evil and Pessimism
Lecture XVI: The Problem of Evil and Optimism
Lecture XVII: Moral Evil and Moral Order
Lecture XVIII: Theories of a Future Life
Lecture XIX: Faith and Knowledge
Lecture XX: The Realm of Ends
Supplementary Notes
# The Sexual Instinct and its Morbid Manifestations from the Double Standpoint of Jurisprudence and Psychiatry

* related portals: Sexuality.
* sister projects: Wikidata item.
       Preface
       Introduction
       General Consideration
* Group A. Perversion of the Genesic Instinct Based on Hereditary Infirmity
* Group B. Acquired Genesic Perversion
* Group C. Complex Forms of Genesic Perversion
       List of Mr. Charles Carrington's Recent Publications
       Bibliography
       Index
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Red Pirogue

Leaving old friends in the lurch wasn't a vice of this old Canadian farming family of O'Dells, and in the end Dick Sherwood found that young Ben O'Dell was very much his father's son.
The Red Pirogue
By Theodore Goodridge Roberts
Author of “Musket House,” “Standing the Gaff,” etc.
Dick Sherwood's besetting sin had clouded his life and at last irrevocable tragedy drew very near. It is good to read of what these sturdy, North-woods folk did about it—Ben O'Dell, Uncle Jim McAllister, plucky Mrs. O'Dell and the others. By no means forgetting Sherwood's little daughter, Marion—little but oh, my! As always, Mr. Roberts has written a clean, virile tale of his own Northland.
(A Complete Novel)
* 01. a queer fish, 1
* 02. the drifting fire, 6
* 03. the strange behavior of dogs and men, 11
* 04. obstructing the law, 15
* 05. visitors to french river, 20
* 06. hot scent and wet trail, 24
* 07. a trip for the hungry, 28
* 08. the red dogs at work, 33
* 09. the sick man, 38
* 10. in the nick of time, 43
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1953, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 70 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Story of Little Black Sambo

First published by Grant Richards in October 1899 as one in a series of small-format books called "The Dumpy Books for Children". The story was a children's favorite for more than half a century but would become a victim of allegations of racism in the mid-20th century.
* The Story of Little Black Sambo, illustrated by John Rea Neill (1908). (transcription project)
* The Story of Little Black Sambo, illustrated by Florence White Williams (1918).
* The Story of Little Black Sambo, illustrated by the author (1923). (start transcription)
# The Sport of the Gods

Layout 2
THE SPORT OF THE GODS
THE SPORT of THE GODS
By PAUL LAURENCE DUNBAR Author of "Lyrics of Lowly Life," "Poems of Cabin and Field," "Candle-Lightin' Time," "The Fanatics," etc.
NEW YORK · DODD, MEAD AND COMPANY · MDCCCCII
Copyright, 1901
By J. B. Lippincott Company
Copyright, 1902
By Dodd, Mead and Company
First edition published April, 1902
UNIVERSITY PRESS · JOHN WILSON AND SON · CAMBRIDGE, U.S.A.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Sodger Laddie

* Search for titles containing or beginning with: "The Sodger Laddie."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Sodger Laddie", song by Robert Burns, from The Jolly Beggars (I once was a maid, though I cannot tell when)
* "The Soger Laddie", song by Allan Ramsay (My soger laddie is over the sea)
# The Soft Side

The Soft Side is a 1900 book of short stories by Henry James.
* The Soft Side (London: Methuen & Co., 1900)
    — The first English edition; published 30 August 1900
* The Soft Side (New York: The Macmillan Company, 1900)
    — The first American edition; published September 1900
# The Soft Side (New York: The Macmillan Company, 1900)

First American edition. Copyright deposited 23 August 1900, published late September 1900. First and only printing consisted of 2800 copies. Sold at $1.50.
THE SOFT SIDE
BY
HENRY JAMES
AUTHOR OF "THE OTHER HOUSE," "THE TWO MAGICS," ETC.
New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO., Ltd.
1900
All rights reserved
Copyright, 1900, By THE MACMILLAN COMPANY.
Norwood Press
J. S. Cushing & Co.—Berwick & Smith
Norwood Mass. U.S.A.
CONTENTS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Riverside song book/The Old Oaken Bucket

Layout 2
THE OLD OAKEN BUCKET.
Samuel Woodworth. G. Kiallmark.
(Air: Araby's Daughter.)
How dear to this heart are the scenes of my child-hood, When
The or - chard, the mead - ow, the deep - tan - gled wild- wood, And
d.c. The old oak - en buck - et — the i - ron - bound buck - et—The
Fine
fond rec - ol - lec - tion pre - sents them to view!
ev - 'ry loved spot which my in - fan - cy knew;
moss - cov - ered buck - et which hung in the well.
The wide-spread-ing pond, and the mill that stood by it— The
The cot of my fath - er, the dai - ry - house nigh it, And
D.C.
bridge and the rock where the cat - a - ract fell—
e'en the rude buck - et which hung in the well.
D.C.
2. That moss-covered vessel I hail as a treasure—
 For often, at noon, when returned from the field,
 I found it the source of an exquisite pleasure,
 The purest and sweetest that nature can yield;
 How ardent I seized it, with hands that were glowing,
 And quick to the white-pebbled bottom it fell—
 Then soon, with the emblem of truth overflowing.
 And dripping with coolness, it rose from the well—
 The old oaken bucket — the iron-bound bucket—
 The moss-covered bucket arose from the well.
3. How sweet from the green mossy brim to receive it,
 As poised on the curb, it inclined to my lips!
 Not a full-blushing goblet could tempt me to leave it,
 Though filled with the nectar that Jupiter sips.
 And now, far removed from the loved habitation.
 The tear of regret will intrusively swell,
 As fancy reverts to my father's plantation.
 And sighs for the bucket, which hangs in the well—
 The old oaken bucket — the iron-bound bucket—
 The moss-covered bucket which hangs in the well.
# The Riverside song book/The Indian Girls Lament

Layout 2
THE INDIAN GIRL'S LAMENT.
William Cullen Bryant. Arr. from Felix Mendelssohn-Bartholdy.
Andante.
1. An In - dian girl was sit - ting where Her lov - er, slain in
2. '"Twas I the broid-ered moc - sen made, That shod thee for that
3. With wam - pum belts I cross'd thy breast, And wrapped thee in the
4. Thou'rt hap - py now, for thou hast passed The long dark jour - ney
5. Yet, oft to thine own In - dian maid Even there thy thoughts will
bat - tle, slept; Her maid - en veil, her own black hair. Came
dis - tant land; ’Twas I thy bow and ar - rows laid Be -
bi - son's hide, And laid the food that pleased thee best In
of the grave, And in the land of light at last, Hast
earth-ward stray— To her who sits where though wert laid, And
down o'er eyes, o'er eyes that wept; And wild - ly, in her
side thy still, thy still cold hand; Thy bow in many a
plen - ty, plen - ty by thy side; And decked thee brave-ly
joined the good, the good and brave A - mid the flushed and
weeps the hours, the hours a - way. Yet al - most can her
This sad and simp - ple lay she sung. . . . .
Thy ar - rows nev - er vain - ly sent. . . . .
A war - rior of il - lus - trious name. . . . .
The brav - est and the love - liest there. . . . .
To think that thou dost love her yet. . . . .
wood-land tongue, This sand and sim-ple, sim-ple lay she sung:
bat - tle bent, Thy ar - rows nev-er vain - ly sent.
as be-came A war-rior, war-rior of il - lus - trious name.
balm-y air, The bravest, bravest and the love - liest there.
grief forget, To think that though, that thou dost lover her yet."
# The Riverside song book/The Light that is felt

Layout 2
THE LIGHT THAT IS FELT.
John Greenleaf Whittier. Albert Gotlieb Methfessel.
Tenderly.
1. A ten - der child of summers three. Seeking her lit - tle
2. We old - er chil - dren grope our way From dark be - hind to
3. Reach downward to the sun - less days Wherein our guides are
Tenderly.
bed at night, Paused on the dark stair tim - id - ly, "O
dark be - fore; And on - ly when our hands we lay, Dear
blind as we, And faith is small and hope de - lays; Take
moth - er! take my hand" said she, "And then the dark will
Lord, in Thine, the night is day, And there is dark - ness
Thou the hand of prayer we raise. And let us feel the ​ all be light, And then the dark will all be light."
nev - er- more, And there is dark - ness nev - er more.
light of Thee, And let us feel the light of Thee.
# The Riverside song book/The Humble-Bee

Layout 2
THE HUMBLE-BEE.
Ralph Waldo Emerson. German Air.
1. Bur - ly, doz - ing hum - ble - bee, Where thou art is
2. When the south wind, in May days, With a net of
3. Hot mid - sum - mer's pet - ted crone, Sweet to me thy
4. Wis - er far than hu - man seer. Yel - low - breeched phil-
clime for me. Let them sail for Por - to Rique,
shin - ing haze Sil - vers the hor-i - zon wall,
drow - sy tone Tells of count-less sun - ny hours,
os - o - pher! See - ing on - ly what is fair,
Far - off heats through seas to seek; I will fol - low
And with soft - ness touch- es all. Thou, in sun - ny
Long days, sol - id banks of flowers; Aught un - sav - 'ry
Thou dost mock at fate and care; When the fierce north -
thee a - lone. Thou an - i - mat - ed tor - rid zone!
sol - i - tudes, Ro - ver of the un - der - woods,
or un - clean Hath my in - sect nev - er seen;
west - ern blast Cools sea and land so far and fast,
Let me chase thy wav - ing lines, Sing - ing o - ver shrubs and vines.
The green si - lence dost dis - place With thy mel-low breezy bass.
Clov-er, catch-fly, ad - der's tongue, Bri - er ro - ses, dwelt a - mong.
Thou al - read-y slum-b'rest deep; Woe and want thou canst out-sleep.