OpenLLM-France/wikimedia huggingface dataset:
# The Philosophical Review/Volume 1/Review: Paszkowski - Die Bedeutung der theologischen Vorstellungen für die Ethik

This work is in the main historical, the sources being Waitz, Pfleiderer, Zeller, Réville, and the other well-known writers on the history of religion. The first part deals with those conceptions of the Godhead which in the various religions tend to produce moral conduct; the second investigates the influence of the dogmatic and ritual elements upon moral conduct.
In the nature-religions, morality and religion are not connected. They become fused with the development of civilization. The Egyptian religion introduces the conception of a moral order and righteousness which the gods maintain. A further impulse to morality was given by the elaboration at the hands of the Egyptians of the idea of future life and retribution. Brahmanism makes a systematic application of theology to life, and consequently leaves no place for morality. The Iranian peoples, on the contrary, brought religion into the service of an active morality; theirs was a religion of pure morals, a religion of struggle, of joy in activity; but like all state religions, it suffered from the enthronement of forms and ceremonies. Buddhism contains a deep moral element. In emphasizing the suffering of the world, it brings to the forefront of consciousness the duty of benevolence. Greek religion contributed less to morality than did political life. Besides, the Greeks judged everything from the aesthetic standpoint, the good being the beautiful, and the bad the ugly. Roman religion had a purely practical utilitarian tendency, and consequently contributed little to the growth of pure morality.
Passing now from polytheistic to monotheistic religions, — and Nägelsbach has observed that the search for the one God was the living pulse in the entire religious development of antiquity, — the author finds that among the people of Israel, the relation of morality to religion presents an altogether different aspect. Every moral act is religious, and ought to conform to the righteous and holy will of God. According to Mohammedanism, man derived his entire worth from his ​relation to Allah; but as Allah is generally conceived as an arbitrary despot, no moral significance attaches to the relation. In Christianity morality acquires its deepest foundation. The conception of a divine love embracing all humanity, taken along with the love of one's neighbor, gives every moral act a religious character.
The religious impediments to morality the author finds in superstition, asceticism, cult, and dogma. The work as a whole shows little originality, but it is an orderly and useful summary of the facts.
J. G. S.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1924, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Philosophical Review/Volume 1/Review: McCosh - Our Moral Nature

This little volume is pathetically suggestive. It is a collection of brief notes in which, without much reasoning or any consideration of alternative views, the author sums up his opinions on a variety of ethical questions, many of them fundamental. In the Introductory Note Dr. McCosh mentions the titles of his various philosophical works. He would like still to write a brief treatise on æsthetics. But the prospect of his writing it is slight: "It is doubtful if advancing age will admit of my doing more." May the memory of past activity mingle its cheer with the shadows of the thick years which are closing in round this honored and honorable career!
Our Moral Nature is not a philosophical treatise; it is rather a series of loosely connected talks given by a good man and an orthodox ​minister. Twenty-nine subjects are discussed in the fifty-three pages. "Justice" gets scarcely a page; "Moral Law" and "The Will" fare no better; "Evangelical Ethics" overspreads two pages, and "Duties to God" six. This distribution of topics tells clearly enough the nature of the book, so that it is not necessary to allude to the quotations from the Shorter Catechism. But those persons who have been thoroughly trained in the latter will scarcely stand in need of the present volume; nor can it be recommended to the professed student of ethics. But the work is not without value. As an autobiographic record, it is of the greatest interest. It shows us what a man of Mr. McCosh's eminence thinks and feels about the most momentous subjects that can engage the mind of man.
J. G. S.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1924, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Philosophical Review/Volume 1/Review: Pearson - The Fragments of Zeno and Cleanthes

This volume contains two hundred and two fragments of Zeno and one hundred and fifteen of Cleanthes, besides seventy odd Apophthegmata of the two philosophers. Wellmann's article on the Neue Jahrbücher für Philologie (1873) marked, as Pearson says, "the first serious attempt to discriminate the teaching of Zeno from that of the Stoa in general." The omissions of this collection were supplied by Wachsmuth in two Göttingen programs, — Commentationes I et II de Zenone Citiensi et Cleanthe Assio (1874-1875). To supplement these three papers, Pearson has edited and given us a critical commentary on these three hundred fragments. He prefaces this by an introduction of fifty pages, which, to the general student of the history of Philosophy, will prove the most valuable part of the book. For the student working specially in Greek Philosophy and Literature, the commentary on the fragments will be found a serviceable supplement to Zeller and Hirzel.
William Hammond.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns

HYMNS.
* Hymn I.349
* Hymn II.367
* Hymn III.387
* Hymn IV.396
* Hymn V.396
* Hymn VI.399
* Hymn VII.399
* Hymn VIII.400
* Hymn IX.400
* Hymn X.400
* Hymn XI.401
* Hymn XII.401
* Hymn XIII.401
* Hymn XIV.401
* Hymn XV.402
* Hymn XVI.402
* Hymn XVII.402
* Hymn XVIII.404
* Hymn XIX.405
* Hymn XX.405
* Hymn XXI.405
* Hymn XXII.405
* Hymn XXIII.406
* Hymn XXIV.406
* Hymn XXV.406
* Hymn XXVI.407
* Hymn XXVII.408
* Hymn XXVIII.408
* Hymn XXIX.409
* Hymn XXX.410
* Hymn XXXI.410
* Hymn XXXII.411
* Fragment.426
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns/Hymn 12

XII. TO THE MOTHER OF THE GODS.
Sing to me, sweet Muse, daughter of mighty Jove, the mother both of all gods and all men, to whom the noise of cymbals and drums, and with it the drone of pipes is pleasant, and the howling of wolves and terrible lions, and the echoing mountains, and woody recesses. And do thou thus hail, and with thee all the goddesses, in song.
* ↑ Cf. Alcman, fragm. i. 1, ed. Welcker.
* ↑ On this miscellaneous musical taste, cf. Lucret. ii. 618, sqq., Catull. lxi. 28, sqq., and Lilius Gyraldus de Diis, Synt. iv. p. 140, ed. Amst.
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns/Hymn 14

XIV. TO ÆSCULAPIUS.
I begin to sing the healer of diseases, Æsculapius, the son of Apollo, whom divine Coronis bore in the Dotian field, the ​daughter of king Phlegyas, a great joy to men, an appeaser of evil pangs. And do thou thus hail, O king! but I implore thee in song.
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns/Hymn 10

X. TO JUNO.
I sing golden-throned Juno, whom Rhea brought forth, the immortal queen, possessing surpassing beauty, both sister and glorious wife of loud-resounding Jove, whom all the gods through long Olympus venerating honour equally with thunder-rejoicing Jove.
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice

THE
ODYSSEY OF HOMER,
WITH THE
HYMNS, EPIGRAMS, AND BATTLE OF THE FROGS AND MICE.
Literally Translated,
WITH EXPLANATORY NOTES,
BY
THEODORE ALOIS BUCKLEY, B.A.
OF CHRIST CHURCH.
LONDON: HENRY G. BOHN, YORK STREET, COVENT GARDEN.
MDCCCLIII.
JOHN CHILDS AND SON, BUNGAY.
* Preface to the Odysseyiii
* The Life of Homerv
* The Odyssey of Homer1
** Book I.1
** Book II.15
** Book III.28
** Book IV.43
** Book V.66
** Book VI.79
** Book VII.89
** Book VIII.99
** Book IX.115
** Book X.130
** Book XI.146
** Book XII.163
** Book XIII.175
** Book XIV.187
** Book XV.201
** Book XVI.217
** Book XVII.230
** Book XVIII.246
** Book XIX.258
** Book XX.274
** Book XXI.284
** Book XXII.296
** Book XXIII.310
** Book XXIV.320
* The Battle of the Frogs and Mice335
* Hymns349
** I. To Apollo.349
** II. To Mercury.367
** III. To Venus.387
** IV. To the same.396
** V. Bacchus, or the Pirates.396
** VI. To Mars.399
** VII. To Diana.399
** VIII. To Venus.400
** IX. To Minerva.400
** X. To Juno.400
** XI. To Ceres.401
** XII. To the Mother of the Gods.401
** XIII. To Lion-Hearted Hercules.401
** XIV. To Æsculapius.401
** XV. To Castor and Pollux.402
** XVI. To Mercury.402
** XVII. To Pan.402
** XVIII. To Vulcan.404
** XIX. To Apollo.405
** XX. To Neptune.405
** XXI. To Jove.405
** XXII. To Vesta.405
** XXIII. To the Muses and Apollo.406
** XXIV. To Bacchus.406
** XXV. To Diana.406
** XXVI. To Minerva.407
** XXVII. To Vesta and Mercury.408
** XXVIII. To [Earth], the Mother of All.408
** XXIX. To the Sun.409
** XXX. To the Moon.410
** XXXI. To Castor and Pollux.410
** XXXII. To Ceres.411
** Fragment of the Hymn to Bacchus.426
* Epigrams427
** I. To the Cumæans.427
** II. On Returning to Cuma.427
** III. On Mide.427
** IV. He Laments his Blindness to the Cumæans.428
** V. Beginning of the Little Iliad.428
** VI. To the Son of Thestor.428
** VII. To Neptune.429
** VIII. To the City of Erythræa.429
** IX. To Sailors.429
** X. To a Pine.429
** XI. To Glaucus.430
** XII. On the Samian Priestess.430
** XIII. To the House of the Phratries.430
** XIV. The Furnace, or the Pot.431
** XV. The Olive Branch.431
** XVI. To Fishermen.432
** XVII. Margites.432
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns/Hymn 11

XI. TO CERES.
I begin to sing fair-haired Ceres, a venerable goddess, herself and her most beauteous daughter Proserpine. Hail! goddess, and preserve this city, and direct my song.
# The Odyssey of Homer, with the Hymns, Epigrams, and Battle of the Frogs and Mice/Hymns/Hymn 13

XIII. TO LION-HEARTED HERCULES.
I will sing Hercules the son of Jove, whom Alcmene bore, the most valiant of earthly beings, in Thebes of beauteous quires, having been embraced by dark-clouded Jove. Who in days of yore, wandering o'er boundless earth and sea, at the behest of king Eurystheus, himself both did and suffered many grievous deeds. But now he dwells delighted on the fair seat of snowy Olympus, and possesses fair-ancled Hebe. Hail! O king, son of Jove, and give valour and prosperity.
# The Speculations of Jack Steele

* information about this edition.
* sister projects: Wikidata item.
[ Extracted from Windsor magazine, London, Vol 22, 1905 pp. 19-30, etc. Accompanying illustrations by J. H. Frampton omitted. ] Jack Steele speculates in business and love: with varying results. An adventure novella, which can also be read (as published) as a series of linked short stories.
The SPECULATIONS of JACK STEELE
By ROBERT BARR.
* The Station-Master
* Our Daily Bread
* A Sweet Problem
* A Square Meal
* Third and Last Time—Gone
* The Richest Woman in the World
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Poetical Works of John Keats/Dedication

MISCELLANEOUS POEMS.
What more felicity can fall to creature
Than to enjoy delight with liberty! Fate of the Butterfly.—Spenser
DEDICATION.
TO LEIGH HUNT, ESQ.
Glory and Loveliness have pass'd away;
For if we wander out in early morn,
No wreathed incense do we see upborne
Into the east to meet the smiling day:
No crowd of nymphs soft-voiced and young and gay,
In woven baskets bringing ears of corn,
Roses, and pinks, and violets, to adorn
The shrine of Flora in her early May.
But there are left delights as high as these.
And I shall ever bless my destiny,
That in a time when under pleasant trees
Pan is no longer sought, I feel a free,
A leafy luxury, seeing I could please
With these poor offerings, a man like thee.
# The Poetical Works of John Keats/A Spenserian Stanza

A SPENSERIAN STANZA.
"In after-time, a sage of mickle lore
Yclep'd Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
The one he struck stone-blind, the other's eyes wox dim."
# The Poetical Works of John Keats/Ben Nevis

BEN NEVIS.
Read me a lesson, Muse, and speak it loud
Upon the top of Nevis, blind in mist!
I look into the chasms, and a shroud
Vaporous doth hide them,—just so much I wist
Mankind do know of hell; I look o'erhead,
And there is sullen mist, even so much
Mankind can tell of heaven; mist is spread
Before the earth, beneath me,—even such,
Even so vague is man's sight of himself!
Here are the craggy stones beneath my feet,—
Thus much I know that, a poor witless elf,
I tread on them,—that all my eye doth meet
Is mist and crag, not only on this height,
But in the world of thought and mental night!
# The Poetical Works of John Keats/Endymion

KEATS'S POETICAL WORKS.
ENDYMION:
A POETIC ROMANCE.
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.
THE STRETCHED METRE OF AN ANTIQUE SONG.
* Preface
* Book I.
* Book II.
* Book III.
* Book IV.
# The Poetical Works of Robert Burns/Tam Samson's Elegy

TAM SAMSON'S ELEGY.
# The Poetical Works of Robert Burns/The Auld Farmer's New-Year Morning Salutation to his Auld Mare Maggie

THE AULD FARMER'S NEW-YEAR MORNING SALUTATION TO HIS AULD MARE, MAGGIE,
ON GIVING HER THE ACCUSTOMED RIPP OF CORN TO HANSEL IN THE NEW YEAR.
# The Poetical Works of Robert Burns/The Banks o' Doon (2)

VERSION PRINTED IN THE MUSICAL MUSEUM.
# The Poetical Works of Robert Burns/The Auld Man

THE AULD MAN.
TUNE—'THE DEATH OF THE LINNET.'
# The Poetical Works of Robert Burns/The Banks o' Doon (1)

THE BANKS O' DOON.
TUNE—'THE CALEDONIAN HUNT'S DELIGHT.'
# The Poetical Works of Robert Burns/The Blissful Day

THE BLISSFUL DAY.
TUNE—'SEVENTH OF NOVEMBER.'
# The Poetical Works of Robert Burns/The Braes o' Ballochmyle

THE BRAES O' BALLOCHMYLE.
TUNE—'MISS FORBES'S FAREWELL TO BANFF.'
# The Poetical Works of Robert Burns/The Author's Earnest Cry and Prayer

THE AUTHOR'S EARNEST CRY AND PRAYER.
TO THE RIGHT HONOURABLE AND HONOURABLE THE SCOTCH REPRESENTATIVES IN THE HOUSE OF COMMONS.
# The Poetical Works of Robert Burns/The Birks of Aberfeldy

THE BIRKS OF ABERFELDY.
# The Sun-Dial

* Search for titles containing or beginning with: "The Sun-Dial."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Sun-Dial, a poem by Florence Earle Coates
* The Sun-Dial, a poem by Richard Watson Gilder
* "The Sun-Dial" (1926, "The sun-dial stands amidst its shrubs and grass"), a poem by Anna Shattuck Palmer
* The Sun-Dial, a poem by Edmund Clarence Stedman
* The sun-dial, a poem by Karel Toman
# The Sun-Horse

Slovak folk tale retold by Ján Francisci
English-language translations of Slncoví kuoň include:
* "The Sun-Horse" in Segnius Irritant: or Eight Primitive Folk-lore Stories, translated by Walter William Strickland (1896)
* "The Flaming Horse" in Czechoslovak fairy tales, translated by Parker Hoysted Fillmore (c1919)
# The Sun's Heat

* Search for titles containing or beginning with: "The Sun's Heat."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Sun's Heat" by Charles Augustus Young in Popular Science Monthly, 18 (November 1880)
* "The Sun's Heat" by William Thomson (1824-1907) in Popular Science Monthly, 31 (May 1887)
# The Sun (Sherwood)

From Scribner's Magazine, Oct 1906, p. 479
THE SUN
By Margaret Sherwood
Green, sun-warmed leaf and crimson-petalled rose
Share the deep secret of swift passing breath;
Consuming flame to fairest beauty grows.
And life is kindled by impassioned death.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1955, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 68 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Strand Magazine/Volume 3/Issue 15

March, 1892. (transcription project)
Layout 4
​ In the midst of the sea.
* In the Midst of the Sea, from the Italian of Countess Bice de Benvenuti. Illustrated by Paul Hardy.
* Illustrated Interviews. No. IX. Professor Blackie, by Harry How.
* Strong-Minded Miss Methuen, by E. W. Hornung. Illustrated by A. Pearse.
* How the Deaf and Dumb are Educated, by Edward Salmon. Illustrated by John Gülich.
* Clouds with Silver Linings, from the French of Mme. Emile de Girardin, tr. James Mortimer. Illustrated by H. R. Millar.
* Portraits of Celebrities at Different Times of their Lives.
* Marie Roze,
* Francis Richard Charteris,
* John Sims Reeves,
* Umberto I of Italy,
* Princess Margherita of Savoy,
* Edward Terry
* Pablo Sarasate
* Adventures of Sherlock Holmes. Adventure IX. The Adventure of the Engineer's Thumb, by A. Conan Doyle. Illustrations by Sidney Paget.
* Beauty in Nature II. Woods and Fields, by Sir John Lubbock, Bart, M.P.. Illustrated by W. H. J. Boot.
* The Curate's Temptation, by Maurice Saxon. Illustrated by G. Hillyard Swinstead.
* Monkey Society: One of Its Ornaments. Illustrated by J. A. Shepherd.
* The Three Sisters and Their Glass Hearts, from the Russian. Illustrated by H. R. Millar.
* The Queer Side of Things
** Impossibility: A Study of Reason & Science, written and illustrated by J. F. Sullivan.
** Found in the Snow.
** Boots & Shoes of All Ages, by George Cruikshank, Jr.
** Morimoto.
** Miscellaneous/.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Survivors of the Chancellor/Chapter III

Chapter III. Bill of Lading
SEPTEMBER 29. -- Captain Huntly's bill of lading, that is to say, the document that describes the Chancellor's cargo and the conditions of transport, is couched in the following terms:
   Bronsfield and Co., Agents, Charleston:
   I, John Silas Huntly, of Dundee, Scotland, commander of the ship Chancellor, of about 900 tons burden, now at Charleston, do purpose, by the blessing of God, at the earliest convenient season, and by the direct route, to sail for the port of Liverpool, where I shall obtain my discharge. I do hereby acknowledge that I have received from you, Messrs. Bronsfield and Co., Commission Agents, Charleston, and have placed the same under the gun-deck of the aforesaid ship, seventeen hundred bales of cotton, of the estimated value of 26,000 £., all in good condition, marked and numbered as in the margin; which goods I do undertake to transport to Liverpool, and there to deliver, free from injury (save only such injury as shall have been caused by the chances of the sea), to Messrs. Laird Brothers, or to their order, or to their representatives, who shall on due delivery of the said freight pay me the sum of 2,000 £. inclusive, according to the charter-party, and damages in addition, according to the usages and customs of the sea.
   And for the fulfillment of the above covenant, I have pledged and do pledge my person, my property, and my interest in the vessel aforesaid, with all its appurtenances. In witness whereof, I have signed three agreements all of the same purport, on the condition that when the terms of one are accomplished, the other two shall be absolutely null and void.
          Given at Charleston, September 13th, 1869.
                      J. S. HUNTLY.
From the foregoing document it will be understood that the Chancellor is conveying 1,700 bales of cotton to Liverpool; that the shippers are Bronsfield, of Charleston, and the consignees are Laird Brothers of Liverpool. The ship was constructed with the especial design of carrying cotton, and the entire hold, with the exception of a very limited space reserved for passenger's luggage, is closely packed with the bales. The lading was performed with the utmost care, each bale being pressed into its proper place by the aid of screw-jacks, so that the whole freight forms one solid and compact mass; not an inch of space is wasted, and the vessel is thus made capable of carrying her full complement of cargo.
# The Survivors of the Chancellor/Chapter L

Chapter L. All Hope Gone
JANUARY 23. -- Only eleven of us now remain; and the probability is very great that every day must now carry off at least its one victim, and perhaps more. The end of the tragedy is rapidly approaching, and save for the chance, which is next to an impossibility, of our sighting land, or being picked up by a passing vessel, ere another week has elapsed not a single survivor of the Chancellor will remain.
The wind freshened considerably in the night, and it is now blowing pretty briskly from the northeast. It has filled our sail, and the white foam in our wake is an indication that we are making some progress. The captain reckons that we must be advancing at the rate of about three miles an hour.
Curtis and Falsten are certainly in the best condition among us, and in spite of their extreme emaciation they bear up wonderfully under the protracted hardships we have all endured. Words cannot describe the melancholy state to which poor Miss Herbey bodily is reduced; her whole being seems absorbed into her soul, but that soul is brave and resolute as ever, living in heaven rather than on earth. The boatswain, strong, energetic man that he was, has shrunk into a mere shadow of his former self, and I doubt whether anyone would recognize him to be the same man. He keeps perpetually to one corner of the raft, his head dropped upon his chest, and his long, bony hands lying upon knees that project sharply from his worn-out trowsers. Unlike Miss Herbey, his spirit seems to have sunk into apathy, and it is at times difficult to believe that he is living at all, so motionless and statue-like does he sit.
Silence continues to reign upon the raft. Not a sound, not even a groan, escapes our lips. We do not exchange ten words in the course of the day, and the few syllables that our parched tongues and swollen lips can pronounce are almost unintelligible. Wasted and bloodless, we are no longer human beings; we are specters.