OpenLLM-France/wikimedia huggingface dataset:
# American Medical Biographies/Thompson, Mary Harris

​Thompson, Mary Harris (1829-1895).
Mary Harris Thompson was known as the first woman who specialized in surgery and was remarkable for her splendid organizing and administrative ability. Little is known of her early life beyond the simple fact of her birth at Fort Ann, New York State, in 1829, and of her education at West Poultney Academy, Vermont.
In 1859, at the age of thirty, she began to study medicine at the New England Female Medical College. Dr. Zakrzewska (q.v.), at that time professor of obstetrics there, wrote: "Dr. Thompson commenced her studies with me in 1859. She graduated from the Woman's Medical College of Pennsylvania, serving a year as interne with Dr. Emily Blackwell (q.v.). She was the first woman surgeon who performed capital operations entirely on her own responsibility."
Mary Thompson began to practise in Chicago in 1863, and two years later founded a hospital for women and children. The building which housed this work was swept away in the fire of 1871, and within twenty-four hours the Relief and Aid Society sent an appeal to Dr. Thompson to reestablish it, the society offering to provide means; during this period of tremendous emergency, first a house and later a barracks was utilized and the sick, maimed and burned were brought to the building before beds could be put in. In 1873, when the erection of permanent quarters was contemplated, the Relief and Aid Society gave $25,000 on condition that twenty-five patients should be cared for constantly. In the campaign for raising funds, Dr. Thompson visited Boston, her appeal there meeting with generous response, and the institution which bears her name, the Mary Thompson Hospital of Chicago for Women and Children, was soon an accomplished fact. Thirty years she labored there, doing all the surgical work, with wonderful precision and dexterity of manipulation.
But professional eminence was not her only claim to remembrance; her philanthropy was catholic, and she was also a firm suffragist and agitated the question among her pupils.
The Chicago Medical College Department of North Western University conferred a degree on Dr. Thompson in recognition of her work, the only one it had ever granted to a woman. She also became a member of the International Medical Association in 1887, and of the Chicago Medical Society.
Dr. Thompson passed away in the midst of her activities after an illness of only twenty- four hours on May 21, 1895.
Several years after her death a memorial bust of Dr. Thompson, the work of the well-known sculptor, Daniel C. French, was presented by her friends to the Art Institute of Chicago.
# American Medical Biographies/Thompson, Robert

​Thompson, Robert (1797-1865).
Robert Thompson, a physician of Columbus, Ohio, was born in Washington County, Pennsylvania, in September, 1797. His literary edu- cation was slight, his medical instruction acquired with Dr. George McCook, of New Lisbon, Ohio. He was licensed to practise medicine and surgery in 1824 by the Fourteenth District Medical Society of Ohio, and in 1834 received from the Medical College of Ohio the honorary M. D. He married, in 1824, Ann M. Seeber, of New York State, and settled first at Pleasant Hill, Muskingum County, Ohio, but removed thence to Washington, Guernsey County, and finally, in 1834, settled in Columbus.
In 1831 he was elected to the State Senate, and he was for many years physician to the State Asylum for the Deaf and Dumb.
Dr. Thompson was one of the founders of the Ohio State Medical Society, and its president in 1847.
He is said to have been a very competent surgeon and extremely ingenious in the invention of new surgical instruments and apparatus. Among the latter were a bone forceps, a tonsillotome, uvula scissors, a cornea knife, a cataract needle, a tourniquet, a trephine and a popular and useful abdominal supporter.
He was a fluent and ready writer, and numerous contributions from his pen will be found in the Transactions of the State Medical Society.
He died in Columbus, Ohio, August 18, 1865.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Montagu

From volume 4 of the work.
​Sharpe, Montagu, o.s. Benjamin, of London, arm. New Coll., matric. 5 Feb., 1877, aged 20.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Rev. Arthur Robert

From volume 4 of the work.
​Sharpe, Rev. Arthur Robert, 1s. Thomas Westerhead, of Leeds, Yorks, cler. New Coll., matric. 11 Oct., 1878, aged 19; scholar 1878-83, B.A. 1882, M.A. 1885, head-master St. Michael's School, Lyme Regis, 1886.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Lancelot Lambert

From volume 4 of the work.
​Sharpe, Lancelot Lambert, 1s. Lancelot Arthur, of Tackley, Oxon, cler. St. John's Coll., matric. 1 July, 1861, aged 18; scholar & fellow 1861-84, B.A. 1865, M.A. 1869, B.D. 1874, vice-president 1875, dean of arts 1876, bursar 1881, vicar of St. Giles, Oxford, 1880-4, rector of Cranham, Essex, 1884. See Robinson, 314.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Rev. Henry Martin

From volume 4 of the work.
​Sharpe, Rev. Henry Martin, 1s. Richard Martin, of London, gent. Worcester Coll., matric. 17 Oct., 1868, aged 19; B.A. 1872. M.A. 1876.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Thomas

From volume 4 of the work.
​Sharpe, Thomas, s. George, of Bristol (city), gent. St. John's Coll., matric. 1 July, 1735, aged 15; B.A. 1739, M.A. 9 Feb., 1742-3, B.D. 1748, D.D, 1752, vicar of St. Bartholomew-the-Less (Smithfield) 1765, until his death 25 Nov., 1772.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Lancelot Arthur

From volume 4 of the work.
​Sharpe, Lancelot Arthur, 2s. Lancelot, of All Hallows Staining, London, cler. St. John's Coll., matric. 28 June, 1824, aged 17; scholar & fellow 1824-40, B.A. 1828 M.A. 1832, B.D. 1837, dean of arts 1832, tutor 1835-40, proctor 1836, select preacher 1838, rector of Tackley, Oxon, 1839. See Robinson, 191.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Marmaduke Laurence

From volume 4 of the work.
​Sharpe, Marmaduke Laurence, 5s. Lancelot, of Edmonton, Middlesex, cler. Worcester Coll., matric. 6 April, 1848, aged 26; B.A. 1851, M.A. 1854.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Reginald Robinson

From volume 4 of the work.
​Sharpe, Reginald Robinson, 4s. Lancelot Arthur, of Tackley, Oxon, cler. St. John's Coll., matric. 15 June, 1866, aged 18; exhibitioner 1866, B.A. 1871, B.C.L. 1874, D.C.L. 1879, bar.-at-law, Inner Temple, 1888, assistant in British Museum 1871, records clerk to the Corporation of London 1876. See Robinson, 333.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Rev. Charles Henry

From volume 4 of the work.
​Sharpe, Rev. Charles Henry, 1s. John Charles, of Richmond, Surrey, gent. St. Alban Hall, matric. 14 Oct., 1879, aged 21; commoner Hertford Coll. 1880, B.A. 1883, M.A. 1887.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Sharpe, Rev. Clement René

From volume 4 of the work.
​Sharpe, Rev. Clement René, 6s. Lancelot Arthur, of Tackley, Oxon, cler. Keble Coll., matric. 27 Jan., 1872, aged 18; B.A. 1875, M.A. 1878. See Robinson, 351.
# An Anthology of Modern Bohemian Poetry/Prelude

​Fr. Sekanina (b. 1875).
PRELUDE
Dost thou know what it was?—'Twas the kiss that Love shed. Thou wouldst say: 'Twas the sunshine that to us came streaming. Lo, the lilies and daisies their blossoms have spread And the bounteous gleaming!
But I say: 'Twas the kiss that Love did bestow. A minstrel from Heaven on pinions came straying To the shrine of the soul, o'er the keys he bent low, And at a High Mass he the Kyrie is playing.
This sunlight unceasing is shining forth clear; From their gold-bedecked buds the lilies unfold; The priest in white garb to the altar draws near, And the fragrance of incense is steeped in the gold..
"Lyric Intermezzo" (1901).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Anthology of Modern Bohemian Poetry/Pure Morning

PURE MORNING
When we at mom to the gardens, from many dreams weary, came, All the earth, like our souls, we beheld abloom in the flame, And of winds, and waters, and plants, and the birds and the bees we would know, In the night that is o'er, thro' our garden what mystical being did go?
The sand played, changed into gold, where the sacred footprints were left, The balm-laden waters murmured, as tho’ they by angels were cleft; Each breath had life's potence, as tho' for a hundred glowing days, And the awe of the newly-born was seen in every gaze.
The load of our grievous secrets, as tho' 'twere thy will we have borne, A missive in humbleness kissed, ere the seal asunder is torn; And the enemy who is lurking asleep at our every gate, Was like to thy wearied envoy whom we with a welcome await.
In solitudes havoc-ridden, on paths where the demons tread, Our yearnings' delicate garden blooms e'en as a lily-bed; And they whose ardour was greatest, the most well-liking and sweet Of women, in gleaming array, we as spotless sisters did greet.
"The Hands".
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Anthology of Modern Bohemian Poetry/Ostrava

​Petr Bezruč (b. 1867).
OSTRAVA
A hundred years in silence I dwelt in the pit, A hundred years I delved for coal in the ground, And after a. hundred years my sinews were knit, As if my fleshless arms by iron were bound.
The dust of the coal has settled upon my eyes, And on my lips the coal is clustered around, And on my hair and my beard and my brows there lies The coal that like icicles hangs to the ground.
Bread with coal is the fruit that my toiling bore, From labour to labour I go; Palaces tower aloft by the Danube’s shore, From my blood and my sweat they grow.
For a hundred years in the mine my murmurs I quelled; Who will requite me those hundred years I have borne? And when I threatened them with the hammer I held, I heard the voice of one who laughed me to scorn.
I should find my senses and go to the mine once more, And as of old for my masters I should toil;
I raised the hammer on high—in a trice the gore Was flowing on Polish Ostrava's soil!
All ye that are in Silesia, all ye I say, Whether Peter your name be or Paul, The steel-wrought armour upon your breast ye must lay, And thousands to battle must call.
All ye that are in Silesia, all ye I say, Ye who over the depths your mastery wield, From below come flame and smoke; and there comes a day, There comes a day when a reckoning ye shall yield!
"Songs of Silesia" (1911).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Anthology of Modern Bohemian Poetry/Peterswald

PETERSWALD
From Poremba, Dombrovsky Petr did fare, Before him his little girl sped. One rode forth from Peterswald; whoso stood there Each moment bowed low his head.
Lo, the black steeds, hear the hoofs clatter hard, Bright gleams the bridle of gold; Half a pace forward, and God be thy guard, Or the maid he will have in his hold.
Dombrovsky sprang to the maiden and paled, In his arms he clasped her amain; The master's whip deep on his countenance trailed: Petr, why wilt thou take her again?
Away, for in Freistadt her lot would be woe, Away, and be timid and shrinking! A channel of blood in thy soul is aglow, Dombrovsky, cease thou thy drinking.
An hour is approaching, as day, a great day, By flames the horizon is riven; Stop the steeds! From his carriage, deuce, drag him away! Pay, Dombrovsky, what thou wert given!
"Songs of Silesia" (1911).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Anthology of Modern Bohemian Poetry/Note on the Pronunciation of Bohemian Names

Note on the Pronunciation of Bohemian Names.
The chief Bohemian sounds which require notice are:—
The acute accent over a vowel denotes length. ů—long u. The letters "r" and "l" between consonants form a syllable without any interveningvowel. The name Vrchlický, for example, is divided up thus:
The main accent falls in Bohemian on the first syllable of a word.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1970, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 53 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# An Anthology of Modern Bohemian Poetry/Responses

RESPONSES
With a curse we are laden, and 'mid our longing's loftiest flight, By the burden of earth we are thralled, and steeped in our blood's dim night.
"Ye are mighty and know not death, and your souls where mysteries throng, Bear in them suns and spring-tides, and vintages endless long."
In the silence of cosmos, the focus of stars that blood-red wane, Lonely we tarry, as tho' 'mid the watch-fires of foes in a chain.
"By the armour of heavily-armed ye are burdened, and into the strife, Ye are chosen that ye may give freedom to all on the earth that have life."
We strive on the shattered bosom of him who is vanquished to kneel, But we love not, we love not, and e'en when love we are yearning to feel.
"Ye are hard with the hardness of fruit not ripened, and scorched by the blaze Of a mystical summer, ye ripen, your brothers' embraces to praise."
Joy is the sun in a dream beheld; at awakening quenched, Grief has a thousand eyes, and ne'er has it utterly blenched.
"With millions are ye by a mystical brotherly bond girt round, And only in joy of the millions can joy that is yours be found."
On a mighty furrow of fragrance to floating islands we steer, We float and the islands are flloating, and ne'er to them do we draw near.
"Ye are shrouded around with a veil of deceit by your kingly eyes, In the lustre that blooms in your souls do the islands before you arise."
"The Hands."
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# An Anthology of Modern Bohemian Poetry/Nocturne

​Karel de Wetter (b. 1882).
NOCTURNE
Serenely the country sleeps in the gloom, It seems like to a grave-yard there, Or like unto one mighty tomb, Where I betake myself for prayer.
Like unto wraiths the trees are dreaming, Rigid is every leaf thereon,— The moon is on the waters gleaming, Like to the image of a swan.
Afar from a window somewhere is playing A piano o'er lands in dream held fast,— As if in longing someone were praying For the paradise, vanished in days long past.
As if from a bosom wounded sore, The sound of frenzied laughter were pressed; And as if lovers that are no more Blent in kisses were gone to rest.
I feel as if o'er the land there stole A grievous sorrow without a sound— And this, methinks, is Schumann's soul, That in lonely places roams around.
From the Journal "The Bell" (1911).
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# An Anthology of Modern Bohemian Poetry/Our Native Tongue

​Svatopluk Čech (1846—1908).
OUR NATIVE TOUNGUE
Our native tongue.
Our native tongue.
A foreign tongue.
Our native tongue.
And tho' it were a beggar-girl, and nothing but a maiden spurned—
Our native tongue.
Our native tongue.
Our native tongue.
Our native tongue.
On our native tongue.
From our native tongue.
Our native tongue.
From us be wrung.
Our native tongue.
Our native tongue!
"New Songs" (1888).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Anthology of Modern Bohemian Poetry/Ocean Foreboding

​Josef Müldner (b. 1880).
OCEAN FOREBODING
My heart, thou long wert sore distressed, Now sweetly canst thou take thy rest.
By ocean's shore, where sand-hills be, 'Neath brown-lined sails upon the sea.
'Mid scent of ocean-air and grass, Around in herds the cattle pass.
Wild poppies in the sun-light sway—- Where am I, when they fade away?
"The Ruins" (1903).
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# An Etymological Dictionary of the German Language/Annotated/Gleiß

| This annotated version expands the abbreviations in the original entry Gleiß. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gleiß, masculine, ‘fool's parsley,’ first occurs in Modern High German; allied to the following word.
# An Etymological Dictionary of the German Language/Annotated/Gletscher

| This annotated version expands the abbreviations in the original entry Gletscher. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gletscher, masculine, ‘glacier,’ first occurs in early Modern High German, adopted from a Swiss word, which was again obtained from French glacier. Compare Firne, Fohn, Lawine.
# An Etymological Dictionary of the German Language/Annotated/Glied

| This annotated version expands the abbreviations in the original entry Glied. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Glied, neuter, from the equivalent Middle High German gelit(d), neuter and masculine, Old High German gilid, neuter, ‘limb, joint’ (in Middle High German ‘member’ also); likewise in the same sense, mostly without ge-, Middle High German, lit(d), Old High German lid, neuter, neuter; corresponding to Old Saxon lith, Dutch lid (and gelid), Anglo-Saxon lið, Gothic (liþus, ‘limb.’ The common Teutonic stem liþu is ordinarily referred to an Old Teutonic root lī̆þ, ‘to go’ (see leiden, leiten), which is scarcely possible, because Glied cannot originally have been confined to the feet. Besides li- must be the root and -þu-) (for Aryan -tu-) the suffix, on account of the equivalent words formed with the suffix m, Old Icelandic li-mr, ‘limb,’ lim, ‘twig,’ Anglo-Saxon lim, English limb. Also allied perhaps to Lithuanian lëmǔ, ‘stature, growth’ (as well as lělas, ‘tall, slender’?), Compare Bild. —
# An Etymological Dictionary of the German Language/Annotated/Gliedmaßen

| This annotated version expands the abbreviations in the original entry Gliedmaßen. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gliedmaßen, plural, ‘limbs,’ from Middle High German lidemâȥ, gelidemœȥe, ‘limb’; corresponding to Old Frisian lithmâta, Dutch lidmaat, ledemaat. The meaning of the second part of the compound is not clear (Middle High German gelidemâȥe, feminine, signifies ‘length of body’). Compare Old Swedish liþa-, mót, Icelandic liðamǒt, ‘limbs.’
# An Etymological Dictionary of the German Language/Annotated/Glocke

| This annotated version expands the abbreviations in the original entry Glocke. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Glocke, feminine, ‘bell, (public) clock,’ from the equivalent Middle High German glocke, Old High German glocka (never chloccha), feminine; corresponding to Dutch klok, Anglo-Saxon clugge, clucce, English clock, Old Icelandic klukka, feminine, ‘bell’; not originally a German word, since Old High German chlocchôn, ‘to knock,’ cannot well be allied. The Middle Latin clocca recorded in the 8th century, from which French cloche (in Italian campana) is derived, is probably due, like the Teutonic cognates, to Keltic origin; ​compare Welsh cloch, feminine, Old Irish cloc, masculine, ‘bell, clock,’ (primitively Keltic klukko). It is improbable that the Teutonic word is the source of the Romance and the Keltic terms, because Teutonic itself has usually borrowed the words relating to the Church and its institutions. The Old Keltic and Romance cognates in the form of klukka found their way into Teutonic; the High German forms (Swiss klokke, not χlokχe) may have been first adopted about 800 A.D., from Low German (Anglo-Saxon).
# An Etymological Dictionary of the German Language/Annotated/Gleise

| This annotated version expands the abbreviations in the original entry Gleise. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gleise, neuter, for Geleise (like glauben, gleich, &c., from ge-l), ‘track (of a wheel) rut,’ allied to Middle High German geleis (rare), feminine, ‘trodden way,’ usually Middle High German leis, leise, feminine, ‘trace, track,’ Old High German *leisa in waganleisa, feminine, ‘track of a waggon’; formed from the Old Teutonic root lais, ‘to go,’ discussed under leisten; Latin lîra, de-lîrare, Old Slovenian lěcha, ‘ridge’ (from *laisâ), Lithuanian lýsė, ‘garden bed,’ are also allied. Compare Modern High German Furche and Latin porca, ‘ridge.’
# An Etymological Dictionary of the German Language/Annotated/Glucke

| This annotated version expands the abbreviations in the original entry Glucke. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Glucke, feminine, ‘clucking-hen,’ with the variant Klucke (Low German Klukse), from the equivalent Middle High German klucke. Compare Middle High German glucken, klucken, ‘to cluck’; allied to Dutch klokken, English to cluck (Anglo-Saxon cloccian); apparently an onomatopoeic class which is found with corresponding sounds in Romance; compare Italian chiocciare, French glousser (Latin glocire), ‘to cluck,’ Italian chioccia, Spanish clueca, ‘clucking-hen.’
# An Etymological Dictionary of the German Language/Annotated/Gleichnis

| This annotated version expands the abbreviations in the original entry Gleichnis. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gleichnis, neuter, ‘similitude, allegory, parable,’ from Middle High German gelîchnisse, |. ni., Old High German gilîhnissa, feminine, ‘copy, model, parable.’ —
# An Etymological Dictionary of the German Language/Annotated/Gleißner

| This annotated version expands the abbreviations in the original entry Gleißner. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Gleißner, masculine, ‘hypocrite,’ from the equivalent Middle High German gelîchesenœre, allied to older Modern High German gleißen, ‘to dissemble.’ The latter is from Middle High German glîhsen, gelîchesen, Old High German gilîhhisôn, ‘to dissemble’; literally ‘to be equal to any one’ (from gleich), equivalent to the Middle High German parallel form gelîchsensen. Compare further Latin simulare, allied to similis.
# An Etymological Dictionary of the German Language/Annotated/Glimpf

| This annotated version expands the abbreviations in the original entry Glimpf. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Glimpf, masculine, ‘moderation, lenity,’ from Middle High German glimpf, gelimpf, masculine, ‘consistent, courteous demeanour generally,’ Old High German gilimpf, ‘fitness’; to these are allied Old High German gilimpflîh, Middle High German gelimpflich, ‘consistent,’ whence the Modern High German adverb glimpflich; akin to Old High German gilimpfan, Middle High German gelimpfen, ‘to be suitable’ (in Middle High German also ‘to make suitable’); compare Anglo-Saxon gelimpan, ‘to occur.’ The West Teutonic root limp in an appropriate sense has not been found in the non-Teutonic languages.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Warne, William Thompson

From volume 4 of the work.
​Warne, William Thompson, 1s. William, of Lambeth, Surrey, gent. St. John's Coll., matric. 28 June, 1847, aged 18; scholar 1847, until his death in 1849. See Robinson, 270.