OpenLLM-France/wikimedia huggingface dataset:
# Complete Encyclopaedia of Music/B/Barthelemon, F

Barthelemon, F. HIPPOLITE, a celebrated violinist and composer, was born at Bourdeaux, in France, in 1741, and lived some time in Paris, in which capital he composed, among other music, an opera called "Le Fleuve Scamandre," for the Italian Theatre. In the year 1765, he went to England, and in the following season produced a serious opera for the king's theatre, entitled "Pelopida," which was received with so much applause, that Garrick was induced to pay the author a visit for the purpose of asking him if he thought he could set English words to music. On Barthelemon's replying affirmatively, Garrick asked for pen, ink, and paper, and wrote the words of a song to be introduced in the play of "The Country Girl." Whilst thus engaged, Barthelemon, looking over Garrick's shoulder, actually wrote down music, in parts, to the song, as fast as the other penned the words. Garrick then turning round, and handing Barthelemon the words, said, "There, sir, is my song ; " to which the other answered, "And there, sir, is my music for it." Astonished and delighted at this unexpected exertion of talent, Garrick invited the composer to dine that day with him, in company with Dr. Johnson. The song proved so successful that it was encored every time it was sung ; and Garrick, in the fulness of his heart, promised to make Barthelemon's fortune. As a beginning of encouragement, he employed him to set to music the operatic farce of "A Peep behind the Curtain." The little burletta of Orpheus, in the second act, was so much admired, that this farce was per-formed a hundred and eight nights in one year. Garrick thus cleared by it several thousand pounds, and rewarded Barthelemon with the sum of forty guineas instead of fifty, which he had originally promised him, alleging, as an excuse, that the dancing cows had cost him so much money that he really could not afford to pay him any more. Barthelemon has composed the music to several other petit pieces for the theatres ; particularly to General Burgoyne's dramatic entertainment, "The Maid of the Oaks," which was first acted at Drury Lane, about the year 1774. At length, however, disgusted with the conduct of managers, he declined writing any thing more for the stage ; and, about the year 1794, was engaged with his family at the Rotunda in Dublin. Mrs. Barthelemon and her daughter were both musical, and had also a taste for composition. The former published a Net of hymns and anthems for the Asylum and Magdalen Chapels. We should have observed that, whilst in England, Barthelemon led for several seasons the opera band. As a violinist, his adagios were much admired : he also particularly excelled as a solo performer of Corelli's music. He died in London, at an advanced age, in the year 1808.
# Cur Deus Homo/Book First/Chapter 1
### CHAPTER I

The question on which the whole work rests.
I have been often and most earnestly requested by many, both personally and by letter, that I would hand down in writing the proofs of a certain doctrine of our faith, which I am accustomed to give to inquirers; for they say that these proofs gratify them, and are considered sufficient. This they ask, not for the sake of attaining to faith by means of reason, but that they may be gladdened by understanding and meditating on those things which they believe; and that, as far as possible, they may be always ready to convince any one who demands of them a reason of that hope which is in us. And this question, both infidels are accustomed to bring up against us, ridiculing Christian simplicity as absurd; and many believers ponder it in their hearts; for what cause or necessity, in sooth, God became man, and by his own death, as we believe and affirm, restored life to the world; when he might have done this, by means of some other being, angelic or human, or merely by his will. Not only the learned, but also many unlearned persons interest themselves in this inquiry and seek for its solution. Therefore, since many desire to consider this subject, and, though it seem very difficult in the investigation, it is yet plain to all in the solution, and attractive for the value and beauty of the reasoning; although what ought to be sufficient has been said by the holy fathers and their successors, yet I will take pains to disclose to inquirers what God has seen fit to lay open to me. And since investigations, which are carried on by question and answer, are thus made more plain to many, and especially to less quick minds, and on that account are more gratifying, I will take to argue with me one of those persons who agitate this subject; one, who among the rest impels me more earnestly to it, so that in this way Boso may question and Anselm reply.
# Cupid and the Muses

"Once lovely Venus to her wayward boy"
* Coates, Florence Earle (1912), "Cupid and the Muses" in The Unconquered Air, and Other Poems (1912).
* Coates, Florence Earle (1916), "Cupid and the Muses" in Poems II.
# Cur Deus Homo/Book First
### Contents

* Chapter I: The question on which the whole work rests.
* Chapter II: How those things which are to be said should be received.
* Chapter III: Objections of infidels and replies of believers.
* Chapter IV: How these things appear not decisive to infidels, and merely like so many pictures.
* Chapter V: How the redemption of man could not be effected by any other being but God.
* Chapter VI: How infidels find fault with us for saying that God has redeemed us by his death, and thus has shown his love towards us, and that he came to overcome the devil for us.
* Chapter VII: How the devil had no justice on his side against man; and why it was, that he seemed to have had it, and why God could have freed man in this way.
* Chapter VIII: How, although the acts of Christ's condescension which we speak of do not belong to his divinity, it yet seems improper to infidels that these things should be said of him even as a man; and why it appears to them that this man did not suffer death of his own will.
* Chapter IX: How it was of his own accord that he died, and what this means: "he was made obedient even unto death;" and: "for which cause God hath highly exalted him;" and: "I came not to do my own will;" and: "he spared not his own Son;" and: "not as I will, but as thou wilt."
* Chapter X: Likewise on the same topics; and how otherwise they can be correctly explained.
* Chapter XI: What it is to sin, and to make satisfaction for sin.
* Chapter XII: Whether it were proper for God to put away sins by compassion alone, without any payment of debt.
* Chapter XIII: How nothing less was to be endured, in the order of things, than that the creature should take away the honor due the Creator and not restore what he takes away.
* Chapter XIV: How the honor of God exists in the punishment of the wicked.
* Chapter XV: Whether God suffers his honor to be violated even in the least degree.
* Chapter XVI: The reason why the number of angels who fell must be made up from men.
* Chapter XVII: How other angels cannot take the place of those who fell.
* Chapter XVIII: Whether there will be more holy men than evil angels.
* Chapter XIX: How man cannot be saved without satisfaction for sin.
* Chapter XX: That satisfaction ought to be proportionate to guilt; and that man is of himself unable to accomplish this.
* Chapter XXI: How great a burden sin is.
* Chapter XXII: What contempt man brought upon God, when he allowed himself to be conquered by the devil; for which he can make no satisfaction.
* Chapter XXIII: What man took from God by his sin, which he has no power to repay.
* Chapter XXIV: How, as long as man does not restore what he owes God, he cannot be happy, nor is he excused by want of power.
* Chapter XXV: How man's salvation by Christ is necessarily possible.
# Cur Deus Homo/Book First/Chapter 11
### CHAPTER XI

What it is to sin, and to make satisfaction for sin.
Anselm. We must needs inquire, therefore, in what manner God puts away men's sins; and, in order to do this more plainly, let us first consider what it is to sin, and what it is to make satisfaction for sin.
Boso. It is yours to explain and mine to listen.
Anselm. If man or angel always rendered to God his due, he would never sin.
Boso. I cannot deny that.
Anselm. Therefore to sin is nothing else than not to render to God his due.
Boso. What is the debt which we owe to God?
Anselm. Every wish of a rational creature should be subject to the will of God.
Boso. Nothing is more true.
Anselm. This is the debt which man and angel owe to God, and no one who pays this debt commits sin; but every one who does not pay it sins. This is justice, or uprightness of will, which makes a being just or upright in heart, that is, in will; and this is the sole and complete debt of honor which we owe to God, and which God requires of us. For it is such a will only, when it can be exercised, that does works pleasing to God; and when this will cannot be exercised, it is pleasing of itself alone, since without it no work is acceptable. He who does not render this honor which is due to God, robs God of his own and dishonors him; and this is sin. Moreover, so long as he does not restore what he has taken away, he remains in fault; and it will not suffice merely to restore what has been taken away, but, considering the contempt offered, he ought to restore more than he took away. For as one who imperils another's safety does not enough by merely restoring his safety, without making some compensation for the anguish incurred; so he who violates another's honor does not enough by merely rendering honor again, but must, according to the extent of the injury done, make restoration in some way satisfactory to the person whom he has dishonored. We must also observe that when any one pays what he has unjustly taken away, he ought to give something which could not have been demanded of him, had he not stolen what belonged to another. So then, every one who sins ought to pay back the honor of which he has robbed God; and this is the satisfaction which every sinner owes to God.
Boso. Since we have determined to follow reason in all these things, I am unable to bring any objection against them, although you somewhat startle me.
# Cupid and Psyche (Apuleius)

Originally part of The Golden Ass; occasionally published separately as its own work
English-language translations of Cupid and Psyche include:
* For versions published as part of The Golden Ass, see The Golden Ass
* Cupid and Psyche, a Spenserian translation by Mary Tighe
* The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche, an 1887 reprint of William Adlington's translation with a foreword by Andrew Lang
# Czech Folk Tales/The haunted mill

THE HAUNTED MILL
There was a haunted mill, and, dear me, what was it like! A rope-dancer came there with some monkeys. In the evening the Waternick came with a basketful of fishes. He made a fire and fried the fishes. Meanwhile the monkeys had been sitting behind the stove, but when the Nick put the fishes in the pan and was tasting whether they were done, the monkeys came from behind the stove, and one of them put its paw into the pan. The man smacked him over the paw and said: "Get away, pussy! You didn't catch them, so don't eat them." And the monkey ran away.
After awhile comes another monkey and puts his paw in the pan. He smacked him too and said the same. But the rope-dancer had a bear, too, which was lying under the table all the time; and, when he heard the Waternick speak, he came from under the table, ran straight to the pan, and put his ​paw into it. The Waternick did the same to him as he had done to the monkeys. But the bear couldn't stand that. He sprang upon the poor Waternick and gave him a good beating. The Waternick had to run off, leaving the fishes behind. He didn't haunt the mill any more, and that's how they got rid of him.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1965, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 58 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Confirmation of Charters Act 1267

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Part of the Statute of Malborough
Statutes made at Marlborough, alias Marleberge, 18 Novemb. Anno 52 HEN. III. and Anno Dom. 1267.
Confirmation of Charters Act 1267
1267 (52 Hen. 3) C A P. V.
In the Year of Grace, One thousand two hundred sixty seven, the two and fiftieth Year of the Reign of King HENRY, Son of King JOHN, in the Utas of St. Martin, the said King our Lord providing for the better Estate of his Realm of England, and for the more speedy Ministration of Justice, as belongeth to the Office of a King, the more discreet Men of the Realm being called together, as well of the higher as of the lower Estate: It was provided, agreed, and ordained, that whereas the Realm of England of late had been disquieted with manifold Troubles and Dissensions; for Reformation whereof Statutes and Laws be right necessary, whereby the Peace and Tranquillity of the People*2 must be observed:Wherein the King, intending to devise convenient Remedy, hath made these Acts, Ordinances, and Statutes underwritten, which he willeth to be observed for ever firmly and inviolably of all his Subjects, as well high as low."
A Confirmation of the Great Charter, and the Charter of the Forest.
The Great Charter shall be observed in all his Articles, as well in such as pertain to the King, as to other; and that shall be enquired afore the Justices in Eyre in their Circuits, and afore the Sheriffs in their Counties, when need shall be.
(2) And Writs shall be freely granted against them that do offend, before the King, or the Justices of the Bench, or before Justices in Eyre, when they come into those Parts.
(3) Likewise the Charter of the Forest shall be observed in all his Articles, and the Offenders, when they be convict, shall be grievously punished by our Sovereign Lord the King in Formabove mentioned.'
15 E. 4. 13.
2 Inst. 108.
Note : this act is listed in the Chronological Table of Statutes as the Confirmation of Charters Act 1267
This work is in the public domain worldwide because it was created by a public body of the United Kingdom with Crown Status and commercially published before 1974.
See Crown copyright artistic works, Crown copyright non-artistic works and List of Public Bodies with Crown Status.
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# Confirming All who analyze

Confirming All who analyze In the Opinion fair That Eloquence is when the Heart Has not a Voice to spare —
# Confiscation Cases

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United States Supreme Court
74 U.S. 454
Confiscation Cases
THE question in this case arose upon a motion of Mr. Evarts, Attorney-General, in fifteen appeals from the Eastern District of Louisiana, in which judgments had been given on libels for condemnation and forfeiture-as having been employed in aid of the rebellion, with the consent of the owners-against the Trent and five other vessels, from which judgments the owners of the vessels appealed; and given in favor of the Eleanor and eight other vessels, from which the United States appealed.
Mr. Justice CLIFFORD stated the case more particularly, prior to delivering, as hereinafter, the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Confiscation in Irish history

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plantations in Ireland involved the confiscation of land by the English crown and the colonisation of this land with settlers from the island of Great Britain
CONFISCATION
IN IRISH HISTORY
BY
WILLIAM F. T. BUTLER, M.A.
(M.R.I.A.)
Author of "The Lombard Communes"
T. FISHER UNWIN, LTD. LONDON: ADELPHI TERRACE 1917
CONTENTS :
| Introductory Note | Introductory Note | vii. |
| Chapter | | Page |
| I. | The Tudor Confiscations | 1 |
| II. | The Plantation of Ulster | 37 |
| III. | The Plantation of Leinster | 55 |
| IV. | The Confiscation of Connaught and Ormond | 97 |
| V. | The Cromwellian Confiscation | 115 |
| VI. | The Restoration Settlement | 165 |
| VII. | Jacobites and Williamites | 206 |
| VIII. | Results of Confiscation | 233 |
| | Index | 257 |
MAPS :
| | | | Page |
| Map | I. | General Map of Ireland to show localities mentioned in the text | frontispiece |
| Map | II. | Ireland under Henry VIII. | 6 |
| Map | III. | South-East Leinster in the 16th Century | 62 |
| Map | IV. | To illustrate the Plantation of Leinster | 88 |
| Map | V. | East Munster in the 16th Century | 108 |
* George Philip & Son. Ltd.
* MAP I.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Confidential Security Information about Liancourt Rocks

* information about this edition.
* sister projects: Wikidata item.
Letter from Office of Northeast Asian Affairs (Kenneth T. Young, Jr., Director Office of Northeast Asian Affairs) To E. Allan Lightner American Embassy, Pusan KoreaWarning: template has been deprecated.
​Official - Informal
Dear Al:
E. Allan Lightner, Esquire
FE:NA:RMHerndon:eb November 5, 1952
​Official - Informal Confidential Security Information
Sincerely yours,
* Kenneth T. Young, Jr.,
* Director
* Office of Northeast Asian Affairs
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Confirmation

* Search for titles containing or beginning with: "Confirmation."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Confirmation", a poem by Annie Isabel Curwen
* "Confirmation", a poem by Maria Theresa Rice
# Confined Love

Some man unworthy to be possessor Of old or new love, himself being false or weak, Thought his pain and shame would be lesser, If on womankind he might his anger wreak; And thence a law did grow, One might but one man know; But are other creatures so?
Are sun, moon, or stars by law forbidden To smile where they list, or lend away their light? Are birds divorced or are they chidden If they leave their mate, or lie abroad a night? Beasts do no jointures lose Though they new lovers choose; But we are made worse than those.
Who e'er rigg'd fair ships to lie in harbours, And not to seek lands, or not to deal with all? Or built fair houses, set trees, and arbours, Only to lock up, or else to let them fall? Good is not good, unless A thousand it possess, But doth waste with greediness.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Daily Trials by a Sensitive Man

Oh, there are times When all this fret and tumult that we hear Do seem more stale than to the sexton's ear  His own dull chimes.
Ding dong! ding dong! The world is in a simmer like a sea Over a pent volcano, — woe is me  All the day long!
From crib to shroud! Nurse o'er our cradles screameth lullaby, And friends in boots tramp round us as we die,  Snuffling aloud.
At morning's call The small-voiced pug-dog welcomes in the sun, And flea-bit mongrels, wakening one by one,  Give answer all.
When evening dim Draws round us, then the lonely caterwaul, Tart solo, sour duet, and general squall, —  These are our hymn.
Women, with tongues Like polar needles, ever on the jar; Men, plugless word-spouts, whose deep fountains are  Within their lungs.
Children, with drums Strapped round them by the fond paternal ass; Peripatetics with a blade of grass  Between their thumbs.
Vagrants, whose arts Have caged some devil in their mad machine, Which grinding, squeaks, with husky groans between,  Come out by starts.
Cockneys that kill Thin horses of a Sunday, — men, with clams, Hoarse as young bisons roaring for their dams  From hill to hill.
Soldiers, with guns, Making a nuisance of the blessed air, Child-crying bellman, children in despair,  Screeching for buns.
Storms, thunders, waves! Howl, crash, and bellow till ye get your fill; Ye sometimes rest; men never can be still  But in their graves.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Dainese v. Hale

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United States Supreme Court
91 U.S. 13
Dainese v. Hale
ERROR to the Supreme Court of the District of Columbia.
This action was brought to recover the value of certain goods, chattels, and credits of the plaintiff, which the defendant, in November, 1864, then being Consul-General of the United States in Egypt, caused to be attached. The declaration alleged that the defendant, by usurpation and abuse of his power as such consul-general, and for the malicious purpose of injuring the plaintiff, took cognizance of a certain controversy between the plaintiff and Richard H. and Anthony B. Allen (all being citizens of the United States, and none of them residents of or sojourners within the Turkish dominions at that time), and made and issued the order of attachment by virtue of which the seizure in question was made.
The defendant pleaded, that, at the time of issuing the attachment, he was agent and Consul-General of the United States in Egypt, and was furnished with a letter of credence from the President of the United States to the Pacha; that in his said official capacity he exercised the functions and duties of a minister; and by the law of nations, as well as the laws of the United States, he was invested with judicial functions and power over citizens of the United States residing in Egypt, and, in the exercise of those functions, took cognizance of the cause referred to in the declaration, and issued the attachment complained of.
To this plea there was a general demurrer, which was overruled.
Mr. F. P. Cuppy and Mr. S. S. Henkle for the plaintiff in error, and Mr. W. Penn Clarke for the defendant in error.
MR. JUSTICE BRADLEY delivered the opinion of the court

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Dainese v. Kendall

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United States Supreme Court
119 U.S. 53
Dainese v. Kendall
J. W. Douglass and G. L. Douglass, for appellant.
J. S. Edwards and Job Barnard, for appellees.
WAITE, C. J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Dainese v. Cooke

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United States Supreme Court
91 U.S. 580
Dainese v. Cooke
APPEAL from the Supreme Court of the District of Columbia.
Mr. F. P. Cuppy and Mr. John W. Ross for the appellant, and Mr. Edwin L. Stanton for the appellees.
MR. JUSTICE MILLER delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse