# Journal of the Straits Branch of the Royal Asiatic Society/Volume 62/Three Early Kěris

Three Early Kĕris.
By R. O. Winstedt, F.M.S. Civil Service
With Plates V. and VI.
The three kĕris illustrated in Plate V, different views of two of which may be seen in Plate VI, are probably the earliest authenticated specimens in any English collection. To describe them briefly. The kĕris on the left, a curving blade with 13 lok, has a hilt showing the features of a European in a helmet and chain gorget, features as caricatured as is the portrait of the Dutchman in the folk-tale of Anggan che Tunggul
   Gĕrham-nya ĕmpat sa-rumpun; Sa-gantang makan daging; Dua chupak lĕkat di gigi-nya.
The small kĕris in the centre of Plate V and on the left of Plate VI has a hilt carved with the Javanese representation of some demigod from the wayang kulit cycle, possibly Arjuna; probably, any Javanese could identify it, though writing in England I have no means to discover. It is to be noted that the angle of the hilt follows the conventional attitude of the Jawa dĕmam or cobra-headed Malay hilt, the evolution of which is and probably will remain unsolved. It may be remarked, that the high forehead of Javanese demi-gods would seem to point to this artistic type deriving from a people among whom binding of the head was a custom.
The third kĕris, which is illustrated only in Plate V is interesting for several reasons:—the blade, by the bye, is damasked and has eleven lok. The hilt preserves the conventional angle of the Jawa dĕmam; the long-nosed figure (the nose unfortunately has been broken off) with its row of tooth has a striking affinity with the still longer nosed figure on Patani kĕris hilts, but the back of its head is carved with hair like that of the last kĕris. And it is to be noted that the curved conventional ornament round mouth and chin is almost identical with that round mouth and chin of the Javanese demi-god.
These three kĕris are now in the Ashmolean Museum, Oxford, and belong to the old Tradescant Collection, which dates from the beginning of the 17th century.
John Tradescant the elder is said by Anthony à Wood to have been a Dutchman, but was probably English oven in his name, of which other variants wore Tradeskin and Tredeskin. He and his son of the same name wore travellers, naturalists and gardeners and introduced into England the lilac, acacia, occidental plane and possibly the pine-apple. In the service of George Villiers, Duke of Buckingham, the father dealt with all merchants from all places but especially from Virginia, Bermudas, ​Journal. Straits Branch, Royal Asiatic Society. No. 62.
Plate V.
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Kĕris in the Ashmolean Museum, Oxford.
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Kĕris in the Ashmolean Museum, Oxford.
The old M. S catalogue of the Tradescant collection compiled in 1685 by Edward Lhywd, first Assistant Keeper of the Ashmolean and still preserved in the archives of the museums contains entries of several creeses vaguely described and an attempt at exact description of the little demi-god hilted kĕris: "117 Pugio anceps in mucronem exit, manubrium simiae imaginem exprimit: a double-edged, dagger tapering to a point,—its handle exhibiting the figure of an ape." The vagina lignea or wooden scabbard has been lost.
The official catalogue of the Ashmolean Collection of 1836 has the entries
32 Two Malay creeses or daggers with waved blades. Mus. Tradesc.
33 Another with straight blade. Mus. Tradesc.
So we have the history of those three kĕris established practically beyond doubt back to the early years of the XVIth century. I am indebted to Mr. E. T. Leeds, formerly of the F. M. S. Civil Service and now Assistant Keeper of the Ashmolean Museum for callling my attention to these weapons, getting them photographed for me and putting the Catalogues cited at my disposal,