OpenLLM-France/wikimedia huggingface dataset:
# The Golden Treasury of English Songs and Lyrics/Book 2

The Golden Treasury
Book Second
* Poem LXII: Ode on the Morning of Christ's Nativity
* Poem LXIII: Song for Saint Cecilia's Day, 1687
* Poem LXIV: On the Late Massacre in Piemont
* Poem LXV: Horatian Ode upon Cromwell's Return from Ireland
* Poem LXVI: Lycidas
* Poem LXVII: On the Tombs in Westminster Abbey
* Poem LXVIII: The Last Conqueror
* Poem LXIX: Death the Leveller
* Poem LXX: When the Assault was Intended to the City
* Poem LXXI: On His Blindness
* Poem LXXII: Character of a Happy Life
* Poem LXXIII: The Noble Nature
* Poem LXXIV: The Gifts of God
* Poem LXXV: The Retreat
* Poem LXXVI: To Mr. Lawrence
* Poem LXXVII: To Cyriack Skinner
* Poem LXXVIII: Hymn to Diana
* Poem LXXIX: Wishes for the Supposed Mistress
* Poem LXXX: The Great Adventurer
* Poem LXXXI: Child and Maiden
* Poem LXXXII: Counsel to Girls
* Poem LXXXIII: To Lucasta, on Going to the Wars
* Poem LXXXIV: Elizabeth of Bohemia
* Poem LXXXV: To the Lady Margaret Ley
* Poem LXXXVI: The Loveliness of Love
* Poem LXXXVII: The True Beauty
* Poem LXXXVIII: To Dianeme
* Poem LXXXIX
* Poem XC: To Celia
* Poem XCI: Cherry-Ripe
* Poem XCII: The Poetry of Dress, part 1
* Poem XCIII: The Poetry of Dress, part 2
* Poem XCIV: The Poetry of Dress, part 3
* Poem XCV: On a Girdle
* Poem XCVI: To Anthea Who May Command Him Any Thing
* Poem XCVII
* Poem XCVIII
* Poem XCIX: To Althea from Prison
* Poem C: To Lucasta, on Going Beyond the Seas
* Poem CI: Encouragements to a Lover
* Poem CII: A Supplication
* Poem CIII: The Manly Heart
* Poem CIV: Melancholy
* Poem CV: To a Lock of Hair
* Poem CVI: The Forsaken Bride
* Poem CVII: Fair Helen
* Poem CVIII: The Twa Corbies
* Poem CIX: To Blossoms
* Poem CX: To Daffodils
* Poem CXI: Thoughts in a Garden
* Poem CXII: L'Allégro
* Poem CXIII: Il Penseroso
* Poem CXIV: Song of the Emigrants in Bermuda
* Poem CXV: At a Solemn Music
* Poem CXVI: Alexander's Feast, or, the Power of Music
# The Golden Treasury of English Songs and Lyrics/Dedication

TO ALFRED TENNYSON
poet laureate
This book in its progress has recalled often to my memory a man with whose friendship we were once honoured, to whom no region of English Literature was unfamiliar, and who, whilst rich in all the noble gifts of Nature, was most eminently distinguished by the noblest and the rarest,—just judgment and high-hearted patriotism. It would have been hence a peculiar pleasure and pride to dedicate what I have endeavoured to make a true national Anthology of three centuries to Henry Hallam. But he is beyond the reach of any human tokens of love and reverence; and I desire therefore to place before it a name united with his by associations which, whilst Poetry retains her hold on the minds of Englishmen, are not likely to be forgotten.
Your encouragement, given while traversing the wild scenery of Treryn Dinas, led me to begin the work; and it has been completed under your advice and assistance. For the favour now asked I have thus a second reason: and to this I may add, the homage which is your right as Poet, and the gratitude due to a Friend, whose regard I rate at no common value.
​Permit me then to inscribe to yourself a book which, I hope, may be found by many a lifelong fountain of innocent and exalted pleasure; a source of animation to friends when they meet; and able to sweeten solitude itself with best society,—with the companionship of the wise and the good, with the beauty which the eye cannot see, and the music only heard in silence. If this Collection proves a storehouse of delight to Labour and to Poverty,—if it teaches those indifferent to the Poets to, love them, and those who love them to love them more, the aim and the desire entertained in framing it will be fully accomplished.
F. T. P.
May: 1861
# The Golden Violet with its Tales of Romance and Chivalry and Other Poems/Clemenza’s Song

There was silence around the stately hall, For that song laid the spell of its darkness o'er all; Some thought of their hopes now low in the tomb; Others of hopes that were but in their bloom,
And trembled to think how frail, if how fair, Earth's pleasures in beauty and being are; Others had thoughts they feared to name, As that pilgrim could read each heart in its shame: But word or sign gave he to none, And away like a shadow in silence hath gone. Rose the Countess, and left her throne, Signal it was that the meeting was done, And spoke her summons, and graceful led To where the sumptuous board was spread.
Evening came, and found its hours Vow'd to music, mirth, and flowers. Wide ten gorgeous halls were flung, Each with purple tapestry hung; With wreathes, whose roses were as bright As in the first morning light;
Mirrors like the glassy plain, Where the beauty beam'd again; Pictures whose Italian grace Show'd inspiration's finest trace, To whose wing'd moods were given Moment's visionings of heaven; And, more than all together fair, Beauty's living soul was there.
Follow'd by those who pleasaunce took In converse light and curious look, The Countess led where leaf and flower Made one small hall an Eastern bower. The blush acacia seem'd to keep Watch o'er the rose's purple sleep; And tulips, like the wine-cups stored Round a monarch's festal board;
And the roof above, as art Vied with nature's loveliest part, Was so curiously inlaid, That there another garden play'd. No lamps amid the foliage hung, But silver smiles the moonbeams flung; And radiance from each distant room Lighted the flowers' and ladies' bloom. A harp was there. The haunt was one, Where many a summer noon, alone, Clemenza lent time music's wings; And, dreaming o'er the mournful strings, Learn'd other lessons than those taught By pride, and wealth, and worldly thought. Said the band round that it were shame,  Such hour should pass unhymn'd away;
And many a fair lip smiled its claim,  As echo sweet to minstrel lay. Pray'd they the countess that her hand Should first assume the harp's command. She paused, then said that she would wake One, for that nameless poet's sake; One song snatch'd from oblivion's wave, Like the lone lily on his grave.
SONG.
My heart is like the failing hearth  Now by my side, One by one its bursts of flame  Have burnt and died. There are none to watch the sinking blaze,  And none to care, Or if it kindle into strength,  Or waste in air.
My fate is as yon faded wreath  Of summer flowers; They've spent their store of fragrant health  On sunny hours, Which reck'd them not, which heeded not  When they were dead; Other flowers, unwarn'd by them  Will spring instead. And my own heart is as the lute  I am now waking; Wound to too fine and high a pitch  They both are breaking. And of their song what memory  Will stay behind? An echo, like a passing thought,  Upon the wind.
Silence, forgetfulness, and rust,  Lute, are for thee: And such my lot; neglect, the grave,  These are for me.
# The Golden Treasury of English Songs and Lyrics/front matter

The Golden Treasury
LONDON, R. CLAY, SON AND TAYLOR PRINTERS, BREAD STREET HILL.
TENTH THOUSAND: DEC. 1861
# The Golden Violet with its Tales of Romance and Chivalry and Other Poems

Layout 2
* C. C. Pyne del. E. J. Portbury sculp.
* And beneath was piled up mound of stones
* Whence a rude grey cross arose
* 'And lo' said the ancient servitor
* 'It is here thy father is laid.'
* Ballad of Sir Walter Manny p.230
* Published by Longman, Rees, Orme, Brown & Green, Dec. 11 1826
THE
GOLDEN VIOLET,
WITH
ITS TALES OF
ROMANCE AND CHIVALRY:
AND
OTHER POEMS.
By L. E. L.
AUTHOR OF "THE IMPROVISATRICE," "THE TROUBADOUR," ETC.
LONDON:
PRINTED FOR LONGMAN, REES, ORME, BROWN AND GREEN, PATERNOSTER-ROW,
1827.
London: Printed by A. & H. Spottiswoode, New-Street-Square.
TO
THE REV. JAMES LANDON,
RECTOR OF ABERFORD AND AMESTRY.
My dear Uncle,
I inscribe to you this volume, the greater part of which was written under your affectionate roof, during the two pleasant seasons I have past with you. To have it deemed worthy of your critical judgement, and your more partial approval, would indeed be the pride and pleasure of
Your gratefully attached
L. E. L. December 1826. ​ ​
INTRODUCTION.
The title of the Golden Violet is taken from the Festival alluded to in the close of the Troubadour. There are various accounts of the origin of this metrical composition: the one from which my idea was principally taken is that mentioned by Warton. ​
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Golden Treasury of English Songs and Lyrics/Book 1/Poem 9

ix
PRESENT IN ABSENCE
# The Golden Treasury of English Songs and Lyrics/Book 1/Poem 8

viii
# The Encyclopedia Americana (1920)/Knight, John James

Edition of 1920. See also John James Knight on Wikipedia, and the disclaimer.
KNIGHT, John James, Australian journalist and historian: b. Hanley, England, 7 June 1863. He has worked as a journalist in Australia and England. He arrived in Australia at the age of 11, and in 1884 he joined the staff of the Brisbane Courier. Five years later he went over to the Observer as sub-editor and was made editor the following year. In 1906 be became editor-in-chief of the Courier. Knight is one of the best writers on Australian history, and especially on that of Queensland. Among his published works are ‘Brisbane, Past and Present’; ‘Australian Pioneers,’ and ‘The Story of South Africa’ (collaboration).
# The Encyclopedia Americana (1920)/Kobbé, Gustav

Edition of 1920. See also Gustav Kobbé on Wikipedia, and the disclaimer.
KOBBÉ, kŏb'bā, Gustav, American author and journalist: b. New York, 4 March 1857; d. 1918. He was graduated at Columbia University in 1877, and from its Law School in 1879, and received the degree of M.A. from this institution in 1880; was on the staff of the New York Sun in 1881, and correspondent of the New York World at the first performance of ‘Parsifal’ at Bayreuth in 1882. As a journalist he has always specialized in music, drama and art, and since 1905 has been art critic of the New York Herald. His Wagner books (1889-90), after going through many editions, were combined in ‘Wagner's Music-Dramas Analyzed’ (1904). Besides these and many magazine articles in the Century, the North American Review, the Forum, the Ladies' Home Journal, the Delineator, etc., he has published ‘My Rosary and Other Poems’ (1896); ‘Plays for Amateurs’ (1892); ‘Miriam,’ a story (1898); ‘Opera Singers’ (1901); ‘Signora, a Child of the Opera House,’ a novel (1902); ‘Famous Actors and Actresses and Their Homes’ (1903); ‘Loves of the Great Composers’ (1905); ‘Wagner and His Isolde’ (1905); ‘Famous American Songs’ (1906); ‘How to Appreciate Music’ (1906); ‘The Pianolist’ (1907); ‘A Tribute to the Dog’ (1911); ‘Portrait Gallery of Great Composers’ (1911); ‘Modern Women’ (1916). He was editor of the Lotus Magazine from 1909 to 1918.
# The Encyclopedia Americana (1920)/Knight, Sarah Kemble

Edition of 1920. See also Sarah Kemble Knight on Wikipedia, and the disclaimer.
KNIGHT, Sarah Kemble, American author: b. Boston, 19 April 1666; d. near New London, Conn., 25 Sept. 1727. In 1706-13 she conducted at Boston a school in which Samuel Mather and Benjamin Franklin were at one time pupils. By New England custom she was styled “Madam” Knight as a token of respect. Her ‘Journal Kept on a Journey from Boston to New York in the Year 1704’ (New York 1825) is a diary record evidently compiled from daily notes made on the way. It is valuable for its account of customs and manners and its descriptions of the settlements, being at the same time interesting for its original orthography and interspersed rhymes. A reprint with additional notes was published by F. H. Little (Albany 1865). Consult Caulkins, F. M., ‘History of New London, 1612-1860’ (New London 1895); id., ‘History of Norwich, Conn.’ (Hartford 1866); Deane, W. R., ‘Journal of Madam Knight’ (in Living Age, Vol. LVII, Boston 1858); Tyler, M. C., ‘History of American Literature’ (Vol. II, New York 1879).
# The Encyclopedia Americana (1920)/Koala

Edition of 1920. See also Koala on Wikipedia, and the disclaimer.
KOALA, a remarkable marsupial (Phascolarctos cinereus) of the family Phalangeridæ, found chiefly in the interior of New South Wales, and known to the colonists as “native bear.” It is about two feet long, and has a heavy, depressed, somewhat bear-like form, no tail, strong limbs with five digits armed with long claws on each, the inner digit on the hind feet and two inner on the fore feet opposable to the others, the ears large and like the rest of the body covered with a dense gray woolly fur. These characteristics fit it for an arboreal existence, and it lives altogether in trees, descending only occasionally to dig for roots. It is especially active at night and feeds on leaves and buds of eucalyptus trees. It is timid and defenseless, and is killed with clubs by the Australian blackfellows, who eat its flesh. (See Wombat). Consult authorities cited under Marsupialia.
# The Encyclopedia Americana (1920)/Kobbé, William August

Edition of 1920. See also William August Kobbé on Wikipedia, and the disclaimer.
KOBBÉ, William August, American army officer: b. New York, 10 May 1840. He was educated there and in Germany where he studied mining engineering until 1862, when he enlisted in the volunteer service and served until the end of the Civil War, rising to rank of captain, brevet-major and lieutenant-colonel. He was appointed lieutenant in the regular army (infantry) in 1866, serving on frontier in New Mexico and Kansas during Indian hostilities until 1872 when he was transferred to the artillery arm. He was graduated at the artillery school in 1873; was in the Philippine service, 1898-1901, as major of the 3d United States Artillery, colonel of the 35th United States Volunteers, brigadier-general of the United States volunteers and brigadier-general of the United States army. He was in command of joint army and naval expedition to open the
Hemp Ports to commerce and was made military governor of Mindanao and Jolo; and commanded the Department of Dakota at Saint Paul from 1902 until retired as major-general in 1904.
# The Encyclopedia Americana (1920)/Knight, Richard Payne

Edition of 1920. See also Richard Payne Knight on Wikipedia, and the disclaimer.
KNIGHT, Richard Payne, English numismatist and archæologist: b. Wormsley Grange, near Ludlow, Herefordshire, 1750; d. London, 23 April 1824. Having been bequeathed a fortune, he traveled extensively, and wherever he went, especially in Italy, where he was in 1767, 1777 and 1785, he made a specialty of collecting ancient coins, bronzes, gems, drawings
and other antiques. From 1780 to 1806 he was a member of Parliament and for 10 years, 1814-24, served as one of the trustees of the British Museum, to which, upon his death, he left his magnificent archæological collection, especially rich in bronzes and Greek coins. The trustees in 1830 published his manuscript catalogue of his coin collection. His works, which were numerous, included ‘An Account of the Remains of the Worship of Priapus lately existing at Isernia in the Kingdom of Naples’ (1786); ‘Analytical Essay on the Greek Alphabet’ (1791); ‘An Inquiry into the Symbolic Language of Ancient Art and Mythology’ (London 1818); ‘Analytical Inquiry into the Principles of Taste’ (1805), etc. He also published several volumes of poems and an edition of Homer (1808). Consult Edwards, E., ‘Lives of the Founders of the British Museum, etc.’ (Vol. I, London 1870).
# The Encyclopedia Americana (1920)/Knight, Thomas Andrew

Edition of 1920. See also Thomas Andrew Knight on Wikipedia, and the disclaimer.
KNIGHT, Thomas Andrew, English horticulturist: b. Wormsley Grange, near Ludlow, Herefordshire, 10 Oct. 1758; d. London, 11 May 1838. He was a younger brother of Richard Payne Knight (q.v.). After graduating from Baliol College, Oxford, he took up the study of horticulture. He first brought himself before the public in 1795 by the publication of the results of his researches into the propagation of fruit-trees and the diseases prevalent among them. He raised new varieties of many fruits and vegetables, many of which bear his name. He was one of the original members of the Horticultural Society, founded in 1804, and from 1811 until his death its president. He was also a fellow of the Royal Society (1805), recipient of its Copley medal (1806), and a fellow of the Linnæan Society (1807). Beside the papers, 46 in number, which he contributed to the ‘Transactions’ of the Royal Society, and the papers, more than 100 in number, which he contributed to the ‘Transactions’ of the Horticultural Society, he wrote ‘A treatise on the Culture of the Apple and Pear, and on the Manufacture of Cider and Perry’ (1797); ‘Pomona Herefordiensis, or Natural History of the Old Cider and Perry Fruits of the County of Hereford’ (1811). ‘A Selection from the Physiological and Horticultural
Papers’ of the late T. A. Knight was published in 1841 (G. Bentham and J. Lindley, editors), together with a biographical sketch of his life. Consult Royal Society of London, Proceedings, Vol. IV, p. 92, London 1838.
# The Encyclopedia Americana (1920)/Knortz, Karl

Edition of 1920. See also Karl Knortz on Wikipedia, and the disclaimer.
KNORTZ, nôrz, Karl, American author: b. Garbenheim, near Wetzlar, 28 Aug. 1841. He was educated at Heidelberg University and came to the United States in 1863. He taught in Detroit, Oshkosh and Cincinnati, 1864-74, edited a German daily in Indianapolis for some years, and from 1892 to 1905 was superintendent of German schools in Evansville, Ind. In the latter year he removed to North Tarrytown, N. Y., and has devoted himself to letters. Among his numerous works are ‘Tales and Legends of the North-American Indians’ (1871); ‘American Sketches’ (1876); ‘Longfellow’ (1879); ‘From the Wigwam’ (1880); ‘Capital and Labor in America’ (1881); ‘Indian Legends’; ‘Pictures of American Life’ (1884); ‘History of American Literature,’ in German (1891); ‘Individuality’ (1897); ‘Child Study’ (1899); ‘Ein amerikanischer Diogenes’ (1898); ‘Poetischer Hauschatz der Nordamerikaner’ (1902); ‘Nackklänge germanischer Glaubers und Brauchs in Amerika’ (1903); ‘Streifzüge auf dem Gebiete amerikanischer Volkskunde’ (1903); ‘Friedrich Nietzsche, der Unzeitgemässe’ (1909); ‘Die Insekten in Sage, Brauch, und Literatur’ (1910); ‘Walt Whitman und seine Nachfolger’ (1910); ‘Reptilien und Amphibien in Sitte, Sage, und Literatur’ (1911); ‘Teufel, Hexe, und Blocksbergspuk’ (1913); ‘Die Vögel im Sage, Sitte, und Literatur’ (1913); ‘American Jews’ (1914); ‘American Superstitions of To-day’ (1913). He has very materially assisted in making American authors known in Germany through his translations into German poems of Longfellow, Whittier and Walt Whitman.
# The Encyclopedia Americana (1920)/Knyphausen, Wilhelm von

Edition of 1920. See also Wilhelm von Knyphausen on Wikipedia, and the disclaimer.
KNYPHAUSEN, knĭp'how-zĕn, Baron Wilhelm von, German solder: b. Lützberg, 4 Nov. 1716; d. Cassel, 7 Dec. 1800. Educated at Berlin, he entered the Prussian army in 1734, in which he became in 1775 a general officer under Frederick II (the Great), He came to the United States in that year as second in command of the Hessians in the English service, and superseded General von Heister as Commander-in-chief in 1777. He fought at Long Island, White Plains, Brandywine and Monmouth; and during the temporary absence of Clinton in 1780, commanded New York. In 1782 he returned to Germany, where he later
became military governor of Cassel. He was a capable soldier, and had no high opinion of his unreliable mercenaries.
# The Encyclopedia Americana (1920)/Knobelsdorff-Brenkenhoff, Nataly von

Edition of 1920. See also Nataly von Eschstruth on Wikipedia, and the disclaimer.
KNOBELSDORFF-BRENKENHOFF, knō'bĕls-dôrf-brĕnk'ĕn-hōf, Nataly von, German novelist: b. Hofgeismar, 17 May 1860. She wrote under her maiden name, Nataly von Eschstruth. She was daughter of a Hessian officer and was educated in Berlin; married Capt. Franz Knobelsdorff-Brenkenhoff (1880), and after her travels lived at Schwerin. She started early writing short stories and plays; of the latter ‘Karl Augusts Brautfahrt,’ ‘Die Sturmnixe,’ were placed on the stage. Her rapidly sketched novels and stories soon gained popularity and some reached several editions. She wrote ‘Wolfsburg’ (Jena 1884); ‘Gänsebiesel’ (Berlin 1886); ‘Katz und Maus’ (ib. 1886); ‘Pot-pourri’ (1886); ‘Humoresken’ (1887); ‘Palnisch Blut’ (1887, 2 vols.); ‘Die Erlkönigin’ (1887); ‘Hazard’ (1888, 2 vols.); ‘Hoflust’ (1889; 9th ed., 1899); ‘Sternschuppen’ (1890); ‘Im Schellenhemd’ (1894, 2 vols.). Other two-volume works were ‘Von Gottes Gnaden’ (1894); ‘Der Stern des Glucks’ (1897); ‘Der Majoratskerr’ (1898); ‘Der verlorene Sohn’ (1902); ‘Die Bären von Hohen-Esp’ (1902; 8th ed., 1904). She brought out a volume of her poems under the title ‘Wegekraut’ (Dresden 1887), and a collection of her works has been published serially since 1899 in Leipzig.
# The Panther

Verse Indeterminate Saxon
    Monge sindon    geond middangeard unrimu cynn,    þe we æþelu ne magon ryhte areccan    ne rim witan; þæs wide sind    geond world innan

## 5

    fugla ond deora    foldhrerendra wornas widsceope,    swa wæter bibugeð þisne beorhtan bosm,    brim grymetende, sealtyþa geswing.    We bi sumum hyrdon wrætlice gecynd    wildra secgan

## 10

    firum freamærne    feorlondum on eard weardian,    eðles neotan æfter dunscrafum.    Is þæt deor pandher bi noman haten,    þæs þe niþþa bearn, wisfæste weras    on gewritum cyþað

## 15

    bi þam anstapan.    Se is æghwam freond, duguða estig,    butan dracan anum, þam he in ealle tid    ondwrað leofaþ þurh yfla gehwylc    þe he geæfnan mæg. ðæt is wrætlic deor,    wundrum scyne

## 20

    hiwa gehwylces;    swa hæleð secgað, gæsthalge guman,    þætte Iosephes tunece wære    telga gehwylces bleom bregdende,    þara beorhtra gehwylc æghwæs ænlicra    oþrum lixte

## 25

    dryhta bearnum,    swa þæs deores hiw, blæc brigda gehwæs,    beorhtra ond scynra wundrum lixeð,    þætte wrætlicra æghwylc oþrum,    ænlicra gien ond fægerra    frætwum bliceð,

## 30

    symle sellicra.    He hafað sundorgecynd, milde, gemetfæst.    He is monþwære, lufsum ond leoftæl,    nele laþes wiht ængum geæfnan    butan þam attorsceaþan, his fyrngeflitan,    þe ic ær fore sægde.

## 35

    Symle fylle fægen,    þonne foddor þigeð, æfter þam gereordum    ræste seceð dygle stowe    under dunscrafum; ðær se þeodwiga    þreonihta fæc swifeð on swefote,    slæpe gebiesgad.

## 40

    þonne ellenrof    up astondeð, þrymme gewelgad,    on þone þriddan dæg, sneome of slæpe.    Sweghleoþor cymeð, woþa wynsumast    þurh þæs wildres muð. æfter þære stefne    stenc ut cymeð

## 45

    of þam wongstede,    wynsumra steam, swettra ond swiþra    swæcca gehwylcum, wyrta blostmum    ond wudubledum, eallum æþelicra    eorþan frætwum. þonne of ceastrum    ond cynestolum

## 50

    ond of burgsalum    beornþreat monig farað foldwegum    folca þryþum, eoredcystum,    ofestum gefysde, dareðlacende;    deor efne swa some æfter þære stefne    on þone stenc farað.

## 55

    Swa is dryhten god,    dreama rædend, eallum eaðmede    oþrum gesceaftum, duguða gehwylcre,    butan dracan anum, attres ordfruman.    þæt is se ealda feond, þone he gesælde    in susla grund,

## 60

    ond gefetrade    fyrnum teagum, biþeahte þreanydum,    ond þy þriddan dæge of digle aras,    þæs þe he deað fore us þreo niht þolade,    þeoden engla, sigora sellend.    þæt wæs swete stenc,

## 65

    wlitig ond wynsum    geond woruld ealle. Siþþan to þam swicce    soðfæste men on healfa gehwone    heapum þrungon geond ealne ymbhwyrft    eorþan sceata. Swa se snottra gecwæð    sanctus Paulus:

## 70

    "Monigfealde sind    geond middangeard god ungnyðe    þe us to giefe dæleð ond to feorhnere    fæder ælmihtig, ond se anga hyht    ealra gesceafta, uppe ge niþre."    þæt is æþele stenc.