OpenLLM-France/wikimedia huggingface dataset:
# The Aquarian Gospel of Jesus the Christ/Chapter 50

Jesus passes the third brotherhood test, and receives the third degree, FAITH.
1. The Logos waited seven days, and then was taken to the Hall of Fame, a chamber rich in furnishings, and lighted up with gold and silver lamps.
2. The colours of its ceilings, decorations, furnishings and walls were blue and gold.
3. Its shelves were filled with books of master minds; the paintings and the statues were the works of highest art.
4. And Jesus was entranced with all this elegance and these manifests of thought. He read the sacred books, and sought the meanings of the symbols and the hieroglyphs.
5. And when he was absorbed in deepest thought, a priest approached and said,
6. Behold the glory of this place: my brother, you are highly blest. Few men of earth, so young, have reached such heights of fame.
7. Now, if you do not waste your life in search for hidden things that men can never comprehend, you may be founder of a school of thought that will insure you endless fame;
8. For your philosophy is deeper far than that of Plato, and your teachings please the common people more than those of Socrates.
9. Why seek for mystic light within these antiquated dens? Go forth and walk with men, and think with men, and they will honour you.
10. And, after all, these weird initiations may be myths, and your Messiah hopes but base illusions of the hour.
11. I would advise you to renounce uncertain things and choose the course that leads to certain fame.
12. And thus the priest, a demon in disguise, sung syren songs of unbelief; and Jesus meditated long and well on what he said.
13. The conflict was a bitter one, for king Ambition is a sturdy foe to fight.
14. For forty days the higher wrestled with the lower self, and then the fight was won.
15. Faith rose triumphant; unbelief was not. Ambition covered up his face and fled away, and Jesus said,
16. The wealth, the honour, and the fame of earth are but the baubles of an hour.
17. When this short span of earthly life has all been measured out, man's bursting baubles will be buried with his bones,
18. Yea, what a man does for his selfish self will make no markings on the credit side of life.
19. The good that men for other men shall do becomes a ladder strong on which the soul may climb to wealth, and power and fame of God's own kind, that cannot pass away.
20. Give me the poverty of men, the consciousness of duty done in love, the approbation of my God, and I will be content.
21. And then he lifted up his eyes to heaven and said,
22. My Father-God, I thank thee for this hour. I ask not for the glory of thyself; I fain would be a keeper of thy temple gates, and serve my brother man.
23. Again was Jesus called to stand before the hierophant; again no word was said, but in his hands the master placed a scroll on which was written, FAITH.
24. And Jesus bowed his head in humble thanks; then went his way.
# The Aquarian Gospel of Jesus the Christ/Chapter 48

Jesus receives from the hierophant his mystic name and number. Passes the first brotherhood test, and receives his first degree, SINCERITY.
1. The master took down from the wall a scroll on which was written down the number and the name of every attribute and character. He said,
2. The circle is the symbol of the perfect man, and seven is the number of the perfect man;
3. The Logos is the perfect word; that which creates; that which destroys, and that which saves.
4. This Hebrew master is the Logos of the Holy One, the Circle of the human race, the Seven of time.
5. And in the record book the scribe wrote down, The Logos-Circle-Seven; and thus was Jesus known.
6. The master said, The Logos will give heed to what I say: No man can enter into light till he has found himself. Go forth and search till you have found your soul and then return.
7. The guide led Jesus to a room in which the light was faint and mellow, like the light of early dawn.
8. The chamber walls were marked with mystic signs, with hieroglyphs and sacred texts; and in this chamber Jesus found himself alone where he remained for many days.
9. He read the sacred texts; thought out the meaning of the hieroglyphs and sought the import of the master's charge to find himself.
10. A revelation came; he got acquainted with his soul; he found himself; then he was not alone.
11. One night he slept and at the midnight hour, a door that he had not observed, was opened, and a priest in sombre garb came in and said,
12. My brother, pardon me for coming in at this unseemly hour; but I have come to save your life.
13. You are the victim of a cruel plot. The priests of Heliopolis are jealous of your fame, and they have said that you shall never leave these gloomy crypts alive.
14. The higher priests do not go forth to teach the world, and you are doomed to temple servitude.
15. Now, if you would be free, you must deceive these priests; must tell them you are here to stay for life;
16. And then, when you have gained all that you wish to gain, I will return, and by a secret way will lead you forth that you may go in peace.
17. And Jesus said, My brother man, would you come here to teach deceit? Am I within these holy walls to learn the wiles of vile hypocrisy?
18. Nay, man, my Father scorns deceit, and I am here to do his will.
19. Deceive these priests! Not while the sun shall shine. What I have said, that I have said; I will be true to them, to God, and to myself.
20. And then the tempter left, and Jesus was again alone; but in a little time a white- robed priest appeared and said,
21. Well done! The Logos has prevailed. This is the trial chamber of hypocrisy. And then he led the way, and Jesus stood before the judgement seat.
22. And all the brothers stood; the hierophant came forth and laid his hand on Jesus' head, and placed within his hands a scroll, on which was written just one word, SINCERITY; and not a word was said.
23. The guide again appeared, and led the way, and in a spacious room replete with everything a student craves was Jesus bade to rest and wait.
# The Binghamton Bridge/Dissent Grier

* Court Documents
* Case Syllabus
* Opinion of the Court
* Dissenting Opinion Grier
United States Supreme Court
70 U.S. 51
The Binghamton Bridge
The CHIEF JUSTICE, and Justices FIELD and GRIER dissented. The latter delivering an opinion, as follows:
I feel unable to concur in the opinion of the majority of my brethren, which has just been read. The general principles of law, as connected with the question involved in the case, are, no doubt, correctly stated, as to the strict construction of statutes as against corporations claiming rights so injurious to the public. My objection is, that they have not been properly applied to the case before us.
The power of one legislature to bind themselves and their posterity, and all future legislatures, from authorizing a bridge absolutely required for public use, might well be denied by the courts of New York; and as a construction of their own constitution, we would have no right to sit in error upon their judgment. But assuming a power for one legislature to restrain the power of future legislatures, those who assert that it has been exercised should prove their assertion beyond a doubt. Such intention must be clearly expressed in the letter of the statute, and not left to be discovered by astute construction and inferences. Although an act of incorporation may be called a contract, the rules of construction applied to it are admitted to be the reverse of these applied to other contracts. Yet the opinion of the court, while admitting the rule of construction, proceeds on a contrary hypothesis, and with great ingenuity, and astute reasoning, has given a construction most favorable to the monopolist, and injurious to the people.
The judgment given by the majority of my brethren regards the general language of the act of incorporation as first bringing to the Susquehanna company a provision that 'it shall not be lawful for any person or persons to erect any bridge,' &c., across the east and west branches of the Delaware: as then bringing this specific clause into the charter of the Chenango company, and applying it to the Chenango River (a river with but a single stream); making it, moreover, apply to that stream for two miles, indeed, above the bridge, but for three-quarters of a mile only below it, the river's entire extent in that direction, and finding the complement of the 'two miles,' in a mile and a quarter of the river Susquehanna, into which the Chenango falls and is lost. While withal, by like construction only, the original limitation of thirty years disappears, and the charter becomes perpetual.
This mode of interpreting a legislative grant appears to me irrational, and beyond the most liberal construction that has been given to that class of enactments. Indeed, the fact that it required so ingenious and labored an argument by my learned brother to vindicate such a construction of the act seems to me, of itself, conclusive evidence that the construction should not be given to it.
[See infra, p. 210, Turnpike Co. v. The State.-REP.]
((PD-USGov}}
# The Big Parade/Trailer

The official trailer to The Big Parade
And now——
At last!
THE MOST IMPORTANT ANNOUNCEMENT THE MANAGEMENT OF THIS THEATRE HAS EVER MADE—
AT LAST!
America's beloved photoplay masterpiece
"THE BIG PARADE"
The world has echoed with the fame of this magnificent drama of the screen!
Now it comes to you
with the happy pride of this theatre which is selected to present it—
The power of its throbbing love story defies even the mighty thunders of warring nations—
It is the
EPIC
of
humanity—
Bringing us back tender recollections of our boys marching off to the Great Adventure, laughing, swearing, romancing
gone!
on the grandest lark of history!
Metro-Goldwyn-Mayer
PRESENTS
JOHN GILBERT
IN
KING VIDOR'S PRODUCTION
The BIG PARADE
By LAURENCE STALLINGS
WITH
RENEE ADOREE
COPYRIGHT MCMXXV IN U.S.A. BY METRO-GOLDWYN-MAYER ALL RIGHTS RESERVED UNDER INTERNATIONAL CONVENTION OF BUENOS AIRES CONTROLLED BY LOEW'S INCORPORATED PASSED BY THE NATIONAL BOARD OF REVIEW
ARS GRATIA ARTIS A Metro-Goldwyn-Mayer PICTURE
Nothing BIGGER has ever been shown on stage or screen
No Bigger SUCCESS has ever been known on the Broadways of the world!
BIGGEST OF ALL In Its Storied Beauty of Human Beings -
Whoever they were— who went Over There
No BIGGER romance was ever dreamed
No BIGGER drama was ever born
in "THE BIG PARADE"
Directed by
King Vidor
This work is in the public domain in the United States because it was published before January 1, 1929.
Copyright law abroad tends to consider the following people authors of a film:
* The principal director
* The screenwriter, and/or other writers of dialogue
* The composer/lyricist (if the film is accompanied by sound)
* The cinematographer
* By extension, the authors of any works that may serve as the basis for a film's plot
The longest-living of these authors died in 1982, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 41 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Biographical Dictionary of America

At this point of time, only the indexes with OCR layers are available for the beginning of the transcription process.
* v. 01
* v. 02
* v. 03
* v. 04
* v. 05
* v. 06
* v. 07
* v. 08
* v. 09
* v. 10
Indices for The Biographical Dictionary of America
* Preface
* Contributors
* Volume 1: Abbe–Browne
* Volume 2: Browne–Cowan
* Volume 3: Cowan–Erich
* Volume 4: Ericsson–Gwinnett
* Volume 5: Habberton–Izard
* Volume 6: Jack–Lockwood
* Volume 7: Lodge–Moulton
* Volume 8: Moultrie–Pyne
* Volume 9: Quackenbos–Stearns
* Volume 10: Stebbins–Zueblin
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1931, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 92 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Big Show

* information about this edition.
* related portals: sheet music.
Song from the musical Head over Heels.
[Verse]
    A happy shouting crowd comes from afar,
    Houpla!
    To see the big show taken off the car
    Houpla!
    They love the man in spangles,
    Who from a trapeze dangles;
    They love the lemonade
    If made with pink shade
    And how they love to hear the band
    Ahead of our parade so grand!
    They hear the bally hooman enraptured
    They're captured.
[Burthen]
    Step right in and see the show
    Look for all the freaks you know
    Hear the calliope starting to blow.
    Bring your pal I hope he likes
    Miss Tansey Trained Chimpanzee,
    Signor Brady Bearded lady
    See the clowns we all love so
    With their jokes so long ago
    Just watch the lions
    They dance like Hawaiians
    All at our great big show."
[Verse]
    A "Congress of all Nations" here we show,
    Hello!
    To the Eskimau and man from Borneo
    Hello!
    The Midget Princess Toto
    Will sell her latest photo!
    Albinos with white hair
    Sit there and stare
    The tattooed man displays his marks
    The dog faced boy replys with barks.
    When yodels from Tyroleans singing
    Come ringing.
[Burthen]
    Step right in and see the show
    Look for all the freaks you know
    Hear the calliope starting to blow.
    Bring your pal I hope he sees
    the Zulu chewing Toulu,
    Baby Bryant Lady Giant
    See the clowns we all love so
    With their jokes so long ago
    Just watch the lions
    They dance like Hawaiians
    All at our great big show."
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Black Riders & Other Lines/There was a Man and a Woman

This poem was published in 1905 in the volume The Black Rider & Other Lines.
i
There was a man and a woman Who sinned. Then did the man heap the punishment All upon the head of her, And went away gaily.
ii
There was a man and a woman Who sinned. And the man stood with her. As upon her head, so upon his, Fell blow and blow, And all people screaming, "Fool!" He was a brave heart.
iii
He was a brave heart. Would you speak with him, friend? Well, he is dead, And there went your opportunity. Let it be your grief That he is dead And your opportunity gone; For, in that, you were a coward.
# The Black Riders & Other Lines/There was a crimson clash of war.

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was crimson clash of war. Lands turned black and bare; Women wept; Babes ran, wondering. There came one who understood not these things. He said, "Why is this?" Whereupon a million strove to answer him. There was such intricate clamour of tongues, That still the reason was not.
# The Black Riders & Other Lines/There were many who went in huddled procession

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There were many who went in huddled procession, They knew not whither; But, at any rate, success or calamity Would attend all in equality.
There was one who sought a new road. He went into direful thickets, And ultimately he died thus, alone; But they said he had courage.
# The Black Riders & Other Lines/There was a man who lived a life of fire

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was a man who lived a life of fire. Even upon the fabric of time, Where purple becomes orange And orange purple, This life glowed, A dire red stain, indelible; Yet when he was dead, He saw that he had not lived.
# The Black Riders & Other Lines/There was one I met upon the road

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was one I met upon the road Who looked at me with kind eyes. Her said, "Show me of your wares." And this I did, Holding forth one. He said, "It is a sin." Then held I forth another; He said, "It is a sin." Then held I forth another; He said, "It is a sin." And so to the end; Always he said, "It is a sin." And, finally, I cried out, "But I have none other." Then did he look at me With kinder eyes. "Poor soul!" he said.
# The Black Riders & Other Lines/There was a great cathedral

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was a great cathedral. To solemn songs, A white procession Moved toward the altar. The chief man there Was erect, and bore himself proudly. Yet some could see him cringe, As in a place of danger, Throwing frightened glances into the air, A-start at threatening faces of the past.
# The Black Riders & Other Lines/There was set before me a mighty hill

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was set before me a mighty hill, And long days I climbed Through regions of snow. When I had before me the summit-view, It seemed that my labour Had been to see gardens Lying at impossible distances.
# The Black Riders & Other Lines/There was, before me

This poem was published in 1905 in the volume The Black Rider & Other Lines.
There was, before me, Mile upon mile Of snow, ice, burning sand. And yet I could look beyond all this, To a place of infinite beauty; And I could see the loveliness of her Who walked in the shade of the trees. When I gazed, All was lost But this place of beauty and her. When I gazed, And in my gazing, desired, Then came again Mile upon mile, Of snow, ice, burning sand.
# The Black Riders & Other Lines/Three little birds in a row

This poem was published in 1905 in the volume The Black Rider & Other Lines.
Three little birds in a row Sat musing. A man passed near that place. Then did the little birds nudge each other.
They said, "He thinks he can sing." They threw back their heads to laugh. With quaint countenances They regarded him. They were very curious, Those three little birds in a row.
# The Black Riders & Other Lines/Tradition, thou art for suckling children

Tradition, thou art for suckling children, Thou art the enlivening milk for babes; But no meat for men is in thee. Then -- But, alas, we all are babes.
# The Book of Repulsive Women

* From Fifth Avenue Up
* In General
* From Third Avenue On
* Seen From the "L"
* In Particular
* Twilight of the Illicit
* To a Cabaret Dancer
* Suicide
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1982, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 41 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Book of Repulsive Women/From Fifth Avenue Up

Someday beneath some hard Capricious star— Spreading its light a little Over far, We'll know you for the woman That you are.
For Though one took you, hurled you Out of space, With your legs half strangled In your lace, You'd lip the world to madness On your face.
We'd see your body in the grass With cool pale eyes. We'd strain to touch those lang'rous Length of thighs; And hear your short sharp modern Babylonic cries.
It wouldn't go. We'd feel you Coil in fear Leaning across the fertile
Fields to leer As you urged some bitter secret Through the ear.
We see your arms grow humid In the heat; We see your damp chemise lie Pulsing in the beat Of the over-hearts left oozing At your feet.
See you sagging down with bulging Hair to sip, The dappled damp from some vague Under lip. Your soft saliva, loosed With orgy, drip.
Once we'd not have called this Woman you—
When leaning above your mother's
Spleen you drew Your mouth across her breast as Trick musicians do.
Plunging grandly out to fall Upon your face. Naked-female-baby In grimace. With your belly bulging stately Into space.
# The Book of Repulsive Women/From Third Avenue On

And now she walks on out turned feet Beside the litter in the street Or rolls beneath a dirty sheet Within the town. She does not stir to doff her dress, She does not kneel low to confess, A little conscience, no distress And settles down.
Ah God! she settles down we say; It means her powers slip away It means she draws back day by day From good or bad.
And so she looks upon the floor Or listens at an open door Or lies her down, upturned to snore Both loud and sad.
Or sits beside the Chinaware, Sits mouthing meekly in a chair, With ouver-curled, hard waving hair About her eyes.
Or grins too vacant into space– A vacant space is in her face– Where nothing came to take the place Of high hard cries.
Or yet hear on the stairs With some few elements of prayers, Until she breaks it off swears A loved bad word. Somewhere beneath her hurried curse, A corpse lies bounding in a hearse, And friends and relatives disperse, And are not stirred. Those living dead up in their rooms Must note how partial are the tombs, That take men back into their wombs While theirs must fast.
And those who have their blooms in jars No longer stare the stars, Instead, they watch the drink cars– and live aghast.
# The Allinson Vegetarian Cookery Book/Dr. Allison's Natural Food

DR. ALLINSON'S NATURAL FOOD
FOR BABIES.
(To Prepare the Food.)
Put 1 teaspoonful of the food into a breakfast cup; mix this perfectly smooth with 2 parts milk to 1 of water until the cup is full. Pour into a saucepan and bring to the boil, stirring all the time to prevent it getting lumpy. It is best without sugar, and should be given cool.
FOR INVALIDS AND ADULTS.
Use 3 teaspoonfuls of the food to 1/2 a pint of milk and water, and prepare as above.
BLANCMANGE.
Mix 6 large tablespoonfuls of the food to a thin paste with a little cold milk, then add 1 quart of milk, flavour with vanilla, lemon or almonds, sweeten to taste; boil 2 or 3 minutes, and pour into wetted mould. Eat with stewed, fresh, or dried fruits, and you have a most nutritious and satisfying dish.
GRUEL.
Mix 1 large tablespoonful of the food with a little cold water, add to this 1 pint of boiling milk and water, boil together a few minutes, take from the fire, let cool, and then eat. A little nutmeg gives a pleasant flavour.
IMPROVED MILK PUDDINGS.
Mix 1 tablespoonful of the food with 1 of rice, sago, tapioca, or hominy, and make as above.
N.B.—The food nicely thickens soups, gravies, &c.
PORRIDGE.
Take 3 tablespoonfuls of the food, mix smoothly, with 1/2 pint of cold water, add 1/2 pint boiling milk, and boil 5 or 10 minutes. Pour on shallow plates to cool, then eat with Allinson wholemeal bread, biscuits, rusks, toast, or stewed fruits.
PUDDINGS.
Take 2 tablespoonfuls of the food, mix smoothly with a little milk, pour upon it the remainder of 1 pint of milk, flavour and sweeten to taste; boil 2 or 3 minutes, then add 2 eggs lightly beaten, pour into a pie-dish, and bake to a golden brown. Eat with stewed, fresh, or dried fruits.