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# Catanzaro v. New York/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
378 U.S. 573
Catanzaro v. New York
The motion for leave to proceed in forma pauperis and the petition for a writ of certiorari are granted. The judgment of the Court of Appeals of New York is vacated and the case is remanded for further proceedings not inconsistent with the opinion of this Court in Jackson v. Denno, 378 U.S. 368, 84 S.Ct. 1774.
Mr. Justice BLACK, Mr. Justice CLARK, Mr. Justice HARLAN and Mr. Justice STEWART dissent for the reasons stated in their dissenting opinions in Jackson v. Denno, supra.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Cate v. Beasley/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
299 U.S. 30
Cate v. Beasley
Argued: and Submitted Oct. 19, 1936. --- Decided: Nov 9, 1936
John Wadsworth, enrolled as a Seminole Indian, died on August 3, 1907, after selecting his allotment and prior to the admission of Oklahoma to statehood. Surviving him were his mother, brothers, and sisters, enrolled as Seminoles, and his wife and three children enrolled as Creeks. In an action to quiet title, the Supreme Court of Oklahoma affirmed a judgment sustaining demurrers to the petition. 175 Okl. 494, 53 P.(2d) 549. The Court said: 'For twenty-five years it has been the settled rule of law in this state, in reliance upon which the stability and dependability of titles has depended, that the allotted land of a Seminole Indian, who died (1) after selecting his allotment and (2) before statehood, descended to his heirs, in accordance with the Arkansas laws of descent and distribution (Crawford & Moses' Dig. § 3471 et seq.), without regard to the above limitation to tribal citizens. * * * There is some merit in the assertion of plaintiffs in error that the first pronouncement of the rule, in Bruner v. Sanders, 26 Okl. 673, 110 P. 730, decided in the year 1910, is dictum. Nevertheless, if it was dictum, it was repeatedly followed by subsequent decisions of this court wherein it emerged from the real of dictum into the point actually decided. Those cases are Heliker-Jarvis Seminole Co. v. Lincoln, 33 Okl. 425, 126 P. 723; Thorn v. Cone, 47 Okl. 781, 150 P. 701; Rentie v. Rentie, 70 Okl. 103, 172 P. 1083; Dickinson v. Abb, 73 Okl. 322, 176 P. 523; Lasiter v. Ferguson, 79 Okl. 200, 192 P. 197, 199, and Stewart v. Billington, 122 Okl. 9, 250 P. 84.'
In view of the long-established rule in Oklahoma as to the descent of the allotted land of a Seminole Indian who died after selecting his allotment and before statehood, the judgment is affirmed.
This decision is not to be construed as impairing the authority of our earlier decisions under the agreements made with other Indian tribes or under the Seminole Agreement with respect to a Seminole who died before selecting his allotment. See Washington v. Miller, 235 U.S. 422, 35 S.Ct. 119, 59 L.Ed. 295; McDougal v. McKay, 237 U.S. 372, 35 S.Ct. 605, 59 L.Ed. 1001; Camp bell v. Wadsworth, 248 U.S. 169, 39 S.Ct. 63, 63 L.Ed. 192; Grayson v. Harris, 267 U.S. 352, 45 S.Ct. 317, 69 L.Ed. 652.
Mr. Justice McREYNOLDS is of opinion that the challenged judgment should be reversed.
Mr. Justice STONE took no part in the consideration or decision of this case.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# Catanzaro v. New York

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
378 U.S. 573
Catanzaro v. New York
Lorenzo Catanzaro, pro se.
Frank S. Hogan and H. Richard Uviller, for respondent.
On Petition for Writ of Certiorari to the Court of Appeals of New York.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Cate v. Beasley

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
299 U.S. 30
Cate v. Beasley
Argued: and Submitted Oct. 19, 1936. --- Decided: Nov 9, 1936
Mr. Richard Wm. Stoutz, of Oklahoma City, Okl., for petitioners.
Messrs. L. G. Owen and James A. Veasey, both of Tulsa, Okl., for respondents.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Catholic Encyclopedia (1913)/Giovanni Domenico Costadoni

From volume 4 of the work.
Frequently known as Dom Anselmo, his name in religion, an Italian Camaldolese monk, historian, and theologian, b. 6 October, 1714, at Venice; d.23 January, 1785, in the same city. The son of a rich merchant, he sacrificed at an early date his prospects of success in the world and took the religious habit at St. Michael's monastery, situated on the island of Murano in the Venetian lagoon. Here he studied philosophy and theology with more than usual success. At the age of twentythree he revealed his literary ability in a letter (Lettera critica) written in defense of certain Camaldolese writers, who had been attacked by Giusto Fontanini in his "Library of Italian Eloquence". Costadoni subsequently collaborated for eighteen years with the learned Mittarelli in the publication of the "Annales Camaldulenses" (Venice, 1755-73). Some archæological papers due to his pen, such as "Dissertazione sopra il pesce come simbolo degli antichi cristiani", were published in the voluminous collection of historical essays edited by Calogerà, a monk of the same order. His works also include: "Avvisi ed istruzioni pratiche intorno ai principali doveri de' regolari" (Faenza, 1770; Venice, 1771); "Lettere consolatorie" (Venice, 1775); "Lettere sopra questione teologiche" (Venice, 1773). Costadoni's unpublished manuscripts were transferred, after his death, to St. Gregory's monastery at Rome, by order of the Camaldolese abbot, Mauro Cappellari (later Pope Gregory XVI).
MANDELLI, Della vita e degli scritti di A. Costadoni (Venice, 1787); PICOT, Mémoires (Paris, 1855), V, 470; HURTER, Nomenclator, III, 376.
N.A. WEBER
# Catholic Encyclopedia (1913)/Giovanni Dossi

From volume 5 of the work.
Actually named GIOVANNI DI NICOLO DI LUTERO, but also called Dosso Dossi.
An Italian painter, b. about 1479; d. at Ferrara in 1542. Dossi belonged to the School of Ferrara and was a pupil of Lorenzo Costa in Mantua. He is believed to have derived his name from the village of Dosso, in which it has been stated he was born. In conjunction with his brother Battista (1480-1548) Dossi visited Rome and Venice and passed eleven years in these places studying especially the works of Giorgione and Titian, but forming his own style, which was distinguished by romantic treatment, imaginative power, rich, brilliant, and often novel colouring. He and his brother were frequently employed by Alfonso I, Duke of Ferrara, and by his successor, Ercole II. His greatest work is the altar-piece in the Ferrara Gallery. He also painted the cartoons for the tapestry in the cathedral of that city, for those in the church of San Francesco, and in the ducal palace at Modena. Many of his frescoes still remain in the ducal palace at Ferrara and his paintings can be studied in the cathedral and churches of Modena, in the Louvre, and in the galleries of Dresden, Berlin, Milan, and Vienna. He painted a portrait of Ariosto and the poet enrolled his name, in conjunction with those of Leonardo da Vinci, Michelangelo, Raphael, and Titian, in the poem of "Orlando Furioso", but the portrait cannot now be identified, although many other portraits by Dossi are still in existence. The landscape backgrounds of his pictures are marked by beauty of colouring and fine imaginative quality. On his return from Venice he appears to have settled down in Ferrara. His work has a close kinship with that of the Venetian School.
GEORGE CHARLES WILLIAMSON
# Catholic Encyclopedia (1913)/Giovanni Clericato

From volume 4 of the work.
Canonist, born 1633, at Padua; died 1717. He was of English descent, and the name is variously written CLERICATUS, CHERICATO, CHERICATI, and CHIERICATO, probably from CLARK, the original family name. The charity of a pious woman made it possible for him to satisfy his strong inclination for study; and, being raised to the priesthood he came to be considered one of the ablest men of his time in matters of ecclesiastical jurisprudence. Cardinal Barbarigo, whose life he afterwards wrote, made him Vicar-General of the Diocese of Padua. He wrote many works on civil and canon law; his "Decisiones Sacramentales" was published in 1727, and in 1757 in three volumes, and merited the encomiums of Benedict XIV (notific. 32, n. 6). His name is held in honour in Italian ecclesiastical literature.
MORÉRI, Gr. Dict. Hist. (Paris, 1759); SBERTI, Memorie (Padua, 1790); TIRABOSCHI, Storia della Lett. Ital. (Milan, 1825).
John H. Stapleton.
# Catholic Encyclopedia (1913)/Giovanni Croce

From volume 4 of the work.
Composer, b. at Chioggia near Venice in 1557; d. 15 May, 1609. Under the tutelage at Venice of Gioseffo Zarlino, Croce became one of the most noted composers of the Venetian School. After entering the priesthood he was attached to the church of Santa Maria Formosa. In 1593 he was given charge of the choir boys at San Marco with the title of vice-director. On the death of Baltazzaro Donati, 13 July, 1603, Croce became his successor as choirmaster. He wrote a great deal of secular music in the forms particularly cultivated in his time, such as the madrigal and the canzonetta, but his chief productions are those destined for the Church. Their characteristics are clarity of form and a devotional spirit. Many of his compositions form part of Proske's "Musica Divina" and Lueck's collection contains three motets; "O sacrum convivium", "Cantate Domino", and "Exaudi Deus".
AMBROS, Geschichte der Musik (Leipzig, 1881); KORNMÜLLER, Lexikon der kirchlichen Tonkunst (Ratisbon, 1895), Pt. II, p. 66. CAFFI, Storia della Musica Sacra (Venice, 1854-55), I, 200, 206.
JOSEPH OTTEN
# Catholic Encyclopedia (1913)/Giovanni Contarini

From volume 4 of the work.
Italian painter of the Venetian School, born at Venice about 1549; died in 1605. Contarini was a contemporary of Jacopo Palma called Palma Giovine. He was a great student of the works of Tintoretto and Titian and is declared to have been an exact imitator of Titian. According to an old story he was so extremely accurate in his portraits that on "sending home one he had taken of Marco Dolce his dogs began to fawn upon it mistaking it for their master". Contarini's work is extremely mannered, soft and sweet, but distinguished by beautiful, rich colouring and executed very much on the lines of Titian's painting. His finest picture is in the Louvre, having been removed from the ducal palace at Venice, and represents the Virgin and Child with St. Mark and St. Sebastian, and the Doge of Venice, Marino Grimani, kneeling before them. Other paintings of his are in the galleries at Berlin, Florence, Milan, and Vienna, and in many of the churches at Venice. He painted easel-pictures of mythological subjects, which are treated with propriety and discretion but are peculiarly lacking in force and strength; in many of the palaces in Venice he decorated ceilings. Some years of his life were passed at the court of the Emperor Rudolf II, with whom he was a great favourite and by whom he was knighted. His work has been described by one writer as a "combination of sugar, cream, mulberry juice, sunbeam and velvet", but the criticism is a little unjust and one or two of his works, for example the "Resurrection" in the church of San Francesco di Paolo at Venice, can claim to be masterly. This picture is certainly a fine piece of colouring, well composed and well carried out.
The chief authority is CARLO RIDOLFI, Venetian Artists (Venice, 1648); BRINTON, The Renaissance in Italian Art (London, 1898); KUGLER, The Italian Schools of Painting (London, 1900).
GEORGE CHARLES WILLIAMSON.
# Catholic Encyclopedia (1913)/Giovanni Devoti

From volume 4 of the work.
Devoti, Giovanni, canonist, b. at Rome, 11 July, 1744; d. there 18 Sept., 1820. At the age of twenty he occupied a chair of canon law at the Roman University (Sapienza). After twenty-five years service in this position Pius VI appointed him Bishop of Anagni, which see he resigned in 1804, to become titular Archbishop of Carthage, As such he filled several important positions at Rome. He also accompanied Pius VII during his exile in France. His works are: "De notissimis in jure legibus libri duo" (Rome, 1766); "Juris canonici universi publici et privati libri quinque", an unfinished work of which only three volumes appeared (Rome, 1803-1815; new edition, Rome, 1827), containing an introduction to canon law and a commentary on the first and second book of the Decretals; "Institutionum canonicarum libri quatuor" (Rome, 1785; fourth ed., Rome, 1814). This last work is distinguished by its clearness and conciseness, and by its numerous historical notes, attributed, but without any reason, to Cardinal Castiglione, afterwards Pius VIII. In 1817, the King of Spain made obligatory the study of the "Institutiones" of Devoti at the University of Alcalá in 1836, the University of Louvain accepted it as a classical manual of canon law. The work is now more useful for the history than for the practice of canon law.
SCHULTE, Geschichte der Quellen und Litteratur des canonischen Rechts (Stuttgart, 1880), III, 1, 528; HURTER, Nomenclator Literarius (1895), III, 677; WERNZ, Jus Decretalium (Rome, 1898), I, 401.
A. VAN HOVE.
# Catholic Encyclopedia (1913)/Giovanni Benedetto Castiglione

From volume 3 of the work.
Painter and etcher, b. at Genoa, Italy, 1616; d. at Mantua, 1670. In Italy he was known as Il Grechetto from his beautiful colouring, and in France as Il Benedetto. Some authorities make him a pupil of Paggi and Andrea de' Ferrari, and others of Van Dyck. But as Van Dyck left Genoa when Castiglione was nine years old, and since Genoa was rich in Van Dyck's works, it is more than probable that the young man never saw Van Dyck, but had ample opportunity, in his native city, to study his works and those of Rubens also. He travelled throughout Italy and painted in nearly every large city. In 1654 Charles II, Duke of Mantua, generously gave him an apartment in his own palace and pensioned him. Castiglione did his best work in Mantua. His specialty was animal painting, but he enjoys an excellent reputation as a landscape, historical, and portrait painter. He frequently chose Biblical subjects, but, apparently only when these afforded him a chance to introduce animals. He was fond of painting kermesses, village, market, and rural scenes, and closely approached the marvellous Dutchmen in this kind of work. His touch was spirited, his colour beautiful and the chiaroscuro excellently managed. His many pastoral scenes show him possessed of a keen sense of the picturesque, and he proved himself an admirable draughtsman and figure-painter. Orders poured in upon him from England, France, and Germany. His rank as a master is, however, due to his point-work more than to his brush-work. He etched in a free, spirited, and effective style more than seventy plates, and so skillfully managed the light and shade that many of them have the effect of aquatint. Unlike his Italian contemporaries, he seldom used the graver, but relied on pure line, like Rembrandt and the etchers of the North. Lipmann thinks Castiglione's needle-work was based "on contact with Van Dyck". Benedetto had many imitators, especially his brother Salvatore and his son Francesco, both his pupils. Salvatore's work is often very difficult to distinguish from Castiglione's. Among his noted works are "The Nativity" (his masterpiece), at Genoa; "Adoration of the Shepherds", at the Louvre, Paris; "Noah entering the Ark", at Dresden. Some notable prints are: "Melancholy", "Landscape" (dated 1658), "Animals Entering the Ark".
SOPRANI, Le Vite de' pittori genovesi (Genoa, 1768); LAROUSSE, Dict. Universel (Paris, 1877); LIPMANN, Engraving and Etching (New York, 1906); MABERLY, The Print Collector (New York, 1880).
LEIGH HUNT
# Catholic Encyclopedia (1913)/Dávila Padilla

From volume 4 of the work.
(AGUSTÍN)
A native of the City of Mexico, b. 1562; d. 1604. At the age of sixteen he graduated at the University of Mexico as master of arts and soon after entered the Dominican Order. He held the chairs of philosophy and theology at Puebla and Mexico. He was successively definitor and procurator of the Mexican province of his order and was sent to Rome and Madrid as its representative. In 1601 he was made Bishop of Santo Domingo, where he died. Dávila Padilla was not a prolific writer. He left, however, one very important, though unfortunately rare, work, the "Historia de la Fundacion y Discurso de la Provincia de Santiago de México" (Madrid, 1596; Brussels, 1625). Beristain mentions a third edition of 1634. While not free from mistakes, it still stands as the foremost chronicle of the Dominican Order and its missions in America up to the end of the sixteenth century.
NICOLÁS ANTONIO, Bibliotheca hispana nova (2d ed., Madrid, 1733-1738); LEÓN Y PINELO, Epitome de la Biblioteca oriental y occidental (2d ed., Madrid, 1737); EGUIARA, Biblioteca mexicana (Mexico, 1755); BERISTAIN DE SOUZA, Biblioteca hispano-americana (2d ed., Mexico, 1883); YCAZBALCETA, Bibliografia mexicana (Mexico, 1886); Diccionario universal de Historia y Geografía (Mexico); GIL GONZALES DÁVILA, Teatro eclesiástico de la primitiva Iglesia de las Indias occidentales (Madrid, 1654).
AD. F. BANDELIER
# Catholic Encyclopedia (1913)/Eadmer

From volume 5 of the work.
Precentor of Canterbury and historian, born 1064 (?); died 1124 (?). Brought up at Christ Church ab infantiâ, he became after St. Anselm's consecration, in 1079, his intimate companion. After Anselm's death his chief occupation was writing. He had made notes of the saint's doings and discourses and of the affairs in which he had been engaged, and from these he compiled his chief works, the "Historia Novorum" and the Vita S. Anselmi" (ed. M. Rule, 1884, in Rolls Series). Eadmer's "Opuscula" comprise verses of Sts. Dunstan and Edward, the lives of Sts. Wilfrid, Odo, Dunstan, Oswald, Bregwin (printed in Wharton, Anglia Sancta). Of his theological works the most noteworthy is the "De conceptione Sanctae Mariae", a tract of much importance for the development of the doctrine of the Immaculate Conception (see Thurston's ed., Freiburg, 1904, and "The Month", July and August, 1904, for the discussion of the date of his death). In 1121 he was elected to the See of St. Andrews, but by refusing to be ordained except by the Archbishop of York, he put an insuperable bar to his own promotion.
Notices of this important writer are found in all treatises on English and on ecclesiastical writers. Besides the works cited above, see Liebermann, Ungedruckte anglo-normannische Geschichtsquellen (Strasburg, 1879); Ragey, Eadmer (Paris, 1892).
J. H. Pollen
# Catholic Encyclopedia (1913)/Eanbald

From volume 5 of the work.
Eanbald II
The name of two archbishops of York.
Eanbald I, date of birth unknown; died 10 August, 796. Most of his life was probably spent in the monastery of York. As one of the officials in the monastery he, conjointly with Alcuin, superintended the rebuilding of the minster. Albert, in his declining years, chose Eanbald to be his coadjutor and successor. He succeeded to the archbishopric in 782 (some say 778). His first care was to obtain the pallium and Alcuin went to Rome to bring it; on his return Eanbald was solemnly confirmed in his office. He lived in troublous times. Nevertheless Eanbald carried on the School of York and treasured its great library. In August, 791, he consecrated Baldulf Bishop of Whitherne. His last public act was on 25 June, 796, when he crowned Eardulf King of Northumbria. He died at the monastery of Etlete or Edete. His body was taken to York and buried in the minster.
Eanbald II, date of birth unknown; died 810 or 812. He received his education in the famous School of York where he was Alcuin's pupil. On the death of Eanbald I he was chosen his successor. On 8 September, 797, having received the pallium from Rome, he was solemnly confirmed in the archbishopric.
He assisted Ethelhard, Archbishop of Canterbury, to recover the prerogatives of which he had been despoiled by Offa. In 798 he assembled his clergy in synod at Pinchenheale (Finchale, near Durham) and there enacted a number of wise regulations relating to the ecclesiastical courts and the observance of Easter. Some think he was the author of a volume of decrees and that he was the first to introduce the Roman Ritual in the church of York.
Eadbald I: Raine, Fasti Eboracenses (London, 1863), I, 106 sqq.; Anglo-Saxon Chronicle, ad ann. 780, 791, 795, 796; Symeon of Durham, Hist. Regum in R. S, II, 58.—Eadbald II: Raine, Fasti Eboracenses (London, 1863), I, 109 sqq.; Anglo-Saxon Chronicle, ad ann. 796; Lingard, Hist. of England (London, 1854), I, 73, 81; Alcuini Opera (1777), I, 62-3, 217, 231, 233-4.
G. H. Hind
# Catholic Encyclopedia (1913)/Désiré Raoul Rochette

* related authors: Desiré-Raoul Rochette.
* sister projects: Wikidata item.
From volume 13 of the work.
Usually known as Raoul-Rochette, a French archæologist, b. at St. Amand (Cher), 9 March, 1789; d. in Paris, 3 June, 1854. His father was a physician. He made his classical studies the lyceum of Bourges, and then took up post-graduate work in the Ecole Normale Supérieure in Paris. In 1810, he obtained a chair of grammar in the lyceum Louis-le-Grand, and in the same year, married the daughter of the celebrated sculptor Houdon. Three years later, he was awarded a prize by the Institute for his "Mémoire sur les Colonies Grecques". In 1815, he became lecturer at the Ecole Normale and succeeded Guizot in the chair of modern history at the Sorbonne. It has been often said that he owed his rapid advancement only to favoritism, because of his devotion to the ruling power; this is not entirely true. He was a real scholar whose deep knowledge of archæ was admired even by his political enemies. He was elected to the Academy of Inscriptions and Belles-Lettres in 1816, and two years later, made a keeper of medals and antiques. His appointment to the position of censor (1820) aroused the hostility of his students, who prevented him from delivering his lectures and caused the course to be suspended. In 1824 he was transferred to the chair of archæology. He entered the Academy of Fine Arts in 1838, and was made it perpetual secretary in 1839. Besides his memoirs for the Institute and numerous contributions to the "Journal de Savants, he wrote many books, the chief of which are: "Histoire critique de ;'etablissement des colonies grecques" (Paris, 1815); "Antiquités grecques du Bosphore Cimmérien" (Paris, 1822); "Lettres sur le Suisse" (Paris, 1826); "Mémoires inédits d'antiquité figurée grecque, é et Romaine" (Paris, 1828); "Pompéi" (Paris, 1828); "Cours d'archéologie" (Paris, 1828); "Peintures antiques inédites" (Paris, 1836).
LOUIS N. DELAMARRE