OpenLLM-France/wikimedia huggingface dataset:
# Norfolk Southern Railroad Company v. Ferebee

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
238 U.S. 269
Norfolk Southern Railroad Company v. Ferebee
Argued: April 23, 1915. --- Decided: June 14, 1915
Messrs. Murray Allen, R. N. Simms, John H. Small, and W. B. Rodman for plaintiff in error.
[Argument of Counsel from page 270 intentionally omitted]
Messrs. Clyde A. Douglass and William C. Douglass for defendant in error.
Mr. Justice Lamar delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Norfolk Western Railway Company v. Conley

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
236 U.S. 605
Norfolk Western Railway Company v. Conley
Argued: October 13, 1914. --- Decided: March 8, 1915
Messrs. John H. Holt, Lucian H. Cocke, Theodore W. Reath, and Joseph I. Doran for plaintiff in error.
[Argument of Counsel from page 606 intentionally omitted]
Mr. A. A. Lilly, Attorney General of West Virginia, for defendants in error.
Mr. Justice Hughes delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Norfolk Suburban Turnpike Company v. Virginia

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
225 U.S. 264
Norfolk Suburban Turnpike Company v. Virginia
Argued: April 8, 1912. --- Decided: June 10, 1912
Mr. Nathaniel T. Green for plaintiff in error.
Mr. Samuel W. Williams, Attorney General of Virginia, and Mr. J. D. Hank for defendant in error.
Mr. Chief Justice White delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Norfolk Southern Railroad Company v. Chatman

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
244 U.S. 276
Norfolk Southern Railroad Company v. Chatman
Argued: April 20, 1917. --- Decided: May 21, 1917
Messrs. C. M. Bain (by special leave), W. B. Rodman, John H. Small, and J. Kenyon Wilson for plaintiff in error.
Messrs. Charles Whedbee and P. W. McMullan for defendant in error.
Mr. Justice Clarke delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Nicene and Post-Nicene Fathers: Series II/Volume I/Church History of Eusebius/Book III/Chapter 34

Chapter XXXIV.—Evarestus, the Fourth Bishop of the Church of Rome.
1. In the third year of the reign of the emperor mentioned above, Clement committed the episcopal government of the church of Rome to Evarestus, and departed this life after he had superintended the teaching of the divine word nine years in all.

## Footnotes

* ↑ The Emperor Trajan.
* ↑ On Clement of Rome, see chap. 4, note 19.
* ↑ In Bk. IV. chap. 1, Eusebius gives eight years as the duration of Evarestus’ episcopate; but in his Chron. he gives seven. Other catalogues differ widely, both as to the time of his accession and the duration of his episcopate. The truth is, as the monarchical episcopate was not yet existing in Rome, it is useless to attempt to fix his dates, or those of any of the other so-called bishops who lived before the second quarter of the second century.
# Nicene and Post-Nicene Fathers: Series II/Volume I/Church History of Eusebius/Book III/Chapter 35

Chapter XXXV.—Justus, the Third Bishop of Jerusalem.
1. But when Symeon also had died in the manner described, a certain Jew by the name of Justus succeeded to the episcopal throne in Jerusalem. He was one of the many thousands of the circumcision who at that time believed in Christ.

## Footnotes

* ↑ See above, chap. 32.
* ↑ Of this Justus we know no more than Eusebius tells us here. Epiphanius (Hær. LXVI. 20) calls him Judas.
# On the shortness of life/Chapter XX

20. And so when you see a man often wearing the robe of office, when you see one whose name is famous in the Forum, do not envy him; those things are bought at the price of life. They will waste all their years, in order that they may have one year reckoned by their name. Life has left some in the midst of their first struggles, before they could climb up to the height of their ambition; some, when they have crawled up through a thousand indignities to the crowning dignity, have been possessed by the unhappy thought that they have but toiled for an inscription on a tomb; some who have come to extreme old age, while they adjusted it to new hopes as if it were youth, have had it fail from sheer weakness in the midst of their great and shameless endeavours. Shameful is he whose breath leaves him in the midst of a trial when, advanced in years and still courting the applause of an ignorant circle, he is pleading for some litigant who is the veriest stranger; disgraceful is he who, exhausted more quickly by his mode of living than by his labour, collapses in the very midst of his duties; disgraceful is he who dies in the act of receiving payments on account, and draws a smile from his long delayed heir. I cannot pass over an instance which occurs to me. Sextus Turannius was an old man of long tested diligence, who, after his ninetieth year, having received release from the duties of his office by Gaius Caesar's own act, ordered himself to be laid out on his bed and to be mourned by the assembled household as if he were dead. The whole house bemoaned the leisure of its old master, and did not end its sorrow until his accustomed work was restored to him. Is it really such pleasure for a man to die in harness? Yet very many have the same feeling; their desire for their labour lasts longer than their ability; they fight against the weakness of the body, they judge old age to be a hardship on no other score than because it puts them aside. The law does not draft a soldier after his fiftieth year, it does not call a senator after his sixtieth; it is more difficult for men to obtain leisure from themselves than from the law. Meantime, while they rob and are being robbed, while they break up each other's repose, while they make each other wretched, their life is without profit, without pleasure, without any improvement of the mind. No one keeps death in view, no one refrains from far-reaching hopes; some men, indeed, even arrange for things that lie beyond life—huge masses of tombs and dedications of public works and gifts for their funeral-pyres and ostentatious funerals. But, in very truth, the funerals of such men ought to be conducted by the light of torches and wax tapers, as though they had lived but the tiniest span.

## Footnotes

* ↑ The Roman year was dated by the names of the two annual consuls.
* ↑ i.e., long kept out of his inheritance.
* ↑ Tacitus (Annals, i. 7) gives the praenomen as Gaius.
* ↑ i.e., as if they were children, whose funerals took place by night (Servius, Aeneid, xi. 143).
# On the strife I injected

Given in the U.S. House of Representative on July 22nd 2020 following an incident in which he called Representative Alexandria Ocasio-Cortez "a fucking bitch" in front of the Press on the steps of the U.S. Capitol.
Thank you Chairman Conway. Mister Speaker, I stand before you this morning to address the strife I injected into the already contentious Congress. I have worked with many members in this chamber over the past four terms, members on both sides of the aisle, and each of you know that I'm a man of my word. So let me take a moment to address this body.
I rise to apologize for the abrupt manner of the conversation I had with my colleague from New York. It is true that we disagree on policies and visions for America, but that does not mean we should be disrespectful. Having been married for 45 years, with two daughters, I'm very cognizant of my language. The offensive name calling, words attributed to me by the press, were never spoken to my colleagues, and if they were construed that way, I apologize for their misunderstanding.
As my colleagues know, I'm passionate about those affected by poverty. My wife Carolyn and I started out together at the age of 19 with nothing. We did odd jobs, and we were on food stamps. I know the face of poverty, and for a time, it was mine. That is why I know people in this country can still, with all its faults, rise up and succeed, and not be encouraged to break the law. I will commit to each of you that I will conduct myself from a place of passion and understanding, that policy and political disagreement be vigorously debated with the knowledge that we approach the problems facing our nation with the betterment of the country in mind and the people we serve.
I cannot apologize for my passion, or for loving my God, my family and my country. I yield back.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Oedipus

* Search for titles containing or beginning with: "Oedipus."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Oedipus, a play by Seneca. Multiple English translations exist.
* Oedipus, a play by John Dryden and Nathaniel Lee (1679)
* Œdipus, a play by Voltaire (1718), translated by William F. Fleming (1906)
* “Oedipus”, by Leonhard Schmitz in Dictionary of Greek and Roman Biography and Mythology, 1870
* "Œdipus," in A Dictionary of Music and Musicians, (ed.) by George Grove, London: MacMillan & Co., Ltd. (1900)
* "Oedipus," in Encyclopædia Britannica (11th ed., 1911).
* "Œdipus," in The New Student's Reference Work, Chicago: F.E. Compton and Co. (1914)

## See also

* Oedipus at Colonus
* Oedipus Rex, a play by Sophocles
* "Oedipus Rex", a song by Tom Lehrer
# Oedipus, King of Thebes (Murray 1911)

* related portals: Ancient Greek drama.
* sister projects: Wikipedia article, Commons category, Wikidata item.
one or more chapters are available in a spoken word format.
Layout 2
OEDIPUS
KING OF THEBES
OEDIPUS, KING OF THEBES
OEDIPUS
KING OF THEBES
BY
SOPHOCLES
TRANSLATED INTO ENGLISH RHYMING VERSE WITH EXPLANATORY NOTES BY
GILBERT MURRAY
LL.D., D.Litt., F.B.A.
REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORD FORMERLY PROFESSOR OF GREEK IN THE UNIVERSITY OF GLASGOW
OXFORD UNIVERSITY PRESS
AMERICAN BRANCH
NEW YORK: 29–35 WEST THIRTY-SECOND STREET
1911
Copyright, 1911, by
Oxford University Press
American Branch
The De Vinne Press
* Preface
* Text of the Play
* Notes
OTHER WORKS BY THE SAME AUTHOR
EURIPIDIS TRAGOEDIE (Oxford Classical Texts). Edited by Gilbert Murray. 3 vols., crown 8vo, 90c. each.
Vol. I Cyclops, Alcestis, Medea, Heraclidae, Hippolytus, Andromacha, Hecuba.
Vol. II Supplices, Hercules, Ion, Troiades, Electra, Iphigenia Taurica.
Vol. III Helena, Phoenissae, Orestes, Bacchae, Iphigenia Aulidensis, Rhesus.
India Paper, Vols. I–III, $3.10; Vols I–II,
$2.25; Vol. III, $1.10.
THE PLAYS OF EURIPIDES. Translated into English Rhyming Verse with Explanatory Notes.
The Iphigenia in Tauris. Cloth, 75c.
The Electra. Paper, 40c. Cloth, 75c.
Medea. Cloth, 75c.
The Trojan Women, Medea and The Electra in one volume. Cloth, $1.75.
THE RISE OF THE GREEK EPIC. 8vo, $2.50.
THE INTERPRETATION OF GREEK LITERATURE. An Inaugural Lecture. 8 vo, 35c.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Oedipus (Seneca)

* related portals: Drama.
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Seneca's tragedy Oedipus is based on the play Oedipus Rex by Sophocles.
English-language translations of Oedipus include:
* Œdipus, translated by Alexander Neville in Seneca, his tenne tragedies, translated into Englyſh (1581) [orig. publ. 1560]
* Œdipus, translated by Watson Bradshaw (1902)
* Oedipus, translated by Frank Justus Miller (1907)
This work is in the public domain worldwide because the author died at least 100 years ago. Translations of this work may be copyrighted.
Public domainPublic domainfalsefalse
# Oedipus Rex (Sophocles)

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* sister projects: Wikipedia article, Commons category, Wikidata item.
Οἰδίπους Τύραννος (Oidipous Tyrannos, Latin: Oedipus rex), or Oedipus the King, is a play written by Sophocles in 429 BCE. The tragedy tells the story of Oedipus, a man who becomes the king of Thebes, while unwittingly fulfilling a prophecy that he would kill his father, Laius, and marry his mother, Jocasta.
Oedipus Rex is one of the three "Theban" plays of Sophocles, treating the story of Oedipus and his children. However, the three plays were not created as a trilogy, and were written out of chronological sequence at different times in Sophocles' career. one or more editions are available in a spoken word format. one or more pieces are available in a musical format.
English-language translations of Οἰδίπους Τύραννος include:
* Oedipus, King of Thebes, translated by Lewis Theobald (1715) (external scan)
* Œdipus Tyrannus, translated by Theodore Alois Buckley (1849)
* Œdipus the King, translated by E. H. Plumptre (1878)
* King Oedipus, translated by Lewis Campbell [1883] (1906)
* Oedipus the King﻿, translated by Richard Claverhouse Jebb [1904] (1917)
* Oedipus, King of Thebes, translated by George Gilbert Murray (1911)
* Oedipus the King, translated by Francis Storr (1912)
* Sophocles' King Oedipus, a version for the modern stage, translated by William Butler Yeats (1928)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted.
Public domainPublic domainfalsefalse
# Oedipus Rex

* Search for titles containing or beginning with: "Oedipus Rex."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Oedipus Rex, a play by Sophocles
* "Oedipus Rex", a song by Tom Lehrer
# One Piece More Means Peace Once More

ONE PIECE MORE
means
PEACE ONCE MORE
THIRD PRIZE in SLOGAN CONTEST submitted by EDGAR DELEVAN, Dept. 68, (K Plant) 2nd Shift
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# One Question

This poem appeared in the Literary Review of the New York Evening Post in 1925 and won recognition as the shortest poem in the English langage. It was released under the GNU Free Documentation License by Definition Press, 2005.
I— Why?
This work is licensed under the terms of the GNU Free Documentation License.
The Terms of use of the Wikimedia Foundation require that GFDL-licensed text imported after November 2008 must also be dual-licensed with another compatible license. "Content available only under GFDL is not permissible" (§7.4). This does not apply to non-text media.
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# One Thousand Seven Hundred and Thirty Eight. A Dialogue Something Like Horace

First published in May 1738, this transcription is of the first edition. There are at least three states of the edition, varying in the details of the title page only: this is thought to be the second state. [Based on Alexander Pope: A Bibliography Volume 1, Part 2 (1927), by Reginald Harvey Griffith, pp. 380-384.]
ONE THOUSAND
SEVEN HUNDRED
AND
THIRTY EIGHT.
ONE THOUSAND
SEVEN HUNDRED
AND
THIRTY EIGHT.
A
DIALOGUE
Something like HORACE.
By Mr. POPE.
LONDON:
Printed for T. Cooper at the Globe in Paternoster-row. (Price One Shilling.)
ONE THOUSAND
SEVEN HUNDRED
AND
THIRTY EIGHT.
FINIS.
* ↑ Omne vaser vitium ridenti Flaccus amico Tanit, & admissus circum præcordia ludit.
* ↑ Author of a Book intitled, The Oracles of Reason.
BOOKS lately Printed for T. Cooper.
1. The First Satire of the Second Book of Horace, In Dialogue between Alexander Pope of Twickenham in Com. Midd. Esq; on the one Part, and his Learned Council on the Other.
2. Sober Advice from Horace, as delivered in his second Sermon, Imitated in the manner of Mr. Pope. Textum Recensuit Ric. Bentleius, with Notes.
3. Horace his Epistle to Augustus, Imitated by Mr. Pope.
4. The First Epistle of the First Book of Horace imitated.
5. The Sixth Epistle of the First Book of Horace imitated.
6. The Works of Alexander Pope, Esq; Vol. 2. containing his Epistles and Satires.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# One Night on the Stage

As serialized in Once a Week.
* Part 1
* Part 2
# One Sister have I in our house
### Version 1

One Sister have I in our house - And one, a hedge away. There's only one recorded, But both belong to me.
One came the road that I came - And wore my last year's gown - The other, as a bird her nest, Builded our hearts among.
She did not sing as we did - It was a different tune - Herself to her a music As Bumble bee of June.
Today is far from Childhood - But up and down the hills I held her hand the tighter - Which shortened all the miles -
And still her hum The year among, Deceives the Butterfly; Still in her Eye The Violets lie Mouldered this many May.
I spilt the dew - But took the morn; I chose this single star From out the wide night's numbers - Sue - forevermore!

### Version 2

One Sister have I in the house - And one, a hedge away. There's only one recorded - But both belong to me.
One came the road that I came - And wore my last year's gown - The other, as a bird her nest Builded our hearts among.
She did not sing as we did - It was a different tune - Herself to her a music As Bumble bee of June.
Today is far from Childhood, But up and down the hills, I held her hand the tighter - Which shortened all the miles -
And still her hum The year among, Deceives the Butterfly; And in her Eye The Violets lie, Mouldered this many May.
I spilt the dew, But took the morn - I chose this single star From out the wide night's numbers - Sue - forevermore!

### Version 3

One Sister have I in our house, And one, a hedge away. There's only one recorded, But both belong to me.
One came the road that I came — And wore my last year's gown — The other, as a bird her nest, Builded our hearts among.
She did not sing as we did — It was a different tune — Herself to her a music As Bumble bee of June.
Today is far from Childhood — But up and down the hills I held her hand the tighter — Which shortened all the miles —
And still her hum The years among, Deceives the Butterfly; Still in her Eye The Violets lie Mouldered this many May.
I spilt the dew — But took the morn — I chose this single star From out the wide night's numbers — Sue - forevermore!
# One Night

* Search for titles containing or beginning with: "One Night."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* “One Night,” a poem by Clara Augusta Jones Trask
* “One Night,” a poem by Akiko Yosano
# One Peep was Enough

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Public domainPublic domainfalsefalse
One Peep was Enough By Letitia Elizabeth Landon (L. E. L.)
From The Keepsake, 1833 Compiled by Peter J. Bolton
# One There Is, above All Others

A friend that sticketh closer than a brother by John Newton
    One there is, above all others,
    Well deserves the name of Friend;
    His is love beyond a brother’s,
    Costly, free, and knows no end:
    They who once His kindness prove,
    Find it everlasting love!
    Which of all our friends to save us,
    Could or would have shed their blood?
    But our Jesus died to have us
    Reconciled, in Him to God:
    This was boundless love indeed!
    Jesus is a Friend in need.
    Men, when raised to lofty stations,
    Often know their friends no more;
    Slight and scorn their poor relations
    Though they valued them before.
    But our Savior always owns
    Those whom He redeemed with groans.
    When He lived on earth abasèd,
    Friend of sinners was His name;
    Now, above all glory raisèd,
    He rejoices in the same:
    Still He calls them brethren, friends,
    And to all their wants attends.
    Could we bear from one another,
    What He daily bears from us?
    Yet this glorious Friend and Brother,
    Loves us though we treat Him thus:
    Though for good we render ill,
    He accounts us brethren still.
    O for grace our hearts to soften!
    Teach us, Lord, at length to love;
    We, alas! forget too often,
    What a Friend we have above:
    But when home our souls are brought,
    We will love Thee as we ought.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Nicene and Post-Nicene Fathers: Series II/Volume V/Letters/To Stagirius

Letter VI.—To Stagirius.
They say that conjurors in theatres contrive some such marvel as this which I am going to describe. Having taken some historical narrative, or some old story as the ground-plot of their sleight of hand, they relate the story to the spectators in action. And it is in this way that they make their representations of the narrative. They put on their dresses and masks, and rig up something to resemble a town on the stage with hangings, and then so associate the bare scene with their life-like imitation of action that they are a marvel to the spectators—both the actors themselves of the incidents of the play, and the hangings, or rather their imaginary city. What do I mean, do you think, by this allegory? Since we must needs show to those who are coming together that which is not a city as though it were one, do you let yourself be persuaded to become for the nonce the founder of our city, by just putting in an appearance there; I will make the desert-place seem to be a city; now it is no great distance for you, and the favour which you will confer is very great; for we wish to show ourselves more splendid to our companions here, which we shall do if, in place of any other ornament, we are adorned with the splendour of your party.

## Footnotes

* ↑ θαυματοποιοῦντας…θαυματοποιΐας; something more than ordinary mime playing, or than the optical illusion of tableaux-vivants, but less than what we should call conjuring seems to be meant (H. C. O.).
* ↑ τὰ κατάλληλα τῶν ἱστορουμένων
* ↑ οἰκίστης αὐτοσχέδιος