OpenLLM-France/wikimedia huggingface dataset:
# A Naval Biographical Dictionary/Yates, Robert Ballard

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​YATES. (Commander, 1814. f-p., 22; h-p., 35.)
Robert Ballard Yates is son of A. Nicholas Yates, Esq., formerly Naval Officer at Jamaica. This officer entered the Navy, in July, 1790, on board the Canada 74, commanded by the late Lord Hugh Seymour in the Channel. Being discharged, in the following Dec, he next, in Sept. 1791, joined the Iphigenia frigate, Capt. Patrick Sinclair, under whom we find him for 18 months stationed at Milford. From July, 1794, until March, 1798, he again served with Lord Hugh Seymour in the Channel in the Leviathan 74 and Sans Pareil 80. On leaving the latter ship, in which he had fought in Lord Bridport’s action, he became Midshipman, in the West Indies, of La Légère, Capt. Cornelius Quinton; to which vessel, a few months after he had been removed to the Queen 98, flag-ship of Sir Hyde Parker, he went back, as Acting-Lieutenant, 2 May, 1800. On 5 Sept. following he was officially promoted. His succeeding appointments were – in Oct. and Nov. 1800, to the Néréide 36, Capt. Fred. Watkins, and Amphion 32, Capts. Rich. Henry Alex. Bennett, Alex. Fraser, Thos. Masterman Hardy, and Sam. Sutton – 14 Aug. 1804, to the Pheasant sloop, Capt. Robt. Henderson – 26 April, 1 June, and 12 Dec. 1806, to the Veteran 64, Capt, Andrew Fitzherbert Evans, Pelican 16, Capt. Wm. Ward, and Elk 18, Capts. Geo. Morris and Jeremiah Coghlan – 20 Aug. 1807, to the command of the Variable – and, 28 April, 1814, to the Shark. sloop, as Flag-Lieutenant to Rear-Admiral Wm. Brown. In the Amphion (all the other vessels were stationed in the West Indies) Mr. Yates escorted Lord Nelson to the Mediterranean at the commencement of the late war in 1803. He was advanced to his present rank 15 Nov. 1814; and has since been on half-pay.
Commander Yates obtained a pension of 45l. 12s. per annum for wounds 5 Feb. 1842. He married, 16 Oct. 1820, Mary Jane, youngest daughter of Major-General Chas. N. Cookson.
# A Naval Biographical Dictionary/Yelverton, Hastings Reginald

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​YELVERTON. (Captain, 1843.)
See Captain Hastings Reginald Henry, who assumed the surname of Yelveston 15 Jan. 1849.
# A Naval Biographical Dictionary/Yolland, Charles Augustus

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​YOLLAND. (Lieutenant, 1828.)
Charles Augustus Yolland died 25 March, 1848, at Stoke, near Devonport, aged 42.
This officer entered the Navy 17 May, 1820; passed his examination in 1826; and was made Lieutenant, 19 May, 1828, into the Druid 46, Capt. Williams Sandom, on the Jamaica station, whence he returned to England and was paid off in Oct. 1829. His next and last appointments were, 16 Dec. 1834 and 1 July, 1835, to the Nimrod 20 and Tyne 28, Capts, John M‘Dougall and Lord Viscount Ingestre, employed off Lisbon and in the Mediterranean. The Tyne, of which he was the greater part of the time First-Lieutenant, was put out of commission in the spring of 1837.
Lieut. Yolland married, in 1837, Catherine Eliza, only daughter of Mrs. Gifford, of Portman-square.
# A catalogue of notable Middle Templars, with brief biographical notices/Brooke, Henry

* related authors: Henry Brooke.
* sister projects: Wikipedia article, Wikidata item.
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Admitted 27 October, 1725.
Son and heir of the Rev. William Brooke, of Mullagh, co. Cavan. In 1735 he published a poem entitled Universal Beauty, which is said to have been revised by Pope, by whom, as well as by Swift and Lyttelton, his talents were recognised. This was followed by a translation of Tasso's Jerusalem Delivered, and by a number of Plays, the best known of which are his Gustavus Vasa, produced in 1739; and The Earl of Essex, 1749. The latter is now chiefly remembered for the line—
"Who rules o'er free men should himself be free,"
which gave rise to Johnson's parody —
"Who drives fat oxen should himself be fat."
He also produced some Novels, amongst which The Fool of Quality and Juliet Grenville are the best known. His "works" were collected in 1778 in 4 vols. He died in Dublin, 10 Oct. 1783.
# A catalogue of notable Middle Templars, with brief biographical notices/Brown, Anthony

* related authors: Anthony Maria Browne.
* sister projects: Wikipedia article, Wikidata item.
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Admitted 28 April, 1594.
He appears in the Register as "Anthony, Viscount Mountague." He was the second Viscount Montague, being the grandson of Sir Anthony Brown, who was raised to that dignity by Queen Mary, 2 Sept. 1554. He was a nobleman of high character, and a staunch Roman Catholic. He died at Midhurst in 1629.
# A catalogue of notable Middle Templars, with brief biographical notices/Browne, Humphrey

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There is no mention of his admission, but he was Reader at the Middle Temple in 1516, and again in 1521. He was the younger brother of Sir Wistan Browne, referred to in the previous notice. He was elevated to the Bench as a Judge of the Common Pleas in 1542, having been previously (1531) made a Serjeant-at-Law, and King's Serjeant (1536). He was one of those who witnessed the signature to the deed of Edward VI., altering the succession.
# A catalogue of notable Middle Templars, with brief biographical notices/Browne, Sir Anthony

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Son of Sir Wistan Browne, of Abbesroding and Langenhoo, in Essex. He was born in Essex about 1510, and studied at Oxford. There is no record of his admission; but he was appointed Reader at the Inn in 1553. He is called by Plowden "a man of profound genius and great eloquence." In 1555 he became Serjeant-at-Law, and one of the Queen's Serjeants. In 1558 he was made Lord Chief Justice of the Common Pleas, but, being a Roman Catholic by religion, was removed by Queen Elizabeth the next year, to make room for Sir James Dyer (q.v.). The queen, however, out of respect for his talents and character, permitted him to hold the position of puisne judge till his death, which occurred on 16 May, 1567.
Chief Justice Browne published no work, but he was an author to this extent, that he supplied the ailments in a treatise published by John Leslie, Bishop of Ross, in support of the right of Mary Queen of Scots to the succession to the Crown of England. Besides which, Wood refers to a manuscript entitled, A Discourse upon certain points touching the Inheritance of the Grown, conceived by Sir Anthony Browne, Justice."
# A catalogue of notable Middle Templars, with brief biographical notices/Bromley, William

* related authors: William Bromley.
* sister projects: Wikipedia article, Wikidata item.
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Admitted 9 April, 1683.
Son and heir of Sir William Bromley, K.B., of Baggington (Baginton), co. Warwick, where he was born. He graduated at Oxford in 1681. The first years of his manhood were spent in travel upon the Continent, of which he published accounts in 1692 and 1702. In 1689 he was elected for Warwickshire, and was one of those who declined to acknowledge William III. He was subsequently returned for Oxford University, which he continued to represent till his death, 13 Feb. 1731-2. He was an ardent supporter of the High Church party, and suspected of Jacobite views, which militated against his election as Speaker in 1705, though five years later he was chosen to the office without opposition.
# A Little Thing like a Kiss

* information about this edition.
* sister projects: Wikidata item.
Song from the musical The Doll Girl.
[Verse]
    There are kisses that mean little to the taker or the giver,
    There are other that mean Oh so much, Of those we must beware,
    For the kiss that from certain party fairly makes you shiver
    From another is a trifle light as air,
    Often times when lips are meeting
    one or both is really cheating,
    It's no more than pressure of the finger tips,
    In some cases you go through it,
    Feeling there is nothing to it,
    For a kiss comes from the heart and not the lips.
[Refrain]
    So kiss, kiss
    There's nothing that's amiss,
    In the friendly kisses of a friend or two,
    You may get some frigid glances,
    But one has to take those chances
    I don't see a thing to fuss about do you,
    Do you
    So kiss kiss
    I gives another bliss
    you have thousands and just one you'll never miss,
    If it makes some sad heart lighter,
    If it makes this old world brighter
    Don't be stingy
    Don't be stingy,
    Don't be cross about a little thing like a kiss.
[Verse]
    You've been witness to the meeting of two very charming ladies,
    Who rush madly at each other like two bees about to sting,
    In reality they each may wish the other one in Hades,
    But they kiss embrace and say "you dear old thing,"
    I myself have often seen it
    and I know how much they mean it,
    Each is thinking my where did she get that hat?
    There are gushing smiles deceiving
    There they kiss again on leaving,
    "Come and see me dear, I will dear, goodbye cat!"
[Refrain]
    So kiss, kiss
    There's nothing that's amiss,
    In the friendly kisses of a friend or two,
    You may get some frigid glances,
    But one has to take those chances
    I don't see a thing to fuss about do you,
    Do you
    So kiss kiss
    I gives another bliss
    you have thousands and just one you'll never miss,
    If it makes some sad heart lighter,
    If it makes this old world brighter
    Don't be stingy
    Don't be stingy,
    Don't be cross about a little thing like a kiss.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1945, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 78 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# A Little Song

"Roses are but for a day"
* Coates, Florence Earle (1909), "A Little Song" in Lippincott's Monthly Magazine (March 1909).
* Coates, Florence Earle (1909), "A Little Song" in Lyrics of Life (1909).
* Coates, Florence Earle (1916), "A Little Song" in Poems I.

## References

* ↑ View this version at Google Books.
# A Little Tour In France

* information about this edition.
* sister projects: Wikidata item.
A Little Tour in France is a book of travel writing by Henry James. Originally published under the title En Province in 1883-1884 as a serial in The Atlantic Monthly, the book recounts a six-week tour James made of many provincial towns in France, including Tours, Bourges, Nantes, Toulouse, Arles and several others. The first book publication was in 1884. A second, extensively revised edition was published in 1900. Warning: template has been deprecated.

### Contents

* Introduction
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI
* Chapter XVII
* Chapter XVIII
* Chapter XIX
* Chapter XX
* Chapter XXI
* Chapter XXII
* Chapter XXIII
* Chapter XXIV
* Chapter XXV
* Chapter XXVI
* Chapter XXVII
* Chapter XXVIII
* Chapter XXIX
* Chapter XXX
* Chapter XXXI
* Chapter XXXII
* Chapter XXXIII
* Chapter XXXIV
* Chapter XXXV
* Chapter XXXVI
* Chapter XXXVII
* Chapter XXXVIII
* Chapter XXXIX
* Chapter XL
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# A Trip to the Moon/Dedication

THE
DEDICATION.
TO THE
HALL a Poet find a Patron, and not a Lunatick? Let it not be said, Gulliver's alive, or the Laputians had e're now crush'd us, by coming down to mourn him; yet his Lustre dazzles; he cannot be conceal'd: His Fame rings loudly in the Moon: To Clods of Earth I tell it.
​Thee, Gulliver, I stile most worthy; and as I believe thee averse to Flattery, as free from Pride, I am persuaded that you will not be offended at a Dedication in the Rear, but approve of, and accept, if what goes before be worth your Notice: Accept it according to your wonted Candour, and believe me to be,
With all due Respect,
Your most Devoted
Humble Servant,
Murtagh Mc. Dermot.
# A Trip to the Moon/Preface

THE
PREFACE.
First, That to condemn a Man without sufficient Evidence, is contrary to our Irish Statutes, neither can suck Evidence be had, till some Body arrives from the ​Moon, who I am sure will bear Witness to all I have set down.
Secondly, The Similitude of Manners is but a weak Objection. Does not every Body know that Nature in all her Works delights in Uniformity? Why then may not the Inhabitants of our secondary Planet be like us in their Behaviour? I doubt not, but if I had seen more of them I should have been able to describe Persons like some of our Neighbours. As to what is said concerning Government, let none misapply it: I had sworn Allegiance to King George the First of glorious Memory, before my Departure, and was always firmly attach'd to the Hanoverian Succession, against the base Pretensions of a cowardly, spurious, Popish Pretender; besides, a monarchical Government can never be applied with the the least probability to the Crown of Great Britain. In the next Place, let me make some Apology for endeavouring to account for some Things in an uncommon Manner.
The best Philosophers have been famous for their own Conjectures, some of which I have follow'd, and made bold to add my own, where they were not very positive. Other Accounts I have related according to the receiv'd Doctrine of the Moon, for which I am oblig'd to my dear Friend Tckbrff.
What has been said, may suffice to vindicate me from such Aspersions as evil-minded Persons may cast upon me, who look no higher than their own native Earth. It remains that I address my self to those of a more generous Disposition, who I hope will excuse small Faults, and impute them rather to my Ignorance, than to any design of imposing on the Publick.
# A Practical Treatise on Olive Culture, Oil Making and Olive Pickling

PRICE, ONE DOLLAR
A PRACTICAL TREATISE
ON
OLIVE CULTURE,
Oil Making and Olive Pickling,
BY
ADOLPHE FLAMANT,
Of Napa, California.
COPYRIGHTED 1887.
Louis Grégoire & Co., Booksellers, 6 Post Street, San Francisco.
​To Rev. Richard Wylie,
Pastor of the Presbyterian Church, Napa, Cal.
Dear Sir:—You take such a deep and intelligent interest in olive culture and I owe so much to your valuable assistance in the translation of this little work from the French—in which language I wrote it originally—that this, coupled with the high feelings of respect I entertain for your person, prompts me to respectfully dedicate to you this humble effort of mine in which it is my purpose to present to our agriculturists, from a Californian point of view, and in as brief and concise form as is in my power to make it, the principal points bearing on olive culture, which I hope and trust will soon stand foremost among the great industries of our highly favored State.
Yours Respectfully,
Adolphe Flamant.
Napa, June 15, 1887.
CONTENTS.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# A Practical Treatise on Brewing/Tun Rooms

REGULATORS FOR THE TUNS.
It is, no doubt, a very desirable object to have the means of regulating and keeping in check the temperatures of the worts during fermentation; but if for that purpose we employ chains of pipes fixed in the gyle-tuns, consisting of different metals joined with each other, it is liable to the same objections with regard to galvanic action as when such pipes are otherwise connected with the tuns, and will generally be found to be attended with effects nearly as injurious.
Moveable regulators are the best; they can be applied or removed at pleasure. In winter or cold ​weather, regulators are very seldom necessary, and may then be altogether withdrawn from the gyle-tuns, thus removing the possibility of any voltaic action from a mixture of metals. The regulators which we recommend are very simple, and may be made at a very trifling expense.
Pipes consisting of one metal only, and of three or four inches diameter, should be formed into a rectangular or circular vessel. This vessel must of course be water tight, and strong enough to resist any pressure which may occur. In one of the sides of this vessel two openings about one inch and a half or two inches in diameter, must be made about ten inches apart, and these fitted with screw-joints, to which flexible water-tight pipes may be attached, the one for admitting the cold water, the other for its discharge anywhere over the top of the square. This vessel, which in size must be proportioned to the gyle-tun, may be suspended from any beam above the gyle-tun, by means of a rope and pulley, so as to be let down into the worts, or withdrawn at pleasure. These will be found to answer the purpose intended as well as the most expensive instruments now in use, or perhaps even better. These regulators should only be allowed to descend a few inches into the body of the worts. We all know that liquids, generally speaking, as they cool, become specifically heavier, and thus the portions first cooled on the surface will sink down, while ​those which are warmer, and of course specifically lighter, will rise up to supply their place.
If worts be cooled down too rapidly in the fermenting back, the fermentation will be checked, and it is sometimes found difficult to restore its vigour. By the above method, the process of checking the temperature is carried on much more gradually and equally, and without any risk of checking the fermentation. The worts, also, are at the same time all kept in motion, from the rising of the warmer and sinking of the cooler parts, which is also advantageous and perhaps better than rousing. Regulators, when placed near the bottom of fermenting tuns, do very little more, for a long time, than cool the worts at their own level, and even then not equally, unless the whole be kept in a constant state of agitation by means of rousing. Regulators, however, should never be used, so as to cool down the worts during fermentation, but should be so adjusted as to permit a gradual increase of temperature.
# A Practical Treatise on Brewing/Taps

TAPS.
Of the Produce of Taps, according to the Number of Barrels turned on the Malt.
Many erroneous accounts have been given as to the quantity of water, or more properly of wort, ​retained by the malt, after draining off the first mash: as this may be considered a point of some importance to young brewers, as a check or guide for ascertaining that no mistakes have been made in turning on the different quantities of liquor, we shall here insert our own observations on the subject. The results, however, will vary a little, according to the depth of the malt in the mash-tun, the greater depth producing more extract, and vice versâ.
When the first mash is drained off, fine malts will retain about 4 gallons per bushel, or 32 gallons per quarter; inferior malts will retain 4½ gallons per bushel, or 36 gallons per quarter, more or less, according to quality, affording a sure guide to ascertain the quantities of liquor which have been used in mashing.
Thus, if brewing 10 quarters of malt we mash with 20 barrels, we should find in the under-back or copper from 10 to 11 barrels, or perhaps, sometimes, a few gallons more of wort, according to the quantity of the malt, and its depth in the mash-tun; Whatever additional quantity of liquor may be turned on during the first mash, we should find that additional quantity in the worts when collected.
In the after mashings we generally find that the malt will yield a little more than the quantity turned on, which may be easily accounted for by ​the decrease in the bulk of the malt after every subsequent mashing.
# All Is Well

Whate'er you dream, with doubt possessed,
Keep, keep it snug within your breast,
And lay you down and take your rest;
And when you wake, to work again,
The wind it blows, the vessel goes,
And where and whither, no one knows.
'Twill all be well: no need of care;
Though how it will, and when, and where,
We cannot see, and can't declare.
In spite of dreams, in spite of thought,
'Tis not in vain, and not for nought,
The wind it blows, the ship it goes,
Though where and whither, no one knows
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# All Hail the Power of Jesus' Name

* related portals: Hymns.
* sister projects: Wikipedia article, Wikidata item.
"All Hail the Power of Jesus’ Name", sometimes called the "National Anthem of Christendom", was first published in 1779 in Gospel Magazine. It is commonly sung to the tunes "Coronation" (Oliver Holden, 1793), "Miles Lane" (William Shrubsole, 1779), or "Diadem" (James Ellor, 1838).
* "All hail the great Immanuel's Name!" in A Selection of Hymns, Used in the Parish Church, and the Church of the Holy Trinity, Ulverston (1863)
* "All Hail the Power of Jesus' Name" in The Canadian Soldiers' Song Book (1918)
* "All Hail the Power of Jesus' Name" in The Army and Navy Hymnal (1920)
* "All Hail the Power of Jesus’ Name" (unsourced)
# All Kneeling

Books by Anne Parrish
A Pocketful of Poses
Semi-attached
Lustres (with Dillwyn Parrish)
The Perennial Bachelor
Tomorrow Morning
All Kneeling
Harper & Brothers Publishers
All Kneeling
By Anne Parrish
Harper & Brother Publishers New York and London 1928
All Kneeling Copyright, 1928, by Harper & Brothers Printed in the United States of America First edition G - C ▼
For Mary Powers
"To be said by the whole congregation . . . all kneeling."
—The Book of Common Prayer
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
* Chapter 21
* Chapter 22
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1957, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 66 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse