# The Green Bay Tree (Bromfield, Frederick A. Stokes Company, printing 11)/Chapter 67

IT may have been that Madame Blaise played her part in the depression. After the night that Lily ran out of her house, she never saw the crazy old woman again, for a day or two later Madame Blaise, in a purple hat and a bright Venetian shawl, was led away on the promise of a wonderful adventure to a house in Versailles where well-to-do lunatics were cared for and allowed to indulge to the utmost their idiosyncrasies. Her guardian was none other than the handsome and distinguished M. de Cyon, who with his brother, a lawyer, looked after the old woman's property. She seemed completely happy in the new establishment, so M. de Cyon reported, because she found there an elderly wine merchant who believed himself descended from Henri Quatre and Diane de Poitiers, and therefore the rightful heir to the French throne. Together they spent their days plotting intrigues and revolutions by which he was to be set upon the throne with Madame Blaise as his consort. So there was no opportunity for Lily to wring from the old woman any further information regarding the photograph of the handsome gentleman in the black beard. The photograph together with the hundreds of other pictures, was packed away in a cavernous storehouse in Montparnasse when the furniture was cleared out of the chalet in the enclosure near the Trocadero and it was let to an Englishwoman interested in art. Life, as old Julia Shane said, was after all no story book in which everything was revealed. Every man had secrets which he carried into the grave.
But before Madame Blaise was led away, she kept her threat and sent round to the house in the Rue Raynouard. The Byzantine Empress and The Girl in the Hat. The pictures were left there by the driver of a battered fiacre who went off immediately. To Lily, the pictures had become objects of horror. She would not see them. She bade the housekeeper ​put them away in the top room of the house where she could not possibly find them. When they arrived she was still in bed, suffering from a wild headache that did not leave her for days after the experience with Madame Blaise.
"It was horrible," she told Ellen. "More horrible than you can imagine, to see that old devil dancing before me like an omen . . . a warning of old age. If you had seen her . . . so like me in the pictures . . . so like me even in the reality, like me as I might easily be some day. It was horrible . . . horrible!" And she buried her face in her hands.
Ellen, as usual, consulted Madame Gigon.
"She is really ill, this time," she said. "It isn't that she's just tired. She's frightened by something. She's much worse than she's ever been before."
And they sent for a physician, a great bearded man, recommended by Madame de Cyon, who diagnosed the case as a crise de nerfs and bade her go at once to the lodge in the country. The servants remarked that Madame seemed ill and tired for the first time in her life.
After a time she appeared to forget the mysterious photograph. It was clear that her father was destined to remain, as he had always been, a solitary, fascinating, malevolent figure translated by some turn of circumstance from the intrigues of the old world into the frontier life of the new. What lay in the past—murder, disgrace, conspiracy—must remain hidden, the secret of the dead and of a mad old woman who in her youth and beauty had been his mistress at the very moment that his bride struggled in the school at St. Cloud to learn the tricks of a great lady. Out of all the mystery only one thing seemed clear—that Lily was his favorite child; and now the reason seemed clear enough. By some whim of Fate she was like The Girl in the Hat, the lovely creature who was now Madame Blaise.
So the crise de nerfs persisted throughout the summer. Indeed there were times when it appeared that Lily was on the verge of a settled melancholia, times when she would walk in solitude for hours along the towpaths beneath the mottled limbs of the plane trees. Yet her beauty persisted. She might have been a goddess . . . Ceres . . . as she walked along the green ​path, bordered on one side by the Marne and on the other by waving fields of yellow grain.
As the weeks passed she suffered increasing annoyance through the persistent efforts of the Town to acquire the property at Cypress Hill. A dozen times a month letters arrived from Folsom and Jones, pressing letters that carried threats which Folsom and Jones passed along smoothly with all the suavity of true lawyers playing both ends against the middle. Indeed, from the tone of certain of the communications it appeared that they too, although they were Lily's agents and paid by her, believed that the interests of the Town surmounted those of their client. Its growth, they wrote, was stupendous. It was rapidly becoming one of the greatest steel centers in the world. If she could only be induced to return for a visit, she would understand the anxiety of the Town council to acquire the holdings at Cypress Hill. Surely she could understand that while sentiment was a commendable thing, it had its place. One could be too sentimental about a situation. The price offered was excellent. ("But not so excellent as it will be in another five years," thought Lily with a certain malice.) The house brought her no return. She only paid taxes on it. And so on, for page after page, letter after letter.
All this, no doubt, sounded reasonable enough, but Lily reading those letters aloud to Madame Gigon, who desired to be read aloud to no matter what the material, would murmur irritably, "Why the devil can't they leave me in peace? Go back and visit that place? My God! What for?" And then sarcastically, "To see Eva Barr, I suppose. I'm sure I'm not interested in their prosperity."
And she would write again that she had no intention of selling and that the more they annoyed her the less she was likely to alter her decision.
It may have been that she enjoyed the sense of power with which the possession of Cypress Hill endowed her . . . a feature she had not realized until it was shown her by Ellen. It may have been that she was simply tired and a little perverse and ill-natured. And it was true that she had not the slightest interest in the money involved. Indeed she had no idea how rich she was. Each year she spent what she desired to ​spend, and never did she come to the end of her income. What more could she desire? What could she do with more money?
But it is also more than probable that somewhere far back in the dark recesses of her consciousness, there were memories which kindled as she grew older, new fires of resentment against the Mills and the Town and all the things they stood for . . . memories of her mother's open hatred for the Harrisons and Judge Weissman, memories of a terrible night when men and women were shot down under the dead trees of the park, memories of an heroic, unattainable figure, wounded and bloody, but undefeated . . . a figure which doubtless grew in fascination as it receded into the past. It is true, too, that there is sometimes greater peace, even greater happiness, in renunciation than in fulfilment. What has never been a reality, may remain a fine dream. Krylenko had never been more than this.
And so the affair ran on until one evening in September Eustache, the farmer's boy, brought back from Meaux a small envelope bearing the post mark of the Town and addressed in the scrawled, illiterate handwriting of old Hennery. It recounted briefly the end of the house of Cypress Hill. It had caught fire mysteriously in the night and before dawn nothing remained save a hole in the ground filled with the scorched and blackened fragments of fine old carpets, mirrors, jade, crystals, carved chests and old chairs, all the beautiful things which encumbered the site of the proposed railroad station.
The mulatto woman, Hennery wrote with difficulty and the most atrocious spelling, swore that she saw two men running away from the house after the fire began. The police, he added, had been able to find no trace of them.
And the following day Lily received a polite letter from Folsom and Jones giving her a brief account of the catastrophe. They also mentioned the story told by the mulatto woman. They believed, however, that it was simply the crazy imagining of a demented old woman.
"Perhaps now," the letter concluded, "Miss Shane would desire to rid herself of a property that could no longer hold her even by ties of sentiment."