OpenLLM-France/wikimedia huggingface dataset:
# An Etymological Dictionary of the German Language/Annotated/Art

| This annotated version expands the abbreviations in the original entry Art. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Art, feminine, ‘kind, sort, species, manner,’ from Middle High German art, masculine, feminine, ‘innate peculiarity, nature, condition, kind’; Old High German art, is not recorded with these meanings, nor is the word found elsewhere. Instead of this there occurs the homonymous Old High German art, feminine, ‘tillage, ploughing,’ with which artôn, ‘to inhabit, cultivate,’ is connected; further, Old Saxon ard, masculine, ‘dwelling-place,’ Anglo-Saxon eard, masculine, ‘dwelling, native place,’ Old Icelandic ǫrð), feminine, ‘harvest, produce.’ These cognates, which belong (see Acker) to an Old Teutonic and Aryan root, ar, ‘to plough’ (Latin arare, Greek ἀρόω, &c.), are scarcely allied to Middle High German art, masculine, feminine, ‘nature, condition’; compare, however, Wohnung from gewöhnen. It is more probable that Art is connected with Latin ars (genitive plural arti-um), ‘method, art,’ and Sanscrit ṛtá, ‘method.’ The compounds Artacker, artbar, arthaft contain Middle High German and Old High German art, ‘agriculture, tillage,’ and belong consequently to the Teutonic and Aryan root ar, ‘to plough.’
# An Etymological Dictionary of the German Language/Annotated/Armut

| This annotated version expands the abbreviations in the original entry Armut. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Armut, feminine, from the equivalent Middle High German armuot, feminine, armuote, neuter, ‘poverty,’ Old High German aramuotî, feminine: a derivative of the Gothic adjective *armôþs; compare Einöde, Heimat.
Armut, see arm.
# An Etymological Dictionary of the German Language/Annotated/Flaus

| This annotated version expands the abbreviations in the original entry Flaus. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flaus, masculine, originally ‘a tuft of wool,’ then ‘a woollen coat, pilot cloth,’ from Middle High German vlûs, ‘fleece, sheepskin,’ a variant of Middle High German vlies. See Flies.
# An Etymological Dictionary of the German Language/Annotated/Flanke

| This annotated version expands the abbreviations in the original entry Flanke. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flanke, feminine, ‘flank, side,’ simply Modern High German, from French flanc, which, with its Romance cognate (Italian fianco), is derived from Old High German hlanca, ‘side’ (see lenken). For French fl, from Teutonic hl, see flau.
# An Etymological Dictionary of the German Language/Annotated/Flechte

| This annotated version expands the abbreviations in the original entry Flechte. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flechte, feminine, ‘plait, braid (of hair), wattle, lichen,’ from late Middle High German vlëhte, t., ‘plait, lock of hair,’ allied to the following word.
# An Etymological Dictionary of the German Language/Annotated/Fleck

| This annotated version expands the abbreviations in the original entry Fleck. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Fleck, Flecken, masculine, neuter, with many senses which are historically the same, ‘spot, stain, patch,’ from Middle High German vlëc, vlëcke, masculine, ‘piece of stuff, patch, rag, piece of land, place, spot, differently coloured spot, stain, blemish,’ Old High German flëc, flëccho; Dutch vlek, feminine, ‘spot of dirt,’ vlek, neuter, ‘village’; Gothic *flikka- or *flikkan- (or rather *þl-) is wanting; compare Old Icelandic flekkr (genitive plural flekkja), masculine, ‘a fleck, spot, stain,’ as well as flík, feminine, ‘rag, piece of stuff.’ Its connection with Scandinavian flikke, Anglo-Saxon flicce, English flitch, is dubious. See flicken.
# An Etymological Dictionary of the German Language/Annotated/Fledermaus

| This annotated version expands the abbreviations in the original entry Fledermaus. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Fledermaus, feminine, ‘bat,’ from the equivalent Middle High German vlëdermûs, Old High German flëdarmûs, feminine; corresponds to Dutch vledermuis; English flittermouse does not occur in Anglo-Saxon, and may be due to the influence of Middle European Teutonic. That the animal was thought to be a mouse is shown by Anglo-Saxon hreape-, hrêremûs; the English term bat, Middle English backe, Danish aftenbakke (aften, ‘evening’), is unique. Fledermaus, literally ‘fluttering mouse,’ from Old High German flëdarôn, Middle High German vlëdern, ‘to flutter.’
# An Etymological Dictionary of the German Language/Annotated/Flederwisch

| This annotated version expands the abbreviations in the original entry Flederwisch. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flederwisch, masculine, first occurs in early Modern High German with a reference to flëdern, ‘to flutter.’ In Middle High German once vëderwisch, Dutch vederwisch; properly ‘a goosewing for dusting,’ or rather Flederwisch, ‘whisk for fanning away.’
# An Etymological Dictionary of the German Language/Annotated/Flasche

| This annotated version expands the abbreviations in the original entry Flasche. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flasche, feminine, ‘bottle, flask,’ from the equivalent Middle High German vlasche, Old High German flasca, feminine (Middle High German also vlesche with mutation); compare Dutch flesch, Anglo-Saxon flasce, feminine, English flask, Old Icelandic (found early) flaska, feminine, Gothic *flaskô, whence Finnish lasku. The word is recorded in Teutonic at an early period, but on account of its correspondence with the Romance words for ‘bottle,’ it may have been borrowed; compare Middle Latin flasco (occurs very early), Italian fiasco, Modern French flacon. Some etymologists derive Middle Latin flasco from Latin vasculum. An exhaustive history of these cognates has not yet been attempted.
# An Etymological Dictionary of the German Language/Annotated/Flause

| This annotated version expands the abbreviations in the original entry Flause. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flause, feminine, ‘trick, pretence,’ simply ModHG; Middle High German *vlûse does not occur; it is probably connected with Old High German giflôs, neuter ‘whispering,’ giflôsida, feminine, ‘illusion,’ flôsâri, ‘liar.’
# An Etymological Dictionary of the German Language/Annotated/Flechse

| This annotated version expands the abbreviations in the original entry Flechse. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flechse, feminine, ‘sinew, tendon,’ only Modern High German, from Latin flexus.
# An Etymological Dictionary of the German Language/Annotated/Flaum

| This annotated version expands the abbreviations in the original entry Flaum. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Flaum, masculine (Up.German Pflaum also), ‘down,’ from Middle High German phlûme, feminine, Old High German pflûma, ‘down,’ from Latin plûma, whence also Anglo-Saxon plûmfëþere. As the shifting of the initial sound proves, however, the word must have been borrowed in the earlier Old High German period; compare the Old Irish word (also derived from the Latin) clúm, ‘feather’ (Old Welsh plumauc, ‘pillow’). Scandinavian and English have for Flaum an apparently genuine Teutonic word (see Daune. It is certainly recorded by Pliny that Teutonic tribes in the olden time sent flocks of geese to Rome; but perhaps it was only ‘down’ (see also Flocke), which was valuable to the Southerners, and so the Latin pluma may hare been introduced into Teutonic at an early period. The initial f of the Modern High German form for pf may be due to the connection with Feder.
# The Army and Navy Hymnal/Hymns/Saviour, Lead Me, Lest I Stray

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| 218 | Saviour, Lead Me, Lest I Stray |
| Frank M. Davis Frank M. Davis |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Savior, lead me, lest I stray (lest I stray,) Gently lead me all the way; (all the way;) I am safe when by thy side, (by thy side) I would in thy love abide. (love abide) refrain Lead me, Lead me, Saviour lead me, lest I stray;lest I stray) Gently down the stream of time, (stream of time,) Lead me, Saviour, all the way. (all the way)
* Though the refuge of my soul (of my soul) When life's stormy billows roll (billows roll) I am safe when thou art night (thou art nigh) On thy mercy I rely (I rely) refrain
* Saviour, lead me, till at last, (till at last,) When the storm of life is past, (life is past,) I shall reach the land of day, (land of day,) Were all tears are wiped away (wiped away.) Refrain Amen
Used by permission of F. M. Davis, owner of Copyright
# The Army and Navy Hymnal/Hymns/Softly Now the Light of Day

* Softly now the light of day Fades upon my sight away; Free from care, from labor free, Lord, I would commune with thee.
* Thou, whose all pervading eye Naught escapes, without, within, Pardon each infirmity, Open fault and secret sin.
* Soon, for me, the light of day Shall for ever pass away; Then, from sin and sorrow free, Take me, Lord, to dwell with thee.
* Thou who, sinless, yet hast known All of man's infirmity, Then, from thine eternal throne, Jesus, look with pitying eye. A-MEN.
# The Army and Navy Hymnal/Hymns/Saviour, Like a Shepherd Lead Us

"Saviour, Like a Shepherd Lead Us" was first published anonymously in Hymns for the Young, of which Thrupp was the editor. Since Thrupp frequently published her own hymns anonymously, this hymn is usually attributed to her. The tune Bradbury was written for use with this hymn.
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| 111 | Saviour, Like a Shepherd Lead Us |
| 111 | (BRADBURY. 8,7,8,7,D.) |
| Williams B. Bradbury, 1859 |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Saviour, like a shepherd lead us, Much we need thy tender care; In thy pleas-ant pastures feed us, For our use thy folds prepare : Blessed Jesus, blessed Jesus, Thou hast bought us, thine we are, Blessed Jesus, blessed Jesus, Thou hast bought us, thine we are,
* We are thin, do thou befriend us Be the guardian of our way; Keep thy flock,from sin defend us, Seek us when we go astray : Blessed Jesus, blessed Jesus, Hear thy children when they pray, Blessed Jesus, blessed Jesus, Hear thy children when they pray,
* Thou hast promised to recive use, Poor and sinful tho' we be ; Thou hast mercy to relieve us, Grace to cleanse,and power to free : Blessed Jesus, blessed Jesus, Early let us turn to thee, Blessed Jesus, blessed Jesus, Early let us turn to thee,
* Early Let us seek thy favor, Early let us do thy will; Blessed Lord an only Saviour, With thy love our bosoms fill : Blessed Jesus, blessed Jesus, Thou hast loved us, love us still, Blessed Jesus, blessed Jesus, Thou hast loved us, love us still, Amen.
# The Army and Navy Hymnal/Hymns/Sevenfold Amen

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| 242 | Sevenfold Amen |
| J. Stainer |||
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A-men, A-men,
A - - - - - - - men, A - - - - men, A - - - men, A - men
# The Army and Navy Hymnal/Hymns/Shall We Gather at the River

Layout 2
| | Shall We Gather at the River | 191 |
| Robert Lowry, 1865 Robert Lowry, 1865 |||
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* Shall we gather at the river, Where bright angel feet have trod, With its crystal tide for ever, Flowing by the throne of God? Refrain Yes, we'll gather at the river The beautiful, the beautiful river, Gather with the saints at the river, That flows by the throne of God.(Last verse: Amen. )
* On the margin of the river, Washing up its silver spray, We will walk and worship ever, All the happy golden day. Refrain
* Ere we reach the shining river, Lay we every burden down; Grace our spirits will deliver, And provide a robe and crown. Refrain
* At the smiling of the riv er, Mirror of the Saviour's face, Saints whom death will never sever, Lift their songs of saving grace. Refrain
* Soon we'll reach the shining river, Soon our pilgrimage will cease; Soon our happy hearts will quiver, With the melody of peace. Refrain
Copyright property of Mary Runyan Lowry. Renewal. Used by permission
# The Army and Navy Hymnal/Hymns/Soldiers of Christ, Arise

Layout 2
| | Soldiers of Christ, Arise | 117 |
| | (DIADBMATA. S. M. D.) | 117 |
| Charles Wesley, 1749 George J. Elvey, 1868 |||
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* Soldiers of Christ, arise, And put your armor on, Strong in the strength which God supplies Thro' his eternal Son. Strong in the Lord of Hosts, And in his mighty power, Strong in the strength of Jesus trusts Is more than conqueror.
* Stand, then, in his great might, With all his strength endued; And take, to arm you for the fight, The panoply of God! That, having all things done, And all your conflicts past, Ye may o'er-come thro' Christ a - lone, And stand en - tire at last,
* Leave no unguarded place, No weakness of the soul, Take every virtue, every grace, And fortify the whole. From strength to strength go on ; Wrestle, and fight, and pray ; Tread all the powers of dark-ness down, And win the well-fought day ! Amen.
# The Army and Navy Hymnal/Hymns/Some Day the Silver Chord

Layout 2
| | Some Day the Silver Chord | 187 |
| | (SAVED BY GRACE. With Refrain) | 187 |
| Fanny J. Crosby, 1823-1915 George C. Stebbins, 1846- |||
| A musical score should appear at this position in the text. See Help:Sheet music for formatting instructions |||
* Some day the silver cord will break, And I no more as now shall sing; But the joy when I shall wake Within the palace of the King! Refrain And I shall see him face to face, And tell the story--Saved by grace; And I shall see him face to face, And tell the story--Saved by grace. (Last v.)Amen.
* Some day my earthly house will fall, I cannot tell how soon 'twill be, But this I know my All in All Has now a place in heaven for me. Refrain
* Some day when fades the golden sun, Beneath the rosy-tinted west, My blessed Lord shall say, 'Well done!' And I shall enter into rest. Refrain
* Some day, till then I'll watch and wait, My lamps all trimmed and burning bright, That when my Saviour opes the gate, My soul to him shall take its flight. Refrain
Copyright, 1894, by The Biglow & Main Co. Used by permission
# The Army and Navy Hymnal/Hymns/Saviour, Thy Dying Love

Layout 2
| | Saviour, Thy Dying Love | 108 |
| | (SOMETHING FOR JESUS. 6, 4, 6, 4, 6, 6, 6, 4) | 108 |
| S. Dryden Phelps, 1862 Robert Lowry, 1872 |||
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* Saviour! thy dying love Thou Gavest me, Nor should I aught withhold, Dear Lord from thee ; In love my soul would bow, My heart fulfill its vow, Some offering bring thee now, Something for thee.
* Give me a faithful heart, Like ness to thee That each departing day Hence-forth may see Some work of love begun, Some deed of kindness done, Some wande'rer sought and won, Something for thee.
* All that I am and have, Thy gifts so free, Ever in joy or grief, My Lord, for thee; And when thy face I see, My ransomed soul shall be, Through all eternity, Something for thee. Amen.
# The Army and Navy Hymnal/Hymns/Silent Night, Holy Night

Verse 1 is translated by John Freeman Young; verses 2-5 by Jane Montgomery Campbell
* Silent night, holy night, All is calm, all is bright 'Round yon Virgin Mother and Child. Holy Infant so tender and mild, Sleep in heavenly peace, Sleep in heavenly peace,
* Silent night, holy night, Darkness, flies and all is light; Shepherds hear the angels sing: 'Alleluia! hail the King! Jesus the Saviour is here, Jesus the Saviour is here.'
* Holy night, peaceful night, Child of heaven, O how bright Thou didst smile when thou wast born; Blessed was that happy morn, Full of heavenly joy, Full of heavenly joy.
* Silent night, holy night, Guiding Star, O lend thy light; See the eastern wise men bring Gifts and homage to our King! Jesus the Saviour is here, Jesus the Saviour is here.
* Silent night, holy night, Wondrous Star, O lend thy light! With the angels let us sing Alleluia to our King! Jesus our Saviour is here, Jesus our Saviour is here. Amen.
# The Army and Navy Hymnal/Hymns/Sleep, My Little Jesus

* Sleep, my little Jesus, On thy Bed of hay, While the shepherds homeward Journey on their way. Mother is thy shepherd And will her vigil keep: Did the voices wake thee? O sleep my Jesus Sleep! Softly sleep, sweetly sleep, May Jesus sleep!
* Sleep, my little Jesus, While thou art my own! Ox and ass thy heighbours, Shalt thou have a throne? Will they call me blessed? Shall I stand and weep? Be it far Jehovah! O sleep my Jesus Sleep! Softly sleep, sweetly sleep, May Jesus sleep!
* Sleep, my little Jesus, Wonder baby mine! Well the singing angels Greet thee as divine. Through my heart as heaven Low the echoes sweep Of glory to Jehovah! O sleep my Jesus sleep! Softly sleep, sweetly sleep, May Jesus sleep! Amen
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Peter (2)

From volume 4 of the work.
​Williams, Peter, s. Edward, of Northop, co. Flint, pleb. Christ Church, matric. 23 May, 1776, aged 19; B.A. 1780, M.A. 1783, B. & D.D. 1802, and chaplain, head-master Bangor School, rector of Llanbedrog, co. Carnarvon, 1802, archdeacon of Merioneth 1802, preb. of Bangor 1809, until his death 21 Feb., 1837.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Penry (3)

From volume 4 of the work.
​Williams, Penry, 1s. Penry, of Llanspythidd, co. Brecon, arm. Christ Church, matric. 9 June, 1826, aged 18; B.A. 1830, of Penpont, high sheriff co. Brecon 1848, father of the next named and of James O.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Owen Gethin

From volume 4 of the work.
​Williams, Owen Gethin, s. William, of Bottwnog, co. Carnarvon, cler. Jesus Coll., matric. 12 Dec., 1795, aged 18; B.A. 1799, M.A. 1823, perp. curate of Pentraeth and Llanbedr Goch, Anglesey, died 24 Oct., 1854.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Penry Boleyn

From volume 4 of the work.
​Williams, Penry Boleyn, s. Penry, of Brecon (town), arm. Christ Church, matric. 10 Dec., 1857, aged 19, brother of James O.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Percy Wyndham

From volume 4 of the work.
​Williams, Percy Wyndham, 2s. John Lewis, of Poole, Dorset, cler. Non-Coll., matric. 14 Oct., 1882, aged 19; B.A. from Worcester Coll. 1886.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Peter (3)

From volume 4 of the work.
Peter Bailey Williams in the Oxford Dictionary of National Biography.
​Williams, Peter, s. Peter, of Llandevilog, co. Carmarthen, cler. Jesus Coll., matric. 10 Oct., 1785, aged 20; B.A. from Christ Church, 1790. See Gent.'s Mag., 1837, i. 106.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Owen Lloyd

From volume 4 of the work.
​Williams, Owen Lloyd, 2s. James, of the Isle of Anglesey, cler. Jesus Coll., matric. 26 May, 1847, aged 18; B.A. 1851, M.A. 1854, rector of Bodfean 1862.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Penry (1)

From volume 4 of the work.
​Williams, Penry, s. Penry, of co. Brecon, arm. Pembroke Coll., matric. 24 Feb., 1731-2, aged 16; of Penpont, co. Brecon, died 15 Jan., 1781, grandfather of the next named.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Penry (2)

From volume 4 of the work.
​Williams, Penry, s. Philip, of Llanspyddid, co. Brecon, arm. Christ Church, matric. 11 April, 1799, aged 17; created M.A. 25 Feb., 1802, of Penpont, died 16 Jan., 1847, father of the next named and of Philip P.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Williams, Peter (1)

From volume 4 of the work.
​Williams, Peter, s. Robert, of Mold, co. Flint, pleb. Jesus Coll., matric. 27 March, 1751, aged 19; B.A. 1755.
# The American Cyclopædia (1879)/Powers, Hiram

Edition of 1879. See also Hiram Powers on Wikipedia; and the disclaimer.
POWERS, Hiram, an American sculptor, born in Woodstock, Vt., July 29, 1805, died in Florence, Italy, June 27, 1873. He passed his youth on his father's farm, and emigrated with the family to Ohio; and on the death of his father soon afterward he settled in Cincinnati, where he was first a clerk, and then an apprentice to a clockmaker. Learning from a German sculptor the art of modelling in clay, he made some busts and medallions of considerable merit, and for seven years had charge of the waxwork department of the western museum at Cincinnati. In 1835 he went to Washington, where he was for some time employed in modelling busts of distinguished men. With the assistance of Nicholas Long worth of Cincinnati, he was enabled in 1837 to visit Italy, and settled in Florence, which continued to be his home till his death. He at first devoted himself chiefly to modelling busts; but in 1838 he produced an ideal statue of Eve, which Thorwaldsen pronounced a masterpiece. A year later he finished the model of his “Greek Slave,” his most widely known work, of which at least six duplicates in marble have been made, besides casts and reduced copies. Among other well known works by him are the “Fisher Boy,” of which three repetitions in marble have been produced; “Il Penseroso;” “Proserpine,” a bust; “California;” “America,” modelled for the crystal palace at Sydenham, England; and portrait statues of Washington for the state of Louisiana, of Calhoun for South Carolina, which has been called his best work of the kind, and of Webster for Massachusetts. Of his busts, which comprise much the greater part of his works, those of Adams, Jackson, Webster, Calhoun, Chief Justice Marshall, Everett, and Van Buren are well known and striking specimens. His latest ideal productions are “The Last of his Tribe,” a statue of an Indian maiden, and a “Head of Jesus Christ.” Powers invented a process of modelling in plaster which, by obviating the necessity of taking a clay model, expedites the labor of the sculptor.