OpenLLM-France/wikimedia huggingface dataset:
# Cornhuskers/A Million Young Workmen, 1915

A MILLION YOUNG WORKMEN, 1915
And the million are now under soil and their rottening flesh will in the years feed roots of blood-red roses.
Yes, this million of young workmen slaughtered one another and never saw their red hands.
And oh, it would have been a great job of killing and a new and beautiful thing under the sun if the million knew why they hacked and tore each other to death.
The kings are grinning, the kaiser and the czar—they are alive riding in leather-seated motor cars, and they have their women and roses for ease, and they eat fresh-poached eggs for breakfast, new butter on toast, sitting in tall water-tight houses reading the news of war.
I dreamed a million ghosts of the young workmen rose in their shirts all soaked in crimson...and yelled:
God damn the grinning kings, God damn the kaiser and the czar.
# Cornely v. Marckwald

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
131 U.S. 159
Cornely v. Marckwald
B. F. Lee, for appellant.
>>W. A. Coursen, for appellee.
BLATCHFORD, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Cornelli/Foreword

FOREWORD
Many writers have suffered injustice in being known as the author of but one book. Robinson Crusoe was not Defoe’s only masterpiece, nor did Bunyan confine his best powers to Pilgrim’s Progress. Not one person in ten of those who read Lorna Doone is aware that several of Blackmore’s other novels are almost equally charming. Such, too, has been the fate of Johanna Spyri, the Swiss authoress, whose reputation is mistakenly supposed to rest on her story of Heidi.
To be sure, Heidi is a book that in its field can hardly be overpraised. The winsome, kind-hearted little heroine in her mountain background is a figure to be remembered from childhood to old age. Nevertheless, Madame Spyri has shown here but one side of her narrative ability.
If, as I believe, the present story is here first presented to readers of English, it must be through a strange oversight, for in it we find a deeper treatment of character, combined with equal spirit and humor of a different kind. Cornelli, the heroine, suffers temporarily from ​the unjust suspicion of her elders, a misfortune which, it is to be feared, still occurs frequently in the case of sensitive children. How she was restored to herself and reinstated in her father’s affection forms a narrative of unusual interest and truth to life. Whereas in Heidi there is only one other childish figure—if we except the droll peasant boy Peter—we have here a lively and varied array of children. Manly, generous Dino; Mux, the irrepressible; and the two girls form a truly lovable group. The grown-ups, too, are contrasted with much humor and genuine feeling. The story of Cornelli, therefore, deserves to equal Heidi in popularity, and there can be no question that it will delight Madame Spyri’s admirers and will do much to increase the love which all children feel for her unique and sympathetic genius.
Charles Wharton Stork
Layout 2
# Complete Encyclopaedia of Music/A/Arts, Fine

Arts, Fine. Napoleon Bonaparte, when at Milan, in 1797, then pushing his way onward by ceaseless activity, was addressed by the inspectors of the Conservatory of Music at Paris, with a request to use his influence, or his power, to procure for them collections of musical compositions from the Italian towns. In his answer is the following paragraph : -
"Of all the fine arts, music is that which has most influence on the passions, and which the legislator ought the most to encourage. A musical composition of an intellectual character, if the work of a master, never fails to touch the feelings ; and it has more influence on the mind than a good moral book, which convinces our reason, but does not influence our habits."
# Complete Encyclopaedia of Music/A/Artus

Artus. Court musician to the Emperor Maximilian, about the year 1512.
# Complete Encyclopaedia of Music/A/Artot, Joseph

Artot, Joseph, a celebrated violinist, was born at Brussels on the 4th February, 1815 ; received his first lessons of his father, who was first hornist at the theatre ; at the age of six or seven, played in public a concerto of Viotti ; was sent to Paris, and made a page in the royal chapel ; took the second prize at the Conservatoire, at the age of 12. IIe then performed with success in his native city, London, he., and then for some time was attached to orchestras in the theatres of Paris. But the desire of distinguishing himself led him to renounce these situations for an artistic tour in the south of France, where he had brilliant success. He visited the United States, and gave concerts with Mme. Cinti Damoureau, in 1814, and died soon after his return to Europe. Some interesting particulars of the last days of Artot appeared at that time. "He made, the year previous, a journey into Italy for the benefit of leis health, and, finding it somewhat reestablished, was anxious to go to Madrid, hoping there to add a flower to his crown. He was, however, full of sad presentiments, and receiving, on the eve of his departure, the order of Leopold from the King of Belgium, said to his friends, after expressing his pleasure at the unexpected distinction, 'It is a crown upon a coffin.' At Madrid he had a brilliant success ; the queen wished to hear him, but at one of his last concerts he was exposed to a current of freezing air, and the cold thus caught brought on a mortal illness. Seeing his end approach, the poor artist wished, at least, to die in France, and was, though with great difficulty, transported thither. There is something in these details which harmonizes with the feminine delicacy and refined sentiment that distinguished the playing of Artot."
# Complete Encyclopaedia of Music/A/Artificial compound

Artificial compound. The artificial compound, which alone comes under the musician's province, is that mixture of several different sounds, which being produced by art, the ingredient sounds are separable, and distinguish-able from one another. In this sense the distinct sounds of several voices or instruments, or several notes of the same instrument, are called simple sounds, in contradistinction to the compound ones, in which, to answer the purposes of music, the simple ones must have such an agreement in all relations, chiefly as to acuteness and gravity, as that the ear may receive the mixture with pleasure.
# Complete Encyclopaedia of Music/A/Artificial scale

Artificial scale. Not natural. See CHROMATIC SCALE.
# Complete Encyclopaedia of Music/A/Artificial

Artificial. Not natural: any note or chord is artificial when chromatics are introduced with it.
# Complete Encyclopaedia of Music/A/Artificial harmony

Artificial harmony. Those combinations which, though discordant, are allowable, as bearing some relation to the triad, or common chord, of the fundamental note.
# Complete Encyclopaedia of Music/A/Artufel, Damianus D'

Artufel, Damianus D', a Spanish Dominican, published at Valladolid, in 1572, a treatise on vocal church music.
# Complete Encyclopaedia of Music/A/Artusi, Giovanni Maria

Artusi, Giovanni Maria, a canon of Bologna, published, in 1598, a work called "The Art of Counterpoint," which reduces the precepts of Zarlino into a compendium. In 1503, he gave a continuation of this work, in which he treats more especially of the imperfections of modern music. In 1600 and 1601, he published some further tracts on music. Artusi wished to prove, by extracts from celebrated authors of antiquity, especially from Plato, that the Greeks understood music in parts ; in other words, the rules of counterpoint.
# Complete Encyclopaedia of Music/A/As

As. (G.) A flat.
# Collection of Sacred Hymns/This Earth Was Once a Garden Place

This Earth Was Once a Garden Place (or Adam-ondi-Ahman) was first published in the June 1835 issue of Messenger and Advocate and the first Latter Day Saint hymnal, Collection of Sacred Hymns (Kirtland, Ohio) in 1836.
The text below is from the first church hymnal. (See Adam-ondi-Ahman, first version transcription of printing in June 1835 issue)
HYMN 23. P. M.    1 This earth was once a garden place,  With all her glories common;  And men did live a holy race,  And worship Jesus face to face,  In Adam-ondi-Ahman.    2 We read that Enoch walk'd with God,  Above the pow'r of Mammon:  While Zion spread herself abroad,  And saints and angels sung aloud  In Adam-ondi-Ahman.    3 Her land was good and greatly blest,  Beyond old Israel's Canaan:  Her fame was known from east to west;  Her peace was great, and pure the rest  Of Adam-ondi-Ahman.    4 Hosanna to such days to come—  The Savior's second comin'—  When all the earth in glorious bloom,  Affords the saints a holy home  Like Adam-ondi-Ahman.
# College Point Boat Corporation v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
267 U.S. 12
College Point Boat Corporation v. United States
Argued: Nov. 17 and 18, 1924. --- Decided: Jan 19, 1925
Messrs. Julian C. Hammack and Bynum E. Hinton, both of Washington, D. C., for appellant.
The Attorney General and Mr. Alfred A. Wheat, of New York City, for the United States.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Collection of Sacred Hymns/What Fair One Is This

HYMN 3. P. M.
1What fair one is this, from the wilderness trav'ling, Looking for Christ, the belov'd of her heart? O, this is the church, the fair bride of the Savior, Which with every idol is willing to part. While men in contention, are constantly howling, ​And Babylon's bells are continually tolling, As though all the craft of her merchants was failing, And Jesus was coming to reign on the earth.
2There is a sweet sound in the gospel of heaven, And people are joyful when they understand The saints on their way home to glory, are even
Determin'd by goodness, to reach the blest land. Old formal professors are crying "delusion," And high-minded hypocrites say "'tis confusion,' While grace is poured out in a blessed effusion, And saints are rejoicing to see priest-craft fall.
3A blessing, a blessing, the Savior is coming, As prophets and pilgrims of old have declar'd; And Israel, the favor'd of God, is beginning To come to the feast for the righteous prepar'd. In the desert are fountains continually springing, The heavenly music of Zion is ringing; The saints all their tithes and their off'rings are bringing; They thus prove the Lord and his blessing receive.
# Complete Encyclopaedia of Music/A/Agricola, Martin

Agricola, Martin, singer at Magdeburg, published several musical works between the years 1512 and 1540. He died in 1556.
# Complete Encyclopaedia of Music/A/Agrippa

Agrippa. This king inherited a taste for music, as well as for magnificent buildings. About forty years after Christ, he built a splendid theatre at the city of Berytus, where the most costly musical exhibitions were displayed.
# Complete Encyclopaedia of Music/A/Agujari, Lucrezia

Agujari, Lucrezia. A celebrated female singer. She married Cella, an esteemed composer, and sang in London for some years, at the Pantheon, where she was at one time engaged at the enormous salary of £100 per night, for singing only two songs. Agujari was truly, a wonderful performer. She had two octave; o fair natural voice, from A on the fifth line in the bass to A on the sixth line in the treble, and beyond that, in alt, she had, in early youth, more than another octave. Sacchini said he had heard her go up to B flat in altissimo. She died at Parma in 1783.
# Complete Encyclopaedia of Music/A/Agricola, John

Agricola, John, of Erfurt, published, in 1601, motets for four, five, six, eight, and more voices ; also canticles for the principal festivals.
# Complete Encyclopaedia of Music/A/Agricola, John Frederic

Agricola, John Frederic, composer to the court at Berlin, was a native of Dobitschen, in Altenburg. He studied music at Leipsic, under Sebastian Bach. He died in 1774. Agricola translated from the Italian " The Elements of the Art of Singing," by Tosi. He also composed much music both for the church and stage. Agricola's compositions of all kinds exhibit in their character a happy union of genius and facility. He was one of the best organists of Germany.
# Complete Encyclopaedia of Music/A/Agricola, Martinus

Agricola, Martinus. A chorister in the Cathedral of Magdeburg. He wrote several tracts on music, the principal of which were re-published at Wittenburg, after his death, under the title of "Duo Libre' Musices continentes Compendium Artis et illustria Exempla." Agricola died in 1556.
# Complete Encyclopaedia of Music/A/Agrippa, H. C

Agrippa, H. C., born at Cologne in 1486, was renowned for his great erudition. In his work "De Incertitudine Scientiarum," he treats on music.
# Complete Encyclopaedia of Music/A/Aguilera, Sebastian De

Aguilera, Sebastian De. Composer and organist at Saragossa in the early part of the seventeenth century.
# Complete Encyclopaedia of Music/A/Agricola, Rodolph

Agricola, Rodolph. An excellent painter, orator, poet, and musician. He was one of the builders of the organ at Groningen. He died at an early age at Heidelberg, in 1485. Erasmus places Agricola among the first of mortals.
# Complete Encyclopaedia of Music/A/Agthe, C. C

Agthe, C. C., organist to the Prince of Anhalt-Bamburg, was born in 1759. He composed several songs and operas. He died in 1797.
# Darbyism: Its Rise and Development

Layout 2
DARBYISM:
ITS RISE AND DEVELOPMENT,
and a review of
“THE BETHESDA QUESTION”.
BY
HENRY GROVES.
“I am the Lord that healeth thee.”
LONDON: HOULSTON & WRIGHT, PATERNOSTER ROW. BRISTOL: W. MACK, PARK STREET. DUBLIN: GEORGE HERBERT, GARFTON STREET.
London | Bristol | Dublin: Houlston & Wright, Paternoster Row. | W. Mack, Park Street. | George Herbert, Grafton Street..
TABLE OF CONTENTS
(not listed in original)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Darby O'Gill and the Good People/The Banshee's Comb

The Banshee’s Comb
* I. The Diplomacy of Bridget
* II. The Banshee's Halloween
* III. The Ghosts at Chartre's Mill
* IV. The Costa Bower
# Cornhuskers/Localities

LOCALITIES
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
One in Illinois, one in Pennsylvania,
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office.
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
​On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
# Cornhuskers/Laughing Corn

LAUGHING CORN
And come on with a conquering laughter,
One of the smaller blackbirds chitters on a stalk
And a spot of red is on its shoulder
A white juice works inside.
Cornsilk creeps in the end and dangles in the wind.
Always—I never knew it any other way—
The wind and the corn talk things over together.
And the rain and the corn and the sun and the corn
The siding is white and a green blind is slung loose.
It will not be fixed till the corn is husked.
# Cornhuskers/Legends

LEGENDS
CLOWNS DYING
STEAMBOAT BILL
FOOT AND MOUTH PLAGUE
SEVENS
PROFITEER
# Cornhuskers/Loam

LOAM
In the cool moist loam,
To the lull of years that pass
The soft warm loam.
    We rise:
To shape of rose leaf,
    We stand, then,
    To a whiff of life,
Lifted to the silver of the sun
Over and out of the loam
    A day.
# Cornhuskers/Loin Cloth

LOIN CLOTH
Carved in ivory by a lover of Christ,
It is a child's handful you are here,
The breadth of a man's finger,
And this ivory loin cloth
Speaks an interspersal in the day's work,
The carver's prayer and whim
# Cornhuskers/Mammy Hums

MAMMY HUMS
The right shoulder of a strong man I leaned on.
The face of the rain that drizzled on the short neck of a canal boat.
The eyes of a child who slept while death went over and under.
                in a late summer sun.
They go and come with white surf
                slamming on a beach all day.
And then you may sleep with a late afternoon slumber sun.
Then you may slip your head in an elbow knowing nothing—only sleep.
If so you sleep in the house of our song,
If so you sleep under the apple trees of our song,
# Cornhuskers/Lawyer

LAWYER
There are points of high silence—twiddling of thumbs is at an end—bailiffs near cuspidors take fresh chews of tobacco and wait—and the clock has a chance for its ticking to be heard.
# Cornhuskers/Knucks

KNUCKS
Where they remember his lawyer's shingle,
The place where they brought him
Wrapped in battle flags,
Wrapped in the smoke of memories
From Tallahassee to the Yukon,
The place now where the shaft of his tomb
Points white against the blue prairie dome,
In Abraham Lincoln's city...I saw knucks
In the window of Mister Fischman's second-hand store
"Thirty cents apiece," answered Mister Fischman.
And taking a box of new ones off a shelf
He filled anew the box in the showcase
And said incidentally, most casually
And incidentally:
Cast-iron knucks molded in a foundry pattern,
And there came to me a set of thoughts like these:
Mister Fischman is for Abe and the "malice to none" stuff,
And the street car strikers and the strike-breakers,
And the sluggers, gunmen, detectives, policemen,
​Judges, utility heads, newspapers, priests, lawyers,
They are all for Abe and the "malice to none" stuff.
"Maybe you want a lighter pair,"
Came Mister Fischman's voice.
I opened the door...and the voice again:
Wrapped in the smoke of memories,
This is the place they brought him,
# Cornhuskers/Kreisler

KREISLER
Sell me a fiddle that has kissed dark nights on the forehead where men kiss sisters they love.
Sell me dried wood that has ached with passion clutching the knees and arms of a storm.
Sell me horsehair and rosin that has sucked at the breasts of the morning sun for milk.
# Cornhuskers/Leather Leggings

LEATHER LEGGINGS
    and made it a little thing.
    they were held to the little seas.
They have changed and shaped and welded;
    they have broken the old tools and made
    new ones; they are ranging the white
    scarves of cloudland; they are bumping
    the sunken bells of the Carthaginians
    and Phœnicians:
             they are handling
             the strongest sea
             as a thing to be handled.
    it is belted with wires and meshed with
    steel; from Pittsburg to Vladivostok is
    an iron ride on a moving house; from
    Jerusalem to Tokyo is a reckoned span;
    and they talk at night in the storm and
    salt, the wind and the war.
    and Canopus; they have weighed a small
    blue star that comes in the southeast
    corner of the sky on a foretold errand.
We shall search the stars again.
There are no bars across the way.
There is no end to the plan and the clue,
    the hunt and the thirst.
The motors are drumming, the leather leggings
    and the leather coats wait:
                   Under the sea
                   and out to the stars
                   we go.
# Complete Encyclopaedia of Music/A/Almenraeder

Almenraeder. Composer of some music for the bassoon.
# Complete Encyclopaedia of Music/A/Alouette, N

Alouette, N., conductor of the music in the church of Notre Dame, at Paris, is known as a composer by his motets, and a very fine " Miserere." Lulli was his master.
# Complete Encyclopaedia of Music/A/Almeida

Almeida, or ALMEYDA, an instrumental composer, published several sets of quatuors about the year 1800. Some of his waltzes and other piano-forte music are published by Clementi.
# Complete Encyclopaedia of Music/A/Almeida, Antonio Be

Almeida, Antonio Be, was chapel-master of the cathedral at Oporto in the middle of the seventeenth century, and composed several comic musical works.
# Complete Encyclopaedia of Music/A/Alovisio, G. B

Alovisio, G. B., published, in 1628 and 1637, some church music at. Bologna.
# Complete Encyclopaedia of Music/A/Aloysius, John Battista

Aloysius, John Battista, resided at Bologna towards the end of the sixteenth and beginning of the seventeenth century. He composed much church music, part of which was published at Venice.
# Complete Encyclopaedia of Music/A/Almeida, Mando Be

Almeida, Mando Be. A Portuguese composer of church music, died in 1660.
# Complete Encyclopaedia of Music/A/Almeloveen, Theodore Jansson Ab

Almeloveen, Theodore Jansson Ab, professor of medicine at Harderwyck, was born in 1657. He wrote a work on musical inventions in 1712.
# Complete Encyclopaedia of Music/A/Almeyda, C. F

Almeyda, C. F. A violinist and composer at Madrid. Pleyel, of Paris, published six quartets of this composer in 1798.
# Complete Encyclopaedia of Music/A/Almerighi De Rimeno, J

Almerighi De Rimeno, J., chamber musician to the landgrave of Hesse-Darmstadt, published six sonatas in 1761, at Nuremburg.
# Collier's New Encyclopedia (1921)/Sligo

Edition of 1921; disclaimer.
SLIGO, a maritime county of Ireland. It is in Connaught and has an area of 707 square miles. The coast has numerous inlets and a splendid bay. Near the border is situated Roth Crauachan, celebrated as the court of Queen Maeve, the great opponent of Cuchulain, and with the site of a famous mediæval school in the vicinity. Cattle raising, fisheries, and agriculture are the chief industries. Pop. about 75,000.
# Collier's New Encyclopedia (1921)/Slocum, Henry Warner

Edition of 1921; disclaimer.
SLOCUM, HENRY WARNER, an American military officer; born in Delphi, Onondaga co., N. Y., Sept. 24, 1827. He was graduated at the United States Military Academy in 1852; resigned his commission in 1856; studied law, and practiced in Syracuse, N. Y. He was elected a member of the State Legislature in 1859. When the Civil War broke out he was commissioned a colonel of volunteers in the Union army. He was at the first battle of Bull Run, commanding a regiment, July 21, 1861; was promoted Brigadier-General in the autumn of 1861, and commanded a division in the battles of Gaines's Mill, White Oak Swamp, and Malvern Hill. In 1862 he was promoted Major-General; participated in the battles of Bull Run, Aug. 29 and 30; commanded a corps at the battle of Chancellorsville, and at Gettysburg, July 2 and 3, 1863, was placed in command of a corps on the left wing of General Sherman's army; and took part in the great “March to the Sea,” leading the left wing of the army from Atlanta to Savannah. In September, 1865, he resigned from the army; settled in Brooklyn; and resumed the practice of law. He was elected to Congress in 1869 and served till 1873. He died in Brooklyn, N. Y., April 14, 1894.