OpenLLM-France/wikimedia huggingface dataset:
# Goodbye, Dolly Gray

* information about this edition.
* sister projects: Wikipedia article, Wikidata item.
I have come to say goodbye, Dolly Gray It's no use to ask me why, Dolly Gray There's a murmur in the air, you can hear it everywhere It is the time to do and dare, Dolly Gray
Don't you hear the tramp of feet, Dolly Gray Sounding through the village street, Dolly Gray 'Tis the tramp of soldiers' true in their uniforms so blue I must say goodbye to you, Dolly Gray
Goodbye Dolly I must leave you, though it breaks my heart to go Something tells me I am needed at the front to fight the foe See, the boys in blue are marching and I can no longer stay Hark, I hear the bugle calling, Goodbye Dolly Gray
Hear the rolling of the drums, Dolly Gray Back from war the regiment comes, Dolly Gray On your lovely face so fair, I can see a look of fear For your soldier boy's not there, Dolly Gray
For the one you love so well, Dolly Gray In the midst of battle fell, Dolly Gray With his face toward the foe, as he died he murmured low "I must say goodbye and go, Dolly Gray"
Goodbye Dolly I must leave you, though it breaks my heart to go Something tells me I am needed at the front to fight the foe See, the boys in blue are marching and I can no longer stay Hark, I hear the bugle calling, Goodbye Dolly Gray
NOTE: In Britain, the lines
"'Tis the tramp of soldiers' true in their uniforms so blue I must say goodbye to you, Dolly Gray"
became
"'Tis the tramp of soldiers' feet In their uniforms so neat So goodbye until we meet, Dolly Grey"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1930, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 93 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Goodell v. Koch

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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Goodell v. Koch (281 U.S. 704)
* Goodell v. Koch (282 U.S. 118)
# Goodell v. Koch (282 U.S. 118)

United States Supreme Court
282 U.S. 118
Goodell v. Koch
Argued: Nov. 24, 1930. ---
The Attorney General and Mr. Thomas D. Thacher, Sol. Gen., of Washington D. C., for petitioner.
Messrs. Clifton Mathews, of Globe, Ariz., Rhodes S. Baker, of Dallas, Tex., and E. E. Ellinwood and Blaine B. Shimmel, both of Phoenix, Ariz., or respondent.
[Argument of Counsel from page 119 intentionally omitted]
Mr. Justice ROBERTS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hooly and Fairly

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* "Hooly and Fairly", anonymous Scottish song
* "Hooly and Fairly", song by Joanna Baillie
# Hoop-la-la, Papa!

* information about this edition.
* sister projects: Wikidata item.
Song from the musical The Girl from Montmartre.
[Verse]
    When I was but a little child I played with ev'ry kid.
    And always at the very games my father would for bid.
    I used to be so very good till father went away.
    And when the kids would come around, they'd always hear me say.
[Refrain]
    Hoopla
    Father doesn't care,
    He's not there to see!
    Hoopla
    Father doesn't care,
    Come and play with me,
    To myself I always say,
    When the cat has gone away,
    That's the time the mice will play
    Hoop-la-la Papa!"
[Verse]
    When I grew up I grew to know, a fascinating man.
    Who catered to my ev'ry whim until in debt he ran.
    And in return for all he did he'd sometimes get a kiss.
    A thing that's apt to happen when you sing a song like this.
[Refrain]
    Hoopla
    Father doesn't care,
    He's not there to see!
    Hoopla
    Father doesn't care,
    Come and play with me,
    To myself I always say,
    When the cat has gone away,
    That's the time the mice will play
    Hoop-la-la Papa!"
[Verse]
    And now no matter who they are, you meet in gay Paree.
    They seem to pattern all they do exactly after me.
    Some say "They don't go far enough!" And others, "Much too far!"
    At any rate they cultivate my, Hoop-la-la, Papa!"
[Refrain]
    Hoopla
    Father doesn't care,
    He's not there to see!
    Hoopla
    Father doesn't care,
    Come and play with me,
    To myself I always say,
    When the cat has gone away,
    That's the time the mice will play
    Hoop-la-la Papa!"
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1945, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 78 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Hooper v. Scheimer

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
64 U.S. 235
Hooper v. Scheimer

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hackney v. Machado

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
397 U.S. 593
Hackney v. Machado
Crawford C. Martin, Atty. Gen. of Texas, Nola White, First Asst. Atty. Gen., Hawthorne Phillips, Executive Asst. Atty. Gen., and J. C. Davis and John H. Banks, Asst. Attys. Gen., for appellants.
C. Stanley Banks, Jr., for appellees.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hackin v. Arizona

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Douglas
United States Supreme Court
389 U.S. 143
Hackin v. Arizona
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hackin v. Arizona/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
* Dissenting Opinion Douglas
United States Supreme Court
389 U.S. 143
Hackin v. Arizona
The motion to dispense with printing the jurisdictional statement is granted. The motion to dismiss is granted and the appeal is dismissed for want of a substantial federal question.
Mr. Justice DOUGLAS, dissenting.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hackney v. Machado/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
United States Supreme Court
397 U.S. 593
Hackney v. Machado
The judgment is vacated and the case is remanded to the District Court for reconsideration in light of Goldberg v. Kelly, 397 U.S. 254, 90 S.Ct. 1011, 25 L.Ed.2d 287.
THE CHIEF JUSTICE, Mr. Justice BLACK, and Mr. Justice STEWART dissent.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Grace and Glory

GRACE and GLORY
Sermons Preached in the Chapel
of
Princeton Theological Seminary
BY
GEERHARDUS VOS
THE REFORMED PRESS
GRAND RAPIDS, MICH.
1922
CONTENTS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1949, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 74 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Grace before and after Meat

O Lord, when hunger pinches sore, Do thou stand us in stead, And send us, from thy bounteous store, A tup or wether head! Amen.
O Lord, since we have feasted thus, Which we so little merit, Let Meg now take away the flesh, And Jock bring in the spirit! Amen.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Grabina v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
369 U.S. 426
Grabina v. United States
Jerry Grabina, pro se.
Solicitor General Cox, Assistant Attorney General Miller, Beatrice Rosenberg and Theodore George Gilinsky, for the United States.
On Petition for Writ of Certiorari to the United States Court of Appeals for the Second Circuit.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Grace

* Search for titles containing or beginning with: "Grace."
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Grace, a poem by Ralph Waldo Emerson
* Grace, a work by George Herbert
* Grace, a short story in the Dubliners by James Joyce
# Grace Tully to Navy Code Room (December 10, 1941)

* related portals: World War II.
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Layout 2
THE WHITE HOUSE
WASHINGTON
December 10, 1941.
6.30 P.M.
CODE ROOM
 NAVY DEPARTMENT
 WASHINGTON, D. C.
 Please send enclosed message immediately.
GRACE G. TULLY
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Grabina v. United States/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
369 U.S. 426
Grabina v. United States
In light of the concession by the Solicitor General and upon an examination of the entire record, the motion for leave to proceed in forma pauperis and the petition for writ of certiorari are granted. The judgment is vacated and the case is remanded to the District Court for resentencing.
Mr. Justice FRANKFURTER and Mr. Justice WHITE took no part in the consideration or decision of this case.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# EXERCISE 24

Lio- ? how- ? to what degree ? as lio-gletik ? how large ? lio-mödik ? how many ? Aispatob vädelo in gad obik. Li-aigebol spatini ?
No; spatins paigeboms te fa mans bäledik; li-tikol das binob bäledik ? No nolob; binob yunik, ab aispatob ko spatin. Li-aifidol miti vädelo ? No aifidob omi mälüdelo. Ven äbinobs in Flent, äidlinobs vini, ab nu ven binobs in Melop aidlinobs vati. Du yels lio-mödik äbinols in Flent ? Du yels kil.
Do you drink wine ? I drink wine, but now I am drinking water. In France they drink [one drinks] wine and not water. In Belgium they speak the French and the Dutch languages. What language do they speak in Australia ? They speak-English [one word] wherever many Englishmen are, one speaks English.
# EXERCISE 5
#### VOCABULARY

| Tid, instruction. | Selob, I sell. | Bod, bread. |
| Tidob, I teach. | Lemob, I buy. | Mit, meat. |
| Fidob, I eat. | Tedel, merchant. | Yeb, grass. |
| Dlinob, I drink. | Vin, wine. | Vom, woman. |
| Lilädob, I read. | Vat, water. | |
Tidom. Kim tidom ? Man tidom. Selom bukis. Kim selom bukis ? Ob selob bukis. Givom moni. Kim givom moni ? Fat givom moni. Man tidom puli. Tedel selom bukis. Man dlinom vati. Vom dlinof vini. Kat fidom mugi. Pul fidom bodi.
Kis ? what ?
Kisi givom pule ? Givom moni e bodi pule. (Remember that, when the subject is not expressed, givom means he gives, or does he give ?) Kisi blinof mane ? Blinof vati. Kisi vom fidof ? Fidof bodi e dlinof vati. Kisi man fidom ? Fidom bodi e dlinom vini. Jip fidom yebi.
Supply the proper endings in the following sentences :
Man dlin-- vin--. Vom dlin-- vat--. Fat pul-- giv-- mon-- vom--. Mot blin-- bod-- pul--.
He comes. Who comes ? The man comes. He eats bread. I eat bread. He gives a dollar. Who gives a dollar ? The father gives a dollar. The man has a dog. The boy buys a book. The father drinks wine. The mother drinks water. The dog sees the cat. The boy buys bread. What does he eat ? He eats bread. Who eats bread ? What does she give to the boy ? She gives the boy money. What does the woman eat ? She eats bread and meat. The dog sees three sheep.
I eat meat, you eat bread; he drinks water, she drinks wine. We have books, YOU have eyes, they have ears.
# Hand-book of Volapük/1.6
## EXERCISE 6

Penob, I write. Pened, a letter (correspondence). Tonab, a letter (of the alphabet).
Tidoms. Kims tidoms ? Mans tidoms. Seloms bukis. Tedels seloms bukis pules. Laboms moni. Kims laboms moni ? Tedels laboms moni. Mans fidoms bodi e miti. Voms dlinofs vini e vati. Man penom penedi. Tedels penoms penedis. Puls penoms tonabis. Voms penofs penedis manes.
The dogs see the sheep. The sheep see the dog. The sheep sees the grass. The men write letters. The boys see the letters (a, b, c,). The women drink (not -oms) water. The men drink wine.
# EXERCISE 3
#### VOCABULARY

| Buk, book. | Kömob, I come. | Golob, I go. |
| Lilob, I hear. | Binob, I am. | Pükob, I speak. |
Binob. Givob. Blinob. Pükob. Golob. Kömob. Labob buki. Givobs moni. Labobs bukis tel. Givob moni mane. Blinobs bukis pule. Blinobs bukis pula.
I speak. I go. I have the goose. We have the books. I have five books. We give money to the man. I give five dollars to the boy. We bring a dog to the man. I bring the books. I bring the boys' books. I bring books to the boys. We give books to the boys.
# EXERCISE 4

Labol buki. Pükol. Golol. Labols fati. Blinol buki obe. Blinob bukis ole. Givols moni pules. Kömols e golobs. Pükobs e lilobs.
(In the English exercises we shall print YOU in small capitals where it refers to more than one.) You have the book. you have books. You speak and we hear. You see the man. We come and YOU go. You come and I go. You have books. You give books to the boys. You speak to me. I give money to you. You give money to me. He comes. She goes. He gives money to the man. She has the book. He brings a dog to the boy. She speaks. He sees the man and the boy. He gives me money.
# EXERCISE 26

PENED
1887 balul l6id. O söl lestimlik! Egetob penedi olik de batul kilsebalid äyela e gälobok levemo das binol in saun gudik e das volapük mekom mostepis so gletik lomü ols. Tefü buks, kelis vilol das olemob, ogolob odelo ini glezif, ed osükob omis. Stadobs valiks gudiko e glidobs oli e famüli olik.
Dear Sir: I request that you will mail me your paper during one year, addressing it as is written below. I send [mail] you one dollar in payment, and remain
Your friend.
In volapük pladon ladyeki pos subsat, e kimifali pos velib.
In English one places the adjectiv before the noun. In German the accusativ is placed sometimes before the verb.
# EXERCISE 27

In this reading exercise the left-hand column contains a translation from the German, in which the words are, to a great extent, arranged in the German order, --- too much so, I think. The verb is placed at the end of the sentence or clause without any apparent reason for this position, except that in the German original it is at the end. In the right-hand column the same words are re-arranged with correction of some other Germanisms.
| INVERTED ORDER. | NATURAL ORDER. |
| Glut ledik tegom sili kel jünu yulibik ebinom. Yono flamom filakolüm, tegöpi mena kösumöl, kel omi ed omikis esävom. Noli binoms valüds atoz?* Si, atoz binoms ,,valüds fata ko kels nonik fed tenalik binos al fedön." Ga ekusi ! Lelit, kel domi et ävilom nosön, disislifom äl tali, nen dämön. Näm jekik, vali duzuköl, menaladi fulöl ko tlep e jek, golom büdo menas du voli, tiki polöl da oti ko vif nesuemik. | Glut ledik tegom sili kel ebinom jünu yulibik. Filakolüm flamom yono, kösumöl tegöpi mena kel esävom omi ed omikis. No-li ats binoms valüds ? Si, ats binoms ,,valüds fata ko kels nonik fed tenalik binom pöfedöl." Ga, ekusi ! Lelit, kel ävilom nosön domi et, disislifom äl täli nen dämön. Näm jekik, duzuköl vali, fulöl mena- ladi ko tlep e jek, golom büdü mens da vol. polöl tiki da ot ko vif nesuemik. |
# EXERCISE 28
#### VOTAMS FA LASAM VALEMIK TELID.

In jölul yela 1887 lasam valemik volapükelas äzitom in München, zif Deuta. Lasam at ämekom votamis anik in noms volapüka, e zesüdos sevön votamis at, dat kanon lilädön bukis pepüböl büf tim lasama. Buk obsik pepenom segun noms nulik pestaböls fa lasam.
Ab in penäds vönik onoeton :
1. Das äbinoms foms tel tonaba h, $^c$ e h, müedik e düfik ; nu labobs fomi te bal, h.
2. Das äbinom fom plütik, ,,ons," pla ,,ol," kel fom (ons) no sibinom nu.
3. Das nems lönik päpenoms segun ton, fonetigo ; nu paipenoms segun lotogaf länas keles lönoms.
4. Das vökäds ä, ö, ü älaboms fomis patik, nen pünils.
5. Das ji- as bisilab älabom fetanamali (-).
6. Das ,ji-' ämalom sotimo jimateli dunela e no jiduneli it ; e das ,of,' pla ,ji,' ämalom jiduneli. a.s., ji-tidel, vöno, jimatel tidela ; of-tidel, vom kel tidof, jitidel.
# EXERCISE 23

Kikod ? why ? Kiplad or kiöp ? where ? Kipladi ? where (to what place) ? Kiüp or kitim ? when ? Liko ? how ? These are interrogativs which do not require -li.
Stadön, to be [in a certain state or condition], to do, as in "how do you do ?"
Liko stadol, o söl ! ? Stadob gudiko, danob ole (or danis). Li-ebinol lonedo in zif ? No lonedo, ekömob bletimo de Madrid. Binom-li Madrid zif jönik ? Binom lejönik; ilöfoböv blibön us lonedumo. Kiöp lom olik binom ? Lom obik binom in Boston, ab labob flenis mödik in zif at. Li-estudol flentapüki ? Estudob flentapüki ab no kanob pükön omi gudiko. Li.kapälol valikosi keli lilädol ? Si, o söl ! ti valikosi.
Have you seen my father to-day ? No, sir; is he not in the house ? Have you read the newspapers to-day ? I have not had time to read. How is your father to-day ? Thanks; he is (stadom) much better. His many friends will have much pleasure to know it.
# EXERCISE 25

| Dälön, to permit. | Mutön, must. |
| Dalön, to have permission (may). | Mütön, compel. |
Logobok in lok at. Pladolokös in stul et. Aikel löfomok gudikumo ka nileli okik, no binom krit velatik; ab krits velatik löfoms okis. Aivatükobok vämödelo.
I have struck myself with this walking stick. I permit myself to address this letter to you. You will kill yourself. Please seat yourself and make yourself contented.
(Formerly dalön -dälön, mutön -mütön, had converse meanings.)
# House of Life

* Search for titles containing or beginning with: "House of Life."
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This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* House of Life, a poem by Dorothy Quick
* The House of Life, a poem by Ella Wheeler Wilcox
# House of Pomegranates

one or more chapters are available in a spoken word format.
* The Young King
* The Birthday of the Infanta
* The Fisherman and His Soul
* The Star-Child
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# House of Atreus 2nd ed (1889)/Preface 2

The linked audio file contains both Prefaces. The Preface to the Second Edition begins at about 42 minutes into the recording.
Layout 2
PREFACE TO THE SECOND EDITION.
In republishing the House of Atreus, I have striven to remove the flaws to which private or public criticism called my attention. A grave mistranslation of Choeph., l. 216, has, I hope, been banished. Mr. A. O. Prickard and Professor Margoliouth independently detected and denounced it to me: I now plead, with Orestes—
μίασμα δ᾽ ἔκπλυτον πέλει. . . . . χρόνος καθαίρει πάντα γηράσκων ὁμοῦ.
I may be permitted to add a statement of the general principle that I have followed in making alterations. Errors in scholarship I have endeavoured to remove: where the English has been criticized, I have always considered, and often obeyed, the criticism: sometimes I have resisted it in obedience to a higher law,—e.g., several critics objected to the use of the word "spilth"; I have retained it, as used by Shakespeare, and therefore fitted for tragic poetry, though no longer in ordinary use. With regard to the form of the translation, I have not made any serious change. Were I now attempting the thing for the first time, I should not throw so much of the first chorus of the Agamemnon into quatrains. But in this, as in other cases, that which was originally difficult to do has become almost impossible to undo and do again. The previous translation stands like an erring and prohibitory ghost, 'μηκέτ᾽ ἐσέλθῃς τάδε᾽ φωνῶν.
E. D. A. M.
Winchester, October, 1889.
# Howards End/21

CHAPTER XXI
Charles had just been scolding his Dolly. She deserved the scolding, and had bent before it, but her head, though bloody, was unsubdued, and her chirrupings began to mingle with his retreating thunder.
"You've woken the baby. I knew you would. (Rum-ti-foo, Rackety-tackety Tompkin!) I'm not responsible for what Uncle Percy does, nor for anybody else or anything, so there!"
"Who asked him while I was away? Who asked my sister down to meet him? Who sent them out in the motor day after day?"
"Charles, that reminds me of some poem."
"Does it indeed? We shall all be dancing to a very different music presently. Miss Schlegel has fairly got us on toast."
"I could simply scratch that woman's eyes out, and to say it's my fault is most unfair."
"It's your fault, and five months ago you admitted it."
"I didn't."
"You did."
​"Tootle, tootle, playing on the pootle!" exclaimed Dolly, suddenly devoting herself to the child.
"It's all very well to turn the conversation, but Father would never have dreamt of marrying as long as Evie was there to make him comfortable. But you must needs start match-making. Besides, Cahill's too old."
"Of course, if you're going to be rude to Uncle Percy—"
"Miss Schlegel always meant to get hold of Howards End, and, thanks to you, she's got it."
"I call the way you twist things round and make them hang together most unfair. You couldn't have been nastier if you'd caught me flirting. Could he, diddums?"
"We're in a bad hole, and must make the best of it. I shall answer the pater's letter civilly. He's evidently anxious to do the decent thing. But I do not intend to forget these Schlegels in a hurry. As long as they're on their best behaviour—Dolly, are you listening?—we'll behave, too. But if I find them giving themselves airs, or monopolizing my father, or at all ill-treating him, or worrying him with their artistic beastliness, I intend to put my foot down, yes, firmly. Taking my mother's place! Heaven knows what poor old Paul will say when the news reaches him."
The interlude closes. It has taken place in Charles's garden at Hilton. He and Dolly are sitting in deck-chairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth.