# In Bad Company, and other Stories/How I began to Write

HOW I BEGAN TO WRITE
For publication I mean. Having the pen of a ready writer by inheritance, I had dashed off occasional onslaughts in the journals of the day, chiefly in defence of the divine rights of kings (pastoral ones). I had assailed incoherent democrats, who perversely denied that Australia was created chiefly for the sustenance of sheep and cattle and the aggrandisement of those heroic individuals who first explored and then exploited the 'Waste Lands of the Crown.' The school of political belief to which I then belonged derided agriculture, and was subsequently committed to a scheme for the formation of the Riverina into a separate pastoral kingdom or colony. A petition embodying a statement to this effect, wholly unfitted as it was for the sustenance of a population dependent upon agriculture, was forwarded to the Secretary for the Colonies, who very properly disregarded it. The petitioners could not then foresee the stacking of 20,000 bags of wheat, holding four bushels each, awaiting railway transport at one of the farming centres of this barren region in the year 1897. Allied facts caused me to reconsider my very pronounced opinions, and, perhaps, led others to question the accuracy of theirs. My deliverances in the journals of the period occurred in the forties and fifties of the century, and gradually subsided.
I was battling with the season of 1865 on a station on the Murrumbidgee River, at no great distance from the flourishing town of Narandera, then consisting of two hotels, a small store, and a large graveyard, when an uncertain-tempered young horse kicked me just above the ankle with such force and accuracy that I thought the bone was broken. I was to have ridden at daylight to count a flock of sheep, and could ​scarcely crawl back to the huts from the stock-yard without assistance, so great was the agony. I sat down on the frosted ground and pulled off my boot, knowing that the leg would swell. Cold as it was, the thirst of the wounded soldier immediately attacked me. My room in the slab hut, preceding the brick cottage, then in course of erection, was, to use Mr. Swiveller's description, 'an airy and well-ventilated apartment.' It contained, in addition to joint stools, a solid table, upon which my simple meals of chops, damper, and tea were displayed three times a day by a shepherd's wife, an elderly personage of varied and sensational experiences.
I may mention that the great Riverina region was as yet in its unfenced, more or less Arcadian stage, the flocks being 'shepherded' (expressive Australian verb, since enlarged as to meaning) and duly folded or camped at night. Something of Mrs. Regan's advanced tone of thought may be gathered from the following dialogue, which I overheard:—
Shady township individual—'Your man shot my dorg t'other night. What d'yer do that fer?'
Mrs. Regan—''Cause we caught him among the sheep; and we'd 'a shot you, if you'd bin in the same place.'
Township individual—'You seem rather hot coffee, missus! I've 'arf a mind to pull your boss next Court day for the valley of the dorg.'
Mrs. Regan—'You'd better clear out and do it, then. The P.M.'s a-comin' from Wagga on Friday, and he'll give yer three months' "hard," like as not. Ask the pleece for yer character.'
Township individual—'D—n you and the pleece too! A pore man gets no show between the traps and squatters in this bloomin' country. Wish I'd never seen it!'
This was by the way of interlude, serving to relieve the monotony of the situation. I could eat, drink, smoke, and sleep, but the injured leg—worse than broken—I could not put to the ground. Nor had I company of any kind, save that of old Jack and Mrs. Regan, for a whole month. So, casting about for occupation, I bethought myself that I might write something for an English magazine. The subject pitched upon was a kangaroo drive or battue, then common in Western Victoria, which I had lately quitted. The kangaroo had become so numerous that they were eating the squatters out ​of house and home. Something had to be done; so they were driven into yards in great numbers and killed. This severe mode of dealing with the too prolific marsupial, in whole battalions, I judged correctly, would be among the 'things not generally known' to the British public.
I sat down and wrote a twelve-page article, describing a grand muster for the purpose at a station about twenty miles from Port Fairy, and seven miles from my own place, Squattlesea Mere.
The first time I went to Melbourne I posted it, with the aid of my good friend, the late Mr. Mullen, to the editor of the Cornhill Magazine, and thought no more about the matter. A few days after the adventure, my neighbour, Adam M'Neill, of North Yanko, hearing of my invalid state, rode over and carried me off to his hospitable home. I had to be lifted on my horse, but after a month's rest and recreation was well enough to return to pastoral duties. I was lame, however, for quite a year afterwards, and narrowly escaped injuring the other ankle, which began to show signs of over-work. About the time of my full recovery, I received a new Cornhill Magazine, and a note from Messrs. Smith and Elder, forwarding a draft, which, added to the honour and glory of seeing my article flourishing in a first-class London magazine, afforded me much joy and satisfaction. The English review notices were also cheering. I thereupon dashed off a second sketch, entitled 'Shearing in Riverina,' which I despatched to the same address. The striking presentment of seventy shearers, all going their hardest, was a novelty also to the British public.
The constant clash that the shear-blades make
When the fastest shearers are making play
(as Mr. ' Banjo ' Paterson has it, in 'The Two Devines,' more than twenty years later), could not but challenge attention. This also was accepted. I received a cheque in due course, which came at a time when such remittances commenced to have more interest for me than had been the case for some years past.
The station was sold in the adverse pastoral period of '68-'69, through drought, debt, financial 'dismalness of sorts'; but 'that is another story.' Christmas time found me in Sydney, where it straightway began to rain with unreasonable ​persistency (as I thought), now it could do me no good; never left off (more or less) for five years. The which, in plenteousness of pasture and high prices for wool and stock, were the most fortunate seasons for squatters since the 'fifties,' with their accompanying goldfields prosperity.
The last station having been sold, there was no chance of repairing hard fortune by pastoral investment. 'Finis Poloniæ.' During my temporary sojourn in Sydney I fell across a friend to whom in other days I had rendered a service. He suggested that I might turn to profitable use a facile pen and some gift of observation. My friend, who had filled various parts in the drama of life, some of them not undistinguished, was now a professional journalist. He introduced me to his chief, the late Mr. Samuel Bennett, proprietor of the Sydney Town and Country Journal. That gentleman, whom I remember gratefully for his kind and sensible advice, gave me a commission for certain sketches of bush life—a series of which appeared from time to time. For him I wrote my first tale, The Fencing of Wanderoona, succeeding which, The Squatter's Dream, and others, since published in England, appeared in the weekly paper referred to.
Thus launched upon the 'wide, the fresh, the ever free' ocean of fiction, I continued to make voyages and excursions thereon—mostly profitable, as it turned out. A varied colonial experience, the area of which became enlarged when I was appointed a police magistrate and goldfields commissioner in 1871, supplied types and incidents. This position I held for nearly twenty-five years.
Although I had, particularly in the early days of my gold-fields duties, a sufficiency of hard and anxious work, entailing serious responsibility, I never relinquished the habit of daily writing and story-weaving. That I did not on that account neglect my duties I can fearlessly aver. The constant official journeying, riding and driving, over a wide district, agreed with my open-air habitudes. The method of composition which I employed, though regular, was not fatiguing, and suited a somewhat desultory turn of mind. I arranged for a serial tale by sending the first two or three chapters to the editor, and mentioning that it would last a twelvemonth, more or less. If accepted, the matter was settled. I had but to post the weekly packet, and my mind was at ease. I was ​rarely more than one or two chapters ahead of the printer; yet in twenty years I was only once late with my instalment, which had to go by sea from another colony. Every author has his own way of writing; this was mine. I never but once completed a story before it was published; and on that occasion it was—sad to say—declined by the editor. Not in New South Wales, however; and as it has since appeared in England, it did not greatly signify.
In this fashion Robbery Under Arms was written for the Sydney Mail after having been refused by other editors. It has been successful beyond expectation; and, though I say it, there is no country where the English language is spoken in which it has not been read.
I was satisfied with the honorarium which my stories yielded. It made a distinct addition to my income, every shilling of which, as a paterfamilias, was needed. I looked forward, however, to making a hit some day, and with the publication of Robbery Under Arms, in England, that day arrived. Other books followed, which have had a gratifying measure of acceptance by the English-speaking public, at home and abroad.
As a prophet I have not been 'without honour in mine own country.' My Australian countrymen have supported me nobly, which I take as an especial compliment, and an expression of confidence, to the effect that, as to colonial matters, I knew what I was writing about.
In my relations with editors, I am free to confess that I have always been treated honourably. I have had few discouragements to complain of, or disappointments, though not without occasional rubs and remonstrances from reviewers for carelessness, to which, to a certain extent, I plead guilty. In extenuation, I may state that I have rarely had the opportunity of correcting proofs. As to the attainment of literary success, as to which I often receive inquiries, as also how to secure a publisher, I have always given one answer: Try the Australian weekly papers, if you have any gift of expression, till one of them takes you up. After that the path is more easy. Perseverance and practice will ordinarily discover the method which leads to success.
A natural turn for writing is necessary, perhaps indispensable. Practice does much, but the novelist, like the poet, is chiefly 'born, not made.' Even in the case of hunters and ​steeplechasers, the expression 'a natural jumper' is common among trainers. A habit of noting, almost unconsciously, manner, bearing, dialect, tricks of expression, among all sorts and conditions of men, provides 'situations.' Experience, too, of varied scenes and societies is a great aid. Imagination does much to enlarge and embellish the lay figure, to deepen the shades and heighten the colours of the picture; but it will not do everything. There should be some experience of that most ancient conflict between the powers of Good and Evil, before the battle of life can be pictorially described. I am proud to note among my Australian brothers and sisters, of a newer generation, many promising, even brilliant, performances in prose and verse. They have my sincerest sympathy, and I feel no doubt as to their gaining in the future a large measure of acknowledged success.
As to my time method, it was tolerably regular. As early as five or six o'clock in the morning in the summer, and as soon as I could see in winter, I was at my desk, proper or provisional, until the hour arrived for bath and breakfast. If at a friend's house, I wrote in my bedroom and corrected in the afternoon, when my official duties were over. At home or on the road, as I had much travelling to do, I wrote after dinner till bedtime, making up generally five or six hours a day. Many a good evening's work have I done in the clean, quiet, if unpretending roadside inns, common enough in New South Wales. In winter, with a log fire and the inn parlour all to myself, or with a sensible companion, I could write until bedtime with ease and comfort. My day's ride or drive might be long, cold enough in winter or hot in summer, but carrying paper, pens, and ink I rarely missed the night's work. I never felt too tired to set to after a wholesome if simple meal. Fatigue has rarely assailed me, I am thankful to say, and in my twenty-five years of official service I was never a day absent from duty on account of illness, with one notable exception, when I was knocked over by fever, which necessitated sick-leave. It has been my experience that in early morning the brain is clearer, the hand steadier, the general mental tone more satisfactory, than at any other time of day.