OpenLLM-France/wikimedia huggingface dataset:
# The New Student's Reference Work/Kant, Immanuel

See also Immanuel Kant on Wikipedia, and the disclaimer.
Kant, Immanuel, a philosopher of worldwide renown, was born at Königsberg, East Prussia, April 22, 1724, and died there on Feb. 12, 1804. Kant's parents were poor but respectable, his father being a saddler or strap-maker. At 18, Kant entered the University of Königsberg as a student of theology, but he soon gave up that profession and diligently applied himself to mathematics and the physical sciences. After supporting himself for years as a private teacher at Königsberg, Kant was appointed a professor in the university and continued teaching and lecturing there till his death. Although Kant was fond of books of travel, he never was more than 40 miles from his native town. He was temperate in his habits, patient and persistent in his work, and was much admired. The teacher's object, he always declared, should be to induce the habit of self-reflection in his pupils. While lecturing, it was his custom to fix his eye very closely on some student and judge by the face and eye of that one whether he was understood or not. Kant was the author of a large number of works, the most famous of which are his Critique of Pure Reason, his Critique of the Practical Reason and his Critique of the Faculty of Judgment. In his political views Kant may be counted as one of the foremost champions of liberty and progress. In respect to religion his supreme idea was that of duty and obligation, leaving but little room for the play of the feelings. "Whoever will tell me," he was accustomed to say, "of a good action done, him will I thank, though it be the last hour of my life." A short time before his death he said to his friends: "I do not fear death; if I were sure of being called away this night, I could raise my hand to heaven and say: 'God be praised I.'"
# The Principles of Masonic Law/Chapter XXIII

Chapter V. Of Appeals.
Every Mason, who has been tried and convicted by a lodge, has an inalienable right to appeal from that conviction, and from the sentence accompanying it, to the Grand Lodge.
As an appeal always supposes the necessity of a review of the whole case, the lodge is bound to furnish the Grand Lodge with an attested copy of its proceedings on the trial, and such other testimony in its possession as the appellant may deem necessary for his defense.
The Grand Lodge may, upon investigation, confirm the verdict of its subordinate. In this case, the appeal is dismissed, and the sentence goes into immediate operation without any further proceedings on the part of the lodge.
The Grand Lodge may, however, only approve in part, and may reduce the penalty inflicted, as for instance, from expulsion to suspension. In this case, the original sentence of the lodge becomes void, and the milder sentence of the Grand Lodge is to be put in force. The same process would take place, were the Grand Lodge to increase instead of diminishing the amount of punishment, as from suspension to expulsion. For it is competent for the Grand Lodge, on an appeal, to augment, reduce or wholly abrogate the penalty inflicted by its subordinate.
But the Grand Lodge may take no direct action on the penalty inflicted, but may simply refer the case back to the subordinate for a new trial. In this case, the proceedings on the trial will be commenced de novo, if the reference has been made on the ground of any informality or illegality in the previous trial. But if the case is referred back, not for a new trial, but for further consideration, on the ground that the punishment was inadequate--either too severe, or not sufficiently so--in this case, it is not necessary to repeat the trial. The discussion on the nature of the penalty to be inflicted should, however, be reviewed, and any new evidence calculated to throw light on the nature of the punishment which is most appropriate, may be received.
Lastly, the Grand Lodge may entirely reverse the decision of its subordinate, and decree a restoration of the appellant to all his rights and privileges, on the ground of his innocence of the charges which had been preferred against him. But, as this action is often highly important in its results, and places the appellant and the lodge in an entirely different relative position, I have deemed its consideration worthy of a distinct chapter.
During the pendency of an appeal, the sentence of the subordinate lodge is held in abeyance, and cannot; be enforced. The appellant in this case remains in the position of a Mason "under charges."
# The Records of the Federal Convention of 1787/Volume 3

* Appendix A—Supplementary Records of Proceedings in Convention (Pp. 1–554)
* Appendix B—The Delegates to the Federal Convention, Their Credentials, and Attendance (Pp. 557–590)
* Plans of Government Submitted to the Convention
** Appendix C—The Virginia Plan or Randolph Resolutions (Pp. 593–594)
** Appendix D—The Pinckney Plan (Pp. 595–609)
** Appendix E—The New Jersey Plan or Paterson Resolutions (Pp. 611–616)
** Appendix F—The Hamilton Plan (Pp. 617–630)
* Index by Clauses of the Constitution
* General Index
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sea Wolves

* information about this edition.
* related portals: Adventure, Mystery.
* sister projects: Commons category, Wikidata item.
In this mood the daft lad raved whisperingly; but Hal stood wondering and still with the sudden alarm. Should he descend the companion silently, or should he fire a shot and bring the sleepers to their feet that way? For a moment he did not know, and as he waited twenty figures—armed, most of them, with knives and iron bars, but three carrying revolvers—came with cat-like tread from the deckhouse amidships to the poop.
"THE MOON FLOODING PICTURESQUELY UPON THE WILDNESS OF THE BAY" (p. 101)
BY MAX PEMBERTON
AUTHOR OF "THE IRON PIRATE," "IMPREGNABLE CITY," "GIANT'S GATE," ETC ETC.
With a Frontispiece by Fred T. Jane and Eight Illustrations by Gordon Browne
CASSELL and COMPANY, Limited LONDON, PARIS, NEW YORK & MELBOURNE MCMVI
ALL RIGHTS RESERVED
To
MY FRIEND
CLEMENT KING SHORTER
I INSCRIBE THIS STORY WITH DEEP
REGARD
AUTHOR'S NOTE
It may not be without interest here to recall the fact that tradition tells to-day of a woman in Southern Europe who takes with her to many cities the reputation of a wrecker. Nor is the scene of the work, which gossip ascribes to her, removed by many leagues from that shore upon which some of the happenings in this book are laid. The account of the means by which bullion is shipped to the Continent by two, at least, of our greater financial houses is, I believe, accurate in all its details. I am much indebted to one who has recently returned from Russia on such a business as I have here ventured to describe for many of the particulars incorporated in the story.

## Contents

* I. THE WITCH-FINDER
* II. THE RECORDER INTRUDES
* III. ON BOARD THE "SEMIRAMIS"
* IV. THE LAST VOYAGE OF THE TUG "ADMIRAL"
* V. THE THIRD DAY AFTER
* VI. LIGHT—BUT NOT OF DAWN
* VII. "A TEMPEST DROPPING FIRE"
* VIII. SOUTH FOR CORUNNA
* IX. THE TRAGEDY OF THE FLIGHT
* X. INTO THE UNKNOWN HAVEN
* XI. ON THE FIELD Of THE AFTER-MATH
* XII. THE FIRST OF THE SPANIARDS
* XIII. THE COVE OF BRANCHES
* XIV. TO THE CREEK AGAIN
* XV. KENNER AGREES
* XVI. GOLD PROM THE SEA
* XVII. THE FIGHT IN THE CABIN
* XVIII. SEA-WOLVES AT WORK
* XIX. THE SECOND WRECKING
* XX. THE MAN BY THE DOOR
* XXI. FLIGHT TO THE SEA
* XXII. THE HALL OF THE FOUNTAINS
* XXIII. A WARNING IN THE FLESH
* XXIV. BEACONS ON THE HEIGHTS
* XXV. THE SECOND PERIL OF THE CREEK
* XXVI. A STRANGE CRY IN THE HILLS
* XXVII. IN THE VALLEY OF SILENCE
* XXVIII. THE HARBOUR OF THE POOL
* XXIX. MATTERS OF HISTORY
* XXX. THE END OF THE RECORD
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Sea View

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
* information about this edition.
* sister projects: Wikidata item.
# The Sea Witch

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
73 U.S. 242
The Sea Witch
APPEAL from the District Court of the United States for the Eastern District of Louisiana.
The schooner Sea Witch was captured in the Gulf of Mexico on the 31st of December, 1864, by the United States war steamer Metacomet, for alleged breach of the blockade of the Texas coast, then established by our government.
The schooner was a neutral vessel, with a neutral cargo, coffee, druge, &c., regularly cleared from Vera Cruz for New Orleans, under a license granted by the vice-consul of the United States, in pursuance of the proclamation of the President, opening the port of New Orleans to trade, and of the regulations of the Secretary of the Treasury. But at the time of the capture she was out of the ordinary and most direct line of a voyage from Vera Cruz to New Orleans, and somewhat along the coast and in a position to go to Galveston, Texas, then blockaded. She had encountered heavy weather before the capture and was somewhat damaged; and it was alleged by the master that he had abandoned the voyage to New Orleans, and was about returning to Vera Cruz. Having been brought into New Orleans and libelled as prize in the District Court, restitution was decreed and a certificate of reasonable cause given the captors. The United States appealed.
Mr. Ashton, special counsel of the United States, contended that the case exhibited but the ordinary sinuous devices of blockade-runners; simulating one voyage, purposing another. The vessel was just where she would have been had she been going to Galveston, and where she would not have been if going to New Orleans.
Moreover at this time, as is matter of public history, New Orleans had been but recently opened to trade, and of course was glutted with the articles which this vessel carried. Coffee was higher in Vera Cruz than in New Orleans; and as for drugs, it was shipping 'coals to New Castle,' to take them to the last-named port. Galveston, on the other hand, closely blockaded, was in extreme necessity of both.
Mr. Marvin, contra.
The CHIEF JUSTICE delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Sea Witch/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
73 U.S. 242
The Sea Witch
The only ground of suspicion that a violation of the blockade was intended is the fact that the vessel, when captured, was out of the most direct regular course to New Orleans, and in a part of the gulf where she would very probably have been had her real destination been Galveston. But we think this is sufficiently accounted for by the weather, and by the probability that such a vessel, really bound for New Orleans, would prefer to keep at no greater distance from the shore than the blockade would require, rather than take the more direct course across the gulf.
It was stated in the argument that the cargo of the vessel would not command at New Orleans so good a price as at Vera Cruz; and this circumstance, if proved, would be entitled to great weight. But there is no evidence of that sort in the record.
On the whole, therefore, we think that the decree f the District Court was correct, and shall order that it be
AFFIRMED.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The People That Time Forgot

The People That Time Forgot is an Edgar Rice Burroughs science fiction novel, the second of his Caspak trilogy. The sequence was first published in Blue Book Magazine as a three-part serial in the issues for September, October and November 1918, with The People That Time Forgot forming the second installment. Warning: template has been deprecated.

## Contents

* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The People of India/Paharis or Pahariahs of Bhaugulpoor

PAHARIS OR PAHARIAHS (BHAUGULPOOR).
THE Paharis or Pahariahs of Bhaugulpoor are a race, inhabiting the hilly and jungly country (the name signifies hillman) of that large territory.
The Pahariah is much shorter than the Sonthal, slighter in make, nearly, if not quite beardless, and of a much less cheerful disposition than his neighbour, with whom he contrasts unfavourably also on the score of industry. His great delight is to lounge in the nearest markets, decked out with beads and chains, his hair fastidiously oiled, combed, and ornamented. He cultivates as little land as possible, preferring to undergo the fatigue of hunting, travelling for miles to get a shot at a deer or peacock, or in roaming about in search of honeycombs, wild yams, or other edible roots.
His religion consists in the adoration of an invisible spirit called Bedo Gosain, who made heaven and earth; and is worshipped through the medium of various gods, visible and invisible, the former being wooden images, stones, trees, heaps of bones, and skulls of wild animals. He believes in a future state in the form of transmigration: the good, after a short period of happiness with Bedo Gosain, being born again to positions of great wealth and power; the bad being condemned for many years to inhabit the vegetable kingdom, or in graver cases to be bound and suffer eternal punishment in pits filled with fire and maggots.
The Paharis encourage polygamy, the maximum number of wives being four. The re-marriage of widows is allowed; and fornication in either sex is punished by fine, sacrifice, and consequent feasting.
They are largely employed as coolies (or luggage bearers) by persons travelling between the hill and plain country.
* PAHARI.
* SUPPOSED ABORIGINAL.
* BHAUGULPORE HILLS.
* (3)
# The Spirit of the Chinese People

First edition.
春秋大義
THE
SPIRIT OF THE CHINESE PEOPLE.
WITH AN ESSAY
ON
"The War and the Way out"
BY
KU HUNG-MING, M.A. (Edin.)
Es giebt zwei friedliche Gewalten: das Recht und die Schicklichkeit.
Goethe
PEKING,
THE PEKING DAILY NEWS.
1915.
CONTENTS.
Preface Introduction
1. The Spirit of the Chinese People. 2. The Chinese Woman. 3. The Chinese Language. 4. John Smith in China. 5. A Great Sinologue. 6. Chinese Scholarship Part I. 7. Chinese Scholarship Part II.
          Appendix:—
    The Religion of Mob-Worship or The War and the Way out.
DEDICATED
TO
L. SOYKA, ESQUIRE,
AN AUSTRIAN GENTLEMAN,
AS
A Token of Gratitude
FOR
His chivalrous and great kindness to me
and my family during the Revolution
in China in 1911.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1928, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 95 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Past (Emerson)

The debt is paid
* The Past in May-day and other pieces (1867)
* The Past in Poems (Household Edition, 1904)
# The Past (Wilcox)

* "The Past" in Maurine And Other Poems (1910 edition).
* "The Past" in Poems of Cheer (1914 edition).
# The Past is such a curious Creature

The Past is such a curious Creature To look her in the Face A Transport may receipt us Or a Disgrace —
Unarmed if any meet her I charge him fly Her faded Ammunition Might yet reply.
# The Pastor in his Closet

Oxford: James Parker and Co., page ⁠—
THE
Pastor in his Closet;
OR, A HELP TO THE
DEVOTIONS OF THE CLERGY.
THE
Pastor in his Closet;
OR, A HELP TO THE
DEVOTIONS OF THE CLERGY.
BY THE REV. JOHN ARMSTRONG, D.D., LATE LORD BISHOP OF GRAHAMSTOWN.
FIFTH EDITION.
OXFORD, AND 377, STRAND, LONDON; JAMES PARKER AND CO. 1879.
PRINTED BY JAMES PARKER AND CO., CROWN YARD, OXFORD.
TO THE
VERY REVEREND
THE DEAN OF EXETER,
IN GRATEFUL RECOLLECTION OF MANY KINDNESSES
RECEIVED BOTH IN WORD AND DEED,
This little Work
IS
RESPECTFULLY DEDICATED.
CONTENTS.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Pastor in his Closet/A Prayer for Grace

Oxford: James Parker and Co., pages 75–76
A PRAYER FOR GRACE.
O Thou who makest souls to shine With light from lighter worlds above, And droppest glistering dew divine On all who seek a Saviour's love,—
Do Thou Thy benediction give On all who teach, on all who learn, That all Thy Church may holier live, And every lamp more brightly burn.
Give those that teach pure hearts and wise, Faith, hope, and love, all warm'd by prayer; Themselves first training for the skies, They best will raise their people there.
Give those that learn the willing ear, Meek spirit, guileless mind; Such gifts will make the meanest here, Far better than a kingdom find.
​O bless the shepherd! bless the sheep! That guide and guided both be one; One in the faithful watch they keep, Until this hurrying life be gone.
If thus, good Lord, Thy grace be given, Our glory meets us ere we die; Before we upward pass to heaven We taste our immortality.
PRINTED BY JAMES PARKER AND CO., CROWN-YARD, OXFORD.
# The Past (Whitman)

February 1846
So fern, und doch so nah.—GOETHE.
Thick darkness broodeth o'er the world
 The raven pinions of the Night, Close on her silent bosom furled,  Reflect no gleam of orient light. E'en the wild Norland fires that mocked  The faint bloom of the eastern sky, Now leave me, in close darkness locked,  Tonight's weird realm of fantasy.
Borne from pale shadow-lands remote,  A morphean music, wildly sweet, Seems, on the starless gloom, to float,  Like the white-pinioned Paraclete. Softly into my dream it flows,  Then faints into the silence drear; While from the hollow dark outgrows  The phantom Past, pale gliding near.
The visioned Past; so strangely fair!  So veiled in shadowy, soft regrets. So steeped in sadness, like the air  That lingers when the day-star sets! Ah! could I fold it to my heart,  On its cold lips my kisses press, This waste of aching life impart,  To win it back from nothingness!
I loathe the purple light of day,  And shun the morning's golden star, Beside that shadowy form to stray,  Forever near, yet oh how far! Thin as a cloud of summer even,  All beauty from my gaze it bars; Shuts out the silver cope of heaven,  And glooms athwart the dying stars.
Cold, sad, and spectral, by my side,  It breathes of love's ethereal bloom— Of bridal memories, long affied  To the dread silence of the tomb
Sweet, cloistered memories, that the heart  Shuts close within its chalice cold; Faint perfumes, that no more dispart  From the bruised lily's floral fold.
"My soul is weary of her life;"  My heart sinks with a slow despair; The solemn, star-lit hours are rife  With fantasy; the noontide glare, And the cool morning, fancy free,  Are false with shadows; for the day Brings no blithe sense of verity,  Nor wins from twilight thoughts away.
Oh, bathe me in the Lethean stream,  And feed me on the lotus flowers; Shut out this false, bewildering dream,  This memory of departed hours! Sweet haunting dream! so strangely fair—  So veiled in shadowy, soft regrets— So steeped in sadness, like the air  That lingers when the day-star sets!
The Future can no charm confer,  My heart's deep solitudes to break; No angel's foot again shall stir  The waters of that silent lake. I wander in pale dreams away,  And shun the morning's golden star, To follow still that failing ray,  Forever near, yet oh how far!
# The Rock-cut Temples of India/The Caves of Ellora/Plan of the Kylas Temple at Ellora

PLAN OF THE KYLAS TEMPLE AT ELLORA.
THE ground-plan of the Kylas here given will serve to render the parts illustrated by the following photographs more generally intelligible.
A A is the Gopura, or entrance gateway. B, the detached Mantapa or porch, with an obelisk on each side. C, the inner porch or pronaos, solid below, but on the first-floor joined to the porch and gateway by stone bridges, all cut, of course, out of the solid rock. D, the cells with the Lingam, over which is the great Vimana. E E, &c. are smaller detached Temples surrounding the great Vimana. F F, lateral Temples, originally connected with the great one by bridges, which, however, have fallen. One of these, now approached only by a stair at G, is called Lanka.
# The Rock-cut Temples of India/The Caves of Ellora/Ravana ka Kaie—Ellora

RAVANA KA KAIE.—ELLORA.
BETWEEN the two Caves last mentioned is one called Ravana ka Kaie, or Ashes of Ravana. It is similar in design, though more florid than those on either hand, but hardly so much so as to justify its being placed in a different age from that which its locality would assign to it.
Among the scenes portrayed in the sculptures of the Cave is one of Siva and Parvati playing at choupers, a game somewhat resembling draughts, an engraving of which was published in the second volume of the "Transactions" of the Royal Asiatic Society, from a drawing by Captain Grindlay. Below there is a group of the Gana—dwarfs attached to Siva's retinue—playing with, or rather tormenting the bull Nundi. It is one of those legends which seem to have been peculiar favourites with the Hindoo sculptors, and is repeated several times in these Caves.
The architecture of the Cave is very florid, but all the pillars have the cushion capital and fluted shafts so common at Ellora.
# The Rock-cut Temples of India/The Caves of Ellora/Sculpture, Kylas—Ellora

SCULPTURE, KYLAS.—ELLORA.
THIS photograph fairly represents the mode in which the walls of the Kylas are covered with ornament. Both in its design and execution it is inferior to Northern sculpture of the same age, and the architectural members have none of that elegance of detail which is found at Ajunta, but the effect of the whole is certainly rich and picturesque.
The group on the right represents Vishnu on his Vahana, or celestial bearer, Garuda,—the man-bird, an emblem borrowed probably from the Assyrian Pantheon, where a man with the wings of a bird is a very common combination, though only known in this one instance in Indian mythology.
The central group represents Vishnu and his consort, Sareswati, while the figure on the left seems merely to be an attendant.