OpenLLM-France/wikimedia huggingface dataset:
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Turner, James (4)

From volume 4 of the work.
​Turner, James, s. James, of Meerbrook, co. Stafford, cler. Christ Church, matric. 16 Dec., 1816, aged 19; servitor 1817-20, B.A. 1820, M.A. 1823, perp. curate Meerbrook, co. Stafford, 1826, until his death 29 Oct., 1863.
# Alumni Oxonienses: the Members of the University of Oxford, 1715-1886/Turner, John (4)

From volume 4 of the work.
​Turner, John, s. John, of Clent, co. Stafford, arm. Oriel Coll., matric. 30 Jan., 1793, aged 17; B.A. 1796, M.A. 1801, rector of Hagley with Frankley, co. Worcester, 1804, and incumbent of St. Kenelm, Halesowen, 1836, until his death 13 Jan., 1847 (? rector of Luckington, Wilts, and Horton, co. Gloucester), father of Henry 1839, and of William F. J. See also Gent.'s Mag., 1844, i. 326.
# An Anthology of Australian Verse/The Sliprails and the Spur

The colours of the setting sun  Withdrew across the Western land — He raised the sliprails, one by one,  And shot them home with trembling hand; Her brown hands clung — her face grew pale
 Ah! quivering chin and eyes that brim! — One quick, fierce kiss across the rail,  And, "Good-bye, Mary!" "Good-bye, Jim!"  Oh, he rides hard to race the pain  Who rides from love, who rides from home;  But he rides slowly home again,  Whose heart has learnt to love and roam.
A hand upon the horse's mane,  And one foot in the stirrup set, And, stooping back to kiss again,  With "Good-bye, Mary! don't you fret! When I come back" — he laughed for her —  "We do not know how soon 'twill be; I'll whistle as I round the spur —  You let the sliprails down for me."
She gasped for sudden loss of hope,  As, with a backward wave to her, He cantered down the grassy slope  And swiftly round the dark'ning spur. Black-pencilled panels standing high,  And darkness fading into stars, And blurring fast against the sky,  A faint white form beside the bars.
And often at the set of sun,  In winter bleak and summer brown, She'd steal across the little run,  And shyly let the sliprails down. And listen there when darkness shut  The nearer spur in silence deep; And when they called her from the hut  Steal home and cry herself to sleep.
And he rides hard to dull the pain  Who rides from one that loves him best; And he rides slowly back again,  Whose restless heart must rove for rest.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Superstites Rosae

The grass is green upon her grave,  The west wind whispers low; "The corn is changed, come forth, come forth,  Ere all the blossoms go!"
In vain. Her laughing eyes are sealed,  And cold her sunny brow; Last year she smiled upon the flowers —  They smile above her now!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Spirit of Song

Where is thy dwelling-place? Echo of sweetness,  Seraph of tenderness, where is thy home? Angel of happiness, herald of fleetness,  Thou hast the key of the star-blazon'd dome.  Where lays that never end  Up to God's throne ascend, And our fond heart-wishes lovingly throng,  Soaring with thee above,  Bearer of truth and love, Teacher of heaven's tongue – Spirit of Song!
Euphony, born in the realms of the tearless,  Mingling thy notes with the voices of Earth; Wanting thee, all would be dreary and cheerless,  Weaver of harmony, giver of mirth.  Comfort of child and sage,  With us in youth and age, Soothing the weak and inspiring the strong,  Illuming the blackest night,  Making the day more bright, Oh! thou art dear to us, Spirit of Song!
Oft in the springtime, sweet words of affection  Are whispered by thee in thy tenderest tone, And in the winter dark clouds of dejection  By thee are dispelled till all sorrow has flown.  Thou'rt with the zephyrs low,  And with the brooklet's flow, And with the feathered choir all the year long;  Happy each child of thine,  Blest with thy gifts divine, Charming our senses, sweet Spirit of Song!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/The Night Ride

The red sun on the lonely lands  Gazed, under clouds of rose, As one who under knitted hands  Takes one last look and goes.
Then Pain, with her white sister Fear,  Crept nearer to my bed: "The sands are running; dost thou hear  Thy sobbing heart?" she said.
There came a rider to the gate,  And stern and clear spake he: "For meat or drink thou must not wait,  But rise and ride with me."
I waited not for meat or drink,  Or kiss, or farewell kind — But oh! my heart was sore to think  Of friends I left behind.
We rode o'er hills that seemed to sweep  Skyward like swelling waves; The living stirred not in their sleep,  The dead slept in their graves.
And ever as we rode I heard  A moan of anguish sore — No voice of man or beast or bird,  But all of these and more.
"Is it the moaning of the Earth?  Dark Rider, answer me!" "It is the cry of life at birth"  He answered quietly:
"But thou canst turn a face of cheer  To good days still in store; Thou needst not care for Pain or Fear —  They cannot harm thee more."
Yet I rode on with sullen heart,  And said with breaking breath, "If thou art he I think thou art,  Then slay me now, O Death!"
The veil was from my eyesight drawn —  "Thou knowest now," said he: "I am the Angel of the Dawn!  Ride back, and wait for me."
So I rode back at morning light,  And there, beside my bed, Fear had become a lily white  And Pain a rose of red.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Quis Separabit?

All my life's short years had been stern and sterile –  I stood like one whom the blasts blow back
As with shipmen whirled through the straits of Peril,  So fierce foes menaced my every track.
But I steeled my soul to a strong endeavour,  I bared my brow as the sharp strokes fell, And I said to my heart – "Hope on! Hope ever:  Have Courage – Courage, and all is well."
Then, bright as the blood in my heart's rich chalice,  O Blossom, Blossom! – you came from far; And life rang joy, till the World's loud malice  Shrilled to the edge of our utmost star.
And I said: "On me let the rough storms hurtle,  The great clouds gather and shroud my sun – But you shall be Queen where the rose and myrtle  Laugh with the year till the year is done."
So my Dream fell dead; and the fluctuant passion –  The stress and strain of the past re-grew, The world laughed on in its heedless fashion,  But Earth whirled worthless, because of you!
In that Lake of Tears which my grief discovered,  I laid dead Love with a passionate kiss, And over those soundless depths has hovered  The sweet, sad wraith of my vanished bliss.
Heart clings to Heart – let the strange years sever  The fates of two who had met to part; Love's strength survives, and the harsh world never  Shall crush the passion of heart for heart;
For I know my life, though it droop and dwindle,  Shall leave me Love till I fade and die, And when hereafter our Souls re-kindle,  Who shall be fonder – You or I?
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/Soul Ferry

High and dry upon the shingle lies the fisher's boat to-night; From his roof-beam dankly drooping, raying phosphorescent light, Spectral in its pale-blue splendour, hangs his heap of scaly nets, And the fisher, lapt in slumber, surge and seine alike forgets.
Hark! there comes a sudden knocking, and the fisher starts from sleep, As a hollow voice and ghostly bids him once more seek the deep; Wearily across his shoulder flingeth he the ashen oar, And upon the beach descending finds a skiff beside the shore.
'Tis not his, but he must enter – rocking on the waters dim, Awful in their hidden presence, who are they that wait for him? Who are they that sit so silent, as he pulleth from the land – Nothing heard save rumbling rowlock, wave soft-breaking on the sand?
Chill adown the tossing channel blows the wailing, wand'ring breeze, Lonely in the murky midnight, mutt'ring mournful memories, – Summer lands where once it brooded, wrecks that widows' hearts have wrung – Swift the dreary boat flies onwards, spray, like rain, around it flung.
On a pebbled strand it grateth, ghastly cliffs around it loom, Thin and melancholy voices faintly murmur through the gloom; Voices only, lipless voices, and the fisherman turns pale, As the mother greets her children, sisters landing brothers hail.
Lightened of its unseen burden, cork-like rides the rocking bark, Fast the fisherman flies homewards o'er the billows deep and dark; THAT boat needs no mortal's mooring – sad at heart he seeks his bed, For his life henceforth is clouded – he hath piloted the Dead!
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# An Anthology of Australian Verse/The Love in Her Eyes Lay Sleeping

The love in her eyes lay sleeping,  As stars that unconscious shine,  Till, under the pink lids peeping,  I wakened it up with mine; And we pledged our troth to a brimming oath  In a bumper of blood-red wine.  Alas! too well I know  That it happened long ago;  Those memories yet remain,  And sting, like throbs of pain,  And I'm alone below, But still the red wine warms, and the rosy goblets glow;  If love be the heart's enslaver,  'Tis wine that subdues the head.  But which has the fairest flavour,  And whose is the soonest shed?  Wine waxes in power in that desolate hour  When the glory of love is dead.  Love lives on beauty's ray,  But night comes after day,  And when the exhausted sun  His high career has run,  The stars behind him stay, And then the light that lasts consoles our darkening way.  When beauty and love are over,  And passion has spent its rage,  And the spectres of memory hover,  And glare on life's lonely stage,  'Tis wine that remains to kindle the veins  And strengthen the steps of age.  Love takes the taint of years,  And beauty disappears,  But wine in worth matures  The longer it endures,  And more divinely cheers, And ripens with the suns and mellows with the spheres.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
{{PD/US|1882}
# An Etymological Dictionary of the German Language/Annotated/Klang

| This annotated version expands the abbreviations in the original entry Klang. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Klang, masculine, ‘sound, clang,’ from the equivalent Middle High German klanc (genitive klanges), masculine, with the variant klanc (genitive klankes), Old High German chlang; compare Dutch klank, masculine, ‘clang, sound,’ as well as English clank and clang; Anglo-Saxon *clong, *clonc, are wanting, so too Gothic *klaggs and *klagks; compare also Middle High German klunc (klunges), masculine, ‘sound,’ and klinc (klinges), masculine, ‘tone, clangour.’ The form klank with a final k is to be regarded perhaps like falzen compared with falten, Zicke with Ziege, and Kitze with Old Icelandic kið (compare also krank), i.e., k represents kk for Aryan kn; glank (or rather glangh) is perhaps the Aryan root of the Teutonic cognates, unless we are tempted to regard Klang (compare klingen) as a new onomatopoetic word (compare Greek κλαγγή, Latin clangor).
# An Etymological Dictionary of the German Language/Annotated/Klapp

| This annotated version expands the abbreviations in the original entry Klapp. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Klapp, masculine, ‘clap, slap, blow,’ Modern High German only, adopted from Low German, like its cognates (Klappe, klappen, Klapps). Only klappern, verb, ‘to clatter,’ is current in Middle High German without any presumption of its being borrowed; perhaps it is onomatopoetic. Modern High German Klapp, ‘blow,’ is phonetically Middle High German klapf, klaf, masculine, ‘report, crack’; compare Klaff.
# An Etymological Dictionary of the German Language/Annotated/Kleck

| This annotated version expands the abbreviations in the original entry Kleck. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Kleck, Klecks, masculine, ‘blot,’ Modern High German simply; only the verb klecken (klecksen) may be traced farther back, Middle High German klęcken, ‘to blot, stain, sputter,’ also ‘to strike sonorously’; the corresponding klac (ckes), masculine, signifies ‘rent, slit, crack.’
# An Etymological Dictionary of the German Language/Annotated/Klee

| This annotated version expands the abbreviations in the original entry Klee. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Klee, masculine, ‘clover,’ from the equivalent Middle High German klê (genitive k'êwes), masculine, Old High German chlê, chlêo (genitive chlêwes). masculine and neuter; based on klaiw- (see See, Schnee). The remaining Low German dialects, have an extended form, in some cases only partially corresponding, Anglo-Saxon clœ̂fre, clâfre, feminine, English clover, Dutch klaver, Low German klever and klȧver, ‘clover.’ Perhaps these are based on some obscure compound. Except in the West Teutonic languages, too, there are no terms cognate with High German Klee; in Scandinavian, Icelandic smári (smœrur), Norwegian and Swedish (dialectic) smœre are used; Danish klöver is borrowed.
# An Etymological Dictionary of the German Language/Annotated/Klammer

| This annotated version expands the abbreviations in the original entry Klammer. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ Klammer, feminine, ‘cramp, clamp, brace,’ from the equivalent Middle High German klammer, klamer, klamere, feminine, Old High German *klamara, feminine, is wanting; Scandinavian klǫmbr (genitive klambrar), feminine, ‘vice,’ and Middle High German klamere point to a Gothic *klamra or *klamara, feminine, which is connected with the Teutonic root klam, ‘to press together,’ appearing in Klamm. The equivalent Middle High German klampfer, feminine, and the Modern High German dialectic forms Klamper (Bavarian) and Klampfer (Carinthian) are abnormal; compare also English clamp and the equivalent Dutch klamp, masculine; the labial following the m presents some difficulties. Compare the next word.