OpenLLM-France/wikimedia huggingface dataset:
# Historic Doubts Relative to Napoleon Buonaparte

HISTORIC DOUBTS
RELATIVE TO
NAPOLEON BUONAPARTE.
Is not the same reason available in theology and in politics? . . . . . Will you follow truth but to a certain point? Burke's Vindication of Natural Society.
The first author who stated fairly the connection between the evidence of testimony and the evidence of experience, was Hume, in his Essay on Miracles; a work abounding in maxims of great use in the conduct of life.—Edinburgh Rev. Sept. 1814.
FROM THE ELEVENTH LONDON EDITION.
ANDOVER: WARREN F. DRAPER, MAIN STREET. 1874.
ANDOVER: STEREOTYPED BY WARREN F. DRAPER.
* Preface
* Historic Doubts Relative to Napoleon Buonaparte
* Postscript to the Third Edition
* Postscript to the Seventh Edition
* Postscript to the Ninth Edition
* Postscript to the Eleventh Edition
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Historic Doubts Relative to Napoleon Buonaparte/Postscript to the Ninth Edition

POSTSCRIPT TO THE NINTH EDITION.
The public has been of late much interested, and not a little bewildered, by the accounts of many strange events, said to have recently taken place in France and other parts of the Continent. Are these accounts of such a character as to allay, or to strengthen and increase, such doubts as have been suggested in the foregoing pages?
We are told that there is now a Napoleon Buonaparte at the head of the government of France. It is not, indeed, asserted that he is the very original Napoleon Buonaparte himself. The death of that personage, and the transportation of his genuine bones to France, had been too widely proclaimed to allow of his reappearance in his own proper person. But "uno avulso, non deficit alter." Like the Thibetian worshippers of the Delai Lama (who never dies; only, his soul transmigrates into a fresh body), the French are so resolved, we are told, to be under a Buonaparte—whether that be (see note to p. 36) a man or "a system"—that they have found, it seems, a kind of new incarnation of this their grand Lama, in a person said to be the nephew of the original one.
​And when, on hearing that this personage now fills the high office of President of the French Republic, we inquire (very naturally) how he came there, we are informed that, several years ago, he invaded France in an English vessel (the Engglish—as was observed in p. 34—having always been suspected of keeping Buonaparte ready, like the winds in a Lapland witch's bag, to be let out on occasion), at the head of a force, not of six hundred men, like his supposed uncle in his expedition from Elba, but of fifty-five (!), with which he landed at Boulogne, proclaimed himself emperor, and was joined by no less than one man! He was accordingly, we are told, arrested, brought to trial, and sentenced to imprisonment; but having, some years after, escaped from prison, and taken refuge in England (England again!), he thence returned to France; and so the French nation placed him at the head of the government!
All this will doubtless be received as a very probable tale, by those who have given full credit to all the stories I have alluded to in the foregoing pages.
# Historic Doubts Relative to Napoleon Buonaparte/Postscript to the Seventh Edition

POSTSCRIPT TO THE SEVENTH EDITION.
Since the publication of the Sixth Edition of this work, the French nation, and the world at large, have obtained an additional evidence, to which I hope they will attach as much weight as it deserves, of the reality of the wonderful history I have been treating of. The great nation, among the many indications lately given of an heroic zeal like what Homer attributes to his Argive warriors, τίσασθαι ἙΛΈΝΗΣ ὁρμήματά τε στοναχάς τε, have formed and executed the design of bringing home for honorable interment the remains of their illustrious chief.
How many persons have actually inspected these relics, I have not ascertained; but that a real coffin, containing real bones, was brought from St. Helena to France, I see no reason to disbelieve.
Whether future visitors to St. Helena will be shown merely the identical place in which Buonaparte was (said to have been) interred, or whether another set of real bones will be exhibited in that island, we have yet to learn.
This latter supposition is not very improbable. It was something of a credit to the island, an attraction to strangers, and a source of profit to some or the inhabitants, to possess so remarkable a relic; and this glory and advantage they must naturally wish to retain. If so, there seems no reason why ​they should not have a Buonaparte of their own; for there is, I believe, no doubt that there are, or were, several museums in England, which, among other curiosities, boasted, each, of a genuine skull of Oliver Cromwell.
Perhaps, therefore, we shall hear of several well-authenticated skulls of Buonaparte also, in the collections of different virtuosos, all of whom (especially those in whose own crania the "organ of wonder" is the most largely developed), will doubtless derive equal satisfaction from the relics they respectively possess.
# Indian Summer of a Forsyte

First published in 1918. This text is from the The Forsyte Saga, Vol. 2, 1922. The source file also includes with In Chancery.
THE FORSYTE SAGA
VOLUME II
INDIAN SUMMER OF A FORSYTE
—Shakespeare
* I
* II
* III
* IV
* V
# Indian Summer (Herbert)

* information about this edition.
* sister projects: Wikipedia article, Wikidata item.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Indian Summer

* Search for titles containing or beginning with: "Indian Summer."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Indian Summer", a poem by Anne Lynch Botta
* "Indian Summer", a poem by Helena Jane Coleman
* "Indian Summer", a poem by Emily Dickinson
* "Indian Summer", a poem by Hattie Howard
* Indian Summer, a work by William Dean Howells
* "Indian Summer", a poem by Sara Beaumont Kennedy
* "Indian Summer", a poem by Sara Teasdale
* "Indian Summer", a poem by Katharine Tynan
* "Indian Summer", a poem by Frances Fuller Victor

### See also

* Summer
# Indian Summer Dreams

"Indian Summer Dreams" is a poem written by American writer and poet B. Jonson and published in 1987 by Savant, a not-for-profit literary publisher.
<poem> We sleep a sleep of stones that dream, Ever through the darkening eons Centuries pass for those who assume life. In which dimension thoughts that burn Find the night of man's return Looking for the sleep of sloth To dream away the life-forms spurned. Where Gaia seeks to transform age Into those few ephemeral woods, The amerigine has a living Only constitutes in breeding What is his alone. Outside advance rewards no need, It serves the master growth forever Eating resource in the path of Nature mending with her seed The human being forests bless. We seek the shelter of his kinship Only knowing through a mind-link Where it was we were begun. Those few individuals learning How to break the tie of passion, Beg all spirits for a sign, Oh for no days of brotherhood. We are one with those our brothers, Though they want no thorny branch Joined together with their nation, Thus they say with indignation: Realization teaches truth; We will be here when they are gone.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1978 and March 1, 1989 (inclusive) without a copyright notice, and without subsequent copyright registration with the U.S. Copyright Office within 5 years.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain worldwide because it has been so released by the author.
Public domainPublic domainfalsefalse
# Indian Snake Poisons, Their Nature and Effects/Toc

CONTENTS.
CHAPTER I.
The Physiological Effects of the Poison of the Cobra (Naja Tripudians) 1-48
CHAPTER II.
The Physiological Effects of the Poison of Russell's Viper (Daboia Russellii) 49-83
CHAPTER III.
The Physiological Effects produced by the Poisons of the Bungarus fasciatus and the Bungarus cœruleus 84-103
CHAPTER IV.
The Relative Power and Properties of the Poisons of Indian and other Venomous Snakes 104-116
CHAPTER V.
The Nature of Snake Poisons 117-135
CHAPTER VI.
Some Practical Considerations connected with the Subject of Snake-Poisoning, especially regarding Prevention and Treatment 136-163
INDEX 165
LIST OF ILLUSTRATIONS.
I. — Tracings of Respiratory Movements of a Fowl under gradual Cobra-poisoning to face p. 33
II. — Respiratory Tracings from a Fowl that died very rapidly from a large dose of Cobra-poison. The Tracings are nearly continuous p. 34
III. — Tracings of Respiratory Movements of a Dog with Cobra-poisoning p. 35
IV. — Tracings of Respiratory Movements of a Cat under the influence of Cobra-poison p. 36
V. — Continuous Tracings of Respiratory Movements of a Dog from the moment of Intravenous Injection of Cobra-poison till Death p. 37
VI. — Tracings of Respiratory Movements in Fowl under the influence of Daboia-poison p. 72
VII. — Tracings of Respiratory Movements in a Fowl under the influence of Daboia-poison that had been heated to 100°C p.73
VIII. — Tracings of Respiratory Movements of a Dog under Daboia-poisoning p.74
IX. — Tracings of Respiratory Movements of a Fowl under the influence of the Poison of the Bungarus fasoiatus p. 98
Head of the Daboia Russellii, and of the Naja Tripudians (Cobra) p. 114
Structures found in the Poison of the Naja Tripudians (Cobra) p. 118
Structures found in the Poison of the Daboia Russellii , p. 119
# Jerusalem. The Emanation of the Giant Albion/Plate 1. Frontispiece

Written and etched 1804-1820.
[ Plate 1 ]
* [Frontispiece]
* [Above the archway:]
* There is a Void, outside of Existence, which if enterd into
* Englobes itself & becomes a Womb, such was Albions Couch
* A pleasant Shadow of Repose calld Albions lovely Land
* His Sublime & Pathos become Two Rocks fixd in the Earth
* 5 His Reason his Spectrous Power, covers them above
* Jerusalem his Emanation is a Stone laying beneath
* O [Albion behold Pitying] behold the Vision of Albion
* [On right side of archway:]
* Half Friendship is the bitterest Enmity said Los
* As he enterd the Door of Death for Albions sake Inspired
* 10 The long sufferings of God are not for ever there is a Judgment
* [On left side, in reversed writing:]
* Every Thing has its Vermin O Spectre of the Sleeping Dead!

## Notes

* ↑ The picture of man in a hat and coat with a shining globe in his right hand enters a darkened doorway under the pointed arch. The text is seen only on the early proof. Later it was erased from the plate in the later copies.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Jerusalem. The Emanation of the Giant Albion/Plate 11

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
[ PLATE 11 ]
* To labours mighty, with vast strength, with his mighty chains,
* In pulsations of time, & extensions of space, like Urns of Beulah
* With great labour upon his anvils, & in his ladles the Ore t
* He lifted, pouring it into the clay ground prepar'd with art;
* 5Striving with Systems to deliver Individuals from those Systems;
* That whenever any Spectre began to devour the Dead,
* He might feel the pain as if a man gnawd his own tender nerves.
* Then Erin came forth from the Furnaces, & all the Daughters of Beulah
* Came from the Furnaces, by Los's mighty power for Jerusalems
* 10Sake: walking up and down among the Spaces of Erin:
* And the Sons and Daughters of Los came forth in perfection lovely!
* And the Spaces of Erin reach'd from the starry heighth, to the starry depth.
* Los wept with exceeding joy & all wept with joy together!
* They feard they never more should see their Father, who
* 15Was built in from Eternity, in the Cliffs of Albion.
* But when the joy of meeting was exhausted in loving embrace;
* Again they lament. O what shall we do for lovely Jerusalem?
* To protect the Emanations of Albions mighty ones from cruelty?
* Sabrina & Ignoge begin to sharpen their beamy spears
* 20Of light and love: their little children stand with arrows of gold.
* Ragan is wholly cruel, Scofield is bound in iron armour,
* He is like a mandrake in the earth before Reuben's gate,
* He shoots beneath Jerusalem's walls to undermine her foundations.
* Vala is but thy Shadow, O thou loveliest among women!
* 25 A shadow animated by they tears, O mournful Jerusalem!
# Jerusalem. The Emanation of the Giant Albion/Plate 100

Written and etched 1804-1820. Source: Blake: The Complete Poetry & Prose (David. V. Erdman) In the internet: www.blakearchive.org
# Judith of the Godless Valley

JUDITH OF THE GODLESS VALLEY
JUDITH OF THE GODLESS VALLEY
BY HONORÉ WILLSIE
Author of "The Enchanted Canyon," "The Forbidden Trail," "Still Jim," "The Heart of the Desert," etc.
NEW YORK
FREDERICK A. STOKES COMPANY PUBLISHERS
Copyright, 1922, by Honoré Willsie
Printed in the United States of America
| | CONTENTS |
| | | PAGE |
| I | Lost Chief Schoolhouse | 1 |
| II | Oscar Jefferson | 25 |
| III | The Graduation Dance | 46 |
| IV | The House in the Yellow Canyon | 68 |
| V | The Hunt on Lost Chief | 84 |
| VI | Little Swift Crosses the Divide | 105 |
| VII | The Post-Office Conference | 122 |
| VIII | Judith at the Rodeo | 142 |
| IX | The Trip to Mountain City | 162 |
| X | Wild Horses | 181 |
| XI | The Log Chapel | 202 |
| XII | The First Sermon | 221 |
| XIII | Prince Goes Marching On | 242 |
| XIV | The Battle of the Bulls | 259 |
| XV | The Flame in the Valley | 276 |
| XVI | The Trail Over the Pass | 295 |
| XVII | Black Devil Pass | 312 |
| XVIII | Elijah Nelson's Ranch | 322 |
| XIX | Home | 340 |
JUDITH OF THE GODLESS VALLEY
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1940, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 83 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Jewels of Romance/Quatrains/Encore

Once more the pathways of our lives converge, Bearing a heavy burden of regret; While wonderful old memories emerge To taunt us with sweetness we would forget.
# Jewels of Romance/Quatrains/Twilight

TWILIGHT
Just as a naked dancer, tired from her play, Of treading gayly grains of virgin sand, Slows from her maddest whirling to a graceful sway, Twilight creeps softly o'er the quiet land.
# Jewels of Romance/Jewels of Romance/Remembrance

Far off, a valley bathed in star-dust met Our view, and beckoned through the latticed door: And just beyond, a mountain's silhouette-- The waning moon its golden epaulet.
Night's vast stillness awed me, you sensed my fear, And pressed me closer in your wondrous arms: My lips, unbid, sought yours and found them near-- My soul took fire - then things grow dense just here.
Dawn came too soon, and with it one regret; Regret that we could never more be one. But through the years you must not once forget That my love for you burns deep within me yet.
[10]
# Jewels of Romance/Jewels of Romance/To Thee

TO THEE
The mystries of the sea and air, The treasures hidden neath the ground; And flowers blomming everywhere, Grant not the fascination found. In the sorcery of your hair.
# Jewels of Romance/Quatrains/Aftermath

AFTERMATH
You still are you, just as you were that day When first your slender fingers thrilled me While I-I am but Sorrow's protege, Loving the memory that chilled me.
# Jewels of Romance/Quatrains/Request

REQUEST
With heart anhungered and lips athirst, I long for the warmth of your kiss. Let the radiance from your soft brown eyes Bespeak acquiescence to this.
# Jewels of Romance/Jewels of Romance/The Land of Romance

THE LAND OF ROMANCE
You want me, my love, to carry you away, Far away from laws that oppress, To some Twlight shore where happiness Begins over all, and Life is a roundelay; To a land of raprous tenderness, Where Laughter and Love are forever at play?
I know just such a land, ah, 'tis wondrous fair, Yet I dare not lead you to its shore, For lovers who have been there before Have returned in sorrow, hearts laden with care, Cursing the kingdom forevermore- Its esctasies were greater than they could bear.
# Jewels of Romance/Quatrains

* Fragment
* Request
* Two Questions
* Aftermath
* Disappointment
* Encore
* Twilight
# Jewels of Romance/Quatrains/Fragment

FRAGMENT
If only I, from out this world of dreams, Might have the choice of one apart To weave forever in my soul, it seems Thou would'st be of that dream, the heart.
# History of Florence and Of the Affairs Of Italy

* information about this edition.
* sister projects: Wikidata item.
History of Florence and Of the Affairs Of Italy is a historical account by Niccolò Machiavelli, first published in 1532. By an unknown English translator published in 1847 in Bohn's Standard Library. Warning: template has been deprecated. History of Italy
History of Florence and Of the Affairs Of Italy
From The Earliest Times
To The Death Of Lorenzo The Magnificent
By Niccolo Machiavelli
Contents
Introduction
The Florentine History of Niccolo Machiavelli
| Book I Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII | Book III Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII | Book V Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII | Book VII Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI |
| Book II Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX | Book IV Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII | Book VI Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII | Book VIII Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII |
With an Introduction by HUGO ALBERT RENNERT, Ph.D. Professor of Romanic Languages and Literature, University of Pennsylvania.
PREPARER'S NOTE
 This text was typed up from a Universal Classics Library edition,  published in 1901 by W. Walter Dunne, New York and London. The  translator was not named. The book contains a "photogravure" of  Niccolò Machiavelli from an engraving.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# History of England (Froude)/Table of Contents

CONTENTS OF VOLUME I.
CONTENTS OF VOLUME II.
CONTENTS OF VOLUME III.
CONTENTS OF VOLUME IV.
CONTENTS OF VOLUME V.
# Landon in The Literary Gazette 1826/Changes

Literary Gazette, 14th October, 1826, Page 652
ORIGINAL POETRY.
CHANGES.
Leaves grow green to fall,
 Flowers grow fair to fade,
Fruits grow ripe to rot—
 All but for passing made.
So our hopes decline,
 So joys pass away,
So do feelings turn
 To darkness and decay.
Yet some leaves never change,
 Some scenes outlive their bloom,
Some fruits delight for years,
 Mid all this death and doom.
So are there some sweet hopes
 That linger to the last—
Affections that will smile
 Even when all else is past.
Only to patient search
 Blessings like these are given—
When the heart has turn'd from earth,
 And sought for them in heaven.
L. E. L.
# Landon in The Literary Gazette 1826/Death Feast

Literary Gazette, 22nd April, 1826, Page 252
ORIGINAL POETRY.
THE DEATH-FEAST.*
Irregular Lines.
There was martial clamour heard
 In the Convent's sacred halls,
And the noise of armed men
 Sounded strange from cloister'd walls.
It was the vesper hour,
 But no vesper then was sung;
Instead of organ or of hymn,
 Iron boot and steel spur rung.
The Moon around the Chapel shone:
 What wont she to see there,
But aged men bent meekly down
 In their still hour of prayer?
Now her beams are lost in light
 That torch and taper fling;
And falls that light on a banquet board,
 And on a festal ring.
Cuirasses gleam'd, and waved
 White plumes in their war pride;
While with their beads and dark gray cowls
 The Friars stood beside.
They are foemen—they are Gauls—
 Curses to Spain's fair land:
How can the Convent's holy men
 Join with such lawless band?
Yet the Prior sat at the board-end,
 And courteously carved he;
While his Monks mark'd not their hour of prayer,
 But join'd the revelry.
There were words of boasting joy,
 Of triumph o'er their foes;
And many a song and jest
 Around the wine-cup rose.
But somewhat of shadow fell,
 As came on the hours of night:
The haughty lip grew wan—
 The flashing eye less bright—
The laughing voice broke off
 In the middle of its tale—
And each one shudder'd as he saw
 His neighbour ghastly pale.
Heavily on the air
 There toll'd a midnight bell—
And every heart sank down
 It was so like a knell.
With a weak and trembling step,
 Rose the Prior from his place;
His voice was faint, his eyes were wild—
 It was a corpse's face.
"Now think upon your God—
 For I warn ye, we shall meet,
Ere another hour is past,
 Before his judgment-seat!
"Spoilers of God's fair earth!
 Profaners of his shrine!
Ye have feasted, and unto death—
 Mortal poison was in your wine!"
The morning Sun arose—
 Still the festal board was spread—
Still hosts and guests were round;
 But hosts and guests were dead!IOLE.
# Landon in The Literary Gazette 1826/Header

Poems in The London Literary Gazette during the year 1826 by Letitia Elizabeth Landon (L. E. L.) (and as Iole) compiled by Peter J. Bolton
# Landon in The Literary Gazette 1826/Contents

Contents - The Literary Gazette, 1826
| 7th January 1826 | Iole | 1 |
| | To Ianthe | 2 |
| 14th January 1826 | Lezione per l'Amore | 3 |
| 21st January 1826 | Io Triumphe | 4 |
| | The Worshipper | 6 |
| | Song | 7 |
| | Song | 8 |
| 4th February 1826 | The Past | 9 |
| | From the French of Milleroye | 10 |
| 18th February 1826 | A Dream | 11 |
| 25th February 1826 | King Henry the Second's Death Bed | 12 |
| 11th March 1826 | Greek Song | 14 |
| 25th March 1826 | Moon | 15 |
| | Ianthe - A Portrait | 16 |
| 22nd April 1826 | The Death-Feast | 17 |
| 29th April 1826 | | 19 |
| | Song | 20 |
| 20th May 1826 | | 21 |
| | Life | 22 |
| 10th June 1826 | The Past | 23 |
| 1st July 1826 | Moralising | 24 |
| 5th August 1826 | Fragment I | 26 |
| | Fragment II | 27 |
| 19th August 1826 | The World as it is | 28 |
| | Metrical Fragments - No.1 | 29 |
| | (A Young French Renegade) | |
| 26th August 1826 | Metrical Fragments - No.2 | 31 |
| | (Tasso's last interview with Princess Leonora) | |
| 2nd September 1826 | Metrical Fragments - No.3 | 34 |
| | (Iole to his Love) | |
| 9th September 1826 | Metrical Fragments - No.4 | 35 |
| | (The Redeemed Captive) | |
| 16th September 1826 | The Shadow | 38 |
| | Metrical Fragments - No.5 | 39 |
| | (The Frozen Ship) | |
| 7th October 1826 | The Tumuli | 41 |
| 14th October 1826 | Changes | 43 |