# Possession (Bromfield)/Chapter 24

WHEN at length Ellen became conscious of her surroundings, it was with the faint odor of stables in her nostrils and in her ears the jingling of harness and the steady, brisk clop! clop! made by the hoofs of spirited horses upon wet asphalt. The cabriolet, flitting through the streaks of light made by street lamps on the wet pavement, was passing through an open space where the light shone on the bare branches of trees and banks of wet and dirty snow. Otherwise everything was silent.
When she stirred presently and moved into an upright posture, she saw by her side a mass of sable, the sudden glint of a brilliant yellow dress, captured and fixed by a stray beam of light and then the face and bright lips of the bizarre woman with red hair, who stirred and murmured,
"It's all right. I'm Miss Cane. On the other side is Mr. Callendar . . . Mrs. Callendar's son."
The dark man removed his top hat and bowed. "We're taking you home," he said, "to the Babylon Arms. . . . That's right, isn't it?"
There was a faint trace of accent in his voice . . . vaguely familiar, confused somehow with a memory of mimosa and the figure of Lily standing beneath the glowing Venice in the drawing room of Shane's Castle. The same sort of accent. . . .
"That's right, isn't it?" continued the voice of the dark young man. "The Babylon Arms?"
Then for the first time, Ellen spoke, slowly and with a certain shyness. "Yes. I live there. . . . But how did you know?"
The man laughed. "Two reasons," he said. "First. Sanson told my mother. Second. My mother owns the Babylon Arms."
Again a wandering ray of light flitted across the window of the cabriolet illuminating for an instant the brilliant lips of Miss Cane. The lips were smiling, as if conscious that they were shielded by the darkness, but it was a mocking smile and the mem​ory of it haunted Ellen long afterward. It was as if the painted lips were really speaking and said, "The Babylon Arms is a preposterous pretentious place." And for the first time, perhaps, Ellen doubted the magnificence of that vast pile.
Her next speech was dictated by the careful precepts of Hattie Tolliver. "I'm sorry," she said. "I shouldn't have fainted. . . . It ruined everything."
There was a stifled laugh from Sabine Cane. "Nonsense! It gave us a chance to get into the air."
Then silence once more and the echoing clop! clop! clop! clop! regular as the beams of light which flashed past the open door of Thérèse Callendar's cabriolet.
Long after midnight the carriage came to a halt before the gigantic Syrian lions of cast iron that ornamented the entrance to the Babylon Arms. It was young Callendar who descended first, lending his arm with a grave and alien grace to Ellen who, having recovered entirely, emerged with a sure and vigorous step. The third occupant, instead of remaining behind as she might well have been expected to do, followed them, driven by an overpowering desire to miss nothing. So with Ellen between them, Callendar in a top hat, and Sabine Cane, muffled in sables and holding her full yellow train high above the wet pavements, descended upon the astonished negro who ran the elevator.
Here Ellen bade them good night. "I'm all right now. . . . It was good of you to have come."
But they insisted upon accompanying her. There were protests, into which there entered a sudden note of desperation as if the girl were striving to conceal something which lay hidden at the top of the flamboyant apartment.
"But you might faint again," protested Sabine firmly. "I shan't be satisfied until I see you safe in your flat."
"Besides," observed young Callendar, smiling, "some day the Babylon Arms will be mine. I should like to see what it looks like, abovestairs."
​So they pressed her until at last she yielded and in their company was borne aloft in the swaying elevator. As it jolted to a halt, she bade them good night once more, saying, "The elevator only runs this far and I live two flights above. I'll go the rest of the way alone."
But they went with her through the red painted corridors under the light of the flickering gas up the flights of stairs to a door which she opened with her own key. There at last the farewells were made, for she did not invite them to enter.
"My mother will call in the morning," said Callendar, "to see that you are not really ill. . . . Oh yes! You couldn't prevent her! You don't know her as well as I do!"
"Good night."
"Good night."
And as the door closed they caught a sudden glimpse of a man, standing timidly in the dim light of an inner room, listening with an air of curiosity to their talk. He was a small man and rather thin, and stood dressed in a shirt and trousers. His hair was rumpled; obviously he had been "sitting up." Behind him there was a table covered with papers and accounts. All this the shrewd eye of Sabine captured in one swift instant.
As they descended under the guidance of the negro, Callendar said, "The man . . . who was he?"
"Some one . . . perhaps her lover. Musicians have lovers. . . ."
Her companion turned sharply. "No . . ." he said, "not a lover. A woman with such spirit wouldn't have that sort of lover."
Sabine laughed softly and with a hint of wickedness in her voice. "You don't know women . . . how queer they can be. Besides . . ." And she indicated with a nod of her red head the listening negro. "One must be careful." But she regarded Callendar with a new interest and during the long ride back through the park she remained silent save to comment now and then upon the bits of gossip which he discussed. Knowing him so well, perhaps she understood that a new source of disturbance had crossed ​his path. There was between them a remarkable sense of intimacy, as if each expected the other to understand him perfectly.
By the time they reached the solid house on Murray Hill the party was already on the wane and the guests had begun, in a motley stream, to leave. Mrs. Champion and her daughters disappeared among the first after Mrs. Callendar had the audacity to bring forward the artists and beg them to join the guests. The Russian tenor stood awkwardly alone and in a corner and the tiny dancer, in a turban and gown of crimson and gold brocade, sat surrounded by young men. She had learned the business of entertaining during those early days in Alexandria.