# Italian Hours/Other Tuscan Cities, part I

I had scanted charming Pisa even as I had scanted great Siena in my original small report of it, my scarce more than stammering notes of years before; but even if there had been meagreness of mere gaping vision--which there in fact hadn't been--as well as insufficieny of public tribute, the indignity would soon have ceased to weigh on my conscience. For to this affection I was to return again still oftener than to the strong call of Siena my eventual frequentations of Pisa, all merely impressionistic and amateurish as they might be--and I pretended, up and down the length of the land, to none other--leave me at the hither end of time with little more than a confused consciousness of exquisite quality on the part of the small sweet scrap of a place of ancient glory; a consciousness so pleadingly content to be general and vague that I shrink from pulling it to pieces. The Republic of Pisa fought with the Republic of Florence, through the ages so ferociously and all but invincibly that what is so pale and languid in her to-day may well be the aspect of any civil or, still more, military creature bled and bled and bled at the "critical" time of its life. She has verily a just languor and is touchingly anæmic; the past history, or at any rate the present perfect acceptedness, of which condition hangs about her with the last grace of weakness, making her state in this particular the very secret of her irresistible appeal. I was to find the appeal, again and again, one of the sweetest, tenderest, even if not one of the fullest and richest impressions possible; and if I went back whenever I could it was very much as one doesn't indecently neglect a gentle invalid friend. The couch of the invalid friend, beautifully, appealingly resigned, has been wheeled, say, for the case, into the warm still garden, and your visit but consists of your sitting beside it with kind, discreet, testifying silences. Such is the figurative form under which the once rugged enemy of Florence, stretched at her length by the rarely troubled Arno, to-day presents herself; and I find my analogy complete even to my sense of the mere mild séance, the inevitably tacit communion or rather blank interchange, between motionless cripple and hardly more incurable admirer.
The terms of my enjoyment of Pisa scarce departed from that ideal--slow contemplative perambulations, rather late in the day and after work done mostly in the particular decent inn-room that was repeatedly my portion; where the sunny flicker of the river played up from below to the very ceiling, which, by the same sign, anciently and curiously raftered and hanging over my table at a great height, had been colour-pencilled into ornament as fine (for all practical purposes) as the page of a missal. I add to this, for remembrance, an inveteracy of evening idleness and of reiterated ices in front of one of the quiet cafés--quiet as everything at Pisa is quiet, or will certainly but in these latest days have ceased to be; one in especial so beautifully, so mysteriously void of bustle that almost always the neighbouring presence and admirable chatter of some group of the local University students would fall upon my ear, by the half-hour at a time, not less as a privilege, frankly, than as a clear-cut image of the young Italian mind and life, by which I lost nothing. I use such terms as "admirable" and "privilege," in this last most casual of connections--which was moreover no connection at all but what my attention made it--simply as an acknowledgment of the interest that might play there through some inevitable thoughts. These were, for that matter, intensely in keeping with the ancient scene and air: they dealt with the exquisite difference between that tone and type of ingenuous adolescence-- in the mere relation of charmed audition--and other forms of juvenility of whose mental and material accent one had elsewhere met the assault. Civilised, charmingly civilised, were my loquacious neighbours--as how had n't they to be, one asked one's self, through the use of a medium of speech that is in itself a sovereign saturation? There was the beautiful congruity of the happily-caught impression; the fact of my young men's general Tuscanism of tongue, which related them so on the spot to the whole historic consensus of things. It wasn't dialect--as it of course easily might have been elsewhere, at Milan, at Turin, at Bologna, at Naples; it was the clear Italian in which all the rest of the surrounding story was told, all the rest of the result of time recorded; and it made them delightful, prattling, unconscious men of the particular little constituted and bequeathed world which everything else that was charged with old meanings and old beauty referred to--all the more that their talk was never by any chance of romping games or deeds of violence, but kept flowering, charmingly and incredibly, into eager ideas and literary opinions and philosophic discussions and, upon my honour, vital questions.
They have taken me too far, for so light a reminiscence; but I claim for the loose web of my impressions at no point a heavier texture. Which comes back to what I was a moment ago saying-- that just in proportion as you "feel" the morbid charm of Pisa you press on it gently, and this somehow even under stress of whatever respectful attention. I found this last impulse, at all events, so far as I was concerned, quite contentedly spend itself in a renewed sense of the simple large pacified felicity of such an afternoon aspect as that of the Lung' Arno, taken up or down its course; whether to within sight of small Santa Maria della Spina, the tiny, the delicate, the exquisite Gothic chapel perched where the quay drops straight, or, in the other direction, toward the melting perspective of the narrow local pleasure-ground, the rather thin and careless bosky grace of which recedes, beside the stream whose very turbidity pleases, to a middle distance of hot and tangled and exuberant rural industry and a proper blue horizon of Carrara mountains. The Pisan Lung' Arno is shorter and less featured and framed than the Florentine, but it has the fine accent of a marked curve and is quite as bravely Tuscan; witness the type of river-fronting palace which, in half-a-dozen massive specimens, the last word of the anciently "handsome," are of the essence of the physiognomy of the place. In the glow of which retrospective admission I ask myself how I came, under my first flush, reflected in other pages, to fail of justice to so much proud domestic architecture--in the very teeth moreover of the fact that I was for ever paying my compliments, in a wistful, wondering way, to the fine Palazzo Lanfranchi, occupied in 1822 by the migratory Byron, and whither Leigh Hunt, as commemorated in the latter's Autobiography, came out to join him in an odd journalistic scheme.
Of course, however, I need scarcely add, the centre of my daily revolution--quite thereby on the circumference--was the great Company of Four in their sequestered corner; objects of regularly recurrent pious pilgrimage, if for no other purpose than to see whether each would each time again so inimitably carry itself as one of a group of wonderfully-worked old ivories. Their charm of relation to each other and to everything else that concerns them, that of the quartette of monuments, is more or less inexpressible all round; but not the least of it, ever, is in their beautiful secret for taking at different hours and seasons, in different states of the light, the sky, the wind, the weather--in different states, even, it used verily to seem to me, of an admirer's imagination or temper or nerves--different complexional appearances, different shades and pallors, different glows and chills. I have seen them look almost viciously black, and I have seen them as clear and fair as pale gold. And these things, for the most part, off on the large grassy carpet spread for them, and with the elbow of the old city-wall, not elsewhere erect, respectfully but protectingly crooked about, to the tune of a usual unanimity save perhaps in the case of the Leaning Tower--so abnormal a member of any respectable family this structure at best that I always somehow fancied its three companions, the Cathedral, the Baptistery and the Campo Santo, capable of quiet common understandings, for the major or the minor effect, into which their odd fellow, no hint thrown out to him, was left to enter as he might. If one haunted the place, one ended by yielding to the conceit that, beautifully though the others of the group may be said to behave about him, one sometimes caught them in the act of tacitly combining to ignore him--as if he had, after so long, begun to give on their nerves. Or is that absurdity but my shamefaced form of admission that, for all the wonder of him, he finally gave on mine? Frankly--I would put it at such moments--he becomes at last an optical bore or betise.
[Illustration omitted: THE LOGGIA, LUCCA.]