# Seven Keys to Baldpate/Chapter 15

TABLE TALK
THE seventh key! Mr. Magee thrilled at the mention of it. So Elijah Quimby knew the identity and the mission of the man who hid in the annex. Did any one else? Magee looked at the broad acreage of the mayor's face, at the ancient lemon of Max's, at Bland's, frightened and thoughtful, at Hayden's, concerned but smiling. Did any one else know? Ah, yes, of course. Down the stairs the professor of Comparative Literature felt his way to food.
"Is dinner ready?" he asked, peering about.
The candles flickered weakly as they fought the stronger shadows; winter roared at the windows; somewhere above a door crashed shut. Close to its final scene drew the drama at Baldpate Inn. Mr. Magee knew it, he could not have told why. The others seemed to know it, too. In silence they waited while the hermit scurried along his dim way preparing the meal. In silence they sat while Miss Norton and her mother descended. Once there was a little flurry of interest when Miss Thornhill and Hayden met at the foot of the stairs.
"Myra!" Hayden cried. "In heaven's name—what does this mean?"
"Unfortunately," said the girl, "I know—all it means."
And Hayden fell back into the shadows.
Finally the attitude of the hermit suggested that the dinner was ready.
"I guess you might as well sit down," he remarked. "It's all fixed, what there is to fix. This place don't need a cook, it needs a commissary department."
"Peters," reproved Magee. "That's hardly courteous to our guests."
"Living alone on the mountain," replied the hermit from the dining-room door, "you get to have such a high regard for the truth you can't put courtesy first. You want to, but you haven't the heart."
The winter guests took their places at the table, and the second December dinner at Baldpate Inn got under way. But not so genially as on the previous night did it progress. On the faces of those about him Mr. Magee noted worry and suspicion; now and again menacing cold eyes were turned upon him; evidently first in the thoughts of those at table was a little package rich in treasure; and evidently first in the thoughts of most of them, as the probable holder of that package, was Mr. Magee himself. Several times he looked up to find Max's cat-like eyes upon him, sinister and cruel behind the incongruous gold-rimmed glasses; several times he saw Hayden's eyes, hostile and angry, seek his face. They were desperate; they would stop at nothing; Mr. Magee felt that as the drama drew to its close they saw him and him alone between them and their golden desires.
"Before I came up here to be a hermit," remarked Cargan contemporaneously with the removal of the soup, "which I may say in passing I ain't been able to be with any success owing to the popularity of the sport on Baldpate Mountain, there was never any candles on the table where I et. No, sir. I left them to the people up on the avenue—to Mr. Hayden and his kind that like to work in dim surroundings—I was always strong for a bright light on my food. What I'm afraid of is that I'll get the habit up here, and will be wanting Charlie to set out a silver candelabrum with my lager. Candles'd be quite an innovation at Charlie's, wouldn't they, Lou?"
"Too swell for Charlie's," commented Mr. Max. "Except after closing hours. I've seen 'em in use there then, but the idea wasn't glory and decoration."
"I hope you don't dislike the candles, Mr. Cargan," remarked Miss Norton. "They add such a lot to the romance of the affair, don't you think? I'm terribly thrilled by all this. The rattling of the windows, and the flickering light—two lines of a poem keep running through my head:
"'My lord he followed after one who whispered in his ear— The weeping of the candles and the wind is all I hear.'
I don't know who the lord was, nor what he followed—perhaps the seventh key. But the weeping candles and the wind seem so romantic—and so like Baldpate Inn to-night."
"If I had a daughter your age," commented Cargan, not unkindly, "she'd be at home reading Laura Jean Libbey by the fire, and not chasing after romance on a mountain."
"That would be best for her, I'm sure," replied the girl sweetly. "For then she wouldn't be likely to find out things about her father that would prove disquieting."
"Dearie!" cried Mrs. Norton. No one else spoke, but all looked at the mayor. He was busily engaged with his food. Smiling his amusement, Mr. Magee sought to direct the conversation into less personal channels.
"We hear so much about romance, especially since its widely advertised death," he said. "And to every man I ever met, it meant something different. Mr. Cargan, speaking as a broad-minded man of the world—what does romance mean to you?"
The mayor ran his fingers through his graying hair, and considered seriously.
"Romance," he reflected. "Well, I ain't much on the talk out of books. But here's what I see when you say that word to me. It's the night before election, and I'm standing in the front window of the little room on Main Street where the boys can always find me. Down the street I hear the snarl and rumble of bands, and pretty soon I see the yellow flicker of torches, like the flicker of that candle, and the bobbing of banners. And then—the boys march by. All the boys! Pat Doherty, and Bob Larsen, and Matt Sanders—all the boys! And when they get to my window they wave their hats and cheer. Just a fat old man in that window, but they'll go to the pavement with any guy that knocks him. They're loyal. They're for me. And so they march by—cheering and singing—all the boys—just for me to see and hear. Well—that—that's romance to me."
"Power," translated Mr. Magee.
"Yes, sir," cried the mayor. "I know I've got them. All the reformers in the world can't spoil my thrill then. They're mine. I guess old Napoleon knew that thrill. I guess he was the greatest romancer the world ever knew. When he marched over the mountains with his starving bunch—and looked back and saw them in rags and suffering—for him—well I reckon old Nap was as close to romance then as any man ever gets."
"I wonder," answered Mr. Magee. It came to him suddenly that in each person's definition of this intangible thing might lie exposed something of both character and calling. At the far end of the table Mrs. Norton's lined tired face met his gaze. To her he put his question.
"Well," she answered, and her voice seemed softer than its wont, "I ain't thought much of that word for a good many years now. But when I do—say, I seem to see myself sitting on our porch back home—thirty years ago. I've got on a simple little muslin dress, and I'm slender as Elsie Janis, and the color in my cheeks is—well, it's the sort that Norton likes. And my hair—but—I'm thinking of him, of Norton. He's told me he wants to make me happy for life, and I've about decided I'll let him try. I see him—coming up our front walk. Coming to call on me—have I mentioned I've got a figure—a real sweet figure? That's about what romance means to me."
"Youth, dear?" asks Miss Norton gently.
"That's it, dearie," answered the older woman dreamily. "Youth."
For a time those about the table sat in silence, picturing no doubt the slender figure on the steps of that porch long ago. Not without a humorous sort of pity did they glance occasionally toward the woman whom Norton had begged to make happy. The professor of Comparative Literature was the first to break the silence.
"The dictionary," he remarked academically, "would define romance as a species of fictitious writing originally composed in the Romance dialects, and afterward in prose. But—the dictionary is prosaic, it has no soul. Shall I tell you what romance means to me? I will. I see a man toiling in a dim laboratory, where there are strange fires and stranger odors. Night and day he experiments, the love of his kind in his eyes, a desire to help in his heart. And then—the golden moment—the great moment in that quiet dreary cell—the moment of the discovery. A serum, a formula—what not. He gives it to the world and a few of the sick are well again, and a few of the sorrowful are glad. Romance means neither youth nor power to me. It means—service."
He bent his dim old eyes on his food, and Mr. Magee gazed at him with a new wonder. Odd sentiments these from an old man who robbed fireplaces, held up hermits, and engaged in midnight conferences by the annex door. More than ever Magee was baffled, enthralled, amused. Now Mr. Max leered about the table and contributed his unsavory bit.
"Funny, ain't it," he remarked, "the different things the same word means to a bunch of folks. Say romance to me, and I don't see no dim laboratory. I don't see nothing dim. I see the brightest lights in the world, and the best food, and somebody, maybe, dancing the latest freak dance in between the tables. And an orchestra playing in the distance—classy dames all about—a taxi clicking at the door. And me sending word to the chauffeur 'Let her click till the milk carts rumble—I can pay.' Say—that sure is romance to me."
"Mr. Hayden," remarked Magee, "are we to hear from you?"
Hayden hesitated, and looked for a moment into the black eyes of Myra Thornhill.
"My idea has often been contradicted," he said, keeping his gaze on the girl, "it may be again. But to me the greatest romance in the world is the romance of money making—dollar piling on dollar in the vaults of the man who started with a shoe-string, and hope, and nerve. I see him fighting for the first thousand—and then I see his pile growing, slowly at first—faster—faster—faster—until a motor-car brings him to his office, and men speak his name with awe in the streets."
"Money," commented Miss Thornhill contemptuously. "What an idea of romance for a man."
"I did not expect," replied Hayden, "that my definition would pass unchallenged. My past experiences—" he looked meaningly at the girl—"had led me to be prepared for that. But it is my definition—I spoke the truth. You must give me credit for that."
"I ain't one to blame you," sneered Cargan, "for wanting it noticed when you do side-step a lie. Yes, I certainly—"
"See here, Cargan," blazed Hayden.
"Yes, you did speak the truth," put in Miss Thornhill hastily. "You mentioned one word in your definition—it was a desecration to drag it in—hope. For me romance means only—hope. And I'm afraid there are a pitiful number in the world to whom it means the same."
"We ain't heard from the young woman who started all this fuss over a little word," Mr. Cargan reminded them.
"That's right, dearie," said Mrs. Norton. "You got to contribute."
"Yes," agreed the girl with the "locks crisped like golden wire," "I will. But it's hard. One's ideas change so rapidly. A moment ago if you had said romance to me, I might have babbled of shady corners, of whisperings on the stair, of walks down the mountain in the moonlight—or even on the hotel balcony." She smiled gaily at Magee. "Perhaps to-morrow, too, the word might mean such rapturous things to me. But to-night—life is too real and earnest to-night. Service—Professor Bolton was right—service is often romance. It may mean the discovery of a serum—it may mean so cruel a thing as the blighting of another's life romance." She gazed steadily at the stolid Cargan. "It may mean putting an end forever to those picturesque parades past the window of the little room on Main Street—the room where the boys can always find the mayor of Reuton."
Still she gazed steadily into Cargan's eyes. And with an amused smile the mayor gazed back.
"You wouldn't be so cruel as that," he assured her easily; "a nice attractive girl like you."
The dinner was at an end; without a word the sly little professor rose from the table and hurriedly ascended the stairs. Mr. Magee watched him disappear, and resolved to follow quickly on his heels. But first he paused to give his own version of the word under discussion.
"Strange," he remarked, "that none of you gets the picture I do. Romance—it is here—at your feet in Baldpate Inn. A man climbs the mountain to be alone with his thoughts, to forget the melodrama of life, to get away from the swift action of the world, and meditate. He is alone—for very near an hour. Then a telephone bell tinkles, and a youth rises out of the dark to prate of a lost Arabella, and haberdashery. A shot rings out, as the immemorial custom with shots, and in comes a professor of Comparative Literature, with a perforation in his derby hat. A professional hermit arrives to teach the amateur the fine points of the game. A charming maid comes in—too late for breakfast—but in plenty of time for walks on the balcony in the moonlight. The mayor of a municipality condescends to stay for dinner. A battle in the snow ensues. There is a weird talk of—a sum of money. More guests arrive. Dark hints of a seventh key. Why, bless you, you needn't stir from Baldpate Inn in search of your romance."
He crossed the floor hastily, and put one foot on the lower step of Baldpate's grand stairway. He kept it there. For from the shadows of the landing Professor Bolton emerged, his blasted derby once more on his head, his overcoat buttoned tight, his ear-muffs in place, his traveling-bag and green umbrella in tow.
"What, Professor," cried Magee, "you're leaving?"
Now, truly, the end of the drama had come. Mr. Magee felt his heart beat wildly. What was the end to be? What did this calm departure mean? Surely the little man descending the stair was not, Daniel-like, thrusting himself into this lion's den with the precious package in his possession?
"Yes," the old man was saying slowly. "I am about to leave. The decision came suddenly. I am sorry to go. Certainly I have enjoyed these chance meetings."
"See here, Doc," said Mr. Bland, uneasily feeling of his purple tie, "you're not going back and let them reporters have another fling at you?"
"I fear I must," replied the old man. "My duty calls. Yes, they will hound me. I shall hear much of peroxide blondes. I shall be asked again to name the ten greatest in history,—a difficult, not to say dangerous task. But I must face the—er—music, as the vulgar expression goes. I bid you good-by, Mr. Bland. We part friends, I am sure. Again be comforted by the thought that I do not hold the ruined derby against you. Even though, as I have remarked with unpleasant truth, the honorarium of a professor at our university is not large."
He turned to Magee.
"I regret more than I can say," he continued, "parting from you. My eyes fell upon you first on entering this place—we have had exciting times together. My dear Miss Norton—knowing you has refreshed an old man's heart. I might compare you to another with yellow locks—but I leave that to my younger—er—colleagues. Mr. Cargan—good-by. My acquaintance with you I shall always look back on—"
But the mayor of Reuton, Max and Bland closed in on the old man.
"Now look here, Doc," interrupted Cargan. "You're bluffing. Do you get me? You're trying to put something over. I don't want to be rough—I like you—but I got to get a glimpse at the inside of that satchel. And I got to examine your personal make-up a bit."
"Dear, dear," smiled Professor Bolton, "you don't think I would steal? A man in my position? Absurd. Look through my poor luggage if you desire. You will find nothing but the usual appurtenances of travel."
He stood docilely in the middle of the floor, and blinked at the group around him.
Mr. Magee waited to hear no more. It was quite apparent that this wise little man carried no package wildly sought by Baldpate's winter guests. Quietly and quickly Magee disappeared up the broad stair, and tried the professor's door. It was locked. Inside he could hear a window banging back and forth in the storm. He ran through number seven and out upon the snow-covered balcony.
There he bumped full into a shadowy figure hurrying in the opposite direction.