OpenLLM-France/wikimedia huggingface dataset:
# Oregon Historical Quarterly/Volume 56
## Number 1 (March)

* "Life Members"
* Volume 56/Lewis Ankeny McArthur, 1883-1951. by Omar C. Spencer
* Food of the Overland Emigrants. by Kathryn Troxel
* The Idaho Admission Movement, 1888-1890. by Merle W. Wells
* Editorial News
* Letters to the Editor
* Book Reviews
* Affliated Societies
* News Notes
* Publications
* OHS Board, staff, pubs

## Number 2 (June)

* Historical Romance of Senator Neuberger's Election. by William Appleman Williams
* Early Oregon Documents: Some Bibliographical Revisions. by George N. Belknap
* The Lady and the Law: A Portrait of Mary Leonard. by Malcolm H. Clark, Jr.
* Notes on Columbia River Salmon. by Albion Gile
* Editorial News
* Letters to the Editor
* Book Reviews
* Affliated Societies
* News Notes
* OHS Board, staff, Life members

## Number 3 (September)

* Mount St. Helens' Recent Eruptions. by Kenneth L. Holmes
* Medical Aspects of the Lewis and Clark Expedition, by O. Larsell
* Fifty Years of Research in the Pacific Northwest, by Thornton T. Munger
* Death of a Snake Country Trapper: Pierre L'Etang, by Francis D. Haines, Jr.
* Editorial News
* Letter to the Editor
* Book Reviews
* Affliated Societies
* News Notes
* OHS Board, staff, pubs

## Number 4 (December)

* George Gibbs' Account of Indian Mythology in Oregon and Washington Territories. by Ella E. Clark
* Columbia College 1856-60. by Perry D. Morrison
* Editorial News
* Letters to the Editor
* Book Reviews
* Affliated Societies
* Annual Meeting
* OHS board, staff, pubs
* Book Catalog
* Annual Index
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1955 could have had their copyright renewed in 1982 or 1983, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1984.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Oregon Historical Quarterly/Volume 58
## Number 1 (March)

* The Founding of Camp Watson. by Judith Keyes Kenny
* The Oregon Donation Act and the National Land Policy. by James M. Bergquist
* Portland Remedial Loan Association, Organization, Growth and Final Liquidation. by E. B. MacNaughton
* The War on the Webfoot Saloon. by Malcolm H. Clark, Jr.
* Editorial News
* Book Reviews
* Affiliated Societies
* News Notes
* OHS Board, staff, pubs

## Number 2 (June)

* British Investment and Oregon Mining, 1860-1900. by Clark G. Spence
* The Oneida Toll Road Controversy, 1864-1880. by Donald N. Wells and Merle W. Wells
* When the Train Reached Seaside. by Inez Stafford Hanson
* The Ilwaco Railroad. by Thomas E. Jessett
* Editorial News
* Touring Information On Oregon Museums
* Letters to the Editor
* Book Reviews
* Affliated Societies
* OHS Board, staff, pubs

## Number 3 (September)

* Nathaniel Wyeth's Fort Hall. by Richard G. Beidleman
* The Discovery amd Cartographical Recognition of Shoalwater Bay. by Jean Hazeltine
* Editorial News
* Book Reviews
* Affliated Societies
* News Notes
* OHS Board, staff

## Number 4 (December)

* Randolph: Ghost Town of the Oregon Beaches. by Verne Bright
* The Old School Baptists in Early Oregon. by Clifford R. Miller
* Caleb Cushing's Chinese Mission and the Treaty of Wanghia: A Review. by Richard E. Welch, Jr.
* Time to a Forester. by David T. Mason
* Editorial News
* Letters to the Editor
* Book Reviews
* Affliated Societies
* Annual Meeting
* Articles of Incorporation and By-Laws: Revision From 1948
* OHS Board, staff
* Annual Index
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
* For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
* For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
* For all records since 1978, search the U.S. Copyright Office records.
Works published in 1957 could have had their copyright renewed in 1984 or 1985, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1986.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse
# Phaedra (Seneca)

* related portals: Drama.
* sister projects: Wikipedia article, Wikidata item.
Seneca's tragedy Phaedra, also called Hippolytus, is based on the play Hippolytus by Euripides.
English-language translations of Phaedra include:
* Hippolytus, translated by John Studley in Seneca, his tenne tragedies, translated into Englyſh (1581)
* Hippolytus, translated by Watson Bradshaw (1902)
* Phaedra or Hippolytus, translated by Frank Justus Miller (1907)
This work is in the public domain worldwide because the author died at least 100 years ago. Translations of this work may be copyrighted.
Public domainPublic domainfalsefalse
# Phaedra (Wharton)

NOT that on me the Cyprian fury fell, Last martyr of my love-ensanguined race; Not that my children drop the averted face When my name shames the silence; not that hell Holds me where nevermore his glance shall dwell Nightlong between my lids, my pulses race Through flying pines the tempest of the chase, Nor my heart rest with him beside the well.
Not that he hates me; not, O baffled gods -- Not that I slew him! -- yet, because your goal Is always reached, nor your rejoicing rods Fell ever yet upon insensate clods, Know, the one pang that makes your triumph whole Is, that he knows the baseness of my soul.
# Phaedo

is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul.
English-language translations of el:Φαίδων include:
* Dialogue of the Immortality of the Soul, trans. by Lewis Theobald (1713) (transcription project)
* Phaedo, trans. by Unknown (1777) (transcription project)
* The Phaedo , trans. by Thomas Taylor (1804) (transcription project)
* Phaedo, trans. by Thomas Robert Jolliffe (1813)
* Phaedon: or, A dialogue on the immortality of the soul, trans. by Unknown, from the French of Anne Dacier (1835) (transcription project)
* Phaedo, trans. by C. S. Stanford (1835) (transcription project)
* Phaedo, trans. by Henry Cary (1854) (transcription project)
* Phaedo, trans. by Georgiana Chatterton (1862) (transcription project)
* Phaedo, trans. by William Whewell (1859) (transcription project)
* Phaedo, trans. by William Whewell (2nd ed.) (1860) (transcription project)
* Phaedo, trans. by Edward Meredith Cope (1875) (transcription project)
* Phaedo, trans. by F. J. Church (1st ed.) (1880) (transcription project)
* Phaedo, trans. by F. J. Church (2nd ed.) (1920) (transcription project)
* Parts of Phaedo, trans. by Ellen Francis Mason (1887) (transcription project)
* Phaedo, trans. by A. E. Blagrave & C. S. Fearenside (1890) (transcription project)
* Phaedo, trans. by Thomas Taylor & Floyer Sydenham, and revised by Thomas W. Rolleston (1892) (transcription project)
* Phaedo, trans. by Benjamin Jowett (1892) (transcription project)
* Part of the Phaedo, trans. by Charles Haines Keene (1895) (transcription project)
* Closing Scene of Phaedo, trans. by Paul Elmer More (1899) (transcription project)
* Phaedo, trans. by J. A. Stewart (1905) (transcription project)
* Phaedo, trans. by H. N. Fowler (1913) (transcription project)
# Phaedra

* Search for titles containing or beginning with: "Phaedra."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Phaedra, a play by Seneca the Younger. Multiple English translations exist.
* Phaedra, a play by Jean Racine (1677)
* "Phaedra", a poem by Edith Wharton
* "Phaedra", a poem by Algernon Charles Swinburne
* “Phaedra”, by Leonhard Schmitz in Dictionary of Greek and Roman Biography and Mythology, 1870.
# Poems (Toke)/Song (Oh, lady! sing that song again)

October, 1847,
# Poems (Toke)/Song (Rose! thou art the fairest flower)

December 4, 1841,
# Poems (Toke)/Song (Oh! tell me, beloved one, dost thou think of me)

November 3, 1841,
# Pirate Gold/Part 3

Page not included in physical book. Added here for convenience in navigating.
PART IIII: RECOVERY
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Chapter VIII
* Chapter IX
* Chapter X
* Chapter XI
* Chapter XII
* Chapter XIII
* Chapter XIV
* Chapter XV
* Chapter XVI
# Pirate Gold/Part 3/Chapter 12
#### XII.

Old Mr. Bowdoin went back to his bank meeting, which he peremptorily postponed, bidding James his son to vote that way, and he would give him reasons afterward. Going home he linked his arm in his, and told him why he would not have that meeting, and the new bank formed, and all its assets and trusts counted, until James McMurtagh was well again, or not in this world to know. And that same night, Commander Harleston, still on sick leave, started by rail for New Orleans, with orders that would take him through the lines. They had doctors and a nurse now for poor old Jamie; but Mr. Bowdoin was convinced no drug could save his life and reason,—only Mercedes. He lay still in a fever, out of his mind; and the doctors dreaded that his heart might stop when his mind came to. That, at least, was the English of it; the doctors spoke in words of Greek and Latin.
James Bowdoin suggested to his father that they should open the chest, thereby exciting a most unwonted burst of ire. "I pry into poor Jamie's accounts while he's lost his mind ​of grief about that girl!" (For also to him Mercedes, now nigh to forty, was still a girl.) "I would not stoop to doubt him, sir." Yet, on the other hand, Mr. Bowdoin would probably have never condoned a theft, once discovered; and James Bowdoin wasted his time in hinting they might make it good.
"Confound it, sir," said the father, "it's the making it good to Jamie, not the making it good to us, that counts,—don't you see?"
"You do suspect him, then?"
"Not a bit,—not one whit, sir!" cried the father. "I know him better. And I hate a low, suspicious habit of mind, sir, with all my heart!"
"You once said, sir, years ago (do you remember?), that but one thing—love—could make a man like Jamie go wrong."
"I said a lot of d—d fool things, sir, when I was bringing you up, and the consequences are evident." And Mr. Bowdoin slammed out of the breakfast-room where this conversation took place.
But no word came from Harleston, and the old gentleman's temper grew more execrable every day. Again the bank directors met, ​and again at his request—this time avowedly on account of McMurtagh's illness—the reorganization and examination were postponed. And at last, the very day before the next meeting, there came a telegram from Harley in New York. It said this only:—
"Landed to-day. Arrive to-morrow morning. Found."
"Now why the deuce can't he say what he's found and who's with him?" complained old Mr. Bowdoin to his wife and son for the twentieth time, that next morning.
Breakfast was over, and they were waiting for Harley to arrive. Mrs. Bowdoin went on with her work in silence.
"And why the devil is the train so late? I must be at the bank at eleven. Do you suppose she's with him?"
"How is Jamie?" said Mrs. Bowdoin only in reply.
"Much the same. Do you think—do you think"—
"I am afraid so, James," said the old lady. "Harley would have said"—
"There he comes!" cried Mr. Bowdoin ​from the window. Father and son ran to the door, in the early spring morning, and saw a carriage stop, and Harley step out of it, and then—a little girl.
# Patterson v. Lynde

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
106 U.S. 519
Patterson v. Lynde
[Syllabus from page 519 intentionally omitted]
[Statement of Case on pages 519-520 intentionally omitted]
C. M. Harris, for plaintiff in error.
Chas. M. Osborn, for defendant in error.
WAITE, C. J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Patterson v. Lamb

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
329 U.S. 539
Patterson v. Lamb
Argued: Jan. 7, 1946. --- Decided: Jan 20, 1947
Mr.
Frederick Bernays Wiener, of Providence, R.I., for petitioners.
Mr.Roger Robb, of Washington, D.C., for respondent.
Mr. Justice BLACK delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Patterson v. Louisville & Nashville Railroad Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
269 U.S. 1
Patterson v. Louisville & Nashville Railroad Company
Argued: April 23 and 24, 1925. --- Decided: Oct 12, 1925
Messrs. Edgar Watkins and Mac Asbill, both of Atlanta, Ga., for plaintiffs in error.
[Argument of Counsel from Pages 2-5 intentionally omitted]
Mr. John F. Finerty, of Washington, D. C., for defendant in error Davis, Director General of Railroads.
Messrs. Nelson W. Proctor, of Louisville, Ky., and Tye, Peeples & Tye, of Atlanta, Ga., (Mr. William A. Northcutt, of Louisville, Ky., of counsel), for defendants in error Louisville & N. R. Co. and others.
Mr. Justice BRANDEIS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Poems That Every Child Should Know/John Anderson

John Anderson.
"John Anderson," by Robert Burns (1759-96). This poem is included to please several teachers.
John Anderson, my jo, John, When we were first acquent Your locks were like the raven, Your bonnie brow was brent; But now your brow is bald, John, Your locks are like the snow; But blessings on your frosty pow, John Anderson, my jo.
John Anderson, my jo, John, We clamb the hill thegither, And mony a canty day, John, We've had wi' ane anither; Now we maun totter down, John, But hand in hand we'll go, And sleep thegither at the foot, John Anderson, my jo.
Robert Burns.
# Poems That Every Child Should Know/John Barleycorn

John Barleycorn.
"John Barleycorn" is a favourite with boys because it pictures a successful struggle. One editor has made a temperance poem of it, mistaking its true intent. The poem is a strong expression of a plowman's love for a hardy, food-giving grain which has sprung to life through his efforts (1759-96.)
There were three kings into the East, Three kings both great and high; And they ha'e sworn a solemn oath John Barleycorn should die.
​They took a plow and plowed him down, Put clods upon his head; And they ha'e sworn a solemn oath John Barleycorn was dead.
But the cheerful spring came kindly on, And showers began to fall; John Barleycorn got up again, And sore surprised them all.
The sultry suns of summer came, And he grew thick and strong; His head well arm'd wi' pointed spears, That no one should him wrong.
The sober autumn entered mild, And he grew wan and pale; His bending joints and drooping head Showed he began to fail.
His colour sickened more and more, He faded into age; And then his enemies began To show their deadly rage.
They took a weapon long and sharp, And cut him by the knee, Then tied him fast upon a cart, Like a rogue for forgery.
They laid him down upon his back, And cudgelled him full sore; They hung him up before the storm, And turn'd him o'er and o'er.
​They filled up then a darksome pit With water to the brim, And heaved in poor John Barleycorn, To let him sink or swim.
They laid him out upon the floor, To work him further woe; And still as signs of life appeared, They tossed him to and fro.
They wasted o'er a scorching flame The marrow of his bones; But a miller used him worst of all— He crushed him 'tween two stones.
And they have taken his very heart's blood, And drunk it round and round; And still the more and more they drank, Their joy did more abound.
Robert Burns.
# Poems That Every Child Should Know/June

June.
"June" (by James Russell Lowell, 1819-91) is a fragment from "The Vision of Sir Launfal." It finds a place in this volume because it is the most perfect description of a charming day ever written.
What is so rare as a day in June? Then, if ever, come perfect days; Then Heaven tries the earth if it be in tune, And over it softly her warm ear lays: Whether we look, or whether we listen, We hear life murmur, or see it glisten; Every clod feels a stir of might, An instinct within it that reaches and towers, And, groping blindly above it for light, Climbs to a soul in grass and flowers; The flush of life may well be seen Thrilling back over hills and valleys; The cowslip startles in meadows green, The buttercup catches the sun in its chalice, And there's never a leaf nor a blade too mean To be some happy creature's palace; The little bird sits at his door in the sun, Atilt like a blossom among the leaves, And lets his illumined being o'errun With the deluge of summer it receives; His mate feels the eggs beneath her wings, And the heart in her dumb breast flutters and sings; He sings to the wide world, and she to her nest,— In the nice ear of Nature which song is the best?
James Russell Lowell.
# Poems That Every Child Should Know/Krinken

Krinken.
"Krinken" is the dearest of poems.
"Krinken was a little child. It was summer when he smiled!"
Eugene Field, above all other poets, paid the finest tribute to children. This poet only, could make the whole ocean warm because a child's heart was there to warm it.
Krinken was a little child,— It was summer when he smiled. Oft the hoary sea and grim Stretched its white arms out to him, Calling, "Sun-child, come to me; Let me warm my heart with thee!" But the child heard not the sea Calling, yearning evermore For the summer on the shore.
Krinken on the beach one day Saw a maiden Nis at play; On the pebbly beach she played In the summer Krinken made. Fair, and very fair, was she, Just a Little child was he. ​"Krinken," said the maiden Nis, "Let me have a little kiss,— Just a kiss, and go with me To the summer-lands that be Down within the silver sea."
Krinken was a little child— By the maiden Nis beguiled, Hand in hand with her went he And 'twas summer in the sea. And the hoary sea and grim To its bosom folded him— Clasped and kissed the little form, And the ocean's heart was warm.
Now the sea calls out no more; It is winter on the shore,— Winter where that little child Made sweet summer when he smiled; Though 'tis summer on the sea Where with maiden Nis went he,— It is winter on the shore, Winter, winter evermore.
Of the summer on the deep Come sweet visions in my sleep: His fair face lifts from the sea, His dear voice calls out to me,— These my dreams of summer be.
Krinken was a little child, By the maiden Nis beguiled; Oft the hoary sea and grim Reached its longing arms to him, ​Crying, "Sun-child, come to me; Let me warm my heart with thee!" But the sea calls out no more; It is winter on the shore,— Winter, cold and dark and wild.
Krinken was a little child,— It was summer when he smiled; Down he went into the sea, And the winter bides with me, Just a little child was he.
Eugene Field.
# Poems That Every Child Should Know/Lead, Kindly Light

Lead, Kindly Light.
"Lead, Kindly Light," by John Henry Newman (1801-90), was written when Cardinal Newman was in the stress and strain of perplexity and mental distress and bodily pain. The poem has been a star in the darkness to thousands. It was the favourite poem of President McKinley.
Lead, kindly Light, amid th' encircling gloom, Lead Thou me on; The night is dark, and I am far from home, Lead Thou me on. Keep Thou my feet; I do not ask to see The distant scene; one step enough for me.
I was not ever thus, nor prayed that Thou Shouldst lead me on; I loved to choose and see my path; but now Lead Thou me on. I loved the garish day; and, spite of fears, Pride ruled my will: remember not past years.
So long Thy power hath blest me, sure it still Will lead me on O'er moor and fen, o'er crag and torrent, till The night is gone, ​And with the morn those angel faces smile, Which I have loved long since, and lost a while
John Henry Newman.
# Poems That Every Child Should Know/Letty's Globe

Letty's Globe.
"Letty's Globe" gives us the picture of a little golden-haired girl who covers all Europe with her dainty hands and tresses while giving a kiss to England, her own dear native land. (1808-79.)
When Letty had scarce pass'd her third glad year, And her young, artless words began to flow, One day we gave the child a colour'd sphere Of the wide earth, that she might mark and know, By tint and outline, all its sea and land. She patted all the world; old empires peep'd Between her baby fingers; her soft hand Was welcome at all frontiers. How she leap'd, And laugh'd and prattled in her world-wide bliss! But when we turn'd her sweet unlearned eye On our own isle, she rais'd a joyous cry, "Oh! yes, I see it! Letty's home is there!" And, while she hid all England with a kiss, Bright over Europe fell her golden hair!
Charles Tennyson Turner.
# Poems That Every Child Should Know/Jesus the Carpenter

Jesus the Carpenter.
"Jesus the Carpenter"—"same trade as me"—strikes a high note in favour of honest toil. (1848-.)
"Isn't this Joseph's son?"—ay, it is He; Joseph the carpenter—same trade as me— I thought as I'd find it—I knew it was here— But my sight's getting queer.
I don't know right where as His shed must ha' stood— But often, as I've been a-planing my wood, I've took off my hat, just with thinking of He At the same work as me.
He warn't that set up that He couldn't stoop down And work in the country for folks in the town; And I'll warrant He felt a bit pride, like I've done, At a good job begun.
The parson he knows that I'll not make too free, But on Sunday I feels as pleased as can be, When I wears my clean smock, and sits in a pew, And has taught a few.
I think of as how not the parson hissen, As is teacher and father and shepherd o' men, Not he knows as much of the Lord in that shed, Where He earned His own bread.
And when I goes home to my missus, says she, "Are ye wanting your key?" For she knows my queer ways, and my love for the shed (We've been forty years wed).
​So I comes right away by mysen, with the book, And I turns the old pages and has a good look For the text as I've found, as tells me as He Were the same trade as me.
Why don't I mark it? Ah, many say so, But I think I'd as lief, with your leaves, let it go: It do seem that nice when I fall on it sudden— Unexpected, you know!
Catherine C. Liddell.