OpenLLM-France/wikimedia huggingface dataset:
# The Encyclopedia Americana (1920)/Liverworts

Edition of 1920. See also Marchantiophyta on Wikipedia, and the disclaimer.
LIVERWORTS, or HEPATICÆ, a group of cryptogamous plants, forming one of the two divisions of the class Bryophyta or Muscincæ (moss-worts), and closely related to the true mosses (Musci), with which some of the species are apt to be confounded. They are either spread out in the form of a simple lobed thallus showing differentiation into a dorsal (upper) and a ventral (lower) surface, or they are composed of a small ramified stem bearing sessile leaves in two or three ranks. Root-like bodies (rhizoids) attach the plant to its substratum.
Many liverworts reproduce themselves by means of brood-cells (thallidia or gemmæ), formed asexually in cups on the surface, in leaf-margins, etc. They are also reproduced sexually by means of club-shaped antheridia, containing the male elements (antherozoids), and flask-shaped archegonia, containing each an egg-cell or oösphere. These sexual organs occur in groups either in small depressions or special outgrowths of the thallus, or as so-called flowers at the tips of the leafy shoots, or in the axils of their leaves. The spore-capsule is formed after fertilization within the archegonium, and the spores are often provided with hygroscopic elaters which assist in their dispersal. On germination a spore produces, not the common liverwort plant, but a very small filamentous protonema. There are four families of liverworts, namely, Ricciaceæ, Marchantiaceæ, Anthocerotaceæ and Jungermanniaceæ. The first includes the duck-weed-like crystalwort (Riccia natans); the second the exceedingly common Marchantia polymorphia, formerly used as a basis for medicine for ailments of the liver (whence the name “liverwort”); and the last, which is much the largest family, comprises all the leafy, as well as some thalloid forms. The Hepaticæ are generally distributed over the world, and prefer situations similar to those occupied by the mosses. There are about 4,000 species, of which about 3,500 belong to the Jungermanniaceæ. See authorities on cryptogamic botany, especially Cooke's ‘British Hepaticæ’ (1893); and Strasburger, ‘Text-book of Botany’ (1903).
# The Encyclopedia Americana (1920)/Liversidge, Archibald

Edition of 1920. See also Archibald Liversidge on Wikipedia, and the disclaimer.
LIVERSIDGE, lĭv'ėr-sĭdj', Archibald, Australian chemist and mineralogist: b. Turnham Green, England, 17 Nov. 1847. He was educated at the Royal School of Mines and the Royal College of Chemistry and at Christ's College, Cambridge. In 1867 he was appointed acting instructor of chemistry in the Royal School of Naval Architecture; in 1870 became university demonstrator in chemistry at Cambridge; and since 1874 has been professor of chemistry, from 1883-1904 dean of the faculty of science, and from 1870-1904 Fellow of the senate in the University of Sydney, New South Wales, Australia. He retired in 1909. He also founded the Australasian Association for the Advancement of Science. He has written ‘The Minerals of New South Wales’; ‘Reports upon Technical Education and Museums,’ etc. For many years he edited the Journal of the Royal Society of New South Wales.
# The Extermination of the American Bison/Prefatory note

PREFATORY NOTE.
It is hoped that the following historical account of the discovery, partial utilization, and almost complete extermination of the great American bison may serve to cause the public to fully realize the folly ot allowiug all our most valuable and interesting American mammals to be wantonly destroyed in the same manner. The wild buffalo is practically gone forever, and in a few more years, when the whitened bones of the last bleaching skeleton shall have been picked up and shipped East for commercial uses, nothing will remain of him save his old, well-worn trails along the water-courses, a few museum specimens, and regret for his fate. If his untimely end fails even to point a moral that shall benefit the surviving species of mammals which are now being slaughtered in like manner, it will be sad indeed.
Although Bison americanus is a true bison, according to scientific classification, and not a buffalo, the fact that more than sixty millions of people in this country unite in calling him a M buffalo," and know him by no other name, renders it quite unnecessary for me to apologize for following, in part, a harmless custom which has now become so universal that all the naturalists in the world could not change it if they would.
W. T. H.
371
# The Extra Day
### Contents

* Chapter I: The Material
* Chapter II: Fancy—Seed of Wonder
* Chapter III: Death of a Mere Fact
* Chapter IV: Fact—Edged with Fancy
* Chapter V: The Birth of Wonder
* Chapter VI: The Growth of Wonder
* Chapter VII: Imagination Wakes
* Chapter VIII: Where Wonder Hides
* Chapter IX: A Priest of Wonder
* Chapter X: Fact and Wonder—Clash
* Chapter XI: Judy's Particular Adventure
* Chapter XII: Tim's Particular Adventure
* Chapter XIII: Time Hesitates
* Chapter XIV: Maria Stirs
* Chapter XV: "A Day Will Come"
* Chapter XVI: Time Halts
* Chapter XVII: A Day Has Come
* Chapter XVIII: Time Goes on Again—
* Chapter XIX: —As Usual
* Chapter XX: —But Differently!
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1951, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 72 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Extermination of the American Bison

* Group of American Bisons in the National Museum
* Report of National Museum, 1887.— Hornaday.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Farmer and His Sons

Perry index 42
* "Of the Labourer and of his Children", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Father and Sons", in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Farmer and his Sons", translated by George Fyler Townsend, edited by Joseph Jacobs, in Three Hundred Æsop's Fables (1867)
* "The Farmer and His Sons", translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Farmer and his Ox

* related authors: Aesop.
* sister projects: Wikidata item.
Perry index 582
* "Of the Vylayne and of the Yonge Bole", translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Country-man and an Oxe", translated by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Farmer and his Son's return from a visit to the CAMP

This broadside edition of the popular American song "Yankee Doodle", attributed to Edward Bangs, is based on an earlier version attributed to Richard Shuckburgh. Bangs' edition popularized the song and established what would become the standard set of verses. The verse beginning "Yankee Doodle came to town riding on a pony" would be joined to Bangs' verses in publications beginning in the mid-1800s.
The Farmer and his Son's return from a visit to the CAMP.
FATHER and I went down to camp, Along with Captain Gooding, And there we see the men and boys As thick as hasty pudding. Yankey doodle keep it up, yankey doodle dandy, Mind the music and the step, And with the girls be handy.
And there we see a thousand men, As rich as squire David, And what they wasted every day, I wish it had been saved. Yankey doodle, &c.
The 'lasses they eat every day, Would keep an house a winter; They have as much that I'll be bound, They eat it when they're mind to. Yankey doodle, &c.
And there we see a swamping gun, Large as a log of maple, Upon a ducid little cart, A load for father's cattle. Yankey doodle, &c.
And every time they shoot it off, It takes a horn of powder, And makes a noise like father's gun, Only a nation louder. Yankey doodle, &c.
I went as nigh to one myself, As 'Siah's underpinning; And father went as nigh again, I thought the duce was in him. Yankey doodle, &c.
Cousin Simon grew so bold, I thought he would have cock'd it; It sear'd him so I shried'd it off, And hung by father's pocket. Yankey doodle, &c.
And captain Davis had a gun, He kind of clapt his hand on't, And stuck a crooked stabbing iron Upon the little end on't. Yankey doodle, &c.
And there I see a pumpkin shell, As big as mother's bason, And every time they touch'd it off, They scamper'd like the nation. Yankey doodle, &c.
I see a little barrel too, The heads were made of leather, They knock'd upon't with little clubs, And call'd the folks together. Yankey doodle, &c.
And there was captain Washington, And gentlefolks about him, They say he's grown so tarnal proud, He will not ride without them. Yankey doodle, &c.
He got him on his meeting clothes, Upon a slapping stallion, He set the world along in rows, In hundreds and in millions. Yankey doodle, &c.
The flaming ribbons in his hat, They look'd so taring fine ah, I wanted pockily to get To give to my Jemimah. Yankey doodle, &c.
I see another snarl of men, A digging graves they told me, So tarnal long, so tarnal deep, They 'tended they should hold me. Yankey doodle, &c.
It scar'd me so, I hook'd it off, Nor stopd as I remember, Nor turn'd about, 'till I got home, Lock'd up in mother's chamber. Yankey doodle, &c.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Hasty-Pudding, with a Memoir on Maize or Indian Corn

THE HASTY-PUDDING; A Poem, IN THREE CANTOS. WRITTEN AT CHAMRERY, IN SAVOY, JANUARY, 1793, By JOEL BARLOW, MINISTER PLENIPOTENTIARY TO FRANCE. Omne tulit punctum qui miscuit utile dulci. He makes a good breakfast who mixes pudding with molasses.
WITH A MEMOIR ON MAIZE OR INDIAN CORN. COMPILED BY D. J. BROWNE, UNDER THE DIRECTION OF THE AMERICAN INSTITUTE.
NEW YORK: W. H. GRAHAM, TRIBUNE BUILDINGS. M.DCCC.XLVII.
Entered according to Act of Congress, in the year 1846, by William H. Graham, In the Clerk’s Office of the Southern District of New York.
S. W. BENEDICT, STEREOTYPER AND PRINTER, 16 Spruce st.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Figure in the Carpet

* "The Figure in the Carpet" in Cosmopolis 1 (January–February 1896):
** "The Figure in the Carpet" in Cosmopolis 1 (January 1896): 41–59.
** "The Figure in the Carpet" in Cosmopolis 1 (February 1896): 373–392.
    — First publication in any form
* "The Figure in the Carpet" in Embarrassments (London: William Heinemann, 1896): 3–66.
    — English first book edition
* "The Figure in the Carpet" in Embarrassments (New York: The Macmillan Company, 1896): 3–82.
    — American first book edition
* "The Figure in the Carpet" in Embarrassments (London: William Heinemann, 1897): 3–66.
    — Second impression of the English first book edition
* "The Figure in the Carpet" in Embarrassments (New York: The Macmillan Company, 1897): 3–82.
    — Second impression of the American first book edition
* "The Figure in the Carpet" in The Novels and Tales of Henry James 15: 219–277.
    — The "New York Edition"; revised for publication by James; this is the last revised version published in James' lifetime.
* The Figure in the Carpet (London: Martin Secker, 1916)
    — Part of English issue of "The Uniform Tales of Henry James"; uses the New York Edition text.
* The Figure in the Carpet (Boston: Le Roy Phillips, 1917)
    — Part of the first American issue of "The Uniform Tales of Henry James"; uses the New York Edition text.
* "The Figure in the Carpet" in The Lesson of the Master, The Death of the Lion, The Next Time, and Other Tales (London: Macmillan & Co., 1922): 197–250.
    — Volume 20 of The Novels and Stories of Henry James, the first posthumous collection of James' works; uses the "New York Edition" text.
# The Green Bay Tree (Bromfield)

* related portals: Escape series.
* sister projects: Commons category, Wikidata item.

## Novelized versions
### Frederick A. Stokes Company

* The Green Bay Tree (1924), the original published by Frederick A. Stokes Company (scan needed)
* The Green Bay Tree (29 November 1926), printing 11

### Grosset & Dunlap

* The Green Bay Tree (February 1927, printing 1), first edition of a reprint published by Grosset & Dunlap (external scan)

## In collections

* The Green Bay Tree (1935), in The Louis Bromfield Trilogy (external scan)
# The Green Bag (1889–1914)/Volume 9/Number 7

The Green Bag.
* Attorney-General McKenna
* The Old Sumptuary Laws
* Bench Wit in New York City
* The Criminal Code of China
* A Lawyer's Lullaby
* The Study of Law From the Standpoints of Mental Discipline And Good Citizenship
# The Green Bag (1889–1914)/Volume 9

THE
GREEN BAG
An Entertaining Magazine for Lawyers
Edited By Horace W. Fuller
Volume IX
COVERING THE YEAR
1897
THE BOSTON BOOK COMPANY
BOSTON, MASS.
Copyright, 1897,
By The Boston Book Co.
Press of C. H. Heintzemann, Boston. U. S. A.
* Index to Volume 9
* Number 1 (January)
* Number 2 (February)
* Number 3 (March)
* Number 4 (April)
* Number 5 (May)
* Number 6 (June)
* Number 7 (July)
* Number 8 (August)
* Number 9 (September)
* Number 10 (October)
* Number 11 (November)
* Number 12 (December)
# The Green Bay Tree (Bromfield, Frederick A. Stokes Company, printing 11)

* related portals: Escape series.
* sister projects: Commons category, Wikidata item.
The Green Bay Tree
A Novel
By Louis Bromfield
New York Frederick A. Stokes Company MCMXXVI
Copyright, 1924, by Frederick A. Stokes Company
All rights reserved
Published, March 28, 1924
Second Printing, (before publication) March 25, 1924
Third Printing, April 16, 1924 Fourth Printing, May 3, 1924 Fifth Printing, June 9, 1924 Sixth Printing, June 30, 1924 Seventh Printing, July 17, 1924 Eighth Printing, August 23, 1924 Ninth Printing, Jan. 27, 1926 Tenth Printing, August 37, 1926 Eleventh Printing, Nov. 29, 1926
Printed in the United States of America
To my mother, who must have known at some time in her life Hattie Tolliver
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Chapter 16
* Chapter 17
* Chapter 18
* Chapter 19
* Chapter 20
* Chapter 21
* Chapter 22
* Chapter 23
* Chapter 24
* Chapter 25
* Chapter 26
* Chapter 27
* Chapter 28
* Chapter 29
* Chapter 30
* Chapter 31
* Chapter 32
* Chapter 33
* Chapter 34
* Chapter 35
* Chapter 36
* Chapter 37
* Chapter 38
* Chapter 39
* Chapter 40
* Chapter 41
* Chapter 42
* Chapter 43
* Chapter 44
* Chapter 45
* Chapter 46
* Chapter 47
* Chapter 48
* Chapter 49
* Chapter 50
* Chapter 51
* Chapter 52
* Chapter 53
* Chapter 54
* Chapter 55
* Chapter 56
* Chapter 57
* Chapter 58
* Chapter 59
* Chapter 60
* Chapter 61
* Chapter 62
* Chapter 63
* Chapter 64
* Chapter 65
* Chapter 66
* Chapter 67
* Chapter 68
* Chapter 69
* Chapter 70
* Chapter 71
* Chapter 72
* Chapter 73
* Chapter 74
* Chapter 75
* Chapter 76
* Chapter 77
* Chapter 78
* Chapter 79
* Chapter 80
* Chapter 81
* Chapter 82
* Chapter 83
* Chapter 84
* Chapter 85
* Chapter 86
* Chapter 87
* Chapter 88
* Chapter 89
* Chapter 90
* Chapter 91
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1956, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 67 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Forth Bridge/Temporary Work in Connection with the Erection

Temporary Work in Connection with the Erection.
If the proud boast is perfectly justified that in building the two 1710 ft. spans across the Forth, and erecting the 11,600 tons of steel massed therein, without having placed a single stick of timber into the river, it is yet equally certain that this mode of erection entails an immense amount of auxiliary and temporary work, which is both costly and wasteful with regard to time. There were many days ​and weeks lost through waiting for crossings or junctions to be built up and completed, and although much of this may be said to be due to the novel character of the work, yet it is a point which must not be lost sight of. Elsewhere, it has been stated that owing to the general batter of the sides of the structure, and owing to all of its members being out of the perpendicular, as well as the horizontal, they had a natural tendency to either fall together, or else apart, and in both cases apt to be both out of the right direction. Thus in building out a pair of struts or ties, so soon as a length of 30 to 40 ft. had been built, it became necessary to put up temporary girders to hold them apart or keep them together, and a large amount of dangerous work had to be done before a further section of work could be built. The members themselves, even when only bolted up, were often so stiff that hydraulic rams had to be used to force them apart or draw them together. In other cases wedges of hard wood and union screws were able to deal with them. In looking at the illustrations and plates showing various phases of the erection, this feature will immediately attract attention, and in many cases it must be difficult for any one except those conversant with the structure to distinguish between temporary and permanent work.
For reasons explained above, and easily understood, it was not possible to fix the wind-bracing so close up to the new work that temporary appliances could be dispensed with, and therefore an immense number of lattice-girders, some heavy, some light, had to be used to allow the permanent members to be corrected, and when corrected held in position. In the bottom members, especially near the piers, where they were some 120 ft. apart, centre to centre, the temporary girders naturally had to be very strong and heavy, but after the completion of three bays, timbers were in most cases sufficiently strong to take all resistance, and this much simplified matters, for timber is both light in weight and easy to cut and shape to requirements. Thus in the bottom members alone, at every vertical tie and at every junction, the necessary corrections required the placing of temporary struts and wire rope ties, and in most cases when finally fixing the horizontal wind-bracing girders, similar girders had to be placed to fix the position of the member. A repetition of this kind of work with every tie and strut, in bottom members and top members, at every vertical tie, and at every intersection, made up an amount of work of which no visible trace is left, yet which was as real in its day as any which helped to build up the mighty fabric.
# The Green Ray

* information about this edition.
* sister projects: Wikipedia article, Commons category, Wikidata item.
Published by Sampson Low, Marston, Searle & Rivington, London, 1883.

## Table of Contents

* Chapter I: The Brothers Sam and Sib.
* Chapter II: Helena Campbell.
* Chapter III: The Article in the Morning Post.
* Chapter IV: Down the Clyde.
* Chapter V: Change of Steamers.
* Chapter VI: The Gulf of Coryvrechan.
* Chapter VII: Aristobulus Ursiclos.
* Chapter VIII: A Cloud on the Horizon.
* Chapter IX: Dame Bess's Talk.
* Chapter X: A Croquet Party.
* Chapter XI: Oliver Sinclair.
* Chapter XII: New Plans.
* Chapter XIII: The Glories of the Sea.
* Chapter XIV: Life at Iona.
* Chapter XV: The Ruins of Iona.
* Chapter XVI: Two Gun-shots.
* Chapter XVII: On Board the Clorinda.
* Chapter XVIII: Staffa.
* Chapter XIX: Fingal's Cave.
* Chapter XX: For Helena's Sake.
* Chapter XXI: A Tempest in a Cavern.
* Chapter XXII: The Green Ray.
* Chapter XXIII: Conclusion.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Heart of Monadnock

MT. MONADNOCK TRAILS
Laid out and developed by SCOTT A. SMITH 1894 to 1907 and as below 1907-8-9 Charted by Geo. A. Parker Printed 1910
By J. O. Austin-Sweet Water Trail 1907 - Green Carpet Trail, Paradise Valley Trail, and Inspiration Rock 1908 - Chamberlain Pool to Garnet Spring 1909. By H. A. Macgowan - Chamberlain Brook Trail 1907. By G. H. Noble - Dingle Dell Trail 1908.
THE HEART OF MONADNOCK
​ AT THE TURN OF THE ROAD THE MOUNTAIN LOOMS ABOVE
THE HEART OF MONADNOCK
BY
ELIZABETH WESTON TIMLOW, Author of "A Nest of Girls," etc.
Illustrated from Photographs by Herbert W. Gleason
Boston B. J. BRIMMER COMPANY 1922
Copyright, 1922 By B. J. BRIMMER COMPANY Set up and printed. Pubilshed June, 1922.
Printed in the United States of America
* Chapter I
* Chapter II
* Chapter III
* Chapter IV
* Chapter V
* Chapter VI
* Chapter VII
* Maps
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 86 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse