# The Green Bay Tree (Bromfield, Frederick A. Stokes Company, printing 11)/Chapter 21

AN irrepressible smile swept Lily's face. "They couldn't have chosen better, I'm sure. Do play it, Ellen."
The girl turned to the piano and a respectful silence fell once more. Slowly she swept into the somber rhythms of the March Funèbre, beginning so softly that the music was scarcely audible, climbing steadily toward a climax. From the depths of the old Pleyel she brought such music as is seldom heard. The faces in the drawing-room became grave and thoughtful. Lying among the pillows of the divan, Lily closed her eyes and listened through a wall of darkness. Nearby, her mother, leaning on the ebony stick, bowed her head because her eyes had grown dim with tears, a spectacle which she never permitted this world to witness. Presently the music swung again into a somber retarding rhythm; and then slowly, surely, with a weird, unearthly certainty, it became synchronized with the throbbing of the Mills. The steady beat was identical. Old Julia Shane opened her eyes and stared out of the window into the gathering darkness. The music, all at once, made the pounding of the Mills hideously audible.
When the last note echoing through the old house died away, Eva Barr, fidgeting with her embroidered reticule in search of a handkerchief to wipe her lean red nose, rose and said, "Well, I must go. It's late and the hack is already here. He charges extra for waiting, you know."
That was the inevitable sign. The dinner was ended. Grandpa Barr, very rosy from his promenade about the grounds, and the red-haired Robert, much stuffed with Willie Harrison's courting chocolates, reappeared and the round of farewells was begun.
​Before Hennery brought round from the stable the Tolliver's sleigh, Lily placing her arm about Ellen's waist, drew her aside and praised her playing. "You must not throw it away," she said. "It is too great a gift." She whispered. Her manner became that of a conspirator. "Don't let them make you settle into the pattern of the Town. It's what they'll try to do, but don't let them. We only live once, Ellen, don't waste your life. The others . . . the ones who aren't remarkable in any way will try to pull you down from your pedestal to their level. But don't let them. Fitting the pattern is the end of their existence; 'Be like every one else,' is their motto. Don't give in. And when the time comes, if you want to come and study in Paris with the great Philippe, you can live with me."
The girl blushed and regarded the floor silently for a moment. "I won't let them," she managed to say presently. "Thank you, Cousin Lily." At the door, she turned sharply, all her shyness suddenly vanished, an air of defiance in its place. "I won't let them. . . . You needn't worry," she added with a sudden fierceness.
"And next week," said Lily, "come here and spend the night. I want to hear more music. There's no music in this Town but the Mills."
By the fireplace under the flaming Venice of Mr. Turner, Julia Shane talked earnestly with her niece, Mrs. Tolliver, who stood warming her short astrakhan jacket by the gentle blaze.
"And one more thing, Hattie," said the old woman. "I've been planning to give you these for some time but the opportunity never arose. I shan't live many more years and I want you to have them."
With an air of secrecy she took from her thin fingers two rings and slipped them into the red, worn hands of her niece. "Don't tell any one," she added. "It's a matter between us."
Mrs. Tolliver's hand closed on the rings. She could say nothing, but she kissed Aunt Julia affectionately and the tears came into her eyes because the old woman understood so well the intricate conventions of pride in matters of money. The ​rings were worth thousands. Hattie Tolliver could not have accepted their value in money.
At the door the little party made its departure with a great deal of healthy hubbub, colliding at the same time with a visitor who had driven up unseen. It was Willie Harrison, come to call upon Lily and to propose a visit to the Mills to look over the new furnaces that were building. In the stream of light from the doorway the caller and Charles Tolliver recognized each other and an awkward moment followed. It was Willie Harrison, overcome with confusion, who bowed politely. Charles Tolliver climbed into his sleigh without making any sign of recognition. The feud between the old and the new, concealed for so many years, was emerging slowly into the open.