OpenLLM-France/wikimedia huggingface dataset:
# The Encyclopedia Americana (1920)/Hitotsubashi

Edition of 1920. See also Tokugawa Yoshinobu on Wikipedia, and the disclaimer.
HITOTSUBASHI, Japanese statesman and party leader: b. 1837; d. 1902. Son of Nariaki Daimyo of Mito (q.v), and naturally a supporter of the Doctrine of Mito (q.v.), he appeared as the leader of the party opposed to the open door in Japan. He is known as Keiki (Kā'kē), the pronunciation of the Chinese characters representing his name, and as Yoshinobu, his real name. The cognomen Hitotsubashi he obtained when he was adopted into the feudal house of that name in 1848. He became guardian of the young Shōgun in 1863, a position that gave him great prominence in the affairs of Japan at a time when the nation was at the parting of the ways. He is known as “the last of the Tycoons,” or the last Shōgun. His real title was Yoshinobu Tokugawa, Prince Tokugawa. He was heir of the house of Hitotsubashi, and as such eventually became Shōgun. He came of a long line of illustrious ancestors which had helped to make the history of Japan for over 300 years. Yoshinobu became Shōgun in August 1866, and the following year, notwithstanding his family tradition, he presented a memorial to the emperor advising to call the barons together to discuss the “open door question” and the relation of Japan to foreign countries and civilization. He also look steps to have all the government of the country centred in the emperor. But the Shōgunate party which he represented opposed this and open war broke out between the emperor and the Shōgunates. Yoshinobu, in the difficult position of owing allegiance of a traditional and religious character to the emperor and leadership to his own family and party, decided to follow the will of his famous father, Nariaki (q.v.), and be faithful to the emperor at all cost. In the war the party of the emperor won out and Yoshinobu retired to private life still retaining the favor and confidence of the court by whom he was recognized as Prince Tokugawa. His princely residence was one of the conspicuous objects by the Kioshikawa Gate in Tokio.
Consult Okuma, Count Shigenobu, ‘Fifty Years of New Japan’ (translated into English by Marcus B. Huish, London 1909).
# The Encyclopedia Americana (1920)/Hitchcock, Roswell Dwight

Edition of 1920. See also Roswell Dwight Hitchcock on Wikipedia, and the disclaimer.
HITCHCOCK, Roswell Dwight, American Congregational clergyman: b. East Machias, Me., 15 Aug. 1817; d. Somerset, Mass., 16 June 1887. Graduated from Amherst College in 1836 and from the Andover Theological Seminary in 1838, he also studied at Halle and Berlin (1847), in 1845-52 was pastor of the First Congregational Church at Exeter, N. H., and in 1852-55 professor of revealed religion in Bowdoin College. In 1855 he became professor of church history at the Union Theological Seminary, of which institution he was elected president in 1880. He became president of the Palestine Exploration Society in 1871, and vice-president of the American Geological Society in 1880. An editor of the ‘American Theological Review’; he wrote ‘The Life, Character, and Writings of Edward Robinson’ (1863); ‘Complete Analysis of the Holy Bible’ (1869); and ‘Socialism’ (1879). With Eddy and Madge, he compiled ‘Carmina Sanctorum’ (1885); and ‘Eternal Atonement,’ a volume of sermons, appeared in 1888.
# The Encyclopedia Americana (1920)/Hoe, Richard Marsh

Edition of 1920. See also Richard March Hoe on Wikipedia, and the disclaimer.
HOE, Richard Marsh, American inventor: b. New York, 12 Sept. 1812; d. Florence, Italy, 7 June 1886. He was the son of Robert Hoe (q.v.). In 1846 with his brother Peter S. he perfected a rotary printing-press which was called “Hoe's lightning press.” Subsequently
the two brothers invented the Hoe web-perfecting press, which superseded the rotary press and prints upon both sides of the sheet, and includes apparatus for folding and cutting. This was especially adapted to newspaper printing and made a revolution in that art. The sons of Richard M. Hoe and of Peter S. Hoe conducted the business after the death of the brothers, and added various improvements to the original Hoe printing-press. See Printing.
# The Encyclopedia Americana (1920)/History of Education

Edition of 1920. See also the disclaimer.
HISTORY OF EDUCATION. See Education, History of.
# The Encyclopedia Americana (1920)/Hitchcock, James Ripley Wellman

Edition of 1920. See also Ripley Hitchcock on Wikipedia, and the disclaimer.
HITCHCOCK, James Ripley Wellman, American art critic: b. Fitchburg, Mass., 3 July 1857. He was graduated at Harvard in 1877, and in 1882-83 made long journeys in the West, Mexico and Northwest as special correspondent of the New York Tribune, was art critic of the Tribune 1882-90. He was literary adviser to D. Appleton and Company in 1890-1902, and after 1902 to Harper and Brothers. He has written much upon American history, outdoor life and literary topics as well as art. He has lectured extensively upon artistic and literary subjects. He has written ‘The Western Art Movement’ (1885); ‘A Study of George Inness’ (1885); ‘Madonnas by Old Masters’ (1888), the text to photogravures; ‘The Future of Etching’; ‘Some American Painters in Water Colors’; ‘Etching in America’; ‘Notable Etchings by American Artists’; ‘Thomas De Quincy: a Study’; ‘The Louisiana Purchase and the Building of the West’ (1904); ‘The Lewis and Clark Expedition’ (1905). He edited ‘The Life of an Artist, by Jules Breton’; ‘The Last Words of Thomas Carlyle’; ‘The Art of the World Illustrated in the Paintings, Statuary and Architecture of the Columbian Exposition, with an introduction and much other text’; ‘The Story of the West Series,’ including ‘The Story of the Indian’; ‘The Story of the Mine’; ‘The Story of the Cowboy’; ‘The Story of the Railroad’; ‘The Story of the Soldier’; and ‘The Story of the
Trapper,’ with introduction; ‘Recollections,’ by Richard Henry Stoddard; ‘The Trail-Makers, a Library of History and Exploration’; ‘Decisive Battles of America,’ and other works.
# The Encyclopedia Americana (1920)/Hoe, Robert (inventor)

Edition of 1920. See also Robert Hoe on Wikipedia, and the disclaimer.
HOE, Robert, American inventor: b. Leicestershire, England, 1784; d. 1833. He came to the United States in 1803, was for a time a joiner, and later entered partnership with his brothers-in-law, Matthew and Peter Smith, for the sale of a hand printing-press, the invention of the latter. He took over the business in 1823. He retired in 1832. The original Hoe printing-press was designed and built by him. He is believed to be the earliest American machinist who utilized steam as a motive power in his plant.
# The Encyclopedia Americana (1920)/Hitchcock, Charles Henry

Edition of 1920. See also Charles Henry Hitchcock on Wikipedia, and the disclaimer.
HITCHCOCK, hĭch'kŏk, Charles Henry, American geologist: b. Amherst, Mass., 23 Aug. 1836. He was a son of Edward Hitchcock, geologist (q.v.) He was graduated from Amherst College in 1856, was assistant State geologist of Vermont in 1857-61, State geologist
of Maine 1861-62 and of New Hampshire 1868-78. In 1868 he was appointed professor of geology in Dartmouth College, retaining this position until 1908, when he became professor emeritus. In connection with his survey of New Hampshire, he maintained, during the winter of 1870, a meteorological station on Mount Washington, the earliest high-mountain observatory in the United States. He became known as a compiler of geological maps, and for his investigations regarding the geology of the crystalline schists, ichnology and glacial geology. The location of the terminal glacier in the United States was first suggested by him. His later work has been in connection with the Geological Survey of Vermont, particularly the glacial geology, and with the New Jersey Geological Survey, studying the Trianic footmarks. He claims that the animals that made the tracks were largely ‘birds with teeth’ and not dinosaurs. He was a founder of the Geological Society of America, and in 1883 vice-president of the American Association for the Advancement of Science. His publications include ‘Elementary Geology’ (1861, with E. Hitchcock); ‘Mt. Washington in Winter’ (1871); and a ‘Report on the Geology of New Hampshire’ (1873-78), with folio atlas, his most valuable work; and ‘Hawaii and its Volcanoes’ (1909; 2d ed., 1911).
# The Encyclopedia Americana (1920)/Hitchcock, Edward

Edition of 1920. See also Edward Hitchcock on Wikipedia, and the disclaimer.
HITCHCOCK, Edward, American Congregational clergyman and geologist: b. Deerfield, Mass., 24 May 1793; d. Amherst, Mass., 27 Feb. 1864. He was principal of the academy in his native place 1815-18; pastor of the Congregational Church in Conway, Mass., 1821-25; professor of chemistry and natural history in Amherst College 1825-45 and president of Amherst College and professor of natural theology and geology 1845-54. He was appointed State geologist of Massachusetts in 1830, of the State District of New York in 1836 and of Vermont in 1857. In 1850 he was commissioned by the government of his native State to examine the agricultural schools in Europe. His life was in a great measure identified with the history of Amherst College. Connected with it almost from the beginning, in his own presidency he procured for it buildings, apparatus and funds to the amount of $100,000, doubled the number of students and established it on a solid pecuniary as well as literary and scientific basis. His earliest scientific publications were the ‘Geology of the Connecticut Valley’ (1823), and a ‘Catalogue of the Plants within Twenty Miles of Amherst’ (1829). Later works were ‘Lectures on Diet, Regimen, and Employment’ (1831); ‘Lectures on the Peculiar Phenomena of the Four Seasons’ (1850); ‘Reports on the Geology of Massachusetts’ (1833-35-38-41); ‘Illustrations of Surface Geology’ (1857); ‘Elementary Geology,’ which passed through 25 editions in America, and one-third of that number in England; ‘Religion of Geology and Its Connected Sciences’ (1851); and ‘Reminiscences of Amherst College’ (1863). Dr. Hitchcock suggested as well as executed the geological survey of Massachusetts, the first not only in the long series of scientific surveys in the United States, but the first survey of an entire State under the authority of government in the world. He was the first to give a scientific exposition of the fossil footprints of
the Connecticut Valley, and with him ichnology as a science began.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Miss Bisset

LINES ADDRESSED TO MISS BISSET.
Came it not like enchantment on the soul,
Chaining the very life pulse with delight!
Each feeling lost in one delicious dream,
All hush'd in that deep harmony. If yet
This earth can boast a trace of Paradise,
One relic of its former state, 'tis that
Which yet survives in music's hallow'd sigh.
If ever that sweet spirit, whose rich breath,
Is on the evening gale which murmurs by, Fraught with the nightingale and wood lark's song, Or wafting from the moonlight waves soft notes Of airy melody from the wind wak'd shells In the blue waters of the sea, ere gave His power, his magic power, to human hand, He gifted thee! Thine every witching tone, In which the soul of music lives; light sounds, Sweet as a lover's serenade, or wild As minstrelsy that thrills a minstrel's dream, Or the deep swell of inspiration's glow— All are thine own, Cecilia of our isle!
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Parting Wreath

LOVE'S PARTING WREATH.
I give thee, love, a blooming braid;  I cull'd it at eve's 'witching hour;
I twin'd it in the moon's sweet shade,
 When starlight dew was on each flower.
I chose the myrtle's fadeless leaf,
 For it will picture faith to thee;
I chose the cypress—'tis like grief—
 And that may well my emblem be.
I place the violet in my wreath—
 Its sigh is memory's perfume;
I place the rose, for its sweet breath
 Survives its beauty's passing bloom.
Oh! not a flower is here entwin'd,
 That lays not on thy thought a spell:
Forget-me-not, the wreath shall bind—
 Forget me not, is Love's farewell.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Portrait

PORTRAIT.
I gaz'd admiringly upon his face; The etherial fire, that kindles from the heart Of inspiration, lighted up his brow. There was a wild expression in his eye, A brilliancy, a deep impassion'd glance, Which look'd as it had gaz'd on glorious dreams, And strange and beautiful imaginings, Until it had reflected back their splendour, As it communion held with the young storm, Rolling its gather'd darkness o'er the sky; And watch'd the golden palace, which the sun
Uprears at eve, of crimson clouds, and all
The earth's magnificence, until his soul
Grew raptured with the wonders it beheld,
And fill'd his eyes with an unearthly light—
A radiance too intense, but that the veil
Of the dark lash, softened its glowing ray.
It was a glance, that dwells upon the thought,
And bids us look for some excelling being
Fraught with rare gifts of the immortal mind.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Lines to 2

LINES TO ——
No, no! thou hast broken the spell that entwin'd me—
 The heart thou hast slighted, beats for thee no more; Once, fondly and truly this bosom inshrin'd thee;
 But now that vain dream of a moment is o'er.
I lov'd thee with all young love's wild devotion,
 While thou wert as fickle as yon changing sea; But think not, returning, like calm to that ocean,
 The wanderer will ever be welcome to me.
Oh! deem not again love's sweet lamp may be lighted—  You may never relink the once-severed chain;
When once thou hadst broken the vows that were plighted,
 My soul was too proud to receive them again.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Phoenix and Dove

THE PHOENIX AND THE DOVE.
[The Hint taken from the French of Millevoix.]
My wings are bright with the rainbow's dyes,  My birth is amid perfume;
My death-song is music's sweetest sighs;
 The sun himself lights my tomb.
My flight is traced in the clouds above;
 The grave teems with life for me;
I stand alone—Alone! cried the dove—
 Oh, I then can but pity thee!
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Poems Header

MISCELLANEOUS POEMS.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Sketch

SKETCH OF SCENERY.
It was a little glen, which, like a thing Cherish'd in secret, as a treasure hid From all the world, lay bosom'd in those heights; 'Twas such a spot, as in all ages men Have sacred held: the Greek had said, it was Some fabled wood-nymph's favourite dwelling place; And former minstrels of our isle had deem'd,
The fairies chose it for their moonlight haunt:
Fed by a mountain rill, which softly fell—
Quiet, like patient tears, a fountain rose.
In spring, the violet and primrose breathed
Their sighs upon the banks; for tho' the flowers
Had pass'd away, the green leaves spread around,
'Mid the soft turf;—but tho' the scented race
Of April blooms were gone, yet there were still
Bright odourous blossoms: there the pale pink heath Grew in its delicate beauty; and the blue
Of the fair harebell seem'd as it had caught
Its azure from the wave. You might not gaze
At distance round, for lofty trees uprose,
And rocky summits clos'd it in. The noon
Had here no power; it was most sweet to lean,
In the hot summer hours, upon that bank,
And watch the sun beams o'er the waters play,
Just where they left the hill side and came down,
In a light diamond shower, silently,
Yourself in shade the while; for o'er that rill
An ancient beech spread its deep canopy:
Some one had planted there a pale white rose;
And the wild ones sweetly blush'd beside, and twin'd
Around the lovely stranger, as they would
Give it kind welcome. Never more my steps
Will wander in thy solitude, lone glen!
I shall not list again the serenade
The wood lark pours unto the eve; or wish,
When that I saw a green leaf float along
Upon the sunny waters of thy stream,
That such might be the fate of those I lov'd—
A bright untroubled course; and when the gale,
Too rudely breathing, whirl'd the leaf away,
Bethink me of how very vain my wish.
It is not grief, to say farewell to thee,
Valley of beauty! even in thy shades
I felt as exiles feel, when far from those
With whom their heart's love dwells : I have oft look'd
Upon the clouds, and envied them the wind
That bore them on. All lovely as thou art,
'Tis joy to think, that when to-morrow's sun
Shall sink amid those woods, my anxious eye
Will gaze on scenes most precious to my soul,
That have so long been memory's resting place,
Where every hope of happiness is shrin'd.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Lines on

LINES ON ——
I saw thy cheek when 'twas fresh as spring,
Like a May rose newly blossoming;
When thy lip was red as the coral flower,—
Stainless and pure in the deep sea bower.
I saw thy brow when 'twas gay and fair—
Sorrow had then thrown no shadow there;
It was a sweet, a beautiful throne,
That love himself had been proud to own.
Smiles play'd o'er thy face, like the silvery light
The moon throws over the waters by night;
The halcyon's blue had tinted thine eyes,
Sunny and bright as the summer skies.
Thy laugh was glad as the sky lark's lay,
Thy step was light as the waterfall's spray—
When love and when pleasure around thee were glowing,
Like some bright bud in Eden blowing.
But now thou art chang'd! it is sad to gaze
On the faded beauty thy form displays;
Thy cheek is pale as the sickly flower,
Struggling in cold spring's sunless hour.
Thy blush is gone, and thy smile is fled,
And thy wan lip hath lost its delicate red;
Tears dim the light of thine azure eye,
And the dimple is banish'd by misery.
Nought rests of what once was so fair,
But thy glossy curls of auburn hair;
The golden braids seem too bright to twine
O'er a brow so shaded by sadness as thine.
Love has been to thee as the treacherous gale,
Opening the rose's mossy veil;
Sweetly it came, but its breath left there
The canker, Remorse, and the blight, Despair!
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Santa Malvidera

Sketch of a Painting of Santa Malvidera, escaped miraculously from Shipwreck.
She knelt upon the rock; her graceful arms
Were rais'd to heaven, in attitude of prayer:
You might have gaz'd on those half-opened lips,
And deem'd you listen'd to their silvery tones.
Sweet tears were trembling in her fair blue eyes,
Like drops that linger on the violet—
The glistening relics of a summer shower:
They were the tears of pious gratitude;
And hope, like sunshine, brighten'd thro' their dew.
She look'd all stainless purity; her glance
Spoke of unearthly things, and of a soul
Already mingled with its native skies:
She knelt on the cold rock, while the rude waves
Dash'd o'er her slender form their foam; around
Was a drear solitude, where the dark cliffs
Frown'd o'er the sea; and the black shadowy clouds,
Gathering their sullen masses, seem'd to be
The tempests' dwelling place. Yet that young saint
Pray'd fearlessly; she felt, the guardian hand,
So late stretch'd forth to save in peril's hour,
Would not desert her now.
# The Fate of Adelaide, a Swiss Romantic Tale; and Other Poems/Sir John Doyle

TO SIR JOHN DOYLE, BART.
My heart has beat high at the heroes of old,  As they live in those annals of fame,
Where the deeds of their glory are glowingly told,  When history has hallow'd their name.
It was pride, as I thought on those sunbeams of yore,  Like vessels of light on oblivion's dark seas,
To pass o'er those ages, and think my own shore  Had many, whose names would shine brightly as these.
Who has not proudly dwelt on those memories of light,
 And felt them, like something that glorified earth? Who has not exclaim'd, with a burst of delight—
 ‘Tis my own native land which has given them birth!
Yes, warrior! 'tis only high spirits like thine,  That teach man the generous path he may tread;
The steps of the mighty are nature's best shrine,
 Where the hopes of the young and aspiring are fed.
Yes, warrior! when young hearts shall pant for the praise,  Such praise as the praise of the valiant will be,
He will think of the splendour that brighten'd thy days;—
 He will think of that splendour, and imitate thee.
Hail, honour and pride of the Emerald Isle!  How envied the mead that will ever be thine!
The laurel of fame, and humanity's smile,  To grace thee, shall always together combine.
The soldier, worn down by war's strife and turmoil,  No longer's left cheerless and friendless to roam;
For the rest of his age may be grateful to Doyle,  For the sweets of his hearth, and the peace of his home.
# The Civil War in France (1871)

Second Edition. Written by Karl Marx and published by the General Council of the International Workingmen's Association. The third edition published next contained some revisions and corrections.
THE
CIVIL WAR IN FRANCE.
ADDRESS
OF
THE GENERAL COUNCIL
OF THE
INTERNATIONAL WORKING-MEN'S
ASSOCIATION.
SECOND EDITION, REVISED.
Printed and Published for the Council by
EDWARD TRUELOVE, 256, HIGH HOLBORN.
1871.
Price Twopence.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Notes
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Civil War in America

* Search for titles containing or beginning with: "The Civil War in America."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Civil War in America: An Address, by Goldwin Smith (1866)
* “The Civil War in America,” an essay in John Acton’s Historical Essays and Studies (1907)
# The Elder Edda and the Younger Edda/Younger Edda/Night and Day, Sun and Moon

10. "A giant called Njorvi," continued Har, "who dwelt in Jotunheim, had a daughter called Night (Nott) who, like all her race, was of a dark and swarthy complexion. She was first wedded to a man called Naglfari, and had by him a son named Aud, and afterwards to another man called Annar, by whom she had a daughter called Earth (Jord). She then espoused Delling, of the Æsir race, and their son was Day, (Dagr) a child light and beauteous like his father. Then took All-father, Night, and Day, her son, and gave them two horses and two cars, and set them up in the heavens that they might drive successively one after the other, each in twelve hours' time, round the world. Night rides first on her horse called Hrimfaxi, that every morn, as he ends his course, bedews the earth with the foam that falls from his bit. The horse made use of by Day is named Skinfaxi, from whose mane is shed light over the earth and the heavens.",
11. "How doth All-father regulate the course of the sun and moon?" asked Gangler.
"There was formerly a man," replied Har, "named Mundilfari, who had two children so lovely and graceful that he called the male, Mani (moon), and the female, Sol (sun), who espoused the man named Glenur. But ​the gods being incensed at Mundilfari's presumption, took his children and placed them in the heavens, and let Sol drive the horses that draw the car of the sun, which the gods had made to give light to the world out of the sparks that flew from Muspellheim. These horses are called Arvak and Alsvid, and under their withers the gods placed two skins filled with air to cool and refresh them, or, according to some ancient traditions, a refrigerant substance called isanikul. Mani was set to guide the moon in his course, and regulate his increasing and waning aspect. One day he carried off from the earth two children, named Bil and Hjuki, as they were returning from the spring called Byrgir, carrying between them the bucket called Sægr, on the pole Simul. Vidfinn was the father of these children, who always follow Mani (the moon), as we may easily observe even from the earth."