# Struck It At Last

He was almost blind, and wasted With the wear of many years; He had laboured, and had tasted Bitter troubles, many cares; But his laugh was loud and ringing, And his flag was on the mast — Every day they heard him singing: 'Bound to strike it rich at last.'
Here he brandished axe and maul ere Buninyong, and after that Fought and bled with Peter Lalor And the boys at Ballarat. East and west and northward, striving, As the tides set fresh and fast — Ever trying, rarely thriving — Yes, he'd strike it rich at last.
Now and then she'd pan out snugly, Mostly all the other way, But he never cut up ugly When he bottomed on the clay; Never cursed, or got disgusted, Mourned the days and chances past — Geordie always hoped and trusted He would strike it rich at last.
If the days were very dull, or When the store-men cut up rough And he couldn't raise a colour From a cart-load of the stuff, No man found him chicken-hearted, He'd no time to bang and blast; Pegged her out again and started — Bound to strike it rich at last.
Blinded by a shot in Eighty, Sinking for the Pegleg Reef, If he sorrowed o'er his fate, he Let no mortal see his grief. In the Home there in the city Geordie won their favor fast, All the inmates learned his ditty — "Bound to strike it rich at last."
When brought low, and bowed, and hoary, Still his eyes alone were blind, Fortune left undimmed the glory Of his happy, tranquil mind; In his heart a flame was glowing That defied the roughest blast, And he sang: "There is no knowing, Mates, I'll strike it rich at last."
As the end approached he prattled Of old days at Ballarat, And again the windlass rattled At Jim Crow and Blanket Flat; And the nurses heard him mutter As his dauntless spirit passed: "Streak of luck, boys! On the gutter!" Geordie struck it rich at last.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
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This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1931, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 92 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse