# Noughts and Crosses/Beside the Bee-Hives

Layout 2
BESIDE THE BEE-HIVES.
On the outskirts of the village of Gantick stand two small semi-detached cottages, coloured with the same pale yellow wash, their front gardens descending to the high-road in parallel lines, their back gardens (which are somewhat longer) climbing to a little wood of secular elms, traditionally asserted to be the remnant of a mighty forest. The party hedge is heightened by a thick screen of white-thorn on which the buds were just showing pink when I took up my lodging hi the left-hand cottage (the 10th of May by my diary); and at the end of it are two small arbours, set back to back, their dilapidated sides and roofs bound together by clematis.
The night of my arrival, my landlady asked me to make the least possible noise in unpacking my portmanteau, because there was trouble next door, and the partitions were thin. Our neighbour's wife was down with inflammation, she explained—inflammation of the lungs, as I learnt ​by a question or two. It was a bad case. She was a wisht, ailing soul to begin with. Also the owls in the wood above had been hooting loudly, for nights past: and yesterday a hedge-sparrow lit on the sill of the sick-room window, two sure tokens of approaching death. The sick woman was being nursed by her elder sister, who had lived in the house for two years, and practically taken charge of it. "Better the man had married she," my landlady added, somewhat unfeelingly.
I saw the man in his garden early next morning: a tall fellow, hardly yet on the wrong side of thirty, dressed in loose-fitting tweed coat and corduroys. A row of bee-hives stood along his side of the party wall, and he had taken the farthest one, which was empty, off its stand, and was rubbing it on the inside with a handful of elder-flower buds, by way of preparation for a new swarm. Even from my bed-room window I remarked, as he turned his head occasionally, that he was singularly handsome. His movements were those of a lazy man in a hurry, though there seemed no reason for hurry in his task. But when it was done, and the hive ​replaced, his behaviour began to be so eccentric that I paused in the midst of my shaving, to watch.
He passed slowly down the line of bee-hives, halting beside each in turn, and bending his head down close to the orifice with the exact action of a man whispering a secret into another's ear. I believe he kept this attitude for a couple of minutes beside each hive—there were eight, besides the empty one. At the end of the row he lifted his head, straightened his shoulders, and cast a glance up at my window, where I kept well out of sight. A minute after, he entered his house by the back door, and did not reappear.
At breakfast I asked my landlady if our neighbour were wrong in his head at all. She looked astonished, and answered, "No: he was a do-nothing fellow—unless you counted it hard work to drive a carrier's van thrice a week into Tregarrick, and home the same night. But he kept very steady, and had a name for good nature."
Next day the man was in his garden at the ​same hour, and repeated the performance. Throughout the following night I was kept awake by a series of monotonous groans that reached me through the partition, and the murmur of voices speaking at intervals. It was horrible to lie within a few inches of the sick woman's head, to listen to her agony and be unable to help, unable even to see. Towards six in the morning, in bright daylight, I dropped off to sleep at last.
Two hours later the sound of voices came in at the open window and awoke me. I looked out into my neighbour's garden. He was standing, half-way up the path, in the sunshine, and engaged in a suppressed but furious altercation with a thin woman, somewhat above middle height. Both wore thick green veils over their faces and thick gloves on their hands. The woman carried a rusty tea-tray.
The man stood against her, motioning her back towards the house. I caught a sentence—"It'll be the death of her;" and the woman glanced back over her shoulder towards the ​window of the sick-room. She seemed about to reply, but shrugged her shoulders instead and went back into the house, carrying her tray. The man turned on his heel, walked hurriedly up the garden, and scrambled over its hedge into the wood. His veil and thick gloves were explained a couple of hours later, when I looked into the garden again and saw him hiving a swarm of bees that he had captured, the first of the season.
That same afternoon, about four o'clock, I observed that every window in the next house stood wide open. My landlady was out in the garden, "picking in" her week's washing from the thorn hedge where it had been suspended to dry; and I called her attention to this new freak of our neighbours.
"Ah, then, the poor soul must be nigh to her end," said she. "That's done to give her an easy death."
The woman died at half-past seven. And next morning her husband hung a scrap of black crape to each of the bee-hives.
She was buried on Sunday afternoon. From ​behind the drawn blinds of my sitting-room window I saw the funeral leave the house and move down the front garden to the high-road—the heads of the mourners, each with a white handkerchief pressed to its nose, appearing above the wall like the top of a procession in some Assyrian sculpture. The husband wore a ridiculously tall hat, and a hat-band with long tails. The whole affair had the appearance of an hysterical outrage on the afternoon sunshine. At the foot of the garden they struck up a "burying tune," and passed down the road, shouting it with all their lungs.
I caught up a book and rushed out into the back garden for fresh air. Even out of doors it was insufferably hot, and soon I flung myself down on the bench within the arbour and set myself to read. A plank behind me had started, and after a while the edge of it began to gall my shoulders as I leant back. I tried once or twice to push it into its place, without success, and then, in a moment of irritation, gave it a tug. It came away in my hand, and something rolled out on the bench before me, and broke in two.
​I picked it up. It was a lump of dough, rudely moulded to the shape of a woman, with a rusty brass-headed nail stuck through the breast. Around the body was tied a lock of fine light-brown hair—a woman's, by its length.
After a careful examination, I untied the lock of hair, put the doll back in its place behind the plank, and returned to the house: for I had a question or two to put to my landlady.
"Was the dead woman at all like her elder sister?" I asked. "Was she black-haired, for instance?"
"No," answered my landlady; "she was shorter and much fairer. You might almost call her a light-haired woman."
I hoped she would pardon me for changing the subject abruptly and asking an apparently ridiculous question, but would she call a man mad if she found him whispering secrets into a bee-hive?
My landlady promptly replied that, on the contrary, she would think him extremely sensible: for that, unless bees were told of all that ​happening in the household to which they belonged, they might consider themselves neglected, and leave the place in wrath. She asserted this to be a notorious fact.
"I have one more question," I said. "Suppose that you found in your garden a lock of hair—a lock such as this, for instance—what would you do with it?"
She looked at it, and caught her breath sharply.
"I'm no meddler," she said at last; "I should burn it."
"Why?"
"Because if 'twas left about, the birds might use it for their nests, and weave it in so tight that the owner couldn't rise on Judgment day."
So I burnt the lock of hair in her presence; because I wanted its owner to rise on Judgment day and state a case which, after all, was no affair of mine.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1944, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 79 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse