OpenLLM-France/wikimedia huggingface dataset:
# Pease v. Peck

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Dissenting Opinion

    Campbell
United States Supreme Court
59 U.S. 595
Pease v. Peck
THIS case was brought up by writ of error for the circuit court of the United States for the district of Michigan.
The case is stated in the opinion of the court.
It was argued by Mr. Lawrence, for the plaintiff in error, adopting also an argument filed by Mr. Emmons and Mr. Grey; and for the defendant in error by Mr. Badger, upon a brief filed by himself and Mr. Carlisle.
Mr. Justice GRIER delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pease v. Hansen

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
404 U.S. 70
Pease v. Hansen, Director, Cascade County Department of Public Welfare, et al.
Appeal from the Supreme Court of Montana
No. 70-5376
157 Mont. 99, 483 P. 2d 720, reversed.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pease v. Hansen/Opinion of the Court

* Court Documents
* Case Syllabus
* Per Curiam Opinion of the Court
United States Supreme Court
404 U.S. 70
Pease v. Hansen
The motion of the appellant for leave to proceed in forma pauperis is granted.
Whether a welfare program is or is not federally funded is irrelevant to the constitutional principles enunciated in Shapiro v. Thompson, 394 U.S. 618, 89 S.Ct. 1322, 22 L.Ed.2d 600. The judgment of the Supreme Court of Montana is reversed.
THE CHIEF JUSTICE is of the opinion that probable jurisdiction should be noted and the case set for oral argument.
For opinion after remand see 494 P.2d 925.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Peasants (Chekhov)

English-language translations of Мужики include:
* The Muzhiks, translated by Robert Edward Crozier Long in The Kiss and Other Stories, 1908
* Peasants, translated by Constance Garnett
# Oppenheimer v. California

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
378 U.S. 929
Oppenheimer v. California

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Oppenheimer v. California/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
378 U.S. 929
Oppenheimer v. California
Petition for rehearing denied.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Oppenheimer v. Harriman National Bank & Trust Company of New York

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
301 U.S. 206
Oppenheimer v. Harriman National Bank & Trust Company of New York
Argued: March 11, 12, 1937. --- Decided: April 26, 1937
Mr. E. S. Greenbaum, of New York City, for Oppenheimer.
Mr. Martin Conboy, of New York City, for Harriman Nat. Bank & Trust co. et al.
Mr. Justice BUTLER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Opper v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.

## Concurring Opinion

    Frankfurter
United States Supreme Court
348 U.S. 84
Opper v. United States
Argued: Oct. 22, 1954. --- Decided: Dec 6, 1954
Mr.Frederick Bernays Wiener, Washington, D.C., for petitioner.
Mr.John F. Davis, Washington, D.C., for respondent.
Mr. Justice REED delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Opp Cotton Mills v. Administrator Of Wage And Hour Division Of Department Of Labor

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
312 U.S. 657
OPP COTTON MILLS, Inc., et al. v. ADMINISTRATOR OF WAGE AND HOUR DIVISION OF DEPARTMENT OF LABOR.
Argued: Dec. 20, 1940. --- Decided: Feb 3, 1941
[Syllabus from pages 126-128 intentionally omitted]
Mr. Ben F. Cameron, of Meridian, Miss., for petitioners.
[Argument of Counsel from pages 129-131 intentionally omitted]
Francis Biddle, Sol. Gen., for respondent.
[Argument of Counsel from Page 132 intentionally omitted]
Mr. Justice STONE, delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Opper v. United States/Concurrence Frankfurter

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinion Frankfurter
United States Supreme Court
348 U.S. 84
Opper v. United States
Argued: Oct. 22, 1954. --- Decided: Dec 6, 1954
Mr. Justice FRANKFURTER concurs in the result.
Mr. Justice DOUGLAS, believing that Forte v. United States, 68 App.D.C. 111, 94 F.2d 236, 127 A.L.R. 1120, states the better rule on corroboration, would reverse the judgment below.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# On the Eve

Translated by Constance Garnett, with an Introduction by Edward Garnett. Published in London, 1895.
(transcription project)
* Introduction
* I
* II
* III
* IV
* V
* VI
* VII
* VIII
* IX
* X
* XI
* XII
* XIII
* XIV
* XV
* XVI
* XVII
* XVIII
* XIX
* XX
* XXI
* XXII
* XXIII
* XXIV
* XXV
* XXVI
* XXVII
* XXVIII
* XXIX
* XXX
* XXXI
* XXXII
* XXXIII
* XXXIV
* XXXV
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Northern Pacific Railway Company v. American Trading Company

* related portals: Supreme Court of the United States, Northern Pacific Railway.
* sister projects: Wikidata item.
United States Supreme Court
195 U.S. 439
Northern Pacific Railway Company v. American Trading Company
Argued: October 26, 27, 1904. --- Decided: December 5, 1904

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Phantasmagoria and Other Poems/Size and Tears

SIZE AND TEARS.
When on the sandy shore I sit,
Beside the salt sea-wave,
And fall into a weeping fit
Because I dare not shave—
A little whisper at my ear
Enquires the reason of my fear.
I answer "If that ruffian Jones,
Should recognise me here,
He'd bellow out my name in tones
Offensive to the ear:
He chaffs me so on being stout
(A thing that always puts me out)."
Ah me! I see him on the cliff!
Farewell, farewell to hope,
If he should look this way, and if
He's got his telescope!
To whatsoever place I flee,
My odious rival follows me!
For every night, and everywhere,
I meet him out at dinner;
And when I've found some charming fair,
And vowed to die or win her,
The wretch (he's thin and I am stout)
Is sure to come and cut me out!
The girls (just like them!) all agree
To praise J. Jones, Esquire:
I ask them what on earth they see
About him to admire?
They cry "He is so sleek and slim,
It's quite a treat to look at him!"
They vanish in tobacco smoke,
Those visionary maids—
I feel a sharp and sudden poke
Between the shoulder-blades—
"Why, Brown, my boy! You're growing stout!"
(I told you he would find me out!)
"My growth is not your business, Sir!" "No more it is, my boy!
But if it's yours, as I infer, Why, Brown, I give you joy!
A man whose business prospers so
Is just the sort of man to know!
"It's hardly safe, though, talking here—
I'd best get out of reach:
For such a weight as yours, I fear,
Must shortly sink the beach!"—
Insult me thus because I'm stout!
I vow I'll go and call him out!
# Phantasmagoria and Other Poems/Solitude

SOLITUDE.
I love the stillness of the wood,
I love the music of the rill,
I love to couch in pensive mood
Upon some silent hill.
Scarce heard, beneath yon arching trees,
The silver-crested ripples pass;
And, like a mimic brook, the breeze
Whispers among the grass.
Here from the world I win release,
Nor scorn of men, nor footstep rude,
Break in to mar the holy peace
Of this great solitude.
Here may the silent tears I weep
Lull the vexed spirit into rest,
As infants sob themselves to sleep
Upon a mother's breast.
But when the bitter hour is gone,
And the keen throbbing pangs are still.
Oh sweetest then to couch alone
Upon some silent hill!
To live in joys that once have been,
To put the cold world out of sight,
And deck life's drear and barren scene
With hues of rainbow light.
For what to man the gift of breath,
If sorrow be his lot below;
If all the day that ends in death
Be dark with clouds of woe?
Shall the poor transport of an hour
Repay long years of sore distress—
The fragrance of a lonely flower
Make glad the wilderness?
Ye golden hours of life's young spring,
Of innocence, of love and truth!
Bright beyond all imagining,
Thou fairy dream of youth!
I'd give all wealth that years have piled,
The slow result of life's decay,
To be once more a little child
For one bright summer day.
# Phantasmagoria and Other Poems/Phantasmagoria/Canto VII

CANTO VII.
Sad Souvenaunce.
"What's this?" I pondered. "Have I slept?
Or can I have been drinking?"
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so, like winking.
Then, as my tears could never bring
My favourite phantom back,
It seemed to me the proper thing
To mix another glass, and sing
The following Coronach.
Coronach.
'And art thou gone, beloved ghost? Best of familiars! Nay then, farewell, my duckling roast, Farewell, farewell, my tea and toast, My meerschaum and cigars!
'The hues of life are dull and gray, The sweets of life insipid, When thou, my charmer, art away—
Old brick, or rather, let me say, Old parallelepiped!'
Instead of singing verse the third,
I ceased; abruptly, rather—
But, after such a splendid word,
I felt that it would be absurd
To try it any farther.
"No need for Bones to hurry so!"
Thought I. "In fact, I doubt
If it was worth his while to go—
And who is Tibbs, I'd like to know,
To make such work about?
"If Tibbs is anything like me,
It's possible," I said,
"He won't be over-pleased to be
Dropped in upon at half-past three,
After he's snug in bed.
"And if Bones plagues him anyhow—
Squeaking and all the rest of it,
As he was doing here just now—
I prophesy there'll be a row,
And Tibbs will have the best of it!"
So with a yawn I went my way
To seek the welcome downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun and Brownie!
And never since, by sea or land,
On mountain or on plain,
'Mid Arctic snow, or Afric sand—
Not even 'in the Strand, the Strand!'
Has Bones appeared again.
A Quaker friend accosted me—
Tall, stiff, as any column—
"Thee'rt out of sorts, I fear," said he;
"Verily I am grieved to see
Thee go'st so grave and solemn."
"The ghost's not grave," I said, "but gay;
Not solemn, but convivial:
I'm 'out of spirits' you should say,
Not 'out of sorts'—" he turned away,
Thinking the answer trivial.
For years I've not been visited
By any kind of Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
"Old Turnip-top, good-night!"
# Phantasmagoria and Other Poems/Poeta Fit, non Nascitur

POETA FIT, NON NASCITUR
"How shall I be a poet?
How shall I write in rhyme?
You told me once 'the very wish
Partook of the sublime:'
Then tell me how! Don't put me off
With your 'another time'!"
The old man smiled to see him,
To hear his sudden sally;
He liked the lad to speak his mind
Enthusiastically:
And thought "There's no hum-drum in him,
Nor any shilly-shally."
"And would you be a poet
Before you've been to school?
Ah, well! I hardly thought you
So absolute a fool.
First learn to be spasmodic—
A very simple rule.
"For first you write a sentence,
And then you chop it small;
Then mix the bits, and sort them out
Just as they chance to fall:
The order of the phrases makes
No difference at all.
"Then if you'd be impressive,
Remember what I say,
That abstract qualities begin
With capitals alway:
The True, the Good, the Beautiful—
Those are the things that pay!
"Next, when you are describing
A shape, or sound, or tint;
Don't state the matter plainly,
But put it in a hint;
And learn to look at all things
With a sort of mental squint."
"For instance, if I wished, Sir,
Of mutton-pies to tell,
Should I say 'dreams of fleecy flocks
Pent in a wheaten cell'?"
"Why, yes," the old man said; "that phrase
Would answer very well.
"Then fourthly, there are epithets
That suit with any word—
As well as Harvey's Reading Sauce
With fish, or flesh, or bird—
Of these, 'wild,' 'lonely,' 'weary,' 'strange,'
Are much to be preferred."
"And will it do, O will it do
To take them in a lump—
As 'the wild man went his weary way
To a strange and lonely pump'?"
"Nay, nay! You must not hastily
To such conclusions jump.   "Such epithets, like pepper,
Give zest to what you write;
And, if you strew them sparely,
They whet the appetite:
But if you lay them on too thick,
You spoil the matter quite.
"Last, as to the arrangement:
Your reader, you should show him,
Must take what information he
Can get, and look for no im-
mature disclosure of the drift
And purpose of your poem.
"Therefore, to test his patience—
How much he can endure—
Mention no places, names, or dates,
And evermore be sure
Throughout the poem to be found
Consistently obscure.
"First fix upon the limit
To which it shall extend:
Then fill it up with 'padding'—
(Beg some of any friend):
Your great Sensation-stanza You place towards the end."
"And what is a Sensation,
Grandfather, tell me, pray?
I think I never heard the word
So used before to-day:
Be kind enough to mention one
'Exempli gratiâ.'"
And the old man, looking sadly
Across the garden-lawn,
Where here and there a dew-drop
Yet glittered in the dawn,
Said "Go to the Adelphi,
And see the 'Colleen Bawn.'
"The word is due to Boucicault— The theory is his,
Where Life becomes a spasm,
And History a whiz:
If that is not Sensation,
I don't know what it is.
"Now try your hand, ere Fancy
Has lost its present glow—"
"And then," his grandson added,
"We'll publish it, you know:
Green cloth—gold-lettered at the back—
In duodecimo!"
Then proudly smiled that old man
To see the eager lad
Rush madly for his pen and ink
And for his blotting-pad—
But, when he thought of publishing,
His face grew stern and sad.
# People are the Wealth of the Nation

* information about this edition.
* sister projects: Wikidata item.
1959 speech
The prosperity of each individual constitutes the wealth of our nation which will eventually enable us to expand the schools and hospitals we have established for the welfare of our people. The expansion of public health services will decrease the mortality rate and increase our population.
Just as a farm that is not taken care of cannot be free of weeds, so is also the development of a society. It cannot be denied that there are some people who have scrupulously or unscrupulously attempted to acquire or have succeeded in acquiring wealth. If the wealth of a person is not for the general welfare, what will he gain for himself and his offspring but grudging and hatred? The fruits of one's sweat and mental labour are always rewarding, not only to oneself but also to succeeding generations. Be resolute in your work and attempt to complete whatever you undertake; if you face failure, try again and persist in your determination to attain your aim. Develop a healthy pursuit of life and do not limit your efforts to satisfying your selfish desires.
Our youth, in particular, must be steadfast and take advantage of the benefits of modern civilisation. Do not fall a prey to idleness, for it will be a curse to you and to succeeding generations. You must set yourselves up as examples of determination and hard work. Plan your time and use both your physical and mental powers purposefully and productively.
We must remember that man's achievements in the field of wireless communications, aviation, medical science and many other fields have been accomplished through the ages by patience and hard work, diligence, perseverance and tenacity. It is in the light of these facts that we urge our youth to struggle constantly and unceasingly to achieve their aims.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# People and views of China

Zug beim Begräbniss einer vornehmen Mandarin (Beamter)
A Group of Hong Kong Native Police.
Chinesische Studenten.
Making Shoes.
Lasing Island Amoy China
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1958, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 65 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# People You Know

People You Know, by George Ade (Table of Contents) — Illustrated by John T. McCutcheon and Others New York, R. H. Russell, 1903 — Copyright 1902, 1903 by Robert Howard Russell — First Impression, April 1903

## Contents, Part 1

* Preface
* The Periodical Souse, the Never-Again Feeling and the Ride On the Sprinkling Cart
* The Kind of Music That Is Too Good for Household Use
* The One or Two Points of Difference Between Learning and Learning How
* The Night-Watch and the Would-Be Something Awful
* The Attenuated Attorney Who Rang in the Associate Counsel

## Contents, Part 2

* What Father Bumped Into at the Culture Factory
* The Search for the Right House and How Mrs. Jump Had Her Annual Attack
* The Batch of Letters, or One Day With a Busy Man
* The Sickly Dream and How It Was Doctored Up

## Contents, Part 3

* The Two Old Pals and the Call for Help
* The Regular Kind of a Place and the Usual Way It Turned Out
* The Man Who Had a True Friend to Steer Him Along
* The Young Napoleon Who Went Back to the Store On Monday Morning
* The High Art That Was a Little Too High for the Vulgarian Who Paid the Bills

## Contents, Part 4(texts from the gutenberg.org)

* The Patient Toiler Who Got It in the Usual Place
* The Summer Vacation That Was Too Good to Last
* How an Humble Beginner Moved from one Pinnacle to Another and Played the Entire Circuit
* The Maneuvers of Joel and the Disappointed Orphan Asylum
* Two Young People, Two Photographers and the Corresponding School of Wooing
* The Married Couple That Went to Housekeeping and Began to Find Out Things
* The Samaritan Who Got Paralysis of the Helping Hand
* The Effort to Convert the Work Horse Into a High-Stepper
* The Self-Made Hezekiah and His Message of Hope to This Year's Crop of Graduates
* The Girl Who Took Notes and Got Wise and Then Fell Down
* What They Had Laid Out for Their Vacation
* The Experimental Couple and the Three Off-Shoots
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Opals (Custance)/The Poet's Picture

The Poet's Picture
# Opals (Custance)/The Song Spinner

The Song Spinner
# Opals (Custance)/The Spring is Here

Unlike the other poems in this volume, this one has no title, either at its head or in subsequent page headers. The title given is that in the Table of Contents.
# Opals (Custance)/The White Statue

The White Statue
# Opals (Custance)/Twilight

Twilight
# Opals (Custance)/The Song Bird

The Song Bird
# Opals (Custance)/Sunshine

Sunshine
# Opals (Custance)/The Blue Mist

The Blue Mist
# Opals (Custance)/The Music of Dvorák

The Music of Dvorák
# Our American Holidays - Christmas/The Waits

THE WAITS
MARGARET DELAND
At the break of Christmas Day,
 Through the frosty starlight ringing,
Faint and sweet and far away,
 Comes the sound of children, singing,
 Chanting, singing,
 "Cease to mourn,
 For Christ is born,
 Peace and joy to all men bringing!"
Careless that the chill winds blow,
 Growing stronger, sweeter, clearer,
Noiseless footfalls in the snow
 Bring the happy voices nearer;
 Hear them singing,
 "Winter's drear,
 But Christ is here,  Mirth and gladness with Him bringing!
"Merry Christmas!" hear them say,
 As the East is growing lighter;
"May the joy of Christmas Day
 Make your whole year gladder, brighter!"
 Join their singing,
 "To each home
 Our Christ has come,
 All Love's treasures with Him bringing!"
# Our American Holidays - Christmas/The Shepherds in Judea

THE SHEPHERDS IN JUDEA
MARY AUSTIN
Oh, the Shepherds in Judea,
 They are pacing to and fro.
For the air grows chill at twilight
 And the weanling lambs are slow!
Leave, O lambs, the dripping sedges, quit the bramble and the brier,
Leave the fields of barley stubble, for we light the watching fire;
Twinkling fires across the twilight, and a bitter watch to keep, Lest the prowlers come a-thieving where the flocks unguarded sleep.
 Oh, the Shepherds in Judea,
 They are singing soft and low—  Song the blessed angels taught them
 All the centuries ago!
There was never roof to hide them, there were never walls to bind;
Stark they lie beneath the star-beams, whom the blessed angels find,
With the huddled flocks upstarting, wondering if they hear aright.
While the Kings come riding, riding, solemn shadows in the night.
 Oh, the Shepherds in Judea,
 They are thinking, as they go,
 Of the light that broke their watching
 On the hillside in the snow!—
Scattered snow along the hillside, white as springtime fleeces are,
With the whiter wings above them and the glory-streaming star—
Guiding-star across the housetops; never fear the Shepherds felt
Till they found the Babe in manger where the kindly cattle knelt.
 Oh, the Shepherds in Judea!—  Do you think the Shepherds know
 How the whole round earth is brightened
 In the ruddy Christmas glow?
How the sighs are lost in laughter, and the laughter brings the tears,
As the thoughts of men go seeking back across the darkling years Till they find the wayside stable that the star-led Wise Men found, With the Shepherds, mute, adoring, and the glory shining round!
# Our American Holidays - Christmas/To the Fir-Tree

TO THE FIR-TREE
FROM THE GERMAN
O Fir-tree green! O Fir-tree green!
 Your leaves are constant ever,
Not only in the summer time,
But through the winter's snow and rime
 You're fresh and green forever.
O Fir-tree green! O Fir-tree green!
 I still shall love you dearly!
How oft to me on Christmas night
Your laden boughs have brought delight.
O Fir-tree green! O Fir-tree green!
 I still shall love you dearly.