OpenLLM-France/wikimedia huggingface dataset:
# The Roman Breviary

The Roman Breviary (Latin: Breviarium Romanum) is one of the official Roman-rite Catholic versions of the canonical hours (also called the Divine Office, Work of God, Liturgy of the Hours, or simply the Office or Breviary), a collection of public prayers recited at certain times of the day. It developed gradually in the Middle Ages from various collections of Psalms and prayers, and gradually gained popularity until it was standardised throughout the church by Pope Pius V's edict Quod a nobis (1586). Since then it has undergone many revisions.
Following the Second Vatican Council, a new version of the hours with many differences to the Breviary was published in 1978 under the title Liturgy of the Hours (Latin: Liturgia Horarum). Since Benedict XVI's 2007 motu proprio Summorum pontificum, the hours may be said by clergy according to either the 1960 edition of the Breviary (in Latin) or the Liturgy of the Hours (in any language).
THE ROMAN BREVIARY
THE ROMAN BREVIARY
REFORMED BY ORDER OF THE HOLY ŒCUMENICAL COUNCIL OF TRENT; PUBLISHED BY ORDER OF POPE ST PIUS V.; AND REVISED BY CLEMENT VIII., URBAN VIII., AND LEO XIII.
TOGETHER WITH THE OFFICES SINCE GRANTED AND THE MARTYROLOGY
TRANSLATED OUT OF LATIN INTO ENGLISH BY JOHN, MARQUESS OF BUTE, K.T.
A NEW EDITION FOR USE IN ENGLAND
IN FOUR VOLS.
WILLIAM BLACKWOOD AND SONS
EDINBURGH AND LONDON MCMVIII
* Volume 1—Winter
* Volume 2—Spring
* Volume 3—Summer
* Volume 4—Autumn
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# The Return of the Native/Preface
### Preface

The date at which the following events are assumed to have occurred may be set down as between 1840 and 1850, when the old watering place herein called "Budmouth" still retained sufficient afterglow from its Georgian gaiety and prestige to lend it an absorbing attractiveness to the romantic and imaginative soul of a lonely dweller inland.
Under the general name of "Egdon Heath," which has been given to the sombre scene of the story, are united or typified heaths of various real names, to the number of at least a dozen; these being virtually one in character and aspect, though their original unity, or partial unity, is now somewhat disguised by intrusive strips and slices brought under the plough with varying degrees of success, or planted to woodland.
It is pleasant to dream that some spot in the extensive tract whose southwestern quarter is here described, may be the heath of that traditionary King of Wessex--Lear.
July, 1895.
"To sorrow  I bade good morrow, And thought to leave her far away behind;  But cheerly, cheerly,  She loves me dearly; She is so constant to me, and so kind.  I would deceive her,  And so leave her, But ah! she is so constant and so kind."
# The Schuyler Sun/Funeral Rites for Joseph M. Mundil Held Last Saturday

* related portals: Czech lands, Nebraska, Obituaries.
* related authors: Joseph M. Mundil.
Published on 20 December 1945
​CLARKSON . . .
Funeral Rites for Joseph M. Mundil Held Last Saturday
Mrs. Jos. B. Makousky
Another Clarkson pioneer died Wednesday afternoon of last week after a lingering illness. Services were held Saturday afternoon at 2 o’clock from the New Zion Presbyterian church for Joseph M. Mundil, 89. Burial was made in the Bohemian National cemetery which he organized. Rev. B. A. Filipi officiated.
Mr. Mundil was born Aug. 14, 1856 in Bohemia. In the year 1876 he came to America and was a clerk in a store in Clarkson which was first located on the Frank Teply farm. In 1883 he was united in marriage to Miss Frantiska Mundil and they lived on a farm until 1897 when they moved to town. He was the first postmaster at Clarkson, having been appointed by President Harrison. He organized the bank, the mill, Bohemian National cemetery of which he has been president for 40 years, and the Mutual Crop Insurance company. He was active in the lodges and held many offices and served on the village board. He dealt in real estate and insurance and only last summer turned it over to his son, Joseph Jr.
He is survived by his wife who is 82 and who suffered a stroke the day before his death, two sons, Joseph Jr. of Clarkson and Fred of Linwood and three grandchildren.
Pallbearers were Jos. A. Kucera, Emil Kucera, James Kvetensky, Emil Petr, Frank Humlicek all of Clarkson and Jihn Glandt of Leigh.
Out-of-town relatives and friends who attended the funeral were: Mr. and Mrs. Fred Mundil and daughter, Laura, Mr. and Mrs. James Cherry, Mr. and Mrs. Harold Dawson, Mr. and Mrs. Hruby, John L. Hoffman and Fred Thomas, all of Linwood; Mr. and Mrs. Ed Cekal of Lincoln, Mr. and Mrs. Alfred Sorensen of Ames, James Zoubek of Stanton, Mr. and Mrs. John Glandt of Leigh, W. B. Sadilek, Frank Wesely, Miss Bessie Wesely and Mrs. Jean Freemon of Schuyler.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) between 1929 and 1977 (inclusive) without a copyright notice.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Schools v. Risley

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
77 U.S. 91
The Schools v. Risley

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Schooner Andeline and Cargo

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
13 U.S. 244
The Schooner Andeline and Cargo

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# The Schuyler Sun

* related portals: Newspapers.
* sister projects: Commons category, Wikidata item.
Newspaper published in Schuyler, Nebraska.
Volume 59
Volume 65
* Emil Folda (7 November 1935)
* Mrs P. F. Svoboda, member of a pioneer Colfax County Family, passed away on Thursday of last week (16 January 1936)
Volume 67
Volume 72
Volume 75
Volume 93
# The Old Men

* Search for titles containing or beginning with: "The Old Men."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Old Men, a poem by Rudyard Kipling
* The Old Men, a poem by William Carlos Williams
# The Old New York Frontier

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THE OLD NEW YORK FRONTIER
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THE OLD NEW YORK FRONTIER
ITS WARS WITH INDIANS AND TORIES, ITS MISSIONARY SCHOOLS, PIONEERS AND LAND TITLES
1614–1800
BY FRANCIS WHITING HALSEY
WITH MAPS AND ILLUSTRATIONS
NEW YORK CHARLES SCRIBNER'S SONS 1901
Copyright, 1901, by CHARLES SCRIBNER'S SONS
TROW DIRECTORY
PRINTING AND BOOKBINDING COMPANY
NEW YORK
THESE
ANNALS OF MY BIRTHLAND
ARE INSCRIBED TO THE MEMORY OF
VIRGINIA ISABEL FORBES
MY CONSTANT COMPANION IN THEIR PREPARATION
THROUGH MANY YEARS;
WHOSE HAND WROTE AND REWROTE
MORE THAN HALF THESE PAGES.
"BUT THY ETERNAL SUMMER SHALL NOT FADE."
Table of Contents
Illustrations
Maps
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Old New York Frontier/Part 1

PART I
Indians and Fur Traders
* Ch. 1. The Iroquois and the Susquehanna
* Ch. 2. Indian Villages in the Upper Valley
* Ch. 3. The Coming of White Men (1614-1740)
# The Shepherd's Boy and the Wolf

Perry index 210; aka The Boy who Cried Wolf
* "Of the Child whiche kepte the Sheep" by Aesop, translated by William Caxton, edited by Joseph Jacobs, in The fables of Aesop, as first printed by William Caxton in 1484 (1484)
* "A Boy, and Falſe Alarums" by Roger L'Estrange, in Fables of Æsop and Other Eminent Mythologists (1692)
* "The Shepherd's Boy and the Wolf" by Aesop, translated by George Fyler Townsend, edited by Joseph Jacobs, in Three Hundred Æsop's Fables (1867)
* "The Shepherd's Boy" by Aesop, translated by Joseph Jacobs, edited by Joseph Jacobs, illustrated by Richard Heighway, in The Fables of Æsop (1894)
* "The Shepherd’s Boy and the Wolf" by Aesop, translated by Vernon Stanley Jones, in Æsop's fables: A New Translation (1912)
* "The Shepherd Boy and The Wolf" by Charles Jay Budd, edited by William Fayal Clarke, illustrated by Charles Jay Budd, in St. Nicholas, Vol. 40, No. 3 (January 1913)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Shepherd's Song

* Search for titles containing or beginning with: "The Shepherd's Song."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "The Shepherd's Song", song by Joanna Baillie
* "Shepherd's Song", poem by Matilda Betham-Edwards
* "The Shepherd's Song", poem by Edmund Bolton
* "The Shepherd's Song", poem by William Shenstone (part of A Pastoral Ballad)
# The Shepherd's Week

First published in 1714, this transcription is of a later edition published during Gay's lifetime. It is a less elaborate publication than the first edition, which also featured an introductory Proem, an index and six plates, one for each of the six pastorals.
THE
SHEPHERD's WEEK.
IN SIX
PASTORALS.
By Mr. J. Gay.
DUBLIN:
* Prologue
* First Pastoral
* Second Pastoral
* Third Pastoral
* Fourth Pastoral
* Fifth Pastoral
* Sixth Pastoral
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# The Shepherd's Week/First Pastoral

MONDAY;
OR, THE
SQUABBLE.
Lobbin Clout, Cuddy, Cloddipole.
* ↑ Line 3. Welkin the same as Welken, an old Saxon word, signifying a cloud, by poetical licence it is frequently taken for the element or sky, as may appear by this verse in the dream of Chaucer, Ne in all the Welkin was no cloud.
* ↑ Sheen or shine, an old word for shining or bright.
* ↑ 5. Scant, used in ancient British authors, for scarce.
* ↑ 6. Rear, an expression in several counties of England for early in the morning.
* ↑ Line 7. To ween, deriv'd from the Saxon, to think or conceive.
* ↑ Line 25. Erst, a contraction of ere this, it signifies sometime ago or formerly.
* ↑ Line 56, Deft, an old world signifying brisk or nimble.
* ↑ Line 69. Eftsoons, from eft an ancient British word, signifying soon. So that eftsoons is a doubling of the word soon, which is, as it were to say twice soon, or very soon.
* ↑ Line 79. Queint has various significations in the ancient English authors. I have used it in this place, in the same sense as Chaucer hath done in his miller's tale. As clerkes been full subtil and queint (by which he means arch or waggish) and not in that obscure sense wherein he useth it in the line immediately following.
* ↑ Line 83. Populus Alcidæ gratissima, vitis Iaccho, Formosæ Myrtus Veneri, sua Laurea Phœbo. Phillis amat Corylos, Illas dum Phillis amabit, Nec Myrtus vincit Corylos nec Laurea Phœbi, &c. Virg.
* ↑ Marygold.
* ↑ Rosemary.
* ↑ Line 117. Dic quibus in terris inscripti nomina regum Nascantur flores.Virg.
* ↑ Line 120. Et vitula tu dignus & hic.Virg.
# The Shepherd

* Search for titles containing or beginning with: "The Shepherd."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Shepherd, poem by William Blake
* The Shepherd, religious text attributed to Hermas
* The Shepherd, poem by Elizabeth Roberts MacDonald
* The Shepherd, text by Ulrich Zwingli

## See also

* Shepherd
# The Shepherd's Week/Fifth Pastoral

The line numbering right at the end of the poem goes awry. It has been transcribed as-is.
FRIDAY;
OR, THE
DIRGE.
Bumkinet. Grubbinol.
* ↑ Dirge, or Dyrige, a mournful ditty, or song of lamentation over the dead, not a contraction of the Latin Dirige in the popish hymn Dirige Gressus meos, as some pretend; but from the Tutonick Dyrke, Laudare, to praise and extol: Whence it is possible their Dyrke and our Dirge, was a laudatory song to commemorate and applaud the dead. Cowell's interpreter.
* ↑  Line 15. Incipe Mopse prier si quos aut Phyllidis ignes, Aut Alconis habes Laudes, aut jurgia Codri.
* ↑   27. Glee, Joy, from the Dutch, Glooren, to recreate.
* ↑ {[blockref}} Line 84. Pro molli viola, pro purpureo Narcisso Carduus, & spinis surgit Paliurus acutis.Virg.
* ↑ 90. Et tumulum facité, & tumulo superaddito Carmen.
* ↑   93.Tale tuum Carmen nobis. Divine Poeta, Quale sopor fessis in gramine: quale per æstum Dulcis aquæ saliente sitim restinguere rivo. Nos tamen haec quocumque modo tibi nostra vicissim Dicemus, Daphninque tuum tollemus ad astra.Virg.
* ↑ 96. Κρἑοσοτ μελωομένω τεν ακουἐμεν ὐτ μέλτ λεἰχειν.Theoc.
* ↑  Line 153. Dum juga montis Aper, fluvios dum Piscis amabit Dumque Thymo pascentur apes, dum rore cicadæ, Semper honos nomenque tuum, laudesque manebunt. Virg.
# The Shepherd's Week/Fourth Pastoral

THURSDAY;
OR, THE
SPELL.
* ↑ Line 8. Dight or bedight, from the Saxon word dihtan, which signifies to set in order.
* ↑ Line 21. Doff and don, contracted from the words do off and do on.
* ↑ 66. Daphnis memalus urit, ego hanc in Daphnide
* ↑ Line 64. ————ἐγὼ δ` ἐῶἰ Δἑλφιδι δἀφναν Αἂθω. χ` ὠς ἀυτὰ λακέει μέγα καππυρἰσασα᾽. Theoc.
* ↑ Line 93. Transque Caput jace; ne respexerisVirg.
* ↑ Line 109. Necte tribus nodis ternos, Amarylli, Colores   Necte, Amarylli modo; & Veneris dic vincula necto. Virg.
* ↑ 123. Has Herbas, atque hæc Ponto mihi lecta venena, Virg.  Ipse dedit Mæris.
* ↑ Line 127. —————— Ποντὀν κακὀν ἂυριον ὀισῶ.Theoc.
* ↑ 131. Nescio quid certe est: Et Hylax in limine latrat.
# The Shepherd's Week/Prologue

PROLOGUE
To the Right Honourable the
L$^d$. Visc. Bolingbroke.
# The Shepherd's Week/Second Pastoral

TUESDAY;
OR THE
DITTY.
# The Riverside song book/The Corn Song

Layout 2
Still let us, for his gold - en corn, Send up our thanks to God!
To cheer us when the storm shall drift Our har - vest-fields with snow,
And frighten'd from our sprouting grain The rob - ber crows a - way.
We pluck a - way the frost-ed leaves, And bear the treas - ure home,
Who will not thank the kind - ly earth, And bless our farm - er girls!
# The Riverside song book/The Fatherland

Layout 2
THE FATHERLAND.
James Russell Lowell. C. G. Bellmann.
Andatnte con moto.
1. Where is the true man's fa - ther-land? Is it
2. Wher - e'er a hu - man heart doth wear Joy's
3. Wher - e'er a sin - gle slave doth pine, Where
where he by chance was born? Doth not the yearn - ing spir - it
wreath or sor - row's gyves, Where'er a hu - man spir - it
one man may help an-other,—Thank God for such a birth - right, ​ scorn In such scant bor - ders to be spanned?
strives Af - ter a life more true and fair,
broth - er, That spot of earth is thine and mine!
Chorus.
O yes, his fa - ther - land must be. As the blue
There is the true man’s birth - place grand, His is a
There is the true man’s birth - place grand, His is a
heav - en, wide and free! Yes, his fa - ther - land must
world - wide fa - ther - land! There is the true man's birthplace
world - wide fa - ther - land! There is the true man's birthplace
be As the blue hea - en, wide and free!
grand, His is a world - wide fa - ther - land!
grand, His is a world - wide fa - ther - land!
# The Riverside song book/The Flag

Layout 2
THE FLAG.
James Riley. L. V. H. Crosby.
(Air: Dearest Mae.)
1. That o - cean-guarded flag of light, for - ev - er may it fly! It
2. Timbers have crash'd and guns have peal'd be - neath its ar- dent glow; But
3. Its stripes of red, e - ter - nal dyed with heart-streams of all lands; Its
flashed o'er Monmouth's bloody fight, and lit Mc - Hen-ry's sky; It
nev - er did that en - sign yield its hon - or to the foe; Its
white, the snow-capped hills that hide in storm their up-raised hands; Its
bears up - on its folds of flame to earth's re-mot-est wave The
fame shall march with mar - tial tread down a - ges yet to be To
blue, the o - cean waves that beat round freedom's cir - cled shore; Its
names of men whose deeds of fame shall e'er in - spire the brave,
guard those stars that nev - er paled in fight on land or sea.
stars, the prints of an - gels' feet, that shine for-ev - er more.
Chorus.
For - ev - er may it fly! For - ev - er may it fly! That
o - cean-guarded flag of light, For - ev - er may it fly !
# The Riverside song book/The Fountain

Layout 2
THE FOUNTAIN.
German Air.
James Russell Lowell. (Air: Buy a Broom.)
1. In - to the sun - shine, Full of the light,
2. In - to the star- light Rush - ing in spray,
3. Glad of all weath-ers, Still seeming best,
4. Cease - less as - pir - ing, Cease-less con - tent.
Leap - ing and flash - ing From morn till night!
Hap - py at mid - night, Hap - py by day!
Up - ward or down - ward, Mo - tion thy rest;—
Dark - ness or sun - shine Thy el - e - ment;—
In - to the moon-light, Whit - er than snow,
Ev - er in mo - tion, Blithe-some and cheery-y,
Full of a na - ture Noth - ing can tame,
Glo - ri - ous foun- tain! Let my heart be
Wav - ing so flower-like When the winds blow!
Still climb-ing heaven-ward, Nev - er a - weary;—
Changed ev - 'ry mo - ment, Ev - er the same;—
Fresh, changeful, con - stant, Up - ward, like thee!
# The Riverside song book/The Death of Minnehaha

From The Song of Hiawatha, part of book 20
Layout 2
THE DEATH OF MINNEHAHA.
Henry Wadsworth Longfellow.
Andantino. Charles C. Converse.
1. In the wig - wam with No - ko - mis,
2. "No, my child!" said old No - ko - mis,
3. "No, my child!" said old No - ko - mis,
With those gloom - y guests that watched her,
'"Tis the night - wind in the pine - trees!"—
'"Tis the smoke, that waves and beck - ons!"—
With the fam - ine and the fev - er. She was ly - ing,
"No, my child!" said old No - ko - mis, "'Tis the night -wind
"No, my child!" said old No - ko - mis, "'Tis the smoke, that
Fine.
Min - ne - ha - ha.
in the pine - trees!"
waves and beck - ons!"
Fine.
"Hark!" she said; "I hear a rush - ing,
"Look!" she said; "I see my fa - ther
"Ah!" said she, "the eyes of Pau - guk
Hear a roar - ing and a rush - ing,
Stand - ing lone - ly at his door - way,
Glare up - on me in the dark - ness,
Hear the Falls of Min - ne - ha - ha,
Beck - 'ning to me from his wig - wam
I can feel his i - cy fin - gers—
Call - ing to me from a dis - tance!"
In the land of the Da - co - tahs!"
Hi - a - wa - tha! Hi - a - wa - tha!"
# The Riverside song book/The Fishermen

Layout 2
# The Riverside song book/The Falcon

Layout 2
# The Riverside song book/The Captain's Daughter

Layout 2
THE CAPTAIN’S DAUGHTER.
James T. Fields. Isaac B. Woodbury.
P cres.
1. We were crowd-ed in the cab - in, Not a
2. So we shud - dered there in sil - ence; For the
3. But his lit - tle daugh- ter whis-pered, As she
soul would dare to sleep; It was mid - night on the
stout - est held his breath, While the hun - gry sea was
took his i - cy hand, "Isn't God up - on the
waters, And a storm was on the deep, 'Tis a
roaring, And the breakers talked with Death. And as
o - cean, Just the same as on the land?" Then we
fear - ful thing in win - ter To be shattered by the
thus we sat in si - lence, Each bu - sy in his
kissed the lit - tle maid - en, And we spoke in bet - ter
blast, And to hear the trum - pet thun - der,
pray 'rs, "We are lost!" the cap - tain shout-ed, As he
cheer; And we an - chored safe in har - bor, When the
CODA
'Cut a - way the mast! "And a shout rose wild and
stag-gered down the stairs.
morn was shin - ing clear.
joy - ous, As we clasped the friend-ly hand "Ah!
God is on the o - cean Just the same as on the land."
# The Riverside song book/The Flower of Liberty

Layout 2
THE FLOWER OF LIBERTY.
Oliver Wendell Holmes. Carl Wilhelm.
Maestoso. (Air:Die Wacht am Rhein.)
1. What flow'r is this that greets the morn, Its hues from heav'n so
2. In sav - age Na-ture's far a - bode Its ten - der seed our
3. Be - hold its streaming rays u - nite, One mingling flood of
4. The blades of he - roes fence it round, Where 'er it springs is
5. Thy sa - cred leaves, fair Free-dom's flow'r. Shall ev - er float on
fresh -ly born? With burn - ing star and flam - ing band It
fa - thers sowed; The storm- winds rocked its swell - ing bud, Its
braid - ed light,—The red that fires the South - ern rose, With
ho - ly ground; From tower and dome its glo - ries spread; It
dome and tower. To all their heav'n-ly col - ors true. In
kin - dies all the sun - set land: O tell us what its
op'n - ing leaves were streaked with blood, Till lo! earth's ty - rants
spot - less white from north - ern snows, And, span - gled o'er its
waves where lone - ly sen - tries tread; It makes the land as
black'n-ing frost or crim - son dew,— And God love us as
name may be,— Is this the Flower of Lib - er - ty?
shook to see The full - blown Flower of Lib - er - ty!
az - ure, see The sis - ter Stars of Lib - er - ty!
o - cean free, And plants an em - pire on the sea!
we love thee. Thrice ho - ly Flower of Lib - er - ty!
It is, it is the ban - ner of the free,
Then hail, then hail the ban - ner of the free,
Then hail, then hail the ban - ner of the free,
Then hail, then hail the ban - ner of the free,
Then hail, then hail the ban - ner of the free,
The star - ry Flower, the Flower of Lib - er - ty!
The star - ry Flower, the Flower of Lib - er - ty!
The star - ry Flower, the Flower of Lib - er - ty!
The star - ry Flower, the Flower of Lib - er - ty!
The star - ry Flower, the Flower of Lib - er - ty!
# The Riverside song book/The Fortune in the Daisy

Layout 2
THE FORTUNE IN THE DAISY.
Phoebe Cary. W. G. Becker.
Allegretto. mf
1. Of what are you think -ing, my pret - ty maid, With your
2. I know by the blush-es up - on your cheek, Tho’ you
3. You are count-ing the pet - als, one by one. Of your
4. Be - ware, be - ware, what you say and do, Fair
mf
feet in the sum - mer clo - ver? Ah! you need not
strive to hide the tok - en; And I know be
daint - y dew - y po - sies, To find from their
maid, with your feet in the clo - ver; For the poor - est
hang your mod-est head; I know ’tis a - bout your lov-er.
cause you will not speak The thought that is un - spok-en.
num - ber, when ’tis done. The se - cret it dis - clos-es.
man that comes to woo. May be the rich - est lov - er.