# Heroic Epistle. Sapho to Philænis

In 1633 Sappho to Philaenis follows Basse's Epitaph upon Shakespeare, and precedes The Annuntiation and Passion. In 1635 it was placed with some other miscellaneous and dubious poems among the Letters to Severall Personages, where it has appeared in all subsequent editions. Grierson have transferred it to the neighbourhood of the Elegies and given it the title Heroicall Epistle.]
Where is that holy fire, which Verse is said To have? is that inchanting force decai'd? Verse that drawes Natures workes, from Natures law, Thee, her best worke, to her worke cannot draw. Have my teares quench'd my old Poetique fire; Why quench'd they not as well, that of desire? Thoughts, my mindes creatures, often are with thee, But I, their maker, want their libertie. Onely thine image, in my heart, doth sit, But that is waxe, and fires environ it. My fires have driven, thine have drawne it hence; And I am rob'd of Picture, Heart, and Sense. Dwells with me still mine irksome Memory, Which, both to keepe, and lose, grieves equally. That tells me'how faire thou art: Thou art so faire, As, gods, when gods to thee I doe compare, Are grac'd thereby; And to make blinde men see, What things gods are, I say they'are like to thee. For, if we justly call each silly man A litle world, What shall we call thee than? Thou art not soft, and cleare, and strait, and faire, As Down, as Stars, Cedars, and Lillies are, But thy right hand, and cheek, and eye, only Are like thy other hand, and cheek, and eye. Such was my Phao awhile, but shall be never, As thou, wast, art, and, oh, maist be ever. Here lovers sweare in their Idolatrie, That I am such; but Griefe discolors me. And yet I grieve the lesse, least Griefe remove My beauty, and make me'unworthy of thy love. Plaies some soft boy with thee, oh there wants yet A mutuall feeling which should sweeten it. His chinne, a thorny hairy unevennesse Doth threaten, and some daily change possesse. Thy body is a naturall Paradise, In whose selfe, unmanur'd, all pleasure lies, Nor needs perfection; why shouldst thou than Admit the tillage of a harsh rough man? Men leave behinde them that which their sin showes, And are as theeves trac'd, which rob when it snows. But of our dallyance no more signes there are, Then fishes leave in streames, or Birds in aire. And betweene us all sweetnesse may be had; All, all that Nature yields, or Art can adde. My two lips, eyes, thighs, differ from thy two, But so, as thine from one another doe; And, oh, no more; the likenesse being such, Why should they not alike in all parts touch? Hand to strange hand, lippe to lippe none denies; Why should they brest to brest, or thighs to thighs? Likenesse begets such strange selfe flatterie, That touching my selfe, all seemes done to thee. My selfe I embrace, and mine owne hands I kisse, And amorously thanke my selfe for this. Me, in my glasse, I call thee; But alas,
When I would kisse, teares dimme mine eyes, and glasse. O cure this loving madnesse, and restore Me to mee; thee, my halfe, my all, my more. So may thy cheekes red outweare scarlet dye, And their white, whitenesse of the Galaxy, So may thy mighty, amazing beauty move Envy'in all women, and in all men, love, And so be change, and sicknesse, farre from thee, As thou by comming neere, keep'st them from me.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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