# Stories by Foreign Authors (French II)/The Venus of Ille

Stories by Foreign Authors, Vol. 2 Fifty-one tales in ten volumes, comprising a careful selection of the best Continental short stories by contemporary or nearly contemporary writers, published by Charles Scribner's Sons, New York Story originally published in 1835
THE VENUS OF ILLE
BY
PROSPER MÉRIMÉE
From "Tales Before Supper." Translated by Edgar Saltus. Published by Brentano's.
Copyright, 1887, by Brentano's.
Γλεὼς ἤν δἐγὼ, ἔστω δ ἀνδρίας καὶ ἤπιος, οὔτως ἀνδρεῖαο ὤν.
Δουκιανου Φιλοψευδης.
I WAS descending the last slope of the Canigou, and though the sun was already set I could distinguish on the plain the houses of the small town of Ille, towards which I directed my steps.
"Of course," I said to the Catalan who since the day before served as my guide, "you know where M. de Peyrehorade lives?"
"Just don't I!" cried he; "I know his house like my own, and if it were not so dark I would show it to you. It is the finest in Ille. He is rich, M. de Peyrehorade is, and he marries his son to one richer even than he."
"Does the marriage come off soon?" I asked him.
"Soon? It may be that the violins are already ordered for the wedding. To-night perhaps, to-morrow, or the next day, how do I know? ​It will take place at Puygarrig, for it is Mademoiselle de Puygarrig that the son is to marry. It will be a sight, I can tell you."
I was recommended to M. de Peyrehorade by my friend M. de P. He was, I had been told, an antiquarian of much learning and a man of charming affability. He would take delight in showing me the ruins for ten leagues around. Therefore I counted on him to visit the outskirts of Ille, which I knew to be rich in memorials of the Middle Ages. This marriage, of which I now heard for the first time, upset all my plans.
"I shall be a troublesome guest, I told myself. But I am expected; my arrival has been announced by M. de P.; I must present myself."
When we reached the plain the guide said, "Wager a cigar, sir, that I can guess what you are going to do at M. de Peyrehorade's."
Offering him one, I answered: "It is not very hard to guess. At this hour, when one has made six leagues in the Canigou, supper is the great thing after all."
"Yes, but to-morrow? Here I wager that you have come to Ille to see the idol. I guessed that when I saw you draw the portraits of the saints at Serrabona."
"The idol! what idol?" This word had aroused my curiosity.
"What! were you not told at Perpignan how ​M. de Peyrehorade had found an idol in the earth?"
"You mean to say an earthen statue?"
"Not at all. A statue in copper, and there is enough of it to make a lot of big pennies. She weighs as much as a church-bell. It was deep in the ground at the foot of an olive tree that we got her."
"You were present at the discovery?"
"Yes, sir. Two weeks ago M. de Peyrehorade told Jean Coll and me to uproot an old olive tree which was frozen last year when the weather as you know was very severe. So in working, Jean Coll, who went at it with all his might, gave a blow with his pickaxe, and I heard bimm—as if he had struck a bell, and I said, What is that? We dug on and on, and there was a black hand, which looked like the hand of a corpse, sticking out of the earth. I was scared to death. I ran to M. de Peyrehorade and I said to him, 'There are dead people, master, under the olive tree! The priest must be called.' "'What dead people?' said he to me. He came, and he had no sooner seen the hand, than he cried out 'An antique! an antique!' You would have thought he had found a treasure. And there he was with the pickaxe in his own hands, struggling and doing almost as much work as we two."
"And at last what did you find?"
​"A huge black woman more than half naked, with due respect to you, sir. She was all in copper, and M. de Peyrehorade told us it was an idol of pagan times—the time of Charlemagne."
"I see what it is,—some virgin or other in bronze from a destroyed convent."
"A virgin! Had it been one I should have recognized it. It is an idol, I tell you; you can see it in her look. She fixes you with her great white eyes—one might say she stares at you. One lowers one's eyes, yes indeed one does, on looking at her."
"White eyes? Doubtless they are set in the bronze. Perhaps it is some Roman statue."
"Roman! That's it. M. de Peyrehorade says it is Roman. Oh! I see you are an erudite like himself."
"Is she complete, well preserved?"
"Yes, sir, she lacks nothing. It is a handsomer statue and better finished than the bust of Louis Philippe in colored plaster which is in the town-hall. But with all that the face of the idol does not please me. She has a wicked expression,—and, what is more, she is wicked."
"Wicked! what has she done to you?"
"Nothing to me exactly; but wait a minute. We had gotten down on all-fours to stand her upright, and M. de Peyrehorade was also ​pulling on the rope, though he has not much more strength than a chicken. With much trouble we got her up straight. I reached for a broken tile to support her, when if she does n't tumble over backwards all in a heap. I said, 'Take care,' but not quick enough, for Jean did not have time to draw away his leg—"
"And it was hurt?"
"Broken as clean as a vine-prop. When I saw that I was furious, I wanted to take my pickaxe and smash the statue to pieces, but M. de Peyrehorade stopped me. He gave Jean Coll some money, but all the same, he is in bed still, though it is two weeks since it happened, and the physician says that he will never walk as well with that leg as with the other. It is a pity, for he was our best runner, and, after M. de Peyrehorade's son, the cleverest racquet player. M. Alphonse de Peyrehorade was sorry I can tell you, for Coll always played on his side. It was beautiful to see how they returned each other the balls. They never touched the ground."
Chatting in this way we entered Ille, and I soon found myself in the presence of M. de Peyrehorade. He was a little old man, still hale and active, with powdered hair, a red nose, and a jovial, bantering manner. Before opening M. de P.'s letter he had seated me at a well-spread table, and had presented me to his wife and son as a celebrated archæologist who was to draw ​Roussillon from the neglect in which the indifference of erudites had left it.
While eating heartily—for nothing makes one hungrier than the keen air of the mountains—I scrutinized my hosts. I have said a word about M. de Peyrehorade, I must add that he was activity personified. He talked, got up, ran to his library, brought me books, showed me engravings, and filled my glass, all at the same time. He was never two minutes in repose. His wife was a trifle stout, as are most Catalans when they are over forty years of age. She appeared to me a thorough provincial, solely occupied with her housekeeping. Though the supper was sufficient for at least six persons, she hurried to the kitchen and had pigeons killed and a number broiled, and she opened I do not know how many jars of preserves. In no time the table was laden with dishes and bottles, and if I had but tasted of everything offered me I should certainly have died of indigestion. Nevertheless, at each dish I refused they made fresh excuses. They feared I found myself very badly off at Ille. In the provinces there were so few resources, and of course Parisians were fastidious!
In the midst of his parents' comings and goings M. Alphonse de Peyrehorade was as immovable as rent-day. He was a tall young man of twenty-six with a regular and handsome countenance, but lacking in expression. His height ​and his athletic figure well justified the reputation of an indefatigable racquet player given him in the neighborhood.
On that evening he was dressed in an elegant manner; that is to say, he was an exact copy of a fashion plate in the last number of the Journal des Modes. But he seemed to me ill at ease in his clothes; he was as stiff as a post in his velvet collar, and could only turn all of a piece. In striking contrast to his costume were his large sunburnt hands and blunt nails. They were a laborer's hands issuing from the sleeves of an exquisite. Moreover, though he examined me in my quality of Parisian most curiously from head to foot, he only spoke to me once during the whole evening, and that was to ask me where I had bought my watch-chain.
As the supper was drawing to an end M. de Peyrehorade said to me: "Ah! my dear guest, you belong to me now you are here. I shall not let go of you until you have seen everything of interest in our mountains. You must learn to know our Roussillon, and to do it justice. You do not suspect all that we have to show you—Phœnician, Celtic, Roman, Arabian, and Byzantine monuments; you shall see them all from the cedar to the hyssop. I shall drag you everywhere, and will not spare you a single stone."
A fit of coughing obliged him to pause. I took advantage of it to tell him that I should be ​sorry to disturb him on an occasion of so much interest to his family. If he would but give me his excellent advice about the excursions to be made, I could manage, without his taking the trouble to accompany me.
"Ah! you mean the marriage of that boy there," he exclaimed, interrupting me; "stuff and nonsense, it will be over the day after to-morrow. You will go to the wedding with us, which is to be informal, as the bride is in mourning for an aunt whose heiress she is. Therefore, there will be no festivities, no ball. It is a pity, though; you might have seen our Catalans dance. They are pretty, and might have given you the desire to imitate Alphonse. One marriage, they say, leads to another. Once the young people married I shall be free, and we will bestir ourselves. I beg your pardon for boring you with a provincial wedding. For a Parisian tired of entertainments—and a wedding without a ball at that! Still you will see a bride—a bride—well, you shall tell me what you think of her. But you are a thinker and no longer notice women. I have better than that to show you. You shall see something; in fact, I have a fine surprise in store for you to-morrow."
"Good heavens!" said I; "it is difficult to have a treasure in the house without the public being aware of it. I think I know the surprise in reserve for me. But if it is your statue which ​is in question, the description my guide gave me of it has only served to excite my curiosity and prepared me to admire."
"Ah! So he spoke to you about the idol, as he calls my beautiful Venus Tur; but I will tell you nothing. To-morrow you shall see her by daylight, and tell me if I am right in thinking the statue a masterpiece. You could not have arrived more opportunely. There are inscriptions on it which I, poor ignoramus that I am, explain after my own fashion; but you, a Parisian erudite, will probably laugh at my interpretation; for I have actually written a paper about it,—I, an old provincial antiquary, have launched myself in literature. I wish to make the press groan. If you would kindly read and correct it I might have some hope. For example, I am very anxious to know how you translate this inscription from the base of the statue: CAVE. But I do not wish to ask you yet! Wait until to-morrow. Not a word more about the Venus to-day!"
"You are right, Peyrehorade," said his wife; "drop your idol. Can you not see that you prevent our guest from eating? You may be sure that he has seen in Paris much finer statues than yours. In the Tuilleries there are dozens, and they also are in bronze."
"There you have the saintly ignorance of the provinces!" interrupted M. de Peyrehorade. ​"The idea of comparing an admirable antique to the insipid figures of Coustou!
'How irreverently my housekeeper $ensp;Speaks of the gods!'
Do you know that my wife wanted me to melt my statue into a bell for our church. She would have been the godmother. Just think of it, to melt a masterpiece by Myron, sir!"
"Masterpiece! Masterpiece! A charming masterpiece she is! to break a man's leg."
"Madam, do you see that?" said M. de Peyrehorade in a resolute tone, extending toward her his right leg in its changeable silk stocking; "if my Venus had broken that leg there for me I should not regret it."
"Good gracious! Peyrehorade, how can you say such a thing! Fortunately, the man is better. And yet I cannot bring myself to look at a statue which has caused so great a disaster. Poor Jean Coll!"
"Wounded by Venus, sir," said M. de Peyrehorade, with a loud laugh; "wounded by Venus, and the churl complains!
'Veneris nec præmia nôris.'
Who has not been wounded by Venus?"
M. Alphonse, who understood French better than Latin, winked one eye with an air of intelligence, and looked at me as if to ask, "And you, Parisian, do you understand?"
​The supper came to an end. I had ceased eating an hour before. I was weary, and I could not manage to hide the frequent yawns which escaped me. Madame de Peyrehorade was the first to notice them, and remarked that it was time to go to bed. Then followed fresh apologies for the poor accommodations I would have. I would not be as well off as in Paris. It was so uncomfortable in the provinces! Indulgence was needed for the Roussillonnais. Notwithstanding my protests that after a tramp in the mountains a bundle of straw would seem to me a delicious couch, they continued begging me to pardon poor country people if they did not treat me as well as they could have wished.
Accompanied by M. de Peyrehorade I ascended at last to the room arranged for me. The staircase, the upper half of which was in wood, ended in the centre of a hall, out of which opened several rooms.
"To the right," said my host, "is the apartment which I propose to give the future Madame Alphonse. Your room is at the opposite end of the corridor. You understand," he added in a manner which he meant to be sly,—"you understand that newly married people must be alone. You are at one end of the house, they at the other."
We entered a well-furnished room where the first object on which my gaze rested was a bed ​seven feet long, six wide, and so high that one needed a chair to climb up into it.
Having shown me where the bell was, and assured himself that the sugar-bowl was full and the cologne bottles duly placed on the toilet-stand, my host asked me a number of times if anything was lacking, wished me good-night, and left me alone.
The windows were closed. Before undressing I opened one to breathe the fresh, night air so delightful after a long supper. Facing me was the Canigou. Always magnificent, it appeared to me on that particular evening, lighted as it was by a resplendent moon, as the most beautiful mountain in the world. I remained a few minutes contemplating its marvellous silhouette, and was about to close the window when, lowering my eyes, I perceived a dozen yards from the house, the statue on its pedestal. It was placed at the corner of a hedge that separated a small garden from a vast, perfectly level quadrangle, which I learned later was the racquet court of the town. This ground was the property of M. de Peyrehorade, and had been given by him to the parish at the solicitation of his son.
Owing to the distance it was difficult for me to distinguish the attitude of the statue; I could only judge of its height, which seemed to be about six feet. At that moment two scamps of the town, whistling the pretty Roussillon tune, ' ​Montagnes régalades, were crossing the racquet court quite near the hedge. They paused to look at the statue, and one of them even apostrophized it aloud. He spoke Catalonian, but I had been long enough in Roussillon to understand pretty well what he said.
"There you are, you wench!" (The Catalonian word was much more forcible.) "There you are!" he said. "It was you then who broke Jean Coil's leg! If you belonged to me I'd break your neck."
"Bah! what with?" said the other youth. "It is of the copper of pagan times, and harder than I don't know what."
"If I had my chisel" (it seems he was a locksmith's apprentice), "I would soon force out its big white eyes, as I would pop an almond from its shell. There are more than a hundred pennies' worth of silver in them."
They went on a few steps.
"I must wish the idol good-night," said the taller of the apprentices, stopping suddenly.
He stooped and probably picked up a stone. I saw him unbend his arm and throw something. A blow resounded on the bronze, and immediately the apprentice raised his hand to his head with a cry of pain.
"She threw it back at me!" he exclaimed. And my two rascals ran off as fast as they could.
It was evident that the stone had rebounded ​from the metal and had punished the wag for the outrage he had done the goddess. Laughing heartily, I shut the window.
Another Vandal punished by Venus! May all the desecrators of our old monuments thus get their due!
With this charitable wish I fell asleep.
When I awoke it was broad day. On one side of my bed stood M. de Peyrehorade in a dressing-gown; a servant sent by his wife was on the other side with a cup of chocolate in his hand.
"Come, come, you Parisian, get up! This is qnite the laziness of the capital!" said my host, while I dressed in haste. "It is eight o'clock, and you are still in bed! I have been up since six. This is the third time I have been to your door. I approached on tiptoe: no one, not a sign of life. It is bad for you to sleep too much at your age. And my Venus, which you have not yet seen! Come, hurry up and take this cup of Barcelona chocolate. It is real contraband chocolate, such as cannot be found in Paris. Prepare yourself, for when you are once before my Venus no one will be able to tear you away from her."
I was ready in five minutes; that is to say, I was half shaved, half dressed, and burned by the boiling chocolate I had swallowed. I descended to the garden and saw an admirable statue before me. It was truly a Venus, and of ​marvellous beauty. The upper part of the body was nude, as great divinities were usually represented by the ancients. The right hand was raised as high as the breast, the palm turned inwards, the thumb and two first fingers extended, and the others slightly bent. The other hand, drawn close to the hip, held the drapery which covered the lower half of the body. The attitude of this statue reminded one of that of the mourre player which is called, I hardly know why, by the name of Germanicus. Perhaps it had been intended to represent the goddess as playing at mourre. However that may be, it is impossible to find anything more perfect than the form of this Venus, anything softer and more voluptuous than her outlines, or more graceful and dignified than her drapery. I had expected a work of the decadence; I saw a masterpiece of statuary's best days.
What struck me most was the exquisite reality of the figure; one might have thought it moulded from life, that is, if Nature ever produced such perfect models.
The hair, drawn back from the brow, seemed once to have been gilded. The head was small, like nearly all those of Greek statues, and bent slightly forward. As to the face, I shall never succeed in describing its strange character; it was of a type belonging to no other Greek statue which I can remember. It had not the calm, ​severe beauty of the Greek sculptors, who systematically gave a majestic immobility to all the features. On the contrary, I noticed here, with surprise, a marked intention on the artist's part to reproduce malice verging on viciousness. All the features were slightly contracted. The eyes were rather oblique, the mouth raised at the corners, the nostrils a trifle dilated. Disdain, irony, and cruelty were to be read in the nevertheless beautiful face.
Truly, the more one gazed at the statue the more one experienced a feeling of pain that such wonderful beauty could be allied to such an absence of all sensibility.
"If the model ever existed," I said to M. de Peyrehorade, "and I doubt if heaven ever produced such a woman, how I pity her lovers! She must have taken pleasure in making them die of despair. There is something ferocious in her expression, and yet I have never seen anything more beautiful."
"'Cest Venus tout entière à sa proie attachée!'" cried M. de Peyrehorade, delighted with my enthusiasm.
But the expression of demoniac irony was perhaps increased by the contrast of the bright silver eyes with the dusky green hue which time had given to the statue. The shining eyes produced a sort of illusion which simulated reality and life. I remembered what my guide had said, that those ​who looked at her were forced to lower their eyes. It was almost true, and I could not prevent a movement of anger at myself when I felt ill at ease before this bronze figure.
"Now that you have seen everything in detail, my dear colleague in antiquities, let us, if you please, open a scientific conference. What do you say to this inscription which you have not yet noticed?" He pointed to the base of the statue, and I read these words:
CAVE AMANTEM.
"Quid dicis doctissime?" he asked, rubbing his hands. "Let us see if we agree as to the meaning of cave amantem!"
"But," I replied, "it has two meanings. You can translate it: 'Guard against him who loves thee,' that is, 'distrust lovers.' But in this sense I do not know if cave amantem would be good Latin. After seeing the diabolical expression of the lady I should sooner believe that the artist meant to warn the spectator against this terrible beauty. I should then translate it: 'Take care of thyself if she loves thee.'"
"Humph!" said M. de Peyrehorade; "yes, it is an admissible meaning: but, if you do not mind, I prefer the first translation, which I would, however, develop. You know Venus's lover?"
"There are several."
"Yes; but the first is Vulcan. Why should ​it not mean: 'Notwithstanding all thy beauty, thine air of disdain, thou wilt have a blacksmith, a wretched cripple for a lover'? A profound lesson, sir, for coquettes!"
The explication seemed so far-fetched that I could not help smiling.
To avoid formally contradicting my antiquarian friend, I observed, "Latin is a terrible language in its conciseness," and I drew back several steps to better contemplate the statue.
"Wait a moment, colleague!" said M. de Peyrehorade, catching hold of my arm; "you have not seen all. There is another inscription. Climb up on the pedestal and look at the right arm." So saying, he helped me up, and without much ceremony I clung to the neck of the Venus with whom I was becoming more familiar. For a second I even looked her straight in the eyes, and on close inspection she appeared more wicked, and, if possible, more beautiful than before. Then I noticed that on the arm were engraved, as it seemed to me, characters in ancient script. With the aid of my spectacles I spelt out what follows, and M. de Peyrehorade, approving with voice and gesture, repeated each word as I uttered it. Thus I read:
VENERI TVRBVL. EVTVCHES MYRO. IMPERIO FECIT.
​After the word "Tvrbvl" in the first line it looked to me as if there were several letters effaced; but "Tvrbvl" was perfectly legible.
"Which means to say?" my host asked radiantly, with a mischievous smile, for he thought the "Tvrbvl" would puzzle me.
"There is one word which I do not yet understand," I answered; "all the rest is simple. Eutyches Myron has made this offering to Venus by her command."
"Quite right But 'Tvrbvl,' what do you make of it? What does it mean?"
"'Tvrbvl' perplexes me very much. I am trying to think of one of Venus's familiar characteristics which may enlighten me. But what do you say to 'Tvrbvlenta'? The Venus who troubles, agitates. You see I am still preoccupied by her wicked expression. 'Tvrbvlenta' is not too bad a quality for Venus," I added modestly, for I was not too well satisfied with my explanation.
"A turbulent Venus! A noisy Venus! Ah! then you think my Venus is a public-house Venus? Nothing of the kind, sir; she is a Venus of good society. I will explain 'Tvrbvl' to you—that is, if you promise me not to divulge my discovery before my article appears in print. Because, you see, I pride myself on such a find, and, after all, you Parisian erudites are rich enough to leave a few ears for us poor devils of provincials to glean!"
​From the top of the pedestal, where I was still perched, I promised him solemnly that I would never be so base as to filch from him his discovery.
"'Tvrbvl,'—sir," said he, coming nearer and lowering his voice for fear some one besides myself might hear him, "read 'Tvrbvlneræ.'"
"I understand no better."
"Listen to me attentively. Three miles from here at the foot of the mountain is a village called Boulternère. The name is a corruption of the Latin word 'Tvrbvlnera.' Nothing is more common than these transpositions. Boulternère was a Roman town. I always suspected it, but I could get no proof till now, and here it is. This Venus was the local goddess of the city of Boulternère; and the word Boulternère, which I have shown is of ancient origin, proves something very curious, namely, that Boulternère was a Phœnician town before it was Roman!"
He paused a moment to take breath and enjoy my surprise. I succeeded in overcoming a strong inclination to laugh.
"'Tvrbvlnera is, in fact, pure Phœnician," he continued. "'Tvr,' pronounce 'tour'—'Tour' and 'Sour' are the same word, are they not? 'Sour' is the Phœnician name of Tyr; I do not need to recall the meaning to you. 'Bvl' is Baal; Bâl, Bel, Bul, are slight differences of pronunciation. As to 'Nera,' that troubles me a ​little. I am tempted to believe, for want of a Phœnician word, that it comes from the Greek νηρός, moist, marshy. In that case, it is a mongrel word. To justify νηρός I will show you at Boulternère how the mountain streams form stagnant pools. Then, again, the ending 'Nera' may have been added much later in honor of Nera Pivesuvia, wife of Tetricus, who may have benefited the city of Turbul. But on account of the marshes, I prefer the etymology of νηρός."
He took a pinch of snuff in a complacent way, and continued:
"But let us leave the Phœnicians and return to the inscription. I translate it then: To Venus of Boulternère Myron dedicates by her order this statue, his work."
I took good care not to criticise his etymology, but I wished in my turn to give a proof of penetration, so I said:
"Stop a moment, M. de Peyrehorade. Myron has dedicated something, but I by no means see that it is this statue."
"What!" he cried, "was not Myron a famous Greek sculptor? The talent was perpetuated in his family, and it must have been one of his descendants who executed this statue. Nothing can be more certain."
"But," I replied, "on this arm I see a small hole. I think it served to fasten something—a bracelet, for example—which this Myron, being ​an unhappy lover, gave to Venus as an expiatory offering. Venus was irritated against him; he appeased her by consecrating to her a gold bracelet. Notice that fecit is often used for consecravit. The terms are synonymous. I could show you more than one example if I had at hand Gruter or Orellius. It is natural that a lover should see Venus in a dream and imagine that she commands him to give a gold bracelet to her statue. Myron consecrated the bracelet to her. Then the barbarians or some other sacrilegious thieves—"
"Ah! it is easy to see you have written romances!" cried my host, helping me down from the pedestal. "No, sir; it is a work of Myron's school. You have only to look at the workmanship to be convinced of that."
Having made it a rule never to contradict self-opinionated antiquarians, I bowed with an air of conviction, saying:
"It is an admirable piece of work."
"Good heavens!" exclaimed M. de Peyrehorade, "another act of vandalism! Some one must have thrown a stone at my statue!"
He had just perceived a white mark a little above the bosom of the Venus. I noticed a similar mark on the fingers of the right hand. I supposed it had been touched by the stone as it passed, or that a bit of the stone had been broken off as it struck the statue, and had rebounded on ​the hand. I told my host of the insult I had witnessed, and the prompt punishment which had followed it.
He laughed heartily, and, comparing the apprentice to Diomede, wished he might, like the Greek hero, see all his comrades turned into white birds.
The breakfast bell interrupted this classical conversation, and, as on the preceding evening, I was obliged to eat enough for four. Then came M. de Peyrehorade's farmers, and, while he was giving them an audience, his son led me to inspect an open carriage, which he had bought at Toulouse for his betrothed, and which it is needless to say I duly admired. After that I went into the stable with him, where he kept me a half-hour, boasting about his horses, giving me their genealogy, and telling me of the prizes they had won at the county races. At last he began to talk to me about his betrothed in connection with a gray mare which he intended for her.
"We will see her to-day," he said. "I do not know if you will find her pretty. In Paris people are hard to please. But every one here and in Perpignan thinks her lovely. The best of it is that she is very rich. Her aunt from Prades left her a fortune. Oh! I shall be very happy."
I was profoundly shocked to see a young man ​appear more affected by the dower than by the beauty of his bride.
"You are a judge of jewels," continued M. Alphonse; "what do you think of this? Here is the ring I shall give her to-morrow."
He drew from his little finger a heavy ring, enriched with diamonds, and fashioned into two clasped hands, an allusion which seemed to me infinitely poetic. The workmanship was antique, but I fancied it had been retouched to insert the diamonds. Inside the ring these words in Gothic characters could be discerned: Sempr' ab ti, which means, thine for ever.
"It is a pretty ring," I said, "but the diamonds which have been added have made it lose a little of its style."
"Oh! it is much handsomer now," he answered, smiling. "There are twelve hundred francs' worth of diamonds in it. My mother gave it to me. It is a very old family ring,—it dates from the days of chivalry. It was my grandmother's, who had it from her grandmother. Heaven knows when it was made."
"The custom in Paris," I said, "is to give a perfectly plain ring, usually composed of two different metals, such as gold and platina. The other ring which you have on would be very suitable. This one with its diamonds and its clasped hands is so thick that it would be impossible to wear a glove over it."
​"Madame Alphonse must arrange that as she pleases. I think she will be very glad to have it all the same. Twelve hundred francs on the finger is pleasant. That other little ring," he added, looking in a contented way at the plain ring he wore, "that one a woman in Paris gave me on Shrove Tuesday. How I did enjoy myself when I was in Paris two years ago! That is the place to have a good time!" and he sighed regretfully.
We were to dine that day at Puygarrig with the relations of the bride; so we got into the carriage, and drove to the château, which was four or five miles from Ille. I was presented and received as the friend of the family. I will not speak of the dinner, or the conversation which followed. I took but little part in it. M. Alphonse was seated beside his betrothed, and whispered a word or two in her ear now and then. As for her, she hardly raised her eyes; and every time her lover spoke to her she blushed modestly, but answered without embarrassment.
Mademoiselle de Puygarrig was eighteen years of age. Her slender, graceful figure formed a striking contrast to the stalwart frame of her future husband. She was not only beautiful, she was alluring. I admired the perfect naturalness of all her replies. Her kind look, which yet was not free from a touch of malice, reminded me, in ​spite of myself, of my host's Venus. While making this inward comparison, I asked myself if the incontestably superior beauty of the statue did not in great measure come from its tigress-like expression; for strength, even in evil passions, always arouses in us astonishment, and a sort of involuntary admiration.
"What a pity," I thought, on leaving Puygarrig, "that such an attractive girl should be rich, and that her dowry makes her sought by a man quite unworthy of her."
While returning to Ille, I spoke to Mme. de Peyrehorade, to whom I thought it only proper to address myself now and then, though I did not very well know what to say to her: "You must be strong-minded people in Roussillon," I said. "How is it, madam, that you have a wedding on a Friday? We would be more superstitious in Paris; no one would dare be married on that day."
"Do not speak of it," she replied: "if it had depended on me, certainly another day would have been chosen. But Peyrehorade wished it, and I had to give in. All the same, it troubles me very much. Supposing an accident should happen? There must be some reason in it, or else why is every one afraid of Friday?"
"Friday!" cried her husband, "is Venus's day! Just the day for a wedding! You see, my dear colleague, I think only of my Venus. ​I chose Friday on her account. To-morrow, if you like, before the wedding, we will make a little sacrifice to her—a sacrifice of two doves—and if I only knew where to get some incense—"
"For shame, Peyrehorade!" interrupted his wife, scandalized to the last degree. "Incense to an idol! It would be an abomination! What would they say of us in the neighborhood?"
"At least," answered M. de Peyrehorade, "you will allow me to place a wreath of roses and lilies on her head: Manibus date lilia plenis. You see, sir, freedom is an empty word. We have not liberty of worship!"
The next day's arrangements were ordered in the following manner: Every one was to be dressed and ready at ten o'clock punctually. After the chocolate had been served we were to be driven to Puygarrig. The civil marriage was to take place in the town-hall of the village, and the religious ceremony in the chapel of the château. Afterwards there would be a breakfast. After the breakfast people would pass the time as they liked until seven o'clock. At that hour every one would return to M. de Peyrehorade's at Ille, where the two families were to assemble and have supper. It was natural that being unable to dance they should wish to eat as much as possible.
​By eight o'clock I was seated in front of the Venus, pencil in hand, recommencing the head of the statue for the twentieth time without being able to catch the expression. M. de Peyrehorade came and went about me, giving me advice, repeating his Phœnician etymology, and laying Bengal roses on the pedestal of the statue while he addressed vows to it in a tragi-comic tone for the young couple who were to live under his roof. Towards nine o'clock he went in to put on his best, and at the same moment M. Alphonse appeared looking very stiff in a new coat, white gloves, chased sleeve-buttons, and varnished shoes. A rose decorated his button-hole.
"Will you make my wife's portrait?" he asked, leaning over my drawing. "She also is pretty."
On the racquet-court of which I have spoken there now began a game which immediately attracted M. Alphonse's attention. And I, tired, and despairing of ever being able to copy the diabolical face, soon left my drawing to look at the players. There were among them some Spanish muleteers who had arrived the night before. They were from Aragon and Navarre, and were nearly all marvellously skilful at the game. Therefore the Illois, though encouraged by the presence and advice of M. Alphonse, were promptly beaten by the foreign champions. The ​native spectators were disheartened. M. Alphonse looked at his watch. It was only half-past nine. His mother's hair he knew was not dressed. He hesitated no longer, but taking off his coat asked for a jacket, and defied the Spaniards. I looked on smiling and a little surprised. "The honor of the country must be sustained," he said.
Then I thought him really handsome. He seemed full of life, and his costume, which but now occupied him so entirely, no longer concerned him. A few minutes before he would have dreaded to turn his head for fear of disarranging his cravat. Now he did not give a thought to his curled hair or his fine shirt-front. And his betrothed? If it had been necessary I think he would have postponed the wedding. I saw him hurriedly put on a pair of sandals, roll up his sleeves, and, with an assured air, take his stand at the head of the vanquished party like Cæsar rallying his soldiers at Dyrrachium. I leaped the hedge and placed myself comfortably in the shade of a tree so as to command a good view of both sides.
Contrary to general expectation, M. Alphonse missed the first ball. It came skimming along the ground, it is true, and was thrown with astonishing force by an Aragonese who appeared to be the leader of the Spaniards.
He was a man of about forty, nervous and ​agile, and at least six feet tall. His olive skin was almost as dark as the bronze of the Venus.
M. Alphonse threw his racquet angrily on the ground.
"It is this cursed ring," he cried, "which squeezes my finger, and makes me miss a sure ball."
He drew off his diamond ring with some difficulty; I approached to take it, but he forestalled me by running to the Venus and shoving it on her fourth finger. He then resumed his post at the head of the Illois.
He was pale, but calm and resolute. From that moment he did not miss a single ball, and the Spaniards were completely beaten. The enthusiasm of the spectators was a fine sight; some threw their caps in the air and shouted for joy, while others wrung M. Alphonse's hands, calling him the honor of the country. If he had repulsed an invasion I doubt if he would have received warmer or sincerer congratulations. The vexation of the vanquished added to the splendor of the victory.
"We will play other games, my good fellow," he said to the Aragonese in a tone of superiority, "but I will give you points."
I should have wished M. Alphonse to be more modest, and I was almost pained by his rival's humiliation.
The Spanish giant felt the insult deeply. I ​saw him pale beneath his tan. He looked sullenly at his racquet and clinched his teeth, then in a smothered voice he muttered:
"Me lo pagarás."
M. de Peyrehorade's voice interrupted his son's triumph. Astonished at not finding him presiding over the preparation of the new carriage, my host was even more surprised on seeing him racquet in hand and bathed in perspiration. M. Alphonse hurried to the house, washed his hands and face, put on again his new coat and patent-leather shoes, and in five minutes we were galloping on the road to Puygarrig. All the racquet players of the town and a crowd of spectators followed us with shouts of joy. The strong horses which drew us could hardly keep ahead of the intrepid Catalans.
We were at Puygarrig, and the procession was about to set out for the town-hall, when M. Alphonse, striking his forehead, whispered to me:
"What a mess! I have forgotten the ring! It is on the finger of the Venus; may the devil carry her off! Do not tell my mother at any rate. Perhaps she will not notice it."
"You can send some one for it," I replied.
"My servant remained at Ille. I do not trust these here. Twelve hundred francs' worth of diamonds might well tempt almost any one. Moreover, what would they think of my ​forgetfulness? They would laugh at me. They would call me the husband of the statue. If it only is not stolen! Fortunately, the rascals are afraid of the idol. They do not dare approach it by an arm's length. After all, it does not matter; I have another ring."
The two ceremonies, civil and religious, were accomplished with suitable pomp, and Mademoiselle de Puygarrig received the ring of a Parisian milliner without suspecting that her betrothed was making her the sacrifice of a love-token. Then we seated ourselves at table, where we ate, drank, and even sang, all at great length. I suffered for the bride at the coarse merriment which exploded around her; still, she faced it better than I would have expected, and her embarrassment was neither awkward nor affected.
Perhaps courage comes with difficult situations.
The breakfast ended when heaven pleased. It was four o'clock. The men went to walk in the park, which was magnificent, or watched the peasants, in their holiday attire, dance on the lawn of the château. In this way we passed several hours. Meanwhile the women were eagerly attentive to the bride, who showed them her presents. Then she changed her dress, and I noticed that she had covered her beautiful hair with a befeathered bonnet; for women are in no greater hurry than to assume, as soon as ​possible, the attire which custom forbids their wearing while they are still young girls.
It was nearly eight o'clock when preparations were made to start for Ille. But first a pathetic scene took place. Mlle. de Puygarrig's aunt, a very old and pious woman, who stood to her in a mother's place, was not to go with us. Before the departure she gave her niece a touching sermon on her wifely duties, from which sermon resulted a flood of tears and endless embraces.
M. de Peyrehorade compared this separation to the Rape of the Sabines.
At last, however, we got off, and, on the way, every one exerted himself to amuse the bride and make her laugh; but all in vain.
At Ille supper awaited us, and what a supper! If the coarse jokes of the morning had shocked me, I was now much more so by the equivocations and pleasantries of which the bride and groom were the principal objects. The bridegroom, who had disappeared for a moment before seating himself at the table, was pale, cold, and grave.
He drank incessantly some old Collioure wine almost as strong as brandy. I sat next to him, and thought myself obliged to warn him. "Be careful! they say that wine"—I hardly know what stupid nonsense I said to be in harmony with the other guests.
He touched my knee, and whispered:
​"When we have left the table . . . let me have two words with you."
His solemn tone surprised me. I looked more closely at him, and noticed a strange alteration in his features.
"Do you feel ill?" I asked.
"No."
And he began to drink again.
Meanwhile, amidst much shouting and clapping of hands, a child of twelve, who had slipped under the table, held up to the company a pretty pink and white ribbon which he had untied from the bride's ankle. It was called her garter, and at once cut into pieces and distributed among the young men, who, following an old custom still preserved in some patriarchal families, ornamented their buttonholes with it. This was the time for the bride to flush up to the whites of her eyes. But her confusion was at its height when M. de Peyrehorade, having called for silence, sang several verses in Catalan, which he said were impromptu. Here is the meaning, if I understood it correctly:
"What is this, my friends? has the wine I have drunk made me see double? There are two Venuses here . . ."
The bridegroom turned his head suddenly with a frightened look, which made every one laugh.
"Yes, "continued M. de Peyrehorade, "there are two Venuses under my roof. The one I ​found in the ground like a truffle; the other, descended from heaven, has just divided among us her belt."
He meant her garter.
"My son, choose between the Roman Venus and the Catalan the one you prefer. The rascal takes the Catalan, and his choice is the best. The Roman is black, the Catalan is white. The Roman is cold, the Catalan enflames all who approach her."
This equivocal allusion excited such a shout, such noisy applause, and sonorous laughter, that I thought the ceiling would fall on our heads. Around the table there were but three serious faces, those of the newly-married couple and mine. I had a terrible headache; and besides, I do not know why, a wedding always saddens me. This one, moreover, even disgusted me a little.
The final verses having been sung,—and very lively they were, I must say,—every one adjourned to the drawing-room to enjoy the withdrawal of the bride, who, as it was nearly midnight, was soon to be conducted to her room.
M. Alphonse drew me into the embrasure of a window, and, turning away his eyes, said:
"You will laugh at me—But I don't know what is the matter with me . . . I am bewitched!"
My first thought was that he fancied himself threatened with one of those misfortunes of ​which Montaigne and Madame de Sévigné speak.
"All the world of love is full of tragic histories," etc.
"I thought only clever people were subject to this sort of accident," I said to myself.
To him I said: "You drank too much Collioure wine, my dear Monsieur Alphonse; I warned you against it."
"Yes, perhaps. But something much more terrible than that has happened."
His voice was broken. I thought him completely inebriated.
"You know about my ring?" he continued, after a pause.
"Well, has it been stolen?"
"No."
"Then you have it?"
"No—I—I cannot get it off the finger of that infernal Venus."
"You did not pull hard enough."
"Yes, indeed I did—But the Venus—she has bent her finger."
He stared at me wildly, and leaned against the window-sash to prevent himself from falling.
"What nonsense!" I said. "You pushed the ring on too far. You can get it off to-morrow with pincers. But be careful not to damage the statue."
"No, I tell you. The Venus's finger is crooked, ​bent under; she clinches her hand, do you hear me? . . . She is my wife apparently, since I have given her my ring. . . . She will not return it."
I shivered, and, for a moment, I was all gooseflesh. Then a great sigh from him brought me a whiff of wine, and all my emotion disappeared.
The wretch, I thought, is dead drunk.
"You are an antiquarian, sir," added the bridegroom, in a mournful tone; "you understand those statues; there is, perhaps, some hidden spring, some deviltry which I do not know about. Will you go and see?"
"Certainly," I replied. "Come with me."
"No, I would prefer to have you go alone."
I left the drawing-room.
The weather had changed during supper, and a heavy rain had begun to fall. I was about to ask for an umbrella, when a sudden thought stopped me. I should be a great fool, I reflected, to go and verify what had been told me by a drunken man! Besides, he may have wished to play some silly trick on me to give cause for laughter to the honest country people; and the least that can happen to me from it is to be drenched to the bone and catch a bad cold.
From the door I cast a glance at the statue running with water, and I went up to my room without returning to the drawing-room. I went to bed; but sleep was long in coming. All the scenes of the day passed through my mind. I ​thought of the young girl, so pure and lovely, abandoned to a drunken brute. What an odious thing a marriage of convenience is! A mayor dons a tri-colored scarf, a priest a stole, and then the most virtuous girl in the world is delivered over to the Minotaur! What can two people who do not love each other find to say at a moment, which two lovers would buy at the price of their lives? Can a woman ever love a man whom she has once seen coarse? First impressions are never effaced, and I am sure M. Alphonse will deserve to be hated.
During my monologue, which I abridge very much, I had heard a great deal of coming and going in the house. Doors opened and shut, and carriages drove away. Then I seemed to hear on the stairs the light steps of a number of women going towards the end of the hall opposite my room. It was probably the bride's train of attendants leading her to bed. After that they went downstairs again. Madame de Peyrehorade's door closed. How troubled and ill at ease that poor girl must be, I thought. I tossed about in my bed with bad temper. A bachelor plays a stupid part in a house where a marriage is accomplished.
Silence had reigned for some time when it was disturbed by a heavy tread mounting the stairs. The wooden steps creaked loudly.
"What a clown!" I cried to myself. "I ​wager that he will fall on the stairs." All was quiet again. I took up a book to change the current of my thoughts. It was the county statistics, supplemented with an address by M. de Peyrehorade on the Druidical remains of the district of Prades. I grew drowsy at the third page. I slept badly, and awoke repeatedly. It might have been five o'clock in the morning, and I had been awake more than twenty minutes, when the cock crew. Day was about to dawn. Then I heard distinctly the same heavy footsteps, the same creaking of the stairs which I had heard before I fell asleep. I thought it strange. Yawning, I tried to guess why M. Alphonse got up so early. I could imagine no likely reason. I was about to close my eyes again when my attention was freshly excited by a singular trampling of feet, which was soon intermingled with the ringing of bells and the sound of doors opened noisily; then I distinguished confused cries.
"My drunkard has set something on fire," I thought, jumping out of bed. I dressed quickly and went into the hall. From the opposite end came cries and lamentations, and a heartrending voice dominated all the others: "My son! my son!" It was evident that an accident had happened to M. Alphonse. I ran to the bridal apartment: it was full of people. The first sight which struck my gaze was the young man partly dressed and stretched across the bed, the ​woodwork of which was broken. He was livid and motionless. His mother sobbed and wept beside him. M. de Peyrehorade moved about frantically; he rubbed his son's temples with cologne water, or held salts to his nose. Alas! his son had long been dead. On a sofa at the other side of the room lay the bride, a prey to dreadful convulsions. She was making inarticulate cries, and two robust maid-servants had all the trouble in the world to hold her down. "Good heavens!" I exclaimed, "what has happened?"
I approached the bed and raised the body of the unfortunate young man: it was already stiff and cold. His clinched teeth and black face expressed the most fearful anguish. It was evident enough that his death had been violent and his agony terrible.
Nevertheless, no sign of blood was on his clothes. I opened his shirt, and on his chest I found a livid mark which extended around the ribs to the back. One would have said he had been squeezed in an iron ring. My foot touched something hard on the carpet; I stooped and saw it was the diamond ring. I dragged M. de Peyrehorade and his wife into their room, and had the bride carried there.
"You still have a daughter," I said to them. "You owe her your care." Then I left them alone.
To me it did not seem to admit of a doubt ​that M. Alphonse had been the victim of a murder whose authors had discovered a way to introduce themselves into the bride's room during the night. The bruises on the chest and their circular direction, however, perplexed me, for they could not have been made either by a club, or an iron bar. Suddenly I remembered having heard that at Valencia bravi used long leather bags filled with sand to stun people whom they had been paid to kill. Immediately I thought of the Aragonese muleteer and his threat. Yet I hardly dared suppose he would have taken such a terrible revenge for a trifling jest.
I went through the house seeking everywhere for traces of housebreaking, but could find none. I descended to the garden to see if the assassins could have made their entrance from there; but there were no conclusive signs of it. In any case, the evening's rain had so softened the ground that it could not have retained any very clear impress. Nevertheless, I noticed some deeply marked footprints; they ran in two contrary directions, but on the same path. They started from the corner of the hedge next the racquet-court and ended at the door of the house. They might have been made by M. Alphonse when he went to get his ring from the finger of the statue. Then again, the hedge at this spot was narrower than elsewhere, and it must have been here that the murderers got over it. ​Passing and repassing before the statue, I stopped a moment to consider it. This time, I must confess, I could not contemplate its expression of vicious irony without fear; and my mind being filled with the horrible scene I had just witnessed, I seemed to see in it a demoniacal goddess applauding the sorrow fallen on the house.
I returned to my room and stayed there till noon. Then I left it to ask news of my hosts. They were a little calmer. Mlle. de Puygarrig, or I should say the widow of M. Alphonse, had regained consciousness. She had even spoken to the procureur du roi from Perpignan, then in circuit at Ille, and this magistrate had received her deposition. He asked for mine. I told him what I knew, and did not hide from him my suspicions about the Aragonese muleteer. He ordered him to be arrested on the spot.
"Have you learned anything from Mme. Alphonse?" I asked procureur du roi, when my deposition was written and signed.
"That unfortunate young woman has gone crazy," he said, smiling sadly. "Crazy, quite crazy. This is what she says:
"She had been in bed for several minutes with the curtains drawn, when the door of her room opened and some one entered. Mme. Alphonse was on the inside of the bed with her face turned to the wall. Assured that it was her husband she did not move. Presently the bed creaked as ​if laden with a tremendous weight. She was terribly frightened, but dared not turn her head. Five minutes, or ten minutes perhaps—she has no idea of the time—passed in this way. Then she made an involuntary movement, or else it was the other person who made one, and she felt the contact of something as cold as ice: that is her expression. She buried herself against the wall trembling in all her limbs.
"Shortly afterwards, the door opened a second time, and some one came in who said, 'Good-evening, my little wife.' Then the curtains were drawn back. She heard a stifled cry. The person who was in the bed beside her sat up apparently with extended arms. Then she turned her head and saw her husband, kneeling by the bed with his head on a level with the pillow, held close in the arms of a sort of greenish-colored giant. She says, and she repeated it to me twenty times, poor woman!—she says that she recognized—do you guess whom?—the bronze Venus, M. de Peyrehorade's statue. Since it has been here every one dreams about it. But to continue the poor lunatic's story. At this sight she lost consciousness, and probably she had already lost her mind. She cannot tell how long she remained in this condition. Returned to her senses she saw the phantom, or the statue as she insists on calling it, lying immovable, the legs and lower parts of the body on the bed, the bust ​and arms extended forward, and between the arms her husband, quite motionless. A cock crew. Then the statue left the bed, let fall the body, and went out. Mme. Alphonse rushed to the bell, and you know the rest."
The Spaniard was brought in; he was calm, and defended himself with much coolness and presence of mind. He did not deny the remark which I had overheard, but he explained it, pretending that he did not mean anything except that the next day, when rested, he would beat his victor at a game of racquets. I remember that he added:
"An Aragonese when insulted does not wait till the next day to revenge himself. If I had believed that M. Alphonse wished to insult me I would have ripped him up with my knife on the spot."
His shoes were compared with the footprints in the garden; the shoes were much the larger.
Finally, the innkeeper with whom the man lodged asserted that he had spent the entire night rubbing and dosing one of his mules which was sick. And, moreover, the Aragonese was a man of good reputation, well known in the neighborhood, where he came every year on business.
So he was released with many apologies.
I have forgotten to mention the statement of a servant who was the last person to see M. Alphonse alive. It was just as he was about to ​join his wife, and calling to this man he asked him in an anxious way if he knew where I was. The servant answered that he had not seen me. M. Alphonse sighed, and stood a minute without speaking, then he said: "Well! the devil must have carried him off also!"
I asked the man if M. Alphonse had on his diamond ring. The servant hesitated; at last he said he thought not; but for that matter he had not noticed.
"If the ring had been on M. Alphonse's finger," he added, recovering himself, "I should probably have noticed it, for I thought he had given it to Mme. Alphonse."
When questioning the man I felt a little of the superstitious terror which Mme. Alphonse's statement had spread through the house. The procureur du roi smiled at me, and I was careful not to insist further.
A few hours after the funeral of M. Alphonse I prepared to leave Ille. M. de Peyrehorade's carriage was to take me to Perpignan. Notwithstanding his feeble condition, the poor old man wished to accompany me as far as the garden gate. We crossed the garden in silence, he creeping along supported by my arm. As we were about to part I threw a last glance at the Venus. I foresaw that my host, though he did not share the fear and hatred which it inspired in his family, would wish to rid himself of an ​object which must ceaselessly recall to him a dreadful misfortune. My intention was to induce him to place it in a museum. As I hesitated to open the subject, M. de Peyrehorade turned his head mechanically in the direction he saw I was looking so fixedly. He perceived the statue, and immediately melted into tears. I embraced him, and got into the carriage without daring to say a word.
Since my departure I have not learned that any new light has been thrown on this mysterious catastrophe.
M. de Peyrehorade died several months after his son. In his will he left me his manuscripts, which I may publish some day. I did not find among them the article relative to the inscriptions on the Venus.
P. S.—My friend M. de P. has just written to me from Perpignan that the statue no longer exists. After her husband's death Madame de Peyrehorade's first care was to have it cast into a bell, and in this new shape it does duty in the church at Ille. "But," adds M. de P., "it seems as if bad luck pursues those who own the bronze. Since the bell rings at Ille the vines have twice been frozen."