# Following the Equator/Chapter 22

CHAPTER XXII.
Nothing is so ignorant as a man's left hand, except a lady's watch. —Pudd'nhead Wilson's New Calendar.
YOU notice that Mrs. Praed knows her art. She can place a thing before you so that you can see it. She is not alone in that. Australia is fertile in writers whose books are faithful mirrors of the life of the country and of its history. The materials were surprisingly rich, both in quality and in mass, and Marcus Clarke, Ralph Boldrewood, Gordon, Kendall, and the others, have built out of them a brilliant and vigorous literature, and one which must endure. Materials—there is no end to them! Why, a literature might be made out of the aboriginal all by himself, his character and ways are so freckled with varieties—varieties not staled by familiarity, but new to us. You do not need to invent any picturesquenesses; whatever you want in that line he can furnish you; and they will not be fancies and doubtful, but realities and authentic. In his history, as preserved by the white man's official records, he is everything—everything that a human creature can be. He covers the entire ground. He is a coward—there are a thousand fact to prove it. He is brave—there are a thousand facts to prove it. He is treacherous—oh, beyond imagination! he is faithful, loyal, true—the white man's records supply you with a harvest of instances of it that are noble, worshipful, and pathetically beautiful. He kills the starving stranger who comes begging for food and shelter—there is proof of it. He succors, and feeds, and guides to safety, to-day, the lost stranger who fired on him only yester​day—there is proof of it. He takes his reluctant bride by force, he courts her with a club, then loves her faithfully through a long life—it is of record. He gathers to himself another wife by the same processes, beats and bangs her as a daily diversion, and by and by lays down his life in defending her from some outside harm—it is of record. He will face a hundred hostiles to rescue one of his children, and will kill another of his children because the family is large enough without it. His delicate stomach turns, at certain details of the white man's food; but he likes over-ripe fish, and brazed dog, and cat, and rat, and will eat his own uncle with relish. He is a sociable animal, yet he turns aside and hides behind his shield when his mother-in-law goes by. He is childishly afraid of ghosts and other trivialities that menace his soul, but dread of physical pain is a weakness which he is not acquainted with. He knows all the great and many of the little constellations, and has names for them; he has a symbol-writing by means of which he can convey messages far and wide among the tribes; he has a correct eye for form and expression, and draws a good picture; he can track a fugitive by delicate traces which the white man's eye cannot discern, and by methods which the finest white intelligence cannot master; he makes a missile which science itself cannot duplicate without the model—if with it; a missile whose secret baffled and defeated the searchings and theorizings of the white mathematicians for seventy years; and by an art all his own he performs miracles with it which the white man cannot approach untaught, nor parallel after teaching. Within certain limits this savage's intellect is the alertest and the brightest known to history or tradition; and yet the poor creature was never able to invent a counting system that would reach above five, nor a vessel that he could boil water in. He is the prize-curiosity of all the races. To all intents and purposes he is ​dead—in the body; but he has features that will live in literature.
Mr. Philip Chauncy, an officer of the Victorian Government, contributed to its archives a report of his personal observations of the aboriginals which has in it some things which I wish to condense slightly and insert here. He speaks of the quickness of their eyes and the accuracy of their judgment of the direction of approaching missiles as being quite extraordinary, and of the answering suppleness and accuracy of limb and muscle in avoiding the missile as being extraordinary also. He has seen an aboriginal stand as a target for cricket-balls thrown with great force ten or fifteen yards, by professional bowlers, and successfully dodge them or parry them with his shield during about half an hour. One of those balls, properly placed, could have killed him; "Yet he depended, with the utmost self-possession, on the quickness of his eye and his agility."
The shield was the customary war-shield of his race, and would not be a protection to you or to me. It is no broader than a stovepipe, and is about as long as a man's arm. The opposing surface is not flat, but slopes away from the center-line like a boat's bow. The difficulty about a cricket-ball that has been thrown with a scientific "twist" is, that it suddenly changes it course when it is close to its target and comes straight for the mark when apparently it was going overhead or to one side. I should not be able to protect myself from such balls for half-an-hour, or less.
Mr. Chauncy once saw "a little native man" throw a cricketball 119 yards. This is said to beat the English professional record by thirteen yards.
We have all seen the circus-man bound into the air from a spring-board and make a somersault over eight horses standing side by side. Mr. Chauncy saw an aboriginal do it over eleven; ​and was assured that he had sometimes done it over fourteen. But what is that to this:
"I saw the same man leap from the ground, and in going over he dipped his head, unaided by his hands, into a hat placed in an inverted position on the top of the head of another man sitting upright on horseback—both man and horse being of the average size. The native landed on the other side of the horse with the hat fairly on his head. The prodigious height of the leap, and the precision with which it was taken so as to enable him to dip his head into the hat, exceeded any feat of the kind I have ever beheld."
I should think so! On board a ship lately I saw a young Oxford athlete run four steps and spring into the air and squirm his hips by a side-twist over a bar that was five and one-half feet high; but he could not have stood still and cleared a bar that was four feet high. I know this, because I tried it myself.
One can see now where the kangaroo learned its art.
Sir George Grey and Mr. Eyre testify that the natives dug wells fourteen or fifteen feet deep and two feet in diameter at the bore—dug them in the sand—wells that were "quite circular, carried straight down, and the work beautifully executed."
Their tools were their hands and feet. How did they throw sand out from such a depth? How could they stoop down and get it, with only two feet of space to stoop in? How did they keep that sand-pipe from caving in on them? I do not know. Still, they did manage those seeming impossibilities. Swallowed the sand, may be.
Mr. Chauncy speaks highly of the patience and skill and alert intelligence of the native huntsman when he is stalking the emu, the kangaroo, and other game:
Fennimore Cooper lost his chance. He would have known how to value these people. He wouldn't have traded the dullest of them for the brightest Mohawk he ever invented.
All savages draw outline pictures upon bark; but the resemblances are not close, and expression is usually lacking. But the Australian aboriginal's pictures of animals were nicely accurate in form, attitude, carriage; and he put spirit into them, and expression. And his pictures of white people and natives were pretty nearly HIS PLACE IN ART. as good as his pictures of the other animals. He dressed his whites in the fashion of their day, both the ladies and the gentlemen. As an untaught wielder of the pencil it is not likely that he has had his equal among savage people.
His place in art—as to drawing, not color-work—is well up, all things considered. His art is not to be classified with savage art at all, but on a plane two degrees above it and one degree above the lowest plane of civilized art. To be exact, his place in art is between Botticelli and De Maurier. That is to say, he could not draw as well as De Maurier but better than Boticelli. In feeling, he resembles both; also in grouping and in his preferences in the matter of subjects. His "corrobboree" of the Australian wilds reappears in De Mau​rier's Belgravian ballrooms, with clothes and the smirk of civilization added; Botticelli's "Spring" is the corrobboree further idealized, but with fewer clothes and more smirk. And well enough as to intention, but—my word!
The aboriginal can make a fire by friction. I have tried that.
All savages are able to stand a good deal of physical pain. The Australian aboriginal has this quality in a well-developed degree. Do not read the following instances if horrors are not pleasant to you. They were recorded by the Rev. Henry K. Wolloston, of Melbourne, who had been a surgeon before he became a clergyman:
   1. "In the summer of 1852 I started on horseback from Albany, King George's Sound, to visit at Cape Riche, accompanied by a native on foot. We traveled about forty miles the first day, then camped by a water-hole for the night. After cooking and eating our supper, I observed the native, who had said nothing to me on the subject, collect the hot embers of the fire together, and deliberately place his right foot in the glowing mass for a moment, then suddenly withdraw it, stamping on the ground and uttering a long-drawn guttural sound of mingled pain and satisfaction. This operation he repeated several times. On my inquiring the meaning of his strange conduct, he only said, 'Me carpenter-make 'em' ('I am mending my foot'), and then showed me his charred great toe, the nail of which had been torn off by a tea-tree stump, in which it had been caught during the journey, and the pain of which he had borne with stoical composure until the evening, when he had an opportunity of cauterizing the wound in the primitive manner above described."
And he proceeded on the journey the next day, "as if nothing had happened"—and walked thirty miles. It was a strange idea, to keep a surgeon and then do his own surgery.
   2. "A native about twenty-five years of age once applied to me, as a doctor, to extract the wooden barb of a spear, which, during a fight in the bush some four months previously, had entered his chest, just missing the heart, and penetrated the viscera to a considerable depth. The spear had been cut off, leaving the barb behind, which continued to force its way by muscular action gradually toward the back; and when I examined him I could feel a hard substance between the ribs below the left blade-bone. I made a deep incision, and with a pair of forceps extracted the barb, which was made, as usual, of hard wood about four inches long and from half an inch to an inch thick. It was very smooth, and partly digested, so to speak, by ​the maceration to which it had been exposed during its four months' journey through the body. The wound made by the spear had long since healed, leaving only a small cicatrix; and after the operation, which the native bore without flinching, he appeared to suffer no pain. Indeed, judging from his good state of health, the presence of the foreign matter did not materially annoy him. He was perfectly well in a few days."
But No. 3 is my favorite. Whenever I read it I seem to enjoy all that the patient enjoyed—whatever it was:
   3. "Once at King George's Sound a native presented himself to me with one leg only, and requested me to supply him with a wooden leg. He had traveled in this maimed state about ninety-six miles, for this purpose. I examined the limb, which had been severed just below the knee, and found that it had been charred by fire, while about two inches of the partially calcined
   "NO FEELING IN IT."
   bone protruded through the flesh. I at once removed this with the saw; and having made as presentable a stump of it as I could, covered the amputated end of the bone with a surrounding of muscle, and kept the patient a few days under my care to allow the wound to heal. On inquiring, the native told me that in a fight with other blackfellows a spear had struck his leg and penetrated the bone below the knee. Finding it was serious, he had recourse to the following crude and barbarous operation, which it appears is not uncommon among these people in their native state. He made a fire, and dug a hole in the earth only sufficiently large to admit his leg, and deep enough to allow the wounded part to be on a level with the surface of the ground. He then surrounded the limb with the live coals or charcoal, which was replenished until the leg was literally burnt off. The cauterization thus applied completely checked the hemorrhage, and he was able in a day or two to hobble down to the Sound, with the aid of a long stout stick, although he was more than a week on the road."
​But he was a fastidious native. He soon discarded the wooden leg made for him by the doctor, because "it had no feeling in it." It must have had as much as the one he burnt off, I should think.
So much for the Aboriginals. It is difficult for me to let them alone. They are marvelously interesting creatures. For a quarter of a century, now, the several colonial governments have housed their remnants in comfortable stations, and fed them well and taken good care of them in every way. If I had found this out while I was in Australia I could have seen some of those people—but I didn't. I would walk thirty miles to see a stuffed one.
Australia has a slang of its own. This is a matter of course. The vast cattle and sheep industries, the strange aspects of the country, and the strange native animals, brute and human, are matters which would naturally breed a local slang. I have notes of this slang somewhere, but at the moment I can call to mind only a few of the words and phrases. They are expressive ones. The wide, sterile, unpeopled deserts have created eloquent phrases like "No Man's Land" and the "Never-never Country." Also this felicitous form: "She lives in the Never-never Country"—that is, she is an old maid. And this one is not without merit: "heifer-paddock"—young ladies' seminary. "Bail up" and "stick up"—equivalent of our highwayman-term to "hold up " a stage-coach or a train. "New-chum" is the equivalent of our "tenderfoot"—new arrival.
And then there is the immortal "My word!" We must import it. "M-y word!" In cold print it is the equivalent of our "Ger-reat Cæsar!" but spoken with the proper Australian unction and fervency, it is worth six of it for grace and charm and expressiveness. Our form is rude and explosive; it is not suited to the drawing-room or the heifer-paddock; but "M-y ​word!" is, and is music to the ear, too, when the utterer knows how to say it. I saw it in print several times on the Pacific Ocean, but it struck me coldly, it aroused no sympathy. That was because it was the dead corpse of the thing, the soul was not there—the tones were lacking—the informing spirit—the deep feeling—the eloquence. But the first time I heard an Australian say it, it was positively thrilling.
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