# Modern reciter/The Field of Waterloo

The Field of Waterloo.
Stop!—for thy tread is on an Empire's dust! An Earthquake's spoil is sepulchred below! Is the spot mark'd with no colossal bust? Nor column trophied for triumphal show? None; but the moral's truth tells simpler so. As the ground was before, thus let it be.— How that red rain—hath made the harvest grow! And is this all the world has gain'd by thee, Thou first and last of fields! king-making Victory?
There was a sound of revelry by night, And Belgium's capital had gather'd then Her Beauty and her Chivalry; and bright The lamps shone o'er fair women and brave men; A thousand hearts beat happily; and when
Music arose, with its voluptuous swell, Soft eyes look'd love to eyes which spake again, And all went merry as a marriage-bell;—
But hush! hark! a deep sound strikes like a rising knell!
Did ye not hear it?—No; 'twas but the wind, Or the car rattling o'er the stony street; On with the dance! let joy be unconfined; ​No sleep till morn when youth and Pleasure meet To chase the glowing Hours with flying feet— But hark!—that heavy sound breaks in once more, As if the clouds its echo would repeat; And nearer, clearer, deadlier than before! ⟨Arm!⟩ Arm! it is!—it is! the cannon’s opening roar!
Within a widow'd niche of that high hall Sate Brunswick's fated chieftain; he did hear That sound the first amidst the festival, And caught its tone with Death's prophetic ear; And when they smiled because he deem'd it near, His heart more truly knew that peal too well Which stretch'd his father on a bloody bier, And roused the vengeance blood alone could quell: ⟨He⟩ rush'd into the field; and, foremost fighting, fell!
Ah! then and there was hurrying to and fro, And gathering tears, and tremblings of distress, And cheeks all pale, which but an hour ago Blush'd at the praise of their own loveliness; And there were sudden partings, such as press The life from out young hearts, and choking sighs Which ne'er might be repeated: who could guess ⟨If⟩ ever more should meet those mutual eyes, ⟨Once⟩ upon nights so sweet such awful morn could rise?
​And there was mounting in hot haste: the steed, The mustering squadron, and the clattering car Went pouring forward with impetuous speed. And swiftly forming in the ranks of war; And the deep thunder, peal on peal, afar; And near, the beat of the alarming drum Roused up the soldier ere the morning star; While throng'd the citizens, with terror dumb, Or whispering, with white lips—'The fo! They come! they come!'
And wild and high the 'Cameron's gathering rose! The war-note of Lochiel, which Albyn's hill Have heard—and heard too have her Saxon foes:— How in the noon of night that pibroch thrills, Savage and shrill! But with the breath which fills Their mountain-pipe, so fill the mountaineers With the fierce native daring, which instils The stirring memory of a thousand years; And Evan's, Donald's fame rings in each clansman's ears!
And Ardennes waves above them her green leaves, Dewy with nature's tear-drops, as they pass, Grieving—if aught inanimate e'er grieves—
Over the unreturning brave,—alas! Ere evening to be trodden like the grass, Which now beneath them, but above shall grow In its next verdure; when this fiery mass ​Of living valor, rolling on the fo, ⟨And⟩ burning with high hope, shall moulder cold and low!
Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay; The midnight brought the signal-sound of strife; The morn the marshalling in arms; the day Battle's magnificently-stern array! The thunder-clouds close o'er it, which when rent, The earth is cover'd thick with other clay, Which her own clay shall cover,—heap'd and pent, Her and horse,—friend, fo,—in one red burial blent!
Byron.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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