OpenLLM-France/wikimedia huggingface dataset:
# The Lyre's Complaint

* The Lyre's Complaint, in The New Monthly Magazine Volume 23, 1828.
* The Lyre's Lament, in Songs of the Affections, with Other Poems (Miscellaneous Poems), 1830.
# The Luxury to apprehend

The Luxury to apprehend The Luxury 'twould be To look at Thee a single time An Epicure of Me
In whatsoever Presence makes Till for a further Food I scarcely recollect to starve So first am I supplied —
The Luxury to meditate The Luxury it was To banguet on thy Countenance A Sumptuousness bestows
On plainer Days, whose Table far As Certainty can see Is laden with a single Crumb The Consciousness of Thee.
# The Lyre and Flower

* The Lyre and Flower, in The New Monthly Magazine Volume 39, 1833.
* The Lyre and Flower, in National Lyrics, and Songs for Music, 1834.
# The New International Encyclopædia/Drury Lane Theatre

Edition of 1905. See also Theatre Royal, Drury Lane on Wikipedia; and the disclaimer.
DRURY LANE THEATRE. A famous London playhouse. It was first built, under royal patent, in 1663, by Thomas Killigrew (q.v.), whose company was known as the King's Company, in distinction from the Duke's Company of Davenant (q.v.). The house was originally called the Theatre Royal. Burned in 1672, it was rebuilt in 1674 from designs by Sir Christopher Wren. In the years that followed, rivalry between the two companies was so ill-sustained that in 1682 they were united. A dozen years later, however, Betterton (q.v.) and others of the company made their well-known secession to Lincoln's Inn Fields, and in 1709 continued bad management brought the theatre to a close. Colley Cibber and his associates renewed its prosperity, and Carrick's management, which followed (1746-76), was perhaps the most famous in its history, with ‘Peg’ Wollington and ‘Kitty’ Clive as leading stars. In 1791 the old building made way for a new structure which was opened three years later and managed by Sheridan. In 1809 this again was destroyed by fire, and in 1812 the present house was opened. The acting of Kean gave it prosperity for a time, but since his day Drury Lane and its managers have suffered numerous vicissitudes. In recent years it has been devoted largely to spectacular pieces and English opera. Consult: Stirling, Old Drury Lane (London, 1881), and Doran, In and About Drury Lane (London, 1881).
# The New International Encyclopædia/Dubufe, Edouard

Edition of 1905. See also Édouard Dubufe on Wikipedia; and the disclaimer.
​ DUBUFE, Edouard (1820-83). A French portrait and figure painter, born in Paris. He was a pupil of his father, Claude Marie Dubufe, and of Paul Delaroche, and his earlier works were mostly religious. His chief success, however, was in portrait painting, to which he afterwards confined himself. His works were well drawn, and their good finish, together with their smooth and elegant coloring, made them popular, especially among ladies of rank. Among his sitters were the Empress Eugénie (1853), Rosa Bonheur (1857), the Princess Mathilde (1861), and the Marquise de Gallifet. Among his portraits of men, which are better than those of women, were “Gounod” (1867), “Dumas fils” (1873), and “Emille Augier” (1876), in the Museum of the Luxembourg. Besides his portraits, the best-known of his paintings are “The Peace Congress of 1856 at Paris” (1857, in the Gallery of Versailles), and the “Prodigal Son” (1866), in the manner of Paul Veronese. He received the Cross of the Legion of Honor in 1837, and a first-class medal in the Salon of 1844. Consult Stranahan, A History of French Painting (New York, 1899).
# The New International Encyclopædia/Dubuque

Edition of 1905. See also Dubuque, Iowa on Wikipedia; and the disclaimer.
​ DUBUQUE, do͞o-būk′. A city, port of entry, and county-seat of Dubuque County, Ia., 167 miles west-by-north of Chicago, Ill., and 200 miles northeast of Des Moines; on the west bank of the Mississippi River, and on the Illinois Central; the Chicago Great Western; the Chicago, Burlington and Northern; and the Chicago, Milwaukee and Saint Paul railroads (Map: Iowa, G 2). It has communication by boat with other points on the river, and is connected with the opposite shore by three bridges, one of which, 2000 feet long and 56 feet above high water, cost $135,000. Dubuque is built on and at the foot of picturesque bluffs. The business district occupies the lower level, and is regularly laid out with broad streets. The city has a public library; a fine United States Government building, including the post-office, custom house, Federal courts, etc.; seven asylums and hospitals; and many educational institutions, among which are several Roman Catholic colleges and academies, Wartburg Seminary (Lutheran), the German Presbyterian Theological School of the Northwest, and the Iowa Institute of Science and Arts. Dubuque is an important market for agricultural produce, and the centre of a large wholesale and jobbing trade, and of the lead and zinc mining industry of the Northwest. It has railway repair shops, enamel-works, flouring and lumber mills, pork-packing houses, iron and brass foundries, breweries, and manufactures of boots and shoes, carriages and wagons, agricultural implements, hardware, leather, furniture, toys, notions, bricks, oils, engines, boilers, steel ship-hulls, barrels, brooms, pearl buttons, sashes, doors, blinds, etc. Some war vessels for the Federal Government have been constructed at Dubuque. The annual income and expenditures of the city amount to about $660,000 and $560,000, respectively; the principal items of expense being $30,000 each for the fire and police departments, and $100,000 for schools. The oldest city in the State, Dubuque was named in honor of Julien Dubuque, a French Canadian who settled here in 1778. The first permanent settlement dates from 1833; four years later it was incorporated as a town, and in 1840 it was chartered as a city. Population, in 1880, 22,254; in 1890, 30,311; in 1900, 36,297.
# The New International Encyclopædia/Drusius, Johannes

Edition of 1905. See also Johannes van den Driesche on Wikipedia; and the disclaimer.
DRUSIUS, drōō′sĭ-ŭs, Johannes (Jan van der Driesche) (1550-1616). A Flemish Protestant clergyman and scholar, born at Oudenarde. He studied at Ghent, Louvain, and Cambridge, and in 1572 was appointed professor of Oriental languages at Oxford. In 1577 he obtained a similar chair at Leyden, and from 1585 until his death held the professorship of Hebrew at the University of Franeker. His fame attracted thither students from England and the Protestant countries of the Continent. He was employed by the States-General to annotate the Old Testament, and his edition is to be found in the Critici Sacri (London, 1660; Amsterdam, 1698). His reputation for Hebrew scholarship is justified by his published works. Consult: Niceron, Mémoires des hommes, vol. xxii. (Paris, 1733), and Diestel, Geschichte des alten Testaments in der christlichen Kirche (Jena, 1869).
# The New International Encyclopædia/Du Camp, Maxime

Edition of 1905. See also Maxime Du Camp on Wikipedia; and the disclaimer.
​ DU CAMP, dụ käN′, Maxime (1822-94). A French author, born in Paris. His more important books are: Paris: ses organes, ses fonctions, sa vie (6 vols., 1869-75), and a history of the Commune, Les convulsions de Paris (4 vols., 1878-79). His poems are gathered in Les chants modernes (1855), and Les convictions (1858). His best novel is Mémoires d'un suicide (1853). He wrote, also, Egypte, Nubie, Palestine et Syrie (1852); was one of the founders of the Revue de Paris (1851-58), and a frequent contributor to the Revue des Deux Mondes.
# The New International Encyclopædia/Drury Lane

Edition of 1905. See also Drury Lane on Wikipedia; and the disclaimer.
DRURY LANE. A street in London, leading from the Strand to Oxford Street and the British Museum. It was named after Sir William Drury's house, which during the reign of Henry VIII. stood where the entrance from the Strand is now. It was a fashionable quarter under the Stuarts, but in Queen Anne's time its respectability had begun to decline.
# The New International Encyclopædia/Dubufe, Edouard Marie Guillaume

Edition of 1905. See also Guillaume Dubufe on Wikipedia; and the disclaimer.
​ DUBUFE, Edouard Marie Guillaume (1853—). A French painter, born in Paris. He was the pupil of his father, Edouard Dubufe, and of Mazerolle. His works include figures and portraits, but he is especially known by his large allegorical paintings, executed with much freedom and skill in design. Notable among these are his “Sacred and Profane Music” and “The Trinity of Poets.” He decorated with great elegance the ceiling of the foyer of the Comédie Française, portions of the Hôtel de Ville, of the Salle des fêtes de l'Elysée, and the new Sorbonne. He received a first-class medal in 1889, and was made a member of the Legion of Honor in the same year.
# The New International Encyclopædia/Drusilla

Edition of 1905. See also Julia Drusilla and Drusilla (daughter of Herod Agrippa I) on Wikipedia; and the disclaimer.
DRUSIL'LA. (1) The daughter of Germanicus and Agrippina, born in A.D. 15. She lived with her brother Caligula as his mistress until her death in A.D. 38. (2) The daughter of Herod Agrippa I., King of Judea. She married Azizus, King of Emesa, but forsook him and married Antoninus Felix, who became Governor of Judea, and before whom Saint Paul appeared at Cæsarea.
# The New International Encyclopædia/Dubufe, Claude Marie

Edition of 1905. See also Claude-Marie Dubufe on Wikipedia; and the disclaimer.
​ DUBUFE, dụ′bụf′, Claude Marie (1790-1864). A French artist, born in Paris. He was a pupil of David, and began by painting mythological subjects. The best of this class is the “Apollon et Cyparisse” (in the Luxembourg). In 1827 he exhibited “Les Regrets” and “Les Souvenirs,” which were very successful. He then gave himself up to the painting of genre pictures and portraits. Among these latter are Louis Philippe and his daughter the Queen of the Belgians.
# The New International Encyclopædia/Jack Sprat

Edition of 1905. See also Jack Sprat on Wikipedia; and the disclaimer.
​ JACK SPRAT. A familiar English nursery rhyme, occurring in Halliwell's Nursery Rhymes, where Archdeacon Pratt occupies the place of the later hero, Jack Sprat.
# The New International Encyclopædia/Jack Tree

Edition of 1905. See also Jackfruit on Wikipedia; and the disclaimer.
​ JACK, JAK, or JACA, TREE (East Indian jaca). Artocarpus integrifolia. An East Indian tree of the same genus as the breadfruit (q.v.), but larger. The fruit, which is very large, and weighs from 5 to 50 pounds, sometimes 70 pounds, is produced in great abundance. It resembles the breadfruit, but has a pulp of somewhat unpleasant flavor. It forms a great part of the food of the natives in some parts of India, Ceylon, etc. The seeds, which lie immediately under the rind, are very palatable when roasted. The timber, which is yellowish, strong, and ornamental, is used for almost every purpose, and is exported for making musical instruments, cabinet-work, the backs of brushes, marqueterie floors, etc. To supply the demand of it, the tree is being planted in many tropical countries.
# The New International Encyclopædia/Jack the Ripper

Edition of 1905. See also Jack the Ripper on Wikipedia; and the disclaimer.
​ JACK THE RIPPER. A name given to the unknown perpetrator of a series of ten brutal murders which occurred in the East End of London between April and September, 1888. The victims were invariably depraved women of the lowest class, and the murders were accompanied by mutilation. Through the excitement caused by these unpunished crimes, the name became a by-word, and is still familiarly applied to authors of similar attempts. From it have grown like phrases to indicate other forms of assault, as Jack the Hugger and Jack the Slasher.
# The New International Encyclopædia/Jackson, Abraham Valentine Williams

Edition of 1905. See also A. V. Williams Jackson on Wikipedia; and the disclaimer.
​JACKSON, Abraham Valentine Williams (1862—). An American Indo-Iranian scholar, born in New York City. He graduated at Columbia in 1883, there held a fellowship in letters from 1883 to 1886, and was instructor in the Anglo-Saxon and Iranian languages from 1887 to 1891. After advanced study at the University of Halle, Germany (1887-89), he was appointed adjunct professor of English language and literature in Columbia (1891). In 1895 he was selected to occupy the chair of Indo-Iranian languages, then newly founded. He became well known as a lecturer on various subjects appertaining to English literature and the Orient, and in 1901, during a visit to India and Ceylon, received special attention from the Parsis, who presented to Columbia a valuable collection of Zoroastrian manuscripts in recognition of the instruction there given by him in their ancient texts. In 1903 he made a second journey to the Orient, this time visiting Persia. He was elected a director of the American Oriental Society, and published A Hymn of Zoroaster (1888); An Avesta Grammar in Comparison with Sanskrit (1892); An Avesta Reader (1893); Zoroaster, ​the Prophet of Ancient Iran (1898); and Die iranische Religion (1900).
# The New International Encyclopædia/Jack-Stones

Edition of 1905. See also Knucklebones on Wikipedia; and the disclaimer.
​ JACK-STONES. A game played with five small pebbles, marbles, or pieces of specially shaped metal (iron). The popular forms of the game are as follows: (a) All five stones are tossed into the air, and caught, so far as is possible, on the back of the hand; or else one of the stones at a time is tossed up and caught in various methods agreed upon. (b) Ones.—In this exercise the stones are at first held in the hand: the Jack (any one of the five) is then tossed into the air; the remaining four are laid upon the floor, and the Jack is caught before it can land. In Twos, Threes, and Fours the stones are picked up, while the Jack is in the air, by twos, threes, or fours, as the case may be. Other games with Jack-stones are: Riding the Elephant; Set the Table; Peas in the Pod; and Horses in the Stable. According to Aristophanes, Jack-stones was a girls' game, and exceedingly popular, and, according to ancient writers, was originally played with the knuckle-bones of sheep.
# The New International Encyclopædia/Jack-Straws

Edition of 1905. See also Pick-up sticks on Wikipedia; and the disclaimer.
​ JACK-STRAWS. A game played with from 20 to 100 little sticks of ivory or wood, of uniform size and between 4 and 6 inches in length, carved (with the exception of a few Jack-straws which are left perfectly plain) to resemble weapons, implements, tools, etc. The game consists in letting the sticks fall together in a loose heap, each player in turn extricating as many straws as possible (one at a time) without moving preerceptibly any other straw. The decision is in favor of the player with the most straws. Originally the name of the game was jerk-straws, and in England it is also called spillikins. In Germany it is known as Federspiel, and in France as Jonchets or Honchets (from joncher, to strew).
# The New International Encyclopædia/Jack Tar

Edition of 1905. See also Jack Tar on Wikipedia; and the disclaimer.
​ JACK TAR. A common term for a sailor, derived from his tarpaulin garments, and frequently shortened to ‘tar.’
# The New International Encyclopædia/Jackson, Abraham Reeves

Edition of 1905. See also the disclaimer.
​JACKSON, Abraham Reeves (1827-92). An American physician, born in Philadelphia. He graduated at the Pennsylvania Medical College in 1848, practiced in Stroudsburg, Pa., and Chicago, Ill.; founded and became surgeon general of the Woman's Hospital of Illinois; was made professor of gynecology in the Rush Medical College, Chicago, in 1872; later became president of the College of Physicians and Surgeons in Chicago, and at the time of his death was president of the American Association of Gynecologists. He was an honorary member of several medical societies, and author of numerous papers, among which may be mentioned Removal of Large Urethro-vesical Calculus (1858); Successful Removal of Both Ovaries (1866); Removal of Fibrous Tumor of Uterus (1872).
# The New International Encyclopædia/Jack the Giant-Killer

Edition of 1905. See also Jack the Giant Killer on Wikipedia; and the disclaimer.
​ JACK THE GIANT-KILLER. A nursery tale, the subject of which appears in various legends. The English version is adapted from an old British story of Corineus the Trojan, translated by Geoffrey, of Monmouth. The theme of the tale is the superiority of skill to force.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 1

THE
LIFE and OPINIONS
OF
TRISTRAM SHANDY, Gent.
CHAP. I.
——— We'll not stop two moments, my dear Sir,—only, as we have got thro' these five volumes, (do, Sir, sit down upon a set—they are better than nothing) let us just look back upon the country we have pass'd through.———
———What a wilderness has it been! and what a mercy that we have not both ​of us been lost, or devoured by wild beasts in it.
Did you think the world itself, Sir, had contained such a number of Jack Asses?-How they view'd and review'd us as we passed over the rivulet at the bottom of that little valley!—and when we climbed over that hill, and were just getting out of sight—good God! what a braying did they all set up together!
—Prithee, shepherd! who keeps all those Jack Asses? * * *
—Heaven be their comforter—What! are they never curried?—Are they never taken in in winter?—Bray—bray-bray. Bray on,—the world is deeply your debtor;—louder still—​that's nothing;—in good sooth, you are ill-used:—Was I a Jack Asse, I solemnly declare, I would bray in G-sol-re-ut from morning, even unto night.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 12

CHAP. XII.
When my uncle Toby had turned every thing into money, and settled all accounts betwixt the agent of the regiment and Le Fever, and betwixt Le Fever and all mankind,—there remained nothing more in my uncle Toby's hands, than an old regimental coat and a sword; so that my uncle Toby found little or no opposition from the world in taking administration. The coat my uncle Toby gave the corporal;—Wear it, Trim, said my uncle Toby, as long as it will hold together, for the sake of the poor lieutenant—And this,—said my uncle Toby, taking up the sword in his hand, and drawing it out of the scabbard as he spoke—and this, Le Fever, I'll save for thee,—'tis ​all the fortune, continued my uncle Toby, hanging it up upon a crook, and pointing to it,—'tis all the fortune, my dear Le Fever, which God has left thee; but if he has given thee a heart to fight thy way with it in the world,—and thou doest it like a man of honour,—'tis enough for us.
As soon as my uncle Toby had laid a foundation, and taught him to inscribe a regular polygon in a circle, he sent him to a public school, where, excepting Whitsontide and Christmas, at which times the corporal was punctually dispatched for him,—he remained to the spring of the year, seventeen; when the stories of the emperor's sending his army into Hungary against the Turks, kindling a spark of fire in his bosom, he left his Greek and Latin without leave, and ​throwing himself upon his knees before my uncle Toby, begged his father's sword, and my uncle Toby's leave along with it, to go and try his fortune under Eugene.—Twice did my uncle Toby forget his wound, and cry out, Le Fever! I will go with thee, and thou shalt fight beside me—And twice he laid his hand upon his groin, and hung down his head in sorrow and disconsolation.———
My uncle Toby took down the sword from the crook, where it had hung untouched ever since the lieutenant's death, and delivered it to the corporal to brighten up;—and having detained Le Fever a single fortnight to equip him, and contract for his passage to Leghorn,—he put the sword into his hand,—If thou art brave, Le Fever, said my uncle Toby, this will not fail thee,—​but Fortune, said he, (musing a little)—Fortune may—And if she does,—added my uncle Toby, embracing him, come back again to me, Le Fever, and we will shape thee another course.
The greatest injury could not have oppressed the heart of Le Fever more than my uncle Toby's paternal kindness;—he parted from my uncle Toby, as the best of sons from the best of fathers—both dropped tears—and as my uncle Toby gave him his last kiss, he slipped sixty guineas, tied up in an old purse of his father's, in which was his mother's ring, into his hand,—and bid God bless him.
# The Life and Opinions of Tristram Shandy, Gentleman/Volume 6/Chapter 10

CHAP. X.
The Story of Le Fever concluded.
The sun looked bright the morning after, to every eye in the village but Le Fever's and his afflicted son's; the hand of death press'd heavy upon his eye-lids—and hardly could the wheel at the cistern turn round its circle,—when my uncle Toby, who had rose up an hour before his wonted time, entered the lieutenant's room, and without preface or apology, sat himself down upon the chair by the bed-side, and independantly of all modes and customs, opened the curtain in the manner an old friend and brother officer would have done it, and asked him how he did,—how he had rested in the night,—what ​was his complaint,—where was his pain,—and what he could do to help him:—and without giving him time to answer any one of the enquiries, went on and told him of the little plan which he had been concerting with the corporal the night before for him.———
—You shall go home directly, Le Fever, said my uncle Toby, to my house,—and we'll send for a doctor to see what's the matter,—and we'll have an apothecary,—and the corporal shall be your nurse;—and I'll be your servant, Le Fever.
There was a frankness in my uncle Toby,—not the effect of familiarity,—but the cause of it,—which let you at once into his soul, and shewed you the goodness of his nature; to this, there was ​something in his looks, and voice, and manner, superadded, which eternally beckoned to the unfortunate to come and take shelter under him; so that before my uncle Toby had half finished the kind offers he was making to the father, had the son insensibly pressed up close to his knees, and had taken hold of the breast of his coat, and was pulling it towards him.—The blood and spirits of Le Fever, which were waxing cold and slow within him, and were retreating to their last citadel, the heart,—rallied back,—the firm forsook his eyes for a moment,—he looked up wishfully in my uncle Toby's face,—then cast a look upon his boy,—and that ligament, fine as it was,—was never broken.———
Nature instantly ebb'd again,—the film returned to its place,—the pulse ​fluttered—stopp'd—went on—throb'd—stopp'd again—moved—stopp'd—shall I go on?—No.