OpenLLM-France/wikimedia huggingface dataset:
# Pelham to his mother

* related portals: American Civil War.
* sister projects: Wikidata item.
My dear Mother, You can't imagine how glad I was to get a letter from you- I had been looking for it for a long, long time. You may expect to see me home by the first of February, 1861. I regret the circumstances which make it neccessary, but I don't see any remedy. Alabama seems determined to leave the Union before the middle of January, and I think it would be dishonorable in me to withhold my services when they will be needed. It seems pretty hard that I should toil for four and a half years for a diploma and then have to leave without it. I am studying hard and think I shall be higher after the coming January examinations than I have ever been before; but my standing will not do me any good. I always (nearly always) get over my lessons and read a chapter in my Bible a short time before eleven at night. I am not allowed to have a light after this hour. For the past two years and a half I have read my Bible regularly, one chapter almost every night; and when I neglected it one night I made up for it the next. I must write a short note to father tonight.
Lovingly your son, John
# Peleus and Thetis

Peleus was the son of Aeacus, king of the island of Aegina, and Endeïs, the oread of Mount Pelion in Thessaly. He married the sea-nymph Thetis with whom he fathered Achilles. Warning: template has been deprecated.
* "Peleus and Thetis" in Poems upon Several Occasions (1726, 4th ed.)
* "Peleus and Thetis" (1740)
# Oriental Scenery/Part 4/Plate 5

No. V.
CHEVAL-PETTORE.
In this view, taken in the district of Tinnevelly, the Fort of Cheval-pettore is a conspicuous object; the town of that name, to which it is attached, is not introduced, being about a mile distant on the left. The hills contiguous to this fort are in a good style; they are well wooded, and produce many situations extremely beautiful and picturesque. Like most of the Carnatic mountains, they rise abruptly out of the plain beneath; a circumstance which, when they are not in extensive masses, gives them a very singular appearance, resembling rocky islands or islets rising out of the ocean. They are of all dimensions, from what is called the Sugar-loaf rock of Tritchinopoly to Severn Droog; and of these insulated eminences many examples occur in the preceding works. They are generally selected as fortresses, and are of such difficult access, that their perpendicular sides are only to be assailed with success by British intrepidity.
The ramparts of Cheval-pettore are formed of mud, a material very commonly used in India in the construction of walls for various purposes, though to an European ear it conveys no idea of stability. These earthen walls, nevertheless, baked in the fierce rays of an almost vertical sun, have been often put to a severe test by our artillery, and found equal, if not superior, even to masonry.
Cheval-pettore.
# Oriental Scenery/Part 5/Plate 10

See also: Janghera, or the Fakeer's Rock on the Ganges
No. X.
S. E. VIEW OF THE FAKEER'S ROCK IN THE RIVER GANGES, NEAR SULTAUNGUNGE.
This assemblage of rocks has been long considered as one of the most sacred places on the River Ganges, and much resorted to by the religious Hindoos, not only for its reported sanctity, but on account of a much celebrated figure of Náráyan, over which is erected a building, probably, either to honour or preserve the idol. There are several other figures of Náráyan to be seen here, as well as those of Seeva, Vichnou, and Sooroj.
S.E. View of the Fakeer's Rock in the River Ganges, near Sultaungunge.
# Oriental Scenery/Part 4/Plate 7

No. VII.
SANKRY DROOG.
This view is taken from the north-west side of Sankry Droog, one of the largest of those fortified hills that occur so frequently in the Carnatic. It is situated near the eastern limits of the Coimbatoor district; was formerly in the possession of Tippoo Sultaun, but taken by the English under Lord Cornwallis.
From this elevated point the eye commands an extensive view of the vale and distant mountains. The scene is grand; but of that dreary aspect, which, being neither softened by the beautiful, nor elevated by the magnificent, produces in the mind a mixture of horror and melancholy. If the surface of our terrestrial residence presented to us prospects only of this kind, our state here would appear to have few temptations. The fortress in which the spectator is placed seems elevated almost into the clouds; its sides are in many parts formed of perpendicular cliffs; it is moreover surrounded with every impediment, natural or artificial, that can render access either impossible or difficult; and all this is to enable one little tyrant to resist the hostility of another, or to favour his own projects of vengeance or plunder. The plain below, extending as far as the eye can reach, is one vast uninterrupted jungle; a rank, entangled, and impenetrable vegetation, swarming with its peculiar inhabitants, many of which are no less terrible to man than to themselves; and the whole expanse is one scene of inextinguishable warfare, where, urged by hunger, lust, or cruelty, mutual destruction rages without intermission. In fact, while we contemplate the nature and situation of the place, with the circumstances combined with it, we cannot but be strongly impressed with an idea of the ferocious and sanguinary propensities of all animated nature.
In the distance may be seen the river Cavery, where, quitting the hilly country, it first makes it appearance in the plains of the Carnatic.
Sankry Droog.
# Oriental Scenery/Part 4/Plate 9

No. IX.
SICCRA GULLEY, ON THE GANGES.
The point of land here projecting into the river Ganges is called Siccra Gulley, from a military pass of that name in the adjoining hills. At this place is commonly an assemblage of small vessels, which, together with the craft of various descriptions that appear scattered over the surface of this widely extended river, produce a most impressive effect of commercial activity. The sentiment that spontaneously arises from so manifest a proof of a numerous and well employed population, adds greatly to the pleasure we receive from the picturesque beauties of the scene, which a combination of delightful circumstances renders perfectly ​enchanting; hills finely varied, buildings interspersed, a luxuriant vegetation, and the whole illuminated by a bright and serene atmosphere.
The small building upon the lower eminence is a bungalo, or cottage, belonging to the British resident of the Bhagulpore district, and placed here for his occasional use, either to transact public business, or to accommodate himself or friends, when they repair hither to enjoy the amusements of the country. On the upper ground is the tomb of a Mahomedan Sied, or holy man.
Near this place the province of Bengal terminates, and that of Bahar commences. It is distant from Calcutta about two hundred miles.
Siccra Gulley, on the Ganges.
# Oriental Scenery/Part 5

ORIENTAL SCENERY
PART FIFTH.
CONTAINING TWENTY FOUR VIEWS OF THE ARCHITECTURE ANTIQUITIES AND LANDSCAPE SCENERY OF HINDOOSTAN. BY THOS/$^.$ & WM/$^.$ DANIELL. LONDON. JUNE 1. 1815.
ORIENTAL SCENERY.
Fifth Series.
* Plate 1 Sculptured Rocks at Mauveleporam, on the Coast of Coromandel
* Plate 2 The entrance of an excavated Hindoo Temple, at Mauveleporam
* Plate 3 An excavated Temple on the island of Salsette
* Plate 4 The Portico of an excavated Temple on the Island of Salsette
* Plate 5 An Hindoo Temple, at Deo, in Bahar
* Plate 6 Part of the Interior of an Hindoo Temple, at Deo, in Bahar
* Plate 7 The entrance to the Elephanta Cave
* Plate 8 Part of the interior of the Elephanta
* Plate 9 S.W. View of the Fakeer's Rock in the River Ganges, near Sultaungunge
* Plate 10 S.E. View of the Fakeer's Rock in the River Ganges, near Sultaungunge
* Plate 11Part of the Kanaree Caves, Salsette
* Plate 12he Interior of an excavated Hindoo Temple, on the Island of Salsette
* Plate 13The Temple of Mandeswara, near Chaynpore, Bahar
* Plate 14An antique Reservoir near Colar in the Mysore
* Plate 15Exterior of an Eed-gah near Chaynpore, Bahar
* Plate 16Interior of a Temple near Muddunpore
* Plate 17View near Bangalore
* Plate 18Entrance to an Hindoo Temple, near Bangalore
* Plates 19 and 20The Observatory at Delhi
* Plate 21A Pavilion belonging to an Hindoo Temple
* Plate 22Interior of the Temple of Mandeswara, near Chaynpore, Bahar
* Plate 23A Minar at Gour
* Plate 24The Cuttub Minar
# Oriental Scenery/Part 5/Plate 11

No. XI.
PART OF THE KANAREE CAVES, SALSETTE.
This excavation appears immediately on the right hand of the entrance to the large Temple represented in Plate III. The sides of the recess, which contain the idol, are covered with various sculptures of Bhood figures in basso-relievo: to the left of the centre, somewhat elevated, are two smaller chambers; and on the right, passing through irregular apertures, are two other chambers, containing also similar Bhood figures.
Part of the Kanaree Caves, Salsette.
# Oriental Scenery/Part 5/Plate 12

No. XII.
THE INTERIOR OF AN EXCAVATED HINDOO TEMPLE, ON THE ISLAND OF SALSETTE.
This view is a representation of the largest of the excavated Temples of the Hindoos in the island of Salsette, the entrance to which is given in Plate III. The ceiling is vaulted, and appears to have been ornamented, though at present so much defaced, that the design is unintelligible. The pillars, which do not diminish, are octangular, and, including base and capital, about fourteen feet high. The capitals are well executed, and chiefly composed of elephants, to which, in some instances, are added, horses and human figures. The idol that occupies the space at the further end of this cave is twenty-three feet in height, and forty-nine in circumference.
The Interior of an excavated Hindoo Temple, on the Island of Salsette.
# Oriental Scenery/Part 5/Plate 1

No. I.
SCULPTURED ROCKS AT MAUVELEPORAM, ON THE COAST OF COROMANDEL.
Mauveleporam lies about thirty miles southward of Madras, on the sea coast, and is known to mariners by the name of the Seven Pagodas.
This view is a representation of several Rocks, which have been wrought by the Hindoos into curious architectural forms on the outside, and in the lower part excavated for the purpose of religious worship. These Rocks are of very hard, coarse granite; nevertheless the ornamental parts appear to have been executed with a considerable degree of skill, which is very evident on the western side, being there sheltered from the corroding effect of the sea air. A Lion and an Elephant appear in the centre; the former is much larger than nature, but of inferior art to some others to be met with in the neighbourhood: the latter is about the natural size: it is well designed, and the character of the animal strongly expressed.
Sculptured Rocks at Mauveleporam, on the Coast of Coromandel.
# Oriental Scenery/Part 4/Plate 6

No. VI.
NEAR ATTOOR, IN THE DINDIGUL DISTRICT.
Attoor is a village in the small district of Dindigul, situated to the south of the kingdom of Mysore. This part of the country, though not entirely uncultivated, has a wild and most romantic character; broken into hill and valley, and covered in many parts with thick woods of great extent, giving shelter to herds of elephants, and numerous other wild animals, that would ofttimes quit their gloomy retreats, and carry havoc and destruction among the plantations of the peasantry, were they not strictly watched by a class of human creatures, whose shaggy forms and ferocious aspect appear sufficient to strike terror into the hearts even of lions and tigers.
Near Attoor, in the Dindigul district.
# Oriental Scenery/Part 4/Plate 8

No. VIII.
NEAR BANDELL, ON THE RIVER HOOGLEY.
The village of Bandell, near to which this view was taken, is situated on the western bank of the river Hoogley, one of the most considerable branches that serve to convey the mighty flood of the Ganges into the ocean. The Hoogley quits the parent stream at Jellinghy; and after passing the cities of Kishnagur, Hoogley, and Calcutta, proceeds by a rapid current to the sea, into which it falls in the bay of Bengal.
Temples and other sacred structures of the Hindoos occur frequently on the banks of the Hoogley; and these buildings, of various forms, and in different situations, exposed or half concealed among deep and solemn groves, no less holy in the popular opinion than the edifices they shelter, give an air of romantic grandeur to scenes that are successively presented to those who pass along this interesting river.
The small monumental erection in the centre of this view, as well as the obelisk near it, rudely carved in wood, are called Suttees; and though possessed of no sculptural elegance, are most curious memorials of the perversion of human intellect, having been raised to commemorate the immolation of certain unfortunate females, who, in compliance with a horrid custom among the Hindoos, had been induced to give the last dreadful proof of conjugal fidelity, by a voluntary death on the funeral pile of their deceased husbands. To the disgrace of human nature, this practice has prevailed during a long succession of ages in Hindoostan; and, what is incomprehensible, among a people distinguished for their mild and inoffensive manners; but every feeling heart must rejoice that, with equal wisdom and humanity, it has been expressly prohibited in all the territories over which the authority of the British government extends; and although the absurdities of superstition are not to be at once wholly annihilated by public edicts, (for prejudice takes a deeper root in the mind than truth itself,) this atrocious rite can now only be performed by stealth, and it is believed that examples at this time, even in secret, but rarely occur in the British Oriental dominions.
Near Bandell, on the River Hoogley.
# Ollanta: An Ancient Ynca Drama

OLLANTA.
PRINTED BY BALLANTYNE AND COMPANY EDINBURGH AND LONDON
OLLANTA.
AN ANCIENT YNCA DRAMA.
TRANSLATED FROM THE ORIGINAL QUICHUA.
BY
CLEMENTS R. MARKHAM, C.B., Corresponding Member of the University of Chile.
LONDON: TRÜBNER & CO., 60 PATERNOSTER ROW. 1871. [All rights reserved.]
* Introduction
* Dramatis Personæ
* Act I
* Act II
* Act III
* Notes
# Olivia in India

O. Douglas was the pen name of Anna Buchan, the sister of John Buchan.
OLIVIA IN INDIA
O. DOUGLAS
"When one discovers a happy book it is one's duty to tell one's friends about it."
James Douglas in The Star.
OLIVIA IN INDIA. By O. Douglas
"Happy books are not very plentiful, and when one discovers a happy book it is one's duty to tell one's friends about it, so that it makes them happy too. My happy book is called 'Olivia.' It is by a certain young woman who calls herself O. Douglas, though I suspect that it's a pen-name.... Olivia can write the most fascinating letters you ever read."—James Douglas in the Star. "Extremely interesting. To have read this book is to have met an extremely likeable personality in the author."—Glasgow Herald.
PENNY PLAIN. By O. Douglas
"Penny Plain" is a story of life in a little town on the banks of the Tweed. Jean Jardine, the heroine—who looks after her brothers in their queer old house, "The Rigs," and is in turn looked after by the old servant, Mrs. McCosh (from Glasgow), and Peter, the fox-terrier—describes herself and her life as "penny plain," but with the coming of Pamela Reston and her brother (who was what Mrs. McCosh called "a Lord no less"), everything is changed. There is love in the book and laughter. "A very able and delightful book."—The Times. "A Delicious novel ... a triumphant success."—"A Man of Kent" in the British Weekly.
THE SETONS. By O. Douglas
"Portrayed with the humour and insight of a deep affection."—The Times. "Elizabeth is a delightful creature who radiates the pages."—Glasgow Herald. "To the reading public at large it will prove a sheer delight."—Glasgow Times. "Full of charm."—Spectator. "A delightful romance."—Aberdeen Journal.
HODDER AND STOUGHTON LTD. WARWICK SQUARE LONDON, E.C. 4
OLIVIA IN INDIA
BY
O. DOUGLAS
AUTHOR OF "THE SETONS" "PENNY PLAIN" ETC.
HODDER AND STOUGHTON
LIMITED LONDON
| First Edition printed | November | 1912 |
| Second Edition . . | April | 1913 |
| Third Edition . . | April | 1918 |
| Fourth Edition . . | January | 1922 |
| and this the Fifth Edition, March 1922 |||
PRINTED IN GREAT BRITAIN BY MORRISON AND GIBB LTD., EDINBURGH
CONTENTS
PART I :
| | PAGE |
| Through the Gates of the East | 1 |
| PART II ||
| Fleshpots of Calcutta | 45 |
| PART III ||
| The Sunburned Earth | 125 |
| PART IV ||
| The Land of Regrets | 213 |
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Orleans Parish School Board v. Bush

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
365 U.S. 569
Orleans Parish School Board v. Bush
Samuel I. Rosenberg, Peter H. Beer and Robert G. Polack, for appellant Orleans Parish School Board and others in No. 589.
Jack P. F. Gremillion, Atty. Gen. of Louisiana, M. E. Culligan, Weldon A. Cousins, L. K. Clement, John M. Currier, George S. Hesni, Robert S. Link, Jr., Dorothy N. Wolbrette, John E. Jackson, Jr., Wm. P. Schuler and Henry J. Roberts, Jr., Asst. Attys. Gen., and George Ponder, for appellant Orleans Parish School Board and others in No. 613.
W. Scott Wilkinson and Thompson L. Clarke, for appellants Legislature of Louisiana and others in No. 706.
A. P. Tureaud and Thurgood Marshall, for appellees.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Orley Farm (Serial)

ORLEY FARM.
BY
ANTHONY TROLLOPE.
With Illustrations
BY
J.E.MILLAIS.
LONDON:
CHAPMAN & HALL 193 PICCADILLY.
THE RIGHT OF TRANSLATION IS RESERVED.
Part I.MARCH.One Shilling.
ORLEY FARM.
ORLEY FARM.
BY
ANTHONY TROLLOPE,
AUTHOR OF "DOCTOR THORNE," "BARCHESTER TOWERS," "FRAMLEY PARSONAGE," ETC.
With Illustrations
BY J. E. MILLAIS.
IN TWO VOLUMES. VOL I.
LONDON: CHAPMAN AND HALL, 193 PICCADILLY, 1862.
[The right of Translation is reserved.]
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARING CROSS.
CONTENTS.
ILLUSTRATIONS TO VOLUME I.
page
ORLEY FARM.
ORLEY FARM.
BY
ANTHONY TROLLOPE,
AUTHOR OF "DOCTOR THORNE," "BARCHESTER TOWERS," "FRAMLEY PARSONAGE," ETC.
With Illustrations
BY J. E. MILLAIS.
IN TWO VOLUMES. VOL. II.
LONDON: CHAPMAN AND HALL, 193 PICCADILLY. 1862.
[The right of Translation is reserved.]
LONDON. PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARING CROSS.
CONTENTS.
ILLUSTRATIONS TO VOL II.
page
# Orlando Furioso (Rose)/Volume 4

Layout 2
THE
ORLANDO FURIOSO.
THE
ORLANDO FURIOSO
TRANSLATED INTO ENGLISH VERSE
FROM THE ITALIAN OF
LUDOVICO ARIOSTO
WITH NOTES
BY
WILLIAM STEWART ROSE
VOL. IV.
LONDON
JOHN MURRAY ALBEMARLE-STREET
MDCCCXXV
* Canto XIX
* Canto XX
* Canto XXI
* Canto XXII
* Canto XXIII
* Canto XXIV
ERRATA.
Page 15, stanza xxxviii. line 7, for Monodantes’, read Monodantes. Page230, after line 13, insert 5. as the number of the note.
Lately was published, by the same Author, printed uniformly with the present work, price 9s. 6d.
THE INNAMORATO
intended as
AN INTRODUCTION TO THE FURIOSO
LONDON:
printed by Thomas Davison, Whitefriars.
# Orleans Parish School Board v. Bush/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
365 U.S. 569
Orleans Parish School Board v. Bush
The motions to affirm are granted and the judgments are affirmed.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Orleans v. Platt

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
99 U.S. 676
Orleans v. Platt
ERROR to the Circuit Court of the United States for the Northern District of New York.
The facts are stated in the opinion of the court.
Mr. Levi H. Brown for the plaintiff in error.
Mr. Francis Kernan, contra.
MR. JUSTICE SWAYNE delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Pastorals Epistles Odes (1748)/The First Ode of Anacreon

Ambrose Philips' translations of odes attributed to Anacreon. (See Anacreontea.)
Layout 2
The First ODE of Anacreon. On his Lute.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Pastorals Epistles Odes (1748)/The following Epitaph on the Monument of my Kinswoman was written at the Request of her Husband

The following Epitaph on the Monument of my Kinswoman was written at the Request of her Husband.
WITHIN the Burial-Vault near this Marble, lieth the Body of PENELOPE, youngest Daughter (and Coheir with her Sister ELIZABETH) to ROBERT PHILIPS of Newton-Regis, in the County of Warwick, Esquire. She died in her Six and Thirtieth Year, on the 25th Day of January,
TO the Memory, ever dear and precious, of his most affectionate, most beloved, and most deserving, Wife, is this Monument raised by HENRY VERNON of Hilton, in the County of Stafford, Esquire: to him she bore five Sons and two daughters, all surviving, save Elizabeth; who dying, in her second Year, of the Small Pox, some few Days before, resteth by her Mother.
Layout 2
# Pastorals Epistles Odes (1748)/Song: "Why we love, and why we hate"

SONG.
# Pastorals Epistles Odes (1748)/Supplication for Miss Cartertet in the Small-Pox

SUPPLICATION for Miss Carteret in the Small-Pox.
Dublin July 31, 1725.
# Pastorals Epistles Odes (1748)/The Second Ode of Anacreon

Ambrose Philips' translations of odes attributed to Anacreon. (See Anacreontea.)
Layout 2
The SECOND ODE. On WOMEN.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Pastorals Epistles Odes (1748)/The Stray Nymph

The STRAY NYMPH.
# Pastorals Epistles Odes (1748)/The First Olympionique of Pindar

Ambrose Philips' translations of Pindar's 1st and 2nd Olympic Odes.
Layout 2
TRANSLATIONS.
THE First Olympionique of PINDAR.
To Hiero of Syracuse, victorious in the Horse-race.
The ARGUMENT.
The Poet praises Hiero for his justice, his wisdom, and his skill in musick. He likewise celebrates the horse that won the race, and the place where the Olympick Games were performed. From the place (namely Peloponnesus) he takes an occasion of digressing to the known fable of Tantalus and Pelops; whence, returning to Hiero, he sets forth the felicity of the Olympian Victors. Then be concludes by praying to the gods, to preserve the glory and dignity of Hiero, admonishing him to moderation of mind, in his high station, and, lastly, glories in his own excellency in compositions of this kind.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Pastorals Epistles Odes (1748)/The Third Ode of Anacreon

Ambrose Philips' translations of odes attributed to Anacreon. (See Anacreontea.)
Layout 2
The THIRD ODE. On LOVE.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# Pastorals Epistles Odes (1748)/The Happy Swain

The HAPPY SWAIN.