OpenLLM-France/wikimedia huggingface dataset:
# Songs of Innocence and of Experience (1826)/Songs of Experience/The Lily

This poem was published in Songs of Experience in 1794. See also the manuscript version: The modest rose puts forth a thorn
The modest Rose puts forth a thorn, The humble sheep a threat’ning horn: While the Lily white shall in love delight, Nor a thorn nor a threat stain her beauty bright.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Songs of Innocence and of Experience (1826)/Songs of Experience/The Schoolboy

This poem was published in Songs of Experience in 1794.
I love to rise in a summer morn, When the birds sing on every tree; The distant huntsman winds his horn, And the skylark sings with me: O what sweet company!
But to go to school in a summer morn,— O it drives all joy away! Under a cruel eye outworn, The little ones spend the day In sighing and dismay.
Ah then at times I drooping sit, And spend many an anxious hour; Nor in my book can I take delight, Nor sit in learning’s bower, Worn through with the dreary shower.
How can the bird that is born for joy Sit in a cage and sing? How can a child, when fears annoy, But droop his tender wing, And forget his youthful spring?
O father and mother, if buds are nipped, And blossoms blown away; And if the tender plants are stripped Of their joy in the springing day, By sorrow and care’s dismay,—
How shall the summer arise in joy, Or the summer fruits appear? Or how shall we gather what griefs destroy, Or bless the mellowing year, When the blasts of winter appear?
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Telugu-English Dictionary/ఫ

ఫ
ఫ pha, The thirty-seventh letter, and twenty second consonant, in the Telugu alphabet.
ఫకీరు phakiru, s. A fakeer, dervise, or religions mendicant.
ఫజీతి, ఫజీతు phajiti, phajitu, s. Disgrace, ignominy.
ఫరమాయషు pharamayasfm, s. Order, commission, direction. 2. Pleasure, will. ఫరమాయించు pharamayintsu, To give orders; to appoint, to fix.
ఫరారీఅవు pharariavu, v. n. To run away; to desert, or abscond.
ఫలము phalamu, s. The fruit of any plant; fruit in general. 2. Fruit, (metaphorically) result, produce, consequence. 3. Prosperity, nourishing, thriving. 4. Gain, proiit, acquisition.
ఫలానా phalana, s . Such a one. adj. Such and such.
# Telugu-English Dictionary/బీ

బీ
బీగము bigamu, s. A lock. 2. A key-
బీటికె bitike, s. A chink, crack, or opening.
బీటికెబాయు bitikebayu, v.n. To crack.
బీడు bfdu, s. Making in the infiex. Sing. బీటి biti, And in the nam plw. బీళ్లు billu, Waste or un. cultivated land. adj. Base, low.
బీతు bitu, s. Fear.
బీద bida, ad/ Poor, needy. 2. Pitiable, piteous, s. A poor person. బీదతనము bidatanamu s. Poverty.
బీరము biramu, s. Heroism, fortitude, bravery. 2. Ostentation. '6. Vaunting, boasting.
బీరాజు biradzu, v. a. To amass ; to collect in a heap. ​బీఱు blrru, adj. Excessive ; as బీఱెండ birrenda, Excessive beat.
బీఱువోవు birriivovu, v. n. To be disgraced, spoiled, or ruined.
# Telugu-English Dictionary/ఫి

ఫి
ఫితూరీ phituri, s. Disturbance? insurrection, rebellion. 2. Any secret, deceitful or underhand proceeding.
ఫిరంగీ phirangi, s. vide పిరంగి pirangi.
ఫిరియాదు phiriyadu, s. A complaint. 2. An accusation, or plaint, inlaw. ఫిరియాది pniriyaeli, A plaintiff, or complainant.
# Telugu-English Dictionary/ప్రే

ప్రే
ప్రేగు pregu, 5. meZe పేగు pegu.
ప్రేత preta, s. A ghost, goblin, or sprite; an evil being, especially animating the carcases of the dead.
ప్రేమ, ప్రేముడి prema, premudi, 5. Affection, kindness, tender regard. 2. Pleasure, sport, pastime, joy.
ప్రేయసి preyasi, s. A wife.
ప్రేరేపణ, ప్రేరేపణము prerepana, prerepanamu, s. Sending, directing. 2. Passion ; or operation of the organs of sense. 3. Excitement, instigation. ప్రేరేపించు, ప్రేరేచుprerepintsu, preretsu, v. a. To induce, excite, or instigate. ప్రేరేపకుడు prerepakudu, s. An instigator.
ప్రేలు prelu, ?.a. To prattle, or tattle; to talk in a silly manner, vide పేలు pelu.
ప్రేవు prevu, s. vide ప్రేగు, పేగు pregu, pegu,
ప్రేష్య preshya, s. A maid servant.
ప్రేష్యుడు preshyudu,s. A man servant.
# Telugu-English Dictionary/ప్రొ

ప్రొ
ప్రొద్దు proddu, s. vide పొద్దు poddu.
ప్రొయ్యి proyyi, s. wete పొయ poyi.
# Telugu-English Dictionary/ప్రో

ప్రో
ప్రోక proka, s. A heap, multitude, or assemblage.
ప్రోగు proga, 5. »«fe పోగు poga, No. 2. And 3.
ప్రోచు protsu, v. a. To save, protect, support, or preserve.
ప్రోడ proda, 5. A wise, or skilful, person.
ప్రోది prodi, s. Beauty. ​ప్రోపు propu, s. Protection; saving. vide ప్రోచు protsu.
ప్రోయాలు proyalu, s. A woman.
ప్రోలు prolu, s. A city. ప్రోలుదిరుగు proludirugu, 0. w. e;£de ఊరేగు uregu, To go in procession about a city- This term, in marriage ceremonies, is often applied to that part of them which consists in a fictitious procession round the city, represented by some object placed in the house.
ప్రోవు provu, s. vide ప్రోగు, పోగు progu, pogu. No. 2. And. 3.
# Telugu-English Dictionary/ఫా

ఫా
ఫాయిదా phayid&, s. Profit, gain advantage, utility.
# Tales of Three Cities

* Tales of Three Cities (Boston: James R. Osgood & Co., 1884).
    — First edition; published 17 October 1884
* Tales of Three Cities (London: Macmillan & Co., 1884).
    — First English edition; published 18 November 1884.
# Tales of Three Cities (Boston: James R. Osgood & Co., 1884)/A New England Winter

A NEW ENGLAND WINTER.
* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
# Tales of Three Cities (Boston: James R. Osgood & Co., 1884)

First edition. Published 17 October 1884. Sold for $1.50 each. The initial printing was 1500 copies.
HENRY JAMES
TALES OF THREE CITIES
BOSTON
JAMES R. OSGOOD AND COMPANY
1884
Copyright, 1883 and 1884, By Henry James.
All rights reserved.
University Press: John Wilson and Son, Cambridge.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sweet v. Schock

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
245 U.S. 192
Sweet v. Schock
Argued: Nov. 15, 1917. --- Decided: Dec 10, 1917
Mr. Francis W. Clements, of Washington, D. C., for plaintiffs in error.
Mr. S. P. Freeling, of Oklahoma City, Okl., for defendants in error.
Mr. Justice McKENNA delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sweet Sally Gray

* "Sweet Sally Gray" in Three new songs (1800)
* "Sally Gray" in Sally Gray (1810-1825)
# Sweet hours have perished here;
### Version 1

Sweet hours have perished here, This is a timid room - Within it's precincts hopes have played Now fallow in the tomb.

### Version 2

Sweet hours have perished here, This is a timid room - Within it's precints hopes have played Now shadows in the tomb.
# Sweet meat has sour sauce

In the style of a ditty about a trader lamenting the abolition of his business; written in 1788.
Sweet Meat has Sour Sauce or, The Slave-Trader in the Dumps
A trader I am to the African shore, But since that my trading is like to be o'er, I'll sing you a song that you ne'er heard before,  Which nobody can deny, deny,  Which nobody can deny.
When I first heard the news it gave me a shock, Much like what they call an electrical knock, And now I am going to sell off my stock,  Which nobody can deny.
'Tis a curious assortment of dainty regales, To tickle the negroes with when the ship sails, Fine chains for the neck, and a cat with nine tails,  Which nobody can deny.
Here's supple-jack plenty, and store of rat-tan, That will wind itself round the sides of a man, As close as a hoop round a bucket or can,   Which nobody can deny.
Here's padlocks and bolts, and screws for the thumbs, That squeeze them so lovingly till the blood comes, They sweeten the temper like comfits or plums,  Which nobody can deny.
When a negro his head from his victuals withdraws, And clenches his teeth and thrusts out his paws, Here's a notable engine to open his jaws,  Which nobody can deny.
Thus going to market, we kindly prepare A pretty black cargo of African ware, For what they must meet with when they get there,  Which nobody can deny.
'Twould do your heart good to see 'em below, Lie flat on their backs all the way as we go, Like sprats on a gridiron, scores in a row,  Which nobody can deny.
But ah! if in vain I have studied an art So gainful to me, all boasting apart, I think it will break my compassionate heart,  Which nobody can deny.
For oh! how it enters my soul like an awl! This pity, which some people self-pity call, Is sure the most heart-piercing pity of all,  Which nobody can deny.
So this is my song, as I told you before; Come buy off my stock, for I must no more Carry Caesars and Pompeys to Sugar-cane shore,  Which nobody can deny, deny,  Which nobody can deny.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Sweet Pirate of the heart

Sweet Pirate of the heart, Not Pirate of the Sea, What wrecketh thee? Some spice's Mutiny — Some Attar's perfidy? Confide in me.
# Sweet is the swamp with its secrets

Sweet is the swamp with its secrets, Until we meet a snake; 'Tis then we sigh for houses, And our departure take
At that enthralling gallop That only childhood knows. A snake is summer's treason, And guile is where it goes.
# Sweet Porridge

* related portals: Brothers Grimm.
* sister projects: Wikipedia article, Commons category, Wikidata item.
English-language translations of Der süße Brei include:
# Sweet and Low

Poem from The Princess: Canto II.
* The revised 1850 edition of The Princess: Canto II
* "Sweet and Low" in Poems That Every Child Should Know (1904)
* "Sweet and Low" in The Child's Own Music Book (1916), with musical setting by Joseph Barnby.
# Spanish Waters

* information about this edition.
* sister projects: Wikidata item.
Spanish waters, Spanish waters, you are ringing in my ears,
Like a slow sweet piece of music from the grey forgotten years;
Telling tales, and beating tunes, and bringing weary thoughts to me
Of the sandy beach at Muertos, where I would that I could be.
There's a surf breaks on Los Muertos, and it never stops to roar,
And it's there we came to anchor, and it's there we went ashore,
Where the blue lagoon is silent amid snags of rotting trees,
Dropping like the clothes of corpses cast up by the seas.
We anchored at Los Muertos when the dipping sun was red,
We left her half-a-mile to sea, to west of Nigger Head;
And before the mist was on the Cay, before the day was done,
We were all ashore on Muertos with the gold that we had won.
We bore it through the marshes in a half-score battered chests,
Sinking in the sucking quagmires to the sunburn on our breasts,
Heaving over tree-trunks, gasping, damning at the flies and heat,
Longing for a long drink, out of silver, in the ship’s cool lazareet.
The moon came white and ghostly as we laid the treasure down,
There was gear there’d make a beggarman as rich as Lima Town,
Copper charms and silver trinkets from the chests of Spanish crews,
Gold doubloons and double moidores, louis d’ors and portagues,
Clumsy yellow-metal earrings from the Indians of Brazil,
Uncut emeralds out of Rio, bezoar stones from Guayaquil;
Silver, in the crude and fashioned, pots of old Arica Bronze,
Jewels from the bones of Incas desecrated by the Dons.
We smoothed the place with mattocks, and we took and blazed the tree,
Which marks yon where the gear is hid that none will ever see,
And we laid aboard the ship again, and south away we steers,
Through the loud surf of Los Muertos which is beating in my ears.
I’m the last alive that knows it. All the rest have gone their ways
Killed, or died, or come to anchor in the old Mulatas Cays,
And I go singing, fiddling, old and starved and in despair,
And I know where all that gold is hid, if I were only there.
It’s not the way to end it all. I'm old, and nearly blind, And an old man's past's a strange thing, for it never leaves his mind.
And I see in dreams, awhiles, the beach, the sun’s disc dipping red,
And the tall ship, under topsails, swaying in past Nigger Head.
I’d be glad to step ashore there, glad to take a pick and go
To the lone blazed coco-palm tree in the place no others know,
And lift the gold and silver that has mouldered there for years
By the loud surf of Los Muertos which is beating in my ears.
Tettenhall.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Spano v. New York

United States Supreme Court
360 U.S. 315
Spano v. New York
Argued: April 27, 1959. --- Decided: June 22, 1959
Mr. Herbert S. Siegal, New York City, for the petitioner.
Mr. Irving Anolik, New York City, for the respondent.
Mr. Chief Justice WARREN delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Sparf v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
Sparf v. United States, 156 U.S. 51 (1895), was a case in which the Supreme Court of the United States held that federal judges were not required to inform jurors of their inherent ability to judge the law in a case. The decision asserted that the court could mislead jurors and inform them that they could only judge the facts in bringing a general verdict. The decision was rendered by a five to four judge margin, with two strong dissenting opinions. The case distinguished itself from earlier precedent in Georgia v. Brailsford mandating that jurors be informed by the court of their right to judge the case's facts and law (jury nullification). Warning: template has been deprecated.

## Dissenting Opinions

    Gray
    Brewer
United States Supreme Court
156 U.S. 51
Sparf v. United States
F. J. Kierce, for plaintiffs in error.
Asst. Atty. Gen. Conrad, for the United States.
Mr. Justice HARLAN delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# St. Nicholas/Volume 41/Number 1/A Hallowee'en Meeting

illustrated by the author
A Hallowe’en Meeting
I always thought, O1d Witch, that you were bad as bad could be.
That,if ever met you, you would surely frighten me;
I don’t believe that you can be so very wicked though.
Or else your Owl and Pussy Cat could never love you so!
# St. Nicholas/Volume 41/Number 1

“BYE, BABY BUNTING.”
PAINTED FOR ST. NICHOLAS BY ARTHUR RACKHAM.
ST. NICHOLAS
Copyright, 1913, by The Century Co. All rights reserved.
(The entire contents of this Magazine are covered by the general copyright, and articles must not be reprinted without special permission.)
CONTENTS OF ST. NICHOLAS FOR NOVEMBER, 1913.
The Century Co. and its editors receive manuscripts and art material, submitted for publication, only on the understanding that they shall not be responsible for loss or injury theretowhile in their possession or in transit. Copies of manuscripts should be retained by the authors.
In the United States and Canada, the price of The St. Nicholas Magazine is $3.00 a year in advance, or 25 cents a single copy, without discount or extra inducement of any kind. Foreign postage is 60 cents extra when subscribers abroad with the magazine mailed directly from New York to them. We request that remittance be by money order, bank check, draft, or registered letter. The Century Co. reserves the right to suspend any subscription taken contrary to its selling terms and to refund the unexpired credit.
Trustees
WILLIAM W. ELLSWORTH, President IRA H. BRAINERD, Vice-President DOUGLAS Z. DOTY, Secretary RODMAN GILDER, Treasurer GEORGE L. WHEELOCK, Ass’t Treasurer
# St. Nicholas/Volume 41/Number 1/Acrostic

AN ACROSTIC
BY MABEL LIVINGSTON FRANK
T is for Turkeys, so great and renowned;
H for the Hearth, that we gather around.
A for the Apples, so rosy and sweet;
N for the Nuts that are always a treat;
K for the Kindling we burn in the grate;
S for the Stories our elders relate.
G for the Games, when the feasting is o'er;
I for the Icicles outside the door;
V for the Vigilant Fathers of old,
I for Ideals, they taught us to hold.
N for the Needy we meet here and there;
G for the Gifts and the “Goodies” we share.
# St. Nicholas/Volume 41/Number 1/Billy and Mister Turkey

Illustrated by the Author
BILLY AND MISTER TURKEY
BY KATHARINE M. DALAND
| ‘T was on a dull November day, When Billy, on his homeward way, Met Mister Turkey, whom he knew, And stopped to have a word or two. Said Billy: “Thursday ‘s drawing nigh, With turkey (roast) and pumpkin-pie, | And many kinds of first-class fare— But don’t you worry—you ‘ll be there!” Now whether Mister Turkey knew What Billy meant, I leave to you: But he said, “Gobble!” trailed his wing, And Billy ran like anything! |
# St. Nicholas/Volume 41/Number 1/Leaf-Raking

* related authors: Gertrude Alice Kay.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
“JUST SEE HOW STRAIGHT I BURROWED TO THE CENTER OF THAT ’NORMOUS PILE!”
LEAF-RAKING
BY MELVILLE CHATER
| The corn-stalks lean in pointed sheaves, Bare branches sing against the blue; The lawn ’s a sea of withered leaves That shizzle as my feet go through. And Mike ahead and I behind Are raking hard as hard can be. Oh, see them whirling in the wind, Just like a waterspout at sca! And I dive in; I jump and twirl, Caught up from earth and floating off; And now I plunge where breakers curl, Engulfed within the ocean’s trough. I sink, I gasp: for help I 've waved; But Michael will not turn his head. Lost, lost in Shizzle Sea!—No, saved! I 'm “rescued”—on the flower-bed! Now I 'm a mole. I ’ve tunneled through That leafy mountain, quite a while, | Just see how straight I burrowed to The center of that ’normous pile! Here, wrapped in leaves from foot to head. Who cares what wind or snow may do? I ‘'m Bruin making up his bed To sleep the whole long winter through. At last our leaves are heaped, and show Against the dusk in jutting peaks, Like Indian wigwams, row on row, Whose smoke ascends in coils and streaks. They catch, they blaze! The camp ’s aflame! And I, the hostile chief, Red Cloud, Steal, crawling slyly, on my game, To whoop the war-cry long and loud! Too soon the war-dance ends; too soon The blaze is sunk in smoldering gray. Up rakes, and homeward by the moon! A fine day’s work we "ve done to-day! |
# St. Nicholas/Volume 40/Number 9/Vacation Song

A GAY VACATION SONG
BY LOUISE SEYMOUR HASBROUCK
(To be sung with a hpp, skip, and jump)
| Oh, I know what I ’ll do, I ’ll do, As soon as school is through, is through! I ’ll shout and play The whole long day, And never once be blue, be blue! And I know where I ’ll be, I ’ll be, As soon as I am free, so free! With daisies white In green fields bright, And very near the sea, the sea! | And when I hear the rain, the rain, Go “plop” against the window-pane, I ’ll find such books And cozy nooks, I ’ll hate to stir again, again! And then when sunmer 's done, all done, And we are brown with sun, with sun, And days are cool, We ‘ll go to school, And, after all, that ’s fun, that ’s fun! |
# St. Nicholas/Volume 41

ST. NICHOLAS:
AN
Illustrated Magazine
For Young Folks.
VOLUME XLI.
Part I—NOVEMBER, 1913, TO APRIL, 1914.
T$^{HE}$ CENTURY CO., NEW YORK
FREDERICK WARNE & CO., LONDON.
Copyright, 1913, 1914, by The Century Co.
The De Vinne Press.
ST. NICHOLAS:
VOLUME XLI
PART I.
Six Months—November, 1913, to April, 1914.
CONTENTS OF PART I: VOLUME XLI.
FRONTISPIECES
DEPARTMENTS
ST. NICHOLAS:
AN
Illustrated Magazine
For Young Folks.
VOLUME XLI.
Part II—MAY, 1914, TO NOV, 1914.
T$^{HE}$ CENTURY CO., NEW YORK
FREDERICK WARNE & CO., LONDON.
Copyright, 1914, by The Century Co.
The De Vinne Press.
ST. NICHOLAS:
VOLUME XLI
PART II.
Six Months—May to October, 1914.
CONTENTS OF PART II: VOLUME XLI.
FRONTISPIECES
“Wee Folk,” painted by Arthur Rackham, facing page 577—“The Frog Prince,” painted by Arthur Rackham, facing page 673—“Marjorie and Margaret,” painted by Arthar Rackham, facing page 769—“Jack and the Beanstalk,” drawn by Arthur Rackham, facing page 867—A Little Maid of Holland, from a painting by Jacob Gerritsz Cuyp, facing page 963—“Puss in Boots,” painted by Arthur Rackham, facing page 1057.
DEPARTMENTS
Number 11913 November Number 21913 December Number 31914 January Number 41914 February Number 51914 March Number 61914 April Number 71914 May Number 81914 June Number 91914 July Number 101914 August Number 111914 September Number 121914 October
The Runaway 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October The Baby Bears’ Adventures 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April Miss Santa Claus of the Pullman 1913 October 1913 November 1913 December The Nursery Rhymes of Mother Goose 1913 November 1913 December 1914 January Housekeeping Adventures with the Junior Blairs 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October Golf: The Game I Love 1914 March 1914 April The Lucky Stone 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July With Men Who Do Things 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October Nature and Science 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October St. Nicholas League 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October Books and Reading 1913 November 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October The Letter-Box 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October The Riddle-Box 1913 November 1913 December 1914 January 1914 February 1914 March 1914 April 1914 May 1914 June 1914 July 1914 August 1914 September 1914 October Editorial Notes 1914 March 1914 April
# St. Nicholas/Volume 41/Number 1/And To-morrow is Thanksgiving

“AND TO-MORROW IS THANKSGIVING!”
# St. Nicholas/Volume 41/Number 1/Jealousy

* related authors: Reginald Bathurst Birch.
* sister projects: Wikipedia article, Commons category, quotes, Wikidata item.
I
I have a gray kitty and Twinkle 's her name,
She follows me 'round, and is cunning and tame;
But Dicky, the poodle, and Billy, the Skye,
Won't let me pet Twinkle if either is nigh,
And when I call, “Kitty,—here, kitty!” all three
Come running together, as fast as can be.
* II
* Sometimes when I go for Mama to the store,
* I like to take Twinkle,—just him, and no more;
* But Dicky and Billy—they won’t stay behind—
* I "ve scolded and scolded, they simply won't mind!
* So a funny procession we surely must be,
* Dear Twinkle, and Dicky, and Billy, and me.
* III
* When supper is ready, but none of them near,
* I call very softly, “Here ’s meat, kitty dear”;
* But Billy comes running, and after him Dick,
* They snatch the best morsels if kitty ’s not quick.
* Such jealous old doggies you never did see,
* But it saves lots of trouble—one name does for three!