# Wild Folk/The Seventh Sleeper

The story of a skunk; the last of the "Seven Sleepers" in the icy winter—"the bear and the bat, the woodchuck and the chipmunk, the raccoon, the jumping-mouse, and the skunk."
III THE SEVENTH SLEEPER
In a far northwestern corner of Connecticut, the twenty-one named hills of Cornwall slept deep under the snow. At the north lay the Barrack, a lonely coffin-shaped hill, where, in the deep woods on the top, lived old Rashe Howe and his wife, snowbound from December until March. Never since the day that he journeyed to New York to hear Jenny Lind sing, a half-century ago, had she spoken to him.
Two miles beyond, Myron Prindle and Mrs. Prindle lived on the bare top of Prindle Hill, where in summer the hermit thrushes sang, and in hidden bogs bloomed the pink-and-white lady-slipper, loveliest and loneliest of all of our orchids. Then there were Lion's Head, and Rattlesnake Mountain, where that king of the dark places of the forest had a den. Beyond towered the Cobble, a steep cone-shaped hill, which, a century ago, Great-great Uncle Samuel Sedgwick used to plough clear to the top. He relied upon three yoke of oxen and the Sedgwick temper; and on calm mornings could be heard discoursing to said oxen from the top of the Cobble in three different towns.
Over beyond the Cobble was Dibble Hill, with its lost settlement of five deserted houses crumbling in the woods. Coltsfoot, Green Mountain, and ​ballyhack stretched away to the south and the west; and in the northwest was Gold Mountain, with its abandoned gold-mine, from which Deacon Wadsworth mined just enough gold to pay for sinking the shaft. Then came Blakesley Hill, climbed by a winding road three miles long, and Ford Hill, populated by Silas Ford and twelve little Fords, and Bunker Hill, traversed by the Crooked S's, which drove motorists to madness.
Beyond them all was Great Hill, where grew the enormous tree which could be seen against the sky-line for ten miles around. Six generations of Cornwall people had planned to walk or drive or motor, on some day, that never dawned, and look at that tree and find out what it was. Some claimed that it was an elm, like the vast Boundary Elm which marked a corner where four farms met. Others believed it to be a red oak; while still others claimed the honor for a button-ball. But no one yet has ever known for certain. In the very centre and heart of all the other hills was Cream Hill, greenest, richest, and roundest of them all. On its flanks were Cornwall Plains, Cornwall Centre, and Cornwall Hollow; and at its foot nestled Cream Pond, with Pond Hill sloping straight skyward from its northern shore.
Ever since November, Cream Hill had been in the clutch of winter. There had been long nights when the cold stars flared and flamed in a black-violet sky, and the snow showed cobalt-blue against the dark tree-trunks. Then came the storm. For three days the north wind swept, howling like a wolf, down ​from the far-away Catskills, whirling the lashing, stinging snow into drifts ten feet deep. Safe and warm in great white farmhouses, built to stand for centuries, human-folk stayed stormbound. In the morning, again at noon, and once more in the gray twilight, the men would plough their way through the drifts to the barns, and feed and water the patient oxen, the horses stamping in their stalls, the cows in stanchions, and the chickens, which stayed on their roosts all through the darkened days. In field and forest the Seven Sleepers slept safe and warm until spring, but the rest of the wild folk were not at truce with winter but, hunger-driven, must play at hide-and-seek with foe and food. Everywhere on the surface of the snow the writings of their foot-prints appeared and reappeared, as they were swept away by the wind or blotted out by the falling flakes.
Finally, the storm raged itself out, and by the afternoon of the third day, the white unwritten page of the snow lay across hill and lake and valley. The next morning it was scribbled and scrawled all over with stories of the life which had pulsed and ebbed and passed among the silent trees and across the snowbound meadows. Wherever the weed-stalks had spread a banquet of seeds, there were delicate trails and traceries. Some of them were made up of tiny, trident tracks where the birds had fed—juncos with their white skirts and light beaks, tree-sparrows with red topknots and narrow white wing-bars, and flocks of redpolls down from the Arctic Circle, whose rosy breasts looked like peach-blossoms scattered ​upon the white snow. Hundreds of larger patterns showed where the mice-folk had feasted and frolicked all the long night through. Down under the snow, their tunnels ran in mazes and labyrinths, with openings at every weed-stalk up which they could climb in hurrying groups into the outside world. Some of the trails were lines of little paw-prints separated by a long groove in the snow. These were the tracks of the deer-mice, whose backs are the color of pine-needles, and who wear white silk waistcoats and silk stockings and have pink paws and big flappy ears and lustrous black eyes. The groove was the mark of their long slender tails. Near them were lines of slightly larger paw-prints, with only occasional tail-marks—the trail of the sturdy, short-tailed, round-headed meadow-mouse.
Here and there were double rows of tiny exclamation points, separated by a tail-mark. Wherever this track approached the mazes of the mice paw-prints, the latter scattered out like the spokes of a wheel. This strange track was that of the masked shrew, the smallest mammal in the world, a tiny, blind death, whose doom it is to devour its own weight in flesh and blood every twenty-four hours. Another track showed like a tunnel, with its concave surface stamped with zigzag paw-marks. It was the trail of the blarina shrew, which twisted here and there as if a snake had writhed its way through the powdered snow. Again, all other tracks radiated away from it; for the blarina is braver and bigger and fiercer than its little blood-brother, the masked shrew.
​Everywhere, across the fields and through the swamps and in and out of the woods, was another track, made up of four holes in the snow, two far-apart and two near-together. Overhead at night in the cold sky, below those star-jewels, Mintaka, Alnilam, and Alnita, which gleam in the belt of Orion, the same track appears where four stars form the constellation of Lepus the Hare. Down on Connecticut earth, however, the mark was that of the cottontail rabbit.
Among the many snow-stories which showed that morning was one tragedy written red. It began with the trail of one of the cottontails. At first, the near-together holes were in front of the others. That marked where Bunny had been hopping leisurely along, his short close-set forepaws making the near-together holes and his long far-apart hind paws the others. At times, where the trail led in the lee of thick bushes, a fifth mark would appear. This was the print of the powder-puff that the rabbit wears for a tail, and showed where he had sat down to rest or meditate in the snow. Suddenly, the wide-apart marks appeared far in front of the other two. For some reason the rabbit had speeded up his pace, and with every spring his long hind legs had thrust themselves beyond and outside of the short forepaws. A little farther along, the tracks of the two forepaws showed close to each other, in a vertical instead of a horizontal line. This meant to him who could read the writing that the rabbit was running at a desperate speed. At the end of every bound he had twisted ​each forepaw inward, so as to thrust them out with the greatest possible leverage.
The trail zigzagged here and there and doubled back upon itself and crossed and turned and circled. The snow said that the rabbit had been running for his life, and every twist and turn told of the desperation and dumb despair of his flight. Yet nowhere was there the print of any pursuer. At last, in a little opening among the bushes, the trail ended in a circle of trampled, ridged, and reddened snow. At the very edge of the blood-stains a great X was stamped deep. Farther on was the end of that snow-story—the torn, half-eaten body of the rabbit, which had run a losing race with death. Again, to him who could read the writing on the snow the record was a plain one. The X is the sign and seal of the owl-folk, just as a K is the mark of the hawk-people. On silent, muffled wings, the great horned owl, fiercest of all the sky-pirates, had hunted down poor Cottontail. All his speed, his twistings and turnings and crafty doublings, availed him not against the swift flight and cruel, curved talons of this winged death.
Around the trees were other series of tracks, which went in fours, something like the rabbit-tracks in miniature, except that they showed tiny claw-marks. These were where the gray squirrels had ventured out to dig under the snow, to find nuts which they had buried in the fall, or where their more thrifty cousins, the red squirrels, had sallied forth to look up hidden hoards in the lee of rocks and in hollow trees. ​Crossing and recrossing fields and forests in long straight lines were the trails of hunting foxes. The neat, clearly stamped prints, with never a mark of a dragging paw, and the fact that they did not spraddle out from a straight line, distinguished them from dog-tracks, Along the brooks were the four- and five-fingered prints of the muskrat, showing on either side of a tail-mark; and occasionally the double foot-prints of that killer, the weasel, and the rarer trail of his cousin, the mink. Only the signatures of the Seven Sleepers were absent from the smooth page. The bear and the bat, the woodchuck and the chipmunk, the raccoon, the jumping-mouse, and the skunk were all in bed.
As the sun rose higher and higher on the first day after the storm, the sky showed as blue and soft as in June, and at sunset the whole western heavens seemed to open in a blaze of fiery amber. There were strips of sapphire-blue and pools of beryl-green, while above was a spindrift of flame the color of the terrible crystal. That night the mercury crept up higher and higher in the thermometer that hung outside of Silas Dean's store at Cornwall Centre. A little screech-owl thought that spring had come, and changed his wailing call to the croon which belongs to the love-month of May, and the air was full of the tinkle and drip and gurgle of the thaw.
The next morning, in the wet snow a new trail appeared—a long chain of slender delicate close-set tracks, like a pattern of intricate stitches. The last of the Sleepers was awake, for the close-set ​paw-prints were none other than those of the unhasting skunk. "Don't hurry, others will," is his motto. It was just at dawn of the second day of the thaw that he appeared in the sunlight. All night long he had wandered slowly and sedately in and out of a circle not over two hundred yards in diameter. In spite, however, of his preoccupied manner and unhurried ways, there was not much that was edible which he had overlooked throughout his range; and now, at sunrise, which was his bedtime, he was on his way home.
The rays of the rising sun blazoned to the world the details of his impressive personality. His most noticeable and overshadowing feature was his huge, resplendent tail. It waved like a black and white banner over his broad back. Throughout its long dark hair, coarse as tow, were set bunches of white hairs, some of them so long that, when they floated out to their full extent, the width of that marvelous tail exceeded its length. At the very tip was a white tuft which could be erected. Wise wild folk, when they saw that tuft standing straight up, removed themselves elsewhere with exceeding rapidity. As for the unwise—they wished they had. Between the small eyes, which were set nearer to the pointed nose than to the broad ears, was a fine white stripe running back to a white ruff at the back of the neck. From this a wide white stripe extended across the shoulders, and branched down either flank.
As he ambled homewards in the sunlight, the skunk had such an air of innocence and helplessness, ​that a young fox, coming down the hillside after a night of unsuccessful hunting, decided that the decorative stranger must be some unusual kind of rabbit, and dashed forward to catch it with a quick sidelong snap of his narrow jaws. Unfortunately for him, the skunk snapped first. His ancestors had learned the secret of the gas-attack a million years before the Boche. As the fox rushed upon him, the skunk twisted its tail to one side bringing into action two glands near the base of its tail which secrete a clear golden fluid filled with tiny floating bubbles of a devastating gas, against which neither man nor beast can stand. Moreover, the skunk's accurate breech-loading and repeating weapon has one other improvement not as yet found in any human-made artillery. Each gland, beside the hole for long-range purposes, is pierced with a circle of smaller holes, through which the deadly gas can be sprayed in a cloud for work at close quarters.
Just as the jaws of the fox were opened to seize him, the skunk compressed the mat of powerful muscles that encircled the two conical scent-glands. From the circle of tiny openings a cloud of choking, blinding, corrosive gas poured full into the fox's astonished face. To human nostrils the very odor of the gas is appalling. A mixture of garlic, sewer-gas, sulphur-matches, musk, and a number of other indescribable smells only faintly defines it. A fox, however, is by no means squeamish about smells. Many odors which are revolting and unbearable to human nostrils arouse only pleasurable sensations in ​a fox. What sent him rolling backwards over and over, and stiffened and contracted his throat-muscles in spasms, was the choking acrid gas itself. It strangled him just as the fumes of chlorine or ammonia gas will choke a man. Only one thought remained in that fox's mind. Air, air, fresh untainted air, preferably miles away. He departed to find it, at an initial velocity of something less than a mile a minute, while his adversary lowered his plumed tail and regarded him forgivingly. Then, with mincing, deliberate steps, the skunk started leisurely back to his home on the hillside, which had once been the property of a grizzled old woodchuck.
On a day, however, the woodchuck had come back to his burrow, only to find that he had been dispossessed. The woodchuck is a surly and dogged fighter, and always fully able and disposed to protect his rights. Yet it took but a single sniff to make this one abandon his lands, tenements, and hereditaments, with all easements of ingress, egress, and regress. From thenceforth, to the skunk belonged the whole complicated system of tunnels and galleries. To him belonged the two public entrances and a third concealed from sight in a little thicket. To him came the cozy nest, with its three exits in the centre of a maze of passages, the storehouses, the sand-piles, and the sun-warmed slope where the former owner had been accustomed to take his ease. From that day forward he occupied them all in undisturbed possession.
After the rout of the fox, the skunk slept until ​late in the afternoon, and an hour before sunset was out again. Here and there, through the bushes and among the trees, he tacked and zigzagged in an apparently absent-minded way. Yet nothing that he could eat escaped those small deep-set eyes or that long pointed nose. Near the edge of the woods he passed under a sugar-maple tree. On a lower limb sat Chickaree, the irritable, explosive red squirrel, nibbling away at a long cylindrical object which he held tightly clasped in his forepaws. As the skunk passed underneath, the squirrel stopped to scold at him on general principles, and became so emphatic in his remarks that he lost his hold of what he had been eating, and it fell directly in front of the plodding skunk. It was only an icicle, but after one sniff the skunk proceeded to crunch it down eagerly while the red squirrel raved overhead. The day before, the squirrel had nibbled a hole in the bark of one of the maple limbs, to taste the sweet sap which the thaw had started flowing; and during the night the running sap had frozen into a long sweet icicle, the candy of the wild folk, which heretofore only the squirrels had enjoyed.
The last bit of frozen sweetness swallowed, the skunk ambled up the hillside. Suddenly he stopped, and sniffed at a little ridge in the snow which hardly showed upon the surface. Hardly had he poked his pointed nose into the hummock, before it burst like a bomb, and out from the snow started a magnificent cock grouse. During the storm he had plunged into the drift for shelter, and the warmth of his body had ​melted a snug little room for him under the snow. There, safe and warm, he had feasted on the store of rich, spicy seeds that he found on the sweet fern under the snow, and for long days and nights had been safe from cold and hunger. The thaw, however, had thinned his coverlet so that the fine nose of the skunk had scented him through the white crystals.
As the partridge broke from the snow, his magnificent, iridescent, black-green ruff stood out a full three inches around his neck, and his strong wings began the whirring flight of his kind. The skunk shed his slowness like a mask and with the lightning-like pounce of the weasel family, caught the escaping bird just back of the ruff and snapped his neck asunder. There was a tremendous fluttering and beating of brown mottled feathers against the white snow, and a minute later he was feeding full on the most delicious meat in the world.
THE THIEF
The contest caught the eyes of an old red fox, who was loping around a ten-mile circle in search of any little unconsidered trifle that might come his way. He was a seasoned old veteran and, unlike the novice of the day before, was well acquainted with skunk-ways. Not for any prize that the country round about held would he have attacked either one of that battling pair. His was a purely sporting interest in the fight, until he happened to catch a glimpse of the partridge half-covered by the loose snow. On the instant, he nobly resolved to play the peacemaker and remove the cause of all the trouble. Step by step, he stole up closer to the fighters, all set to turn and run for his life if either one of them saw him. At last he was poised and taut on his tiptoes not six feet from the prize. As an extra whirl of the contestants carried them to the farthest circumference of the circle of which the partridge was the ​centre, the fox started like a sprinter from his marks, and reached the grouse in one desperate bound.
Just at that instant a disengaged eye of the first of the skunks came to the surface, in time to see his grouse departing toward the horizon, slung over the shoulder of the fox, nearly as fast as if it had gone under its own wing-power. Instantly the skunk released his hold. His opponent did the same, and the two scrambled to their feet and for a long moment stood sombrely watching the vanishing partridge. Then, without a sound, they turned their backs on each other and trotted away in opposite directions.
A week later the thaw was over, and all that hill-country was once more in the grip of winter. When the temperature went down toward the zero-mark, the skunk went back to bed. Rolled up in a round ball of fur, with his warm tail wrapped about him like a fleecy coverlet, he slept out the cold in the mid-most chamber of his den on a bed of soft, dry grass. At the first sign of spring he was out again, the latest to bed and the earliest to rise of all the Sleepers.
At last the green banners of spring were planted on all the hills. Underneath the dry leaves, close to the ground, the fragrant pink-and-white blossoms of the trailing arbutus showed here and there; while deeper in the woods leathery trefoil leaves, green above and dark violet beneath, vainly tried to hide the blue-and-white-porcelain petals of the hepatica. In bare spots the crowded tiny white blossoms of the saxifrage showed in the withered grass, and the ​blood-root, with its golden heart and snowy, short-lived petals, and gnarled root which drips blood when broken. A little later the hillsides were blue with violets, and yellow with adder's-tongue with its drooping blossoms and spotted fawn-colored leaves. Then came days of feasting, which made up for the long lean weeks that had gone before. There were droning, blundering June-bugs, crickets, grubs, grasshoppers, field-mice, snakes, strawberries, and so many other delicacies that the skunk's walk was fast becoming a waddle.
It was on one of those late spring days that the Artist and the Skunk had their first and last meeting. Said artist was none other than Reginald De Haven, whose water-colors were world-famous. Reginald had a rosy face, and wore velvet knicker-bockers and large chubby legs, and made the people of Cornwall suspect his sanity by frequently telescoping his hands to look at color-values. This spring he was boarding with old Mark Hurlbutt, over on Cream Hill. On the day of the meeting, he had been sketching down by Cream Pond and had taken a wood-road home. Where it entered one of Mark's upper pastures, he saw a strange black-and-white animal moving leisurely toward him, and stood still lest he frighten it away. He might have spared his fears. The stranger moved toward him, silent, imperturbable, and with an assured air. As it came nearer, the artist was impressed with its color-scheme. The snowy stripe down the pointed black nose, the mass of white back of the black head, ​and, above all, the resplendent, waving pompon of a tail, made it a spectacular study in blacks and whites.
With tiny mincing steps the little animal came straight on toward him. It seemed so tame and unconcerned, that De Haven planned to catch it and carry it back to the farm wrapped up in his coat. As he took a step forward, the stranger seemed for the first time to notice him. It stopped and stamped with its forepaws, in what seemed to the artist a playful and attractive manner. This, if he had but known it, was signal number one of the prescribed three which a well-bred skunk always gives, if there be time, even to his bitterest enemies.
As De Haven moved toward the animal, he was again interested to see the latter hoist aloft the gorgeous black-and-white banner of its clan. Rushing on to his ruin, he went unregardingly past this second danger-signal. By this time, he was within six feet of the skunk, which had now come to a full stop and was watching him intently out of its deep-set eyes. As he approached still nearer, he noticed that the white tip of the tail, which heretofore had hung dangling, suddenly stiffened and waved erect. "Like a flag of truce." he observed whimsically to himself. Never was there a more dreadful misapprehension. That raising of the white tail-tip is the skunk's ultimate warning. After that, remains nothing but war and carnage and chaos.
If even then the artist had but stood stony still, ​there might have been room for repentance, for the skunk is long-suffering and loath to go into action. No country-bred guardian angel came to De Haven's rescue. Stepping quickly forward, he stooped to seize the motionless animal. Even as he leaned forward, his fate overtook him. Swinging his plumed tail to one side, the skunk bent its back at the shoulders, and brought its secondary batteries into action. A puff of what seemed like vapor shot toward the unfortunate artist, and a second later he had an experience in atmospheric values which had never come into his sheltered life before. From the crown of his velour hat with the little plume at the side, down to his suede shoes, he was Maranatha and Anathema to the whole world, including himself. Coughing, sneezing, gasping, strangling, racked by nausea and wheezing for breath, his was the motto of the Restless Club: "Anywhere but here." His last sight of the animal which had so influenced his life showed it demurely moving along the path from which it had never once swerved.
The wind was blowing toward the farmhouse, and although it was half a mile away, old Mark Hurlbutt soon had advance reports of the battle.
"A skunk b'gosh!" he remarked to himself, stopping on his way to the barn; "and an able-bodied one, too," he continued, sniffing the breeze.
A minute later he saw someone running toward him, and recognized his boarder. Even as he saw him, a certain aura which hung about the approaching figure made plain to Mark what had happened.
​"Hey! stop right where you be!" shouted the old man. "Another step an' I'll shoot," he went on, aiming the shovel which he had in his hand directly at the distressed artist's head, and trying not to breathe.
De Haven halted in his tracks.
"But—but—I require assistance," he pleaded.
"You sure do," agreed his landlord; "somethin' tells me so. Hustle over back of the smoke-house and get your clothes off an' I'll join you in a minute."
Mark hurried into the house, and was out again almost immediately with a large bottle of benzine, a wagon-sponge, a calico shirt, and a pair of overalls. As he came around the corner, the sight of the artist posing all pink and white against the smoke-house, with a pile of discarded clothes at his feet, was too much for the old man, and he cackled like a hen.
"Darned if you don't look like one of them fauns you're all the time paintin'," he gasped.
"Shut up!" snapped the artist. "You fix me up right away, or I'll put these clothes on again and walk through every room in your house."
This threat brought immediate action, and a few moments later an expensive and artistic suit of clothes reposed in a lonely grave back of Mark's smoke-house, where they remain even to this day. Thereafter the artist, scrubbed with benzine until he smelt like a garage, left Cornwall forever. He was wearing a mackintosh of his own. Everything else belonged to Mark.
​"It's lucky for you that he went when he did," said old Hen Root the next evening, when the story was told at Silas Dean's store at the Centre. "You're gettin' on, Mark," he continued solemnly. "If he'd a' stayed you might have got some kind of a stroke or other from over-laughin' yourself. I didn't dare to do any work for nigh a week after I first saw him telescopin' round in them velvet short pants."
"That's right," agreed Silas Dean heartily; "an' you ain't done any since—nor before," he concluded, carefully closing the cracker-barrel next to Hen.
It was, perhaps, the meeting with an eminent artist that aroused a new ambition in the skunk's mind. At any rate, from that day he began to haunt the farmyard. The first news that Mark had of his presence was when a motherly old hen, who had been sitting contentedly on twelve eggs for nearly a week, wandered around and around her empty nest clucking disconsolately. During the night some sly thief had slipped egg after egg out from under her brooding wings, so deftly that she never even clucked a protest. In the morning there were left only scattered egg-shells and a telltale track in the dust.
"Blamed old rascal," roared Mark. "First he loses me a good boarder an' now he's ate up a full clutch of pedigree white Wyandotte eggs. I'm goin' to shoot that skunk on sight."
Mark was mistaken. Early the next morning he ​opened the spring-house to set in a pail of milk. There, right beside the magnificent spring which boiled and bubbled in the centre of the cement floor, a black-and-white stranger was contentedly drinking from a pan of milk that had been placed there to cool. As Mark opened the door, the skunk looked at him calmly, and then quietly raised the banner which had waved over many a bloodless victory. Whereupon the owner of the spring-house backed away, and waited until his visitor had finished his drink and disappeared in a patch of bushes back of the milk-house.
"What about all that talk of shootin' that skunk at sight?" queried Jonas, the hired man, that evening at supper.
"The trouble was, Jonas," returned Mark confidentially, "he got the drop on me. If I'd shot I'd of lost one spring, six gallons of milk, an' a suit of clothes."
"You men are a lot of cowards," scolded his wife. "I'd of found some way to stop that skunk a-drinkin' up a whole pan of good milk right in front of my eyes. He'd not bluff me."
"Mirandy," said Mark solemnly. "you take it from me that skunk ain't no bluffer. If you don't believe it, telegraph Mr. De Haven."
In spite of her threat, it was Miranda herself who afterwards insisted that the skunk should continue to live on the farm without fear or reproach. Late one afternoon she had been coming down Pond Hill on a search for a new-born calf ​which, as usual, had been hidden by its mother somewhere in the thick woods. The path was sunken deep between banks covered with the yellow blossoms of the hardhack. At one spot, where the way widened into a rude road, a crooked green stem stretched out across the pathway, and from it swayed a great rose-red flower like some exquisite carved shell. It was the moccasin flower, the most beautiful of our early orchids. Miranda bent down to pick it with a little gasp of delight.
Suddenly, from just beyond, came a warning hiss, and in front of her reared the bloated swollen body of a fearsome snake. The reptile's head was flattened out until it was half as wide as her hand, and it swelled and hissed rhythmically like the exhaust of a steam-pipe, and repeatedly struck out in her direction, the very embodiment of blind, venomous rage. Half paralyzed with fear, Miranda moved backward and began to wonder what she would do. Night was coming on, and if she went back over the hill, it would be dark before she could reach home. As for going around, no power on earth would have persuaded her to step into the thick bushes on either side of the path, convinced as she was that they must be swarming with snakes.
At this psychological moment, ambling unconcernedly up the path, came the same black-and-white beast about which she had spoken so bitterly the day before. As it caught sight of the snake coiling and rearing and hissing, the skunk's gait quickened, and it approached the threatening figure with ​cheerful alacrity. The snake puffed and hissed and struck, but the skunk never even hesitated. Holding the reptile down with its slim paws it nibbled off the threatening head, neatly skinned the squirming body, and before Mrs. Hurlbutt's delighted eyes ate it up. Then, without apparently noticing her at all, it went on up the hill until lost to sight among the hardhacks.
It would have been impossible to convince Miranda that the snake was nothing but a harmless puff-adder, and that, in spite of its bluffing ways, it had no fangs and never was known to bite. From that day on the skunk was envisaged in her mind as the guardian angel of the farm, and the edict went out that on no account was it to be molested. Not even when most of the bees from one of Mark's cherished swarms disappeared into its leather-lined interior, would Miranda permit any adverse action.
"Some skunk that!" jeered Mark. "You let it get away with bees an' boarders an' milk an' eggs, an' never say a word. I wisht you cared as much for your husband."
"I might, if he was as brave—an' good-looking," murmured Miranda.
It was the sweet influences of the month of June which settled the dispute. Jonas had been down in the sap-works, where the vast sugar-maples grew below the milk-house meadow. As he came back up the slope, the great golden moon of June was showing its rim over Pond Hill. Ahead of him he saw a familiar black-and-white shape moving ​toward the woods. Even as he watched, a procession came down to meet him. At its head marched another full-grown skunk, while back of her was a long winding procession of little skunks. One, two, three, four, five, six—Jonas counted them up to ten, and the last one of all was jet-black except for a tiny stripe of white on its muzzle. There was a long pause as the lone skunk met the band. Then suddenly he was at the head of it, and the long procession trailed contentedly after him. Separated from him by a winter and a spring, Mrs. Skunk had rejoined her mate, bringing her sheaves with her. Away from the tame folk to return no more, the wild folk moved on and on into the heart of the summer woods.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1950, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 73 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse