# The Times' Red Cross Story Book/Lame Dogs

Lame Dogs
By Cosmo Hamilton
Royal Naval Air Service
The sun fell straightly upon a great golden cornfield. Already the sickle had been at work upon its edges, and tall bundles, among whose feet the vermilion poppy peeped, stood head-to-head at regular distances. Among the ripe heads of the uncut corn the intermittent puffs of a soft August breeze whispered, offering congratulations and perhaps condolences—congratulations mostly, because what is there more beautiful and right in all the year's usefulness than the glorious fulfilment of the spring's green promise?
All the hours of a busy morning had been marked off melodiously by the old clock of an older church which stood with maternal dignity among grave-stones several fields away. It wanted only a few moments to the hour of one. A brawny son of the soil, tanned of face, neck, and arms, who had been working in the angle of the field nearest the road, had just laid down his sickle and his crooked stick.
He was hot, but satisfied. He was also sharp-set, and very ready for the dinner that awaited him, with beer, at his cottage on the outskirts of the village. He sang, quietly and monotonously, in a typical burring way, a song which was written in praise of boiled beef and carrots. And while he sang he dabbed his face and neck with a startling handkerchief of red and yellow. Swallows, flying high, skimmed the air playfully. Flocks of sparrows moved quickly among the standing corn, no longer frightened by the tin with stones in it, that was rattled by a slow-footed boy in the distance. They were eager to get their fill of stolen fruits before their natural enemies removed it from their beaks. The air was alive with the glimmering heat, and the shadows of the trees were almost straight.
One sounded, and before the bell's reverberations had blown away, a note of discord in the delicious harmony was struck by the sudden appearance of a man, who leaned on the white gate which divided the field from the road.
He was a short, slight, odd-looking creature, dressed in clothes that were rather too smart, and a green dump hat a little the worse for wear. His clean-shaven face, mobile and curiously lined, was pale and a little pinched, and the whole limp appearance of the man showed that he was only just recovering from an illness. Across one shoulder a knapsack was slung, and behind his left ear there rested a cigarette. A pearl was stuck in a rather loud tie, and there was a large ring on one of his little fingers.
There was something both comic and pathetic in the figure, and everything that was peculiarly the very antithesis of the exquisite rural surroundings. The initials "R. D." were stencilled on the knapsack, and they stood for Richard Danby, a name that was well known in towns, but wholly unknown among cornfields and under the blue, unsmoked sky.
Danby, who had gladly leaned on the gate to rest, watched the big, muscular man for a moment, with eyes in which there was admiration, and listened to the unmusical rendering of a song which had trickled, note by note, into the country from London, with amusement. He then adopted an air of forced cheerfulness and clapped his hands.
"Bravo!" he said. "Bravo!"
Peter Pippard turned slowly, antagonistically.
"Eh?" he said.
The little man waved his ringed hand.
"I said 'Bravo'—well rendered. What is it? An aria from Faust, or a little thing of your own?"
The big man was puzzled and surprised.
"Eh?" he said again.
Danby was not to be beaten. There was something in his manner which showed that he was in the habit of addressing himself to audiences and talking for effect.
"How delightful," he continued, with fluent insincerity, "to find a peasant in song! A merry heart wags all the day. Who wouldn't be happy among the golden corn, in touch with Nature, with the field-bugs gambolling over one's back!"
"Eh?"
Danby laughed.
"You find me a little flowery; I am flying too high for you. I am indulging in aeroplanics. I'll come down to the good red earth. Marnin', matey. How's t'crops?"
The imitation of the country accent was ridiculously exaggerated. The farm-hand examined the town man searchingly and suspiciously.
"Eh?" he said again.
"Beat again!" said Danby, with a shriek of laughter.
Pippard went closer, but slowly.
"Want onythin', mister?" he asked.
"No. Oh Lord, no! I only want to get some other word out of you than 'eh.'"
"Oh," said Pippard.
"Thanks. Thanks most awfully. Now we're moving. . . . Well, how's the corn? It looks fine and fat."
"Ah," said Pippard, grinning broadly and affectionately.
The little man bowed. He seemed to be saying things which would arouse laughter among an invisible audience.
"Again I thank you. Yes, very fine and fat. You've been punching out and giving them thick ears. What?"
The examination was continued.
"You doan't seem ter be talkin' sense, mister."
Another shriek of laughter disturbed the characteristic peacefulness.
"Congratulations! You've discovered me. How can I talk sense when I'm trying to be sociable? You don't object to a little bright conversation, do you?"
"Noa."
"Well, we'll cut generalities and come to facts. How's the twins?"
"Ain't got no twins."
"Nonsense! I don't believe it. A great, big, brawny fellow like you. I take it you've got some nippers?"
Pippard chuckled. "Three girls and two boys."
"Ah, that's something like! Again congratulations! It's very kind of you to ask me to come over. Since you're so pressing, I think I will." He climbed over the gate a little painfully and walked jauntily into the field.
The farm-hand broke into a laugh. "Ah reckon as 'ow you're a funny man, ain't you?"
The little man became suddenly serious, so suddenly and so eagerly serious, that if Pippard had been endowed with the first glimmerings of psychology, he would have been startled and a little nervous. "Are you joking, or do you mean it? Is it possible that I make you laugh? Is it possible?"
"The very sight o' you gives me a ticklin' inside," was the reply.
Danby seized the brawny and surprised hand and wrung it warmly. "God bless you, dear old Hodge!" he said hoarsely. "God bless you!" Then he laughed merrily. "You make me feel like an attack of bronchitis."
The feeble joke went home. Pippard roared. "There you goes agin," he said. "What are yer, mister? A hartist?"
"An artist? Oh, dear no. Oh, God bless me, no! I'm an artiste."
"What's the difference, any'ow?"
If the little man had asked for his cue, he could not have got it more readily. "An artist earns his bread-and-butter by putting paint on canvas, and an artiste gets an occasional dish of tripe and onions by putting paint on his face."
"Ah reckon as 'ow you're an artiste, mister, although Ah can't see no paint on yer face."
"I washed over twelve months ago," said Danby sadly. "Oh, by the way, am I trespassing?"
"Well, it all depends on wot ye're a-goin' ter do."
"Eat, old boy. If you've no objection I'm going to spread out my hors d'œuvres and pâte de foie gras, and lunch al-fresco."
"Don't onderstand a blame wurd," said Pippard, grinning.
"Putting it in plain English, I'm going to wrestle with half a loaf of bread and two slices of cold ham. Will you join me? Do." The invitation was made eagerly. "Stay here and let me hear you laugh. It does me more good than a whole side of streaky bacon."
Pippard scratched his head doubtfully. "Well, Ah told th' old 'ooman as 'ow Ah'd be wome for dinner," he said.
"The old woman must not be disappointed. Do you pass a pub on your way home?"
"Can't go anywhere from 'ere without passin' a poob."
Danby squeezed a shilling into the great sun-tanned fist.
"Well, call in and get a drink."
"Thankee, Ah doan't mind if Ah do."
Drink to my health. I don't suppose you want a drink more than I want health." He walked round the farm-labourer admiringly. He looked like a smooth-haired terrier who had suddenly met a St. Bernard. "My word, I'd give something to be a man like you. What muscle, what bones, what a back! What a hand! It's as big as a leg of mutton. Do you ever get tired of being healthy? Do you ever wake up in the morning and say: 'O Lord, I'm still as strong as an ox—why can't I get a nice thumping headache to keep me in bed?'"
It was altogether too much for the man who rose with the sun and went to bed with the sun and worked out in the fields all day long; the big, simple, healthy, natural man, whose life was a series of seasons, to whom there was no tragedy except bad weather, and a lack of work and wages. This odd little creature, who said unexpected things as though he meant them, and asked funny questions seriously, was "a comic"—such a man as the clown who came with the circus twice a year, and played the fool in the big tent which was pitched on the green and lighted with flares of gas. Pippard laughed so loudly that he scared the eager sparrows.
"There you go," he said. "Ah reckon as 'ow you was born funny."
Danby eyed him keenly and wistfully. "Are you laughing at me?" he asked. "Me?"
"Laffin'? Why, you'd make an old sow laff."
"You amaze me," said Danby. He gave the man another shilling. "Get further drinks on your way back. You're—you're a pink pill for pale people, old boy."
"Ah must go," said Pippard reluctantly.
"Yes, you trudge off to the old woman and get your dinner. I'll drink your health in a glass of water and a tabloid."
Pippard got into his coat and re-lit a short black clay.
"Well, good day, and thankee."
"Good day, and thank you" Danby held out his hand. It was thin and pale. It was grasped and shaken monstrously. "That's right—hurt it. Go on; hurt it. You make me feel almost manly. . . . Good day and good luck! My love to the old woman and the kids, and the rabbit, and the old dog, and granny."
Laughing again, the big man marched off, made small work of the gate, and trudged away. Danby followed him up to the gate, and stood watching him curiously and admiringly, and as he watched he spoke his thoughts aloud.
"Good day, giant," he said. "Good day, simple son of the soil, who eats hearty, drinks like a fish, and digests everything. Good-bye, man who knows nothing, and doesn't want to know anything. I'd give ten years of my life for five of yours any day. Well, well."
He turned with a sigh, took off his hat and hung it on a twig of the hedge, and then divested himself of his knapsack. This he unstrapped, and, taking out a napkin, spread it with a certain neatness on the grass, and set upon it a loaf, a piece of Cheddar cheese, a lettuce, and several slices of ham wrapped in paper, a knife and fork. To this not unappetising meal he added a large green bottle of water.
"Ah!" he said. A sudden thought struck him. He put his finger and thumb into a waistcoat pocket, and brought out a small bottle of tabloids. He swallowed one with many grimaces and much effort. He sighed again and sat down. He looked with feigned interest at the eatables in front of him for several minutes. He then shook his head and gave an expressive gesture. "No," he said aloud, in order that he might not feel quite so lonely. "No, not hungry. Beautiful food, clean napkin, lettuce washed in the brook, no appetite—not one faint semblance of a twist!"
It appeared from the startled flight of a thrush from the hedge that R. D. was not to be lonely after all. Another person bent over the gate, and looked into the cornfield, seemed perfectly satisfied, and climbed over. "This is all right," she said. "Carlton, S.W. Oh!"
The exclamation was involuntary. The girl caught sight of the man and pulled up short.
Danby sprang to his feet. The girl was pretty; and although her once smart clothes were shabby, and her shoes very much the worse for wear, she looked a nice, honest, frank creature, aglow with health and youth and optimism.
Danby caught up his hat, put it on, and took it off again in his best society manner.
"No intrusion," he said. "Just a little al-fresco lunch, nothing more."
The girl smiled. Her teeth were very small and white and regular. "That was my idea," she said. "Not in the way, I hope?"
"Oh, please," replied Danby. "The sight of some one eating may inspire me and give me the much-desired appetite."
A ringing laugh was caught up by the gentle breeze.
"I should like to be able to eat enough to starve mine. Good morning!"
"Good morning!" said Danby. He bowed again, and hung his hat back on the twig. He was not a little disappointed. He had hoped for conversation and companionship. He sat down, but with interested eyes watched the girl unpack her luncheon quickly and deftly. She had no napkin. She spread her bread and meat on a sheet of newspaper, and cleaned her knife by thrusting it into the earth and wiping it on the grass. He noticed that her shoes were very dusty, and came to the conclusion that she had walked some distance. He was right. He caught her eye and looked away quickly.
"I beg pardon!" he said.
"Granted, I'm sure." Danby's manners were excellent.
"You haven't got such a thing as a pinch of salt, I suppose?"
"I can oblige you with all the condiments, including a little A1 sauce."
The girl laughed again. It was a charming laugh. "Oh, I can do without that," she said.
Danby, only too glad of an excuse to be of use, scrambled to his feet and made his way across the golden stubble to the girl's side. In his hand he held a small tobacco-tin. He opened it and held it out.
"Navy-cut?" she said, with wide-eyed surprise.
"An old 'Dreadnought' turned into a merchant ship. It's quite clean."
"Oh, thanks most awfully!" She helped herself to salt.
"Not at all," said Danby. "Any little thing like that. . . . Good day!"
"Good day!" she said.
But Danby did not move. The girl's kind heart was reflected in her blue eyes. Never in his life had he needed sympathy and companionship so desperately. He felt that even his long-lost appetite would return if she were to invite him to eat with her.
She too was lonely, although her indomitable courage did not permit her to own it, even to herself. There was, too, something about the little man that was very attractive, something which made her feel sorry for him. She wished that he would ask her if he might join her and bring his own food. What was it about him which reminded her of some one she had seen before?"
"Rather nice here, isn't it?" she said.
He replied quickly, eagerly.
"Charming!" he said. "So sylvan."
"So whater?"
"Sylvan. French for rustic."
"Oh, French!"
"Yes; I beg your pardon."
"Good day!" she said.
"Good day!" he replied.
He returned reluctantly to his pitch. He felt that he deserved his dismissal. It was a very foolish thing to have shown that he was something of a scholar. Evidently she considered that he was putting on side.
He sat down and made a sandwich. He felt that he could eat it with some enjoyment if he were seated on the other side of her square of newspaper. As it was . . .
The girl gave a short laugh.
"I'm afraid I'm a great nuisance," she began apologetically.
"Not at all. Far from it." There was another chance, then.
"You haven't got such a thing as a touch of mustard, I suppose?"
"Oh yes, I have. Almost quite fresh."
He got up again, and carried a little cold-cream pot with him.
"Oh, thank you!" She took the pot and gazed at its label, with raised eyebrows.
"It's a has-been," he said hastily. "I'm a bit of an engineer. Everything comes in useful."
"Oh—thanks frightfully." She helped herself.
"Honoured and delighted." He remained standing over her.
She looked up.
"Anything I can do for you, now?"
"Yes, if you would. When you came here you said something about Carlton Hotel."
"Oh, that was a poor attempt at wit."
Danby's hand went up to his tie. It was extraordinary how nervous he felt these days.
"Don't think me intrusive, but suppose we imagine that this is the Carlton Hotel, and that all the tables are full except one."
"Well?"
"Well, in that case, as you and I both wish to lunch, it would be very natural for us to be put at the same table, wouldn't it? Do you take me?"
The girl laughed heartily.
"Come on, then. Two's company."
"How kind you are!" said Danby. "It will give me an appetite for the first time for months." He hurried to his belongings and brought them back. I know this is very irregular, our not having been introduced, but I don't think under the circumstances it will cause a scandal in high life."
"No, nor a paragraph in the weeklies."
Danby respread his napkin and arranged his things on it. A sudden unexpected sensation of high spirits infected him.
He adopted what he considered to be the manner of a man of the world.
"Waitah, waitah!" he called, shooting his cuffs. "Great heaven, where's that waitah! I shall really have to lodge a complaint with the manager. Hi! you in last week's shirt, her ladyship and I have been waiting here for five minutes and no one's been near us. It's a disgrace. Don't stand gaping there, sir, with a Swiss grin. Alley-vous ang. Gettey-vous gone toute suite, and bringey moi le menu. Verfluchtes, geschweinhund!" He waved the imaginary waiter away. "Pray pardon my heat. Lady Susan."
The girl was intensely amused.
"Oh, certainly. Lord Edmund," she replied, assuming an elaborately refined accent.
Danby kept it up.
"Do you find the glare of the electric light too much for you? Shall I complain about the orchestra?"
"One must endure these things in these places, your lordship. Were you riding in the Row this morning?"
"Yaas." Danby twirled an imaginary moustache. "I had a canter. My mare cast a shoe—sixteen buttons. I rode her so hard that she strained her hemlock. She's a good little mare. Has fourteen hands, and plenty of action. She's a bit of a roarer, but then her mother was ridden by a Cabinet Minister."
"You haven't taken to a car, then?"
"Oh, yes. I've got one Fit and two Damlers. The annoying thing is, I've just lost my chauffeur."
"Oh, really? How?"
"He dropped an oath into the petrol-tank and was seen no more."
"What an absurdly careless person!"
Danby dropped acting, and eyed the girl keenly.
"I say," he exclaimed, "that was good!"
"So's that ham," said the girl involuntarily.
Instantly Danby's fork prodded the best piece.
"Have some. Do!"
"Sure you can spare it?"
"It would be a pity to waste it. I can't tackle more than one slice."
The girl held out a slice of bread.
"Haven't seen ham for ten days," she said simply. "It's an awfully odd thing."
"What? The ham?"
"No; your face."
Danby laughed.
"You're not the first who's thought so."
"And your voice is familiar, too," said the girl.
Danby pretended to misunderstand. She had provided him with a chance he simply could not resist.
"Familiar? Oh, don't say that. I thought I was behaving like an undoubted gentleman—one of the old régime."
The girl examined the little man with a sudden touch of excitement.
"Look here," she said. "Tell me the truth. Haven't you been a picture-postcard?"
"Yes," said Danby bitterly, "oh dear, yes! A year ago I was to be found in all the shops, between Hackenschmidt and the German Emperor."
"I've got it!" she cried. "I know you."
"No, you don't," said Danby.
"I do. I recognise you."
"I think not. No one could recognise me now."
"But I do. You're Dick Danby—the Dick Danby. The famous Dick Danby. The Dick Danby who used to set all London laughing, who played Widow Twankey at Drury Lane, and topped the bill at the Tivoli and the Pav."
The little man's thin pale hands went up to his face.
"Oh, don't!" he said, bursting into tears. "I can't bear it."
For a moment the girl was not sure whether this unexpected emotion was not part of the celebrated funny man's comic method. She was about to laugh, when she found that Danby's shoulders were shaking with very real and very terrible sobs. She was intensely surprised and upset and touched. She had never seen a man cry before. She put a soft hand on his arm.
"Oh, Mr. Danby," she said, "what is it—what's the matter?"
"Haven't you heard? Dick Danby's done for—gone under—gone phut. Dick Danby that was; Dick Danby that is no more. Dick Danby, that used to make 'em laugh, is a broken man. Oh, my God!"
"Oh, don't go on like that!" said the girl brokenly. "You'll make me cry if you do. What's happened, Mr. Danby?"
The little man shook himself angrily. He was ashamed of himself. He didn't know that he had become so weak, so unstrung, so little master of himself.
"I'm sorry," he said. "I've never cried before. It was your recognising me. I didn't think any one could recognise me as I am now. It was overwork, overstrain, three halls a night—I couldn't stand it. I tried to struggle on, but it was no use. I earned my living as a funny man. Can you imagine what it means to a funny man to find that his jokes don't go? Can you imagine what it meant for me to stand waiting in the wings for my number to go up, trembling all over with fear and fright, and then to face the public that used to roar with delight, and get a few scattered hands? Oh, those awful nights! The crowd, no longer my friends, who struck matches and talked. The look of pity on the face of the conductor, and the few words from the stage door when I crept away: 'Never mind, Mr. Danby; can't always expect to knock 'em, y'know.' Do you wonder that I fretted myself into an illness? Do you wonder that I've been creeping about the country, afraid to face the managers? I'm done. I'm a funny man gone unfunny. I'm the Dick Danby that can't get his laughs."
The girl listened to this painful confession with intense sympathy. She too had earned a hard living on the music-hall stage. She too knew what it was to fail in her anxious endeavour to win applause. She too was at that moment tramping to London in search of work, with only a few shillings between the lodging-house and the Salvation Army shelter. There was something very different between her case and Richard Danby's. She was an insignificant member of a large army of music-hall artistes whose place was always at the very beginning or the very end of the programme. When she had the good fortune to be in work, her salary was a bare living wage, and it was only by stinting herself of the few luxuries of life that she could put by a few pounds for a rainy day. Dick Danby's case was utterly—almost ludicrously—different. His salary for years had been large enough to take her breath away. He had earned more in a week than she had earned in a year. His health had broken down, and his nerves and confidence had left him, but, at any rate, he was not faced, or likely to be faced, with starvation and the Embankment, and other terrors that were unmentionable.
"Don't take it to heart, Mr. Danby," she said cheerily. "You'll get better, never fear, and knock 'em again. And, until then, you can be a country gentleman, and enjoy yourself. Think of all the money you've made!"
Danby gave a curious little laugh.
"And spent," he said. "Money? Oh, yes, I made money—money to burn—and I burnt it—in the usual way. I thought my day would go on for ever, but, like other thoughtless fools, I made a mistake. It came to a sudden end."
"But—but you don't mean to tell me that you haven't saved, Mr. Danby?"
"Saved?" Danby laughed again. "Have you ever heard that the word 'save' isn't in the dictionary of the men who earn their living behind the footlights? I've got just enough left to keep me on the road till the end of the summer."
"And then?"
"And then—the workhouse or the prison."
"Never, never!" cried the girl. "Never!"
A great thrill ran through the little man's veins. The emphatic cry was the best thing he had heard for many long, depressing months. The fact that it came from a shabby girl who might be in a worse plight than himself did not seem to matter.
"But what am I to do?" he asked.
The girl did not hesitate.
"Go back to the halls with new and better turns," she said strongly.
Danby shuddered, and went back, snail-like, into his shell.
"I couldn't. I couldn't face 'em. Who'd have me now?"
"The Coliseum; the Hippodrome."
"They'd never look at me. Me? They only want good stuff—first-rate stuff—all stars."
"But you are a star!"
"A fallen star. No; it's the workhouse for me. I'm a 'has-been,' a waster."
"Who will be again," said the girl. "Mr. Danby, I know you, and what you're capable of. I've been in the same bill with you, and you haven't begun to show 'em what you can do yet."
Danby looked at this girl, whose young voice quivered with confidence, with a new interest.
"You in the same bill with me!"
"Yes. You've never heard of the Sisters Ives?"
Danby wrinkled up his forehead.
"The Sisters Ives? Fanny and Emily Ives?"
"I'm Fanny. Emily's dead. We did pretty well together, but somehow—I dunno, I don't seem to catch on alone. I'm tramping back to London," She was unable to keep her resolutely cheerful voice quite steady, or prevent her smiling mouth from trembling.
Danby bent forward and caught Fanny's hand, and held it warmly.
"Oh, my dear," he said. "My dear."
There was no longer any need for society manners between these two, nor introductions nor small-talk. They had become brother and sister—two human beings on the same hard road.
"So we're both of us lame dogs, eh?" he said.
"Yes," said Fanny, "but not too lame to give each other a hand over the stile. I'm not going to give up barking, and you're not, either."
"I've got no bark left in me," said Danby sadly. "Not even a growl."
The girl sprang to her feet. Her young body seemed to be alight with energy.
"Don't talk nonsense, Mr. Danby!" she said. "Cock up your tail, go springy on your feet, and come back to London, and give 'em a bit of the old. D'you mean to tell me that you can't remember the knack you had of doing the blear-eyed major?"
Danby was beginning to feel horribly excited. His depression seemed to be lifting like a mist.
"I can remember nothing," he said irritably. "I tell you I'm no good. I've lost my pluck!" He said these things merely in the hope that they might be denied.
"Go on. Pluck! You only want a shove. I'm not going to have any of that sort of thing, believe me. You've got to wake up, you have. You've got to be brought in from grass and stuck into harness again. Now, no nonsense. I'm the great B. P., I am, for the time being. Now, then, on you come. The blear-eyed major, quick. We'll take the song for sung. Come to the patter!"
Danby's fingers twitched, and already he had flung out his chest and squared his shoulders.
"I—I can't," he said.
"You shall!" said Fanny.
"But—but what about make-up?"
Fanny nearly gave a shout of triumph. It had got as far as make-up. She was winning!
"Make-up!" she scoffed. "A great artiste wants no make-up!"
"But I must have a moustache. I never did the major without something to twirl."
Fanny's quick hands were up to her hair.
"Here you are," she said, holding out a curl. "Bit of my extra. Go on now. Get it up."
Danby caught it, and laughed. He was shaking with excitement.
"You—you inspire me," he said. "You—fill me with new life. How can I stick it on? I know. Mustard!"
He rushed to the cold-cream pot, put his fingers into it, rubbed the thick yellow stuff on his upper lip, and stuck on the curl. Then he seized his hat, cocked it on at an angle of forty-five, buttoned up his coat, and strutted about like an irascible bantam cock.
"Armay? Armay? My dear lady, we have no Armay! It was taken over by a lawyer as a hobby. It's a joke, a bad joke, at which nobody laughs. When you ask about the Armay you go back to the days of my youth, when I was in the 45th—a deuce of a feller too, I give you my word. We officers of Her Majesty's British Armay were fine fellows, handsome dorgs, my dear lady; and I think I may say I am the last of the fruitay old barkers who could make love as well as they could fight. Oh, l'amour, l'amour! Do you kiss?"
There was in this rapidly touched-in sketch something of portraiture which was not spoilt by the banality of the patter. It was, perhaps, the portrait of the stage-major, but it was the portrait of a man who might conceivably have lived even for the strong note of caricature.
Fanny danced with delight, and clapped her hands until they smarted.
"Hot stuff, Mr. Danby; very hot stuff!"
"No; it's rotten. Hopeless. You'd better give me up!" Danby, still afraid to believe in himself, took off the impromptu moustache and unbuttoned his coat.
"Give you up! I'll see you further. Now, then. The woman turn. Quick. You were a scream as a woman, Mr. Danby dear."
"The woman! How can I?" He looked round for his properties—wig, bonnet, dress, umbrella, little dog. His hands fluttered impotently.
Fanny was ready for him—ready for anything. She was playing the angel, the Florence Nightingale. She was bringing back a human being to life, to a sense of responsibility, to a realisation of power, putting him on his feet again. She intended to win.
"Here you are," she said. "Get into this."
With quick, deft fingers she undid her belt and some hooks, slipped her skirt down, stepped out of it, and threw it at him. In her short, striped petticoat she looked younger and prettier and more honest than ever.
Danby gave a gurgle of excitement.
"Oh!" he said. "Oh, Miss Ives, you—you beat me, you——" He got into the skirt.
"That's the notion," she said. "Now get into this." She had whipped off her hat and held it out.
Danby took it. If Pippard had caught sight of him as he stood among the stubble in a skirt beneath his coat he would have fallen into what might turn out to be a dangerous fit of laughter.
"But how about hair?" asked Danby. "Oh, I know."
It was an inspiration. He darted to the nearest rick, plucked out a handful of golden corn, twisted it into a sort of halo, put it on turbanwise, and placed the hat on top. The effect was excellent; but it was the expression of the little actor's face which did more to put before his audience of one the garrulous, spiteful, prying woman than the skirt and hat put together.
He came forward with a life-like walk and smile.
"Oh, how do you do, my dear Mrs. Richmansworth?" he said. "I'm afraid I'm a little late, but I only just remembered that it's the third Thursday. I see you've got a new knocker. It represents a gargoyle, or a Chinese god, does it not? Or is it a fancy portrait of your husband? How is dear Mr. Richmansworth? Better! Ah, I wish I could say the same for mine. My husband . . . But there; the least said the soonest mended. I see that you've been having some coal in to-day. Isn't it dreadful how coal has risen? I don't call it coal now—I call it yeast. My husband . . . But let us talk of pleasant things. I see that you've lost your next-door neighbour. She was a good woman, and a great personal friend of mine; but I must say, in all fairness and in very truth, that she won't be missed, for her tongue was bitter and her words poison. No, thank you! I will not take tea. I was foolish enough to drink a cup at Mrs. Snodgrass's; and although I don't wish to go into details, I might just as well have swallowed a cannon-ball. I'm that swollen, I could hardly put my gloves on. I think it's called gastritis."
Fanny roared with delight. The absurd patter was said with an unmistakable touch of humour which would have appealed irresistibly to any music-hall audience.
"Good old Dick Danby!" she cried. "It's a case of six weeks at the Coliseum and fifteen on the road, with a star line on the bills. Give me my skirt."
"I beg your pardon!" He got out of it quickly. "Oh, if only I dared! If only I had the pluck to face my friends in front again! 'Return of Mr. Richard Danby,' eh?"
"That's it! It's a cert.! It's fine! You're up to your best form. You only want a couple of good songs, and your face will gleam again in all the shop windows."
Danby put his trembling hands on the girl's shoulders.
"Oh, Miss Ives! Oh, Fanny, you're better than all the medicine. You're a lady doctor—a hospital of lady doctors. You've bucked me up. You've given me back my pluck. Come on—to London—to London!"
"Yes," cried Fanny, "to London!"
Danby ran to his knapsack and began to pack it feverishly. The colour had returned to his face. His eyes were alight. He laughed as he packed. They both laughed; and when, a few minutes later, they faced each other again, ready for the road, they both looked as if a fairy had touched them with her wand.
"Your sister's dead," said Danby, "and you're down on your luck. Join forces with me, and we'll do a turn together—this turn, this story, just as we've done it here, and we'll call it 'Lame Dogs.'"
Fanny's tears started to her eyes.
"Oh, Mr. Danby, do you mean that?"
Danby almost shouted with excitement.
"Mean it? I never meant anything so seriously in my life. Dick Danby and Fanny Ives at ten o'clock nightly. That's what I mean, my dear. You've done it. You've helped a lame dog over a stile. In future, I won't work only for myself. I'll work for you too. Little Dick Danby's on his feet again. Little Dick Danby's believed in. He's come face to face with Miss Fanny Hope Faith Charity Ives, and he won't let her go. Is it a contract?"
Fanny tried to take the outstretched hand. She tried to speak, and failed. Danby bent down and put his lips on her sleeve. Then he led her to the stile, helped her over, and together they took the road which led to London.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 81 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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