OpenLLM-France/wikimedia huggingface dataset:
# Tangled Hair/Gleanings

Gleanings
The volcano of Asama! Multitudinous white naked children Ascend to heaven Amidst the smoke.
The volcano of Asama! The stillness of the violent thing! The whirl of the platinum flame Moves not even slightly.
The flames of Asama Neither approach nor recede. The path of the determined soul Is single and straight.
On a day when the pond of Kumoba Is shrouded in the rain, The white birch trees Seem as pure as nuns.
How chilly the frozen lake Of Haruna looks! Yet it is not The floor of a monastery.
The autumn wind is the autumn wind; The moon is the moon; But the sound of the waves At the Naruto Straits Is more than the sound of waves.
Like white satin Dipped in a dye of blue, So disappear the whitecaps Of the Naruto Straits.
The moon shines white upon the sea, And the hills of Awaji squat low Along the Naruto Straits at midnight.
The silver threads of the moon And the blue threads of the waves Are entwined in embroidery From the cape of Oge to the island of Awaji.
Shall I call it a light Or a half light— The autumnal glow Across the ocean expanse?
Pathetic is the lone light That in the rise and fall Of the ocean waves Now appears and now disappears.
# Tangled Hair/My Guests

My Guests
One is a man of feeling, A deplorer of the world’s evils, Who lives only on adjectives.
The other is a man of all kinds of plans, A draughtsman with No experience in house building.
In this busy mid-December To keep company with you both is impossible. I must excuse myself and do my own work.
Please, you two guests, Make yourselves at home.
# Tangled Hair/Man and Weeds

Man and Weeds
When the wind blows, O weeds, Why do you all turn in one direction? Man does not so. He turns according to his own bent. What is good or what is bad, He knows not. He acts only according to his own proclivity.
# Tangled Hair/One Night

One Night
In every room Light a hundred candle-power light: In every vase Arrange poppies and roses: Not to comfort But to chastise. For here a woman —Forgetting to praise, —Forgetting to thank— Suddenly wished to weep Over a trifle.
# Tangled Hair/Path of a Comet

Path of a Comet
Oppressed By the heavy thoughts within me, The rose in my heart Falls piteously.
All are dim tonight— The evening moon shrouded in the clouds, The lights of the city of Kurosawa, And my life.
Dreaming The poppies let their petals fall. Losing my dream, I let my spirit fail.
If the tendrils of a morning glory Wind themselves about my hair and bloom, I shall lie asleep till the autumn wanes.
How forlorn was my heart When I went out to see The faintly white milky way And heard a cuckoo wail!
How tiresome the guest Who talks unceasingly About the little birds! Let him be a bird right away.
With the lightness of radiance That envelops the sky, The white ears of the pampas grass Cover the autumnal hills.
The cuckoo puts down with her song All the other singing creatures— The multitudinous birds, The cicades, and the bull frogs.
Even a peacock assumes, When he is weary, An attitude of dejection And will not spread for a while His lovely feathers.
While I was picking up seven pebbles, My soul grew up to be a woman. Now I walk along Casting them out one by one.
The setting sun forgets Its mighty power, And, like a woman, burns Only for love.
# Tangled Hair/Mother's Soul

Mother’s Soul
It is more interesting to bring up my child Than to raise a brood of canaries. The down of the chicks is shabby; Their gait too is faltering.
But, when I see the firm white body Of my chubby child in the tub, My mother’s soul is thrilled. In limbs, body, and features, Unlike that weird look of the canary brood, It is already the image of its parents. In due time, like them, it will feel and be moved, And give utterance to its thoughts.
A poet, a troubador, a doctor, a scholar, A king or a regent, though he may not be; A fireman of a big liner, a fisher on the sea, Or even a simple type-setter, he may be; Yet I would gladly nurse and care for my child Rather than raise a brood of canaries.
# Tangled Hair/My Great Grandmother's Prayer Beads

My Great Grandmother’s Prayer Beads
I know not of my great grandmother, But I am told she was fond of splendor. Being tired of the beads of crystal, Being tired of the beads of coral, She told the beads of sapphire.
As I am poor and have no toys to bestow, I unstring the beads of sapphire And place them one by one In the palms of my children’s hands.
# Tangled Hair/My Songs

Portraits in Clay
My Songs
Because my songs are brief, People think I spare words. I have spared nothing in my songs. There is nothing I can add. Unlike a fish, my soul has no gills; I sing only in one breath.
# Tangled Hair/Parting

Parting
How marvellous! You who depart this day When the cherries are blooming, Will enter Paris When the willows are budding.
Let us promise: Though I write not, Write to me. Though you forget, I shall think of you often.
With its vested power As if to vanquish The sorrows of parting, The big steamer blows its siren.
The boat is gone, And the harbor changes. There is not a white cap on the waves Which is not made of my tears.
# Spears v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
342 U.S. 854
Spears v. United States
Mr. Isaiah H. Spears, for petitioners.
Solicitor General Perlman, Assistant Attorney General Baldridge and Mr. Samuel D. Slade, for the United States.
Petition for writ of certiorari to the Court of Appeals for the Ninth Circuit.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Spears v. United States/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
* Wikipedia article
United States Supreme Court
342 U.S. 854
Spears v. United States
Denied.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Specht v. Howard

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
83 U.S. 564
Specht v. Howard
ERROR to the Circuit Court for the Western District of Tennessee.
Mr. D. K. McRae, for the plaintiff i error; Messrs. R. M. Corwine and Quinton Corwine, contra.
Mr. Justice SWAYNE stated the case, and delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Specht v. Patterson

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
386 U.S. 605
Specht v. Patterson
Argued: March 21, 1967. --- Decided: April 11, 1967
Michael A. Williams, Denver, Colo., for petitioner.
John E. Bush, Denver, Colo., for respondents.
Mr. Justice DOUGLAS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Special 301 Report

* related portals: Office of the United States Trade Representative.
* sister projects: Wikipedia article, Commons category, Wikidata item.
The Special 301 Report is prepared annually by the Office of the United States Trade Representative (USTR) under Section 301 as amended of the Trade Act of 1974. The reports identify trade barriers to U.S. companies and products due to the intellectual property laws, such as copyright, patents and trademarks, in other countries. Each year the USTR must identify countries which do not provide "adequate and effective" protection of intellectual property rights or "fair and equitable market access to United States persons that rely upon intellectual property rights".Warning: template has been deprecated.

## Issues by year

Special 301 Report by year :
| 1980s | | | | | | | | | | 1989 |
| 1990s | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 1999 |
| 2000s | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 |
| 2010s | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 |
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Tangles; Tales of Some Droll Predicaments

* information about this edition.
* sister projects: Commons category, Wikidata item.
A book full of amusing tales told so skillfully as to excite attention and prevent the reader from skipping to find out the end. The people who figure in the droll predicaments are bright-witted and full of clever expedients. While there are both romance and mystery, the author holds to her sure and graceful course between undue sentiment on one side and an excess of complex detective plots on the other. She is a diverting, talented raconteur. —from The Outlook, 30 Nov 1912.
TANGLES
MARGARET CAMERON
HIS REPRODUCTION OF LUCIA'S DROLL INFLECTION WAS INIMITABLE
TANGLES
TALES OF SOME DROLL PREDICAMENTS
BY
MARGARET CAMERON
AUTHOR OF "THE INVOLUNTARY CHAPERON" "THE CAT AND THE CANARY" ETC.
ILLUSTRATED
HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON MCMXII
Books by
MARGARET CAMERON
* The Cat and the Canary. Ill'd. Post 8vo $1.00
* The Bachelor and the Baby. Ill'd. 16mo .50
* The Involuntary Chaperon. Ill'd. Post 8vo 1.50
* The Pretender Person. Ill'd. Post 8vo net 1.30
HARPER & BROTHERS, NEW YORK
COPYRIGHT, 1912, BY HARPER & BROTHERS
PRINTED IN THE UNITED STATES OP AMERICA PUBLISHED OCTOBER, 1912
H-M

### CONTENTS

* page
* "Who Laughs Last" 1
* The Woman and the Law 27
* The Price of the Past Participle 48
* The Thing that Couldn't 71
* The Pipes o' Pan 101
* The Dénouement 130
* "The Little White Hin" 155
* The Ultimate Moment 184
* Wainwright and the Little Gods 200
* A Chance Samaritan 224
* The Mighty Trifle 247
* The Way to the Wedding 278
* When the Turtle Turned Loose 303
* Who Killed Cock Robin? 326
* The Forlorn Hope 352

### LIST OF ILLUSTRATIONS

* HIS REPRODUCTION OF LUCIA'S DROLL INFLECTION WAS INIMITABLE Frontispiece
* "IS THAT THE BEST YOU CAN DO?" Facing p. 10
* "WE ARE UNDER—SOME OBLIGATION TO GIUSEPPE, HE ONCE DID ME—A SERVICE" {{{1}}}„ 96
* "PARDON ME, MY VALUES DON'T ALWAYS TALLY WITH YOURS" {{{1}}}„ 104
* "I RANG—THREE TIMES, BUT NO ONE CAME" {{{1}}}„ 156
* WAINWRIGHT STRUCK A MATCH AND HELD IT BETWEEN CURVED HANDS {{{1}}}„ 214
* "NED McEWEN, OF ALL MEN!" SHE REJOICED {{{1}}}„ 278
* "I MIGHT EVEN NOW BE LANGUISHING BEHIND PRISON BARS" {{{1}}}„ 366
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Story teller (1)/Encounter with a Lion

ENCOUNTER WITH A LION.
The day was exceedingly pleasant, and not a cloud was to be seen. For a mile or two we travelled along the banks of the river, which in this part abounded in tall mat-rushes. The dogs seemed much to enjoy prowling about and examining every bushy place, and at last met with some object among the rushes, which caused them to set up a most vehement and determined barking. We explored the spot with caution, as wo suspected, from the peculiar tone of the bark, that it was what it proved to be, lions. Having encouraged the dogs to drive them out, a task which they performed with great willingness, we had a full view of an enormous black mained lion and lioness. The latter was seen only for a minute, as she made her escapo up the river, under concealment of the rushes; but the lion came steadily forward, and stood still to look at us. At this moment we felt our situation not free from danger, as the animal seemed preparing to spring upon us, and we were standing on the bank, at the distance of only a few yards from him, most of us being on foot and unarmed, without any visible possibility of escaping. I had given up my horse to the hunters, ​and was on foot myself; but there was no time for fear, and it was useless to attempt avoiding him. I stood well on my guard, holding my pistols in my hand, with my finger on the trigger, and those who had muskets, kept themselves, prepared in the same manner. But at this instant the dogs boldly flew in between us and the lion, and surrounding him, kept him at bay by their violent and resolute barking. The courage of these faithful animals was most admirable; they advanced up to the side of the huge beast, and stood making the greatest clamour in his face, without the least appearance of fear. The lion, conscious of his strength, remained unmoved at their noisy attempts, and kept his lead towards us. At one moment, the dogs, perceiving his eyes thus engaged, had advanced close to his feet, and seemed as if they would actually seize hold of him; but they paid dearly for their imprudence, for, without discomposing the majestie and steady attitude in which he stood fixed, he merely moved his paw, and at the next instant I beheld two lying dead. In doing this he made so little exertion, that it was scarcely perceptible by what means they had been killed. Of the time whch we gained by the interference of the dogs, not a moment was lost; we fired upon him; one of the balls went through his side just between the short ribs, and the blood immediately began to flow; but the animal still remained standing in the same position. We had no doubt that ho would spring upon us; every gun was instantly re-loaded; but happily we were mistaken, and were not sorry to see him move quietly away, though I had hoped in a few minutes to have beenenabled to tako hold of his paw without danger.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Story of a Cock and a Bull

From Fables.
* A STORY of a COCK and a BULL.
* FABLE XIII.
* Yes—we excell in arts and arms,
* In learning's lore and beauty's charms.
* The seas wide empire we engross,
* All nations hail the British cross;
* 5 The land of liberty we tread,
* And woe to his devoted head,
* Who dares the contrary advance,
* One Englishman's worth ten of France.
* These these are truths, what man won't write for,
* 10 Won't swear, won't bully, or won't fight for;
* Yet (tho' perhaps I speak thro' vanity)
* Wou'd we'd a little more humanity;
* Too far, I fear, I've drove the jest,
* So leave to Cock and Bull the rest.
* 15 A Bull who'd listen'd to the vows
* Of above fifteen hundred cows;
* And serv'd his master fresh and fresh,
* With hecatombs of special flesh,
* Like to an hermit or a dervise,
* 20 (Grown old and feeble in the service)
* Now left the meadow's green parade,
* And sought a solitary shade.
* The cows proclaim'd in mournful lowing,
* The Bull's deficiency in wooing,
* 25 And to their disappointed master,
* All told the terrible disaster.
* "Is this the case (quoth Hodge) O rare!
* But hold, to-morrow is the fair.
* Thou to thy doom, old boy, art fated,
* 30 To-morrow—and thou shalt be baited."
* The deed was done—curse on the wrong!
* Bloody description, hold thy tongue.—
* Victorious yet the Bull return'd,
* And with stern silence inly mourn'd.
* 35 A vet'ran, brave, majestic Cock,
* Who serv'd for hour glass, guard, and clock,
* Who crow'd the mansion's first relief,
* Alike from goblin and from thief;
* Whose youth escap'd the Christmas skillet,
* 40 Whose vigour brav'd the Shrovetide billet,
* Had just return'd in wounds and pain,
* Triumphant from the barbarous main.—
* By riv'let's brink, with trees o'er grown,
* He heard his fellow sufferer's moan;
* 45 And greatly scorning wounds and smart,
* Gave him three cheers with all his heart.
* "Rise, neighbour, from that pensive attitude,
* Brave witness of vile man's ingratitude;
* And let us both with spur and horn,
* 50 The cruel reasoning monster scorn.—
* Methinks at every dawn of day,
* When first I chant my blithsome lay,
* Methinks I hear from out the sky,
* All will be better by and by;
* 55 When bloody, base, degenerate man,
* Who deviates from his maker's plan;
* Who nature and her works abuses,
* And thus his fellow servants uses,
* Shall greatly, and yet justly want,
* 60 The mercy he refus'd to grant;
* And (while his heart his conscience purges)
* Shall wish to be the brute he scourges.” 1756

## Notes

First published in The Literary Magazine (i. 102-3, Dec. 1756). Reprinted 1791.
* ↑ 42. main: (Text 1756): cock-fight; train: (Text 1791) instead.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Story of the Son of a Peach

Japanese folk tale
* "Momotaro, or the Story of the Son of a Peach" by Sazanami Iwaya, translated by Yei Theodora Ozaki, illustrated by Kakuzō Fujiyama, in The Japanese Fairy Book (1908)
* "The Adventures of Little Peachling", edited by Arthur Rackham and Algernon Freeman-Mitford, 1st Baron Redesdale, illustrated by Arthur Rackham, in The Allies′ Fairy Book (1916)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Story teller (1)

THE
STORY TELLER.
THE MURDER DISCOVERED. THE WIDOW AND HER SON. ENCOUNTER WITH A LION. THE SOLDIER'S WIFE. THE CONFLICT BETWEEN GRANT AND M'PHERSON, AT HELL BRIDGE, A DANGEROUS PASS IN THE HIGH- LANDS OF SCOTLAND.
GLASGOW: PRINTED FOR THE BOOKSELLERS.
80.
* The Murder Discovered
* The Widow and Her Son
* Encounter with a Lion
* The Soldier's Wife
* The Conflict between Grant and M'Pherson, at Hell Bridge, a Dangerous Pass in the Highlands of Scotland
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Speech by Mario Draghi at the Second Crimea Platform International Summit

* information about this edition.
* sister projects: Wikidata item.
Dear President Zelensky,
Dear Colleagues,
On the second anniversary of the International Crimea Platform, I wish to express Italy’s unwavering support for this initiative and for Ukraine.
Russia’s occupation of the Crimean Peninsula in  March 2014 was an unacceptable act of aggression, a clear violation of international law.
Italy has constantly condemned Russia’s illegal annexation of Crimea and Moscow’s gradual militarization of the peninsula.
We are deeply concerned for the worsening situation of human rights in the peninsula and we stand with the Crimean Tatar community, against the violence and injustice it suffers from.  The fight for Crimea is part of the struggle to liberate Ukraine.
Last February, Russian forces used Crimea as a launch pad for their attack on the regions of southern Ukraine, including Kherson. They continue to use Crimea to put military pressure on other areas, notably the port cities of Mykolaiv and Odessa. As Russia attempts to subjugate more parts of Ukrainian territory, the international community cannot look away.
Russia must stop its illegal occupation, its brutal targeting of unarmed civilians.  Italy will continue to support Ukraine.
We are with you in your fight to resist Russia’s invasion, restore Ukraine’s territorial integrity, protect your democracy and independence.
Thank you.
This work is licensed under the Creative Commons Attribution 3.0 Unported License. This page must provide all available authorship information.
Public domainPublic domainfalsefalse
# Speech by Mario Draghi for the campaign "StandUpForUkraine"

This work is licensed under the Creative Commons Attribution 3.0 Unported License. This page must provide all available authorship information.
Public domainPublic domainfalsefalse
Italy has welcomed refugees from Ukraine with open arms.
More than 85 thousand, mostly women and children, have sought shelter from the war, in our country.
Italians have thrown open the doors of their homes and of their schools. We will not look the other way.
In the last two weeks, the government has set aside new funds to help Ukrainian refugees meet their everyday expenses. This means food, medicines, school equipment.
Overall, we have allocated roughly 500 million euros to support Ukrainians arriving in Italy, and 110 million in financial assistance to the Ukrainian government.
We have given additional aid to those in Ukraine and neighbouring countries via the International Red Cross and other organisations.
In the face of war, we defend human life and help those in need.
Italy will stand up for Ukraine.
# Sunset Gun/Post-Graduate

Layout 2
Post-Graduate
HOPE it was that tutored me,more: And Love that taught me more; And now I learn at Sorrow’s knee The self-same lore.
# Sunset Gun/Reuben's Children

Layout 2
Reuben’s Children
ACCURSED from their birth they be Who seek to find monogamy, Pursuing it from bed to bed— I think they would be better dead.
# Sunset Gun/Rhyme Against Living

Layout 2
Rhyme Against Living
IF wild my breast and sore my pride, I bask in dreams of suicide; If cool my heart and high my head, I think, “How lucky are the dead!”
# Sunset Gun/Parable for a Certain Virgin

Layout 2
Parable for a Certain Virgin
OH, ponder, friend, the porcupine; Refresh your recollection, And sit a moment, to define His means of self-protection.
How truly fortified is he! Where is the beast his double In forethought of emergency And readiness for trouble?
Recall his figure, and his shade— How deftly planned and clearly For slithering through the dappled glade Unseen, or pretty nearly.
Yet should an alien eye discern His presence in the woodland, How little has he left to learn Of self-defense! My good land!
For he can run, as swift as sound, To where his goose may hang high; Or thrust his head against the ground And tunnel half to Shanghai;
Or he can climb the dizziest bough— Unhesitant, mechanic— And, resting, dash from off his brow The bitter beads of panic;
Or should pursuers press him hot, One scarcely needs to mention His quick and cruel barbs, that got Shakespearean attention;
Or driven to his final ditch, To his extremest thicket, He’ll fight with claws and molars (which Is not considered cricket).
How amply armored, he, to fend The fear of chase that haunts him! How well prepared our little friend!— And who the devil wants him?
# Sunset Gun/Second Love

Layout 2
Second Love
“SO surely is she mine,” you say, and turnthings— Your quick and steady mind to harder things— To bills and bonds and talk of what men earn— And whistle up the stair, of evenings. And do you see a dream behind my eyes, Or ask a simple question twice of me— “Thus women are,” you say; for men are wise And tolerant, in their security.
How shall I count the midnights I have known When calm you turn to me, nor feel me start, To find my easy lips upon your own And know my breast beneath your rhythmic heart. Your god defer the day I tell you this: My lad, my lad, it is not you I kiss!
# Sunset Gun/Penelope

Layout 2
Penelope
IN the pathway of the sun, In the footsteps of the breeze, Where the world and sky are one, He shall ride the silver seas, He shall cut the glittering wave. I shall sit at home, and rock; Rise, to heed a neighbor’s knock; Brew my tea, and snip my thread; Bleach the linen for my bed. They will call him brave.