OpenLLM-France/wikimedia huggingface dataset:
# Lawson v. Floyd

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
124 U.S. 108
Lawson v. Floyd
James H. Ferguson, for appellant.
C. C. Watts, for appellee.
MILLER, J.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laws v. Armontrout

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
490 U.S. 1040
Laws v. Armontrout
No. 88-6848
See 490 U.S. 1117, 109 S.Ct. 3179.
On petition for writ of certiorari to the United States Court of Appeals for the Eighth Circuit.
The petition for a writ of certiorari is denied.
Justice MARSHALL, with whom Justice BRENNAN joins, dissenting.
Adhering to my view that the death penalty is in all circumstances cruel and unusual punishment prohibited by the Eighth and Fourteenth Amendments, Gregg v. Georgia, 428 U.S. 153, 231, 96 S.Ct. 2909, 2950, 49 L.Ed.2d 859 (1976) (MARSHALL, J., dissenting), I would grant the petition for certiorari and vacate the death sentence in this case.
Even if I did not hold this view, I would still grant the petition and vacate petitioner's death sentence, so that we might address petitioner's claim that he was denied effective assistance of counsel at the penalty phase of his trial. After an extended hearing, the District Court granted petitioner's writ of habeas corpus, ruling that petitioner had not received effective assistance of counsel, and a panel of the Court of Appeals for the Eighth Circuit affirmed. The panel's judgment, however, was overturned by the Court of Appeals sitting en banc, over a strong dissenting opinion which three judges joined. 863 F.2d 1377, 1394 (1988) (McMillian, J., dissenting, joined by Lay, C.J., and Heaney and Arnold, JJ.).

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laws v. Davis

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
281 U.S. 702
Laws v. Davis
Mr. Walter A. DeCamp, of Cincinnati, Ohio, for appellant.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Laws v. Davis/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
United States Supreme Court
281 U.S. 702
Laws v. Davis
The appeal is dismissed for the reason that the judgment of the State court sought here to be reviewed is based on a non-Federal ground adequate to support it. Bilby v. Stewart, 246 U.S. 255, 257, 38 S.C.t. 264, 62 L. Ed. 701; Dibble v. Bellingham Bay Land Company, 163 U.S. 63, 16 S.C.t. 939, 41 L. Ed. 72.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lewis v. Manufacturers National Bank of Detroit

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
364 U.S. 603
Lewis v. Manufacturers National Bank of Detroit
Argued: Dec. 15, 1960. --- Decided: Jan 9, 1961
Mr. Stuart E. Hertzberg, Detroit, Mich., for petitioner.
Mr. Richard D. Rohr, Detroit, Mich., for respondent.
Mr. Justice DOUGLAS delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Lewis v. Luckett

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
221 U.S. 554
Lewis v. Luckett
Argued: April 25, 1911. --- Decided: May 29, 1911
Messrs. John C. Gittings, J. M. Chamberlin, and Robert E. Mattingly for plaintiff in error.
Messrs. Lorenzo A. Bailey and James A. Toomey for defendants in error.
1x31 555 Mr. Justice Lurton delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jim Davis

Jim Davis
By John Masefield

## Contents

* Chapter I: My First Journey
* Chapter II: Night-Riders
* Chapter III: The Man on the Mound
* Chapter IV: The Hut in the Gorse-Bushes
* Chapter V: The Last Voyage of the "Snail"
* Chapter VI: The Owl's Cry
* Chapter VII: The Two Coastguards
* Chapter VIII: The Cave in the Cliff
* Chapter IX: Signing On
* Chapter X: Aboard the Lugger
* Chapter XI: The Frigate "Laocoon"
* Chapter XII: Black Pool Bay
* Chapter XIII: In the Valley
* Chapter XIV: A Traitor
* Chapter XV: The Battle on the Shore
* Chapter XVI: Drifting
* Chapter XVII: The "Blue Boar"
* Chapter XVIII: Tracked
* Chapter XIX: The Road to London
* Chapter XX: The Gypsy Camp
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Jim Carew

Born of a thoroughbred English race, Well proportioned and closely knit, Neat, slim figure and handsome face, Always ready and always fit, Hardy and wiry of limb and thew, That was the ne'er-do-well Jim Carew.
One of the sons of the good old land -- Many a year since his like was known; Never a game but he took command, Never a sport but he held his own; Gained at his college a triple blue -- Good as they make them was Jim Carew. Came to grief -- was it card or horse? Nobody asked and nobody cared; Ship him away to the bush of course, Ne'er-do-well fellows are easily spared; Only of women a sorrowing few Wept at parting from Jim Carew.
Gentleman Jiim on the cattle-camp, Sitting his horse with an easy grace; But the reckless living has left its stamp In the deep drawn linies of that handsome face, And the harder look in those eyes of blue: Prompt at a quarrel is Jim Carew.
Billy the Lasher was out for gore -- Twelve-stone navvy with chest of hair -- When he opened out with a hungry roar On a ten-stone man, it was hardly fair; But his wife was wise if his face she knew By the time you were done with him, Jim Carew.
Gentleman Jim in the stockmen's hut Works with them, toils with them, side by side; As to his past -- well, his lips are shut. "Gentleman once," say his mates with pride, And the wildest Cornstalk can ne'er outdo In feats of recklessness Jim Carew.
What should he live for? A dull despair! Drink is his master and drags him down, Water of Lethe that drowns all care. Gentleman Jiim has a lot to drown, And he reigns as king with a drunken crew, Sinking to misery, Jim Carew.
Such is the end of the ne'er-do-well -- Jimmy the Boozer, all down at heel; But he straightens up when he's asked to tell His name and race, and a flash of steel Still lightens up in those eyes of blue -- "I am, or -- no, I was -- Jim Carew."
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Life on the Mississippi/Chapter 37

FOR, three months later, August 8, while I was writing one of these foregoing chapters, the New York papers brought this telegram--
A TERRIBLE DISASTER.
SEVENTEEN PERSONS KILLED BY AN EXPLOSION ON THE STEAMER 'GOLD DUST.'
'NASHVILLE, Aug. 7.--A despatch from Hickman, Ky., says--
'The steamer "Gold Dust" exploded her boilers at three o'clock to-day, just after leaving Hickman. Forty-seven persons were scalded and seventeen are missing. The boat was landed in the eddy just above the town, and through the exertions of the citizens the cabin passengers, officers, and part of the crew and deck passengers were taken ashore and removed to the hotels and residences. Twenty-four of the injured were lying in Holcomb's dry-goods store at one time, where they received every attention before being removed to more comfortable places.'
A list of the names followed, whereby it appeared that of the seventeen dead, one was the barkeeper; and among the forty-seven wounded, were the captain, chief mate, second mate, and second and third clerks; also Mr. Lem S. Gray, pilot, and several members of the crew.
In answer to a private telegram, we learned that none of these was severely hurt, except Mr. Gray. Letters received afterward confirmed this news, and said that Mr. Gray was improving and would get well. Later letters spoke less hopefully of his case; and finally came one announcing his death. A good man, a most companionable and manly man, and worthy of a kindlier fate.
# Love's Diet (Donne)

TO what a cumbersome unwieldiness And burdenous corpulence my love had grown, But that I did, to make it less, And keep it in proportion, Give it a diet, made it feed upon That which love worst endures, discretion
Above one sigh a day I allow'd him not, Of which my fortune, and my faults had part; And if sometimes by stealth he got A she sigh from my mistress' heart, And thought to feast upon that, I let him see 'Twas neither very sound, nor meant to me.
If he wrung from me a tear, I brined it so With scorn and shame, that him it nourish'd not; If he suck'd hers, I let him know 'Twas not a tear which he had got; His drink was counterfeit, as was his meat; For eyes, which roll towards all, weep not, but sweat.
Whatever he would dictate I writ that, But burnt her letters when she writ to me; And if that favour made him fat, I said, "If any title be Convey'd by this, ah! what doth it avail, To be the fortieth name in an entail?"
Thus I reclaim'd my buzzard love, to fly At what, and when, and how, and where I choose. Now negligent of sports I lie, And now, as other falconers use, I spring a mistress, swear, write, sigh, and weep; And the game kill'd, or lost, go talk or sleep.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love's Labour's Lost (1925) Yale

* related portals: The Yale Shakespeare.
* sister projects: Wikipedia article, quotes, Wikidata item.
Part of The Yale Shakespeare series.
Layout 2
∵ The Yale Shakespeare ∵
LOVE'S LABOUR'S LOST
EDITED BY
WILBUR L. CROSS
AND
TUCKER BROOKE
NEW HAVEN · YALE UNIVERSITY PRESS LONDON · GEOFFREY CUMBERLEGE OXFORD UNIVERSITY PRESS
Copyright, 1925 By Yale University Press Printed in the United States of America
First published, April, 1925 Second printing, August, 1954
TABLE OF CONTENTS :
| | PAGE |
| The Text | 1 |
| Act I | 1 |
| Act II | 19 |
| Act III | 29 |
| Act IV | 37 |
| Act V | 65 |
| Notes | 107 |
| Appendix A. Sources of the Play | 127 |
| Appendix B. Shakespeare's Original Text and His Revision | 132 |
| Appendix C. The History of the Play | 136 |
| Appendix D. The Text of the Present Edition | 142 |
| Appendix E. Suggestions for Collateral Reading | 145 |
| Index of Words Glossed | 147 |
The facsimile opposite reproduces the frontispiece to 'Love's Labour's Lost' in Rowe's edition of Shakespeare (1709). The scene depicted is the visit of the pretended Muscovites near the opening of V. ii.
THE YALE SHAKESPEARE
Edited by
Published under the Direction
of the
Department of English, Yale University,
on the Fund
Given to the Yale University Press in 1917
by the Members of the
Kingsley Trust Association
(Scroll and Key Society of Yale College)
To Commemorate the Seventy-Fifth Anniversary
of the Founding of the Society
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Love's Labour's Lost

* Search for titles containing or beginning with: "Love's Labour's Lost."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* Love's Labour's Lost, a play by William Shakespeare (1590s)
* "Love's Labour's Lost," by William Hazlitt in Characters of Shakespear's Plays (1817)
* "Love's Labour's Lost," in The Encyclopedia Americana, New York: The Encyclopedia Americana Corporation (1920)
# Love's Diet

* Search for titles containing or beginning with: "Love's Diet."
* sister projects: Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Love's Diet," a poem by John Donne
* "Love's Diet," a poem by William Motherwell
# Love's Exchange

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
LOVE, any devil else but you Would for a given soul give something too. At court your fellows every day Give th' art of rhyming, huntsmanship, or play, For them which were their own before; Only I have nothing, which gave more, But am, alas ! by being lowly, lower.
I ask no dispensation now, To falsify a tear, or sigh, or vow; I do not sue from thee to draw A non obstante on nature's law; These are prerogatives, they inhere In thee and thine; none should forswear Except that he Love's minion were.
Give me thy weakness, make me blind, Both ways, as thou and thine, in eyes and mind; Love, let me never know that this Is love, or, that love childish is; Let me not know that others know That she knows my paines, lest that so A tender shame make me mine own new woe.
If thou give nothing, yet thou 'rt just, Because I would not thy first motions trust; Small towns which stand stiff, till great shot Enforce them, by war's law condition not; Such in Love's warfare is my case; I may not article for grace, Having put Love at last to show this face.
This face, by which he could command And change th' idolatry of any land, This face, which, wheresoe'er it comes, Can call vow'd men from cloisters, dead from tombs, And melt both poles at once, and store Deserts with cities, and make more Mines in the earth, than quarries were before.
For this Love is enraged with me, Yet kills not; if I must example be To future rebels, if th' unborn Must learn by my being cut up and torn, Kill, and dissect me, Love; for this Torture against thine own end is; Rack'd carcasses make ill anatomies.
# Love's Deity

I LONG to talk with some old lover's ghost, Who died before the god of love was born. I cannot think that he, who then loved most, Sunk so low as to love one which did scorn. But since this god produced a destiny, And that vice-nature, custom, lets it be, I must love her that loves not me.
Sure, they which made him god, meant not so much, Nor he in his young godhead practised it. But when an even flame two hearts did touch, His office was indulgently to fit Actives to passives. Correspondency Only his subject was; it cannot be Love, till I love her, who loves me.
But every modern god will now extend His vast prerogative as far as Jove. To rage, to lust, to write to, to commend, All is the purlieu of the god of love. O! were we waken'd by this tyranny To ungod this child again, it could not be I should love her, who loves not me.
Rebel and atheist too, why murmur I, As though I felt the worst that love could do? Love might make me leave loving, or might try A deeper plague, to make her love me too; Which, since she loves before, I'm loth to see. Falsehood is worse than hate; and that must be, If she whom I love, should love me.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love's Growth

I SCARCE believe my love to be so pure As I had thought it was, Because it doth endure Vicissitude, and season, as the grass; Methinks I lied all winter, when I swore My love was infinite, if spring make it more.
But if this medicine, love, which cures all sorrow With more, not only be no quintessence, But mix'd of all stuffs, vexing soul, or sense, And of the sun his active vigour borrow, Love’s not so pure, and abstract as they use To say, which have no mistress but their Muse; But as all else, being elemented too, Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent, Love by the spring is grown; As in the firmament Stars by the sun are not enlarged, but shown, Gentle love deeds, as blossoms on a bough, From love's awakened root do bud out now.
If, as in water stirr'd more circles be Produced by one, love such additions take, Those like so many spheres but one heaven make, For they are all concentric unto thee; And though each spring do add to love new heat, As princes do in times of action get New taxes, and remit them not in peace, No winter shall abate this spring’s increase.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love and grief or The death of the Sutherlands

Love and Grief OR THE DEATH OF THE SUTHERLANDS;
To which is added,
Fy Let Us a' to the Meet'n.
THE CHOICE.
Printed in the Year 1794.
* Love and Grief, or The Death of the Sutherlands
* Fy Let Us A' to the Meet'n
* The Choice
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love and grief or The death of the Sutherlands/Fy Let Us A' to the Meet'n

FY LET US A' TO THE MEET'N.
FY let us a' to the meet'n, for mony bra' lads will be there; Explainin the wrangs of Great Britain, and pointin them out to a hair. There will be grivances ſhown we never before kent about, And there will be things ſet agoing, will end in the Devil I doubt.
For there a' the members hae ſworn, and pledg'd to each other their word, That rather than want a reform, they'll try it by fire, and by ſword. And there will be Roſs cudgel player, a fit man for fighting is he: And there will he Donaldſon preacher, the noble Burcan o' Dundee. Fy let us, &c.
And there will be Geordy meal-maker, wi' twa-three mair lads frae the north; And there will be Haſtie the baker. and Callender's ſon o' Craigforth: And then will be Sillerſinitb Sawney, now he's turn'd a dockter himſel, And there will be ſome nae fae canny, the friends o' the French and o' H—L. Fy let us, &c.
​And there will be Malcom Wright Ballie, and Lawn-Market traders anew, And there will be Todd's and J. Halley, wyld Margaro, Nicholſon too. And there will be Laing and G. Innes, and Reverent Neil Douglas I trew, He row'd frae Dundee in a Pinnace, and left the Seceders to rue. Fy let us, &c
And there will be Wattie Hart Preſes, and Gourly, wha yet does engage, To copie o'er ony law caſes, at tippence or thripence the page. And there will be Gazetteer Printer, in room o' the Captain he came, And there will be Mitchell young Painter, and Luckenbooth Jacobin Sam. Fy let us, &c.
And there will be White, Brown, and Stalker Rait, Ritchie three Richmonds and Reid, James Somerville noted Tea Hawker, and Morris, and Muir, and Muirhead; And there will be Elekio the Tinker, wi a face fu o' ſorrow and care, And there will be Gerald and Sinclar, the Anderſton drummer, and Dair. Fy let us, &e.
Some there will be tatter'd and duddie, there Urquhart o'er frae the new town, And Secratar General Strathurdie, wi ither great men o' renown. ​There Delegates will be frae Paiſley Air, Glaſgow, and Stirling fu' riſe, Frae Perth, London, Sheffield, frae Leſlie, and ſome other ſma' towns in fife. Fy let us, &
And there will be Tailors and Sutors, and Weavers, and Maſons, and Wrigh And Grocers, and Dominie Tutors, to ſettle our Laws, and our Rights. And there they uſe every invention, their King and their Country to ſerve, ( Then ſurely they merit attention, and well of their Country deſerve. (wh(illegible text) Fy let us, &c
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love and Thought

Two well-assorted travellers use
* Love and Thought in May-day and other pieces (1867)
* Love and Thought in Poems (Household Edition, 1904)
# Love and Wit

This was first printed in the 1576 edition of Paradyse of Dainty Devices, but does not appear in the later Elizabethan editions. It was reprinted in an 1810 edition of Paradyse of Dainty Devices edited by Egerton Brydges. Published by Grosart in Miscellanies of the Fuller Worthies' Library, Vol. IV (1872)
My meaning is to work what wonders love hath wrought, Wherewith I muse, why men of wit have love so dearly bought. For love is worse than hate, and eke more harm hath done; Record I take of those that rede of Paris, Priam’s son. It seemed the god of sleep had mazed so much his wits, When he refused wit for love, which cometh but by fits. But why accuse I him, whom th’ earth hath covered long? There be of his posterity alive, I do him wrong. Whom I might well condemn, to be a cruel judge Unto myself, who hath the crime in others that I grudge.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Love and harmony combine

Incipit title a of poem by William Blake, one of several 'songs' originally published in Poetical Sketches, 1783.
* Love and harmony combine in Poetical sketches by William Blake now first reprinted from the original edition of 1783, 1868. London: Basil Montagu Pickering Edited by R H Shepherd
* Love and harmony combine, Life of William Blake (1880), Volume 2 (selections). London: Macmillan & Co. Edited by D G Rossetti
* "Love and harmony combine", quoted in R Garnett. William Blake, Painter and Poet, 1895. London:Seeley and Co. Chapter 1. p. 12
* Song: Love and harmony combine. Selected Poems from William Blake, 1982. Everyman. Edited by P.H. Butter (ISBN 0460870688)
* Song: 'Love and harmony combine', J Sampson, ed., (variorum reading, notes and preface), 1905 The poetical works of William Blake; a new and verbatim text from the manuscript engraved and letterpress originals, Oxford. 'Poems from the Poetical Sketches' p. 12.