OpenLLM-France/wikimedia huggingface dataset:
# Violin Varnish and How to Make It/Chapter 1

VIOLIN VARNISH AND HOW TO MAKE IT.
CHAPTER I.
Introductory Remarks.
Although many valuable and interesting works have been written on the manufacture, repair, adjustment, music and technique of the violin, very few writers have attempted to deal, even in the most elementary fashion, with the important and absorbing subject of varnishing.
Varnish, from the earliest history of the art, has always been an essential element in the manufacture of the violin, and the famous craftsmen of the past whose instruments are to-day so highly valued for the beauty and ​richness of their tone owed much of their success to the wonderful qualities possessed by the varnish they employed.
The old Cremonese workers, who attained the highest point of perfection in this direction, undoubtedly discovered their secret by a fortunate accident, and it is surprising that, though centuries have passed, no one has since been able to produce a varnish that will in any way compare with that of those great masters of old.
Many attempts have been made to remedy this, and much scientific knowledge has been brought to bear on the subject without much success, and it is with the object of affording to the student a guide and compendium to work upon, that I have ventured to offer this little book to his consideration, and if only a small step in this direction is gained, my desire to assist in the restoration of Violin Varnish to its former perfection will have been amply rewarded.
To obtain an Ideal Varnish, the absolutely correct proportioning of the materials used in its composition must be ascertained.
In the following chapters I have given ​several recipes for the manufacture of Varnish, and it is possible by altering and improving on these, and by continually experimenting, to chance upon a combination that will lead to the discovery of a Varnish that will equal in every way the beautiful work of the great masters.
The above-mentioned recipes will also be of service to the maker—whether amateur or professional—who experiences any difficulty in procuring a Varnish that completely meets with his requirements.
He will find it far more satisfactory and economical to make it himself, to his own taste, than by purchasing it ready made.
# Violin

* Search for titles containing or beginning with: "Violin."
* sister projects: Wikipedia article, textbook, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* "Violin," in Encyclopædia Britannica (11th ed., 1911)
* The Violin, a poem by Florence Earle Coates
* The Violin, a poem by Richard Watson Gilder
# Violin Varnish and How to Make It

VIOLIN VARNISH
AND
HOW TO MAKE IT
BY
GEO. FOUCHER.
VIOLIN VARNISH
AND
HOW TO MAKE IT.
PRINTED BY J. H. LAVENDER AND CO.,
2, DUNCAN TERRACE, CITY ROAD, LONDON, N.
VIOLIN VARNISH
AND
HOW TO MAKE IT
BY
G. FOUCHER, Senior.
MANY YEARS HON. SEC. COLLEGE OF VIOLINISTS.
AUTHOR OF “REPAIRING, RESTORING AND ADJUSTMENT
OF THE VIOLIN.”
EDITED BY
EDGAR PENNING.
London: G. FOUCHER & SONS, 226, KING STREET, W. 1911.
# Violin Varnish and How to Make It/Advertisements

WE ARE
VARNISH SPECIALISTS.
JEAN BAPTISTE VUILLAUME’S
VARNISH
(Any Colour)
G. FOUCHER & SONS,
Violin Makers
and Experts, .
226, KING STREET, LONDON, W.
WILL APPEAR SHORTLY.
A
New, Revised and Concise Edition
– OF –
and Adjustment
– OF –
THE VIOLIN
– BY –
G. FOUCHER Senr.
Messrs. G. FOUCHER & SONS,
226, KING STREET, LONDON, W.
VIOLINS BY GEORGES H. FOUCHER,
£5 : 5 : 0.
VIOLINS
BY
FELIX & GEORGES H. FOUCHER,
£12 : 12 : 0.
VIOLONCELLOS BY FELIX FOUCHER,
£20 : 0 : 0.
Messrs. G. FOUCHER & SONS, 226, King Street,
LONDON, W.
Senor Pablo Sarasate.
Signor Guido Papini.
E. Polonaski, Esq.
G. FOUCHER & SONS,
Violin Makers,
226, King Street, LONDON, W.
Perfection in Violin Making
FINE
TONE.
THE FELIX FOUCHER VIOLINS – ARE – PERFECT.
Terms and full particulars free on application.
G. FOUCHER & SONS,
226, King Street, LONDON, W.
REPAIRS.
ALL KINDS OF REPAIRS
– FOR –
VIOLAS,
VIOLONCELLOS.
Estimates Free.
SPECIAL TERMS TO THE TRADE.
G. FOUCHER & SONS,
226, King Street, LONDON, W.
W. H. PALMER & CO., Ltd. (ESTABLISHED 1805), MANUFACTURERS OF ALL KINDS OF
POLISHES,
AND STAINS.
FINEST QUALITY
OILS, GUMS, GLUES, BRUSHES, etc.
AMBER OIL VARNISH, Pale or Dark, 1/-, 2/6, 5/- per Bottle.
Colourless, Red, Brown or Yellow, INSTRUMENT VARNISH 2/6 and 5/- per Bottle.
WE SUPPLY ALL MATERIALS MENTIONED IN THIS WORK.
VARNISHES MADE according to Customers own formulas.
82 & 84, OLD STREET,
LONDON, E. C.
"THE STRAD" LIBRARY.
"THE STRAD" Office, 2, Duncan Terrace, City Road, LONDON, N.
# Violets and Other Tales/Three Thoughts

THREE THOUGHTS.
FIRST.
How few of us In all the world's great, ceaseless struggling strife, Go to our work with gladsome, buoyant step, And love it for its sake, whate'er it be. Because it is a labor, or, mayhap, Some sweet, peculiar art of God's own gift; And not the promise of the world's slow smile of recognition, or of mammon's gilded grasp. Alas, how few, in inspiration's dazzling flash, Or spiritual sense of world's beyond the dome Of circling blue around this weary earth, Can bask, and know the God-given grace Of genius' fire that flows and permeates The virgin mind alone; the soul in which The love of earth hath tainted not. The love of art and art alone.
SECOND.
"Who dares stand forth?" the monarch cried,  "Amid the throng, and dare to give  Their aid, and bid this wretch to live? I pledge my faith and crown beside, A woeful plight, a sorry sight,  This outcast from all God-given grace.
 What, ho! in all, no friendly face, No helping hand to stay his plight? St. Peter's name be pledged for aye,  The man's accursed, that is true;  But ho, he suffers. None of you Will mercy show, or pity sigh?"
Strong men drew back, and lordly train  Did slowly file from monarch's look,  Whose lips curled scorn. But from a nook A voice cried out, "Though he has slain That which I loved the best on earth,  Yet will I tend him till he dies,  I can be brave." A woman's eyes Gazed fearlessly into his own.
THIRD.
When all the world has grown full cold to thee, And man--proud pygmy--shrugs all scornfully, And bitter, blinding tears flow gushing forth, Because of thine own sorrows and poor plight, Then turn ye swift to nature's page, And read there passions, immeasurably far Greater than thine own in all their littleness. For nature has her sorrows and her joys, As all the piled-up mountains and low vales Will silently attest--and hang thy head In dire confusion, for having dared To moan at thine own miseries When God and nature suffer silently.
# With sweetness unabated

With sweetness unabated Informed the hour had come With no remiss of triumph The autumn started home
Her home to be with Nature As competition done By influential kinsmen Invited to return —
In supplements of Purple An adequate repast In heavenly reviewing Her residue be past —
# With axe and rope in the New Zealand Alps/Glossary

A SHORT GLOSSARY OF TECHNICAL ALPINE TERMS.
Arête.—A ridge either of rock, ice, or snow, or combinations of all three.
Bergschrund.—The crevasse or deep moat almost invariably found between the sides and upper portions of a glacier or ice slope and the rocks above, or the permanent clinging ice above, as the case may be. Of late the meaning of the term has become extended, and almost any crevasse in the upper parts of a glacier with one lip higher than the other comes under the designation.
Col.—Saddle, or dip in a ridge.
Cornice.—The overhanging edge of an arête caused by drifting snow.
Couloir.—A ditch or deep gully in the mountain-side; in the upper regions being usually floored with ice and swept by avalanches.
Crevasse.—The rent caused by fracture of the ice under tension.
Gendarme, or rock tower.—A mass of rock on the crest of an arête.
Moraine.—The accumulation of detritus which has fallen from the mountains on to the ice and is carried down upon it.
Névé, or firn.—Snow in a transition stage between snow and ice. The large fields of this feeding a glacier are spoken of as the névés of the glacier.
Séracs.—Blocks of ice broken into polyhedral masses (mostly cubic) by the body of the ice being crevassed in various lines of fracture. So called from the resemblance the blocks bear to a certain kind of cheese.
Shale slips and shingle and boulder fans are of very common occurrence in the New Zealand mountains and are caused by the discharge of detritus down couloirs, from which when emerging it spreads out into fan-shaped slopes.
PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE LONDON
# Young Folks' History of Mexico

* related portals: Mexico.
* sister projects: Commons category, Wikidata item.
YOUNG FOLKS'
HISTORY OF MEXICO
BY
FREDERICK A. OBER
Author of "Camps in the Caribbees," Etc.
REVISED AND ENLARGED
Fully Illustrated
CHICAGO NEW YORK
THE WERNER COMPANY
1895
copyright 1882 By Estes and Lauriat
copyright 1895 By The Werner Company
History of Mexico
CATHEDRAL, MEXICO
CONTENTS.
| CHAPTER. | CHAPTER. | PAGE. |
| I. | Geographical Distribution | 13 |
| II. | The Ancient Mexicans | 25 |
| III. | The Chichimecs | 44 |
| IV. | The Aztecs, or Mexicans | 48 |
| V. | The Rival Powers of Anahuac | 65 |
| VI. | The Triple Kingdom | 76 |
| VII. | Nezahualcovotl, King of Tezcoco | 89 |
| VIII. | Mexico in her Glory | 97 |
| IX. | Last Years of the Mexican Empire | 109 |
| X. | The Beginning of the End | 125 |
| XI. | A Glance at the Aztec at Home | 142 |
| XII. | Religion. Gods and Goddesses | 155 |
| XIII. | The Discovery of Mexico | 186 |
| XIV. | The Voyage of Hernando Cortez | 197 |
| XV. | From Tabasco to Cempoalja | 209 |
| XVI. | Destruction of the Ships and March Inland | 226 |
| XVII. | Tlascala, Cholula, and Mexico | 245 |
| XVIII. | In the Aztec Stronghold | 259 |
| XIX. | Montezuma a Captive | 274 |
| XX. | The Disastrous Retreat from Mexico | 284 |
| XXI. | The Siege of Mexico | 297 |
| XXII. | The Destruction of the City | 311 |
| XXIII. | After the Overthrow | 325 |
| XXIV. | The Reign of the Viceroys | 340 ​ |
| XXV | Discovery and Conquest of Yucatan | 349 |
| XXVI | Details of the Conquest | 361 |
| XXVII | The Reign of the Viceroys(continued) | 371 |
| XXVIII | The Reign of the Viceroys(concluded) | 390 |
| XXIX | The Great Revolution | 409 |
| XXX | Mexico Still Struggling | 421 |
| XXXI | War with the United States | 431 |
| XXXII | The March upon the Capital | 444 |
| XXXIII | The Era of Reform | 468 |
| XXXIV | The French Intervention | 483 |
| XXXV | Mexico after the Empire | 504 |
LIST OF ILLUSTRATIONS.
HISTORY OF MEXICO.
MAP OF MEXICO
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Wallenstein/The Death of Wallenstein/A1S01

THE
DEATH
OF
WALLENSTEIN.
ACT I.
Scene, a Chamber in the House of the Duchess of Friedland.
SCENE I.
Countess Tertsky. Thekla. Lady Neubrunn.
(the two latter sit at the same table at work.)
# Wallenstein/The Death of Wallenstein/A1S06

SCENE VI.
# Wallenstein/The Death of Wallenstein

THE
DEATH
OF
WALLENSTEIN.
A TRAGEDY
IN FIVE ACTS.
TRANSLATED FROM THE GERMAN OF
FREDERICK SCHILLER
BY
S T. COLERIDGE.
LONDON :
PRINTED FOR T. N. LONGMAN AND O. REES, PATERNOSTER-ROW,
By G. Woodfall, No. 22, Paternoster-Row.
1800
Act 1
* Act 1, Scene I
* Act 1, Scene II
* Act 1, Scene III
* Act 1, Scene IV
* Act 1, Scene V
* Act 1, Scene VI
* Act 1, Scene VII
* Act 1, Scene VIII
* Act 1, Scene IX
* Act 1, Scene X
* Act 1, Scene XI
* Act 1, Scene XII
Act 2
* Act 2, Scene I
* Act 2, Scene II
* Act 2, Scene III
* Act 2, Scene IV
* Act 2, Scene V
* Act 2, Scene VI
* Act 2, Scene VII
* Act 2, Scene VIII
* Act 2, Scene IX
* Act 2, Scene X
* Act 2, Scene XI
Act 3
* Act 3, Scene I
* Act 3, Scene II
* Act 3, Scene III
* Act 3, Scene IV
* Act 3, Scene V
* Act 3, Scene VI
* Act 3, Scene VII
* Act 3, Scene VIII
* Act 3, Scene IX
Act 4
* Act 4, Scene I
* Act 4, Scene II
* Act 4, Scene III
* Act 4, Scene IV
* Act 4, Scene V
* Act 4, Scene VI
Act 5
* Act 5, Scene I
* Act 5, Scene II
* Act 5, Scene III
* Act 5, Scene IV
* Act 5, Scene V
* Act 5, Scene VI
* Act 5, Scene VII
* Act 5, Scene VIII
* Act 5, Scene IX
* Act 5, Scene X
* Advert
# Wallenstein/The Death of Wallenstein/A1S07

SCENE VII.
Wallenstein.Tertsky.
# Wallenstein/The Death of Wallenstein/A1S08

SCENE VIII.
# Wallenstein/The Death of Wallenstein/A1S03

SCENE III.
To them enter the Duchess.
# Wallenstein/The Death of Wallenstein/A1S04

SCENE IV.
Wallenstein. Illo. Countess. Duchess. Thekla.
SCENE V.
# Wallenstein/The Death of Wallenstein/A1S05

SCENE V.
# Workers' Compensation Insurers Rating Association of Minnesota v. Austin Products Co./Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
C. A. 8th Cir. Certiorari denied. Reported below: 867 F.2d 1552.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Workers' Compensation Insurers Rating Association of Minnesota v. Austin Products Co.

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
492 U.S. 920
Workers' Compensation Insurers Rating Association of Minnesota v. Austin Products Co.
No. 88-1849

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# When the Great Sun Sinks to His Rest

* related portals: Hymns.
* sister projects: Wikidata item.
When the great sun sinks to his rest, His golden glories thrilling me, And voiceless longings stir my breast, Then teach me, Lord, to worship Thee.
And when the stars—the daylight fled— In serried, shining ranks I see, Filling the splendid vault o’erhead, Then teach me, Lord, to worship Thee.
Or if in solemn forest shades The calm of nature steals o’er me, And silence all my soul pervades, Then teach me, Lord, to worship Thee.
Not in the sacred shrines alone, Which chime their summons unto me, Would I look upward to Thy throne, But everywhere would worship Thee.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# When the Leaves Come Out/"Come Unto Me..."

"COME UNTO ME..."
(New York, 1914)
The night we came from out the drifting snow The winds were bitter and the streets were drear; You drove us forth who knew not where to go.
We homeless "bums" had watched the blizzard grow— The ghastliest and wildest of the year— The night we came from out the drifting snow.
But how could God's anointed ever know What Hunger means when Want and Cold are near— You drove us forth who knew not where to go.
We knew your piety for empty show, But still your pillared church was warm with cheer The night we came from out the drifting snow.
Some day an earth-uprooting storm may blow Your haughty temples full of screaming fear— You drove us forth who knew not where to go!
Then you'll remember how you scoffed at woe And met a plea for shelter with a sneer. The night we came from out the drifting snow You drove us forth who knew not where to go!
# When the Leaves Come Out/Good Slaves and Springtime

Good Slaves and Springtime
The whirring wheels go round and round, The slaves speed on throughout the day. More joyless, dreamless things than they Could nowhere on the earth be found.
No other sight, no other sound, No hope but thus to always stay. The whirring wheels go round and round, The slaves speed on throughout the day.
Outside, that mystery profound, A breath of Spring from far away— The world wakes at the call of May; But here the master smiled or frowned, The whirring wheels go round and round....
# When the Leaves Come Out/Joe Hill

JOE HILL
Murdered by the authorities of the State of Utah, November 19th, 1915
High head and back unbending—fearless and true, Into the night unending; why was it you?
Heart that was quick with song, torn with their lead; Life that was young and strong shattered and dead.
Singer of manly songs (laughter and tears); Singer of Labor's wrongs, joys, hopes and fears.
Though you were one of us, what could we do? Joe, there were none of us needed like you.
We gave, however small, what Life could give; We would have given all that you might live.
Your death you held as nought, slander and shame. We from the awful thought shrank as from flame.
Each of us held his breath, tense with despair, You, who were close to Death, seemed not to care.
White-handed, loathsome Power, knowing no pause, Sinking in Labor's flower murderous claws!
Boastful, with leering eyes, blood dripping jaws; Accurst be the cowardice hidden in laws!
Utah has drained your blood, white hands are wet. We, of the "surging flood," NEVER FORGET!
Out songster! have your laws now had their fill? Know ye, his songs and cause ye cannot kill!
High head and back unbending "rebel true-blue," Into the night unending; why was it you?
# When the King Loses His Head and Other Stories

CONTENTS.
PAGE
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# When the Leaves Come Out/A Memory

A Memory
I left you, you remember, singing there Beneath the swaying branches and the sky; The breeze just stirred the sunlight in your hair, And back of you the stream went surging by.
Along the path the violets were wet And all the hillsides drenched with evening dew. I strode on quickly that I might forget, But all the woods were eloquent of you.
Your fresh young beauty stabbed me like a knife; I seemed to breathe its fragrance everywhere. I wondered from this mad black whirl of life How anything on earth could be so fair.
The fire-fly now darts his golden light; The river's barred reflections leap and twist; The frogs tune up their chorus for the night And all the hills are melting into mist.
You seemed the soul of days that used to be. That song of yours my mother loved of yore, And as you sang it all came back to me— The dead America that is no more.
# When the Frost is on the Punkin

When the frost is on the punkin and the fodder's in the shock, And you hear the kyouck and the gobble of the struttin' turkey-cock, And the clackin'; of the guineys and the cluckin' of the hens And the rooster's hallylooyer as he tiptoes on the fence; O it's then the times a feller is a-feelin' at his best, With the risin' sun to greet him from a night of peaceful rest, As he leaves the house, bareheaded, and goes out to feed the stock, When the frost is on the punkin and the fodder's in the shock
They's somethin kindo' harty-like about the atmusfere When the heat of summer's over and the coolin' fall is here - Of course we miss the flowers, and the blossums on the trees And the mumble of the hummin'-birds and buzzin' of the bees; But the air's so appetizin'; and the landscape through the haze Of a crisp and sunny morning of the airly autumn days Is a pictur' that no painter has the colorin' to mock - When the frost is on the punkin and fodder's in the shock.
The husky, rusty russel of the tossels of the corn, And the raspin' of the tangled leaves, as golden as the morn; The stubble in the furries - kindo' lonesome-like, but still A preachin' sermons to us of the barns they growed to fill; The strawstack in the medder, and the reaper in the shed; The hosses in theyr stalls below - the clover overhead! - O, it sets my hart a-clickin' like the tickin' of a clock, When the frost is on the punkin and the fodder's in the shock!
Then your apples all is gethered, and the ones a feller keeps Is poured around the celler-floor in red and yeller heaps; And your cider-makin's over, and your wimmern-folks is through With their mince and apple-butter, and theyr souse and saussage, too! I don't know how to tell it - but if sich a thing could be As the Angels wantin' boardin', and they'd call around on me - I'd want to 'commodate 'em - all the whole-indurin' flock - When the frost is on the punkin and the fodder's in the shock!
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Who's Who in the Far East/SUNDIUS, Ambrose John

Layout 2
​SUNDIUS, Ambrose John (WUHU), H.B.M. Consul. Appointed Student Interpreter in China, Feb. 16, 1886; acting Vice-Consul at Pagoda Island, 1891, and 1892 to 1893; acting Consul at Tainan, 1893; promoted 1st Class Asst., Sept. 27, 1897; ag. Consul at Haugchow, 1896 to 1898; ng. Vice-Consul at Chemulpo, Corea, 1898 to 1899; ag. Consul at Chefoo, 1899 to 1900; promoted Consul at Yochow, 1900; transferred to Nanking, 1901; Consul at Wuhu, 1906. Address: H.B.M. Consulate, Wuhu, China.
# Who's Who in the Far East/SUNG-KUEI, General

Layout 2
​SUNG-KUEI, General (HSIAN), native of Manchuria; metrop. graduate, 1860. Imperial Resident, Tibet, 1874; Vice-Presdt., Board of Civil Office, April, 1884; Supt. of Live Stock and House Duty, Feb., 1891; Predt., Board of Works, Oct., 1892; Lieut. -General, Bordered Red Banner Corps, Aug., 1893; Presdt., Board of Punishments, Oct., 1893; do., Board of Works, Aug., 1897: Tartar-General of Hsian, Feb., 1906.
# Who's Who in the Far East/SUYEMATSU, Baron Kencho

Layout 2
​ SUYEMATSU, Baron Kencho (TOKYO), M.A., Cantab; Doctor of Literature; Member of House of Peers; b. Aug., 1865, in Fukuoka-ken; m. only d. of Marquis Ito. Educ.: Cambridge, England. Sat as M.P., 1890-1895; appointed Director of Legislative Bureau, 1892-1896; during Japan-China War was sent to Seoul on important diplomatic mission which procured for him patent of Barony; appointed Minister of Communications, 1898; Minister for Interior, 1900-1901; on outbreak of resent war was sent to England on diplomatic mission. Address: Tokyo, Japan.
# Who's Who in the Far East/SUN CHA-NAI

Layout 2
​ SUN CHA-NAI (PEKING), Member of Government Council; native of Anhwei, metropolitan graduate, 1859, optimus. Vice-Presdt., Board of Revenue, July, 1883; do., Board of War, March, 1887; do., Board of Civil Office, Feb., 1889; Presdt. of Censorate, Dec., 1890; do., Board of Works, Oct., 1892; Governor adjoint of Shuntien-fu, Oct., 1892; Presdt., Board of Ceremonies, Dec., 1896; do., Board of Civil Office, Aug., 1897; Asst. Grand Secretary, June, 1898; Principal of new Imperial University, July, 1898; Presdt., Board of Ceremonies Dec., 1900; Chancellor of Hanlin, Jan., 1901; Presdt., Board of Civil Office, June, 1901; Grand Secretary June, 1902; Supervisor, Board of Civil Office, Feb., 1902; member Government Council, Nov., 1903; Grand Sec., Wenquanko, Thronehall, July, 1985.
# Who's Who in the Far East/SUTER, Hugo

Layout 2
​SUTER, Hugo (HONGKONG), Manager Deutsch Asiatische Bank; b. Sept. 12, 1872. Represented bank in Berlin, 1982-96; India 1897-1901; arrived Hongkong, 1901. Club: Hongkong. Address:" Hatherleigh," Conduit Road, Hongkong.
# Who's Who in the Far East/SULIEMAN BIN ALMERHOM, His Highness Rajah

Layout 2
​ SULIEMAN BIN ALMERHOM, His Highness Rajah ( SELANGOR ), Sultan of Selangor. Succeeded his grand-father, late Abdul Samad, K.C.M.G, and came to throne, Feb., 1898; installed as Sultan, Nov. 5, 1903. Address: Kuala Lumpur, Selangor, Federated Malay States.
# Who's Who in the Far East/SUNG-SHOU

Layout 2
​SUNG-SHOU ( JEHOL). Manchu Presdt. Board of War; native of Manchuria. Grain Intendent, Shensi, Oct., 1890; Judge, Kiangsi, May, 1896; Treasurer, Nanking, Oct., 1896; Governor, Kiangsi, July, 1898; do., Kiangsu, Nov., 1900; do., Houan, 1901; degraded and left post, April, 1901; actg. Military Governor, Jehol, July, 1902; Military Governor, do., April, 1903; Manchu Presdt. Board of War, Dec., 1905.