OpenLLM-France/wikimedia huggingface dataset:
# An Etymological Dictionary of the German Language/Simpel

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Simpel | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Simpel, m., ‘simpleton,’ ModHG. only, from the adj. simpel, which comes from Fr. simple.
# An Etymological Dictionary of the German Language/Silbe

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Silbe | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Silbe, f., ‘syllable,’ from the equiv. MidHG. silbe, earlier sillabe, OHG. sillaba, f.; borrowed from Lat. and Gr. syllaba, probably at the same period as Schule, and the words relating to writing, such as Brief and schreiben.
# An Etymological Dictionary of the German Language/Sims

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Sims | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Sims, m. and n., ‘cornice, shelf, mantelpiece,’ from the equiv. MidHG. simȥ, simeȥ, OHG. simiȥ (OHG. simiȥstein, ‘capitellum’); a corresponding *simito- is wanting in the other Teut. languages; its pre-historic existence is proved by its kinship with Lat. sîma, ‘ogee, moulding.’ To MidHG. simeȥ belongs the prop. collective gesimeȥe, ModHG. Gesims. The derivation from Fr. cymaise (Gr. κυμάτιον) is inconceivable.
# An Etymological Dictionary of the German Language/Sinau

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Sinau | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Sinau, m., ‘lady's mantle’; the earlier ModHG. variants Sindau and Sindawe point to MidHG. and OHG. *sintou, whose lit. sense, ‘ever-dew’ (see Singrün), characterises the plant more simply than the terms Taubehalt, lit. ‘dew-holder,’ and Tanschlüssel, lit. ‘dew-key,’ which are applied to it.
# An Etymological Dictionary of the German Language/Sill

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Sill | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Sill, n., ‘tether, string’; see Siele, so too Sille.
# An Etymological Dictionary of the German Language/Silber

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Silber | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Silber, n., ‘silver,’ from the equiv. MidHG. silber, OHG. silbar, earlier silabar, n.; a common Teut. word with corresponding forms; comp. Goth. silubr, AS. seolofer, seolfor, E. silver, Du. zilver, OSax. silaƀar. Tins primit. Teut. term is pre-historically connected (comp. Gold) with the equiv. Slav. cognates, OSlov. sĭrebro, Lith. sidabras. The implied *siloƀro- is certainly not an Aryan word; perhaps the Teutons adopted it in their migration from a non-Aryan tribe and transmitted it to the Slavs. The Lat.-Gr. term argentum, ἄργυρος, seems, like the equiv. Sans. rajatá (in the Vedas silver is unknown), to point to a primit. Aryan term of which Teut. has retained no trace. Another non-Aryan word of prehistoric Teut. is Hanf.
# An Etymological Dictionary of the German Language/Sindflut

| Expand abbreviations An Etymological Dictionary of the German Language/Annotated/Sindflut | Random word Special:RandomInCategory/Kluge's Etymological Dictionary of the German Language |
​ Sindflut, see Sündflut.
# Analog Science Fiction and Fact/1937

Publisher: Street & Smith Publications

## January

Internet Archive identifier: sim_astounding-science-fiction_1937-01_18_5

## February

Internet Archive identifier: sim_astounding-science-fiction_1937-02_18_6

## March

Internet Archive identifier: sim_astounding-science-fiction_1937-03_19_1

## April

Volume 19, Issue 2 IA
Cover art by Howard V. Brown
Edited by F. Orlin Tremaine
* Water for Mars • Ross Rocklynne • novella
* The Great Radio Peril • Eric Frank Russell • short story
* The Endless Chain • A. Macfadyen, Jr. • novelette
* The Eye of Madness • Ray Rooney • short story
* Beyond the Life Line • John W. Campbell, Jr. • essay
* Minus Planet • John D. Clark, Ph.D. • novelette
* Down the Dimensions • Nelson S. Bond • short story
* A Talking Hill • Battell Loomis • essay
* Sands of Time [Part 1 of 2; Sands of Time] • P. Schuyler Miller • novella
* Winter on the Planet • Nelson Tremaine [as by Warner Van Lorne] • short story
* What Is Interest? • essay
* Science Discussions •

## May

Internet Archive identifier: sim_astounding-science-fiction_1937-05_19_3

## June

Internet Archive identifier: sim_astounding-science-fiction_1937-06_19_4

## July

Internet Archive identifier: astoundingv019n05193707

## August

Internet Archive identifier: sim_astounding-science-fiction_1937-08_19_6

## September

Internet Archive identifier: sim_astounding-science-fiction_1937-09_20_1

## October

Internet Archive identifier: sim_astounding-science-fiction_1937-10_20_2

## November

Internet Archive identifier: sim_astounding-science-fiction_1937-11_20_3

## December

Internet Archive identifier: sim_astounding-science-fiction_1937-12_20_4
# Analysis of the Sexual Impulse

* related portals: Sexuality.
* sister projects: Wikidata item.

## Toc

* Preface to the First Edition
* Preface to the Second Edition
* Analysis of the Sexual Impulse
Definition of Instinct—The Sexual Impulse a Factor of the Sexual Instinct—Theory of the Sexual Impulse as an Impulse of Evacuation—The Evidence in Support of this Theory Inadequate—The Sexual Impulse to Some Extent Independent of the Sexual Glands—The Sexual Impulse in Castrated Animals and Men—The Sexual Impulse in Castrated Women, After the Menopause, and in the Congenital Absence of the Sexual Glands—The Internal Secretions—Analogy between the Sexual Relationship and that of the Suckling Mother and her Child—The Theory of the Sexual Impulse as a Reproductive Impulse—This Theory Untenable—Moll's Definition—The Impulse of Detumescence—The Impulse of Contrectation—Modification of this Theory Proposed—Its Relation to Darwin's Sexual Selection—The Essential Element in Darwin's Conception—Summary of the History of the Doctrine of Sexual Selection. Its Psychological Aspect—Sexual Selection a Part of Natural Selection—The Fundamental Importance of Tumescence—Illustrated by the Phenomena of Courtship in Animals and in Man—The Object of Courtship is to Produce Sexual Tumescence—The Primitive Significance of Dancing in Animals and Man—Dancing is a Potent Agent for Producing Tumescence—The Element of Truth in the Comparison of the Sexual Impulse with an Evacuation, Especially of the Bladder—Both Essentially Involve Nervous Explosions—Their Intimate and Sometimes Vicarious Relationships—Analogy between Coitus and Epilepsy—Analogy of the Sexual Impulse to Hunger—Final Object of the Impulses of Tumescence and Detumescence.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1939, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 84 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Analogy

* Search for titles containing or beginning with: "Analogy."
* sister projects: Wikipedia article, Wikidata item.
This is a disambiguation page. It lists works that share the same title. If an article link referred you here, please consider editing it to point directly to the intended page.
* The Analogy of Religion, Natural and Revealed, to the Constitution and Course of Nature, a work by Joseph Butler
* Analogy, a work Helena Jane Coleman
# Analog Science Fiction and Fact/1932

Publisher: Clayton Magazines

## January

Volume 9, Issue 1
* Creatures of Vibration • Harl Vincent • novelette
* The Mind Master • Arthur J. Burks • serial • part 1 of 2
* The Winged Men of Orcon • David R. Sparks • novelette
* The Seed of the Toc-Toc Birds • Francis Flagg • novelette
* Giants on the Earth • S. P. Meek • serial • part 2 of 2
* The Radiant Shell • Paul Ernst • short story

## February

Volume 9, Issue 2
* The Pygmy Planet • Jack Williamson • novelette
* Wandl, the Invader • Ray Cummings • serial • part 1 of 4
* Seed of the Arctic Ice • Harry Bates and H. G. Winter • short story
* The Space Rover • Edwin K. Sloat • novelette
* The Mind Master • Arthur J. Burks • serial • part 2 of 2
* Zehru of Xollar • Hal K. Wells • short story

## March

Volume 9, Issue 3
* Poisoned Air • S. P. Meek • novelette
* The Affair of the Brains • Harry Bates and Anthony Gilmore • novella
* The Hammer of Thor • Charles Willard Diffin • novelette
* Wandl, the Invader • Ray Cummings • serial • part 2 of 4
* Vampires of Space • Sewell Peaslee Wright • novelette

## April

Volume 10, Issue 1
* B.C. 30,000 • S. P. Meek • novelette
* The Finding of Haldgren • Charles Willard Diffin • novella
* The Einstein See-Saw • Miles J. Breuer, M.D. • novelette
* Wandl, the Invader • Ray Cummings • serial • part 3 of 4
* The Great Dome on Mercury • Arthur Leo Zagat • novelette

## May

Volume 10, Issue 2
* Pirates of the Gorm • Nat Schachner • novelette
* The Martian Cabal • R. F. Starzl • novella
* The Great Drought • S. P. Meek • novelette
* Wandl, the Invader • Ray Cummings • serial • part 4 of 4
* The Bluff of the Hawk • Harry Bates and Anthony Gilmore • novelette

## June

Volume 10, Issue 3
* Vulcan's Workshop • Harl Vincent • novelette
* Two Thousand Miles Below • Charles Willard Diffin • serial • part 1 of 4
* Hellhounds of the Cosmos • Clifford D. Simak • novelette
* The Raid on the Termites • Paul Ernst • novella
* Priestess of the Flame • Sewell Peaslee Wright • novelette

## September

Volume 11, Issue 1
* Loot of the Void • Edwin K. Sloat • novelette
* Disowned • Victor Endersby • short story
* Two Thousand Miles Below • Charles Willard Diffin • serial • part 2 of 4
* Raiders of the Universes • Donald Wandrei • novelette
* Slaves of Mercury • Nat Schachner • novella

## November

Volume 11, Issue 2
* The Cavern of the Shining Ones • Hal K. Wells • novelette
* A Scientist Rises • Harry Bates and Desmond W. Hall • short story
* When the Sleepers Woke • Arthur Leo Zagat • novelette
* Two Thousand Miles Below • Charles Willard Diffin • serial • part 3 of 4
* The Passing of Ku Sui • Harry Bates and Anthony Gilmore • novella
# Analog Science Fiction and Fact/1942

Publisher: Street & Smith Publications

## January

Volume 28, Issue 5 Copyright Renewed: B524601 R452920 8Jan69 © Conde Nast Publications, Inc. (PCW)

## February

Volume 28, Issue 6 Copyright Renewed: B527843 R454832 3Feb69 © Conde Nast Publications, Inc. (PCW)

## March

Volume 29, Issue 1 Copyright Renewed: B531813 R457327 17Mar69 © Conde Nast Publications, Inc. (PCW)

## April

Volume 29, Issue 2
* Too Good at Guessing • essay by The Editor
* Beyond This Horizon (Part 1 of 2) • serial by Robert Anson Heinlein [as Anson MacDonald] (© Copyright Renewed: Robert A. Heinlein (A); 26May69; R462341-462342)
* Busbars and Shortages • essay by uncredited
* "If You're Smart—" • short story by Malcolm Jameson [as by Colin Keith]
* The Analytical Laboratory: February 1942 • essay by The Editor
* Silence Is—Deadly • novelette by Bertrand L. Shurtleff
* Strain • short story by L. Ron Hubbard
* Co-Operate - Or Else! • novelette by A. E. van Vogt (© Copyright Renewed: Alfred E. van Vogt; R477356)
* The Eagles Gather • short story by Joseph E. Kelleam
* The Fatal Coloration • essay by Willy Ley
* Brass Tacks • essay by The Editor
* Some Curious Effects of Time Travel • short story by L. Sprague de Camp (© Copyright Renewed: L. Sprague de Camp; R463817)
* Pig Trap • short story by Malcolm Jameson
* Time Pussy • short story by Isaac Asimov [as George E. Dale]
* In Times to Come • essay by The Editor
* Monopoly • novelette by Vic Phillips and Scott Roberts

## May

Volume 29, Issue 3
* Asylum • A. E. van Vogt • novelette (© Copyright Renewed: Alfred E. van Vogt (A); 26Jan70; R477357)
* Foundation • Isaac Asimov • novelette (© Copyright Renewed: Isaac Asimov; R460096)
* The Push of a Finger • Alfred Bester • novelette
* Forever is not so Long • F. Anton Reeds • short story
* Beyond This Horizon— • Robert Anson Heinlein [as Anson MacDonald] • serial • part 2 of 2 (© Copyright Renewed: Robert A. Heinlein (A); 26May69; 462342)
* The Birth of a Superstition • Willy Ley • article

## June

Volume 29, Issue 4 Copyright Renewed: B544095 R462067 3Jun69 © Conde Nast Publications, Inc. (PCW)

## July

Volume 29, Issue 5 Copyright Renewed: B548005 R463942 2Jul69 © Conde Nast Publications, Inc. (PCW)

## August

Volume 29, Issue 6 Copyright Renewed: B551240 R465849 1Aug69 © Conde Nast Publications, Inc. (PCW)

## September

Volume 30, Issue 1 Copyright Renewed: B554998 R467742 2Sep69 © Conde Nast Publications, Inc. (PCW)

## October

Volume 30, Issue 2 Copyright Renewed: B558200 R469250 1Oct69 © Conde Nast Publications, Inc. (PCW)

## November

Volume 30, Issue 3 Copyright Renewed: B561691 R471909 7Nov69 © Conde Nast Publications, Inc. (PCW)

## December

Volume 30, Issue 4 Copyright Renewed: B564968 R473827 2Dec69 © Conde Nast Publications, Inc. (PCW)
# Analyse du fruit

English-language translations of Analyse du fruit include:
# An Etymological Dictionary of the German Language/Annotated/einzeln

| This annotated version expands the abbreviations in the original entry einzeln. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einzeln, adjective and adverb (in Suabian and Bavarian einzächt), ‘single(ly), sole(ly), individual(ly),’ from the equivalent Middle High German einzel, a modification of the older and more frequent einlütze, Old High German einluzzi, ‘single, alone’; compare Thuringian, and Saxon eelitzg (êlizχ), ‘unmarried,’ from Middle High German einlützec (Old High German einluzzo), ‘unmarried.’ The second component belongs to Modern High German Loos (Old High German hlioȥȥan); Old High German ein-luzzi, ‘one whose lot stands alone.’ Compare also Old Icelandic eínhlítr, ‘single’?
# An Etymological Dictionary of the German Language/Annotated/einst

| This annotated version expands the abbreviations in the original entry einst. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einst, adverb, from the equivalent Middle High German einst, einest, Old High German einêst, adverb, ‘once, at one time’; an obscure derivative of ein; in Anglo-Saxon œ̂nes, English once, to which Old High German eines, Middle High German eines, ‘once, at one time,’ also correspond. Compare Old High German anderes, anderêst, Middle High German anderes, anderst, ‘otherwise,’ as similar formations.
# An Etymological Dictionary of the German Language/Annotated/einzig

| This annotated version expands the abbreviations in the original entry einzig. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einzig, adjective, ‘only, sole, unique,’ from Middle High German einzec, ‘single,’ a developed form of Old High German einazzi (adverb, einazzêm), the zz of which is derivative, as in emsig (compare Greek κρυπτάδιος with a cognate suffix).
# An Etymological Dictionary of the German Language/Annotated/ein

| This annotated version expands the abbreviations in the original entry ein. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ ein, numeral, from the equivalent Middle High German and Old High German ein, ‘one,’ also the indefinite article even in Old High German and Middle High German; compare Old Saxon én, Dutch een, Anglo-Saxon ân (English one, as a numeral a, an, as indefinite article), Old Icelandic einn, Gothic ains. The numeral common to Teutonic for ‘one,’ originally ainos, which is primitively cognate with Latin ûnus (compare commûnis and gemein, ‘common’), and also with Old Irish óen, Old Slovenian inŭ, Lithuanian vënas, Prussian ains, ‘one.’ From this old numeral, which strangely enough is unknown to East Aryan (in which the cognate terms Sanscrit êka, Zend aéva, ‘one,’ occur), Greek (dialectic) has preserved οἰνός, ‘one,’ and οἴνη, ‘the one on dice, ace.’ See Eiland, Einöde. —
# An Etymological Dictionary of the German Language/Annotated/ein2

| This annotated version expands the abbreviations in the original entry ein2. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ ein, adverb, ‘in, into,’ from Middle High German and Old High German în, adverb, ‘in, into,’ beside which Middle High German and Old High German in with the same meaning. The long form was derived from the short, as is proved by the connection with the cognates of in, which see.
# An Etymological Dictionary of the German Language/Annotated/eingefleischt

| This annotated version expands the abbreviations in the original entry eingefleischt. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ eingefleischt, see Fleisch. —
# An Etymological Dictionary of the German Language/Annotated/einsam

| This annotated version expands the abbreviations in the original entry einsam. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einsam, adjective, ‘lonely, solitary,’ simply Modern High German derived from ein and the suffix of langsam, wonnesam, ehrsam. See -sam. —
# An Etymological Dictionary of the German Language/Annotated/einander

| This annotated version expands the abbreviations in the original entry einander. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einander, ‘one another,’ thus even in Middle High German einander, Old High German (in the oblique cases) einander, pronoun, ‘one another’ — a senseless combination of the nominative ein with an oblique case of ander; e.g. Old High German sie sind ein anderen ungelîh, ‘they are unlike one another’ (literally the one to the other), zeinanderen quëdan, ‘to say to one another’ (literally one to the others), for which, however, by a remarkable construction, zeinen einanderen may be used in Old High German —
# An Etymological Dictionary of the German Language/Annotated/einig

| This annotated version expands the abbreviations in the original entry einig. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ einig, adjective, ‘agreed, sole, only,’ from Middle High German einec(g), Old High German einag, adjective, ‘sole, only’; a derivative of ein. —
# An Etymological Dictionary of the German Language/Annotated/eitel

| This annotated version expands the abbreviations in the original entry eitel. | Random word Special:RandomInCategory/Annotated entries in Kluge's Etymological Dictionary of the German Language |
​ eitel, adjective, ‘vain, idle, useless, void,’ from Middle High German îtel, adjective, ‘empty, vacant, vain, useless, fruitless, pure, unadulterated,’ Old High German îtal, ‘empty, vacant, vain, boastful’; corresponding to Old Saxon îdal, ‘empty, invalid,’ Dutch ijdel, Anglo-Saxon îdel, ‘empty, useless, worthless,’ English idle. The originally meaning of the adjective was probably ‘empty’; but if we accept ‘shining’ as the primary sense, it follows that the word is connected with Greek αἴθω, Sanscrit root idh, ‘to flame.’
# Anecdotes of Great Musicians/Anecdote 227

227.—A GORY DRUMSTICK.
A celebrated impresario once had a hard battle with the tenor, Guiglini, concerning the part of "Pollio" in the opera "Norma." The tenor had taken an oath never to sing that part again, and was perfectly willing to put the manager to a great loss by his obstinacy. And all for this reason: When he had last sung that part Mdlle. Titiens was in the title rôle. At a certain place in the progress of the opera "Norma" has to summon, ​by striking a gong, an assembly which is to pass judgment on the guilt of a prisoner.
Mdlle. Titiens, in giving this gong a lusty blow, drew back the stick with such force that it came into violent contact with the unfortunate nose of "Pollio," who was behind her, and the result was that Signor Guiglini shed his life blood so freely on that occasion that he took an unconquerable hatred to the opera in question. But he was finally brought to time and made to sing his part. This little incident simply gives a hint at the whims and oddities an impresario has to overcome in his singers before the public can enjoy their favorite operas.
# Anecdotes of Great Musicians/Anecdote 231

231.—BUT ONE SEAT LEFT.
The public performer has frequently cause to ejaculate, "Deliver me from my friends." And there is no time when this exclamation is more appropriate than when he is pestered by his acquaintances for complimentary tickets to his concerts or recitals. If this demand came only from friends it would not be so bad; but more frequently it is the friend that pays his way and some chance acquaintance or even total stranger that unblushingly proffers his request for complimentaries.
Not every artist can keep his good humor under such provocation, or come out of the ordeal as neatly as did Rubinstein when, some years ago an old lady rushed up to him in London with,
"Oh, Mr. Rubinstein, I am so glad to meet you; all of the tickets are sold and I have tried in vain to purchase a seat to your recital. Do you not have a seat you could let me take?"
"Madame," replied the great artist, "there is but one seat at my disposal, but you are welcome to that if you will take it."
"Oh, thank you, a thousand thanks, Mr. Rubinstein. Where is it?"
"At the piano," was the smiling reply.
# Anecdotes of Great Musicians/Anecdote 230

230.—SCHERZO.
It is not always that we can have from a great musician's own pen a concise sketch of his life. So we present the following one, in the line of a curiosity. In a collection of musical autobiographies we would naturally expect the "ego" to be rather prominent. But in the following sketch of himself which Moszkowski sent to a Boston friend, we find an admirable modesty and a ready turn of humor. In reply to his friend's request he wrote:—
"I took my first step before the public in my earliest youth following my birth, which occurred August 23, 1854, in Breslau. I selected this warm month in hopes of a tornado, which always plays so prominent a part in the biography of great men. This desired tempest, in consequence of favorable weather, did not occur, while it accompanied the birth of hundreds of men of much less importance. Embittered by this injustice, I determined to avenge myself on the world by playing the piano, while I continued in Dresden and Berlin as Kullak's pupil. In spite of the theoretical instruction of Kiel and Wuerst, a lively desire to compose was early aroused in me. I perpetrated, in time, an overture, a piano concerto, two symphonies, piano and violin pieces, songs, etc.; in short, I have twenty works in print.
"I should be happy to send you my piano concerto but for two reasons: first, it is worthless; second, it is most convenient—the score being four hundred pages long—for making my piano stool higher when I am engaged in studying better works.
"My prominence as a pianist is known to you. I have concertized in France and Germany, and soon go again to Berlin, where they are at work, day and night (by electric light), preparing my triumphal arch and a procession of virgins clothed in white.
"Moritz Moszkowski."