# Tales of Three Cities (Boston: James R. Osgood & Co., 1884)/A New England Winter/Chapter 7

VII.
By the first of March this young man had received a good many optical impressions, and had noted in water-colors several characteristic winter effects. He had perambulated Boston in every direction, he had even extended his researches to the suburbs; and if his eye had been curious, his eye was now almost satisfied. He perceived that even amid the simple civilization of New England there was material for the naturalist; and in Washington Street of a winter's afternoon, it came home to him that it was a fortunate thing the impressionist was not exclusively preoccupied with the beautiful. He became familiar with the slushy streets, crowded with thronging pedestrians and obstructed horse-cars, bordered with strange, promiscuous shops, which seemed at once violent and indifferent, overhung with snowbanks from the housetops; the avalanche that detached itself at intervals, fell with an enormous thud amid the dense processions of women, made for a moment ​a clear space, splashed with whiter snow, on the pavement, and contributed to the gayety of the Puritan capital. Supreme in the thoroughfare was the rigid groove of the railway, where oblong receptacles, of fabulous capacity, governed by familiar citizens, jolted and jingled eternally, close on each other's rear, absorbing and emitting innumerable specimens of a single type. The road on either side, buried in mounds of pulverized, mud-colored ice, was ploughed across by laboring vehicles, and traversed periodically by the sisterhood of "shoppers," laden with satchels and parcels, and protected by a round-backed policeman. Florimond looked at the shops, saw the women disgorged, surging, ebbing, dodged the avalanches, squeezed in and out of the horse-cars, made himself, on their little platforms, where flatness was enforced, as perpendicular as possible. The horses steamed in the sunny air, the conductor punched the tickets and poked the passengers, some of whom were under and some above, and all alike stabled in trampled straw. They were precipitated, collectively, by stoppages and starts; the tight, silent interior stuffed itself more and more, and the whole machine heaved and reeled in its interrupted course. Florimond had forgotten the look of many things, the details of American publicity; in some cases, indeed, he only pretended to himself that he had forgotten them, because it helped to entertain him. The houses—a bristling, jagged line of tails and shorts, a particolored surface, expressively commercial—were ​spotted with staring signs, with labels and pictures, with advertisements familiar, colloquial, vulgar; the air was traversed with the tangle of the telegraph, with festoons of bunting, with banners not of war, with inexplicable loops and ropes; the shops, many of them enormous, had heterogeneous fronts, with queer juxtapositions in the articles that peopled them, an incompleteness of array, the stamp of the latest modern ugliness. They had pendent stuffs in the doorways, and flapping tickets outside. Every fifty yards there was a "candy store;" in the intervals was the painted panel of a chiropodist, representing him in his professional attitude. Behind the plates of glass, in the hot interiors, behind the counters, were pale, familiar, delicate, tired faces of women, with polished hair and glazed complexions. Florimond knew their voices; he knew how women would speak when their hair was "treated," as they said in the studios, like that. But the women that passed through the streets were the main spectacle. Florimond had forgotten their extraordinary numerosity, and the impression that they produced of a deluge of petticoats. He could see that they were perfectly at home on the road; they had an air of possession, of perpetual equipment, a look, in the eyes, of always meeting the gaze of crowds, always seeing people pass, noting things in shop-windows, and being on the watch at crossings; many of them evidently passed most of their time in these conditions, and Florimond wondered what sort of ​intérieurs they could have. He felt at moments that he was in a city of women, in a country of women. The same impression came to him dans le monde, as he used to say, for he made the most incongruous application of his little French phrases to Boston. The talk, the social life, were so completely in the hands of the ladies, the masculine note was so subordinate, that on certain occasions he could have believed himself (putting the brightness aside) in a country stricken by a war, where the men had all gone to the army, or in a seaport half depopulated by the absence of its vessels. This idea had intermissions; for instance, when he walked out to Cambridge. In this little excursion he often indulged; he used to go and see one of his college mates, who was now a tutor at Harvard. He stretched away across the long, mean bridge that spans the mouth of the Charles,—a mile of wooden piles, supporting a brick pavement, a roadway deep in mire, and a rough timber fence, over which the pedestrian enjoys a view of the frozen bay, the backs of many new houses, and a big brown marsh. The horse-cars bore him company, relieved here of the press of the streets, though not of their internal congestion, and constituting the principal feature of the wide, blank avenue, where the puddles lay large across the bounding rails. He followed their direction through a middle region, in which the small wooden houses had an air of tent-like impermanence, and the February mornings, splendid and indiscreet, stared into ​bare windows and seemed to make civilization transparent. Further, the suburb remained wooden, but grew neat, and the painted houses looked out on the car-track with an expression almost of superiority. At Harvard, the buildings were square and fresh; they stood in a yard planted with slender elms, which the winter had reduced to spindles; the town stretched away from the horizontal palings of the collegiate precinct, low, flat, and immense, with vague, featureless spaces and the air of a clean encampment. Florimond remembered that when the summer came in, the whole place was transformed. It was pervaded by verdure and dust, the slender elms became profuse, arching over the unpaved streets, the green shutters bowed themselves before the windows, the flowers and creeping-plants bloomed in the small gardens, and on the piazzas, in the gaps of dropped awnings, light dresses arrested the eye. At night, in the warm darkness,—for Cambridge is not festooned with lamps,—the bosom of nature would seem to palpitate, there would be a smell of earth and vegetation,—a smell more primitive than the odor of Europe,—and the air would vibrate with the sound of insects. All this was in reserve, if one would have patience, especially from March to June; but for the present the seat of the University struck our poor little critical Florimond as rather hard and bare. As the winter went on, and the days grew longer, he knew that Mrs. Daintry often believed him to be in Arlington Street when he was walking ​out to see his friend the tutor, who had once spent a winter in Paris and who never tired of talking about it It is to be feared that he did not undeceive her so punctually as he might; for, in the first place, he was at Mrs. Mesh's very often; in the second, he failed to understand how worried his mother was; and in the third, the idea that he should be thought to have the peace of mind of a brilliant girl in his keeping was not disagreeable to him.
One day his Aunt Lucretia found him in Arlington Street; it occurred to her about the middle of the winter that, considering she liked Rachel Torrance so much, she had not been to see her very often. She had little time for such indulgences; but she caught a moment in its flight, and was told at Mrs. Mesh's door that this lady had not yet come in, but that her companion was accessible. Florimond was in his customary chair by the chimney corner (his aunt perhaps did not know quite how customary it was), and Rachel, at the piano, was regaling him with a composition of Schubert. Florimond, up to this time, had not become very intimate with his aunt, who had not, as it were, given him the key of her house, and in whom he detected a certain want of interest in his affairs. He had a limited sympathy with people who were interested only in their own, and perceived that Miss Daintry belonged to this preoccupied and ungraceful class. It seemed to him that it would have been more becoming in her to feign at least a certain attention to the professional and social ​prospects of the most promising of her nephews. If there was one thing that Florimond disliked more than another, it was an eager self-absorption; and he could not see that it was any better for people to impose their personality upon committees and charities than upon general society. He would have modified this judgment of his kinswoman, with whom he had dined but once, if he could have guessed with what anxiety she watched for the symptoms of that salutary change which she expected to see wrought in him by the fascinating independence of Rachel Torrance. If she had dared, she would have prompted the girl a little; she would have confided to her this secret desire. But the matter was delicate; and Miss Daintry was shrewd enough to see that everything must be spontaneous. When she paused at the threshold of Mrs. Mesh's drawing-room, looking from one of her young companions to the other, she felt a slight pang, for she feared they were getting on too well. Rachel was pouring sweet music into the young man's ears, and turning to look at him over her shoulder while she played; and he with his head tipped back and his eyes on the ceiling hummed an accompaniment which occasionally became an articulate remark. Harmonious intimacy was stamped upon the scene; and poor Miss Daintry was not struck with its being in any degree salutary. She was not reassured when, after ten minutes, Florimond took his departure; she could see that he was irritated by the presence of a third person; and this was a ​proof that Rachel had not yet begun to do her duty by him. It is possible that when the two ladies were left together, her disappointment would have led her to betray her views, had not Rachel almost immediately said to her: "My dear cousin, I am so glad you have come; I might not have seen you again. I go away in three days."
"Go away? Where do you go to?"
"Back to Brooklyn," said Rachel, smiling sweetly.
"Why on earth—I thought you had come here to stay for six months?"
"Oh, you know, six months would be a terrible visit for these good people; and of course no time was fixed. That would have been very absurd. I have been here an immense time already. It was to be as things should go."
"And have n't they gone well?"
"Oh yes, they have gone beautifully."
"Then why in the world do you leave?"
"Well, you know, I have duties at home. My mother coughs a good deal, and they write me dismal letters."
"They are ridiculous, selfish people. You are going home because your mother coughs? I don't believe a word of it!" Miss Daintry cried. "You have some other reason. Something has happened here; it has become disagreeable. Be so good as to tell me the whole story."
Rachel answered that there was not any story to tell, and that her reason consisted entirely of ​conscientious scruples as to absenting herself so long from her domestic circle. Miss Daintry esteemed conscientious scruples when they were well placed, but she thought poorly on the present occasion of those of Mrs. Mesh's visitor; they interfered so much with her own sense of fitness. "Has Florimond been making love to you?" she suddenly inquired. "You must n't mind that—beyond boxing his ears."
Her question appeared to amuse Miss Torrance exceedingly; and the girl, a little inarticulate with her mirth, answered very positively that the young man had done her no such honor.
"I am very sorry to hear it," said Lucretia; "I was in hopes he would give you a chance to take him down. He needs it very much. He's dreadfully puffed up."
"He 's an amusing little man!"
Miss Daintry put on her nippers. "Don't tell me it 's you that are in love!"
"Oh, dear no! I like big, serious men, not small, Frenchified gentlemen, like Florimond. Excuse me if he 's your nephew, but you began it. Though I am fond of art," the girl added, "I don't think I am fond of artists."
"Do you call Florimond an artist?"
Rachel Torrance hesitated a little, smiling. "Yes, when he poses for Pauline Mesh."
This rejoinder for a moment left Miss Daintry in visible perplexity; then a sudden light seemed to come to her. She flushed a little; what she found was more ​than she was looking for. She thought of many things quickly, and among others she thought that she had accomplished rather more than she intended. "Have you quarrelled with Pauline?" she said presently.
"No, but she is tired of me."
"Everything has not gone well, then, and you have another reason for going home than your mother's cough?"
"Yes, if you must know, Pauline wants me to go. I didn't feel free to tell you that; but since you guess it—" said Rachel, with her rancorless smile.
"Has she asked you to decamp?"
"Oh, dear no! for what do you take us? But she absents herself from the house; she stays away all day. I have to play to Florimond to console him."
"So you have been fighting about him?" Miss Daintry remarked, perversely.
"Ah, my dear cousin, what have you got in your head? Fighting about sixpence! if you knew how Florimond bores me! I play to him to keep him silent. I have heard everything he has to say, fifty times over!"
Miss Daintry sank back in her chair; she was completely out of her reckoning. "I think he might have made love to you a little!" she exclaimed, incoherently.
"So do I! but he did n't—not a crumb. He is afraid of me—thank Heaven!"
"It is n't for you he comes, then?" Miss Daintry appeared to cling to her theory.
​"No, my dear cousin, it is n't!"
"Just now, as he sat there, one could easily have supposed it. He didn't at all like my interruption."
"That was because he was waiting for Pauline to come in. He will wait that way an hour. You may imagine whether he likes me for boring her so that, as I tell you, she can't stay in the house. I am out myself as much as possible. But there are days when I drop with fatigue; then I must rest. I can assure you that it 's fortunate that I go so soon."
"Is Pauline in love with him?" Miss Daintry asked, gravely.
"Not a grain. She is the best little woman in the world."
"Except for being a goose. Why, then, does she object to your company—after being so enchanted with you?"
"Because even the best little woman in the world must object to something. She has everything in life, and nothing to complain of. Her children sleep all day, and her cook is a jewel. Her husband adores her, and she is perfectly satisfied with Mr. Mesh. I act on her nerves, and I think she believes I regard her as rather silly to care so much for Florimond. Excuse me again!"
"You contradict yourself. She does care for him, then?"
"Oh, as she would care for a new coupé! She likes to have a young man of her own—fresh from Paris​—quite to herself. She has everything else—why should n't she have that? She thinks your nephew very original, and he thinks her what she is,—the prettiest woman in Boston. They have an idea that they are making a 'celebrated friendship,'—like Horace Walpole and Madame du Deffand. They sit there face to face—they are as innocent as the shovel and tongs. But, all the same, I am in the way, and Pauline is provoked that I am not jealous."
Miss Daintry got up with energy. "She 's a vain, hollow, silly little creature, and you are quite right to go away; you are worthy of better company. Only you will not go back to Brooklyn, in spite of your mother's cough; you will come straight to Mount Vernon Place."
Rachel hesitated to agree to this. She appeared to think it was her duty to quit Boston altogether; and she gave as a reason that she had already refused other invitations. But Miss Daintry had a better reason than this,—a reason that glowed in her indignant breast. It was she who had been the cause of the girl's being drawn into this sorry adventure; it was she who should charge herself with the reparation. The conversation I have related took place on a Tuesday; and it was settled that on the Friday Miss Torrance should take up her abode for the rest of the winter under her Cousin Lucretia's roof. This lady left the house without having seen Mrs. Mesh.
​On Thursday she had a visit from her sister-in-law, the motive of which was not long in appearing. All winter Mrs. Daintry had managed to keep silent on the subject of her doubts and fears. Discretion and dignity recommended this course; and the topic was a painful one to discuss with Lucretia, for the bruises of their primary interview still occasionally throbbed. But at the first sign of alleviation the excellent woman overflowed, and she lost no time in announcing to Lucretia, as a Heaven-sent piece of news, that Rachel had been called away by the illness of poor Mrs. Torrance, and was to leave Boston from one day to the other. Florimond had given her this information the evening before; and it had made her so happy, that she could n't help coining to let Lucretia know that they were safe. Lucretia listened to her announcement in silence, fixing her eyes on her sister-in-law with an expression that the latter thought singular; but when Mrs. Daintry, expanding still further, went on to say that she had spent a winter of misery, that the harm the two together (she and Lucretia) might have done was never out of her mind, for Florimond's assiduity in Arlington Street had become notorious, and she had been told that the most cruel things were said,—when Mrs. Daintry, expressing herself to this effect, added that from the present moment she breathed, the danger was over, the sky was clear, and her conscience might take a holiday,—her hostess broke into the most prolonged, the most characteristic, and most ​bewildering fit of laughter in which she had ever known her to indulge. They were safe, Mrs. Daintry had said? For Lucretia this was true, now, of herself, at least; she was secure from the dangers of her irritation; her sense of the whole affair had turned to hilarious music. The contrast that rose before her between her visitor's anxieties and the real position of the parties, her quick vision of poor Susan's dismay in case that reality should meet her eyes, among the fragments of her squandered scruples,—these things smote the chords of mirth in Miss Daintry's spirit, and seemed to her in their high comicality to offer a sufficient reason for everything that had happened. The picture of her sister-in-law sitting all winter with her hands clasped and her eyes fixed on the wrong object was an image that would abide with her always; and it would render her an inestimable service,—it would cure her of the tendency to worry. As may be imagined, it was eminently open to Mrs. Daintry to ask her what on earth she was laughing at; and there was a color in the cheek of Florimond's mother that brought her back to propriety. She suddenly kissed this lady very tenderly—to the latter's great surprise, there having been no kissing since her visit in November—and told her that she would reveal to her some day, later, the cause of so much merriment. She added that Miss Torrance was leaving Arlington Street, yes; but only to go as far as Mount Vernon Place. She was engaged to spend three months in ​that very house. Mrs. Daintry's countenance, at this, fell several inches, and her joy appeared completely to desert her. She gave her sister-in-law a glance of ineffable reproach, and in a moment she exclaimed: "Then nothing is gained! it will all go on here!"
"Nothing will go on here. If you mean that Florimond will pursue the young lady into this mountain fastness, you may simply be quiet. He is not fond enough of me to wear out my threshold."
"Are you very sure?" Mrs. Daintry murmured, dubiously.
"I know what I say. Has n't he told you he hates me?"
Mrs. Daintry colored again, and hesitated. "I don't know how you think we talk," she said.
"Well, he does, and he will leave us alone."
Mrs. Daintry sprang up with an elasticity that was comical. "That 's all I ask!" she exclaimed.
"I believe you hate me too!" Lucretia said, laughing; but at any risk, she kissed her sister-in-law again before they separated.
Three weeks later Mrs. Daintry paid her another visit; and this time she looked very serious. "It 's very strange. I don't know what to think. But perhaps you know it already?" This was her entree en matière, as the French say. "Rachel's leaving Arlington Street has made no difference. He goes there as much as ever. I see no change at all. Lucretia, I have not the peace that I thought had ​come," said poor Mrs. Daintry, whose voice had failed below her breath.
"Do you mean that he goes to see Pauline Mesh?"
"I'm afraid so, every day."
"Well, my dear, what 's the harm?" Miss Daintry asked. "He can 't hurt her by not marrying her."
Mrs. Daintry stared; she was amazed at her sisterin-law's tone. "But it makes one suppose that all winter, for so many weeks, it has been for her that he has gone!" and the image of the tête-à-tête in which she had found them immured that day, rose again before her; she could interpret it now.
"You wanted some one; why may not Pauline have served?"
Mrs. Daintry was silent, with the same expanded eyes. "Lucretia, it is not right!"
"My dear Susan, you are touching," Lucretia said.
Mrs. Daintry went on without heeding her. "It appears that people are talking about it; they have noticed it for ever so long. Joanna never hears anything, or she would have told me. The children are too much. I have been the last to know."
"I knew it a month ago," said Miss Daintry, smiling.
"And you never told me?"
"I knew that you wanted to detain him. Pauline will detain him a year."
Mrs. Daintry gathered herself together. "Not a ​day, not an hour, that I can help! He shall go, if I have to take him."
"My dear Susan," murmured her sister-in-law on the threshold. Miss Daintry scarcely knew what to say; she was almost frightened at the rigidity of her face.
"My dear Lucretia, it is not right!" This ejaculation she solemnly repeated, and she took her departure as if she were decided upon action.
She had found so little sympathy in her sister-in-law, that she made no answer to a note Miss Daintry wrote her that evening, to remark that she was really unjust to Pauline, who was silly, vain, and flattered by the development of her ability to monopolize an impressionist, but a perfectly innocent little woman and incapable of a serious flirtation. Miss Daintry had been careful to add to these last words no comment that could possibly shock Florimond's mother. Mrs. Daintry announced, about the 10th of April, that she had made up her mind she needed a change, and had determined to go abroad for the summer; and she looked so tired that people could see there was reason in it. Her summer began early; she embarked on the 20th of the month, accompanied by Florimond. Miss Daintry, who had not been obliged to dismiss the young lady of the kindergarten to make room for Rachel Torrance, never knew what had passed between the mother and the son, and she was disappointed at Mrs. Mesh's coolness in the face of this catastrophe. She ​disapproved of her flirtation with Florimond, and yet she was vexed at Pauline's pert resignation; it proved her to be so superficial. She disposed of everything with her absurd little phrases, that were half slang and half quotation. Mrs. Daintry was a native of Salem, and this gave Pauline, as a Baltimorean and a descendant of the Cavaliers, an obvious opportunity. Rachel repeated her words to Miss Daintry, for she had spoken to Rachel of Florimond's departure, the day after he embarked. "Oh yes, he 's in the midst of the foam, the cruel, crawling foam! I 'kind of' miss him, afternoons; he was so useful round the fire. It 's his mother that charmed him away; she 's a most uncanny old party. I don't care for Salem witches, anyway; she has worked on him with philters and spells!" Lucretia was obliged to recognize a grain of truth in this last assertion; she felt that her sister-in-law must indeed have worked upon Florimond, and she smiled to think that the conscientious Susan should have descended, in the last resort, to an artifice, to a pretext. She had probably persuaded him she was tired of Joanna's children.