# The Pearl Diver

Kanzo Makame, the diver, sturdy and small Japanee, Seeker of pearls and of pearl-shell down in the depths of the sea, Trudged o'er the bed of the ocean, searching industriously.
Over the pearl-grounds the lugger drifted -- a little white speck: Joe Nagasaki, the "tender", holding the life-line on deck, Talked through the rope to the diver, knew when to drift or to check.
Kanzo was king of his lugger, master and diver in one, Diving wherever it pleased him, taking instructions from none; Hither and thither he wandered, steering by stars and by sun.
Fearless he was beyond credence, looking at death eye to eye: This was his formula always, "All man go dead by and by -- S'posing time come no can help it -- s'pose time no come, then no die."
Dived in the depths of the Darnleys, down twenty fathom and five; Down where by law, and by reason, men are forbidden to dive; Down in a pressure so awful that only the strongest survive:
Sweated four men at the air pumps, fast as the handles could go, Forcing the air down that reached him heated and tainted, and slow -- Kanzo Makame the diver stayed seven minutes below;
Came up on deck like a dead man, paralysed body and brain; Suffered, while blood was returning, infinite tortures of pain: Sailed once again to the Darnleys -- laughed and descended again!
Scarce grew the shell in the shallows, rarely a patch could they touch; Always the take was so little, always the labour so much; Always they thought of the Islands held by the lumbering Dutch --
Islands where shell was in plenty lying in passage and bay, Islands where divers could gather hundreds of shell in a day. But the lumbering Dutch in their gunboats they hunted the divers away.
Joe Nagasaki, the "tender", finding the profits grow small, Said, "Let us go to the Islands, try for a number one haul! If we get caught, go to prison -- let them take lugger and all!"
Kanzo Makame, the diver -- knowing full well what it meant -- Fatalist, gambler, and stoic, smiled a broad smile of content, Flattened in mainsail and foresail, and off to the Islands they went.
Close to the headlands they drifted, picking up shell by the ton, Piled up on deck were the oysters, opening wide in the sun, When, from the lee of the headland, boomed the report of a gun.
Then if the diver was sighted, pearl-shell and lugger must go -- Joe Nagasaki decided (quick was the word and the blow), Cut both the pipe and the life-line, leaving the diver below!
Kanzo Makame, the diver, failing to quite understand, Pulled the "haul up" on the life-line, found it was slack in his hand; Then, like a little brown stoic, lay down and died on the sand.
Joe Nagasaki, the "tender", smiling a sanctified smile, Headed her straight for the gunboat--throwing out shells all the while -- Then went aboard and reported, "No makee dive in three mile!
"Dress no have got and no helmet -- diver go shore on the spree; Plenty wind come and break rudder -- lugger get blown out to sea: Take me to Japanee Consul, he help a poor Japanee!"
So the Dutch let him go; but they watched him, as off from the Islands he ran, Doubting him much -- but what would you? You have to be sure of your man Ere you wake up that nest-ful of hornets -- the little brown men of Japan.
Down in the ooze and the coral, down where earth's wonders are spread, Helmeted, ghastly, and swollen, Kanzo Makame lies dead. Joe Nagasaki, his "tender", is owner and diver instead.
Wearer of pearls in your necklace, comfort yourself if you can. These are the risks of the pearling -- these are the ways of Japan; "Plenty more Japanee diver plenty more little brown man!"
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired. According to Australian Copyright Council - Duration of Copyright, the following works are public domain:
* published non-government works whose author died before January 1, 1955,
* anonymous or pseudonymous works and photographs published before January 1, 1955, and
* government works published more than 50 years ago (before January 1, 1974).
This work is also in the public domain in the United States because it was first published outside the United States (and not published in the U.S. within 30 days), and it was first published before 1989 without complying with U.S. copyright formalities (renewal and/or copyright notice) and it was in the public domain in Australia on the URAA date (January 1, 1996). This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.
Because the Australian copyright term in 1996 was 50 years, the critical date for copyright in the United States under the URAA is January 1, 1946.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse