OpenLLM-France/wikimedia huggingface dataset:
# The Knapsack, the Hat, and the Horn

* related portals: Brothers Grimm.
* sister projects: Wikipedia article, Commons category, Wikidata item.
English-language translations of Der Ranzen, das Hütlein und das Hörnlein include:
* "The Knapsack, the Hat, and the Horn", translated by Lucy Crane, illustrated by Walter Crane, in Household stories from the collection of the Bros Grimm (1882)
* "The Knapsack, the Hat, and the Horn", translated by Margaret Raine Hunt, in Grimm's Household Tales, Volume 1 (1884)
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# The Lost Star

* The Lost Star from The Literary Souvenir, 1828.
* The Lost Star from The Vow of the Peacock and Other Poems, 1835.
# The Lost Stradivarius

* information about this edition.
* sister projects: Wikipedia article.
The Lost Stradivarius (1895), by J. Meade Falkner, is a short novel of ghosts and the evil that can be invested in an object, in this case an extremely fine Stradivarius violin. After finding the violin of the title in a hidden compartment in his college rooms, the protagonist, a wealthy young heir, becomes increasingly secretive as well as obsessed by a particular piece of music, which seems to have the power to call up the ghost of its previous owner. Roaming from England to Italy, the story involves family love, lordly depravity, and the tragedy of obsession, all conveyed in a "high" serious tone not uncommon in late Victorian literature.
The Lost Stradivarius
by J. Meade Falkner
    Letter from MISS SOPHIA MALTRAVERS
    to her Nephew, SIR EDWARD MALTRAVERS,
    then a Student at Christ Church, Oxford.
    13 Pauncefort Buildings, Bath,
    Oct. 21, 1867.
    MY DEAR EDWARD,
    It was your late father's dying request that certain events which occurred in his last years should be communicated to you on your coming of age. I have reduced them to writing, partly from my own recollection, which is, alas! still too vivid, and partly with the aid of notes taken at the time of my brother's death. As you are now of full age, I submit the narrative to you. Much of it has necessarily been exceedingly painful to me to write, but at the same time I feel it is better that you should hear the truth from me than garbled stories from others who did not love your father as I did.
    Your loving Aunt,
    SOPHIA MALTRAVERS
To Sir Edward Maltravers, Bart.
    "A tale out of season is as music in mourning."
    —ECCLESIASTICUS xxii. 6.

## Contents

* Chapter 1
* Chapter 2
* Chapter 3
* Chapter 4
* Chapter 5
* Chapter 6
* Chapter 7
* Chapter 8
* Chapter 9
* Chapter 10
* Chapter 11
* Chapter 12
* Chapter 13
* Chapter 14
* Chapter 15
* Mr. Gaskell's Note
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1932, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 91 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Life of Mansie Wauch tailor in Dalkeith

Two of the transcriptions below appear to be from different copies of the same chapbook. In all three versions the author is not identified, but articles in the Dictionary of National Biography and the 1911 edition of the Encyclopaedia Britannica reveal it to be David Macbeth Moir.
* "The Life of Mansie Wauch tailor in Dalkeith", (n. d.), a chapbook printed in Glasgow
* "The Life of Mansie Wauch tailor in Dalkeith", (n. d.), a chapbook printed in Glasgow
* "Important passages in the life of Mansie Wauch, tailor in Dalkeith", (n. d.), a chapbook printed in Dalkeith
# The Island of Appledore

* information about this edition.
* sister projects: Commons category, Wikidata item.
Cornelia Meigs writing as Adair Aldon. “To spend the summer on a little two-by-four island with an old-maid aunt,” was his bitter reflection. …
He strolled aimlessly along the path which he had been told led to “Cap’n Saulsby’s little house down on the point.” There was a vague desire in his mind to look upon a live sea-captain since he had never seen one before. He had no thought, as he walked slowly between the two big trees, that they marked the door to a new phase in his life, that they were to prove the entrance to adventures and perils of an unknown kind. …
Layout 2
The boy had learned much of odd-sounding names and strange sea terms
THE ISLAND OF
APPLEDORE
BY
Adair Aldon
WITH ILLUSTRATIONS
By W. B. KING
New York
THE MACMILLAN COMPANY 1917
All rights reserved
Copyright, 1917
By THE MACMILLAN COMPANY
Set up and electrotyped. Published, September, 1917.
TABLE OF CONTENTS
* chapterpage
* IPeering Eyes1
* IIThe Mill-Creek Road20
* IIIThe Cruise of the Josephine39
* IVCaptain Saulsby’s Watch62
* VThe War Game75
* VIThe Ebbing of the Tide90
* VIIMist and Moonlight105
* VIIIThe Stranger at the Mill122
* IXThe Calling of the Island136
* XThree Quarters of a Year154
* XIThe Watchfires of Appledore170
* XIIThe Last Voyage of Johann Happs191
LIST OF ILLUSTRATIONS
* The boy had learned much of odd-sounding names and strange sea termsFrontispiece
* page
* “Why,” gasped Billy, “it must have been the Flying Dutchman68
* Johann shook his head in mute anguish132
* “Would you believe it, there were two boys that put to sea right in the face of it?”202
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1973, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 50 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# The Lives and Characters of the English Dramatick Poets/Samuel Daniel

Samuel Daniel.
A Gentleman that flourish'd in the Reign of Queen Elizabeth and King James I. he was born near Taunton in Somersetshire, and was entred Commoner of St. Mary Magdalen-Hall, Oxon., 1581. in the 19th Year of his Age; from whence, after Three Years Study, his Merit, and his Brother-in-law, Florio, prefer'd him to be one of the Grooms of Queen Ann. Most of his Plays he writ at a little Retreat from London: weary of the World, he at last retired into Wiltshire or Somersetshire, and there turn'd Farmer, living in those Parts till he was near Eighty Years Old, to whose Memory a Monument was erected in the Parish-Church, at the Charge of the ​Lady Ann Clifford (to whom he had been Tutor) afterwards Countess of Pembrook, Dorset, and Montgomery. Besides his excellent History of England, Printed in Folio, and continued by Trussel, he left behind him several Poetical Pieces, among them Five Dramatick, of which in their Order:
Cleopatra, a Tragedy, 8vo. 1611. and 4to. 1622. Dedicated to the Right Honourable the Countess of Pembrook: The last Edition is much amended, and far excels the first. For the Story see Plutarch's Lives of Pompey and Anthony; Florus, lib. 4. c. 11. Appian de Bel. Civil. lib. 5. but chiefly, Otway's Translation of a French Book called, The History of the Three Triumvirates, 8vo. 1686. This Play was much esteemed in its time.
Hymen's Triumph, a Pastoral Tragi-Comedy, 4to. 1623. This was presented at the Queen's Court, at the Nuptials of the Lord Roxborough, and Dedicated in Verse to the most excellent Majesty of the Highest Born Princess, Ann of Denmark, Queen of England, &c.
Philotas, his Tragedy, 4to. 1623, and Dedicated to King Charles the First, when he was Prince. This was the first Play our Author writ, and then esteemed, tho' at first met with some Opposition, the Reason you may find by his Apology, at the End of the Play; where he handsomly acquits himself from the Imputation cast on him. Plot from Plutarch's Life of Alexander; Quint. Curt. Book 6., &c.
Queen's Arcadia, a Pastoral Tragi-Comedy, 4to. 1623. This Play was presented to the Queen and her Ladies, by the University of Oxon. in Christ Church Colledge, 1605. Dedicated to the Queen's Majesty. Act. 1. Scene 2. of Carinus and Amintas, resemble Quinault's Philene, and Daphnis, in his Comedy Sans Comedie, and Scene 4. Act 2. and the 7th Scene of the same Act, are very like Randolph's Amintas.
Vision of the Twelve Goddesses, a Masque, 4to. 1623. Presented by the Queen and her Ladies at Hampton Court, and Dedicated to the Right Honourable the Lady Lucy, Countess of Bedford, and because this was first publish'd imperfect, the Author soon after publish'd it from his own Copy to prevent its suffering for the Future.
# The Lives and Characters of the English Dramatick Poets/Sir Aston Cockain

Sir Aston Cockain.
This worthy Knight lived (about the Restoration) at his Seat at Ashbourn, a Market Town in Derbyshire, his Family Ancient, pretending an Alliance with William the First: He had Education in Trinity Colledge in Cambridge, made the Tour of France and Italy in his Five and Twentieth Year, finishing it in the Year 1632. Poetry being his darling Study. Among other Pieces, he has left us Three Plays and a Masque, of which in their Order,
Masque, presented at Berthie in Derbyshire, 1639. before the then Earl of Chesterfield, on a Twelfth-Night, his Two Sons acting Parts in the same.
Obstinate Lady, a Comedy, 8vo. 1658. This Play seems a meer Imitation of Massenger's Very Woman.
Ovid's Tragedy, 8vo. 1669. Some part taken from his Elegies, and part from Il Atheisto Fulminato, an Italian Play.
Trappolin supposed a Prince, a Tragy-Comedy, 8vo. 1658. Plot from Trapolén credulo Principe, which he owns to have seen acted at Venice. It has been revived by Mr. Tate, and acted in the Year 1685. by the Dukes Servants in Dorset Garden.
Thersites, and Tyranical Government, which may well be supposed to be none of his, tho' placed to him by Winstanly and Philips, you may find it in their Alphabet among the Anonymous Plays. These are all printed with his Poems, Epigrams, &c. in 8vo.
* ↑ Cockain's Epigr., Lib. 2. Epig. 7.
* ↑ See his Poems, pp. 93 and 118.
# The Lives and Characters of the English Dramatick Poets/Samuel Rowley

Samuel Rowley.
THis Author writes himself Servant to the Prince of Wales, which by the Date of his Play must be Charles II.
The Noble Spanish Soldier; or, A Contract broken justly revenged, a Tragedy, 4to. 1634. This Play was printed after the Author's Death.
When you see me, you know me, or the famous Chronical History of Henry VIII. with the Birth and vertuous Life of Edward, Prince of Wales, 4to. 1632. This was play'd by the Prince of Wales's Servants. Plot from English Chronicles; see also the Life of King Henry VIII. by the Lord Herbert, of Cherbury.
# The Lives and Characters of the English Dramatick Poets/Samuel Brandon

Samuel Brandon.
He Liv'd in the Reign of Queen Elizabeth, and writ this Play towards the latter part of her time, call'd,
The Virtuous Octavia, T.C. 8vo. 1598. and tho' this Play was never Acted, yet the Author had a very good Opinion of it; and his Epistles Printed with it, Compos'd in imitation of Ovid's. Plot from Plutarch's Life of M. Antony. See also the Life of Augustus in Suetonius. Dion. Cassius, &c.
# The Lives and Characters of the English Dramatick Poets/Samuel Pordage

Samuel Pordage, Esq;
LAtely, if not still, a Member of Lincolns-Inn, and Author of two Plays, call’d,
Herod and Mariamne, a Tragedy, 4 to. 1673. acted at the Duke’s Theatre, dedicated to the Dutchess of Albermarle. A Play writ many Years before it was prefer’d to the Stage, where it was receiv’d with great Satisfaction. Plot from Joseph. Hist. Philo Judæus, and Cleopatra, a Romance, in the Story of Tyridates.
Siege of Babylon, a Tragi-Comedy, 4 to. 1678. dedicated to her Royal Highness the Dutchess of York. Plot from the aforesaid Romance of Cleopatra.
# The Lives and Characters of the English Dramatick Poets/Shakerly Marmion

Shakerly Marmion.
An Author born at Ainoe, in Northamptonshire, January, 1602. initiated in Letters at Thame-School, Oxonshire; from thence about sixteen Years of Age, was sent to Wadham-College, Oxon, and continued a Member thereof, till after he took his Master of Arts Degree. He writ these three Comedies:
The Antiquary, a Comedy 4to. 1641. Acted at the Cock-pit, by their Majesties Servants. Aurelio's Marriage is an Incident in some other Plays.
The Fine Companion, a Comedy, 4to. 1633. Acted by Prince Charles's Servants, in Salisbury-Court, as also before the King and Queen at White-Hall, with great Applause. It is dedicated to Sir Ralph Dutton.
Holland's Leaguer, a Comedy, 4to. 1632. Acted also by Prince Charles's Servants in Salisbury-Court, with good Applause. Several Things in this Play borrowed from Petronius Arbiter.
# The Lives and Characters of the English Dramatick Poets/Sir Francis Fane, Junior Knight of the Bath

F
Sir Francis Fane, Jun. Knight of the Bath.
This Honourable Author is lately deceased, his late Residence was at Fulbeck in Lincolnshire; he was Grandson to the Earl of Westmorland, and has given us the two following Plays:
Love in the Dark; or, The Man of Business; a Comedy, 4to. 1675. Acted at the Theatre Royal by his Majesties Servants, and Dedicated to the Right Honourable John, Earl of Rochester. The Plot taken from the Invisible Mistress in Scarron's Novels, 8vo. Boccace's Novels, Day 3. Nov. 3, and Day 7. Nov. 7. Loves of Great Men, p. 59.
The Sacrifice, a Tragedy 4to. 1686. and Dedicated to the Right Honourable Charles, Earl of Dorset and Middlesex. This Play tho' Published without Acting, was highly commended by two Copies of Verses to the Author by Mr. Tate and Mrs. Behn; For the Plot see Chalcocondylas, lib. 3. Leundavius, lib. 6. See also the Lives of Bajazet and Tamerlain, the last by Mr. D'Assigny, and the former by Knoll's in his Turkish History.
# The Lives and Characters of the English Dramatick Poets/Sir George Etheridge

Sir George Etheridge.
A Gentleman very famous in the Reign of King Charles the Second; his Country I am ignorant of; but his first Applications were to the Law; his Love in a Tub, and his Wit brought him into good Acquaintance, and general Esteem, till for Marrying a Fortune he was Knighted, and by King James the Second, he being in particular esteem with the late Queen his Consort, sent him Envoy to Hamburgh. After the Revolution he went for France to his Master, and dyed there, or very soon after his arrival in England from thence; He is the Author of three Plays; two of them are admirable; and were the first divided from the serious part, it would not want a considerable Praise, at least it still meets with a general Applause.
The Comical Revenge; or, Love in a Tub, a Comedy, 4to. 1679. Acted at the Duke of York's Theatre then in Little Lincoln's-Inn-Fields. This Play, tho' part serious, and part Comical, yet (as before) met with a general Applause.
The Man of Mode; or, Sir Fopling Flutter, a Comedy, 4to. 1676. Acted at the Duke of York's Theatre, and Dedicated to his Dutchess. This Play met with extraordinary Success; all agreeing it to be true Comedy, and the Characters drawn to the Life.
​She wou'd if she cou'd, a Comedy, 4to. 1671. Acted also at the Duke of York's Theatre. This Comedy is accounted by Mr. Langbain, with whom I agree, one of the first Rank, and by Mr. Shadwell (in his Preface to his Humorists) the best Comedy written since the Restauration of the Stage.
# The Lives and Characters of the English Dramatick Poets/S. Tuke

S. Tuke.
An Essex Gentleman, a Collonel, who in 1661. translated a Play from the Spanish, called,
The Adventurers of Five Hours, a Tragi-Comedy 4 to. 1662. being the Second Edition; it is dedicated to the Right Honourable, Henry Howard, of Norfolk. This Play is of good Repute.
# The Lives and Characters of the English Dramatick Poets/Sir Charles Sidley

Sir Charles Sidley.
THis Noble Gentleman is yet living, and has been esteem'd a Man of the First Rank of Wit. He writ these three following Plays:
Anthony and Cleopatra, a Tragedy, 4to. 1677. acted at the Duke's Theatre. Plot from Appian, Dion Cassius, Plutarch's Life of M. Anthony.
Bellamira, or, The Mistress; a Comedy, 4to. 1687. acted by his Majesty's Servant. The Ground from Terrence's Eunuchus.
The Mulberry Garden, a Comedy, 4to. 1668. acted at the Theatre Royal, by his Majesty's Servants. This Play is dedicated to her Grace the Dutchess of Richmond and Lenox. Sir John Everyoung, and Sir Samuel Forecastle copied from Molliere's L'Escole de Maris.
# The Monte Allegre and the Rainha De Los Anjos/Opinion of the Court

* Court Documents
* Case Syllabus
* Opinion of the Court
The Monte Allegre was captured by the private armed vessel called La Fortuna, cruising at the time under a commission from the chief of the Oriental Republic. She was completely fitted out, equipped, and manned, in Baltimore, from which port she sailed on her first cruize, in December, 1816; owned and commanded by citizens of the United States; but commissioned by the government of Buenos Ayres. She sailed again on her second cruize, in August, 1817, from the port of Baltimore. This cruize terminated at Buenos Ayres, where she was in part dismantled, some of her rigging and arms being deposited in a store ship which lay near her. The crew also were discharged. After lying in port four or five weeks, she sailed on her third cruize, having the same armament with which she sailed from Baltimore, and about twenty or thirty of the same crew. Her commandel was changed, but was still a citizen of the United States; and she sailed under a commission from the Oriental Republic. On this cruize, the Monte Allegre was taken, and sent into the port of Baltimore, where she was libelled by the Consul General of Portugal. She was claimed by William Foster, the prize master, in behalf of the Oriental Republic, who alleged, that while she lay in the port of Bueros Ayres, she was purchased by the government of the Banda Oriental.
The reality of this sale constitutes the only question which can arise in this case.
The testimony in support of it is found in the depositions of James Brown, James Williams, William Towson, and Alexander Towson. They mention the partial dismantling of the vessel, and speak of a report that she was sold, but they give no positive information on the subject, nor did they even hear to whom the sale was made. This testimony would weigh very little, were it even uncontradicted. But the regular transmission of her prizes to Baltimore, her returning to that port, at the termination of her cruize, the depositions taken to show that the original proprietors had not parted with their interest. are proofs of a continuing American ownership, which are entirely conclusive. There can, then, be no doubt but that the captures made by the Fortuna are in violation of the laws of the United States, enacted for the preservation of our neutrality, and that they ought to be restored when brought within our territory.
The Rainha de los Anjos was a Portuguese vessel, captured by the La Fortuna, in the same cruize in which she captured the Monte Allegre. The cases are, in all material respects, the same.
Sentences affirmed with costs.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# The Monthly Law Magazine

The Monthly Law Magazine is a periodical, published in ten volumes from 1838 to 1841. Originally called the 'Monthly Law Magazine and Political Review'.
For further commentary on this periodical, see (1975) 8 Victorian Periodicals Newsletter 24 at footnote 2 .
* Volume 1 (1838) External scan
* Volume 2 (1838) External scan
* Volume 3 (1839) External scan
* Volume 5 (1839) External scan
* Volume 6 (1840) External scan
* Volume 7 (1840) External scan
* Volume 8 (1840) External scan
* Volume 9 (1841) External scan
* Volume 10 (1841) External scan
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# The Mahabharata/Book 1: Adi Parva/Section LIX

Section LIX. ( Adivansavatarana Parva. )
Saunaka said, "O child, thou hast narrated to me this extensive and great history commencing from the progeny of Bhrigu! O son of Suta, I have been much gratified with thee! I ask thee again, recite to me, son of Suta, the history composed by Vyasa! The varied and wonderful narrations that were recited amongst those illustrious Sadasyas assembled in the sacrifice, in the intervals of their duties in that long-extending snake-sacrifice, and the objects also of those narrations, I desire to hear from thee, O son of Suta! Recite then, therefore, all those to me fully!"
Sauti said, "The Brahmanas, in the intervals of their duties, spake of many things founded on the Vedas. But Vyasa recited the wonderful and great history called the Bharata."
Saunaka said, "That sacred history called the Mahabharata, spreading the fame of the Pandavas, which Krishna Dwaipayana, asked by Janamejaya, caused to be duly recited after the completion of the sacrifice, I desire to hear duly! That history hath been born of the ocean-like mind of the great Rishi of soul purified by yoga. Thou foremost of good men, recite it unto me, for, O son of Suta, my thirst hath not been appeased by all thou hast said."
Sauti said, "I shall recite to thee from the beginning that great and excellent history called the Mahabharata composed by Vyasa. O Brahmana, listen to it in full, as I recite it! I myself feel a great pleasure in reciting it!"
And so ends the fifty-ninth Section in the Adivansavatarana of the Adi Parva.