OpenLLM-France/wikimedia huggingface dataset:
# Give pensions to the Learned Pig

* information about this edition.
* sister projects: Wikidata item.
From Notebook c.1808-1811 p.40. See also: Satiric verses and epigrams.

#### Edited text:

GIVE pensions to the learned pig,
Or the hare playing on a tabor;
Anglus can never see perfection
But in the journeyman’s labour.
________________________________________

#### The original text:

Give pensions to the Learned Pig
Or the Hare playing on a Tabor
Anglus can never see Perfection
But in the Journeymans Labour
________________________________________

## Notes

* ↑ The Poetical Works of William Blake, including the unpublished French Revolution together with the Minor Prophetic Books and Selections from The Four Zoas, Milton & Jerusalem; edited with an introduction and textual notes by John Sampson, Hon. D.Litt. Oxon., 1862–1931. London, New York: Oxford University Press, 1908.
* ↑ "The Complete Poetry & Prose of William Blake", ed. by David V. Erdman, Anchor Books, 1988, p. 514.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Give All To Love

Give all to love
* Give all to Love in Poems (1847)
* Give all to Love in Poems (Household Edition, 1904)
# Give Our Flag to the Breeze!

Give Our Flag to the Breeze! A New National Song, written and composed by
John H. Hewitt, Esq.,
of Richmond.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Give Me the Faith Which Can Remove

Give me the faith which can remove And sink the mountain to a plain; Give me the childlike praying love, Which longs to build Thy house again; Thy love, let it my heart overpower, And all my simple soul devour.
I want an even strong desire, I want a calmly fervent zeal, To save poor souls out of the fire, To snatch them from the verge of hell, And turn them to a pardoning God, And quench the brands in Jesus’ blood.
I would the precious time redeem, And longer live for this alone, To spend and to be spent for them Who have not yet my Saviour known; Fully on these my mission prove, And only breathe, to breathe Thy love.
My talents, gifts, and graces, Lord, Into Thy blessed hands receive; And let me live to preach Thy Word, And let me to Thy glory live; My every sacred moment spend In publishing the sinner’s Friend.
Enlarge, inflame, and fill my heart With boundless charity divine, So shall I all strength exert, And love them with a zeal like Thine, And lead them to Thy open side, The sheep for whom their Shepherd died.
Charles Wesley's original first stanza:
O that I was as heretofore When first sent forth in Jesu’s Name. I rush’d thro’ every open Door, And cried to All, ‘Behold the Lamb!’ Seiz’d the poor trembling Slaves of Sin, And forc’d the Outcasts to come in.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Give Me Women, Wine and Snuff

Give me women, wine, and snuff Until I cry out "hold, enough!" You may do so sans objection Till the day of resurrection: For, bless my beard, they aye shall be My beloved Trinity.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
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# Gems of Chinese Literature/Liu Ling-The Genius of Wine

LIU LING.
3rd Century a.d.
[One of seven hard-drinking poets of the day who formed themselves into a club, known as the Bamboo Grove. He was always accompanied by a servant carrying a wine-flask; and he gave orders that if he fell dead in his cups he should be buried where he lay. In this respect, he was perhaps out-Heroded by another famous tippler, who left instructions that he should be buried in a potter’s field, so that, “when time into clay might resolve him again,” he would have a chance of re-appearing among men under the form of a wine-jug.]
AN old gentleman, a friend of mine (sc. himself), regards eternity as but a single day, and whole centuries as but an instant of time. The sun and moon are the windows of his house; the cardinal points are the boundaries of his domain. He wanders unrestrained and free; he dwells within no walls. The canopy of Heaven is his roof; his resting-place is the lap of Earth. He follows his fancy in all things. He is never for a moment without a wine-flask in one hand, a goblet in the other. His only thought is wine: he knows of naught beyond.
Two respectable philanthropists, hearing of my friend’s weakness, proceeded to tax him on the subject; and with many gestures of disapprobation, fierce scowls, and gnashing of teeth, preached him quite a sermon on the rules of propriety, and sent his faults buzzing round his head like a swarm of bees.
When they began, the old gentleman filled himself another bumper; and sitting down, quietly stroked his beard and sipped his wine by turns, until at length he lapsed into a semi-inebriate state of placid enjoyment, varied by intervals of absolute unconsciousness or of partial return to mental lucidity. His ears were beyond the reach of thunder; he could not have seen a mountain. Heat and cold existed for him no more. He knew not even the workings of his own mind. To him, the affairs of this world appeared but as so much duckweed on a river; while the two philanthropists at his side looked like two wasps trying to convert a caterpillar (into a wasp, as the Chinese believe is done).
# Gems of Chinese Literature/Liu Tsung-yüan-Is there a God?

LIU TSUNG-YÜAN.
a.d. 773-819.
[A most versatile writer, and one of the intimate friends of Han Wên-kung (q.v.), like whom he was banished on political grounds to a distant official post, where he died. His breadth of intelligence allowed him to tolerate Buddhism, in direct opposition to the utterances of Han Wên-kung, who perceived in its growing influence a menacing danger to Confucianism and to the State. He excelled in political satire, and suffered for the sting of his pen. His death called forth the short but beautiful lament, “In Memoriam,” by Han Wên-kung.
Over the western hills the road trends away towards the north; and on the further side of the pass, separates into two. The westerly branch leads to nowhere in particular; but if you follow the other, which takes a north-easterly turn, for about a quarter of a mile, you will find that the path ends abruptly, while the stream forks to enclose a steep pile of boulders. On the summit of this pile there is what appears to be an elegantly-built look-out tower; below, as it were a battlemented wall, pierced by a city gate, through which one gazes into darkness. A stone thrown in here, falls with a splash suggestive of water; and the reverberations of this sound are audible for some time. There is a way round from behind up to the top, whence nothing is seen far and wide except groves of fine straight trees, which, strange to say, are grouped symmetrically, as if by an artist’s hand.
Now, I have always had my doubts about the existence of God; but this scene made me think he really must exist. At the same time, however, I began to wonder why he did not place it in ​some worthy centre of civilisation, rather than in this out-of-the-way barbarous region, where for centuries there has been no one to enjoy its beauty. And so, on the other hand, such waste of labour and incongruity of position disposed me to think that there could not be a God after all.
A friend suggested that it was designedly placed there to gratify those virtuous men who might be banished in disgrace to that spot (as, for instance, the writer). Another argued that it was simply the nature of the locality, which was unfavourable to the growth of heroes, and fit only for the production of inanimate objects of the kind: as witness the great dearth of men and abundance of boulders in these parts. But I do not accept either explanation.
# Gems of Chinese Literature/Liu Yü-hsi-My Humble Home

LIU YÜ-HSI.
a.d. 772-842.
[One of the well-known poets of the T‘ang dynasty. As an official, he shared the fate of Liu Tsung-yüan, being banished to a distant post in consequence of political intrigue.]
HILLS are not famous for height alone:’tis the Genius Loci that invests them with their charm. Lakes are not famous for mere depth:’tis the residing Dragon that imparts to them a spell not their own. And so, too, my hut may be mean; but the fragrance of Virtue is diffused around.
The green lichen creeps up the steps: emerald leaflets peep beneath the bamboo blind. Within, the laugh of cultured wit, where no gross soul intrudes; the notes of the light lute, the words of the Diamond Book, marred by no scraping fiddle, no scrannel pipe, no hateful archives of official life.
K‘ung-ming had his cottage in the south; Yang Hsiung his cabin in the west. And the Master said, “What foulness can there be where virtue is?”
# Gems of Chinese Literature/Liu Yin-Design

LIU YIN.
a.d. 1241-1293
[A promising official who was prevented by failing health from rising to eminence. He lived a retired life in a cottage which he named “Peace with Culture.”]
WHEN God made man, he gave him powers to cope with the exigencies of his environment; and resources within himself, so that he need not be dependent upon external circumstances [for good or evil].
Thus, in districts where poisons abound, antidotes abound also; and in others, where malaria prevails, we find such correctives as ginger, nutmegs, and dog-wood. Again, fish, terrapins, and clams, are the most wholesome articles of diet in excessively damp climates, though themselves denizens of the water; and musk and deer-horns are excellent prophylactics in earthy climates, where in fact they are produced. For, if these things were unable to prevail against their surroundings, they could not possibly thrive where they do; while the fact that they do so thrive is proof positive that they were ordained as specifics against those surroundings.
Chu Hsi said, “When God is about to send down calamities upon us, he first raises up the hero whose genius shall finally prevail against those calamities.” From this point of view, there can be no living man without his appointed use; nor any state of society which man should be unable to put right.
# Historic Highways of America

* 1 - Paths of the Mound-Building Indians and Great Game Animals.
* 2 - Indian Thoroughfares.
* 3 - Washington's Road.
* 4 - Braddock's Road.
* 5 - The Old Glade (Forbes's) Road.
* 6 - Boone's Wilderness Road.
* 7 - Portage Paths.
* 8 - Military Roads of the Mississippi Basin.
* 9 - Waterways of Westward Expansion.
* 10 - The Cumberland Road
* 11 - Pioneer Roads and Experiences of Travelers - Vol I
* 12 - Pioneer Roads and Experiences of Travelers - Vol II
* 13 - The Great American Canals - Vol I
* 14 - The Great American Canals - Vol II
* 15 - The Future of Road-making in America
* 16 - Index
# Historic Highways of America/Volume 1

HISTORIC HIGHWAYS OF AMERICA
VOLUME 1
HISTORIC HIGHWAYS OF AMERICA VOLUME 1
Paths of the Mound-Building Indians and Great Game Animals
BY Archer Butler Hulbert
With Maps and Illustrations
THE ARTHUR H. CLARK COMPANY CLEVELAND, OHIO 1902
COPYRIGHT, 1902 BY The Arthur H. Clark Company
ALL RIGHTS RESERVED
TO
MY FATHER
THIS SERIES OF VOLUMES
IS AFFECTIONATELY
DEDICATED
"Je n'aurais point aux Dieux demandé d'autre père."
ILLUSTRATIONS
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1933, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 90 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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# Felicia Hemans in A Collection of Poems, Chiefly Manuscript, and from Living Authors, by Joanna Baillie

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
This work is available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Public domainPublic domainfalsefalse
Felicia Hemans
In
A Collection of Poems, Chiefly Manuscript, and from Living Authors, by Joanna Baillie
Longman, Hurst, Rees, Orme, and Brown London
1823
Compiled by Peter J. Bolton
Belshazzar's FeastMrs. Hemans119
# Feist Publications v. Rural Telephone Service/Concurrence Blackmun

* Court Documents
* Case Syllabus
* Opinion of the Court
* Concurring Opinion Blackmun
JUSTICE BLACKMUN concurs in the judgment.
# Felber v. Association of Bar of City of New York

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
386 U.S. 1005
Felber v. Association of Bar of City of New York
See 387 U.S. 938, 87 S.Ct. 2048.
Philip J. Ryan, for petitioner.
John G. Bonomi, for respondent.
Petition for writ of certiorari to the Appellate Division of the Supreme Court of New York, First Judicial Department.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Feldman v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
322 U.S. 487
Feldman v. United States
Argued: Dec. 17, 1943. --- Decided: May 29, 1944
See 65 S.Ct. 26.
Mr. Seymour M. Klein, of New York City, for petitioner.
Mr. Chester T. Lane, of Washington, D. C., for respondent.
Mr. Justice FRANKFURTER delivered the opinion of the Court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Final Report of the Select Committee to Investigate the January 6th Attack on the United States Capitol

FINAL REPORT
Select Committee to Investigate the January 6th Attack on the United States Capitol
December 22, 2022 117th Congress Second Session House Report 117-663
Final Report
of the
Select Committee to Investigate the January 6th Attack on the United State Capitol
December 22, 2022
Committed to the Committee of the Whole House on the State of the Union and ordered to be printed
U.S. Government Publishing Office Washington : 2022
49-937
For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512‒1800; DC area (202) 512‒1800 Fax: (202) 512‒2104 Mail: Stop IDCC, Washington, DC 20402-0001
Rawaa Alobaidi Melinda Arons Steve Baker Elizabeth Bisbee David Canady John Coughlin Aaron Dietzen Gina Ferrise Angel Goldsborough James Goldston Polly Grube L. Christine Healey Danny Holladay Percy Howard Dean Jackson Stephanie J. Jones Hyatt Mamoun Mary March Todd Mason Ryan Mayers Jeff McBride Fred Muram Alex Newhouse John Norton Orlando Pinder Owen Pratt Dan Pryzgoda Brian Sasser William Scherer Driss Sekkat Chris Stuart Preston Sullivan Brian Young
Innovative Driven
House of Representatives, Select Committee to Investigate the January 6th Attack on the United States Capitol, Washington, DC, December 22, 2022.
Hon. Cheryl L. Johnson, Clerk, U.S. House of Representatives, Washington, DC.
Dear Ms. Johnson: By direction of the Select Committee to Investigate the January 6th Attack on the United States Capitol, I hereby transmit its final report pursuant to section 4(a) of House Resolution 503, 117th Congress.
Sincerely,
Bennie D. Thompson,
Chairman.
This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
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# EXERCISE 9

Balun, January. Telul, February.
In the same manner form the names of the months to September (Zülul) inclusive.
Balsul, October. Babul, November. Batul, December. Balüdel, Sunday. Telüdel, Monday, etc.
Exercises or translation :
Balul binom mul balid. Velul binom mul velid. Kilüdel binom del kilid viga. Batul binom mul balsetelid yela. Düp kilid. Düp kimid binom ? Binom düp balsid.
Saturday is the seventh day of the week. November is the eleventh month. It is four o'clock. (It is the fourth hour.)

#### POSSESSIV PRONOUNS

The possessivs, my, mine, thy, thine, etc., may be rendered in two ways :
1. By the kimafal of the pronoun; fat oba, my father; fat obas, our father.
2. By the termination -ik, forming a possessiv adjectiv ; buk obik, my book; buks omsik, their books; buk at binom olik, this book is yours.
The kimafal is used when otherwise there would be too much repetition of the termination ik.
# Hand-book of Volapük/16
## THE PARTICIPLE

The participle is a verb-adjectiv. Its ending is -öl, corresponding to -ing, -ed. It may be in the activ or passiv voice, and in any tense, tho' the patüp, petüp and potüp are the most common.
Logöl, seeing. Elogöl, having seen. Ologöl, about to see, being about to see. Palogöl, seen, being seen. Pelogöl, seen, having been seen. Pologöl, about to be seen.
It is often necessary to examin English passiv participles very carefully, to determine what tense they really signify.
The house seeri in the distance, dom palogöl in fog. The house built on a rock, dom pebumöl su klif.
If we turn the sentence into the activ form it will be clearer. The house which we see in the distance. The house which some one has built (not is building) on a rock.
There is another form of the participle, slightly differing from the future, and having the augment ö instead of o. Its meaning is that which must or ought to do something, or that which must or ought to be done.
Öbinöl, that which ought to be. Pöfinöl, to be finished. Pöks pömenodöl, errors to be corrected. Pöks pomenodöl, errors which will be corrected.
# EXERCISE 8

| Flen, friend. | Tidel, teacher. | Jeval, horse. |
| Lautel, author. | Lanel, angel. | Viudel, widower. |
| Nelijel, Englishman. | Sanel, physician. | Blod, brother. |
| Vomül, Miss. | Matel, husband. | Maria, Mary. |
Express in Volapük :
Lady-friend. Doctor's wife. Widow. Authoress. Miss Mary is an angel. Doctress. Mare. Sister. Englishwoman. Wife.
# THE PASSIV VOICE

All the tenses of the passiv voice commence with the letter p. Therefore the passiv tense-augments are,
| present | pa- | palöfob, I am loved. |
| imperfect | pä- | pälogol, you were seen. |
| perfect | pe- | peflapom, he has been struck. |
| pluperfect | pi- | piropof, she had been interrupted. |
| future | po- | posagos, it will be said. |
| future perfect | pu- | pununon, one will have been informed. |
In English, a present passiv is often really perfect in signification; as, "the house is finished," ,,dom pefinom." On the other hand we use what is, apparently, an activ form in a passiv sense, as, "the house is building," meaning "the house is being built," ,,dom pabumom." In all such cases we must consider the sense and not the sound.
# FORMATION OF ADVERBS

Numeral adverbs, expressing repetition, are formed by adding na. Kilna, three times ; kilidna, the third time.
Adverbs are formed from adjectivs, and sometimes from other parts of speech by adding o, corresponding to the English -ly.
Vifik, quick ; vifiko, quickly. Neit, night ; neitiko, nocturnally. When the adverb ending in iko immediately follows the verb, o is sometimes omitted ;
gonom vifik (vifiko), he runs fast (swiftly).
It is much clearer, however, to retain the o.
# DEGREES OF COMPARISON

To form the comparativ and superlativ degrees, the suffixes um, ün, are used.
Gudik, good ; gudikum, better; gudikün, best.
Gudiko, well; gudikumo, better, in a better manner; gudikün, in the best manner.
These endings um, ün, may be added even to nouns; flenün obik, my best friend. Binom solatum ka ob, he is more of a soldier than I.
Umo, üno, are used as separate words meaning in greater degree, in the greatest degree. Binom umo solat ka bolitel, he is more of a soldier than of a politician.
# TENSES

Each of the tenses has one of the vowels as its peculiar sign: [a], ä, e, i, o, u.
| for the present or | patüp | a |
| for the past (imperfect), or | pätüp | ä |
| for the perfect, or | petüp | e |
| for the past-perfect (pluperfect), or | pitüp | i |
| for the future, or | potüp | o |
| for the future perfect, or | putüp | u |
These vowels when prefixed to the verb are called tense-signs or augments.
The present-sign, a, is omitted in the activ voice.
Binob, I am; äbinol, you were; ebinom, he has been; ibinof, she had been; obinos, it will be; ubinon, one will have been.
In English, most of the tenses are expressed by using the auxiliary verbs, have, shall and will; while in Volapük there are no such auxiliaries, the verb-form consisting of a single word.
The word "do" is used in English as an auxiliary denoting emphasis, as, "I do believe." In Volapük this cannot be translated otherwise than "I believe."
The same tense-vowels,
a, ä, e, i, o, u,
are used with some words other than verbs, when time is to be distinguished.
| adelo, | to-day. |
| ädelo, | yesterday. |
| odelo, | to-morrow. |
| udelo, | day-after-tomorrow. |
| amulo, | this month. |
| omulo, | next month. |
| oyelo, | next year. |
# Hand-book of Volapük/15
## THE INFINITIV

The verbs given so far have been in the form which simply asserts, called the indicativ mood.
The infinitiv mood, or verb-noun, has the ending -ön. It is usually, though not always, preceded in English by to. In Volapük it may be in various tenses: patüp, petüp, potüp, or putüp.
Logön, to see. Elogön, to have seen. Ologön, to be about to see (as we cannot say to shall). Ulogön, to be about to have seen. Liladön binos pöfüdik, to read is profitable. Liladam binom pöfüdik, reading is profitable.
Notice that the neuter-impersonal verb, binos, is used with the infinitiv as subject.
Vilob liladön buki at, I wish to read this book.
Opöfüdos alime eliladön buki at, It will benefit every one to have read this book.
Kanob liladön, I can read.
The verbs may, can, must (called by some grammarians, signs of the potential mood), let, dare, etc., have no to after them in English, yet the verb following them is in the infinitiv.
Mutob pükön, I must speak (I am obliged to speak). Dalob sagön, I may say (am permitted to say). Letom puli golön, he lets the boy go; he allows the boy to go.
Konsälob olis kömön, I advise you to come. Olemob buki al studön volapüki, I shall buy a book, to study Volapük.
Here "to" means "in order to." In this case the infinitiv must be preceded by al. To test (,,al blufön") whether al should be used or not, see if you can change the English phrase into an equivalent one containing "for," or if it answers the question "for what ?"
I shall buy a book (for what ?) to study Volapük. Osegolob adelo al spatön, I shall go out to walk (for walking) to-day.
Eblibob in zif al lemön klotis, I have remained in the city in order to buy clothes.
No mutobs lifön al fidön, sod fidön al lifön, we must not live to eat, but eat to live.
The English verb-noun in -ing must be translated by the infinitiv. Fidön zesüdos al lifön, eating is necessary for living.
The infinitiv, being a kind of verb-noun, may be declined, tho' this seldom occurs.
Löf studöna, the love of studying.
It is permitted to insert the personal pronouns before the ending -ön in order to indicate the subject.
Binobön u ne binobön ! [for me] to be or not to be !
The infinitiv in the passiv voice is formed in the same way, and is subject to the same rules.
Pamilagön, to be admired. Pevunön, to have been wounded. Pomatön, to be about to be married, to be going to be married.