OpenLLM-France/wikimedia huggingface dataset:
# In the Seven Woods/The Song of Red Hanrahan

Layout 2
THE SONG OF RED HANRAHAN
The old brown thorn trees break in two high over Cummen Strand Under a bitter black wind that blows from the left hand, Our courage breaks like an old tree in a black wind and dies; But we have hidden in our hearts the flame out of the eyes Of Cathleen the daughter of Houlihan.
​The wind has bundled up the clouds high over Knocknarea And thrown the thunder on the stones for all that Maeve can say. Angers that are like noisy clouds have set our hearts abeat; But we have all bent low and low and kissed the quiet feet Of Cathleen the daughter of Houlihan.
The yellow pool has overflowed high up on Clooth-na-Bare, For the wet winds are blowing out of the clinging air; Like heavy flooded waters our bodies and our blood; But purer than a tall candle before the Holy Rood Is Cathleen the daughter of Houlihan.
# In the Seven Woods/The Withering of the Boughs

Layout 2
THE WITHERING OF THE BOUGHS
I cried when the moon was murmuring to the birds 'Let peewit call and curlew cry where they will I long for your merry and tender and pitiful words, For the roads are unending and there is no place to my mind.' The honey-pale moon lay low on the sleepy hill And I fell asleep upon lonely Echtge of streams; No boughs have withered because of the wintry wind, The boughs have withered because I have told them my dreams.
I know of the leafy paths that the witches take, Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; And of apple islands where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams; No boughs have withered because of the wintry wind, The boughs have withered because I have told them my dreams.
I know of the sleepy country, where swans fly round Coupled with golden chains and sing as they fly, A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know, and the curlew and peewit on Echtge of streams; No boughs have withered because of the wintry wind, The boughs have withered because I have told them my dreams.
# Hyde v. Woods

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
94 U.S. 523
Hyde v. Woods
ERROR to the Circuit Court of the United States for the District of California.
The facts are stated in the opinion of the court.
Mr. Edward B. Merrill for the plaintiff in error.
No counsel appeared for the defendant in error.
MR. JUSTICE MILLER delivered the opinion of the court.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hyde v. Shine

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
199 U.S. 62
Hyde v. Shine
Argued: February 21, 23, 1905. --- Decided: May 29, 1905
This is an appeal from an order of the circuit court, denying the appellant's application for writs of habeas corpus and certiorari, and dismissing his petition therefor.
The proceedings which culminated in the arrest and remanding of the appellant originated in an indictment found in the supreme court of the District of Columbia against the appellant and John A. Benson, Henry P. Dimond, and Joost H. Schneider, charging them with a conspiracy, under Rev. Stat. § 5440, U.S.C.omp. Stat. 1901, p. 3676, 'to defraud the United States out of the possession and use of, and the title to, divers large tracts of the public lands of the United States.' All of the defendants except Schneider are residents of San Francisco, California. Upon a complaint made, based upon such indictment, before a United States commissioner for the northern district of California, Hyde was arrested under Rev. Stat. § 1014, U.S.C.omp. Stat. 1901, p. 716, taken before a commissioner, and held to bail to answer the indictment in the sum of $50,000, and in default thereof was committed to the custody of the defendant, Shine, to await the order of the district judge for his removal to the District of Columbia, or until he should be discharged by due course of law. Upon such order of removal being issued (United States v. Hyde, 132 Fed. 545), appellant presented his petition to the circuit court for the northern district of California, praying for writs of habeas corpus and certiorari, and for his discharge from imprisonment, which were denied, and this appeal taken.
Messrs. William B. Hornblower and Charles C. Cole for appellant.
[Argument of Counsel from pages 64-69 intentionally omitted]
Solicitor General Hoyt and Messrs. Francis J. Heney and Arthur B. Pugh for appellee.
[Argument of Counsel from pages 69-75 intentionally omitted]
Mr. Justice Brown delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Hyde v. United States

* related portals: Supreme Court of the United States.
* sister projects: Wikipedia article, Wikidata item.
United States Supreme Court
225 U.S. 347
Hyde v. United States
Argued: October 23 and 24, 1911. ---
Ordered for reargument before full bench December 18, 1911.
Reargued May 3, 1912.
Decided June 10, 1912.
[Argument of Counsel from pages 347-349 intentionally omitted]
Mr. A. S. Worthington for petitioners.
Solicitor General Lehmann for respondent.
Mr. Justice McKenna delivered the opinion of the court:

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# It sounded as if the Streets were running

* "Storm" in Poems: Second Series (1891)
* "It sounded as if the streets were running" in The Complete Poems of Emily Dickinson (1924)
# It struck me—every Day—

It struck me — every Day — The Lightning was as new As if the Cloud that instant slit And let the Fire through —
It burned Me — in the Night — It Blistered to My Dream — It sickened fresh upon my sight — With every Morn that came —
I though that Storm — was brief — The Maddest — quickest by — But Nature lost the Date of This — And left it in the Sky —
# It tossed—and tossed—

* "Shipwreck" in Poems: Second Series (1891)
* "It tossed and tossed—" in The Complete Poems of Emily Dickinson (1924)
# It was not Death, for I stood up

* "It was not death, for I stood up" in Poems: Second Series (1891)
* "It was not death, for I stood up" in The Complete Poems of Emily Dickinson (1924)
# It was the autumn of the year

As rendered in Brontë Poems: Selections from the poetry of Charlotte, Emily, Anne and Branwell Brontë (1915)
92*
IT was the autumn of the year; The time to labouring peasants, dear: Week after week, from noon to noon, September shone as bright as June; Still, never hand a sickle held; The crops were garnered in the field, Trod out, and ground by horses' feet, While every ear was milky sweet; And kneaded on the threshing floor With mire of tears and human gore. Some said they thought that heaven's pure rain Would hardly bless those fields again. Not so—the all-benignant skies Rebuked that fear of famished eyes— July passed on with showers and dew And August glowed in showerless blue; No harvest time could be more fair Had harvest fruits but ripened there.
Strange proofs I've seen how hearts could hide Their secret with a life-long pride, And then reveal it as they died. Strange courage, and strange weakness too, In that last hour when most are true, And timid natures strangely nerved To deeds from which the desperate swerved! These I may tell, but, leave them now. Go with me where my thoughts would go; Now all today, and all last night I've had one scene before my sight—
Wood-shadowed dales; a harvest moon Unclouded in its glorious noon; A solemn landscape, wide and still, A red fire on a distant hill; A line of fire, and deep below, Another dusker, drearier glow; Charred beams, and lime, and blackened stones Self-piled in cairns o'er burning bones; And lurid flames that licked the wood, Then quenched their glare in pools of blood.
September 14, 1846.
# It might be lonelier

It might be lonelier Without the Loneliness — I'm so accustomed to my Fate — Perhaps the Other — Peace —
Would interrupt the Dark — And crowd the little Room — Too scant — by Cubits — to contain The Sacrament — of Him —
I am not used to Hope — It might intrude upon — Its sweet parade — blaspheme the place — Ordained to Suffering —
It might be easier To fail — with Land in Sight — Than gain — My Blue Peninsula — To perish — of Delight —
# It sifts from Leaden Sieves—

* "The Snow" in Poems: Second Series (1891)
* "It sifts from leaden sieves" in The Complete Poems of Emily Dickinson (1924)
# It stole along so stealthy

It stole along so stealthy Suspicion it was done Was dim as to the wealthy Beginning not to own —
# It was a' for our Rightful King

First published anonymously. Refers to the 1745 Jacobite Rising
It was a' for our rightful king That we left fair Scotland's strand; It was a' for our rightful king We e'er saw Irish land, My dear, We e'er saw Irish land.
Now a' is done that men can do, And a' is done in vain! My love, and native land, fareweel! For I maun cross the main, My dear, For I maun cross the main.
He turn'd him right and round about, Upon the Irish shore, He gave his bridle-reins a shake, With, Adieu for evermore, My dear! And adieu for evermore!
The soldier frae the war returns, And the merchant frae the main. But I hae parted frae my love, Never to meet again, My dear, Never to meet again.
When day is gone and night is come, And a' folk bound to sleep, I think on him that's far awa The lee-lang night, and weep, My dear, The lee-lang night, and weep.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# It was a hard thing to undo this knot

Written in August 1864
It was a hard thing to undo this knot.
The rainbow shines, but only in the thought
Of him that looks. Yet not in that alone,
For who makes rainbows by invention?
And many standing round a waterfall
See one bow each, yet not the same to all,
But each a hand's breadth further than the next.
The sun on falling waters writes the text
Which yet is in the eye or in the thought.
It was a hard thing to undo this knot.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Island-names in Melanesia

The Geographical Journal, Vol. 39, No. 5 (May, 1912), pp. 458-464
Most of the islands of Melanesia are denoted by at least two different names: one or more, of European origin, given by an early discoverer; another or others, names used or supposed to be used by the natives themselves. A name of European origin is usually given in atlases and charts, and this is generally the name by which an island is known to the outside world if it is known at all. The second kind of name, of native origin, on the other hand, is often that by which an island is known to the officials, missionaries and traders who live on the spot.
The anthropologist--and it is from his point of view that I approach the matter--has to decide which of these two names he will use. He has to mention the names of different places continually, and as he cannot always give two alternatives, he has to fix on one or the other. The natural tendency of the anthropologist, due to his interest in native matters, is to use native names, and this tendency shows itself in anthropological literature. It is, I believe, the general opinion of anthropologists that places should be denoted by native names whenever possible.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# Island Gold

* information about this edition.
* sister projects: Wikidata item.
A search for buried treasure with the best villain in the South Seas. —The Bookman, June 1923
ISLAND GOLD
BY VALENTINE WILLIAMS AUTHOR OF “THE MAN WITH THE CLUB FOOT” AND “THE YELLOW STREAK”
BOSTON AND NEW YORK
HOUGHTON MIFFLIN COMPANY
The Riverside Press Cambridge
1923
COPYRIGHT, 1922, BY THE METROPOLITAN PUBLICATIONS, INC.
COPYRIGHT, 1923, BY VALENTINE WILLIAMS
ALL RIGHTS RESERVED
The Riverside Press Cambridge CAMBRIDGE : MASSACHUSETTS
PRINTED IN THE U.S.A.
CONTENTS
* I. Doña Luisa 1
* II. In which a Gentleman pays his Debt 11
* III. The Message 29
* IV. A Footstep in the Lane 46
* V. The Girl in the Smoke-Room 56
* VI. I Receive an Invitation 74
* VII. The Vice-Consul's Warning 88
* VIII. Dr. Custrin 98
* IX. Concerning a Long Drink 103
* X. The Grave in the Clearing 118
* XI. A Voice in the Forest 135
* XII. I meet an Old Acquaintance 147
* XIII. El Cojo 157
* XIV. “Die Fünf-und-Achtziger” 169
* XV. Marjorie's Adventure 181
* XVI. Black Pablo makes Preparations 190
* XVII. The Escape 200
* XVIII. A Face among the Ferns 208
* XIX. Which proves that Two Heads are better than One 215
* XX. The Burial Chamber 227
* XXI. A Light in the Darkness and what came of it 246
* XXII. I Interrupt a Tête-à-Tête 257
* XXIII. Capitulation 265
* XXIV. Ulrich von Hagel's Treasure 272
* XXV. The End of a Dream 285
* XXVI. In which a Black Box plays a Decisive Part 296
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1946, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 77 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I Want a Principle Within

I want a principle within of watchful, godly fear, a sensibility of sin, a pain to feel it near. I want the first approach to feel of pride or wrong desire, to catch the wandering of my will, and quench the kindling fire.
From thee that I no more may stray, no more thy goodness grieve, grant me the filial awe, I pray, the tender conscience give. Quick as the apple of an eye, O God, my conscience make; awake my soul when sin is nigh, and keep it still awake.
Almighty God of truth and love, to me thy power impart; the mountain from my soul remove, the hardness from my heart. O may the least omission pain my reawakened soul, and drive me to that blood again, which makes the wounded whole.
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# I Will Repay

​Colonial Edition
I WILL REPAY
By the Same Author
THE SCARLET PIMPERNEL
BY THE GODS BELOVED
THE EMPEROR'S CANDLESTICKS
A SON OF THE PEOPLE.
I WILL REPAY
A Romance
BY THE
BARONESS ORCZY
“Vengeance is mine; I will repay, saith the Lord.”—Rom. xii. 19.
London
GREENING & CO. LTD.
1906
All Rights Reserved
Copyright in Great Britain and Ireland, in the Dominion of Canada and in the United States of America
September 1906
All Dramatic Rights Strictly Reserved by the Author
À MA MÈRE
CONTENTS
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse
# I Want No Weeping at My Grave

Source, including CC-BY-SA license:
1st I want no weeping at my grave, except my wife’s lamenting brief; I need no tears of yours and save, oh save yourselves the bogus grief.
2nd I want no moaning of a bell nor all that mourners’ gloomy yowling; oh, may the wind and rain raise hell, and to my funeral come howling.
3rd A lump of earth, if you’re so bound, hurl down before it’s through, and may the Sun illume my burial mound, and ever burn the withered clay.
4th But maybe there will come the time when I feel weary of my rest: I’ll wrack the tomb and out will climb, against the sun I shall contest.
5th And when you see me then in flight, my form aglow and out of reach, require me to forsake the height, but use the words of my own speech.
6th So I can hear them, as of yore, when then I pass a starry lane – and maybe I’ll take up once more the strife that used to be my bane.
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
# I Want To Go Back To Michigan

* information about this edition.
* sister projects: Wikipedia article.
"I Want To Go Back To Michigan" is a song by Irving Berlin composed in 1914. It was a moderate commercial success when . . . first released and afterward became a staple on vaudeville. Its most famous performance was by Judy Garland in the film Easter Parade.
[Verse 1]:
    I was born in Michigan,
    And I wish and wish again,
    That I was back in the town where I was born;
    There's a farm in Michigan,
    And I'd like to fish again,
    In the river that flows beside the fields of waving corn.
    A lonesome soul am I,
    Here's the reason why:
[Chorus (sung twice)]:
    I want to go back,
    I want to go back,
    I want to go back to the farm,
    Far away from harm,
    With a milk pail on my arm;
    I miss the rooster;
    The one who use-ter
    Wake me up at four A.M.
    I think your great big city's very pretty, nevertheless –
    I want to be there,
    I want to see there
    A certain some one full of charm;
    That's why I wish again,
    That I was in Michigan,
    Down on the farm.
[Verse 2]:
    You can have your cabarets,
    Where they turn nights into days,
    I'd rather be where they go to bed at nine;
    I have been here seven weeks,
    And I've lost my rosy cheeks.
    That's the reason I'd rather have the country life for mine.
    My thoughts are far away,
    That's just why I say:
[Chorus (sung twice)]:
    I want to go back,
    I want to go back,
    I want to go back to the farm,
    Far away from harm,
    With a milk pail on my arm;
    I miss the rooster;
    The one who use-ter
    Wake me up at four A.M.
    I think your great big city's very pretty, nevertheless –
    I want to be there,
    I want to see there
    A certain some one full of charm;
    That's why I wish again,
    That I was in Michigan,
    Down on the farm.

## For printing

* Score, prepared for printing on 8 1/2 x 11" (Letter) paper
* Score, prepared for printing on A4 paper
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I Want to Be in Dixie

Source: Duke University
[verse 1]:
I'm very glad
I'm very glad
Because a train I'm takin'
To that ne'er forgotten or forsaken
Sunny land of cotton down to the town I was born,
I'm glad I had
I'm glad I had
Enough to buy a ticket
Now I hope that there will be no pause
Let me tell you the reason is because:
[verse 2]:
Conductor man
Conductor man
I'm kinda hard of hearin'
So just fix it when the train is nearin'
Daear old Dixie, better shout, holler out, good and loud.
Conductor man
Conductor man
I'm goin' to fall asleep now,
Tell the motor man to start the train
Let me tell you when I wake up again:
[chorus]:
I want to be
I want to be
I want to be down home in Dixie,
Where the hens are doggone glad to lay
Scrambled eggs in the new mown hay,
You ought to see
You ought to see
You ought to see my home in Dixie,
You can tell the world I'm going to
D-I-X-I don't know how to spell it but I'm goin'
You bet I'm goin'
[1]:
To my home in Dixie land.
[2]:
I want to land.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1989, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 34 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# I Was Lonely

* information about this edition.
* sister projects: Wikidata item.
Song from the musical Head over Heels.
[Verse]
    Sweetheart
    I seem to feel a wond'rous spell
    Sweetheart
    what it may be I cannot tell
    What is this now O'er me stealing
    Your first kiss has brought a yearning burning feeling
    that taunts me
    yes really: It haunts me
    My dear
    My heart is captured by your smile
    My dear
    at last I feel that life's worth while,
    In my arm
    Let me enfold you
    In my arms
    close to my heart I want to hold you
[Burthen]
    I was lonely
    So lonely
    I was downcast and blue
    It was only
    It was only
    'cause I'd not met you
    Now my sadness
    is gladness
    I have heard love's sweet call.
    You're my mate, dear,
    It is fate, dear,
    That's all.
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1948, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse
# Jennings v. Mahoney

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
404 U.S. 25
Jennings v. Mahoney, Director, Financial Responsibility Division, Department of Public Safety of Utah
Appeal from the Supreme Court of Utah
No. 71-5179
Appellant, an uninsured Utah motorist who was involved in an accident and whose license was suspended, attacks Utah's Motor Vehicle Safety Responsibility Act as not affording the procedural due process required by Bell v. Burson, 402 U.S. 535. However, although there is plainly a substantial question whether the statutory scheme on its face affords the procedural due process required by Bell v. Burson, here, where a state court stayed the suspension order pending completion of judicial review and conducted a hearing at which appellant was given an opportunity to present evidence and cross-examine witnesses, there was no denial of procedural due process.
26 Utah 2d 128, 485 P. 2d 1404, affirmed.
PER CURIAM.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jennings v. Coal Ridge Imp. Coal Company

* related portals: Supreme Court of the United States.
* sister projects: Wikidata item.
United States Supreme Court
147 U.S. 147
Jennings v. Coal Ridge Imp. Coal Company

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse
# Jennings v. Illinois/Dissent Minton

* Court Documents
* Case Syllabus
* Opinion of the Court
* Dissenting Opinions Minton Frankfurter
United States Supreme Court
342 U.S. 104
Jennings v. Illinois
Argued: Nov. 5, 6, 1951. --- Decided: Dec 3, 1951
Mr. Justice MINTON, dissenting.
I dissent as I am of the opinion the Illinois Supreme Court based its judgment and opinion upon an adequate state ground.

## Notes

This work is in the public domain in the United States because it is a work of the United States federal government (see 17 U.S.C. 105).
Public domainPublic domainfalsefalse