OpenLLM-France/wikimedia huggingface dataset:
# Friday the 13th Part VII: The New Blood

Friday the 13th Part VII: The New Blood is a 1988 American slasher horror film, the sequel to 1986 film Friday the 13th Part VI: Jason Lives about Jason Voorhees being accidentally freed from his lake prison by a telekinetic teenager.
    Directed by John Carl Buechler and written by Daryl Haney, Manuel Fidello and Victor Miller.
    See also:
       Friday the 13th (franchise)

## Narrator

* There's a legend round here. A killer buried, but not dead. A curse on Crystal Lake. A death curse. Jason Voorhees's curse. They say he died as a boy, but he keeps coming back. Few have seen him and lived. Some have even tried to stop him. No one can. People forget he's down there... waiting.

## Melissa

* Hey, Tina! Is this the way they wear their jackets back at the mental hospital?!

## Dialogue

    Tina Shephard: I can't! I told you, I don't know how it happens! Sometimes it happens, and sometimes it doesn't happen!
    Dr. Crews: And you're lying to me!! You're lying because it happens... when your emotions are at their peak! Come on, you're holding back! Concentrate! Concentrate, Tina!!
    Russell: When did you first fall in love with me?
    Sandra: The first time I saw the enormous size of your beautiful... wallet.
    Melissa: You are nuts!
    Nick: Shut up, Melissa.
    Melissa: I don't believe you. You people give me the creeps.
    Nick: Where are you going?
    Melissa: I'm going back to bed! You wanna come?
    Nick: Look, Melissa, just stay here with us.
    Melissa: It's not my style.
    Nick: Don't go out there!
    [Melissa opens the door to find Jason, who slams an axe into her face]

## Taglines

* Her Mind Awoke Jason From The Dead!
* On Friday the 13th,Jason is Back...But this time...He's Met His Match!
* On Friday the 13th, Jason will meet his match.
* Jason is back, but this time someone's waiting!

## Cast

* Lar Park Lincoln as Tina Shephard
* Kevin Spirtas as Nick
* Susan Blu as Amanda Shephard
* Terry Kiser as Dr. Crews
* Susan Jennifer Sullivan as Melissa
* Elizabeth Kaitan as Robin
* William Butler as Michael
* Staci Greason as Jane
* Jon Renfield as David
* Jeff Bennett as Eddie
* Heidi Kozak as Sandra
* Diana Barrows as Maddy
* Larry Cox as Russell
* Craig Thomas as Ben
* Diane Almeida as Kate
* Kane Hodder as Jason Voorhees
* John Otrin as Mr. Shephard
* Jennifer Banko as Young Tina

## See also

* Friday the 13th

## External links

* Friday the 13th Part VII: The New Blood quotes at the Internet Movie Database
* Friday the 13th Part VII: The New Blood at Rotten Tomatoes
Friday the 13th franchise :
| Films | Friday the 13th (1980) · Part 2 (1981) · Part III (1982) · The Final Chapter (1984) · A New Beginning (1985) · Jason Lives (1986) · The New Blood (1988) · Jason Takes Manhattan (1989) · Jason Goes to Hell (1993) · Jason X (2001) · Freddy vs. Jason (2003) · Friday the 13th (2009) |
| Television | Friday the 13th: The Series (1987–1990) |
| Comics | Freddy vs. Jason vs. Ash (2007–2008) · Freddy vs. Jason vs. Ash: The Nightmare Warriors (2009) |
| Related | Last words in Friday the 13th films · A Nightmare on Elm Street franchise |
# Sierra Hull

Sierra Dawn Hull (born September 27, 1991) is an American bluegrass singer-songwriter, mandolinist, and guitarist.
Hull was signed to Rounder Records at the age of 13 and released her debut vocal album, Secrets, in 2008 at the age of 16. The album peaked at No. 2 on the Billboard Top Bluegrass Albums chart. Her second album, Daybreak, was released on March 8, 2011.

## Quotes

* I started playing bluegrass music at such an early age that it never really dawned on me that I was the only female around at times. I think that was one of the reasons that I fell in love with Alison Krauss so early on. I was nine years old when I got my first Alison Krauss recording and she really became a big hero to me. I remember getting my first Rhonda Vincent album, too. I didn’t know anything about her music, yet, but I thought it was so cool to see a woman holding a mandolin on the album cover. I remember being about nine or 10 and thinking, ‘that will be me someday—a woman mandolin player!
** As quoted by Devon Leger of Paste (February 9, 2017)
# Dale Ann Bradley

Dale Ann Bradley is an American bluegrass musician. She is a six-time (2007, 2008, 2009, 2011, 2012, and 2021) Female Bluegrass Vocalist of the Year, a distinction given by the International Bluegrass Music Association. She has released music both as a solo artist and as part of the group New Coon Creek Girls.

## Quotes

* I think we have, just like in society, a way to go for everybody to be recognized equally. [...] But I think women have learned business and honed their craft. They’re great musicians. I think that’s been a very important point for women growing in bluegrass.” For Bradley, Emmylou Harris was one of her first inspirations in music. “When Emmylou came out with ‘Roses in the Snow,’ I was a teenager and that absolutely, that was just it, that was the first real representation of the female artist making one of the best records that ever been in bluegrass, acoustic and roots music.
** Devon Leger of Paste (February 9, 2017)

## Quotes about Dale Ann Bradley

* Born and raised in the coalfields of Appalachia, Dale Ann Bradley today is one of the most respected bluegrass vocalists, with five IBMA Vocalist of the Year Awards under her belt. She’s got the kind of hard twang of the best Appalachian bluegrass singers, and she’s always one with a kind word and helping hand for new musicians.
** As quoted by Devon Leger of Paste (February 9, 2017)
# Alison Brown

Alison Brown (born August 7, 1962) is an American banjo player, guitarist, composer, and producer. She has won and has been nominated for several Grammy awards and is often compared to another banjo prodigy, Béla Fleck, for her unique style of playing. In her music, she blends bluegrass, jazz, Latin and Celtic influences.

## Quotes

* When I was growing up people would always say, and it was meant in the kindest possible way, ‘You’re really good for a girl,’ because there weren’t a lot of girls or women playing. Out of this small pond of people, it was surprising to them. In my opinion, you’d have to be pretty unworldly to make a comment like that anymore. Nobody had the success that Alison Krauss had. So, when that happened, I think it started to make it difficult for people to look at women in bluegrass as some kind of exceptional thing. Here was a woman who really blew out the boundaries for the music and really expanded the potential for the music and brought in new listeners.
** As quoted by Devon Leger of Paste (February 9, 2017)
# Rebecca Frazier

Rebecca Frazier (née Hoggan; born 1975 or 1976) is an American singer-songwriter, multi-instrumentalist, bluegrass musician and educator from Virginia. A recognized flatpicking guitarist, Frazier was the first woman to be featured on the cover of Flatpicking Guitar Magazine. A founding member of award-winning bluegrass group, Hit and Run, formerly based in Colorado, Frazier currently tours out of Nashville, Tennessee, and records under her own name.

## Quotes

* If we’d like to be honest about gender in the music world, we need to address all parties. Women need to invest in themselves, hustle for gigs, network, and do the work of forming bands and cultivating their own talents if they would like to be taken seriously. The industry pretty much always rewards women who do these things. I’m not interested in any special handout just for being a woman. But on the other hand, if a woman is doing these things, yet she’s told ‘We already have enough women on the bill, so we’ll call you next year’—now that’s an issue. No one says to a male artist, ‘We already have enough men on the bill!’
** As quoted by Devon Leger of Paste (February 9, 2017)

## Quotes about Rebecca Frazier

* The first woman to be featured on the cover of Flatpicking Guitar Magazine, Frazier’s talent as a guitarist is much respected in bluegrass circles.
** Devon Leger of Paste (February 9, 2017)
# Kristin Scott Benson
## Quotes

* In 1995, I was lucky enough to get a job traveling with a busy, all-male band. I was only 19 years old, and I’ve stayed employed ever since. It wasn’t until years into my career that I realized my experience could be considered rare. As a teenager, I was just happy to be playing my banjo and I didn’t dwell on any gender-specific issues. If they don’t have to play with an all-female band, a group led by another woman, or be the bandleader themselves, the number of job opportunities drastically increases. I believe that, eventually, gender won’t be an issue. One day, female musicians will just be musicians and that’s the ultimate goal.
** As quoted by Devon Leger of Paste (February 9, 2017)
# Bill Monroe

William 'Bill' Smith Monroe (13 September 1911 - 9 September 1996) was an American mandolinist, singer, and songwriter who created the style of music known as bluegrass.

## Quotes

* That ain't no part of nothin'.
* It ain't only the colored folks has the blues; there's many a white man that's had 'em.
** Can't You Hear Me Calling: The Life of Bill Monroe, Father of Bluegrass (2009) by Richard Smith
* After Charlie [Charlie Monroe, Bill's brother] and me broke up, I was searching for a name for my group. And I wanted a name from the state of Kentucky. Before I come to WSM in Nashville - I started on WWNC, Asheville - why, I'd already decided on using the name "bluegrass," because that's what they'd call Kentucky, the Blue Grass State. So I just used "Bill Monroe and the Blue Grass Boys," and that let people throughout the country know I was from Kentucky, saved a lot of people from having to ask me where I was from. Governor Ford, he claims I've done more than any one man for Kentucky - every time I use the word "bluegrass" it leads back to the state.
* (When asked who the three finest old time guitarists were) Well, I would have to pick Travis, you know; I think he's a great man with his music, and there's been many a man that's copied from Merle. You know, they say he learned from a man in Kentucky. Well, I know this Mose Rager he learned from, he learned from Arnold Shultz, the man I speak of, a colored man, in playing the blues. So I think it all leads back to this old colored man back in Kentucky.
* The word "hillbilly", I've never liked that, and I've never used that in my music.
** The Bill Monroe Reader (2000) edited by Tom Ewing
* I was brought up the best way that I could be brought up with what we had to do with. I could have had a better education, and I could have had better clothes to wear to school. I could have had a better chance, you know. But if I'd had the best education in the world, I might have not played music.
** As quoted by Bradley Klein and Stephanie Coleman of NPR (September 12, 2011)

## Quotes about Bill Monroe

* Bill, in some ways, he was very inarticulate about his feelings. In other ways, he was very profound about his feelings. And when you got him into a certain mood where he was being more introspective, he really could be very profound, I felt.
** Alice Gerrard, as quoted by Bradley Klein and Stephanie Coleman of NPR (September 12, 2011)
# Kimber Ludiker
## Quotes

* There’s a lot of complications in this industry for being on the road as a female musician in a more conservative musical world. We just saw the first female winner for instrumental categories this year at IBMA, for a fiddle player, Becky Buller and for a mandolin player, Sierra Hull. It’s one thing to nominated in those categories; it’s a whole other thing to win it.
** As quoted by Devon Leger of Paste (February 9, 2017)
* I think that there’s definitely a younger generation coming to bluegrass that sees the world in a different light. You saw this energy and this charge that came from younger people coming in to bluegrass and IBMA and really caring about inclusivity. It affected some of the professionals and the people who have been in the business for longer; we saw them empowered to speak on behalf of inclusivity.”
** As quoted by Devon Leger of Paste (February 9, 2017)

## Quotes about Kimber Ludiker

* In addition to coming from a powerful music family (she’s a fifth-generation fiddler), Kimber Ludiker is also one of the best known ambassadors of bluegrass today. Through her work with her all-female bluegrass band Della Mae and her work overseas with the U.S. State Department, Ludiker’s been a voice for reason, pushing for more diversity and inclusiveness in bluegrass. A dedicated sidewoman in bluegrass, she’s keen to improve opportunities for women who aren’t bandleaders in bluegrass.
** Devon Leger of Paste (February 9, 2017)
# Melody Walker
## Quotes

* I think the bluegrass scene was broken wide open in the ‘70s and ‘80s revival -- Not only to women, but also an expanded definition of the genre. That revolution fostered this new generation of pickers that have grown up largely up encumbered by past limitations. We still encounter echoes of the past, but as we grow and the next generation of young players comes along, we all become an integral part of the industry and change it from within. We are starting to have some much more open and radical conversations within the IBMA about breaking those next barriers of inclusivity, and making sure LGBT and people of color are included, and that even more political and musical viewpoints are welcome. It’s really exciting, and it makes me proud of my scene and hopeful for the future.
** As quoted by Devon Leger of Paste (February 9, 2017)

## Quotes about Melody Walker

* Melody Walker is an outspoken force in bluegrass. She routinely calls out the sexism, racism and injustice she sees in the world, a difficult thing to do in an industry still run by many conservative elements. A product of the Left Coast bluegrass world, Walker came up in the Bay Area bluegrass scene. The progressive bluegrass world on the West Coast is sometimes pejoratively referred to as “CPG” by Eastern conservatives-CPG stands for “Colorado Pussy Grass.” It’s a title that Walker and others have reclaimed, making it almost a badge of honor.
** Devon Leger of Paste (February 9, 2017)
# Alice Gerrard

Alice Gerrard (born July 8, 1934) is an American bluegrass and old-time music performer, writer, editor and teacher. As a singer who plays guitar, fiddle and banjo, she performed and recorded solo and in ensembles, notably in a duo with Hazel Dickens, in the Strange Creek Singers (with Dickens, Mike Seeger, Tracy Schwarz, and Lamar Grier), and as the Back Creek Buddies (with Matokie Slaughter).

## Quotes

* Bill [Monroe], in some ways, he was very inarticulate about his feelings. In other ways, he was very profound about his feelings. And when you got him into a certain mood where he was being more introspective, he really could be very profound, I felt.
** As quoted by Bradley Klein and Stephanie Coleman of NPR (September 12, 2011)
# Maury Maverick

Fontaine Maury Maverick Sr. (October 23, 1895 – June 7, 1954) was a Democratic member of the United States House of Representatives from Texas, representing the 20th district from January 3, 1935, to January 3, 1939. He is best remembered for his independence from the party and for coining the term "gobbledygook" for obscure and euphemistic bureaucratic language.

## Quotes

* Democracy, to me, is liberty plus economic security. To put it in plain language, we Americans want to talk, pray, think as we please—and eat regular.
** In Blood and Ink (1939), ch. 30
** Quoted by Robert H. Jackson, Speech to the Commonwealth Club of San Francisco (1939): reported in Eugene C. Gerhart, America's Advocate: Robert H. Jackson (1958), p. 456

## External links

* Encyclopedic article on Maury Maverick on Wikipedia
# Leo Robin

Leo Robin (April 6, 1895 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory", sung by Bob Hope and Shirley Ross in the film The Big Broadcast of 1938, and with Jule Styne on "Diamonds Are a Girl's Best Friend".

## Quotes

* A kiss on the hand may be quite Continental, But diamonds are a girl's best friend.
* Men grow cold as girls grow old And we all lose our dreams in the end, But square-cut or pear-shaped, These rocks don't lose their shape: Diamonds are a girl's best friend.
** "Diamonds Are a Girl's Best Friend", Gentlemen Prefer Blondes (1949); as quoted in Lawrence Langner, The Importance of Wearing Clothes (1959), p. 315. Variants: 'charms' for 'dreams'

## External links

* Encyclopedic article on Leo Robin on Wikipedia
# William Beloe

William Beloe (1756 – April 11, 1817) was an English divine and miscellaneous writer.

## Quotes

* Q. If a hog is decided to be in the right, what is the consequence? A. He is almost ruined. Q. If in the wrong what? A. He is quite ruined.
** The Sexagenarian: or, The Recollections of a Literary Life, 2nd ed. (1818), vol. 1, p. 324. A parody of the legal system: "Quote Origin: 'I Never Was Ruined But Twice, Once When I Gained a Lawsuit, and Once When I Lost It'", Quote Investigator (23 May 2023)

## See also

* Antonio Musa Brassavola
* Herodotus

## External links

* Encyclopedic article on William Beloe on Wikipedia
# John Brent (antiquary)

John Brent (21 August 1808 – 23 April 1882) was an English antiquary, novelist, and poet.

## Quotes

* O, what makes woman lovely? Virtue, faith, And gentleness in suffering—an endurance Through scorn or trial. These call beauty forth, Give it the stamp celestial, and admit it To sisterhood with angels.
** "Beauty", Village Bells, Lady Gwendoline, and Other Poems, 2nd ed. (1868), p. 136

## External links

* Henry Southgate (ed.) What Men Have Said about Woman (1866), p. 17
* Encyclopedic article on John Brent (antiquary) on Wikipedia
# Memphis blues

The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Beale Street, the main entertainment area in Memphis. W. C. Handy, the "Father of the Blues", published the song "The Memphis Blues" in 1909 and this was the first blues to be written down.

## Quotes about the Memphis blues

* As the story goes, country slept with the blues in Memphis and gave birth to rock n’ roll. After a while, country got tired and went back to Nashville. And while that’s admittedly an oversimplification, a look at the intertwining history of the three genres reveals it to be an apt extended metaphor.
** Dave Lifton of Ultimate Classic Rock (December 16, 2016)
# Blues rock

Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, drums, and sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues Band, and Canned Heat were among the earliest exponents. Some of these bands also played long, involved improvisations as were then commonplace on jazz records. In the late 1960s and early 1970s, the style became more hard rock-oriented. In the US, Johnny Winter, the early Allman Brothers Band, and ZZ Top represented a hard rock trend, along with Led Zeppelin, Ten Years After, Chicken Shack, and Foghat in the UK.
Along with hard rock, blues rock songs became the core of the music played on album-oriented rock radio in the United States, and later the classic rock format established there during the 1980s.

## Quotes about blues rock

* The blues gave rock a mother’s unconditional love, nurturing it through its difficult stages and always providing a welcome return no matter how far it strayed from home.
** Dave Lifton of Ultimate Classic Rock (December 16, 2016)
# Rockabilly

Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; and eventually came to incorporate different instruments and vocal harmonies. Initially popularized by artists such as Carl Perkins, Elvis Presley, Johnny Burnette, Jerry Lee Lewis and others, the rockabilly style waned in the late 1950s; nonetheless, during the late 1970s and early 1980s, rockabilly enjoyed a revival. An interest in the genre endures even in the 21st century, often within musical subcultures. Rockabilly has spawned a variety of sub-styles and has influenced the development of other genres such as punk rock.

## Quotes about rockabilly

* Hybrids of country and blues had been played throughout the South since the ‘20s, most notably Jimmie Rodgers and the Western swing popularized by Bob Wills and the Texas Playboys. But it wasn’t until the mid-‘50s, when electrified rhythm and blues – given the term “rock n’ roll” a few years earlier by Cleveland DJ Alan Freed – mixed with country (often then called “hillbilly music”) at Sun Records in Memphis to create a new sound, “rockabilly.”
** Dave Lifton of Ultimate Classic Rock (December 16, 2016)
# Country blues

Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century. It stands in contrast primarily to the urban blues style, especially in the pre-war era.

## Quotes about country blues

* Hybrids of country and blues had been played throughout the South since the ‘20s, most notably Jimmie Rodgers and the Western swing popularized by Bob Wills and the Texas Playboys.
** Dave Lifton of Ultimate Classic Rock (December 16, 2016)