OpenLLM-France/wikimedia huggingface dataset:
# Luis Santeiro

Luis Santeiro (born October 9, 1947) is a Cuban American television screenwriter and playwright.

## Quotes

* I was living in Miami. Some people would say, ‘You were very young when you came from Cuba. How did you know us?’ They think I’m portraying Cuba, I said, ‘No, I’m portraying Miami. I’m portraying what I saw in Miami.’
** On how he wrote the first bilingual sitcom ¿Qué Pasa, U.S.A.? in “Meet Luis Santeiro, the Head Writer of the US’ Very First Bilingual Sitcom ‘¿Qué Pasa, U.S.A.?’” in Remezcla (2017)
* We would get letters from Nebraska. I’ve talked to Latin Americans, whether they’re from Colombia [or elsewhere], and they have somebody like that in their family…If you make it authentic, if it touches you, it doesn’t have to be your experience.
** On how writing truthfully enables you to connect with different audiences in “Meet Luis Santeiro, the Head Writer of the US’ Very First Bilingual Sitcom ‘¿Qué Pasa, U.S.A.?’” in Remezcla (2017)
* We went to the visual and the acting. You would lose some jokes if you didn’t speak both languages, but you didn’t lose the thrust.
** On relying on physical comedy to bridge any language gaps in “Meet Luis Santeiro, the Head Writer of the US’ Very First Bilingual Sitcom ‘¿Qué Pasa, U.S.A.?’” in Remezcla (2017)
* The teenagers have been sucked into American culture overnight, while their parents are concerned with preserving roots.
** On the cultural clash dramatized in his play Our Lady of the Tortilla in “Out of the Frying Pan, Onto the Stage” in New York Magazine (1991 Oct 28)
# Luis de Góngora

Luis de Góngora y Argote (July 11, 1561 – May 24, 1627) was a Spanish Baroque lyric poet and playwright.

## Sourced

* Más largo que una noche de Diciembre para un hombre mal casado.
** Longer than a winter's night for a man who is ill-wed.
** "Murmuraban los rocines", line 94, cited from Poesias de D. Luis de Gongora y Argote (Madrid: Imprenta Nacional, 1820) p. 83. Translation from Henry Baerlein The House of the Fighting-cocks (London: Leonard Parsons, 1922) p. 92.
* La vida es ciervo herido, que las flechas le dan alas.
** Life is a wounded stag in whom the fast-stuck arrows function as wings.
** "¡Oh cuán bien que acusa Alcino!", line 23; cited from Poesias de D. Luis de Gongora y Argote (Madrid: Imprenta Nacional, 1820) p. 74. Translation from Ronald M. Macandrew Naturalism in Spanish Poetry from the Origins to 1900 (Aberdeen: Milne and Hutchinson, 1931) p. 75.
* Mal te perdonarán a ti las horas; las horas que limando están los días, los días que royendo están los años.
** The hours will hardly forgive you, those hours that are wearing away the days, those days that are gnawing away the years.
** "De la brevedad engañosa de la vida", line 12, cited from J. M. Cohen (ed.) The Penguin Book of Spanish Verse (Harmondsworth: Penguin, 1962) p. 278. Translation from the same source.
* A batallas de amor, campo de pluma.
** Feathers are Love's most fitting battle-ground.
** Las Soledades, Soledad 1, line 1091, cited from Gilbert F. Cunningham (trans.) The Solitudes of Luis de Góngora (Baltimore: Johns Hopkins Press, 1968) p. 76. Translation from the same source, p. 77.
* Andeme yo caliente y ríase la gente.
** Let me go warm and merry still; And let the world laugh, an' it will.
** Letrillas, "Andeme yo caliente", line 1, cited from Robert Jammes (ed.) Letrillas (Madrid: Castalia, 1980) p. 115. Translation from Henry Wadsworth Longfellow The Poets and Poetry of Europe (New York: C. S. Francis, 1855) p. 695
* Busque muy en hora buena el mercader nuevos soles; yo conchas y caracoles entre la menuda arena, escuchando a Filomena sobre el chopo de la fuente.
** Let merchants traverse seas and lands, For silver mines and golden sands; Whilst I beside some shadowy rill, Just where its bubbling fountain swells, Do sit and gather stones and shells, And hear the tale the blackbird tells.
** Letrillas, "Andeme yo caliente", line 24, cited from Robert Jammes (ed.) Letrillas (Madrid: Castalia, 1980) p. 116. Translation from Henry Wadsworth Longfellow The Poets and Poetry of Europe (New York: C. S. Francis, 1855) p. 695

## External links

* Góngora at Spanish Wikisource
# Luisa Piccarreta

Luisa Piccarreta (23 April 1865–4 March 1947), now a Servant of God and also known as the "Little Daughter of the Divine Will", was a Catholic mystic and author whose spirituality centred on union with the Will of God.

## Quotes
### What God Is By Nature, Mary Is By Grace (2017)

* Creatures had a Celestial Father, but the Divine love was not content. In its delirium of love it wanted them to have a Celestial Mother as well as a terrestrial Mother. In that way, even if the loving care and tenderness of the Celestial Paternity would not be enough to make creatures to love Him, the caring and tenderness of a Celestial and human Mother would lead them to abandon themselves in her arms. By letting themselves be conquered by her love, a link of connection would form to banish any distance, fear or apprehension, in order to love the One Who had formed her love of them, and in order to be loved Himself. For this, the most astonishing portents were needed, along with a love that never says "enough" and only a God can do.
** Frank M. Rega (2017), What God Is By Nature, Mary Is By Grace, Poland: Amazon Fulfillment, 2$^{nd>}$ edition, ISBN 9781548251109, pp. 79-80.
* The Divine Will contains the creative strenght. From within God's one single "Fiat" came out billions and billions of stars. From the Fiat Mihi" of the Mother of God, from which Redemption had its origin, came out billions and billions of acts of grace, which communicate themselves to souls. These acts of grace are more beautiful, more resplendent and more varied than billions of stars! The Divine Fiat is full of life, and in fact It is life itself, and alla lives and things come out from within the Fiat. From the Fiat of God, Creation came out, and in each created thing can be seen the imprint of that Fiat. From the "Fiat Mihi" of the Blessed Virgin, pronounced in the Divine Will with the same power of the Fiat of Creation, Redemption came forth. Therefore everything that concerns the Redemption bears the imprint of her "Fiat Mihi".Even the very Humanity of her Son, His steps, works and words, were sealed with Mary's "Fiat Mihi". (p. 107)

## External links

* Encyclopedic article on Luisa Piccarreta on Wikipedia
* Media related to Luisa Piccarreta on Wikimedia Commons
# Luise Rainer

Luise Rainer (12 January 1910 – 30 December 2014) was the first actor to win two Oscars. Born in Germany, she moved to the United States in 1935 and Britain in 1944.

## Sourced
### Spartacus Schoolnet biography

* I was nobody to make a pass to. I was very thin like a boy and I was very un-sexy.
* I was never proud of anything. I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that.
* I don’t believe in acting. I think that people in life act, but when you are on the stage, or in my case also on screen, you have to be true.
* For my second and third pictures I won Academy Awards. Nothing worse could have happened to me.
* The secret of a long life is to never trust a doctor.

### Article in Movie Maker

* I'll tell you a wonderful story. Coming with all of these ideas that I had, and still have, and still feel because I never change and still believe in the same things. Soon after I was there in Hollywood, for some reason I was at a lun­cheon with Robert Taylor sitting next to me, and I asked him, ‘Now, what are your ideas or what do you want to do,' and his answer was that he wanted to have 10 good suits to wear, elegant suits of all kinds, that was his idea. I practically fell under the table.
* I had a wonderful director, Sidney Franklin .... I worked from inside out. It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it. Hollywood was a very strange place. To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging.
** Of her film The Good Earth
* On Christmas night, I danced with all kinds of fellows with pimples and all kinds of sores. I suddenly felt, ‘What is this being shy? I have to give myself, I just felt I didn't want to be shy, I didn't want to draw away, but give myself, I mean, not physically, but be there. It was a great lesson also for me, this tour through Africa and Italy during the war.
** Being on Ascension Island in 1944
* How can you close your eyes and say this has nothing to do with me? I'm not speaking about politics. Politics is a terrible thing. Everyone wants power.
** Of the bombing of Kosovo

## About
### Spartacus Schoolnet biography

* Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one, single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history.
** Jon Hopwood
* That girl is a Frankenstein, she’s going to ruin our whole firm.
** Louis B. Mayer
# Luis Robles Díaz

Luis Robles Díaz (6 March 1938 – 7 April 2007) was a Mexican prelate of the Catholic Church who worked in the diplomatic service of the Holy See.

## Quotes

* I think we must identify the principal object and to focus all available means in this one direction. Our objective is to announce Christ and help people -Catholics included - to believe and live the Gospel. We must transmit hope based not on human objectives, social, economic etc. This hope must be based on the concrete person of Christ. This may seem obvious but it will do no harm to recall that every bishop must transmit solely the model of Christ. Clearly today especially in countries with serious economic, social and political problems - like many Latin American nations - the Church's ministry much reach every human sphere and offer concrete answers, but what kind of answers? On what must they be based? When the Church's mission becomes confused with earthly goals, economic, political or social, the Gospel ceases to be effective. Men cease to be effective!
** Towards CELAM 5: “We must share our hope based not on human, social, economic objectives etc., but on the concrete person of Christ”. Interview with the late Archbishop Luis Robles Díaz, vice president of the Pontifical Commission for Latin America (18 April 2007) Fides News Agency
# Madam Kofo

Kofoworola Abiola Atanda is a veteran Nigerian actress popularly known by the moniker Madam Kofo for her role in the soap opera, Second Chance

## Quotes

* We are not poor people. Take a good look at me and you would behold an evidence of good living.
* I am an actress and I will always be an actress because it is my passion. If you give me a role to play, I will read my script and play it very well like a talented actress that I am.
* I enjoy the fact that I make people happy, put smiles on people’s faces and I satisfy the hosts and guests.
* I don’t believe people look at me in a funny way. I think they admire me. People can easily identify me with my style, it’s my style and I love it. Not all women can tie their head-gears themselves. Some don’t even tie it at all, but I can tie for myself and for people. I just decided to be identified by something unique, an uncommon style and that is how I came about the way I dress.
# Madame Nhu

Madame Nhu (April 15, 1924 – April 24, 2011), also known as Madame Ngô Đình Nhu and born Trần Lệ Xuân, was considered the First Lady of South Vietnam from 1955 to 1963. In 1943, she married Ngô Đình Nhu, and converted from Mahayana Buddhism to Roman Catholicism, her husband's religion. She was influential on government policy and, since her brother-in-law Ngô Đình Diệm was unmarried, was regarded as the "First Lady" of Vietnam. Madame Nhu was sometimes called the "Dragon Lady". She often caused controversy because of her strong anti-Buddhist, pro-Catholic ideology. On November 1, 1963 her brother-in-law and her husband were assassinated in a coup d'état led by General Dương Văn Minh with the understanding that the United States would not intervene. At that time she was in the United States. The military government of Vietnam under General Dương Văn Minh confiscated all of her family's property in Saigon and she was not allowed to return to South Vietnam. She lived in exile in Europe until her death.

## Quotes

* I believe all the devils in hell are against us but we will triumph eventually because we have the Devil on our side.
** In response to Diệm and Nhu, assassination in a coup d’état led by General Dương Văn Minh (Armed Forces Council)
* Any crime committed against the Ngo family cannot be hidden under the label of suicide. I affirm that suicide has always been considered incompatible with our religion.
** Addressing the claim that President Ngo Dinh Diem and her husband Ngo Dinh Nhu committed suicide (3 November 1963)
* Let them burn and we shall clap our hands.
** Langguth, A. J. (2000). Our Vietnam: the war, 1954–1975. p.216. Referring to the immolation of Buddhist monks including Thích Quảng Đức in 1963.
* If one has no courage to denounce, if one bows to madness and stupidity, how can one ever hope to cope with the other wrongs of humanity exploited in the same fashion by Communists?
** "Letters to the Times: Mrs. Nhu Defends Stand", The New York Times, 14 August 1963. Referring to the self-immolation of Buddhist monks protesting government actions.
* I may shock some by saying 'I would beat such provocateurs ten times more if they wore monks robes,' and 'I would clap hands at seeing another monk barbecue show, for one can not be responsible for the madness of others.
** Jones, Howard (2003). Death of a Generation: How the Assassinations of Diem and JFK Prolonged the Vietnam War. pp.292-293
** "Letters to the Times: Mrs. Nhu Defends Stand", The New York Times, 14 August 1963. Referring to the self-immolation of Buddhist monks protesting government actions.
* Whoever has the Americans as allies does not need any enemies.
** Jones (2003) Death of a Generation p.407. November 2nd, 1963, following the assassination of her husband and brother-in-law.

## References

* Jones, Howard (2003). Death of a Generation: How the Assassinations of Diem and JFK Prolonged the Vietnam War. New York: Oxford University Press. ISBN 0195052862.
* Langguth, A. J. (2000). Our Vietnam: the war, 1954–1975. New York: Simon & Schuster. ISBN 0-684-81202-9.
* "Letters to the Times: Mrs. Nhu Defends Stand", The New York Times, 14 August 1963
# Madame Roland

Marie-Jeanne Roland de la Platière (March 17, 1754 – November 8, 1793), born Marie-Jeanne Phlipon, more famous simply as Madame Roland, was, together with her husband Jean-Marie Roland de la Platière, a supporter of the French Revolution. She was an influential member of the Girondist faction which fell out of favor during the Reign of Terror and died on the guillotine.

## Quotes

* O Liberté, que de crimes on commet en ton nom!
** O Liberty, how many crimes are committed in thy name!
*** On being led to her execution, sometimes stated to have been directed at a specific statue of Liberty, in Memoirs, Appendix; reported in Bartlett's Familiar Quotations, 10th ed. (1919), and in Hoyt's New Cyclopedia Of Practical Quotations (1922); used by Thomas Babington Macaulay, Essay on Mirabeau.
** Variants:
** O liberté, comme on t'a jouée!
*** O Liberty, how thou hast been played with!
**** As quoted in Letters Containing a Sketch of the Politics of France (1795) by Helen Maria Williams, Vol. 1, p. 201

## Quotes about Madame Roland

* I have been reading Madame Roland's memoirs and have come to the conclusion that she was a very over-rated woman; snobbish, vain, sentimental, envious — rather a German type. Her last days before her execution were spent in chronicling petty social snubs or triumphs of many years back. She was a democrat chiefly from envy of the noblesse.
** Bertrand Russell, in a letter to his brother Frank (1918).
# Madam C. J. Walker

Madam C. J. Walker was an African American entrepreneur, philanthropist, and political and social activist. She is recorded as the first female self-made millionaire in America in the Guinness Book of World Records. Wikipedia
Born: December 23, 1867,

## Quotes

* 1 Dec 2023 — “There is no royal flower strewn path to success. And if there is, I have not found it, for whatever success I have attained has been the result ...
** https://graciousquotes.com/madam-c-j-walker/
* Walker, a trailblazing African-American entrepreneur, once said, "I am not ashamed of my past and don't intend to be ashamed of it." This powerful quote .
** https://www.bookey.app/quote-author/madam-cj-walker-quotes
* One of Walker's most famous quotes is, "I am a woman who came from the cotton fields of the South. From there, I was promoted to the washtub. From there, I was promoted to the cook kitchen. And from there, I promoted myself into the business of manufacturing hair goods and preparations." This quote encapsulates her journey from poverty and menial jobs to building an empire, illustrating her belief in hard work, self-motivation, and self-determination.
** https://www.bookey.app/quote-author/madam-cj-walker-quotes
# Gil Scott-Heron

Gilbert "Gil" Scott-Heron (April 1, 1949 – May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer.

## Lyrics
### Small Talk at 125th and Lenox (1970)

* The revolution will not be televised.
** The Revolution Will Not Be Televised
* You will not be able to stay home, brother. You will not be able to plug in, turn on, and cop out.
** The Revolution Will Not Be Televised
* The revolution will not be brought to you by Xerox.
** The Revolution Will Not Be Televised
* There will be no pictures of pigs shooting down brothers on the instant replay.
** The Revolution Will Not Be Televised

## Quotes about Gil Scott-Heron

* SWAT teams, battering rams, and no-knock warrants (immortalized by Gil Scott Heron and written about by James Baldwin), all predate contemporary hyper-militarized police forces.
** Mariame Kaba, We Do This Til We Free Us (2021)

## External links

* Official website
# Gigli

Gigli is a 2003 American romantic comedy crime film in which crime boss Larry Gigli falls in love with his assistant Ricki.
    Written and directed by Martin Brest.

## Dialogue

    Ricki: It’s turkey time.
    Larry Gigli: Huh?
    Ricki: Gobble, gobble.

## Cast

* Ben Affleck – Larry Gigli
* Jennifer Lopez – Ricki

## External links

Gigli quotes at the Internet Movie Database
# Gil Vicente

Gil Vicente (c. 1465 – c. 1536), called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal, he is sometimes called the "Portuguese Plautus," often referred to as the "Father of Portuguese drama" and as one of Western literature's greatest playwrights. Vicente worked in Portuguese as much as he worked in Spanish and is thus, with Juan del Encina, considered joint-father of Spanish drama.

## Quotes

* En la huerta nasce la rosa: quiérome ir allá por mirar al ruiseñor cómo cantavá.
** The rose looks out in the valley, And thither will I go, To the rosy vale, where the nightingale Sings his song of woe.
** En la huerta nace la rosa — "The Nightingale", as translated by John Bowring in Ancient Poetry and Romances of Spain (1824), p. 316
* Viera estar rosal florido, cogí rosas con sospiro: vengo del rosale.Del rosal vengo, mi madre, vengo del rosale.
** I saw the rose-grove blushing in pride, I gather'd the blushing rose—and sigh'd— I come from the rose-grove, mother, I come from the grove of roses.
** Del rosal vengo, mi madre — "I Come from the Rose-grove, Mother", as translated by J. Bowring in Ancient Poetry and Romances of Spain (1824), p. 317
* La caza de amor es de altanería.
** The pursuit of love is like falconry.
** Epigraph attributed to Gil Vicente by Gabriel García Márquez in Crónica de una muerte anunciada ["Chronicle of a Death Foretold"] (1981), first page.
* Quem não é senhor de si Porque o será de ninguém?
** Who himself cannot control Why should he o'er others rule?
** Farsa dos Físicos (1512?), tr. Aubrey F. G. Bell

## External links

* Encyclopedic article on Gil Vicente on Wikipedia
* Media related to Gil Vicente on Wikimedia Commons
# Gig worker

Gig workers are independent contractors, online platform workers,contract firm workers, on-call workers,and temporary workers. Gig workers enter into formal agreements with on-demand companies to provide services to the company's clients.

## Quotes

* You must report income earned from the ‘’gig economy’ on a tax return, even if the income is:
   * From part-time, temporary or side work
   * Not reported on an information return form—like a Form 1099-K, 1099-MISC, W-2 or other income statement
   * Paid in any form, including cash, property, goods, or virtual currency
* Internal Revenue Service Gig Economy Tax Center (Updated: 15-Mar-2022)
# Gilad Bracha

Gilad Bracha is a co-author of the second and third editions of the Java Language Specification, and a major contributor to the second edition of the Java Virtual Machine Specification. He currently works as a software engineer at Google and a member of the Dart team in Aarhus.

## Quotes

* The wonderful thing about dynamic typing is it lets you express anything that is computable. And type systems don’t — type systems are typically decidable, and they restrict you to a subset. People who favor static type systems say “it’s fine, it’s good enough; all the interesting programs you want to write will work as types”. But that’s ridiculous — once you have a type system, you don’t even know what interesting programs are there.
** Software Engineering Radio Episode 140: Newspeak and Pluggable Types with Gilad Bracha
# Linh Nga

Linh Nga (born January 3 1982, in HaNoi, VietNam) known as Nguyễn Linh Nga or Lina Linh Nga is a Vietnamese actress, film director, sound designer, and news anchor.

## Quotes

* Human needs to go through the abyss of pains and loss, because the more we suffer-the better. Con người cần phải được đau khổ, bởi có đau khổ mới hiểu được giá trị của hạnh phúc.
** Vnexpress. Van Hoa page 2002
* Forgiveness is the highest nobleminded revenge. Tha thứ là sự trả thù cao thượng nhất.
** Vietbao. Giai tri page 2005
* The humiliation brings me more strength and passion for life. Sự sỉ nhục giúp tôi trưởng thành hơn.
** Vietbao. Van Hoa page 2003
* In persevering through my own darkness, I found, I call it my immortal soul, and sanctuary, who can survive whatever life throws at me. Life's so short. To get up every morning and take a good look around in a way that takes nothing for granted. Every day is a gift. Never treat life casually. Never let the bitterness and devilry steal your sweetness, happiness. DRA-2015. Chậm rãi đi qua những khoảng tối của đời mình, tôi nhận ra, tôi gọi nó bằng cái tên: linh hồn bất tử, kẻ mà có thể tồn tại trước bất kỳ điều gì mà cuộc sống ném vào. Cuộc sống ngắn ngủi. Để thức dậy mỗi sớm mai, nhìn quanh và thấy không có gì phải hối tiếc. Mỗi ngày là một món quà tặng. Đừng bao giờ hờ hững với cuộc đời mình. Đừng bao giờ để cho sự cay đắng và tàn nhẫn của đời lấy đi những dịu ngọt và hạnh phúc của bản thân. DRA-2015
** Vnexpress. Giai tri page 2015

## External links

* Official website
* Linh Nga on IMDb
* Authority control: WorldCat search