OpenLLM-France/wikimedia huggingface dataset:
# Weird Woman

Weird Woman is a 1944 film about a professor who marries an exotic women who is believed to be a supernatural being.
    Directed by Reginald Le Borg. Written by Scott Darling and Brenda Weisberg, based on the novel Conjure Wife by Fritz Leiber.

## Norman Reed

* Black magic, island witchcraft, voodoo rituals and nonsense. Proven nonsense.
* Haven't I got enough on my mind without listening to this romantic twaddle of yours?
* Oh honey, you're gonna drive us both mad with these foolish superstitions of yours.

## Grace Gunnison

* Ilona, there's something about your smile right now that makes me think of Jack the Ripper.

## Taglines

* WEAVING HER DREAD SPELL OF VOODOO!
* THRILL To The Newest Sensational INNER SANCTUM MYSTERY!
* Daughter of Death! A Gorgeous...Loving...Killer!
* DOES VOODOO DEATH STRIKE FROM HER ARMS?
* MURDER STRIKES WITH VELVET CLAWS!

## Cast

* Lon Chaney Jr. — Prof. Norman Reed
* Anne Gwynne — Paula Clayton Reed
* Evelyn Ankers — Ilona Carr
* Ralph Morgan — Prof. Millard Sawtelle
* Elisabeth Risdon – Dean Grace Gunnison
* Lois Collier – Margret Mercer
* Harry Hayden – Dean Septimus Carr
* Elizabeth Russell – Evelyn Sawtelle
* Phil Brown – David Jennings

## External links

* Weird Woman quotes at the Internet Movie Database
* Weird Woman at Allmovie
# Welcome

A welcome is a greeting given upon someone's arrival.

## Quotes

* 'Tis sweet to hear the watch-dog's honest bark Bay deep-mouth'd welcome as we draw near home; 'Tis sweet to know there is an eye will mark Our coming, and look brighter when we come.
** Lord Byron, Don Juan (1818-24), Canto I, Stanza 123.
* He enter'd in his house—his home no more, For without hearts there is no home;—and felt The solitude of passing his own door Without a welcome.
** Lord Byron, Don Juan (1818-24), Canto III, Stanza 52.
* “The better of the two is one who is the first to give a greeting” (6210).
** Sahih Muslim. Quoted from Ram Swarup, Understanding Islam through Hadis, 1983.
* Bid that welcome Which comes to punish us, and we punish it Seeming to bear it lightly.
** William Shakespeare, Antony and Cleopatra (1600s), Act IV, scene 14, line 136.
* I hold your dainties cheap, sir, and your welcome dear.
** William Shakespeare, The Comedy of Errors, Act III, scene 1, line 21.
* A table full of welcome makes scarce one dainty dish.
** William Shakespeare, The Comedy of Errors, Act III, scene 1, line 23.
* Small cheer and great welcome makes a merry feast.
** William Shakespeare, The Comedy of Errors, Act III, scene 1, line 26.
* Sir, you are very welcome to our house: It must appear in other ways than words, Therefore I scant this breathing courtesy.
** William Shakespeare, The Merchant of Venice (late 1590s), Act V, scene 1, line 139.
* Trust me, sweet, Out of this silence yet I pick'd a welcome.
** William Shakespeare, A Midsummer Night's Dream (c. 1595-96), Act V, scene 1, line 99.
* Welcome ever smiles, And farewell goes out sighing.
** William Shakespeare, Troilus and Cressida (c. 1602), Act III, scene 3, line 168.
* His worth is warrant for his welcome.
** William Shakespeare, The Two Gentlemen of Verona (1590s), Act II, scene 4, line 102.
* I reckon this always, that a man is never undone till he be hanged, nor never welcome to a place till some certain shot be paid and the hostess say "Welcome!"
** William Shakespeare, The Two Gentlemen of Verona (1590s), Act II, scene 5, line 3.

### Hoyt's New Cyclopedia Of Practical Quotations

    Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 867-68.
* Come in the evening, or come in the morning, Come when you're looked for, or come without warning, Kisses and welcome you'll find here before you, And the oftener you come here the more I'll adore you.
** Thomas O. Davis, The Welcome.
* Welcome, my old friend, Welcome to a foreign fireside.
** Henry Wadsworth Longfellow, To an Old Danish Song-Book.
* Shall I meet other wayfarers at night? Those who have gone before. Then must I knock, or call when just in sight? They will not keep you standing at that door.
** Christina G. Rossetti, Up Hill.
* Welcome as the flowers in May.
** Walter Scott, Rob Roy, Chapter VIII. James Howell, Proverbs. Charles Macklin, Love à la Mode, Act I, scene 2.
* Don't we all need someone to greet us to make us feel we're here?
** Naomi Shihab Nye Everything Comes Next: Collected and New Poems (2020)
# Sydney McLaughlin

Sydney McLaughlin (born August 7, 1999) is an American hurdler and sprinter.

## Quotes

* Records come and go. The glory of God is eternal. Thank you Father.
** Jeannie Ortega Law, Christian Post (June 31, 2021)
* I no longer run for self-recognition, but to reflect His perfect will that is already set in stone. I don't deserve anything. But by grace, through faith, Jesus has given me everything.
** Andrea Morris, World-Record Holder Sydney McLaughlin Says She Finds 'True Stability in Jesus', July 31, 2021.
# Sydney Pollack

Sydney Irwin Pollack (C.E.1934–2008), American film director, actor, and producer.
Award (Oscars): My Africa
* Best Director (C.E.1986)
* Best Picture (C.E.1986)

## Film lessons:

* I've never had a mad desire to become director, nor have I had to lay siege to a producer to fulfill that desire. Simply, I have become a director. Better yet, I was a director, and I didn't know what it meant or what I had to do. For a long time I was a director without realizing that it was the realization of a childhood dream. (p. 194)
* I have some radical theories about the difference between acting on stage and acting in front of the camera. [...] In a play the focal point – and the goal at all times – is to deprive the actor of dependence on his director, because the director is useless once the curtain rises. In the cinema it's the other way around. At the really important moment, it is the director who finds himself alone, with his reels, at the time of the final cut. [...] I don't think we can talk about a real performance of actors during filming. There are only repetitions, it's mechanical, fragmentary, because you can always redo it over and over again. (p. 195)
* Redford is a very good collaborator, a kind of alter ego for me: he was that young prince who was blond in appearance, but who had a much darker interior. It was clearly a metaphor for America. And most of the stories we've done together have become love movies, romantic movies. In my opinion, he was the ideal prototype of this kind of event. We never got tired of working together. We've always been somewhat demanding of each other, trying to get the most out of each of us. And we didn't waste time knowing what would work or not. It was a great advantage: we knew each other perfectly. (p. 199)
* Making a film, in America, is a combination of actors and directors doing belly dancing in front of the producers. (p. 199)

## References:

* Gilles Jacob et al., Lezioni di cinema, translated by Rosa Pavone, Milan, Editrice Il Castoro, C.E.2007. ISBN 9788880334286
# William Barnes

William Barnes (22 February 1801 – 7 October 1886) was an English writer, poet, minister, and philologist. He wrote over 800 poems, some in Dorset dialect and much other work, including a comprehensive English grammar quoting from more than 70 different languages.

## Quotes

* The beautiful in nature is the unmarred result of God's first creative or forming will,and ..the beautiful in art is the result of an unmistaken working of man in accordance with the beautiful in nature.
** Thoughts on Beauty in Art- Article in MacMillan's Magazine 1861.
* But no. Too soon I voun' my charm abroke. Noo comely soul in white like her— Noo soul a-steppen light like her— An' nwone o' comely height like her— Went by; but all my grief agean awoke.
** The Wind at the Door, from Poets of the English Language, W. H. Auden and Norman Holmes Pearson (1950).
* Since I do miss your vaïce an’ feäce  In praÿer at eventide, I’ll praÿ wi’ woone said vaïce vor greäce  To goo where you do bide;
** The Wife a-lost, from Poems of Rural Life in the Dorset Dialect (1879).
im her
# William Barnes Rhodes

William Barnes Rhodes (1772–1826) was a dramatist and banker. In 1810, he wrote a burlesque, Bombastes Furioso, which achieved great popularity.

## Quotes

* Who dares this pair of boots displace, Must meet Bombastes face to face.
** Bombastes Furioso (1810), Act i, scene 4, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Let none but he these arms displace, Who dares Orlando's fury face", Miguel de Cervantes, Don Quixote, part ii, chapter lxvi; Ray, Proverbs; Thomas, English Prose Romance, page 85.
* Bom. So have I heard on Afric's burning shore A hungry lion give a grievous roar; The grievous roar echoed along the shore. Artax. So have I heard on Afric's burning shore Another lion give a grievous roar; And the first lion thought the last a bore.
** Bombastes Furioso (1810), Act i, scene 4, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
* You know you haven't got a singing face.
** Bombastes Furioso (1810).
# William Augustus Muhlenberg

William Augustus Muhlenberg (16 September 1796 – 8 April 1877) was an American philanthropist and Protestant Episcopal clergyman, father of the Ritualist movement in Episcopal Church in the United States of America. Considered the father of church schools in the United States.

## Quotes

* I would not live alway: I ask not to stay Where storm after storm rises dark o’er the way.
** I would not live alway (published 1826), reported in Bartlett's Familiar Quotations, 10th ed. (1919).
* That heavenly music! what is it I hear? The notes of the harpers ring sweet in mine ear. And, see, soft unfolding those portals of gold, The King all arrayed in his beauty behold!
** I would not live alway (published 1826), reported in Bartlett's Familiar Quotations, 10th ed. (1919).
* The head should not be furnished at the expense of the heart.
** CHRISTIAN EDUCATION: AN ADDRESS, Delivered by WM. AUGUSTUS MUHLENBERG, after a public examination of the Students of the Institute at Flushing, L.I., July 28, 1831.
* Religion should never be held to account for inferior scholarship.
** "The Development of the School Idea in American Church Life," in Dr. Muhlenberg by William Wilberforce Newton, 1890.

## External links

AN ADDRESS, Delivered by WM. AUGUSTUS MUHLENBERG, after a public examination of the Students of the Institute at Flushing, L.I., July 28, 1831.
# William B. Ruger

William Batterman Ruger (June 21, 1916 – July 6, 2002) was an American firearm designer and entrepreneur, who partnered with Alexander McCormick Sturm to establish Sturm, Ruger & Company in 1949. Their first product was the Ruger Standard, the most popular .22 caliber target pistol ever made in the United States. After Sturm’s death in 1951, and under Ruger’s continued leadership, the company produced one of the widest varieties of firearms of any manufacturer in the world.

## Quotes

* The best way to address the firepower concern is therefore not to try to outlaw or license many millions of older and perfectly legitimate firearms (which would be a licensing effort of staggering proportions) but to prohibit the possession of high capacity magazines. By a simple, complete and unequivocal ban on large capacity magazines, all the difficulty of defining 'assault rifle' and 'semi-automatic rifles' is eliminated. The large capacity magazine itself, separate or attached to the firearm, becomes the prohibited item. A single amendment to Federal firearms laws could effectively implement these objectives.
** March 30, 1989 letter sent to every member of the United States Congress (William B. Ruger (1992). "An Open Letter". American Handgunner 12 (5).).
* No honest man needs more than 10 rounds in any gun.
** Ruger to Tom Brokaw of NBC News in 1992. (Harkinson, Josh (June 14, 2016). "Fully Loaded: Inside the Shadowy World of America’s 10 Biggest Gunmakers". Mother Jones. Retrieved on May 31, 2018. ; "Magazine limits were first proposed by Connecticut gun maker". Connecticut Magazine (New Haven Register). April 1, 2013. Retrieved on June 6, 2018. ).
# Syracuse, Sicily

Syracuse (Italian Siracusa, Sicilian Sarausa, Greek Συρακοῦσαι, Latin Syracusae) is an Italian city on the eastern coast of Sicily and the capital of the province of Syracuse. It was founded in 734 or 733 BC by Greek settlers from Corinth and Tenea. The city is notable for its rich Greek history, culture, amphitheatres, architecture, and as the birthplace of the preeminent mathematician and engineer Archimedes.

## Quotes

* ...the greatest Greek city and the most beautiful of them all...
** Cicero, "Second Oration against Verres"
* In the extreme part of this island, there is a fresh water source named Arethusa, of incredible width, very full of fish, whose flow would be overwhelmed if it were not divided from the sea by a massive stone wall.
** Cicero, "Second Oration against Verres"
* Stretched in front of a bay of Sicily lies an islet over against wavebeat Plemyrium; they of old called it Ortygia. Hither Alpheus the river of Elis, so rumour runs, hath cloven a secret passage beneath the sea, and now through thy well-head, Arethusa, mingles with the Sicilian waves.
** Virgil, Æneid, book III
# Syncletica of Alexandria

Amma Syncletica of Alexandria was one of the Desert Mothers quoted in the Apophthegmata Patrum (Sayings of the Desert Fathers).

## Quotes

       Wortley, John (2014). Give Me a Word: The Alphabetical Sayings of the Desert Fathers. Yonkers, New York: St. Vladimir's Seminary Press. ISBN 978-0-88141-497-4.
* She also said: “Just as it is not possible to be at once both plant and seed, so is it impossible for us to produce heavenly fruit with earthly glory lying all around us.”
** Saying 22 (S 4)
* She also said: “Just as a ship cannot be built without nails, so is it impossible to be saved without humble-mindedness.”
** Saying 27 (S 10)
# The Blue Max

The Blue Max is a 1966 war film about a ruthless German World War I fighter pilot.

## Otto Heidemann

* [suspecting his subordinate, Bruno Stachel, of lying about shooting down two planes] Two three-second bursts. Is your marksmanship that good?

## General Count von Klugermann

* [on being informed Stachel has been wounded in the arm] Good, the people like soldiers to be shot in the right places.

## Dialogue

    Otto Heidemann: What does your father do?
    [Pause]
    Bruno Stachel: He works in a small hotel, Herr Hauptmann...five bedrooms!"
    Willi von Klugermann: A pretty medal, the Blue Max.
    Bruno Stachel: It's the only one worth having. People respect it.
    Willi von Klugermann: The medal or the man?
    Willi von Klugermann: By the way, Stachel. There's an impression around that you care more about your unconfirmed kill than you do about Fabian's death.
    [Pause]
    Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time to discuss them over a glass of champagne.
    [Willi von Klugermann informs Stachel that their commander has ordered him to attend a ceremony honoring the men he killed]
    Willi von Klugermann: He believes in chivalry, Stachel.
    Bruno Stachel: Chivalry? To kill a man, then make a ritual out of saluting him. It's hypocrisy. When they kill me, I don't want anyone to salute.
    Willi von Klugermann:They probably won't.
    General Count von Klugermann: Otto, this is 1918. Things have changed. Unrestricted submarine warfare, bombing of civilians, poison gas. Ask your wife; she's a nurse. Ask Elfi about the mustard gas casualties.
    Otto Heidemann: So you approve of this kind of ruthlessness!
    von Klugermann: We fight to win, Otto.

## Cast

* George Peppard - Leutnant Bruno Stachel
* James Mason - General Count von Klugermann
* Ursula Andress - Countess Kaeti von Klugermann
* Jeremy Kemp - Leutnant Willi von Klugermann
* Karl Michael Vogler - Hauptmann Otto Heidemann
* Anton Diffring - Holbach
* Harry Towb - Kettering
* Peter Woodthorpe - Rupp
* Derek Newark - Ziegel
* Derren Nesbitt - Fabian
* Loni von Friedl - Elfi Heidemann
* Friedrich von Ledebur - The Field Marshal
* Carl Schell - Manfred von Richthofen
* Hugo Schuster - Hans, Elderly Servant
* Alex Scott - The Orator
* Roger Ostime - The Crown Prince
# The Blood of Fu Manchu

The Blood of Fu Manchu is a 1968 film about an Asian warlord who inoculates ten women with poison, to kill ten world leaders.
    Directed by Jesús Franco. Written by Harry Alan Towers.

## Fu Manchu

* Centuries ago, an ancient race conquered this continent. Now their secrets are mine, and with this knowledge, I shall master the world.

## Taglines

* LUSCIOUS LIPS - Lethal in their biting sting of death!
* Programmed to kill!

## Cast

* Christopher Lee — Fu Manchu
* Richard Greene — Nayland Smith
* Howard Marion-Crawford — Dr. Petrie
* Götz George — Carl Jansen
* Maria Rohm — Ursula Wagner
* Ricardo Palacios — Sancho Lopez

## External links

* The Blood of Fu Manchu quotes at the Internet Movie Database
* The Blood of Fu Manchu at Allmovie
# The Blood on Satan's Claw

The Blood on Satan's Claw is a 1971 film about the children of a 17th century English village being slowly converted into a coven of devil worshipers.
    Directed by Piers Haggard. Written by Robert Wynne-Simmons and Piers Haggard.

## The Judge

* I give you His Catholic Majesty King James III, may God bless him and keep him in exile.
* You must have patience, even while people die. Only thus can the whole evil be destroyed. You must let it grow.
* Leave me to judge who is innocent.
* I am ready to return, but understand, I shall use undreamed-of measures to conquer the evil.
* Doctor, I am leaving soon. As a favor, might I request the loan of this book? It might merit further study.
* Judge yourself fortunate... she would never have made a good wife for you.

## Reverend Fallowfield

* There is growing amongst you all an insolent ungodliness, which I will not tolerate!

## Other

* The Doctor: A fiend has been seen hereabouts, hobbling on one leg.
* Margaret: Hail, behemoth, spirit of the dark, take thou my blood, my flesh, my skin and walk. Holy behemoth, father of my life, speak now, come now, rise now from the forest, from the furrows, from the fields and live.
* Margaret: They took it from me.

## Dialogue

    The Doctor: My lord, when I heard of Ralph Gower's discovery, I was reminded of this old volume. Mock, sir, if you will. These sages had access to much wisdom.
    The Judge: Doctor, witchcraft is dead and discredited. Are you bent on reviving forgotten horrors?
    The Doctor: How do we know, sir, what is dead? You come from the city. You cannot know the ways of the country. See... this picture. Did Ralph not describe such a countenance?
    The Judge: Perhaps some such thing.
    The Judge: Ralph here claims he discovered a deformed anatomy in those furrows. Knew you any such?
    Reverend Fallowfield: Not since Meg Parsons died. But strange folk have been seen to pass this way from time to time.
    Ralph Gower: There be the master with a lady.
    The Judge: Uh-huh.
    Ralph Gower: I would have Cathy for my lady one day.
    Cathy Vespers: [to Peter] Be that true? You've run away? Did you climb down a ladder in the moonlight?
    Peter Edmonton: Ha, ha! Just so, Cathy. And her father chased after us with a stick.
    Cathy Vespers: I do wish Ralph would run away with me sometime.

## Taglines

* A living nightmare of black magic... and unspeakable evil!
* A CHILL-FILLED Festival of HORROR!

## Cast

* Patrick Wymark - The Judge
* Linda Hayden - Angel Blake
* Barry Andrews - Ralph Gower
* Michele Dotrice - Margaret
* Wendy Padbury - Cathy Vespers
* Anthony Ainley - Reverend Fallowfield
* Charlotte Mitchell - Ellen
* Tamara Ustinov - Rosalind Barton
* Simon Williams - Peter Edmonton
* James Hayter - Squire Middleton
* Howard Goorney - The Doctor
* Avice Landone - Isobel Banham
* Robin Davies - Mark Vespers
* Godfrey James - Angel's Father

## External links

* Blood on Satan's Claw quotes at the Internet Movie Database
* Blood on Satan's Claw at Allmovie
# The Black Stallion (film)

The Black Stallion is a 1979 American adventure film based on the 1941 classic children's novel The Black Stallion by Walter Farley.

## Dialogue

    Alec Ramsey: Dad... you know what I saw? It's the most fantastic thing... come look!
    Mr. Ramsey: [to the other poker players] My son. Hey! Look, son, I'll tell you, I'm really busy, but... I'll tell you what I do need. I need some good luck.
    Veterinarian: This horse has got a leg like iron; he's gonna be all right, son.
    Alec Ramsey: Henry!

## Cast

* Kelly Reno as Alec Ramsay
* Mickey Rooney as Henry Dailey
* Teri Garr as Mrs. Ramsay, Alec's mother
* Hoyt Axton as Mr. Ramsay, Alec's father
* Clarence Muse as Snoe
* Michael Higgins as Jim Neville
* Ed McNamara as Jake
* Doghmi Larbi as Arab
* John Burton as Jockey No. 1
* John Buchanan as Jockey No. 2
* Kristen Vigard as Becky
* Fausto Tozzi as Rescue Captain
* John Karlsen as Archeologist
* Leopoldo Trieste as Priest
* Frank Cousins as African Chieftain
* Don Hudson as Zaurog
* Marne Maitland as Drake Captain
* Tom Dahlgren as Veterinarian

## External links

* The Black Stallion quotes at the Internet Movie Database
# Yuvan Shankar Raja

Yuvan Shankar Raja (born 31 August 1979) is an Indian singer-songwriter, film score and soundtrack composer, lyricist from Chennai, Tamil Nadu. He has predominantly scored music for Tamil films.

## Quotes
### Yuvan Unplugged (2009)

    "Yuvan Unplugged", by T. Krithika Reddy in The Hindu (24 October 2009).
* Life’s been quite a journey. My career has been slow, yet steady. I like it that way. I never wished for overnight success. Neither did I want to rush through my career and suffer a burn-out.
* I was never interested in studies. And honestly, I never felt I had it in me to make good music. I guess, the environment in which I grew up — dad neck-deep in music, my sister Bavatharini on the piano all the time and brother Karthik Raja constantly hooked on the latest music technology — just stirred me to take the first step. ‘Thuluvatho Ilamai’ and ‘Poovellam Kaettupaar’ proved to be turning points.
* I see every director as a different brand. That way, it’s easy for me to compartmentalise my work. So I can easily switch from one film to the other and refresh myself when I hit a mental block. I don’t want my music to sound like a pastiche of other works. So I stop listening to my songs once the audio for a film is released. When I unwind, it’s usually with jazz.
* Dad used to say it’s [live recording] the backbone for any musical endeavour. And I’ve realised that with time. So most often, my re-recordings are live. Technology does enhance music, but the warmth of a live orchestra is incomparable. Fans wrote to me after ‘Oru Devadai…’ (“Vaamanan”) saying the score had a divine quality. That’s because it was done live. Besides, I’m also conscious of the employment problem that technology-driven music creates.
* My mind’s buzzing with scripts. I want to do something really different. A long-term goal is to open an orphanage for kids. I’ve envisioned something of huge proportions. But first let me make the money for it.
* Dad is a man of few words. He rarely discusses my compositions. But I hear him humming my numbers to my nephew. The recent one is a hit from the Telugu flick “Oy”. A musical genius in the family is both a huge advantage and a disadvantage. I’ve absorbed so much from my father. But, at the same time, fans keep writing to me saying they expect more from me — because of my lineage!
* Karthik Raja is immensely talented. It’s unfortunate he hasn’t got the right break. Be it technology, manuscript or knowledge of genres, he is thorough. I’m sure he will make it ASAP.
* I’ve no regrets in my personal and professional life. Being a spiritual person, I believe whatever happens, happens for the good. I simply follow what dad says, ‘With music, you can reach out and spread happiness.’
* I’m camera shy. But I had to do a portfolio for my world tour. So Karthik of Dreamcast and I worked in tandem and conceptualised the shoot. I wanted a rock star look. Possibly, with just a bit of the face showing. Since the show is full of surprises, I wanted the promo photos too to kindle curiosity.

## External links

* Yuvan Shankar Raja on IMDb