OpenLLM-France/wikimedia huggingface dataset:
# Marie de Rabutin-Chantal, marquise de Sévigné

Marie de Rabutin-Chantal, marquise de Sévigné (5 February 1626 – 17 April 1696) was a French aristocrat, remembered for her letter-writing. Most of her letters, celebrated for their wit and vividness, were addressed to her daughter.

## Quotes
### Hoyt's New Cyclopedia Of Practical Quotations

    Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922).
* L'ingratitude attire les reproches comme la reconnaissance attire de nouveaux bienfaits.
** Ingratitude calls forth reproaches as gratitude brings renewed kindnesses.
** Lettres.
* Il n'y a personne qui ne soit dangereux pour quelqu'un.
** There is no person who is not dangerous for some one.
** Lettres.
* Fortune is always on the side of the largest battalions.
** Letters, 202.
* Ah! comme vous dites, il faut glisser sur bien des pensées, et ne faire pas semblant de les voir.
** Ah! as you say, we should slip over many thoughts and act as though we did not perceive them.
** Lettres, 70.

## Misattributed

* La mode d'aimer Racine passera comme la mode du café.
** The fashion of liking Racine will pass away like that of coffee.
** According to Voltaire, Letters (Jan. 29, 1690), who connected two remarks of hers to make the phrase; one from a letter March 16, 1679, the other, March 10, 1672. La Harpe reduced the mot to "Racine passera comme le café."

## External links

* Encyclopedic article on Marie de Rabutin-Chantal, marquise de Sévigné on Wikipedia
# Marie Thérèse Mukamulisa

Marie Thérèse Mukamulisa (born 29 June 1965) is a Rwandan jurist who was appointed to a six-year term on the African Court on Human and Peoples' Rights in 2016.

## Quotes

* In addition to the repetition of injustice, we also have common complaints that are also generating delays, especially criminal cases that are also in the cases that we have in the courts. So when we started this process, we will apply it to other common cases to see how we can deal with these problems.(Usibye rero ibyo byo gusubirishamo akarengane, dufite n’ibirego bisanzwe nabyo bigenda bikabyara ibirarane cyane cyane iby’imanza nshinjabyaha nazo ziri mu manza dufite mu nkiko.Ubwo rero ubu buryo twatangiye uko ubushobozi buzajya buboneka tuzabushyira no ku zindi manza zisanzwe kugira ngo turebe uko twahangana n’ibi bibazo.)
** "abacamanza-bahuje-imbaraga-mu-kwezi-kumwe-bakemura-ibibazo-byari-kuzatwara", Abacamanza bahuje imbaraga mu kwezi kumwe bakemura ibibazo byari kuzatwara imyaka itanu (02 September)
# Marie Windsor

Emily Marie Bertelsen (11 December 1919 – 10 December 2000) was an American actress.

## Quotes

* Sure I'm sad I've never made it to being a big superstar, but I feel absolutely no bitterness. I came out of a town with 250 people and what I've done is extraordinary.
** "Marie Windsor: Her Face Is Familiar", Lubbock Avalanche-Journal (AP text, April 11, 1973)
* My personal happiness is much more important than my career, my primary aim is to have a happy home life. Those great ladies the silver screen have wanted what I've been able to get, but they've not been able to give up enough to get it.
** "Marie Windsor: Her Face Is Familiar", Lubbock Avalanche-Journal (AP text, April 11, 1973)
* I also studied with Stella Adler every summer until just the last few years. She taught pure technique. They didn't call it The Method back then, but she was working from the Stanislavski theories. [...] I worked on physical movement, body language, and how to use your imagination. Not drawing on your memories, which I consider unhealthy. Just using your imagination is limitless, where using just your experience isn't.
** Interviewed by James Bawden (1988), as cited in Conversations with Classic Film Stars (2016), p. 330
* I was always a little girl in my heart. As I grew older, I really felt like Greer Garson inside. But outside it didn't come out like that. [...] I think it was physical. All the women were small in those days. The men were smaller, too, so taller women didn't get much of a chance. It was my looks and my voice, and I played menace very well. That's the way they saw me, and it was easy to do. [...] It seemed very natural to me to be slinky and sexy. The June Allysons of the world can't be slinky and sexy. I've sort of given up and just accept it.
** Interviewed by James Bawden (1988), as cited in Conversations with Classic Film Stars (2016), p. 330
* I used to be offended when they called me that. Then I began to enjoy it. It's better to be the queen of something than nothing. One of the things that's kept me mentally healthy during many heartbreaking periods in my career is that I have a very strong direction about facing reality. If something's wrong, I try not to blame somebody else or the situation. Since I seem to be a rather content individual, I guess it's working.
** On being called "Queen of the B's", interviewed by James Bawden (1988), as quoted in Conversations with Classic Film Stars (2016), p. 333
* I didn’t know I was doing film noir, I thought they were detective stories with low lighting! Even Kubrick, in 1955 during filming of The Killing, never used the term film noir to my knowledge.
** Interview with The Perfect Vision (1992)
* Though I’m sure Stanley Kubrick was full of energy, he didn’t seem like it because he was so quiet and he moved very calculatingly–rather slow physically.
** Interview with The Perfect Vision (1992)
# Marie of Edinburgh, Queen of Romania

Princess Marie of Edinburgh (29 October 1875 – 18 July 1938), later Queen of Romania, was a granddaughter of Queen Victoria.

## Quotes

* If you ever think I am over-exuberant, too unconventional, too outspoken, remember that life has not blunted me nor made me blasé or indifferent, that all things are still a joy and of interest to me because of that secret source of enchantment that flows within me - the joy of life!
** 'Queen's Counsel, The Joy of Life', The Birmingham News 1926.
* I have always had the joy of life, uncrushably, a sort of inner sunshine that cannot be put out.
** 'Queen's Counsel, The Joy of Life', The Birmingham News 1926.
* It is like a wide embrace gathering all those who have long searched for words of hope… Saddened by the continual strife amongst believers of many confessions and wearied of their intolerance towards each other, I discovered in the Bahá'í teaching the real spirit of Christ so often denied and misunderstood.
** qtd. in Shoghi Effendi, God Passes By (1944)
* I have met [a proselytizer from a religious group]. I did not like him. He seemed to me to be a snob. He spoke of God as if He were the oldest title in the Almanach de Gotha. And all that business about telling one's sins in public -- He wanted me … me … to get up before my children and confess everything I had ever done! It is spiritual nudism! Ça se ne fait pas.
** qtd. in Beverely Nichols, All I Could Never Be (1952)
* Oh, life is a glorious cycle of song, A medley of extemporanea, And love is a thing that can never go wrong And I am Marie of Roumania.
** Dorothy Parker, "Comment"
# Marie Solange Kayisire

Marie-Solange Kayisire is a politician in Rwanda, who has served as the Minister of Cabinet Affairs, in the Office of the Prime Minister and a member of the Rwandan cabinet, since 31 August 2017.

## Quotes

* It was sad that many more people are yet to get decent burial while those who killed them and other members of the public may have information of their whereabouts.
** Genocide victims to get decent burial
# Junebug

Junebug is a 2005 comedy-drama film directed by Phil Morrison.

## Ashley Jonstein

* God loves you just the way you are. But He loves too much to let you stay that way.
* I wounder what she looks like. I bet she's skinny. She probably is. She's skinnner'n me and prettier too. Now I'll hate her. Oh I can't wait!
* All I really want is for Johnny to love me like he did in High School.
* Have you thought of any names? I was thinking if it's a boy then we could name him Johnny, and if it's a girl we could still name it Johnny just spell it J-O-N-N-I with an I!

## Dialogue

    Ashley: You always know what I need. [pause] You know, all I want in the whole world is for Johnny to love me like he did in high school. [pause] You held him, didn't you? Aw, he was beautiful. He was perfect.
    George Johnsten': He was.
    Ashley': He was blue.
    Madeleine: [Madeleine is helping Johnny with his book report on Huckleberry Finn] Their relationship is Huck's gradual love affair with this slave is a major theme...
    Johnny Johnsten: Wa-wa-wait, they fall in love with each other? I don't think you're talking about the right book... [laughs nervously]
    Madeleine: I was born in Japan.
    Ashley: You were not!
    Peg: [after they realize Ashley was ready to give birth] Where are you going?
    Eugene: Bring the car upfront.
    Peg: Don't just stand there go get the car!
    Madeleine: You like this one?
    George Johnsten: Makes me happy... but I'm gonna buy the UFO.
    Peg: What did you do with my eggs?
    Johnny Johnsten: Stuffed 'em up my butt!

## Cast

* Embeth Davidtz as Madeleine Johnsten
* Amy Adams as Ashley Johnsten
* Benjamin McKenzie as Johnny Johnsten
* Celia Weston as Peg Johnsten
* Alessandro Nivola as George Johnsten
* Scott Wilson as Eugene Johnsten
* Frank Hoyt Taylor as David Wark, the artist
* Joanne Pankow as Sissy Wark, David's sister
* Alicia Van Couvering as Bernadette, Madeleine's gallery assistant
* Jill Wagner as Millicent, friend at baby shower

## External links

* Junebug quotes at the Internet Movie Database
# Jung Chang

Jung Chang (born March 25, 1952) is a Chinese-born British writer.

## Quotes

* I had always wanted to be a writer as a child but couldn’t spell out this dream to myself because during the Cultural Revolution all writers were condemned. To be a writer was the most dangerous profession. I wrote my first poem aged 16 and destroyed it.
** On how writing was perceived during her childhood and adolescence in “Jung Chang: ‘To be a writer was the most dangerous profession’” in The Guardian (2019 Oct 13)
* Wild Swans shows how life was different for each of the women – my grandmother, my mother, me. This book is also about very different lives, but because of political beliefs not generations. Big Sister [Soong Ai-ling] and Little Sister [Soong Mei-ling] were passionately anti-communist, whereas Red Sister [Soong Ching-ling] supported Mao. To start with, I didn’t want to write about the sisters; they were like fairytale [characters]. But while I was doing research, I realised how extraordinary they were, with all their mental agonies, moral dilemmas and heartbreaks.
** On her book Wild Swans in “Jung Chang: ‘To be a writer was the most dangerous profession’” in The Guardian (2019 Oct 13)
* The thing is, the regime makes it very hard for people to be interested. If you are dedicated to finding out the truth, you can. There are ways to climb the firewall. You can buy banned books in Hong Kong and Taiwan. It is more… It is the risk associated with it that puts people off wanting to think about it.
** On the middle class in China’s seeming apathy in “Jung Chang interview: why I'm still banned in China” in The Telegraph (2013 Sep 22)
* There’s no sense of heritage. Mao destroyed the culture and produced a generation of philistines who do not appreciate culture. Now, people are money-mad and property is the thing that makes money. The regime made a positive decision to channel people’s energy into money-making so they won’t be interested in politics.
** On how the destruction of monuments has contributed to a cultural shift in China in “The NS Interview: Jung Chang, author” in The New Statesman America (2012 May 2)
* A large part. Woman rulers were always subject to condemnation. She never ruled in her own right and always had to be behind a screen. She ruled while the Emperor was a child but when the Emperor grew up she had to retire and go back to the Harem and the Emperor took over. It’s not immediately obvious which edicts came from her and which imperial decrees or ideas came from the Emperor so there is a prejudice but also a practical problem.
** On her biography of the Empress Dowager in “Interview: Jung Chang” in The Oxford Student (2014 Nov 10)
# June Vincent

June Vincent (born Dorothy June Smith; July 17, 1920 - November 20, 2008) was an American film and television actress.

## Quotes
### An Interview with June Vincent (1996)

An Interview with June Vincent, Mike Fitzgerald (1996)
* I was a model—someone saw my picture—and I landed a stock contract at Universal. Because of my experience, I received a higher salary than the other girls starting out—and during my first week in Hollywood, I got to meet and have dinner with Greta Garbo!
* I never did a western while at Universal. I did a variety of roles, including ‘The Climax’ with Boris Karloff. There is a huge painting of me in the film. When it was over, Ernest Pagano, one of the producers, put it up in his office. It took up most of the wall! I wasn’t happy because people thought we were having an affair—which I never have and never would do.
* Off screen, I was friends with people I was nasty to in pictures. Judy Canova and I were friends. There’s a terrific line in ‘WAC From Walla Walla’ where she’s trying to pick out a shade of lipstick. I walk by and say ‘window shade.’ [Laughs] Judy played the star bit to the hilt! She had an entourage that followed her around. One woman held an umbrella over Judy’s head to keep the sun off her.
* In most of my westerns, in fact most of the movies I did at Columbia, I was the meanie, the bitch. Like ‘Colorado Sundown’ (at Republic) with Rex Allen and even the musical, ‘Arkansas Swing’ with the Hoosier Hot Shots, a terrific quartet who were also in ‘Song of Idaho’.
* It was my idea to ‘frost’ the streak in the front. I was searching for a different look. Either be blonde or brunette. But don’t be brunette in the back and blonde in the front.
* Universal was like a family. When I was having a terrible time during my pregnancy, they came to my home and built sets right in my bedroom so I could finish the few scenes I had left in ‘That’s the Spirit’. But Columbia—that was work! I did a lot of crime pictures and another horror called ‘The Creeper’. When it was time for those cats to be all over my dead body, I yelled for a stand in. I couldn’t stand having dozens of cats walking all over me. It gave me the shivers!
* Producer Gail Patrick used me so much as a villain I finally told her, ‘They’ll know it’s me the moment I show up!’”
* Lois and I worked together in ‘Ladies Courageous’ ten years earlier. We were roommates on our location shooting. I had a blind date and when Lois and I were going up the elevator with some servicemen, she pointed to a very handsome guy and said, ‘I’ll bet that’s him.’ And it was! We’ve been married over 50 years now! I used to see Lois every week at church but lost touch after we moved south.
* I didn’t like what I was seeing, so I decided that was it. I never thought I was a good actress in pictures—but later I became an actress on TV. I kept every W2 for every show or film I did. I had them in a huge box which I took to SAG, dropped on their desk and asked for my pension!
# Martina Nwakoby

Martina Nwakoby (born 1937) is a Nigerian writer, Martina Nwakoby was born in Ogwashi-Uku and was educated in Niger, in Birmingham, at the University of Pittsburgh and at the University of Ibadan, receiving a PhD in literary studies from the latter institution.

## Quotes

* Half Education Is Madness.
** Martina Nwakoby's quote
# Martinus Dogma Situmorang

Martinus Dogma Situmorang (28 March 1946 – 19 November 2019) was an Indonesian prelate of the Catholic Church who served as the bishop of the Diocese of Padang.

## Quotes

* To the faithful of the Mentawai Islands, I say: this is a disaster that has devastated your lives, but do not be discouraged! Now is not the time to ask ourselves how and why, but we extend our heart and hands to God, with faith and prayer. Do not be afraid, but be ready to hope that the Lord and our brothers are close to you in your suffering.
** Tsunami in Sumatra, Bishop says “Catholic villages are the hardest hit” (28 October 2010) Fides News Agency
# Martti Haavio

Martti Henrikki Haavio (22 January 1899, Temmes – 4 February 1973, Helsinki) was a Finnish poet, folklorist and mythologist, writing poetry under the pen name P. Mustapää.

## Quotes

* My house rose overnight.
    Who built it the Lord can name.
    Did the black Axeman lend His might
    To help in rearing the frame?
    My house is cold and drear.
    Its windows face the night.
    Its chill and hopeless
    fire Casts a frozen light.
    My house stands still and lonely,
    No door for friend or guest.
    My house has two doors only:
    One to dreams —
    the other to death.
                   R.I.
    P. Mustapää, "The House" in: Martin Samuel Allwood (1950), 20th century Scandinavian poetry. p. 359
# Martyn Percy

Martyn William Percy (born 31 July 1962) is a Church of England priest and academic. He has been the Dean of Christ Church, Oxford, since October 2014, and was previously Principal of Ripon College Cuddesdon, Oxford.

## Quotes
### Sex, Sense and Non-Sense for Anglicans (2015)

* Lesbian, gay and bisexual Christians will not suffer discrimination in heaven. In the Kingdom of God, as faithful Christians, all enjoy a full and equal citizenship.
** p. 8
* To turn the Communion into a cheap replica of Orthodoxy – were such a feat even possible – would be to sell the very soul of Anglicanism. We need wisdom from the Archbishop that will help Anglicans find new unity; not more space to express greater individualisms.
** p. 11

## Quotes about Martyn Percy

* Many have much to learn from the style of faith that Martyn Percy offers. He shows readers ways of making peace between competing communities of conviction, and provides salutary warnings to those who imagine that slight from the earthen vessels of institutional religion is the way out of such conflict.
** Peter Cornwell, 'Quiet, please', The Times Literary Supplement (25 October 2013), p. 29
* And everything you need to know about the Bible can be summed up by the great canon doctor Martyn Percy." Teabing cleared his throat and declared, "The Bible did not arrive by fax from heaven.
** Sir Leigh Teabing speaking with Robert Langdon and Sophie Neveu
** Dan Brown, The Da Vinci Code (2003), p. 231
# Martti Siirala

Martti Olavi Siirala (24 November 1922 – 18 August 2008) was a Finnish psychiatrist, psychoanalyst and philosopher. His most original ideas concerns with the communal nature of human illness, as individual gets ill for his society.

## Quotes

* The day has not only passed, it has long since passed, when we could visualize a healthy psychiatrist confronting a sick patient.
** Medicine in Metamorphosis (2003).
* A defect, as such, does not imply determinations in any direction. The individual's happiness is in the continuous unfolding of his experience, and also in the fruitfulness of his suffering. The criterion of his happiness is his power and permission to grow into his own self, with all that this involves. This, in turn, depends on other circumstances; the reality or mere ostensibility of his reception; the degree to which he is allowed, together with his defects and inherited birth constellations, to be integrated into his community; and the degree to which the community is permitted to become integrated into what he, the individual, represents.
** Medicine in Metamorphosis (2003).
# Marty Feldman

Martin Alan Feldman (8 July 1934 – 2 December 1982) was an English comedian and BAFTA award winning actor who began his career as a comedy writer. He was known for his bulging eyes.

## Quotes

* Comedy, like sodomy, is an unnatural act.
** The Times (9 June 1969).
* Sex is two plus two making five, rather than four. Sex is the X ingredient that you can't define, and it's that X ingredient between two people that make both a man and a woman good in bed. It's all relative. There are no rules.
** Interview in Speaking Frankly by Wendy Leigh (London: Muller, 1978).
* I was about five and a half or six when I converted [to vegetarianism] … I was brought up the first five years of my life in London, in the working-class part of the city, where the only animals that a child is liable to see are domestic animals, or cats, or pigeons, or horses, none of which one eats. Then I was evacuated onto a farm when the war came, and billeted with this family of farmers, and I got very friendly with a rabbit—George, the rabbit. Then one day, George the rabbit was George the lunch. For a farming family there was nothing obscene about that. They kill animals; they serve them up at table and say, "Hey, yes, that's the animal you were playing with yesterday!"—which is not abnormal. It was obscene to me as a child.
** Interview in The Vegetarians by Rynn Berry (Brookline, MA: Autumn Press, 1979), p. 30.
* Hookers have to deliver on their promise... unlike politicians.
** Marty Feldman - Six Degrees of Separation, BBC4.
* I feel about Keaton the way an organist thinks of Bach.
** Marty Feldman - Six Degrees of Separation, BBC4.
* I carry Keaton's photo around with me to remind me what happened to him. If the Hollywood system can destroy him it can destroy me.
** Marty Feldman - Six Degrees of Separation, BBC4.
* When I quoted Bulwer Lytton's "The pen is mightier than the sword" to Marty Feldman he added reflectively, "Yes, and considerably easier to write with."
** Kenneth Williams Acid Drops (London: Orion, [1980] 1999) p. xvi.
* I won't eat anything that has intelligent life, but I'd gladly eat a network executive or a politician.
** As quoted in He Who Laughs Lasts by Shawn Lovley, p. 51.

## Misattributed

* Money can't buy poverty.
** By J. Paul Getty
# Jimmy Smits

Jimmy Smits (July 9, 1955) is an Emmy Award-winning American actor.

## Quotes

* As an artist I want to try to be as versatile as possible. I’ve had the good fortune to play characters that have a role-model thing to them. But I would think now, after 25 years, 30, that the body of work does say something about where I’m coming from. So now it’s not so much about role models. Although this character does have a nihilistic approach to life and he’s very complicated and flawed, that’s a meal for an actor.
** On his role in Sons of Anarchy in “Jimmy Smits | Interview” in Time Out (2012 Dec 26)
* I'm told L.A. Law's success — the fact that his ethnicity was very much part of his identity and he was a great lawyer — caused an increase in applicants to law schools. I got requests to be a keynote speaker at the New Mexico Hispanic Bar Association, the Illinois Bar Association. I always felt that was a little bit above my pay grade, but that's a nice icing on the cake, when your character resonates with the audience.
** On the legacy of his role as Victor Sifuentes in L.A. Law in “Jimmy Smits Returns to NBC With New Law Series” in AARP Magazine (2019 Sep 19)
* As an immigrant first-generation family here in this country, it wasn't about safe choices, it was about realistic choices. There was a lot of weight put into the fact that I was one of the first in my extended family to attend college [a bachelor's from Brooklyn College, a master's in fine arts from Cornell) and what that meant — what this country has to offer.
** On how his parents initially wanted him to have a more traditional occupation in “Jimmy Smits Returns to NBC With New Law Series” in AARP Magazine (2019 Sep 19)