# Half of a Yellow Sun

Half of a yellow sun (2006) is a novel by Nigerian author Chimamanda Ngozi Adichie. The novel tells the story of the Biafran War through the perspective of the characters Olanna, Ugwu, and Richard.
It received critical acclaim and won the Women's Prize for Fiction in 2007. In 2013, it was adapted into a film of the same name.

## Quotes

* how ephemeral life was, about not choosing misery".
** part 3, Chapter 23
* Education is a priority! How can we resist exploitation if we don’t have the tools to understand exploitation?
** (Part 1, Chapter 1)
** This is what Odenigbo says when he realizes that Ugwu is uneducated. He believes that the only way that his people will gain their independence is through education.
* They will teach you that a white man called Mungo Park discovered River Niger. That is rubbish. Our people fished in the Niger long before Mungo Park’s grandfather was born. But in your exam, write that it was Mungo Park.
** (Part 1, Chapter 1)
There are two answers to the things they will teach you about our land: the real answer and the answer you give in school to pass. You must read books and learn both answers. I will give you books, excellent books.” Master stopped to sip his tea. “They will teach you that a white man called Mungo Park discovered River Niger. That is rubbish. Our people fished in the Niger long before Mungo Park’s grandfather was born. But in your exam, write that it was Mungo Park.”
** (Part 1, Chapter 1 )
* The new Nigerian upper class is a collection of illiterates who read nothing and eat food they dislike at overpriced Lebanese restaurants and have social conversations around one subject: ‘How’s the new car behaving?’”
** (Part 1, Chapter 3)
* Ugwu suddenly wished that Master would not touch his mother because her clothes smelled of age and must, and because Master did not know that her back ached and her cocoyam patch always yielded a poor harvest and her chest was indeed on fire when she coughed. What did Master know about anything anyway, since all he did was shout with his friends and drink brandy at night?
** (Part 1, Chapter 4 )
* She would not let him make her feel that there was something wrong with her. It was her right to be upset, her right to choose not to brush her humiliation aside in the name of overexalted intellectualism, and she would claim that right. “Go.” She gestured toward the door. “Go and play your tennis and don’t come back here.”
She watched him get up and leave. He banged the door. They had never had a quarrel; he had never been impatient with dissent from her as he was with others. Or it may simply be that he humored her and did not think much of her opinions in the first place.
** (Part 1, Chapter 5)
* Olanna had wanted to give the scent of his mother’s visit some time to diffuse before telling him she wanted to have a child, and yet here he was, voicing her own desire before she could. She looked at him in wonder. This was love: a string of coincidences that gathered significance and became miracles.
** (Part 1, Chapter 5)
* It was the look in Okeoma’s eyes that worried him the most: a disdainful distrust that made him think of reading somewhere that the African and the European would always be irreconcilable. It was wrong of Okeoma to assume that he was one of those Englishman who did not give the African the benefit of an equal intelligence.
** (Part 1, Chapter 6)
* She opened the calabash.
“Take a look,” she said again. Olanna looked into the bowl. She saw the little girl’s head with the ashy-gray skin and the braided hair and rolled-back eyes and open mouth. She stared at it for a while before she looked away. Somebody screamed. The woman closed the calabash. “Do you know,” she said, “it took me so long to plait this hair? She had such thick hair.” The train had stopped with a rusty screech. Olanna got down and stood in the jostling crowd. A woman fainted… She thought about the plaited hair resting in the calabash. She visualised the mother braiding it, her fingers oiling it with pomade before dividing it into sections with a wooden comb.
** (Part 2, Chapter 11)
* Odenigbo climbed up to the podium waving his Biafran flag: swaths of red, black, and green and, at the center, a luminous half of a yellow sun.
“Biafra is born! We will lead Black Africa! We will live in security! Nobody will ever again attack us! Never again!”
** (Part 2, Chapter 13)
* The notion of the recent killings being the product of “age-old” hatred is therefore misleading. The tribes of the North and the South have long had contact, at least as far back as the ninth century, as some of the magnificent beads discovered at the historic Igbo-Ukwu site attest. No doubt these groups also fought wars and slave-raided each other, but they did not massacre in this manner. If this is hatred, then it is very young. It has been caused, simply, by the informal divide-and-rule policies of the British colonial exercise.
** (Part 2, Chapter 14)
* Ugwu moved closer to the door to listen; he was fascinated by Rhodesia, by what was happening in the south of Africa. He could not comprehend people that looked like Mr. Richard taking away the things that belonged to people that looked like him, Ugwu, for no reason at all
** (Part 3, Chapter 19)
* You must never behave as if your life belongs to a man. Do you hear me?” Aunty Ifeka said. “Your life belongs to you and you alone, soso gi. You will go back on Saturday.”
** (Part 3, Chapter 20)
* Or she should have told him more: that she regretted betraying Kainene and him but did not regret the act itself. She should have said that it was not a crude revenge, or a scorekeeping, but took on a redemptive significance for her. She should have said the selfishness had liberated her.
** (Part 3, Chapter 23)
* I will never forgive myself if I lose you, Kainene.”
Her face was expressionless. “I took your manuscript from the study this morning and I burned it,” she said. Richard felt a soar in his chest of emotions he could not name. “The Basket of Hands,” the collection of pages that he was finally confident could become a book, was gone… But it did not matter. What mattered was that by burning the manuscript she had shown him that she would not end the relationship; she would not bother to cause him pain if she was not going to stay. Perhaps he was not a true writer after all. He had read somewhere that, for true writers, nothing was more important than their art, not even love.
** (Part 3, Chapter 24)
* She taught them about the Biafran flag. They sat on wooden planks and the weak morning sun streamed into the roofless class as she unfurled Odenigbo’s cloth flag and told them what the symbols meant. Red was the blood of the siblings massacred in the North, black was for mourning them, green was for the prosperity Biafra would have, and, finally, the half of a yellow sun stood for the glorious future.
** (Part 4, Chapter 25)
* “Of course I asked because you are white. They will take what you write more seriously because you are white. Look, the truth is that this is not your war. This is not your cause. Your government will evacuate you in a minute if you ask them to. So it is not enough to carry limp branches and shout power, power to show that you support Biafra. If you really want to contribute, this is the way that you can. The world has to know the truth of what is happening, because they simply cannot remain silent while we die.”
** (Part 4, Chapter 27)
* The skinny soldiers – with no boots, no uniforms, no half of a yellow sun on their sleeves – kicked and slapped and mocked Ugwu during physical training… the casual cruelty of this new world in which he had no say grew a hard clot of fear inside him.
** (Part 4, Chapter 29)
* “The vandals took our town many weeks ago and they announced that all the indigenes should come out and say ‘One Nigera’ and they would give them rice. So people came out of hiding and said ‘One Nigeria’ and the vandals shot them, men, women, and children. Everyone.”
** (Part 4, Chapter 31)
* Ugwu thanked him and shook his head and realized that he would never be able to capture that child on paper, never be able to describe well enough the fear that dulled the eyes of mothers in the refugee camp when the bomber planes charged out of the sky. He would never be able to depict the very bleakness of bombing hungry people. But he tried, and the more he wrote the less he dreamed.
** (Part 4, Chapter 32)

## External links

* Coursehero