# Jean-Luc Godard

Jean-Luc Godard (3 December 1930 – 13 September 2022) was a French-Swiss film director, whose works include À bout de souffle, Une Femme est une femme, Vivre sa vie, Le Mépris, Alphaville, Pierrot le Fou, Week-end and many others.

## Quotes

* Art attracts us only by what it reveals of our most secret self.
** Source: "What Is Cinema?" Les Amis du Cinéma (Paris, 1 October 1952)
** Cited in: Paul Bowden, Telling It Like It Is, 2011, p. 182
* The truth is that there is no terror untempered by some great moral idea.
** Source: "Strangers on a Train," Cahiers du Cinéma (Paris, 10 March 1952).
** Cited in: Fayek S. Hourani, Daily Bread for Your Mind and Soul: A Handbook of Transcultural Proverb and Sayings, 2012, p. 169
* Beauty is composed of an eternal, invariable element whose quantity is extremely difficult to determine, and a relative element which might be, either by turns or all at once, period, fashion, moral, passion.
** Source:"Defence and Illustration of Classical Construction," Cahiers du Cinéma (Paris, 15 September 1952)
** Cited in: Fayek S. Hourani, Daily Bread for Your Mind and Soul: A Handbook of Transcultural Proverb and Sayings, 2012, p. 169
* Fifty years after the October Revolution, the American industry rules cinema the world over. There is nothing much to add to this statement of fact. Except that on our own modest level we too should provoke two or three Vietnams in the bosom of the vast Hollywood-Cinecittá-Mosfilm-Pinewood-etc. empire, and, both economically and aesthetically, struggling on two fronts as it were, create cinemas which are national, free, brotherly, comradely and bonded in friendship.
** Cited in Film Manifestos and Global Cinema Cultures: A Critical Anthology, pp. 618-618 (France, 1967)
* All you need for a movie is a gun and a girl.
** Journal entry, (16 May 1991)
** Cited in: Jerry White, Two Bicycles: The Work of Jean-Luc Godard and Anne-Marie Miéville, 2013
* To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.
** Quoted in: Richard Roud, Godard, introduction (1967, repr. 1970)
* The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
** Quoted in: Richard Roud, Godard, introduction (1970)
* Photography is truth. The cinema is truth twenty-four times per second.
** Le Petit Soldat (film) (direction and screenplay, 1960)
** [variation] Cinema is truth at twenty-four frames a second.
* I would never see a good movie for the first time on television.
** Source: Los Angeles Free Press, 15 March 1968. Gene Youngblood
** Cited in: Tim Concannon, Praising Arizona (March 2013)
* [I think] the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.
** from Gene Youngblood Los Angeles Free Press (22 March 1968)
* In films, we are trained by the American way of moviemaking to think we must understand and 'get' everything right away. But this is not possible. When you eat a potato, you don't understand each atom of the potato!
** from David Sterritt The Christian Science Monitor (3 August 1994)
* To be only spectacular should be 5 or 10 percent of cinema.
** ibid. <— "ibid" is deprecated in Wikiquote, because initial citations regularly become unclear, and are lost amidst multiple edits by multiple editors.
** Cited in: David Brancaleone, The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art, 2012, closeupfilmcentre.com
* American pictures usually have no subject, only a story. A pretty woman is not a subject. Julia Roberts doing this and that is not a subject.
** ibid. <— "ibid" is deprecated in Wikiquote, because initial citations regularly become unclear, and are lost amidst multiple edits by multiple editors.
** Cited: passionriver.com (12 March 2013)
* Movies in Hollywood now, for the past 20 or 30 years, are made mainly by lawyers or agents.
** ibid. <— "ibid" is deprecated in Wikiquote, because initial citations regularly become unclear, and are lost amidst multiple edits by multiple editors.
** Cited in: Ideas, not plots, inspire Jean-Luc Godard, Christian Science Monitor (3 August 1994)
* Film begins with D. W. Griffith and ends with Abbas Kiarostami.
** Cited in: Landscapes of the mind
* She left me because of my many faults; I left her because I couldn’t talk movies with her.
** On his first wife Anna Karina, as quoted in "An Exile in Paradise" by Richard Brody, The New Yorker (20 November 2000)
* Zelensky's intervention at the Cannes festival goes without saying if you look at it from the angle of what is called "staging": a bad actor, a professional comedian, under the eye of other professionals in their own professions. I believe I must have said something along these lines a long time ago. It therefore took the staging of yet another world war and the threat of another catastrophe for us to know that Cannes is a propaganda tool like any other. They propagate Western aesthetics whilst thinking it is not a big deal, but it is just that. The truth of the images is only advancing slowly. Now imagine that the war itself is this aesthetic deployed during a world festival, whose stakeholders are the states in conflict, or rather “interests”, broadcasting representations of which we are all spectators for… you, like me. We often say “conflict of interest”, which is a tautology. There is no conflict, big or small, unless there is interest. Brutus, Nero, Biden, or Putin, Constantinople, Iraq or Ukraine, not much has changed, apart from the mass murder.
** Commenting on Zelensky's appearance at the 75th annual Cannes Film Festival.

## Disputed

* A story should have a beginning, a middle and an end … but not necessarily in that order.
** While this statement and a few variants are often attributed entirely to Godard, it is actually a paraphrase of combined remarks, incorporating a query made by director Henri-Georges Clouzot, and Godard's response, as reported in "Films: Verdict on Cannes" by Kenneth Tynan in The Observer (22 May 1966), p. 24; this report is cited, along with precursors and later variants in the Quote Investigator article "Films Should Have a Beginning, a Middle, and an End" "Yes, But Not Necessarily in That Order" (4 January 2020):
          Clouzot: But surely you agree, M. Godard, that films should have a beginning, a middle part and an end?
          Godard: Yes, but not necessarily in that order.
   * Variants:
   * A story should have a beginning, a middle and an end, but not necessarily in that order.
      * As cited in "Jean-Luc Godard: 'Film is over. What to do?' by Fiachra Gibbons, in The Guardian (12 July 2011)

## Quotes about Godard

* In this profession, I always admire people who are going on, who have a sort of idea and, however crazy it is, are putting it through; they are putting people and things together, and they make something. I always admire this. But I can't see his pictures. I sit for perhaps twenty-five or thirty or fifty minutes and then I have to leave, because his pictures make me so nervous. I have the feeling the whole time that he wants to tell me things, but I don't understand what it is, and sometimes I have the feeling that he's bluffing, double-crossing me.
** Ingmar Bergman, in an interview with John Simon (1971)
* I've never gotten anything out of his movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He's made his films for the critics. One of the movies, Masculin, féminin, was shot here in Sweden. It was mindnumbingly boring.
** Ingmar Bergman, as quoted in Secret Lives of Great Filmmakers: What Your Teachers Never Told You about the World's Greatest Directors (2014) by Robert Schnakenberg
* As soon as we were happy, he tried to get at us by another means, another path. He provoked a new ordeal. One could have thought that it bored him, happiness.
** Anna Karina, as quoted in Secret Lives of Great Filmmakers: What Your Teachers Never Told You about the World's Greatest Directors (2014) by Robert Schnakenberg
* Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung-fu film.
** Werner Herzog as quoted in Secret Lives of Great Filmmakers: What Your Teachers Never Told You about the World's Greatest Directors (2014) by Robert Schnakenberg

## See also

* Quotes about Television
* Quotes about the Movies
* Films

## External links

* Jean-Luc Godard on IMDb
* A "score" of Histoire(s) du cinéma by Céline Scemama : 1a Toutes les histoires, 1b Une histoire seule, 2a Seul le cinéma, 2b Fatale beauté, 3a La monnaie de l'absolu, 3b Une vague nouvelle, 4a Le contrôle de l'univers, 4b Les signes parmi nous
* Jean-luc Godard Timeline
* The Role of Godard
* Senses of Cinema: Great Directors Critical Database
* A Girl And A Gun: Sans Pareil, a personal run through of Godard's 60s output.
* Godard and Epistemology in Alphaville
* Telegraph Interview (05/2001)
* Guardian Interview (04/2005)
* Essay about "Hail, Mary" that's also an overview of Godard's films
* Three rare filmed interviews - two with Godard and one with Godard and Anna Karina
* Collection of 8 trailers for Jean-Luc Godard films viewable online
* Joshua Clover on Band of Outsiders