OpenLLM-France/wikimedia huggingface dataset:
# Adaku Ufere-Awoonor

Adaku Ufere (born July 7, 1985) is a Nigerian energy professional and an international oil and gas, gender and development lawyer. She is the current Chief of Party of the USAID-funded Power Africa West Africa Energy Program in Accra, Ghana. She also founded Energy & Gender consulting firm DAX Consult.

## Quotes

* We can’t just have one huge monolith of the national grid. It doesn’t work; it hasn’t worked.
** [https://businessday.ng/interview/women-in-business/article/we-cant-just-have-one-huge-monolith-of-the-national-grid-ufere-awoonor/
** We can’t just have one huge monolith of the national grid’- Ufere-Awoonor]. BUSSINESS DAY, 26 July 2019.
* When there’s no electricity, women get beaten more.
** Interview: Adaku Ufere-Awoonor SHARED VALUED AFRICA INITIATIVE, 22 November 2018.
* Women bear the greatest burden of energy poverty. If there’s no electricity or water in the home, it’s the woman that goes out to fetch the firewood, the woman that goes out to fetch water, and this over long distances. There’s actually a phrase for it: ‘time poverty’ – and women suffer huge time poverty, because they’re the homemakers, they run businesses, and they also have to do all this demanding domestic work that the men don’t have to do.
** Interview: Adaku Ufere-Awoonor SHARED VALUED AFRICA INITIATIVE, 22 November 2018.
# Adam's Bridge

Adam's Bridge, also known as Rama's Bridge or Rama Setu is a chain of limestone shoals, between Pamban Island, also known as Rameswaram Island, off the south-eastern coast of Tamil Nadu, India, and Mannar Island, off the north-western coast of Sri Lanka.

## Quotes

* Setubandha means bridge of the ocean. It is the dike of Rama, the son of Dasaratha, which he built from the continent to the castle Lanka.
** Alberuni quoted in Lal, B. B. (2008). Rāma, his historicity, mandir, and setu: Evidence of literature, archaeology, and other sciences. New Delhi: Aryan Books International. p. 69 ff.
* Marco Polo... refers to... Setabund Rameshwara.
** M Polo, quoted in Lal, B. B. (2008). Rāma, his historicity, mandir, and setu: Evidence of literature, archaeology, and other sciences. New Delhi: Aryan Books International. p. 69 ff.
* From the mountain of gold (Meru) to (Rama's) Bridge.
** Hampi inscription of Krishnadevaraya, ca 1508 CE. Translation by E. Hultzsch in 1892. quoted in Lal, B. B. (2008). Rāma, his historicity, mandir, and setu: Evidence of literature, archaeology, and other sciences. New Delhi: Aryan Books International. p. 69 ff.
* “In fact, Ram, or Rãma, was the sovereign of Ayodhya, or Audh, a city in the most ancient times of wonderful extent and magnificence, as may be inferred from the present Lucnow’s having been, according to the Brahmin accounts, only a lodge for one of its gates; that he is celebrated as a conqueror of the highest renown, and the deliverer of nations from tyrants, as well as of his consort Sita, from the giant Ravan, king of Lanca; that he was commander-in-chief of a numerous and intrepid race of those large monkeys, which some of our naturalists have denominated Indian satyrs; that the name of his general was Hanumat, the prince of satyrs; and that, by the wonderful activity of such an army, a bridge of rocks was raised over the sea, a part of which the Hindoos suppose still to remain; and he thinks it is probably that series of rocks, which, by Mussulmen and Portuguese, is mistakenly called Adam’s, for it should be Rama’s, bridge. “Might not,” subjoins Sir William, “this army of satyrs have been only a race of mountaineers, whom Rama, if such a monarch ever existed, had civilized.”
** ‘History of Hindustan’, Thomas Maurice. ..quoted in Kishore, Kunal (2016). Ayodhyā revisited. ch 11.
# Adalberto Costa Júnior

Adalberto Costa Júnior (born 8 May 1962) is an Angolan politician. He is currently the president of National Union for the Total Independence of Angola since 15 November 2019.

## Quotes

* The time has come to build a new and better Angola, without unrealistic promises and megalomaniac projects, a working Angola where everyone has a place and to which everyone can contribute. The time has come to put an end to corruption, to theft, the time has come for democratic change.
** Adalberto Costa Júnior (2021) cited in: "Angolan opposition re-elect Adalberto Costa Junior as leader" in Africa News, 6 December 2021.
# Babylon Whores

Babylon Whores is a deathrock and metal band from Finland, founded in 1994 by Ike Vil and Ewo Meichem. As of 2006, the band has released two singles, three EPs and three albums. Throughout the years, the band's music has evolved from a raw, punk-ish style to a more massive sound with complex guitar melodies, often compared to such bands as Danzig and w:Mana Mana. The Whores' lyrics have always been in the field of mysticism and occultism.

## Quotes

* SOL NIGER (Litmanen/Vil):
    Under the sea
    Dead cities in the dark
    Dreaming themselves to be
    Alive once more
    And in darkened rooms
    As vaulted tombs we hear them call
    As sea devours land
    Towers yield to the sand
    Oh shine on Black Sun upon all Carthage
    As a disease on all fours from the sea
    Yea shine on Black Sun upon all Carthage
    And that which never was shall always be
    I would see the world revolve
    Around the crosses tips
    Fleeing the sun
    The vulture Swooping down on a carrion
    Laughing into the nothingness
    That we flee
    In mortal fear ...
    And what is eternity
    But a shoreless sea
    One eternal day
    That sees us come and move away
   * From the EP Deggael, 1997. Heroine Myra 237
# Bachelor Mother

Bachelor Mother is a 1939 comedic film about a young woman mistakenly presumed to be the mother of a foundling.
    Directed by Garson Kanin. Written by Felix Jackson, Garson Kanin, and Norman Krasna

## John B. Merlin

* I don't care who the father is, I'm the grandfather!

## Dialogue

    David Merlin: So how do you like her?
    Louise King: Pretty good for a fill-in. I'd just as soon go stag.
    Polly: You could, too, with those shoulders.
    David Merlin: I wish to return this duck.
    Clerk: Certainly, sir. What's wrong with it?
    [The duck's head is missing]
    David Merlin: It's broken.
    Clerk: I can see that, sir, but I have to know where to lay the blame.
    David Merlin: Lay the blame on the duck!
    [Attempting to exchange a broken toy at the store David's father owns]
    Clerk: Do you have the sales slip?
    David Merlin: [to Polly, who is around the corner] Do you have the sales slip?
    Polly Parrish: I threw it away.
    David Merlin: You should have kept it. [to the clerk] I threw it away.
    Clerk: You should have kept it.
    Freddie: [referring to the baby] Where did it come from?
    Polly: I got it for Christmas!
    Freddie: ...This Christmas or last Christmas?

## Cast

* Ginger Rogers – Polly Parrish
* David Niven – David Merlin
* Charles Coburn – John B. Merlin
* Frank Albertson – Freddie Miller
* June Wilkins – Louise King

## External links

* Bachelor Mother quotes at the Internet Movie Database
* Bachelor Mother at Rotten Tomatoes
# Back Alley Oproar

Back Alley Oproar is a Warner Bros. Merrie Melodies (Blue Ribbon reissue) animated short directed by Friz Freleng and originally released in theaters on March 27, 1948. The short features Sylvester and Elmer Fudd as its main characters, voiced by Mel Blanc and Arthur Q. Bryan respectively. The title is a play on "uproar" and "opera". This is a rare exception for Sylvester as he wins in this cartoon.
    Directed by Friz Freleng. Produced by Edward Selzer. Story by Michael Maltese and Tedd Pierce.

## Dialogue

    Elmer Fudd: [has Sylvester at gunpoint] Now I've got you, and I'm gonna wub you out completly.
    Sylvester: Now just a minute, my fine feathered friend! Ain't you got no aesthetic sense? No ear for musical appreciation?
    Elmer Fudd: No, and I'm gonna blowen you to smitheweens.
    Sylvester: ♪ Go to sleep, go to sleep... ♪
    Elmer Fudd: [getting sleepy] Stop it!
    Sylvester: ♪ ...shut your big, blood-shot eyes... ♪
    Elmer Fudd: Now...now you stop that. [falls asleep]

## Voice cast

* Mel Blanc as Sylvester
* Arthur Q. Bryan as Elmer Fudd
* Gloria Curran as Tabby Singer
# Disco Dancer

Disco Dancer is a 1982 Indian Hindi feature film directed by Babbar Subhash, starring Mithun Chakraborty in the lead role and Rajesh Khanna in a special appearance. The film tells the rags-to-riches story of a young street performer. It is especially known for its filmi disco songs composed by Bappi Lahari and its dialogues, some of which are as follows:-
* "Don't you know the difference between green room and bedroom?" – David Brown, Sam's manager, later Jimmy's manager
* "He's got guitar phobia. A guitar killed his mother." – P.N. Oberoi
* "Thirty six managers like you would appear upon just one of Sam's dance movements, but a star like Sam is born only once every two or four centuries." – Sam Oberoi to manager David Brown
* "Sam is the heartbeat of millions of girls. Now get out!" – Sam Oberoi
* "Mr. Oberoi, this is the man. The bastard's killed seven people in London. And there was a very famous singer... I don't know his name, but he murdered him too. The bastard's a top class criminal." – Vasco, to P.N. Oberoi
* "These are the tears of a popular famous artist." – Jimmy
* "Come, sing, and conquer!" – David Brown
* "Mother, I have my music. I will sharpen this music like a sword and stab the city's heart with it." – Jimmy
* "Oh! It is the most wonderful birthday, any young girl can dream of!" – Nikki Brown
* "Agar Tu Aaj Nahi Gaayega To Teri Maa Hamesha Hamesha Ke Liye Mar Jayegi" – Rajesh Khanna
* "Kaal ke liye intezaar karna shikho, kaal parsu nahin aayega, kaal hi aayega." – Rita (Kim Yashpal) to Anil (Mithun)
# Disaster Movie

Disaster Movie is a 2008 comedy film.

## Dialogue

    Enchanted Princess: Where am I? What is this enchanting place? [gets hit by a taxi]
    Beautiful Assassin: You can control the bullet to go wherever you want.
    Paulie Bleeker: [singing] Juney, why don't you have... [Calvin shoots him; the crowd gasps]
    Amy Winehouse: You don't want to mess with a girl straight outta rehab!
    Calvin: Is that the best you got, pussy?!
    Iron Man: I am Iron Man! (gets hit by a falling cow)
    Carrie Bradshaw: That your feet?
    Juney: Yes. And this is my baby's foot.
    Hancock: Aw, hell, no. I'm outta here.

## Taglines

* Not another shallow Hollywood movie.
* Better get off quick.
* Al Gore was right.
* Your favorite movies are going to be destroyed.
* Mother !@#?*% Nature.
* Rock on!
* Destroying the summer... one movie at a time.
* Prepare to die... laughing.
* The End Is Coming, August 29

## Cast

* Matt Lanter - Will
* Vanessa Minnillo - Amy
* Nicole Parker - Enchanted Princess/Amy Winehouse/Jessica Simpson
* Crista Flanagan - Juney/Hannah Montana
* Gary "G Thang" Johnson - Calvin
* Kim Kardashian - Lisa
* Ike Barinholtz - Policeman/Wolf/Anton Chigurh/Hellboy/Batman/Beowulf/Prince Caspian
* Carmen Electra - Beautiful Assassin
* Tony Cox - Indiana Jones
* Tad Hilgenbrink - Prince Edwin
* Nick Steele - Underwear Model
* Jason Boegh - Carrie Bradshaw
* John Di Domenico - Dr. Phil/The Guru Shitka
* Abe Spigner - Flavor Flav
* Christopher Johnson - Michael Jackson
* Jared S. Eddo - Speed Racer
* Yoshio Iizuka - Kung Fu Panda
* Jonas Neal - Justin Timberlake
* Jacob Tolano Wood - Bruce Banner
* Roland Kickinger - The Incredible Hulk
* Walter Harris - Hancock
* Gerrard Fachinni - Iron Man
* Johnny Rock - Male Enchanted Princess
* Devin Crittenden - Paulie Bleeker
* Noah Harpster - Seth
* Austin Michael Scott - McLover

### Voices

* Brendan Fraser - Alvin, Simon and Theodore

## External links

* Disaster Movie quotes at the Internet Movie Database
# Disaster

A disaster is a natural or man-made (or technological) hazard resulting in an event of substantial extent causing significant physical damage or destruction, loss of life, or drastic change to the environment. A disaster can be ostensively defined as any tragic event stemming from events such as earthquakes, floods, catastrophic accidents, fires, or explosions. It is a phenomenon that can cause damage to life, property and destroy the economic, social and cultural life of people.

## Quotes

* There's no disaster that can't become a blessing, and no blessing that can't become a disaster.
** Richard Bach, Jonathan Livingston Seagull (1970).
* CALAMITY, n. A more than commonly plain and unmistakable reminder that the affairs of this life are not of our own ordering. Calamities are of two kinds: misfortune to ourselves, and good fortune to others.
** Ambrose Bierce, The Cynic's Dictionary (1906); republished as The Devil's Dictionary (1911).
* Market signals were clear: There's no profit in preventing a future catastrophe.
** Noam Chomsky, in an interview with C.J. Polychroniou, Chomsky: Ventilator Shortage Exposes the Cruelty of Neoliberal Capitalism (April 1, 2020), Truthout.
* The formula for achieving a successful relationship: You should treat all disasters as if they were trivialities but never treat a triviality as if it were a disaster.
** Quentin Crisp, Manners from Heaven: A Divine Guide to Good Behaviour (1984), chapter 7.
* The truth is, we like to talk over our disasters, because they are ours ; and others like to listen, because they are not theirs.
** Letitia Elizabeth Landon, Francesca Carrara (1834), Vol. III, Chapter 34.
* Disaster is a natural part of my evolution, toward tragedy and dissolution.
** Tyler Durden, in Fight Club (1996) by Chuck Palahniuk, p. 101.
* Dread of disaster makes everybody act in the very way that increases the disaster.
** Bertrand Russell, New Hopes for a Changing World (1951), p. 132-133.

## See also

* Natural disasters
# Disc jockey

A disc jockey (abbreviated D.J., DJ or deejay) is a person who mixes recorded music for an audience; in a club event or rave, this is an audience of dancers. Originally, "disc" (uncommonly spelled "disque" or commonly "disk" in American English) referred to phonograph records, not the later compact discs. Today, the term includes all forms of music playback, no matter which medium is used.
The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title to denote their profession and the music they play.

## Quotes

* Burn down the disco Hang the blessed DJ Because the music that they constantly play It says nothing to me about my life Hang the blessed DJ Because the music they constantly play On the Leeds side-streets that you slip down Provincial towns you jog 'round Hang the DJ, Hang the DJ, Hang the DJ
** Johnny Marr and Morrissey, Panic, The World Won't Listen (1986)
* It was a DJ style which helped to create the lifestyle which came to be known as hip hop. At the beginning of the disco era in the first half of the 1970s, regular disco jocks in clubs were most concerned with the blend between one record and the next - matching tempos to make a smooth transition which, at its best, could continually alter the mood on the dancefloor without breaking the flow. At its worst the technique could turn the night into one endless and inevitably boring song.
** David Toop (1991). Rap Attack 2: African Rap To Global Hip Hop, p. 12. New York. New York: Serpent's Tail. ISBN 1852422432.
* I'm getting a dj" where dj is a broad service focused "chotchkie" or junket
** term in common usage around Philadelphia CBD
* Last night a DJ saved my life, yeah 'Cause I was sittin' there bored to death And in just one breath he said You gotta get up You gotta get on You gotta get down girl ... Last night a DJ saved my life Last night a DJ saved my life from a broken heart Last night a DJ saved my life Last night a DJ saved my life with a song
** Michael Cleveland, Last Night a D.J. Saved My Life (1982)

## See also

* DJ Grandmaster Flash
* Kool DJ Herc
* Afrika Bambaataa
* DJ iSizzle
# Bridget Riley

Bridget Louise Riley CH CBE (born 24 April 1931 in Norwood, London) is an English painter who is one of the foremost proponents of Op art, which exploits the fallibility of the human eye.

## Sourced

* For me nature is not a landscape, but the dynamism of visual forces - an event rather than an appearance.
** Quoted in Karl Ruhrberg et al., Art of the 20th Century (2000), p. 344.
# Bridget Allchin

Bridget Allchin (10 February 1927 – 27 June 2017) was an archaeologist who specialised in South Asian archaeology. She published books, some co-authored with her husband, Raymond Allchin (1923–2010).

## Quotes

* Nomadic herdsmen form an important element of rural life in India and Pakistan today, including the old province of Harappan culture. There is every reason to suppose that they did so in Harappan times, and that they played an important part in the economy and organization of the Harappan world.
** Bridget Allchin (1977) (139). in Bryant, E. F. (2001). The Quest for the Origins of Vedic Culture : the Indo-Aryan migration debate. Oxford University Press. chapter 9
* Their [the Aryans] presence should therefore be in evidence archaeologically… But as yet it is scarcely attested in the archaeological record presumably because their material culture and lifestyle were already indistinguishable from those of the existing population.
** Allchin B. and R. 1997 Origins of a Civilization. Viking Penguin, India.
** quoted in Kazanas, N. (2002). Indigenous Indo-Aryans and the Rigveda: Indo-Aryan migration debate. Journal of Indo-European Studies, 30(3-4), 275-334.
* The orientation of port-holes and entrances on the cist graves is frequently towards the south. [...] This demands comparison with later Indian tradition where south is the quarter of Yama. Among the grave goods, iron is almost universal, and the occasional iron spears and tridents (trisulas) suggest an association with the god Siva. The discovery in one grave of a trident with a wrought-iron buffalo fixed to the shaft is likewise suggestive, for the buffalo is also associated with Yama, and the buffalo demon was slain by the goddess Durgà, consort of Siva, with a trident. [...] The picture which we obtain from this evidence, slight as it is, is suggestive of some form of worship of Siva.
** Bridget and Raymond Allchin, The Rise of Civilization in India and Pakistan, p.339-340.
** quoted in VEDIC ROOTS OF EARLY TAMIL CULTURE Michel Danino Written in 2001 and published in Saundaryashri: Studies of Indian History, Archaeology, Literature and Philosophy (Festschrift to Professor Anantha Adiga Sundara), P. Chenna Reddy, (ed.), Sharada Publishing House, New Delhi, 2009, pp. 19–30.

## About

* The Allchins, in their archeological capacity, have consistently emphasized the continuity that links the residues of the Indus civilization with those of the later classical India in the Ganges basin and further south. Furthermore, they repeatedly emphasized that archeology provides no clear evidence of any mass movement of peoples from Central Asia into northern India. So why do they continue to pay deference to the “racist” notions of nineteenth-century philologists in this way? (Incidentally, there is no “general agreement that the Indo- Iranian languages . . . were originally spoken in the steppes of Eurasia”)
** 241-2, Sir Edmund Leach. Aryan invasions over four millennia. In Culture through Time, Anthropological Approaches, edited by E. Ohnuki-Tierney, Stanford University Press, Stanford, 1990, pp. 227-245.
# Brig. Gen. Eran Ortal

Eran Ortal (September 22, 1971) is a military theorist, writer, and strategist in the Operations Branch of the Israel Defense Force. Currently holding the rank of Brigadier General, Ortal is the Commandant of the IDF's Dado Center for Military Innovation in Israel, and is the founding editor of the Dado Center Journal.

## Quotes

* Businesses that fail to change die, while their men move on. Militaries that fail to change move on, while their men die. {DCJ 16, July 2018}
* Bureaucracies seem to completely lack a sense of urgency
* When the enemy isn't fighting you on his territory, you find yourself fighting him on yours.
* One hundred years of air power led to the development of air platforms, air combatants and air command and control structures that are very difficult to integrate successfully into the ground battlefield at the lower tactical levels.
* An enemy that engages Israeli forces along our border and learns it unhindered will eventually find a way to circumvent it. Understanding that the line of engagement will eventually be breached has taught the
IDF and Israel to make its lines of engagement more sophisticated every few decades. Yet, it finds itself facing them being overcome again and again.
* Every obstacle needs to be controlled by the defender through observation and fire. In the case of the challenge of tunneling, control by observation and fire means the IDF being able to disrupt digging activities and preventing the establishment of enabling infrastructure ahead of time.
* One can equip himself with the best technology of the era, but still miss the revolution entirely.
* The challenge of RMA 4.0 will be to bring tactical mobility back to the battlefield in order to enable maneuver.
* The more time goes by, the more the official concept document of the IDF Ground Forces becomes longer and less clear.
* If we don't reorganize ourselves, we won't ever change.
* "The height of a strategy is also the beginning of its demise"</ref></ref> (DCJ # 35 Hebrew, OCT 21)

## External links

* IDF Dado Center English
* ↑ Dado Center Journal vol. 6, January 2016,
* ↑ Dado Center Journal vol. 6, January 2016,
* ↑ Dado Center Journal vol. 15, March 2018,
* ↑ Dado Center Journal vol. 15, March 2018,
* ↑ Dado Center Journal vol. 16-17, July 2018,
* ↑ Dado Center Journal vol. 16-17, July 2018,
* ↑ Dado Center Journal vol. 16-17, July 2018,
* ↑ Dado Center Journal vol. 16-17, July 2018,
# Brie Larson

Brianne Sidonie Desaulniers (born October 1, 1989), known professionally as Brie Larson, is an American actress and filmmaker.

## Quotes

* I like pistachio and mint chip. So I'm a green ice cream kind of guy.
** 29 November 2015
* The top critics on @RottenTomatoes are OVERWHELMINGLY white and male. The newest report from @Inclusionists @USC shows a vast underrepresentation of diverse voices
** 11 June 2018
# Cinema of South Korea

South Korean films have been heavily influenced by such events and forces as the Korea under Japanese rule, the Korean War, government censorship, the business sector, globalization, and the democratization of South Korea. The golden age of South Korean cinema in the mid-20th century produced what are considered two of the best South Korean films of all time.

## Quotes

* I just don't particularly enjoy movies about people, in which people are sitting around drinking soju, saying- saying things that you hear every [day]. I mean, when I approach a novel I expect to be brought into contact with somebody special in some way and I find that [South] Koreans tend to enjoy fictional and cinematic depictions of normal everyday group life. They want to see a mirror and they will sit back and nod at that and I just have to say it doesn't do very much for me.
** Brian Reynolds Myers, as quoted in "North Korea analyst B.R. Myers in Busan" (5 February 2015), by Colin Marshall, Notebook on Cities and Culture

## External links

* Encyclopedic article on Cinema of South Korea on Wikipedia