# Robin Morgan

Robin Morgan (born January 3, 1941) is an American poet, writer, activist, journalist, lecturer and former child actor. Since the early 1960s, she has been a key radical feminist member of the American Women's Movement, and a leader in the international feminist movement.

## Quotes

* Women are not inherently passive or peaceful. We're not inherently anything but human.
** Going Too Far: The Personal Chronicle of a Feminist (1977). New York: Random House. ISBN 0394482271. (1978 ed, ISBN 039472612X.), p 70. (possibly also published as Going Too Far: The Personal Documents of a Feminist) ("there is no 'too far,'" id., p. 8, "Introduction: Rights of Passage")
* Woman is [...] — finally screwing and your groin and buttocks and thighs ache like hell and you're all wet and maybe bloody and it wasn't like a Hollywood movie at all but jesus at least you're not a virgin any more but is this what it's all about?—And meanwhile he's asking, "Did you come?"
** "Barbarous Rituals", in Going Too Far: The Personal Chronicle of a Feminist, p 110.
* Let's run it on down. White males are most responsible for the destruction of human life and environment on the planet today. Yet who is controlling the supposed revolution to change all that? White males (yes, yes, even with their pasty fingers back in black and brown pies again). It just could make one a bit uneasy. It seems obvious that a legitimate revolution must be led by, made by those who have been most oppressed: black, brown, and white women–with men relating to that as best they can. A genuine Left doesn't consider anyone's suffering irrelevant, or titillating; nor does it function as a microcosm of capitalist economy, with men competing for power and status at the top, and women doing all the work at the bottom (and functioning as objectified prizes or "coin" as well). Goodbye to all that.
** "Goodbye to All That", 1970 in Going Too Far: The Personal Chronicle of a Feminist, p 123.
* And let's put one lie to rest for all time: the lie that men are oppressed, too, by sexism--the lie that there can be such a thing as 'men's liberation groups.' Oppression is something that one group of people commits against another group specifically because of a 'threatening' characteristic shared by the latter group--skin color or sex or age, etc. The oppressors are indeed FUCKED UP by being masters (racism hurts whites, sexual stereotypes are harmful to men) but those masters are not OPPRESSED. Any master has the alternative of divesting himself of sexism or racism—the oppressed have no alternative—for they have no power—but to fight. In the long run, Women's Liberation will of course free men—but in the short run it's going to COST men a lot of privilege, which no one gives up willingly or easily. Sexism is NOT the fault of women—kill your fathers, not your mothers.
** "Goodbye to All That", 1970 in Going Too Far: The Personal Chronicle of a Feminist, p 126.
* I feel that "man-hating" is an honorable and viable political act, that the oppressed have a right to class-hatred against the class that is oppressing them. And although there are exceptions (as in everything), i.e., men who are trying to be traitors to their own male class, most men cheerfully affirm their deadly class privileges and power. And I hate that class.
** "Lesbianism and Feminism: Synonyms or Contradictions?", spring 1973, keynote address to West Coast Lesbian Feminist Conference, printed in Going Too Far: The Personal Chronicle of a Feminist, p 178.
* I claim that rape exists any time sexual intercourse occurs when it has not been initiated by the woman, out of her own genuine affection and desire.
** "Theory and Practice: Pornography and Rape" (1974) in Going Too Far: The Personal Chronicle of a Feminist.
* Pornography is the theory, and rape the practice. And what a practice. The violation of an individual woman is the metaphor for man's forcing himself on whole nations (rape as the crux of war), on nonhuman creatures (rape as the lust behind hunting and related carnage), and on the planet itself (reflected even in our language—carving up "virgin territory," with strip mining often referred to as a "rape of the land").
** "Theory and Practice: Pornography and Rape" (1974) in Going Too Far: The Personal Chronicle of a Feminist.
* [N]o one appeared to wonder whether this S-M proliferation was a lesbian copy of a faggot imitation of patriarchal backlash against feminism.
** "The Politics of Sado-Masochistic Fantasies", in Going Too Far: The Personal Chronicle of a Feminist, p 235.
* Biological determinism has for years struck me as a failure of intellectual nerve. So I don't mean to counter sexist theories along those lines with a mirror-image feminist version. We have as yet no truly value-free science, uninfluenced by masculinist (among other biases) prejudice. Consequently — although on certain bleak days I am sorely tempted to agreement with what we feminists have termed the "acute terminal testosterone-poisoning" theory of patriarchal history — I do not make the argument that women are inherently more peaceable, nurturing, or altruistic than men. (For one thing, this permits men the laziest of justifications for their own behavior.) Yet it is undeniable that history is a record of most women acting peaceably and of most men acting belligerently — to a point where the capacity for belligerence is regarded as an essential ingredient of manhood and the proclivity for conciliation is thought largely a quality of women.
** The Demon Lover: On the Sexuality of Terrorism (1989). New York: WW Norton & Co. 395 p. ISBN 0393306771. (2000 revised ed, ISBN 0743452933.)
* If we can open ourselves to ourselves and each other, as women, only then can we begin to fight for and create, in fact reclaim, not "Lesbian Nation" or "Amazon Nation"—let alone some false state of equality—but a real Feminist Revolution, a proud gynocratic world that runs on the power of women. Not in the male sense of power, but in the sense of a power plant—producing energy. And to each, that longing for, that right to, a great love filled in reality, for all women, and children and men and animals and trees and water and all life, an exquisite diversity in unity. That world breathed and exulted on this planet some twelve thousand years ago, before the patriarchy arose to crush it.
** Going Too Far, p. 187.

## Misattributed

* We can't destroy the inequities between men and women until we destroy marriage.
** Actually from 1969 leaflet by The Feminists, "Women: Do You Know the Facts About Marriage?". Its text was reprinted in the anthology Sisterhood is Powerful edited by Robin Morgan.

## Quotes about Robin Morgan

* Jewish women in second-wave feminism helped to provide the theoretical underpinnings and models for radical action that were seized on and imitated throughout the United States and abroad. Their articles and books became classics of the movement and led the way into new arenas of cultural and political understanding in academe, politics, and grassroots organizing. Even a partial honor roll of Jewish women's liberation pioneers must include such figures as Shulamith Firestone, Ellen Willis, Robin Morgan, Alix Kates Shulman, Naomi Weisstein, Heather Booth, Susan Brownmiller, Marilyn Webb, Meredith Tax, Andrea Dworkin, Linda Gordon, Ellen DuBois, Ann Snitow, Marge Piercy, Letty Cottin Pogrebin, and Vivian Gornick. Despite historians' acknowledgment of the salience of Jewish women in earlier social movements, their prominence within radical feminism failed to attract much attention.
** Joyce Antler Jewish Radical Feminism: Voices from the Women’s Liberation Movement (2020)
* The cultural-political perspectives of Jewish feminists interacted with the ideas of many other pioneering women's liberationists in the city, Jewish and non-Jewish, including Kathie Sarachild, Carol Hanisch, Irene Peslikis, Peggy Dobbins, Anne Koedt, Pat Mainardi, Robin Morgan, Ann Snitow, and Vivian Gornick. Acting within a communal context, innovative theory and practice emerged from group interaction.
** Joyce Antler Jewish Radical Feminism: Voices from the Women’s Liberation Movement (2020)