OpenLLM-France/wikimedia huggingface dataset:
# The White Balloon

The White Baffoon is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards in the international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.

## Shop Owner

* Why did you make me come if you could do it yourselves?
* Time to go home now.

## Dialogue

    Ali: You're whining again!
    Razieh: Mom refuses to give me money for the goldfish.
    Ali: Don't you like ours?
    Razieh: You call these goldfish, you haven't seen the others. It's as though they're dancing when they move their fins. And they've got so many fins.
    Ali: How much?
    Razieh: The shopkeeper said 100 tomans.
    Ali: 100 tomans! You want to pay 100 tomans for a goldfish. You can watch two films with that money. You're nuts.
# Wayne M. Collins

Wayne Mortimer Collins (November 23, 1899 – July 16, 1974) was a civil rights attorney who worked on cases related to the Japanese American evacuation and internment.

## Quotes by Collins about the Internment of Japanese Americans

* The JACL [Japanese American Citizens League] pretended to be the spokesman for all Japanese Americans, but they wouldn't stand up for their people ... They led their people like a bunch of goddam doves to the concentration camps.
** Bill Hosokawa (1969). Nisei: The Quiet Americans. William Morrow & Company. p. 423. ISBN 978-0688050139.
* Despoiled of rights and presumptions granted even common criminals, the Issei and Nisei suffered in silence, hoping that acquiescence would prove their loyalty and improve their lot. They did not know the government.
** Michi Weglyn (1976). Years of Infamy: The Untold Story of America's Concentration Camps. William Morrow & Company. p. 267. ISBN 978-0688079963.
* The damage done to these innocent people without cause was utterly evil ... What is then to be said of our own Generals and civilian officials who not only condoned governmental crimes against our native-born citizens but systematically aided and abetted them? Hundreds of the ill, the halt and aged infirm paid with their lives in the three years of physical moves forced upon them. But this was conveniently forgotten. Atrocities were committed in those camps but sentries and security officers went unpunished. (1973)
** Michi Weglyn (1976). Years of Infamy: The Untold Story of America's Concentration Camps. William Morrow & Company. p. 267. ISBN 978-0688079963.
* That the unconstitutionality of so many of the illegalities perpetrated were never conceded by the High Bench is scandalous—leaving us only a moment of passion removed from the destruction, once again, of our liberties. Given another manufactured hysteria over "national security" or some such expediency to justify ends, citizens can again be carted off at the point of bayonets. That is America's evacuation legacy. (1973)
** Michi Weglyn (1976). Years of Infamy: The Untold Story of America's Concentration Camps. William Morrow & Company. pp. 267-268. ISBN 978-0688079963.

## External links

* Guide to the Wayne M. Collins Papers at the Bancroft Library
# Wayne Teasdale

Wayne Robert Teasdale (16 January 1945 – 20 October 2004) was a Catholic monk, author and teacher from Connecticut, best known as an energetic proponent of mutual understanding between the world's religions. He espoused an interfaith dialogue which he termed "interspirituality." He was also an active campaigner on issues of social justice.

## Quotes
### A Monk in the World: Cultivating a Spiritual Life (2003)

* When I first lived in a monastery, I learned very quickly that monastic life did not afford more escape from the world than any other place. Rather, it presented a deeper encounter with it. The monastic life is not a rejection of the world; it is a decision to engage with this world from a different dimension, from the enlarged perspective of love, as perceived by the Gospel in its utter simplicity and clarity.
** p. 1
* When I reflect on the natural world and its glorious messages for us, I remember our responsibility to restore and preserve it, to work toward a sustainable future in which the human community lives in harmony with nature. We have a sacred duty to the earth itself, to one another, and to all the other species that inhabit our planet, to live in a state of friendship with the natural world, enhancing its life by simplifying our needs and desires.
** p. 8
* It is quite ordinary for spiritual friends to be able, naturally, spontaneously, and almost effortlessly, to discern the presence of the Divine in each other. When we are really awake, we cannot miss the presence of Divine Reality; it is always calling us.
** p. 87
# Waḥy

Waḥy ( وُحِيّ ,also spelled wahi) is the Arabic word for revelation. In Islamic belief, revelations are Allah's Word delivered by His chosen individuals – known as Messenger prophets – to mankind.

## Quotes

* We have sent thee inspiration, as We sent it to Noah and the Messengers after him: we sent inspiration to Abraham, Isma'il, Isaac, Jacob and the Tribes, to Jesus, Job, Jonah, Aaron, and solomon, and to David We gave the Psalms. Of some messengers We have already told thee the story; of others We have not;- and to Moses Allah spoke direct;-
** an-nisa 161-164 A. Yusuf Ali
* It is not fitting for a man that Allah should speak to him except by inspiration, or from behind a veil, or by the sending of a messenger to reveal, with Allah's permission, what Allah wills: for He is Most High, Most Wise.
** Ash-Shu'ara 51
* Nor does he say (aught) of (his own) Desire. It is no less than inspiration sent down to him:
** An-Najm 3-4
# Wayne Panton

Wayne Panton is a Caimanian politician who currently serves as the 4th Premier of the Cayman Islands since 21 April 2021.

## Quotes

* Significantly slowing or stopping development would not automatically make the Cayman Islands a more sustainable country. Indeed, some level of physical development will be required to ensure we can address other issues facing our community, such as ensuring we can affordably house our people in dignified conditions, safely treat our solid waste and wastewater, and meet our national renewable energy targets.
** Wayne Panton (2021) cited in "Panton: Slowing development won’t automatically make Cayman sustainable" on Cayman Compass, 17 January 2022.
# Three Fugitives

Three Fugitives is a 1989 comedy film starring Nick Nolte, Martin Short, Sarah Rowland Doroff and James Earl Jones and directed by Francis Veber. It is a remake of Les Fugitifs, a 1986 French comedy starring Gérard Depardieu and Pierre Richard and also directed by Francis Veber.

## Ned

* [after putting a teddy bear inside his dress to look like a pregnant woman] This is going to be one really surprised obstetrician...

## Dialogue

    Woman Cop: Do you know what kidnapping her will get you?
    Ned: Yeah, her.he was addicted in heroin.
# Three Little Pigs

Three Little Pigs is a series of Disney's Silly Symphonies from 1933 to 1939.

## The Practical Pig

    Main article: The Practical Pig

## The Big Bad Wolf

    Fiddler and Fifer Pig: The wolf! He's got her!
    [Practical Pig packs up and rushes down to the house]
    Fiddler and Fifer Pig: You'll get there, quick, Red Riding Hood, if you take the shortcut, through the woods.
    Practical Pig: There's danger in them woods! Be aware! The Big Bad Wolf is lurking, there!
    [all notice Practical Pig]
    Practical Pig: Better do, be safe and sorry! Shortcuts are not always good. Take the long road around the corners, while the wolf is in the woods.
    Fiddler and Fifer Pig: The Wolf! He’s got her!

## Three Little Pigs

    Main article: Three Little Pigs (film)

## Three Little Wolves

    Fifer and Fiddler Pig: What’s the matter, little girl?
    Big Bad Wolf: Say "Ah".
    Fifer and Fiddler Pig: Ah.

## External links

* Three Little Pigs quotes at the Internet Movie Database
* The Big Bad Wolf quotes at the Internet Movie Database
* Three Little Wolves quotes at the Internet Movie Database
* The Practical Pig quotes at the Internet Movie Database
# Three Little Pigs (film)

Three Little Pigs is an animated short film released on May 27, 1933 by United Artists, produced by Walt Disney and directed by Burt Gillett. Based on a fable of the same name, the Silly Symphony won the 1934 Academy Award for Best Animated Short Film.
    Directed by Burt Gillett. Produced by Walt Disney. Based on The Three Little Pigs.

## Dialogue

    Zeke Midas Wolf: Open the door and let me in!
    Fifer Pig: Not by the hair on my chinny chin chin!
    Zeke Midas Wolf: I'll huff, and I'll puff, and I'll blow your house in!
    Fifer Pig and Fiddler Pig: Who's there?
    Zeke Midas Wolf: [disguised as a sheep] I'm a poor little sheep, with no place to sleep. Please open the door and let me in.
    Fifer Pig and Fiddler Pig: Not by the hair on our chinny chin chin! You can't fool us with that old sheepskin!
    Zeke Midas Wolf: I'll huff, and I'll puff, and I'll blow your house in!
    Practical Pig: Who's there?
    Zeke Midas Wolf: [disguised as a Fuller Brush man] I'm a Fuller Brush man. I'm giving a free sample. (original version)/I'm working my way through college. (1948 reissue) [hands Practical Pig a brush]
    Practical Pig: Thank you.
    Zeke Midas Wolf: [tries to grab Practical Pig] Now, I've got you, you little...
    [Practical Pig hits the Wolf on his foot, then on the head with the brush, then pulls his doormat off of under him, and finally throws the brush at him]
    Zeke Midas Wolf: By the hair on your chinny chin chin, I'll huff, and I'll puff, and I'll blow your house in!

## Voice cast

* Billy Bletcher as Zeke Midas Wolf
* Pinto Colvig as Practical Pig / Zeke Midas Wolf (as Jewish Peddler) (uncredited)
* Dorothy Compton as Fifer Pig (uncredited)
* Mary Moder as Fiddler Pig (uncredited)
# Theatre director

A theatre director is a person overseeing the mounting of a theatre production.

## Quotes:

* The director in the theatre: one who disturbs the rehearsals. (Pino Caruso)
* In a theatrical performance, the focal point – and the goal at all times – is to deprive the actor of dependence on his director, because the director is useless once the curtain rises. (Sydney Pollack)

## See also

* Director
* Theatre
# Theda Bara

Theda Bara was the stage name of Theodosia Burr Goodman (29 July 1885 – 7 April 1955), a silent film actress popularly known as "The Vamp." One of Hollywood’s first major movie stars, she become known for her exotic style and as a sex symbol in the first few decades of the 1900's. Most of her work has been lost.

## Quotes

* To be good is to be forgotten. I'm going to be so bad I'll always be remembered.
** As quoted in "The Confessions of Theda Bara" by Agnes Smith, Photoplay Magazine, Vol. 18 No. 1 (June 1920), pp. 57–58, 110–111
* The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman.
** Reportedly said around the time of her retirement, circa 1926, as quoted in Women, Women, Women: Quips, Quotes, and Commentary (1977) by Leta W. Clark, p. 16
* I will continue doing vampires as long as people sin.
** As quoted in Sexy Origins and Intimate Things : The Rites and Rituals of Straights, Gays, Bi's, Drags, Trans, Virgins, and Others (1998) Charles Panati, p. 295

## Quotes about Bara

* After Theda Barra appeared in A Fool There Was, a vampire wave surged over the country. Women appeared in vampire gowns, pendant earrings, and even young girls were attempting to change from frank, open-eyed ingenues to the almond-eyed, carmine-lipped woman of subtlety and mystery.
** Mary Pickford, "To Be Or Not To Be a Vampire", The Day [New London, CT] (16 May 1916), p. 11

## External links

* Theda Bara on IMDb
# Theano (philosopher)

Theano (Greek: Θεανώ; 6th-century BC) is the name given to perhaps two Pythagorean philosophers. She has been called the pupil, daughter and wife of Pythagoras, although others made her the wife of Brontinus.

## Quotes

* The woman who goes to bed with a man must put off her modesty with her petticoat, and put it on again with the same.
** From Essay XX by Michel de Montaigne (translated by Charles Cotton, Macmillan London 1877).
# Theism

Theism, in the broadest sense, is the belief that at least one deity exists. In a more specific sense, theism is commonly a monotheistic doctrine concerning the nature of a deity, and that deity's relationship to the universe. Theism, in this specific sense, conceives of God as personal, present and active in the governance and organization of the world and the universe. As such theism describes the classical conception of God that is found in Christianity, Judaism, Islam, Sikhism and Hinduism. Scientifically correct, Atheism sucks. God, I know your there, so please bless me and get me to Alaska, I hate Virginia and I want to leave. If you love me, please get me to Alaska, Amen.

## Quotes

* Our theism is the purification of the human mind. Man can paint, or make, or think nothing but man. He believes that the great material elements had their origin from his thought.
** Ralph Waldo Emerson, Uses of Great Men, Representative Men (1850).
* What terrible questions we are learning to ask! The former men believed in magic, by which temples, cities, and men were swallowed up, and all trace of them gone. We are coming on the secret of a magic which sweeps out of men’s minds all vestige of theism and beliefs which they and their fathers held and were framed upon.
** Ralph Waldo Emerson, Illusions, The Conduct of Life (1860).
* Even in ordinary speech we call a person unreasonable whose outlook is narrow, who is conscious of one thing only at a time, and who is consequently the prey of his own caprice, whilst we describe a person as reasonable whose outlook is comprehensive, who is capable of looking at more than one side of a question and of grasping a number of details as parts of a whole.
** G. Dawes Hicks, The Philosophical Bases of Theism, p. 128, New York (1937).
* It must appear impossible, that theism could, from reasoning, have been the primary religion of human race, and have afterwards, by its corruption, given birth to polytheism and to all the various superstitions of the heathen world. Reason, when obvious, prevents these corruptions: When abstruse, it keeps the principles entirely from the knowledge of the vulgar, who are alone liable to corrupt any principle or opinion.
** David Hume, The Natural History of Religion, sect. 1, p. 312 (1898).
* Theism and atheism bear equally upon an idol. They remain enemies, but fraternal enemies, in a common and impassable idolatry. Of such idolatry Nietzsche gives the best and final illustration, by demonstrating in exemplary fashion the ... functions held by the idol...
** Jean-Luc Marion, God Without Being (1991), p. 57 3. The Crossing of Being; 1. The Silence of the Idol
# Theatre of the Oppressed

The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist Paulo Freire. Boal's techniques use theatre as means of promoting social and political change in alignment originally with radical-left politics and later with centre-left ideology. In the Theatre of the Oppressed, the audience becomes active, such that as "spect-actors" they explore, show, analyse and transform the reality in which they are living.

## Quotes

* The Theatre of the Oppressed is theatre in this most archaic application of the word. In this usage, all human beings are Actors (they act!) and Spectators (they observe!).
** Augusto Boal, in Games for Actors and Non-Actors (1992), p. xxx
* When does a session of The Theatre of the Oppressed end? Never – since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life.
** Augusto Boal, in Games for Actors and Non-Actors (1992), p. 245
* In truth the Theatre of the Oppressed has no end, because everything which happens in it must extend into life. ... The Theatre of the Oppressed is located precisely on the frontier between fiction and reality – and this border must be crossed. If the show starts in fiction, its objective is to become integrated into reality, into life. Now in 1992, when so many certainties have become so many doubts, when so many dreams have withered on exposure to sunlight, and so many hopes have become as many deceptions – now that we are living through times and situations of great perplexity, full of doubts and uncertainties, now more than ever I believe it is time for a theatre which, at its best, will ask the right questions at the right times. Let us be democratic and ask our audiences to tell us their desires, and let us show them alternatives. Let us hope that one day – please, not too far in the future – we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences – us – what they should do, so as to make this world a place to live and be happy in – yes, it is possible – rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!
** Augusto Boal, in Games for Actors and Non-Actors (1992), p. 246

## See also

* Oppression
* Theatre
# Thea Gilmore

Thea Eve Gilmore (born 25 November 1979) is an Oxfordshire-born British singer-songwriter.

## Sourced

* I constantly get people telling me I should be selling as much as Katie Melua... but there's a reason she sells that many and I don't - she makes music that's easy on the ear and even easier on the brain. She's the perfect good girl in the middle of the road. I'm not keen to make things too easy for anyone. I like to provoke a response, whether that's someone telling me they love what I do or throwing a bottle at me. The trouble is that the bottle-throwing faction won't buy the album. You've immediately limited your audience.
** Stephanie Merritt (2008-05-30). "'I don't make things easy'". The Guardian.

## External links

* Official site
# Yosa Buson

Yosa Buson or Yosa no Buson (与謝 蕪村, 1716 – January 17, 1784, or on the twenty-fifth day of the twelfth month, 1783) was a Japanese poet and painter of the Edo period. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period.

## Quotes

* Shiraume ni akaru yo bakari to narinikeri.
** Of late the nights are dawning plum-blossom white.
** Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6
# Yoshihiro Kawaoka

Yoshihiro Kawaoka (河岡 義裕; born 14 November 1955) is a Japanese virologist at University of Tokyo.

## Quotes

* Although the new (COVID-19) coronavirus is related to the virus that causes SARS, so far (as of 20 January 2020) it lacks the transmissibility of SARS.
** Yoshihiro Kawaoka (2020) cited in "New virus surging in Asia rattles scientists" on Nature, 20 January 2020.
# Yoshi

Yoshi is a fictional dinosaur who appears in video games published by Nintendo. Yoshi debuted in Super Mario World (1990) on the Super Nintendo Entertainment System as Mario and Luigi's sidekick, in his home, Dinosaur Island. Yoshi later starred in platform and puzzle games, including Super Mario World 2: Yoshi's Island, Yoshi's Story, Yoshi's Woolly World, and Yoshi's Crafted World. Yoshi also appears in many of the Mario spin-off games, including Mario Party and Mario Kart, various Mario sports games, and Nintendo's crossover fighting game series Super Smash Bros. Yoshi belongs to the species of the same name, which is characterized by their variety of colors.

## Quotes

* “I know! We should team up! Come on! Hop on my back!” — Super Mario Galaxy 2
# Thomas Sturge Moore

Thomas Sturge Moore (4 March 1870 – 18 July 1944) was an English poet, art-historian, dramatist and wood-engraver.

## Quotes

* Then, cleaving the grass, gazelles appear (The gentler dolphins of kindlier waves) With sensitive heads alert of ear; Frail crowds that a delicate hearing saves.
** "The Gazelles", line 13; from The Centaur's Booty (London: Duckworth, 1903) p. ix.
* For milkmaids and queens and gipsy-princesses Dream and kiss blindfold or starve upon guesses.
** "Reason Enough", line 7; from The Sea is Kind (London: Grant Richards, 1914) p. 75.
* Break free, my soul, good manners are thy tomb!
** "Reason Enough", line 18; from The Sea is Kind (London: Grant Richards, 1914) p. 75.
* "Shells with lip, or tooth, or bleeding gum, Tell-tale shells, and shells that whisper 'Come', Shells that stammer, blush, and yet are dumb – " "O let me hear!"
** "A Duet", line 5; from The Sea is Kind (London: Grant Richards, 1914) p. 78.

## Criticism

* In my opinion Mr. Moore is a greater poet than Mr. Yeats. He has lived obscurely, and has not displayed Mr. Yeats's talent for self-dramatization; for these reasons and others he has never become a public figure or a popular writer.
** Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
* A sheep in sheep's clothing.
** Edmund Gosse, quoted in Ferris Greenslet Under the Bridge: An Autobiography (Boston: Houghton Mifflin, 1943) p. 104.
** Sometimes misattributed to Yeats.

## External links

* Encyclopedic article on Thomas Sturge Moore on Wikipedia
# Thomas Southerne

Thomas Southerne (1660 – May 22, 1746), Irish dramatist, was born at Oxmantown, near Dublin, in 1660, and entered Trinity College, Dublin in 1676. Two years later he was entered at the Middle Temple, London.

## Quotes

* Pity's akin to love.
** Oroonoka, Act ii, scene 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Of all the paths [that] lead to a woman's love / Pity's the straightest", John Fletcher, The Knight of Malta, Act i, scene 1.
* Of the king's creation you may be; but he who makes a count ne'er made a man.
** Sir Anthony Love, Act ii, scene 1; reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "I weigh the man, not his title; 'tis not the king's stamp can make the metal better", William Wycherley, The Plaindealer, Act i. scene 1.
* And when we're worn, Hack’d, hewn with constant service, thrown aside To rust in peace, or rot in hospitals.
** The Loyal Brother (1682), Act i.