# Batman

Batman is a superhero appearing in American comic books published by DC Comics, created by artist Bob Kane and writer Bill Finger, and debuting in the 27th issue of Detective Comics on March 30, 1939. Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist residing in Gotham City; crafting his crime fighting persona through a life time of intense and diverse training after swearing vengeance against criminals upon witnessing the murder of his parents Thomas and Martha as a child.

## About Batman

* For this film, I had something to say about Bruce Wayne as a character, what his motivations are. That there’s something dark and wrong about what drives him. Batman is a super hero and he does good. But I think the Bruce Wayne part of the character’s motivation is slightly twisted. Bruce’s motivations don’t come from a good place. He’s angry and, in that revenge is really his goal, he’s a dishonest character. That’s why he has to wear a mask. He’s doing good, but he’s not doing all the right things for all the right reasons.
** Brian Azzarello, "Interview Brian Azzarello on Batman Gotham Knight", Major Spoilers, (05/09/2008).
* Batman is his hidden, demonic rage-filled side. The creature Batman creates is an absolutely sincere creature and one that he has to control but does so in a very haphazard way. He's capable of enacting violence – and to kill – so he's constantly having to rein himself in.
** Christian Bale in "Bale on Batman", by Angela Dawson, The Arizona Republic, (10 June 2005; retrieved 16 May 2006).
* With all of this stunning technology, questions remain. Do Batman's gadgets and vehicles have any connection to the real world? Do grapnel guns, body armor, and rocket-booster cars really exist? You bet-and the real-world connections stretch further than you've ever imagined. From wingsuits to stealth fighters jets to police duty belts, real-life connections abound. Batman may fight evil in a fictional world, but much of his gear is rooted in reality.
** Agnieszka Biskup, Tammy Enz, “Batman Science: The Real-world Science Behind Batman's Gear”, (2014), p. 5.
* He remembered a story from his time as Batman. One day he was filming and about to take off the Batsuit when Warren Buffett and his grandkids came by. They wanted to see Batman, so Kilmer stuck around in the suit, but they didn’t want to talk to him. They wanted to try on the mask and ride in the Batmobile. He understood then that Batman isn’t meant to be a real guy. Batman is meant to be so anonymous that the person who is looking at him can see himself in him. “That’s why it’s so easy to have five or six Batmans,” he says now. “It’s not about Batman. There is no Batman.” And so what kind of thing is that to play, a person whose job is to be as nonspecific as possible. He looked good in the Batsuit, but wearing it was torture. When he took it off, he was finally free.
** Taffy Brodesser-Akne quoting Val Kilmer in "What Happened to Val Kilmer?", New York Times, (May 6, 2020)
* Is Batman gay? Well, no: Batman, after 73 years of publication, with appearances on TV, in video games, movies and comics, can never be tied down to any one identity. Batman has been a ridiculous boy-scout, a fearsome vigilante, a protective father, a loner, a clown. Batman is a myth and a mosaic, an icon who catches the light at different angles at different times, and takes multiple forms. But gayness – from high camp to intense homoeroticism – is an important aspect of that icon. This reading is nothing new. Media scholar Andy Medhurst outlined it in an important 1991 article, Batman, Deviance and Camp. In the 60s, George Melly remarked of the Adam West TV show: "We all knew Robin and Batman were pouves." And in the 50s, young boys supposedly confessed to psychiatrist Fredric Wertham that they fantasied about sharing a bedroom with Batman. Whenever that interpretation raises its head, it meets resistance. In the 50s, the accusations that Bruce and Dick "Robin" Grayson represented "a wish-dream of two homosexuals living together" went to a Senate subcommittee hearing, and the comic-book editors responded by bringing in Batgirl and Batwoman, double-dates for the dynamic duo. In the late 60s, DC Comics commissioned a new team to rebrand Batman with hard-boiled, street-level stories intended to wipe out the memory of Adam West's TV show.
** Will Brooker, "Batman Can't Come Out as Gay – His Character Relies on Him Being in Denial", The Guardian, (28 May, 2012).
* I don't think she wanted to be saved, sir. Vengeance blackens the soul, Bruce. I always feared you would become that which you fought against. You walk the edge of that abyss every night, but you haven't fallen in and I thank heaven for that. But Andrea fell into that pit years ago, and no one, not even you, could've pulled her back.
** Alfred Pennyworth as interpreted by Efrem Zimbalist Jr. in Batman: Mask of the Phantasm; written by Alan Burnett, Paul Dini, Martin Pasko, and Michael Reaves; (1993)
* I think the reason he’s so iconic, is because of all the superheroes he’s the only one who has no superpowers at all. He’s just an ordinary person, but what he has is a super amount of passion. And a super sense of right and wrong, morality, and so he’s just an average guy – with a billion dollars – how transforms himself into this champion of pure good, there’s nothing in it for him, he gets nothing out of this except the knowledge that he’s healing the world. And its all because of what happened to him as a child, avenging what happened to, the murder of his parents, and his being left as an orphan. And he spends his life, instead of allowing life. You know life, I often say life throws nothing but curve balls, no matter what you do to prepare for life, its going to throw a curve ball, you’re going to constantly be switching from this to that and if you let it, it can make you bitter, it can make you angry, it can make you hostile. Bruce Wayne doesn’t allow that to happen. Life throws him this huge curve ball as a child, and he takes it and he turns it into something good, and that’s why audiences love him so much. People relate to him because every-one has had dark nights of the soul, we all do, people with the most charmed lives have had dark periods. So everyone relates to the darkness that Bruce Wayne goes through, and what they admire about him is his ability to overcome it, and to turn it into something good. And I think that makes him the most incredible character for me, to play, and for audiences to enjoy.
** Kevin Conroy in “I Am The Night: An Interview With Kevin Conroy”, by Sarah Miles,“Talking Comicbooks.com”, (June 3, 2018)
* O'Neil's interpretation of Batman as a vengeful obsessive-compulsive, which he modestly describes as a return to the roots, was actually an act of creative imagination that has influenced every subsequent version of the Dark Knight.
** Les Daniels (1995). "Revamping the Classics The Old Guard Gets a New Look". DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. New York, New York: Bulfinch Press. p. 157.
* Bat-Mite: "Batman's rich history allows him to be interpreted in a multitude of ways. To be sure, this is a lighter incarnation, but is certainly no less valid and true to the character's roots then the tortured avenger, crying out for mommy and daddy." And besides, those Easter bunnies looked really scary, right?
** Paul Dini, "Legends of the Dark Mite!", Batman: The Brave and the Bold, (May 29, 2009).
* I've always preferred Batman to Superman because Batman's stunts are at least theoretically possible. When he swings from the Playboy Building to the John Hancock Center, he uses a rope. Meanwhile, Superman is holding up toppling skyscrapers and stopping bullets with his teeth.
** Roger Ebert, reviewing the film "Darker Than Amber" RoberEbert.com, (1971).
* Bob Kane...had an idea for a character called 'Batman', and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN.
** Bill Finger as quoted in Steranko, Jim (1970). The Steranko History of Comics. Reading, Pennsylvania: Supergraphics. p. 44. ISBN 0-517-50188-0.
* Bruce Wayne's first name came from Robert Bruce, the Scottish patriot. Wayne, being a playboy, was a man of gentry. I searched for a name that would suggest colonialism. I tried Adams, Hancock ... then I thought of Mad Anthony Wayne.
** Bill Finger as quoted by Kane, Bob; Tom Andrae (1989). Batman & Me. Forestville, California: Eclipse Books. p. 44. ISBN 1-56060-017-9.
* I knew many homosexuals but I certainly didn’t think of Batman in those terms. I thought of it in terms of … Frank Merriwell and Dick Merriwell, his half-brother, who was the kid he was taking care of. … In America we always talk about the Western hero and the pioneer kind of man—the Davy Crockett types—as being loners. They’re never really. They always have a sidekick. … Certainly there’s no homosexual relationship. It’s just part of the American syndrome. … It was just that the author realized that you’ve gotta have somebody to talk to. Sherlock Holmes had Watson—were they homosexuals? Baloney. You just can’t have your hero walking around thinking aloud all the time. He’d be ready for the men in white coats after a time. So we created a junior Watson and that’s all [Robin] was.
** Bill Finger "Batman and Robin Gay Bill Finger Said", (1972).
* Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of Douglas Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea.
** Bill Finger; Steranko, Jim (1970). The Steranko History of Comics. Reading, Pennsylvania: Supergraphics. p. 44. ISBN 0-517-50188-0.
* More important than this, however, is the idea that Batman is not just a guy in a suit, but a symbol and there are people in the film most notably The Joker who want to destroy that symbol. While Batman's identity remains secret and his motives unknown to Gothamites, he represents hope in a city that has little to spare and embodies a pursuit of justice and further, a code of behavior that quite literally threatens these criminals' way of life. By throwing Gotham into chaos and testing the limits to which Batman holds himself, The Joker is not merely plying death and destruction but willfully destroying the philosophical foundations of organized society. The closest such examination another comic book-oriented film has ever attempted was the emotional throughline of the Spider-Man films. Peter Parker's struggle was almost exclusively personal, whereas Wayne not only has to find a way to maintain his moral compass, but consider what the repercussions of his heroism are to both the public and the criminals themselves.
** Todd Gilchrist, The Dark Knight", IGN, 30 JUN 2008.
* I think Batman is a pretty universal character. I remember him as a child. But I think Christian [Bale] did the best I’ve seen so far, because of that tortured background of loss. The original Batman, they’re not much remembered as a Batman character – they were not used for training [chuckles]. You had to really – there was a darkness and a damagedness about his character that I think they got right with Christian Bale. Especially in the last two. But that doesn’t have anything to do with Ben Affleck. I think he’s willing to take risks. He seems to be.
** Michael Ironside in “TR Interview: Michael Ironside on Extraterrestrial, Batman, Dune, The Omega Code and More”, by Luke Y. Thompson, Topless Robot, (November 21, 2014)
* I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective.
** Bob Kane; Tom Andrae (1989). Batman & Me. Forestville, California: Eclipse Books. p. 44. ISBN 1-56060-017-9.
* I wanted to see and to show that transition when he goes from Bruce Wayne to Batman, the time when he's about to don the suit and go out and wreak some havoc. That's not a casual thing, obviously, it's not putting on a jacket to go out for the evening. So what is that transition like? So there was a thing we did early on that showed him going into a sort of trance and it justified this shift in him.
** Michael Keaton in [herocomplex.latimes.com/2011/05/12/michael-keatons-dark-memories-of-batman-and-shining-love-for-beetlejuice/ "Michael Keaton's Dark Memories of Batman and Shining Love for Beetlejuice"], by Geoff Boucher, LA Times, (2011/05/12).
* This chapter offers a gay reading of Batman. It presents three reasons why Batman is especially interesting to gay audiences. Firstly, he was one of the first fictional characters to be attacked on the grounds of presumed homosexuality, by Fredric Wertham in his book Seduction of the Innocent. Secondly, the TV series from the 1960s was and remains a touchstone of camp. Thirdly, as a recurring hero figure for the last fifty years, Batman merits analysis as a notably successful construction of masculinity.
** Andy Medhurst, The Superhero Reader, Charles Hatfield (ed.), “Batman, Deviance and Camp”, (June 2013)
* Q: One of the things that led you to create Dark Knight Returns was a series of muggings. What happened?
    Frank Miller: There's something demeaning about the first time you're knocked to the ground and punched in the stomach and have a gun waved in your face and realize that you're completely at somebody's mercy. And they can take your life. And at that point, you'll do anything. There's something so humiliating about that. And to me that made me realize that Batman was the most potent symbol DC had in its hands. Sure, Superman can fly, but Batman turns me back into that guy who is scared and at the same time the guy who can come and save him. It's a perfect myth.
   * Frank Miller in “A Rare Interview With Frank Miller: 'Dark Knight,' the Unmade Darren Aronofsky Batman Movie, and Donald Trump“ by Borys Kit,Hollywood Reporter, (March, 03, 2016).
* I am sure there is probably a very good reason for the hundreds of thousands of adults who are flocking to see the latest adventures of Batman, but I for one am a little in the dark for what that reason is.
** Alan Moore in “Alan Moore confirms he is retiring from creating comic books”, by Sian Cain, The Guardian, (Thu 8 Sep 2016 17.35 EDT Last modified on Fri 19 Jul 2019)
* He’s a rich man who beats up poor people. It’s quite a bizarre mission to go out at night dressed as a bat and punch the hell out of junkies. And then he goes home and lives in this mansion. There’s an aspirational quality to him—he’s an outlaw and he can buy anything. He has a new Batmobile every movie. He’s very plutonian in the sense that he’s wealthy and also in the sense that he’s sexually deviant. Gayness is built into Batman. I’m not using gay in the pejorative sense, but Batman is very, very gay. There’s just no denying it. Obviously as a fictional character he’s intended to be heterosexual, but the basis of the whole concept is utterly gay. I think that’s why people like it. All these women fancy him and they all wear fetish clothes and jump around rooftops to get to him. He doesn’t care—he’s more interested in hanging out with the old guy and the kid.
** Grant Morrison, Playboy Magazine, quoted in "Grant Morrison: ‘Batman Is Very, Very Gay’", Andy Hunsaker, Crave Online, (Apr 26th, 2012).
* Creatively, it was ninety-eight percent Bill and one percent Bob, and the rest is in the ether. We don’t know. It was so much more Bill from the get-go, creatively. Bob Kane had financial advice that served him well. But as far as the major elements of Batman, the example I like to give – it’s probably even in the film, because I say it so much – if you just stop a random grandmother on the street and say, ‘Name something you know about Batman,’ first of all, she’ll know something. Everybody knows something. And whatever that person says will be a Bill Finger contribution. He was that pervasive in the creation of Batman.
** Marc Tyler Nobleman, Hulu documentary “BATMAN AND BILL” – Interview with the Creators, Abbie Bernstein, Buzzy Mag, (July 13, 2017).
* I don't like his other work; I think its shallow and badly written. I mean, I've got kids who like superheroes, and they think the Batman films are boring and pretentious. They like things like The Avengers and Iron Man because they're fun.
** Christopher Priest interview in Skript; as quoted in 'Prestige' Author Slams Christopher Nolan's 'Dark Knight' Trilogy As "Shallow" And "Badly Written", by Abid Rahman, Hollywood Reporter, (11/28/2014).
* It's a wrong move to take a superhero and give it psychological realism. There is no psychological realism. He's a bodybuilder who jumps off buildings. I'm sorry I feel really strongly about this.
** Christopher Priest interview in Skript; as quoted in 'Prestige' Author Slams Christopher Nolan's 'Dark Knight' Trilogy As "Shallow" And "Badly Written", by Abid Rahman, Hollywood Reporter, (11/28/2014).
* As Kane tells it, the pre-teen Bruce is out at night (circa 1924) with his parents when an armed mugger kills both of them. The orphaned lad, his hands clasped in prayer, his bedroom illuminated by a single candle, swears 'to avenge their deaths by spending the rest of my life warring on all criminals'. He 'becomes a master scientist' and 'trains his body to physical perfection' and, because 'criminals are a superstitious cowardly lot', chooses to become 'a creature of the night, black, terrible... a bat... the Batman'. From these two garishly printed pages, Nolan and Goyer have fashioned a whole movie.
** Marc Savlov, "Batman Begins", Austin Chronicle, (JUNE 17, 2005).
* All superheroes are black sheep. But the Dark Knight has always been murkier than most. His superpowers are not an accident of birth, or of stumbling into the wrong lab at the wrong time. They're not powers at all, simply a simulation made possible by good fortune and the leisure that accompanies it. Bruce Wayne can splurge on the kit and cars to set himself up as a crime-fighting Christ substitute, plus power and glitter enough to hide his hobby. He's always been a curious idol: within aspiration because he's flesh and blood; beyond it because he's the lucky recipient of inherited wealth. So it should be no surprise that The Dark Knight Rises so firmly upholds the financial status quo. Christopher Nolan's film indulges in much guttural talk of the gap between the 99% and the 1%, but it is the former who are demonised, whose revolting actions require curbing and mutinous squeals muting. Your average Joe, it turns out, requires a benevolent, bad-ass billionaire to set him straight, to knock him sideways, if necessary.
** Catherine Shoard, "Dark Knight Rises: fancy a capitalist caped crusader as your superhero?", The Guardian, (July 17, 2012).
* Superman: Next time they shine your light in the sky, don't go to it. The Bat is dead. Bury it. Consider this mercy.
** Chris Terrio and David S. Goyer, Batman v Superman: Dawn of Justice (2016)
* So we need a Batman and something that has been bouncing around in the back of my head, for decades probably, is a quote from Bob Kane. I remember reading where he said Batman is half Dracula and half Zorro, and that’s part of the appeal of Batman. That he’s dark and spooky-looking, and he’s got that badass costume and the bat imagery. So I always wanted to go all the way with it and actually make him a vampire. One episode of Batman: The Animated Series, back in the day twenty years ago, we actually wanted to turn Batman temporarily into a vampire but Fox Kids wasn't having any of that.
** Bruce Timm, "Den of Geek, Bruce Timm Interview Justice League Batman Harley Quin More", John Saavedra, Den of Geek, (June 8, 2015).
* The apartment was right off Gotham Drive, just inside the diamond-spine of the great city. The Batman watched from one rooftop away. Watched the light go off as the apartment dropped into darkness. Something he didn't understand pulled him magnetically to that spot. He knew who lived there—the incest offender who told Debra Kane how much he loved his little girl. But what was he doing... "No!" he said to himself. "I took an oath. The authorities already know about him. I can't just ..."
** Andrew Vachss, Batman: The Ultimate Evil, pages 39–40.
* Playing Batman is an actor's challenge. First it's different; then, you have to reach a multi-level audience. The kids take it straight, but for adults, we have to project it further ... When Batman was a comic it wasn't camp, but the show is. When I got the part, I tried to remember Batman as I knew him when I was a kid - with emotional recall.
** Adam West, "The Swinging Set, With Batman in his Beach Lair" by Sylvie Reice, Los Angeles Times, (Feb 13, 1966)
* We're trying to create a folk hero ... when you play a legend, you have to play it with a straight direct line, direct speech and movement...Now Bruce, on the other hand, has to come across as the kindest, noblest, most charitable guy - again, "straight-line" - not Cary Grant charming - know what I mean?"
** Adam West, "The Swinging Set, With Batman in his Beach Lair" by Sylvie Reice, Los Angeles Times, (Feb 13, 1966)
* Human psychology has two basic reactions to images of darkness and horror: the first is to be horrified, as if we saw a monster; the second is to be curious what it would be like to horrify, as if we were the monster. For those of us who are not particular fans of stories told from the point of view of vampires, that curiosity can be made palatable if the horrific monster preys only on the guilty. Bats are creepy—but there are creeps in the world who deserve to be scared. For them, there is the Batman.
** John C. Wright, "Heroes of Darkness and Light" in: Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City (2008) (excerpt).

## “A Dark and Stormy Knight: Why Batman?” (Aug 12, 2012)

Travis Langley, “A Dark and Stormy Knight: Why Batman?”, Psychology Today, (Aug 12, 2012)
* Looking at Superman psychologically means looking at modern mythology. He's the modern demigod myth. While there's something mythic about Batman too, to be sure, he's more akin to the mortal legends like Robin Hood and pulp heroes like Zorro and the Shadow, extraordinary men but men nonetheless.
* Where Superman drew his might from the Earth's sun, Batman found his in a city's darkness. Jerry and Joe played with the bright and impossible. Bob Kane and Bill Finger, in creating Batman, expanded the meme by adding the coin's other side, the dark and improbably possible.
* The Shadow archetype represents your own dark side, not necessarily your evil side but the part of you that is hidden, out of the light, the sum of those characteristics you conceal from both the world and yourself. Bruce Wayne confronts his own darkest nature early in life, chooses to work with it, and uses it to instill fear in others. His bright and dark sides work together to fight evil. From a Jungian perspective, therefore, Batman appeals to our own need to face and manage our own Shadow selves. We want Batman in our shadows.
* Because Batman is fully human and because a horrible trauma leads him to wear a mask and wage his war on crime, we can contemplate real psychological issues that drive people to do extreme things. Psychologists can examine how well he does or does not fit the symptoms of a variety of disorders. Nobody thinks it's weird for Superman to apply his natural gifts to help the members of this human race in a manner that keeps him above it all. When a guy runs around dressed like a bat, we have to wonder: Why the mask, the bat, and the underage partner? Why does he really wear a costume to fight crime? Why are his most intimate relationships with "bad girls" he ought to lock up? And why won't he kill that homicidal clown?
* "Bill and I discussed it," Kane recalled (Daniels, 1999, p. 31), "and we figured there's nothing more traumatic than having your parents murdered before your eyes." Losing one's parent or parents when old enough to know about it ranks as the single most stressful common life event children can experience (e.g., Monaghan, Robinson, & Dodge, 1979). Uncommon traumas like torture or terrorist attacks are not universal experiences, not things most of us can anticipate, but sooner or later we all learn that our parents can and will die.
* Why don’t children fear this hero who dresses like a monster? Because he’s their monster. He’s ours. Even when children learn that magic will not save them nor will a hero in blue fly out of the sky, so they develop more realistic hopes, they can still hope that when they can't find the strength to stand up to life's bullies, someone who is strong and capable might do the right thing and help. In Batman, they see the wounded boy who makes himself big and strong enough to turn fear against the fearsome. With both brain and brawn, he’s the part of us that wants to scare life’s bullies away.

## Dialogue

* Lord Batman: Think about it - a world where there's no crimes. No victims. No pain.
    Batman: And no choice! Who elected you, anyway?
    Lord Batman: Who elected you? The problem with democracy is, it doesn't keep you very safe.
    Batman: It has other virtues. But you seem to have forgotten that.
    Lord Batman: I didn't forget! I just chose peace and security instead.
    Batman: You grabbed power!
    Lord Batman: And with that power, we've made a world where no eight-year-old boy will ever lose his parents...because of some punk with a gun!
    Batman: ...you win.
   * Stan Berkowitz, Justice League (TV series), "A Better World", (November 1, 2003)
* Bruce Wayne: Commissioner. What can I do for you?
    Jim Gordon: Drop the act. Ten minutes on Barbara's computer told me everything. Like a fool I allowed you to run wild on your private crusade. A psychotic misfit playing masked hero. Now I've paid for it with Barbara's life.
    Bruce Wayne: Jim, believe me, I know how you feel.
    Jim Gordon: You can't.
    Bruce Wayne: You know how I lost my parents. The only way I could hold onto my own sanity was to take matters into my own hands.
   * Paul Dini, "Over the Edge", The New Batman Adventures, (May 23, 1998)
* Batman: Get a clue, clowny! He's got no sense of humor! He wouldn't know a good joke if it bit him in the cape.
** Paul Dini, Batman Beyond: Return of the Joker, (2000)
* Superman: Do I look like Batman to you?
    The Flash: Actually, you kind of do. Especially when you're all scowly like that.
   * Dwayne McDuffie, "Flashpoint", Justice League Unlimited, (July 2, 2005)
* Wonder Woman: Circumstances asides, it was kind of... enjoyable being a kid again.
    Batman: I haven't been a kid since I was eight years old.
   * Henry Gilroy, "Kid's Stuff", Justice League Unlimited, (August 14, 2004)
* Bruce: Look, sometimes I don't know what to think about this. It's just something I have to do.
    Vicki: Why?
    Bruce: Because nobody else can. Look, I tried to avoid all this, but I can't. This is how it is. It's not a perfect world.
    Vicki: It doesn't have to be a perfect world. I just gotta know, are we going to try to love each other?
    Bruce: I'd like to. But he's out there right now. And I've got to go to work.
   * Bruce Wayne as interpreted by Michael Keaton and Vicki Vale as interpreted by Kim Basinger in Batman, (1989); written by Sam Hamm and Warren Skaaren
* Carmine Falcone: You're taller than you look in the tabloids, Mr. Wayne. No gun? I'm insulted. You could've just sent a thank-you note.
    Bruce Wayne: I didn't come here to thank you. I came here to show you that not everyone in Gotham's afraid of you.
    Carmine Falcone: Only those who know me, kid. Take a look around you. You'll see two city councilmen, a union official, a couple of off-duty cops, and a judge. Now I wouldn't have a second's hesitation in blowing your head off right here in front of them. That's power you can't buy! That's the power of fear.
    Bruce Wayne: I'm not afraid of you.
    Carmine Falcone: Because you think you got nothing to lose. But you haven't thought it through yet. You haven't thought about your lady friend, down at the DA's office. You haven't thought about your old butler. Bang! People from your world have so much to lose. Now, you think because your mommy and your daddy got shot, you know about the ugly side of life, but you don't. You've never tasted desperate. You're, uh, you're Bruce Wayne, the prince of Gotham. You'd have to go a thousand miles to meet someone who didn't know your name! So don't, don't come down here with your anger, trying to prove something to yourself. This is a world that you'll never understand. And you always fear what you don't understand.
   * Bruce Wayne as interpreted by Christian Bale and Carmine Falcone as interpreted by Tom Wilkinson; Batman Begins, (2005) written by Christopher Nolan and David S. Goyer
* Commissioner Gordon: I don't know who he is beneath that mask of his, but I know when we need him, and we need him now!
** Lorenzo Semple Jr., "Hi Diddle Riddle", Batman, (January 12, 1966)
* Miss Kitka: If you please, to take off the mask to give the better picture?
    Commissioner Gordon: Great Scott! Batman take off his mask?
    Chief O'Hara: The woman must be mad!
    Batman: Please... Chief O'Hara... all of you. This young lady is a stranger to our shores. Her request is not unnatural, however, impossible to grant.
    Miss Kitka: Impossible?
    Batman: Indeed. If Robin and I were to remove our masks, the secret of our true identities would be revealed.
    Commissioner Gordon: Completely destroying their value as ace crimefighters.
    Chief O'Hara: Sure, ma'am. Not even Commisioner Gordon and meself know who they really are.
    Robin: In fact, our own relatives we live with don't know.
    Miss Kitka: But your so curious costumes...
    Robin: Don't be put off by them, ma'am. Underneath this garb, we're perfectly ordinary Americans.
    Miss Kitka: You are like the masked vigilantes in the Westerns, no?
    Commissioner Gordon: Certainly not! Batman and Robin are fully deputized agents of the law.
    Robin: Support your police! That's our message!
    Batman: Well said, Robin... and no better way to end this press conference... thank you, and good day.
   * Batman (1966), written by Lorenzo Semple Jr.
* Amanda Waller: Stop me if you've heard it before - you're eight years old. Your parents have just taken you to a rousing adventure film - a grand time is had by all. But unknown to you, a mysterious figure hides in the shadows. My plan was simple - the killer would leap out at you and kill your family. The trauma would put you on the path to becoming Batman. One problem - my assassin wouldn't pull the trigger. I argued with her, but deep down, I knew she was right. People say Batman's obsessive, that he'd do anything to achieve his goals - but he'd never resort to murder. So if I was to honor all he stood for, neither could I.
   * Bruce Timm, Dwayne McDuffie, "Epilogue", Justice League Unlimited, (July 23, 2005)

## In popular culture

* Abed Nadir: I know I'm not Batman. You could try not being a jerk.
** Tim Hobert and Jon Pollack, "Introduction to Statistics", Community, (October 29, 2009).
* Dr. Thaddeus "Rusty" Venture: We were robbed. No two ways about it.
    Dean Venture: I don’t know, pop, they won fair and square. The Impossible family made a really convincing Fantastic Four.
    Dr. Venture: Don’t make excuses for your brother, Dean. He blew it for all of us. Henry Alan Venture! Are you hearing this? What do you have to say for yourself?
    Hank Venture: (in a low voice) I am the Bat.
    Dr. Venture: Yes, yes, you’re “The Bat”! And the Bat is the reason we didn’t win best costume, mister, again! Last year it was Dorothy, the Scarecrow, the Cowardly Lion and “The Bat”!. Oh and how about the time we were the hard rocking quartet of Gene Simmons, Paul Stanley, Ace Frehley, and the Bat?!
    Hank: The night is mine.
    Dr. Venture: Sell it somewhere else, Hank. It’s not me you should be apologizing to. Poor Brock spent a month sewing his group theme appropriate costume.
    Hank: That’s probably why he won best costume?
    Dr. Venture: What is that, Sass I hear? (sarcastically) “Oh, look everybody! Hank’s back”!
   * Jackson Publick, “Love-Bheits”, The Venture Bros., (August 20, 2006).
* Hank Venture: Wait! Dude! What about Batman? You call yourself a Batman fan? He would never kill anybody. Seriously, ask yourself- what would Batman do?
** Jackson Publick & Doc Hammer; "The Family That Slays Together, Stays Together Part 1", The Venture Bros., (August 17, 2008).

## See also

* Last words in Batman media
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