OpenLLM-France/wikimedia huggingface dataset:
# Chicago P.D./Season 7

Chicago P.D. (2014-) is a police procedural, airing on NBC, about a uniformed police patrol and the Intelligence Unit that tracks the perpetrators of the city's major street.

## No Mercy [7.10]

    Upton: He's gonna freak out when he wakes up. The man hates needles. I can't figure him out. He's the first one through the door, a war vet, and he'd rather take a bullet than take the flu shot.
    Rojas: Hailey I know how hard this must be for you.
    Upton: It's always hard when something like this happens.
    Rojas: It's hard because you love him.
    Upton: Of course I love him. He's my partner.
    Voight: Sooner or later, the son's gonna break from the father to make his own mark.
# Chicago Med/Season 4

    Seasons: 1 | 2 | 3 | 4 |5 | 6 | 7 | 8 | Main
Chicago Med (2015-) is an American medical drama television series.

## When to Let Go [4.02]

    Jay Halstead: [his Dad is hospitalized at Chicago Med] Pop tried to play hero. He forgot he was in his 60s with a bum ticker.
    Pat Halstead: Yeah, well, this is your fault to begin with.
    Jay Halstead: Me?
    Pat Halstead: Yeah. Stick me in that fire trap.
    Dr. Will Halstead: Pop, stop talking.
    Jay Halstead: You said you liked the place.
    Dr. Will Halstead: You close on the EKG?
    Nurse #1: Just about.
    Pat Halstead: What's the point of this?
    Dr. Will Halstead: Easy. Paramedics said you were complaining of chest pain. Did you forget you had a quadruple bypass a few weeks ago? Come on, stay still.
    Dr. Connor Rhodes: [enters] Hey, if it isn't my favorite patient. How you doing, Mr. Halstead?
    Pat Halstead: Fine.
    Dr. Connor Rhodes: So you felt some tightness in your chest, huh?
    Pat Halstead: It's nothing.
    Dr. Connor Rhodes: Well, you might be right. I don't see any ST elevation or depression. No left access deviation. Looks like a strong and healthy heart to me.
    Pat Halstead: Yeah, good. We done?
    Dr. Connor Rhodes: Nope, not yet. You still have a pretty nasty inhalation injury.
    Dr. Will Halstead: Can I get a CBC, CMP, and carboxyhemoglobin?
    Dr. Connor Rhodes: And add a full cardiac workup.
    Maggie Lockwood: Dr. Rhodes? Dr. Choi needs a consult.
    Dr. Connor Rhodes: Yeah. Mr. Halstead, a pleasure as always.
    Dr. Will Halstead: Thank you, Connor.
    Pat Halstead: I don't need all this.
    Jay Halstead: Calm down, you're getting yourself worked up.
    Pat Halstead: What do you know? You're no doctor.
    Will Halstead: Pop.
    Jay Halstead: Forget it.
    Pat Halstead: You had no right to sell my house.
    Jay Halstead: You want to talk about this again? It was a wreck. You couldn't take care of the place.
    Pat Halstead: You just wanted my money.
    Jay Halstead: Hey. You don't have any money, you thankless old prick! Whatever.
    Dr. Will Halstead: Jay.
# George C. Lorimer

George Claude Lorimer (1838 – 8 September 1904) was a noted reverend, and was pastor of several churches around the United States, most notably the Tremont Temple in Boston, Massachusetts.

## Quotes
### Dictionary of Burning Words of Brilliant Writers (1895)

    Quotes reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895).
* Christ's divinity accounts for His exaltation to the right hand of God, justifies the worship of angels and the confidence of mankind. It makes clear His right to the throne of the universe, and enables the mind to understand why He is exalted in providence, in grace, and in judgment. It is the unifying truth that harmonizes all other teachings of Christianity, and renders the entire system symmetrical and complete.
** P. 57.
* And yet the doing is ours, not His. He inspired it, we wrought it out. He quickened, but we brought forth. His the heart-beat, but ours the hand-stroke; His the influence, ours the effluence.
** P. 125.
* There is nothing more pitiable than a soulless, sapless, shriveled church, seeking to thrive in a worldly atmosphere, rooted in barren professions, bearing no fruit, and maintaining only the semblance of existence; such a church cannot long survive.
** P. 147.
* To deny one's self, to take up the cross, denotes something immeasurably grander than self-imposed penance or rigid conformity to a Divine statute. It is the surrender of self to an ennobling work, an absolute subordination of personal advantages and of personal pleasures for the sake of truth and the welfare of others, and a willing acceptance of every disability which their interests may entail.
** P. 169.
* Though you are weak and frail, though you are poor and helpless, God does not despise you; but would glorify your being with His own, and raise you to fellowship with Himself.
** P. 247.
* The human mind may know God, and learn of God, though it has no terms by which to explain Him; it may think of Him as Absolute, as Infinite, as Personal, while it may never in this life be able to fathom the full meaning of these sublime ideas.
** P. 267.
* Not a sorrow, not a burden, not a temptation, not a bereavement, not a disappointment, not a care, not a groan or tear, but has its antidote in God's rich and inexhaustible resources.
** P. 282.
* We are to do what Paul meant, when he said that he had committed to Christ what He was able to keep. You have treasures that you dare not leave in your own house, and so you lock them up in some safety-deposit vault. When they are thus secured, you feel little anxiety regarding them.
** P. 589.
# George Brecht

George Brecht (August 27, 1926 – December 5, 2008) was an American conceptual artist and avant-garde composer as well as a professional chemist and consultant.

## Quotes

* My work is a complex product of a personality continuous with all of nature, and one making progressively better-integrated efforts to structure experience on all levels.... My art is the result of a deeply personal, infinitely complex, and still essentially mysterious, exploration of experience. No words will ever touch it.
** George Brecht, 1957/58, cited in: George Brecht, ‎Alfred M. Fischer (2005). George Brecht: events : eine Heterospektive. p. 224
* A. No matter what you do, you're always hearing something.
    Q. You mean to say that all of the accidental environmental sounds that surround the piece become a part of the realization of the score?
    A. Yes, that's right.
    Q. In that case, even the chairs are musical?
    A. Yes. In fact, there is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical.
   * In: James Fitzsimmons, ‎Jim Fitzsimmons (1967). Art International. Vol. 11. p. 24
* The misunderstandings have seemed to come from comparing fluxus with movements or groups whose individuals ‘have had some principle in common, or an agreed-upon program. In fluxus there has never been any attempt to agree on aims or methods; individuals with something unnameable in common have simply naturally coalesced to publish and perform their work. Perhaps this common something is a feeling that the bounds of art are much wider than they have conventionally seemed, or that art and certain long-established bounds are no longer very useful. At any rate, individuals in europe, the us, and japan have discovered each other’s work and found it nourishing (or something) and have grown objects and events which are original, and often uncategorizable, in a strange new way.
** George Brecht (1963), cited in: Hannah Higgins (2002), Fluxus Experience. p. 69

## Quotes about George Brecht

* fluxus is the “event” according to george brecht:
    putting the flower vase on the piano.
    fluxus is the action of life/music: sending for a tango
    expert in order to be able to dance on stage.
    fluxus is the creation of a relationship between life and art,
    fluxus is gag, pleasure and shock,
    fluxus is an attitude towards art, towards the non-art of anti-art, towards the negation of one’s ego,
    fluxus is the major part of the education as to john cage, dadaism and zen,
    fluxus is light and has a sense of humor.
   * Ben Vautier (1979) "Text on fluxus," partly cited in: Pina, Sónia da Silva. "Fluxus: do texto à acção. A cartografia de uma a (r) titude." (2011).
# George Brown Goode

George Brown Goode (13 February 1851 – 6 September 1896) was an American ichthyologist with the United States Fish Commission, as well as a curator and administrator at the National Museum of Natural History.

## Quotes

* With the Renaissance came a period of new life for collectors. The churches of southern Europe became art galleries, and monarchs and noblemen and ecclesiastical dignitaries collected books, manuscripts, sculptures, pottery, and gems, forming the beginning of collections which have since grown into public museums. Some of these collections doubtless had their first beginnings in the midst of the dark ages, within the walls of feudal castles, or the larger monasteries, but their number was small, and they must have consisted chiefly of those objects so nearly akin to literature as especially to command the attention of bookish men.
** Museum-history and museums of history (1888)
* The exposition or exhibition and fair are primarily for the promotion of industry and commerce; the museum for the development of learning.
** The principles of museum administration (1895)

## Quotes about George Brown Goode

* It was my greatest good fortune to serve under Doctor George Brown Goode whose influence on the museums of America may be compared to that of Flower on the museums of England. Like Flower, he early recognized the educational possibilities of museums and the importance of making them interesting and attractive to the general public. One of his favorite maxims was to keep ever in mind the human interest in any exhibit, to show just where and how it touched man directly. And under his direction, the U. S. National Museum, and the various exhibitions in which it took part, exerted a great influence on the museums of the country and particularly on those that came into existence after 1880.
** Frederic Augustus Lucas: Fifty years of museum work. Autobiography, unpublished papers, and bibliography of Frederic A. Lucas, Sc.D.. American Museum of Natural History. 1933. p. 16.
# George C. Wolfe

George Costello Wolfe (born September 23, 1954) is an American playwright and director of theater and film.

## Quotes

* Smashing things together. Because, culturally, that’s America at its most interesting. It’s things connected, awkwardly, that produce the brilliance. It’s not absoluteness that produces the brilliance; it’s when things that don’t belong together collide, and in that collision, something springs forth, and that becomes extraordinarily fascinating to me.
** On how he explores the revue as a playwriting form in “GEORGE C. WOLFE” in Interview Magazine (2016 May 9)
* Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…
** On a dramatic work having its own energy in “GEORGE C. WOLFE” in Interview Magazine (2016 May 9)
* I think it’s that a musical must maintain buoyance. Most musicals are informed by very rigid archetypes. If you get a very sophisticated mind writing them, you sense something else, but it’s a folk-art form, really, at its best…
** On what’s needed to make a musical successful in “GEORGE C. WOLFE” in Interview Magazine (2016 May 9)
* There are fundamentally two schools: You stand where you are and demand that actors come to you, or you go to where they are. It’s not just with actors, it’s designers, too. You go to where they are and you try to cajole, woo, seduce, engage, empower them to go on the journey that you think they should. I generally employ [those methods], because I really believe that if you force an actor to do something, there’s a piece of them you never get back…
** On his philosophy regarding directing in “Stage Directions: George C. Wolfe Aims to Achieve Wonder Onstage” in Playbill (2018 May 21)
# George Borrow

George Henry Borrow (July 5 1803 – July 26 1881) was an eccentric English travel-writer, novelist, memoirist and translator, known especially for his sympathetic portrayal of his friends among the Romany people.

## Quotes

* The author of Amelia, the most singular genius which their island ever produced, whose works it has long been the fashion to abuse in public and to read in secret.
** The Bible in Spain (1843), ch. 1.
* There is a peculiarity in the countenance, as everybody knows, which, though it cannot be described, is sure to betray the Englishman.
** The Bible in Spain, ch. 2.
* Sherry...a silly, sickly compound, the use of which will transform a nation, however bold and warlike by nature, into a race of sketchers, scribblers, and punsters, in fact into what Englishmen are at the present day.
** Wild Wales (1862), ch. 38.

### Lavengro (1851)

* There are no countries in the world less known by the British than these selfsame British Islands, or where more strange things are every day occurring.
** Preface
* Smoking has a sedative effect upon the nerves, and enables a man to bear the sorrows of this life (of which every one has his share) not only decently, but dignifiedly.
** Ch. 23
* If you must commit suicide – and there is no knowing to what people may be brought – always contrive to do it as decorously as possible; the decencies, whether of life or of death, should never be lost sight of.
** Ch. 23
* I have always been a friend to hero-worship; it is the only rational one, and has always been in use amongst civilized people.
** Ch. 23
* Translation is at best an echo.
** Ch. 25
* There's night and day, brother, both sweet things; sun, moon, and stars, brother, all sweet things; there's likewise a wind on the heath. Life is very sweet, brother; who would wish to die?
** Ch. 25
* There's the wind on the heath, brother; if I could only feel that, I would gladly live for ever.
** Ch. 25
* He is not deserving of the name of Englishman who speaketh against ale, that is, good ale.
** Ch. 68
* I often think I should like to have another rally—one more rally, and then—but there’s a time for all things—youth will be served, every dog has his day, and mine has been a fine one—let me be content.
** Ch. 92

### The Romany Rye (1857)

* Fear God, and take your own part.
** The Romany Rye, chap. 16

### Wild Wales (1862)

* I never saw such a place for merched anllad [wanton women] as Northampton.
** Wild Wales, chap. 34
* 'Scotland! a queer country that, your honour!' 'So it is,' said I; 'a queerer country I never saw in all my life.' 'And a queer set of people, your honour,' 'So they are,' said I; 'a queerer set of people than the Scotch you would scarcely seen in a summer's day.'
** Wild Wales, chap. 83
# George Bush

George Bush can refer to two people who have been Presidents of the United States:
* George W. Bush - George Walker Bush, 43rd President of the United States (2001–2009)
* George H. W. Bush - George Herbert Walker Bush, 41st President of the United States (1989–1993)
This disambiguation page, one that points to other pages that might otherwise have the same name, lists articles associated with the name George Bush. If an internal link led you here, you may wish to change the link to point directly to the intended article.
# George Burns

George Burns (20 January 1896 – 9 March 1996), born Nathan Birnbaum, was an American comedian, actor and comedic partner and husband of Gracie Allen.

## Quotes

* When I was young I was called a rugged individualist. When I was in my fifties I was considered eccentric. Here I am doing and saying the same things I did then and I'm labeled senile.
** Just You and Me Kid (1979)
* I've had worried parents come up to me and ask me for advice. They'll say "I don't know what to do. My teenage son won't cut his hair, he drives too fast, and I don't know what that stuff is he listens to, but it sure isn't music." I'll just say to them "I wouldn't lose any sleep over it. By the time he's my age, I don't think you'll need to worry about him anymore."
** Living It Up: Or, They Still Love Me in Altoona! (1976)
* Too bad that all the people who know how to run the country are busy driving taxicabs and cutting hair.
** Life magazine (December 1979)
* If I paid $3 or $4 for a cigar, first I'd sleep with it.
** Undated clip played on CNN Larry King Live (4 July 2003)
* At my age, all my friends, doctors, and attorneys are dead. The good thing about this is that there's no one left who can refute my stories.
* Happiness is having a loving, close knit family in another city.
** As quoted in The Mammoth Book of Zingers, Quips, and One-Liners (2004) by Geoff Tibballs, p. 251

## External links

* George Burns at IMDb
* Brief bio
# Detention (TV series)

Detention is an American animated television series about a group of rebellious preteens from Benedict Arnold Middle School who continually find themselves in detention.

## Shareena Wickett

* Not yet I have to rush over to the box office if we ever get out of here.
* I wont deny that I was born to sing Emmitt.
* I can not believe what I'm hearing.
* Hey Annie, did you get a ticket to the annual festival of sugary sweets yet?
* Today's the big day, Ms. Kisskillya, it's the annual festival of sugary sweets!

### Comedy of Terrors

    Shelly Kelly: (Playing Ophelia) Hamlet hath, my lord, of late made many tenders of his affection to me.
    Jim Kim: (Playing Polonius) Affection! Pooh, you speak like a Green Lantern.
    Mr. Fletcher: The line is "you speak like a green girl." Not a Green Lantern. Hamlet is a tragic hero. Not a superhero!

## Voice Cast

* Tara Strong as Shareena Wickett
* Billy West as Emmitt Roswell and Mr. Wickett
* Pamelyn Ferdin as Shelley Kelley
* Roseanne Barr as Annabelle Peterson
* Cuba Gooding, Jr. as James Peterson
* John Kassir as Jim Kim
* Tia Mowry as Lemonjella LaBelle
* Tamera Mowry as Orangejella LaBelle
* Carlos Alazraqui as Gug
* Mary Gross as Patsy Wickett
* Kathleen Freeman as Eugenia P. Kisskillya
* Bob Doucette as Mr. Fletcher/Miss Treacle/Duncan Bubble (Electronic voice)
# Detlef Dürr

Detlef Dürr (born March 4, 1951) is a German physicist.

## Quotes

* It is widely believed that in our quantum world physical facts about occurrences in space time must be grounded in the wave function. There are several long recognized and much discussed difficulties with this view.
** Daniel Bedingham, Detlef Dürr, GianCarlo Ghirardi, Sheldon Goldstein, Roderich Tumulka, Nino Zanghì, "Matter Density and Relativistic Models of Wave Function Collapse", J Stat Phys (2014) 154:623–631
# Detroit Pistons

The Detroit Pistons are an American professional basketball team based in Detroit. The Pistons compete in the National Basketball Association (NBA) as a member of the Central Division of the Eastern Conference. The team plays its home games at Little Caesars Arena, located in Midtown Detroit. Founded in Fort Wayne, Indiana as a semi-professional company basketball team called the Fort Wayne Zollner Pistons in 1937, they would turn pro in 1941 as a member of the National Basketball League (NBL), where they won two NBL championships: in 1944 and 1945. The Pistons later joined the Basketball Association of America (BAA) in 1948. The NBL and BAA merged to become the NBA in 1949, and the Pistons became part of the merged league. In 1957, the franchise moved to Detroit. The Pistons have won three NBA championships: in 1989, 1990 and 2004.

## Quotes

* [A]nd when I'm in Detroit, I be balling like a Piston.
** Brisco, "La La", Tha Carter III (2008)
* Way I'm dripping, bitch, I'm balling like the Pistons.
** Lil Uzi Vert, "Blade" (2019)

## External links

* Encyclopedic article on Detroit Pistons on Wikipedia
# Bug (1975 film)

Bug is a 1975 film that initially depicts a new insect species, which faces extinction. A widowed scientist crossbreeds the species with cockroaches, creating a sentient hybrid species of insects.
    Directed by Jeannot Szwarc and written by William Castle and Thomas Page.

## Professor James Parmiter

* You'll live. I'll make you live.
* September the 12th at 2 A.M. I've just placed a large male hustle roach into the tank to determine if copulation with the fire bug is possible. And I've simulated the atmosphere in which both insects should be able to function.
* September 16th, 4 A.M. The male is dead from the pressure, but the mating was successful. I'm about to depressurize to transfer the egg case. The fire bug... I'll keep it alive just as long as necessary.
* She wouldn't let me anywhere near it. That fire bug is protecting the egg case even though she's under terrific atmospheric pressure. It's incredible. You can almost feel her pain. Never mind. The egg should incubate at sea level pressure.
* September 18th, 10:20 A.M. The egg case has tripled in size in just 24 hours. I wonder... I wonder what kind of creatures this new generation will be. I've already decided to name them Parmiterra Hephaestus. Hephaestus for the Greek god of fire, Parmiterra for me.
* They've become adults in five hours, and they're a combination of both parents and are like either one. Elongated, brownish in color, with two tightened clone-like projections on their head. And spotted segments on the back.
* The Parmiters will eat only raw meat, any kind. I'm not gonna have enough here to satisfy their appetites. I'm gonna have to get some more, but the astonishing fact is that they will only eat as a combined single unit.
* The Parmiters are sensing the more powerful. They seem to know they'll live only as long as I allow them to.
* Today, I noticed that the females are at last carrying egg cases. They continue to listen to me, even to my voice on the tapes when I play them back. Now I know it's an irrational thought, but they even seem to watch me. And certainly lately, they've taken to forming different sorts of patterns.
* I've gone too far. The case is... They must be destroyed. It's cracked. I gotta have it fixed. I'm gonna fix it. I gotta get it all fixed.

## Cast

* Bradford Dillman as Professor James Parmiter
* Joanna Miles as Carrie Parmiter
* Richard Gilliland as Gerald Metbaum
* Jamie Smith-Jackson as Norma Tacker
* Alan Fudge as Professor Mark Ross
* Jesse Vint as Tom Tacker
* Patty McCormack as Sylvia Ross
* Brendan Dillon as Charlie
* Frederic Downs as Henry Tacker
* James Greene as Reverend Kern
* Jim Poyner as Kenny Tacker

## External links

* Bug quotes at the Internet Movie Database
* Bug at Rotten Tomatoes
* Bug at Allmovie
# Bufu

Bufu was a Japanese haiku poet who died on the twenty-fourth day of the seventh month, 1792.

## Quotes

* Ā mama yo izuku e chiro to aki no kumo.
** Oh, I don't care where autumn clouds are drifting to.
** Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

## External links

* Yoel Hoffmann (1986) (in en). Japanese Death Poems. Rutland: Tuttle Publishing. Wikidata Q116482757. ISBN 0-8048-1505-4. OCLC 1335736500.