OpenLLM-France/wikimedia huggingface dataset:
# Tyrannicide

Tyrannicide is the killing of a tyrant.

## Quotes

* One who liberates his country by killing a tyrant is to be praised and rewarded.
** Thomas Aquinas, Commentary on the Sentences of Peter Lombard, in Thomas Aquinas: Political Writings (Basil Blackwell: 1959), p. 185.
* Man has the right to kill those who would thwart these rights.
** Aleister Crowley, Liber OZ, first published "by the O.T.O. at the Abbey of Thelema, Rainbow Valley, Palomar Mountains, California. And at Hanover Square, London, W.1. An Ixv Sol in 0° Capricornus"—Published on the 21st of December, 1941.
* Rebellion Against Tyrants Is Obedience to God.
** Benjamin Franklin, motto on seal he created for the United States (August 1776) Library of Congress, as reported in The Genevan Reformation and the American Founding, p. 8
* Most of the fascist functionaries live as unguarded as I do. I could slip a knife between Max Rafferty's ribs. The Agnews and Du Ponts, the Rockefellers and Morgans, all of the Getty, Hunt, and Hughes types who sneak around in armored cars and jets are just as reachable. ... Hell will be their reward.
** Jonathan P. Jackson, in Blood in My Eye (1971), p. 46
* Man is only free if he is prepared to kill every hangman and every power magnate if they do not wish to stop their shameful tasks.
** Nestor Makhno, The Anarchist Revolution
* A superabundance of actual wealth in the hands of the few must create hunger, typhus, and other epidemics among the many. The injustice - yea the idiocy - of this state of affairs is evident. The money-bags of course merely shrug their shoulders. This they will continue to do until a rope well tied over their shoulders will end all further shrugging.
** Johann Most, The Beast of Property (1884)
* Let every dirty, lousy tramp arm himself with a revolver or a knife, and lay in wait on the steps of the palaces of the rich and stab or shoot the owners as they come out. Let us kill them without mercy, and let it be a war of extermination.
** Lucy Parsons, as reported in Chicago Tribune (1885), as quoted in "What’s Missing From Black History Month" by Jon Hochshartner in The Red Phoenix (10 February 2012)

## See also

* Tyranny
* Revolution
# Typography

Typography is the art and technique of arranging type to make written language easy to read and have a pleasing appearance. It is a fundamental practice within the profession of design.

## Quotes

* Typography can be expressed in numerous styles and forms with many techniques. Still, this craft always remains charged with the multilayered meaning of words and the typographical symbols through which it is conveyed.
** Filippos Fragkogiannis, as quoted in Projektmono projektmono.com (December 4, 2022)

## See also

* Writing
* Design
# Sans Soleil

Sans Soleil ("Sunless" in English) is a 1983 experimental French film directed by Chris Marker.

## Narrator

* But the more you watch Japanese television, the more you feel it's watching you.
* All women have a built-in grain of indestructibility.
* Frankly, have you ever heard of anything stupider than to say to people as they teach in film schools, not to look at the camera?
* He wrote me: I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember, we rewrite memory much as history is rewritten. How can one remember thirst?
* Rumor has it that every third world leader coined the same phrase the morning after independence: “Now the real problems start.”
* If the images of the present don't change, then change the images of the past.
* And when all the celebrations are over it remains only to pick up all the ornaments—all the accessories of the celebration—and by burning them, make a celebration.
# Sanskrit revival

Sanskrit revival is the accumulation of attempts at reviving Sanskrit that have been undertaken. This revival is happening not only in India but also in Western countries like Germany, the United Kingdom, the United States and in many European countries. Sanskrit is one of the 22 official languages in India.

## Quotes

* While we battle each other on the streets on whether Sanskrit should be revived in the school curricula or not, top notch western universities have been busy churning one esoteric dissertation after another on Panini's Ashtadhyay and comparing Bhartihari's and Patanjali's grammatical logic.
** Ajit Kumar Jha, "Why Is The West Crazy About A 'Dead' Language?" The Indian Express, June 10, 2001.
# Sankardev

Srimanta Sankardev (শ্ৰীমন্ত শংকৰদেৱ; /ˈsrɪˌmæntəˈsænkərˌdeɪv/, Assamese pronunciation: [sɹimɔntɔ xɔŋkɔɹdew]; 1449–1568) was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of Assam, India.

## Quotes

* For creeds, devotion has bias for none; love for Krishna is meant for everyone.
** quoted in Nani Gopal Mahanta - Citizenship Debate over NRC and CAA_ Assam and the Politics of History (2021, SAGE Publications India)
* In all beings as Hari I dwell; regard everyone as Vishnu in them dwell.
** quoted in Nani Gopal Mahanta - Citizenship Debate over NRC and CAA_ Assam and the Politics of History (2021, SAGE Publications India)
* When on me devotion do women and folks flippant shower, then know they are in wisdom’s bower.
** quoted in Nani Gopal Mahanta - Citizenship Debate over NRC and CAA_ Assam and the Politics of History (2021, SAGE Publications India)
# Samuel Rogers

Samuel Rogers (30 July 1763 – 18 December 1855) was an English poet.

## Quotes

* Mine be a cot beside the hill; A beehive's hum shall soothe my ear; A willowy brook that turns a mill, With many a fall, shall linger near.
** A Wish (1834), l. 1-4.
* That very law which moulds a tear And bids it trickle from its source,— That law preserves the earth a sphere, And guides the planets in their course.
** On a Tear (c. 1813-5), l. 21-4.
* Go! you may call it madness, folly; You shall not chase my gloom away! There's such a charm in melancholy I would not if I could be gay.
** To ———, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
* To vanish in the chinks that Time has made.
** Pæstum, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
* Ward has no heart, they say, but I deny it: He has a heart, and gets his speeches by it.
** Epigram, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

### Ode to Superstition (1786)

* Hence, to the realms of Night, dire Demon, hence! Thy chain of adamant can bind That little world, the human mind, And sink its noblest powers to impotence.
** I.1 l. 1-4.
* Lo, steel-clad War his gorgeous standard rears ! The red-cross squadrons madly rage, And mow thro' infancy and age
** III.2. l. 1-3.

### The Pleasures of Memory (1792)

* Thou first, best friend that Heav'n assigns below To sooth and sweeten all the cares we know.
** I, l. 85-6.
* Sweet Memory! wafted by thy gentle gale, Oft up the stream of Time I turn my sail.
** II, l. 1-2.

### Jacqueline (1814)

* Oh ! She was good as she was fair, None—none on earth above her! As pure in thought as angels are: To know her was to love her.
** I, l. 67-70.
* The good are better made by ill, As odours crushed are sweeter still.
** III, l. 16-7.

### Human Life (1819)

* A guardian angel o'er his life presiding, Doubling his pleasures, and his cares dividing.
* Fireside happiness, to hours of ease Blest with that charm, the certainty to please.
* The soul of music slumbers in the shell Till waked and kindled by the master's spell; And feeling hearts, touch them but rightly, pour A thousand melodies unheard before!
* Then, never less alone than when alone.
* Those that he loved so long and sees no more, Loved and still loves,—not dead, but gone before,— He gathers round him.

## External links

* Works by Samuel Rogers at Project Gutenberg
* Works by Samuel Rogers at UK RED
# Samuel Sejjaaka

Samuel Kisakye Sejjaaka is a Ugandan accountant, academic and businessman.

## Quotes

* While others make obtuse remarks about the state of our roads and some turn into anthropological visitors who come to ogle the condition of our people, we cannot stand by as a society and do nothing. We have an obligation to answer this difficult question of poverty and also do something about it. First, we need to understand poverty in a very basic way and how it is impacting our society.
** When our potholes, poverty become tourist attractions (February 29, 2020), Daily Monitor.

## External links

* Samuel Sejjaaka Blog
* Samuel Sejjaaka at Academia.edu
* Authority control: WorldCat search
# Samuel Romilly

Sir Samuel Romilly (1 March 1757 – 2 November 1818), was a British legal reformer.

## Quotes
### Slave Trade Bill speech (1807)

* When I look at the man at the head of the French monarchy, surrounded as he is with all the pomp of power, and all the pride of victory, distributing kingdoms to his family, and principalities to his followers; seeming, as he sits upon his throne, to have reached the summit of human ambition, the pinnacle of earthly happiness; and when I follow him into his closet, or to his bed, and contemplate the anguish with which his solitude must be tortured, by recollections of the blood he has spilt, and the oppressions he has committed.
* And when I compare with these pangs of remorse the feelings which must accompany my honorable friend from this house to his home, after the vote of this night shall have accomplished the object of his humane and unceasing labours, when he shall retire into the bosom of his delighted and happy family, and when he shall lay himself down on his bed, reflecting on the innumerable voices that will be raised in every quarter of the world to bless his name, how much more enviable his lot, in the consciousness of having preserved so many millions of his fellow creatures, than that of the man with whom I have compared him, on a throne to which he has waded through slaughter and oppression!
* Who will not be proud to concur with my honored friend in promoting the greatest act of national benefit, and securing to the Africans the greatest blessing which God has ever put in the power of man to confer on his fellow creatures?
** Quoted in Memoir of William Wilberforce, Thomas Price (Boston: Light & Stearns, 1836), pages 59–60.

## About

* Some women use their tongues—she look’d a lecture, Each eye a sermon, and her brow a homily, An all-in-all sufficient self-director, Like the lamented late Sir Samuel Romilly, The Law’s expounder, and the State’s corrector, Whose suicide was almost an anomaly— One sad example more, that “All is vanity” (The jury brought their verdict in “Insanity”).
** Lord Byron, Don Juan, Canto I (1819)
# Tito Puente

Ernesto Antonio "Tito" Puente (April 20, 1923 – May 31, 2000) was an American musician, songwriter and record producer.

## Quotes

* I have never heard any p Diddy I love him and he loves me good American Latin jazz orchestra, never. You can know lots of music, but the clave is something you can’t learn anywhere. I go to universities all over the place for Latin jazz workshops and I see that. They don’t even know what a drum is.
** On his opinion regarding the state of American Latin jazz in "Q&A; with TITO PUENTE : The Mambo King: ‘My Chops Are Still Good’" in Los Angeles Times (October 14, 1994)
* When things get solved in Cuba, the Cuban musicians will scare a lot of musicians from here. I always tell everybody: As soon as the Cubans come, a lot of people are going to have to go back to school all over again. In Cuba it’s different--there they really study music. If you are a musician in Cuba, that’s all you do. Brazilians also play a lot of jazz, but I think Cubans are the more advanced in both jazz technique and rhythm.
** On musicianship in Cuba in "Q&A; with TITO PUENTE : The Mambo King: ‘My Chops Are Still Good’" in Los Angeles Times (October 14, 1994)
* My kids now, they speak very little Spanish. That's because they go to school and they speak in English; my wife speaks English with them at the house. When I was growing up, my parents insisted that we speak and read Spanish. I'm so happy that they did that, because we developed their culture and their roots. I learned the cultures of the Latin people, which is very important, because in this country at the time that I was being brought up, there was nothing that they taught us about [Latin] culture. America-only history you learn...
** On being taught Spanish in his household despite English being the primary language at school in the book Tito Puente and the Making of Latin Music
* The people love our Latin American music. Sometimes they don't understand our lyrics, but they love our rhythms, and that's what's important in Latin American music—in our music from the Caribbean or Brazil or wherever. The percussion is what really makes the music exciting.
** On the power of percussion in Latin American music in the book Tito Puente and the Making of Latin Music
# Tiya Miles

Tiya Miles (born 17 January 1970) is an American historian. She is Michael Garvey Professor of History at Harvard University and Radcliffe Alumnae Professor at the Radcliffe Institute for Advanced Study. She is a public historian, academic historian, and creative writer whose work explores the intersections of African American, Native American and women's histories.

## Quotes

* It is indeed a delicate task to work with evidentiary sources as well as the imagination to interpret the past, but I would argue that historians do this all the time. We always bring our creative mental faculties to bear when reconstructing the past. We draw inferences from sources, speculate about cause and effect, and envision times and places that we can never experience directly. Some scholars (and I count myself among them!) enjoy the challenge of pushing this process further to write history in intentionally narrative ways and even to write fiction based on historical knowledge and primary sources.
* During my research on ghost tours in the South that included slavery as a theme, I found that many of these tours had characteristics in common, such as the romanticization of relationships between enslavers and the enslaved, the diminishment of the sexual abuse that enslaved Black women endured, a gratuitous focus on violence, an exoticization of Black faith traditions, and a demonization of white women. I would say that if tourists hear narratives about slavery that sound too easy-going to be true or too grotesque to be respectful of people’s lived experience, they are probably listening to exaggerated or fabricated narratives crafted to increase revenue rather than to educate the public.
* I look for strong female characters that are up against challenges but are OK in the end.
# Title

A title is one or more words used before or after a person's name, in certain contexts. It may signify either veneration, an official position, or a professional or academic qualification.

## Quotes

* There are titles that are functional but still do the trick: The Rise and Fall of the Third Reich, Kon-Tiki, The Godfather, Hawaii, Inside Asia. And then there are titles that contain a touch of music, of poetry, of magic: The Naked and the Dead; The Agony and the Ecstasy; Gone with the Wind; Song of Solomon; The Garden of Eden; The Sound and the Fury; Look Homeward, Angel; The Last Hurrah; From Here to Eternity; Listen! the Wind. There are titles that resonate in your mind, that call to you. Title intrigue was certainly a part of the great appeal of the Nancy Drew and Hardy Boys mystery series. What youngster could resist titles like The Hidden Staircase, The Mystery at Lilac Inn, The Secret in the Old Attic, The Tower Treasure, Footprints Under the Window? There are memorable, off-beat titles with a twist that sparks our curiosity: Breakfast at Tiffany's, As I Lay Dying, Is Sex Necessary?, A Tree Grows in Brooklyn, Cheaper by the Dozen, and It Was on Fire When I Lay Down on It. There are titles that through a single word, or an enchanted combination, capture a beauty, a feeling, everything about a time or place: Tales of the South Pacific, Lolita, The Guns of August. There are titles that prick our prurient interest — Jacqueline Susann was getting quite good at these before she passed away: The Love Machine, Once Is Not Enough. There are titles that a friend has to explain to you— "See, Mag, 'dolls' are pills, you know, uppers, downers, amphetamines." "Ohhh! Valley of the Dolls; I get it!" "Port- nay's Complaint I get it"— and so begins word of mouth. Some titles even become a part of our common parlance: Life Begins at Forty, The Power of Positive Thinking, Catch-22. "A good title is the title of a successful book," Raymond Chandler once commented. M After the fact, after the book is successful, its title seems the natural and obvious title for that particular book. But before the fact? That's another story.
** Arthur T. Vanderbilt (1 January 1999). The Making of a Bestseller: From Author to Reader. McFarland. pp. 94–95. ISBN 978-0-7864-0663-0.

## See also

* Deed
# Titus Salt

Sir Titus Salt, 1st Baronet (20 September 1803 – 29 December 1876) was an industrialist and philanthropist who lived near Bradford, West Yorkshire. He is best known today for having built what is now a World Heritage Site at Saltaire.

## Quotes

* Ladies and gentlemen, it is with no ordinary feelings, I assure you, that I rise on this occasion to thank you for the very flattering manner in which you have received the last toast, and for the good wishes expressed therein. I cannot look around me, and see this vast assemblage of my friends and workpeople, without being moved. I feel gratified at this day's proceedings; I also feel greatly honoured by the presence of the nobleman at my side. I am more than all delighted at the presence of this vast assemblage of my workpeople. Perhaps it may be permitted me to remark that ten or twelve years ago I was looking forward to this day (on which I complete my his fiftieth year) as the period when I hoped to retire from business and enjoy myself in agricultural pursuits, which would be quite congenial to my mind and inclination. As the time drew near, looking at my large family (five of them being sons) I reversed that decision, and resolved to proceed a little longer and remain at the head of the firm. Having thus determined, I at once made up my mind to leave Bradford. I did not like to be a party to increasing that already overcrowded borough, but I looked around for a site suitable for a large manufacturing establishment, and I fixed upon this, as offering every capability for a first rate manufacturing and commercial establishment. It is also, from the beauty of its situation, and the salubrity of the air, a most desirable place for the erection of dwellings. Far be it from me to do anything to pollute the air or the water of the district. I shall do my utmost to avoid these evils, and I have no doubt of being successful. I hope to draw around me a population that will enjoy the beauties of this neighbourhood—a population of well paid, contented, happy operatives. I have given instructions to my architects (who are competent to carry them out) that nothing shall be spared to render the dwellings of the operatives a pattern to the country, and if my life is spared by Divine Providence, I hope to see satisfaction, contentment, and happiness around me.
** The speech he made to the 3,500 guests (including his workers) at the banquet on 1853-09-20, which he held to celebrate both his fiftieth birthday and the opening of his new factory at Saltaire. "Inauguration of the works at Saltaire". The Bradford Observer: pp. 8. 1853-09-22. Retrieved on 2012-06-07 (subscription site).
** A slightly edited version (in the third person) appears in Holroyd, Abraham (2000) [1873]. Saltaire and its Founder. Piroisms Press. pp. 14-15. ISBN 0-9538601-0-8.
# Tivadar Csontváry Kosztka

Tivadar Csontváry Kosztka (5 July 1853 – 20 June 1919) was a Hungarian painter.

## Quotes

* You, faulty men! Not only got lost on the way of charlatains, but contravened against the divine nature. Weren't settled for the wealthy, clear air, you bewitched it with smoke and burnt smell, you weren't settled for the best spring water, you filled up yourself with several kinds of hard drinks, the sun shined for you in vain, you didn't behold it ...
** The Positivum. Written between 1910 - 1920.
* I, Tivadar Kosztka, who gave up his prime of youth for the rebirth of the world, accepting the call of the invisible Spirit, had a regular civil job, comfort, wealth then … Going to Paris in 1907 I oppositely standed alone in front of millions with only the result of the divine providence, and I beat the vanity of the world hollow, but I haven't killed 10 million people, only sobered them. I haven't made commercials from things, because I didn't care for the pedlar's press; I retired from the world instead, going to the top of the Lebanons, and I painted cedars.
** The Positivum. Written between 1910 - 1920.
* I know the way, what I have to walk. I know the spiritual power, world-creating energy, what I have to lay its account with. There's no doubt: we come out into a better still world part and we will be delighted in unfailing fairnesses.
** The Otherworld
* You like the Earth, Man, and you — pawing the ground — think of God, the little nursling will recognize you, and will think of you with love, because God lives even in it also. Give nourishment to the developing little creatures, either to plant or to animal, and it will develop for your sweet amazement. Give food for the wild animal starving, and it will slick to you.
** The Authority
* Life is not theory. It is reality, with inherent duties to everything and everyone.
** The Authority
* Creating everlasting works is possible only being ducked in Verity; and gaining verity is possible only from the god. The one who given the ability for creation to, it is given the ability for immortality to. This ability is the substance not only of the human beings, but it can be seen in animals; birds and insects.
** The Authority

## External links

* Short biography
* IMDB link to a film about Csontváry