# John Irving

John Winslow Irving (born 2 March 1942) is an American novelist and Academy Award-winning screenwriter (for The Cider House Rules, based on his novel of the same name).

## Quotes

* He wrote Helen that "a part of adolescence is feeling that there's no one else around you who's enough like yourself to understand you."
** The World According to Garp (1978), ch. 5
* Imagining something is better than remembering something.
** The World According to Garp (1978)
* Imagination, he realized, came harder than memory.
** The World According to Garp, ch. 5
* In the world according to Garp, we are all terminal cases.
** The World According to Garp, ch. 19
* To each other, we were as normal and nice as the smell of bread, we were just a family. In a family even exaggerations make perfect sense.
** The Hotel New Hampshire (1981), ch. 6
* You’ve got to get obsessed and stay obsessed.
** The Hotel New Hampshire, ch. 11
* Never confuse faith, or belief — of any kind — with something even remotely intellectual.
** A Prayer for Owen Meany (1989), ch. 9
* Your memory is a monster; you forget — it doesn’t. It simply files things away. It keeps things for you, or hides things from you—and summons them to your recall with a will of its own. You think you have a memory; but it has you!
** A Prayer for Owen Meany (1989)
* Watch out for people who call themselves religious; make sure you know what they mean—make sure they know what they mean!
** A Prayer for Owen Meany (1989)
* The kind of people claiming to be in communication with God today … they are enough to drive a real Christian crazy!
** A Prayer for Owen Meany (1989)
* But we are not known for our ability to follow through on our unearned discoveries. We are top-of-the-water adventurers, who limit our opinions of the icebergs to what we can see.
** Trying to Save Piggy Sneed (1996)
* You can't learn everything you need to know legally.
** A Widow for One Year (1998), part II, ch. 7
* Life forces enough final decisions on us. We should have the sense to avoid as many of the unnecessary ones as we can.
** Until I Find You (2005), ch. 25, p. 493
* I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.
** On his process for writing novels, A modern novelist of Dickensian tradition. Spotlight. Russia Today (January 24, 2009).
* A reader told me recently, in London, said that 'well, I read that you write the last sentence first, so I always read your last sentence first.' And I said, 'oh, no, you're not supposed to do that.'
** A modern novelist of Dickensian tradition. Spotlight. Russia Today (January 24, 2009).
* Ted Seabrooke, my wrestling coach, had a kind of Nietzschean effect on me in terms of not just his estimation of my limited abilities, but his decidedly philosophical stance about how to conduct your life, what you should do to compensate for your limitations. This was essential to me, both as a student—and not a good one—and as a wrestler who was not a natural athlete but who had found something he loved.
** "John Irving Interviewed by Suzanne Herel." Mother Jones magazine, May/June 1997.
* This is Marxism. It's leveling everything by decimating what works ... It's that vindictive 'We've suffered, and now we're going to take money from your kid and watch you squirm'... There's a minority which is an open target in this country which no one protects, and that's rich people.
** In reference to Vermont's Act 60), News. Salon (July 1, 1998).
* I write repeatedly—against my will—of those things I fear most happening. Losing a loved one, losing a parent, losing a child. I'm in terror of losing a child. It's never happened to me, but I am clearly compelled to write about it over and over again, and in a way I think, psychologically at least, this says more about me autobiographically as a novelist than the fact that Danny Angel goes to the Iowa Writers Workshop and has Kurt Vonnegut as a teacher, which I also did.
** The Best of The Sunday Edition. CBC (October 25, 2009). Retrieved on November 5, 2009.

### Interview in Writers at Work: The Paris Review Interviews (1988)

    Eighth Series, ed. George Plimpton, Penguin, 1988, ISBN 0-140-10761-4
* Sigmund Freud was a novelist with a scientific background. He just didn’t know he was a novelist. All those damn psychiatrists after him, they didn’t know he was a novelist either.
* Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.

## Quotes about

* There is no more conspicuous evidence of postsixties confusion than the enormous success, both critical and popular (over 2,500,000 paperback copies in print), of The World According to Garp. Though Garp has its virtues as a novel, I think it owes its status as a phenomenon to its point of view: John Irving attempts to square an emancipated, profeminist stance with a profoundly conservative defense of the family, and because he is such a good storyteller he almost pulls it off.
** Ellen Willis Postscript: The Backlash According to Irving 1979 in Beginning to See the Light: Pieces of a Decade (1981)

## External links

* Official website
* Literary Encyclopedia
* John Irving on IMDb
* The New York Times — Featured Author: John Irving
* John Irving interviewed by Jonathan Derbyshire in New Statesman about his book Last Night in Twisted River
* "John Irving, The Art of Fiction No. 93" by Ron Hansen in The Paris Review (Summer–Fall 1986)