OpenLLM-France/wikimedia huggingface dataset:
# Sportsmanship

Sportsmanship is an aspiration or ethos that a sport or activity will be enjoyed for its own sake, with proper consideration for fairness, ethics, respect, and a sense of fellowship with one's competitors. A "sore loser" refers to one who does not take defeat well, whereas a "good sport" means being a "good winner" as well as being a "good loser".

## Quotes

* There is a difference between spontaneous and/or good-natured displays of enthusiasm and calculated displays of obnoxious self-indulgence. That train has already gone so far down the wrong track, there’s probably no turning back. So our suggestion here is a more modest one. Hey, knuckleheads, is it too much to ask that you confine your buffoonery to situations that don’t directly damage your team? Week after week, game after game, we see guys who think nothing of incurring penalties for unsportsmanlike conduct, costing their team’s valuable yardage, even late in close games.”
** Bob Costas, as quoted by Michael Klopman in "Bob Costas’ Rant On NFL Touchdown Celebrations: Stevie Johnson’s Plaxico Stunt Inspires Monologue (VIDEO)", Huffington Post, (11/28/2011).
* To keep shooting at a folly after it is dead is unsportsmanlike.
** Samuel McChord Crothers, The Gentle Reader (1903) p. 272
* Players, goalkeepers and non-playing Club personnel are responsible for their conduct at all times and must endeavor to prevent disorderly conduct before, during or after the game, on or off the ice and any place in the rink. The Referees may assess penalties to any of the above team personnel for failure to do so.
** Rule 75 of the National Hockey League Rule Book, as quoted in "Official Rules. Rule 75 - Unsportsmanlike Conduct". Nhl.com. (Retrieved 2016-01-24).

## See also

* Sports
* Honor
* Respect
# Spread of Christianity

Christianity began as a Second Temple Judaic sect in the 1st century in the Roman province of Judea, from where it spread throughout and beyond the Roman Empire.

## Quotes

* Christianity spreads in two ways: through conversion and through secularisation.
** S. N. Balagangadhara, in Bloch, Keppens and Hegde, p. 144. quoted from Tom Holland - Dominion_ The Making of the Western Mind-Little, Brown (2019)
** Bloch, Esther, Marianne Keppens and Rajaram Hegde (eds): Rethinking Religion in India: The Colonial Construction of Hinduism (London, 2010)
# Spoonerisms

A spoonerism is a play on words in which corresponding consonants, vowels, or morphemes are switched, named after the Reverend William Archibald Spooner, Warden of New College, Oxford, who was notoriously prone to this tendency. Many "spoonerisms" attributed to Spooner are believed to have actually been made up by Oxford students.

## Quotes

* Let us drink to the queer old Dean.
** As quoted in Robertson, Connie (1998). Book of Humorous Quotations. Wordsworth Editions. p. 186. ISBN 978-1-85326-759-8.
*** A play on "dear old Queen".
* You have deliberately tasted two worms and you can leave Oxford by the town drain.
* [Alternatively] Sir, you have tasted two whole worms; you have hissed all my mystery lectures and been caught fighting a liar in the quad; you will leave Oxford by the next town drain.
** As quoted in Wallwork, Adrian (26 May 1997). Discussions A-Z Advanced: A Resource Book of Speaking Activities. Cambridge University Press. p. 56. ISBN 978-0-521-55979-9. , also as quoted in Robertson, Connie (1998). Book of Humorous Quotations. Wordsworth Editions. p. 186. ISBN 978-1-85326-759-8.
*** A play on "wasted two whole terms", "missed all my history lectures", "lighting a fire" and "down train".
* The Lord is a shoving leopard.
** As quoted in "Spoonerism Message Lost in Translation". Toledo Blade. 3 November 1980.
*** A play on "loving shepherd".
* Ladies and Gentlemen, President Hoobert Heever.
** Attributed to radio announcer Harry von Zell, as quoted in "Spoonerism Message Lost in Translation". Toledo Blade. 3 November 1980.
*** A play on US President Herbert Hoover
* Runny be quimble, Runny be nick, Runny cump over the jandlestick.
** Excerpt from the poem, Runny's Jig Bump, from "Runny Babbit" by Shel Silverstein, as quoted in Block, Melissa (August 5, 2005). "Shel Silverstein's 'Runny Babbit' Tales". NPR. Retrieved on 10 January 2019.
*** A play on the nursery rhyme Jack Be Nimble
* Don’t sweat the petty things and don’t pet the sweaty things.
** Attributed to comedian George Carlin, as quoted in Lovinger, Caitlin (April 7, 2018). "Triple Spoonerisms". The New York Times. Retrieved on 10 January 2019.
* Leaves no tone unsterned.
** Attributed to violinist Isaac Stern, as quoted in Freeman, Paul Joel (18 December 2009). Wit in English. Xlibris Corporation. p. 133. ISBN 978-1-4691-0589-5.
*** A play on "Leave no stone unturned".
* I'd rather have a bottle in front of me than a frontal lobotomy.
** Attributed to writer Dorothy Parker, as quoted in Lederer, Richard (6 February 2014). Get Thee to a Punnery: An Anthology of Intentional Assaults Upon the English Language. Gibbs Smith. ISBN 978-1-4236-1203-2.
* Time wounds all heels.
** Attributed to comedian Groucho Marx, as quoted in Lederer, Richard (6 February 2014). Get Thee to a Punnery: An Anthology of Intentional Assaults Upon the English Language. Gibbs Smith. ISBN 978-1-4236-1203-2.
*** A play on "Time heals all wounds".
* Names can be spoonerisms also, like Willie Nelson (Nellie Wilson) and Bobby Hall (hobby ball).
# Sydney Harbour Bridge

The Sydney Harbour Bridge is a steel through arch bridge across Sydney Harbour that carries rail, vehicular, bicycle, and pedestrian traffic between the Sydney central business district (CBD) and the North Shore. The dramatic view of the bridge, the harbour, and the nearby Sydney Opera House is an iconic image of Sydney, and Australia itself.

## Quotes

* There the proud arch Colossus like bestride Yon glittering streams and bound the strafing tide.
** Erasmus Darwin, "Visit of Hope to Sydney Cove, near Botany Bay" (1789)
* To get on in Australia, you must make two observations. Say, "You have the most beautiful bridge in the world" and "They tell me you trounced England again in the cricket." The first statement will be a lie. Sydney Bridge [sic] is big, utilitarian and the symbol of Australia, like the Statue of Liberty or the Eiffel Tower. But it is very ugly. No Australian will admit this.
** James Michener, Return to Paradise (1951)
* The Opera House is a splendid edifice, and I wish to take nothing away from it, but my heart belongs to the Harbour Bridge. It's not as festive, but it is far more dominant – you can see it from every corner of the city, creeping into frame from the oddest angles, like an uncle who wants to get into every snapshot. From a distance it has a kind of gallant restraint, majestic but not assertive, but up close it is all might. It soars above you, so high that you could pass a ten-storey building beneath it, and looks like the heaviest thing on earth. Everything that is in it – the stone blocks in its four towers, the latticework of girders, the metal plates, the six-million rivets (with heads like halved apples) – is the biggest of its type you have ever seen. This is a bridge built by people who have had an Industrial Revolution, people with mountains of coal and ovens in which you could melt down a battleship. The arch alone weighs 30,000 tons. This is a great bridge.
** Bill Bryson, "Down Under" ("In a Sunburned Country") (2000), pp80-81
# Syd Mead

Syd Mead (born July 18, 1933) is an industrial designer best known for his vehicle designs in science-fiction films such as Blade Runner, Aliens, and Tron. In much of his film work, he is billed as a "visual futurist" or "conceptual designer".

## Sourced

* The fashionable ideology that "artificial" lacks the inherent goodness of "natural" is an appealing, but hopelessly simplistic notion of the intellectually chic. Artifice is the result of a deliberate intent to make. Nature also "makes" things, using a set of basic building blocks common throughout the universe. Exchanging infinite time for deliberate design, nature has ingeniously built plants, planets, galaxies and unimaginable constructs which seem to structure the universe itself. What we call "natural" is simply the result of whatever set of rules nature has followed in fashioning our observable reality. On planet Earth, nature has manipulated the common elements to fashion everything from bacteria to the molten core of the planet. Discoveries in the "nano" technologies of bio, molecular, and micro engineering will re-edit the nomenclature of "natural" versus "unnatural", blurring if not erasing the line of distinction between "machine" and "organism", "natural" and "unnatural", "God-given" and "man-made".
** Future Concepts: The World of Syd Mead, p.15, Car Styling Magazine 088, May 1992
* First, have a grasp of context, detail and the rationale which makes design and image-making worthwhile to yourself and commercially, to someone else. Try not to become a "linear" professional. Learn a variety of technique, of thinking methodology and most of all, don't become complacent. Honestly, I get scared shitless every time I start a new, big job. I read, I gather information and push the client to tell me what they want. (Sometimes they really don't know, and those jobs are usually nightmares!) Remember details, notice how people move, how sunlight cascades over moving objects, why foliage looks the way it does (it's nature's own fractal magic) and how come velvet has about the same range of value as metallic surfaces but one is soft and the other is brittle. And finally, don't assume that technique alone will save your ass. It still is the idea that wins...every time. Remember that elaborate technique and dumb story produces a demo reel, not a narrative.
** A Visionary Ethic: The Life and Work of Syd Mead, p.3, OuterCircle 9, Fall 2006
# The Other Woman (2014 film)

The Other Woman is a 2014 American romantic comedy film about three women—Carly, Kate, and Amber—who are all romantically involved with the same man.
    Directed by Nick Cassavetes. Written by Melissa Stack.

## Kate

* I swear, every time I look through a set of binoculars, he's got a new mistress.

## Carly Whitten

* If we find anymore mistresses I'm going to have to send her to rehab.
* You slept with him, didn't you? One night and you went right back to being a Stepford.

## Amber

* We should kick him in the balls!

## Other

* Lydia: Selfish people live longer.
* Mark King: I wouldn't even be me without you. I might not always get it right, but I'm right where I want to be.

## Dialogue

    Carly Whitten: I can't talk to you until you stop crying.
    Kate King: [muffled crying] I want to. Let me just... I'm sorry. I just am sad.
    Carly Whitten: Then cry on the inside like a winner.
    Carly Whitten: Between the two of us he has the perfect woman, what else would he need?
    Kate King: The one thing we're not giving him: sex.
    Kate King: [referring to Amber] Can we keep her?
    Carly Whitten: No, we can't keep her. We already have a dog at home.
    Carly Whitten: Sorry. I'm usually a fun date. I am.
    Phil: I'm having fun.
    Carly Whitten: Yeah?
    Phil: Not a lot of it, but some.
    Carly Whitten: You wrecked two marriages!
    Lydia: One of them was mine, so that doesn't count.
    Carly Whitten: Also, what is up with your insanely hot brother?
    Kate King: No! You can't have my husband and my brother! That's being very greedy!
    Carly Whitten: I'm not being greedy, you're being greedy.
    Kate King: What?
    Carly Whitten: He's your brother, what are you going to do with him?
    Kate King: They should have that for your brain. Like a brain camp. Oh, really, you can go, and you lay on the beach and get tan and drink ginkgo balboa all day and then you come back and you're super smart.
    Mark King: It's ginkgo biloba. Balboa was Rocky.
    Kate King: Right. See? See? That's why I need to go to brain camp.
    Kate King: [after Amber suggests getting a friend to sleep with Mark] We are not hiring a hooker to sleep with my husband!
    Amber: She's not a hooker, she's just a slut.

## Taglines

* He'll never know what hit him.
* The oddest friends are about to get even.
* The ultimate girls night in.

## Cast

* Leslie Mann — Kate Hampton
* Cameron Diaz — Carly Whitten
* Kate Upton — Amber
* Nikolaj Coster-Waldau — Mark King
* Taylor Kinney — Phil Hampton
* Nicki Minaj — Lydia
* Don Johnson — Frank Whitten
* David Thornton — Nick
* Victor Cruz — Fernando
* Olivia Culpo — Raven-Haired Beauty
* Radio Man (Craig Castaldo) — himself

## External links

* The Other Woman quotes at the Internet Movie Database
* The Other Woman at Mojo
* The Other Woman (2014 film) at Rotten Tomatoes
# Robyn Hitchcock

Robyn Rowan Hitchcock (born 3 March 1953) is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar.

## Quotes

* A thought struck me: if my new album sounds this good on a walkman, what would Roxy Music sound like? A mere two years later I bought one and found out. However, on a train, a few years later still, I had negative synaesthesia eating a bacon sandwich and listening to a solo Ferry album, which turned me vegetarian.
** I Wanna Go Backwards CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.
# Roch Marc Christian Kaboré

Roch Marc Christian Kaboré (born 25 April 1957) is a Burkinabé politician who served as the 8th President of Burkina Faso in 2015–2022.

## Quotes

* I make a call, to all daughters and sons of our nation, to support the war effort, each according to their abilities.
** Roch Marc Christian Kaboré (2021) cited in "Burkina Faso president picks former nuclear watchdog head Zerbo as PM" on France 24, 11 December 2021.
* We must at this precise moment safeguard our democratic achievements.
** Roch Marc Christian Kaboré (2022) cited in "Urgent: Burkina Faso president's Twitter post calls on people to safeguard democratic achievements" on Xinhua Net, 24 January 2022.
# Robyn Ochs

Robyn Ochs (born 1958) is an American bisexual activist, professional speaker, and workshop leader. Her primary fields of interest are gender, sexuality, identity and coalition building. She is the editor of the Bisexual Resource Guide (published annually from 1990 to 2002) and of the anthology Getting Bi: Voices of Bisexuals Around the World, and the coeditor with Professor Herukhuti of the anthology Recognize: The Voices of Bisexual Men.

## Quotes

* I call myself bisexual because I acknowledge that I have in myself the potential to be attracted – romantically and/or sexually – to people of more than one sex and/or gender, not necessarily at the same time, not necessarily in the same way, and not necessarily to the same degree.
** Getting Bi: Voices of Bisexuals Around the World
# Rock

Rock may refer to:
* Rock and roll
* Stone
* a character in Osamu Tezuka's Star System
* Mega Man's another name
This disambiguation page, one that points to other pages that might otherwise have the same name, lists articles associated with the name Rock. If an internal link led you here, you may wish to change the link to point directly to the intended article.
# Roch Wamytan

Roch Wamytan (born 13 December 1950) is a politician from New Caledonia who currently serves as the President of Congress of New Caledonia since 24 May 2019.

## Quotes

* This referendum, for us, is not the third referendum. We consider that there are only two legitimate referendums; 2018 and 2020. This referendum is the referendum of the French state, not ours.
** Roch Wamytan (2021) cited in: "New Caledonia rejects independence in final vote amid boycott" in Reuters, 12 December 2021.

## External links

* Encyclopedic article on Roch Wamytan on Wikipedia
# Rochelle Gutierrez

Rochelle Gutiérrez is professor of education at the University of Illinois at Urbana–Champaign.

## Quotes

* Because equity ultimately is related to the distribution of power, a quality mathematics education also must include a focus on “critical” and “community” perspectives on mathematics that acknowledge the human activity of mathematics—that it is constantly being (re)made by people in negotiation with each other and their surroundings. Although this broader view of mathematics is gaining ground, most researchers/educators continue to frame equity from a deficit perspective—we need to get more people of differing walks of life to do mathematics so that they can reap the social and economic benefits of participating in society, not because their participation will somehow change the nature of mathematics as a discipline or our relationship with (each other on) this planet. Yet, until we are able to see that mathematics needs people as much as people need mathematics, we risk tinkering with education in a way that fails to address power issues or true transformation in society.
** "Embracing Nepantla: Rethinking "Knowledge" and its Use in Mathematics Teaching," REDIMAT: Journal of Research in Mathematics Education Vol. 1, No. 1, February 2012, pp. 29-­56.
# Rochelle Potkar
## Quotes

"A blank verse, final resting place.
No matter what the disillusion, return to a promised land.
Elegy."(1)
"Memory is… images of a prepubescent boy cycling home, Parag milk packets in one of his arms, feeding biscuits to a stray gaggle of brown dogs, wagging their shins."(2)
"Not remembering sleep or the winter of her skin she dozes and wakes, taking away your burning with the single-most thought of salt-water towels on your back and forehead like a long distance map laid out of a hypnotic train journey."(3)
# Prataparudra

Pratāparudra (r. c. 1289-1323), also known as Rudradeva II, was the last ruler of the Kakatiya dynasty of India. He ruled the eastern part of Deccan, with his capital at Warangal. He belonged to the clan of Motati Reddy's. Prataparudra succeeded his grandmother Rudramadevi as the Kakatiya monarch. In the first half of his reign, he subjugated the insubordinate chiefs who had asserted their independence during his predecessor's reign. He also achieved successes against the neighbouring Hindu kingdoms of the Yadavas (Seunas), the Pandyas and Kampili.
In 1310, he faced an invasion from the Muslim Delhi Sultanate, and agreed to become a tributary of the Delhi Sultan Alauddin Khalji. After Alauddin's death, he stopped making tribute payments, but a 1318 invasion forced him to pay tribute to Alauddin's son Mubarak Shah. After the end of the Khalji dynasty, he again withheld the tribute payments to Delhi. This prompted the new Sultan Ghiyath al-Din Tughluq to order a 1323 invasion that ended the Kakatiya dynasty and resulted in annexation of their kingdom to the Delhi Sultanate.

## Quotes

* Amir Khusrau, in his Nuh Sipihr, wrote that Prataprudra made a lengthy speech, in the course of which he said, The relation between Turk and Hindu is that of a lion and antelope, and the Turks whenever they please, can seize, buy, or sell any Hindu.
** Prataprudra quoted in Amir Khusrau, in his Nuh Sipihr, in Elliot and Dowson Vol. III, also in Jain, M. (2019). Flight of deities and rebirth of temples: Episodes from Indian history.248
* The rai then ascended the rampart of the fort of Arangal, and turning his face towards the royal pavilion, he bowed to the earth. Thus did he for three days, out of respect to the pale of religion; he turned towards the pavilion, and kissed the earth...
** Prataparudra after his surrender to Ulugh Khan. Quoted in Amir Khusrau, in his Nuh Sipihr, in Elliot and Dowson Vol. III, also in Jain, M. (2019). Flight of deities and rebirth of temples: Episodes from Indian history.248 (Elliot and Dowson Vol. III: 561).
# Prataprao Gujar

Prataprao Gujar (c. 1615 – 24 February 1674) also known as Kudtoji Gujar was a Maratha general and held the position of the 3rd Senapati of the Maratha Empire during the reign of Chhatrapati Shivaji.[1] After Prataprao's death, his daughter Jankibai was married to Rajaram I, the younger son of Chhatrapati Shivaji.

## Quotes

* 1672. Battle of Salher, Nashik. It took place between the Marathas and Mughals. This was signiﬁcant as it was the ﬁrst open battle where the Mughals faced defeat. This was the battle that reinforced the supremacy of the Maratha Empire. Two brave sons of the soil made this victory possible. They were Prataprao Gurjar, the Maratha Senapati and Morapant Pingle, the ﬁrst Peshwa, also called Sardar. The Maratha army numbered 20,000 and the Mughals 40,000.
** Rawal M. S. & Rawal Y. S. (2019). Saffron swords. Garuda Prakashan.
* According to Sabhasad Bakhar , a historical narrative in Marathi that chronicles the heroic exploits of Shivaji and his successful wars and raids, the battle of Salher is described such: “As the ﬁghting began, such a (cloud of) dust arose that for a space of a three-kilometer square, friend and foe could not be distinguished. Elephants were killed. Ten thousand men on the two sides became corpses. The horses, camels, elephants (killed) were beyond counting. A ﬂood of blood streamed (in the battleﬁeld). The blood formed a muddy pool and in it (people) began to sink, so (deep) was the mud.”
** Sabhasad Bakh in Rawal M. S. & Rawal Y. S. (2019). Saffron swords. Garuda Prakashan.
# Praxilla

Praxilla (Greek: Πράξιλλα; fl. 451 BC) was a Greek lyric poetess of the 5th century BC from Sicyon on the Gulf of Corinth. Five quotations and three paraphrases from her poems survive. The surviving fragments of her work come from both religious choral lyric and drinking songs (skolia); the three paraphrases are all versions of myths. Various social contexts have been suggested for Praxilla based on this range of surviving works, including that her poetry was in fact composed by two different authors; that she was an hetaira (courtesan); that she was a professional musician; or that the drinking songs derive from a non-elite literary tradition rather than being authored by a single writer. Praxilla was apparently well-known in antiquity: she was sculpted in bronze by Lysippus and parodied by Aristophanes.

## Quotes

* Κάλλιστον μὲν ἐγὼ λείπω φάος ἠελίοιο, δεύτερον ἄστρα φαεινὰ σεληναίης τε πρόσωπον ἠδὲ καὶ ὡραίους σικύους καὶ μῆλα καὶ ὄγχνας·
** The fairest things I leave behind Are daylight, and the purple bars Of sunset, and the summer wind, And moonrise, and the gathered stars; And what the terraced orchard bears, Ripe cucumbers and mellow pears.
** Fragment quoted by Zenobius, Proverbs, 4, 21; as translated by A. C. Benson, The Reed of Pan (1922), "In the Underworld"
* Ὦ διὰ τᾶς θυρίδος καλὸν ἐμβλέποισα, παρθένε τὰν κεφαλὰν, τὰ δ᾿ ἔνερθε νύμφα.
** Look at the lattice above For a pretty wonder,— Down to the necklet—a girl, But a woman under.
** Fragment quoted by Hephaestion, Handbook of Metre, 25; as translated by T. F. Higham, OBGVT (1938), "At the Window"
** Other translations: Face at the latticed window Looking down so sweetly, Maiden head, maiden head, Maidenhead no more! —W. G. Headlam, A Book of Greek Verse (1907), p. 33
* Ὑπὸ παντὶ λίθῳ σκορπίον, ὦ ἑταῖρε, φυλάσσεο.
** Under every stone, my friend, beware of a scorpion.
** Fragment quoted by the scholiast on Aristophanes, Thesmophoriazusae, 529, as translated by J. M. Edmonds, Lyra Graeca, Vol. 3 (1927), p. 77; Aristophanes: τὴν παροιμίαν δ᾿ ἐπαινῶ | τὴν παλαιάν· ὑπὸ λίθῳ γὰρ | παντί που χρὴ | μὴ δάκῃ ῥήτωρ ἀθρεῖν.—"I approve the old proverb; for sure it is well to look under every stone lest an orator bite you."

## About
### Ancient sources

    J. M. Edmonds, Lyra Graeca, Vol. 3 (1927), p. 73
* Second year of the 82nd Olympiad (451 BC), flourished Crates the comedy-writer, Telesilla, Praxilla, and Cleobulina.
** Eusebius, Chronicon, 82, 2
* Praxilla of Sicyon, too, was admired for the drinking-songs she wrote.
** Athenaeus, Deipnosophistae, xv, 694a
* Praxilla was portrayed in bronze by Lysippus, although she spoke nonsense in her poetry.
** Tatian, Oratio ad Graecos, 33
* Sillier than Praxilla’s Adonis.
** Saying quoted by Zenobius, Proverbs, 4, 21 (see above): "For none but a simpleton would put cucumbers and the like on a par with the sun and the moon."