# 'Salem's Lot

'Salem's Lot (1975) is a novel by Stephen King about a small New England town that is overrun by vampires.
    See also Salem's Lot (1979 miniseries)

## Quotes

* ...the Lot's knowledge of the country's torment was academic. Time went on a different schedule there. Nothing too nasty could happen in such a nice little town. Not there.
** Ch. 2, 4
* I think it's relatively easy for people to accept something like telepathy or precognition or teleplasm because their willingness to believe doesn't cost them anything. It doesn't keep them awake nights. But the idea that the evil that men do lives after them is unsettling.
** Ch. 5, 3
* I think that house might be Hubert Marsten's monument to evil, a kind of psychic sounding board. A supernatural beacon, if you like. Sitting there all these years, maybe holding the essence of Hubie's evil in its old, moldering bones.
** Ch. 5, 3
Fall and spring came to Jerusalem's Lot with the same suddenness of sunrise and sunset in the tropics. The line of demarcation could be as thin as one day. But spring is not the finest season in New England—it's too short, too uncertain, too apt to turn savage on short notice. Even so, there are April days which linger in the memory even after one has forgotten the wife's touch, or the feel of the baby's toothless mouth at the nipple. But by mid-May, the sun rises out of the morning's haze with authority and potency, and standing on your top step at seven in the morning with your dinner bucket in your hand, you know that the dew will be melted off the grass by eight and that the dust on the back roads will hang depthless and still in the air for five minutes after a car's passage; and that by one in the afternoon it will be up to ninety-five on the third floor of the mill and the sweat will roll off your arms like oil and stick your shirt to your back in a widening patch and it might as well be July.
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.
** Ch. 6, 1
* And if there are no cars or planes, and if no one's Uncle John is out in the wood lot west of town banging away at a quail or a pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
** Ch. 6, 1
* Understand death? Sure. That was when the monsters got you.
** Ch. 6, 5
* Alone. Yes, that's the key word, the most awful word in the English tongue. Murder doesn't hold a candle to it and hell is only a poor synonym.
** Ch. 9, 6
* And you couldn't explain that to your mother and father, who were creatures of the light. No more than you could explain to them how, at the age of three, the spare blanket at the foot of the crib turned into a collection of snakes that lay staring at you with flat and lidless eyes. No child ever conquers those fears, he thought. If a fear cannot be articulated, it can't be conquered. And the fears locked in small brains are much too large to pass through the orifice of the mouth. Sooner or later you found someone to walk past all the deserted meeting houses you had to pass between grinning babyhood and grunting senility. Until tonight. Until tonight when you found out that none of the old fears had been staked— only tucked away in their tiny, child-sized coffins with a wild rose on top.
** Ch. 9, 6
The town knew about darkness.
It knew about the darkness that comes on the land when rotation hides the land from the sun, and about the darkness of the human soul.
** Ch. 10, 1
These are the town's secrets, and some will later be known and some will never be known. The town keeps them all with the ultimate poker face.
The town cares for devil's work no more than it cares for God's or man's. It knew darkness. And darkness was enough.
** Ch. 10, 1
* Before drifting away entirely, he found himself reflecting — not for the first time — on the peculiarity of adults. They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
** Ch. 10, 13
* The night before, Matt Burke had faced such a dark thing and had been stricken by a heart seizure brought on by fright; tonight Mark Petrie had faced one, and ten minutes later lay in the lap of sleep, the plastic cross still grasped loosely in his right hand like a child's rattle. Such is the difference between men and boys.
** Ch. 10, 13
* No one pronounced Jerusalem's Lot dead on the morning of October 6; no one knew it was. Like the bodies of the previous days, it retained every semblance of life.
** Ch. 14, 2

## External links

Encyclopedic article on 'Salem's Lot on Wikipedia
Works by Stephen King :
| Novels | Carrie (1974) · 'Salem's Lot (1975) · The Shining (1977) · The Stand (1978) · The Dead Zone (1979) · Firestarter (1980) · Cujo (1981) · Christine (1983) · Pet Sematary (1983) · Cycle of the Werewolf (1983) · The Talisman (1984; with Peter Straub) · It (1986) · The Eyes of the Dragon (1987) · Misery (1987) · The Tommyknockers (1987) · The Dark Half (1989) · Needful Things (1991) · Gerald's Game (1992) · Dolores Claiborne (1992) · Insomnia (1994) · Rose Madder (1995) · The Green Mile (1996) · Desperation (1996) · Bag of Bones (1998) · The Girl Who Loved Tom Gordon (1999) · The Plant (2000; unfinished) · Dreamcatcher (2001) · Black House (2001; with Peter Straub) · From a Buick 8 (2002) · The Colorado Kid (2005) · Cell (2006) · Lisey's Story (2006) · Duma Key (2008) · Under the Dome (2009) · 11/22/63 (2011) · Joyland (2013) · Doctor Sleep (2013) · Mr. Mercedes (2014) · Revival (2014) · Finders Keepers (2015) · End of Watch (2016) |
| The Dark Tower series | The Gunslinger (1982) · The Drawing of the Three (1987) · The Waste Lands (1991) · Wizard and Glass (1997) · Wolves of the Calla (2003) · Song of Susannah (2004) · The Dark Tower (2004) · The Wind Through the Keyhole (2012) |
| Richard Bachman books | Rage (1977) · The Long Walk (1979) · Roadwork (1981) · The Running Man (1982) · Thinner (1984) · The Bachman Books (1985) · The Regulators (1996) · Blaze (2007) |
| Short fiction collections | Night Shift (1978) · Different Seasons (1982) · Skeleton Crew (1985) · Four Past Midnight (1990) · Nightmares & Dreamscapes (1993) · Hearts in Atlantis (1999) · Everything's Eventual (2002) · Just After Sunset (2008) · Full Dark, No Stars (2010) · The Bazaar of Bad Dreams (2015) |
| Non‑fiction | Danse Macabre (1981) · Nightmares in the Sky (1988) · On Writing (2000) · Secret Windows (2000) · Faithful (2004; with Stewart O'Nan) |
| Screenplays | Creepshow (1982) · Cat's Eye (1985) · Silver Bullet (1985) · Maximum Overdrive (1986; also director) · Pet Sematary (1989) · Sleepwalkers (1992) · A Good Marriage (2014) · Cell (2015; with Adam Alleca) |
| Teleplays | "Sorry, Right Number" (1987) · Golden Years (1991) · The Stand (1994) · The Shining (1997) · "Chinga" (1998; with Chris Carter) · Storm of the Century (1999) · Rose Red (2002) · Kingdom Hospital (2004) · Desperation (2006) · "Heads Will Roll" (2014) |
| Comics | Creepshow (1982) · Heroes for Hope (1985) · The Secretary of Dreams (2006) · The Dark Tower (2007–) · The Stand (2008–2012) · The Talisman (2009–2010) · American Vampire (2010) · N. (2010) · Road Rage (2012) · The Dark Man (2013) |
| Musical collaborations | Michael Jackson's Ghosts (1997; with Michael Jackson) · Black Ribbons (2010; with Shooter Jennings) · Ghost Brothers of Darkland County (2012; with John Mellencamp) |
| Anthologies edited | The Best American Short Stories 2007 (2007; with Heidi Pitlor) |
| See also | Last words in the works of Stephen King · {{Media based on Stephen King works}} |