# George Gissing

George Robert Gissing (November 22 1857 – December 28 1903) was an English novelist and short story writer.

## Quotes

* It is our duty never to speak ill of others, you know; least of all when we know that to do so will be the cause of much pain and trouble.
** The Unclassed (1884), ch. 1: School
* No, no; women, old or young, should never have to think about money.
** The Odd Women (1893), ch. 1
* The thought, however, of his girls having to work for money was so utterly repulsive to him that he could never seriously dwell upon it.
** The Odd Women (1893), ch. 1
* The insult was thrown out with a peculiarly reckless air; it astounded the hearer, who sat for an instant with staring eyes and lips apart; then the blood rushed to his cheeks.
** Eve's Ransom (1895), ch. 1
* To be at other people's orders brings out all the bad in me.
** Will Warburton (1905), ch. 3
* It is the mind which creates the world around us, and even though we stand side by side in the same meadow, my eyes will never see what is beheld by yours, my heart will never stir to the emotions with which yours is touched.
** As quoted in ''The Book Of Us : A Guide To Scrapbooking About Relationships (2005) Angie Pedersen, p. 46
* It is because nations tend towards stupidity and baseness that mankind moves so slowly; it is because individuals have a capacity for better things that it moves at all.
** As quoted in Quote Junkie Funny Edition (2008) by the Hagopian Institute, p. 47

### New Grub Street: A Novel (1891)

* 'A man who comes to be hanged,' pursued Jasper, impartially, 'has the satisfaction of knowing that he has brought society to its last resource. He is a man of such fatal importance that nothing will serve against him but the supreme effort of law. In a way, you know, that is success.'
** Vol. I, Ch. 1 : A Man of His Day, p. 3
* I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.
** Vol. I, Ch. 1 : A Man of His Day, p. 8
* People have got that ancient prejudice so firmly rooted in their heads — that one mustn't write save at I the dictation of the Holy Spirit. I tell you, writing is a business.
** Vol. I, Ch. 1 : A Man of His Day, p. 17
* I maintain that we people of brains are justified in supplying the mob with the food it likes. We are not geniuses, and if we sit down in a spirit of long-eared gravity we shall produce only commonplace stuff. Let us use our wits to earn money, and make the best we can of our lives. If only I had the skill, I would produce novels out-trashing the trashiest that ever sold fifty thousand copies. But it needs skill, mind you; and to deny it is a gross error of the literary pedants. To please the vulgar you must, one way or another, incarnate the genius of vulgarity.
** Vol. I, Ch. 1 : A Man of His Day, p. 17

### Our Friend the Charlatan (1901)

    Full text online
* Women, he held, had never been treated with elementary justice. To worship them was no less unfair than to hold them in contempt. The honest man, in our day, should regard a woman without the least bias of sexual prejudice; should view her simply as a fellow-being, who, according to circumstances, might or not be on his own plane. Away with all empty show and form, those relics of barbarism known as chivalry! He wished to discontinue even the habit of hat-doffing in female presence. Was not civility preserved between man and man without such idle form? Why not, then, between man and woman? Unable, as yet, to go the entire length of his principles in every-day life, he endeavoured, at all events, to cultivate in his intercourse with women a frankness of speech, a directness of bearing, beyond the usual. He shook hands as with one of his own sex, spine uncrooked; he greeted them with level voice, not as one who addresses a thing afraid of sound. To a girl or matron whom he liked, he said, in tone if not in phrase, "Let us be comrades." In his opinion this tended notably to the purifying of the social atmosphere. It was the introduction of simple honesty into relations commonly marked — and corrupted — by every form of disingenuousness. Moreover, it was the great first step to that reconstruction of society at large which every thinker saw to be imperative and imminent. But Constance Bride knew nothing of this, and in her ignorance could not but misinterpret the young man's demeanor. She felt it to be brusque; she imagined it to imply a purposed oblivion of things in the past.
** Ch. II
* Now he was indifferent to all "questions" save that prime solicitude of the human race, how to hold its own against the hostile forces everywhere leagued against it. Life was a perpetual struggle, and, let dreamers say what they might, could never be anything else; he, for one, perceived no right that he had to claim exemption from the doom of labour. Had he felt an impulse to any other kind of work, well and good, he would have turned to it; but nothing whatever called to him with imperative voice save this task of tilling his own acres. It might not always satisfy him; he took no vow of one sole vocation; he had no desire to let his mind rust whilst his hands grew horny. Enough that for the present he had an aim which he saw as a reality.
** Ch. XXVIII

### The Private Papers of Henry Ryecroft (1903)

* Old companion, yet old enemy! How many a time have I taken it up, loathing the necessity, heavy in head and heart, my hand shaking,my eyes sickdazzled! How I dreaded the white page I had to foul with ink! Above all, on days such as this, when the blue eyes of Spring laughed from between rosy clouds, when the sunlight shimmered upon my table and made me long, long all but to madness, for the scent of the flowering earth, for the green of hillside larches, for the singing of the skylark above the downs. There was a time— it seems further away than childhood — when I took up my pen with eagerness; if my hand trembled it was with hope. But a hope that fooled me, for never a page of my writing deserved to live. I can say that now without bitterness. It was youthful error, and only the force of circumstance prolonged it. The world has done me no injustice; thank Heaven I have grown wise enough not to rail at it for this! And why should any man who writes, even if he writes things immortal, nurse anger at the world's neglect? Who asked him to publish? Who promised him a hearing? Who has broken faith with him? If my shoemaker turn me out an excellent pair of boots, and I, in some mood of cantankerous unreason, throw them back upon his hands, the man has just cause of complaint. But your poem, your novel, who bargained with you for it? If it is honest journeywork, yet lacks purchasers, at most you may call yourself a hapless tradesman. If it come from on high, with what decency do you fret and fume because it is not paid for in heavy cash? For the work of man's mind there is one test, and one alone, the judgment of generations yet unborn. If you have written a great book, the world to come will know of it. But you don't care for posthumous glory. You want to enjoy fame in a comfortable armchair. Ah, that is quite another thing. Have the courage of your desire. Admit yourself a merchant, and protest to gods and men that the merchandise you offer is of better quality than much which sells for a high price. You may be right, and indeed it is hard upon you that Fashion does not turn to your stall.
** Spring, § I, p. 2
* This writer, who is horribly perspicacious and vigorous, demonstrates the certainty of a great European war, and regards it with the peculiar satisfaction excited by such things in a certain order of mind. His phrases about "dire calamity" and so on mean nothing; the whole tenor of his writing proves that he represents, and consciously, one of the forces which go to bring war about; his part in the business is a fluent irresponsibility, which casts scorn on all who reluct at the "inevitable." Persistent prophecy is a familiar way of assuring the event.
** Summer, § VII, p. 89
* For the man sound in body and serene of mind there is no such thing as bad weather; every sky has its beauty, and storms which whip the blood do but make it pulse more vigorously.
** Winter § I, p. 213
* Time is money — says the vulgarest saw known to any age or people. Turn it round about, and you get a precious truth —money is time. I think of it on these dark, mist-blinded mornings, as I come down to find a glorious fire crackling and leaping in my study. Suppose I were so poor that I could not afford that heartsome blaze, how different the whole day would be! Have I not lost many and many a day of my life for lack of the material comfort which was necessary to put my mind in tune? Money is time. With money I buy for cheerful use the hours which otherwise would not in any sense be mine; nay, which would make me their miserable bondsman. Money is time, and, heaven be thanked, there needs so little of it for this sort of purchase. He who has overmuch is wont to be as badly off in regard to the true use of money, as he who has not enough. What are we doing all our lives but purchasing, or trying to purchase, time? And most of us, having grasped it with one hand, throw it away with the other.
** Winter, § 24, p. 287; in Conducting Effective Faculty Meetings (2008) by Sue Ellen Brandenburg, p. 12 this appears paraphrased in the form: "Time is money says the proverb, but turn it around and you get a precious truth. Money is time."

## Quotes about George Gissing

* Gissing, whose work Henry James admired, said that in all character there sits a mind, and that the mind of the dullest is not dull because, at its lowest, it will at least reflect the social dilemma.
** Josephine Herbst "The Ruins of Memory" (April 4, 1956) in The Nation
* As a matter of derivation, Mr Gissing, in his earlier essays in fiction, owed more to Dickens than to any realistic novelist. ... The inspiration was indirect. Mr Gissing had not the master-faculty of 'Martin Chuzzlewit,' and he did not counterfeit it. But in studying the works of Dickens, he appears to have seen how much of the real gloom had been left out of the picture of the London populace; how much what was eccentric and humorous had been insisted upon, and how much what was joyless, and yet equally representative, had been omitted; and this darker and more unrelieved side of lower London life Mr Gissing determined to describe.
** "The Novel of Misery". The Quarterly Review 196: 391–414. October 1902, quotation from pp. 400–401
* When I admit neglect of Gissing, They say I don't know what I'm missing. Until their arguments are subtler, I think I'll stick to Samuel Butler.
** Dorothy Parker, "A Pig's-Eye View of Literature" from Sunset Gun (1927); reproduced in Not So Deep as a Well: Collected Poems (1937), p. 110.

## External links

* Works of George Gissing
* Works by George Gissing at Project Gutenberg