# Spider Grandmother

Spider Grandmother (Hopi Kokyangwuti, Navajo Na'ashjé'ii Asdzáá) is an important figure in the mythology, oral traditions and folklore of many Native American cultures, especially in the Southwestern United States.

## Quotes

* In the beginning was thought, and her name was Woman. The Mother, the Grandmother, recognized from earliest times into the present among those peoples of the Americas who kept to the eldest traditions, is celebrated in social structures, architecture, law, custom, and the oral tradition. To her we owe our lives, and from her comes our ability to endure, regardless of the concerted assaults on our, on Her, being, for the past five hundred years of colonization. She is the Old Woman who tends the fires of life. She is the Old Woman Spider who weaves us together in a fabric of interconnection. She is the Eldest God, the one who Remembers and Re-members; and though the history of the past five hundred years has taught us bitterness and helpless rage, we endure into the present, alive, certain of our significance, certain of her centrality, her identity as the Sacred Hoop of Be-ing.
** Paula Gunn Allen, The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press. 1 September 1992. ISBN 978-0-8070-4617-3. Chapter One
* There is a spirit that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind. The colors of this spirit are multitudinous, a glowing, pulsing rainbow. Old Spider Woman is one name for this quintessential spirit, and Serpent Woman is another. Corn Woman is one aspect of her, and Earth Woman is another, and what they together have made is called Creation, Earth, creatures, plants, and light. [...] This spirit, this power of intelligence, has many names and many emblems. She appears on the plains, in the forests, in the great canyons, on the mesas, beneath the seas. To her we owe our very breath, and to her our prayers are sent blown on pollen, on corn meal, planted into the earth on feather-sticks, spit onto the water, burned and sent to her on the wind. Her variety and multiplicity testify to her complexity: she is the true creatrix for she is thought itself, from which all else is born. She is the necessary precondition for material creation, and she, like all of her creation, is fundamentally female—potential and primary. She is also the spirit that informs right balance, right harmony, and these in turn order all relationships in conformity with her law.
** Paula Gunn Allen, The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press. 1 September 1992. ISBN 978-0-8070-4617-3. Chapter One
* All tales are born in the mind of Spider Woman, and all creation exists as a result of her naming.
** Paula Gunn Allen, The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press. 1 September 1992. ISBN 978-0-8070-4617-3. Chapter Two
* The fragility of the world is a result of its nature as thought. Both land and human being participate in the same kind of being, for both are thoughts in the mind of Grandmother Spider.
** Paula Gunn Allen, The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press. 1 September 1992. ISBN 978-0-8070-4617-3. Chapter Two

## External links

* Authority control: WorldCat search