OpenLLM-France/wikimedia huggingface dataset:
# Minutemen (film)

Minutemen is a 2008 science-fiction Disney Channel Original Movie about three high school kids who invent a 10 minute time machine to spare others just like them from the humiliation they've endured.
    Directed by Lev L. Spiro. Written by John Killoran and David Weissman, based on a story by David Diamond and David Weissman.

## Dialogue

    [after Mr. Tolkan, who thinks Virgil and Derek are going to fight, orders them to follow him to his office]
    FBI Agent: Everybody freeze, FBI! [shows ID to Mr. Tolkan]
    Mysterious Man: Stop, CIA! [shows his own ID to Mr. Tolkan]
    Man - Bureau of Weights and Measures: Bureau of Weights and Measures. [shows his own ID to Mr. Tolkan]
    Virgil: [to the latter agent] In the future, you should probably go first.
    Jeanette: What's new, cockatoo? Hey, you look like a superhero!
    Charlie: Thanks, pumpkin. [seizes Jeanette and kisses her]
    Zeke: [after Charlie lets go, in an undertone] The scene in the hallway hasn't happened yet, you've never kissed her before!
    Charlie: Oh, right! [turns to the leaving Jeanette] Jeanette! Jeanette, I-I'm sorry, I was just-I can explain!
    [as Jeanette is leaving, she smiles]
    Zeke: Dude. It's okay.
    Derek: Wow, nice outfits, bozos.
    Virgil: Hey, Derek. Have fun with Jocelyn.
    Derek: W-What’s that supposed to mean?
    Virgil: Well I just figured that you both are good with lipstick.
    Derek: You were always gonna be a dork anyways, Virgil.
    Virgil: And you were always gonna be a jerk, Derek. Have a nice life.
    Virgil: The Minutemen must use their powers for truth and justice
    Charlie: Who's the Minutemen?
    Virgil: Us. The all important minutes of time. Cool, eh?
    Charlie: No.
    Zeke: .Not really.
    [as Jeanette wakes him up in his own bedroom]
    Jeanette: Good morning, Magpie. Your mom let me in. It is such a nice day. You know, I was thinking. Maybe we could go on a walk and talk about our future together. And then... Oh! I'd like an orange house. I'd like to have an orange house.
    Charlie: The results!
    Jeanette: That way, you wouldn't even have to have an address and-and on the envelope you could just say "Jeanette Pachelewski, orange house."
    Charlie: It's done!
    Jeanette: Oh, um, I'm no scientist, but that doesn't look good.
    Charlie: We created a... a...
    Jeanette: A... a... Spit it out, Bluebird.
    Charlie: A black hole!
    Jeanette: That's bad, right?

## Cast

* Jason Dolley - Virgil Fox
* Luke Benward - Charlie Tuttle
* Nicholas Braun - Zeke Thompson
* Chelsea Kane - Stephanie Jameson
* J. P. Manoux - Vice Principal Tolkan
* Steven R. McQueen - Derek Beaugard
* Kara Crane - Jeanette Pachelewski
* Dexter Darden - Chester
* Kellie Cockrell - Jocelyn Lee
* Molly Jepson - Amy Fox
* Larry Filion - F.B.I. agent (uncredited)
# Mir Sayyid Ali Hamadani

Mir Sayyid Ali Hamadani (Persian: میر سید علی همدانی‎‎; 22 October 1314 – 18 January 1385) was an Iranian scholar, poet and a Sufi Muslim saint of the Kubrawiya order. He was born in Hamadan, and was buried in Khatlan, Tajikistan. He was known as Shāh-e-Hamadān ("King of Hamadān"), Amīr-i Kabīr ("the Great Commander"), and Ali Sani ("second Ali").

## Quotes

* Mir Sayyid ‘Ali Hamadani (1314-1385) began to get Hindu temples demolished and the Hindus converted by reckless use of force throughout his sojourn in Kashmir...
** Harsh Narain, Myths of Composite Culture and Equality of Religions (1990)
* Setting out this ‘covenant’, S.A.A. Rizvi writes: In emphasizing such a covenant, Saiyid ‘Ali was acting as an ‘alim and not as a sufi. Sultan Qutub’d-Din adopted Persian dress and divorced one of his wives whom he had illegally married earlier. Occasionally he attended congregational prayers led by the Saiyid on a platform built at the site of the Kali Mandir, which he himself had helped to destroy. The demolition of the temple contravened the covenant; probably the Brahmans had not allowed Saiyid ‘Ali’s followers to stay in the temple and the infringement was used as a pretext and later a precedent set by the Saiyid in Kashmir. Truly, an alim! Hamadani (AD 1314-85) was a famous Sufi and is regarded as their patron saint by Muslims in Kashmir. His renowned dargah in Srinagar stands on the site of a Kali temple which he helped destroy.
** Arun Shourie - The World of Fatwas Or The Sharia in Action (2012, Harper Collins)
* To take one instance, Saiyid Ali Hamadani urged that the following ‘covenant’ be imposed on the Hindus: • They (the Hindus) will not build new idol temples. • They will not rebuild any existing temple which may have fallen into disrepair. • Muslim travellers will not be prevented from staying in temples. • Zimmis will courteously receive a Muslim wishing to attend their meetings. • They will not ride horses with saddle and bridle. • They will not possess swords, bows or arrows. • They will not openly practise their traditional customs amongst Muslims. • They will not mourn their dead loudly.....
** Arun Shourie - The World of Fatwas Or The Sharia in Action (2012, Harper Collins)
* [Sayyid Ali Hamdani built his khanqah on the site of] ‘a small temple which was demolished... the credit of wiping out the vestiges of infidelity and heresy from the mirror of the conscience of the dwellers of these lands [goes to Sayyid Muhammad].
** Baharistan-i-shahi. Pundit KN (1991) A Chronicle of Medieval Kashmir, (Translation), Firma KLM Pvt Ltd, Calcutta, p. 35-7 , as quoted in Khan, M. A. (2011). Islamic Jihad: A legacy of forced conversion, imperialism and slavery. ch 4
# Mir Taqi Mir

Mir Muhammad Taqi Mir (February 1723 – 20 September 1810), also known as Mir Taqi Mir or Meer Taqi Meer, was an Urdu poet of the 18th century Mughal India, and one of the pioneers who gave shape to the Urdu language itself. He was one of the principal poets of the Delhi School of the Urdu ghazal and is often remembered as one of the best poets of the Urdu language.

## Quotes
### Poetry

* When living became an uphill task, In soldier's camp we sought resort In narrow straits found them caught, They lived on bread, stale and scorched, No drop of drink, nor spoon of broth. My friends, I found, were nearing death, Deprived of good were all I met, Each and all were poverty pressed, If one had a thread, he had no rope, If one had a carpet, none to roll. Life was a struggle against heavy odds, The grocers fret, the vendors bawl, They used their swords and shields as cots. The kings and councilors, were bankrupts all.
** Poem Lament for the City (Shahr Ashob), Masterpieces of Patriotic Urdu Poetry, p. 25
* Men of means and money have joined the beggar's fold Their veins, like the lines on paper, on their body show, Great and small are helpless, so are young and old, A thousand beggars pounce together like a swarm of flies, When a crumb, or a grain of wheat somewhere they descry. Every head lies benumbed, Horse and camel are sans strength, Hunger cries on every tongue, Thanks to the civil strife, soldiers sit content, No fear of drunken brawls, nor of the vagrant young. Unscrupulous are they all, the town's rich elite, Every one doth understand how they speak and treat, Moreover, these haughty rich are not easy to reach, In their awful presence who can dare to speak? Their conduct hurts the heart, biting is their speech.
** Masterpieces of Patriotic Urdu Poetry, p. 27
* Why ask about our whereabouts, O denizens of the East, Knowing we are poor, why taunt us and tease? Delhi which was once considered the world's crown and pride, Where only the chosen few once did reside, Which has been razed and ruined by the cruel skies, We belong to the same city, now a wasted pile!
** Masterpieces of Patriotic Urdu Poetry, p. 29

### Stanza

* ہنستا ہی میں پھروں جو میرااختیار ہو پر کیا کروں میں گریۂ بے اختیار ہو
** translation:
** I would laugh all through life, if I could but help, But what to do with my tears, which flow unchecked!
** Masterpieces of Patriotic Urdu Poetry, p. 23

## External links

* K. C. Kanda: Masterpieces of Patriotic Urdu Poetry: Text, Translation, and Transliteration, Sterling Publishers, New Delhi, 2009
# National interest

The national interest, often referred to by the French expression raison d'État (English: "reason of State"), is a country's goals and ambitions, whether economic, military, cultural or otherwise. The concept is an important one in international relations, where pursuit of the national interest is the foundation of the realist school.

## Quotes

* The "national interest" is not a geographical term, except for fairly prosaic matters like trade and environmental regulation. A smaller nation might appropriately feel that its national interest begins and ends at its borders, so that its foreign policy is almost always in a defensive mode. A larger nation has more extensive interests. And large nations, whose identity is ideological, like the Soviet Union of yesteryear and the United States of today, inevitably have ideological interests in addition to more material concerns... No complicated geopolitical calculations of national interest are necessary.
** Irving Kristol, "The Neoconservative Persuasion" (25 August 2003), The Weekly Standard

## External links

* Encyclopedic article on National interest on Wikipedia
# Jonathan Shay

Jonathan Shay (born in 1941) is an American psychiatrist.

## Quotes
### "Casualties" (2011)

* Moral injury is present when
       (1) there has been a betrayal of what's right
       (2) by someone who holds legitimate authority
       (3) in a high-stakes situation.
   * p. 183
* What does leadership malpractice add to the elements visible in betrayal of what's right by the self in a high-stakes situation? Primarily, it destroys the capacity for social trust in the mental and social worlds of the service member or veteran. I regard this as a kind of wound contamination in the mind, preventing healing and leaking toxins. When the capacity for trust is destroyed, its place is filled by the active expectancy of harm, exploitation, or humiliation.
** p. 184
# Jonathan Sumption, Lord Sumption

Jonathan Philip Chadwick Sumption, Lord Sumption, KC (born 9 December 1948), is a British author, medieval historian, and a former senior judge who sat on the Supreme Court of the United Kingdom between 2012 and 2018, and a Non-Permanent Judge of the Hong Kong Court of Final Appeal from 2019 to 2024.

## Quotes

* Hong Kong, once a vibrant and politically diverse community is slowly becoming a totalitarian state. The rule of law is profoundly compromised in any area about which the government feels strongly... Intimidated or convinced by the darkening political mood, many judges have lost sight of their traditional role as defenders of the liberty of the subject, even when the law allows it
** On his resignation from Hong Kong's Court of Final Appeal, in "The rule of law in Hong Kong is in grave danger", Financial Times (10 June 2024)
# Jonathan Richardson

Jonathan Richardson (1665 – 1745), sometimes called "the Elder" to distinguish him from his son, was an English artist, collector of drawings, and writer on art, working almost entirely as a portrait-painter in London

## Quotes
### Essay on the Theory of Painting (1725)

    Jonathan Richardson (1725), Essay on the Theory of Painting, London
* In picture we never die,never decay or grow older
* Painting is that pleasant amusement being one of the means whereby we convey ideas to each other.
* The pleasure that painting as a dumb art give us , is like what we have from misic, its beautiful forms, vlour and harmony are to the eye what sounds and the harmony are to the ear.
* Words paint to the imagination but every man forms the thing to himself in his own way.
* The theatre gives us representations of things , and there we see a sort of moving, speaking pictures but they are transient whereas painting remains and is always at hand.
# Jonathan Schell

Jonathan Edward Schell (August 21, 1943 – March 25, 2014) was an author and visiting fellow at Yale University, whose work primarily deals with campaigning against nuclear weapons.

## Quotes

* Either we will sink into a final coma and end it all or, as I trust and believe, we will awaken to the truth of our peril, a truth as great as life itself, and, like a person who has swallowed a lethal poison but shakes off his stupor at the last moment and vomits the poison up, we will break through the layers of our denials, put aside our fainthearted excuses, and rise up to cleanse the earth of nuclear weapons.
** "The Choice," The Fate of the Earth (1982)
* What happened at Hiroshima was less than a millionth part of a holocaust at present levels of world nuclear armament.
** In The Fate of the Earth.
* The Hiroshima people’s experience, is a picture of what our whole world is always poised to become, a backdrop of scarcely imaginable horror lying just behind the surface of our normal life, and capable of breaking through into that normal life at any second.”—The New Yorker, February 1, 1982.

## External links

* Biography from the Yale Center for the Study of Globalization
* Biography from The Globalist
* Smoking Guns and Mushroom Clouds, New York Times
# Gustav Holst

Gustavus Theodore von Holst (21 September 1874 – 25 May 1934) was an English composer and music teacher. He is best remembered for his choral music and works for orchestra, of which the most famous is certainly The Planets. He changed his name to Gustav Holst during the First World War because of prevalent anti-German feeling.

## Quotes

* Never compose anything unless the not composing of it becomes a positive nuisance to you.
** Cited in Imogen Holst The Music of Gustav Holst (1951) p. 73 as "His favourite piece of advice".
* Always ask for advice but never take it.
** Paul Holmes Holst (1997) p. 106.
** Holst's maxim according to Vaughan Williams.
* If nobody likes your work, you have to go on just for the sake of the work. And you're in no danger of letting the public make you repeat yourself. Every artist ought to pray that he may not be "a success". If he's a failure he stands a good chance of concentrating upon the best work of which he's capable.
** Remark to Clifford Bax, reported in Imogen Holst Gustav Holst: A Biography (1969) p. 81.
* One of the advantages of being over forty is that one begins to learn the difference between knowing and realising.
** Letter to W G Whittaker, 1914, quoted in Paul Holmes Holst p. 62.
* Music, being identical with heaven, isn't a thing of momentary thrills, or even hourly ones. It's a condition of eternity.
** Letter to W G Whittaker, 1914, quoted in Paul Holmes Holst p. 62.
* The enormity of the universe revealed by science cannot readily be grasped by the human brain, but the music of The Planets enables the mind to acquire some comprehension of the vastness of space where rational understanding fails.
** Quoted in Michael Short, Gustav Holst 1874-1934: A Centenary Documentation
# Gustav Kirchhoff

Gustav Robert Kirchhoff (12 March 1824 – 17 October 1887) was a German physicist who contributed to the fundamental understanding of electrical circuits, spectroscopy, and the emission of black-body radiation by heated objects.

## Quotes

* Look here, I have succeeded at last in fetching some gold from the sun.
** after his banker questioned the value of investigating gold in the Fraunhofer lines of the sun and Kirchhoff handing him over a medal he was awarded for his investigations.
** A memoir of Gustav Robert Kirchhoff, by Robert Von Helmholtz, translated by Joseph De Perott, in Annual Report of the Board of Regents of the Smithsonian Institution, Smithsonian Institution (1890), p. 537.

## Disputed

* Why do you want to come into physics? All is done and understood.
** as an advice to Max Planck not to study physics, by Anton Z. Capri, Quips, Quotes and Quanta. World Scientific (2007). p. 1. ISBN 9812709207
** a similar advice has been given by Philipp von Jolly, as related by Max Planck in his lecture Vom Relativen zum Absoluten (December 1, 1924).
# Gustav Metzger

Gustav Metzger (10 April 1926 – 1 March 2017) was an artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger is recognised for his protests in the political and artistic realms.

## Quotes

* Auto-destructive art is conceived as a desperate last-minute subversive political weapon used by artists. It is an attack on the Capitalist system and the production of war materials. It is committed to nuclear disarmament and people's struggle.
** In: Ark, Nr. 30-37, 1962.
* What is the significance of viewer participation in your work? It has to do with kinetic art. Kinetic art has very much to do with the interaction between spectator and art. In the second half of the ’50s, this became a big international movement. When I moved from painting to connections within media, this came through in the first work, which was an exhibition of found cardboard pieces. It was a turning point for me. The world itself, the industrial fabricated world, could stand for the man-made world of art.
   * In: Jocelyn Hanamirian, "Gustav Metzger at the Serpentine Gallery London." Modern Painters, September 2009.

### Gustav Metzger: 'Destroy, and you create', 2012

Stuart Jeffries "Gustav Metzger: 'Destroy, and you create'," in The Guardian, 26 Nov. 2012.
* Facing up to the Nazis and the powers of the Nazi state coloured my life as an artist.
* At the beginning I was confronted with a choice: move into art or revolutionary politics,... I took the path of art at the age of 18.... I could see this possibility of using the ideas of social change within art.
* I don't want my image to appear in the mass media, since it would detract from the project.
* Atomic physics, was the worst thing that happened in the 20th century.

## Quotes about Gustav Metzger

* In his 60 years of critiquing waste, commercialization, environmental exploitation, and social injustice, he has employed trash, old newspapers, liquid crystals, and industrial materials, and he has even painted with acid. Since Metzger is known for his work’s philosophical dimension, sometimes penning essays related to his art’s themes.
** Jocelyn Hanamirian, "Gustav Metzger at the Serpentine Gallery London." Modern Painters, September 2009.
# Gustav Solomon Oppert

Gustav Solomon Oppert, (30 July 1836 – 1 March 1908) was a German Indologist and Sanskritist. He was a professor of Sanskrit and Comparative Philology, Presidency College, Madras, a Telugu translator to government, and a curator in the Government Oriental Manuscripts Library. He was a professor in Madras from 1872 to 1893. He was also editor of the Madras Journal of Literature and Science from 1878 to 1882. After traveling in north India from 1893 to 1894, he returned to Europe in 1894.

## Quotes

* I venture to suggest that the inhabitants of this country would do well if they were to assume the ancient, honorable, and national name ofBharata, remembering that India has become famous as Bharatvarsa, the land of the Bharats.
** Stache-Rosen, Valentine German Indologists: Biographies of Scholars in Indian Studies Writing in German Max Muller Bhavan New Delhi 199Op.81-82, as quoted in Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture
# Gustav Cassel

Karl Gustav Cassel (20 October 1866 – 14 January 1945) was a Swedish economist and professor of economics at Stockholm University.

## Quotes

* If my theoretical studies have contained any subjective value judgment, then this has amounted at most to a preference for freedom and progress rather than state control of the economy and distribution of such scanty prosperity as may be available for distribution at a given moment. I have wanted to make it clear that this preference is a great common interest of all parties, both in the management of the world economy and in every individual nation. Such a position may be attacked, but it cannot be denominated as party-politics in the ordinary sense.
** Cassel (1941, 440); as cited in: Carlson, Benny, and Lars Jonung. "Knut Wicksell, Gustav Cassel, Eli Heckscher, Bertil Ohlin and Gunnar Myrdal on the role of the economist in public debate." Econ Journal Watch 3.3 (2006): 524-5.
* Economics is in high degree a pedagogical discipline, and an economist must be in close touch with popular psychology in order to know what ought to be said at any particular moment.
** Quoted in Bertil Ohlin (1972, 107); as cited in: Carlson, Benny, and Lars Jonung. "Knut Wicksell, Gustav Cassel, Eli Heckscher, Bertil Ohlin and Gunnar Myrdal on the role of the economist in public debate." Econ Journal Watch 3.3 (2006): p. 525

## Quotes about Gustav Cassel

* The further away a scholarly opinion is from direct observation and the more abstract and ‘theoretical’ it is, the more defenseless it becomes against insidious opportunist errors of judgment. In economics, model thinking in particular creates scope for systematic biases... But of course all social studies must nevertheless aim at generalization. It is thus important to be able to think concretely at the same time, as I learnt from Gustav Cassel.
** Gunnar Myrdal (1982, 265); as cited in: Carlson, Benny, and Lars Jonung. "Knut Wicksell, Gustav Cassel, Eli Heckscher, Bertil Ohlin and Gunnar Myrdal on the role of the economist in public debate." Econ Journal Watch 3.3 (2006): p. 534-5
# Gustav Landauer

Gustav Landauer (7 April 1870 – 2 May 1919) was one of the leading theorists of anarchism in Germany at the end of the 19th and the beginning of the 20th century.

## Quotes

* Anarchy is not a matter of the future; it is a matter of the present. It is not a matter of making demands; it is a matter of how one lives.
** "Anarchic Thoughts on Anarchism," in Revolution and Other Writings: A Political Reader, p. 87
* There is no "state" on the one hand, and people who live in it on the other. The "state" much rather belongs to what people do and understand. People do not live in the state. The state lives in the people.
** "Tucker's Revelation," in Revolution and Other Writings: A Political Reader, p. 249
* A goal can only be reached if the means are in consonance with its essential nature. One will never attain non-violence through violence.
** Letter from Landauer to Martin Buber 1901, quoted in Martin Buber's Life and Work, vol. I by M. Friedman 1981, p. 251
* Now it can become clear to man that freedom and peace of the nations can only come when as Jesus and his followers, and in our time above all Tolstoi advised, they choose to fully abstain from any violence.
** Letter from Landauer to Martin Buber 1914, quoted in Martin Buber's Life and Work, vol. I by M. Friedman 1981, pp. 251-252
* Now comes death, now one must hold one's head high!
** Words spoken - according to an eyewitness - by Landauer when he was beaten and kicked to death (2 May 1919). (According to another eyewitness he cried to his assassins: "Kill me then! Since you are men!") Martin Buber's Life and Work, vol. I by M. Friedman 1981, p. 254

## Quotes about Gustav Landauer

* Gustav Landauer wrote: “Uprising as basic law, change and overthrow as a rule for all times… that was the greatness and the holiness of the mosaic social order. We need that again: new rules and a spirit of change that does not fix things and laws definitively but declares itself permanent. The revolution should become part of our social order, the basic rule of our basic law”.
** Furio Bagnini "On Jewish Anarchism" (2009)