OpenLLM-France/wikimedia huggingface dataset:
# Hierarchy problem

The hierarchy problem is the large discrepancy between aspects of the electroweak force and gravity. The problem is a conceptual puzzle involving quantum field theory and renormalization.

## Quotes

* The hierarchy problem is somewhat unique. ... It's one of a trifecta of problems in the Standard Model that don't come from incontrovertible evidence ... Those three problems are ... the strong CP problem ... the cosmological constant problem ... and the hierarchy problem. ... These .. are ... problems where it's a conflict between our expectations for the size of parameters in quantum field theory and what we see.
** Nathaniel Craig: New Approaches to the Hierarchy Problem I - Nathaniel Craig. YouTube (17 July 2017). (quote from 6:02 of 1:33:59)
* The hierarchy problem is hard to explain. ... Basically, the problem is that there are two main energy (or mass) scales in nature, but that situation shouldn’t be stable. One is the Planck scale, which is defined via fundamental constants: the speed of light, c; Planck’s quantum size, h; and Newton’s gravitational force strength, G. The associated energy scale is about 10$^{19}$ GeV. The other is the electroweak scale, which is set by the masses of the Higgs and the W and Z bosons, at about 10$^2$ GeV. (Protons and atoms have smaller scales, but we understand how to derive those.) It is a conceptual problem, not a conflict with observations.
** Gordon Kane: (14 March 2019)"Column: The collider question". Physics Today.
* Following 't Hooft, we can formulate a technical definition of naturalness: The smallness of a dimensionless parameter η would be considered natural only if a symmetry emerges in the limit η → 0. Thus, fermion masses could be naturally small, since, as you will recall from chapter II.1, a chiral symmetry emerges when a fermion mass is set equal to zero. On the other hand, no particular symmetry emerges when we set either the bare or renormalized mass of a scalar field equal to zero. This represents the essence of the hierarchy problem.
** Anthony Zee: Quantum Field Theory in a Nutshell: Second Edition. Princeton University Press. 2010. p. 419.
# Hierochloe odorata

Hierochloe odorata or Anthoxanthum nitens (commonly known as sweet grass, manna grass, Mary’s grass or vanilla grass, and as holy grass in the UK, bison grass e.g. by Polish vodka producers) is an aromatic herb native to northern Eurasia and North America. It is considered sacred by many Indigenous peoples in Canada and the United States. It is used as a smudge, in herbal medicine and in the production of distilled beverages (e.g., Żubrówka, Wisent). It owes its distinctive sweet scent to the presence of coumarin.

## Quotes

* Hold out your hands and let me lay upon them a sheaf of freshly picked sweetgrass, loose and flowing, like newly washed hair. Golden green and glossy above, the stems are banded with purple and white where they meet the ground. Hold the bundle up to your nose. Find the fragrance of honeyed vanilla over the scent of river water and black earth and you understand its scientific name: Hierochloe odorata, meaning the fragrant, holy grass. In our language it is called wiingaashk, the sweet-smelling hair of Mother Earth. Breathe it in and you start to remember things you didn’t know you’d forgotten.
** Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Milkweed Editions. 16 September 2013. p. IX. ISBN 978-1-57131-871-8.
* A path scented with sweetgrass leads to a landscape of forgiveness and healing for all who need it.
** Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Milkweed Editions. 16 September 2013. p. 212. ISBN 978-1-57131-871-8.
* Sweetgrass is a teacher of healing, a symbol of kindness and compassion.
** Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Milkweed Editions. 16 September 2013. p. 336. ISBN 978-1-57131-871-8.

## External links

* Encyclopedic article on Hierochloe odorata on Wikipedia
* Media related to Hierochloe odorata on Wikimedia Commons
* Data related to Hierochloe odorata on Wikispecies
* Data related to Anthoxanthum nitens on Wikispecies
* Authority control: WorldCat search
# James Fields

This disambiguation page, one that points to other pages that might otherwise have the same name, lists articles associated with the name James Fields. If an internal link led you here, you may wish to change the link to point directly to the intended article.
* James Alex Fields
* James Thomas Fields
# James Francis Stephens

Sir James Francis Stephens (16 September 1792 – 22 December 1852) was an English entomologist.

## Quotes

* In his soul, as in a mirror, were concentrated all the lights radiating from every point of observation — whether human or Divine — and from his soul as from a mirror, these lights were reflected back in every possible combination of beauty and sublimity.
** Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 115.

## External links

* BHL Illustrations of British Entomology
* BHL A systematic Catalogue of British insects
# James Franco

James Edward Franco (born April 19, 1978) is an American actor, filmmaker, painter, and writer.

## Quotes

* I'm gay in my art and straight in my life.
** fourtwonine magazine Interview (2015)
# James Finlay Weir Johnston

James Finlay Weir Johnston FRS (13 September 1796 – 18 September 1855) was a Scottish agronomist and agricultural chemist. He is best known as the co-founder of the British Association for the Advancement of Science.

## Quotes

* Among the friends and patrons of the society at York who paid kind and hospitable attention to those whom the love of science had brought to the meeting, the clergy must not be passed over in silence. They had been the zealous promoters of the meeting; had done much towards facilitating the preliminary arrangements; and exerted themselves by their influence and example to secure to the association that respect and general attention which it deserved, and which at York it amply received. To the church, therefore, the British Association is deeply indebted; and convinced, as I am, that true religion and true science ever lead to the same great end, manifesting and exalting the glory and goodness of the great object of our common worship, I trust that the firmer the association is established, and the more influential it becomes, the more willing and the more efficient an ally it will prove in the cause of religion. While in former times science was said to lead to infidelity, because then it was less profoundly studied, or with less zeal for truth, it is one of the happy characters of the science of this day that it renders men more devout; and it is a pleasing evidence that such is the received opinion, when discerning and educated men — the friends and teachers of religion — of all ranks, step forward not only to patronize science, but to enlist themselves among its cultivators, and to distinguish those who have most successfully advanced it.
** Report of the First Meeting of the British Association for the Advancement of Science held at York in September 1831. By James F. W. Johnston, A. M. &c. &c. As found in David Brewster's The Edinburgh Journal Of Science. Vol. 8, p. 29.
# James Fordyce

James Fordyce DD (1720 in Aberdeen, Scotland – 1 October 1796 in Bath, England) was an Eighteenth-century clergyman. He is best known for his collection of sermons published in 1766 as Sermons for Young Women, popularly known as Fordyce's Sermons.

## Quotes

* Henceforth the majesty of God revere; Fear Him, and you have nothing else to fear.
** Answer to a Gentleman who apologized to the Author for Swearing. Compare: "Je crains Dieu, cher Abner, et n'ai point d'autre crainte" (translated: "I fear God, dear Abner, and I have no other fear"), Jean Racine, Athalie, act i. sc. 1 (1639–1699); "From Piety, whose soul sincere/ Fears God, and knows no other fear", W. Smyth, Ode for the Installation of the Duke of Gloucester as Chancellor of Cambridge.

## External links

* Electric Scotland's biography of James Fordyce
# James Franck

James Franck (26 August 1882 – 21 May 1964) was a German physicist who won the 1925 Nobel Prize for Physics with Gustav Hertz "for their discovery of the laws governing the impact of an electron upon an atom". He completed his doctorate in 1906 and his habilitation in 1911 at the Frederick William University in Berlin, where he lectured and taught until 1918, having reached the position of professor extraordinarius. He served as a volunteer in the German Army during World War I. He was seriously injured in 1917 in a gas attack and was awarded the Iron Cross 1st Class.

## Quotes

* In no other type of warfare does the advantage lie so heavily with the aggressor.
** Memorandum to President Roosevelt (July, 1944).
** Brighter than a Thousand Suns: A Personal History of the Atomic Scientists by Robert Jungk (Page 351).
# Garth Greenwell

Garth Greenwell (born March 19, 1978) is an American poet, author, literary critic, and educator.

## Quotes

* …There’s a way in which I hope the nine chapters are like spheres of intensity that are placed in a relationship that is not the consequence of plot or the linearity of chronology, but is instead a kind of constellation, that there are charged relationships between them that is like a key change, or a mood, or an echo, or a motif. That may sound pretentious, but I think there’s a place for pretentiousness in art.
** On the structure of his second book Cleanness in “Garth Greenwell: 'Sex is an extraordinary subject for a writer'” in The Guardian (2020 Apr 18)
* I really do think of prose as writing sentences. I never think to myself “I’m writing a novel”. Not until I’m very deep into a project do I even think “I’m writing a book”. The kind of sentence I’m attracted to is a kind of navigating device where the sentence itself is moving me through the world and is the tool by which I am able to feel out a territory or a set of concerns.
** On his thought process at the beginning of a work in playing female characters during the 1980s who were women caught in a macho world in “Garth Greenwell: 'Sex is an extraordinary subject for a writer'” in The Guardian (2020 Apr 18)
* The whole point of art, for me, is to give us tools to explore feelings or situations or dilemmas that defeat our other ways of making meaning. When a situation is so vertiginous, so ethically complex, so emotionally fraught, that I feel like I’m staring into an abyss—that’s when I feel moved to make art, when I feel I need the peculiar tools of fiction to figure out what I think. I mean, to inhabit my bewilderment. I think art is the realm in which we can give full rein to the ambiguity, uncertainty, and doubt that we often feel we have to suppress in other kinds of expression—in our political speech, say. I think an ability to dwell in ambiguity, uncertainty, and doubt is a central virtue of humanness. I think it’s crucial to any thinking that might adequately capture the complexity of reality.
** On how he defines art in “Promiscuity Is a Virtue: An Interview with Garth Greenwell” in The Paris Review (2020 Jan 14)
* …for me the great human virtue is promiscuity, the fact that we love mixture, that we are excited by collisions between cultures, languages, traditions. This is why I’m so disgusted by the rejection of this virtue by nationalists of various stripes—and also why I’m resistant to “stay in your lane” condemnations of “cultural appropriation.” Of course, encounters with the other are fraught with peril and—like any ethically meaningful human endeavor—inherently “problematic.” Of course, we need to be mindful and reverent as we attempt to reach across borders of various kinds. But any attempt to build walls—between bodies, between cultural traditions, between languages and aesthetics—is abhorrent to me.
** On how he views notions of cultural appropriation in “Promiscuity Is a Virtue: An Interview with Garth Greenwell” in The Paris Review (2020 Jan 14)
# Garry Trudeau

Garretson Beekman Trudeau (born July 21, 1948) is an American cartoonist, best known for the Doonesbury comic strip.

## Quotes

* I had more flow as a designer. I could just drop down into the zone and stay there for hours. With cartooning, I'm constantly coming up for air, procrastinating, looking for reasons not to be doing it. I spend all day granting myself special dispensation, with 'creative process' as my cover story. Carpenters and deli countermen can't do that, so I think they may feel better about themselves at the end of the day.
** Gene Weingarten (October 22, 2006). "Doonesbury's War". Washington Post. Retrieved on July 24, 2007.
* Whether you think we belong in Iraq or not, we can't tune it out; we have to remain mindful of the terrible losses that individual soldiers are suffering in our name.
** Reported in Kerry Soper, Garry Trudeau: Doonesbury and the Aesthetics of Satire (2008), p. 50.

## Quotes about Trudeau

* I, for one, think good political cartoons retain their value for decades. You can learn a lot from those old "Doonesbury" books.
** Jen Sorensen, Slowpoke: One Nation, Oh My God! (2008)
# Garry Wills

Garry Wills (born May 22, 1934) is an American author, journalist, and historian, specializing in American history, politics, and religion. He won a Pulitzer Prize for General Non-Fiction in 1993.
Wills has written nearly forty books and, since 1973, has been a frequent reviewer for The New York Review of Books. He joined the history department at Northwestern University in 1980, where he is currently an Emeritus Professor.

## Quotes

* The recent effort to find a new meaning for the Second Amendment comes from the failure of appeals to other sources as a warrant for the omnipresence of guns of all types in private hands. Easy access to all these guns is hard to justify in pragmatic terms, as a matter of social policy. Mere common law or statute may yield to common sense and specific cultural needs. That is why the gun advocates appeal, above pragmatism and common sense, to a supposed sacred right enshrined in a document Americans revere. Those advocates love to quote Sanford Levinson, who compares the admitted “social costs” of adhering to gun rights with the social costs of observing the First Amendment. We have to put up with all kinds of bad talk in the name of free talk. So we must put up with our world-record rates of homicide, suicide, and accidental shootings because, whether we like it or not, the Constitution tells us to. Well, it doesn’t.
** Wills, Garry (September 21, 1995). "To Keep and Bear Arms". New York Review of Books.
* So this time let us skip all the sighing and promising and moments of silence. Why keep up the pretense that we are going to take any real and practical steps toward sanity? Everyone knows we are not going to do a single damn thing. We can’t. We are captives of The Gun. The Gun is patriotic. The Gun is America. The Gun is God.
** Wills, Garry (June 15, 2016). "A nation captive to The Gun". The Boston Globe. ; Dunbar-Ortiz, Roxanne (November 10, 2017). "Inside the minds of American mass shooters". The Guardian.
* The gun is not a mere tool, a bit of technology, a political issue, a point of debate. It is an object of reverence. Devotion to it precludes interruption with the sacrifices it entails. Like most gods, it does what it will, and cannot be questioned. Its acolytes think it is capable only of good things. It guarantees life and safety and freedom. It even guarantees law. Law grows from it. Then how can law question it? Its power to do good is matched by its incapacity to do anything wrong. It cannot kill. Thwarting the god is what kills. If it seems to kill, that is only because the god’s bottomless appetite for death has not been adequately fed. The answer to problems caused by guns is more guns, millions of guns, guns everywhere, carried openly, carried secretly, in bars, in churches, in offices, in government buildings. Only the lack of guns can be a curse, not their beneficent omnipresence."
** Wills, Garry (December 15, 2012). "Our Moloch". New York Review of Books.
# Garry W. Trompf

Garry W. Trompf (born 27 November 1940) is Emeritus Professor in the History of Ideas at the University of Sydney in Sydney, Australia. There, he was the head of the Department of Studies in Religion.

## Quotes

* Tigris! Torrent of four thousand years, Millions, men of war sucking at your strength, Living in holes at your side, Agape as you broke bridges, sent ferrymen adrift! How many armies sought to cross you here, How muezzins lived and died, call’d to prayer; Yet you seemed aloof to all their striving, Your ripples looked indifferent to their stares, Their drinking, marching, gravities.
** Dedicatory poem in: Nasoraia, Brikha (2022). The Mandaean Rivers Scroll (Diwan Nahrawatha). New York: Routledge. p. 5. ISBN 978-0-367-33544-1.
# Garry Winogrand

Garry Winogrand (January 14, 1928 – March 19, 1984) was an American street photographer, known for his portrayal of U.S. life and its social issues, in the mid-20th century.

## Quotes

* I photograph to see what things look like photographed.
** "Understanding Still Photographs" (1974)
* What I write here is a description of what I have come to understand about photography, from photographing and from looking at photographs. A work of art is that thing whose form and content are organic to the tools and materials that made it. Still photography is a chemical, mechanical process. Literal description or the illusion of literal description, is what the tools and materials of still photography do better than any other graphic medium. A still photograph is the illusion of a literal description of how a camera saw a piece of time and space. Understanding this, one can postulate the following theorem: Anything and all things are photographable. A photograph can only look like how the camera saw what was photographed. Or, how the camera saw the piece of time and space is responsible for how the photograph looks. Therefore, a photograph can look any way. Or, there's no way a photograph has to look (beyond being an illusion of a literal description). Or, there are no external or abstract or preconceived rules of design that can apply to still photographs. I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing as it is. A photograph must be responsible to both.
** Garry Winogrand (1974), published in "Understanding Still Photography" in: Garry Winogrand: Grossmont College Gallery, 15 March to 2 April, 1976. Garry Winogrand, Grossmont College. Art Gallery, 1976

## Attribution

* I hate the term. I think it’s a stupid term, “street photography.” I don’t think it tells you anything about a photographer or work. I have a book out called The Animals, so call me a zoo photographer? Doesn’t make any sense to me.
** Attributed to Winogrand in: Considering Street Photography by Benjamin Heath at medium.com/on-photography-2, Mar 12, 2013. ; Partly cited in: Principles Of Moments: Thoughts On Street Photography Posted by oxfordschoolofphotography on May 23, 2014
# I Declare War (film)

I Declare War is a 2012 Canadian action comedy-drama film written and co-directed by Jason Lapeyre and Robert Wilson. The film, about a group of friends who get together for a game of capture the flag that escalates into violence, was an Official Selection in the 2012 Toronto International Film Festival and was given a limited release in U.S. theatres on August 30, 2013.
    Directed by Jason Lapeyre and Robert Wilson. Produced by Patrick Cameron, Robert Wilson and Lewin Webb. Written by Jason Lapeyre.

## Dialogue

    P.K. Sullivan: Once you're dead, you go home. You can't be interrogated. It's a rule.
    Kenney: Fuck the rules. It's too hot for rules.
    Wesley Bishop: [he explains to Joker how he got his nickname] Actually, I'm an Altar Boy at St Andrews.
    Albert Washington aka Joker: Oh. Ever been buggered?
    Wesley Bishop: No, it's an Anglican church.
    Albert Washington aka Joker: So, what's the deal with God, Altar Boy?
    Wesley Bishop: What do you mean?
    Albert Washington aka Joker: What's so great about God?
    Wesley Bishop: God is Love.
    Albert Washington aka Joker: What the hell does that mean?
    Wesley Bishop: God loves you all the time, no matter what.
    Albert Washington aka Joker: So?
    Wesley Bishop: So, no matter what you do wrong, all you have to do is ask Him to forgive you. And He will. Every time.
    Albert Washington aka Joker: Phhhhsh. God is so gay!

## Cast

* Siam Yu as Kwon
* Gage Munroe as P.K.
* Michael Friend as Skinner.
* Aidan Gouveia as Quinn.
* Mackenzie Munro as Jess.
* Alex Cardillo as Frost.
* Dyson Fyke as Sikorski.
* Spencer Howes as Joker.
* Andy Reid as Wesley.
* Kolton Stewart as Caleb.
* Richard Nguyen as BAK.
* Eric Hanson as Kenney.
* Alex Wall as Scott.
# I Heard the Bells on Christmas Day

I Heard the Bells on Christmas Day is a Christmas Carol based on a 1863 poem by Henry Wadsworth Longfellow.

## Lyrics

Then pealed the bells more loud and deep: "God is not dead, nor doth He sleep;
    The Wrong shall fail,
    The Right prevail,
With peace on earth, good-will to men."

## Quotes about I Heard the Bells on Christmas Day

* Longfellow is like us, we've heard the truth of "peace on Earth good will to men" but we also live the truth that "hate is strong and mocks the song." The Christian message is that God the divine word leaped like a warrior to this earth to transform it so that you and I in the midst of a world that is broken, in the midst of the world where bells still ring even though cannons still boom, that we can still have hope.
** Mike Schmitz, How to Celebrate Christmas When Life Is Hard (20 December 2023) How to Celebrate Christmas When Life Is Hard Ascension Presents
# I Lost My Body

I Lost My Body is a 2019 French animated drama fantasy film directed by Jérémy Clapin. It premiered in the International Critics' Week section at the 2019 Cannes Film Festival, where it won the Nespresso Grand Prize, becoming the first animated film to do so in the section's history. The film was nominated for Best Animated Feature Film at the 92nd Academy Awards, losing to Toy Story 4.
    Directed by Jérémy Clapin. Produced by Marc du Pontavice. Screenplay by Jérémy Clapin and Guillaume Laurant. Based on Happy Hand by Guillaume Laurant.

## Naoufel

* That it must be peaceful to be cut off from the world like that. To see nothing... hear nothing...

## Others

* The Father: I never said it was easy. You can't win every time. That's life.

## Dialogue

    Gabrielle: Once you've dribbled past fate, what do you do?
    Naoufel: You try to keep away from it. You run blindly... and keep your fingers crossed.
    Naoufel: Do you believe in fate? No, seriously.
    Gabrielle: That everything is written in advance? That we follow a trajectory?
    Naoufel: Yeah.
    Gabrielle: And that we can't change anything?
    Naoufel: We think that we can, but we can't. It's an illusion. Unless we do... Something completely unpredictable and irrational. It's the only way to conjure the spell for good.
    Gabrielle: You should switch jobs, delivery is just not your thing, y'know.
    Naoufel: I know. My boss keeps telling me that.

## Voice cast
### French cast

* Hakim Faris as Naoufel.
** Alphonse Arfi as Young Naoufel.
* Victoire Du Bois as Gabrielle.
* Patrick d'Assumçao as Gigi.
* Hichem Mesbah as The Father.
* Myriam Loucif as The Mother.
* Bellamine Abdelmalek as Raouf.
* Nicole Favart as Mrs. Lussac.
* Céline Ronté as Baby's Mother.

### English cast

* Dev Patel as Naoufel.
** Tucker Chandler as Young Naoufel.
* Alia Shawkat as Gabrielle.
* George Wendt as Gigi.
* Anouar H. Smaine as The Father.
* Sarah Lynn Dawson as The Mother.
* Jonny Mars as Raouf.
* Barbara Goodson as Mrs. Lussac.
* Tara Sands as Baby's Mother.