OpenLLM-France/wikimedia huggingface dataset:
# Tobin Bell

Joseph Henry Tobin Jr. (born August 7, 1942), known professionally as Tobin Bell, is an American film and television actor.

## Quotes

* You learn a lot watching that, because so much of what you do in film and television is technical. You could go to acting class until you're blue in the face, but when it really comes down to it, you'd better have that acting training where so much of what you do is actually technical.
** The Only Tobin Bell Interview You'll Ever Need (October 16, 2009)
* What's interesting is that you can have a set that's very calm, very smooth, very cooperative...and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film -- it's interesting in that way.
** The Only Tobin Bell Interview You'll Ever Need (October 16, 2009)
* So much of acting is technical. Actually, I don’t want people to think that acting is technical, that you don’t need to have a rich fountain of emotional life and all those kinds of things, and know how to focus and concentrate and have good imagination and all of the other things that really make up an actor. One of the things they teach you, for example, in acting class is respond to your instinct, to your moment-to-moment instincts. If they just did that, they’d never get the shot, you know? Because you’d be walking all over… You’d be doing it differently every time. And the camera guys and the light guys, they need to know what you’re going to do. That’s what I mean by, if you just followed your instinct, or follow your impulses, which is what they say to you in acting class, you have to do that but you have to do it in a very confined window.
** Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House (March 14, 2014)
* I understand that people refer to me as an icon and that sort of thing because there are certain guys who play a certain role. And horror fans are very passionate people. They love their genre. And they love the Saw films. So the fact that I played a central role in those films, that puts you in a position where people... You know, the screen is sixty feet across, and people sometimes forget that you’re an actor and you play... Because you become established as a certain kind of character. But in fact, we continue to try and occupy the skins of different human beings. That’s what you get involved in being an actor for in the first place.
** Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House (March 14, 2014)

## External links

* Official website
# Tocharians

The Tocharians or Tokharians (/toʊˈkɛəriən/ or /toʊˈkɑːriən/) were Indo-European peoples who inhabited the medieval oasis city-states on the northern edge of the Tarim Basin (modern Xinjiang, China) in ancient times.

## Quotes

* The simplest explanation of the presence of a Centum language in Central Asia would be to regard it as the last survivor of an original Asiatic Aryan stock. To identify a wandering of Aryans across Turkestan from Europe in a relatively late historical period is frankly difficult.
** (CHILDE 1926:95-996). The Aryans: A study of Indo-European Origins. Childe, V. Gordon. Kegan, Paul, Trench, Trubner & co. Ltd., London, 1926.
* The contact between Tokharic and Chinese adds little to our knowledge of the Urheimat but merely confirms that the Tokharic people lived that far east. The adoption of almost the whole range of domesticated cattle-names from Tokharic into Chinese also emphasizes a fact insufficiently realized, viz. how innovative the cattle-breeding culture of the early IE tribes really was. They ranked as powerful and capable, and their prestige helped them to assimilate large populations culturally and linguistically. But for Urheimat-related trails, we must look elsewhere.
** Elst, Koenraad (1999). Update on the Aryan invasion debate New Delhi: Aditya Prakashan.
* The location of the Anatolian branch of IE (Hittite and its sisters) is a problem, or at least a puzzle, for IE homeland studies. The Anatolian languages are attested very early in Asia Minor, removed from Europe and far from the steppe; Gamkrelidze and Ivanov ... offer as a strength the ability of their proposed homelands to account for the location of Hittite with minimal migration. Alternatively or additionally, the location of Tocharian—attested in the early centuries AD well to the east of most IE territory in present-day Xinkiang (Chinese Turkestan)—is a problem or a puzzle... Accounting for the locations of both Hittite and Tocharian is usually presented, at least rhetorically, as a major problem.
** Johanna Nichols NICHOLS. 1998. The Eurasian spread zone and the Indo-European dispersal. in : Blench, R., & Spriggs, M. (2012). Archaeology and Language II: Archaeological Data and Linguistic Hypotheses. Hoboken: Taylor and Francis.
# W. C. Allee

Warder Clyde Allee (5 June 1885 – 18 March 1955) was an American zoologist and ecologist known for his work in the behavioural sciences during the 1930s.

## Quotes

* The mortal enemies of man are not his fellows of another continent or race; they are the aspects of the physical world which limit or challenge his control, the disease germs that attack him and his domesticated plants and animals, and the insects that carry many of these germs as well as working notable direct injury. This is not the age of man, however great his superiority in size and intelligence; it is literally the age of insects.
** The Social Life of Animals (1938), Chapter VII: Some Human Implications.
* Widely dispersed knowledge concerning the important role of basic cooperative processes among living beings may lead to the acceptance of cooperation as a guiding principle both in social theory and as a basis for human behavior. Such a development when it occurs will alter the course of human history.
** Cooperation among Animals with Human Implications (1951), page 213 (cited in "The Altruism Equation", by Lee Alan Dugatkin (2006), page 58).
# W.G. Collingwood

William Gershom Collingwood (6 August 1854, in Liverpool – 1 October 1932) was an English author, artist, antiquary and professor of Fine Arts at University College, Reading. A long-term resident of Coniston, Cumbria, he was President of the Cumberland and Westmorland Antiquarian Society and the Lake Artists' Society.

## Quotes

* The combination of shrewd common sense and romantic sentiment; the oscillation between levity and dignity, from caustic jest to tender earnestness ; the restlessness, the fervour, the impestuosity,-all these are characteristics of a Scotsman of parts and highly developed in Ruskin.
** The Life and Work of John Ruskin MA. Pub.Methuen and Co. Bury Street W.C.London. 1893. 2nd edition. Page 4 and 5.
# W. C. Handy

William Christopher Handy (November 16, 1873 – March 28, 1958) was an African American blues composer, often known as "The Father of the Blues".

## Quotes

* I think America concedes that (true American music) has sprung from the negro. When we take these things that come from the art of the Negro and from the heart of the man farthest down.
** Music Preservation Society biography
* Life is like a trumpet. If you don't put anything into it, you don't get anything out.
** Music Preservation Society biography
* If my serenade of song and story should serve as a pillow for some composer's head, as yet perhaps unborn, to dream and build on our fond melodies in his tomorrow, I have not labored in vain.
** Profiles In Black

## Quotes about W. C. Handy

* It's a street in Memphis that W.C. Handy wrote about in his "Beale Street Blues." You know, If Beale Street could talk,/If Beale Street could talk,/Married men would have to take their beds and walk.
** 1972 interview in Conversations with James Baldwin edited by Louis H. Pratt and Fred L. Standley (1989)
* The blues is a method. It represents a treatment of songs, first by W. C. Handy, and then by a great line of singers and musicians.
** Muriel Rukeyser The Life of Poetry (1949)
# Amphibian

Amphibians are ectothermic, anamniotic, four-limbed vertebrate animals that constitute the class Amphibia. All extant amphibians belong to the monophyletic subclass Lissamphibia, with three living orders: Anura (frogs and toads), Urodela (salamanders), and Gymnophiona (caecilians).

## Quotes

* Poor Tom, that eats the swimming frog, the toad, the tadpole, the wall newt, and the water.
** William Shakespeare, King Lear, III, iv
* Toward misted and ebullient seas And cooling shores, toward lost Amphibia’s emperies.
** Richard Wilbur, "The Death of a Toad", in Poetry (February 1948)
* Salamander in his dripping cave Satanic ebon-amber; ... Eft of cumbrous gait, And toads who love rank grasses near a grave.
** John Warren, 3rd Baron de Tabley, "Circe", Poems Dramatic and Lyrical (1893), p. 37
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# Alessandro Pepoli

Alessandro Pepoli (1757-1796), was an Italian librettist and author of tragedies. In 1783, he wrote an essay on freedom, advocating political reform.

## Quotes

* Si fermano anche i lupi quando hanno afferrato la preda.
** Translation: Even the wolves cease their depredations, when they have secured all the prey.
** La Scommessa, Act I., Sc. I. — (Il Marchese.). Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 417.
* In questo mondo, quante cose sonc e non sembrano! e quante poi sembrano e non sono!
** Translation: How many things there are in this world which do not seem to be, and how many which seem to be and are not.
** La Scomessa, Act I., Sc. III. — (Il Marchese.). Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 325.
* Il matrimonio bisogna che sia un vero castigo, poichè fa diventar savi anche i matti.
** Translation: Matrimony must be like a sound flogging, for it makes the veriest block-heads learn something.
** La Scomessa, Act III., Sc. IV. — (Desiderio.). Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 316.
# Alessandro Roncaglia

Alessandro Roncaglia (born in Rome, 17 July 1947) is an Italian economist.

## Quotes
### Piero Sraffa: His life, thought and cultural heritage (2000)

Alessandro Roncaglia, Piero Sraffa: His life, thought and cultural heritage (2000)
* Indeed, a full understanding of Sraffa’s contributions can be difficult, since these must be viewed as a complex whole, as part of an extremely ambitious cultural project: ‘to shunt the car of economic science’ in a direction opposite to that –the subjective theory of value –chosen by Jevons, one of the leading early exponents of the marginalist approach. Thus, with his writings Sraffa contributes to exposing the weak points in the theories of the leading exponents of the marginalist approach, from Alfred Marshall and Arthur Cecil Pigou to Friedrich von Hayek, and of their present-day followers, and at the same time re-proposes the classical approach of Adam Smith and David Ricardo (and also, in certain respects, of Karl Marx). The work of reconstructing the classical approach is also coherent with elements of the Keynesian contribution. This connection is possibly the most important issue in the current debate concerning the road to be followed in going on with the work started by Sraffa.
** Introduction
* Sraffa’s criticisms of the concept of capital also amount – at least in principle –to a deadly blow to the foundations of the so-called ‘neo-classical synthesis’. Combining Keynes’ thesis on the possibility of fighting unemployment by adopting adequate fiscal and monetary policies with the marginalist tradition of simultaneous determination of equilibrium quantities and prices as a method to study any economic problem, this approach has in the last few decades come to constitute the dominant doctrine in textbooks the whole world over. It is only thanks to increasing specialisation in the various fields of economics, often invoked as the inevitable response to otherwise insoluble difficulties, that the theoreticians of general equilibrium are able to construct their models without considering the problem of relations with the real world that economists are supposed to be interpreting, and that the macroeconomists can pretend that their ‘one commodity models’ constitute an acceptable tool for analysis. For those who believe that the true task facing economists, hard as it may be, is to seek to interpret the world they live in, Sraffa’s ‘cultural revolution’ still marks out a path for research that may not (as yet) have yielded all it was hoped to, but is certainly worth pursuing.
** Ch. 1. Piero Sraffa

## External links

* Authority control: VIAF: 73989316 | WorldCat search