OpenLLM-France/wikimedia huggingface dataset:
# Christopher Wood (writer)

Christopher Hovelle Wood (born 5 November 1935 – 9 May 2015) was an English screenwriter and novelist best known for the Confessions series of novels and films which he wrote as 'Timothy Lea'. Under his own name, he adapted two James Bond novels for the screen: The Spy Who Loved Me and Moonraker.

## Quotes

* An Oxford man walks down the street and thinks that he owns it, a Cambridge man walks down the street and doesn't give a toss who owns it.
** James Bond, The Spy I Loved. Twenty First Century Publishers Ltd, 2006, pg. 58-59.
* It was always the same in my experience, the greatest libertines make the most suspicious fathers, and show me a mother who would part her legs for a dray horse and you will find her daughter has a chastity belt before a christening mug. Why they deny their progeny what they find so pleasant themselves I will never conceive.
** John Adam - Samurai. Sphere paperbacks, 1972 edition (originally published by Arlington books in 1971). pg. 31-32 (chapter 2).
* The crowd pressed round the dais and the band broke into the national anthem. 'Broke into' was the wrong expression. They ransacked it. Stone closed his eyes and clenched his fists to stop himself laughing as the wailing brass savaged his eardrums.
** Make It Happen To Me. London: Constable. 1969 (chapter 8)

### "Terrible Hard", Says Alice (1970)

Wood, Christopher. "Terrible Hard", Says Alice. London: Constable. 1970.
* One day, thought Stone, there will be a war and when you get to the front you will last five minutes before someone puts a bullet in your back.
** chapter 1
* "The moneylender and his wife," he said indifferently, jerking his head over his shoulder. "It is always the same in any revolution. The moneylenders are always the first to go."
** chapter 6
* Every day, thought Stone, is a revelation. At night it seems that you will never see it again, that it has been lost in the darkness. But with the sun, you hold your breath and look, and there it is. Just as it was; as you could never quite remember it.
** chapter 8
* I'd like to impregnate her with a warm smile, listen to my children call her "mummy", be a comfort to her in her old age.
** chapter 9
* Everyone was mad only some of them didn't know it.
** chapter 11
* "The trouble is, Richard, that you always think you can alter people. You say, Oh, yes, he's a little weak and I can't stand the way he hums to himself when he's shaving but when we live together I'll change that, we'll grow together, but you never do. All that happens is that the little things are symptomatic of bigger things and they become more and more important."
** chapter 13
* I really am interested but I find it hard to make the proper helpful noises. I'm terrible inadequate when it comes to sympathy. I feel things but I can't express them in words.
** chapter 13
# Christopher Smith

Christopher Smith (2. July 1965 in Aylesbury, England) is a British academic and classicist specialising in early Ancient Rome. He is Professor of Ancient history at the University of St Andrews and was formerly Director of the British School at Rome.

## Quotes
### The Etruscans (2014)

* Yet wherever one looks, in non-specialist guides, or in holiday brochures, one reads about the 'mysterious' Etruscans; hidden Etruria; underground Etruria — as if the culture is somehow concealed from us. It is a sales gimmick which has been very useful and profitable, but it is also misleading. (...) The Etruscans were no more more mysterious than most other peoples of archaic Italy.
** p.1. Christopher Smith (2014), The Etruscans: a very short introduction, Oxford: Oxford. University Press, 2014. p.1. ISBN: 978-‐0-‐19-‐954791-‐3.
# Christopher Stasheff

Christopher Stasheff (15 January 1944 – 10 June 2018) was an American science fiction and fantasy author.

## Quotes
### The Warlock in Spite of Himself (1969)

    There are only two sections, and no chapter divisions in the book. No page numbers, as all quotes are from the e-book edition published by PhoenixPick ISBN 978-1-60450-486-6
* But revolutionaries are always out of place when the revolution is over, and are likely to prove an embarrassing factor to the police forces of the new government.
** Section 1, Location 233
* Democracy, the only practical compromise between totalitarianism and anarchy.
** Location 242
* “Rod, you are jumping to conclusions.” “No, just coming up with a brilliant flash of insight.”
** Location 388
* The important thing about a revolution is that it begin; you can always take control of it later.
** Section 2, Location 3366
* “We shall win, for the honor of Plantagenet or Gramarye, or die nobly.” “I have yet,” Rod said tightly, “to see a noble death in battle. They’re all just a little on the messy side.”
** Location 4664
* “You can judge a god, an ideal, by the people who worship it, Tom.”
** Location 5183
* The moment of silence stretched out as thin as the content of a congressman’s speech.
** Location 5205
* “Don’t die for…a dream…”
** Location 6101 (ellipses as in the book)
# Christopher Sembuya

Christopher Columbus Sembuya, was a Ugandan industrialist and entrepreneur and one of the founders of the Sembule Group of Companies, one of Uganda’s indigenous companies which first locally produced radio and television sets, “landline” telephones and even streetlight.

## Quotes

* “Why should we let foreigners take our thing?”
* They must start to think with their hearts and measure return on investment in emotional kilobytes, Article by by Joseph Were, 13 April 2014
* “True, the circumstances and the period of Idi Amin were characterised by terror, but that does not have to put away his other side that was a sincere positive contribution to Uganda…”
** The untold Jekyll and Hyde story of Idi Amin, Article 31 January 2010 The East African
*** Christopher Colombus Sembuya praises him for his “positive contributions” to Uganda in the fields of business, infrastructure, religion and sports, among others.
* “Often Amin has been accused of so many wrongs, that any of his right doings always obscured,”
** The untold Jekyll and Hyde story of Idi Amin, Article 31 January 2010 The East African
*** Sembuya credits Amin for the creation of Uganda’s first and only national flag carrier, the Uganda Airlines Corporation and expanding the Uganda Railways following the collapse of the East African Community in 1977.
* “…The military then began to assume a more prominent role in Uganda’s life. Obote selected the popular officer, Idi Amin Dada, and promoted him rapidly through the ranks as a personal protege,”
** The untold Jekyll and Hyde story of Idi Amin, Article 31 January 2010 The East African
# Christopher Tilley

Chris Tilley is a British archaeologist and Professor of Anthropology and Archaeology at University College London, known for his contributions to post-processualist archaeological theory.

## Quotes

* Discourse occurs at the silent level of the artefact and is continuously presenced in the world as such. It is a discourse which is not, and cannot be, articulated in speech.
** Buchli (Ed.), Victor; Tilley, Christopher (2002). The Material Culture Reader. Oxford: Berg. ISBN 1-85973-559-2.
* When we link things metaphorically we recognise similarity in difference, we think one thing in terms of attributes of another.
** Buchli (Ed.), Victor; Tilley, Christopher (2002). The Material Culture Reader. Oxford: Berg. ISBN 1-85973-559-2.
* To be human is to think through metaphors.
** Buchli (Ed.), Victor; Tilley, Christopher (2002). The Material Culture Reader. Oxford: Berg. ISBN 1-85973-559-2.
* Metaphors are thus the very medium and outcome of our analysis.
** Buchli (Ed.), Victor; Tilley, Christopher (2002). The Material Culture Reader. Oxford: Berg. ISBN 1-85973-559-2.
# Footrot Flats: The Dog's Tale

Footrot Flats: The Dog's Tale (stylised as Footrot Flats: The Dog's Tail Tale) is a 1986 New Zealand animated comedy film based on cartoonist Murray Ball's comic strip Footrot Flats about a New Zealand farmer and his border collie sheepdog.
    Directed by Murray Ball. Produced by John Barnett and Pat Cox. Screenplay by Murray Ball and Tom Scott. Based on Footrot Flats by Murray Ball.

## Wal Footrot

* [repeated line] Those bloody Murphys!
* [after closing his cupboard, the stuff on top falls on him] Ah, shit!

## Dog

* [repeated line] Ye Gods!
* [after ruining Wal and Cheeky's date] You think you can break my spirit, do you Wal Footrot? Well, you're not dealing with rubbish here, mate. The blood of the Grey Ghost flows in these veins! I got one thing to say to you Wal Footrot. [startled by the screams of rats] I'm sorry!

## Voice cast

* John Clarke as Wal Footrot.
* Peter Rowley as Dog.
* Rawiri Paratene as Rangi.
* Fiona Samuel as Cheeky Hobson and Pongo.
* Peter Hayden as Irish Murphy and Cooch Windgrass.
* Dorothy McKegg as Aunt Dolly.
* Billy T. James as Pawai.
* Brian Sergent as Spit Murphy.
* Marshall Napier as Hunk Murphy.
* Michael Haigh as The Rugby Commentator.
# Footsteps

Footsteps are the individual acts of taking a step, moving one foot and the next when walking; the term also refers to the sounds of footfalls, and to the the mark or impression left by the foot. By extension, it refers to the indications or waypoints of a course or direction taken.

## Quotes
### Hoyt's New Cyclopedia Of Practical Quotations

    Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 286.
* The tread Of coming footsteps cheats the midnight watcher Who holds her heart and waits to hear them pause, And hears them never pause, but pass and die.
** George Eliot, The Spanish Gypsy (1868), Book III.
* There scatter'd oft the earliest of ye Year By Hands unseen are showers of Vi'lets found; The Redbreast loves to build and warble there, And little Footsteps lightly print the ground.
** Thomas Gray, manuscript of Elegy in a Country Churchyard; corrections made by Gray are "year" for "Spring", "showers" for "frequent", "redbreast" for "robin".
* Vestigia terrent Omnia te adversum spectantia, nulla retrorsum.
** The footsteps are terrifying, all coming towards you and none going back again.
** Horace, Epigrams, Book I. 1. 74. Quoted Vestigia nulla retrorsum.
* And so to tread As if the wind, not she, did walk; Nor prest a flower, nor bow'd a stalk.
** Ben Jonson, Masques, The Vision of Delight.
* Her treading would not bend a blade of grass, Or shake the downy blow-ball from his stalk!
** Ben Jonson, The Sad Shepherd.
* A foot more light, a step more true, Ne'er from the heath-flower dashed the dew.
** Walter Scott, Lady of the Lake (1810), Canto I, Stanza 18.
* The grass stoops not, she treads on it so light.
** William Shakespeare, Venus and Adonis (1593), line 1,028.
* Steps with a tender foot, light as on air, The lovely, lordly creature floated on.
** Alfred Tennyson, The Princess (1847), VI, line 72.
* Sed summa sequar fastigia rerum.
** But I will trace the footsteps of the chief events.
** Virgil, Æneid (29-19 BC), I, 342.
* Methought I saw the footsteps of a throne.
** William Wordsworth, Miscellaneous Sonnets, Methought I Saw the Footsteps of a Throne.
# Foppery

Foppery is a pejorative term describing a foolish man overly concerned with his appearance and clothes in 17th century England. Some of the very many similar alternative terms are: "coxcomb", fribble, "popinjay" (meaning "parrot"), fashion-monger, and "ninny". "Macaroni" was another term, of the 18th century, more specifically concerned with fashion. A modern-day fop may also be a reference to a foolish person who is overly concerned about his clothing and incapable of engaging in intellectual conversations, activities or thoughts.

## Quotes

* 'Tis mean for empty praise of wit to write, As fopplings grin to snow their teeth are white.
** Tom Brown (1662–1704) Essay on Satire, Stanza 2. Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 286-87.
* I marched the lobby, twirled my stick, * * * * * The girls all cried, "He's quite the kick."
** George Colman the Younger (1762–1836), Broad Grins, Song, Stanza 1. Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 286-87.
* Of all the fools that pride can boast, A Coxcomb claims distinction most.
** John Gay, Fables (1727), Part II. Fable 5.
* A beau is one who arranges his curled locks gracefully, who ever smells of balm, and cinnamon; who hums the songs of the Nile, and Cadiz; who throws his sleek arms into various attitudes; who idles away the whole day among the chairs of the ladies, and is ever whispering into some one's ear; who reads little billets-doux from this quarter and that, and writes them in return; who avoids ruffling his dress by contact with his neighbour's sleeve, who knows with whom everybody is in love; who flutters from feast to feast, who can recount exactly the pedigree of Hirpinus. What do you tell me? is this a beau, Cotilus? Then a beau, Cotilus, is a very trifling thing.
** Martial, Epigrams (c. 80-104 AD), Book III, Epigram 6.
* Nature made every fop to plague his brother, Just as one beauty mortifies another.
** Alexander Pope (1688–1744), Satire IV, line 258. Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 286-87.
* A lofty cane, a sword with silver hilt, A ring, two watches, and a snuff box gilt.
** Recipe "To Make a Modern Fop" (c. 1770). Quotes reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 286-87.
* This is the excellent foppery of the world.
** William Shakespeare, King Lear (1608), Act I, scene 2, line 128.
* A fop? In this brave, licentious age To bring his musty morals on the stage? Rhime us to reason? and our lives redress In metre, as Druids did the savages.
** Sir Samuel Tuke, The Adventures of Five Hours (1663), Act V.
* Has death his fopperies?
** Edward Young, Night Thoughts (1742-1745), Night II, line 231.
# Footloose

Footloose may refer to:
* Footloose (1984 film)
* Footloose (2011 film)
This disambiguation page, one that points to other pages that might otherwise have the same name, lists articles associated with the name Footloose. If an internal link led you here, you may wish to change the link to point directly to the intended article.
# For Scent-imental Reasons

For Scent-imental Reasons is a Warner Bros. Looney Tunes short released in 1949. It was directed by Chuck Jones, written by Michael Maltese, and featured the characters Pepé Le Pew and Penelope Pussycat (all voices were done by Mel Blanc). It won the Academy Award for Best Animated Short Film and was the first Chuck Jones directed cartoon to win this award.
This cartoon was featured in The Bugs Bunny/Road Runner Movie

## Dialogue

    Pepé: [sings] Affaire d'amour ? Affaire de cœur ? Je ne sais quoi… je vive en espoir. [Sniffs] Mmmm m mm… un smella vous finez… [Hums]
    Gendarme: Le kittee quel terrible odeur !! [runs away]
    Perfume Shop Owner: Arrêt Gendarme !! Arrêt !! Retournez-moi !! This instonce!! [crying] Oh, pouvre de moi! I am ze bankrupt!
    Penelope Pussycat: Le mew. Le purr.
    Perfume Shop Owner: Ah, le pussy ferocious. Remove that skunk, that polecat pole from the premises. Avec!
    [He tosses Penelope in the store and the cat crashed to a table and knocks down a bottle of white hair dye.]
    Penelope: (Smells skunk) Sniff, sniff, sniff-sniff, sniff-sniff.
    Pepé: Quel est ? [notices cat] Ahh… le belle femme skunk fatale… [clicks tongue twice]

## Voice cast

* Mel Blanc as Pepe Le Pew / Perfume Shop Owner / Gendarme / Cat (voice)
# Eileen Chang

Eileen Chang (September 30, 1920 – September 8, 1995) was one of the most influential modern Chinese writers.

## Quotes
### Liuyan [《流言》] (1968)

    Page numbers refer to Written on Water, trans. Andrew F. Jones (New York: Columbia University Press, 2005)
* In this era, the old things are being swept away and the new things are still being born. But until this historical era reaches its culmination, all certainty will remain an exception. People sense that everything about their everyday lives is a little out of order, out of order to a terrifying degree. All of us must live within a certain historical era, but this era sinks away from us like a shadow, and we feel we have been abandoned. In order to confirm our own existence, we need to take hold of something real, of something most fundamental, and to that end we seek the help of an ancient memory, the memory of a humanity that has lived through every era, a memory clearer and closer to our hearts than anything we might see gazing far into the future. And this gives rise to a strange apprehension about the reality surrounding us. We begin to suspect that this is an absurd and antiquated world, dark and bright at the same time. Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation, an intense but as yet indefinable struggle.
** 2. "Writing of One's Own" (pp. 17–18)
* When you meet the one among the millions, when amid millions of years, across the borderless wastes of time, you happen to catch him or her, neither a step too early nor a step too late, what else is there to do except to ask softly: "So you're here, too?"
** 10. "Love" (p. 79)

## External links

* Encyclopedic article on Eileen Chang on Wikipedia
# Eileen Gu

Eileen Feng Gu (born September 3, 2003), also known by her Chinese name Gu Ailing (Chinese: 谷爱凌), is an American-born Olympic gold medalist freestyle skier and model.

## Quotes

* Since I was little, I've always said when I'm in the U.S., I'm American, but when I'm in China, I'm Chinese, I preserve it by having friends and being able to communicate with people because that's the best way to transmit culture.
** Gao, Ao (January 27, 2020). U.S. teen skier looks to inspire Chinese young women through sports. ESPN. Archived from the original on July 11, 2021. Retrieved on July 11, 2021.
# Eileen Collins

Eileen Marie Collins (born 19 November 1956) is a retired NASA astronaut and United States Air Force (USAF) colonel. A former flight instructor and test pilot, Collins was the first woman to pilot the Space Shuttle and the first to command a Space Shuttle mission.

## Quotes

* "A leader must be collaborative and competent, and your team won’t care if you are a man or a woman".
* "I also should credit all the women pilots before me, including the Women Airforce Service Pilots of WWII and the Mercury 13 women who passed the difficult astronaut exams in the early 1960s".
* "Sometimes a woman needs to show her competence before the guys “accept” her and trust her".
* " Set a “mission” for yourself and write it somewhere where you will see it daily".
* "I believe failure can be caused by lack of focus on that mission, or allowing too many distractions into your life".
** 7 Questions with Astronaut Eileen Collins by Chitra Sethi, MARCH 22, 2023 Retrieved 17/11/2023
* "I asked my crew to be creative, to think about everything that could go wrong during the mission that no one has thought about yet and bring it to the attention of the flight control team"
* "Informal learning is more difficult because you don’t always know what you need to know"
* "It’s hard for the astronauts to meet everybody because we have responsibilities in the office and families we need to see, so we try to spread out".
** Interview with Eileen Collins by Don Cohen,October 1, 2006 Retrieved 17/11/2023
# Eisuke Sakakibara

Eisuke Sakakibara (born March 27, 1941) is a Japanese economist, Professor at Keio University, and former Vice Minister of Finance for International Affairs, who was known as "Mr Yen".

## Quotes
### The End of Market Fundamentalism (1999)

* It was in 1926 that John Maynard Keynes wrote his now famous essay "The End of Laissez-Faire." Since then, history has evolved through the Great Depression, "hot" and cold wars, the establishment of the Bretton woods regime, suspension of convertibility of the US dollar into gold, oil shocks, and the information and telecommunications revolution. The situation at the end of the 20th century seems to be quite similar to that of the late 1920s, having come full circle.
* At the center of market fundamentalism lies the general acceptance of the Walrasian general equilibrium model, or the neo-classical paradigm. Although many economists came to doubt the universal validity of such models in view of economies of scope, bounded rationality, asymmetric information, and other types of market imperfections and ventured into institutional analysis, the orthodoxy still remains the one which postulate some type of rationality of atomized individuals and the market which mediate among these atomized individuals and firms to reach some stable equilibrium.
* As was rightly pointed out by Karl Polanyi in the 1940s , the 19th century laissez-faire regime can be thought of as one in which society is forced to conform to the needs of the market mechanism. "Instead of the economy being embedded in social relations, social relations are embedded in the economic system" in this laissez-faire regime. However, it was precisely because of this that the system gradually disintegrated from the early 20th century into economic and social chaos. "Since society was made to conform to the needs of the market mechanism, imperfections in the functioning of that mechanism created cumulative strains on the body social."
* What I aspire to in the 21st century is a global world system that inter-connects each region and country with their unique culture and socioeconomic regime. Globalization thriving amidst diversity is my vision for the next century, and I strongly believe this co-existence of diverse civilizations with global networking will create a much better world than the unilateral imposition of monolithic ideologies, such as market fundamentalism.

## External links

* Japan's nomination of Mr. Eisuke Sakakibara... for the post of Managing Director of the International Monetary Fund, 2000
# Eiji Aonuma

Eiji Aonuma (born March 16, 1963) is a Japanese video game designer, director and producer.

## Quotes

* I don’t play a lot of video games outside of work because for me video games are work. There are a lot of things I choose to do with my free time besides play games. But whenever I do hear about something interesting – if there is a new game that has a particularly interesting hook – that is something I will want to spend some time playing. But when it comes to genre, I definitely don’t specify one particular genre that I’m interested in. I’ll absolutely play anything in regards to genre.
** Zelda Producer Eiji Aonuma Talks Creating Majora's Mask And His Personal Hobbies (February 21, 2015)
* it is a big challenge to localize a game of that size with voice acting in particular. But always, from previous titles in the series, actually being able to allow fans to experience The Legend of Zelda in their own language is something we really care about and something we've regarded as an important thing to achieve. Of course we have our localisation processes in place and having talented staff to work on that was very important, and we're very happy to have achieved that goal, so Zelda in various different languages will be a reality for fans when they play the game.
** The big Zelda: Breath of the Wild interview (January 19, 2017)