OpenLLM-France/wikimedia huggingface dataset:
# Clarisse Iribagiza

Clarisse Iribagiza (born January 28, 1988) is a computer scientist in Rwanda. She is the CEO and co-founder of the mobile technology company HeHe Limited, and she is one of the UNCTAD's seven "eTrade for Women Advocates from the developing world". She was previously the winner of the East African entrepreneur reality TV show Inspire Africa Season 1.

## Quotes

* I was raised by a teacher and entrepreneur, who encouraged my siblings and I to be ambitious and pursue meaningful careers. After every school year, mom and dad would ask us what we wanted to do with our lives, and this put a lot of pressure on us to always ask ourselves why we were doing whatever we were doing.
** At 27, Clarisse Iribagiza is driving Rwanda's tech industry 'NewVision' September 14, 2015
# Clarice Cliff

Clarice Cliff (20 January 1899 – 23 October 1972) was a famous designer of ceramic shapes and patterns in Stoke on Trent, Staffordshire - mainly active between 1922 and 1939.

## Quotes

* Having a little fun at my work does not make me any less of an artist and people who appreciate truly beautiful and original creations in pottery are not frightened by innocent tomfoolery!
** Pasadena Evening Post (1931)
# Clarion Chukwura

Clara Nneka Oluwatoyin Folashade Chukwurah (24 July 1964) is a Nigerian actress and humanitarian.

## Quotes

* Nollywood is today’s euphemism for the Nigerian film industry.
** https://www.vanguardngr.com/2014/01/disappointment-todays-nollywood-clarion-chukwurah/amp/
* For me, I have achieved something that gives me a deep sense of satisfaction, a feeling that I have an edge above all this issue of fame. I have risen above all that
** https://www.vanguardngr.com/2014/01/disappointment-todays-nollywood-clarion-chukwurah/amp/?
* The mainstream Nollywood world is the one that caters for the populace, not necessarily the cinema movies. And with the new distribution channel that is coming, the important thing is for the professionals to come into it and not say we can’t relate with this people. In order to make things right, you have to go back in there with a determination to make things right.
** https://www.vanguardngr.com/2014/01/disappointment-todays-nollywood-clarion-chukwurah/amp/?
* I see my brand impacting on young people, helping them achieve their goals and also making them believe there is nothing they can’t achieve.
** https://www.vanguardngr.com/2015/12/ageless-clarion-chukwurah-explains-her-dual-personalities/amp/
* Nollywood needs to be structured. It is not just about improving the quality of movies or equipment rather it involves the right funding and how actors are paid. Nollywood is still in a zigzag which means anybody can do anything. The industry has to be structured in a way that one arm of the organisation will feed on the other arm. We have to make things work in Nollywood
** https://www.vanguardngr.com/2015/12/ageless-clarion-chukwurah-explains-her-dual-personalities/amp/
* It is about time management which is very important in this context. However, I don’t support both parents working the same hours. This is affecting our society, it is highly responsible for how our things are going. We are imbibing a lot of negativity from the Western world. When children are left with little or no attention, they engage in online activities, entertainment that’s not properly censored and a host of other things that may corrupt their minds. I suggest both parents should work on how to manage their time to strike the balance.
** https://www.vanguardngr.com/2015/12/ageless-clarion-chukwurah-explains-her-dual-personalities/amp/
* The time has come for the Professional Guilds of Nollywood to take a unified and decisive action to stop the proliferation of award events that exploit the industry and do not add value to the practitioner/recipients
** https://www.vanguardngr.com/2014/10/exploitation-nollywood-stars-must-stop-now-clarion-chukwurah/amp/
# Clark Ashton Smith

Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn".

## Quotes

* Bow down: I am the emperor of dreams; I crown me with the million-colored sun Of secret worlds incredible, and take Their trailing skies for vestment when I soar, Throned on the mounting zenith, and illume The spaceward-flown horizons infinite.
** Opening lines of "The Hashish Eater; or, the Apocalypse of Evil" (1920)
* Stern and white as a tomb, older than the memory of the dead, and built by men or devils beyond the recording of myth, is the mansion in which we dwell.
** Quoted in The Return of the Sorcerer: The Best of Clark Ashton Smith (1931)
* But here, in this place of eternal bareness and solitude, it seemed that life could never have been. The stark, eroded stones were things that might have been reared by the toil of the dead, to house the monstrous ghouls and demons of primal desolation.
** "The Vaults of Yoh-Vombis" in Weird Tales (1932)
* For thin is the veil betwixt man and the godless deep. The skies are haunted by that which it were madness to know; and strange abominations pass evermore between earth and moon and athwart the galaxies. Unnameable things have come to us in alien horror and will come again. And the evil of the stars is not as the evil of earth.
** "The Beast Of Averoigne" in Weird Tales (1933)
* Not as the plants and flowers of Earth, growing peacefully beneath a simple sun, were the blossoms of the planet Lophai. Coiling and uncoiling in double dawns; tossing tumultuously under vast suns of jade green and balas-ruby orange; swaying and weltering in rich twilights, in aurora-curtained nights, they resembled fields of rooted serpents that dance eternally to an other-worldly music.
** Lost Worlds (1944)
* Lunatics with a speculative bent can sometimes stumble overly close to certain guarded cosmic secrets.
** "Schizoid Creator" (1953)
* To destroy wonder and mystery, is to destroy the only elements that make existence tolerable.
** Quoted in The Black Book of Clark Ashton Smith (1979)
* All human thought, all science, all religion, is the holding of a candle to the night of the universe.
** Quoted in The Black Book of Clark Ashton Smith (1979)

## Quotes about Smith

* In sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled.
** H. P. Lovecraft
* Smith filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures.
** Ray Bradbury
* Nobody since Poe has so loved a well-rotted corpse.
** L. Sprague de Camp, "Sierran Shaman: Clark Ashton Smith" (1976), p. 206

## External links

* Encyclopedic article on Clark Ashton Smith on Wikipedia
* Media related to Clark Ashton Smith on Wikimedia Commons
* Works related to Author:Clark Ashton Smith on Wikisource
# Benjamin Boretz

Benjamin Aaron Boretz (born 3 October 1934) is an American composer and music theorist.

## Quotes

* Do I have to tell you about the spiritual cannibalism of the culture, our culture, which has been bombarding us with ultrasensory overstimulation aiming to reprocess us into fulltime consumption machines, stealing above all from us our time (not an inch of time without an imprint of message), and even our very sense of time (to be measured in lengths of no more than one message unit each) under the guise of entertainment, and even of 'art,' commoditizing the eternal, hyping the primal? Our time is the sine qua non of our identity. We need to take extreme measures to reclaim it for ourselves and each other.
** Open Space 1 audio CD, 1988 March.
* The very being of music is created by cognitive attributions made by individual perceiving or conceiving imaginers, in individual acts of perceiving or conceiving--that, in fact, the only real music 'theory' IS the creative-intellectual transaction which ontologizes music itself.
** Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.
* Even discourse which does not acknowledge "musical coherence" as "intellectual communication" does not in fact succeed in treating it as anything else; it is only by locating their concerns in domains where the "musical" aspects of music are peripherally or not at all involved that musical discourses can circumvent the fact that when the "object of thought" consists of the contents of a musical composition just the recognition of the identities of any of these contents (or even of the undivided single identity of them taken all together as a "unit") involves (to varying degrees) the same considerations that are involved in a discourse that explicitly--and hence with a better chance of cognitive particularity--regards such a composition as an instance of communicative thought.
** Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.
* Even the most, emotive view of music has to be emotive about something distinct, which necessarily involves having a theory about it, for better or worse, in awareness or unawareness, and that a musical something distinct can be cognitively understood as an "emotional experience" only insofar as it is first cognitively understood as a human-communicative manifestation, as an "instance of thought".
** Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.
# Benjamin Breckinridge Warfield

Benjamin Breckinridge (B.B.) Warfield (November 5, 1851 – February 16, 1921) was an American theologian and principal of Princeton Seminary from 1887 to 1921. Some conservative Presbyterians consider him to be the last great Princeton theologian before the split in 1929 that formed Westminster Seminary and the Orthodox Presbyterian Church.

## Quotes

* We must not, then, as Christians, assume an attitude of antagonism toward the truths of reason, or the truths of philosophy, or the truths of science, or the truths of history, or the truths of criticism. As children of the light, we must be careful to keep ourselves open to every ray of light. Let us, then, cultivate an attitude of courage as over against the investigations of the day. None should be more zealous in them than we. None should be more quick to discern truth in every field, more hospitable to receive it, more loyal to follow it, whither soever it leads.
** Selected Shorter Writings (Phillipsburg: PRR Publishing, 1970), p. 463
* From the empty grave of Jesus the enemies of the cross turn away in unconcealable dismay. Christ has risen from the dead! After two thousand years of the most determined assault upon the evidence which establishes it, that fact stands. And so long as it stands, Christianity too must stand as the one supernatural religion. The resurrection of Christ is the fundamental apologetical fact of Christianity.
** The Person and Work of Christ (The Presbyterian And Reformed Publishing Company, 1950) p. 543

## External links

* BBWarfield.com site dedicated to the life and writings of B. B. Warfield
# Benjamin Brewster

Benjamin Brewster (June 30, 1828 – August 23, 1897) was an American industrialist, financier, and one of the original trustees of Standard Oil.
* In theory, there is no difference between theory and practice, while in practice, there is.
** The Yale Literary Magazine, volume 47, October 1881 - June 1882, p. 202. Herrick & Noyes, 1882. In it Brewster asks, "What does his lucid explanation amount to but this, that in theory there is no difference between theory and practice, while in practice there is?"
* A lawyer starts life giving $500 worth of law for $5 and ends giving $5 worth for $500.
** J. Jonathan Gabay. Gabay's Copywriters' Compendium, p. 550. Elsevier 2007.
# Benjamin Beddome

Benjamin Beddome (23 January 1717 – 3 September 1795) was an English Particular Baptist minister and hymn writer.

## Quotes

* Come holy Spirit come! With energy divine; And on this poor benighted soul, With beams of mercy shine.
** John Rippon, A Selection of Hymns from the Best Authors (1800), No. X.
* Wait, then, my soul! submissive wait, Prostrate before His awful seat; And 'mid the terrors of His rod, Trust in a wise and gracious God!
** John Rippon, A Selection of Hymns from the Best Authors (1787), No. XI.
# Benjamin Bratt

Benjamin Bratt (born December 16, 1963) is an American actor, producer, and activist.

## Quotes

* It can be considered by many to be foolhardy, especially when you’re messing with what’s considered a sacred text. But it’s also an irresistible challenge, isn’t it? It evokes so many different wild and outrageous and beautiful images that anyone who loves both novels and films can’t help but imagine what it would look like on the big screen. In this case I’m glad they took the challenge on. I think Marquez is glad too. Apparently he’s seen it and he’s responded favorably to it, he likes it. The trick is, as you aptly point out, is how to do it but how to do it well. Because it’s not an easy translation to make, and certainly nearly impossible when you’re talking about a great novel, which this is. The best you can hope for really is to capture the essence of the book, and I think the film has done that, which is good news.
** On adapting a literary masterpiece for the big screen in “Interview: Benjamin Bratt” in Cinema Blend
* Film and television essentially feel the same when you’re doing it, because it’s the same technical approach. All the homework is the same. The homework for each medium is all similar, but the gratification in a live theater context is much higher, because it’s immediate. It’s far more dangerous, because there are no retakes. It’s electric, it’s an actual chemical transaction that occurs between you and the audience. Whatever energy you’re throwing out to them they throw it right back to you, and it kind of feeds on itself in this vacuum…
** On acting in various mediums in “Interview: Benjamin Bratt” in Cinema Blend
* Well it was a bit of a conundrum because his actions in his kind of business had a real ugliness. It's power and violence and murder and mayhem and menace. And yet, I thought it was a mistake as an actor to predetermine or prejudge whether he's a good guy or a bad guy. You can't go into any characterization with that opinion or attitude or approach because it's sudden death. What it will convey ultimately is a one-dimensional character – the figure in the black hat that you've you seen countless time…
** On playing a nuanced character in “The Infiltrator” in “Up Close and Personal With Benjamin Bratt” in Traveling Boy
# Christopher Hampton

Christopher Hampton, CBE, FRSL (born 26 January 1946) is a British playwright, screenwriter and film director. He is best known for his play, Les liaisons dangereuses, and his screenplay, Dangerous Liaisons, both based on the novel Les Liaisons dangereuses by Pierre Choderlos de Laclos.

## Quotes

* Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.
** Sunday Times Magazine (London, 16 October 1977)

### The Philanthropist (1969)

* I always divide people into two groups. Those who live by what they know to be a lie, and those who live by what they believe, falsely, to be the truth.
** Don in scene 6
* Masturbation is the thinking man's television.
** Jonathan

### Tales from Hollywood (1983)

* Brecht always liked people to be aware that they were in a theatre. I said to him more than once, but Brecht, what makes you think they think they're anywhere else?
** Horváth in scene 8

## See also

* Dangerous Liaisons

## External links

* Christopher Hampton on IMDb
* Liaisons dangereuses
* Guardian Profile
# Christopher Heyerdahl

Christopher Heyerdahl (September 18, 1963 –) is a Canadian actor.

## Quotes

* Fandom can keep something alive, and fandom can take it down. There’s a lot of power there, so because of that, there’s an enormous amount of, hopefully, mutual respect.
** Christopher Heyerdahl Talks HELL ON WHEELS and THE TWILIGHT SAGA: BREAKING DAWN - PART 1 (November 28, 2011)
# Christopher Hill (historian)

John Edward Christopher Hill (6 February 1912 – 23 February 2003) was an English Marxist historian and academic, specialising in 17th-century English history. From 1965 to 1978, he was Master of Balliol College, Oxford University.

## Quotes

* Only very slowly and late have men come to realize that unless freedom is universal it is only extended privilege.
** Century of Revolution (1961)
* Most men and women of the seventeenth century Britain still lived in a world of magic, in which God and the devil intervened daily, a world of witches, fairies, and charms. If they failed, the royal touch would cure scrofula.
** The World Turned Upside Down (1972), Ch. 6
* Just as Oliver Cromwell aimed to bring about the kingdom of God on earth and founded the British Empire, so Bunyan wanted the millennium and got the novel.
** A Turbulent, Seditious, and Factious People: John Bunyan and his Church, 1628–1688 (1988)

## Quotes about Christopher Hill

* Lesser historians, timid or inhibited, aimed at correctness; Hill had wider ends to serve. He has served that cause with more profound influence on his time than any of his peers. Among the English Marxist historians, that galaxy of talent from the 1960s, Hill was and is a prince of academe... Now that Marxism can no longer harm, the point is not to refute Hill but to appreciate him. Every scrap of his writing is to be treasured; every essay, every review overflows with historical skill. Every part of his work includes the whole. This collection of studies focuses on crime, and crime seen from the viewpoint of the ordinary man as social protest. This thesis is not new: its classic formulation was by E. P. Thompson 20 years ago. Nor am I more persuaded now than I was then: it strikes me as an Alice in Wonderland vision in which all the criminals are victims and all their victims become criminals. I am not persuaded that "the land-less" were "the law-less". Court records show that the poor are the chief victims of crime, however much Hill's literary sources romanticise criminals as Robin Hoods. Yet this hardly seems to matter beside the learning and deftness with which Hill makes his theme so fascinating.
** J. C. D. Clark, 'High Hill', The Times (30 May 1996), p. 40
** A review of Hill's Liberty Against the Law: Some 17th-Century Controversies
# Christopher Golden

Christopher Golden (born July 15, 1967) is an American author of horror, fantasy, and suspense novels for adults, teens, and young readers.

## Quotes
### Body of Evidence

* It was a beautiful day to grow up.
* Jenna Blake was still alive because she'd been willing to risk looking stupid.
** Body Bags (1999)
* Kreske had more authority, but he was a moron.
** Page 88
* A caffeinated Jenna is bad for everyone. -
** Page 148
* Instead, it had slipped into her subconscious, and worked its way beneath her skin. -
** Page 280 Last Breath

### Strangewood (1999)

* And then music. Wind chimes. And the sound of someone playing a violin. A fiddle. Or maybe just the music of a little dragon's wings. Maybe.
** Page 63
* He was still as kind as he had always been, but there was a distance in his eyes now that made her want to cry.
** Page 280
* Strangewood was never silent. It was never supposed to be. There was such life and color in the wood and in the creatures who lived there that silence would be tantamount to death. It was very silent in Strangewood.
** Page 160

### Sins of the Father (1999

* A girl looking for emotion could starve in L.A.
* It seemed like every month that went by, every day older, life became more complicated. The rule for growing up seemed to be that no choice, no decision worth making was without some cost.
* And even the most pleasant of dreams could be painful under the light of the morning sun.

## External links

* Official Web Site
# Cologne

Cologne (German: Köln) is Germany's fourth-largest city (after Berlin, Hamburg and Munich), and is the largest city both in the German Federal State of North Rhine-Westphalia and within the Rhine-Ruhr Metropolitan Area, one of the major European metropolitan areas with more than ten million inhabitants. Cologne is a major cultural centre, and its University is among the oldest and largest of Europe.

## Quotes

* In Köln, a town of monks and bones, And pavement fang'd with murderous stones, And rags and hags, and hideous wenches, I counted two-and-seventy stenches, All well defined, and several stinks! Ye nymphs that reign o'er sewers and sinks, The River Rhine, it is well known, Doth wash your city of Cologne; But tell me, nymphs! what power divine Shall henceforth wash the river Rhine?
** Samuel Taylor Coleridge, Cologne; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 124.
# Colony (TV series)

Colony is an American science fiction drama television series created by Carlton Cuse and Ryan J. Condal, starring Josh Holloway and Sarah Wayne Callies.

## Season 1
### Pilot [1.01]

    Katie Bowman: [to Broussard] Here I thought your only talent was drinking my bourbon.
    Will Bowman: Why am I here?
    Alan Snyder: To turn crisis into opportunity. Even the most successful men make two or three critical mistakes in their lives. It's what they do afterward that defines them. I'm not standing here with Billy Sullivan, auto mechanic from Hollywood, am I? No. I'm standing here with Special Agent William Bowman, former army ranger, Gulf War II in Afghanistan, former FBI fugitive hunter extraordinaire. I understand you bagged something like 50 fugitives in your stint with them?
    Will Bowman: I'm good at finding people.
    Will Bowman: How do you do it, Snyder? Slap on a suit and smile and dick over your own kind?
    Alan Snyder: I'm doing what anybody with a brain would do in this situation. I'm taking advantage of my opportunities.
# Colognian proverbs

Colognian or Kölsch is a Middle-Rhenish dialect spoken in the city of Cologne in Western Germany.

## D

* De Birre sin noch nit rief, sääd der Fuss, do schott häder Baum met singem Stääz.
** English equivalent: The fox, when he cannot reach the grapes, says they are not ripe.
** von Reinsberg-Düringsfeld, Ida; von Reinsberg-Düringsfeld, Otto (1875). "473, Trauben" (in German). Sprichwörter der germanischen und romanischen Sprachen. II. pp. 262–263.
* Drückzehn Handwerker, vezehn Unglocker.
** English equivalent: Jack of all trades and master of none.
** von Düringsfield, Ida; von Düringsfield, Otto (1875). "684, Handwerk" (in German). Sprichwörter der germanishcen und romanischen Sprachen Vergleichend. I. p. 355.

## See Also

* German proverbs
# Colony

A colony is a territory subject to a form of foreign rule.

## Quotes

* The famous dictum which states that all men are equal will find its illustration in the colonies only when the colonized subject states he is equal to the colonist.
** Frantz Fanon, The Wretched of the Earth (1961) as translated by Richard Philcox (2004), p. 9

## See also

* Colonialism