OpenLLM-France/wikimedia huggingface dataset:
# The Devonshire Manuscript/I may well say with Ioyfull harte

* ←Who hath more cawse for to complayne || width="200" align="right" | To yowr gentyll letters an answere to resyte→
* The Devonshire Manuscript facsimile 28v
f. [28v] 1 I may well say with{w+t+} Ioyfull harte$^1$ 2 as neuer woman myght say beforn 3 that I haue takyn to my part 4 the faythfullyst louer that ever was born 5 great paynes he suffereth for my sake 6 contynnually both nyght and day 7 for all the paynes that he doth take 8 from me hys loue wyll not decay 9 Wyth thretnyng great he hath ben sayd 10 off payne and yke off punnysment 11 yt all fere asyde he hath layed 12 to loue me best was hys yntent 13 Who shall let me then off ryght 14 onto myself hym to retane 15 and loue hym best both day and nyght 16 yn recompens off hys great payne 17 yff I had more more he shold haue 18 and that I kno he knowys full well 19 to loue hym best vnto my graue 20 off that he may both bye and sell 21 And thus fare well my hartes{es} desyer 22 the only stay off me and myne 23 onto god dayly I make my prayer 24 to bryng vs shortly both in one lyne finis

## Notes & Glosses

1. There is no clear reason for the crossout of e, but it does enable a graphic rhyme with "part."

## Commentary

Attributed to Lady Margaret Douglas, this poem denotes her feelings for her husband, Lord Thomas Howard. "I may well say with loyfull harte", entered by TH2, is one of the few ruled pages in the manuscript. Other ruled pages include: "The knot which fyrst my hart did strayn" (23r) through "O ye louers that hygh vpon the whele" (30r) and "What deth ys worse then thys" (39r) through "ther ys no cure ffor care off miyd" (41r). Helen Baron observes that "I may well say with Ioyfull harte" (28v) and the following poem "To yowr gentyll letters an answere to resyte" (29r) follow an epistolary formulae: the poem ends with the hope that the two will meet again (line 24), and the next poem responds to this plea, beginning: "To yowr gentyll letters an answere to resyte / both I and my penne there to wyll aply" (29r, lines 1-2). While E.A. Bond argues that this relation shows internal evidence that the lovers exchanged letters during imprisonment in the Tower, Baron notes that no existing evidence supports the theory that Margaret wrote in the manuscript while at the Tower.

#### Works Cited

* ↑ William A. Ringler, Jr., Michael Rudick, and Susan J. Rigler, Bibliography and Index of English Verse in Manuscript, 1501-1558 (London: Manswell, 1992), 122.
* ↑ Helen Baron, “Mary (Howard) Fitzroy's Hand in the Devonshire Manuscript,” Review of English Studies 45 (1994): 325.
* ↑ EA Bond, “Wyatt’s Poems,” Athenaeum 27 (1871): 655.
* ↑ Baron, 325.
# The Devonshire Manuscript/I se the change ffrom that that was

* ←thy promese was to loue me best || width="200" align="right" | ther ys no cure ffor care off miyd→
* The Devonshire Manuscript facsimile 40v
* The Devonshire Manuscript facsimile 41r
f. [40v] 1 I se the change ffrom that that was 2 and how thy ffayth hath tayn hes fflyth 3 but I with{w+t+} pacyense let yt pase 4 and with{w+t+} my pene thys do I wryt 5 to show the playn be prowff off syght 6 I se the change 7 I se the change off weryd mynd 8 and sleper hold hath quet my hyer 9 lo how be prowff in the I ffynd 10 a bowrnyng ffath in changyng ffyer 11 ffar well my part prowff ys no lyer 12 I se the change 13 I se the change off chance in loue 14 [d] delyt no lenger may a byed 15 what shold I sek ffurther to prowe 16 no no my trust ffor I hawe tryd 17 the ffolloyng off a ffallse gyd 18 I se the chang 19 I se the change as in thys case 20 has mayd me ffre ffrom myn a woo 21 ffor now anovder has my plase 22 and or I west I wot ner how 23 yt hapnet thys as ye here now 24 I se the change f. [41r$^1$] 25 I se the change seche ys my chance 26 to sarwe in dowt and hope in weyn 27 but sens my surty so doth glanse 28 repentens now shall quyt thy payn 29 neuer to trust the lyke agayn 30 I se the change I s ffynys

## Notes & Glosses

1. The top inch of the page has been cut and repaired, and the original text is missing, evidenced by several descenders. So, too, has the part of the manuscript before the "ffynys" to the first poem, which appears to be a repeating of the burden, "I se the change."

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by Margaret Douglas. The speaker in the poem discusses the theme of mutability, a common subject of Petrarchan poetry.
Margaret Douglas's writing becomes progressively sloppier, larger, and lighter as she makes her way down the page. Her writing on "ther ys no cure ffor care off miyd" (41r) appears so faint that it is almost unreadable.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 272-73.
# The Devonshire Manuscript/If that I cowlde in versis close

* ←In places Wher that I company || width="200" align="right" | blame not my lute for he must sownde→
* The Devonshire Manuscript facsimile 63v
* The Devonshire Manuscript facsimile 63r
f. [63r] f. [63v] 1 If that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] I cowlde in versis close 2 [[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]]{es} thowghtesthat in my hart be shett 3 hart so hard was newer{w+r+} yet 4 that vulde not pitie I suppose 5 vnhappy Eys$^1$/ my Ioy I lose 6 by strokes{es} of love throw you so frett 7 that no defence / can make with{w+t+}sett 8 for nowght but sorow I can chose 9 syns that your sight so bright did shew 10 with{w+t+}in my hart by fiery gleames 11 as in a glas the sonny streames 12 suffise the then for as I trow / 13 of Right he may desir deth 14 that fyndith his foo / by frendly faith E K$^2$

## Notes & Glosses

1. This spelling of "eyes" is unusual in the manuscript.
 1. Presumably, this refers to Edmund Knyvett.

## Commentary

Attributed to Edmund Knyvett (“E K”) in the manuscript, this poem was entered by H7 and explores the popular medieval trope of love at first sight (that is, the sight of a lady can strike the observer with instant love).
# The Devonshire Manuscript/In faythe methynkes yt ys no Ryght

* ←Who wold haue euer thowght || width="200" align="right" | The knot which fyrst my hart dyd strayn→
* The Devonshire Manuscript facsimile 21v
* The Devonshire Manuscript facsimile 22r
f. [21v] 1 3 In faythe methynkes{es} yt ys no Ryght 2 to hate me thus ffor lovyng ye 3 so fayre a face so full off spyght 4 who wold have thowght suche crueltye 5 But syns there ys no Remedye 6 that by no meanes{es} ye can me love 7 I shall you leve & other prove 8 Ffor yff I have for my good wyll 9 no reward eles{es} but cruelltye 10 in faythe thereoff I can no skyll 11 sythe that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] I lovyd ye honestlye 12 But take hede I wyll tyll I dye 13 or that I love so well Aogayn 14 Syns women vse so muche to fayn f. [22r] 15 And sure I thynke yt ys best way 16 to love for love Alyke Agayn 17 & not to make ernest off play 18 as I to love & she to ffayn 19 ffor syns fansy so muche dothe rayn 20 the suryst way nedes{es} take I must 21 as fyrst to preve and after trust$^1$ 22 By trustyng I was Dysceavyd 23 for when I thowght myself most sure 24 another had me Begylyd 25 & shortly made her to hys lure 26 but now that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] she ys past Recure 27 & thus fro me hathe tane her flyght 28 Best let her go & take hytt lyght 29 Shuld I take thowght when she ys glad 30 or shuld I wake when she dothe slepe 31 yet may I say that ons I had 32 & nother sobbe nor syghe nor wepe 33 nor for her love on knee to crepe 34 ffor surely thys ryght well I wott 35 happyest ys he that hathe her nott ffynys quod{q+d+}A. I.s

## Notes & Glosses

1. This phrase resonates; see "ys yt possyble" (14r), for example.

## Commentary

The attribution to "A.I" in the text may refer to Anthony Lee (who was often called the Earl of Idledom). H2, the poem's scribe, maintains his consistency in the presentation of the poem with his previous entries; specifically, he keeps equal spacing and organization of stanzas on the recto and verso pages. The poem's speaker laments the cruelty he receives in return for his service to the lady.
# The Devonshire Manuscript/I ame not she be prowess off syt

* ←my hart ys set nat to remowe || width="200" align="right" | myght I as well within my song be lay→
* The Devonshire Manuscript facsimile 65r
f. [65r] 1 [My]I ame not she be prowess off syt 2 kan make a yogy joy off al my woo 3 nor yn swche thyngs I do delyt 4 bot as the be so most the show 5 my nowen meshape hath hapt so ryt that than I wold yt lake I myt$^1$ 6 thys off my ffrynd to make my ffo 7 that than I wold yt laken I myt 8 to cloke my greffe wer yt doth grow

## Notes & Glosses

1. Apparently, the scribe realized that one line had been omitted.

## Commentary

Written in Mary Shelton's hand, this poem remains unattributed. This poem is one of a several entries in the manuscript that speaks of counterfeiting feelings in public (see, for instance, “Sum summ say I love sum say I moke” (58v); “In places Wher that I company” (62r); “Myght I as well within my song be lay” (65v); “To cowntarffete a mery mode” (65v); “Ceaser whan the traytor of egipte” (70r); and “Whan that I call vnto my mynde” (82v-83r)).
The poem may be related to “My hart ys set not remove” (64v) entered above since both poems have a similar rhyme scheme, metre, and sentiment. This poem sequence could present another instance of Margaret Douglas and Mary Shelton playing at one another’s texts. For other examples of this textual play, see: the lyrics lamenting former happier times (e.g. “When I bethink my wontet days” (58r-59r)); professing steadfast love in the face of adversity (e.g. “My hart is set not to remove” (58v) and “Lo in thy hat thow hast be gone” (59r)); and the need and/or difficulty to conceal actual feelings (e.g. “I am not she be prowess off syt” (65r) and "Myght I as well within my song be lay" (65v)).
# The Devonshire Manuscript/I lowe lovyd and so doithe she

* ← To wette yowr Iye withouten teare || width="200" align="right" | Suffryng in sorow in hope to attayn→
* The Devonshire Manuscript facsimile 6r
f. [6r] I lovey love loveyd and so dothe 1 I lowe lovyd and so doithe she 2 and yet in love wee sufer still 3 The cause is strange as simeth me 4 to lowe so will and want or will 5 O deadly yea o grevous smart 6 worse then refuse vnhappe gaine 7 I lowe whoeuer {u'} playd thes part 8 to lovve so will and leve in payn 9 Was euer {u'} hart soo will agrede 10 Sines lowe was lowe as I do trowe 11 that in ther lowe soo evell dyd sped 12 to low so will and leve in woo 13 Thes morne wele bothe and l hathe don long 14 with {w+t+} wofull plaint and carefull voice 15 alas alas it is a grevous wrowng 16 To love so will and not reioce 17 and here an end of all or mone 18 with {w+t+} sighinge of my brethe is s skant 19 Sines of myshappe vr$^1$ es {es} is alone ours 20 To lowe so will and it to wantt 21 But they that causer is of thes 22 of all owr cares god send then part 23 that they may knowe$^2$ what greve it es 24 tl to lowe so will and leve in smart amene

## Notes & Glosses

1. This abbreviation is unique to the manuscript.
 2. This word has been read by others as "trow."

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H1.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 267.
# The Devonshire Manuscript/In places Wher that I company

* ←fancy framed my hart ffrust || width="200" align="right" | If that I cowlde in versis close→
* The Devonshire Manuscript facsimile 62v
f. [62v] 1 In places{es} Wher that I company 2 I go sayng I lywe full merely 3 yet offtymes to cloke my care and payn 4 I make my contenance to be glad and fayn 5 {t+r+}[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] when $^{that}$ my hert wepith and sithyth full bitterly $^1$ [I speke by that I mene by this] I speke by that / And mene by this

## Notes & Glosses

1. A superscript r following a t indicates an omitted "er" or "ur."

## Commentary

Entered by H7, this poem remains unattributed. This poem is one of a several entries in the manuscript that speaks of counterfeiting feelings in public (see: “Sum summ say I love sum say I moke” (58v); “I am not she be prowess off syt” (65r); “Myght I as well within my song be lay” (65v); “To cowntarffete a mery mode” (65v); “Ceaser whan the traytor of egipte” (70r); and “Whan that I call vnto my mynde” (82v-83r)). In this instance, the speaker explains how they change countenance in public to appear glad when they are not.

### Works Cited

* ↑ Adriano Cappelli. Dizionario di abbreviature latine ed italiane. Mailand: Hoepli, 1990. xliv.
# Writing Adolescent Fiction/Character names/Maltese
## Usage note

Maltese first names do not look different from American first names: Tom, Greg, Josh, Zach, Amanda, Jessica, Kate, Sarah, etc. There is the occasional Italian name like Tiziana thrown in. The only major difference between English and Maltese first names is the popularity of -anne names for girls in Malta, like Dorianne, Christianne, Audrey-Ann, Julienne, etc.

## Surnames
### Top 10

* Borg
* Camilleri
* Vella
* Farrugia
* Zammit
* Galea
* Micallef
* Grech
* Attard
* Spiteri

### Others

* Abdilla
* Abejer
* Abela
* Adami
* Agius
* Ambrogio
* Apap
* Aquilina
* Aquino
* Arrigo
* Asciak
* Axiaq
* Axisa
* Azzopard
* Azzopardi
* Bajada
* Bajjada
* Baldacchino
* Balzan
* Barbara
* Barbaro
* Bartolo
* Bellia
* Bellizzi
* Bezzina
* Bencini
* Bezzina
* Biancardi
* Biano
* Bigeni
* Bilocca
* Bisazza
* Boffa
* Bonacia
* Bonanno
* Bonavia
* Bonavita
* Bondi
* Bonello
* Bongailas
* Bonnici
* Bontardini
* Briffa
* Brincat
* Bugeja
* Buhagiar
* Buontempo
* Burlo
* Busuttil
* Buttigieg
* Cachia
* Cagliares
* Cagliari
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* Calleja
* Callus
* Camenzuli
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* Captur
* Carabott
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* Casha
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* Cauchi
* Cefai
* Chetcuti
* Chircop
* Ciantar
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* Cilia
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* Conti
* Cordina
* Corso
* Cortis
* Cremona
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* Curmi
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* Cutajar
* D’Alessandro
* Dalli
* D’Amato
* D’Anastasi
* Darmanin
* Debattista
* Debono
* De Brincat
* Decelis
* Dedomenico
* DëEmanuele
* De Gabriele
* De Giorgio
* De Giovanni
* Deguara
* Delia
* Delicata
* Demajo
* Demanuele
* De Marco
* Demicoli
* Depasquale
* Depiro
* Desira
* Despott
* Diacono
* Difesa
* Dimech
* Dingli
* Doublet
* Dougall
* Drago
* Duca
* Ebejer
* Ellul
* Enriquez
* Eradi
* Fabri
* Falzon
* Famucelli
* Faure
* Fava
* Favray
* Felice
* Felici
* Fenech
* Ferro
* Fiteni
* Flores
* Formosa
* Fracchi
* Francalaza
* Frendo
* Fsadni
* Gafà
* Galdes
* Galizia
* Gambin
* Ganado
* Gasan
* Gatt
* Gauci
* Gera
* Gerada
* Ghigo
* Ghio
* Giordimania
* Gonzi
* Gravina
* Greg
* Grima
* Gristi
* Grixti
* Guillaumier
* Hyzler
* Izzo
* Kiomall
* Laferla
* Lia
* Licari
* Lombardi
* Lupi
* Magri
* Magro
* Mallia
* Mamo
* Manduca
* Mangion
* Marmara
* Marmaraë
* Martin
* Massa
* Meilak
* Meli
* Mercieca
* Micelli
* Mifsud
* Mintoff
* Mizzi
* Montaldo
* Montanaro
* Montebello
* Mula
* Muscat
* Musumeci
* Naudi
* Pace
* Padovani
* Pantalleresco
* Paris
* Parnis
* Pavia
* Penza
* Peplow
* Piccinino
* Pirotta
* Pisani
* Pisano
* Piscopo
* Polidano
* Portelli
* Preca
* Psaila
* Puli
* Pulis
* Pullicino
* Quattromani
* Quintano
* Ramo
* Rapa
* Refalo
* Rizzo
* Robba
* Sacco
* Said
* Salerno
* Salib
* Saliba
* Salomone
* Sammut
* Sant
* Sapiano
* Sapienza
* Sayd
* Scalpello
* Scerri
* Schembri
* Sciberras
* Scicluna
* Sciriha
* Seichel
* Serafin
* Seychell
* Sghendo
* Soltana
* Spagnol
* Stafrace
* Stivala
* Strickland
* Suda
* Sultana
* Tabone
* Tanti
* Testa
* Testaferrata
* Teuma
* Theuma
* Tonna
* Trapani
* Triganza
* Tufigno
* Valletta
* Vassallo
* Xerri
* Xiberras
* Xicluna
* Xiriha
* Xuereb
* Zahra
* Zarb
* Zerafa
# Writing Adolescent Fiction/Character names/Kyrgyz
## Girls' names

* Adel
* Adinai
* Aida
* Aidai
* Aidana
* Aidina
* Aigerim
* Aigul
* Aijamal
* Ailin
* Ainura
* Aima
* Aisulu
* Aiza
* Akmaral
* Aliya
* Altynai
* Amina
* Asel
* Ayana
* Aziza
* Azem
* Baktigul
* Begaiym
* Begimai
* Cholpon
* Cholponai
* Diana
* Dariga
* Darixa
* Dayana
* Dilara
* Dimira
* Dinara
* Eldana
* Elina
* Elgiza
* Erkaiym
* Gauhar
* Gulsana
* Gulzat
* Jamilya
* Kanykei
* Kauhar
* Kunduz
* Keres
* Leila
* Mirgul
* Nargiza
* Nazgul
* Nazira
* Gulperi
* Nurayda
* Nurjamal
* Nurzat
* Saikal
* Saltanat
* Sezim
* Zarina
* Zamira

## Boys' names

* Adilet
* Adis
* Aibek
* Alik
* Almaz
* Asan
* Azamat
* Azat
* Aziz
* Bakyt
* Bekjan
* Bolot
* Chingiz
* Damir
* Emil
* Esel
* Ermek
* Ilyas
* Islambek
* Izatbek
* Jyral
* Kuban
* Kylych
* Mirbek
* Nurbek
* Nurlan
* Nurdeen
* Omar
* Prince
* Sultan
* Timurbek
* Usen
* Ulan
* Yajub
* Zamir

## Surnames

* Abdiev
* Abdraimov
* Abdrakhmanov
* Abdullaev
* Abdurakhmanov
* Abdykadyrov
* Abdyldaev
* Abdyrakhmanov
* Aitmatov
* Akayev
* Akhmedov
* Akmatov
* Aliev
* Alimov
* Alymkulov
* Anarbaev
* Asanaliev
* Asanov
* Askarov
* Aydarov
* Azimov
* Bakirov
* Baltabaev
* Bazarbaev
* Beg
* Egemberdiev
* Ergashev
* Ergeshov
* Gasanov
* Ibraev
* Ibragimov
* Ibraimov
* Imanaliev
* Isaev
* Isakov
* Ismailov
* Israilov
* Kadyrov
* Kambarov
* Karabaev
* Karimov
* Kasymov
* Kaveshnikov
* Khasanov
* Kubanychbek
* Kudayberdiev
* Kurbanov
* Kurmanaliev
* Mamadaliev
* Mamataliev
* Mamatov
* Mamazhanov
* Mambetaliev
* Mambetov
* Mamytov
* Mirzaev
* Muratov
* Musaev
* Nazarov
* Nurmatov
* Omorov
* Omuraliev
* Omurzakov
* Orozaliev
* Orozbaev
* Orozov
* Orunbaev
* Osmonaliev
* Osmonov
* Raimberdiev
* Rakhmanov
* Ryskulov
* Sabirov
* Sadykov
* Saliev
* Satarov
* Satybaldiev
* Shakirov
* Shamshiev
* Sharipov
* Sheraliev
* Shermatov
* Sulaymanov
* Sultanov
* Sydykov
* Taalaybek
* Tagaev
* Tashmatov
* Tazhibaev
* Temirov
* Toktosunov
* Turdubaev
* Turesbekov
* Turgunbaev
* Tursunov
* Umarov
* Usenov
* Usmanov
* Yernazarov
* Yuldashev
* Yusupov
* Zakirov
* Zhakypov
* Zhaparov
* Zholdoshev
* Zholdoshov
* Zhoroev
* Zhumabaev
* Zhumaev
* Zhumaliev
* Zhunusov
* Zhusupov
# Writing Adolescent Fiction/Character names/Malawian
## Girls' names

* Abikanile
* Akupinganyama
* Alile
* Asale
* ez
* Manisha
* Chaonaine
* Chimwala
* Chimwemwe
* Chiwa
* Chotsani
* Ferig
* Mimi
* Kantayeni
* Kulunga
* Kausiwa
* Kuliraga
* Kwasausya
* Lindani
* Liziuzayani
* Madalitso
* Madalo
* Mpatuleni
* Mphatso
* Ndachitanji
* Ngulinga
* Njemile
* Tapiwa
* Tami
* Taweni
* Zakithi
* Nora
* Saliza
* Sigele
* Teleza
* Tidyanaro
* Tisaubiranji
* Tithandinasi

## Boys' names

* Azibo
* Bwerani
* Chatha
* Chibale
* Chigaru
* Chikhu
* Chimanga
* Chumachienda
* Citseko
* Dulani
* Fukula
* Fulumirani
* Funsani
* Kafele
* Kwayera
* Kwende
* Lisimba
* Malawa
* Madalitso
* Mapira
* Masamba
* Mbizi
* Mphatso
* Mvula
* Ndembo
* Onani
* Sabola
* Thandizo
* Umi
* Useni
* Zikomo
* Zondiwe

## Surnames

* Banda
* Bandawe
* Betha
* Bonongwe
* Botha
* Butao
* Bvumbwe
* Bwanali
* Chakuamba
* Charula
* Chatsika
* Chauluka
* Chavula
* Chawinga
* Chibambo
* Chibwana
* Chikoko
* Chikuse
* Chilembwe
* Chimombo
* Chinyama
* Chipambere
* Chipasulu
* Chipeta
* Chipofya
* Chipungu
* Chirambo
* Chirwa
* Chisale
* Chisi
* Chisiza
* Chiumia
* Chiwaula
* Chiwaya
* Chunga
* Gama
* Gausi
* Gomani
* Gondwe
* Hara
* Harawa
* Issa
* Itimu
* Jambo
* Jere
* Juma
* Jumbe
* Kachale
* Kacheche
* Kachingwe
* Kadzamira
* Kadzola
* Kakhobwe
* Kalonde
* Kalonga
* Kalua
* Kamanga
* Kambuwa
* Kamoto
* Kamwana
* Kamwendo
* Kandulu
* Kanyenda
* Karim
* Kaunda
* Kayange
* Kayira
* Kazembe
* Khonje
* Kondowe
* Kulemeka
* Kumwenda
* Kunje
* Labana
* Lengu
* Lipenga
* Longwe
* Luhanga
* Lungu
* Lwanda
* Maganga
* Magombo
* Majawa
* Makata
* Makawa
* Makeba
* Makoza
* Malunga
* Maluwa
* Mambo
* Manda
* Mandala
* Mangani
* Mapondo
* Masamba
* Maseko
* Matenje
* Matewere
* Maulidi
* Mbale
* Mbewe
* Mbwana
* Mede
* Mfune
* Mhango
* Mhone
* Mkweza
* Mkandawire
* Mlenga
* Mononga
* Moyo
* Mpakati
* Mpata
* Mphande
* Mponda
* Msiska
* Msosa
* Msowoya
* Msuku
* Msukwa
* Mtambo
* Mtawali
* Mtonga
* Mughogho
* Mumba
* Munthali
* Mussa
* Mvula
* Mwafulirwa
* Mwale
* Mwalwanda
* Mwanza
* Mwase
* Mwathiwa
* Mwenelupembe
* Mwenifumbo
* Mzembe
* Mzumara
* Mzungu
* Ndau
* Ndhlovu
* Ndovi
* Ngoma
* Ngulube
* Ngwira
* Nhlane
* Nkhata
* Nkhoma
* Nkhonjera
* Nkhwazi
* Nkosi
* Ntaba
* Nyasulu
* Nyerere
* Nyirenda
* Nyirongo
* Nyondo
* Nzumwa
* Osman
* Phiri
* Saidi
* Sambo
* Shaba
* Sichinga
* Simwaka
* Singini
* Soko
* Tambala
* Tembo
* Thindwa
* Thole
* Wanda
* Yapwantha
* Zgambo
* Ziba
* Zimba
* Zulu
# Writing Adolescent Fiction/Character names/Lahu
## Usage note

Lahu in China have different naming practices from Lahu in Southeast Asia. This page deals with Southeast Asian Lahu, who are the Lahu forming an immigrant community in the United States.
Many Lahu in Southeast Asia have no surnames and only "acquire" one through intermarriage with different ethnic groups.
If you are interested in the anthroponymy of the Lahu of China, see this page.

## Girls' names

* Eeboon
* Eechai
* Eechang
* Eechin
* Eecome
* Eedaeng
* Eedeng
* Eedor
* Eejing
* Eekanker
* Eekeo
* Eekham
* Eekhma
* Eekong
* Eelao
* Eemai
* Eemee
* Eemo
* Eena
* Eenang
* Eepang
* Eerais
* Eesen
* Eeseng
* Eeshin
* Eesin
* Eesing
* Eesoon
* Eethai
* Eevai
* Eevoy
* Eeyang
* Eeyarn
* Eeyeang
* Ekhamkheo
* Ekong
* Eloom
* Enang
* Enor
* Esai
* Esarn
* Esung
* Ethong
* Evoy
* Mehlae
* Nachoi
* Nado
* Nala
* Nalaa
* Nalae
* Nale
* Nalo
* Nalor
* Namee
* Namo
* Namu
* Nangla
* Nanlee
* Nanu
* Naphe
* Naphou
* Nasae
* Nasi
* Nasing
* Nathong
* Nati
* Sela

## Boys' names

* Ae
* Ai
* Aibung
* Aichai
* Aichei
* Aichu
* Aidao
* Aidor
* Aidorkae
* Aific
* Aifye
* Aijai
* Aiken
* Aikeo
* Aikham
* Aiko
* Aila
* Ailaa
* Ailao
* Ailen
* Ailing
* Ailon
* Aimou
* Ainoy
* Aipa
* Aipanh
* Aipeh
* Aipu
* Aisai
* Aisang
* Aisay
* Aishone
* Aising
* Aitang
* Aithor
* Aiyen
* Aiyoy
* Chadee
* Chalae
* Chale
* Chalor
* Chasaen
* Chathor
* Jalo
* Jame
* Janoo
* Japaulka
* Pomai
* Porlae
* Sela
* Yawsou

## Surnames

* Balang
* Saesee
* See
* Seechan
# WebObjects/Web Applications/Deployment/Memory Settings
#### Paul Lynch

If you set it per instance using JavaMonitor, it goes in Instance Settings, Additional Arguments, with all the other command line arguments.
In the project (Xcode 2.2), inspect the Executable for your app, and use the Arguments tab. Like the example Jacky Gagnon used:
-Xms64m -Xmx300m

#### Robert Walker

There is one additional option that can be used to ensure/override the memory setting for all instances (even if they are not included in the arguments in JavaMonitor).
On the aggregate target there is a JVM_OPTIONS key in Expert View. Entering the memory settings here will include them in the launch arguments of every instance.
Example: java -XX:NewSize=2m -Xmx64m -Xms32m -DWORootDirectory="/System" -DWOLocalRootDirectory="" -DWOUserDirectory="/Users/robertwalker/Source/MyWOApp/build" -DWOEnvClassPath="" -DWOApplicationClass=Application -DWOPlatform=MacOS -Dcom.webobjects.pid=4128 -Xmx256m -classpath WOBootstrap.jar com.webobjects._bootstrap.WOBootstrap -WOPort 55555
# WebObjects/Web Applications/Deployment/Java Monitor
### Troubleshooting

If JavaMonitor did not start on your fresh install of WebObjects, check out the WOTaskd Didn't Start question in the troubleshooting section.
# WebObjects/Web Applications/Deployment/Logging
### Log Rotation
#### Mike Kienenberger

I can't remember who gave me the basic starting point for this, but I think it may have been one of the Jonathans. You'll need to change the filenames to make it work under non-unix deployment systems.
You'll find it easier to copy out the source by going into Edit mode first.