OpenLLM-France/wikimedia huggingface dataset:
# Programming Fundamentals/Abbreviated Precedence Chart for C++ Operators

An abbreviated precedence chart for C++ operators typically used in a modular structured programming fundamentals course.
An operator is a language-specific syntactical token (one or more symbols) that causes an action to be taken on one or more operands. The following item provides an abbreviated list of those C++ operators that are typically taught in a programming fundamentals course that teaches modular structured programming concepts.
The first column shows the precedence (the higher precedence is 1 or it goes first) and operators that have the same precedence also have the same associativity (the associativity is only listed once for the group of operators). Decrement is two minus signs, but some word processing software programs might have problems printing two minus signs and convert it to a double dash. Insertion (two < signs) and extraction (two > signs) might also have printing problems. These printing problems are noted in the comments with emphasized text.
TABLE 1 :
| PR | OPERATOR NAME | SYMBOL(S) | COMMENTS | ASSOICIATIVITY | CONNEXIONS MODULE |
| 1 | function call | | | Left to Right | m19145 |
| 1 | index | | aka array index | | m21316 |
| 2 | class member | . | a period | Right to Left | m20796 |
| 2 | postfix increment | ++ | unary | | m20499 |
| 2 | postfix decrement | -- | unary, two minus signs | | m20499 |
| 3 | indirection | * | unary, aka dereference | Right to Left | m22152 |
| 3 | address | & | unary | | m22148 |
| 3 | unary positive | + | unary, aka plus | | m20501 |
| 3 | unary negative | - | unary, aka minus | | m20501 |
| 3 | prefix increment | ++ | unary | | m20499 |
| 3 | prefix decrement | -- | unary, two minus signs | | m20499 |
| 3 | cast | (type) | unary | | m18744 |
| 3 | sizeof | sizeof (type) | unary | | m18736 |
| 3 | logical NOT | ! | unary | | m19847 |
| 4 | multiply | * | | Left to Right | m18706 |
| 4 | divide | / | | | m18706 |
| 4 | modulus | % | remainder | | m18706 |
| 5 | add | + | | Left to Right | m18706 |
| 5 | subtract | - | | | m18706 |
| 6 | insertion | << | writing, two less than signs | Left to Right | m18835 |
| 6 | extraction | >> | reading, two greater than signs | | m18835 |
| 7 | less than | < | | Left to Right | m19549 |
| 7 | greater than | > | | | m19549 |
| 7 | less than or equal to | <= | | | m19549 |
| 7 | greater than or equal to | >= | | | m19549 |
| 8 | equality | == | equal to | Left to Right | m19549 |
| 8 | inequality | != | not equal to | | m19549 |
| 9 | logical AND | && | | Left to Right | m19847 |
| 10 | logical OR | || | | Left to Right | m19847 |
| 11 | conditional | ? : | trinary | Left to Right | m20811 |
| 12 | assignment | = | | Right to Left | m18725 |
| 12 | addition assignment | += | | | m18743 |
| 12 | subtraction assignment | -= | | | m18743 |
| 12 | multiplication assignment | *= | | | m18743 |
| 12 | division assignment | /= | | | m18743 |
| 12 | modulus assignment | %= | | | m18743 |
| 13 | sequence or comma | , | | Left to Right | m18690 |
# Super Mario World/Enemies/Larry Koopa

The boss battle with Larry is just like the setting of the first boss battle with Iggy Koopa; there is a tilting platform where Mario must jump on Larry to push him into the surrounding lava below. But this time, there are jumping fireballs to the left, center, and right of the platform to avoid, making things a lot harder.

## Resistance to attacks

* Normal Jump: A normal jump will cause Iggy Koopa to fall to one side of the stage.
* Spin Jump: Has the same effect as a normal jump.
* Jump with Yoshi: N/A
* Fireballs: Will push him towards the edge of the stage.
* Cape Spin: No effect.
* Yoshi's Tongue: N/A
* Yoshi's Fireballs: N/A
# Super Mario World/Enemies/Iggy Koopa

Iggy Koopa is the first Koopa boss in the game, located in his castle on Yoshi's Island. He is stationed on a tilting platform and must be pushed into the surrounding lava to be defeated.
It is somewhat known that some of the bosses are named after musicians, Iggy may be a reference to Iggy Pop

## Resistance to attacks

* Normal Jump: A normal jump will cause Iggy Koopa to fall to one side of the stage.
* Spin Jump: Has the same effect as a normal jump.
* Jump with Yoshi: N/A
* Fireballs: Will push him towards the edge of the stage.
* Cape Spin: No effect.
* Yoshi's Tongue: N/A
* Yoshi's Fireballs: N/A

## Locations

* 1 on Iggy's Castle
# Super Mario World/Enemies/Jumpin' Pumpkin Plant

This plant is only found in SMW after you beat the special zone. The jumpin' piranha plants turn into jumpin' pumpkin plants. They act exactly the same, though their appearances are different. The piranha plants mouth faces upwards while the pumpkin plants mouth faces towards the screen. (This doesn't mean you can jump on top of them now. You will still get hurt.)
# Super Mario World/Enemies/Lakitu

Lakitu will begin throwing eggs that turn into spinies as soon as he sees Mario. if Mario gets 'tagged' he can lose his Super Mario suit or lose a life. If you harm Lakitu and not his cloud, you can take a ride.

## Resistance to attacks

* Normal Jump: Effective
* Spin Jump: Effective
* Jump with Yoshi: Effective
* Fireballs: Effective
* Cape Spin: Effective
* Yoshi's Tongue: Inedible
* Yoshi's Fireballs: Effective (leaves cloud for Mario)

## Locations

* Forest of Illusion
# Super Mario World/Enemies/Grinder

A Grinder is a razor bladed disc and a frustration for many gamers. They are a nightmare to avoid and tend to take the life out of the game.
Practice and come prepared. Capes do tend to help but a lot of the time the cause you to fly into other Grinders which are falling from the ceiling. They are also invincible. You can spin jump on top of the Grinders, but no regular jumps.
# Super Mario World/Enemies/Hothead

Hothead is a large ball of fire or electricity that circles blocks of stone in castles and fortresses.
Invulnerable to all attacks, it will harm Mario if he touches it.
# Super Mario World/Enemies/Koopa

Koopas are Bowser's evil minions, located almost everywhere in Dinosaur Land. Their shell colors can be green, red, blue, or yellow. Each color shell has a different effect on Yoshi when he eats one. Koopas can either be ground forces or have wings. Green Koopas move only in a straight line (unless they hit something; in that case, they turn around), while other colored Koopas patrol certain areas.

## Resistance to attacks

* Normal Jump: A normal jump forces a Koopa out of its shell, making the Koopa vulnerable to a normal jump and the shell available to pick up and use with B.
* Spin Jump: A spin jump kills a Koopa in one hit.
* Jump with Yoshi: With Yoshi, a normal jump kills Koopas in one hit.
* Fireballs: When hit with a fireball, Koopas turn into coins.
* Cape Spin: Spinning with (B) or (R) with a cape will cause a Koopa to withdraw into its shell and its shell will turn upside down. It can then be used with B.
* Yoshi's Tongue: Koopas can be picked up with Yoshi, each color giving him a different power. With a green Yoshi, each shell will do the following:
** Green: Yoshi will spit out only the shell.
** Red: Yoshi will spit out fireballs.
** Blue: Yoshi will have wings for a limited amount of time.
** Yellow: Yoshi will be able to stomp the ground, defeating nearby enemies.
* Yoshi's Fireballs: Koopas turn into coins if you shoot fireballs at them (with Red Yoshi and/or a red shell).

## Locations

* 1 on Yoshi's Island 1
* 11 on Yoshi's Island 2
* 7 on Yoshi's Island 3
* Others
<<Back to Super Mario World
# Super Mario World/Enemies/Jumpin' Piranha Plant

Jumpin' Piranha Plants hide in pipes and jump up to snap at Mario or Luigi, before retreating back into the pipes. However, they will not jump if Mario or Luigi is right next to the pipe.
You cannot defeat them by regular jumps - as a matter of fact, they will hurt you that way. Spin jumps and Yoshi jumps will snap off Jumpin' Piranha Plants. These plants, however, can be defeated easily by fireballs, cape spins, and collisions with Koopa shells and grab blocks. Yoshi can also eat them. These plants can be defeated while inside their pipes.
Beware that in later levels, certain Jumpin' Piranha Plants can also throw fireballs.
# Super Mario World/Enemies/Lemmy Koopa

He appears in Castle 3. Hit him when he comes up out of the pipes, however he has some fakes. 3 hits take him down.
# Super Mario World/Enemies/Lil' Sparky

Lil' Sparky is a little ball of fire or electricity that circles stones inside some castles and fortresses. It is invulnerable to all attacks and will harm Mario if he touches it.
# The Devonshire Manuscript/What no perde ye may be sure

* ←All women have vertues noble & excelent || width="200" align="right" | Was neuer yet fyle half so well fylyd→
* The Devonshire Manuscript facsimile 19r
f. [19r] 1 What no per{p+}de ye may be sure 2 # thynk not to make me to yo$^r$ lure 3 {es} {w+t+} with wordes & chere so contraryng 4 Swet & sower conterwayyng 5 to moche yt were styll to endure 6 trothe ys trayde where craft ys in vre$^1$ 7 But tho ye haue had my hartes{es} cure 8 trow ye I dote with{w+t+} owt endyng 9 What no Per{p+}dye 10 {p3}{w+t+} Tho that with payn I do procure 11 ffor to fforgett that ons was pure 12 with{w+t+}in my heart $^2$ shall styll that thyng 13 Vnstable vnsure And waveryng 14 Be in my mynd with{w+t+}owt recure 15 What no per{p+}dye fynys quod {q+d+}Wyatts

## Notes & Glosses

1. Further work might determine whether this is a traditional or popular sentiment.
 2. A heart-shaped pictograph, with dots as eyes and a line as a mouth.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H2. In the poem the speaker describes a lady’s truth being tested and found wanting. The lover refuses to continue doting on her and finds his loyalty and endurance pushed to its limit.
A heart-shaped pictograph appears on line twelve in place of the word "heart," which reads: "within my heart shall styll that thyng." The image appears to have two dots to represent eyes and a line to represent a mouth.

#### Works Cited

* ↑ R.A. Rebholz, ed, Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 74-75.

## Textual Notes
#### Texts Collated

LEge46

#### Collation

1 perde] perdy LEge46 2 thynk] thinck LEge46 yor] your LEge46 3 &] and LEge46 contraryng] contrarieng LEge46 4 Swet &] swete and LEge46 sower] sowre LEge46 conterwayyng] contrewaing LEge46 5 moche yt] much it LEge46 styll] still LEge46 6 trothe ys trayde] trouth is tryed LEge46 ys] is LEge46 7 But tho] but though LEge46 haue] have LEge46 had] haved LEge46 hartes] hertes LEge46 8 with owt] withoute LEge46 endyng] ending LEge46 9 Perdye] perdy LEge46 10 Tho] Though LEge46 payn] pain LEge46 11 ffor] for LEge46 fforgett] forgett LEge46 12 heart] hert LEge46 styll] still LEge46 thyng] thing LEge46 13 Vnstable] vnstable LEge46 And] and LEge46 waveryng] wavring LEge46 14 Be] be LEge46 mynd] mynde LEge46 withowt] withoute LEge46
# The Devonshire Manuscript/What helpythe hope of happy hape

* ←Yff reason govern fantasye || width="200" align="right" | This rotyd greff will not but growe→
* The Devonshire Manuscript facsimile 46v
* The Devonshire Manuscript facsimile 47r
f. [46v] 1 What helpythe hope of happy hape 2 when hap will hap vnhappyly 3 what helpythe hope to fle the trape 4 which hape doth set malycyowsly 5 my hope and hape hap con{_o}trary 6 For as my hope for right doth long 7 So dothe my hap Awarde{d,} me wrong 8 And thus my hape my hope hath turnd 9 Clere owte of hope in to dispayre 10 fore thowgh[t] I burne and long have burnde 11 In fyry love of one most fayere 12 wher love for love shuld kepe the chayre$^1$ 13 ther my myshap ys over prest 14 to sett disdayne for my vnrest 15 She knowth my love of long tym ment 16 She knowith my trewth nothing ys hide 17 she knowith I loue in good intent 18 As euer man A woman dide 19 yett love for love in vayn askeyde 20 what clowde hath browght this thunderclape 21 shall I blam here nay I blame happ f. [47r]  ffor wher as 22 For wher as hape list to Arisse 23 I So bothe other she & other cane 24 for lytyll love moch love devyse 25 And somtyme hape doth love so skan 26 Some one to leve here faythfull man 27 Whome sayvyng bondshyp nowght doth crave 28 For hym she owght nor can not have 29 How beyt that hap makyth you so doo 30 So say I not nor other wisse 31 But what such happs by hap hap too 32 hap dayly showith in excersyce 33 As power will serve I youe advisse 34 to fle such hape for hap that growith 35 And pardon me your man tom trowght 36 Some tak no care wher they haue cure 37 Some ^$^{haue}$ no cure and yett tak care 38 and so do I swett hart be sure 39 my love most care for your welfare 40 I love ^$^{youe}$ more then I declare 41 But as for hap happyng this yll 42 hap shall I hate hape what hap will ffinis /

## Notes & Glosses

1. Chere?

## Commentary

Written in TH1's hand, this poem remains unattributed and is unique to this manuscript. This poem might be a response to Sir Thomas Wyatt's poem “Hap hath happed” which is not found in this manuscript: the speaker, describing his unreturned love, finds the lady blameless and instead accuses Fortune of his unrewarded outcome. The poem seems carefully corrected throughout the page.
# The Devonshire Manuscript/What menythe thys when I lye alone

* ←At most myscheffe || width="200" align="right" | Pacyence tho I have not→
* The Devonshire Manuscript facsimile 12v
* The Devonshire Manuscript facsimile 13r
f. [12v] 1 What menythe thys when I lye alone 2 I tosse I turne I syghe I g e grone 3 My bedd me semys as hard as stone 4 What menys thys 5 I syghe I pleyne contynually 6 the clothes that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] on my bedd do ly 7 always methynk they lye awry 8 What menys thys 9 In slumbers oft for fere I quake 10 ffor hete & cold I burne & shake 11 ffor lake of slepe my hede dothe ake 12 What menys thys 13 A mornyngs then when I do rysse 14 I t rn torne vnto my wontyd gysse 15 all day after muse & devysse 16 What menys thys 17 & yff per{p+}chanse by me there passe 18 she vnto whome I Sy sue for gra{gA}ce 19 the cold blood forsakythe my face 20 What menythe thys f. [13r] 21 But yff I sytte nere her by 22 with{w+t+} lowd voyce my hart dothe cry 23 & yet my mowthe ys dome & dry 24 What menys thys 25 to aske ffor helpe no hart I have 26 my tong dothe fayle What I shuld crave 27 yet inwardly I Rage & Rave 28 What menys thys 29 Thus have I passyd many A yere 30 & many A day tho nowght Apere 31 but most of that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] that most I fere 32 What menys thys fynys quod{q+d+} Wyatt s

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H2. The poem depicts a lover suffering from unrequited love. Rebholz notes that the first two stanzas may be a deliberate imitation of Ovid's Amores I, ii, 1-4 and the refrain may translate the first words of "Esse quid hoc dicam."
Contrary to H2’s attention to visual presentation, (see "Farewell all my wellfare" (9v) and "May not thys hate from the estarte" (10v)), the two parts of the poem are on facing pages, 12v and 13r, but there are five stanzas on one page and three on the other, thereby creating an imbalance in the poem's presentation.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 139.
* ↑ Rebholz, 414.
# The Devonshire Manuscript/To yowr gentyll letters an answere to resyte

* ←I may well say with Ioyfull harte || width="200" align="right" | And now my pen alas wyth wyche I wryte→
* The Devonshire Manuscript facsimile 29r
f. [29r] 1 To yowr gentyll letters an answere to resyte 2 both I and my penne there to wyll aply 3 and thowgh that I can not yo$^r$ goodnes aquyte 4 In ryme and myter elegantly 5 yet do I meane as faythfully 6 As euer dyd louer for hys part 7 I take god to record whych knowyth my hart 8 And where as ye wyll contynew myne 9 To reporte for me ye may be bold 10 That yff I had lyves as argus had yne 11 yet soner all them lyse I wold 12 then to be tempte for fere or for gold 13 yow to refuse or to forsake 14 wych ys my faythful and louyng make 15 Wych faythfullnes ye dyd euer pretend 16 and gentylnes as now I see 17 off me wych was yowr pore old frend 18 yowr louyng husband now to be 19 synce$^1$ ye desende from yo$^r$ degre 20 take ye thys vnto yowr part 21 my faythful / trwe and louyng hart 22 for terme off lyfe thys gyft ye haue 23 Thus now adwe my none swete wyfe$^2$ 24 from T. h. wych nowght doth crave$^{3,}$$^4$ 25 but yow the stay off all my lyfe 26 and the that wold other bate or stryfe 26 to be tyed wyth yn yo$^{ower}$ louyng bandys 27 I wold the were on goodwyn sandys$^5$ finis

## Notes & Glosses

1. This is an unusual spelling.
 2. This phrase is repeated.
 3. Presumably, the initials refer to Lord Thomas Howard.
 4. The space in the text was created and the initials were added later, not unlike the gaps on "O very lord / o loue / o god alas" (29v).
 5. The Goodwin Sands are notorious shoals off the coast of Dover.

## Commentary

Attributed to Lady Margaret Douglas, this poem denotes her feelings for her husband, Lord Thomas Howard. "To yowr gentyll letters an answere to resyte," entered by TH2, follows the same ruled page format as the preceding poem. Helen Baron observes that "I may well say with Ioyfull harte" (28v) and "To yowr gentyll letters an answere to resyte" follow an epistolary formulae: "I may well say with Ioyfull harte" ends with the hope that the two will meet again (line 24), and this poem responds to the plea, beginning: "To yowr gentyll letters an answere to resyte / both I and my penne there to wyll aply" (lines 1-2). While E.A. Bond argues that this relation shows internal evidence that the lovers exchanged letters during imprisonment in the Tower, Baron notes that no existing evidence supports the theory that Margaret wrote in the manuscript while at the Tower.

#### Works Cited

* ↑ EA Bond, “Wyatt’s Poems,” Athenaeum 27 (1871): 655.
* ↑ Helen Baron, “Mary (Howard) Fitzroy's Hand in the Devonshire Manuscript,” Review of English Studies 45 (1994): 325.
* ↑ Bond, 655.
* ↑ Baron, 325.
# The Devonshire Manuscript/Too yoye In payne my will

* ←and thys be thys ye may || width="200" align="right" | Yff reason govern fantasye→
* The Devonshire Manuscript facsimile 44v
f. [44v] 1 Too yoye In payne my will 2 doth will to will me styll 3 ffore payne nowe in this casse 4 Aperithe yoye in place 5 Althowght my payne be greater 6 thane cane be told or thowght 7 my love ys styll the better 8 the derare yt ys bowght 9 Thus do I yoy in payne 10 yett doo I not optayne 11 the thyng that I wold ffayne 12 wherfore I saye Agaeyne 13 All thowght my payne &c 14 I haue hard say or this 15 ffull many a tyme & oft 16 that ys fett fore ladys 17 ffare fecht and derly bowght 18 Soo thowght my payn &c 19 This marvelles{es} moche to me 20 how thes too cane Agree 21 both yoy and payn to be 22 In place bothe twayn per{p+}de 23 yett thowght my payne &c ffinis

## Commentary

Written in TH1's hand, this poem remains unattributed and may be an original composition by Thomas Howard. The poem possesses a unique structure and layout: after the first verse followed by the refrain, the stanzas alternate verses and the first line of the refrain. Brackets mark each verse and long flourishes follow each refrain. Marks in the left margin also indicate changes in the refrain (refrain 1, 3, and 4).
# The Devonshire Manuscript/To wette yowr Iye withouten teare

* ←At last withdrawe yowre cruellte || width="200" align="right" | I lowe lovyd and so doithe she→
* The Devonshire Manuscript facsimile 5r
* The Devonshire Manuscript facsimile 5v
f. [5r]
1 To wette yowr Iye with{w+t+}houten teare
2 and in good helth to faine desease 3 that you ther be myn eyne myght bleyr 4 therw therewith yowr other freindes to please 5 and thoo ye thinke ye ned not ferfeare 6 yet f so ye can not me apease 7 but as ye list faine flater or golse 8 ye shall not wynne yf I do lose
9 prat and paint and spre not 10 ye knowe I can me worke 11 and if be ye canrre not$^1$ 12 be sure I do not reke 13 and thowe ye swere it were not 14 I can bothe swere and speke 15 by god and by this crvsse 16 yf I haue the moke ye shall haue the loss

## Notes & Glosses

1. The n is overwritten by an r.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H1. The poet describes a lover’s awareness of his mistress’ duplicity.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 237.

## Textual Notes
#### Texts Collated

DBLa19

#### Collation

1 yowr] your DBla19 Iye] yee DBla19 withouten] withoutyn DBla19 2 good helth to] goodhelthe to DBla19 faine] fayne DBla19 desease] dyssease DBla19 3 ther be] therby DBla19 eyne] yee DBla19 bleyr] bleare DBla19 4 therwtherewith] therwith DBla19 yowr] your DBla19 other] DBla19 freindes] ffrendes DBla19 5 thoo] thoughe DBla19 tyhinke] thynk DBla19 feare] ffeare DBla19 6 f] DBla19 can not] cannot DBla19 7 ye] you DBla19 list] lyst DBla19 faine flater] ffayne fflatyr DBla19 golse] glose DBla19 8 ye] you DBla19 wynne] wyn DBla19 lose] losse DBla19 9 prat] Prat DBla19 paint] paynt DBla19 spre] spare DBla19 10 worke] wreke DBla19 11 if] yf DBla19 canrre] car DBla19 12 sure] suer DBla19 reke] recke DBla19 13 thowe] thoughe DBla19 it] yt DBla19 14 speke] speake DBla19 15 this] the DBla19 crvsse] crosse DBla19 DBla19 16 yf] If DBla19 moke] mocke DBla19 the] it the DBla19 loss] worse DBla19
# The Devonshire Manuscript/The Ioye so short alas the paine so nere

* ←My herte I gave the not to do yt paine || width="200" align="right" | Eche man telles me I chaunge of my devise→
* The Devonshire Manuscript facsimile 75v
f. [75v] 1 The Ioye so short alas the paine so nere 2 {m'}{p+} the waye so long the departure so smarte 3 the furst sight alas I bought to dere 4 {p+}{_o} that so sodonnelye now from hens must parte 5 the bodye gone yet remaine shall the herte 6 {w+t+}{w+t+} with her with$^{wiche}$ for me salte teris shall$^{ded}$ Raine 7 and shall not chaunge till that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] we mete againe 8 tho tyme doth passe / yet shall not my love 9 tho I be farre always / my hert is nere 10 tho other chaunge yet will not I remove 11 tho other care not / yet love I will & fere 12 tho other hate / yet will I love my dere 13 tho other woll of lightnes saye adewe 14 yet woll I be founde stedefast and trewe / 15 when other laughe /. alas then do I wepe / 16 when other wype sing /. then do I waile & crye 17 {p+}{_u} when other runne perforcyd I am to crepe 18 When other daunce / in sorro I do lye 19 when other Ioye / for paine welnere I dye 20 thus brought from{_o} welthe / alas tendles$^{paine}$ 21 that undeser[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]]uid / causeles to remayne / fs.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. Although the speaker labours under undeserved pain, he will not forsake his love.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 131.
# The Devonshire Manuscript/The fruite of all the seruise that I serue

* ←Resounde my voyse ye woodes that herithe me plaine || width="200" align="right" | Sins ye delight to kno→
* The Devonshire Manuscript facsimile 72r
f. [72r] 1 The fruite of all the ser[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]]uise that I ser[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]] ue 2 Dispaire doth repe such haples hap have I 3 but tho he have no powre to make me swarve 4 yet bye the fire for colde I fele I dye / 5 In paradis for hunger{g'} still I sterve 6 and In the flowde / for thurste to deth I drye 7 so tantalus am I and yn worst payne 8 andyd es{es} my helpe / & helples dothe remayne /s amidst fs

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. This poem features an interesting use of Petrarch’s contraries: the speaker feels cold by the fire, hungers in paradise, and thirsts in a flood. Despite the proximity of the adored, the speaker remains despondent.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 100.