# The Devonshire Manuscript/my ywtheffol days ar past

* ←Madame margeret || width="200" align="right" | To cause accorde or to agree→
* The Devonshire Manuscript facsimile 68r
* The Devonshire Manuscript facsimile 68v
f. [68r] 1 my ywtheffol days ar past 2 my plesant erese ar gon 3 my lyffe yt dothe bot wast 4 my grawe and I hame wan 5 my morthe and al is flad 6 and I hame won yn woo 7 desyar to be dede / 8 my mescheffe to for goo 9 I born and ame acold 10 I ffresse amades the ffyar 11 I se the do with{w+t+}hold that 12 that most I do desyar 13 I se my helpe at hand 14 I se my dethe also 15 I se wer the dothe stond 16 I se my ffryndly ffoo f. [68v] 17 I se the know my hart 18 and how I kannot stan stain 19 I se the se me smart 20 and how I leff yn pane 21 I se how the dothe se 22 and yet the wel be blynd 23 I se yn helpeyng me 24 the se and wel not ffynd I se wan I comby by I haw the dothe wry 25 I se haw the do wry 26 wan I begen to mon 27 I se wan I comby 28 how ffane the wold b gan 29 I se wat wold yow mar the weld $^{megladly}$ wold yow Kel 30 the wold me gladly kel 31 and yow shal se therffar 32 that the shal hawe ther wel 33 I kan not leffe with{w+t+} stans 34 yt hes to hard a ffawde 35 I wol be ded at tans at once 36 yff yt myt do them good 37 the shal hawe ther rqwest 38 and I must hawe my nend 39 lo her my blody brest to ples t 40 to ples the with{w+t+} unkynd W$^1$

## Notes & Glosses

1. This initial may refer to Sir Thomas Wyatt. The initial could also be an m, and if so may refer to Mary Shelton.

## Commentary

Written in Mary Shelton's hand, this poem remains unattributed. The poem is an adaptation of “The louer refused of his loue imbraceth death,” a poem which appears in Tottel's Miscellany as item 207. A letter that resembles a "w" follows the poem, but scholars have not attributed this poem to Sir Thomas Wyatt. The initial can also be interpreted as an “m,” which may be an indication that the poem was authored by Mary Shelton.
An annotation, possibly entered by H7, appears at the top of the page and reads, “Madame margeret / et madame de Richemont” (68r). Annotations can reveal a great deal about gender identity, Renaissance practice, and courtly reality. This particular annotation seems to reflect the solidarity existing between erstwhile sisters-in-law Mary Howard and Margaret Douglas and may suggest a certain “experimentation” with personal identity. While the annotation identifies Mary Howard as the Duchess of Richmond, Margaret Douglas is given no patriarchal association. A number of marks throughout the manuscript specify known identities. The most significant of these marks concern Mary Shelton, Margaret Douglas, and Mary Howard. For example, the first page of the manuscript features Mary Shelton’s full name as well as “margayg,” and “garet how,” which could represent Margaret Douglas (Howard). Mary Shelton’s full name also appears after a poem in her hand, "A wel I hawe at other lost" (22v), and the acrostic poem entered by H1, “Suffryng in sorow in hope to attain” (7r), spells SHELTVN.

#### Works Cited

* ↑ Tottel's Miscellany: Songes and Sonettes. Richard Tottel, 1557; rpt. Exeter: Shearsman, 2010. 180-81.

## Textual Notes
#### Texts Collated

STC13860_17

#### Collation

1 my ywtheffol days ar past] MY youthfull yeres are past, STC_13860_17 2 my plesant erese ar gon] My ioyfull dayes are gone: STC_13860_17 3 my lyffe yt dothe bot wast] My life it may not last, STC_13860_17 4 my] My STC_13860_17 grawe] graue STC_13860_17 hame wan] am one. STC_13860_17 5 my morthe and al is flad] My mirth and ioyes are fled, STC_13860_17 6 and] And STC_13860_17 hame won yn woo] a man in wo: STC_13860_17 7 desyar] Desirous STC_13860_17 dede /] dedde, STC_13860_17 8 my mescheffe] My mischiefe STC_13860_17 for goo] forgo. STC_13860_17 9 born] burne STC_13860_17 ame acold] am a colde, STC_13860_17 10 ffresse amades the ffyar] frise amids the fire: STC_13860_17 11 se] see STC_13860_17 the do] she dothe STC_13860_17 withhold that] withholde STC_13860_17 12 that] That STC_13860_17 most I do desyar] is my most desire. STC_13860_17 13 se] see STC_13860_17 hand] hand, STC_13860_17 14 se] see STC_13860_17 dethe] lyfe STC_13860_17 also] also: STC_13860_17 15 se] see STC_13860_17 wer the] where she STC_13860_17 stond] stande STC_13860_17 16 I se my ffryndly ffoo] That is my deadly foe. STC_13860_17 17 I se the know my hart] STC_13860_17 18 and how I kannot stanstain] STC_13860_17 19 I se the se me smart] STC_13860_17 20 and how I leff yn pane] STC_13860_17 21 se] see STC_13860_17 the] she STC_13860_17 se] see, STC_13860_17 22 and] And STC_13860_17 the wel be blynd] she will be blinde: STC_13860_17 23 yn] in STC_13860_17 helpeyng] helpyng STC_13860_17 24 the se and wel not ffynd] She sekes and will not finde. STC_13860_17 24.1 I se wan I comby by] STC_13860_17 24.2 I haw the dothe wry] STC_13860_17 25 se haw the do wry] see how she doth wry, STC_13860_17 26 wan] When STC_13860_17 begen] begyn STC_13860_17 mon] mone: STC_13860_17 27 se wan I comby] see when I come nie, STC_13860_17 28 how ffane the wold bgan] HhwHow faine she wold be gone. STC_13860_17 29 se] see STC_13860_17 wat] what STC_13860_17 wold yow mar] will ye more STC_13860_17 29.1 the weldme gladly wold yow Kel] STC_13860_17 30 the wold] She will STC_13860_17 kel] kyll: STC_13860_17 31 and yow shal se] And you shall see STC_13860_17 therffar] therfore STC_13860_17 32 that] That STC_13860_17 the] she STC_13860_17 shal] shall STC_13860_17 hawe] haue STC_13860_17 ther] her STC_13860_17 wel] will. STC_13860_17 33 kan] can STC_13860_17 leffe] liue STC_13860_17 stans] stones STC_13860_17 34 yt hes] It is STC_13860_17 ffawde] fode: STC_13860_17 35 wol] will STC_13860_17 ded] dead STC_13860_17 at tansat once] at once STC_13860_17 36 yff yt myt do them good] To do my Lady good. STC_13860_17 37 the shal hawe ther rqwest] STC_13860_17 38 and I must hawe my nend] STC_13860_17 39 lo her my blody brest to ples t] STC_13860_17 40 to ples the with unkynd] STC_13860_17