OpenLLM-France/wikimedia huggingface dataset:
# Statistics/Practise Problems/Summary Statistics

Questions:
Answers:
# Statistics/Summary, Study Guide and Formulas

THIS PAGE IS INCOMPLETE, DO NOT USE THIS AS YOUR SOLE REFERENCE.

## One and two-sample Estimation Problems

| Term | Formula | Definition |
| A Statistic | ${\hat {\Theta }}$ | |
| Unbiased estimator | $\mu _{\hat {\Theta }}{=}E({\hat {\Theta }}){=}\theta$ | of parameter $\theta$ |
| most efficient estimator | | estimator with smallest variance |
| sample size | confidence that error less than e when sample size is | $n{=}({z_{\alpha /2}\sigma \over e})^{2}$ |
| confidance interval | | ${\bar {x}}-z_{\alpha /2}{\sigma \over {\sqrt {n}}}<\mu <{\bar {x}}+z_{\alpha /2}{\sigma \over {\sqrt {n}}}$ |
# Statistics/Probability/Bernoulli Trials

A lot of experiments just have two possible outcomes, generally referred to as "success" and "failure". If such an experiment is independently repeated we call them (a series of) Bernoulli trials. Usually the probability of success is called p. The repetition may be done in several ways:
* a fixed number of times (n); as a consequence the observed number of successes is stochastic;
* until a fixed number of successes (m) is observed; as a consequence the number of experiments is stochastic;
In the first case the number of successes is Binomial distributed with parameters n and p. For n=1 the distribution is also called the Bernoulli distribution. In the second case the number of experiments is Negative Binomial distributed with parameters m and p. For m=1 the distribution is also called the Geometric distribution.
# Structural Biochemistry/Epigenome reader
## Introduction

As mentioned in the main page, the epigenome is made up of chemicals that tell your genome what to do. Your genome is basically the same in all of your cells, so what makes your cells different in the way they behave is epigenome which controls them. An example of epigenomics would be to look at a set of monozygotic twins. Their genome are identical, yet due to exposure to different environmental factors as they grow up, they will experience different epigenetic changes, which may make one of the twins more susceptible to developing certain diseases that the other would be less likely to get. This is why many find it important to study the epigenome and there are many programs funded to catalogue the human epigenome, in hopes that we can understand and learn what genes are being turned on and off and how that affects us. Right now there are multiple ways that are being used to read the epigenome. The PHD finger is one of the ways.

## PHD zinc fingers

In the article “The PHD finger: a versatile epigenome reader” written by Roberto Sanchez and Ming-Ming Zhou, they discuss how the plant homeodomain (PHD) zinc fingers that they studied were found to able to read complex histone sequences. Activation and silencing of gene transcription is controlled by modifications of histones, H2a, H2B, H3, and H4. Histones are proteins that pack and organize DNA into nucleosomes. Histones can be modified by adding a methyl group to the amino acid lysine, or adding an acetyl group to the amino acids lysine or arginine. PHD fingers have evolved to recognize when, in the histone, those amino acids have been methylated or acetylated. Main cites that are methylated on the histone H3 tail are K4 and R2.
Out of the four modifications to histones mentioned before, PHD fingers (a small protein domain whose structure is stabilized by zinc atoms) can read histone H3. PHD does this by binding to the first six N terminal residues of the histone. Ligands are molecules that bind to a central metal. This is important because bromodomain PHD finger transcription factor (BPTF) is a PHD finger bound to its ligand, and it has the ability to bind to H3 when K4 is methylated and R2 is not. Most of these PHD fingers have an aromatic cage that helps with binding. Those that don’t however, have the ability to bind to K4 when it is not methylated. There are many different types of PHD fingers that will bind depending on what amino acids are methylated and/or acetylated. When they bind, the conformation changes slightly, allowing one to distinguish between them.
Further study is still required to completely understand how PHD fingers work.

## References

* ↑ National Human Genome Research Institute http://www.genome.gov/27532724
* ↑ Bonetta, Laura (2008). "Epigenomics: The new tool in studying complex diseases". Nature Education. 1 (1): 178.
* ↑ Human Epigenome Project http://www.epigenome.org/
* 1 2 3 Sanchez, Roberto; Zhou, Ming-Ming (2011). "The PHD finger: A versatile epigenome reader". Trends in Biochemical Sciences. 36 (7): 364–72. doi:10.1016/j.tibs.2011.03.005. PMC 3130114. PMID 21514168.
# Structural Biochemistry/Equation for Process Calculations for Ideal Gases
## Equation for Process Calculations for Ideal Gases

For reversible, closed-system, work is given by dW=-PdV For ideal gases, the first law can be written by
dQ+dW=C_v dT From two equations above, we get dQ=C_v dT+PdV These three equations can be applied to four types of processes: isothermal, isobaric, isochoric and adiabatic.

## Isothermal Process

Isothermal process deals with closed-system that has constant temperature. So ΔT=0:
ΔU=ΔH=0 Q=RTln V_2/V_1 =-RTln P_2/P_1
W=-RTln V_2/V_1 =RTln P_2/P_1
Q=-W (constant T)
Therefore,
Q=-W=RT ln V_2/V_1 = -RT ln P_2/P_1 (constant T)

## Isobaric Process

Isobaric process deals with closed-system that has constant pressure. So ΔP=0.
ΔU=∫▒〖C_v dT〗 and ΔH=∫▒〖C_p dT〗 Q=∫▒〖C_p dT〗 and W=-R(T_2-T_1)
Therefore,
Q=ΔH=∫▒〖C_p dT〗 (constant P)

## Isochoric Process

Isochoric process deals with closed-system that has constant volume. So ΔV=0.
ΔU=∫▒〖C_v dT〗 and ΔH=∫▒〖C_p dT〗 Q=∫▒〖C_v dT〗 and W=-∫▒PdV=0 Therefore,
Q=ΔU=∫▒〖C_v dT〗 (constant V)

## Adiabatic Process

Adiabatic process deals with closed-system that has no heat transfer between the system and the surroundings. So ΔQ=0.
dT/T= -R/C_v dV/V
T_2/T_1 =(V_1/V_2 )^(R⁄C_v )
T_2/T_1 =(P_2/P_1 )^(R⁄C_p ) and P_2/P_1 =(V_1/V_2 )^(C_p⁄C_v )
The following equations apply to ideal gases with constant heat capacities that undergo mechanically reversible adiabatic expansion or compression.
〖TV〗^(γ-1)=constant 〖TP〗^(((1-γ))⁄γ)=constant 〖PV〗^γ=constant
γ≡ C_p/C_v
For any adiabatic closed-system,
dW=dU= C_v dT
W= △U= C_v△T
γ ≡ C_p/C_v = (C_v+R)/C_v =1+ R/C_v or C_v= R/(γ-1)
W= C_v△T= (R△T)/(γ-1)
W= (〖RT〗_2-〖RT〗_1)/(γ-1)= (P_2 V_2-P_1 V_1)/(γ-1)
For mechanically reversible process,
W= (P_1 V_1)/(γ-1) [(P_2/P_1 )^(γ-1)-1]= (RT_1)/(γ-1) [(P_2/P_1 )^(((γ-1))⁄γ)-1]

## Diabatic Process

Opposite of adiabatic process
There is heat transfer

## Polytropic Process

Polytropic process deals with a model of some versatility. So δ=constant.
〖PV〗^δ=constant
〖TV〗^(δ-1)=constant 〖TP〗^(((1-δ))⁄δ)=constant
W= (RT_1)/(δ-1) [(P_2/P_1 )^(((δ-1))⁄δ)-1]
Q= ((δ-γ)RT_1)/((δ-1)(γ-1)) [(P_2/P_1 )^(((δ-1))⁄δ)-1]

## Reference

Smith, J. M., and Ness H. C. Van. Introduction to Chemical Engineering Thermodynamics. New York: McGraw-Hill, 1987. Print.
# Structural Biochemistry/Epinephrine
## Overview

Epinephrine, otherwise known as adrenaline, is a hormone secreted by the adrenal glands that is involved in the "fight or flight" response in humans. This response occurs when an individual comes in contact with a threat causing the body to release epinephrine giving the individual energy to respond to the threat.
Epinephrine is derived from tyrosine, one of the 20 major amino acids.

## References

Cashin-Garbutt, April. "What is Epinephrine (Adrenaline)?." News Medical. N.p., n.d. Web. 6 Dec. 2012. <http://www.news-medical.net/health/What-is-Epinephrine-(Adrenaline).aspx>.
# The Devonshire Manuscript/howe shulde I

* ←what shulde I saye || width="200" align="right" | Gyve place all ye that dothe reioise→
* The Devonshire Manuscript facsimile 77r
* The Devonshire Manuscript facsimile 77v
f. [77r] 1 howe shulde I 2 be so plesunte 3 in mye sembl$^a$unt 4 as my fellowes bee 5 not long agoo 6 it chaunsed soo 7 as I ded walke alone 8 I harde aman 9 that nowe and than{_a}n 10 himsilf ded thus bemone 11 Alas he saide 12 I am betraide 13 and vttrelye ondone 14 whoom{_o} I dede trust 15 and think so iuste 16 {_a}{_o} another mann hath wonne 17 mye ser[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]]vise due 18 and herte so true 19 on her I ded bestowe 20 I never ment 21 for to repente 22 yn welthe nor yet in woo. 23 The westo$^r$ne winde 24 hathe turnid his minde 25 and blowen it clene awaye 26 therebye my helthe my mirthe / welthe 27 my h mirthe & helthe 28 are dryvon to grete dekaye 29 ffortune ded smyle 30 a right sho$^r$te while 31 and never saide me naye 32 with{w+t+} ples$^a$unte plais 33 and Ioyfull dayes 34 my tyme to passe awaye / 35 Alas ahlas 36 the tyme so was 37 so never shall it be 38 sins she is gone 39 and I alone 40 armeles as ye maye see/ f. [77v] 41 Where is the othe 42 where is the trothe 43 that she to me ded gyve 44 such fayned wo$^r$des{es} 45 with silie boordes{es} 46 lett no t wise man{_a}n beleve 47 ffor even as I 48 thus wofullye 49 vnto my silf $^1$com{_o}plaine 50 yf ye then truste 51 nedes{es} lerne ye muste 52 to sing my song in vayne / 53 how shulde I &c / fs

## Notes & Glosses

1. The word "silf" demonstrates the similarity between the scribe's renderings of e and i.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. The speaker recounts how he met a lamenting lover. In the end, the lover hopes the speaker will be more wary in his trust or else he will sing the same song. Rebholz notes that the poem belongs to the medieval French genre chanson à personnages (dramatic song) wherein the poet listens to a young woman's complaint.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 298-99.
* ↑ ibid., 532.
# The Devonshire Manuscript/lament my losse my labor and my payne

* ←Payne of all payne the most grevos paine || width="200" align="right" | what shulde I saye→
* The Devonshire Manuscript facsimile 76v
f. [76v] 1 lament my losse my labo$^r$ and my payne 2 all ye that here mye wofull playnte and crye 3 yf ever man might ons yo$^r$ herte constrayne 4 to pytie wordes{es} of right yt shulde bee I 5 that sins . the tyme that youthe yn me ded rayne 6 my ples$^a$unte yeris to bondage ded aplye 7 wiche as yt was I po$^r$pose to declare 8 wherebye my frindes{es} hereafter maye be ware 9 And if per{p+}chaunce some radrs list to muse 10 what menith me so playnlye for to wright 11 my good entente the fawte of yt shall skuse 12 wiche meane nothing but trulye tendyght to endite 13 the crafte and care the greef and long abuse 14 of lovors lawe and eke her puisss$^a$untemight 15 w$^i$che though that men oft tymes bye paynis doth kno. 16 lyttle thye wot wiche wayes the gylis doth growe 17 yet well ye kno yt will renwe my smar{m'}te 18 thus to reherse the paynes that I have past 19 my hand dothe shake my pen skant dothe his parte 20 my boddye quakes{es} my wyttis begynne to waste 21 twixt heate and colde in fere I fele my herte 22 {_i}{_a} pay panting for paine and thus as all agaste 23 I do remayne wo skant wotting what I wryd 24 perdon me then Rudelye tho I indyte 25 And patientelye o Rerdre I the praye 26 take in good parte this wo$^r$ke as yt ys men{_e}te 27 [[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]]{w+t+} and greve the not with aught that I shall saye 28 sins with{w+t+} good will this boke a brode ys sente 29 to tell men I howe in youthe I ded assaye 30 what love ded mene and nowe I yt repente 31 that moving me my frindes{es} might well be ware 32 {_o}{_e} and kepe them fre from all suche payne and care / fs

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. Here the speaker warns a friend of the grief and abuse caused by the “law” of lovers. While some scholars have argued that Wyatt based his poem on Petrarch's Rime I, Rebholz notes that the poem does not have enough similarities to constitute a direct translation or imitation; the poem, Rebholz argues, might have instead belonged to a group of poems Wyatt intended to send abroad, and this poem would "have been both a preface and an envoy in the medieval tradition of farewells to books."

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 235-36.
* ↑ ibid., 502-03
# The Devonshire Manuscript/lengre to muse

* ←Tanglid I was yn loves snare || width="200" align="right" | love doth againe→
* The Devonshire Manuscript facsimile 80r
f. [80r] 1 lengre to muse 2 on{_o}n this refuse 3 I will not vse 4 but studye to forget 5 letting all goo 6 sins well I kno 7 to be my foo 8 her herte is fermelye sett 9 sins my intent 10 so trulye mente 11 Cannot con{_o}tente 12 her minde as I doo see 13 to tell you playne 14 yt ware yn vayne 15 for so small gaine 16 to lose my libretie 17 for if he thryve 18 that will goo stryve 19 a shipp to dryve 20 againste the streme and winde 21 vndoutedlye 22 then thryve shuld I 23 to love trulye 24 a cruell hertid mynde / 25 But sithe that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] so 26 the wo$^r$lde dothe goo 27 that everye woo 28 bye yelding dothe incresse 29 as I have tolde 30 I wille bolde 31 therebye my paynis to cese 32 prayeng you all 33 that after{t'} shall 34 bye fortune fall 35 ynto this folishe trade 36 have yn yo$^r$ minde 37 as I do finde 38 that oft be kinde 39 all women{_e}s love do fade 40 Wherefore a paist pace 41 Come take my place 42 some man{_a} that hase 43 a lust to berne the fete 44 for sins that she 45 refusithe me 46 I must agre 47 & studye to forgett fs

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. The speaker reasons that it would be folly to continue loving a lady who spurns him.
The structure and rhyme scheme of the lyric suggests that a line might be missing between lines 30 and 31.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 313-14.
# The Devonshire Manuscript/myght I as well within my song be lay

* ←I ame not she be prowess off syt || width="200" align="right" | to cowntarffete a mery mode→
* The Devonshire Manuscript facsimile 65v
f. [65v] the sued the soveren 1 myght I as well with{w+t+}in my song be lay 2 the thyng I mene as in my hart I may 3 repentence showld dra ffrom thovs yes 4 salt teres with{w+t+} cryes remors and growges

## Commentary

Written in the hand of Margaret Douglas, this poem is attributed to Sir Thomas Wyatt. H7 enters a second version of this poem, "Myght I as well within my songe" (66r). Both versions in the manuscript are only excerpts of Wyatt’s twenty-five line poem, which Rebholz compiled in his edition of Wyatt's poetry. Similar to other poems in the manuscript, this poem discusses the need for concealment and duplicity. For examples of other poems portraying the theme of concealment, see: “Sum summ say I love sum say I moke” (58v); “In places Wher that I company” (62v); “I ame not she be prowess off syt” (65r); “To cowntarffete a mery mode” (65v); “Ceaser whan the traytor of egipte” (70r); and “Whan that I call vnto my mynde” (82v-83r).

### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 323-24.
* ↑ idib., 323-24.

## Textual Notes
#### Texts Collated

DBLa12, LDev105

#### Collation

1 myght] Myght DBla12 myght I as well within my song be lay] Myght I as well within my songe LDev105 song] songe DBla12 be lay] dbelaye DBla12 2 the thyng I mene as in my hart I may] belay the thinge I wolde LDev105 thyng] thing DBla12 mene] wolde DBla12 may] maye DBla12 3 repentence] repentens DBla12 repentence showld dra ffrom thovs yes] > as in my harte LDev105 showld dra] shulde Drawe DBla12 ffrom] frome DBla12 thovs] those DBla12 yes] eyes DBla12 4 salt] Salt DBla12 salt teres with cryes remors and growges] LDev105 teres] tearis DBla12 cryes remors] cryes, remorce DBla12 growges] grudge of hart DBla12 5 ] causles as cause that I haue ssuffred smart DBla12 6 ] O yf myght I ellis enclose my paynfull breast DBla12 7 ] that that myght be in syght my great vnrest DBla12 8 ] ther shulde ye see tormentes remayngne DBla12 9 ] as hell of payne to move your crewell hart DBla12 10 ] causles by cause that I haue suffred smart DBla12 11 ] Or myght Ther ys in hell no suche a feruent fyere DBla12 12 ] as secret hete of inward hotte desyere DBla12 13 ] that wyll not let the flame appayre DBla12 14 ] that I haue here within my wastyd hart DBla12 15 ] causles by cause that I haue suffred smart DBla12 16 ] Yet you cause yt and ye may cause my welthe DBla12 17 ] ons cause yt then retorne vnto my helthe DBla12 18 ] and of all mene releve that man DBla12 19 ] that no thing can but crye releve this hart DBla12 20 ] causles by cause that I haue souf smart DBla12 21 ] Redres ye owght that harme that ye haue donne DBla12 22 ] yt ys no game that ye nowe haue bygonne DBla12 23 ] but worthye blame ye shall remayne DBla12 24 ] to do hym payne that knowythe not thought of DBla12 25 ] causles by cause that I haue suffred smart DBla12
# The Devonshire Manuscript/how shold I

* ←to my meshap alas I ffynd || width="200" align="right" | what nedythe lyff when I requyer→
* The Devonshire Manuscript facsimile 43r
f. [43r] 1 how shold I 2 be so plesent 3 in my semblent 4 as my ffelws be 5 not long ago 6 yt chancet so 7 as I walkyt alone 8 I hard a man that$^1$ 9 that now and then 10 hym selff thys ded bemone 11 alas he sayd 12 I am betrayt$^2$ 13 and ovterly vndwne 14 hovm I ded trust 15 and thynk so Iust 16 another man has wone 17 my sarwes due$^3$ 18 and hart so tru 19 on her I ded bestow 20 I never ment 21 ffor to repent 22 in welth nor yet in wo 23 love ded asyen 24 her to be myn 25 and nat to love non nwe 26 but who can bynd 27 ther ffe ffeckell kynd 28 that never wyll be tru 29 the western wynd 30 has tovr$^n$yt her myd$^4$ 31 and blone her clen away 32 wher be my welth 33 my merth my helth 34 ys turnd to gret decay 35 wher ys the trowth 36 wher ys ^$^5$$^{the}$ owth 37 that ye to me ded geve 38 seche craffty words 39 and wyly bords 40 let no yovng man beleve 41 how shold I 42 be so plesent 43 in my semblent 44 as my ffelos be ffynes

## Notes & Glosses

1. It is likely that the writer started the next line, realized the error, and crossed out the mistake.
 2. This phrase resonates with Henry VIII's "Heard a may most pitiously."
 3. Note the same spelling as that which Mary Shelton uses, for instance on her "undesired service" remark.
 4. There is no macron to supply the word "mynd."
 5. This is an inverse caret.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by Margaret Douglas. The poem's genre derives from the medieval French chanson à personnages in which the speaker listens to the complaint of a young woman or male lover. In this case the speaker overhears a complaint about the fickleness and changeability of women. Two instances of this poem appear in the manuscript. The second version was entered into the manuscript by H8; it is nine lines longer and titled "howe shulde I" (77r).

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 298.
* ↑ ibid., 532.
# The Devonshire Manuscript/lo in thy hat thow hast be gone

* ←wan I be thyng my wontyd was || width="200" align="right" | Wyly no dought ye be a wry→
* The Devonshire Manuscript facsimile 59r
f. [59r] 1 lo in thy hat hate thow hast be gone 2 to rage and rayll and rekuer how 3 and in thy rayge fforrthwith{w+t+} to run 4 fforther then resen can alov 5 but let them leve that lest to bow 6 or with{w+t+} thy words may so be wone 7 ffor as ffor me I dare a woo 8 to do agen as I hawe done

## Commentary

Written in the hand of Margaret Douglas, this poem remains unattributed. The poem may describe the topical issue of her love for Thomas Howard. Lines 7-8, for instance, assert her defiance: “ffor me I dare a woo/ to do agen as I hawe done.” Notably, "my hart ys sent not remove" (58v) and "wan I be thyng my wontyd was" (59r), also entered by Margaret Douglas, seem to relate to the plight of her relationship with Thomas Howard: either they show her defiance (e.g. “My hart ys set not remove” and “O myserable sorow withowten cure”) or they show support to the couple (e.g. “When I bethynk my wontet ways”).
# The Devonshire Manuscript/my hart ys set nat to remowe

* ←blame not my lute for he must sownde || width="200" align="right" | I ame not she be prowess off syt→
* The Devonshire Manuscript facsimile 65r
f. [65r] 1 my hart ys set nat to remowe 2 ffor wher as I lowe ffaythffully 3 I know he welnot slake hes lowe 4 nor never chang hes ffantecy 5 I hawe delyt hym ffor to plese 6 in hal hall that tovchet honesty$^1$ 7 who ffeleth greve so yt hym hes 8 plesyt doth well my ffantesy 9 and tho that I be banysht hym ffro 10 hys speket hes syght and compayy 11 yet wyll I in spyt off hes ffo 12 hym lowe and kep my ffantasy

## Notes & Glosses

1. Note the different spelling of this phrase in the internal witness.

## Commentary

Written in Margaret Douglas's hand, this poem remains unattributed and is unique to this manuscript. A longer version of the poem entered by Douglas appears on 58v-59r, "my hart ys set not remove". The speaker asserts that despite the adversity found in loving her beloved, nothing will change her feelings for him.
The poem may be related to the poem found immediately below, “I ame not she be prowess off syt” (64v), written in Mary Shelton's hand. The two poems have a similar rhyme scheme, meter, and sentiment. This poem sequence could present another instance of Margaret Douglas and Mary Shelton playing at one another’s texts. For other examples of this textual play, see the lyrics lamenting former happier times (e.g. "When I bethynk my wontet ways" (58r-59r)); professing steadfast love in the face of adversity (e.g. “My hart is set not to remove” (58v) and "Lo in thy hat thow hast be gone" (59r)); and the need and/or difficulty to conceal actual feelings (e.g. “I am not she be prowess off syt” (65r) and “Myght I as well within my song be lay” (65v)).
Douglas's writing increases in size over the three stanzas and many smudges appear on the page; these two features seem to appear in a number of Douglas’s transcriptions.

## Textual Notes
#### Texts Collated

LDev087

#### Collation

1 nat to] not LDev087 remowe] remove LDev087 2 lowe] love LDev087 ffaythffully] ffathfully LDev087 3 welnot] wyll not LDev087 slake] slak LDev087 hes] hys LDev087 lowe] love LDev087 4 ffantecy] ffantesy LDev087 6 in hal] yn LDev087 hall] all LDev087 tovchet] tocheth LDev087 honesty] onesty LDev087 7 who ffeleth greve] hou felyth gref LDev087 hes] ese LDev087 8 plesyt] plesyth LDev087 9 banysht] banest LDev087 ffro] fro LDev087 10 hys speket] hes spech LDev087 compayny] company LDev087 11 yet] yt LDev087 in] yn LDev087 off] of LDev087 12 lowe] love LDev087 ffantasy] fantesy LDev087 13 ] do what they wyll and do ther warst worest LDev087 14 ] ffor all they do ys wanetyvanity LDev087 15 ] ffor a sunder my hart shall borst LDev087 16 ] soworer then change my ffantesy LDev087