OpenLLM-France/wikimedia huggingface dataset:
# The Devonshire Manuscript/All women have vertues noble & excelent

* ←The restfull place Revyver of my smarte || width="200" align="right" | What no perde ye may be sure→
* The Devonshire Manuscript facsimile 18v
f. [18v] 1 # All women have vertues noble & excelent 2 Who can per{p+}ceyve that / they do offend 3 {w+t+}[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]] dayly / they serve god with good intent 4 Seldome / they dysplease there husbandes{es} to theyr lyves end 5 Always / to plese them they do intend / 6 shrewdness neuer{u'} / man may fynd in them srewdnes 7 comonly / suche condycyons they haue more & lese 8 What man can per{p+}cyve that women be evyll 9 {_e}{u'} euery man that hathe wytt . gretly wyll them prayse 10 ffor vyce : they Abhorre with{w+t+} all theyre wyll 11 prudence mer{m'}cy & pacyence ./.$^1$ they vse always 12 ffoly wrathe & cruelte / they hate As men says 13 meknes meekness & all vertue . they prattyse euer 14 syn . to Avoyde vertues they do procure 15 Sum men speke muche evyll be women 16 truly . theyfore they be to blame 17 nothyng . A man may chekk in them 18 haboundantly . they haue of gra{gA}ce & good fame 19 Lakkyng . few vertues to A good name 20 in them fynd ye . All constantnes 21 shrewdness they lak per{p+}de . all srewdnes As I gese fynys quod{q+d+} Richard Hattfield s

## Notes & Glosses

1. This punctuation is "high dot--forward slash--low dot."

## Commentary

Attributed to Richard Hattfield in the text, this poem was entered by H2. This poem's first stanza appears in the Arundel-Harington Manuscript and in Cambridge MS Pepys 2553 as an anonymous Scottish poem and in the manuscripts of the Marquis of Bath, including Longleat 258. The version in the Devonshire Manuscript contains two additional stanzas that are unique to this manuscript. Hattfield may have composed the additional stanzas. Depending on how one reads the punctuation and line breaks in this poem, the lyric can either describe the virtue of women or their wickedness.

#### Works Cited

* ↑ In the Longeat 258 manuscript, the poem appears alongside John Lydgate and Chaucer's minor poems as well as other debates about women, including La Belle Dame sans Merci, The Assembly of Ladies, and The Heart and the Eye.
* ↑ Ruth Hughey, "The Harington Manuscript at Arundel Castle and related documents," Library 4th ser. 15 (1935): 209.
# The Devonshire Manuscript/All yn the sight my lif doth hole depende

* ←To cause accorde or to agree || width="200" align="right" | Beholde love thye powre how she despisith→
* The Devonshire Manuscript facsimile 69r
f. [69r] 1 All yn the sight my lif doth hole depende 2 thy hidest thy self and I must dye therefore 3 but sins thou maiste so easelye saue thy frinde 4 [[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+u+}]][[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+u+}]] whye doste thou styk to hale that thou madist sore / 5 whye doo I dye sins thou[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+u+}]] maist me deffende 6 for if I dye then maiste thou[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+u+}]] / lyve nomore 7 sins ton bye tother / dothe lyve and fede thy herte 8 {m'}{w+t+} I with thye sight then also with my smarte /s fs a ma

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. The poem also appears in Tottel's Miscellany under the title “To his louer to loke vpon him” (item 90). Wyatt's epigram partially translates Serafino Aquilano's strambotto “Viuo sol di mirarti.”
An outline drawing of a left hand, held up with a thumb outstretched, appears in the margin. An unidentified hand has also entered the letters “a m a” on the page.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 95.
* ↑ Tottel's Miscellany: Songes and Sonettes. Richard Tottel, 1557; rpt. Exeter: Shearsman, 2010. 75.

## Textual Notes
#### Texts Collated

STC13860_01

#### Collation

1 All yn the sight] AL in thy loke STC_13860_01 lif] life STC_13860_01 hole] whole STC_13860_01 depende] depende. STC_13860_01 2 thy] Thou STC_13860_01 hidest] hydest STC_13860_01 self] self, STC_13860_01 therefore] therfore. STC_13860_01 3 but] But STC_13860_01 maiste] mayst STC_13860_01 easelye saue] easily helpe STC_13860_01 frinde] frend: STC_13860_01 4 whye] Why STC_13860_01 doste] doest STC_13860_01 styk] stick STC_13860_01 hale] salue STC_13860_01 madist] madest STC_13860_01 sore /] sore? STC_13860_01 5 whye doo] Why do STC_13860_01 dye] dye? STC_13860_01 maist] mayst STC_13860_01 deffende] defend? STC_13860_01 6 for] And STC_13860_01 dye] dye, STC_13860_01 then maiste thou / live nomore] thy life may last no more. STC_13860_01 7 sins ton bye tother / dothe lyve and fede thy herte] For ech by other doth liue and haue reliefe, STC_13860_01 8 with] in STC_13860_01 thye] thy STC_13860_01 sight then also with my smarte /] loke, and thou most in my griefe. STC_13860_01
# The Devonshire Manuscript/And wylt thow leve me thus

* ←Marvell nomore Altho || width="200" align="right" | That tyme that myrthe dyd stere my shypp→
* The Devonshire Manuscript facsimile 17r
f. [17r] {9}{p`} 1 And wylt thow leve me thus 2 Say nay say nay ffor shame and thys chefly 3 to save the from the Blame 4 of all my greffe & grame$^1$ 5 And wylt thow leve me thus 6 Say nay Say nay 7 And wylt thow leve me thus 8 that hathe lovyd the so long 9 in welthe & woo Among 10 & ys thy hart so strong 11 as for to leve me thus 12 Say nay Say nay 13 And wylt thos leve me thus 14 that hathe gevyn the my hart$^2$ 15 neuer for to Depart 16 nother for payn nor smart 17 And wylt thow leve me thus 18 Say nay Say nay 19 And wylt thow leve me thus 20 & have nomore Pyttye 21 of hym that lovythe the 22 helas thy cruellte 23 & wylt thow leve me thus 24 Say nay Say nay fynys quod{q+d+} W.s

## Notes & Glosses

1. "Grame" means sorrow.
 2. Note the rough rhythm.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H2. The lover laments that his beloved has left.
Here H2 follows his previous lettering style, using large and exaggerated majuscules for the words "Blame," "Depart," and "Pyttye," as well as the word "Say" in the refrain (see also "Bownd am I now & shall be styll" (8v), "May not thys hate from the estarte" (10v), "What menythe thys when I lye alone" (12v), "ys yt possyble" (14r), "My lute awake performe the last labor" (14v), and "Alas poore man what hap have I" (15v)). This poem is is also one of seventeen entries where Margaret Douglas marks “and thys.” Paul Remley has suggested that these annotations relate to another in-text annotation of hers, “lerne but to syng it” (81r), and may indicate a group of texts to be learned for entertaining.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 169-70.
* ↑ Paul Remley, "Mary Shelton and Her Tudor Literary Milieu," in Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts, ed. Peter C. Herman (Urbana: University of Illinois Press, 1994), 40-77.
# The Devonshire Manuscript/Alas what shuld yt be to yow preiudyce

* ←O marble herte and yet more harde perde || width="200" align="right" | how frendly was medea to Iason→
* The Devonshire Manuscript facsimile 90r
f. [90r] 1 Alas what shuld yt be to yow preiudyce 2 yff that a man do loue yow faythfully 3 to yowr worshyp eschewyng euery vyce 4 so am I yowrs and wylbe ueryly 5 I chalenge nowght of ryght / and reason why 6 for I am hole submyt vnto yowr servyce 7 ryght as ye lyst yt be ryght so wyll I 8 to bynd myself were I was at lyberty

## Commentary

Transcribed by TH2, this entry is an excerpt (lines 229-36) from Richard Roos’ adaptation of La Belle Dame Sans Merci by Alain Chartier. The speaker in this passage promises steadfastness, service, and submission to the lady. TH2 enters another excerpt from the same poem above this selection "O marble herte and yet more harde perde" (90r(2)); TH2 most likely copied both passages from Thynne’s edition of Chaucer (c. 1532).
Other medieval and Chaucerian excerpts in the manuscript, possibly copied from Thynne's edition, include selections from Hoccleve ("Womans harte vnto no creweltye" 89v(1) and "ys thys afayre avaunte / ys thys honor" (89v(2)), verses from Troilus and Criseyde (see: "O very lord / o loue / o god alas" (29v(1)), "O ye louers that hygh vpon the whele" (30r), "for thylke grownde that bearyth the wedes wycke" (59v), "Wo worthe the fayre gemme vertulesse" (91v(1)), "for loue ys yet the moste stormy lyfe" (91v(2)), "Also wyckyd tonges byn so prest") (91v(3)), "And who that sayth for to love ys vyce" (92r), and "but now helpe god to quenche all thys sorow" (93r)); the Chaucerian "Remedy of Love" first printed in Thynne's edition ("yff all the erthe were parchment scrybable" (90r), and Chaucer's Anelida and Arcite ("for thowgh I had yow to morow to agayne" (91r)).
TH2 separates the passages on the page with flourishes.

## Textual Notes
#### Texts Collated

T5068.01

#### Collation

1 Alas what] Alas/what T5068.01 shuld] shulde T5068.01 yt] it T5068.01 yow] you T5068.01 2 yff] If T5068.01 yow] you T5068.01 3 to] To T5068.01 yowr] your T5068.01 worshyp eschewyng] worshyp/eschewynge T5068.01 4 so] So T5068.01 yowrs and] yours/and T5068.01 wylbe] wyl be T5068.01 ueryly] veryly T5068.01 5 nowght] nought T5068.01 ryght / and] right/and T5068.01 6 for] For T5068.01 yowr] your T5068.01 servyce] seruyce T5068.01 7 ryght] Right T5068.01 yt be ryght] it be/right T5068.01 wyll] wyl T5068.01 8 to] To T5068.01 bynd] bynde T5068.01 myself were] my selfe/where T5068.01 at lyberty] in fraunchise T5068.01
# The Devonshire Manuscript/And now my pen alas wyth wyche I wryte

* ←To yowr gentyll letters an answere to resyte || width="200" align="right" | O very lord / o loue / o god alas→
* The Devonshire Manuscript facsimile 29v
f. [29v] 1 And now my pen alas / wyth wyche I wryte 2 quaketh for drede / off that I muste endyte

## Commentary

These two lines, entered by TH2, are excerpted from Chaucer’s Troilus and Criseyde, Book IV, 13-14. TH2 may have copied the lines from Thynne’s edition of Chaucer (c. 1532). Chaucer’s narrator expresses his dread of having to convey Troilus’ fall from Fortune’s Wheel, Diomede’s rising favour and Criseyde’s unfaithfulness. The Devonshire Manuscript contains others verses from Troilus and Criseyde: see "O very lord / o loue / o god alas" (29v(2)), "O ye louers that hygh vpon the whele" (30r), "for thylke grownde that bearyth the wedes wycke" (59v), "yff yt be so that ye so creuel be" (91r(2)), "Wo worthe the fayre gemme vertulesse" (91v(1)), "for loue ys yet the moste stormy lyfe" (91v(2)), "Also wyckyd tonges byn so prest" (91v(3)), "And who that sayth that for to love ys vyce" (92r), and "but now helpe god to quenche all thys sorow" (93r). Other medieval and Chaucerian excerpts in the manuscript, possibly copied from Thynne's edition, include selections from Hoccleve "Womans harte vnto no creweltye" (89v(1)) and "ys thys afayre avaunte / ys thys honor" (89v(2)); Richard Roos' La Belle Dame Sans Merci, "O marble herte and yet more harde perde" (90r(1)) and "Alas what shuld yt be to yow preiudyce" (90r(2)); the Chaucerian "Remedy of Love" first printed in Thynne's edition "yff all the erthe were parchment scrybable" (90r); and Chaucer's Anelida and Arcite, "for thowgh I had yow to morow agayne" (91r).

#### Works Cited

* ↑ Raymond Southall identified this Chaucerian couplet in his study of the manuscript. See Raymond Southall, "The Devonshire Manuscript Collection of Early Tudor Poetry, 1532-41," Review of English Studies 15.58 (1964): 143.

## Textual Notes
#### Texts Collated

STC 5068

#### Collation

1 now] nowe T5068.03 alas /] alas/ T5068.03 wyth] with T5068.03 wyche] whiche T5068.03 wryte] write T5068.03 2 quaketh] Quaketh T5068.03 drede / off] drede/of T5068.03
# The Devonshire Manuscript/Alas that men be so vngent

* ←What thyng shold cawse me to be sad || width="200" align="right" | Who hath more cawse for to complayne→
* The Devonshire Manuscript facsimile 27v
f. [27v] 1 Alas that men be so vngent 2 to order me so creuelly 3 off ryght they shold them self repent 4 yff they regard there honesty 5 They know my hart ys set so sure 6 {es}[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] that all ther wordes can not prevayle 7 Tho that the thynke me to allure 8 wyth doubyll tonge and flaterynge tayle 9 alas me thynke the do me wronge 10 That they wold haue me to resyne 11 my tytly tytle wych ys good and stronge 12 that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] I am yowrs$^1$ and yow ar myne 13 I thynke the wold that I shold swere 14 your company for to forsake 15 but ons ther ys no worldly fere 16 shal cawse me such anothe to make 17 ffor I do trust ere yt be longe 18 that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] god off hys benyngnyte 19 wyll send us ryght where we haue wrong 20 for servyng hym thus faythfulye 21 Now fayre ye well my none swete wyfe 22 Thu Trustyng that shortely I shall here 23 from yow the stay off all my lyfe$^2$ 24 whose helth alone ys all my chere finis

## Notes & Glosses

1. This phrase connects to "That tyme that myrthe dyd stere my shypp"(17v) and "am el mem"(67v).
 2. This phrasing is resonant.

## Commentary

Attributed to Lord Thomas Howard, this poem was entered into the manuscript by TH2. Similar to the speaker's declaration of steadfastness in the previous poem, here the speaker assures his loyalty to his lover despite pressures from others to forsake his beloved. The speaker calls his love “my none swete wyfe” (line 21), a sentiment which also appears as “my none” in the following poem, "Who hath more cawse for to complayne" (28r).

### Works Cited

* ↑ William A. Ringler, Jr., Michael Rudick, and Susan J. Rigler, Bibliography and Index of English Verse in Manuscript, 1501-1558 (London: Manswell, 1992), 63.
# The Devonshire Manuscript/Alas poore man what hap have I

* ←My lute awake performe the last labor || width="200" align="right" | Marvell nomore Altho→
* The Devonshire Manuscript facsimile 15v
* The Devonshire Manuscript facsimile 16r
f. [15v] 1 3 Alas poore man what hap have I 2 that must fforbere that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] I love best 3 I trow yt be my desteny 4 neuer{u'} to lyve in quiet Rest 5 No wonder ys tho I complayn 6 not with{w+t+}owt cawse ye may be sure 7 I seke ffor that I cannot attayn 8 Whyche ys my mortall dysplesure 9 Alas pore hart as in thys case 10 {es}{w+t+} With pensyff playntes thow art opprest 11 Vnwysse thow were to desyre place 12 Where as another ys possest$^1$ 13 Do what I can to ese thy smart 14 thow wylt not let to love her styll 15 hyrs & not myn I se thow Art 16 let her do by the As she wyll 17 A carefull carkace full of payn 18 now hast thow lefft to morne for thee[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+e+}]] 19 the hart ons gone the body ys slayn 20 that euer{u'} I saw her wo ys me f. [16r] 21 Myn Iye alas was cawse of thys 22 whyche her to se had neuer{u'} hys ffyll 23 to me that syght full bytter ys 24 in Recompence of my good wyll 25 She that I sarve all other above 26 hathe payd my hyre as ye may se 27 I was vnhappy & that I prove 28 to love Above my poore degre Iohn crow to serve / 'v'$^2$ hondyrd /

## Notes & Glosses

1. It is unusual to have each line of the stanza capitalized.  2. The lines represented by single quotes are upper virgules.

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H2. "Alas poore man what hap have I" describes the complaint of a poor man who loves above his degree.
The first word of each line is capitalized, which is an unusual embellishment in the manuscript.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 151-52.
# The Devonshire Manuscript/Also wyckyd tonges byn so prest

* ←for loue ys yet the moste stormy lyfe || width="200" align="right" | And who that sayth that for to love ys vyce→
* The Devonshire Manuscript facsimile 91v
f. [91v] 1 Also wyckyd tonges byn so prest 2 to speake us harme / eke men ben so vntrewe 3 s that ryght anon as cessed ys ther lest 4 so cesseth loue / and forth to loue a newe 5 but ydo ys donne / who so yt rewe 6 for thowgh these men for love them fyrst to rende 7 ful sharpe begynnyng breketh ofte at ende

## Commentary

Transcribed by TH2, this entry is an excerpt from Chaucer's Troilus and Criseyde (Book II, lines 785-91) -- a long poem based on Petrarch's Rime 132. TH2 most likely copied from Thynne's edition of Chaucer (c. 1532). This passage features part of a soliloquy by Criseyde in which she weighs the advantages and drawbacks for women to love men. Here she describes the diverse disadvantages of loving for women: wicked tongues can quickly defame women, men prove untrue and often look elsewhere as soon as desire ceases, and men too eagerly break off a relationship in the end despite their complaints of torture and pain in the name of love. This excerpt provides a counterpoint to the verses in the manuscript that describe women's fickleness.
The Devonshire Manuscript contains numerous other verses from Troilus and Criseyde (see: "And now my pen alas wyth wyche I wryte" (29v(1)), "O very lord / o loue / o god alas" (29v(2)), "O ye louers that hygh vpon the whele" (30r), "for thylke grownde that bearyth the wedes wycke" (59v), "yff yt be so that ye so creuel be" (91r(2)), "Wo worthe the fayre gemme vertulesse" (91v(1)), "And who that sayth that for to love ys vyce" (92r), and "but now helpe god to quenche all thys sorow" (93r)). Other medieval and Chaucerian excerpts in the manuscript, possibly copied from Thynne's edition, include selections from Hoccleve ("Womans harte vnto no creweltye" (89v(1)) and "ys thys afayre / ys thys honor" (89v(2)), Richard Roos' La Belle Dame Sans Merci ("O marble herte and yet more harde perde" (90r(1)) and "Alas what shuld yt be to yow preiudyce" (90r(2)), the Chaucerian Remedy of Love first printed in Thynne's edition "yff all the erthe were parchment scybable" (90r), and Chaucer's Anelida and Arcite ("for thowgh I had yow to morow agayne" (91r)).
This passage may be a continuation of the excerpt found above “for loue ys yet the moste stormy lyfe” (91v), but TH2 separates the passages with flourishes.

## Textual Notes
#### Texts Collated

T5068.02

#### Collation

1 wyckyd] wicked T5068.02 byn] ben T5068.02 2 to] To T5068.02 speake] speke T5068.02 us] vs T5068.02 harme / eke] harme/eke T5068.02 3 that] That T5068.02 ryght] right T5068.02 ys] is T5068.02 ther] her T5068.02 4 so] So T5068.02 loue /] loue/ T5068.02 forth] forthe T5068.02 5 but ydo ys] But harme ydo is T5068.02 donne / who] done/who T5068.02 yt] it T5068.02 6 for] For T5068.02 thowgh] though T5068.02 love] loue T5068.02 them] hem T5068.02 fyrst] first T5068.02 7 ful] Ful T5068.02
# Work and Life in the Mobile Society/Foreword
## Foreword

Laptops, cell phones, iPods and other devices have put work, socialization and entertainment on the move. In essence, our work and personal lives are increasingly characterized by mobility and intertwined with the technologies that enable it. A lot has been written on this topic, much in academic circles as well as in industry and practitioner outlets. This book will serve to bring together the wide range of facts and thinking on this topic in a format that is open to ongoing improvement.
Having taught the introductory Information Systems course at McGill University's Centre for Continuing Education for several terms, I had seen many of our students submit excellent work for their short "theory paper" assignment. Meant to engage students in researching a current topic in the world of Information and Communication Technology, the student essays would often reveal much in the fast-changing IT world that I was not aware of, and invariably proved to be a learning experience for myself and my co-instructors (Leo Kerklaan and Charles Quesnel). I long felt it a shame that such good summaries by students of hot topics in the ICT domain should get only the limited circulation of graders and instructors. Wikibooks seemed like a great place for students to expose their work to a wider audience.
For this first attempt at bringing our students' work out of the confines of the classroom, the topic of the Mobile Society seemed quite pertinent. The changes to our work and personal lives seem to be all around us, and I hope, will be easily seen and written about by the students of our course (MGCR 331 Introduction to Information Systems). With this in mind, I developed the outline for this Wikibook. I look forward to your contributions, and hope to see a wide audience for this collaborative work.
# Work and Life in the Mobile Society/Security

    Who controls mobile devices—employers or employees?
    How do viruses and other threats affect mobile devices?
    How can loss or theft of a mobile device be dealt with?
    What are the issues with crossing borders with mobile devices?
    How can mobile devices enable citizen journalism?
# Work and Life in the Mobile Society/Life

    How can mobile workers balance work and their personal lives?
    What are the options for using mobile technology on trains, planes, and automobiles?
    How has social life changed in the mobile society?
    What are the health issues in leading a mobile life?
    How does fashion play a role in the mobile society?
    What is the environmental impact of mobile living?
# The Pyrogenesis Engine/Introduction

Pyrogenesis is an open source game engine developed for the real-time strategy game 0 A.D. by Wildfire Games. Wildfire Games originated as a mod developer, releasing the mod Rome at War for Age of Empires II: The Age of Kings in 2001. The same year, development commenced on their next title, 0 A.D. Originally envisioned as a comprehensive total conversion mod of Age of Empires II: The Age of Kings, the team eventually decided to instead develop their own engine for the project - the Pyrogenesis engine. True to its roots, the engine was designed from the ground up to be easily moddable and in 2008 the team finally decided to release the whole project, including the Pyrogenesis engine, as open source.

### Features
#### Core

* Pathfinder.
* Support for saving and loading games.

#### Graphics

* OpenGL-based rendering engine with support for both ARB and GLSL shaders.
* Realistic shadows with shadow mapping and shadow filtering (PCF).
* Materials system for both models and terrain.
* Normal, parallax, specular and emissive mapping.
* Ambient occlusion.
* HDR rendering and bloom.
* Animated water plane with refraction and reflection.
* Hierarchal skeletal animation and deformation system based on COLLADA.
* Particle effects.
* Triplanar texture mapping.
* Environmental lighting effects (time of day, sunset).
* Flexible terrain renderer using alpha maps to seamlessly blend terrain.

#### Audio

* OpenAL-based sound manager.

#### User Interface
### Platforms
#### Supported languages

C++ and JavaScript.

#### Supported operating systems

Windows, OS X and Linux.

### License

GPL.

### Where to get it?

The Pyrogenesis engine is not yet packaged separately, but all the source code for 0 A.D. can be downloaded from: svn.wildfiregames.com or github.com/0ad.
# The Pyrogenesis Engine/0 A.D./GuiSession
#### setupUnitPanel

Helper function for updateUnitCommands; sets up "unit panels" (i.e. panels with rows of icons) for the currently selected unit.
Sets up icon tooltips.