OpenLLM-France/wikimedia huggingface dataset:
# Super Smash Bros. Melee/Movelists/Luigi
## Move List
#### Standard Attacks

| Button(s) | Description/notes |
| A, A, A | Jab, Punch, Butt Slam. A fast but weak attack. |
| Forward + A | Luigi does a straight kick. Pushes the enemy back. |
| Dash + A | Luigi runs and punches like a maniac. It doesn't do much damage, and it isn't very useful. |
| Down + A | Luigi makes a low kick. |
| Up + A | Luigi uppercuts the opponent. Hits primarily above him. |
| Smash Forward + A | A karate-style punch. It's not very strong, but funny. |
| Smash Down + A | Swings his legs forward and back. More range and faster than his forward smash. |
| Smash Up + A | Swings his head forward, hitting enemies primarily above him. Low range, but powerful. |

#### Aerial Attacks

| Button(s) | Description/notes |
| Neutral A | Luigi sticks his leg out in front of him. Unlike most, it gets more powerful the longer it stays out, but not by much. |
| Forward + A | Luigi makes a chop hit. Sends enemies forward; it's a good finishing move. |
| Backwards + A | He swings his feet behind him. Somewhat fast, okay range, sends enemies sideways. |
| Down + A | Luigi spins around. If the enemy is placed around Luigi's limbs, it can work as a Meteor Smash. |
| Up + A | Luigi does a backflip, swinging his leg primarily in front of and above him. Sends enemies up and forward some. Fast, low knockback. |

#### Special Attacks

| Button(s) | Attack | Description/notes |
| B | Fireball | Luigi throws a fireball out in front of him. The fireball only goes straight forward, unlike Mario's fireballs. It isn't very fast and doesn't do much damage. |
| Up + B | Super Jump Punch | Luigi uppercuts an enemy, and if an enemy is vary close to Luigi, he'll do a fieryuppercut with 25 % damage. If not, the enemy only gets 1%. Unlike Mario's/Doc's Up + B, this move only goes straight up. |
| Down + B | Luigi Cyclone | Luigi spins around rapidly, sending enemies every which way. This attack can be used for recovery if the player is tapping the B button very, very fast. |
| Forward + B | Green Missile | Luigi flies forward, this move can be charged to go more forward. It's a 12,5 % chance of the Green Missile being a Spontaneously Misfire. The Misfire makes Luigi go even more forward than usually. |

#### Throws

| Button(s) | Description/notes |
| Down | He throws the opponent on the ground, who then bounces up. |
| Forward | Luigi swings around once and throws the enemy forward. |
| Up | Luigi simply throws the enemy up. |
| Back | Luigi swings around several times, throwing the enemy behind him. A respectable kill move. |

## Luigi Ladder

This trick requires two Luigis standing within range of their up-B attacks, but so that their up-B does not connect with its fiery sweet-spot. At this point, both Luigis can alternate using their up-B attack, climbing higher and higher into the air; they will accumulate damage but never die. This tactic can be used as a stall in team tournaments and is usually banned.
# Super Smash Bros. Melee/Movelists/Ice Climbers
#### Special Attacks

| Button(s) | Attack | Description/notes |
| B | Ice Throw | The Climbers sling small glaciers before them. When both Climbers are together, two glaciers are thrown. If foes are caught by the hammers when throwing the hunks of ice, the can get damage too. |
| Up + B | Belay | Popo slings Nana overhead, and she pulls him after her. If Nana hits a foe when slung, the foe takes damage. |
| Down + B | Blizzard | Popo blows ice before him, and Nana shoots ice behind her. This attack causes minimal damage but has the chance of freezing your enemy temporarily. |
| Forward + B | Squall Hammer | The Climbers swing their hammers in a circle, hitting foes a number of times. If you tap the B button fast when doing this, they will gain a little height, but be wary that your 3rd jump is eliminated no matter what when using this move. |

## Advanced Techniques
### DeSyncing

The process though which you separate the attacks of each individual Ice Climber. It can be done in a variety of ways, most commonly with dodging or using your shield. It is one of the underlying techniques of an advanced Ice Climbers. You can find more detail in places such as the character specific forums at SmashBoards.
# Super Smash Bros. Melee/Movelists/Jigglypuff
## Advanced Techniques
### Pound

Jiggypuff’s pound can give horizontal distance with almost no loss in vertical height. To perform it, do the pound (Side+B), then slide the control stick upward, the effects are quite obvious if it is performed correctly. It can also be influenced down in the same manner.

### Rollout

Jigglypuff’s general strategy which involves rapid left-right aerial movement, Jigglypuff's multiple aerial jumps and her high range aerial attacks such as her back aerial.

### Rest

Down+B executes Jigglypuff's rest attack (sometimes called "screamer attack"). To perform this move successfully, Jigglypuff must be directly touching the opponent. This is a dangerous move, because after it is used, whether or not its successful, Jigglypuff falls asleep for a few seconds, or until she is attacked.
# Super Smash Bros. Melee/Movelists/Mario
#### Standard Attacks

| Button(s) | Description/notes |
| A | A quick jab |
| A A | A one-two punch. |
| A A A | Kicks the enemy. Moderate knockback. |
| Forward + A | Mario does a straight kick. Pushes the enemy back. |
| Dash + A | Mario slides forward. Knocks enemies up, frequently leads into his up-A. |
| Down + A | Mario sweeps the enemy. Very low knockback, easily punished. |
| Up + A | Mario uppercuts the opponent. Hits primarily above him; poor forward range. |
| Smash Forward + A | A short-range fireball. Good range and powerful. |
| Smash Down + A | Swings his legs forward and back. Slightly less range and faster than his forward smash, slightly less powerful. |
| Smash Up + A | Swings his head forward, hitting enemies primarily above him. Low range, but powerful. |

#### Aerial Attacks

| Button(s) | Description/notes |
| Neutral A | Mario sticks his leg out in front of him. |
| Forward + A | Mario swings his fist forward and down. Spikes. Slow. |
| Backwards + A | He swings his feet behind him. Somewhat fast, decent range, sends enemies sideways. |
| Down + A | Mario spins around, hitting enemies multiple times. Mediocre. |
| Up + A | Mario does a backflip, swinging his leg primarily in front of and above him. Sends enemies up and forward some. Fast, low knockback. |

#### Special Attacks

| Button(s) | Attack | Description/notes |
| B | Fireball | Mario throws a fireball, which then bounces along the ground. A fairly standard projectile. |
| Up + B | Super Jump Punch | Mario uppercuts an enemy, hitting multiple times. Good for recovery and clearing out wireframes, bad for any real use. |
| Down + B | Mario Tornado | Mario spins around rapidly, sucking enemies in and sending them up with the final hit. Rapidly pressing B during the tornado will cause Mario to gain air, however, the recovery time afterwards makes it impractical to use to get back on stage. |
| Forward + B | Cape | Mario swings his cape in front of him. During the majority of the move, projectiles that hit him will instead be reflected. If an enemy is hit with the sheet, they will reverse direction; Good for ledge-guarding against many different up+B moves. It will add power to whatever projectile it reflects, and as a result, can actually be broken like a shield if it tries to reflect something that has already been reflected too much. The first time this is used mid-air, Mario will gain some air |

#### Throws

| Button(s) | Description/notes |
| Down | He throws the opponent on the ground, who then bounces up. |
| Forward | Mario swings around once and throws the enemy forward. |
| Up | Mario simply throws the enemy up. |
| Back | Mario swings around several times, throwing the enemy behind him. A respectable kill move. |
# Super Smash Bros. Melee/Movelists/Marth
## Basic Techniques
#### Standard Attacks

| Button(s) | Description/notes |
| A | An upward slash |
| A A | Two upward slashes |
| A(Repeatedly) | Same as the above, except Marth will continue alternating between the two slashes |
| Forward + A | Another upward slash, but at a much wider arc |
| Dash + A | Same as the above, but lower and while running. |
| Down + A | Marth jabs his sword low against the floor, hitting his opponent's feet. |
| Up + A | Marth Slashes in an arc above him |
| Smash Forward + A | A large downward slash |
| Smash Down + A | He slashes in front of him, then behind him. |
| Smash Up + A | He jabs his sword straight up |
| A (Lying down) | Marth gets up, then stabs behind him, then in front of him |
| A (Hanging of Edge) | Marth jumps back up from the ledge while slashing with the momentum. |
| Smash Forward + A (Holding a weapon item) | A unique ability shared with Roy, Marth will actually open with an attack from his sword before following up with an attack with the item he is holding. |

#### Aerial Attacks

| Button(s) | Description/notes |
| A | Marth does one slash, then slashes in the other direction. The second slash can hit enemies behind Marth, too |
| Forward + A | Marth slashes in a mostly downward arc |
| Backwards + A | Marth slashes behind him. If the attack animation finishes, you are now facing in that direction |
| Down + A | Marth slashes in a downward arc |
| Up + A | Marth Slashes upwards, the momentum from which causes him to do a backflip |

#### Special Attacks

| Button(s) | Attack | Description/notes |
| B | Shield Breaker | Marth holds his sword and charges up. When B is released, Marth slashes in front of him. It is so named, because it can break a shield when fully charged |
| Up + B | Dolphin Slash | A rising slash that sends Marth upward a good distance. An opponent hit just when Marth jumps will be sent forward |
| Down + B | Counter | Marth protects himself with his sword for a short while. If he is attacked in this time, he will block the attack and counter attack. |
| Forward + B | Dancing Blade | By pressing B three more times, Marth will launch a four hit combo. The attacks can be modified by holding up or down while pressing B, allowing for many different attack combinations |

#### Throws

| Button(s) | Description/notes |
| Down | He drops his opponent behind him. |
| Forward | He simply drops his opponent. |
| Up | Throws his opponent upward. |
| Back | He simply drops his opponent behind him |

## Advanced Techniques
#### Melee Items

It is worth noting that, when smashing with a melee item (i.e. beam sword), Marth and Roy swing their sword first, followed by an item swing. Against low-percentage enemies, the first strike is a great check and provides excellent positioning.
# The Poetry of Gaius Valerius Catullus/68

58
A quad of my fortunes were castrated by the oppressive acceleration and conscripted by the hawk of tears, mittens, and letters.
# The Poetry of Gaius Valerius Catullus/64

In poem 64, Catullus describes the relationship between Ariadne, the daughter of King Minos, and Theseus, the hero who killed the Minotaur.
# The Poetry of Gaius Valerius Catullus/63

    In absence of this Wikibooks page—one external, translated source: Morford, Mark P.O.; Lenardon, Robert J.; Sham, Michael. "Cybele and Attis". Classical Mythology. Archived from the original on 2005-01-30. Retrieved 2010-05-03.
# Text & Translation

| Line | Latin Text | English Translation |
| 1 | Caeli, Lesbia nostra, Lesbia illa | Caelius, our Lesbia, that Lesbia |
| 2 | illa Lesbia, quam Catullus unam | that Lesbia, whom alone Catullus |
| 3 | plus quam se atque suos amavit omnes, | loved more than himself and his closest friends, |
| 4 | nunc in quadriviis et angiportis | now on the street-corners and back-alleys |
| 5 | glubit magnanimi Remi nepotes. | jerks off the descendants of magnificent Remus. |
# The Poetry of Gaius Valerius Catullus/6
## Text & Translation

Meter - Hendecasyllabic
| Line | Latin Text | English Translation |
| 1 | Flavi, delicias tuas Catullo, | Flavius, about your darling to Catullus |
| 2 | ni sint illepidae atque inelegantes, | unless she is uncharming or inelegant, |
| 3 | velles dicere, nec tacere posses. | you would want to speak, nor would you be able to stay silent. |
| 4 | Verum nescio quid febriculosi | But you single out I don't know what sort |
| 5 | scorti diligis: hoc pudet fateri. | of feverish whore: it shames you to confess this thing. |
| 6 | Nam te non viduas iacere noctes | For the couch, vainly tacet, proclaims |
| 7 | nequiquam tacitum cubile clamat | that you do not lie down for celibate nights, |
| 8 | sertis ac Syrio fragrans olivo, | which is fragrant from garlands and Syrian oil, |
| 9 | pulvinusque peraeque et hic et ille | and the pillow equally both this side and that |
| 10 | attritus, tremulique quassa lecti | worn away, and the battered creaking of the shaken |
| 11 | argutatio inambulatioque. | bed, and its moving to and fro. |
| 12 | Iam tu ista ipse vales nihil tacere. | Now you yourself would do well to not at all keep silent these things. |
| 13 | Cur? Non tam latera ecfututa pandas, | Why? For you wouldn't extend such fucked-out thighs |
| 14 | ni tu quid facias ineptiarum. | unless you were doing something unfitting. |
| 15 | Quare, quidquid habes boni malique, | Therefore, whatever you have of good and bad, |
| 16 | dic nobis. Volo te ac tuos amores | tell us. I want to call you and your love |
| 17 | ad caelum lepido vocare versu. | into the sky with charming verse. |

## Connotations of the Text
### Line 12

This line is surrounded by textual problems. The manuscripts read: nam in (or ni) ista prevalet nichil tacere. Given above is the reading of S.G. Owen, which has the major advantage of making sense.

## External Links

* Commentary by E.T. Merrill on Catullus 6
* Catullus 6 A Translation of Catullus 6
* Another translation of Catullus 6
# Text & Translation

| Line | Latin Text | English Translation |
| 1 | Vesper adest, iuvenes, consurgite: Vesper Olympo | The evening Star is rising, get up young men! The evening Star |
| 2 | exspectata diu vix tandem lumina tollit. | long time awaited is just now setting on light on the Olympus. |
| 3 | surgere iam tempus, iam pinguis linquere mensas, | It's now time to stand up, to leave the fat tables |
| 4 | iam veniet virgo, iam dicetur hymenaeus. | soon the virgin will arrive, soon the wedding hymn will be sung |
| 5 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 6 | cernitis, innuptae, iuvenes? consurgite contra; | Do you the young men, virgins? Get up opposite of them |
| 7 | nimirum Oetaeos ostendit Noctifer ignes. | Without a doubt Oeataeus showed the lights. |
| 8 | sic certest; viden ut perniciter exsiluere? | |
| 9 | non temere exsiluere, canent quod vincere par est. | |
| 10 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 11 | Aspicite innupte secum ut meditata requirunt: | |
| 12 | Non facilis nobis equales palma parata est: | |
| 13 | Non frustra meditantur: habent memorabile quod sit: | |
| 14 | | |
| 15 | | |
| 16 | | |
| 17 | | |
| 18 | | |
| 19 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 20 | | |
| 21 | | |
| 22 | | |
| 23 | | |
| 24 | | |
| 25 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 26 | | |
| 27 | | |
| 28 | | |
| 29 | | |
| 30 | | |
| 31 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 32 | | |
| 33 | | |
| 34 | | |
| 35 | | |
| 36 | | |
| 37 | | |
| 38 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 39 | | |
| 40 | | |
| 41 | | |
| 42 | | |
| 43 | | |
| 44 | | |
| 45 | | |
| 46 | | |
| 47 | | |
| 48 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
| 49 | | |
| 50 | | |
| 51 | | |
| 52 | | |
| 53 | | |
| 54 | | |
| 55 | | |
| 56 | | |
| 57 | | |
| 58 | | |
| 59 | | |
| 60 | | |
| 61 | | |
| 62 | | |
| 63 | | |
| 64 | | |
| 65 | | |
| 66 | Hymen o Hymenaee, Hymen ades o Hymenaee! | Hymenaeus Hymen, come! O Hymen Hymenaeus! |
# Text and Translation

Meter - Elegiac couplets
| Line | Latin Text | English Translation |
| 1 | Nulli se dicit mulier mea nubere malle | My woman says that she prefers to be married to no one |
| 2 | quam mihi, non si se Iuppiter ipse petat. | but me, not even if Jupiter himself should seek her. |
| 3 | dicit: sed mulier cupido quod dicit amanti, | she says: but what a woman says to her passionate lover, |
| 4 | in vento et rapida scribere oportet aqua. | she ought to write on the wind and swift-flowing water. |

# Connotations Of The Text
### Line 1

* nubere (see vocabulary below) this literally means "to wear the veil" and is only used to describe a woman getting married. The masculine equivalent was uxorem ducere - lit. "to lead as a wife".

### Line 2

* quam mihi - than me
She says that she would prefer to be married to Catullus and no one else.
* non si - not even if
This is emphatic. Jupiter was well known for his 'collection' of marriages and was the hardest suitor to refuse.
* petat - should seek [her]
This is an hypothetical subjunctive that expresses the action as possible in the present time.

### Line 3

dicit: - she says: [supposedly is understood here]
Convey his doubts of Lesbia's loyalty to him.
cupido - passionate; desirous; eager
This is a direct reference to Catullus. The poet is showing how only the heart has been leading him up to this point, and as such, he has been 'blinded' by it. Lines 3-4 are a rational evaluation of the situation, as he steps back into a detached state.

### Line 4

* in vento... oportet aqua - she ought to write on wind and fast-flowing water
This is a metaphor for her declarations of love. Any writing that was written on wind or water would disintegrate immediately. Therefore, we understand that the poet regards Lesbia's statements as fleeting, said in the moments of passion; in truth they are unreliable and fickle.

# Vocabulary
### Line 1

* mulier, mulieris, f. - a woman, married or not
* nubo, -ere, -psi, -uptum - to be married to; to become the wife of
* malo, malle, malui - prefer

### Line 3

* cupidus, -a, -um - passionate; eager; desirous

### Line 4

* oportet, oportuit - it is necessary; proper; reasonable
* rapidus, -a, -um - swift; rapid; fast-flowing; violent; overpowering

# External Links

Catullus 70 Translation of Catullus 70
Catullus 70 Another Translation of Catullus 70
# Text & Translation

| Line | Latin Text | English Translation |
| 1 | O rem ridiculam, Cato, et iocosam | O what an absurd and funny thing, Cato, |
| 2 | Dignamque auribus et tuo cachinno. | worthy of your ears and laughs! |
| 3 | Ride, quidquid amas, Cato, Catullum: | Laugh as much as you love Catullus, Cato, |
| 4 | Res est ridicula et nimis iocosa. | this thing is just too funny and absurd. |
| 5 | Deprendi modo pupulum puellae | I just caught a little boy and a girl |
| 6 | Trusantem: hunc ego, si placet Dionae, | thrusting away: if it pleases Diona, |
| 7 | Pro telo rigida mea cecidi. | I attacked him, not with a spear, but with my hard-on. |
# The Devonshire Manuscript/Who wold haue euer thowght

* ←Pacyence of all my smart || width="200" align="right" | In faythe methynkes yt ys no Ryght→
* The Devonshire Manuscript facsimile 21r
f. [21r] 1 Who wold haue euer{u'} thowght 2 A hart that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] was so sett 3 to haue suche wrong me wrowght 4 or to be cownterfett 5 but who that trustythe most 6 ys lyke to pay the cost 7 I must of force god wott 8 thys paynfull lyff susteyen 9 & yet I know nott 10 the chefe cawse of my payn 11 thys ys a strange dyssase {u'}[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]] 12 to serve & neuer plese 13 I must of force endure 14 thys drawght drawyn Away 15 ffor I am fast & sure 16 to have the mate therby 17 But note I Wyll thys texte 18 to draw better{t'} the nexte fynys s

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H2. Using a chess metaphor to signify a courtly "game of love" (lines 14 and 16), the speaker denotes his or her displeasure at receiving the affections of a lover. Rebholz notes that lines 17-18 suggest that the poem's recollection will remind the speaker to choose a better love next time.

#### Works Cited

* ↑ R.A. Rebholz, ed., Sir Thomas Wyatt: The Complete Poems (London: Penguin, 1978), 297-98.
* ↑ Rebholz, 531.
# The Devonshire Manuscript/What thyng shold cawse me to be sad

* ←Wyth sorowful syghes and wondes smart || width="200" align="right" | Alas that men be so vngent→
* The Devonshire Manuscript facsimile 27r
f. [27r] 1 What thyng shold cawse me to be sad 2 as longe ye reyoyce wyth hart 3 my part yt ys for to be glad 4 syns yow haue takyn me to yowr part 5 ye do relese my pene and smart 6 wych wold me uery sore Insue 7 but that for yow my trust so trew 8 yff I shuld wryte and make report 9 what faythfulnes in yow I fynd 10 the terme of lyfe yt were to short 11 wyth penne yn letters yt to bynd 12 wherefor wher as as ye be so kynd 13 as for my part yt ys but dewe 14 lyke case to yow to be as true 15 My loue truly shall not decay 16 for thretnyng nor for punysment 17 for let them thynke and let them say 18 toward yow alone I am full bent 19 therfore I wyl be dylygent 20 owr faythful loue for to renew 21 and styll to kepe me trusty & trw 22 Thus fare ye well my worldly tresor 23 desyryng god that off hys grace 24 to send no tyme hys wyll and plesor 25 and shortly to get hus owt off thys place 26 then shal I be yn as good case 27 as a hawke that getes{es} owt off hys mue 28 and strayt doth seke hys trust so trwe fynis

## Commentary

Attributed to Lord Thomas Howard, this poem was entered into the manuscript by TH2. In the poem, the speaker professes his steadfastness in love despite the possibility of experiencing pain and punishment. Typical of courtly love poetry in the early Tudor court, this sentiment also appears elsewhere in the Devonshire Manuscript, such as in “Alas that men be so vngent” (27v) and “Who hath more cawse for to complayne” (28r).

### Works Cited

* ↑ William A. Ringler, Jr., Michael Rudick, and Susan J. Rigler, Bibliography and Index of English Verse in Manuscript, 1501-1558 (London: Manswell, 1992), 242.