OpenLLM-France/wikimedia huggingface dataset:
# Biblical Studies
## Table of Contents
### Front Matter

* Introduction
* Authors

### Christianity

* The Essence of Christianity
** Christian Theology
** God the Father
** Jesus
** The Holy Spirit
** Becoming a Christian
** Living as a Christian
* Christian texts and writings and the arts
** The Bible
** Creeds and catechisms
** Famous Ancient Christian Texts
** Famous works of Fiction
** Famous Works of Non-Fiction
** Christian Art
** Christian Music
** Christian Movies and Television
* Church history
** Early Christianity
** Major events and important movements in church history
** Bible Characters
** Authors
** Famous Christians
** Evangelists
* Denominations
** An introduction to denominations
** Roman Catholicism
** Eastern Orthodoxy
** Protestant churches (1530)
* Later Christian Movements
** The Church of Jesus Christ of Latter-day Saints (Mormonism) (1830)
** Adventism (1863)
** Bible Students (1868)
** Christian Science (1879)
** Jehovah's Witnesses (1931)
* Christian doctrine and debates
** The nature of Christ
** Justification, salvation and grace
** Other teachings and debates
* Comparison with other religions
** Christianity and the world's religions
** Islam
** Hinduism
** Buddhism
** What is God

### Biblical Commentaries

* Old Testament Commentaries
* New Testament Commentaries
* Bible Topics
* 1599 Geneva Study Bible Study Bible of the version that Shakespeare studied
# Biblical Studies/Bible Topics/Friendship

James 4:4 whosoever be a friend of this world is the enemy of God. 2 Corintians 6:14 Be not unequally together with unbeliever for what fellowship have righteousness with unrighteousness.
# Beyond Blender Render/Story's The Story

| previous module: "What You Need" | • Table of Contents | next module: "Draw, Draw, Draw, Write, Write, Write" |

## Why Do You Need A Story?

You don't NEED a story. It is there to give depth to the game, form a sort of mission. It makes a player want to play on. And it can make it more difficult to create a game. If you don't have a good story take mine and edit a bit to fit your needs.

## Story Is The Heart Of A Game

Never mind the poetry. Let's get to it:
I don't necessarily WANT you to use this. Just if you have nothing better. The story is yours to license once you have finished editing. Just please reference it to Wikibooks: Beyond Blender Render.

## More And More About Stories

If you're good at animating in Blender why not make some cut-scenes. These are small bits of animation that tell you about the story or tell you the way to go. It's always nice to do.
# Biblical Studies/Bible Topics/Anger

Be ye angry and sin not: let not the sun go down on your wrath: Neither give place to the devil. Ephesians 4. 26 - 27.
The crux of the matter --as far as anger is concerned is that it's an emotion that can be provoked in us by the actions of others or our response to situations around us. Emotions are a part of our soul (mind, will & emotions) and created by Almighty God. However, if not properly managed, anger can be very destructive. Anger is an emotional sign that tells us that something is wrong. It's okay to be angry, it's what we do with that anger that can get us into trouble! That is why Paul acknowledges that we will get angry on occasion. We must deal with the cause of the anger. Allowing it to linger could give room for the devil to manipulate us.
"Love or die"
# Beyond Blender Render/Open Up Blender And Don't Be Discouraged

| previous module: "Draw, Draw, Draw, Write, Write, Write" | • Table of Contents | next module: "A Simple Start" |

## Ever Commandeered A Rocket Ship?

It's well known that Blender's GUI looks like a rocket ships controls. Don't be discouraged. Let's get started.
Here's what Blender generally looks like.

## Start The Logic

Delete all the objects in the 3D view and then add a plane and a cube. In the bottom panel of the Blender window open the "Logic Editor". The Logic Editor looks like this:
What you see here is the logic. Logic is sort of the BGE programming language. Each object has a logic window. When you select an object it will display the logic for the object.
Please select the cube. Move it up a bit so it's a bit above the plane. The cube will be our character and the plane will be our ground.
Please scale the plane so it's a bit larger then the cube.
So let's start the Logic. Go to the next tutorial to learn how to use basic logic and what physics is for.
# Control Systems/Manual of Style

| The Wikibook of: Control Systems and Control Engineering | Table of Contents | All Versions | PDF Version |
| The Wikibook of: Control Systems and Control Engineering | | | Glossary |
This page is going to serve as a local manual of style for the Control Systems book. Guidelines listed in this page should be followed when adding new content to this book. Sections of the book not conforming to this manual should be changed. To discuss changes to the guidelines on this page, make a note on the discussion page.

## Page Formatting

Pages should all have the {{Control Systems/Page}} template at the top of the page, and the {{Control Systems/Nav}} template at the bottom of the page. These templates both take 2 optional arguments, the first one is a link to the previous page, and the second one is the link to the next page in the book. These links should be accurate.

## Examples

Examples should appear in the {{TextBox}} template.

## Sidenotes

Side notes should appear in the {{SideBox}} template.

## New Pages

When you create a new page, follow these steps:
* Update the main page TOC to show your new page.
* Format the page with the {{Control Systems/Page}} and {{Control Systems/Nav}} templates, as described above.
* Update the pages before and after your new page, so that their links point to your new page as appropriate.
* Add your new page into the full print version of this book, in an appropriate place. Make sure to use the {{Print chapter heading}} template to label the page. Use the {{Print unit page}} template, if necessary, to start a new subject unit.
* Add your new page into any of the other printable versions, following the above guidelines, where appropriate. Not every page is appropriate to include into every print version.

## New Child Versions

"Child versions" represent suggested reading orders for the material in this book. To create a new child version, follow these steps:
* Add an entry to Control Systems/All Versions.
* Create a new Table of Contents for your child version at "Control Systems/(Child Version Name)", where (Child Version Name) is the title of your child version. Be sure to include the {{Control Systems/Page}}, {{Control Systems/Nav}}, and {{Control Systems/Child}} templates on the Table of Contents page.
* Create a new print version at "Control Systems/(Child Version Name)/Print version".
* List the length of your child version's printable version on the Control Systems/All Versions page.
* Control Systems
# Bengali/Months

Bengali people generally use two calendars:
* The Gregorian calendar, colloquially known as the "English calendar" (ইংরেজি ক্যালেন্ডার /iŋɹedʑi kɛlendaɹ/).
* The Bengali calendar (বাংলা বর্ষপঞ্জি /baŋla bɔɹʃopondʑi/), used mostly in certain functions.
Aside these, Bengali Muslims also use the Islamic calendar.

## Bengali calendar

| মাস / Month | ঋতু / Season |
| বৈশাখ April to May | গ্রীষ্ম / Summer |
| জ্যৈষ্ঠ May to June | গ্রীষ্ম / Summer |
| আষাঢ় June to July | বর্ষা / Wet/Rainy season (monsoon) |
| শ্রাবণ July to August | বর্ষা / Wet/Rainy season (monsoon) |
| ভাদ্র August to September | শরৎ / Autumn/Fall |
| আশ্বিন September to October | শরৎ / Autumn/Fall |
| কার্তিক October to November | হেমন্ত / Dry season/Late autumn |
| অগ্রহায়ণ November to December | হেমন্ত / Dry season/Late autumn |
| পৌষ December to January | শীত / Winter |
| মাঘ January to February | শীত / Winter |
| ফাল্গুন February to March | বসন্ত / Spring |
| চৈত্র March to April | বসন্ত / Spring |
# Bengali/Script

The attempt to find a way to express one's thoughts to distant people began with the discovery of the writing system. Attempts to express ideas by drawing first. But only concrete can be expressed with images, not abstract. So this is the beginning of the attempt to discover the symbolic sign as a representative of the idea or consonant, which is ultimately achieved through the discovery of the alphabet. Almost all the scripts of the world have originated from a single original script. And the name of this script is Finnish script. The ancient Phoenicians first invented the consonant. The Greeks added vowels, from which the modern European alphabet originated. But the writing system of scripts and numerology in India and Bengal has unique features.
Bangla script has evolved from Brahmi script. Brahmi is the oldest and most widely used script in India. It is unknown at this time what he will do after leaving the post. Many have tried to find a link between the Indus script and this script. According to some, the script came from outside India. Why this script is called Brahmi cannot be said to be correct. Some people say that the name of this script is Brahmi because it is derived from Brahma. Again, some people think that this script has got the definition of Brahmi as it is the script of Brahmins. The earliest evidence of Brahmi is found in the Pripraba Stupa in the Terai region of Nepal. The Pripraba inscription is engraved on a box. The bones of Buddha were kept in this vessel. From this it is thought that this inscription dates back to the time of Buddha's Nirvana. Engraved shortly after 47. However, Brahmi is widely used in the inscriptions and pillar inscriptions of the Mauryan emperor Ashoka. There are many mature and complete forms of Brahmi in Ashoka's script, which suggests that the Brahmi characters evolved from the earliest times to the stage of Ashoka's script. 1838 A British scholar named James Prinsep was able to decipher the Brahmi. And from the Brahmi source it is possible to decipher the ancient scripts of different parts of India. In the late nineteenth century and throughout the first half of the twentieth century, one by one, the ancient scripts of the Bengal region began to be deciphered, from which it became possible to know the continuous history of the evolution of the Bengali script.
# Bengali/Relations

The names of family members vary widely depending on whom you speak to. This is by no means exhaustive.
# Vowel Diacritics in Bengali

It is worthwhile to note that the Bengali script is an 'Abugida', not an 'Alphabet'. An abugida differs from an alphabet by the fact that in an abugida, any vowel following a consonant is written as an diacritic appended with the preceding consonant. This diacritical form is called 'কার' (kar, /kar/) form of the following vowel in Bengali. For example, the 'কার' form of আ is called 'আ-কার' (a-kar, /a kar/). In an abugida, when a consonant stands alone, it is pronounced with an inherent vowel. In case of Bengali, this inherent vowel is 'অ' (ô, /ɔ/). When a vowel diacritical mark is added, it is understood that the inherent অ is removed. If one wants to write only the consonant without the inherent vowel, one adds the 'hasanta' mark (্) with the consonant. The following table shows how the consonant ক is written when followed by the vowels. All other consonant-vowel combinations are formed in the same way.
| Consonant | Following Vowel | Diacritical form of the vowel | Bengali script | Pronunciation |
| ক | No following vowel | None | ক্ (= ক + ্) | /k/ |
| ক | অ | None | ক | /kɔ/ |
| ক | আ | া | কা (= ক + া) | /ka/ |
| ক | ই | ি | কি (= ক + ি) | /ki/ |
| ক | ঈ | ী | কী (= ক + ী) | /ki/ or /ki:/ |
| ক | উ | ু | কু (= ক + ু) | /ku/ |
| ক | ঊ | ূ | কূ (= ক + ূ) | /ku/ or /ku:/ |
| ক | এ | ে | কে (= ক + ে) | /ke/ |
| ক | ঐ | ৈ | কৈ (= ক + ৈ) | /koi/ |
| ক | ও | ো | কো (= ক + ‌ো) | /ko/ |
| ক | ঔ | ৌ | কৌ (= ক + ৌ) | /kou/ |
| ক | ঋ | ৃ | কৃ (= ক + ‌ৃ) | /kri/ |
| ক | অ্যা | ্যা | ক্যা (= ক + ্য + া) | /kæ/ |

## Examples

Take a word in Bengali, say 'mama'. It means 'maternal uncle' in Bengali. For writing it in Bengali alphabet, first break it into syllables : ma-ma. Then take the first syllable, 'ma' and note that its consonant is 'm'. Bengali for 'm' is 'ম'. Now notice that the 'm' is followed by a 'a', that is, a 'আ'. Since the consonant 'm' is followed by the vowel 'আ', we will attach the diacritical or 'কার' form of the vowel 'আ' with the preceding consonant 'ম'. The diacritical form of 'আ' is 'া', from the previous table. So 'ma' in Bengali script is 'মা'. Repeating exactly the same procedure for the remaining syllable, we will arrive at the result, which is 'মামা'.

## Bibliography

Vowels - The Vowels section in Bengali Alphabet page in Wikipedia.
Abugida Writing System - The Wikipedia page on Abugida Writing System. This page describes how Abugida writing systems work.
Diacritics - The Wikipedia page on Diacritics. Suggested for further reading about diacritics and how they are used.
# Bengali/Origins

Bengali, as an Indo-Aryan language, developed out of the same common dialects (or prakrits) that diverged from Sanskrit in the 11th through 13th centuries CE. The corrupted grammar that emerged in Magadha, is evident in the Charyapada, a set of Buddhist texts that is partially intelligible to the speakers of, and thus indicative of the diversions in, the three groups which the "meaningless sounds" split into–the Bengali and Assamese group, the Oriya group, and the Bihari group.
Upon the Muslim conquests of India, a great deal of Arabic and Persian vocabulary entered the language, which didn't stop Chaitanya and Chandidas from promoting Hinduism and composing poems in a highly Sanskritized manner. Moreover, some Portuguese and French words were also added in this language when the Europeans began to colonize Bengal.
The British had conquered Bengal in 1757 after the defeat of Nawab Siraj ud-Daula in the Battle of Plassey and expanded their colony to cover the whole India. The 19th century saw the Bengali Renaissance, when different writers had enriched the Bengali literature. Thanks to the British, a good deal of English words had entered the Bengali language and continues to do so even today.
The year 1947 saw the partition of India and the formation of Pakistan. Bengal was divided into West Bengal and East Bengal. West Bengal remained part of India, while East Bengal became part of Pakistan.
After the partition, there were demands from East Bengal to make Bengali an official language of Pakistan. Several people were martyred for the language. Bengali became an additional official language of Pakistan in 21 February 1952 and the day is globally celebrated as the International Mother Language Day.
East Bengal was later liberated from Pakistan in 1971 and became a separate country called Bangladesh. Today, Bengali is the sole official language of Bangladesh and one of the 22 scheduled official languages of India.
# Bengali/Script/Conjuncts 1

Basically, a conjunct is nothing but a combination of two or more consonants. In Bengali and some other writing systems, when a consonant letter follows another consonant without a vowel in between, these two letters are combined into a new hybrid letter with a new glyph.
Bengali is full of conjuncts or consonant clusters. One should not be overwhelmed by their number. Construction of most of these letters are easy, with only a handful like ক্ষ being irregular. The best way to learn conjuncts is to actually read them in the context of words in speech. People usually don't learn them separately, they learn the word in which they are used. We have already covered some of them in previous pages. We will take them up part by part. The ones marked blue are those we have seen already, in Bengali Consonants, Part two.
| ক্ক kkô | ক্ট kṭô | ক্ত ktô | ক্ব kbô | ক্ম kmô | ক্র krô | ক্ল klô | ক্ষ kṣô | ক্ষ্ম kṣmô |
| ক্স ksô | গ্ধ gdhô | গ্ন gnô | গ্ব gbô | গ্ম gmô | গ্ল glô | ঘ্ন ghnô | ঙ্ক ṅkô | ঙ্ক্ষ ṅkṣô |
| ঙ্থ ṅthô | ঙ্গ ṅgô | ঙ্ঘ ṅghô | ঙ্ম ṅmô | চ্ছ cchô | চ্ছ্ব cchbô | চ্ঞ cñô | জ্জ jjô | জ্জ্ব jjbô |
| জ্ঝ jjhô | জ্ঞ jñô | জ্ব jbô | ঞ্চ ñcô | ঞ্ছ ñchô | ঞ্ঝ ñjhô | ট্ট ṭṭô | ট্ব ṭbô | ণ্ট ṇṭô |
| ণ্ঠ ṇṭhô | ণ্ড ṇḍô | ণ্ণ ṇṇô | ণ্ম ṇmô | ত্ত ttô | ত্ত্ব ttbô | ত্থ tthô | ত্ন tnô | ত্ব tbô |
| ত্ম tmô | ত্র trô | দ্দ ddô | দ্ধ ddhô | দ্ব dbô | দ্ভ্র dbhrô | ন্ট nṭô | ন্ড nḍô | ন্ত ntô |
| ন্ত্ব ntbô | ন্ত্র ntrô | ন্দ ndô | ন্ধ ndhô | ন্ন nnô | ন্ব nbô | ন্স nsô | প্ট pṭô | প্ত ptô |
| প্ন pnô | প্প ppô | প্ল plô | প্স psô | ফ্ল phlô | ভ্র bhrô | ভ্ল bhlô | ম্ন mnô | ম্ফ mphô |
| ম্ব mbô | ম্ল mlô | ল্ক lkô | ল্ট lṭô | ল্ড lḍô | ল্ব lbô | ল্ল llô | শ্চ shchô | ষ্ক ṣkô |
| ষ্ট ṣṭô | ষ্ঠ ṣṭhô | ষ্ণ ṣṇô | স্ক্র skrô | স্ত stô | স্ত্র strô | স্ব sbô | হ্ন hnô | হ্ম hmô |
| হ্ব hbô | হ্ল hlô | ব্জ bjô | ব্দ bdô |
There's still a lot to cover, but many of them are rarely used, so we will focus on the most used first.
# Bengali/Script/Numbers

Below is the table of numbers as written in the Bengali script.
| Bengali | ০ | ১ | ২ | ৩ | ৪ | ৫ | ৬ | ৭ | ৮ | ৯ |
| Indo–Arabic | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
Since the Bengali numerals are a base 10 system, they can translate directly to the Indo–Arabic numerals. For example, 123 is written as ১২৩.

## Exercise

Exercise 1:Write the following in Cardinal Numbers.
* ৭০২
* ৮৯২
* ১৩০
* ২৮১
* ৮০৭
Exercise 2: Write the following in Bengali Numbers.
* 576
* 175
* 946
* 749
* 131

## Solutions

Exercise 1:Write the following in Cardinal Numbers.
* 702
* 892
* 130
* 281
* 807
Exercise 2: Write the following in Bengali Numbers.
* ৫৭৬
* ১৭৫
* ৯৪৬
* ৭৪৯
* ১৩১
# French Defence, Winawer Variation, Alekhine Gambit

One of White's central ideas in this gambit variation is obtaining Black's 'good' bishop - without the necessity of paying the price of doubled pawns on c2/c3. Here White typically asks Black, what they intend to do with their 'good' bishop on b4: 5.a3.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation. .
| 1. e4 e6 2. d4 d5 3. Nc3 Bb4 4. Nge2 dxe4 |
| | 5 |
| Main line | a3 ... | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

This is the main line of the Winawer Variation. Black's bishop is pinning white's c knight, and his c5 advance has just put additional pressure on white's center. At this point, white has chosen to regain the initiative by kicking out the bishop with 5.a3.
Black usually takes the knight with 5...Bxc3+, because moving 5...Ba5 leaves the c5 pawn undefended and open to white's 6.dxc5.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation.
1.e4 e6 2.d4 d5 3.Nc3 Bb4 4.e5 c5 5.a3
| | 5 |
| Main line | ... Bxc3+ | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

This is the main line of the Winawer Variation of the French Defense. The Winawer is a sharp and tactical variation of the French. White sometimes attempts to take the undefended g-pawn with Qg4. 6...Ne7 is a natural developing move, and 6...Qc7 backs the c-pawn and develops the queen to a good square.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation.
1.e4 e6 2.d4 d5 3.Nc3 Bb4 4.e5 c5 5.a3 Bxc3+ 6.bxc3
| | 6 |
| Main line | ... Ne7 | = |
| Immediate Qc7 | ... Qc7 | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# Winckelmann-Reimer Gambit

White offers Black an exchange of pawns. Instead of accepting the gambit with 6...exf3 and allowing White to develop, Black should strike back with 6...c5, giving White the option to achieve tripled pawns on the c-file.
6...b6, 6...Bd7, 6...e5 are also playable.
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

This is the main line of the Winawer Variation. White pushes his e pawn forward, gaining space and defending it with the d4 pawn. The pawn structure now is the same as the Advance Variation, with white gaining extra space on the kingside. Black's usual response is 4...c5, threatening white's pawn chain at its base. Note that since white's knight is already on c3, the standard Advance Variation reply of c3 is unavailable. Thus, since c5 also cuts off the bishop's escape route, white usually chooses to boot the bishop with 5.a3, leading to an exchange of pieces with 5...Bxc3+ 6.bxc3.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation. .
| 1. e4 e6 2. d4 d5 3. Nc3 Bb4 4. e5 |
| | 4 |
| Main line | ... c5 | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

With 6... Ne7 Black continues development. Although Black's c5 Pawn is not defended, White rarely chooses this continuation dxc5, because then White's tripled pawns on the c-file are very weak and Black has an easy time regaining the pawn. White's usual continuations from this position are the aggressive Qg4, which threatens to capture Black's undefended g7 Pawn. Alternatively White can also play the solid Nf3 in order to prepare kingside castling, or they can play a4 with the aim of developing their dark-square bishop to a3.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation.
1. e4 e6 2. d4 d5 3. Nc3 Bb4 4. e5 c5 5. a3 Bxc3+ 6. bxc3 Ne7
| | 7 |
| Main line | Qg4 O-O | = |
| Variation Nf3 | Nf3 ... | = |
| Variation a4 | a4 ... | = |
| Variation dxc5 | dxc5 ... | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation, Alekhine Gambit

White's previous move, 4. Nge2!?, leaves the e4-pawn unprotected. Most often Black follows the principle 'In order to refute a gambit, one must accept it', and plays dxe4.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation. .
| 1. e4 e6 2. d4 d5 3. Nc3 Bb4 4. Nge2 |
| | 4 | 5 |
| Main line | (Nge2) dxe4 | a3 Bxc3+ | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

This is the main line of the Winawer Variation. Black has just pushed forward his c pawn with 4...c5, threatening white's pawn chain. White's knight on c3 prevents him from extending the chain by moving a pawn to c3, so this puts white's center pawns in danger.
However, c5 also blocks the escape route for black's dark squared bishop. White usually takes advantage of this to regain the initiative with 5.a3. Black usually trades bishop for knight with 5...Bxc3+ 6.bxc3.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation.
| 1.e4 e6 2.d4 d5 3.Nc3 Bb4 4.e5 c5 |
| | 5 |
| Main line | a3 Bxc3+ | = |
| | Bd2 Ne7 | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# French Defence, Winawer Variation

Black takes the pinned knight to avoid having his bishop boxed in. White's only plausible reply is 6.bxc3.
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.