OpenLLM-France/wikimedia huggingface dataset:
# World Tea Bag Catalogue/L
### Index of Brands / L

* ITA Lahsa Té
* ITA L'Angelica
* ITA L'Antica Compagnia del The
* DEU Las Cuarenta
* FRA Les 2 Marmottes
* FRA Les deux Marmottes
* AUS Lipton
* BEL Lipton
* CAN Lipton
* CHE Lipton
* CHL Lipton
* CHN Lipton
* DEU Lipton
* DNK Lipton
* EGY Lipton
* ESP Lipton
* FIN Lipton
* FRA Lipton
* GBR Lipton
* GRC Lipton
* HKG Lipton
* IDN Lipton
* ISR Lipton
* ITA Lipton
* JPN Lipton
* NLD Lipton
* NOR Lipton
* NZL Lipton
* PAK Lipton
* POL Lipton
* PRT Lipton
* RUS Lipton
* SWE Lipton
* THA Lipton
* TUR Lipton
* TWN Lipton
* USA Lipton
* VNM Lipton
* VEN Lipton
* ZAF Lipton
Total : 40
# The Lyrics of Henry VIII/Hey nowe nowe, Kempe (Incipit)

[f.21$^v$]
Hey nowe nowe.

## Textual Commentary

As in Farthing’s “Hey now now” (H 16), below, the words of this piece are given to a round but possibly with different lyrics (absent from the text of H) intended. There is little room left among the musical notation for additional text. In the list of contents for the manuscript, the title “hey now of Kempe” is given, though the latter two words appear in a script varying from the former. Stevens (MCH8 16), without stated explanation, gives the text presented below in italics, which is from Robbins (Secular Lyrics #141):
Merry a time I tell in May When bright blossoms breaks on tree, These fowles singes night and day In ilke green is gamen and glee.
“Hey nowe nowe” appears to have been a common song burden (see, for example, Stevens M&P 47–48). See also Daggere’s “Downbery down” (H 16.5, and note).
“Hey nowe nowe” is indexed, as with Farthing’s piece, in Robbins Index & Suppl. 1214.6 and Ringler MS TM594. The piece is reprinted in Stevens M&P 390 and Stevens MCH8 16.

## References

* ↑ This script is also used to correct the list’s exclusion of the work falling between its numbers 8 and 10, “perdon amoy.” Not actually a separate work, “perdon amoy” is the second stanza of Cornish’s “Adew mes amours et mon desyre” (H 6), the text of which is given below also.
# The Lyrics of Henry VIII/I am a joly foster (Unattributed)

[ff. 69$^v$-71$^r$]
I am a Ioly foster I am a Ioly foster and haue ben many a day and foster will I be styll for shote ryght well I may 5 for shot ryght well I may
Wherfor shuld I hang vp my bow vpon the gren wod bough I cane bend and draw a bow and shot well enough. 10 I am a Ioly foster
wherfor shuld I hang vp myne arrow opon the gren wode lynde I haue strength to mak it fle and kyll bothe hart and hynd 15 I am a Ioly foster
wherfor shuld I hang vp my horne vpon the gren wod tre I can blow the deth of a dere as well as any that euer I see. 20 I am a Ioly foster
wherfor shuld I tye vp my hownd vnto the gren wod spray I can luge and make a sute as well as any in may. 25 I am. a foster

## Textual Commentary

This lyric, as with other forester songs in H, draws upon the double-entendre of the forester songs in their courtly-love application. Unlike the others, though, it is much less explicit; it does not, for example, draw attention to its “construccyon,” as does Cornish’s “Blow thi hornne hunter” (H 29), nor does it shift its frame of reference to address directly issues of courtly love, as does Cooper’s “I haue bene a foster” (H 47.16–25). As such, this lyric is a more implicit engagement of the forester-song tradition, and is as much a clear and immediate answer to Cooper’s “I haue bene a foster” (some parallels are noted below; see Greene 314 n.) as Cooper’s song is an adaptation and elaboration of the unattributed “y haue ben afoster long and meney day” in LRit (f. 53$^v$). In “I am a joly foster,” a younger forester proclaims his virility and ability. As an answer to Cooper’s lyric, it likely also has associations with the play presented by Cornish at Windsor, 15 June 1522 (see the commentary and notes to Cooper’s “I haue bene a foster” [H 47], as well as to Cornish’s “Yow and I and amyas” [H 35] and “Blow thi hornne hunter” [H 29]).
    1 foster Forester.
    3–5, 7–8 Cf. Cooper’s “I haue bene a foster” (H 47.2–4, 6–7), to which this is a direct answer
    13 lynde Lime or linden tree; in Middle English poetry often used to denote a tree of any kind (OED 1).
    19 blow the death of a dere Cf. Cornish’s “Blow thi hornne hunter” (H 29), first stanza.
    24 luge Throw something so that it lodges or is caught in its fall (OED “lodge” v 3.g; earliest date 1606, but see the activity noted in Medwall’s Fulgens and Lucres [circa 1497] 2.202 ff.). sute Pursuit and chase, but also in the sense of “sew” as seen earlier; cf. similar action associated with love in Henry’s lyrics; see the note to “Thow that men do call it dotage” (H 44.17).
The first two stanzas are through-set for three voices, with the remaining text underlaid. There is no authorial ascription for “I am a joly foster.”
This piece is indexed in Robbins Index & Suppl. 4068.6 and Ringler MS TM1929. It is reprinted in Flügel Anglia 245–46, Flügel Neuengl 151, Chambers Lyrics 246, Greene 314, Stevens M&P 410–11, and Stevens MCH8 50–51.

## Textual Notes
### Texts Collated

H$^{1,2,3}$ (ff. 69$^v$–71$^r$, ll. 2–11 H$^{2,3}$).
    5 I may] omit H$^2$
# The Lyrics of Henry VIII/Hey troly loly loly (Unattributed)

[f. 80$^r$]
Hey troly loly loly
my loue is lusty plesant and demure that hath my hart in cure
hey troly
as the hauke to the lure so my hart to her I ensure
hey troly loly loly loly loly troly loly troly loly lo troly loly lo
glad to do her plesure and thus I wyll endure
hey troly loly lo hey troly loly lo hey tro.ly loly lo

## Textual Commentary

“Hey troly loly loly” is a round centring on the mirthful and popular phrase “Hey troly [&c.],” in which love is affirmed and constancy is pledged. Cf., in H, Cornish’s “Trolly lolly loly lo” (H 33; see also corresponding notes and commentary) and “Hey troly loly lo” (H 75).
    6 ensure Guarantee; also, betroth, espouse (OED v 4, 5.b).
The unattributed “Hey troly loly loly” is transcribed exactly. It is listed in H’s table of contents as the ninety-fifth work as “Hey how troly loly.”
This piece is indexed in Robbins Index & Suppl. 1214.7, Boffey, and Ringler MS TM595. It is reprinted in Chappell Account 375, Flügel Anglia 248, Stevens M&P 414, and Stevens MCH8 57.
# The Lyrics of Henry VIII/Hey now now, Farthing

[f. 25$^v$]
Hey now now. Hey now
Thomas. ffaredyng

## Textual Commentary

As in Kempe’s “Hey nowe nowe” (H 10), the words of “Hey now now” are given to a round, but additional lyrics were likely intended. Little room has been left among the musical notation for text. This piece is not listed in the table of contents. Stevens (MCH8 19) gives the text presented below in italics, which is from Robbins (Secular Lyrics #143):
Gracious and gay On her lith all my thought But she rew on me today To death she hath me brought.
“Hey nowe nowe” may have been a common song burden; see the commentary to Kempe’s “Hey nowe nowe” (H 10), and also Daggere’s “Downbery down” H 15.5, and note.
This piece is indexed, as with Kempe’s piece, in Robbins Index & Suppl. 1214.6 and Ringler MS TM594. It is reprinted in Stevens M&P 391 and Stevens MCH8 19.
# The Lyrics of Henry VIII/I loue vnloued suche is myn aduenture (Unattributed)

[ff. 122$^v$-124$^r$]
I loue vnloued suche is myn aduenture and can not cesse tyl I sore smart but loue my for that feruent creature whose vnkyndnes hath kyld myn hart From her loue nothinge can be reuert 5 but leue in payne whyls I endure and loue vnloued such ys myne aduenture.

## Textual Commentary

“I loue vnloued suche is myn aduenture” is a lyric dealing with unrequited love and the consequent pain. Along with Henry’s “Pastyme with good companye” (H 5), this lyric was incorporated into a sermon given in the king’s hall by the Royal Almoner, March 1521; see the commentary to “Pastyme with good companye.” Songs in the same rhetorical tradition include “I loue vnloued I wotte nott what loue may be” (Oxford, Bodleian Rawlinson C.813 ff. 45$^r$–46$^r$), Wyatt’s “I loue louyd and so doth she” (LDev f. 6$^r$), and “I love loved and loved would I be” (LFay ff. 28$^v$–30$^r$).
    1 loue vnloued Cf. Amour’s words to Pucell in Hawes’ Comforte of Louers: “full lytell knoweth ywys / To loue vnloued what wofull payne it is” (ll. 755–56; see also Hawes’ Pastime of Pleasure ll. 2188, 4046), and its near echo “Full lytell it ywys / Knowe ye I gesse / What payne it is / To loue vnloued” (Thomas Feylde, Cotrauerse Bytwene a Louer and a Iaye ll. 145–48).
    5 reuert Recover, recuperate; also, to return to a person or party after estrangement or separation (OED “revert” v 1.b, 4.a).
    6  leue Live.
The unattributed “I loue vnloued suche is myn aduenture” is through-set in three voices. As with “My thought oppressed my mynd in trouble” (H 72), the manner in which this the song is presented is remniscent of the lyrics extant in the earlier Fayrfax MS (LFay).
This lyric is indexed in Robbins Index & Suppl. 1329.5, Boffey, and Ringler MS TM667. It is reprinted in Flügel Anglia 255, Stevens M&P 424, and Stevens MCH8 92–94.

## Textual Notes
### Texts Collated

H$^{1,2,3}$ (ff. 122$^v$–124$^r$).
    7 and loue] and H$^2$
# The Lyrics of Henry VIII/HElas madam cel que ie metant, Henry VIII

[ff. 18$^v$-19$^r$]
The Kynge. H.viij
HElas madam cel que ie metant soffre que soie veutre humble seruant voutre vmble seruant ie seray a tousiours etant que ie viuray altre naimeray que vous

## Textual Commentary

“HElas madam cel que ie metant” appears in four voices in H and is listed in the manuscript’s table of contents as the tenth work. Stevens notes that Henry may have added a new third voice to an extant three voice setting (MCH8 120n10), and that the lyric itself may have affiliation with Josquin’s of S/P (f. 46$^v$; see Plamenac, “Reconstruction,” and Fallows Catalogue 178–79), consequently leading to affiliation with Fl178 (ff. 43$^v$–44$^r$), Fl229 (ff. 177$^v$–179$^r$), FlR2356 (ff. 80$^v$–82$^r$), and P9346 (ff. 44$^v$–45$^r$), among others. Indeed, the piece bears a striking resemblance, musically and textually, to P9346, which reads as follows:
HEllas ma dame que je desire tant tant souffrez que soye vostre loyal amant tout mon viuant tousiours vous seruiray car vostre suis et tousiours le seray
Toutes sont dames per amours ce dit on 5 Maiz nya peu qui en ayent le renon Et pour quoy non car trop voullez choisir prenez en vng et luy fautez plaisir.
Hellas beau sire vous estez bel et bon Sage et courtoys et de noble maison 10 Et aussi bon que lon scairoit finer Maiz cil que jayme ne scairoye oublier.
Hellas ma dame pences en vostre cas Entre nous deuly ne fault point dauocaty
Certes non pas et vous le scauez bien 15 Allez vous en car vous ne fautez rien
Mon cueur souspire et se plaint tendrement
Quant il ne peult trouuer allegement Ne scay comment on nie veut dechasser. Sil est ainsi je yray aillieurs chasser 20
Hellas ma dame et nen seray je point Certes beau sire je ne le vous dis point Seruez a point il vous sera mery Hellas ma dame de bon cuer vous mercy.
“HElas madam cel que ie metant” is reprinted in Stevens M&P 389, Stevens MCH8 14, Gérold (ed. 52) and elsewhere.

## Textual Notes
### Texts Collated

H$^{1,2,3,4}$ (ff. 18$^v$–19$^r$).
    1 ie] omit H$^3$
    3 ie seray] ie ray H$^1$, que seray H$^2$, que ie seray H$^3$, ie seray H$^4$; a tousiours] atousi ours H$^{1,2}$, atousiors H$^3$, avons tousious H$^4$
    4 etant que] que H$^3$; ie viuray] viuray H$^{2,3,4}$; etant ~ vous] etant ~ vous que etant que naimeray que vous H$^1$, etant que viuray que vous H$^2$, etant vous aultre que vous H$^3$, etant viuray aultre que vous H$^4$

## References

* ↑ Thanks to Bryan Gooch for his assistance in verifying the musical affiliation of the piece in P9346 to that of H.
# Umbraco/Plugins And Extensions/Log Viewer
## Log Viewer

Per Ploug Hansen from NetMedia has created an Umbraco log viewer which is available from his site
# Umbraco/Plugins And Extensions/TextGen Flat
## Flat URL's for TextGen.aspx

An Umbraco plugin that allows use of /umraco/TextGen.aspx via flat URL's.

### Install

The plugin can be downloaded from http://www.darren-ferguson.com/code-bank.aspx
* Copy the DLL's to your Umbraco bin directory.
* Add /TextGen to the key umbracoReservedPaths in web.config (this var is a comma delimited list).
* Add the following three keys to your web.config
You can configure debugging to be on or off as you wish. If the debug path is not found System.IO.Path.GetTempPath will be used.
To change the flat URL prefix to call TextGen.aspx with, substitutr /TextGen in steps 2 and three for a prefix of your own choice.
4. Add a httpModules section as a child of system.web as follows (append if you already have this section).

### Usage

You can now generate an image using a flat url as follows:
The url segments of the parameter are the parameters to textgen.aspx. and are pretty much self explanatory.

### support

Please mail me at df at darren hyphen ferguson dot com if you encounter any bugs or issues.
# Umbraco/Reference/Members
## Authentication using Umbraco Members

The best guide to the Umbraco members functionality is currently the screencast at http://hartvig.com/screencasts/members.htm
The accompanying Umbraco package for this screencast is available at rtk-cv.dk
An article on the basics is available here

### Improving this article

* Re-record screencast (audio is poor)
* And it's old!
* Provide more information / a reference to more information on how to access the functionality of the Umbraco Members from code-behind
# Umbraco/Plugins And Extensions/Static Export
## Static HTML export

This plugin uses Umbraco's action interface to catch publish events and write out the published page to another document root.
The plugin is available from http://www.darren-ferguson.com/code-bank.aspx
More details and install instructions are contained in the zip download.
Note: This is heavily under development, and not yet intended for production systems.
# Umbraco/Plugins And Extensions/umbracoUtilities For 2.1
## umbracoUtilities For 2.1
### Features

* AutoForm. The fastest way ever to build dynamic web applications. You can build full .net applications just using a mouse and a web browser. You can watch the screencast here for how to build a Gallery in five minutes.
* Search. Full text search of all umbraco content – the package even index everything automatically upon install
* SubscribeUnsubscribe. Easy management of newsletters that integrates into the new mass mailer in umbraco 2.1
* ContentType. Change the mime type of templates, making it easy to output umbraco data as xml or csv.

### Installation

* Download the .umb file (and make sure it isn’t renamed as .zip when you download) to your desktop or another location where you can find it.
* Login to your umbraco installation, click on the developer icon (bottom left corner), right-click macro and choose “Import Package”.
* In the window that open up, click “choose” and locate the umbracoUtilities.umb file on your desktop. Press “Load Package” and follow on screen instructions.
# Umbraco/Reference/TextGen
## Graphic headlines with TextGen.aspx
### Introduction

Textgen.aspx generates a graphic-headline depending on the parameters passed to it.

### Preparations

Before you can use the TextGen feature you need to upload the TrueType font file, which you'd like to use. Font files must be placed inside the umbraco/config/fonts directory. You also need to create an entry for your font in fonts.xml which resides in the same directory.
There are many truetype fonts available in the windows directory 'fonts' folder.

### Usage within the Rich text editor

You can insert a dynamically generated image into the richtext-editor by clicking the icon beside the Bold and Italic-icons (Two A's).

### Usage within templates

Place the following code in your Umbraco template (ensure you url encode the text parameter):

### Parameters

| Name | Description | Example |
| Text | Text which should be displayed. | text=my+first+text |
| Color | Text color | color=ff00ff |
| Background Color | Background color | bgcolor=00ff00 |
| Font Name | This is the name of the font file without the .ttf file-extension. | font=verdana |
| Size | Text size | size=12 |
| Bold | If the value of this parameter is not null then the text will be bold. | bold=1 |

### Flat URL's

You can use TextGen.aspx with flat/friendly url's by using This Plugin.
# Umbraco/Plugins And Extensions/Upload Progress
## Upload progress bar

An Umbraco plugin that allows you to display a progress bar when uploading a file. This is likely to be integrated into Umbraco 3.0.
The plugin can be downloaded from http://www.darren-ferguson.com/code-bank.aspx

### Install

Install instructions are contained in the zip download.

### support

Please mail me at df at darren hyphen ferguson dot com if you encounter any bugs or issues.
# Umbraco/Reference
## Reference

* umbraco.library v4.0.1: Most methods are currently missing documentation, but are listed.
* Umbraco XML Format the format in which Umbraco exposes its content repository for manipulation via XSLT or programatically.
* Debugging
* Generating images with TextGen.aspx
* Authentication using Umbraco Members
# Umbraco/Reference/Debugging
## Debugging
### Getting trace data from umbraco

You can get a complete stack trace from umbraco, by appending "?umbDebugShowTrace=true" to the querystring. This include data on all actions inside umbraco from the initial request to the final response, including what page data has been loaded and what data has been sent to macro parameters.

### Getting data sent to macro elements

You can get see a list of macro elements sent to an XSLT macro by appending "?umbDebug=true" to the querystring

### Production systems

This feature can be turned off for production systems by setting umbracoDebugMode to false in web.config.
The following example is from ISAPI rewrite's http.ini:
# Statistical Mechanics/The Foundations/Extensive and Intensive Parameters

We start by splitting the ways we categorize a system into two categories: extensive and intensive.
Before going into detail about this, however, a little explanation of the notation about studying Thermal properties.
Typically, we're going to deal with the following variables (although theoretically, the structure of Thermal Physics allows other variables to be considered, like the Magnetic Field (B), for example): Internal Energy (U), Entropy (S), Volume (V), Number of Particles (N), Temperature (T), Pressure (P), and Chemical Potential (μ). Now, as according to our goal, given a certain set of initial conditions, there should be an equilibrium that tells us all the information of the system. Mathematically, that means we will have a set of functions to explain our system, most generally and typically this is:
U = U(S,V,N)
Or we can invert to obtain:
V = V(U,S,N)
Or we might be able to find through experiment:
T = T(S,P,N)
Maybe we have multiple particles:
U = U(S,V,N$_1$,N$_2$
And so on...
Now, as mentioned before it is useful to categorize these variables.
An extensive parameter, like Internal Energy (U), Entropy (S), Volume (V), or Number of Particles (N), are parameters that 'scale with the system'. In other words U(aS,aV,aN)=aU(S,V,N).
An intensive parameter, like temperature (T), pressure (P), or chemical potential (μ), are parameters that DON'T 'scale with the system'. In other words, T(aS,aV,aN)=T(S,V,N).
The other reason it's useful to define extensive/intensive parameters is because it tells us what the system is dependent on. Typically, any parameter will only at most be a function of all intensive parameters, or all other extensive parameters.
# Statistical Mechanics/The Foundations/Fundamental Equations

Fundamental Equations and Relations (also known as Equations of State, the most famous being the Ideal Gas Law: PV=NT (We're taking the energy definition of temperature here, otherwise there'd be a k)) are VERY important. Mainly because with all Equations of State, you can determine EVERYTHING about the system!
An Equation of State is an equation relating an intensive parameter in terms of a set of extensive parameters. I.e.:
T = T(S,V,N)
P = P(S,V,N)
μ = μ(S,V,N)
This is mainly here to just lay down the concept, but other than that, it isn't needed computationally.
# Statistical Mechanics/The Two-State Problem/Multiplicity

Standing alone from the Two-State problem, the multiplicity is a very important concept (which also allows us to calculate entropy (albeit, a very hard way to calculate it)).
Given certain Parameters of a system, the multiplicity function will tell us how many microstates a system can have (i.e., for a gas, there's one possible microstate where all the gas in your room is shoved in one corner, another microstate where it's shoved in another corner, and so on) (by comparison, a macrostate tells us general properties of a system, the system is at a state with energy U$_0$, even though many possible microstates have energy U$_0$).
so, g(X$_1$,...)...

## The Meaning of Entropy

An alternate definition of Entropy is the following (if we accept that each state has an equal probability of occurring, this assumption is called The Fundamental Assumption of Thermal Physics):
$S=ln(g)$
This is where the common explanation of entropy being the 'disorder of a system' comes from. If the 'disorder' is large, then the system can be in many possible states, and the entropy increases to allow this information.

## In Terms of the Two-State Problem

With the up or down spin statistics we can readily see the connection between micro and macro states. say we have ten sites, then the following are possible microstates (u is up, d is down):
uuuuuddddd
uuuududddd
duuuuuuuuu
And so on...
However, a macrostate might be one where the 2m (where m is the magnetization of a single site), notice that for this single macrostate, we have a number of microstates that would give this outcome:
uuuuuudddd
uuudduuudd
ududududuu
And so on...
And with this example, for any given number of sites (N) we can create the following equation for the multiplicity of the two-state system using combinatorics:
$g(N)=2^{N}$
And so, we could find the entropy of the system dependent only on the number of sites:
$S=Nln2$
A much more involved example would be to construct the multiplicity function in terms of not only the site-number, but the excess spin number. Then, due to our postulates, when the entropied is maximized (which is its equilibrium state), the system is at zero excess spin (in the absence of a magnetic field).
Another interesting example is to consider a two-orbital system, with only two states accessible: a ground and excited state. Using the maximation principle we can automatically determine that this system's equilibrium entropy is $ln2$, because the multiplicity at such a point will be either one of two states, making g=2.