OpenLLM-France/wikimedia huggingface dataset:
# The Legend of Zelda: Ocarina of Time/Magic Beans

There is a man in Zora's River who sells Link 10 beans, one at a time, for 10 rupees apiece. There are 10 locations of soft soil to plant the beans. To find him, you must bomb some rocks near the river. When Link is an adult, planted beans will have grown into a sprout that you can ride on to help reach new locations.
* Zora's River next to bean selling man: Can be used to float up to the top of Zora's River to bypass Octoroks also to get to highest cliff where can reach Gold Skulltula easier at night or can be used to get to closer heart piece.
* Lake Hylia next to Observatory: Can be used to get on top of roof of Observatory to get heart piece can also be used to get to fishing pond if water still not back up.
* Gerudo Valley down on very low big platform at water: Takes you for ride down and back up through first 2 waterfalls picking up a red rupee at both then halfway up the third waterfall where you can jump to get a heart piece in an opening in wall inside the waterfall.
* Death Mountain Trail at entrance to Dodongo's Cavern: Can use it to get up on top of cave to get heart piece or can use it to get to Goron city to bypass boulders and red tektites and to get to where boulders rain down too.
* Graveyard next to Dampe's grave: Takes you up to ledge where crate with heart piece is in.
* Kokiri Forest next to shop: Takes you to ledge where there is a red rupee with a circle of green rupees.
* Death Mountain Crater next to Fire Temple entrance need to warp with Bolero of Fire to get there as child: Takes you up where you can jump of on pillar to get heart piece then goes over to wall you can climb where there is an opening with another heart piece that you can jump in to get.
* Lost woods from Kokiri Forest entrance left then left: Takes you to where you can jump on bridge that connects from Kokiri Forest to Hyrule Field 1 thing can help with is saving time for Odd Potion run to Kakariko Village in Item trading.
* Lost woods from Kokiri Forest entrance right left right left then left then next to Business Scrub on right: Takes you up to ledge above where there is a Gold Skulltula at night.
* Desert Colossus next to Spirit Temple entrance: Takes you to where you can jump on platform where there is a Gold Skulltula at night then goes where you can jump onto rock arch outside Temple entrance where there is a heart piece up there.
# The Legend of Zelda: Ocarina of Time/Shortcuts
## Shortcut #1: Goron City to Lost Woods

Light with lit deku stick or throw bomb flowers to bomb rocks and way will be revealed. (Tunnel on second floor in Goron city lost woods head right from entrance then left and then straight ahead.)

## Shortcut #2: Zora's River to Lost Woods

Win silver scale and pool of water with hole in connecting can now dive into. (Zora's River it is right of Zora's Domain entrance and Lost Woods it is from entrance right left right and then straight ahead.)

## Shortcut #3: Zora's Domain to Lake Hylia

Win Silver scale then can now dive into connecting hole. (Zora's Domain it is in water straight ahead after diving down waterfall and Lake Hylia it is in water straight ahead from scarecrows then turn around and look in wall.) Note: Only accessible as child since Zora's Domain frozen as adult.
# The Voynich Manuscript/F67v2

One idea concerning the collections of faces in the corners is they may represent planetary conjunctions. Astronomical research has revealed that such configurations do indeed occur. While providing specific dates, they do not help date the manuscript, as they occurred in both the 15th and 16th Centuries.
An interpretation of the folio is that the conjunctions were observed from the central point while the Sun or Moon was setting (or rising) over the trees.
Here are some of the alignment dates:

## Red Ink

Jorge Stolfi discusses the red ink on this page at http://www.dcc.unicamp.br/~stolfi/voynich/99-12-15-f67-reds/ . I have a couple of comments on this document.
First he mentions "The shadow is painted red in seven of the moons, and light yellow in the other five." Looking at the more recently available SIDs provided by the Beinecke (2004) I'm of the opinion that this yellow is a thinner "wash" of the same color used in the non-red text. In fact it is difficult to distinguish the color from some of the fainter letters.
As far as the red ink goes, my non-expert opinion based on the high quality scans now available are that they are all the same ink painted at the same time.
However, I'm not so sure that the red ink was necessarily applied at the same time as the rest of the text.
Firstly there has been some discussion about the sloppiness of some of the painting. In the "moons" on this page neither the red nor the "yellow" fillins are very neat.
In the case of the lighter color overpainting I believe that the overpainting was applied after the outline had dried. This theory is based on the appearance of where the overpainting overlaps the outline and produces and "additive" darkening effect. However this could be no more than minutes after the outline was drawn so perhaps doesn't say much.
I considered the possibility that the red text was an overpainting of earlier brown "original" text. I can't find much evidence for this theory though:
    At the upper right there seems to be a brown dot between two of the words. Dirt?
    At the upper left there seems to be a brown dot above one of the words. I'm inclined to think this brown does not quite match the primary text color though. In fact looking back at the first dot I'm inclined to think that it matches the color of this dot and not the primary text color either.
    Against this theory is the fact that in some places the red text is rather thin. Perhaps the brush was nearly dry. In those cases I can see no evidence of an "additive" darkening from an underlying brown text, faint or not.
Another random note: What thought has been given to the pattern in the outer band? At first glance it seems to be decorative, but it is fairly complex and not entirely repetitive. It should be noted that this band seems to have the same "yellow" wash in a couple of places as the lighter overpainted moons. This color also appears in the center figure.
KenCausey 18:39, 12 Jul 2004 (UTC)
# The Voynich Manuscript/F6v

Transcription, comments, theories, links to do with VMs page f6v to be added here... :-)

## Description:

One plant, that takes up most of the right half of the page.
Two paragraphs (4.8 and 15.8 lines) at the top, left-justified, ending at mid-page. The first is right-justified too, and two of its lines are interrupted by a flower. The second follows the plant's outline on the right.
# The Voynich Manuscript/F8v

Transcription, comments, theories, links to do with VMs page f58v to be added here...

## Description:

One plant, spanning top to bottom, slightly offset to the left.
Two paragraphs (with 10.1 and 5.3 lines), left- and right-justified: one next to the top margin, one next to the bottom margin, both interrupted by the plant.
There is a mark in the SE corner, resembling "^pm9" ("^" over the "p"), with thick strokes.

## Comments:

The mark in the SE corner is almost surely the quire number, "1st" in abbreviated Latin.
# The Voynich Manuscript/F6r

Transcription, comments, theories, links to do with VMs page f6r to be added here... :-)

## Description:

One plant, that takes up most of the right and bottom halves of the page.
One long paragraph (14 lines) at the top, left justified. The first three lines are right-justified, the rest follows the plant's profile on the right. The first six lines are interrupted by a flower or pod.

## Comments:

It is not clear whether pods or flowers are represented here.
# The Voynich Manuscript/F9r

Transcription, comments, theories, links to do with VMs page f9r to be added here... :-)

## Description:

One plant flush against the right margin, spanning the page vertically edge to edge, with branches and roots that take up the bottom 2/3 of the page.
Two paragraphs (with 5 and 3.9 lines), left- and right-justified. Both are interrupted by the plant's flower head.
The second paragraph is followed by a centered title-like line which may be the true last line of the paragraph.

## Comments:

The unusual shape of the leaves should make the plant easy to identify.
# The Voynich Manuscript/F9v

Transcription, comments, theories, links to do with VMs page f9v to be added here... :-)

## Description:

One plant, flush against the right and bottom edges, reaching almost to the top.
    Root: a bundle of thin wires. Dark overpaint?
    Stem: one straight. Light color.
    Branches: two symmetrical pairs, oblique.
    Leaves: the four lower ones are medium width, lance-shaped, with smooth edges; the others have the same outline but are deeply cut into five narrow points. Dark color.
    Stalk: short, mostly missing.
    Flowers: five, at the tips of stem and branches.
    Stalk: medium length, thin
    Chalyx: flat or everted, with short triangular sepals, partly hidden by corolla.
    Petals: five rounded petals, a large one on top, the others like "arms and legs".
    Core: very small. Medium and dark colors.
Two paragraphs (with 3.7 and 7.7 lines) at the top, left-justified. The first one is right-justified; the second one follows the plant's profile on the right. Both are interrupted in several places by the flowers and leaves.

## Comments:

Petersen identifies this plant, with high confidence, as "Viola trinitalis". I coudn't find such species, but "herba trinitatis" is the herbalists' name for Viola tricolor (heartsease,wild pansy) [1,2,3].
Indeed, comparing f9v with a drawing by Carl Lindman [1], we see an almost perfect match --- including the roots, and the two types of leaves.
Dennis Mardle [10 Oct 1998] observes that the details match also Viola arvensis (field pansy), which hybridises with V. tricolor and is very similar in shape, including especially the dimorphic leaves [1,4].
The colors may help resolve this issue. The flowers of Viola tricolor are usually purple and white with yellow core; Lindman's drawing shows V. arvensis as white (or light blue?) with yellow core. Jim Reeds color list [03 Mar 1998] reports some blue on this page, to be confirmed.
In either case, there is one odd detail: the flowers in f9v are upside-down. Also the two bottom flowers are somewhat different.
Viola tricolor was used internally to treat epilepsy, asthma and bronchitis (whole plant), as an emetic and purgative (seeds) and as a heart tonic (flowers). Externally it was used to treat skin diseases [2]. The flowers are reported to be edible.

## References:

[1] Carl Axel Magnus Lindman
    Bilder ur Nordens Flora
    227. A. Styvmorsviol, Viola tricolor L.; B. Åkerviol, Viola arvensis Murr.
    http://www.runeberg.org/nordflor/
    http://www.runeberg.org/nordflor/227.html
[2] Mrs. M. Grieve, F.R.H.S.
    A Modern Herbal
    Viola tricolor - Heartsease
    http://www.botanical.com/botanical/mgmh/mgmh.html
    http://www.botanical.com/botanical/mgmh/h/hearts10.html
[3] ECNC DATABASE: SAXIFRAGA European Flora Slides
    Viola tricolor ssp. tricolor
    http://www.ecnc.nl/doc/ecnc/saxifrag/euroflor.html
    http://www.ecnc.nl/gif/viotritr.gif
[4] ECNC DATABASE: SAXIFRAGA European Flora Slides
    Viola Arvensis Murr.
    http://www.ecnc.nl/doc/ecnc/saxifrag/euroflor.html
    http://www.ecnc.nl/gif/vioarv.gif
# The Voynich Manuscript/F7v

Transcription, comments, theories, links to do with VMs page f7v to be added here... :-)

## Description:

One plant, spanning from the bottom edge to 3/4 of the way to the top.
Two paragraphs (with 4.5 and 3.9 lines) at the top, left- and right-justified. The last three lines of the second paragraph are interrupted by the plant's flowers.
# The Voynich Manuscript/F67v1

The central figure may be Tycho Brahe, although this identification places the manuscript at a later date than many researchers are comfortable with.
Under that theory, the prominent stars to the lower left appears to be Casseopeia, and Tycho's Star, the supernova of 1572, is the outer of the two stars in the 8:30 position. The single star to the lower right is Algol.
# The Voynich Manuscript/F7r

Transcription, comments, theories, links to do with VMs page f7r to be added here... :-)

## Description:

One plant with no leaves and a single huge flower, spanning the entire height and width of the page.
    Root: a short, vertical, cylindrical stem that splits into two almost horizontal mousetails.
    Stem: straight, vertical.
    Branches: none.
    Leaves: none.
    Flowers: a single flower at the tip of the stem.
    Stalk: not visible, or indistinguishable from stem.
    Chalyx: eight symmetrical sepals, shaped like long parabolas.
    Corolla: four layers, of decreasing sizes, each having four symmetric petals, located diagonally with respect to the previous layer.
    Core: none.
Two paragraphs (with 4.3 lines and 4.5 lines), both left- and right-justified: one at the top, interrupted by the flower; one just below mid-page, interrupted by the main stem.

## Comments:

Petersen has identified this plant with high confidence as
Nymphaea alba (white water lily, seerose)
http://www.runeberg.org/nordflor/181.html
http://linnaeus.nrm.se/flora/di/nymphaea/nymph/nympcan2.jpg
There is indeed a good match in the shape and arrangement of the petals and sepals. Also, the lack of leaves and branches in f7v is plausibly explained by the fact that Nymphaea's flowers float on the water's surface, and thus may have been hidden from the artist's view.
But if f7v is Nymphaea alba, then what do we make of f2v?
# The Voynich Manuscript/F8r

Transcription, comments, theories, links to do with VMs page f8r to be added here... :-)

## Description:

One plant with a single, big, odd-shaped leaf and a "collar" around its stem, horizontally centered and spanning the page vertically from edge to edge.
Three paragraphs (with 6.5, 3.6, 6.6 lines), left- and right-justified and interrupted by the plant's stem, fill up the bottom 3/4 of the page. Each paragraph is followed by a right-justified two-word title.

## Comments:

The plant is very strange, both for the leaf shape and for the "collar" around the stem. Perhaps it is a mushroom (e.g. Amanita), which the artist mistook for a plant and tried to draw as such?
The text format too is quite unusual, both in its length and in the presence of titles.
# World Stamp Catalogue/French Post Office In Morocco/1912

French Postage Due Stamps with surcharged in red or blue with numeral of value and currency name in Arabic script
| Date Issued | Denom. | Color | Perf. | Designer/ Engraver | notes |
| 1912 January | 5 centimes surcharged 5 سنتيم | blue with red surcharge | 14x13½ | Gérard Duval | |
| 1912 January | 10 centimes surcharged 10 سنتيم | brown with red surcharge | 14x13½ | Gérard Duval | |
| 1912 January | 50 centimes surcharged 50 سنتيم | lilac with blue surcharge | 14x13½ | Gérard Duval | |
| 1912 January | 50 centimes surcharged 50 سنتيم | lilac with blue surcharge | 14x13½ | Gérard Duval | Wider space between 5 and 0 in the surcharge |
Constant Variety Of Above Issue, Orthographic error in Arabic Inscription, missing single dot over ن
| Date Issued | Denom. | Color | Perf. | Designer/ Engraver | notes |
| 1912 January | 5 centimes surcharged 5 سىتيم | blue with red surcharge | 14x13½ | Gérard Duval | Orthographic error in Arabic Inscription, missing single dot over ن |
| 1912 January | 10 centimes surcharged 10 سىتيم | brown with red surcharge | 14x13½ | Gérard Duval | Orthographic error in Arabic Inscription, missing single dot over ن |
| 1912 January | 50 centimes surcharged 50 سىتيم | lilac with blue surcharge | 14x13½ | Gérard Duval | Orthographic error in Arabic Inscription, missing single dot over ن |
French Postage Due Stamps inscribed "Recouvrements" surcharged in red or blue with numeral of value and currency name in Arabic script
| Date Issued | Denom. | Color | Perf. | Subject |
| 1912 January | 1 centimes surcharged 10 سىتيم | olive green with red surcharge | 14x13½ | Numeral Of Value |
| 1912 January | 10 centimes surcharged 10 سىتيم | violet with red surcharge | 14x13½ | Numeral Of Value |
| 1912 January | 30 centimes surcharged 30 سىتيم | bistre with red surcharge | 14x13½ | Numeral Of Value |
| 1912 January | 50 centimes surcharged 50 سىتيم | red with blue surcharge | 14x13½ | Numeral Of Value |
# World Stamp Catalogue/French Post Office In Morocco/1903

Type of French Postage Stamps with "MAROC" label surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Paper. | Color | Perf. | Type Die/Wmk | Subject | Cat. No. Mi/Sc/Gi | Design | No. Issued | Designer/ Engraver | notes |
| 1903 March | 25 centimes surcharged 25 centimos | | blue with black surcharge | 14x13½ | | Type Mouchon (in French) | | | | Louis-Eugène Mouchon | |
| 1903 May | 20 centimes surcharged 20 centimos | | brown with black surcharge | 14x13½ | | Type Mouchon (in French) | | | | Louis-Eugène Mouchon | |
French Postage Due Stamps overprinted diagonally with a black box inscribed "P.P." and surcharged in Spanish currency in red.
| Date Issued | Denom. | Color | Perf. | Subject | No. Issued | Designer/ Engraver |
| 1903 10 October | 5 centimes | blue with black overprint and red surcharge | 14x13½ | Numeral Of Value | 150 | Gérard Duval |
| 1903 10 October | 10 centimes | brown with black overprint and red surcharge | 14x13½ | Numeral Of Value | 300 | Gérard Duval |
| 1903 10 October | 5 centimes | blue with horizontal black overprint and red surcharge | 14x13½ | Numeral Of Value | | Gérard Duval |
| 1903 10 October | 10 centimes | brown with horizontal black overprint and red surcharge | 14x13½ | Numeral Of Value | | Gérard Duval |
# World Stamp Catalogue/French Post Office In Morocco/1910

Type of French Postage Stamps with "MAROC" label surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Paper. | Color | Perf. | Type Die/Wmk | Subject | Cat. No. Mi/Sc/Gi | Design | No. Issued | Designer/ Engraver | notes |
| 1910 June | 35 centimes surcharged 35 centimos | | violet with black surcharge | 14x13½ | | Type Mouchon (in French) | | | | Louis-Eugène Mouchon | |
French Postage Due Stamps inscribed "Recouvrements" surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Color | Perf. | Subject | notes |
| 1910 | 30 centimes surcharged 30 centimos | bistre with black surcharge | 14x13½ | Numeral Of Value | |
| 1910 | 50 centimes surcharged 50 centimos | red with black surcharge | 14x13½ | Numeral Of Value | |
| 1910 | 30 centimes surcharged 30 centimos | bistre with black surcharge | 14x13½ | Numeral Of Value | Wider space between 3 and 0 in the surcharge |
| 1910 | 50 centimes surcharged 50 centimos | red with black surcharge | 14x13½ | Numeral Of Value | Wider space between 5 and 0 in the surcharge |
# World Stamp Catalogue/French Post Office In Morocco/1905

Type of French Postage Stamps with "MAROC" label surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Paper. | Color | Perf. | Type Die/Wmk | Subject | Cat. No. Mi/Sc/Gi | Design | No. Issued | Designer/ Engraver | notes |
| 1905 | 5 centime surcharged 5 centimos | | greenish-blue with red surcharge | 14x13½ | | Type Blanc (in French) | | | | Paul Joseph Blanc | color shade change |
# World Stamp Catalogue/French Post Office In Morocco/1908

Type of French Postage Stamps with "MAROC" label surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Color | Perf. | Subject | Designer/ Engraver |
| 1908 February | 1 centime surcharged 1 centimo | gray with red surcharge | 14x13½ | Type Blanc (in French) | Paul Joseph Blanc |
| 1908 February | 2 centimes surcharged 2 centimos | brown-lilac with black surcharge | 14x13½ | Type Blanc (in French) | Paul Joseph Blanc |
| 1908 February | 3 centimes surcharged 3 centimos | red with black surcharge | 14x13½ | Type Blanc (in French) | Paul Joseph Blanc |
| 1908 February | 4 centime surcharged 4 centimos | brown with black surcharge | 14x13½ | Type Blanc (in French) | Paul Joseph Blanc |
# World Stamp Catalogue/G
### G

* Gabon
* Gambia
* Georgia
* German Colonies
* German East Africa
* German Post Offices Abroad
* German State, Baden
* German State, Bavaria
* German State, Hamburg
* German State, Prussia
* German State, Saxony
* German State, Thurn and Thaxis
* German State, Wurttemburg
* Germany
* Germany (Allied Occupation)
* Germany (Berlin)
* Germany (DDR/East)
* Germany, Allenstein
* Ghana
* Gibraltar
* Gilbert and Ellice Islands
* Great Britain
* Great Britain Offices Abroad
* Greece
* Greek Post Abroad
* Greenland
* Grenada
* Griqualand West
* Guadeloupe
* Guatemala
* Guernsey
* Guinea
* Guinea-Bissau
* Guyana
# World Stamp Catalogue/French Post Office In Morocco/1902

Type of French Postage Stamps with "MAROC" label surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Color | Perf. | Subject | Designer/ Engraver |
| 1902 October | 5 centimes surcharged 5 centimos | yellow-green with red surcharge | 14x13½ | Type Blanc (in French) | Paul Joseph Blanc |
| 1902 October | 50 centimes surcharged 50 centimos | bistre brown & lavender with black surcharge | 14x13½ | Type Merson (in French) | Luc-Olivier Merson |
| 1902 October | 1 Franc surcharged 1 Peseta | claret & olive green with black surcharge | 14x13½ | Type Merson (in French) | Luc-Olivier Merson |
| 1902 October | 2 Francs surcharged 2 Pesetas | gary violet and yellow with black surcharge | 14x13½ | Type Merson (in French) | Luc-Olivier Merson |
| 1902 December | 10 centimes surcharged 10 centimos | rose with black surcharge | 14x13½ | Type Mouchon (in French) | Louis-Eugène Mouchon |
# World Stamp Catalogue/French Post Office In Morocco/1909

French Postage Due Stamps inscribed "Recouvrements" surcharged in red or black with values in Spanish currency
| Date Issued | Denom. | Paper. | Color | Perf. | Type Die/Wmk | Subject | Cat. No. Mi/Sc/Gi | Design | No. Issued | Designer/ Engraver | notes |
| 1909 | 1 centimes surcharged 1 centimos | | olive with carmine surcharge | 14x13½ | | Numeral Of Value | | | | | |
| 1909 | 10 centimes surcharged 10 centimos | | violet with black surcharge | 14x13½ | | Numeral Of Value | | | | | |