OpenLLM-France/wikimedia huggingface dataset:
# Magic: The Gathering
## Overview:

Magic: The Gathering (colloquially "Magic" or "MTG"), is a collectible card game created by Richard Garfield, Ph.D. and introduced by Wizards of the Coast in 1993. Magic inspired an entirely new game genre, and continues to endure with an estimated six million players in over seventy countries worldwide and on the Internet. This book attempts to be both an introduction to the game and a manual of reference, and should serve as easy to approach from whatever experience level the reader has with the game.
Please contribute to this book in any way that you can. And be sure to spread the word about it to any forums that you frequent.

## Rules & Formats:

Comprehensive Tutorial & Official Rules (External site)

### Standard Formats

* Vintage Format
* Legacy Format
* Two-Headed Giant Format
* Commander Format
* Modern Format
* Standard Format
* Block Format

### Atypical Formats

* Prismatic Format
* Extended Format
* Emperor Format
* Highlander Format
* Mental Magic Format
* 5-Color Format
* Type 4
* Assassin Format
* Riviera Live Draft
* Star Format

## Decks & Strategies:

* Vintage Decks & Strategies
* Legacy Decks & Strategies
* Commander Decks & Strategies
* Modern Decks & Strategies
* Standard Decks & Strategies
* Block Decks & Strategies
* Atypical Format Strategies
* Extended Decks & Strategies
* Historical Decks & Strategies

## Strategy Articles & Resources

* Official Wizards of the Coast Site
* Popular Magic Strategy Site
* Vintage Strategy Site
* Legacy Strategy Site
* 90’s Strategy Magazine
* Future Set Spoilers
* Winning Decklists
* Card Condition Guide

## Foreign Language Resources

* Vintage French Strategy Site
* Vintage/Legacy Italian Strategy Site
* Legacy Italian Strategy Site
* Swedish Magic Community
* MTG Card Images (Italian site)
* MTG Full Card Images (German site)
* Vintage Spanish Community

## Storylines

* Overview

## Tournament Circuits & Upcoming Tournaments

* Wizards Pro Tour Circuit
* Power Nine Tournament Circuit
* Tournaments in Europe

## Online Tournaments & Gameplay

* Official - Magic:The Gathering Online
* Unofficial - Online Play for Windows
* Unofficial - Online Play for all platforms
* Magic the Gathering Stats Magic The gathering online tournament archiving and deck lists
# Magar/Nouns

Noun[आरमीन]:- A noun is the names of a person, place or thing.
Examples:-
* Buddha- Buddha [बुद्ध]
* Nima- Nimā [नीमा]
* Laxmi- Laxmi [लछ्मी]
* Class- Kachchhyā [कच्छ्या]
* Pokhara- Pokhara [पोखरा]
* Surkhet- Surkhet [सुर्खेत]
* Nepal- Nepāl [नेपाल]
* House- Ím [ईम]
* Tree- Sing [सीङ]
* Salt- Chhā [छा]
* Soil- Jhā [झा]
* Sugar- Jischa [जीस्च]
* Oil- Siri [सीडी]
* Liquid- Midi [मीडी]
* Water- Di [डी]
* Stone- Lhung [ल्हूङ]
# Magar/Pronouns

Pronoun[मीआरमीन]:- A pronoun is the word that is used in place of a noun.
Examples:-
* I- Ngā [ङा]
* My- Ngāu [ङउ]
* We- Kān [कान]
* Our- Kānung [कानूङ]
* You- Nāko [नाको]
* Your- Nākung [नाकूङ ]
* He/She- Āse [आसे]
* His/Her- Ācheu [आचेऊ]
* It/This- Ise/Isai [इसे/ ईसई]
* It's- Icheu [इचेऊ]
* That- Hose [होसे]
* They- Hosko/Āsko[होस्को/आस्को]
* Their- Āskokung [आस्कोकूङ]
# J2ME Programming/ZRRT UniJa-VM
## Introduction

Beijing ZRRT Communications Technology supplies the UniJa-VM for the UniJa content services on China Unicom's network("002 unija information". UniJa Overview.).

## UniJa VM 1.0

* MIDP 2.0
* CLDC 1.0
* JTWI 1.0 compliant

## Deployed Devices

* Samsung
* Brew

## Conclusion

With this information you can determine the j2me apis that you have access to on devices using China Unicom UniJa service.

## See Also

* Wikibooks
** Java Programming

## References

* "002 unija information". UniJa Overview.

## Trademark Notices

J2ME, Java and all Java-based marks are trademarks or registered trademarks of Sun Microsystems, Inc. in the U.S. and other countries. All other Trademarks are property of their respective owners.
# JET Database/Insert

Data can be added to tables using the Insert statement. The statement takes the following basic form:
| {tablename} | The name of an existing table into which rows will be inserted. |
| {external-db-path} | A Windows path to an external database in which the target table resides. The external database can be another JET database, or any other database that the JET drivers can connect to (include dBase and Paradox databases). |
| {column-list} | A comma-separated list of columns within a pair of parentheses, specifying which columns in the target table will be populated by the Insert statement. If omitted, then all columns will be populated by the Insert statement. Any column not specified by the {column-list} will be set to NULL, unless the column has a default value set. |
| {select-statement} | A Select statement that returns the same number of columns as the {column-list}, or the number of columns in the target table if the {column-list} is omitted. |
| {values-list} | A comma-separated list of expressions within a pair of parentheses, providing the same number of values as there are columns in the {column-list}, or the number of columns in the target table if the {column-list} is omitted. |
# JET Database/Contributors
## Individuals

* User:Webaware - NSW, Australia
# JET Database

The Microsoft JET Database Engine, or simply JET, is a database engine that was distributed widely by Microsoft but is now deprecated. As such, finding information on programming JET databases is becoming more and more difficult. This book attempts to remedy that by presenting necessary information about JET for programmers and database administrators.
This book assumes that the reader already has familiarity with SQL and requires a reference specifically for the JET database engine. Readers unfamiliar with SQL should first refer to the more generic database book Structured Query Language.

## Contents
### Introduction

* What is JET?
* Reasons for not using JET
* Why this book is still needed
* Alternatives

### Creating and connecting

* Creating a JET database
* Compacting a JET database
* Connecting to a JET database
* DAO vs SQL

### Data types

* Text types
* Numeric types
* Boolean (Yes/No)
* Dates and times
* Counters
* BLOBs

### Object names and constants

* Naming objects in the database
* Qualifying special names
* Constants
* Reserved words

### Data integrity

* Constraints
* Transactions
* Locking

### Security

* Database password
* Users, groups, permissions
* Encryption

### Data definition language

* Creating and dropping tables
* Constraints
* Indexing
* Security

### Updates and queries

* Select
* Insert
* Update
* Delete

### Functions

* Scalar functions
* Aggregate functions

### Views and stored procedures

* Views
* Stored procedures
* Alternatives

### Manipulation tools

* Access
* Visual Studio
* JetSQLConsole
* PlaneDisaster.NET
* CUTE
* MDB Tools

### Integration and migration

* Exporting to files
* Microsoft DTS and SSIS
* JET replication

### Design tools

* Managing JET using Microsoft Visio

### Index

* Index to statements, functions, data types

### Contributors

* Contributors to this book

## External links

* Microsoft Jet Database Engine 2.0: A User's Overview, MSDN library on-line, via the Wayback Machine
* Fundamental Microsoft Jet SQL for Access 2000, MSDN library on-line
* Intermediate Microsoft Jet SQL for Access 2000, MSDN library on-line
* Advanced Microsoft Jet SQL for Access 2000, MSDN library on-line
* Description of the new features that are included in Microsoft Jet 4.0, Microsoft knowledge base
* How to configure Jet 4.0 to prevent unsafe functions from running in Access 2000 and Access 2002, Microsoft knowledge base
* Access function reference
# Meitei Culture/Mythology/Goddesses/Khunu Leima

Goddess Khunu Leima, also known as Khunureima, is the queen of all the pigeons and doves, living in the world. She is one of the noble princesses of the Heavenly Realm. She is one of the most favorite daughters of Sky Father Salailen. She has the freedom of roaming in the earthly realm according to her own wish. She once happened to fell in love with a mortal man, who was about to be killed by a selfish evil king. She intervened the situation and rescued her lover using her divine powers. Many legends say that she could call all the pigeons and doves of the entire world to a single spot at a single time. She shares many of her adventures with two of her sisters, Nganu Leima, the goddess of water birds, and Shapi Leima, the goddess of rodents.
# Meitei Culture/Mythology/Goddesses/Maheigi Lairembi

Maheigi Lairembi is a Mother Goddess of books, education, enlightenment, knowledge, learning, letters, manuscripts, mastery, philosophy, poetry, prose, scholarship, science, skill, speech, wisdom, writing. She is also known as Eeyek Leima, Eyek Leima, Iyek Leima, Lairik Leima, Lailik Leima, Humpu Leima, Nareng Lei Shubi, Naleng Lei Shupi, Singjakhombi, Singchakhompi, Maheigee Lairembee, Maheigee Lairemma, etc. She is also depicted as Meiteilon Ima (alias Meeteilon Ema, Kangleilon Eemaa, Manipuri Ima, Meitei Ima, Meetei Ema, Kanglei Eemaa), which is the Divine Motherly Personification of Classical Meitei language & literature.
# Meitei Culture/Mythology/Goddesses/Imoinu

Goddess Imoinu, also known as Emoinu, is a divine motherly personification of the sacred kitchen hearth fire (called "Phunga Lairu" in Classical Meitei language) of ancient Meitei households. She is also the goddess of wealth and prosperity. She is often depicted as either an old woman (grandmotherly figure) or a young or elderly but matured woman (motherly figure) sitting by an indoor fireplace warming herself. Chengphu, the traditional Meitei pot for storing rice, is a symbolic representation of goddess Imoinu. Senphu, a traditional Meitei idol shaped container for storing coins (or any money), is also an iconography of her. She is associated with cleanliness and hygiene. Ancient Meitei people believed that no matter how much one was devoted to her, if the person and his/her house's environment was not clean, goddess Imoinu never set her feet on that place. On the holy day of Imoinu Iratpa (also known as Emoinu Eratpa) ritualistic festival, Meitei people worship her with a greater pomp, than the daily worshipping ceremony. She is often offered different varieties of fish, rice and vegetables. She is often compared to ancient Greek goddess Hestia and ancient Roman goddess Vesta.
# Meitei Culture/Mythology/Goddesses/Leimalen

Goddess Leimalen, also known as Leimalel, Leimaren, Leimarel, is the supreme goddess or the divine empress of the entire universe. She is entitled as Sitapi (or Sidabi), meaning she is immortal. She, herself, is the mother earth for which she is called Malem Leima. She is the first and the foremost female ever created during the genesis. She is the wife of Emperor Salailen, the Heavenly Father. She is the mother of Sanamahi (symbolic son) and Pakhangba (biological son). She is symbolically represented in the form of an earthen pot ("Isaiphu" in Classical Meitei language). Inside Meitei households, she is generally worshipped in the form of Isaiphu. All the female beings are considered to be the different manifestations of Leimalen. All the living beings are considered to be her children. Almost most of the ancient Meitei goddesses are associated with her identity, cult and pantheon. Among them, Imoinu and Panthoibi are the most frequently mentioned in relation to her in ancient Meitei textual and oral traditions.
# Meitei Culture/Mythology/Goddesses/Ngaleima

Goddess Ngaleima, also known as Ngareima, is a divine female personification of fish, the predominant form of aquatic life. She is one of the noble princesses of the Celestial Realm. She is one of the favorite daughters of the Sky Father Salailen. She was sent down to earth to prosper the earthly water bodies, with aquatic life, and to prosper the human civilization as well. Obeying the divine orders of her Supreme Father, she and her sisters descended from the heavenly realm to the earthly realm. On her way, she had numerous adventures. Finally, she lived in the water bodies of the earth, and gave rise to various types of aquatic life forms, predominately the fish. Ancient Meitei fishing people always offered prayers to her, to shower her blessings to them. Abundance and scarcity of fish haul was perceived as satisfaction (pleasure) and dissatisfaction (displeasure) of her respectively.
# Meitei Culture/Mythology/Goddesses/Helloi

A Helloi, also known as Heloi, is a divine female figure, who is attractive, beautiful, charming and seductive to wandering menfolk, frequently depicted as roaming in forests, grasslands, mountainsides, lonely places or sparsely human populated areas. According to classical Meitei tradition, there are seven helloi ladies who are considered to be the noble princesses of the celestial realm and the favorite daughters of Heavenly King Salailen, the Father Sky. Many legends often praise that the youngest of all the helloi sisters is the most beautiful, the most gentle, the most innocent, the most lovable, etc. There are numerous ancient Meitei folktales of the youngest helloi sister falling in love with a mortal man. These ancient Meitei mythological seven divine sisters are considered to be the paragon of beauties and the epitome of charms, giving fascination and inspiration to numerous cultures across South Asia and Southeast Asia in modern times.
# Meitei Culture/Mythology/Goddesses/Irai Leima

Goddess Irai Leima, also known as Erai Leima, Eerai Leima, Ireima, Ereima, Eereima, is a divine female personification of water and the water bodies. She is one of the noble princesses of the Celestial Realm. She is one of the favorite daughters of King Salailen, the Sky Father. She was sent down to earth to prosper the earthly realm with water, to make life possible, and to prosper human civilization as well. Obeying the divine orders of her Supreme Father, she and her sisters descended from the heavenly realm to the earthly realm. On her way, she had lots of adventures. She gave rise to numerous water bodies, starting from water catchment areas (or watersheds), streams and brooks, rivers and their tributaries, then lakes and ponds, then seas and oceans. The identities of numerous ancient deified ladies got merged with her cult and pantheon in Meitei society.
# Meitei Culture/Mythology/Goddesses/Khamnung Kikoi Louonbi

Goddess Khamnung Kikoi Louonbi, also known as Nura Naothem Heibi, is a divine enchantress, associated with death. Her main duty is to collect the souls of the deceased and to bring them to netherworld, the land of death, where God Thongalen ruled supreme. Sometimes, she faces challenges from some souls who are not willing to depart the earthly realm. In such case, she uses to disguise herself as either the mother or the closest and the most trusted person of the very person of that particular troublesome disobedient soul. In most cases, she succeeds in bringing the souls by hook or by crook to the underworld. She is depicted as a very intelligent and smart lady. She is one of the wives of God King Thongalen, the deity of death.
# Meitei Culture/Mythology/Goddesses/Konthoujam Tampha Lairembi

Konthoujam Tampha Lairembi, also known as Chingphulon Konthousu, was a deified lady of the ancient Haorok Konthou clan of Meitei ethnicity. She was born to mortal parents, often named as Lord Konthoujamba and Lady Konthoujambi. She married Celestial King Salailen, the Heavenly Father. Her marriage drew empathy of Salailen for the people of her clan. So, he granted immunity to death (immortality) and immunity to illness, to all the people of her clan. She gave birth to Prince Khoiriphaba (also known as Khoriphaba). Once she descended from the celestial realm to the earthly realm, to visit her parental house, with the permission from her divine husband, under the condition that she should not consume any earthly food or drink. She disobeyed the condition. So, she was permanently disallowed from entering the celestial realm by Salailen. The immunity to death and the immunity to illness for the people of her clan were also removed. Thus, she not only got departed from her beloved husband but also from her beloved infant son. She endured emotional pain, for a very long time, until her son grew up and came down from the sky by himself to meet her.
# Meitei Culture/Mythology/Goddesses/Kounu

Goddess Kounu is the tutelary protectress of the northern directions. She is also the queen of the northern mountains of Kangleipak. She is believed to dwell in the snows of far north. She is the blesser of good rainfall to bring good agricultural harvest to prosper the human civilisation.
She is the wife of God Koupalu (also called Koubaru or Koubru). So, besides her native place Kounu Ching (meaning "Kounu mountain" in Classical Meitei language), she has her second home at Mount Koubru, the sacred abode of her husband. She is one of the most benevolent and compassionate divine motherly ladies. Kounu adopted goddess Thoudu Nungthel Leima (also, Nungthen Leima) as her own daughter, after finding her as a newborn baby girl lying on the stone slab in a riverbed. Kounu also adopted Loiyalakpa (also called Tollomkhomba or Tollongkhomba) as her own son. Kounu also adopted another lady as her own daughter, who was later known by the name Koubarol Namoinu ("Koupalol Namoinu" in Classical Meitei language).
# Japanese/Dialects/Okinawa
## History

Todo: write about Okinawa being a linguistic relative of Japanese, ww2-era efforts to get rid of the language, etc...

## ウチナーグチ vs 琉球語 vs 沖縄弁

ウチナーグチ (uchinaa guchi) is the term that the people of Okinawa use when referring to their own language. This translates as "Okinawa mouth" or "Okinawa language".
琉球語 (ryuukyuugo) is the word in standard Japanese that refers to the language of Okinawa (the "Ryuukyuu kingdom", which is often spelled "Ryukyu").
沖縄弁 (okinawa-ben) is the word for just the dialect of Okinawa. In other words, the way people from Okinawa speak Japanese.
Todo: expand this some more

## Words

* アラン　(aran) : disagree
* デイジ (deiji) : serious
* マアサン (maasan) : delicious
* メンソーレ (mensoore) : welcome
* ウチナ (uchina) : Okinawa
* チュ (chu) : Person
* 海人: ウミンチュ (uminchu) : Person of the sea
* チュラ (chura) : pretty
* ヤナ (yana) : ugly
* チュラカギ / ヤナカギ (churakagi / yanakagi) : pretty person / ugly person
In the Okinawan dialect, it is possible to have words or names that begin with ん, which you will never see in standard 日本語.
* んたまぎる
It is also common to use phonemes that are not part of the normal (ひらがな) Japanese language (though you may see them in 外来語), such as とぅ, てぃ, and ぐぁ
* とぅい (tui) : bird.
* とぅんふぁ (tunfa) : a weapon used in Okinawan martial arts.
* やまとぅ (yamatu) : mainland Japan
* てぃち (tichi) : one thing (counter)
* いんぐぁ (ingua) : puppy

## Common phrases

| Translation | Phrase | IPA |
| English | inciriguci | ? |
| hello | haisai (women can also say haitai) | ? |
| good-bye | cu: wuganabira | ? |
| please | unige: sabira (things), -kwimi so:re: (actions) | ? |
| thank you | iqpe: nihwe: de:biru | ? |
| I’m sorry | gubiri: sabira (being impolite), waqsaibi:ndo: (accidents, mistakes) | ? |
| how much? | chasai ga | ? |
| what's this? | kure: nu:ndi bi:ga | ? |
| yes | wu: | ? |
| no | wu: wu: | ? |
| I don’t understand | wakayabiran | ? |
| Where's the bathroom? | hwu:ruya ma: yaibi:ga | ? |
| good health [generic toast] | kari: | ? |
| Do you speak English? | inciriguciya naibi:miga | ? |
# Japanese/Dialects/Toyama

Some notable aspects of Toyama dialect:
* Pauses in sentences are often accompanied by a pitch vibration.
** あのねぇ ano nee
** それで sore de
** そこへ行って soko e itte
    In each of these examples, the pitch goes up-down-up-down, or even up-down-up-down-up-down. Pitch intervals can be as much as as 5-8 whole steps.
* の no is replaced by が ga (except in the possessive).
** そうなの？ sou na no? becomes そうなが？ sou na ga?
** できないので dekinai no de becomes できないがで dekinai ga de
* か ka as a question marker is replaced by っけ kke
** 分かるか wakaru ka becomes 分かるっけ wakaru kke
* いる iru becomes おる oru or おん
** ここにいる koko ni iru becomes ここにおる koko ni oru or ここにおん koko ni on
* てる -te ru (contraction of ている -te iru) becomes とる -toru or とん -ton
** 分かってる wakatteru becomes 分かっとる wakattoru or 分かっとん wakatton
* ない -nai becomes -ん
** できない dekinai becomes できん dekin
** 分からない wakaranai becomes 分からん wakaran
** だれもいない dare mo inai becomes だれもおらん dare mo oran
Putting everything together, you can get the very comical phrase:
# Japanese/Dialects/Yokohama

Yokohama-ben may have started out in Yokohama but it is now spoken broadly across the southern Kanto area from the Shounan beaches south of Kamakura all the way up to Shibuya in south-western Tokyo. It is especially noticeable in young people between the ages of 10 and 25 or so.
Characteristics
1) The use of "jan" as a sentence terminating particle, spoken with a rising tone. It is used like the English sentence terminating particles "right?", "isn't it?" It can also be spoken with a dropping tone, and the feeling is that the speaker is determined but still wants agreement.
2) The use of "saa.." between phrases and clauses as a kind of verbal equivalent of a comma.
3) Particularly with females, the use of highly raised and elongated tone on the continuative "te" particle on non-terminal verbs. E.g., Achi itte*, kare to hanishite*, sokode saa... moto no kareshi ga kitte saa....
# Japanese/Dialects/Kyushu

These examples are mainly from Hakata-ben (博多弁 Fukuoka dialect).
an sa instead of ano ne (hey, listen up...)
asobanne instead of asobou (let's play)
batten instead of da kedo (but)
da ken instead of da kara (therefore)
yokaroumon instead of yoi deshou (good, don't you think?)
bari instead of totemo (very)
shitoocchan instead of shiterunda (I've done/finished it)
shiyoocchan instead of shiterunda (I'm doing it)
~shitokiiyo instead of shite okinasai (please do ~; used with children)
tottouto instead of totte imasu (to take)
yokka yokka instead of daijoubu (ok; no problem)
To form affirmative sentences, add ~bai to end of the standard Japanese sentence. Tokyo ni iku yo = Tokyo ni iku bai. (I go to Tokyo.)
To form interrogative sentences, add ~to to end of the standard Japanese sentence. Doko ni iku no? = Doko ni iku to? (Where do you go to?)
For adjectives only, change the last ~i of the adjective to ~ka when expressing one word. Sore wa minikui. = Sore wa miniku ka. (That's ugly.)
Useful words: I/ me = uchi (Mainly used by women) you = aata no = innya yes = yoka like = suitoh don't like = sukan
I like Hakata ben. =Hakata ben suitoh. (in Hakata ben)
Kagoshima ben is difficult. =Kagoshima ben'na mutsukashika. (in old Hakata ben)
I will be right there! =ima kara kukken!
in Japanese with (.au) audio files http://www.fjct.fit.ac.jp/JP/hakataben.html
Dialects of Northern Kyushu (in English)
# Japanese/Dialects/Mikawa

Mikawa-ben (三河弁) is the dialect spoken in Mikawa Province (三河国 mikawa-no kuni), one of the old provinces of the Aichi prefecture (愛知県, Aichi-ken). Mikawa-ben is mainly spoken in western Aichi, while Nagoya-ben is spoken in the eastern half. Mikawa-ben is very similar to Hyojungo.

## Vocabulary

* Jan (じゃん): the dialect form of the Japanese word desu
* Dara (だら): the dialect form of the Japanese word deshō
* Rin (りん): the dialect form of the Japanese word shinasai
# Japanese/Dialects/Osaka

Examples of words specific to Osaka Dialect (関西弁Kansai-ben)
本当に ＝ ほんま / まじで　(Really?) ありがとう ＝ おおきに (Thank you) ばか ＝ あほう (Stupid[insult]) だめ ＝ あかん (Bad!/Prohibited!) いくらですか ＝ なむぼ (How much is this?) もしもし ＝ まいどまいど (Hello)
Many feel that the dialect of Osaka is fast, dirty, down-to-earth and funny. This impression is likely attributed to the fact that most comedians in Japan speak in Osaka-ben. Often in anime, Osaka accents are frequently translated as American accents from the deep south. This is often done because it's a popular belief that people from Osaka are like Texans in personality. The most famous Osaka to Southern dub, is the Azumanga Daioh anime. Amongst anime fans, the topic of whether Osaka should be translated into a southern accent is very debatable. Some believe Brooklyn accents are a more fitting equivalent.