# The Lyrics of Henry VIII/Appendix 3
## A

* Ackerman, Phyllis. Tapestry: The Mirror of Civilization. Oxford: Oxford UP, 1933.
* Agricola, Alexandri. Opera Omnia. Alexander Agricola: Collected Works Vol. 4. Edward R. Lerner, ed. Neuhausen-Stuttgart: American Institute of Musicology, 1966.
* Akrigg, G. P. V. “The Literary Achievement of King James I.” University of Toronto Quarterly 44 (1975): 115-29.
* Aldis, Harry G. A List of Books Printed in Scotland Before 1700. Edinburgh: National Library of Scotland, 1970.
* Albrecht, Hans, ed. Georg Rhau: Musikdrucke aus den Jahren 1538 bis 1545. Hanover: Kassell, 1959.
* Anglo, Sydney. Spectacle, Pageantry, and Early Tudor Policy. Oxford: Clarendon P, 1969.
* ---. The Great Tournament Roll of Westminster. Oxford: Clarendon P, 1968.
* ---. “The Court Festivals of Henry VII: A Study Based Upon the Account of John Heron, Treasurer of the Chamber.” Bulletin of the John Rylands Library 43.1 (1960): 12-45.
* ---. “The Evolution of the Early Tudor Disguising, Pageant, and Mask.” Renaissance Drama [n.s.] 1 (1968): 12-45.
* ---. “William Cornish in a Play, Pageants, Prison, and Politics.” Review of English Studies [n.s.] 10 (1959): 353-7.
* Anonymous. A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia and Amadine the Kings daughter of Arragon, with the merie conceites of Mouse. London: William Iones, 1598.
* Anonymous. The Castle of Perseverance. In The Macro Plays. Mark Eccles, ed. Oxford: Oxford UP, 1969.
* Anonymous. The Jousts of June. [Here begynneth the Iustes and tourney of ye moneth of Iune parfurnysshed and done by Rycharde Graye erle of Kent/by Charles brandon wt theyr two aydes agaynst all comers. The .xxii. yere of the reygne of our souerayne lorde kynge Henry ye seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
* Anonymous. The Jousts of May. [Here begynneth the Iustes of the moneth of Maye parfurnysshed & done by Charles brandon. Thomas knyuet. Gyles Capell & Wyllyam Hussy. The .xxii. yere of the reygne of our souerayne lorde Kynge Henry the seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
* Anonymous. The Riddles of Heraclitus and Democritus. London: Arn. Hatfield for Iohn Norton, 1598.
* Anonymous. Two Wise Men and All the Rest Fooles. London: 1619.
* Arber. Arber, Edward. Dunbar Anthology. (Dunbar and his Times.)
* Arber, Edward. Dunbar and his Times. [Dunbar Anthology.] London: Frowde, 1900 [repr. 1984].
* Arn, Mary-Jo, ed. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
* Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
* Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
* Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.

## B

* Baldwin, David. The Chapel Royal, Ancient and Modern. London: Duckworth, 1990.
* Balestrieri, Elizabeth. “Prison/Anti-Prison: The Writings of Elizabeth I and Marguerite de Navarre.” 115-22 in Ginette Adamson and Eunice Myers, eds. Continental, Latin-American and Francophone Women Writers. Vol. 2. Lanham, MD: UP of America, 1987.
* Banks, T. C. The Dormant and Extinct Baronetage of England. London: J. White, 1808.
* Barbour, John. Barbour’s Bruce. 3 vols. Matthew P. McDiarmid, ed. Edinburgh: The Scottish Text Society, 1980-1986.
* Barclay, Alexander. The Eclogues of Alexander Barclay. Beatrice White, ed. [Early English Text Society.] London: Oxford UP for EETS, 1928.
* Barclay, Alexander. Here begynnyth a treatyse intitulyd the myrrour of good maners conteynynge the .iiii. vertues callyd cardynall. London: Richard Pynson, [1523].
* Baron, Helen. “Mary (Howard) Fitzroy’s Hand in the Devonshire Manuscript.” Review of English Studies [n.s.] 179 (1994): 318-335.
* Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
* Beal, Peter. Index of English Literary Manuscripts. Vol. 1, 1450-1625. London: Mansell, 1980-.
* Becherini, Bianca. “Alcuni canti dell’Odhecaton e del cod. fior. 2794.” Bulletin de l’Institut Historique Belge de Rome 21 (1942-3): 327-48.
* Beaufort, Margaret. The Earliest English Translation . . . of De imitatione Christi. John K. Ingram, ed. [EETS e.s. 63]. London: Early English Text Society, 1983.
* Behrens, Betty. “A Note on Henry VIII’s Divorce Project of 1514.” Bulletin of the Institute of Historical Research 11 (1933-4): 163-4.
* Berdan, John M. Early Tudor Poetry. New York: Macmillan, 1920.
* Berners, John Bourchier, Lord. The Boke of Duke Huon of Burdeux Done into English by Sir John Bourchier, Lord Berners. [EETS e.s. 40, 41, 43, 50.] S.L. Lee, ed. Early English Text Society: London, 1882-7.
* Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge, MA: Harvard UP, 1968.
* Birrell, T.A. English Monarchs and Their Books: From Henry VII to Charles II. [The Panizzi Lectures, 1986]. London: The British Library, 1987.
* Black. Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics.
* Black, L. G. “A Lost Poem by Queen Elizabeth I.” Times Literary Supplement (May 23, 1968): 535. [See also the issues of 30 May 1968 (553), 6 June 1968 (597), 4 July 1968 (705) and 12 Sept. 1968 (1032).]
* Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics. Chicago: J.B. Lippincott Co., 1938.
* Black, William Henry. A Descriptive, Analytical, and Critical Catalogue of the Manuscripts Bequeathed unto the University of Oxford by Elias Ashmole. Oxford: Oxford UP, 1845.
* Block, Adrienne F. The Early French Parody Noël. Ann Arbor, MI: U of Michigan P, 1983.
* Bodleian Library. [Working Copies of] Bodleian Manuscript Catalogues. Music. Oxford: Bodleian Library (accessed 1995).
* Bodleian Library. [Working Copies of] Bodleian Manuscript Catalogues. English Poetry. Oxford: Bodleian Library (accessed 1995).
* Boffey. Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages.
* Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages. Manuscript Studies 1. Woodbridge, Suffolk: D. S. Brewer, 1985.
* ---. “Women Authors and Women’s Literacy in Fourteenth- and Fifteenth-Century England.” 159-182 in Carol M. Meale, ed. Women and Literature in Britain 1150-1500. Cambridge: Cambridge UP, 1993.
* Bold, Henry. Latine Songs, With their English: and Poems. London: John Eglesfield, 1685.
* Bontoux, Germaine. La Chanson en Angleterre au Temps d’Élisabeth. Oxford: Oxford UP, 1936.
* Bournoulli E., and H. J. Moser, eds. Das Liederbuch des Arnt von Aich. Kassel: Barenreiter, 1930.
* Bowers, Roger. “Early Tudor Courtly Song: An Evaluation of the Fayrfax Book (BL, Additional MS 5465).” 188-212 in Thompson, ed., The Reign of Henry VII.
* Bradner, L. “The Xenophon Translation Attributed to Elizabeth I.” Journal of the Warburg and Courtauld Institutes 27 (1964): 324-326.
* Bradshaw, Henry. The Life of Saint Werburge of Chester. [EETS 88.] C. Horstmann, ed. Early English Text Society: London, 1887.
* Brennan, Michael G. “Two Private Prayers by Queen Elizabeth I.” Notes and Queries [n.s.] 32.1 (1985): 26-28.
* Brooks, Catherine. “Antoine Busnois, Chanson Composer.” Journal of the American Musicological Society 6 [1953]:111-135.
* Brooks, Sarah W. “Some Predecessors of Spenser.” Poet-Lore 1 (1889): 214-23.
* Briggs Collection. Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century.
* Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century. London: Plainsong and Mediæval Music Society, 1891.
* British Library. Catalogue of Additions to the Manuscripts in the British Museum, 1882-1887. London: Trustees of the British Museum, 1889 [repr. 1968].
* ---. Catalogue of Additions to the Manuscripts in the British Museum in the Years 1894-1899. Oxford: Oxford UP, 1969 [repr. of 1901 ed.].
* ---. Index of Manuscripts in the British Library. Cambridge: Chadwyck-Healey, 1984.
* ---. The Manuscript Index of First and Last Lines. Department of Manuscripts of the British Library. (Computer-generated list, accessed Fall 1995).
* Brown, Howard Mayer, ed. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. 2 vols. Chicago: U Chicago P, 1983.
* ---. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, MA: Harvard UP, 1968.
* Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
* Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
* ---. Anne Boleyn. London: Collins, 1972.
* Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
* Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.

## C

* Caldwell, James R., ed. Eger and Grime. Cambridge, MA: Harvard UP, 1933.
* Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan. London: H. M. Stationery Office, 1912.
* Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain. G. A. Bergenroth, et al., eds. London: Longmans, 1862-.
* Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy. Ed. Rawdon Brown. London: Longmans, Green, Reader & Dyer, 1867.
* Calendar of Patent Rolls, Henry VII. London: Public Record Office, 1916.
* Campbell, Lily B., ed. A Mirror for Magistrates [1563]. Cambridge: Cambridge UP, 1938.
* Campion, Thomas. The Works of Thomas Campion: Complete Songs, Masques, and Treatises with a Selection of the Latin Verse. Walter R. Davis, ed. New York: Doubleday, 1967.
* Carley, James P., ed. The Libraries of King Henry VIII. London: British Library, 2000.
* ---, ed., with David Starkey (preface). The Books of King Henry VIII and His Wives. London: British Library, 2004.
* Carpenter, Nan. C. John Skelton. New York: Twayne, 1967.
* ---. “Skelton and Music: Roty Bully Joys.” Review of English Studies 6 (1955): 279-84.
* ---. “Skelton’s Hand in William Cornish’s Musical Parable.” Comparative Literature 22 (1972): 157-72.
* ---. “St. Thomas More and Music: The Epigrams.” Renaissance Quarterly 30 (1977): 24-8.
* ---. “Thomas More and Music: Stanyhurst’s Translation of the Abyngdon Epitaph.” Moreana 62 (1979): 63-8.
* ---. “A Song for All Seasons: Sir Thomas More and Music.” Comparative Literature 33 (1981): 113-36.
* Castiglione, Baldassare. The Book of the Courtier. Charles Singleton, trans. New York: Anchor, 1959.
* Cavendish, George. The Life of Cardinal Wolsey [And metrical visions, from the original autograph manuscript]. Samuel Weller Singer, ed. Chiswick, UK: Harding, Triphook, and Lepard, 1825.
* Caxton, William. The Recuyell of the Historyes of Troye. 2 vols. H. Oskar Sommer, ed. London: D. Nutt, 1894
* ---. The Ryal Book or Book for a Kyng. Westminster: 1484.
* Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies I. 5 vols. Neuhausen-Stuttgart: American Institute of Musicology, 1979-88.
* Chambers Lyrics. Chambers, Edmund K. and F. Sidgwick. Early English Lyrics.
* Chambers Verse. Chambers, Edmund K. The Oxford Book of Sixteenth Century Verse.
* Chambers, Edmund K. Oxford Book of Sixteenth Century Verse. Oxford: Clarendon P, 1932.
* ---. “Sir Thomas Wyatt.” 98-145 in Sir Thomas Wyatt and Some Collected Studies. London: Sidgwick & Jackson, 1933.
* --- and F. Sidgwick. Early English Lyrics. London: A.H. Bullen, 1911.
* Chappell Account. Chappell, William. “Some Account of an Unpublished Collection.”
* Chappell Music. Chappell, William. Old English Popular Music.
* Chappell Popular. Chappell, William. Popular Music of the Olden Time.
* Chappell, William. “Some Account of an Unpublished Collection of Songs and Ballads of King Henry VIII and His Contemporaries.” Archaeologia 41.2 (1866): 371-386.
* ---. Old English Popular Music. [revision by H. Ellis Wooldridge of Popular Music of the Olden Time (1853).] London: Chappell and Co., 1893.
* ---. Popular Music of the Olden Time. [repr of 1859 ed.] New York: Dover Publications, 1965.
* Charlton, E. “Devotional Tracts Belonging to Queen Katherine Parr.” Notes and Queries [ser. 1] 2 (1850): 212.
* Chaucer, Geoffrey. The Riverside Chaucer. Third Edition. Larry D. Benson, gen. ed. Boston: Houghton Mifflin, 1987.
* ---. The workes of Geffray Chaucer newly printed, with dyuers workes neuer in print before. [Thynne’s Chaucer]. W. Thynne, ed. London: T. Godfray, 1532.
* Child, Francis James, ed. Middle English Lyrics and Ballads. [The English and Scottish Popular Ballads.] 10 pts.; 5 vols. London: Henry Stevens & Son, 1882-1898.
* Chrimes, Stanley B. Henry VII. London: Eyre Methuen, 1972.
* Chronicle. Chronicles of White Rose of York.
* Chronicle of Calais. [Supposed author, Richard Turpyn.] Ed. J. G. Nichols. London: Camden Society, 1846.
* Chronicles of White Rose of York: A Series of Historical Fragments, Proclamations, Letters and other Contemporary Documents Relating to the Reign of King Edward the Fourth. London: Bohn, 1900 [repr. 1983].
* Cokayne, G. E., et al. The Complete Peerage. London: St. Catherine P, 1945.
* Coldiron, A.E.B. “Translatio, Translation, and Charles d’Orleans’ Paroled Poetics.” Exemplaria 8 (1996): 169-92.
* Courthope, W.J. “Sir Thomas Wyatt: Originality of Thought: Imitation of Foreign Models of Expression.” 44-67 in A History of English Poetry. Vol. 2: The Renaissance and Reformation: Influence of the Court and of the Universities. London and New York: Macmillan, 1897.
* Coverdale, Miles. Goastly Psalmes and Spiritual Songes. London: 1538.
* Craigie, W.A., ed. The Maitland Quarto Manuscript. Scottish Text Society n.s. 9. Edinburgh: Scottish Text Society, 1920.
* ---, ed. The Maitland Folio Manuscript. Scottish Text Society n.s. 7 (v.1), 20 (v.2). Edinburgh: Scottish Text Society, 1919, 1927.
* Crum. Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Also Addenda.
* Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Oxford: Clarendon, 1969. Also Addenda. Card Catalogue [Duke Humphrey, Bodleian, Oxford].
* CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
* CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
* CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.

## D

* Davies. Davies, Reginald T., ed. Medieval English Lyrics.
* Davies, Reginald T. Medieval English Lyrics. London: Faber and Faber, 1963.
* D’Accone, Frank A. “Some Neglected Composers in the Florentine Chapels, ca. 1475-1525.” Viator 1 (1970): 263-88.
* Dearmer. Dearmer, Percy, et al. Oxford Book of Carols.
* Dearmer, Percy, et al. Oxford Book of Carols. Oxford: Oxford UP, 1938.
* De Boom, Ghislaine. Margarite d’Autriche-Savoie et la Pre-Renaisance. Paris: Librarie E-Droz, 1935.
* De Iongh, Jane. Margaret of Austria: Regent of the Netherlands. Trans. M. D. Herter Norton. London: Jonathan Cape, 1954.
* De Marchi, Luigi. “L’Influenza della Lirica Italiana sulla Lirica Inglese nel Secolo XVI (Sir Tommaso Wyatt).” Nuovo Antologia [ser. 3] 50 (1895): 136-55.
* Dixon, William H. A History of Two Queens. London: Hurst and Blackett, 1873.
* Doelman, James. “The Accession of King James I and English Religious Poetry.” Studies in English Literature, 1500-1900 34.1 (1994): 19-40.
* Doyle, James E. The Official Baronetage of England. London: Longmans, Green, and Co., 1886.
* Droz, Eugénie, and Geneviève Thibault, eds. Poètes et Musiciens du XVe Siècle. Paris: Champion, 1924.
* Dunbar, William. The Poems of William Dunbar. John Small, ed. London: William Blackwood and Sons, 1893.
* Dunn, Leslie. “The Lyric: (ii) Poetry and Song.” 107-20 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
* Du Saar, J. Het Leven en de Composities van Jacobus Barbireau. Utrecht: W. de Hann, 1946.
* Dyboski. Dyboski, Roman, ed. Songs, Carols, and other Miscellaneous Poems.
* Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.

## E

* Edward VI. Chronicle and Political Papers. W.K. Jordan, ed. Ithaca: Cornell UP for Folger Shakespeare Lib., 1966.
* ---. Literary Remains of Edward VI. John G. Nichols, ed. London: Roxeburghe Club, 1857.
* Edwards, H.L.R. Skelton: The Life and Times of an Early Tudor Poet. London: Jonathan Cape, 1949.
* Elizabeth I. Elizabeth I: Collected Works. Janel Mueller, Leah H Marcus, and Mary Beth Rose, eds. Chicago and London: U Chicago P, 2000.
* ---. Elizabeth I: Autograph Compositions and Foreign Language Originals. Janel Mueller and Leah H Marcus, eds. Chicago and London: U Chicago P, 2003.
* ---. The Glass of the Sinful Soul [1544]. Oxford, Bodleian Library Cherry MS 36. Ptd. A godly medytacyon of the christen sowle, concerninge a loue towardes God and hys Christe, compyled in frenche by lady Margarete quene of Nauerre, and aptely translated into Englysh by the ryght vertuouse lady Elyzabeth doughter to our late souerayne Kynge Henri the. viij. Wesel, Germany: Dirik van der Straten, 1548. MS. facs. 145-269, transcr. 111-44 in Marc Shell, ed. Elizabeth’s Glass. Lincoln, NB: U of Nebraska P, 1993.
* —--. The Poems of Queen Elizabeth I. Leicester Bradner, ed. Providence, RI: Brown UP, 1964.
* ---. Queen Elizabeth’s Englishings. [Early English Text Society o.s. 113.] Caroline Pemberton, ed. London: EETS, 1899.
* Ellis, H. Original Letters Illustrative of English History. [Third Series.] London: Richard Bently, 1846.
* Elton, G. R. England Under the Tudors. London: Routledge, 1974.
* Elyot, Thomas. The Governour. London: Everyman’s Library, 1907.
* Englands Helicon. London: I. R. for Iohn Flasket, 1600.
* Erdman, David V. “The Signature of Style.” 45-68 in Erdman and Fogel.
* Erdman, David V., and Ephim G. Fogel. Evidence for Authorship: Essays on Problems of Attribution. Ithaca, New York: Cornell UP, 1966.
* Evans, Joan. English Art, 1307-1461. Oxford: Clarendon P, 1949.
* Excerpta Historica. London: Samuel Bentley, 1831.

## F

* von Fallersleben, Hoffmann. Antwerpener Liederbuch vom Jahre 1544 (Horae Belgicae [part] XI). Hanover, 1855. 222-224.
* Fallows, David. “Henry VIII as Composer.” 27-39 in C. Banks, et al., eds. Sundry Sorts of Music Books: Essays in the British Library Collections Presented to O.W. Neighbour on his 70th Birthday. London: British Library, 1993.
* ---. “The Drexel Fragments of Early Tudor Song.” Research Chronicle [Royal Musical Association] 26 (1993): 5-18.
* ---. A Catalogue of Polyphonic Songs, 1415-1480. Oxford: Oxford UP, 1999.
* Fano, Fabbio, ed. Heinrich Isaac: Messe. Archivium Musices Metropolitanum Mediolanese. 10 vols. Milan: Veneranda Fabbrica del Duomo, 1962.
* Fellowes, E.H., ed. English Madrigal Verse, 1588-1632. Third edition. Oxford: Clarendon P, 1967.
* Feylde, Thomas. Here begynneth a lytel treatyse called the cotrauerse bytwene a louer and a Iaye. London: Wynkyn de Worde, [1527].
* Fletcher, John, and Francis Beaumont. Comedies and Tragedies Written by Francis Beaumont and Iohn Fletcher. London: [For] Humphrey Robinson, et al., 1647.
* Fletcher, John. The Humorous Lieutenant. In Fletcher, John, and Francis Beaumont. Comedies and Tragedies Written by Francis Beaumont and Iohn Fletcher.
* Flügel Anglia. Flügel, Ewald. “Liedersammlungen des XVI. Jahrhunderts, Besonders aus der Zeit Heinrich’s VIII.”
* Flügel Neuengl. Flügel, Ewald. Neuenglisches Lesebuch.
* Flügel, Ewald. “Liedersammlungen des XVI. Jahrhunderts, Besonders aus der Zeit Heinrich’s VIII.” Anglia 12 (1889): 225-72.
* ---. Neuenglisches Lesebuch. Halle: Max Niemeyer, 1895.
* ---. “Die Proverbes von Lekenfield und Wresil.” Anglia 14 [1891-2]: 471-97.
* Flügel, J.C. “On the Character and Married Life of Henry VIII.” 124-49 in Bruce Mazlish, ed. Psychoanalysis and History. Englewood Cliffs, NJ: Prentice Hall, 1963.
* Fox, Alistair. Politics and Literature in the Reigns of Henry VII and Henry VIII. Oxford: Basil Blackwell, 1989.
* Fox, Charles Warren. “Barbireau and Barbingant: A Review.” The Journal of the American Musicological Society 13 (1960): 79-101.
* Foxwell. Wyatt, Thomas. The Poems of Sir Thomas Wiat. (A.K. Foxwell, ed.).
* Francon, Marcel, ed. Albums Poetiques de Margeurite d’Autriche. Cambridge, MA: Harvard UP, 1934.
* Fraser, Antonia. The Six Wives of Henry VIII. London: Weidenfeld & Nicolson, 1992.
* Friedman, Paul. Anne Boleyn. London: MacMillan, 1884.
* Furnivall. Laneham, Robert. Captain Cox. (F. J. Furnivall, ed.).
* Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.

## G

* Geering, Arnold, ed. Das Liederbuch des Johannes Heer von Glarus. Schweizerische Musikdenkmäler V. Basel: Renate Lickteig, 1967.
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* George, Margaret. The Autobiography of Henry VIII. London: Macmillan, 1986.
* Gérold, Théodore. Le Manuscrit de Bayeaux. Stasbourg: Commission des Publications de la Faculté des Lettres, 1921.
* Gibbon, J.M. Melody and the Lyric from Chaucer to the Cavaliers. London: J.M Dent, 1930.
* Girvan, R., ed. The Consail and Teiching at the Vys Man Gaif his Sone. 66-79 in R. Girvan, ed. Ratis Raving and Other Early Scots Poems on Morals. Edinburgh: Scottish Text Society, 1939.
* Goldberg, Jonathan. “The Poet’s Authority: Spenser, Jonson, and James VI and I.” Genre 15.2-3 (1982): 81-99.
* Gombosi, Otto. Jacob Obrecht: Eine Stilkritische Studie. Leipzig: Breitkopf & Hartel, 1925.
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* Gooch, Bryan N.S., and David Thatcher, eds. A Shakespeare Music Catalogue. 5 vols. Oxford: Clarendon P, 1991.
* Goodwyn, Christopher. Here begynneth a lytell prosses or matter called the chaunce of the dolorous louer. [London]: [Wynkyn de Worde], 1520.
* Gratton Flood, W.H. Early Tudor Composers. London: Oxford UP, 1925.
* Green, Richard F. Poets and Princepleasers: Literature and the English Court in the Late Middle Ages. Toronto: U of Toronto P, 1980.
* Greenblatt, Stephen. Renaissance Self-Fashioning from More to Shakespeare. Chicago: U of Chicago P, 1980.
* Greene. Greene, Richard L. The Early English Carols.
* Greene, Richard L. The Early English Carols. Oxford: Clarendon P, 1935.
* ---. “Wyatt’s ‘I am as I am’ in Carol-Form.” Review of English Studies 15 (1964): 175-80.
* ---. “A Carol of Anne Boleyn By Wyatt.” Review of English Studies 25 (1974): 438.
* Greetham, D.C. Textual Scholarship: An Introduction. New York and London: Garland P, 1994.
* ---. “Textual Forensics.” Publications of the Modern Language Association 111 (1996): 32-51.
* Gunn, S.J. Charles Brandon, Duke of Suffolk. New York: Blackwell, 1988.
* ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.

## H

* Hadow, W.H., ed. The Oxford History of Music. Oxford: Clarendon P, 1905.
* Hall, Edward. Hall’s Chronicle. London: J. Johnson, et al., 1809.
* Hamm, Charles, gen. ed. Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400 - 1550. Neuhausen-Stuttgart: Hänssler-Verlag [American Institute of Musicology], 1979-.
* Harrington, John. “Letter from Sir John Haryngton, to Prince Henry, 1609.” 2.246-9 in Henry Harrington, ed. Nugæ Antiquæ: Being a Miscellaneous Collection of Original Papers in Prose and Verse. 2 vols. London: W. Frederick, 1775.
* Harrison, F. Ll. Music in Medieval Britain. London: Routledge and Paul, 1958.
* Harvey, Gabriel. Pierces Supererogation or A New Prayse of the Old Asse [1593]. Vol. 2 of A.B. Grosart, ed. The Complete Works of Gabriel Harvey. New York: AMS P, 1966.
* Haslewood, Rev. Francis. The Parish of Benenden, Kent: Its Monuments, Vicars, and Persons of Note. Ipswitch: [Privately Printed], 1889.
* Hathaway, Michael. “Marginalia of Henry VIII in his copy of the Bokes of Salomon.” Transactions of the Cambridge Bibliographical Society 4 (1965): 166-70.
* Hawes, Stephen. The comforte of louers. London: Wynkyn de Worde, [1512].
* Hawes, Stephen. The Pastime of Pleasure. William Edward Mead, ed. London: Oxford UP [for EETS], 1928 [for 1927].
* Hawkins, Sir John. A General History of the Science and Practice of Music. 5 vols. London: 1776. Repr. New York: Dover P, 1963.
* Hazlitt, W.C., and R. Dodsley, eds. A Select Collection of Old Plays. 4th ed.; 15 vols. London: 1874-6.
* Heale, Elizabeth. “Women and the Courtly Love Lyric: The Devonshire MS (BL Additional MS 17492).” Modern Language Review 90 (1995): 296-313.
* Hearne. Hearne, Thomas, ed. Joannis Rossi Antiquarii Warwicensis Historia Regum Angliae.
* Hearne, Thomas, ed. Joannis Rossi Antiquarii Warwicensis Historia Regum Angliae. Oxford: [at the Sheldonian], 1716.
* Hebel. Hebel, J. William, et al. Tudor Poetry and Prose.
* Hebel and Hudson. Hebel, J. William, and H.H. Hudson. Poetry of the English Renaissance.
* Hebel, J. William, and H.H. Hudson. Poetry of the English Renaissance. New York: Appleton Century Crofts, 1929 [repr. 1957].
* ---, et al. Tudor Poetry and Prose. New York: Appleton Century Crofts, 1953.
* Helms, Dietrich. Heinrich VIII und die Musik: Uberlieferung, musikalische Bildung des Adels und Kompositionstechniken eines Konigs. Eisenach: Wagner, 1998.
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* ---. Love-letters from King Henry VIII. to Anne Boleyn. Thomas Hearne, ed. London: J. Churchill, 1714.
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## I

* Ives, E.W. Anne Boleyn. Oxford: Basil Blackwell, 1986.

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* J., W.H. “Henry VIII: Verses.” Notes and Queries 165 (1933): 299.
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## N

* National Library of Scotland. Catalogue of Manuscripts Acquired Since 1925. Edinburgh: National Library of Scotland, 1989.
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## T

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## V

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## Y

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