OpenLLM-France/wikimedia huggingface dataset:
# Development Cooperation Handbook/Communication Skills/Encouraging Openness

Openness Openness refers to the transparent disclosure of information, including negative information and the sharing of feelings and opinions regarding the organization and its activities. Transparent communication in terms of expressing your ideas and feelings through verbal channels in organizations has led to higher production and better performance within the organization. (However, simply “showing” feelings and not discussing them openly, is viewed as dysfunctional and can be very counter productive.)
There are several things that can be done to improve openness within the organization. To encourage openness:
* Establish Two-Way Communication. Establish genuine two-way communication within the ranks of management, between management and employees, and among employees themselves.
* mprove Accessibility. Improve management’s accessibility to employees especially in terms of listening. People will be more open if they feel they have a non-judgmental, trustworthy audience.
* Establish a Welcoming Climate. Establish a climate that welcomes the new and the different and be open to hearing all ideas.
* ·Reward Creativity. Offer obvious and visible benefits for both employees and management who have shared creative new ideas.
* Solicit and Accept Criticism. Be open to and accept criticism without becoming defensive (we all have room for improvement here).
* Show Genuine Sensitivity. Show a genuine sensitivity to employees and a willingness to grapple with employee problems and difficulties.
Remember, if employees perceive your organizations climate as weak, then it is likely that the communication climate within the organization will also be poor. Both organizational and communication climate influence how employees handle important organizational information. If the climate is strong and positive, employees are more inclined to pass along organizational messages in more positive and effective ways. Additionally, as we have seen, a positive communication climate fosters employee motivation, commitment, and productivity.
The second critical element of being an effective communicator/motivator is promoting understanding. Promoting understand includes how information is disseminated throughout the organization, but begins with listening.
# Chess Opening Theory/1. d4/1...d5/2. c4/2...c6/3. Nc3/3...dxc4/4. e3/4...b5/5. Nxb5/5...cxb5/6. Qf3/6...Qc7/7. Qxa8/7...Bb7/8. Qxa7/8...e6
## 8...e6

After this, Bb4+ is threatened and the queen is trapped on a7. Nc6, winning the queen, is also threatened. The only way to avoid loss of the queen is Bxc4 or, but after Bb4+ Bd2 Bxd2+ Kxd2 Bxc4, Black has two minor pieces for a rook and an attack, and he is close to winning. White's king will never leave the center, and it will be an inviting target for the rest of the game. However, e5 is better, as now d5 Bc5 d6 Bxd6 Qd4 an interesting try. If e5, Qd4 is impossible and the queen is trapped.
# Chess Opening Theory/1. d4/1...d5/2. c4/2...c6/3. Nf3/3...Nf6/4. Nc3/4...Bf5
## 4...Bf5?!

This move looks natural, but it allows the annoying cxd5 cxd5 Qb3, losing a pawn if the bishop does not retreat to c8.
When contributing to this Wikibook, please follow the Conventions for organization.
# Slav accepted 4. ... dxc4

Moves: 1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3 dxc4
Black finally takes the sacrificial pawn with dxc4. This move has about half the popularity of the main line e6. It threatens a pawn advance onto White's queenside. White usually plays 5. a4 to defend against 5 .. b5 which cements Black's hold on this side of the board and threatens a pawn advance onto White's queenside.

## Theory table

1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3 dxc4
| | 5 |
| Alapin variation | a4 ... | = |
| Slav gambit | e4 ... | = |
| Alekhine variation | e3 ... | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# Slav Defence
### 3...Nf6

Moves: 1. d4 d5 2. c4 c6 3. Nf3 Nf6
Black plays the natural developing move Nf6, which is invariably the best square for the black knight in the Slav. On f6, the knight exerts control over the e4 square as well as re-inforcing protection of the d5 square.

## Theory table

For explanation of theory tables, see theory table and for notation, see algebraic notation. .
1.d4 d5 2.c4 c6 3.Nf3 Nf6
| | 4 |
| | Nc3 e6 | = |
| | e3 e6 | = |
| Exchange Variation D13 | | cxd5 - | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# Chess Opening Theory/1. d4/1...d5/2. c4/2...c6/3. Nc3/3...dxc4/4. e3/4...b5/5. a4
## 5.a4

This move tries to attack Black's queenside and lure it to it's doom. b4 is almost universally played after this, as if Qa5, the queen is exposed. b4 tries to boot the knight into oblivion and disrupt White's queenside.
# Slav Defence after 4.Nc3

Moves: 1. d4 d5 2. c4 c6 3. Nf3 Nf6 4. Nc3
White develops his other knight onto the c3 square where it increases the pressure on d5 and also exerts control over the e4 square. Although this knight is sometimes developed onto the d2 square by Nbd2, the c3 square is probably slightly preferable since it does not block in white's bishop on c1.

## Theory table

1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3
| | 4 |
| Semi Slav | ... e6 | = |
| | ... g6 | = |
| | ... dxc4 | = |
| | ... a6 | = |
| | ... Qb6 | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* Kasparov, Garry, & Keene, Raymond 1989 Batsford chess openings 2. ISBN 0-8050-3409-9.
# a6 Slav

The move 4...a6 introduces the a6 (or Chebanenko or Chameleon) Slav. Though it seems a small move, it prepares ideas of ...b5 (either to attack White's c4 pawn or to shore up Black's after ...dxc4) and eases the problems of developing Black's light-squared bishop, as now Qb3 can be met with ...Ra7. The weakening of the b6 square, however, invites White to simply push - 5. c5 is the most common response, but White can also play 5. e3, solidifying his d pawn and adding his light-squared bishop to the fight, while accepting 5...b5. Less common are 5. a4, preventing ...b5, and 5. cxd5, releasing the central tension but leaving Black to show what purpose ...a6 now serves.

## Theory table

1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3 a6
| | 5 | 6 |
| a6 Slav | c5 Nbd7 | Bf4 Nh5 | +/= |
| | c5 Bf5 | Bf4 Nbd7 | +/= |
| | e3 b5 | b3 Bg4 | = |
| | a4 e6 | Bg5 Nbd7 | = |
| | cxd5 cxd5 | Bf4 Nc6 | = |
When contributing to this Wikibook, please follow the Conventions for organization.

## References

* ↑ Schandorff, Lars (2009). Playing the Queen's Gambit. Glasgow: Quality Chess UK LLP. p. 164. ISBN 978-1-906552-18-3.
# a6 Slav

White plays 5. c5 (the Advance System) to control the weak b6 square and forestall any ...dxc4 or ...b5 ideas. If he can make this space advantage permanent, he will have a very comfortable game, so Black needs to start planning a pawn break on either b6 or e5. To support this, the main move is 5...Nbd7, developing the queen's knight to its best available square and preparing whichever break Black chooses. The main alternatives are 5...Bf5, developing the bishop before it gets blocked in by ...Nbd7, and 5...g6, preparing a fianchetto. 5...Bg4 is also played occasionally, with the idea of pressuring the e5 square indirectly, but there is no reason White cannot simply occupy it at once with 6. Ne5.

## Theory table

1.d4 d5 2.c4 c6 3.Nf3 Nf6 4.Nc3 a6 5. c5
| | 5 | 6 |
| a6 Slav | ... Nbd7 | Bf4 Nh5 | +/= |
| | ... Bf5 | Bf4 Nbd7 | +/= |
| | ... g6 | Bf4 Bg7 | +/= |
| | ... Bg4 | Ne5 Bf5 | +/− |
When contributing to this Wikibook, please follow the Conventions for organization.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. Nxa7/9...Kd8/10. Nxc8

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
10...Qxg2 is a crucial intermezzo, as recapturing the knight will allow White to get the thematic f4 move in.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
9...Qxf4 is the main line, because why not take a pawn if White's going to leave them lying around.
9...Qh4+ is similar to the main line, in that the Black queen ends up on h3 via h4 in both lines, except without the bonus of having taken a pawn. A pawn is a pawn!
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4/10. Ne5/10...c6/11. d4/11...Qh4/12. g3

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
There's only one square for the Black queen: 12...Qh3.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
White now has the simple plan of establishing a knight on e5 guarded by a pawn on d4 (which isn't going to get taken en passant because it'll go there with a discovered attack on the Black queen). The two possible ways of carrying out this plan of Ne5 and d4 are (you guessed it):
* 10. Ne5+ followed by 11.d4, and
* 10. d4 followed by 11.Ne5+.
The immediate 10.Ne5+ means that the Black queen will definitely go to h4 after 11.d4, whereas 10.d4 gives it the option of retreating to d6 instead. If she declines that option and goes to h4 anyway, the two lines merge into one.
White still has the Nxa7+ option. What's different about 10. Nxa7+ compared to 9.Nxa7+?
* Black no longer has the option of declining the f4-pawn after 9.f4 Qxf4 10.Nxa7+, as she does after 9.Nxa7+ Bd7 10.Bxd7+ Nxd7 11.f4.
* But Black now has the additional option of 10...Bd7 11.Bxd7+ Kxd7. Recapturing with the king would be a bad idea after 9.Nxa7+ Bd7 10.Bxd7+ because White could trade queens with 11.Qb5+. With f4 and ...Qxf4 inserted, that's not a problem.
On balance, those differences are in Black's favour, so if Nxa7+ is going to be played it's best on move 9 rather than 10.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4/10. Ne5

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
Black needs to defend against the check while keeping the knight on f6 to deny the White queen access to h5.
10...c6 is a sensible move that leaves two White pieces hanging.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. Nxa7/9...Kd8/10. Nxc8/10...Qxg2

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
White has tried both ways of defending the rook:
* 11. Qf1, after which Black can choose between 11...Qf3 and 11...Qxf1 12.Bxf1 Kxc8, and
* 11. Rf1, after which Black can choose between 11...Qxh2 and 11...Kxc8.
If Black doesn't capture the knight while it's on c8, White is going to go Nb6 and ruin Black's queenside pawns. Other than that, the tactics have subsided and Black scores terribly out of the resulting middlegame positions. Even in the line 11.Rf1 Qxh2 12.Nb6 cxb6 where material is level, Black's pawns look silly and White has the bishop pair on a very open board.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4/10. Ne5/10...c6

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
White has two pieces hanging. 11. d4! defends one and gains a free tempo to move the other.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4/10. Ne5/10...c6/11. d4/11...Qh4

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
As the b5-bishop is still hanging, 12. g3 is necessary to deny Black the crucial tempo to capture it.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. Nxa7/9...Kd8

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
10. Nxc8 is the only move to save the knight, since White can't vacate the b5 square with tempo.
# Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...f5/4. Nc3/4...fxe4/5. Nxe4/5...d5/6. Nxe5/6...dxe4/7. Nxc6/7...Qg5/8. Qe2/8...Nf6/9. f4/9...Qxf4/10. Ne5/10...c6/11. d4

| | a | b | c | d | e | f | g | h | |
| 8 | | | | | | | | | 8 |
| 7 | | | | | | | | | 7 |
| 6 | | | | | | | | | 6 |
| 5 | | | | | | | | | 5 |
| 4 | | | | | | | | | 4 |
| 3 | | | | | | | | | 3 |
| 2 | | | | | | | | | 2 |
| 1 | | | | | | | | | 1 |
| | a | b | c | d | e | f | g | h | |
With 11...Qh4+ Black's queen gets off the open f-file and attempts to win a tempo to capture the b5-bishop.
# Character Encodings/Code Tables/EBCDIC/EBCDIC 032

IBM code page 32 (CCSID 32) is an EBCDIC code page used in IBM mainframes in the Czech Republic to support the Czech language.

## Codepage layout

Characters are shown with their equivalent Unicode codes.
EBCDIC 032 :
| | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F |
| 0x | NUL | SOH | STX | ETX | SEL | HT | RNL | DEL | GE | SPS | RPT | VT | FF | CR | SO | SI |
| 1x | DLE | DC1 | DC2 | DC3 | RES/ ENP | NL | BS | POC | CAN | EM | UBS | CU1 | IFS | IGS | IRS | ITB |
| 2x | DS | SOS | FS | WUS | BYP/ INP | LF | ETB | ESC | SA | SFE | SM/ SW | CSP | MFA | ENQ | ACK | BEL |
| 3x | | | SYN | IR | PP | TRN | NBS | EOT | SBS | IT | RFF | CU3 | DC4 | NAK | | SUB |
| 4x | SP | | | | | | | | | | | . 002E | é 00E9 | | + 002B | ! 0021 |
| 5x | ú 00FA | | | | | | | | | | ě 011B | š 0161 | ů 016F | | | ˇ 02C7 |
| 6x | - 002D | / 002F | | | | | | | | | č 010D | , 002C | | _ 005F | § 00A7 | ? 003F |
| 7x | | | | | | | | | | ´ 00B4 | : 003A | ř 0159 | ž 017E | ` 0060 | = 003D | " 0022 |
| 8x | | a 0061 | b 0062 | c 0063 | d 0064 | e 0065 | f 0066 | g 0067 | h 0068 | i 0069 | | | | | | |
| 9x | | j 006A | k 006B | l 006C | m 006D | n 006E | o 006F | p 0070 | q 0071 | r 0072 | | | | | | |
| Ax | | ¨ 00A8 | s 0073 | t 0074 | u 0075 | v 0076 | w 0077 | x 0078 | y 0079 | z 007A | | | | | | |
| Bx | | | | | | | | | | | | | | | | |
| Cx | ý 00FD | A 0041 | B 0042 | C 0043 | D 0044 | E 0045 | F 0046 | G 0047 | H 0048 | I 0049 | | | | | | |
| Dx | á 00E1 | J 004A | K 004B | L 004C | M 004D | N 004E | O 004F | P 0050 | Q 0051 | R 0052 | | | | | | |
| Ex | í 00ED | | S 0053 | T 0054 | U 0055 | V 0056 | W 0057 | X 0058 | Y 0059 | Z 005A | | | | | | |
| Fx | 0 0030 | 1 0031 | 2 0032 | 3 0033 | 4 0034 | 5 0035 | 6 0036 | 7 0037 | 8 0038 | 9 0039 | | | | | | EO |
| Differences from EBCDIC 500 |||||||||||||||||

## References

* ↑ "Code Page 32" (PDF). Archived from the original (PDF) on 2013-01-21.
# Character Encodings/Code Tables/EBCDIC/EBCDIC 033

IBM code page 33 (CCSID 33) is an EBCDIC code page used in IBM mainframes in the Czech Republic to support the Czech language.

## Codepage layout

Characters are shown with their equivalent Unicode codes.
EBCDIC 033 :
| | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F |
| 0x | NUL | SOH | STX | ETX | SEL | HT | RNL | DEL | GE | SPS | RPT | VT | FF | CR | SO | SI |
| 1x | DLE | DC1 | DC2 | DC3 | RES/ ENP | NL | BS | POC | CAN | EM | UBS | CU1 | IFS | IGS | IRS | ITB |
| 2x | DS | SOS | FS | WUS | BYP/ INP | LF | ETB | ESC | SA | SFE | SM/ SW | CSP | MFA | ENQ | ACK | BEL |
| 3x | | | SYN | IR | PP | TRN | NBS | EOT | SBS | IT | RFF | CU3 | DC4 | NAK | | SUB |
| 4x | SP | | | | | | | | | | ˚ 02DA | . 002E | é 00E9 | ( 0028 | + 002B | ! 0021 |
| 5x | ú 00FA | | | | | | | | | | ě 011B | š 0161 | ů 016F | ) 0029 | ; 003B | ˇ 02C7 |
| 6x | - 002D | / 002F | | | | | | | | | č 010D | , 002C | % 0025 | _ 005F | § 00A7 | ? 003F |
| 7x | | | | | | | | | | ´ 00B4 | : 003A | ř 0159 | ž 017E | ` 0060 | = 003D | " 0022 |
| 8x | | a 0061 | b 0062 | c 0063 | d 0064 | e 0065 | f 0066 | g 0067 | h 0068 | i 0069 | | | | | | |
| 9x | | j 006A | k 006B | l 006C | m 006D | n 006E | o 006F | p 0070 | q 0071 | r 0072 | | | | | | |
| Ax | | ¨ 00A8 | s 0073 | t 0074 | u 0075 | v 0076 | w 0077 | x 0078 | y 0079 | z 007A | | | | | | |
| Bx | | | | | | | | | | | | | | | | |
| Cx | ý 00FD | A 0041 | B 0042 | C 0043 | D 0044 | E 0045 | F 0046 | G 0047 | H 0048 | I 0049 | | | | | | |
| Dx | á 00E1 | J 004A | K 004B | L 004C | M 004D | N 004E | O 004F | P 0050 | Q 0051 | R 0052 | ³ 00B3 | | | | | |
| Ex | í 00ED | | S 0053 | T 0054 | U 0055 | V 0056 | W 0057 | X 0058 | Y 0059 | Z 005A | ² 00B2 | | | | | |
| Fx | 0 0030 | 1 0031 | 2 0032 | 3 0033 | 4 0034 | 5 0035 | 6 0036 | 7 0037 | 8 0038 | 9 0039 | | | | | | EO |
| Differences from EBCDIC 500 |||||||||||||||||

## References

* ↑ "Code Page 33" (PDF). Archived from the original (PDF) on 2013-01-21.
# Character Encodings/Code Tables/EBCDIC/EBCDIC 038

IBM code page 38 (CCSID 38) is an EBCDIC code page with full ASCII used in IBM mainframes.

## Codepage layout

Characters are shown with their equivalent Unicode codes.
EBCDIC 038 :
| | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F |
| 0x | NUL | SOH | STX | ETX | SEL | HT | RNL | DEL | GE | SPS | RPT | VT | FF | CR | SO | SI |
| 1x | DLE | DC1 | DC2 | DC3 | RES/ ENP | NL | BS | POC | CAN | EM | UBS | CU1 | IFS | IGS | IRS | ITB |
| 2x | DS | SOS | FS | WUS | BYP/ INP | LF | ETB | ESC | SA | SFE | SM/ SW | CSP | MFA | ENQ | ACK | BEL |
| 3x | | | SYN | IR | PP | TRN | NBS | EOT | SBS | IT | RFF | CU3 | DC4 | NAK | | SUB |
| 4x | SP | | | | | | | | | | [ 005B | . 002E | < 003C | ( 0028 | + 002B | ! 0021 |
| 5x | & 0026 | | | | | | | | | | ] 005D | $ 0024 | * 002A | ) 0029 | ; 003B | ^ 005E |
| 6x | - 002D | / 002F | | | | | | | | | | 007C | , 002C | % 0025 | _ 005F | > 003E | ? 003F |
| 7x | | | | | | | | | | ` 0060 | : 003A | # 0023 | @ 0040 | ' 0027 | = 003D | " 0022 |
| 8x | | a 0061 | b 0062 | c 0063 | d 0064 | e 0065 | f 0066 | g 0067 | h 0068 | i 0069 | | | | | | |
| 9x | | j 006A | k 006B | l 006C | m 006D | n 006E | o 006F | p 0070 | q 0071 | r 0072 | | | | | | |
| Ax | | ~ 007E | s 0073 | t 0074 | u 0075 | v 0076 | w 0077 | x 0078 | y 0079 | z 007A | | | | | | |
| Bx | | | | | | | | | | | | | | | | |
| Cx | { 007B | A 0041 | B 0042 | C 0043 | D 0044 | E 0045 | F 0046 | G 0047 | H 0048 | I 0049 | | | | | | |
| Dx | } 007D | J 004A | K 004B | L 004C | M 004D | N 004E | O 004F | P 0050 | Q 0051 | R 0052 | | | | | | |
| Ex | \ 005C | | S 0053 | T 0054 | U 0055 | V 0056 | W 0057 | X 0058 | Y 0059 | Z 005A | | | | | | |
| Fx | 0 0030 | 1 0031 | 2 0032 | 3 0033 | 4 0034 | 5 0035 | 6 0036 | 7 0037 | 8 0038 | 9 0039 | | | | | | EO |
| Differences from EBCDIC 500 |||||||||||||||||

## References

* ↑ "Code Page 38" (PDF). Archived from the original (PDF) on 2013-01-21.
# Character Encodings/Code Tables/EBCDIC/EBCDIC 036

IBM code page 36 (CCSID 36) is an EBCDIC code page used in IBM mainframes in Romania to support the Romanian language.

## Codepage layout

Characters are shown with their equivalent Unicode codes.
EBCDIC 036 :
| | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F |
| 0x | NUL | SOH | STX | ETX | SEL | HT | RNL | DEL | GE | SPS | RPT | VT | FF | CR | SO | SI |
| 1x | DLE | DC1 | DC2 | DC3 | RES/ ENP | NL | BS | POC | CAN | EM | UBS | CU1 | IFS | IGS | IRS | ITB |
| 2x | DS | SOS | FS | WUS | BYP/ INP | LF | ETB | ESC | SA | SFE | SM/ SW | CSP | MFA | ENQ | ACK | BEL |
| 3x | | | SYN | IR | PP | TRN | NBS | EOT | SBS | IT | RFF | CU3 | DC4 | NAK | | SUB |
| 4x | SP | | | | | | | | | | Ă 0102 | . 002E | ş 015F | ( 0028 | + 002B | ! 0021 |
| 5x | & 0026 | | | | | | | | | | Â 00C2 | $ 0024 | ţ 0163 | ) 0029 | ; 003B | ¸ 00B8 |
| 6x | - 002D | / 002F | | | | | | | | | î 00EE | , 002C | % 0025 | _ 005F | Ş 015E | ? 003F |
| 7x | | | | | | | | | | ` 0060 | : 003A | £ 00A3 | Ţ 0162 | ´ 00B4 | = 003D | " 0022 |
| 8x | | a 0061 | b 0062 | c 0063 | d 0064 | e 0065 | f 0066 | g 0067 | h 0068 | i 0069 | | | | | | |
| 9x | | j 006A | k 006B | l 006C | m 006D | n 006E | o 006F | p 0070 | q 0071 | r 0072 | | | | | | |
| Ax | | ¨ 00A8 | s 0073 | t 0074 | u 0075 | v 0076 | w 0077 | x 0078 | y 0079 | z 007A | | | | | | |
| Bx | | | | | | | | | | | | | | | | |
| Cx | ă 0103 | A 0041 | B 0042 | C 0043 | D 0044 | E 0045 | F 0046 | G 0047 | H 0048 | I 0049 | | | | | | |
| Dx | â 00E2 | J 004A | K 004B | L 004C | M 004D | N 004E | O 004F | P 0050 | Q 0051 | R 0052 | ³ 00B3 | | | | | |
| Ex | Î 00CE | | S 0053 | T 0054 | U 0055 | V 0056 | W 0057 | X 0058 | Y 0059 | Z 005A | ² 00B2 | | | | | |
| Fx | 0 0030 | 1 0031 | 2 0032 | 3 0033 | 4 0034 | 5 0035 | 6 0036 | 7 0037 | 8 0038 | 9 0039 | | | | | | EO |
| Differences from EBCDIC 500 |||||||||||||||||

## References

* ↑ "Code Page 36" (PDF). Archived from the original (PDF) on 2013-01-21.