OpenLLM-France/wikimedia huggingface dataset:
# The Devonshire Manuscript/whan that I call vnto my mynde

* ←patiens for I have wrong / || width="200" align="right" | To make an ende of all this strif→
* The Devonshire Manuscript facsimile 82v
* The Devonshire Manuscript facsimile 83r
f. [82v] 1 whan that I call vnto my mynde 2 the tyme of hope that ons I hade 3 the grete abuse that ded me blinde 4 dothe force me allwaies to be sad 5 yet of my greef I fayne me glad 6 but on assurid I was to bolde 7 to truste to such a slippre{p'} holde / 8 I thought yt well that I had wrought 9 willing forthewith{w+t+} so to ensue 10 but he that sekis as I have sought 11 shall finde most trust oft tymes vntrue 12 for lest I reckte that most I rue 13 of that I thought my silf most sure 14 ys nowe the wante of all my cure / f. [83r] 15 Amiddes{es} my welthe I dede not reke 16 but sone alas or that I wiste 17 to weake the tyme was come that[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{th}+t+}]] all toweake 18 I had no powre to to resiste 19 nowe am I prof . to . them that liste 20 to flee suche woo . and wrongfull paine 21 as in my herte I doo sustayne / 22 for faynid faithe is alwaies free 23 and dothe inclyne to bee vniuste 24 that sure I thinck there can{_a}n none bee 25 to miche assurid with{w+t+}out mistruste 26 but hap what maye. to theim that muste 27 Sustaine suche cruell destenye 28 wythe patiens for remedye / 29 As I am on biche bye restrainte 30 abides the tyme of my reto$^r$ne 31 yn hope that fortune bye my playnte 32 burn wyll slake the fire wherewith{w+t+} I bo$^r$urne 33 sins no waies els maye ser[[The Devonshire Manuscript/Appendix_I:_Paleographic_Features|{{s}8}]]ue my to$^r$ne 34 yet for the dowt of this distresse 35 I aske but right for my redresse / fs

## Commentary

Attributed to Sir Thomas Wyatt, this poem was entered by H8. In this poem, the speaker feels disappointed by someone who appeared faithful but is really untrue. Similar to many courtly love lyrics, this poem can be interpreted as commenting on both love and politics. This poem is one of a several entries in the manuscript that speaks of counterfeiting feelings in public (for instance, see: “Sum summ say I love sum say I moke” (58v), “In places Wher that I company” (62r), "I ame not she be prowess off syt" (65r), “Myght I as well within my song be lay” (65v), “To cowntarffete a mery mode” (65v), and “Ceaser whan the traytor of egipte” (70r)).

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 245-46.
# The Devonshire Manuscript/what nedythe lyff when I requyer

* ←how shold I || width="200" align="right" | and thys be thys ye may→
* The Devonshire Manuscript facsimile 43v
* The Devonshire Manuscript facsimile 44r
f. [43r] What nedythe lyff when I$^1$ f. [43v] 1 what nedythe lyff when I requyer 2 nothyng but dethe to quenche my payn 3 ffast fflyethe away that I desyer 4 and doubele soros returne agayn 5 by prowff I se beffor$^2$ myne neyne 6 another hathe that ons was myne 7 that I was wont to hawe in hold 8 ys slypt away fful sodenly 9 and crafftely I am wythe hold 10 ffrom all my lyff and leberty 11 so that ^$^3$$^I$ se beffor myne neyne 12 another hathe that ons was myne 13 yt ys no newes to ffynd I know 14 ffor ffaythffullnes to ffynd vntruth 15 but I parseve the wynd doth blow 16 a craffty way to clok the trewth 17 by wych I se beffor myne neyne 18 Another hath that ons was myne 19 a proverbe old I hawe hard offte 20 that a lyght love lyghtly doth go$^4$ 21 now am I lowe that was a lofftte 22 that was my ffrend ys now my ffo 23 so that I se beffor myne neyne 24 another hathe that ons was myne f. [44r] 25 sens ryght with{w+t+} worong hath hes reward 26 and ffayned ffayth dothe truthe opresse 27 I let yt passe and yt regrad regard 28 as I hawe case no mor nor les 29 becase I se beffor myne neyne 30 another has that ons was myne 31 What hart cowld thynk mor then was thoght$^5$ 32 or tong cowld spek mor then was spok$^6$ 33 yet what ffor that all was ffor naght 34 ffor he ys gone and slept the knot$^7$ 35 wharby I se beffor my yen Another 36 another haws that ons was myn

## Notes & Glosses

1. This is the first line of the poem on 43r, and has been crossed-out as if the scribe realized his or her error.
 2. It is possible that the link between "be" and "ffor" to create "beffor" was added later.
 3. The caret is inverse.
 4. This saying may be a proverb.
 5. The hand is greatly enlarged, from this point on to the end of the page. Possibly, the writer became tired or changed the pen (or nib), which may have forced a larger hand.
 6. A large ink smudge sweeps through the previous two lines, nearly obliterating "tho" and "spok."
 7. This phrase is resonant.

## Commentary

Written in Margaret Douglas' hand, this poem remains unattributed and is unique to this manuscript. "What nedythe lyff when I requyer" addresses the issue of friends becoming foes, which was a common theme throughout the manuscript. For instance, “Pacyence of all my smart” (21r) describes a similar situation among friends, and “Greting to you bothe yn hertye wyse” (79r-79v) includes a warning to beware of false friends.
The first line of this poem appears alone on 43r (above) and is crossed out, as if the copier realized that there would not be enough room to copy the entire lyric. The six stanzas spread out over 43v and 44r. Douglas' writing becomes enlarged as she continues copying the lyric, and ink blots appear on the page. Left-handedness may account for the ink blots, as they occur often in her writing.
# The Devonshire Manuscript/what shulde I saye

* ←lament my losse my labor and my payne || width="200" align="right" | howe shulde I→
* The Devonshire Manuscript facsimile 77r
f. [77r] 1 what shulde I saye 2 sins faithe is dede 3 and truthe awaye 4 from{_o} you ys fled 5 shulde I be led 6 with{w+t+} doblenesse 7 naye naye mistresse / 8 I pro{p3}miside you 9 & you pro{p3}misid me 10 to be as true 11 as I wolde bee 12 but sins I se yo$^r$ dobl 13 yo$^r$ doble herte 14 farewell my parte 15 Though for to take 16 yt ys not my minde 17 but to forsake 18 and as I finde 19 so will I truste 20 fare well oniuste 21 Can{_a}n ye saye nay 22 but you saide 23 that I all waye 24 shulde be obeide 25 and thus betraide 26 or that I wiste 27 fare well onkiste fs

## Commentary

This poem, attributed to Sir Thomas Wyatt, was entered by H8. The speaker laments over his double-hearted lady and her faithlessness.
H8 combines lines 5 and 6 together in order to make 26 graphical lines out of 27 poetical lines.

#### Works Cited

* ↑ R.A. Rebholz, ed. Sir Thomas Wyatt: The Complete Poems. London: Penguin, 1978. 301-02.
# The Devonshire Manuscript/when I bethynk my wontet ways

* ←My hope is yow for to obtaine, || width="200" align="right" | O myserable sorow withowten cure→
* The Devonshire Manuscript facsimile 58r
* The Devonshire Manuscript facsimile 57v 57-1r 57-1v 57-2 r57-2v 57-3r 57-3v 57-4r 57-4v
f. [57v] f. [57.1r] f. [57.1v] f. [57.2r] f. [57.2v] f. [57.3r] f. [57.3v] f. [57.4r] f. [57.4v] f. [58r] when I bethynk my ways 1 when I bethynk my wontet ways 2 who I or thys hawe spent my tym 3 and se who now my yyoI joy decays 4 and ffrom my whelth who I ontwyn 5 be leve my fFrynds that suche affrays 6 doth case me playn nat off the splen 7 but mo ren moren I may thous wery days 8 that ar a poyntyt appointed to be myn

## Commentary

Written in the hand of Margaret Douglas, this poem remains unattributed. Mary Shelton enters another version of this poem on "wan I be thyng my wontyd was" (59r). Notably, both authors use different word choices: Douglas's version, for instance, uses “or thys,” “joy,” and “declyn,” while Shelton's version uses “anon,” “gay,” and “or myn” (see lines 2,3, and 4). Taken together, Mary Shelton’s and Margaret Douglas’s verses (on 58r to "wan I be thyng my wontyd was" (59r), and again on "my hart ys set not remove" (65r) to "Madame_margeret" (68v)) appear as if they support one another in similar themes: lamenting former happier times “Wan I be thyng my wontyd was” (58r and 59r); professing steadfast love in the face of adversity “my hart ys set not remove” (58v and 65r) and “Lo in thy hat thow hast be gone” (59r); and concealing actual feelings “I am not she be prowess off syt” (65r) and “Myght I as well within my song be lay” (65v). In the case of this particular set of two poems (58r and 59r), Margaret and Mary may have been echoing one another’s poignant sorrow over the loss of happier times and the “wery days/ that [were] apoyntyt to be” theirs.

## Textual Notes
#### Texts Collated

LDev088

#### Collation

1 when] wan LDev088 bethynk my wontet ways] be thyngthynk my wontyd wasways LDev088 2 who] how LDev088 or thys] anon LDev088 3 who] how LDev088 yyoIIoy decays] gay dekas LDev088 4 whelth] welth LDev088 who] how LDev088 declyn] or myn LDev088 5 be leve] be leffebelieve LDev088 fFrynds] ffryndes LDev088 suche affrays] swchsuch assais LDev088 6 case] kaas LDev088 playn] plan LDev088 nat] not LDev088 splen] spelenspleen LDev088 7 but moren] potbut LDev088 moren] morn LDev088 thous] thys LDev088 days] das LDev088 8 ar a poyntytappointed] har apoyntyd LDev088
# The Devonshire Manuscript/to cowntarffete a mery mode

* ←myght I as well within my song be lay || width="200" align="right" | Myght I as well within my songe→
* The Devonshire Manuscript facsimile 65v
f. [65v] 1 to cowntarffete a mery mode 2 yn mornyng mynd I thynk yt beste 3 ffor wens yn rayn I wor a nood 4 wel the war wet that bar hed shod stod 5 bot syns that clokes be good for dowt 6 the bagars prowarbe ffynd I good 7 betar a path than a halle owte ryme dogrel how many myle to meghelmes

## Commentary

Written in Mary Shelton's hand, this poem remains unattributed and contributes to a larger group of poems in the manuscript that discuss the need to conceal one's true feelings. For other poems portraying the theme of concealment, see: “Sum summ say I love sum say I moke” (58v); “In places Wher that I company” (62v); “I ame not she be prowess off syt” (65r); “Myght I as Well within my Song be Lay” (65v); “Ceaser whan the traytor of egipte” (70r); and “Whan that I call vnto my mynde” (82v-83r).
This poem sequence could present another instance of Margaret Douglas and Mary Shelton playing at one another’s texts. For other examples of this textual play, see: the lyrics lamenting former happier times (e.g. “When I bethink my wontet ways” (58r-59r)); professing steadfast love in the face of adversity (e.g. “My hart is set not to remove” (58v) and “Lo in thy hat thow hast be gone” (59r)); and, as mentioned above, the need and/or difficulty to conceal actual feelings (e.g. “I am not she be prowess off syt” (65r) and “Myght I as well within my song be lay” (65v)).
# DESCRIPTION:

Requests a selection from a list.
REQUEST-LIST is a function value.

# ARGUMENTS

* titl -- (Type: string)
* alist -- (Type: block)

# REFINEMENTS

* /offset
** xy -- (Type: any)
# DESCRIPTION:

Resets the primary value of a face.
RESET-FACE is a function value.

# ARGUMENTS

* face -- (Type: any)

# REFINEMENTS

* /no-show -- Do not show change yet
# DESCRIPTION:

Relay a message
RESEND is a function value.

# ARGUMENTS

* to -- (Type: any)
* from -- (Type: any)
* message -- (Type: any)
# DESCRIPTION:

Resize a face.
RESIZE-FACE is a function value.

# ARGUMENTS

* face -- (Type: any)
* size -- (Type: number pair)

# REFINEMENTS

* /x -- Resize only width
* /y -- Resize only height
* /no-show -- Do not show change yet
# DESCRIPTION:

Requests a date.
REQUEST-DATE is a function value.

# REFINEMENTS

* /offset
** xy -- (Type: any)
* /date
** when -- Default date (Type: any)
# DESCRIPTION:

Requests a text string be entered.
REQUEST-TEXT is a function value.

# REFINEMENTS

* /offset
** xy -- (Type: any)
* /title
** title-text -- (Type: any)
* /default
** str -- (Type: any)
# DESCRIPTION:

Requests a directory using a popup list.
REQUEST-DIR is a function value.

# REFINEMENTS

* /title -- Change heading on request.
** title-line -- (Type: any)
* /dir -- Set starting directory
** where -- (Type: file)
* /keep -- Keep previous directory path
* /offset
** xy -- (Type: any)
# DESCRIPTION:

Requests a username and password.
REQUEST-PASS is a function value.

# REFINEMENTS

* /offset
** xy -- (Type: any)
* /user
** username -- (Type: any)
* /only -- Password only.
* /title
** title-text -- (Type: any)
# DESCRIPTION:

Request a file download from the net. Show progress. Return none on error.
REQUEST-DOWNLOAD is a function value.

# ARGUMENTS

* url -- (Type: url)

# REFINEMENTS

* /to -- Specify local file target.
** local-file -- (Type: file none)
# DESCRIPTION:

Requests a file using a popup list of files and directories.
REQUEST-FILE is a function value.

# REFINEMENTS

* /title -- Change heading on request.
** title-line -- Title line of request (Type: any)
** button-text -- Button text for selection (Type: any)
* /file
** name -- Default file name or block of file names (Type: any)
* /filter
** filt -- Filter or block of filters (Type: any)
* /keep -- Keep previous settings and results
* /only -- Return only a single file, not a block.
* /path -- Return absolute path followed by relative files.
* /save -- Request file for saving, otherwise loading.
# Sport Innovation/Active Network/Tennis Tournament Software

The Tennis Tournament Software offers technology solutions for tennis clubs and tournaments with the objective of making tennis administration as friendly-user and organized as possible. Simplifying the manager's workload allows full focus on the main event's priorities [1]. Tennis organisations using this technological solution as a service include Tennis Australia.
As this software uses the same features as the Tournament Management Software, there are specific benefits tailored for the sport of tennis as enlisted below.
This tool allows tournament managers to create questions to retrieve any information needed from tennis players. Tailoring the entry form is possible by including the organisation's logo and inserting the form on the website in order to retain all web traffic.
Active Network offers their clients free publicizing for their tennis tournament as it is listed on their consumer website, Active.com, and in their online, searchable calendar, including a link to the tournament's registration form. The calendar listing is also optimized to appear on the first pages of search engines such as Google, Bing and Yahoo, being potentially exposed to millions of people around the world.
All major credit cards are securely processed online and registrants receive an immediate notification email after making their payment. Cancellations can be done and issue refunds, as well as partial payments and logging in later to pay the balance.
Active Network's clients can access real-time participant information from any computer device. In addition, financial report templates are provided with the option of creating tailored templates to send them to staff members.
Emails, newsletters and training tips can be distributed through Active's marketing tools, keeping tennis players engaged in the off-season and providing an update when registration becomes available in the new season.
Clients get instant access to a free account and a payment fee is applied only if they opt to implement the system for their tennis tournament.

## References

1. The Active Network (2011). Tennis Tournament Software. Retrieved from www.activenetwork.com.au/products/tennis-event-management-software.htm
Active Network in Action - Event management SaaS
# Sport Innovation/Active Network/Volunteers

Volunteers are an essential component of charity runs and walks as they contribute to fundraising efforts and in making the event safe and successful. Volunteers support everything from setting up routes, to hanging banners, to joining local organising committees, to providing overall leadership as volunteer Run Directors [1].
Putting together a running event is a large task, especially for smaller organisations or charities. Initially, organisations need to effectively market their event and secure volunteers in order for the event to go ahead. Having customised registration forms online where the organisation can gather the necessary information from the volunteer will streamline this process and make it attractive for people to register [2]. Once they have acquired volunteers, the process of job duty assignments and roles needs to be implemented. Automated emails to keep volunteers updated and informed is an important resource to have.
Active Network's volunteer management solutions helps non-profit organisations effectively recruit and mobilize volunteers in a united effort [2]. From registration to reporting, Active Network allows organisations to recruit, train and organise volunteers in a smooth, efficient and worry-free process. The Komen Race for the Cure organisation heavily relies on volunteers in order to run their series of running and walking events which raise awareness and money for breast cancer research. Komen Race for the Cure are customers of and utilise the Active Network's volunteer management software enabling them to gain and manage adequate numbers of volunteers for their events.
People choose to volunteer for many different reasons. Volunteering can give people the satisfaction of helping others, provide opportunities to develop their skills, develop friendships and experience with community organisations. Volunteers find helping with charity events very rewarding, especially when it is to help raise money to find a cure for breast cancer [3].
References
* Canadian Breast Cancer Foundation (2011). Volunteer Opportunities. Retrieved from http://www.runforthecure.com/site/PageServer?pagename=2011_Volunteer_Opportunities
* The Active Network (2011). Volunteer Management. Retrieved from http://www.activegiving.com/technology-solutions/volunteer-management.htm
* Walk the Walk (2010). Volunteer. Retrieved from http://www.walkthewalk.org/Volunteer
# Sport Innovation/Active Network/Walk the Walk

Walk the Walk was established in 1996 when 13 women Power Walked the New York City Marathon in their bras to raise money and awareness for breast cancer. The charity was founded by Nina Barough. The success of the charity is outstanding due to Nina having no experience of fundraising or taking part in marathons nor did she know anyone who had been affected by breast cancer [1].
In January 1997, Nina was diagnosed with breast cancer. Friends around her to gathered a team to power walk the London Marathon to show their support. By 1998 it was clear that word was spreading. Nina began to find sponsors that would help her to fund the setting up of an official charity.
Walk the walk started out as a simple idea and has now become a dynamic charity which promotes a healthy and fit lifestyle and at the same time raises significant funds for breast cancer causes. It has now blossomed into a thriving multi-million dollar charity, having raised to date in excess of £75 million.
So far in 2011, Walk the Walk has raised £8, 252, 538 [2].
Walk the Walk like all charities, rely on their loyal and dedicated volunteers to ensure the success of their events. Walk the walk volunteers are part of the key team that makes the events happen, they make new friends and get a great view of the action [3].
Active Network provide Walk the Walk with the running event management software they require in order to put on their events. The online registration software provided by Active Network enable participants to register for the event in a few easy steps. Active Network’s charity run and walk software provide charities and organisations the tools required to run a streamline and efficient event.
References
* Walk the Walk (2010). A Small History of a Big Charity. Retrieved from http://www.walkthewalk.org/AboutUs/OurHistory
* Walk the Walk (2010). Home. Retrieved from http://www.walkthewalk.org/Home
* Walk the Walk (2010). Volunteer. Retrieved from http://www.walkthewalk.org/Volunteer
# Sport Innovation/Active Network Australia

Active Network Australia is the Australian main webpage of the global activenetwork.com, featuring a series of different categories and navigation options. The top menu consists of headings such as; Technology, Media, Markets, Customers and About Us. Under each of these general information about the given part of the network is further explained on sites build on a template linking to the different kind of Event Software (categorized by type of event (endurance, tournament etc.), or setting (club membership)), Registration Features and Quick Links, as well as links to facebook, twitter and LinkedIn. Example: Clicking on Technology, the subheadings; Overview (fast links to and short explanation of the other subheadings), Market (explains the marketing tools- and analysis options), Transact (how registration and payment is done and how merchandise and donation & fundraising can be utilized by customers), Operate (operational management software possibilities) and Analyse (evaluation options, i.e. statistics, surveys, summaries) can be found. Furthermore, the main page features a short animation movie introducing the activenetwork.com concept.)
Active Network in Action - Event management SaaS
# Sport Innovation/Active Network Company History

Active Network was established in 1999. It started out in a small office in San Diego, California with few employees. Today, the headquarters remain in San Diego and Active Network employs over 2000 people and reaches millions of people through their technology and services.
With over 25 offices worldwide, Active Network is truly a global network. Offices are found in the U.S.A, Canada, Australia, China, New Zealand, Singapore and the UK.
Dave Alberga, CEO of Active Network has overseen the executive management team since 1999 [1]. Under his management, the company has grown from zero to over $280 million (2010) in annual revenue [2].
The Active Network, Inc. is the leading provider of organisation-based cloud computing applications serving diverse market segments including business events, community activities and sports [3].
Their technology platform, ActiveWorks™, allows organisers to manage their events by automating online registrations and streamlining management functions, while also driving consumer participation to their events. Active.com, Active Network’s flagship media property, is the leading online community for people who want to “ discover, participate in, and share activities about which they are passionate" [3].
Active Network first issued shares to the public on May, 25, 2011 and is publicly traded on NYSE [4].
Current News
References
* USA Today (2011. Active Network CEO Dave Alberga followed 2 loves to success. Retrieved from www.usatoday.com/money/smallbusiness/2011-05-31-active-network-dave-alberga_n.htm
* The Active Network (2011). About us-Management Team. Retrieved from www.activenetwork.com/about-us/management-team.htm
* The Active Network (2011). Investor Relations. Retrieved from http://investors.activenetwork.com/phoenix.zhtml?c=179599&p=irol-irhome
* Bloomberg (2011). ACTIVE NETWORK INC/THE. Retrieved from http://investing.businessweek.com/research/stocks/snapshot/snapshot.asp?ticker=ACTV:US
* SocialTech (2010). Active Network Launches Ski Resort App. Retrieved from www.socaltech.com/active_network_launches_ski_resort_app/s-0039682.html
* Ski Area Management (2011). Active Network Acquires RTP. Retrieved from www.saminfo.com/news/article.php?tid=5339