# List of compositions by Swan Hennessy

This is a list of compositions by Swan Hennessy (1866–1929).
Hennessy was an American composer of Irish family background who studied in Germany, lived in England and Italy, but spent most of his career (from about 1903) in France.
He was a most accomplished composer of chamber music in many diverse instrumentations and of piano music. The following is a list of compositions in a table sorted by opus number. This is followed by a list sorted by genre.

## List of compositions by opus number

The following table shows a chronological list, based on Klein (2019). Dates given are for publication, not composition.
| Genre | Opus | Date | Title | Scoring | Notes |
| Piano | 1 | 1885 | Ländliche Skizzen Am BacheWaldvögleinLändlerRingelliedLegendeDie Sägemühle | piano | Published Leipzig: Breitkopf & Härtel, plate no. 17120 (without opus number). Dedication: "Seinem Freund und Lehrer Herrn Professor Percy Goetschius gewidmet". |
| Piano | 2 | 1886 | Ein Spinnerliedchen | piano | Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 564. |
| Vocal | 3 | 1886 | Vier Lieder Leise zieht durch mein GemüthDie blauen FrühlingsaugenMädchen mit dem rothen MündchenZum Schluss: „Sag, wo ist dein schönes Liebchen“ | voice and piano | Words by Heinrich Heine. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 562. Dedication: "Fräulein Lucy Roper gewidmet". |
| Piano | 4 | 1890 | Two Studies: Staccato and Legato | piano | Published London: Augener & Co., revised edition, 1902. No. 2 also published New York: G. Schirmer (1890), plate no. 7241; also in The Monthly Musical Record vol. 22 no. 253 (January 1892), pp. 11–14. |
| Vocal | 5 | 1887 | The Blackbird Has a Golden Bill | mezzo-soprano and piano | Words by the composer; designated as "Op. 5 No. 1", but no other numbers are extant. Published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 587. Dedication: "To Miss I. C. Ross". |
| Piano | 6 | 1886, 1887 | Carneval-Studien | piano | Vol. 1 published Stuttgart: G. A. Zumsteeg, plate no. G.A.Z. 591 (1886); vol. 2 ibid., plate no. G.A.Z. 617 (1887). Dedication: "Seinem Freunde Herrn Ernest Longley gewidmet". |
| Piano | 7 | 1887 | Im Gebirg (In the Mountains), 4 Klavierstücke Mittagsstille (Noon)Zwiegespräch (Canon)Abendnähe (Twilight)Träumerei (Dreaming) | piano | Published London: Augener & Co., plate no. 7671. Dedication: "An Herrn Theodor Kirchner". |
| Piano | 8 | 1887 | Albumblätter (Album Leaves) | piano | Published London: Augener & Co., plate no. 7672. Dedication: "To Frau Clara Schumann". |
| Piano | 9 | 1888 | Étude-Fantaisie | piano | Published London: Augener & Co., plate no. 7902. |
| Chamber | 10 | 1888 | Lieder an den Mond, Romantische Stücke Um MitternachtIn der FrüheAm Abend | violin, cello and piano | Published London: Augener & Co., plate no. 7942. |
| Piano | 11 | 1889 | Miniatures, Cinq petites pièces | piano | Published Paris: Durand & Schoenewerk, plate no. D.S. 4043. Dedications: 1. "à Lucie"; 2. "à Lambert Zegers Veeckens"; 3. "à Miss Katie Lewis"; 4. à Gretchen Goetschius"; 5. "à William T. Scott Barber". |
| Piano | 12 | 1902 | Variations sur un thème original dans le style irlandais (Variations on an Original Theme in the Irish Style) | piano | Published London: Augener & Co., plate no. 1287; revised edition, ibid. (1903), plate no. 1287α. Dedication: "To Miss Carrie Townshend". |
| Chamber | 13 | 1901 | Berceuse | violin and piano | Published Paris: Enoch & Cie., plate no. E. & C. 4658. Dedication: "à Madame Béatrice Langley". |
| Chamber | 14 | 1904 | Sonate en fa (style irlandais) | violin and piano | Published London: Schott & Co., plate no. 27497; second edition: Mainz: B. Schott's Söhne, n. d. [1905], same plate no. Dedication: "à son ami A. Simonetti". |
| Piano | 15 | 1906 | Deux Études pour la main gauche seul | piano | Published Paris: J. Hamelle, plate no. J. 5405 H. |
| Piano | 16 | 1906 | Praeludium & Fuga | piano | Published Paris: J. Hamelle, plate no. J. 5340 H. |
| Piano | 17 | 1906 | Mazurka et Polonaise | piano | Published London: Augener & Co., plate no. 1360α. Dedication: "à Mlle. Claire Przybyszewska". |
| Piano | 18 | 1907 | Petit album En route (On the Road)L'Auberge (The Inn)Enfants qui passent (Passing Children)Aux temps passés (From Old Times)Danseuse sur la scène (Ballet Girl on the Stage)SonatineScherzetto | piano | Published London: Schott & Co., plate no. 27919. |
| Piano | 19 | 1905 | Aus dem Kinderleben, 6 kleine Tonbilder (Scenes from Child Life) Puppenwiegenlied (The Doll's Cradle Song)Puppentanz (The Doll's Dance)Im Wald (In the Wood)Erster Walzer (The First Waltz)Schläfriges Kind (The Sleepy Child)Auf Wiedersehen (Goodbye) | piano | Published Leipzig: Breitkopf & Härtel, plate no. 24931. |
| Chamber | 20 | (c. 1905) | Tarantelle | violin and piano | Unpublished. |
| Piano | 21 | 1907 | Au bord de la forêt | piano | Published Paris: E. Demets, plate no. E. 1267 D. Dedication: "à Mademoiselle Claire Przybyszewska". |
| Piano | 22 | 1907 | Au village, Petite suite charactéristique Noce campagnardeFillettesBasse-courSur l'herbeAu bord du Ruisseau | piano | Published (without opus number) Paris: E. Demets, plate nos E. 1293 D. to E. 1297 D. Dedication: "à Max Reger". |
| Vocal | 23 | 1906 | Lydia | high voice and string quartet (w/ version for piano) | Words by Leconte de Lisle. String quartet original unpublished. Piano version published Paris: J. Hamelle, plate no. J. 5489 H.; second edition as no. 1 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1244 D. Dedication: "à mon ami Hugo Rasch". |
| Piano | 24 | 1908 | Eaux fortes Sérénade espagnoleBergériePetite mazurka | piano | Published Paris: E. Demets, plate no. E. 1387 D. |
| Piano | 25 | 1907 | Étude | piano | Published Paris: E. Demets, plate no. E. 1271 D. Dedication: "A Monsieur E. Demets". |
| Vocal | 26 | 1907 | Épiphanie | high voice and piano or organ | Words by José-Maria de Heredia. Published Paris: J. Hamelle, plate no. J. 5501 H.; second edition as no. 2 of Quatre Mélodies (1908), same plate no., see below; third edition Paris: E. Demets (1913), plate no. E. 1245 D. Dedication: "à Mademoiselle Marie Stark". |
| Vocal | | 1907 | Annie, Chanson écossaise | high voice and piano | Words by Leconte de Lisle. Published Paris: J. Hamelle, plate no. J. 5505 H.; second edition Paris: E. Demets, plate no. E. 1286 D. (1907); also as music supplement to La Revue musicale no. 52 (1911); later listed as no. 1 of Trois Chansons écossaises, Op. 31 (no collective print). Dedication: "à son ami Hugo Rasch" (Demets edition only). |
| Piano | 27 | 1908 | Nouvelles feuilles d'album MadrigalCanonStyle irlandaisPetites scènes parisiennes: A. Montrouge le matin, B. Sortie de midinettes | piano | Published Paris: E. Demets, plate no. E. 1346 D. Dedication: "À mon ami Auguste Delacroix". |
| Piano | 28 | 1908 | Variations sur un air irlandais ancien | piano | Published Mainz: B. Schott's Söhne, plate no. 28388. |
| Piano | 29 | 1909 | Petite suite irlandaise d'après des airs anciens de la collection Petrie (Bláithfhleasg bheag d'fhonnaibh Arsa Gaedhealacha as leabhar Petrie) Ancient Clan MarchCork ReelSagairt tar teorachCork Reel | piano 4-hands | Published (without opus number) Paris: E. Demets, plate no. E. 1409 D.; material taken from the Petrie Collection of Irish Music, compiled by George Petrie and edited by Charles V. Stanford |
| Vocal | 30 | 1907 | Deux Mélodies Là-Bas!Le Revenant! | voice and piano | 1. Words by Joséphin Soulary 2. words by Charles Baudelaire Published (without opus number) Paris: E. Demets, plate nos E. 1246 D. and E. 1247 D.; second editions as nos 3 and 4 of Quatre Mélodies (1908), see below. Dedications: 1. "à mon Ami Gino Sartoni", 2. [no dedication]. |
| Vocal | 23, 26, 30 | 1908 | Quatre Mélodies LydiaÉpiphanieLà-bas!Le Revenant | voice and piano | 1. words by Leconte de Lisle 2. words by José-Maria de Heredia 3. words by Joséphin Soulary 4. words by Charles Baudelaire Published Paris: J. Hamelle, plate nos J. 5489 H.; J. 5501 H.; J. 5506 H.; J. 5656 H. |
| Vocal | 31 | 1907 | Trois Chansons écossaises AnnieLa Fille aux cheveux de linNell | high voice and piano | Words by Leconte de Lisle. No collective print; no. 1 (Annie), see above; no. 2 published Paris: E. Demets (1920), plate no. E. 2006 D.; no. 3 published Paris: E. Demets (1922), plate no. E. 2037 D. Dedications: 1. "à son ami Hugo Rasch"; 2. "à Madame Delorme Jules Simon"; 3. "à Charles Hubbard". |
| Piano | 32 | 1909 | Valses [no descriptive title]EspagneSuisse[no descriptive title] | piano | Published Paris: E. Demets, plate no. E. 1448 D. Dedication: "à Mlle. Claire Przybyszewska". |
| Piano | 33 | 1911 | Croquis de femmes Au couventBavardesLa Vieille tanteMondaineJeunes anglaisesCharmeuse de serpentsDans les jardins du sérail | piano | Published Paris: F. Durdilly, Ch. Hayet, successeur, plate no. C. 6254 H. Dedication: "à Monsieur Jules Combarieu, Hommage sympathique et reconnaissant". |
| Piano | 34 | 1911 | Petite suite sur les notes Mi Do Mi Fa Si Mi | piano | Published Mainz: B. Schott's Söhne, plate no. 29378. Dedication: "à mon cher ami E. Demets". |
| Piano | 35 | 1910 | Kinder-Album, 24 kleine Präludien in verschiedenen Ton- und Taktarten | piano | Published Mainz: B. Schott's Söhne, plate no. 28824. Dedication: "Meinem lieben Vater gewidmet". |
| Piano | 36 | 1911 | Fêtes, 2 Morceaux descriptifs Fête de village au XVIII$^{me}$ siècleFête populaire dans la banlieue de Paris au XX$^{me}$ siècle | piano | Published Mainz: B. Schott's Söhne, plate no. 29379. Dedication: "à Madame Betty Heffner, Hommage sympathique". |
| Piano | 37 | 1913 | Les Noces du soldat de bois, Ballet en un acte | piano | Unpublished. |
| Piano | 38 | 1910 | Introduction, XII variations et fugue | piano | collaborative publication with works on the same theme by Hugo Rasch, Georges Loth, Auguste Delacroix, and Herbert Fryer, Paris: E. Demets, plate no. E. 1487 D. Dedication: "à mon ami Hugo Rasch". |
| Piano | 39 | 1912 | Incunabula BerceuseBébé dortCroquemitaine | piano | Published Paris: E. Demets, plate no. E. 1614 D. Dedication: "à Tupac". |
| Piano | 40 | 1912 | En passant ... Études d'après nature Petit pâtre sur les hauts pâturagesChamps de blé au clair de luneDans une petite ville flamande le dimancheCîmes neigeusesSieste en chemin de fer | piano | Published Paris: E. Demets, plate no. E. 1615 D. |
| Piano | 41 | 1912 | Valses caprices Valse rustiqueValse canailleValse distraiteValse boîteuseValse érotiqueÀ la RegerEncore une valse | piano | Published Paris: E. Demets, plate no. E. 1664 D. |
| Piano | 42 | 1912 | Gitaneries CarmenMercédèsJacintaManuelita | piano | Published Paris: E. Demets, plate no. E. 1678 D. Dedication: "à la mémoire de Bizet". |
| Vocal | 42bis | 1921 | Trois Chansons espagnoles 1. Fluthenreicher Ebro (Sur les rives fleuries) 2. Auf den Wällen Salamankas (Sur les murs de Salamanque) 3. Neben mir wohnt Don Henriquez (Mon voisin est Don Henriquez) | voice and string quartet (w/ version for piano) | French words by the composer after Emanuel von Geibel and Heinrich Heine 2.~3. words by Heinrich Heine. Published Paris: E. Demets, plate no. E. 2083 D. Dedication: "à Mademoiselle Radiana Pazmor" |
| Piano | 43 | 1912 | Sonatine | piano | Published Paris: E. Demets, plate no. E. 1674 D. Dedication: "à mon ami Heinrich Möller". |
| Piano | 44 | 1912 | Sentes et chemins, Nouvelles études d'après nature Ouvriers allant à l'usinePromenade du philosopheÀ travers boisCornemuse en têteSur la route d'AmalfiSentier de Meudon au printempsPar la pluie | piano | Published Paris: E. Demets, plate no. E. 1726 D. Dedication: "À mon Père". |
| Piano | 45 | 1912 | Pièces celtiques | piano | Published Paris: E. Demets, plate no. E. 1727 D. |
| Chamber | 46 | 1913 | Suite [String Quartet No. 1] | 2 violins, viola and cello | Published Paris: E. Demets, plate no. E. 1784 D. Dedication: "à Monsieur le Professeur Carl Heffner". |
| Piano | 46bis | 1912 | Adagio et allegretto du quatuor à cordes | piano | Transcription by the composer from the Suite, Op. 46 Published Paris: E. Demets, plate no. E. 1732 D. |
| Piano | 47 | 1913 | Croquis parisiens Promenade matinale au jardin du LuxembourgL'Américain qui a bien dinéDans un atelier de couturières | piano | Published Paris: E. Demets, plate no. E. 1747 D. Dedication: "à Louis Vuillemin". |
| Piano | 48 | 1913 | Impressions humoristiques Dédicace: Aux amis de RussieTupac–PolkaDas Fräulein stand am Meere und seufzte lang und bangNapolitainsEn regardant une ronde de jeunes fillesChanteuse de BeuglantBébé prend sa médecine | piano | Published Paris: E. Demets, plate no. E. 1794 D. |
| Chamber | 49 | 1920 | Deuxième quatuor [String Quartet No. 2] | 2 violins, viola and cello | Published Paris: E. Demets, plate no. E. 1994 D. Dedication: "à la Mémoire de Terence McSwiney, Lord Mayor de Cork". |
| Chamber | 50 | 1915 | Rhapsodie celtique | violin and piano | Published Paris: E. Demets, plate no. E. 1825 D. |
| Piano | 51 | 1924 | Eight Celtic Pieces / Huit Pièces celtiques | piano | Published (with English title) London: Evans & Co., plate no. S. & Co. 31; second edition (with French title) as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2320. Dedication: "To Denis Breen". |
| Chamber | 52 | 1921 | Petit trio celtique | violin, viola and cello | Published Paris: E. Demets, plate no. E. 2002 D. Dedication: "à mon ami Paul Le Flem". |
| Piano | 53 | 1924 | Sonatine celtique | piano | Published London: Evans & Co., plate no. S. & Co. 41; second edition as part of the Album celtique Paris: Max Eschig & Cie. (1929), plate no. M.E. 2321. Dedication: "à Lucien Haudebert". |
| Chamber | 54 | 1921 | Trio | 2 clarinets and bassoon | Paris: E. Demets, plate no. E. 2001 D. Dedication: "à mon ami Paul Ladmirault". |
| Piano | 55 | 1924 | Épigrammes d'un solitaire La Forêt de Clamart à l'aubeUn Jardin arabeUne Pagode indochinoiseUn BerceauUn Vieux cimetièreUn Souvenir lointain | piano | Published London: Evans & Co., plate no. S. & Co. 40; second edition Paris: Max Eschig & Cie. (1929), plate no. M.E. 2322. Dedication: "à Michael Kavanagh". |
| Vocal | 56 | 1925, 1932 | Trois Mélodies Le Mort joyeuxLes Grands jasmins épanouisIl était une fois | low voice and piano | 1. Words by Charles Baudelaire 2. words by Albert Samain 3. words by Jean Ajalbert Publication(s): 1. Paris: Éditions Max Eschig (1932), plate no. M.E. 3692; 2. Paris: Max Eschig & Cie. (1925), plate no. M.E. 1564; 3. Paris: Éditions Max Eschig (1932), plate no. M.E. 3693. Dedications: 1. "à Jean Suscinio"; 2. "à Charles Hubbard"; 3. "à Marcelle Gerar". |
| Piano | 57 | 1924 | Trois Pièces exotiques Fillettes brunesLe Goût de la cannelleNègre endimanché | piano | Published Paris: E. Demets, plate no. E. 2070 D. |
| Chamber | 58 | 1924 | Variations sur un thème de six notes (H.B., E.B., C.H.) | flute, violin, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1315. |
| Chamber | 59 | 1925 | Quatre Pièces celtiques | English horn, violin, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1430. Dedication: "à M. Paul Brun". |
| Piano | 60 | 1924 | Étude de concert | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1262. Dedication: "à Mademoiselle Rachel Blanquer". |
| Chamber | 61 | 1926 | Troisième quatuor [String Quartet No. 3] | 2 violins, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1719. Dedications for the four movements: 1. "à Emile Loiseau"; 2. "à Adrien Fourment"; 3. "à Robert Chantôme"; 4. "à Robert Ladoux". |
| Chamber | 62 | 1924 | Sonatine celtique | viola (or violin) and piano | "Sonate celtique" on title page, "Sonatine celtique" (= correct) on first page. Published Paris: Max Eschig & Cie., plate no. M.E. 1425. Dedication: "à Robert Chantôme". |
| Chamber | 63 | 1925 | Rapsodie gaélique | cello and piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1447. Dedication: "à Francis Touche". |
| Piano | 64 | 1926 | Douze Canons à deux voix à tous les intervalles | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1563. Dedication: "à ma femme". |
| Chamber | 65 | 1925 | Sérénade | 2 violins, viola and cello | Published Paris: Max Eschig & Cie., plate no. M.E. 1525. Dedication: "à Emile Loiseau". |
| Vocal | 66 | 1925 | Trois Mélodies sur des poésies d'André Delacour et de Leconte de Lisle Si la distance qui nous séparePaysageChanson écossaise | voice and piano | 1. & 2. words by André Delacour 3. words by Leconte de Lisle Published Paris: Max Eschig & Cie., plate no. M.E. 1631. Dedication: "à Mademoiselle Marthe Saisset". |
| Piano | 67 | (1924) | Rapsodie irlandaise | piano | Published Paris: Max Eschig & Cie., plate no. M.E. 2264 (as part of the Album celtique, 1929). Dedication: "à mon fils Patrice". |
| Chamber | 68 | 1926 | Deux Morceaux Pièce celtiqueJazz | alto saxophone and piano | Published Paris: Max Eschig & Cie., plate no. M.E. 1637. Dedication: "à M. René Laurent". |
| Piano | 69 | 1926–1929 | Clamart | Aubervilliers | Meudon | Robinson | Verrières | Bourg-la-Reine | piano | Initially self-published as 3 pieces (1926); extended edition published Paris: Éditons Max Eschig (1929), plate no. M.E. 2410. Dedication: "à Maurice Servais". |
| Chamber | 70 | 1927 | Trio | violin, flute and bassoon | Published Paris: Max Eschig & Cie., plate no. M.E. 1985 (wrongly dated to 1926). Dedication: "A mes amis Emile Loiseau, Gaston Blanquart et Gustave Dhérin". |
| Chamber | 71 | 1929 | Quatre Morceaux Fox TrotTangoChanson de l'émigrantLever du soleil dans les Hébrides | alto saxophone or viola and piano | Published Paris: Éditions Max Eschig, plate no. M.E. 1941. Dedications: 1. "à Paul-Louis Neuberth"; 2. "à Carol-Berard"; 3. "à Madame Neuberth"; 4. "à Paul-Louis Neuberth". |
| Vocal | 72 | 1927 | Trois Chansons celtiques 1. La Chanson du rouet 2. Berceuse d'Armorique 3. Le Départ des pêcheurs | medium voice and piano | 1. Words by Leconte de Lisle 2. words by Anatole Le Braz words by Pierre Scize Published Paris: Éditions Max Eschig, plate no. M.E. 2115. Dedications: 1. "à Henri Collet"; 2. "à Eugène Cools"; 3. "à Pierre Scize". |
| Piano | | 1927–1928 | À la manière de ..., 30 Pastiches Book I Johannes BrahmsCésar FranckEdvard GriegRobert SchumannGabriel FauréAntonín Dvořák Book IIRichard StraussStephen HellerClaude DebussyBenjamin GodardMax Reger et Paul DelmetAlexandre Borodine Book IIIFelix Mendelssohn-BartholdyVincent d'IndyMuzio Clementi"Jeune génie de l'avant-garde"Joaquín TurinaGioacchino Rossini Book IVCarl Maria von WeberDomenico ScarlattiGiuseppe VerdiFrédéric ChopinEmmanuel ChabrierFranz Liszt Book VFranz SchubertGeorg Friedrich HaendelJules MassenetJohann Strauss IIMaurice RavelHugo Wolf | piano | Books 1–4 (1927) Book 5 (1928) Published Paris: Éditions Max Eschig, plate no. M.E. 1781, M.E. 1782; M.E. 1783, M.E. 1986, M.E. 2251. Dedications: Books I–III "à Marthe Le Breton", Books IV–V "à Richard Byk". |
| Vocal | 73 | 1928 | Deux Mélodies Le Chasseur noirLa Chanson du vent de mer | medium voice and piano | 1. Words by Paul Gérardy 2. words by Anatole Le Braz Published Paris: Éditions Max Eschig, plate no. M.E. 2249 & M.E. 2250. |
| Chamber | 74 | 1928 | Pièce celtique | cello (or bassoon) and piano | Published Paris: Éditions Max Eschig, plate no. M.E. 2252. Dedication: "à Madame Fernande Kufferath". |
| Chamber | 75 | 1930 | Quatrième quatuor [String Quartet No. 4] | 2 violins, viola and cello | Published Paris: Éditions Max Eschig, plate no. M.E. 2463 (score) & M.E. 2464 (parts). |
| Vocal | 76 | 1928 | Trois Petits trios pour voix de femmes Il était une foisPanis angelicusVers traduits de Goethe | soprano, mezzo-soprano and alto (solos) | 1. Words by Jean Ajalbert 2. words by St Thomas Aquinas 3. words by Johann Wolfgang von Goethe, translated by Louis de Ronchaud Unpublished. |
| Chamber | 77 | 1928 | Deux Pièces celtiques Danse écossaisePièce celtique | viola and piano | Unpublished. |
| Chamber | 78 | 1929 | Sonatine | two violins (or two groups of violins) | Unpublished. |
| Vocal | 79 | 1932 | Deux Mélodies La luneÀ Deux | soprano and piano | 1. Words by Paul Verlaine 2. words by Prosper Blanchemain Published Paris: Éditions Max Eschig, plate no. M.E. 3694. Dedication: "A Mlle. Marguerite Breitner". |
| Chamber | 80 | 1929 | Deuxième sonatine | violin or viola and piano | Published Paris: Proprieté de l'auteur. Dedication: "A Suzanne Chevaillier". |
| Chamber | 81 | 1929 | Sonatine Moderato assaiAllegretto à la manière de Johannes BrahmsAllegro à la manière de Félix Mendelssohn Bartholdy | cello and piano | Published Paris: Proprieté de l'auteur. Dedication: "À Madeleine Monnier". |

## List of compositions by genre
### Piano music

* Ländliche Skizzen [op. 1?]. Contains: 1. Am Bache; 2. Waldvöglein; 3. Ländler; 4. Ringellied; 5. Legende; 6. Die Sägemühle (1885)
* Ein Spinnerliedchen op. 2 (1886)
* Two Studies: Staccato and Legato op. 4 (c.1886–7)
* Carneval-Studien op. 6 (1887)
* Im Gebirg (In the Mountains) op. 7. 4 Klavierstücke (1887)
* Album-Blätter op. 8 (1887)
* Étude-Fantaisie op. 9 (1888)
* Miniatures. Cinq petites pièces op. 11 (1889)
* Study (1890)
* Variations sur un thème original dans le style irlandais op. 12 (1902)
* Deux Études pour la main gauche seule (1906)
* Mazurka et Polonaise op. 17 (1906)
* Petit album op. 18 (1907). Contains: 1. En route (On the Road); 2. L'Auberge (The Inn); 3. Enfants qui passent (Passing Children); 4. Aux temps passés (From Old Times); 5. Danseuse sur la scène (Ballet Girl on the Stage); 6. Sonatine; 7. Scherzette.
* Aus dem Kinderleben. 6 Tonbilder op. 19 (c.1907–8). Contains: 1. Puppenwiegenlied; 2. Puppentanz; 3. Im Wald; 4. Erster Walzer; 5. Schläfriges Kind; 6. Auf Wiedersehen.
* Au village. Petite suite caractéristique (1907). Contains: 1. Noce campagnarde; 2. Fillettes; 3. Basse-Cour; 4. Sur l'herbe; 5. Au bord du ruisseau.
* Au bord de la forêt op. 21 (c.1907–8)
* Eaux fortes op. 24 (1908). Contains: 1. Sérénade espagnole; 2. Bergérie; 3. Petite mazurka.
* Étude op. 25 (1907)
* Nouvelles feuilles d'album op. 27 (1908). Contains: 1. Madrigal; 2. Canon; 3. Style irlandais; 4. Petites scènes parisiennes.
* Variations sur un air irlandais ancien op. 28 (1908)
* Valses op. 32 (1903)
* Petite suite irlandaise, d'après les airs anciens de la collection Petrie (1909), for piano 4-hands
* Croquis de femmes op. 33 (1911). Contains: 1. Au couvent: 2. Bavardes; 3. La Vieille tante; 4. Mondaine; 5. Jeunes anglaises; 6. Dans les jardins du sérail; 7. Charmeuse de serpents.
* Petite suite op. 34 (1911)
* Kinder-Album. 24 kleine Präludien in verschiedenen Ton- und Taktarten op. 35 (1910)
* Fêtes. Deux Morceaux descriptifs op. 36 (1911). Contains: 1. Fête de village au XVIIIme siècle; 2. Fête populaire dans la banlieue de Paris au XXme siècle.
* Incunabula op. 39 (1912). Contains: 1. Berceuse; 2. Bébé dort; 3. Croquemitaine.
* En passant ... (études d'après nature) op. 40 (1912). Contains: 1. Petit pâtre sur les hauts pâturages; 2. Champ de blé au clair de lune; 3. Dans une petite ville flamande le dimanche; 4. Cimes neigeuses; 5. Sieste en chemin de fer.
* Valses caprices op. 41 (1912). Contains: 1. Valse rustique; 2. Valse canaille; 3. Valse distraite; 4. Valse boiteuse; 5. Valse érotique; 6. À la Reger; 7. Encore une valse.
* Gitaneries op. 42 (1912)
* Sonatine op. 43 (1912)
* Sentes et chemins (Nouvelles études d'après nature) op. 44 (1912). Contains: 1. Ouvriers allants à l'usine; 2. Promenades du philosophie; 3. A travers bois; 4. Cornemuse en têt; 5. Sur la route d'Amalfi; 6. Sentier de Meudon au printemps; 6. Par la pluie.
* Pièces celtiques op. 45 (1912)
* Croquis parisiens op. 47 (1913). Contains: 1. Promenade matinale au Jardin du Luxembourg; 2. L'Américain qui a bien diné; 3. Dans un atelier de couturières.
* Impressions humoristiques op. 48 (1913). Contains: 1. Tupae. Polka; 2. Das Fräulein stand am Meere und seufzte lang und bang; 3. Napolitains; 4. En regardant une ronde de jeunes filles; 5. Chanteuse de beuglant; 6. Bébé prend sa médecine.
* Huit Pièces celtiques op. 51 (date uncertain)
* Sonatine celtique op. 53 (date uncertain)
* Epigrammes d'un solitaire op. 55 (1924). Contains: 1. La Forêt de Clamart à l'aube; 2. Un Jardin arabe; 3. Une Pagode indochinoise; 4. Un Berceau; 5. Un vieux cimetière; 6. Un Souvenir lointain.
* Trois Pièces exotiques op. 57 (1924). Contains: 1. Fillettes brunes; 2. Le Goût de la cannelle; 3. Nègre endimanché.
* Étude de concert op. 60 (1924)
* Douze Canons à deux voix à tous les intervalles op. 64 (1926)
* Rapsodie irlandaise op. 67 (c.1926)
* Banlieues. Six Petites pièces op. 69 (1926)
* À la manière de ... 18 Pastiches, 3 volumes (1927)
* À la manière de ... Six Nouveaux pastiches, 4th volume to above (1927)

### Vocal music

* Vier Lieder op. 3 (1886). Contains: 1. Leise zieht durch mein Gemüth; 2. Die blauen Frühlingsaugen; 3. Mädchen mit dem rothen Mündchen; 4. Zum Schluß: "Sag, wo ist dein schönes Liebchen".
* [songs] op. 5 (1887), title unknown. The only published movement is no. 1: The Blackbird has a Golden Bill.
* Annie. Chanson écossaise (1907)
* Quatre Mélodies op. 23 (1908). Contains: 1. Lydia; 2. Epiphanie; 3. Là-bas!; 4. Le Revenant.
* La Fille aux cheveux de lin. Chanson écossaise (1913)
* Trois Chansons espagnoles op. 42bis (1923). Contains: 1. [unknown]; 2. Auf den Wällen Salamankas; 3. Neben mir wohnt Don Henriquez.
* Le Mort joyeux op. 56a (1924)
* Trois Mélodies op. 66 (1925). Contains: 1. Si la distance qui nous séparé; 2. Paysage; 3. Chanson écossaise.
* Trois Chansons celtiques op. 72 (1927). Contains: 1. [unknown]; 2. Le Chanson du rouet; 3. [unknown].
* Deux Mélodies (published 1934). Contains: 1. La Lune; 2. À deux.

### Chamber music
#### Duos

* Berceuse (1901) for violin and piano
* Sonate en style irlandais op. 14 (1904) for violin and piano
* Rapsodie celtique op. 50 (1915) for violin and piano
* Sonate celtique op. 62 (1924) for viola and piano; as Sonatine celtique op. 62 arrangement by the composer for violin and piano
* Rapsodie gaélique op. 63 (1925) for cello and piano
* Deux Morceaux op. 68 (1926) for saxophone and piano
* Quatre Morceaux op. 71 (1929) for alto-saxophone or viola and piano
* Pièce celtique op. 74 (1928) for cello or bassoon and piano
* Deuxième Sonatine op. 80 (1929) for violin and piano
* Sonatine op. 81 (1929) for cello and piano

#### Trios

* Lieder an den Mond op. 10 (1888) for violin, cello, piano
* Petit trio celtique op. 52 (1921) for violin, viola, cello
* Trio op. 54 (1921) for 2 clarinets and bassoon
* Trio op. 70 (1926) for flute, violin, bassoon

#### Quartets

* Prémier Quatuor (Suite) op. 46 (1912) for string quartet
* Deuxième Quatuor op. 49 (1920) for string quartet
* Variations sur un thème de six notes op. 58 (1924) for flute, violin, viola, cello
* Quatre Pièces celtiques op. 59 (1925) for cor anglais, violin, viola, cello
* Troisième Quatuor op. 61 (1927) for string quartet
* Sérénade op. 65 (1925) for string quartet
* Quatrième Quatuor op. 75 (1930) for string quartet