# Gallery of Archduke Leopold Wilhelm in Brussels (Rothschild)

Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger. It is now held in a private collection, but it was previously owned by the Rothschild family, from whom it was taken in World War II and placed in the Kunsthistorisches Museum where it stayed for 50 years until restitution in 1999.
The painting shows the Archduke as a collector with friends admiring a set of paintings. The artist himself holds his hat in his hand and is listening to his patron as the archduke gestures with his cane towards some recent acquisitions. The paintings are arranged in rows on the walls of an L-shaped room, with the men standing in front of a doorway with the words "TIMORE DOMINI" below a sculpted portrait of the archduke. Another set of paintings is positioned in the foreground leaning against chairs for inspection.
This painting is dated 1653 and was painted after earlier, larger versions that David Teniers the Younger prepared to document the Archduke's collection before he employed 12 engravers to publish his Theatrum Pictorium, considered the "first illustrated art catalog". He published this book of engravings after the Archduke had moved to Austria and taken his collection with him. It was published in Antwerp in 1659 and again in 1673. The most impressive of these gallery paintings was the large version on copper in the Museo del Prado with a different selection of paintings. That was produced as a gift from the archduke to Philip IV of Spain.

## Paintings depicted

Many of the recognizable paintings in the collection, not all of which were included in the Italian catalog prepared by Teniers, are still in the Viennese collection. This copy was probably produced in tandem with a similar version in the Museo Lázaro Galdiano as a gift.
| article | painter | year | collection | inventory nr. | catalog code |
| Landscape | Joos de Momper and Jan Brueghel the Elder | | | | |
| Lady with a Fan | Anthony van Dyck | | National Gallery of Art | 1957.14.1 | |
| Drunken Silenus | Rubens | 1609 | Durazzo Pallavicini | | |
| Judith with the head of Holofernes | Carlo Saraceni | 1613 | Kunsthistorisches Museum | GG_41 | 39 |
| St George | Antonello da Messina (copy by David Teniers the Younger) | | private collection | | |
| Susanna and the Elders | Cornelis Schut | 1650 | Royal Museums of Fine Arts of Belgium | | |
| Salome receives the head of John the Baptist | | | | | |
| Still-Life with a Peeled Lemon | Jan Davidsz. de Heem | 1650s | Louvre | INV 1320 | |
| Landscape | I Foqveel (Jacques Fouquier?) | | | |
| Landscape | Hans Bol | | | | |
| Lady with an Ermine | Titian (copy by David Teniers the Younger) | | | | 94 |
| Christ Carrying the Cross meets with Veronica | Girolamo da Ponte | | Kunsthistorisches Museum | GG 1869 | |
| Holy Family with St. John | Palma Vecchio | 1520 | Uffizi | 950 | |
| Toilet of Venus | David Teniers the Younger | 1655 | Philadelphia Museum of Art | Cat. 696 | 30 |
| Virgin and Child, with young John the Baptist and Saint Anne | Conrad Lauwers after Andrea Schiavone | | | | |
| Hercules, Deianira and the Centaur Nessus | Paolo Veronese | 1586 | Kunsthistorisches Museum | GG_1525 | 115 |
| Portrait of a Young Man | | | | | |
| The Holy Infants | Leonardo da Vinci | circa 1486 | Museo di Capodimonte | | |
| Blind Leading the Blind | Domenico Fetti | 1620s | Staatliche Kunstsammlungen Dresden | 644 | 215 |
| Portrait of a White-Bearded Man, subject of Old Masters (novel) | Tintoretto | 1570 | Kunsthistorisches Museum | GG_25 | 103 |
| Portrait of an unknown man | Kalker | | | | |
| Portrait of a Doge | Tintoretto (copy by David Teniers the Younger) | circa 1570 | Courtauld Gallery | P.1978.PG.435 | 97 |
| Venus and Cupid | Thomas Willeboirts Bosschaert | 1630s | private collection | | |
| Portrait of an unknown man | Holbeen | | | | |
| Portrait of an unknown man | Tintoretto (copy by Lucas Vorsterman the Younger) | | | | 104 |
| Nativity | Michael Sittow | 1510/20 | Kunsthistorisches Museum | GG_5878 | |
| Portrait of an unknown man | Tintoretto | | | | |
| Landscape | Paul Bril | | | | |
| Flower Still-life | Alexander Hoefnagel | | | | |
| Woman looking over her Shoulder | Anthony van Dyck | 1630s | Hermitage | ГЭ-7725 | |
| The Bravo | Titian | 1520 | Kunsthistorisches Museum | GG_64 | 23 |
| Portrait of an unknown man | Jan van Scorel (copy by David Teniers the Younger) | | | | |

## Provenance

This painting was one of those forcibly "donated" by Baron Alphonse de Rothschild in 1938 and it was meant for the Führermuseum, looted by the Nazis following the Austrian Anschluss with Germany in 1938. The looted painting was stored with many other Rothschild treasures in the Austrian salt mines of Altaussee where they were discovered by the Allies after the war and returned to the Austrian government. Despite many efforts by Alphonse and his heirs, only granddaughter Bettina Burr was able to achieve restitution. This painting was finally paid for in 1999 after 50 years of "ownership" with a credit line of "donated by Clarice Rothschild in memory of her husband".