OpenLLM-France/wikimedia huggingface dataset:
# Artantica

Professional ratings :
| Review scores ||
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| Allmusic | |
Artantica is the fifth and last album by Dutch rap rock band Urban Dance Squad. The album marked the return of DJ DNA, who had been absent on the band's two previous recordings. Stylistically the album is very diverse, with vocalist Rudeboy often singing and rapping in the same song. The single "Happy Go Fucked Up" became a minor hit in Europe. Not long after the release of the album, the band broke up.

## Track listing

* Step Off (5:20)
* Happy Go Fucked Up (4:55)
* Letter To Da Better (4:45)
* Bank Stock 6 Zeros (4:44)
* Hard-Headed Headstrong (4:19)
* Craftmatic Adjustable Girl (4:16)
* Fearless (3:59)
* Ghost Called Loneliness (3:44)
* Limousine (4:00)
* Artantica (3:47)
* Chain-Locked To Nowhere (5:01)
* Q & A's On An O.D. (3:50)
* Modern Woman (2:01)
* Music Entertainment (5:07)
# Wilson Greek

Wilson Greek is a polytonic Greek typeface designed in 1995 by Matthew Carter, notable for its large inventory of ligatures. It is based on a typeface designed in 1756 by Alexander Wilson for an edition of Homer's Iliad and Odyssey published that same year in Glasgow by Robert and Andrew Foulis.
Wilson's typeface was innovative in its rejection of the normative Greek typeface design of the time, which was heavily influenced by Claude Garamond's Grecs du roi (1541).
# William of Werle

William of Werle (before 1393 or 1394 – 8 September 1436), was co-regent of Werle from 1418 to 1425, then the sole ruler from 1425 until his death. After 1426, he called himself "Prince of the Wends". He was a son of Lorenz of Werle-Güstrow and his wife Matilda of Werle-Goldberg.

## Life

After the death of his father Lorenz in 1393 or 1394, William's older brother Balthasar ruled Werle-Güstrow alone until William became co-regent in 1418. When Balthasar died on 5 April 1421, William became the sole ruler of Werle-Güstrow. When Christopher of Werle-Waren died in 1425, he became ruler of all of Werle. After 1426, he styled himself "Prince of the Wends, Lord of Güstrow, Waren and Werle".

## Marriage and issue

William first married in 1422 to Anna of Anhalt (daughter of Albert IV, Prince of Anhalt-Köthen), who died in 1426. He then married Sophie of Pomerania, the sister of Duke Barnim VIII of Pomerania. With her he had one child, Catherine of Werle, who married Duke Ulrich II of Mecklenburg-Stargard. With the consent of his cousins, Catherine's uncle Barnim VII mortgaged the territories of Barth, Zingst and Damgarten for 20,000 guilders for Catherine's dowry.
With the death of William, the Werle line died out in the male line, and the principality of Werle was returned to the House of Mecklenburg. The rulers of Mecklenburg kept using the title of "Prince of the Wends" until the German monarchy was abolished in 1918.

## Footnotes

* 1 2 Martin Wehrmann: Genealogie des pommerschen Herzogshauses, Verlag Leon Sauniers Buchhandlung, Stettin, 1937, pp. 101–102
# Colvin Smith

Colvin Smith RSA (1795 – 21 July 1875) was a Scottish portraitist.

## Life

Smith was born at Brechin, in Angus, the son of John Smith, a merchant, and his wife, Cecilia Gillies. He studied art in London at the Royal Academy Schools and worked in Joseph Nollekens's studio. He then proceeded to work in Italy, where he executed some fine copies after Titian; and at Antwerp he made studies after the works of Rubens.
Returning to Scotland in 1827, he settled in Edinburgh, occupying the house and studio which had formerly belonged to the Scottish painter Raeburn at 32 York Place. Soon he attained a wide practice as a portrait-painter, and among his sitters were Lord Jeffrey, Henry Mackenzie, author of The Man of Feeling, and many of the most celebrated Scotsmen of the time.
In 1840 he was living at 32 York Place, Edinburgh. The property was purpose-built as an artist's studio by its predecessor, Sir Henry Raeburn
His portrait of Sir Walter Scott was so popular that he executed some twenty replicas of it, for seven of which he received fresh sittings. His works are distinguished by excellent draftsmanship, by directness and simplicity of treatment, and by well-marked individuality. His portrait of Thomas Brown of Lanfine and Waterhaughs hangs in the Court Office of the University of Glasgow.
He died in Edinburgh on 21 July 1875. He is buried with his parents in the churchyard of Brechin Cathedral. The grave lies south of the round tower.

## Influence

Smith's students included James Irvine, who went on to be one of Scotland's best portrait painters.
# Wilson Street, Glasgow

Wilson Street is a thoroughfare in Glasgow, the largest city in Scotland. The street runs east from Virginia Street through the Merchant City until it meets Candleriggs.

## History

The street was opened in 1790 and was, along with Brunswick Street, John Street and Hutcheson Street, part of Glasgow's second 'new town'.
It was named after George Wilson, a Glasgow merchant, who founded Wilson's School, to the north of the Trongate. Wilson died in London in 1778.
# Arthur Robson

Arthur Robson (29 March 1878 – 24 May 1959) was an Australian rules footballer who played for the Collingwood Football Club in the Victorian Football League (VFL).
# Arthur Welsh

Arthur Welsh may refer to:
* Arthur L. Welsh (1881–1912), American aviator
* Arthur Welshe (fl. 1560s), MP for Morpeth
* Arthur Welche or Welsh (fl. 1550s), MP for Dunheved
# Come into My Life (Gala song)

"Come into My Life" is a song written and recorded by Italian singer-songwriter Gala. It was released in November 1997 as the third single from her debut album, Come into My Life (1997). The song was produced by Filippo Andrea Carmeni and Maurizio Molella, and achieved success in Europe, South America, Russia and Middle East. It peaked at number-one in both Italy and Spain, and reached the top 10 also in Belgium, France and Greece.

## Critical reception

American student newspaper Columbia Daily Spectator wrote that the song "sounds like ifs been ejected from a blender on high speed. The fashionably detached vocalist's singsong is more seductive than any gasping oh-baby could hope to be." A reviewer from Music Week stated that the "Italian diva" is back with a single, "in which a quirky intro moves into a funky chorus with a typically pedestrian vocal." In a retrospective review, Pop Rescue noted that "some acidy synths and a pumping beat usher" in the track, adding that Gala’s vocals here "continue their minimal wanderings."

## Chart performance

"Come into My Life" was a major hit in several European countries, peaking at number-one in both Italy and Spain. It was also a top 10 hit in Belgium (4), France (10) and Greece (4), while entering the top 20 in Finland (11), as well as on the Eurochart Hot 100, where it hit number 20 in December 1997. In the United Kingdom, "Come into My Life" only reached number 38 on the UK Singles Chart, but it peaked at number 12 on the UK Dance Singles Chart, and number two on the UK Indie Chart. The single received a gold record in France, after 250,000 units were sold.

## Music video

A music video was produced to promote the single, directed by Italian director Pietro Falini. It was later published on YouTube in October 2013, and as of February 2023, the video had generated more than 7.6 million views.

## Track listings

* 12" single
* "Come Into My Life" (Mix) - 06:14
* "Come Into My Life" (Club) - 05:05
* "Come Into My Life" (Edit) - 03:22
* CD single
* "Come Into My Life" (Edit Mix) - 3:22
* "Come Into My Life" (Mix) - 3:22
* CD maxi
* "Come Into My Life" (Edit Mix) - 3:25
* "Come Into My Life" (Edit) - 3:26
* "Come Into My Life" (Club Mix) - 5:11
* "Come Into My Life" (Mix) - 5:19

## Certifications

| Region | Certification | Certified units/sales |
| Belgium (BEA) | Platinum | 50,000$^*$ |
| France (SNEP) | Gold | 250,000$^*$ |
| $^*$ Sales figures based on certification alone. |||
# Art of Persia (TV series)

Art of Persia is a three-part 2020 BBC documentary series about the history and culture of Iran. The series is presented by Samira Ahmed.
# Arturia alcatraziensis

Arturia alcatraziensis is a species of calcareous sponge from Brazil. It is named after the Alcatrazes Islands where it was discovered.
# Arteaga Municipality

Arteaga Municipality may refer to one of two municipalities in Mexico:
* Arteaga Municipality, Michoacán
* Arteaga Municipality, Coahuila
# Artistic merit

Artistic merit is the artistic quality or value of any given work of art, music, film, literature, sculpture or painting.

## Obscenity and literary merit

The 1921 US trial of James Joyce's novel Ulysses concerned the publication of the Nausicaa episode by the literary magazine The Little Review, which was serializing the novel. Though not required to do so by law, John Quinn, the lawyer for the defence, decided to produce three literary experts to attest to the literary merits of Ulysses, as well as The Little Review's broader reputation. The first expert witness was Philip Moeller, of the Theatre Guild, who interpreted Ulysses using the Freudian method of unveiling the subconscious mind, which prompted one of the judges to ask him to "speak in a language that the court could understand". The next witness was Scofield Thayer, editor of The Dial, another literary magazine of the time, who "was forced to admit that if he had had the desire to publish Ulysses he would have consulted a lawyer first—and not published it". The final witness was English novelist, lecturer, and critic John Cowper Powys, who declared that Ulysses was a "beautiful piece of work in no way capable of corrupting the minds of young girls". The editors were found guilty under laws associated with the Comstock Act of 1873, which made it illegal to circulate materials deemed obscene in the U.S. mail, incurred a $100 fine, and were forced to cease publishing Ulysses in The Little Review. It was not until the 1933 case United States v. One Book Called Ulysses that the novel could be published in the United States without fear of prosecution.
Another important obscenity trial occurred 1960 in Britain, when the full unexpurgated edition of D. H. Lawrence's Lady Chatterley's Lover was published by Penguin Books. The trial of Penguin under the Obscene Publications Act 1959 was a major public event and a test of the new obscenity law. The 1959 act (introduced by Roy Jenkins) had made it possible for publishers to escape conviction if they could show that a work was of literary merit. Several academic critics and experts of diverse kinds, including E. M. Forster, Helen Gardner, Richard Hoggart, Raymond Williams, Norman St John-Stevas and John Robinson, Anglican bishop of Woolwich, were called as witnesses for the defence, and the verdict, delivered on 2 November 1960, was "not guilty". This resulted in a far greater degree of freedom for publishing explicit sexual material in the United Kingdom.
# MedicoLegal Investigations Ltd

MedicoLegal Investigations Ltd (MLI) was a United Kingdom private limited company which worked with pharmaceutical companies to investigate alleged fraud and misconduct in medical research. Based in Cambridge, England, it was established in July 1996 by Frank Wells, former Director of Medical Affairs for the Association of the British Pharmaceutical Industry, and Peter Jay, retired detective chief inspector for Scotland Yard and former senior investigator for the General Medical Council Solicitors, and described itself as an "independent external whistleblower service". The company was dissolved in 2013.
MLI worked primarily with the pharmaceutical industry to detect fraud in industry-funded medical research. The company asserted that it had investigated over eighty research studies in conjunction with the Association of British Pharmaceutical Industries, leading to disciplinary proceedings against 27 doctors at the General Medical Council (GMC), all but one of whom were found guilty of serious professional misconduct. The Sunday Times, The Observer, and the Daily Express have published articles examining MLI's investigations of doctors and research studies.
# Private Joy

"Private Joy" is a song by American musician Prince from his 1981 album Controversy, released as the B-side of the single "Do Me, Baby". The song describes how Prince will never reveal the identity of his secret lover. This is the first time Prince used the LM-1 machine, which he would use throughout his career.
In this bouncy disco-pop number, Prince explains that his lover is no one's but his. He sings about what they do together, and the times they share. He claims that he "strangled Valentino", and that she was "his ever since" and that she "belongs to Prince".
The song ends with guitar riffs and feedback from Prince, and segues into "Ronnie, Talk to Russia", the next track on Controversy. These guitar sounds were sampled and used in "Orgasm", a song on Prince's 1994 album Come.

## Track listings

* "Do Me, Baby" (edit) – 3:57
* "Private Joy" – 4:25

## Personnel

Sourced from Benoît Clerc and Guitarcloud.
* Prince – lead and backing vocals, Oberheim OB-X, ARP Omni, electric guitar, bass guitar, Linn LM-1, Pearl SY-1 Syncussion

## La Toya Jackson version

American singer La Toya Jackson covered this song for her 1984 album Heart Don't Lie. Her single had limited release in Japan as a 7" single. Her U.S. hit single "Heart Don't Lie" can be found on the B-side.
According to Jackson, Prince's publishing company, Controversy Music, "approached me about recording songs of his that hadn't gone over too big the first time around. They submitted several songs and I picked 'Private Joy' because it sounded so up-to-date." Though "Private Joy" was Jackson's favorite song from Heart Don't Lie, it was never released as a single outside Japan. Said Jackson at the time, "I loved the song and my record company loved it, but my father manages me and it was his decision to not release that cut."
The Los Angeles Times stated that "note for note, she matches Prince's intensity with her own hard-edged snap, crackle and pop."

### Track listings
#### Japan 7" (#07 SP 815)

* "Private Joy" – 4:51
* "Heart Don't Lie" (7") – 3:29

## Cheyne version

Artist Cheyne recorded a version for the soundtrack of the 1985 film Weird Science.

### Track listings
#### U.S. 12" vinyl (#MCA-23583)

* "Private Joy" (extended version) – 5:30
* "Private Joy" (instrumental) – 5:44
* "Private Joy" (bonus beats plus bass) – 4:28
# Alexander Whitelaw

Alexander Whitelaw (1823–1879) was a Scottish ironmaster, philanthropist and Conservative Member of Parliament (MP) for Glasgow from 1874 until his death.

## Life

Whitelaw was born in 1823 in Drumpark in Monklands and was educated at Grange School, Sunderland and then took some time to study mining. In 1846 he married Barbara Forbes Lockhart of Cambusnethan which established a marital connection to the Baird family. The Baird family founded the iron smelting firm of William Baird & Co., in which Whitelaw became a managing partner. The Baird family acquired the Gartsherrie coal fields in 1826 and the mansion and estate in 1834.
Through his philanthropy, he left endowments to churches and schools, including helping to found the Gartsherrie Academy, and for the 1863–1864 session he was Vice President of the Academy. Whitelaw's interest in education led him to become Chairman of the Glasgow School Board in 1873. One cartoon shows him having administered a thrashing to John Page Hopps, a fellow Board member with whom he had clashed.
In 1863, Whitelaw is recorded in the "Curler's Annual" as being the President of the Coatbridge Cricket Club.
Whitelaw was a Conservative and represented Glasgow as an MP from 1874 until his death in 1879. His second son Graeme was MP for North West Lanarkshire and his third son William was MP for Perth.
# Eduard Karsen

Johann Eduard Karsen (10 March 1860, Amsterdam - 31 October 1941, Amsterdam) was a Dutch Post-Impressionist painter, known for his moody scenes featuring villages and farmhouses; usually containing a solitary figure. He was associated with the literary movement known as the "Tachtigers" (The Eighties).

## Biography

He was the son of the Romantic painter, Kaspar Karsen. After a long apprenticeship with his father, he went to study at the Rijksakademie in Amsterdam. There, he became part of an influential group of young artists that included Antoon Derkinderen, Willem Tholen, Jacobus van Looy, Jan Veth, and Jan Toorop.
In 1880, along with Toorop, Dekinderen and Willem Witsen, he became one of the founders of the "Kunstenaarsvereniging Sint Lucas", a society inspired by the Guilds of Saint Luke which represented artists in the Low Countries during the Renaissance. Through Witsen and Albert Verwey, with whom he corresponded frequently, he was introduced into the literary circles of the Tachtigers. He was also a member of Arti et Amicitiae.
The year 1888 was a major milestone in his life. That was when he found himself passionately in love with the sculptor, Saar de Swart. He wrote that he could feel a barrier between them, but was attracted to her as if by "ten magnets". As it turned out, De Swart was a lesbian. She had great sympathy for him, but made it clear that no relationship was possible. He wrote to Willem Kloos (who had also been enamored of her) that it was terrible to suffer such grief and not be a poet. The novelist Frederik van Eeden, who was also a psychiatrist, advised Karsen to visit his friend Witsen in London, as a distraction.
During this time, his feelings changed from love to resentment and, upon returning to Amsterdam, he began to slander her. She retreated to Paris. His friend, Jan Veth, tried to help resolve the quarrel by organizing a "tribunal", but was unsuccessful. Karsen never got over it and avoided all of the people who had become involved in the affair for the rest of his life.

## Selected paintings

* The Begijnhof in Amsterdam
* Garden with blossoming fruit trees
* In early spring
* Garden mirror
# Cragus (Cilicia)

Cragus or Cragos or Kragos (Greek: Κράγος) was an ancient city in Cilicia, Asia Minor at the foot of Mount Cragus; its location is in modern-day Antalya Province, Turkey. Some scholars claim that it is the same city as Antiochia ad Cragum.
# Burnin' Down the House: Live at the House of Blues

Professional ratings :
| Review scores ||
| Source | Rating |
| The Penguin Guide to Blues Recordings | |
Burnin' Down the House: Live at the House of Blues is the third live album by Etta James and her twenty-eighth album overall, released in 2002. The album reached a peak position of number one on Billboard's Top Blues Albums chart.
A few of the cover songs on this album were also featured on some of James' past albums: Leave Your Hat On was on Etta James (1973), Your Good Thing Is About To End was on Stickin' to My Guns (1990), Rock Me Baby was on a previous live album Etta, Red-Hot & Live.
# Wing Commander (disambiguation)

Wing commander is a senior commissioned rank in the British Royal Air Force and air forces of many countries which have historical British influence.
Wing Commander may also refer to:
* Wing Commander (franchise), the Origin Systems computer game series and related franchise
** Wing Commander (video game), the first title in the Wing Commander computer game series
** Wing Commander (novel series), set in the game universe
** Wing Commander (film), a 1999 film based on the computer game
* Wing Commander, a 1984 flight simulator game published by Mastertronic, not related to the Wing Commander franchise
* Wing Commander (horse), a six-time World Grand Champion show horse
# Centenary Institute (disambiguation)

Centenary Institute is a medical research centre in Sydney, Australia.
Centenary Institute may also refer to:
* Centenary Institute (Alabama), former college in Summerfield, Alabama
* Morgan State University, formerly the Centenary Biblical Institute
# Violin Sonata No. 2 (Ysaÿe)

The Sonata for Solo Violin, Op. 27, No. 2 "Jacques Thibaud" is a sonata in four movements from Six sonatas for solo violin by Eugène Ysaÿe, each one dedicated to one of Ysaÿe's contemporary violinists.

## Characteristics of the "Thibaud" sonata

* Obsession; Prelude
* Malinconia
* Danse des Ombres; Sarabande
* Les furies
Sonata No. 2 was dedicated to Jacques Thibaud, a friend of Eugène Ysaÿe's. The fact that Thibaud had lived in Ysaÿe's home, and the fact that Ysaÿe once lent his Guarnerius and Stradivarius to Thibaud when Thibaud's violin adjustment was not ready for concert, show Ysaÿe's admiration for his friend. This sonata greatly resembles the style of Johann Sebastian Bach, and includes direct quotations of his music within.

### I. Obsession – Prelude: Poco vivace

At the very beginning of the movement, Ysaÿe directly quotes the beginning of Prelude from J. S. Bach's Partita No. 3 in E major for solo violin. Much like Bach's E major Prelude, the movement consists of virtuosic sixteenth notes throughout, yet Ysaÿe's use of chromatic tonality clearly sets the piece in the genre of early 20th century music. Direct quotes from Bach's Prelude appear frequently, showing Ysaÿe's "obsession" with Bach's work. Another prominent theme is the "Dies Irae", a plainchant from the Catholic Mass for the Dead. Ysaÿe often employed his own symbols to indicate specific directions to players; for example, in the 74th bar of this movement, he uses one of his symbols over the first note of each beat to indicate that these notes should be played by the whole bow.

### II. Malinconia – Poco lento

The Malinconia contrapuntally resembles the style of Bach, perhaps most of any of the movements of the second sonata. It employs the siciliano rhythm, found in the first solo sonata for violin by Bach. It specifies the violinist to play with a mute, to dampen the tone and volume, something fairly unusual for a solo sonata. The Dies irae is not stated within the movement until the final few bars, where it is played uninterrupted on top of a drone.

### III. Danse des ombres – Sarabande (Lento)

The sarabande is based on a theme-and-variation pattern. The theme itself is again a variation of Dies irae. In the first few bars, the theme is played with pizzicato, making it sound as if played by guitar or lute. The movement consists of six variations, and each variation develops gradually to the end. In the first variation, for example, Ysaÿe instructs the player not to use vibrato, in order to maintain a simple tone. The last variation is composed of technically demanding thirty-second notes, all played forte. Then, the theme is repeated, but this time, it is played with the bow.

### IV. Les Furies – Allegro furioso

The Dies Irae melody appears recurrently throughout the movement. Some of the Dies Irae figures are played sul ponticello, for instance in measures 41 and 58.
# Violin Sonata No. 3

Violin Sonata No. 3 may refer to:
* Violin Sonata No. 3 (Bantock) by Granville Bantock
* Violin Sonata No. 3 (Beethoven)
* Violin Sonata No. 3 (Brahms)
* Violin Sonata No. 3 (Enescu)
* Violin Sonata No. 3 (Grieg)
* Violin Sonata No. 3 (Guarnieri) by Camargo Guarnieri
* Violin Sonata No. 3 (Hill)
* Violin Sonata No. 3 (Medtner)
* Violin Sonata No. 3 (Mozart)
* Violin Sonata No. 3 (Villa-Lobos) by Heitor Villa-Lobos
* Violin Sonata No. 3 (Ysaÿe)