# Vince Guaraldi with the San Francisco Boys Chorus

Professional ratings :
| Review scores ||
| Source | Rating |
| All About Jazz | |
| Five Cents Please | |
Vince Guaraldi with the San Francisco Boys Chorus is an album collaboration between American jazz pianist Vince Guaraldi and the San Francisco Boys Chorus released in December 1967. It was Guaraldi's ninth studio album and the first to be released on his D&D record label (the only one during his lifetime), named for the first initials of his two children, David and Dia.

## Background

Faced with an ongoing legal dispute with Fantasy Records that began in early 1966, Guaraldi was unable to secure new recording contracts with other labels. As a result, he opted to create his own record label, D&D Records, named after his children, David and Dia. The first release under this label was a single featuring a cover of The Beatles’ "Eleanor Rigby," backed by a complete version of "Peppermint Patty," a song from the recent Peanuts television special, You're in Love, Charlie Brown (1967). Guaraldi intentionally chose the latter track, recognizing that the popularity of his Peanuts compositions would bolster the success of D&D’s inaugural release.
Guaraldi's interest in working with young voices was evident as early as the initial stages of his collaboration with the San Francisco Boys Chorus. As he explained, "I dig working with kids. They have a sound — a timbre — that’s really better than adults doing the same stuff. It’s the simplicity that counts. No filigree." This collaboration was first showcased at the Stern Grove Midsummer Music Festival on July 23, 1967. Guaraldi’s trio, with Vince Lateano on drums, performed alongside the 60-member Boys Chorus, under the direction of Donald Cobb. While Guaraldi praised the purity and youthful energy of the chorus, critical reception was mixed, with some commentators suggesting that the performance deviated from the jazz festival’s core focus and resembled a glee club performance instead.

## Recording

Following the festival, Guaraldi began recording additional tracks for what would become Vince Guaraldi with the San Francisco Boys Chorus at San Francisco’s Coast Recorders studio. He made the conscious decision to evenly divide the album’s content between traditional jazz trio arrangements and collaborations with the Boys Chorus. Guaraldi took full control of the production process, overseeing every detail of the sessions, from arranging to directing. His jazz trio — featuring Eddie Duran on guitar, Kelly Bryan and Roland Haynes on bass, and John Rae on drums — recorded four instrumental tracks, including the melancholic cover of "Eleanor Rigby" and two tracks from Guaraldi's previous collaboration with Lee Mendelson.
The Boys Chorus contributed to four additional tracks, with Tom Beeson on bass and Lee Charlton on drums. Their performance on Bob Dylan’s "Blowin' in the Wind" involved singing the lyrics, while their participation on other tracks provided vocal shading, echoing key phrases and adding atmospheric layers to the compositions. The blend of jazz and choral arrangements required careful orchestration, posing both artistic and technical challenges.
The recording process proved to be a complex and, at times, frustrating endeavor. According to Steve Rubardt, a former member of the Boys Chorus, the sessions were marred by delays and technical difficulties, partly stemming from Guaraldi’s limited experience directing such a large and diverse group. Additionally, the balance between the jazz trio and the chorus required meticulous attention, which often slowed progress. Guaraldi also faced financial constraints in producing the album, leading him to make the pragmatic decision to release the album in mono format as a cost-saving measure, despite the music industry’s broader transition to stereo recording.

## Release

Vince Guaraldi with the San Francisco Boys Chorus was eventually released on D&D Records. However, the album encountered significant challenges in reaching a wider audience. Distribution limitations, coupled with minimal promotional support, hindered its commercial success. The album’s hybrid nature — blending jazz with choral arrangements — also proved difficult for some listeners to embrace. Though it attracted some local attention, the album failed to achieve substantial commercial traction, and Guaraldi's independent label, D&D Records, did not release further albums.

## Critical reception

Guaraldi historian Derrick Bang noted that the album "has something of an identity crisis; although all eight cuts are presented in the breezy shuffle style that made [Guaraldi] famous, half the tracks employ the San Francisco Boys Chorus for background coloring, while the others are conventional instrumentals with various quartets."

## Track listing
### Original 1967 vinyl release

All tracks are written by Vince Guaraldi, except where noted

### 2005 CD release
## Personnel

Credits adapted from 2005 CD liner notes.
* Vince Guaraldi – piano
* Eddie Duran – guitar (Tracks 2, 4, 6, 8, 10)
* Tom Beeson – double bass (Tracks 1, 3, 5, 7)
* Kelly Bryan – double bass (Tracks 4, 6, 8, 10)
* Roland Haynes – double bass (Track 2)
* Lee Charlton – drums (Tracks 1, 3, 5, 7)
* John Rae – drums (Tracks 2, 4, 6, 8, 10)
* San Francisco Boys Chorus – vocals (Tracks 1, 3, 5, 7)

### Vince Guaraldi Consort (aka The Vince Guaraldi Sextet)

* Vince Guaraldi – piano (Track 9)
* John Gray – guitar (Track 9)
* Frank Rosolino – trombone (Track 9)
* Ronald Lang – woodwinds (Track 9)
* Monty Budwig – double bass (Track 9)
* John Rae – drums (Track 9)
* John Scott Trotter – arranger and conductor (Track 9)