# Graham Nash David Crosby

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Christgau's Record Guide | C− |
Graham Nash David Crosby is the first album by Crosby & Nash, the partnership of David Crosby and Graham Nash, released on Atlantic Records in 1972, catalog SD 7220. It peaked at No. 4 on the Billboard 200 albums chart, and a single taken from the album, "Immigration Man", peaked at No. 36 on the Billboard Hot 100 on June 17 and 24, 1972. It was certified gold by the RIAA, and it was dedicated to Joni Mitchell, as "to Miss Mitchell".

## History

After the split of Crosby, Stills, Nash & Young in the summer of 1970, all four members would release solo albums over the next 12 months. Neil Young and Stephen Stills would both pursue independent band projects through the early years of the decade, Young working with Crazy Horse and the Stray Gators, with Stills assembling Manassas. Both If I Could Only Remember My Name and Songs for Beginners respectively by Crosby and Nash fared well in the marketplace, and in the autumn of 1971 the duo embarked on a series of concerts together, unable or unwilling to include Stills and Young. However, Stills joined them for the September 30 performance at Carnegie Hall in New York. "Blacknotes" was recorded live, just before Stills took the stage for the second set. Two other live recordings from this concert were released in 2006 on Crosby's Voyage Box Set: "The Lee Shore" and "Traction in the Rain." All four members reunited at the Boston Music Hall on October 3 and back at Carnegie Hall the next night. The success of the tour led Crosby and Nash to take the new songs auditioned on the road into the recording studio.

## Content

Sessions for this album featured backing from notable guests Dave Mason and members of The Grateful Dead — Jerry Garcia, Phil Lesh and Bill Kreutzmann. Most of the musical support came from The Section, a quartet of in-demand session musicians on the West Coast in the 1970s. Consisting of Craig Doerge, Danny Kortchmar, Leland Sklar, and Russell Kunkel, they would appear on dozens of albums, notably those by James Taylor, Carole King, and Jackson Browne. They would also continue to work with Crosby & Nash for the remainder of the decade, both in the studio and on tour.
The songs continued the qualities that marked the pair's work with the larger aggregate, with Nash writing tighter pop songs including the album's hit, and Crosby exploring mood pieces and introspection, all amidst the duo's usual vocal harmonies. The commercial success of this album equaled that of the pair's two solo albums of the previous year, although it would not be until after the second break-up of CSNY following their 1974 summer tour that Crosby and Nash would sign an album contract as a unit with ABC Records. Following the release of this album, the duo toured in 1973 with a backing band including, at different times, David Lindley and future Eagles guitarist Don Felder.
The album was remastered for compact disc in 1998 as part of the Atlantic Original Sound series: 50 titles reissued in Europe to celebrate Atlantic Records' fiftieth anniversary. It is currently out of print, and American reissues still around use first generation digital remastering from the 1980s.

## Personnel

* David Crosby – vocals all tracks except "Blacknotes"; electric guitar on "Whole Cloth", "Page 43", "Frozen Smiles", "Girl to Be on My Mind", "The Wall Song" and "Immigration Man"; guitars on "Southbound Train", "Where Will I Be?" and "Games"
* Graham Nash – vocals; acoustic piano on "Whole Cloth", "Blacknotes", "Stranger's Room", "Frozen Smiles", "The Wall Song" and "Immigration Man"; Hammond organ on "Girl to Be on My Mind" and "The Wall Song"; harmonica on "Southbound Train", "Stranger's Room" and "Frozen Smiles"; guitar on "Southbound Train"

### Additional personnel

* Danny Kortchmar – electric guitar on "Whole Cloth", "Stranger's Room", "Page 43", "Frozen Smiles", "Games" and "Girl to Be on My Mind"
* Jerry Garcia – pedal steel guitar on "Southbound Train"; electric guitar on "The Wall Song"
* Dave Mason – electric guitar on "Immigration Man"
* Craig Doerge – electric piano on "Whole Cloth", "Where Will I Be?" and "Frozen Smiles"; acoustic piano on "Page 43", "Games" and "Girl to Be on My Mind"; Hammond organ on "Stranger's Room"
* Leland Sklar – bass on "Whole Cloth", "Stranger's Room", "Where Will I Be?", "Page 43", "Frozen Smiles", "Games" and "Girl to Be on My Mind"
* Chris Ethridge – bass on "Southbound Train"
* Phil Lesh – bass on "The Wall Song"
* Greg Reeves – bass on "Immigration Man"
* Russ Kunkel – drums on "Whole Cloth", "Stranger's Room", "Page 43", "Frozen Smiles", "Games" and "Girl to Be on My Mind"
* John Barbata – drums on "Southbound Train" and "Immigration Man"
* Bill Kreutzmann – drums on "The Wall Song"
* David Duke, Arthur Maebe, George Price – French horns on "Stranger's Room"
* Dana Africa – flute on "Where Will I Be?"

### Production

* Crosby & Nash, Bill Halverson – producers
* Bill Halverson, Doc Storch – engineers
* Jean Ristori – digital mastering
* Robert Hammer – photography
* David Geffen, Elliot Roberts – direction

## Charts

Chart performance for Graham Nash David Crosby :
| Chart (1972) | Peak position |
| US Billboard Top LPs | 4 |
| UK Album Charts | 13 |
| Canadian RPM 100 Albums | 6 |
| Dutch MegaCharts Albums | 4 |
| Australian Go-Set Top 20 Albums | 18 |
| Norwegian VG-lista Albums | 11 |
| Swedish Kvällstoppen Chart | 11 |
| US Cash Box Top 100 Albums | 4 |
| US Record World Album Chart | 2 |
Sales chart performance for singles from Graham Nash David Crosby :
| Year | Single | Chart | Position |
| 1972 | "Immigration Man" | US Billboard Hot 100 | 36 |
| 1972 | "Immigration Man" | Canada RPM Singles | 23 |
| 1972 | "Immigration Man" | US Top Singles (Cash Box) | 31 |
| 1972 | "Immigration Man" | US Top Singles (Record World) | 25 |
| 1972 | "Southbound Train" | US Billboard Hot 100 | 99 |
| 1972 | "Southbound Train" | US Top Singles (Cash Box) | 101 |
| 1972 | "Southbound Train" | US Top Singles (Record World) | 75 |

## Certification

| Region | Certification | Certified units/sales |
| United States (RIAA) | Gold | 500,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||

## Tour

Crosby & Nash tour dates surrounding this album.
| Date | City | Country | Venue | Notes |
| 11 September 1970 | Manchester | United Kingdom | BBC Studios | |
| Date | City | Country | Venue | |
| 30 January 1971 | Detroit | United States | University Of Detroit | |
| 10 September 1971 | Vancouver | Canada | Queen Elizabeth Theatre | |
| 11 September 1971 | Seattle | United States | Paramount Theater | |
| 14 September 1971 | Kansas City | United States | Music Hall | |
| 15 September 1971 | St. Louis | United States | | |
| 17 September 1971 | Milwaukee | United States | | |
| 18 September 1971 | Chicago | United States | Arie Crown Theatre | |
| 19 September 1971 | Minneapolis | United States | | |
| 21 September 1971 | Cincinnati | United States | Taft Theatre | |
| 22 September 1971 | Columbus | United States | | |
| 24 September 1971 | Detroit | United States | | |
| 25 September 1971 | Cleveland | United States | | |
| 27 September 1971 | Montreal | Canada | | |
| 28 September 1971 | Toronto | Canada | | |
| 30 September 1971 | New York City | United States | Carnegie Hall | Stephen Stills guests |
| 1 October 1971 | Hartford | United States | Bushnell Auditorium | |
| 3 October 1971 | Boston | United States | Boston Music Hall | Stephen Stills and Neil Young guest |
| 4 October 1971 | New York City | United States | Carnegie Hall | |
| 5 October 1971 | Philadelphia | United States | Academy Of Music | |
| 7 October 1971 | Dallas | United States | | |
| 10 October 1971 | Los Angeles | United States | Dorothy Chandler Pavilion | source for Another Stoney Evening |
| 11 October 1971 | Los Angeles | United States | Royce Hall | |
| 14 October 1971 | Berkerley | United States | Berkeley Community Theatre | |
| 15 October 1971 | Berkerley | United States | Berkeley Community Theatre | |
| 17 October 1971 | Cupertino | United States | Flint Centre | |
| 2 December 1971 | Manchester | United Kingdom | Manchester Odeon | |
| 4 December 1971 | London | United Kingdom | Royal Festival Hall | |
| Date | City | Country | Venue | |
| 11 March 1972 | Berkeley | United States | Berkeley Community Theatre | |
| 26 March 1972 | San Francisco | United States | Winterland Ballroom | Neil Young guests |
| Date | City | Country | Venue | |
| 11 March 1973 | Bakersfield | United States | Memorial Stadium | |
| 29 August 1973 | Illinois | United States | Southern Illinois University | |
| 1 September 1973 | New York | United States | Saratoga Performing Arts Centre | |
| 5 September 1973 | New York | United States | Barton Hall | |
| 28 October 1973 | Boston | United States | Boston Music Hall | |
| 7 November 1973 | New Jersey | United States | Capitol Theatre | |
| 10 November 1973 | South Bend | United States | Athletics And Convocation Centre | |
| 15 November 1973 | Durham | United States | Cameron Indoor Stadium | |
| 26 November 1973 | Atlanta | United States | Municipal Auditorium | |
| 28 November 1973 | Auburn | United States | Memorial Coliseum | |
| Date | City | Country | Venue | |
| 14 December 1974 | San Francisco | United States | | |