# Britain's Lost Masterpieces

Britain's Lost Masterpieces is a factual BBC Four documentary television series that aims to uncover overlooked art treasures in British public collections, in conjunction with Art UK. It is presented by Bendor Grosvenor, along with art historian Jacky Klein (series 1) and Emma Dabiri (series 2 to 5). The series also features the art restoration work of Simon Gillespie. In North American syndication, the series is called The Art Detectives.

## Development

Each episode begins with Grosvenor locating a prospective masterpiece in the digitized collection of Art UK. The restoration work of Gillespie's shop is key to a successful attribution.
There was a minor dispute regarding similarities between Britain's Lost Masterpieces and the previous show Grosvenor was on, Fake or Fortune?
The COVID-19 pandemic delayed production of Series 5, planned for Spring 2020. Production resumed in October 2020, only for Grosvenor to catch COVID-19.

## Episodes
### Series 1

Series one, comprising three episodes, was aired in September and October 2016.
| No. overall | No. in series | Title | Directed by | Original air date | UK viewers (000s) |
| 1 | 1 | "Swansea" | Spike Geilinger | 28 September 2016 (2016-09-28) | 575 |
| A 17th century work by Jacob Jordaens found in Swansea museum. ||||||
| 2 | 2 | "Aberdeenshire" | Spike Geilinger | 3 October 2016 (2016-10-03) | 633 |
| Three works, including a landscape by Claude and a Madonna attributed "After Raphael". The discovery caused considerable excitement at the time of broadcast, but three years later in 2019, experts concluded that it was "probably not" by Raphael. ||||||
| 3 | 3 | "Belfast" | Spike Geilinger | 5 October 2016 (2016-10-05) | 413 |
| Works by Pieter Brueghel the Younger. ||||||

### Series 2

Series two was aired in September and October 2017.
| No. overall | No. in series | Title | Directed by | Original air date | UK viewers (000s) |
| 4 | 1 | "Glasgow" | David Starkey | 29 September 2017 (2017-09-29) | 546 |
| Pollok House, Glasgow – a portrait of George Villiers, 1st Duke of Buckingham, is examined by the team. The picture was thought to be a copy of a work by Sir Peter Paul Rubens, but after thorough cleaning and restoration, it is shown to be the original painting by Rubens. ||||||
| 5 | 2 | "Derby" | Spike Geilinger | 5 October 2017 (2017-10-05) | 523 |
| Derby Museum and Art Gallery – an investigation is made of a veduta painting of the Ponte Nomentano on the outskirts of Rome. Once the heavy overpainting is removed, the picture is revealed to be a work by Joseph Wright of Derby, which is confirmed by art historian Brian Allen. ||||||
| 6 | 3 | "Carmarthenshire" | David Starkey | 11 October 2017 (2017-10-11) | 604 |
| Carmarthenshire County Museum – a portrait of the 2nd Earl of Carbery is restored extensively and attributed to Sir Peter Lely, while a painting of the earl's second wife, Frances, has its attribution changed from Lely to Mary Beale. ||||||
| 7 | 4 | "Arbroath" | Spike Geilinger | 18 October 2017 (2017-10-18) | 784 |
| Hospitalfield House, Arbroath – a portrait of an unknown man is investigated, which takes Grosvenor to the Prado museum in Madrid. After the painting is cleaned and restored, it is identified as a work by Antonis Mor, and the picture is authenticated by Professor Joanna Woodall of the Courtauld Institute of Art. ||||||
* Portrait of George Villiers (attributed to Rubens)
* Ponte Nomentano (attributed to Wright)
* The 2nd Earl of Carbery (attributed to Lely)
* The Countess of Carbery (attributed to Beale)

### Series 3

Series three was aired in August 2018.
| No. overall | No. in series | Title | Directed by | Original air date | UK viewers (000s) |
| 8 | 1 | "Devon" | Spike Geilinger | 17 August 2018 (2018-08-17) | 664 |
| Knightshayes Court, Tiverton – a small painting depicting a young Rembrandt that was classified as a mere copy of his Self-Portrait with Dishevelled Hair undergoes technical analysis, which suggests that it is actually from Rembrandt's workshop. Once the portrait's overpainting is removed, Grosvenor believes that it is a preparatory study by Rembrandt himself, but the Rembrandt expert Ernst van de Wetering is not convinced and still feels that it is a copy. ||||||
| 9 | 2 | "Manchester" | Spike Geilinger | 23 August 2018 (2018-08-23) | 639 |
| Manchester Art Gallery – a painting that was thought to be a portrait of Charles Burney and attributed to Nathaniel Dance is restored and shown to be a work by Johann Zoffany. ||||||
| 10 | 3 | "Petworth" | Spike Geilinger | 30 August 2018 (2018-08-30) | 795 |
| Petworth House, Petworth – a portrait of an unknown Genoese lady has the name Rubens displayed on its frame label, but Grosvenor believes that it is by Rubens' pupil, Anthony van Dyck. In addition, a painting of a young cardinal (possibly Giulio della Rovere), which had its attribution downgraded in the past from Titian to "School of Titian", is restored and re-attributed to Titian himself. ||||||

### Series 4

Series four was aired in October and November 2019.
| No. overall | No. in series | Title | Directed by | Original air date |
| 11 | 1 | "Oxford" | Spike Geilinger | 30 October 2019 (2019-10-30) |
| Bodleian Library, Oxford – an examination is made of a portrait depicting a young man, George Oakley Aldrich, who graduated from the University of Oxford and became a medical doctor. The picture is thought to be a Grand Tour portrait that was painted in Rome around 1750. After considerable research and cleaning, the painting is identified as a work by Pompeo Batoni, which is confirmed by art historian Robin Simon. |||||
| 12 | 2 | "Birmingham" | Spike Geilinger | 6 November 2019 (2019-11-06) |
| Birmingham Art Gallery – two landscape paintings are investigated. The first one was bought in 1924 as a work by Thomas Gainsborough, but it subsequently lost that attribution. Once the painting is cleaned, expert analysis finds that the quality is not good enough to be a late work by Gainsborough. However, the picture is thought to be by Thomas Barker of Bath, who painted in the style of Gainsborough. The second landscape is in bad condition, and several areas had been heavily overpainted. Extensive restoration work is carried out to repair the damage, and the picture is revealed to be a collaboration between two artists. Most parts were painted by Joos de Momper, while the figures (known as 'staffage') are attributed to the workshop of Jan Brueghel the Elder, possibly by Jan Brueghel the Younger working in his father's studio. |||||
| 13 | 3 | "Cardiff" | Spike Geilinger | 13 November 2019 (2019-11-13) |
| National Museum of Wales, Cardiff – a painting from the late 15th century of a Madonna and Child is examined. After restoration and the removal of some unattractive overpainting, the picture is attributed to the studio of Sandro Botticelli, and parts of it may have been painted by the master himself. |||||
* George Oakley Aldrich (attributed to Batoni)

### Series 5

The first two episodes of series five were aired in February 2021, followed by a third in February 2022.
| No. overall | No. in series | Title | Directed by | Original air date |
| 14 | 1 | "Brighton" | Spike Geilinger | 1 February 2021 (2021-02-01) |
| Brighton Museum & Art Gallery – two paintings of religious subjects are investigated, and Bendor has an idea of who painted them. After the works are thoroughly cleaned and restored, their respective artists are confirmed by experts. The first portrait is of a penitent Mary Magdalene, which is revealed to be by Francesco Trevisani. The second portrait is of Saint Balthazar, which was painted by Joos van Cleve. |||||
| 15 | 2 | "Tatton Park" | Spike Geilinger | 8 February 2021 (2021-02-08) |
| Tatton Hall, Knutsford – when a 16th-century portrait is first looked at, Bendor initially thinks that it may be by Parmigianino. However, after the painting is cleaned and extensively restored, his opinion changes, and the work is attributed to Francesco Salviati, who was influenced by Parmigianino. The bearded man in the portrait is believed to be Realdo Colombo, an Italian surgeon and professor. |||||
| 16 | 3 | "Glasgow" | Spike Geilinger | 7 February 2022 (2022-02-07) |
| Glasgow Museums Resource Centre – an examination is made of a portrait of a lady, which appears to be an unfinished work or preparatory study. The painting is analysed to determine if wax had been used in the paint, which would prevent cleaning. No wax is detected, but additionally the painting is coated with an old layer of very hard varnish, like boat varnish, which cannot be removed without damaging the paint. This makes proper cleaning almost impossible. So a 3D printing reproduction is created to show what restoration might have achieved. Grosvenor believes that the original was painted by Sir Joshua Reynolds, and this attribution is confirmed by expert Martin Postle. The portrait was long thought to be of Elizabeth Ann Linley, but there is doubt about this. Postle feels that the lady looks more like Anne, Duchess of Cumberland and Strathearn, but the sitter's identity remains unclear. |||||