# Fiona Banner

Fiona Banner (born 1966), also known as The Vanity Press, is a British artist. Her work encompasses sculpture, drawing, installation and text, and demonstrates a long-standing fascination with the emblem of fighter aircraft and their role within culture and especially as presented on film. She is well known for her early works in the form of 'wordscapes', written transcriptions of the frame-by-frame action in Hollywood war films, including Top Gun and Apocalypse Now. Her work has been exhibited in prominent international venues such as the Museum of Modern Art, New York and Hayward Gallery, London. Banner was shortlisted for the Turner Prize in 2002.

## Life

Fiona Banner was born on Merseyside, North West England in 1966. She studied at Kingston University and completed her MA at Goldsmiths College of Art in 1993. The next year she held her first solo exhibition at City Racing. Since graduating from Goldsmiths College of Art, Banner has continued to evolve an important, considered and interrelated practice, rooted in language. Publishing, in the broadest sense, is central to her practice.
In 1995, she was included in General Release: Young British Artists held at the XLVI Venice Biennale.
Since 1994 Banner has created handwritten and printed texts - 'wordscapes' - that retell in her own words entire feature films, including Point Break (1991) and The Desert (1994), or particular scenarios in detail. Her work took the form of solid single blocks of text, often the same shape and size as a cinema screen. She also investigates the formal components of written language, giving significance to the symbols that punctuate sentences.
In 1997, when she published THE NAM, she started working under the imprint of The Vanity Press, and has since published an extensive archive of books, objects and performances, many questioning the notion of authorship and copyright. For Banner, the act of publishing is itself a performative one. Consequently, her work resits traditional notions of grandeur and exclusivity, instead deploying a pseudo formality that is playful and provocative. THE NAM is a 1,000-page book which describes the plots of six Vietnam films in their entirety: the films are Apocalypse Now, Born on the Fourth of July, The Deer Hunter, Full Metal Jacket, Hamburger Hill and Platoon.
Following her shows at the Neuer Aachener Kunstverein [de], and Dundee Contemporary Arts, Banner was nominated for the Turner Prize in 2002.
Since early 2000, Banner has been working with pornographic film as a basis for an exploration of our obsession with sex, and the extreme limits of written communication. In large, densely filled works she transcribe the varied sexual activities taking place in Asswoman in Wonderland, starring Tiffany Minx, who also directed this X-rated version of Alice's fictional adventures. Banner's own Arsewoman in Wonderland (2001), presented in the Turner Prize exhibition, is a 4 x 6 m printed description of the film pasted and layered sheet after sheet onto the wall like and overladen billboard. 'I wanted to make some work about sex but I couldn't describe it. I was too close to it and I did not have the words that close to hand. I looked again at ports as a way of investigating my own taboo. Just as with the war films I enjoyed it but found it hard to grasp; it was intimate yet distant, seductive yet sometimes repulsive. My response to the film was very emotional.' The Guardian asked, "It's art. But is it porn?" calling in "Britain's biggest porn star", Ben Dover, to comment. The prize was won that year by Lancastrian artist Keith Tyson.
In 2009 she issued herself an International Standard Book Number (ISBN 0-9548366-7-7), and registered herself as a publication under her own name. She was then photographed with the ISBN tattooed on her lower back.
In 2010, she was selected to create the 10th Duveen Hall commission at Tate Britain for which she transformed and displayed two decommissioned Royal Air Force fighter jets.
On 1 October 2010, in an open letter to the British government's culture secretary Jeremy Hunt—co-signed by a further 27 previous Turner prize nominees, and 19 winners—Banner opposed any future cuts in public funding for the arts. In the letter the cosignatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity."
Banner’s work includes sculpture, drawing and installation; text is the core of her oeuvre. She is one of the "key names", along with Jake and Dinos Chapman, Gary Hume, Sam Taylor-Wood, Tacita Dean and Douglas Gordon, of the Young British Artists.

## Other works

* Onyx, Bookman, Courier 2018 Full stop inflatables (Installation Breeder, Athens)
* SS19 The Walk (and Buoys Boys) 2018 High definition digital film (Installation Breeder, Athens)
* SS19 The Walk 2018 Performed at DRAFx: An Evening of Performances (o2 Kentish Town Forum, London)
* Buoys Boys 2016, Full Stop inflatables, Sculptural performance (De La Warr Pavilion, Bexhill-on-sea)
* Buoys Boys 2016, High definition digital film
* STAMP OUT PHOTOGRAPHIE 2014 (V-A-C collection Whitechapel Gallery, London)
* 1066 2012 Wall projection (Turner Contemporary, England)
* The Exquisite Corpse Will Drink the Young Wine 2012 Musical Performance / Screening (The Welsh Congregational Chapel, Borough, London)
* Performance Nude 2010 Performance with David Salas (Claire de Rouen / Other Criteria Book Launch, London)
* Mirror 2007 Performance with Samantha Morton (Whitechapel Gallery, London)

## Exhibitions
### 1994

    Pushing Back The Edge Of The Envelope, City Racing, London

### 1995

    Viewing Room, Luhring Augustine Gallery, New York

### 1997

    The Nam : 1000 page all text flick book, London
    Only the Lonely, Frith Street Gallery, London

### 1998

    Art Now, Tate Britain, London
    LOVE DOUBLE, Barbara Thumm Gallery, Berlin

### 1999

    Statements, Basel Art Fair
    ASTERISK, Gesellschaft für Aktuelle Kunst, Bremen
    Don't Look Back, Brooke Alexander, New York
    THE NAM and Related Material, Printed Matter, New York
    STOP, Frith Street Gallery, London

### 2000

    Soixante-Neuf, Charles H Scott Gallery, Emily Carr Institute, Vancouver

### 2001

    ARSEWOMAN, Murray Guy, New York
    ARSEWOMAN, Barbara Thumm Gallery, Berlin
    Rainbow, 24/7, Hayward Gallery, London

### 2002

    My Plinth is Your Lap, Neuer Aachener Kunstverein, Aachen
    My Plinth is Your Lap, Dundee Contemporary Arts, Dundee

### 2003

    Fiona Banner, 1301PE, Los Angeles, CA

### 2006

    Arsenal, Barbara Thumm Gallery, Berlin
    Arsewoman in Wonderland, Barbara Thumm Gallery, Berlin

### 2007

    Peace On Earth, Tate Britain, London
    Every Word Unmade, Barbara Thumm Gallery, Berlin
    The Bastard Word, Power Plant, Toronto

### 2010

    The Naked Ear, Frith Street Gallery, London
    Harrier and Jaguar, Tate Britain Duveens Commission 2010, Tate Britain, London
    Tornado, Co-commission by Locus+ and Great North Run Culture, 2010, Newcastle
    All the World's Fighter Planes, Musée d'art de Joliette, Québec

### 2011

    Snoopy Vs The Red Baron, Barbara Thumm Gallery, Berlin

### 2012

    Unboxing, The Greatest Film Never Made, 1301PE, Los Angeles

### 2013

    The Vanity Press, Summerhall, Edinburgh (Catalogue)

### 2014

    Wp Wp Wp, Yorkshire Sculpture Park, Wakefield
    Mistah Kurtz, He Not Dead, PEER, London

### 2015

    Scroll Down And Keep Scrolling, Ikon Gallery, Birmingham, UK
    FONT, Frith Street Gallery, London

### 2016

    Au Cœur des Ténèbres, mfc-Michele Didier, Paris, France
    Buoys Boys, De La Warr Pavilion, Bexhill, UK
    Fiona Banner, Barbara Thumm Gallery, Berlin
    Scroll Down And Keep Scrolling, Kunsthalle Nürnberg, Germany
    Fiona Banner, 1301PE, Los Angeles
    Study #13. Every Word Unmade, Fiona Banner, David Roberts Art Foundation, London

### 2017

    Runway AW17, De Pont Museum, Tilburg, Netherlands

### 2018

    Buoys Boys, Mission Gallery, Swansea, Wales

### 2019

    Fiona Banner aka The Vanity Press, Libby Leshgold Gallery, Emily Carr University of Art and Design, Vancouver, Canada
    Fiona Banner aka The Vanity Press, Independent Art Fair, Barbara Thumm Gallery, New York, USA
    Full Sea Stop Scape, Barbara Thumm Gallery, Berlin, Germany

### 2020

    PERIOD, Museum Voorlinden, Netherlands

### 2021

    Pranayama Typhoon, Barakat Contemporary, Seoul, Korea