# Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.

## Winners and nominees
### 1990s

| Year | Film | Winners/Nominees |
| 1998 | Best Sound Editing – Direct to Video – Sound | Best Sound Editing – Direct to Video – Sound |
| 1998 | Young Hercules | Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors) |
| 1998 | Adventures in Odyssey: A Stranger Among Us | |
| 1998 | Batman & Mr. Freeze: SubZero | |
| 1998 | Belle's Magical World | |
| 1998 | The Brave Little Toaster Goes to Mars | |
| 1998 | Dennis the Menace Strikes Again | |
| 1998 | Scooby-Doo on Zombie Island | |
| 1999 | Best Sound Editing – Direct to Video – Sound Editorial | Best Sound Editing – Direct to Video – Sound Editorial |
| 1999 | Alvin and the Chipmunks Meet Frankenstein | Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Clark Conrad, Jay Keiser (ADR editors); David De Coster, Adam DeCoster, Sharon Michaels, Timothy Pearson, Paige Pollack, Noel Vought (Foley artists); John Asman, Sam Black, David M. Weishaar (re-recording mixers); Jeff Courtie (foley mixer); Michael S. Wren (recordist) |
| 1999 | Animaniacs: Wakko's Wish | Robert Hargreaves (supervising sound editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising ADR editor); George Brooks (sound effects editor); Linda Di Franco, John Hegedes (dialogue editors) |
| 1999 | Bartok the Magnificent | Mark Server (supervising sound/Foley editor); Scott Seymann (supervising dialogue editor); Michael Ferdie (supervising ADR editor); Robert Bender, Jeff Snodgrass, Fiona Trayler, Tom Wheeler (sound editors) |
| 1999 | The Christmas Lamb | Gregory Cathcart, Gary Falcone, Joe Pizzulo (supervising sound editors); Devon Bowman, Sanaa Kelley (dialogue editors) |
| 1999 | Mickey's Once Upon a Christmas | Jennifer Mertens (supervising sound/ADR editor); Thomas A. Harris (supervising Foley editor); Eric Hertsguaard (supervising dialogue editor); Rick Hammel, Brian F. Mars, Otis Van Osten, Charles Rychwalski, Kenneth Young (sound editors) |
| 1999 | Revelation | Mark Beck (supervising sound editor); Alan deGraaf (supervising Foley editor); Steve Munro (supervising dialogue editor); Tim Roberts (supervising ADR editor); Colin Baxter (sound editor); Catherine Hutton, David Drainie Taylor (dialogue editors) |
| 1999 | Scooby-Doo! and the Witch's Ghost | Cecil Broughton, Tim Gedemer (supervising sound editors); Stuart Ablaza (supervising Foley editor); Tim Iverson (supervising ADR editor); John Bires (sound effects/Foley editor); Rick Hinson (sound editor); Bruce Greenspan, Jim Hearn, Rick Hinson, Kerry Iverson (sound editors) |

### 2000s

| Year | Film | Winners/Nominees |
| 2000 | Scooby-Doo and the Alien Invaders | Tim Gedemer (supervising sound editor), Cecil Broughton (supervising Foley editor), Kerry Iverson (supervising dialogue editor), Rick Hinson (sound editor), Stuart Ablaza (Foley editor), Jim Hearn (dialogue editor) |
| 2000 | An American Tail: The Mystery of the Night Monster | Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Michael C. Gutierrez (Foley editor); Geoff McNiel, Michelle C. Stein (dialogue editors); Jay Keiser (ADR editor) |
| 2000 | The Little Mermaid II: Return to the Sea | David E. Stone (supervising sound editor), Vanessa Theme Ament (supervising Foley editor), Mary Andrews (supervising ADR editor), Donald Flick (sound editor) |
| 2000 | Pilgrim | Mark Beck (supervising sound editor), Virginia Storey (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor/supervising ADR editor) |
| 2000 | Road Rage | Mark Beck (supervising sound editor); Virginia Storey (supervising Foley editor); Katherine Fitzgerald (supervising dialogue editor); Scot Marshall (supervising ADR editor); Robert Carli, Steven Toepell (sound editors) |
| 2000 | Stonebrook | David Bondelevitch (supervising sound editor/supervising dialogue editor); Greg Back (supervising Foley editor); Laurence A. Ellis (supervising ADR editor); Barry Keys, Scott Spencer, Joseph Zappala, Donald P. Zappala (sound editors) |
| 2000 | Tribulation | Steve Munro (supervising sound editor); Virginia Storey (supervising Foley editor); Ray Campbell (supervising dialogue editor); Tim Roberts (supervising ADR editor); Colin Baxter, Ken Cade (sound editors); David Drainie Taylor (dialogue editor) |
| 2000 | Turbulence 2: Fear of Flying | Dorian Cheah, Paula Fairfield (supervising sound editors); Robert Jackson (supervising dialogue editor/supervising ADR editor); Sarah Smith (sound editor/Foley editor); Benjamin L. Cook, Craig Jurkiewicz, David Mann, Michael Mullane, Carla Murray, Anne Slack (sound editors); David Grant, Steve Scoville (dialogue editors); Jed M. Dodge, Jason George (ADR editors) |
| 2001 | Best Sound Editing – Direct to Video | Best Sound Editing – Direct to Video |
| 2001 | A Texas Funeral | William Dotson (supervising sound editor); Harry Cohen (sound designer/sound effects editor); Pembrooke Andrews (supervising Foley editor); Cathie Speakman (supervising dialogue/ADR editor); Jeff K. Brunello, Rebecca Hanck, Jeffrey R. Whitcher (sound effects editors); Frederick H. Stahly (dialogue editor) |
| 2001 | Apocalypse IV: Judgment | Steven Toepell (supervising sound editor); Steve Hammond, Virginia Storey (supervising Foley editors); Wayne Swingle (supervising dialogue/ ADR editor) |
| 2001 | Manhattan Steamroller: The Christmas Angel | Victor Iorillo, Doug Kent (supervising sound editors); Michael Babcock, John Edwards-Younger, Jeff Sawyer (sound effects editors); Larry Goeb (ADR editor) |
| 2001 | Mannheim Steamroller: Fresh Aire 8 | Victor Iorillo (supervising sound editor), Michael Babcock (sound editor), Larry Goeb (ADR editor) |
| 2001 | Road to Redemption | Mathew Waters (supervising sound editor); Thomas Jones (supervising ADR editor); Benjamin L. Cook, Michael Mullane, Johanna Turner (sound effects editors); Robert Getty, Michael Hertlein (dialogue editors); Alec St. John (Foley editor) |
| 2001 | Scooby-Doo and the Cyber Chase | Cecil Broughton, Tim Gedemer (supervising sound editor); Eileen Horta (supervising Foley editor); Mark Keatts (supervising dialogue editor); Rick Hinson, Glenn Oyabe, Dave Rowe (sound editors) |
| 2001 | Tremors 3: Back to Perfection | Joseph Zappala (supervising sound editor), Barry Keys (supervising Foley editor), George R. Groves Jr. (supervising dialogue editor/sound effects editor), Scott Bernstein (supervising ADR editor), Greg Back (sound effects editor), James Christopher (dialogue editor) |
| 2002 | The Adventures of Tom Thumb and Thumbelina | Timothy J. Borquez (supervising sound editor/re-recording mixer), Thomas Syslo (supervising sound editor), Eric Freeman (supervising dialogue editor), Eileen Horta (supervising ADR editor) |
| 2002 | Cowboy Up | Patrick Dodd, John C. Stuver (supervising sound editors); Christopher Emerson, Michael Jonascu, Michael Payne (sound effects editors); Francesca Estevez (dialogue editor); Anne Laing (ADR editor); David Bondelevitch, Daniel DiPrima (music editors) |
| 2002 | Deceived | Mark Shnuriwsky (supervising sound editor), Steve Hammond (supervising Foley editor), Janice Ierulli (supervising dialogue editor), Robert Warchol (sound editor), Gary Koftinoff (music editor) |
| 2002 | Larryboy: The Cartoon Adventures- Fly By Might and Angry Eyebrows | Scott Pinkerton (supervising sound/dialogue editor/adr/music editor), Thomas Chan (supervising sound/music editor) |
| 2002 | Left Behind II: Tribulation Force | Tom Bjelic (supervising sound editor), Virginia Storey (supervising Foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor) |
| 2002 | Rock My World | Mark Beck (supervising sound editor), Steve Hammond (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor), Wayne Swingle (supervising ADR editor), Mara Ladico (sound editor), Jonathan Goldsmith (music editor) |
| 2002 | The Skulls II | Nelson Ferreira (supervising sound editor); Rob Bertola, Tony Currie, Tim Isle (sound editors) |
| 2002 | Storm Watch | Patrick M. Griffith (supervising sound editor/foley/dialogue/ADR editor), Timothy Pearson (supervising Foley editor), Stephen M. Galvin (supervising dialogue/ADR editor), Steve McCarty (sound editor) |
| 2003 | Best Sound Editing in Direct to Video | Best Sound Editing in Direct to Video |
| 2003 | Bionicle: Mask of Light | Timothy J. Borquez (supervising sound editor/music editor); Roy Braverman (supervising sound editor); Matt Brown (supervising dialogue editor); Jason Freedman, Eric Freeman, Morgan Gerhard, Gordon Hookailo, Jeff Hutchins, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound editors) |
| 2003 | 101 Dalmatians II: Patch's London Adventure | Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); G.W. Brown, Adam Kopald, Todd Toon (sound editors); Dominick Certo (music editor) |
| 2003 | Imaginext: Fortress of the Dragon | |
| 2003 | Inspector Gadget 2 | Vic Kaspar (sound designer/supervising dialogue/ADR editor); Stefan Kluka (supervising Foley editor); John Kincade (supervising ADR editor); Julius Chan, Liam Egan, Mark Franken (sound effects editors); Matt Connolly (dialogue editor); Simon Leadley, Tim Ryan (music editors) |
| 2003 | Left Behind II: Tribulation Force | Tom Bjelic (supervising sound editor), Virginia Storey (supervising Foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor) |
| 2003 | Stitch! The Movie | Otis Van Osten (sound designer), Jody Thomas (supervising Foley editor); Jason Oliver (supervising dialogue/ADR editor); Ron Salaises, Kenneth Young (sound effects editors); Dominick Certo (music/scoring editor) |
| 2003 | Timequest | Mark Beck (supervising sound editor); Steve Hammond (supervising Foley editor); Jonas Kuhnemann (supervising dialogue editor); Danielle McBride, David Moffat (sound editors); Daniel Peter Kolton (music editor) |
| 2003 | Unconditional Love | Avram D. Gold (supervising sound/dialogue/ADR editor); Richard L. Anderson (supervising sound editor); Jim Weidman (supervising music editor); Elliott Koretz, George Simpson, David A. Whittaker (sound effects editors); Rick Mitchell (Foley editor); Donald J. Malouf (dialogue editor); Barbara McDermott, David Olson, Joe E. Rand (music editors) |
| 2003 | Under Heavy Fire | |
| 2004 | Bionicle 2: Legends of Metru Nui | Timothy J. Borquez (supervising sound/music editor); Roy Braverman (supervising sound editor); Eric Freeman (supervising dialogue editor); Doug Andham (supervising ADR editor); Michael Geisler, Gordon Hookailo, Mark Howlett, Jeff Hutchins, Marc Mailand, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound effects editors); Jason Freedman (Foley editor) |
| 2004 | The Chronicles of Riddick: Dark Fury | Scott Martin Gershin, Glynna Grimala (supervising sound editors); Bryan Bowen, Bryan Celano, Lisle Engle, Tom Ozanich, Steve Tushar, Peter Zinda (sound editors) |
| 2004 | Hollywood North | Nelson Ferreira (supervising sound/dialogue/ADR editor), Kevin Banks (supervising sound/music/sound effects editor), Craig Henighan (sound effects editor) |
| 2004 | The Lion King 1½ | Ronald Eng (supervising sound editor); Willard Overstreet (supervising Foley editor); Tammy Fearing (supervising dialogue/ADR editor); Doug Jackson, Chuck Michael, Steve Tushar (sound editors); Dominick Certo (music editor) |
| 2004 | Mickey's Twice Upon a Christmas | Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Todd Toon (sound effects editor); Charles W. Ritter (Foley editor); G.W. Brown, Devon Heffley Curry, Lisa J. Levine (dialogue editors); Tammy Fearing (ADR editor); Dominick Certo (music editor) |
| 2004 | The Skulls III | Nelson Ferreira (supervising sound/dialogue/ADR editor), Rob Bertola (supervising sound/ADR editor), Mike Welker (ADR editor), Kevin Banks (music editor) |
| 2005 | Ark | Mike Draghi (supervising sound editor); Stephen P. Robinson (sound designer); Ernie Sheesley (supervising Foley editor); Gordon Suffield (supervising dialogue editor); Kyle Clausen, Mike Garcia (sound editors); Steven A. Saltzman (music editor); Adam DeCoster, Paige Pollack (Foley artists) |
| 2005 | The Batman vs. Dracula | Timothy J. Borquez, Thomas Syslo (supervising sound editors); Tony Orozco (supervising Foley editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising ADR editor); Doug Andham, Daniel Ben-Shimon, Keith Dickens, Ron Ruzicka, Daisuke Sawa (sound editors); Mike Garcia, Mark Keefer, Chuck Smith (dialogue editors); Johs Wu (music editor); Sean Rowe (Foley artist) |
| 2005 | Bionicle 3: Web of Shadows | Timothy J. Borquez (supervising sound/music editor); Thomas Syslo (supervising sound editor); Tony Orozco (supervising Foley editor); Eric Freeman (supervising dialogue editor); Robert Crew (supervising ADR editor); Roy Braverman (sound effects editor); Doug Andham, Keith Dickens, Jason Freedman, Mark Howlett, Jeff Hutchins, Daisuke Sawa, Greg Schorer (sound editors); Brian F. Mars (dialogue editor); Sean Rowe (Foley artist) |
| 2005 | Control | Jack Levy (supervising sound editor), Daniel Colman (sound designer), Vince Balunas (supervising dialogue editor), Chris Boyett (supervising ADR editor), Chris McGeary (music editor), Doug Madick (Foley artist) |
| 2005 | Cypher | Stephen Barden, Craig Henighan (supervising sound editors); Joe Bracciale (dialogue editor); Jill Purdy (ADR editor); Tom Kramer (music editor) |
| 2005 | Left Behind: World at War | Mark Beck (supervising sound editor), Virginia Storey (supervising Foley editor/artist), Fred Brennan (supervising dialogue editor), Richard Calistan (supervising ADR editor), Dan Sexton (sound editor), Gary Chang (music editor) |
| 2005 | Nothing | Stephen Barden, Craig Henighan (supervising sound editors); Jill Purdy (dialogue editor); Kevin Banks (music editor); John Sievert (Foley artist) |
| 2006 | Best Sound Editing in a Direct to Video Project | Best Sound Editing in a Direct to Video Project |
| 2006 | The Fox and the Hound 2 | Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Charles W. Ritter (sound effects/dialogue editor); Todd Toon (sound effects editor); Tanya Noel Hill, Charles Martin Inouye (music editors) |
| 2006 | Connors' War | Mark Lanza (supervising sound editor); Vic Radulich (supervising dialogue editor); Michael Mullane (sound effects editor); James Bairian, Louis Castle (music editors) |
| 2006 | Leroy & Stitch | Melinda Dilger, Otis Van Osten (supervising sound editors); Trevor Sperry (supervising Foley editor); Jason Oliver (supervising dialogue/ADR editor); Wes Otis, Jeff Shiffman (sound effects editors); Michael Tavera (music editor) |
| 2006 | Three and a Half | Mark Beck (supervising sound editor), Steve Hammond (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor), Richard Calistan (supervising ADR editor), Bill Halliday (music editor) |
| 2006 | Ultimate Avengers: The Movie | Clive H. Mizumoto, Ron Salaises (supervising sound editors); John Brengman (supervising Foley editor); Mike Garcia (supervising dialogue editor); Mike Draghi (sound effects/dialogue/music editor); Kyle Clausen, Timothy A. Cleveland, Paul J. Diller, Stephen P. Robinson, Kenneth Young (sound effects editors); Mark Ryan (music editor) |
| 2006 | Ultimate Avengers 2: Rise of the Panther | Mike Draghi, Stephen P. Robinson (supervising sound editors); David Ball (supervising Foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Mark Lanza (sound effects editors); David W. Barr (ADR editor); Mark Ryan (music editor) |
| 2007 | Best Sound Editing – Direct to Video | Best Sound Editing – Direct to Video |
| 2007 | Return to House on Haunted Hill | Bill R. Dean (supervising sound editor); Dane Davis (sound designer); Christopher Alba (supervising Foley editor); Stephanie Brown (supervising dialogue editor); Bobbi Banks (supervising ADR editor); Drew Yerys (sound editor); Angela Hackner, Paul Hackner, Andrew Twite, Greg Ward (dialogue editors); Richard Adrian, Greg Hedgepath (sound design) |
| 2007 | Superman: Doomsday | Robert Hargreaves (supervising sound editor/designer/Foley artist); Mark Keatts (supervising sound editor/sound designer); Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor); John Hegedes (foley recordist) |
| 2007 | Amazing Journey: The Story of The Who | Bill R. Dean (supervising sound editor); Steve Nelson (supervising Foley editor); Paul Hackner (supervising dialogue editor); Greg Hedgepath, James Morioka, Anthony Roza, Drew Yerys (sound editor); Stephanie Brown (dialogue editor); Paul Crowder (music editor) |
| 2007 | The Invincible Iron Man | Mike Draghi, Stephen P. Robinson (supervising sound editors/sound designers); David Ball (supervising Foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Stuart Provine, Tim Walston (sound editors); Mark Ryan (music editor) |
| 2007 | The Veteran | Mark Shnuriwsky (supervising sound editor/sound designer); Joe Mancuso (supervising dialogue editor); Richard Calistan (supervising ADR editor); Mark Beck, Kevin Howard, Dan Sexton (sound effects editors); Alastair Gray, Rob Hegedus, Jonas Kuhnemann (dialogue editors); Eric Cadesky, Nick Dyer (music editors) |
| 2008 | Batman: Gotham Knight | Robert Hargreaves (supervising sound editor/designer/sound effects editor/Foley artist); Mark Keatts (supervising dialogue editor); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor) |
| 2008 | Futurama: Bender's Game | Travis Powers (supervising sound editor), Paul D. Calder (supervising dialogue editor), Scott Schirle (music editor) |
| 2008 | Get Smart's Bruce and Lloyd: Out of Control | Gregory M. Gerlich (supervising sound/ADR editor); Sandy Berman (sound designer); David M. Cowan (supervising dialogue editor); Stuart Calderon, Timothy A. Cleveland, Paul J. Diller (sound effects editors); Jeremy J. Gordon (ADR editor); Robb Boyd (music editor); Shelley Roden, Jody Thomas (Foley artists), |
| 2008 | Justice League: The New Frontier | Timothy J. Borquez, Thomas Syslo (supervising sound editors); Mark Keatts (supervising dialogue/ADR editor); Doug Andham, Keith Dickens, Eric Freeman, Tony Orozco, Daisuke Sawa (sound effects editors); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Kevin Manthei (music editor); Diane Greco, Sean Rowe (Foley artists) |
| 2008 | Weirdsville | Mark Gingras (supervising sound editor), Steve Hammond (supervising Foley editor), Allan Fung (supervising dialogue editor), John Rowley (music editor) |
| 2009 | Family Guy: Something, Something, Something, Dark Side | Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Brian Nichols (sound effects editor); Patrick S. Clark, Mark Eklund (dialogue editor); Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (Foley artist), |
| 2009 | B.O.B.'s Big Break | John Marquis (supervising sound editor); Jonathan Klein (supervising Foley editor); P.K. Hooker (sound effects editor); Adam Milo Smalley (music editor); Alyson Dee Moore, John Roesch (Foley artists) |
| 2009 | Caprica: Pilot | Daniel Colman (supervising sound/designer); Jack Levy (supervising sound editor); Sam C. Lewis (supervising Foley editor); Vince Balunas (supervising dialogue/ADR editor); Jeff K. Brunello (Foley editor); Michael Baber (music editor); Doug Madick, Richard Partlow (Foley artists) |
| 2009 | Exit Speed | George Haddad (supervising sound/dialogue/Foley editor); David Barbee, Bradley C. Katona (sound designers/effects editors); Hugh Murphy (supervising Foley editor); Edmund J. Lachmann (supervising ADR editor/, dialogue/ADR editor); David Baldwin (sound effects editor); Charlie Kolander (dialogue editor); Giorgio Bertuccelli (music editor); Zane D. Bruce, Joseph T. Sabella (Foley artists) |
| 2009 | Lionelville: Destination Adventure | Rick Hinson (supervising sound editor); Jeffrey Kettle (supervising Foley editor); William Hinson (sound effects editor); Sanaa Kelley, Cynthia Merrill (Foley artists) |
| 2009 | Tinker Bell and the Lost Treasure | Donald J. Malouf (supervising sound/designer); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Randy Babajtis (sound effects editor); Eliza Pollack Zebert (dialogue editor); Dominick Certo (music editor); John T. Cucci, Dan O'Connell (Foley artists) |
| 2009 | Wrong Turn 3: Left for Dead | Trip Brock, Peter D. Lago (supervising sound editors); Steven Avila (sound designer); Alexander Pugh (sound effects editor); Brian S.M. Wroth (dialogue editor); Ginger Geary (Foley artist) |

### 2010s

| Year | Film | Winners/Nominees |
| 2010 | Best Sound Editing – Direct to Video – Live Action | Best Sound Editing – Direct to Video – Live Action |
| 2010 | 30 Days of Night: Dark Days | Eric Lalicata (supervising sound editor); Ryan Gegenheimer (sound designer/effects editor); Matthew C. Beville (supervising Foley editor); Dhyana Carlton-Tims (supervising dialogue editor, dialogue editor); Sean Gray, Eryne Prine (sound effects editors); John Sanacore, Ryan Young (ADR editors); Jaclyn Newman Dorn (music editor); Alex Ullrich (Foley artist) |
| 2010 | Caprica: Apotheosis | Daniel Colman (supervising sound/ designer); Jack Levy (supervising sound editor); Jeff K. Brunello (sound designer); Sam C. Lewis (supervising Foley editor); Vince Balunas (supervising dialogue editor); Sara Bencivenga (supervising ADR editor); Stefani Feldman (group ADR editor); Michael Baber (music editor); Doug Madick, Monique Reymond (Foley artists) |
| 2010 | Lost Boys: The Thirst | Steven Avila (supervising sound editor/designer); Trip Brock (supervising sound editor); Peter D. Lago (sound designer); Chris McGeary (supervising music editor); Alexander Pugh (sound effects editor); Irene Montero (Foley editor); Skip Williams, Brian S.M. Wroth (dialogue editors); Ben Whitver (ADR editor); Jenny Leite (music editor); Tara Blume, Rick Owens (Foley artists) |
| 2011 | Love | Bob Kellough (supervising sound editor/designer), Craig Henighan (supervising sound editor), Andy Koyama (sound editor), Steve Baine (Foley artist) |
| 2011 | Beethoven's Christmas Adventure | Patrick Giraudi (supervising sound editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Trip Brock (Foley editor); John Gilbert (dialogue editor); Michael T. Ryan (music editor); Lorita de la Cerna, Rick Owens (Foley artists) |
| 2011 | Street Kings 2: Motor City | Eric Lalicata (supervising sound editor); Ryan Gegenheimer, Charles Maynes (sound designers); John Sanacore (supervising Foley editor); Joshua Aaron Johnson (supervising dialogue editor); Amy Felton (supervising ADR editor); Cory Milano (music editor); Alex Ullrich (Foley artist) |
| 2012 | Fire with Fire | David Barber (supervising sound editor); Sean Gray, Ken Skoglund (sound designers); Gonzalo Espinoza (supervising foley/ADR editor, Foley artist); David Kitchens (Foley artist) |
| 2012 | 12 Dogs of Christmas: Great Puppy Rescue | Carlos Sanches (supervising sound editor); Josh Eckberg, Peter D. Lago (sound designers); John Sanacore (supervising Foley editor); Jason Oliver (supervising dialogue editor); Kurt Godwin, Wes Kobernick, Lesley Saucier, Jake Zuckerberg (sound effects editors); Andrzej Warzocha (music editor); Gregg Barbanell, Alex Ullrich (Foley artists) |
| 2012 | Cowgirls 'n Angels | Eric Lalicata (supervising sound editor); Eryne Prine (sound designer); Dhyana Carlton-Tims (supervising dialogue editor); Sergio R. Rocha (sound effects editor); Tara Blume, Alex Ullrich (Foley artists) |
| 2012 | El Gringo | Jon Vogl (supervising sound editor); David Barbee, Steve Papagiannis (sound designers); Peggy Blum (supervising Foley editor); Matt Coby (supervising dialogue editor); Bradley C. Katona, Jesse Kees (sound effects editors); Monique Reymond (Foley artist) |
| 2012 | Item 47 | Andrew DeCristofaro (supervising sound editor); Ann Scibelli, Tim Walston (sound designers); Kerry Carmean-Williams (supervising Foley editor); Glynna Grimala (supervising ADR editor); Tim Kimmel (supervising dialogue editor); Michael Payne, Gayle Wesley (sound effects editors); Gary A. Hecker, Gary Marullo (Foley artists) |
| 2012 | Osombie | Peter D. Lago, Carlos Sanches (sound designers); Phillip Raves (supervising Foley editor, Foley editor); Robert Ramirez, Jake Zuckerberg (sound effects editors); James Schafer (music editor); Aaron Davies, Anthony Ferro, Andrea Laird, Cindy Raves (Foley artists) |
| 2012 | Werewolf: The Beast Among Us | Glenn T. Morgan (supervising sound editor); Mike Chock (sound designer); Ben Wilkins (supervising Foley editor); Joe Dzuban, Justin Dzuban, Lauren Hadaway (sound editors); Chris Foster (music editor); Stella Valente (Foley artist) |
| 2013 | Agent Carter | Andrew DeCristofaro (supervising sound editor); Michael Payne, Ann Scibelli (sound designers); Laura Harris Atkinson (supervising dialogue editor); Gary A. Hecker, Gary Marullo (Foley artists) |
| 2013 | The Baytown Outlaws | Eric Lalicata (supervising sound editor); Jeremy B. Davis, Ryan Gegenheimer (sound designers); Shaun Cunningham (supervising Foley editor); Tom Boykin (supervising dialogue editor); Tara Blume (Foley artist) |
| 2013 | Empire State | David Barber (supervising sound/dialogue editor); Gonzalo Espinoza (supervising foley/ADR editor); Steven Avila, Sean Gray, Peter D. Lago (sound effects editors); Ben Zarai (dialogue editor); David Kitchens (Foley artist) |
| 2013 | Evidence | Darren 'Sunny' Warkentin (supervising sound editor/designer); Lon Bender (supervising sound editor); Kris Fenske (sound designer); Shawn Kennelly (supervising Foley editor); Chris Johnston (supervising dialogue/ADR editor, re-recording mixer); Tim Hoogenakker, Anthony Vanchure (sound editors); Julie Pearce (music editor) |
| 2013 | The Frozen Ground | David Barber (supervising sound editor); Gonzalo Espinoza (supervising foley/ADR editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Sean Gray, Ben Zarai (dialogue editors); David Paul Dorn (music editor); David Kitchens (Foley artist) |
| 2013 | Lord of Darkness | Trip Brock (supervising sound editor); Peter D. Lago (sound designer); Greg Mauer (supervising Foley editor); Steven Avila, Alexander Pugh (sound effects editors); Matt Salib, Ian Shedd, Kate Sheil (Foley editors); Jackie Johnson, Brian S.M. Wroth (dialogue editors); Ben Whitver (ADR editor); James Bailey (Foley artist) |
| 2014 | Stonehearst Asylum | Lon Bender (supervising sound editor/designer); Bill R. Dean (supervising sound editor); Kris Fenske (sound designer); Rachel Chancey (supervising Foley editor); Bobbi Banks (supervising dialogue/ADR editor); Chad Birmingham, John Carbonara (supervising music editors); Patrick Cicero, Dino Dimuro, Hector C. Gika, David Raines, Allan Zaleski (sound effects editors); Ryan Collison (Foley artist) |
| 2014 | The Christmas Dragon | Carlos Sanches (supervising sound/dialogue/ADR editor, sound designer); Joshua Aaron Johnson (sound designer); Phillip Raves (supervising Foley editor); James Schafer (supervising music editor); Scott Evan Anderson, Keith R. Anderson (Foley artists) |
| 2014 | Leprechaun: Origins | Lon Bender, Darren 'Sunny' Warkentin (supervising sound editors); Rusty Dunn, Kris Fenske (sound designers); Geordy Sincavage (supervising Foley editor); Lauren Hadaway (supervising dialogue/ADR editor); Steven A. Saltzman (supervising music editor); Frank Buckner, Dino Dimuro, Anthony Vanchure, Ryan Wassil (sound effects editors); Tim Hoogenakker (dialogue/ADR editor); David De Coster, Sanaa Kelley (Foley artist) |
| 2014 | The Prince | David Barber (supervising sound/dialogue editor); Sean Gray, Ben Zarai (sound designers); Gonzalo Espinoza (supervising foley/dialogue/ADR editor); David Kitchens (Foley artist) |
| 2014 | Red Sky | David Barber (supervising sound/dialogue/ADR editor); Ben Zarai (supervising sound editor); Ken Skoglund (sound designer); Gonzalo Espinoza (supervising Foley editor); Tim Williams (supervising music editor); Sean Gray, Steve Urban (sound effects editors); David Kitchens (Foley artist) |
| 2014 | Wer | Trip Brock (supervising sound editor); Ben Whitver (supervising ADR editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Matt Salib (Foley editor/artist); T.J. Boyd, Greg Mauer, Raymond Park (Foley editors); Jackie Johnson, Ian Shedd (dialogue/ADR editor); James Bailey (Foley artist) |
| 2015 | All the Wilderness | Steven Avila, Trip Brock (supervising sound editors); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor); Rickley W. Dumm, Alexander Pugh (sound effects editors); Terry Boyd Jr. (Foley editor); Jackie Johnson (dialogue/ADR editor); Kenny Woods (music editor); Sanaa Kelley, Matt Salib (Foley artists) |
| 2015 | 7 Minutes | Trip Brock (supervising sound editor); Steven Avila (sound designer); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor, dialogue/ADR editor); Raymond Park, Alexander Pugh (sound effects editors); Terry Boyd Jr., Matt Salib (Foley artists) |
| 2015 | Last Shift | Dave Chmela, Michael Orlowski (supervising sound editors); Colin Hart, Lee Riley (sound designers); Ben Conley, Joy Elett, Jeff King, James Rouse (sound effects editors); Ryan Maguire (Foley editor); Adam Barber (music editor); Tara Blume (Foley artist) |
| 2015 | Listening | David Barber (supervising sound editor, sound effects editor), David Kitchens (supervising sound editor, Foley artist), Steve Urban (sound designer), Gonzalo Espinoza (supervising foley/ADR editor), Ben Zarai (supervising dialogue editor), Edward White (supervising music editor), Sean Gray (sound effects/dialogue/ADR editor) |
| 2015 | Lost River | Lon Bender (supervising sound editor); Huldar Freyr Arnarson, Kris Fenske (sound designers); Geordy Sincavage (supervising Foley editor); Robert Fernandez, Greg Hedgepath (supervising dialogue editors); Jason Tregoe Newman (supervising music editor); Jonah Guelzo, Peter Staubli, Scott Wolf, Allan Zaleski (sound effects editors); Dan Kenyon, Ryan Wassil (Foley editors); Paul Hackner, Daniel S. Irwin (dialogue/ADR editors); Tara Blume, Vincent Guisetti (Foley artists) |
| 2015 | War Pigs | Carlos Sanches (supervising sound editor); Charles Maynes, Matthew Thomas Hall (sound designers/effects editors); Phillip Raves (supervising Foley editor); Gregory M. Gerlich (supervising dialogue editor); Alex Kharlamov (supervising music editor); Joshua Aaron Johnson (sound effects editor); Stephanie Brown, David M. Cowan, Matt Vowles (dialogue/ADR editors); Scott Evan Anderson (Foley artist) |
| 2015 | We Are Still Here | Tom Boykin, Eric Lalicata, Dan Snow (supervising sound editors); Ryan Gegenheimer (sound designer); Brian Dunlop (supervising dialogue editor); Tara Blume (Foley artist) |
| 2016 | The Duel | David Barber (supervising sound editor); Sean Gray, Ken Skoglund, Steve Urban (sound effects editors); Micah Loken (dialogue editor); Michael Kreple (ADR editor); Ben Zarai (music editor); Gonzalo Espinoza, David Kitchens (Foley artists) |
| 2016 | Broken Vows | Sean Higgins, Eric Lalicata (supervising sound editors); Dan Snow (audio lead); Ryan Gegenheimer, Kyle Lane (sound effects editors); Leah Putlek (Foley editor); Dhyana Carlton-Tims (dialogue editor) |
| 2016 | Rattle the Cage | Trip Brock (supervising sound editor); Raymond Park (sound designer); Bruce Stubblefield (supervising dialogue editor); Zheng Jia, John Kochanczyk, Rory O'Shea, G.W. Pope III (sound effects editors); Terry Boyd Jr. (Foley editor); Ian Shedd (dialogue editor); Sanaa Kelley, Matt Salib (Foley artists) |
| 2016 | The Thinning | Trip Brock (supervising sound editor); Raymond Park (sound designer); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor); Sean Heissinger, Zheng Jia (sound effects editors); Jordan McClain (Foley editor); Sanaa Kelley, Matt Salib (Foley artists) |
| 2016 | USS Indianapolis: Men of Courage | David Barber (supervising sound editor); Roland N. Thai (sound designer); David Barbee, Sean Gray, Ben Zarai (sound effects editors); David Kitchens (Foley editor); Karol Urban (dialogue editor); Zigmund Gron (music editor); Gonzalo Espinoza (Foley artist) |
| 2017 | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media | Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media |
| 2017 | In Search of Fellini | Ben Zarai (supervising sound editor, sound designer); David Barber (supervising sound editor, dialogue editor); Michael Lanoue (Foley editor); Michael Kreple (ADR editor); Jennifer Nash (music editor); Gonzalo Espinoza, David Kitchens (Foley artists) |
| 2017 | The Babysitter | Dror Mohar (supervising sound editor); Robert Jackson (supervising ADR editor); Jamie Hardt (Foley editor); Mark Ryan, Lodge Worster (music editors); Miguel Barbosa (Foley artist) |
| 2017 | Havenhurst | Tom Boykin, Eric Lalicata (supervising sound editors); Alex Weiss (sound designer); Dan Snow (audio lead); Ryan Maguire, Leah Putlek (Foley editors); Kyle Lane (ADR editor); Tara Blume (Foley artist) |
| 2017 | Imperial Dreams | Steven Avila, Trip Brock, Raymond Park (sound effects editors); Terry Boyd Jr., Matt Salib (Foley editors); Jackie Johnson, Ian Shedd (dialogue editors); Ben Whitver (ADR editor) |
| 2017 | Little Evil | Mac Smith (supervising sound editor); Luke Dunn Gielmuda, Jonathan Greber (Foley editors); Brad Semenoff (dialogue editor); Angela Claverie, Chris McGeary (music editors); Andrea Gard (Foley artist) |
| 2017 | Revolt | Ethan Beigel, Chad J. Hughes (supervising sound editors); David Barnaby, Shaun Cunningham, Chris Terhune (sound effects editors); Charlie Kolander (dialogue editor); Carsten Richter (Foley artist) |
| 2018 | Extinction | Will Files, P.K. Hooker (supervising sound editors); Lisa J. Levine (supervising ADR editor); Justin M. Davey, Ken McGill (sound effects editors); Ryan Cole, Polly McKinnon (dialogue editors); Brett Pierce (music editor); Steve Baine (Foley artist) |
| 2018 | The Christmas Chronicles | Mark Mangini (supervising sound editor); Byron Wilson (supervising dialogue editor); Charlie Campagna, Eliot Connors, Piero Mura (sound effects editors); Ezra Dweck, Albert Gasser (Foley editors); Hugh Waddell (ADR editor); Fernand Bos (music editor) |
| 2018 | Game Over, Man! | Bruce Barris, Elliott Koretz (supervising sound editors); Susan Dudeck (supervising dialogue editor); Thom Brennan, Joseph Tsai (Foley editors); Chase Keehn (dialogue editor); Darrell Hall (music editor); Dawn Lunsford, Alicia Stevenson (Foley artists) |
| 2018 | My Dinner with Hervé | Odin Benitez, Byron Wilson (supervising sound editors); Charlie Campagna, Greg Hedgepath, Dave McMoyler (sound effects editors); Del Spiva (supervising music editor); Jordan McClain (Foley editor); Michael J. Benavente (dialogue editor); Nicholas Fitzgerald, Lance Povlock (music editors); Geordy Sincavage (Foley artist) |
| 2018 | Tau | Mattias Eklund (supervising sound editor); Magnus Alakangas, Alexander Berggren, Fredrik Dalenfjäll, Eric Hector (sound effects editors); Kimberly Harris (dialogue editor); Ulf Olausson (Foley artist) |
| 2019 | Togo | Odin Benitez, Todd Toon (supervising sound editors); Martyn Zub (sound designer); Christopher Bonis, Luke Gibleon, Jason King, Adam Kopald (sound effects editors); Walter Spencer (Foley editor); John C. Stuver (dialogue editor); Dave McMoyler (ADR editor); Peter Oso Snell (music editor); Mike Horton, Tim McKeown (Foley artists) |
| 2019 | Deadwood: The Movie | Daniel Colman, Mandell Winter (supervising sound editors); Ben Cook (sound designer); Eryne Prine (Foley editor); Brian Armstrong, Shane Hayes, Bernard Weiser (dialogue editors); Dhyana Carlton-Tims, Rob Chen (ADR editors); Stephanie Gangel, Micha Liberman, Jillinda Palmer (music editors) |
| 2019 | Escape Plan: The Extractors | David Barber (supervising sound editor), Roland Thai (sound designer), George Haddad (sound effects editor), David Kitchens (Foley editor), Michael Kreple (ADR editor), Ben Zarai (music editor), Gonzalo "Bino" Espinoza (Foley artist) |
| 2019 | Guava Island | Trevor Gates (supervising sound editor); Jason Dotts (supervising ADR editor); Matthew Thomas Hall, Paul Knox (sound effects editors); Walter Spencer (Foley editor); Jesse Kees (dialogue editor); Devaughn Watts (music editor); Mike Horton, Tim McKeown (Foley artists) |
| 2019 | IO | Mac Smith (supervising sound editor/sound designer), Brandon Proctor (sound designer), Richard Gould (Foley editor), Brad Semenoff (dialogue editor), Chris Gridley (ADR editor), Heikki Kossi (Foley artist) |
| 2019 | Lady and the Tramp | Andrew DeCristofaro, Darren 'Sunny' Warkentin (supervising sound editors); David Esparza (sound designer); Bryan Lawson (supervising music editor); Michael Payne, Matthew Wilson (sound effects editors); Geordy Sincavage (Foley editor); Kelly Oxford (dialogue editor); David Stanke (ADR editor); Erica Weis (music editor) |
| 2019 | Mary | David Barber (supervising sound editor); Karol Urban (dialogue editor); George Haddad, Roland N. Thai, Steve Urban, Ben Zarai (sound effects editors); David Kitchens (Foley editor); Michael Kreple (ADR editor); Gonzalo Espinoza (Foley artist) |
| 2019 | O.G. | Frederic Dubois, Dror Mohar (supervising sound editors); Tapio Liukkonen (Foley artist) |

### 2020s

| Year | Film | Winners/Nominees | Network |
| 2020 | The Ultimate Playlist of Noise | Odin Benitez (supervising sound editor); Russell Topal (sound designer); Ryan Briley (supervising ADR editor); Rustam Gimadlyev (Foley editor); Katerina Tolkishevskaya (music editor); Natalia Syeryakova, Bogdan Zavarzin (Foley artist) | Hulu |
| 2020 | Bad Education | Gene Park (supervising sound editor), Ric Schnupp (sound effects editor), Craig Kyllonen (dialogue editor), Colin Alexander (ADR editor), Shari Johanson (music editor) | HBO |
| 2020 | Bliss | Steve Boeddeker, Lee Salevan (supervising sound editors); Igor Nikolić (Foley editor); Michael Feuser (dialogue editor); Lidia Tamplenizza (ADR editor); Jay Peck (Foley artist) | Amazon |
| 2020 | Blow the Man Down | Chris Foster (supervising sound editor); Laura Heinzinger (Foley editors); Michael Flannery, Matt Rigby (dialogue editors); John Bowen, Nora Linde (ADR editors); Brian McOmber (music editor) | Amazon |
| 2020 | Troop Zero | Sean McCormick, Erin Oakley (supervising sound editors); Dylan Barfield, Andrew Neil, Paul Pirola (sound effects editors); Troy Mauri (Foley editor); Robert Chen, Will Riley (dialogue editors); Adrian Medhurst (Foley artist) | Amazon |
| 2020 | The Bygone | David Barber (supervising sound editor); Dave Eichhorn, George Haddad, Roland Thai, Ben Zarai (sound effects editors); Michael Kreple (Foley editor); Gonzalo "Bino" Espinoza, David Kitchens (dialogue editors) | Tubi |
| 2020 | Dolly Parton's Christmas on the Square | Trip Brock (supervising sound editor); Jacob Ortiz (supervising ADR editor); Marc S. Perlman, Michael T. Ryan (supervising music editors); Raymond Park (sound effects editor); Jackie Johnson, Bruce Stubblefield (dialogue editors); Michael Farrow, Tom Ruttledge (music editors) | Netflix |
| 2020 | Safety | Christopher S. Aud, Byron Wilson (supervising sound editors); Steve Durkee (supervising music editor); Phil Barrie, Greg ten Bosch, Aaron Glascock (sound effects editors); Terry Rodman (Foley editor); Daniel Saxlid (dialogue editor); Sanaa Kelley, Matt Salib (Foley artists) | Disney+ |
| 2021 | Outstanding Achievement in Sound Editing – Non-Theatrical Feature | Outstanding Achievement in Sound Editing – Non-Theatrical Feature | Outstanding Achievement in Sound Editing – Non-Theatrical Feature |
| 2021 | Infinite | Mandell Winter, David Esparza (supervising sound editors); Hamilton Sterling (sound designer); Will Digby (sound effects editor); Micah Loken, Sang Kim (dialogue editors); Eryne Prine (Foley editor); Mark "Vordo" Wlodarkiewicz, Dan O'Connell, John Cucci (Foley artists) | Paramount+ |
| 2021 | Fear of Rain | David Barber (supervising sound editor); David Kitchens (Foley editor); Ben Zarai (sound effects editor); David Barbee (sound designer); Gonzalo "Bino" Espinoza (Foley artist); Michael Kreple (ADR editor) | Hulu |
| 2021 | Fear Street Part Two: 1978 | Trevor Gates (supervising sound editor); Jason Dotts (supervising dialogue editor); Matthew Thomas Hall, Russell Topal Mark Coffey (sound effects editors); Kristen Hirlinger, Harrison Meyle (dialogue editors); Sandra Fox (Foley artist); Brett "Snacky" Pierce (music editor) | Netflix |
| 2021 | The Ice Road | Trip Brock (supervising sound editor); Charles Maynes (sound designer); Jacob Ortiz (supervising ADR editor); Jackie Johnson (dialogue editor); Raymond Park Demetri Evdoxiadis (sound effects editors); Lorita de la Cerna, G.W. Pope, III (Foley artists); Nicholas Fitzgerald (music editor) | Netflix |
| 2021 | Oslo | Lewis Goldstein (supervising sound editor); Gina Alfano (supervising ADR editor); Peter John Still (sound designer); Alex Soto, Alfred DeGrand (sound effects editors); Thomas Ryan (dialogue editor); Wen Tseng (Foley editor); Leslie Bloome, Joanna Fang (Foley artists) | HBO Max |
| 2022 |
| 2022 | Prey | Chris Terhune, Will Files (supervising sound editors); James Miller (sound designer); Christopher Bonis, Diego Perez, Lee Gilmore (sound effects editors); Jessie Anne Spence (supervising dialogue editor); David Bach, Korey Pereira (dialogue editors); Nick Seaman, Roni Pillischer (Foley editors); Annie Taylor (supervising Foley editor); Leslie Bloome, Shaun Brennan (Foley artists) | Hulu |
| 2022 | Pinocchio | Bjørn O. Schroeder, Leff Lefferts (supervising sound editors); Randy Thom (sound designer); Malcolm Fife, Pascal Garneau, Teresa Eckton, Goeun Everett (sound effects editors); James Spencer (dialogue editor); Chris Frazier, Dee Shelby (Foley editors); Christopher Manning (supervising Foley editor); John Roesch, Shelley Roden (Foley artists) | Disney+ |
| 2022 | Weird: The Al Yankovic Story | Anthony Vanchure (supervising sound editor); Mike James Gallagher (sound designer); Sanaa Kelley, Iris Dutour, Luke Kelley (Foley artists) | The Roku Channel |
| 2022 | Women of the Movement | Bobbi Banks (supervising sound editor); Nancy MacCleod (sound effects editor); Fred Stahly (dialogue editor); Sanaa Kelly (Foley artist) | ABC |