# List of paintings by Edward Burne-Jones

This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.

## 1850s

| Image Title | Year | Location | Dimensions (cm.) | Medium |
| Arthur with Excalibur | 1858 | Private collection (likely) | | |
| A Knight and his Lady | 1859 | Private collection (likely) | | |

## 1860s

* Girls in a Meadow (1860), private collection.
* Sidonia von Bork 1560 (1860), Tate Britain, London.
* Clara von Bork 1560 (1860), Tate Britain, London.
* Merlin and Nimue from 'Morte d'Arthur' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
* The Goldfish Pool or Girl and Goldfish (1861), Tullie House Museum, Carlisle.
* Clerk Saunders (1861), Tate Britain, London.
* The Annunciation and the Adoration of the Magi (1861), Tate Britain, London.
* The Backgammon Players (1861–62), Birmingham Museum & Art Gallery, Birmingham.
* Morgan le Fay (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.
* The Madness Of Sir Tristram (1862), private collection.
* King Mark and La Belle Iseult (1862), Birmingham Museum & Art Gallery, Birmingham.
* Fair Rosamund and Queen Eleanor (1862), Tate Britain, London.
* Cinderella (1863), Museum of Fine Arts, Boston.
* The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
* Astrologia (1865), private collection. Listed at Bridgeman Art Library.
* Princesse Sabra (1865), Musée d'Orsay, Paris.
* The Lament (1865), William Morris Gallery.
* The Prioress' Tale (1865–98), Delaware Art Museum.
* Cupid and Psyche (1865), Manchester Art Gallery, Manchester. Second version (c. 1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.
* The Garland: A Girl Tending Flowers (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
* The Mirror of Venus (1866–1877), private collection. Later version, completed simultaneously:
** 1873–1877 at the Calouste Gulbenkian Foundation, Lisbon.
* Charity (1867), private collection. Listed at Bridgeman Art Library.
* Cupid Delivering Psyche (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham. Three later versions of the same subject (all listed at Bridgeman Art Library).
** 1867 at the Cecil Higgins Art Gallery.
** c1871 at Sheffield Galleries and Museums Trust.
** date unknown, private collection.
* The Love Song (c. 1868–1873), Metropolitan Museum of Art, New York.
* Green Summer (1868), private collection. Listed at Bridgeman Art Library.
* Laus Veneris (1869), Laing Art Gallery, Newcastle upon Tyne.
* Autumn (1869–70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.

## 1870s

* Evening Star (1870), private collection. Listed at Bridgeman Art Library.
* Phyllis and Demophoon (1870), Birmingham Museum & Art Gallery, Birmingham.
* The Sleeping Beauty (1870–1873), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
* The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including:
** c.1870 at the Carlisle City Art Gallery, Carlisle.
** c.1870 at the Watts Gallery, Compton.
** 1871–1877 at the National Gallery of Victoria, Melbourne. and
** 1871–1885 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
** 1877–1883 at the Musée d'Orsay, Paris.
** c.1882 at the National Museum of Wales, Cardiff (unfinished).
* Fame (c.1870), Watts Gallery, Compton.
* Love or The Triumph of Love (c.1870), Watts Gallery, Compton.
* Oblivion (c.1870), Watts Gallery, Compton.
* Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
* Day (1870), Fogg Art Museum, Harvard University.
* Night (1870), Fogg Art Museum, Harvard University.
* The Garden of Hesperides (1870–73), private collection.
* Spes or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
** 1872–1877 at the National Gallery of Victoria, Melbourne
** 1896 at the Museum of Fine Arts, Boston.
* Dorigen of Bretaigne longing for the Safe Return of her Husband (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.
* Fides (1871), Vancouver Art Gallery.
* Venus Epithalamia (1871), Fogg Art Museum, Harvard University.
* Pan and Psyche (1872–1874), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.
* Danäe and the Brazen Tower (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):
** Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
** Danae or the Tower of Brass (1887–88), Glasgow Museums, Glasgow.
* The Beguiling of Merlin (1872–1877), Lady Lever Art Gallery, Port Sunlight.
* Psyche entering the Portals of Olympus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
* The Feast of Peleus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
* Troy Triptych (1872–1898), Birmingham Museum & Art Gallery, Birmingham.
* The Mirror of Venus (1875), Museu Calouste Gulbenkian, Lisbon.
* Frieze of Eight Women Gathering Apples (1876), Tate Britain, London.
* The Annunciation (1876), Lady Lever Art Gallery, Port Sunlight.
* Atlas Turned to Stone (c. 1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.
* The Avenging Angel of St Catherine (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
* An Angel Playing a Flageolet (1878), Sudley House, National Museums Liverpool. Two further versions exist one in an unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.
* A Musical Angel (c. 1878–1880), unknown.

## 1880s

* The Golden Stairs (1880), Tate Britain, London.
* Lady Frances Balfour (1880), Musée des Beaux-Arts de Nantes
* The Angel (1881), Glasgow Museums, Glasgow.
* The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
* Earth Mother (1882), Worcester Art Museum, Massachusetts. Second version in a private collection (both listed at Bridgeman Art Library.
* The Mermaid (1882), Tate Britain, London.
* The Mill (1882), Victoria and Albert Museum, London.
* The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
* The Magic Circle (c. 1882), Tate Britain, London.
* Georgiana Burne-Jones (1883), private collection (?).
* King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
* The Pilgrim at the Gate of Idleness (1884), Dallas Museum of Art.
* The Morning of the Resurrection (1886), Tate Britain, London.
* Sibylla Delphica (1886), Manchester Art Gallery, Manchester.
* The Garden of Pan (c. 1886), National Gallery of Victoria, Melbourne.
* The Depths of the Sea (1887), Fogg Art Museum, Harvard University.
* The Star of Bethlehem (1887–1891), Birmingham Museum & Art Gallery, Birmingham.
* The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
* The King and the Shepherd (1888), Carnegie Museum of Art, Pittsburgh.
* The Heart of the Rose (1889), private collection.

## 1890s

| Title | Year | Collection |
| Sponsa de Libano | 1891 | Walker Art Gallery, Liverpool |
| The Sirens | 1891-1898 | Ringling Museum of Art, Florida. |
| Vespertina Quies | 1893 | Tate Britain, London. |
| Love Among the Ruins | 1894 | Wightwick Manor, Wolverhampton |
| Fall of Lucifer | 1894 | The Ashmolean Museum, Oxford. (On loan from Lord Lloyd Webber's private collection) |
| Psyche's Wedding | 1895 | Royal Museums of Fine Arts of Belgium. |
| The Dream of Launcelot at the Chapel of the San Graal | 1895 | Southampton City Art Gallery, Southampton. |
| Hope | 1896 | Museum of Fine Arts, Boston. |
| The Wizard | 1896-1898 | Birmingham Museum & Art Gallery, Birmingham. |
| Love and the Pilgrim | 1896-97 | Tate Britain, London. |

## Series
### The Legend of St George and the Dragon (1865–1867)

A series of seven works: :
| No. | Title | Collection |
| 1 | The King's Daughter | Musée d'Orsay, Paris |
| 2 | The Petition to the King | Hanover College, Indiana |
| 3 | The Princess Drawing the Lot | Hanover College, Indiana |
| 4 | The Princess Sabra Led to the Dragon | Private collection |
| 5 | The Princess Tied to the Tree | Private collection |
| 6 | St George Slaying the Dragon | Art Gallery of New South Wales, Sydney. Second version, 1868, in the William Morris Gallery |
| 7 | The Return of the Princess | Bristol City Museum and Art Gallery, Bristol |

### The Legend of Briar Rose (1885–1890)

Farringdon Collection Trust, Buscot Park, Oxfordshire. Four major paintings with 10 "joining panels":
* Briars
* The Briar Wood (1st major painting)
* Briars
* Briars, with Helmet and Greave
* A Terrace, with a Curtain hanging before a flowering Briar
* The Council Chamber (2nd major painting)
* A Terrace, with a Curtain hanging before a flowering Briar
* A Stone Hall with flowering Briars
* The Garden Court (3rd major painting)
* A Stone Hall with flowering Briars
* A Stone Kitchen overgrown with Briars
* A Kitchen with a Cupboard overgrown with Briars
* The Rose Bower (4th major painting)
* A Kitchen, with a Basin, Towel and Briars

### Small Briar Rose series (1871–1873)

Museo de Arte de Ponce, Puerto Rico.
* The Briar Wood
* The Council Chamber
* The Rose Bower

### Third Briar Rose series

* The Garden Court, Bristol City Museum and Art Gallery, Bristol.
* The Council Chamber, Delaware Art Museum, Wilmington.
* The Rose Bower, Hugh Lane Gallery of Modern Art, Dublin.

### The Days of Creation (1870–1876)

Fogg Art Museum, Harvard University:
* Title
* The First Day
* The Second Day
* The Third Day
* The Fourth Day
* The Fifth Day
* The Sixth Day

### Pygmalion Series (1868–1870)

Joseph Setton Collection (private), Paris – now owned by Lord Lloyd Webber:
| No. | Title |
| 1 | The Heart Desires |
| 2 | The Hand Refrains |
| 3 | The Godhead Fires |
| 4 | The Soul Attains |

### Pygmalion and the Image Series or "Pygmalion and Galatea Series" (1875–1878)

Birmingham Museum & Art Gallery, Birmingham:
| No. | Title |
| 1 | The Heart Desires |
| 2 | The Hand Refrains |
| 3 | The Godhead Fires |
| 4 | The Soul Attains |

### The Perseus Cycle (1875-1890s)

Only four of the paintings were completed in oil, although full size gouache studies were rendered of all the images.
* The Call of Perseus, full size study in Southampton Art Gallery.
* Perseus and the Graiae completed work in oil at Staatsgalerie, Stuttgart. Study in private collection, sketches at the Cecil Higgins Gallery and a full size study Southampton Art Gallery.
* The Arming of Perseus or Perseus and the Nereids (Sea Nymphs), study in Southampton Art Gallery.
* The Finding of Medusa, full size study in Southampton Art Gallery.
* The Death of Medusa, full size study in Southampton Art Gallery.
* The Birth of Pegasus and Chrysaor, full size study in Southampton Art Gallery.
* The Rock of Doom, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery.
* The Doom Fulfilled, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery. Perseus and Andromeda (1876) Art Gallery of South Australia, Adelaide. Same composition as Doom Fulfilled.
* The Baleful Head, completed work in oil at Staatsgalerie, Stuttgart; full size study in Southampton Art Gallery.
* Atlas turned to Stone, full size study in Southampton Art Gallery

## Portraits

* Portrait of Lady Lewis (1870), private collection.
* Portrait of Maria Zambaco (1870)
* Portrait of La Baronne Madeleine Desandes (1895–96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library).
* Portrait of Katie Lewis (1886),

## Undated

* The Temple of Love, Tate Britain, London.
* Flamma Vestalis, Fogg Art Museum, Harvard University.
* Venus Discordia, National Museum of Wales, Cardiff (unfinished).
* Heart of the Rose. Listed at Bridgeman Art Library.